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<INFO BITRATE="958050" KEY_LYRICS="2 ContributorsArabian Nights,Vol. 2 (Chap. 3) LyricsTale of King Omar Bin Al-Nu'uman and His Sons Sharrkan and Zau Al-Makan&#xA;&#xA;And What Befel Them of Things Seld-Seen and Peregrine.&#xA;&#xA;The King asked her, &amp;quot;And what was their story?&amp;quot; and she answered: It hath reached me, O auspicious King, that there was in the City of Safety, Baghdad, before the Caliphate of Abd al-Malik bin Marwán, a King, Omar bin al-Nu'umán highs, who was of the mighty giants and had subjected the Chosroës of Persia and the Kaysars of Eastern Rome; for none could warm himself at his fire; nor could any avail to meet him in the field of foray and fray; and, when he was angered, there came forth from his nostrils sparks of flame. He had made himself King over all quarters, and Allah had subjected to him all His creatures; his word went forth to all great cities and his hosts had harried the farthest lands. East and West had come under his command with whatsoever regions lay interspersed between them, Hind and Sind and Sin, the Holy Land, Al-Hijaz, the rich mountains of Al-Yaman and the archipelagos of India and China. Moreover, he reigned supreme over the north country and Diyár Bakr, or Mesopotamia, and over Sudán, the Eastern Negro land and the Islands of the Ocean, and all the far famed rivers of the earth, Sayhún and Jayhún, Nile and Euphrates. He sent envoys and ambassadors to capitals the most remote, to provide him with true report; and they would bring back tidings of justice and peace, with assurance of loyalty and obedience and of prayers in the pulpits for King Omar bin al-Nu'uman; for he was, O Ruler of the Age, a right noble King; and there came to him presents of rarities and toll and tribute from all lands of his governing. This mighty monarch had a son yclept Sharrkan, who was likest of all men to his father and who proved himself one of the prodigies of his time for subduing the brave and bringing his contemporaries to bane and ban. For this his father loved him with love so great none could be greater, and made him heir to the kingdom after himself. This Prince grew up till he reached man's estate and was twenty years old, and Allah subjected His servants to him, by reason of his great might and prowess in battle. Now his father, King Omar, had four wives legally married, but Allah had vouchsafed him no son by them, save Sharrkan, whom he had begotten upon one of them, and the rest were barren. Moreover he had three hundred and sixty concubines, after the number of days in the Coptic year, who were of all nations; and he had furnished for each and every a private chamber within his own palace. For he had built twelve pavilions, after the number of the months, each containing thirty private chambers, which thus numbered three hundred and three score, wherein he lodged his handmaids: and he appointed according to law for each one her night, when he lay with her and came not again to her for a full year; and on this wise he abode for a length of time. Meanwhile his son Sharrkan was making himself renowned in all quarters of the world and his father was proud of him and his might waxed and grew mightier; so that he passed all bounds and bore himself masterfully and took by storm castles and cities. Presently, by decree of the Decreer, a handmaid among the handmaids of Omar bin Nu'uman became pregnant; and, her pregnancy being announced to the Harim, the King was informed thereof; whereupon he rejoiced with exceeding joy and said, &amp;quot;Haply it will be a son, and so all my offspring will be males!&amp;quot; Then he documented the date of her conception and entreated her with all manner of kindness. But when the tidings came to Sharrkan, he was troubled and the matter seemed to him a sore one and a grievous; and he said, &amp;quot;Verily one cometh who shall dispute with me the sovereignty:&amp;quot; so quoth he to himself, &amp;quot;If this concubine bear a male child I will kill it:&amp;quot; but he kept that intention hidden in his heart. Such was the case with Sharrkan; but what happened in the matter of the damsel was as follows. She was a Roumiyah, a Greek girl, by name Sofiyah or Sophia, whom the King of Roum and Lord of Cæsarea had sent to King Omar as a present, together with great store of gifts and of rarities: she was the fairest of favour and loveliest of all his handmaids and the most regardful of her honour; and she was gifted with a wit as penetrating as her presence was fascinating. Now she had served the King on the night of his sleeping with her, saying to him, &amp;quot;O King! I desire of the God of the Heavens that he bless thee this night with a male child by me, so I may bring him up with the best of rearing, and enable him to reach man's estate perfect in intelligence, good manners and prudent bearing&amp;quot;—a speech which much pleased the King. During her pregnancy she was instant in prayer, fervently supplicating the Lord to bless her with a goodly male child and make his birth easy to her; and Allah heard her petition so that after her months were accomplished she sat safely upon the birth stool. Now the King had deputed a eunuch to let him know if the child she should bring forth were male or female; and in like way his son Sharrkan had sent one to bring him tidings of the same. In due time Sophia was delivered of a child, which the midwives examined and found to be a girl with a face sheenier than the moon. So they announced this to all present in the room, whereupon the King's messenger carried the news to him; and Sharrkan's eunuch did the like with his master who rejoiced with exceeding joy. But, after the two had departed, quoth Sophia to the midwives, &amp;quot;Wait with me awhile, for I feel as if there were still somewhat in my womb.&amp;quot; Then she cried out and the pains of child bed again took her; and Allah made it easy to her and she gave birth to a second child. The wise women looked at it and found it a boy like the full moon, with forehead flower white, and cheek ruddy bright with rosy light; whereupon the mother rejoiced, as did the eunuchs and attendants and all the company; and Sophia was delivered of the after birth whilst all in the palace sent forth the trill of joy. The rest of the concubines heard it and envied her lot; and the tidings reached Omar son of Al- Nu'uman, who was glad and rejoiced at the excellent news. Then he rose and went to her and kissed her head, after which he looked at the boy; and, bending over him, kissed him, whilst the damsels struck the tabors and played on instruments of music; and the King gave order that the boy should be named Zau al-Makán and his sister Nuzhat al-Zamán. They answered &amp;quot;Hearing and obedience,&amp;quot; and did his bidding; so he appointed wet nurses and dry nurses and eunuchs and attendants to serve them; and assigned them rations of sugar and diet drinks and unguents and else beside, beyond the power of tongue to rehearse. Moreover the people of Baghdad, hearing that Allah had blessed their King with issue, decorated the city and made proclamation of the glad tidings with drum and tom tom; and the Emirs and Wazirs and high dignitaries came to the palace and wished King Omar bin al-Nu'uman joy of his son, Zau al-Makan, and of his daughter Nuzhat al-Zaman, wherefore he thanked them and bestowed on them dresses of honour and further favoured them with gifts, and dealt largesse to all, gentle and simple, who were present. After this fashion he did for four days full told, and he lavished upon Sophia raiment and ornaments and great store of wealth; and, every few days he would send a messenger to ask after her and the new-borns. And when four years had gone by, he provided her with the wherewithal to rear the two children carefully and educate them with the best of instructions. All this while his son Sharrkan knew not that a male child had been born to his father, Omar son of Al-Nu'uman, having news only that he had been blessed with the birth of Nuzhat al-Zaman; and they hid the intelligence from him, until days and years had sped by, whilst he was busied in battling with the brave and fighting single handed against the knights. One day, as King Omar was sitting in his palace, his Chamberlains came in to him and, kissing the ground before him, said, &amp;quot;O King there be come Ambassadors from the King of Roum, Lord of Constantinople the Great, and they desire admission to thee and submission to thy decree: if the King commend us to introduce them we will so do; and, if not, there is no disputing his behest.&amp;quot; He bade them enter and, when they came in, he turned to them and, courteously receiving them, asked them of their case, and what was the cause of their coming. They kissed the ground before him and said, &amp;quot;O King glorious and strong! O lord of the arm that is long! know that he who despatched us to thee is King Afrídún, Lord of Ionia land and of the Nazarene armies, the sovereign who is firmly established in the empery of Constantinople, to acquaint thee that he is now waging fierce war and fell with a tyrant and a rebel, the Prince of Casarea; and the cause of this war is as follows. One of the Kings of the Arabs in past time, during certain of his conquests, chanced upon a hoard of the time of Alexander, whence he removed wealth past compute; and, amongst other things, three round jewels, big as ostrich eggs, from a mine of pure white gems whose like was never seen by man. Upon each were graven characts in Ionian characters, and they have many virtues and properties, amongst the rest that if one of these jewels be hung round the neck of a new-born child, no evil shall befal him and he shall neither wail, nor shall fever ail him as long as the jewel remain without fail. When the Arab King laid hands upon them and learned their secrets, he sent to King Afridun presents of certain rarities and amongst them the three jewels afore mentioned; and he equipped for the mission two ships, one bearing the treasure and the other men of might to guard it from any who might offer hindrance on the high seas, albeit well assured that none would dare waylay his vessels, for that he was King of the Arabs, and more by token that their course lay over waters subject to the King of Constantinople and they were bound to his port; nor were there on the shores of that sea any save the subjects of the Great King, Afridun. The two ships set out and voyaged till they drew near our city, when there sallied out on them certain corsairs from that country and amongst them troops from the Prince of Caesarea, who took all the treasures and rarities in the ships, together with the three jewels, and slew the crews. When our King heard of this, he sent an army against them, but they routed it; then he marched a second and a stronger but they put this also to flight,—whereupon the King waxed wroth and swore that he would not go forth against them save in his own person at the head of his whole army; nor would he turn back from them till he had left Caesarea, of Armenia in ruins and had laid waste all the lands and cities over which her Prince held sway. So he sent us to the Lord of the age and the time, Sultan Omar bin al-Nu'uman, King of Baghdad and of Khorasan, desiring that he aid us with an army, so may honour and glory accrue to him; and he hath also forwarded by us somewhat of various kinds of presents, and of the King's grace he beggeth their acceptance and the friendly boon of furtherance.&amp;quot; Then the Ambassadors kissed the ground before him,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Forty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that, after the Ambassadors and retinue from the Constantinopolitan King had kissed the ground before Omar and had delivered their embassage, they brought out the presents, which were fifty damsels of the choicest from Graecia-land, and fifty Mamelukes in tunics of brocade, belted with girdles of gold and silver, each wearing in his ears hoops of gold with pendants of fine pearls costing a thousand ducats every one. The girls were adorned in like fashion and were clad in stuffs worth a treasury of money. When the King saw them, he rejoiced in them and accepted them; then he bade the Ambassadors be honourably entreated and, summoning his Wazirs, took counsel with them of what he should do. Herewith rose up among them a Wazir, an ancient man, Dandan highs, who kissed the ground before Omar and said, &amp;quot;O King, there is nothing better to do in this matter than equip an army valiant and victorious, and set over it thy son Sharrkan with us as his lieutenants; and this rede commendeth itself to me on two counts; first, because the King of Roum hath invoked thine assistance and hath sent thee gifts which thou hast accepted; and, secondly, because while no enemy dareth attack our country, thine army may go forth safely and, should it succour the King of Graecia-land and defeat his foe, the glory will be thine. Moreover, the news of it will be noised abroad in all cities and countries and especially, when the tidings shall reach the Islands of the Ocean and the Kings of Mauritania shall hear it, they will send thee offerings of rarities and pay thee tribute of money.&amp;quot; The King pleased by the Wazir's words and approving his rede, gave him a dress of honour and said to him, &amp;quot;Of the like of thee should Kings ask counsel, and it seemeth fit that thou shouldst conduct the van of our army and our son Sharrkan command the main battle.&amp;quot; Then he sent for his son who came and kissed ground before him and sat down; and he expounded to him the matter, telling him what the Ambassadors and the Wazir Dandan had said, and he charged him to take arms and equip himself for the campaign, enjoining him not to gainsay Dandan in aught he should do. Moreover, he ordered him to pick out of his army ten thousand horsemen, armed cap-à-pie and inured to onset and stress of war. Accordingly, Sharrkan arose on the instant, and chose out a myriad of horsemen, after which he entered his palace and mustered his host and distributed largesse to them, saying, &amp;quot;Ye have delay of three days.&amp;quot; They kissed the earth before him in obedience to his commands and began at once to lay in munitions, and provide provisions for the occasion; whilst Sharrkan repaired to the armouries and took therefrom whatsoever he required of arms and armour, and thence to the stable where he chose horses of choice blood and others. When the appointed three days were ended, the army drew out to the suburbs of Baghdad city; and King Omar came forth to take leave of his son who kissed the ground before him and received from the King seven parcels of money. Then he turned to Danden and commended to his care the army of his son; and the Wazir kissed the ground before him and answered, &amp;quot;I hear and I obey;&amp;quot; and lastly he charged Sharrkan that he should consult the Wazir on all occasions, which he promised to do. After this, the King returned to his city and Sharrkan ordered the officers to muster their troops in battle array. So they mustered them and their number was ten thousand horsemen, besides footmen and camp followers. Then they loaded their baggage on their beasts and the war drums beat and the trumpets blared and the bannerols and standards were unfurled, whilst Sharrkan mounted horse, with the Wazir Dandan by his side, and the colours fluttering over their heads. So the host fared forth and stinted not faring, with the ambassadors preceding them, till day departed and night drew nigh, when they alighted and encamped for the night. And as soon as Allah caused the morn tomorrow, they mounted and tried on, guided by the Ambassadors, for a space of twenty days; and by the night of the twenty first they came to a fine and spacious Wady well grown with trees and shrubbery. Here Sharrkan ordered them to alight and commanded a three days' halt, so they dismounted and pitched their tents, spreading their camp over the right and the left slopes of the extensive valley, whilst the Wazir Dandan and the Ambassadors of King Afridun pitched in the sole of the Wady. As for Sharrkan, he tarried behind them for awhile till all had dismounted and had dispersed themselves over the valley sides; he then slacked the reins of his steed, being minded to explore the Wady and to mount guard in his own person, because of his father's charge and owing to the fact that they were on the frontier of Graecia land and in the enemy's country. So he rode out alone after ordering his armed slaves and his body guard to camp near the Wazir Dandan, and he fared on along the side of the valley till a fourth part of the night was passed, when he felt tired and drowsiness overcame him, so that he could no longer urge horse with heel. Now he was accustomed to take rest on horseback; so when slumber overpowered him, he slept and the steed ceased not going on with him till half the night was spent and entered one of the thickets which was dense with growth; but Sharrkan awoke not until his horse stumbled over wooded ground. Then he started from sleep and found himself among the trees, and the moon arose and shone brightly over the two horizons, Eastern and Western. He was startled when he found himself alone in this place and said the say which ne'er yet shamed its sayer, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great!&amp;quot; But as he rode on, in fear of wild beasts, behold, the moon spread her glad light over a meadow as if it were of the meads of Paradise; and he heard pleasant voices and a loud noise of talk and laughter captivating the senses of men. So King Sharrkan alighted and, tying his steed to one of the trees, went over a little way till he came upon a stream and heard a woman talking in Arabic and saying, &amp;quot;Now by the crush of the Messiah, this is not well of you! but whose utters a word, I will throw her and truss her up with her own girdle!&amp;quot; He kept walking in the direction of the sound and when he reached the further side he looked and behold, a stream was gushing and flowing, and antelopes at large were frisking and roving, and wild cattle amid the pasture moving, and birds expressed joy and gladness in their divers tongues, and that place was purfled with all manner flowers and green herbs, even as a poet described it in these couplets,&#xA;&#xA;&amp;quot;Most beautiful is earth in budding bloom, * When lucid waters&#xA;            course through plain and wood:&#xA;No work but His th' All great, th' All glorious, * Giver of all&#xA;            gifts, Giver of all good!&amp;quot;&#xA;&#xA;And as Sharrkan considered the place, he saw in it a Christian Monastery within whose enceinte a castle towered high in air catching the light of the moon. Through the midst of the convent passed a stream, the water flowing amongst its gardens; and upon the bank sat the woman whose voice he had heard, while before her stood ten handmaids like moons and wearing various sorts of raiment and ornaments that dazed and dazzled the beholder, high bosomed virgins, as saith of them the poet in these couplets,&#xA;&#xA;&amp;quot;The mead is bright with what is on't * Of merry maidens&#xA;            debonnair:&#xA;Double its beauty and its grace * Those trooping damsels slender-&#xA;           fair:&#xA;Virgins of graceful swimming gait * Ready with eye and lip to&#xA;            ensnare;&#xA;And like the tendril'd vine they loose * The rich profusion of&#xA;            their hair:&#xA;Shooting their shafts and arrows from * Beautiful eyes beyond&#xA;          compare;&#xA;Overpowering and transpiercing * Every froward adversaire.&amp;quot;&#xA;Sharrkan gazed upon the ten girls and saw in their midst a lady like the moon at fullest, with ringleted hair and forehead sheeny white, and eyes wondrous wide and black and bright, and temple locks like the scorpion's tail; and she was perfect in essence and attributes, as the poet said of her in these couplets,&#xA;&#xA;&amp;quot;She beamed on my sight with a wondrous glance, * And her&#xA;            straight slender stature enshamed the lance:&#xA;She burst on my sight with cheeks rosy red, * Where all manner of&#xA;            beauties have habitance:&#xA;And the locks on her forehead were lowering as night * Whence&#xA;            issues a dawn tide of happiest chance.&amp;quot;&#xA;&#xA;Then Sharrkan heard her say to the handmaids, &amp;quot;Come ye on, that I may wrestle with you and gravel you, ere the moon set and the dawn break!&amp;quot; So each came up to her in turn and she grounded them forthright, and pinioned them with their girdles, and ceased not wrestling and pitching them until she had overthrown one and all. Then there turned to her an old woman who was before her, and the beldam said as in wrath, &amp;quot;O strumpet, cost thou glory in grounding these girls? Behold I am an old woman, yet have I thrown them forty times! So what hast thou to boast of? But if thou have the strength to wrestle with me, stand up that I may grip thee and set thy head between thy heels!&amp;quot; The young lady smiled at her words, but she was filled with inward wrath, and she jumped up and asked, &amp;quot;O my lady Zat al-Dawahi, by the truth of the Messiah, wilt thou wrestle with me in very deed, or dost thou jest with me?&amp;quot;; and she answered, &amp;quot;Yea,&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Forty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the young lady asked Zat al-Dawahi, &amp;quot;By the truth of the Messiah, wilt wrestle with me or dost jest?&amp;quot;, and she answered, &amp;quot;Yea, I will wrestle with thee in very deed&amp;quot; (Sharrkan looking on the while), the damsel cried, &amp;quot;Rise up for the fall an thou have spunk so to do.&amp;quot; When the old woman heard this, she raged with exceeding rage, and her body hair stood on end like the bristles of a fretful hedgehog. Then she sprang to her feet, whilst the damsel stood up to her, and said, &amp;quot;Now by the truth of the Messiah, I will not wrestle with thee unless I be naked, Mistress whore!&amp;quot; So she loosed her petticoat trousers and, putting her hand under her clothes, tore them off her body; then twisted up a silken kerchief into cord shape, girt it round her middle and became as she were a scald head If ritah or a spotted snake. With this she inclined towards the damsel and said, &amp;quot;Do thou as I have done.&amp;quot; All this time, Sharrkan was gazing at the twain, and laughing at the beldam's loathly semblance. So the damsel leisurely rose and, taking a sash of Yamani stuff, passed it twice round her waist, then she tucked up her trousers and displayed two calves of alabaster carrying a mound of crystal, smooth and rounded, and a stomach which exhaled musk from its dimples, as it were a bed of Nu'uman's anemones; and breasts like double pomegranates. Then the old woman leant towards her, and the two laid hold either of each, while Sharrkan raised his head Heavenwards and prayed Allah that the belle might beat the beldam. Presently the young woman get beneath the old woman; and, gripping her waist cloth with the left and circling her neck with the right hand, hoisted her off the ground with both; whereupon the old woman strove to free herself and, in so doing fell on her back arsiversy, with her legs high in air and her hairy bush between them showed manifest in the moonshine; furthermore she let fly two great farts one of which blew up the dust from the earth's face and the other steamed up to the gate of Heaven. Sharrkan laughed till he fell back upon the ground. Then he arose and, baring his brand looked right and left, but he saw no one save the old woman sprawling on her back, and said to himself, &amp;quot;He lied not who named thee Lady of Calamities! Verily thou knewest her prowess by her performance upon the others.&amp;quot; So he drew near them to hear what should pass between them. Then the young lady went up to the old one and, throwing a wrapper of thin silk upon her nakedness, helped her to don her clothes and made excuses saying, &amp;quot;O my lady Zat al- Dawahi, I intended only to throw thee and not all this, but thou triedst to twist out of my hands; so laud to Allah for safety!&amp;quot; She returned her no answer, but rose in her shame and walked away till out of sight, leaving the handmaids prostrate and pinioned, with the fair damsel standing amongst them. Quoth Sharrkan to himself, &amp;quot;Every luck hath its cause. Sleep did not fall upon me nor the war horse bear me hither save for my good fortune; for doubtless this maid and what is with her shall become booty to me.&amp;quot; So he made towards his steed and mounted and heeled him on, when he sped as the shaft speeds from the bow and in his hand he still hent his brand bare of sheath, which he brandished shouting the while his war cry, &amp;quot;Allah is All mighty!&amp;quot; When the damsel saw him she sprang to her feet and, taking firm stand on the bank of the stream, whose breadth was six ells, the normal cubits, made one bound and landed clear on the farther side, where she turned and cried out with a loud voice, &amp;quot;Who art thou, O thou fellow, that breakest in upon our privacy and pastime, and that too hanger in hand as if charging a host? Whence camest thou and whither art thou going? Speak sooth, for truth will stand thee in good stead, and lie not, for lies come of villein breed Doubtless thou hast wandered this night from thy way, that thou chancedst upon this place whence escape were the greatest of mercies; for thou art now in an open plain and, did we shout but a single shout, would come to our rescue four thousand knights. So tell me what thou wantest; and if thou wouldst only have us set thee on the right road, we will do so.&amp;quot; When Sharrkan heard her words he replied, &amp;quot;I am a stranger of the Moslems, who fared forth this night single handed, seeking for spoil; nor could this moonlight show me a fairer booty than these ten maidens; so I shall seize them and rejoin my comrades with them.&amp;quot; Quoth she, &amp;quot;I would have thee know that as for the booty thou hast not come at it; and, as for the handmaids, by Allah, they shall never be thy spoil. Have I not told thee that to lie is villein vile?&amp;quot; Quoth he, &amp;quot;The wise man is he who taketh warning by others.&amp;quot; Thereupon quoth she, &amp;quot;By the truth of the Messiah, did I not fear that thy death would be on my hands, I would shout a shout should fill the mead for thee with war steeds and with men of might, but I take pity upon the stranger. So, if thou seek booty, I require of thee that thou alight from thy steed and swear to me, by thy faith, that thou wilt not advance against me aught like arms in hand, and we will wrestle, I and thou. If thou throw me, set me on thy steed and take all of us to thy booty; but if I throw thee, thou shalt become under my command. Swear this to me, for I fear thy treachery: indeed it hath become a common saw, 'Where Perfidy is innate there Trust is a weakly mate.' Now an thou wilt swear I will return and draw near to thee and tackle thee.&amp;quot; Answered Sharrkan (and indeed he lusted to seize her and said in his soul, &amp;quot;Truly she knoweth not that I am a champion of champions&amp;quot;); &amp;quot;Swear me by what oath thou wilt and by what thou deemest most binding, and I will not approach thee with aught till thou hast made thy preparation and sayest, 'Draw near that I wrestle with thee.' If thou throw me, I have money where withal to ransom myself; and if I throw thee, 'twill be booty and booty enough for me!&amp;quot; Rejoined the damsel, &amp;quot;I am content herewith!&amp;quot; and Sharrkan was astounded at her words and said, &amp;quot;And by the truth of the Apostle (whom Allah bless and keep!) I too am content on the other part!&amp;quot; Then said she, &amp;quot;Swear to me by Him who sprite in body dight and dealt laws to rule man kind aright, that thou wilt not offer me aught of violence save by way of wrestling; else mayst thou die without the pale of Al- Islam.&amp;quot; Sharrkan replied, &amp;quot;By Allah! were a Kazi to swear me, even though he were a Kazi of the Kazis, he would not impose upon me such an oath as this!&amp;quot; Then he sware to her by all she named and tied his steed to a tree; but he was drowned in the sea of thought, saying in himself, &amp;quot;Praise be to Him who fashioned her from dirty water!&amp;quot; Then he girt himself and made ready for wrestling, and said to her, &amp;quot;Cross the stream to me;&amp;quot; but she replied, &amp;quot;It is not for me to come over to thee: if thou wilt, pass thou over here to me.&amp;quot; &amp;quot;I cannot do that,&amp;quot; quoth he, and quoth she, &amp;quot;O boy, I will come across to thee.&amp;quot; So she tucked up her skirts and, leaping, landed on the other side of the stream by his side; whereupon he drew near to her and bent him forwards and clapped palms. But he was confounded by her beauty and loveliness; for he saw a shape which the Hand of Power had tanned with the dye leaves of the Jann, which had been fostered by the Hand of Beneficence and fanned by the Zephyrs of fair fortune and whose birth a propitious ascendant had greeted. Then she called out to him, &amp;quot;O Moslem, come on and let us wrestle ere the break of morning,&amp;quot; and tucked up her sleeves from a forearm like fresh curd, which illumined the whole place with its whiteness; and Sharrkan was dazzled by it. Then he bent forwards and clapped his palms by way of challenge, she doing the like, and caught hold of her, and the two grappled and gripped and interlocked hands and arms. Presently he shifted his hands to her slender waist, when his finger tips sank into the soft folds of her middle, breeding languishment, and he fell a trembling like the Persian reed in the roaring gale. So she lifted him up and, throwing him to the ground, sat upon his breast with hips and hinder cheeks like mounds of sand, for his soul had lost mastery over his senses. Then she asked him, &amp;quot;O Moslem! the slaying of Nazarenes is lawful to you folk; what then hast thou to say about being slain thyself?&amp;quot;; and he answered, &amp;quot;O my lady, thy speech as regards slaying me is not other than unlawful; for our prophet Mohammed (whom Allah bless and preserve!) prohibited the slaying of women and children, old men and monks!&amp;quot; &amp;quot;As it was thus revealed to your Prophet,&amp;quot; she replied, &amp;quot;it behoveth us to render the equivalent of his mercy; so rise. I give thee thy life, for generosity is never lost upon the generous.&amp;quot; Then she got off his breast and he rose and stood shaking the dust from his head against the owners of the curved rib, even women; and she said to him, &amp;quot;Be not ashamed; but verily one who entereth the land of Roum in quest of booty, and cometh to assist Kings against Kings, how happeneth it that he hath not strength enough to defend himself from one made out of the curved rib?&amp;quot; &amp;quot;'Twas not for lack of strength in me,&amp;quot; he answered; &amp;quot;nor didst thou throw me by thy force; it was thy loveliness overthrew me; so if thou wilt grant me another bout, it will be of thy courtesy.&amp;quot; She laughed and said, &amp;quot;I grant thee thy request: but these handmaids have long been pinioned and their arms and sides are weary, and it were only right I should loose them, for haply this next wrestling bout will be long.&amp;quot; Then she went to the slave girls and, unbinding them, said to them in the tongue of Greece, &amp;quot;Get ye to some safe place, till I foil this Moslem's lust and longing for you.&amp;quot; So they went away, whilst Sharrkan kept gazing at them and they kept turning to look at the two. Then each approached the adversary and he set his breast against hers, but when he felt waist touch waist, his strength failed him; and she, waxing ware of this, lifted him with her hands swiftlier than the blinding leven-flash, and threw him to the ground. He fell on his back, and then she said to him, &amp;quot;Rise: I give thee thy life a second time. I spared thee in the first count because of thy Prophet, for that he made unlawful the slaying of women; and I do so on the second count because of thy weakliness and the greenness of thine years and thy strangerhood; but I charge thee, if there be in the Moslem army sent by Omar bin al-Nu'uman to succour the King of Constantinople, a stronger than thou, send him hither and tell him of me: for in wrestling there are shifts and trips, catches and holds, such as the feint or falsing and the snap or first grip, the hug, the feet-catch, the thigh Lite, the jostle and the leg-lock.&amp;quot; &amp;quot;By Allah, O my lady,&amp;quot; quoth Sharrkan (and indeed he was highly incensed against her), &amp;quot;had I been Master al-Safdí, Master Mohammed Kimál or Ibn al-Saddí, as they were in their prime, I had kept no note of these shifts thou mentionest; for O my mistress, by Allah, thou hast not grassed me by thy strength, but by the blandishments of thy back parts; for we men of Mesopotamia so love a full formed thigh that nor sense was left me nor foresight. But now, an thou wish, thou shalt try a third fall with me while my wits are about me, and this last match is allowed me by the laws of the game which sayeth the best of three: moreover I have regained my presence of mind.&amp;quot; When she heard his words she said to him, &amp;quot;Hast thou not had a belly full of this wrestling, O vanquished one? However come on, an thou wilt; but know that this must be the last round.&amp;quot; Then she bent forward and challenged him and Sharrkan did likewise, setting to it in real earnest and being right cautious about the throw: so the two strove awhile and the damsel found in him a strength such as she had not observed before and said to him, &amp;quot;O Moslem, thou art now on thy mettle.&amp;quot; &amp;quot;Yes,&amp;quot; he replied, &amp;quot;thou knowest that there remaineth to me but this one round, after which each of us will wend a different way.&amp;quot; She laughed and he laughed too; then she overreached at his thigh and caught firm hold of it unawares, which made him greet the ground and fall full on his back. She laughed at him and said, &amp;quot;Art thou an eater of bran? Thou are like a Badawi's bonnet which falleth off with every touch or else the Father of Winds that droppeth before a puff of air. Fie upon thee, O thou poor thing!&amp;quot; adding, &amp;quot;Get thee back to the Moslem army and send us other than thyself, for thou fairest of thews; and proclaim for us, among the Arabs and Persians, the Turks and Daylamites, whoso hath might in him, let him come to us.&amp;quot; Then she made a spring and landed on the other side of the stream and said to Sharrkan, laughing, &amp;quot;Parting with thee is right grievous to me, O my lord; but get thee to thy mates before dawn, lest the Knights come upon thee and pick thee up on their lance points. Thou hast no strength to defend thee against a woman, so how couldst thou hold thine own amongst men of might and Knights?&amp;quot; Sharrkan was confounded and called to her (as she turned from him making towards the convent), &amp;quot;O my lady, wilt thou go away and leave the miserable stranger, the broken hearted slave of love?&amp;quot; So she turned to him laughing and said, &amp;quot;What is thy want? I will grant thee thy prayer.&amp;quot; &amp;quot;Have I set foot in thy country and tasted the sweetness of thy courtesy,&amp;quot; replied he, &amp;quot;and shall I return without eating of thy victual and tasting thy hospitality; I who have become one of thy servitors!&amp;quot; &amp;quot;None baulk kindliness save the base,&amp;quot; she rejoined, &amp;quot;honour us in Allah's name, on my head and eyes be it! Mount thy steed and ride along the brink of the stream over against me, for now thou art my guest.&amp;quot; At this Sharrkan was glad and, hastening back to his horse, mounted and walked him abreast of her, and she kept faring on till they came to a drawbridge built of beams of the white poplar, hung by pullies and steel chains and made fast with hooks and padlocks. When Sharrkan looked, he saw awaiting her upon the bridge the same ten handmaids whom she had thrown in the wrestling bouts; and, as she came up to them, she said to one in the Greek tongue, &amp;quot;Arise and take the reins of his horse and conduct him across into the convent.&amp;quot; So she went up to Sharrkan and led him over, much puzzled and perturbed with what he saw, and saying to himself, &amp;quot;O would that the Wazir Dandan were here with me that his eyes might look upon these fairest of favours.&amp;quot; Then he turned to the young lady and said to her, &amp;quot;O marvel of loveliness, now I have two claims upon thee; first the claim of good fellowship, and secondly for that thou hast carried me to thy home and offered me thy hospitality. I am now under thy commandance and thy guidance; so do me one last favour by accompanying me to the lands of Al-Islam; where thou shalt look upon many a lion hearted warrior and thou shalt learn who I am.&amp;quot; When she heard this she was angered and said to him, &amp;quot;By the truth of the Messiah, thou hast proved thyself with me a man of keen wit; but now I see what mischief there is in thy heart, and how thou canst permit thyself a speech which proveth thy traitorous intent. How should I do as thou sayest, when I wot that if I came to that King of yours, Omar bin al- Nu'uman, I should never get free from him? For truly he hath not the like of me or behind his city walls or within his palace halls, Lord of Baghdad and of Khorasan though he be, who hath built for himself twelve pavilions, in number as the months of the year, and in each a concubine after the number of the days; and if I come to him he would not prove shy of me, for your folk believe I am lawful to have and to hold as is said in your writ, 'Or those women whom your right hand shall possess as slaves.' So how canst thou speak thus to me? As for thy saying, 'Thou shalt look upon the braves of the Moslems,' by the truth of the Messiah, thou sayest that which is not true, for I saw your army when it reached our land, these two days ago; and I did not see that your ordinance was the ordinance of Kings, but I beheld only a rabble of tribesmen gathered together. And as to thy words, 'Thou shalt know who I am,' I did not do thee kindness because of thy dignity but out of pride in myself; and the like of thee should not talk thus to the like of me, even wert thou Sharrkan, Omar bin al- Nu'uman's son, the prowess name in these days!&amp;quot; &amp;quot;Knowest thou Sharrkan?&amp;quot; asked he; and she answered Yes! and I know of his coming with an army numbering ten thousand horsemen; also that he was sent by his sire with this force to gain prevalence for the King of Constantinople.&amp;quot; &amp;quot;O my lady,&amp;quot; said Sharrkan, &amp;quot;I adjure thee by thy religion, tell me the cause of all this, that sooth may appear to me clear of untruth, and with whom the fault lies.&amp;quot; &amp;quot;Now by the virtue of thy faith,&amp;quot; she replied, &amp;quot;did I not fear lest the news of me be bruited abroad that I am of the daughters of Roum, I would adventure myself and sally forth single handed against the ten thousand horsemen and slay their leader, the Wazir Dandan and vanquish their champion Sharrkan. Nor would aught of shame accrue to me thereby, for I have read books and studied the rules of good breeding in the language of the Arabs. But I have no need to vaunt my own prowess to thee, more by token as thou hast proved in thy proper person my skill and strength in wrestling; and thou hast learnt my superiority over other women. Nor, indeed, had Sharrkan himself been here this night and it were said to him, 'Clear this stream,' could he have done it; and I only long and lust that the Messiah would throw him into my hands in this very convent, that I might go forth to him in the habit of a man and drag him from his saddle seat and make him my captive and lay him in bilboes.&amp;quot;- -And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Forty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Nazarene damsel said to Sharrkan (and he listening impatiently enow), &amp;quot;Verily if Sharrkan fell into my hands, I would go forth to him in the habit of a man and drag him from his saddle seat and make him my captive and lay him in bilboes,&amp;quot; pride and passion and knightly jealousy took possession of him and he desired to discover and declare himself and to lay on load; but her loveliness restrained him and he began repeating,&#xA;&#xA;&amp;quot;An faulty of one fault the Beauty prove, * Her charms a thousand advocates shall move.&amp;quot;&#xA;&#xA;So she went up and Sharrkan after her; and, when he saw the maiden's back and hinder cheeks that clashed against each other, like rollers in the rolling sea, he extemporised these couplets:- -&#xA;&#xA;&amp;quot;For her sins is a pleader that brow, * And all hearts its fair&#xA;             pleading must bow:&#xA;When I saw it I cried, &amp;quot;To night * The moon at its fullest doth&#xA;            show;&#xA;Tho' Balkis' own Ifrit try a bout, * Spite his force she&#xA;            would deal him a throw.&amp;quot;&#xA;The two fared on till they reached a gate over which rose a marble archway. This she opened and ushered Sharrkan into a long vestibule, vaulted with ten connected arches, from each of which hung a crystal lamp glistening like a spark of fire. The handmaids met her at the further end bearing wax candles of goodly perfume, and wearing on their heads golden fillets crusted with all manner bezel gems, and went on before her (Sharrkan still following), till they reached the inner convent. There the Moslem saw couches and sofas ranged all around, one opposite the other and all over hung with curtains flowered in gold. The monastery floor was paved with every kind of vari coloured marbles and mosaic work, and in the midst stood a basin that held four and twenty jetting fountains of gold, whence the water ran like molten silver; whilst at the upper end stood a throne spread with silks fit only for Kings. Then said the damsel, &amp;quot;Ascend, O my lord, this throne.&amp;quot; So he went up to it and sat down and she withdrew to remain absent for some time. Sharrkan asked of her from one of the servants who answered him, &amp;quot;She hath gone to her dormitory; but we will serve thee even as she ordered.&amp;quot; So they set before him viands of rare varieties, and he ate his sufficiency, when they brought him a basin of gold and an ewer of silver, and he washed his hands. Then his thoughts reverted to his army, knowing not what had befallen it in his absence and calling to mind also how he had forgotten his father's injunctions: so he was troubled about his case, repenting of what he had done till the dawn broke and the day appeared; when he lamented and sighed and became drowned in sea of sadness and repeated,&#xA;&#xA;&amp;quot;I am not lost to prudence, but indeed * Here I'm bewildered,&#xA;            what shall be my rede?&#xA;Would any aid me in mine ails of love, * By my own might and&#xA;            sleight would I be free'd:&#xA;But ah! my heart is lost and passion-shent: * To none save Allah&#xA;          can I trust my need!&amp;quot;&#xA;&#xA;When he ended his verse behold, there came up to him a rare show and a fair, more than twenty maidens like crescents encompassing the young lady, who shone in their midst as the full moon among the constellations guarding and girding her. She was clad in brocades befitting Kings; her breasts were like twin pomegranates, a woven zone set with all kinds of jewels tightly clasped her waist which expanded below into jutting hips; and her hinder cheeks stood out as a mound of crystal supporting a silvern shaft. When Sharrkan looked at her his wits went nigh to fly away from him with delight; and he forgot army and Wazir as he gazed on her fair head decked and dight with a net work of pearls set off by divers sorts of gems. Handmaids on her right and handmaids on her left bore her train, as she paced with dainty graceful gait in all the pride of seemlihead. He sprang to his feet seeing such beauty and loveliness, and cried aloud, &amp;quot;Beware and beware of that zone rarely fair!&amp;quot; and broke out into these couplets,&#xA;&#xA;&amp;quot;With heavy back parts, high breasts delicate, * And lissome form&#xA;           that sways with swimming gait&#xA;She deftly hides love longing in her breast; * But I may never&#xA;           hide its ban and bate&#xA;While hosts of followers her steps precede, * Like pearls&#xA;            now necklaced and now separate.&amp;quot;&#xA;&#xA;She gazed upon him for a long time and considered him till she was assured of him, when she came up to him and said, &amp;quot;In very sooth the place is honoured and illumined by thee, O Sharrkan! How sped thy night, O hero, after we went away and left thee?&amp;quot;; adding, &amp;quot;Verily lying is a vile thing and a shameful, especially in great Kings! and thou art Crown Prince Sharrkan, son and heir of King Omar bin al-Nu'uman; so henceforth make no secret of thy rank and condition, nor let me hear aught from thee but the truth; for leasing bequeatheth hate and despite. And as thou art pierced by the shaft of Fate, be resignation thine and abide content to wait.&amp;quot; When he heard her words he saw that artifice availed him naught and he acknowledged the truth, saying, &amp;quot;I am Sharrkan, bin Omar bin al-Nu'uman, whom fortune hath afflicted and cast into this place; so whatso thou willest, do it in my case!&amp;quot; She hung her head groundwards a long while, then turned to him and said, &amp;quot;Be of good cheer and let thine eyes be cool and clear; for thou art the guest of my hospitality, and bread and salt hath made a tie between me and thee; wherefore thou art in my ward and under my safeguard. Have no fear for, by the truth of the Messiah, if all on earth sought to do thee hurt they should not come at thee, till life had left my body for thy sake: indeed thou art now under the charge of the Messiah and of me.&amp;quot; Hereat she sat her down by his side and fell to playing with him, till his alarm subsided and he knew that had she desired to slay him, she would have done so during the past night. Presently she bespoke in the Grecian tongue one of her slave girls, who went away and soon came back bringing a beaker and a tray of food; but Sharrkan abstained from eating and said to himself, &amp;quot;Haply she hath put somewhat in this meat.&amp;quot; She knew what was in his thought; so she turned to him and said, &amp;quot;By the truth of the Messiah, the case is not on such wise, nor is there aught in this meat of what thou suspectest! Had my mind been set on slaying thee, I had slain thee ere now.&amp;quot; Then she walked up to the tray and ate of every dish a mouthful; where upon Sharrkan came forward and ate too. She was pleased at this and both ate till they were satisfied. They washed their hands and after that she rose and ordered a handmaid to bring perfumes and herbs of sweet savour, wines of all colours and kinds and a wine-service with vessels of gold, silver and crystal. She filled a first goblet and drank it off before offering it to him, even as she had done with the food: then she crowned a second and handed it to him. He drank and she said to him, &amp;quot;O Moslem, see how thou art here in all solace and delight of life!&amp;quot; And she ceased not to drink and ply him with drink, till he took leave of his wits,- -And Shahrazad perceived the dawn of day, and ceased saying her permitted say.&#xA;&#xA;When it was the Forty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the damsel ceased not to drink and ply Sharrkan with drink till he took leave of his wits, for the wine and the intoxication of love he bore her. Presently she said to the slave girl, &amp;quot;O Marjanah! bring us some instruments of music!&amp;quot; &amp;quot;To hear is to obey,&amp;quot; said the hand maid and going out, returned in the twinkling of an eye with a Damascus lute, a Persian harp, a Tartar pipe, and an Egyptian dulcimer. The young lady took the lute and, after tuning each several string, began in gentle undersong to sing, softer than zephyr's wing and sweeter than Tasmin spring, with heart safe and secure from everything the couplets following,&#xA;&#xA;&amp;quot;Allah assain those eyne! What streams of blood they shed! * How&#xA;           many an arrowy glance those lids of thine have sped.&#xA;I love all lovers who to lovers show them cure; * 'Twere wrong to&#xA;           rue the love in wrong head born and bred:&#xA;Haply fall hapless eye for thee no sleeping kens! * Heaven help&#xA;          the hapless heart by force of thee misled!&#xA;Thou doomest me to death who art my king, and I * Ransom with&#xA;          life the deemster who would doom me dead.&amp;quot;&#xA;Thereupon each and every of the maidens rose up and taking an instrument, played and recited couplets in the Roumi tongue; then their mistress sang also and seeing Sharrkan in ecstasies asked him, &amp;quot;O Moslem, dost thou understand what I say?&amp;quot;; and he answered, &amp;quot;Nay, my ecstasy cometh from the beauty of thy finger sips.&amp;quot; She laughed and continued, &amp;quot;If I sing to thee in Arabic what wouldst thou do?&amp;quot; &amp;quot;I should no longer,&amp;quot; quoth he, &amp;quot;be master of my senses.&amp;quot; Then she took an instrument and, changing the measure, began singing these verses,&#xA;&#xA;&amp;quot;The smack of parting's myrrh to me, * How, then, bear patience'&#xA;            aloë?&#xA;I'm girt by ills in trinity * Severance, distance,&#xA;             cruelty!&#xA;My freedom stole that fairest she, * And parting irks me&#xA;            bitterly.&amp;quot;&#xA;&#xA;When she ended her verse, she looked at Sharrkan and found him lost to existence, and he lay for a while stretched at full length and prone among the maidens. Then he revived and, remembering the songs, again inclined to mirth and merriment; and the twain returned to their wine and wassail, and continued their playing and toying, their pastime and pleasure till day ceased illuminating and night drooped her wing. Then the damsel went off to her dormitory and when Sharrkan asked after her they answered, &amp;quot;She is gone to her sleeping chamber,&amp;quot; whereto he rejoined, &amp;quot;Under Allah's ward and His good guard!&amp;quot; As soon as it was morning, a handmaid came to him and said to him, &amp;quot;My mistress biddeth thee to her.&amp;quot; So he rose and followed her and, as he drew near her lodging, the damsels welcomed him with smitten tabrets and songs of greeting, and led him through a great door of ivory studded with pearls and jewels. Thence they passed with him into a tall and spacious hall, at the upper end of which was a wide dais carpeted with all kinds of silks, and round it open lattices commanding a view of trees and streams. About the saloon were figures carved in human form, and fashioned on such wise that the air passed through them and set in motion musical instruments within, so that the beholder would fancy they spoke. Here sat the young lady, looking at the figures; but when she saw Sharrkan, she sprang to her feet and, taking him by the hand, made him sit down by her side, and asked him how he had passed the night. He blessed her and the two sat talking awhile till she asked him, &amp;quot;Knowest thou aught touching lovers and slaves of love?&amp;quot;; and he answered &amp;quot;Yes! I wot somewhat in verse on that matter.&amp;quot; &amp;quot;Let me hear it,&amp;quot; quoth she, so he began quoting,&#xA;&#xA;&amp;quot;Pleasure and health, good cheer, good appetite * To Azzah,&#xA;           freest with our name and fame!&#xA;By Allah! would I near her off she flies * At tangent, granting&#xA;           less the more I claim:&#xA;I dote on Azzah, but when clear I off * My rivals, clears me too&#xA;           that dearest dame;&#xA;Like wandering wight that chose for shade a cloud * Which, ere&#xA;            siesta done, thin air became.&amp;quot;&#xA;&#xA;When she heard this she said, &amp;quot;Verily Al-Kuthayyir was conspicuous for sweet speech and chaste, and he was superlative in his praise of Azzah when he sang&amp;quot; (and she began to recite),&#xA;&#xA;&amp;quot;Did Azzah deal behest to Sun o' noon, * The judge had judged her&#xA;             beauty's bestest boon;&#xA;And girls who come to me and carp at her, * God make their rosy&#xA;           cheeks her sandal-shoon!&#xA;&#xA;And indeed,&amp;quot; quoth she, &amp;quot;'twas said that Azzah boasted exceeding beauty and loveliness.&amp;quot; Then she asked Sharrkan saying, &amp;quot;O Prince, cost thou know aught of Jamil's verses to Buthaynah? if so repeat to us somewhat of them;&amp;quot; and he answered, &amp;quot;Yes, I know them better than any;&amp;quot; whereupon he began repeating these couplets,&#xA;&#xA;&amp;quot;Jamil, in Holy war go fight!&amp;quot; to me they say: * What war save&#xA;            fight for fair ones would I e'er essay?&#xA;To me their every word and work are mere delight, * And martyrs&#xA;           crepe I all they slay in fight and fray:&#xA;An ask I, 'O Buthaynah! what's this love, I pray, * Which eats&#xA;            my heart?' quoth she ' 'Twill stay for ever and aye!'&#xA;And when I cry, 'Of wits return some small display * For daily&#xA;            use,' quoth she, 'Far, far 'tis fled away!&#xA;Thou seekst my death; naught else thy will can satisfy * While I&#xA;             no goal espy save thee and thee alway.'&amp;quot;&#xA;&#xA;&amp;quot;Thou hast spoken right well,&amp;quot; said she, &amp;quot;O King's son, and Jamil also spoke excellently well. But what would Buthaynah have done with him that he saith in his hemistich,&#xA;&#xA;'Thou seekst my death; naught else thy will can satisfy?'&amp;quot;&#xA;&#xA;&amp;quot;O my lady,&amp;quot; quoth Sharrkan, &amp;quot;she willed to do him what thou willest to do with me, and even that will not satisfy thee.&amp;quot; She laughed at his opportune reply and they ceased not carousing till Day put out her light and Night came in darkness dight. Then she rose and went to her dormitory and slept, while Sharrkan slept in his place till morning dawned. As soon as he awoke, the hand maids came to him with tabrets and other instruments of mirth and merriment, as wont; and, kissing the ground between his hands, said to him, &amp;quot;Bismillah! in Allah's name be so kind as to come: our mistress biddeth thee to her presence!&amp;quot; So he rose and accompanied the slave girls who surrounded him, playing on tabrets and other instruments of music, till they passed from that saloon into another and a yet more spacious hall, decorated with pictured likenesses and figures of birds and beasts, passing all description. Sharrkan marvelled at the art and artifice of the place and began reciting,&#xA;&#xA;&amp;quot;He plucks fruits of her necklace in rivalry, * And her breast-&#xA;           pearls that bedded in gold mine lie.&#xA;Pure water on silvern bars is her brow, * And her cheeks show&#xA;             roses with rubies vie:&#xA;Meseems in her eyne that the violet's hue * Lies purpling set in&#xA;            the Ithmid's dye.&amp;quot;&#xA;When the lady saw Sharrkan, she stood up to him in honour and,&#xA;taking his hand, seated him by her side and asked, &amp;quot;O son of King&#xA;Omar bin al-Nu'uman, hast thou any cunning in the game of chess?&amp;quot;&#xA;&amp;quot;Yes,&amp;quot; he answered, &amp;quot;but do not thou with me as said the poet,&#xA;'I speak and longing love upties me and unties me; * Till with&#xA;             her honey dew of inner lip she plies me:&#xA;I brought the chess board and my liefest lover plays me * With&#xA;            white and black, but black cum white ne'er satisfies&#xA;             me:&#xA;'Twas as if King for Castle I were fain to place me * Till wilful&#xA;             loss of game atwixt two queens surprise me:&#xA;And if I seek to read intent in eyes that eye me * Oh man! that&#xA;             glance askance with hint of wish defies me.'&amp;quot;&#xA;&#xA;Then she brought the chessboard and played with him; but Sharrkan, instead of looking at her moves, kept gazing at her fair mouth, and putting knight in place of elephant and elephant instead of knight. She laughed and said to him, &amp;quot;If thy play be after this fashion, thou knowest naught of the game.&amp;quot; &amp;quot;This is only our first,&amp;quot; replied he, &amp;quot;judge not by this bout.&amp;quot; When she beat him he replaced the pieces in position and played again with her; but she beat him a second time, a third, a fourth and a fifth. So she turned to him and said, &amp;quot;Thou art beaten in everything;&amp;quot; and he replied, &amp;quot;O my lady, how should one playing with the like of thee avoid being beaten?&amp;quot; Then she bade bring food, and they ate and washed their hands; after which the wine was set before them and they drank. Presently, she took the dulcimer, for her hand was cunning in smiting it, and she began repeating to an accompaniment these couplets,&#xA;&#xA;&amp;quot;Twixt the close tied and open wide no medium Fortune knoweth, *&#xA;            Now ebb and flow then flow and ebb this wise her likeness&#xA;             showeth.&#xA;Then drink her wine the syne she's thine and smiling thou dost&#xA;             find her * Anon she'll fall and fare away when all thy good&#xA;             forth goeth.&amp;quot;&#xA;&#xA;They ceased not to carouse till nightfall and this day was pleasanter even than the first. When darkness set in, the lady betook her to her dormitory, leaving him alone with the hand maids; so he threw himself on the ground and slept till dawn, when the damsels came to him with tambourines and other instruments according to custom. Seeing them he roused him hastily and sat up; and they carried him to their mistress, who came to meet him and, taking him by the hand, seated him by her side. Then she asked him how he had passed his night, whereat he prayed that her life be prolonged; and she took the lute and sang to it these verses which she improvised,&#xA;&#xA;&amp;quot;Ne'er incline thee to part * Which embitters the heart&#xA;E'en the sun when he sets * Shall in pallor depart.&amp;quot;&#xA;&#xA;While they were solacing themselves after this fashion, behold, there arose a great and sudden clamour, and a confused crowd of knights and men rushed in, holding drawn swords that glittered and gleamed in their hands, and cried aloud in the Grecian tongue &amp;quot;Thou hast fallen into our hands, O Sharrkan, so make thee sure of death!&amp;quot; When he heard this, he said to himself, &amp;quot;By Allah, she hath entrapped me and held me in play, till her men should come. These are the Knights with whom she threatened me; but 'tis I who have thrown myself into this strait.&amp;quot; Then he turned towards the young lady to reproach her, but saw that she had changed colour and her face was pale; and she sprang to her feet and asked the crowd, &amp;quot;Who are ye?&amp;quot; &amp;quot;O most gracious Princess and peerless onion pearl,&amp;quot; answered the leading Knight, &amp;quot;dost thou weet who is yon man by thy side?&amp;quot; &amp;quot;Not I,&amp;quot; she replied, &amp;quot;who may he be?&amp;quot; Quoth the Patrician, &amp;quot;This is of towns the highwayman! This is he who rideth in the horseman's van! This is Sharrkan, son of King Omar bin al-Nu'uman! This is he that forceth fortalice and penetrateth every impregnable place! The news of him reached King Hardub, thy father, by report of the ancient dame Zat al- Dawahi; and thy sire, our sovereign, hath made sure that thou hast rendered good service to the army of the Greeks by taking captive this ominous lion.&amp;quot; When she heard this, she looked at the Knight and asked him, &amp;quot;What be thy name?&amp;quot; and he answered, &amp;quot;I am Másúrah, son of thy slave Mausúrah bin Káshardah, Knight of Knights.&amp;quot; &amp;quot;And how?&amp;quot; quoth she, &amp;quot;durst thou enter my presence without leave?&amp;quot; Quoth he, &amp;quot;O my lady, when I came to the gate, none forbade me, neither chamberlain nor porter, but all the door keepers rose and forewent us as of wont; although, when others come, they leave them standing at the gate while they ask permission to admit them. But this is not a time for long talking, when the King is expecting our return with this Prince, the scorpion sting of the Islamitic host, that he may kill him and drive back his men whither they came, without the bane of battling with them.&amp;quot; &amp;quot;These words be ill words,&amp;quot; rejoined the Princess, &amp;quot;and Dame Zat al-Dawahi lied, avouching an idle thing and a vain, whereof she weeteth not the truth; for by the virtue of the Messiah, this man who is with me is not Sharrkan, nor is he a captive, but a stranger who came to us seeking our hospitality, and I made him my guest. So even were we assured that this be Sharrkan and were it proved to us that it is he beyond a doubt, I say it would ill befit mine honour that I should deliver into your hands one who hath entered under my protection. So make me not a traitor to my guest and a disgrace among men; but return to the King, my father, and kiss the ground before him, and inform him that the case is contrariwise to the report of the Lady Zat al-Dawahi.&amp;quot; &amp;quot;O Abrízah,&amp;quot; replied Masurah, the Knight, &amp;quot;I cannot return to the King's majesty without his debtor and enemy.&amp;quot; Quoth she (and indeed she had waxed very wroth). &amp;quot;Out on thee! Return to him with my answer, and no blame shall befal thee!&amp;quot; Quoth Masurah, &amp;quot;I will not return without him.&amp;quot; Thereupon her colour changed and she exclaimed, &amp;quot;Exceed not in talk and vain words; for verily this man had not come in to us, were he not assured that he could of himself and single handed make head against an hundred riders; and if I said to him, 'Thou art Sharrkan, son of King Omar bin al-Nu'uman,' he would answer, 'Yes.' But 'tis not of your competence to let or hinder him; for if you do so, he will not turn back from you till he hath slain all that are in this place. Behold, here he is by my side, and I will bring him before you sword and targe in hand.&amp;quot; &amp;quot;Albeit I were safe from thy wrath,&amp;quot; answered Masurah the Knight, &amp;quot;I am not safe from that of thy father, and when I see him, I shall sign to the Knights to take him captive, and we will carry him to the King bound and in abject sort.&amp;quot; When she heard this, she said, &amp;quot;The matter shall not pass thus, for 'twould be blazoning mere folly. This man is but one and ye are an hundred Knights: so if you would attack him come out against him, one after one, that it may appear to the King which is the valiant amongst you.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fiftieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Princess Abrizah said to the Knight, &amp;quot;This man is but one, and ye are an hundred: so if ye would attack him, come out against him, one after one, that it may appear to the King which is the valiant.&amp;quot; Quoth Masurah, the Knight, &amp;quot;By the truth of the Messiah, thou sayest sooth, and none but I shall sally out against him first.&amp;quot; Quoth she, &amp;quot;Wait till I go to him and acquaint him with the case and hear what answer he will make. If he consent, 'tis well; but if he refuse, ye shall on no wise come to him, for I and my hand maids and whosoever is in the convent will be his ransom.&amp;quot; So she went to Sharrkan and told him the news, whereat he smiled and knew that she had not informed any of the Emirs; but that tidings of him had been bruited and blazed abroad, till the report reached the King, against her wish and intent. So he again began reproaching himself and said, &amp;quot;How came I to adventure and play with my life by coming to the country of the Greeks?&amp;quot; But hearing the young lady's proposal he said to her, &amp;quot;Indeed their onset, one after one, would be overburdensome to them. Will they not come out against me, ten by ten?&amp;quot; &amp;quot;That would be villainy,&amp;quot; said she; &amp;quot;Let one have at one.&amp;quot; When he heard this, he sprang to his feet and made for them with his sword and battle gear; and Masurah, the Knight, also sprang up and bore down upon him. Sharrkan met him like a lion and delivered a shoulder cut which clove him to the middle, and the blade came out gleaming and glittering from his back and bowels. When the lady beheld that swashingblow, Sharrkan's might was magnified in her sight and she knew that when she overthrew him in the wrestle it was not by her strength but by her beauty and loveliness. So she turned to the Knights and said, &amp;quot;Take wreak for your chief!&amp;quot; Thereupon out came the slain man's brother, a fierce and furious Knight, and rushed upon Sharrkan, who delayed not, but smote him also with the shoulder cut and the sword came out glittering from his vitals. Then cried the Princess, &amp;quot;O ye servants of the Messiah, avenge your comrade!&amp;quot; So they ceased not charging down upon him, one after one; and Sharrkan also ceased not playing upon them with the blade, till he had slain fifty Knights, the lady looking on the while. And Allah cast a panic into the hearts of the survivors, so that they held back and dared not meet him in the duello, but fell upon him in a body; and he laid on load with heart firmer than a rock, and smote them and trod them down like straw under the threshing sled, till he had driven sense and soul out of them. Then the Princess called aloud to her damsels, saying, &amp;quot;Who is left in the convent?&amp;quot;; and they replied, &amp;quot;None but the gate keepers;&amp;quot; whereupon she went up to Sharrkan and took him to her bosom, he doing the same, and they returned to the palace, after he had made an end of the melee. Now there remained a few of the Knights hiding from him in the cells of the monastery, and when the Princess saw this she rose from Sharrkan's side and left him for a while, but presently came back clad in closely meshed coat of ring mail and holding in her hand a fine Indian scymitar. And she said, &amp;quot;Now by the truth of the Messiah, I will not be a niggard of myself for my guest; nor will I abandon him though for this I abide a reproach and a by word in the land of the Greeks.&amp;quot; Then she took reckoning of the dead and found that he had slain fourscore of the Knights, and other twenty had taken to flight. When she saw what work he had made with them she said to him, &amp;quot;Allah bless thee, O Sharrkan! The Cavaliers may well glory in the like of thee.&amp;quot; Then he rose and wiping his blade clean of the blood of the slain began reciting these couplets,&#xA;&#xA;&amp;quot;How oft in the mellay I've cleft the array, * And given their&#xA;             bravest to lions a prey:&#xA;Ask of me and of them when I proved me prow * O'er creation, on&#xA;             days of the foray and fray:&#xA;When I left in the onslaught their lions to lie * On the sands of&#xA;             the low lands in fieriest day.&amp;quot;&#xA;&#xA;When he ended his verse, the Princess came up to him with smiles and kissed his hand; then she doffed her hauberk and he said to her, &amp;quot;O lady mine, wherefore didst thou don that coat of mail and bare thy brand?&amp;quot; &amp;quot;To guard thee against these caitiffs,&amp;quot; she replied. Then she summoned the gate keepers and asked them, &amp;quot;How came ye to admit the King's Knights into my dwelling without leave of me?&amp;quot;; and they answered, &amp;quot;O Princess, it is not our custom to ask leave of thee for the King's messengers, and especially for the chief of his Knights.&amp;quot; Quoth she, &amp;quot;I think ye were minded only to disgrace me and murder my guest;&amp;quot; and bade Sharrkan smite their necks. He did so and she cried to the rest of her servants, &amp;quot;Of a truth, they deserved even more than that!&amp;quot; Then turning to Sharrkan, she said to him, &amp;quot;Now that there hath become manifest to thee what was concealed, thou shalt be made acquainted with my history. Know, then, that I am the daughter of King Hardub of Roum; my name is Abrizah and the ancient dame, yclept Zat al-Dawahi, is my grandmother by the sword side. She it certainly is who told my father of thee, and as surely she will compass a sleight to slay me, more by token as thou hast slain my father's chivalry and it is noised abroad that I have separated myself from the Nazarenes and have become no better than I should be with the Moslems. Wherefore it were wiser that I leave this dwelling while Zat al-Dawahi is on my track; but I require of thee the like kindness and courtesy I have shown thee, for enmity will presently befal between me and my father on thine account. So do not thou neglect to do aught that I shall say to thee, remembering all this betided me not save by reason of thee.&amp;quot; Hearing her words, Sharrkan joyed greatly; his breast broadened and his wits flew from him for delight, and he said, &amp;quot;By Allah, none shall come at thee, while life is in my bosom! But hast thou patience to bear parting from thy parents and thy people?&amp;quot; &amp;quot;Even so,&amp;quot; she answered; and Sharrkan swore to her and the two plighted their troth. Then said she, &amp;quot;Now is my heart at ease; but there remaineth one other condition for thee.&amp;quot; &amp;quot;What is it?&amp;quot; asked he and she answered, &amp;quot;It is that thou return with thy host to thine own country.&amp;quot; Quoth he, &amp;quot;O lady mine, my father, King Omar bin al- Nu'uman, sent me to wage war upon thy sire, on account of the treasure he plundered from the King of Constantinople, and amongst the rest three great jewels, noted givers of good fortune.&amp;quot; Quoth she, &amp;quot;Cheer thy heart and clear thine eyes: I will tell thee the whole of the tale and the cause of our feud with the King of Constantinople. Know that we have a yearly festival, highs the Convent Feast, whereat Kings from all quarters and the noblest women are wont to congregate; thither also come merchants and traders with their wives and families, and the visitors abide there seven days. I was wont to be one of them; but, when there befel enmity between us, my father forbade me to be present at the festival for the space of seven years. One year, it chanced that amongst the daughters of the great who resorted to the patron, as was their custom, came a daughter of the King of Constantinople, a beautiful girl called Sophia. They tarried at the monastery six days and on the seventh the folk went their ways; but Sophia said, 'I will not return to Constantinople save by water.' So they equipped for her a ship in which she embarked with her suite; and making sail they put out to sea; but as they were voyaging behold, a contrary wind caught them and drove the vessel from her course till, as Fate and Fortune would have it, she fell in with a Nazarene craft from the Camphor Island carrying a crew of five hundred armed Franks, who had been cruising about a long time. When they sighted the sails of the ship, wherein Sophia and her women were, they gave chase in all haste and in less than an hour they came up with her, then they laid the grappling irons aboard her and captured her. Then taking her in tow they made all sail for their own island and were but a little distant from it when the wind veered round and, splitting their sails, drove them on to a shoal which lies off our coast. Thereupon we sallied forth and, looking on them as spoil driven to us by Fate, boarded and took them; and, slaying the men, made prize of the wreck, wherein we found the treasures and rarities in question and forty maidens, amongst whom was the King's daughter, Sophia. After the capture we carried the Princess and her women to my father, not knowing her to be a daughter of King Afridun of Constantinople; and he chose out for himself ten including her; and divided the rest among his dependents. Presently he set apart five damsels, amongst whom was the King s daughter, and sent them to thy father, King Omar bin al-Nu'uman, together with other gifts, such as broadcloth and woollen stuffs and Grecian silks. Thy father accepted them and chose out from amongst the five girls Sophia, daughter of King Afridun; nor did we hear more of her till the beginning of this year, when her father wrote to my father in words unfitting for me to repeat, rebuking him with menaces and saying to him: Two years ago, you plundered a ship of ours which had been seized by a band of Frankish pirates in which was my daughter, Sophia, attended by her maidens numbering some threescore. Yet ye informed me not thereof by messenger or otherwise; nor could I make the matter public, lest reproach befal me amongst the Kings, by reason of my daughter's honour. So I concealed my case till this year, when I wrote to certain Frankish corsairs and sought news of my daughter from the Kings of the Isles. They replied, 'By Allah we carried her not forth of thy realm; but we have heard that King Hardub rescued her from certain pirates. And they told me the whole tale.' Then he added in the writing which he writ to my father: 'Except you wish to be at feud with me and design to disgrace me and dishonour my daughter, you will, the instant my letter reacheth you, send my daughter back to me. But if you slight my letter and disobey my commandment, I will assuredly make you full return for your foul dealing and the baseness of your practices.' When my father read this letter and understood the contents, it vexed him and he regretted not having known that Sophia, King Afridun's daughter, was among the captured damsels, that he might have sent her back to her sire; and he was perplexed about the case because, after so long a time, he could not send to King Omar bin al-Nu'uman and demand her back from him, especially as he had lately heard that Heaven had granted him boon of babe by this Sophia. So when we pondered that truth, we knew that this letter was none other than a grievous calamity; and my father found nothing for it but to write an answer to King Afridun, making his excuses and swearing to him by strong oaths that he knew not his daughter to be among the bevy of damsels in the ship and setting forth how he had sent her to King Omar bin al Nu'uman, who had gotten the blessing of issue by her. When my father's reply reached King Afridun he rose up and sat down, and roared and foamed at the mouth crying:—'What! shall he take captive my daughter and even her with slave girls and pass her on from hand to hand sending her for a gift to Kings, and they lie with her without marriage contract? By the Messiah and the true Faith,' said he, 'I will not desist till I have taken my blood vengeance for this and have wiped out my shame; and indeed I will do a deed which the chroniclers shall chronicle after me!' So he bided his time till he devised a device and laid notable toils and snares, when he sent an embassy to thy father, King Omar, to tell him that which thou hast heard: accordingly thy father equipped thee and an army with thee and sent thee to King Afridun, whose object is to seize thee and thine army to boot. As for the three jewels whereof he told thy father when asking his aid, there was not one soothfast word in that matter, for they were with Sophia, his daughter; and my father took them from her, when he got possession of her and of her maidens, and gave them to me in free gift, and they are now with me. So go thou to thy host and turn them back ere they be led deep into, and shut in by, the land of the bevy of damsels in the ship and setting forth the Franks and the country of the Greeks; for as soon as you have come far enough into their interior, they will stop the roads upon you and there will be no escape for you till the Day of retribution and retaliation. I know that thy troops are still halting where thou leftest them, because thou didst order a three days' rest; withal they have missed thee all this time and they wot not what to do.&amp;quot; When Sharrkan heard her words, he was absent awhile in thought; then he kissed Princess Abrizah's hand and said, &amp;quot;Praise be to Allah who hath bestowed thee on me and appointed thee to be the cause of my salvation and the salvation of whoso is with me! But 'tis grievous to me to part from thee and I know not what will become of thee after my departure.&amp;quot; &amp;quot;Go now to thine army,&amp;quot; she replied, &amp;quot;and turn them back, while ye are yet near your own country. If the envoys be still with them, lay hands on them and keep them, that the case may be made manifest to you; and, after three days, I will be with you all and we will enter Baghdad together.&amp;quot; As he turned to depart she said, &amp;quot;Forget not the compact which is between me and thee,&amp;quot; then she rose to bid him farewell and embrace him and quench the fire of desire, so she took leave of him and, throwing her arms round his neck, wept with exceeding weeping, and repeated these verses,&#xA;&#xA;&amp;quot;I bade adieu, my right hand wiped my tears away, * The while my&#xA;             left hand held her in a close embrace:&#xA;'Fearest thou naught,' quoth she, 'of shame?' I answered 'Nay, *&#xA;             The lover's parting day is lover's worst disgrace.'&amp;quot;&#xA;&#xA;Then Sharrkan left her and walked down from the convent. They brought his steed, so he mounted and rode down stream to the drawbridge which he crossed and presently threaded the woodland paths and passed into the open meadow. As soon as he was clear of the trees he was aware of horsemen which made him stand on the alert, and he bared his brand and rode cautiously, but as they drew near and exchanged curious looks he recognized them and behold, it was the Wazir Dandan and two of his Emirs. When they saw him and knew him, they dismounted and saluting him, asked the reason of his absence; whereupon he told them all that had passed between him and Princess Abrizah from first to last. The Wazir returned thanks to Almighty Allah for his safety and said, &amp;quot;Let us at once leave these lands; for the envoys who came with us are gone to inform the King of our approach, and haply he will hasten to fall on us and take us prisoners.&amp;quot; So Sharrkan cried to his men to saddle and mount, which they did and, setting out at once, they stinted not faring till they reached the sole of the valley wherein the host lay. The Ambassadors meanwhile had reported Sharrkan's approach to their King, who forthright equipped a host to lay hold of him and those with him. But Sharrkan, escorted by the Wazir Dandan and the two Emirs, had no sooner sighted the army, than he raised the cry &amp;quot;March! March!&amp;quot; They took horse on the instant and fared through the first day and second and third day, nor did they cease faring for five days; at the end of which time they alighted in a well wooded valley, where they rested awhile. Then they again set out and stayed not riding for five and twenty days which placed them on the frontiers of their own country. Here, deeming themselves safe, they halted to rest; and the country people came out to them with guest gifts for the men and provender and forage for the beasts. They tarried there two days after which, as all would be making for their homes, Sharrkan put the Wazir Dandan in command, bidding him lead the host back to Baghdad. But he himself remained behind with an hundred riders, till the rest of the army had made one day's march: then he called &amp;quot;To horse!&amp;quot; and mounted with his hundred men. They rode on two parasangs' space till they arrived at a gorge between two mountains and lo! there arose before them a dark cloud of sand and dust. So they checked their steeds awhile till the dust opened and lifted, discovering beneath it an hundred cavaliers, lion faced and in mail coats cased. As soon as they drew within earshot of Sharrkan and his meiny they cried out to them, saying, &amp;quot;By the virtue of John and Mary, we have won to our wish! We have been following you by forced marches, night and day, till we forewent you to this place. So dismount and lay down your arms and yield yourselves, that we may grant you your lives.&amp;quot; When Sharrkan heard this, his eyes stood out from his head and his cheeks flushed red and he said 'How is it, O. Nazarene dogs, ye dare enter our country and overmatch our land? And doth not this suffice you, but ye must adventure yourselves and address us in such unseemly speech? Do you think to escape out of our hands and return to your country?&amp;quot; Then he shouted to his hundred horsemen, &amp;quot;Up and at these hounds, for they even you in number!&amp;quot; So saying, he bared his sabre and bore down on them, he and his, but the Franks met them with hearts firmer than rocks, and wight dashed against wight, and knight dashed upon knight, and hot waxed the fight, and sore was the affright, and nor parley nor cries of quarter helped their plight; and they stinted not to charge and to smite, right hand meeting right, nor to hack and hew with blades bright white, till day turned to night and gloom oppressed the sight. Then they drew apart and Sharrkan mustered his men and found none wounded save four only, who showed hurts but not death hurts. Said he to them, &amp;quot;By Allah, my life long have I waded in the clashing sea of fight and I have met many a gallant sprite, but none so unfrightened of the sword that smites and the shock of men that affrights like these valiant Knights!&amp;quot; &amp;quot;Know, O King,&amp;quot; said they, that there is among them a Frankish cavalier who is their leader and, indeed, he is a man of valour and fatal is his spear thrust: but, by Allah, he spares us great and small; for whoso falls into his hands he lets him go and forbears to slay him. By Allah, had he willed he had killed us all.&amp;quot; Sharrkan was astounded when he heard what the Knight had done and such high report of him, so he said, &amp;quot;When the morn shall morrow, we will draw out and defy them, for we are an hundred to their hundred; and we will seek aid against them from the Lord of the Heavens.&amp;quot; So they rested that night in such intent; whilst the Franks gathered round their Captain and said, &amp;quot;Verily this day we did not win our will of these;&amp;quot; and he replied, &amp;quot;At early dawn when the morrow shall morn, we will draw out and challenge them, one after one.&amp;quot; They also rested in that mind, and both camps kept guard until Almighty Allah sent the light of day dawn. Thereupon King Sharrkan and his hundred riders took horse and rode forth to the plain, where they found the Franks ranged in line of battle; and Sharrkan said to his followers, &amp;quot;Our foes have determined like ourselves to do their devoir; so up and at them and lay on load.&amp;quot; Then came forth an Herald of the Franks and cried out, saying, &amp;quot;Let there be no general engagement betwixt us this day, save by the duello, a champion of yours against a champion of ours.&amp;quot; Whereupon one of Sharrkan's riders dashed out from the ranks and crave between the two lines crying, &amp;quot;Ho! who is for smiting? Let no dastard engage me this day nor niderling!&amp;quot; Hardly had he made an end of his vaunt, when there sallied forth to him a Frankish cavalier, armed cap-à-pie and clad in a surcoat of gold stuff, riding on a grey white steed, and he had no hair on his cheeks. He urged his charger on to the midst of the battle plain and the two fell to derring do of cut and thrust, but it was not long before the Frank foined the Moslem with the lance point; and, toppling him from his steed, took him prisoner and led him off crestfallen. His folk rejoiced in their comrade and, forbidding him to go out again to the field, sent forth another, to whom sallied out another Moslem, brother to the captive, and offered him battle. The two fell to, either against other, and fought for a little while, till the Frank bore down upon the Moslem and, falsing him with a feint, tumbled him by a thrust of the lance heel from his destrier and took him prisoner. After this fashion the Moslems ceased not dashing forwards, one after one, and the Franks to unhorse them and take them captive, till day departed and the night with darkness upstarted. Now they had captured of the Moslems twenty cavaliers, and when Sharrken saw this, it was grievous to him and he mustered his men and said to them, &amp;quot;What is this thing that hath befallen us? To- morrow, I myself will go forth to the field and offer singular combat to their chief and learn what is the cause of his entering our land and warn him against doing battle with our band. If he persist, we will punish him with death, and if he prove peaceable we will make peace with him.&amp;quot; They righted on this wise till Allah Almighty caused the morn to dawn, when mounted the twain and drew up for battle fain; and Sharrkan was going forth to the plain, but behold, more than one half of the Franks dismounted and remained on foot before one of them who was mounted, till they reached the midst of the battle plain. Sharrken looked at that horseman and lo! he was their chief. He was clad in a surcoat of blue satin and a close ringed mail shirt; his face was as the moon when it rises and no hair was upon his cheeks. He hent in hand an Indian scymitar and he rode a sable steed with a white blaze on brow, like a dirham; and he smote the horse with heel till he stood almost in the midst of the field when, signing to the Moslems, he cried out in fluent Arab speech &amp;quot;Ho, Sharrkan! Ho, son of Omar bin al- Nu'uman! Ho, thou who forcest fortalice and overthrowest cities and countries! up and out to battle bout, and blade single handed wield with one who halves with thee the field! Thou art Prince of thy people and I am Prince of mine; and whoso overcometh his adversary, him let the other's men obey and come under his sway.&amp;quot; Hardly had he ended his speech, when out came Sharrkan with a heart full of fury, and urging his steed into the midst of the field, closed like a raging lion with the Frank who encountered him with wariness and steadfastness and met him with the meeting of warriors. Then they fell to foining and hewing, and they stinted not of onset and offset, and give and take, as they were two mountains clashing together or two seas together dashing; nor did they cease fighting until day darkened and night starkened. Then they drew apart and each returned to his own party; but as soon as Sharrkan foregathered with his comrades, he said, &amp;quot;Never looked I on the like of this cavalier: he hath one quality I have not yet seen in any and this it is that, when his foemen uncovereth a place for the death blow, he reverseth his weapon and smiteth with the lance-heel! In very deed I know not what will be the issue 'twixt him and me; but 'tis my wish that we had in our host his like and the like of his men.&amp;quot; Then he went to his rest for the night and, when morning dawned, the Frank came forth and rode down to the mid field, where Sharrkan met him; and they fell to fighting and to wheeling, left and right; and necks were stretched out to see the sight, nor did they stint from strife and sword play and lunge of lance with main and might, till the day turned to night and darkness overwhelmed the light. Then the twain drew asunder and returned each to his own camp, where both related to their comrades what had befallen them in the duello; and at last the Frank said to his men, &amp;quot;Tomorrow shall decide the matter!&amp;quot; So they both passed that night restfully till dawn; and, as soon as it was day, they mounted and each bore down on other and ceased not to fight till half the day was done. Then the Frank bethought him of a ruse; first urging his steed with heel and then checking him with the rein, so that he stumbled and fell with his rider; thereupon Sharrkan threw himself on the foe, and would have smitten him with the sword fearing lest the strife be prolonged, when the Frank cried out to him, &amp;quot;O Sharrkan, champions are not wont to do thus! This is the act of a man accustomed to be beaten by a woman.&amp;quot; When Sharrkan heard this, he raised his eyes to the Frank's face and gazing steadfastly at him, recognized in him Princess Abrizah with whom that pleasant adventure had befallen him in the convent; whereupon he cast brand from hand and, kissing the earth before her, asked her, &amp;quot;What moved thee to a deed like this?&amp;quot;; and she answered, &amp;quot;I desired to prove thy prowess afield and test thy doughtiness in tilting and jousting. These that are with me are my handmaids, and they are all clean maids; yet they have vanquished thy horsemen in fair press and stress of plain; and had not my steed stumbled with me, thou shouldst have seen my might and prowess in combat.&amp;quot; Sharrkan smiled at her speech and said, &amp;quot;Praise be to Allah for safety and for my reunion with thee, O Queen of the age!&amp;quot; Then she cried out to her damsels to loose the twenty captives of Sharrkan's troop and dismount. They did as she bade and came and kissed the earth before her and Sharrkan who said to them, &amp;quot;It is the like of you that Kings keep in store for the need hour.&amp;quot; Then he signed to his comrades to salute the Princess; so all alighted and kissed the earth before her, for they knew the story. After this, the whole two hundred took horse, and fared on night and day for six days' space, till they drew near to Baghdad, when they halted and Sharrkan bade Abrizah and her handmaids doff the Frankish garb that was on them,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan bade Princess Abrizah and her damsels doff the garb that was on them and don the garments of daughters of Greece; and thus did they. Then he despatched a company of his companions to Baghdad to acquaint his father Omar bin al-Nu'uman, with his arrival and report that he was accompanied by Princess Abrizah, daughter of King Hardub, Lord of Graecia-land. They halted forthright in the place they had reached, and Sharrkan also halted and all righted there; and when Almighty Allah made morning dawn, Sharrkan and his company and Abrizah and her company took horse and fared on towards the city; when lo! on the way they met the Wazir Dandan, who had come out amongst a thousand horse to honour Abrizah and Sharrkan, by especial commandment of King Omar Son of Al- Nu'uman. When the two drew near, they turned towards them and kissed ground before them; then they mounted again and escorted them into the city and went up with them to the palace. Sharrkan walked in to his father, who rose and embraced him and questioned him of his case. So he told him all that Abrizah had told him, and what had passed between them and said, &amp;quot;She hath parted from her sire and departed from her reign and hath chosen to take part with us and make her abode with us; and indeed,&amp;quot; he said to his father, &amp;quot;the King of Constantinople hath plotted to do us a mischief, because of his daughter Sophia, for that the King of Greece had made known to him her story and the cause of her being given to thee; and he (the Grecian King) not knowing her to be daughter of King Afridun, Lord of Constantinople; and, had he known that, he would not have bestowed her upon thee, but he would have restored her to her parent. And of a verity,&amp;quot; he continued, &amp;quot;we were saved from these perils only by the Lady Abrizah, and never saw we a more valiant than she.&amp;quot; And he went on to tell his father all that had passed from first to last of the wrestling and the single fighting. When King Omar heard the story of Sharrkan, Abrizah was exalted in his eyes, and he longed to see her and question her. Thereupon Sharrkan went out to her and said, &amp;quot;The King calleth for thee;&amp;quot; she replied, &amp;quot;I hear and I obey;&amp;quot; and he took her and brought her in to his father, who was seated on his throne and who, having dismissed his high officers, was attended only by his eunuchs. The Princess entered and kissing the ground between his hands, saluted him in choice terms. He was amazed at her eloquent speech and thanked her for her dealing with his son Sharrkan and bade her be seated. So she sat down and unveiled her face; and, when the King saw her beauty, his reason fled his head and he made her draw near and showed her favour, appointing her an especial palace for herself and her damsels, and assigning them solde and allowances. Then began he to ask her of the three jewels aforesaid, and she answered, &amp;quot;Here be they with me, O King of the age!&amp;quot; So saying, she rose and going to her lodging, unpacked her baggage and from it brought out a box and from the box a casket of gold. She opened the casket and taking out those three jewels, kissed them and gave them to the King. Then she went away bearing his heart with her. After her going the King sent for his son Sharrkan and gave him one jewel of the three, and when he enquired of the other two replied, &amp;quot;O my son! I mean to give one to thy brother Zau al-Makan, and the other to thy sister Nuzhat al- Zaman.&amp;quot; But when Sharrkan heard that he had a brother (for to that time he knew only of his sister) he turned to his sire and said to him, &amp;quot;O King, hast thou a son other than myself?&amp;quot; He answered, &amp;quot;Yes, and he is now six years old;&amp;quot; adding that his name was Zau al- Makan and that he and Nuzhat al-Zaman were twins, born at a birth. This news was grievous to Sharrkan, but he kept his secret and said, &amp;quot;The bless- ing of Allah Most High be upon them!&amp;quot;, and he cast the jewel from his hand and shook the dust off his clothes. Quoth the King, &amp;quot;How do I see thee change thy manner when hearing of this, considering that after me thou becomes&amp;quot; heir of the kingdom. Of a truth the troops have sworn to thee and the Emirs and Grandees have taken the oath of succession to thee; and this one of the three jewels is thine.&amp;quot; Sharrkan bowed his head to the ground and was ashamed to bandy words with his parent so he accepted the jewel and went away, knowing not what to do for exceeding wrath, and stayed not walking till he had entered Abrizah's palace. As he approached she stood up to meet him and thanked him for what he had done and prayed for blessings on him and his sire. Then she sat down and seated him by her side; but when he had taken his place she saw rage in his face and questioned him, whereupon he told her that Allah had blessed his father with two children by Sophia, a boy and a girl, and that he had named the boy Zau al-Makan and the girl Nuzhat al-Zaman; adding, &amp;quot;He hath kept the other two jewels for them and hath given me one of thine, so I left it behind; I knew naught of Zau al-Makan's birth till this day, and the twain are now six years old. So when I learnt this, wrath possessed me; and I tell thee the reason of my rage and hide nothing from thee. But now I fear lest my father take thee to wife, for he loveth thee and I saw in him signs of desire for thee: so what wilt thou say, if he wish this?&amp;quot; Quoth she, &amp;quot;Know, O Sharrkan, that thy father hath no dominion over me, nor can he have me without my consent; and if he prevail over me by force, I will take my own life. As for the three jewels, it was not my intent that he should give any of them to either of his children and I had no thought but that he would lay them up in his treasury with his things of price; but now I desire of thy favour that thou make me a present of the jewel which he gave thee, if thou have accepted it.&amp;quot; &amp;quot;Hearkening and obedience,&amp;quot; replied Sharrkan, and gave it to her. Then said she, &amp;quot;Fear nothing,&amp;quot; and talked with him awhile and continued, &amp;quot;I fear lest my father hear that I am with you and sit not patiently under my loss, but do his endeavours to find me; and to that end he may ally himself with King Afridun, on account of his daughter Sophia, and both come on thee with armies and so there befal great turmoil.&amp;quot; When Sharrken heard these words, he said to her, &amp;quot;O my lady, if it please thee to sojourn with us, take no thought of them; though there gather together against us all that be on land and on sea.&amp;quot; &amp;quot; 'Tis well,&amp;quot; rejoined she; &amp;quot;if ye entreat me fair, I will tarry with you, and if ye deal evilly by me, I will depart from you.&amp;quot; Then she bade her slave maidens bring food; so they set the tables, and Sharrkan ate a little and went away to his own house, disturbed and perturbed. Such was his case; but regarding the affairs of his father, Omar bin al-Nu'uman, after dismissing his son Sharrkan he arose and, taking the other two jewels, betook himself to the Lady Sophia, who stood up when she saw him and remained standing till he was seated. Presently, his two children, Zau al-Makan and Nuzhat al-Zaman, came to him and he kissed them and hung a jewel round each one's neck, at which they rejoiced and kissed his hands. Then went they to their mother, who joyed in their joy and wished the King long life; so he asked her, &amp;quot;Why hast thou not informed me all this time that thou art the daughter of King Afridun, Lord of Constantinople, that I might have honoured thee still more and enlarged thee in dignity and raised thy rank?&amp;quot; &amp;quot;O King,&amp;quot; answered Sophia, &amp;quot;and what could I desire greater or higher than this my standing with thee, overwhelmed as I am with thy favours and thy benefits? And, furthermore, Allah hath blessed me with two children by thee, a son and a daughter.&amp;quot; Her reply pleased the King and after leaving her, he set apart for her and her children a wondrous fine palace. Moreover, he appointed for them eunuchs and attendants and doctors of law and doctors of philosophy and astrologers and physicians and surgeons to do them service; and in every way he redoubled his favour and entreated them with the best of treatment. And presently he returned to the palace of his dominion and to his Court where he distributed justice among the lieges. So far concerning him and Sophia and her children; but in the matter of Abrizah the King was greatly occupied with love of her and burnt with desire of her night and day; and every night, he would go in to her and converse with her and pay his court to her, but she gave him no answer, only saying, &amp;quot;O King of the age! I have no desire for men at this present.&amp;quot; When he saw her withdraw from him, his passion waxed hotter and his longing and pining increased until, when weary of this, he summoned his Wazir Dandan and, opening his very heart to him, told him of his love for Princess Abrizah, daughter of Hardub, and informed him how she refused to yield to his wishes and how desire for her was doing him to die, for that he could get no grace of her. The Wazir, hearing these words, said to the King, &amp;quot;As soon as it is dark night, take thou a piece of Bhang the measure of a miskal, about an ounce, and go in to her and drink somewhat of wine with her. When the hour of ending the carousel shall draw near, fill her a last cup and dropping therein the Bhang, give it to her to drink, and she will not reach her sleeping chamber ere the drug take effect on her. Then do thou go in to her and take thy will of her; and such is my advice.&amp;quot; &amp;quot;Thy rede is aright,&amp;quot; quoth the King, and seeking his treasury, he took thence a piece of concentrated Bhang, if an elephant smelt it he would sleep from year to year. This he put in his bosom pocket and waited till some little of the night went by, when he betook himself to the palace of Princess Abrizah, who seeing him stood up to receive him; but he bade her sit down. So she sat down, and he sat by her, and he began to talk with her of wine and wassail, whereupon she furnished the carousing table and placed it before him. Then she set on the drinking vessels and lighted the candles and ordered to bring dried fruits and sweet meats and all that pertaineth to drinking. So they fell to tippling and the King ceased not to pledge her till drunkenness crept into her head; and seeing this he took out the bit of Bhang from his pocket and, holding it between his fingers, filled a cup with his own hand and drank it off. Then filling a second he said, &amp;quot;To thy companionship!&amp;quot;; and dropped the drug into her cup, she knowing naught of it. She took it and drank it off; then she rose and went to her sleeping chamber. He waited for less than an hour till he was assured that the dose had taken effect on her and had robbed her of her senses, when he went in to her and found her thrown on her back: and she had doffed her petticoat trousers and the air raised the skirt of her shift and discovered what was between her thighs. When the King saw the state of things and found a lighted candle at her head and another at her feet, shining upon what her thighs enshrined he took leave of his five senses for lust and Satan seduced him and he could not master himself, but put off his trousers and fell upon her and abated her maiden head. Then he rose off her and went to one of her women, by name Marjánah, and said, &amp;quot;Go in to thy lady and speak with her.&amp;quot; So she went in to her mistress and found her lying on her back insensible, with the blood running down to the calves of her legs, whereupon she took a kerchief and wiped away the blood and lay by her that night. As soon as Almighty Allah brought the dawn, the handmaid Marjanah washed her mistress's hands and feet and brought rose water and bathed her face and mouth with it, where upon she sneezed and yawned and cast up from her inside that bit of Bhang like a bolus. Then she revived and washed her hands and mouth and said to Marjanah, &amp;quot;Tell me what hath befallen me.&amp;quot; So she told her what had passed and how she had found her, lying on her back, with the blood running down, wherefore she knew that King Omar bin al-Nu'uman had lain with her and had undone her and taken his will of her. At this she grieved with exceeding grief and retired into privacy, saying to her damsels, &amp;quot;Deny me to whoso would come in to me and say to him that I am ill, till I see what Allah will do with me.&amp;quot; Presently the news of her sickness came to the King; so he sent her sherbets and sugar electuaries. Some months she thus passed in solitude, during which time the King's flame cooled and his desire for her was quenched, so that he abstained from her. Now she had conceived by him, and when the months of child breeding had gone by, her pregnancy appeared and her belly swelled, and the world was straitened upon her, so she said to her handmaid Marjanah, &amp;quot;Know that it is not the folk who have wronged me, but I who sinned against my own self in that I left my father and mother and country. Indeed, I abhor life, for my spirit is broken and neither courage nor strength is left me. I used, when I mounted my steed, to have the mastery of him, but now I am unable to ride. If I be brought to bed among them I shall be dishonoured before my hand women and every one in the palace will know that he hath taken my maidenhead in the way of shame; and if I return to my father, with what face shall I meet him or with what face shall I have recourse to him? How well quoth the poet,&#xA;&#xA;'Say, what shall solace one who hath nor home nor stable stead *&#xA;             Nor cup companion, nor a cup, nor place to house his head?'&amp;quot;&#xA;&#xA;Marjanah answered her, &amp;quot;It is thine to command; I will obey;&amp;quot; and Abrizah said, &amp;quot;I desire at once to leave this place secretly, so that none shall know of me but thou; and return to my father and my mother, for when flesh stinketh, there is naught for it but its own folk and Allah shall do with me e'en as He will.&amp;quot; &amp;quot;O Princess,&amp;quot; Marjanah replied, &amp;quot;what thou wouldest do is well.&amp;quot; Then she made matters ready and kept her secret and waited for some days till the King went out to chase and hunt, and his son Sharrkan betook himself to certain of the fortresses to sojourn there awhile. Then said she to Marjanah, &amp;quot;I wish to set out this night, but how shall I do against my destiny? For already I feel the pangs of labour and child birth, and if I abide other four or five days, I shall be brought to bed here, and I shall be unable to travel to my country. But this is what was written on my forehead.&amp;quot; Then she considered awhile, and said to Marjanah, &amp;quot;Look us out a man who will go with us and serve us by the way, for I have no strength to bear arms.&amp;quot; &amp;quot;By Allah, O my lady,&amp;quot; replied Marjanah, &amp;quot;I know none but a black slave called Al- Ghazbán, who is one of the slaves of King Omar bin al- Nu'uman; he is a valiant wight, and he keepeth guard at our palace gate. The King appointed him to attend us, and indeed we have overwhelmed him with our favours; so, lookye, I will go out and speak with him of this matter, and promise him some monies and tell him that, if he have a mind to tarry with us, I will marry him to whom he will. He told me before to day that he had been a highwayman; so if he consent to us we shall win our wish and reach to our own land.&amp;quot; She rejoined, &amp;quot;Call him that I may talk with him;&amp;quot; whereupon Marjanah fared forth and said to the slave, 'O Ghazban, Allah prosper thee, so thou fall in with what my lady saith to thee!&amp;quot; Then she took him by the hand and brought him to the Princess, whose hands he kissed but as she beheld him, her heart took fright at him. &amp;quot;How ever,&amp;quot; she said to herself, &amp;quot;of a truth, Need giveth the law;&amp;quot; and she approached to speak with him, yet her heart started away from him. Presently she said, &amp;quot;O Ghazban, say me, wilt thou help me against the perfidies of Fortune and conceal my secret if I discover it to thee?&amp;quot; When the slave saw her, his heart was taken by storm and he fell in love with her forthright and could not but reply; &amp;quot;O my mistress, whatsoever thou biddest me do, I will not depart therefrom.&amp;quot; Quoth she, &amp;quot;I would have thee take me at this hour and take this my handmaid and saddle us two camels and two of the King's horses and set on each horse a saddle bag of goods and somewhat of provaunt, and go with us to our own country; where, if thou desire to abide with us, I will marry thee to her thou shalt choose of my handmaidens, or, if thou prefer return to thine own land, we will marry thee and give thee whatso thou desires&amp;quot; after thou hast taken of money what shall satisfy thee.&amp;quot; When Al Ghazban, heard this, he rejoiced with great joy and replied, &amp;quot;O my lady, I will serve both of you with mine eyes and will go at once and saddle the horses.&amp;quot; Then he went away gladsome and saying to himself, &amp;quot;I shall get my will of them and if they will not yield to me, I will kill them both and take their riches.&amp;quot; But he kept this his intent to himself, and presently returned with two camels and three head of horses, one of which he rode, and Princess Abrizah made Marjanah mount the second she mounting the third, albeit she was in labour pains and possessed not her soul for anguish. And the slave ceased not travelling with them night and day through the passes of the mountains, till there remained but musingly march between them and their own country; when the travail pangs came upon Abrizah and she could no longer resist; so she said to Al-Ghazban, &amp;quot;Set me down, for the pains of labour are upon me;&amp;quot; and cried to Marjanah, &amp;quot;Do thou alight and sit by me and deliver me.&amp;quot; Then Marjanah dismounted from her horse, and Al-Ghazban did in like sort, and they made fast the bridles and helped the Princess to dismount, for she was aswoon from excess of anguish. When Al-Ghazban saw her on the ground, Satan entered into him and he drew his falchion and brandishing it in her face, said &amp;quot;O my lady, vouchsafe me thy favours.&amp;quot; Hearing these words she turned to him and said, &amp;quot;It remaineth for me only that I yield me to negro slaves, after having refused Kings and Braves!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Princess Abrizah said to the black slave Al Ghazban, &amp;quot;It remaineth for me only that I yield me to negro slaves, after having refused Kings and Braves!&amp;quot; And she was wroth with him and cried, &amp;quot;Woe to thee! what words are these thou sayest? Out on thee, and talk not thus in my presence and know that I will never consent to what thou sayest, though I drink the cup of death. Wait till I have cast my burden and am delivered of the after birth, and then, if thou be able thereto, do with me as thou wilt; but, an thou leave not lewd talk at this time assuredly I will slay myself with my own hand and quit the world and be at peace from all this.&amp;quot; And she began reciting extempore,&#xA;&#xA;&amp;quot;O spare me, thou Ghazban, indeed enow for me * Are heavy strokes&#xA;            of time, mischance and misery!&#xA;Whoredom my Lord forfends to all humanity; * Quoth He, 'Who&#xA;           breaks my bidding Hell for home shall see!'&#xA;And if thou leave not suing me to whoredom's way * Against th'&#xA;          Almighty's choicest gift, my chastity,&#xA;Upon my tribesmen I with might and main will call * And gather&#xA;          all, however far or near they be;&#xA;And with Yamáni blade were I in pieces hewn, * Ne'er shall he&#xA;           sight my face who makes for villeiny,&#xA;The face of free born come of noble folk and brave; * What then&#xA;            can be to me the seed of whoreson slave?&amp;quot;&#xA;&#xA;When Ghazban heard these lines he was wroth exceedingly; his eyes reddened with blood and his face became a dusty grey; his nostrils swelled, his lips protruded and the repulsiveness of his aspect redoubled. And he repeated these couplets,&#xA;&#xA;&amp;quot;Ho thou, Abrizah, mercy! leave me not for I * Of thy love and&#xA;             Yamáni glance the victim lie&#xA;My heart is cut to pieces by thy cruelty, * My body wasted and my&#xA;                   patience done to die:&#xA;From glances ravishing all hearts with witchery * Reason far&#xA;           flies, the while desire to thee draws nigh;&#xA;Though at thy call should armies fill the face of earth * E'en&#xA;           now I'd win my wish and worlds in arms defy!&amp;quot;&#xA;&#xA;When Abrizah heard these words, she wept with sore weeping and said to him, &amp;quot;Woe to thee, O Ghazban! How dareth the like of thee to address me such demand, O base born and obscene bred? Dost thou deem all folk are alike?&amp;quot; When the vile slave heard this from her, he waxt more enraged and his eyes grew redder: and he came up to her and smiting her with the sword on her neck wounded her to the death. Then he drove her horse before him with the treasure and made off with himself to the mountains. Such was the case with Al-Ghazban; but as regards Abrizah, she gave birth to a son, like the moon, and Marjanah took the babe and did him the necessary offices and laid him by his mother's side; and lo and behold! the child fastened to its mother's breast and she dying. When Marjanah saw this, she cried out with a grievous cry and rent her raiment and cast dust on her head and buffeted her cheeks till blood flowed, saying, &amp;quot;Alas, my mistress! Alas, the pity of it! Thou art dead by the hand of a worthless black slave, after all thy knightly prowess!&amp;quot; And she ceased not weeping when suddenly a great cloud of dust arose and walled the horizon; but, after awhile, it lifted and discovered a numerous conquering host. Now this was the army of King Hardub, Princess Abrizah's father, and the cause of his coming was that when he heard of his daughter and her handmaids having fled to Baghdad, and that they were with King Omar bin al- Nu'uman, he had come forth, leading those with him, to seek tidings of her from travellers who might have seen her with the King. When he had gone a single day's march from his capital, he espied three horse men afar off and made towards them, intending to ask whence they came and seek news of his daughter. Now these three whom he saw at a distance were his daughter and Marjanah and the slave Al- Ghazban; and he made for them to push inquiry. Seeing this the villain blackamoor feared for himself; so he killed Abrizah and fled for his life. When they came up, King Hardub saw his daughter lying dead and Marjanah weeping over her, and he threw himself from his steed and fell fainting to the ground. All the riders of his company, the Emirs and Waxirs, took foot and forth right pitched their tents on the mountain and set up for the King a great pavilion, domed and circular, without which stood the grandees of the realm. When Marjanah saw her master, she at once recognized him and her tears redoubled; and, when he came to himself, he questioned her and she told him all that had passed and said, &amp;quot;Of a truth he that hath slain thy daughter is a black slave belonging to King Omar bin al-Nu'uman, and she informed him how Sharrkan's father had dealt with the Princess. When King Hardub heard this, the world grew black in his sight and he wept with sore weeping. Then he called for a litter and, therein laying his dead daughter, returned to Caesarea and carried her into the palace, where he went in to his mother, Zat al-Dawahi, and said to that Lady of Calamities, &amp;quot;Shall the Moslems deal thus with my girl? Verily King Omar bin al-Nu'uman despoiled her of her honour by force, and after this, one of his black slaves slew her. By the truth of the Messiah, I will assuredly take blood revenge for my daughter and clear away from mine honour the stain of shame; else will I kill myself with mine own hand!&amp;quot; And he wept passing sore. Quoth his mother, &amp;quot;None other than Marjanah killed thy daughter, for she hated her in secret;&amp;quot; and she continued to her son, &amp;quot;Fret not for taking the blood wit of thy daughter, for, by the truth of the Messiah, I will not turn back from King Omar bin al-Nu'uman till I have slain him and his sons; and of a very truth I will do with him a deed, passing the power of Sage and Knight, whereof the chroniclers shall tell chronicles in all countries and in every place: but needs must thou do my bidding in all I shall direct, for whoso be firmly set on the object of his desire shall surely compass his desire.&amp;quot; &amp;quot;By the virtue of the Messiah,&amp;quot; replied he, &amp;quot;I will not cross thee in aught thou shalt say.&amp;quot; Then quoth she, &amp;quot;Bring me a number of hand maids, high bosomed virgins, and summon the wise men of the age and let them teach them philosophy and the rules of behaviour before Kings, and the art of conversation and making verses; and let them talk with them of all manner science and edifying knowledge. And the sages must be Moslems, that they may teach them the language and traditions of the Arabs, together with the history of the Caliphs and the ancient annals of the Kings of Al-Islam; and if we persevere in this for four years' space, we shall gain our case. So possess thy soul in patience and wait; for one of the Arabs saith, 'If we take man bote after years forty the time were short to ye.' When we have taught the girls these things, we shall be able to work our will with our foe, for he doteth on women and he hath three hundred and sixty concubines, whereto are now added an hundred of the flowers of thy handmaidens who were with thy daughter, she that hath found mercy. As soon as I have made an end of their education, as described to thee, I will take them and set out with them in person.&amp;quot; When King Hardub heard his mother's words, he rejoiced and arose and kissed her head; and at once despatched messengers and couriers to lands sundry and manifold to fetch him Moslem sages. They obeyed his commands and fared to far countries and thence brought him the sages and the doctors he sought. When these came into presence, he honoured them with notable honorurs and bestowed dresses on them and appointed to them stipends and allowances and promised them much money whenas they should have taught the damsels. Then he committed the handmaidens to their hands—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-third Night.&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the sages and the doctors stood in presence of King Hardub, he honoured them with notable honours and committed the hand maidens to their hands, enjoining that these be instructed in all manner of knowledge, philosophy and polite accomplishments; and they set themselves to do his bidding. Such was the case with King Hardub; but as for King Omar bin al Nu'uman, when he returned from coursing and hunting and entered his palace, he sought Princess Abrizah but found her not, nor any one knew of her nor could any give him news of her. This was grievous to him and he said, &amp;quot;How could the lady leave the palace unknown of any? Had my kingdom been at stake in this case, it were in perilous condition there being none to govern it! I will never again go to sport and hunt till I have stationed at the gates those who shall keep good guard over them!&amp;quot; And he was sore vexed and his breast was straitened for the loss of Princess Abrizah. Hereupon behold, his son Sharrkan returned from his journey; and the father told him what had happened, and informed him how the lady had fled, whilst he was chasing and hunting, whereat he grieved with exceeding grief. Then King Omar took to visiting his children every day and making much of them and brought them learned men and doctors to teach them, appointing for them stipends. When Sharrkan saw this, he raged with exceeding rage and envied thereupon his brother and sister till the signs of chagrin appeared in his face and he ceased not to languish by reason of this matter: so one day his father said to him, &amp;quot;Why do I see thee grown weak in body and yellow of face?&amp;quot; &amp;quot;O my father,&amp;quot; replied Sharrkan, &amp;quot;every time I see thee fondle my brother and sister and make much of them, jealousy seizeth on me, and I fear lest it grow on me till I slay them and thou slay me in return. And this is the reason of my weakness of body and change of complexion. But now I crave of thy favour that thou give me one of thy castles outlying the rest, that I may abide there the remnant of my life, for as the sayer of bywords saith, 'Absence from my friend is better and fitter for me'; and, 'Whatso eye doth not perceive, that garreth not heart to grieve.'&amp;quot; And he bowed his head towards the ground. When King Omar bin al-Nu'uman heard his words and knew the cause of his ailment and of his being broken down, he soothed his heart and said to him, &amp;quot;O my son, I grant thee this and I have not in my reign a greater than the Castle of Damascus, and the government of it is thine from this time.&amp;quot; Thereupon he forthright summoned his secretaries of state and bade them write Sharrkan's patent of investiture to the viceroyalty of Damascus of Syria. And when they had written it, he equipped him and sent with him the Wazir Dandan, and invested him with the rule and government and gave him instructions as to policy and regulations; and took leave of him, and the grandees and officers of state did likewise, and he set out with his host. When he arrived at Damascus, the townspeople beat the drums and blew the trumpets and decorated the city and came out to meet him in great state; whilst all the notables and grandees paced in procession, and those who stood to the right of the throne walked on his right flank, and the others to the left. Thus far concerning Sharrkan; but as regards his father, Omar bin al- Nu'uman, soon after the departure of his son, the children's tutors and governors presented themselves before him and said to him, &amp;quot;O our lord, thy children have now learnt knowledge and they are completely versed in the rules of manners and the etiquette of ceremony.&amp;quot; The King rejoiced thereat with exceeding joy and conferred bountiful largesse upon the learned men, seeing Zau al- Makan grown up and flourishing and skilled in horsemanship. The Prince had reached the age of fourteen and he occupied himself with piety and prayers, loving the poor, the Olema and the Koran students, so that all the people of Baghdad loved him, men and women. One day, the procession of the Mahmil of Irák passed round Baghdad before its departure for the pilgrimage to Meccah and visitation of the tomb of the Prophet (whom Allah bless and preserve!). When Zau al-Makan the Mahmil procession he was seized with longing desire to become a pilgrim, so he went in to his sire and said, &amp;quot;I come to ask thy leave to make the pilgrimage.&amp;quot; But his father forbade him saying, &amp;quot;Wait till next year and I will go and thou too.&amp;quot; When the Prince saw that the matter was postponed, he betook himself to his sister Nuzhat al-Zaman, whom he found standing at prayer. As soon as she had ended her devotions he said to her, &amp;quot;I am dying with desire of pilgrimage to the Holy House of Allah at Meccah and to visit the tomb of the Prophet, upon whom be peace! I asked my father's leave, but he forbade me that, so I mean to take privily somewhat of money and set out on the pilgrimage without his knowledge.&amp;quot; &amp;quot;Allah upon thee,&amp;quot; exclaimed she, &amp;quot;take me with thee and deprive me not of visitation to the tomb of the Prophet, whom Allah bless and keep!&amp;quot; And he answered, &amp;quot;As soon as it is dark night, do thou come forth from this place, without telling any.&amp;quot; Accordingly,When it was the middle of the night she arose and took somewhat of money and donned a man's habit; and she ceased not walking to the palace gate, where she found Zau al-Makan with camels ready for marching. So he mounted and mounted her; and the two fared on till they were in the midst of the Iraki pilgrim-party, and they ceased not marching and Allah wrote safety for them, till they entered Meccah the Holy and stood upon Arafát and performed the pilgrimage rites. Then they made a visitation to the tomb of the Prophet (whom Allah bless and assain!) and thought to return with the pilgrims to their native land. But Zau al-Makan said to his sister, &amp;quot;O my sister, it is in my mind to visit the Holy House, Jerusalem, and Abraham the Friend of Allah (on whom be peace!).&amp;quot; &amp;quot;I also desire so to do,&amp;quot; replied she. So they agreed upon this and he fared forth and took passage for himself and her and they made ready and set out in the ship with a company of Jerusalem palmers. That very night the sister fell sick of an aguish chill, and was grievously ill but presently recovered, after which the brother also sickened. She tended him during his malady and they ceased not wayfaring till they arrived at Jerusalem, but the fever increased on him and he grew weaker and weaker. They alighted at a Khan and there hired a lodging; but Zau al- Makan's sickness ceased not to increase on him, till he was wasted with leanness and became delirious. At this, his sister was greatly afflicted and exclaimed, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! This is the decree of Allah!&amp;quot; They sojourned in that place awhile, his weakness ever increasing and she attending him and buying necessaries for him and for herself, till all the money she had was expended and she became so poor that she had not so much as a dirham left. Then she sent a servant of the Khan to the bazar with some of her clothes, and he sold them and she spent the price upon her brother; then sold she something more and she ceased not selling all she had, piece by piece, till nothing was left but an old rug. Whereupon she wept and exclaimed, &amp;quot;Verily is Allah the Orderer of the past and the future!&amp;quot; Presently her brother said to her, &amp;quot;O my sister, I feel recovery drawing near and my heart longeth for a little roast meat.&amp;quot; &amp;quot;By Allah! O my brother,&amp;quot; replied she, &amp;quot;I have no face to beg; but tomorrow I will enter some rich man's house and serve him and earn somewhat for our living.&amp;quot; Then she bethought herself awhile and said, &amp;quot;Of a truth 'tis hard for me to leave thee and thou in this state, but I must despite myself!&amp;quot; He rejoined, &amp;quot;Allah forbid! Thou wilt be put to shame; but there is no Majesty and there is no Might save in Allah!&amp;quot; And he wept and she wept too. Then she said, &amp;quot;O my brother, we are strangers who have dwelt here a full year, but none hath yet knocked at our door. Shall we then die of hunger? I know no resource but that I go out and do service and earn somewhat to keep us alive, till thou recover from thy sickness, when we will travel back to our native land.&amp;quot; She sat weeping awhile and he wept too, propped upon his elbow. Then Nuzhat al-Zaman arose and, veiling her head with a bit of camlet, which had been of the cameleer's clothes and which the owner had forgotten and left with them; she kissed the head of her brother and embraced him and went forth from him, weeping and knowing not whither she should wend. And she stinted not going and her brother Zau al-Makan awaiting her return till the supper time; but she came not, and he watched for her till the morning morrowed but still she returned not; and this endured till two days went by. He was greatly troubled thereat and his heart fluttered for her, and hunger was sore upon him. At last he left the chamber and, calling the servant of the caravanserai, said, &amp;quot;I wish thee to bear me to the bazar.&amp;quot; So he carried him to the market street and laid him down there; and the people of Jerusalem gathered round him and were moved to tears seeing his condition. He signed to them begging for somewhat to eat; so they brought him some money from certain of the merchants who were in the bazar, and bought food and fed him therewith; after which they carried him to a shop, where they spread him a mat of palm leaves and set an ewer of water at his head. When night fell, all the folk went away, sore concerned for him and, in the middle of the night, he called to mind his sister and his sickness redoubled on him, so that he abstained from eating and drinking and became insensible to the world around him. Then the bazar people arose and took for him from the merchants thirty seven dirhams, and hiring a camel, said to the driver, &amp;quot;Carry this sick man to Damascus and leave him in the hospital; haply he may be cured and recover health.&amp;quot; &amp;quot;On my head be it!&amp;quot; replied the camel man; but he said to himself, &amp;quot;How shall I take this sick man to Damascus, and he nigh upon death?&amp;quot; So he carried him away to a place and hid with him till the night, when he threw him down on the ash heap near the fire hole of a Hammam and went his way. When morning dawned the Stoker of the bath came to his work and, finding Zau al-Makan cast on his back, exclaimed, &amp;quot;Why did they not throw their dead body anywhere but here?&amp;quot; So saying, he gave him a kick and he moved; whereupon quoth the Fireman, &amp;quot;Some one of you who hath eaten a bit of Hashish and hath thrown himself down in whatso place it be!&amp;quot; Then he looked at his face and saw his hairless cheeks and his grace and comeliness; so he took pity on him and knew that he was sick and a stranger in the land. And he cried, &amp;quot;There is no Majesty and there is no Might save in Allah! verily, I have sinned against this youth, for indeed the Prophet (whom Allah bless and keep!) enjoineth honour to the stranger, more especially when the stranger is sick.&amp;quot; Then he carried him home and went in with him to his wife and bade her tend him. So she spread him a sleeping rug and set a cushion under his head, then warmed water for him and washed therewith his hands and feet and face. Meanwhile, the Stoker went to the market and bought some rose water and sugar, and sprinkled Zau al-Makan's face with the water and gave him to drink of the sherbet. Then he fetched a clean shirt and put it on him. With this, Zau al-Makan sniffed the zephyr of health and recovery returned to him; and he sat up and leant against the pillow. Hereat the Fireman rejoiced and exclaimed, &amp;quot;Praise be to Allah for the welfare of this youth! O Allah, I beseech Thee by Thy knowledge of hidden things, that Thou make the salvation of this youth to be at my hands!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Fireman exclaimed, &amp;quot;O Allah, I beseech Thee of Thy knowledge of hidden things, that Thou make this young man's life the work of my hands!&amp;quot; And he ceased not to nurse him for three days, giving him to drink of sherbet of sugar and willow flower water and rose water; and doing him all manner of service and kindness, till health began to return to his body and Zau al-Makan opened his eyes. Presently came in the Fireman and, seeing him sitting up and showing signs of amendment, said to him, &amp;quot;What is now thy state, O my son?&amp;quot; &amp;quot;Praise be to Allah,&amp;quot; replied Zau al-Makan, &amp;quot;I am well and like to recover, if such be the will of Allah Almighty at this time.&amp;quot; The Stoker praised the Lord of All for this and, wending fast to the market, bought ten chickens, which he carried to his wife and said, &amp;quot;Kill two of these for him every day, one at dawn of day and the other at fall of day.&amp;quot; So she rose up and killed a fowl and brought it to him boiled, and fed him with the flesh and made him drink its broth. When he had done eating, she fetched hot water and he washed his hands and lay back upon the pillow, whereupon she covered him up with the coverlet, and he slept till the time of the mid afternoon prayer. Then she arose and killed another fowl and boiled it; after which she cut it up and, bringing it to Zau al-Makan, said, &amp;quot;Eat, O my son!&amp;quot; While he was eating; behold, her husband entered and seeing her feeding him, sat down at his head and said to him, &amp;quot;How is it with thee now, O my son?&amp;quot; &amp;quot;Thanks be to Allah for recovery!&amp;quot; he replied: &amp;quot;may the Almighty requite thee thy kindness to me.&amp;quot; At this the Fireman rejoiced and going out, bought sherbet of violets and rose water and made him drink it. Now the Stoker used to work at the Hammam all day for a wage of five dirhams, whereof he spent every day, for Zau al-Makan, one dirham upon sugar and sherbet of rose water and willow flower water, and another dirham for fowls; and he ceased not to entreat him thus kindly during a whole month, till the traces of illness ceased from him and he was once more sound and whole. Thereupon the Fireman and his wife rejoiced and asked him, &amp;quot;O my son, wilt thou go with me to the bath?&amp;quot;; whereto he answered, &amp;quot;Yes!&amp;quot; So the Stoker went to the bazar and fetched a donkey boy, and he mounted Zau al-Makan on the ass and supported him in the saddle till they came to the bath. Then he made him sit down and seated the donkey boy in the furnace-room and went forth to the market and bought Iote leaves and lupin-flour, with which he returned to the bath and said to Zau al-Makan, &amp;quot;O my master, in Allah's name, walk in and I will wash thy body.&amp;quot; So they entered the inner room of the bath, and the Fireman took to rubbing Zau al-Makan's legs and began to wash his body with the leaves and meal, when there came to them a bathman, whom the bath keeper had sent to Zau al-Makan; and he, seeing the Stoker washing and rubbing him, said, &amp;quot;This is doing injury to the keeper's rights.&amp;quot; Replied the Fireman, &amp;quot;The master overwhelmeth us with his favours!&amp;quot; Then the bathman proceeded to shave Zau al-Makan's head, after which he and the Stoker washed themselves and returned to the house, where he clad Zau al-Makan in a shirt of fine stuff and a robe of his own; and gave him a handsome turband and girdle and a light kerchief which he wound about his neck. Meanwhile the Fireman's wife had killed and cooked two chickens; so, as soon as Zau al-Makan entered and seated himself on the carpet, the husband arose and, dissolving sugar in willow flower water, made him drink of it. Then he brought the food tray and, cutting up the chickens, fed him with the flesh and gave him the broth to drink till he was satisfied; when he washed his hands and praised Allah for recovery, and said to the Fireman, &amp;quot;Thou art he whom the Almighty vouchsafed to me and made the cause of my cure!&amp;quot; &amp;quot;Leave this talk,&amp;quot; replied the other, &amp;quot;and tell us the cause of thy coming to this city and whence thou art. Thy face showeth signs of gentle breeding.&amp;quot; &amp;quot;Tell me first how thou camest to fall in with me,&amp;quot; said Zau al-Makan; &amp;quot;and after I will tell thee my story.&amp;quot; Rejoined the Fireman, &amp;quot;As for that, I found thee lying on the rubbish heap by the door of the fire house, as I went to my work near the morning, and knew not who had thrown thee there. So I carried thee home with me; and this is all my tale.&amp;quot; Quoth Zau al-Makan, &amp;quot;Glory to Him who quickeneth the bones, though they be rotten! Indeed, O my brother, thou hast not done good save to one worthy of it, and thou shalt presently gather its fruitage.&amp;quot; And he added, &amp;quot;But where am I now?&amp;quot; &amp;quot;Thou art in the city of Jerusalem,&amp;quot; replied the Stoker; where upon Zau al-Makan called to mind his strangerhood and remembered his separation from his sister and wept. Then he discovered his secret to the Fireman and told him his story and began repeating,&#xA;&#xA;&amp;quot;In love they bore me further than my force would go, * And for&#xA;            them made me suffer resurrection throe:&#xA;Oh, have compassion, cruel! on this soul of mine * Which, since&#xA;            ye fared, is pitied by each envious foe;&#xA;Nor grudge the tender mercy of one passing glance * My case to&#xA;            lighten, easing this excess of woe:&#xA;Quoth I 'Heart, bear this loss in patience!' Patience cried *&#xA;             'Take heed! no patience in such plight I'm wont to show.' &amp;quot;&#xA;&#xA;Then he redoubled his weeping, and the Fireman said to him, &amp;quot;Weep not, but rather praise Allah for safety and recovery.&amp;quot; Asked Zau al-Makan, &amp;quot;How far is it hence to Damascus?&amp;quot; Answered the other, &amp;quot;Six days' journey.&amp;quot; Then quoth Zau al-Makan, &amp;quot;Wilt thou send me thither?&amp;quot; &amp;quot;O my lord,&amp;quot; quoth the Stoker, &amp;quot;how can I allow thee to go alone, and thou a youth and a stranger to boot? If thou would journey to Damascus, I am one who will go with thee; and if my wife will listen to and obey me and accompany me, I will take up my abode there; for it is no light matter to part with thee.&amp;quot; Then said he to his wife, &amp;quot;Wilt thou travel with me to Damascus of Syria or wilt thou abide here, whilst I lead this my lord thither and return to thee? For he is bent upon going to Damascus of Syria and, by Allah, it is hard to me to part with him, and I fear for him from highway men.&amp;quot; Replied she, &amp;quot;I will go with you both;&amp;quot; and he rejoined, &amp;quot;Praised be Allah for accord, and we have said the last word!&amp;quot; Then he rose and selling all his own goods and his wife's gear,—And Shahrazad perceived the dawn of day and ceased saying her permitted say,&#xA;&#xA;When it was the Fifty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Fire man and his wife agreed with Zau al-Makan to travel with him Damascus wards. Then the Stoker sold his goods and his wife's gear and bought a camel and hired an ass for Zau al-Makan; and they set out, and ceased not wayfaring for six days till they reached Damascus. And they arrived there towards eventide; when the Fireman went forth and, as was his wont, bought some meat and drink. They had dwelt but five days in Damascus, when his wife sickened and, after a short illness, was translated to the mercy of Almighty Allah. Her death was a heavy matter to Zau al-Makan, for he was grown used to her as she had tended him assiduously; and the Fireman grieved for her with excessive grief. Presently the Prince turned to the Stoker and finding him mourning, said to him, &amp;quot;Grieve not, for at this gate we must all go in.&amp;quot; Replied he, &amp;quot;Allah make weal thy lot, O my son! Surely He will compensate us with His favours and cause our mourning to cease. What sayst thou, O my son, about our walking abroad to view Damascus and cheer thy spirits?&amp;quot; Replied Zau al-Makan, &amp;quot;Thy will is mine.&amp;quot; So the Fireman arose and placed his hand in that of Zau al- Makan and the two walked on till they came to the stables of the Viceroy of Damascus, where they found camels laden with chests and carpets and brocaded stuffs, and horses ready saddled and Bactrian dromedaries, while Mamelukes and negro slaves and folk in a hubbub were running to and fro. Quoth Zau al-Makan, &amp;quot;I wonder to whom belong all these chattels and camels and stuffs!&amp;quot; So he asked one of the eunuchs, &amp;quot;Whither this dispatching?'' and he answered, &amp;quot;These are presents sent by the Emir of Damascus to King Omar bin al-Nu'uman, with the tribute of Syria.&amp;quot; Now when Zau al-Makan heard his father's name his eyes brimmed over with tears, and he began repeating,&#xA;&#xA;&amp;quot;Oh ye gone from the gaze of these ridded eyne, * Ye whose sight&#xA;             in my spirit shall ever dwell!&#xA;Your charms are gone, but this heart of me * Hath no sweet, and&#xA;             no pleasures its sour dispel;&#xA;If Allah's grace make us meet again, * In long drawn love-tale my&#xA;             love I'll tell.&amp;quot;&#xA;&#xA;And when he had ended his verse, he wept and the Fireman said to him, &amp;quot;O my son, we hardly believed that thy health had returned; so take heart and do not weep, for I fear a relapse for thee.&amp;quot; And he ceased not comforting and cheering him, whilst Zau al-Makan sighed and moaned over his strangerhood and separation from his sister and his family; and tears streamed from his eyes and he recited these couplets,&#xA;&#xA;&amp;quot;Get thee provaunt in this world ere thou wend upon thy way, *&#xA;           And know how surely Death descends thy life lot to waylay:&#xA;All thy worldly goods are pride and the painfullest repine; * All&#xA;           thy worldly life is vexing, of thy soul in vain display:&#xA;Say is not worldly wone like a wanderer's place of rest, * Where&#xA;           at night he 'nakhs' his camels and moves off at dawn&#xA;           of day?&amp;quot;&#xA;&#xA;And he continued to weep and wail over his separation; whilst the Fireman also bewept the loss of his wife, yet ceased not to comfort Zau al-Makan till morning dawned. When the sun rose, he said to him, &amp;quot;Meseemeth thou yearnest for thy native land?&amp;quot; &amp;quot;Yes,&amp;quot; replied Zau al-Makan, &amp;quot;and I can no longer tarry here; so I will commend thee to Allah's care and set out with these folk and journey with them, little by little, till I come to my mother land.&amp;quot; Said the Stoker, &amp;quot;And I with thee; for of a truth I cannot bear to part with thee. I have done thee kindly service and I mean to complete it by tending thee on thy travel.&amp;quot; At this, Zau al-Makan rejoiced and said, &amp;quot;Allah abundantly requite thee for me!&amp;quot; and was pleased with the idea of their travelling together. The Fireman at once went forth and bought another ass, selling the camel; and laid in his provaunt and said to Zau al-Makan, &amp;quot;This is for thee to ride by the way; and, when thou art weary of riding, thou canst dismount and walk.&amp;quot; Said Zau al-Makan, &amp;quot;May Allah bless thee and aid me to requite thee! for verily thou hast dealt with me more lovingly than one with his brother.&amp;quot; Then he waited till it was dark night, when he laid the provisions and baggage on that ass and set forth upon their journey. This much befel Zau al-Makan and the Fireman; but as regards what happened to his sister Nuzhat al-Zaman, when she left her brother in the Khan where they abode and, wrapped in the old camlet, went out to seek service with some one, that she might earn wherewithal to buy him the roast meat he longed for, she fared on, weeping and knowing not whither to go, whilst her mind was occupied with thoughts of her brother and of her family and her native land. So she implored Allah Almighty to do away with these calamities from them and began versifying,&#xA;&#xA;&amp;quot;Dark falls the night and Passion comes sore pains to gar me&#xA;            dree, * And pine upstirs those ceaseless pangs which work my&#xA;           tormentry,&#xA;And cease not separation flames my vitals to consume, * And&#xA;           drives me on destruction way this sorrow's ecstacy&#xA;And longing breeds me restlessness; desire for ever fires, * And&#xA;          tears to all proclaim what I would keep in secrecy&#xA;No cunning shift is known to me a meeting to secure, * That I may&#xA;            quit this sickly state, may cure my malady:&#xA;The love which blazeth in my heart is fed with fancy fuel, * The&#xA;           lover from its hell of fire must bear Hell's agony!&#xA;O thou who blamest me for all befel me, 'tis enough, * Patient I&#xA;           bear what ever wrote the Reed of Doom for me:&#xA;By Love I swear I'll never be consoled, no, never more; * I swear&#xA;             the oath of Love's own slaves who know no perjury:&#xA;O Night, to chroniclers of Love the news of me declare; * That&#xA;           sleep hath fed mine eyelids of thy knowledge witness bear!&amp;quot;&#xA;&#xA;Then she walked on, weeping and turning right and left as she went, when behold, there espied her an old Badawi who had come into the town from the desert with wild Arabs other five. The old man took note of her and saw that she was lovely, but she had nothing on her head save a piece of camlet, and, marvelling at her beauty, he said to himself, &amp;quot;This charmer dazzleth men's wits but she is in squalid condition, and whether she be of the people of this city or she be a stranger, I needs must have her.&amp;quot; So he followed her, little by little, till he met her face to face and stopped the way before her in a narrow lane, and called out to her, asking her case, and said, &amp;quot;Tell me, O my little daughter! art thou a free woman or a slave?&amp;quot; When she heard this, she said to him, &amp;quot;By thy life, do not add to my sorrows!&amp;quot; Quoth he, &amp;quot;Allah hath blessed me with six daughters, of whom five died and only one is left me, the youngest of all; and I came to ask thee if thou be of the folk of this city or a stranger; that I might take thee and carry thee to her, to bear her company so as to divert her from pining for her sisters. If thou have no kith and kin, I will make thee as one of them and thou and she shall be as my two children.&amp;quot; Nuzhat al-Zaman bowed her head in bashfulness when she heard what he said and communed with herself, &amp;quot;Haply I may trust myself to this old man.&amp;quot; Then she said to him, &amp;quot;O nuncle, I am a maiden of the Arabs and a stranger and I have a sick brother; but I will go with thee to thy daughter on one condition, which is, that I may spend only the day with her and at night may return to my brother. If thou strike this bargain I will fare with thee, for I am a stranger and I was high in honour among my tribe, and I awoke one morning to find myself vile and abject. I came with my brother from the land of Al-Hijaz and I fearless he know not where I am.&amp;quot; When the Badawi heard this, he said to himself, &amp;quot;By Allah, I have got my desire!&amp;quot; Then he turned to her and replied, &amp;quot;There shall none be dearer to me than thou; I wish thee only to bear my daughter company by day and thou shalt go to thy brother at earliest nightfall. Or, if thou wilt, bring him over to dwell with us.&amp;quot; And the Badawi ceased not to console her heart and coax her, till she trusted in him and agreed to serve him. Then he walked on before her and, when she followed him, he winked to his men to go in advance and harness the dromedaries and load them with their packs and place upon them water and provisions, ready for setting out as soon as he should come up with the camels. Now this Badawi was a base born churl, a highway thief and a traitor to the friend he held most fief, a rogue in grain, past master of plots and chicane. He had no daughter and no son and was only passing through the town when, by the decree of the Decreer, he fell in with this unhappy one. And he ceased not to hold her in converse on the highway till they came without the city of Jerusalem and, when outside, he joined his companions and found they had made ready the dromedaries. So the Badawi mounted a camel, having seated Nuzhat al-Zaman behind him and they rode on all night. Then she knew that the Badawi's proposal was a snare and that he had tricked her; and she continued weeping and crying out the whole night long, while they journeyed on making for the mountains, in fear any should see them. Now when it was near dawn, they dismounted from their dromedaries and the Badawi came up to Nuzhat al-Zaman and said to her, &amp;quot;O city strumpet, what is this weeping? By Allah, an thou hold not thy peace, I will beat thee to death, O thou town filth!&amp;quot; When she heard this she loathed life and longed for death; so she turned to him and said, &amp;quot;O accursed old man, O gray beard of hell, how have I trusted thee and thou hast played me false, and now thou wouldst torture me?&amp;quot; When he heard her reply he cried out, &amp;quot;O lazy baggage, dost thou dare to bandy words with me?&amp;quot; And he stood up to her and beat her with a whip, saying, &amp;quot;An thou hold not thy peace, I will kill thee!&amp;quot; So she was silent awhile, then she called to mind her brother and the happy estate she had been in and she shed tears secretly. Next day, she turned to the Badawi and said to him, &amp;quot;How couldst thou play me this trick and lure me into these bald and stony mountains, and what is thy design with me?&amp;quot; When he heard her words he hardened his heart and said to her, &amp;quot;O lazy baggage of ill omen and insolent! wilt thou bandy words with me?&amp;quot; and he took the whip and came down with it on her back till she felt faint. Then she bowed down over his feet and kissed them; and he left beating her and began reviling her and said, &amp;quot;By the rights of my bonnet, if I see or hear thee weeping, I will cut out thy tongue and stuff it up thy coynte, O thou city filth!&amp;quot; So she was silent and made him no reply, for the beating pained her; but sat down with her arms round her knees and, bowing her head upon her collar, began to look into her case and her abasement after her lot of high honour; and the beating she had endured; and she called to mind her brother and his sickness and forlorn condition, and how they were both strangers in a far country, which crave her tears down her cheeks and she wept silently and began repeating,&#xA;&#xA;&amp;quot;Time hath for his wont to upraise and debase, * Nor is lasting&#xA;           condition for human race:&#xA;In this world each thing hath appointed turn; * Nor may man&#xA;            transgress his determined place:&#xA;How long these perils and woes? Ah woe * For a life, all woeful&#xA;            in parlous case!&#xA;Allah bless not the days which have laid me low * I' the world,&#xA;            with disgrace after so much grace!&#xA;My wish is baffled, my hopes cast down, * And distance forbids me&#xA;             to greet his face:&#xA;O thou who passeth that dear one's door, * Say for me, these&#xA;             tears shall flow evermore!&amp;quot;&#xA;&#xA;When she had finished her verses, the Badawi came up to her and, taking compassion on her, bespoke her kindly and wiped away her tears. Then he gave her a barley scone and said, &amp;quot;I love not one who answereth at times when I am in wrath: so henceforth give me no more of these impertinent words and I will sell thee to a good man like myself, who will do well with thee, even as I have done.&amp;quot; &amp;quot;Yes; whatso thou doest is right,&amp;quot; answered she; and when the night was longsome upon her and hunger burnt her, she ate very little of that barley bread. In the middle of the night the Badawi gave orders for departure,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Badawi gave the barley scone to Nuzhat al-Zaman and promised he would sell her to a good man like himself, she replied, &amp;quot;Whatso thou doest is right!&amp;quot; and, about midnight when hunger burned her, she ate a very little of that barley bread and the Badawi ordered his party to set out; so they loaded their loads and he mounted a camel setting Nuzhat al-Zaman behind him. Then they journeyed and ceased not journeying for three days, till they entered the city of Damascus and alighted at the Sultan's Khan, hard by the Viceroy's Gate. Now she had lost her colour by grief and the fatigue of such travelling, and she ceased not to weep over her misfortunes. So the Badawi came up to her and said, &amp;quot;O thou city filth, by the right of my bonnet, if thou leave not this weeping, I will sell thee to none but a Jew!&amp;quot; Then he arose and took her by the hand and carried her to a chamber, and walked off to the bazar, and he went round to, the merchants who dealt in slave girls, and began to parley with them, saying, &amp;quot;I have brought a slave girl whose brother fell ill, and I sent him to my people about Jerusalem, that they might tend him till he is cured. As for her I want to sell her, but after the dog her brother fell sick, the separation from him was grievous to her, and since then she doth nothing but weep, and now I wish that whoso is minded to buy her of me speak softly to her and say, 'Thy brother is with me in Jerusalem ill'; and I will be easy with him about her price.&amp;quot; Then one of the merchants came up to him and asked, &amp;quot;How old is she?&amp;quot; He answered &amp;quot;She is a virgin, just come to marriageable age, and she is endowed with sense and breeding and wit and beauty and loveliness. But from the day I sent her brother to Jerusalem, her heart hath been yearning for him, so that her beauty is fallen away and her value lessened.&amp;quot; Now when the merchant heard this, he set forth with the Badawi and said, &amp;quot;O Shaykh of the Arabs, I will go with thee and buy of thee this girl whom thou praisest so highly for wit and manners and beauty and loveliness; and I will pay thee her price but it must be upon conditions which if thou accept, I will give thee ready money, and if thou accept not I will return her to thee.&amp;quot; Quoth the Badawi, &amp;quot;An thou wilt, take her up to the Sultan Sharrkan, son of Omar bin al-Nu'uman lord of Baghdad and of the land of Khorasan, and condition me any conditions thou likest, for when thou hast brought her before King Sharrkan, haply she will please him, and he will pay thee her price and a good profit for thyself to boot.&amp;quot; Rejoined the merchant, &amp;quot;It happens that I have just now something to ask from him, and it is this that he write me an order upon the office, exempting me from custom dues and also that he write me a letter of recommendation to his father, King Omar bin al-Nu'uman. So if he take the girl, I will weigh thee out her price at once.&amp;quot; &amp;quot;I agree with thee to this condition,&amp;quot; answered the Badawi. So they returned together to the place where Nuzhat al-Zaman was and the wild Arab stood at the chamber door and called out, saying, &amp;quot;O Nájiyah!&amp;quot; which was the name wherewith he had named her. When she heard him, she wept and made no answer. Then he turned to the merchant and said to him, &amp;quot;There she sitteth; go to her and look at her and speak to her kindly as I enjoined thee.&amp;quot; So the trader went up to her in courteous wise and saw that she was wondrous beautiful and loveable, especially as she knew the Arabic tongue; and he said to the Badawi, &amp;quot;If she be even as thou saddest, I shall get of the Sultan what I will for her.&amp;quot; Then he bespake her, &amp;quot;Peace be on thee, my little maid! How art thou?&amp;quot; She turned to him and replied, &amp;quot;This also was registered in the Book of Destiny.&amp;quot; Then she looked at him and, seeing him to be a man of respectable semblance with a handsome face, she said to herself, &amp;quot;I believe this one cometh to buy me;&amp;quot; and she continued, &amp;quot;If I hold aloof from him, I shall abide with my tyrant and he will do me to death with beating. In any case, this person is handsome of face and maketh me hope for better treatment from him than from my brute of a Badawi. May be he cometh only to hear me talk; so I will give him a fair answer.&amp;quot; All this while her eyes were fixed on the ground; then she raised them to him and said in a sweet voice, &amp;quot;And upon thee be peace, O my lord, and Allah's mercy and His benediction! This is what is commanded of the Prophet, whom Allah bless and preserve! As for thine enquiry how I am, if thou wouldst know my case, it is such as thou wouldst not wish but to thy foe.&amp;quot; And she held her peace. When the merchant heard what she said, his fancy took wings for delight in her and, turning to the Badawi, he asked him, &amp;quot;What is her price, for indeed she is noble?&amp;quot; Thereupon the Badawi waxed angry and answered, &amp;quot;Thou wilt turn me the girl's head with this talk! Why dost thou say that she is noble, while she is of the scum of slave girls and of the refuse of folk? I will not sell her to thee!&amp;quot; When the merchant heard this, he knew the man to be weak of wits and said to him, &amp;quot;Calm thyself, for I will buy her of thee with these blemishes thou mentionest.&amp;quot; &amp;quot;And how much wilt thou give me for her?&amp;quot; enquired the Badawi. Replied the merchant, &amp;quot;Name thy price for her: none should name the son save his sire.&amp;quot; Rejoined the Badawi, &amp;quot;None shall name it but thou thyself.&amp;quot; Quoth the merchant to himself, &amp;quot;This wildling is a rudesby and a maggotty head. By Allah, I cannot tell her price, for she hath won my heart with her fair speech and good looks; and, if she can read and write, it will be complete fair luck to her and to her purchaser. But this Badawi does not know her worth.&amp;quot; Then he turned and said to him, &amp;quot;O Shaykh of the Arabs, I will give thee in ready money, clear of the tax and the Sultan's dues, two hundred gold pieces.&amp;quot; Now when the Badawi heard this, he flew into a violent rage and cried at the merchant, saying, &amp;quot;Get up and go thy ways! By Allah, wert thou to offer me two hundred diners for the bit of camlet she weareth, I would not sell it to thee. And now I will not sell her, but will keep her by me, to pasture the camels and grind my grist.&amp;quot; And he cried out to her, saying, &amp;quot;Come here, thou stinkard! I will not sell thee.&amp;quot; Then he turned to the merchant and said to him, &amp;quot;I used to think thee a man of judgment; but, by the right of my bonnet, if thou begone not from me, I will let thee hear what shall not please thee!&amp;quot; Quoth the merchant to himself, &amp;quot;Of a truth this Badawi is mad and knoweth not her value, and I will say no more to him about her price at the present time; for by Allah, were he a man of sense, he would not say, 'By the rights of my bonnet!' By the Almighty, she is worth the kingdom of the Chosroës and I have not her price by me, but if he ask even more, I will give him what he will, though it be all my goods.&amp;quot; Then he turned and said to him, &amp;quot;O Shaykh of the Arabs, take patience and calm thyself and tell me what clothes she hath with thee?&amp;quot; Cried the Badawi, &amp;quot;And what hath the baggage to do with clothes? By Allah, this camlet in which she is wrapped is ample for her.&amp;quot; &amp;quot;With thy leave,&amp;quot; said the merchant, &amp;quot;I will unveil her face and examine her even as folk examine slave girls whom they think of buying.&amp;quot; Replied the other, &amp;quot;Up and do what thou wilt and Allah keep thy youth! Examine her outside and inside and, if thou wilt, strip off her clothes and look at her when she is naked.&amp;quot; Quoth the trader, &amp;quot;Allah forfend! I will look at naught save her face.&amp;quot; Then he went up to her and was put to shame by her beauty and loveliness,—And Shahrazed perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the merchant went up to Nuzhat al-Zaman and was put to shame by her beauty and loveliness, so he sat by her side and asked her, &amp;quot;O my mistress, what is thy name?&amp;quot; She answered, &amp;quot;Doss thou ask what is my name this day or what it was before this day?&amp;quot; Thereupon the merchant enquired, &amp;quot;Hast thou then two names: to day's and yesterday's?&amp;quot; &amp;quot;Yes,&amp;quot; replied she, &amp;quot;my name in the past was Nuzhat al-Zaman, the Delight of the Age; but my name at this present is Ghussat al-Zaman, the Despight of the Age.&amp;quot; When the merchant heard this his eyes brimmed over with tears and quoth he to her, &amp;quot;Hast thou not a sick brother?&amp;quot; &amp;quot;Ay by Allah, O my lord, I have,&amp;quot; quoth she, &amp;quot;but fortune hath parted me and him and he lieth sick in Jerusalem.&amp;quot; The merchant's head was confounded at the sweetness of her speech and he said to himself, &amp;quot;Verily, the Badawi spake the truth of her.&amp;quot; Then she called to mind her brother and his sickness and his strangerhood and her separation from him in his hour of weakness and her not knowing what had befallen him; and she thought of all that had happened to her with the Badawi and of her severance from her mother and father and native land; and the tears coursed down her cheeks and fast as they started they dropped; and she began reciting,&#xA;&#xA;&amp;quot;Allah, where'er thou be, His aid impart * To thee, who distant&#xA;             dwellest in my heart!&#xA;Allah be near thee how so far thou fare; * Ward off all shifts of&#xA;            Time, all dangers thwart!&#xA;Mine eyes are desolate for thy vanisht sight, * And start my&#xA;            tears-ah me, how fast they start!&#xA;Would Heaven I kenned what quarter or what land * Homes thee, and&#xA;           in what house and tribe thou art&#xA;A fount of life thou drain in greenth of rose, * While drink I&#xA;             tear drops for my sole desert?&#xA;An thou 'joy slumber in those hours, when I * Peel 'twixt my side&#xA;           and couch coals' burning smart?&#xA;All things were easy save to part from thee, * For my sad heart&#xA;           this grief is hard to dree.&amp;quot;&#xA;&#xA;When the merchant heard her verses, he wept and put out his hand to wipe away the tears from her cheeks; but she let down her veil over her face, saying, &amp;quot;Heaven forbid, O my lord!'' Then the Badawi, who was sitting at a little distance watching them, saw her cover her face from the merchant while about to wipe the tears from her cheeks; and he concluded that she would have hindered him from handling her: so he rose and running to her, dealt her, with a camel's halter he had in his hand, such a blow on the shoulders that she fell to the ground on her face. Her eyebrow struck a stone which cut it open, and the blood streamed down her cheeks; whereupon she screamed a loud scream and felt faint and wept bitterly. The merchant was moved to tears for her and said in himself, &amp;quot;There is no help for it but that I buy this damsel, though at her weight in gold, and free her from this tyrant.&amp;quot; And he began to revile the Badawi whilst Nazhat al- Zaman lay in sensible. When she came to herself, she wiped away the tears and blood from her face; and she bound up her head: then, raising her glance to heaven, she besought her Lord with a sorrowful heart and began repeating,&#xA;&#xA;&amp;quot;And pity one who erst in honour throve, * And now is fallen into&#xA;             sore disgrace.&#xA;She weeps and bathes her cheeks with railing tears, * And asks&#xA;            'What cure can meet this fatal case?'&amp;quot;&#xA;&#xA;When she had ended her verse, she turned to the merchant and said in an undertone, &amp;quot;By the Almighty, do not leave me with a tyrant who knoweth not Allah the Most High! If I pass this night in his place, I shall kill myself with my own hand: save me from him, so Allah save thee from Gehenna-fire.&amp;quot; Then quoth the merchant to the Badawi, &amp;quot;O Shaykh of the Arabs, this slave is none of thine affair; so do thou sell her to me for what thou wilt.&amp;quot; &amp;quot;Take her,&amp;quot; quoth the Badawi, &amp;quot;and pay me down her price, or I will carry her back to the camp and there set her to feed the camels and gather their dung.&amp;quot; Said the merchant, &amp;quot;I will give thee fifty thousand diners for her.&amp;quot; &amp;quot;Allah will open!&amp;quot; replied the Badawi. &amp;quot;Seventy thousand,&amp;quot; said the merchant. &amp;quot;Allah will open!&amp;quot; repeated the Badawi: &amp;quot;this is not the capital spent upon her, for she hath eaten with me barley bread to the value of ninety thousand gold pieces.&amp;quot; The merchant rejoined, &amp;quot;Thou and thine and all thy tribe in the length of your lives have not eaten a thousand ducats' worth of barley; but I will say thee one word, wherewith if thou be not satisfied, I will set the Viceroy of Damascus on thee and he will take her from thee by force.&amp;quot; The Badawi continued, &amp;quot;Say on!&amp;quot; &amp;quot;An hundred thousand,&amp;quot; quoth the merchant. &amp;quot;I have sold her to thee at that price,&amp;quot; answered the Badawi; &amp;quot;I shall be able to buy salt with her.&amp;quot; The merchant laughed and, going to his lodgings, brought the money and put it into the hand of the Badawi, who took it and made off, saying to himself, &amp;quot;Needs must I go to Jerusalem where, haply, I shall happen on her brother, and I will bring him here and sell him also.&amp;quot; So he mounted and journeyed till he arrived at Jerusalem, where he went to the Khan and asked for Zau al-Makan, but could not find him. Such was the case with him; but for what regards the merchant and Nazhat al-Zaman, when he took her he threw some of his clothes over her and carried her to his lodgings,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the trader saved Nuzhat al-Zaman from the Badawi and bore her to his lodgings and robed her in the richest raiment, he went down with her to the bazar, where he bought her what ornaments she chose and put them in a satin bag, which he set before her, saying, &amp;quot;All is for thee and I ask nothing of thee in return but that, when I lead thee to the Sultan, Viceroy of Damascus, thou acquaint him with the price I paid for thee, albeit it was little compared with thy value: and, if seeing thee he buy thee of me, thou tell him how I have dealt with thee and ask of him for me a royal patent, and a written recommendation wherewith I can repair to his father, King Omar bin al-Nu'uman, Lord of Baghdad, to the intent that he may forbid the tax on my stuffs or any other goods in which I traffic.&amp;quot; When she heard his words, she wept and sobbed, and the merchant said to her, &amp;quot;O my lady, I observe that, every time I mention Baghdad, thine eyes are tearful: is there any one there whom thou lovest? If it be a trader or the like, tell me; for I know all the merchants and so forth there and, if thou wouldst send him a message, I will bear it for thee.&amp;quot; Replied she, &amp;quot;By Allah, I have no acquaintance among merchant folk and the like! I know none there but King Omar bin Nu'uman, Lord of Baghdad.&amp;quot; When the merchant heard her words, he laughed and rejoiced with exceeding joy and said in himself, &amp;quot;By Allah, I have won my wish!&amp;quot; Then he said to her, &amp;quot;Hast thou been shown to him in time past?&amp;quot; She answered, &amp;quot;No, but I was brought up with his daughter and he holdeth me dear and I have high honour with him; so if thou wouldst have the King grant thee thy desire, give me ink case and paper and I will write thee a letter; and when thou reachest the city of Baghdad, do thou deliver it into the hand of King Omar bin al-Nu'uman and say to him, 'Thy handmaid, Nuzhat al-Zaman, would have thee to know that the chances and changes of the nights and days have struck her as with a hammer, and have smitten her so that she hath been sold from place to place, and she sendeth thee her salams.' And, if he ask further of her, say that I am now with the Viceroy at Damascus.&amp;quot; The merchant wondered at her eloquence, and his affection for her increased and he said to her I cannot but think that men have played upon thine understanding and sold thee for money. Tell me, dost thou know the Koran by heart?&amp;quot; &amp;quot;Yes,&amp;quot; answered she; &amp;quot;and I am also acquainted with philosophy and medicine and the prolegomena of science and the commentaries of Galen, the physician, on the canons of Hippocrates; and I have commented him and I have read the Tazkirah and have commented the Burhán; and I have studied the Simples of Ibn Baytár, and I have something to say of the canon of Meccah, by Avicenna. I can ree riddles and can solve ambiguities, and discourse upon geometry and am skilled in anatomy I have read the books of the Sháfi'í school and the Traditions of the Prophet and syntax; and I can argue with the Olema and discourse of all manner learning. Moreover I am skilled in logic and rhetoric and arithmetic and the making of talismans and almanacs, and I know thoroughly the Spiritual Sciences and the times appointed for religious duties and I understand all these branches of knowledge.&amp;quot; Then quoth she to the merchant, &amp;quot;Bring me ink case and paper, that I write thee a letter which shall aid thee on thy journey to Baghdad and enable thee to do without passports.&amp;quot; Now when the merchant heard this, he cried out &amp;quot;Brava! Brava! Then O happy he in whose palace thou shalt! Thereupon he brought her paper and ink case and a pen of brass and bussed the earth before her face to do her honour. She took a sheet and handled the reed and wrote therewith these verses,&#xA;&#xA;&amp;quot;I see all power of sleep from eyes of me hath flown; * Say, did&#xA;           thy parting teach these eyne on wake to wone?&#xA;What makes thy memory light such burnings in my heart? * Hath&#xA;            every lover strength such memories to own?&#xA;How sweet the big dropped cloud which rained on summer day; *&#xA;            'Tis gone and ere I taste its sweets afar 'tis flown:&#xA;I pray the wind with windy breath to bring some news * From thee,&#xA;            to lover wightwi' love so woe begone&#xA;Complains to thee a lover of all hope forlorn, * For parting&#xA;             pangs can break not only heart but stone.&amp;quot;&#xA;&#xA;And when she had ended writing the verses she continued, &amp;quot;These words are from her who saith that melancholy destroyeth her and that watching wasteth her; in the murk of whose night is found no light and darkness and day are the same in her sight. She tosseth on the couch of separation and her eyes are blackened with the pencils of sleeplessness; she watcheth the stars arise and into the gloom she strains her eyes: verily, sadness and leanness have consumed her strength and the setting forth of her case would run to length. No helper hath she but tears and she reciteth these verses,&#xA;&#xA;'No ring dove moans from home on branch in morning light, * But&#xA;             shakes my very frame with sorrow's killing might:&#xA;No lover sigheth for his love or gladdeth heart * To meet his&#xA;             mate, but breeds in me redoubled blight&#xA;I bear my plaint to one who has no ruth for me, * Ah me, how Love&#xA;             can part man's mortal frame and sprite!' &amp;quot;&#xA;Then her eyes welled over with tears, and she wrote also these two couplets,&#xA;&#xA;&amp;quot;Love smote my frame so sore on parting day, * That severance&#xA;             severed sleep and eyes for aye.&#xA;I waxt so lean that I am still a man, * But for my speaking, thou&#xA;             wouldst never say.&amp;quot;&#xA;&#xA;Then she shed tears and wrote at the foot of the sheet, &amp;quot;This cometh from her who is far from her folk and her native land, the sorrowful hearted woman Nuzhat al-Zaman.&amp;quot; In fine, she folded the sheet and gave it to the merchant, who took it and kissed it and understood its contents and exclaimed, &amp;quot;Glory to Him who fashioned thee!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-ninth Night,&#xA;&#xA;She said, It reached me, O auspicious King, that Nuzhat al-Zaman wrote the letter and gave it to the merchant; and he took it and read it and understood the contents and exclaimed, &amp;quot;Glory to Him who fashioned thee!&amp;quot; Then he redoubled his kindness and made himself pleasant to her all that day, and when night came he sallied out to the bazar and bought some food, wherewith he fed her; after which he carried her to the Hammam and said to the bath woman, &amp;quot;As soon as thou hast made an end of washing her head, dress her and send and let me know of it.&amp;quot; And she replied &amp;quot;Hearing is obeying.&amp;quot; Meanwhile he fetched food and fruit and wax candles and set them on the bench in the outer room of the bath; and when the tire woman had done washing her, she dressed her and led her out of the bath and seated her on the bench. Then she sent to tell the merchant, and Nuzhat al-Zaman went forth to the outer room, where she found the tray spread with food and fruit. So she ate and the tire woman with her, and gave the rest to the people and keeper of the bath. Then she slept till the morning, and the merchant lay the night in a place apart from her. When he aroused himself from sleep he came to her and waking her, presented her with a shift of fine stuff and a head kerchief worth a thousand diners, a suit of Turkish embroidery and walking boots purfled with red gold and set with pearls and gems. Moreover, he hung in each of her ears a circlet of gold with a fine pearl therein, worth a thousand diners, and threw round her neck a collar of gold with bosses of garnet and a chain of amber beads that hung down between her breasts over her navel. Now to this chain were attached ten balls and nine crescents, and each crescent had in its midst a bezel of ruby, and each ball a bezel of balass: the value of the chain was three thousand diners and each of the balls was priced at twenty thousand dirhams, so that the dress she wore was worth in all a great sum of money. When she had put these on, the merchant bade her adorn herself, and she adorned herself to the utmost beauty; then she let fall her fillet over her eyes and she fared forth with the merchant preceding her. But when folk saw her, all wondered at her beauty and exclaimed, &amp;quot;Blessed be Allah, the most excellent Creator! O lucky the man in whose house the hall be!&amp;quot; And the trader ceased not walking (and she behind him) till they entered the palace of Sultan Sharrkan; when he sought an audience and, kissing the earth between his hands, said, &amp;quot;O auspicious King, I have brought thee a rare gift, unmatched in this time and richly gifted with beauty and with good qualities.&amp;quot; Quoth the King, &amp;quot;Let me see it.&amp;quot; So the merchant went out and brought her, she following him till he made her stand before King Sharrkan. When he beheld her, blood yearned to blood, though she had been parted from him in childhood and though he had never seen her, having only heard a long time after her birth that he had a sister called Nuzhat al- Zaman and a brother Zau al-Makan, he having been jealous of them, because of the succession. And such was the cause of his knowing little about them. Then, having placed her before the presence, the merchant said, &amp;quot;O King of the age, besides being peerless in her time and beauty and loveliness, she is also versed in all learning, sacred and profane, including the art of government and the abstract sciences.&amp;quot; Quoth the King to the trader, &amp;quot;Take her price, according as thou boughtest her, and go thy ways.&amp;quot; &amp;quot;I hear and I obey,&amp;quot; replied the merchant; &amp;quot;but first write me a patent, exempting me for ever from paying tithe on my merchandise.&amp;quot; Said the King, &amp;quot;I will do this, but first tell me what price thou paidest for her.&amp;quot; Said the merchant, &amp;quot;I bought her for an hundred thousand diners, and her clothes cost me another hundred thousand.&amp;quot; When the Sultan heard these words, he declared, &amp;quot;I will give thee a higher price than this for her;&amp;quot; and, calling his treasurer, said to him, &amp;quot;Pay this merchant three hundred and twenty thousand ducats; so will he have an hundred and twenty thousand diners profit.&amp;quot; Thereupon the Sultan summoned the four Kazis and paid him the money in their presence and then he said, &amp;quot;I call you to witness that I free this my slave girl and purpose to marry her.&amp;quot; So the Kazis wrote out the deed of emancipation and the contract of marriage, when the Sultan scattered much gold on the heads of those present; and the pages and the eunuchs picked up this largesse. Then, after paying him his monies, Sharrkan bade them write for the merchant a perpetual patent, exempting him from toll, tax or tithe upon his merchandise and forbidding each and every in all his government to molest him, and lastly bestowed on him a splendid dress of honour.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixtieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Sharrkan bade them write for the merchant a mandate, after paying him his monies; and they wrote a perpetual patent, exempting him from the tithe upon his merchandise and forbidding any in his government to molest him; and lastly bestowed upon him a splendid dress of honour. Then all about him retired, and none remained save the Kazis and the merchant, whereupon said he to the judges, &amp;quot;I wish you to hear such discourse from this damsel as may prove her knowledge and accomplishments in all aimed for her by this trader, that we ascertain the truth of his assertions.&amp;quot; They answered, &amp;quot;There is no evil in that!&amp;quot;; and he commanded the curtain to be let down between him and those with him and the maiden and those with her; and the women about the damsel behind the curtains began to wish her joy and kiss her hands and feet, when they learned that she was become the King's wife. Then they came round her and took off her dresses easing her of the weight of her clothes and began to look upon her beauty and loveliness. Presently the wives of the Emirs and Wazirs heard that King Sharrkan had bought a hand maiden unmatched for her beauty and learning and philosophy and account keeping, and versed in all branches of knowledge, that he had paid for her three hundred and twenty thousand dinars, and that he had set her free and had written a marriage contract with her and had summoned the four Kazis to make trial of her, how she would answer all their questions and hold disputetion with them. So they asked leave of their husbands and repaired to the palace wherein was Nuzhat al- Zaman. When they came in to her, they found the eunuchs standing before her; and, as soon as she saw the wives of the Emirs and Wazirs and Grandees of the realm coming to call upon her, she arose to them on her feet and met them with courtesy, her handmaidens standing behind her, and she received them saying, &amp;quot;Ye be welcome!&amp;quot; The while she smiled in their faces so as to win their hearts; and she promised them all manner of good and seated them in their proper stations, as if she had been brought up with them; so all wondered at her beauty and loveliness and said to one another, &amp;quot;This damsel is none other than a Queen, the daughter of a King.&amp;quot; Then they sat down, magnifying her worth and said to her, &amp;quot;O our lady, this our city is illumined by thee, and our country and abode and birth place and reign are honoured by thy presence. The kingdom indeed is thy kingdom and the palace is thy palace, and we all are thy handmaids; so, by Allah, do not shut us out from thy favours and the sight of thy beauty.&amp;quot; And she thanked them for this. All this while the curtains were let down between Nuzhat al-Zaman and the women with her, on the one side, and King Sharrkan and the four Kazis and the merchant seated by him on the other. Presently King Sharrkan called to her and said, &amp;quot;O Queen, the glory of thine age, this merchant hath described thee as being learned and accomplished; and he claimeth that thou art skilled in all branches of knowledge, even to astrology: so let us hear something of all this he hath mentioned, and favour us with a short discourse on such subjects.&amp;quot; She replied, saying: &amp;quot;O King, to hear is to obey. The first subjects whereof I will treat are the art of government and the duties of Kings and what behoveth governors of command meets according to religious law, and what is incumbent on them in respect of satisfactory speech and manners. Know then, O King, that all men's works tend either to religious or to laical life, for none attaineth to religion save through this world, because it is the best road to futurity. Now the works of this world are not ordered save by the doings of its people, and men's doings are divided into four divisions, government, commerce, husbandry and craftsmanship. Now government requireth perfect administration with just and true judgment; for government is the pivot of the edifice of the world, which world is the road to futurity; since Allah Almighty hath made the world for His servants as viaticum to the traveller for the attainment of his goal; and it befitteth each man that he receive of it such measure as shall bring him to Allah, and that he follow not herein his own mind and his individual lust. If folk would take of worldly goods with justice and equity, all cause of contention would be cut off; but they take thereof with violence ant after their own desires, and their persistence therein giveth rise to contentions; so they have need of the Sultan, that he do justice between them and order their affairs; and, if the King restrain not his folk from one another, the strong will drive the weak to the wall. Hence Ardeshir saith, 'Religion and Kingship be twins'; religion is a hidden treasure and the King is its keeper; and the Divine Ordinances and men's intelligence point out that it behoveth the people to adopt a Sultan who shall withhold oppressor from oppressed and do the weak justice against the strong and restrain the violence of the proud and the rebels against rule. For know, O King, that according to the measure of the Sultan's good morals, even so will be the time; as saith the Apostle of Allah (on whom be peace and salvation!), 'There be two classes who, if they be good, the people will be good; and if they be bad, the people will be bad, even the Olema and the Emirs.' And it is said by a certain sage, 'There be three kinds of Kings, the King of the Faith, the King who protecteth things to which reverence is due, and the King of his own lusts.' The King of the Faith obligeth his subjects to follow their faith, and it behoveth he be the most faithful, for it is by him that they take pattern in the things of the Faith; and it becometh the folk to obey him in whatso he commandeth according to Divine Ordinance; but he shall hold the discontented in the same esteem as the contented, because of submission to the decrees of Destiny. As for the King who protecteth things to be reverenced, he upholdeth the things of the Faith and of the World and compelleth his folk to follow the Divine Law and to preserve the rights of humanity; and it fitteth him to unite Pen and Sword; for whoso declineth from what Pen hath written his feet slip and the King shall rectify his error with the sharp Sword and dispread his justice over all mankind. As for the King of his own lusts, he hath no religion but the following his desire and, as he feareth not the wrath of his Lord who set him on the throne, so his Kingdom inclineth to deposition and the end of his pride is in the house of perdition. And sages say, 'The King hath need of many people, but the people have need of but one King' wherefore it beseemeth that he be well acquainted with their natures, that he reduce their discord to concord, that with his justice be encompass them all and with his bounties overwhelm them all. And know, O King, that Ardeshir, styled Jamr Shadíd, or the Live Coal, third of the Kings of Persia, conquered the whole world and divided it into four divisions and, for this purpose, get for himself four seal rings, one for each division. The first seal was that of the sea and the police of prohibition and on it was written, Alterna lives. The second was the seal of tribute and of the receipt of monies, and on it was written, Building up. The third was the seal of the provisioning department and on it was written, Plenty. The fourth was the seal of the oppressed, and on it was written, Justice. And these usages remained valid in Persia until the revelation of Al-Islam. Chosroës also wrote his son, who was with the army, 'Be not thou too open handed with thy troops, or they will be too rich to need thee.'—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-first night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Chosroës wrote his son, 'Be not thou too open handed with thy troops, or they will be too rich to need thee; nor be thou niggardly with them, or they will murmur against thee. Give thy giving deliberately and confer thy favours advisedly; open thy hand to them in time of success and stint them not in time of distress.' There is a legend that a desert Arab came once to the Caliph Al- Mansúr and said, 'Starve thy dog and he shall follow thee.' When the Caliph heard his words, he was enraged with the Arab, but Abu 'l-Abbás of Tús said to him, 'I fear that if some other than thou should show him a scone, the dog would follow him and leave thee alone.' Thereupon the Caliph Al-Mansur's wrath subsided and he knew that the wild Arab had intended no offence and ordered him a present. And know, O King, that Abd al-Malik bin Marwán wrote to his brother Abd al-Azíz, when he despatched him to Egypt, as follows, 'Pay heed to thy Secretaries and thy Chamberlains, for the Secretaries will acquaint thee with estate fished matters and the Chamberlains with matters of official ceremony, whilst thine expenditure will make thy troops known to thee.' Omar bin Al-Khattáb (whom Allah accept!) when engaging a servant was in the habit of conditioning him with four conditions; the first that he should not ride the baggage beasts, the second that he should not wear fine clothes, the third that he should not eat of the spoil and the fourth that he should not put off praying till after the proper period. It is said that there is no wealth more profitable than understanding, and there is no understanding like common sense and prudence, and there is no prudence like piety; that there is no means of drawing near to God like good morals, no measure like good breeding, no traffic like good works and no profit like earning the Divine favour; that there is no temperance like standing within the limits of the law, no science like that of meditation, no worship like obeying the Divine commends, no faith like modesty, no calculation like self abasement and no honour like knowledge. So guard the head and what it containeth and the belly and what it compriseth; and think of death and doom ere it ariseth. Saith Ali (whose face Allah honour!), 'Beware of the wickedness of women and be on thy guard against them: consult them not in aught; but grudge not complaisance to them, lest they greed for intrigue.' And eke quoth he, 'Whoso leaveth the path of moderation his wits become perplexed'; and there be rules for this which we will mention, if it be Allah's will. And Omar (whom Allah accept!) saith, 'There are three kinds of women, firstly the true believing, Heaven fearing, love full and fruit full, who helpeth her mate against fate, not helping fate against her mate; secondly, she who loveth her children but no more and, lastly, she who is a shackle Allah setteth on the neck of whom He will.' Men be also three: the wise when he exerciseth his own judgement; the wiser who, when befalleth somewhat whereof he knoweth not the issue, seeketh folk of good counsel and acteth by their advice; and the unwise irresolute ignoring the right way nor heeding those who would guide him straight. Justice is indispensable in all things; even slave girls have need of justice; and men quote as an instance highway robbers who live by violenting mankind, for did they not deal equitably among themselves and observe justice in dividing their booty, their order would fall to pieces. In short, for the rest, the Prince of noble qualities is Beneficence cum Benevolence; and how excellent is the saying of the poet,&#xA;&#xA;By open hand and ruth the youth rose to his tribe's command; * Go and do likewise for the same were easy task to thee.'&#xA;&#xA;And quoth another,&#xA;&#xA;'In ruth and mildness surety lies and mercy wins respect, * And&#xA;             Truth is best asylum for the man of soothfast soul:&#xA;Whoso for wealth of gold would win and wear the world's good&#xA;             word, * On glory's course must ever be the first to gain the&#xA;             goal.'&amp;quot;&#xA;&#xA;And Nazhat al-Zaman discoursed upon the policy of Kings till the bystanders said, &amp;quot;Never have we seen one reason of rule and government like this damsel! Haply she will let us hear some discourse upon subject other than this.&amp;quot; When she heard their words and understood them she said, &amp;quot;As for the chapter of good breeding, it is wide of comprehension, being a compend of things perfect. Now it so happened that one day there came to the Caliph Mu'áwiyah one of his companions, who mentioned the people of Irak and the goodness of their wit; and the Caliph's wife Maysún, mother of Yezíd, heard his words. So, when he was gone, she said to the Caliph, 'O Prince of the Faithful, I would thou let some of the people of Irak come in and talk to thee, that I may hear their discourse.' Therewith Mu'awiyah said to his attendants, 'See who is at the door?' And they answered, 'The Banu Tamim.' 'Let them come in,' said he. So they came in and with them Al-Ahnáf son of Kays. Then quoth Mu'awiyah, 'Enter, O Abu Bahr,' and drew a curtain between himself and Maysun, that she might hear what they said without being seen herself; then he said to Al-Ahnaf, 'O Son of the Sea, draw near and tell me what counsel thou hast for me.' Quoth Al-Ahnaf, 'Part thy hair and trim thy moustachio and pare thy nails and pluck thine armpits and shave thy pubes and ever use the toothstick because therein be two and seventy virtues, and make the Ghusl or complete ablution on Friday, as an expiation for all between the Fridays.'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Ahnaf bin Kays replied to Al-Mu'awiyah's question, 'And ever use the toothstick, because therein be two end seventy virtues and make the complete Friday ablution as an expiation for all between the two Fridays.' Quoth Mu'awiyah, 'What is thy counsel to thyself?' 'To set my feet firmly on the ground, to move them deliberately and watch over them with mine eyes!' 'How dost thou order thyself when thou goest in to one not of the nobles of thy tribe?' 'I lower mine eyes modestly and I salute first; I avoid what concerneth me not and I spare my words!' 'And how when thou goest in to thine equals?' 'I give ear to them when they speak and I do not assail them when they err!' 'When thou goest in to thy chiefs?' 'I salute without making any sign and await the reply: if they bid me draw near, I draw near, and if they draw off from me I withdraw!' 'How dost thou with thy wife?' Quoth Ahnaf, 'Excuse me from answering this, O Commander of the Faithful!'; but Mu'awiyah cried, 'I conjure thee inform me.' He said, 'I entreat her kindly and show her familiarity and am large in expenditure, for woman was created of a crooked rib.' 'And how dost thou when thou hast a mind to lie with her?' 'I bid her perfume herself and kiss her till she is moved to desire; then, should it be as thou knowest, I throw her on her back. If the seed abide in her womb I say, 'O Allah make it blessed and let it not be a wastrel, but fashion it into the best of fashions!' Then I rise from her to ablution and first I pour water over my hands and then over my body and lastly, I praise Allah for the joy He hath given me.' Said Mu'awiyah, 'Thou hast answered right well and now tell me what be thy requirements?' Said Ahnaf, 'I would have thee rule thy subjects in the fear of Allah and do even handed justice between them.' Thereupon Ahnaf rose to his feet and left the Caliph's presence, and when he had gone Maysun said, 'Were there but this man in Irak, he would suffice to it.' Then continued Nuzhat al-Zaman, &amp;quot;And all this is a section of the chapter of good breeding, and know O King, that Muaykib was intendant of the public treasury during the Caliphate of Omar bin al-Khattáb,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, &amp;quot;Know, O King, that Mu'aykib was intendant of the public treasury during the Caliphate of Omar bin al-Khattab; and it so befel him that he saw Omar's son and gave him a dirham out of the treasury. Thereupon, quoth Mu'aykib, 'I returned to my own house, and while I was sitting there behold, a messenger came to me from Omar and I was afraid and went to him, and when I came into his presence, in his hand was the dirham I had given his son. He said to me, 'Woe to thee Mu'aykib! I have found somewhat concerning thy soul.' I asked 'And what is that?'; and he answered, 'It is that thou hast shown thyself a foe to the followers of Mohammed (on whom be peace and salvation!) in the matter of this dirham, and thou wilt have to account for it on Resurrection Day.' And Omar also wrote a letter to Abú Músá al-Ashári as follows, 'When these presents reach thee, give the people what is theirs and remit to me the rest.' And he did so. Now when Othman succeeded to the Caliphate, he wrote a like letter to Abu Musa, who did his bidding and sent him the tribute accordingly, and with it came Ziyád. And when Ziyad laid the tribute before Othman, the Caliph's son came in and took a dirham, whereupon Ziyad shed tears. Othman asked 'Why weepest thou?'; and Ziyad answered, 'I once brought Omar bin al-Khattab the like of this and his son took a dirham, where upon Omar bade snatch it from his hand. Now thy son hath taken of the tribute, yet I have seen none say aught to him or snatch the money from him.' Then Othman cried, 'And where wilt thou find the like of Omar?' Again Zayd bin Aslam relates of his father that he said, 'I went out one night with Omar till we approached a blazing fire. Quoth Omar, 'O Aslam, I think these must be travellers who are suffering from the cold. Come, let us join them.' So we walked on till we came to them and behold! we found a woman who had lighted a fire under a cauldron and by her side were two children, both a wailing. Said Omar, 'Peace be with you, O folk of light (for it was repugnant to him to say 'folk of fire'), what aileth you?' Said she, 'The cold and the night trouble us.' He asked, 'What aileth these little people that they weep?'; and she answered, 'They are hungry.' He enquired, 'And what is in this cauldron?'; and she replied, 'It is what I quiet them withal, and Allah will question Omar bin al- Khattab of them, on the Day of Doom.' He said, 'And what should Omar know of their case?' 'Why then,' rejoined she, 'should he manage people's affairs and yet be unmindful of them?' Thereupon Omar turned to me (continned Aslam) and cried, 'Come with us!' So we set off running till we reached the pay department of his treasury, where he took out a sack containing flour and a pot holding fat and said to me, 'Load these on my back!' Quoth I, 'O Commander of the Faithful, I will carry them for thee.' He rejoined, 'Wilt thou bear my load for me on the Day of Resurrection?' So I put the things on his back, and we set off, running, till we threw down the sack hard by her. Then he took out some of the flour and put it in the cauldron; and, saying to the woman, 'Leave it to me,' he began blowing the fire under the cauldron. Now he was a long bearded man and I saw the smoke issuing from between the hairs of his beard till the flour was cooked, when he took some of the fat and threw it in and said to the woman, 'Bed them while I cool it for them.' So they fell to eating till they had eaten their fill, and he left the rest with her. Then he turned to me and said, 'O Aslam, I see it was indeed hunger made them weep; and I am glad I did not go away ere I found out the cause of the light I saw.'—And Shahrazad per ceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, &amp;quot;It is related that Omar passed by a flock of sheep, kept by a Mameluke, and asked him to sell him a sheep. He answered, 'They are not mine.' 'Thou art the man I sought,' said Omar, and bought him and freed him; whereupon the slave exclaimed, 'O Allah, as thou hast bestowed on me the lesser emancipation; so vouchsafe me the greater!' It is also said that Omar bin al- Khattab was wont to give his servants sweet milk and himself eat coarse fare, and to clothe them softly and himself wear rough garments. He rendered unto all men their due, and exceeded in his giving to them. He once gave a man four thousand dirhams and added thereto a thousand, wherefore it was said to him, 'Why dost thou not increase to thy son as thou increasest to this man?' He answered, 'This man's father stood firm at the battle day of Ohod.' Al-Hasan relates that Omar once came back from foray with much money, and that Hafsah approached him and said, 'O Commander of the Faithful, the due of kinship!' 'O Hafsah!' replied he, 'verily Allah hath enjoined us to satisfy the dues of kinship, but not with the monies of the True Believers. Indeed, thou pleasest&amp;quot; thy family, but thou angerest thy father.' And she went away trailing her skirts. The son of Omar said, 'I implored the Lord to show me my father one year after his death, till at last I saw him wiping the sweat from his brow and asked him, 'How is it with thee, O my father?' He answered, 'But for my Lord's mercy thy father surely had perished.' Then said Nuzhat al-Zaman, &amp;quot;Hear, O auspicious King, the second division of the first chapter of the instances of the followers of the Apostle and other holy men. Saith Al Hasan al-Basrí, Not a soul of the sons of Adam goeth forth of the world without regretting three things,- failure to enjoy what he hath amassed, failure to compass what he hoped, failure to provide himself with sufficient viaticum for that hereto he goeth. It was said of Sufyan, 'Can a man be a religious and yet possess wealth?' He replied, 'Yes, so he be patient when grieved and be thankful when he hath received.' Abdullah bin Shaddád, being about to die, sent for his son Mohammed and admonished him, saying, 'O my son, I see the Summoner of Death summoning me, and so I charge thee to fear Allah both in public and private, to praise Allah and to be soothfastin thy speech, for such praise bringeth increase of prosperity, and piety in itself is the best of provision for the next world; even as saith one of the poets,&#xA;&#xA;'I see not happiness lies in gathering gold; * The man most pious&#xA;is man happiest:&#xA;In truth the fear of God is best of stores, * And God shall make&#xA;the pious choicely blest.'&#xA;Then quoth Nuzhat al-Zaman, &amp;quot;Let the King also give ear to these notes from the second section of the first chapter.&amp;quot; He asked her 'What be they?'; and she answered, &amp;quot;When Omar bin Abd al-Azíz succeeded to the Caliphate, he went to his household and laying hands on all that was in their hold, put it into the public treasury. So the Banu Umayyah flew for aid to his father's sister, Fátimah, daughter of Marwan, and she sent to him saying, 'I must needs speak to thee.' So she came to him by night and, when he had made her alight from her beast and sit down, he said to her, 'O aunt, it is for thee to speak first, since thou hast some thing to ask: tell me then what thou wouldst with me.' Replied she, 'O Commander of the Faithful, it is thine to speak first, for thy judgment perceiveth that which is hidden from the intelligence of others.' Then said Omar, 'Of a verity Allah Almighty sent Mohammed as a blessing to some and a bane to others; and He elected for him those with him, and commissioned him as His Apostle and took him to Himself,'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued thus, &amp;quot;Said Omar, 'Verily Allah commissioned as His Apostle Mohammed (upon whom be the benediction of Allah and His salvation!), for a blessing to some and a bane to others; and He elected for him those with him and took him to Himself, leaving the people a stream whereof they might drink. After him Abu Bakr the Truth teller became Caliph and he left the river as it was, doing what was pleasing to Allah. Then arose Omar and worked a work and strove in holy war and strife where of none might do the like. But when Othman arose to power he diverted a streamlet from the stream, and Mu'awiyah in his turn diverted from it several streamlets; and without ceasing in like manner, Yezid and the Banu Marwán such as Abd al-Malik and Walíd and Sulaymán drew away water from the stream, and the main course dried up, till rule devolved upon me, and now I am minded to restore the stream to its normal condition.' When Fatimah heard this, she said, 'I came wishing only to speak and confer with thee, but if this be thy word, I have nothing to say to thee.' Then she returned to the Ommiades and said to them, 'Now take ye the consequences of your act when ye allied yourselves by marriage with Omar bin al-Khattab.' And it is also said that when Omar was about to die, he gathered his children round him, and Maslamah bin Abd al-Malik said to him, 'O Prince of the Faithful, how wilt thou leave thy children paupers and thou their protector? None can hinder thee in thy lifetime from giving them what will suffice them out of the treasury; and this indeed were better than leaving the good work to him who shall rule after thee.' Omar looked at him with a look of wrath and wonder and presently replied, 'O Maslamah, I have defended them from this sin all the days of my life, and shall I make them miserable after my death? Of a truth my sons are like other men, either obedient to Almighty Allah who will prosper them, or disobedient and I will not help them in their disobedience. Know, O Maslamah, that I was present, even as thou, when such an one of the sons of Marwanwas buried, and I fell asleep by him and saw him in a dream given over to one of the punishments of Allah, to whom belong Honour and Glory! This terrified me and made me tremble, and I vowed to Allah, that if ever I came to power, I would not do such deeds as the dead man had done. I have striven to fulfil this vow all the length of my life and I hope to die in the mercy of my Lord.' Quoth Maslamah, 'A certain man died and I was present at his burial, and when all was over I fell asleep and I saw him as a sleeper seeth a dream, walking in a garden of flowing waters clad in white clothes. He came up to me and said: 'O Maslamah, it is for the like of this that rulers should rule.' Many are the instances of this kind, and quoth one of the men of authority, 'I used to milk the ewes in the Caliphate of Omar bin Abd al-Aziz, and one day I met a shepherd, among whose sheep I saw a wolf or wolves. I thought them to be dogs, for I had never before seen wolves; so I asked, 'What dost thou with these dogs?' 'They are not dogs, but wolves,' answered the shepherd. Quoth I, 'Can wolves be with sheep and not hurt them?' Quoth he, 'When the head is whole, the body is whole.' Omar bin Abd al-Aziz once preached from a pulpit of clay and, after praising and glorifying Allah Almighty, said three words as follows, 'O folk, make clean your inmost hearts, that your outward lives may be dean to your brethren, and abstain ye from the things of the world. Know that between us and Adam there is no one man alive among the dead. Dead are Abd al- Malik and those who forewent him, and Omar also shall die and those who forewent him.' Asked Maslamah, 'O Commander of the Faithful, an we set a pillow behind thee, wilt thou lean on it a little while?' But Omar answered, 'I fear lest it be a fault about my neck on Resurrection Day.' Then he gasped with the death rattle and fell back in a faint; whereupon Fatimah cried out, saying, 'Ho, Maryam! Ho, Muzahim! Ho, such an one! Look to this man!' And she began to pour water on him weeping, till he revived from his swoon; and, seeing her in tears said to her, 'What causeth thee to weep, O Fatimah?' She replied, 'O Commander of the Faithful, I saw thee lying prostrate before us and thought of thy prostration in death before Almighty Allah, of thy departure from the world and of thy separation from us. This is what made me weep.' Answered he, 'Enough, O Fatimah, for indeed thou exceedest.' Then he would have risen, but fell down and Fatimah strained him to her and said, 'Thou art to me as my father and my mother, O Commander of the Faithful! We cannot speak to thee, all of us.' Then quoth Nuzhat al-Zaman to her brother Sharrkan and the four Kazis, &amp;quot;Here endeth the second section of the first chapter.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman said to her brother Sharrkan and the four Kazis, &amp;quot;Here endeth the second section of the first chapter. And it so happened that Omar bin Abd al-Aziz wrote to the people of the festival at Meccah as follows, 'I call Allah to witness, in the Holy Month, in the Holy City and on the day of the Greater Pilgrimage, that I am innocent of your oppression and of his wrongs that doth wrong you, in that I have neither commanded this nor purposed it, neither hath any report of aught thereof hitherto reached me, nor have I compassed any knowledge thereof; and I trust that a cause for pardon will be found in that none hath authority from me to oppress any man, for I shall assuredly be questioned concerning every one oppress. And if any of my officers swerve from the right and act otherwise than the Holy Book and the Traditions of the Apostle do authorise, obey him not so that he may return to the way of righteousness.' He said also (Allah accept of him!), 'I do not wish to be relieved from death, because it is the supreme thing for which the True Believer is rewarded.' Quoth one of authority, 'I went to the Prince of the Faithful, Omarbin Abd al-Aziz, who was then Caliph, and saw before him twelve dirhams, which he ordered for deposit in the public treasury. So I said to him, 'O Commander of the Faithful, thou impoverishest thy children and reducest them to beggary having nothing whereon to live. An thou wouldst appoint somewhat by will to them and to those who are poor of the people of thy house, it were well.' 'Draw near to me,' answered he: so I drew near to him and he said, 'Now as for thy saying, 'Thou beggarest thy children; provide for them and for the poor of thy household,' it is without reason; for Allah of a truth will replace me to my children and to the poor of my house, and He will be their guardian. Verily, they are like other men; he who feareth Allah, right soon will Allah provide for him a happy issue, and he that is addicted to sins, I will not up hold him in his sin against Allah.' Then he summoned his sons who numbered twelve, and when he beheld them his eyes dropped tears and presently he said to them, 'Your Father is between two things; either ye will be well to do, and your parent will enter the fire, or ye will be poor and your parent will enter Paradise; and your father's entry into Paradise is liefer to him than that ye should be well to do. So arise and go, Allah be your helper, for to Him I commit your affairs!' Khálid bin Safwán said, 'Yúsuf bin Omar accompanied me to Hishám bin Abd al-Malik, and as I met him he was coming forth with his kinsmen and attendants. He alighted and a tent was pitched for him. When the people had taken their seats, I came up to the side of the carpet whereon he sat reclining and looked at him; and, waiting till my eyes met his eyes, bespoke him thus, 'May Allah fulfil His bounty to thee, O Commander of the Faithful, I have an admonition for thee, which hath come down to us from the history of the Kings preceding thee!' At this, he sat up whenas he had been reclining and said to me, 'Bring what thou hast, O son of Safwan!' Quoth I, 'O Commander of the Faithful, one of the Kings before thee went forth in a time before this thy time, to this very country and said to his companions, 'Saw ye ever any state like mine and say me, hath such case been given to any man even as it hath been given unto me?' Now there was with him a man of those who survive to bear testimony to Truth; upholders of the Right and wayfarers in its highway, and he said to him, 'O King, thou askest of a grave matter. Wilt thou give me leave to answer?' 'Yes,' replied the King, and the other said, 'Dost thou judge thy present state to be short lasting or ever lasting?' 'It is temporary,' replied the King. 'How then,' rejoined the man, 'do I see thee exulting in that which thou wilt enjoy but a little while and whereof thou wilt be questioned for a long while and for the rendering an account whereof thou shalt be as a pledge which is pawned?' Quoth the King, 'Whither shall I flee and what must I seek for me?' 'That thou abide in thy kingship,' replied the other, 'or else robe thee in rags and apply thyself to obey Almighty Allah thy Lord until thine appointed hour. I will come to thee again at daybreak.' Khalid bin Safwan further relates that the man knocked at the door at dawn and behold, the King had put off his crown and resolved to become an anchorite, for the stress of his exhortation. When Hishám bin Abd al-Malik heard this, he wept till his beard was wet, and, bidding his rich apparel be put off, shut himself up in his palace. Then the grandees and dependents came to Khalid and said, 'What is this thou hast done with the Commander of the Faithful? Thou hast troubled his pleasure and disturbed his life!' Then quoth Nuzhat al-Zaman, addressing herself to Sharrkan, &amp;quot;How many instances of admonition are there not in this chapter! Of a truth I cannot report all appertaining to this head in a single sitting,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, speaking to Sharrkan, &amp;quot;Know, O King, that in this chapter be so many instances of admonition that of a truth I cannot report all appertaining to this head in a single sitting but, with length of days, O King of the age, all will be well.&amp;quot; There said the Kazis, &amp;quot;O King, of a truth this damsel is the wonder of the world, and of our age the unique pearl! Never heard we her like in the length of time or in the length of our lives.&amp;quot; And they called down blessings on the King and went away. Then Sharrkan turned to his attendants and said, &amp;quot;Begin ye to prepare the marriage festival and make ready food of all kinds.&amp;quot; So they forthright did his bidding as regards the viands, and he commanded the wives of the Emirs and Wazirs and Grandees depart not until the time of the wedding banquet and of the unveiling of the bride. Hardly came the period of afternoon prayer when the tables were spread with whatso heart can desire or eye can delight in of roast meats and geese and fowls; and the subjects ate till they were satisfied. Moreover, Sharrkan had sent for all the singing women of Damascus and they were present, together with every slave girl of the King and of the notables who knew how to sing. And they went up to the palace in one body. When the evening came and darkness starkened they lighted candles, right and left, from the gate of the citadel to that of the palace; and the Emirs and Wazirs and Grandees marched past before King Sharrkan, whilst the singers and the tire women took the damsel to dress and adorn her, but found she needed no adornment. Meantime King Sharrkan went to the Hammam and coming out, sat down on his seat of estate, whilst they paraded the bride before him in seven different dresses: after which they eased her of the weight of her raiment and ornaments and gave such injunctions as are enjoined upon virgins on their wedding nights. Then Sharrkan went in unto her and took her maidenhead; and she at once conceived by him and, when she announced it, he rejoiced with exceeding joy and commanded the savants to record the date of her conception. On the morrow he went forth and seated himself on his throne, and the high officers came in to him and gave him joy. Then he called his private secretary and bade him write a letter to his father, King Omar bin al-Nu'uman, saying that he had bought him a damsel, who excels in learning and good breeding and who is mistress of all kinds of knowledge. Moreover he wrote, &amp;quot;There is no help but that I send her to Baghdad to visit my brother Zau al-Makan and my sister Nuzhat al-Zaman. I have set her free and married her and she hath conceived by me.&amp;quot; And he went on to praise her wit and salute his brother and sister together with the Wazir Dandan and all the Emirs. Then he sealed the letter and despatched it to his father by a post courier who was absent a whole month, after which time he returned with the answer and presented it in the presence. Sharrkan took it and read as follows, &amp;quot;After the usual Bismillah, this is from the afflicted distracted man, from him who hath lost his children and home by bane and ban, King Omar bin al- Nu'uman, to his son Sharrkan. Know that, since thy departure from me, the place is become contracted upon me, so that no longer I have power of patience nor can I keep my secret: and the cause thereof is as follows. It chanced that when I went forth to hunt and course Zau al-Makan sought my leave to fare Hijaz wards, but I, fearing for him the shifts of fortune, forbade him therefrom until the next year or the year after. My absence while sporting and hunting endured for a whole month&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-eighth night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Omar bin al-Nu'uman wrote in his letter, &amp;quot;My absence while sporting and hunting endured for a whole month, and when I returned I found that thy brother and sister had taken somewhat of money and had set out with the pilgrim caravan for pilgrimage by stealth. When I knew this, the wide world narrowed on me, O my son! but I awaited the return of the caravan, hoping that haply they would come back with it. Accordingly, when the palmers appeared I asked concerning the twain, but they could give me no news of them; so I donned mourning for them, being heavy at heart, and in sleep I have no part and I am drowned in the tears of my eyes.&amp;quot; Then he wrote in verse,&#xA;&#xA;&amp;quot;That pair in image quits me not one single hour, * Whom in my&#xA;             heart's most honourable place I keep:&#xA;Sans hope of their return I would not live one hour, * Without my&#xA;             dreams of them I ne'er would stretch me in sleep.&amp;quot;&#xA;&#xA;The letter went on, &amp;quot;And after the usual salutations to thee and thine, I command thee neglect no manner of seeking news of them for indeed this is a shame to us.&amp;quot; When Sharrkan read the letter he felt grief for his father and joy for the loss of his brother and sister. Then he took the missive and went in with it to Nuzhat al-Zaman who knew not that he was her brother, nor he that she was his sister, albeit he often visited her both by night and by day till the months were accomplished and she sat down on the stool of delivery. Allah made the child birth easy to her and she bare a daughter, whereupon she sent for Sharrkan and seeing him she said to him, &amp;quot;This is thy daughter: name her as thou wilt.&amp;quot; Quoth he, &amp;quot;It is usual to name children on the seventh day after birth.&amp;quot; Then he bent over the child to kiss it and he saw, hung about its neck, a jewel, which he knew at once for one of those which Princess Abrizah had brought from the land of the Greeks. Now when he saw the jewel hanging from his babe's neck he recognised it right well, his senses fled and wrath seized on him; his eyes rolled in rage and he looked at Nuzhat al- Zaman and said to her, &amp;quot;Whence hadst thou this jewel, O slave girl?&amp;quot; When she heard this from Sharrkan she replied, &amp;quot;I am thy lady, and the lady of all in thy palace! Art thou not ashamed to say to me Slave girl? I am a Queen, daughter of King Omar bin al-Nu'uman.&amp;quot; Hearing this, he was seized with trembling and hung his head earthwards,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan heard these words, his heart fluttered and his colour waxed yellow and he was seized with trembling and he hung his head earthwards, for he knew that she was his sister by the same father. Then he lost his senses; and, when he revived, he abode in amazement, but did not discover his identity to her and asked, O my lady, say, art thou in sooth the daughter of King Omar bin al- Nu'uman?&amp;quot; &amp;quot;Yes,&amp;quot; answered she; and he continued, &amp;quot;Tell me the cause of thy leaving thy sire and of thy being sold for a slave.&amp;quot; So she related to him all that had befallen her from beginning to end, how she had left her brother sick in the Sanctified City, Jerusalem, and how the Badawi had kidnapped her and had sold her to the trader. When Sharrkan heard this, he was certified of her being his sister on the sword side and said to himself, &amp;quot;How can I have my sister to wife? By Allah, needs must I marry her to one of my chamberlains; and, if the thing get wind, I will declare that I divorced her before consummation and married her to my Chief Chamberlain.&amp;quot; Then he raised his head and sighing said, &amp;quot;O Nuzhat al-Zaman, thou art my very sister and I cry: 'I take refuge with Allah from this sin whereinto we have fallen,' for I am Sharrkan, son of Omar bin al-Nu'uman.&amp;quot; She looked at him and knew he spoke the truth; and, becoming as one demented, she wept and buffeted her face, exclaiming, &amp;quot;There is no Majesty and there is no Might save in Allah! Verily have we fallen into mortal sin! What shall I do and what shall I say to my father and my mother when they ask me, Whence hadst thou thy daughter?&amp;quot; Quoth Sharrkan, &amp;quot;It were meetest that I marry thee to my Chamberlain and let thee bring up my daughter in his house, that none may know thou be my sister. This hath befallen us from Almighty Allah for a purpose of his own, and nothing shall cover us but thy marriage with this Chamberlain, ere any know.&amp;quot; Then he fell to comforting her and kissing her head and she asked him, &amp;quot;What wilt thou call the girl?&amp;quot; &amp;quot;Call her Kuzia Fakán,&amp;quot; answered he. Then he gave the mother in marriage to the Chief Chamberlain, and transferred her to his house with the child, which they reared on the laps of the slave girls, and fed with milk and dosed with powders. Now all this occurred whilst the brother, Zau al-Makan, still tarried with the Fireman at Damascus. One day there came to King Sharrkan a courier from his father, with a letter which he took and read and found therein, &amp;quot;After the Bismillah know, O beloved King, that I am afflicted with sore affliction for the loss of my children: sleep ever faileth me and wakefulness ever assaileth me. I send thee this letter that, as soon as thou receivest it, thou make ready the monies and the tribute, and send them to us, together with the damsel whom thou hast bought and taken to wife; for I long to see her and hear her discourse; more especially because there hath come to us from Roumland an old woman of saintly bearing and with her be five damsels high bosomed virgins, endowed with knowledge and good breeding and all arts and sciences befitting mortals to know; and indeed tongue faileth me to describe this old woman and these who with her wend; for of a truth they are compendiums of perfections in learning and accomplishments. As soon as I saw them I loved them, and I wished to have them in my palace and in the compass of my hand; for none of the Kings owneth the like of them; so I asked the old woman their price and she answered, 'I will not sell them but for the tribute of Damascus.' And I, by Allah, did not hold this price exorbitant, indeed it is but little, for each one of them is worth the whole valuation. So I agreed to that and took them into my palace, and they remain in my possession. Wherefore do thou forward the tribute to us that the woman may return to her own country; and send to us the damsel to the end that she may dispute with them before the doctors; and, if she prevail over them, I will return her to thee accompanied by the tribute of Baghdad.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Omar son of Al-Nu'uman said in his letter, &amp;quot;And send to us the damsel to the end that she may dispute with them before the doctors and, if she prevail over them, I will return her to thee accompanied with the tribute of Baghdad.&amp;quot; As soon as Sharrkan knew the contents, he went in to his brother in law and said to him, &amp;quot;Bring the damsel to whom I married thee;&amp;quot; and when she came he showed her the letter and said, &amp;quot;O my sister! what answer wouldst thou advise me make to this letter?&amp;quot; Replied she, &amp;quot;Seek advice from thyself!&amp;quot; and presently added (for she yearned after her people and her native land), &amp;quot;Send me together with my husband the Chamberlain, to Baghdad, that I may tell my father my tale and let him know whatso befel me with the Badawi who sold me to the merchant, and that I also inform him how thou boughtest me of the trader and gavest me in marriage to the Chamberlain, after setting me free.&amp;quot; &amp;quot;Be it so,&amp;quot; replied Sharrkan. Then Sharrkan took his daughter, Kuzia Fakan, and committed her to the charge of the wet nurses and the eunuchs, and he made ready the tribute in haste, bidding the Chamberlain travel with the Princess and the treasure to Baghdad. He also furnished him two travelling litters one for himself and the other for his wife. And the Chamberlain replied, &amp;quot;To hear is to obey.&amp;quot; Moreover Sharrkan collected camels and mules and wrote a letter to his father and committed it to the Chamberlain; then he bade farewell to his sister, after he had taken the jewel from her and hung it round his daughter's neck by a chain of pure gold; and she and her husband set out for Baghdad the same night. Now it so happened that Zau al-Makan and his friend the Fireman had come forth from the hut in which they were, to see the spectacle, and they beheld camels and Bukhti dromedaries and bât-mules and torches and lanterns alight; and Zau al-Makan enquired about the loads and their owner and was told that it was the tribute of Damascus going to King Omar bin al-Nu'uman, Lord of the City of Baghdad. He then asked, &amp;quot;Who be the leader of the caravan?&amp;quot; and they answered, &amp;quot;The Head Chamberlain who hath married the damsel so famous for learning and science.&amp;quot; Thereupon Zau al-Makan wept with bitter weeping and was minded of his mother and his father and his sister and his native land, and he said to the Stoker, &amp;quot;I will join this caravan and, little by little, will journey homewards.&amp;quot; Quoth the Fireman, &amp;quot;I would not suffer thee to travel single handed from the Holy City to Damascus, then how shall I be sure of thy safety when thou farest for Baghdad? But I will go with thee and care for thee till thou effectest thine object.&amp;quot; &amp;quot;With joy and good will,&amp;quot; answered Zau al-Makan. Then the Fireman get him ready for the journey and hired an ass and threw saddle bags over it and put therein something of provaunt; and, when all was prepared, he awaited the passage of the caravan. And presently the Chamberlain came by on a dromedary and his footmen about him. Then Zau al-Ma ken mounted the ass and said to his companion, &amp;quot;Do thou mount with me.&amp;quot; But he replied, &amp;quot;Not so: I will be thy servant.&amp;quot; Quoth Zau al-Makan, &amp;quot;There is no help for it but thou ride awhile.&amp;quot; &amp;quot;'Tis well,&amp;quot; quoth the Stoker; &amp;quot;I will ride when I grow tired.&amp;quot; Then said Zau al-Makan, &amp;quot;O my brother, soon shalt thou see how I will deal with thee, when I come to my own folk.&amp;quot; So they fared on till the sun rose and,When it was the hour of the noonday sleep the Chamberlain called a halt and they alighted and reposed and watered their camels. Then he gave the signal for departure and, after five days, they came to the city of Hamáh, where they set down and made a three days' halt;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that they halted in the city of Hamah three days; they then fared forwards and ceased not travelling till they reached another city. Here also they halted three days and thence they travelled till they entered the province Diyár Bakr. Here blew on them the breezes of Baghdad, and Zau al-Makan bethought him of his father and mother and native land, and how he was returning to his sire without his sister: so he wept and sighed and complained, and his regrets grew on him, and he began improvising these couplets,&#xA;&#xA;&amp;quot;Sweetheart! How long must I await by so long suffering teed? *&#xA;            Nor cometh messenger to tell me where thou dost abide:&#xA;Ah me! in very sooth our meeting time was short enow: * Would&#xA;            Heaven shorter prove to me the present parting-tide!&#xA;Now trend my hand and open my robe and thou within shall sight *&#xA;            How wasted are the limbs of me and yet the waste I hide:&#xA;When say they 'Comfort take for loss of love' I but reply * 'By&#xA;            Allah, till the Day of Doom no comfort shall betide!' &amp;quot;&#xA;&#xA;Thereupon said to him the Fireman, &amp;quot;Leave this weeping and wailing, for we are near the Chamberlain's tent.&amp;quot; Quoth Zau al- Makan, &amp;quot;Needs must I recite somewhat of verse; haply it may quench the fire of my heart.&amp;quot; &amp;quot;Allah upon thee,&amp;quot; cried the other, &amp;quot;cease this lamentation till thou come to shine own country; then do what thou wilt, and I will be with thee wherever thou art.&amp;quot; Replied Zau al-Makan, &amp;quot;By Allah! I cannot forbear from this!&amp;quot; Then he turned his face towards Baghdad and the moon was shining brightly and shedding her light on the place, and Nuzhat al-Zaman could not sleep that night, but was restless and called to mind her brother and wept. And while she was in tears, he heard Zau al-Makan weeping and improvising the following distichs,&#xA;&#xA;'Al-Yaman's leven-gleam I see, * And sore despair&#xA;            despaireth me&#xA;For friend who erst abode wi' me * Crowning my cup with gladdest&#xA;           gree:&#xA;It minds me o' one who jilted me * To mourn my bitter liberty.&#xA;Say sooth, thou fair sheet lightning! shall * We meet once more&#xA;           in joy and glee?&#xA;O blamer! spare to me thy blame * My Lord hath sent this dule to&#xA;            dree,&#xA;Of friend who left me, fain to flee; * Of Time that breeds&#xA;            calamity:&#xA;All bliss hath fled the heart of me * Since Fortune proved mine&#xA;            enemy.&#xA;He brimmed a bowl of merest pine, * And made me drain the&#xA;            dregs, did he:&#xA;I see me, sweetheart, dead and gone * Ere I again shall gaze on&#xA;           thee.&#xA;Time! prithee bring our childhood back, * Restore our happy&#xA;            infancy,&#xA;When joy and safety 'joyed we * From shafts that now they shoot&#xA;            at me!&#xA;Who aids the hapless stranger wight, * That nights in fright and&#xA;            misery,&#xA;That wastes his days in lonely grief, * For 'Time's&#xA;             Delight' no more must be?&#xA;Doomed us despite our will to bear * The hands of base bores cark&#xA;             and care.&amp;quot;&#xA;&#xA;When he ended his verse he cried out and fell down in a fainting fit. This is how it fared with him; but as regards Nuzhat al- Zaman, when she heard that voice in the night, her heart was at rest and she rose and in her joy she called the Chief Eunuch, who said to her, &amp;quot;What is thy will?&amp;quot; Quoth she, &amp;quot;Arise and bring me him who recited verses but now.&amp;quot; Replied he, &amp;quot;Of a truth I did not hear him&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Nuzhat Al-Zaman heard her brother reciting, she called the Chief Eunuch and said to him, &amp;quot;Go, fetch me the man who is repeating this poetry!&amp;quot; Replied he, &amp;quot;Of a truth I heard him not and I wot him not and folks are all sleeping.&amp;quot; But she said, &amp;quot;Whomsoever thou seest awake, he is the reciter.&amp;quot; So he went, yet found none on wake save the Stoker; for Zau al-Makan was still insensible, and when his companion saw the Eunuch standing by his head he was afraid of him. Then said the Eunuch, &amp;quot;Art thou he who repeated poetry but now and my lady heard him?&amp;quot; The Stoker fancied that the dame was wroth with the reciter; and, being afraid, he replied, &amp;quot;By Allah, 'twas not I!&amp;quot; Rejoined the Eunuch, &amp;quot;Who then was the reciter?: point him out to me. Thou must know who it was, seeing that thou art awake.&amp;quot; The Fireman feared for Zau al- Makan and said in himself, &amp;quot;Haply the Eunuch will do him some hurt&amp;quot;; so he answered, &amp;quot;By Allah, I know not who it was.&amp;quot; Said the Eunuch, &amp;quot;By Allah, thou liest, for there is none on wake here but thou! So needs must thou know him.&amp;quot; &amp;quot;By Allah,&amp;quot; replied the Fireman, &amp;quot;I tell thee the truth!: some passer by, some wayfarer must have recited the verses and disturbed me and kept me awake; Allah requite him!&amp;quot; Quoth the Eunuch, &amp;quot;If thou happen upon him, point him out to me and I will lay hands on him and bring him to the door of our lady's litter or do thou take him with thine own hand.&amp;quot; Said the Fireman, &amp;quot;Go thou back and I will bring him to thee.&amp;quot; So the Eunuch left him and went his ways; and, going in to his mistress, told her all this and said to her, &amp;quot;None knoweth who it was; it must have been some passer by, some wayfarer.&amp;quot; And she was silent. Meanwhile, Zau al-Makan came to himself and saw that the moon had reached the middle Heavens; the breath of the dawn breeze breathed upon him and his heart was moved to longing and sadness; so he cleared his throat and was about to recite verses, when the Fire man asked him, &amp;quot;What wilt thou do?&amp;quot; Answered Zau al-Makan, &amp;quot;I have a mind to repeat somewhat of poetry, that I may quench therewith the fire of my heart.&amp;quot; Quoth the other, &amp;quot;Thou knowest not what befel me whilst thou wast a faint, and how I escaped death only by beguiling the Eunuch.&amp;quot; &amp;quot;Tell me what happened,&amp;quot; quoth Zau al-Makan. Replied the Stoker, &amp;quot;Whilst thou wast aswoon there came up to me but now an Eunuch, with a long staff of almond tree wood in his hand, who took to looking in all the people's faces, as they lay asleep, and asked me who it was recited the verses, finding none awake but myself. I told him in reply it was some passerby, some wayfarer; so he went away and Allah delivered me from him; else had he killed me. But first he said to me, 'If thou hear him again, bring him to us.'&amp;quot; When Zau al-Makan heard this he wept and said, &amp;quot;Who is it would forbid me to recite? I will surely recite, befal me what may; for I am near mine own land and care for none.&amp;quot; Rejoined the Fireman, &amp;quot;Thy design is naught save to lose thy life;&amp;quot; and Zau al-Makan retorted, &amp;quot;Needs must I recite verses.&amp;quot; &amp;quot;Verily,&amp;quot; said the Stoker, &amp;quot;needs must there be a parting between me and thee in this place, albeit;I had intended not to leave thee, till I had brought thee to thy native city and reunited thee with thy mother and father. Thou hast now tarried with me a year and a half and I have never harmed thee in aught. What ails thee, then, that thou must needs recite verses, seeing that we are tired out with walking and watching and all the folk are asleep, for they require sleep to rest them of their fatigue?&amp;quot; But Zau al-Makan answered, &amp;quot;I will not be turned away from my purpose.&amp;quot; Then grief moved him and he threw off concealment and began repeating these couplets,&#xA;&#xA;&amp;quot;Stand thou by the homes and hail the lords of the ruined stead;&#xA;          * Cry thou for an answer, belike reply to thee shall be&#xA;           sped:&#xA;If the night and absence irk thy spirit kindle a torch * Wi'&#xA;           repine; and illuminate the gloom with a gleaming greed:&#xA;If the snake of the sand dunes hiss, I shall marvel not at all!&#xA;           * Let him bite so I bite those beauteous lips of the&#xA;           luscious red:&#xA;O Eden, my soul hath fled in despite of the maid I love: * Had I&#xA;           lost hope of Heaven my heart in despair were dead.&amp;quot;&#xA;And he also improvised the two following distichs,&#xA;&#xA;&amp;quot;We were and were the days enthralled to all our wills, *&#xA;           Dwelling in union sweet and homed in fairest site:&#xA;Who shall restore the home of the beloved, where showed * Light&#xA;            of the Place for aye conjoined with Time's&#xA;            Delight?''&#xA;&#xA;And as he ceased his verses, he shrieked three shrieks and fell senseless to the ground and the Fireman rose and covered him. When Nuzhat al-Zaman heard the first improvisation, she called to mind her father and her mother and her brother and their whilome home; then she wept and cried at the Eunuch and said to him, &amp;quot;Woe to thee! He who recited the first time hath recited a second time and I heard him hard by. By Allah, an thou fetch him not to me, I will assuredly rouse the Chamberlain on thee, and he shall beat thee and cast thee out. But take these hundred diners and give them to the singer and bring him to me gently, and do him no hurt. If he refuse, hand to him this purse of a thousand diners, then leave him and return to me and tell me, after thou hast informed thyself of his place and his calling and what countryman he is. Return quickly and linger not.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman sent the Eunuch to make enquiries concerning the singer and said, &amp;quot;Beware how thou come back to me and report, I could not find him.&amp;quot; So the Eunuch went out and laid about the people and trod in their tents, but found none awake, all being asleep for weariness, till he came to the Stoker and saw him sitting up, with his head uncovered. So he drew near and seizing him by the hand, said to him, &amp;quot;It was thou didst recite the verses!&amp;quot; The Fireman was afeard for his life and replied, &amp;quot;No, by Allah, O chief of the people, it was not I!&amp;quot; But the Eunuch said, &amp;quot;I will not leave thee till thou show me who it was that recited the verses, for I dread returning to my lady without him.&amp;quot; Now when the Fireman heard these words he feared for Zau al-Makan and wept with exceeding weeping and said to the Eunuch, &amp;quot;By Allah, it was not I, and I know him not. I only heard some passer by, some wayfarer, recite verses: so do not thou commit sin on me, for I am a stranger and come from the Holy City of Jerusalem; and Abraham, the friend of Allah, be with you all.&amp;quot; &amp;quot;Rise up and fare with me,&amp;quot; rejoined the Eunuch, &amp;quot;and tell my lady this with thine own mouth, for I have seen none awake save thyself.&amp;quot; Quoth the Stoker, &amp;quot;Hast thou not come and seen me sitting in the place where I now am, and dost thou not know my station? Thou wottest none can stir from his place, except the watchman seize him. So go thou to thy station and if thou again meet any one after this hour reciting aught of poetry, whether he be near or far, it will be I or some one I know, and thou shalt not learn of him but by me.&amp;quot; Then he kissed the Eunuch's head and spake him fair till he went away; but the Castrato fetched a round and, returning secretly, came and stood behind the Fireman, fearing to go back to his mistress without tidings. As soon as he was gone, the Stoker arose and aroused Zau al-Makan and said to him, &amp;quot;Come, sit up, that I may tell thee what hath happened.&amp;quot; So Zau al-Makan sat up, and his companion told him what had passed, and he answered, &amp;quot;Let me alone; I will take no heed of this and I care for none, for I am mine own country.&amp;quot; Quoth the Stoker, &amp;quot;Why wilt thou obey thy flesh and the devil? If thou fear no one, I fear for thee and for my life, so Allah upon thee! recite nothing more of verses till thou come to thine own land. Indeed, I had not deemed thee so ill conditioned. Dost thou not know that this lady is the wife; of the Chamberlain and is minded to chastise thee for disturbing her? Belike, she is ill or restless for fatigue of the journey and the distance of the place from her home, and this is the second time she hath sent the Eunuch to look for thee.&amp;quot; However Zau al-Makan paid no heed to the Fireman's words but cried out a third time and began versifying with these couplets,&#xA;&#xA;&amp;quot;I fly the carper's injury,* Whose carping sorely vexeth me:&#xA;He chides and taunts me, wotting not * He burns me but more&#xA;            grievously.&#xA;The blamer cries 'He is consoled!' * I say, 'My own dear&#xA;            land to see:'&#xA;They ask, 'Why be that land so dear?' * I say, 'It taught me in&#xA;            love to be:'&#xA;They ask, 'What raised its dignity?' * I say, 'What made my&#xA;            ignomy:'&#xA;Whate'er the bitter cup I drain, * Far be fro' me that land to&#xA;             flee:&#xA;Nor will I bow to those who blame, * And for such love would deal&#xA;             me shame.&#xA;&#xA;Hardly had he made an end of his verses and come to a conclusion, when the Eunuch (who had heard him from his hiding place at his head) came up to him; whereupon the Fireman flea end stood afar off to see what passed between them. Then said the Eunuch to Zau al-Makan, &amp;quot;Peace be with thee, O my lord!&amp;quot; &amp;quot;And on thee be peace,&amp;quot; replied Zau al-Makan, &amp;quot;and the mercy of Allah and His blessings!&amp;quot; &amp;quot;O my lord,&amp;quot; continued the Eunuch—-And Shahrazad perceived the dawn of day and ceased to say her permitted say,&#xA;&#xA;When it was the Seventy-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Eunuch said to Zau al-Makan, &amp;quot;O my lord, I have sought thee these several times this night, for my mistress biddeth thee to her.&amp;quot; Quoth Zau al- Makan, &amp;quot;And who be this bitch that seeketh for me? Allah curse her and curse her husband with her!&amp;quot; And he began to revile the Eunuch, who could make him no answer, because his mistress had charged him to do Zau al-Makan no hurt, nor bring him save of his own especial free will; and, if he would not accompany him, to give him the thousand diners. So the Castrato began to speak him fair and say to him, &amp;quot;O my lord, take this purse and go with me. We will do thee no upright, O my son, nor wrong thee in aught; but our object is that thou bend thy gracious steps with me to my mistress, to receive her answer and return in weal and safety: and thou shalt have a handsome present as one who bringeth good news.&amp;quot; When Zau al- Makan heard this, he arose and went with the Eunuch and walked among the sleeping folk, stepping over them; whilst the Fireman followed after them from afar, and kept his eye upon him and said to himself, &amp;quot;Alas the pity of his youth! Tomorrow they will hang him.&amp;quot; And he ceased not following them till he approached their station, without any observing him. Then he stood still and said, &amp;quot;How base it will be of him, if he say it was I who bade him recite the verses!&amp;quot; This was the case of the Stoker; but as regards what befel Zau al-Makan, he ceased not walking with the Eunuch till he reached his station and the Castrato went in to Nuzhat al-Zaman and said, &amp;quot;O my lady, I have brought thee him whom thou soughtest, and he is a youth, fair of face and bearing the marks of wealth and gentle breeding.&amp;quot; When she heard this, her heart fluttered and she cried, &amp;quot;Let him recite some verses, that I may hear him near hand, and after ask him his name and his condition and his native land.&amp;quot; Then the Eunuch went out to Zau al-Makan and said to him, &amp;quot;Recite what verses thou knowest, for my lady is here hard by, listening to thee, and after I will ask thee of thy name and thy native country and thy condition.&amp;quot; Replied he, &amp;quot;With love and gladness but, an thou ask my name, it is erased and my trace is unplaced and my body a waste. I have a story, the beginning of which is not known nor can the end of it be shown, and behold, I am even as one who hath exceeded in wine drinking and who hath not spared himself; one who is afflicted with distempers and who wandereth from his right mind, being perplexed about his case and drowned in the sea of thought.&amp;quot; When Nuzhat al-Zaman heard this, she broke out into excessive weeping and sobbing, and said to the Eunuch, &amp;quot;Ask him if he have parted from one he loveth even as his mother or father.&amp;quot; The Castrato asked as she bade him, and Zau al-Makan replied, &amp;quot;Yes, I have parted from every one I loved: but the dearest of all to me was my sister, from whom Fate hath separated me.&amp;quot; When Nuzhat al- Zaman heard this, she exclaimed, &amp;quot;Allah Almighty reunite him with what he loveth!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Nuzhat al-Zaman heard his words she said, &amp;quot;Allah reunite him with what he loveth!&amp;quot; Then quoth she to the Eunuch, &amp;quot;Tell him to let me hear somewhat anent his separation from his countrymen and his country.&amp;quot; The Eunuch did so, and Zau al-Makan sighed heavily and began repeating these couplets,&#xA;&#xA;&amp;quot;Is not her love a pledge by all mankind confest? * The house&#xA;            that hometh Hinda be forever blest'&#xA;Her love all levels; man can reck of naught beside; * Naught or&#xA;           before or after can for man have zest&#xA;'Tis though the vale is paved with musk and ambergris * That day&#xA;           when Hinda's footstep on its face is prest:&#xA;Hail to the beauty of our camp, the pride of folk, * The dearling&#xA;           who en' Slaves all hearts by her behest:&#xA;Allah on 'Time's Delight' send large dropped clouds that teem *&#xA;           With genial rain but bear no thunder in their breast.&amp;quot;&#xA;And also these,&#xA;&#xA;&amp;quot;I vow to Allah if at home I sight * My sister Nuzhat al-Zamani&#xA;           highs&#xA;I'll pass the days in joyance and delight * Mid bashful minions,&#xA;             maidens soft and white:&#xA;To sound of harps in various modes they smite * Draining the&#xA;            bowl, while eyes rain lively light&#xA;'Neath half closed lids, a sipping lips red bright * By stream&#xA;            bank flowing through my garden site.&amp;quot;&#xA;&#xA;When he had finished his verse, Nuzhat al-Zaman lifted up a skirt of the litter curtain and looked at him. As soon as her eyes fell on his face, she knew him for certain and cried out, &amp;quot;O my brother! O Zau al-Makan!&amp;quot; He also looked at her and knew her and cried out, &amp;quot;O my sister! O Nuzhat al-Zaman!&amp;quot; Then she threw herself upon him and he gathered her to his bosom and the twain fell down in a fainting fit. When the Eunuch saw this case, he wondered at them and throwing over them somewhat to cover them, waited till they should recover. After a while they came to themselves, and Nuzhat al-Zaman rejoiced with exceeding joy: oppression and depression left her and gladness took the mastery of her, and she repeated these verses,&#xA;&#xA;&amp;quot;Time sware my life should fare in woeful waste; * Forsworn art&#xA;           Time, expiate thy sin in haste!&#xA;Comes weal and comes a welcome friend to aid; * To him who brings&#xA;           good news, rise, gird thy waist&#xA;I spurned old world tales of Eden bliss; * Till came I&#xA;            Kausar on those lips&#xA;&#xA;When Zau al-Makan heard this, he pressed his sister to his breast; tears streamed from his eyes for excess of joy and he repeated these couplets,&#xA;&#xA;&amp;quot;Long I lamented that we fell apart, * While tears repentant&#xA;            railed from these eyne;&#xA;And sware, if Time unite us twain once more, * 'Severance' shall&#xA;            never sound from tongue of mine:&#xA;Joy hath so overwhelmed me that excess * Of pleasure from mine&#xA;            eyes draws gouts of brine:&#xA;Tears, O mine eyes, have now become your wont * Ye weep for&#xA;            pleasure and you weep for pine!&amp;quot;&#xA;&#xA;They sat awhile at the litter door till she said to him, &amp;quot;Come with me into the litter and tell me all that hath befallen thee, and I will tell thee what happened to me.&amp;quot; So they entered and Zau al-Maken said, &amp;quot;Do thou begin thy tale.&amp;quot; Accordingly she told him all that had come to her since their separation at the Khan and what had happened to her with the Badawi; how the merchant had bought her of him and had taken her to her brother Sharrkan and had sold her to him; how he had freed her at the time of buying; how he had made a marriage contract with her and had gone in to her and how the King, their sire, had sent and asked for her from Sharrkan. Then quoth she, &amp;quot;Praised be Allah who hath vouchsafed thee to me and ordained that, even as we left our father together, so together shall we return to him!&amp;quot; And she added, &amp;quot;Of a truth my brother Sharrkan gave me in marriage to this Chamberlain that he might carry me to my father. And this is what befel me from first to last; so now tell me how it hath fared with thee since I left thee.&amp;quot; Thereupon he told her all that had happened to him from beginning to end; and how Allah vouchsafed to send the Fireman to him, and how he had journeyed with him and spent his money on him and had served him night and day. She praised the Stoker for this and Zau al-Makan added, &amp;quot;Of a truth, O my sister, this Fireman hath dealt with me in such benevolent wise as would not lover with lass nor sire with son, for that he fasted and gave me to eat, and he walked whilst he made me ride; and I owe my life to him.&amp;quot; Said she, &amp;quot;Allah willing, we will requite him for all this, according to our power.&amp;quot; Then she called the Eunuch, who came and kissed Zau al- Makan's hand, and she said, &amp;quot;Take thy reward for glad tidings, O face of good omen! It was thy hand reunited me with my brother; so the purse I gave thee and all in it are thine. But now go to thy master and bring him quickly to me.&amp;quot; The Castrato rejoiced and, going in to the Chamberlain, him to his mistress. Accordingly, he came in to his wife and finding Zau al-Makan with her, asked who he was. So she told him all that had befallen them both, first and last, and added, &amp;quot;Know, O Chamberlain, that thou hast married no slave girl; far from it, thou hast taken to wife the daughter of King Omar bin al-Nu'uman for I am Nuzhat al- Zaman, and this is my brother, Zau al-Makan.&amp;quot; When the Chamberlain heard the story he knew it to be sooth, and its manifest truth appeared to him and he was certified that he was become King Omar bin al-Nu'uman's son in law, so he said to himself, &amp;quot; 'Twill be my fate to be made viceroy of some province.&amp;quot; Then he went up to Zau al-Makan and gave him joy of his safety and reunion with his sister, and bade his servants forthwith make him ready a tent and one of the best of his own horses to ride. Thereupon said Nuzhat al-Zaman, &amp;quot;We are now near our country and I would be left alone with my brother, that we may enjoy each other's company and take our fill of it ere we reach Baghdad; for we have been parted a long, long time.&amp;quot; &amp;quot;Be it as thou biddest,&amp;quot; replied the Chamberlain, and, going forth from them, sent them wax candles and various kinds of sweetmeats, together with three suits of the costliest for Zau al-Makan. Then he returned to the litter and related the good he had done and Nuzhat al-Zaman said to him, &amp;quot;Bid the Eunuch bring me the Fireman and give him a horse to ride and ration him with a tray of food morning and evening, and let him be forbidden to leave us.&amp;quot; The Chamberlain called the Castrato and charged him to do accordingly; so he replied, &amp;quot;I hear and I obey;&amp;quot; and he took his pages with him and went out in search of the Stoker till he found him in the rear of the caravan, girthing his ass and preparing for flight. The tears were running adown his cheeks, out of fear for his life and grief for his separation from Zau al-Makan; and he was saying to himself, &amp;quot;Indeed, I warned him for the love of Allah, but he would not listen to me; Oh would I knew what is become of him!&amp;quot; Ere he had done speaking the Eunuch was standing by his head whilst the pages surrounded him The Fireman turned and seeing the Eunuch and the pages gathered around him became yellow with fear,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Stoker girthed his ass for flight and bespake himself, saying, &amp;quot;Oh would I knew what is become of him!&amp;quot;; ere he had done speaking the Castrato was standing by his head and his side muscles quivered for fear and he lifted up his voice and cried, &amp;quot;Verily he knoweth not the value of the good offices I have done him! I believe he hath denounced me to the Eunuch (hence these pages et about me) and he hath made me an accomplice in his crime.&amp;quot; Then the effeminated one cried at him, saying, &amp;quot;Who was it recited the verses? O liar! why didst thou say, 'I never repeated these couplets, nor do I know who repeated them;' when it was thy companion? But now I will not leave thee between this place and Baghdad, and what betideth thy comrade shall betide thee.&amp;quot; Quoth the Fireman, &amp;quot;What I feared hath befallen me.&amp;quot; And he repeated this couplet,&#xA;&#xA;&amp;quot;'Twas as I feared the coming ills discerning: * But unto Allah we are all returning.&amp;quot;&#xA;&#xA;Then the Eunuch cried upon the pages, saying, &amp;quot;Take him off the ass.&amp;quot; So they carried him along with the caravan, surrounded by the pages, as the white contains the black of the eye; and the Castrato said to them, &amp;quot;If a hair of him be lost, you will be lost with it.&amp;quot; And he bade them privily treat him with honour and not humiliate him. But when the Stoker saw himself beset by the pages, he despaired of his life and turning to the Eunuch, said to him, &amp;quot;O Chief, I am neither this youth's brother nor am I akin to him, nor is he sib to me; but I was a Fireman in a Hammam and found him cast out, in his sickness, on the dung heap.&amp;quot; Then the caravan fared on and the Stoker wept and imagined in himself a thousand things, whilst the Eunuch walked by his side and told him nothing, but said to him, &amp;quot;Thou disturbedst our mistress by reciting verses, thou and this youth: but fear nothing for thy self;&amp;quot; and kept laughing at him the while to himself. Whenever the caravan halted, they served him with food, and he and the Castrato ate from one dish. Then the Eunuch bade his lads bring a gugglet of sugared sherbet and, after drinking himself, gave it to the Fireman, who drank; but all the while his tears never dried, out of fear for his life and grief for his separation from Zau al-Makan and for what had befallen them in their strangerhood. So they both travelled on with the caravan, whilst the Chamberlain now rode by the door of his wife's litter, in attendance on Zau al-Makan and his sister, and now gave an eye to the Fireman; and Nuzhat al-Zaman and her brother occupied themselves with converse and mutual condolence; and they ceased not after this fashion till they came within three days' journey from Baghdad. Here they alighted at eventide and rested till the morning morrowed; and as they awoke and they were about to load the beasts, behold, there appeared afar off a great cloud of dust that darkened the firmament till it became black as gloomiest night. Thereupon the Chamberlain cried out to them, &amp;quot;Stay, and your loading delay!&amp;quot;; then, mounting with his Mamelukes, rode forward in the direction of the dust cloud. When they drew near, suddenly appeared under it a numerous conquering host like the full tide sea, with flags and standards, drums and kettledrums, horsemen and footmen. The Chamberlain marvelled at this; and when the troops saw him, there detached itself from amongst them a plump of five hundred cavaliers, who fell upon him and his suite and surrounded them, five for one; whereupon said he to them, &amp;quot;What is the matter and what are these troops, that ye do this with us?&amp;quot; Asked they, &amp;quot;Who art thou; and whence comest thou, and whither art thou bound?&amp;quot; and he answered, &amp;quot;I am the Chamberlain of the Emir of Damascus, King Sharrkan, son of Omar bin al-Nu'uman, Lord of Baghdad and of the land of Khorasan, and I bring tribute and presents from him to his father in Baghdad.&amp;quot; When the horsemen heard his words they let their head kerchiefs fall over their faces and wept, saying, &amp;quot;In very sooth King Omar is dead and he died not but of poison. So fare ye forwards; no harm shall befal you till you join his Grand Wazir, Dandan.&amp;quot; Now when the Chamberlain heard this, he wept sore and exclaimed, &amp;quot;Oh for our disappointment in this our journey!&amp;quot; Then he and all his suite wept till they had come up with the host and sought access to the Wazir Dandan, who granted an interview and called a halt and, causing his pavilion to be pitched, sat down on a couch therein and commanded to admit the Chamberlain. Then he bade him be seated and questioned him; and he replied that he was Chamberlain to the Emir of Damascus and was bound to King Omar with presents and the tribute of Syria. The Wazir, hearing the mention of King Omar's name, wept and said, &amp;quot;King Omar is dead by poison, and upon his dying the folk fell out amongst themselves as to who should succeed him, until they were like to slay one another on this account; but the notables and grandees and the four Kazis interposed and all the people agreed to refer the matter to the decision of the four judges and that none should gainsay them. So it was agreed that we go to Damascus and fetch thence the King's son, Sharrkan, and make him Sultan over his father's realm. And amongst them were some who would have chosen the cadet, Zau Al-Makan, for, quoth they, his name be Light of the Place, and he hath a sister Nuzhat al-Zaman highs, the Delight of the Time; but they set out five years ago for Al-Hijaz and none wotteth what is become of them.&amp;quot; When the Chamberlain heard this, he knew; that his wife had told him the truth of her adventures; and he grieved with sore grief for the death of King Omar, albeit he joyed with exceeding joy, especially at the arrival of Zau al-Makan, for that he would now become Sultan of Baghdad in his father's stead—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan's Chamberlain heard of the death of King Omar bin al- Nu'uman he mourned, but he rejoiced because of his wife and her brother Zau al-Makan who would become Sultan of Baghdad in his father's stead. So he turned to the Wazir Dandan and said to him, &amp;quot;Verily your tale is a wonder of wonders! Know, O Chief Wazir, that here, where you have encountered me, Allah hath given you rest from fatigue and bringeth you your desire after the easiest of fashions, for that His Almighty Will restoreth to you Zau al-Makan and his sister Nuzhat al-Zaman; whereby we will settle the matter as we easily can.&amp;quot; When the Minister heard these words he rejoiced with great joy and said, &amp;quot;O Chamberlain, tell me the tale of the twain and what befel them and the cause of their long absence.&amp;quot; So he repeated to him the whole story and told him that Nuzhat al-Zaman was his wife and related to him the adventures of Zau al-Makan from first to last. As soon as he had ended his tale, the Wazir sent for the Emirs and Wazirs and Chief Officers and acquainted them with the matter; whereat they rejoiced with great joy and wondered at the happy chance. Then they gathered in a body and went in to the Chamberlain and did their service to him, kissing the ground between his hands; and the Wazir Dandan also rose and went out to meet him and stood before him in honour. After this, the Chamberlain held on that day a Divan council; and he and the Wazir sat upon a throne, whilst all the Emirs and Grandees and Officers of State took their places before them, according to their several ranks. Then they melted sugar in rose water and drank, after which the Emirs sat down to hold council and permitted the rest of the host to mount and ride forward leisurely, till they should make an end of their debate and overtake them. So the officers kissed the ground between their hands and mounting, rode onwards, preceded by the standards of war. When the grandees had finished their conference, they took horse and rejoined the host; and the Chamberlain approached the Wazir Dandan and said, &amp;quot;I deem it well to ride on before you, and precede you, that I may get ready a place for the Sultan and notify him of your coming and of your choosing him as Sultan over the head of his brother Sharrkan.&amp;quot; &amp;quot;Aright thou reckest,&amp;quot; answered the Wazir Then the Chamberlain rose up in haste and Dandan also stood up to do him honour and brought him presents, which he conjured him to accept. In similar guise did all the Emirs and Grandees and Officers of State, bringing him gifts and calling down blessings on him and saying to him, &amp;quot;Haply thou wilt mention our case to Sultan Zau al-Makan and speak to him to continue us in our dignities.&amp;quot; The Chamberlain promised all they required and bade his pages be ready to march, whereupon the Wazir Dandan sent with him tents and bade the tent pitchers set them up at a day's journey from the city. And they did his bidding. Then the Chamberlain mounted and rode forward, full of joy and saying to himself, &amp;quot;How blessed is this gurney!&amp;quot;, and indeed his wife was exalted in his eyes, she and her brother Zau al-Makan. They made all haste over their wayfare, till they reached a place distant a day's journey from Baghdad, where the Chamberlain called a halt for rest, and bade his men alight and make ready a sitting place for the Sultan Zau al-Makan, son of King Omar bin al-Nu'uman, while he rode forward with his Mamelukes and, alighting at a distance from Nuzhat al-Zaman's litter, commanded the eunuchs to ask leave of admission to the presence. They did so and she gave permission; whereupon he went in to her and conversed with her and her brother; and told them of the death of their father; and of Zau al-Makan, how the heads of the people had made him King over them in the stead of his sire; and he gave them joy of the kingdom. They both wept for their father and asked the manner of his being killed; but the Chamberlain answered, &amp;quot;The news rests with the Wazir Dandan who will be here tomorrow leading all the host; and it only remaineth for thee, O King, to do what they counsel, since they have unanimously chosen thee Sultan; for if thou do not this, they will choose some one else and thou canst not be sure of thy life with another Sultan. Haply he will kill thee, or discord may befal between you twain and the kingdom pass out of the hands of both.&amp;quot; Zau al-Makan bowed his head awhile and then said, &amp;quot;I accept this position;&amp;quot; for indeed there was no refusing; and he was certified that the Chamberlain had counselled him well and wisely and set him on the right way. Then he added, &amp;quot;O my uncle, how shall I do with my brother Sharrkan?&amp;quot; &amp;quot;O my son,&amp;quot; replied the Chamberlain, &amp;quot;thy brother will be Sultan of Damascus and thou Sultan of Baghdad; so take heart of grace and get ready thy case.&amp;quot; Zau al-Makan accepted this and the Chamberlain presented him with a suit of royal raiment and a dagger of state, which the Wazir Dandan had brought with him; then leaving him he bade the tent pitchers choose a spot of rising ground and set up thereon a spacious pavilion, wherein the Sultan might sit to receive the Emirs and Grandees. Moreover he ordered the kitcheners to cook rich viands and serve them and he commanded the water carriers to dispose the water troughs. They did as he bade them and presently arose a cloud of dust from the ground and spread till it walled the horizon round. After awhile, the dust dispersed and there appeared under it the army of Baghdad and Khorasan, a conquering host like the full tide sea.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Chamberlain bade the tent pitchers set up a pavilion spacious enough to receive the subjects flocking to their Sultan, they planted a splendid Sháhmiyánah befitting Kings. And as they ended their labours behold, a dust cloud spired aloft and the breeze made it lift and beneath it showed a conquering host; and presently it appeared that this was the army of Baghdad and Khorasan preceded by the Wazir Dandan. And in it all rejoiced at the accession of the &amp;quot;Light of the Place.&amp;quot; Now Zau al-Makan had donned robes of royal estate and girt himself with the sword of state: so the Chamberlain brought him a steed and he mounted surrounded by the Mamelukes and all the company from the tents on foot, to do him service, and he rode on until he came to the great pavilion, where he sat down and he laid the royal dagger across his thighs, whilst the Chamberlain stood in attendance on him and his armed slaves stationed themselves under the entrance awning of the Shahmiyanah, with drawn swords in their hands. Presently, up came the troops and the host and craved admission so the Chamberlain went in to Zau al-Makan and asked his leave whereupon he bade admit them, ten by ten. The Chamberlain acquainted them with the King's commands, to which they replied, &amp;quot;We hear and we obey;&amp;quot; and all drew up before the pavilion entrance. Then he took ten of them and carried them through the vestibule into the presence of Sultan Zau al-Makan, whom when they saw, they were awed; but he received them with most gracious kindness and promised them all good. So they gave him joy of his safe return and invoked Allah's blessings upon him after which they took the oath of fealty never to gainsay him in aught and they kissed ground before him and withdrew. Then other ten entered and he entreated them as he had entreated the ethers; and they ceased not to enter, ten by ten, till none was left but the Wazir Dandan. Lastly the Minister went in and kissed the ground before Zau al-Makan, who rose to meet him, saying, &amp;quot;Welcome, O Wazir and sire sans peer! Verily, thine acts are those of a counsellor right dear, and judgement and foreseeing clear are in the hands of the Subtle of Lere.&amp;quot; Then bade he the Chamberlain forthwith go out and cause the tables to be spread and order all the troops thereto. So they came and ate and drank. Moreover the Sultan commanded his Wazir Dandan call a ten days' halt of the army, that he might be private with him and learn from him how and wherefore his father had been slain. The Wazir obeyed the commands of the Sultan with submission and wished him eternity of glory and said, &amp;quot;This needs must be!&amp;quot; He then repaired to the heart of the encampment and ordered the host to halt ten days. They did as he bade them and, moreover, he gave them leave to divert themselves and ordered that none of the lords in waiting should attend upon the King for service during the space of three days. Then the Wazir went to the Sultan and reported all to him, and Zau al-Makan waited until nightfall, when he went in to his sister Nuzhat al-Zaman and asked her, &amp;quot;Dost thou know the cause of my father's murder or not?&amp;quot; &amp;quot;I have no knowledge of the cause,&amp;quot; she answered, and drew a silken curtain before herself, whilst Zau al-Makan seated himself without the curtain and commanded the Wazir to the presence and, when he came, said to him, &amp;quot;I desire thou relate to me in detail the cause of the killing of my sire, King Omar bin al-Nu'uman!&amp;quot; &amp;quot;Know then, O King,&amp;quot; replied Dandan, &amp;quot;that King Omar bin al- Nu'uman, when he returned to Baghdad from his chasing and hunting and entered the city, enquired for thee and thy sister, but could not find you and knew that you twain had gone on the Pilgrimage; whereat he was greatly grieved and much angered, and his breast was straitened and he abode thus half a year, seeking news of you from all who came and went but none could give him any tidings. Now while we were in attendance upon him one day, after a whole year had sped since ye were lost to his sight, lo! there came to us an ancient dame with signs of being a devotee, accompanied by five damsels, high bosomed virgins like moons, endowed with such beauty and loveliness as tongue faileth to describe; and, to crown their perfections of comeliness, they could read the Koran and were versed in various kinds of learning and in the histories of bygone peoples. Then that old woman sought audience of the King, and he bade admit her; whereupon she entered the presence and kissed the ground between his hands. I was then sitting by his side and he, seeing in her the signs of asceticism and devoutness, made her draw near and take seat hard by him. And when she had sat down she addressed him and said, 'Know, O King, that with me are five damsels, whose like no King among the Kings possesseth; for they are endowed with wit and beauty and loveliness and perfection. They read the Koran—and the Traditions and are skilled in all manner of learning and in the history of bygone races. They stand here between thy hands to do thee service, O King of the Age, and it is by trial that folk are prized or despised. 'Thy father, who hath found mercy; looked at the damsels and their favour pleased him; so he said to them, Let each and every of you make me hear something of what she knoweth anent the history of the folk of yore and of peoples long gone before!'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan said unto King Zau al-Makan, &amp;quot;Thy father, who hath found mercy, glanced at the damsels and their favour pleased him and he said to them, 'Let each and every of you make me hear something of what she knoweth anent the history of the folk of yore and of peoples long gone before!' Thereupon one of them came forward and, kissing the ground before him, spake as follows 'Know, O King, that it behoveth one of good breeding to eschew impertinence and adorn himself with excellencies, and observe the Divine injunctions and avoid mortal sins; and to this he should apply himself with the assiduity of one who, if he stray therefrom, falleth into perdition; for the foundation of good breeding is virtuous behaviour. And know that the chief cause and reason of man's existence is the endeavour after life everlasting, and the right way thereto is the service of Allah. Wherefore it behoveth thee to deal beneficently with the people: and swerve not from this canon, for the mightier men are in dignity, the more their need of prudence and foresight; and indeed Monarchs need this more than the many, for the general cast themselves into affairs, without taking thought to the issue thereof. Be thou prodigal of thy life and thy good in the way of Allah, and know that, if an enemy dispute with thee, thou mayst dispute with him and refute him with proofs and be proof against him; but as for thy friend, there is none can judge between thee and him save righteousness and fair dealing. Choose, therefore, thy friend for thyself, after thou hast proved him. If he be of the brotherhood of futurity, let him be zealous in observing the externals of the Holy Law and versed in its inner meaning, as far as may be; and if he be of the brotherhood of the world, let him be free born, sincere, neither a fool nor a perverse, for the fool man is such that even his parents might well flee from him, and a liar cannot be a true friend. Indeed the word, Siddík ('friend') deriveth from Sidk ('truth') that welleth up from the bottom of the heart; and how can this be the case, when falsehood is manifest upon the tongue? And know, that the observance of the Law profiteth him who practiseth it: so love thy brother, if he be of this quality and do not cast him off, even if thou see in him that which irketh thee, for a friend is not I like a wife, whom one can divorce and re-marry: nay, his heart is like glass: once broken, it may not be mended. And Allah bless him who saith,&#xA;&#xA;'Ware how thou hurtest man with hurt of heart; * 'Tis hard to win&#xA;             thee back the heart offended:&#xA;For hearts indeed, whence love is alien made, * Like broken glass&#xA;             may nevermore be mended.'&#xA;&#xA;The maiden continued and concluded with pointing out to us what sages say, 'The best of brethren is he who is the most constant in good counsel; the best of action is that which is fairest in its consequence, and the best of praise is not that which is in the mouths of men. It is also said, 'It behoveth not the servant to neglect thanking Allah especially for two favours, health and reason.' Again it is said, 'Whoso honoureth himself, his lust is a light matter to him, and he who maketh much of his small troubles, Allah afflicteth him with the greater; he who obeyeth his own inclination neglecteth his duties and he who listeneth to the slanderer loseth the true friend. He who thinketh well of thee, do thou fulfill his thought of thee. He who exceedeth in contention sinneth, and he who against upright standeth not on ward, is not safe from the sword. Now will I tell thee somewhat of the duties of Kazis and judges. Know, O King, that no judgement serveth the cause of justice save it be given after proof positive, and it behoveth the judge to treat all people on the same level, to the intent that the great may not hunger for oppression nor the small despair of justice. Furthermore he should extract proof from the complainant and impose an oath upon the defendant; and mediation is admissible between Moslems, except it be a compromise sanctioning the unlawful or forbidding the lawful. If thou shalt have done aught during the day, of which thy reason is doubtful but thy good intention is proved, thou (O Kazi) shouldst revert to the right, for to do justice is a religious obligation and to return to that which is right is better than persistence in wrong. Then (O judge) thou shouldest study precedents and the law of the case and do equal justice between the suitors, withal fixing thine eyes upon the truth and committing thine affair to Allah (be He extolled and exalted!). And require thou proof of the complainant, and if he adduce evidence let him have due benefit of it; and if not, put the defendant to his oath; for this is the ordinance of Allah. Receive thou the testimony of competent Moslem witnesses, one against other, for Almighty Allah hath commanded judges to judge by externals, He Himself taking charge of the inner and secret things. It behoveth the judge also to avoid giving judge meet, whilst suffering from stress of pain or hunger, and that in his decisions between folk he seek the face of Allah Almighty for he whose intent is pure and who is at peace with himself, Allah shall guarantee him against what is between him and the people.' Quoth al-Zuhri, 'There are three things for which, if they be found in a Kazi, he should be deposed; namely, if he honour the base, if he love praise and if he fear dismissal. And Omar bin Abd al-Aziz once deposed a Kazi, who asked him, 'Why hast thou dismissed me? It hath reached me,' answered Omar, 'that thy converse is greater than thy condition.' It is said also that Iskandar said to his Kazi, 'I have invested thee with this function and committed to thee in it my soul and mine honour and my manliness; so do thou guard it with thy sense and thine understanding.' To his Cook he said, 'Thou art the Sultan of my body; so look thou tender it as thine own self.' To his Secretary he said, 'Thou art the controller of my wit: so do thou watch over me in what thou writest for me and from me.'&amp;quot; Thereupon the first damsel backed out from the presence and a second damsel came forward.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eightieth Night,&#xA;&#xA;She continued, It hath reached me, O auspicious King, that the Wazir Dandan said to Zau al-Makan, &amp;quot;Thereupon the first damsel backed out from the presence and a second damsel came forward and, kissing the ground seven times before the King thy father, spake as follows, 'The sage Lukmán said to his son, 'There be three who are known only in three several cases; the merciful man is unknown save in time of wrath, the brave only in battle, and thy friend in time of need.' It is said that the oppressor shall be depress though by people praised, and that the oppress is at rest though by people blamed. Quoth Allah Almighty, 'Assuredly deem not that those who rejoice in what they have done, and who love to be praised for what they have not done, shall escape reckoning of punishment: indeed there is reserved for them a grievous penalty.' And he said (on whom be salvation and salutation!), 'Works are according to intention and to each man is attributed that which he intendeth.' He said also, 'In the body is a part which being sound the rest is sound, and which being unsound the whole is unsound.' And this is the heart. Now this heart is the most marvellous of what is in man, since it is that which ordereth his whole affair: If covetise stir in it, desire destroyeth him, and if affliction master it, anguish slayeth him; if anger rage in it, danger is hard upon him; if it be blest with contentment, he is safe from discontent; if fear surprise it, he is full of mourning; and if calamity overtake it, affliction betideth him. If a man gain the use of wealth, peradventure he is diverted thereby from the remembrance of his Lord; if poverty choke him his heart is distracted by woe, or if disquietude waste his heart, weakness causeth him to fall. Thus, in any case, nothing profiteth him but that he be mindful of Allah and occupy himself with gaining his livelihood in this world and securing his place in the next. It was asked of a certain sage, 'Who is the most ill conditioned of men?'; and he answered, 'The man whose lusts master his manhood and whose mind soareth over high, so that his knowledge dispreadeth and his excuse diminisheth; and how excellently saith the poet,&#xA;&#xA;Freest am I of all mankind fro' meddling wight * Who, seeing&#xA;            others err, self error ne'er can sight:&#xA;Riches and talents are but loans to creature lent, * Each wears&#xA;            the cloak of that he bears in breast and sprite:&#xA;If by mistaken door attempt on aught thou make, * Thou shalt go&#xA;            wrong and if the door be right, go right!'&#xA;&#xA;Continued the maiden, 'As for anecdotes of devotees, quoth Hisham bin Bashar, 'I asked Omar bin Ubayd, What is true piety?'; and he answered, 'The Apostle of Allah (to whom be salutation and salvation!) hath explained it when he sayeth, The pious is he who forgetteth not the grave nor calamity and who preferreth that which endureth to that which passeth away; who counteth not the morrow as of his days but reckoneth himself among the dead.' And it is related that Abu Zarr used to say, Want is dearer to me than wealth, and unheal is dearer to me than health.' Quoth one of the listeners, 'May Allah have mercy on Abu Zarr!'. For my part, I say, 'Whoso putteth his trust in the goodness of the election of Almighty Allah should be content with that condition which Allah hath chosen for him.' Quoth one of the Companions of the Prophet, 'Ibn Abi Aufa once prayed with us the dawn prayer. When he had done, he recited, 'O Thou Enwrapped!' till he came to where Allah saith, 'When there shall be a trumping on the trumpet,' and fell down dead. It is said that Sabit al-Banani wept till he well nigh lost his eyes. They brought him a man to medicine him who said to him, 'I will cure thee, provided thou obey my bidding' Asked Sabit, 'In what matter?' Quoth the leach, 'In that thou leave weeping!' 'What is the worth of mine eyes?', rejoined Sabit, 'if they do not weep?' Quoth a man to Mohammed bin Abdillah, 'Exhort thou me!'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-first Night,&#xA;&#xA;She continued, It hath reached me, O auspicious King, that the Wazir Dandan said to Zau al-Makan, &amp;quot;Thus spake the second hand maid to the King who hath found mercy, Omar bin al-Nu'uman. 'Quoth a man to Mohammed bin Abdillah, Exhort thou me!' 'I exhort thee,' replied he, 'to be a self ruler, an abstainer in this world, and in the next a greedy slave.' 'How so?' asked the other and Mohammed answered, 'The abstinent man in this world conquereth both the world that is and the world to come.' And quoth Ghaus bin Abdillah, 'There were two brothers among the sons of Israel, one of whom said to the other, 'What be the most perilous thing thou hast done?' Replied the brother, 'I once came upon a nest of young birds; so I took out one and threw it back into the nest; but among the chickens were some which drew apart from it. This is the most perilous thing I ever did; now what be the most perilous thing thou hast ever done?' He rejoined, 'When I arise for prayer I am fearful that it is only for the sake of the reward.' Now their father heard these words and exclaimed, 'O Allah, an say they sooth take them to Thyself!' It was declared by one of the wise men, 'Verily, these were of the most virtuous of children.' Quoth Sa'íd bin Jubayr, 'I was once in company with Fuzalah bin 'Ubaydand said to him, 'Exhort thou me!, Replied he, 'Bear in mind these two necessaries, Shun syntheism and harm not any of Allah's creatures.' And he repeated these two couplets,&#xA;&#xA;'Be as thou wilt, for Allah still is bounteous Lord, * And care&#xA;            dispeller dread not therefore bane and ban&#xA;To two things only never draw thee nigh, nor give * Partner to&#xA;            Allah trouble to thy brother man.'&#xA;And how well saith the poet,&#xA;&#xA;'An thou of pious works a store neglect * And after death meet&#xA;             one who did collect,&#xA;Thou shalt repent thou diddest not as he, * Nor madest ready as&#xA;             he did elect.'&#xA;&#xA;Then the third damsel came forward, after the second had with drawn, and said, 'Of a truth, the chapter of piety is exceeding wide; but I will mention what occurreth to me thereof, concerning the pious of old. Quoth a certain holy man, 'I congratulate myself in death, though I am not assured of rest therein, save that I know death interveneth between a man and his works; so I hope for the doubling of good works and the docking off of ill works.' And Ita'a al Salami, when he had made an end of an exhortation, was wont to tremble and grieve and weep sore; and as they asked him why he did this he answered, 'I desire to enter upon a grave matter, and it is the standing up before Almighty Allah to do in accordance with my exhortation.' In similar guise Zayn al-Abidín, son of Al-Husayn, was wont to tremble when he rose to pray. Being asked the cause of this, he replied, 'Know ye not before whom I stand and whom I address?' It is said that there lived near Sufyán al-Thauri a blind man who, when the month of Ramazan came, went out with the folk to pray, but remained silent and hung back. Said Sufyan, 'On the Day of Resurrection he shall come with the people of the Koran and they will be distinguished by increase of honour from their fellows.' Quoth Sufyan, 'Were the soul established in the heart as befitteth, it would fly away for joy and pining for Paradise, and for grief and fear of hell-fire.' It is related also of Sufyan Al-Thauri that he said, 'To look upon the face of a tyrant is a sin.' Then the third damsel retired and came for ward the fourth, who said, 'Here am I to treat of sundry traditions of pious men which suggest themselves to me. It is related that Bishr Barefoot said, 'I once heard Khálid say, 'Beware of secret polytheism.' I asked, 'What may secret polytheism be?'; and he answered, 'When one of you in praying prolong his inclinations and prostrations till a cause of impurity come upon him.' And one of the sages said, 'Doing works of weal expiateth what is ill.' Quoth Ibrahim, 'I supplicated Bishr Barefoot to acquaint me with some theological mysteries; but he said, 'O my son, this knowledge it behoveth us not to teach to every one; of every hundred five, even as the legal alms upon money.' Said Ibrahim, 'I thought his reply excellent and approved of it and while I was praying behold, Bishr was also praying: so I stood behind him making the prayer bow till the Mu'ezzin called his call. Then rose a man of tattered appearance and said, O folk, beware of a truth which bringeth unweal, for there is no harm in a lie bringing weal, and in time of need no choice we heed: speech booteth not in the absence of good qualities even as silence hurteth not in the presence of good. Presently I saw Bishr drop a danik, so I picked it up and exchanged it for a dirham which I gave him. Quoth he, 'I will not take it.' Quoth I, 'It is perfectly lawful change'; but he rejoined 'I cannot take in exchange the riches of the present world for those of the future world.' It is related also that Bishr Barefoot's sister once went to Ahmad bin Hanbal&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to bespeak Zau al-Makan on this wise, &amp;quot;And quoth the maiden to thy father, 'Bishr Barefoot's sister once went to Ahmad bin Hanbal and said to him, 'O Imam of the Faith, we are a family that spin thread by night and work for our living by day; and oftentimes the cressets of the watch of Baghdad pass by and we on the roof spinning by their light. Is this forbidden to us?' Asked Ahmad:'Who are thou?' 'I am the sister of Bishr Barefoot,' answered she. Rejoined the Iman, 'O household of Bishr, I shall never cease to drink full draughts of piety from your hearts.' Quoth one of the sages, 'When Allah willeth well to His servant He openeth upon him the gate of action.' Málik bin Dinár, when he passed through the bazar and saw aught he desired, was wont to say, 'O soul, take patience, for I will not accord to thee what thou desirest.' He said also (Allah accept him!), 'The salvation of the soul lies in resistance to it and its damnation in submission to it.' Quoth Mansúr bin Ammár, 'I made a pilgrimage and was faring Meccahwards by way of Cufa, and the night was overcast, when I heard a voice crying out from the deeps of the darkness saying, 'O Allah, I swear by Thy Greatness and Thy Glory, I meant not through my disobedience to transgress against Thee; for indeed I am not ignorant of Thee; but my fault is one Thou didst foreordain to me from eternity without beginning; so do Thou pardon my transgression, for indeed I disobeyed Thee of my ignorance!' When he had made an end of his prayer he recited aloud the verse, 'O true believers, save your souls and those of your families from the fire whose fuel is men and stones.' Then I heard a fall, but not knowing what it was I passed on. When the morning morrowed, as we went our way, behold, we fell in with a funeral train, followed by an old woman whose strength had left her. I asked her of the dead, and she answered, 'This is the funeral of a man who passed by us yesterday whilst my son was standing at prayer and after his prayers he recited a verse from the Book of Allah Almighty when the man's gall bladder burst and he fell dead.' Therewith the fourth damsel retired and the fifth came forward and said, 'I here will also repeat what occurreth to me regarding the acts of devotees in olden time. Maslamah bin Dinár used to say, 'By making sound the secret thoughts, sins great and small are covered'; and, 'when the servant of Allah is resolved to leave sinning, victory cometh to him.' Also quoth he, 'Every worldly good which doth not draw one nearer to Allah is a calamity, for a little of this world distracteth from a mickle of the world to come and a mickle of the present maketh thee forget the whole of the future.' It was asked of Abú Házim, 'Who is the most prosperous of men?'; and he answered, 'Whoso spendeth his life in submission to Allah.' The other enquired, 'And who is the most foolish of mankind?' 'Whoso selleth his future for the worldly goods of others,' replied Abu Hazim. It is reported of Moses (on whom be peace!) that when he came to the waters of Midian he exclaimed, 'O Lord, verily I stand in need of the good which thou shalt send down to me.' And he asked of his Lord and not of his folk. There came two damsels and he drew water for them both and allowed not the shepherds to draw first. When the twain returned, they informed their father Shu'ayb (on whom be peace!) who said, 'Haply, he is hungry,' adding to one of them, 'Go back to him and bid him hither.' Now when she came to Moses, she veiled her face and said, 'My father biddeth thee to him that he may pay thee thy wage for having drawn water for us.' Moses was averse to this and was not willing to follow her. Now she was a woman large in the back parts, and the wind blowing upon her garment covered the hinder cheeks to Moses; which when Moses saw, he lowered his eyes and said to her, 'Get thee behind while I walk in front.' So she followed him till he entered the house of Shu'ayb where supper was ready.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;Now, quoth the fifth damsel to thy sire, 'When Moses (on whom be peace!) entered the home of Shu'ayb where supper was ready, Shu'ayb said to him, 'O Moses, I desire to pay thee thy wage for having drawn water for these two.' But Moses answered, 'I am of a household which selleth nothing of the fashion of the next world for what is on earth of gold and silver.' Then quoth Shu'ayb, 'O youth! nevertheless thou art my guest, and it is my wont and that of my forbears to honour the guest by setting food before him.' So Moses sat down and ate. Then Shu'ayb hired Moses for eight pilgrimages, that is to say, eight years, and made his wage marriage with one of his two daughters, and Moses' service to him was to stand for her dowry. As saith the Holy Writ of him, 'Verily I will give thee one of these my two daughters in marriage, on condition that thou serve me for hire eight pilgrimages: and if thou fulfil ten years, it is in thine own breast; for I seek not to impose a hardship on thee.' A certain man once said to one of his friends whom he had not met for many days, 'Thou hast made me desolate, for that I have not seen thee this long while.' Quoth the other, 'I have been distracted from thee by Ibn Shiháb: dost thou know him?' Quoth his friend, 'Yes, he hath been my neighbour these thirty years, but I have never spoken to him.' He replied, 'Verily thou forgettest Allah in forgetting—thy neighbour! If thou lovedst Allah thou wouldst love thy neighbour. Knowest thou not that a neighbour hath a claim upon his neighbour, even as the right of kith and kin?' Said Huzayfah, 'We entered Meccah with Ibráhím bin Adham, and Shakík al-Balkhí was also making a pilgrimage that year. Now we met whilst circumambulating the Ka'abah and Ibrahim said to Shakik, 'What is your fashion in your country?' Replied Shakik, 'When we are blest with our daily bread we eat, and when we hunger we take patience.' 'This wise,' said Ibrahim, 'do the dogs of Balkh; but we, when blest with plenty, do honour to Allah and when an hungered we thank Him.' And Shakik seated himself before Ibrahim and said to him, 'Thou art my master.' Also said Mohammed bin Imrán, 'A man once asked of Hátim the Deaf 'What maketh thee to trust in Allah?' 'Two things,' answered he, 'I know that none save myself shall eat my daily bread, so my heart is at rest as to that; and I know that I was not created without the knowledge of Allah, and am abashed before Him.' Then the fifth damsel retired and the ancient dame came forward and, kissing the ground before thy father nine times, said, 'Thou hast heard, O King, what these all have spoken on the subject of piety; and I will follow their example in relating what hath reached me of the famous men of past times. It is said that the Imam al-Sháfi'í departed the night into three portions, the first for study, the second for sleep and the third for prayer. The Imam Abú Hanífah was wont also to pass half the night in prayer. One&#xA;&#xA;day a man pointed him out to another, as he walked by and remarked, 'Yonder man watcheth the whole night.' When he heard this Abu Hanifah said, 'I was abashed before Allah to hear myself praised for what was not in me'; so after this he used to watch the whole night. And one of the Sages hath said,&#xA;&#xA;'Who seeketh for pearl in the Deep dives deep; * Who on high would hie robs his night of sleep.'&#xA;&#xA;Al-Rabí a relates that Al-Shafi'i used to recite the whole Koran seventy times during the month of Ramazan, and that in his daily prayers. Quoth Al-Shafi'i (Allah accept him!), 'During ten years I never ate my fill of barley bread, for fullness hardeneth the heart and deadeneth the wit and induceth sleep and enfeebleth one from standing up to pray.' It is reported of Abdullah bin Mohammed al-Sakrá that he said, 'I was once talking with Omar and he observed to me, 'Never saw I a more God fearing or eloquent man than Mohammed bin Idris al-Shafi'i.' It so happened I went out one day with Al-Háris bin Labíb al-Saffár, who was a disciple of Al-Muzani and had a fine voice and he read the saying of the Almighty, 'This shall be a day whereon they shall not speak to any purpose, nor shall they be permitted to excuse themselves.' I saw Al-Shafi'i's colour change; his skin shuddered with horripilation, he was violently moved and he fell down in a fainting fit When he revived he said, 'I take refuge with Allah from the stead of the liars and the lot of the negligent! O Allah, before whom the hearts of the wise abase themselves, O Allah, of Thy bene ficence accord to me the remission of my sins, adorn me with the curtain of Thy protection and pardon me my shortcomings, by the magnanimity of Thy Being!' Then I rose and went away. Quoth one of the pious, 'When I entered Baghdad, Al-Shafi'i was there. So I sat down on the river bank to make the ablution before prayer; and behold, there passed me one who said, 'O youth, make thy Wuzu-ablution well and Allah will make it well for thee in this world and in the next.' I turned and lo! there was a man behind whom came a company of people. So I hastened to finish my ablution and followed him. Presently, he turned and asked me, 'Say, dost thou want aught?' 'Yes,' answered I, 'I desire that thou teach me somewhat of that which Allah Almighty hath taught thee.' He said, 'Know then that whoso believeth in Allah shall be saved, and whoso jealously loveth his faith shall be delivered from destruction, and whoso practiseth abstinence in this world, his eyes shall be solaced on the morrow of death. Shall I tell thee any more?' I replied, 'Assuredly;' and he continued, 'Be thou of the world that is, heedless; and of the world to come, greediest. Be truthful in all thy dealings, and thou shalt be saved with the Salvationists.' Then he went on and I asked about him and was told that he was the Imam Al-Shafi'i. Al-Shafi'i was wont to remark, 'I love to see folk profit by this learning of mine, on condition that nothing of it be attributed to me.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;The old woman bespake thy sire, saying, 'The Imam Al-Shafi'i was wont to remark, I love to see folk profit by this learning of mine on condition that nothing of it be attributed to me.' He also said, 'I never disputed with any one, but I would that Almighty Allah should give him the knowledge of the Truth and aid him to dispread it: nor did I ever dispute with anyone at all but for the showing forth of the Truth, and I reck not whether Allah manifest it by my tongue or by His.' He said also (whom Allah accept!), 'If thou fear to grow conceited of thy lore, then bethink thee Whose grace thou seekest and for what good thou yearnest and what punishment thou dreadest.' It was told to Abu Hanífah that the Commander of the Faithful, Abú Ja'afar al-Mansúr, had appointed him Kazi and ordered him a salary of ten thousand dirhams; but he would not accept of this; and, when the day came on which the money was to be paid him, he prayed the dawn prayer, then covered his head with his robe—and spoke not. When the Caliph's messenger came with the money, he went in to the Imam and accosted him, but he would not speak to him. So the messenger said, 'Verily this money is lawfully thine.' 'I know that it is lawfully mine,' replied he: 'but I abhor that the love of tyrants get a hold upon my heart.' Asked the other, 'If thou go in to them canst thou not guard thyself from loving them?' Answered Abu Hanifah, 'Can I look to enter the sea without my clothes being wet?' Another of Al-Shafi'i's sayings (Allah accept him!) is,&#xA;&#xA;'Oh soul of me, an thou accept my rede, * Thou shalt be wealthy&#xA;           and of grace entire:&#xA;Cast off ambitious hopes and vain desires, * How many a death was&#xA;            done by vain desire!'&#xA;&#xA;Among the sayings of Sufyán al-Thaurí, with which he admonished Ali bin al-Hasan al-Salami was, 'Be thou a man of truth and 'ware lies and treachery and hypocrisy and pride. Be not indebted save to Him who is merciful to His debtors; and let thine associate be one who shall dissociate thee from the world. Be ever mindful of death and be constant in craving pardon of Allah and in beseeching of Allah peace for what remaineth of thy life. Counsel every True Believer, when he asketh thee concerning the things of his faith; and beware of betraying a Believer, for whoso betrayeth a Believer, betrayeth Allah and His Apostle. Avoid dissensions and litigation; and leave that which causeth doubt in thee for things which breed no doubt: so shalt thou be at peace. Enjoin beneficence and forbid malevolence: so shalt thou be loved of Allah. Adorn thine inner man and Allah shall adorn thine outer man. Accept the excuse of him who excuseth self to thee and hate not any one of the Moslems. Draw near unto those who withdraw from thee and excuse those that misuse thee: so shalt thou be the friend of the Prophets. Let thine affairs, both public and private, be in Allah's charge, and fear Him with the fear of one who knoweth he is dead and who fareth towards Resurrection and Judgement stead between the hands of the Lord of Dread; and remember that to one of two houses thou art sped, either for Heavens eterne or to the Hell fires that burn.' Thereupon the old woman sat down beside the damsels. Now when thy father, who hath found mercy, heard their discourse, he knew that they were the most accomplished of the people of their time; and, seeing their beauty and loveliness and the extent of their wisdom and lore, he showed them all favour. Moreover, he turned to the ancient dame and treated her with honour, and set apart for her and her damsels the palace which had lodged Princess Abrizah, daughter of the King of Greece, to which he bade carry all the luxuries they needed. They abode with him ten days and the old woman abode with them; and, whenever the King visited them, he found her absorbed in prayer, watching by night and fasting by day; whereby love of her took hold upon his heart and he said to me, 'O Wazir, verily this old woman is of the pious, and awe of her is strong in my heart.' Now on the eleventh day, the King visited her, that he might pay her the price of the damsels; but she said to him, 'O King, know that the price of these maidens surpasseth the competence of men; indeed I seek not for them either gold or silver or jewels, be it little or much.' Now when thy father heard these words he wondered and asked her, 'O my lady and what is their price?'; whereto she answered, 'I will not sill them to thee save on condition that thou fast, watching by night a whole month, and abstaining by day, all for the love of Allah Almighty; and, if thou do this, they are thy property to use in thy palace as thou please.' So the King wondered at the perfection of her rectitude and piety and abnegation; she was magnified in his eyes and he said, 'Allah make this pious woman to profit us!' Then he agreed with her to fast for a month as she had stipulated, and she said to him, 'I will help thee with the prayers I pray for thee and now bring me a gugglet of water.' They brought one and she took it and recited over it and muttered spells, and sat for an hour speaking in speech no one understood or knew aught thereof. Lastly she covered it with a cloth and, sealing it with her signet ring, gave it to thy sire, saying, 'When thou hast fasted the first ten days, break thy fast on the eleventh night with what is in this gugglet, for it will root out the love of the world from thy heart and fill it with light and faith. As for me, tomorrow I will go forth to my brethren, the Invisible Controuls, for I yearn after them, and I will return to thee when the first ten days are past. Thy father took the gugglet and arose and set it apart in a closet of his palace, then locked the door and put the key in his pocket. Next day the King fasted and the old woman went her ways.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan thus continued to Zau al-Makan, &amp;quot;Now when came the day for the Sultan's fast, the old woman went her ways. And after he had accomplished the ten days thereof, on the eleventh he opened the gugglet and drank what was therein and found it cordial to his stomach. Within the second ten days of the month the old woman returned, bringing sweetmeats wrapped in a green leaf, like no leaf of known tree. She went in to thy sire and saluted him; and, when he saw her, he rose to her saying, 'Welcome, O pious lady!' 'O King,' quoth she, 'the Invisible Controuls salute thee, for I told them of thee, and they rejoiced in thee and have sent thee their Halwá, which is of the sweetmeats of the other world. Do thou break thy fast on it at the end of the day.' The King rejoiced at this with great joy, and exclaimed, 'Praised be Allah, who hath given me brethren of the Invisible World!' Thereupon he thanked the ancient dame and kissed her hands; and he honoured her and the damsels with exceeding honour. She went forth for the twenty days of thy father's fast at the end of which time she came to him and said, 'Know, O King, that I told the Invisible Controuls of the love which is between me and thee, and informed them how I had left the maidens with thee, and they were glad that the damsels should belong to a King like thee; for they were wont, when they saw them, to be strenuous in offering on their behalf prayers and petitions ever granted. So I would fain carry them to the Invisible Controuls that they may benefit by the breath of their favour, and peradventure, they shall not return to thee without some treasure of the treasures of the earth, that thou, after completing thy fast, mayst occupy thyself with their raiment and help thyself by the money they shall bring thee, to the extent of thy desires.' When thy sire heard her words, he thanked her for them and said, 'Except that I fear to cross thee, I would not accept the treasure or aught else; but when wilt thou set out with them?' Replied she, 'On the seven and twentieth night; and I will bring them back to thee at the head of the month, by which time thou wilt have accomplished thy fast and they will have had their courses and be free from impurity; and they shall become thine and be at thy disposal. By Allah, each damsel of them is worth many times thy kingdom!' He said, 'I know it, O pious lady!' Then quoth the old woman, 'There is no help but that thou send with them someone in thy palace who is dear to thee, that she may find solace and seek a blessing of the Invisible Controuls.' Quoth he, 'I have a Greek slave called Sophia, by whom I have been blessed with two children, a girl and a boy; but they were lost; years ago. Take her with thee that she may get the blessing'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;Quoth thy sire to the ancient woman when she demanded the handmaids of him, 'I have a Greek slave called Sophia, by whom I have been blest with two children, a girl and a boy, but they were lost years ago; so take her with thee, haply she may get the benediction and, belike, the Invisible Controuls will sue Allah for her that her two children may be restored to her.' 'Thou hast said well,' replied she; 'for that indeed was her grievousest want.' Thy sire gave not over finishing his fast till the old woman said to him, 'O my son, I am going to the Invisible Controuls; so bring me Sophia.' Accordingly, he summoned her and she came forthright, and he delivered her to the old woman who mixed her up with the other damsels. Then she went in to her chamber and bringing out a sealed cup, presented it to the Sultan saying, 'On the thirtieth day, do thou repair to the Hammam and when thou comest out, enter one of the closets in thy palace and drink what is in this cup. Then sleep, and thou shalt attain what thou seekest, and peace be with thee'! Thereat the King was glad and thanked her and kissed her hands. Quoth she, 'I commend thee to Allah's care;' whereat quoth he, 'And when shall I see thee again, O pious lady? In very sooth I love not to part with thee.' Then she called down blessings on him and departed with the five damsels and the Queen; whilst the King fasted after her departure other three days, till the month ended, when he arose and went to the Hammam and coming out shut himself up in a closet of his palace, commanding that none should go in to him. There, after making fast the door, he drank what was in the cup and lay down to sleep; and we sat awaiting him till the end of the day, but he did not come out and we said, 'Perchance he is tired with the bath and with watching by night and fasting by day; wherefore he sleepeth.' So we waited till next day; but still he did not come forth. Then we stood at the closet door and cried aloud so haply he might awake and ask what was the matter. But nothing came of that; so at last we lifted up the door; and, going in, found him dead, with his flesh torn into strips and bits and his bones broken. When we saw him in this condition it was grievous to us, and we took up the cup and found within its cover a piece of paper whereon was inscribed, 'Whoso doeth evil leaveth no regrets, and this be the reward of him who playeth traitor with the daughters of Kings and who debaucheth them; and we make known to all who fall upon this scroll that Sharrkan, when he came to our country, seduced our Queen Abrizah; nor did that suffice him but he must needs take her from us and bring her to you. Then he sent her away in company of a black slave who slew her, and we found her lying dead on the desert sward and thrown out to wild beasts. This be no kingly deed, and he who did this is requited with naught but what he merited. So do ye suspect none of having killed him, for no one slew him but the cunning witch, whose name is Zat al-Dawahi. And behold, I have taken the King's wife, Sophia, and have carried her to her father, Afridun King of Constantinople. Moreover, there is no help for it but that we wage war upon you and kill you and take your country from you, and ye shall be cut off even to the last man, nor shall a living soul be spared by Death nor one who bloweth fire with his breath, save he who Cross and Belt worshippeth.' When we read this paper, we knew that the ancient woman had beguiled us and carried out her plot against us: whereupon we cried aloud and buffeted our faces and wept sore when weeping availed us naught. And the troops fell out as to whom they should make Sultan; some would have thee, and others would have thy brother Sharrkan; and we ceased not to dispute about this for the space of a month, at the end of which certain of us drew together and agreed to repair to thy brother Sharrkan: so we set out and journeyed on till we fell in with thee. And such is the manner of the death of Sultan Omar bin al-Nu'uman!&amp;quot; Now when the Wazir Dandan had made an end of his story, Zau al- Makan and his sister, Nuzhat al-Zaman wept; and the Chamberlain, who wept also, said to Zau al-Makan, &amp;quot;O King, weeping will avail thee naught; nor shall aught profit thee but that thou harden thy heart and strengthen thy stress and establish thy sovranty; for verily whoso leaveth the like of thee is not dead.&amp;quot; Thereupon Zau al-Makan gave over his weeping and caused his throne to be set up without the pavilion, and then commanded the army to pass in review order before him. And the Chamberlain sat by his side and all the armour-bearers behind him, whilst the Wazir Dandan and the rest of the Emirs and Grandees stood each in his individual stead. Then quoth King Zau al-Makan to the Minister Dandan, &amp;quot;Inform me concerning my sire's treasures;&amp;quot; and he replied, &amp;quot;I hear and I obey;&amp;quot; and gave him to know of the late King's hoards and monies, and what was in the treasury of amassed wealth and jewels, and acquainted him with other precious things. So Zau al-Makan opened his hand to the army, and gave a sumptuous robe of honour to the Wazir Dandan, saying, &amp;quot;Thou continues&amp;quot; in office. Whereupon Dandan kissed the ground before him and wished him long life. Then he bestowed dresses on the Emirs, after which he said to the Chamberlain, &amp;quot;Bring out before me the tribute of Damascus that is with thee.&amp;quot; So he was shown the chests of money and rarities and jewels, when he took them and parted them all amongst the troops,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Zau al- Makan ordered the Chamberlain to bring out before him what he had brought of the tribute of Damascus; and, when he was shown the chests of money and rarities and jewels, he took them and parted them all amongst the troops, till nothing was left. And the Emirs kissed the ground before him and wished him long life, saying, &amp;quot;Never saw we a King, who gave the like of these gifts.&amp;quot; Then all went away to their tents and when it was morning he gave orders for marching. So they marched for three days, till, on the fourth day, they drew near to Baghdad. When they entered the city, they found it decorated, and Zau al-Makan, the Sultan, went up to his father's palace and sat down on the throne, whilst the Emirs of the army and the Wazir Dandan and the Chamberlain of Damascus stood between his hands. Then he bade his private secretary write a writ to his brother Sharrkan, acquainting him with all that had passed, from first to last, and he concluded, &amp;quot;As soon as thou hast read this letter, make ready thine affair and join us with thine army, that we may turn to Holy War upon the Infidels and take man bote for our father and wipe out the stain upon our honour.&amp;quot; Then he folded the letter and sealed it with his seal ring and said to the Minister Dandan, &amp;quot;None shall carry this letter but thou; and it behoveth thee speak my brother fair and say to him, 'If thou have a mind to thy father's kingdom, it is thine, and thy brother shall be Viceroy for thee in Damascus; for to this effect am I instructed by him.'&amp;quot; So the Wazir went down from before him and made ready for his march. Then Zau al-Makan bade set apart a magnificent house for the Fireman and furnished it with the best of furniture and long is the tale of that Fireman. Presently Zau al-Makan went out chasing and hunting and, as he was returning to Baghdad, one of the Emirs presented him with blood horses and with beauteous handmaids whose description the tongue evades. One of the damsels pleased him: so he went in unto her and knew her that night, and she conceived by him forthright. After a while, the Wazir Dandan returned from his journey, bringing him news of his brother Sharrkan and that he was then on his way to him, and said, &amp;quot;It were fitting thou go forth to meet him.&amp;quot; Zau al- Makan replied, &amp;quot;I hear and I consent;&amp;quot; and riding forth with his Grandees a day's journey from Baghdad, he pitched his pavilions there awaiting his brother. Next morning appeared King Sharrkan amid the army of Syria, a horseman of might, a lion fierce in fight, a prow and doughty knight. As the squadrons drew nigh and the dust clouds came hard by and the troops rode up with banners on high, Zau al-Makan and those with him pushed forward to meet Sharrkan and his men; and when Zau al-Makan saw his brother, he desired to dismount, but Sharrkan conjured him not to do on this wise, and himself footed it, and walked a few paces towards him. As soon as he reached Zau al-Makan, the new Sultan threw himself upon him, and Sharrkan embraced him and wept with great weeping and the twain condoled with each other. Then they mounted and rode onward, they and their troops, till they reached Baghdad, where they alighted and went up to the royal palace and there they passed that night, and when next morning came, Zau al- Makan went forth and bade summon the troops from all parts, and proclaimed a Holy War and a Razzia. They then awaited the coming of the levies from each quarter of the kingdom, and every one who came they entreated with honour and promised him all manner of good; till in so doing a full month had sped, and the fighting men flocked to them in a continuous body. Then Sharrkan said to Zau al-Makan, &amp;quot;O my brother, tell me thy history.&amp;quot; So he told him all that had befallen him from first to last, including the benevolent dealing of the Fireman with him. Asked Sharrkan, 'Hast thou requited his kindness?&amp;quot;; and he answered, &amp;quot;O my brother! I have not rewarded him as yet, but Inshallah! I will recompense him whenas I return from this raid&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan asked his brother Zau al-Makan, &amp;quot;Hast thou requited the Fireman for his kindness?&amp;quot;; and he answered, &amp;quot;O my brother, I have not rewarded him as yet, but Inshallah! I will recompense him whenas I return from this raid and find time so to do.&amp;quot; Therewith Sharrkan was certified that his sister, Nuzhat al-Zaman, had told him the whole truth; but he concealed what had passed between them and offered his salutation to her by her husband the Chamberlain. She sent him back her greeting, calling down blessings on him and enquiring after her daughter Kuzia-Fakan, to which he replied that the maiden was well and in the best of health and safety. Where upon she praised Almighty Allah and gave him thanks. Then Sharrkan went to his brother to take counsel with him for departure; and Zau al-Makan said, &amp;quot;O my brother, as soon as the army is complete and the Arabs have come in from all parts, we will march forth.&amp;quot; So he bade make ready the commissariat and prepare munitions of war and went in to his wife, who was now five months gone with child; and he put under her astrologers and mathematicians, to whom he appointed stipends and allowances. Then he set out three months after the arrival of the army of Syria, and as soon as the Arabs were come in and the troops were assembled from all directions; and, as he fared forth, he was followed by the warriors and the united host. Now the name of the General of the Daylam army was Rustam and that of the General of the army of the Turks Bahram. And Zau al- Makan marched in mid host and on his right was his brother Sharrkan, and on his left the Chamberlain his brother-in-law. So the squadrons broke up and pushed forward and the battalions and companies filed past in battle array, till the whole army was in motion. They ceased not to fare on for the space of a month, and each body dismounted at its own ground and there rested every week three days (for the host was great); and they advanced in this order till they came to the country of the Greeks. Then the people of the villages and hamlets and the poorer sort took fright at them and fled to Constantinople. But when King Afridun heard the tidings he arose and betook himself to Zat al-Dawahi, the same who had contrived the stratagem, and had travelled to Baghdad and had slain King Omar bin Al-Nu'uman; and who after carrying off her slaves and Queen Sophia, had returned with them all to her native land. Now when she had been restored to her son, the King of Greece, and felt herself safe, she said to King Hardub, &amp;quot;Cool thine eyes; for I have avenged by blood the shame of thy daughter Abrizah, and have killed Omar bin al-Nu'uman and have brought back Sophia. So now let us go to the King of Constantinople and carry to him his daughter and acquaint him with what hath happened, that all of us be on guard and prepare our forces; and I will fare with thee to King Afridun, Lord of Constantinople, for I opine that the Moslems will not await our attack.&amp;quot; Said Hardub, &amp;quot;Tarry thou till they draw near our country, that we may make us ready meantime and assemble our power.&amp;quot; Accordingly they took to levying their forces and preparing for war, and, when the news of the Moslems' advance reached them, they were prepared for defence; and Zat al Dawahi had preceded them. Now when she and her son arrived at Constantinople, the King of Kings, Afridun, hearing of the approach of Hardub, King of the Greeks, came forth to meet him and asked how it was with him and the cause of his visit. So Hardub acquainted him with the cunning doings of his mother, Zat al-Dawahi, how she had slain the Moslem King and recovered from him Queen Sophia, and had said, &amp;quot;The Moslems have assembled their forces and are on their way to attack us, wherefore it behoveth that we two join hands in single band and meet them.&amp;quot; Now King Afridun rejoiced in the return of his daughter and the killing of King Omar bin al-Nu'uman; and he sent to all countries seeking succour and acquainting the folk with the cause of slaying the Moslem King. So the Nazarene troops flocked to him and three months were not past ere the army of the Greeks was complete, besides which there joined themselves to him Franks from all their lands, French, Germans and Ragusans, with men of Zara, Venetians, Genoese, and all the hosts of the Yellow Faces; and, when the gathering was at its full, earth was straitened on them by reason of their multitude. Then Afridun, the Great King, ordered a march; so they set out and ceased not to defile through the city for ten days. They fared on till they reached the Wady highs Al-Nu'uman, a broad sided vale hard by the Salt Sea, where they halted three days; and on the fourth they were about to set out again, when news came that the army of Al-Islam on them press, and the defenders of the faith of Mohammed, of Men the Best. So they halted in it other three days, and on the eighth they espied a dust cloud which towered till it walled the whole land; nor was an hour of the day past ere that dust began to drift and was torn to shreds in the lift, and pierced through its shades the starry radiance of lance and the white levee of blades. Presently there appeared beneath it the banners Islamitan and the ensigns Mahometan; the horsemen urged forward, like the letting loose of seas that surged, clad in mail, as they were mackerel-back clouds which the moon enveil; whereupon the two hosts clashed, like two torrents on each other dashed. Eyes fell upon eyes; and the first to seek combat singular was the Wazir Dandan, he and the army of Syria, numbering thirty thousand bridles, and with him were the General of the Turks, and the General of Daylam, Rustam and Bahram, amid twenty thousand horse, behind whom came the men from the shores of the Salt Sea, clad in iron mail, as they were full moons that past through a night o'ercast. Then the Nazarene host called out on Jesus and Mary, and the defiled Cross and they heaped themselves upon the Wazir Dandan and those with him of the Syrian host. Now all this was in pursuance of a stratagem devised by that ancient woman Zat al-Dawahi; for, before his departure, King Afridun had gone in to her and asked her, &amp;quot;How shall I do and what plan shall I pursue?; it is thou hast caused this great distress to us;&amp;quot; and she had answered, &amp;quot;O great King and mighty Cohen! I will teach thee a trick would baffle Iblis himself, though he summon to his assistance all his grisly hosts.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, all this was a stratagem of the ancient woman, for that the King before his departure had gone to her and asked, &amp;quot;How shall I do and what plan shall I pursue? it is thou hast caused this great distress to us!&amp;quot; And she had answered, &amp;quot;O great King and mighty Cohen, I will teach thee a trick would baffle the Devil himself though he summon to his assistance all his grisly hosts. It is that thou send fifty thousand men going down in ships, and sailing over the sea to the Mountain of Smoke; and there let them land and stir not till {he standards of Al-Islam come upon thee, when do thou up and at them. Then bid the troops from the seaward sally out upon the Moslems and take them in rear, whilst we confront them from the landward. So not one of them shall escape, and our sorrows shall tease and peace abide with us.&amp;quot; Now the counsel of this ancient woman commended itself to King Afridun, and he replied, &amp;quot;Right is the recking thou reckest, O Princess of wits and recourse of Kings and Cohens warring for their blood wit!&amp;quot; So when the army of Al-Islam came upon them in chat valley, before they knew of it the flames began to burn up the tents and the swords in men's bodies to make rents. Then hurried up the army of Baghdad and Khorasan who numbered one hundred and twenty thousand horse, with Zau al-Makan in the front of war. When the host of the Infidels that lay by the sea saw them, they sallied out against them and followed in their tracks; and when Zau al- Makan espied this he cried out to his men, &amp;quot;Turn back to the Infidels, O People of the Chosen Apostle, and slay those who deny and hate the authority of the Compassionating, the Compassionate!&amp;quot; So they turned and fought with the Christians. Then Sharrkan marched up with another corps of the Moslem host, some hundred thousand men, whilst the Infidels numbered nigh upon a thousand and six hundred thousand men. When the Moslems were united, their hearts were strengthened and they cried out, saying, &amp;quot;Verily Allah hath pro mised us victory, and to the Infidels hath assigned defeat.&amp;quot; And they clashed together with sword and spear. Now Sharrkan tare through rank and row and raged among the masses of the foe, fighting so fierce a fight as to make children grey grow; nor did he cease tourneying among the infidel horde and working havoc among them with the keen edged sword, shouting &amp;quot;Allaho Akbar!&amp;quot; (Allah is Most Great) till he drove back the host to the coast. Then failed the force of the foe and Allah gave victory to the faith of Al-Islam, and folk fought folk, drunken without strong drink till they slew of the Infidels in this affair forty and five thousand, while of the Moslems but three thousand and five hundred fell. Moreover, the Lion of the Faith, King Sharrkan, and his brother, Zau al-Makan, slept not that night, but occupied themselves with congratulating their braves and with looking to the wounded and with assuring the army of victory and salvation and promise of reward in the world to come. Thus far concerning the Moslem; but as regards King Afridun, Lord of Constantinople and Sovran of Roum, and Zat Al-Dawahi, they assembled the Emirs of the host and said to them, &amp;quot;Verily, we had worked our will and solaced our hearts, but our over confidence in our numbers, and that only, defeated us.&amp;quot; Then quoth to them the ancient one, the Lady of Calamities, &amp;quot;In very sooth nought shall profit you, except ye draw you nigh unto the Messiah and put your trust in the True Belief, for, by the virtue of the Messiah, the whole strength of the Moslem host lieth in that Satan, King Sharrkan.&amp;quot; &amp;quot;Tomorrow,&amp;quot; said King Afridun, &amp;quot;I have resolved to draw up in battle array and to send out against them that redoubtable cavalier, Lúká bin Shamlút; for if King Sharrkan come forth as a champion to fight single handed, our man will slay him and will slay the other Moslem Knights, till not one is left. And I purpose this night to sacre you all with the Holy Incense.&amp;quot; When the Emirs heard these words they kissed the ground before him. Now the incense which he designated was the excrement of the Chief Patriarch, the denier, the defiler of the Truth, and they sought for it with such instance, and they so highly valued it that the high priests of the Greeks used to send it to all the countries of the Christians in silken wraps after mixing it with musk and ambergris. Hearing of it Kings would pay a thousand gold pieces for every dram and they sent for and sought it to fumigate brides withal; and the Chief Priests and the great Kings were wont to use a little of it as collyrium for the eyes and as a remedy in sickness and colic; and the Patriarchs used to mix their own skite with it, for that the skite of the Chief Patriarch could not suffice for ten countries. So, as soon as dawn was seen and the morning shone with its shine and sheen, the horsemen ran to their spears full keen, and King Afridun,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninetieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, as soon as dawn was seen and the morning shone with its shine and sheen, the horsemen ran to their spears full keen and King Afridun summoned his chief Knights and Nobles and invested them with dresses of honour; and, drawing the sign of the cross on their brows, incensed them with the incense which as aforesaid was the skite of the Chief Patriarch, the Cohen, the Heresiarch. This incensing done, he called for Luka bin Shamlut, surnamed the Sword of the Messiah; and, after fumigating him and rubbing his palate with the Holy Merde, caused him to snuff it and smeared his cheeks and anointed his moustaches with the rest. Now there was no stouter champion in the land of Roum than this accursed Luka, nor any better at bending of bow or sway of sword or lunge with lance on the day of devoir; but he was foul of favour, for his face was as the face of an ass, his shape that of an ape and his look as the look of a malignant snake: his presence was grievouser than parting from the beloved make; and blacker than night was his blackness and more fetid than the lion was his breath for foulness; more crooked than a bow was his crookedness and grimmer than the leopard was his ugliness, and he was branded with the mark of the Infidels on face. After this he came up to King Afridun and kissed his feet and stood before him; and the King said to him, &amp;quot;I desire thou go out against Sharrkan, King of Damascus, son of Omar bin al-Nu'uman, and deliver us from this affliction.&amp;quot; Quoth Luka, &amp;quot;Hearkening and obedience;&amp;quot; and the King made the sign of the cross on his forehead and felt assured of help from Heaven being near hand. Then Luka went out from the presence and the accursed one mounted a sorrel horse; he was clad in a red robe and a hauberk of gold set with jewels, and he bore a trident spear, as he were Iblis the damned on the day of drewing out his hosts war to darraign. Then he rode forward, he and his horde of Infidels, even as though they were driving to the Fire, preceded by a herald, crying aloud in the Arabic tongue and saying, &amp;quot;Ho, sect of Mohammed (upon whom be salutation and salvation!), let none of you come out but your champion Sharrkan, the Sword of Al-Islam, Lord of Damascus in Shám!&amp;quot; Nor had he made an end of speaking, when arose a tumult in the plain; all the people heard the strain and the whole moving bodies of the armies twain called to mind the Day of Complain. Then the cowards trembled and all necks turned towards the sound, and lo! it was King Sharrkan, son of King Omar bin al-Nu'uman. For when his brother, Zau al-Makan, saw that accursed one push out on the plain, and heard the pursuivant, he turned to Sharrkan and said to him, &amp;quot;Of a surety they seek for thee.&amp;quot; Said he, &amp;quot;Should it so be, 'twere most pleasing to me.&amp;quot; So when they made sure of the matter and heard the herald crying in the plain, &amp;quot;Let none of you come out against me save Sharrkan,&amp;quot; they knew this cursed Luka to be champion of the land of Roum who had sworn to sweep the earth clean of Moslems. Now he was one of the greatest of villains, a wretch who caused hearts to pain; and the DayIamites, Turks and Kurds dreaded his might and main. Presently Sharrkan crave at him like a lion angry grim, mounted on a courser like a wild gazelle flying snell and slim; and coming nigh to him made the spear he hent to shake as it were a darting snake, and recited these couplets,&#xA;&#xA;&amp;quot;I have a sorrel steed, whose pride is fain to bear the rein, *&#xA;             Shall give thee what thou likest not and make thee feel his&#xA;             main:&#xA;I have a handy limber spear full bright and keen of point, * Upon&#xA;             whose shaft the dam of Death her throny seat hath ta'en:&#xA;I have a trenchant glaive of Hind; and, when I bare its face * Of&#xA;             scabbard&amp;quot; veil, from out its brow the rays of levee rain.&amp;quot;&#xA;&#xA;Luka understood not the sense of his speech nor did he apprehend the vehemence of the verse; but he smote his forehead with his hand, in honour of the Cross drawn thereon and kissed it; then he couched his throw spear and ran at Sharrkan. But first he tossed the javelin with one hand in air to such height that it was lost to the spectators' sight; and, catching it with the other hand as do the jugglers, hurled it at Sharrkan. It flew from his grasp like a shooting star and folk clamoured and feared for Sharrkan; but, as the spear flew near him, he put out his hand and caught it in full flight to the amazement of all who saw the sight. Then he shook it with the hand that took it till it was well nigh broken, and hurled it so high into the welkin that it disappeared from view. As it descended, he caught it again with the other hand, in less than the twinkling of an eye, and cried out from his heart core, saying, &amp;quot;By the truth of Him who created the sevenfold skies, I will assuredly make this cursed wight a byword for mankind to despise!&amp;quot; Then threw he the throw spear at Luka, who thought to do as Sharrkan had done and put forth his hand to trend it in mid flight; but Sharrkan prevented him, and sped at him a second throw spear which smote him and the point fell on his forehead, in the very centre of the sign of the Cross, and Allah hurried his soul to the Fire and Dwelling place dire. But when the Infidels saw Luka bin Shamlut fall slain, they buffeted their faces and they cried, &amp;quot;Alas!&amp;quot; and &amp;quot;Woe worth the day!&amp;quot; and called for aid upon the Abbots of the monasteries,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Infidels saw Luka bin Shamlut fall slain, they buffeted their faces and cried, &amp;quot;Alas!&amp;quot; and &amp;quot;Woe worth the day!&amp;quot; and called upon the Abbots of the monasteries and cried, &amp;quot;Where be the crosses?&amp;quot; So the Religious offered up prayers and the Christians all drew together against Sharrkan; and, brandishing their scymitars and lances, rushed forward to the attack. Then army met army and breasts fell under hoof, whilst spear and sword ruled the day and forearms and wrists grew weak and the coursers seemed created without legs; nor did the herald of-war cease calling to fight, till arms were aweary and day took flight and night came on with darkness dight. So the two hosts drew apart, whilst every brave staggered like a drunken knave, for that with so much cut and thrust they strave; and the place was choked with the slain; fell were the wounds and the hurt knew not by whom they fell. Then Sharrkan joined his brother, Zau al-Makan, and the Chamberlain and the Wazir Dandan, and said to them, &amp;quot;Verily Allah hath opened a door for the Infidels to fall, praised be the Lord of the Worlds one and all!&amp;quot; Replied Zau al-Makan, &amp;quot;Let us never cease to praise Allah, for that He hath dispelled trouble from the Arab and the Ajam. Indeed the folk, generation after generation, shall tell of thy derring do against the accursed Luka, the falsifier of the Evangel; of thy catching the throng spear in mid-flight, and how the enemy of Allah among men thou didst smite; and thy fame shall endure until the end of time.&amp;quot; Then said Sharrkan, &amp;quot;Harkye, O grand Chamberlain and doughty Capitayne!&amp;quot; and he answered, &amp;quot;Adsum!&amp;quot; Quoth Sharrkan, &amp;quot;Take with thee the Wazir Dandan and twenty thousand horse, and lead them seven parasangs towards the sea, and force the march till ye shall have come near the shore, and there remain only two parasangs between thee and the foe. Then ambush ye in the hollows of the ground till ye hear the tumult of the Infidels disembarking from their ships; and the war cry from every side strike your ear and ye know that the sabres have begun labour between us and them; and, whenso ye see our troops falling back, as if defeated, and all the Infidels following them, as well those in front as those from the seaward and the tents, do ye still lie in wait for them: but as soon as ye see the standard with the words, There is no god but the God, and Mohammed is God's Apostle (on whom be salutation and salvation!), then up with the green banner, and do your endeavour and fall on their rear and shout, 'Alla ho Akbar! Allah is most Great!' and circle round that they may not interpose between the retreating army and the sea.&amp;quot; He replied, &amp;quot;To hear is to obey!&amp;quot;; and forthright they agreed upon this matter and they went forth. Now the Chamberlain took with himself the Wazir Dandan and twenty thousand men even as Sharrkan had commanded. As soon as dawned the morn, the troops sprung to horse when they had donned their armour gear and drawn the scymitar and slung the spear. Then the Christians dispread themselves over hill and dale and the Ecclesiasts cried out and all heads were bared, and those in the ships hoisted the Cross at their mast heads and began making for shore from every side, and landed their horses and get them ready for fight and fray, whilst the sword blades glittered bright and the javelins glanced like levee light on mail shirt white; and all joined fight and the grind mill of Death whirled round and ground those who fought from horse and aground: heads from bodies flew end tongues mute grew and eyes no vision knew. Scymitars strave with utmost strain and heads flew over the battle plain; gall bladders crave and wrists were shorn in twain; steeds plashed in pools of gore and beards were gripped right sore; the host of Al-Islam called out, saying, &amp;quot;On the Prince of Mankind be blessings and peace, and to the Compassionate glory and praise, which ne'er shall cease, for His boons which aye increase;&amp;quot; and the host of the Infidels shouted, &amp;quot;Glory to the Cross and the Belt and the vine press juice, and the wine presser and the Priests and the Monks and the Festival of Palms and the Metropolitan!&amp;quot; Now Zau al-Makan and Sharrkan held back and their troops gave way and feigned flight from before the enemy, while the Infidel array pressed hard upon them deeming them in rout, and made ready to foin and hew. Then the meiny of the Moslems raised their voices, reciting the first verses of the Chapter of the Cow, whilst the dead were trampled under hoofs of steeds, and the heralds of the Greeks cried out, &amp;quot;Ho, servants of the Messiah! Ho, people of the True Faith! Ho, followers of the Primate! Verily Divine grace upon you opes; for see, the hosts of Al Islam like birds with broken wings incline to elope! So turn ye not to them your backs, but let your swords cleave deep in their necks and hold not your hands from them, else are ye outcasts from the Messiah, Mary's son, who spoke even when a cradled one!&amp;quot; Now Afridun, King of Constantinople, deemed that the Infidels were victorious, knowing not that this was but a clever stratagem of the Moslems, and sent to King Hardub of Roum congratulations on success, adding, &amp;quot;Availed us naught but the Holy Merde of the Arch Patriarch, whose fragrance exhaled from the beards and mustachios of the slaves of the Cross near and far; and I swear, by the Miracles of the Messiah; and by thy daughter Abrizah, the Nazarene, the Mariolater; and by the Waters of Baptism, that I will not leave upon the earth a single defender of Al- Islam! And to the bitter end will I carry out this plan.&amp;quot; So the messenger betook himself with the address to King Hardub, whilst the Infidels called to one another saying, &amp;quot;Take we vengeance wreak for Luka!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Infidels called to one another, saying, &amp;quot;Take we vengeance wreak for Luka!&amp;quot; while Hardub King of Greece cried aloud, &amp;quot;Ho, to our revenge for Abrizah!&amp;quot; Thereupon King Zau al-Makan shouted &amp;quot;Ho, servants of the Requiting King!: smite the children of denial and disobedience with the blanch of sword and the brown of spear!&amp;quot; So the Moslems returned to the Infidels and plied them with the keen edged scymitar, whilst their herald cried aloud, &amp;quot;Up, and at the foes of the Faith, all ye who love the Prophet Elect, with hope of salvation on the Day of Fear, to win favour of the Bountiful, the Forgiving One; for verily the Garden of Paradise is under the shadow of swords!&amp;quot; And behold, Sharrkan and his men charged down upon the Infidels and cut off their retreat and wheeled and tourneyed among the ranks; when lo! a knight of goodly presence opened a passage through the army of Unbelievers and circled hither and thither amongst the Deniers, cutting and thrusting and covering the ground with heads and trunks, so that the Faithless feared him and their necks bent under his lunge and hew. He was girt with two swords, his glances and his brand, and he was armed with two lances, one of bamboo cane and the other his straight wand like shape; and his flowing hair stood him in stead of many warriors, even as saith the poet,&#xA;&#xA;&amp;quot;Laud not long hair, except it be dispread * In two fold&#xA;            locks, on day of fight and fray,&#xA;O'er youth who bears his lance 'twixt flank and thigh, * From&#xA;             many a whis kered knight to win the day.&amp;quot;&#xA;And as singeth another,&#xA;&#xA;&amp;quot;I say to him, what while he slings his sword, * 'For sword shall&#xA;             serve those looks that sword like show!'&#xA;Says he, 'My sabre looks for those I love, * My sword for those&#xA;             who sweets of love unknow!'&amp;quot;&#xA;&#xA;When Sharrkan saw him, he said to him, &amp;quot;I conjure thee by the Koran and the attributes of the Compassionate One, O Champion of the Champions! tell me who thou art: for verily by thy deeds this day thou hast pleased the Requiting King, whom one thing distracteth not from other thing; in that thou hast been discomforting the children of impiety and in rebellion revelling.&amp;quot; Then cried the Cavalier to him saying, &amp;quot;Thou art he who madest brother covenant with me but yesterday: how quickly thou hast forgotten me!&amp;quot; Thereupon he withdrew his mouth veil, so that what was hidden of his beauty was disclosed, and lo! it was none other than Zau al-Makan. Then Sharrkan rejoiced in his brother, save that he feared for him the rush of fighting and the crush of braves a smiting; and this for two reasons, the first, his tender age and exposure to the evil eye, and the second, that his safety was to the kingdom the greater of the two overshadowing wings. So he said to him, &amp;quot;O King! thou riskest thy life, so join thy steed to mine; in very sooth I fear for thee from the foe; and better thou stint hazarding thyself forth of these squadrons, that we may shoot at the enemy thine unerring shaft.&amp;quot; Quoth Zau al-Makan, &amp;quot;I desire to even thee in fray and I will not be niggard of myself before thee in the melay.&amp;quot; Then the host of Al-Islam, heaping itself upon the Infidels, girt them on all sides, warred on them a right Holy War, and brake the power of the children of impiety and pride and stowre. But King Afridun sighed when he saw the evil wreak that had fallen on the Greek, and they turned their backs from fight and addressed themselves to flight, making for the ships, when lo! there came out upon them from the seacoast another host, led by the Minister Dandan, the champion who was wont to make champions bite the dust, and to lay load on them with cut and thrust. Nor less came forth the Emir Bahram, Lord of the Provinces of Sham, amid twenty thousand horse doughty of arm; and the host of Al-Islam pressed them in front and on flank and wrought them grievous harm. Then a body of the Moslems turned against those who in the ships remained, and perdition on them rained, till they threw themselves into the main, and they slew of them many slain, more than a hundred thousand noblemen, nor was one of their champions, great or small, saved from bale and bane. Moreover, they took their ships, with all the money and treasure and cargo, save a score of keel, and the Moslems got that loot whose like was never gotten in by gone years; nor was such cut and thrust ever heard of by men's ears. Now amongst the booty were fifty thousand horses, besides treasure and spoil past reckoning and arithmetic, whereat the Moslems rejoiced with an exceeding joy for that Allah had given them victory and protection. Such was the case with them; but as regards the fugitive Infidels they soon reached Constantinople, whither the tidings preceded them that King Afridun had prevailed over the Moslems; so quoth the ancient dame, Zat al-Dawahi, &amp;quot;I know that my son Hardub, King of Roum, is no runagate and that he feareth not the Islamitic hosts, but will restore the whole world to the Nazarene faith.&amp;quot; Then she bade the Great King, Afridun, give command that the city be decorated, and the people held festival high and drank their wines drunkenly and knew not the decrees of Destiny. Now whilst they were in the midst of their rejoicings, behold, the raven of dule and downfall croaked over them, and up came the twenty fugitive ships wherein was the King of Cæsarea. So King Afridun, Lord of Constantinople, met them on the sea shore, and they told him all that had befallen them from the Moslem, and they wept sore and groaned and moaned; and rejoicing at weal was turned into dismay for unheal; and they informed him concerning Luka son of Shamlut, how calamity had betided him and how Death had shot him with his shaft. Thereat the horrors of Doomday rose upon King Afridun, and he knew that there was no making straight their crook. Then came up from them the sound of weeping and wailing; the city was full of men mourning and the keepers were keening, and sighs and cries were heard from all sides. And when King Hardub of Greece met King Afridun he told him the truth of the case and how the flight of the Moslems was by way of stratagem and deceit, and said to him, &amp;quot;Look not to see any of the army, save those who have already reached thee.&amp;quot; When King Afridun heard these words he fell down in a fainting fit, with his nose under his feet; and, as soon as he revived, he exclaimed, &amp;quot;Surely the Messiah was wroth with them that he caused the Moslems to prevail over them!&amp;quot; Then came the Arch Patriarch sadly to the King who said to him, &amp;quot;O our father, annihilation hath overtaken our army and the Messiah hath punished us!&amp;quot; Replied the Patriarch, &amp;quot;Grieve not nor feel concerned, for it cannot be but that one of you have sinned against the Messiah, and all have been punished for his offence; but now we will read prayers for you in the churches, that the Mohammeden hosts may be repelled from you.&amp;quot; After which the old woman, Zat al-Dawahi, came to Afridun and said to him, &amp;quot;O King, verily the Moslem hosts are many, and we shall never overcome them save by wile: wherefore I purpose to work upon them by guile and repair to this army of Al-Islam, haply I may win my wish of their leader and slay their champion, even as I slew his father. If my stratagem succeed in his case, not one of the host he leads shall return to his native land, for all are strong only because of him; but I desire to have some Christian dwellers of Syria, such as go out every month and year to sell their goods, that they may help me (for this they can do) in carrying out my plan.&amp;quot; Replied the King, &amp;quot;Be it so whenever thou wilt.&amp;quot; So she bade fetch an hundred men, natives of Najrán, in Sham, and the King asked them, &amp;quot;Have ye not heard what hath befallen the Christians with the Moslems?&amp;quot; &amp;quot;Yes,&amp;quot; answered they; and he rejoined, &amp;quot;Know ye that this woman hath devoted her life to the Messiah and purposeth to go forth with you, disguised as Monotheists and Mohammedans, to work out a device which shall profit us and hinder the Moslem from us: say, then, are ye also willing to devote yourselves to the Anointed and I will give you a quintal of gold? He of you who escapeth shall have the money, and him of you who dieth will the Messiah reward.&amp;quot; &amp;quot;O King,&amp;quot; replied they, &amp;quot;we will devote our lives to the Messiah, and we will be thy sacrifice.&amp;quot; Thereupon the old woman took all she required of aromatic roots and placed them in water which she boiled over the fire till the black essence of them was extracted. She waited till the decoction was cold, then dipped the corner of a long kerchief therein and stained her face therewith. Moreover, she donned over her clothes a long gaberdine with an embroidered border and took in her hand a rosary, and afterwards went in to King Afridun, who knew her not, nor did any of his companions know her, till she discovered herself to them: and there was none in the assembly but who thanked and praised her for her cunning; and her son rejoiced and said, &amp;quot;May the Messiah never fail thee!&amp;quot; Thereupon she took with her the Syrian Christians, and set out for the army of Baghdad.— And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Afridun heard these words, he fell into a fainting fit with his nose under his feet; and, as soon as he revived, fear fluttered the scrotum below his belly and he complained to the ancient dame, Zat al-Dawahi. Now this accursed old woman was a witch of the witches, past mistress in sorcery and deception; wanton and wily, deboshed and deceptious; with foul breath, red eyelids, yellow cheeks, dull brown face, eyes bleared, mangy body, hair grizzled, back humped, skin withered and wan and nostrils which ever ran. But she had studied the scriptures of Al-Islam and had made the Pilgrimage to the Holy House of Meccah and all this that she might come to the knowledge of the Mohammedan ordinances and the miraculous versets of the Koran; and she had professed Judaism in the Holy City of Jerusalem for two years' space, that she might master the magic of men and demons; so that she was a plague of plagues and a pest of pests, wrong headed as to belief and to no religion fief. Now the chief reason of her sojourn with her son, King Hardub of Greece, was on account of the slave virgins at his court: for she was given to tribadism and could not exist without sapphism or she went mad: so if any damsel pleased her, she was wont to teach her the art of rubbing clitoris against clitoris and would anoint her with saffron till she fainted away for excess of volupty. Whoso obeyed her she was wont to favour and make her son incline towards her; but whoso repelled her she would contrive to destroy; and so she abode for a length of time. This was known to Marjanah and Rayhánah and Utrijah, the handmaids of Abrizah, and their Princess loathed the old woman and abhorred to lie with her, because of the rank smell from her armpits, the stench of her fizzles more fetid than carrion, and the roughness of her hide coarser than palm fibre. She was wont to bribe those who rubbed parts with her by means of jewels and instructions; but Abrizah held aloof from her and sought refuge with the Omnipotent, the Omniscient; for, by Allah, right well quoth the poet,&#xA;&#xA;&amp;quot;Ho thou who grovellest low before the great * Nor over fording&#xA;             lesser men dost blench&#xA;Who gildest dross by dirham gathering, * No otter scent disguises&#xA;             carrion stench!&#xA;&#xA;And now to return to the story of her stratagem and the woes of her working. Presently she departed, taking the chief Nazarenes with their hosts, and turned towards the army of the Moslems. Whereupon King Hardub went in to King Afridun and said to him, &amp;quot;O King, we have no need of the Chief Patriarch nor of his prayers, but will consult my mother's counsel and observe what she will do with her craft unending against the Moslem hosts; for these are marching with all their power, they will soon be upon us and they will encircle us on all sides.&amp;quot; When King Afridun heard this, terror took hold upon his heart and he wrote letters, without stay or delay, to all the nations of the Nazarenes, saying, &amp;quot;It behoveth none of the Messiahites or Cross knights to hold back, especially the folk of the strongholds and forts: but let them all come to us, foot and horse, women and children, for the Moslem hosts already tread our soil. So haste! haste ye! ere what we fear to us here appear.&amp;quot; Thus much concerning them; but regarding the work of the old woman, Zat al-Dawahi; when she went forth from the city with her suite, she clad them in the clothing of Moslem merchants, having provided herself with an hundred mules carrying stuffs of Antioch, such as goldwoven satins and royal brocades and so forth. And she had taken a letter from King Afridun to the following effect: &amp;quot;These be merchantmen from the land of Sham who have been with us: so it besitteth none to do them harm or hindrance, nor take tax and tithe of them, till they reach their homes and safe places, for by merchants a country flourisheth, and these are no men of war nor of ill faith.&amp;quot; Then quoth the accursed Zat al-Dawahi to those with her, &amp;quot;Verily I wish to work out a plot for the destruction of the Moslem.&amp;quot; Replied they, &amp;quot;O Queen, command us whatso thou wilt; we are at thy disposal and may the Messiah never disappoint thy dealings!&amp;quot; Then she donned a gown of fine white wool and rubbed her forehead, till she made a great mark as of a scar and anointed it with an ointment of her own fashion, so that it shone with prodigious sheen. Now the old hag was lean bodied and hollow eyed, and she bound her legs tightly round with cords just above her feet, till she drew near the Moslem camp, when she unwound them, leaving their marks deeply embedded in her ankles. Then she anointed the wheels with dragon's blood and bade her companions beat her with a severe beating, and set her in a chest and, quoth she, &amp;quot;Cry abroad the Refrain of Unity, nor fear from it aught of damage!&amp;quot; Replied they, &amp;quot;How can we beat thee, who be our sovereign lady, Zat al-Dawahi, mother of the King we glory in?&amp;quot; Then said she, &amp;quot;We blame not nor deal reproach to him who goeth to the jakes, and in need evil becometh good deed. When ye have set me in the chest, take it and make it one of the bales and place it on mule back and fare forth with it and the other goods through the Moslem camp, and fear ye no blame. And if any of the Moslems hinder you, give up the mules and their lading and be take yourselves to their King, Zau al-Makan, and implore his protection saying, 'We were in the land of the Infidels and they took nothing from us, but wrote us a passport, that none shall do us hindrance or work our mischance.' If he ask you, 'What profit had ye of your property in the land of Roum?' answer him, 'We profited in the deliverance of a pious man, who had been bound down in an underground cell nigh fifteen years, crying out for help yet none helped him. Nay, the Infidels tortured him night and day. We knew not this; but, after we had tarried in Constantinople for some time, having sold our goods and bought others in their stead, we determined on and made ready for a return to our native land. We spent that night conversing about our journey and when day broke, we saw figured upon the wall a human form and as we drew nigh it, behold, it moved and said, 'O Moslems, is there amongst you one who is minded to woo the favour of the Lord of the three Worlds?' 'How so?' asked we; and the figure answered, 'Know that Allah hath made me speak to you, to the intent that your faith be fortified, and that your belief embolden you and that you may go forth of the country of the Infidels and repair to the Moslem host; for with them wones the Sword of the Com passionate One, of our Age the Champion, King Sharrkan, by whom He shall conquer Constantinople town and destroy the sect of the Nazarene. And when ye shall have journeyed three days, you will find an hermitage known as the Hermitage of the ascetic Matruhina and containing a cell; visit it with pure intent and contrive to arrive there by force of will, for therein is a Religious from the Holy City, Jerusalem, by name Abdullah, and he is one of the devoutest of mankind, endowed with the power of working saintly miracles such as dispel doubts and obscurity. Certain of the monks seized him by fraud and shut him up in a souterrain where he hath lain a long time. By his deliverance you will please the Lord of Faithful Men, for such release is better than fighting for the Faith.'&amp;quot; Now when the ancient dame and those with her had agreed upon such words, she said, &amp;quot;As soon as that which I impart shall reach the ears of King Sharrkan, say him further, 'Hearing this from that image we knew that the holy man'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the old woman, Zat al-Dawahi, and those with her had agreed upon such words, she said, &amp;quot;Now as soon as that which I impart shall reach the ears of King Sharrkan say him further, 'Hearing these words from that image we knew that the holy man was indeed of the chiefest devotees and Allah's servants of purest qualities; so we made three days' march till we came in sight of that hermitage, and then we went up to it and passed the day in buying and selling, as is the wont of merchants. As soon as day had departed our sight and night was come to darken light, we repaired to the cell wherein was the dungeon, and we heard the holy man, after chanting some verses of the Koran, repeat the following couplets,&#xA;&#xA;'My heart disheartened is, my breast is strait, * And sinks my&#xA;            soul in sea of bale and bate&#xA;Unless escape be near I soon shall die; * And Death were better&#xA;             than this doleful strait:&#xA;O Lightning an thou light my home and folk, * An their still&#xA;             brighter charms thy shine abate,&#xA;Say, what my path to meet them, being barred * By wars, and&#xA;             barricado'd succour's gate?'&#xA;&#xA;&amp;quot;When once ye have brought me into the Moslem camp, and I mix with them you shall see,&amp;quot; the old woman continued, &amp;quot;how I will make shift to beguile them and slay them all, even to the last man.&amp;quot; The Nazarenes hearing whet she said, kissed her hands and set her in the chest, after they had beaten her with a grievous beating in obedience to her commands, for they saw it was incumbent on them to do her bidding in this; then they all made for the Moslem host as hath erst been said. Such was the case with the damned hag, Zat al-Dawahi and her companions; but as regards the Mohammeden army, they indeed, after Allah had given them victory over their enemies and they had plundered everything in the ships of money and hoards, all sat down to converse with one another and Zau al-Makan said to his brother Sharrkan, &amp;quot;Verily, Allah hath granted us to prevail because of our just dealing and discipline and concord amongst ourselves; wherefore continue, O Sharrkan, to obey my commandment, in submission to Allah (be He exalted and extolled!), for I mean to slay ten Kings in blood revenge for my sire, to cut the throat of fifty thousand Greeks and to enter Constantinople.&amp;quot; Replied Sharrkan, &amp;quot;My life be thy ransom against death! Needs must I follow out the Holy War, though I wone many a year in their country. But I have, O my brother, in Damascus a daughter, named Kuzia Fakan, whom I love heartily for she is one of the marvels of the time and she will soon be of age.' Said Zau al-Makan, &amp;quot;And I also have left my wife with child and near her time, nor do I know what Allah will vouchsafe me by her. But promise me, O my brother, that if Allah bless me with a son, thou wilt grant me thy daughter for wife to him, and make covenant with me and pledge me thy faith thereon.&amp;quot; &amp;quot;With love and good will, replied Sharrkan; and, stretching out his hand to his brother, he said, If she bring thee a son, I will give him my daughter Kuzia Fakan, to wife.&amp;quot; At this Zau al-Makan rejoiced, and they fell to congratulating each other on the victory over the enemy. And the Wazir Dandan also congratulated the two brothers and said to them, &amp;quot;Know, O ye Kings, that Allah hath given us the victory, for that we have devoted our lives to Him (be He exalted and ex tolled!); and we have left our homes and households; and it is my counsel that we follow up the foe and press upon him and harass him, so haply Allah shall enable us to win our wishes, and we shall destroy our enemies, branch and root. If it please you, do ye go down in these ships and sail over the sea, whilst we fare forward by land and bear the brunt of battle and the thrust of fight.&amp;quot; And the Minister Dandan ceased not to urge them to combat and repeated his words who said,&#xA;&#xA;&amp;quot;To slay my foes is chiefest bliss I wist, * And on the courser's&#xA;            back be borne a list;&#xA;Comes promising tryst a messenger from friend * Full oft, when&#xA;            comes the friend withouten tryst.&amp;quot;&#xA;And these words of another,&#xA;&#xA;&amp;quot;War for my mother (an I live) I'll take; * Spear for my brother;&#xA;           scymitar for sire&#xA;With every shag haired brave who meets his death * Smiling, till&#xA;           won from Doom his dear desire!&amp;quot;&#xA;&#xA;And when the Wazir ended his verses, he said, &amp;quot;Praise be to Him who aided us dear victory to uphold and who hath given us spoil of silver and fine gold!&amp;quot; Then Zau al-Makan commanded the army to depart; and they fared on forcing their marches for Constantinople, till they came to a wide and spacious champaign, full of all things fair and fain, with wild cattle frisking and gazelles pacing to and fro across the plain. Now they had traversed great deserts and drink had been six days cut off from them, when they drew near this meadow and saw therein waters founting and ripe fruits daunting and that land as it were Paradise; for it had donned its adornments and decked itself. Gently waved the branches of its trees drunken with the new wine of the dew, and combined with the nectar of Tasnim the soft breathings of the morning breeze. Mind and gazer were confounded by its beauty, even as saith the poet,&#xA;&#xA;&amp;quot;Behold this lovely garden! 'tis as though * Spring o'er its&#xA;           frame her greeny cloak had spread.&#xA;Looking with fleshly eyne, thou shalt but sight * A lake whose&#xA;            waters balance in their bed,&#xA;But look with spirit eyes and lo! shalt see * Glory in every&#xA;           leaf o'erwaves thy head.&amp;quot;&#xA;&#xA;And as another saith,&#xA;&#xA;&amp;quot;The stream's a cheek by sunlight rosy dyed, * Whose down&#xA;          is creeping shade of tamarisk stems&#xA;Round legs of tree trunks waveless roll in rings * Silvern, and&#xA;           blossoms are the diadems.&amp;quot;&#xA;&#xA;When Zau al-Makan saw this champaign, with its trees bowing and its flowers blooming and its birds warbling, he called to his brother Sharrkan and said, &amp;quot;O my brother, verily in Damascus is naught the like of this place. We will not march from it save after three days, that we may take rest ourselves and that the army of Al-Islam may regain strength and their souls be fortified to encounter the blamed Infidels.&amp;quot; So they halted therein and while camping behold, they heard a noise of voices from afar, and Zau al-Makan asked the cause thereof, and was answered that a caravan of merchants from the Land of Syria had halted there to rest and that the Moslem troops had come on them and had haply seized something of the goods which they had brought from the country of the Infidels. After a while up came the merchants, crying out and appealing to the King for aidance. When Zau al- Makan saw this, he bade them be brought before him and, when in presence they said to him, &amp;quot;O King, we have been in the country of the Infidels and they plundered us of nothing: why then do our brothers the Moslems despoil our goods, and we in their own land? Of a truth when we saw your troops, we went up to them and they robbed us of what we had with us and we have now reported to thee all that hath befallen us.&amp;quot; Thereupon they brought out to him the letter of the King of Constantinople, and Sharrkan read it and said, &amp;quot;We will presently restore to you what hath been taken from you; but yet it behoveth you not to carry merchandise to the country of the Infidels.&amp;quot; Replied they, &amp;quot;O our Lord, in very sooth Allah despatched us thither that we might win what Gházi never won the like of, not even thou in all thy razzias.&amp;quot; Asked Sharrkan, &amp;quot;What was it ye won?&amp;quot; &amp;quot;O King,&amp;quot; answered they, &amp;quot;we will not tell thee save in private; for if this matter be noised among the folk, haply it may come to the ears of some, and this will be the cause of our ruin and of the ruin of all Moslems who resort to the land of the Greeks.&amp;quot; Now they had hidden the chest wherein was the damned Zat al- Dawahi. So Zau al-Makan and his brother brought them to a private place, where they laid bare to both of them the story of the devotee, and wept till they made the two Kings weep.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Nazarenes who wore merchants' weed, when brought to a private place by Zau al-Makan and his brother Sharrkan, laid bare to both of them the story of the devotee and wept till they made the two Kings weep and repeated to them all which had been taught by the old witch Zat al-Dawahi. Thereupon Sharrkan's heart yearned to the devotee and he was moved to ruth for him and was fired with zeal for the service of Almighty Allah. So quoth he to them, &amp;quot;Did ye rescue this holy man or is he still in the hermitage?&amp;quot; Quoth they, &amp;quot;We delivered him and slew the hermit, fearing for our lives; after which we made haste to fly for dread of death; but a trusty man told us that in this hermitage are quintals of gold and silver and stones of price.&amp;quot; Then they fetched the chest and brought out the accursed old woman, as she were a cassia pod for excess of blackness and leanness, and she was laden with the same fetters and shackles. When Zau al-Makan and the bystanders saw her, they took her for a man of the best of Allah's devotees and surpassing in pious qualities, more especially because of the shining of her forehead for the ointment wherewith she had anointed her face. So Zau al-Makan and Sharrkan wept sore; then they rose up in honour and kissed her hands and feet, sobbing aloud: but she signed to them and said, &amp;quot;Cease this weeping and hear my words. Hereat they dried their tears in obedience to her bidding, and she said, &amp;quot;Know ye both that I was content to accept what my Lord did unto me, for I kenned that the affliction which befel me was a trial from Him (be He exalted and extolled!); and whoso hath not patience under calamity and tribulation, for him there is no coming to the delights of Paradise. I had indeed supplicated Him that I might return to my native land, not as a compensation for the sufferings decreed to me, but that I might die under the horse hoofs of warriors fighting for the Faith who, being slain in fray, live again without suffering death.&amp;quot; Then she repeated the following couplets,&#xA;&#xA;&amp;quot;Our Fort is Tor, and flames the fire of fight: * Moses&#xA;            art thou and this is time for aid:&#xA;Cast down thy rod, 'twill swallow all they wrought, * Nor dread&#xA;            for men their ropes be vipers made.&#xA;For Chapters read on fight day lines of foes, * And on their&#xA;            necks 'grave versets wi' thy blade!&amp;quot;&#xA;&#xA;When the old woman had ended her verse, her eyes overflowed with tears and her forehead under the unguent shone like gleaming light, and Sharrkan rose and kissed her hand and caused food be brought before her: but she refused it, saying, &amp;quot;I have not broken my fast by day for fifteen years; and how should I break it at such a time when my Lord hath been bountiful to me in delivering me from the captivity of the Infidels and removing from me that which was more grievous to me than torment of fire? I will wait till sun down.&amp;quot; So when it was nightfall, Sharrkan and Zau al-Makan came and served her with food and said, &amp;quot;Eat, O ascetic!&amp;quot; But she said, &amp;quot;This is no time for eating; it is the time for worshipping the Requiting King.&amp;quot; Then she stood up in the prayer niche and remained praying till the night was spent; and she ceased not to do after this fashion for three days and nights, sitting not but at the time of the Salám or salutation ending with several prayers. When Zau al- Makan saw her on this wise, firm belief in her get hold of his heart and he said to Sharrkan, &amp;quot;Cause a tent of perfumed leather to be pitched for this Religious, and appoint a body servant to wait upon him.&amp;quot; On the fourth day she called for food; so they brought her all kinds of meats that could seduce the sense or delight the sight; but of all this she would eat only a scone with salt. Then she again turned to her fast and, as the night came, she rose anew to pray; when Sharrkan said to Zau al-Makan, &amp;quot;Verily, this man carrieth renunciation of the world to the extreme of renouncing, and, were it not for this Holy War, I would join myself to him and worship Allah in his service, till I came before His presence. And now I desire to enter his tent and talk with him for an hour.&amp;quot; Quoth Zau al-Makan, &amp;quot;And I also: tomorrow we sally forth to fight against Constantinople, and we shall find no time like the present.&amp;quot; Said the Wazir Dandan, &amp;quot;And I no less desire to see this ascetic; haply he will pray for me that I find death in this Holy War and come to the presence of my Lord, for I am aweary of the world.&amp;quot; So as soon as night had darkened, they repaired to the tent of that witch, Zat al-Dawahi; and, seeing her standing to pray, they drew near her and fell a weeping for pity of her; but she paid no heed to them till midnight was past, when she ended her orisons by pronouncing the salutation. Then she turned to them and after wishing them long life, asked them &amp;quot;Wherefore come ye?&amp;quot;, whereto they answered, &amp;quot;O thou holy man! diddest thou not hear us weep around thee?&amp;quot; She rejoined, &amp;quot;To him who standeth in the presence of Allah, remaineth no existence in time, either for hearing any or for seeing aught about him.&amp;quot; Quoth they, &amp;quot;We would have thee recount to us the cause of thy captivity and pray for us this night, for that will profit us more than the possession of Constantinople.&amp;quot; Now when she heard their words she said, &amp;quot;By Allah, were ye not the Emirs of the Moslems, I would not relate to you aught of this at any time; for I complain not but to Allah alone. However, to you I will relate the circumstances of my captivity. Know, then, that I was in the saintly City of Jerusalem with certain ecstatics and inspired men, and did not magnify myself among them, for that Allah (be He exalted and extolled!) had endowed me with humility and abnegation, till I chanced to go down to the sea one night and walked upon the water. Then entered into me pride; whence I know not, and I said to myself, 'Who like me can walk the water?' And my heart from that time hardened and Allah afflicted me with the love of travel. So I journeyed to Roum land and visited every part for a whole year, and left no place but therein I worshiped Allah. When I came to this spot, I clomb the mountain and saw there an hermitage, inhabited by a monk called Matrubina, who, when he sighted me, came out and kissed my hands and feet and said, 'Verily, I have seen thee since thou enteredst the land of the Greeks, and thou hast filled me with longing for the land of Al-Islam.' Then he took my hand and carried me into that hermitage, and brought me to a dark room; and, when I entered it unawares, he locked the door on me and left me there forty days, without meat or drink; for it was his intent to kill me by delay. It chanced one day, that a Knight called Dakianús came to the hermitage, accompanied by ten squires and his daughter Tamásil, a girl whose beauty was incom parable. When they entered that hermitage, the monk Matruhina told them of me, and the Knight said, 'Bring him out, for surely there is not on him a bird's meal of meat.' So they opened the door of the dark room and found me standing in the niche, praying and reciting the Koran and glorifying Allah and humbling myself before the Almighty. When they saw me in this state Matrohina exclaimed, 'This man is indeed a sorcerer of the sorcerers!'; and hearing his words, they all came in on me, Dakianus and his company withal, and they beat me with a grievous beating, till I desired death and reproached myself, saying, 'This is his reward who exalteth himself and who prideth himself on that which Allah hath vouchsafed to him, beyond his own competence! And thou, O my soul, verily self esteem and arrogance have crept into thee. Dost thou not know that pride angereth the Lord and hardeneth the heart and bringeth men to the Fire?' Then they laid me in fetters and returned me to my place which was the dungeon under ground. Every three days, they threw me down a scone of barley bread and a draught of water; and every month or two the Knight came to the hermitage. Now his daughter Tamasil had grown up, for she was nine years old when I first saw her, and fifteen years passed over me in captivity, so that she had reached her four and twentieth year. There is not in our land nor in the land of the Greeks a fairer than she, and her father feared lest the King take her from him; for she had vowed herself to the Messiah and rode with Dakianus in the habit of a cavalier, so that albeit none might compare with her in loveliness, no one who saw her knew her for a woman. And her father had laid up his monies in this hermitage, every one who had aught of price or treasured hoard being wont to deposit it therein; and I saw there all manner of gold and silver and jewels and precious vessels and rarities, none may keep count of them save Almighty Allah. Now ye are worthier of these riches than those Infidels; so lay hands on that which is in the hermitage and divide it among the Moslems and especially on fighters in the Holy War. When these merchants came to Constantinople and sold their merchandise, that image which is on the wall spoke to them, by grace of a marvel which Allah granted to me; so they made for that hermitage and slew Matruhina, after torturing him with most grievous torments, and dragging him by the beard, till he showed them the place where I was; when they took me and found no path but flight for dread of death. Now tomorrow night Tamasil will visit that hermitage as is her habit, and her father and his squires will come after her, as he feareth for her; so, if ye would witness these things, take me with you and I will deliver to you the monies and the riches of the Knight Dakianus which be in that mountain; for I saw them bring out vessels of gold and silver to drink therefrom, and I heard a damsel of their company sing to them in Arabic and well-away! that so sweet a voice should not be busied in chaunting the Koran. If, then, ye will; enter into that hermitage and hide there against the coming of Dakianus and his daughter; and take her, for she is fit only for the King of the Age, Sharrkan, or King Zau al-Makan.&amp;quot; Thereat they all rejoiced with the exception of the Wazir Dandan, who put scant faith in her story, for her words took no hold on his reason, and signs of doubt in her and disbelief showed in his face. Yet he was confounded at her discourse, but he feared to speak with her for awe of the King. Then quoth the ancient dame, Zat al-Dawahi, &amp;quot;Verily, I fear lest the Knight come and, seeing these troops encamped in the meadow, be afraid to enter the hermitage.&amp;quot; So Zau al-Makan ordered the army to march upon Constantinople and said, &amp;quot;I have resolved to take with me an hundred horse and many mules and make for that mountain, where we will load the beasts with the monies which be in the hermitage.&amp;quot; Then he sent at once for the Chief Chamberlain whom they brought into the presence; and he summoned likewise the leaders of the Turks and Daylamites and said, &amp;quot;As soon as it is dawn, do ye set forth for Constantinople; and thou, O Chamberlain, shalt take my place in council and contrivance, while thou, O Rustam, shalt be my brother's deputy in battle. But let none know that we are not with you and after three days we will rejoin you.&amp;quot; Then he chose out an hundred of the doughtiest riders, and he and Sharrkan and the Minister Dandan set out for the hermitage, and the hundred horsemen led the mules with chests for transporting the treasure.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan and his brother, Zau al-Makan and the Wazir Dandan set off with an hundred horse for the hermitage described to them by that accursed Zat al-Dawahi, and they took with them mules and chests for transporting the treasure. Now as soon as dawned the morn, the Chamberlain signalled to the host an order for departure, and they set out thinking that the two Kings and the Wazir were with them; knowing not that the three had made for the monastery. Such was the case with the host, but as regards the two Kings and the Minister, they tarried in their place till the end of that day. Now the Infidels who were with Zat al-Dawahi took their departure privily, after they had gone in to her and kissed her hands and feet and obtained her leave to march. So she not only gave them permission but also taught them all she minded of wile and guile. And when it was dark night, she arose and went in to Zau al-Makan and his companions and said to them, &amp;quot;Come, let us set out for the mountain, and take with you a few men at arms.&amp;quot; They obeyed her and left five horsemen at the foot of the mountain, whilst the rest rode on before Zat al-Dawahi, who gained new strength for excess of joy, so that Zau al-Makan said, &amp;quot;Glory be to Him who sustaineth this holy man, whose like we never saw!&amp;quot; Now the witch had written a letter to the King of Constantinople and despatched it on the wings of a bird, acquainting him with what had passed and ending, &amp;quot;I wish thee to send me ten thousand horsemen of the bravest of the Greeks and let them steal along the foot of the mountains with caution, lest the host of Al-Islam get sight of them; and, when they reach the hermitage, let them ambush themselves there, till I come to them with the Moslem King and his brother, for I shall inveigle them and will bring them thither, together with the Wazir and an hundred horse and no more, that I may presently deliver to them the crosses which be in the hermitage. I am resolved to slay the Monk Matruhina, since my scheme cannot be carried out but by taking his life. If my plot work well, not one of the Moslems shall return to his own country; no, not a living wight nor one who blows the fire alight; and Matruhina shall be a sacrifice for the followers of the Nazarene faith and the servants of the Cross, and praise be to the Messiah, first and last.&amp;quot; When this letter reached Constantinople, the keeper of the carrier pigeons carried it to King Afridun, who read it and forthwith inspected his host and equipped ten thousand cavaliers with horses and dromedaries and mules and provaunt and bade them repair to that hermitage and, after reaching the tower, to hide therein. Thus far concerning them; but as regards King Zau al-Makan and his brother Sharrkan and the Wazir Dandan and the escort, when they reached the hermitage they entered and met the Monk Matruhina, who came out to see who and what they were; whereupon quoth that pious man Zat al-Dawahi, &amp;quot;Slay this damned fellow.&amp;quot; So they smote him with their swords and made him drink the cup of death. Then the accursed old woman carried them to the place of offerings and ex votos, and brought out to them treasures and precious things more than she had described to them; and after gathering the whole together, they set the booty in chests and loaded the mules therewith. As for Tamasil, she came not, she or her father, for fear of the Moslems; so Zau al-Makan tarried there, awaiting her all that day and the next and a third, till Sharrkan said to him, &amp;quot;By Allah, I am troubled anent the army of Al-Islam, for I know not what is become of them.&amp;quot; His brother replied, &amp;quot;And I also am concerned for them: we have come by this great treasure and I do not believe that Tamasil or any one else will approach the hermitage, after that befel which hath befallen the host of the Christians. It behoveth us, then, to content ourselves with what Allah hath given us and depart; so haply He will help us conquer Constantinople.&amp;quot; Accordingly they came down from the mountain, while Zat al-Dawahi was impotent to oppose their march for fear of betraying her deceit; and they fared forwards till they reached the head of a defile, where the old woman had laid an ambush for them with the ten thousand horse. As soon as these saw the Moslems they encircled them from all sides, couching lance and baring the white sabre blade; and the Infidels shouted the watch word of their faithless Faith and set the shafts of their mischief astring. When Zau al-Makan and his brother Sharrkan and the Minister Dandan looked upon this host, they saw that it was a numerous army and said, &amp;quot;Who can have given these troops information of us?&amp;quot; Replied Sharrkan, &amp;quot;O my brother, this be no time for talk; this is the time for smiting with swords and shooting with shafts) so gird up your courage and hearten your hearts, for this strait is like a street with two gates; though, by the virtue of the Lord of Arabs and Ajams, were not the place so narrow I would bring them to naught, even though they were an hundred thousand men!&amp;quot; Said Zau al-Makan, &amp;quot;Had we wotted this we would have brought with us five thousand horse;&amp;quot; and the Wazir Dandan continued, &amp;quot;If we had ten thousand horse they had availed us naught in these narrows; but Allah will succour us against them. I know this defile and its straitness, and I know there be many places of refuge in it; for I have been here on razzia with King Omar bin al-Nu'uman, what while we besieged Constantinople. We abode in this place, and here is water colder than snow. So come, let us push out of this defile ere the Infidel host increase on us and get the start of us to the mountain top, whence they will hurl down rocks upon us, and we powerless to come at them.&amp;quot; So they began hurrying on to get out of those narrows; but the pious man, Zat al-Dawahi, looked at them and said, &amp;quot;What is it ye fear, ye who have vowed yourselves to the Lord, and to working His will? By Allah, I abode imprisoned underground for fifteen years, yet never gainsaid the Almighty in aught he did with me! Fight ye in Allah's way; so whoever of you is slain Paradise shall be his abode, and whoso slayeth, his striving shall be to his honour.&amp;quot; When they heard from the ascetic these words, their care and anxiety ceased from them and they stood firm till the Infidels charged down from all sides, whilst the swords played upon their necks and the cup of death went round amongst them. The Moslems fought for the service of Allah a right good fight, and wrought upon His foes with sway of sword and lunge of lance; whilst Zau al-Makan smote upon the men and garred the knights bite the dust and their heads from their bodies take flight, five by five and ten by ten, till he had done to death a number of them past numbering and an accompt beyond counting. Now while so doing, he looked at the accursed old woman who was waving her sword and heartening them, and all who feared fled to her for shelter; but she was also signing the Infidels to slay Sharrkan. So troop after troop rushed on him with design to do him die; but each troop that charged, he charged and drove back; and when another troop attacked him he repelled the assault with the sword in their backs; for he thought it was the devotee's blessing that gave him the vic tory, and he said in himself, &amp;quot;Verily on this holy men Allah looketh with eyes of His favour and strengtheneth my prowess against the Infidels with the purity of his pious intent: for I see that they fear me and cannot prevail against me, but every one who assaileth me turneth tail and taketh flight.&amp;quot; So they battled the rest of the day and, when night fell, the Moslems took refuge in a cave of that defile being weary with stress of war and cast of stone: and that day were slain of them five and forty. And when they were gathered together, they sought the devotee, but could find no trace of him; and this was grievous to them and they said, &amp;quot;Belike, he hath died a martyr.&amp;quot; Quoth Sharrkan, &amp;quot;I saw him heartening the horsemen with divine instances and using as talisman verses of Holy Writ.&amp;quot; Now while they were talking, behold, the accursed old woman, Zat al-Dawahi, stood before them, hending in hand the head of the Chief Captain of the ten thousand horse, a noble knight, a champion fierce in fight and a Satan for blight. One of the Turks had slain him with an arrow, and Allah hurried his soul to the fire; and when the Infidels saw what that Moslem had done with their leader, they all fell on him and wrought his bane and hewed him in pieces with their swords, and Allah hurried his soul to Heaven. Then the accursed old woman cut off that Knight's head and brought it and threw it at the feet of Sharrkan and Zau al-Makan and the Wazir Dandan. Now when Sharrkan sew her, he sprang up hastily before her and exclaimed, &amp;quot;Praised be Allah for thy safety and for our sighting thee, O holy man and devout champion of the Religion!&amp;quot; Replied she, O my son, I have sought martyrdom this day, and have thrown my life away amid the Infidel array, but they feared me with dismay. When ye dispersed, I waxed jealous for your honour; so I rushed on the Chief Knight their leader, albeit he was a match for a thousand horse, and I smote him till I severed head from trunk. Not one of the Infidels could near me; so I brought his head to you,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the damned witch, Zat al-Dawahi, took the head of the Knight, the leader of the twenty thousand Infidels, she brought it and threw it down before Zau al-Makan and his brother Sharrkan and the Wazir Dandan, saying, &amp;quot;When I saw your condition, I waxed jealous for your honour; so I rushed on the Chief Knight and smote him with the sword till I severed head from trunk. And none could near me, so I brought his head to you, that you may be strengthened in Holy War and work out with your swords the will of the Lord of the Faithful. And now I purpose leaving you to strive against the Infidels, whilst I go to your army, though they be at the gates of Constantinople, and return with twenty thousand horse to destroy these Unfaithfuls.&amp;quot; Quoth Sharrkan, &amp;quot;How wilt thou pass to them, O thou holy man, seeing that the valley is blocked up on all sides by the Miscreants?&amp;quot; Quoth the accursed hag, &amp;quot;Allah will veil me from their eyes and they shall not sight me; nor, if any saw me, would he dare to attack me at that time, for I shall be as one non existing, absorbed in Allah, and He will fend off from me His foes.&amp;quot; &amp;quot;Thou sayest sooth, O holy man,&amp;quot; rejoined Sharrkan, &amp;quot;for indeed I have been witness of that; so, if thou can pass out at the first of the night, 'twill be best for us.&amp;quot; Replied she, &amp;quot;I will set out at this very hour and, if thou desire, thou shalt go with me and none shall see thee. Furthermore if thy brother also have a mind to go with us we will take him, but none else; for the shadow of a saint can cover only twain.&amp;quot; Sharrkan said, &amp;quot;As for me I will not leave my comrades; but, if my brother will, there is no harm in his going with thee and setting us free of this strait; for he is the stronghold of the Moslems and the sword of the Lord of the three Worlds; and if it be his pleasure, let him take with him the Wazir Dandan, or whom else he may elect and send us ten thousand horse to succour us against these caitiffs.&amp;quot; So after debate they agreed on this and the old woman said, &amp;quot;Give me leisure to go before you and consider the condition of the Infidels, if they be asleep or awake.&amp;quot; Quoth they, &amp;quot;We will not go forth save with thee and trust our affair to Allah.&amp;quot; &amp;quot;If I do your bidding,&amp;quot; replied she, &amp;quot;blame me not but blame yourselves; for it is my rede that you await me till I bring you tidings of the case.&amp;quot; Then said Sharrkan, &amp;quot;Go to them and delay not from us, for we shall be awaiting thee.&amp;quot; Thereupon she fared forth and Sharrkan turned to his brother addressing him and said, &amp;quot;Were not this holy man a miracle worker, he had never slain yonder furious knight. This is proof sufficient of the ascetic's power; and of a truth the pride of the Infidels is laid low by the slaying of this cavalier, for he was violent, an evil devil and a stubborn.&amp;quot; Now whilst they were thus devising of the mighty works of the devotee, behold, the accursed Zat al-Dawahi came upon them and promised them victory over the Unbelievers; wherefor they thanked her (not knowing that all this was wile and guile) and the damned hag asked, &amp;quot;Where be the King of the Age, Zau al-Makan, and the Minister Dandan?&amp;quot; Answered he, &amp;quot;Here am I!&amp;quot; Take with thee thy Wazir,&amp;quot; said she, &amp;quot;and follow after me, that we may fare forth to Constantinople.&amp;quot; Now she had acquainted the Infidels with the cheat she had put upon the Moslems, and they rejoiced with exceeding great joy, and said, Our hearts will not be contented till we shall have slain their King in return for the Knight's death; because we had no stouter rider than he;&amp;quot; and they added (bespeaking the ill omened hag as she told them her plan of faring to the land of the Moslems), &amp;quot;When thou bringest him to us, we will bear him to King Afridun.&amp;quot; Then she went out and went out with her Zau al-Makan and the Minister Dandan, and she walked on before the two saying, &amp;quot;Fare forth with the blessing of Almighty Allah!&amp;quot; So they did her bidding, for the shaft of Pate and Fortune of man's lot had shot them, and she ceased not leading them both through the midst of the Grecian camp, till they came to the defile, the narrow pass aforesaid, whilst the Infidel enemy watched them, but did them no hindrance; for the infernal old woman had enjoined this. Now when Zau al-Makan and the Wazir Dandan saw that the Infidel host offered them no let and stay and yet had them in sight, the Wazir exclaimed, &amp;quot;By Allah, this is one of the holy man's saintly miracles! and doubtless he be of the elect.&amp;quot; Rejoined Zau al-Makan, &amp;quot;By Allah, I think the Infidels be naught but blind, for we see them and they see us not.&amp;quot; And while they were thus praising the holy man and recounting his mighty works and his piety and his prayers, behold, the Infidels charged down on them from all sides and surrounded them and seized them, saying, &amp;quot;Is there anyone else with you twain, that we may seize upon him too?&amp;quot; And the Wazir Dandan replied, &amp;quot;See you not yon other man that is before us? ' Replied the Unbelievers, &amp;quot;By the truth of the Messiah and the Monks, and the Primate and the Metropolitan, we see none save you two!&amp;quot; Then Zau Al-Makan said, &amp;quot;By Allah, this is a chastisement decreed to us by Almighty Allah!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Unfaithful had seized upon King Zau al-Makan and the Wazir Dandan, they said to the two, &amp;quot;Is there anyone else with you twain, that we may seize upon him also?&amp;quot; And the Wazir Dandan replied, &amp;quot;See you not yon other man who be with us?&amp;quot; They rejoined, &amp;quot;By the truth of the Messiah and the Monks and the Primate and the Metropolitan, we see none save you two!&amp;quot; Then the Infidels laid shackles on their feet and set men to guard them during the night, whilst Zat al-Dawahi fared on and disappeared from their sight. So they fell to lamenting and saying to each other, &amp;quot;Verily, the opposing of pious men leadeth to greater distress than this, and we are punished by the strait which hath befallen us.&amp;quot; So far concerning Zau al-Makan and the Wazir Dandan; but as regards King Sharrkan, he passed that night in the cavern with his comrades, and when dawned the day and he had prayed the morn prayer, he and his men made ready to do battle with the Infidel and he heartened them and promised them all good. Then they sallied out till they were hard upon the Unbelievers and, when these saw them from afar, they cried out to them, saying, &amp;quot;O Moslems, we have taken captives your Sultan and your Wazir who hath the ordering of your affairs; and except ye leave off fighting us, we will slay you to the last man; but an you yield yourselves we will take you to our King, who will make peace with you on condition that you quit our country and return home and harm us in naught, and we will do you no harm in aught. If ye accept, it will be well for you; but if ye refuse there remaineth nothing for you but death. So we have told you sooth, and this is our last word to you.&amp;quot; Now when Sharrkan heard this and was certified of the captivity of his brother and the Wazir Dandan, he was weighed down with woe and wept; his force failed him and, making sure of death, he said to himself, &amp;quot;Would I knew the cause of their capture! Did they fail of respect to the holy man or disobey him, or what was the matter?&amp;quot; Then they sprang up to battle with the Unbelievers and slew great numbers of them. The brave was known that day from craven men, and sword and spear were dyed with bloody stain; for the Infidels flocked up on them, as flies flock to drink, from hill and from plain; but Sharrkan and his men ceased not to wage the fight of those who fear not to die, nor let death hinder them from the pursuit of victory, till the valley ran gore and earth was full of the slain she bore. And when night fell the armies separated each making for his own place; and the Moslems returned to the cavern where gain and loss were manifest to them: few remained of them and there was no dependence for them but on Allah and the scymitar. Now there had been slain of them that day five and thirty men of the chiefest Emirs, and they had killed thousands of the Infidels, footmen and fighters on horse. When Sharrkan saw this, the case was grievous to him and he asked his comrades &amp;quot;What shall we do?&amp;quot;; whereto all answered, &amp;quot;That which Almighty Allah willeth shall befal us.&amp;quot; On the morning of the second day, Sharrkan said to the remnant of his troop, &amp;quot;If ye go forth to fight, not one of you will remain alive and we have but little left of food and water; so I deem ye would do better to bare your brands and go forth and stand at the mouth of this cavern, to hinder any from entering. Haply the holy man may have reached the Moslem host, and may return with ten thousand horses to succour us in fight with the Infidels, for belike the Unfaithful may have failed to see him and those with him.&amp;quot; They said, This were the better course to take, and of its expediency no doubt we make.&amp;quot; So the troop went out and held the cavern mouth standing by its walls; and every one of the Infidels who sought to enter in, they slew. Thus did they fend off the foe from the gape of the cave and they patiently supported all such assaults, till day was done and night came on dusky and dun;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the army of the Moslems held the cavern mouth and stood by its walls and they fended off the foe, and every one of the Infidels attempted to charge them, him they slew; and they patiently supported all such assaults till day was done and night came on dusky and dun, by which time King Sharrkan had only five and twenty men and no more left. Then quoth the Infidels to one another, &amp;quot;When shall these battle days have an end? We are weary of warring the Moslems.&amp;quot; And quoth one of them, &amp;quot;Up and at them, for there remain of them but five and twenty men! If we cannot prevail on them to fight, let us light a fire upon them; and if they submit themselves and yield to us, we will take them prisoners; but if they refuse we will leave them for fuel to the fire, so shall they become to men of foreseeing mind a warning dire. May the Messiah on their fathers have no grace, and may the sojourn of the Nazarenes be for them no abiding place!&amp;quot; So they carried fuel to the jaws of the cavern and set fire to it. Thereupon Sharrkan and his companions made sure of perdition and yielded themselves prisoners. And while they were in this condition, lo! the knight their captain said to those who counselled their slaughter, &amp;quot;It is not for any save for King Afridun to kill them, that he may gratify his wrath; therefore it behoveth us to keep them in durance by us till the morrow, when we will journey with them to Constantinople and deliver them to our King, who shall deal with them as he please.&amp;quot; Said they, &amp;quot;This is the right course;&amp;quot; and he commanded to pinion them and set guards over them. Then, as soon as it was black night, the Infidels busied themselves with feasting and making festival; and they called for wine and drank it till all fell upon their backs. Now Sharrkan and his brother, Zau al-Makan, were in confinement and so also were his companion knights; whereupon the elder turned to the younger brother and said to him, &amp;quot;O my brother, how win free?&amp;quot; &amp;quot;By Allah,&amp;quot; replied Zau al Makan, &amp;quot;I know not; for here we be like birds in cage.&amp;quot; Then Sharrkan waxed wroth and sighed for excess of rage and stretched himself, till his pinion bonds brass asunder; whereupon being free he arose and went up to the Captain of the guard, and taking from his pocket the keys of the fetters, freed Zau al-Makan and the Wazir Dandan and the rest of his men. Then he turned to the two and said, &amp;quot;I desire to slay three of these Infidels and take and don their dress, we three; so that we shall be guised as Greeks and we will pass through them, with out their knowing us, and fare forth to our own force.&amp;quot; Replied Zau al-Makan, &amp;quot;This is no safe counsel for if we kill them, I fear some of their comrades may hear their shrieks and the foe be aroused upon us and kill us. 'Twere the surer way to pass out of the defile.&amp;quot; So they agreed upon this and set out; and, when they had left the head of the strait a little distance behind, they saw horses picketed and the riders sleeping: and Sharrkan said to his brother, &amp;quot;Better we take each one of us a steed.&amp;quot; There were five and twenty horsemen, so they took five and twenty horses, whilst Allah sent sleep upon the Infidels for a purpose He knew and the Faithful mounted and fared on till they were out of reach. Meanwhile Sharrkan set to gathering from the Infidels as many weapons, swords, and spears, as were wanted. And while they took saddle and struck forwards none of the Infidels supposed that anyone could release Zau al-Makan and his brother and their men; or that their prisoners had power to escape. Now when all the captives were safe from the Unfaithful, Sharrkan came up with his comrades, and found them awaiting his arrival, on coals of flame, expecting him in anxious grame, so he turned to them and said, &amp;quot;Feel no fear since Allah protecteth us. I have that to propose which haply shall effect our purpose.&amp;quot; &amp;quot;What is it?&amp;quot; asked they and he answered, &amp;quot;I desire that ye all climb to the mountain top and cry out with one voice, 'Allaho Akbar!' and ye add, 'The army of Al Islam is upon you! Allaho Akbar!' This wise their company will surely be dissolved nor will they find out the trick for they are drunk, but they will think that the Moslem troops have encompassed them about on all sides and have mingled with them; so they will fall on one another brand in hand during the confusion of drunkenness and sleep, and we will cleave them asunder with their own swords and the scymitar will go round amongst them till dawn.&amp;quot; Replied Zau al-Makan, &amp;quot;This plan is not good; we should do better to make our way to our army and speak not a word; for if we cry out 'Allaho Akbar,' they will wake and fall on us and not one of us will escape.&amp;quot; Rejoined Sharrkan, &amp;quot;By Allah, though they should awake tis no matter, and I long that ye fall in with my plan, for naught save good can come of it!&amp;quot; So they agreed thereon and clomb the mountain and shouted, &amp;quot;Allaho Akbar!&amp;quot; And hills and trees and rocks reworded their Allaho Akbar for fear of the Almighty. But when the Kafirs heard this slogan they cried out to one another,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundredth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan spake thus, &amp;quot;I long that ye fall in with this my plan, for naught save good can come of it.&amp;quot; So they agreed thereon and clomb the mountain head and shouted, &amp;quot;Allaho Akbar!&amp;quot;; and hills and trees and rocks re worded their Allaho Akbar for fear of the Almighty. The Infidels heard it and cried out one to other and donned their armour and said, &amp;quot;The foe is upon us, by the truth of the Messiah!&amp;quot; Then they fell on one another and slew of their own men more than any knoweth save Almighty Allah. As soon as it was dawn, they sought for the captives, but found no trace of them, and their captains said, &amp;quot;They who did this were the prisoners in our possession; up, then, and after them in all haste till ye overtake them, when we will make them quaff the cup of requital; and let not fright nor the panic of sudden awaking possess you.&amp;quot; So they took horse and rode after the fugitives and it wanted but an eye twinkling before they overtook them and surrounded them. Now when Zau al-Makan saw this, he was seized with increase of terror and said to his brother, &amp;quot;What I feared would come, is come upon us, and now it remaineth only for us to fight for the Faith.&amp;quot; But Sharrkan preferred to hold his peace. Then Zau al- Makan and his companions rushed down from the hill crest, shouting, &amp;quot;Allaho Akbar!&amp;quot; and his men repeated the war cry and addressed themselves to fight and to sell their lives in the service of the Lord of Faithful Men; and while they were in this case, behold, they heard many voices voicing, &amp;quot;There is no god but the God! God is most great! Salutation and salvation upon the Apostle, the Bringer of glad Tidings, the Bearer of bad Tidings!'' So they turned towards the direction of the sound and saw a company of Moslems who believed in one God, pushing towards them, whereat their hearts were heartened and Sharrkan charged upon the Infidels crying out, &amp;quot;There is no god but the God! God is most great! he and those with him, so that earth quaked as with an earthquake and the Unbeliever host brake asunder and fled into the mountains and the Moslems followed them with lunge and blow; and Zau al-Makan and his comrades of the Moslems ceased not to smite the hosts of the Infidel foe, and parted heads from bodies till day darkened and night coming on starkened sight. Thereupon the Moslems drew together and passed the night in congratulations, and, when morning dawned and daybreak shone with its shine and sheen, they saw Bahram, the captain of the Daylamites, and Rustam, the captain of the Turks, advancing to join them, with twenty thousand cavaliers like lions grim. As soon as they saw Zau al-Makan, the riders dismounted and saluted him, and kissed ground between his hands when he said to them, &amp;quot;Rejoice ye in the glad tidings of the victory of the Moslem and the discomfiture of the tribe of Unbelievers!&amp;quot; Then they gave one another joy of their deliverance and of the greatness of their reward after Resurrection Day. Now the cause of the coming of the succours to that place was this. When the Emir Bahram and the Emir Rustam and the Chief Chamberlain, with the Moslem host and flags flaunting high ahead, came in sight of Constantinople they saw that the Nazarenes had mounted the walls and manned the towers and the forts, and had set all their defenders in order of defence, as soon as they learned of the approach of the host of Al-Islam and the banners Mohammedan, and they heard the clash of arms and the noise of war voices and tramp of horse hoofs and from their look outs they beheld the Moslems, with their standards and ensigns of the Faith of Unity under the dust clouds and lo! they were like a flight of locusts or rain clouds raining rain, and the voices of the Moslems chanting the Koran and glorifying the Compassionate One, struck their ears. Now the Infidels knew of the approach of this host through Zat al-Dawahi with her craft and whoredom, calumny and contrivance. And the armies of Al-Islam drew near, as it were the swollen sea, for the multitude of footmen and horsemen and women and children. Then quoth the General of the Turks to the General of the Daylamites, &amp;quot;O Emir, of a truth, we are in jeopardy from the multitude of the foe who is on the walls. Look at yonder bulwarks and at this world of folk like the seas that clash with dashing billows. Indeed yon Infidel outnumbereth us an hundredfold and we cannot be safe from spies who may inform them that we are without a Sultan. In very sooth, we run danger from these enemies, whose numbers may not be told and whose resources none can withhold, especially in the absence of King Zau al-Makan and his brother Sharrkan and the illustrious Wazir Dandan. If they know of this, they will be emboldened to attack us in their absence and with the sword they will annihilate us to the last man; not one of us safety shall see. So it is my counsel that thou take ten thousand riders of the allies and the Turks, and march them to the hermitage of Matruhina and the meadow of Malúkhiná in quest of our brothers and comrades. If thou act by my advice, it may be we shall approve ourselves the cause of their deliverance, in case they be hard pressed by the Infidels; and if thou act not, blame will not attach to me. But, an ye go, it behoveth that ye return quickly, for ill suspicion is part of prudence.&amp;quot; The Emir aforesaid fell in with his counsel; so they chose twenty thousand horse and they set out covering the roads and making for the monastery above mentioned. So much for the cause of their coming; but as regards the ancient dame, Zat al-Dawahi, as soon as she had delivered Sultan Zau al-Makan and his brother Sharrkan and the Wazir Dandan into the hands of the Infidels, the foul whore mounted a swift steed, saying to the Faithless, &amp;quot;I design to rejoin the Moslem army which is at Constantinople and contrive for their destruction; for I will inform them that their chiefs are dead, and when they hear that from me, their joining will be disjointed and the cord of their confederation cut and their host scattered. Then will I go to King Afridun, Lord of Constantinople, and to my son Hardub, King of Roum, and relate to them their tidings and they will sally forth on the Moslems with their troops and will destroy them and will not leave one of them alive.&amp;quot; So she mounted and struck across country on her good steed all the livelong night; and, when day dawned, appeared the armies of Bahram and Rustam advancing towards her. So she turned into a wayside brake and hid her horse among the trees and she walked a while saying to herself, &amp;quot;Haply the Moslem hosts be returning, routed, from the assault of Constantinople.&amp;quot; However, as she drew near them she looked narrowly and made sure that their standards were not reversed, and she knew that they were coming not as conquered men, but fearing for their King and comrades. When she was assured of this, she hastened towards them, running at speed, like a devil of ill rede, till reaching them she cried out, &amp;quot;Haste ye! haste ye! O soldiers of the Compassionate One, hasten to the Holy War against the hosts of Satan!&amp;quot; When Bahram saw her he dismounted and kissed the ground before her and asked her, &amp;quot;O friend of Allah what is behind thee?&amp;quot; Answered she, &amp;quot;Question not of sad case and sore condition; for when our comrades had taken the treasure from the hermitage of Matruhina, and designed to win their way Constantinople wards, thereupon came out on them a driving host and a dreadful of the Infidels.&amp;quot; And the damned witch repeated to them the story to fill them with trouble and terror, adding, &amp;quot;The most of them are dead, and there are but five and twenty men left.&amp;quot; Said Bahram, &amp;quot;O holy man! when didst thou leave them?&amp;quot; &amp;quot;But this night,&amp;quot; replied she. He cried, &amp;quot;Glory be to Allah! to Him who hath rolled up the far distance for thee like a rug, so that thou hast sped thus walking upon thy feet and props upon a mid-rib of palm-tree! But thou art one of the saints which fly like birds when inspired and possessed by His directions.&amp;quot; Then he mounted his horse, and he was perplexed and confounded by what he had heard from the beldam so strong in lies and ill calumnies, and he said, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! Verily our labour is lost and our hearts are heavy within us, for our Sultan is a prisoner and those who are with him.&amp;quot; Then they cut across the country, wide and side, night and day, and when morning dawned they reached the head of the defile and saw Zau al-Makan and Sharrkan shouting. &amp;quot;There is no god but the God! Allaho Akbar! and Salutation and Salvation upon the Congratulator, the Comminator.&amp;quot; Whereupon he and his drove at the Unbelievers and whelmed them, as the rain torrent whelms the waste; and cried out their war cries, till fear get hold of the prowess Knights and the mountains were cloven in affright. And when shone the day and showed its shine and sheen, the breeze of morning blew upon them sweet and fragrant, and each recognised other as hath been said before. Then they kissed the ground before the King and before his brother Sharrkan, who told them all that had befallen the party in the cave. Now thereat they marvelled and said to one another, &amp;quot;Hasten we back to Constantinople, for we left our companions there, and our hearts are with them.&amp;quot; So they hurried departure, commending themselves to the Subtle, the All-wise, and Zau al-Makan exhorted the Moslems to steadfast- ness and versified in the following couplets,&#xA;&#xA;&amp;quot;Be praises mine to all praiseworthy Thee, * O Lord, who stinted&#xA;            not mine aid to be!&#xA;Though was I lost abroad, Thou west to me * Strongest support&#xA;            which vouchsafed victory:&#xA;Thou gav'st me wealth and reign and goodly gifts, * And slungest&#xA;            con quering sword of valiancy:&#xA;Thou mad'st me blest beneath Thy kingly shade, * Engraced with&#xA;            generous boons dealt fain and free:&#xA;Thou savedst *from every fear I feared, by aid * Of my Wazir, the&#xA;            Age's noblest he!&#xA;Garred us Thy grace in fight to throw the Greek, * Who yet came&#xA;             back dight in War's cramoisie:&#xA;Then made I feint to fly from out the fight; * But like grim lion&#xA;           turning made them flee,&#xA;And left on valley sole my foemen, drunk * Not with old&#xA;           wine but Death-cup's revelry:&#xA;Then came the Saintly Hermit, and he showed * His marvels wrought&#xA;            for town and wold to see;&#xA;When slew they hero-wights who woke to dwell * In Eden bowers&#xA;           wherein sweet rill-lets well.&amp;quot;&#xA;&#xA;But, when Zau al-Makan had made an end of versifying, his brother Sharrkan congratulated him on his safety and thanked him for the deeds he had done; after which both set out forcing their marches to rejoin their army.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and First Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan congratulated his brother, Zau al-Makan, on his safety and thanked him for the deeds he had done; after which both set out forcing their marches to rejoin their army. Such was their case; but as regards the old woman, Zat al-Dawahi, after she had foregathered with the hosts of Rustam and Bahram, she returned to the coppice, where she took her steed and mounted and sped on at speed, till she drew near the Moslem army that beleaguered Constantinople, when she lighted down from her destrier and led it to the pavilion tent of the Chief Chamberlain. And when he saw her, he stood up to her in honour and signed to her with his right hand and said, &amp;quot;Welcome O pious recluse!&amp;quot; Then he questioned her of what had befallen, and she repeated to him her disquieting lies and deluding calumnies, saying, &amp;quot;In sooth I fear for the Emir Rustam, and the Emir Bahram, for that I met them and theirs on the way and sent them and their following to relieve the King and his companions. Now there are but twenty thousand horse and the Unbelievers outnumber them; so I would have thee at this moment send off the rest of thy troops at full speed to their suc cour, lest they be slain to the last man.&amp;quot; And she cried to them, &amp;quot;Haste! Haste!&amp;quot; When the Chamberlain and the Moslems heard these words, their spirits fell and they wept; but Zat al-Dawahi said to them, &amp;quot;Ask aidance of Allah and bear patiently this triburation; for ye have the example of those who have been before you of the people of Mohammed; and Paradise with its palaces is laid out by Allah for those who die martyrs; and needs must all die, but most praiseworthy is dying while fighting for the Faith.&amp;quot; The Chamberlain, hearing this speech of the accursed old woman, called for the Emir Bahram's brother, a knight by name Tarkash; and, choosing out for him ten thousand horse, riders famed for force, bade him set out at once. So he fared forth and marched all that day and the whole of the next night, till he neared the Moslems. When daylight dawned, Sharrkan saw the dust cloud about them and feared for the men of Al-Islam and said, &amp;quot;If these troops which are coming upon us be Moslem men our victory is assured by them; but, if these be Nazarenes, there is no gainsaying Destiny's decrees.&amp;quot; Then he turned to his brother, Zau al- Makan, and said, Never fear, for with my life I will ransom thee from death. If these be Mohammedan troops, then were it an increase of heavenly favours; but, if they be our foes, there is no help save that we fight them. Yet do I long to meet the Holy Man ere I die, so I may beg him to pray that I die not save by death of martyrdom.&amp;quot; Whilst the twain were thus speaking, behold, there appeared the banners inscribed with the words, &amp;quot;There is no god but the God and Mohammed is the Apostle of God;&amp;quot; and Sharrkan cried out, &amp;quot;How is it with the Moslems?&amp;quot; &amp;quot;All are sound and safe,&amp;quot; replied they, &amp;quot;and we came not but out of concern for you.&amp;quot; Then the Chief of the army dismounted and, kissing ground before Sharrkan, asked, &amp;quot;O my lord, how be the Sultan and the Wazir Dandan and Rustam and my brother Bahram; are they all in safety?&amp;quot; He answered, &amp;quot;All well; but who brought thee tidings of us?&amp;quot; Quoth Tarkash; &amp;quot;It was the Holy Man who told us that he had met my brother Bahram and Rustam and had sent them both to you and he also assured us that the Infidels had encompassed you and out numbered you; but I see not the case save the contrary thereof and that you are victorious.&amp;quot; They questioned him, &amp;quot;And how did the Holy Man reach you?&amp;quot;; and he replied, &amp;quot;Walking on his feet and he had compassed in a day and a night, ten days' journey for a well girt horseman.&amp;quot; &amp;quot;There is no doubt but that he is a Saint of Allah,&amp;quot; said Sharrkan, &amp;quot;but where is he now?&amp;quot; They rejoined, &amp;quot;We left him with our troops, the folk of the Faith, moving them to do battle with the rebels and the Faithless.&amp;quot; Thereat Sharrkan rejoiced and all thanked Allah for their own deliverance and the safety of the Holy Man; and commended the dead to His mercy saying, &amp;quot;This was writ in the Book.&amp;quot; Then they set out making for Constantinople by forced marches, and whilst they were on this enterprise, behold, a dust cloud arose to such height that it walled the two horizons, the eastern and the western, from man's sight and the day was darkened by it to night. But Sharrkan looked at it and said, &amp;quot;Verily, I fear lest this be the Infidels who have routed the army of Al-Islam for that this dust walleth the world, east and west, and hideth the two horizons, north and south.&amp;quot; Presently appeared under the dust a pillar of darkness, blacker than the blackness of dismal days; nor ceased to come upon them that column more dreadful than the dread of the Day of Doom. Horse and foot hastened up to look at it and know the terrors of the case, when behold, they saw it to be the recluse aforesaid; so they thronged round him to kiss his hands and he cried out, &amp;quot;O people of the Best of Mankind, the lamp which shineth in darkness blind, verily the Infidels have outwitted the Moslems by guile, for they fell upon the host of the One God whilst they deemed themselves safe from the Faithless, and attacked them in their tents and made a sore slaughter of them what while they looked for no wile; so hasten to the aid of the Believers in the unity of God, and deliver them from those who deny Him!&amp;quot; Now when Sharrkan heard these words, his heart flew from his breast with sore trouble; and, alighting from his steed in amazement, he kissed the Recluse's hands and feet. On like wise did his brother, Zau al-Makan, and the rest of the foot and horse troops; except the Wazir Dandan, who dismounted not but said, &amp;quot;By Allah, my heart flieth from this devotee, for I never knew show of devotion to religion that bred not bane. So leave him and rejoin your comrades the Moslems, for this man is of the outcasts from the gate of the mercy of the Lord of the Three Worlds! How often have I here made razzias with King Omar bin al-Nu'uman and trodden the earth of these lands!&amp;quot; Said Sharrkan, &amp;quot;Put away from thee such evil thought, hast thou not seen this Holy Man exciting the Faithful to fight, and holding spears and swords light? So slander him not, for backbiting is blameable and poisoned is the flesh of the pious. Look how he inciteth us to fight the foe; and, did not Almighty Allah love him, He had cast him aforetime into fearful torment.&amp;quot; Then Sharrkan bade bring a Nubian mule for the ascetic to ride and said, &amp;quot;Mount, O pious man, devout and virtuous!&amp;quot; But the devotee refused to ride and feigned self denial, that he might attain his end; and they knew not that this holy personage was like him of whom the poet saith,&#xA;&#xA;&amp;quot;He prayeth and he fasteth for an end he doth espy; * When once his end is safely won then fast and prayer good bye.&amp;quot;&#xA;&#xA;So the devotee ceased not to walk among the horsemen and the footmen, like a wily fox meditating guile, and began to uplift her voice, chanting the Koran and praising the Compassionate One. And they continued pressing forward till they approached the camp of Al-Islam, where Sharrkan found the Moslem in conquered plight and the Chamberlain upon the brink of falling back in flight, whilst the sword of Greece havoc dight among the Faithful, the righteous and those who work upright,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan saw the Moslems in conquered plight and the Chamberlain upon the brink of retreat and flight and the sword havoc dight among the righteous and the workers of upright, the cause of this weakness among the Moslems was that the accursed old woman, Zat al- Dawahi, the foe of the Faith, after seeing that Bahram and Rustam had set forward with their troops to join Sharrkan and his brother Zau al-Makan, repaired to the camp of the Mahometans before Constantinople and caused the mission of the Emir Tarkash, as hath been before said. In this her purpose was to divide the Moslem forces the better to weaken them. Then she left them and entered Constantinople, and called with a loud voice on the knights of the Greeks, saying, &amp;quot;Let me down a cord that I may tie thereto this letter, and do ye bear it to your King Afridun, that he may read it and to my son King Hardub that they both do what is written therein of bidding and forbidding.&amp;quot; So they let down for her a string and she tied thereto a letter whose purport was the following: &amp;quot;From the terriblest of tribulations and the chiefest of all calamities, Zat al-Dawahi, to King Afridun greeting. But afterwards, of a truth I have contrived a device for destroying the Moslems; so bide ye quiet and content. I have cozened and captured their Sultan and the Wazir Dandan; and then I returned to their camp and acquainted them therewith, whereby their pride had a fall and their withers were wrung. And I have so wrought upon the host 'leaguering Constantinople that they have sent ten thousand men under the Emir Tarkash to succour the capitves, of whom there be now left but few; it is therefore my object that ye sally forth against them with all your power while this day endureth; and that ye fall on them in their tents and that ye leave them not till ye shall have slain them to the last man; for, verily the Messiah looketh down upon you and the Blessed Virgin favoureth you; and I hope of the Messiah that he forget not what deed I have done.&amp;quot; When her letter came to King Afridun, he rejoiced with great joyance; and, sending at once for King Hardub of Greece, son of Zat al-Dawahi, read the letter to him as soon as he came,whereathe was exceeding glad and said, &amp;quot;See my mother's craft; verily it dispenseth with swords, and her aspect standeth in stead of the terrors of the Day of Dread.&amp;quot; Rejoined Afridun, &amp;quot;May the Messiah not bereave us of thy venerable parent nor deprive her of her wile and guile!&amp;quot; Then he bade the Knights give orders for sallying outside the city, and the news was noised abroad in Constantinople. So the Nazarenes and the cohorts of the Cross burst forth and unsheathed their keen sabres in their numbers, shouting out their professions of impiety and heresies, and blaspheming the Lord of all Creatures. When the Chamberlain saw the sally, he said, &amp;quot;Behold, the Greek is upon us and they surely have learned that our Sultan is far away; and haply they have attacked us, for that the most part of our troops have marched to the succour of King Zau al-Makan!&amp;quot; Therewith he waxed wroth and cried out, &amp;quot;Ho, soldiers of Al-Islam and favourers of the True Faith, an you flee you are lost, but if ye stand fast, ye win! Know ye that valiancy lieth in endurance of outrance and that no case is so strait but that the Almighty is able to make it straight; Allah assain you and look upon you with eyes of compassion fain!&amp;quot; Thereupon the Moslems cried out, &amp;quot;Allaho Akbar!&amp;quot; and the believer in the One God shouted his slogan, and whirled the mill wheels of fight with cutting and thrusting in main and might; scymitars and spears played sore and the plains and valleys were swamped with gore. The priests and monks priested it, tight girding their girdles and uplifting the Crucifixes, while the Moslem shouted out the professions of the Requiting King and verses of the Koran began to sing. The hosts of the Compassion are One fought against the legions of Satan; and head flew from body of man, while the good Angels hovered above the people of the Chosen Prophet, nor did the sword cease to smite till the day darkened and night came on and starkened. Now the miscreants had encompassed the Moslems and made sure of escaping the pains that awaited them; and the Faithless greeded for victory over the Faithful until day dawned and dazzled. There upon the Chamberlain mounted, he and his men, trusting thee Allah would help them to victory; and host was mingled with host and battle rose a foot and took post. And heads flew from trunks whilst the brave stood fast in stead; the craven turned tail and fled; and the Judge of death judged and sentence sped, so that the champions fell from their saddles slain and corpses cumbered meadow and plain. Then the Moslem began to give ground and rearwards bent; and the Greek took possession of some of their tents; whereupon the Moslems were about to break and retreat and take flight, when meanwhile behold, up came Sharrkan with the rest of the host of Al-Islam and the standards of the Believers in Unity. And having come up with them, he charged the Infidels; and followed him Zau al-Makan and the Wazir Dandan and the Emirs Bahram and Rustam with his brother Tarkash. When the foe saw this, they lost head and their reason fled, and the dust clouds towered till they covered the country whilst the righteous Believers joined their pious comrades. Then Sharrkan accosted the Chamberlain and praised him for his steadfastness; and he in turn gave the Prince joy of his timely succour and his gaining the day. Thereat the Moslems were glad and their hearts were heartened; so they rushed upon their enemies and devoted themselves to Allah in their Fight for the Faith. But when the Idolaters beheld the standards Mohammedan and there on the profession of Faith Islamitan, proclaiming the Unity, they shrieked &amp;quot;Woe!&amp;quot; and &amp;quot;Ruin!&amp;quot; and besought succour of the Patriarchs of the Monasteries. Then fell they to calling upon John and Mary and the Cross abhorrent and stayed their hands from slaughter, whilst King Afridun went up to consult King Hardub of Greece, for the two Kings stood one at the head of each wing, right and left. Now there was with them also a famous cavalier, Lawiya highs, who commanded the centre; and they drew out in battle array, but indeed they were full of alarm and affray. Meanwhile, the Moslems aligned their forces and thereupon Sharrkan came to his brother, Zau al-Makan, and said, &amp;quot;O King of the Age, doubtless they mean to champion it, and that is also the object of our desire; but it is my wish to push forward the stoutest hearted of our fighters, for by forethought is one half of life wrought.&amp;quot; Replied the Sultan, &amp;quot;As thou wilt, O companion of good counsel!&amp;quot; &amp;quot;It is my wish,&amp;quot; added Sharrkan, &amp;quot;to stand in mid line opposite the Infidel, with the Wazir Dandan on my left and thee on my right, whilst the Emir Bahram leads the dexter wing and the Emir Rustam leads the wing sinistral; and thou, O mighty King, shalt be under the standards and the ensigns, for that thou art the pillar of our defence; upon thee, after Allah, is our dependence and we will all be thy ransom from aught that can harm thee.&amp;quot; Zau al-Makan thanked him therefor, and the slogan arose and the sabre was drawn; but, as things stood thus, behold, there came forth a cavalier from the ranks of Roum; and, as he drew near, they saw that he was mounted on a slow paced she mule, fleeing with her master from the shock of swords. Her housings were of white silk covered by a prayer-carpet of Cash mere stuff, and on her back sat a Shaykh, an old man of comely presence and reverend aspect, garbed in a gown of white wool. He stinted not pushing her and hurrying her on till he came near the Moslem and said, &amp;quot;I am an ambassador to you all, and an ambassador hath naught to do save to deliver; so give me safe conduct and permit of speech, that I communicate to you my message.&amp;quot; Replied Sharrkan, &amp;quot;Thou art in safety: fear neither sway of sword nor lunge of lance.&amp;quot; Thereupon the old man dismounted and, taking the Cross from his neck, placed it before the Sultan and humbled himself with much humility. Then quoth to him the Moslems, &amp;quot;What is with thee of news?&amp;quot;; and quoth he, &amp;quot;I am an ambassador from King Afridun, for I counselled him to avert the destruction of all these frames of men and temples of the Compassionate One; and to him it seemed righteous to stay the shedding of blood and limit it to the encounter of two knights in shock of fight singular; so he agreed to that and he saith to you, 'Verily, I will ransom my army with my life; so let the Moslem King do as I do and with his life ransom his host. And if he kill me, there will be no stay left in the army of Roum, and if I kill him, there will be no stability with the Moslems.&amp;quot; When Sharrkan heard this he said, &amp;quot;O monk, I agree to that, for it is just nor may it be gainsaid; and behold, I will meet him in duello and do with him derring do, for I am Champion of the Faithful even as he is Champion of the Faithless; and if he slay me, he will have won the day and naught will remain for the Moslems forces save flight. So return to him, O thou monk, and say that the single combat shall take place to morrow, for this day we have come off our journey and are aweary; but after rest neither reproach nor blame fear ye.&amp;quot; So the monk returned (and he rejoicing) to King Afridun and King Hardub, and told them both what Sharrkan had said, whereat King Afridun was glad with exceeding gladness and fell from him anxiety and sadness, and he said to himself, &amp;quot;No doubt but this Sharrkan is their doughtiest swayer of the sword and the dourest at lunge of lance; and when I shall have slain him, their hearts will be disheartened and their strength will be shattered.&amp;quot; Now Zat al-Dawahi had written to King Afridun of that and had told him how Sharrkan was a Knight of the Braves and the bravest of knights and had warned him against him; but Afridun was a stalwart cavalier who fought in many a fashion; he could hurl rocks and throw spears and smite with the iron mace and he feared not the prowess of the prow. So when he heard the report of the monk that Sharrkan agreed to the duello, he was like to fly for exceeding joy because he had self confidence and he knew that none could with stand him. The Infidels passed that night in joy and jubilee and wine bibbing; and, as soon as it was dawn, the two armies drew out with the swart of spear and the blanch of blade. And behold a cavalier rode single handed into the plain, mounted on a steed of purest strain, and for foray and fray full ready and fain. And that Knight had limbs of might and he was clad in an iron cuirass made for stress of fight. On his breast he wore a jewelled mirror and in his hand he bore a keen scymitar and his lance of Khalanj wood, the curious work of the Frank, weighing a quintal. Then the rider uncovered his face and cried out, saying, &amp;quot;Whoso knoweth me verily hath enough of me, and whoso knoweth me not right soon shall ken who I be. I am Afridun the overwhelmed by the well omened Shawáhi, Zat al-Dawahi.&amp;quot; But he had not ended speaking ere Sharrkan, the Champion of the Moslems, fared forth to meet him, mounted on a sorrel horse worth a thousand pieces of red gold with accoutrements purfled in pearls and precious stone; and he bore in baldrick a blade of watered Indian steel that through necks shore and made easy the hard and sore. He crave his charger between the two hosts in line whilst the horsemen all fixed on him their eyne, and he cried out to Afridun, &amp;quot;Woe to thee, O accursed! dost thou deem me one of the horsemen thou hast overta'en who cannot stand against thee on battle plain?&amp;quot; Then each rushed upon other and they bashed together like two mountains crashing or two billows dash ing and clashing: they advanced and retreated; and drew together and withdrew; and stinted not of fray and fight and weapon play, and strife and stay, with stroke of sword and lunge of lance. Of the two armies looking on, some said, &amp;quot;Sharrkan is victor!&amp;quot; and others, &amp;quot;Afridun will conquer!&amp;quot;; and the two riders stayed not their hands from the hustle until ceased the clamour and the bustle; and the dust columns rose and the day waned and the sun waxed yellow and wan. Then cried out King Afridun to Sharrkan, saying, &amp;quot;By the truth of the Messiah and the Faith which is no liar, thou art nought save a doughty rider and a stalwart fighter; but thou art fraudful and thy nature is not that of the noble. I ken thy work is other than praiseworthy nor is thy prowess that of a Prince; for thy people behave to thee as though thou wert a slave; and see! they bring thee out a charger which is not thine, that thou mayst mount and return to the fight. But by the truth of my Faith, thy fighting irketh and fatigueth me and I am weary of cutting and thrusting with thee; and if thou purpose to lay on load with me to night, thou wouldst not change aught of thy harness nor thy horse, till thou approve to the cavaliers, thy generous blood and skill in brunt.&amp;quot; When Sharrkan heard him say these words concerning his own folk behaving to him though he were a slave, he waxt wroth and turned towards his men, meaning to sign to them and bid them not prepare him change of harness or horse, when lo! Afridun shook his throw spear high in air and cast it at Sharrkan. Now when the Moslem turned his back, he found none of the men near him, and he knew this to be a trick of the accursed Infidel; so he wheeled round in haste and behold, the javelin came at him, so he swerved from it, till his head was bent low as his saddle bow. The weapon grazed his breast, and pierced the skin of his chest, for Sharrkan was high bosomed: whereupon he gave one cry and swooned away. Thereat the accursed Afridun was joyful, thinking he had slain him; and shouted to the Infidels bidding them rejoice, whereat the Faithless were encouraged and the Faithful wept. When Zau al-Makan saw his brother reeling in selle so that he well nigh fell, he despatched cavaliers towards him and the braves hurried to his aid and came up with him. Thereupon the Infidels drove at the Moslems; the two hosts joined battle and the two lines were mingled, whilst the keen scymitar of Al-Yaman did good work. Now the first to reach Sharrkan was the Wazir Dandan,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Zau al-Makan saw that the accursed Infidel had struck with javelin his brother Sharrkan, he deemed him dead, and despatched cavaliers towards him; and the first to reach him were the Wazir Dandan and the Emir of the Turks, Bahram, and the Emir of the Daylamites, Rustam. They found him falling from his horse; so they stayed him in his saddle and returned with him to his brother, Zau al-Makan; then they gave him in charge to his pages, and went again to do the work of cut and thrust. So the strife redoubled and the weapons together clashed and ceased not bate and debate and naught was to be seen but blood flowing and necks bowing; nor did the swords cease on the napes of men to make play nor the strife to rage with more and more affray, till the most part of the night was past away and the two hosts were aweary of the mellay. So they called a truce and each army returned to its tents, whilst all the Infidels repaired to King Afridun and kissed the ground before him, and the priests and monks wished him joy of his victory over Sharrkan. Then the King fared for Constantinople and sat upon the throne of his realm, when King Hardub came to him and said, &amp;quot;May the Messiah strengthen thy fore arm and never cease to be thy helper and hearken to what prayers my pious mother, Zat al-Dawahi, shall pray for thee! Know that the Moslems can make no stay without Sharrkan.&amp;quot; Replied Afridun, &amp;quot;To morrow shall end the affair when to fight I fare: I will seek Zau al-Makan and slay him, and their army shall turn tail and of flight shall avail.&amp;quot; Such was the case with the Kafirs; but as regards the host of Al-Islam, when Zau al-Makan returned to his tent, he thought of naught but his brother and, going into the pavilion, found him in evil case and sore condition; whereupon he summoned for counsel the Wazir Dandan and Rustam and Bahram. When they entered, they opined to assemble the physicians that they might medicine Sharrkan, and they wept and said, &amp;quot;The world will not readily afford his like!&amp;quot; and they watched by him all that night, and about the later hours came to them the Recluse in tears. When Zau al-Makan saw him, he rose in honour; and the Religious stroked Sharrkan's wound with his hand, chanting somewhat of the Koran and repeating by way of talisman some of the verses of the Compassionate One. And the pretender ceased not to watch over him till dawn, when he came to himself and, opening his eyes, moved his tongue in his mouth and spake. At this Zau al-Makan rejoiced, saying, &amp;quot;Of a truth the blessing of the Holy Man hath taken effect on him!&amp;quot; And Sharrkan said, &amp;quot;Praised be Allah for recovery; indeed, I am well at this hour. That accursed one played me false; and, but that I swerved aside lighter than lightening, the throw spear had pierced through my breast. So praised be Allah for saving me! And how is it with the Moslems?&amp;quot; Answered Zau al-Makan, &amp;quot;All are weeping for thee.&amp;quot; Quoth Sharrkan, &amp;quot;I am well and in good case; but where is the Holy Man?&amp;quot; Now he was sitting by him and said, &amp;quot;At thy head.&amp;quot; So the Prince turned to him and kissed his hand when he said, &amp;quot;O my son! Be of good patience and Allah shall increase thy reward; for the wage is measured by the work.&amp;quot; Sharrkan rejoined, &amp;quot;Pray for me,&amp;quot; and he prayed for him. As soon as morning dawned and day brake in shine and sheen, the Moslems sallied out to the plain and the Kafirs made ready to thrust and cut. Then the Islamite host advanced and offered fight with weapons ready dight, and King Zau al-Makan and Afridun made to charge one at other. But when Zau al-Makan fared forth into the field, there came with him the Wazir Dandan and the Chamberlain and Bahram, saying, &amp;quot;We will be thy sacrifice.&amp;quot; He replied, &amp;quot;By the Holy House and Zemzem and the Place! I will not be stayed from going forth against these wild asses.&amp;quot; And when he rode out into the field he played with sword and spear till riders marvelled and both armies wondered; then he rushed upon the foe's right wing and of it slew two knights and in like manner he dealt with the left wing. Presently he stayed his steed in the midst of the field and cried out, &amp;quot;Where is Afridun, that I may make him taste the cup of disgrace?&amp;quot; But when King Hardub saw the case he conjured Afridun not to attack him, saying, &amp;quot;O King, yesterday it was thy turn to fight: it is mine to day. I care naught for his prowess.&amp;quot; So he rushed out towards Zau al-Makan brand in hand and under him a stallion like Abjar, which was Antar's charger and its coat was jet black even as saith the poet,&#xA;&#xA;&amp;quot;On the glancing racer outracing glance * He speeds, as though he&#xA;            would collar Doom:&#xA;His steed's black coat is of darkest jet, * And likest Night in&#xA;            her nightliest gloom:&#xA;Whose neigh sounds glad to the hearer's ears * Like thunders&#xA;             rolling in thun d'rous boom:&#xA;If he race the wind he will lead the way, * And the lightning&#xA;             flash will behind him loom.''&#xA;&#xA;Then each rushed upon the opponent, parrying blows and proving the marvellous qualities were stored in him; and they fell to drawing on and withdrawing till the breasts of the bystanders were straitened and they were weary of waiting for the event. At last Zau al-Makan cried out his war cry and rushed upon Hardub, King of Cæsarea, and struck him a stroke that shore head from trunk and slew him on the spot. When the Infidels saw this, they charged in a body, compact and united, upon Zau al-Makan, who met them amidfield, and they engaged in hewing and foining, till blood ran in rills. Then the Moslems cried out, &amp;quot;Allaho Akbar!&amp;quot; (God is most Great) and &amp;quot;There is no god but the God!&amp;quot;, and invoked salvation for the Prophet, the Bringer of Glad Tidings, the Bearer of Bad Tidings. And there befel a great fight, but Allah assigned victory to the Faithful and defeat to the Faithless. The Wazir Dandan shouted, &amp;quot;Take your blood revenge for King Omar bin al Nu'uman and his son Sharrkan!&amp;quot;; and bared his head and cried out to the Turks. Now there were by his side more than twenty thousand horse, and all charged with him as men, when the Faithless found naught to save their lives but flight. So they turned tail to fly while the biting sabre wrought its havoc and the Moslems slew of them that day some fifty thousand horse and took more than that number: much folk also were slain while going in at the gates, for the flock was great. Then the Greeks hove to the doors and swarmed up the walls to await the assault; and in fine the Moslem hosts returned to their tents aided to glory and victory, and King Zau al-Makan went in to his brother whom he found in most joyous case. So he made a prostration of thanks to the Bountiful and the Exalted; and then he came forward and gave Sharrkan joy of his recovery. Answered he, &amp;quot;Verily we are all under the benediction of this Religious, holy and righteous, nor would you have been victorious, but for his accepted orisons; indeed all day he remained at prayer to invoke victory on the Moslems.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Zau al- Makan went in to his brother Sharrkan, he found him sitting with the Holy Man by his side; so he rejoiced and drew near him and gave him joy of his recovery. Answered he, &amp;quot;Verily we are all under the benediction of this Recluse nor would you have been victorious but for his prayers, indeed he felt no fear this day and he ceased not supplication for the Moslems. I found strength return to me, when I heard your 'Allaho Akbar,' for then I knew you to be victorious over your enemies. But now recount to me, O my brother, what befel thee.&amp;quot; So he told him all that had passed between him and the accursed Hardub and related how he had slain him and sent him to the malediction of Allah; and Sharrkan praised him and thanked him for his prowess. When Zat al-Dawahi heard tell of her son's death (and she still drest as a devotee), her face waxed yellow and her eyes ran over with railing tears: she kept her counsel, however, and feigned to the Moslems that she was glad and wept for excess of joy. But she said to herself, &amp;quot;By the truth of the Messiah, there remaineth no profit of my life, if I burn not his heart for his brother, Sharrkan, even as he hath burned my heart for King Hardub, the mainstay of Christendom and the hosts of Crossdom!&amp;quot; Still she kept her secret. And the Wazir Dandan and King Zau al-Makan and the Chamberlain remained sitting with Sharrkan till they had dressed and salved his wound; after which they gave him medicines and he began to recover strength; whereat they joyed with exceeding joy and told the troops who congratulated themselves, saying, &amp;quot;To morrow he will ride with us and do manly devoir in the siege.&amp;quot; Then said Sharrkan to them, &amp;quot;Ye have fought through all this day and are aweary of fight; so it behoveth that you return to your places and sleep and not sit up.&amp;quot; They accepted his counsel and then each went away to his own pavilion, and none remained with Sharrkan but a few servants and the old woman Zat al-Dawahi. He talked with her through part of the night, then he stretched himself to rest: and his servants did likewise and presently sleep overcame them all and they lay like the dead. Such was the case with Sharrkan and his men; but as regards the old woman she alone abode awake while they slumbered in the tent and, looking at Sharrkan she presently saw that he was drowned in sleep. Thereupon she sprang to her feet, as she were a scald she bear or a speckled snake, and drew from her waist cloth a dagger so poisoned that if laid thereon it would have melted a rock. Then she unsheathed the poniard and went up to Sharrkan's head and she drew the knife across his throat and severed his weasand and hewed off his head from his body. And once more she sprang to her feet; and, going the round of the sleeping servants, she cut off their heads also, lest they should awake. Then she left the tent and made for the Sultan's pavilion, but finding the guards on the alert, turned to that of the Wazir Dandan. Now she found him reading the Koran and when his sight fell upon her he said, &amp;quot;Welcome to the Holy Man!&amp;quot; Hearing this from the Wazir, her heart trembled and she said, &amp;quot;The reason of my coming hither at this time is that I heard the voice of a saint amongst Allah's Saints and am going to him.&amp;quot; Then she turned her back, but the Wazir said to himself, &amp;quot;By Allah, I will follow our Devotee this night!&amp;quot; So he rose and walked after her; but when the accursed old woman sensed his footsteps, she knew that he was following her: wherefore she feared the disgrace of discovery and said in herself, &amp;quot;Unless I serve some trick upon him he will disgrace me.&amp;quot; So she turned and said to him from afar, &amp;quot;Ho, thou Wazir, I am going in search of this Saint that I may learn who he is; and, after learning this much, I will ask his leave for thee to visit him. Then I will come back and tell thee: for I fear thine accompanying me, without having his permission, lest he take umbrage at me seeing thee in my society.&amp;quot; Now when the Wazir heard these words, he was ashamed to answer her; so he left her and returned to his tent, and would have slept; but sleep was not favourable to him and the world seemed heaped upon him. Presently he rose and went forth from the tent saying in himself, &amp;quot;I will go to Sharrkan and chat with him till morning.&amp;quot; But when he entered into Sharrkan's pavilion, he found the blood running like an aqueduct and saw the servants lying with their throats cut like beasts for food. At this he cried a cry which aroused all who were asleep; the folk hastened to him and, seeing the blood streaming, set up a clamour of weeping and wailing. Then the noise awoke the Sultan, who enquired what was the matter, and it was said to him, &amp;quot;Sharrkan thy brother and his servants are murthered.&amp;quot; So he rose in haste and entered the tent, and found the Wazir Dandan shrieking aloud and he saw his brother's body without a head. Thereat he swooned away and all the troops crowded around him, weeping and crying out, and so remained for a while, till he came to himself, when he looked at Sharrkan and wept with sore weeping, while the Wazir and Rustam and Bahram did the like. But the Chamberlain cried and lamented more than the rest and asked leave to absent himself, such was his alarm. Then said Zau al-Makan, &amp;quot;Know ye who did this deed and how is it I see not the Devotee, him who the things of this world hath put away?&amp;quot; Quoth the Wazir, &amp;quot;And who should have been the cause of this affliction, save that Devotee, that Satan? By Allah, my heart abhorred him from the first, because I know that all who pretend to be absorbed in practices religious are vile and treacherous!&amp;quot; And he repeated to the King the tale of how he would have followed the Religious, but he forbade him, whereupon the folk broke out into a tumult of weeping and lamentation and humbled themselves before Him who is ever near, Him who ever answereth prayer, supplicating that He would cause the false Devotee who denied Allah's testimony to fall into their hands. Then they laid Sharrken out and buried him in the mountain aforesaid and mourned over his far-famed virtues.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that they laid Sharrkan out and buried him in the mountain aforesaid and mourned over his far-famed virtues. Then they looked for the opening of the city gate; but it opened not and no sign of men appeared to them on the walls; whereat they wondered with exceeding wonder. But King Zau al-Makan said, &amp;quot;By Allah, I will not turn back from them, though I sit here for years and years, till I take blood revenge for my brother Sharrkan and waste Constantinople and kill the King of the Nazarenes, even if death overcome me and I be at rest from this woeful world!&amp;quot; Then he bade be brought out the treasure taken from the Monastery of Matruhina; and mustered the troops and divided the monies among them, and he left not one of them but he gave him gifts which contented him. Moreover, he assembled in the presence three hundred horse of every division and said to them, &amp;quot;Do ye send supplies to your households, for I am resolved to abide by this city, year after year, till I have taken man bote for my brother Sharrkan, even if I die in this stead.&amp;quot; And when the army heard these words and had received his gifts of money they replied, &amp;quot;To hear is to obey!&amp;quot; Thereupon he summoned couriers and gave them letters and charged them to deliver the same, together with the monies, to the soldiers' families and inform them that all were safe and satisfied, and acquaint them saying, &amp;quot;We are encamped before Constantinople and we will either destroy it or die; and, albeit we be obliged to abide here months and years, we will not depart hence till we take it.&amp;quot; Moreover, he bade the Wazir Dandan write to his sister, Nuzhat al-Zaman, and said to him, &amp;quot;Acquaint her with what hath befallen us, and what be our situation and commend my child to her care since that, when I went out to war, my wife was near her delivery and by this time she must needs have been brought to bed; and if she hath given birth to a boy, as I have heard say, hasten your return and bring me the acceptable news.&amp;quot; Then he gave them somewhat of money, which they pouched and set out at once; and all the people flocked forth to take leave of them and entrust them with the monies and the messages. After they had departed, Zau al-Makan turned to the Wazir Dandan and commanded him to advance with the army against the city walls. So the troops pushed forward, but found none on the ramparts, whereat they marvelled, while Zau al-Makan was troubled at the case, for he deeply mourned the severance from his brother Sharrkan and he was sore perturbed about that traitor the Ascetic. In this condition they abode three days without seeing anyone. So far concerning the Moslems; but as regards the Greeks and the cause of their refusing to fight during these three days the case was this. As soon as Zat al-Dawahi had slain Sharrkan, she hastened her march and reached the walls of Constantinople, where she called out in the Greek tongue to the guards to throw her down a rope. Quoth they, &amp;quot;Who art thou?&amp;quot;; and quoth she, &amp;quot;I am Zat al- Dawahi.&amp;quot; They knew her and let down a cord to which she tied herself and they drew her up; and, when inside the city, she went in to the King Afridun and said to him, &amp;quot;What is this I hear from the Moslems? They say that my son King Hardub is slain.&amp;quot; He answered, &amp;quot;Yes;&amp;quot; and she shrieked out and wept right grievously and ceased not weeping thus till she made Afridun and all who were present weep with her. Then she told the King how she had slain Sharrkan and thirty of his servants, whereat he rejoiced and thanked her; and, kissing her hands, exhorted her to resignation for the loss of her son. Said she, &amp;quot;By the truth of the Messiah, I will not rest content with killing that dog of the Moslem dogs in blood revenge for my son, a King of the Kings of the age! Now there is no help for it but that I work some guile and I contrive a wile whereby to slay the Sultan Zau al-Makan and the Wazir Dandan and the Chamberlain and Rustam and Bahram and ten thousand cavaliers of the army of Al-Islam; for it shall never be said that my son's head be paid with the bloodwit of Sharrkan's head; no, never!&amp;quot; Then said she to King Afridun, &amp;quot;Know, O King of the Age, that it is my wish to set forth mourning for my son and to cut my Girdle and to break the Crosses.&amp;quot; Replied Afridun, &amp;quot;Do what thou desire; I will not gainsay thee in aught. And if thou prolong thy mourning for many days it were a little thing; for though the Moslems resolve to beleaguer us years and years, they will never win their will of us nor gain aught of us save trouble and weariness.&amp;quot; Then the Accursed One (when she had ended with the calamity she had wrought and the ignominies which in herself she had thought) took ink case and paper and wrote thereon: &amp;quot;From Shawahi, Zat al- Dawahi, to the host of the Moslems. Know ye that I entered your country and duped by my cunning your nobles and at first hand I slew your King Omar bin al-Nu'uman in the midst of his palace. Moreover, I slew, in the affair of the mountain pass and of the cave, many of your men; and the last I killed were Sharrkan and his servants. And if fortune do not stay me and Satan obey me, I needs must slay me your Sultan and the Wazir Dandan, for I am she who came to you in disguise of a Recluse and who heaped upon you my devices and deceits. Wherefore, an you would be in safety after this, fare ye forth at once; and if you seek your own destruction cease not abiding for the nonce; and though ye tarry here years and years, ye shall not do your desire on us. And so peace be yours!&amp;quot; After writing her writ she devoted three days to mourning for King Hardub; arid, on the fourth, she called a Knight and bade him take the letter and make it fast to a shaft and shoot it into the Moslem camp. When this was done, she entered the church and gave herself up to weeping and wailing for the loss of her son, saying to him who took the kingship after him, &amp;quot;Nothing will serve me but I must kill Zau al-Makan and all the nobles of Al-Islam.&amp;quot; Such was the case with her; but as regards what occurred to the Moslems, all passed three days in trouble and anxiety, and on the fourth when gazing at the walls behold, they saw a knight holding a bow and about to shoot an arrow along whose side a letter was bound. So they waited till he had shot it among them and the Sultan bade the Wazir Dandan take the missive and read it. He perused it accordingly; and, when Zau al-Makan heard it to end and understood its purport, his eyes filled with tears and he shrieked for agony at her perfidy; and the Minister Dandan said, &amp;quot;By Allah, my heart shrank from her!&amp;quot; Quoth the Sultan, &amp;quot;How could this whore play her tricks upon us twice? But by the Almighty I will not depart hence till I fill her cleft with molten lead and jail her with the jailing of a bird encaged, then bind her with her own hair and crucify her over the gate of Constantinople.&amp;quot; And he called to mind his brother and wept with excessive weeping. But when Zat al-Dawahi arrived amongst the Infidels and related to them her adventures at length, they rejoiced at her safety and at the slaying of Sharrkan. There upon the Moslems addressed themselves again to the siege of the city and the Sultan promised his men that, if it should be taken, he would divide its treasures among them in equal parts. But he dried not his tears grieving for his brother till his body was wasted and sick, growing thin as a tooth pick. Presently the Wazir Dandan came in to him and said, &amp;quot;Be of good cheer and keep thine eyes cool and clear; in very sooth thy brother died not but because his hour was come, and there is no profit in this mourning. How well saith the poet,&#xA;&#xA;&amp;quot;Whatso is not to be no sleight shall bring to pass; * What is to&#xA;             be without a failure shall become;&#xA;Soon the becoming fortune shall be found to be, * And Folly's&#xA;             brother shall abide forlorn and glum.&amp;quot;&#xA;&#xA;Wherefore do thou leave this weeping and wailing and hearten thy heart to bear arms.&amp;quot; He replied, &amp;quot;O Wazir, my heart is heavy for the death of my father and my brother and for our absence from hearth and home; and my mind is concerned for my subjects.&amp;quot; Thereupon the Wazir and the bystanders wept; but they ceased not from pushing forward the siege of Constantinople for a length of days. And they being thus, behold, news arrived from Baghdad, by one of the Emirs to the effect that the King's wife had been blessed with a boy, and that his sister, Nuzhat al-Zaman, had named him Kánmákán. Moreover, that the boy bid fair to be famous, already showing wondrous signs and marvellous tokens; and that she had commanded the Olema and the preachers to pray for mother and child from the pulpits and bless them in all wise; furthermore that the twain were well, that the land had enjoyed abundant rains, and that his comrade the Fireman was established in all prosperity, with eunuchs and slaves to wait upon him; but that he was still ignorant of what had befallen him. And she ended with the greeting of peace. Then quoth Zau al- Makan to the Wazir Dandan, &amp;quot;Now is my back strengthened for that I have been blest with a son whose name is Kanmakan.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when they brought him the news of his wife having borne him a boy child, Zau al- Makan rejoiced with great joy and cried, &amp;quot;Now is my back strengthened, for that I have been blessed with a son whose name is Kanmakan.&amp;quot; And he spake to the Wazir Dandan, saying, &amp;quot;I am minded to leave this mourning and order perfections of the Koran for my brother and command almsdeeds on his account.&amp;quot; Quoth the Wazir, &amp;quot;Thy design is good.&amp;quot; Thereupon he caused tents to be pitched over his brother's tomb; so they raised them and gathered together such of the men at arms as could repeat the Koran; and some began reciting the Holy volume; whilst others chanted litanies containing the names of Allah, and thus they did till the morning. Then Zau al-Makan went up to the grave of his brother Sharrkan and poured forth copious tears, and improvised these couplets,&#xA;&#xA;&amp;quot;They bore him bier'd, and all who followed wept * With Moses'&#xA;         shrieks what day o'erhead shook Tor;&#xA;Till reached the grave which Pate had made his home, * Dug in&#xA;           men's souls who one sole God adore:&#xA;Ne'er had I thought before to see my joy * Borne on the bier&#xA;           which heads of bearers bore:&#xA;Ah no! nor ere they homed thee in the dust * That stars of&#xA;           heaven earth ever covered o'er.&#xA;Is the tomb dweller hostage of a stead, * Where light and&#xA;            splendour o'er thy face shall pour?&#xA;Praise to restore his life her word hath pledged: * Cribbed and&#xA;           confined he shall dispread the more!&amp;quot;&#xA;&#xA;When Zau al-Makan had made an end of his versifying he wept and wept with him all the troops; then he came to the grave and threw himself upon it wild with woe, and the Wazir repeated the words of the poet,&#xA;&#xA;&amp;quot;Pain leaving life that fleets thou hast th' eternal won; * Thou&#xA;            didst as whilom many a doer like thee hath done&#xA;Leftest this worldly house without reproach or blame; * Ah, may&#xA;            th' ex change secure thee every benison!&#xA;Thou west from hostile onset shield and firm defence, * For us to&#xA;            baffle shafts and whistling spears to shun.&#xA;I see this world is only cheat and vanity, * Where man naught&#xA;           else must seek but please the Truthful One:&#xA;Th' Empyrean's Lord allow thee bower of heavenly bliss, * And wi'&#xA;            thy faithful friends The Guide show goodly wone:&#xA;I bid thee last good e'en with sigh of bitter grief, * Seeing the&#xA;             West in woe for lack of Easting Sun.&amp;quot;&#xA;&#xA;&#xA;When the Wazir Dandan had finished his reciting, he wept with sore weeping and the tears rained from his eyes like cushioned pearls. Then came forward one who had been of Sharrkan's boon companions in his cups and he wept till ran in rills the drops, and he enumerated the dead man's generous qualities, reciting the following pentastichs,&#xA;&#xA;&#xA;&amp;quot;Where gone is Bounty since thy hand is turned to clay? * And I&#xA;             in misery lie since thou west ta'en away.&#xA;See'st not, O litter guide (Heaven keep thee glad and&#xA;             gay!), * How tears adorn my cheeks, these furrowed wrinkles&#xA;             fray?&#xA;                        A sight to joy shine eyes and fill thee with&#xA;                        dismay.&#xA;By Allah ne'er this heart within I spoke of thee; * Ah no! nor&#xA;             dared my sight to see thy brilliancy:&#xA;Save that my tear drops sorest wound have garred me dree * Yea!&#xA;             and if e'er on other rest these eyne of me,&#xA;                        May yearning draw their reins nor suffer sleep to see.&amp;quot;&#xA;&#xA;&#xA;And when the man stinted reciting, Zau al-Makan and the Minister Dandan wept and the whole army was moved to tears; after which all retired to their tents, and the King turning to the Wazir took counsel with him concerning the conduct of the campaign. On this wise the two passed days and nights, while Zau al-Makan was weighed down with grief and mourning till at last he said, &amp;quot;I long to hear stories and adventures of Kings and tales of lover folk enslaved by love; haply Allah may make this to solace that which is on my heart of heavy anxiety, and stint and stay my weeping and wailing.&amp;quot; Quoth the Wazir, &amp;quot;If naught can dispel thy trouble but hearing curious tales of Kings and people long gone before and stories of folk enslaved by love of yore, and so forth, this thing were easy, for I had no other business, in the lifetime of thy father (who hath found mercy) than to relate stories and to repeat verses to him. This very night I will tell thee a tale of a lover and his beloved, so shall thy breast be broadened.&amp;quot; When Zau al-Makan heard these words from the Minister, his heart was set upon that which had been promised to him and he did nothing but watch for the coming of the night, that he might hear what the Wazir Dandan had to tell of the Kings of yore and distracted lovers long gone before. And hardly would he believe that night had fallen ere he bade light the wax candles and the lamps and bring all that was needful of meat and drink and perfume gear, and what not; and when all was in presence, he summoned the Wazir Dandan, and the Emirs Rustam and Bahram and Tarkash and the Grand Chamberlain; then waited till the whole party was seated before him; whereupon he turned to the Minister and said, &amp;quot;Know, O Wazir, that night is come and hath let down over us its veil of gloom, and we desire that thou tell us those tales which thou promisedst us.&amp;quot; Replied the Wazir, &amp;quot;With joy and good will.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Zau Al-Makan summoned the Wazir and the Chamberlain and Rustam and Bahram, he turned towards the Minister Dandan and said, &amp;quot;Know, O Wazir, that night is come and hath let down over us its veil of gloom, and we desire that thou tell us those tales which thou promisedst us.&amp;quot; Replied the Wazir, &amp;quot;With love and gladness! Know, O auspicious King, that there reached my ears a relation of a lover and a loved one and of the discourse between them and what befel them of things rare and fair, a story such as repelleth care from the heart and dispelleth sorrow like unto that of the patriarch Jacob; and it is as follows&amp;quot;:&#xA;&#xA;Footnotes:&#xA;&#xA;&#xA; This knightly tale, the longest in the Nights (xliv.— cxlv.), about one-eighth of the whole, does not appear in the Bres. Edit. Lane, who finds it &amp;quot;objectionable,&amp;quot; reduces it to two of its episodes, Azíz-cum-Azízah and Táj al-Mulúk. On the other hand it has been converted into a volume (8vo, pp. 240) &amp;quot;Scharkan, Conte Arabe,&amp;quot; etc. Traduit par M. Asselan Riche, etc. Paris: Dondey-Dupré. 1829. It has its longueurs and at times is longsome enough; but it is interesting as a comparison between the chivalry of Al-Islam and European knight-errantry. Although all the characters are fictitious the period is evidently in the early crusading days. Cæsarea, the second capital of Palestine, taken during the Caliphate of Omar (A.H. 19) and afterwards recovered, was fortified in A.H. 353 = 963 as a base against the Arabs by the Emperor Phocas, the Arab. &amp;quot;Nakfúr&amp;quot; i.e. Nicephorus. In A.H. 498=1104, crusading craft did much injury by plundering merchantmen between Egypt and Syria, to which allusion is found in the romance. But the story teller has not quite made up his mind about which Cæsarea he is talking, and M. Riche tells us that Césarée is a &amp;quot;ville de la Mauritanie, en Afrique&amp;quot; (p. 20).&#xA;&#xA; The fifth Ommiade Caliph reign. A.H. 65-86 = 685-704.&#xA;&#xA; This does not merely mean that no one was safe from his wrath: or, could approach him in the heat of fight: it is a reminiscence of the masterful &amp;quot;King Kulayb,&amp;quot; who established game-laws in his dominions and would allow no man to approach his camp-fire. Moreover the Jinn lights a fire to decoy travellers, but if his victim be bold enough to brave him, he invites him to take advantage of the heat.&#xA;&#xA; China.&#xA;&#xA; The Jaxartes and the Bactrus (names very loosely applied).&#xA;&#xA; In full &amp;quot;Sharrun kána&amp;quot; i.e. an evil (Sharr) has come to being (kána) that is, &amp;quot;bane to the foe&amp;quot; a pagan and knightly name. The hero of the Romance &amp;quot;Al-Dalhamah&amp;quot; is described as a bitter gourd (colocynth), a viper, a calamity.&#xA;&#xA; This is a Moslem law (Koran chaps. iv. bodily borrowed from the Talmud) which does not allow a man to marry one wife unless he can carnally satisfy her. Moreover he must distribute his honours equally and each wife has a right to her night unless she herself give it up. This was the case even with the spouses of the Prophet; and his biography notices several occasions when his wives waived their rights in favour of one another M. Riche kindly provides the King with la piquante francaise (p. 15).&#xA;&#xA; So the celebrated mosque in Stambul, famed for being the largest church in the world is known to the Greeks as &amp;quot;Agia (pron. Aya) Sophia&amp;quot; and to Moslems as &amp;quot;Aye Sofíyeh&amp;quot; (Holy Wisdom) i.e. the Logos or Second Person of the Trinity (not a Saintess). The sending a Christian girl as a present to a Moslem would, in these days, be considered highly scandalous. But it was done by the Mukaukis or Coptic Governor of Egypt (under Heraclius) who of course hated the Greeks. This worthy gave two damsels to Mohammed; one called Sírín and the other Máriyah (Maria) whom the Prophet reserved for his especial use and whose abode is still shown at Al-Medinah. The Rev. Doctor Badger (loc. cit. p. 972) gives the translation of an epistle by Mohammed to this Mukaukis, written in the Cufic character ( ? ?) and sealed &amp;quot;Mohammed, The Apostle of Allah.&amp;quot; My friend seems to believe that it is an original, but upon this subject opinions will differ. It is, however, exceedingly interesting, beginning with &amp;quot;Bismillah,&amp;quot; etc., and ending (before the signature) with a quotation from the Koran (iii. 57); and it may be assumed as a formula addressee to foreign potentates by a Prophet who had become virtually &amp;quot;King of Arabia.&amp;quot;&#xA;&#xA; This prayer before &amp;quot;doing the deed of kind&amp;quot; is, I have said, Moslem as well Christian.&#xA;&#xA; Exodus i. 16, quoted by Lane (M. E., chaps. xxvii.).&#xA;Torrens in his Notes cites Drayton's &amp;quot;Moon-calf':—&#xA;            Bring forth the birth-stool—no, let it alone;&#xA;            She is so far beyond all compass grown,&#xA;            Some other new device us needs must stead,&#xA;            Or else she never can be brought to bed.&#xA;It is the &amp;quot;groaning-chair&amp;quot; of Poor Robin's Almanac (1676) and we find it alluded to in Boccaccio, the classical sedile which according to scoffers has formed the papal chair (a curule seat) ever since the days of Pope Joan, when it has been held advisable for one of the Cardinals to ascertain that His Holiness possesses all the instruments of virility. This &amp;quot;Kursí al-wiládah&amp;quot; is of peculiar form on which the patient is seated. A most interesting essay might be written upon the various positions preferred during delivery, e.g. the wild Irish still stand on all fours, like the so-called &amp;quot;lower animals.&amp;quot; Amongst the Moslems of Waday, etc., a cord is hung from the top of the hut, and the woman in labour holds on to it standing with her legs apart, till the midwife receives the child.&#xA;&#xA; Some Orientalists call &amp;quot;lullilooing&amp;quot; the trilling cry, which is made by raising the voice to its highest pitch and breaking it by a rapid succession of touches on the palate with the tongue-tip, others &amp;quot;Ziraleet&amp;quot; and Zagaleet, and one traveller tells us that it began at the marriage-festival of Isaac and Rebecca (!). Arabs term it classically &amp;quot;Tahlíl&amp;quot; and vulgarly &amp;quot;Zaghrutah&amp;quot; (Plur. Zaghárit) and Persians &amp;quot;Kil.&amp;quot; Finally in Don Quixote we have &amp;quot;Lelilies,&amp;quot; the battle-cry of the Moors (Duffield iii. 289). Dr. Buchanan likens it to a serpent uttering human sounds, but the good missionary heard it at the festival of Jagannath. (Pilgrimage iii. 197 )&#xA;&#xA; i.e. &amp;quot;Light of the Place&amp;quot; (or kingdom) and &amp;quot;Delight of the&#xA;Age.&amp;quot;&#xA;&#xA; It is utterly absurd to give the old heroic Persian name Afridun or Furaydun, the destroyer of Zohák or Zahhák to a Greek, but such anachronisms are characteristic of The Nights and are evidently introduced on purpose. See Boccaccio, ix. 9.&#xA;&#xA; Arab. &amp;quot;Yunán&amp;quot; lit. Ionia, which applies to all Greece, insular and continental, especially to ancient Greece.&#xA;&#xA; In 1870 I saw at Sidon a find of some hundreds of gold&#xA;&amp;quot;Philippi&amp;quot; and &amp;quot;Alexanders.&amp;quot;&#xA;&#xA; M. Riche has (p. 21), &amp;quot;Ces talismans travaillés par le ciseau du célèbre Califaziri,&amp;quot; adding in a note, &amp;quot;Je pense que c'est un sculpteur Arabe.&amp;quot;&#xA;&#xA; This periphrase, containing what seems to us a useless negative, adds emphasis in Arabic.&#xA;&#xA; This bit of geographical information is not in the Bull&#xA;Edit.&#xA;&#xA; In Pers. = a tooth, the popular word.&#xA;&#xA; This preliminary move, called in Persian Nakl-i Safar, is generally mentioned. So the Franciscan monks in California, when setting out for a long journey through the desert, marched three times round the convent and pitched tents for the night under its walls.&#xA;&#xA; In Arab. &amp;quot;Khazinah&amp;quot; or &amp;quot;Khaznah&amp;quot; lit. a treasure, representing 1,000 &amp;quot;Kís&amp;quot; or purses (each=£5). The sum in the text is 7,000 purses X 5=£35,000.&#xA;&#xA; Travellers often prefer such sites because they are sheltered from the wind, and the ground is soft for pitching tents; but many have come to grief from sudden torrents following rain.&#xA;&#xA; Arab &amp;quot;Ghábah&amp;quot; not a forest in our sense of the word, but a place where water sinks and the trees (mostly Mimosas), which elsewhere are widely scattered, form a comparatively dense growth and collect in thickets. These are favourite places for wild beasts during noon-heats.&#xA;&#xA; At various times in the East Jews and Christians were ordered to wear characteristic garments, especially the Zunnár or girdle.&#xA;&#xA; The description is borrowed from the Coptic Convent, which invariably has an inner donjon or keep. The oldest monastery in the world is Mar Antonios (St. Anthony the Hermit) not far from Suez. (Gold Mines of Midian, p. 85.)&#xA;&#xA; &amp;quot;Dawáhí,&amp;quot; plur. of Dáhiyah = a mishap. The title means &amp;quot;Mistress of Misfortunes&amp;quot; or Queen of Calamities (to the enemy); and the venerable lady, as will be seen, amply deserved her name, which is pronounced Zát al-Dawáhí.&#xA;&#xA; Arab. &amp;quot;Kunfuz&amp;quot;=hedgehog or porcupine.&#xA;&#xA; These flowers of speech are mere familiarities, not insults. In societies where the sexes are separated speech becomes exceedingly free. &amp;quot;Étourdie que vous êtes,&amp;quot; says M. Riche, toning down the text.&#xA;&#xA; Arab. &amp;quot;Zirt,&amp;quot; a low word. The superlative &amp;quot;Zarrát&amp;quot; (fartermost) or, &amp;quot;Abu Zirt&amp;quot; (Father of farts) is a facetious term among the bean-eating Fellahs and a deadly insult amongst the Badawin (Night ccccx.). The latter prefer the word Taggáa (Pilgrimage iii. 84). We did not disdain the word in farthingale=pet en air.&#xA;&#xA; Arab. &amp;quot;kicked&amp;quot; him, i.e. with the sharp corner of the shovel-stirrup. I avoid such expressions as &amp;quot;spurring&amp;quot; and &amp;quot;pricking over the plain,&amp;quot; because apt to give a wrong idea.&#xA;&#xA; Arab. &amp;quot;Allaho Akbar!&amp;quot; the classical Moslem slogan.&#xA;&#xA; Arab horses are never taught to leap, so she was quite safe on the other side of a brook nine feet broad.&#xA;&#xA; &amp;quot;Batrík&amp;quot; (vulg. Bitrík)=patricius, a title given to&#xA;Christian knights who commanded ten thousand men; the Tarkhan (or&#xA;Nobb) heading four thousand, and the Kaumas (Arab. Káid) two&#xA;hundred. It must not be confounded with Batrak (or&#xA;Batrik)=patriarcha. (Lane's Lex.)&#xA;&#xA; Arab. &amp;quot;Kázi al-Kuzát,&amp;quot; a kind of Chief Justice or Chancellor. The office wag established under the rule of Harun al Rashid, who so entitled Abú Yúsuf Ya'akab al-Ansári: therefore the allusion is anachronistic. The same Caliph also caused the Olema to dress as they do still.&#xA;&#xA; The allusion is Koranic: &amp;quot;O men, if ye be in doubt concerning the resurrection, consider that He first created you of the dust of the ground (Adam), afterwards of seed&amp;quot; (chaps. xxii.). But the physiological ideas of the Koran are curious. It supposes that the Mani or male semen is in the loins and that of women in the breast bone (chaps Ixxxvi.); that the mingled seed of the two (chaps. Ixxvi.) fructifies the ovary and that the child is fed through the navel with menstruous blood, hence the cessation of the catamenia. Barzoi (Kalilah and Dímnah) says:— &amp;quot;Man's seed, falling into the woman's womb, is mixed with her seed and her blood: when it thickens and curdles the Spirit moves it and it turns about like liquid cheese; then it solidifies, its arteries are formed, its limbs constructed and its joints distinguished. If the babe is a male, his face is placed towards his mother's back; if a female, towards her belly.&amp;quot; (P. 262, Mr. L G.N. Keith- Falconer's translation.) But there is a curious prolepsis of the spermatozoa-theory. We read (Koran chaps. vii.), &amp;quot;Thy Lord drew forth their posterity from the loins of the sons of Adam;&amp;quot; and the commentators say that Allah stroked Adam's back and extracted from his loins all his posterity, which shall ever be, in the shape of small ants; these confessed their dependence on God and were dismissed to return whence they came.&amp;quot; From this fiction it appears (says Sale) that the doctrine of pre-existence is not unknown to the Mohammedans, and there is some little conformity between it and the modern theory of generatio ex animalculis in semine marium. The poets call this Yaum-i-Alast = the Day of Am-I-not (-your Lord)? which Sir William Jones most unhappily translated &amp;quot;Art thou not with thy Lord ?&amp;quot; (Alasta bi Rabbi- kum); fand they produce a grand vision of unembodied spirits appearing in countless millions before their Creator.&#xA;&#xA; The usual preliminary of a wrestling bout.&#xA;&#xA; In Eastern wrestling this counts as a fair fail. So Ajax fell on his back with Ulysses on his breast. (Iliad xxxii., 700, etc.)&#xA;&#xA; So biting was allowed amongst the Greeks in the , the final struggle on the ground.&#xA;&#xA; Supposed to be names of noted wrestlers. &amp;quot;Kayim&amp;quot; (not El-Kim as Torrens has it) is a term now applied to a juggler or &amp;quot;professor&amp;quot; of legerdemain who amuses people in the streets with easy tricks. (Lane, M. E., chaps. xx.)&#xA;&#xA; Lit. &amp;quot;laughed in his face&amp;quot; which has not the unpleasant meaning it bears in English.&#xA;&#xA; Arab. &amp;quot;Abu riyáh&amp;quot;=a kind of child's toy. It is our &amp;quot;bull-roarer&amp;quot; well known in Australia and parts of Africa.&#xA;&#xA; The people of the region south of the Caspian which is called &amp;quot;Sea of Daylam.&amp;quot; It has a long history; for which see D'Herbelot, s.v. &amp;quot;Dilem.&amp;quot;&#xA;&#xA; Coptic convents in Egypt still affect these drawbridges over the keep-moat.&#xA;&#xA; Koran iv., xxii. etc., meaning it is lawful to marry women taken in war after the necessary purification although their husbands be still living. This is not permitted with a free woman who is a True Believer. I have noted that the only concubine slave-girl mentioned in the Koran are these &amp;quot;captives possessed by the right hand.&amp;quot;&#xA;&#xA; The Amazonian dame is a favourite in folk-lore and is an ornament to poetry from the Iliad to our modern day. Such heroines, apparently unknown to the Pagan Arabs, were common in the early ages of Al-Islam as Ockley and Gibbon prove, and that the race is not extinct may be seen in my Pilgrimage (iii. 55) where the sister of Ibn Rumi resolved to take blood revenge for her brother.&#xA;&#xA; And Solomon said, &amp;quot;O nobles, which of you will bring me her throne ?&amp;quot; A terrible genius (i.e. an If rit of the Jinn named Dhakwan or the notorious Sakhr) said, &amp;quot; I will bring it unto thee before thou arise from thy seat (of justice); for I am able to perform it, and may be trusted&amp;quot; (Koran, xxvii. 38-39). Balkís or Bilkís (says the Durrat al-Ghawwás) daughter of Hozád bin Sharhabíl, twenty-second in the list of the rulers of Al- Yaman, according to some murdered her husband, and became, by Moslem ignorance, the Biblical &amp;quot; Queen of Sheba.&amp;quot; The Abyssinians transfer her from Arabian Saba to Ethiopia and make her the mother by Solomon of Menelek, their proto-monarch; thus claiming for their royalties an antiquity compared with which all reigning houses in the world are of yesterday. The dates of the Tabábi'ah or Tobbas prove that the Bilkis of history ruled Al-Yaman in the early Christian era.&#xA;&#xA; Arab. &amp;quot;Fass,&amp;quot; fiss or fuss; the gem set in a ring; also applied to a hillock rounded en cabochon. In The Nights it is used to signify &amp;quot;a fine gem.&amp;quot;&#xA;&#xA; This prominence of the glutæi muscles is always insisted upon, because it is supposed to promise well in a bed-fellow. In Somali land where the people are sub- steatopygous, a rich young man, who can afford such luxury, will have the girls drawn up in line and choose her to wife who projects furthest behind&#xA;&#xA; The &amp;quot;bull&amp;quot; is only half mine.&#xA;&#xA; A favourite Arab phrase, the &amp;quot;hot eye&amp;quot; is one full of tears.&#xA;&#xA; i.e., &amp;quot;Coral,&amp;quot; coral branch, a favourite name for a slave-girl, especially a negress. It is the older &amp;quot;Morgiana.&amp;quot; I do not see why Preston in Al-Haríni's &amp;quot;Makamah (Séance) of Singar&amp;quot; renders it pearls, because Golius gives &amp;quot;small pearls,&amp;quot; when it is evidently &amp;quot;coral.&amp;quot; Richardson (Dissert. xlviii.) seems to me justified in finding the Pari (fairy) Marjan of heroic Persian history reflected in the Fairy Morgain who earned off King Arthur after the battle of Camelon.&#xA;&#xA; Arab. &amp;quot;'Ud Jalaki&amp;quot;=Jalak or Jalik being a poetical and almost obsolete name of Damascus.&#xA;&#xA; The fountain in Paradise whose water shall be drunk with &amp;quot;pure&amp;quot; wine mixed and sealed with musk (for clay). It is so called because it comes from the &amp;quot;Sanam&amp;quot; (Sanima, to be high) boss or highest ridge of the Moslem Heaven (Koran lv. 78 and lxxxiii. 27). Mr. Rodwell says &amp;quot;it is conveyed to the highest apartments in the Pavilions of Paradise.&amp;quot; (?)&#xA;&#xA; This &amp;quot;hysterical&amp;quot; temperament is not rare even amongst the bravest Arabs.&#xA;&#xA; An idea evidently derived from the Æolipyla (olla animatoria) the invention of Hero Alexandrinus, which showed that the ancient Egyptians could apply the motive force of steam.&#xA;&#xA; Kuthayyir ibn Abi Jumah, a poet and far-famed Ráwí or Tale-reciter, mentioned by Ibn Khallikan he lived at Al-Medinah and sang the attractions of one Azzah, hence his soubriquet Sáhib (lover of) Azzah. As he died in A. H. 105 (=726), his presence here is a gross anachronism the imaginary Sharrkan flourished before the Caliphate of Abd al-Malik bin Marwán A. H. 65-86.&#xA;&#xA; Jamíl bin Ma'amar, a poet and lover contemporary with&#xA;Al-Kuthayrir.&#xA;&#xA; Arab. &amp;quot;Tafazzal,&amp;quot; a word of frequent use in conversation=&amp;quot;favour me,&amp;quot; etc.&#xA;&#xA; The word has a long history. From the Gr. or is the Lat. stibium; while the Low Latin &amp;quot;antimonium&amp;quot; and the Span. Althimod are by metathesis for Al-Ithmid. The dictionaries define the substance as a stone from which antimony is prepared, but the Arabs understand a semi-mythical mineral of yellow colour which enters into the veins of the eyes and gives them Iynx-like vision. The famous Anz nicknamed Zarká (the blue eyed) of Yamámah (Province) used it; and, according to some, invented Kohl. When her (protohistoric) tribe Jadis had destroyed all the rival race of Tasm, except Ribáh ibn Murrah; the sole survivor fled to the Tobba of Al-Yaman, who sent a host to avenge him. The king commanded his Himyarites to cut tree-boughs and use them as screens (again Birnam wood). Zarká from her Utum, or peel-tower, saw the army three marches off and cried, &amp;quot;O folk, either trees or Himyar are coming upon you!&amp;quot; adding, in Rajaz verse:—&#xA;&#xA;I swear by Allah that trees creep onward, or that Himyar beareth somewhat which he draweth along!&#xA;&#xA;She then saw a man mending his sandal. But Jadis disbelieved; Cassandra was slain and, when her eyes were cut out the vessels were found full of Ithmid. Hence Al-Mutanabbi sang:&#xA;&#xA;&amp;quot;Sharper-sighted than Zarká of Jau&amp;quot; (Yamámah).&#xA;&#xA;See C. de Perceval i. 101; Arab. Prov. i. 192; and Chenery p. 381.&#xA;(The Assemblies of Al-Hariri; London, Williams and Norgate, 1867).&#xA;I have made many enquiries into the true nature of Ithmid and&#xA;failed to learn anything: on the Upper Nile the word is=Kohl.&#xA;&#xA; The general colour of chessmen in the East, where the game is played on a cloth more often than a board.&#xA;&#xA; Arab. &amp;quot;Al-fil,&amp;quot; the elephant=the French fol or fou and our bishop. I have derived &amp;quot;elephant&amp;quot; from Píl (old Persian, Sansk. Pilu) and Arab. Fil, with the article Al-Fil, whence the Greek the suffix—as being devoted to barbarous words as Obod-as (Al Ubayd), Aretas (Al-Háris), etc. Mr. Isaac Taylor (The Alphabet i. 169), preserves the old absurdity of &amp;quot;eleph-ant or ox-like (!) beast of Africa.&amp;quot; Prof. Sayce finds the word al-ab (two distinct characters) in line 3, above the figure of an (Indian) elephant, on the black obelisk of Nimrod Mound, and suggests an Assyrian derivation.&#xA;&#xA; Arab. &amp;quot;Shaukat&amp;quot; which may also mean the &amp;quot;pride&amp;quot; or &amp;quot;mainstay&amp;quot; (of the army).&#xA;&#xA; Lit. &amp;quot;smote him on the tendons of his neck.&amp;quot; This is the famous shoulder-cut (Tawash shuh) which, with the leg-cut (Kalam), formed, and still forms, the staple of Eastern attack with the sword.&#xA;&#xA; Arab. &amp;quot;Dirás.&amp;quot; Easterns do not thresh with flails. The material is strewed over a round and smoothed floor of dried mud in the open air and threshed by different connivances. In Egypt the favourite is a chair-like machine called &amp;quot;Norag,&amp;quot; running on iron plates and drawn by bulls or cows over the corn. Generally, however, Moslems prefer the old classical , the Tribulum of Virgil and Varro, a slipper-shaped sled of wood garnished on the sole with large-headed iron nails, or sharp fragments of flint or basalt. Thus is made the &amp;quot;Tibn&amp;quot; or straw, the universal hay of the East, which our machines cannot imitate.&#xA;&#xA; These numbers appear to be grossly exaggerated, but they were possible in the days of sword and armour: at the battle of Saffayn the Caliph Ali is said to have cut down five hundred and twenty-three men in a single night.&#xA;&#xA; Arab. &amp;quot;Bika'á&amp;quot;: hence the &amp;quot;Buka'ah&amp;quot; or Clesyria.&#xA;&#xA; Richardson in his excellent dictionary (note 103) which modern priggism finds &amp;quot;unscientific &amp;quot; wonderfully derives this word from Arab. &amp;quot;Khattáf,&amp;quot; a snatcher (i.e. of women), a ravisher. It is an evident corruption of &amp;quot;captivus&amp;quot; through Italian and French&#xA;&#xA; These periodical and fair-like visitations to convents are still customary; especially amongst the Christians of Damascus.&#xA;&#xA; Camphor being then unknown.&#xA;&#xA; The &amp;quot;wrecker&amp;quot; is known all over the world; and not only barbarians hold that ships driven ashore become the property of the shore&#xA;&#xA; Arab. &amp;quot;Jokh&amp;quot;: it is not a dictionary word, but the only term in popular use for European broadcloth.&#xA;&#xA; The second person plural is used because the writer would involve the subjects of his correspondent in the matter.&#xA;&#xA; This part of the phrase, which may seem unnecessary to the European, is perfectly intelligible to all Orientalists. You may read many an Eastern letter and not understand it. Compare Boccacoo iv. 1.&#xA;&#xA; i.e. he was greatly agitated&#xA;&#xA; In text &amp;quot;Li-ajal a al-Taudi'a,&amp;quot; for the purpose of farewelling, a low Egyptianism; emphatically a &amp;quot;Kalám wáti.&amp;quot; (Pilgrimage thee iii. 330.)&#xA;&#xA; In the Mac. Edit. Sharrkan speaks, a clerical error.&#xA;&#xA; The Farsakh (Germ. Stunde) a measure of time rather than distance, is an hour's travel or its equivalent, a league, a meile=three English stat. miles. The word is still used in Persia its true home, but not elsewhere. It is very old, having been determined as a lineal measure of distance by Herodotus (ii. 5 and 6 ; v. 53), who computes it at 30 furlongs (=furrow-lengths, 8 to the stat. mile). Strabo (xi.) makes it range from 40 to 60 stades (each=606 feet 9 inches), and even now it varies between 1,500 to 6,000 yards. Captain Francklin (Tour to Persia) estimates it = about four miles. (Pilgrimage ii. 113.)&#xA;&#xA; Arab. &amp;quot;Ashhab.&amp;quot; Names of colours are few amongst semi civilised peoples, but in Arabia there is a distinct word for every shade of horseflesh.&#xA;&#xA; She had already said to him &amp;quot;Thou art beaten in everything!&amp;quot;&#xA;&#xA; Showing that she was still a Christian.&#xA;&#xA; This is not Badawi sentiment: the honoratioren amongst wild people would scorn such foul play; but amongst the settled Arabs honour between men and women is unknown and such &amp;quot;hocussing&amp;quot; would be held quite fair.&#xA;&#xA; The table of wine, in our day, is mostly a japanned tray with glasses and bottles, saucers of pickles and fruits and, perhaps, a bunch of flowers and aromatic herbs. During the Caliphate the &amp;quot;wine-service&amp;quot; was on a larger scale.&#xA;&#xA; Here the &amp;quot;Bhang&amp;quot; (almost a generic term applied to hellebore, etc.) may be hyoscyamus or henbane. Yet there are varieties of Cannabis, such as the Dakha of South Africa capable of most violent effect. I found the use of the drug well known to the negroes of the Southern United States and of the Brazil, although few of their owners had ever heard of it.&#xA;&#xA; Amongst Moslems this is a reference to Adam who first &amp;quot;sinned against himself,' and who therefore is called &amp;quot; Safíyu'llah,&amp;quot; the Pure of Allah. (Pilgrimage iii. 333.)&#xA;&#xA; Meaning, an angry, violent man.&#xA;&#xA; Arab. &amp;quot;Inshád,&amp;quot; which may mean reciting the verse of another or improvising one's own. In Modern Egypt &amp;quot;Munshid&amp;quot; is the singer or reciter of poetry at Zikrs (Lane M. E. chaps. xxiv.). Here the verses are quite bad enough to be improvised by the hapless Princess.&#xA;&#xA; The negro skin assumes this dust colour in cold, fear, concupiscence and other mental emotions.&#xA;&#xA; He compares her glance with the blade of a Yamani sword, a lieu commun of Eastern poetry. The weapons are famous in The Nights; but the best sword-cutlery came from Persia as the porcelain from China to Sana'á. Here, however, is especial allusion as to the sword &amp;quot;Samsam&amp;quot; or &amp;quot;Samsamah.&amp;quot; It belonged to the Himyarite Tobba, Amru bin Ma'ad Kurb, and came into the hands of Harun al-Rashid. When the Emperor of the Greeks sent a present of superior sword-blades to him by way of a brave, the Caliph, in the presence of the Envoys, took &amp;quot;Samsam&amp;quot; in hand and cut the others in twain as if they were cabbages without the least prejudice to the edge of &amp;quot;Samsam.&amp;quot;&#xA;&#xA; This touch of pathos is truly Arab. So in the &amp;quot;Romance of Dalhamah&amp;quot; (Lane, M. E. xxiii.) the infant Gundubah sucks the breast of its dead mother and the King exclaims, &amp;quot;If she had committed this crime she would not be affording the child her milk after she was dead.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Sadda'l-Aktár,&amp;quot; a term picturesque enough to be preserved in English. &amp;quot;Sadd,&amp;quot; I have said, is a wall or dyke, the term applied to the great dam of water- plants which obstructs the navigation of the Upper Nile, the lilies and other growths floating with the current from the (Victoria) Nyanza Lake. I may note that we need no longer derive from India the lotus-llily so extensively used by the Ancient Egyptians and so neglected by the moderns that it has well nigh disappeared. All the Central African basins abound in the Nymphæa and thence it found its way down the Nile Valley.&#xA;&#xA; Arab. &amp;quot;Al Marhúmah&amp;quot;: equivalent to our &amp;quot;late lamented.&amp;quot;&#xA;&#xA; Vulgarly pronounced &amp;quot;Mahmal,&amp;quot; and by Egyptians and Turks &amp;quot;Mehmel.&amp;quot; Lane (M. E. xxiv.) has figured this queenly litter and I have sketched and described it in my Pilgrimage (iii. 12).&#xA;&#xA; For such fits of religious enthusiasm see my Pilgrimage (iii. 254).&#xA;&#xA; &amp;quot;Irák&amp;quot; (Mesopotamia) means &amp;quot;a level country beside the banks of a ever.&amp;quot;&#xA;&#xA; &amp;quot;Al Kuds,&amp;quot; or &amp;quot;Bays al-Mukaddas,&amp;quot; is still the popular name of Jerusalem, from the Heb. Yerushalaim ha-Kadushah (legend on shekel of Simon Maccabeus).&#xA;&#xA; &amp;quot;Follow the religion of Abraham&amp;quot; says the Koran (chaps. iii. 89). Abraham, titled &amp;quot;Khalílu'llah,&amp;quot; ranks next in dignity to Mohammed, preceding Isa, I need hardly say that his tomb is not in Jerusalem nor is the tomb itself at Hebron ever visited. Here Moslems (soi disant) are allowed by the jealousies of Europe to close and conceal a place which belongs to the world, especially to Jews and Christians. The tombs, if they exist, lie in a vault or cave under the Mosque.&#xA;&#xA; Abá, or Abáyah, vulg. Abayah, is a cloak of hair, goat's or camel's; too well known to require description.&#xA;&#xA; Arab. &amp;quot;Al-Wakkád,&amp;quot; the man who lights and keeps up the bath-fires.&#xA;&#xA; Arab. &amp;quot;Má al-Khaláf&amp;quot; (or &amp;quot;Khiláf&amp;quot;) a sickly perfume but much prized, made from the flowers of the Salix Ægyptiaca.&#xA;&#xA; Used by way of soap; like glasswort and other plants.&#xA;&#xA; i.e., &amp;quot;Thou art only just recovered.&amp;quot;&#xA;&#xA; To &amp;quot;Nakh&amp;quot; is to gurgle &amp;quot;Ikh! Ikh!&amp;quot; till the camel kneels. Hence the space called &amp;quot;Barr al-Manákhah&amp;quot; in Al-Medinah (Pilgrimage i. 222, ii. 91). There is a regular camel vocabulary amongst the Arabs, made up like our &amp;quot;Gee&amp;quot; (go ye!), etc. of significant words worn down.&#xA;&#xA; Arab. &amp;quot;Laza,&amp;quot; the Second Hell provided for Jews.&#xA;&#xA; The word has been explained (vol. i. 112). It is trivial, not occurring in the Koran which uses &amp;quot;Arabs of the Desert ;&amp;quot; &amp;quot;Arabs who dwell in tents,&amp;quot; etc. (chaps. ix. and xxxiii.). &amp;quot;A'arábi&amp;quot; is the classical word and the origin of &amp;quot;Arab&amp;quot; is disputed. According to Pocock (Notæ Spec. Hist. Arab.): &amp;quot;Diverse are the opinions concerning the denomination of the Arabs; but the most certain of all is that which draws it from Arabah, which is part of the region of Tehama (belonging to Al-Medinah Pilgrimage ii. 118), which their father Ismail afterwards inhabited.&amp;quot; Tehamah (sierra caliente) is the maritime region of Al Hijaz, the Moslems Holy Land; and its &amp;quot;Arabah,&amp;quot; a very small tract which named a very large tract, must not be confounded, as some have done, with the Wady Arabah, the ancient outlet of the Dead Sea. The derivation of &amp;quot;Arab&amp;quot; from &amp;quot;Ya'arab&amp;quot; a fancied son of Joktan is mythological. In Heb. Arabia may be called &amp;quot;Eretz Ereb&amp;quot; (or &amp;quot;Arab&amp;quot;)=land of the West; but in Arabic &amp;quot;Gharb&amp;quot; (not Ereb) is the Occident and the Arab dates long before the Hebrew.&#xA;&#xA; &amp;quot;When thine enemy extends his hand to thee, cut it off if thou can, or kiss it,&amp;quot; wisely said Caliph al-Mansur.&#xA;&#xA; The Tartur was a peculiar turban worn by the Northern Arabs and shown in old prints. In modern Egypt the term is applied to the tall sugar-loaf caps of felt affected mostly by regular Dervishes. Burckhardt (Proverbs 194 and 398) makes it the high cap of felt or fur proper to the irregular cavalry called Dely or Delaty. In Dar For (Darfour) &amp;quot;Tartur&amp;quot; is a conical cap adorned with beads and cowries worn by the Manghwah or buffoon who corresponds with the Egyptian &amp;quot;Khalbús&amp;quot; or &amp;quot;Maskharah&amp;quot; and the Turkish &amp;quot;Sutari.&amp;quot; For an illustration see Plate iv. fig. 10 of Voyage au Darfour par Mohammed El Tounsy (The Tunisian), Paris, Duprat, 1845.&#xA;&#xA; The term is picturesque and true; we say &amp;quot;gnaw,&amp;quot; which is not so good.&#xA;&#xA; Here, meaning an Elder, a Chief, etc.; the word has been almost naturalised in English. I have noted that Abraham was the first &amp;quot;Shaykh.&amp;quot;&#xA;&#xA; This mention of weighing suggests the dust of Dean Swift and the money of the Gold Coast It was done, I have said, because the gold coin, besides being &amp;quot;sweated&amp;quot; was soft and was soon worn down.&#xA;&#xA; Fem. of Nájí (a deliverer, a saviour)=Salvadora.&#xA;&#xA; This, I have noted, is according to Koranic command (chaps. iv. 88). &amp;quot;When you are saluted with a salutation, salute the person with a better salutation.&amp;quot; The longer answer to &amp;quot;Peace be with (or upon) thee! &amp;quot; is still universally the custom. The &amp;quot;Salem&amp;quot; is so differently pronounced by every Eastern nation that the observant traveller will easily make of it a Shibboleth.&#xA;&#xA; The Badawi, who was fool as well as rogue, begins to fear that he has kidnapped a girl of family.&#xA;&#xA; These examinations being very indecent are usually done in strictest privacy. The great point is to make sure of virginity.&#xA;&#xA; This is according to strict Moslem law: the purchaser may not look at the girl's nakedness till she is his, and he ought to manage matters through an old woman.&#xA;&#xA; Lit. wrath; affliction which chokes; in Hindustani it means simply anger.&#xA;&#xA; i.e. Heaven forbid I be touched by a strange man.&#xA;&#xA; Used for fuel and other purposes, such as making &amp;quot;doss stick.&amp;quot;&#xA;&#xA; Arab &amp;quot;Yaftah'Allah&amp;quot; the offer being insufficient. The rascal is greedy as a Badaw and moreover he is a liar, which the Badawi is not.&#xA;&#xA; The third of the four great Moslem schools of Theology, taking its name from the Imam al-Sháfi'í (Mohammed ibn Idrís) who died in Egypt A.H. 204, and lies buried near Cairo. (Sale's Prel. Disc. sect. viii.)&#xA;&#xA; The Moslem form of Cabbala, or transcendental philosophy of the Hebrews.&#xA;&#xA; Arab. &amp;quot;Bakh&amp;quot; the word used by the Apostle to Ali his son-in-law. It is the Latin &amp;quot;Euge.&amp;quot;&#xA;&#xA; Readers, who read for amusement, will do well to &amp;quot;skip&amp;quot; the fadaises of this highly educated young woman.&#xA;&#xA; There are three Persian Kings of this name (Artaxerxes)&#xA;which means &amp;quot;Flour and milk,&amp;quot; or &amp;quot;high lion.&amp;quot; The text alludes to&#xA;Ardeshir Babegan, so called because he married the daughter of&#xA;Babak the shepherd, founder of the Sassanides in A.D. 202. See&#xA;D,Herberot, and the Dabistan.&#xA;&#xA; Alluding to the proverb, &amp;quot;Folk follow their King's faith,&amp;quot;&#xA;&amp;quot;Cujus regio ejus religio&amp;quot; etc.&#xA;&#xA; Second Abbaside, A.H. 136-158 (=754-775).&#xA;&#xA; The celebrated companion of Mohammed who succeeded Abu Bakr in the Caliphate (A.H. 13-23=634-644). The Sunnis know him as Al-Adil the Just, and the Shiahs detest him for his usurpation, his austerity and harshness. It is said that he laughed once and wept once. The laugh was caused by recollecting how he ate his dough-gods (the idols of the Hanifah tribe) in The Ignorance. The tears were drawn by remembering how he buried alive his baby daughter who, while the grave was being dug, patted away the dust from his hair and beard. Omar was doubtless a great man, but he is one of the most ungenial figures in Moslem history which does not abound in genialities. To me he suggests a Puritan, a Covenanter of the sourest and narrowest type; and I cannot wonder that the Persians abhor him, and abuse him on all occasions.&#xA;&#xA; The austere Caliph Omar whose scourge was more feared than the sword was the - author of the celebrated saying &amp;quot;Consult them (feminines) and do clear contrary-wise.&amp;quot;&#xA;&#xA; Our &amp;quot;honour amongst thieves.&amp;quot;&#xA;&#xA; The sixth successor of Mohammed and founder of the Banu Umayyah or Ommiades, called the &amp;quot;sons of the little mother&amp;quot; from their eponymus (A.H. 41-60=661-680). For his Badawi wife Maysun, and her abuse of her husband, see Pilgrimage iii. 262.&#xA;&#xA; Shaykh of the noble tribe, or rather nation, Banu Tamím and a notable of the day, surnamed, no one knows why, &amp;quot;Sire of the Sea.&amp;quot;&#xA;&#xA; This is essential for cleanliness in hot lands: however much the bath may be used, the body-pile and lower hair, if submitted to a microscope, will show more or less sordes adherent. The axilla-hair is plucked because if shaved the growing pile causes itching and the depilatories are held deleterious. At first vellication is painful but the skin becomes used to it. The pecten is shaved either without or after using depilatories, of which more presently. The body-pile is removed by &amp;quot;Takhfíf&amp;quot;; the Libán Shámi (Syrian incense), a fir- gum imported from Scio, is melted and allowed to cool in the form of a pledget. This is passed over the face and all the down adhering to it is pulled up by the roots (Burckhardt No. 420). Not a few Anglo-Indians have adopted these precautions&#xA;&#xA; This Caliph was a tall, fair, handsome man of awe-inspiring aspect. Omar used to look at him and say, &amp;quot;This is the Cæsar of the Arabs,&amp;quot; while his wife called him a &amp;quot;fatted ass.&amp;quot;&#xA;&#xA; The saying is attributed to Abraham when &amp;quot;exercised&amp;quot; by the unkindly temper of Sarah; &amp;quot;woman is made hard and crooked like a rib;&amp;quot; and the modern addition is, &amp;quot;whoso would straighten her, breaketh her.&amp;quot;&#xA;&#xA; i.e. &amp;quot;When ready and in erection.&amp;quot;&#xA;&#xA; &amp;quot;And do first (before going in to your wives) some act which may be profitable unto your souls&amp;quot; or, for you: soul's good. (Koran, chaps. ii. 223.) Hence Ahnaf makes this prayer.&#xA;&#xA; It was popularly said that &amp;quot;Truth-speaking left Omar without a friend.&amp;quot; Entitled &amp;quot;The Just&amp;quot; he was murdered by Abu Lúlúah, alias Fírúz, a (Magian ?) slave of Al-Maghírah for denying him justice.&#xA;&#xA; Governor of Bassorah under the first four Caliphs. See&#xA;D'Herbelot s.v. &amp;quot;Aschári.&amp;quot;&#xA;&#xA; Ziyad bin Abi Sufyan, illegitimate brother of the Caliph&#xA;Mu'awiyah afterwards governor of Bassorah, Cufa and Al-Hijaz.&#xA;&#xA; The seditions in Kufah were mainly caused by the wilful nepotism of Caliph Othman bin Asákir which at last brought about his death. His main quality seems to have been personal beauty: &amp;quot;never was seen man or woman of fairer face than he and he was the most comely of men:&amp;quot; he was especially famed for beautiful teeth which in old age he bound about with gold wire. He is described as of middling stature, large- limbed, broad shouldered, fleshy of thigh and long in the fore-arm which was hairy. His face inclined to yellow and was pock-marked; his beard was full and his curly hair, which he dyed yellow, fell below his ears. He is called &amp;quot;writer of the Koran&amp;quot; from his edition of the M.S., and &amp;quot;Lord of the two Lights&amp;quot; because he married two of the Prophet's daughters, Rukayyah and Umm Kulthum; and, according to the Shi'ahs who call him Othman-i-Lang or&amp;quot; limping Othman,&amp;quot; he vilely maltreated them. They justify his death as the act of an Ijmá' al-Muslimín, the general consensus of Moslems which ratifies &amp;quot;Lynch law.&amp;quot; Altogether Othman is a mean figure in history.&#xA;&#xA; &amp;quot;Nár&amp;quot; (fire) is a word to be used delicately from its connection with Gehenna. You say, e.g. &amp;quot;bring me a light, a coal (bassah)&amp;quot; etc.; but if you say &amp;quot;bring me fire! &amp;quot; the enemy will probably remark &amp;quot;He wanteth fire even before his time!&amp;quot; The slang expression would be &amp;quot;bring the sweet.&amp;quot; (Pilgrimage i. 121.)&#xA;&#xA; Omar is described as a man of fair complexion, and very ruddy, but he waxed tawny with age, when he also became bald and grey. He had little hair on the cheeks but a long mustachio with reddish ends. In stature he overtopped the people and was stout as he was tall. A popular saying of Mohammed's is, &amp;quot;All (very) long men are fools save Omar, and all (very) short men are knaves save Ali.&amp;quot; The Persians, who abhor Omar, compare every lengthy, ungainly, longsome thing with him; they will say, &amp;quot;This road never ends, like the entrails of Omar.&amp;quot; We know little about Ali's appearance except that he was very short and stout, broad and full-bellied with a tawny complexion and exceedingly hairy, his long beard, white as cotton, filling all the space between his shoulders. He was a &amp;quot;pocket. Hercules,&amp;quot; and incredible tales, like that about the gates of Khaybar, are told of his strength. Lastly, he was the only Caliph who bequeathed anything to literature: his &amp;quot;Cantiloquium&amp;quot; is famous and he has left more than one mystical and prophetic work. See Ockley for his &amp;quot;Sentences&amp;quot; and D'Herbelot s. D. &amp;quot;Ali&amp;quot; and &amp;quot;Gebr.&amp;quot; Ali is a noble figure in Moslem history.&#xA;&#xA; The emancipation from the consequences of his sins; or it may mean a holy death.&#xA;&#xA; Battle fought near Al-Medinah A.D. 625. The word is derived from &amp;quot;shad&amp;quot; (one). I have described the site in my Pilgrimage, (vol. ii. 227).&#xA;&#xA; &amp;quot;Haphsa&amp;quot; in older writers; Omar's daughter and one of Mohammed's wives, famous for her connection with the manuscripts of the Koran. From her were (or claimed to be) descended the Hafsites who reigned in Tunis and extended their power far and wide over the Maghrib (Mauritania), till dispossessed by the Turks.&#xA;&#xA; i.e. humbly without the usual strut or swim: it corresponds with the biblical walking or going softly. (I Kings xxi. 27; Isaiah xxxviii. 15, etc.)&#xA;&#xA; A theologian of the seventh and eighth centuries.&#xA;&#xA; i.e. to prepare himself by good works, especially alms-giving, for the next world.&#xA;&#xA; A theologian of the eighth century.&#xA;&#xA; Abd al-Aziz was eighth Ommiade (regn. A.H. 99=717) and the fifth of the orthodox, famed for a piety little known to his house. His most celebrated saying was, &amp;quot; Be constant in meditation on death: if thou bein straitened case 'twill enlarge it, and if in affluence 'twill straiten it upon thee.&amp;quot; He died. poisoned, it is said, in A.H 101,&#xA;&#xA; Abu Bakr originally called Abd al-Ka'abah (slave of the Ka'abah) took the name of Abdullah and was surnamed Abu Bakr (father of the virgin) when Mohammed, who before had married only widows, took to wife his daughter, the famous or infamous Ayishah. &amp;quot;Bikr&amp;quot; is the usual form, but &amp;quot;Bakr,&amp;quot; primarily meaning a young camel, is metaphorically applied to human youth (Lane's Lex. s. c.). The first Caliph was a cloth-merchant, like many of the Meccan chiefs. He is described as very fair with bulging brow, deep set eyes and thin-checked, of slender build and lean loined, stooping and with the backs of his hands fleshless. He used tinctures of Henna and Katam for his beard. The Persians who hate him, call him &amp;quot;Pir-i-Kaftár,&amp;quot; the old she-hyaena, and believe that he wanders about the deserts of Arabia in perpetual rut which the males must satisfy.&#xA;&#xA; The second, fifth, sixth and seventh Ommiades.&#xA;&#xA; The mother of Omar bin Abd al-Aziz was a granddaughter of&#xA;Omar bin al-Khattab.&#xA;&#xA; Brother of this Omar's successor, Yezid II.&#xA;&#xA; So the Turkish proverb &amp;quot;The fish begins to stink at the head.&amp;quot;&#xA;&#xA; Calling to the slaves.&#xA;&#xA; When the &amp;quot;Day of Arafat&amp;quot; (9th of Zú'l-Hijjah) falls upon a Friday. For this Hajj al- Akbar see my Pilgrimage iii. 226. It is often confounded by writers (even by the learned M. Caussin de Perceval) with the common Pilgrimage as opposed to the Umrah, or &amp;quot; Lesser Pilgrimage&amp;quot; (ibid. iii. 342, etc.). The latter means etymologically cohabiting with a woman in her father's house as opposed to 'Ars or leading her to the husband's home: it is applied to visiting Meccah and going through all the pilgrim-rites but not at the Pilgrimage-season. Hence its title &amp;quot;Hajj al-Asghar&amp;quot; the &amp;quot;Lesser Hajj.&amp;quot; But &amp;quot;Umrah&amp;quot; is also applied to a certain ceremony between the hills Safá (a large hard rock) and Marwah (stone full of flints), which accompanies the Hajj and which I have described (ibid. iii. 344). At Meccah I also heard of two places called Al-Umrah, the Greater in the Wady Fátimah and the Lesser half way nearer the city (ibid. iii. 344).&#xA;&#xA; A fair specimen of the unworthy egoism which all religious systems virtually inculcate Here a pious father leaves his children miserable to save his own dirty soul.&#xA;&#xA; Chief of the Banú Tamín, one of the noblest of tribes, derived from Tamím, the uncle of Kuraysh (Koreish); hence the poets sang:—&#xA;&#xA;             There cannot be a son nobler than Kuraysh,&#xA;             Nor an uncle nobler than Tamím.&#xA;&#xA;The high minded Tamín is contrasted with the mean-spirited Kays, who also gave rise to a tribe; and hence the saying concerning one absolutely inconsistent, &amp;quot;Art thou now Tamín and then Kays?&amp;quot;&#xA;&#xA; Surnamed Al-Sakafi, Governor of Al-Yaman and Irak.&#xA;&#xA; Tenth Ommiade (regn. A H. 105-125 = 724-743).&#xA;&#xA; Or &amp;quot;clothe thee in worn-out clothes&amp;quot; i.e. &amp;quot;Become a Fakir&amp;quot; or religious mendicant.&#xA;&#xA; This gratuitous incest in ignorance injures the tale and is as repugnant to Moslem as to Christian taste.&#xA;&#xA; The child is named either on the day of its birth or on that day week. The father whispers it in the right ear, often adding the Azán or prayer-call, and repeating in the left ear the &amp;quot;Ikámah&amp;quot; or Friday sentence. There are many rules for choosing names according to the week-day, the ascendant planet, the &amp;quot;Sortes Coranicæ,&amp;quot; etc.&#xA;&#xA; Amongst Moslems as amongst Christians there are seven deadly sins: idolatry, murder, falsely charging modest women with unchastity, robbing orphans, usury, desertion in Holy War and disobedience to parents. The difference between the two creeds is noteworthy. And the sage knows only three, intemperance, ignorance and egoism.&#xA;&#xA; Meaning, &amp;quot;It was decreed by Destiny; so it came to pass,&amp;quot; appropriate if not neat.&#xA;&#xA; The short, stout, dark, long-haired and two-bunched camel from &amp;quot;Bukhtar&amp;quot; (Bactria), the &amp;quot;Eastern&amp;quot; (Bakhtar) region on the Amu or Jayhun (Oxus) River; afterwards called Khorasan. The two-humped camel is never seen in Arabia except with northern caravans, and to speak of it would be a sore test of Badawi credulity.&#xA;&#xA; &amp;quot;Kaylúlah&amp;quot; is the &amp;quot;forty-winks&amp;quot; about noon: it is a Sunnat or Practice of the Prophet who said, &amp;quot;Make the mid-day siesta, for verily at this hour the devils sleep not.&amp;quot; &amp;quot;Aylúlain&amp;quot; is slumbering after morning prayers (our &amp;quot;beauty-sleep&amp;quot;), causing heaviness andid leness: &amp;quot;Ghaylúlah&amp;quot; is dozing about 9 a.m. engendering poverty and wretchedness: &amp;quot;Kaylúlah&amp;quot; (with the guttural Kaf) is sleeping before evening prayers and &amp;quot;Faylúlah&amp;quot; is slumbering after sunset—both held to be highly detrimental. (Pilgrimage ii 49.)&#xA;&#xA; The Biblical &amp;quot;Hamath&amp;quot; (Hightown) too well known to require description. It is still famous for the water-wheels mentioned by al-Hariri (assembly of the Banu Harám).&#xA;&#xA; When they say, &amp;quot;The levee flashes bright on the hills of&#xA;Al-Yaman,&amp;quot; the allusion is to the south quarter, where&#xA;summer-lightning is seen. Al-Yaman (always with the article) means,&#xA;I have said, the right-hand region to one facing the rising sun and&#xA;Al-Sham (Syria) the left-hand region.&#xA; Again &amp;quot;he&amp;quot; for &amp;quot;she,&amp;quot; in delicacy and jealousy of making public the beauty or conditions of the &amp;quot;veiled sex.&amp;quot; Even public singers would hesitate to use a feminine pronoun. As will be seen however, the rule is not invariably kept and hardly ever in Badawi poetry.&#xA;&#xA; The normal pun on &amp;quot;Nuzhat al-Zaman&amp;quot; = Delight of the Age or Time.&#xA;&#xA; The reader will find in my Pilgrimage (i. 305) a sketch of the Takht-rawan or travelling-litter, in which pilgrimesses are wont to sleep.&#xA;&#xA; In poetry it holds the place of our Zephyr; end the &amp;quot;Bád- i-Sabá&amp;quot;=Breeze o' the morn, Is much addressed by Persian poets.&#xA;&#xA; Here appears the nervous, excitable, hysterical Arab temperament which is almost phrensied by the neighbourhood of a home from which he had run away.&#xA;&#xA; Zau al-Makan and Nuzhat al-Zaman.&#xA;&#xA; The idea is essentially Eastern, &amp;quot;A lion at home and a lamb abroad&amp;quot; is the popular saying.&#xA;&#xA; Arab. &amp;quot;Hubb al-Watan&amp;quot; (= love of birthplace, patriotism) of which the Tradition says &amp;quot;Min al-Imán&amp;quot; (=is part of man's religion).&#xA;&#xA; He is supposed to speak en prince; and he yields to a prayer when he spurns a command.&#xA;&#xA; In such caravans each party must keep its own place under pain of getting into trouble with the watchmen and guards.&#xA;&#xA; Mr. Payne (ii. 109) borrows this and the next quotation from the Bull Edit. i. 386.&#xA;&#xA; For the expiation of inconsiderate oaths see Koran (chaps. v.). I cannot but think that Al-Islam treats perjury too lightly: all we can say is-that it improves upon Hinduism which practically seems to leave the punishment to the gods.&#xA;&#xA; &amp;quot;Kausar,&amp;quot; as has been said, represents the classical nectar, the Amrita of the Hindus.&#xA;&#xA; From Bull Edit. i. 186. The couplet in the Mac. Edit. i. 457 is very wildly applied.&#xA;&#xA; The &amp;quot;insula&amp;quot; of Sancho Panza.&#xA;&#xA; This should have assured him that he stood in no danger.&#xA;&#xA; Here ends the wearisome tale of the brother and sister, and the romance of chivalry begins once more with the usual Arab digressions.&#xA;&#xA; I have derived this word from the Persian &amp;quot;rang&amp;quot;=colour, hue, kind.&#xA;&#xA; Otherwise all would be superseded, like U. S. officials under a new President.&#xA;&#xA; Arab. &amp;quot;Nímshah&amp;quot; from the Pers. Nímchah, a &amp;quot;half-sword,&amp;quot; a long dagger worn in the belt. Richardson derives it from Namsh, being freckled (damasked).&#xA;&#xA; The Indian term for a tent large enough to cover a troop of cavalry.&#xA;&#xA; Arab. &amp;quot;Marhúm&amp;quot; a formula before noticed. It is borrowed from the Jewish, &amp;quot;of blessed memory&amp;quot; (after the name of the honoured dead, Prov. x. 17.); with the addition of &amp;quot;upon whom be peace,&amp;quot; as opposed to the imprecation, &amp;quot;May the name of the wicked rot!&amp;quot;&#xA;&#xA; The speeches of the five damsels should be read only by students.&#xA;&#xA; i.e. Those who look for &amp;quot;another and a better.&amp;quot;&#xA;&#xA; The title of Caliph Abu Bakr because he bore truthful witness to the Apostle's mission or, others say, he confirmed the &amp;quot;Mi'ráj&amp;quot; or nocturnal journey to Heaven.&#xA;&#xA; All this is Koranic (chaps. ii., etc.).&#xA;&#xA; This may have applied more than once to &amp;quot;hanging judges&amp;quot; in the Far West.&#xA;&#xA; A traditionist and jurisconsult of Al-Medinah in the seventh and eighth centuries.&#xA;&#xA; The Alexander of the Koran and Eastern legends, not to be confounded with the Alexander of Macedon. He will be noticed in a future Night.&#xA;&#xA; Æsop, according to the Arabs: of him or rather of the two&#xA;Lukmans, more presently.&#xA;&#xA; Koran ii. 185.&#xA;&#xA; Mohammed.&#xA;&#xA; One of the Asháb or Companions of Mohammed.&#xA;&#xA; A noted traditionist at Cufa in the seventh century.&#xA;&#xA; Koran, chaps. lxxiv. I (and verse 8 follows). The Archangel Gabriel is supposed to address Mohammed and not a few divines believe this Surah (chapter) to have been first revealed. Mr. Rodwell makes it No. ii. following the Fatrah or silent interval which succeeded No. xcvi. &amp;quot;Clots of Blood.&amp;quot; See his 2nd Edit. p. 3 for further details.&#xA;&#xA; i.e. dangerous to soul-health.&#xA;&#xA; In the Mac. Edit. &amp;quot;Abd&amp;quot; for &amp;quot;Sa'id.&amp;quot; The latter was a black and a native of Cufa during the first century (A.H ) and is still famous as a traditionist.&#xA;&#xA; Arab. &amp;quot;Shirk,&amp;quot; giving a partner to Allah, attending chiefly to Christians and idolaters and in a minor degree to Jews and Guebres. We usually English it by &amp;quot;polytheism,&amp;quot; which is clumsy and conveys a wrong idea&#xA;&#xA; Grandson of the Caliph Ali. He is one of the Imams&#xA;(High-priests) of the Shi'ah school.&#xA;&#xA; An eminent traditionist of the eighth century (A.D.).&#xA;&#xA; The prayers of the Fast-month and Pilgrimage-month are often said in especial places outside the towns and cities; these are the Indian Id(Eed-)gáh. They have a screen of wall about a hundred yards long with a central prayer-niche and the normal three steps for the preacher; and each extremity is garnished with an imitation minaret. They are also called Namáz-gah and one is sketched by Herklots (Plate iii. fig. 2). The object of the trips thither in Zu'l-Ka'adah and Zu'l-Hijjah is to remind Moslems of the &amp;quot;Ta'aríf,&amp;quot; or going forth from Meccah to Mount Arafat.&#xA;&#xA; Arab. &amp;quot;Al-Háfi,&amp;quot; which in Egyptian means sore-footed as well. He was an ascetic of the eighth and ninth centuries (A.D.). He relates a tradition of the famous soldier saint Khálid bin Walíd who lies buried like the poet Ka'ab al-Ahbár near Hums (Emessa) once the Botia, Phrygia, Abdera, Suabia of Syria now Halbun (pronounced Halbáun) near Damascus. I cannot explain how this Kuraysh noble (a glorious figure in Moslem history) is claimed by the Afghans as one of their countrymen and made to speak Pukhtu or Pushtu, their rough old dialect of Persian. The curious reader will consult my Pilgrimage iii. 322 for the dialogue between Mohammed and Khalid. Again there is general belief in Arabia that the English sent a mission to the Prophet, praying that Khalid might be despatched to proselytise them: unfortunately Mohammed was dead and the &amp;quot;Ingríz&amp;quot; ratted. It is popularly held that no armed man can approach Khalid's grave; but I suppose my revolver did not count.&#xA;&#xA; When he must again wash before continuing prayer.&#xA;&#xA; Bin Adham; another noted ascetic of the eighth century.&#xA;Those curious about these unimportant names will consult the great&#xA;Biographical Dictionary of Ibn Khallikan, translated by Baron&#xA;MacGuckin de Slane (1842-45).&#xA;&#xA; Thus making Bishr the &amp;quot;Imám&amp;quot; (artistes) lit. one who stands in front. In Koran xvii. 74 it means &amp;quot;leader&amp;quot;: in ii. 118 Allah makes Abraham an &amp;quot;Imam to mankind.&amp;quot;&#xA;&#xA; A favourite sentiment in the East: we find it at the very beginning of Sa'di's Gulistan: better a weal-bringing lie than a harm-dealing truth.&#xA;&#xA; A penny, one sixth of the drachma.&#xA;&#xA; Founder of the Hanbali, fourth (in date) of the four orthodox Moslem schools. The Caliph al-Mu'atasim bi'llah, son of Harun al-Rashid, who believed the Koran to have been created and not a Logos (whatever that may be), co-eternal with Allah, scourged this Imam severely for &amp;quot;differing in opinion&amp;quot; (A.H. 220=833). In fact few of the notable reverends of that day escaped without a caress of the scourge or the sword.&#xA;&#xA; A learned man of the eighth century at Bassorah (A.D.).&#xA;&#xA; A traditionist of Khorasan in the ninth century (A.D.).&#xA;&#xA; &amp;quot;Azal,&amp;quot; opp. to &amp;quot;Abad,&amp;quot; eternity without end, infinity.&#xA;&#xA; Koran lxvi. 6.&#xA;&#xA; A traditionist of Al-Medinah, eighth century (A.D.).&#xA;&#xA; Arab. &amp;quot;Músá&amp;quot;: the Egyptian word was &amp;quot;Mesu,&amp;quot; the &amp;quot;child&amp;quot; or the &amp;quot;boy&amp;quot; (brought up in the palace?), and the Hebrews made it &amp;quot;Mosheh&amp;quot; or &amp;quot;one drawn out of the water;&amp;quot; &amp;quot;Mu&amp;quot; in Egypt being water, the Arab &amp;quot;Ma&amp;quot;; whence probably the moderns have derived the dim. &amp;quot;Moyeh ,&amp;quot; vulg. Egyptian for water.&#xA;&#xA; Koran, chaps. xxviii.: Shu'ayb is our Jethro: Koran, chaps. vii. and xi. Mr. Rodwell suggests (p. 101) that the name has been altered from Hobab (Numb. x. 29).&#xA;&#xA; Arab. &amp;quot;Taub&amp;quot; (Saub), the long shirt popularly written in English Tobe and pronounced so by Egyptians. It is worn by both sexes (Lane, M. E. chaps. i. &amp;quot;Tob&amp;quot;) in Egypt, and extends into the heart of Moslem Africa: I can compare it with nothing but a long nightgown dyed a dirty yellow by safflower and about as picturesque as a carter's smock-frock.&#xA;&#xA; There is nothing of this in the Koran; and it is a most unhappy addition, as Moses utterly and pretentiously ignored a &amp;quot;next world.&amp;quot;&#xA;&#xA; Koran xxviii. 22-27. Mohammed evidently confounded the contract between Laban and Jacob. (Gen. xxix. 15-39.)&#xA;&#xA; So says Al-Hariri (Ass. of Sasan), &amp;quot;The neighbour before the house and the traveller before the journey.&amp;quot; In certain cities the neighbourhood is the real detective police, noting every action and abating scandals (such as orgies, etc.) with a strong hand and with the full consent of public opinion and of the authorities. This loving the neighbour shows evident signs of being borrowed from Christianity.&#xA;&#xA; Al-Asamm a theologian of Balkh, ninth century (A.D.).&#xA;&#xA; The founder of the Senior School, for which see Sale Prel.&#xA;Disc. sect. viii.&#xA;&#xA; Thus serving the Lord by sinning against his own body.&#xA;&#xA; An Egyptian doctor of the law (ninth century).&#xA;&#xA; Koran lxxvii. 35, 36. This is one of the earliest and most poetical chapters of the book.&#xA;&#xA; Abu Hanifah was scourged for refusing to take office and was put to death in prison, it is said by poison (A.H. 150=A.D. 767), for a judicial sentence authorising rebellion against the second Abbaside, Al-Mansur, surnamed Abu'l-Dawánik (Father of Pence) for his exceeding avarice.&#xA;&#xA; &amp;quot;Lá rayba fí-hi&amp;quot; says the Koran (ii. 1) of itself; and the saying is popularly applied to all things of the Faith.&#xA;&#xA; Arab. &amp;quot;Rivál al-Ghayb,&amp;quot; somewhat like the &amp;quot;Himalayan Brothers&amp;quot; of modern superstition. See Herklots (Qanoon-e-Islam) for a long and careful description of these &amp;quot;Mardán-i-Ghayb&amp;quot; (Pers.), a &amp;quot;class of people mounted on clouds,&amp;quot; invisible, but moving in a circular orbit round the world, and suggesting the Hindu &amp;quot;Lokapálas.&amp;quot; They should not be in front of the traveller nor on his right, but either behind or on his left hand. Hence tables, memorial couplets and hemistichs are required to ascertain the station, without which precaution journeys are apt to end badly.&#xA;&#xA; A sweetmeat before noticed.&#xA;&#xA; Door hinges in the east are two projections for the top and bottom of the leaf playing in hollows of the lintel and threshold. It appears to be the primitive form, for we find it in the very heart of Africa. In the basaltic cities of the Hauran, where the doors are of thick stone, they move easily on these pins. I found them also in the official (not the temple)City of Palmyra, but all broken.&#xA;&#xA; The effect of the poison and of the incantation which accompanied it.&#xA;&#xA; King Omar who had raped her. My sympathies are all with the old woman who nightly punished the royal lecher.&#xA;&#xA; Arab. &amp;quot;Zunnár,&amp;quot; the Gr. . Christians and Jews were compelled by the fanatical sumptuary laws of the Caliph Al- Mutawakkil (AD. 856) to wear a broad leather belt in public, hence it became a badge of the Faith. Probably it was confounded with the &amp;quot;Janeo&amp;quot; (Brahmanical thread) and the Parsi sacred girdle called Kashti. (Dabistan i, 297, etc.). Both Mandeville and La Brocquière speak of &amp;quot;Christians of the Girdle, because they are all girt above,&amp;quot; intending Jacobites or Nestorians.&#xA;&#xA; &amp;quot;Siláh dár&amp;quot; (Arab. and Pers.)=a military officer of high rank; literally an &amp;quot;armour-bearer,&amp;quot; chosen for velour and trustworthiness. So Jonathan had a &amp;quot;young man&amp;quot; (brave) who bare his armour (I Sam. xiv. 1, 6 and 7); and Goliath had a man that bare the shield before him (ibid. xvii. 7, 41). Men will not readily forget the name of Sulayman Agha, called the Silahdar, in Egypt. (Lane M. E. chaps. iv.)&#xA;&#xA; It will be told afterwards.&#xA;&#xA; The elder brother thus showed himself a vassal and proved himself a good Moslem by not having recourse to civil war.&#xA;&#xA; Arab. &amp;quot;Ghazwah,&amp;quot; the corrupt Gallicism, now&#xA;Europeanised=raid, foray.&#xA; Turk in modern parlance means a Turkoman, a pomade: the settled people call themselves Osmanli or Othmanli. Turkoman=Turk- like.&#xA;&#xA; Arab. &amp;quot;Nimsá;&amp;quot; southern Germans, Austrians; from the Slav. &amp;quot;Nemica&amp;quot; (any Germans), literally meaning &amp;quot;The dumb&amp;quot; (nemac), because they cannot speak Slav.&#xA;&#xA; Arab. &amp;quot;Dubárá&amp;quot; from the Slav. &amp;quot;Dubrovnik,&amp;quot; from &amp;quot;Dub&amp;quot; (an oak) and &amp;quot;Dubrava&amp;quot; (an oak forest). Ragusa, once a rival of Venice, gave rise to the word &amp;quot;Argosy.&amp;quot; D'Herbelot calls it &amp;quot;Dobravenedik&amp;quot; or &amp;quot;Good Venice,&amp;quot; the Turkish name, because it paid tribute when Venice would not (?).&#xA;&#xA; Arab. &amp;quot;Jawarnah,&amp;quot; or, &amp;quot;Júrnah&amp;quot; evidently Zara, a place of many names, Jadera (Hirtius de Bell. Alex. cap. 13), Jadra, Zadra (whence the modern term), Diadora, Diadosca and Jadrossa. This important Liburnian city sent forth many cruisers in crusading days; hence the Arabs came to know its name.&#xA;&#xA; Arab. &amp;quot;Banu'l-Asfar;&amp;quot; which may mean &amp;quot;Pale faces,&amp;quot; in the sense of &amp;quot;yeller girls&amp;quot; (New Orleans) and that intended by North American Indians, or, possibly, the peoples with yellow (or rather tow-coloured) hair we now call Russians. The races of Hindostan term the English not &amp;quot;white men,&amp;quot; but &amp;quot;red men;&amp;quot; and the reason will at once be seen by comparing a Britisher with a high-caste Nágar Brahman whose face is of parchment colour as if he had drunk exsangue cuminum. The Yellow-faces of the text correspond with the Sansk. &amp;quot;Svetadvipa&amp;quot;—Whiteman's Land.&#xA;&#xA; Arab. &amp;quot;Al-Musakhkham.&amp;quot; No Moslem believes that Isa was crucified and a favourite fancy is that Judas, changed to the likeness of Jesus, thus paid for his treason. (Evangel. Barnabæ.) Hence the resurrection is called not &amp;quot;Kiyámah&amp;quot; but &amp;quot;Kumámah&amp;quot;=rubbish. This heresy about the Cross they share with the Docetes, &amp;quot;certain beasts in the shape of men&amp;quot; (says Ignatius), who held that a phantom was crucified. So far the Moslems are logical, for &amp;quot;Isa,&amp;quot; being angelically, miraculously and immaculately conceived, could not be; but they contradict themselves when they hold a vacant place near Mohammed's tomb for the body of Isa after his second coming as a forerunner to Mohammed and Doomday. (Pilgrimage ii. 89.)&#xA;&#xA; A diviner, priest, esp. Jewish, and not belonging to the tribe of Levi.&#xA;&#xA; Again the coarsest word &amp;quot;Khara.&amp;quot; The allusion is to the&#xA;vulgar saying, &amp;quot;Thou eatest skite!&amp;quot; (i.e. thou talkest nonsense).&#xA;Decent English writers modify this to, &amp;quot;Thou eatest dirt:&amp;quot; and Lord&#xA;Beaconsfield made it ridiculous by turning it into &amp;quot;eating sand.&amp;quot;&#xA; These silly scandals, which cause us only to smile, excite&#xA;Easterns to fury. I have seen a Moslem wild with rage on hearing a&#xA;Christian parody the opening words of the Koran, &amp;quot;Bismillahi 'l-&#xA;Rahmáni 'l-Rahím, Mismish wa Kamar al-din,&amp;quot; roughly translated,&#xA;&#xA;&amp;quot;In the name of Allah, the Compassionating, the Compassionate! Apricots and marmalede.&amp;quot; The idea of the Holy Merde might have been suggested by the Hindus: see Mandeville, of the archiprotopapaton (prelate) carrying ox-dung and urine to the King, who therewith anoints his brow and breast, &amp;amp;c. And, incredible to relate, this is still practiced after a fashion by the Parsis, one of the most progressive and the sharpest witted of Asiatic races.&#xA;&#xA; Meaning that he had marked his brow with a cross (of ashes?) as certain do on Ash Wednesday.&#xA;&#xA; Syria, the &amp;quot;left-hand land&amp;quot; as has before been explained. The popular saying about its people is &amp;quot;Shámi shúmi!&amp;quot;—the Syrian is small potatoes (to render the sense Americanicè). Nor did Syrus, the slave in Roman days, bear the best of names. In Al-Hijaz the Syrian is addressed &amp;quot;Abú Shám&amp;quot; (Father of Syria) and insulted as &amp;quot;Abuser of the Salt&amp;quot; (a traitor). Yet many sayings of Mohammed are recorded in honour of Syria, and he sometimes used Syriac words. Such were &amp;quot;Bakh, bakh&amp;quot; (=euge, before noticed), and &amp;quot;Kakh,&amp;quot; a congener of the Latin Cacus and Caca which our day has docked to &amp;quot;cack.&amp;quot; (Pilgrimage iii. 115)&#xA;&#xA; Koran xiv. 34. &amp;quot;They (Unbelievers) shall be thrown therein (i.e., the House of Perdition=Hell); and an unhappy dwelling shall it be.&amp;quot;&#xA;&#xA; The leg-cut is a prime favourite with the Eastern Sworder, and a heavy two-handed blade easily severs a horse's leg.&#xA;&#xA; Mohammed repeatedly declared (Koran lxi.) that the Christians had falsified the passage (&amp;quot;I go to my Father and the Paraclete shall come,&amp;quot; John xvi. 7) promising the advent of the Comforter, (ibid. xiv. 20; xv. 26) by substituting the latter word for glorious, renowned, i.e., Ahmed or Mohammed=the praised one. This may have been found in the Arabic translation of the Gospels made by Warakah, cousin to Mohammed's first wife; and hence in Koran lxi. we find Jesus prophesying of an Apostle &amp;quot;whose name shall be Ahmad.&amp;quot; The word has consequently been inserted into the Arabic Gospel of Saint Barnabas (Dabistan iii. 67). Moslems accept the Pentateuch, the Psalter and the Gospel; but assert (Koran, passim.) that all extant copies have been hopelessly corrupted, and they are right. Moses, to whom the Pentateuch is attributed, notices his own death and burial—&amp;quot;the mair the miracle,&amp;quot; said the old Scotch lady. The &amp;quot;Psalms of David&amp;quot; range over a period of some five hundred years, and there are three Isaiahs who pass with the vulgar for one. The many apocryphal Gospels, all of which have been held genuine and canonical at different times and in different places, prove that the four, which are still in use, were retained because they lack the manifest absurdities of their discarded rivals.&#xA;&#xA; Arab. &amp;quot; Labbayka; &amp;quot; the Pilgrimage-cry (Night xxii.) which in Arabic is,&#xA;&#xA;Labbayk' Allahumma, Labbayk'!&#xA;Lá Sharíka lake, Labbayk'!&#xA;Inna 'l-hamda w'al ni'amata lake wa'l mulk!&#xA;Labbayk' Allahumma, Labbayk'!&#xA;&#xA;Some add &amp;quot;Here am I, and I honour Thee, the son of Thy two slaves; beneficence and good are all between Thy hands.&amp;quot;With the &amp;quot;Talbiyah&amp;quot; the pilgrims should bless the Prophet, pray Allah to grant Heaven and exclaim, &amp;quot;By Thy mercy spare us from the pains of Hell-fire!&amp;quot; (Pilgrimage iii. 232.) Labbayka occurs in the verses attributed to Caliph Ali; so labba=he faced, and yalubbu=it faces (as one house faces another); lastly, he professed submission to Allah; in which sense, together with the verbal noun &amp;quot;Talbiyah,&amp;quot; it is used by Al- Hanri (Pref. and Ass. of Su'adah).&#xA;&#xA; Arab. &amp;quot;Kissís&amp;quot; (plur. Kusús) from .&#xA;&#xA; Koran ii. The &amp;quot;red cow&amp;quot; is evidently the &amp;quot;red heifer&amp;quot; of&#xA;Barnabas, chaps. vii.&#xA;&#xA; Arab. &amp;quot;Al-Jásalík&amp;quot;= .&#xA;&#xA; This is from the first &amp;quot;Gospel of Infancy,&amp;quot; wherein Jesus said to his mother, &amp;quot;Verily I am Jesus, the Son of God, the Word which thou hast brought forth, as the Angel Gabriel did declare unto thee; and my Father hath sent me to save the world&amp;quot; (chaps. i. 2.). The passage is virtually quoted in the Koran (chaps. iii. 141), of course omitting &amp;quot; the Son of God&amp;quot;&#xA;&#xA; Mohammed allowed his locks to grow down to his ear-lobes but never lower.&#xA;&#xA; Arab. &amp;quot;Lisám&amp;quot; I have explained as a covering for the lower face, made by drawing over it the corner of the head-kerchief (Pilgrimage i. 346). The Lisám of the African Tawárik hoods the eyes so that a man must turn up his face to see, and swathes all the lower half, leaving only the nose exposed. And this is worn by many men by night as well as by day, doubtless to avoid the evil eye. The native Sultans of Darfur, like those of Bornu and others further west, used white muslin as a face-wrap: hence, too, the ceremonies when spitting, etc., etc. The Kúfiyah or head-kerchief of the Arabs soon reached Europe and became in Low Latin Cuphia; in Spanish Escofia; in Ital. Cuffia or Scuffia; in French Escoffion, Scofion (Reine Marguerite) Coëffe (une pellicule, marque de bonheur) Coiffe and Coife, &amp;amp;c.; the Scotch Curch or Coif, opposed to the maiden snood, and, lastly our Sergeant-at-Law's Coif. Littré, the Learned, who in erudition was né coiffé, has missed this obvious derivation.&#xA;&#xA; &amp;quot;Cutting,&amp;quot; throughout the book, alludes to the scymitar with which Arabs never give point; and &amp;quot;thrusting&amp;quot; to the footman's spear and the horseman's lance.&#xA;&#xA; A popular phrase, I repeat, for extreme tenor and consternation.&#xA;&#xA; The name usually applies to a well-known district and city of Al Yaman, where &amp;quot;Koss the eloquent&amp;quot; was bishop in Mohammed's day: the Negiran of D'Herbelot. Here, however, it is the Syrian Najrán (Nejrân of Missionary Porter's miserable Handbook), now a wretched village near the volcanic Lajjá, about one hundred and twenty miles direct south of Damascus and held by Druzes and Christians.&#xA;&#xA; The Kantár (quintal) of 100 ratls (Ibs.) =98-99 Ibs. avoir.&#xA;&#xA; Arab. &amp;quot;Juráb (bag) mi'adat- ih (of his belly),&amp;quot; the &amp;quot;curdling of the testicles&amp;quot; in fear is often mentioned.&#xA;&#xA; Clearly alluding to the magic so deeply studied by mediæval Jews.&#xA;&#xA; Arab. &amp;quot;Sahákah,&amp;quot; lit. rubbing. The Moslem Harem is a great school for this &amp;quot;Lesbian (which I would call Atossan) love &amp;quot;; but the motive of the practice lies deeper. As amongst men the mixture of the feminine with the masculine temperament leads to sodomy, so the reverse makes women prefer their own sex. These tribades are mostly known by peculiarities of form and features, hairy cheeks and upper lips, gruff voices, hircine odour and the large projecting clitoris with erectile powers known to the Arabs as &amp;quot;bazar&amp;quot; hence Tabzír=circumcision or amputation of such clitoris. Burckhardt (Prov. 436) translates &amp;quot; Bazarah&amp;quot; by slut or wench. He adds &amp;quot; it originally signifies the labia which the Cairenes also entice Zambúr and which are cut off in girlhood.&amp;quot; See also Lane, Lex. s.v.; Tabzír. Both writers confuse excision of the nymphæ with circumcision of the clitoris (Zambúr) Al-Siyúti (Kitab al-Izá' fi'Ilm al-Nikah) has a very interesting chapter on Sapphic venery, which is well known to Europe as proved by such works as &amp;quot;Gamiani,&amp;quot; and &amp;quot;Anandria ou Confessions de Mademoiselle Sappho, avec la Clef,&amp;quot; Lesbos, 1718. Onanism is fatally prevalent: in many Harems and girls' schools tallow candles and similar succedanea are vainly forbidden and bananas when detected are cut into four so as to be useless; of late years, however, China has sent some marvellous artificial phalli of stuffed bladder, horn and even caoutchouc, the latter material of course borrowed from Europe.&#xA;&#xA; This is considered a powerful aphrodisiac in the East. Hence male devotees are advised to avoid tile &amp;quot;two reds,&amp;quot; i.e. meat and wine; while the &amp;quot;two reds,&amp;quot; which corrupt women, are gold and saffron, that is perfumery. Hence also the saying of Mohammed:— &amp;quot;Perfumes for men should have scent and not colour; for women should have colour and not scent.&amp;quot; (Mishkát al-Masábíh ii. 361.)&#xA;&#xA;&#xA; These are the &amp;quot;Hibás&amp;quot; or thin cords of wool which the&#xA;Badawi binds round his legs, I believe to keep off cramp.&#xA;(Pilgrimage iii. 78).&#xA;&#xA; Crying out &amp;quot;La iláha illa 'llah.&amp;quot; (There is no god but the&#xA;God.); technically called &amp;quot;Tahlíl.&amp;quot;&#xA;&#xA; i.e. Men, angels and devils, the &amp;quot;Triloka&amp;quot; (triple people) of the Hindus. Alamín (plur.), never Alamayn (dual), is the Triregno denoted by the papal Tiara, the three Christian kingdoms being Heaven, Hell and Purgatory.&#xA;&#xA; Matrahinna or Mit-Rahinah is a well-known village near Memphis, the name being derived from the old Egyptian Minat-ro- hinnu, the port at the mouth of the canal. Let me remark that two of these three words, &amp;quot;Minat&amp;quot; and &amp;quot;Ru,&amp;quot; are still common in &amp;quot; Aryan&amp;quot; Persian.&#xA;&#xA; Kirámat, a sign, a prodigy, opposed to Mu'ujizah, a miracle wrought by a prophet. The Sufis explain this thaumaturgy by Allah changing something of Nature's ordinary course in favour of an especial worshipper, and, after a fashion, this is Catholic doctrine (See Dabistan, iii. 173).&#xA;&#xA; Koran, x. 25, &amp;quot;until the earth receive its vesture and be adorned with various plants.&amp;quot;&#xA;&#xA; i.e. the young hair sprouting on the boy's cheek.&#xA;&#xA; A fighter for the faith and now a title which follows the name, e.g. Osmán Páshá Ghází, whom the English press dubbed &amp;quot;Ghazi Osman.&amp;quot;&#xA;&#xA; That is the King of Constantinople.&#xA;&#xA; Cassia fistularis, a kind of carob: &amp;quot; Shambar&amp;quot; is the&#xA;Arab. form of the Persian &amp;quot; Chambar.&amp;quot;&#xA;&#xA; Koran, ii. 149. Hence the vulgar idea that Martyrs are still alive in the flesh. See my Pilgrimage (ii. 110 and elsewhere) for the romantic and picturesque consequences of that belief. The Commentators (Jalál al-Dín, etc.) play tricks with the Koranic words, &amp;quot; they (martyrs) are not dead but living&amp;quot; (iii. 179) by placing the happy souls in the crops of green birds which eat of the fruits and drink of the waters of Paradise; whereas the reprobates and the (very) wicked are deposited in black birds which drain the sanies and the boiling waters of Hell. Amongst the Greeks a body remaining entire long after death suggests Anathema Maranatha: it is the contrary with Catholic Christians (Boccaccio iv. 5, of the Pot of Basil). Concerning this creed see Maundrell, Letter of 1698.&#xA;&#xA; Tor is &amp;quot;Mount Sinai&amp;quot; in the Koran (xcv. 1). I have only to repeat my opinion concerning the present site so called: &amp;quot;It is evident that Jebel Serbal dates only from the early days of Coptic Christianity; that Jebel Musa, its Greek rival, rose after the visions of Helena in the fourth century; whilst the building of the Convent by Justinian belongs to A.D 527. Ras Safsáfah, its rival to the north, is an affair of yesterday, and may be called the invention of Robinson; and Jebel Katerina, to the south is the property of Rüppell&amp;quot; (Midian Revisited i., 237). I would therefore call the &amp;quot;Sinaitic&amp;quot; Peninsula, Peninsula of Paran in old days and Peninsula of Tor (from its chief port) in our time. It is still my conviction that the true Mount Sinai will be found in Jabal Aráif, or some such unimportant height to the north of the modern Hajj- road from Suez to Akabah. Even about the name (which the Koran writes &amp;quot;Sainá&amp;quot; and &amp;quot;Sínín&amp;quot;) there is a dispute: It is usually derived from the root &amp;quot;Sanah&amp;quot;=sentis, a bush; but this is not satisfactory. Our eminent Assyriologist, Professor Sayce, would connect it with &amp;quot;Sin,&amp;quot; the Assyrian Moon- god as Mount Nebo with the Sun-god and he expects to find there the ruins of a Lunar temple as a Solar fane stands on Ba'al Zapuna (Baal Zephon) or the classical Mount Casius.&#xA;&#xA; Alluding to the miracle of Aaron's rod (the gift of Jethro) as related in the Koran (chapts. vii. 1., xx., etc.), where the Egyptian sorcerers threw down thick ropes which by their magic twisted and coiled like serpents.&#xA;&#xA; Arab. &amp;quot;Ayát&amp;quot; lit. &amp;quot;signs,&amp;quot; here &amp;quot;miracles of the truth,&amp;quot; 1. c. Koranic versets as opposed to chapters. The ranks of the enemy represent the latter, sword-cuts the former—a very persuasive mode of preaching.&#xA;&#xA; Lane (M. E. chapt.. iii.) shows by a sketch the position of the worshipper during this &amp;quot;Salám&amp;quot; which is addressed, some say, to the guardian angels, others suppose to all brother-believers and angels.&#xA;&#xA; i.e., where the Syrians found him.&#xA;&#xA; i.e., Dedianus Arabised; a name knightly and plebian.&#xA;&#xA; In such tales the Wazir is usually the sharp-witted man, contrasting with the &amp;quot;dummy,&amp;quot; or master.&#xA;&#xA; Carrier-pigeons were extensively used at this time. The Caliph Al-Násir li-Díni lláh (regn. A.H. 575=1180) was, according to Ibn Khaldún, very fond of them. The moderns of Damascus still affect them. My successor, Mr. Consul Kirby Green, wrote an excellent report on pigeon-fancying at Damascus. The so-called Maundeville or Mandeville in A. D. 1322 speaks of carrier-pigeons in Syria as a well-known mode Of intercourse between lord and lord.&#xA;&#xA; Mohammed who declared &amp;quot;There is no monkery in Al-Islam,&amp;quot; and who virtually abolished the priest, had an especial aversion to the shaveling (Ruhbán). But the &amp;quot;Gens æterna in quâ nemo nascitur&amp;quot; (Pliny v. 17) managed to appear even in Al-lslam, as Fakirs,, Dervishes, Súfis, etc. Of this more hereafter.&#xA;&#xA; i.e. her holiness would act like a fascinating talisman.&#xA;&#xA; The &amp;quot;smoking out&amp;quot; practice is common amongst the Arabs: hence Marshal Pelissier's so- called &amp;quot; barbarity.&amp;quot; The Public is apt to forget that on a campaign the general's first duty is to save his own men by any practice which the laws of fair warfare do not absolutely forbid.&#xA;&#xA; i.e. Mohammed, who promised Heaven and threatened Hell.&#xA;&#xA; Arab. &amp;quot;Ahr&amp;quot; or &amp;quot;ihr,&amp;quot; fornication or adultery, i.e., irreligion, infidelity as amongst the Hebrews (Isaiah xxiii.17).&#xA;&#xA; A sign of defeat.&#xA;&#xA; In English &amp;quot;last night&amp;quot;: I have already noted that the Moslem day, like the Jewish and the Scandinavian, begins at sundown; and &amp;quot;layl &amp;quot; a night, is often used to denote the twenty- four hours between sunset and sunset, whilst &amp;quot;yaum,&amp;quot; a day, would by us be translated in many cases &amp;quot;battle-day.&amp;quot;&#xA;&#xA; Iterum the &amp;quot;Himalayan Brothers.&amp;quot;&#xA;&#xA; Again, Mohammed who promised Good to the Good, and vice versâ.&#xA;&#xA; They are sad doggrel like most of the pièces d'occasion inserted in The Nights.&#xA;&#xA; Here &amp;quot;Kahwah&amp;quot; (coffee) is used in its original sense of strong old wine. The derivation is &amp;quot;Akhá&amp;quot;=fastidire fecit, causing disinclination for food, the Matambre (kill- hunger) of the Iberians. In old days the scrupulous called coffee &amp;quot;Kihwah&amp;quot; in order to distinguish it from 'Kakwah,&amp;quot; wine.&#xA;&#xA; i.e. Mohammed, a common title.&#xA;&#xA; That is, fatal to the scoffer and the impious.&#xA;&#xA; Equivalent to our &amp;quot;The Devil was sick,&amp;quot; etc.&#xA;&#xA; i.e. to the enemy: the North American Indians (so called) use similar forms of &amp;quot;inverted speech&amp;quot;; and the Australian aborigines are in no way behind them.&#xA;&#xA; See Vol. i., p. 154 (Night xvi.).&#xA;&#xA; Arab. &amp;quot;Sauf,&amp;quot; a particle denoting a near future whereas&#xA;&amp;quot;Sa-&amp;quot; points to one which may be very remote.&#xA;&#xA; From the root &amp;quot;Shanh&amp;quot;=having a fascinating eye, terrifying. The Irish call the fascinater &amp;quot;eybitter&amp;quot; and the victim (who is also rhymed to death) &amp;quot;eybitten.&amp;quot;&#xA;&#xA; i.e., not like the noble-born, strong in enduring the stress of fight.&#xA;&#xA; i.e., of Abraham. For the Well Zemzem and the Place of Abraham see my Pilgrimage (iii. 171-175, etc.), where I described the water as of salt-bitter taste, like that of Epsom (iii. 203). Sir William Muir (in his excellent life of Mahomet, I. cclviii.) remarks that &amp;quot;the flavour of stale water bottled up for months would not be a criterion of the same water freshly drawn;&amp;quot; but soldered tins-full of water drawn a fortnight before are to be had in Calcutta and elsewhere after Pilgrimage time; and analysis would at once detect the salt.&#xA;&#xA; Racing was and is a favourite pastime with those hippomanists, the Arabs; but it contrasts strongly with our civilised form being a trial of endurance rather than of speed. The Prophet is said to have limited betting in these words, &amp;quot;There shall be no wagering save on the Kuff (camel's foot), the Hafir (hoof of horse, ass, etc.) or the Nasal (arrow-pile or lance head).&amp;quot;&#xA;&#xA; In the Mac. Edit. &amp;quot;Arman&amp;quot;=Armenia, which has before occurred. The author or scribe here understands by &amp;quot;Cæsarea&amp;quot; not the old Turris Stratonis, Herod's city called after Augustus, but Cæsareia the capital of Cappadocia (Pliny, vi. 3), the royal residence before called Mazaca (Strabo).&#xA;&#xA; An idiom meaning &amp;quot;a very fool.&amp;quot;&#xA;&#xA; i.e. Kána (was) má (that which) was (kána).&#xA;&#xA; A son being &amp;quot;the lamp of a dark house.&amp;quot;&#xA;&#xA; When the Israelites refused to receive the Law (the souls of all the Prophets even those unborn being present at the Covenant), Allah tore up the mountain (Sinai which is not mentioned) by the roots and shook it over their heads to terrify them, saying, &amp;quot;Receive the Law which we have given you with a resolution to keep it&amp;quot; (Koran chaps. xlx. 170). Much of this story is from the Talmud (Abodah Sar. 2, 2, Tract Sabbath, etc.) whence Al-Islam borrowed so much of its Judaism, as it took Christianity from the Apocryphal New Testament. This tradition is still held by the Israelites, says Mr. Rodwell (p. 333) who refers it to a misunderstanding of Exod. xix. 17, rightly rendered in the E. version &amp;quot;at the nether part of the mountain.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Azghán&amp;quot; = the camel-litters in which women travel.&#xA;&#xA; i.e. to joy foes and dismay friends.&#xA;&#xA; Whose eyes became white (i.e. went blind) with mourning for his son Joseph (Koran, chaps. xii. 84). He recovered his sight when his face was covered with the shirt which Gabriel had given to the youth after his brethren had thrown him into the well." PRODUCER="Copyright Control" COVERARTID="061/33TSQLBC2WUACBKJD4Y0CLDL0DGB" PLAYTIME="239" PLAYTIME_FLOAT="238.554947" IMPORT_DATE="2025/4/9" RELEASE_DATE="2023/1/1" FLAGS="12"></INFO>
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<INFO BITRATE="832000" KEY_LYRICS="Yeah, uh, uh&#xA;Uh-huh, huh, hahaha&#xA;Some of y'all be sayin' y'all freestylin'&#xA;But y'all be like... spittin' writtens and shit&#xA;Haha, that's BS&#xA;Uh, uh-huh, uh, uh-huh, uh, uh-huh&#xA;Uh, I don't even write my wrongs, haha&#xA;Ayy, yuh&#xA;&#xA;&#xA;&#xA;&#xA;Off the top, kickin' it, no karate class&#xA;Janitor, I'll mop his ass up, chop his ass up&#xA;I'm the best at what I do, can't nobody do it better&#xA;Your girl a sprinkler system from the way I get her wetter&#xA;Uh, I'm out the jam like jelly&#xA;I'ma go hard, catch a shot like Belly&#xA;I'm the best to ever do it, have 'em leakin' body fluids&#xA;Feel like Waka Flocka, &amp;quot;O Let's Do It&amp;quot; when I'm on this music&#xA;Off the dome when I'm kickin' it&#xA;Kinda like I got a impediment when I'm spittin' it&#xA;I been rippin' writtens without writin' a damn thing&#xA;I'm doin' my damn thing, I rap and I sing&#xA;I ring like bells, king&#xA;That's me, you better king me&#xA;I'm married to the money, fuck it, need to buy a ring, b&#xA;I pull up on the scene, choppa get to fuckin' ringing&#xA;Like a joke or something, choppa get to zinging, aha&#xA;Man this shit look easy, on my grind like Trukfit, no Lil Weezy&#xA;Your bitch too sleazy, .40 bless you, sneezin', uh&#xA;I'm the best to ever do it, take yo' breath away, you not breathin', uh&#xA;Breaking Bad method how I sell this meth&#xA;Retrospect, put that shit back in retrospect&#xA;Take your specs, take your bitch, grab her breast, tat her chest&#xA;I'm the best to ever do it, I'ma say that again&#xA;Lord forgive me on this mic, 'cause I know I'm finna sin&#xA;Killin' him, him, and him, referencin' Eminem&#xA;All these other rappers ain't shit but feminine, and&#xA;I don't really got time for it&#xA;They can have a penny 'cause I don't really got a dime for it&#xA;Catch me rockin' Tom Ford and some Air Forces&#xA;With a passport and a black torch&#xA;Comin' up the full court, pressed like Kobe or somethin'&#xA;Super clutch in the fourth like Ginobili or somethin'&#xA;You say you ballin' like you Jordan, nigga, nah, you frontin'&#xA;Run up on me, that's okay, that choppa on me get to jumpin' like Jumpman&#xA;.23 in that glizzy, come and get it&#xA;I been defyin' niggas like science and physics&#xA;You run up on me, I hit 'em&#xA;That choppa on me like a tongue, I pull it out and it lick 'em&#xA;I'ma shoot him 'til he done, uh&#xA;I got all the girls sprung, pull up on the scene like a &amp;quot;he hung&amp;quot;&#xA;I'm of the best to ever do it, say that again&#xA;Off the dome, kickin' it, that's just how it is&#xA;I don't got to write shit, I see it like a psychic&#xA;Your girl like a Huffy commercial, she ride like bikes, kid&#xA;I'm the best to ever do it, yeah, I said it, huh, and I meant it&#xA;Listen to my lyrics, man, I vibe on this bitch&#xA;Roll a blunt up, a OG, and get high on this bitch&#xA;Mix it with the pills and liquor, I may die on this bitch&#xA;Did I do that shit on purpose? Suicide in that bitch, huh&#xA;Suicide doors with a suicide whore&#xA;Drivin' off a bridge, I call that a suicide Porsche, haha&#xA;Ooh, we kickin' it, man, look&#xA;I pull up in a four-door flippin' like parkour&#xA;Fuck your bitch on camera and call that shit a hardcore&#xA;Hard porn, sharper than harpoons&#xA;I come through with three bullets in my face, that's a war room&#xA;Animated like cartoons when I'm off the shrooms&#xA;Niggas dirty so that choppa actin' like brooms, uh&#xA;Niggas salty like Spongebob and spittoon, uh&#xA;Pull up on the scene, huh, that's just me, uh&#xA;Hey, switch that shit up real quick, uh-huh&#xA;I may come back to that, I don't know&#xA;&#xA;&#xA;&#xA;Uh-huh, I was just talkin' about how I like Tyler and that nigga Cole&#xA;Uh, I'ma, uh&#xA;I'ma fuckin' Dapper Dan in a pair of Gucci socks&#xA;Run up on me, you get popped&#xA;Catch the shot out the Glock, I'm the Juice, word to Pac&#xA;Run up on me, pop your top, matter of fact, better back up&#xA;'Cause I'm in the back of the truck, with the MAC tucked&#xA;Tell that nigga condiment or somethin', he need to catch up&#xA;He can't catch us, them niggas can't back us, huh&#xA;Man, them niggas need some backup&#xA;I'm on the scene, boolin' with my bros&#xA;Like I'm Drake with the 6, runnin' through it with my woes&#xA;Run up on me like Shaquille, in the paint I'm throwin' bows&#xA;You a ballerina 'cause I keep you on your toes&#xA;Shout out to them Florida niggas, I know some zoes&#xA;Run up, that's okay, I'm finna let the choppa blow&#xA;I'm on Westwood, ridin' through your hood&#xA;Like Red Ridin', strikin' like bright lightnin', my flow is too excitin'&#xA;I'll end your world like Mayans, off the dome, kickin' it&#xA;Try me if you think I'm lyin', man, listen how I do it&#xA;I get brain from a smart bitch but she stupid&#xA;Put an arrow through your heart, but no, I'm not Cupid&#xA;Make you shuffle when I shoot, but no, it's not Cupid&#xA;The wordplay is so cold, my heart is so gone&#xA;Yo bitch is so sprung, yeah, I put the team on&#xA;She gon' give the whole team head, call that a crew neck&#xA;But I'm wearin' a sweater, I'ma get her wetter, uh&#xA;I'm the best to ever do it, I'll say that shit forever&#xA;No matter the weather, knock 'em out like Floyd Mayweather&#xA;I'm off the dome kickin' it, that's just how it is&#xA;I'm Khalifa with the reefer but I never been a wiz&#xA;Tricks are for grownups, they said they were for kids&#xA;Hell nah, 'cause you will get popped off like a zit&#xA;If you fuckin' with my money cuz, I'm all about a grip&#xA;Tell your bitch to swallow kids and I'll tell you to swallow clips&#xA;Rest in piss, rest in this, matter of fact, I'ma go hard&#xA;Spit crack like Bobby Brown and grill 'em like Bogarts&#xA;Stomp the yard like Chris Brown like he got shot in the movie&#xA;I'm hotter than white bitches chillin' in a jacuzzi&#xA;My money got longer, shout out to Uzi&#xA;I'm in the scene with a nina, you run up, I'm shootin'&#xA;I swear that you don't want no problems with me, it's over with&#xA;Call me everything but sober, I am not with that sober shit&#xA;It's a union with my gang, come around like a Soviet&#xA;Matter of fact, I'm finna gamble for this shit, where your poker chips?&#xA;If you run up, you'll, you'll get cranked like Soulja did&#xA;I'ma drop bars same way I drop bombs&#xA;You ain't on shit, ww-dot-com&#xA;I forgot a W, I took that out, 'cause that W stand for &amp;quot;Win&amp;quot;&#xA;I never took the losin' route, I always took the losers out&#xA;Eeny meeny miney moe, I always pick the choosers out&#xA;She got titties, when she come around I pick the hooters out&#xA;Run up on me, that's okay, they beefin' on computers now?&#xA;I'm not worried about these niggas, keep a .30 on my hip&#xA;I Steph Curry about these niggas&#xA;These niggas hella soft, man I worry about these niggas&#xA;I never run away, I don't flurry away from niggas&#xA;That nigga lil' pussy, he furry, ain't he, lil' nigga?&#xA;Pull up on the scene, you know I'm with it&#xA;My windows tinted, pulled up clean with a &amp;quot;Stop, you're finished&amp;quot;&#xA;You know we dig it&#xA;I'm ballin' like Dennis Rodman, I'm fuckin' awesome&#xA;I'm bombin' like atomic, my eyes are redder than demonic&#xA;I'm faster than Sonic, I'm faster, withdrawals got me fastin'&#xA;My stomach movin' slow like molasses&#xA;I got it, run up on me, I'm poppin'&#xA;Feel like Drake when I'm rappin' 'cause I start from the bottom&#xA;All this shit that I'm talkin', I could probably back it up&#xA;I slide into your bitch DM like a sled and toboggan&#xA;For your brains I may bargain, I caught you lackin' at Target&#xA;I'll turn your ass to a target then threw your ass in the garbage&#xA;Run up on me, it's nothing, I swear to God that I'm bussin'&#xA;Like a Proactiv commercial or somethin', haha&#xA;These niggas makin' assumptions, me, I'm just makin' this money, huh&#xA;I wear Givenchy, you still in Abercrombie, you see the difference?&#xA;Broke niggas and rich niggas, showin' the distance&#xA;This is a business relationship, fuck a friendship&#xA;All these other niggas fake like, &amp;quot;What you got over there?&#xA;Let me get something off your plate,&amp;quot; nah&#xA;I did this by myself so I don't need nobody help&#xA;Shit, I'm a giant, you an elf, I put your brains up on a shelf after I collect it&#xA;Matter of fact, my mind is my weapon&#xA;Slide through your block again and catch some sloppy seconds&#xA;That's a preference, I heard you like talkin' about Heaven&#xA;Well I send your ass to hell, right next to Jezebel, uh, huh&#xA;You can catch twenty shells, you a fat pussy, you get shot, Garfield&#xA;I got bars like jail barbells, these niggas not funny, huh, Seinfeld, aha&#xA;But my flow is so unpredictable&#xA;Fuckin' with me is like steppin' in a minefield&#xA;Man, I could never mess up, I gotta 'fess up, this is a confession&#xA;I pull up on the scene with my .40, it came from my plaster&#xA;That shit's a blessin', huh, I leave you in the past tense&#xA;I wrap the rap in plastics, that's just some plaster rap&#xA;But I'm still the realest rapper after the fact, huh, can you imagine that?&#xA;Man, these niggas sick to hell, Johnson couldn't magic that&#xA;Man, this rappin' shit is such a passion&#xA;Not a father when I did it so I'm callin' me a bastard&#xA;And these niggas talkin' dumb to me&#xA;But that shit doesn't matter, 'cause my pockets gettin' fatter&#xA;And I'm climbin' like a ladder, outer space, I'm up on Saturn&#xA;With some niggas that came from my hometown&#xA;They really rowdy, you run up, that's okay&#xA;I swear to God we get to growlin' and bouncin' and pouncin'&#xA;You gon' need a bouncer, we robbin' your accountant for everything&#xA;So much money that I ain't even count yet&#xA;Life's a bitch, why is mine keep playin' farfetched?&#xA;These niggas ain't locked up, haven't seen bars yet&#xA;My gun singin' like Barbra, guess, Streisand&#xA;I got a knife in my right hand, your bitch in my left hand&#xA;Her meth in my back pocket, I'll give it to her in a second&#xA;If she keep jockin', I'll rip your eyes out of your head&#xA;If you keep watchin', I am the best rapper in here&#xA;The best rapper over there, the best rapper everywhere&#xA;I can say what I want and it come out how I want it&#xA;Run up if you want, that's okay 'cause it's over&#xA;I really do not condone it, I don't fuck with opponents&#xA;It's commas, no exponents, but these bullets come in three&#xA;And they be singin' like Jonas, I don't really got no smoke&#xA;But if you want it I got it, I pull it out and I pop it&#xA;I send some shots at your noggin, I remember rockin' Robins&#xA;Back at the bottom, now it's Givenchy and Gucci&#xA;All over my pair of pockets, man, maybe I should stop it&#xA;Let's keep goin' man, I'm just feelin' nauseous&#xA;Off the Henny, that's the remedy&#xA;A hundred in these clips, so if I shoot it that's a centipede&#xA;I stick it on the Lamborghini, drivin' like a century&#xA;It's twenty-one inside this clip, huh, like the century, I'm schoolin' niggas&#xA;Ruler in the Glock, elementary, I'm in her mouth like a dentist&#xA;She made me replenish, I'm ballin' like I'm Dennis&#xA;Rodman, rotten, plottin', freestyle, no jottin', I got it&#xA;Man, I could rap forever&#xA;If I go broke, Westwood, I'ma prolly trap forever&#xA;So cold I could go to Siberia and trap the weather&#xA;I could trap in Siberia, I could trap wherever&#xA;Man, rainy weather, sunny weather, either way, it goes&#xA;My gun with me 'cause let's go, ooh&#xA;Next beat, next beat, I may come back, ahahaha&#xA;&#xA;&#xA;&#xA;Next part, Earl Sweatshirt Kill?&#xA;Cool, uh, uh-huh, yeah, uh&#xA;Catch me spittin' on this Kill beat&#xA;Hopin' that these niggas would just feel me, the real me&#xA;My weapon is concealed and&#xA;You know I'm a suspect when I walk into the building&#xA;I came to London just to make some noise&#xA;The shit I say is for grown men, these bars are not for lil' boys&#xA;I'm Andy with these toys&#xA;You run up on me, you get flexed on like Terry Crews and steroids&#xA;Listen, I been ballin' like a Piston&#xA;I been marchin' on niggas like I am army enlisted&#xA;You run up on me, you get it&#xA;My choppa retarded and spittin' on these goofy ass niggas&#xA;Pop a roofie, I'm gone, in a whole 'nother zone&#xA;Put my dick in yo mom, that's the shit that I'm on&#xA;Yeah, that's the shit that I'm on, you ain't on shit 'cause you dumb&#xA;You run up on me, you gone, that choppa on me, it's rung&#xA;You get hung like a noose&#xA;I'm about the war, give a fuck about the truce&#xA;All about myself, I give a fuck about you&#xA;Matter of fact, I may just shoot the fuck up out you&#xA;Put an X next to your name like Malcolm&#xA;I guess you didn't weigh your options out, your outcomes&#xA;You did the wrong shit on the right day&#xA;We turn a white day into a red day&#xA;Fuck what yo mom say, fuck what yo dad say&#xA;I keep it 3K like my first name Andre&#xA;If I go broke, I'm probably servin' like an entree&#xA;In Bombay with yo girl suckin' all on me&#xA;Off the Xannies, I'm a zombie&#xA;Don't believe me, try me, fuck around, stomp you&#xA;I'm kinda hungry off the weed, I may chomp you&#xA;And that shorty, she a eater, she a muncher&#xA;Man I'm feeling like a monster&#xA;Straight Jeffrey Dahmer when I'm grippin' the Llama&#xA;You don't want problems, no smoke at all&#xA;I take your whole pound and smoke it all&#xA;I take yo bitches then fuck 'em all&#xA;They on my D, I'm hatin', I duck 'em all&#xA;And she look at my whole team then suck 'em all&#xA;Macaroni on me, it'll buck-buck 'em all&#xA;Man somebody tell me to stop, nah, I'ma keep goin', just watch&#xA;I take yo Rollie, yo watch, yo bitches all on my cock&#xA;You run up on me, get popped, they judge a nigga like Cochran&#xA;They forgot to stop it, run up on me here&#xA;I got a rocket on me, no launcher&#xA;I feel like I am the best-est, I'm deadlier than asbestos&#xA;My word is really my weapon, I'm coming back for some seconds&#xA;Freestylin's a preference, send you to stairway to heaven&#xA;Man, these niggas writin' the shit that I say&#xA;The beats beat when I'm beatin' like Doctor the Dre&#xA;I pull up on them with the choppa, and screamin' out, &amp;quot;Hey!&#xA;Fuck you, pow pow, have a nice day&amp;quot;&#xA;And my wrist is like an ice tray, and yo bitch she do what I say&#xA;Yeah, she put her hands in the air when my song come on&#xA;Like single ladies and Beyoncé, yeah&#xA;And the way that I spit shit&#xA;I burn niggas like Jamaicans with the incense&#xA;Been the realest with the shit ever since I was an infant&#xA;I'm a misfit, Tony Hawk on my grind like a trip tip, you could get hit&#xA;Choppa leave you cryin' like a chick flick, I'm a sick kid&#xA;Bitch, I been lit, man these niggas ain't shit but some pussies&#xA;And pork ass niggas, fuck is a piglet&#xA;Fuck is these niggas, I don't fuck with these niggas&#xA;A four-leaf clover on a bullet, good luck with these niggas&#xA;Man it must suck for these niggas, ol' sufferin' niggas&#xA;YouTube ol' video bufferin' niggas&#xA;Ol' big bad wolf huff-puffin' ass niggas&#xA;'Til I pull up on the scene like, &amp;quot;You think you hard?&amp;quot;&#xA;I put a bullet hole through your muffin ass, nigga&#xA;Man, all the songs that I'm bumpin', I got the partiers jumpin'&#xA;You run up on me, it's over, that chopper's on me, it's dumpin'&#xA;I'll dump you like a bad relationship, hold on, wait, wait, wait&#xA;Let me take this shit, it may take a bit&#xA;I spit the shit I say, go back, re-say it&#xA;Then say somethin' different, replacin' it, man they hatin' us&#xA;It's presidential brain from yo bitch Sarah Palin kid&#xA;Still sellin' John McCain, like you got yo shit snatched&#xA;My flow is off the chain, pull up in the rover, yeah, I got the range&#xA;I feel like Drake, nothing was the same&#xA;Niggas love to hate, get up out my face before you catch a AK&#xA;Shoot him in his face, tell that nigga bye-bye, man down, mayday&#xA;Pull up to his mom house and turn it to my safe place&#xA;I need a safe haven, I'm too busy slayin'&#xA;Dyin' my hair like Super Saiyans, leave his face on the pavement&#xA;Jackie Chan when I'm smokin', I really feel like an Asian&#xA;Fuck yo bitch when I'm high, call that shit Asian persuasion&#xA;I rush out with yo girl, she fuck for hours up in the shower&#xA;I feel like I got superpowers, I'm so superb&#xA;I'm 'bout the action, you niggas 'bout action verbs&#xA;I don't gotta say a word, I shoot for the green, feelin' like Larry Bird&#xA;On the competition, I drop and take a turd&#xA;Shove it in they ears, they hearin' every word&#xA;Really though, I get it poppin' like a nigga hittin' wheelies, ho&#xA;Or an ollie, ho, or a molly, ho&#xA;Run a train on yo bitch, that's a trolley, ho&#xA;Don't try me how I do you like Dej Loaf&#xA;You want to go to heaven so bad, here's a halo&#xA;My gun sing like J Lo, you better get low like limbo&#xA;Before you catch a couple shots for yo kinfolk&#xA;I'm Rambo with the ammo, I don't never let go&#xA;Money kinda stick to me, call me Juice Velcro&#xA;Say you gettin' money now, fuck nigga hell no&#xA;You don't like Adidas but this choppa give you shell toes&#xA;This choppa give you shell toes&#xA;And leave yo ass dancin' on the floor like a red nose&#xA;Beam on my gun, that's a red nose&#xA;Pull up on the scene, let the shit blow&#xA;Yonkers, Yonkers, in this bitch with Westwood, man&#xA;&#xA;&#xA;&#xA;Yeah, let's do it, oof, got a lil' more bounce to it, don't it?&#xA;Uh, uh, I've been going through a lot as of lately&#xA;You can call me crazy&#xA;Bitches wanna play me&#xA;Really I got blueprints&#xA;Feelin' like I'm JAY-Z&#xA;My flow in the morning, Westwood no Sway B&#xA;That's just how it is, boy&#xA;My flow so brazy, my flow so cool&#xA;My flow so outdated, so old school&#xA;But then nigga switch it up to something so new&#xA;These niggas walking around like they bulletproof&#xA;'Til the bullets shoot, leave the bullets through his sunroof&#xA;Kill his son too&#xA;Give a fuck, oh, give a fuck&#xA;Nah, not what I do&#xA;I'm the type to pull up on your youth group&#xA;With a choppa and a machete, that's fuckin' useful&#xA;Matter of fact, here it go&#xA;I ain't the same nigga I was a year ago&#xA;I feel like Jesus in the studio&#xA;I'm spittin' miracles, I'm in that white whip&#xA;What you call that shit? A miracle&#xA;Fuck yo bitch from the back singing negro spirituals&#xA;Got a seal, like fate, like a fuckin' envelope&#xA;I ain't dope, I'm anti-dope, word to Travis&#xA;You run up, that's okay, you gettin' played like Lenny Kravitz&#xA;I never had a father, like I said I'm such a bastard&#xA;You run up, uh, cool, I'ma let your brain splatter&#xA;The bullet rim rattle&#xA;I feel like Shaquille in the fourth&#xA;Break backboards&#xA;How I break her back when I hit it from the back, boy&#xA;I'm up to bat, boy, it's out the park like Barry Bonds&#xA;You best believe that boy, huh&#xA;I spit crack boy&#xA;I spit anything they want&#xA;I sell it and make it right back boy&#xA;You run up on me you get smacked, boy&#xA;You get smacked like a bitch and a pimp running laps boy&#xA;I'm running shit like gym class on your bitch ass&#xA;Leave you leaking like maxi pads, grab a Tampax&#xA;I pull up on 'em with two guns, they attached&#xA;Knocked 'em out, ping ping ping, boxing match, uh&#xA;But my flow is unmatched, my flow is outmatched&#xA;My flow is so hard, your flow is wack&#xA;My flow is so crack, your flow is so mid&#xA;My flow is so kill, your flow is so eh&#xA;I don't got time for it&#xA;Suck on my dick, tell your bitch to come over and swallow my kids&#xA;Choppa on my hip I had to hollow my tips&#xA;Hallowed be thy name, pray to catch his ass slippin'&#xA;Pull up on his ass leave him leakin' I get 'em&#xA;Walkin' with a limp, .40 heavy like I'm pimpin'&#xA;Matter fact I have 'em dancin' when I shoot it crippin'&#xA;Niggas talkin' stupid 'til that nigga end up missin'&#xA;UFC when I fight 'em I put 'em submission&#xA;Hand on a Smith and, I'ma go and get 'em&#xA;Stevie Wonder with it, still got 20/20 vision&#xA;You can't fuck with me, uh, you can't fuck with me, huh&#xA;I'm like a bad STD, bitch, you stuck with me, huh&#xA;.40 on my hip, I up it on me luckily, huh&#xA;Rushin' hours, like I said got Chrissie Tuck with me, ayy&#xA;Couple niggas that's bound to not give a fuck with me, huh&#xA;Just in case these other niggas try to fuck with me, uh&#xA;Kept my wits about me luckily, you know I'm smart, uh&#xA;I've been flying through the air I feel like Bonaparte, uh&#xA;Keep two bitches in my circle like I'm Noah's Arc, uh&#xA;Fuck with me I up that choppa tear your bones apart, uh&#xA;Felt my grove on this track now I'm goin', huh&#xA;In too deep with this rap shit the ocean, uh&#xA;I'm a flow of the purple, the potion, uh&#xA;I'ma catch me a op in the open, uh&#xA;I make this shit look easy while you strugglin'&#xA;I'm ballin' triple doublin' while you doublin'&#xA;I exposed like shrooms get it? I be trufflin'&#xA;It's Terry Crews with this shit you know I'm musclin'&#xA;Watchin' Regular Show laughin' at Muscle Man&#xA;Chip on my shoulder it's lookin' like a Pringles can&#xA;Desert Eagle on my hip, I'm not a Eagles fan&#xA;You know I'm from Chicago they my people man, yeah&#xA;Try me if you wanna&#xA;I'll smoke you like a backwood full of marijuana&#xA;Matter fact you run up on me you don't want no drama&#xA;I'ma leave you scratched like a DJ after DJ Drama touched it&#xA;I don't give a fuck, I'm on my fucked shit&#xA;I'm killin' niggas like they on my bucket list&#xA;I turn my bucket list into a fuckin' fuck it list&#xA;So when I kill I walk away like fuck it, shit&#xA;I be on my fuck it shit&#xA;Matter fact me and G-Money hittin' the dealership&#xA;Pullin' up in the Chrysler like John Dillinger&#xA;Rich as fuck like, &amp;quot;Damn, is you drug dealin' bitch?&amp;quot;&#xA;Nah, I'm rappin', used to be trappin'&#xA;Niggas was actin'&#xA;Cops hit the door I hid the coke in the napkin&#xA;I was shootin' craps takin' money&#xA;Takin' craps on all these niggas takin' naps on me&#xA;They was sleepin'&#xA;Westwood, they was sleepin', couldn't believe 'em&#xA;Now I'm the type to beat the beat up 'til it's bleedin'&#xA;Choke it out 'til the mutha' fuckers barely breathin'&#xA;They ain't know a rockstar could rap like this&#xA;I'ma MC off the High-Tech mixed with High-C&#xA;You don't want that&#xA;Shoot you in your stomach that shit hard to digest&#xA;Make a art project out the projects&#xA;Shoot you in your eyes put the shit in prospect&#xA;Lookin' at your mindset, I'm beyond that&#xA;I'm beyond that, I like this beat&#xA;This beat like me, I check this beat&#xA;This beat Nike, these shoes on my feet&#xA;These shits pricey, like thirteen hunnid, huh&#xA;You know I run it, I pull up in Hummers&#xA;You know I roll with them gunners&#xA;I feel like Birdman stunner, uh&#xA;You don't want no problems&#xA;I give you cancer with this bullet&#xA;You can catch this trauma, uh&#xA;Man I know you heard the rumors&#xA;Niggas beefin' all over computers&#xA;Until I catch 'em lackin' in my city&#xA;Beat him in his head until he catch a tumor&#xA;Tell his momma that I did it, she confused&#xA;&amp;quot;Why my baby all over the fuckin' news?&amp;quot;&#xA;&amp;quot;What the fuck my baby went and fuckin' did?&amp;quot;&#xA;He prolly went and fucked with Juice The Kid&#xA;That's my old name, now it's Juice WRLD&#xA;Went to a different planet&#xA;Now I'm up in two worlds&#xA;Fuck that shit I'm up in two girls&#xA;Diamonds and pearls, I'm ruling the world&#xA;Revenge on my body, bitch, 'cause that's my state of mind&#xA;Stevie Wonder like I said before 'cause I'ma rob you blind&#xA;I got all these answers that these niggas search to find&#xA;And they bitches kinda bad I'ma have to get behind&#xA;Hit it from the back until I fuckin' break her spine&#xA;After that I may just have to go and take what's mine&#xA;Yeah, yeah, turn on that Mob Deep shit&#xA;&#xA;&#xA;&#xA;&#xA;Uh-uh, uh, uh-uh, uh, oh&#xA;Ain't no such thing as halfway&#xA;Ain't no such thing as halfway&#xA;Ain't no such thing as halfway gangsters&#xA;You in them hallways, you ain't in the streets&#xA;Niggas really thinking that it's cool to make beef&#xA;And become enemies of enemies&#xA;How come all of my enemies was friends to me&#xA;How come all my enemies is frenemies&#xA;How come all my enemies is blind&#xA;I catch 'em lackin' and kill 'em before I read all they energy&#xA;I guess that's my energy&#xA;I don't know what's gotten' into me&#xA;I'm kinda fucked up, well at least mentally&#xA;Physically I'm richer than a bitch, who I'm meant to be&#xA;I'm up in London gettin' in bustin'&#xA;Head like concussion&#xA;Run up, that's okay, I swear to God that it's nothin'&#xA;All these niggas be beefin' really they bluffin'&#xA;I'ma change the money like it's a subject&#xA;Thinkin' nothin' of it&#xA;Fuckin' bitches in public&#xA;Callin' a ruckers&#xA;Causin' a ruckus&#xA;I'm a boondock nigga&#xA;I'm feelin' like Uncle Ruckus&#xA;Off the dome when I'm kickin'&#xA;Freestyle I don't do the writtens&#xA;I don't fuck with cats, so I be beatin' up the kitten&#xA;I don't fuck with scrappin' so I'm grippin' on that Smith and&#xA;If you want it come and get it, sixty shots in sixty seconds&#xA;Had to kill 'em in a minute&#xA;My flow is intimate, white it out like it's Eminem&#xA;Really I keep on killin', my bars are really intricate&#xA;Man, I love it when I spit heat&#xA;These niggas think that they can get me, they can't get me&#xA;You rich than a bitch, hell nah, nigga, convince me&#xA;I leave that nigga cooked up like mincemeat&#xA;I use his head as a centerpiece&#xA;I get Duff and Clinton money like my name Hillary&#xA;I spit like I'm on a ministry&#xA;You run up on me I'm killin'&#xA;My choppa on me, that's my mini-me, aha, yeah&#xA;That's my mini-me&#xA;I keep it in the trunk of the Bimmer that's where it's 'posed to be&#xA;That's where it's meant to be, that's where I'm meant to be&#xA;Uh, uh, hold on&#xA;Let me catch my vibe&#xA;Fuck your bitch be mad if she blow my high&#xA;Suck my dick in a fuckin' suicide&#xA;After that catch a drift and commit suicide&#xA;Xanny and the Percy, I'm a whole different person&#xA;Even if I'm high as fuck, I'm in the studio working&#xA;Ball like Julius Erving, fuck with me you hit the curb&#xA;Curb stomp a nigga before he could say a word&#xA;Yeah, and that's on my life&#xA;You lookin' for my son, I'll put that in your wife&#xA;You run up, that's okay, I got my .45&#xA;It's a fifty up in it, shoot his ass forty times&#xA;I gave my choppa a titty, that bitch busty&#xA;These niggas talking stupid, they crusty&#xA;Smoking on the stank shit, musty&#xA;Real ass nigga shit I must be, huh, yeah&#xA;Shit I must be&#xA;Pull up on the scene, that's just me&#xA;I don't need a team but I got two teams&#xA;I don't sip green, I just sip red lean&#xA;Double cup filled up got me stumblin'&#xA;Flippin' the work up, it's Jesse White tumblin'&#xA;I got the sack I called a player I ain't fumblin'&#xA;I shoot his ass then he crawled a car under it&#xA;I'll blow up, C4's I may just detour, huh&#xA;Pull up on 'em like ooh&#xA;Hold on let me catch this bitch&#xA;Finna' give 'em, uh&#xA;Back on spittin' the crack, ho&#xA;Full of shit they call me a asshole&#xA;Shy? hell no just a little bashful&#xA;Brick hell yeah, got a little cash flow&#xA;I spent a hunnid K within a month&#xA;I spent fifty K on a blunt&#xA;You ain't smokin' what I'm smokin' lil' boy&#xA;Big loud, your shit makin' no noise&#xA;Real nigga, they a bunch of decoys&#xA;Run up on me then they gettin' destroyed&#xA;Who the fuck brought in these boys&#xA;Who the fuck tottin' all these toys&#xA;.30 and that .40 make 'em act up&#xA;Kinda like a cha-cha slide he back up&#xA;Pourin' that in the back of the truck&#xA;With a bitch that like to act up&#xA;I still get my dick sucked&#xA;I don't spit lines, I still got pick up&#xA;The truck got pick up, your bitch get picked up&#xA;I still get my dick sucked&#xA;We and Westwood lit as a bitch&#xA;I give a shit I'm a hit&#xA;I hit the bitch then I'm gone&#xA;I hit that bitch like the lick&#xA;I tell that bitch suck a dick&#xA;I tell her swallow my kids&#xA;I tell her swallow the jizz&#xA;Hopefully, she get the gist&#xA;The wordplay is way better than these other niggas&#xA;I'm so smooth I could prolly fuck your mother nigga&#xA;After that I may just double back and hit yo babysitter&#xA;In the paint like Shaquille O'Neal 'cause I babied niggas&#xA;Shake it up like earthquakes lil' Haiti nigga&#xA;I'm not on XBOX, nah, you can't play me, nigga&#xA;4:44 my gun like JAY-Z&#xA;Huh, ahuh, this nigga crazy&#xA;Lookin' at my dad like, &amp;quot;You made me?&amp;quot;&#xA;Bitch, I made myself, is you crazy?, oof&#xA;Is you crazy? You couldn't pay me to say that&#xA;Nigga couldn't pay me&#xA;Uh, uh-uh, uh&#xA;I wanna keep goin' on this bitch&#xA;Uh-uh, uh, uh-uh, uh&#xA;Uh-uh, uh-uh, uh&#xA;Westwood type shit&#xA;I remember growin' up watchin' Westwood freestyles&#xA;Thinkin' I would be here one day&#xA;I use to hope for it, dream for it, wish for it, pray for it&#xA;Look what happened on a fuckin' Sunday&#xA;I pull up on 'em like Makonnen and Drake with the choppa&#xA;'Cause the club goin' up on a Tuesday&#xA;It's 2012 and this Glock when I up it you a Mayan&#xA;I'ma end yo shit this is doomsday, ooh&#xA;Yeah, and that's some wordplay and this what I say&#xA;I keep it three K like my name André, uh, yeah&#xA;And this some wordplay, and this some wordplay&#xA;This some, uh, this some, uh, this some, uh, this some&#xA;Yeah, yeah, yeah&#xA;I don't wanna feel it if the feelin' is real&#xA;I'm Matrix when I pop these Xannies, that's a limitless pill&#xA;I'm dying to live&#xA;Fuck it I'ma live it again&#xA;Yo girl gave up the pussy, she gon' give it again&#xA;And the crib prolly hittin' her friends&#xA;Gettin' it in, money in my pockets that I'm willin' to spend&#xA;At the door, knock knock, please lettin' 'em in&#xA;I ball like a letterman hotter than a sweater then&#xA;Pull up on the scene choppa on me, the Beretta twin&#xA;And your head like barrettes make you shake like Tourettes&#xA;Run up on me leave you left&#xA;Matter fact intercept, take a sec&#xA;Breaking bad with this shit, Crystal meth&#xA;Freestyle off the dome, I don't write, too exciting&#xA;Told you I'm the man and these hoes really like it&#xA;My bitch strapped up but no she not dyking&#xA;Run up, that's okay, you gon' die from the fire&#xA;.40 on my hip, boy, I don't live a lie&#xA;Treat you like you Christ, with the shit crucified, huh&#xA;Yeah, you get crucified&#xA;I don't fuck with shit so I ain't gettin' scrutinized&#xA;I'm high as a bitch&#xA;I'm fly as a bitch&#xA;You girl, gon' fuck her she goin' bye in the bitch&#xA;Run up on me, that's okay, 'cause you gon' die in the bitch&#xA;Click-clack, pow-pow, homicide in the bitch&#xA;Freestyle off the dome I won't lie in this bitch&#xA;Fuck a pen and a pencil I won't write in this bitch&#xA;Feel like the Buddha or something&#xA;I'm enlightened and shit&#xA;Feel like I'm lightning or something&#xA;How I'm strikin' and shit&#xA;Off the dome when I'm kickin' and spittin' the flows, ho&#xA;Pull up on the scene freeze it, I call it a snowglobe&#xA;Matter fact I'm on cold and colder than Ozone&#xA;Colder than Frozone, Colder than Ozone&#xA;I freeze up the Ozone&#xA;Walkin' yo hoes home, my dick in yo hoes dome&#xA;Fuck is you on&#xA;I am chillin' in the green like a bunch of croutons&#xA;Gettin' top from a bad bitch on a Futon&#xA;I remember days I used to skip school to crack cars&#xA;And crack bars and went too far off the Xan bars&#xA;I forgot them days, I still remember 'em&#xA;My life is so cold, sometimes I December it&#xA;Then again it switches up to the point where I ember it&#xA;Hot and these niggas be jealous, see how they envy it&#xA;Pull up on the scene, my choppa too close to me&#xA;I guess our relationships intimate&#xA;I close my eyes so I can lock in&#xA;Tourist with the Glizzy, I call her the Glock twin&#xA;Try the judge a nigga, I told 'em they Cochran&#xA;I won't fuck the bitch but she wanted my cock in&#xA;I pull up to the scene my head is noddin'&#xA;Off the lean chillin', I'm Speaker Knockin'&#xA;Rest in peace man, that shit was horrible, uh&#xA;Look at that bitch, her ass adorable, uh&#xA;I just made explorer, I feel like Dora, ho, uh&#xA;I was on the scene spittin' metaphoricals, uh&#xA;What I said in that one song&#xA;A black black, a white bitch, a black bitch&#xA;That's a Oreo, uh&#xA;Got the shit sealed like a fuckin' envelope, uh&#xA;Pull up on the scene with the choppa let it go, uh&#xA;I'ma hunt 'em down like his ass a antelope, uh&#xA;Tote cold with the ice it's a eskimo, uh, uh, uh&#xA;Had to let 'em know, uh&#xA;Load it up, I let it breathe, I let it go, uh&#xA;Fucked the bitch, I let it be, I let her go, uh&#xA;Uh-uh, uh&#xA;Switch up the beat gang&#xA;&#xA;&#xA;&#xA;&#xA;Uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh&#xA;Westwood shit&#xA;Yeah, warmed up and shit&#xA;Jet lag shit&#xA;Represent Chicago, yeah, uh&#xA;Sometimes I feel like I'm the worst&#xA;This talent is a gift and a fuckin' curse&#xA;This choppa to take you out the fuckin' Earth&#xA;'Specially if you walkin' on my fuckin' turf&#xA;I feel like Ferg how a nigga put in work&#xA;R. Kelly with the nina I'ma make it flirt&#xA;Choppa like a candy make the shit starburst&#xA;Look up in the sky, do the stars work?&#xA;I'm thinkin' that I need Percs&#xA;My mom said that's a damn shame and I need work&#xA;She say, &amp;quot;Fuck that shit, I need church&amp;quot;&#xA;I said, &amp;quot;Fuck that shit, the church need work&amp;quot;&#xA;And that's real&#xA;I'm happy so it's time to take some mad pills&#xA;I'm happy so it's time to take some sad pills&#xA;Fuck a bitch and put her voice up on the adlibs&#xA;I'ma probably do that&#xA;.40 on my hip, yeah, I'ma prolly shoot that&#xA;Bad bitch in my DMs I'ma prolly do that&#xA;Hit the gang up and let them run through that&#xA;This is off the top like waves in the durag&#xA;I'll leave your eye blue black&#xA;That's just how we do that&#xA;That's just how we&#xA;Spazin' on they ass do that shit all day&#xA;Rock Gucci and Louis but I dont fuck with Balmains&#xA;Out the park like a muhfuckin' baseball game&#xA;I'm Barack Obama with it I need all change&#xA;Shoot him in his face a couple times like a gun range&#xA;Call of Duty with the uzi, this is not a gun game&#xA;I run this shit like bolt nigga, no Usain&#xA;I do thangs nigga, yeah, I do thangs&#xA;Off the dome when I spit shit&#xA;This is not a written&#xA;And these other niggas they be forgettin'&#xA;That I'm the best to ever fuckin' do this&#xA;These other niggas lookin' stupid&#xA;Betrayin' they brothers, like who the fuck is you? Judas?&#xA;Who the fuck put you to it?&#xA;Choppa on my hip, I load it and put it through you&#xA;Catch me listenin' to Green Day havin' a blue day&#xA;With a bad bitch sippin' on D'USSÉ&#xA;She'll go both ways, anything for foreplay&#xA;That's what I say&#xA;That's what I say, I'm so high of the Percs&#xA;They lookin' at me sideways&#xA;I'm goin' 190, the wrong way on the highway&#xA;Tryna get my life straight&#xA;Catch me drunk drivin' in the suburban&#xA;With a nigga, the bomb strapped on his chest and a turban&#xA;I deserve it, I'm ballin' hard like I'm Julius Erman&#xA;I meant Julius Erving&#xA;I keep sippin' the bourbon mix it with the syrup turn to a serpent&#xA;One things for sure, two things for certain they blow like Kurtis&#xA;My flow close curtains&#xA;Your flow ain't workin'&#xA;So nigga keep on searchin'&#xA;I'm sure one day you'll find that person&#xA;Everybody talking Lucid Dreams&#xA;But most these niggas don't even know Lucid mean&#xA;Most of these bitches be really fuckin' losin' me&#xA;Eeny meeny miny moe, these hoes get to choosin' me&#xA;I remember when I ain't have shit&#xA;They was treatin' me like I ain't have shit&#xA;They was treatin' me like I was lower class&#xA;They was treatin' me like I was a savage&#xA;Now they in my DMs tryna say&#xA;&amp;quot;Juice you can have it, come over grab it&amp;quot;&#xA;I dont wanna have it&#xA;I let my bro cut it like he fuckin' stabbed it&#xA;Taboe with the Glizzy how I'm jabbin'&#xA;How I'm jabbin'&#xA;Man spendin' money is a bad habit&#xA;But I ball out with this shit, I'm a Maverick&#xA;Make 'em disappear like magic&#xA;Call a plan then I execute like Madden&#xA;Off a flat in a bad bitch house&#xA;Tryna get it crackin' from the back end, yeah, hm&#xA;Yeah&#xA;Uh, uh, uh, uh, yeah&#xA;Uh, uh, uh, uh, yeah&#xA;Fresh off the jet&#xA;Freestyle and shit&#xA;Eminem beats, 8 Mile and shit&#xA;Where I came from the great wild and shit&#xA;Where you would get shot if you crack smiles and shit&#xA;All my niggas goin' too hard and shit&#xA;I'll pull your bitch like a card and shit&#xA;Heard she for sale I'm bargainin'&#xA;At the door, I'm barging in&#xA;Yellow boned like Marge again&#xA;I spread her out like margarine&#xA;I just marchin' in&#xA;Feelin' like a spartan kid&#xA;&#xA;&#xA;See how versatile I can get, uh-huh&#xA;Okay, I'll say a few words on this&#xA;Oh... all fall from the... uh...&#xA;Okay, look&#xA;High as fuck, drunk as fuck&#xA;In the back of the car like what the fuck&#xA;Bad bitch at the crib, high as fuck off the drugs, suck me up&#xA;I was high, not her, she was sober, tryna get a uppercut&#xA;Hit 'em in the stomach with the choppa 'til the fuck nigga had enough&#xA;Freestyle shit that they take years to think up, that's true&#xA;Pull up on the scene, leave 'em inked up, choppa like a tattoo&#xA;You ain't know, she ain't know, he ain't know, nigga, I'm that dude&#xA;Matter fact make you break your back like breakdance, old school&#xA;Freestyle type to pull up, put the gun to your youth group&#xA;Matter fact take a chain on your wrist, slave you up useful, hahaha&#xA;Hell yeah, yeah, bitch, I may use you&#xA;Beat it up, beat it up, Mike Tyson I abuse you&#xA;Flow gold, so cold like diamonds fuck that rose gold&#xA;.40 on me, it'll sneeze, grab a Kleenex, got a bad cold&#xA;Pull up on him, hit him in his face twice, now he got a bad nose&#xA;I'm the type to pull up on the scene full of shit like a asshole&#xA;My flow is so cold, my flow is so cold it's so cool&#xA;These niggas so lame, these niggas so old I'm so new&#xA;Pull up on the scene just me no guys I'm solo&#xA;Feel like Kudi 'cause I'm still rockin' the Dolo&#xA;Box all on my logo, your bitch, she a ho-ho&#xA;Stick on me, yeah, the stick on and it's super big, no homo&#xA;Niggas talking that dumb shit hit 'em in his ears, no Dumbo&#xA;Not in my house with a tumble, left-right, left-right, that's a combo&#xA;I'ma serve it like cilantro, kill a nigga in his condo&#xA;Then I fuck his bitch his condo, I hit this OG, let his mom know, huh&#xA;I am the bomb, ho, I blow up just like a bomb, ho&#xA;Just let your mom know, Juice he got that Osama flow, yeah&#xA;I ain't ever gotta write, uh, I'm the shit to these niggas like, &amp;quot;Damn&amp;quot;&#xA;Do I ever gotta wipe, yuh, pull up on 'em with the gun like, &amp;quot;Damn&amp;quot;&#xA;That nigga finna die, yeah&#xA;I'ma overkill, overkill, probably shoot him like three times, yeah, ayy&#xA;R.I.P. to my fallen ones, I just lost my brother, for real, uh&#xA;I'm sick of lookin' at the news, I may lose another, for real, yuh&#xA;Everybody keep on snitchin' on 'em, they ain't undercovers, for real, yuh&#xA;It's how I catch 'em lackin' sleepin' with each others under covers for real, yuh&#xA;Man, shit gets real out here&#xA;Withdrawal's a bitch, I've been takin' too many pills out here&#xA;Tryna live out here, no Advils, fucked the bitch on my adlibs&#xA;Said that twice 'cause shit is mad real&#xA;Man, Westwood throw on some different shit&#xA;I'm still rappin' on it 'cause I'm showin' the distance between me and these other niggas&#xA;Like I said, I can fuck your mother nigga&#xA;Like I said, I can fuck your babysitter&#xA;Like I said, I'm here to baby niggas, for real&#xA;&#xA;&#xA;Hmm, that was interesting&#xA;What's that genre called?&#xA;UK drill, okay, uh&#xA;It kinda sound like Chicago drill though&#xA;Sound like some DJ L shit&#xA;You know DJ L? You heard DJ L? Yeah&#xA;Uh-uh, yeah&#xA;Let's see how long I could rap&#xA;Let's see how long they could act&#xA;I was just up in the trap&#xA;I had my gun in my lap&#xA;I shoot a nigga like crabs&#xA;I shake up, I don't do dab&#xA;Run up on me then I run up on him with that chopper he hittin' the lab&#xA;I add it up I add the bodies up that is the aftermath&#xA;Up in school he wanna fight, I beat him up after class&#xA;Then I meet at the next class and beat him up after that&#xA;I had the last laugh&#xA;Bombin' like Baghdad, where my dad at?&#xA;Guess he a bad dad, that was his last chance&#xA;I am the last man, they killed every one of my niggas&#xA;I am the last man, this is the last stand, I got the big bands&#xA;Ayy, I could rap on anything, married to a wedding ring, yuh&#xA;Need a crown I been the king, yuh, niggas funny, Jerry Spring-yuh&#xA;I don't got time for it, nuh, I just rock Tom Ford it, yuh&#xA;Pull up on him, god damn, I'ma up the odd got a nine for it, yuh&#xA;I feel like a chiropractor when I get it crackin' I'ma crack a spine&#xA;I'm a fuck a bitch so good, she gon' let me hit it from behind, yuh&#xA;Matter fact I pull up on you wit' a chopper to yo brain and change your mind, yuh&#xA;I'm at the top of the top, but it's still more to climb, yuh&#xA;I change the climate, pull up on him I'm shining&#xA;Two-tone skeleton A.P on the way rolly diamonds&#xA;Niggas talkin' down to me, but all this niggas under me&#xA;Actin' like some pirates, 'cause they tryna rob and plung-e me&#xA;But I ain't got no time, I just got my 40, and I got your shawty&#xA;Off of the molly, up in the party, she actin' naughty&#xA;I tell her sorry I cannot fuck, I wanna play her like an Atari&#xA;I just may borrow her to go to Paris, coolin' with Bari, yuh&#xA;Vlone on me, uh, yeah, Revenge on me, yuh, ayy, that's your homie&#xA;I may kill him fuck your homie, yuh, ayy, that's by my lonely&#xA;Only wanted me no cloney, I can't fuck her if she not thick, 'cause I really&#xA;Don't fuck with the boneys&#xA;Yeah, hm&#xA;Fuck 12, I don't fuck wit' the police&#xA;These niggas, fake friends, hatin', thinkin' that they know me&#xA;I got the force like Obi-Wan, last name Kenobi&#xA;Course I'm with a white bitch, still catching the nose bleeds&#xA;&#xA;&#xA;&#xA;&#xA;Oh, ayy, aight bet&#xA;That's my shit&#xA;This beat hard as fuck&#xA;What that nigga Blocboy say? You come Hell, hahaha&#xA;From the Chi, from the Chi, look alive&#xA;I've been working like a damn nine-to-five all my life&#xA;Put my dick in your wife&#xA;Double back, hit it twice&#xA;Run up on me, that's okay, you a pussy, get shot nine times&#xA;I'm in the cut with a super soaker, run up on me and you know it's over&#xA;All of my niggas they doin', doin' the work like they doin' homework&#xA;All of my niggas be whippin' the work&#xA;Probably selling it at church&#xA;Run up on me you get murked&#xA;I'ma put you in a hearse&#xA;Ayy, ayy, they don't understand&#xA;I got the upper hand&#xA;Poppin' like rubber bands&#xA;I may kill your friend, I may kill your man&#xA;Then I may just fuck you on this track let's go to Japan&#xA;I'm up in Tokyo coolin' like Uber, everywhere&#xA;I may shoot him in broad day, I never care&#xA;Look alive that shit bright, solar flare&#xA;Home run, goin', gone, it's outta here, yeah, ayy&#xA;Me and Westwood smokin' on the Backwood&#xA;Pre-rolled, filled it good that's a packed wood&#xA;I may just pop some Perkies, I pray to God they workin'&#xA;Shit cut too deep surgeon, pull up on the scene I'll murk him&#xA;Turn to a whole different person, flex on a bitch like Percules&#xA;Matter fact call me Hercules&#xA;Same ol' person, fuck on that bitch, she from Taiwana&#xA;I cannot roll wood, with my marijuana&#xA;I am not with the DJ, DJ Drama&#xA;Andre with the cash, cash the commas&#xA;Look alive, please look alive&#xA;'Cause if you look too late fuck it then you may die&#xA;I'm just coolin' trap house, skate on them niggas, no blackout&#xA;I ain't with the flirtin' at all, but, bitch, I got the MAC out&#xA;That shit dead Bernie Mac now&#xA;Tell them niggas to calm down&#xA;I feel like Osam now, fuck the shit I'm the bomb now&#xA;I'm just vibin' on 'em, I'm just high tryna survive tryna-&#xA;Keep this beat goin', I fuck with this shit&#xA;Look alive, uh, look alive, uh&#xA;Jet lag but I still look alive, jet lag but I still look alive&#xA;I only slept for a hour, that's on the plane&#xA;But I'm still here, lit as a bitch, these niggas be lame&#xA;Run up on me then I'm snatching your life, and I'm snatching your chain, probably snatching your main&#xA;I'm kickin' this shit like, off of the brain&#xA;Half of these niggas can't do it, half of 'em probably look stupid&#xA;Run up on me then I do it, I got my hand on my toolie&#xA;I use that bitch like a toilet, flush on that bitch, I enjoy it&#xA;I just went on a voyage, yeah, I just went on a voyage&#xA;These shoes cost your mortgage&#xA;I—&#xA;Ayy, I definitely want to drop a remix to this shit, like officially, this beat hard as fuck&#xA;Ayy, ayy, look, these shoes cost your mortgage and these bitches imported, uh&#xA;Pull up on the scene I'll torch 'em, ball on them niggas full court&#xA;Whippin' in the trap no fort, I need a sport&#xA;I get some head from yo bitch 'cause I swear that bitch is a dork&#xA;Run up on him with the chopper, I swear I'ma shoot 'em for real I don't show no remorse&#xA;Nah, I don't show no remorse, shoot 'em in his head of course&#xA;That's what we aim at, that's what we bang at&#xA;Niggas switching over money that's where they change at&#xA;I cannot change over change, bitch, I'm remaining the same&#xA;I'm screaming fuck all the games, I'll put a shot through your gang&#xA;I don't give a fuck what you say, I'm getting money all-day&#xA;Ball till I'm bald think I need a toupee&#xA;Cross the street, the bitch go both ways&#xA;Freestyle shit no write, you couldn't pay me to write&#xA;I got a .40 on my hip like damn, you niggas couldn't pay me to fight&#xA;Niggas couldn't pay me to die, losin' too many niggas out this time&#xA;What's Juice WRLD on? That nigga probably out his mind&#xA;Well, look alive, do or die, free my nigga, he did the time&#xA;He ain't do the crime, don't believe me, I ain't lyin'&#xA;I ain't tellin', die, switch up, switch up&#xA;&#xA;&#xA;&#xA;&#xA;Okay, let's skate&#xA;Bad bitch finna come my way&#xA;Going 90 when I'm on the Highway&#xA;Can't go high without the high, ayy&#xA;Every day I wake up, smoke another gram&#xA;I don't give a fuck nor another damn&#xA;I'm smokin' the kush from the Hoover Dam&#xA;I'ma let these bitches know who I am&#xA;I can make whole songs without messin' up&#xA;Gotta fess up, I feel like I'm next up&#xA;Bad lil' bitch in the car named Vanessa&#xA;She's a flexer and a sexta&#xA;Yeah, ayy, sext her and finesse her&#xA;Then it's next, yuh, then it's next, yuh&#xA;Bow flex from the way this shit work out&#xA;Choppa leave a nigga shaking like it's twerk out&#xA;Tyson, I may knock his lights out&#xA;Like I said shawty strapped, she tryna dyke now&#xA;Run up on me talkin' shit, you wanna die now&#xA;Choppa workin' kinda like a 9 to 5 now&#xA;Switch the flow up&#xA;Drinking Henny with the lean, until I throw up&#xA;Almost spent 2k on a bottle of some Henny&#xA;I don't even drink that heavy, what the fuck gotten in me&#xA;Totin' on the semi&#xA;Hardaway when I'm ballin' these niggas comparin' me to penny&#xA;Spare change? Hell nah, keep the pennies&#xA;Ballin' hard fuck a jersey need a penny, yeah, ayy&#xA;Caught a fat nigga lacking he was up at Denny's&#xA;He don't want smoke but we got plenty&#xA;I'm on bullshit like Chicago, no Benny, uh&#xA;I'm in London gettin' it jumpin'&#xA;Run up on me and I'm uppin' the .40, uh, yeah it ain't nothin'&#xA;All of my niggas be makin' this money, no assumption&#xA;I goin' fuck the bank until that horny bitch cummin'&#xA;Watch a nigga vomit like I said my momma really think that I'm demonic&#xA;Mom let's be honest, it's money in my pockets&#xA;I feel like a angel with these devil horns, stop it&#xA;You don't want no problems like Wayne said cool what's a goon to a goblin&#xA;What's a God without a goddess, so I need me a goddess&#xA;Fuck being humble, shit, I'm done being modest&#xA;Nah, I'm playin', all this shit a blessin'&#xA;Catch this chopper into yo intestines&#xA;Mic check, 1-2, testin'&#xA;Pull up on the scene slam wrestlin'&#xA;Me and Westwood straight flexin'&#xA;I just may drop a hundred on a necklace&#xA;I just may drop a hundred on my next bitch&#xA;Flexin' on the ex bitch, uh, I do that in private&#xA;My gun a librarian that bitch came with a silencer&#xA;Yes, I'm for the violence, I still want peace though&#xA;Yes I got a girlfriend these niggas do hoes&#xA;Pull up on the scene like kick shit like Judo&#xA;I'm the type—&#xA;That beat hard, I ain't never really listen to instrumentals, like you know like the instrumentals of the songs and shit? These bitches be hard&#xA;&#xA;&#xA;&#xA;&#xA;Plug Walk&#xA;You know you ain't the plug, so how you make the plug walk, uh&#xA;Boy, yo' plug ain't the plug of he tell you that the plug walk, uh&#xA;Fuck the cookies, I been smokin' on the kush Luke Skywalker, yeah&#xA;2 grams to the face it'll make a nigga sky walk&#xA;Lean like a bitch, choppa on my hip I gotta beam in that bitch&#xA;Heat you up and your team in that bitch, things ain't really what they seem in that bitch&#xA;Me and Bibby gettin' busy in like every beat, I'm like Miami when I'm on the scene I always keep the heat&#xA;Niggas must be virgins thinkin' they can fuck with me, wits about me luckily it's on me luckily&#xA;.40 on me like Velcro it's stuck to me, keep it on my hip, holst it up comfortably&#xA;Freestyle flows, they some wannabes&#xA;Back in yo' bitch with the swiftness&#xA;Taylor with the shit feel like swift, bitch&#xA;Pull up on the scene rockin' misfits&#xA;Ever since a kid I was a misfit&#xA;Still did my damn thing, never gave a fuck&#xA;Niggas talkin' stupid till I pull up make 'em duck&#xA;Choppa kinda hungry, better heat him up for lunch&#xA;Better heat him up for lunch&#xA;I'ma let it breath like a asthma attack&#xA;Come and step to me if you gon' battle the rap&#xA;I was on the scene with my Mac, yeah, my Mac&#xA;Shoot 'em in his chest now he asthma attack&#xA;Cardiac arrest like he MJ, R.I.P. he was the greatest what can I say&#xA;Ballin' on these niggas like MJ, you like an old play but you been played&#xA;Outdated, all these niggas belated, belated, outdated, all these niggas belated&#xA;Look, came in the game flexin' like I've been famous&#xA;Damn, right like I been famous&#xA;.40 on me got to shooting, bitch, I been aimin'&#xA;Niggas false claimin' shit bitch I been bangin'&#xA;Try me if you wanna, you don't want no smoke but I want it&#xA;You don't want no smoke don't condone it&#xA;Pull up on the scene of my opponents&#xA;Spazz on they ass, run it like track&#xA;Shit so cold, run that shit back&#xA;Got so much drive if I crash this shit, muhfucka, muhfuckas, may just catch whiplash&#xA;Me and Westwood in the 'Rari where you at we shootin' up the party&#xA;Bad bitch and she rollin' off the Molly&#xA;Dreads on my head feel gnarly&#xA;OG in the blunt Bob Marley&#xA;Dej Loaf with the shit don't try me&#xA;.40 stick a nigga in his face, no IV&#xA;Smoke a nigga like a blunt no eye ring&#xA;Flow go so cray&#xA;Shout out to them Pirus, flow go so bray&#xA;Pull up to the scene with my hand on my K&#xA;Shoot a nigga in his face, fuck you have a nice day&#xA;I just may hit the ice tray&#xA;I just may hit up go that way&#xA;I'ma roll-off on the Segway&#xA;I'm takin' off these niggas on a drag race&#xA;Niggas auto-tuning like they T-Pain&#xA;Niggas workin' out they outta shape&#xA;Fuckin' with me cool you gon die today&#xA;Hell yeah, I'm gripping on my fire today&#xA;&#xA;&#xA;&#xA;&#xA;Run up on me then you catchin' a funeral&#xA;I scratch it off write it in Roman numerals&#xA;I fucked that bitch in the back and I swear that I never loved her I just want to hit her&#xA;I fucked that bitch now I'm hitting her sister&#xA;Run up on me you get spin like a twister&#xA;Told you before I don't fuck with these niggas&#xA;I got my hand on on my hand on my trigger&#xA;I'ma go get 'em, she on my dick hoppin', I'm callin' her tigger&#xA;I tell her, &amp;quot;Go figure&amp;quot;&#xA;She suck through the tommy's, I'm talkin' Hilfiger&#xA;Tommy on me, I ain't talking Hilfiger&#xA;That bitch a gun&#xA;Run up on me, I got heat like the sun&#xA;Count up to two 'cause I am not the one, uh&#xA;Better locked up, Akon&#xA;All my other niggas they gone&#xA;R.I.P. to all they souls, condolences to all they moms, uh&#xA;That's just how it is&#xA;I'm in the bank, makin' it flip, talkin' that shit&#xA;I hit yo bitch just like a lick&#xA;I'm with the shits, I pass the 'Roc&#xA;Ain't no assist, bitch on my cock&#xA;Run up on me then you get shot&#xA;I feel like Bishop, I got the Juice, back when the cut, callin' it Pac, yuh&#xA;I'm in the cut with the nina&#xA;I'm wettin' it up like this shit Aquafina&#xA;You run up on me then I'm servin' 'em bullets like tennis balls&#xA;Nigga ain't talkin' Serena&#xA;All of my niggas get money for real&#xA;I do money for shows, I cash out on arenas&#xA;I take yo' bitch, fuck her&#xA;Send to the cleaners&#xA;Run up on me then I'm killin'&#xA;I swear that my hand on my nina&#xA;Don't want no smoke&#xA;All of these niggas ain't nothin' but jokes&#xA;Run up on me like a.. like a Facebook post, lil' nigga, you poked, uh&#xA;I'm a rich nigga, you broke, uh&#xA;Must be a pimp, you a ho, yah&#xA;Run up on me, let's go&#xA;Baow, baow, baow, choppa on go (Wheezy outta here)&#xA;Yeah, yeah, yeah&#xA;I'm finna catch myself, yeah, uh&#xA;Breathe in and out, I had to catch my breath&#xA;Now I'ma spaz on they ass&#xA;I leave 'em leakin' on maxi pads&#xA;Hotter than a nigga in New York with a bag full of clothes tryna catch a taxi cab&#xA;Run up on a nigga, that chopper blast&#xA;Told you I cannot do battle rap&#xA;Fuck ass tryna battle, that shit kill&#xA;Shaquille, rim rattle that&#xA;Niggas, they snitch, they tattle that&#xA;Send that shit back, damn&#xA;You must be dope, bitch, I'm crack, yuh&#xA;Damn, a couple of grams, to be exact, yuh&#xA;Shit I'm young, rich and black, yeah, yeah&#xA;So you know they hatin' that&#xA;I'm finna spaz on they ass and you know it&#xA;You run up on me then I'm shootin', it's over&#xA;I got a way with words, they call me a poet, damn&#xA;Run up on me then I'm soaking&#xA;That .40 on me and you know that it's blowin', you know that I’m towin'&#xA;Your bitches are hoeing, you know that shit goin', uh&#xA;I met that bitch on the lowin'&#xA;I picked up on a high route, we smokin', huh&#xA;Hotbox in the new whip with a new bitch&#xA;I don't even know her name, yah&#xA;Run up on me, that's okay&#xA;Got a AK on me, it's at your brain, yah&#xA;I put my dick in your main, yah&#xA;I just may go snatchin' chains, yah&#xA;Bring it back&#xA;I sold that shit to the gang&#xA;I sold that shit to the gang&#xA;Run up I may snatch yo chain&#xA;I sold that shit to the gang&#xA;Can't you niggas see the difference&#xA;Every day I'm on a different shit&#xA;I'm just tryna keep my distance, yuh&#xA;I'm just tryna keep my distance, yuh&#xA;Fuck niggas can't get with it&#xA;Transform like I'm Witwicky&#xA;In the new car, boy, I'm quick with it&#xA;With a white bitch and she still sniffin'&#xA;From the shit I bought her last night&#xA;Jet lagged from the last flight&#xA;Scuffed up the pair of black Mikes&#xA;That I bought when I was up in L.A., huh&#xA;Switch it up, kinda like a sex change huh&#xA;.40 on my hip like a gun range, uh&#xA;Pull up on a nigga like okay, huh&#xA;Man down, bitch, no mayday, uh&#xA;Westwood, I think I could rap forever&#xA;I think I could rap forever&#xA;No matter where I'm at&#xA;No matter the continent&#xA;I could probably rap wherever&#xA;I could spit whatever, ahh&#xA;Probably take a bitch wherever, ahh&#xA;They said them plays for the kid&#xA;They said to pick whenever&#xA;I'ma go in one more time&#xA;I drop that bitch like a dime&#xA;She fall in love with the words&#xA;Then she fall in love with the lines&#xA;Yeah, there's a difference&#xA;Yeah, there's a diff—&#xA;Fuck it, I'm just tryna catch a vibe&#xA;&#xA;&#xA;Oh&#xA;I always f— like forget how the beginning of this song sound&#xA;Uh-huh, yeah&#xA;Uh&#xA;Uh, this one for the legend, uh&#xA;I feel like a king, and these other niggas peasants, uh&#xA;We should take another nigga loss as a lesson, uh&#xA;Hopefully, I'm finna meet these niggas up in heaven, uh&#xA;I feel like I'm lost in my mind sometimes, uh&#xA;I feel like I'm dropped like a dime sometimes, uh&#xA;I'm just trying to find out what's mine sometimes, uh&#xA;I'm just trying to find out what's mine sometimes, uh, ayy&#xA;I get lost in the sauce way too often&#xA;Uh, bought my soul back like I fuckin' sold it&#xA;Uh, ayy, huh, this shit cold, this shit scolding&#xA;Yuh, ayy, I wonder what happens when my life over&#xA;Sometimes I think it's coming up&#xA;I think they runnin' up&#xA;So yes, I'ma keep my .40 tucked&#xA;I cannot go out, I cannot go out&#xA;I will not go out, I gotta show out&#xA;I ball too hard on these niggas, it's a blowout&#xA;Yeah, it's a blowout&#xA;Uh, yeah, ayy&#xA;Suicide if you try to take my drugs&#xA;Suicide if you try to take my drugs&#xA;Suicide if you try to take my drugs&#xA;Homicide, baby, would you hold my gun?&#xA;Suicide if you try to take my drugs&#xA;Live a lie, look at all the shit you've done, uh&#xA;Suicide if you try to take my drugs&#xA;Homicide, go on and hold my gun&#xA;Specify, all the lies you've told&#xA;Look at me, what am I on?&#xA;Percy, Molly, Xanny, all that shit, in one mix&#xA;I'm so high that I cannot remember to forget&#xA;Matter of fact, let's just take a sec&#xA;Rest in peace to the niggas that left&#xA;Rest in peace to the niggas that left&#xA;And praise all the niggas that's left&#xA;I feel like I'm up in my prime&#xA;But who am I gon' share my prime with?&#xA;Who am I gon' share my time with?&#xA;Sometimes it's just perfect timing&#xA;Singing like I'm CeCe Winans&#xA;Damn, this shit's unwinding&#xA;Yuh, yeah, yeah, ayy&#xA;Suicide if you try to take my drugs&#xA;Homicide if you try to rob my plug, ayy&#xA;Homicide if you try to take my gun&#xA;I'ma hit a lick like I smack that tongue, yeah&#xA;Suicide if you try to take my drugs&#xA;Homicide if you try to rob my plug&#xA;Homicide if I'm reaching for my gun&#xA;I'm not the one, I'm not the one, ayy&#xA;R-I-P&#xA;I'm sad, I know, yeah&#xA;I'm sad, I know, yeah&#xA;I'm not the one, yeah&#xA;I'm not the one, yeah&#xA;&#xA;&#xA;Shit&#xA;Uh, it's been a long time comin'&#xA;But I'm still here&#xA;Everybody talking 'bout they numb or something, wait&#xA;Can you feel here&#xA;All this fake shit around me is this some real here&#xA;All this sober shit around me is there some pills here&#xA;For real, I need to know&#xA;I need to know&#xA;My mama tell me that I need to let 'em go&#xA;She say the syrup in these pills finna kill me&#xA;But sometimes I think it brings out the real me&#xA;Sometimes I think it brings out the concealed me&#xA;Sometimes I think it exposes and reveals me&#xA;So what happens when the real meets the real&#xA;What happens when Juice meets the pills&#xA;Uh-uh-uh, yeah&#xA;Westwood shit&#xA;I'm up in London&#xA;Gettin' it bussin'&#xA;Ain't no discussion, run up on me then I'm drummin'&#xA;My choppa sick or something&#xA;Like it was drunk I up it it'd start to vomit, ooh&#xA;That's a bar&#xA;Lookin' at my watch like that's a star, huh&#xA;Lookin' at my spaceship like that's a car, huh&#xA;Lookin' at my pills, them Xanny bars, nah&#xA;In 2016 I was poppin' them Xannies&#xA;Now I'm in Percies&#xA;Lastin' forever in panties&#xA;Run up on me goin' harder than granite&#xA;Sit down muhfucker 'cause I know you can't stand 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wit' it&#xA;I see this shit before I say it, telepathy&#xA;It's like I talk to my conscious, I say what it's tellin' me&#xA;Anything besides money, eh, it's kinda irrelevant&#xA;I can't focus without codeine, my medicine&#xA;I sip it until I'm slurrin' and spittin' impediments&#xA;I'm ballin' to the point where I think I need a Letterman&#xA;Westwood at the gates of London, he just had to let 'em in&#xA;I'm here, spazzin' on every single track he pass&#xA;You run up, I leave you leakin' on a maxi pad&#xA;I'm ballin', hard, these other niggas on the bench&#xA;I swear, they need to stay where they at&#xA;Nigga, I'm takin' over the world, a map for a map&#xA;I'm off of a ecstasy pill, that's a flat for a flat&#xA;I'm up to bat, throw a fastball, it's a hit&#xA;I hit a lick, then I hit a hit on yo' bitch, I don't miss&#xA;Listen, I heard yo' bitch on my hit list, I hit that bitch, then I'm dippin'&#xA;You run up on me, I'm shootin', that choppa on me is spittin'&#xA;My wordplay is amazing, my flow is so brazy, huh&#xA;I'm shakin' shit up like I said, no Haiti&#xA;This is freestyle shit, it's authentic&#xA;My flow, it burns niggas careers is arsenic, uh&#xA;My flow badder than bad women&#xA;I rock shows like Kravitz and John Lennon&#xA;Yo sins ain't forgivin'&#xA;I'm the rap God, call me Juice Allah&#xA;Did I take it too far?&#xA;Did I take two bars, to get on Mars?&#xA;To more like Dubai, hold on&#xA;I got a little tongue twisted, but I'm still gifted&#xA;Still spittin', still rippin' writtens&#xA;This premonition is really killin' it&#xA;And these niggas ain't shit&#xA;But Civics, me I'm Bentley&#xA;Get it, bitch&#xA;Don't you forget it&#xA;The shit that you talking, I really lived it, uh&#xA;I sold my soul then bought it back, I finessed 'em, uh&#xA;You run up on me, choppa holy it'll bless 'em, uh&#xA;He talking stupid 'til they shoot him, that's my weapon, uh&#xA;I got a couple of bars I could spit&#xA;Maybe I'll just use 'em in this shit&#xA;Or maybe I'll just use 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They all die&#xA;Well, I don't wanna be a legend up in my prime&#xA;But, I know it's still prime time&#xA;Stars, how I shine&#xA;When they align with the planet, you know some shit is goin' on&#xA;I transform like Omegatron when my favorite song is on&#xA;Fuckin' that bitch like the Ramadan&#xA;Man, I spit shit&#xA;So cool&#xA;I breakdance shit like the old school&#xA;I'm never runnin' out of energy, I'm a suspect grippin' this firearm in your vicinity&#xA;Try me if you want, 'cause I swear it's not gon' end cool&#xA;I'ma prolly pull up to your cruel like, &amp;quot;Where the fuck is you?&amp;quot;&#xA;Cock it back and then I shoot&#xA;W-W-W, I can't lose&#xA;Ayy, I flew from London to Chicago&#xA;Money in my pockets, I may get a Murciélago&#xA;That's all that I know&#xA;Shout out to my kinfolk, they know I'm totin' ammo&#xA;In the streets they call me Rambo, ain't no peace where I'm from&#xA;But these pieces, we tote 'em, you run up on me it's over&#xA;Like a cig, we gon' smoke 'em&#xA;I put yo ass in a coma&#xA;Smokin' kush, this aroma, leave yo ass in a coma&#xA;Ballin' out like I'm Odom before the crack, don't you get it?&#xA;Spittin' crack on these niggas, define niggas like physics&#xA;Shut the fuck up and listen, I'm ballin' hard like a Piston&#xA;Nigga this shit's enlisted just like a army, lil' nigga&#xA;I swear to god I'm invincible you can't harm me lil' nigga, yeah&#xA;I'm talkin' to you&#xA;I sent you my address a couple weeks ago, you ain't come through&#xA;'Cause you know we was gon' leave yo ass dropped like a sunroof on a new coupe&#xA;Haha, I talk a lotta shit&#xA;But it all means something&#xA;&#xA;&#xA;He pullin' out hella beats, cool&#xA;This shit sound hard, there's some soul to this shit&#xA;Shit, bat&#xA;Your bitch miss me like the old Kanye&#xA;That's what she say&#xA;It's not what I say&#xA;That's what she say&#xA;I'm early to the money I can never be late&#xA;Always good I always been great&#xA;These niggas ain't straight, they always been gay&#xA;No offense, no offense&#xA;Please don't proceed to hop up on my dick&#xA;Haha, man&#xA;Listen how the flow go&#xA;Outer space I'm ballin' like I'm shootin' up on Pluto&#xA;Talkin' stupid to me 'til I pull up let the tool blow&#xA;Emperor new school, call me Juice Kuzco&#xA;Known to flip this shit and kick it like I'm knowing Judo&#xA;That's just how it goes though&#xA;If I touch the world I told you that shit is a snow globe&#xA;That's just how my flow is&#xA;Living in the moment&#xA;Your bitch swallow my kids&#xA;I can say that in a million different ways&#xA;I can break it down, a million different phrases&#xA;Look at all my songs on the playlist&#xA;It's evident that I'm your bitches favorite&#xA;I ain't even have to say it&#xA;I ain't even have to say it&#xA;They just left my blood on the pavement&#xA;Now I gotta come back gotta slay 'em&#xA;Nigga what the fuck you thought you was saying?&#xA;Run up on me, that's okay, I AK 'em&#xA;I could freestyle shit for 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<INFO BITRATE="844000" COMMENT="fre:ac - free audio converter &lt;https://www.freac.org/>" KEY_LYRICS="Before the release of Friday in April 1995, films about life in South Central had painted a bleak portrait of the hood that was largely covered in splashes of red. Colors (1988), Boyz N the Hood (1991), and Menace II Society (1993) all centered on themes of bloodshed and tragedy, which became synonymous with life in that part of the city, especially for people across the country who watched the L.A. riots play out on televisions in their living rooms exactly three years earlier.&#xA;&#xA;The films illuminated real issues in the community, but violence wasn’t the only thing those in South Central wanted to be known for. So, a trio of native Angelenos in their early 20s—rapper-actor Ice Cube, DJ Pooh, and director F. Gary Gray—set out to share a different, more lighthearted, flavor of neighborhood life. It involved a lost job, two friends, a porch, some weed, and an eventful day. Gray, who directed the music video for Cube’s “It Was a Good Day” in early 1993, had the perfect spot to film it: 126th and Normandie, the block he grew up on.&#xA;&#xA;Problem was, Cube had never acted in a comedy, Gray hadn’t directed a feature-length movie, and they only had 20 days to shoot once New Line Studios signed on. The project was happening—they just weren’t sure what was going to come out on the other side.&#xA;&#xA;On a modest estimated budget of $3.5 million, Friday made nearly $30 million at the box office and spawned two sequels. The film’s strengths fell on the performances and improvisations of its mixed cast of new and veteran comedians, such as Bernie Mac, John Witherspoon, Anna Maria Horsford, Reynaldo Rey, Angela Means, Faizon Love, A.J. Johnson, and in particular, Chris Tucker, who co-starred as the bigmouth stoner Smokey and went on to star in three Rush Hour movies with Jackie Chan (but none of the Friday sequels). The film also helped propel the careers of a young Meagan Good and Michael Clarke Duncan.&#xA;&#xA;Twenty years after its release, Friday’s impact is apparent every time the Internet generation tweets “Bye, Felicia”—a misspelling of Angela Means’ character, Felisha—or someone shouts a Smokey quote in a WorldStar video. These one-liners keep its popularity high, but it’s the film’s story about family and community, with characters who mirror people in our own lives, that has kept Friday burning on screens throughout the hood and beyond. Friday represents a coming-of-age moment for films that use life in South Central as their backdrop, and its attention to detail—the slamming of metal screen doors, the sizzle of eggs in the morning, broken-down cars with alarms—made it an authentic glimpse into family life, not just in South Central, but in neighborhoods around the country, during the ’90s.&#xA;&#xA;This is the oral history of Friday, a film about $200, shot in 20 days, that is still smoking 20 years later.Chapter 1: The ScriptDJ Pooh: It was in ’94, I believe, when we started writing the Friday script. Cube and I were sitting in the Street Knowledge basement  working on some tracks and we started talking about a movie.&#xA;&#xA;Ice Cube: In the hood, they was doing movies like Boyz N the Hood, which I did, Menace II Society, South Central, and even Colors, going back that far. Everybody was looking at our neighborhood like it was hell on Earth, like the worst place you can grow up in America. And I’m like, Why? I didn’t see it all that way. I mean, I knew it was crazy around where I grew up but we had fun in the hood. We used to trip off the neighborhood. I was a fan of Cheech and Chong movies, of In Living Color, Robert Townsend’s Hollywood Shuffle; we watched them all the time and laughed at them. DJ Pooh is not only a superproducer but also a fool and crazy as hell. We in the studio laughing all day, smoking weed, and we were just like, “Yo, we need to create something to show how the hood really is, from our vantage point.” That’s how it started.&#xA;&#xA;DJ Pooh: We came up with a rough idea of a movie that would take place in a day, a regular Friday in the hood. We started building around that. Me and Cube grew up around the same neighborhood, so we knew a lot of the same people. We started thinking about people we knew, what was going on, stuff that happened in our lives growing up, and just laughing and clowning about a bunch of different scenarios. Every hood has a Deebo or a Felisha.&#xA;&#xA;Ice Cube: The script took a couple months to get together. Friday was the third script I wrote. I wrote one before called America Eats Its Young. After that I wrote a script called Fo’ Life, a hardcore script about the hood and going to jail and shit like that.  John Singleton had encouraged me to start writing scripts because I wrote vivid records. He was like, “If you can write a vivid record that can make me see it in my mind, you can write a script.” The first two scripts I wrote were underdeveloped. Being self-taught, sometimes it takes a couple of tries to figure out what you need to do. By the time I wrote Friday, I was coming around, getting the whole structure of a script together. We had three acts and just had to have structure. I was on tour in Europe and  was in L.A. and we would get on the phone and talk out stuff. I would be telling Pooh what I wrote and we’d throw in the stuff he thought of that we could add and we would just go back and forth until we had a final script, a whole day of craziness.&#xA;&#xA;DJ Pooh: Cube is one of the hardest working guys I know. He’d be on the road performing one night and then be up before me the next morning on the phone.&#xA;&#xA;F. Gary Gray: I was involved before Cube even started the script. I met Cube through WC while shooting a music video for “Dress Code.” We all went to Washington High School. Cube didn’t live too far away from me. Back in the day, he lived off Western near Imperial. Cube and I did a few videos after that: “True to the Game,” “Really Doe,” and “It Was a Good Day.” I told him over the course of doing his music videos that I was doing a short film I wanted to finish and I needed a little support. He donated some money to help me out. A couple months later, he said, “Listen, I know you’re doing your short film, but I have this idea about the neighborhood. Why don’t you do a feature film?” At the time, Matty Rich had shot this film Straight Out of Brooklyn on credit cards. Cube was like, “We should do our own film for $75,000, shoot it black and white, and it’ll just be about guys from our neighborhood.” I said, “Great idea, let’s go.” Cube went on tour and he started sending me pages from Europe and I’d send him my thoughts.&#xA;&#xA;Ice Cube: Everything in Friday happened on my block at one point or another. We had a little kid named Chris who would knock over the trashcans with his bike and we wanted to whoop his ass. We wanted to catch him on that bike, we never could. In the movie we finally caught him. That’s why we put that in there.&#xA;&#xA;F. Gary Gray: He’d describe some of these moments along the way, and I envisioned it in my neighborhood. What you see in Friday is a reflection of how I grew up, the house I grew up in, the neighbors that I had. I just delivered what I experienced. When I got the green light for the movie I took a camera and I shot the whole movie on video. My friend Andy played the role of Smokey for me as a stand-in. I went through the entire script and shot it with him and another friend. I wanted to see what the movie felt like and try to find creative ways to make it. A lot of times when you shoot a movie, hindsight is 20/20, and after you watch it you’re like, “Damn, I wish I did this, I wish I did that.” Shooting it on video camera lets you watch it, even if it was real crude. It’s like visuals or storyboards.&#xA;DJ Pooh: I got some of that stuff up on my Instagram.&#xA;&#xA;F. Gary Gray: Friday fell apart because Cube was gonna do a sports movie called Defense, which I think he wrote. I wouldn’t say I was devastated, but I was really looking forward to doing it. I went off to go do another project called Rollin 80s and he went out to go do Defense. Then both of those movies fell apart and we came back together for Friday. I was maybe 23 when production of Friday started. Knowing Cube and how determined he is, Friday probably would have been made at some point either way. But I’m glad Defense fell apart. And the same with Rollin 80s. That would have been my first major movie, and it would have sent me on a different trajectory. Who knows….Chapter 2: The StudioIce Cube: We knew nobody in Hollywood would understand the comedy in Friday. Hollywood wasn’t ready for it. When we wrote it, we intended to raise the money ourselves and do the movie—it was always greenlit in our eyes. It was just about writing it and raising the money, keeping the budget low. Our manager, Pat Charbonnet, helped us flesh the script out and keep costs low.&#xA;&#xA;Patricia Charbonnet: You’ll be surprised, as the idea was coming together and scripts were being written, by how many people weren’t interested and turned it down. There was little to no interest, and fortunately for us, we opened up a pre-production office and brokered some money into the initial startup to get it going. There was a determination on all parts that, no matter who said yay or nay, the project had to be done—it was a good, funny vehicle. It was right off of the heels of Robert Rodriguez doing El Mariachi, which was a super-low-budget independent film that took off so well. On the strength of the talent that Ice Cube possessed, I believed that certainly something like this could happen if we dedicated ourselves to moving mountains, even if we had not made a film before. There was a naive belief that if Rodriguez could do it, then for sure we could do it, too. If Cheech and Chong could make Up in Smoke, and the movies like that preceding it, certainly we could be part of a new paradigm. The script had many, many, many incarnations before it got to the point where a deal was struck with New Line Cinema.&#xA;&#xA;Ice Cube: We thought it was a good bet because New Line was already in the business of doing these kind of movies. They had done House Party. They understood the black movie market. I wanted Gary to direct because he was a talented director from the hood. You didn’t have to teach him these little nuances that were in the movie, like Big Worm’s rollers and shit. He knew all the hood flavor that needed to be in the movie.Chapter 3: The CastF. Gary Gray: It being a comedy scared the shit out of me. Ice Cube was the nigga you loved to hate. He was like the toughest man in America, and when you take someone you’re used to delivering on hard-hitting social issues in hardcore gangster rap, and who has a hardcore point of view on politics, you would never think comedy. I was excited to do my first film. I wasn’t sure how it would turn out and how people would receive Cube. This is the beginning and possibly the end of my career all in one moment.&#xA;&#xA;Patricia Charbonnet: Cube has an incredible sense of humor. It’s the intelligent dry wit of one-liners that can just nuke you. At the time, if you didn’t know him, you didn’t know about him and his one-liners, and, apart from the intensity of his lyrics, I don’t think people knew that he just had so many extraordinary abilities.&#xA;&#xA;Regina King: I got to know Cube in between scenes on the set of Boyz N the Hood. Regardless of how you saw him in Boyz N the Hood, outside of that serious role, he laughed and cracked and bagged and did all those things that everyone else was doing their early 20s. He definitely has a comedic side—I mean, he wrote the lyrics for “Gangsta’s Fairytale,” and that song is comedic, if you will. He definitely has his timing right. It felt natural to be there with him.&#xA;&#xA;Angela Means: I had appeared on Def Comedy Jam three times, got a standing ovation at the Apollo, had just done House Party 3, did Bernie Mac’s pilot, Pearl’s Place to Play, and I was with SOBG, the premiere black management company in the city. I was headlining, I was a host on the black comedy circuit. I knew I could steal the Felisha part because I knew Cube wanted stand-ups. I went in, read for it, and felt really good about it. I knew all of the actors from the comedy community. A week or so after the audition I called my agents and they said, “We passed on that. It’s not for you, Angela. You’re the ‘pretty girl!’” I’m like, “I’m about to be the pretty girl that’s a hood rat, and then I’m going to go have a baby! And I’m a wrap!” I was pregnant at the time.&#xA;&#xA;DJ Pooh: Originally I was playing Smokey. A lot of the character was based on stuff that went on in my life. I sold weed when I was young and was unsuccessful because I was also a connoisseur. I’d be like, “I’m just gonna smoke this sack right here, but if I break this sack down I can get the money back.” It was a horrible idea.&#xA;&#xA;Ice Cube: New Line felt I had screen experience but Pooh didn’t have as much, so they didn’t want him to play Smokey. Pooh was like, “Man, how we going to let New Line come in and tell us how to put this movie together?” A million dollars is the reason why, shit!  They ain’t fuck with us on nothing but the cast, so we had to play ball to a certain degree. We had to find another co-star.&#xA;&#xA;DJ Pooh: One day we were sitting around watching Def Comedy Jam and we saw Chris  perform and me and Cube couldn’t stop laughing. We thought, “This dude would be able to play the hell out of Smokey. Let’s see if we can get him to come in and read for him.” And that’s what happened and it was over like that.&#xA;&#xA;Kim Hardin: Smokey was the most challenging role to cast, because someone had to have the energy to bounce off the calm demeanor that Cube has. Cube was laid-back with his comedy. I probably auditioned everybody who was on the  circuit at the time for the role of Smokey. None of them were hitting what I knew Cube and Gary Gray were looking for. I had just hired Chris Tucker to do one scene opposite Eddie Griffin in The Walking Dead, so I brought Chris in and the first time he auditioned for me, he was horrible. It was a combination of things: He had just come off the road from doing a couple of stand-up gigs, hadn’t read the script, and at the time he didn’t know that comedians can improv, put their own thing on whatever the dialogue is. I knew Chris could do better. When a person isn’t prepared, they can’t do their best job. I allowed him to prepare and come back. Any other casting director may have been like, “You were horrible. Next!”&#xA;&#xA;Faizon Love: Chris was frustrated. He had lost some roles to D.L. Hughley and some other comedians. He was like, “Fuck this shit.” He half-heartedly went through the audition and didn’t do good the first time. He didn’t give a fuck. He was like, “Man! Ain’t nobody going to go see an Ice Cube movie!” His exact words. I’m like, “Are you crazy, motherfucker?!”&#xA;&#xA;Angela Means: Chris Tucker and I were comics in Atlanta together, coming up at the same time, and I always looked at him as my little brother, like a responsibility. I heard through the grapevine that they basically wrote the  part for him. He goes in for his audition and they tell him to come back, to go study, get a coach, whatever. He called me from a payphone and was like, “Ang, I need your coach. They said to go away, that I wasn’t ready.” I was like, “Nigga, that’s your part! You don’t need no coach, they want you! What happened?” He goes, “I don’t know, man!” I was like, “Just get over here, and bring all of your material!” Me, Faizon, and A.J. had our jobs—it was just Chris left. We were all a clique and Chris didn’t have his part, so I told Faizon that Chris needed our help. I put a big pot of spaghetti on the stove and Chris and Faizon came over. We kept saying, “Say the line! What do you think when you say that line?! When you hear the line, what does the line mean?! Now say something else! Say it, nigga, just say that shit! Say another line!”&#xA;Faizon Love: That’s when we got the whole twitching shit. I said, “You should still be twitching from all that . ’Cause you so fucked up from that shit.”&#xA;&#xA;Angela Means: By the time that spaghetti was gone, Chris was Smokey.&#xA;&#xA;Faizon Love: He got that shit, then he went back in and nailed it.&#xA;&#xA;Ice Cube: I wanted Chris. He had that funny stand-up on Def Comedy Jam and New Line had just put him in House Party 3 but he was underused in that movie. New Line suggested other actors, people off of In Living Color but I was like, “Nah, we need a new fresh face.”&#xA;&#xA;F. Gary Gray: If you look at Pooh play Smokey in the tapes, he was hella funny. I just felt like Chris was a perfect fit with Cube. I go for authenticity. There have been times in my career where I hired real killers and thugs, and the moment you roll the camera it’s like a deer in headlights. They can’t even be themselves. Chris’ brilliance is that he shines when the lights are on. We saw Tommy Davidson, who was hella funny too, and there was talk about Chris Rock playing Smokey because he had kind of a bigger name, but Chris Rock is very New York. Although Chris  is from Georgia, he had kind of an L.A. vibe, so we just rolled the dice and scored. His instincts are amazing, and as much as I could want to take credit for Friday, I wouldn’t. Friday is Friday because of Chris Tucker.&#xA;&#xA;Ice Cube: Even Pooh will tell you that Chris blew that shit out the water. Ultimately it was the best move.&#xA;&#xA;DJ Pooh: Red was such a smaller role than Smokey. Cube said to me, “It’s a small role, but it’s as small or as big as you make it.” At first, I was like, “Ah, this nigga. Cut that big-and-small shit out,” ’cause I got a small role. But it was dope, it was perfect. He was right. And every actor that we went out to get, we basically got. We were working with some veterans, some legends, and we also had the opportunity to work with some new talent because New Line didn’t make us go get the biggest black actor to get the film off the ground.&#xA;&#xA;Anna Maria Horsford: I was doing Amen at the time. I auditioned and one of the producers, Andre Robinson, said, “I was shocked when you said you would come in!” I asked why and he said, “Because you’re on a hit show.” Well, this seemed like fun. I heard afterward that I wasn’t their first choice before I auditioned. They had somebody else in mind and she couldn’t make it. So, by default, I got it. I know, I know. But to be honest, I didn’t know Ice Cube’s songs when I went in.&#xA;&#xA;Tiny Lister: I auditioned for the  role after I became Zeus in the WWF. I was already bigger than life as Zeus, wrestling Hulk Hogan in the movie No Holds Barred. I used to get real death threats from the white world. They saw this big black guy from Compton and Vince McMahon promoted that I was a killer and a gangster. He needed to sell pay-per-views, so since I’m from Compton, he took the negative things about Compton and used them to scare the white WWF public. Zeus was larger than life. I was the biggest black character actor in Hollywood but I had to prove it to Pat Charbonnet, who was producing the movie with Ice Cube. Me and Nia Long went in together. Pat didn’t know how big I was at the time. It took Gary Gray to make sure I got the role, because he knew the influence I already had. He knew how powerful and famous I was.&#xA;&#xA;F. Gary Gray: I fought for  because his audition was off. Some of the stuff the producers were concerned about was stuff I was concerned about. There were some people that were nervous about what he would deliver. I wasn’t sure how Tiny’s performance was gonna come off. It’s those times when we didn’t understand what he was saying. He would say “argooing”  or “whoostle” , and I was like, will the audience understand what the fuck just came out of his mouth? It was funny to us but I was trying to communicate a moment or a scene in the sequence and if you didn’t understand what he was saying, you could lose an entire plot point. I was nervous about that, but Tiny is from Compton, big as hell, and he understands the culture. For us, it was just about what’s funny, what’s authentic.&#xA;&#xA;Faizon Love: Back then, I hated auditioning. I would only do it if I was in character and they called me by the character’s name. When I came in the door, I was Big Worm, smoking a joint and talking shit.  Kim Hardin was there, she was a pretty lady. Her feet were fucking gorgeous, I just wanted to fuck her feet. I was talking about how gorgeous her feet were. I walked out of there and they were like, “Yeah, you got it.”&#xA;&#xA;Kim Hardin: There was a whole thing with Mrs. Parker, who lives across the street and waters her lawn. I watched The Price Is Right and thought Kathleen  was a beautiful woman, so I brought her in.&#xA;&#xA;Kathleen Bradley: I was on The Price Is Right, as one of “Barker’s Beauties.” I was actually the first black Barker Beauty.&#xA;Kim Hardin: I was so glad  liked her. She was perfect. Because they were going to be like “Daaaamn!” when she’s bending over, she had to do that in the audition. She came in for Gary and he really wanted her to accentuate, just bend down low. I was like, really?!&#xA;&#xA;F. Gary Gray: I know we picked the right person. I’m sure to this day Kathleen can’t go anywhere without someone saying, “Heyyy, Ms. Parker,” which I’m sure is a gift and a curse.&#xA;&#xA;Kim Hardin: Then the midget! We hired  from I’m Gonna Git You Sucka because he played one of the midgets under the big hats. I brought him in for the audition, he did good. I brought in several midgets, but he’s the one that stood out, because he had more experience.&#xA;&#xA;A.J. Johnson: Tommy Davidson was supposed to be Ezal but didn’t end up doing it. Cube called me up and said he and DJ Pooh had a part for me in this movie. He asked if I wanted to play a crackhead. I said, “Yeah, no problem!”  When I first seen the script, I didn’t think the movie was going to do well. I’m thinking, “Who’s going to come see a movie about two dudes sitting on a porch smoking weed?” I was trying to make the best of that from the jump.&#xA;&#xA;Kim Hardin: Meagan Good came to my office to drop off her picture and resumé. She was scared and shy and said, “Hi, ma’am, I just wanted to drop off my picture and I hope you bring me in for an audition.” She read for me and I brought her back to read for Gary. He liked to give his notes to the casting director to redirect to the actor. His note to me was: “Tell her to do it again, but this time say a curse word.” Mind you, she’s like 13 at the time, so I told Gary that it wasn’t cool to make her do that. We still gave her the part. That was her first speaking role in a film. In one of my classes, Meagan later said she was thankful that I protected her from having to curse at her age for her first movie. I felt like tearing up and shit.&#xA;&#xA;Faizon Love: Back then, there weren’t a lot of projects for black actors. We was just paying our rent, to tell you the truth. If anybody tells you they was doing this movie because they wanted to work on their fucking acting, they are fuckin’ bullshitting.Chapter 4: The ShootPatricia Charbonnet: The moment Gary walked on that set—even during pre-production and casting—he was a consummate professional at a very young age. With the atmosphere of clowning and fooling around, Gary was a serious anchor, like an old soul who knew that, in spite of all this camaraderie, there was a film that had to be delivered at the end of the day, and his neck was on the line. We absolutely, unequivocally believed in him and his ability to pull it off, which is why we chose him as director. You have just so much energy crackling, and at age 24 Gary had an astounding ability to steer that ship to shore.&#xA;&#xA;F. Gary Gray: I was totally nervous, I had 20 days to shoot a movie. I’m glad I was naive back then. I didn’t know 20 days wasn’t enough time to shoot a movie. I just did what came natural because I didn’t go to film school and I didn’t have experience making feature films.&#xA;&#xA;Patricia Charbonnet: How are we going to get it done and delivered to New Line in 20 days, not really having any money? This was an extremely low-budget film at the time. A lot of money was spent on food trucks, food stations. The thought was, just have so much food around, make it good, and when people are feeling like, “Why am I still doing this?” they’ll have something good to eat and they’ll still want to be there.&#xA;&#xA;F. Gary Gray: When you don’t have a lot of money to pay people, you better feed them right. We fed them right.&#xA;&#xA;John Witherspoon: With Friday, I didn’t make $5,000. There was no money made on that. It was all fun and getting to know each other. We were deep in the hood, too. I don’t smoke weed or anything like that, so I didn’t hang around to get any weed, but they would smoke weed.&#xA;&#xA;Shawn Barton: I didn’t want to make anyone look like a caricature or a cliché. They’re all based on real people. Pretty much all of the clothes came from the Slauson Swap Meet. They knew me, like, “You’re getting clothes for Friday, right? Tell Cube I rap.” I was like, “Yeah, I’ll do that after I get these flannels.”&#xA;&#xA;Faizon Love: I knew exactly the look I wanted for Big Worm. Back in the day, dudes used to go get perms. Prince had the same perm. Billy Dee had a perm in Star Wars. Lionel Richie had a perm. Then I wore mine, like I was going to have one of the great perms. Somebody gotta bring it back.&#xA;&#xA;F. Gary Gray: The Orange Crush lowrider that Big Worm drives was famous in the hood. It was like a rolling billboard for Los Angeles. Our transportation person tracked it down because we thought it was a car that a guy who sells weed and rolls with rollers in his hair would drive. Something with so much personality captured who Big Worm was immediately. You know who that guy is if he’s driving that car. Don’t get me wrong, it’s a dope car, but it definitely says, “I’m a specific type of person. Don’t fuck with me.” It worked perfectly for his character.&#xA;&#xA;Faizon Love: I’m the one who brought the lowrider around and dudes were like, “Aw, man, that’s the kind of car you using?” And the neighbors were like, “Let me show you mine!” The orange lowrider belonged to this guy named Blaze. He was from the neighborhood. He later sold that car to Japan. Then Blaze got murdered.&#xA;&#xA;Shawn Barton: For Smokey’s character, Chris had on a blue T-shirt, blue hat, and blue Chuck Taylors. We shot in South Central, and being born and bred a South Central girl, I was sensitive to neighborhoods. I didn’t put him in that suit to make it that he was a gang member or anything like that. I chose a lot of these darker colors because when you’re dealing with lighter colors, like white and tans, it’s a little harder for continuity to match, like when there’s a sweat stain. I chose darker colors so it wouldn’t be an issue for me. I probably would have had him in all-black, but the blue came in because of lighting and night shooting and Chris’ darker skin tone.&#xA;&#xA;F. Gary Gray: I spotted Smokey’s convertible Ford Pinto when I was driving down the street. I told my transportation guy to find this broken-down car off of Western Avenue, find who owns it, and put it on a flatbed, or tow it to the block. I saw that shit and I was like, that’s an instant joke. That should be Smokey’s car. I loved it because it was a convertible Pinto—probably the only one that existed on planet Earth. That car never drove right. All the guys pushed it during the scenes it was in. The engine sputtering? All sound effects. We had to put license plates on it; it wasn’t even registered. That shit should be in a museum right now. The alarm thing wasn’t in the script. I did that in post-production. Chris just waved and I put an alarm sound effect on that. I did the same thing to Red’s car. I thought it would be funny if those piece of shit cars had alarms on them. The “chirp chirp” was an extra joke.&#xA;&#xA;Shawn Barton: I took inspiration for the look of Felisha from around the ’80s, when we moved from South Central. One of the reasons why my mom moved away from there was when crack started taking over. We saw some of our neighbors get into that world. In that day, they were called “strawberries,” and a strawberry was a girl who would prostitute or do things for drugs. Their clothes would look like they were wearing someone else’s clothes and they would look a mess. I liked styling  because she was a challenge as far as making her look bad; I had to turn this gorgeous girl into someone that was not so hot. But Gary would still say she looked too pretty. I was like, how do I this? Men’s clothing that was the only way.&#xA;&#xA;F. Gary Gray: We shot it in South Central, so there was gonna be a lot of gang activity, but there was really only one neighbor who was an asshole, the kind who would scream during some of the takes. For the most part everybody was respectful.&#xA;&#xA;Angela Means: We were rolling with Cube, who was hip-hop royalty. We were with hood royalty in the hood in the mid ’90s. It was lovely. Everyone was cool except for one dude who would get drunk, even during the day, and shout, “Fuck y’all! Fuck you, motherfucker! I’m a star! This is my neighborhood! This is my house! Fuck you! All you motherfuckers don’t mean shit! Don’t give a fuck about no Ice-T!”&#xA;&#xA;Anna Maria Horsford: “This ain’t no real movie! If it were, you wouldn’t be shooting here!” He would carry on, and then I guess they gave him an extra $25 and he would go back inside and shut up. His poor wife was so embarrassed.&#xA;&#xA;Ice Cube: It’s fun for the first few days, until the neighborhood gets mad at you. They can’t walk up the street ’cause you got the shit blocked off, Mom can’t pick up the groceries, all that stuff.&#xA;&#xA;Tiny Lister: When I played the Deebo character I’d become the character, so when they say cut, I didn’t ever cut. Even in South Central, the streets loved me because I’m from Compton. I would ride the bicycle and chase the fans around—it would be like 500 fans around the set every day. It might be up to a thousand sometimes. The audience loved us so much. They played like I was the baddest guy in the world.  They know I’m not a gangbanger, they know I like milk and cookies. They knew we loved them and they gave us love back. It was beautiful, but at the same time you keep your eyes open. There were fans around us who were just as bad as Deebo for real!&#xA;&#xA;John Witherspoon: We had the Crips gang on the outskirts there. They were kids and they were nice and we all took pictures with them.&#xA;&#xA;A.J. Johnson: The Crips were all cool. We were out all night, and they were out all night with us. The whole neighborhood was out. Gary Gray told them to be quiet when we finna shoot, and they’d be quiet. Wasn’t nobody making no noise. They see something funny and when they say cut, they all started laughing.&#xA;&#xA;F. Gary Gray: We had a couple of drive-bys around the corner but not on our set. When you’re shooting in South L.A. and Compton, you gotta deal with what you gotta deal with.&#xA;&#xA;DJ Pooh: We were shooting on the block, and we needed some kids to go to Big Worm’s ice cream truck. And when I see Meagan Good walking down I asked, “Hey, little girl, you wanna be at the ice cream truck in the movie? Get your mom to sign the papers and come down here.” Next thing you know, she’s an actress.&#xA;&#xA;Faizon Love: Chris was like my little brother. We drove to set together. We had a little raggedy Jetta that we shared. We would smoke weed on the way.&#xA;&#xA;Nia Long (via AV Club): I bought myself a BMW. It was so cute. I was shooting Friday at the time, and Chris Tucker and I saw each other on the freeway, on the way to the set. I was going  “Toot, toot!” in my car. He had a busted window with a pizza box over it because he couldn’t afford to fix the window! We get to work and he goes, “When I grow up, I want to be just like you.”&#xA;&#xA;DJ Pooh: It never felt like work, we were just having a good time. Chris and I shared a trailer. We’d get there in the morning, light one up, and start the day. It was like part of the movie.&#xA;&#xA;Ice Cube: We improvised probably 65 percent. It was that kind of movie.&#xA;&#xA;Faizon Love: I didn’t use anything that was in the script, but they liked it. Me and Chris flipped our shit. I got that line “Playing with my money is like playing with my emotions,” from a Peabo Bryson song, “Feel the Fire.” All of us just made our characters our own. You have to.&#xA;&#xA;Paula Jai Parker: I’d lived in Washington D.C. when I was going to college and I had seen girls that reminded me of Joi. The blonde dookie braids became popular and, Lord, those nails. I did the nails, I created those and put those on. I don’t know where I got that from. I was just young and inspired.&#xA;&#xA;Patricia Charbonnet: Probably the person who worked the hardest was the script supervisor when it came to lines. John Witherspoon always said his lines one way, then the next day he said them another way, then the next day he said it a different way. It wasn’t always the same, it was free-flowing and fluid. Actors like Chris Tucker were allowed to display their own comedic skills. That’s why the freedom that existed on the set shows up so easy on the film, and it makes people feel like they could be there.&#xA;&#xA;F. Gary Gray: A one-page scene could stretch to two pages after all the ad-libbing. Then you end up having a four-hour movie. I would tell them, “Hey, I want you to improvise, but I want you to be at least conscious of time.”&#xA;&#xA;Patricia Charbonnet: Chris Tucker was like an electrical storm, every single day. He was also a difficult person for the script supervisor. When he went into improv, he was unstoppable, so the pressure was on and stuff had to be rewritten all of the time since there was so much electricity flowing on set. When he would break out into an improvisational piece, or even John Witherspoon, Gary just managed all of those competing energies so well.&#xA;&#xA;Angela Means: Chris wasn’t originally in the “You got knocked the fuck out!” scene. That shows you how on fire Chris was. He just ran in and said, “You got knocked the fuck out!” Every single take that Chris Tucker did you had to hold your laugh, even if it was just a pickup line.&#xA;&#xA;Chris Tucker (via 1994 Interview): You know in the neighborhood when you get in a fight, get beat up, there’s always somebody that comes over. They don’t ask you if you need help. They be like, “Man, God, you got your butt kicked. Man, he knocked you out!” Like you don’t know what happened. You was right there, you were the one that got knocked out, he’s telling you how you got knocked out. So I was just trying to bring that to the screen, man, let people see that this is what goes down in the neighborhood everyday. The good side of South Central, not what they see on the news.&#xA;&#xA;DJ Pooh: They had a trampoline out there and some big heavy cushion bags that stunt guys normally fall on. So they do the  punch and I jump back off the thing in the air and land on the bag. I was stoked, like, “I can do my own stunts! I got this!” Then I jumped, missed the corner of that bag, and landed on my tailbone and my elbow. We did that scene about seven, eight times.&#xA;&#xA;Ice Cube: Bernie was always the realest. He always had the best advice. He didn’t talk a lot but when he did it was always potent. He’d say stuff like “You hesitating a lot,” as we’re sitting there trying to figure out what we’re going to shoot next. Bernie was an underused talent. I was so happy when he was down to do it and then he came and got busy.&#xA;&#xA;John Witherspoon: Bernie Mac was hilarious, boy. The reverend, he was funny. And the lady across the street with the big breasts.&#xA;&#xA;Tony Cox: Running across that street wore me out. Gary was like, “Man, I want that energy! I want energy!” Man, my little stump legs were wearing out. I was so glad when that scene was over with. My legs were shaking. I’ve never been through anything like that. That’s the most I’ve ever run in my life. That’s like a whole year of walking for me. I kissed the ground when it was over.&#xA;&#xA;Faizon Love: We were all in honeywagons, which is unheard of now. They’re these little dressing rooms that they normally put actors who are just beginning in. Pooh, me, Chris, Nia, and Angela Means were all on the steps of our honeywagon sharing a joint one day and I was like, “Damn, this would be a dope-ass picture.”&#xA;&#xA;A.J. Johnson: Michael Clarke Duncan was an extra shooting dice. Nobody knew him! Everybody on that set was brand new! Wasn’t nobody really big but Ice Cube.&#xA;&#xA;Anna Maria Horsford: Cube’s mother came on the set and said he always wanted to be in the business since he was a little boy. She was so impressed with me—I was one of black people’s superstars then because Amen was out—but I said, “No, this is all your son.” She looked at him and said, “Do you know who this is?” and he said, “Yeah, ma.”  I was like, “Wait a minute, your son did all of this! This is his movie!”&#xA;&#xA;John Witherspoon: I had my character in my head. I looked at my uncles, my daddy, and all the rest of the people that I know, them old crazy dudes. In the script, they first had that we had eggs and bacon for breakfast. But I told them you gotta say all the chitlins, all the collard greens, all the pigs feet, all the hog balls.&#xA;&#xA;F. Gary Gray: When Witherspoon came in, you knew he was going to give you something brilliant. Even shooting the bathroom sequence, as crass as it was. We put a chewed Snickers bar in the toilet for effect, so when Cube walked in we showed him this fake turd. I’m not much into the toilet humor but it’s low-hanging fruit with Witherspoon. We just put our foot on the gas pedal.&#xA;&#xA;Angela Means: During the scene where Craig says “Bye, Felisha,” Gary was going to break down the set and do a reverse shot of me. I was supposed to walk up to the porch where Chris and Cube were and face the camera when I spoke to them, like everyone else did. I was like, no. If Felisha is going to invade people’s space, then she is going to invade people’s space. She’s oblivious to personal space and boundaries. I told Gary, “Why don’t we just save a whole hour and let Felisha’s ass just sit down in between them?” Neither Cube or Chris knew I was going to sit down, and when I did Chris wasn’t even acting, he was like, “DAMN!” He was pissed at me.  It made the scene better, and broke up the monotony of everyone coming to the porch. Her sitting down was a moment that we found together. Not that it was that big a deal, but it did save like a good hour, and it created that scene, the three sitting on the porch like that.&#xA;&#xA;A.J. Johnson: When Ezal sees Craig and Smokey, I was only supposed to ask for two dollars, but I ad-libbed and made up so much stuff, like jumping on the car and falling in the store. Gary loved it so much he kept it in there. My brother and sister were on crack, so I was just thinking about them and the stuff they did. When you think of them, it’s easier to think of some crackhead stuff.&#xA;&#xA;F. Gary Gray: We had to shoot that store scene fast. We were off the 126th St. campus. Anything off of that block was “off campus,” so we had to deal with the elements. It was an area that was a cross section for a lot of gangs. Cube was a huge star, and with being a huge star in Los Angeles from the streets, comes street politics. To drive down Normandie towards 126th St., past El Segundo and into different neighborhoods, with this camera, car, and lights, we had to have armed security follow us, because we just didn’t know what was gonna happen. We didn’t know what the reaction was going to be. While we had a lot of love in my neighborhood, you just don’t know if that love extended outside of that neighborhood. So when we shot the store scene, we were in another part of town. We had no issues, but it was something we were aware of.&#xA;&#xA;A.J. Johnson: When it came to making something up, if I went somewhere, Chris came right there with me. When I called to him, “You behind there taking a shit?” he was like, “Don’t tell nobody.” I was like, “Man, don’t worry about it,” but of course then I told everybody, “Hey, Smokey back there taking a shit!” I wasn’t supposed to do none of that. My father was in the theatre business and he always taught me, when the camera’s on you, make sure you go as big as you can.&#xA;&#xA;F. Gary Gray: I directed my part . I’d put a stand-in there, take his place, and when it was done, take a look at the performance and determine how bad it was and then take the lesser of the evils and move on.&#xA;&#xA;John Witherspoon: Gary had to deal with all these comics tryna change the lines and saying, “I wanna say this,” or “I don’t wanna say this.” He was very professional with that. He got everybody comfortable and everybody shot their scenes. They were happy to do them because of Gary and Cube. Everybody wants to be happy with Cube, because Cube is cool.&#xA;&#xA;F. Gary Gray: When you have brilliant people around, you get moments like “Bye, Felisha” and “DAAAAMN!” and all that stuff. You can’t write that. That just comes in the moment out of the electricity of all the artists and their collaboration. I love having my guys improv because it’s natural and authentic. But when you’re dealing with a comedian’s instinct to perform on 10 at every moment, sometimes that interferes with what you have in mind and the rhythm and the pacing in telling the story. Sometimes you’d have to convince a performer to tone it down just to preserve the sequence, to not swing for the fence in this moment because it’s going to negatively affect everything around it. When you’re 24 years old, you’re not quite sure how to articulate that. It can come off a certain way and can be misunderstood.&#xA;&#xA;Tiny Lister: I thought F. Gary Gray was somebody special. He was the new eager director, but he had his ear to the streets. He knew what was going on in the streets, and knew what they wanted. He was from the street we shot on. He came along at the right time, it was another young black director being born.&#xA;&#xA;Angela Means: I remember Gary wrestling with profanity and asking me to tone it down. Then it turned into Chris’ film and he ran with it. Gary wanted to scale the profanity back, because it had become every other word. He was like, “Guys, we’re better than this.”&#xA;&#xA;F. Gary Gray: A lot of times they said I was serious. I was just focused on the scene we were shooting and making sure I was prepared to answer questions. I was making sure people felt like I knew what I was doing. I was a little self-conscious about that, but like anything else it’s a learning experience. You don’t know what you know until you do it. And I had my moments where I laughed with my team.&#xA;&#xA;Faizon Love: Chris was always fucking around with Gary. At that time, Gary looked like one of the members of New Edition, so we would call him “Ronnie, Bobby, Ricky, and Mikey, and Gary too.” We would sit in the back of the van just fucking with Gary and he would be like, “Take me seriously! I’m the director!” Like, yeah, right. It was fun because Gary would fire us every day. We were like kids in little league, like Bad News Bears. We were supposed to respect this director, and he was the first one we went after.&#xA;&#xA;Angela Means: When Gary put the “F” in front of his name, we were on the shuttle bus going somewhere and Chris kept saying, “Eff Gary Gray! I said, eff Gary Gray!”&#xA;&#xA;F. Gary Gray: That still happens to this day. That’s one of the ways that they would fuck with me, take the initial and fill in the blank. Tucker just naturally targeted everybody. Everybody was picked on, everybody was fair game. It’s what gets you through those long days. People would bag on each other and Tiny was a big target. The name “Tiny,” as big as he is, and he can only see out of one eye and he’s loud…. But he’s like a teddy bear. He did the bully thing on the set but it was all funny to us. We would all talk about each other and that was just our way to say, “I got love for you, man.” If I talk about you, I’m fucking with you. If I’m quiet, you probably got something to worry about.&#xA;&#xA;Tony Cox: What made it so much fun is that you had all of these comedians. People were going after people. Chris was going after Tiny. I was getting into it with Tiny. Chris was doing the same stuff he would do in the movie, behind Tiny’s head. Tiny was like, “I’ll hurt you!” Chris would say, “How can you hurt me? If I get on that bad eye side, you can’t see nothing. I’ll wrap you up.” We were all out there shooting night scenes, laughing at 2 and 3 in the morning and they were trying to get us to keep the noise down because people were sleeping. But that shit was funny. Everybody was cracking on everybody. That’s the most fun that I’ve ever had. I couldn’t wait to get to work. I’ve never felt like that.&#xA;&#xA;A.J. Johnson: Bernie Mac was the funniest. When those cameras went off Bernie stayed on. Bernie Mac had everybody laughing on that set. Singing, cracking jokes, running around playing with people. If it was time to eat, he’d make up songs about it’s time to eat. He was incredible. Anything he said came out funny.&#xA;&#xA;Faizon Love: It was pretty much a functioning set, just with us idiots working.&#xA;&#xA;F. Gary Gray: I wish the fight sequence was a little better. There are a couple of things I would improve. There are moments where the fight didn’t feel as real as I wanted it to. I’ve always wanted to do action, so that was my moment to shine, and it felt a little staged. They’re lumbering around with garbage cans and bricks and I didn’t get the coverage I wanted to. Then you have the challenge of Tiny coming from the wrestling world and people associating  wrestling with the scene. I wanted it to turn up. It felt a little slow. I just didn't have enough time.&#xA;&#xA;Anna Maria Horsford: When Deebo pulled out the knife to go after my character’s son, I told Gary she can’t stand there and watch someone try to kill her child and not jump in. That’s your instinct as a mother. Gary came back 10 minutes later and said, “OK, you go for him but let John  hold you back.” That’s when John says, “Let him be a man, let him be a man,” and I respond, “I don’t care if he’s a man or not, I’m not going to stand here and watch him hurt him.” I was glad that stayed in the film. It’s in the little moments that you have to be so clear in the people you’re portraying because you have a responsibility to the people who are watching.&#xA;&#xA;John Witherspoon: The lesson about not using weapons made it a bit more serious for my character. You put yourself in the same place as the father. You just found a gun on your son. If this neighborhood’s so bad, I’d never have moved here. I told him use fists. You kids are weak, sissified. So use your fists, live to fight another day. That was poignant, and helped the film.&#xA;&#xA;F. Gary Gray: With all my work, as it relates to the streets, there’s the element of how we need to think about our practices and come together. In Friday, I wish there was more of a transition to that message. It seems the movie crashes into that moment. You’re experiencing all these fun moments and then all of a sudden there’s this message. It grounds the movie but the execution is inelegant.&#xA;&#xA;Shawn Barton: Between Ice Cube and Chris Tucker, I had like a hundred pairs of black and blue Converse that I gave away at the end of shooting. I was like the Converse peddler.&#xA;&#xA;F. Gary Gray: All the music in the movie is music Cube and I grew up with. On Saturday, when we had to do our chores, my mom would throw on ’70s soul and it just felt warm. When you grow up poor, all you have is your friends, your family, and music.&#xA;&#xA;Patricia Charbonnet: When Gary dropped the music into the film it was a fantasy soundtrack. You can drop in all the great music that you want to, but if that film is going to be released, someone has to pay for it to be in the film. Toby Emmerich of New Line was such a believer that he put up so much money to allow us to have all of the music in that film. I will never forget that because Gary delivered a film with this music in it, and there was no money whatsoever to buy any of these songs.Chapter 5: The ReleaseF. Gary Gray: When I showed the first cut to Chris and Cube, they didn’t like it. The first cut was long and I learned a lot, but after I watched it, I didn't know if I’d ever work again.&#xA;&#xA;Faizon Love: When we first saw it, Chris thought that it sucked. He was like, “What the fuck is this bullshit?” He thought we’d never work again.&#xA;&#xA;F. Gary Gray: Then when we played it for our audience it was like, “Oh yeah, this movie is good.”&#xA;&#xA;Faizon Love: They sent Chris and me to Howard University to premiere it. We go there and we watch it and we’re like, “Ay, let’s get the fuck out of here before the movie ends.” As we’re leaving, the lady that’s running it stops us, like, “Where you guys going?” We hear the crowd erupt, like “Aaahhhh!” We were like, “Damn, do they want their money back? What the fuck?” They loved the movie—they started clapping and wanted us to sign autographs.&#xA;&#xA;Anna Maria Horsford: My manager went to a screening and he told me, “Anna, this is going to be a hit. They were rolling in the aisle.” I asked, “Was it that funny?” When I saw it, all I could do was look at my hips, how big they were.&#xA;&#xA;Ice Cube: We knew we had something. It wasn’t really understood by mainstream media but it was accepted by the hood. We were in a space that people rarely get in with neighborhood comedies. It was a proud moment. Everybody thought that I was Mr. Neighborhood Terror and all I could do was talk about all the bad shit that was going on. Coming out with a movie like Friday, to me, was like the vindication of coming out with a song like “It Was a Good Day,” showing that Ice Cube ain’t no animal.&#xA;&#xA;Faizon Love: The premiere at Mann’s  was crazy! All of Cube’s kids were babies and I held one of them. The whole auditorium was weed. It was smoked out. It. Was. Smoked. Out.&#xA;&#xA;DJ Pooh: I barely remember the premiere, I just remember that somebody with me got the L.A. Times and said, “Man, they dissed your movie.” The review was like, “If you’re into watching a predominantly black film with everybody sitting around on the porch smoking weed, then this film is for you.” He talked bad about it. I was mad as hell. But people were like, “Oh shit, sitting in the house and niggas smoking weed? That’s my shit!” I think niggas flocked out, they helped out.&#xA;&#xA;F. Gary Gray: I didn't read reviews, but I heard. We didn’t go into this movie thinking we might get an Oscar nomination. It’s not Oscar bait. It feels good, it’s a guilty pleasure. You can let your hair down. I read an interview with Michael Jordan and the interviewer asked what his favorite movie was. He said Friday, and the interviewer hadn’t heard of it. Jordan said, “And you call yourself a film critic?”&#xA;&#xA;Ice Cube: It didn’t make a lot of box office noise. It made $20–24 million in the box office.&#xA;&#xA;F. Gary Gray: In terms of return on investment, it was one of the most profitable films of 1995. The industry was surprised. It’s this little movie that came out of nowhere and it was No. 2 at the box office. It was only in a small amount of theaters but the per-screen average was really high.&#xA;&#xA;Faizon Love: The movie was a huge bootleg on the street before it came out. We didn’t know the extent of it. After we got our checks, we knew. It was a means to pay your rent. We didn’t know bootlegging was a downfall for film and television or we would’ve kicked them people’s asses, like “Motherfucka!” But we were living the dream. Best pussy ever. We were great. This is the kind of guy Chris is: While we were filming, there was this hot truck out called a Land Cruiser—it was like the Rolls-Royce back then. Chris and I didn’t have no money, so we were going from dealership to dealership test driving it.  When Chris got his first check—I don’t know what it was—he came to my apartment and he had the truck. He drops me the keys and he’s like, “You drive.” Because we used to share a car and that’s how our relationship was.&#xA;&#xA;Angela Means: We knew it was Chris Tucker’s breakout.&#xA;&#xA;Kim Hardin: I had no idea that it was going to do as well as it did—and cross over. It crossed over as far as people of all races could relate to the subject matter and think it was funny.&#xA;&#xA;Angela Means: I’m a country girl, I’m from a 175-acre farm, dirt road, and I have no star thing about me. When Friday first came out, people would come up to me. I ran into Malcolm-Jamal Warner and the first thing out of his mouth was: “Gary freaked it! Gary freaked it!” and I was like, “Didn’t he?! Gary freaked that motherfucker!” I was in a grocery store right after, with my little baby, and a group of girls bombarded me. They were loud, and there were a lot of them jumping up and down, and they were saying, “It’s the crackhead! It’s the crackhead!” I was like, “Don’t call me a crackhead in front of my baby!” I got put out of a mall in Ontario because they said I was creating a commotion. I told them I was just shopping but they said I had to go. I obeyed. I’m not a gangster, I’m a country girl; I learned how to drive on a tractor. Chapter 6: The LegacyIce Cube: It made its noise on DVD. That’s when it really started getting heavy.&#xA;&#xA;John Witherspoon: People pulled  off the shelves and wouldn’t return them when they rented them.&#xA;&#xA;Ice Cube: When the mainstream did eventually understand Friday, people started to try to emulate it in a lot of ways. When I saw There’s Something About Mary, I was like, “Damn, that’s a lot like the middle of Friday right there.” It had the same flavor. I started seeing people pluck a little bit from it—you know you doing the right thing when you see that.&#xA;&#xA;Faizon Love: There were a plethora of roles afterward. The ’90s was a movie every week. It was abuzz. Television shows, all kinds of shit. It was a different time. In the ’90s, the music was growing too. Tupac was always around and Dr. Dre—that’s who we hung out with. I was shooting a television show and Chris called me like, “C’mon, man, we going to shoot a Tupac video” and I’m like “I can’t leave, I’m doing a fucking TV show!” But we got to shoot with Dre when we shot the Friday video for “Keep Their Heads Ringin'.” We shot that in an airplane hangar. That was a party! Dre landed in a helicopter. We was like, “Oh shit!”&#xA;&#xA;A.J. Johnson: It opened a lot of doors for me. Robert Townsend said he seen me in Friday and he loved it, so that’s why he hired me for BAPS. Master P hired me for I Got the Hook Up off of Friday, and then Cube gave me The Players Club from _Friday*.&#xA;&#xA;Paula Jai Parker: I’ve been in over 100 television shows and movies over the last 20 years but no one shows me love as much as the people who love me from my very first film, Friday.&#xA;&#xA;Anna Maria Horsford: Twenty years ago, they weren’t doing a lot of these movies, so being able to document the black middle class was really a delight. In most of the movies that were being done, they didn’t have families. That’s one of the reasons why this one was so welcoming, not just in the black community, but in every community—you saw the characters as whole people. Even in Eddie Murphy movies we didn’t see a family until The Nutty Professor.&#xA;&#xA;Shawn Barton: I would never say Friday is an “important” film. What it’s done is join everyone across the board. I like that it has reached so many demographics. It’s joined us all in ways that I don’t think we thought about while shooting. We were thinking a pocket of people will think this is funny, or a pocket who get high will relate to it.&#xA;&#xA;Tiny Lister: I heard of people naming their animals and their kids Deebo. There’s so many white people that name their animals and their kids that, and they live in different parts of the world—you’d think they wouldn't touch that.&#xA;&#xA;Faizon Love: I didn’t know how big it was until ’99. I was doing a movie in South Africa and this guy who looked like a bushman called me “Big Worm.” I was like, “NO FUCKING WAY! This guy doesn’t look like he’s seen an electric appliance all of his life!”&#xA;&#xA;A.J. Johnson: Kids who weren’t even born when we shot the movie come up to me and say, “Hey, Ezal! My neck! My back! My neck and my back!”&#xA;&#xA;Anna Maria Horsford: Every TSA agent that I run into always asks, “When are you going to do another Friday? We saw a poster online.” They also say, “That’s Cube’s mother!” Yes, I am. I am Ice Cube’s mother.  It’s interesting what you’re known as. I’ve done more than 100 movies and that’s the one that everybody knows. Since Friday, I’ve gotten to play most rappers’ mother. I think that’s God’s joke on me, making me famous for being every rapper’s mother. I say that because I don’t know the rap music. Not that I dislike it, I just can’t talk as fast as they can and I don’t understand the things they’re saying.&#xA;&#xA;John Witherspoon: I’m Mr. Jones no matter where I’m at. I said things in that movie I’ll probably die with. “Don’t let anybody go in the bathroom for 35–45 minutes.” People say that when I’m in the airport, and I’m in the airport all the time. When I do my show, that’s the first thing I say when I come out. I do that line and they all repeat it with me. It’s been that way for 20 years.&#xA;&#xA;Angela Means: I found out that #ByeFelicia was trending when my friend called to say congratulations on my son’s first college offer. When we got off of the phone he said, “Bye, Felisha.” I was like, “How ancient are you with that ‘Bye, Felisha’ shit?” and he said, “Dude, #ByeFelicia is trending!” I was like, “Trending? What’s ‘trending’?” He told me to punch in “#ByeFelicia” and see what happens. My jaw dropped. I love the way Keith Olbermann says it.&#xA;&#xA;Tiny Lister: This is what I see with my own eyes—well, I’m blind in one eye, so this is what I see with my working eye: I did a couple of comedy things for Chris Tucker, came on stage as Deebo on a bicycle. At the end of his comedy session, in front of 3,500 to 5,000 people, they were chanting, “Friday! Friday! Friday!” When I go with Ice Cube and watch him perform, at the end of his rap session, they talking about Friday. They not talking about when Chris did the thing with Jackie Chan. They not talking about Ice Cube when he did Three Kings. Michael Jordan wanted to do the second Friday—it was his kids’ favorite movie. When Chris pulled out, I guess he backed out. Deion Sanders wanted to be in Next Friday. Patti LaBelle wanted to play Chris Tucker’s mother.&#xA;&#xA;John Witherspoon: It’s annoying that Chris Tucker doesn’t want to be associated with this character again. It’s ridiculous ’cause  made him. He wasn’t doing that much before that. If he doesn’t want to do it because of the marijuana, marijuana is being legalized all over the country. He’s got some contradiction there, because marijuana’s not a big deal anymore.&#xA;&#xA;Faizon Love: Chris is a fucking idiot. He does do sequels—he did 900 Rush Hour movies. I even talked him into doing the first one. People have their own ways. I still love him as a brother but I just can’t talk to him like you can’t talk to an idiot.&#xA;&#xA;Ice Cube: I don’t understand to this day why  would want to run from something that made him a movie star. But you got to respect somebody wanting a life change. When you bring God into the equation, you can’t say nothing against that.&#xA;&#xA;Chris Tucker (via Sway in the Morning): Friday is a great movie, and I definitely don't regret doing that, and I love that people still love that movie. What I said years ago is to better myself—I’m a perfectionist. I always wanted not to be like every other comedian, and, at the time, just cuss, just to cuss for no reason. I said I want to better myself, and if I do cuss, it’s for a reason and it doesn't take the place of the material or what I'm talking about.&#xA;&#xA;DJ Pooh: I was disappointed that Chris distanced himself but I respect his decision. That’s that man’s life. That’s who that man is, so I respect that. 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Ice Cube and I were at the airport six months ago and I asked, “How much do you get asked when we doing another Friday?” and he’s like “Man, every fucking day.” And he’s putting out some good stuff! I can’t see it working right now. Everybody is old and fat. Chris Tucker is my size! &#xA;&#xA;Ice Cube: It did everything we wanted it to do. We grew up on Car Wash, Let’s Do It Again, Uptown Saturday Night, and Cheech and Chong. We wanted to make a hood classic that people could grow up on and be one of their favorite movies of all time. The movie is alive and kicking and people are still enjoying it like they did 20 years ago. Hearing Zach Randolph from the Memphis Grizzlies being called Zeebo and Stuart Scott quote Friday lines, it was like us saying Scarface lines.&#xA;&#xA;F. Gary Gray: I wasn’t surprised that people liked it, I wasn’t even surprised about the success of it. 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<INFO BITRATE="1062000" COMMENT="fre:ac - free audio converter &lt;https://www.freac.org/>" KEY_LYRICS="Man fuck yo' supa dupa scope that’ll hit you from Japan&#xA;You got me mixed up wit' that other kid&#xA;You ain't the only nigga wit’ a scope, cause the one I got'll hit you from the same spot my lil' brother did&#xA;Hitman Holla vs Eric, can y'all really believe it?&#xA;They booked this match on a card called Closure&#xA;I don't know what the fuck for cause I ain't the nigga that need it&#xA;I guess they figure we got things to settle cause a few years ago we did the nigga tragic&#xA;But the only closure I'm waitin' for is for the reverend to finally close ya fuckin’ casket&#xA;You had me fooled Bill, I thought maybe you would’ve been G'ing&#xA;But you mean to tell me you came here to actually rap after what he did to you?&#xA;Couldn’t have been me&#xA;If I hear you say one riddle or anything comedy&#xA;I'm gonna be so confused, cause you standin' in front of a nigga that damn near beat you to death, you shouldn't be in a jokin’ mood&#xA;Yeah you convinced me to take this battle, but don't you for one second think you've got a friend&#xA;Cause the moment you do somethin' iffy I'ma lump ya head&#xA;And the whole crowd gonna be yellin', &amp;quot;Not again!&amp;quot;&#xA;I got the burna, you know I got the burna- stop bluffin'&#xA;It's been 95 SMACK events since you got dropped nigga and you ain't shot nothin'&#xA;He wanna internet beef, on social media he wanna say a lot of names&#xA;But all he do is ice grill and watch niggas, it's another &#xA;I'm the personal type, you see I just gotta Pull Up like I'm potty trained&#xA;Point blank range {gun clicks} sonic bang&#xA;Stomach shot, think piggy bank, I bet the whole (hole) inside of his body change&#xA;I'm a warrior, you ain't never gotta question what my heart like&#xA;He was on Twitter, tweeting all that Bull got Bill caught, right (Cartwright)?&#xA;Steel on me, boy that metal smoke like an exhaust pipe&#xA;If Show swing, I swing, we gonna die by the code (cold) nigga that's frostbite&#xA;Last time I seen you was in New York, we did the nigga ill, word to Marlon&#xA;He was actin' all big bag Wolf&#xA;Ironically he had to run and go get his Head ICE'd in Harlem&#xA;He was talkin' all heavy and got ya motherfuckin' dome checked&#xA;Doin' interviews in Subway lookin' out the window like, &amp;quot;Aye, aye...them niggas gone yet?&amp;quot;&#xA;Man this nigga ass, wild diapers, he don't growl like us, don't let the crowd hype ya&#xA;The moment you get loud, pow, side snipe ya&#xA;New gauge, I set the mood with this 12 play, that pied piper&#xA;If this nigga ain't a bitch then please enlighten me&#xA;Cause we had Bill runnin' like Clinton in '93&#xA;I ain't ran from no nigga that's pure comedy&#xA;So y'all can tell who the joke did Bill bail on me (Bellamy)&#xA;Man you studied my performance&#xA;Now you on stage frontin' like you influence me&#xA;Man I'm an all time great, you ain't even ranked, this a D3 verses UNC&#xA;I mean this your first decent year, now they really tryin' to compare you to me?&#xA;I mean that's cool (school)...but I'm first, period&#xA;You ain't even my class lil' nigga that's truancy&#xA;You lucky I ain't smacked you, that's maturity&#xA;Put these automatic tips on Bill, that's gratuity&#xA;I land this right hand on Bill like it's two of me&#xA;I come around, his tune get a lil' different, that's puberty&#xA;But you the type to talk shit when I leave&#xA;When this appear (disappear), you gon' see how the copper feel (Copperfield), I got some tricks up my sleeve&#xA;A phone call, I'ma send him my team&#xA;He ain't ridin', this nigga Bill wouldn't slide in a vendin' machine&#xA;Man you'se a motherfuckin' bitch, you know how?&#xA;Cause I said so&#xA;I'll hit ya wife bare (bear) on the couch, that's Ted though&#xA;You're luck it was hands and not shots cause I could've let the lead blow&#xA;You got bucked at a PG event so therefore I don't give a fuck how much Eric bled so (Bledsoe)&#xA;So!&#xA;You gon' rob who? Boy I was loadin' the chrome&#xA;Knock, knock I'm at his crib, I hope that he home&#xA;And he came to the door on his phone&#xA;Bet you won't Tweet it again-&#xA;&#xA;Let that nigga Bill know what I'm on!&#xA;&#xA;&#xA;{Walks over to Showout}&#xA;You!&#xA;....{Points to his own head}&#xA;Ouch!&#xA;You! For years on years I thought about this day and how I will be approaching you&#xA;Either with fists swingin', bats bashin', blades bangin' and some times thinkin' of puttin' the toast to you&#xA;But the more I grow, and the more and more shit that I been through&#xA;I realize, you did exactly what the fuck you was supposed to&#xA;That's ya brother motherfucker, it ain't a nigga supposed to get close to dude&#xA;But I'm glad you ain't just shake my hand, cause I'm still tryin' to figure out how this shit gon' go for you&#xA;You a compulsive dude&#xA;You waited days to get that punch off, I bet you rehearsed it too&#xA;But even though Showout hit me, HOLLA, I seen the worst in you&#xA;It's like that bullshit you save for the second round, I took it personal&#xA;See, Show' you cool, you strong bro, that's cool that was a hit hit&#xA;But can I take y'all niggas back a bit bit before all this shit shit?&#xA;Before the fist kicks, the nit picks, and all the Twit' fits&#xA;Back when I first start buzzin' off the big cheese mix mix&#xA;See the real ones know, at first in battle rap, I ain't know shit shit&#xA;I was ig'nant&#xA;Word to my daughter's soul y'all, this legit shit&#xA;First person that I reached out to? This bitch!&#xA;Whatever I ain't know, I pick up the phone and hit Hit&#xA;But it's crazy, cause that day in New York, you showed you ain't a man&#xA;First I walked past, when you called I tried to shake ya hand&#xA;These all facts, you deny that and you the fakest fam'&#xA;Before I met Ness, I asked you how to make a band&#xA;You said I was hot, I'm gon' pop, I was a major fan&#xA;Who I should battle, when I should do it, we made some plans&#xA;You told me &amp;quot;leave them streets alone&amp;quot;, when I was postin' Instagrams&#xA;Smack said we should battle and shit hit the fan&#xA;He tweeted, &amp;quot;Man, I get paid too much. We can dead that.&amp;quot;&#xA;I tweeted, &amp;quot;Man, I'll rob you for it&amp;quot;, shouldn't have said that!&#xA;He tweeted, &amp;quot;Rob me when you see me&amp;quot;, I guess he meant that&#xA;The whole time you knew I was waitin' for Smack like, &amp;quot;Where them checks at.&amp;quot;&#xA;See I was new to this, you was a vet', one of the best at&#xA;I asked you to be my next match, you threw your disrespect back&#xA;Smack was runnin' shotgun, you told me, &amp;quot;Intercept that&amp;quot;&#xA;Bill write direct raps, aimin' where they necks at&#xA;You taught me how the checks stat, how to go collect that&#xA;Ignore comments, &amp;quot;haters gon' hate. Just accept that.&amp;quot;&#xA;That Twitter shit was too much nigga, I'M SORRY and I respect that&#xA;But behind scenes you teachin' me these things and couldn't text that?&#xA;Nah nigga, you step back, recognize my talent as yo' setback&#xA;Took my lack of knowledge then you lead me to a death trap&#xA;You knew I wasn't comin' for beef, I came solo&#xA;Smack told me to host witchu, create promo&#xA;So I show up, all goofy thinkin' it's some rap shit&#xA;You asked about the burna shit, sheeet, I said some backpack shit&#xA;Show' snuck crack shit, my face did a back flip&#xA;I seen myself in the mirror and got Catfished!&#xA;That shit was foul nigga, it felt like y'all wanted to kill me for a long time&#xA;Aye Verb, y'all used his slogan when it was go time&#xA;Cause It. Was. Show'. Time!&#xA;I woke up&#xA;Surrounded&#xA;Astounded&#xA;Confused, chinky eyed, dumbfounded (Dumbfoundead)&#xA;Yo, couple niggas popped up that really wasn't 'bout it&#xA;I said, &amp;quot;Yo let's get them niggas! How many was it?&amp;quot;&#xA;&amp;quot;Sheeeti, at least 2,000.&amp;quot;&#xA;So much Blood, I leaked the YG album&#xA;Yo Surf, I felt like Ace gettin' robbed by Calvin&#xA;Betrayed, by a nigga I thought could put me on&#xA;Y'all seen I wasn't schemin', the fuck you start schemin' for?&#xA;Who the fuck was these niggas? What the fuck you bring 'em for?&#xA;Who the fuck they swingin' at and what the fuck they swingin' for?&#xA;First I seen the bul then I seen the floor&#xA;Then a nigga stomp my head and I seen the Lord&#xA;When I came to, cameras on me, mean record&#xA;What a strange time to make me pay for all my demon's Lord&#xA;I ain't know what the fuck happened, I ain't seen the boy&#xA;Thought a nigga hit me with the Supa Scope from Singapore&#xA;Harlem hospital, we was there 'til police was called&#xA;Found out it was you from niggas geekin' in they tweetings dawg&#xA;That's why I made my own blog in that convenient store&#xA;All them fake rappers sayin' shit they didn't see before (CB4)&#xA;Or how I trusted in this ignorant nigga, you prolly told Show' that I was &amp;quot;just a nigga from Twitter&amp;quot;&#xA;We seen the proof, if a nigga press Holla he hit 'em&#xA;So if you was that mad then why ain't you the nigga that did it?&#xA;Yo, them niggas even checked my pockets for the tool hidin'&#xA;I ain't a Blood you know that shit true slime&#xA;&amp;quot;Why you ain't go fight them niggas Bill?!&amp;quot;&#xA;Shit, with who ridin'?&#xA;Them niggas wasn't 'bout to stomp me out two times&#xA;Now I ain't an athlete, or a muscle bound dumb dumb&#xA;I lost the prize (Pras) to a few G's (Fugees), what the bum bum?&#xA;But niggas know I come from, where niggas don't come from&#xA;And I'll 'bounce back off the shit that niggas run from&#xA;Hood to hood, state to state, any league, get it on&#xA;Bill ain't hide from the culture, I kept spittin' for 'em&#xA;Then I locked in with every nigga that was shitted on&#xA;I was taught L.O.M. before Dininon&#xA;My fake ass mentor, role model&#xA;I treated you like an Ace; gold bottle&#xA;Then chased you 'round 7 years for this&#xA;I shed real life, blood, sweat and tears for this&#xA;Bitch, and you know I got the burna&#xA;First time we met that day, should've popped the burna&#xA;Won't sell me out this day, I'll restock the burna&#xA;Show' got the drop that day, I forgot the burna&#xA;Rap!&#xA;&#xA;Y'all like that round?&#xA;{Crowd cheers}&#xA;Oh, so y'all a bunch of day one's huh? Y'all gon' hold him down&#xA;Hold on, let me get this straight, so y'all support Bill? ARP how that sound?&#xA;Cause why the fuck ain't none of these niggas have his back when it was on the ground?&#xA;I say look, startin' a round off like that was petty but it was dumb fire&#xA;Man, I'll put a bag on ya head, change my mind, do it myself, then still go pay the shooter I was gon' hire&#xA;I been rappin' the same way for ten years, I'ma forever be cold&#xA;Cause I know as long as real gangstas in the crowd my style's will never get old&#xA;I'll black both yo' eyes again I got two way skills&#xA;If we keepin' shit 100, I'll blue face Bill&#xA;They gon' call him 'Thotiana', I'll Blueface-&#xA;Man picture me, lose to him wit' the hands&#xA;No fuckin' way, man y'all gon' find Bill on the floor like it's my lucky day&#xA;I heard you just got married, man if I DM'ed yo' wife right now trust me, she's wit' it&#xA;It'll be vivid, you gon' see yo' wife all on Cam (cam') like she flee flicked it&#xA;New chopper so big, I had to put it on a stand like, &amp;quot;Yes your honor. He did it.&amp;quot;&#xA;I'ma straight soldier, a certified king holder&#xA;The moment I let these fly, I'm connecting out the gate like a layover&#xA;Ya heart spinnin', I'll let this .40 be a part of ya fade&#xA;BAOW! When you hear that loud sound, these shits gonna alter ya (audio) waves&#xA;They told you I'm all talk, stupid you was lied to&#xA;They the reason ya dumb ass almost died too&#xA;Boy you a target, everybody beside you&#xA;So if I shoot and hit them and not you it's cause I tried to&#xA;Washed on shore, that's exactly what the tide do&#xA;They found him next to the wave like beside Tsu&#xA;Miss with the uppercut, I bet he won't dodge two&#xA;Next show his head wrapped; Erykah Badu&#xA;New scope, snuck up on him, I got a side view&#xA;The pair of .9's I walk wit' not a size shoe&#xA;Found him in a box, I'll birthday surprise you&#xA;Picture in his casket, photo collage you&#xA;'Bout to make me mad, chill, I'll advise you&#xA;Slice through deep tissue, the .40'll massage you&#xA;Not a big dawg, niggas will  rob you&#xA;All time assist leader with murders, I'll lob you&#xA;Then 'Electric Slide' through, and  just beat a murder, can you do it again?&#xA;(Nigga on Piru!)&#xA;Man, you the type to call police in a hurry&#xA;Man you fuckin' wit' a beast you get buried&#xA;I made a 100 last week a Bill Collector the least of my worries&#xA;So gas him up like he gon' play Gerald&#xA;And fuck around and see Bill on the shirt like the birthday girl&#xA;Man you  flight, if I'm mad, they mad, my whole team fight&#xA;You feelin' froggy? Soon as you jump, hook, it's Kareem like&#xA;I'll be gang bangin', you gon' see me raisin' a red flag like somethin' just don't seem right&#xA;I walked in clutchin' the machine tight&#xA;Two different beams, you think it's a game? Well let's play &amp;quot;Red Light Green Light.&amp;quot;&#xA;I got two shooters from Chicago, it ain't Hoop Dreams&#xA;If I leave, I&amp;quot;m goin' to get a few things&#xA;Then I'm (denim) pullin' back up, that's blue jeans&#xA;The left nice but the right mean, boy you gon' get hit wit' a pair of mood swings&#xA;And leave here double knotted like long shoe strings&#xA;Since he claimin' that we jumped him, fuck it, trampoline on him&#xA;'Smooth Criminal' with the kill, I'll lean on him&#xA;Then I got Seline on him&#xA;And if he run BOW, hole in a nigga back like, {pushed Showout away} &amp;quot;Nah Show' don't even swing on him!&amp;quot;&#xA;Since he claimin' that we jumped him, fuck it, trampoline on him&#xA;'Smooth Criminal' with the kill, how I leans on him&#xA;'Smooth Criminal' with the kill, how I lean on him&#xA;Then I got Seline on him&#xA;And if he run BOW, hole in a nigga back&#xA;I'm holdin' a nigga back, I'm holdin' a nigga back&#xA;Like, &amp;quot;Nah Show' don't even-&amp;quot;&#xA;Like, &amp;quot;Nah Show' don't even swing on him.&amp;quot;&#xA;Ball game&#xA;&#xA;I know you wanna punch me in the face&#xA;I know you wanna punch me in the face&#xA;Can I remix it? They just did a remix, right?&#xA;I know you wanna punch me in the face (aye!)&#xA;I know you wanna punch me in the face (aye!)&#xA;I know you wanna punch me in the face (aye!)&#xA;But you ain't good at punchin' in the face&#xA;And you ain't good at punchin' in the face&#xA;You gotta wait until I look away&#xA;You gotta wait until I look away&#xA;I shoot the blog and live another they&#xA;Aye, Show' you got boxin' traits&#xA;Whatchu lift lots of weights?&#xA;Man I went from from Billy The Kid to Billie Holiday&#xA;Beats on me Dr. Dre, headphones lots of bass&#xA;You did what you what you did, lil kid, but not today&#xA;Not jokin', not kiddin', I (eye) am not kiddin', I'm not to play&#xA;(K)not neva 'gain, never not not not I say&#xA;And if you do, what I said not do, knot the face&#xA;Defense on the hook, I'm man to man Dr. J&#xA;I seen that King Of The Dot punch you did&#xA;Pwww, I watched you melt his frame&#xA;I heard the punch, I felt his pain&#xA;But back then bro you just thugged for nothin'?&#xA;You ain't start ya own line of boxin' gloves or somethin?&#xA;See cause that shit made Showout, a big star&#xA;Everybody loved the Show', cause he hits hard&#xA;You ain't drop a mixtape called “The Fist Gawd”?&#xA;You ain't get ugly on the ball court, Chris Bosh?&#xA;Nit Naw, restaurant job, you was dishwash&#xA;Then let ya brother tell the 'gram, what bitch cost&#xA;When I see that shit lil' nigga I was pissed off&#xA;Cause you half the reason that his bitch ass rich dawg&#xA;You helped this nigga shift forward, puttin' in them shifts for it&#xA;He on the 'net passin' you for square on the Chris Paul&#xA;Why ain't you hit him for tellin' us that shit dawg?&#xA;Hit ‘em wit' a hip toss or slap his thin lips off&#xA;When them West Coast shooters in that Uber got you ripped off&#xA;Prolly would've been cheaper you had lil' brother lift (Lyft) off&#xA;Yo tough guy, you got robbed, by your security? I ain't never heard of that&#xA;When I heard that I died laughin' like Bernie Mac&#xA;All of your raps is murder this, murder that&#xA;When they robbed you where the fuck was the murder at?&#xA;When Showout dropped me where the fuck was the burna at?&#xA;Guess we both was sleep, I just really took a Serta nap&#xA;That brings me back to this chump&#xA;Cause everybody in LA from the Game to LeBron shoulda caught a lump&#xA;Billy only said the shit and got hitted&#xA;Them niggas meant the shit, and really did it&#xA;Hitman lil brother, Hitman lil brother&#xA;Somethin somethin', somethin' somethin', Hitman little brother&#xA;Punch that punch that, Hitman little brother&#xA;Best bar out yo' rap, Hitman little brother&#xA;Man you just Hitman little brother, a prop, you don't get cake&#xA;You only here to woo the crowd, cause you hit great&#xA;You need to start poopin' wit' rulers get ya shit straight&#xA;You just signed wit Nick, great&#xA;We think that shit bit late&#xA;Ya big bro been using you fam', for his big break&#xA;He sacrificed ya whole name, for a fixed rate&#xA;Stuck you wit' the image of beef, that's a mistake (miss steak)&#xA;Show it's infinity signs, I'll help you fixate&#xA;While you was puttin' work in wit the Red Nose Pit face&#xA;He punch drunk fans and cameramen, Bully Bitch traits&#xA;He got pics bro, he pick niggas he think won't fuck him up&#xA;I'm glad my block taught me how to fight and not sucker punch&#xA;My whole career was Showout that, Showout this&#xA;Showout should battle since niggas on Showout dick&#xA;I bet Smack give Showout Clips&#xA;No I meant if I smack ‘em I bet they add ‘em to my show out clips&#xA;&#xA;&#xA;Yo, I was at my crib yesterday, I was just walkin' back pacin'&#xA;You so worried 'bout bein' on MTV that you forgot who you facin'&#xA;You really wanna meet the Cannon {gun clicks} well I brought the wrong application&#xA;I say look, I hate what happened to him, I ain't even gonna clown Bill&#xA;Cause he was one of the hottest PG's 'til he tweeted that dumb shit then his career start goin' down hill&#xA;All cause y'all thought I was playin'&#xA;I'm rappin' 'bout fightin' and guns cause it sound ill&#xA;And y'all still don't believe me? It's like a cave man, cause I bet the first nigga that that get a round will (wheel)&#xA;I say look, he ain't stable&#xA;I pop on him like, &amp;quot;Hey (hay)&amp;quot; and knock him off his high horse&#xA;You don't even get shit poppin' some of (summer) the time, so what you lie for (July 4)?&#xA;He got these people fooled like you bustin' guns and you got niggas that you would die for&#xA;Man you ain't shootin' shit, this nigga Bill wouldn't let off this (Office) MACs (Max) at a supply store&#xA;I'm from St. Louis, I've been in shoot out after shoot out after shoot out, I'm talkin' real wars&#xA;Revolvers, the barrel spinnin' so much I fuck around and made Bill bored (Billboard)&#xA;Let me turn up in this third round just in case Bill bored&#xA;You tweeted me a million times for this battle, get the fuck off my genitalia&#xA;Try this one on for size, the pump can (pumpkin)  shit that's Cinderella&#xA;URL? My house, I run that league let Beasley tell ya&#xA;Well RBE, as y'all can see, I'm just as deadly on this stage too (two) that's kidney failure&#xA;A high speed from the cops, I do the digital dash&#xA;I'll (eye) put you back in the days (daze), he gon' revisit the past&#xA;I got somethin' just for you, I'ma get rid of his ass&#xA;Boy, this still'll (sticker) will have your name on it just like a visitor's pass&#xA;I'ma 30 player poker game, that's a big deal&#xA;I was gon' roll on him wit' a loud toy, that's a Big Wheel&#xA;Draw the burners and make this bitch nigga sit still&#xA;But why draw on him and mark him out, when I already know this counter fit (counterfeit) Bill?&#xA;When I clocked in I locked in,  out&#xA;Y'all wouldn't want to miss this shit, get ya phones out&#xA;Dezi, he thought it was confetti, I blew his dome out&#xA;Machete, no short cuts I took the long route&#xA;Man, you gon' lay up in the dirt and nap&#xA;A phone call I bring Show' to ya city like a circus act&#xA;Ask around, I'm the first to scrap&#xA;I wanted to bring smoke so I could air this bitch out, we the perfect match&#xA;Fuck around get hurt, relax&#xA;Or in the back in all black ridin' 'round with that hearse attached&#xA;Ayo Suge, this the first you cap?&#xA;That was cute when Show' put his hands on him it was worse than that&#xA;All that loud mouth shit I'm Hitman I don't go for it&#xA;Yeah you lost a fight, swing now or get over it&#xA;I ain't drive our situation, I sat back and got Show' for (chauffeur) it&#xA;And that's the lil' brother, so you can do the Math or get another Dose of it&#xA;Ya brain three pounds, the chopper'll take most of it&#xA;K spittin' fast, it's soundin' like King Los and shit&#xA;Stalk his IG, I better not see you postin' shit&#xA;Hop up on the flier, I slide and catch you hostin' shit&#xA;That was a bad move for your career, you in quite danger&#xA;Now he lookin' at ARP like, &amp;quot;Yo, what a lifesaver.&amp;quot;&#xA;I used to use that Tommy for the green, that's the white Ranger&#xA;One shot, put him down, he a light drinker&#xA;Random&#xA;That's yo' problem, you always thinkin' a nigga jokin', see&#xA;Random&#xA;If a nigga said he gon' rob you ain't it on sight wit' him, ain't that how it's 'posed to be?&#xA;He said that I saw him at Summer Madness 2 I said, &amp;quot;Aawwwww shit! Any time this nigga Bill should be approachin' me.&amp;quot;&#xA;He got the burna, I heard he got shit, should I even let him get close to me?&#xA;Y'all know he skippin' and jumpin', y'all know how funny dude be&#xA;He gave everybody handshakes, walk past me, I tap him on the shoulder and was like, &amp;quot;Umm. Excuse me.&amp;quot;&#xA;What the fuck all this skippin' and joggin' goin' on?&#xA;Who the fuck we waitin' on? Batman? Why ain't no fuckin' robbin' (Robin) goin' on?&#xA;He gon' say, &amp;quot;Man, you don't know what's in my book bag. Jackass.&amp;quot;&#xA;Bop! Bop! Bop! Bop! Bop! Yeah y'all it happened that fast&#xA;He landed, got up, ran that way, it was track fast&#xA;But the funny thing about it, I'm survivin' and I'm mad that you still alive&#xA;He was in Subway so long I thought they give the nigga a job&#xA;But I gotta give you some credit, cause you ain't sue about it&#xA;But that was a long time ago and me and  you here now, whatchu gon' do about it?&#xA;I ain't talkin' at ARP or Smack, I'm talkin' to you about it&#xA;You nice wit' ya hands you got some guns who gon' shoot about it?&#xA;But they'll find him in a car in the ditch when I roll up on a Harley with sticks&#xA;New blade, split Bill three ways like a party of six&#xA;He got Supa Dupa, I got a scope on all my weapons, I be actin' like it's a lesser crime&#xA;Cause all I see is a body and DNA when I put goggles on the K like Professor Shine&#xA;All I'm doin' is gettin' money cause I'm breadin' my wealth&#xA;Rick Ross chain, don't get hung by your neck for gettin' ahead (a head) of yourself&#xA;As y'all can see nigga he not funny&#xA;I'm no joke, the way I take care of Bill they yellin', &amp;quot;He got money!&amp;quot;&#xA;What's big money to small change?&#xA;Two words after this, Ball Game!&#xA;&#xA;&#xA;Aye hold on y'all cause I was just really listenin' to my man talk just now&#xA;I hate to keep revisitin' the past bro&#xA;But listenin' to you explain that, you was kinda bitchin' that day&#xA;Hold up let me play it back&#xA;This me: {Bill starts whistling and skipping}&#xA;&amp;quot;What a beautiful day to rap.&amp;quot;&#xA;Here you go: &amp;quot;Where the Bill Collector nigga? Well then say somethin' dawg. Ball Game we ain't playin' that.&amp;quot;&#xA;&amp;quot;What's up Bill? I thought you was gonna rob me?&amp;quot;&#xA;{Bill stops whistling}&#xA;The fuck I'm supposed to say to that?&#xA;&amp;quot;....Aahhh, I should.&amp;quot;&#xA;Nigga the way you asked me I thought that I could&#xA;If I really felt some type of way, mmmm I would&#xA;But that nigga done dropped the mic and made my Soul Glow on stage cause &amp;quot;dat boy good!&amp;quot;&#xA;Aye nah, real rap man, I'm gonna rob you, you was really scared homie&#xA;You thought I had the gun so big jump on it, got pegs on it&#xA;The gattling guns with the legs on it&#xA;But Show' blocked me like a fake Twitter page wit' the egg on it&#xA;He went upside my skillet and put the egg on it&#xA;The shit I did for this battle I had to slave for it&#xA;I took a whole bunch of battles I had to rage for it&#xA;Shit started blowin' up on me I took grenades for it&#xA;And you can see that I'm made for it&#xA;And after this shit Holla, I'ma still respect ya&#xA;Cause you know-&#xA;Hold up, you in here havin' close battles wit' Bill Collector?&#xA;See, right now Holla my gangsta not in question&#xA;Cause that barbershop shit you did was not impressive&#xA;You punched that man six times, top aggression&#xA;He landed on one knee and still popped his question&#xA;Lil' Gerald this my top confession&#xA;After that me and you both need Show' for boxing lessons&#xA;You had ya son film it, that was wack buddy&#xA;To brag bout that W too (W-w), are these attacks (a tax), money?&#xA;Why are you on Wild N' Out? Are you that funny?&#xA;Or you just there in case the Black Team acts funny?&#xA;You spit your gun bars, make a whole lotta rap money&#xA;But if a nigga trippin', &amp;quot;Can you throw 'em out the back buddy?&amp;quot;&#xA;Picture a dolphin, crack a smile, show your decent half&#xA;Wit' them goofy ass teeth boy you need to laugh&#xA;Backstage you protect Conceited sneaker bags&#xA;Cause nobodies laughin' at the dude that wants to beat they ass  You take light skin nigga pics wit every piece of ass&#xA;Every skit they tag you in, you got heat to blast&#xA;The joke a toss up though (dough), shit a pizza class&#xA;And then for some strange reason, you always need to brag&#xA;How you did every Summer Madness, at the same time&#xA;You rapped in front of Akon, Kobe, Drake, and God&#xA;We know nigga!&#xA;All that, and you still the maddest dude on the flo' nigga!&#xA;I seen that you started wit a fro nigga&#xA;You only 30, where the fuck that shit go nigga?&#xA;How you so bald already?&#xA;You had braids, you had the waves, you had it all already&#xA;You old Major Payne head ass&#xA;Ole Wayne head ass&#xA;Hitchhiker thumb going this a way head ass&#xA;Red Dead Redemption 2 horse teeth head ass&#xA;Mr. Ed head ass&#xA;Special ed head ass&#xA;See, you are really gassed pussy, you a whole queef&#xA;Act like the O.G. when really you a whole geek&#xA;You tryin' make some new beef happen wit' the old beef&#xA;I pull up on ya new teeth and slap ‘em wit' the old teeth&#xA;Please don't only praise the last one, I'm a Man of Years&#xA;Universal Bar Gawd, I'ma Planeteer&#xA;I done seen some dark times, now I'm seeing chandeliers&#xA;Any nigga hatin' on me, not standin' here&#xA;If I was scared of y'all, then I wouldn't be standin here&#xA;Holla you the underdog now, I'm the man in here&#xA;I see you got Showout ya man and the fam' in here&#xA;But why the fuck you ain't bring Nick Cannon here?&#xA;You better tell him I'm funny&#xA;Let me get some of that incredible money&#xA;I got a blue check I'ma DM him later on and tell him we buddies&#xA;Now put your buds in the dough like an edible dummy&#xA;Rosenberg want clout? Everyday wit' this dummy&#xA;How much you owe him for the battle P? I'll pay him the money&#xA;I don't wanna hear the new news, 'bout past friends&#xA;When every time I bring 'round my camp they be past tense (tents)&#xA;Every time Bill down bad, see they absence&#xA;Every time Bill doin' good, they attackin'&#xA;10 no shows but dissin' me and the Goonies too?&#xA;Damn, you see what they do for views?&#xA;Best comeback 2018, it's unanimous&#xA;No big league help I switched up the parameters&#xA;Vets ain't where they at and cause of that the fans they mad at us&#xA;But niggas duck Bill like a platypus ain't that a puss?&#xA;But now I'm on the big stage poppin' on niggas&#xA;Hollywood Hogan leg droppin' on niggas&#xA;It's beef? Iron Chef, start choppin' on niggas&#xA;With the K so Bigg that it blocked me on Twitter&#xA;Ayo it's Double Bar Bill, double tier Bill&#xA;And he ain't gotta soul, you could never Kill Bill&#xA;Terrible, rest in peace to these rappers they compare me to&#xA;Airin' you, rap about the shovel while they bury you" PRODUCER="Punks" COVERARTID="046/O30XI4B3N0J5XASJEVBTAL33TG2A" KEY="10m" PLAYCOUNT="1" PLAYTIME="292" PLAYTIME_FLOAT="291.499969" IMPORT_DATE="2025/2/14" RELEASE_DATE="2024/1/1" FLAGS="12" COLOR="4"></INFO>
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<INFO BITRATE="775000" KEY_LYRICS="I'll shove a gun in your grill, greasy and heated&#xA;Smothered in hot mustard so when I feed it to you it's easy to eat it&#xA;You need to be immediately treated&#xA;While you're breathing&#xA;And you'll be leaving the receiving room this evening with Jesus&#xA;You hate on us? We'll be waiting on eight corners&#xA;Swarming your hood with a thousand angry skateboarders&#xA;I'll hop in a jeep and slam on the gas and charge you&#xA;And bombard you in the car that your mom bought you&#xA;Fuck around and get choked and found in a moat&#xA;Floating around, drowned, faced-down in a boat&#xA;I'll pile five dudes in a Pinto and pull-up to the Seven Mile drive through&#xA;At McDonald's and pile-drive you&#xA;I got the power to snatch a driver out of his Eddie Bauer&#xA;When it drives by me at 90 miles an hour&#xA;This place is my house&#xA;I might as well erase my face with white-out&#xA;Cause y'all can't see me like Mase's eyebrows&#xA;&#xA;&#xA;Walking in swamp water with an M-16, out for the blood&#xA;Shove a gun in the mouth of a thug&#xA;To break braces, you say grace and make faces&#xA;I'll display hate and break you in eight places&#xA;Take paces, turn around draw in a standoff&#xA;Precise aim, ice in my veins, blowing your hand off&#xA;Dancing with the Devil leading - I won't die, I'm never leaving&#xA;I pledge allegiance to forever breathing&#xA;Street niggas with nuts, what? My meat's bigger&#xA;Fake-ass thugs with toy guns and cheap triggers&#xA;With a deathwish, thinking I'm the nigga to mess with&#xA;Let the tech lift, direct chest hit, melt your necklace&#xA;For instance, you just a henchmen, on tough soil&#xA;A follower never had heart, he just loyal&#xA;Thugs is glass doors, I see through them, put the heat to them&#xA;Be careful you might get what you ask for&#xA;That's what you false ballers get mugged and gagged for&#xA;Your life flashing in front of your eyes in fast forward&#xA;Dearly departed, I don't even listen to artists&#xA;I'm pissing the farthest, and I'm also hitting the hardest&#xA;I'm very intelligent&#xA;Compare me to cameras&#xA;I flash, and shoot what I see, and steady developing&#xA;I fly you out of your whip with one try of the trigger&#xA;Out of your clique, ain't one nigga out of his shit&#xA;You gotta be kidding, bring all of them niggas&#xA;They all gotta be hit quick, and they all gotta be hitten&#xA;It's not a game, and I ain't playing&#xA;Yo if I ain't lived it, did it, or seen it, then I ain't saying&#xA;I put a hole right in your chest&#xA;Stick a knife in your soul&#xA;Then take your life after taking your death&#xA;I'm nice!&#xA;That ain't even counting the endless bars&#xA;Friends with scars, wondering which Benz is ours&#xA;Pretending to ball could even be the ending of y'all&#xA;The minute you fall, my criminals will finish you off&#xA;I argue with no one&#xA;You got a gun? Alright show one&#xA;If you ain't got heart now, you ain't gon' just grow one&#xA;&#xA;I'm keeping it raw, illegal like Malik and Jamal&#xA;'Cause I don't believe in the law, like I'm Steven Seagal&#xA;Flipping off the police while I'm leaping a wall&#xA;Take a bunch of Tylenol, then fall asleep in a mall&#xA;I got your little son, you'll be receiving a call&#xA;You're lucky this little punks still breathing at all&#xA;Fuck the world, this how I get even at y'all&#xA;Pop shit, get rolled up and leave in a ball&#xA;I hit you in your mouth and sink your teeth in your jaws&#xA;You won't be able to eat shit, not even a malt&#xA;This lethal assault, is giving you a reason to stall&#xA;I'm cocking this deuce-deuce and I'm squeezing it off&#xA;At the first burp and a fart sniffle a sneeze and a cough&#xA;Get your arm chewed off like you was teasing a dog&#xA;I'm cold enough and hot enough to freeze and unthaw&#xA;I'll kick my girl out, in 10 degrees in her bra&#xA;&#xA;&#xA;I'm gonna give it to you straight this time&#xA;Lace this bong&#xA;Bring it to your face until the Jakes respond&#xA;Guard y'all shit&#xA;I don't care how hard y'all hit&#xA;I got cats with bats you wouldn't play hardball with&#xA;I splatter intestines quick, before you can blast&#xA;Or handle your weapon, you'll get stabbed in a matter of seconds&#xA;We ain't worried about threats cause God got us&#xA;We popping Cris, y'all sipping Moet by-products&#xA;I ain't scared to die, let's blast, it's gonna be either&#xA;If you both die then your casket is gonna be deeper&#xA;Yo, you ain't a Don&#xA;You don't even know what beef is&#xA;What you competing with, our hittin' make concrete give&#xA;Yo I came out&#xA;Naked at birth, making it worse&#xA;Making a verse sacred and shaking the Earth&#xA;Niggas got plenty opinions about Royce&#xA;But they ain't got a voice&#xA;I'm doper than them, so they ain't got a choice&#xA;Niggas be playing battle-battle&#xA;Not understanding themselves&#xA;They babble-babble that's why they stay on the shelves&#xA;Playing yourself, I'm promising threats to test y'all&#xA;Keep doing this rap shit until UPS calls&#xA;I see why you must hate me&#xA;I'm sharp enough to cut gravy&#xA;It's just crazy, niggas is such babies&#xA;Real as they come, dancing&#xA;Killing for fun, advancing&#xA;Healing my thumb, killing for fun&#xA;Cock, squeeze and make every nigga freeze in here&#xA;Stop breathing, there better be some cheese in here&#xA;If there's any MCs in here, I hope you read me clear&#xA;You seeing peace, beef with the C's in here&#xA;Yo you ain't fly&#xA;I got shit that you can't buy&#xA;You can't lie, you drink St. Ides and fake high&#xA;Take pie, try to flip it&#xA;You don't nothing about that shit&#xA;If was you I wouldn't risk it&#xA;&#xA;I wouldn't risk it...&#xA;Rappers get hit with this verbal biscuit&#xA;Hey yo, yo, yo, yo, yo&#xA;Keep the same beat, keep the same beat, keep the same beat&#xA;It goes like this, yo&#xA;My attitude is worse than N.W.A.'s was&#xA;I'll battle you over stupid shit and diss people&#xA;Who ain't have shit to do with it, like Cool J does&#xA;You see me standing outside of your building screaming&#xA;Puffy is good, but Slim Shady is for the children!&#xA;I look at my life in a new light -- fuck it&#xA;Give me two mics; I write songs for me -- fuck what you like&#xA;You're probably hear me rap half-hearted; cause I don't like rap anyway&#xA;I'm just trying to get my porno career started&#xA;Every place and event.. (been there, done that)&#xA;Shit, Dre stuck me in a suitcase when he went&#xA;Want a deal? Study these 5 chapters&#xA;Lesson one: Throw demos as hard as you can at signed rappers&#xA;Lesson two: Face 'em and diss 'em&#xA;Don't give 'em a demo; kidnap 'em&#xA;And make 'em come to your basement and listen&#xA;Lesson three: Get a job at a label; switch demos with Canibus&#xA;And put yours on the owner's table&#xA;Lesson four: Know you heard this before:&#xA;&amp;quot;Hey let me get your number; I'll call you tomorrow, for sure!&amp;quot;&#xA;Don't act like a fan -- you wanna get signed?&#xA;Get the whitest A&amp;amp;R you can find&#xA;Pull him aside and rap as wack as you can&#xA;Lesson five: Get a hook-up at Jive&#xA;Dress up like I.C.P and have them come see you perform live&#xA;And that's the key, but when you see me on the street; I ain't&#xA;Givin you shit bitch - don't even bother asking me&#xA;Toilet water splashes me right in the ass when I'm spitting&#xA;Cause I'm always shitting when I'm rapping like Master P&#xA;Got a blowjob from Paula Jones, and stuffed it so far in her mouth&#xA;My balls broke both of her collarbones&#xA;Told Mya this shit was all about me-ah&#xA;Gave Alyssa Milano syphillis, mono and gonorrhea&#xA;And all three of my main girls said see-ya&#xA;Cause Brandy and Monica walked in and caught me fucking Aaliyah&#xA;I splish splash while I'm taking a bath&#xA;Grab a handful of pills, break em in half, take em and laugh&#xA;White trash -- fucking your wife in the ass&#xA;While you're out siphoning gas for your lawnmower to cut the grass&#xA;And it's like that, and it's like that&#xA;&#xA;&#xA;It don't stop&#xA;5-9, Slim Shady yo&#xA;The rap auctioneer, spitting out double figures&#xA;For fans to repeat, handling heat&#xA;The Commander in Chief, I should've been banned from the streets&#xA;Flee after I stab an MC with twin crutches&#xA;You've been had by the phantom of beef&#xA;Release when the paper and pen touches&#xA;While y'all talking&#xA;My venomous rap splits&#xA;Get your ass kicked punk&#xA;Your kind get offed often&#xA;80 niggas deep with heat at the mall walking&#xA;You'll either get shot with all barkers&#xA;Or get knocked upside your head with big blocks&#xA;Till you spit teeth&#xA;You're all soft and up shit's creek in a long coffin&#xA;I get work without a single fiend involved&#xA;I'm married to the mob, I mean for real, ring and all&#xA;Basically that means I ain't your average rap nigga&#xA;You'll get slapped and thrown in the back of an Ac(ura) bigger&#xA;With the latch cracked, trunk open&#xA;So you can look up at the stars&#xA;Fill your pockets with plastic explosives&#xA;Drive to cover, detonate the bomb&#xA;Blow you up with the car and flee the scene to cop another&#xA;Morph right into the physical form of your spirit&#xA;In front of your eyes, and make you battle yourself&#xA;Like Shang Tsung with wisdom in the brilliance of a million disciples&#xA;Equipped with a right hook to split a building&#xA;The pure repper of the African race&#xA;Sent here to knock you off your square and put you back in your place&#xA;Babylon battalion, holding your engineer ransom&#xA;For your master, so I can sabotage your album&#xA;&#xA;&#xA;Yo, weed lacer, '97 burgundy Blazer&#xA;Wanted for burglary, had to ditch the Mercury Tracer&#xA;I’m on some loc shit, some fed up with the being broke shit&#xA;I’m not to joke with, bitch I don’t sell crack, I smoke it&#xA;Having a coke fit, going through withdrawls daily&#xA;Shoot-up with mescaline in front of my baby daughter Hailie&#xA;My brain’s dusted, I’m disgusted at all my habits&#xA;Too many aspirin tablets, empty medicine cabinets&#xA;Losing battles to wack rappers cause I’m always too blunted&#xA;Walking up in the cypher smoking, talking about “Who want it?”&#xA;Thug and a crook; every drug in the book; I’ve done it&#xA;My 9’s at your brain, is that you chain? Run it&#xA;Crews die from an overdosage of excessive flavor&#xA;Aggressive nature got me sticking you for your Progressive pager&#xA;Spectacular, crystal-meth manufacturer&#xA;Stole your momma’s Acura, wrecked it, and sold it back to her&#xA;Boosting Nike jackets, escaped from psychiatrics&#xA;Told the nurse to save my bed for me, I might be back bitch&#xA;So barricade your entrance, put up some extra fences&#xA;A woman beater, wanted for repeated sex offenses&#xA;Chasing dips – take them on long vacation trips&#xA;Kidnapping ‘em and trapping ‘em in abusive relationships&#xA;Fuck up your face and lips, slit your stomach and watch your gut split&#xA;Cut you with that razor that I use to shave my nuts with&#xA;Mama, don’t you cry, your son is too far gone&#xA;I’m so high, I don’t even know what label I’m on&#xA;I’m fucked up, I feel just like an overworked plumber&#xA;I’m sick of this shit, what’s Dr. Kevorkian’s phone number?&#xA;&#xA;&#xA;It's like this right?&#xA;Bust it&#xA;You get laced by the gun, in case you try to run&#xA;Hatred on my face by the tongue, get baked by the sun&#xA;Constructed of interplanetary rock and metal&#xA;Topping levels of combustion that's hot enough to stop the devil&#xA;Innovative flusher to enemies&#xA;The impact will be the generated destructive energy to flatten trees&#xA;Black, poised since birth&#xA;Birth? Tore the womb up&#xA;To hit the Earth like an asteroid and blow the moon up&#xA;Trust me, I'm the epitome, you better bust me&#xA;Any nigga can say fuck me and he gon' touch me&#xA;Smoking organic ganja inside of a stanza&#xA;Me and my man cypher with cans of volcanic lava&#xA;Man this is hot, I'm out of my shit&#xA;From the bottom I can leap out a bottomless pit and land at the top&#xA;Raw, that's what I came out here for&#xA;To raise and eclipse, and occasional trips to the beer store&#xA;And switch-up, the breed of MC to stick a bitch up&#xA;Bigger and speed to reach in the sea and pick a fish up&#xA;I'm fly against all laws of gravitation&#xA;I crushed all y'all, now you want a collaboration&#xA;But fuck that, you stepped up, so I'm gonna fuck your rep up&#xA;Tear the rest up, with every joint that I press up&#xA;Handling heat and ammo, bullets passing me by&#xA;Challenging me to battle? Man, you asking to die&#xA;Narrow off niggas, squeeze a grenade until it's dissolved&#xA;Bite the barrel of a revolver and spin it&#xA;Nigga forget it, I earned it&#xA;I kill you then come to your funeral and strangle you to confirm it&#xA;Minds carry malaria, sick&#xA;Ask niggas who the best is, you'll hear 5-9 in every area&#xA;Crushing your head, hunting you dead&#xA;You ain't nice&#xA;I battled you before, I don't remember nothing you said&#xA;You was wack, I was gonna quit on it till I thought&#xA;My dick is big enough for all of y'all niggas to get on it&#xA;Making you high off of the smoke, often you're cold&#xA;Making y'all join that big hip-hop nation in the sky&#xA;And it's easy believe me, you better have been fronting&#xA;When you said you was hot, cause you couldn't please me if you was begging me&#xA;&#xA;&#xA;Some people say I'm strange, I tell them ain't shit change&#xA;I'm still the same lame asshole with a different name&#xA;Who came late to the last show with a different dame&#xA;Brain ate from the last O that I sniffed of cane&#xA;You know you're spaced the fuck out like George Lucas&#xA;When your puke is turning to yellowish-orange mucus&#xA;So when I grab a pencil and squeeze it between fingers&#xA;I'm not a rapper, I'm a demon who speaks English&#xA;Freak genius, too extreme for the weak and squeemish&#xA;Burn you alive till you screaming to be extinguished&#xA;Cause when I drop the science, motherfuckers tell me to stop the violence&#xA;Start a fire and block the hydrants&#xA;I'm just a mean person, you never seen worse than&#xA;So when Slim gets this M-16 bursting&#xA;You getting spun backwards like every word of obscene cursing&#xA;On the B-side of my first single with the clean version&#xA;Stopping your short life when you still a teen virgin&#xA;Unless you get a kidney specialist and a spleen surgeon&#xA;In the best hospital possible for emergency surgery&#xA;To try to stop the blood from your ruptured sternum internally&#xA;I'll take it back before we knew each others' name&#xA;Run in the ultrasound and snatch you out your mother's frame&#xA;I'll take it further back than that&#xA;Back to Lovers Lane, to the night you were thought of&#xA;And cock block your father's game&#xA;I'll plead the fifth like my jaws were muzzled&#xA;So suck my dick while I take a shit and do this crossword puzzle&#xA;And when I'm down with ten seconds left in the whole bout&#xA;I'm gonna throw a head-butt so hard, it'll knock us both out" PRODUCER="2021 Shall Not Fade LTD" COVERARTID="049/RRETODAN3E40LDDKLZVRBYXSIBBB" KEY="4d" PLAYTIME="309" PLAYTIME_FLOAT="308.753845" IMPORT_DATE="2025/2/14" RELEASE_DATE="2021/1/1" FLAGS="12"></INFO>
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<INFO BITRATE="867000" COMMENT="fre:ac - free audio converter &lt;https://www.freac.org/>" KEY_LYRICS="The Mabbot street entrance of nighttown, before which stretches an uncobbled transiding set with skeleton tracks, red and green will-o'-the-wisps and danger signals. Rows of flimsy houses with gaping doors. Rare lamps with faint rainbow fans. Round Rabaiotti's halted ice gondola stunted men and women squabble. They grab wafers between which are wedged lumps of coal and copper snow. Sucking, they scatter slowly. Children. The swancomb of the gondola, highreared, forges on through the murk, white and blue under a lighthouse. Whistles call and answer.&#xA;&#xA;THE CALLS Wait, my love, and I'll be with you.&#xA;&#xA;&#xA;THE ANSWERS Round behind the stable.&#xA;&#xA;(A deaf mute idiot with goggle eyes, his shapeless mouth dribbling, jerks past, shaken in Saint Vitus' dance. A chain of children's hands imprisons him.)&#xA;&#xA;THE CHILDREN Kithoguel Salute.&#xA;&#xA;THE IDIOT (Lifts a palsied left arm and gurgles.) Grhahute!&#xA;&#xA;THE CHILDREN Where's the great light?&#xA;&#xA;THE IDIOT (Gobbing.) Ghaghahest.&#xA;&#xA;(They release him. He jerks on. A pygmy woman swings on a rope slung between the railings, counting. A form sprawled against a dustbin and muffled by its arm and hat moves, groans, grinding growling teeth, and snores again. On a step a gnome totting among a rubbish tip crouches to shoulder a sack of rags and bones. A crone standing by with a smoky oil lamp rams the last bottle in the maw of his sack. He heaves his booty, tugs askew his peaked cap and hobbles off mutely. The crone makes back for her lair swaying her lamp. A bandy child, asquat on the doorstep with a papershuttlecock, crawls sidling after her in spurts, clutches her skirt, scrambles up. A drunken navvy ups with both hands the railings of an area, lurching heavily. At a corner two night watch in shoulder capes, their hands upon their staffholsters, loom tall. A plate crashes; a woman screams; a child wails. Oaths of a man roar, mutter, cease. Figures wander, lurk, peer from warrens. In a room lit by a candle stuck in a bottleneck a slut combs out the tatts from the hair of a scrofulous child. Cissy Caffrey's voice, still young, sings shrill from a lane.)&#xA;&#xA;CISSY CAFFREY&#xA;&#xA;&#xA;&#xA;I gave it to Molly&#xA;Because she was jolly,&#xA;The leg of the duck&#xA;The leg of the duck.&#xA;&#xA;(Private Cart and Private Compton, swaggersticks tight in their oxters, as they march unsteadily rightaboutface and burst together from their mouths a volleyed fart. Laughter of men from the lane. A hoarse virago retorts.)&#xA;&#xA;THE VIRAGO Signs on you, hairy arse. More power the Cavan girl.&#xA;&#xA;CISSY CAFFREY More luck to me. Cavan, Cootehill and Belturbet.&#xA;&#xA;(She sings.)&#xA;&#xA;I gave it to Nelly&#xA;To stick in her belly&#xA;The leg of the duck&#xA;The leg of the duck.&#xA;&#xA;&#xA;(Private Cart and Private Compton turn and counterretort, their tunics bloodbright in a lampglow, black sockets of caps on their blond copper polls. Stephen Dedalus and Lynch pass through the crowd close to the redcoats.)&#xA;&#xA;PRIVATE COMPTON (Jerks his finger.) Way for the parson.&#xA;&#xA;PRIVATE CARR (Turns and calls.) What ho, parson!&#xA;&#xA;CISSY CAFFREY (Her voice soaring higher.)&#xA;&#xA;She has it, she got it,&#xA;Wherever she put it&#xA;The leg of the duck.&#xA;&#xA;(Stephen, flourishing the ashplant in his left hand, chants with joy the introit for paschal time. Lynch, his jockey cap low on his brow, attends him, a sneer of discontent wrinkling his face.)&#xA;&#xA;STEPHEN Vidi aquam egredientem de templo a latere dextro. Alleluia.&#xA;&#xA;(The famished snaggletusks of an elderly bawd protrude from a doorway.)&#xA;&#xA;THE BAWD (Her voice whispering huskily.) Sst! Come here till I tell you. Maidenhead inside. Sst.&#xA;&#xA;STEPHEN (Altius aliqantulum) Et omnes ad quos pervenit acqua ista.&#xA;&#xA;THE BAWD (Spits in their trail her jet of venom.) Trinity medicals. Fallopian tube. All prick and no pence.&#xA;&#xA;(Edy Boardman, sniffling, crouched with Bertha Supple, draws her shawl across her nostrils.)&#xA;&#xA;EDY BOARDMAN (Bickering.) And say the one: I seen you up Faithful place with your squarepusher, the greaser off the railway, in his cometobed hat. Did you, says I. That's not for you to say, says I. You never seen me in the mantrap with a married highlander, says I. The likes of her! Stag that one is. Stubborn as a mule! And her walking with two fellows the one time, Kildbride the enginedriver and lancecorporal Oliphant.&#xA;&#xA;STEPHEN (Triumphaliter.) Salvi facti i sunt.&#xA;&#xA;(He flourishes his ashplant shivering the lamp image, shattering light over the world. A liver and white spaniel on the prowl slinks after him, growling. Lynch scar's it with a kick.)&#xA;&#xA;LYNCH So that?&#xA;&#xA;STEPHEN (Looks behind.) So that gesture, not music, not odours, would be a universal language, the gift of tongues rendering visible not the lay sense but the first entelechy, the structural rhythm.&#xA;&#xA;LYNCH Pornosophical philotheology. Metaphysics in Mecklenburg street!&#xA;STEPHEN We have shrewridden Shakespeare and henpecked Socrates. Even the allwisest stagyrite was bitted, bridled and mounted by a light of love.&#xA;&#xA;LYNCH Ba!&#xA;&#xA;STEPHEN Anyway, who wants two gestures to illustrate a loaf and a jug? This movement illustrates the loaf and jug of bread and wine in Omar. Hold my stick.&#xA;&#xA;LYNCH Damn your yellow stick. Where are we going?&#xA;&#xA;STEPHEN Lecherous lynx, to la belle dame sans merci, Georgina Johnson, ad deam qui laetificat juventutem meam.&#xA;&#xA;(Stephen thrusts the ashplant on him and slowly holds out his hands, his head going back till both hands are a span from his breast, down turned in planes intersecting, the fingers about to part, the left being higher.)&#xA;&#xA;LYNCH Which is the jug of bread? It skills not. That or the customhouse. Illustrate thou. Here take your crutch and walk.&#xA;&#xA;(They pass. Tommy Caffrey scrambles to a gaslamp and, clasping, climbs in spasms. From the top spur he slides down. Jacky Caffrey clasps to climb. The navvy lurches against the lamp. The twins scuttle off in the dark. The navvy, swaying, presses a forefinger against a wing of his nose and ejects from the farther nostril a long liquid jet of snot. Shouldering the lamp he staggers away through the crowd with his flaring cresset.&#xA;&#xA;Snakes of river fog creep slowly. From drains, clefts, cesspools, middens arise on all sides stagnant fumes. A glow leaps in the south beyond the seaward reaches of the river. The navvy staggering forward cleaves the crowd and lurches towards the tramsiding. On the farther side under the railway bridge Bloom appears flushed, panting, cramming bread and chocolate into a side pocket. From Gillens hairdressers window a composite portrait shows him gallant Nelson's image. A concave mirror at the side presents to him lovelorn longlost lugubru Booloohoom. Grave Gladstone sees him level Bloom for Bloom. He passes, struck by the stare of truculent Wellington but in the con vex mirror grin unstruck the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.&#xA;&#xA;At Antonio Babaiotti's door Bloom halts, sweated under the bright arclamps. He disappears. In a moment he reappears and hurries on.)&#xA;&#xA;BLOOM Fish and taters. N. g. Ah!&#xA;&#xA;(He disappears into Olhousen's, the pork butcher's, under the downcoming rollshutter. A few moments later he emerges from under the shutter puffing Poldy, blowing Bloohoom. In each hand he holds a parcel, one containing a lukewarm pig's crubeen, the other a cold sheep's trotter sprinkled with wholepepper He gasps, standing upright. Then bending to one side he presses a parcel against his rib and groans.)&#xA;&#xA;BLOOM Stitch in my side. Why did I run?&#xA;&#xA;(He takes breath with care and goes forward slowly towards the lampset siding. The glow leaps again.)&#xA;&#xA;BLOOM What is that? A flasher? Searchlight.&#xA;&#xA;(He stands at Cormack's corner watching.)&#xA;&#xA;BLOOM Aurora borealis or a steel foundry? Ah, the brigade, of course. South side anyhow. Big blaze. Might be his house. Beggar's bush. We're safe. (He hums cheerfully.) London's burning, London's burning! On fire, on fire! (He catches sight of the navvy lurching through the crowd at the farther side of Talbot street.) I'll miss him. Run. Quick. Better cross here.&#xA;&#xA;(He darts to cross the road. Urchins shout.)&#xA;&#xA;THE URCHINS Mind out, mister! (Two cyclists, with lighted paper lanterns aswing, swim by him, grazing him, their bells rattling.)&#xA;&#xA;THE BELLS Haltyaltyaltyall.&#xA;&#xA;BLOOM (Halts erect stung by a spasm.) Ow.&#xA;&#xA;(He looks round, darts forward suddenly. Through rising fog a dragon sandstrewer, travelling at caution, slews heavily down upon him, its huge red headlight winking, its trolley hissing on the wire. The motorman bangs his footgong.)&#xA;&#xA;THE GONG Bang Bang Bla Bak Blud Bugg Bloo.&#xA;&#xA;(The brake cracks violently. Bloom, raising a policeman's whitegloved hand, blunders stifflegged, out of the track. The motorman thrown forward, pugnosed, on the guidewheel, yells as he slides past over chains and keys.)&#xA;&#xA;THE MOTORMAN Hey, shitbreeches, are you doing the hattrick?&#xA;&#xA;BLOOM (Bloom trickleaps to the curbstone and halts again. He brushes a mudflake from his cheek with a parcelled hand.) No thoroughfare. Close shave that but cured the stitch. Must take up Sandow's exercises again. On the hands down. Insure against street accident too. The Providential. (He feels his trouser pocket.) Poor mamma's panacea. Heel easily catch in tracks or bootlace in a cog. Day the wheel of the black Maria peeled off my shoe at Leonard's corner. Third time is the charm. Shoe trick. Insolent driver. I ought to report him. Tension makes them nervous. Might be the fellow balked me this morning with that horsey woman. Same style of beauty. Quick of him all the same. The stiff walk. True word spoken in jest. That awful cramp in Lad lane. Something poisonous I ate. Emblem of luck. Why? Probably lost cattle. Mark of the beast. (He closes his eyes an instant.) Bit light in the head. Monthly or effect of the other. Brainfogfag. That tired feeling. Too much for me now. Ow!&#xA;&#xA;(A sinister figure leans on plaited legs against O'Beirnes wall, a visage unknown, injected with dark mercury. From under a wideleaved sombrero the figure regards him with evil eye.)&#xA;&#xA;BLOOM Buenos noches, señorita Blanca, que calle es esta?&#xA;&#xA;THE FIGURE (Impassive, raises a signal arm.) Password. Sraid Mabbot.&#xA;&#xA;BLOOM Haha. Merci. Esperanto. Slan leath. (He mutters.) Gaelic league spy, sent by that fireeater.&#xA;&#xA;(He steps forward. A sackshouldered ragman bars his path. He steps left, ragsackman left.)&#xA;&#xA;BLOOM I beg. (He swerves, sidles, stepsaside, slips past and on.)&#xA;&#xA;BLOOM Keep to the right, right, right. If there is a fingerpost planted by the Touring Club at Stepaside who procured that public boon? I who lost my way and contributed to the columns of the Irish Cyclist the letter headed, In darkest Stepaside. Keep, keep, keep to the right. Rags and bones, at midnight. A fence more likely. First place murderer makes for. Wash off his sins of the world.&#xA;&#xA;(Jacky Caffrey, hunted by Tommy Caffrey, runs full tilt against Bloom.)&#xA;&#xA;BLOOM O!&#xA;&#xA;(Shocked, on weak hams, he halts. Tommy and Jacky vanish there, there. Bloom pats with parcelled hands watch, fobpocket, bookpocket, pursepocket, sweets of sin, potato soap.)&#xA;&#xA;BLOOM Beware of pickpockets. Old thieves' dodge. Collide. Then snatch your purse.&#xA;&#xA;(The retriever approaches sniffling, nose to the ground. A sprawled form sneezes. A stooped bearded figure appears garbed in the long caftan of an elder in Zion and a smoking cap with magenta tassels. Horned spectacles hang down at the wings of the nose. Yellow poison streaks are on the drawn face.)&#xA;&#xA;RUDOLPH Second halfcrown waste money today. I told you not go with drunken goy ever. So. You catch no money.&#xA;&#xA;BLOOM (Hides the crubeen and trotter behind his back and, crestfallen, feels warm and cold feetmeat) Ja, ich weiss, papachi.&#xA;&#xA;RUDOLPH What you making down this place? Have you no soul? (With feeble vulture talons he feels the silent face of Bloom) Are you not my son Leopold, the grandson of Leopold? Are you not my dear son Leopold who left the house of his father and left the god of his fathers Abraham and Jacob?&#xA;&#xA;BLOOM (With precaution.) I suppose so, father. Mosenthal. All that's left of him.&#xA;&#xA;RUDOLPH (Severely.) One night they bring you home drunk as dog after spend your good money. What you call them running chaps?&#xA;&#xA;BLOOM (In youth's smart blue Oxford suit with white vestslips, narrowshouldered, in brown Alpine hat, wearing gent's sterling silver waterbury keyless watch and double curb Albert with seal attached, one side of him coated with stiffening mud.) Harriers, father. Only that once.&#xA;&#xA;RUDOLPH Once! Mud head to foot. Cut your hand open. Lockjaw. They make you kaput, Leopoldleben. You watch them chaps.&#xA;&#xA;BLOOM (Weakly.) They challenged me to a sprint. It was muddy. I slipped.&#xA;&#xA;RUDOLPH (With contempt) Ooim nachez. Nice spectacles for your poor mother!&#xA;&#xA;BLOOM Mamma!&#xA;&#xA;ELLEN BLOOM (In pantomime dame's stringed mobcap, crinoline and bustle, widow Twankey's blouse with muttonleg sleeves buttoned behind, grey mittens and cameo brooch, her hairplaited in a crisping net, appears over the staircase banisters, a slanted candlestick in her hand and cries out in shrill alarm.) O blessed Redeemer, what have they done to him! My smelling salts! (She hauls up a reef of skirt and ransacks the pouch of her striped blay petticoat. A phial, an Agnus Dei, a shrivelled potato and a celluloid doll fall out.) Sacred Heart of Mary, where were you at all, at all?&#xA;&#xA;(Bloom, mumbling, his eyes downcast, begins to bestow his parcels in his filled pockets but desists, muttering.)&#xA;&#xA;A VOICE (Sharply.) Poldy!&#xA;&#xA;BLOOM Who? (He ducks and wards off a blow clumsily.) At your service.&#xA;&#xA;(He looks up. Beside her mirage of datepalms a handsome woman in Turkish costume stands before him. Opulent curves fill out her scarlet trousers and jacket slashed with gold. A wide yells cummerbund girdles her. A white yashmak violet in the night, covers her face, leaving free only her lace dark eyes and raven hair.)&#xA;&#xA;BLOOM Molly!&#xA;&#xA;MARION Welly? Mrs Marion from this out, my dear man, when you speak to me. (Satirically.) Has poor little hubby cold feet waiting so long?&#xA;&#xA;BLOOM (Shifts from foot to foot.) No, no. Not the least little bit.&#xA;&#xA;(He breathes in deep agitation, swallowing gulps of air questions, hopes, crubeens for her supper things to tell her excuses, desire, spellbound. A coin gleams on her forehead. On her feet are jewelled toerings. Her ankles are linked by a slender fetterchain. Beside her a camel, hooded with a turreting turban, waits. A silk ladder of innumerable rungs climbs to his bobbing howdah. He ambles near with disgruntled hindquarters. Fiercely she slaps his haunch, her goldcurb wristbangles angriling, scolding him in Moorish.)&#xA;&#xA;MARION Nebrakada! Feminimum.&#xA;&#xA;(The camel, lifting a foreleg, plucks from a tree a lace mango fruit, offers it to his mistress, blinking, in his cloven hoof then droops his head and, grunting, with uplifted neck, fumbles to kneel. Bloom stoops his back for leapfrog.)&#xA;&#xA;BLOOM I can give you... I mean as your business menagerer Mrs Marion... if you...&#xA;&#xA;MARION So you notice some change? (Her hands passing slowly over her trinketed stomacher. A slow friendly mockery in her eyes.) O Poldy, Poldy, you are a poor old stick in the mud! Go and see life. See the wide world.&#xA;&#xA;BLOOM I was just going back for that lotion whitewax, orangeflower water. Shop closes early on Thursday. But the first thing in the morning. (He pats divers pockets.) This moving kidney. Ah!&#xA;&#xA;(He points to the south, then to the east. A cake of new clean lemon soap arises, diffusing light and perfume.)&#xA;&#xA;THE SOAP&#xA;&#xA;We're a capital couple are Bloom and I;&#xA;He brightens the earth, I polish the sky.&#xA;&#xA;&#xA;(The freckled face of Sweny, the druggist, appears in the disc of the soapsun.)&#xA;&#xA;SWENY Three and a penny, please.&#xA;&#xA;BLOOM Yes. For my wife, Mrs Marion. Special recipe.&#xA;&#xA;MARION (Softly.) Poldy!&#xA;&#xA;BLOOM Yes, ma'am?&#xA;&#xA;MARION Ti trema un poco il cuore?&#xA;&#xA;(In disdain she saunters away, plump as a pampered pouter pigeon, humming the duet from Don Giovanni)&#xA;&#xA;BLOOM Are you sure about that Voglio? I mean the pronunciati...&#xA;&#xA;(He follows, followed by the sniffing terrier. The elderly bawd seizes his sleeve, the bristles of her chinmole glittering.)&#xA;&#xA;THE BAWD Ten shillings a maidenhead. Fresh thing was never touched. Fifteen. There's no-one in it only her old father that's dead drunk.&#xA;&#xA;(She points. In the gap of her dark den furtive, rainbedraggled Bridie Kelly stands.)&#xA;&#xA;BRIDIE Hatch street. Any good in your mind?&#xA;&#xA;(With a squeak she flaps her bat shawl and runs. A burly rough pursues with booted strides. He stumbles on the steps, recovers, plunges into gloom. Weak squeaks of laughter are heard, weaker.)&#xA;&#xA;THE BAWD (Her wolfeyes shining.) He's getting his pleasure. You won't get a virgin in the flash houses. Ten shillings. Don't be all night before the polis in plain clothes sees us. Sixtyseven is a bitch.&#xA;&#xA;(Leering Gerty MacDowell limps forward. She draws from behind ogling, and shows coyly her bloodied clout.)&#xA;&#xA;GERTY With all my worldly goods I thee and thou. (She murmurs.) You did that. I hate you.&#xA;&#xA;BLOOM I? When? You're dreaming. I never saw you.&#xA;&#xA;THE BAWD Leave the gentleman alone, you cheat. Writing the gentleman false letters. Streetwalking and soliciting. Better for your mother take the strap to you at the bedpost, hussy like you.&#xA;&#xA;GERTY (To Bloom.) When you saw all the secrets of my bottom drawer. (She paws his sleeve, slobbering.) Dirty married man! I love you for doing that to me.&#xA;&#xA;(She slides away crookedly. Mrs Breen in man's frieze overcoat with loose bellows pockets, stands in the causeway, her roguish eyes wideopen, smiling in all her herbivorous buckteeth.)&#xA;&#xA;MRS BREEN Mr.&#xA;&#xA;BLOOM (Coughs gravely.) Madam, when we last had this pleasure by letter dated the sixteenth instant .&#xA;&#xA;MRS BREEN Mr Bloom! You down here in the haunts of sin! I caught you nicely! Scamp!&#xA;&#xA;BLOOM (Hurriedly.) Not so loud my name. Whatever do you think me? Don't give me away. Walls have hears. How do you do? It's ages since I. You're looking splendid. Absolutely it. Seasonable weather we are having this time of year. Black refracts heat. Short cut home here. Interesting quarter. Rescue of fallen women Magdalen asylum. I am the secretary...&#xA;&#xA;MRS BREEN (Holds up a finger.) Now don't tell a big fib! I know somebody won't like that. O just wait till I see Molly! (Slily.) Account for yourself this very minute or woe betide you!&#xA;&#xA;BLOOM (Looks behind.) She often said she'd like to visit. Slumming. The exotic, you see. Negro servants too in livery if she had money. Othello black brute. Eugene Stratton. Even the bones and cornerman at the Livermore christies. Bohee brothers. Sweep for that matter.&#xA;&#xA;(Tom and Sam Bohee, coloured coons in white duck suits, scarlet socks, upstarched Sambo chokers and lace scarlet asters in their buttonholes leap out. Each has his banjo slung. Their paler smaller negroid hands jingle the twingtwang wires. Flashing white Kaffir eyes and tusks they rattle through a breakdown in clumsy clogs, twinging, singing, back to back, toe heel, heel toe, with smackfatclacking nigger lips.)&#xA;&#xA;There's someone in the house with Dina&#xA;There's someone in the house, I know,&#xA;There's someone in the house with Dina&#xA;Playing on the old banjo.&#xA;&#xA;&#xA;(They whisk black masks from raw babby faces: then, chuckling, chortling, trumming, twanging they diddle diddle cakewalk dance away.)&#xA;&#xA;BLOOM (With a sour tenderish smile.) A little frivol, shall we, if you are so inclined? Would you like me perhaps to embrace you just for a fraction of a second?&#xA;&#xA;MRS BREEN (Screams gaily.) O, you ruck! You ought to see yourself!&#xA;&#xA;BLOOM For old sake'sake. I only meant a square party, a mixed marriage mingling of our different little conjugials. You know I had a soft corner for you. (Gloomily.) 'Twas I sent you that valentine of the dear gazelle.&#xA;&#xA;MRS BREEN Glory Alice, you do look a holy show! Killing simply. (She puts out her hand inquisitively.) What are you hiding behind your back? Tell us, there's a dear.&#xA;&#xA;BLOOM (Seizes her wrist with his free hand.) Josie Powell that was, prettiest deb in Dublin. How time flies by! Do you remember, harking back in a retrospective arrangement, Old Christmas night Georgina Simpson's housewarming while they were playing the Irving Bishop game, finding the pin blindfold and thoughtreading? Subject, what is in this snuff box?&#xA;&#xA;MRS BREEN You were the lion of the night with your seriocomic recitation and you looked the part. You were always a favourite with the ladies.&#xA;&#xA;BLOOM (Squire of dames, in dinner jacket, with watered-silk facings, blue masonic badge in his buttonhole, black bow and mother-of-pearl studs, a prismatic champagne glass tilted in his hand.) Ladies and gentlemen, I give you Ireland, home and beauty.&#xA;&#xA;MRS BREEN The dear dead days beyond recall. Love's old sweet song.&#xA;&#xA;BLOOM (Meaningfully dropping his voice.) I confess I'm teapot with curiosity to find out whether some person's something is a little teapot at present.&#xA;&#xA;MRS BREEN (Gushingly.) Tremendously teapot! London's tea pot and I'm simply teapot all over me. (She rubs sides with him.) After the parlour mystery games and the crackers from the tree we sat on the staircase ottoman. Under the mistletoe. Two is company.&#xA;&#xA;BLOOM (Wearing a purple Napoleon hat with an amber halfmoon, his fingers and thumbs passing slowly down to her soft moist meaty palm which she surrenders gently.) The witching hour of night. I took the splinter out of this hand, carefully, slowly. (Tenderly, as he slips on her finger a ruby ring.) Là ci darem la mano.&#xA;&#xA;MRS BREEN (In a onepiece eveningfrock executed in moonlight blue, a tinsel sylph's diadem on her brow with her dancecard fallen beside her moonblue satin slipper curves her palm softly, breathing quickly.) Voglio e non. You're hot! You're scalding! The left hand nearest the heart.&#xA;&#xA;BLOOM When you made your present choice they said it was beauty and the beast. I can never forgive you for that. (His clenched fist at his brow.) Think what it means. All you meant to me then. (Hoarsely.) Woman, it's breaking me! (Dennis Breen, whitetallhatted, with Wisdom Hely's sandwich board, shuffles past them in cadet slippers, his dull beard thrust out, muttering to right and left. Little Alf Bergan, cloaked in the pall of the ace of spaces, dogs him to left and right, doubled in laughter.)&#xA;&#xA;ALF BERGAN (Points jeering at the sandwich boards.) U.p.: Up.&#xA;&#xA;MRS BREEN (To Bloom.) High jinks below stairs. (She gives him the glad eye.) Why didn't you kiss the spot to make it well? You wanted to.&#xA;&#xA;BLOOM (Shocked.) Molly's best friend! Could you?&#xA;&#xA;MRS BREEN (Her pulpy tongue between her lips, offers a pigeon kiss.) Hnhn. The answer is a lemon. Have you a little present for me there?&#xA;&#xA;BLOOM (Off handedly.) Kosher. A snack for supper. The home without potted meat is incomplete. I was at Leah. Mrs Bandman Palmer. Trenchant exponent of Shakespeare. Unfortunately threw away the programme. Rattling good place round there for pig's feet. Feel.&#xA;&#xA;(Richie Goulding, three ladies' hats pinned on his head, appears weighted to one side by the black legal bag of Collis and Ward on which a skull and crossbones are painted in white limewash. He ins it and shows it full of polonies, kippered, herrings, Findon haddies and tightpacked pills.)&#xA;&#xA;RICHIE Best value in Dub.&#xA;&#xA;(Bald Pat, bothered beetle, stands on the curbstone, folding his napkin, waiting to wait.)&#xA;&#xA;PAT (Advances with a tilted dish of spillspilling gravy.) Steak and kidney. Bottle of lager. Hee hee hee. Wait till I wait.&#xA;&#xA;RICHIE Goodgod. Inev erate inall...&#xA;&#xA;(With hanging head he marches doggedly forward. The navvy, lurching by, gores him with his flaming pronghorn.)&#xA;&#xA;RICHIE (With a cry of pain, his hand to his back) Ah! Bright's! Lights!&#xA;&#xA;BLOOM (Points to the navvy.) A spy. Don't attract attention. I hate stupid crowds. I am not on pleasure bent. I am in a grave predicament.&#xA;&#xA;MRS BREEN Humbugging and delutbering as per usual with your cock and bull story.&#xA;&#xA;BLOOM I want to tell you a little secret about how I came to be here. But you must never tell. Not even Molly. I have a most particular reason.&#xA;&#xA;MRS BREEN (All agog.) O, not for worlds.&#xA;&#xA;BLOOM Let's walk on. Shall us?&#xA;&#xA;MRS BREEN Let's.&#xA;&#xA;(The bawd makes an unheeded sign. Bloom walks on with Mrs Breen. The terrier follows, whining piteously, wagging his tail.)&#xA;&#xA;THE BAWD Jewman's melt!&#xA;&#xA;BLOOM (In an oatmeal sporting suit, a sprig of woodbine in the lapel, tony buff shirt, shepherd's plaid Saint Andrew's cross scarftie, white spats, fawn dustcoat on his arm, tawny red brogues, fieldglasses in bandolier and a grey billycock hat.) Do you remember a long long time, years and years ago, just after Milly, Marionette we called her, was weaned when we all went together to Fairyhouse races, was it?&#xA;&#xA;MRS BREEN (In smart Saxe tailormade, white velours hat and spider veil.) Leopardstown.&#xA;&#xA;BLOOM I mean, Leopardstown. And Molly won seven shillings on a three year old named Nevertell and coming home along by Foxrock in that old fiveseater shanderadan of a waggonette you were in your heyday then and you had on that new hat of white velours with a surround of molefur that Mrs Hayes advised you to buy because it was marked down to nineteen and eleven, a bit of wire and an old rag of velveteen, and I'll lay you what you like she did it on purpose...&#xA;&#xA;MRS BREEN She did, of course, the cat! Don't tell me! Nice adviser!&#xA;&#xA;BLOOM Because it didn't suit you one quarter as well as the other ducky little tammy toque with the bird of paradise wing in it that I admired on you and you honestly looked just too fetching in it though it was a pity to kill it, you cruel creature, little mite of a thing with a heart the size of a fullstop.&#xA;&#xA;MRS BREEN (Squeezes his arm, simpers.) Naughty cruel I was.&#xA;&#xA;BLOOM (Low, secretly, ever more rapidly.) And Molly was eating a sandwich of spiced beef out of Mrs Joe Gallaher's lunch basket. Frankly, though she had her advisers or admirers, I never cared much for her style. She was .&#xA;&#xA;MRS BREEN Too.&#xA;&#xA;BLOOM Yes. And Molly was laughing because Rogers and Maggot O'Reilly were mimicking a cock as we passed a farmhouse and Marcus Tertius Moses, the tea merchant, drove past us in a gig with his daughter, Dancer Moses was her name, and the poodle in her lap bridled up and you asked me if I ever heard or read or knew or came across .&#xA;&#xA;MRS BREEN (Eagerly.) Yes, yes, yes, yes, yes, yes, yes.&#xA;&#xA;(She fades from his side. Followed by the whining dog he walks on towards hellsgates. In an archway a standing woman, bent forward, her feet apart, pisses cowily. Outside a shuttered pub a bunch of loiterers listen to a tale which their broken snouted gaffer rasps out with raucous humour. An armless pair of them flop wrestling, growling, in maimed sodden playfight.)&#xA;&#xA;THE GAFFER (Crouches, his voice twisted in his snout.) And when Cairns came down from the scaffolding in Beaver Street what was he after doing it into only into the bucket of porter that was there waiting on the shavings for Derwan's plasterers.&#xA;&#xA;THE LOITERERS (Guffaw with cleft palates.) O jays!&#xA;&#xA;(Their paintspeckled hats wag. Spattered with size and lime of their lodges they frisk limblessly about him.)&#xA;&#xA;BLOOM Coincidence too. They think it funny. Anything but that. Broad daylight. Trying to walk. Lucky no woman.&#xA;&#xA;THE LOITERERS Jays, that's a good one. Glauber salts. O jays, into the men's porter.&#xA;&#xA;(Bloom passes. Cheap whores, singly, coupled, shawled, dishevelled, call from lanes, doors, corners.)&#xA;&#xA;THE WHORES Are you going far, queer fellow? How's your middle leg? Got a match on you? Eh, come here till I stiffen it for you.&#xA;&#xA;(He plodges through their sump towards the lighted street beyond. From a bulge of window curtains a gramophone rears a battered brazen trunk. In the shadow a shebeenkeeper haggles with the navvy and the two redcoats.)&#xA;&#xA;THE NAVVY (Belching.) Where's the bloody house?&#xA;&#xA;THE SHEBEENKEEPER Purdon street. Shilling a bottle of stout. Respectable woman.&#xA;&#xA;THE NAVVY (Gripping the two redcoats, staggers forward with them.) Come on, you British army!&#xA;&#xA;PRIVATE CARR (Behind his back.) He aint half balmy.&#xA;&#xA;PRIVATE COMPTON (LAughs.) What ho!&#xA;&#xA;PRIVATE CARR (To the navvy.) Portobello barracks canteen. You ask for Carr. Just Carr.&#xA;&#xA;THE NAVVY (Shouts.)&#xA;&#xA;We are the boys. Of Wexford.&#xA;&#xA;PRIVATE COMPTON Say! What price the sergeantmajor?&#xA;&#xA;PRIVATE CARR Bennett? He's my pal. I love old Bennett.&#xA;&#xA;THENAVVY (Shouts.)&#xA;&#xA;The galling chain.&#xA;And free our native land.&#xA;&#xA;&#xA;(He staggers forward, dragging them with him. Bloom stops, at fault. The dog approaches, his tongue outlolling, panting.)&#xA;&#xA;BLOOM Wildgoose chase this. Disorderly houses. Lord knows where they are gone. Drunks cover distance double quick. Nice mixup. Scene at Westland row. Then jump in first class with third ticket. Then too far. Train with engine behind. Might have taken me to Malahide or a siding for the night or collision. Second drink does it. Once is a dose. What am I following him for? Still, he's the best of that lot. If I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have gone and wouldn't have met. Kismet. He'll lose that cash. Relieving office here. Good biz for cheapjacks, organs. What do ye lack? Soon got, soon gone. Might have lost my life too with that mangongwheeltracktrolleyglarejuggernaut only for presence of mind. Can't always save you, though. If I had passed Truelock's window that day two minutes later would have been shot. Absence of body. Still if bullet only went through my coat get damages for shock, five hundred pounds. What was he? Kildare street club toff. God help his gamekeeper.&#xA;&#xA;(He gazes ahead reading on the wall a scrawled chalk legend Wet Dream and a phallic design.)&#xA;&#xA;Odd! Molly drawing on the frosted carriagepane at Kingstown. What's that like? (Gaudy dollwomen loll in the lighted doorways, in window embrasures, smoking birdseye cigarettes. The odour of the sicksweet weed floats towards him in slow round ovalling wreaths.)&#xA;&#xA;THE WREATHS Sweet are the sweets. Sweets of sin.&#xA;&#xA;BLOOM My spine's a bit limp. Go or turn? And this food? Eat it and get all pigsticky. Absurd I am. Waste of money. One and eightpence too much. (The retriever drives a cold snivelling muzzle against his hand, wagging his tail.) Strange how they take to me. Even that brute today. Better speak to him first. Like women they like rencontres. Stinks like a polecat. Chacun son goût. He might be mad. Fido. Uncertain in his movements. Good fellow! Garryowen! (The wolfdog sprawls on his back, wriggling obscenely with begging paws, his long black tongue lolling out.) Influence of his surroundings. Give and have done with it. Provided nobody. (Calling encouraging words he shambles back with a furtive poacher's tread, dogged by the setter into a dark stalestunk corner. He unrolls one parcel and goes to dump the crubeen softly but holds back and feels the trotter.) Sizeable for threepence. But then I have it in my left hand. Calls for more effort. Why? Smaller from want of use. O, let it slide. Two and six.&#xA;&#xA;(With regret he lets unrolled crubeen and trotter slide. The mastiff mauls the bundle clumsily and gluts himself with growling greed, crunching the bones. Two raincaped watch approach, silent, vigilant. They murmur together.)&#xA;&#xA;THE WATCH Bloom. Of Bloom. For Bloom. Bloom.&#xA;&#xA;(Each lays a hand on Blooms shoulder.)&#xA;&#xA;FIRST WATCH Caught in the act. Commit no nuisance.&#xA;&#xA;BLOOM (Stammers.) I am doing good to others.&#xA;&#xA;(A covey of gulls, storm petrels, rises hungrily from Liffey slime with Banbury cakes in their beaks.)&#xA;&#xA;THE GULLS Kaw kave kankury kake.&#xA;&#xA;BLOOM The friend of man. Trained by kindness.&#xA;&#xA;(He points. Bob Doran, toppling from a high bars tool, sways over the munching spaniel.)&#xA;&#xA;BOB DORAN Towser. Give us the paw. Give the paw.&#xA;&#xA;(The bulldog growls, his scruff standing, a gobbet of pigs knuckle between his molars through which rabid scrumspittle dribbles. Bob Doran falls silently into an area.)&#xA;&#xA;SECOND WATCH Prevention of cruelty to animals.&#xA;&#xA;BLOOM (Enthusiastically.) A noble work! I scolded that tramdriver on Harold's cross bridge for illusing the poor horse with his harness scab. Bad French I got for my pains. Of course it was frosty and the last tram. All tales of circus life are highly demoralising.&#xA;&#xA;(Signor Maffei, passion pale, in liontamer's costume with diamond studs in his shirtfront, steps forward, holding a circus paper hoop, a curling carriagewhip and a revolver with which he covers the going boarhound.)&#xA;&#xA;SIGNOR MAFFEI (With a sinister smile.) Ladies and gentlemen, my educated greyhound. It was I broke in the bucking broncho Ajax with my patent spiked saddle for carnivores. Lash under the belly with a knotted thong. Block tackle and a strangling pully will bring your lion to heel, no matter how fractious, even Leo ferox there, the Libyan maneater. A redhot crowbar and some liniment rubbing on the burning part produced Fritz of Amsterdam, the thinking hyena. (He glares.) I possess the Indian sign. The glint of my eye does it with these breastsparklers. (With a bewitching smile.) I now introduce Mademoiselle Ruby, the pride of the ring.&#xA;&#xA;FIRST WATCH Come. Name and address.&#xA;&#xA;BLOOM I have forgotten for the moment. Ah, yes! (He takes off his high grade hat, saluting.) Dr Bloom, Leopold, dental surgeon. You have heard of von Bloom Pasha. Umpteen mil lions. Donnerwetter! Owns half Austria. Egypt. Cousin.&#xA;&#xA;FIRST WATCH Proof.&#xA;&#xA;(A card falls from inside the leather headband of Bloom's hat.)&#xA;&#xA;BLOOM (In red fez, cadi's dress coat with broad green sash, wearing a false badge of the Legion of Honour, picks up the card hastily and offers it.) Allow me. My club is the Junior Army and Navy. Solicitors: Messrs John Henry Menton, 27 Bachelor's Walk.&#xA;&#xA;FIRST WATCH (Reads.) Henry Flower. No fixed abode. Un lawfully watching and besetting.&#xA;&#xA;SECOND WATCH An alibi. You are cautioned.&#xA;&#xA;BLOOM (Produces from his heartpocket a crumpled yellow flower.) This is the flower in question. It was given me by a man I don't know his name. (Plausibly.) You know that old joke, rose of Castille. Bloom. The change of name Virag. (He murmurs privately and confidentially.) We are engaged you see, sergeant. Lady in the case. Love entanglement. (He shoulders the second watch gently.) Dash it all. It's a way we gallants have in the navy. Uniform that does it. (He turns gravely to the first watch.) Still, of course, you do get your Waterloo sometimes. Drop in some evening and have a glass of old Burgundy. (To the second watch gaily.) I'll introduce you, inspector. She's game. Do it in shake of a lamb's tail.&#xA;&#xA;(A dark mercurialised face appears, leading a veiled figure.)&#xA;&#xA;THE DARK MERCURY The Castle is looking for him. He was drummed out of the army.&#xA;&#xA;MARTHA (Thickveiled, a crimson halter round her neck, a copy of the Irish Times in her hand, in tone of reproach, pointing.) Henry! Leopold! Leopold! Lionel, thou lost one! Clear my name.&#xA;&#xA;FIRST WATCH (Sternly.) Come to the station.&#xA;&#xA;BLOOM (Scared, hats himself steps back, then, plucking at his heart and lifting his right forearm on the square, he gives the sign and dueguard of fellowcraft.) No, no, worshipful master, light of love. Mistaken identity. The Lyons mail. Lesurques and Dubosc. You remember the Childs fratricide case. We medical men. By striking him dead with a hatchet. I am wrongfully accused. Better one guilty escape than ninetynine wrongfully condemned.&#xA;&#xA;MARTHA (Sobbing behind her veil.) Breach of promise. My real name is Peggy Griffin. He wrote to me that he was miserable. I'll tell my brother, the Bective rugger fullback, on you, heartless flirt.&#xA;&#xA;BLOOM (Behind his hand.) She's drunk. The woman is inebriated. (He murmurs vaguely the past of Ephraim.) Shitbroleeth.&#xA;&#xA;SECOND WATCH (Tears in his eyes, to Bloom.) You ought to be thoroughly well ashamed of yourself.&#xA;&#xA;BLOOM Gentleman of the jury, let me explain. A pure mare's nest. I am a man misunderstood. I am being made a scapegoat of. I am a respectable married man, without a stain on my character. I live in Eccles street. My wife, I am the daughter of a most distinguished commander, a gallant upstanding gentleman, who do you call him, Majorgeneral Brian Tweedy, one of Britain's fighting men who helped to win our battles. Got his majority for the heroic defence of Rorke's Drift.&#xA;&#xA;FIRST WATCH Regiment.&#xA;&#xA;BLOOM (Turns to the gallery.) The royal Dublins, boys, the salt of the earth, known the world over. I think I see some old comrades in arms up there among you. The R. D. F. With our own Metropolitan police, guardians of our homes, the pluckiest lads and the finest body of men, as physique, in the service of our sovereign.&#xA;&#xA;A VOICE Turncoat! Up the Boers! Who booed Joe Chamberlain?&#xA;&#xA;BLOOM (His hand on the shoulder of the first watch.) My old dad too was a J.P. I'm as staunch a Britisher as you are, sir. I fought with the colours for king and country in the absentminded war under General Gough in the park and was disabled at Spion Kop and Bloemfontein, was mentioned in dispatches. I did all a white man could. (With quiet feeling.) Jim Bludso. Hold her nozzle again the bank.&#xA;&#xA;FIRST WATCH Profession or trade.&#xA;&#xA;BLOOM Well, I follow a literary occupation. Author-journalist. In fact we are just bringing out a collection of prize stories of which I am the inventor, something that is an entirely new departure. I am connected with the British and Irish press. If you ring up...&#xA;&#xA;(Myles Crawford strides out jerkily, a quill between his teeth. His scarlet beak blazes within the aureole of his straw hat. He dangles a hank of Spanish onions in one hand and holds with the other hand a telephone receiver nozzle to his ear.)&#xA;&#xA;MYLES CRAWFORD (His cock's wattles wagging.) Hello, seventyseven eightfour. Hello. Freeman's Urinal and Weekly Arse wiper here. Paralyse Europe. You which? Bluebags? Who writes? Is it Bloom?&#xA;&#xA;(Mr Philip Beaufoy, palefaced, stands in the witnessbox, in accurate morning dress, outbreast pocket with peak of handkerchief showing, creased lavender trousers and patent boots. He cames a lace portfolio labelled Matcham's Masterstrokes.)&#xA;&#xA;BEAUFOY (Drawls.) No, you aren't, not by a long shot if I know it. I don't see it, that's all. No born gentleman, no one with the most rudimentary promptings of a gentleman would stoop to such particularly loathsome conduct. One of those, my lord. A plagiarist. A soapy sneak masquerading as a literateur. It's perfectly obvious that with the most inherent baseness he has cribbed some of my bestselling books, really gorgeous stuff, a perfect gem, the love passages in which are beneath suspicion. The Beaufoy books of love and great possessions with which your lordship is doubtless familiar, are a household word throughout the kingdom.&#xA;&#xA;BLOOM (Murmurs with hangdog meekness.) That bit about the laughing witch hand in hand I take exception to, if I may... ?&#xA;&#xA;BEAUFOY (His lip upcurled, smiles superciliously on the court.) You funny ass, you! You're too beastly awfully weird for words! I don't think you need over excessively disincommodate yourself in that regard. My literary agent Mr J. B. Pinker is in attendance. I presume, my lord, we shall receive the usual witnesses' fees, shan't we? We are considerably out of pocket over this bally pressman johnny, this jackdaw of Rheims, who has not even been to a university.&#xA;&#xA;BLOOM (Indistinctly.) University of life. Bad art.&#xA;&#xA;BEAUFOY (Shouts.) It's a damnably foul lie showing the moral rottenness of the man! (He extends his portfolio.) We have here damning evidence, the corpus delicti, my lord, a specimen of my maturer work disfigured by the hallmark of the beast.&#xA;&#xA;A VOICE FROM THE GALLERY&#xA;&#xA;Moses, Moses, king of the jews,&#xA;Wiped his arse in the Daily News.&#xA;&#xA;&#xA;BLOOM (Bravely.) Overdrawn.&#xA;&#xA;BEAUFOY You low cad! You ought to be ducked in the horsepond, you rotter! (To the court.) Why, look at the man's private life! Leading a quadruple existence! Street angel and house devil. Not fit to be mentioned in mixed society. The arch conspirator of the age.&#xA;&#xA;BLOOM (To the court.) And he, a bachelor, how.&#xA;&#xA;FIRST WATCH The King versus Bloom. Call the woman Driscoll.&#xA;&#xA;THE CRIER Mary Driscoll, scullerymaid!&#xA;&#xA;(Mary Driscoll, a slipshod servant girl, approaches. She has a bucket on the crook of her arm and a scouringbrush in her hand.)&#xA;&#xA;SECOND WATCH Another! Are you of the unfortunate class?&#xA;&#xA;MARY DRISCOLL (Indignantly.) I'm not a bad one. I bear a respectable character and was four months in my last place. I was in a situation, six pounds a year and my chances with Fridays out, and I had to leave owing to his carryings on.&#xA;&#xA;FIRST WATCH What do you tax him with?&#xA;&#xA;MARY DRISCOLL He made a certain suggestion but I thought more of myself as poor as I am.&#xA;&#xA;BLOOM (In housejacket of ripplecloth, flannel trousers, heelless slippers, unshaven, his hair rumpled softly.) I treated you white. I gave you mementoes, smart emerald garters far above your station. Incautiously I took your part when you were accused of pilfering. There's a medium in all things. Play cricket.&#xA;&#xA;MARY DRISCOLL (Excitedly.) As God is looking down on me this night if ever I laid a hand to them oysters!&#xA;&#xA;FIRST WATCH The offence complained of? Did something happen?&#xA;&#xA;MARY DRISCOLL He surprised me in the rere of the premises, your honour, when the missus was out shopping one morning with a request for a safety pin. He held me and I was discoloured in four places as a result. And he interfered twice with my clothing.&#xA;&#xA;BLOOM She counterassaulted.&#xA;&#xA;MARY DRISCOLL (Scornfully.) I had more respect for the scouringbrush, so I had. I remonstrated with him, your lord, and he remarked: Keep it quiet!&#xA;&#xA;(General laughter.)&#xA;&#xA;GEORGES FOTTRELL (Clerk of the crown and peace, resonantly.) Order in court! The accused will now make a bogus statement.&#xA;&#xA;(Bloom, pleading not guilty and holding a fullblown waterlily, begins a long unintelligible speech. They would hear what counsel had to say in his stirring address to the grand-jury. He was down and out but, though branded as a black sheep, if he might say so, he meant to reform, to retrieve the memory of the past in a purely sisterly way and return to nature as a purely domestic animal. A seven months' child, he had been carefully brought up and nurtured by an aged bedridden parent. There might have been lapses of an erring father but he wanted to turn over a new leaf and now, when at long last in sight of the whipping post, to lead a homely life in the evening of his days, permeated by the affectionate surroundings of the heaving bosom of the family. An acclimatised Britisher he had seen that summer eve from the footplate of an engine cab of the Loop line railway company while the rain refrained from falling glimpses, as it were, through the windows of loveful households in Dublin city and urban district of scenes truly rural of happiness of the better land with Dockrell's wallpaper at one and ninepence a dozen, innocent British born bairns lisping prayers to the Sacred Infant, youthful scholars grappling with their pensums, model young ladies playing on the pianoforte or anon all with fervour reciting the family rosary round the crackling Yulelog while in the boreens and green lanes the colleens with their swains strolled what times the strains of the organtoned melodeon Britannia metalbound with four acting stops and twelvefold bellows, a sacrifice, greatest bargain ever... )&#xA;&#xA;(Renewed laughter. He mumbles incoherently. Reporters complain that they cannot hear.)&#xA;&#xA;LONGHAND AND SHORTHAND (Without looking up from their notebooks.) Loosen his boots.&#xA;&#xA;PROFESSOR MACHUGH (From the presstable, coughs and calls.) Cough it up, man. Get it out in bits.&#xA;&#xA;(The crossexamination proceeds re Bloom and the bucket. A lace bucket. Bloom himself Bowel trouble. In Beaver street. Gripe, yes. Quite bad. A plasterers bucket. By walking stifflegged. Suffered untold misery. Deadly agony. About noon. Love or burgundy. Yes, some spinach. Crucial moment. He did not look in the bucket. Nobody. Rather a mess. Not completely. A Titbits back number.)&#xA;&#xA;(Uproar and catcalls. Bloom, in a torn frockcoat stained with whitewash, dinged silk hat sideways on his head, a strip of sticking-plaster across his nose, talks inaudibly.)&#xA;&#xA;J. J. O'MOLLOY (In barrister's grey wig and stuffgown, speaking with a voice of pained protest.) This is no place for indecent levity at the expense of an erring mortal disguised in liquor. We are not in a beargarden nor at an Oxford rag nor is this a travesty of justice. My client is an infant, a poor foreign immigrant who started scratch as a stowaway and is now trying to turn an honest penny. The trumped up misdemeanour was due to a momentary aberration of heredity, brought on by hallucination, such familiarities as the alleged guilty occurrence being quite permitted in my client's native place, the land of the Pharaoh. Prima facie, I put it to you that there was no attempt at carnally knowing. Intimacy did not occur and the offence complained of by Driscoll, that her virtue was solicited, was not repeated. I would deal inespecial with atavism. There have been cases of shipwreck and somnambulism in my client's family. If the accused could speak he could a tale unfold one of the strangest that have ever been narrated between the covers of a book. He himself, my lord, is a physical wreck from cobbler's weak chest. His submission is that he is of Mongolian extraction and irresponsible for his actions. Not all there, in fact.&#xA;&#xA;BLOOM (Barefoot, pigeonbreasted, in lascar's vest and trousers, apologetic toes turned in, opens his tiny mole's eyes and looks about him dazedly, passing a slow hand across his forehead. Then he hitches his belt sailor fashion and with a shrug of oriental obeisance salutes the court, pointing one thumb heavenward.) Him makee velly muchee fine night. (He begins to lilt simply.)&#xA;&#xA;Li li poo lil chile,&#xA;Blingee pigfoot evly night.&#xA;Payee two shilly...&#xA;&#xA;&#xA;(He is howled down.)&#xA;&#xA;J. J. O'MOLLOY (Hotly to the populace.) This is a lonehand fight. By Hades, I will not have any client of mine gagged and badgered in this fashion by a pack of curs and laughing hyenas. The Mosaic code has superseded the law of the jungle. I say it and I say it emphatically without wishing for one moment to defeat the ends of justice, accused was not accessory before the act and prosecutrix has not been tampered with. The young person was treated by defendant as if she were his very own daughter. (Bloom takes J. J. O'Molloy's hand and raises it to his lips.) I shall call rebutting evidence to prove up to the hilt that the hidden hand is again at its old game. When in doubt persecute Bloom. My client, an innately bashful man, would be the last man in the world to do anything ungentlemanly which injured modesty could object to or cast a stone at a girl who took the wrong turning when some dastard, responsible for her condition, had worked his own sweet will on her. He wants to go straight. I regard him as the whitest man I know. He is down on his luck at present owing to the mortgaging of his extensive property at Agendath Netaim in faraway Asia Minor, slides of which will now be shown. (To Bloom.) I suggest that you will do the handsome thing.&#xA;&#xA;BLOOM A penny in the pound.&#xA;&#xA;(The mirage of the lake of Kinnereth with blurred cattle cropping in silver haze is projected on the wall. Moses Dlugacz, ferreteyed albino, in blue dungarees, stands up in the gallery, holding in each hand an orange citron and a pork kidney.)&#xA;&#xA;DLUGACZ (Hoarsely.) Bleibtreustrasse, Berlin, W. 13.&#xA;&#xA;(J. J. O'Molloy steps on to a low plinth and holds the lapel of his coat with solemnity. His face lengthens, grows pale and bearded, with sunken eyes, the blotches of phthisis and hectic cheekbones of John F. Taylor. He applies his handkerchief to his mouth and scrutinises the galloping tide of rosepink blood.)&#xA;&#xA;J. J. O'MOLLOY (Almost voicelessly.) Excuse me, I am suffering from a severe chill, have recently come from a sickbed. A few wellchosen words. (He assumes the avine head, foxy moustache and proboscidal eloquence of Seymour Bushe.) When the angel's book comes to be opened if aught that the pensive bosom has inaugurated of soultransfigured and of soultransfiguring deserves to live I say accord the prisoner at the bar the sacred benefit of the doubt. (A paper with something written on it is handed into court.)&#xA;&#xA;BLOOM (In court dress.) Can give best references. Messrs Callan, Coleman. Mr Wisdom Hely J. P. My old chief Joe Cuffe. Mr V. B. Dillon, ex-lord mayor of Dublin. I have moved in the charmed circle of the highest . Queens of Dublin Society. (Carelessly.) I was just chatting this afternoon at the viceregal lodge to my old pals, sir Robert and lady Ball, astronomer royal, at the levee. Sir Bob, I said...&#xA;&#xA;MRS YELVERTON BARRY (In lowcorsaged opal balldress and elbowlength ivory gloves, wearing a sabletrimmed brick quilted dolman, a comb of brilliants and panache of osprey in her hair.) Arrest him constable. He wrote me an anonymous letter in prentice backhand when my husband was in the North Riding of Tipperary on the Munster circuit, signed James Lovebirch. He said that he had seen from the gods my peerless globes as I sat in a box of the Theatre Royal at a command performance of La Cigale. I deeply inflamed him, he said. He made improper overtures to me to misconduct myself at half past four p.m. on the following Thursday, Dunsink time. He offered to send me through the post a work of fiction by Monsieur Paul de Kock, entitled The Girl with the Three Pairs of Stays.&#xA;&#xA;MRS BELLINGHAM (In cap and seal coneymantle, wrapped up to the nose, steps out of her brougham and scans through tortoiseshell quizzingglasses which she takes from inside her huge opossum muff.) Also to me. Yes, I believe it is the same objectionable person. Because he closed my carriage door outside sir Thornley Stoker's one sleety day during the cold snap of February ninetythree when even the grid of the wastepipe and ballstop in my bath cistern were frozen. Subsequently he enclosed a bloom of edelweiss culled on the heights, as he said, in my honour. I had it examined by a botanical expert and elicited the information that it was a blossom of the homegrown potato plant purloined from a forcingcase of the model farm.&#xA;&#xA;MRS YELVERTON BARRY Shame on him!&#xA;&#xA;(A crowd of sluts and ragamuffins sues forward.)&#xA;&#xA;THE SLUTS AND RAGAMUFFINS (Screaming.) Stop thief! Hurrah there, Bluebeard! Three cheers for Ikey Mo!&#xA;&#xA;SECOND WATCH (Produces handcuffs.) Here are the darbies.&#xA;&#xA;MRS BELLINGHAM He addressed me in several handwritings with fulsome compliments as a Venus in furs and alleged profound pity for my frostbound coachman Balmer while in the same breath he expressed himself as envious of his earflaps and fleecy sheepskins and of his fortunate proximity to my person, when standing behind my chair wearing my livery and the armorial bearings of the Bellingham escutcheon garnished sable, a buck's head couped or. He lauded almost extravagantly my nether extremities, my swelling calves in silk hose drawn up to the limit, and eulogised glowingly my other hidden treasures in priceless lace which, he said, he could conjure up. He urged me, stating that he felt it his mission in life to urge me, to defile the marriage bed, to commit adultery at the earliest possible opportunity.&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS (In amazon costume, hard hat, jackboots cockspurred, vermilion waistcoat, fawn musketeer gauntlets with bra idea drums, long train held up and hunting crop with which she strikes her welt constantly.) Also me. Because he saw me on the polo ground of the Phoenix park at the match All Ireland versus the Rest of Ireland. My eyes, I know, shone divinely as I watched Captain Slogger Dennehy of the Inniskillings win the final chukkar on his darling cob Centaur. This plebeian Don Juan observed me from behind a hackney car and sent me in double envelopes an obscene photograph, such as are sold after dark on Paris boulevards, insulting to any lady. I have it still. It represents a partially nude senorita, frail and lovely (his wife as he solemnly assured me, taken by him from nature), practising illicit intercourse with a muscular torero, evidently a blackguard. He urged me to do likewise, to misbehave, to sin with officers of the garrison. He implored me to soil his letter in an unspeakable manner, to chastise him as he richly deserves, to bestride and ride him, to give him a most vicious horsewhipping.&#xA;&#xA;MRS BELLINGHAM Me too.&#xA;&#xA;MRS YELVERTON BARRY Me too.&#xA;&#xA;(Several highly respectable Dublin ladies hold up improper letters received from Bloom.)&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS (Stamps her jingling spurs in a sudden paroxysm of sudden fury.) I will, by the God above me. I'll scourge the pigeonlivered cur as long as I can stand over him. I'll flay him alive.&#xA;&#xA;BLOOM (His eyes closing, quails expectantly.) Here? (He squirms.) Again! (He pants cringing.) I love the danger.&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS Very much so! I'll make it hot for you. I'll make you dance Jack Latten for that.&#xA;&#xA;MRS BELLINGHAM Tan his breech well, the upstart! Write the stars and stripes on it!&#xA;&#xA;MRS YELVERTON BARRY Disgraceful! There's no excuse for him! A married man!&#xA;&#xA;BLOOM All these people. I meant only the spanking idea. A warm tingling glow without effusion. Refined birching to stimulate the circulation.&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS (Laughs derisively.) O, did you, my fine fellow? Well, by the living God, you'll get the surprise of your life now, believe me, the most unmerciful hiding a man ever bargained for. You have lashed the dormant tigress in my nature into fury.&#xA;&#xA;MRS BELLINGHAM (Shakes her muff and quizzing-glasses vindictively.) Make him smart, Hanna dear. Give him ginger. Thrash the mongrel within an inch of his life. The cat-o' nine-tails. Geld him. Vivisect him.&#xA;&#xA;BLOOM (Shuddering, shrinking, joins his hands with hangdog mien.) O cold! O shivery! It was your ambrosial beauty. Forget, forgive. Kismet. Let me off this once. (He offers the other cheek.)&#xA;&#xA;MRS YELVERTON BARRY (Severely.) Don't do so on any account, Mrs Talboys! He should be soundly trounced!&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS (Unbuttoning her gauntlet violently.) I'll do no such thing. Pig dog and always was ever since he was pupped! To dare address me! I'll flog him black and blue in the public streets. I'll dig my spurs in him up to the rowel. He is a wellknown cuckold. (She swishes her hunting crop savagely in the air.) Take down his trousers without loss of time. Come here, sir! Quick! Ready?&#xA;&#xA;BLOOM (Trembling, beginning to obey.) The weather has been so warm.&#xA;&#xA;(Davy Stephens, ringleted, passes with a bevy of barefoot newsboys.)&#xA;&#xA;DAVY STEPHENS Messenger of the Sacred Heart and Evening Telegraph with Saint Patrick's Day Supplement. Containing the new addresses of all the cuckolds in Dublin.&#xA;&#xA;(The very reverend Canon O'Hanlon in cloth of gold cope elevates and exposes a marble timepiece. Before him Father Conroy and the reverend John Hughes S.J. bend low.)&#xA;&#xA;THE TIMEPIECE (Unportalling.)&#xA;&#xA;Cuckoo&#xA;Cuckoo&#xA;Cuckoo&#xA;&#xA;&#xA;(The brass quoits of a bed are heard to jingle.)&#xA;&#xA;THE QUOITS Jigjag, Jigajiga. Jigjag.&#xA;&#xA;(A panel of fog rolls back rapidly, revealing rapidly in the jurybox the faces of Martin Cunningham, foreman silkhatted, Jack Power Simon Dedalus, Tom Kernan, Ned Lambert, John Henry Menton, Myles Crawford, Lenehan, Paddy Leonard Nosey Flynn, M'Coy and the featureless face of a Nameless One.)&#xA;&#xA;THE NAMELESS ONE Bareback riding. Weight for age. Gob, he organised her.&#xA;&#xA;THE JURORS (All their heads turned to his voice.) Really?&#xA;&#xA;THE NAMELESS ONE (Snarls.) Arse over tip. Hundred shillings to five.&#xA;&#xA;THE JURORS (All their heads lowered in assent.) Most of us thought as much.&#xA;&#xA;FIRST WATCH He is a marked man. Another girl's plait cut. Wanted: Jack the Ripper. A thousand pounds reward.&#xA;&#xA;SECOND WATCH (Awed, whispers.) And in black. A mormon. Anarchist.&#xA;&#xA;THE CRIER (Loudly.) Whereas Leopold Bloom of no fixed abode is a well-known dynamitard, forger, bigamist, bawd and cuckold ad a public nuisance to the citizens of Dublin and whereas at this commission of assizes the most honourable.&#xA;&#xA;(His Honour sir Frederick Falkiner recorder of Dublin, in judicial garb of grey stone rises from the bench, stonebearded. He bears in his arms an umbrella sceptre. From his forehead arise starkly the Mosaic ramshorns.)&#xA;&#xA;THE RECORDER I will put an end to this white slave traffic and rid Dublin of this odious pest. Scandalous! (He dons the black cap.) Let him be taken, Mr Subsheriff, from the dock where he now stands and detained in custody in Mountjoy prison during His Majesty's pleasure and there be hanged by the neck until he is dead and therein fail not at your peril or may the Lord have-mercy on your soul. Remove him. (A black skullcap descends upon his head.)&#xA;&#xA;(The subsheriff long John Fanning appears, smoking a pungent Henry Clay.)&#xA;&#xA;LONG JOHN FANNING (Scowls and calls with rich rolling utterance.) Who'll hang Judas Iscariot?&#xA;&#xA;(H. Rumbold, master barber in a bloodcoloured jerk in and tanner's apron, a rope coiled over his shoulder mounts the block. A life preserver and a nailstudded bludgeon are stuck in his belt. He rubs grimly his grapping hands, knobbed with knuckledusters.)&#xA;&#xA;RUMBOLD (To the recorder with sinister familiarity.) Hanging Harry, your Majesty, the Mersey terror. Five guineas a jugular. Neck or nothing.&#xA;&#xA;(The bells of George's church toll slowly, loud dark iron.)&#xA;&#xA;THE BELLS Heigho! Heigho!&#xA;&#xA;BLOOM (Desperately.) Wait. Stop. Gulls. Good heart. I saw. Innocence. Girl in the monkeyhouse. Zoo. Lewd chimpanzees. (Breathlessly.) Pelvic basin. Her artless blush unmanned me. (Overcome with emotion.) I left the precincts. (He turns to a figure in the crowd, appealing.) Hynes, may I speak to you? You know me. That three shillings you can keep. If you want a little more .&#xA;&#xA;HYNES (Coldly.) You are a perfect stranger.&#xA;&#xA;SECOND WATCH (Points to the corner.) The bomb is here. FIRST WATCH Infernal machine with a time fuse. BLOOM No, no. Pig's feet. I was at a funeral. FIRST WATCH (Draws his truncheon.) Liar!&#xA;&#xA;(The beagle lifts his snout, showing the grey scorbutic face of Paddy Dignam. He has gnawed all. He exhales a putrid carcasefed breath. He grows to human size and shape. His dachshund coat becomes a brown mortuary habit. His green eyeflashes bloodshot. Half of one ear all the nose and both thumbs are ghouleaten.)&#xA;&#xA;PADDY DIGNAM (In a hollow voice.) It is true. It was my funeral. Doctor Finucane pronounced life extinct when I succumbed to the disease from natural causes.&#xA;&#xA;(He lifts his mutilated ashen face moonwards and bays lugubriously.)&#xA;&#xA;BLOOM (In triumph.) You hear?&#xA;&#xA;PADDY DIGNAM Bloom, I am Paddy Dignam's spirit. List, list, O list!&#xA;&#xA;BLOOM The voice is the voice of Esau.&#xA;&#xA;SECOND WATCH (Blesses himself.) How is that possible?&#xA;&#xA;FIRST WATCH It is not in the penny catechism.&#xA;&#xA;PADDY DIGNAM By metempsychosis. Spooks.&#xA;&#xA;A VOICE O rocks.&#xA;&#xA;PADDY DIGNAM (Earnestly.) Once I was in the employ of Mr J. H. Menton, solicitor, commissioner for oaths and affidavits, of 27 Bachelor's Walk. Now I am defunct, the wall of the heart hypertrophied. Hard lines. The poor wife was awfully cut up. Dow is she bearing it? Keep her off that bottle of sherry. (He looks round him.) A lamp. I must satisfy an animal need. That buttermilk didn't agree with me.&#xA;&#xA;(The portly figure of John O'Connell, caretaker stands forth, holding a bunch of keys tied with crape. Beside him stands Father Coffey, chaplain, toad bellied, wrynecked, in a surplice and bandanna nightcap, holding sleepily a staff of twisted poppies.)&#xA;&#xA;FATHER COFFEY (Yawns, then chants with a hoarse croak.) Namine. Jacobs Vobiscuits. Amen.&#xA;&#xA;(Foghorns stormily through his megaphone.) Dignam, Patrick T., deceased.&#xA;&#xA;PADDY DIGNAM (With pricked up ears, winces.) Overtones.&#xA;&#xA;(He wriggles forward, places an ear to the ground.) My masters' voice!&#xA;&#xA;JOHN O'CONNELL Burial docket letter number U. P. Eightyfive thousand. Field seventeen. House of Keys. Plot, one hundred and one.&#xA;&#xA;(Paddy Dignam listens with visible effort, thinking, his tailstiffpointed, his ears cocked.)&#xA;&#xA;PADDY DIGNAM Pray for the repose of his soul.&#xA;&#xA;(He worms down through a coal hole, his brown habit trailing its tether over rattling pebbles. After him toddles an obese grandfather rat on fungus turtle paws under a grey carapace. Dignam's voice, muffled, is heard baying under ground: Dignam's dead and gone below. Tom Rochford, robinredbreasted, in cap and breeches, jumps from his two-columned machine.)&#xA;&#xA;TOM ROCHFORD (A hand to his breastbone, bows.) Reuben J. A florin I find him. (He fixes the manhole with a resolute stare.) My turn now on. Follow me up to Carlow.&#xA;&#xA;(He executes a daredevil salmon leap in the air and is engulfed in the coalhole. Two discs on the columns wobble eyes of nought. All recedes. Bloom plodges forward again. He stands before a lighted house, listening. The kisses, winging from their bowers, fly about him, twittering, warbling, cooing.)&#xA;&#xA;THE KISSES (Warbling.) Leo! (Twittering.) Icky licky micky sticky for Leo! (Cooing.) Coo coocoo! Yummyumm Wom worn! (Warbling.) Big comebig! Pirouette! Leopopold! (Twittering.) Leeolee! (Warbling.) O Leo!&#xA;&#xA;(They rustle, flutter upon his garments, alight, bright giddyflecks, silvery sequins.)&#xA;&#xA;BLOOM A man's touch. Sad music. Church music. Perhaps here.&#xA;&#xA;(Zoe Higgins, a young whore in a sapphire slip, closed with three bronze buckles, a slim black velvet fillet round her throat, nods, trips down the steps and accosts him.)&#xA;&#xA;ZOE Are you looking for someone? He's inside with his friend.&#xA;&#xA;BLOOM Is this Mrs Mack's?&#xA;&#xA;ZOE No, eightyone. Mrs Cohen's. You might go farther and fare worse. Mother Slipperslapper. (Familiarly.) She's on the job herself tonight with the vet, her tipster, that gives her all the winners and pays for her son in Oxford. Working overtime but her luck's turned today. (Suspiciously.) You're not his father, are you?&#xA;&#xA;BLOOM Not I!&#xA;&#xA;ZOE You both in black. Has little mousey any tickles tonight?&#xA;&#xA;(His skin, alert, feels her fingertips approach. A hand slides over his left thigh.)&#xA;&#xA;ZOE How's the nuts?&#xA;&#xA;BLOOM Off side. Curiously they are on the right. Heavier I suppose. One in a million my tailor, Mesias, says.&#xA;&#xA;ZOE (In sudden alarm.) You've a hard chancre.&#xA;&#xA;BLOOM Not likely.&#xA;&#xA;ZOE I feel it.&#xA;&#xA;(Her hand slides into his left trouser pocket and brings out a hard black shrivelled potato. She regards it and Bloom with dumb moist lips.)&#xA;&#xA;BLOOM A talisman. Heirloom.&#xA;&#xA;ZOE For Zoe? For keeps? For being so nice, eh?&#xA;&#xA;(She puts the potato greedily into a pocket, then links his arm, cuddling him with supple warmth. He smiles uneasily. Slowly, note by note, oriental music is played. He gazes in the tawny crystal of her eyes, ringed with kohol. His smile softens.)&#xA;&#xA;ZOE You'll know me the next time.&#xA;&#xA;BLOOM (Forlornly.) I never loved a dear gazelle but it was sure to.&#xA;&#xA;(Gazelles are leaping, feeding on the mountains. Near are lakes. Round their shores file shadows black of cedargroves. Aroma rises, a strong hairgrowth of resin. It burns, the orient, a sky of sapphire, cleft by the bronze flight of eagles. Under it lies the womancity, nude, white, still, cool, in luxury. A fountain murmurs among damask roses. Mammoth roses murmur of scarlet winegrapes. A wine of shame, lust, blood exudes, strangely murmuring.)&#xA;&#xA;ZOE (Murmuring singsong with the music, her odalisk lips lusciously smeared with salve of swinefat and rosewater.) Schorach ani wenowach, benoith Hierushaloim.&#xA;&#xA;BLOOM (Fascinated.) I thought you were of good stock by your accent.&#xA;&#xA;ZOE And you know what thought did?&#xA;&#xA;(She bites his ear gently with little goldstopped teeth sending on him a cloying breath of stale garlic. The roses draw apart, disclose a sepulchre of the gold of kings and their mouldering bones.)&#xA;&#xA;BLOOM (Draws back, mechanically caressing her right bub with a flat awkward hand.) Are you a Dublin girl?&#xA;&#xA;ZOE (Catches a stray hair deftly and twists it to her coil.) No bloody fear. I'm English. Have you a swaggerroot?&#xA;&#xA;BLOOM (As before.) Rarely smoke, dear. Cigar now and then. Childish device. (Lewdly.) The mouth can be better engaged than with a cylinder of rank weed.&#xA;&#xA;ZOE Go on. Make a stump speech out of it.&#xA;&#xA;BLOOM (In workman's corduroy overalls, black gansy with red floating tie and apache cap.) Mankind is incorrigible. Sir Walter Raleigh brought from the new world that potato and that weed, the one a killer of pestilence by absorption, the other a poisoner of the ear, eye, heart, memory, will, understanding, all. That is to say, he brought the poison a hundred years before another person whose name I forget brought the food. Suicide. Lies. All our habits. Why, look at our public life!&#xA;&#xA;(Midnight chimes from distant steeples.)&#xA;&#xA;THE CHIMES Turn again, Leopold! Lord Mayor of Dublin!&#xA;&#xA;BLOOM (In alderman's gown and chain.) Electors of Arran Quay, Inns Quay, Rotunda, Mountjoy and North Dock, better run a tramline, I say, from the cattlemarket to the river. That's the music of the future. That's my programme. Cui Bono? But our buccaneering Vanderdeckens in their phantom ship of finance...&#xA;&#xA;AN ELECTOR Three times three for our future chief magistrate!&#xA;&#xA;(The aurora borealis of the torchlight procession leaps.)&#xA;&#xA;THE TORCH BEARERS Hooray!&#xA;&#xA;(Several wellknown burgesses, city magnates and freemen of the city shake hands with Bloom and congratulate him. Timothy Harrington, late thrice Lord Mayor of Dublin, imposing in mayoral scarlet, gold chain and white silk tie, confers with councillor Lorcan Sherlock, locum tenens. They nod vigorously in agreement.)&#xA;&#xA;LATE LORD MAYOR HARRINGTON (In scarlet robe with mace, gold mayoral chain and lace white silk scarf) That alder man sir Leo Bloom's speech be printed at the expense of the ratepayers. That the house in which he was born be ornamented with a commemorative tablet and that the thoroughfare hitherto known as Cow Parlour off Cork street be henceforth designated Boulevard Bloom.&#xA;&#xA;COUNCILLOR LORCAN SHERLOCK Carried unanimously.&#xA;&#xA;BLOOM (Impassionedly.) These flying Dutchmen or lying Dutchmen as they recline in their upholstered poop, casting dice, what reck they? Machines is their cry, their chimera, their panacea. Laboursaving apparatuses, supplanters, bug-bears, manufactured monsters for mutual murder, hideous hobgoblins produced by a horde of capitalistic lusts upon our prostituted labour. The poor man starves while they are grassing their royal mountain stags or shooting peasants and phartridges in their purblind pomp of pelf and power. But their reign is rover for rever and ever and ev...&#xA;&#xA;(Prolonged applause. Venetian masts, maypoles and festal arches spring up. A streamer bearing the legends Cead Mille Failte and Mah Ttob Melek Israel spans the street. All the windows are thronged with sightseers, chiefly ladies. Along the route the regiments of the royal Dublin Fusiliers, the Kings Own Scottish Boraerers, the Cameron Highlanders and the Welsh Fusiliers, standing to attention, keep back the crowd. Boys from High school are perched on the lampposts, telegraph poles, windowsills, cornices, gutters, chimneypots, railings, rainspouts, whistling and cheering. The pillar of the cloud appears. A fife and drum band is heard in the distance playing the Kol Nidre. The beaters approach with imperial eagles hoisted, trailing banners and waving oriental palms. The chryselephantine papal standard rises high, surrounded by pennons of the civic flag. The van of the procession appears headed by John Howard Parnell, city marshal, in a chessboard tabard, the Athlone Poursuivant and Ulster King of Arms. They are followed by the Right Honourable Joseph Hutchinson, lord mayor of Dublin, the lord mayor of Cork, their worships the mayors of Limerick, Galway, Sligo and Watedord, twentyeight Irish representative peers, sirdars, grandees and maharajahs bearing the cloth of estate, the Dublin Metropolitan Fire Brigade, the chapter of the saints of finance in their plutocratic order of precedence, the bishop of Down and Connor His Eminence Michael cardinal Logue archbishop of Armagh, primate of all Ireland, His Grace, the most reverend Dr William Alexander archbishop of Armagh, primate of all Ireland, the chief rabbi, the presbyterian moderator, the heads of the baptist, anabaptist, methodist and Moravian chapels and the honorary secretary of the society of friends. her them march the guilds and trades and trainbands with flying colours: coopen, bird fanciers, millwrights, newspaper canvassers, law scriveners, masseurs, vintners, trussmakers, chimney sweeps, lard refiners, tabinet and poplin weavers, farriers, Italian warehousemen, church decorators, bootjack manufacturers, undertaken, silk mercers, lapidaries, salesmasters, corkcutters, assessors of fire losses, dyers and cleaners, export bottlers, fellmongers, ticketwriters, heraldic seal engravers, horse repository hands, bullion broken, cricket and archery outfitters, riddlemakers, egg and potato factors, hosiers and glovers, plumbing contractors. After them march gentlemen of the bed chamber Black Rod, Deputy Garter Gold Stick, the master of hone, the lord great chamberlain, the earl marshal, the high constable carrying the sword of state, saint Stephen's iron crown, the chalice and bible. Four buglers on foot blow a sennet. Beefeaten reply, winding clarions of welcome. Under an arch of triumph Bloom appears bareheaded, in a crimson velvet mantle trimmed with ermine, bearing Saint Edward's staff the orb and sceptre with the dove, the curtana. He is seated on a milkwhite hone with long flowing crimson tail, richly caparisoned, with golden heads tall. Wild excitement. The ladies from their balconies throw down rosepetals. The air is perfumed with essences. The men cheer. Bloom's boys run amid the bystanders with branches of hawthorn and wrenbushes.)&#xA;&#xA;BLOOM'S BOYS&#xA;&#xA;The wren, the wren,&#xA;The king of all birds,&#xA;Saint Stephen's his day,&#xA;Was caught in the furze.&#xA;&#xA;&#xA;A BLACKSMITH (Murmurs.) For the Honour of God! And is that Bloom? He scarcely looks thirtyone.&#xA;&#xA;A PAVIOR AND FLAGGER That's the famous Bloom now, the world's greatest reformer. Hats off!&#xA;&#xA;(All uncover their heads. Women whisper eagerly.)&#xA;&#xA;A MILLIONAIRESS (Richly.) Isn't he simply wonderful?&#xA;&#xA;A NOBLEWOMAN (Nobly.) All that man has seen!&#xA;&#xA;A FEMINIST (Masculinely.) And done!&#xA;&#xA;A BELLHANGER A classic face! He has the forehead of a thinker.&#xA;&#xA;(Bloom's weather. A sunburst appears in the northwest.)&#xA;&#xA;THE BISHOP OF DOWN AND CONNOR I here present your un doubted emperor president and king chairman, the most serene and potent and very puissant ruler of this realm. God save Leopold the First!&#xA;&#xA;ALL God save Leopold the First!&#xA;&#xA;BLOOM (In dalmatic and purple mantle, to the bishop of Down and Connor with dignity.) Thanks, somewhat eminent sir.&#xA;&#xA;WILLIAM, ARCHBISHOP OF ARMAGH (In purple stock and shovel hat.) Will you to your power cause law and mercy to be executed in all your judgments in Ireland and territories thereunto belonging?&#xA;&#xA;BLOOM (Placing his right hand on his testicles, swears.) So may the Creator deal with me. All this I promise to do.&#xA;&#xA;MICHAEL, ARCHBISHOP OF ARMAGH (Pours a cruse of hair oil over Bloom's head.) Gaudium magnum annuntio vobis. Habemus carneficem. Leopold, Patrick, Andrew, David, George, be thou anointed!&#xA;&#xA;(Bloom assumes a mantle of cloth of gold and puts on a ruby ring. He ascends and stands on the stone of destiny. The representative peers put on at the same time their twentyeight crowns. Joybells ring in Christ church, Saint Patrick's, George's and gay Malahide. Mirus bazaar fireworks go up from all sides with symbolical phallopyrotechnic designs. The peers do homage, one by one, approaching and genuflecting.)&#xA;&#xA;THE PEERS I do become your liege man of life and limb to earthly worship.&#xA;&#xA;(Bloom holds up his right hand on which sparkles the Koh-i-Noor diamond. His palfrey neighs. Immediate silence. Wireless intercontinental and interplanetary transmitters are set for reception of message.)&#xA;&#xA;BLOOM My subjects! We hereby nominate our faithful charger Copula Felix hereditary Grand Vizier and announce that we have this day repudiated our former spouse and have bestowed our royal hand upon the princess Selene, the splendour of night.&#xA;&#xA;(The former morganatic spouse of Bloom is hastily removed in the Black Maria. The princess Selene, in moon blue robes, a silver crescent on her head, descends from a Sedan chair borne by two giants. An outburst of cheering.)&#xA;&#xA;JOHN HOWARD PARNELL (Raises the royal standard.) Illustrious Bloom! Successor to my famous brother!&#xA;&#xA;BLOOM (Embraces John Howard Parnell.) We thank you from our heart, John, for this right royal welcome to green Erin, the promised land of our common ancestors.&#xA;&#xA;(The freedom of the city is presented to him embodied in a charter. The keys of Dublin, crossed on a crimson cushion, are given to him. He shows all that he is wearing green socks.)&#xA;&#xA;TOM KERNAN You deserve it, your honour.&#xA;&#xA;BLOOM On this day twenty years ago we overcame the hereditary enemy at Ladysmith. Our howitzers and camel swivel guns played on his lines with telling effect. Half a league onward! They charge! All is lost now! Do we yield? No! We drive them headlong! Lo! We charge! Deploying to the left our light horse swept across the heights of Plevna and, uttering their warcry, Bonafide Sabaoth, sabred the Saracen gunners to a man.&#xA;&#xA;THE CHAPEL OF FREEMAN TYPESETTERS Hear! Hear!&#xA;&#xA;JOHN WYSE NOLAN There's the man that got away James Stephens.&#xA;&#xA;A BLUECOAT SCHOOLBOY Bravo!&#xA;&#xA;AN OLD RESIDENT You're a credit to your country, sir, that's what you are.&#xA;&#xA;AN APPLEWOMAN He's a man like Ireland wants.&#xA;&#xA;BLOOM My beloved subjects, a new era is about to dawn. I, Bloom, tell you verily it is even now at hand. Yea, on the word of a Bloom, ye shall ere long enter into the golden city which is to be, the new Bloomusalem in the Nova Hibernia of the future.&#xA;&#xA;(Thirtytwo workmen wearing rosettes, from all the counties of Ireland, under the guidance of Derwan the builder construct the new Bloomusalem. It is a colossal edifice, with crystal roof built in the shape of a huge pork kidney, containing forty thousand rooms. In the course of its extension several buildings and monuments are demolished. Government offices are temporarily transferred to railway sheds. Numerous houses are razed to the ground. The inhabitants are lodged in barrels and boxes, all marked in red with the letters: L. B. Several paupers fall from a ladder. A part of the walls of Dublin, crowded with loyal sightseers, collapses.)&#xA;&#xA;THE SIGHTSEERS (Dying) Morituri te salutant. (They die.)&#xA;&#xA;(A man in a brown macintosh springs up through a trap-door. He points an elongated finger at Bloom.)&#xA;&#xA;THE MAN IN THE MACINTOSH Don't you believe a word he Says. That man is Leopold M'Intosh, the notorious fireraiser. His real name is Higgins.&#xA;&#xA;BLOOM Shoot him! Dog of a christian! So much for M'Intosh!&#xA;&#xA;(A cannonshot. The man in the macintosh disappears. Bloom with his sceptre strikes down poppies. The instantaneous deaths of many powerful enemies, graziers, members of parliament, members of standing committees, are reported. Bloom's bodyguard distribute Maundy money, commemoration medals, loaves and fishes, temperance badges, expensive Henry Clay cigars, free cowbones for soup, rubber preservatives, in sealed envelopes tied with gold thread, butter scotch, pineapple rock, billets doux in the form of cocked hats, readymade suits, porringers of toad in the hole, bottles of Jeyes' Fluid, purchase stamps, 40 days' indulgences, spurious coins, dairyfed pork sausages, theatre passes, season tickets available for all tram lines, coupons of the royal and privileged Hungarian lottery, penny dinner counters, cheap reprints of the World's Twelve Worst Books: Froggy and Fritz (politic), Care of the Baby (infantilic), So Meals for 7/6 (culinic), Was Jesus a Sun Myth? (historic), Expel that Pain (medic), Infant's Compendium of the Universe (cosmic), Let's All Chortle (hilaric), Canvasser's Vade Mecum (journalic), love-letters of Mother Assistant (erotic), Who's Who in Space (astric), Songs that Reached Our Heart (melodic), Pennywise's Way to Wealth (parsimonic). A general rush and scramble. Women press forward to touch the hem of Bloom's robe. The lady Gwendolen Dubedat bursts through the throng, leaps on his horse and kisses him on both cheeks amid great acclamation. A magnesium flashlight photograph is taken. Babes and sucklings are held up.)&#xA;&#xA;THE WOMEN Little father! Little father!&#xA;&#xA;THE BABES AND SUCKLINGS&#xA;&#xA;Clap clap hands till Poldy comes home,&#xA;Cakes in his pocket for Leo alone.&#xA;&#xA;&#xA;(Bloom, bending down, pokes Baby Boardman gently in the stomach.)&#xA;&#xA;&#xA;BABY BOARDMAN (Hiccups, curdled milk flowing from his mouth.) Hajajaja.&#xA;&#xA;&#xA;BLOOM (Shaking hands with a blind stripling.) My more than Brother! (Placing his arms round the shoulders of an old couple.) Dear old friends! (He plays pussy fourcorners with ragged boys and girls.) Peep! Bopeep! (He wheels twins in a perambulator.) Ticktacktwo wouldyousetashoe? (He performs juggler's tricks, draws red, orange, yellow, green, blue, indigo and violet silk handkerchiefs from his mouth.) Roygbiv. 32 feet per second. (He consoles a widow.) Absence makes the heart grow younger. (He dances the Highland fling with grotesque antics.) Leg it, ye devils! (He kisses the bedsores of a palsied veteran.) Honourable wounds! (He trips up a fat policeman.) U.p.: up. U.p.: up. (He whispers in the ear of a blushing waitress and laughs kindly.) Ah, naughty, naughty! (He eats a raw turnip offered him by Maurice Butterly, farmer.) Fine! Splendid! (He refuses to accept three shillings offered him by Joseph Hynes, journalist.) My dear fellow, not at all! (He gives his coat to a beggar.) Please accept. (He takes part in a stomach race with elderly male and female cripples.) Come on, boys! Wriggle it, girls!&#xA;&#xA;&#xA;THE CITIZEN (Choked with emotion, brushes aside a tear in his emerald muffler.) May the good God bless him!&#xA;&#xA;&#xA;(The rams' horns sound for silence. The standard of Zion is hoisted.)&#xA;&#xA;&#xA;BLOOM (Uncloaks impressively, revealing obesity, unrolls a paper and reads solemnly.) Aleph Beth Ghimel Daleth Hagadah Tephilim Kosher Yom Kippur Hanukah Ros chaschana Beni Brith Bar Mitzvah Mazzoth Askenazim Meshuggah Talith.&#xA;&#xA;&#xA;(An official translation is read by Jimmy Henry, assistant town clerk.)&#xA;&#xA;&#xA;JIMMY HENRY The Court of Conscience is now open. His Most Catholic Majesty will now administer open air justice. Free medical and legal advice, solution of doubles and other problems. All cordially invited. Given at this our loyal city of Dublin in the year I of the Paradisiacal Era.&#xA;&#xA;&#xA;PADDY LEONARD What am I to do about my rates and taxes?&#xA;&#xA;&#xA;BLOOM Pay them, my friend.&#xA;&#xA;&#xA;PADDY LEONARD Thank you.&#xA;&#xA;&#xA;NOSEY FLYNN Can I raise a mortgage on my fire insurance?&#xA;&#xA;&#xA;BLOOM (Obdurately.) Sirs, take notice that by the law of torts you are bound over in your own recognisances for six months in the sum of five pounds.&#xA;&#xA;&#xA;J.J. O'MOLLY A Daniel did I say? Nay! A Peter O'Brien!&#xA;&#xA;&#xA;NOSEY FLYNN Where do I draw the five pounds?&#xA;&#xA;&#xA;PISSER BURKE For bladder trouble?&#xA;&#xA;&#xA;BLOOM&#xA;&#xA;&#xA;Acid. nit. hydrochlor dil., 20 minims,&#xA;Tinct. mix. vom., 4 minims.&#xA;Extr. taraxel. lig., 30 minims.&#xA;Aq. dis. ter in die.&#xA;&#xA;&#xA;CHRIS CALLINAN What is the parallax of the subsolar ecliptic of Aldebaran?&#xA;&#xA;BLOOM Pleased to hear from you, Chris. K. II.&#xA;&#xA;JOE HYNES Why aren't you in uniform?&#xA;&#xA;BLOOM When my progenitor of sainted memory wore the uniform of the Austrian despot in a dank prison where was yours?&#xA;&#xA;BEN DOLLARD Pansies?&#xA;&#xA;BLOOM Embellish (beautify) suburban gardens.&#xA;&#xA;BEN DOLLARD When twins arrive?&#xA;&#xA;BLOOM Father (pater, dad) starts thinking.&#xA;&#xA;LARRY O'ROURKE An eight day licence for my new premises. You remember me, sir Leo, when you were in number seven. I'm sending around a dozen of stout for the missus.&#xA;&#xA;BLOOM (Coldly.) You have the advantage of me. Lady Bloom accepts no presents.&#xA;&#xA;CROFTON This is indeed a festivity.&#xA;&#xA;BLOOM (Solemnly.) You call it a festivity. I call it a sacrament.&#xA;&#xA;ALEXANDER KEYES When will we have our own house of keys?&#xA;&#xA;BLOOM I stand for the reform of municipal morals and the plain ten commandments. New worlds for old. Union of all, jew, moslem and gentile. Three acres and a cow for all children of nature. Saloon motor hearses. Compulsory manual labour for all. All parks open to the public day and night. Electric dishscrubbers. Tuberculosis, lunacy, war and mendicancy must now cease. General amnesty, weekly carnival, with masked licence, bonuses for all, esperanto the universal brotherhood. No more patriotism of barspongers and dropsical impostors. Free money, free love and a free lay church in a free lay state.&#xA;&#xA;O'MADDEN BURKE Free fox in a free henroost.&#xA;&#xA;DAVY BYRNE (Yawning.) Iiiiiiiiiaaaaaaach!&#xA;&#xA;BLOOM Mixed races and mixed marriage.&#xA;&#xA;LENEHAN What about mixed bathing?&#xA;&#xA;(Bloom explains to those near him his schemes for social regeneration. All agree with him. The keeper of the Kildare Street Museum appears, dragging a lorry on which are the shaking statues of several naked goddesses, Venus Callipyge, Venus Pandemos Venus Metempsychosis, and plaster figures, also naked, representing the new nine muses, Commerce, Operatic Music, Amor Publicity, Manufacture, liberty of Speech, Plural Voting, Gastronomy, Private Hygiene, Seaside Concert Entertainments, Painless Obstetrics and Astronomy for the People.)&#xA;&#xA;FATHER FARLEY He is an episcopalian, an agnostic, an any thingarian seeking to overthrow our holy faith.&#xA;&#xA;MRS RIORDAN (Tears up her will.) I'm disappointed in you! You bad man!&#xA;&#xA;MOTHER GROGAN (Removes her boot to throw it at Bloom.) You beast! You abominable person!&#xA;&#xA;NOSEY FLYNN Give us a tune, Bloom. One of the old sweet songs.&#xA;&#xA;BLOOM (With rollicking humour.)&#xA;&#xA;I vowed that I never would leave her,&#xA;She turned out a cruel deceiver.&#xA;With my tooraloom tooraloom tooralcom tooraloom.&#xA;&#xA;&#xA;HOPPY HOLOHAN Good old Bloom! There's nobody like him after all.&#xA;&#xA;PADDY LEONARD Stage Irishman!&#xA;&#xA;BLOOM What railway opera is like a tramline in Gibraltar? The Rows of Casteele. (Laughter.)&#xA;&#xA;LENEHAN Plagiarist! Down with Bloom!&#xA;&#xA;THE VEILED SIBYL (Enthusiastically.) I'm a Bloomite and I glory in it. I believe in him in spite of all. I'd give my life for him, the funniest man on earth.&#xA;&#xA;BLOOM (Winks at the bystanders.) I bet she's a bonny lassie.&#xA;&#xA;THEODORE PUREFOY (In fishing cap and oilskin jacket.) He employs a mechanical device to frustrate the sacred ends of nature.&#xA;&#xA;THE VEILED SIBYL (Stabs herself.) My hero god! (She dies.)&#xA;&#xA;(Many most attractive and enthusiastic women also commit suicide by stabbing, drowning, drinking prussic acid, aconite, arsenic, opening their veins, refusing food, casting themselves under steamrollers, from the top of Nelson's Pillar, into the great vat of Guinness's brewery, asphyxiating themselves by placing their heads in gas ovens, hanging themselves in stylish garters, leaping from windows of different storeys.)&#xA;&#xA;ALEXANDER J. DOWIE (Violently.) Fellowchristians and antiBloomites, the man called Bloom is from the roots of hell, a disgrace to christian men. A fiendish libertine from his earliest years this stinking goat of Mendes gave precocious signs of infantile debauchery recalling the cities of the plain, with a dissolute granddam. This vile hypocrite, bronzed with infamy, is the white bull mentioned in the Apocalypse. A worshipper of the Scarlet Woman, intrigue is the very breath of his nostrils. The stake faggots and the caldron of boiling oil are for him. Caliban!&#xA;&#xA;THE MOB Lynch him! Roast him! He's as bad as Parnell was. Mr Fox!&#xA;&#xA;(Mother Grogan throws her boot at Bloom. Several shopkeepers from upper and lower Dorset street throw objects of little or no commercial value, hambones, condensed milk tins, unsaleable cabbage, stale bread, sheeps' tails, odd pieces of fat.)&#xA;&#xA;BLOOM (Excitedly.) This is midsummer madness, some ghastly joke again. By heaven, I am guiltless as the unsunned snow! It was my brother Henry. He is my double. He lives in number 2 Dolphin's Barn. Slander, the viper, has wrongfully accused me. Fellowcountrymen, sgenl inn ban bata coisde gan capall. I call on my old friend, Dr Malachi Mulligan, sex specialist to give medical testimony on my behalf.&#xA;&#xA;DR MULLIGAN (In motor jerkin, green motoroggles on his brow.) Dr Bloom is bisexually abnormal. He has recently escaped from Dr Eustace's private asylum for demented gentlemen. Born out of bedlock hereditary epilepsy is present, the consequence of unbridled lust. Traces of elephantiasis have been discovered among his ascendants. There are marked symptoms of chronic exhibitionism. Ambidexterity is also latent. He is prematurely bald from selfabuse, perversely idealistic in consequence, a reformed rake, and has metal teeth. In consequence of a family complex he has temporarily lost his memory and I believe him to be more sinned against than sinning. I have made a pervaginal examination and, after application of the acid test to 5427 anal, axillary, pectoral and pubic hairs, I declare him to be virgo intacta.&#xA;&#xA;(Bloom holds his high grade hat over his genital organs.)&#xA;&#xA;DR MADDEN Hypsospadia is also marked. In the interest of coming generations I suggest that the parts affected should be preserved in spirits of wine in the national teratological museum.&#xA;&#xA;DR CROTTHERS I have examined the patient's urine. It is albuminoid. Salivation is insufficient, the patellar reflex intermittent.&#xA;&#xA;DR PUNCH COSTELLO The fetor judaicus is most perceptible.&#xA;&#xA;DR DIXON (Reads a bill of health.) Professor Bloom is a finished example of the new womanly man. His moral nature is simple and lovable. Many have found him a dear man, a dear person. He is a rather quaint fellow on the whole, coy though not feeble-minded in the medical sense. He has written a really beautiful letter, a poem in itself, to the court missionary of the Reformed Priests' Protection Society which clears up everything. He is practically a total abstainer and I can affirm that he sleeps on a straw litter and eats the most Spartan food, cold dried grocer's peas. He wears a hairshirt winter and summer and scourges himself every Saturday. He was, I understand, at one time a firstclass misdemeanant in Glencree reformatory. Another report states that he was a very posthumous child. I appeal for clemency in the name of the most sacred word our vocal organs have ever been called upon to speak. He is about to have a baby.&#xA;&#xA;(General commotion and compassion. Women faint. A wealthy American makes a street collection for Bloom. Gold and silver coins, bank cheques, banknotes, jewels, treasury bonds, maturing bills of exchange, I.O.U.s, wedding rings' watch-chains, lockets, necklaces and bracelets are rapidly collected.)&#xA;&#xA;BLOOM O, I so want to be a mother.&#xA;&#xA;MRS THORNTON (In nursetender's gown.) Embrace me tight, dear. You'll be soon over it. Tight, dear.&#xA;&#xA;(Bloom embraces her tightly and bears eight male yellow and white children. They appear on a redcarpeted staircase adorned with expensive plants. All are handsome, with valuable metallic faces, wellmade, respectably dressed and wellconducted, speaking five modern languages fluently and interested in various arts and sciences. Each has his name printed in legible letters on his shirtfront: Nasodoro, Goldfinger, Chrysostomos, Maindorée, Silversmile, Silberselber Vifargent, Panargros. They are immediately appointed to positions of high public trust in several different countries as managing directors of banks, traffic managers of railways, chairmen of limited liability companies, vice chairmen of hotel syndicates.)&#xA;&#xA;A VOICE Bloom, are you the Messiah ben Joseph or ben David?&#xA;&#xA;BLOOM (Darkly.) You have said it.&#xA;&#xA;BROTHER BUZZ Then perform a miracle.&#xA;&#xA;BANTAM LYONS Prophesy who will win the Saint Leger.&#xA;&#xA;(Bloom walks on a net, covers his left eye with his left ear, passes through several walls, climbs Nelson's Pillar, hangs from the the ledge by his eyelids, eats twelve dozen oysters (shells included), heals several sufferers from kings evil, contracts his face so as to resemble many historical personages, lord Beaconsfield, lord Byron, Wat Tyler, Moses of Egypt, Moses Maimonides, Moses Mendelssohn, Henry Irving, Rip van Winkle, Rossuth, Jean Jacques Rousseau, Baron Leopold Rothschild, Robinson Crusoe, Sherlock Holmes, Pasteur, turns each foot simultaneously in different directions, bids the tide turn back, eclipses the sun by extending his little finger.)&#xA;&#xA;BRINI, PAPAL NUNCIO (In papal zouave's uniform, steel cuirasses as breastplate, armplates, thighplates, legplates, large profane moustaches and brown paper mitre.) Leopoldi autem generatio. Moses begat Noah and Noah begat Eunuch and Eunuch begat O'Halloran and O'Halloran begat Guggenheim and Guggenheim begat Agendath and Agendath begat Netaim and Netaim begat Le Hirsch and Le Hirsch begat Jesurum and Jesurum begat MacKay and MacKay begat Ostrolopsky and Ostrolopsky begat Smerdoz and Smerdoz begat Weiss and Weiss begat Schwarz and Schwarz begat Adrianopoli and Adrianopoli began Aranjuez and Aranjuez begat Lewy Lawson and Lewy Lawson begat Ichabudonosor and Ichabudonosor begat O'Donnell Magnus and O'Donnell Magnus begat Christbaum and Christbaum begat Ben Maimun and Ben Maimun begat Dusty Rhodes and Dusty Rhodes begat Benamor and Benamor begat Jones-Smith and Jones-Smith begat Savorgnanovich and Savorgnanovich begat Jasperstone and Jasperstone begat Vingtetunieme and Vingtetunieme begat Szombathely and Szombathely begat Virag and Virag begat Bloom et vocabitur nomen eius Emmanuel.&#xA;&#xA;A DEADHAND (Writes on the wall.) Bloom is a cod. A CRAB (In bush ranger's kit.) What did you do in the cattlecreep behind Kilbarrack?&#xA;&#xA;A FEMALE INFANT (Shakes a rattle.) And under Ballybough bridge?&#xA;&#xA;A HOLLYBUSH And in the devil's glen?&#xA;&#xA;BLOOM (Blushes furiously all over from front to nates, three tears falling from his left eye.) Spare my past.&#xA;&#xA;THE IRISH EVICTED TENANTS (In bodycoats, kneebreeches, with Donnybrook fair shillelaghs.) Sjambok him!&#xA;&#xA;(Bloom with asses' ears seats himself in the pillory with crossed arms, his feet protruding. He whistles Don Giovanni, a cenar teco. Artane orphans, joining hands, caper round him. Girls of the Prison Gate Mission, joining hands, caper round in the opposite direction.)&#xA;&#xA;THE ARTANE ORPHANS&#xA;&#xA;You big, you bog, you dirty dog!&#xA;You think the ladies love you!&#xA;&#xA;&#xA;THE PRISON GATE GIRLS&#xA;&#xA;If you see kay&#xA;Tell him he may&#xA;See you in tea&#xA;Tell him from me.&#xA;&#xA;&#xA;HORNBLOWER (In ephod and huntingcap, announces.) And he shall carry the sins of the people to Azazel, the spirit which is in the wilderness, and to Lilith, the nighthag. And they shall stone him and defile him, yea, all from Agendath Netaim and from Mizraim, the land of Ham.&#xA;&#xA;(All the people cast soft pantomime stones at Bloom. Many bonafide travellers and ownerless dogs come near him and defile him. Mastiansky and Citron approach in gaberdines, wearing long earlocks. They wag their beards at Bloom.)&#xA;&#xA;MASTIANSKY AND CITRON Belial! Laemlein of Istria! the false Messiah! Abulafia!&#xA;&#xA;(George S. Mesias, Bloom's tailor, appears, a tailor's goose under his arm, presenting a bill.)&#xA;&#xA;MESIAS To alteration one pair trousers eleven shillings.&#xA;&#xA;BLOOM (Rubs his hands cheerfully.) Just like old times. Poor Bloom!&#xA;&#xA;(Reuben J. Dodd, black bearded Iscariot, bad shepherd, bearing on his shoulders the drowned corpse of his son, approaches the pillory.)&#xA;&#xA;REUBEN J. (Whispers hoarsely.) The squeak is out. A split is gone for the flatties. Nip the first rattler.&#xA;&#xA;THE FIRE BRIGADE Pflaap!&#xA;&#xA;BROTHER BUZZ (Invests Bloom in a yellow habit with embroidery of painted flames and high pointed hat. He places a bag of gunpowder round his neck and hands him over to the civil power, saying.) Forgive him his trespasses.&#xA;&#xA;(Lieutenant Myers of the Dublin Fire Brigade by general request sets fire to Bloom. Lamentations.)&#xA;&#xA;THE CITIZEN Thank heaven!&#xA;&#xA;BLOOM (In a seamless garment marked I. H. S. stands upright amid phoenix flames.) Weep not for me, O daughters of Erin.&#xA;&#xA;(He exhibits to Dublin reporters traces of burning. The daughters of Erin, in black garments with lace prayerbooks and long lighted candles in their hands, kneel down and pray.)&#xA;&#xA;THE DAUGHTERS OF ERIN Kidney of Bloom, pray for us. Flower of the Bath, pray for us. Mentor of Menton, pray for us. Canvasser for the Freeman, pray for us. Charitable Mason, pray for us. Wandering Soap, pray for us. Sweets of Sin, pray for us. Music without Words, pray for us. Reprover of the Citizen, pray for us. Friend of all Frillies, pray for us. Midwife Most Merciful, pray for us. Potato Preservative against Plague and Pestilence, pray for us.&#xA;&#xA;(A choir of six hundred voices, conducted by Mr Vincent O'Brien, sings the Alleluia chorus, accompanied on the organ by Joseph Glynn. Bloom becomes mute, shrunken, carbonised.)&#xA;&#xA;ZOE Talk away till you're black in the face.&#xA;&#xA;BLOOM (In caubeen with clay pipe stuck in the band, dusty brogues, an emigrant's red handkerchief bundle in his hand, leading a black bogoak pig by a sugaun, with a smile in his eye.) Let me be going now, woman of the house, for by all the goats in Connemara I'm after having the father and mother of a bating. (With a tear in his eye.) All insanity. Patriotism, sorrow for the dead, music, future of the race. To be or not to be. Life's dream is o'er. End it peacefully. They can live on. (He gazes far away mournfully.) I am ruined. A few pastilles of aconite. The blinds drawn. A letter. Then lie back to rest. (He breathes softly.) No more. I have lived. Fare. Farewell.&#xA;&#xA;ZOE (Stiffly, her finger in her neckfillet.) Honest? Till the next time. (She sneers.) Suppose you got up the wrong side of the bed or came too quick with your best girl. O, I can read your thoughts.&#xA;&#xA;BLOOM (Bitterly.) Man and woman, love, what is it? A cork and bottle.&#xA;&#xA;ZOE (In sudden sulks.) I hate a rotter that's insincere. Give a bleeding whore a chance.&#xA;&#xA;BLOOM (Repentantly.) I am very disagreeable. You are a necessary evil. Where are you from? London?&#xA;&#xA;ZOE (Glibly.) Hog's Norton where the pigs play the organs. I'm Yorkshire born. (She holds his hand which is feeling for her nipple.) I say, Tommy Tittlemouse. Stop that and begin worse. Have you cash for a short time? Ten shillings?&#xA;&#xA;BLOOM (Smiles, nods slowly.) More, houri, more.&#xA;&#xA;ZOE And more's mother? (She pats him offhandedly with velvet paws.) Are you coming into the musicroom to see our new pianola? Come and I'll peel off.&#xA;&#xA;BLOOM (Feeling his occiput dubiously with the unparalleled embarrassment of a harassed pedlar gauging the symmetry of her peeled pears.) Somebody would be dreadfully jealous if she knew. The greeneyed monster. (Earnestly.) You know how difficult it is. I needn't tell you.&#xA;&#xA;ZOE (Flattered.) What the eye can't see the heart can't grieve for. (She pats him.) Come.&#xA;&#xA;BLOOM Laughing witch! The hand that rocks the cradle.&#xA;&#xA;ZOE Babby!&#xA;&#xA;BLOOM (In babylinen and pelisse, bigheaded, with a caul of dark hair, fixes big eyes on her fluid slip and counts its bronze buckles with a chubby finger, his moist tongue tolling and lisping.) One two tlee: tlee tlwo tlone.&#xA;&#xA;THE BUCKLES Love me. Love me not. Love me.&#xA;&#xA;ZOE Silent means consent. (With little parted talons she captures his hand, her forefinger giving to his palm the pass touch of secret monitor, luring him to doom.) Hot hands cold gizzard.&#xA;&#xA;(He hesitates amid scents, music, temptations. She leads him towards the steps, drawing him by the odour of her armpits, the vice of her painted eyes, the rustle of her slip in whose sinuous folds lurks the lion reek of all the male brutes that have possessed her.)&#xA;&#xA;THE MALE BRUTES (Exhaling sulphur of rut and dung and ramping in their loosebox, faintly roaring, their drugged heads swaying to and fro.) Good!&#xA;&#xA;(Zoe and Bloom reach the doorway where two sister whores are seated. They examine him curiously from under their pencilled brows and smile to his hasty bow. He trips awkwardly.)&#xA;&#xA;ZOE (Her lucky hand instantly saving him.) Hoopsa! Don't fall upstairs.&#xA;&#xA;BLOOM The just man falls seven times. (He stands aside at the threshold.) After you is good manners.&#xA;&#xA;ZOE Ladies first, gentlemen after.&#xA;&#xA;(She crosses the threshold. He hesitates. She turns and, holding out her hands, draws him over. He hops. On the an tiered rack of the hall hang a man's hat and waterproof Bloom uncovers himself but, seeing them, frowns, then smiles, preoccupied. A door on the return landing is thrown open. A man in purple shirt and grey trousers, brownsocked, passes with an apes gait, his bald head and goatee beard upheld, hugging a full waterjugjar his twotailed black braces dangling at heels. Averting his face quickly Bloom bends to examine on the halltable the spaniel eyes of a running fox: then, his lifted head sniffing, follows Zoe into the musicroom. A shade of mauve tissuepaper dims the light of the chandelier. Round and round a moth flies, colliding, escaping. The floor is covered with an oilcloth mosaic of jade and azure and cinnabar rhomboids. Footmarks are stamped over it in all senses, heel to heel, heel to hollow, toe to toe, feet locked, a morris of shuffling feet without body phantoms, all in a scrimmage higgledypiggledy. The walls are tapes-tried with a paper of yewfronds and clear glades. In the grate is spread a screen of peacock feathers. Lynch squats crosslegged on the hearth rug of matted hair, his cap back to the front. With a wand he beats time slowly. Kitty Ricketts, a bony pallid whore in navy costume, doeskin gloves rolled back from a coral wristlet, a chain purse in her hand, sits perched on the edge of the table swinging her leg and glancing at herself in the gilt mirror over the mantelpiece. A tag of her corset lace hangs slightly below her jacket. Lynch indicates mockingly the couple at the piano.)&#xA;&#xA;KITTY (Coughs behind her hand.) She's a bit imbecilic. (She signs with a waggling forefinger.) Blemblem. (Lynch lifts up her skirt and white petticoat with the wand. She settles them down quickly.) Respect yourself. (She hiccups, then bends quickly her sailor hat under which her hair glows, red with henna.) O, excuse!&#xA;&#xA;ZOE More limelight, Charley. (She goes to the chandelier and turns the gas full cock.)&#xA;&#xA;KITTY (Peers at the gasjet.) What ails it tonight?&#xA;&#xA;LYNCH (Deeply.) Enter a ghost and hobgoblins.&#xA;&#xA;ZOE Clap on the back for Zoe.&#xA;&#xA;(The wand in Lynch's hand flashes: a brass poker. Stephen stands at the pianola on which sprawl his hat and ashplant. With two fingers he repeats once more the series of empty fifths. Florry Talbot, a blond feeble goosefat whore in a tatterdemalion gown of mildewed strawberry, lolls spreadeagle in the sofa corner, her limp forearm pendent over the bolster, listening. A heavy stye droops over her sleepy eyelid.)&#xA;&#xA;KITTY (Hiccups again with a kick of her horsed foot.) O, excuse!&#xA;&#xA;ZOE (Promptly.) Your boy's thinking of you. Tie a knot on your shift.&#xA;&#xA;(Kitty Ricketts bends her head. Her boa uncoils, slides, glides over her shoulder, back, arm, chair to the ground. Lynch lifts the curled caterpillar on his wand. She snakes her neck, nestling. Stephen glances behind at the squatted figure with its cap back to the front.)&#xA;&#xA;STEPHEN As a matter of fact it is of no importance whether Benedetto Marcello found it or made it. The rite is the poet's rest. It may be an old hymn to Demeter or also illustrate Coela enarrant gloriam Domini. It is susceptible of nodes or modes as far apart as hyperphrygian and mixolydian and of texts so divergent as priests haihooping round David's that is Circe's or what am I saying Ceres' altar and David's tip from the stable to his chief bassoonist about his almightiness. Mais, nom de nom, that is another pair of trousers. Jetez la gourme. Faut que jeunesse se passe. (He stops, points at Lynch's cap, smiles, laughs.) Which side is your knowledge bump?&#xA;&#xA;THE CAP (With saturnine spleen.) Bah! It is because it is. Woman's reason. Jewgreek is greekjew. Extremes meet. Death is the highest form of life. Bah!&#xA;&#xA;STEPHEN You remember fairly accurately all my errors, boasts, mistakes. How long shall I continue to close my eyes to disloyalty? Whetstone!&#xA;&#xA;THE CAP Bah!&#xA;&#xA;STEPHEN Here's another for you. (He frowns.) The reason is because the fundamental and the dominant are separated by the greatest possible interval which .&#xA;&#xA;THE CAP Which? Finish. You can't.&#xA;&#xA;STEPHEN (With on effort.) Interval which. Is the greatest possible ellipse. Consistent with. The ultimate return. The octave. Which.&#xA;&#xA;THE CAP Which? (Outside the gramophone begins to blare The Holy City.)&#xA;&#xA;STEPHEN (Abruptly.) What went forth to the ends of the world to traverse not itself. God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself, becomes that self. Wait a moment. Wait a second. Damn that fellow's noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco!&#xA;&#xA;LYNCH (With a mocking whinny of laughter grins at Bloom and Zoe Higgins.) What a learned speech, eh?&#xA;&#xA;ZOE (Briskly.) God help your head, he knows more than you have forgotten.&#xA;&#xA;(With obese stupidity Florry Talbot regards Stephen.)&#xA;&#xA;FLORRY They say the last day is coming this summer.&#xA;&#xA;KITTY No!&#xA;&#xA;ZOE (Explodes in laughter.) Great unjust God!&#xA;&#xA;FLORRY (Offended.) Well, it was in the papers about Anti christ. O, my foot's tickling.&#xA;&#xA;(Ragged barefoot newsboys, jogging a wagtail kite, patterpast, yelling.)&#xA;&#xA;THE NEWSBOYS Stop press edition. Result of the rockinghorse races. Sea serpent in the royal canal. Safe arrival of Antichrist.&#xA;&#xA;(Stephen turns and sees Bloom.)&#xA;&#xA;STEPHEN A time, times and half a time.&#xA;&#xA;(Reuben J. Antichrist, wanderingjew, a clutching hand open on his spine, stumps forward. Across his loins is slung a pilgrims wallet from which protrude promissory notes and dishonoured bills. Aloft over his shoulder he bears a long boatpole from the hook of which the sodden huddled mass of his only son, saved from Liffey waters, hangs from the slack of its breeches. A hobgoblin in the image of Punch Costello, hipshot, crookbacked, hydrocephalic, prognathic with receding forehead and Ally Sloper nose, tumbles in somersaults through the gathering darkness.)&#xA;&#xA;ALL What?&#xA;&#xA;THE HOBGOBLIN (His jaws chattering, capers to and fro, goggling his eyes, squeaking, kangaroohopping, with outstretched clutching arms, then all at once thrusts his lipless face through the fork of his thighs.) Il vient! C'est moi! L'homme qui rit! L'homme primigene! (He whirls round and round with dervish howls.) Sieurs et dames, faites vos jeux! (He crouches juggling. Tiny roulette planets fly from his hands.) Les jeux son! faits! (The planets rush together, uttering crepitant cracks.) Rien n'va plus. (The planets, buoyant balloons, sail swollen up and away. He springs off into vacuum.)&#xA;&#xA;FLORRY (Sinking into torpor, crosses herself secretly.) The end of the world!&#xA;&#xA;(A female tepid effluvium leaks out from her. Nebulous obscurity occupies space. Through the drifting fog without the gramophone blares over coughs and feetshuffling.)&#xA;&#xA;THE GRAMOPHONE Jerusalem! Open your gates and sing Hosanna...&#xA;&#xA;(A rocket rushes up the sky and bursts. A white star falls from it, proclaiming the consummation of all things and second coming of Elijah. Along an infinite invisible tight-rope taut from zenith to nadir the End of the World, a two headed octopus in gillies kilts, busby and tartan filibegs, whirls through the murk, head over heels, in the fob of the Three Lugs of Man.)&#xA;&#xA;THE END OF THE WORLD (With a Scotch accent.) Wha'll dance the keel row, the keel row, the keel row?&#xA;&#xA;(Over the passing drift and choking breathcoughs, Elijah's voice, harsh as a corncrakes, jars on high. Perspiring in a loose lawn surplice with funnel sleeves he is seen, vergefaced above a rostrum about which the banner of old glory is draped. He thumps the parapet.)&#xA;&#xA;ELIJAH No yapping, if you please, in this booth. Jake Crane, Creole Sue, Dave Campbell, Abe Kirschner, do your coughing with your mouths shut. Say, I am operating all this trunk line. Boys, do it now. God's time is 12.25. Tell mother you'll be there. Rush your order and you play a slick ace. Join on right here! Book through to eternity junction, the nonstop run. Just one word more. Are you a god or a doggone clod? If the second advent came to Coney Island are we ready? Florry Christ, Stephen Christ, Zoe Christ, Bloom Christ, Kitty Christ, Lynch Christ, it's up to you to sense that cosmic force. Have we cold feet about the cosmos? No. Be on the side of the angels. Be a prism. You have that something within, the higher self. You can rub shoulders with a Jesus, a Gautama, an Ingersoll. Are you all in this vibration? I say you are. You once nobble that, congregation, and a buck joyride to heaven becomes a back number. You got me? It's a lifebrightener, sure. The hottest stuff ever was. It's the whole pie with jam in. It's just the cutest snappiest line out. It is immense, supersumptuous. It restores. It vibrates. I know and I am some vibrator. Joking apart and getting down to bedrock, A. J. Christ Dowie and the harmonial philosophy, have you got that? O.K. Seventyseven west sixtyninth street. Got me? That's it. You call me up by sunphone any old time. Bumboosers, save your stamps. (He shouts.) Now then our glory song. All join heartily in the singing. Encore! (He sings.) Jeru...&#xA;&#xA;THE GRAMOPHONE (Drowning his voice.) Whorusalaminyour highhohhhh.&#xA;&#xA;(The disc rasps gratingly against the needle.)&#xA;&#xA;THE THREE' WHORES (Covering their ears, squawk.) Ahhkkk!&#xA;&#xA;ELIJAH (In rolledup shirtsleeves, black in the face, shouts at the top of his voice, his arms uplifted.) Big Brother up there, Mr President, you hear what I done just been saying to you. Certainly, I sort of believe strong in you, Mr President. I certainly am thinking now Miss Higgins and Miss Ricketts got religion way inside them. Certainly seems to me I don't never see no wusser scared female than the way you been, Miss Florry, just now as I done seed you. Mr President, you come long and help me save our sisters dear. (He winks at his audience.) Our Mr President, he twig the whole lot and he ain't saying nothing.&#xA;&#xA;KITTY-KATE I forgot myself. In a weak moment I erred and did what I did on Constitution hill. I was confirmed by the bishop. My mother's sister married a Montmorency. It was a working plumber was my ruination when I was pure.&#xA;&#xA;ZOE-FANNY I let him larrup it into me for the fun of it.&#xA;&#xA;FLORRY-TERESA It was in consequence of a portwine beverage on top of Hennessy's three stars I was guilty with Whelan when he slipped into the bed.&#xA;&#xA;STEPHEN In the beginning was the word, in the end the world without end. Blessed be the eight beatitudes.&#xA;&#xA;(The beatitudes, Dixon, Madden, Crotthers, Costello, Lenehan, Bannon, Mulligan and Lynch in white surgical students' gowns, four abreast, goosestepping, tramp fast past in noisy marching.)&#xA;&#xA;THE BEATITUDES (Incoherently.) Beer beef battledog buybull businum barnum buggerum bishop.&#xA;&#xA;LYSTER (In quakergrey kneebreeches and broadbrimmed hat, says discreetly.) He is our friend. I need not mention names. Seek thou the light.&#xA;&#xA;(He corantos by. Best enters in hairdresser attire, shinily laundered, his locks in curlpapers. He leads John Eglinton who wears a mandarin's kimono of Nankeen yellow, lizard-lettered, and a high pagoda hat.)&#xA;&#xA;BEST (Smiling, lifts the hat and displays a shaven poll from the crown of which bristles a pigtail toupee tied with an orange topknot.) I was just beautifying him, don't you know. A thing of beauty, don't you know. Yeats says, or I mean, Keats says. (Produces a greencapped dark lantern and flashes it towards a corner; with carping accent.) Esthetics and cosmetics are for the boudoir. I am out for truth. Plain truth for a plain man. Tanderagee wants the facts and means to get them.&#xA;&#xA;(In the cone of the search light behind the coalscuttle, ollave, holyeyed, the bearded figure of Mananaan MacLir broods, chin on knees. He rises slowly. A cold seawind blows from his druid mantle. About his head writhe eels and elvers. He is encrusted with weeds and shells. His right hand holds a bicycle pump. His left hand grasps a huge crayfish by its two talons.)&#xA;&#xA;MANANAAN MACLIR (With a voice of waves.) Aum! Hek! Wal! Ak! Lub! Mor! Ma! White yoghin of the Gods. Occult pimander of Hermes Trismegistos. (With a voice of whistling seawind.) Punarjanam patsypunjaub! I won't have my leg pulled. It has been said by one: beware the left, the cult of Shakti. (With a cry of stormbirds.) Shakti, Shiva! Dark hidden Father! (He smites with his bicycle pump the crayfish in his left hand. On its co-operative dial glow the twelve signs of the zodiac. He wails with the vehemence of the ocean.) Aum! Baum! Pyjaum! I am the light of the homestead, I am the dreamery creamery butter.&#xA;&#xA;(A skeleton judas hand strangles the light. The green light wanes to mauve. The gasjet wails whistling.)&#xA;&#xA;THE GASJET Pooah! Pfuiiiiii!&#xA;&#xA;(Zoe runs to the chandelier and, crooking her leg, adjusts the mantle.)&#xA;&#xA;ZOE Who has a fag as I'm here?&#xA;&#xA;LYNCH (Tossing a cigarette on to the table.) Here.&#xA;&#xA;ZOE (Her head perched aside in mock pride.) Is that the way to hand the pot to a lady? (She stretches up to light the cigarette over the flame, twirling it slowly, showing the brown tufts of her armpits. Lynch with his poker lifts boldly a side of her slip. Bare from her garters up her flesh appears under the sapphire a nixie's green. She puffs calmly at her cigarette.) Can you see the beauty spot of my behind?&#xA;&#xA;LYNCH I'm not looking.&#xA;&#xA;ZOE (Makes sheep's eyes.) No? You wouldn't do a less thing. Would you suck a lemon?&#xA;&#xA;(Squinting in mock shame she glances with sidelong meaning at Bloom, then twists round towards him, pulling her slip free of the poker. Blue fluid again flows over her flesh. Bloom stands, smiling desirously, twirling his thumbs. Kitty Ricketts licks her middle finger with her spittle and gazing in the mirror, smooths both eyebrows. Lipoti Virag, basilicogrammate, chutes rapidly down through the chimneyflue and struts two steps to the left on gawky pink stilts. He is sausaged into several overcoats and wears a brown macintosh under which he holds a roll of parchment. In his left eye flashes the monocle of Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell. On his head is perched an Egyptian pshent. Two quills project over his ears.)&#xA;&#xA;VIRAG (Heels together bows.) My name is Virag Lipoti, of Szombathely. (He coughs thoughtfully, drily.) Promiscuous nakedness is much in evidence hereabouts, eh? Inadvertently her backview revealed the fact that she is not wearing those rather intimate garments of which you are a particular devotee. The injection mark on the thigh I hope you perceived? Good.&#xA;&#xA;BLOOM Granpapachi. But...&#xA;&#xA;VIRAG Number two on the other hand, she of the cherry rouge and coiffeuse white, whose hair owes not a little to our tribal elixir of gopherwood, is in walking costume and tightly staysed by her sit, I should opine. Backbone in front, so to say. Correct me but I always understood that the act so performed by skittish humans with glimpses of lingerie appealed to you in virtue of its exhibitionististicicity. In a word. Hippogriff. Am I right?&#xA;&#xA;BLOOM She is rather lean.&#xA;&#xA;VIRAG (Not unpleasantly.) Absolutely! Well observed and those pannier pockets of the skirt and slightly pegtop effect are devised to suggest bunchiness of hip. A new purchase at some monster sale for which a gull has been mulcted. Meretricious finery to deceive the eye. Observe the attention to details of dustspecks. Never put on you tomorrow what you can wear today. Parallax! (With a nervous twitch of his head.) Did you hear my brain go snap? Pollysyllabax!&#xA;&#xA;BLOOM (An elbow resting in a hand, a forefinger against his cheek.) She seems sad.&#xA;&#xA;VIRAG (Cynically, his weasel teeth bared yellow, draws down his left eye with a finger and barks hoarsely.) Hoax! Beware of the flapper and bogus mournful. Lily of the alley. All possess bachelor's button discovered by Rualdus Colombus. Tumble her. Columble her. Chameleon. (More genially.) Well then, permit me to draw your attention to item number three. There is plenty of her visible to the naked eye. Observe the mass of oxygenated vegetable matter on her skull. What ho, she bumps! The ugly duckling of the party, longcasted and deep in keel.&#xA;&#xA;BLOOM (Regretfully.) When you come out without your gun.&#xA;&#xA;VIRAG We can do you all brands, mild, medium and strong. Pay your money, take your choice. How happy could you be with either...&#xA;&#xA;BLOOM With?...&#xA;&#xA;VIRAG (His tongue upcurling.) Lyum! Look. Her beam is broad. She is coated with quite a considerable layer of fat. Obviously mammal in weight of bosom you remark that she has in front well to the fore two protuberances of very respectable dimensions, inclined to fall in the noonday soupplate, while on her rere lower down are two additional protuberances, suggestive of potent rectum and tumescent for palpation which leave nothing to be desired save compactness. Such fleshy parts are the product of careful nurture. When coopfattened their livers reach an elephantine size. Pellets of new bread with fennygreek and gumbenjamin swamped down by potions of green tea endow them during their brief existence with natural pincushions of quite colossal blubber. That suits your book, eh? Fleshhotpots of Egypt to hanker after. Wallow in it. Lycopodium. (His throat twitches.) Slapbang! There he goes again.&#xA;&#xA;BLOOM The stye I dislike.&#xA;&#xA;VIRAG (Arches his eyebrows.) Contact with a goldring, they say. Argumentum ad feminam, as we said in old Rome and ancient Greece in the consulship of Diplodocus and Ichthyo saurus. For the rest Eve's sovereign remedy. Not for sale. Hire only. Huguenot. (He twitches.) It is a funny sound.&#xA;&#xA;(He coughs encouragingly.) But possibly it is only a wart. I presume you shall have remembered what I will have taught you on that head? Wheatenmeal with honey and nutmeg.&#xA;&#xA;BLOOM (Reflecting.) Wheatenmeal with lycopodium and syllabax. This searching ordeal. It has been an unusually fatiguing day, a chapter of accidents. Wait. I mean, wartsblood spreads warts, you said .&#xA;&#xA;VIRAG (Severely, his nose hardhumped, his side eye winking.) Stop twirling your thumbs and have a good old thunk. See, you have forgotten. Exercise your mnemotechnic. La causa è santa. Tara. Tara. (Aside.) He will surely remember.&#xA;&#xA;BLOOM Rosemary also did I understand you to say or will power over parasitic tissues. Then nay no I have an inkling. The touch of a deadhand cures. Mnemo?&#xA;&#xA;VIRAG (Excitedly.) I say so. I say so. E'en so. Technic. (He taps his parchmentroll energetically.) This book tells you how to act with all descriptive particulars. Consult index for agitated fear of aconite, melancholy of muriatic, priapic pulsatilla. Virag is going to talk about amputation. Our old friend caustic. They must be starved. Snip off with horsehair under the denned neck. But, to change the venue to the Bulgar and the Basque, have you made up your mind whether you like or dislike women in male habiliments? (With a dry snigger.) You intended to devote an entire year to the study of the religious problem and the summer months of 1882 to square the circle and win that million. Pomegranate! From the sublime to the ridiculous is but a step. Pyjamas, let us say? Or stockingette gusseted knickers, closed? Or, put we the case, those complicated combinations, camiknickers? (He crows derisively.) Keekeereekee!&#xA;&#xA;(Bloom surveys uncertainly the three whores, then gazes at the veiled mauve light, hearing the everflying moth.)&#xA;&#xA;BLOOM I wanted then to have now concluded. Nightdress was never. Hence this. But tomorrow is a new day will be. Past was is today. What now is will then tomorrow as now was be past yester.&#xA;&#xA;VIRAG (Prompts into his ear in a pig's whisper.) Insects of the day spend their brief existence in reiterated coition, lured by the smell of the inferiorly pulchritudinous female possessing extendified pudendal verve in dorsal region. Pretty Poll! (His yellow parrotbeak gabbles nasally.) They had a proverb in the Carpathians in or about the year five thousand five hundred and fifty of our era. One tablespoonful of honey will attract friend Bruin more than half a dozen barrels of first choice malt vinegar. Bear's buzz bothers bees. But of this apart. At another time we may resume. We were very pleased, we others. (He coughs and, bending his brow, rubs his nose thoughtfully with a scooping hand.) You shall find that these night insects follow the light. An illusion for remember their complex unadjustable eye. For all these knotty points see the seventeenth book of my Fundamentals of Sexology or the Love Passion which Doctor L. B. says is the book sensation of the year. Some, to example, there are again whose movements are automatic. Perceive. That is his appropriate sun. Nightbird nightsun nighttown. Chase me, Charley! Buzz!&#xA;&#xA;BLOOM Bee or bluebottle too other day butting shadow on wall dazed self then me wandered dazed down shirt good job I...&#xA;&#xA;VIRAG (His face impassive, laughs in a rich feminine key.) Splendid! Spanish fly in his fly or mustard plaster on his dibble. (He gobbles gluttonously with turkey wattles.) Bubbly jock! Bubbly jock! Where are we? Open Sesame! Cometh forth! (He unrolls his parchment rapidly and reads, his glowworm's nose running backwards over the letters which he claws.) Stay, good friend. I bring thee thy answer Redbank oysters will shortly be upon us. I'm the best o'cook. Those succulent bivalves may help us and the truffles of Perigord, tubers dislodged through mister omnivorous porker, were unsurpassed in cases of nervous debility or viragitis. Though they stink yet they sting. (He wags head with cackling raillery.) Jocular. With my eyeglass in my ocular.&#xA;&#xA;BLOOM (Absently.) Ocularly woman's bivalve case is worse. Always open sesame. The cloven sex. Why they fear vermin, creeping things. Yet Eve and the serpent contradict. Not a historical fact. Obvious analogy to my idea. Serpents too are gluttons for woman's milk. Wind their way through miles of omnivorous forest to sucksucculent her breast dry. Like those bubblyjocular Roman matrons one reads of in Elephantuliasis.&#xA;&#xA;VIRAG (His mouth projected in hard wrinkles, eyes stonily forlornly closed, psalms in outlandish monotone.) That the cows with their those distended udders that they have been the known...&#xA;&#xA;BLOOM I am going to scream. I beg your pardon. Ah? So. (He repeats.) Spontaneously to seek out the saurian's lair in order to entrust their teats to his avid suction. Ant milks aphis. (Profoundly.) Instinct rules the world. In life. In death.&#xA;&#xA;VIRAG (Head askew, arches his back and hunched wing- shoulders, peers at the moth out of blear bulged eyes, points a homing claw and cries.) Who's Ger Ger? Who's dear Gerald? O, I much fear he shall be most badly burned. Will some pleashe pershon not now impediment so catastrophics mit agitation of firstclass tablenumpkin? (He mews.) Luss puss puss puss! (He sighs, draws back and stares sideways down with dropping underjaw.) Well, well. He doth rest anon.&#xA;&#xA;I'm a tiny tiny thing&#xA;Ever flying in the spring&#xA;Round and round a ringaring.&#xA;Long ago I was a king,&#xA;Now I do this kind of thing&#xA;On the wing, on the wing!&#xA;Bing!&#xA;&#xA;&#xA;(He rushes against the mauve shade flapping noisily.) Pretty pretty pretty pretty pretty pretty petticoats.&#xA;&#xA;(From left upper entrance with two sliding steps Henry Flower comes forward to left front centre. He wears a dark mantle and drooping plumed sombrero. He carries a silverstringed inlaid dulcimer and a longstemmed bamboo Jacobs pipe, its clay bowl fashioned as a female head. He wears dark velvet hose and silverbuckled pumps. He has the romantic Saviour's face with flowing locks, thin beard and moustache. His spindlelegs and sparrow feet are those of the tenor Mario, prince of Candia. He settles down his goffered ruffs and moistens his lips with a passage of his amorous tongue.)&#xA;&#xA;HENRY (In a low dulcet voice, touching the strings of his guitar.) There is a flower that bloometh.&#xA;&#xA;(Virag truculent, his jowl set, stares at the lamp. Grave Bloom regards Zoe's neck. Henry gallant turns with pendent dewlap to the piano.)&#xA;&#xA;STEPHEN (To himself.) Play with your eyes shut. Imitate pa. Filling my belly with husks of swine. Too much of this. I will arise and go to my. Expect this is the. Steve, thou art in a parlous way. Must visit old Deasy or telegraph. Our interview of this morning has left on me a deep impression. Though our ages. Will write fully tomorrow. I'm partially drunk, by the way. (He touches the keys again.) Minor chord comes now. Yes. Not much however.&#xA;&#xA;(Almidano Artifoni holds out a batonroll of music with vigorous moustachework.)&#xA;&#xA;ARTIFONI Ci rifletta. Lei rovina tutto.&#xA;&#xA;FLORRY Sing us something. Love's old sweet song.&#xA;&#xA;STEPHEN No voice. I am a most finished artist. Lynch, did I show you the letter about the lute?&#xA;&#xA;FLORRY (Smirking.) The bird that can sing and won't sing.&#xA;&#xA;(The Siamese twins, Philip Drunk and Philip Sober two Oxford dons with lawnmowers, appear in the window embrasure. Both are masked with Matthew Arnold's face.)&#xA;&#xA;PHILIP SOBER Take a fool's advice. All is not well. Work it out with the buttend of a pencil, like a good young idiot. Three pounds twelve you got, two notes, one sovereign, two crowns, if youth but knew. Mooney's en ville, Mooney's sur mer, the Moira, Larchet's, Holles street hospital, Burke's. Eh? I am watching you.&#xA;&#xA;PHILIP DRUNK (Impatiently.) Ah, bosh, man. Go to hell! I paid my way. If I could only find out about octaves. Reduplication of personality. Who was it told me his name?&#xA;&#xA;(His lawnmower begins to purr.) Aha, yes. Zoe mou sas agapo. Have a notion I was here before. When was it not Atkinson his card I have somewhere? Mac somebody. Unmack I have it. He told me about, hold on, Swinburne, was it, no?&#xA;&#xA;FLORRY And the song?&#xA;&#xA;STEPHEN Spirit is willing but the flesh is weak.&#xA;&#xA;FLORRY Are you out of Maynooth? You're like someone I knew once.&#xA;&#xA;STEPHEN Out of it now. (To himself.) Clever.&#xA;&#xA;PHILIP DRUNK AND PHILIP SOBER (Their lawnmowers purring with a rigadoon of grasshalms.) Clever ever. Out of it. Out of it. By the by have you the book, the thing, the ashplant? Yes, there it, yes. Cleverever outofitnow. Keep in condition. Do like us.&#xA;&#xA;ZOE There was a priest down here two nights ago to do his bit of business with his coat buttoned up. You needn't try to hide, I says to him. I know you've a Roman collar.&#xA;&#xA;VIRAG Perfectly logical from his standpoint. Fall of man. (Harshly, his pupils waxing.) To hell with the pope! Nothing new under the sun. I am the Virag who disclosed the sex secrets of monks and maidens. Why I left the Church of Rome. Read the Priest, the Woman and the Confessional. Penrose. Flipperty Jippert. (He wriggles.) Woman, undoing with sweet pudor her belt of rushrope, offers her allmoist yoni to man's lingam. Short time after man presents woman with pieces of jungle meat. Woman shows joy and covers herself with featherskins. Man loves her yoni fiercely with big lingam, the stiff one. (He cries.) Coactus volui. Then giddy woman will run about. Strong man grasps woman's wrist. Woman squeals, bites, spucks. Man, now fierce angry, strikes woman's fat yadgana. (He chases his tail.) Piffpaff! Popo! (He stops, sneezes.) Pchp! (He worries his butt.) Prrrrrht!&#xA;&#xA;LYNCH I hope you gave the good father a penance. Nine glorias for shooting a bishop.&#xA;&#xA;ZOE (Spouts walrus smoke through her nostrils.) He couldn't get a connection. Only, you know, sensation. A dry rush.&#xA;&#xA;BLOOM Poor man!&#xA;&#xA;ZOE (Lightly.) Only for what happened him.&#xA;&#xA;BLOOM How?&#xA;&#xA;VIRAG (A diabolic rictus of black luminosity contracting his visage, cranes his scraggy neck forward. He lifts a mooncalf nozzle and howls.) Verfluchte Goim! He had a father, forty fathers. He never existed. Pig God! He had two left feet. He was Judas Iacchias, a Libyan eunuch, the pope's bastard. (He leans out on tortured forepaws, elbows bent rigid, his eye agonising in his flat skullneck and yelps over the mute world.) A son of a whore. Apocalypse.&#xA;&#xA;KITTY And Mary Shortall that was in the lock with the pox she got from Jimmy Pidgeon in the blue caps had a child off him that couldn't swallow and was smothered with the convulsions in the mattress and we all subscribed for the funeral.&#xA;&#xA;PHILIP DRUNK (Gravely.) Qui vous a mis dans cette fichue position, Philippe?&#xA;&#xA;PHILIP SOBER (Gaily.) C'était le sacré pigeon, Philippe.&#xA;&#xA;(Kitty unpins her hat and sets it down calmly, patting her henna hair. And a prettier, a daintier head of winsome curls was never seen on a whores shoulders. Lynch puts on her hat. She whips it off.)&#xA;&#xA;LYNCH (Laughs.) And to such delights has Metchnikoff inoculated anthropoid apes.&#xA;&#xA;FLORRY (Nods.) Locomotor ataxy.&#xA;&#xA;ZOE (Gaily.) O, my dictionary.&#xA;&#xA;LYNCH Three wise virgins.&#xA;&#xA;VIRAG (Agueshaken, profuse yellow spawn foaming over his bony epileptic lips.) She sold lovephiltres, whitewax, orange flower. Panther, the Roman centurion, polluted her with his genitories. (He sticks out a flickering phosphorescent scorpion tongue, his hand on his fork.) Messiah! He burst her tympanum. (With gibbering baboon's cries he jerks his hips in the cynical spasm.) Hik! Hek! Hak! Hok! Huk! Kok! Kuk!&#xA;&#xA;(Ben Jumbo Dollard, rubicund, musclebound, hairynostrilled, hugebearded, cabbageeared, shaggychested, shockmaned, fatpapped, stands forth, his loins and genitals tightened into a pair of black bathing bagslops.)&#xA;&#xA;BEN POLLARD (Nakkering castanet bones in his huge padded paws, yodels jovially in base barreltone.) When love absorbs my ardent soul.&#xA;&#xA;(The virgins, Nurse Callan and Nurse Quigley, burst through the ringkeepers and the ropes and mob him with open arms.)&#xA;&#xA;THE VIRGINS (Gushingly.) Big Ben! Ben MacChree!&#xA;&#xA;A VOICE Hold that fellow with the bad breeches.&#xA;&#xA;BEN DOLLARD (Smites his thigh in abundant laughter.) Hold him now.&#xA;&#xA;HENRY (Caressing on his breast a severed female head, murmurs.) Thine heart, mine love. (He plucks his lutestrings.) When first I saw.&#xA;&#xA;VIRAG (Sloughing his skins, his multitudinous plumage moulting.) Rats! (He yawns; showing a coalblack throat and closes his jaws by an upward push of his parchment roll.) After having said which I took my departure. Farewell. Fare thee well. Dreck!&#xA;&#xA;(Henry Flower combs his moustache and beard rapidly with a pocketcomb and gives a cows lick to his hair. Steered by his rapier, he glides to the door his wild had slung behind him. Virag reaches the door in two ungainly stilthops, his tail cocked, and deftly claps sideways on the wall a pusyellow flybill, butting it with his head.)&#xA;&#xA;THE FLYBILL K. 11. post no bills. Strictly confidential. Dr Hy Franks.&#xA;&#xA;HENRY All is lost now.&#xA;&#xA;(Virag unscrews his head in a trice and holds it under his arm.)&#xA;&#xA;VIRAG'S HEAD Quack!&#xA;&#xA;(Exeunt severally.)&#xA;&#xA;STEPHEN (Over his shoulder to Zoe.) You would have preferred the fighting parson who founded the protestant error. But beware Antisthenes, the dog sage, and the last end of Anus Heresiarchus. The agony in the closet.&#xA;&#xA;LYNCH All one and the same God to her.&#xA;&#xA;STEPHEN (Devoutly.) And Sovereign Lord of all things.&#xA;&#xA;FLORRY (To Stephen.) I'm sure you are a spoiled priest. Or a monk.&#xA;&#xA;LYNCH He is. A Cardinal's son.&#xA;&#xA;STEPHEN Cardinal sin. Monks of the screw.&#xA;&#xA;(His Eminence, Simon Stephen Cardinal Dedalus, Primate of all Ireland, appears in the doorway, dressed in red soutane, sandals and socks. Seven dwarf simian acolytes, also in red, cardinal sins, uphold his train, peeping under it. He wears a battered silk hat sideways on his head. His thumbs are stuck in his armpits and his palms outspread. Round his neck hangs a rosary of corks ending on his breast in a corkscrew cross. Releasing his thumbs, he invokes grace from on high with lace wave gestures and proclaims with bloated pomp.)&#xA;&#xA;THE CARDINAL&#xA;&#xA;Conservio lies captured.&#xA;He lies in the lowest dungeon&#xA;With manacles and chains around his limbs&#xA;Weighing upwards of three tons.&#xA;&#xA;&#xA;(He looks at all for a moment, his right eye closed tight, his left cheek puffed out. Then, unable to repress his merriment, he rocks to and fro, ads akimbo, and sings with broad rollicking humour.) O, the poor little fellow Hi-hi-hi-hi-his legs they were yellow He was plump, fat and heavy and brisk as a snake But some bloody savage To graize his white cabbage He murdered Nell Flaherty's duckloving drake.&#xA;&#xA;(A multitude of midges swarms over his robe. He scratches himself with crossed arms at his ribs, grimacing, and exclaims.) I'm suffering the agony of the damned. By the hoky fiddle, thanks be to Jesus those funny little chaps are not unanimous. If they were they'd walk me off the face of the bloody globe.&#xA;&#xA;(His head aslant, he blesses curtly with fore and middle fingers, imparts the Easter kiss and doubleshuffles off comically, swaying his hat from side to side, shrinking quickly to the size of his train bearers. The dwarf acolytes, giggling, peeping, nudging, ogling, Easterkissing, zigzag behind him. His voice is heard mellow from afar, merciful, male, melodious.) Shall carry my heart to thee, Shall carry my heart to thee, And the breath of the balmy night Shall carry my heart to thee.&#xA;&#xA;(The trick doorhandle turns.)&#xA;&#xA;THE DOORHANDLE Theeee.&#xA;&#xA;ZOE The devil is in that door.&#xA;&#xA;(A male form passes down the creaking staircase and is heard taking the waterproof and hat from the rack. Bloom starts forward involuntarily and, half closing the door as he passes, takes the chocolate from his pocket and offers it nervously to Zoe.)&#xA;&#xA;ZOE (Sniffs his hair briskly.) Hum. Thank your mother for the rabbits. I'm very fond of what I like.&#xA;&#xA;BLOOM (Hearing a male voice in talk with the whores on the doorstep, pricks his ears.) If it were he? After? Or because not? Or the double event?&#xA;&#xA;ZOE (Tears open the silverfoil.) Fingers was made before forks. (She breaks off and nibbles a piece, gives a piece to Kitty Ricketts and then turns kittenishly to Lynch.) No objection to French lozenges? (He nods. She taunts him.) Have it now or wait till you get it? (He opens his mouth, his head cocked. She whirls the prize in left circle. His head follows. She whirls it back in right circle. He eyes her.) Catch.&#xA;&#xA;(She tosses a piece. With an adroit snap he catches it and bites it through with a crack.)&#xA;&#xA;KITTY (Chewing.) The engineer I was with at the bazaar does have lovely ones. Full of the best liqueurs. And the viceroy was there with his lady. The gas we had on the Toft's hobbyhorses. I'm giddy still.&#xA;&#xA;BLOOM (In Svengali's fur overcoat, with folded arms and Napoleonic forelock, frowns in ventriloquial exorcism with piercing eagle glance towards the door. Then, rigid, with left foot advanced, he makes a swift pass with impelling fingers and gives the sign of past master, drawing his right arm downwards from his left shoulder.) Go, go, go, I conjure you, whoever you are.&#xA;&#xA;(A male cough and tread are heard passing through the mist outside. Blooms features relax. He places a hand in his waistcoat, posing calmly. Zoe offers him chocolate.)&#xA;&#xA;BLOOM (Solemnly.) Thanks.&#xA;&#xA;ZOE Do as you're bid. Here.&#xA;&#xA;(A firm heelclacking is heard on the stairs.)&#xA;&#xA;BLOOM (Takes the chocolate.) Aphrodisiac? But I thought it. Vanilla calms or? Mnemo. Confused light confuses memory. Red influences lupus. Colours affect women's characters, any they have. This black makes me sad. Eat and be merry for tomorrow. (He eats.) Influence taste too, mauve. But it is so long since I. Seems new. Aphro. That priest. Must come. Better late than never. Try truffles at Andrews.&#xA;&#xA;(The door opens. Bella Cohen, a massive whoremistress enters. She is dressed in a threequarter ivory gown, fringed round the hem with tasselled selvedge, and cools herself flirting a black horn fan like Minnie Hauck in Carmen. On her left hand are wedding and keeper rings. Her eyes are deeply carboned. She has a sprouting moustache. Her olive face is heavy, slightly sweated and fullnosed, with orangetainted nostrils. She has lace pendant beryl eardrops.)&#xA;&#xA;BELLA My word! I'm all of a mucksweat.&#xA;&#xA;(She glances around her at the couples. Then her eyes rest on Bloom with hard insistence. Her lace fan winnows wind towards her heated face, neck and embonpoint. Her falcon eyes glitter.)&#xA;&#xA;THE FAN (Flirting quickly, then slowly.) Married, I see.&#xA;&#xA;BLOOM Yes... Partly, I have mislaid .&#xA;&#xA;THE FAN (Half opening, then closing.) And the missus is master. Petticoat government.&#xA;&#xA;BLOOM (Looks down with a sheepish grin.) That is so.&#xA;&#xA;THE FAN (Folding together, rests against her eardrop.) Have you forgotten me?&#xA;&#xA;BLOOM Yes. No.&#xA;&#xA;THE FAN (Folded akimbo against her waist.) Is me her was you dreamed before? Was then she him you us since knew? Am all them and the same now we? (Bella approaches, gently tapping with the fan.)&#xA;&#xA;BLOOM (Wincing.) Powerful being. In my eyes read that slumber which women love.&#xA;&#xA;THE FAN (Tapping.) We have met. You are mine. It is fate.&#xA;&#xA;BLOOM (Cowed.) Exuberant female. Enormously I desiderate your domination. I am exhausted, abandoned, no more young. I stand, so to speak, with an unposted letter bearing the extra regulation fee before the too late box of the general postoffice of human life. The door and window open at a right angle cause a draught of thirtytwo feet per second according to the law of falling bodies. I have felt this instant a twinge of sciatica in my left glutear muscle. It runs in our family. Poor dear papa, a widower, was a regular barometer from it. He believed in animal heat. A skin of tabby lined his winter waistcoat. Near the end, remembering king David and the Sunamite, he shared his bed with Athos, faithful after death. A dog's spittle, as you probably... (He winces.) Ah!&#xA;&#xA;RICHIE GOULDING (Bagweighted, passes the door.) Mocking is catch. Best value in Dub. Fit for a prince's liver and kidney.&#xA;&#xA;THE FAN (Tapping.) All things end. Be mine. Now.&#xA;&#xA;BLOOM (Undecided.) All now? I should not have parted with my talisman. Rain, exposure at dewfall on the sea rocks, a peccadillo at my time of life. Every phenomenon has a natural cause.&#xA;&#xA;THE FAN (Points downwards slowly.) You may.&#xA;&#xA;BLOOM (Looks downwards and perceives her unfastened bootlace. ) We are observed.&#xA;&#xA;THE FAN (Points downwards quickly.) You must.&#xA;&#xA;BLOOM (With desire, with reluctance.) I can make a true black knot. Learned when I served my time and worked the mail order line for Kellet's. Experienced hand. Every knot says a lot. Let me. In courtesy. I knelt once before today. Ah!&#xA;&#xA;(Bella raises her gown slightly and, steadying her pose, lifts to the edge of a chair a plump buskined hoof and a full pastern, silksocked. Bloom, stifflegged ageing, bends over her hoof and with gentle fingers draws out and in her laces.)&#xA;&#xA;BLOOM (Murmurs lovingly.) To be a shoefitter in Mansfield's was my love's young dream, the darling joys of sweet buttonhooking, to lace up crisscrossed to kneelength the dressy kid footwear satinlined, so incredibly small, of Clyde Road ladies. Even their wax model Raymonde I visited daily to admire her cobweb hose and stick of rhubarb toe, as worn in Paris.&#xA;&#xA;THE HOOF Smell my hot goathide. Feel my royal weight.&#xA;&#xA;BLOOM (Crosslacing.) Too tight?&#xA;&#xA;THE HOOF If you bungle, Handy Andy, I'll kick your football for you.&#xA;&#xA;BLOOM Not to lace the wrong eyelet as I did the night of the bazaar dance. Bad luck. Nook in wrong tache of her... person you mentioned. That night she met... Now!&#xA;&#xA;(He knots the lace. Bella places her foot on the floor. Bloom raises his head. Her heavy face, her eyes strike him in mid-brow. His eyes grow dull, darker and pouched, his nose thickens.)&#xA;&#xA;BLOOM (Mumbles.) Awaiting your further orders, we remain, gentlemen.&#xA;&#xA;BELLO (With a hard basilisk stare, in a baritone voice.) Hound of dishonour!&#xA;&#xA;BLOOM (Infatuated.) Empress!&#xA;&#xA;BELLO (His heavy cheekchops sagging.) Adorer of the adulterous rump!&#xA;&#xA;BLOOM (Plaintively.) Hugeness!&#xA;&#xA;BELLO Dungdevourer!&#xA;&#xA;BLOOM (With sinews semiflexed.) Magnificence.&#xA;&#xA;BELLO Down! (He taps her on the shoulder with his fan.) Incline feet forward! Slide left foot one pace back. You will fall. You are falling. On the hands down!&#xA;&#xA;BLOOM (Her eyes upturned in the sign of admiration, closing.) Truffles!&#xA;&#xA;(With a piercing epileptic cry she sinks on all fours, grunting, snuffling, rooting at his feet, then lies, shamming dead with eyes shut tight, trembling eyelids, bowed upon the ground in the attitude of most excellent master.)&#xA;&#xA;BELLO (With bobbed hair purple gills, fat moustache rings round his shaven mouth, in mountaineer's puttees, green silverbuttoned coat, sport skirt and alpine hat with moor cock's feather, his hands stuck deep in his breeches pockets, places his heel on her neck and grinds it in.) Feel my entire weight. Bow, bondslave, before the throne of your despot's glorious heels, so glistening in their proud erectness.&#xA;&#xA;BLOOM (Enthralled, bleats.) I promise never to disobey.&#xA;&#xA;BELLO (Laughs loudly.) Holy smoke! You little know what's in store for you. I'm the tartar to settle your little lot and break you in! I'll bet Kentucky cocktails all round I shame it out of you, old son. Cheek me, I dare you. If you do tremble in anticipation of heel discipline to be inflicted in gym costume.&#xA;&#xA;(Bloom creeps under the sofa and peers out through the fringe.&#xA;&#xA;ZOE (Widening her slip to screen her.) She's not here.&#xA;&#xA;BLOOM (Closing her eyes.) She's not here.&#xA;&#xA;FLORRY (Hiding her with her gown.) She didn't mean it, Mr Bello. She'll be good, sir.&#xA;&#xA;KITTY Don't be too hard on her, Mr Bello. Sure you won't, ma'amsir.&#xA;&#xA;BELLO (Coaxingly.) Come, ducky dear. I want a word with you, darling, just to administer correction. Just a little heart to heart talk, sweety. (Bloom puts out her timid head.) There's a good girly now. (Bello grabs her hair violently and drags her forward.) I only want to correct you for your own good on a soft safe spot. How's that tender behind? O, ever so gently, pet. Begin to get ready.&#xA;&#xA;BLOOM (Fainting.) Don't tear my.&#xA;&#xA;BELLO (Savagely.) The nosering, the pliers, the bastinado, the hanging hook, the knout I'll make you kiss while the flutes play like the Nubian slave of old. You're in for it this time. I'll make you remember me for the balance of your natural life. (His forehead veins swollen, his face congested.) I shall sit on your ottoman saddleback every morning after my thumping good breakfast of Matterson's fat ham rashers and a bottle of Guinness's porter. (He belches.) And suck my thumping good Stock Exchange cigar while I read the Licensed Victualler's Gazette. Very possibly I shall have you slaughtered and skewered in my stables and enjoy a slice Of you with crisp crackling from the baking tin basted and baked like sucking pig with rice and lemon or currant sauce. It will hurt you.&#xA;&#xA;(He twists her arm. Bloom squeaks, turning turtle.)&#xA;&#xA;BLOOM Don't be cruel, nurse! Don't!&#xA;&#xA;BELLO (Twisting.) Another!&#xA;&#xA;BLOOM (Screams.) O, it's hell itself! Every nerve in my body aches like mad!&#xA;&#xA;BELLO (Shouts.) Good, by the rumping jumping general! That's the best bit of news I heard these six weeks. Here, don't keep me waiting, damn you. (He slaps her face.)&#xA;&#xA;BLOOM (Whimpers.) You're after hitting me. I'll tell...&#xA;&#xA;BELLO Hold him down, girls, till I squat on him.&#xA;&#xA;ZOE Yes. Walk on him! I will.&#xA;&#xA;FLORRY I will. Don't be greedy.&#xA;&#xA;KITTY No, me. Lend him to me.&#xA;&#xA;(The brothel cook, Mrs Keogh, wrinkled, greybearded, in a greasy bib, men's grey and green socks and brogues, flour-smeared, a rollingpin stuck with raw pastry in her bare red arm and hand, appears at the door.)&#xA;&#xA;MRS KEOCH (Ferociously.) Can I help? (They hold and pinion Bloom.)&#xA;&#xA;BELLO (Squats, with a grunt, on Bloom's upturned face, puffing cigar-smoke, nursing a fat leg.) I see Keating Clay is elected chairman of the Richmond Asylum and bytheby Guinness's preference shares are at sixteen three quarters. Curse me for a fool that I didn't buy that lot Craig and Gardner told me about. Just my infernal luck, curse it. And that Goddamned outsider Throwaway at twenty to one. (He quenches his cigar angrily on Bloom's ear.) Where's that Goddamned cursed ashtray?&#xA;&#xA;BLOOM (Goaded, buttocksmothered.) O! O! Monsters! Cruel one!&#xA;&#xA;BELLO Ask for that every ten minutes. Beg, pray for it as you never prayed before. (He thrusts out a figged fist and foul cigar.) Here, kiss that. Both. Kiss. (He throws a leg astride and, pressing with horseman's knees, calls in a hard voice.) Gee up! A cockhorse to Banbury cross. I'll ride him for the Eclipse stakes. (He bends sideways and squeezes his mount's testicles roughly, shouting.) Ho! off we pop! I'll nurse you in proper fashion. (He horserides cockhorse, leaping in the saddle.) The lady goes a pace a pace and the coachman goes a trot a trot and the gentleman goes a gallop a gallop a gallop a gallop.&#xA;&#xA;FLORRY (Pulls at Bello.) Let me on him now. You had enough. I asked before you.&#xA;&#xA;ZOE (Pulling at Florry.) Me. Me. Are you not finished with him yet, suckeress?&#xA;&#xA;BLOOM (Stifling.) Can't.&#xA;&#xA;BELLO Well, I'm not. Wait. (He holds in his breath.) Curse it. Here. This bung's about burst. (He uncorks himself behind: then, contorting his features, farts loudly.) Take that! (He recorks himself) Yes, by Jingo, sixteen three quarters.&#xA;&#xA;BLOOM (A sweat breaking out over him.) Not man. (He sniffs.) Woman.&#xA;&#xA;BELLO (Stands up.) No more blow hot and cold. What you longed for has come to pass. Henceforth you are unmanned and mine in earnest, a thing under the yoke. Now for your punishment frock. You will shed your male garments, you understand, Ruby Cohen? and don the shot silk luxuriously rustling over head and shoulders and quickly too.&#xA;&#xA;BLOOM (Shrinks.) Silk, mistress said! O crinkly! scrapy! Must I tip-touch it with my nails?&#xA;&#xA;BELLO (Points to his whores.) As they are now, so will you be, wigged, singed, perfumesprayed, ricepowdered, with smoothshaven armpits. Tape measurements will be taken next your skin. You will be laced with cruel force into vicelike corsets of soft dove coutille, with whalebone busk, to the diamond trimmed pelvis, the absolute outside edge, while your figure, plumper than when at large, will be restrained in nettight frocks, pretty two ounce petticoats and fringes and things stamped, of course, with my houseflag, creations of lovely lingerie for Alice and nice scent for Alice. Alice will feel the pullpull. Martha and Mary will be a little chilly at first in such delicate thighcasing but the frilly flimsiness of lace round your bare knees will remind you...&#xA;&#xA;BLOOM (A chafing soubrette with dauby cheeks, mustard hair and lace male hands and nose, leering mouth.) I tried her things on only once, a small prank, in Holles street. When we were hardup I washed them to save the laundry bill. My own shirts I turned. It was the purest thrift.&#xA;&#xA;BELLO (Jeers.) Little jobs that make mother pleased, eh! and showed off coquettishly in your domino at the mirror behind close-drawn blinds your unskirted thighs and hegoat's udders, in various poses of surrender, eh? Ho! Ho! I have to laugh! That secondhand black operatop shift and short trunk leg naughties all split up the stitches at her last rape that Mrs Miriam Dandrade sold you from the Shelbourne Hotel, eh?&#xA;&#xA;BLOOM Miriam, Black. Demimondaine.&#xA;&#xA;BELLO (Guffaws.) Christ Almighty, it's too tickling, this! You were a nicelooking Miriam when you clipped off your backgate hairs and lay swooning in the thing across the bed as Mrs Dandrade, about to be violated by Lieutenant Smythe Smythe, Mr Philip Augustus Blockwell, M.P., Signor Laci Daremo, the robust tenor, blueeyed Bert, the liftboy, Henry Fleury of Gordon Bennett fame, Sheridan, the quadroon Cr&amp;amp;Aelig;sus, the varsity wetbob eight from old Trinity, Ponto, her splendid Newfoundland and Bobs, dowager duchess of Manorhamilton. (He guffaws again.) Christ, wouldn't it make a Siamese cat laugh?&#xA;&#xA;BLOOM (Her hands and features working.) It was Gerald converted me to be a true corsetlover when I was female impersonator in the High School play Vice Versa. It was dear Gerald. He got that kink, fascinated by sister's stays. Now dearest Gerald uses pinky greasepaint and gilds his eyelids. Cult of the beautiful.&#xA;&#xA;BELLO (With wicked glee.) Beautiful! Give us a breather! When you took your seat with womanish care, lifting your billowy flounces, on the smoothworn throne.&#xA;&#xA;BLOOM Science. To compare the various joys we each enjoy. (Earnestly.) And really it's better the position... because often I used to wet.&#xA;&#xA;BELLO (Sternly.) No insubordination. The sawdust is there in the corner for you. I gave you strict instructions, didn't I? Do it standing, sir! I'll teach you to behave like a jinkleman! If I catch a trace on your swaddles. Aha! By the ass of the Dorans you'll find I'm a martinet. The sins of your past are rising against you. Many. Hundreds.&#xA;&#xA;THE SINS OF THE PAST (In a medley of voices.) He went through a form of clandestine marriage with at least one woman in the shadow of the Black Church. Unspeakable messages he telephoned mentally to Miss Dunn at an address in d'Olier Street while he presented himself indecently to the instrument in the callbox. By word and deed he encouraged a nocturnal strumpet to deposit fecal and other matter in an unsanitary outhouse attached to empty premises. In five public conveniences he wrote pencilled messages offering his nuptial partner to all strongmembered males. And by the offensively smelling vitriol works did he not pass night after night by loving courting couples to see if and what and how much he could see? Did he not lie in bed, the gross boar, gloating over a nauseous fragment of wellused toilet paper presented to him by a nasty harlot, stimulated by gingerbread and a postal order?&#xA;&#xA;BELLO (Whistles loudly.) Say! What was the most revolting piece of obscenity in all your career of crime? Go the whole hog. Puke it out. Be candid for once.&#xA;&#xA;(Mute inhuman faces throng forward, leering, vanishing, gibbering, Eooloohoom. Poldy Hock, Bootlaces a penny, cassidy's hag, blind stripling, Larry Rhinoceros, the girl, the woman, the whore, the other the... )&#xA;&#xA;BLOOM Don't ask me. Our mutual faith. Pleasants street. I only thought the half of the... I swear on my sacred oath...&#xA;&#xA;BELLO (Peremptorily.) Answer. Repugnant wretch! I insist on knowing. Tell me something to amuse me, smut or a bloody good-ghoststory or a line of poetry, quick, quick, quick! Where? How? What time? With how many? I give you just three seconds. One! Two! Thr... !&#xA;&#xA;BLOOM (Docile, gurgles.) I rererepugnosed in rerererepugnant...&#xA;&#xA;BELLO (Imperiously.) O get out, you skunk! Hold your tongue! Speak when you're spoken to.&#xA;&#xA;BLOOM (Bows.) Master! Mistress! Mantamer!&#xA;&#xA;(He lifts his arms. His bangle bracelets fall.)&#xA;&#xA;BELLO (Satirically.) By day you will souse and bat our smelling underclothes, also when we ladies are unwell, and swab out our latrines with dress pinned up and a dishclout tied to your tail. Won't that be nice? (He places a ruby ring on her finger.) And there now! With this ring I thee own. Say, thank you, mistress.&#xA;&#xA;BLOOM Thank you, mistress.&#xA;&#xA;BELLO You will make the beds, get my tub ready, empty the pisspots in the different rooms, including old Mrs Keogh's the cook's, a sandy one. Ay, and rinse the seven of them well, mind, or lap it up like champagne. Drink me piping hot. Hop! you will dance attendance or I'll lecture you on your misdeeds, Miss Ruby, and spank your bare bot right well, miss, with the hairbrush. You'll be taught the error of your ways. At night your wellcreamed braceleted hands will wear fortythreebutton gloves newpowdered with talc and having delicately scented fingertips. For such favours knights of old laid down their lives. (He chuckles.) My boys will be no end charmed to see you so ladylike, the colonel, above all. When they come here the night before the wedding to fondle my new attraction in gilded heels. First, I'll have a go at you myself. A man I know on the turf named Charles Alberta Marsh (I was in bed with him just now and another gentleman out of the Hanaper and Petty Bag office) is on the lookout for a maid of all work at a short knock. Swell the bust. Smile. Droop shoulders. What offers? (He points.) For that lot trained by owner to fetch and carry, basket in mouth. (He bares his arm and plunges it elbowdeep in Bloom's vulva.) There's fine depth for you! What, boys? That give you a hardon? (He shoves his arm in a bidder's face.) Here, wet the deck and wipe it round!&#xA;&#xA;A BIDDER A florin!&#xA;&#xA;(Dillon's lacquey rings his handbell.)&#xA;&#xA;A VOICE One and eightpence too much.&#xA;&#xA;THE LACQUEY Barang!&#xA;&#xA;CHARLES ALBERTA MARSH Must be virgin. Good breath. Clean.&#xA;&#xA;BELLO (Gives a rap with his gavel.) Two bar. Rockbottom figure and cheap at the price. Fourteen hands high. Touch and examine his points. Handle him. This downy skin, these soft muscles, this tender flesh. If I had only my gold piercer here! And quite easy to milk. Three newlaid gallons a day. A pure stock getter, due to lay within the hour. His sire's milk record was a thousand gallons of whole milk in forty weeks. Whoa, my jewel! Beg up! Whoa! (He brands his initial Con Bloom's croup.) So! Warranted Cohen! What advance on two bob, gentlemen?&#xA;&#xA;A DARKVISAGED MAN (In disguised accent.) Hoondert punt sterlink.&#xA;&#xA;VOICES (Subdued.) For the Caliph Haroun Al Raschid.&#xA;&#xA;BELLO (Gaily.) Right. Let them all come. The scanty, daringly short skirt, riding up at the knee to show a peep of white pantalette, is a potent weapon and transparent stockings, emeraldgartered, with the long straight seam trailing up beyond the knee, appeal to the better instincts of the blasé man about town. Learn the smooth mincing walk on four inch Louis XV heels, the Grecian bend with provoking croup, the thighs fluescent, knees modestly kissing. Bring all your power of fascination to bear on them. Pander to their Gomorrahan vices.&#xA;&#xA;BLOOM (Bends his blushing face into his armpit and simpers with forefinger in mouth.) O, I know what you're hinting at now.&#xA;&#xA;BELLO What else are you good for, an impotent thing like you? (He stoops and, peering, pokes with his fan rudely under the fat suetfolds of Bloom's haunches.) Up! Up! Manx cat! What have we here? Where's your curly teapot gone to or who docked it on you, cockyolly? Sing, birdy, sing. It's as limp as a boy of six's doing his pooly behind a cart. Buy a bucket or sell your pump. (Loudly.) Can you do a man's job?&#xA;&#xA;BLOOM Eccles Street.&#xA;&#xA;BELLO (Sarcastically.) I wouldn't hurt your feelings for the world but there's a man of brawn in possession there. The tables are turned, my gay young fellow! He is something like a fullgrown outdoor man. Well for you, you muff, if you had that weapon with knobs and lumps and warts all over it. He shot his bolt, I can tell you! Foot to foot, knee to knee, belly to belly, bubs to breast! He's no eunuch. A shock of red hair he has sticking out of him behind like a furzebush! Wait for nine months, my lad! Holy ginger, it's kicking and coughing up and down in her guts already! That makes you wild, don't it? Touches the spot? (He spits in contempt.) Spittoon!&#xA;&#xA;BLOOM I was indecently treated, I... inform the police. Hundred pounds. Unmentionable. I.&#xA;&#xA;BELLO Would if you could, lame duck. A downpour we want, not your drizzle.&#xA;&#xA;BLOOM To drive me mad! Moll! I forgot! Forgive! Moll!... We... Still...&#xA;&#xA;BELLO (Ruthlessly.) No, Leopold Bloom, all is changed by woman's will since you slept horizontal in Sleepy Hollow your night of twenty years. Return and see.&#xA;&#xA;(Old Sleepy Hollow calls over the wold.)&#xA;&#xA;SLEEPY HOLLOW Rip Van Winkle! Rip Van Winkle!&#xA;&#xA;BLOOM (In tattered moccasins with a rusty fowlingpiece, tip toeing, fingertipping, his haggard bony bearded face peering through the diamond panes, cries out.) I see her! It's she! The first night at Mat Dillon's! But that dress, the green! And her hair is dyed gold and he.&#xA;&#xA;BELLO (Laughs mockingly.) That's your daughter, you owl, with a Mullingar student.&#xA;&#xA;(Milly Bloom, fairhaired, greenvested, slimsandalled, her bluescab in the seawind simply swirling, breaks from the arms of her lover and calls, her young eyes wonderwide.)&#xA;&#xA;MILLY My! It's Papli! But. O Papli, how old you've grown!&#xA;&#xA;BELLO Changed, eh? Our whatnot, our writing table where we never wrote, Aunt Hegarty's armchair, our classic reprints of old masters. A man and his men friends are living there in clover. The Cuckoos' Rest! Why not? How many women had you, say? Following them up dark streets, flatfoot, exciting them by your smothered grunts. What, you male prostitute? Blameless dames with parcels of groceries. Turn about. Sauce for the goose, my gander, O.&#xA;&#xA;BLOOM They... I&#xA;&#xA;BELLO (Cuttingly.) Their heelmarks will stamp the Brusselette carpet you bought at Wren's auction. In their horseplay with Moll the romp to find the buck flea in her breeches they will deface the little statue you carried home in the rain for art for art's sake. They will violate the secrets of your bottom drawer. Pages will be torn from your handbook of astronomy to make them pipespills. And they will spit in your ten shilling brass fender from Hampton Leedom's.&#xA;&#xA;BLOOM Ten and six. The act of low scoundrels. Let me go. I will return. I will prove...&#xA;&#xA;A VOICE Swear!&#xA;&#xA;(Bloom clenches his fists and crawls forward, a bowie knife between his teeth.)&#xA;&#xA;BELLO As a paying guest or a kept man? Too late. You have made your secondbest bed and others must lie in it. Your epitaph is written. You are down and out and don't you forget it, old bean.&#xA;&#xA;BLOOM Justice! All Ireland versus one! Has nobody... ?&#xA;&#xA;(He bites his thumb.)&#xA;&#xA;BELLO Die and be damned to you if you have any sense of decency or grace about you. I can give you a rare old wine that'll send you skipping to hell and back. Sign a will and leave us any coin you have. If you have none see you damn well get it, steal it, rob it! We'll bury you in our shrubbery jakes where you'll be dead and dirty with old Cuck Cohen, my stepnephew I married, the bloody old gouty procurator and sodomite with a crick in his neck, and my other ten or eleven husbands, what ever the buggers' names were, suffocated in the one cess pool. (He explodes in a loud phlegmy laugh.) We'll manure you, Mr Flower! (He pipes scoffingly.) Byby, Poldy! Byby, Papli!&#xA;&#xA;BLOOM (Clasps his head.) My will power! Memory! I have sinned! I have suff... (He weeps tearlessly.)&#xA;&#xA;BELLO (Sneers.) Crybabby! Crocodile tears!&#xA;&#xA;(Bloom, broken, closely veiled for the sacrifice, sobs, his face to the earth. The passing bell is heard. Darkshawled figures of the circumcised, in sackcloth and ashes, stand by the wailing wall. M. Shulomowitz, Joseph Goldwater Moses Herzog, Harris Rosenberg, M. Moisel, J. Citron, Minnie Watchman, 0. Mastiansky, the Reverend Leopold Abramovitz, Chazen. With swaying arms they wail in pneuma over the recreant Bloom.)&#xA;&#xA;THE CIRCUMCISED (In a dark guttural chant as they cast dead sea fruit upon him, no flowers.) Shema Israel Adonai Elohenu Adonai Echad.&#xA;&#xA;VOICES (Sighing.) So he's gone. Ah, yes. Yes, indeed. Bloom? Never heard of him. No? Queer kind of chap. There's the widow. That so? Ah, yes.&#xA;&#xA;(From the suttee pyre the flame of gum camphire ascends. The pall of incense smoke screens and disperses. Out of her oak frame a nymph with hair unbound, lightly clad in teabrown art colours, descends from her grotto and passing under interlacing yews, stands over Bloom.)&#xA;&#xA;THE YEWS (Their leaves whispering.) Sister. Our sister. Ssh.&#xA;&#xA;THE NYMPH (Softly.) Mortal! (Kindly.) Nay, dost not weepest!&#xA;&#xA;BLOOM (Crawls jellily forward under the boughs, streaked by sunlight, with dignity.) This position. I felt it was expected of me. Force of habit.&#xA;&#xA;THE NYMPH Mortal! You found me in evil company, high kickers, coster picnic makers, pugilists, popular generals, immoral panto boys in flesh tights and the nifty shimmy dancers, La Aurora and Karini, musical act, the hit of the century. I was hidden in cheap pink paper that smelt of rock oil. I was surrounded by the stale smut of clubmen, stories to disturb callow youth, ads for transparencies, truedup dice and bustpads, proprietary articles and why wear a truss with testimonial from ruptured gentleman. Useful hints to the married.&#xA;&#xA;BLOOM (Lifts a turtle head towards her lap.) We have met before. On another star.&#xA;&#xA;THE NYMPH (Sadly.) Rubber goods. Neverrip. Brand as sup plied to the aristocracy. Corsets for men. I cure fits or money refunded. Unsolicited testimonials for Professor Waldmann's wonderful chest exuber. My bust developed four inches in three weeks, reports Mrs Gus Rublin with photo.&#xA;&#xA;BLOOM You mean Photo Bits?&#xA;&#xA;THE NYMPH I do. You bore me away, framed me in oak and tinsel, set me above your marriage couch. Unseen, one summer eve, you kissed me in four places. And with loving pencil you shaded my eyes, my bosom and my shame.&#xA;&#xA;BLOOM (Humbly kisses her long hair.) Your classic curves, beautiful immortal. I was glad to look on you, to praise you, a thing of beauty, almost to pray.&#xA;&#xA;THE NYMPH During dark nights I heard your praise.&#xA;&#xA;BLOOM (Quickly.) Yes, yes. You mean that I... Sleep reveals the worst side of everyone, children perhaps excepted. I know I fell out of my bed or rather was pushed. Steel wine is said to cure snoring. For the rest there is that English invention, pamphlet of which I received some days ago, incorrectly addressed. It claims to afford a noiseless inoffensive vent. (He sighs.) 'Twas ever thus. Frailty, thy name is marriage.&#xA;&#xA;THE NYMPH (Her fingers in her ears.) And words. They are not in my dictionary.&#xA;&#xA;BLOOM You understood them?&#xA;&#xA;THE YEWS Ssh.&#xA;&#xA;THE NYMPH (Covers her face with her hand.) What have I not seen in that chamber? What must my eyes look down on?&#xA;&#xA;BLOOM (Apologetically.) I know. Soiled personal linen, wrong side up with care. The quoits are loose. From Gibraltar by long sea, long ago.&#xA;&#xA;THE NYMPH (Bends her head.) Worse! Worse!&#xA;&#xA;BLOOM (Reflects precautiously.) That antiquated commode. It wasn't her weight. She scaled just eleven stone nine. She put on nine pounds after weaning. It was a crack and want of glue. Eh? And that absurd orangekeyed utensil which has only one handle.&#xA;&#xA;(The sound of a waterfall is heard in bright cascade.)&#xA;&#xA;THE WATERFALL&#xA;&#xA;Poulaphouca Poulaphouca&#xA;Poulaphouca Poulaphouca.&#xA;&#xA;&#xA;THE YEWS (Mingling their boughs.) Listen. Whisper. She is right, our sister. We grew by Poulaphouca waterfall. We gave shade on languorous summer days.&#xA;&#xA;JOHN WYSE NOLAN (In the background, in Irish National For ester's uniform, doffs his plumed hat.) Prosper! Give shade on languorous days, trees of Ireland!&#xA;&#xA;THE YEWS (Murmuring.) Who came to Poulaphouca with the high school excursion? Who left his nutquesting classmates to seek our shade?&#xA;&#xA;BLOOM (Pigeonbreasted, bottleshouldered, padded, in nondescript juvenile grey and black striped suit, too small for him, white tennis shoes, bordered stockings with turnover tops, and a red school cap with badge.) I was in my teens, a growing boy. A little then sufficed, a jolting car, the mingling odours of the ladies' cloakroom and lavatory, the throng penned tight on the old Royal stairs, for they love crushes, instincts of the herd, and the dark sexsmelling theatre unbridles vice. Even a pricelist of their hosiery. And then the heat. There were sunspots that summer. End of school. And tipsycake. Halcyon days.&#xA;&#xA;(Halcyon Days, high school boys in blue and white football jerseys and shorts, Master Donald Turnbull, Master Abraham Chatterton, Master Owen Goldberg, Master Jack Meredith, Master Percy Apjohn, stand in a clearing of the trees and shout to Master Leopold Bloom.)&#xA;&#xA;THE HALCYON DAYS Mackerel! Live us again. Hurray!&#xA;&#xA;(They cheer.)&#xA;&#xA;BLOOM (Hobbledehoy, warmgloved, mammamufflered, stunned with spent snowballs, struggles to rise.) Again! I feel sixteen! What a lark! Let's ring all the bells in Montague Street. (He cheers feebly.) Hurray for the High School!&#xA;&#xA;THE ECHO Fool!&#xA;&#xA;THE YEWS (Rustling.) She is right, our sister. Whisper. (Whispered kisses are heard in all the wood. Faces of hamadryads peep out from the boles and among the leaves and break blossoming into bloom.) Who profaned our silent shade?&#xA;&#xA;THE NYMPH (Coyly through parting fingers.) There! In the open air?&#xA;&#xA;THE YEWS (Sweeping downward.) Sister, yes. And on our virgin sward.&#xA;&#xA;THE WATERFALL&#xA;&#xA;Poulaphouca Poulaphouca&#xA;Phoucaphouca Phoucaphouca.&#xA;&#xA;&#xA;THE NYMPH (With wide fingers.) O! Infamy!&#xA;&#xA;BLOOM I was precocious. Youth. The fauns. I sacrificed to the god of the forest. The flowers that bloom in the spring. It was pairing time. Capillary attraction is a natural phenomenon. Lotty Clarke, flaxenhaired, I saw at her night toilette through ill-closed curtains, with poor papa's operaglasses. The wanton ate grass wildly. She rolled downhill at Rialto Bridge to tempt me with her flow of animal spirits. She climbed their crooked tree and I... A saint couldn't resist it. The demon possessed me. Besides, who saw?&#xA;&#xA;(Staggering Bob, a whitepolled calf thrusts a ruminating head with humid nostrils through the foliage.)&#xA;&#xA;STAGGERING BOB Me. Me see.&#xA;&#xA;BLOOM Simply satisfying a need. (With pathos.) No girl would when I went girling. Too ugly. They wouldn't play.&#xA;&#xA;(High on Ben Howth through rhododendrons a nannygoat passes, plumpuddered, buttytailed, dropping curvants.)&#xA;&#xA;THE NANNYGOAT (Bleats.) Megegaggegg! Nannannanny!&#xA;&#xA;BLOOM (Hatless, flushed, covered with burn of thistledown and gotrepine.) Regularly engaged. Circumstances alter cases. (He gazes intently downwards on the water.) Thirtytwo head over heels per second. Press nightmare. Giddy Elijah. Fall from cliff. Sad end of government printer's clerk. (Through silversilent summer air the dummy of Bloom, rolled in a mummy, rolls rotatingly from the Lion's Head cliff into the purple Waiting waters.)&#xA;&#xA;THE DUMMYMUMMY Bbbbblllllbbblblodschbg?&#xA;&#xA;(Far out in the bay between Bailey and Kish lights the Erin's King sails, sending a broadening plume of coalsmoke from her funnel towards the land.)&#xA;&#xA;COUNCILLOR NANNETI (Alone on deck, in dark alpaca, yellow kitefaced, his hand in his waistcoat opening, declaims.) When my country takes her place among the nations of the earth, then, and not till then let my epitaph be written. I have...&#xA;&#xA;BLOOM Done. Prff.&#xA;&#xA;THE NYMPH (Loftily.) We immortals, as you saw today, have not such a place and no hair there either. We are stonecold and pure. We eat electric light. (She arches her body in lascivious crispation, placing her forefinger in her mouth.) Spoke to me. Heard from behind. How then could you... ?&#xA;&#xA;BLOOM (Pacing the heather abjectly.) O, I have been a perfect pig. Enemas too I have administered. One third of a pint of quassia, to which add a tablespoonful of rocksalt. Up the fundament. With Hamilton Long's syringe, the ladies' friend.&#xA;&#xA;THE NYMPH In my presence. The powderpuff. (She blushes and makes a knee.) And the rest.&#xA;&#xA;BLOOM (Dejected.) Yes. Peccavi! I have paid homage on that living altar where the back changes name. (With sudden fervour.) For why should the dainty scented jewelled hand, the hand that rules... ?&#xA;&#xA;(Figures wind serpenting in slow woodland pattern around the treestems, cooeeing.)&#xA;&#xA;THE VOICE OF KITTY (In the thicket.) Show us one of them cushions.&#xA;&#xA;THE VOICE OF FLORRY Here.&#xA;&#xA;(A grouse wings clumsily through the underwood.)&#xA;&#xA;THE VOICE OF LYNCH (In the thicket.) Whew! Piping hot!&#xA;&#xA;THE VOICE OF ZOE (From the thicket.) Came from a hot place.&#xA;&#xA;THE VOICE OF VIRAG (A birdchief bluestreaked and feathered in war panoply with his assegai, striding through a crackling canebrake over beechmast and acorns.) Hot! Hot! Ware Sitting Bull!&#xA;&#xA;BLOOM It overpowers me. The warm impress of her warm form. Even to sit where a woman has sat, especially with divaricated thighs, as though to grant the last favours, most especially with previously well uplifted white sateen coatpans. So womanly full. It fills me full.&#xA;&#xA;THE WATERFALL&#xA;&#xA;Phillaphulla Poulaphouca&#xA;Poulaphouca Poulaphouca.&#xA;&#xA;&#xA;THE YEWS Ssh! Sister, speak!&#xA;&#xA;THE NYMPH (Eyeless, in nun's white habit, coif and huge winged wimple, softly, with remote eyes.) Tranquilia convent. Sister Agatha. Mount Carmel, the apparitions of Knock and Lourdes. No more desire. (She reclines her head, sighing.) Only the ethereal. Where dreamy creamy gull waves o'er the waters dull.&#xA;&#xA;(Bloom half rises. His back trousers button snaps.)&#xA;&#xA;THE BUTTON Bip!&#xA;&#xA;(Two sluts of the Coombe dance rainily by, shawled, yelling flatly.)&#xA;&#xA;THE SLUTS&#xA;&#xA;O Leopold lost the pin of his drawers&#xA;He didn't know what to do,&#xA;To keep it up,&#xA;To keep it up.&#xA;&#xA;&#xA;BLOOM (Coldly.) You have broken the spell. The last straw. If there were only ethereal where would you all be, postulants and novices? Shy but willing, like an ass pissing.&#xA;&#xA;THE YEWS (Their silverfoil of leaves precipitating, their skinny arms ageing and swaying.) Deciduously!&#xA;&#xA;THE NYMPH Sacrilege! To attempt my virtue! (A large moist stain appears on her robe.) Sully my innocence! You are not fit to touch the garment of a pure woman. (She clutches in her robe.) Wait, Satan. You'll sing no more lovesongs. Amen. Amen. Amen. Amen. (She draws a poniard and, clad in the sheathmail of an elected knight of nine, strikes at his loins.) Nekum!&#xA;&#xA;BLOOM (Starts up, seizes her hand.) Hoy! Nebrakada! Cat of nine lives! Fair play, madam. No pruning knife. The fox and the grapes, is it? What do we lack with your barbed wire? Crucifix not thick enough? (He clutches her veil.) A holy abbot you want or Brophy, the lame gardener, or the spoutless statue of the watercarrier or good Mother Alphonsus, eh Reynard?&#xA;&#xA;THE NYMPH (With a cry, flees from him unveiled, her plaster cast cracking, a cloud of stench escaping from the cracks.) Poli... !&#xA;&#xA;BLOOM (Calls after her.) As if you didn't get it on the double yourselves. No jerks and multiple mucosities all over you. I tried it. Your strength our weakness. What's our stud fee? What will you pay on the nail? You fee men dancers on the Riviera, I read. (The fleeing nymph raises a keen.) Eh! I have sixteen years of black slave labour behind me. And would a jury give me five shillings alimony tomorrow, eh? Fool someone else, not me. (He sniffs.) But. Onions. Stale. Sulphur. Grease.&#xA;&#xA;(The figure of Bella Cohen stands before him.)&#xA;&#xA;BELLA You'll know me the next time.&#xA;&#xA;BLOOM (Composed, regards her.) Passée. Mutton dressed as lamb. Lone in the tooth and superfluous hairs. A raw onion the last thing at night would benefit your complexion. And take some double chin drill. Your eyes are as vapid as the glass eyes of your stuffed fox. They have the dimensions of your other features, that's all. I'm not a triple screw propeller.&#xA;&#xA;BELLA (Contemptuously.) You're not game, in fact. (Her sowcunt barks.) Fohracht!&#xA;&#xA;BLOOM (Contemptuously.) Clean your nailless middle finger first, the cold spunk of your bully is dripping from your cockscomb. Take a handful of hay and wipe yourself.&#xA;&#xA;BELLA I know you, canvasser! Dead cod!&#xA;&#xA;BLOOM I saw him, kipkeeper! Pox and gleet vendor!&#xA;&#xA;BELLA (Turns to the piano.) Which of you was playing the dead march from Saul?&#xA;&#xA;ZOE Me. Mind your cornflowers. (She darts to the piano and bangs chords on it with crossed arms.) The cat's ramble through the slag. (She glances back.) Eh? Who's making love to my sweeties? (She darts back to the table.) What's yours is mine and what's mine is my own.&#xA;&#xA;(Kitty disconcerted coats her teeth with the silver paper. Bloom approaches Zoe.)&#xA;&#xA;BLOOM (Gently.) Give me back that potato, will you? Zoe Forfeits, a fine thing and a superfine thing.&#xA;&#xA;BLOOM (With feeling.) It is nothing, but still a relic of poor mamma.&#xA;&#xA;ZOE&#xA;&#xA;Give a thing and take it back&#xA;God'll ask you where is that&#xA;You'll say you don't know&#xA;God'll send you down below.&#xA;&#xA;&#xA;BLOOM There is a memory attached to it. I should like to have it.&#xA;&#xA;STEPHEN To have or not to have, that is the question.&#xA;&#xA;ZOE Here. (She hauls up a reef of her slip, revealing her bare thigh and unrolls the potato from the top of her stocking.) Those that hides knows where to find.&#xA;&#xA;BELLA (Frowns.) Here. This isn't a musical peepshow. And don't you smash that piano. Who's paying here?&#xA;&#xA;(She goes to the pianola. Stephen fumbles in his pocket and, taking out a banknote by its corner, hands it to her.)&#xA;&#xA;STEPHEN (With exaggerated politeness.) This silken purse I made out of the sow's ear of the public. Madam, excuse me. If you allow me. (He indicates vaguely Lynch and Bloom.) We are all in the same sweepstake, Kinch and Lynch. Dans ce bordel où tenons nostre état.&#xA;&#xA;LYNCH (Calls from the hearth.) Dedalus! Give her your blessing for me.&#xA;&#xA;STEPHEN (Hands Bella a coin.) Gold. She has it.&#xA;&#xA;BELLA (Looks at the money, then at Zoe, Florry and Kitty.) Do you want three girls? It's ten shillings here.&#xA;&#xA;STEPHEN (Delightedly.) A hundred thousand apologies. (He fumbles again and takes out and hands her two crowns.) Permit, brevi manu, my sight is somewhat troubled.&#xA;&#xA;(Bella goes to the table to count the money while Stephen talks to himself in monosyllables. Zoe bounds over to the table. Kitty leans over Zoe's neck. Lynch gets up, rights his cap and, clasping Kitty's waist, adds his head to the group.)&#xA;&#xA;FLORRY (Strives heavily to rise.) Ow! My foot's asleep. (She limps over to the table. Bloom approaches.)&#xA;&#xA;BELLA, ZOE. KITTY, LYNCH, BLOOM (Chattering and squabbling.) The gentleman... ten shillings... paying for the three allow me a moment... this gentleman pays separate who's touching it?... ow... mind who you're pinching... are you staying the night or a short time? who did?... you're a liar, excuse me... the gentle man paid down like a gentleman... drink... it's long after eleven.&#xA;&#xA;STEPHEN (At the pianola, making a gesture of abhorrence.) No bottles! What, eleven? A riddle.&#xA;&#xA;ZOE (Lifting up her pettigown and folding a half sovereign into the top of her stocking.) Hard earned on the flat of my back.&#xA;&#xA;LYNCH (Lifting Kitty from the table.) Come!&#xA;&#xA;KITTY Wait. (She clutches the two crowns.)&#xA;&#xA;FLORRY And me?&#xA;&#xA;LYNCH Hoopla! (He lifts her carries her and bumps her down on the sofa.)&#xA;&#xA;STEPHEN The fox crew, the cocks flew, The bells in heaven Were striking eleven. 'Tis time for her poor soul To get out of heaven.&#xA;&#xA;BLOOM (Quietly lays a half sovereign on the table between Bella and Florry.) So. Allow me. (He takes up the pound note.) Three times ten. We're square.&#xA;&#xA;BELLA (Admiringly.) You're such a slyboots, old cocky. I could kiss you.&#xA;&#xA;ZOE (Points.) Hum? Deep as a drawwell. (Lynch bends Kitty back over the sofa and kisses her. Bloom goes with the poundnote to Stephen.)&#xA;&#xA;BLOOM This is yours.&#xA;&#xA;STEPHEN How is that? Le distrait or absentminded beggar. (He fumbles again in his pocket and draws out a handful of coins. An object falls.) That fell.&#xA;&#xA;BLOOM (Stooping, picks up and hands a box of matches.) This.&#xA;&#xA;STEPHEN Lucifer. Thanks.&#xA;&#xA;BLOOM (Quietly.) You had better hand over that cash to me to take care of. Why pay more?&#xA;&#xA;STEPHEN (Hands him all his coins.) Be just before you are generous.&#xA;&#xA;BLOOM I will but is it wise? (He counts.) One, seven, eleven, and five. Six. Eleven. I don't answer for what you may have lost.&#xA;&#xA;STEPHEN Why striking eleven? Proparoxyton. Moment before the next Lessing says. Thirsty fox. (He laughs loudly.) Burying his grandmother. Probably he killed her.&#xA;&#xA;BLOOM That is one pound six and eleven. One pound seven, say.&#xA;&#xA;STEPHEN Doesn't matter a rambling damn.&#xA;&#xA;BLOOM No, but...&#xA;&#xA;STEPHEN (Comes to the table.) Cigarette, please. (Lynch tosses a cigarette from the sofa to the table.) And so Georgina Johnson is dead and married. (A cigarette appears on the table. Stephen looks at it.) Wonder. Parlour magic. Married. Hm. (He strikes a match and proceeds to light the cigarette with enigmatic melancholy.)&#xA;&#xA;LYNCH (Watching him.) You would have a better chance of lighting it if you held the match nearer.&#xA;&#xA;STEPHEN (Brings the match nearer his eye.) Lynx eye. Must get glasses. Broke them yesterday. Sixteen years ago. Distance. The eye sees all flat. (He draws the match away. It goes out.) Brain thinks. Near: far. Ineluctable modality of the visible. (He frowns mysteriously.) Hm. Sphinx. The beast that has two backs at midnight. Married.&#xA;&#xA;ZOE It was a commercial traveller married her and took her away with him.&#xA;&#xA;FLORRY (Nods.) Mr Lambe from London.&#xA;&#xA;STEPHEN Lamb of London, who takest away the sins of our world.&#xA;&#xA;LYNCH (Embracing Kitty on the sofa, chants deeply.) Dona nobis pacem. (The cigarette slips from Stephens fingers. Bloom picks it up and throws it into the grate.)&#xA;&#xA;BLOOM Don't smoke. You ought to eat. Cursed dog I met. (To Zoe.) You have nothing?&#xA;&#xA;ZOE Is he hungry?&#xA;&#xA;STEPHEN (Extends his hand to her smiling and chants to the air of the bloodoath in the Dusk of the Gods.)&#xA;&#xA;Hangende Hunger,&#xA;Fragende Frau,&#xA;Macht uns alle kaput.&#xA;&#xA;&#xA;ZOE (Tragically.) Hamlet, I am thy father's gimlet! (She takes his hand.) Blue eyed beauty, I'll read your hand. (She points to his forehead.) No wit, no wrinkles. (She counts.) Two, three, Mars, that's courage. (Stephen shakes his head.) No kid.&#xA;&#xA;LYNCH Sheet lightning courage. The youth who could not shiver and shake. (To Zoe.) Who taught you palmistry?&#xA;&#xA;ZOE (Turns.) Ask my ballocks that I haven't got. (To Stephen.) I see it in your face. The eye, like that. (She frowns with lowered head.)&#xA;&#xA;LYNCH (Laughing, slaps Kitty behind twice.) Like that. Pandy bat.&#xA;&#xA;(Twice loudly a pandybat cracks, the coffin of the pianola flies open, the bald little round jack-in-the-box head of Father Dolan springs up.)&#xA;&#xA;FATHER DOLAN Any boy want flogging? Broke his glasses? Lazy idle little schemer. See it in your eye.&#xA;&#xA;(Mild, benign, rectorial, reproving, the head of Don John Conmee rises from the pianola coffin.)&#xA;&#xA;DON JOHN CONMEE Now, Father Dolan! Now. I'm sure that Stephen is a very good little boy.&#xA;&#xA;ZOE (Examining Stephen's palm.) Woman's hand.&#xA;&#xA;STEPHEN (Murmurs.) Continue. Lie. Hold me. Caress. I never could read His handwriting except His criminal thumbprint on the haddock.&#xA;&#xA;ZOE What day were you born?&#xA;&#xA;STEPHEN Thursday. Today.&#xA;&#xA;ZOE Thursday's child has far to go. (She traces lines on his hand.) Line of fate. Influential friends.&#xA;&#xA;FLORRY (Pointing.) Imagination.&#xA;&#xA;ZOE Mount of the moon. You'll meet with a... (She peers at his hands abruptly.) I won't tell you what's not good for you. Or do you want to know?&#xA;&#xA;BLOOM (Detaches her fingers and offers his palm.) More harm than good. Here. Read mine.&#xA;&#xA;BELLA Show. (She turns up Bloom's hand.) I thought so. Knobby knuckles, for the women.&#xA;&#xA;ZOE (Peering at Bloom's palm.) Gridiron. Travels beyond the sea and marry money.&#xA;&#xA;BLOOM Wrong.&#xA;&#xA;ZOE (Quickly.) O, I see. Short little finger. Henpecked husband. That wrong?&#xA;&#xA;(Black Liz, a huge rooster hatching in a chalked circle, rises, stretches her wings and clucks.)&#xA;&#xA;BLACK LIZ Gara. Klook. Klook. Klook.&#xA;&#xA;(She sidles from her newlaid egg and waddles off.)&#xA;&#xA;BLOOM (Points to his hand.) That weal there is an accident. Fell and cut it twenty-two years ago. I was sixteen.&#xA;&#xA;ZOE I see, says the blind man. Tell us news.&#xA;&#xA;STEPHEN See? Moves to one great goal. I am twenty two too. Sixteen years ago I twentytwo tumbled, twentytwo years ago he sixteen fell off his hobbyhorse. (He winces.) Hurt my hand somewhere. Must see a dentist. Money?&#xA;&#xA;(Zoe whispers to Florry. They giggle. Bloom releases his hand and writes idly on the table in backhand, pencilling slow curves.)&#xA;&#xA;FLORRY What?&#xA;&#xA;(A hackneycar number three hundred and twentyfour, with a gallantbuttocked mare, driven by James Barton, Harmony Avenue, Donnybrook, trots past. Blazes Boylan and Lenehan sprawl swaying on the sideseats. The Ormond boots crouches behind on the axle. Sadly over the crossblind Lydia Douce and Mina Kennedy gaze.)&#xA;&#xA;THE BOOTS (Jogging, mocks them with thumb and wriggling wormfingers.) Haw, haw, have you the horn?&#xA;&#xA;(Bronze by gold they whisper.)&#xA;&#xA;ZOE (To Florry.) Whisper.&#xA;&#xA;(They whisper again.)&#xA;&#xA;(Over the well of the car Blazes Boylan leans, his boater straw set sideways, a red flower in his mouth. Lenehan, in a yachtsman's cap and white shoes, officiously detaches a long hair from Blazes Boylan s shoulder.)&#xA;&#xA;LENEHAN Ho! What do I here behold? Were you brushing the cobwebs off a few quims?&#xA;&#xA;BOYLAN (Seated, smiles.) Plucking a turkey.&#xA;&#xA;LENEHAN A good night's work.&#xA;&#xA;BOYLAN (Holding up four thick bluntungulated fingers, winks.) Blazes Kate! Up to sample or your money back. (He holds out a forefinger.) Smell that.&#xA;&#xA;LENEHAN (Smells gleefully.) Ah! Lobster and mayonnaise. Ah!&#xA;&#xA;ZOE AND FLORRY (Laugh together.) Ha ha ha ha.&#xA;&#xA;BOYLAN bumps surely from the car and calls loudly for all to hear. ) Hello, Bloom! Mrs Bloom up yet?&#xA;&#xA;BLOOM (In a flunkey's plum plush coat and kneebreeches, buff stockings and powdered wig.) I'm afraid not, sir, the last articles...&#xA;&#xA;BOYLAN (Tosses him sixpence.) Here, to buy yourself a gin and splash. (He hangs his hat smartly on a peg of Bloom's antlered head.) Show me in. I have a little private business with your wife. You understand?&#xA;&#xA;BLOOM Thank you, sir. Yes, sir, Madam Tweedy is in her bath, sir.&#xA;&#xA;MARION He ought to feel himself highly honoured. (She plops splashing out of the water.) Raoul, darling, come and dry me. I'm in my pelt. Only my new hat and a carriage sponge.&#xA;&#xA;BOYLAN (A merry twinkle in his eye.) Topping!&#xA;&#xA;BELLA What? What is it?&#xA;&#xA;(Zoe whispers to her.)&#xA;&#xA;MARION Let him look, the pishogue! Pimp! And scourge himself! I'll write to a powerful prostitute or Bartholomona, the bearded woman, to raise weals out on him an inch thick and make him bring me back a signed and stamped receipt.&#xA;&#xA;BELLA (Laughing.) Ho ho ho ho.&#xA;&#xA;BOYLAN (To Bloom, over his shoulder.) You can apply your eye to the keyhole and play with yourself while I just go through her a few times.&#xA;&#xA;BLOOM Thank you, sir, I will, sir. May I bring two men chums to witness the deed and take a snapshot? (He holds an ointment jar.) Vaseline, sir? Orangeflower?... Lukewarm water?...&#xA;&#xA;KITTY (From the sofa.) Tell us, Florry. Tell us. What.&#xA;&#xA;(Florry whispers to her. Whispering lovewords murmur lip-lapping loudly, poppysmic plopslop.)&#xA;&#xA;MINA KENNEDY (Her eyes upturned.) O, it must be like the scent of geraniums and lovely peaches! O, he simply idolises every bit of her! Stuck together! Covered with kisses!&#xA;&#xA;LYDIA DOUCE (Her mouth opening.) Yumyum. O, he's carrying her round the room doing it! Ride a cock horse. You could hear them in Paris and New York. Like mouthfuls of strawberries and cream.&#xA;&#xA;KITTY (Laughing.) Hee hee hee.&#xA;&#xA;BOYLAN'S VOICE (Sweetly, hoarsely, in the pit of his stomach.) Ah! Gooblazqruk brukarchkrasht!&#xA;&#xA;MARION'S VOICE (Hoarsely, sweetly rising to her throat.) O! Weeshwashtkissima, pooisthnapoohuck!&#xA;&#xA;BLOOM (His eyes wildly dilated, clasps himself) Show! Hide! Show! Plough her! More! Shoot!&#xA;&#xA;BELLA, ZOE, FLORRY. KITTY Ho ho! Ha ha! Hee hee!&#xA;&#xA;LYNCH (Points.) The mirror up to nature. (He laughs.) Hu hu hu hu hu hu.&#xA;&#xA;(Stephen and Bloom gaze in the mirror. The face of William Shakespeare, beardless, appears there, rigid in facial paralysis, crowned by the reflection of the reindeer antlered hatrack in the hall.)&#xA;&#xA;SHAKESPEARE (In dignified ventriloquy.) 'Tis the loud laugh bespeaks the vacant mind. (To Bloom.) Thou thoughtest as how thou wastest invisible. Gaze. (He crows with a black capon's laugh.) Iagogo! How my Oldfellow chokit his Thursdaymomun. Iagogogo!&#xA;&#xA;BLOOM (Smiles yellowly at the whores.) When will I hear the joke?&#xA;&#xA;ZOE Before you're twice married and once a widower.&#xA;&#xA;BLOOM Lapses are condoned. Even the great Napoleon, when measurements were taken near the skin after his death...&#xA;&#xA;(Mrs Dignam, widow woman, her snubnose and cheeks flushed with deathtalk, tears and Tunny's tawny sherry, hurries by in her weeds, her bonnet awry, rouging and powdering her cheeks, lips and nose, a pen chivvying her brood of cygnets. Beneath her skirt appear her late husband's everyday trousers and turnedup boots, lace eights. She holds a Scottish widow's insurance policy and lace marqueeumbrella under which her brood runs with her, Patsy hopping on one short foot, his collar loose, a hank of porksteaks dangling, Freddy whimpering, Susy with a crying cods mouth, Alice struggling with the baby. She cuffs them on, her streamers flaunting aloft.)&#xA;&#xA;FREDDY Ah, ma, you're dragging me along!&#xA;&#xA;SUSY Mamma, the beeftea is fizzing over!&#xA;&#xA;SHAKESPEARE (With paralytic rage.) Weda seca whokilla farst.&#xA;&#xA;(The face of Martin Cunningham, bearded, refeatures Shakespeares beardless face. The marqueeumbrella sways drunkenly, the children run aside. Under the umbrella appears Mrs Cunningham in Merry Widow hat and kimono gown. She glides sidling and bowing, twisting japanesily.)&#xA;&#xA;MRS CUNNINGHAM (Sings.) And they call me the jewel of Asia.&#xA;&#xA;MARTIN CUNNINGHAM&#xA;&#xA;(Gazes on her impassive.) Immense! Most bloody awful demirep!&#xA;&#xA;STEPHEN Et exaltabuntur cornua iusti. Queens lay with prize bulls. Remember Pasiphae for whose lust my grandoldgross father made the first confessionbox. Forget not Madam Grissel Steevens nor the suine scions of the house of Lambert. And Noah was drunk with wine. And his ark was open.&#xA;&#xA;BELLA None of that here. Come to the wrong shop.&#xA;&#xA;LYNCH Let him alone. He's back from Paris.&#xA;&#xA;ZOE (Runs to Stephen and links him.) O go on! Give us some parleyvoo.&#xA;&#xA;(Stephen claps hat on head and leaps over to the fireplace, where he stands with shrugged shoulders, finny hands outspread, a painted smile on his face.)&#xA;&#xA;LYNCH (Pommelling on the sofa.) Rmm Rmm Rmm Rrr rrrmmmmm.&#xA;&#xA;STEPHEN (Gobbles, with marionette jerks. ) Thousand places of entertainment to expenses your evenings with lovely ladies saling gloves and other things perhaps her heart beerchops perfect fashionable house very eccentric where lots cocottes beautiful dressed much about princesses like are dancing cancan and walking there parisian clowneries extra foolish for bachelors foreigns the same if talking a poor english how much smart they are on things love and sensations voluptuous. Misters very selects for is pleasure must to visit heaven and hell show with mortuary candles and they tears silver which occur every night. Perfectly shocking terrific of religion's things mockery seen in universal world. All chic womans which arrive full of modesty then disrobe and squeal loud to see vampire man debauch nun very fresh young with dessous troublants. (He clocks his tongue loudly.) Ho, la la! Ce pif qu'il a!&#xA;&#xA;LYNCH Vive le vampire!&#xA;&#xA;THE WHORES Bravo! Parleyvoo!&#xA;&#xA;STEPHEN (Grimacing with head back, laughs loudly, clapping himself) Great success of laughing. Angels much prostitutes like and holy apostles big damn ruffians. Demimondaines nicely handsome sparkling of diamonds very amiable cos turned. Or do you are fond better what belongs they moderns pleasure turpitude of old mans? (He points about him with grotesque gestures which Lynch and the whores reply to.) Caoutchouc statue woman reversible or lifesize tompeeptoms virgins nudities very lesbic the kiss five ten times. Enter gentlemen to see in mirrors every positions trapezes all that machine there besides also if desire act awfully bestial butcher's boy pollutes in warm veal liver or omelette on the belly pièce de Shakespeare.&#xA;&#xA;BELLA (Clapping her belly, sinks back on the sofa with a shout of laughter.) An omelette on the... Ho! ho! ho! ho!... Omelette on the...&#xA;&#xA;STEPHEN (Mincingly.) I love you, Sir darling. Speak you englishman tongue for double entente cordiale. O yes, mon loup. How much cost? Waterloo. Watercloset. (He ceases suddenly and holds up a forefinger.)&#xA;&#xA;BELLA (Laughing.) Omelette...&#xA;&#xA;THE WHORES (Laughing.) Encore! Encore!&#xA;&#xA;STEPHEN Mark me. I dreamt of a watermelon.&#xA;&#xA;ZOE Go abroad and love a foreign lady.&#xA;&#xA;LYNCH Across the world for a wife.&#xA;&#xA;FLORRY Dreams go by contraries.&#xA;&#xA;STEPHEN (Extending his arms.) It was here. Street of harlots. In Serpentine Avenue Beelzebub showed me her, a fubsy widow. Where's the red carpet spread?&#xA;&#xA;BLOOM (Approaching Stephen.) Look.&#xA;&#xA;STEPHEN No, I flew. My foes beneath me. And ever shall be. World without end. (He cries.) Pater! Free!&#xA;&#xA;BLOOM I say, look...&#xA;&#xA;STEPHEN Break my spirit, will he? O merde alors! (He cries, his vulture talons sharpened.) Hola! Hillyho!&#xA;&#xA;(Simon Dedalus' voice hilloes in answer, somewhat sleepy but ready.)&#xA;&#xA;SIMON That's all right. (He swoops uncertainly through the air, wheeling, uttering cries of heartening, on strong ponderous buzzard wings.) Ho, boy! Are you going to win? Hoop! Pschatt! Stable with those halfcastes. Wouldn't let them within the bawl of an ass. Head up! Keep our flag flying! An eagle gules volant in a field argent displayed. Ulster king at arms! hai hoop! (He makes the beagle's call giving tongue.) Bulbul! Burblblbrurblbl! Hai, boy!&#xA;&#xA;(The fronds and spaces of the wallpaper file rapidly across country. A stout fox drawn from covert, brush pointed, having buried his grandmother, runs swift for the open, bright-eyed, seeking badger earth, under the leaves. The pack of staghounds follows, nose to the ground, sniffing their quarry, beaglebaying, burblbrblng to be blooded. Ward Union huntsmen and huntswomen live with them, hot for a kill. From Six Mile Point, Flathouse, Nine Mile Stone follow the footpeople with knotty sticks, salmongaffs, lassos, flockmasters with stockwhips, bearbaiters with tomtoms, toreadors with bullswords, grey negroes waving torches. The crowd bowls of dicers, crown and anchor players, thimbleriggers, broadsmen. Crows and touts, hoarse bookies in high wizard hats clamour deafeningly.)&#xA;&#xA;THE CROWD&#xA;&#xA;Card of the races. Racing card!&#xA;Ten to one the field!&#xA;Tommy on the clay here!&#xA;Tommy on the clay!&#xA;Ten to one bar one.&#xA;Ten to one bar one.&#xA;Try your luck on spinning Jenny!&#xA;Ten to one bar one!&#xA;Sell the monkey, boys!&#xA;Sell the monkey!&#xA;I'll give ten to one!&#xA;Ten to one bar one!&#xA;&#xA;&#xA;(A dark horse, riderless, bolts like a phantom past the winningpost, his mane moonfoaming, his eyeballs stars. The field follows, a bunch of bucking mounts. Skeleton horses: Sceptre, Maximum the Second, Zinfandel, the Duke of Westminsters Shotover, Repulse, the Duke of Beauforts' Ceylon, prix de Paris. Dwarfs ride them, rusty armoured, leaping, leaping in their saddles. Last in a drizzle of rain, on a broken-winded isabelle nag, Cock of the North, the favourite, honey cap, green jacket, orange sleeves, Garrett Deasy up, gripping the reins, a hockey stick at the ready. His nag, stumbling on whitegaitered feet, jogs along the rocky road.)&#xA;&#xA;THE ORANGE LODGES (Jeering.) Get down and push, mister. Last lap! You'll be home the night!&#xA;&#xA;GARRETT DEASY (Bolt upright, his nailscraped face plastered with postage stamps, brandishes his hockeystick, his blue eyes flashing in the prism of the chandelier as his mount lopes by at a schooling gallop.) Per vias rectas!&#xA;&#xA;(A yoke of buckets leopards all over him and his rearing nag, a torrent of mutton broth with dancing coins of carrots, barley, onions, turnips, potatoes.)&#xA;&#xA;THE GREEN LODGES Soft day, sir John! Soft day, your honour!&#xA;&#xA;(Private Carr, Private Compton and Cissy Caffrey pass beneath the windows, singing in discord.)&#xA;&#xA;STEPHEN Hark! Our friend, noise in the street!&#xA;&#xA;ZOE (Holds up her hand.) Stop!&#xA;&#xA;PRIVATE CARR, PRIVATE COMPTON and CISSY CAFFREY&#xA;&#xA;Yet I've a sort a&#xA;Yorkshire relish for...&#xA;&#xA;&#xA;ZOE That's me. (She claps her hands.) Dance! Dance! (She runs to the pianola.) Who has twopence?&#xA;&#xA;BLOOM Who'll.&#xA;&#xA;LYNCH (Handing her coins.) Here.&#xA;&#xA;STEPHEN (Cracking his fingers impatiently.) Quick! Quick! Where's my augur's rod? (He runs to the piano and takes his ashplant, beating his foot in tripudium.)&#xA;&#xA;ZOE (Turns the drumhandle.) There.&#xA;&#xA;(She drops two pennies in the slot. Glow pink and violet lights start forth. The drum turns purring in low hesitation waltz. Professor Goodwin, in a bowknotted periwig, in court dress, wearing a stained inverness cape, bent in two from incredible age, totters across the room, his hands fluttering. He sits tinily on the piano stool and lifts and beats handless sticks of arms on the keyboard, nodding with damsels grace, his bowknot bobbing.)&#xA;&#xA;ZOE (Twirls around herself heeltapping.) Dance. Anybody here for there? Who'll dance?&#xA;&#xA;(The pianola, with changing lights, plays in waltz time the prelude to My Girl's a Yorkshire Girl. Stephen throws his ashplant on the table and seizes Zoe around the waist. Florry and Bella push the table towards the fireplace. Stephen, aiming Zoe with exaggerated grace, begins to waltz her around the room. Her sleeve, falling from gracing arms, reveals a white fleshflower of vaccination. Bloom stands aside. Between the curtains, Professor Maginni inserts a leg on the toepoint of which spins a silk hat. With a deft kick, he sends it spinning to his crown and jauntyhatted skates in. He wears a slate frockcoat with claret silk lapels, a go-et of cream tulle, a green lowcut waistcoat, stock collar with white kerchief tight lavender trousers, patent pumps and canary gloves. In his buttonhole is a dahlia. He twirls in reversed directions a clouded cane, then wedges it tight in his oxter. He places a hand limply on his breastbone, bows and fondles his flower and buttons.)&#xA;&#xA;MAGINNI The poetry of motion, art of callisthenics. No connection with Madam Legget Byrne's or Levinstone's. Fancy dress balls arranged. Deportment. The Katty Lanner steps. So. Watch me! My terpsichorean abilities. (He minuets forward three paces on tripping bee's feet.) Tout le monde an avant! Révérence! Tout le monde en place!&#xA;&#xA;(The prelude ceases. Professor Goodwin, beating vague arms,shrivels, shrinks, his live cape falling about the stool. The air, in firmer waltz time, pounds. Stephen and Zoe circle freely. The lights change, glow, fade, gold, rose, violet.)&#xA;&#xA;THE PIANOLA Two young fellows were talking about their girls, girls, girls, Sweethearts they'd left behind.&#xA;&#xA;(From a corner the morning hours run out, goldhaired, slim, in girlish blue, waspwaisted, with innocent hands. Nimbly they dance, twirling their skipping ropes. The hours of noon follow in amber gold. Laughing linked, high haircombs flashing, they catch the sun in mocking mirrors, lifting their arms.)&#xA;&#xA;MAGINNI (Clipclaps glovesilent hands.) Carré! Avant deux! Breathe evenly! Balance!&#xA;&#xA;(The morning and noon hours waltz in their places, turning, advancing to each other, shaping their curves, bowing vis a vis. Cavaliers behind them arch and suspend their arms, with hands descending to, touching, rising from their shoulders.)&#xA;&#xA;HOURS You may touch my.&#xA;&#xA;CAVALIERS May I touch your?&#xA;&#xA;HOURS O, but lightly!&#xA;&#xA;CAVALIERS O, so lightly!&#xA;&#xA;THE PIANOLA My little shy little lass has a waist.&#xA;&#xA;(Zoe and Stephen turn boldly with looser swing. The twilight hours advance, from long landshadows, dispersed, lagging, languideyed, their cheeks delicate with cipria and false faint bloom. They are in grey gauze with dark bat sleeves that flutter in the land breeze.)&#xA;&#xA;MAGINNI Avant! huit! Traversé! Salut! Cours de mains! Croisé!&#xA;&#xA;(The eight hours steal to the last place. Morning, noon and twilight hours retreat before them. They are masked, with daggered hair and bracelets of dull bells. Weary, they curchycurchy under veils.)&#xA;&#xA;THE BRACELETS Heigho! Heigho!&#xA;&#xA;ZOE (Twisting, her hand to her brow.) O!&#xA;&#xA;MAGINNI Los tiroirs! Chaîne de dames! La corbeille! Dos à dos!&#xA;&#xA;(Arabesquing wearily, they weave a pattern on the floor, weaving, unweaving, curtseying, twisting, simply swirling.)&#xA;&#xA;ZOE I'm giddy.&#xA;&#xA;(She frees herself droops on a chair, Stephen seizes Florry and turns with her.)&#xA;&#xA;MAGINNI Boulangère! Los ronds! Los ponts! Chevaux de bois! Escargots!&#xA;&#xA;(Twining, receding, with interchanging hands, the night hours link, each with arching arms, in a mosaic of movements. Stephen and Florry turn cumbrously.)&#xA;&#xA;MAGINNI Dansez avec vos dames! Changes de dames! Donnes le petit bouquet a votre dame! Remerciez!&#xA;&#xA;THE PIANOLA&#xA;&#xA;Best, best of all,&#xA;Baraabum!&#xA;&#xA;&#xA;KITTY (Jumps up.) O, they played that on the hobbyhorses at the Mirus bazaar!&#xA;&#xA;(She runs to Stephen. He leaves Florry brusquely and seizes Kitty. A screaming bit tern's harsh high whistle shrieks. Groangrousegurgling Toft's cumbersome whirligig turns slowly the room right roundabout the room.)&#xA;&#xA;THE PIANOLA My girl's a Yorkshire girl.&#xA;&#xA;ZOE Yorkshire through and through. Come on all!&#xA;&#xA;(She seizes Florry and waltzes her.)&#xA;&#xA;STEPHEN Pas seul!&#xA;&#xA;(He wheels Kitty into Lynch's arm's, snatches up his ashplant from the table and takes the floor. All wheel, whirl, waltz, twirl. Bloombella, Kittylynch, Florryzoe, jujuby women. Stephen with hat ashplant frogsplits in middle highkicks with skykicking mouth shut hand clasp part under thigh, with clang tinkle boomhammer tallyho horn blower blue green yellow flashes. Toft's cumbersome turns with hobbyhorse riders from gilded snakes dangled, bowels fandango leaping spurn soil foot and fall again.)&#xA;&#xA;THE PIANOLA&#xA;&#xA;Though she's a factory lass&#xA;And wears no fancy clothes.&#xA;&#xA;&#xA;(Closeclutched swift swifter with glareblareflare scudding they scotlootshoot lumbering by. Baraabum!)&#xA;&#xA;TUTTI Encore! Bis! Bravo! Encore!&#xA;&#xA;SIMON Think of your mother's people!&#xA;&#xA;STEPHEN Dance of death.&#xA;&#xA;(Bang fresh barang bang of lacquey's bell, horse, nag, steer piglings, Conmee on Christass lame crutch and leg sailor in cockboat armfolded ropepulling hitching stamp hornpipe' through and through, Baraabum! On nags, hogs, bellhorses, Gadarene swine, Corny in coffin. Steel shark stone one handled Nelson, two trickies Frauenzimmer plumstained from pram falling bawling. Gum, he's a champion. Fuseblue peer from barrel rev. evensong love on hackney jaunt Blazes blind coddoubled bicyclers Dilly with snowcake no fancy clothes. Then in last wiswitchback lumbering up and down bump mash tub sort of viceroy and reine relish for tublumber bumpshire rose. Baraabum!)&#xA;&#xA;(The couples fall aside. Stephen whirls giddily. Room whirls back. Eyes closed, he totters. Red rails fly spacewards. Stars all around suns turn roundabout. Bright midges dance on wall. He stops dead.)&#xA;&#xA;STEPHEN Ho!&#xA;&#xA;(Stephen's mother, emaciated, rises stark through the floor in leper grey with a wreath of faded orange blossoms and a torn bridal veil, her face worn and noseless, green with grave mould. Her hair is scant and lank. She fixes her bluecircled hollow eyesockets on Stephen and opens her toothless mouth uttering a silent word. A choir of virgins and confessors sing voicelessly.)&#xA;&#xA;THE CHOIR&#xA;&#xA;Liliata rutilantium te confessorum...&#xA;Iubilantium te virginum...&#xA;&#xA;&#xA;(From the top of a tower Buck Mulligan, in particoloured jester's dress of puce and yellow and clown's cap with curling bell, stands gaping at her, a smoking buttered split scone in his hand.)&#xA;&#xA;&#xA;BUCK MULLIGAN She's beastly dead. The pity of it! Mulligan meets the afflicted mother. (He upturns his eyes.) Mercurial Malachi.&#xA;&#xA;&#xA;THE MOTHER (With the subtle smile of death's madness.) I was once the beautiful May Goulding. I am dead.&#xA;&#xA;&#xA;STEPHEN (Horrorstruck.) Lemur, who are you? What bogey man's trick is this?&#xA;&#xA;&#xA;BUCK MULLIGAN (Shakes his curling capbell.) The mockery of it! Kinch killed her dogsbody bitchbody. She kicked the bucket. (Tears of molten butter fall from his eyes into the scone.) Our great sweet mother! Epi oinopa ponton.&#xA;&#xA;&#xA;THE MOTHER (Comes nearer, breathing upon him softly her breath of wetted ashes.) All must go through it, Stephen. More women than men in the world. You too. Time will come.&#xA;&#xA;&#xA;STEPHEN (Choking with fright, remorse and horror.) They said I killed you, mother. He offended your memory. Cancer did it, not I. Destiny.&#xA;&#xA;&#xA;THE MOTHER (A green rill of bile trickling from a side of her mouth.) You sang that song to me. Love's bitter mystery.&#xA;&#xA;&#xA;STEPHEN (Eagerly.) Tell me the word, mother, if you know now. The word known to all men.&#xA;&#xA;&#xA;THE MOTHER Who saved you the night you jumped into the train at Dalkey with Paddy Lee? Who had pity for you when you were sad among the strangers? Prayer is all powerful. Prayer for the suffering souls in the Ursuline manual, and forty days' indulgence. Repent, Stephen.&#xA;&#xA;&#xA;STEPHEN The ghoul! Hyena!&#xA;&#xA;&#xA;THE MOTHER I pray for you in my other world. Get Dilly to make you that boiled rice every night after your brain work. Years and years I loved you, O my son, my firstborn, when you lay in my womb.&#xA;&#xA;&#xA;ZOE (Fanning herself with the grate fan.) I'm melting!&#xA;&#xA;&#xA;FLORRY (Points to Stephen) Look! He's white.&#xA;&#xA;&#xA;BLOOM (Goes to the window to open it more.) Giddy.&#xA;&#xA;&#xA;THE MOTHER (With smouldering eyes.) Repent! O, the fire of hell!&#xA;&#xA;&#xA;STEPHEN (Panting.) The corpsechewer! Raw head and bloody bones!&#xA;&#xA;&#xA;THE MOTHER (Her face drawing near and nearer, sending out an ashen breath.) Beware! (She raises her blackened, withered right arm slowly towards Stephen's breast with outstretched fingers.) Beware! God's hand! (A green crab with malignant red eyes sticks deep its grinning claws in Stephen's heart.)&#xA;&#xA;&#xA;STEPHEN (Strangled with rage.) Shite! (His features grow drawn and grey and old.)&#xA;&#xA;&#xA;BLOOM (At the window.) What?&#xA;&#xA;&#xA;STEPHEN Ah non, par exemple! The intellectual imagination! With me all or not at all. Non serviam!&#xA;&#xA;&#xA;FLORRY Give him some cold water. Wait. (She rushes out.)&#xA;&#xA;&#xA;THE MOTHER (Wrings her hands slowly, moaning desperately.) O Sacred Heart of Jesus, have mercy on him! Save him from hell, O divine Sacred Heart!&#xA;&#xA;&#xA;STEPHEN No! No! No! Break my spirit all of you if you can! I'll bring you all to heel!&#xA;&#xA;&#xA;THE MOTHER (In the agony of her deathrattle.) Have mercy on Stephen, Lord, for my sake! Inexpressible was my anguish when expiring with love, grief and agony on Mount Calvary.&#xA;&#xA;&#xA;STEPHEN Nothung!&#xA;&#xA;&#xA;(He hits his ashplant high with both hands and smashes the chandelier. Time's livid final flame leaps and, in the following darkness, ruin of all space, shattered glass and toppling masonry.)&#xA;&#xA;&#xA;THE GASJET Pwfungg!&#xA;&#xA;&#xA;BLOOM Stop!&#xA;&#xA;&#xA;LYNCH (Rushes forward and seizes Stephen's hand.) Here! Hold on! Don't run amok!&#xA;&#xA;&#xA;BELLA Police!&#xA;&#xA;&#xA;(Stephen, abandoning his ashplant, his head and arms thrown back stark, beats the ground and flees from the room past the whores at the door.)&#xA;BELLA (Screams.) After him!&#xA;&#xA;&#xA;(The two whores rush to the halldoors. Lynch and Kitty and Zoe stampede from the room. They talk excitedly. Bloom follows, returns.)&#xA;&#xA;&#xA;THE WHORES (Jammed in the doorway, pointing.) Down there.&#xA;&#xA;&#xA;ZOE (Pointing.) There. There's something up.&#xA;&#xA;&#xA;BELLA Who pays for the lamp? (She seizes Bloom's coattail.) There. You were with him. The lamp's broken.&#xA;&#xA;&#xA;BLOOM (Rushes to the hall, rushes back.) What lamp, woman?&#xA;&#xA;&#xA;A WHORE He tore his coat.&#xA;&#xA;&#xA;BELLA (Her eyes hard with anger and cupidity, points.) Who's to pay for that? Ten Shillings. You're a witness.&#xA;&#xA;&#xA;BLOOM (Snatches up Stephen's ashplant.) Me? Ten shillings? Haven't you lifted enough off him? Didn't he...&#xA;&#xA;&#xA;BELLA (Loudly.) Here, none of your tall talk. This isn't a brothel. A ten shilling house.&#xA;&#xA;&#xA;BLOOM (His hand under the lamp, pulls the chain. Pulling, the gasjet lights up a crushed mauve purple shade. He raises the ashplant.) Only the chimney's broken. Here is all he...&#xA;&#xA;&#xA;BELLA (Shrinks back and screams.) Jesus! Don't!&#xA;&#xA;&#xA;BLOOM (Warding off a blow.) To show you how he hit the paper. There's not a sixpenceworth of damage done. Ten shillings!&#xA;&#xA;&#xA;FLORRY (With a glass of water enters.) Where is he?&#xA;&#xA;&#xA;BELLA Do you want me to call the police?&#xA;&#xA;&#xA;BLOOM O, I know. Bulldog on the premises. But he's a Trinity student. Patrons of your establishment. Gentlemen that pay the rent. (He makes a masonic sign.) Know what I mean? Nephew of the vice-chancellor. You don't want a scandal.&#xA;&#xA;&#xA;BELLA (Angrily.) Trinity! Coming down here ragging after the boat races and paying nothing. Are you my commander here? Where is he? I'll charge him. Disgrace him, I will. (She shouts.) Zoe! Zoe!&#xA;&#xA;&#xA;BLOOM (Urgently.) And if it were your own son in Oxford! (Warningly.) I know.&#xA;&#xA;&#xA;BELLA (Almost speechless.) Who are you incog?&#xA;&#xA;&#xA;ZOE (In the doorway.) There's a row on.&#xA;&#xA;&#xA;BLOOM What? Where? (He throws a shilling on the table and shouts.) That's for the chimney. Where? I need mountain air. (He hurries out through the hall. The whores point. Florry follows, spilling water from her tilted tumbler. On the doorstep all the whores clustered talk volubly, pointing to the right where the fog has cleared off From the left arrives a jingling hackney car. It slows to in front of the house. Bloom at the halldoor perceives Corny Kelleher who is about to dismount from the car with two silent lechers. He averts his face. Bella from within the hall uses on her whores. They blow ickylickysticky yumyum kisses. Corny Kelleher replies with a ghostly lewd smile. The silent lechers turn to pay the jarvey. Zoe and Kitty still point right. Bloom, parting them swiftly, draws his caliph's hood and poncho and hurries down the steps with sideways face. Incog Haroun al Baschid, he flits behind the silent lechers and hastens on by the railings with fleet step of a pard strewing the drag behind him, torn envelopes drenched in aniseed. The ashplant marks his stride. A pack of bloodhounds, led by Hornblower of Trinity brandishing a dogwhip in tallyho cap and an old pair of grey trousers, follows from far, picking up the scent, nearer, baying, panting, at fault, breaking away, throwing their tongues, biting his heels, leaping at his tail. He walks, runs, zigzags, gallops, lugs laid back. He is pelted with gravel, cabbagestumps, biscuitboxes, eggs, potatoes, dead codfish, womans slipperslappers. After him, freshfound, the hue and cry zigzag gallops in hot pursuit of follow my leader: 65 C 66 C night watch, John Henry Menton, Wisdom Hely, V.B. Dillon, Councillor Nannetti, Alexander Keyes, Larry O'Rourke, Joe Cuffe, Mrs O'Dowd Pisser Burke, The Nameless One, Mrs Riordan, The Citizen, Garryowen, Whatdoyoucallhim, Strangeface, Fellowthatslike, Sawhimbefore, Chapwith, Chris Callinan, sir Charles Cameron, Benjamin Dollard, Lenehan, Bartell d'Arcy, Joe Hynes, red Murray, editor Brayden, T.M. Healy, Mr Justice Fitzgibbon, John Howard Parnell, the reverend Tinned Salmon, Professor Joly, Mrs Breen, Denis Breen, Theodore Purefoy, Mina Purefoy, the Westland Row postmistress, C.P. M'Coy, friend of Lyons, Hoppy Holohan, man in the street, other man in the street, Footballboots, pugnosed driver rich protestant lady, Davy Byrne, Mrs Ellen M'Guinness, Mrs Joe Gallaher George Lidwell, Jimmy Henry on corns, Superintendent Laracy, Father Cowley, Crofton out of the Collector Generals, Dan Dawson, dental surgeon Bloom with tweezers, Mrs Bob Doran, Mrs Kennefick, Mrs Wyse Nolan, John Wyse Nolan, handsomemamedwomanrubbed againstwidebehindinClonskeatram, the bookseller of Sweets of Sin, Miss Dubedatandshedidbedad, Mesdames Gerald and Stanislaus Moran of Roebuck, the managing clerk of Drimmies colonel Hayes, Mastiansky, Citron, Penrose, Aaron Figatner, Moses Herzog, Michael E. Geraghty, Inspector Troy, Mrs Galbraith, the constable off Eccles Street corner old doctor Brady with stethoscope, the mystery man on the beach, a retriever Mrs Miriam Dandrade and all her lovers.&#xA;&#xA;&#xA;THE HUE AND CRY (Helterskelterelterwelter) He's Bloom! Stop Bloom! Stopabloom! Stopperrobber! Hi! Hi! Stop him on the corner!&#xA;&#xA;&#xA;(At the corner of Beaver Street beneath the scaffolding Bloom panting stops on the fringe of the noisy quarrelling knot, a lot not knowing a jot what hi! hi! row and wrangle round the whowhat brawlaltogether.)&#xA;&#xA;&#xA;STEPHEN (With elaborate gestures, breathing deeply and slowly.) You are my guests. The uninvited. By virtue of the fifth of George and seventh of Edward. History to blame. Fabled by mothers of memory.&#xA;&#xA;&#xA;PRIVATE CARR (To Cissy Caffrey.) Was he insulting you?&#xA;&#xA;&#xA;STEPHEN Addressed her in vocative feminine. Probably neuter. Ungenitive.&#xA;VOICES No, he didn't. The girl's telling lies. He was in Mrs Cohen's. What's up? Soldiers and civilians.&#xA;&#xA;&#xA;CISSY CAFFREY I was in company with the soldiers and they left me to do - you know and the young man ran up behind me. But I'm faithful to the man that's treating me though I'm only a shilling whore.&#xA;&#xA;&#xA;STEPHEN (Catches sight of Kitty's and Lynch's heads.) Hail, Sisyphus. (He points to himself and the others.) Poetic. Neopoetic.&#xA;&#xA;&#xA;VOICES She's faithfultheman.&#xA;&#xA;&#xA;CISSY CAFFREY Yes, to go with him. And me with a soldier friend.&#xA;&#xA;&#xA;PRIVATE COMPTON He doesn't half want a thick ear, the blighter. Biff him one, Harry.&#xA;&#xA;&#xA;PRIVATE CARR (To Cissy.) Was he insulting you while me and him was having a piss?&#xA;&#xA;&#xA;LORD TENNYSON (In Union Jack blazer and cricket flannels, bareheaded, flowingbearded.) Their's not to reason why.&#xA;&#xA;&#xA;PRIVATE COMPTON Biff him, Harry.&#xA;&#xA;&#xA;STEPHEN (To Private Compton. ) I don't know your name but you are quite right. Doctor Swift says one man in armour will beat ten men in their shirts. Shirt is synechdoche. Part for the whole.&#xA;&#xA;&#xA;CISSY CAFFREY (To the crowd.) No, I was with the private.&#xA;&#xA;&#xA;STEPHEN (Amiably.) Why not? The bold soldier boy. In my opinion every lady for example...&#xA;&#xA;&#xA;PRIVATE CARR (His cap awry, advancing to Stephen.) Say, how would it be, governor, if I was to bash in your jaw?&#xA;&#xA;&#xA;STEPHEN (Looks up in the sky.) How? Very unpleasant. Noble art of self-pretence. Personally, I detest action. (He waves his hand) Hand hurts me slightly. Enfin, ce sont vos oignons.&#xA;&#xA;&#xA;(To Cissy Caffrey.) Some trouble is on here. What is it, precisely?&#xA;&#xA;&#xA;DOLLY GRAY (From her balcony waves her handkerchief giving the sign of the heroine of Jericho.) Rahab. Cook's son, goodbye. Safe home to Dolly. Dream of the girl you left behind and she will dream of you.&#xA;&#xA;&#xA;(The soldiers turn their swimming eyes.)&#xA;&#xA;&#xA;BLOOM (Elbowing through the crowd plucks Stephen's sleeve vigorously.) Come now, professor, that carman is waiting.&#xA;&#xA;&#xA;STEPHEN (Turns.) Eh? (He disengages himself) Why should I not speak to him or to any human being who walks upright upon this oblate orange? (He points his finger.) I'm not afraid of what I can talk to if I see his eye. Retaining the perpendicular.&#xA;&#xA;&#xA;(He staggers a pace back.)&#xA;&#xA;&#xA;BLOOM (Propping him.) Retain your own.&#xA;&#xA;&#xA;STEPHEN (Laughs emptily.) My centre of gravity is displaced. I have forgotten the trick. Let us sit down somewhere and discuss. Struggle for life is the law of existence but modern philirenists, notably the tsar and the king of England, have invented arbitration. (He taps his brow.) But in here it is I must kill the priest and the king.&#xA;&#xA;&#xA;BIDDY THE CLAP Did you hear what the professor said? He's a professor out of the college.&#xA;&#xA;&#xA;CUNTY KATE I did. I heard that.&#xA;&#xA;&#xA;BIDDY THE CLAP He expresses himself with much marked refinement of phraseology.&#xA;&#xA;&#xA;CUNTY KATE Indeed, yes. And at the same time with such apposite trenchancy.&#xA;&#xA;&#xA;PRIVATE CARR (Pulls himself free and comes forward.) What's that you're saying about my king?&#xA;&#xA;&#xA;(Edward the Seventh appears in an archway. He wears a white jersey on which an image of the Sacred Heart is stitched, with the insignia of Garter and Thistle, Golden Fleece, Elephant of Denmark, Skinners' and Probyns' horse, Lincoln's Inn bencher and ancient and honourable artillery company of Massachusetts. He sucks a red jujube. He is robed as a grand elect perfect and sublime mason with trowel and apron, marked made in Germany. In his left hand he holds a plasterers bucket on which is printed: Défense d'uriner. A roar of welcome greets him.)&#xA;&#xA;&#xA;EDWARD THE SEVENTH (Slowly, solemnly but indistinctly.) Peace, perfect peace. For identification bucket in my hand. Cheerio, boys. (He turns to his subjects.) We have come here to witness a clean straight fight and we heartily wish both men the best of good luck. Mahak makar a back.&#xA;&#xA;&#xA;(He shakes hands with Private Carr, Private Compton, Stephen, Bloom and Lynch. General applause. Edward the Seventh lifts the bucket graciously in acknowledgement.)&#xA;&#xA;&#xA;PRIVATE CARR (To Stephen.) Say it again.&#xA;&#xA;&#xA;STEPHEN (Nervous, friendly, pulls himself up.) I understand your point of view, though I have no king myself for the moment. This is the age of patent medicine. A discussion is difficult down here. But this is the point. You die for your country, suppose. (He places his arm on Private Carr's sleeve.) Not that I wish it for you. But I say: Let my country die for me. Up to the present it has done so. I don't want it to die. Damn death. Long live life!&#xA;&#xA;&#xA;EDWARD THE SEVENTH (Levitates over heaps of slain in the garb and with the halo of Joking Jesus, a white jujube in his phosphorescent face.)&#xA;&#xA;&#xA;My methods are new and are causing surprise.&#xA;To make the blind see I throw dust in their eyes.&#xA;&#xA;&#xA;STEPHEN Kings and unicorns! (He falls back a pace.) Come somewhere and we'll... What was that girl saying?...&#xA;&#xA;PRIVATE COMPTON Eh, Harry, give him a kick in the knackers. Stick one into Jerry.&#xA;&#xA;BLOOM (To the privates, softly.) He doesn't know what he's saying. Taking a little more than is good for him. Absinthe, the greeneyed monster. I know him. He's a gentleman, a poet. It's all right.&#xA;&#xA;STEPHEN (Nods, smiling and laughing.) Gentleman, patriot, scholar and judge of impostors.&#xA;&#xA;PRIVATE CARR I don't give a bugger who he is. PRIVATE COMPTON We don't give a bugger who he is.&#xA;&#xA;STEPHEN I seem to annoy them. Green rag to a bull.&#xA;&#xA;(Kevin Egan of Paris in black Spanish tasselled shirt and peep-o'-day boys hat signs to Stephen.)&#xA;&#xA;KEVIN EGAN H'lo. Bonjour! The vieille ogresse with the dents jaunes.&#xA;&#xA;(Patrice Egan peeps from behind, his rabbit face nibbling a quince leaf.)&#xA;&#xA;PATRICE Socialiste!&#xA;&#xA;DON EMILE PATRIZIO FRANZ RUPERT POPE HENNESSY (In medieval hauberk, two wild geese volant on his helm, with noble indignation points a mailed hand against the privates.) Were those eykes to footboden, big grand porcos of johnyellows todos covered of gravy!&#xA;&#xA;BLOOM (To Stephen.) Come home. You'll get into trouble.&#xA;&#xA;STEPHEN (Swaying.) I don't avoid it. He provokes my intelligence.&#xA;&#xA;BIDDY THE CLAP One immediately observes that he is of patrician lineage.&#xA;&#xA;THE VIRAGO Green above the red, says he. Wolfe Tone.&#xA;&#xA;THE BAWD The red's as good as the green, and better. Up the soldiers! Up King Edward!&#xA;&#xA;A ROUGH (Laughs.) Ay! Hands up to De Wet.&#xA;&#xA;THE CITIZEN (With a huge emerald muffler and shillelagh, calls.)&#xA;&#xA;May the God above&#xA;Send down a cove&#xA;With teeth as sharp as razors&#xA;To slit the throat&#xA;Of the English dogs&#xA;That hanged our Irish leaders.&#xA;&#xA;&#xA;THE CROPPY BOY (The rope noose round his neck, gripes in his issuing bowels with both hands.)&#xA;&#xA;I bear no hate to a living thing,&#xA;But love my country beyond the king.&#xA;&#xA;&#xA;RUMBOLD, DEMON BARBER (Accompanied by two blackmasked assistants, advances with a gladstone bag which he opens.) Ladies and gents, cleaver purchased by Mrs Pearcy to slay Mogg. Knife with which Voisin dismembered the wife of a compatriot and hid remains in a sheet in the cellar, the unfortunate female's throat being cut from ear to ear. Phial containing arsenic retrieved from the body of Miss Barrow which sent Seddon to the gallows.&#xA;&#xA;(He jerks the rope, the assistants leap at the victims legs and drag him downward, grunting: the croppy boys tongue protrudes violently.)&#xA;&#xA;THE CROPPY BOY Horhot ho hray ho rhother's hest.&#xA;&#xA;(He gives up the ghost. A violent erection of the hanged sends gouts of sperm spouting through his death clothes on to the cobblestones. Mrs Bellingham, Mrs Yelverton Barry and the Honourable Mrs Mervyn Talboys rush forward with their handkerchiefs to sop it up.)&#xA;&#xA;RUMBOLD I'm near it myself. (He undoes the noose.) Rope which hanged the awful rebel. Ten shillings a time as applied to His Royal Highness. (He plunges his head into the gaping belly of the hanged and draws out his head again clotted with coiled and smoking entrails.) My painful duty has now been done. God save the king!&#xA;&#xA;EDWARD THE SEVENTH (Dances slowly, solemnly, rattling his bucket and sings with soft contentment.)&#xA;&#xA;On coronation day, on coronation day,&#xA;O, Won't We have a merry time,&#xA;Drinking whisky, beer and wine!&#xA;&#xA;&#xA;PRIVATE CARR Here. What are you saying about my king?&#xA;&#xA;STEPHEN (Throws up his hands.) O, this is too monotonous! Nothing. He wants my money and my life, though want must be his master, for some brutish empire of his. Money I haven't. (He searches his pockets vaguely.) Gave it to someone.&#xA;&#xA;PRIVATE CARR Who wants your bleeding money?&#xA;&#xA;STEPHEN (Tries to move off.) Will some one tell me where I am least likely to meet these necessary evils? ça se voit aussi à Paris. Not that I... But by Saint Patrick!...&#xA;&#xA;(The women's heads coalesce. Old Gummy Granny in sugarloaf hat appears seated on a toadstool, the deathflower of the potato blight on her breast.)&#xA;&#xA;STEPHEN Aha! I know you, grammer! Hamlet, revenge! The old sow that eats her farrow!&#xA;&#xA;OLD GUMMY GRANNY (Rocking to and fro.) Ireland's sweetheart, the king of Spain's daughter, alanna. Strangers in my house, bad manners to them! (She keens with banshee woe.) Ochone! Ochone! Silk of the kine! (She wails.) You met with poor old Ireland and how does she stand?&#xA;&#xA;STEPHEN How do I stand you? The hat trick! Where's the third person of the Blessed Trinity? Soggarth Aroon? The reverend Carrion Crow.&#xA;&#xA;CISSY CAFFREY (Shrill.) Stop them from fighting!&#xA;&#xA;A ROUGH Our men retreated.&#xA;&#xA;PRIVATE CARR (Tugging at his belt.) I'll wring the neck of any bugger says a word against my fucking king.&#xA;&#xA;BLOOM (Terrified.) He said nothing. Not a word. A pure misunderstanding.&#xA;&#xA;THE CITIZEN Erin go bragh!&#xA;&#xA;(Major Tweedy and the Citizen exhibit to each other medals, decorations, trophies of war wounds. Both salute with fierce hostility.)&#xA;&#xA;PRIVATE COMPTON Go it, Harry. Do him one in the eye. He's a proboer.&#xA;&#xA;STEPHEN Did I? When?&#xA;&#xA;BLOOM (To the redcoats.) We fought for you in South Africa, Irish missile troops. Isn't that history? Royal Dublin Fusiliers. Honoured by our monarch.&#xA;&#xA;THE NAVVY (Staggering past.) O, yes. O, God, yes! O, make the kwawr a krowawr! O! Bo!&#xA;&#xA;(Casqued halberdiers in armour thrust forward a pentice of gutted spear points. Major Tweedy, moustached like Turko the terrible, in bearskin cap with hackle plume and accoutrements, with epaulette, gilt chevrons and sabretache, his breast bright with medals, toes the line. He gives the pilgrim warrior's sign of the knights templars.)&#xA;&#xA;MAJOR TWEEDY (Growls gruffly.) Rorke's Drift! Up, guards, and at them! Mahal shalal hashbaz.&#xA;&#xA;PRIVATE CARR I'll do him in.&#xA;&#xA;PRIVATE COMPTON (Waves the crowd back.) Fair play, here. Make a bleeding butcher's shop of the bugger.&#xA;&#xA;(Massed bands blare Garryowen and God save the king.)&#xA;&#xA;CISSY CAFFREY They're going to fight. For me!&#xA;&#xA;CUNTY KATE The brave and the fair.&#xA;&#xA;BIDDY THE CLAP Methinks yon sable knight will joust it with the best.&#xA;&#xA;CUNTY KATE (Blushing deeply.) Nay, Madam. The gules doublet and merry Saint George for me!&#xA;&#xA;STEPHEN The harlot's cry from street to street Shall weave old Ireland's windingsheet.&#xA;&#xA;PRIVATE CARR (Loosening his belt, shouts.) I'll wring the neck of any fucking bastard says a word against my bleeding fucking king.&#xA;&#xA;BLOOM (Shakes Cissy Caffrey's shoulders.) Speak, you! Are you struck dumb? You are the link between nations and generations. Speak, woman, sacred lifegiver.&#xA;&#xA;CISSY CAFFREY (Alarmed seizes Private Carr's sleeve.) Amn't I with you? Amn't I your girl? Cissy's your girl. (She cries.) Police!&#xA;&#xA;STEPHEN (Ecstatically, to Cissy Caffrey.)&#xA;&#xA;White thy fambles, red thy gan&#xA;And thy quarrons dainty is.&#xA;&#xA;&#xA;VOICES Police!&#xA;&#xA;DISTANT VOICES Dublin's burning! Dublin's burning! On fire, on fire!&#xA;&#xA;(Brimstone fires spring up. Dense clouds roll past. Heavy Gatling guns boom. Pandemonium. Troops deploy. Gallop of hoofs. Artillery. Hoarse commands. Bells clang. Backers shout. Drunkards bawl. Whores screech. Foghorns hoot. Cries of valour. Shrieks of dying. Pikes clash on cuirasses. Thieves rob the slain. Birds of prey, winging from the sea, rising from marsh lands, swooping from eyries, hover screaming, gannets, connorants, vultures, goshawks, climbing woodcocks, peregrines, merlin, blackgrouse, sea eagles, gulls, albatrosses, barnacle geese. The midnight sun is darkened. The earth trembles. The dead of Dublin from Prospect and Mount Jerome in white sheepskin overcoats and black goat-fell cloaks arise and appear to many. A chasm opens with a noiseless yawn. Tom Rochford, winner in athletes singlet and breeches, arrives at the head of the national hurdle handicap and leaps into the void. He is followed by a race of runners and leapers. In wild attitudes they spring from the brink. Their bodies plunge. Factory lasses with fancy clothes toss redhot Yorkshire baraabombs. Society ladies lift their skirts above their heads to protect themselves. laughing witches in red cutty sarks ride through the air on broomsticks. Quakerlyster plasters blisters. It rains dragon's teeth. Armed heroes spring up from furrows. They exchange in amity the pass of knights of the red cross and fight duels with cavalry sabres: Wolfe Tone against Henry Grattan, Smith O'Brien against Daniel O'Connell, Michael Davitt against Isaac Butt, Justin M'Carthy against Parnell, Arthur Griffith against John Redmond John O'Leary against liar O'Johnny, lord Edward Fitzgerald against lord Gerald Fitzedward, The O'Donoghue of the Glens against The Glens of The Donoghue. On an eminence, the centre of the earth, rises the field altar of Saint Barbara. Black candles rise from its gospel and epistle horns. From the high barbicans of the tower two shafts of light fall on the smokepalled altarstone. On the altarstone Mrs Mina Purefoy, goddess of unreason, lies naked, fettered, a chalice resting on her swollen belly. Father Malachi O'Flynn, in a long petticoat and reversed chasuble, his two left feet back to the front, celebrates camp mash. The Reverend Mr Hugh C. Haines love MA. in a plain cassock and mortar board, his head and collar back to the front, holds over the celebrants head an open umbrella.)&#xA;&#xA;FATHER MALACHI O'FLYNN Introibo ad altare diaboli.&#xA;&#xA;THE REVEREND MR HAINES LOVE To the devil which hath made glad my young days.&#xA;&#xA;FATHER MALACHI O'FLYNN (Takes from the chalice and elevates a blooddripping host.) Corpus Meum.&#xA;&#xA;THE REVEREND MR HAINES LOVE (Raises high behind the celebrant's petticoats, revealing his grey bare hairy buttocks between which a carrot is stuck.) My body.&#xA;&#xA;THE VOICE OF ALL THE DAMNED Htengier Tnetopinmo Dog Drol eht rot, Aiulella!&#xA;&#xA;(From on high the voice of Adonai calls.)&#xA;&#xA;ADONAI Dooooooooooog!&#xA;&#xA;THE VOICE OF ALL THE BLESSED Alleluia, for the Lord God Omnipotent reigneth!&#xA;&#xA;(From on high the voice of Adonai calls.)&#xA;&#xA;ADONAI Goooooooooood!&#xA;&#xA;(In strident discord peasants and townsmen of mange and Green factions sing Kick the Pope and Daily, daily sing to Mary.)&#xA;&#xA;PRIVATE CARR (With ferocious articulation.) I'll do him in, so help me fucking Christ! I'll wring the bastard fucker's bleeding blasted fucking windpipe!&#xA;&#xA;OLD GUMMY GRANNY (Thrusts a dagger towards Stephen's hand.) Remove him, acushla. At 8.35 a.m. you will be in heaven and Ireland will be free. (She prays.) O good God, take him!&#xA;&#xA;BLOOM (Runs to Lynch.) Can't you get him away?&#xA;&#xA;LYNCH He likes dialectic, the universal language. Kitty! (To Bloom.) Get him away, you. He won't listen to me. (He drags Kitty away.)&#xA;&#xA;STEPHEN (Points.) Exit Judas. Et laqueo se suspendit.&#xA;&#xA;BLOOM (Runs to Stephen.) Come along with me now before worse happens. Here's your stick.&#xA;&#xA;STEPHEN Stick, no. Reason. This feast of pure reason.&#xA;&#xA;CISSY CAFFREY (Pulling Private Carr.) Come on, you're boosed. He insulted me but I forgive him. (Shouting in his ear.) I forgive him for insulting me.&#xA;&#xA;BLOOM (Over Stephen's shoulder.) Yes, go. You see he's incapable.&#xA;&#xA;PRIVATE CARR (Breaks loose.) I'll insult him.&#xA;&#xA;(He rushes towards Stephen, fists outstretched, and strikes him in the face. Stephen totters, collapses, falls stunned. He lies prone, his face to the sky, his hat rolling to the wall. Bloom follows and picks it up.)&#xA;&#xA;MAJOR TWEEDY (Loudly.) Carbine in bucket! cease fire! Salute!&#xA;&#xA;THE RETRIEVER (Barking furiously.) Ute ute ute ute ute ute uteute.&#xA;&#xA;THE CROWD Let him up! Don't strike him when he's down! Air! Who? The soldier hit him. He's a professor. Is he hurted? Don't manhandle him! He's fainted!&#xA;&#xA;(The retriever, nosing on the fringe of the crowd, barks noisily.)&#xA;&#xA;What call had the redcoat to strike the gentleman and he under the influence? Let them go and fight the Boers!&#xA;&#xA;THE BAWD Listen to who's talking! Hasn't the soldier a right to go with his girl? He gave him the coward's blow.&#xA;&#xA;(They grab at each other's hair, claw at each other and spit.)&#xA;&#xA;THE RETRIEVER (Barking.) Wow wow wow.&#xA;&#xA;BLOOM (Shoves them back, loudly.) Get back, stand back!&#xA;&#xA;PRIVATE COMPTON (Tugging his comrade.) Here bugger off, Harry. There's the cops!&#xA;&#xA;(Two raincaped watch, tall, stand in the group)&#xA;&#xA;FIRST WATCH What's wrong here?&#xA;&#xA;PRIVATE COMPTON We were with this lady and he insulted us and assaulted my chum. (The retriever barks.) Who owns the bleeding tyke?&#xA;&#xA;CISSY CAFFREY (With expectation.) Is he bleeding?&#xA;&#xA;A MAN (Rising from his knees.) No. Gone off. He'll come to all right.&#xA;&#xA;BLOOM (Glances sharply at the man.) Leave him to me. I can easily...&#xA;&#xA;SECOND WATCH Who are you? Do you know him?&#xA;&#xA;PRIVATE CARR (Lurches towards the watch.) He insulted my lady friend.&#xA;&#xA;BLOOM (Angrily.) You hit him without provocation. I'm a witness. Constable, take his regimental number.&#xA;&#xA;SECOND WATCH I don't want your instructions in the discharge of my duty. PRIVATE COMPTON (Pulling his comrade.) Here, bugger off, Harry. Or Bennett'll have you in the lockup.&#xA;&#xA;PRIVATE CARR (Staggering as he is pulled away.) God fuck old Bennett! He's a whitearsed bugger. I don't give a shit for him.&#xA;&#xA;FIRST WATCH (Taking out his notebook.) What's his name?&#xA;&#xA;BLOOM (Peering over the crowd.) I just see a car there. If you give me a hand a second, sergeant.&#xA;&#xA;FIRST WATCH Name and address.&#xA;&#xA;(Corny Kelleher weepers round his hat, a death wreath in his hand, appears among the bystanders.)&#xA;&#xA;BLOOM (Quickly.) O, the very man! (He whispers.) Simon Dedalus' son. A bit sprung. Get those policemen to move those loafers back.&#xA;&#xA;SECOND WATCH Night, Mr Kelleher.&#xA;&#xA;CORNY KELLEHER (To the watch, with drawling eye.) That's all right. I know him. Won a bit on the races. Gold cup. Throwaway. (He laughs.) Twenty to one. Do you follow me?&#xA;&#xA;FIRST WATCH (Turns to the crowd.) Here, what are you all gaping at? Move on out of that.&#xA;&#xA;(The crowd disperses slowly, muttering, down the lane.)&#xA;&#xA;CORNY KELLEHER Leave it to me, sergeant. That'll be all right. (He laughs, shaking his head.) We were often as bad ourselves, ay or worse. What? Eh, what?&#xA;&#xA;FIRST WATCH (Laughs.) I suppose so.&#xA;&#xA;CORNY KELLEHER (Nudges the second watch.) Come and wipe your name off the slate. (He lilts, wagging his head.) With my tooraloom tooraloom tooraloom tooraloom. What, eh, do you follow me?&#xA;&#xA;SECOND WATCH (Genially.) Ah, sure we were too.&#xA;&#xA;CORNY KELLEHER (Winking.) Boys will be boys. I've a car round there.&#xA;&#xA;SECOND WATCH All right, Mr Kelleher. Good night.&#xA;&#xA;CORNY KELLEHER I'll see to that.&#xA;&#xA;BLOOM (Shakes hands with both of the watch in turn.) Thank you very much gentlemen, thank you. (He mumbles confidentially.) We don't want any scandal, you understand. Father is a well known, highly respected citizen. Just a little wild oats, you understand.&#xA;&#xA;FIRST WATCH O, I understand, sir.&#xA;&#xA;SECOND WATCH That's all right, Sir.&#xA;&#xA;FIRST WATCH It was only in case of corporal injuries I'd have had to report it at the station.&#xA;&#xA;BLOOM (Nods rapidly.) Naturally. Quite right. Only your bounden duty.&#xA;&#xA;SECOND WATCH It's our duty.&#xA;&#xA;CORNY KELLEHER Good night, men.&#xA;&#xA;THE WATCH (Saluting together.) Night, gentlemen. (They move off with slow heavy tread.)&#xA;&#xA;BLOOM (Blows.) Providential you came on the scene. You have a car?.&#xA;&#xA;CORNY KELLEHER (Laughs, pointing his thumb over his right shoulder to the car brought up against the scaffolding.) Two commercials that were standing fizz in Jammet's. Like princes, faith. One of them lost two quid on the race. Drowning his grief and were on for a go with the jolly girls. So I landed them up on Behan's car and down to nighttown.&#xA;&#xA;BLOOM I was just going home by Gardiner street when I happened to...&#xA;&#xA;CORNY KELLEHER (Laughs.) Sure they wanted me to join in with the mots. No, by God, says I. Not for old stagers like myself and yourself. (He laughs again and leers with lacklustre eye.) Thanks be to God we have it in the house what, eh, do you follow me? Hah! hah! hah!&#xA;&#xA;BLOOM (Tries to laugh.) He, he, he! Yes. Matter of fact I was just visiting an old friend of mine there, Virag, you don't know him (poor fellow he's laid up for the past week) and we had a liquor together and I was just making my way home...&#xA;&#xA;(The horse neighs.)&#xA;&#xA;THE HORSE Hohohohohohoh! Hohohohome!&#xA;&#xA;CORNY KELLEHER Sure it was Behan, our jarvey there, that told me after we left the two commercials in Mrs Cohen's and I told him to pull up and got off to see. (He laughs.) Sober hearsedrivers a specialty. Will I give him a lift home? Where does he hang out? Somewhere in Cabra, what?&#xA;&#xA;BLOOM No, in Sandycove, I believe, from what he let drop.&#xA;&#xA;(Stephen, prone, breathes to the stars. Corny Kelleher asquint, drawls at the horse. Bloom in gloom, looms down.)&#xA;&#xA;CORNY KELLEHER (Scratches his nape.) Sandycove! (He bends down and calls to Stephen.) Eh! (He calls again.) Eh! He's covered with shavings anyhow. Take care they didn't lift anything off him.&#xA;&#xA;BLOOM No, no, no. I have his money and his hat here and stick.&#xA;&#xA;CORNY KELLEHER Ah well, he'll get over it. No bones broken. Well, I'll shove along. (He laughs.) I've a rendezvous in the morning. Burying the dead. Safe home!&#xA;&#xA;THE HORSE (Neighs.) Hohohohohome.&#xA;&#xA;BLOOM Good night. I'll just wait and take him along in a few...&#xA;&#xA;(Corny Kelleher returns to the outside car and mounts it. The horse harness jingles.)&#xA;&#xA;CORNY KELLEHER (From the car, standing.) Night.&#xA;&#xA;BLOOM Night.&#xA;&#xA;(The jarvey chucks the reins and raises his whip encouragingly. The car and horse back slowly, awkwardly and turn. Corny Kelleher on the sideseat sways his head to and fro in sign of mirth at Blooms plight. The jarvey joins in the mute pantomimic merriment nodding from the farther seat. Bloom shakes his head in mute mirthful reply. With thumb and palm Corny Kelleher reassures that the two bobbies will allow the sleep to continue for what else is to be done. With a slow nod Bloom conveys his gratitude as that is exactly what Stephen needs. The car jingles tooraloom round the corner of the tooraloom lane. Corny Kelleher again reassuralooms with his hand. Bloom with his hand assuralooms Corny Kelleher that he is reassuraloomtay. The tinkling hoofs and jingling harness grow fainter with their tooralooloolooloo lay. Bloom, holding in his hand Stephens hat festooned with shavings and ashplant, stands irresolute. Then he bends to him and shakes him by the shoulder.)&#xA;&#xA;BLOOM Eh! Ho! (There is no answer he bends again.) Mr Dedalus! (There is no answer.) The name if you call. Somnambulist. (He bends again and, hesitating, brings his mouth near the face of the prostrate form.) Stephen! (There is no answer. He calls again.) Stephen!&#xA;&#xA;STEPHEN (Groans.) Who? Black panther vampire. (He sighs and stretches himself then murmurs thickly with prolonged vowels.) Who... drive... Fergus now. And pierce... wood's woven shade?...&#xA;&#xA;(He turns on his left side, sighing, doubling himself together.)&#xA;&#xA;BLOOM Poetry. Well educated. Pity. (He bends again and undoes the buttons of Stephen's waistcoat.) To breathe. (He brushes the wood shavings from Stephen's clothes with light hands and fingers.) One pound seven. Not hurt anyhow. (He listens.) What!&#xA;&#xA;(Murmurs.)&#xA;&#xA;... shadows... the woods&#xA;... white breast... dim...&#xA;&#xA;&#xA;(He stretches out his arms, sighs again and curls his body. Bloom holding his hat and ashplant stands erect. A dog barks in the distance. Bloom tightens and loosens his grip on the ashplant. He looks down on Stephen's face and form.)&#xA;&#xA;BLOOM (Communes with the night.) Face reminds me of his poor mother. In the shady wood. The deep white breast. Ferguson, I think I caught. A girl. Some girl. Best thing could happen him... (He murmurs.)... swear that I will always hail, ever conceal, never reveal, any part or parts, art or arts... (He murmurs.) in the rough sands of the sea. a cabletow's length from the shore... where the tide ebbs ... and flows...&#xA;&#xA;(Silent, thoughtful, alert, he stands on guard, his fingers at his lips in the attitude of secret master. Against the dark wall a figure appears slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an Eton suit with glass shoes and a little bronze helmet, holding a book in his hand. He reads from right to left inaudibly, smiling, kissing the page.)&#xA;&#xA;BLOOM (Wonderstruck, calls inaudibly.) Rudy!&#xA;&#xA;RUDY (Gazes unseeing into Bloom's eyes and goes on reading, kissing, smiling. He has a delicate mauveface. On his suit he has diamond and ruby buttons. In his free left hand he holds a slim ivory cane with a violet howknot. A white lambkin peeps out of his waistcoat pocket.)" 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<INFO BITRATE="895507" KEY_LYRICS="2 ContributorsSidewindah Lyrics&#xA;So lididdy lo the liddy lo&#xA;Be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphoone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard mе on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphonе&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;&#xA;So, so, so&#xA;Boom, shakalaka&#xA;Dhoosh, dhoosh, dhoosher&#xA;Boom, shakalaka&#xA;Dhoosh, dhoosh, dhoosher&#xA;Dhoosh, dhoosh, dhoosher&#xA;Drrr-dhoosher&#xA;Drr-dhoosher&#xA;Drr-dhoosher&#xA;Drr, the legendary&#xA;&#xA;&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;&#xA;&#xA;&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;&#xA;&#xA;So, so, so&#xA;Boom, shakalaka&#xA;Dhoosh, dhoosh, dhoosher" PRODUCER="℗ 2022 Universal Music Operations Ltd" COVERARTID="111/PTEQLTB0CCLYMBY3MEHFDDCEVDMB" PLAYTIME="217" PLAYTIME_FLOAT="216.937485" IMPORT_DATE="2025/4/9" RELEASE_DATE="2022/1/1" FLAGS="12"></INFO>
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<INFO BITRATE="799929" KEY_LYRICS="3 ContributorsThe Poetaster Act 5. Scene 1 LyricsBanquet halls are a very special place, where under one big roof so many different memories are made. From proms to weddings to baby showers, once that DJ starts to spin, there's something about that cavernous echo that begs to be filled with sing-along dance tunes. Top 40 hits come and go, and no doubt there will be plenty of those contemporary tunes throughout the evening, but there are few songs that are as fun now as they were the first time. Not only do they never go out of style, they are essential components of the perfect hoe-down in all banquet halls.&#xA;&#xA;1. The Chicken Dance&#xA;This song is a great opener to get the crowd going. Even the stiffest old timers can't help but get up and shake a leg when this song comes on. And what could be cuter than a gaggle of little kids all wiggling their tail feathers and squawking like chicks? This is a great song for a country-themed wedding.&#xA;&#xA;2. Macarena, by Los Dos Rios&#xA;A major craze when first released in 1995, the Macarena will keep the energy up, up, up. The simple dance moves and catchy tune are an irresistible combination, and the Latin flavor will be a welcome change of beat.&#xA;&#xA;3. Dancing Queen, by ABBA&#xA;Light-hearted and bubbly, Dancing Queen is a must-have for any occasion where free spirits are blooming and the night is young. Dancing Queen was written for the royal Swedish wedding in 1976, but its candy-sweet ebullience is as fresh as ever. This song has gone on to be a romantic staple at just about every wedding in the U.S.&#xA;&#xA;4. My Heart Will Go On, by Celine Dion&#xA;The words are simple, the feeling is big. Lost love is in the air, and nobody ever said it better than Celine. Play this song later in the night, after a few glasses of wine have everyone misty-eyed and ready to belt out, &amp;quot;My heart will go on and OOOOOOON!&amp;quot; with Celine.&#xA;&#xA;5. Don't Stop Believin, by Journey&#xA;The ultimate crowd-pleaser, bring the mood up again with Journey's quintessential Americana midnight adventure song. Fists will pump and memories of late-night train rides and midnight diner trysts will flood back. Even though this song came out in 1981, it still plays on the radio often enough that kids who weren't even born then know the words. It's a great goodbye, goodnight, and see you on the road song.&#xA;&#xA;These time-honored tunes have been staples of banquet halls for decades because they've got that timeless jive that keeps them fresh. They are sure to bring back old memories and inspire new ones.&#xA;&#xA;riage, first gave sign&#xA;Unto his contract; fire and air did shine,&#xA;As guilty of the match; and from the hill&#xA;The nymphs with shriekings do the region fill.&#xA;Here first began their bane; this day was ground&#xA;Of all their ills; for now, nor rumour's sound,&#xA;Nor nice respect of state, moves Dido ought;&#xA;Her love no longer now by stealth is sought:&#xA;She calls this wedlock, and with that fair name&#xA;Covers her fault. Forthwith the bruit and fame,&#xA;Through all the greatest Lybian towns is gone;&#xA;Fame, a fleet evil, than which is swifter none,&#xA;That moving grows, and flying gathers strength,&#xA;Little at first, and fearful; but at length&#xA;She dares attempt the skies, and stalking proud&#xA;With feet on ground, her head doth pierce a cloud!&#xA;This child, our parent earth, stirr'd up with spite&#xA;Of all the gods, brought forth; and, as some write,&#xA;She was last sister of that giant race&#xA;That thought to scale Jove' s court; right swift of pace,&#xA;And swifter far of wing; a monster vast,&#xA;And dreadful. Look, how many plumes are placed&#xA;On her huge corps, so many waking eyes&#xA;Stick underneath; and, which may stranger rise&#xA;In the report, as many tongues she bears,&#xA;As many mouths, as many listening ears.&#xA;Nightly, in midst of all the heaven, she flies,&#xA;And through the earth's dark shadow shrieking cries,&#xA;Nor do her eyes once bend to taste sweet sleep;&#xA;By day on tops of houses she doth keep,&#xA;Or on high towers; and doth thence affright&#xA;Cities and towns of most conspicuous site:&#xA;As covetous she is of tales and lies,&#xA;As prodigal of truth: this monster—&#xA;Lup.&#xA; Come, follow me, assist me, second me! Where'! the&#xA;emperor?&#xA;&#xA;1 Eques.&#xA; Sir, you must pardon us.&#xA;&#xA;2 Eques.&#xA; Caesar is private now; you may not enter.&#xA;&#xA;Tuc.&#xA; Not enter! Charge them upon their allegiance,&#xA;cropshin.&#xA;&#xA;1 Eques.&#xA; We have a charge to the contrary, sir.&#xA;&#xA;Lup.&#xA; I pronounce you all traitors, horrible traitors:&#xA;What! do you know my affairs? I have matter of danger and state to impart to Caesar.&#xA;&#xA;Caes.&#xA;What noise is there? who's that names Caesar?&#xA;&#xA;Lup.&#xA; A friend to Caesar. One that, for Caesar's good,&#xA;would speak with Caesar.&#xA;Caes.&#xA;Who is it? look, Cornelius.&#xA;&#xA;1 Eques.&#xA; Asinius Lupus.&#xA;&#xA;Caes.&#xA;O, bid the turbulent informer hence;&#xA;We have no vacant ear now, to receive&#xA;The unseason'd fruits of his officious tongue.&#xA;&#xA;Mec.&#xA;You must avoid him there.&#xA;&#xA;Lup.&#xA; I conjure thee, as thou art. Caesar, or respectest&#xA;thine own safety, or the safety of the state, Caesar, hear me,&#xA;speak with me, Caesar; 'tis no common business I come about, but&#xA;such, as being neglected, may concern the life of Caesar.&#xA;&#xA;Caes.&#xA;The life of Caesar! Let him enter. Virgil, keep thy seat.&#xA;Enter Lupus, Tucca, and Lictors.&#xA;&#xA;Eques.&#xA; Bear back, there: whither will you? keep back!&#xA;Tuc.&#xA;By thy leave, goodman usher: mend thy peruke; so.&#xA;&#xA;Lup.&#xA;Lay hold on Horace there; and on Mecaenas, lictors. Romans,&#xA;offer no rescue, upon your allegiance: read, royal Caesar.&#xA; I'll tickle you, Satyr.&#xA;&#xA;Tuc.&#xA;He will, Humours, he will; he will squeeze you, poet&#xA;puck-fist.&#xA;&#xA;Lup.&#xA;I'll lop you off for an unprofitable branch, you satirical&#xA;varlet.&#xA;&#xA;Tuc.&#xA;Ay, and Epaminondas your patron here, with his flagon chain;&#xA;come, resign:  though 'twere your great grandfather's, the law has made it mine now, sir. Look to him, my party-coloured rascals; look to him.&#xA;&#xA;Caes.&#xA;What is this, Asinius Lupus? I understand it not.&#xA;&#xA;Lup.&#xA;Not understand it! A libel, Caesar; a dangerous, seditious&#xA;libel; a libel in picture.&#xA;&#xA;Caes.&#xA;A libel!&#xA;&#xA;Lup.&#xA;Ay, I found it in this Horace his study, in Mecaenas his&#xA;house, here; I challenge the penalty of the laws against them.&#xA;&#xA;Tuc.&#xA;Ay, and remember to beg their land betimes; before some of&#xA;these hungry court-hounds scent it out.&#xA;&#xA;Caes.&#xA;Shew it to Horace: ask him if he know it.&#xA;&#xA;Lup.&#xA;Know it! his hand is at it, Caesar.&#xA;&#xA;Caes.&#xA;Then 'tis no libel.&#xA;&#xA;Hor.&#xA;It is the imperfect body of an emblem, Caesar, I began for&#xA;Mecaenas.&#xA;&#xA;Lup.&#xA;An emblem! right: that's Greek for a libel. Do but mark how&#xA;confident he is.&#xA;&#xA;Hor.&#xA;A just man cannot fear, thou foolish tribune;&#xA;Not, though the malice of traducing tongues,&#xA;The open vastness of a tyrant's ear,&#xA;The senseless rigour of the wrested laws,&#xA;Or the red eyes of strain'd authority,&#xA;Should, in a point, meet all to take his life:&#xA;His innocence is armour 'gainst all these.&#xA;&#xA;Lup.&#xA;Innocence! O impudence! let me see, let me see! Is not here an&#xA;eagle! and is not that eagle meant by Caesar, ha? Does not Caesar&#xA;give the eagle? answer me; what sayest thou?&#xA;&#xA;Tuc.&#xA;Hast thou any evasion, stinkard?&#xA;&#xA;Lup.&#xA;Now he's turn'd dumb. I'll tickle you, Satyr.&#xA;&#xA;Hor.&#xA;Pish: ha, ha!&#xA;&#xA;Lup.&#xA;Dost thou pish me? Give me my long sword.&#xA;&#xA;Hor.&#xA;With reverence to great Caesar, worthy Romans,&#xA;Observe but this ridiculous commenter;&#xA;The soul 'to my device was in this distich:&#xA;Thus oft, the base and ravenous multitude&#xA;Survive, to share the spoils of fortitude.&#xA;Which in this body I have figured here,&#xA;A vulture—&#xA;&#xA;Lup.&#xA;A vulture! Ay, now, 'tis a vulture. O abominable! monstrous!&#xA;monstrous! has not your vulture a beak? has it not legs, and&#xA;talons, and wings, and feathers?&#xA;&#xA;Tuc.&#xA;Touch him, old buskins.&#xA;&#xA;Hor.&#xA;And therefore must it be an eagle?&#xA;&#xA;Mec.&#xA;Respect him not, good Horace: say your device.&#xA;&#xA;Hor.&#xA;A vulture and a wolf&#xA;&#xA;Lup.&#xA;A wolf! good: that's I; I am the wolf: my name's Lupus; I am&#xA;meant by the wolf. On, on; a vulture and a wolf&#xA;&#xA;Hor.&#xA;Preying upon the carcass of an ass—&#xA;&#xA;Lup.&#xA;An ass! good still: that's I too; I am the ass. You mean me by&#xA;the ass.&#xA;&#xA;Mec.&#xA;Prithee, leave braying then.&#xA;&#xA;Hor.&#xA;If you will needs take it, I cannot with modesty give it from&#xA;you.&#xA;&#xA;Mec.&#xA;But, by that beast, the old Egyptians&#xA;Were wont to figure, in their hieroglyphics,&#xA;Patience, frugality, and fortitude;&#xA;For none of which we can suspect you, tribune.&#xA;&#xA;Caes.&#xA;Who was it, Lupus, that inform'd you first, This should be&#xA;meant by us? Or was't your comment?&#xA;&#xA;Lup.&#xA;No, Caesar; a player gave me the first light of it indeed.&#xA;&#xA;Tuc.&#xA;Ay, an honest sycophant-like slave, and a politician besides&#xA;&#xA;Caes.&#xA;Where is that player?&#xA;&#xA;Tuc.&#xA;He is without here.&#xA;&#xA;Caes.&#xA;Call him in.&#xA;&#xA;Tuc.&#xA;Call in the player there: master AEsop, call him.&#xA;&#xA;Equites.&#xA; Player! where is the player? bear back: none but&#xA;the player enter.&#xA;&#xA;[Enter AESOP, followed by CRISPINUS and DEMETRIUS.&#xA;&#xA;Tuc.&#xA;Yes, this gentleman and his Achates must.&#xA;&#xA;Cris.&#xA;Pray you, master usher:—we'll stand close, here.&#xA;&#xA;Tuc.&#xA;'Tis a gentleman of quality, this; though he be somewhat out&#xA;of clothes, I tell ye.—Come, AEsop, hast a bay-leaf in thy mouth?&#xA;Well said; be not out, stinkard. Thou shalt have a monopoly of&#xA;playing confirm'd to thee, and thy covey, under the emperor's broad seal, for this service.&#xA;&#xA;Caes.&#xA;Is this he?&#xA;&#xA;Lup.&#xA;Ay, Caesar, this is he.&#xA;&#xA;Caes.&#xA;Let him be whipped. Lictors, go take him hence.&#xA;And, Lupus, for your fierce credulity,&#xA;One fit him with a pair of larger ears:&#xA;'Tis Caesar's doom, and must not be revoked.&#xA;We hate to have our court and peace disturb'd&#xA;With these quotidian clamours. See it done.&#xA;&#xA;Lup.&#xA;Caesar! &#xA;&#xA;[Exeunt some of the Lictors, with Lupus and AEsop&#xA;&#xA;Caes.&#xA;Gag him,  we may have his silence.&#xA;&#xA;Virg.&#xA;Caesar hath done like Caesar. Fair and just&#xA;Is his award, against these brainless creatures.&#xA;'Tis not the wholesome sharp morality,&#xA;Or modest anger of a satiric spirit,&#xA;That hurts or wounds the body of the state;&#xA;But the sinister application&#xA;Of the malicious, ignorant, and base&#xA;Interpreter; who will distort, and strain&#xA;The general scope and purpose of an author&#xA;To his particular and private spleen.&#xA;&#xA;Caes.&#xA;We know it, our dear Virgil, and esteem it&#xA;A most dishonest practice in that man,&#xA;Will seem too witty in another's work.&#xA;What would Cornelius Gallus, and Tibullus?&#xA;&#xA;[They whisper Caesar.&#xA;&#xA;Tuc.&#xA; Nay, but as thou art a man, dost hear! a man&#xA;of worship and honourable: hold, here, take thy chain again.&#xA;Resume, mad Mecoenas. What! dost thou think I meant to have kept it, old boy? no: I did it but to fright thee, I, to try how thou&#xA;would'st take it. What! will I turn shark upon my friends, or my&#xA;friends' friends? I scorn it with my three souls. Come, I love&#xA;bully Horace as well as thou dost, I: 'tis an honest hieroglyphic.&#xA;Give me thy wrist, Helicon. Dost thou think I'll second e'er a&#xA;rhinoceros of them all, against thee, ha? or thy noble Hippocrene,&#xA;here? I'll turn stager first, and be whipt too: dost thou see,&#xA;bully?&#xA;&#xA;Caes.&#xA;You have your will of Caesar: use it, Romans.&#xA;Virgil shall be your praetor: and ourself&#xA;Will here sit by, spectator of your sports;&#xA;And think it no impeach of royalty.&#xA;Our ear is now too much profaned, grave Maro,&#xA;With these distastes, to take thy sacred lines;&#xA;Put up thy book, till both the time and we&#xA;Be fitted with more hallow'd circumstance&#xA;For the receiving of so divine a work.&#xA;Proceed with your design.&#xA;&#xA;Mec. Gal. Tib.&#xA;Thanks to great Caesar.&#xA;&#xA;Gal.&#xA;Tibullus, draw you the indictment then, whilst Horace arrests&#xA;them on the statute of Calumny. Mecaenas and I will take our&#xA;places here. Lictors, assist him.&#xA;&#xA;Hor.&#xA;I am the worst accuser under heaven.&#xA;&#xA;Gal.&#xA;Tut, you must do it; 'twill be noble mirth.&#xA;&#xA;Hor.&#xA;I take no knowledge that they do malign me.&#xA;&#xA;Tib.&#xA;Ay, but the world takes knowledge.&#xA;&#xA;Hor.&#xA;Would the world knew&#xA;How heartily I wish a fool should hate me!&#xA;&#xA;Tuc.&#xA;Body of Jupiter! what! will they arraign my brisk Poetaster&#xA;and his poor journeyman, ha? Would I were abroad skeldering for, a drachm, so I were out of this labyrinth again! I do feel myself&#xA;turn stinkard already: but I must set the best face I have upon't&#xA;now.&#xA;—Well said, my divine, deft Horace, bring the whoreson detracting slaves to the bar, do; make them hold up their spread golls: I'll give in evidence for thee, if thou wilt. Take courage, Crlspinus; would thy man had a clean band!&#xA;&#xA;Cris.&#xA;What must we do, captain?&#xA;&#xA;Tuc.&#xA;Thou shalt see anon: do not make division with thy legs so.&#xA;&#xA;Caes.&#xA;What's he. Horace?&#xA;&#xA;Hor.&#xA;I only know him for a motion, Caesar.&#xA;&#xA;Tuc.&#xA;I am one of thy commanders, Caesar; a man of service and&#xA;action: my name is Pantilius Tucca; I have served in thy wars&#xA;against Mark Antony, I.&#xA;&#xA;Caes.&#xA;Do you know him, Cornelius?&#xA;&#xA;Gal.&#xA;He's one that hath had the mustering, or convoy of a company&#xA;now and then: I never noted him by any other employment.&#xA;&#xA;Caes.&#xA;We will observe him better.&#xA;&#xA;Tib.&#xA;Lictor, proclaim silence in the court.&#xA;&#xA;Lict.&#xA;In the name of Caesar, silence!&#xA;&#xA;Tib.&#xA;Let the parties, the accuser and the accused, present&#xA;themselves.&#xA;&#xA;Lict.&#xA;The accuser and the accused, present yourselves in court.&#xA;&#xA;Cris.&#xA;Dem. Here.&#xA;&#xA;Virg.&#xA;Read the indictment.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, hold up your&#xA;hands. You are, before this time, jointly and severally indicted,&#xA;and here presently to be arraigned upon the statute of calumny, or&#xA;Lex Remmia, the one by the name of Rufus Laberius Crispinus, alias&#xA;Cri-spinus, poetaster and plagiary, the other by the name of&#xA;Demetrius Fannius, play-dresser and plagiary. That you (not having&#xA;the fear of Phoebus, or his shafts, before your eyes) contrary to&#xA;the peace of our liege lord, Augustus Caesar, his crown and&#xA;dignity, and against the form of a statute, in that case made and&#xA;provided, have moat ignorantly, foolishly, and, more like&#xA;yourselves, maliciously, gone about to deprave, and calumniate the&#xA;person and writings of Quintus Horatius Flaccus, here present,&#xA;poet, and priest to the Muses, and to that end have mutually&#xA;conspired and plotted, at sundry times, as by several means, and in&#xA;sundry places, for the better accomplishing your base and envious&#xA;purpose, taxing him falsely, of self-love, arrogancy, impudence,&#xA;railing, filching by translation, etc. Of all which calumnies, and&#xA;every of them, in manner and form aforesaid, what answer you! Are you guilty, or not guilty?&#xA;&#xA;Tuc.&#xA;Not guilty, say.&#xA;&#xA;Cris.&#xA;Dem. Not guilty.&#xA;&#xA;Tib.&#xA;How will you be tried?&#xA;[Aside to Crispinus.&#xA;&#xA;Tuc.&#xA;By the Roman Gods, and the noblest Romans.&#xA;&#xA;Cris.&#xA;Dem. By the Roman gods, and the noblest Romans.&#xA;&#xA;Virg.&#xA;Here sits Mecaenas, and Cornelius Gallus, are you contented&#xA;to be tried by these?&#xA;[Aside.&#xA;&#xA;Tuc.&#xA;Ay, so the noble captain may be joined with them in&#xA;commission, say.&#xA;&#xA;Cris.&#xA;Dem. Ay, so the noble captain may be joined&#xA;with them in commission.&#xA;&#xA;Virg.&#xA;What says the plaintiff?&#xA;&#xA;Hor.&#xA;I am content.&#xA;&#xA;Virg.&#xA;Captain, then take your place.&#xA;&#xA;Tuc.&#xA;alas, my worshipful praetor! 'tis more of thy gentleness than&#xA;of my deserving, I wusse. But since it hath pleased the court to&#xA;make choice of my wisdom and gravity, come, my calumnious&#xA;varlets; let's hear you talk for yourselves, now, an hour or two.&#xA;What can you say? Make a noise. Act, act!&#xA;&#xA;Virg.&#xA;Stay, turn, and take an oath first. You shall swear,&#xA;By thunder-darting Jove, the king of gods,&#xA;And by the genius of Augustus Caesar;&#xA;By your own white and uncorrupted souls,&#xA;And the deep reverence of our Roman justice;&#xA;To judge this case, with truth and equity:&#xA;As bound by your religion, and your laws.&#xA;Now read the evidence: but first demand&#xA;Of either prisoner, if that writ be theirs.&#xA;[Gives him two papers.&#xA;&#xA;Tib.&#xA;Shew this unto Crispinus. Is it yours?&#xA;&#xA;Tuc.&#xA;Say, ay. —What! dost thou stand upon it, pimp! Do not&#xA;deny thine own Minerva, thy Pallas, the issue of thy brain.&#xA;&#xA;Oris.&#xA;Yes it is mine.&#xA;&#xA;Tib.&#xA;Shew that unto Demetrius. Is it yours?&#xA;&#xA;Dem.&#xA;It is.&#xA;&#xA;Tuc.&#xA;There's a father will not deny his own bastard now, I warrant&#xA;thee.&#xA;&#xA;Virg.&#xA;Read them aloud.&#xA;&#xA;Tib.&#xA;Ramp up my genius, be not retrograde;&#xA;But boldly nominate a spade a spade&#xA;What, shall thy lubrical and glibbery muse&#xA;Live, as she were defunct, like punk in stews!&#xA;&#xA;Tuc.&#xA;Excellent!&#xA;&#xA;Alas! that were no modern consequence,&#xA;To have cothurnal buskins frighted hence.&#xA;No, teach thy Incubus to poetise;&#xA;And throw abroad thy spurious snotteries,&#xA;Upon that puft-up lump of balmy froth.&#xA;&#xA;Tuc.&#xA;Ah, Ah!&#xA;&#xA;Or clumsy chilblain'd judgment; that with oath&#xA;Magnificates his merit; and beapawls&#xA;The conscious time, with humorous foam and brawls,&#xA;As if his organons of sense would crack&#xA;The sinews of my patience. Break his back,&#xA;O poets all and some! for now we list&#xA;Of strenuous vengeance to clutch the fist.&#xA;CRISPINUS.&#xA;&#xA;Tuc.&#xA;Ay, marry, this was written like a Hercules in poetry, now.&#xA;&#xA;Caes.&#xA;Excellently well threaten'd!&#xA;&#xA;Virg.&#xA;And as strangely worded, Caesar.&#xA;&#xA;Caes.&#xA;We observe it.&#xA;&#xA;Virg.&#xA;The other now.&#xA;&#xA;Tuc.&#xA;This is a fellow of a good prodigal tongue too, this will do&#xA;well.&#xA;&#xA;Tib.&#xA;Our Muse is in mind for th' untrussing a poet,&#xA;I slip by his name, for most men do know it:&#xA;A critic, that all the world bescumbers&#xA;With satirical humours and lyrical numbers:&#xA;&#xA;Tuc.&#xA;Art thou there, boy?&#xA;&#xA;And for the most part, himself doth advance&#xA;With much self-love, and more arrogance.&#xA;&#xA;Tuc.&#xA;Good again!&#xA;&#xA;And, but that I would not be thought a prater,&#xA;I could tell you he were a translator.&#xA;I know the authors from whence he has stole,&#xA;And could trace him too, but that&#xA;I understand them not full and whole.&#xA;&#xA;Tuc.&#xA;That line is broke loose from all his fellows: chain him up&#xA;shorter, do.&#xA;&#xA;The best note I can give you to know him by,&#xA;Is, that he keeps gallants' company;&#xA;Whom I could wish, in time should him fear,&#xA;Lest after they buy repentance too dear.&#xA;DEME. FANNIUS.&#xA;&#xA;Tuc.&#xA;Well said! This carries palm with it.&#xA;&#xA;Hor.&#xA;And why, thou motley gull, why should they fear!&#xA;When hast thou known us wrong or tax a friend?&#xA;I dare thy malice to betray it. Speak.&#xA;Now thou curl'st up, thou poor and nasty snake,&#xA;And shrink'st thy poisonous head into thy bosom:&#xA;Out, viper! thou that eat'st thy parents, hence!&#xA;Rather, such speckled creatures, as thyself,&#xA;Should be eschew'd, and shunn'd; such as will bite&#xA;And gnaw their absent friends, not cure their fame;&#xA;Catch at the loosest laughters, and affect&#xA;To be thought jesters; such as can devise&#xA;Things never seen, or head, t'impair men's names,&#xA;And gratify their credulous adversaries;&#xA;Will carry tales, do basest offices,&#xA;Cherish divided fires, and still encrease&#xA;New flames, out of old embers; will reveal&#xA;Each secret that's committed to their trust:&#xA;These be black slaves; Romans, take heed of these.&#xA;&#xA;Tuc.&#xA;Thou twang'st right, little Horace: they be indeed a couple of&#xA;chap-fall'n curs. Come, we of the bench, let's rise to the urn, and&#xA;condemn them quickly.&#xA;&#xA;Virg.&#xA;Before you go together, worthy Romans,&#xA;We are to tender our opinion;&#xA;And give you those instructions, that may add&#xA;Unto your even judgment in the cause:&#xA;Which thus we do commence. First, you must know,&#xA;That where there is a true and perfect merit,&#xA;There can be no dejection; and the scorn&#xA;Of humble baseness, oftentimes so works&#xA;In a high soul, upon the grosser spirit,&#xA;That to his bleared and offended sense,&#xA;There seems a hideous fault blazed in the object;&#xA;When only the disease is in his eyes.&#xA;Here-hence it comes our Horace now stands tax'd&#xA;Of impudence, self-love, and arrogance,&#xA;By those who share no merit in themselves;&#xA;And therefore think his portion is as small.&#xA;For they, from their own guilt, assure their souls,&#xA;If they should confidently praise their works,&#xA;In them it would appear inflation:&#xA;Which, in a full and well digested man,&#xA;Cannot receive that foul abusive name,&#xA;But the fair title of erection.&#xA;And, for his true use of translating men,&#xA;It still hath been a work of as much palm,&#xA;In clearest judgments, as to invent or make,&#xA;His sharpness,—-that is most excusable;&#xA;As being forced out of a suffering virtue,&#xA;Oppressed with the license of the time:—-&#xA;And howsoever fools or jerking pedants,&#xA;Players, or suchlike buffoon barking wits,&#xA;May with their beggarly and barren trash&#xA;Tickle base vulgar ears, in their despite;&#xA;This, like Jove's thunder, shall their pride control,&#xA;&amp;quot;The honest satire hath the happiest soul.&amp;quot;&#xA;&#xA;Now, Romans, you have heard our thoughts;&#xA;withdraw when you please.&#xA;&#xA;Tib.&#xA;Remove the accused from the bar.&#xA;&#xA;Tuc.&#xA;Who holds the urn to us, ha? Fear nothing, I'll quit you, mine&#xA;honest pitiful stinkards; I'll do't.&#xA;&#xA;Cris.&#xA;Captain, you shall eternally girt me to you, as I am&#xA;generous.&#xA;&#xA;Tuc.&#xA;Go to.&#xA;&#xA;Caes.&#xA;Tibullus, let there be a case of vizards privately provided;&#xA;we have found a subject to bestow them on.&#xA;&#xA;Tib.&#xA;It shall be done, Caesar.&#xA;&#xA;Caes.&#xA;Here be words, Horace, able to bastinado a man's ears.&#xA;&#xA;Hor. Ay.&#xA;Please it, great Caesar, I have pills about me,&#xA;Mixt with the whitest kind of hellebore,&#xA;Would give him a light vomit, that should purge&#xA;His brain and stomach of those tumorous heats:&#xA;Might I have leave to minister unto him.&#xA;&#xA;Caes.&#xA;O, be his AEsculapius, gentle Horace!&#xA;You shall have leave, and he shall be your patient. Virgil,&#xA;Use your authority, command him forth.&#xA;&#xA;Virg.&#xA;Caesar is careful of your health, Crispinus;&#xA;And hath himself chose a physician&#xA;To minister unto you: take his pills.&#xA;&#xA;Hor.&#xA;They are somewhat bitter, sir, but very wholesome.&#xA;Take yet another; so: stand by, they'll work anon.&#xA;&#xA;Tib.&#xA;Romans, return to your several seats: lictors, bring forward&#xA;the urn; and set the accused to the bar.&#xA;&#xA;Tuc.&#xA;Quickly, you whoreson egregious varlets; come forward. What!&#xA;shall we sit all day upon you? You make no more haste now, than a&#xA;beggar upon pattens; or a physician to a patient that has no money,&#xA;you pilchers.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, hold up your&#xA;hands. You have, according to the Roman custom, put yourselves upon trial to the urn, for divers and sundry calumnies, whereof you&#xA;have, before this time, been indicted, and are now presently&#xA;arraigned: prepare yourselves to hearken to the verdict of your&#xA;tryers. Caius Cilnius Mecaenas pronounceth you, by this&#xA;hand-writing, guilty. Cornelius Gallus, guilty. Pantilius Tucca—&#xA;&#xA;Tuc.&#xA;Parcel-guilty, I.&#xA;&#xA;Dem.&#xA;He means himself; for it was he indeed&#xA;Suborn'd us to the calumny.&#xA;&#xA;Tuc.&#xA;I, you whoreson cantharides! was it I?&#xA;&#xA;Dem.&#xA;I appeal to your conscience, captain.&#xA;&#xA;Tib.&#xA;Then you confess it now?&#xA;&#xA;Dem.&#xA;I do, and crave the mercy of the court.&#xA;&#xA;Tib.&#xA;What saith Crispinus?&#xA;&#xA;Cris.&#xA;O, the captain, the captain—-&#xA;&#xA;Bor.&#xA;My physic begins to work with my patient, I see.&#xA;&#xA;Virg.&#xA;Captain, stand forth and answer.&#xA;&#xA;Tuc.&#xA;Hold thy peace, poet praetor: I appeal from thee to Caesar, I.&#xA;Do me right, royal Caesar.&#xA;&#xA;Caes.&#xA;Marry, and I will, sir.—-Lictors, gag him; do.&#xA;And put a case of vizards o'er his head,&#xA;That he may look bifronted, as he speaks.&#xA;&#xA;Tuc.&#xA;Gods and fiends! Caesar! thou wilt not, Caesar, wilt thou?&#xA;Away, you whoreson vultures; away. You think I am a dead corps now, because Caesar is disposed to jest with a man of mark, or so. Hold  your hook'd talons out of my flesh, you inhuman harpies. Go to, do't. What! will the royal Augustus cast away a gentleman of&#xA;worship, a captain and a commander, for a couple of condemn'd&#xA;caitiff calumnious cargos?&#xA;&#xA;Caes.&#xA;Dispatch, lictors.&#xA;&#xA;Tuc. Caesar!&#xA;[The vizards are put upon him.&#xA;&#xA;Caes.&#xA;Forward, Tibullus.&#xA;&#xA;Virg.&#xA;Demand what cause they had to malign Horace.&#xA;&#xA;Dem.&#xA;In troth, no great cause, not I, I must confess; but that he&#xA;kept better company, for the most part, than I; and that better men&#xA;loved him than loved me; and that his writings thrived better than&#xA;mine, and were better liked and graced: nothing else.&#xA;&#xA;Virg.&#xA;Thus envious souls repine at others' good.&#xA;&#xA;Hor.&#xA;If this be all, faith, I forgive thee freely.&#xA;Envy me still, so long as Virgil loves me,&#xA;Gallus, Tibullus, and the best-best Caesar,&#xA;My dear Mecaenas; while these, with many more,&#xA;Whose names I wisely slip, shall think me worthy&#xA;Their honour'd and adored society,&#xA;And read and love, prove and applaud my poems;&#xA;I would not wish but such as you should spite them.&#xA;&#xA;Cris.&#xA;O—!&#xA;&#xA;Tib.&#xA;How now, Crispinus? C&#xA;&#xA;Cris.&#xA;O, I am sick—!&#xA;&#xA;Hor.&#xA;A bason, a bason, quickly; our physic works. Faint not, man.&#xA;&#xA;Cris.&#xA;O———retrograde———reciprocal———incubus.&#xA;&#xA;Caes.&#xA;What's that, Horace?&#xA;&#xA;Hor.&#xA;Retrograde, reciprocal, and incubus, are come up.&#xA;&#xA;Gal.&#xA;Thanks be to Jupiter!&#xA;&#xA;Cris.&#xA;O———glibbery———lubrical———defunct———O———!&#xA;&#xA;Hor.&#xA;Well said; here's some store.&#xA;&#xA;Virg.&#xA;What are they?&#xA;&#xA;Hor.&#xA;Glibbery, lubrical, and defunct.&#xA;&#xA;Gal.&#xA;O, they came up easy.&#xA;&#xA;Cris.&#xA;O———O———!&#xA;&#xA;Tib.&#xA;What's that?&#xA;&#xA;Hor.&#xA;Nothing yet.&#xA;&#xA;Cris.&#xA;Magnificate———&#xA;&#xA;Mec.&#xA;Magnificate!  That came up somewhat hard.&#xA;&#xA;Hor.&#xA;Ay. What cheer, Crispinus?&#xA;&#xA;Cris.&#xA;O! I shall cast up my———spurious———snotteries———&#xA;&#xA;Hor.&#xA;Good. Again.&#xA;&#xA;Oris.&#xA;Chilblain'd———O———O———clumsie———&#xA;&#xA;Hor.&#xA;That clumsie stuck terribly.&#xA;&#xA;Mec.&#xA;What's all that, Horace?&#xA;&#xA;Hor.&#xA;Spurious, snotteries, chilblain'd, clumsie.&#xA;&#xA;Tib.&#xA;O Jupiter!&#xA;&#xA;Gal.&#xA;Who would have thought there should have been such a deal of&#xA;filth in a poet?&#xA;&#xA;Cris.&#xA;O———balmy froth———&#xA;&#xA;Caes.&#xA;What's that?&#xA;&#xA;Cris.&#xA;———Puffie———inflate———turgidious———-ventosity.&#xA;&#xA;Hor.&#xA;Balmy, froth, puffie, inflate, turgidous, and ventosity are&#xA;come up.&#xA;&#xA;Tib.&#xA;O terrible windy words.&#xA;&#xA;Gal.&#xA;A sign of a windy brain.&#xA;&#xA;Cris.&#xA;O———oblatrant———furibund———fatuate———strenuous—-&#xA;&#xA;Hor.&#xA;Here's a deal; oblatrant, furibund, fatuate, strenuous.&#xA;&#xA;Caes.&#xA;Now all's come up, I trow. What a tumult he had in his belly?&#xA;&#xA;Hor.&#xA;No, there's the often conscious damp behind still.&#xA;&#xA;Cris.&#xA;O———conscious———damp.&#xA;&#xA;Hor.&#xA;It is come up, thanks to Apollo and AEsculapius: another; you&#xA;were best take a pill more.&#xA;&#xA;Cris.&#xA;O, no; O———O———O———O———O!&#xA;&#xA;Hor.&#xA;Force yourself then a little with your finger.&#xA;&#xA;Cris.&#xA;O———O———prorumped.&#xA;&#xA;Tib.&#xA;Prorumped I What a noise it made! as if his spirit would have&#xA;prorumpt with it.&#xA;&#xA;Cris.&#xA;O———O———O!&#xA;&#xA;Virg.&#xA;Help him, it sticks strangely, whatever it is.&#xA;&#xA;Cris.&#xA;O———clutcht&#xA;&#xA;Hor.&#xA;Now it is come; clutcht.&#xA;&#xA;Caes.&#xA;Clutcht!  it is well that's come up; it had but a narrow&#xA;passage.&#xA;&#xA;Cris.&#xA;O———!&#xA;&#xA;Virg.&#xA;Again! hold him, hold his head there.&#xA;&#xA;Cris.&#xA;Snarling gusts———quaking custard.&#xA;&#xA;Hor.&#xA;How now, Crispinus?&#xA;&#xA;Cris.&#xA;O———obstupefact.&#xA;&#xA;Tib.&#xA;Nay, that are all we, I assure you.&#xA;&#xA;Hor.&#xA;How do you feel yourself?&#xA;&#xA;Cris.&#xA;Pretty and well, I thank you.&#xA;&#xA;Virg.&#xA;These pills can but restore him for a time,&#xA;Not cure him quite of such a malady,&#xA;Caught by so many surfeits, which have fill'd&#xA;His blood and brain thus full of crudities:&#xA;'Tis necessary therefore he observe&#xA;A strict and wholesome diet. Look you take&#xA;Each morning of old Cato's principles&#xA;A good draught next your heart; that walk upon,&#xA;Till it be well digested: then come home,&#xA;And taste a piece of Terence, suck his phrase&#xA;Instead of liquorice; and, at any hand,&#xA;Shun Plautus and old Ennius: they are meats&#xA;Too harsh for a weak stomach.&#xA;Use to read (But not without a tutor) the best Greeks,&#xA;As Orpheus, Musaeus, Pindarus,&#xA;Hesiod, Callimachus, and Theocrite,&#xA;High Homer; but beware of Lycophron,&#xA;He is too dark and dangerous a dish.&#xA;You must not hunt for wild outlandish terms,&#xA;To stuff out a peculiar dialect;&#xA;But let your matter run before your words.&#xA;And if at any time you chance to meet&#xA;Some Gallo-Belgic phrase; you shall not straight.&#xA;Rack your poor verse to give it entertainment,&#xA;But let it pass; and do not think yourself&#xA;Much damnified, if you do leave it out,&#xA;When nor your understanding, nor the sense&#xA;Could well receive it. This fair abstinence,&#xA;In time, will render you more sound and clear:&#xA;And this have I prescribed to you, in place&#xA;Of a strict sentence; which till he perform,&#xA;Attire him in that robe. And henceforth learn&#xA;To bear yourself more humbly; not to swell,&#xA;Or breathe your insolent and idle spite&#xA;On him whose laughter can your worst affright.&#xA;&#xA;Tib.&#xA;Take him away.&#xA;&#xA;Cris.&#xA;Jupiter guard Caesar!&#xA;&#xA;Virg.&#xA;And for a week or two see him lock'd up&#xA;In some dark place, removed from company;&#xA;He will talk idly else after his physic.&#xA;Now to you, sir.  The extremity of law&#xA;Awards you to be branded in the front,&#xA;For this your calumny: but since it pleaseth&#xA;Horace, the party wrong'd, t' intreat of Caesar&#xA;A mitigation of that juster doom,&#xA;With Caesar's tongue thus we pronounce your sentence.&#xA;Demetrius Fannius, thou shalt here put on&#xA;That coat and cap, and henceforth think thyself&#xA;No other than they make thee; vow to wear them&#xA;In every fair and generous assembly,&#xA;Till the best sort of minds shall take to knowledge&#xA;As well thy satisfaction, as thy wrongs.&#xA;&#xA;Hor.&#xA;Only, grave praetor, here, in open court,&#xA;I crave the oath for good behaviour&#xA;May be administer'd unto them both.&#xA;&#xA;Virg.&#xA;Horace, it shall: Tibullus, give it them.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, lay your&#xA;hands on your hearts. You shall here solemnly attest and swear,&#xA;that never, after this instant, either at booksellers' stalls, in&#xA;taverns, two-penny rooms, tyring-houses, noblemen's butteries,&#xA;puisents chambers, (the best and farthest places where you are&#xA;admitted to come,) you shall once offer or dare (thereby to endear&#xA;yourself the more to any player, enghle, or guilty gull in your&#xA;company) to malign, traduce, or detract the person or writings of&#xA;Quintus Horatius Flaccus, or any other eminent men, transcending&#xA;you in merit, whom your envy shall find cause to work upon, either&#xA;for that, or for keeping himself in better acquaintance, or&#xA;enjoying better friends, or if, transported by any sudden and&#xA;desperate resolution, you do, that then you shall not under the&#xA;batoon, or in the next presence, being an honourable assembly of&#xA;his favourers, be brought as voluntary gentlemen to undertake the&#xA;for-swearing of it. Neither shall you, at any time, ambitiously&#xA;affecting the title of the Untrussers or Whippers of the age,&#xA;suffer the itch of writing to over-run your performance in libel,&#xA;upon pain of being taken up for lepers in wit, and, losing both&#xA;your time and your papers, be irrecoverably forfeited to the&#xA;hospital of fools. So help you our Roman gods and the Genius of&#xA;great Caesar.&#xA;&#xA;Virg.&#xA;So! now dissolve the court.&#xA;&#xA;Bor. Tib. Gal. Mec.&#xA;And thanks to Caesar, That thus hath exercised his patience.&#xA;&#xA;Caes.&#xA;We have, indeed, you worthiest friends of Caesar.&#xA;It is the bane and torment of our ears,&#xA;To hear the discords of those jangling rhymers,&#xA;That with their bad and scandalous practices&#xA;Bring all true arts and learning in contempt.&#xA;But let not your high thoughts descend so low&#xA;As these despised objects; let them fall,&#xA;With their flat grovelling souls: be you yourselves;&#xA;And as with our best favours you stand crown'd,&#xA;So let your mutual loves be still renown'd.&#xA;Envy will dwell where there is want of merit,&#xA;Though the deserving man should crack his spirit.&#xA;&#xA;Blush, folly, blush; here's none that fears&#xA;The wagging of an ass's ears,&#xA;Although a wolfish case he wears.&#xA;Detraction is but baseness' varlet;&#xA;And apes are apes, though clothed in scarlet.&#xA;&#xA;[Exeunt.&#xA;&#xA;Rumpatur, quisquis rumpitur invidi!&#xA;&#xA;&amp;quot;Here, reader, in place of the epilogue, was meant to thee an&#xA;apology from the author, with his reasons for the publishing of&#xA;this book: but, since he is no less restrained than thou deprived&#xA;of it by authority, he prays thee to think charitably of what thou&#xA;hast read. till thou mayest hear him speak what he hath written.&amp;quot;&#xA;&#xA;                                    HORACE AND TREBATIUS.&#xA;                                                A DIALOGUE.&#xA;                                                Sat. 1. Lib. 2.&#xA;&#xA;Hor.&#xA;There are to whom I seem excessive sour,&#xA;And past a satire's law t' extend my power:&#xA;Others, that think whatever I have writ&#xA;Wants pith and matter to eternise it;&#xA;And that they could, in one day's light, disclose&#xA;A thousand verses, such as I compose.&#xA;What shall I do, Trebatius? say.&#xA;&#xA;Treb.&#xA;Surcease.&#xA;&#xA;Hor.&#xA;And shall my muse admit no more increase?&#xA;&#xA;Treb.&#xA;So I advise.&#xA;&#xA;Hor.&#xA;An ill death let me die,&#xA;If 'twere not best; but sleep avoids mine eye,&#xA;And I use these, lest nights should tedious seem.&#xA;&#xA;Treb.&#xA;Rather, contend to sleep, and live like them,&#xA;That, holding golden sleep in special price,&#xA;Rubb'd with sweet oils, swim silver Tyber thrice,&#xA;And every even with neat wine steeped be:&#xA;Or, if such love of writing ravish thee,&#xA;Then dare to sing unconquer'd Caesar's deeds;&#xA;Who cheers such actions with abundant meeds.&#xA;&#xA;Hor.&#xA;That, father, I desire; but, when I try,&#xA;I feel defects in every faculty:&#xA;Nor is't a labour fit for every pen,&#xA;To paint the horrid troops of armed men,&#xA;The lances burst, in Gallia's slaughter'd forces;&#xA;Or wounded Parthians, tumbled from their horses:&#xA;Great Caesar's wars cannot be fought with words.&#xA;&#xA;Treb.&#xA;Yet, what his virtue in his peace affords,&#xA;His fortitude and justice thou canst shew&#xA;As wise Lucilius honour'd Scipio.&#xA;&#xA;Hor.&#xA;Of that, my powers shall suffer no neglect,&#xA;When such slight labours may aspire respect:&#xA;But, if I watch not a most chosen time,&#xA;The humble words of Flaccus cannot climb&#xA;Th' attentive ear of Caesar; nor must I&#xA;With less observance shun gross flattery:&#xA;For he, reposed safe in his own merit,&#xA;Spurns back the gloses of a fawning spirit.&#xA;&#xA;Treb.&#xA;But how much better would such accents sound&#xA;Than with a sad and serious verse to wound&#xA;Pantolabus, railing in his saucy jests,&#xA;Or Nomentanus spent in riotous feasts?&#xA;In satires, each man, though untouch'd, complains&#xA;As he were hurt; and hates such biting strains.&#xA;&#xA;Hor.&#xA;What shall I do? Milonius shakes his heels&#xA;In ceaseless dances, when his brain once feels&#xA;The stirring fervour of the wine ascend;&#xA;And that his eyes false numbers apprehend.&#xA;Castor his horse, Pollux loves handy-fights;&#xA;A thousand heads, a thousand choice delights.&#xA;My pleasure is in feet my words to close,&#xA;As, both our better, old Lucilius does:&#xA;He, as his trusty friends, his books did trust&#xA;With all his secrets; nor, in things unjust,&#xA;Or actions lawful, ran to other men:&#xA;So that the old man's life described, was seen&#xA;As in a votive table in his lines:&#xA;And to his steps my genius inclines;&#xA;Lucanian, or Apulian, I know not whether,&#xA;For the Venusian colony ploughs either;&#xA;Sent thither, when the Sabines were forced thence,&#xA;As old Fame sings, to give the place defence&#xA;'Gainst such as, seeing it empty, might make road&#xA;Upon the empire; or there fix abode:&#xA;Whether the Apulian borderer it were,&#xA;Or the Lucanian violence they fear.—-&#xA;But this my style no living man shall touch,&#xA;If first I be not forced by base reproach;&#xA;But like a sheathed sword it shall defend&#xA;My innocent life; for why should I contend&#xA;To draw it out, when no malicious thief&#xA;Robs my good name, the treasure of my life?&#xA;O Jupiter, let it with rust be eaten,&#xA;Before it touch, or insolently threaten&#xA;The life of any with the least disease;&#xA;So much I love, and woo a general peace.&#xA;But, he that wrongs me, better, I proclaim,&#xA;He never had assay'd to touch my fame.&#xA;For he shall weep, and walk with every tongue&#xA;Throughout the city, infamously sung.&#xA;Servius the praetor threats the laws, and urn,&#xA;If any at his deeds repine or spurn;&#xA;The witch Canidia, that Albutius got,&#xA;Denounceth witchcraft, where she loveth not;&#xA;Thurius the judge, doth thunder worlds of ill,&#xA;To such as strive with his judicial will.&#xA;All men affright their foes in what they may,&#xA;Nature commands it, and men must obey.&#xA;Observe with me: The wolf his tooth doth use,&#xA;The bull his horn; and who doth this infuse,&#xA;But nature? There's luxurious Scaeva; trust&#xA;His long-lived mother with him; his so just&#xA;And scrupulous right-hand no mischief will;&#xA;No more than with his heel a wolf will kill,&#xA;Or ox with jaw: marry, let him alone&#xA;With temper'd poison to remove the croan.&#xA;But briefly, if to age I destined be,&#xA;Or that quick death's black wings environ me;&#xA;If rich, or poor; at Rome; or fate command&#xA;I shall be banished to some other land;&#xA;What hue soever my whole state shall bear,&#xA;I will write satires still, in spite of fear.&#xA;&#xA;Treb.&#xA;Horace, I fear thou draw'st no lasting breath;&#xA;And that some great man's friend will be thy death.&#xA;&#xA;Hor.&#xA;What! when the man that first did satirise&#xA;Durst pull the skin over the ears of vice,&#xA;And make who stood in outward fashion clear,&#xA;Give place, as foul within; shall I forbear?&#xA;Did Laelius, or the man so great with fame,&#xA;That from sack'd Carthage fetch'd his worthy name,&#xA;Storm that Lucilius did Metellus pierce,&#xA;Or bury Lupus quick in famous verse?&#xA;Rulers and subjects, by whole tribes he checkt,&#xA;But virtue and her friends did still protect:&#xA;And when from sight, or from the judgment-seat,&#xA;The virtuous Scipio and wise Laelius met,&#xA;Unbraced, with him in all light sports they shared,&#xA;Till their most frugal suppers were prepared.&#xA;Whate'er I am, though both for wealth and wit&#xA;Beneath Lucilius I am pleased to sit;&#xA;Yet Envy, spite of her empoison'd breast,&#xA;Shall say, I lived in grace here with the best;&#xA;And seeking in weak trash to make her wound,&#xA;Shall find me solid, and her teeth unsound:&#xA;'Less learn'd Trebatius' censure disagree.&#xA;&#xA;Treb.&#xA;No, Horace, I of force must yield to thee;&#xA;Only take heed, as being advised by me,&#xA;Lest thou incur some danger: better pause,&#xA;Than rue thy ignorance of the sacred laws;&#xA;There's justice, and great action may be sued&#xA;'Gainst such as wrong men's fames with verses lewd.&#xA;&#xA;Hor.&#xA;Ay, with lewd verses, such as libels be,&#xA;And aim'd at persons of good quality:&#xA;I reverence and adore that just decree.&#xA;But if they shall be sharp, yet modest rhymes,&#xA;That spare men's persons, and but tax their crimes,&#xA;Such shall in open court find current pass,&#xA;Were Caesar judge, and with the maker's grace.&#xA;&#xA;Treb.&#xA;Nay, I'll add more; if thou thyself, being clear,&#xA;Shall tax in person a man fit to bear&#xA;Shame and reproach, his suit shall quickly be&#xA;Dissolved in laughter, and thou thence set free.&#xA;&#xA;                                                TO THE READER&#xA;&#xA;If, by looking on what is past, thou hast deserved that name, I am&#xA;willing thou should'st yet know more, by that which follows, an&#xA;APOLOGETICAL DIALOGUE; which was only once spoken upon the stage and all the answer I ever gave to sundry impotent libels then cast out (and some yet remaining) against me, and this play. Wherein I take no pleasure to revive the times; but that posterity may make a difference between their manners that provoked me then, and mine that neglected them ever, For, in these strifes, and on such persons, were as wretched to affect a victory, as it is unhappy to be committed with them.&#xA;&#xA;            Non annorum canities est laudanda, sed morum.&#xA;                                 SCENE, The Author's Lodgings.&#xA;                              Enter NASUTUS and POLYPOSUS.&#xA;&#xA;Nas.&#xA;I pray You let' s go see him, how he looks&#xA;After these libels.&#xA;&#xA;Pol.&#xA;O vex'd, vex'd, I warrant you.&#xA;&#xA;Nas. Do you think so? I should be sorry for him,&#xA;If I found that.&#xA;&#xA;Pol.&#xA;O, they are such bitter things,&#xA;He cannot choose.&#xA;&#xA;Nas.&#xA;But, is he guilty of them?&#xA;&#xA;Pol.&#xA;Fuh! that's no matter.&#xA;&#xA;Nas.&#xA;No!&#xA;&#xA;Pol.&#xA;No. Here's his lodging.&#xA;We'll steal upon him: or let's listen; stay.&#xA;He has a humour oft to talk t' himself.&#xA;&#xA;Nas.&#xA;They are your manners lead me, not mine own.&#xA;&#xA;[They come forward; the scene opens, and discovers the&#xA;Author in his study.&#xA;&#xA;Aut.&#xA;The fates have not spun him the coarsest thread,&#xA;That (free from knots of perturbation)&#xA;Doth yet so live, although but to himself,&#xA;As he can safely scorn the tongues of slaves,&#xA;And neglect fortune, more than she can him.&#xA;It is the happiest thing this, not to be&#xA;Within the reach of malice; it provides&#xA;A man so well, to laugh off injuries;&#xA;And never sends him farther for his vengeance,&#xA;Than the vex'd bosom of his enemy.&#xA;I, now, but think how poor their spite sets off,&#xA;Who, after all their waste of sulphurous terms,&#xA;And burst-out thunder of their charged mouths,&#xA;Have nothing left but the unsavoury smoke&#xA;Of their black vomit, to upbraid themselves:&#xA;Whilst I, at whom they shot, sit here shot-free,&#xA;And as unhurt of envy, as unhit.&#xA;&#xA;[Pol. and Nas. discover themselves.&#xA;&#xA;Pol.&#xA;Ay, but the multitude they think not so, sir,&#xA;They think you hit, and hurt: and dare give out,&#xA;Your silence argues it in not rejoining&#xA;To this or that late libel.&#xA;&#xA;Aut.&#xA;'Las, good rout!&#xA;I can afford them leave to err so still;&#xA;And like the barking students of Bears-college,&#xA;To swallow up the garbage of the time&#xA;With greedy gullets, whilst myself sit by,&#xA;Pleased, and yet tortured, with their beastly feeding.&#xA;'Tis a sweet madness runs along with them,&#xA;To think, all that are aim'd at still are struck:&#xA;Then, where the shaft still lights, make that the mark:&#xA;And so each fear or fever-shaken fool&#xA;May challenge Teucer's hand in archery.&#xA;Good troth, if I knew any man so vile,&#xA;To act the crimes these Whippers reprehend,&#xA;Or what their servile apes gesticulate,&#xA;I should not then much muse their shreds were liked;&#xA;Since ill men have a lust t' hear others' sins,&#xA;All good men have a zeal to hear sin shamed.&#xA;But when it is all excrement they vent,&#xA;Base filth and offal; or thefts, notable&#xA;As ocean-piracies, or highway-stands;&#xA;And not a crime there tax'd, but is their own,&#xA;Or what their own foul thoughts suggested to them;&#xA;And that, in all their heat of taxing others,&#xA;Not one of them but lives himself, if known,&#xA;Improbior satiram scribente cinaedo&#xA;What should I say more, than turn stone with wonder!&#xA;&#xA;Nas.&#xA;I never saw this play bred all this tumult:&#xA;What was there in it could so deeply offend&#xA;And stir so many hornets?&#xA;&#xA;Aut.&#xA;Shall I tell you?&#xA;&#xA;Nas.&#xA;Yea, and ingeniously.&#xA;&#xA;Aut.&#xA;Then, by the hope&#xA;Which I prefer unto all other objects,&#xA;I can profess, I never writ that piece&#xA;More innocent or empty of offence.&#xA;Some salt it had, but neither tooth nor gall,&#xA;Nor was there in it any circumstance&#xA;Which. in the setting down, I could suspect&#xA;Might be perverted by an enemy's tongue;&#xA;Only it had the fault to be call'd mine;&#xA;That was the crime.&#xA;&#xA;Pol.&#xA;No! why, they say you tax'd&#xA;The law and lawyers, captains and the players,&#xA;By their particular names.&#xA;&#xA;Aut.&#xA;It is not so.&#xA;I used no name. My books have still been taught&#xA;To spare the persons, and to speak the vices.&#xA;These are mere slanders, and enforced by such&#xA;As have no safer ways to men's disgraces.&#xA;But their own lies and loss of honesty:&#xA;Fellows of practised and most laxative tongues,&#xA;Whose empty and eager bellies, in the year,&#xA;Compel their brains to many desperate shifts,&#xA;(I spare to name them, for their wretchedness&#xA;Fury itself would pardon). These, or such,&#xA;Whether of malice, or of ignorance,&#xA;Or itch t' have me their adversary, I know not,&#xA;Or all these mixt; but sure I am, three years&#xA;They did provoke me with their petulant styles&#xA;On every stage: and I at last unwilling,&#xA;But weary, I confess, of so much trouble,&#xA;Thought I would try if shame could win upon 'em,'&#xA;And therefore chose Augustus Caesar's times,&#xA;When wit and area were at their height in Rome,&#xA;To shew that Virgil, Horace, and the rest&#xA;Of those great master-spirits, did not want&#xA;Detractors then, or practicers against them:&#xA;And by this line, although no parallel,&#xA;I hoped at last they would sit down and blush;&#xA;But nothing I could find more contrary.&#xA;And though the impudence of flies be great,&#xA;Yet this hath so provok'd the angry wasps,&#xA;Or, as you said, of the next nest, the hornets,&#xA;That they fly buzzing, mad, about my nostrils,&#xA;And, like so many screaming grasshoppers&#xA;Held by the wings, fill every ear with noise.&#xA;And what? those former calumnies you mention'd.&#xA;First, of the law: indeed I brought in Ovid&#xA;Chid by his angry father for neglecting&#xA;The study of their laws for poetry:&#xA;And I am warranted by his own words:&#xA;&#xA;Saepe pater dixit, studium quid inutile tentas!&#xA;Maeonides nullas ipse reliquit opes.&#xA;&#xA;And in far harsher terms elsewhere, as these:&#xA;&#xA;Non me verbosas leges ediscere, non me&#xA;Ingrato voces prostituisse foro.&#xA;&#xA;But how this should relate unto our laws,&#xA;Or the just ministers, with least abuse,&#xA;I reverence both too much to understand!&#xA;Then, for the captain, I will only speak&#xA;An epigram I here have made: it is&#xA;&#xA;UNTO TRUE SOLDIERS.&#xA;That's the lemma: mark it.&#xA;Strength of my country, whilst I bring to view&#xA;Such: as are miss-call'd captains, and wrong you,&#xA;And your high names; I do desire, that thence,&#xA;Be nor put on you, nor you take offence:&#xA;I swear by your true friend, my muse, I love&#xA;Your great profession which I once did prove;&#xA;And did not shame it with my actions then,&#xA;No more than I dare now do with my pen.&#xA;He that not trusts me, having vowed thus much,&#xA;But's angry for the captain, still: is such.&#xA;Now for the players, it is true, I tax'd them,&#xA;And yet but some; and those so sparingly,&#xA;As all the rest might have sat still unquestion'd,&#xA;Had they but had the wit or conscience&#xA;To think well of themselves. But impotent, they&#xA;Thought each man's vice belong'd to their whole tribe;&#xA;And much good do't them! What they have done 'gainst me,&#xA;I am not moved with: if it gave them meat,&#xA;Or got them clothes, 'tis well; that was their end.&#xA;Only amongst them, I am sorry for&#xA;Some better natures, by the rest so drawn,&#xA;To run in that vile line.&#xA;&#xA;Pol.&#xA;And is this all!&#xA;Will you not answer then the libels?&#xA;&#xA;Aut.&#xA;No.&#xA;&#xA;Pol.&#xA;Nor the Untrussers?&#xA;&#xA;Aut.&#xA;Neither.&#xA;&#xA;Pol.&#xA;Y'are undone then.&#xA;&#xA;Aut.&#xA;With whom?&#xA;&#xA;Pol.&#xA;The world.&#xA;&#xA;Aut.&#xA;The bawd!&#xA;&#xA;Pol.&#xA;It will be taken&#xA;To be stupidity or tameness in you.&#xA;&#xA;Aut.&#xA;But they that have incensed me, can in soul&#xA;Acquit me of that guilt. They know I dare&#xA;To spurn or baffle them, or squirt their eyes&#xA;With ink or urine; or I could do worse,&#xA;Arm'd with Archilochus' fury, write Iambics,&#xA;Should make the desperate lashers hang themselves;&#xA;Rhime them to death, as they do Irish rats&#xA;In drumming tunes. Or, living, I could stamp&#xA;Their foreheads with those deep and public brands,&#xA;That the whole company of barber-surgeon a&#xA;Should not take off with all their art and plasters.&#xA;And these my prints should last, still to be read&#xA;In their pale fronts; when, what they write 'gainst me&#xA;Shall, like a figure drawn in water, fleet,&#xA;And the poor wretched papers be employed&#xA;To clothe tobacco, or some cheaper drug:&#xA;This I could do, and make them infamous.&#xA;But, to what end? when their own deeds have mark'd 'em;&#xA;And that I know, within his guilty breast&#xA;Each slanderer bears a whip that shall torment him&#xA;Worse than a million of these temporal plagues:&#xA;Which to pursue, were but a feminine humour,&#xA;And far beneath the dignity of man.&#xA;&#xA;Nas.&#xA;'Tis true; for to revenge their injuries,&#xA;Were to confess you felt them. Let them go,&#xA;And use the treasure of the fool, their tongues,&#xA;Who makes his gain, by speaking worst of beat.&#xA;&#xA;Pol.&#xA;O, but they lay particular imputations—&#xA;&#xA;Aut.&#xA;As what?&#xA;&#xA;Pol.&#xA;That all your writing is mere railing.&#xA;&#xA;Aut.&#xA;Ha?&#xA;If all the salt in the old comedy&#xA;Should be so censured, or the sharper wit&#xA;Of the bold satire termed scolding rage,&#xA;What age could then compare with those for buffoons?&#xA;What should be said of Aristophanes,&#xA;Persius, or Juvenal, whose names we now&#xA;So glorify in schools, at least pretend it?—-&#xA;Have they no other?&#xA;&#xA;Pol.&#xA;Yes; they say you are slow,&#xA;And scarce bring forth a play a year.&#xA;&#xA;Aut.&#xA;'Tis true.&#xA;I would they could not say that I did that!&#xA;There' s all the joy that I take in their trade,&#xA;Unless such scribes as these might be proscribed&#xA;Th' abused theatres. They would think it strange, now,&#xA;A man should take but colts-foot for one day,&#xA;And, between whiles, spit out a better poem&#xA;Than e'er the master of art, or giver of wit,&#xA;Their belly, made. Yet, this is possible,&#xA;If a free mind had but the patience,&#xA;To think so much together and so vile.&#xA;But that these base and beggarly conceits&#xA;Should carry it, by the multitude of voices,&#xA;Against the most abstracted work, opposed&#xA;To the stuff'd nostrils of the drunken rout!&#xA;O, this would make a learn'd and liberal soul&#xA;To rive his stained quill up to the back,&#xA;And damn his long-watch'd labours to the fire,&#xA;Things that were born when none but the still night&#xA;And his dumb candle, saw his pinching throes,&#xA;Were not his own free merit a more crown&#xA;Unto his travails than their reeling claps.&#xA;This 'tis that strikes me silent, seals my lips,&#xA;And apts me rather to sleep out my time,&#xA;Than I would waste it in contemned strifes&#xA;With these vile Ibides, these unclean birds,&#xA;That make their mouths their clysters, and still purge&#xA;From their hot entrails. But I leave the monsters&#xA;To their own fate. And, since the Comic Muse&#xA;Hath proved so ominous to me, I will try&#xA;If TRAGEDY have a more kind aspect;&#xA;Her favours in my next I will pursue,&#xA;Where, if I prove the pleasure but of one,&#xA;So he judicious be, he shall be alone&#xA;A theatre unto me; Once I'll say&#xA;To strike the ear of time in those fresh strains,&#xA;As shall, beside the cunning of their ground,&#xA;Give cause to some of wonder, some despite,&#xA;And more despair, to imitate their sound.&#xA;I, that spend half my nights, and all my days,&#xA;Here in a cell, to get a dark paleface,&#xA;To come forth worth the ivy or the bays,&#xA;And in this age can hope no other grace—-&#xA;Leave me! There's something come into my thought,&#xA;That must and shall be sung high and aloof,&#xA;Safe from the wolfs black jaw, and the dun ass's hoof&#xA;&#xA;Nas.&#xA;I reverence these raptures, and obey them.&#xA;&#xA;&#xA;[The scene closes—-&#xA;&#xA;&#xA;                                                    GLOSSARY&#xA;&#xA;ABATE, cast down, subdue.&#xA;&#xA;ABHORRING, repugnant (to), at variance.&#xA;&#xA;ABJECT, base, degraded thing, outcast.&#xA;&#xA;ABRASE, smooth, blank.&#xA;&#xA;ABSOLUTE(LY), faultless(ly).&#xA;&#xA;ABSTRACTED, abstract, abstruse.&#xA;&#xA;ABUSE, deceive, insult, dishonour, make ill use of.&#xA;&#xA;ACATER, caterer.&#xA;&#xA;ACATES, cates.&#xA;&#xA;ACCEPTIVE, willing, ready to accept, receive.&#xA;&#xA;ACCOMMODATE, fit, befitting.  (The word was a fashionable&#xA;one and used on all occasions.  See &amp;quot;Henry IV.,&amp;quot; pt. 2,&#xA;iii. 4).&#xA;&#xA;ACCOST, draw near, approach.&#xA;&#xA;ACKNOWN, confessedly acquainted with.&#xA;&#xA;ACME, full maturity.&#xA;&#xA;ADALANTADO, lord deputy or governor of a Spanish province.&#xA;&#xA;ADJECTION, addition.&#xA;&#xA;ADMIRATION, astonishment.&#xA;&#xA;ADMIRE, wonder, wonder at.&#xA;&#xA;ADROP, philosopher's stone, or substance from which obtained.&#xA;&#xA;ADSCRIVE, subscribe.&#xA;&#xA;ADULTERATE, spurious, counterfeit.&#xA;&#xA;ADVANCE, lift.&#xA;&#xA;ADVERTISE, inform, give intelligence.&#xA;&#xA;ADVERTISED, &amp;quot;be—,&amp;quot; be it known to you.&#xA;&#xA;ADVERTISEMENT, intelligence.&#xA;&#xA;ADVISE, consider, bethink oneself, deliberate.&#xA;&#xA;ADVISED, informed, aware; &amp;quot;are you—?&amp;quot; have you found that out?&#xA;&#xA;AFFECT, love, like; aim at; move.&#xA;&#xA;AFFECTED, disposed; beloved.&#xA;&#xA;AFFECTIONATE, obstinate; prejudiced.&#xA;&#xA;AFFECTS, affections.&#xA;&#xA;AFFRONT, &amp;quot;give the—,&amp;quot; face.&#xA;&#xA;AFFY, have confidence in; betroth.&#xA;&#xA;AFTER, after the manner of.&#xA;&#xA;AGAIN, AGAINST, in anticipation of.&#xA;&#xA;AGGRAVATE, increase, magnify, enlarge upon.&#xA;&#xA;AGNOMINATION.  See Paranomasie.&#xA;&#xA;AIERY, nest, brood.&#xA;&#xA;AIM, guess.&#xA;&#xA;ALL HID, children's cry at hide-and-seek.&#xA;&#xA;ALL-TO, completely, entirely (&amp;quot;all-to-be-laden&amp;quot;).&#xA;&#xA;ALLOWANCE, approbation, recognition.&#xA;&#xA;ALMA-CANTARAS (astronomy), parallels of altitude.&#xA;&#xA;ALMAIN, name of a dance.&#xA;&#xA;ALMUTEN, planet of chief influence in the horoscope.&#xA;&#xA;ALONE, unequalled, without peer.&#xA;&#xA;ALUDELS, subliming pots.&#xA;&#xA;AMAZED, confused, perplexed.&#xA;&#xA;AMBER, AMBRE, ambergris.&#xA;&#xA;AMBREE, MARY, a woman noted for her valour at the&#xA;siege of Ghent, 1458.&#xA;&#xA;AMES-ACE, lowest throw at dice.&#xA;&#xA;AMPHIBOLIES, ambiguities.&#xA;&#xA;AMUSED, bewildered, amazed.&#xA;&#xA;AN, if.&#xA;&#xA;ANATOMY, skeleton, or dissected body.&#xA;&#xA;ANDIRONS, fire-dogs.&#xA;&#xA;ANGEL, gold coin worth 10 shillings, stamped with the&#xA;figure of the archangel Michael.&#xA;&#xA;ANNESH CLEARE, spring known as Agnes le Clare.&#xA;&#xA;ANSWER, return hit in fencing.&#xA;&#xA;ANTIC, ANTIQUE, clown, buffoon.&#xA;&#xA;ANTIC, like a buffoon.&#xA;&#xA;ANTIPERISTASIS, an opposition which enhances the quality&#xA;it opposes.&#xA;&#xA;APOZEM, decoction.&#xA;&#xA;APPERIL, peril.&#xA;&#xA;APPLE-JOHN, APPLE-SQUIRE, pimp, pander.&#xA;&#xA;APPLY, attach.&#xA;&#xA;APPREHEND, take into custody.&#xA;&#xA;APPREHENSIVE, quick of perception; able to perceive and appreciate.&#xA;&#xA;APPROVE, prove, confirm.&#xA;&#xA;APT, suit, adapt; train, prepare; dispose, incline.&#xA;&#xA;APT(LY), suitable(y), opportune(ly).&#xA;&#xA;APTITUDE, suitableness.&#xA;&#xA;ARBOR, &amp;quot;make the—,&amp;quot; cut up the game (Gifford).&#xA;&#xA;ARCHES, Court of Arches.&#xA;&#xA;ARCHIE, Archibald Armstrong, jester to James I. and Charles I.&#xA;&#xA;ARGAILE, argol, crust or sediment in wine casks.&#xA;&#xA;ARGENT-VIVE, quicksilver.&#xA;&#xA;ARGUMENT, plot of a drama; theme, subject; matter in question;&#xA;token, proof.&#xA;&#xA;ARRIDE, please.&#xA;&#xA;ARSEDINE, mixture of copper and zinc, used as an imitation of&#xA;gold-leaf.&#xA;&#xA;ARTHUR, PRINCE, reference to an archery show by a society who&#xA;assumed arms, etc., of Arthur's knights.&#xA;&#xA;ARTICLE, item.&#xA;&#xA;ARTIFICIALLY, artfully.&#xA;&#xA;ASCENSION, evaporation, distillation.&#xA;&#xA;ASPIRE, try to reach, obtain, long for.&#xA;&#xA;ASSALTO (Italian), assault.&#xA;&#xA;ASSAY, draw a knife along the belly of the deer, a&#xA;ceremony of the hunting-field.&#xA;&#xA;ASSOIL, solve.&#xA;&#xA;ASSURE, secure possession or reversion of.&#xA;&#xA;ATHANOR, a digesting furnace, calculated to keep up a&#xA;constant heat.&#xA;&#xA;ATONE, reconcile.&#xA;&#xA;ATTACH, attack, seize.&#xA;&#xA;AUDACIOUS, having spirit and confidence.&#xA;&#xA;AUTHENTIC(AL), of authority, authorised, trustworthy, genuine.&#xA;&#xA;AVISEMENT, reflection, consideration.&#xA;&#xA;AVOID, begone! get rid of.&#xA;&#xA;AWAY WITH, endure.&#xA;&#xA;AZOCH, Mercurius Philosophorum.&#xA;&#xA;BABION, baboon.&#xA;&#xA;BABY, doll.&#xA;&#xA;BACK-SIDE, back premises.&#xA;&#xA;BAFFLE, treat with contempt.&#xA;&#xA;BAGATINE, Italian coin, worth about the third of a farthing.&#xA;&#xA;BAIARD, horse of magic powers known to old romance.&#xA;&#xA;BALDRICK, belt worn across the breast to support bugle, etc.&#xA;&#xA;BALE (of dice), pair.&#xA;&#xA;BALK, overlook, pass by, avoid.&#xA;&#xA;BALLACE, ballast.&#xA;&#xA;BALLOO, game at ball.&#xA;&#xA;BALNEUM (BAIN MARIE), a vessel for holding hot water&#xA;in which other vessels are stood for heating.&#xA;&#xA;BANBURY, &amp;quot;brother of—,&amp;quot; Puritan.&#xA;&#xA;BANDOG, dog tied or chained up.&#xA;&#xA;BANE, woe, ruin.&#xA;&#xA;BANQUET, a light repast; dessert.&#xA;&#xA;BARB, to clip gold.&#xA;&#xA;BARBEL, fresh-water fish.&#xA;&#xA;BARE, meer; bareheaded; it was &amp;quot;a particular mark of state&#xA;and grandeur for the coachman to be uncovered&amp;quot; (Gifford).&#xA;&#xA;BARLEY-BREAK, game somewhat similar to base.&#xA;&#xA;BASE, game of prisoner's base.&#xA;&#xA;BASES, richly embroidered skirt reaching to the knees, or&#xA;lower.&#xA;&#xA;BASILISK, fabulous reptile, believed to slay with its eye.&#xA;&#xA;BASKET, used for the broken provision collected for prisoners.&#xA;&#xA;BASON, basons, etc., were beaten by the attendant mob when&#xA;bad characters were &amp;quot;carted.&amp;quot;&#xA;&#xA;BATE, be reduced; abate, reduce.&#xA;&#xA;BATOON, baton, stick.&#xA;&#xA;BATTEN, feed, grow fat.&#xA;&#xA;BAWSON, badger.&#xA;&#xA;BEADSMAN, prayer-man, one engaged to pray for another.&#xA;&#xA;BEAGLE, small hound; fig. spy.&#xA;&#xA;BEAR IN HAND, keep in suspense, deceive with false hopes.&#xA;&#xA;BEARWARD, bear leader.&#xA;&#xA;BEDPHERE.  See Phere.&#xA;&#xA;BEDSTAFF, (?) wooden pin in the side of the bedstead for&#xA;supporting the bedclothes (Johnson); one of the sticks or&#xA;&amp;quot;laths&amp;quot;; a stick used in making a bed.&#xA;&#xA;BEETLE, heavy mallet.&#xA;&#xA;BEG, &amp;quot;I'd—him,&amp;quot; the custody of minors and idiots was&#xA;begged for; likewise property fallen forfeit to the Crown&#xA;(&amp;quot;your house had been begged&amp;quot;).&#xA;&#xA;BELL-MAN, night watchman.&#xA;&#xA;BENJAMIN, an aromatic gum.&#xA;&#xA;BERLINA, pillory.&#xA;&#xA;BESCUMBER, defile.&#xA;&#xA;BESLAVE, beslabber.&#xA;&#xA;BESOGNO, beggar.&#xA;&#xA;BESPAWLE, bespatter.&#xA;&#xA;BETHLEHEM GABOR, Transylvanian hero, proclaimed King of Hungary.&#xA;&#xA;BEVER, drinking.&#xA;&#xA;BEVIS, SIR, knight of romance whose horse was equally celebrated.&#xA;&#xA;BEWRAY, reveal, make known.&#xA;&#xA;BEZANT, heraldic term: small gold circle.&#xA;&#xA;BEZOAR'S STONE, a remedy known by this name was a&#xA;supposed antidote to poison.&#xA;&#xA;BID-STAND, highwayman.&#xA;&#xA;BIGGIN, cap, similar to that worn by the Beguines; nightcap.&#xA;&#xA;BILIVE (belive), with haste.&#xA;&#xA;BILK, nothing, empty talk.&#xA;&#xA;BILL, kind of pike.&#xA;&#xA;BILLET, wood cut for fuel, stick.&#xA;&#xA;BIRDING, thieving.&#xA;&#xA;BLACK SANCTUS, burlesque hymn, any unholy riot.&#xA;&#xA;BLANK, originally a small French coin.&#xA;&#xA;BLANK, white.&#xA;&#xA;BLANKET, toss in a blanket.&#xA;&#xA;BLAZE, outburst of violence.&#xA;&#xA;BLAZE, (her.) blazon; publish abroad.&#xA;&#xA;BLAZON, armorial bearings; fig. all that pertains to&#xA;good birth and breeding.&#xA;&#xA;BLIN, &amp;quot;withouten—,&amp;quot; without ceasing.&#xA;&#xA;BLOW, puff up.&#xA;&#xA;BLUE, colour of servants' livery, hence &amp;quot;—order,&amp;quot;&#xA;&amp;quot;—waiters.&amp;quot;&#xA;&#xA;BLUSHET, blushing one.&#xA;&#xA;BOB, jest, taunt.&#xA;&#xA;BOB, beat, thump.&#xA;&#xA;BODGE, measure.&#xA;&#xA;BODKIN, dagger, or other short, pointed weapon; long&#xA;pin with which the women fastened up their hair.&#xA;&#xA;BOLT, roll (of material).&#xA;&#xA;BOLT, dislodge, rout out; sift (boulting-tub).&#xA;&#xA;BOLT'S-HEAD, long, straight-necked vessel for distillation.&#xA;&#xA;BOMBARD SLOPS, padded, puffed-out breeches.&#xA;&#xA;BONA ROBA, &amp;quot;good, wholesome, plum-cheeked wench&amp;quot; (Johnson)&#xA;—not always used in compliment.&#xA;&#xA;BONNY-CLABBER, sour butter-milk.&#xA;&#xA;BOOKHOLDER, prompter.&#xA;&#xA;BOOT, &amp;quot;to—,&amp;quot; into the bargain; &amp;quot;no—,&amp;quot; of no avail.&#xA;&#xA;BORACHIO, bottle made of skin.&#xA;&#xA;BORDELLO, brothel.&#xA;&#xA;BORNE IT, conducted, carried it through.&#xA;&#xA;BOTTLE (of hay), bundle, truss.&#xA;&#xA;BOTTOM, skein or ball of thread; vessel.&#xA;&#xA;BOURD, jest.&#xA;&#xA;BOVOLI, snails or cockles dressed in the Italian manner&#xA;(Gifford).&#xA;&#xA;BOW-POT, flower vase or pot.&#xA;&#xA;BOYS, &amp;quot;terrible—,&amp;quot; &amp;quot;angry—,&amp;quot; roystering young bucks.&#xA;(See Nares).&#xA;&#xA;BRABBLES (BRABBLESH), brawls.&#xA;&#xA;BRACH, bitch.&#xA;&#xA;BRADAMANTE, a heroine in &amp;quot;Orlando Furioso.&amp;quot;&#xA;&#xA;BRADLEY, ARTHUR OF, a lively character commemorated in&#xA;ballads.&#xA;&#xA;BRAKE, frame for confining a horse's feet while being&#xA;shod, or strong curb or bridle; trap.&#xA;&#xA;BRANCHED, with &amp;quot;detached sleeve ornaments, projecting&#xA;from the shoulders of the gown&amp;quot; (Gifford).&#xA;&#xA;BRANDISH, flourish of weapon.&#xA;&#xA;BRASH, brace.&#xA;&#xA;BRAVE, bravado, braggart speech.&#xA;&#xA;BRAVE (adv.), gaily, finely (apparelled).&#xA;&#xA;BRAVERIES, gallants.&#xA;&#xA;BRAVERY, extravagant gaiety of apparel.&#xA;&#xA;BRAVO, bravado, swaggerer.&#xA;&#xA;BRAZEN-HEAD, speaking head made by Roger Bacon.&#xA;&#xA;BREATHE, pause for relaxation; exercise.&#xA;&#xA;BREATH UPON, speak dispraisingly of.&#xA;&#xA;BREND, burn.&#xA;&#xA;BRIDE-ALE, wedding feast.&#xA;&#xA;BRIEF, abstract; (mus.) breve.&#xA;&#xA;BRISK, smartly dressed.&#xA;&#xA;BRIZE, breese, gadfly.&#xA;&#xA;BROAD-SEAL, state seal.&#xA;&#xA;BROCK, badger (term of contempt).&#xA;&#xA;BROKE, transact business as a broker.&#xA;&#xA;BROOK, endure, put up with.&#xA;&#xA;BROUGHTON, HUGH, an English divine and Hebrew scholar.&#xA;&#xA;BRUIT, rumour.&#xA;&#xA;BUCK, wash.&#xA;&#xA;BUCKLE, bend.&#xA;&#xA;BUFF, leather made of buffalo skin, used for military&#xA;and serjeants' coats, etc.&#xA;&#xA;BUFO, black tincture.&#xA;&#xA;BUGLE, long-shaped bead.&#xA;&#xA;BULLED, (?) bolled, swelled.&#xA;&#xA;BULLIONS, trunk hose.&#xA;&#xA;BULLY, term of familiar endearment.&#xA;&#xA;BUNGY, Friar Bungay, who had a familiar in the shape of a dog.&#xA;&#xA;BURDEN, refrain, chorus.&#xA;&#xA;BURGONET, closely-fitting helmet with visor.&#xA;&#xA;BURGULLION, braggadocio.&#xA;&#xA;BURN, mark wooden measures (&amp;quot;—ing of cans&amp;quot;).&#xA;&#xA;BURROUGH, pledge, security.&#xA;&#xA;BUSKIN, half-boot, foot gear reaching high up the leg.&#xA;&#xA;BUTT-SHAFT, barbless arrow for shooting at butts.&#xA;&#xA;BUTTER, NATHANIEL (&amp;quot;Staple of News&amp;quot;), a compiler of general&#xA;news.  (See Cunningham).&#xA;&#xA;BUTTERY-HATCH, half-door shutting off the buttery, where&#xA;provisions and liquors were stored.&#xA;&#xA;BUY, &amp;quot;he bought me,&amp;quot; formerly the guardianship of wards&#xA;could be bought.&#xA;&#xA;BUZ, exclamation to enjoin silence.&#xA;&#xA;BUZZARD, simpleton.&#xA;&#xA;BY AND BY, at once.&#xA;&#xA;BY(E), &amp;quot;on the __,&amp;quot; incidentally, as of minor or secondary&#xA;importance; at the side.&#xA;&#xA;BY-CHOP, by-blow, bastard.&#xA;&#xA;CADUCEUS, Mercury's wand.&#xA;&#xA;CALIVER, light kind of musket.&#xA;&#xA;CALLET, woman of ill repute.&#xA;&#xA;CALLOT, coif worn on the wigs of our judges or&#xA;serjeants-at-law (Gifford).&#xA;&#xA;CALVERED, crimped, or sliced and pickled.  (See Nares).&#xA;&#xA;CAMOUCCIO, wretch, knave.&#xA;&#xA;CAMUSED, flat.&#xA;&#xA;CAN, knows.&#xA;&#xA;CANDLE-RENT, rent from house property.&#xA;&#xA;CANDLE-WASTER, one who studies late.&#xA;&#xA;CANTER, sturdy beggar.&#xA;&#xA;CAP OF MAINTENCE, an insignia of dignity, a cap of state&#xA;borne before kings at their coronation; also an heraldic term.&#xA;&#xA;CAPABLE, able to comprehend, fit to receive instruction,&#xA;impression.&#xA;&#xA;CAPANEUS, one of the &amp;quot;Seven against Thebes.&amp;quot;&#xA;&#xA;CARACT, carat, unit of weight for precious stones, etc.;&#xA;value, worth.&#xA;&#xA;CARANZA, Spanish author of a book on duelling.&#xA;&#xA;CARCANET, jewelled ornament for the neck.&#xA;&#xA;CARE, take care; object.&#xA;&#xA;CAROSH, coach, carriage.&#xA;&#xA;CARPET, table-cover.&#xA;&#xA;CARRIAGE, bearing, behaviour.&#xA;&#xA;CARWHITCHET, quip, pun.&#xA;&#xA;CASAMATE, casemate, fortress.&#xA;&#xA;CASE, a pair.&#xA;&#xA;CASE, &amp;quot;in—,&amp;quot; in condition.&#xA;&#xA;CASSOCK, soldier's loose overcoat.&#xA;&#xA;CAST, flight of hawks, couple.&#xA;&#xA;CAST, throw dice; vomit; forecast, calculate.&#xA;&#xA;CAST, cashiered.&#xA;&#xA;CASTING-GLASS, bottle for sprinkling perfume.&#xA;&#xA;CASTRIL, kestrel, falcon.&#xA;&#xA;CAT, structure used in sieges.&#xA;&#xA;CATAMITE, old form of &amp;quot;ganymede.&amp;quot;&#xA;&#xA;CATASTROPHE, conclusion.&#xA;&#xA;CATCHPOLE, sheriff's officer.&#xA;&#xA;CATES, dainties, provisions.&#xA;&#xA;CATSO, rogue, cheat.&#xA;&#xA;CAUTELOUS, crafty, artful.&#xA;&#xA;CENSURE, criticism; sentence.&#xA;&#xA;CENSURE, criticise; pass sentence, doom.&#xA;&#xA;CERUSE, cosmetic containing white lead.&#xA;&#xA;CESS, assess.&#xA;&#xA;CHANGE, &amp;quot;hunt—,&amp;quot; follow a fresh scent.&#xA;&#xA;CHAPMAN, retail dealer.&#xA;&#xA;CHARACTER, handwriting.&#xA;&#xA;CHARGE, expense.&#xA;&#xA;CHARM, subdue with magic, lay a spell on, silence.&#xA;&#xA;CHARMING, exercising magic power.&#xA;&#xA;CHARTEL, challenge.&#xA;&#xA;CHEAP, bargain, market.&#xA;&#xA;CHEAR, CHEER, comfort, encouragement; food, entertainment.&#xA;&#xA;CHECK AT, aim reproof at.&#xA;&#xA;CHEQUIN, gold Italian coin.&#xA;&#xA;CHEVRIL, from kidskin, which is elastic and pliable.&#xA;&#xA;CHIAUS, Turkish envoy; used for a cheat, swindler.&#xA;&#xA;CHILDERMASS DAY, Innocents' Day.&#xA;&#xA;CHOKE-BAIL, action which does not allow of bail.&#xA;&#xA;CHRYSOPOEIA, alchemy.&#xA;&#xA;CHRYSOSPERM, ways of producing gold.&#xA;&#xA;CIBATION, adding fresh substances to supply the waste&#xA;of evaporation.&#xA;&#xA;CIMICI, bugs.&#xA;&#xA;CINOPER, cinnabar.&#xA;&#xA;CIOPPINI, chopine, lady's high shoe.&#xA;&#xA;CIRCLING BOY, &amp;quot;a species of roarer; one who in some way&#xA;drew a man into a snare, to cheat or rob him&amp;quot; (Nares).&#xA;&#xA;CIRCUMSTANCE, circumlocution, beating about the bush;&#xA;ceremony, everything pertaining to a certain condition;&#xA;detail, particular.&#xA;&#xA;CITRONISE, turn citron colour.&#xA;&#xA;CITTERN, kind of guitar.&#xA;&#xA;CITY-WIRES, woman of fashion, who made use of wires&#xA;for hair and dress.&#xA;&#xA;CIVIL, legal.&#xA;&#xA;CLAP, clack, chatter.&#xA;&#xA;CLAPPER-DUDGEON, downright beggar.&#xA;&#xA;CLAPS HIS DISH, a clap, or clack, dish (dish with a&#xA;movable lid) was carried by beggars and lepers to show&#xA;that the vessel was empty, and to give sound of their&#xA;approach.&#xA;&#xA;CLARIDIANA, heroine of an old romance.&#xA;&#xA;CLARISSIMO, Venetian noble.&#xA;&#xA;CLEM, starve.&#xA;&#xA;CLICKET, latch.&#xA;&#xA;CLIM O' THE CLOUGHS, etc., wordy heroes of romance.&#xA;&#xA;CLIMATE, country.&#xA;&#xA;CLOSE, secret, private; secretive.&#xA;&#xA;CLOSENESS, secrecy.&#xA;&#xA;CLOTH, arras, hangings.&#xA;&#xA;CLOUT, mark shot at, bull's eye.&#xA;&#xA;CLOWN, countryman, clodhopper.&#xA;&#xA;COACH-LEAVES, folding blinds.&#xA;&#xA;COALS, &amp;quot;bear no—,&amp;quot; submit to no affront.&#xA;&#xA;COAT-ARMOUR, coat of arms.&#xA;&#xA;COAT-CARD, court-card.&#xA;&#xA;COB-HERRING, HERRING-COB, a young herring.&#xA;&#xA;COB-SWAN, male swan.&#xA;&#xA;COCK-A-HOOP, denoting unstinted jollity; thought to&#xA;be derived from turning on the tap that all might&#xA;drink to the full of the flowing liquor.&#xA;&#xA;COCKATRICE, reptile supposed to be produced from a&#xA;cock's egg and to kill by its eye—used as a term&#xA;of reproach for a woman.&#xA;&#xA;COCK-BRAINED, giddy, wild.&#xA;&#xA;COCKER, pamper.&#xA;&#xA;COCKSCOMB, fool's cap.&#xA;&#xA;COCKSTONE, stone said to be found in a cock's&#xA;gizzard, and to possess particular virtues.&#xA;&#xA;CODLING, softening by boiling.&#xA;&#xA;COFFIN, raised crust of a pie.&#xA;&#xA;COG, cheat, wheedle.&#xA;&#xA;COIL, turmoil, confusion, ado.&#xA;&#xA;COKELY, master of a puppet-show (Whalley).&#xA;&#xA;COKES, fool, gull.&#xA;&#xA;COLD-CONCEITED, having cold opinion of, coldly&#xA;affected towards.&#xA;&#xA;COLE-HARBOUR, a retreat for people of all sorts.&#xA;&#xA;COLLECTION, composure; deduction.&#xA;&#xA;COLLOP, small slice, piece of flesh.&#xA;&#xA;COLLY, blacken.&#xA;&#xA;COLOUR, pretext.&#xA;&#xA;COLOURS, &amp;quot;fear no—,&amp;quot; no enemy (quibble).&#xA;&#xA;COLSTAFF, cowlstaff, pole for carrying a cowl=tub.&#xA;&#xA;COME ABOUT, charge, turn round.&#xA;&#xA;COMFORTABLE BREAD, spiced gingerbread.&#xA;&#xA;COMING, forward, ready to respond, complaisant.&#xA;&#xA;COMMENT, commentary; &amp;quot;sometime it is taken for a lie&#xA;or fayned tale&amp;quot; (Bullokar, 1616).&#xA;&#xA;COMMODITY, &amp;quot;current for—,&amp;quot; allusion to practice of&#xA;money-lenders, who forced the borrower to take part of&#xA;the loan in the shape of worthless goods on which the&#xA;latter had to make money if he could.&#xA;&#xA;COMMUNICATE, share.&#xA;&#xA;COMPASS, &amp;quot;in—,&amp;quot; within the range, sphere.&#xA;&#xA;COMPLEMENT, completion, completement; anything&#xA;required for the perfecting or carrying out of&#xA;a person or affair; accomplishment.&#xA;&#xA;COMPLEXION, natural disposition, constitution.&#xA;&#xA;COMPLIMENT, See Complement.&#xA;&#xA;COMPLIMENTARIES, masters of accomplishments.&#xA;&#xA;COMPOSITION, constitution; agreement, contract.&#xA;&#xA;COMPOSURE, composition.&#xA;&#xA;COMPTER, COUNTER, debtors' prison.&#xA;&#xA;CONCEALMENT, a certain amount of church property&#xA;had been retained at the dissolution of the monasteries;&#xA;Elizabeth sent commissioners to search it out, and the&#xA;courtiers begged for it.&#xA;&#xA;CONCEIT, idea, fancy, witty invention, conception, opinion.&#xA;&#xA;CONCEIT, apprehend.&#xA;&#xA;CONCEITED, fancifully, ingeniously devised or conceived;&#xA;possessed of intelligence, witty, ingenious (hence well&#xA;conceited, etc.); disposed to joke; of opinion, possessed&#xA;of an idea.&#xA;&#xA;CONCEIVE, understand.&#xA;&#xA;CONCENT, harmony, agreement.&#xA;&#xA;CONCLUDE, infer, prove.&#xA;&#xA;CONCOCT, assimilate, digest.&#xA;&#xA;CONDEN'T, probably conducted.&#xA;&#xA;CONDUCT, escort, conductor.&#xA;&#xA;CONEY-CATCH, cheat.&#xA;&#xA;CONFECT, sweetmeat.&#xA;&#xA;CONFER, compare.&#xA;&#xA;CONGIES, bows.&#xA;&#xA;CONNIVE, give a look, wink, of secret intelligence.&#xA;&#xA;CONSORT, company, concert.&#xA;&#xA;CONSTANCY, fidelity, ardour, persistence.&#xA;&#xA;CONSTANT, confirmed, persistent, faithful.&#xA;&#xA;CONSTANTLY, firmly, persistently.&#xA;&#xA;CONTEND, strive.&#xA;&#xA;CONTINENT, holding together.&#xA;&#xA;CONTROL (the point), bear or beat down.&#xA;&#xA;CONVENT, assembly, meeting.&#xA;&#xA;CONVERT, turn (oneself).&#xA;&#xA;CONVEY, transmit from one to another.&#xA;&#xA;CONVINCE, evince, prove; overcome, overpower; convict.&#xA;&#xA;COP, head, top; tuft on head of birds; &amp;quot;a cop&amp;quot; may&#xA;have reference to one or other meaning; Gifford and&#xA;others interpret as &amp;quot;conical, terminating in a point.&amp;quot;&#xA;&#xA;COPE-MAN, chapman.&#xA;&#xA;COPESMATE, companion.&#xA;&#xA;COPY (Lat. copia), abundance, copiousness.&#xA;&#xA;CORN (&amp;quot;powder—&amp;quot;), grain.&#xA;&#xA;COROLLARY, finishing part or touch.&#xA;&#xA;CORSIVE, corrosive.&#xA;&#xA;CORTINE, curtain, (arch.) wall between two towers, etc.&#xA;&#xA;CORYAT, famous for his travels, published as &amp;quot;Coryat's&#xA;Crudities.&amp;quot;&#xA;&#xA;COSSET, pet lamb, pet.&#xA;&#xA;COSTARD, head.&#xA;&#xA;COSTARD-MONGER, apple-seller, coster-monger.&#xA;&#xA;COSTS, ribs.&#xA;&#xA;COTE, hut.&#xA;&#xA;COTHURNAL, from &amp;quot;cothurnus,&amp;quot; a particular boot worn by&#xA;actors in Greek tragedy.&#xA;&#xA;COTQUEAN, hussy.&#xA;&#xA;COUNSEL, secret.&#xA;&#xA;COUNTENANCE, means necessary for support; credit, standing.&#xA;&#xA;COUNTER.  See Compter.&#xA;&#xA;COUNTER, pieces of metal or ivory for calculating at play.&#xA;&#xA;COUNTER, &amp;quot;hunt—,&amp;quot; follow scent in reverse direction.&#xA;&#xA;COUNTERFEIT, false coin.&#xA;&#xA;COUNTERPANE, one part or counterpart of a deed or indenture.&#xA;&#xA;COUNTERPOINT, opposite, contrary point.&#xA;&#xA;COURT-DISH, a kind of drinking-cup (Halliwell); N.E.D.&#xA;quotes from Bp. Goodman's &amp;quot;Court of James I.&amp;quot;: &amp;quot;The&#xA;king...caused his carver to cut him out a court-dish,&#xA;that is, something of every dish, which he sent him as&#xA;part of his reversion,&amp;quot; but this does not sound like&#xA;short allowance or small receptacle.&#xA;&#xA;COURT-DOR, fool.&#xA;&#xA;COURTEAU, curtal, small horse with docked tail.&#xA;&#xA;COURTSHIP, courtliness.&#xA;&#xA;COVETISE, avarice.&#xA;&#xA;COWSHARD, cow dung.&#xA;&#xA;COXCOMB, fool's cap, fool.&#xA;&#xA;COY, shrink; disdain.&#xA;&#xA;COYSTREL, low varlet.&#xA;&#xA;COZEN, cheat.&#xA;&#xA;CRACK, lively young rogue, wag.&#xA;&#xA;CRACK, crack up, boast; come to grief.&#xA;&#xA;CRAMBE, game of crambo, in which the players find&#xA;rhymes for a given word.&#xA;&#xA;CRANCH, craunch.&#xA;&#xA;CRANION, spider-like; also fairy appellation for a&#xA;fly (Gifford, who refers to lines in Drayton's&#xA;&amp;quot;Nimphidia&amp;quot;).&#xA;&#xA;CRIMP, game at cards.&#xA;&#xA;CRINCLE, draw back, turn aside.&#xA;&#xA;CRISPED, with curled or waved hair.&#xA;&#xA;CROP, gather, reap.&#xA;&#xA;CROPSHIRE, a kind of herring.  (See N.E.D.)&#xA;&#xA;CROSS, any piece of money, many coins being stamped&#xA;with a cross.&#xA;&#xA;CROSS AND PILE, heads and tails.&#xA;&#xA;CROSSLET, crucible.&#xA;&#xA;CROWD, fiddle.&#xA;&#xA;CRUDITIES, undigested matter.&#xA;&#xA;CRUMP, curl up.&#xA;&#xA;CRUSADO, Portuguese gold coin, marked with a cross.&#xA;&#xA;CRY (&amp;quot;he that cried Italian&amp;quot;), &amp;quot;speak in a musical&#xA;cadence,&amp;quot; intone, or declaim (?); cry up.&#xA;&#xA;CUCKING-STOOL, used for the ducking of scolds, etc.&#xA;&#xA;CUCURBITE, a gourd-shaped vessel used for distillation.&#xA;&#xA;CUERPO, &amp;quot;in—,&amp;quot; in undress.&#xA;&#xA;CULLICE, broth.&#xA;&#xA;CULLION, base fellow, coward.&#xA;&#xA;CULLISEN, badge worn on their arm by servants.&#xA;&#xA;CULVERIN, kind of cannon.&#xA;&#xA;CUNNING, skill.&#xA;&#xA;CUNNING, skilful.&#xA;&#xA;CUNNING-MAN, fortune-teller.&#xA;&#xA;CURE, care for.&#xA;&#xA;CURIOUS(LY), scrupulous, particular; elaborate,&#xA;elegant(ly), dainty(ly) (hence &amp;quot;in curious&amp;quot;).&#xA;&#xA;CURST, shrewish, mischievous.&#xA;&#xA;CURTAL, dog with docked tail, of inferior sort.&#xA;&#xA;CUSTARD, &amp;quot;quaking—,&amp;quot; &amp;quot;—politic,&amp;quot; reference to&#xA;a large custard which formed part of a city feast&#xA;and afforded huge entertainment, for the fool jumped&#xA;into it, and other like tricks were played.  (See&#xA;&amp;quot;All's Well, etc.&amp;quot; ii. 5, 40.)&#xA;&#xA;CUTWORK, embroidery, open-work.&#xA;&#xA;CYPRES (CYPRUS) (quibble), cypress (or cyprus) being&#xA;a transparent material, and when black used for mourning.&#xA;&#xA;DAGGER (&amp;quot;—frumety&amp;quot;), name of tavern.&#xA;&#xA;DARGISON, apparently some person known in ballad or tale.&#xA;&#xA;DAUPHIN MY BOY, refrain of old comic song.&#xA;&#xA;DAW, daunt.&#xA;&#xA;DEAD LIFT, desperate emergency.&#xA;&#xA;DEAR, applied to that which in any way touches us nearly.&#xA;&#xA;DECLINE, turn off from; turn away, aside.&#xA;&#xA;DEFALK, deduct, abate.&#xA;&#xA;DEFEND, forbid.&#xA;&#xA;DEGENEROUS, degenerate.&#xA;&#xA;DEGREES, steps.&#xA;&#xA;DELATE, accuse.&#xA;&#xA;DEMI-CULVERIN, cannon carrying a ball of about ten pounds.&#xA;&#xA;DENIER, the smallest possible coin, being the twelfth&#xA;part of a sou.&#xA;&#xA;DEPART, part with.&#xA;&#xA;DEPENDANCE, ground of quarrel in duello language.&#xA;&#xA;DESERT, reward.&#xA;&#xA;DESIGNMENT, design.&#xA;&#xA;DESPERATE, rash, reckless.&#xA;&#xA;DETECT, allow to be detected, betray, inform against.&#xA;&#xA;DETERMINE, terminate.&#xA;&#xA;DETRACT, draw back, refuse.&#xA;&#xA;DEVICE, masque, show; a thing moved by wires,&#xA;etc., puppet.&#xA;&#xA;DEVISE, exact in every particular.&#xA;&#xA;DEVISED, invented.&#xA;&#xA;DIAPASM, powdered aromatic herbs, made into balls&#xA;of perfumed paste.  (See Pomander.)&#xA;&#xA;DIBBLE, (?) moustache (N.E.D.); (?) dagger (Cunningham).&#xA;&#xA;DIFFUSED, disordered, scattered, irregular.&#xA;&#xA;DIGHT, dressed.&#xA;&#xA;DILDO, refrain of popular songs; vague term of low meaning.&#xA;&#xA;DIMBLE, dingle, ravine.&#xA;&#xA;DIMENSUM, stated allowance.&#xA;&#xA;DISBASE, debase.&#xA;&#xA;DISCERN, distinguish, show a difference between.&#xA;&#xA;DISCHARGE, settle for.&#xA;&#xA;DISCIPLINE, reformation; ecclesiastical system.&#xA;&#xA;DISCLAIM, renounce all part in.&#xA;&#xA;DISCOURSE, process of reasoning, reasoning faculty.&#xA;&#xA;DISCOURTSHIP, discourtesy.&#xA;&#xA;DISCOVER, betray, reveal; display.&#xA;&#xA;DISFAVOUR, disfigure.&#xA;&#xA;DISPARAGEMENT, legal term applied to the unfitness&#xA;in any way of a marriage arranged for in the case&#xA;of wards.&#xA;&#xA;DISPENSE WITH, grant dispensation for.&#xA;&#xA;DISPLAY, extend.&#xA;&#xA;DIS'PLE, discipline, teach by the whip.&#xA;&#xA;DISPOSED, inclined to merriment.&#xA;&#xA;DISPOSURE, disposal.&#xA;&#xA;DISPRISE, depreciate.&#xA;&#xA;DISPUNCT, not punctilious.&#xA;&#xA;DISQUISITION, search.&#xA;&#xA;DISSOLVED, enervated by grief.&#xA;&#xA;DISTANCE, (?) proper measure.&#xA;&#xA;DISTASTE, offence, cause of offence.&#xA;&#xA;DISTASTE, render distasteful.&#xA;&#xA;DISTEMPERED, upset, out of humour.&#xA;&#xA;DIVISION (mus.), variation, modulation.&#xA;&#xA;DOG-BOLT, term of contempt.&#xA;&#xA;DOLE, given in dole, charity.&#xA;&#xA;DOLE OF FACES, distribution of grimaces.&#xA;&#xA;DOOM, verdict, sentence.&#xA;&#xA;DOP, dip, low bow.&#xA;&#xA;DOR, beetle, buzzing insect, drone, idler.&#xA;&#xA;DOR, (?) buzz; &amp;quot;give the—,&amp;quot; make a fool of.&#xA;&#xA;DOSSER, pannier, basket.&#xA;&#xA;DOTES, endowments, qualities.&#xA;&#xA;DOTTEREL, plover; gull, fool.&#xA;&#xA;DOUBLE, behave deceitfully.&#xA;&#xA;DOXY, wench, mistress.&#xA;&#xA;DRACHM, Greek silver coin.&#xA;&#xA;DRESS, groom, curry.&#xA;&#xA;DRESSING, coiffure.&#xA;&#xA;DRIFT, intention.&#xA;&#xA;DRYFOOT, track by mere scent of foot.&#xA;&#xA;DUCKING, punishment for minor offences.&#xA;&#xA;DUILL, grieve.&#xA;&#xA;DUMPS, melancholy, originally a mournful melody.&#xA;&#xA;DURINDANA, Orlando's sword.&#xA;&#xA;DWINDLE, shrink away, be overawed.&#xA;&#xA;EAN, yean, bring forth young.&#xA;&#xA;EASINESS, readiness.&#xA;&#xA;EBOLITION, ebullition.&#xA;&#xA;EDGE, sword.&#xA;&#xA;EECH, eke.&#xA;&#xA;EGREGIOUS, eminently excellent.&#xA;&#xA;EKE, also, moreover.&#xA;&#xA;E-LA, highest note in the scale.&#xA;&#xA;EGGS ON THE SPIT, important business on hand.&#xA;&#xA;ELF-LOCK, tangled hair, supposed to be the work of elves.&#xA;&#xA;EMMET, ant.&#xA;&#xA;ENGAGE, involve.&#xA;&#xA;ENGHLE.  See Ingle.&#xA;&#xA;ENGHLE, cajole; fondle.&#xA;&#xA;ENGIN(E), device, contrivance; agent; ingenuity, wit.&#xA;&#xA;ENGINER, engineer, deviser, plotter.&#xA;&#xA;ENGINOUS, crafty, full of devices; witty, ingenious.&#xA;&#xA;ENGROSS, monopolise.&#xA;&#xA;ENS, an existing thing, a substance.&#xA;&#xA;ENSIGNS, tokens, wounds.&#xA;&#xA;ENSURE, assure.&#xA;&#xA;ENTERTAIN, take into service.&#xA;&#xA;ENTREAT, plead.&#xA;&#xA;ENTREATY, entertainment.&#xA;&#xA;ENTRY, place where a deer has lately passed.&#xA;&#xA;ENVOY, denouement, conclusion.&#xA;&#xA;ENVY, spite, calumny, dislike, odium.&#xA;&#xA;EPHEMERIDES, calendars.&#xA;&#xA;EQUAL, just, impartial.&#xA;&#xA;ERECTION, elevation in esteem.&#xA;&#xA;ERINGO, candied root of the sea-holly, formerly&#xA;used as a sweetmeat and aphrodisiac.&#xA;&#xA;ERRANT, arrant.&#xA;&#xA;ESSENTIATE, become assimilated.&#xA;&#xA;ESTIMATION, esteem.&#xA;&#xA;ESTRICH, ostrich.&#xA;&#xA;ETHNIC, heathen.&#xA;&#xA;EURIPUS, flux and reflux.&#xA;&#xA;EVEN, just equable.&#xA;&#xA;EVENT, fate, issue.&#xA;&#xA;EVENT(ED), issue(d).&#xA;&#xA;EVERT, overturn.&#xA;&#xA;EXACUATE, sharpen.&#xA;&#xA;EXAMPLESS, without example or parallel.&#xA;&#xA;EXCALIBUR, King Arthur's sword.&#xA;&#xA;EXEMPLIFY, make an example of.&#xA;&#xA;EXEMPT, separate, exclude.&#xA;&#xA;EXEQUIES, obsequies.&#xA;&#xA;EXHALE, drag out.&#xA;&#xA;EXHIBITION, allowance for keep, pocket-money.&#xA;&#xA;EXORBITANT, exceeding limits of propriety or law,&#xA;inordinate.&#xA;&#xA;EXORNATION, ornament.&#xA;&#xA;EXPECT, wait.&#xA;&#xA;EXPIATE, terminate.&#xA;&#xA;EXPLICATE, explain, unfold.&#xA;&#xA;EXTEMPORAL, extempore, unpremeditated.&#xA;&#xA;EXTRACTION, essence.&#xA;&#xA;EXTRAORDINARY, employed for a special or temporary purpose.&#xA;&#xA;EXTRUDE, expel.&#xA;&#xA;EYE, &amp;quot;in—,&amp;quot; in view.&#xA;&#xA;EYEBRIGHT, (?) a malt liquor in which the herb of&#xA;this name was infused, or a person who sold the same&#xA;(Gifford).&#xA;&#xA;EYE-TINGE, least shade or gleam.&#xA;&#xA;FACE, appearance.&#xA;&#xA;FACES ABOUT, military word of command.&#xA;&#xA;FACINOROUS, extremely wicked.&#xA;&#xA;FACKINGS, faith.&#xA;&#xA;FACT, deed, act, crime.&#xA;&#xA;FACTIOUS, seditious, belonging to a party, given to party feeling.&#xA;&#xA;FAECES, dregs.&#xA;&#xA;FAGIOLI, French beans.&#xA;&#xA;FAIN, forced, necessitated.&#xA;&#xA;FAITHFUL, believing.&#xA;&#xA;FALL, ruff or band turned back on the shoulders; or, veil.&#xA;&#xA;FALSIFY, feign (fencing term).&#xA;&#xA;FAME, report.&#xA;&#xA;FAMILIAR, attendant spirit.&#xA;&#xA;FANTASTICAL, capricious, whimsical.&#xA;&#xA;FARCE, stuff.&#xA;&#xA;FAR-FET.  See Fet.&#xA;&#xA;FARTHINGAL, hooped petticoat.&#xA;&#xA;FAUCET, tapster.&#xA;&#xA;FAULT, lack; loss, break in line of scent; &amp;quot;for—,&amp;quot; in default of.&#xA;&#xA;FAUTOR, partisan.&#xA;&#xA;FAYLES, old table game similar to backgammon.&#xA;&#xA;FEAR(ED), affright(ed).&#xA;&#xA;FEAT, activity, operation; deed, action.&#xA;&#xA;FEAT, elegant, trim.&#xA;&#xA;FEE, &amp;quot;in—&amp;quot; by feudal obligation.&#xA;&#xA;FEIZE, beat, belabour.&#xA;&#xA;FELLOW, term of contempt.&#xA;&#xA;FENNEL, emblem of flattery.&#xA;&#xA;FERE, companion, fellow.&#xA;&#xA;FERN-SEED, supposed to have power of rendering invisible.&#xA;&#xA;FET, fetched.&#xA;&#xA;FETCH, trick.&#xA;&#xA;FEUTERER (Fr. vautrier), dog-keeper.&#xA;&#xA;FEWMETS, dung.&#xA;&#xA;FICO, fig.&#xA;&#xA;FIGGUM, (?) jugglery.&#xA;&#xA;FIGMENT, fiction, invention.&#xA;&#xA;FIRK, frisk, move suddenly, or in jerks; &amp;quot;—up,&amp;quot;&#xA;stir up, rouse; &amp;quot;firks mad,&amp;quot; suddenly behaves like&#xA;a madman.&#xA;&#xA;FIT, pay one out, punish.&#xA;&#xA;FITNESS, readiness.&#xA;&#xA;FITTON (FITTEN), lie, invention.&#xA;&#xA;FIVE-AND-FIFTY, &amp;quot;highest number to stand on at&#xA;primero&amp;quot; (Gifford).&#xA;&#xA;FLAG, to fly low and waveringly.&#xA;&#xA;FLAGON CHAIN, for hanging a smelling-bottle (Fr.&#xA;flacon) round the neck (?).  (See N.E.D.).&#xA;&#xA;FLAP-DRAGON, game similar to snap-dragon.&#xA;&#xA;FLASKET, some kind of basket.&#xA;&#xA;FLAW, sudden gust or squall of wind.&#xA;&#xA;FLAWN, custard.&#xA;&#xA;FLEA, catch fleas.&#xA;&#xA;FLEER, sneer, laugh derisively.&#xA;&#xA;FLESH, feed a hawk or dog with flesh to incite&#xA;it to the chase; initiate in blood-shed; satiate.&#xA;&#xA;FLICKER-MOUSE, bat.&#xA;&#xA;FLIGHT, light arrow.&#xA;&#xA;FLITTER-MOUSE, bat.&#xA;&#xA;FLOUT, mock, speak and act contemptuously.&#xA;&#xA;FLOWERS, pulverised substance.&#xA;&#xA;FLY, familiar spirit.&#xA;&#xA;FOIL, weapon used in fencing; that which&#xA;sets anything off to advantage.&#xA;&#xA;FOIST, cut-purse, sharper.&#xA;&#xA;FOND(LY), foolish(ly).&#xA;&#xA;FOOT-CLOTH, housings of ornamental cloth which&#xA;hung down on either side a horse to the ground.&#xA;&#xA;FOOTING, foothold; footstep; dancing.&#xA;&#xA;FOPPERY, foolery.&#xA;&#xA;FOR, &amp;quot;—failing,&amp;quot; for fear of failing.&#xA;&#xA;FORBEAR, bear with; abstain from.&#xA;&#xA;FORCE, &amp;quot;hunt at—,&amp;quot; run the game down with dogs.&#xA;&#xA;FOREHEAD, modesty; face, assurance, effrontery.&#xA;&#xA;FORESLOW, delay.&#xA;&#xA;FORESPEAK, bewitch; foretell.&#xA;&#xA;FORETOP, front lock of hair which fashion&#xA;required to be worn upright.&#xA;&#xA;FORGED, fabricated.&#xA;&#xA;FORM, state formally.&#xA;&#xA;FORMAL, shapely; normal; conventional.&#xA;&#xA;FORTHCOMING, produced when required.&#xA;&#xA;FOUNDER, disable with over-riding.&#xA;&#xA;FOURM, form, lair.&#xA;&#xA;FOX, sword.&#xA;&#xA;FRAIL, rush basket in which figs or raisins&#xA;were packed.&#xA;&#xA;FRAMPULL, peevish, sour-tempered.&#xA;&#xA;FRAPLER, blusterer, wrangler.&#xA;&#xA;FRAYING, &amp;quot;a stag is said to fray his head when he&#xA;rubs it against a tree to...cause the outward coat&#xA;of the new horns to fall off&amp;quot; (Gifford).&#xA;&#xA;FREIGHT (of the gazetti), burden (of the newspapers).&#xA;&#xA;FREQUENT, full.&#xA;&#xA;FRICACE, rubbing.&#xA;&#xA;FRICATRICE, woman of low character.&#xA;&#xA;FRIPPERY, old clothes shop.&#xA;&#xA;FROCK, smock-frock.&#xA;&#xA;FROLICS, (?) humorous verses circulated at a feast&#xA;(N.E.D.); couplets wrapped round sweetmeats (Cunningham).&#xA;&#xA;FRONTLESS, shameless.&#xA;&#xA;FROTED, rubbed.&#xA;&#xA;FRUMETY, hulled wheat boiled in milk and spiced.&#xA;&#xA;FRUMP, flout, sneer.&#xA;&#xA;FUCUS, dye.&#xA;&#xA;FUGEAND, (?) figent: fidgety, restless (N.E.D.).&#xA;&#xA;FULLAM, false dice.&#xA;&#xA;FULMART, polecat.&#xA;&#xA;FULSOME, foul, offensive.&#xA;&#xA;FURIBUND, raging, furious.&#xA;&#xA;GALLEY-FOIST, city-barge, used on Lord Mayor's Day,&#xA;when he was sworn into his office at Westminster&#xA;(Whalley).&#xA;&#xA;GALLIARD, lively dance in triple time.&#xA;&#xA;GAPE, be eager after.&#xA;&#xA;GARAGANTUA, Rabelais' giant.&#xA;&#xA;GARB, sheaf (Fr. gerbe); manner, fashion, behaviour.&#xA;&#xA;GARD, guard, trimming, gold or silver lace, or other&#xA;ornament.&#xA;&#xA;GARDED, faced or trimmed.&#xA;&#xA;GARNISH, fee.&#xA;&#xA;GAVEL-KIND, name of a land-tenure existing chiefly in&#xA;Kent; from 16th century often used to denote custom&#xA;of dividing a deceased man's property equally among&#xA;his sons (N.E.D.).&#xA;&#xA;GAZETTE, small Venetian coin worth about three-farthings.&#xA;&#xA;GEANCE, jaunt, errand.&#xA;&#xA;GEAR (GEER), stuff, matter, affair.&#xA;&#xA;GELID, frozen.&#xA;&#xA;GEMONIES, steps from which the bodies of criminals&#xA;were thrown into the river.&#xA;&#xA;GENERAL, free, affable.&#xA;&#xA;GENIUS, attendant spirit.&#xA;&#xA;GENTRY, gentlemen; manners characteristic of gentry,&#xA;good breeding.&#xA;&#xA;GIB-CAT, tom-cat.&#xA;&#xA;GIGANTOMACHIZE, start a giants' war.&#xA;&#xA;GIGLOT, wanton.&#xA;&#xA;GIMBLET, gimlet.&#xA;&#xA;GING, gang.&#xA;&#xA;GLASS (&amp;quot;taking in of shadows, etc.&amp;quot;), crystal or beryl.&#xA;&#xA;GLEEK, card game played by three; party of three, trio;&#xA;side glance.&#xA;&#xA;GLICK (GLEEK), jest, gibe.&#xA;&#xA;GLIDDER, glaze.&#xA;&#xA;GLORIOUSLY, of vain glory.&#xA;&#xA;GODWIT, bird of the snipe family.&#xA;&#xA;GOLD-END-MAN, a buyer of broken gold and silver.&#xA;&#xA;GOLL, hand.&#xA;&#xA;GONFALIONIER, standard-bearer, chief magistrate, etc.&#xA;&#xA;GOOD, sound in credit.&#xA;&#xA;GOOD-YEAR, good luck.&#xA;&#xA;GOOSE-TURD, colour of.  (See Turd).&#xA;&#xA;GORCROW, carrion crow.&#xA;&#xA;GORGET, neck armour.&#xA;&#xA;GOSSIP, godfather.&#xA;&#xA;GOWKED, from &amp;quot;gowk,&amp;quot; to stand staring and gaping like&#xA;a fool.&#xA;&#xA;GRANNAM, grandam.&#xA;&#xA;GRASS, (?) grease, fat.&#xA;&#xA;GRATEFUL, agreeable, welcome.&#xA;&#xA;GRATIFY, give thanks to.&#xA;&#xA;GRATITUDE, gratuity.&#xA;&#xA;GRATULATE, welcome, congratulate.&#xA;&#xA;GRAVITY, dignity.&#xA;&#xA;GRAY, badger.&#xA;&#xA;GRICE, cub.&#xA;&#xA;GRIEF, grievance.&#xA;&#xA;GRIPE, vulture, griffin.&#xA;&#xA;GRIPE'S EGG, vessel in shape of.&#xA;&#xA;GROAT, fourpence.&#xA;&#xA;GROGRAN, coarse stuff made of silk and mohair, or of&#xA;coarse silk.&#xA;&#xA;GROOM-PORTER, officer in the royal household.&#xA;&#xA;GROPE, handle, probe.&#xA;&#xA;GROUND, pit (hence &amp;quot;grounded judgments&amp;quot;).&#xA;&#xA;GUARD, caution, heed.&#xA;&#xA;GUARDANT, heraldic term: turning the head only.&#xA;&#xA;GUILDER, Dutch coin worth about 4d.&#xA;&#xA;GULES, gullet, throat; heraldic term for red.&#xA;&#xA;GULL, simpleton, dupe.&#xA;&#xA;GUST, taste.&#xA;&#xA;HAB NAB, by, on, chance.&#xA;&#xA;HABERGEON, coat of mail.&#xA;&#xA;HAGGARD, wild female hawk; hence coy, wild.&#xA;&#xA;HALBERD, combination of lance and battle-axe.&#xA;&#xA;HALL, &amp;quot;a—!&amp;quot; a cry to clear the room for the dancers.&#xA;&#xA;HANDSEL, first money taken.&#xA;&#xA;HANGER, loop or strap on a sword-belt from which the&#xA;sword was suspended.&#xA;&#xA;HAP, fortune, luck.&#xA;&#xA;HAPPILY, haply.&#xA;&#xA;HAPPINESS, appropriateness, fitness.&#xA;&#xA;HAPPY, rich.&#xA;&#xA;HARBOUR, track, trace (an animal) to its shelter.&#xA;&#xA;HARD-FAVOURED, harsh-featured.&#xA;&#xA;HARPOCRATES, Horus the child, son of Osiris, figured&#xA;with a finger pointing to his mouth, indicative of&#xA;silence.&#xA;&#xA;HARRINGTON, a patent was granted to Lord H. for the&#xA;coinage of tokens (q.v.).&#xA;&#xA;HARROT, herald.&#xA;&#xA;HARRY NICHOLAS, founder of a community called the&#xA;&amp;quot;Family of Love.&amp;quot;&#xA;&#xA;HAY, net for catching rabbits, etc.&#xA;&#xA;HAY! (Ital. hai!), you have it (a fencing term).&#xA;&#xA;HAY IN HIS HORN, ill-tempered person.&#xA;&#xA;HAZARD, game at dice; that which is staked.&#xA;&#xA;HEAD, &amp;quot;first—,&amp;quot; young deer with antlers first&#xA;sprouting; fig. a newly-ennobled man.&#xA;&#xA;HEADBOROUGH, constable.&#xA;&#xA;HEARKEN AFTER, inquire; &amp;quot;hearken out,&amp;quot; find, search out.&#xA;&#xA;HEARTEN, encourage.&#xA;&#xA;HEAVEN AND HELL (&amp;quot;Alchemist&amp;quot;), names of taverns.&#xA;&#xA;HECTIC, fever.&#xA;&#xA;HEDGE IN, include.&#xA;&#xA;HELM, upper part of a retort.&#xA;&#xA;HER'NSEW, hernshaw, heron.&#xA;&#xA;HIERONIMO (JERONIMO), hero of Kyd's &amp;quot;Spanish Tragedy.&amp;quot;&#xA;&#xA;HOBBY, nag.&#xA;&#xA;HOBBY-HORSE, imitation horse of some light material,&#xA;fastened round the waist of the morrice-dancer, who&#xA;imitated the movements of a skittish horse.&#xA;&#xA;HODDY-DODDY, fool.&#xA;&#xA;HOIDEN, hoyden, formerly applied to both sexes (ancient&#xA;term for leveret?  Gifford).&#xA;&#xA;HOLLAND, name of two famous chemists.&#xA;&#xA;HONE AND HONERO, wailing expressions of lament or discontent.&#xA;&#xA;HOOD-WINK'D, blindfolded.&#xA;&#xA;HORARY, hourly.&#xA;&#xA;HORN-MAD, stark mad (quibble).&#xA;&#xA;HORN-THUMB, cut-purses were in the habit of wearing a horn&#xA;shield on the thumb.&#xA;&#xA;HORSE-BREAD-EATING, horses were often fed on coarse bread.&#xA;&#xA;HORSE-COURSER, horse-dealer.&#xA;&#xA;HOSPITAL, Christ's Hospital.&#xA;&#xA;HOWLEGLAS, Eulenspiegel, the hero of a popular German&#xA;tale which relates his buffooneries and knavish tricks.&#xA;&#xA;HUFF, hectoring, arrogance.&#xA;&#xA;HUFF IT, swagger.&#xA;&#xA;HUISHER (Fr. huissier), usher.&#xA;&#xA;HUM, beer and spirits mixed together.&#xA;&#xA;HUMANITIAN, humanist, scholar.&#xA;&#xA;HUMOROUS, capricious, moody, out of humour; moist.&#xA;&#xA;HUMOUR, a word used in and out of season in the time&#xA;of Shakespeare and Ben Jonson, and ridiculed by both.&#xA;&#xA;HUMOURS, manners.&#xA;&#xA;HUMPHREY, DUKE, those who were dinnerless spent the&#xA;dinner-hour in a part of St. Paul's where stood a&#xA;monument said to be that of the duke's; hence &amp;quot;dine&#xA;with Duke Humphrey,&amp;quot; to go hungry.&#xA;&#xA;HURTLESS, harmless.&#xA;&#xA;IDLE, useless, unprofitable.&#xA;&#xA;ILL-AFFECTED, ill-disposed.&#xA;&#xA;ILL-HABITED, unhealthy.&#xA;&#xA;ILLUSTRATE, illuminate.&#xA;&#xA;IMBIBITION, saturation, steeping.&#xA;&#xA;IMBROCATA, fencing term: a thrust in tierce.&#xA;&#xA;IMPAIR, impairment.&#xA;&#xA;IMPART, give money.&#xA;&#xA;IMPARTER, any one ready to be cheated and to part&#xA;with his money.&#xA;&#xA;IMPEACH, damage.&#xA;&#xA;IMPERTINENCIES, irrelevancies.&#xA;&#xA;IMPERTINENT(LY), irrelevant(ly), without reason or purpose.&#xA;&#xA;IMPOSITION, duty imposed by.&#xA;&#xA;IMPOTENTLY, beyond power of control.&#xA;&#xA;IMPRESS, money in advance.&#xA;&#xA;IMPULSION, incitement.&#xA;&#xA;IN AND IN, a game played by two or three persons&#xA;with four dice.&#xA;&#xA;INCENSE, incite, stir up.&#xA;&#xA;INCERATION, act of covering with wax; or reducing&#xA;a substance to softness of wax.&#xA;&#xA;INCH, &amp;quot;to their—es,&amp;quot; according to their stature,&#xA;capabilities.&#xA;&#xA;INCH-PIN, sweet-bread.&#xA;&#xA;INCONVENIENCE, inconsistency, absurdity.&#xA;&#xA;INCONY, delicate, rare (used as a term of affection).&#xA;&#xA;INCUBEE, incubus.&#xA;&#xA;INCUBUS, evil spirit that oppresses us in sleep, nightmare.&#xA;&#xA;INCURIOUS, unfastidious, uncritical.&#xA;&#xA;INDENT, enter into engagement.&#xA;&#xA;INDIFFERENT, tolerable, passable.&#xA;&#xA;INDIGESTED, shapeless, chaotic.&#xA;&#xA;INDUCE, introduce.&#xA;&#xA;INDUE, supply.&#xA;&#xA;INEXORABLE, relentless.&#xA;&#xA;INFANTED, born, produced.&#xA;&#xA;INFLAME, augment charge.&#xA;&#xA;INGENIOUS, used indiscriminantly for ingenuous;&#xA;intelligent, talented.&#xA;&#xA;INGENUITY, ingenuousness.&#xA;&#xA;INGENUOUS, generous.&#xA;&#xA;INGINE.  See Engin.&#xA;&#xA;INGINER, engineer.  (See Enginer).&#xA;&#xA;INGLE, OR ENGHLE, bosom friend, intimate, minion.&#xA;&#xA;INHABITABLE, uninhabitable.&#xA;&#xA;INJURY, insult, affront.&#xA;&#xA;IN-MATE, resident, indwelling.&#xA;&#xA;INNATE, natural.&#xA;&#xA;INNOCENT, simpleton.&#xA;&#xA;INQUEST, jury, or other official body of inquiry.&#xA;&#xA;INQUISITION, inquiry.&#xA;&#xA;INSTANT, immediate.&#xA;&#xA;INSTRUMENT, legal document.&#xA;&#xA;INSURE, assure.&#xA;&#xA;INTEGRATE, complete, perfect.&#xA;&#xA;INTELLIGENCE, secret information, news.&#xA;&#xA;INTEND, note carefully, attend, give ear to, be&#xA;occupied with.&#xA;&#xA;INTENDMENT, intention.&#xA;&#xA;INTENT, intention, wish.&#xA;&#xA;INTENTION, concentration of attention or gaze.&#xA;&#xA;INTENTIVE, attentive.&#xA;&#xA;INTERESSED, implicated.&#xA;&#xA;INTRUDE, bring in forcibly or without leave.&#xA;&#xA;INVINCIBLY, invisibly.&#xA;&#xA;INWARD, intimate.&#xA;&#xA;IRPE (uncertain), &amp;quot;a fantastic grimace, or contortion&#xA;of the body: (Gifford).&amp;quot;&#xA;&#xA;JACK, Jack o' the clock, automaton figure that strikes&#xA;the hour; Jack-a-lent, puppet thrown at in Lent.&#xA;&#xA;JACK, key of a virginal.&#xA;&#xA;JACOB'S STAFF, an instrument for taking altitudes and&#xA;distances.&#xA;&#xA;JADE, befool.&#xA;&#xA;JEALOUSY, JEALOUS, suspicion, suspicious.&#xA;&#xA;JERKING, lashing.&#xA;&#xA;JEW'S TRUMP, Jew's harp.&#xA;&#xA;JIG, merry ballad or tune; a fanciful dialogue or&#xA;light comic act introduced at the end or during an&#xA;interlude of a play.&#xA;&#xA;JOINED (JOINT)-STOOL, folding stool.&#xA;&#xA;JOLL, jowl.&#xA;&#xA;JOLTHEAD, blockhead.&#xA;&#xA;JUMP, agree, tally.&#xA;&#xA;JUST YEAR, no one was capable of the consulship until&#xA;he was forty-three.&#xA;&#xA;KELL, cocoon.&#xA;&#xA;KELLY, an alchemist.&#xA;&#xA;KEMB, comb.&#xA;&#xA;KEMIA, vessel for distillation.&#xA;&#xA;KIBE, chap, sore.&#xA;&#xA;KILDERKIN, small barrel.&#xA;&#xA;KILL, kiln.&#xA;&#xA;KIND, nature; species; &amp;quot;do one's—,&amp;quot; act according&#xA;to one's nature.&#xA;&#xA;KIRTLE, woman's gown of jacket and petticoat.&#xA;&#xA;KISS OR DRINK AFORE ME, &amp;quot;this is a familiar expression,&#xA;employed when what the speaker is just about to say is&#xA;anticipated by another&amp;quot; (Gifford).&#xA;&#xA;KIT, fiddle.&#xA;&#xA;KNACK, snap, click.&#xA;&#xA;KNIPPER-DOLING, a well-known Anabaptist.&#xA;&#xA;KNITTING CUP, marriage cup.&#xA;&#xA;KNOCKING, striking, weighty.&#xA;&#xA;KNOT, company, band; a sandpiper or robin snipe (Tringa&#xA;canutus); flower-bed laid out in fanciful design.&#xA;&#xA;KURSINED, KYRSIN, christened.&#xA;&#xA;LABOURED, wrought with labour and care.&#xA;&#xA;LADE, load(ed).&#xA;&#xA;LADING, load.&#xA;&#xA;LAID, plotted.&#xA;&#xA;LANCE-KNIGHT (Lanzknecht), a German mercenary foot-soldier.&#xA;&#xA;LAP, fold.&#xA;&#xA;LAR, household god.&#xA;&#xA;LARD, garnish.&#xA;&#xA;LARGE, abundant.&#xA;&#xA;LARUM, alarum, call to arms.&#xA;&#xA;LATTICE, tavern windows were furnished with lattices of&#xA;various colours.&#xA;&#xA;LAUNDER, to wash gold in aqua regia, so as imperceptibly&#xA;to extract some of it.&#xA;&#xA;LAVE, ladle, bale.&#xA;&#xA;LAW, &amp;quot;give—,&amp;quot; give a start (term of chase).&#xA;&#xA;LAXATIVE, loose.&#xA;&#xA;LAY ABOARD, run alongside generally with intent to board.&#xA;&#xA;LEAGUER, siege, or camp of besieging army.&#xA;&#xA;LEASING, lying.&#xA;&#xA;LEAVE, leave off, desist.&#xA;&#xA;LEER, leering or &amp;quot;empty, hence, perhaps, leer horse,&#xA;a horse without a rider; leer is an adjective meaning&#xA;uncontrolled, hence 'leer drunkards'&amp;quot; (Halliwell);&#xA;according to Nares, a leer (empty) horse meant also a&#xA;led horse; leeward, left.&#xA;&#xA;LEESE, lose.&#xA;&#xA;LEGS, &amp;quot;make—,&amp;quot; do obeisance.&#xA;&#xA;LEIGER, resident representative.&#xA;&#xA;LEIGERITY, legerdemain.&#xA;&#xA;LEMMA, subject proposed, or title of the epigram.&#xA;&#xA;LENTER, slower.&#xA;&#xA;LET, hinder.&#xA;&#xA;LET, hindrance.&#xA;&#xA;LEVEL COIL, a rough game...in which one hunted&#xA;another from his seat.  Hence used for any noisy&#xA;riot (Halliwell).&#xA;&#xA;LEWD, ignorant.&#xA;&#xA;LEYSTALLS, receptacles of filth.&#xA;&#xA;LIBERAL, ample.&#xA;&#xA;LIEGER, ledger, register.&#xA;&#xA;LIFT(ING), steal(ing); theft.&#xA;&#xA;LIGHT, alight.&#xA;&#xA;LIGHTLY, commonly, usually, often.&#xA;&#xA;LIKE, please.&#xA;&#xA;LIKELY, agreeable, pleasing.&#xA;&#xA;LIME-HOUND, leash-, blood-hound.&#xA;&#xA;LIMMER, vile, worthless.&#xA;&#xA;LIN, leave off.&#xA;&#xA;Line, &amp;quot;by—,&amp;quot; by rule.&#xA;&#xA;LINSTOCK, staff to stick in the ground, with forked&#xA;head to hold a lighted match for firing cannon.&#xA;&#xA;LIQUID, clear.&#xA;&#xA;LIST, listen, hark; like, please.&#xA;&#xA;LIVERY, legal term, delivery of the possession, etc.&#xA;&#xA;LOGGET, small log, stick.&#xA;&#xA;LOOSE, solution; upshot, issue; release of an arrow.&#xA;&#xA;LOSE, give over, desist from; waste.&#xA;&#xA;LOUTING, bowing, cringing.&#xA;&#xA;LUCULENT, bright of beauty.&#xA;&#xA;LUDGATHIANS, dealers on Ludgate Hill.&#xA;&#xA;LURCH, rob, cheat.&#xA;&#xA;LUTE, to close a vessel with some kind of cement.&#xA;&#xA;MACK, unmeaning expletive.&#xA;&#xA;MADGE-HOWLET or OWL, barn-owl.&#xA;&#xA;MAIM, hurt, injury.&#xA;&#xA;MAIN, chief concern (used as a quibble on heraldic&#xA;term for &amp;quot;hand&amp;quot;).&#xA;&#xA;MAINPRISE, becoming surety for a prisoner so as to&#xA;procure his release.&#xA;&#xA;MAINTENANCE, giving aid, or abetting.&#xA;&#xA;MAKE, mate.&#xA;&#xA;MAKE, MADE, acquaint with business, prepare(d), instruct(ed).&#xA;&#xA;MALLANDERS, disease of horses.&#xA;&#xA;MALT HORSE, dray horse.&#xA;&#xA;MAMMET, puppet.&#xA;&#xA;MAMMOTHREPT, spoiled child.&#xA;&#xA;MANAGE, control (term used for breaking-in horses);&#xA;handling, administration.&#xA;&#xA;MANGO, slave-dealer.&#xA;&#xA;MANGONISE, polish up for sale.&#xA;&#xA;MANIPLES, bundles, handfuls.&#xA;&#xA;MANKIND, masculine, like a virago.&#xA;&#xA;MANKIND, humanity.&#xA;&#xA;MAPLE FACE, spotted face (N.E.D.).&#xA;&#xA;MARCHPANE, a confection of almonds, sugar, etc.&#xA;&#xA;MARK, &amp;quot;fly to the—,&amp;quot; &amp;quot;generally said of a goshawk&#xA;when, having 'put in' a covey of partridges, she takes&#xA;stand, marking the spot where they disappeared from&#xA;view until the falconer arrives to put them out to her&amp;quot;&#xA;(Harting, Bibl. Accip. Gloss. 226).&#xA;&#xA;MARLE, marvel.&#xA;&#xA;MARROW-BONE MAN, one often on his knees for prayer.&#xA;&#xA;MARRY! exclamation derived from the Virgin's name.&#xA;&#xA;MARRY GIP, &amp;quot;probably originated from By Mary Gipcy&amp;quot; =&#xA;St. Mary of Egypt, (N.E.D.).&#xA;&#xA;MARTAGAN, Turk's cap lily.&#xA;&#xA;MARYHINCHCO, stringhalt.&#xA;&#xA;MASORETH, Masora, correct form of the scriptural text&#xA;according to Hebrew tradition.&#xA;&#xA;MASS, abb. for master.&#xA;&#xA;MAUND, beg.&#xA;&#xA;MAUTHER, girl, maid.&#xA;&#xA;MEAN, moderation.&#xA;&#xA;MEASURE, dance, more especially a stately one.&#xA;&#xA;MEAT, &amp;quot;carry—in one's mouth,&amp;quot; be a source of money&#xA;or entertainment.&#xA;&#xA;MEATH, metheglin.&#xA;&#xA;MECHANICAL, belonging to mechanics, mean, vulgar.&#xA;&#xA;MEDITERRANEO, middle aisle of St. Paul's, a general&#xA;resort for business and amusement.&#xA;&#xA;MEET WITH, even with.&#xA;&#xA;MELICOTTON, a late kind of peach.&#xA;&#xA;MENSTRUE, solvent.&#xA;&#xA;MERCAT, market.&#xA;&#xA;MERD, excrement.&#xA;&#xA;MERE, undiluted; absolute, unmitigated.&#xA;&#xA;MESS, party of four.&#xA;&#xA;METHEGLIN, fermented liquor, of which one ingredient&#xA;was honey.&#xA;&#xA;METOPOSCOPY, study of physiognomy.&#xA;&#xA;MIDDLING GOSSIP, go-between.&#xA;&#xA;MIGNIARD, dainty, delicate.&#xA;&#xA;MILE-END, training-ground of the city.&#xA;&#xA;MINE-MEN, sappers.&#xA;&#xA;MINION, form of cannon.&#xA;&#xA;MINSITIVE, (?) mincing, affected (N.E.D.).&#xA;&#xA;MISCELLANY MADAM, &amp;quot;a female trader in miscellaneous&#xA;articles; a dealer in trinkets or ornaments of various&#xA;kinds, such as kept shops in the New Exchange&amp;quot; (Nares).&#xA;&#xA;MISCELLINE, mixed grain; medley.&#xA;&#xA;MISCONCEIT, misconception.&#xA;&#xA;MISPRISE, MISPRISION, mistake, misunderstanding.&#xA;&#xA;MISTAKE AWAY, carry away as if by mistake.&#xA;&#xA;MITHRIDATE, an antidote against poison.&#xA;&#xA;MOCCINIGO, small Venetian coin, worth about ninepence.&#xA;&#xA;MODERN, in the mode; ordinary, commonplace.&#xA;&#xA;MOMENT, force or influence of value.&#xA;&#xA;MONTANTO, upward stroke.&#xA;&#xA;MONTH'S MIND, violent desire.&#xA;&#xA;MOORISH, like a moor or waste.&#xA;&#xA;MORGLAY, sword of Bevis of Southampton.&#xA;&#xA;MORRICE-DANCE, dance on May Day, etc., in which&#xA;certain personages were represented.&#xA;&#xA;MORTALITY, death.&#xA;&#xA;MORT-MAL, old sore, gangrene.&#xA;&#xA;MOSCADINO, confection flavoured with musk.&#xA;&#xA;MOTHER, Hysterica passio.&#xA;&#xA;MOTION, proposal, request; puppet, puppet-show;&#xA;&amp;quot;one of the small figures on the face of a large&#xA;clock which was moved by the vibration of the&#xA;pendulum&amp;quot; (Whalley).&#xA;&#xA;MOTION, suggest, propose.&#xA;&#xA;MOTLEY, parti-coloured dress of a fool; hence&#xA;used to signify pertaining to, or like, a fool.&#xA;&#xA;MOTTE, motto.&#xA;&#xA;MOURNIVAL, set of four aces or court cards in a hand;&#xA;a quartette.&#xA;&#xA;MOW, setord hay or sheaves of grain.&#xA;&#xA;MUCH! expressive of irony and incredulity.&#xA;&#xA;MUCKINDER, handkerchief.&#xA;&#xA;MULE, &amp;quot;born to ride on—,&amp;quot; judges or serjeants-at-law&#xA;formerly rode on mules when going in state to Westminster&#xA;(Whally).&#xA;&#xA;MULLETS, small pincers.&#xA;&#xA;MUM-CHANCE, game of chance, played in silence.&#xA;&#xA;MUN, must.&#xA;&#xA;MUREY, dark crimson red.&#xA;&#xA;MUSCOVY-GLASS, mica.&#xA;&#xA;MUSE, wonder.&#xA;&#xA;MUSICAL, in harmony.&#xA;&#xA;MUSS, mouse; scramble.&#xA;&#xA;MYROBOLANE, foreign conserve, &amp;quot;a dried plum, brought&#xA;from the Indies.&amp;quot;&#xA;&#xA;MYSTERY, art, trade, profession.&#xA;&#xA;NAIL, &amp;quot;to the—&amp;quot; (ad unguem), to perfection, to the&#xA;very utmost.&#xA;&#xA;NATIVE, natural.&#xA;&#xA;NEAT, cattle.&#xA;&#xA;NEAT, smartly apparelled; unmixed; dainty.&#xA;&#xA;NEATLY, neatly finished.&#xA;&#xA;NEATNESS, elegance.&#xA;&#xA;NEIS, nose, scent.&#xA;&#xA;NEUF (NEAF, NEIF), fist.&#xA;&#xA;NEUFT, newt.&#xA;&#xA;NIAISE, foolish, inexperienced person.&#xA;&#xA;NICE, fastidious, trivial, finical, scrupulous.&#xA;&#xA;NICENESS, fastidiousness.&#xA;&#xA;NICK, exact amount; right moment; &amp;quot;set in the—,&amp;quot;&#xA;meaning uncertain.&#xA;&#xA;NICE, suit, fit; hit, seize the right moment, etc.,&#xA;exactly hit on, hit off.&#xA;&#xA;NOBLE, gold coin worth 6s. 8d.&#xA;&#xA;NOCENT, harmful.&#xA;&#xA;NIL, not will.&#xA;&#xA;NOISE, company of musicians.&#xA;&#xA;NOMENTACK, an Indian chief from Virginia.&#xA;&#xA;NONES, nonce.&#xA;&#xA;NOTABLE, egregious.&#xA;&#xA;NOTE, sign, token.&#xA;&#xA;NOUGHT, &amp;quot;be—,&amp;quot; go to the devil, be hanged, etc.&#xA;&#xA;NOWT-HEAD, blockhead.&#xA;&#xA;NUMBER, rhythm.&#xA;&#xA;NUPSON, oaf, simpleton.&#xA;&#xA;OADE, woad.&#xA;&#xA;OBARNI, preparation of mead.&#xA;&#xA;OBJECT, oppose; expose; interpose.&#xA;&#xA;OBLATRANT, barking, railing.&#xA;&#xA;OBNOXIOUS, liable, exposed; offensive.&#xA;&#xA;OBSERVANCE, homage, devoted service.&#xA;&#xA;OBSERVANT, attentive, obsequious.&#xA;&#xA;OBSERVE, show deference, respect.&#xA;&#xA;OBSERVER, one who shows deference, or waits upon another.&#xA;&#xA;OBSTANCY, legal phrase, &amp;quot;juridical opposition.&amp;quot;&#xA;&#xA;OBSTREPEROUS, clamorous, vociferous.&#xA;&#xA;OBSTUPEFACT, stupefied.&#xA;&#xA;ODLING, (?) &amp;quot;must have some relation to tricking and&#xA;cheating&amp;quot; (Nares).&#xA;&#xA;OMINOUS, deadly, fatal.&#xA;&#xA;ONCE, at once; for good and all; used also for additional&#xA;emphasis.&#xA;&#xA;ONLY, pre-eminent, special.&#xA;&#xA;OPEN, make public; expound.&#xA;&#xA;OPPILATION, obstruction.&#xA;&#xA;OPPONE, oppose.&#xA;&#xA;OPPOSITE, antagonist.&#xA;&#xA;OPPRESS, suppress.&#xA;&#xA;ORIGINOUS, native.&#xA;&#xA;ORT, remnant, scrap.&#xA;&#xA;OUT, &amp;quot;to be—,&amp;quot; to have forgotten one's part;&#xA;not at one with each other.&#xA;&#xA;OUTCRY, sale by auction.&#xA;&#xA;OUTRECUIDANCE, arrogance, presumption.&#xA;&#xA;OUTSPEAK, speak more than.&#xA;&#xA;OVERPARTED, given too difficult a part to play.&#xA;&#xA;OWLSPIEGEL.  See Howleglass.&#xA;&#xA;OYEZ!  (O YES!), hear ye! call of the public crier&#xA;when about to make a proclamation.&#xA;&#xA;PACKING PENNY, &amp;quot;give a—,&amp;quot; dismiss, send packing.&#xA;&#xA;PAD, highway.&#xA;&#xA;PAD-HORSE, road-horse.&#xA;&#xA;PAINED (PANED) SLOPS, full breeches made of strips&#xA;of different colour and material.&#xA;&#xA;PAINFUL, diligent, painstaking.&#xA;&#xA;PAINT, blush.&#xA;&#xA;PALINODE, ode of recantation.&#xA;&#xA;PALL, weaken, dim, make stale.&#xA;&#xA;PALM, triumph.&#xA;&#xA;PAN, skirt of dress or coat.&#xA;&#xA;PANNEL, pad, or rough kind of saddle.&#xA;&#xA;PANNIER-ALLY, inhabited by tripe-sellers.&#xA;&#xA;PANNIER-MAN, hawker; a man employed about the inns of&#xA;court to bring in provisions, set the table, etc.&#xA;&#xA;PANTOFLE, indoor shoe, slipper.&#xA;&#xA;PARAMENTOS, fine trappings.&#xA;&#xA;PARANOMASIE, a play upon words.&#xA;&#xA;PARANTORY, (?) peremptory.&#xA;&#xA;PARCEL, particle, fragment (used contemptuously); article.&#xA;&#xA;PARCEL, part, partly.&#xA;&#xA;PARCEL-POET, poetaster.&#xA;&#xA;PARERGA, subordinate matters.&#xA;&#xA;PARGET, to paint or plaster the face.&#xA;&#xA;PARLE, parley.&#xA;&#xA;PARLOUS, clever, shrewd.&#xA;&#xA;PART, apportion.&#xA;&#xA;PARTAKE, participate in.&#xA;&#xA;PARTED, endowed, talented.&#xA;&#xA;PARTICULAR, individual person.&#xA;&#xA;PARTIZAN, kind of halberd.&#xA;&#xA;PARTRICH, partridge.&#xA;&#xA;PARTS, qualities, endowments.&#xA;&#xA;PASH, dash, smash.&#xA;&#xA;PASS, care, trouble oneself.&#xA;&#xA;PASSADO, fencing term: a thrust.&#xA;&#xA;PASSAGE, game at dice.&#xA;&#xA;PASSINGLY, exceedingly.&#xA;&#xA;PASSION, effect caused by external agency.&#xA;&#xA;PASSION, &amp;quot;in—,&amp;quot; in so melancholy a tone, so pathetically.&#xA;&#xA;PATOUN, (?) Fr. Paton, pellet of dough; perhaps the&#xA;&amp;quot;moulding of the tobacco...for the pipe&amp;quot; (Gifford); (?)&#xA;variant of Petun, South American name of tobacco.&#xA;&#xA;PATRICO, the recorder, priest, orator of strolling&#xA;beggars or gipsies.&#xA;&#xA;PATTEN, shoe with wooden sole; &amp;quot;go—,&amp;quot; keep step with,&#xA;accompany.&#xA;&#xA;PAUCA VERBA, few words.&#xA;&#xA;PAVIN, a stately dance.&#xA;&#xA;PEACE, &amp;quot;with my master's—,&amp;quot; by leave, favour.&#xA;&#xA;PECULIAR, individual, single.&#xA;&#xA;PEDANT, teacher of the languages.&#xA;&#xA;PEEL, baker's shovel.&#xA;&#xA;PEEP, speak in a small or shrill voice.&#xA;&#xA;PEEVISH(LY), foolish(ly), capricious(ly); childish(ly).&#xA;&#xA;PELICAN, a retort fitted with tube or tubes, for&#xA;continuous distillation.&#xA;&#xA;PENCIL, small tuft of hair.&#xA;&#xA;PERDUE, soldier accustomed to hazardous service.&#xA;&#xA;PEREMPTORY, resolute, bold; imperious; thorough, utter,&#xA;absolute(ly).&#xA;&#xA;PERIMETER, circumference of a figure.&#xA;&#xA;PERIOD, limit, end.&#xA;&#xA;PERK, perk up.&#xA;&#xA;PERPETUANA, &amp;quot;this seems to be that glossy kind of stuff&#xA;now called everlasting, and anciently worn by serjeants&#xA;and other city officers&amp;quot; (Gifford).&#xA;&#xA;PERSPECTIVE, a view, scene or scenery; an optical device&#xA;which gave a distortion to the picture unless seen from a&#xA;particular point; a relief, modelled to produce an&#xA;optical illusion.&#xA;&#xA;PERSPICIL, optic glass.&#xA;&#xA;PERSTRINGE, criticise, censure.&#xA;&#xA;PERSUADE, inculcate, commend.&#xA;&#xA;PERSWAY, mitigate.&#xA;&#xA;PERTINACY, pertinacity.&#xA;&#xA;PESTLING, pounding, pulverising, like a pestle.&#xA;&#xA;PETASUS, broad-brimmed hat or winged cap worn by Mercury.&#xA;&#xA;PETITIONARY, supplicatory.&#xA;&#xA;PETRONEL, a kind of carbine or light gun carried by horsemen.&#xA;&#xA;PETULANT, pert, insolent.&#xA;&#xA;PHERE.  See Fere.&#xA;&#xA;PHLEGMA, watery distilled liquor (old chem. &amp;quot;water&amp;quot;).&#xA;&#xA;PHRENETIC, madman.&#xA;&#xA;PICARDIL, stiff upright collar fastened on to the coat&#xA;(Whalley).&#xA;&#xA;PICT-HATCH, disreputable quarter of London.&#xA;&#xA;PIECE, person, used for woman or girl; a gold coin&#xA;worth in Jonson's time 20s. or 22s.&#xA;&#xA;PIECES OF EIGHT, Spanish coin: piastre equal to eight&#xA;reals.&#xA;&#xA;PIED, variegated.&#xA;&#xA;PIE-POUDRES (Fr. pied-poudreux, dusty-foot), court held&#xA;at fairs to administer justice to itinerant vendors and&#xA;buyers.&#xA;&#xA;PILCHER, term of contempt; one who wore a buff or leather&#xA;jerkin, as did the serjeants of the counter; a pilferer.&#xA;&#xA;PILED, pilled, peeled, bald.&#xA;&#xA;PILL'D, polled, fleeced.&#xA;&#xA;PIMLICO, &amp;quot;sometimes spoken of as a person—perhaps&#xA;master of a house famous for a particular ale&amp;quot; (Gifford).&#xA;&#xA;PINE, afflict, distress.&#xA;&#xA;PINK, stab with a weapon; pierce or cut in scallops for&#xA;ornament.&#xA;&#xA;PINNACE, a go-between in infamous sense.&#xA;&#xA;PISMIRE, ant.&#xA;&#xA;PISTOLET, gold coin, worth about 6s.&#xA;&#xA;PITCH, height of a bird of prey's flight.&#xA;&#xA;PLAGUE, punishment, torment.&#xA;&#xA;PLAIN, lament.&#xA;&#xA;PLAIN SONG, simple melody.&#xA;&#xA;PLAISE, plaice.&#xA;&#xA;PLANET, &amp;quot;struck with a—,&amp;quot; planets were supposed to&#xA;have powers of blasting or exercising secret influences.&#xA;&#xA;PLAUSIBLE, pleasing.&#xA;&#xA;PLAUSIBLY, approvingly.&#xA;&#xA;PLOT, plan.&#xA;&#xA;PLY, apply oneself to.&#xA;&#xA;POESIE, posy, motto inside a ring.&#xA;&#xA;POINT IN HIS DEVICE, exact in every particular.&#xA;&#xA;POINTS, tagged laces or cords for fastening the breeches&#xA;to the doublet.&#xA;&#xA;POINT-TRUSSER, one who trussed (tied) his master's&#xA;points (q.v.).&#xA;&#xA;POISE, weigh, balance.&#xA;&#xA;POKING-STICK, stick used for setting the plaits of ruffs.&#xA;&#xA;POLITIC, politician.&#xA;&#xA;POLITIC, judicious, prudent, political.&#xA;&#xA;POLITICIAN, plotter, intriguer.&#xA;&#xA;POLL, strip, plunder, gain by extortion.&#xA;&#xA;POMANDER, ball of perfume, worn or hung about the&#xA;person to prevent infection, or for foppery.&#xA;&#xA;POMMADO, vaulting on a horse without the aid of stirrups.&#xA;&#xA;PONTIC, sour.&#xA;&#xA;POPULAR, vulgar, of the populace.&#xA;&#xA;POPULOUS, numerous.&#xA;&#xA;PORT, gate; print of a deer's foot.&#xA;&#xA;PORT, transport.&#xA;&#xA;PORTAGUE, Portuguese gold coin, worth over 3 or 4&#xA;pounds.&#xA;&#xA;PORTCULLIS, &amp;quot;—of coin,&amp;quot; some old coins have a&#xA;portcullis stamped on their reverse (Whalley).&#xA;&#xA;PORTENT, marvel, prodigy; sinister omen.&#xA;&#xA;PORTENTOUS, prophesying evil, threatening.&#xA;&#xA;PORTER, references appear &amp;quot;to allude to Parsons, the king's&#xA;porter, who was...near seven feet high&amp;quot; (Whalley).&#xA;&#xA;POSSESS, inform, acquaint.&#xA;&#xA;POST AND PAIR, a game at cards.&#xA;&#xA;POSY, motto.  (See Poesie).&#xA;&#xA;POTCH, poach.&#xA;&#xA;POULT-FOOT, club-foot.&#xA;&#xA;POUNCE, claw, talon.&#xA;&#xA;PRACTICE, intrigue, concerted plot.&#xA;&#xA;PRACTISE, plot, conspire.&#xA;&#xA;PRAGMATIC, an expert, agent.&#xA;&#xA;PRAGMATIC, officious, conceited, meddling.&#xA;&#xA;PRECEDENT, record of proceedings.&#xA;&#xA;PRECEPT, warrant, summons.&#xA;&#xA;PRECISIAN(ISM), Puritan(ism), preciseness.&#xA;&#xA;PREFER, recommend.&#xA;&#xA;PRESENCE, presence chamber.&#xA;&#xA;PRESENT(LY), immediate(ly), without delay; at the&#xA;present time; actually.&#xA;&#xA;PRESS, force into service.&#xA;&#xA;PREST, ready.&#xA;&#xA;PRETEND, assert, allege.&#xA;&#xA;PREVENT, anticipate.&#xA;&#xA;PRICE, worth, excellence.&#xA;&#xA;PRICK, point, dot used in the writing of Hebrew and&#xA;other languages.&#xA;&#xA;PRICK, prick out, mark off, select; trace, track;&#xA;&amp;quot;—away,&amp;quot; make off with speed.&#xA;&#xA;PRIMERO, game of cards.&#xA;&#xA;PRINCOX, pert boy.&#xA;&#xA;PRINT, &amp;quot;in—,&amp;quot; to the letter, exactly.&#xA;&#xA;PRISTINATE, former.&#xA;&#xA;PRIVATE, private interests.&#xA;&#xA;PRIVATE, privy, intimate.&#xA;&#xA;PROCLIVE, prone to.&#xA;&#xA;PRODIGIOUS, monstrous, unnatural.&#xA;&#xA;PRODIGY, monster.&#xA;&#xA;PRODUCED, prolonged.&#xA;&#xA;PROFESS, pretend.&#xA;&#xA;PROJECTION, the throwing of the &amp;quot;powder of projection&amp;quot;&#xA;into the crucible to turn the melted metal into gold or&#xA;silver.&#xA;&#xA;PROLATE, pronounce drawlingly.&#xA;&#xA;PROPER, of good appearance, handsome; own, particular.&#xA;&#xA;PROPERTIES, stage necessaries.&#xA;&#xA;PROPERTY, duty; tool.&#xA;&#xA;PRORUMPED, burst out.&#xA;&#xA;PROTEST, vow, proclaim (an affected word of that time);&#xA;formally declare non-payment, etc., of bill of exchange;&#xA;fig. failure of personal credit, etc.&#xA;&#xA;PROVANT, soldier's allowance—hence, of common make.&#xA;&#xA;PROVIDE, foresee.&#xA;&#xA;PROVIDENCE, foresight, prudence.&#xA;&#xA;PUBLICATION, making a thing public of common property (N.E.D.).&#xA;&#xA;PUCKFIST, puff-ball; insipid, insignificant, boasting fellow.&#xA;&#xA;PUFF-WING, shoulder puff.&#xA;&#xA;PUISNE, judge of inferior rank, a junior.&#xA;&#xA;PULCHRITUDE, beauty.&#xA;&#xA;PUMP, shoe.&#xA;&#xA;PUNGENT, piercing.&#xA;&#xA;PUNTO, point, hit.&#xA;&#xA;PURCEPT, precept, warrant.&#xA;&#xA;PURE, fine, capital, excellent.&#xA;&#xA;PURELY, perfectly, utterly.&#xA;&#xA;PURL, pleat or fold of a ruff.&#xA;&#xA;PURSE-NET, net of which the mouth is drawn together&#xA;with a string.&#xA;&#xA;PURSUIVANT, state messenger who summoned the persecuted&#xA;seminaries; warrant officer.&#xA;&#xA;PURSY, PURSINESS, shortwinded(ness).&#xA;&#xA;PUT, make a push, exert yourself (N.E.D.).&#xA;&#xA;PUT OFF, excuse, shift.&#xA;&#xA;PUT ON, incite, encourage; proceed with, take in hand, try.&#xA;&#xA;QUACKSALVER, quack.&#xA;&#xA;QUAINT, elegant, elaborated, ingenious, clever.&#xA;&#xA;QUAR, quarry.&#xA;&#xA;QUARRIED, seized, or fed upon, as prey.&#xA;&#xA;QUEAN, hussy, jade.&#xA;&#xA;QUEASY, hazardous, delicate.&#xA;&#xA;QUELL, kill, destroy.&#xA;&#xA;QUEST, request; inquiry.&#xA;&#xA;QUESTION, decision by force of arms.&#xA;&#xA;QUESTMAN, one appointed to make official inquiry.&#xA;&#xA;QUIB, QUIBLIN, quibble, quip.&#xA;&#xA;QUICK, the living.&#xA;&#xA;QUIDDIT, quiddity, legal subtlety.&#xA;&#xA;QUIRK, clever turn or trick.&#xA;&#xA;QUIT, requite, repay; acquit, absolve; rid; forsake,&#xA;leave.&#xA;&#xA;QUITTER-BONE, disease of horses.&#xA;&#xA;QUODLING, codling.&#xA;&#xA;QUOIT, throw like a quoit, chuck.&#xA;&#xA;QUOTE, take note, observe, write down.&#xA;&#xA;RACK, neck of mutton or pork (Halliwell).&#xA;&#xA;RAKE UP, cover over.&#xA;&#xA;RAMP, rear, as a lion, etc.&#xA;&#xA;RAPT, carry away.&#xA;&#xA;RAPT, enraptured.&#xA;&#xA;RASCAL, young or inferior deer.&#xA;&#xA;RASH, strike with a glancing oblique blow, as a&#xA;boar with its tusk.&#xA;&#xA;RATSEY, GOMALIEL, a famous highwayman.&#xA;&#xA;RAVEN, devour.&#xA;&#xA;REACH, understand.&#xA;&#xA;REAL, regal.&#xA;&#xA;REBATU, ruff, turned-down collar.&#xA;&#xA;RECTOR, RECTRESS, director, governor.&#xA;&#xA;REDARGUE, confute.&#xA;&#xA;REDUCE, bring back.&#xA;&#xA;REED, rede, counsel, advice.&#xA;&#xA;REEL, run riot.&#xA;&#xA;REFEL, refute.&#xA;&#xA;REFORMADOES, disgraced or disbanded soldiers.&#xA;&#xA;REGIMENT, government.&#xA;&#xA;REGRESSION, return.&#xA;&#xA;REGULAR (&amp;quot;Tale of a Tub&amp;quot;), regular noun (quibble) (N.E.D.).&#xA;&#xA;RELIGION, &amp;quot;make—of,&amp;quot; make a point of, scruple of.&#xA;&#xA;RELISH, savour.&#xA;&#xA;REMNANT, scrap of quotation.&#xA;&#xA;REMORA, species of fish.&#xA;&#xA;RENDER, depict, exhibit, show.&#xA;&#xA;REPAIR, reinstate.&#xA;&#xA;REPETITION, recital, narration.&#xA;&#xA;REREMOUSE, bat.&#xA;&#xA;RESIANT, resident.&#xA;&#xA;RESIDENCE, sediment.&#xA;&#xA;RESOLUTION, judgment, decision.&#xA;&#xA;RESOLVE, inform; assure; prepare, make up one's mind;&#xA;dissolve; come to a decision, be convinced; relax, set&#xA;at ease.&#xA;&#xA;RESPECTIVE, worthy of respect; regardful, discriminative.&#xA;&#xA;RESPECTIVELY, with reverence.&#xA;&#xA;RESPECTLESS, regardless.&#xA;&#xA;RESPIRE, exhale; inhale.&#xA;&#xA;RESPONSIBLE, correspondent.&#xA;&#xA;REST, musket-rest.&#xA;&#xA;REST, &amp;quot;set up one's—,&amp;quot; venture one's all, one's&#xA;last stake (from game of primero).&#xA;&#xA;REST, arrest.&#xA;&#xA;RESTIVE, RESTY, dull, inactive.&#xA;&#xA;RETCHLESS(NESS), reckless(ness).&#xA;&#xA;RETIRE, cause to retire.&#xA;&#xA;RETRICATO, fencing term.&#xA;&#xA;RETRIEVE, rediscovery of game once sprung.&#xA;&#xA;RETURNS, ventures sent abroad, for the safe return of&#xA;which so much money is received.&#xA;&#xA;REVERBERATE, dissolve or blend by reflected heat.&#xA;&#xA;REVERSE, REVERSO, back-handed thrust, etc., in fencing.&#xA;&#xA;REVISE, reconsider a sentence.&#xA;&#xA;RHEUM, spleen, caprice.&#xA;&#xA;RIBIBE, abusive term for an old woman.&#xA;&#xA;RID, destroy, do away with.&#xA;&#xA;RIFLING, raffling, dicing.&#xA;&#xA;RING, &amp;quot;cracked within the—,&amp;quot; coins so cracked were&#xA;unfit for currency.&#xA;&#xA;RISSE, risen, rose.&#xA;&#xA;RIVELLED, wrinkled.&#xA;&#xA;ROARER, swaggerer.&#xA;&#xA;ROCHET, fish of the gurnet kind.&#xA;&#xA;ROCK, distaff.&#xA;&#xA;RODOMONTADO, braggadocio.&#xA;&#xA;ROGUE, vagrant, vagabond.&#xA;&#xA;RONDEL, &amp;quot;a round mark in the score of a public-house&amp;quot;&#xA;(Nares); roundel.&#xA;&#xA;ROOK, sharper; fool, dupe.&#xA;&#xA;ROSAKER, similar to ratsbane.&#xA;&#xA;ROSA-SOLIS, a spiced spirituous liquor.&#xA;&#xA;ROSES, rosettes.&#xA;&#xA;ROUND, &amp;quot;gentlemen of the—,&amp;quot; officers of inferior rank.&#xA;&#xA;ROUND TRUNKS, trunk hose, short loose breeches reaching&#xA;almost or quite to the knees.&#xA;&#xA;ROUSE, carouse, bumper.&#xA;&#xA;ROVER, arrow used for shooting at a random mark at&#xA;uncertain distance.&#xA;&#xA;ROWLY-POWLY, roly-poly.&#xA;&#xA;RUDE, RUDENESS, unpolished, rough(ness), coarse(ness).&#xA;&#xA;RUFFLE, flaunt, swagger.&#xA;&#xA;RUG, coarse frieze.&#xA;&#xA;RUG-GOWNS, gown made of rug.&#xA;&#xA;RUSH, reference to rushes with which the floors were&#xA;then strewn.&#xA;&#xA;RUSHER, one who strewed the floor with rushes.&#xA;&#xA;RUSSET, homespun cloth of neutral or reddish-brown colour.&#xA;&#xA;SACK, loose, flowing gown.&#xA;&#xA;SADLY, seriously, with gravity.&#xA;&#xA;SAD(NESS), sober, serious(ness).&#xA;&#xA;SAFFI, bailiffs.&#xA;&#xA;ST. THOMAS A WATERINGS, place in Surrey where criminals&#xA;were executed.&#xA;&#xA;SAKER, small piece of ordnance.&#xA;&#xA;SALT, leap.&#xA;&#xA;SALT, lascivious.&#xA;&#xA;SAMPSUCHINE, sweet marjoram.&#xA;&#xA;SARABAND, a slow dance.&#xA;&#xA;SATURNALS, began December 17.&#xA;&#xA;SAUCINESS, presumption, insolence.&#xA;&#xA;SAUCY, bold, impudent, wanton.&#xA;&#xA;SAUNA (Lat.), a gesture of contempt.&#xA;&#xA;SAVOUR, perceive; gratify, please; to partake of the nature.&#xA;&#xA;SAY, sample.&#xA;&#xA;SAY, assay, try.&#xA;&#xA;SCALD, word of contempt, implying dirt and disease.&#xA;&#xA;SCALLION, shalot, small onion.&#xA;&#xA;SCANDERBAG, &amp;quot;name which the Turks (in allusion to&#xA;Alexander the Great) gave to the brave Castriot, chief&#xA;of Albania, with whom they had continual wars.  His&#xA;romantic life had just been translated&amp;quot; (Gifford).&#xA;&#xA;SCAPE, escape.&#xA;&#xA;SCARAB, beetle.&#xA;&#xA;SCARTOCCIO, fold of paper, cover, cartouch, cartridge.&#xA;&#xA;SCONCE, head.&#xA;&#xA;SCOPE, aim.&#xA;&#xA;SCOT AND LOT, tax, contribution (formerly a parish&#xA;assessment).&#xA;&#xA;SCOTOMY, dizziness in the head.&#xA;&#xA;SCOUR, purge.&#xA;&#xA;SCOURSE, deal, swap.&#xA;&#xA;SCRATCHES, disease of horses.&#xA;&#xA;SCROYLE, mean, rascally fellow.&#xA;&#xA;SCRUPLE, doubt.&#xA;&#xA;SEAL, put hand to the giving up of property or rights.&#xA;&#xA;SEALED, stamped as genuine.&#xA;&#xA;SEAM-RENT, ragged.&#xA;&#xA;SEAMING LACES, insertion or edging.&#xA;&#xA;SEAR UP, close by searing, burning.&#xA;&#xA;SEARCED, sifted.&#xA;&#xA;SECRETARY, able to keep a secret.&#xA;&#xA;SECULAR, worldly, ordinary, commonplace.&#xA;&#xA;SECURE, confident.&#xA;&#xA;SEELIE, happy, blest.&#xA;&#xA;SEISIN, legal term: possession.&#xA;&#xA;SELLARY, lewd person.&#xA;&#xA;SEMBLABLY, similarly.&#xA;&#xA;SEMINARY, a Romish priest educated in a foreign seminary.&#xA;&#xA;SENSELESS, insensible, without sense or feeling.&#xA;&#xA;SENSIBLY, perceptibly.&#xA;&#xA;SENSIVE, sensitive.&#xA;&#xA;SENSUAL, pertaining to the physical or material.&#xA;&#xA;SERENE, harmful dew of evening.&#xA;&#xA;SERICON, red tincture.&#xA;&#xA;SERVANT, lover.&#xA;&#xA;SERVICES, doughty deeds of arms.&#xA;&#xA;SESTERCE, Roman copper coin.&#xA;&#xA;SET, stake, wager.&#xA;&#xA;SET UP, drill.&#xA;&#xA;SETS, deep plaits of the ruff.&#xA;&#xA;SEWER, officer who served up the feast, and brought&#xA;water for the hands of the guests.&#xA;&#xA;SHAPE, a suit by way of disguise.&#xA;&#xA;SHIFT, fraud, dodge.&#xA;&#xA;SHIFTER, cheat.&#xA;&#xA;SHITTLE, shuttle; &amp;quot;shittle-cock,&amp;quot; shuttlecock.&#xA;&#xA;SHOT, tavern reckoning.&#xA;&#xA;SHOT-CLOG, one only tolerated because he paid the shot&#xA;(reckoning) for the rest.&#xA;&#xA;SHOT-FREE, scot-free, not having to pay.&#xA;&#xA;SHOVE-GROAT, low kind of gambling amusement, perhaps&#xA;somewhat of the nature of pitch and toss.&#xA;&#xA;SHOT-SHARKS, drawers.&#xA;&#xA;SHREWD, mischievous, malicious, curst.&#xA;&#xA;SHREWDLY, keenly, in a high degree.&#xA;&#xA;SHRIVE, sheriff; posts were set up before his door for&#xA;proclamations, or to indicate his residence.&#xA;&#xA;SHROVING, Shrovetide, season of merriment.&#xA;&#xA;SIGILLA, seal, mark.&#xA;&#xA;SILENCED BRETHERN, MINISTERS, those of the Church or&#xA;Nonconformists who had been silenced, deprived, etc.&#xA;&#xA;SILLY, simple, harmless.&#xA;&#xA;SIMPLE, silly, witless; plain, true.&#xA;&#xA;SIMPLES, herbs.&#xA;&#xA;SINGLE, term of chase, signifying when the hunted stag&#xA;is separated from the herd, or forced to break covert.&#xA;&#xA;SINGLE, weak, silly.&#xA;&#xA;SINGLE-MONEY, small change.&#xA;&#xA;SINGULAR, unique, supreme.&#xA;&#xA;SI-QUIS, bill, advertisement.&#xA;&#xA;SKELDRING, getting money under false pretences; swindling.&#xA;&#xA;SKILL, &amp;quot;it—s not,&amp;quot; matters not.&#xA;&#xA;SKINK(ER), pour, draw(er), tapster.&#xA;&#xA;SKIRT, tail.&#xA;&#xA;SLEEK, smooth.&#xA;&#xA;SLICE, fire shovel or pan (dial.).&#xA;&#xA;SLICK, sleek, smooth.&#xA;&#xA;'SLID, 'SLIGHT, 'SPRECIOUS, irreverent oaths.&#xA;&#xA;SLIGHT, sleight, cunning, cleverness; trick.&#xA;&#xA;SLIP, counterfeit coin, bastard.&#xA;&#xA;SLIPPERY, polished and shining.&#xA;&#xA;SLOPS, large loose breeches.&#xA;&#xA;SLOT, print of a stag's foot.&#xA;&#xA;SLUR, put a slur on; cheat (by sliding a die in some way).&#xA;&#xA;SMELT, gull, simpleton.&#xA;&#xA;SNORLE, &amp;quot;perhaps snarl, as Puppy is addressed&amp;quot; (Cunningham).&#xA;&#xA;SNOTTERIE, filth.&#xA;&#xA;SNUFF, anger, resentment; &amp;quot;take in—,&amp;quot; take offence at.&#xA;&#xA;SNUFFERS, small open silver dishes for holding snuff,&#xA;or receptacle for placing snuffers in (Halliwell).&#xA;&#xA;SOCK, shoe worn by comic actors.&#xA;&#xA;SOD, seethe.&#xA;&#xA;SOGGY, soaked, sodden.&#xA;&#xA;SOIL, &amp;quot;take—,&amp;quot; said of a hunted stag when he takes&#xA;to the water for safety.&#xA;&#xA;SOL, sou.&#xA;&#xA;SOLDADOES, soldiers.&#xA;&#xA;SOLICIT, rouse, excite to action.&#xA;&#xA;SOOTH, flattery, cajolery.&#xA;&#xA;SOOTHE, flatter, humour.&#xA;&#xA;SOPHISTICATE, adulterate.&#xA;&#xA;SORT, company, party; rank, degree.&#xA;&#xA;SORT, suit, fit; select.&#xA;&#xA;SOUSE, ear.&#xA;&#xA;SOUSED (&amp;quot;Devil is an Ass&amp;quot;), fol. read &amp;quot;sou't,&amp;quot; which&#xA;Dyce interprets as &amp;quot;a variety of the spelling of &amp;quot;shu'd&amp;quot;:&#xA;to &amp;quot;shu&amp;quot; is to scare a bird away.&amp;quot;  (See his &amp;quot;Webster,&amp;quot;&#xA;page 350).&#xA;&#xA;SOWTER, cobbler.&#xA;&#xA;SPAGYRICA, chemistry according to the teachings of Paracelsus.&#xA;&#xA;SPAR, bar.&#xA;&#xA;SPEAK, make known, proclaim.&#xA;&#xA;SPECULATION, power of sight.&#xA;&#xA;SPED, to have fared well, prospered.&#xA;&#xA;SPEECE, species.&#xA;&#xA;SPIGHT, anger, rancour.&#xA;&#xA;SPINNER, spider.&#xA;&#xA;SPINSTRY, lewd person.&#xA;&#xA;SPITTLE, hospital, lazar-house.&#xA;&#xA;SPLEEN, considered the seat of the emotions.&#xA;&#xA;SPLEEN, caprice, humour, mood.&#xA;&#xA;SPRUNT, spruce.&#xA;&#xA;SPURGE, foam.&#xA;&#xA;SPUR-RYAL, gold coin worth 15s.&#xA;&#xA;SQUIRE, square, measure; &amp;quot;by the—,&amp;quot; exactly.&#xA;&#xA;STAGGERING, wavering, hesitating.&#xA;&#xA;STAIN, disparagement, disgrace.&#xA;&#xA;STALE, decoy, or cover, stalking-horse.&#xA;&#xA;STALE, make cheap, common.&#xA;&#xA;STALK, approach stealthily or under cover.&#xA;&#xA;STALL, forestall.&#xA;&#xA;STANDARD, suit.&#xA;&#xA;STAPLE, market, emporium.&#xA;&#xA;STARK, downright.&#xA;&#xA;STARTING-HOLES, loopholes of escape.&#xA;&#xA;STATE, dignity; canopied chair of state; estate.&#xA;&#xA;STATUMINATE, support vines by poles or stakes; used&#xA;by Pliny (Gifford).&#xA;&#xA;STAY, gag.&#xA;&#xA;STAY, await; detain.&#xA;&#xA;STICKLER, second or umpire.&#xA;&#xA;STIGMATISE, mark, brand.&#xA;&#xA;STILL, continual(ly), constant(ly).&#xA;&#xA;STINKARD, stinking fellow.&#xA;&#xA;STINT, stop.&#xA;&#xA;STIPTIC, astringent.&#xA;&#xA;STOCCATA, thrust in fencing.&#xA;&#xA;STOCK-FISH, salted and dried fish.&#xA;&#xA;STOMACH, pride, valour.&#xA;&#xA;STOMACH, resent.&#xA;&#xA;STOOP, swoop down as a hawk.&#xA;&#xA;STOP, fill, stuff.&#xA;&#xA;STOPPLE, stopper.&#xA;&#xA;STOTE, stoat, weasel.&#xA;&#xA;STOUP, stoop, swoop=bow.&#xA;&#xA;STRAIGHT, straightway.&#xA;&#xA;STRAMAZOUN (Ital. stramazzone), a down blow, as opposed&#xA;to the thrust.&#xA;&#xA;STRANGE, like a stranger, unfamiliar.&#xA;&#xA;STRANGENESS, distance of behaviour.&#xA;&#xA;STREIGHTS, OR BERMUDAS, labyrinth of alleys and courts&#xA;in the Strand.&#xA;&#xA;STRIGONIUM, Grau in Hungary, taken from the Turks in&#xA;1597.&#xA;&#xA;STRIKE, balance (accounts).&#xA;&#xA;STRINGHALT, disease of horses.&#xA;&#xA;STROKER, smoother, flatterer.&#xA;&#xA;STROOK, p.p. of &amp;quot;strike.&amp;quot;&#xA;&#xA;STRUMMEL-PATCHED, strummel is glossed in dialect dicts.&#xA;as &amp;quot;a long, loose and dishevelled head of hair.&amp;quot;&#xA;&#xA;STUDIES, studious efforts.&#xA;&#xA;STYLE, title; pointed instrument used for writing on wax&#xA;tablets.&#xA;&#xA;SUBTLE, fine, delicate, thin; smooth, soft.&#xA;&#xA;SUBTLETY (SUBTILITY), subtle device.&#xA;&#xA;SUBURB, connected with loose living.&#xA;&#xA;SUCCUBAE, demons in form of women.&#xA;&#xA;SUCK, extract money from.&#xA;&#xA;SUFFERANCE, suffering.&#xA;&#xA;SUMMED, term of falconry: with full-grown plumage.&#xA;&#xA;SUPER-NEGULUM, topers turned the cup bottom up when&#xA;it was empty.&#xA;&#xA;SUPERSTITIOUS, over-scrupulous.&#xA;&#xA;SUPPLE, to make pliant.&#xA;&#xA;SURBATE, make sore with walking.&#xA;&#xA;SURCEASE, cease.&#xA;&#xA;SUR-REVERENCE, save your reverence.&#xA;&#xA;SURVISE, peruse.&#xA;&#xA;SUSCITABILITY, excitability.&#xA;&#xA;SUSPECT, suspicion.&#xA;&#xA;SUSPEND, suspect.&#xA;&#xA;SUSPENDED, held over for the present.&#xA;&#xA;SUTLER, victualler.&#xA;&#xA;SWAD, clown, boor.&#xA;&#xA;SWATH BANDS, swaddling clothes.&#xA;&#xA;SWINGE, beat.&#xA;&#xA;TABERD, emblazoned mantle or tunic worn by knights&#xA;and heralds.&#xA;&#xA;TABLE(S), &amp;quot;pair of—,&amp;quot; tablets, note-book.&#xA;&#xA;TABOR, small drum.&#xA;&#xA;TABRET, tabor.&#xA;&#xA;TAFFETA, silk; &amp;quot;tuft-taffeta,&amp;quot; a more costly silken fabric.&#xA;&#xA;TAINT, &amp;quot;—a staff,&amp;quot; break a lance at tilting in an&#xA;unscientific or dishonourable manner.&#xA;&#xA;TAKE IN, capture, subdue.&#xA;&#xA;TAKE ME WITH YOU, let me understand you.&#xA;&#xA;TAKE UP, obtain on credit, borrow.&#xA;&#xA;TALENT, sum or weight of Greek currency.&#xA;&#xA;TALL, stout, brave.&#xA;&#xA;TANKARD-BEARERS, men employed to fetch water from the&#xA;conduits.&#xA;&#xA;TARLETON, celebrated comedian and jester.&#xA;&#xA;TARTAROUS, like a Tartar.&#xA;&#xA;TAVERN-TOKEN, &amp;quot;to swallow a—,&amp;quot; get drunk.&#xA;&#xA;TELL, count.&#xA;&#xA;TELL-TROTH, truth-teller.&#xA;&#xA;TEMPER, modify, soften.&#xA;&#xA;TENDER, show regard, care for, cherish; manifest.&#xA;&#xA;TENT, &amp;quot;take—,&amp;quot; take heed.&#xA;&#xA;TERSE, swept and polished.&#xA;&#xA;TERTIA, &amp;quot;that portion of an army levied out of one&#xA;particular district or division of a country&amp;quot; (Gifford).&#xA;&#xA;TESTON, tester, coin worth 6d.&#xA;&#xA;THIRDBOROUGH, constable.&#xA;&#xA;THREAD, quality.&#xA;&#xA;THREAVES, droves.&#xA;&#xA;THREE-FARTHINGS, piece of silver current under Elizabeth.&#xA;&#xA;THREE-PILED, of finest quality, exaggerated.&#xA;&#xA;THRIFTILY, carefully.&#xA;&#xA;THRUMS, ends of the weaver's warp; coarse yarn made from.&#xA;&#xA;THUMB-RING, familiar spirits were supposed capable of&#xA;being carried about in various ornaments or parts of dress.&#xA;&#xA;TIBICINE, player on the tibia, or pipe.&#xA;&#xA;TICK-TACK, game similar to backgammon.&#xA;&#xA;TIGHTLY, promptly.&#xA;&#xA;TIM, (?) expressive of a climax of nonentity.&#xA;&#xA;TIMELESS, untimely, unseasonable.&#xA;&#xA;TINCTURE, an essential or spiritual principle supposed&#xA;by alchemists to be transfusible into material things;&#xA;an imparted characteristic or tendency.&#xA;&#xA;TINK, tinkle.&#xA;&#xA;TIPPET, &amp;quot;turn—,&amp;quot; change behaviour or way of life.&#xA;&#xA;TIPSTAFF, staff tipped with metal.&#xA;&#xA;TIRE, head-dress.&#xA;&#xA;TIRE, feed ravenously, like a bird of prey.&#xA;&#xA;TITILLATION, that which tickles the senses, as a perfume.&#xA;&#xA;TOD, fox.&#xA;&#xA;TOILED, worn out, harassed.&#xA;&#xA;TOKEN, piece of base metal used in place of very small&#xA;coin, when this was scarce.&#xA;&#xA;TONNELS, nostrils.&#xA;&#xA;TOP, &amp;quot;parish—,&amp;quot; large top kept in villages for&#xA;amusement and exercise in frosty weather when people&#xA;were out of work.&#xA;&#xA;TOTER, tooter, player on a wind instrument.&#xA;&#xA;TOUSE, pull, rend.&#xA;&#xA;TOWARD, docile, apt; on the way to; as regards; present,&#xA;at hand.&#xA;&#xA;TOY, whim; trick; term of contempt.&#xA;&#xA;TRACT, attraction.&#xA;&#xA;TRAIN, allure, entice.&#xA;&#xA;TRANSITORY, transmittable.&#xA;&#xA;TRANSLATE, transform.&#xA;&#xA;TRAY-TRIP, game at dice (success depended on throwing&#xA;a three) (Nares).&#xA;&#xA;TREACHOUR (TRECHER), traitor.&#xA;&#xA;TREEN, wooden.&#xA;&#xA;TRENCHER, serving-man who carved or served food.&#xA;&#xA;TRENDLE-TAIL, trundle-tail, curly-tailed.&#xA;&#xA;TRICK (TRICKING), term of heraldry: to draw outline of&#xA;coat of arms, etc., without blazoning.&#xA;&#xA;TRIG, a spruce, dandified man.&#xA;&#xA;TRILL, trickle.&#xA;&#xA;TRILLIBUB, tripe, any worthless, trifling thing.&#xA;&#xA;TRIPOLY, &amp;quot;come from—,&amp;quot; able to perform feats of agility,&#xA;a &amp;quot;jest nominal,&amp;quot; depending on the first part of the word&#xA;(Gifford).&#xA;&#xA;TRITE, worn, shabby.&#xA;&#xA;TRIVIA, three-faced goddess (Hecate).&#xA;&#xA;TROJAN, familiar term for an equal or inferior; thief.&#xA;&#xA;TROLL, sing loudly.&#xA;&#xA;TROMP, trump, deceive.&#xA;&#xA;TROPE, figure of speech.&#xA;&#xA;TROW, think, believe, wonder.&#xA;&#xA;TROWLE, troll.&#xA;&#xA;TROWSES, breeches, drawers.&#xA;&#xA;TRUCHMAN, interpreter.&#xA;&#xA;TRUNDLE, JOHN, well-known printer.&#xA;&#xA;TRUNDLE, roll, go rolling along.&#xA;&#xA;TRUNDLING CHEATS, term among gipsies and beggars for&#xA;carts or coaches (Gifford).&#xA;&#xA;TRUNK, speaking-tube.&#xA;&#xA;TRUSS, tie the tagged laces that fastened the breeches&#xA;to the doublet.&#xA;&#xA;TUBICINE, trumpeter.&#xA;&#xA;TUCKET (Ital. toccato), introductory flourish on the&#xA;trumpet.&#xA;&#xA;TUITION, guardianship.&#xA;&#xA;TUMBLER, a particular kind of dog so called from the&#xA;mode of his hunting.&#xA;&#xA;TUMBREL-SLOP, loose, baggy breeches.&#xA;&#xA;TURD, excrement.&#xA;&#xA;TUSK, gnash the teeth (Century Dict.).&#xA;&#xA;TWIRE, peep, twinkle.&#xA;&#xA;TWOPENNY ROOM, gallery.&#xA;&#xA;TYRING-HOUSE, attiring-room.&#xA;&#xA;ULENSPIEGEL.  See Howleglass.&#xA;&#xA;UMBRATILE, like or pertaining to a shadow.&#xA;&#xA;UMBRE, brown dye.&#xA;&#xA;UNBATED, unabated.&#xA;&#xA;UNBORED, (?) excessively bored.&#xA;&#xA;UNCARNATE, not fleshly, or of flesh.&#xA;&#xA;UNCOUTH, strange, unusual.&#xA;&#xA;UNDERTAKER, &amp;quot;one who undertook by his influence in the&#xA;House of Commons to carry things agreeably to his&#xA;Majesty's wishes&amp;quot; (Whalley); one who becomes surety for.&#xA;&#xA;UNEQUAL, unjust.&#xA;&#xA;UNEXCEPTED, no objection taken at.&#xA;&#xA;UNFEARED, unaffrighted.&#xA;&#xA;UNHAPPILY, unfortunately.&#xA;&#xA;UNICORN'S HORN, supposed antidote to poison.&#xA;&#xA;UNKIND(LY), unnatural(ly).&#xA;&#xA;UNMANNED, untamed (term in falconry).&#xA;&#xA;UNQUIT, undischarged.&#xA;&#xA;UNREADY, undressed.&#xA;&#xA;UNRUDE, rude to an extreme.&#xA;&#xA;UNSEASONED, unseasonable, unripe.&#xA;&#xA;UNSEELED, a hawk's eyes were &amp;quot;seeled&amp;quot; by sewing the&#xA;eyelids together with fine thread.&#xA;&#xA;UNTIMELY, unseasonably.&#xA;&#xA;UNVALUABLE, invaluable.&#xA;&#xA;UPBRAID, make a matter of reproach.&#xA;&#xA;UPSEE, heavy kind of Dutch beer (Halliwell); &amp;quot;—Dutch,&amp;quot;&#xA;in the Dutch fashion.&#xA;&#xA;UPTAILS ALL, refrain of a popular song.&#xA;&#xA;URGE, allege as accomplice, instigator.&#xA;&#xA;URSHIN, URCHIN, hedgehog.&#xA;&#xA;USE, interest on money; part of sermon dealing with the&#xA;practical application of doctrine.&#xA;&#xA;USE, be in the habit of, accustomed to; put out to interest.&#xA;&#xA;USQUEBAUGH, whisky.&#xA;&#xA;USURE, usury.&#xA;&#xA;UTTER, put in circulation, make to pass current; put forth for sale.&#xA;&#xA;VAIL, bow, do homage.&#xA;&#xA;VAILS, tips, gratuities.&#xA;&#xA;VALL.  See Vail.&#xA;&#xA;VALLIES (Fr. valise), portmanteau, bag.&#xA;&#xA;VAPOUR(S) (n. and v.), used affectedly, like &amp;quot;humour,&amp;quot;&#xA;in many senses, often very vaguely and freely ridiculed&#xA;by Jonson; humour, disposition, whims, brag(ging),&#xA;hector(ing), etc.&#xA;&#xA;VARLET, bailiff, or serjeant-at-mace.&#xA;&#xA;VAUT, vault.&#xA;&#xA;VEER (naut.), pay out.&#xA;&#xA;VEGETAL, vegetable; person full of life and vigour.&#xA;&#xA;VELLUTE, velvet.&#xA;&#xA;VELVET CUSTARD.  Cf. &amp;quot;Taming of the Shrew,&amp;quot; iv. 3, 82,&#xA;&amp;quot;custard coffin,&amp;quot; coffin being the raised crust over a pie.&#xA;&#xA;VENT, vend, sell; give outlet to; scent, snuff up.&#xA;&#xA;VENUE, bout (fencing term).&#xA;&#xA;VERDUGO (Span.), hangman, executioner.&#xA;&#xA;VERGE, &amp;quot;in the—,&amp;quot; within a certain distance of the court.&#xA;&#xA;VEX, agitate, torment.&#xA;&#xA;VICE, the buffoon of old moralities; some kind of&#xA;machinery for moving a puppet (Gifford).&#xA;&#xA;VIE AND REVIE, to hazard a certain sum, and to cover&#xA;it with a larger one.&#xA;&#xA;VINCENT AGAINST YORK, two heralds-at-arms.&#xA;&#xA;VINDICATE, avenge.&#xA;&#xA;VIRGE, wand, rod.&#xA;&#xA;VIRGINAL, old form of piano.&#xA;&#xA;VIRTUE, valour.&#xA;&#xA;VIVELY, in lifelike manner, livelily.&#xA;&#xA;VIZARD, mask.&#xA;&#xA;VOGUE, rumour, gossip.&#xA;&#xA;VOICE, vote.&#xA;&#xA;VOID, leave, quit.&#xA;&#xA;VOLARY, cage, aviary.&#xA;&#xA;VOLLEY, &amp;quot;at—,&amp;quot; &amp;quot;o' the volee,&amp;quot; at random (from a&#xA;term of tennis).&#xA;&#xA;VORLOFFE, furlough.&#xA;&#xA;WADLOE, keeper of the Devil Tavern, where Jonson and his&#xA;friends met in the 'Apollo' room (Whalley).&#xA;&#xA;WAIGHTS, waits, night musicians, &amp;quot;band of musical&#xA;watchmen&amp;quot; (Webster), or old form of &amp;quot;hautboys.&amp;quot;&#xA;&#xA;WANNION, &amp;quot;vengeance,&amp;quot; &amp;quot;plague&amp;quot; (Nares).&#xA;&#xA;WARD, a famous pirate.&#xA;&#xA;WARD, guard in fencing.&#xA;&#xA;WATCHET, pale, sky blue.&#xA;&#xA;WEAL, welfare.&#xA;&#xA;WEED, garment.&#xA;&#xA;WEFT, waif.&#xA;&#xA;WEIGHTS, &amp;quot;to the gold—,&amp;quot; to every minute particular.&#xA;&#xA;WELKIN, sky.&#xA;&#xA;WELL-SPOKEN, of fair speech.&#xA;&#xA;WELL-TORNED, turned and polished, as on a wheel.&#xA;&#xA;WELT, hem, border of fur.&#xA;&#xA;WHER, whether.&#xA;&#xA;WHETSTONE, GEORGE, an author who lived 1544(?) to 1587(?).&#xA;&#xA;WHIFF, a smoke, or drink; &amp;quot;taking the—,&amp;quot; inhaling the&#xA;tobacco smoke or some such accomplishment.&#xA;&#xA;WHIGH-HIES, neighings, whinnyings.&#xA;&#xA;WHIMSY, whim, &amp;quot;humour.&amp;quot;&#xA;&#xA;WHINILING, (?) whining, weakly.&#xA;&#xA;WHIT, (?) a mere jot.&#xA;&#xA;WHITEMEAT, food made of milk or eggs.&#xA;&#xA;WICKED, bad, clumsy.&#xA;&#xA;WICKER, pliant, agile.&#xA;&#xA;WILDING, esp. fruit of wild apple or crab tree (Webster).&#xA;&#xA;WINE, &amp;quot;I have the—for you,&amp;quot; Prov.: I have the&#xA;perquisites (of the office) which you are to share&#xA;(Cunningham).&#xA;&#xA;WINNY, &amp;quot;same as old word &amp;quot;wonne,&amp;quot; to stay, etc.&amp;quot; (Whalley).&#xA;&#xA;WISE-WOMAN, fortune-teller.&#xA;&#xA;WISH, recommend.&#xA;&#xA;WISS (WUSSE), &amp;quot;I—,&amp;quot; certainly, of a truth.&#xA;&#xA;WITHOUT, beyond.&#xA;&#xA;WITTY, cunning, ingenious, clever.&#xA;&#xA;WOOD, collection, lot.&#xA;&#xA;WOODCOCK, term of contempt.&#xA;&#xA;WOOLSACK (&amp;quot;—pies&amp;quot;), name of tavern.&#xA;&#xA;WORT, unfermented beer.&#xA;&#xA;WOUNDY, great, extreme.&#xA;&#xA;WREAK, revenge.&#xA;&#xA;WROUGHT, wrought upon.&#xA;&#xA;WUSSE, interjection.  (See Wiss).&#xA;&#xA;YEANLING, lamb, kid.&#xA;&#xA;ZANY, an inferior clown, who attended upon the chief&#xA;fool and mimicked his tricks." PRODUCER="Bingo Bass" COVERARTID="118/WLE10ECLQ3O0HA22THX0BJ0KXO3C" PLAYTIME="210" PLAYTIME_FLOAT="209.988144" IMPORT_DATE="2025/4/9" RELEASE_DATE="2018/1/1" FLAGS="12"></INFO>
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<INFO BITRATE="883000" KEY_LYRICS="1 ContributorHourglass (Evan Awake Remix) LyricsTime unravels the layers we need to hide the scars&#xA;The rhyme enables the prayer to feed the silent hearts&#xA;I dream the least of these will reach into the highest star-&#xA;...see the galaxy... gleam across the sky of Mars&#xA;We're all broken, but together we are priceless shards&#xA;Life's a masterpiece- and pride defile the finest art&#xA;...And this place is so dangerous&#xA;...The moon hides away its face... its so ashamed of us&#xA;Far from perfect and the little girls are hurting-&#xA;-Scars furnishing the surface like their skin and hearts are worthless&#xA;Burning... her face into the sour back hand&#xA;Since when did &amp;quot;man&amp;quot; turn into a coward's last stand?&#xA;-A true man abandons the cannon he can't man&#xA;And handles humility down a path can't plan&#xA;Time is of the essence to empower rap fans&#xA;So my hands'll make a castle with the hourglass sand&#xA;&#xA;Approach the homeless while I'm gloating in this coat of arms&#xA;I know it's hard, the snow is harsh- I got a frozen heart -&#xA;It's so cold, it got me closing up these open arms-&#xA;-I play the hand that's dealt to me; they look like hopeless cards&#xA;Cursed inheritance... projecting all my arrogance&#xA;To shoot up into heaven now its raining dead seraphim&#xA;Like a kitten be kicking a ball of yarn-&#xA;-I got... Grace in my heart, my chest, legs and arms&#xA;- it hurts to learn the truth... when it surfaces above&#xA;I'm lurking in my blood from the person that I love&#xA;Better context, drawing the connection...&#xA;My efforts for success is for blessing my whole collective&#xA;Striving for perfection is a never-ending lesson&#xA;- dedication to reception to the funeral procession&#xA;It's time for the succession, I'm here lead the chosen-&#xA;-Like Moses; with faith that provokes an ocean open&#xA;Make way, you clouds, the sun is coming out&#xA;So put down your grudges, 'cause time is running out&#xA;God, paint the sky, the sun is coming out&#xA;Let's learn to forgive, 'cause time is running out&#xA;Farewell to the night, the sun is coming out&#xA;End all the hate, 'cause time is running out&#xA;Grace is renewed when the sun's coming out&#xA;So let's learn how to love, 'cause time is running out" PRODUCER="© 2023 Life is Beautiful Music Ltd" COVERARTID="095/5OWA0MCWFE2XGBS1MTHODIVK4VLD" KEY="8m" PLAYCOUNT="4" PLAYTIME="235" PLAYTIME_FLOAT="234.857147" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/5/28" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="25827" COLOR="3"></INFO>
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<INFO BITRATE="851000" KEY_LYRICS="3 ContributorsAye Verb vs. Goodz Lyrics&#xA;Yo, this...makes me sick!&#xA;So Goodz gets another home game - damn!&#xA;This when the card switch up&#xA;'Cause now I gotta deal with extra shit, all type of fraudism&#xA;Watch how tough this nigga act 'cause he home&#xA;He talk different, his heart bigger...&#xA;Y'all know how these soft niggas act when they sippin' this hard liquor!&#xA;Test this nigga Goodz without no Henny in him? He rev up never&#xA;This Challenger ain't got no hemi in him&#xA;Actin' like he's Superman&#xA;Well this a mirror that you lookin' at cause I'm Superman too&#xA;I'm just the one that wear the crooked S&#xA;Save all that fly shit maggot, you ain't that clown&#xA;You got it easy out here, I'm from the hood&#xA;Nigga I used to have to freestyle over sounds of MAC rounds in the background&#xA;He told Danja, &amp;quot;I shoot at niggas go home and scrub my hands with hand soap&amp;quot;&#xA;And y'all was lovin' that&#xA;I was puzzled, 'cause hand soap don't get rid of residue, nigga&#xA;You got to glove the shit&#xA;I fuck bad bitches&#xA;You fuck bad &amp;quot;battle rap&amp;quot; affiliated bitches&#xA;Big difference&#xA;Now let me son him&#xA;Yo, NuNu Nellz? Now, I'd have fucked that bitch, too (two)...times, and then changed my number&#xA;I'm not one of these other niggas&#xA;You can't stand on stage and rap wit' me, nigga&#xA;You got to rap with me, you lil' bird bitch&#xA;Enough with this boring Goodz flow&#xA;{Verb puts his drink down}&#xA;&#xA;Let's get into that Verb shit&#xA;Beef boy, I get that shit done nigga&#xA;And/or I been in a jam before&#xA;I ain't goin' back in that can boy&#xA;So now I pay a young nigga a little dust, that's a sandstorm&#xA;And have him in the middle of the Bronx&#xA;Strugglin' to pick up that .50 Cal' like...looks like he's slidin' back a van door&#xA;You still tryin' to prove that you tough, you a damn boy&#xA;I'ma ridah that turned into a man; Autobot/Transform&#xA;My son say, &amp;quot;They gon' over hype Goodz, whatchu gon' do dad?&amp;quot;&#xA;I told him, go in that bitch with lines, just punch like a school dance&#xA;Goodz Da Animal&#xA;I think camel toe, antelope&#xA;Verb: code name &amp;quot;Hannibal&amp;quot;, this nigga cantaloupe&#xA;You only hot here, you ain't ringin' outta town bitch nigga, nah you can't elope&#xA;&amp;quot;Ring&amp;quot; &amp;quot;outta town&amp;quot; &amp;quot;bitch/nigga&amp;quot; &amp;quot;you can't elope&amp;quot;?&#xA;I can' them both, cannon smoke&#xA;You don't like my damn approach?&#xA;Better get a guard then (garden); botanical, or get planted hoe&#xA;Who think Marlon Brando really out here playin' Rambo&#xA;No, I came to catch a body, nothin' under let's go commando&#xA;I'm back ridin' on all these niggas just got my license back&#xA;That Showtime shit y'all waitin' to hear?&#xA;Trust me - we got all night for that!&#xA;&#xA;Okay, time to see who play better Verb&#xA;&amp;quot;So it's Show-&amp;quot; that's about the gayest shit I ever heard&#xA;Personally, I don't think you straight nigga&#xA;You was on stage against Swave lookin' like a 14 karat gay nigga&#xA;Serius Verb? You can't be&#xA;My bitch'll kill you if I let her&#xA;But it's priority I deliver this ass whoopin' domestic, I'm certified for that, they already stamp me&#xA;Truthfully, I dare (deer) you to die; Bambi&#xA;We shoot it until it click&#xA;But you can still smell that toy odor (Toyota) before I let that can' re (Camry)&#xA;You gonna be outta here by tomorrow baby; Plan B&#xA;I get them racks done because it's bars over them Jamie Foxx jokes, the fans see&#xA;Oh well, King's Tower, maybe your hoe tell (hotel)&#xA;You put it together&#xA;Now I can let them two arms throw shells but I'll just feed him punches 'til he lump, give him an oat meal&#xA;Wait, I'm the nigga that told K-Shine, &amp;quot;Bring my apron here.&amp;quot;&#xA;I'm the nigga that told Tech- NOME 3 Hitman stole that from me, I just wanna make that clear&#xA;Yung Ill is a dust head...'nuff said&#xA;Me, ICE and Ars' made you niggas&#xA;If we ain't okay you niggas your footage would've still been under Lux bed&#xA;But I'm a good getter&#xA;You the type to get in an argument with a bitch, she walk away you go get her&#xA;You a hoe Verb, the bitch type&#xA;You ain't even pussy you period, Verb, wait that fits right&#xA;Period. Verb&#xA;Now I can send some slugs heavy there&#xA;But since you crampin' my style I'll just follow you to your pad and leave blood everywhere&#xA;You period Verb, menstrual pussy&#xA;Send out that code text to my clique&#xA;They always think of tampons when they see bullets&#xA;Why? Cause they goin' in this pussy&#xA;You period, Verb, you caused this whippin'&#xA;Give me too much lip and exit out bleedin', you might die baby, abort this mission&#xA;If we make a date for you to pay me, and you miss it, we gon' find where you from&#xA;You should know what to be expectin' if I don't get it by that time of the month&#xA;You pu- fuck it, I starts to clap with the fifth&#xA;Headshots leave him gushy until his hat starts to drip&#xA;You pussy&#xA;Well I'm strapped like an itch, I'm Tyler Perry, fire heavy&#xA;Three heaters at Madea cause this nigga act like a bitch&#xA;Every nigga I know real, that's a fact&#xA;My lil' man Ray Hov just got knocked wit' the strap&#xA;You can't relate cause you only pop in ya raps&#xA;Well let's keep it real Gucci, fake G's don't lock where I'm at&#xA;Ask about my background, pistol dumpin'&#xA;Believe me nigga you gon' get what you don't want if this cat fish (Catfish) for somethin'&#xA;We rob nigga like you, make 'em run they necklace&#xA;We don't creep when it's beef I'm ridin' down that one way reckless&#xA;Pin out, puttin' X's on that gun play checklist&#xA;Two biscuits will fry ya egg you scramble wit' mine&#xA;The code word is &amp;quot;Sunday breakfast&amp;quot;&#xA;My niggas grab TEC's for fun&#xA;Play games like, &amp;quot;Let's see who the next to run&amp;quot;&#xA;A situation happened and I had to step to son&#xA;But it was pointless cause it's hard to address (add dress) to bum&#xA;Another rapper that's an actor, boy you gon' play yo' part today&#xA;My bitch Cocoa got that butter but she low son (lotion) that's how you keep the marks away&#xA;Jeff Greene, you ain't got the heart to play&#xA;How it feel to get killed by ya father nigga? You Marvin Gaye&#xA;You that gay son I wish I never had and that ain't hard to say&#xA;But do me a favor, tell your mother I love her nigga&#xA;And don't forget to send me my gift on Father's Day&#xA;GMB&#xA;&#xA;There's only two ways to beat Verb&#xA;One: you gotta outrap me&#xA;Two: the crowd gotta hate me&#xA;Anything else I'm sendin' soul's flyin'&#xA;These people paid to hear bars my nigga, laugh and joke on ya own time&#xA;Nigga, you just a swag fest, I'm a stab fest, bloody gloves the whole nine&#xA;Who torture shit, and guess who's starrin' my new horror flick?&#xA;SO IT'S!&#xA;(SHOWTIME!)&#xA;I ride up on this nigga while he chillin' on the weekend&#xA;Creepin', seat back, iron low like I'm anemic&#xA;I'ma wet everybody out here, cannonball off the deep end&#xA;Extensions, Nina, let me put my bitch weave in&#xA;One chance, gotta make this count (discount) on some cheap shit&#xA;So I breathe in and start squeezin'&#xA;Skirt off quick like a freak bitch&#xA;Goodz feelin' odd, nigga wanna get even&#xA;So he come back with mo' niggas on it, what's this the remix?&#xA;If it's killers in any one of y'all niggas I don't see shit&#xA;You, Shine and Rex fuck boys, Mr. Cee, shit&#xA;Fuck y'all I ain't takin' it back, nigga I don't leave shit&#xA;Niggas think I'm weak cause I'm seasick, I'm wit' the street shit&#xA;I got a mean fist that'll stitch him up like a seamstress&#xA;Fuck it let's make the scheme switch&#xA;He gon' catch 8 L's (A.L.); Sharpton, lyrical marksman&#xA;Can knock a pubic hair off a shark's fin on that bar tip&#xA;Four deep, white 300, like the Spartans&#xA;Behind me, two passengers Caddy, but we ain't golfin'&#xA;I stall 'em, them Stones Cold; Steve Austin&#xA;Snatch him and eat off him, tell my niggas to jack him&#xA;We pass this nigga Goodz around like he offering&#xA;Keep talkin', yo' fans? We stalk them&#xA;Tree stalk them, this is what happens when the beef is on, we off them&#xA;Snatch his broad, give him a call, &amp;quot;What's good? You tryin' to buy bitch? You pay I let her live.&amp;quot;&#xA;Sike, she goin' either way like a bi bitch&#xA;{gun clicks} Bye bitch&#xA;Dude you swoop any bird that want you that bitch done flew the coop&#xA;You 5'2&amp;quot;, shaped like an Oompa Loomp&#xA;No neck, chain spinnin' like a hoola hoop&#xA;Yo' set full of actors and extras, it don't matter who we shoot&#xA;See you ain't got bars like that&#xA;You look like a 33 year old Benzino&#xA;You ain't never gonna be no star like that&#xA;You battle niggas you can beat cause you smart like that&#xA;But when it comes to niggas that deal don't play yo' cards like that&#xA;Verb!&#xA;&#xA;&#xA;After every battle they runnin' with classic&#xA;Stay wit' me&#xA;Fuck what you write back, I came here to kill don't get ya mic jacked (Mike Jack')&#xA;Verb, I'm one of the Bad-dest, you know it&#xA;Whether you frown ya face or you show it&#xA;Drop about 90 stacks on that whip another 10 to 2, tone it&#xA;Gray and black, flyin' Spur but who own it?&#xA;Never mind I learned that from my uncle, he was an old school playa that had Dan San Antonio back in the day; Bruce Bowen&#xA;You hear that engine? It sound like the Coupe flowin'&#xA;It gotta be rain, hail or sleetin' for me to put that roof on it&#xA;I say all that to say, in rap, image is everything&#xA;It ain't funny to rap bummy&#xA;Plus all my real niggas know that money attract money&#xA;Now I'm not sayin' battle rappers who dress the best&#xA;But you wore a Mecca/Girbaud vest against X and Rex&#xA;You ain't no get bread nigga!&#xA;You little wet, shiny, hairline, piss head nigga&#xA;I said I'ma kill Verb&#xA;Watch, he be gone&#xA;You talk shit? Well I move off words with that plastic piece by myself nigga; Ouija board&#xA;Now I'm talkin' to the dead&#xA;It don't make no damn sense that that Eagle would change a quarter of his head&#xA;You push packs, I give out packs, there's a difference there&#xA;I hope your hearin' is HD, listen clear&#xA;You don't strike me as a match, they want fire, you can't get it there&#xA;I'm cookin' this nigga, fuck my apron bring the kitchen here!&#xA;Gucci trench coat, matchin' bucket it's like fishin' gear&#xA;Put me on any block in that world I'ma get it there!&#xA;I ball!&#xA;But when the cops fast-break, I'mma take the charge, not make it hot&#xA;Ibaka: I made my livin' off of takin' blocks&#xA;Three heats shootin' and we comin' to take ya spot&#xA;I scream &amp;quot;Ray Allen!&amp;quot; They wildin'&#xA;Cause all my shooters know you ain't gotta be open to take the shot&#xA;Corny meets rapper, that's what Verb is&#xA;But if he talk shit after this battle, we goin' straight to where Verb live&#xA;I talkin' snatchin' Chaz out the nightclubs for his man thinkin' he's that type thug&#xA;Matter of fact, y'all said &amp;quot;Verb&amp;quot;, I said, &amp;quot;I'll take him&amp;quot; that's light drugs&#xA;I've been smokin' since Lux was hostin'&#xA;This battle shit was easy then, I've been cold that's why now it's such a breeze to win&#xA;Ain't no Love &amp;amp; (in) Hip Hop nigga, test me&#xA;I call that .4-4 Joseline, I'm Stevie J wit' it&#xA;Cause everybody knows (nose) I'll pack it if you sweat me&#xA;They say I'm sick in the head, get well&#xA;I think I am crazy, cause when I'm not around that K I miss shells (Michelle)&#xA;Open large, big Glock, I got a scope for y'all&#xA;I use it to hit a nigga from long distance, it's a calling card&#xA;Make sure the deals go right, that's a boss's job&#xA;So play in the streets and get hit if you try crossin' God (guard)&#xA;If you wanna keep it hood, let's keep it hood&#xA;But I just y'all the difference of bein' good and&#xA;(Bein' Goodz!)&#xA;&#xA;&#xA;I take pictures with these words and make caskets so easy&#xA;It's a difference between watchin' me kill a nigga and when you have to come see me&#xA;With this rap shit, I can get ratchet or I can go pastor and start actually preachin'&#xA;So it's!&#xA;(Showtime)&#xA;The horror flick was last round, now let's go reality TV&#xA;You ain't a king motherfucka, you only battle where your ground at&#xA;A real king can go outta town, face a king, come home and bring his crown back&#xA;Niggas praise you for no reason, I can't allow that&#xA;Big dawg, when I bark pussy you must meow back&#xA;Classics, I got a ton of 'em, classic, you got none of 'em&#xA;Three Summer Madness' I did two you did none of 'em&#xA;I crack jokes on Proving Ground niggas, I make fun of 'em&#xA;But you can't crack jokes on them niggas cause you one of 'em&#xA;Move like a professional nigga and you could be this&#xA;Get mad throwin' bottles on stage, nigga that's rookie shit&#xA;There's levels to this shit&#xA;When I step up on this stage it's like y'all howlin' at the moon, throwin' pebbles at a brick&#xA;Now let's remind you, in '09 I came to ya turf&#xA;Bars on deck like, &amp;quot;Who the nicest? I'll shoot 'em first.&amp;quot;&#xA;You ain't stand for New York then, you ain't do no verse&#xA;So how you get the status of boss and you ain't do no work?&#xA;The rule is &amp;quot;protect home court&amp;quot; nigga or you the worst&#xA;Same rules applies, everywhere on this movin' Earth&#xA;Every hood in America, every block in the universe&#xA;Every block that you can search&#xA;Gangstas gotta get they hands dirty Goodz, every boss was a shooter first&#xA;Gauge cocked, come here Goodz, let's get that pay dot&#xA;You wanna be a rich rapper, I just wanna get what they got&#xA;I take over GMB strip, show up on they block&#xA;With tan, white girls and wet, turn that motherfucker to Baywatch&#xA;Butter knife will go to your body long as the blade hot&#xA;Split you in half, get a double you (W); Tay Roc&#xA;To be honest I'm beyond this&#xA;Cause you one of them rappers that'll say you move keys like piano, that's so peonic&#xA;Listen, NY, it ain't never been F y'all&#xA;I just want my respect cause where I'm at, I respect y'all&#xA;Aye Verb versus Goodz, you see what the fuss is about&#xA;Smack made another classic&#xA;Book me and come put blood in they mouth&#xA;Aye Verb&#xA;&#xA;&#xA;The difference between me and y'all is me and y'all&#xA;Y'all ain't worryin' 'bout stage presence, creativity, delivery, nah&#xA;Y'all just wanna keep it bars&#xA;Well whatchu gon' do when them bars ain't hittin'? How you gon' rap when it's on?&#xA;Matter of fact, whatchu gonna do if that crowd starts to boo again Verb? How you gonna act when it's on?&#xA;I ain't top tier, you right, I'm in a class of my own&#xA;Cause I can whoop a nigga's ass all three rounds off of swagger alone&#xA;I'm like, &amp;quot;Cool, put on that camera.&amp;quot;&#xA;Smooth, I let him act amper&#xA;You gonna need more than luck to rap tamper with this black panther&#xA;Eight clips, no stage shit, a nigga can't stage this&#xA;Two shotguns in broad daylight we playin' niggas in The Matrix&#xA;My shit tuck, I got the Juice now but I'll still two pop (2Pac) him if he bitch up&#xA;&amp;quot;Bitch up&amp;quot; &amp;quot;Bishop&amp;quot;, whatever the shit's tough&#xA;I'ma lay him in that black bag and make sure that it's zipped up&#xA;Stripped up, I bring the Glock when I'm walkin' through&#xA;You got two left feet, how you gon' tangle (tango) with me Verb?&#xA;Watch who you talkin' to&#xA;I'm just laughin' to you Verb&#xA;I mean I ain't into game show but for the fans we gon' play this game tho'&#xA;It's called, &amp;quot;What Happened To You Verb?!&amp;quot;&#xA;You was the man when you took Hollow, strange but yes&#xA;I be lyin' if I say you ain't never bang yo' set&#xA;Was well off then you fell off&#xA;I watch you go from runnin' shit, to changin' steps&#xA;Went from Hollow to Math, even gave Cortez a shot&#xA;At this rate I wouldn't be surprised if you took D. Chamberz next&#xA;What happened to you Verb?&#xA;You started that whole Midwest new shit&#xA;Got everybody together on some midwest true shit&#xA;I'm like, &amp;quot;Unity. This must be how the midwest do shit.&amp;quot;&#xA;At that time you started to decline you battled damn near everybody in that Midwest Movement&#xA;What happened to you Verb?&#xA;Check this, we was supposed to take two new niggas before we battled each other&#xA;But you took Ah Di Boom before I agreed to take Danja, that kinda rattled me brother&#xA;See we was supposed to be givin' them a shot&#xA;In my case that was probably true&#xA;But in your case we couldn't tell who was givin' the shots, truthfully it looked like Ah Di Boom&#xA;See that's the problem with you Verb, you inconsistent&#xA;Sometimes you hot, sometimes you cold, you lost it&#xA;You went from a good battle against Swave Sevah to fuckin' chokin' against Caustic?&#xA;What happen to-&#xA;Okay, I'm gettin' money I confess&#xA;A couple dirty niggas mad that I get fresh, I can't help it I can dress&#xA;But what are y'all? Hurt? Mad?&#xA;I guess y'all want me to be a dirt bag&#xA;Well I'm so fly I need my space it's like first class&#xA;You said you was a dope boy Verb? Don't get laid out&#xA;Matter of fact, if you do sell dope put Coach on ya bags cause they played out&#xA;Just took my  out the jeweler nigga, they made the band with cake frost, it's too easy&#xA;Did he (Diddy) know this was a cake walk&#xA;Wait Diddy know this was a cake wa- take a minute, let it go around&#xA;Cause we don't remix it, put it in subtitles or slow it down&#xA;Now try not to think too much&#xA;You fuck with me I'ma-&#xA;&#xA;{fake chokes}&#xA;&#xA;I am, the only time I talk to Earl is when I drink too much&#xA;When I think of Verb, I think of wave grease, Murray's 360 daps&#xA;Fake pit with slacks, baggy jeans, big fitted hats, you into that&#xA;When you think of Goodz you think of liftin' gats, pitchin' crack, givin' packs, collectin' money sittin' back, I'm into that&#xA;Ya bitch door open, I'ma enter that with the gat&#xA;Big red circle on her back, Twister match&#xA;She watchin' cable, put an end to that&#xA;Swave tried but couldn't finish that&#xA;So it's Showtime-&#xA;No there's no Time to warn her (Warner) when I send her MAC's (Cinemax)&#xA;Buck 50 bubble his face and his skin&#xA;If I don't like him, that's when the trouble waitin' to begin&#xA;Suffocate him 'til he dies, then hit him again&#xA;They say, &amp;quot;Why Goodz always drinkin' while he's battlin'?&amp;quot;&#xA;(Cause I'm already celebratin' my win!)" 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<INFO BITRATE="1039000" KEY_LYRICS="7 ContributorsRadio Hamburg TOP 825 LyricsDie Liste der Lieder des Radio Hamburg Top 825 Oster-Mega-Hit-Marathons.825 ALL NIGHT – PAROV STELAR&#xA;824 BIG JET PLANE – ANGUS &amp;amp; JULIA STONE&#xA;823 SWINGS BOTH WAYS – ROBBIE WILLIAMS&#xA;FEATURING RUFUS WAINWRIGHT&#xA;822 GELOBTES LAND – PETER MAFFAY&#xA;821 JUST LIKE YOU – ANDREAS KÜMMERT&#xA;820 SHOUT TO THE TOP – THE STYLE COUNCIL&#xA;819 ONE DAY (VANDAAG) – BAKERMAT&#xA;818 LA PASSION – GIGI D'AGOSTINO&#xA;817 WE ARE THE PEOPLE – EMPIRE OF THE SUN&#xA;816 SONGS FÜR LIAM – KRAFTKLUB&#xA;815 LUCKY – BRITNEY SPEARS&#xA;814 FATHER AND SON – CAT STEVENS&#xA;813 MAD WORLD – MICHAEL ANDREWS&#xA;FEAT. 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CHRIS BROWN&#xA;774 THE REAL SLIM SHADY – EMINEM&#xA;773 I'LL BE MISSING YOU – PUFF DADDY &amp;amp;&#xA;FAITH EVANS FEATURING 112&#xA;772 I WALK THE LINE – JOHNNY CASH&#xA;771 ICH STEINE DU STEINE – PETER FOX&#xA;770 NO SON OF MINE – GENESIS&#xA;769 FEUER – JAN DELAY&#xA;768 DRUNK IN THE MORNING – LUKAS GRAHAM&#xA;767 LIVIN' IN HAMBURG – HAMBURGER ARROGANZ&#xA;766 MY LIFE – BILLY JOEL&#xA;765 MICHAEL X – CASPER&#xA;764 A QUESTION OF TIME – DEPECHE MODE&#xA;763 STRAND – YASHA&#xA;762 SHE'S LIKE THE WIND – PATRICK SWAYZE&#xA;FEAT. WENDY FRASER&#xA;761 LIVE IT UP – JENNIFER LOPEZ FEAT. PITBULL&#xA;760 AMSTERDAM – CORA&#xA;759 MORNING HAS BROKEN – CAT STEVENS&#xA;758 KINGS IN EXILE – FRITZ KALKBRENNER&#xA;757 LOVE IS A LOSING GAME – AMY WINEHOUSE&#xA;756 ALL GOOD THINGS (COME TO AN END) –&#xA;NELLY FURTADO&#xA;755 SCATMAN (SKI-BA-BOP-BA-DOP-BOP) –&#xA;SCATMAN JOHN&#xA;754 SUMMER IN THE CITY – JOE COCKER&#xA;753 LIEBE MEINES LEBENS – PHILIPP POISEL&#xA;752 ANOTHER DAY IN PARADISE – PHIL COLLINS&#xA;751 SHE WOLF (FALLING TO PIECES) –&#xA;DAVID GUETTA FEAT. SIA&#xA;750 INCOMPLETE – BACKSTREET BOYS&#xA;749 LÖPPT – DE FOFFTIG PENNS&#xA;748 SWEAT (A LA LA LA LA LONG) – INNER CIRCLE&#xA;747 UMBRELLA – RIHANNA&#xA;746 AMSTERDAM – FETTES BROT&#xA;745 INDIGO GIRL – WATERSHED&#xA;744 EIN SCHWEIN NAMENS MÄNNER – DIE ÄRZTE&#xA;743 PAPARAZZI – LADY GAGA&#xA;742 LITTLE GREEN APPLES – ROBBIE WILLIAMS&#xA;FEATURING KELLY CLARKSON&#xA;741 IN THE SHADOWS – THE RASMUS&#xA;740 STEP BY STEP – NEW KIDS ON THE BLOCK&#xA;739 ON IRA – ZAZ&#xA;738 AUF UNS – ANDREAS BOURANI&#xA;737 SEXY AND I KNOW IT – LMFAO&#xA;736 DICKES B – SEEED FEAT. BLACK KAPPA&#xA;735 TWO PRINCES – SPIN DOCTORS&#xA;734 RHYTHM IS A DANCER – SNAP!&#xA;733 I'M TOO SEXY – RIGHT SAID FRED&#xA;732 THE POWER – SNAP!&#xA;731 SECRETS – ONEREPUBLIC&#xA;730 SHOW 'EM (WHAT YOU'RE MADE OF) –&#xA;BACKSTREET BOYS&#xA;729 BOYFRIEND – JUSTIN BIEBER&#xA;728 SCHWARZ ZU BLAU – PETER FOX&#xA;727 ENTRE DOS TIERRAS – HEROES DEL SILENCIO&#xA;726 MR. VAIN – CULTURE BEAT&#xA;725 ORINOCO FLOW (SAIL AWAY) – ENYA&#xA;724 WAKING UP IN VEGAS – KATY PERRY&#xA;723 KING OF MY CASTLE – WAMDUE PROJECT&#xA;722 BARCELONA – FREDDIE MERCURY &amp;amp;&#xA;MONTSERRAT CABALLÈ&#xA;721 IF I WERE A BOY – BEYONCÉ&#xA;720 RUN – SNOW PATROL&#xA;719 WHAT NOW – RIHANNA&#xA;718 1999 – PRINCE&#xA;717 BAILANDO – LOONA&#xA;716 I DON'T DANCE – SUNRISE AVENUE&#xA;715 FROM SARAH WITH LOVE – SARAH CONNOR&#xA;714 WILD ONES – FLO RIDA FEAT. SIA&#xA;713 PATIENCE – TAKE THAT&#xA;712 UNTER DEINER FLAGGE – UNHEILIG&#xA;711 LET'S GET LOUD – JENNIFER LOPEZ&#xA;710 A GROOVY KIND OF LOVE – PHIL COLLINS&#xA;709 GET UP (RATTLE) – BINGO PLAYERS FEAT&#xA;FAR EAST MOVEMENT&#xA;708 BALADA (TCHE TCHERERE TECHE TCHE) –&#xA;GUSTTAVO LIMA&#xA;707 STREETS OF PHILADELPHIA –&#xA;BRUCE SPRINGSTEEN&#xA;706 UNROCKBAR – DIE ÄRZTE&#xA;705 HEY NOW – MARTIN SOLVEIG &amp;amp;&#xA;THE CATARACS FEATURING KYLE&#xA;704 U CAN'T TOUCH THIS – MC HAMMER&#xA;703 SEVEN NATION ARMY – THE WHITE STRIPES&#xA;702 WITHOUT ME – EMINEM&#xA;701 DAS ROTE PFERD – MARKUS BECKER&#xA;700 WHAT'S UP? – 4 NON BLONDES&#xA;699 BLUE DEVILS HYMNE – ANYA MAHNKEN&#xA;698 ES GIBT NUR WASSER – SANTIANO&#xA;697 HOME AGAIN – MICHAEL KIWANUKA&#xA;696 I KNOW YOU WANT ME (CALLE OCHO) – PITBULL&#xA;695 NEVER LET ME DOWN AGAIN – DEPECHE MODE&#xA;694 SUAVEMENTE – ELVIS CRESPO&#xA;693 AUFSTEHN! – SEEED FEAT. CEE-LO GREEN&#xA;692 FINGER IN PO - MEXIKO! – MICKIE KRAUSE&#xA;691 OTHER SIDE OF LOVE – SEAN PAUL&#xA;690 SHINE MY SHOES – ROBBIE WILLIAMS&#xA;689 TOTAL ECLIPSE OF THE HEART – BONNIE TYLER&#xA;688 HUMAN – THE KILLERS&#xA;687 FÜCHSE – ABSOLUTE BEGINNER&#xA;686 CAN'T STAND THE SILENCE – REA GARVEY&#xA;685 UMBRELLA – THE BASEBALLS&#xA;684 ALEJANDRO – LADY GAGA&#xA;683 BAKER STREET – GERRY RAFFERTY&#xA;682 MORE – USHER&#xA;681 PARTY ROCK ANTHEM – LMFAO&#xA;680 WORK B**CH! – BRITNEY SPEARS&#xA;679 TACATA – TACABRO&#xA;678 WHO'S THAT CHICK? – DAVID GUETTA FEAT&#xA;RIHANNA&#xA;677 DRAGOSTEA DIN TEI – O-ZONE&#xA;676 MY LOVE IS YOUR LOVE – WHITNEY HOUSTON&#xA;675 SIEHST DU DAS GENAUSO? –&#xA;SPORTFREUNDE STILLER&#xA;674 PUMPED UP KICKS – FOSTER THE PEOPLE&#xA;673 BACK IN BLACK – AC/DC&#xA;672 REMMIDEMMI (YIPPIE YIPPIE YEAH) – DEICHKIND&#xA;671 GOT 2 LUV U – SEAN PAUL FEAT. ALEXIS JORDAN&#xA;670 AN ANGEL – THE KELLY FAMILY&#xA;669 JOSEPHINE – REAMONN&#xA;668 NINE MILLION BICYCLES – KATIE MELUA&#xA;667 STANDING STILL – ROMAN LOB&#xA;666 BONBON AUS WURST – HELGE SCHNEIDER&#xA;665 NEXT TO ME – EMELI SANDÉ&#xA;664 ROLLING STONE – DANIEL SCHUHMACHER&#xA;663 PUNGA – KLINGANDE&#xA;662 TOXIC – BRITNEY SPEARS&#xA;661 JUMP THAT ROCK (WHATEVER YOU WANT) –&#xA;SCOOTER VS. STATUS QUO&#xA;660 BIS DER ARZT KOMMT – LOTTO KING KARL &amp;amp;&#xA;THE BARMBEK DREAMBOYS&#xA;659 NI**AS IN PARIS – JAY-Z &amp;amp; KANYE WEST&#xA;658 STADTAFFE – PETER FOX&#xA;657 LA ISLA BONITA – MADONNA&#xA;656 SEXY BITCH – DAVID GUETTA FEAT. AKON&#xA;655 HOW MUCH IS THE FISH? – SCOOTER&#xA;654 TIK TOK – KE$HA&#xA;653 ICH HAB ALAIN DELON GESEH'N –&#xA;PIERRE FERDINAND ET LES CHARMEURS&#xA;652 HEAL THE WORLD – MICHAEL JACKSON&#xA;651 LILA WOLKEN – PETER KRAUS&#xA;650 I WILL DANCE (WHEN I WALK AWAY) –&#xA;KATZENJAMMER&#xA;649 WHAT A WONDERFUL WORLD – LOUIS ARMSTRONG&#xA;648 ALLES WIRD AUS HACK GEMACHT (HACKSONG) –&#xA;RALF &amp;quot;RALLE&amp;quot; PETERSEN FEAT. HACK NORRIS&#xA;647 SULTANS OF SWING – DIRE STRAITS&#xA;646 EIN TEIL – CRO&#xA;645 BEAUTIFUL DAY – U2&#xA;644 FAST CAR – TRACY CHAPMAN&#xA;643 SPECTRUM (SAY MY NAME) – FLORENCE AND THE MACHINE&#xA;642 LONESOME RIDER – VOLBEAT FEAT. SARAH BLACKWOOD&#xA;641 NUR DER HSV – ELVIS&#xA;640 BAD ROMANCE – LADY GAGA&#xA;639 THIS IS THE LIFE – AMY MACDONALD&#xA;638 WE CAN'T STOP – MILEY CYRUS&#xA;637 DESERT ROSE – STING&#xA;636 I'M ON FIRE – BRUCE SPRINGSTEEN&#xA;635 YOUNG AND BEAUTIFUL – LANA DEL REY&#xA;634 WHATEVER YOU WANT – STATUS QUO&#xA;633 STRAWBERRY FIELDS FOREVER – BEATLES&#xA;632 THE TIME (DIRTY BIT) – THE BLACK EYED PEAS&#xA;631 THE CAVE – MUMFORD AND SONS&#xA;630 UNDER CONTROL – CALVIN HARRIS &amp;amp;&#xA;ALESSO FEAT. HURTS&#xA;629 THE SPARK – AFROJACK FEATURING SPREE WILSON&#xA;628 THE A TEAM – ED SHEERAN&#xA;627 JUST A DREAM – NELLY&#xA;626 SYMPATHY FOR THE DEVIL – ROLLING STONES&#xA;625 GIVE ME EVERYTHING – PITBULL FEAT&#xA;NE-YO, AFROJACK &amp;amp; NAYER&#xA;624 BENEATH YOUR BEAUTIFUL –&#xA;LABRINTH FEAT EMELI SANDÉ&#xA;623 IT'S TIME – IMAGINE DRAGONS&#xA;622 ALWAYS – BON JOVI&#xA;621 SUIT AND TIE – JUSTIN TIMBERLAKE FEAT. JAY-Z&#xA;620 IF TOMORROW NEVER COMES – RONAN KEATING&#xA;619 MIT 18 – MARIUS MÜLLER-WESTERNHAGEN&#xA;618 LOSING MY RELIGION – R.E.M&#xA;617 TAKE ME HOME, COUNTRY ROADS – JOHN DENVER&#xA;616 AN DER NORDSEEKÜSTE – KLAUS &amp;amp; KLAUS&#xA;615 LOVE IS ALL AROUND – WET WET WET&#xA;614 DAS KLEINE KÜKEN PIEPT – PULCINO PIO&#xA;613 FIELDS OF GOLD – STING&#xA;612 DICKE – MARIUS MÜLLER-WESTERNHAGEN&#xA;611 WHEREVER YOU WILL GO – THE CALLING&#xA;610 MONEY – PINK FLOYD&#xA;609 WIR WERDEN NIEMALS UNTERGEHEN –&#xA;SANTIANO&#xA;608 IT'S RAINING MEN – THE WEATHER GIRLS&#xA;607 ZUCKER – PETER FOX&#xA;606 MR. JONES – COUNTING CROWS&#xA;605 I LOVE YOU – WOODKID&#xA;604 LITTLE NUMBERS – BOY&#xA;603 SIE IST WEG – DIE FANTASTISCHEN VIER&#xA;602 HEY JUDE – BEATLES&#xA;601 ALORS ON DANSE – STROMAE&#xA;600 SONNE IN DER NACHT – PETER MAFFAY&#xA;599 SUMMER PARADISE – SIMPLE PLAN&#xA;FEATURING SEAN PAUL&#xA;598 GIRL GONE WILD – MADONNA&#xA;597 BEN – MICHAEL JACKSON&#xA;596 DER WILDE WILDE WESTEN – TRUCK STOP&#xA;595 RUN TO THE HILLS – IRON MAIDEN&#xA;594 WIRE TO WIRE – RAZORLIGHT&#xA;593 UPRISING – MUSE&#xA;592 SCHWULE MÄDCHEN – FETTES BROT&#xA;591 THE POWER OF LOVE – JENNIFER RUSH&#xA;590 HANGOVER – TAIO CRUZ&#xA;589 SO SOLL ES BLEIBEN – ICH + ICH&#xA;588 IRGENDWIE, IRGENDWO, IRGENDWANN –&#xA;JAN DELAY&#xA;587 BITTER SWEET SYMPHONY – THE VERVE&#xA;586 DAS GEFÜHL – ANDREA BERG&#xA;585 MEINE SOLDATEN – MAXIM&#xA;584 I GOT U – DUKE DUMONT FEAT. JAX JONES&#xA;583 KRIEGER DES LICHTS – SILBERMOND&#xA;582 S&amp;amp;M – RIHANNA&#xA;581 REEPERBAHN – UDO LINDENBERG&#xA;580 AM TAG ALS CONNY KRAMER STARB –&#xA;JULIANE WERDING&#xA;579 BARBIE GIRL – AQUA&#xA;578 DAS LIED DER SCHLÜMPFE – VADER ABRAHAM&#xA;577 EVERYBODY HURTS – R.E.M&#xA;576 LET THE MUSIC PLAY – BARRY WHITE&#xA;575 ONE MOMENT IN TIME – WHITNEY HOUSTON&#xA;574 WHO KNEW – P!NK&#xA;573 CALL ME – BLONDIE&#xA;572 AFFE SUCHT LIEBE – FRAKTUS&#xA;571 TRUE LOVE – P!NK FEAT. LILY ALLEN&#xA;570 PEOPLE HELP THE PEOPLE – BIRDY&#xA;569 TANZ DER MOLEKÜLE – MIA&#xA;568 IT'S MY LIFE – DR. ALBAN&#xA;567 SO WHAT – P!NK&#xA;566 READY TO START – ARCADE FIRE&#xA;565 HEAVEN – BRYAN ADAMS&#xA;564 SUMMER – CALVIN HARRIS&#xA;563 ALL OVER THE NEWS – MARTIN AND JAMES&#xA;562 TÜRLICH, TÜRLICH (SICHER, DICKER) – DAS BO&#xA;561 PAYPHONE – MAROON 5 FEAT. WIZ KHALIFA&#xA;560 BALU – KETTCAR&#xA;559 TROUBLEMAKER – OLLY MURS FEAT. FLO RIDA&#xA;558 WE FOUND LOVE – RIHANNA FEAT. CALVIN HARRIS&#xA;557 SUN IS UP – INNA&#xA;556 SEX BOMB – TOM JONES AND MOUSSE T&#xA;555 CAPE OF OUR HERO – VOLBEAT&#xA;554 YOU'RE THE FIRST, THE LAST, MY EVERYTHING –&#xA;BARRY WHITE&#xA;553 WHEN LOVE TAKES OVER – DAVID GUETTA&#xA;FEAT. KELLY ROWLAND&#xA;552 FLUGZEUGE IM BAUCH – HERBERT GRÖNEMEYER&#xA;551 STARSHIPS – NICKI MINAJ&#xA;550 ONLY TEARDROPS – EMMELIE DE FOREST&#xA;549 MFG (MIT FREUNDLICHEN GRÜSSEN) –&#xA;DIE FANTASTISCHEN VIER&#xA;548 THE FLOOD – TAKE THAT&#xA;547 ONE – JOHNNY CASH&#xA;546 ER GEHÖRT ZU MIR – MARIANNE ROSENBERG&#xA;545 DIE DA!?! – DIE FANTASTISCHEN VIER&#xA;544 AFTER ALL – MICHAEL BUBLÉ FEAT. BRYAN ADAMS&#xA;543 FROZEN – MADONNA&#xA;542 CLOWN – EMELI SANDÉ&#xA;541 RED FLAG – BILLY TALENT&#xA;540 LIKE THE WAY I DO – MELISSA ETHERIDGE&#xA;539 SMOOTH CRIMINAL – MICHAEL JACKSON&#xA;538 HSV - DU BIST MEINE FRAU –&#xA;BUDDY OGÜN PRESENTS MOZART&#xA;537 YOU'VE GOT THE LOVE – FLORENCE + THE MACHINE&#xA;536 KRANICHE – BOSSE&#xA;535 HEART SKIPS A BEAT – OLLY MURS FEAT. RIZZLE KICKS&#xA;534 LAST CHRISTMAS – WHAM!&#xA;533 WE ARE THE WORLD – USA FOR AFRICA&#xA;532 LOVE DON'T DIE – THE FRAY&#xA;531 ZU SPÄT – DIE ÄRZTE&#xA;530 WHERE ARE WE NOW? – DAVID BOWIE&#xA;529 WHAT MAKES YOU BEAUTIFUL – ONE DIRECTION&#xA;528 EMANUELA – FETTES BROT&#xA;527 ONE MORE NIGHT – MAROON 5&#xA;526 KLAR – JAN DELAY&#xA;525 IN THESE ARMS – BON JOVI&#xA;524 THANK YOU FOR THE MUSIC – ABBA&#xA;523 MY NUMBER – FOALS&#xA;522 LUCKY DAY – SASHA&#xA;521 LASSE REDN – DIE ÄRZTE&#xA;520 PFLASTER – ICH + ICH&#xA;519 SNOWFLAKES – WHITE APPLE TREE&#xA;518 DER AFFENTANZ – DIE JUNX&#xA;517 BURN IT DOWN – LINKIN PARK&#xA;516 UND ES WAR SOMMER –&#xA;PETER MAFFAY&#xA;515 BACK FOR GOOD – TAKE THAT&#xA;514 IRGENDWAS BLEIBT – SILBERMOND&#xA;513 DOMINO – JESSIE J&#xA;512 DAY 'N' NIGHT – KID CUDI VS. CROOKERS&#xA;511 PFEIFF DRAUF! (URLAUB IST NUR EINMAL&#xA;IM JAHR) – PETER WACKEL&#xA;510 LEGO HOUSE – ED SHEERAN&#xA;509 THUNDERSTRUCK – AC/DC&#xA;508 MR. SAXOBEAT – ALEXANDRA STAN&#xA;507 GET BUSY – SEAN PAUL&#xA;506 CLARITY – ZEDD FEAT. FOXES&#xA;505 ICH MAG MÜLL – ERNIE &amp;amp; BERT &amp;amp; IHRE FREUNDE&#xA;504 COLOUR ME IN – REA GARVEY&#xA;503 WOVON SOLLEN WIR TRÄUMEN – FRIDA GOLD&#xA;502 LOVING YOU IS KILLING ME – ALOE BLACC&#xA;501 GANGSTA'S PARADISE – COOLIO&#xA;500 IRONIC – ALANIS MORISSETTE&#xA;499 VIDEO GAMES – LANA DEL REY&#xA;498 DAS GEHT AB! (WIR FEIERN DIE GANZE NACHT) –&#xA;FRAUENARZT &amp;amp; MANNY MARC&#xA;497 I KNEW YOU WERE TROUBLE – TAYLOR SWIFT&#xA;496 RENNEN + STOLPERN – JUPITER JONES&#xA;495 SATURDAY NIGHT – WHIGFIELD&#xA;494 ALIVE – PEARL JAM&#xA;493 BÜCK DICH HOCH – DEICHKIND&#xA;492 HAMMA! – CULCHA CANDELA&#xA;491 PRECIOUS – DEPECHE MODE&#xA;490 DING – SEEED&#xA;489 BLACK OR WHITE – MICHAEL JACKSON&#xA;488 VOM SELBEN STERN – ICH + ICH&#xA;487 FLAWS – BASTILLE&#xA;486 HOFFNUNG – JAN DELAY&#xA;485 ON THE FLOOR – JENNIFER LOPEZ&#xA;FEAT. PITBULL&#xA;484 WOLKE 7 – MAX HERRE FEAT. PHILIPP POISEL&#xA;483 KEEP THE FAITH – BON JOVI&#xA;482 LUFTBAHN – DEICHKIND&#xA;481 WISH YOU WERE HERE – REDNEX&#xA;480 GOOD FEELING – FLO RIDA&#xA;479 WINE AND CHOCOLATES – THEOPHILUS LONDON&#xA;478 HELLO – MARTIN SOLVEIG &amp;amp; DRAGONETTE&#xA;477 OUT OF THE DARK – FALCO&#xA;476 (LIEBE IST...) WIE MALARIA – LOTTO KING KARL&#xA;475 LIVE WHILE WE'RE YOUNG – ONE DIRECTION&#xA;474 AFRICA – TOTO&#xA;473 ROXANNE – THE POLICE&#xA;472 ONLY GIRL (IN THE WORLD) – RIHANNA&#xA;471 BAYERN – DIE TOTEN HOSEN&#xA;470 FEELING GOOD – MICHAEL BUBLÉ&#xA;469 COUNT ON ME – BRUNO MARS&#xA;468 LICHTER DER STADT – UNHEILIG&#xA;467 RAISE YOUR GLASS – P!NK&#xA;466 WELCOME TO ST. TROPEZ –&#xA;DJ ANTOINE VS. TIMATI FEAT. KALENNA&#xA;465 I AM WHAT I AM – GLORIA GAYNOR&#xA;464 PUMPIN BLOOD – NONONO&#xA;463 DOWN UNDER – MEN AT WORK&#xA;462 SCHREI NACH LIEBE – DIE ÄRZTE&#xA;461 ENDLESS SUMMER – OCEANA&#xA;460 CLOCKS – COLDPLAY&#xA;459 ÜBER SIEBEN BRÜCKEN MUSST DU GEHN – KARAT&#xA;458 ANGELS – THE XX&#xA;457 MOVES LIKE JAGGER – MAROON 5 FEAT&#xA;CHRISTINA AGUILERA&#xA;456 ALL OF THE LIGHTS – KANYE WEST FEAT. RIHANNA&#xA;455 QUIT PLAYING GAMES – BACKSTREET BOYS&#xA;454 OUT OF YOURSELF – TRULS&#xA;453 FREUNDE BLEIBEN – REVOLVERHELD&#xA;452 MITTEN IN BARMBEK – LOTTO KING KARL&#xA;451 RING OF FIRE – JOHNNY CASH&#xA;450 JUNGE – DIE ÄRZTE&#xA;449 KRYPTONITE – 3 DOORS DOWN&#xA;448 HAMBURG BRENNT – 1000 ROBOTA&#xA;447 LITTLE THINGS – ONE DIRECTION&#xA;446 DOWN BY THE RIVER – MILKY CHANCE&#xA;445 MARGARETHE – BUDDY OGÜN PRES. MOZART&#xA;444 SUMMER WELL – INTERPOL&#xA;443 ROSANA – WAX&#xA;442 SAILING – ROD STEWART&#xA;441 YESTERDAY – BEATLES&#xA;440 ONE – U2&#xA;439 STUPS, DER KLEINE OSTERHASE –&#xA;ROLF ZUCKOWSKI UND SEINE FREUNDE&#xA;438 ADORE YOU – MILEY CYRUS&#xA;437 BAT OUT OF HELL – MEAT LOAF&#xA;436 ANYTHING COULD HAPPEN – ELLIE GOULDING&#xA;435 PAINT IT BLACK – ROLLING STONES&#xA;434 SAMBA DE JANEIRO – BELLINI&#xA;433 ...SO EIN SCHÖNER TAG (FLIEGERLIED) –&#xA;TIM TOUPET&#xA;432 MAN IN THE MIRROR – MICHAEL JACKSON&#xA;431 LASS DAS MAL DEN PAPA MACHEN – CHRISTOPH&#xA;MARIA HERBST ALS BERND STROMBERG&#xA;430 SHE DOESN'T MIND – SEAN PAUL&#xA;429 GANZ PARIS IST EINE DISCO –&#xA;PIERRE FERDINAND ET LES CHARMEURS&#xA;428 VON ALLEIN – CULCHA CANDELA&#xA;427 WE ARE YOUNG – FUN. FEAT JANELLE MONAÉ&#xA;426 (I'VE HAD) THE TIME OF MY LIFE –&#xA;BILL MEDLEY AND JENNIFER WARNES&#xA;425 SO PERFEKT – CASPER&#xA;424 JEANNY, PART 1 – FALCO&#xA;423 SHOWGIRLS DER REEPERBAHN – DOUBLE FACES&#xA;422 DU LÄSST MEIN HERZ SPRINGEN –&#xA;MAGGERS UNITED&#xA;421 WISH YOU WERE HERE – PINK FLOYD&#xA;420 AN TAGEN WIE DIESEN – FETTES BROT FEAT&#xA;PASCAL FINKENAUER&#xA;419 SWEET DREAMS (ARE MADE OF THIS) –&#xA;EURYTHMICS&#xA;418 I'M GONNA BE (500 MILES) – PROCLAIMERS&#xA;417 LOVE OF MY LIFE – QUEEN&#xA;416 JAN PILLEMANN OTZE – MICKIE KRAUSE&#xA;415 LITTLE LION MAN – MUMFORD AND SONS&#xA;414 LEMON TREE – FOOL'S GARDEN&#xA;413 ALL NIGHT – ICONA POP&#xA;412 FOREVER YOURS – SUNRISE AVENUE&#xA;411 GRIECHISCHER WEIN – UDO JÜRGENS&#xA;410 I WILL WAIT – MUMFORD AND SONS&#xA;409 GOOD TIME – OWL CITY AND&#xA;CARLY RAE JEPSEN&#xA;408 SO ODER SO – BOSSE&#xA;407 EYE OF THE TIGER – SURVIVOR&#xA;406 JAR OF HEARTS – CHRISTINA PERRI&#xA;405 SINGLE LADIES (PUT A RING ON IT) – BEYONCÉ&#xA;404 JA – SILBERMOND&#xA;403 GEWINNER – CLUESO AND STÜBA PHILHARMONIE&#xA;402 WILD BOYS – DURAN DURAN&#xA;401 GOODNESS GRACIOUS – ELLIE GOULDING&#xA;400 YOU'LL NEVER WALK ALONE –&#xA;GERRY &amp;amp; THE PACEMAKERS&#xA;399 LET ME ENTERTAIN YOU – ROBBIE WILLIAMS&#xA;398 DU – PETER MAFFAY&#xA;397 LIQUID SPIRIT – GREGORY PORTER&#xA;396 BEST SONG EVER – ONE DIRECTION&#xA;395 SONNENTANZ (SUN DON'T SHINE) –&#xA;KLANGKARUSSELL FEAT. WILL HEARD&#xA;394 DON'T STOP BELIEVIN' – JOURNEY&#xA;393 RETROGRADE – JAMES BLAKE&#xA;392 MAMBO NO. 5 (A LITTLE BIT OF…) – LOU BEGA&#xA;391 ALL THE THINGS SHE SAID – T.A.T.U&#xA;390 AUF DER REEPERBAHN NACHTS UM HALB EINS –&#xA;HANS ALBERS&#xA;389 LITTLE BIT LOVE – SUNRISE AVENUE&#xA;388 HIER KOMMT ALEX – DIE TOTEN HOSEN&#xA;387 SAMBA DE ALEMANHA (FUSSBALL WM HYMNE&#xA;2014) – POKALMATADOR&#xA;386 GOLD – DANIEL SCHUHMACHER&#xA;385 ATLANTIS LEBT – ANDREA BERG&#xA;384 DON'T STOP ME NOW – QUEEN&#xA;383 GENTLEMAN – PSY&#xA;382 I WANT TO BREAK FREE – QUEEN&#xA;381 I'D DO ANYTHING FOR LOVE (BUT I WON'T&#xA;DO THAT) – MEAT LOAF&#xA;380 HOLD ON WE'RE GOING HOME – DRAKE&#xA;379 LIKE A PRAYER – MADONNA&#xA;378 ÜBER SIEBEN BRÜCKEN MUSST DU GEHN –&#xA;PETER MAFFAY&#xA;377 BED OF ROSES – BON JOVI&#xA;376 ZOMBIE – CRANBERRIES&#xA;375 A NIGHT LIKE THIS – CARO EMERALD&#xA;374 HELLO – LIONEL RICHIE&#xA;373 WHO WANTS TO LIVE FOREVER – QUEEN&#xA;372 IN A WORLD LIKE THIS – BACKSTREET BOYS&#xA;371 THE MAN – ALOE BLACC&#xA;370 IN DIESEM MOMENT – ROGER CICERO&#xA;369 ABENTEUERLAND – PUR&#xA;368 WE ARE THE CHAMPIONS – QUEEN&#xA;367 AN DEINER SEITE – UNHEILIG&#xA;366 SAY SOMETHING – A GREAT BIG WORLD FEAT&#xA;CHRISTINA AGUILERA&#xA;365 OH JONNY – JAN DELAY&#xA;364 FRANKFURT ODER – BOSSE FEAT. ANNA LOOS (SILLY)&#xA;363 SKINNY LOVE – BIRDY&#xA;362 SOBER – P!NK&#xA;361 HALT DICH AN MIR FEST – REVOLVERHELD&#xA;FEAT. MARTA JANDOVÁ&#xA;360 APOLOGIZE – TIMBALAND FEAT. ONEREPUBLIC&#xA;359 DANCING QUEEN – ABBA&#xA;358 WONDERWALL – OASIS&#xA;357 KUSSKUSSKUSS – FETTES BROT&#xA;356 HEAVY CROSS – GOSSIP&#xA;355 DON'T YOU WORRY CHILD – SWEDISH HOUSE MAFIA&#xA;354 RED LIGHTS – TIESTO&#xA;353 ICH LIEBE DICH – CLOWNS &amp;amp; HELDEN&#xA;352 YEAH 3X – CHRIS BROWN&#xA;351 BLACK SATURDAY – MANDO DIAO&#xA;350 I WILL SURVIVE – GLORIA GAYNOR&#xA;349 LOST – FRANK OCEAN&#xA;348 SATELLITE – LENA MEYER-LANDRUT&#xA;347 I GOTTA FEELING – THE BLACK EYED PEAS&#xA;346 I NEED YOUR LOVE – CALVIN HARRIS FEAT&#xA;ELLIE GOULDING&#xA;345 WENN JETZT SOMMER WÄR – POHLMANN&#xA;344 HOLES – PASSENGER&#xA;343 FREE – RUDIMENTAL FEAT. EMELI SANDé&#xA;342 ALLES AUS LIEBE – DIE TOTEN HOSEN&#xA;341 AIN'T NOBODY – RUFUS &amp;amp; CHAKA KHAN&#xA;340 WE WILL ROCK YOU – QUEEN&#xA;339 DEAR MR. PRESIDENT – P!NK FEAT. INDIGO GIRLS&#xA;338 ONE (ALWAYS HARDCORE) – SCOOTER&#xA;337 GLAUB IHNEN KEIN WORT – CASSANDRA STEEN&#xA;336 I NEED A DOLLAR – ALOE BLACC&#xA;335 ALL NIGHT LONG (ALL NIGHT) – LIONEL RICHIE&#xA;334 EISERNER STEG – PHILIPP POISEL&#xA;333 IMAGINE – JOHN LENNON&#xA;332 ALL SUMMER LONG – KID ROCK&#xA;331 VAMOS A LA PLAYA – RIGHEIRA&#xA;330 ICH WAR NOCH NIEMALS IN NEW YORK –&#xA;SPORTFREUNDE STILLER MIT UDO JÜRGENS&#xA;329 DIE BIENE MAJA – KAREL GOTT&#xA;328 GO WEST – PET SHOP BOYS&#xA;327 LASS DIE MUSIK AN – MADSEN&#xA;326 ASCHENFLUG – ADEL TAWIL FEAT. SIDO &amp;amp; PRINZ PI&#xA;325 SIMPLE MAN – ANDREAS KÜMMERT&#xA;324 WAHNSINN – WOLFGANG PETRY&#xA;323 JUMP – VAN HALEN&#xA;322 BAD KINGDOM – MODERAT&#xA;321 REHAB – RIHANNA&#xA;320 ÜBER DEN WOLKEN – REINHARD MEY&#xA;319 POSTCARDS – JAMES BLUNT&#xA;318 BREAKTHRU – QUEEN&#xA;317 DU HAST MICH TAUSENDMAL BELOGEN –&#xA;ANDREA BERG&#xA;316 SMELLS LIKE TEEN SPIRIT – NIRVANA&#xA;315 DARE (LA LA LA) – SHAKIRA&#xA;314 GÄA – OONAGH&#xA;313 SOMMER, SONNE, KAKTUS! – HELGE SCHNEIDER&#xA;312 HALLELUJA – PETER MAFFAY&#xA;311 JUST CAN'T GET ENOUGH – DEPECHE MODE&#xA;310 NEVER FORGET – TAKE THAT&#xA;309 SEXY – MARIUS MÜLLER-WESTERNHAGEN&#xA;308 GORILLA – BRUNO MARS&#xA;307 BRUTAL HEARTS (FLIC FLAC EDIT) –&#xA;BEDOUIN SOUNDCLASH&#xA;306 I FOLLOW RIVERS (LIVE AT GIEL) – TRIGGERFINGER&#xA;305 CRYSTALLIZE – LINDSEY STIRLING&#xA;304 VALERIE – MARK RONSON FEAT. AMY WINEHOUSE&#xA;303 SUPER FREAK – RICK JAMES&#xA;302 I WILL ALWAYS LOVE YOU –&#xA;WHITNEY HOUSTON&#xA;301 EASY – CRO&#xA;300 RADIO GA GA – QUEEN&#xA;299 MY LOVE – ROUTE 94 FEAT. JESS GLYNNE&#xA;298 WATERLOO – ABBA&#xA;297 FINAL COUNTDOWN – EUROPE&#xA;296 MEIN DING – UDO LINDENBERG&#xA;295 FEEL THIS MOMENT – PITBULL FEAT&#xA;CHRISTINA AGUILERA&#xA;294 LECK MICH WIE DER SOMMER – MAGGERS UNITED&#xA;293 NEW YORK - RIO - ROSENHEIM –&#xA;SPORTFREUNDE STILLER&#xA;292 TNT – AC/DC&#xA;291 SUMMERTIME SADNESS – LANA DEL REY&#xA;290 MENSCH – HERBERT GRÖNEMEYER&#xA;289 A LIGHT THAT NEVER COMES –&#xA;LINKIN PARK AND STEVE AOKI&#xA;288 BAD – MICHAEL JACKSON&#xA;287 RIGHT PLACE RIGHT TIME – OLLY MURS&#xA;286 LEIDER GEIL (LEIDER GEIL) – DEICHKIND&#xA;285 USE SOMEBODY – KINGS OF LEON&#xA;284 GLOW – MADCON&#xA;283 THE LAST UNICORN – AMERICA&#xA;282 GRENADE – BRUNO MARS&#xA;281 LOVE WILL TEAR US APART – JOY DIVISION&#xA;280 MA CHÉRIE – DJ ANTOINE FEAT. THE BEAT SHAKERS&#xA;279 SET FIRE TO THE RAIN – ADELE&#xA;278 GIRL ON FIRE – ALICIA KEYS&#xA;277 LONDON CALLING – CLASH&#xA;276 STAIRWAY TO HEAVEN – LED ZEPPELIN&#xA;275 PAPER PLANES – M.I.A&#xA;274 HOLY GRAIL – JAY-Z&#xA;273 ENGEL – RAMMSTEIN&#xA;272 IT'S A BEAUTIFUL DAY – MICHAEL BUBLÉ&#xA;271 WIND OF CHANGE – SCORPIONS&#xA;270 MÄNNER – HERBERT GRÖNEMEYER&#xA;269 (I CAN'T GET NO) SATISFACTION – ROLLING STONES&#xA;268 YOU MAKE ME – AVICII&#xA;267 XO – BEYONCÉ&#xA;266 A LITTLE PARTY NEVER KILLED NOBODY&#xA;(ALL WE GOT) – FERGIE AND Q-TIP AND GOONROCK&#xA;265 BABY – JUSTIN BIEBER FEAT. LUDACRIS&#xA;264 ICH WILL IMMER WIEDER... DIESES FIEBER&#xA;SPÜR'N – HELENE FISCHER&#xA;263 SOME NIGHTS – FUN&#xA;262 WRECKING BALL (LIVE BEI RADIO HAMBURG) –&#xA;JAMES ARTHUR&#xA;261 MR. BRIGHTSIDE – THE KILLERS&#xA;260 SCHATZI, SCHENK MIR EIN FOTO! – MICKIE KRAUSE&#xA;259 CHEATING – JOHN NEWMAN&#xA;258 WITH OR WITHOUT YOU – U2&#xA;257 DANZA KUDURO – LUCENZO FEAT. DON OMAR&#xA;256 IN THE END – LINKIN PARK&#xA;255 LITTLE TALKS – OF MONSTERS AND MEN&#xA;254 INSTANT CRUSH – DAFT PUNK FEAT&#xA;JULIAN CASABLANCAS&#xA;253 ANOTHER BRICK IN THE WALL (PART 2) –&#xA;PINK FLOYD&#xA;252 120 SCHWEINE NACH BEIRUT – MIKE KRÜGER&#xA;251 WANNABE – SPICE GIRLS&#xA;250 FEHLERFREI – HELENE FISCHER&#xA;249 SHE LOOKS SO PERFECT –&#xA;5 SECONDS OF SUMMER&#xA;248 IM ASCHEREGEN – CASPER&#xA;247 PERSONAL JESUS – DEPECHE MODE&#xA;246 JE VEUX – ZAZ&#xA;245 NUR DIE BESTEN STERBEN JUNG – BÖHSE ONKELZ&#xA;244 MEIN HERZ – BEATRICE EGLI&#xA;243 MY NAME IS NOT SUSAN (70s FLANGE MIX) –&#xA;WHITNEY HOUSTON&#xA;242 MUSIC – JOHN MILES&#xA;241 AUS DEM HOHEN NORDEN KOMMEN WIR –&#xA;DIE JUNX&#xA;240 LET IT BE – BEATLES&#xA;239 LIGHTS – ELLIE GOULDING&#xA;238 SOMETHING I NEED – ONEREPUBLIC&#xA;237 ORDINARY LOVE – U2&#xA;236 WILD LOVE – REA GARVEY&#xA;235 MEXICO – BÖHSE ONKELZ&#xA;234 STARDUST – LENA&#xA;233 INSOMNIA – FAITHLESS&#xA;232 ERROR – MADELINE JUNO&#xA;231 MEIN HAMBURG LIEB ICH SEHR – ABSCHLACH!&#xA;230 CHASING CARS – SNOW PATROL&#xA;229 ERINNERUNGEN – BÖHSE ONKELZ&#xA;228 GOOD VIBRATIONS – BEACH BOYS&#xA;227 LIEBE IST MEINE REBELLION – FRIDA GOLD&#xA;226 TITANIUM – DAVID GUETTA FEAT. SIA&#xA;225 THE FIDDLER ON THE DECK – SANTIANO&#xA;224 LOCKED OUT OF HEAVEN – BRUNO MARS&#xA;223 HAMBURG CIDDY – MAGGERS UNITED&#xA;222 BEAT IT – MICHAEL JACKSON&#xA;221 SOMEBODY THAT I USED TO KNOW –&#xA;GOTYE FEAT. KIMBRA&#xA;220 PARANOID – BLACK SABBATH&#xA;219 FREIHEIT (LIVE) – WESTERNHAGEN&#xA;218 UNCONDITIONALLY – KATY PERRY&#xA;217 SO WIE DU WARST – UNHEILIG&#xA;216 WAKA WAKA (THIS TIME FOR AFRICA) –&#xA;SHAKIRA FEAT. 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CHARLI XCX&#xA;149 HIGHWAY TO HELL – AC/DC&#xA;148 WRONG – DEPECHE MODE&#xA;147 DON'T GIMME THAT – THE BOSSHOSS&#xA;146 AI SE EU TE PEGO! – MICHEL TELÓ&#xA;145 CANDY – ROBBIE WILLIAMS&#xA;144 PARADISE – COLDPLAY&#xA;143 BEI MEINER SEELE – XAVIER NAIDOO&#xA;142 FEEL – ROBBIE WILLIAMS&#xA;141 SEX ON FIRE – KINGS OF LEON&#xA;140 TIME TO WONDER –&#xA;FURY IN THE SLAUGHTERHOUSE&#xA;139 STAY – RIHANNA FEAT&#xA;MIKKY EKKO&#xA;138 ON TOP OF THE WORLD –&#xA;IMAGINE DRAGONS&#xA;137 IN THE AIR TONIGHT – PHIL COLLINS&#xA;136 FOR YOU – DISCO BOYS FEAT&#xA;MANFRED MANNS EARTH BAND&#xA;135 EINER DIESER STEINE – SIDO FEAT&#xA;MARK FORSTER&#xA;134 ICH BAU DIR EIN SCHLOSS – JÜRGEN DREWS&#xA;133 I WAS MADE FOR LOVING YOU – KISS&#xA;132 WESTERLAND – DIE ÄRZTE&#xA;131 PAPAOUTAI – STROMAE&#xA;130 ENJOY THE SILENCE – DEPECHE MODE&#xA;129 HINTERLAND – CASPER&#xA;128 POKER FACE – LADY GAGA&#xA;127 AUFRECHT STEHEN – EXISTENT&#xA;126 BOHEMIAN RHAPSODY – QUEEN&#xA;125 VOLLIDIOTEN – EXISTENT&#xA;124 CALL ME MAYBE – CARLY RAE JEPSEN&#xA;123 ALS WÄR'S DAS ERSTE MAL – UNHEILIG&#xA;122 STILL – JUPITER JONES&#xA;121 99 LUFTBALLONS – NENA&#xA;120 THRIFT SHOP – MACKLEMORE AND&#xA;RYAN LEWIS FEAT. 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SAM SMITH&#xA;99 DAS KANN UNS KEINER NEHMEN –&#xA;REVOLVERHELD&#xA;98 APPLAUSE – LADY GAGA&#xA;97 NOTHING ELSE MATTERS (ORCHESTER) –&#xA;METALLICA&#xA;96 SOMEONE LIKE YOU – ADELE&#xA;95 IMPOSSIBLE – JAMES ARTHUR&#xA;94 THINGS WE LOST IN THE FIRE – BASTILLE&#xA;93 HAUS AM SEE – PETER FOX&#xA;92 WHITE WALLS – MACKLEMORE AND RYAN&#xA;LEWIS FEAT. SCHOOLBOY Q AND HOLLIS&#xA;91 STAY THE NIGHT –&#xA;ZEDD FEAT. HAYLEY WILLIAMS&#xA;90 GANGNAM STYLE – PSY&#xA;89 POMPEII – BASTILLE&#xA;88 SKYFALL – ADELE&#xA;87 RUN BOY RUN – WOODKID&#xA;86 LOVE ME AGAIN – JOHN NEWMAN&#xA;85 THRILLER – MICHAEL JACKSON&#xA;84 WILLST DU – ALLIGATOAH&#xA;83 BURN – ELLIE GOULDING&#xA;82 SHOT ME DOWN –&#xA;DAVID GUETTA FEAT SKYLAR GREY&#xA;81 EMPIRE STATE OF MIND (PART II)&#xA;BROKEN DOWN – ALICIA KEYS&#xA;80 SCREAM &amp;amp; SHOUT –&#xA;WILL.I.AM &amp;amp; BRITNEY SPEARS&#xA;79 HEART TO HEART – JAMES BLUNT&#xA;78 BILDER IM KOPF – SIDO&#xA;77 DIAMONDS – RIHANNA&#xA;76 CELLO (MTV UNPLUGGED) –&#xA;UDO LINDENBERG FEAT. 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<INFO BITRATE="1000000" KEY_LYRICS="1 ContributorFilthy Bassline LyricsCould you make it filthier than this?&#xA;Can I make it filthier than this? Could we make it filthier than this?&#xA;This filthy bassline&#xA;&#xA;Could you make it filthier than this?&#xA;Can I make it  filthier than this?&#xA;Could we make it  filthier than this?&#xA;This filthy bassline&#xA;&#xA;Bass bass bass bass&#xA;&#xA;Sound of the bass bass bass&#xA;Sound of the bass bass bass&#xA;Sound of the bass bass bass This filthy bassline&#xA;&#xA;I want a dirty bassline like a broken shitter on a hot sunny day&#xA;You want a dirty bassline like you’ve shit in your pants and it won’t wash away (That’s filthy)&#xA;You ain't got no condoms but you wanna beat it and it's on a plate&#xA;So you went in raw and it smelled like (Oi!), but you did it anyway&#xA;That’s dirty! I ain’t happy if the bass ain’t merky&#xA;&#xA;I don't want it if the bass ain't lurky&#xA;Gimme a little bit of bass, I'm chirpy perky&#xA;A little bit of bass won't hurt me I make thе bass all wobble and jerky&#xA;All them othеr little wasteman sound boys tryna set pace but their bass ain’t certy&#xA;Now let's do it! Don't run away from it, pursue it&#xA;Go to it! Add a bit of bottom and EQ it&#xA;Distortion through it, chop it and screw it!&#xA;I knew it!&#xA;I can make it filthier than this&#xA;Filthy like vomit mixed with piss&#xA;I don't miss, I bubble and I twist&#xA;Got the bassline soundin' bloody crisp&#xA;&#xA;Could you make it filthier than this?&#xA;Can I make it filthier than this? Could we make it filthier than this?&#xA;This filthy bassline&#xA;&#xA;Could you make it filthier than this?&#xA;Can I make it  filthier than this?&#xA;Could we make it  filthier than this?&#xA;This filthy bassline&#xA;&#xA;Sounds of the city go round and round&#xA;Basslines make the perfect sound&#xA;I was in north, I was in south&#xA;I was in the dance yeah shutting it down&#xA;I was in the east side, I was in west&#xA;This ones UK represent&#xA;With that filthy bassline&#xA;With that filthy bassline oi&#xA;&#xA;Yeah you must be mad&#xA;Always 2 step when I walk in the gaff&#xA;Walk in the dance red stripe in my hand&#xA;Take it away yeah you must be mad&#xA;Take it away then you’re catching a fist&#xA;Oi bruv are you taking the piss&#xA;With that filthy bassline&#xA;With that filthy bassline oi&#xA;Bass bass bass. Soundin' soundin'. Bass bass bass bass" PRODUCER="Big Dirtee Records Ltd" COVERARTID="105/JDA23SAMLFO3NDLZKNLSDDE4YM0A" KEY="12d" PLAYCOUNT="1" PLAYTIME="197" PLAYTIME_FLOAT="196.986664" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="24338" COLOR="4"></INFO>
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<INFO BITRATE="917000" KEY_LYRICS="2 ContributorsCostear (Full Remix) Lyrics&#xA;&#xA;&#xA;(Y yo te vo' a costear)&#xA;(Me hablaron de ti, que te gusta frontear)&#xA;(Ello' están pa' mí, e' normal)&#xA;(A ti te gusta el ticke' y yo lo bajo semanal)&#xA;This is the remix (Remix)&#xA;Tú sabe' donde vamo' a terminar (-nar)&#xA;Te quiero ver, hoy quiero buscarte (-te)&#xA;Hoy, a la movie play vamo' a darle (-le)&#xA;Tú sabes lo que yo quiero hacerte&#xA;Y ya es tarde (-de)&#xA;Así que, bebecita, no te me tarde', yeah (Yeah)&#xA;Vamos pa' la calle, que Dios nos guarde (Yeah-yeah)&#xA;Y aunque la carretera está que arde, baby&#xA;&#xA;&#xA;Hoy estoy pa' ti (Yeah)&#xA;Yo te vo'a costear (-ear)&#xA;Me hablaron de ti, que te gusta frontear (-tear)&#xA;Ello' están pa' mí (Pa' mí)&#xA;Pero eso e' normal (Normal)&#xA;A ti te gusta el ticke' y yo lo bajo semanal&#xA;Baby, hoy yo estoy pa' ti&#xA;Yo te vo' a costear (Te lo vo' a costear)&#xA;Trépate encima 'e mí, empieza twerkear (Empieza a twerkear)&#xA;Botellas pa' beber (-ber)&#xA;Moñas pa' quemar (-mar)&#xA;A ti te gusta el efectivo y los bote' en el mar, yeah&#xA;&#xA;Ly-Ly-Ly, yeah&#xA;Ma', vente conmigo si te gusta la movie&#xA;Me llaman &amp;quot;El kilo&amp;quot; (Chin) porque de precio subí (Yeah-eh)&#xA;El charro 'e tu ex (Yeah) siempre te lleva a Zumiez (Jaja)&#xA;A ti te gusta el Ly porque tengo más flow que Luny, yeah&#xA;Date dos cacho, somos Amber y Wiz&#xA;Memoria de Ana Cacho, le meto y yo no fui&#xA;En Gotham las despacho, ya me llaman George Clooney&#xA;Pa'l colmo vo' a ser millonary y sin pisar la uni, yeah&#xA;A ti te gusta usarme porque lo puede' frontear&#xA;A mí me gusta dejarme porque te vo' a chingar (Ah)&#xA;A mí me encanta todo lo que se pueda comprar&#xA;Y más si tengo el ticke' pa' gastar, baby&#xA;&#xA;&#xA;(Yeah, Ra' Rauw)&#xA;En el asiento atrás de la BM&#xA;Le gusta sacarme del zipper al nene (Yiuh)&#xA;Y en el multipiso, donde nadie vea (Wuf)&#xA;Yo me chingo a la que a ti te pichea (Yah)&#xA;Compré un apartamento cash&#xA;Y me llegan pokemone' legendario' a lo Ash (Ash, ash)&#xA;Todo' quieren una Jenner o una Kardash' (Ash, ash)&#xA;Pero yo busco una bad bitch, Cardi B o Nicki Minaj, yeah&#xA;Con el pelo rosa (Ey), culo gordo&#xA;Que sea peligrosa (Uh-uh)&#xA;&amp;quot;FEFE&amp;quot; me llamó, dijo que puedo frontear (Prr-prr)&#xA;El Chris Brown latino, me lo tienen que mamar, yeah&#xA;&#xA;Hoy yo estoy pa' ti, yo te vo' a costear&#xA;Si tú quieres más de mí (Mí), tienes que tragar (Yeah)&#xA;Le gusta beber, le gusta pichar&#xA;Es que esta tan rica que la tuve que bloquear, yeah&#xA;&#xA;&#xA;(Hoy yo vo' a costearte)&#xA;Ilimitado el petty&#xA;La champaña' explotando como confetti&#xA;Le dimo' play a la movie, 'tamo enchuleti'&#xA;De tanto hielo en el cuello me dicen El Jeti&#xA;Vamo' pa RD, te mando a hacer las teti&#xA;Terminamo' enreda'o como los spaghetti (Wuh; yeah, yeah)&#xA;A ti te gusta frontear, suele ir pa'l mall a gastar&#xA;Dame la luz pa' costearte, baby pa' costearte&#xA;Lo tuyo es fichurear, otros países viajar&#xA;Baby, yo voy a costearte, dispuesto pa' darte (Yo', yo')&#xA;Llevo ocho puta' a Bear Harbor (Ah)&#xA;De camino quemando las moña' del árbol (Del árbol)&#xA;Te gusta lo caro, los apartamento' con piso' en mármol (En mármol)&#xA;La Gucci, los kilate'&#xA;Pa'l hotel, despué' el yate&#xA;No importa cuánto gasta'te'&#xA;Andas con el menor, bendecí'o el magnate (Bryant Myers)&#xA;&#xA;Hoy estoy pa' ti (Yeah)&#xA;Yo te vo'a costear (-ar)&#xA;Me hablaron de ti, que te gusta frontear (-tear)&#xA;Ello' están pa' mí (Pa' mí)&#xA;Pero eso e' normal (Normal)&#xA;A ti te gusta el ticke' y yo lo bajo semanal&#xA;Baby, hoy yo estoy pa' ti&#xA;Yo te vo' a costear (-tear)&#xA;Trépate encima 'e mí, empieza twerkear (-kear)&#xA;Botellas pa' beber (-ber)&#xA;Moñas pa' quemar (-mar)&#xA;A ti te gusta el efectivo y los bote' en el mar, yeah&#xA;&#xA;&#xA;(De La)&#xA;Ya yo sé lo que dicen de ti&#xA;Y eso e' lo que me gusta a mí (-ta a mí)&#xA;En ti yo estoy puesto para invertir (Para invertir)&#xA;Aquí hay de to', sólo hay que pedir (Ey, yo')&#xA;En ese culo yo invierto (What?)&#xA;To' los chavo' que tengo (Yeah, baby)&#xA;Tu gato vive del cuento (De La)&#xA;Yo agrandando todo ese cuerpo (¿Cómo?)&#xA;Fronteando con to' lo nuevo (What?)&#xA;Como si los kilo muevo (¿Qué?)&#xA;Las prenda' de Rafaelo (Dale)&#xA;Tre' coso en el cuello (Chin, chin)&#xA;Uhh (Uh)&#xA;Así que baby, pide lo que quiera' (Ah-ah)&#xA;Yo tengo pa' comprarte lo que sea&#xA;No sé por qué tanto tú me frontea' (Ah-ah)&#xA;Si terminamo' de adentro pa' fuera (Ah-ah)&#xA;&#xA;&#xA;A ti te gusta el ticke' y a mí me gusta gastarlo (Yeah)&#xA;Pide lo que quieras que voy a costearlo (Yeah)&#xA;Nadie me frontea siempre que yo salgo&#xA;Porque saben cuanto valgo, yeah&#xA;Todo' me ven y frisan el cuello en hipoteca&#xA;Baby, te traje fuego pa' que llene el karateca&#xA;Carita de modelo, cuerpito de atleta&#xA;Tu cuerpo pide calle-calle y no es Raymond Arrieta, eh (Woop)&#xA;Ella me quiere de grati'&#xA;Me dice que no es chapi&#xA;Pero le enganché las &amp;quot;Louboutin&amp;quot; y brilla como papi (Yeah)&#xA;El de los coro' cashy (Yeah)&#xA;Pisando Versace&#xA;Hemo' hecho más 69 que tatuaje' de Tekashi&#xA;Que tengo enemigo', eso ya es normal, bebé&#xA;Lo que les molesta es que la movie está en play (Ah-ah-ah)&#xA;Y siempre lo va a estar (Yeah)&#xA;Nunca le vo' a bajar (No)&#xA;Piquetea, yo puse la F de frontear, baby, porque&#xA;&#xA;&#xA;Hoy estoy pa' ti (Yeah)&#xA;Yo te vo'a costear (Yeah)&#xA;Me hablaron de ti, que te gusta frontear (-tear)&#xA;Ello' están pa' mí (Pa' mí)&#xA;Pero eso e' normal (Normal)&#xA;A ti te gusta el ticke' y yo lo bajo semanal&#xA;Baby, hoy yo estoy pa' ti&#xA;Yo te vo' a costear (-tear)&#xA;Trépate encima 'e mí, empieza twerkear (-kear)&#xA;Botellas pa' beber (-ber)&#xA;Moñas pa' quemar (-mar)&#xA;A ti te gusta el efectivo y los bote' en el mar (El mar, yeah)&#xA;&#xA;&#xA;Pide que yo te vo' a costear y va pica'o todo aquel que te toque&#xA;Ella es la sensación del bloque&#xA;Y bajen espejuelos como el boster&#xA;Lo más bajo que yo usé es Lacoste&#xA;Y el comportamiento mío ya es normal que ellas lo adopten (Ah, yeah)&#xA;Baby, yo busco el ticke' a diario, pero los cuarto semanal&#xA;Perfil bajo pa' que nadie sepa na'&#xA;Y ella quiere seguir quemando, búsquenle otra seta más&#xA;Supuestamente de noche se convierte en Satanás&#xA;En la muñeca un Audemars, mucho pote en alta mar&#xA;Si él no te compra Chanel, pues baby, cambia de canal&#xA;Se encarama en el Can-Am&#xA;Te hago lo que no te harán&#xA;Bebecita, nunca olvides: dinero mata a galán (Lu-Lu-Lunay, jaja)&#xA;&#xA;&#xA;Que nadie sepa donde nos vemo'&#xA;Pero que se imagen lo que hacemo' (-emo')&#xA;A ti te gusta frontear (-ar)&#xA;Y yo te vo' a costear (-ar)&#xA;Flow Natti Natasha, te ha' vuelto una criminal, yeh-yeah&#xA;De to'ita ella e' la má' que se crece (-ece)&#xA;Igual que to' mi' interese' (-e-e)&#xA;Tú me critica' (-ica')&#xA;Y lo que te aborrece es que en tu vida no has logra'o lo que ya yo he hecho en ocho mese'&#xA;En el jet privado, cuarenta mil pies de altura&#xA;Y sé que se va de Gucci de los pie' a la cintura, eh-yeah&#xA;El bobo de tu ex roncando y anda en un Ley 8&#xA;Ya yo voy pa' un penthouse y sólo tengo 18&#xA;&#xA;&#xA;Hoy estoy pa' ti (Yeah)&#xA;Yo te vo'a costear (-ar)&#xA;Me hablaron de ti, que te gusta frontear (-tear)&#xA;Ello' están pa' mí (Pa' mí)&#xA;Pero eso e' normal (Normal)&#xA;A ti te gusta el ticke' y yo lo bajo semanal&#xA;Baby, hoy yo estoy pa' ti (Jejeje)&#xA;Yo te vo' a costear (-tear)&#xA;Trépate encima 'e mí, empieza twerkear (-kear, oh)&#xA;Botellas pa' beber (-ber)&#xA;Moñas pa' quemar (-mar)&#xA;A ti te gusta el efectivo y los bote' en el mar, yeah&#xA;&#xA;&#xA;(¡Juanka!)&#xA;Un par de melone' en el bote (Yeah)&#xA;No hay quién me derrota&#xA;Aquí no la jugan, debajo 'el rebote&#xA;De placa' me vo' a enganchar un lingote&#xA;Yo soy el God Father&#xA;No soy el padrino, yo soy el padrote (Jeje)&#xA;Te corro la gata, te quito lo' cuadre y se lo' doy pa' que lo' explote (Pu-pu-pu-pu)&#xA;Tú me dice' y yo te costeo&#xA;Toma esta' Yeezy, quítate esas KT&#xA;Que contigo me gasto la funda y vo' a penetrar el cerro como MCreary&#xA;Pide lo que tú quiera', que saco una caleta pa' fuera&#xA;Que el castigo cierre' de pantera'&#xA;Tu Toyota pa' una Panamera (Prrr)&#xA;En el cuelo me sobran diamante' (Ey)&#xA;Yo sí que vivo la vida como un gangster (Ah)&#xA;Y con el big number yo trazo mi ruta (-azo mi ruta)&#xA;Me bajan lo' recibo' to'a las prostituta' (Brr)&#xA;Estamo' bien&#xA;Roleta o Richard Mille&#xA;Pastilla 'e colore' como los Skittle' (Uh)&#xA;Entrégale el carro y yo te saco un nuevo dealear&#xA;Baby, estoy pa' ti, yo te vo'a costear&#xA;No paramo' 'e facturar&#xA;Como Bruce Willis, soy duro 'e matar (Con mi metal)&#xA;&#xA;&#xA;A ti te gusta el efectivo, por eso es que te los tiro&#xA;Nunca guardo pa'l retiro, los gasto mientras te vivo&#xA;Ya tengo frisá' la muñeca por culpa 'e los diamantes en la Roleta&#xA;Puse a brincarle las teta'&#xA;De una nalgá' con la mano completa, oh, yeah&#xA;Se me zafó, oh, yeah&#xA;Se encojonó&#xA;Luego se volteó, un beso me dio&#xA;Y dijo que por Dio' me perdonó&#xA;Yo te vo' a costear, dime dónde quiere' ir&#xA;Explotamo' el ticke' entero en Beverly Hills (verly Hills)&#xA;Yo te vo' a costear, dime dónde quiere' ir (quiere' ir)&#xA;La corta chipeá' por si se quieren medir&#xA;Hoy yo estoy pa' ti, bebecita, estoy pa' ti&#xA;Como el peine pa' la Glock&#xA;Kellen Neal con el kick&#xA;&#xA;&#xA;Yo te vo' a cobrar (Yeah)&#xA;Hay de má' pa' gastar (Yes)&#xA;3 mil en la combi y salgo pa' matar, yeah (Brrr)&#xA;Hay mucho envidioso que en mi lugar quisiera estar (Sheesh)&#xA;Pero tienen que aprestar el ingreso mensual en mi ganancia semanal&#xA;Desde ante' de cantar mi cuenta no para 'e ganar (Prr)&#xA;Me han habla'o de ti, que te gusta el sexo anal (Ah)&#xA;Busca un bichote y acabas de coronar&#xA;Ya está listo el pote si hoy te pone' pa' la vuelta (Sa)&#xA;Hoy el kiosco 'taba activo y rompimo' las venta'&#xA;Pide lo que quiera' que yo corro con la cuenta (Shiuf)&#xA;Y Martino saca la 40 por si uno inventa (Sheesh)&#xA;&#xA;&#xA;No' vamo' a perder, cero celular (No)&#xA;Lo que coroné (-né), en ti lo vo' a explotar&#xA;Porque lo' vuelvo a hacer, no vo' a escatimar&#xA;Y te vo' a mandar a Colombia si me ere' leal, yeh&#xA;El ticke' es largo, olvídate que yo me encargo (Oye)&#xA;Pide el mundo, que no tienes que pagarlo (Oh)&#xA;A última hora los chavo' son pa' gastarlo'&#xA;Y por un poco de eso tuyo robo un banco, asalto la Wells Fargo&#xA;Una queen, su cartera Celine&#xA;El expediente clean (Clean)&#xA;Ni bichote' ni rapero', pero hay uno en between (Yauh)&#xA;Vive diva, they be queen&#xA;Tú ere' una reina y gasto to' porque eso haría un king&#xA;&#xA;&#xA;Yeah, yeah&#xA;Hoy estoy pa' ti, hoy te vo' a costear (Yih, te vo' a costear)&#xA;Perdí par de botella', sé que te gusta frontear&#xA;Sé que te hablaron de mí, pero no eres de juzgar&#xA;Nos tiramo' par de foto', no las vaya' a postear&#xA;Y las cosa' han cambia'o, no nos vemo' hace par (Yeah)&#xA;Desde que yo te lo puse en el estudio de Ocean Park&#xA;Te ponía en cuatro y wow, que vista espectacular (Yeah)&#xA;Ahora no hacemo' fila en el Banco Popular&#xA;Dale mami chula, hoy&#xA;Vo' a cubrir tus gasto'&#xA;Tengo Rosè y un poco 'e gelatto (Iti)&#xA;Tú me dice y voy (Voy)&#xA;No me compare' con tu gato (No)&#xA;Que pide la cuenta con cambio exacto&#xA;&#xA;&#xA;Hoy estoy pa' ti (Yeah)&#xA;Yo te vo'a costear (Yeah)&#xA;Me hablaron de ti, que te gusta frontear (-tear)&#xA;Ello' están pa' mí (Pa' mí)&#xA;Pero eso e' normal (Normal)&#xA;A ti te gusta el ticke' y yo lo bajo semanal&#xA;Baby, hoy yo estoy pa' ti&#xA;Yo te vo' a costear (-tear)&#xA;Trépate encima 'e mí, empieza twerkear (-kear)&#xA;Botellas pa' beber (-ber)&#xA;Moñas pa' quemar (-mar)&#xA;A ti te gusta el efectivo y los bote' en el mar (El mar, yeah)&#xA;&#xA;&#xA;Tirando lo' chavo' como actor pa' los '90&#xA;Se caen si no caminan por la línea como Wallenda&#xA;Traigo kripa pa' que prenda' y tusi pa' que te encienda'&#xA;Prefiero gastar en ti antes que pagarlos en hacienda&#xA;Mami, lo que pides por ti lo voy a pagar&#xA;Tengo pa' costear, no te vaya' a equivocar&#xA;Que no soy como otros, yo no vivo de peliculear (Yeah)&#xA;Pero tengo ticke' pa' llevarme a toda' tus amiga' y ponerla' en mi cuarto a twerkear&#xA;Fronteen que vo' a frontear&#xA;Primero hay que facturar&#xA;Pana' tienen que subirle porque no le vo' a bajar&#xA;Magic Johnson de point guard&#xA;Tiro imposible 'e fallar&#xA;Y esto e' sólo una noche, no te vaya' a enamorar&#xA;&#xA;&#xA;No me este' mirando mal (No)&#xA;Y dile a tu puta que pare 'e llamar (Dile)&#xA;Como Cardi, me quiere twerkear (Y tú en la mala)&#xA;Como Offset, no para 'e llorar (Huh)&#xA;Hoy no' vamo' de shopping (Yeah)&#xA;Manda a cerrar Plaza&#xA;Compramo' un trajecito y me lo modela en casa (Eh), yeah, yeah, ouh&#xA;Siempre ballin', Lonzo Ball (Ouh)&#xA;Tu jevo viste to' Gucci, pero tú  en un york&#xA;Se lo dí a to' mis crush, tuve que hacer otra lista (No)&#xA;Los ven al la'o mío y les contratan estilistas&#xA;Tus gatas les dan like a fotos viejas en mi Insta&#xA;Hey, si ya no es tan fino porque les rompí las pistas (Prr)&#xA;Ey, ey, ey&#xA;&#xA;&#xA;Hoy estoy pa' ti (Yeah)&#xA;Yo te vo'a costear (-ar)&#xA;Me hablaron de ti, que te gusta frontear (-tear)&#xA;Ello' están pa' mí (Pa' mí)&#xA;Pero eso e' normal (Normal)&#xA;A ti te gusta el ticke' y yo lo bajo semanal&#xA;Baby, hoy yo estoy pa' ti&#xA;Yo te vo' a costear (-tear)&#xA;Trépate encima 'e mí, empieza twerkear (-kear)&#xA;Botellas pa' beber (-ber)&#xA;Moñas pa' quemar (-mar)&#xA;A ti te gusta el efectivo y los bote' en el mar, yeah&#xA;&#xA;&#xA;Y a mí me gusta hacer dinero (¡Uah!)&#xA;Salir pa' la calle a gastarlo (Uah-ah-ah)&#xA;Soy un adicto a los putero' (Uh)&#xA;Todo' se enteran cuando salgo&#xA;Y diamante en el Role', el Russo sabe de eso&#xA;En un BM, a 100 por el expreso&#xA;La baby le he invertido un par de peso' (Chin)&#xA;Por eso siempre yo me como eso&#xA;Tú amiga hablando de mí, sabe que te vo' a costear&#xA;Ella quiere fumar y la puse a desenmoñar&#xA;Chingando en el expreso (Oh-oh), hoy puso la señal&#xA;Que no' tiren foto' y la' suban, la' vo' a repostear, yah&#xA;&#xA;&#xA;Yo sé que te gusta el ticke' y yo te vo' a costear (Costear)&#xA;Sé que te quiere' hacer las teta' y yo te vo' a operar (¡Wuh!)&#xA;Yo sé que te gusta Louis Vuitton, las medusa', también Dolce&#xA;Las cubana' con el frozen, to' eso te lo vo' a comprar (Ah)&#xA;Tú sabe' como yo soy, que me gusta el fronteo&#xA;Yo deposito 100 mil to' los mese' y en el banco no lo' veo (No lo' veo)&#xA;Yo quiero darte bicho en el peliculeo&#xA;Y que me la saque' con tu twerkeo (Prrr)&#xA;&#xA;&#xA;Bebé, mueve ese culo, twerkea pa' mí (Wuh)&#xA;Que yo vo' a hacer que lluevan billete' 'e cien encima 'e ti&#xA;Botella' 'e Hennesy (Ah)&#xA;Escucharte gemir&#xA;Que te venga' como si esta' a punto de morir (Prrr)&#xA;&#xA;&#xA;Hoy estoy pa' ti (Yeah)&#xA;Yo te vo'a costear (-ar)&#xA;Me hablaron de ti, que te gusta frontear (-tear)&#xA;Ello' están pa' mí (Pa' mí)&#xA;Pero eso e' normal (Normal)&#xA;A ti te gusta el ticke' y yo lo bajo semanal&#xA;Baby, hoy yo estoy pa' ti&#xA;Yo te vo' a costear (-tear)&#xA;Trépate encima 'e mí, empieza twerkear (-kear)&#xA;Botellas pa' beber (-ber)&#xA;Moñas pa' quemar (-mar)&#xA;A ti te gusta el efectivo y los bote' en el mar, yeah&#xA;&#xA;&#xA;Nos quemamos en la llama, me dicen que eres brava en la cama&#xA;Que te gusta el piquete y la fama&#xA;Háblale de money, money no le hables más na' (Na')&#xA;Se emborracha con na', le gusta el jangue'o por el bote y el mar (Mar)&#xA;En la de ella normal, hoy anda tranquila porque voy a costear&#xA;&#xA;&#xA;Se escapa conmigo porque estoy en las papas&#xA;Por la costa y nos perdemos el mapa&#xA;Tú no ganas ni por más que 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<INFO BITRATE="874000" KEY_LYRICS="12 ContributorsFreedom Lyrics&#xA;Ay CZR did a mazza still&#xA;Look, look&#xA;&#xA;&#xA;Man don't lie, man spit rhymes&#xA;Two-two step then the next shot fly&#xA;Dip-dip splash in the chest or his eye (Woo)&#xA;Ask lil bro if you think that I'm lyin'&#xA;Screaming out &amp;quot;Gang&amp;quot; but your gang don't ride&#xA;Nike tech suit, J1s and I'm nice&#xA;Thought my bredrin was an opp&#xA;So i stop, nearly bye-bye (Who's that?)&#xA;Kweng is this, Kweng is that&#xA;Kweng is marga, his head's fat&#xA;But I'm still king of this bitch, that's fact&#xA;Fucked your girl and robbed her man (Mad)&#xA;Man don't fuck with them yutes, jokeman (Huh)&#xA;Lowe it, I meant jokemen&#xA;Golden one from up the old blue&#xA;Met a sweet one from down the old Kent (Ay come hеre!)&#xA;Like, Big Kwengfacе, Kwengface from the 'narm (Big Kweng!)&#xA;How did I get this far? (Mad)&#xA;They think I'm a bandit, I think I'm a star&#xA;When i cut tru man a place like &amp;quot;rah&amp;quot;&#xA;Face so bait that I can't go shop&#xA;Man, I'll always get clocked, this shit is so hot (Who's that?)&#xA;Is it a fan or is it an opp? (Who's that?)&#xA;Either way, man's moving on job (Who's that?)&#xA;&#xA;Look, I love my freedom (Woo)&#xA;But i risk it any time i see them&#xA;Fly out the ride man pree them, pree them&#xA;Caught me an opp, kept on bleeding (Who's that?)&#xA;L2, R2&#xA;Man pop this corn like the cinema Vue&#xA;Broski drills, man's drilling it too&#xA;Zone 2, step tryna finish them yutes (Gang)&#xA;&#xA;&#xA;Man cut tru, buss that&#xA;Peng ting gimme that Whatsapp&#xA;But when I hit you, better bring me that Rucksack (Ay come here!)&#xA;On the opp block with a bruck back (Bap, bap)&#xA;Two hands on, man clutch that (Bap, bap)&#xA;Any shoes on sale, man cop that (Woo, woo)&#xA;Any opps on sight, man blood that (Ying, ying)&#xA;I'm like &amp;quot;Who's that, what's that?&amp;quot; (Woo, woo)&#xA;Man cut tru, buss that (Bap, bap)&#xA;Peng ting gimme that Whatsapp&#xA;But when I hit you, better bring me that Rucksack (Come here!)&#xA;On the opp block with a bruck back&#xA;Two hands on, man clutch that (Bap)&#xA;Any shoes on sale, man cop that&#xA;Any opps on sight, man blood that (Splash, splash)&#xA;&#xA;Right now, see my lifestyle's changing&#xA;Can't lie, see I like it (Can't lie)&#xA;I was chilling in the bando with cats last year&#xA;Now I'm chilling with the crew from Love Island (Different)&#xA;Ken said &amp;quot;Do this music ting&amp;quot;&#xA;&amp;quot;I don't like when you talk 'bout riding&amp;quot; (My bro)&#xA;But this gang gang shit's exciting&#xA;I love drug money, big guns and violence (Gang gang)&#xA;Broski step, I'm stepping out too&#xA;Man's Zone 2 step, man step and flex round there&#xA;Tryna finish them yutes&#xA;Opp block drilling it, shank get intimate&#xA;Go home and I bill my zoot&#xA;I ain't tryna step with the whole gang&#xA;More time, man's stepping in twos&#xA;Cover my back when I lean and shoot&#xA;A man do the same 'cause that's my bruddah (My bro)&#xA;Put one hand on my bruddah&#xA;Man's getting straight round there with a cutter (Straight)&#xA;Man talk tough on the net, catch him in the flesh&#xA;Spread him out like butter (End him)&#xA;I just put me a tender&#xA;'Bout to put down another&#xA;Don't you know I'm about my butter? (Ching, ching)&#xA;&#xA;I love my freedom (I love it!)&#xA;But i risk it any time i see them&#xA;Fly out the ride man pree them, pree them&#xA;Caught me an opp, kept on bleeding (Splash)&#xA;L2, R2&#xA;Man pop this corn like the cinema Vue&#xA;Broski drills, man's drilling it too&#xA;Zone 2, step tryna finish them yutes (No)&#xA;&#xA;&#xA;Man cut tru, buss that (Bap)&#xA;Peng ting gimme that Whatsapp&#xA;But when I hit you, better bring me that Rucksack (Come here!)&#xA;On the opp block with a bruck back (Woo)&#xA;Two hands on, man clutch that (Bap)&#xA;Any shoes on sale, man cop that&#xA;Any opps on sight, man blood that (Who's that?)&#xA;I'm like &amp;quot;Who's that, what's that?&amp;quot; (Who's that, who's that?)&#xA;Man cut tru, buss that (Bap, bap)&#xA;Peng ting gimme that Whatsapp&#xA;But when I hit you, better bring me that Rucksack (Come here!)&#xA;On the opp block with a bruck back (Woo, woo)&#xA;Two hands on, man clutch that (Bap, bap)&#xA;Any shoes on sale, man cop that&#xA;Any opps on sight, man blood that (Any opp)" PRODUCER="Kwengface LTD" COVERARTID="127/5TSOAWB5GLBTODCE4KS0CQPDUXZB" KEY="1d" PLAYCOUNT="2" PLAYTIME="193" PLAYTIME_FLOAT="192.634506" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="20782" COLOR="3"></INFO>
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<INFO BITRATE="1019000" KEY_LYRICS="9 ContributorsON FIRE Lyrics&#xA;Someboy&#xA;The missile is aimed to blow you out of the frame&#xA;&#xA;&#xA;Tracks on fire&#xA;Fire on fire (come on)&#xA;Tracks on fire&#xA;Make em&#xA;Perfect&#xA;&#xA;Tracks on fire&#xA;Fire on fire&#xA;&#xA;Cracking with the most, cracking with the most&#xA;Cracking, cracking, cracking, craa---&#xA;Cracking with the most tracks on fire (ugh)&#xA;Cracking with the most fire, on fire (come on)&#xA;Cracking with the most tracks on fire&#xA;Tracks, cracking, tracks on fire (pow)&#xA;Cracking with the most tracks on fire (ugh)&#xA;Cracking with the most fire, on fire (come on)&#xA;Cracking with the most&#xA;Cracking with the most&#xA;Cracking, cracking, cracking (pow)&#xA;Cracking with the most tracks on fire (uh)&#xA;Cracking with the most fire, on fire (come on)&#xA;&#xA;Cracking with the most tracks on fire (uh)&#xA;&#xA;Tracks on, cracks on track&#xA;&#xA;Cracking with the most tracks on fire (uh)&#xA;&#xA;Cracking with the most fire, on fire (come on)&#xA;&#xA;Cracking with the most tracks on fire&#xA;Tracks, cracking with the tracks on&#xA;&#xA;&#xA;Cracking with the most, most, with the most (uh)&#xA;Cracking with the most fire, on fire (come on)&#xA;Cracking with the most, most, with the most (uh)&#xA;Cracking with the most fire, on fire&#xA;&#xA;Cracking with the most, most, with the most&#xA;Cracking with the most fire, on fire (come on)&#xA;Cracking with the most, most, with the most&#xA;Cracking with the most fire, on fire&#xA;&#xA;&#xA;We have felt the ground shake, and the air shatter. Generating power equivalent to 10000 automobiles with there, accelerator on the floor&#xA;&#xA;Floor (14x)&#xA;&#xA;&#xA;(Uh)&#xA;Tracks on fire, fire (pow)&#xA;&#xA;Tracks on fire, fire (ugh)&#xA;&#xA;Tracks on fire, fire (pow)&#xA;Fire on fire&#xA;&#xA;Tracks on fire, fire (ugh)&#xA;&#xA;Cracking with the most fire, on fire (pow)&#xA;Cracking with the most fire, on fire (ugh)&#xA;Cracking, cracking, cracking (pow)&#xA;&#xA;Tracks on fire, fire (come on)&#xA;Cracking with the most, tracks, cracking&#xA;&#xA;Tracks on fire, fire (come on)&#xA;Cracking with the most tracks on fire (ugh)&#xA;&#xA;Tracks on fire, fire (pow)&#xA;Cracking with the most tracks on fire (ugh)&#xA;&#xA;Cracking with the most fire, on fire (come on)&#xA;&#xA;Tracks, cracking with the tracks on (pow)&#xA;&#xA;&#xA;Cracking with the most, most, with the most (uh)&#xA;Cracking with the most fire, on fire (come on)&#xA;Cracking with the most, most, with the most (uh)&#xA;Cracking with the most fire, on fire&#xA;&#xA;Cracking with the most, most, with the most&#xA;Cracking with the most fire, on fire (come on)&#xA;Cracking with the most, most, with the most&#xA;Cracking with the most fire, on fire" PRODUCER="2020 HARD Recs" COVERARTID="104/IDZFPVBSEFVYLAXXMZBVBTT3KCPD" KEY="9m" PLAYCOUNT="6" PLAYTIME="204" PLAYTIME_FLOAT="203.520004" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/6/19" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="25752" COLOR="3"></INFO>
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<INFO BITRATE="986000" KEY_LYRICS="5 ContributorsGOT REAL Lyrics&#xA;Who's on the outside?&#xA;Looking from the inside, looking at myself?&#xA;Like a vampire, like I need your blood, to save myself&#xA;Who got money? Who got wealth?&#xA;Bitch, I’m poor, ain't got nothing else left&#xA;Who's this shit&#xA;Represent&#xA;Tell me that&#xA;Who you is?&#xA;If you got no check, don’t hit up my bitch&#xA;Who's the blame, who's the same&#xA;We the same&#xA;Don't complain&#xA;Don't complain&#xA;&#xA;&#xA;This just got real&#xA;This shit, this shit right here, this just got real&#xA;This got real&#xA;This shit, this shit right here, this just got real&#xA;This got real&#xA;This shit, this shit right here&#xA;&#xA;&#xA;That shit right here, this that shit right here&#xA;That, that shit right here, this that shit right here&#xA;That shit right here, this that shit right here&#xA;That shit right here, this that shit right here&#xA;&#xA;This just got real&#xA;&#xA;&#xA;This just got real&#xA;Just got real&#xA;Shit right here&#xA;Just got real&#xA;Shit right here&#xA;Just got real&#xA;Shit right here&#xA;&#xA;&#xA;Do something else (What you doin'?)&#xA;You already got it&#xA;Wha-, what you already did&#xA;Why you let them stop it&#xA;Bring in the heat (What you doin'?)&#xA;Look at yourself, your coat&#xA;Look at my coat (my coat)&#xA;I-it just go&#xA;Go, go, go, go&#xA;Go, go, go, go&#xA;&#xA;&#xA;Come check this&#xA;Come check this&#xA;Come check this&#xA;Come check this&#xA;Come check this&#xA;Come check this&#xA;Come check this&#xA;Come check this&#xA;&#xA;Who's on the outside?&#xA;Looking from the inside, looking at myself?&#xA;Like a vampire, like I need your blood, to save myself&#xA;Who got money? Who got wealth?&#xA;Bitch, I’m poor, ain’t got nothing else left&#xA;Who's this shit&#xA;Represent&#xA;Tell me that&#xA;Who you is?&#xA;If you got no check, don’t hit up my bitch&#xA;Who's the blame, who's the same&#xA;We the same&#xA;Don't complain&#xA;Don’t complain&#xA;&#xA;&#xA;This just got real&#xA;This shit, this shit right here, this just got real&#xA;This got real&#xA;This shit, this shit right here, this just got real&#xA;This got real&#xA;This shit, this shit right here&#xA;&#xA;&#xA;That shit right here, this that shit right here&#xA;That, that shit right here, this that shit right here&#xA;That shit right here, this that shit right here&#xA;That shit right here, this that shit right here&#xA;&#xA;This just got real&#xA;This just got real&#xA;&#xA;&#xA;This just got real&#xA;Just got real&#xA;Shit right here&#xA;Just got real&#xA;Shit right here&#xA;&#xA;&#xA;This just got real&#xA;This shit, this shit right here, this just got real&#xA;This got real&#xA;This shit, this shit right here, this just got real&#xA;This got real&#xA;This shit, this shit right here&#xA;&#xA;That shit right here, this that shit right here&#xA;That, that shit right here, this that shit right&#xA;&#xA;Yeah that's dope" PRODUCER="2020 HARD Recs" COVERARTID="048/QFTV4GDA2NWZZAFVLGS3DDTCZGED" KEY="12m" PLAYTIME="273" PLAYTIME_FLOAT="272.125977" IMPORT_DATE="2025/4/9" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="33131" COLOR="4"></INFO>
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<INFO BITRATE="1009000" KEY_LYRICS="4 Contributors4AM Lyrics&#xA;Fuck with my head&#xA;Fuck with my head&#xA;&#xA;&#xA;Are you ready? (Are you ready?)&#xA;Are you ready? (Are you ready?)&#xA;Are you ready? (Are you ready?)&#xA;Are you ready? (Are you ready?)&#xA;&#xA;&#xA;Brrah&#xA;Please (Dance, uh)&#xA;Please (Dance)&#xA;Please (Dance, uh)&#xA;Please (Are you ready? Are you ready?)&#xA;Do it (Dance, uh)&#xA;Do it (Dance)&#xA;Do it (Dance, uh)&#xA;Do it, do it, do it&#xA;Please (Dance, uh)&#xA;Please (Dance, dance)&#xA;Please (Dance, uh)&#xA;Please (Are you ready? Are you ready?)&#xA;Do it (Dance, uh)&#xA;Do it (Dance, dance)&#xA;Do it (Dance, uh)&#xA;Do it, do it, do it&#xA;Please (Dance, uh)&#xA;Please (Dance)&#xA;Please (Dance, uh)&#xA;Please (Are you ready? Are you ready?)&#xA;Do it (Dance, uh)&#xA;Do it (Dance)&#xA;Do it (Dance, uh)&#xA;Do it, do it, do it&#xA;Please&#xA;Please&#xA;Please&#xA;Please (Are you ready? Are you ready?)&#xA;Do it&#xA;Do it&#xA;Do it (Brrah)&#xA;&#xA;Are you ready? (Are you ready?)&#xA;Man, better be carefully&#xA;&#xA;&#xA;Are you ready? (Are you ready?)&#xA;Watch your whole team get smashed to pieces&#xA;Are you ready? (Are you ready?)&#xA;Are you ready? (Are you ready?)&#xA;Are you ready? (Are you ready?)&#xA;&#xA;&#xA;Please (Dance, uh)&#xA;Please (Dance)&#xA;Please (Dance, uh)&#xA;Please (Are you ready? Are you ready?)&#xA;Do it (Dance, uh)&#xA;Do it (Dance)&#xA;Do it (Dance, uh)&#xA;Do it, do it, do it&#xA;&#xA;&#xA;Fuck with my head&#xA;Fuck with my head" PRODUCER="2020 HARD Recs" COVERARTID="048/QFTV4GDA2NWZZAFVLGS3DDTCZGED" KEY="11m" PLAYCOUNT="5" PLAYTIME="270" PLAYTIME_FLOAT="269.123108" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/5/28" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="33522" COLOR="3"></INFO>
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<INFO BITRATE="996000" KEY_LYRICS="5 ContributorsYARDIE Lyrics&#xA;&#xA;&#xA;&#xA;You don't wanna see me get v— (Yardie)&#xA;&#xA;&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me, you don't wanna see me get v—&#xA;You don't wanna see me get v— (Yardie)&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me, you don't wanna see me, you don't wanna&#xA;You don't wanna see me, you don't wanna see me&#xA;&#xA;&#xA;You don't wanna see me get v— (Yardie)&#xA;&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get v— (Yardie)&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get&#xA;You don't wanna see me get v—&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;You don't wanna see me get v— (Yardie)&#xA;&#xA;&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v— (Ya—)&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v— (Yardie)&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v— (Ya—)&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v— (Yardie)&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—&#xA;You don't wanna see me get v—" PRODUCER="2020 HARD Recs" COVERARTID="048/QFTV4GDA2NWZZAFVLGS3DDTCZGED" KEY="10m" PLAYTIME="193" PLAYTIME_FLOAT="192.014313" IMPORT_DATE="2025/4/9" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="23704"></INFO>
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<INFO BITRATE="967000" KEY_LYRICS="1 ContributorMake Me Lose Control Lyrics(Meredith and Cristina are jogging in the park)&#xA;&#xA;Cristina: Uh...Uh.&#xA;&#xA;(Meredith jogs back to her. Christina starts jogging again.)&#xA;&#xA;Cristina: Oh you're stupid. Oh God. You're stupid, evil, sadist and I wanna kill you.&#xA;&#xA;Meredith: Endorphins are good. Endorphins are mood elevators. This is supposed to make us feel better.&#xA;&#xA;Cristina: Oh god. Do you feel better?&#xA;&#xA;(Christina stops jogging to catch her breath, while Meredith jogs around her in circles)&#xA;&#xA;Meredith: I'm stupid.&#xA;&#xA;Cristina: Slutty mistress.&#xA;&#xA;Meredith: Pregnant whore.&#xA;&#xA;Cristina: Sleeping with our bosses was a great idea.&#xA;&#xA;(Meredith stops to catch her breath too)&#xA;&#xA;Meredith: You know what's ruined for me?&#xA;Cristina (in pain): Ah?&#xA;&#xA;Meredith: Ferry boats. I used to love ferry boats and Derek's got a thing for ferry boats. Now every time I see a frigging ferry boat...&#xA;&#xA;Cristina (cuts off Meredith): You know what's ruined for me? Coronary artery by-pass grafts ... and aortic aneurysms. God I used to love aortic aneurysms.&#xA;&#xA;(Both lie down on the grass trying to catch their breaths.)&#xA;&#xA;MVO: Surgeons are control freaks. With a scalpel in your hand, you feel unstoppable. There's no fear, there's no pain.&#xA;&#xA;Meredith: Have you cried yet?&#xA;&#xA;Cristina: Hello?&#xA;&#xA;MVO: You're 10 feet tall and bullet proof.&#xA;&#xA;Cristina: Do you think we'll feel better if we cry? You know like just let it out?&#xA;&#xA;Meredith: Probably. Yeah.&#xA;&#xA;MVO: And then you leave the O.R.&#xA;&#xA;Cristina (unsure): Do you wanna cry now?&#xA;&#xA;Meredith: No.&#xA;Cristina: Okay, lets, lets jog.&#xA;&#xA;MVO: And all that perfection. All that beautiful control just falls to crap.&#xA;&#xA;(Locker room)&#xA;&#xA;(Alex and Izzie are laughing together while the others stare on in awe)&#xA;&#xA;Cristina: What is she doing?&#xA;&#xA;George (unsure): She's hanging out with Alex.&#xA;&#xA;Cristina: Why?&#xA;&#xA;George (losing voice): I dunno. I think ... ... I think they might be friends.&#xA;&#xA;(Izzie &amp;amp; Alex continue laughing and joking with each other).&#xA;&#xA;George (whispers): Make the lambs stop screaming.&#xA;&#xA;(All walking in a hallway)&#xA;&#xA;Izzie: You guys are wrong about him, alright? Once you get to know him, he's really sweet.&#xA;&#xA;George: He's Alex.&#xA;Cristina: Punk ass.&#xA;&#xA;Alex (calls back loudly): Hey Grey. Izzie was telling me you have tapes of your mom performing surgery. I'd kill to see the Ellis Grey in action.&#xA;&#xA;Izzie (calls back): Hey you know what? Maybe you can come over tonight and we can all watch it together? Right?&#xA;&#xA;(Meredith, Christina &amp;amp; George look at Izzie disbelievingly)&#xA;&#xA;Meredith: Oh yeah, if this were a hell dimension.&#xA;&#xA;Cristina: Yeah, run away pig boy.&#xA;&#xA;(George stops in front of Izzie)&#xA;&#xA;George: Do you have a thing for Alex?&#xA;&#xA;Izzie: No.&#xA;&#xA;Cristina (groans): Oh.&#xA;&#xA;Izzie: I don't.&#xA;&#xA;Cristina: Oh!&#xA;&#xA;Bailey: Are we saving lives or having a tea party? Walk faster people.&#xA;&#xA;(Derek is entering an elevator. Richard enters at the last second wearing an almost 'pimp' looking hat.)&#xA;&#xA;Richard: Ah hem.&#xA;&#xA;Derek: Nice hat.&#xA;&#xA;Richard: Shut up.&#xA;&#xA;Derek: What are you doing here?&#xA;&#xA;Richard: I'm going back to work.&#xA;&#xA;Derek: You're not cleared for surgery.&#xA;&#xA;Richard: Leave me alone. I've been sitting home for a week watching Oprah giving away things on TV. (stresses) Oprah, Derek! ... You clear me now or I'll hurt you.&#xA;&#xA;Derek: If you want me to clear you so soon, maybe you should've thought about that before you gave chief to Burke and invited Satan to Seattle.&#xA;&#xA;(Elevator opens and Addison enters)&#xA;&#xA;Richard: Satan?&#xA;&#xA;Addison : Good morning. Richard, like the hat.&#xA;&#xA;Derek: Satan speaks.&#xA;&#xA;Addison: Actually I prefer to be called ruler of all that is evil. (Richard laughs). But I will answer to Satan.&#xA;&#xA;Derek: What is she still doing here?&#xA;&#xA;Richard: I asked her to stay. We have a pediatric surgery attending on maternity leave.&#xA;&#xA;Addison (to Derek): Actually I could use you on a consult. Will you ah meet me up there Derek?&#xA;&#xA;Derek: Ah yeah. Fine&#xA;&#xA;( Addison leaves the elevator)&#xA;&#xA;Derek: I'm not clearing you for surgery.&#xA;&#xA;Richard: Fine, I can catch up on my paperwork.&#xA;&#xA;(Richard leaves the elevator as well as doors shut. Derek laughs.)&#xA;&#xA;(Mr. Gaston's room. Dr. Bailey's group is surrounding his bed side with Dr. Burke)&#xA;&#xA;Cristina: Mr. Gaston is scheduled for resection non-small cell carcinoma today. He did well overnight, has remained afebrile. He's had a dose of ceftriaxone this morning. He's pre-op labs are unremarkable. His chest x-rays, um, are unchanged from the previous.&#xA;&#xA;Mr. Gaston: I own a couple of dry-cleaning stores. Never believed what they said about inhaling the chemicals, but...&#xA;&#xA;Burke: We're going to do everything we can for you, Mr. Gaston. (To Christina) Did Oncology see him yet?&#xA;&#xA;Cristina: Uh, they're waiting for the surgical path.&#xA;&#xA;Burke: Thank you, Dr. Yang.&#xA;&#xA;Cristina: You're welcome, Dr. Burke.&#xA;&#xA;(Bailey, Meredith and Cristina walking through the hall)&#xA;&#xA;Meredith: I know. I just think you should still tell him about the baby because he'd at least have the responsibility of having to pay.&#xA;&#xA;Cristina: No! You know what? He'll never know. It's over. Once this pregnancy is taken care of, Burke won't even be a blip on my radar. He'll be smudge.&#xA;&#xA;Meredith (sarcastic): Right.&#xA;&#xA;Cristina: You know, Meredith? ... Leave the sarcasm up to me ... Really, it doesn't suit you.&#xA;&#xA;(Kelly Roche's room. Dr. Bailey's group is now gathered here. Christina is looking through a medical book)&#xA;&#xA;Alex: Kelly Roche. She's 23 years old. In for a scheduled ETS for treatment of her erythrophobia hyperpyrexia.&#xA;&#xA;Izzie (whispers to Christina): Erythrophobia?&#xA;&#xA;Cristina: Blushing.&#xA;&#xA;Bailey (to Kelly): You have any questions about the procedure?&#xA;&#xA;Kelly: Oh. Dr. Sh ... (blushes badly and she tries to get it to go away by fanning her face) ... Dr. Shepherd explained everything. He was very... huh...helpful. He gave me some literat ... (blushing gets even worse) ... sorry...&#xA;&#xA;Alex: Don't be. Half the patients that come through here have the hots for Shepherd.&#xA;&#xA;Bailey (in a disapproving voice): Dr. Karev.&#xA;&#xA;Alex: What? ... It's true.&#xA;&#xA;(Izzie pacing with arms crossed, waiting out in the hall for Alex. George and Meredith are in the distant grabbing food from the vending machine.)&#xA;&#xA;Izzie: Hey, why do you do that?&#xA;&#xA;Alex: What?&#xA;&#xA;Izzie: Act like an ass when everybody but me is around, they hate you enough as it is.&#xA;&#xA;Alex (shrugs): So? ... (Izzie still stands there annoyed) What?&#xA;&#xA;(Dr. Bailey appears from the corner.)&#xA;&#xA;Bailey: Hey there's a new surgical case coming up from the pit. Likely diverticulitis. Let's go.&#xA;&#xA;(Izzie, Alex and George follow hurriedly. Meredith grabs her food and runs after them a bit behind)&#xA;&#xA;Woman: Watch it! Hands off me! I could report you to the chief and you'd be out on your ass.&#xA;&#xA;(Meredith stops recognizing the voice. She starts walking slowly to where the others are around another corner. Ellis Grey is shouting from a moving gurney. Christina is reading her chart, while Dr. Bailey, Alex, Izzie &amp;amp; George move the gurney.)&#xA;&#xA;Ellis: Where is the chief?!?&#xA;&#xA;Cristina: Patient's name is ...ah...&#xA;&#xA;Ellis: Where is the chief?!? You're all amateurs.&#xA;&#xA;Cristina: complaining of intermittent cramping pain and diarrhea. Also suffers from ...ah...&#xA;&#xA;(Meredith can now see it is her mother and stares shocked, backing away slowly. Christina is knowing its Meredith's mother is unsure if she should continue. She makes brief eye contact with Meredith.)&#xA;&#xA;Ellis (yells): AMATEURS!&#xA;&#xA;Cristina: Alzheimer's.&#xA;&#xA;Bailey: Patient's name?&#xA;&#xA;Cristina: Um...&#xA;&#xA;Bailey: Yang! Patient's name!&#xA;&#xA;Ellis (to Meredith): What the hell are you doing here?&#xA;&#xA;(Meredith scurries off, hiding behind an office corner, peeking her head out)&#xA;&#xA;Ellis (in an increasing yelling voice): Haven't I told? How many times have I told you not to bother me when I'm at work?!&#xA;&#xA;(Dr. Bailey &amp;amp; the others stare at Meredith)&#xA;&#xA;Cristina: Ellis Grey.&#xA;&#xA;George: Meredith's mother.&#xA;&#xA;Ellis (yelling): You're amateurs! You're amateurs!&#xA;&#xA;(Izzie, Alex, George, &amp;amp; Christina all talking at once in the hallway just outside the locker room being blocked by Dr. Bailey. Meredith is inside)&#xA;&#xA;George: Meredith, are you okay?&#xA;&#xA;Bailey (places her hand over George's mouth): Just zip. (She hands chart to Alex). Dr. Karev stick with ETS case and Alex her blushing impulse not a toy for you to play with or button for you to push. Understood?&#xA;&#xA;Cristina (sounding sincere): Hey Meredith, you know um my great grandmother, she died with Alzheimer's.&#xA;&#xA;Izzie: My god, why would you say that?&#xA;&#xA;Cristina: Look, I'm just trying to help.&#xA;&#xA;Bailey: Izzie, the Dr. Shepherd's need an intern up in the NICU.&#xA;&#xA;Izzie: Wait, both of them? ... To..gether...and me by myself with the two married people who hate each other?&#xA;&#xA;Bailey: Go.&#xA;&#xA;(Izzie walks off)&#xA;&#xA;Bailey: Christina you're on the thoracotomy.&#xA;&#xA;Cristina: With Burke? Oh can I have the hateful married couple instead?&#xA;&#xA;Bailey (annoyed): Okay, I'm sorry I thought that I was your resident not your hostess. I assign, you take. Is that a problem?&#xA;&#xA;Cristina (stutters): N-nn&#xA;&#xA;Bailey (annoyed): Is there some reason why it's inconvenient for you to spend the day in the OR. learning from Dr. Burke?&#xA;&#xA;Cristina: No. I'm very happy to be working with Dr. Burke. Thank you very much.&#xA;&#xA;(Christina walks off)&#xA;&#xA;Bailey: George, take care of Dr. Grey.&#xA;&#xA;George: Yes. Thank you. (moves in and hugs Dr. Bailey who is stiff and confused) She needs a friend right now.&#xA;&#xA;(George tries to move into the locker room, but Dr. Bailey throws her arm against the door way to stop him).&#xA;&#xA;Bailey: What?&#xA;&#xA;George: Oh you mean Ellis the ... (Dr. Bailey goes into the locker room. George walks away not sure where to go) mother.&#xA;&#xA;(Dr. Bailey shuts the door to the locker room. Meredith removes herself from hiding behind one of the lockers and goes and opens her own locker.)&#xA;&#xA;Bailey: Are you able to work today?&#xA;&#xA;Meredith: Yes. I'm fine.&#xA;&#xA;Bailey: Cause I would understand it if you wanted to be with your ...&#xA;&#xA;Meredith: No. My mother and I don't have the easiest...it's just better if I'm working.&#xA;&#xA;Bailey: Okay. You're on scut.&#xA;&#xA;Meredith: Excuse me?&#xA;&#xA;Bailey: While we take care of your mother, you can catch up on charting, run samples to the lab, go over (Meredith cuts her off)&#xA;&#xA;Meredith: I told you, I'm fine.&#xA;&#xA;Bailey: Yea and I appreciate that you're fine but I have to anticipate a certain level of distraction from you today. Even in the face of all that fineness. So scut now!&#xA;&#xA;(Natal Intensive Care Unit where Dr. Shepherd is going over the baby's chart while Izzie and Addison are watching over the baby who is in a glass encasing.)&#xA;&#xA;Derek: Where's the mother?&#xA;&#xA;Addison: Gone. She stuck around long enough to get the kid strung out and then took off. Nice, huh?&#xA;&#xA;Derek (frustrated): Addison!&#xA;&#xA;Addison: Derek I know it's a long shot. I know that.&#xA;&#xA;Derek: You told me you had a newborn with an invasive mash. You fail to mention that she's premature, underweight and addicted to narcotics. There's no way that this baby is going to survive spinal surgery.&#xA;&#xA;Addison: You don't know that.&#xA;&#xA;Derek: Even if she does, she's a mess. She'll just get meningitis seizures. She's going to live a short painful life.&#xA;&#xA;Addison: You don't know that.&#xA;&#xA;Derek: It's my job to know that.&#xA;&#xA;Addison: You're not God Derek.&#xA;&#xA;Derek: Excuse me?&#xA;&#xA;Addison: I'm sorry honey but you're not. You don't get to decide (she is cut off by Dr. Shepherd)&#xA;&#xA;Derek: Wait did you just call me honey (Addison tries to talk). Don't call me honey!&#xA;&#xA;(Izzie is getting uncomfortable with the turn of conversation)&#xA;&#xA;Addison: Fine. You're not god Dr. Shepherd. Look if a patient has any chance at survival, which I think she does, then you have a responsibility (cut off by Derek again)&#xA;&#xA;Derek: Don't talk to me about responsibility.&#xA;&#xA;Addison: You took an oath Derek!&#xA;&#xA;Derek: Oh don't you dare talk to me about oaths!&#xA;&#xA;Addison: Derek, I messed up. People mess up.&#xA;&#xA;Derek: You slept with my best friend in my favorite sheets.&#xA;&#xA;Addison: The flannel sheets? You hate the flannel sheets.&#xA;&#xA;Derek: No I love the sheets.&#xA;&#xA;Addison: You like the Italian sheets with the paisleys (cut of by Derek)&#xA;&#xA;Derek: Would you just stop talking about the sheets?&#xA;&#xA;Addison: Fine!&#xA;&#xA;Izzie: Look I'm sorry. I'm just gonna go. I'll go check on the labs.&#xA;&#xA;(Izzie leaves the room. Addison is upset.)&#xA;&#xA;Derek: Addison, don't do this.&#xA;&#xA;Addison: Derek ... look she's a fighter. Look how far she's come already.&#xA;&#xA;Derek: Don't get attached. Don't get involved. Just ... don't make her life more painful than it already is.&#xA;&#xA;Addison: Derek, please. She has nobody. She needs someone to fight for her.&#xA;&#xA;Derek: She's too far gone. You have to let her go. Let her go in peace.&#xA;&#xA;(Derek leaves the room)&#xA;&#xA;Addison (watching Derek leave the NICU unit): Fine Derek, walk away. It's what you do best.&#xA;&#xA;(Dr. Burke is packing his stuff away from Richard's desk. Richard is putting his own stuff back on the desk)&#xA;&#xA;Burke: I've enjoyed the opportunity to show you my capabilities in this arena however brief.&#xA;&#xA;Richard: Stop fishing, Preston. You did a good job. ... But I'm back now and I don't plan on going anywhere, anytime soon.&#xA;&#xA;Burke: I am glad that you're back. I'm just hiding my joy...deep down inside. (Burke picks up his box of stuff and moves to leave the office) And ah chief ... the hat ... it's a little pimped out.&#xA;&#xA;(Burke leaves. Richard takes off the pimp hat. Meredith holding a patient file knocks on the office door and enters)&#xA;&#xA;Meredith: Welcome back chief.&#xA;&#xA;Richard: It's good to be back, Dr. Grey. Uh what can I do for you:&#xA;&#xA;Meredith: It's my mother sir.&#xA;&#xA;(Meredith hands him the file. Richard flips through it, looks at Meredith and sits down)&#xA;&#xA;Meredith: I'm sorry I didn't tell you sooner. I know you two are close. But she made me promise. She seems to be reliving the heyday of her residency a lot these days. And I just thought maybe if you could stop by and say hello, it would mean a lot to her.&#xA;&#xA;Richard (takes a second to answer): Well of course. (stares at Meredith) Do you need a day off?&#xA;&#xA;Meredith: Oh no. I'm fine.&#xA;&#xA;Richard: Yeah.&#xA;&#xA;Meredith: Okay (starts backing away and walks out of the office)&#xA;&#xA;(George is trying to Ellis Grey a physical exam. She is constantly turning away from him.)&#xA;&#xA;George: Um...if you could just hold still&#xA;&#xA;(Ellis shrugs out of his grasp and grabs her chart)&#xA;&#xA;Ellis: I'm in the middle of my work day Thatch.&#xA;&#xA;George: Thatch? No, I'm Dr. O'Malley. (They wrestle for the chart, Ellis eventually yanks it) Okay. I just need to check your...&#xA;&#xA;Ellis: Darling I'm not in the mood to play doctor now. Hands off, I'm busy. Um...&#xA;&#xA;(Meredith comes and stands out at the doorway)&#xA;&#xA;Meredith: George.&#xA;&#xA;George: Um.&#xA;&#xA;Ellis: Damn it Thatcher I mean it no.&#xA;&#xA;Meredith: George.&#xA;&#xA;(George leaves the room to go talk to Meredith)&#xA;&#xA;Meredith: She's allergic to penicillin.&#xA;&#xA;George: Yeah? Oh yeah it said on her chart.&#xA;&#xA;Meredith: Oh. ... You just have to be patient.&#xA;&#xA;George: Okay. Do you um ... who's Thatch?&#xA;&#xA;(long pause)&#xA;&#xA;Meredith: My dad, Thatcher. ... What did she ... is she ... is she talking about him?&#xA;&#xA;George: Um...yeah. She's...&#xA;&#xA;Meredith: She never talks about him.&#xA;&#xA;George: You're, you're all right.&#xA;&#xA;Meredith: No, yeah, yeah. I'm good.&#xA;&#xA;George (murmurs): Good.&#xA;&#xA;Meredith: Um. I can't be here.&#xA;&#xA;George: Of course, I mean we're good here, we're great, so...&#xA;&#xA;Meredith: Okay.&#xA;&#xA;George: Okay.&#xA;&#xA;(George goes back into Ellis's room. Meredith peeks in briefly before leaning back against an adjacent wall. She sees Derek walking by and goes after him. He is going through some files. Meredith comes and stands at the door.)&#xA;&#xA;Meredith: Dr. Shepherd.&#xA;&#xA;Derek: Meredith. I heard. Is it true?&#xA;&#xA;Meredith: Yeah. Secret's out.&#xA;&#xA;Derek (sighs): Ohhh.&#xA;&#xA;Meredith: Dr. Shepherd, I ... (Derek cuts her off)&#xA;&#xA;Derek: You don't have to call me Dr. Shepherd.&#xA;&#xA;Meredith (adamant): Dr. Shepherd. I want in on a surgical case. I can't just do nothing all day. (sighs) And you owe me this. And I never ask you for anything like this, so...&#xA;&#xA;Derek: I have ETS this afternoon. You'll scrub in.&#xA;&#xA;(Derek leaves the room.)&#xA;&#xA;(Dr. Burke is operating, performing a thoracotomy on Mr. Gaston. Cristina enters the OR. A doctor hands her a gown)&#xA;&#xA;Doctor: Here Dr. Yang.&#xA;&#xA;Burke: You're late.&#xA;&#xA;Cristina: I apologize.&#xA;&#xA;(She joins a group of interns who are watching)&#xA;&#xA;Doctor: Suction.&#xA;&#xA;Burke: Just starting to dissect around Mr. Gaston's tumor.&#xA;&#xA;(Cristina seems a bit tired)&#xA;&#xA;Burke: I've almost got visualization.&#xA;&#xA;(Kelly's room where Alex is checking her glands. Dr. Shepherd enters the room.)&#xA;&#xA;Derek: Hey Kelly.&#xA;&#xA;Kelly: Dr. Shep (her face goes instantly red, she starts fanning her face again furiously. Meredith enters the room as well) Dr. Shepherd. God. Sorry. Damn it.&#xA;&#xA;Derek: Kelly.&#xA;&#xA;Kelly: Yup. (continues fanning her face)&#xA;&#xA;DErek: Kelly.&#xA;&#xA;Kelly: Mmm hmm.&#xA;&#xA;Derek: This might be the last time that ever happens. (Kelly smiles briefly) How are her labs?&#xA;&#xA;Alex: H&amp;amp;H are stable. Chest x-rays show no acute process.&#xA;&#xA;Derek: Good. You're ready to go?&#xA;&#xA;Kelly: Are you kidding? I've been ready since the 3rd grade.&#xA;&#xA;Derek: Did you read the literature I gave you? (Kelly nods.) You understand the possible side-effects?&#xA;&#xA;Kelly: Compensatory sweating of the back, abdomen, thighs and legs. Possible gustatory sweating. Horner's syndrome occurs in less than 1% of patients. Brachial plexus injury. Pneumothorax and hemothorax are highly unlikely but possible side effects of the surgery.&#xA;&#xA;Derek: You did your homework. (to Alex). Take her to pre-op. I'll alert the O.R.&#xA;&#xA;(Derek leaves the room)&#xA;&#xA;Alex: Do you know what all those words mean? (Kelly looks at him) Brachial plexus injury could cause paralysis of the arms. Pneumothorax is a collapsed lung.&#xA;&#xA;Kelly: I know (she is still red faced)&#xA;&#xA;Meredith: Are you sure you want to risk all of that? Over a little bit of blushing.&#xA;&#xA;Kelly: Is that ... what you think this is? A little bit of blushing? Just a school girl embarrassment? You both saw what happened when Dr. Shep ... (she goes even redder and starts fanning her self again) ... when Dr. Shepherd was here. What did you think?&#xA;&#xA;Alex: Well I thought you liked him.&#xA;&#xA;Kelly: I do but you think I wanna room full of doctors to know about it?&#xA;&#xA;Alex: It's not like we're gonna...&#xA;&#xA;Kelly: It's not just you guys. It's not just this once. It happens ... every time I have a feeling for anyone ... in my life. (she is trying not to cry) I can't ... get mad. I can't be happy. I can't feel anything without the whole world knowing. I can't have a secret. Can you imagine living that way you're entire life?&#xA;&#xA;(Ellis Grey's room. There is a loud smash.)&#xA;&#xA;Ellis (yelling): Get away from me you insipid little man.&#xA;&#xA;(She throws a pillow at George)&#xA;&#xA;George: Dr. Grey calm down.&#xA;&#xA;Ellis: Get out of here! Get out of my room now!&#xA;&#xA;George: Dr. Grey calm down!&#xA;&#xA;Ellis: Get away from my house!&#xA;&#xA;George: Please!&#xA;&#xA;(Nurse walks in)&#xA;&#xA;Nurse: What can I do?&#xA;&#xA;George: Calm down! (to nurse) Please get some haloperidol.&#xA;&#xA;(Nurse leaves)&#xA;&#xA;Ellis: Don't give me that look. That sapful, little soulful puppy routine. I know it by heart, Thatch! And I'm over it.&#xA;&#xA;(Alex and Meredith are coming down the hall and stop outside the room. Alex pokes his head in. Meredith is looking anywhere but the room.)&#xA;&#xA;Ellis: I don't wanna hear about your day, your students, your pathetic little research grants. My ... my work is what counts! It's what pays for this house. It's pays for ... it pays for you! And it pays for, it pays for Meredith! (Meredith is just listening now) And your precious lifestyle. So why don't you just leave me alone and let me do it! (Alex looks disbelieving) Meredith make thinks she needs you but sure as hell don't.&#xA;&#xA;George: Dr. Grey.&#xA;&#xA;(nurse comes running in)&#xA;&#xA;Nurse: Here it is.&#xA;&#xA;(Meredith walks away into a room and sighs with her back against the door. It turns out its Kelly's room)&#xA;&#xA;Kelly: Are you okay?&#xA;&#xA;Meredith: That's something I'm supposed to be asking you.&#xA;&#xA;(George is running around the halls, looking for someone. Richard calls out from his office)&#xA;&#xA;Richard: O'Malley. (Richard walks out to meet him. He is wearing a golfer's hat now) I understand you're working on Ellis Grey.&#xA;&#xA;George: Yes sir, I'm trying my best.&#xA;&#xA;Richard: Right. Keep me informed of her progress and take good care of her. She's an old friend of mine.&#xA;&#xA;George: Really? Because actually I could use some help. Could, could you help me ... examine her?&#xA;&#xA;Richard: Um, ah... I'm just a little busy just now...uh..ah...gotta run.&#xA;&#xA;(Richard starts to walk off)&#xA;&#xA;George: Right. Okay. It's just that she seems to think that I'm her ex-husband and she won't let me touch her.&#xA;&#xA;(Richard stops, taking off his cap and looks at George)&#xA;&#xA;Richard: It's funny you do...look a bit like Thatcher.&#xA;&#xA;George (partly mortified): I look a bit like Meredith's dad?&#xA;&#xA;Richard: Um...just take good care of her George.&#xA;&#xA;(Richard walks off)&#xA;&#xA;George: But...like her dad? ... ... I need help.&#xA;&#xA;(Izzie walking down the stairwell. Alex catches up with her)&#xA;&#xA;Alex: Hey.&#xA;&#xA;Izzie: Hey.&#xA;&#xA;Alex: Woah, wait, wait.&#xA;&#xA;Izzie: What?&#xA;&#xA;(They stop walking. Alex reaches up and removes an eyelash from Izzie's face.)&#xA;&#xA;Alex: You have an eyelash. (he puts it on the palm of his hand) Make a wish and blow it away.&#xA;&#xA;(Izzie smiles and closes her eyes. Someone else is coming up the stairs. Alex is distracted)&#xA;&#xA;Alex: Hey Nurse Ratchet, there's a dead guy stinking up Room 41 25. (Izzie walks starts walking away)Do something about it before he rots!&#xA;&#xA;(Alex catches up with Izzie as they enter a floor on the hospital and starting walking down a hall)&#xA;&#xA;Izzie: See? That is exactly what I'm talking about.&#xA;&#xA;Alex: Come on.&#xA;&#xA;Izzie: Why are you so up-tight in showing people that you're a decent human being?&#xA;&#xA;(George comes down from another hallway and sees them. Alex goes to speak but George beats him to it)&#xA;&#xA;George: Remember when he wallpapered the hospital with pictures of you in your underwear?&#xA;&#xA;Izzie: Yeah... Yeah I do. (she walks off)&#xA;&#xA;Alex: That was before I knew you. (George walks up to Alex) Thanks man, very helpful.&#xA;&#xA;George: I need you to help me do an exam on Meredith's mom.&#xA;&#xA;Alex (sarcastic): Oh a standard exam. You did go to med school, right?&#xA;&#xA;George: She thinks I'm her ex-husband. She won't let me.&#xA;&#xA;(Ellis Grey rifling through her bed-side drawers. Alex and George enter her room)&#xA;&#xA;George: Dr. Grey.&#xA;&#xA;Ellis: Oh damn it Thatcher I'm at work. I've already told you I'm too busy to deal with you now. No more cartoons.&#xA;&#xA;George: She means interruptions.&#xA;&#xA;Alex: No more interruptions Thatch. You heard the doctor. (Alex walks in up to Ellis)&#xA;&#xA;Hi ma'am I'm Dr. Karev. (he shake's Ellis' hand) Please to meet you Dr. Grey. I've always admired your work.&#xA;&#xA;Ellis: So you're familiar with the laparoscopic-grey method?&#xA;&#xA;Alex: Oh I've studied footage of the operation you pioneered. (he removes his stethoscope) You're something else.&#xA;&#xA;(George is watching on)&#xA;&#xA;Ellis: Good. Well then we're wasting time. Let's scrub in.&#xA;&#xA;Alex: Well Dr. Grey I'm going to need to do a short exam before you start surgery. (Ellis looks on questioningly)I know. New hospital policy. Annoying PR crap.&#xA;&#xA;Ellis: Ah! (she removes her cardigan which is over her hospital gown) Make it quick.&#xA;&#xA;(Alex starts listening to heart beat with his stethoscope)&#xA;&#xA;Alex: Why don't you wait outside Thatcher? I can take it from here.&#xA;&#xA;(George leaves the room)&#xA;&#xA;Alex: Take a deep breath.&#xA;&#xA;(NICU unit. Addison is watching over the premature baby who is gripping Addison's finger. Izzie walks into the room with the baby's chart)&#xA;&#xA;Izzie: She's got a good grip.&#xA;&#xA;Addison: Yeah.&#xA;&#xA;Izzie: I don't think, ... (she shakes her head and paces the chart to Addison) it doesn't look good.&#xA;&#xA;Addison: She's a got a resistant strain of pneumococcus. The antibiotics aren't working. You may want to get yourself reassigned Dr. Stevens. I don't think we'll be operating today.&#xA;&#xA;Izzie: So do you think Dr. Shepherd was right?&#xA;&#xA;Addison: She's just too far gone ... She does have a good grip.&#xA;&#xA;(OR with Dr. Burke still operating on Mr. Gaston. Christina is looking exhausted and sweaty)&#xA;&#xA;Burke: The tumor has infiltrated the pericardium.&#xA;&#xA;(Dr. Burke still operating looks at Christina. She appears to be daydreaming.)&#xA;&#xA;Burke: Yang. (his voice sounds distant and muffled from Christina's perspective. Her surroundings appear blurry.) Yang!&#xA;&#xA;Cristina: What, sorry?&#xA;&#xA;Burke: Is my surgery interrupting your daydreaming?&#xA;&#xA;Cristina: No. Sorry.&#xA;&#xA;(Pans up to viewing room were other doctors are watching including Dr. Bailey. Izzie walks in and sits next to her. Izzie sighs)&#xA;&#xA;Bailey: You have a problem?&#xA;&#xA;Izzie: No.&#xA;&#xA;Bailey: You have a mocha latte?&#xA;&#xA;Izzie: No.&#xA;&#xA;Bailey: Then go away.&#xA;&#xA;Izzie: Actually I need a new assignment. The uh Shepherds' preemie case is not surgical.&#xA;&#xA;Bailey: Not surgical?&#xA;&#xA;Izzie: Non-operable.&#xA;&#xA;Bailey: Sucks.&#xA;&#xA;Izzie: Yeah.&#xA;&#xA;Bailey: Did you know about Ellis Grey? Did Meredith tell you?&#xA;&#xA;Izzie: No. It's just that you think, you think you know someone. You know who they are. You share a house. Make wishes on eyelashes with them. ... We don't know each other. None of us. We're just a bunch of interns who work together. There's nothing there.&#xA;&#xA;(Goes back to O.R. Christina is still seeing blurry)&#xA;&#xA;Burke: There is an arrhythmia when I press down on the tumor. That is a sign of what, Yang?&#xA;&#xA;Cristina: Um ... ... ah it's a sign of, it's a ... it's a sign that the uh tumor has infiltrated the pericardium.&#xA;&#xA;Burke: Possibilities?&#xA;&#xA;Cristina: In all...I'm sorry. I ...&#xA;&#xA;Burke: Do your homework Yang. It could be causing a tear in the aortic muscle of the heart.&#xA;&#xA;Doctor: Hmm. So he's got a broken heart.&#xA;&#xA;(Christina sways and collapses on the floor)&#xA;&#xA;Doctor: Dr. Yang are you okay?&#xA;&#xA;Burke: Cristina. Cristina.&#xA;&#xA;(Camera moves back to viewing room where Izzie and Dr. Bailey have leapt up to their feet and see Cristina lying on the floor, surrounded by doctors)&#xA;&#xA;Burke: Somebody help her!&#xA;&#xA;(The doctors lay Cristina on her back. Izzie &amp;amp; Dr. Bailey leave the viewing room. Dr. Burke has stopped the surgery but not moved from where he's standing. Doctors still surround Cristina)&#xA;&#xA;Burke: Cristina! Don't just stand there dammit. Somebody help her. Get a gurney in here!&#xA;&#xA;(Izzie &amp;amp; Dr. Bailey put on masks and enter the OR. Doctors rush out to get a gurney)&#xA;&#xA;Burke: Cristina.&#xA;&#xA;Izzie: Cristina.&#xA;&#xA;Bailey: We've got it Dr. Burke. We've got it.&#xA;&#xA;(Breathing mask is being put on Cristina's face)&#xA;&#xA;Burke: Okay talk to me. Tell me what we do we know. What do we know? Talk to me Stevens.&#xA;&#xA;Izzie: I don't know.&#xA;&#xA;Burke: Come on people let's move.&#xA;&#xA;Bailey: Cristina! What hurts? (Cristina doesn't respond but is conscious) Let's get her out of here. There's a patient on the table. Lift.&#xA;&#xA;(They lift Cristina onto the gurney and start moving her out of the OR)&#xA;&#xA;Bailey: Good, good.&#xA;&#xA;Burke: Dr. Bailey when you get her stabilized, I need a report please. (she doesn't answer) Dr. Bailey?!&#xA;&#xA;Bailey (busy): Right Dr. Burke!&#xA;&#xA;(They move Cristina out and down the hall)&#xA;&#xA;Bailey: Uh! Her pulse is racing. I need her on a monitor to get a BP. Also I want her started on a liter of LR wide open (Cristina is trying to talk) Izzie run ahead to emergency and let them know we're on our way.&#xA;&#xA;(Cristina is still trying to talk. Izzie removes her mask)&#xA;&#xA;Izzie (whispers): What?&#xA;&#xA;Cristina (breathless): Seven weeks. I'm pregnant Izzie. Izzie, I'm pregnant.&#xA;&#xA;(Izzie &amp;amp; Dr. Bailey stop and look at each other. They move the gurney into an elevator. Izzie is standing shocked outside)&#xA;&#xA;Bailey (to another doctor with the gurney): Uh, okay no. We're going to pre-op instead. (To Izzie) Find Addison Shepherd. Izzie be discreet.&#xA;&#xA;(Elevator doors close)&#xA;&#xA;(Addison and Richard walking down hall. Richard is wearing another new hat. This time a grey kinda 1920s gangster hat)&#xA;&#xA;Addison: So I'm leaving in the morning.&#xA;&#xA;Richard: No.&#xA;&#xA;Addison: Excuse me?&#xA;&#xA;Richard: No. I'm not accepting your resignation.&#xA;&#xA;Addison: It's not a resignation Richard. It's notification. I don't officially work for you.&#xA;&#xA;(They enter Richard's office)&#xA;&#xA;Addison: I came here for one case. I can track the twins progress from New York.&#xA;&#xA;Richard: What about the preemie?&#xA;&#xA;Addison: I'm letting go of the preemie, you know that. ... He calls me Satan, Richard.&#xA;&#xA;Richard: You don't like to hide from a fight.&#xA;&#xA;Addison: It's not a fight. He wins. (Richard puts away his hat) I'm leaving in the morning.&#xA;&#xA;(Addison moves to leave. George knocks on the door and steps into Richard's office)&#xA;&#xA;Richard: What is it O'Malley?&#xA;&#xA;George: It's Dr. Grey, sir. Ellis.&#xA;&#xA;(Izzie walking down a hallway looking for Addison. The level above where Richard and George are walking. Addison is trailing behind. Richard has switched to a bowlers cap now)&#xA;&#xA;George: CT confirmed diverticulitis but a liver mass was also found.&#xA;&#xA;Richard: My god.&#xA;&#xA;George: Poor Meredith. As if her mother having Alzheimer's isn't bad enough now she has to deal with liver cancer.&#xA;&#xA;(They start heading downstairs)&#xA;&#xA;Richard: You won't know that its cancer until you do a biopsy O'Malley.&#xA;&#xA;George: Right. Sorry.&#xA;&#xA;(Izzie comes to the bottom of the stairs. They stop walking.)&#xA;&#xA;Izzie: Excuse me Dr. Shepherd. We need you fast. ( Addison looks at Richard briefly) Um...it's Cristina, one of our interns. She's ... (she obviously doesn't want to say this in front of George) she's collapsed.&#xA;&#xA;George: Cristina's collapsed?&#xA;&#xA;Addison : Why do you need me?&#xA;&#xA;(Izzie sighs but doesn't say anything. Comprehension dawns on Addison and Richard, realizing she must be pregnant. George looks at them getting it too)&#xA;&#xA;George: Cristina's pregnant?!&#xA;&#xA;Izzie: Shut up George. (speaks to Addison) Please come.&#xA;&#xA;(Addison follows Izzie)&#xA;&#xA;Addison: This doesn't change anything Richard I'm still leaving in the morning.&#xA;&#xA;George: This is a very bad day.&#xA;&#xA;&#xA;&#xA;(OR room where Derek is performing the ETS on Kelly. Alex &amp;amp; Meredith are there as well)&#xA;&#xA;Derek: Okay Dr. Karev if were going to stop her blushing we have to expose the sympathetic ganglion chain, which resides where?&#xA;&#xA;(Richard enters the O.R with George standing at the doorway)&#xA;&#xA;Richard: It's time to clear me for surgery Shepherd.&#xA;&#xA;Derek: What?&#xA;&#xA;Richard: I know you heard me. I'm standing right here.&#xA;&#xA;Derek: Chief I'm a little busy. We'll talk about it later.&#xA;&#xA;(Richard walks in holding a mask over his mouth. The door to the OR closes. George is waiting outside)&#xA;&#xA;Richard: Just give a verbal okay and we can do the paperwork later.&#xA;&#xA;Derek: I cannot do that.&#xA;&#xA;Richard: I am your chief of surgery. This is not a request.&#xA;&#xA;Derek: With all do respect, sir in this situation I am not your subordinate. I'm your doctor. Once week after brain surgery, you are not ready to resume medical practice.&#xA;&#xA;Richard: It's a simple procedure. A needle biopsy. A resident could do it.&#xA;&#xA;Derek: So let a resident do it. What am I missing here?&#xA;&#xA;(Meredith is watching the conversation, realizes what it's about)&#xA;&#xA;Meredith: It's for my mother, isn't it? You think she has cancer?&#xA;&#xA;Richard: George needs your signature.&#xA;&#xA;(Meredith looks at Derek and then leaves the OR)&#xA;&#xA;Derek: Look Richard I know she's your friend but I'm not clearing you for surgery.&#xA;&#xA;(Meredith has come out of the OR to sign the forms needed to do the procedure)&#xA;&#xA;Meredith: What's her total bili?&#xA;&#xA;George: It's actually only 4. (Meredith nods) It's not great but it's not terrible.&#xA;&#xA;(George hands her the forms and a pen to sign)&#xA;&#xA;Meredith: That's why I didn't see the jaundice&#xA;&#xA;George (looks uncomfortable): No one could we just have to wait and see.&#xA;&#xA;Meredith: What aren't you telling me?&#xA;&#xA;George: It's Cristina.&#xA;&#xA;(Addison is performing an ultrasound on Cristina who is now lying in a hospital bed. Dr. Bailey is standing behind Cristina's bed, stroking her hair)&#xA;&#xA;Addison: Have you notified the father?&#xA;&#xA;(Cristina doesn't say anything, just sort of breaths funny)&#xA;&#xA;Bailey: Cristina? Cristina? Uh, Cristina? Cristina? Is there anyone we can call? (Cristina just continues slightly gasping) Oh we're losing her.&#xA;&#xA;Addison (pointing to the screen displaying Cristian's uterus): Oh man do you see that? It's an extra uterine pregnancy in the tube there. She's bleeding out.&#xA;&#xA;(Dr. Burke whose just coming out of the O.R now. He's stopped by Richard just outside the whiteboard which lists all the surgeries occurring in the OR's of the hospital and at what time)&#xA;&#xA;Richard: Ah good you're finished. I need you to do a needle biopsy.&#xA;&#xA;Burke: Uh...gotta go check on ... there's someone I need to see about. I had an intern collapse on me in the middle of surgery so if this can wait...&#xA;&#xA;Richard (adamant): No I need you to do a needle biopsy now.&#xA;&#xA;Burke: Chief now is not the time.&#xA;&#xA;Richard: Look, I'm not in the mood for a debate. You understand. You'll do it because I asked you to.&#xA;&#xA;(An intern is scrubbing off one of the surgeries listed on the OR board and is writing on a new surgery)&#xA;&#xA;Richard: Because I need you to. (Burke looks at him) It's Ellis Grey.&#xA;&#xA;(Richard walks off. Burke eventually follows, but misses the intern writing YANG, C E.R.A on the board)&#xA;&#xA;(O.R where Addison is performing surgery on Cristina to remove the pregnancy. Dr. Bailey is still behind Cristina watching over her. Izzie is observing Addison)&#xA;&#xA;Izzie: She's gonna be okay, right?&#xA;&#xA;Addison: How attached was she to this pregnancy?&#xA;&#xA;Izzie: I don't know. She's a pretty private person.&#xA;&#xA;Addison: She's lost a lot of blood but I've got it from here. (continues performing surgery) Dr. Bailey you must have a surgery or two of your own today.&#xA;&#xA;Bailey: I'm fine right here.&#xA;&#xA;(Derek washing his hands after the surgery. Meredith and Alex enter the room to wash up as well)&#xA;&#xA;Meredith (to Alex): Can you do the follow up? I wanna check on Cristina.&#xA;&#xA;Alex: Yeah. You know what's wrong with her?&#xA;&#xA;(Derek stops Meredith and holds her arms comfortingly. Meredith backs out of his grasp looking upset. Dr. Shepherd holds his arms up in defense)&#xA;&#xA;Meredith (sharply): Don't!&#xA;&#xA;Derek: Sorry.&#xA;&#xA;Meredith: Don't be sorry. I'm so tired it, you being sorry.&#xA;&#xA;Derek: Dr. (cut of by Meredith)&#xA;&#xA;Meredith: Don't do it!&#xA;&#xA;Derek: Dr. Grey ...&#xA;&#xA;Meredith (annoyed): Dr. Grey, seriously. Are you concerned about Alex finding out about us? Is that what matters to you? Do you really think he cares?&#xA;&#xA;(Meredith turns to Alex. Alex is trying not to look bemused)&#xA;&#xA;Meredith (loudly): Alex do you care that I was the intern stupid enough to screw the married attending?&#xA;&#xA;Alex: No.&#xA;&#xA;(Meredith looks pointingly at Derek)&#xA;&#xA;Derek: It's okay.&#xA;&#xA;Meredith (loud and upset): It's not okay! You have a wife who's not easy to hate. (They've finished washing up but Alex stays to listen behind Derek) Who's annoyingly kind and painfully smart and currently saving my friend's life.&#xA;&#xA;Derek (softly): Meredith just... (Meredith cuts him off)&#xA;&#xA;Meredith: Don't! Stop talking to me like you're my boyfriend! Stop talking to me at all.&#xA;&#xA;(Meredith leaves the room)&#xA;&#xA;Alex: Dude, that was rough.&#xA;&#xA;(Derek nods slightly and walks out as well)&#xA;&#xA;(Meredith who has run over to outside the OR Cristina is in. She's about to come in. Dr. Bailey sees her and goes over to stop her at the door)&#xA;&#xA;Bailey: Need something?&#xA;&#xA;Meredith: I'm coming in.&#xA;&#xA;Bailey: No you're not.&#xA;&#xA;Meredith: I am. I'm her friend.&#xA;&#xA;Bailey: Exactly. She's lying on the operating table, naked, exposed. She's sedated but she's probably scared out of her mind. Now right now she's not a doctor. She's not your friend. She's a patient and she deserves to have all the privacy I can give her. You're not going in there.&#xA;&#xA;(Addison and Izzie look on)&#xA;&#xA;Meredith (sighs): We went jogging this morning. I made her go jogging. There's no way that could of?&#xA;&#xA;Bailey: No. It started out this way. Nothing caused it to happen.&#xA;&#xA;Meredith: You have to let me in there.&#xA;&#xA;Bailey (jokingly): You can try. I'd have to take you down. Hey I might be short but you're pretty tiny. I could do it.&#xA;&#xA;Meredith: Right now. Just in this moment. I hate you.&#xA;&#xA;Bailey: Hmm, yeah well I can take it.&#xA;&#xA;(Dr. Burke who is performing the needle biopsy on Ellis in her room. George is inside watching)&#xA;&#xA;Burke: Alright Dr. Grey we're going to put you to sleep for a little while, but I promise we'll have you back into surgery in no time.&#xA;&#xA;Ellis: Richard, thank god you're here. You beautiful man. That husband of mine is making me crazy.&#xA;&#xA;(Richard is watching outside through a glass window)&#xA;&#xA;(Derek is looking out into Seattle outside the big glass window in the hall by himself. Meredith is sitting alone in a viewing room of an OR looking upset)&#xA;&#xA;(Derek is watching over the preemie baby. Addison walks in)&#xA;&#xA;Addison: Look at that, BP is stabilizing.&#xA;&#xA;Derek: She's stronger since this morning. (Taking her chart he goes to sit in a rocking chair in the room) There's no reason in the world why she should be stronger since this morning.&#xA;&#xA;Addison: She's really beautiful, isn't she?&#xA;&#xA;Derek: I'll tell you what. If she makes it through the night, if she has a little bit more strength I'll operate.&#xA;&#xA;(They smile at each other)&#xA;&#xA;Addison : You know the way I see it we could deal with us in one of three ways.&#xA;&#xA;(She starts moving towards Derek)&#xA;&#xA;Addison: Option 1. I could apologize. You could forgive me and come home and we could move on with our lives like adults. Or, option 2. I could apologize. You could forgive me, come home but, you can still bring it up to use against me whenever we argue.&#xA;&#xA;Derek: Are you trying to be funny?&#xA;&#xA;(Addison leans over Derek)&#xA;&#xA;Addison: Satan has a sense of humor.&#xA;&#xA;Derek: What's the 3rd?&#xA;&#xA;Addison: I don't know what the 3rd option is.&#xA;&#xA;(Addison leans in and kisses Derek. He kisses back. Addison pulls away)&#xA;&#xA;Addison: I just know that I still love you.&#xA;&#xA;(Dr. Burke and George walking down the hall with OR board)&#xA;&#xA;Burke: Tell them the chief said to put a rush on this biopsy. Tell them it's Ellis Grey.&#xA;&#xA;George: Okay.&#xA;&#xA;(George walks off. Dr. Burke noticing the O.R board stops and stares. George comes back)&#xA;&#xA;George: Dr. Burke do you want the histological grade and staging or any specific stains?&#xA;&#xA;Burke: Have them run all tests.&#xA;&#xA;(He continues to stare at the board. The camera focuses in on next to C.YANG:&#xA;&#xA;EXPLOARATORY LAPAROTOMY&#xA;&#xA;ECTOPIC PREGANCY&#xA;&#xA;PRPS. SALPINGO - OOPHERECTOMY&#xA;&#xA;INPATIENT&#xA;&#xA;Dr. Burke is shocked)&#xA;&#xA;(Cristina lying in a hospital room. Dr Bailey is sitting in a chair watching over her. There's just silence for a little bit)&#xA;&#xA;Cristina: What happened?&#xA;&#xA;Bailey: You had an extra uterine pregnancy. Your left fallopian tube burst. (she sighs) Dr. Shepherd ... she did everything she could but there was too much damage. She couldn't save the tube.&#xA;&#xA;(Cristina doesn't say anything, just closes her eyes)&#xA;&#xA;(Kelly's room. Meredith is checking her. Alex is going over her chart. Kelly is waking up)&#xA;&#xA;Kelly: Hey.&#xA;&#xA;Meredith: Hey.&#xA;&#xA;Kelly: Is it over?&#xA;&#xA;Meredith: Mmm hmm. The surgery was successful. We're just doing a follow up. Dr. Shepherd will be in to check on you in a while.&#xA;&#xA;(Kelly doesn't blush)&#xA;&#xA;Kelly: Say that again.&#xA;&#xA;Alex: What?&#xA;&#xA;Kelly: Say his name. Dr. Shepherd. (she still doesn't blush) Oh my god look at my face. Dr. Shepherd. Dr. Shepherd.&#xA;&#xA;Meredith: Guess it was worth the risk. (Kelly chuckles and is smiling happily)&#xA;&#xA;(Alex and Meredith leave her room)&#xA;&#xA;Alex: Still think its nuts having major surgery just so people can't tell how you're feeling.&#xA;&#xA;Meredith: Really, you do?&#xA;&#xA;Alex: Nah. I guess not. (Alex walks ahead a little but stops and turns back to Meredith) You could talk you know. If you need to.&#xA;&#xA;Meredith: I'm fine.&#xA;&#xA;Alex: You've said that word so many times today it doesn't even sound like a work anymore. Just saying you can talk to me cause even if I repeat every word you say no one around here likes me. They'll just call me a liar and move on.&#xA;&#xA;Meredith (smiling): Izzie likes you. (Alex turns away trying not to smile). You're blushing.&#xA;&#xA;Alex: Shut up. (comes back up to Meredith) Look for what it's worth, I don't know how you're still on your feet. If I found out my mom might have cancer I'd be under the bar right now.&#xA;&#xA;Meredith: You want the ugly truth?&#xA;&#xA;Alex: What you have an ugly truth? (shakes his head) I never would have picked you to have an ugly truth.&#xA;&#xA;Meredith: I'm more afraid she doesn't have cancer.&#xA;&#xA;Alex: Well. Liver cancer's fast. Painful but its fast and they give you morphine. They don't give you morphine for Alzheimer's.&#xA;&#xA;Meredith: No they don't. (sighs) What kind of person wishes their mother has cancer?&#xA;&#xA;(Alex doesn't reply)&#xA;&#xA;(Richard in Ellis Grey's room. She is sleeping)&#xA;&#xA;Richard (sighs): It's hard. I know its hard being the one who's gone. But man it isn't easy being the one who's still around.&#xA;&#xA;(Meredith and George waiting for her mother's biopsy results at the nurses station. Izzie comes in and sits next to George)&#xA;&#xA;Izzie: Hey did you get your mom's biopsy results back yet?&#xA;&#xA;George: Not yet.&#xA;&#xA;Meredith: How's Cristina?&#xA;&#xA;Izzie (sighs): She's ah... she's gonna have a lotta pain for a few days but she'll be okay.&#xA;&#xA;Meredith: I'm glad you were there.&#xA;&#xA;Izzie: Are you?&#xA;&#xA;Meredith: Yes, I am.&#xA;&#xA;Izzie: It's just (half laughs) it's just that a lot of the time it feels like you and Cristina are kinda over there and ... I'm here.&#xA;&#xA;Meredith: So bout Alex.&#xA;&#xA;Izzie: Yeah I know, I know. You guys hate him. Fine.&#xA;&#xA;(George groans)&#xA;&#xA;Meredith: Yeah we do but I just wanna say that I believe you. That he's different once you get to know him.&#xA;&#xA;(Izzie smiles)&#xA;&#xA;Lab Tech: Here you go. (Lab tech appears and hands results to Meredith) Ellis Grey.&#xA;&#xA;(She reads the results while George and Izzie look on. She gets up and gives the results to George)&#xA;&#xA;Meredith: Let her know.&#xA;&#xA;(She starts walking away)&#xA;&#xA;Izzie: Meredith, are you okay?&#xA;&#xA;Meredith: No. I'm not okay.&#xA;&#xA;(Ellis Grey lying in her hospital bed. George walks in)&#xA;&#xA;George: Dr. Grey.&#xA;&#xA;(She opens her eyes startled)&#xA;&#xA;Ellis: Oh please Thatcher I've had a long day. Go away&#xA;&#xA;(She closes her eyes)&#xA;&#xA;George: No! (she opens them again)&#xA;&#xA;Ellis: What?&#xA;&#xA;George: No. (he checks to see if anyone is nearby) I am Thatcher Grey and I'm your husband. And uh I know you don't like me very much but ... the fact is I don't always like you very much either. (Ellis looks surprised) I don't like the way you speak to me. And I really hate the way you speak to Meredith. She deserves better from you.&#xA;&#xA;Ellis: I'm sorry.&#xA;&#xA;George: You are?&#xA;&#xA;Ellis: What's wrong with me Thatch?&#xA;&#xA;George: Ah, the mass on your liver ... (she cuts him off)&#xA;&#xA;Ellis: Is it algebra? ... I mean is it alge ... damn it. (sighs) Is it malignant?&#xA;&#xA;George: No. It's benign.&#xA;&#xA;(Outside SGH)&#xA;&#xA;(Derek walking out of the hospital. He's sees Meredith sitting on a bench. She's crying but he can't see her face only her back.)&#xA;&#xA;Derek: Meredith?&#xA;&#xA;Meredith (softly): Oh.&#xA;&#xA;Derek: Meredith.&#xA;&#xA;Meredith (sobs): Don't. ... Please, please just don't say anything.&#xA;&#xA;Derek: Okay.&#xA;&#xA;(He's still standing there. She gets up and goes around the bench, stopping in front of him. He looks concerned)&#xA;&#xA;Meredith: I'm just exhausted. My mother is exhausting. What happened to Cristina and you. Hating you is the most exhausting.&#xA;&#xA;(She grabs his face and kisses him briefly)&#xA;&#xA;Meredith: I don't want to do it anymore.&#xA;&#xA;(She walks back into the hospital. Derek is stunned.)&#xA;&#xA;(SGH)&#xA;&#xA;MVO: No one likes to lose control but as a surgeon there's nothing worse.&#xA;&#xA;(Ellis Grey's room. She's made space for 'Thatch' on her bed. George stares. She pats it. He eventually sits on the bed and lies next to her.)&#xA;&#xA;MVO: It's a sign of weakness. Of not being up to the task.&#xA;&#xA;(Izzie &amp;amp; Alex standing in a hallway in the hospital outside a doorway)&#xA;&#xA;Izzie: How can someone be so offensive and yet so charming all at the same time?&#xA;&#xA;Alex: It's an art form.&#xA;&#xA;Izzie: Hmm&#xA;&#xA;(They both smile. She walks off)&#xA;&#xA;MVO: And still there are times when it just gets away from you.&#xA;&#xA;(Ellis &amp;amp; George. She kisses him on the cheek)&#xA;&#xA;MVO: When the world stops spinning. And you realize that your shiny little scalpel isn't gonna save you.&#xA;&#xA;(Meredith walking into Cristina's hospital room. There's no one else there)&#xA;&#xA;(Dr. Burke talking to Mr. Gaston in his hospital room)&#xA;&#xA;Burke: We went in expecting to simply remove the tumor. Instead it was a little more complicated. The tumor infiltrated into the pericardium causing a tear in the outer muscle of the heart.&#xA;&#xA;Mr. Gaston: Um. That's a lot of medical talk.&#xA;&#xA;Burke (finding it difficult to talk): It means um ... (clears throat and takes off his glasses) It means ... that you had... you had a broken heart literally. (he smiles wryly) um ... but now I am um ... (he half laughs) but now you're going to be fine.&#xA;&#xA;(He walks out of the room. He squeezes his eyes shut, trying not to cry?)&#xA;&#xA;MVO: No matter how hard you fight it. You fall. And its scary as hell.&#xA;&#xA;(Burke stops in front of Cristina's room. Cristina is sleeping. Meredith, Alex, George and Izzie are in there)&#xA;&#xA;MVO: Except there's an upside to free falling. It's the chance you give your friends to catch you.&#xA;&#xA;(Dr. Burke walks away)" PRODUCER="2008 Marine Parade" COVERARTID="002/CU0XHYCESM2YVB5Q1GOOCXABSRXB" KEY="12m" PLAYCOUNT="2" PLAYTIME="304" PLAYTIME_FLOAT="303.412231" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="36513"></INFO>
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<INFO BITRATE="995000" KEY_LYRICS="1 ContributorWay U Move (Radio Edit) Lyrics(I love the way that) Woo!&#xA;(I love the way that) Uh-huh&#xA;(I love the way that) Yeah, yeah&#xA;(You move, so why don't you)&#xA;It's good&#xA;&#xA;(I love the way that) It's really good&#xA;(I love the way that) And you know this&#xA;(I love the way that)&#xA;(You move, so why don't you)&#xA;&#xA;When sunset past the bloom&#xA;Nightlife resumes&#xA;Bringing me to déjà vu, kung fu&#xA;But not much but my girl and my crew&#xA;So it ain't hard to tell&#xA;What we try to do&#xA;&#xA;Wex stop, non-stop and head lock&#xA;Old school soul coming back from Bedrock&#xA;Got new rags and my lady dress hot&#xA;Move to the core, even wore by best socks&#xA;&#xA;Music's like a heart, suck sweet&#xA;It's not what it used to bе&#xA;So give me old LPs, a beat&#xA;A basеline, move feet&#xA;And a AJ PP Watts 'til next week (Next week)&#xA;My girl look like she wanna get deep (Deep)&#xA;Conversate through the night with no sleep (No sleep)&#xA;It's what I call the best of both worlds&#xA;Love for the music and love for the girl&#xA;&#xA;(All night long, stay with me so we can dance all night)&#xA;(All night long, you and me, we  all night)&#xA;(All night long, stay with me so we can dance all night)&#xA;(All night long, you and me, we  all night)&#xA;&#xA;(I love the way that) You move&#xA;(I love the way that) You move&#xA;(I love the way that you move, so why don't you)&#xA;Come on&#xA;&#xA;Your feet is tappin', my head is jerkin'&#xA;The record's playin'&#xA;(? is workin') Old school beat, new kid soul&#xA;Sit back, son, let it take control&#xA;The light of ?, yes, I'm a smoker&#xA;Hooked on the streets and la vida loca&#xA;&#xA;Check out the schemes, the perfect pitches&#xA;Addicted to the crime, so you wanna prescriptions&#xA;Working class kid, you makin' it perfect&#xA;Young black, sixteen, the usual suspect&#xA;Cruise his block with a shiny object&#xA;Come 'round here, better watch your pocket&#xA;Don't want much but a fresh condo&#xA;Me and my boys we stay legit though&#xA;Still kinda high, slow down the tempo&#xA;When I hear a different beat, I switch to the next flo'&#xA;&#xA;(All alone, stay with me so we can dance all night)&#xA;(All alone, you and me, we get some ? on)&#xA;(All alone, stay with me so we can dance all night)&#xA;(All alone, you and me, we get some ? on)&#xA;&#xA;(I love the way that) You move&#xA;(I love the way that) You move&#xA;(I love the way that you move, so why don't you)&#xA;Woo&#xA;&#xA;You don't what I'm conteplatin'&#xA;When I step up to the booth&#xA;Open up the showroom 'til I speak the truth&#xA;Back in the day, old school, the things we go through&#xA;Afros, combos, just to look cool&#xA;Now, don't let anybody get in my way&#xA;Mickey Sure, are you ready, then you ready to play?&#xA;&#xA;I'm the one in control when I do what I do&#xA; to the bone like they go through your shoe&#xA;So on and so forth, I change the tone&#xA;On the microphone, let me show you how it get done&#xA;My crew never knew, no we rock shows&#xA;With hip hop and Tupac and Biggie and Cole&#xA;I'm Batman (Woo), I'm living' the nightlife&#xA;Entertaining my lady with sunshine in my life&#xA;Make you neck jump, make your head hurt&#xA;They call me Fred Durst&#xA;Tell me, what you gonna do now?&#xA;&#xA;(All night long, stay with me so we can dance all night)&#xA;(All night long, you and me, we  all night)&#xA;(All night long, stay with me so we can dance all night)&#xA;(All night long, you and me, we  all night)&#xA;&#xA;(I love the way that you move, so why don't you) Dance with me&#xA;(I'm by myself, watch you move, do what you do) All night long&#xA;(I love the way that you move, so why don't you) Dance with me&#xA;(Can't help myself, watch you move, do what you do)&#xA;&#xA;(All night long, stay with me so we can dance all night)&#xA;(All night long, you and me, we  all night)&#xA;(All night long, stay with me so we can dance all night)&#xA;(All night long, you and me, we  all night)&#xA;Baby" PRODUCER="Under exclusive license to Warner Music UK Limited, ℗ 2022 Kuu" COVERARTID="102/GHSK5QCIFM0BEDTHH1OQCFQZINTA" KEY="1m" PLAYCOUNT="2" PLAYTIME="187" PLAYTIME_FLOAT="186.264938" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/6/19" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="23310" COLOR="1"></INFO>
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<INFO BITRATE="787000" KEY_LYRICS="1 ContributorTranslations한국어EnglishTHE BOYZ - Diamond Life (Romanized) Lyrics&#xA;On my, on my way&#xA;On my, on my way&#xA;On my, on my way, yeah&#xA;On my, on my way&#xA;On my, on my way&#xA;On my, on my way&#xA;On my, on my way, yeah (Oh)&#xA;On my, on my way&#xA;&#xA;&#xA;Churageun beautiful&#xA;Simjange paein hole&#xA;Gamjeong geu deoche fall&#xA;Gikkeoi bachideut gipi ppajyeo ga (Yeah)&#xA;Imi sijakdwaetji ain't no brake&#xA;Dorikil su eopsi bareul tte, I feel no pain&#xA;Ije ttaega wa jom deo araero himkkeot badak chindaedo&#xA;Now, I'm losing all control, yeah, nae son jaba jwo&#xA;&#xA;&#xA;Geu kkeuteun danger, I know&#xA;Jagakalsurok want it more&#xA;Jjitgyeojin du nalgaero bisanghae&#xA;Neoege churakae, here wе go&#xA;&#xA;I'm in diamond life&#xA;Adeuki nuntteun bam&#xA;Narеul samkin moonlight&#xA;Shining like nunmeol deuthan i feeling&#xA;Deo gipi nan ppajyeo ga can't stop&#xA;Gibuneun high, chungdolhan sungan I feel alive&#xA;Diamond life, neoya&#xA;Areumdapge nal ikkeun my heaven (My heaven)&#xA;&#xA;&#xA;On my, on my way&#xA;On my, on my way&#xA;On my, on my way, yeah&#xA;On my, on my way&#xA;&#xA;&#xA;Yeah, yeah, yeah&#xA;Simjang sorin louder, dalbit arae shower&#xA;Imi stop, go? seontaekjineun sarajin&#xA;Hold up, geu sok hangaunde inneun neo&#xA;Budichyeodo never stop, oh, no, no, here we go&#xA;Amheuk sok gipi samkyeojin&#xA;Naege challanhi pyeolchyeojin, you are my highlight&#xA;You are my everything&#xA;Pihaji ma, ah, ah, ah, ah, ah (pihaji ma)&#xA;&#xA;Geu kkeuteun danger, I know&#xA;Jagakalsurok want it more&#xA;Jjitgyeojin du nalgaero churakae&#xA;Neoege bisanghae, here we go&#xA;&#xA;&#xA;I'm in diamond life&#xA;Adeuki nuntteun bam&#xA;Nareul samkin moonlight&#xA;Shining like nunmeol deuthan i feeling (Yeah)&#xA;Deo gipi nan ppajyeo ga, can't stop&#xA;Gibuneun high, chungdolhan sungan, I feel alive (Woah)&#xA;Diamond life, neoya&#xA;Areumdapge nal ikkeun my heaven (My heaven)&#xA;&#xA;&#xA;On my, on my way&#xA;On my, on my way&#xA;On my, on my way, yeah&#xA;On my, on my way (I'm alive)&#xA;On my, on my way&#xA;On my, on my way&#xA;On my, on my way, yeah&#xA;On my, on my way (Yeah, yeah, yeah)&#xA;&#xA;Nunbusin i sungan, ready to fall (I'm ready)&#xA;On sesangeul eopeo neoegero (Ready)&#xA;Nuneul tteun nae simjang, ready to love (What? Yeah)&#xA;Yeah, yeah, in the spotlight&#xA;&#xA;&#xA;Nae mami nareul tteomireo&#xA;Nege nal deonjideusi&#xA;Nae unmyeongeul geoseulleo&#xA;I'm in too deep, I love it (I love it)&#xA;Ayy, ayy, nega seo inneun got (inneun got)&#xA;Swim eopsi nan nae jeonbureul georeo ganeun geol (Yeah, love it)&#xA;You are my heart, oh, oh, oh&#xA;Modeun geol ileoya handa haedo (Yeah, yeah, yeah, yeah, yeah, yeah)&#xA;Yeah, woo, diamond life&#xA;&#xA;&#xA;I'm in diamond life (I'm in diamond life)&#xA;Adeuki nuntteun bam (adeuki nuntteun bam)&#xA;Nareul samkin moonlight&#xA;Shining like nunmeol deuthan i feeling (dasi nan taeeona)&#xA;Tto dasi nan taeeona your eyes&#xA;Nal bichwo wa taoreun sunlight na seontaekan (Ah)&#xA;Diamond life, neoya&#xA;Areumdapge nal ikkeun my heaven (My heaven)&#xA;&#xA;&#xA;On my, on my way&#xA;On my, on my way&#xA;On my, on my way, yeah&#xA;On my, on my way" PRODUCER="Rollerblaster Records" COVERARTID="081/RSYW2UBLQHJ1NCP50SKKDKS1MV5C" KEY="9m" PLAYCOUNT="4" PLAYTIME="226" PLAYTIME_FLOAT="225.777771" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/5/28" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="21913" COLOR="3"></INFO>
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<INFO BITRATE="796000" KEY_LYRICS="13 ContributorsKin (Full Version) LyricsThis is the full version of Kevin Abstract’s track “Kin” from his album American Boyfriend: A Suburban Love Story which got released on November 18, 2016.&#xA;&#xA;The full version of “Kin” was released as a… Read More &#xA;So cry when you hold me, I'm outside&#xA;Take a piece of the motion to roll with, it's alright&#xA;So, ay, ay, it's okay&#xA;So, ay, ay, ay, ay, it's all okay&#xA;&#xA;&#xA;And pray for mom's son&#xA;I've been holding my pain for some time&#xA;I been trying to catch what you sayin'&#xA;And your brain's stuck in the past&#xA;And my past was stuck in my locker&#xA;And the whole world was stuck in my locker&#xA;And I felt the world with my shoes&#xA;And you called me right after school&#xA;And you told me bang with them dudes&#xA;With the same dude that they shot down&#xA;With the same dude that ran my block now&#xA;When the whole block's still hot for the right now&#xA;Never seen a nigga with a Glock now&#xA;'Til you see that nigga turn around with the lockdown&#xA;Never see the, never see the, never see the, never see the&#xA;Touch, 'bout to bang still, bay wheel, uh&#xA;Answer dem, yeah, damage feels&#xA;Damn it's near, I could feel it though&#xA;Might turn around and run it though&#xA;Damn it's here and I don't feel it though&#xA;I need a moment, gotta let it go&#xA;&#xA;So cry when you hold me, I'm outside&#xA;Take a piece of the motion to roll with, it's alright&#xA;So ay, ay, it's okay&#xA;So ay, ay, ay, ay, it's all okay (Okay)&#xA;&#xA;&#xA;I wanna fall from the sky with no parachute&#xA;If I fell super high would you be scared to move?&#xA;I take time with my days and my dad sleep&#xA;'Cause my parents only ones who don't believe in me&#xA;Runaway, don't go back&#xA;Keep it under wraps, better pack my bags&#xA;What you gotta say, don't hold back&#xA;I done fell off track tryna keep up with the past&#xA;&#xA;&#xA;So cry when you hold me, I'm outside&#xA;Take a piece of the motion to roll with, it's alright&#xA;So, ay, ay, it's okay&#xA;So, ay, ay, ay, ay, it's all okay (Okay)&#xA;&#xA;&#xA;And watch it burn, I can't run&#xA;Don't let the world run from ya, I can't run&#xA;Don't let the world burn from ya, I can't earn&#xA;Oh no, no, no&#xA;And watch it burn, I can't run&#xA;Don't let the world run from ya, I can't run&#xA;Don't let the world burn from ya, I can't earn" PRODUCER="Hospital Records" COVERARTID="052/UVSWODBIUPONVA1UJJUGDA55GDYB" KEY="11m" PLAYCOUNT="7" PLAYTIME="230" PLAYTIME_FLOAT="229.333328" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="22600" COLOR="1"></INFO>
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<INFO BITRATE="1049000" KEY_LYRICS="5 ContributorsThe Canterbury Tales (The Squire’s Tale)  LyricsPars Secunda&#xA;&#xA;The norice of digestion, the sleep,&#xA;Gan on them wink, and bade them take keep,&#xA;That muche mirth and labour will have rest.&#xA;And with a gaping mouth he all them kest,&#xA;And said, that it was time to lie down,&#xA;For blood was in his dominatioun:&#xA;&amp;quot;Cherish the blood, nature's friend,&amp;quot; quoth he.&#xA;They thanked him gaping, by two and three;&#xA;And every wight gan draw him to his rest;&#xA;As sleep them bade, they took it for the best.&#xA;Their dreames shall not now be told for me;&#xA;Full are their heades of fumosity,&#xA;That caused dreams of which there is no charge:&#xA;They slepte; till that, it was prime large,&#xA;The moste part, but it was Canace;&#xA;She was full measurable, as women be:&#xA;For of her father had she ta'en her leave&#xA;To go to rest, soon after it was eve;&#xA;Her liste not appalled for to be; to look pale&#xA;Nor on the morrow unfeastly for to see;&#xA;And slept her firste sleep; and then awoke.&#xA;For such a joy she in her hearte took&#xA;Both of her quainte a ring and her mirrour,.&#xA;That twenty times she changed her colour;&#xA;And in her sleep, right for th' impression&#xA;Of her mirror, she had a vision.&#xA;Wherefore, ere that the sunne gan up glide,&#xA;She call'd upon her mistress' her beside,&#xA;And saide, that her liste for to rise.&#xA;These olde women, that be gladly wise&#xA;As are her mistresses answer'd anon,&#xA;And said; &amp;quot;Madame, whither will ye gon&#xA;Thus early? for the folk be all in rest.&amp;quot;&#xA;&amp;quot;I will,&amp;quot; quoth she, &amp;quot;arise; for me lest&#xA;No longer for to sleep, and walk about.&amp;quot;&#xA;Her mistresses call'd women a great rout,&#xA;And up they rose, well a ten or twelve;&#xA;Up rose freshe Canace herselve,&#xA;As ruddy and bright as is the yonnge sun&#xA;That in the Ram is four degrees y-run;&#xA;No higher was he, when she ready was;&#xA;And forth she walked easily a pace,&#xA;Array'd after the lusty season swoot,&#xA;Lightely for to play, and walk on foot,&#xA;Nought but with five or six of her meinie;&#xA;And in a trench forth in the park went she.&#xA;The vapour, which up from the earthe glode,&#xA;Made the sun to seem ruddy and broad:&#xA;But, natheless, it was so fair a sight&#xA;That it made all their heartes for to light,&#xA;What for the season and the morrowning,&#xA;And for the fowles that she hearde sing.&#xA;For right anon she wiste what they meant knew&#xA;Right by their song, and knew all their intent.&#xA;The knotte, why that every tale is told,&#xA;If it be tarried till the list be cold&#xA;Of them that have it hearken'd after yore,&#xA;The savour passeth ever longer more;&#xA;For fulsomness of the prolixity:&#xA;And by that same reason thinketh me.&#xA;I shoulde unto the knotte condescend,&#xA;And maken of her walking soon an end.&#xA;Amid a tree fordry, as white as chalk,&#xA;There sat a falcon o'er her head full high,&#xA;That with a piteous voice so gan to cry;&#xA;That all the wood resounded of her cry,&#xA;And beat she had herself so piteously&#xA;With both her winges, till the redde blood&#xA;Ran endelong the tree, there as she stood&#xA;And ever-in-one alway she cried and shright;&#xA;And with her beak herselfe she so pight,&#xA;That there is no tiger, nor cruel beast,&#xA;That dwelleth either in wood or in forest;&#xA;But would have wept, if that he weepe could,&#xA;For sorrow of her; she shriek'd alway so loud.&#xA;For there was never yet no man alive,&#xA;If that he could a falcon well descrive;&#xA;That heard of such another of fairness&#xA;As well of plumage, as of gentleness;&#xA;Of shape, of all that mighte reckon'd be.&#xA;A falcon peregrine seemed she,&#xA;Of fremde land; and ever as she stood&#xA;She swooned now and now for lack of blood;&#xA;Till well-nigh is she fallen from the tree.&#xA;&#xA;This faire kinge's daughter Canace,&#xA;That on her finger bare the quainte ring,&#xA;Through which she understood well every thing&#xA;That any fowl may in his leden sayn,&#xA;And could him answer in his leden again;&#xA;Hath understoode what this falcon said,&#xA;And well-nigh for the ruth almost she died;.&#xA;And to the tree she went, full hastily,&#xA;And on this falcon looked piteously;&#xA;And held her lap abroad; for well she wist&#xA;The falcon muste falle from the twist&#xA;When that she swooned next, for lack of blood.&#xA;A longe while to waite her she stood;&#xA;Till at the last she apake in this mannere&#xA;Unto the hawk, as ye shall after hear:&#xA;&amp;quot;What is the cause, if it be for to tell,&#xA;That ye be in this furial pain of hell?&amp;quot;&#xA;Quoth Canace unto this hawk above;&#xA;&amp;quot;Is this for sorrow of of death; or loss of love?&#xA;For; as I trow, these be the causes two;&#xA;That cause most a gentle hearte woe:&#xA;Of other harm it needeth not to speak.&#xA;For ye yourself upon yourself awreak;&#xA;Which proveth well, that either ire or dread&#xA;Must be occasion of your cruel deed,&#xA;Since that I see none other wight you chase:&#xA;For love of God, as do yourselfe grace;&#xA;Or what may be your help? for, west nor east, yourself&#xA;I never saw ere now no bird nor beast&#xA;That fared with himself so piteously&#xA;Ye slay me with your sorrow verily;&#xA;I have of you so great compassioun.&#xA;For Godde's love come from the tree adown&#xA;And, as I am a kinge's daughter true,&#xA;If that I verily the causes knew&#xA;Of your disease, if it lay in my might,&#xA;I would amend it, ere that it were night,&#xA;So wisly help me the great God of kind&#xA;And herbes shall I right enoughe find,&#xA;To heale with your hurtes hastily.&amp;quot;&#xA;Then shriek'd this falcon yet more piteously&#xA;Than ever she did, and fell to ground anon,&#xA;And lay aswoon, as dead as lies a stone,&#xA;Till Canace had in her lap her take,&#xA;Unto that time she gan of swoon awake:&#xA;And, after that she out of swoon abraid,&#xA;Right in her hawke's leden thus she said:&#xA;&amp;quot;That pity runneth soon in gentle heart&#xA;(Feeling his simil'tude in paines smart),&#xA;Is proved every day, as men may see,&#xA;As well by work as by authority;&#xA;For gentle hearte kitheth gentleness.&#xA;I see well, that ye have on my distress&#xA;Compassion, my faire Canace,&#xA;Of very womanly benignity&#xA;That nature in your princples hath set.&#xA;But for no hope for to fare the bet,&#xA;But for t' obey unto your hearte free,&#xA;And for to make others aware by me,&#xA;As by the whelp chastis'd is the lion,&#xA;Right for that cause and that conclusion,&#xA;While that I have a leisure and a space,&#xA;Mine harm I will confessen ere I pace.&amp;quot;&#xA;And ever while the one her sorrow told,&#xA;The other wept, as she to water wo'ld,&#xA;Till that the falcon bade her to be still, into water&#xA;And with a sigh right thus she said her till:&#xA;&amp;quot;Where I was bred (alas that ilke day!)&#xA;And foster'd in a rock of marble gray&#xA;So tenderly, that nothing ailed me,&#xA;I wiste not what was adversity,&#xA;Till I could flee full high under the sky.&#xA;Then dwell'd a tercelet me faste by,&#xA;That seem'd a well of alle gentleness;&#xA;All were he full of treason and falseness,&#xA;It was so wrapped under humble cheer,&#xA;And under hue of truth, in such mannere, of humility&#xA;Under pleasance, and under busy pain,&#xA;That no wight weened that he coulde feign,&#xA;So deep in grain he dyed his colours.&#xA;Right as a serpent hides him under flow'rs,&#xA;Till he may see his time for to bite,&#xA;Right so this god of love's hypocrite&#xA;Did so his ceremonies and obeisances,&#xA;And kept in semblance all his observances,&#xA;That sounden unto gentleness of love.&#xA;As on a tomb is all the fair above,&#xA;And under is the corpse, which that ye wet,&#xA;Such was this hypocrite, both cold and hot;&#xA;And in this wise he served his intent,&#xA;That, save the fiend, none wiste what he meant:&#xA;Till he so long had weeped and complain'd,&#xA;And many a year his service to me feign'd,&#xA;Till that mine heart, too piteous and too nice,&#xA;All innocent of his crowned malice,&#xA;Forfeared of his death, as thoughte me,&#xA;Upon his oathes and his surety he should die&#xA;Granted him love, on this conditioun,&#xA;That evermore mine honour and renown&#xA;Were saved, bothe privy and apert;&#xA;This is to say, that, after his desert,&#xA;I gave him all my heart and all my thought&#xA;(God wot, and he, that other wayes nought),&#xA;And took his heart in change of mine for aye.&#xA;But sooth is said, gone since many a day,&#xA;A true wight and a thiefe think not one.&#xA;And when he saw the thing so far y-gone,&#xA;That I had granted him fully my love,&#xA;In such a wise as I have said above,&#xA;And given him my true heart as free&#xA;As he swore that he gave his heart to me,&#xA;Anon this tiger, full of doubleness,&#xA;Fell on his knees with so great humbleness,&#xA;With so high reverence, as by his cheer&#xA;So like a gentle lover in mannere,&#xA;So ravish'd, as it seemed, for the joy,&#xA;That never Jason, nor Paris of Troy, —&#xA;Jason? certes, nor ever other man,&#xA;Since Lamech was, that alderfirst began&#xA;To love two, as write folk beforn,&#xA;Nor ever since the firste man was born,&#xA;Coulde no man, by twenty thousand&#xA;Counterfeit the sophimes of his art;&#xA;Where doubleness of feigning should approach,&#xA;Nor worthy were t'unbuckle his galoche,&#xA;Nor could so thank a wight, as he did me.&#xA;His manner was a heaven for to see&#xA;To any woman, were she ne'er so wise;&#xA;So painted he and kempt, at point devise,&#xA;As well his wordes as his countenance.&#xA;And I so lov'd him for his obeisance,&#xA;And for the truth I deemed in his heart,&#xA;That, if so were that any thing him smart,&#xA;All were it ne'er so lite, and I it wist, little&#xA;Methought I felt death at my hearte twist.&#xA;And shortly, so farforth this thing is went,&#xA;That my will was his wille's instrument;&#xA;That is to say, my will obey'd his will&#xA;In alle thing, as far as reason fill, fell; allowed&#xA;Keeping the boundes of my worship ever;&#xA;And never had I thing so lefe, or lever,&#xA;As him, God wot, nor never shall no mo'.&#xA;&#xA;&amp;quot;This lasted longer than a year or two,&#xA;That I supposed of him naught but good.&#xA;But finally, thus at the last it stood,&#xA;That fortune woulde that he muste twin&#xA;Out of that place which that I was in.&#xA;Whe'er me was woe, it is no question;&#xA;I cannot make of it description.&#xA;For one thing dare I telle boldely,&#xA;I know what is the pain of death thereby;&#xA;Such harm I felt, for he might not byleve.&#xA;So on a day of me he took his leave,&#xA;So sorrowful eke, that I ween'd verily,&#xA;That he had felt as muche harm as I,&#xA;When that I heard him speak, and saw his hue.&#xA;But natheless, I thought he was so true,&#xA;And eke that he repaire should again&#xA;Within a little while, sooth to sayn,&#xA;And reason would eke that he muste go&#xA;For his honour, as often happ'neth so,&#xA;That I made virtue of necessity,&#xA;And took it well, since that it muste be.&#xA;As I best might, I hid from him my sorrow,&#xA;And took him by the hand, Saint John to borrow,&#xA;And said him thus; 'Lo, I am youres all;&#xA;Be such as I have been to you, and shall.'&#xA;What he answer'd, it needs not to rehearse;&#xA;Who can say bet than he, who can do worse?&#xA;When he had all well said, then had he done.&#xA;Therefore behoveth him a full long spoon,&#xA;That shall eat with a fiend; thus heard I say.&#xA;So at the last he muste forth his way,&#xA;And forth he flew, till he came where him lest.&#xA;When it came him to purpose for to rest,&#xA;I trow that he had thilke text in mind,&#xA;That alle thing repairing to his kind&#xA;Gladdeth himself; thus say men, as I guess;&#xA;Men love of  kind newfangleness,&#xA;As birdes do, that men in cages feed.&#xA;For though thou night and day take of them heed,&#xA;And strew their cage fair and soft as silk,&#xA;And give them sugar, honey, bread, and milk,&#xA;Yet, right anon as that his door is up,&#xA;He with his feet will spurne down his cup,&#xA;And to the wood he will, and wormes eat;&#xA;So newefangle be they of their meat,&#xA;And love novelties, of proper kind;&#xA;No gentleness of bloode may them bind.&#xA;So far'd this tercelet, alas the day!&#xA;Though he were gentle born, and fresh, and gay,&#xA;And goodly for to see, and humble, and free,&#xA;He saw upon a time a kite flee, fly&#xA;And suddenly he loved this kite so,&#xA;That all his love is clean from me y-go:&#xA;And hath his trothe falsed in this wise.&#xA;Thus hath the kite my love in her service,&#xA;And I am lorn withoute remedy.&amp;quot;&#xA;&#xA;And with that word this falcon gan to cry,&#xA;And swooned eft in Canacee's barme&#xA;Great was the sorrow, for that hawke's harm,&#xA;That Canace and all her women made;&#xA;They wist not how they might the falcon glade.&#xA;But Canace home bare her in her lap,&#xA;And softely in plasters gan her wrap,&#xA;There as she with her beak had hurt herselve.&#xA;Now cannot Canace but herbes delve&#xA;Out of the ground, and make salves new&#xA;Of herbes precious and fine of hue,&#xA;To heale with this hawk; from day to night&#xA;She did her business, and all her might.&#xA;And by her bedde's head she made a mew,&#xA;And cover'd it with velouettes blue,&#xA;In sign of truth that is in woman seen;&#xA;And all without the mew is painted green,&#xA;In which were painted all these false fowls,&#xA;As be these tidifes, tercelets, and owls;&#xA;And pies, on them for to cry and chide,&#xA;Right for despite were painted them beside.&#xA;&#xA;Thus leave I Canace her hawk keeping.&#xA;I will no more as now speak of her ring,&#xA;Till it come eft to purpose for to sayn&#xA;How that this falcon got her love again&#xA;Repentant, as the story telleth us,&#xA;By mediation of Camballus,&#xA;The kinge's son of which that I you told.&#xA;But henceforth I will my process hold&#xA;To speak of aventures, and of battailes,&#xA;That yet was never heard so great marvailles.&#xA;First I will telle you of Cambuscan,&#xA;That in his time many a city wan;&#xA;And after will I speak of Algarsife,&#xA;How he won Theodora to his wife,&#xA;For whom full oft in great peril he was,&#xA;N'had he been holpen by the horse of brass.&#xA;And after will I speak of Camballo,&#xA;That fought in listes with the brethren two&#xA;For Canace, ere that he might her win;&#xA;And where I left I will again begin." 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<INFO BITRATE="958050" KEY_LYRICS="2 ContributorsArabian Nights,Vol. 2 (Chap. 3) LyricsTale of King Omar Bin Al-Nu'uman and His Sons Sharrkan and Zau Al-Makan&#xA;&#xA;And What Befel Them of Things Seld-Seen and Peregrine.&#xA;&#xA;The King asked her, &amp;quot;And what was their story?&amp;quot; and she answered: It hath reached me, O auspicious King, that there was in the City of Safety, Baghdad, before the Caliphate of Abd al-Malik bin Marwán, a King, Omar bin al-Nu'umán highs, who was of the mighty giants and had subjected the Chosroës of Persia and the Kaysars of Eastern Rome; for none could warm himself at his fire; nor could any avail to meet him in the field of foray and fray; and, when he was angered, there came forth from his nostrils sparks of flame. He had made himself King over all quarters, and Allah had subjected to him all His creatures; his word went forth to all great cities and his hosts had harried the farthest lands. East and West had come under his command with whatsoever regions lay interspersed between them, Hind and Sind and Sin, the Holy Land, Al-Hijaz, the rich mountains of Al-Yaman and the archipelagos of India and China. Moreover, he reigned supreme over the north country and Diyár Bakr, or Mesopotamia, and over Sudán, the Eastern Negro land and the Islands of the Ocean, and all the far famed rivers of the earth, Sayhún and Jayhún, Nile and Euphrates. He sent envoys and ambassadors to capitals the most remote, to provide him with true report; and they would bring back tidings of justice and peace, with assurance of loyalty and obedience and of prayers in the pulpits for King Omar bin al-Nu'uman; for he was, O Ruler of the Age, a right noble King; and there came to him presents of rarities and toll and tribute from all lands of his governing. This mighty monarch had a son yclept Sharrkan, who was likest of all men to his father and who proved himself one of the prodigies of his time for subduing the brave and bringing his contemporaries to bane and ban. For this his father loved him with love so great none could be greater, and made him heir to the kingdom after himself. This Prince grew up till he reached man's estate and was twenty years old, and Allah subjected His servants to him, by reason of his great might and prowess in battle. Now his father, King Omar, had four wives legally married, but Allah had vouchsafed him no son by them, save Sharrkan, whom he had begotten upon one of them, and the rest were barren. Moreover he had three hundred and sixty concubines, after the number of days in the Coptic year, who were of all nations; and he had furnished for each and every a private chamber within his own palace. For he had built twelve pavilions, after the number of the months, each containing thirty private chambers, which thus numbered three hundred and three score, wherein he lodged his handmaids: and he appointed according to law for each one her night, when he lay with her and came not again to her for a full year; and on this wise he abode for a length of time. Meanwhile his son Sharrkan was making himself renowned in all quarters of the world and his father was proud of him and his might waxed and grew mightier; so that he passed all bounds and bore himself masterfully and took by storm castles and cities. Presently, by decree of the Decreer, a handmaid among the handmaids of Omar bin Nu'uman became pregnant; and, her pregnancy being announced to the Harim, the King was informed thereof; whereupon he rejoiced with exceeding joy and said, &amp;quot;Haply it will be a son, and so all my offspring will be males!&amp;quot; Then he documented the date of her conception and entreated her with all manner of kindness. But when the tidings came to Sharrkan, he was troubled and the matter seemed to him a sore one and a grievous; and he said, &amp;quot;Verily one cometh who shall dispute with me the sovereignty:&amp;quot; so quoth he to himself, &amp;quot;If this concubine bear a male child I will kill it:&amp;quot; but he kept that intention hidden in his heart. Such was the case with Sharrkan; but what happened in the matter of the damsel was as follows. She was a Roumiyah, a Greek girl, by name Sofiyah or Sophia, whom the King of Roum and Lord of Cæsarea had sent to King Omar as a present, together with great store of gifts and of rarities: she was the fairest of favour and loveliest of all his handmaids and the most regardful of her honour; and she was gifted with a wit as penetrating as her presence was fascinating. Now she had served the King on the night of his sleeping with her, saying to him, &amp;quot;O King! I desire of the God of the Heavens that he bless thee this night with a male child by me, so I may bring him up with the best of rearing, and enable him to reach man's estate perfect in intelligence, good manners and prudent bearing&amp;quot;—a speech which much pleased the King. During her pregnancy she was instant in prayer, fervently supplicating the Lord to bless her with a goodly male child and make his birth easy to her; and Allah heard her petition so that after her months were accomplished she sat safely upon the birth stool. Now the King had deputed a eunuch to let him know if the child she should bring forth were male or female; and in like way his son Sharrkan had sent one to bring him tidings of the same. In due time Sophia was delivered of a child, which the midwives examined and found to be a girl with a face sheenier than the moon. So they announced this to all present in the room, whereupon the King's messenger carried the news to him; and Sharrkan's eunuch did the like with his master who rejoiced with exceeding joy. But, after the two had departed, quoth Sophia to the midwives, &amp;quot;Wait with me awhile, for I feel as if there were still somewhat in my womb.&amp;quot; Then she cried out and the pains of child bed again took her; and Allah made it easy to her and she gave birth to a second child. The wise women looked at it and found it a boy like the full moon, with forehead flower white, and cheek ruddy bright with rosy light; whereupon the mother rejoiced, as did the eunuchs and attendants and all the company; and Sophia was delivered of the after birth whilst all in the palace sent forth the trill of joy. The rest of the concubines heard it and envied her lot; and the tidings reached Omar son of Al- Nu'uman, who was glad and rejoiced at the excellent news. Then he rose and went to her and kissed her head, after which he looked at the boy; and, bending over him, kissed him, whilst the damsels struck the tabors and played on instruments of music; and the King gave order that the boy should be named Zau al-Makán and his sister Nuzhat al-Zamán. They answered &amp;quot;Hearing and obedience,&amp;quot; and did his bidding; so he appointed wet nurses and dry nurses and eunuchs and attendants to serve them; and assigned them rations of sugar and diet drinks and unguents and else beside, beyond the power of tongue to rehearse. Moreover the people of Baghdad, hearing that Allah had blessed their King with issue, decorated the city and made proclamation of the glad tidings with drum and tom tom; and the Emirs and Wazirs and high dignitaries came to the palace and wished King Omar bin al-Nu'uman joy of his son, Zau al-Makan, and of his daughter Nuzhat al-Zaman, wherefore he thanked them and bestowed on them dresses of honour and further favoured them with gifts, and dealt largesse to all, gentle and simple, who were present. After this fashion he did for four days full told, and he lavished upon Sophia raiment and ornaments and great store of wealth; and, every few days he would send a messenger to ask after her and the new-borns. And when four years had gone by, he provided her with the wherewithal to rear the two children carefully and educate them with the best of instructions. All this while his son Sharrkan knew not that a male child had been born to his father, Omar son of Al-Nu'uman, having news only that he had been blessed with the birth of Nuzhat al-Zaman; and they hid the intelligence from him, until days and years had sped by, whilst he was busied in battling with the brave and fighting single handed against the knights. One day, as King Omar was sitting in his palace, his Chamberlains came in to him and, kissing the ground before him, said, &amp;quot;O King there be come Ambassadors from the King of Roum, Lord of Constantinople the Great, and they desire admission to thee and submission to thy decree: if the King commend us to introduce them we will so do; and, if not, there is no disputing his behest.&amp;quot; He bade them enter and, when they came in, he turned to them and, courteously receiving them, asked them of their case, and what was the cause of their coming. They kissed the ground before him and said, &amp;quot;O King glorious and strong! O lord of the arm that is long! know that he who despatched us to thee is King Afrídún, Lord of Ionia land and of the Nazarene armies, the sovereign who is firmly established in the empery of Constantinople, to acquaint thee that he is now waging fierce war and fell with a tyrant and a rebel, the Prince of Casarea; and the cause of this war is as follows. One of the Kings of the Arabs in past time, during certain of his conquests, chanced upon a hoard of the time of Alexander, whence he removed wealth past compute; and, amongst other things, three round jewels, big as ostrich eggs, from a mine of pure white gems whose like was never seen by man. Upon each were graven characts in Ionian characters, and they have many virtues and properties, amongst the rest that if one of these jewels be hung round the neck of a new-born child, no evil shall befal him and he shall neither wail, nor shall fever ail him as long as the jewel remain without fail. When the Arab King laid hands upon them and learned their secrets, he sent to King Afridun presents of certain rarities and amongst them the three jewels afore mentioned; and he equipped for the mission two ships, one bearing the treasure and the other men of might to guard it from any who might offer hindrance on the high seas, albeit well assured that none would dare waylay his vessels, for that he was King of the Arabs, and more by token that their course lay over waters subject to the King of Constantinople and they were bound to his port; nor were there on the shores of that sea any save the subjects of the Great King, Afridun. The two ships set out and voyaged till they drew near our city, when there sallied out on them certain corsairs from that country and amongst them troops from the Prince of Caesarea, who took all the treasures and rarities in the ships, together with the three jewels, and slew the crews. When our King heard of this, he sent an army against them, but they routed it; then he marched a second and a stronger but they put this also to flight,—whereupon the King waxed wroth and swore that he would not go forth against them save in his own person at the head of his whole army; nor would he turn back from them till he had left Caesarea, of Armenia in ruins and had laid waste all the lands and cities over which her Prince held sway. So he sent us to the Lord of the age and the time, Sultan Omar bin al-Nu'uman, King of Baghdad and of Khorasan, desiring that he aid us with an army, so may honour and glory accrue to him; and he hath also forwarded by us somewhat of various kinds of presents, and of the King's grace he beggeth their acceptance and the friendly boon of furtherance.&amp;quot; Then the Ambassadors kissed the ground before him,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Forty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that, after the Ambassadors and retinue from the Constantinopolitan King had kissed the ground before Omar and had delivered their embassage, they brought out the presents, which were fifty damsels of the choicest from Graecia-land, and fifty Mamelukes in tunics of brocade, belted with girdles of gold and silver, each wearing in his ears hoops of gold with pendants of fine pearls costing a thousand ducats every one. The girls were adorned in like fashion and were clad in stuffs worth a treasury of money. When the King saw them, he rejoiced in them and accepted them; then he bade the Ambassadors be honourably entreated and, summoning his Wazirs, took counsel with them of what he should do. Herewith rose up among them a Wazir, an ancient man, Dandan highs, who kissed the ground before Omar and said, &amp;quot;O King, there is nothing better to do in this matter than equip an army valiant and victorious, and set over it thy son Sharrkan with us as his lieutenants; and this rede commendeth itself to me on two counts; first, because the King of Roum hath invoked thine assistance and hath sent thee gifts which thou hast accepted; and, secondly, because while no enemy dareth attack our country, thine army may go forth safely and, should it succour the King of Graecia-land and defeat his foe, the glory will be thine. Moreover, the news of it will be noised abroad in all cities and countries and especially, when the tidings shall reach the Islands of the Ocean and the Kings of Mauritania shall hear it, they will send thee offerings of rarities and pay thee tribute of money.&amp;quot; The King pleased by the Wazir's words and approving his rede, gave him a dress of honour and said to him, &amp;quot;Of the like of thee should Kings ask counsel, and it seemeth fit that thou shouldst conduct the van of our army and our son Sharrkan command the main battle.&amp;quot; Then he sent for his son who came and kissed ground before him and sat down; and he expounded to him the matter, telling him what the Ambassadors and the Wazir Dandan had said, and he charged him to take arms and equip himself for the campaign, enjoining him not to gainsay Dandan in aught he should do. Moreover, he ordered him to pick out of his army ten thousand horsemen, armed cap-à-pie and inured to onset and stress of war. Accordingly, Sharrkan arose on the instant, and chose out a myriad of horsemen, after which he entered his palace and mustered his host and distributed largesse to them, saying, &amp;quot;Ye have delay of three days.&amp;quot; They kissed the earth before him in obedience to his commands and began at once to lay in munitions, and provide provisions for the occasion; whilst Sharrkan repaired to the armouries and took therefrom whatsoever he required of arms and armour, and thence to the stable where he chose horses of choice blood and others. When the appointed three days were ended, the army drew out to the suburbs of Baghdad city; and King Omar came forth to take leave of his son who kissed the ground before him and received from the King seven parcels of money. Then he turned to Danden and commended to his care the army of his son; and the Wazir kissed the ground before him and answered, &amp;quot;I hear and I obey;&amp;quot; and lastly he charged Sharrkan that he should consult the Wazir on all occasions, which he promised to do. After this, the King returned to his city and Sharrkan ordered the officers to muster their troops in battle array. So they mustered them and their number was ten thousand horsemen, besides footmen and camp followers. Then they loaded their baggage on their beasts and the war drums beat and the trumpets blared and the bannerols and standards were unfurled, whilst Sharrkan mounted horse, with the Wazir Dandan by his side, and the colours fluttering over their heads. So the host fared forth and stinted not faring, with the ambassadors preceding them, till day departed and night drew nigh, when they alighted and encamped for the night. And as soon as Allah caused the morn tomorrow, they mounted and tried on, guided by the Ambassadors, for a space of twenty days; and by the night of the twenty first they came to a fine and spacious Wady well grown with trees and shrubbery. Here Sharrkan ordered them to alight and commanded a three days' halt, so they dismounted and pitched their tents, spreading their camp over the right and the left slopes of the extensive valley, whilst the Wazir Dandan and the Ambassadors of King Afridun pitched in the sole of the Wady. As for Sharrkan, he tarried behind them for awhile till all had dismounted and had dispersed themselves over the valley sides; he then slacked the reins of his steed, being minded to explore the Wady and to mount guard in his own person, because of his father's charge and owing to the fact that they were on the frontier of Graecia land and in the enemy's country. So he rode out alone after ordering his armed slaves and his body guard to camp near the Wazir Dandan, and he fared on along the side of the valley till a fourth part of the night was passed, when he felt tired and drowsiness overcame him, so that he could no longer urge horse with heel. Now he was accustomed to take rest on horseback; so when slumber overpowered him, he slept and the steed ceased not going on with him till half the night was spent and entered one of the thickets which was dense with growth; but Sharrkan awoke not until his horse stumbled over wooded ground. Then he started from sleep and found himself among the trees, and the moon arose and shone brightly over the two horizons, Eastern and Western. He was startled when he found himself alone in this place and said the say which ne'er yet shamed its sayer, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great!&amp;quot; But as he rode on, in fear of wild beasts, behold, the moon spread her glad light over a meadow as if it were of the meads of Paradise; and he heard pleasant voices and a loud noise of talk and laughter captivating the senses of men. So King Sharrkan alighted and, tying his steed to one of the trees, went over a little way till he came upon a stream and heard a woman talking in Arabic and saying, &amp;quot;Now by the crush of the Messiah, this is not well of you! but whose utters a word, I will throw her and truss her up with her own girdle!&amp;quot; He kept walking in the direction of the sound and when he reached the further side he looked and behold, a stream was gushing and flowing, and antelopes at large were frisking and roving, and wild cattle amid the pasture moving, and birds expressed joy and gladness in their divers tongues, and that place was purfled with all manner flowers and green herbs, even as a poet described it in these couplets,&#xA;&#xA;&amp;quot;Most beautiful is earth in budding bloom, * When lucid waters&#xA;            course through plain and wood:&#xA;No work but His th' All great, th' All glorious, * Giver of all&#xA;            gifts, Giver of all good!&amp;quot;&#xA;&#xA;And as Sharrkan considered the place, he saw in it a Christian Monastery within whose enceinte a castle towered high in air catching the light of the moon. Through the midst of the convent passed a stream, the water flowing amongst its gardens; and upon the bank sat the woman whose voice he had heard, while before her stood ten handmaids like moons and wearing various sorts of raiment and ornaments that dazed and dazzled the beholder, high bosomed virgins, as saith of them the poet in these couplets,&#xA;&#xA;&amp;quot;The mead is bright with what is on't * Of merry maidens&#xA;            debonnair:&#xA;Double its beauty and its grace * Those trooping damsels slender-&#xA;           fair:&#xA;Virgins of graceful swimming gait * Ready with eye and lip to&#xA;            ensnare;&#xA;And like the tendril'd vine they loose * The rich profusion of&#xA;            their hair:&#xA;Shooting their shafts and arrows from * Beautiful eyes beyond&#xA;          compare;&#xA;Overpowering and transpiercing * Every froward adversaire.&amp;quot;&#xA;Sharrkan gazed upon the ten girls and saw in their midst a lady like the moon at fullest, with ringleted hair and forehead sheeny white, and eyes wondrous wide and black and bright, and temple locks like the scorpion's tail; and she was perfect in essence and attributes, as the poet said of her in these couplets,&#xA;&#xA;&amp;quot;She beamed on my sight with a wondrous glance, * And her&#xA;            straight slender stature enshamed the lance:&#xA;She burst on my sight with cheeks rosy red, * Where all manner of&#xA;            beauties have habitance:&#xA;And the locks on her forehead were lowering as night * Whence&#xA;            issues a dawn tide of happiest chance.&amp;quot;&#xA;&#xA;Then Sharrkan heard her say to the handmaids, &amp;quot;Come ye on, that I may wrestle with you and gravel you, ere the moon set and the dawn break!&amp;quot; So each came up to her in turn and she grounded them forthright, and pinioned them with their girdles, and ceased not wrestling and pitching them until she had overthrown one and all. Then there turned to her an old woman who was before her, and the beldam said as in wrath, &amp;quot;O strumpet, cost thou glory in grounding these girls? Behold I am an old woman, yet have I thrown them forty times! So what hast thou to boast of? But if thou have the strength to wrestle with me, stand up that I may grip thee and set thy head between thy heels!&amp;quot; The young lady smiled at her words, but she was filled with inward wrath, and she jumped up and asked, &amp;quot;O my lady Zat al-Dawahi, by the truth of the Messiah, wilt thou wrestle with me in very deed, or dost thou jest with me?&amp;quot;; and she answered, &amp;quot;Yea,&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Forty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the young lady asked Zat al-Dawahi, &amp;quot;By the truth of the Messiah, wilt wrestle with me or dost jest?&amp;quot;, and she answered, &amp;quot;Yea, I will wrestle with thee in very deed&amp;quot; (Sharrkan looking on the while), the damsel cried, &amp;quot;Rise up for the fall an thou have spunk so to do.&amp;quot; When the old woman heard this, she raged with exceeding rage, and her body hair stood on end like the bristles of a fretful hedgehog. Then she sprang to her feet, whilst the damsel stood up to her, and said, &amp;quot;Now by the truth of the Messiah, I will not wrestle with thee unless I be naked, Mistress whore!&amp;quot; So she loosed her petticoat trousers and, putting her hand under her clothes, tore them off her body; then twisted up a silken kerchief into cord shape, girt it round her middle and became as she were a scald head If ritah or a spotted snake. With this she inclined towards the damsel and said, &amp;quot;Do thou as I have done.&amp;quot; All this time, Sharrkan was gazing at the twain, and laughing at the beldam's loathly semblance. So the damsel leisurely rose and, taking a sash of Yamani stuff, passed it twice round her waist, then she tucked up her trousers and displayed two calves of alabaster carrying a mound of crystal, smooth and rounded, and a stomach which exhaled musk from its dimples, as it were a bed of Nu'uman's anemones; and breasts like double pomegranates. Then the old woman leant towards her, and the two laid hold either of each, while Sharrkan raised his head Heavenwards and prayed Allah that the belle might beat the beldam. Presently the young woman get beneath the old woman; and, gripping her waist cloth with the left and circling her neck with the right hand, hoisted her off the ground with both; whereupon the old woman strove to free herself and, in so doing fell on her back arsiversy, with her legs high in air and her hairy bush between them showed manifest in the moonshine; furthermore she let fly two great farts one of which blew up the dust from the earth's face and the other steamed up to the gate of Heaven. Sharrkan laughed till he fell back upon the ground. Then he arose and, baring his brand looked right and left, but he saw no one save the old woman sprawling on her back, and said to himself, &amp;quot;He lied not who named thee Lady of Calamities! Verily thou knewest her prowess by her performance upon the others.&amp;quot; So he drew near them to hear what should pass between them. Then the young lady went up to the old one and, throwing a wrapper of thin silk upon her nakedness, helped her to don her clothes and made excuses saying, &amp;quot;O my lady Zat al- Dawahi, I intended only to throw thee and not all this, but thou triedst to twist out of my hands; so laud to Allah for safety!&amp;quot; She returned her no answer, but rose in her shame and walked away till out of sight, leaving the handmaids prostrate and pinioned, with the fair damsel standing amongst them. Quoth Sharrkan to himself, &amp;quot;Every luck hath its cause. Sleep did not fall upon me nor the war horse bear me hither save for my good fortune; for doubtless this maid and what is with her shall become booty to me.&amp;quot; So he made towards his steed and mounted and heeled him on, when he sped as the shaft speeds from the bow and in his hand he still hent his brand bare of sheath, which he brandished shouting the while his war cry, &amp;quot;Allah is All mighty!&amp;quot; When the damsel saw him she sprang to her feet and, taking firm stand on the bank of the stream, whose breadth was six ells, the normal cubits, made one bound and landed clear on the farther side, where she turned and cried out with a loud voice, &amp;quot;Who art thou, O thou fellow, that breakest in upon our privacy and pastime, and that too hanger in hand as if charging a host? Whence camest thou and whither art thou going? Speak sooth, for truth will stand thee in good stead, and lie not, for lies come of villein breed Doubtless thou hast wandered this night from thy way, that thou chancedst upon this place whence escape were the greatest of mercies; for thou art now in an open plain and, did we shout but a single shout, would come to our rescue four thousand knights. So tell me what thou wantest; and if thou wouldst only have us set thee on the right road, we will do so.&amp;quot; When Sharrkan heard her words he replied, &amp;quot;I am a stranger of the Moslems, who fared forth this night single handed, seeking for spoil; nor could this moonlight show me a fairer booty than these ten maidens; so I shall seize them and rejoin my comrades with them.&amp;quot; Quoth she, &amp;quot;I would have thee know that as for the booty thou hast not come at it; and, as for the handmaids, by Allah, they shall never be thy spoil. Have I not told thee that to lie is villein vile?&amp;quot; Quoth he, &amp;quot;The wise man is he who taketh warning by others.&amp;quot; Thereupon quoth she, &amp;quot;By the truth of the Messiah, did I not fear that thy death would be on my hands, I would shout a shout should fill the mead for thee with war steeds and with men of might, but I take pity upon the stranger. So, if thou seek booty, I require of thee that thou alight from thy steed and swear to me, by thy faith, that thou wilt not advance against me aught like arms in hand, and we will wrestle, I and thou. If thou throw me, set me on thy steed and take all of us to thy booty; but if I throw thee, thou shalt become under my command. Swear this to me, for I fear thy treachery: indeed it hath become a common saw, 'Where Perfidy is innate there Trust is a weakly mate.' Now an thou wilt swear I will return and draw near to thee and tackle thee.&amp;quot; Answered Sharrkan (and indeed he lusted to seize her and said in his soul, &amp;quot;Truly she knoweth not that I am a champion of champions&amp;quot;); &amp;quot;Swear me by what oath thou wilt and by what thou deemest most binding, and I will not approach thee with aught till thou hast made thy preparation and sayest, 'Draw near that I wrestle with thee.' If thou throw me, I have money where withal to ransom myself; and if I throw thee, 'twill be booty and booty enough for me!&amp;quot; Rejoined the damsel, &amp;quot;I am content herewith!&amp;quot; and Sharrkan was astounded at her words and said, &amp;quot;And by the truth of the Apostle (whom Allah bless and keep!) I too am content on the other part!&amp;quot; Then said she, &amp;quot;Swear to me by Him who sprite in body dight and dealt laws to rule man kind aright, that thou wilt not offer me aught of violence save by way of wrestling; else mayst thou die without the pale of Al- Islam.&amp;quot; Sharrkan replied, &amp;quot;By Allah! were a Kazi to swear me, even though he were a Kazi of the Kazis, he would not impose upon me such an oath as this!&amp;quot; Then he sware to her by all she named and tied his steed to a tree; but he was drowned in the sea of thought, saying in himself, &amp;quot;Praise be to Him who fashioned her from dirty water!&amp;quot; Then he girt himself and made ready for wrestling, and said to her, &amp;quot;Cross the stream to me;&amp;quot; but she replied, &amp;quot;It is not for me to come over to thee: if thou wilt, pass thou over here to me.&amp;quot; &amp;quot;I cannot do that,&amp;quot; quoth he, and quoth she, &amp;quot;O boy, I will come across to thee.&amp;quot; So she tucked up her skirts and, leaping, landed on the other side of the stream by his side; whereupon he drew near to her and bent him forwards and clapped palms. But he was confounded by her beauty and loveliness; for he saw a shape which the Hand of Power had tanned with the dye leaves of the Jann, which had been fostered by the Hand of Beneficence and fanned by the Zephyrs of fair fortune and whose birth a propitious ascendant had greeted. Then she called out to him, &amp;quot;O Moslem, come on and let us wrestle ere the break of morning,&amp;quot; and tucked up her sleeves from a forearm like fresh curd, which illumined the whole place with its whiteness; and Sharrkan was dazzled by it. Then he bent forwards and clapped his palms by way of challenge, she doing the like, and caught hold of her, and the two grappled and gripped and interlocked hands and arms. Presently he shifted his hands to her slender waist, when his finger tips sank into the soft folds of her middle, breeding languishment, and he fell a trembling like the Persian reed in the roaring gale. So she lifted him up and, throwing him to the ground, sat upon his breast with hips and hinder cheeks like mounds of sand, for his soul had lost mastery over his senses. Then she asked him, &amp;quot;O Moslem! the slaying of Nazarenes is lawful to you folk; what then hast thou to say about being slain thyself?&amp;quot;; and he answered, &amp;quot;O my lady, thy speech as regards slaying me is not other than unlawful; for our prophet Mohammed (whom Allah bless and preserve!) prohibited the slaying of women and children, old men and monks!&amp;quot; &amp;quot;As it was thus revealed to your Prophet,&amp;quot; she replied, &amp;quot;it behoveth us to render the equivalent of his mercy; so rise. I give thee thy life, for generosity is never lost upon the generous.&amp;quot; Then she got off his breast and he rose and stood shaking the dust from his head against the owners of the curved rib, even women; and she said to him, &amp;quot;Be not ashamed; but verily one who entereth the land of Roum in quest of booty, and cometh to assist Kings against Kings, how happeneth it that he hath not strength enough to defend himself from one made out of the curved rib?&amp;quot; &amp;quot;'Twas not for lack of strength in me,&amp;quot; he answered; &amp;quot;nor didst thou throw me by thy force; it was thy loveliness overthrew me; so if thou wilt grant me another bout, it will be of thy courtesy.&amp;quot; She laughed and said, &amp;quot;I grant thee thy request: but these handmaids have long been pinioned and their arms and sides are weary, and it were only right I should loose them, for haply this next wrestling bout will be long.&amp;quot; Then she went to the slave girls and, unbinding them, said to them in the tongue of Greece, &amp;quot;Get ye to some safe place, till I foil this Moslem's lust and longing for you.&amp;quot; So they went away, whilst Sharrkan kept gazing at them and they kept turning to look at the two. Then each approached the adversary and he set his breast against hers, but when he felt waist touch waist, his strength failed him; and she, waxing ware of this, lifted him with her hands swiftlier than the blinding leven-flash, and threw him to the ground. He fell on his back, and then she said to him, &amp;quot;Rise: I give thee thy life a second time. I spared thee in the first count because of thy Prophet, for that he made unlawful the slaying of women; and I do so on the second count because of thy weakliness and the greenness of thine years and thy strangerhood; but I charge thee, if there be in the Moslem army sent by Omar bin al-Nu'uman to succour the King of Constantinople, a stronger than thou, send him hither and tell him of me: for in wrestling there are shifts and trips, catches and holds, such as the feint or falsing and the snap or first grip, the hug, the feet-catch, the thigh Lite, the jostle and the leg-lock.&amp;quot; &amp;quot;By Allah, O my lady,&amp;quot; quoth Sharrkan (and indeed he was highly incensed against her), &amp;quot;had I been Master al-Safdí, Master Mohammed Kimál or Ibn al-Saddí, as they were in their prime, I had kept no note of these shifts thou mentionest; for O my mistress, by Allah, thou hast not grassed me by thy strength, but by the blandishments of thy back parts; for we men of Mesopotamia so love a full formed thigh that nor sense was left me nor foresight. But now, an thou wish, thou shalt try a third fall with me while my wits are about me, and this last match is allowed me by the laws of the game which sayeth the best of three: moreover I have regained my presence of mind.&amp;quot; When she heard his words she said to him, &amp;quot;Hast thou not had a belly full of this wrestling, O vanquished one? However come on, an thou wilt; but know that this must be the last round.&amp;quot; Then she bent forward and challenged him and Sharrkan did likewise, setting to it in real earnest and being right cautious about the throw: so the two strove awhile and the damsel found in him a strength such as she had not observed before and said to him, &amp;quot;O Moslem, thou art now on thy mettle.&amp;quot; &amp;quot;Yes,&amp;quot; he replied, &amp;quot;thou knowest that there remaineth to me but this one round, after which each of us will wend a different way.&amp;quot; She laughed and he laughed too; then she overreached at his thigh and caught firm hold of it unawares, which made him greet the ground and fall full on his back. She laughed at him and said, &amp;quot;Art thou an eater of bran? Thou are like a Badawi's bonnet which falleth off with every touch or else the Father of Winds that droppeth before a puff of air. Fie upon thee, O thou poor thing!&amp;quot; adding, &amp;quot;Get thee back to the Moslem army and send us other than thyself, for thou fairest of thews; and proclaim for us, among the Arabs and Persians, the Turks and Daylamites, whoso hath might in him, let him come to us.&amp;quot; Then she made a spring and landed on the other side of the stream and said to Sharrkan, laughing, &amp;quot;Parting with thee is right grievous to me, O my lord; but get thee to thy mates before dawn, lest the Knights come upon thee and pick thee up on their lance points. Thou hast no strength to defend thee against a woman, so how couldst thou hold thine own amongst men of might and Knights?&amp;quot; Sharrkan was confounded and called to her (as she turned from him making towards the convent), &amp;quot;O my lady, wilt thou go away and leave the miserable stranger, the broken hearted slave of love?&amp;quot; So she turned to him laughing and said, &amp;quot;What is thy want? I will grant thee thy prayer.&amp;quot; &amp;quot;Have I set foot in thy country and tasted the sweetness of thy courtesy,&amp;quot; replied he, &amp;quot;and shall I return without eating of thy victual and tasting thy hospitality; I who have become one of thy servitors!&amp;quot; &amp;quot;None baulk kindliness save the base,&amp;quot; she rejoined, &amp;quot;honour us in Allah's name, on my head and eyes be it! Mount thy steed and ride along the brink of the stream over against me, for now thou art my guest.&amp;quot; At this Sharrkan was glad and, hastening back to his horse, mounted and walked him abreast of her, and she kept faring on till they came to a drawbridge built of beams of the white poplar, hung by pullies and steel chains and made fast with hooks and padlocks. When Sharrkan looked, he saw awaiting her upon the bridge the same ten handmaids whom she had thrown in the wrestling bouts; and, as she came up to them, she said to one in the Greek tongue, &amp;quot;Arise and take the reins of his horse and conduct him across into the convent.&amp;quot; So she went up to Sharrkan and led him over, much puzzled and perturbed with what he saw, and saying to himself, &amp;quot;O would that the Wazir Dandan were here with me that his eyes might look upon these fairest of favours.&amp;quot; Then he turned to the young lady and said to her, &amp;quot;O marvel of loveliness, now I have two claims upon thee; first the claim of good fellowship, and secondly for that thou hast carried me to thy home and offered me thy hospitality. I am now under thy commandance and thy guidance; so do me one last favour by accompanying me to the lands of Al-Islam; where thou shalt look upon many a lion hearted warrior and thou shalt learn who I am.&amp;quot; When she heard this she was angered and said to him, &amp;quot;By the truth of the Messiah, thou hast proved thyself with me a man of keen wit; but now I see what mischief there is in thy heart, and how thou canst permit thyself a speech which proveth thy traitorous intent. How should I do as thou sayest, when I wot that if I came to that King of yours, Omar bin al- Nu'uman, I should never get free from him? For truly he hath not the like of me or behind his city walls or within his palace halls, Lord of Baghdad and of Khorasan though he be, who hath built for himself twelve pavilions, in number as the months of the year, and in each a concubine after the number of the days; and if I come to him he would not prove shy of me, for your folk believe I am lawful to have and to hold as is said in your writ, 'Or those women whom your right hand shall possess as slaves.' So how canst thou speak thus to me? As for thy saying, 'Thou shalt look upon the braves of the Moslems,' by the truth of the Messiah, thou sayest that which is not true, for I saw your army when it reached our land, these two days ago; and I did not see that your ordinance was the ordinance of Kings, but I beheld only a rabble of tribesmen gathered together. And as to thy words, 'Thou shalt know who I am,' I did not do thee kindness because of thy dignity but out of pride in myself; and the like of thee should not talk thus to the like of me, even wert thou Sharrkan, Omar bin al- Nu'uman's son, the prowess name in these days!&amp;quot; &amp;quot;Knowest thou Sharrkan?&amp;quot; asked he; and she answered Yes! and I know of his coming with an army numbering ten thousand horsemen; also that he was sent by his sire with this force to gain prevalence for the King of Constantinople.&amp;quot; &amp;quot;O my lady,&amp;quot; said Sharrkan, &amp;quot;I adjure thee by thy religion, tell me the cause of all this, that sooth may appear to me clear of untruth, and with whom the fault lies.&amp;quot; &amp;quot;Now by the virtue of thy faith,&amp;quot; she replied, &amp;quot;did I not fear lest the news of me be bruited abroad that I am of the daughters of Roum, I would adventure myself and sally forth single handed against the ten thousand horsemen and slay their leader, the Wazir Dandan and vanquish their champion Sharrkan. Nor would aught of shame accrue to me thereby, for I have read books and studied the rules of good breeding in the language of the Arabs. But I have no need to vaunt my own prowess to thee, more by token as thou hast proved in thy proper person my skill and strength in wrestling; and thou hast learnt my superiority over other women. Nor, indeed, had Sharrkan himself been here this night and it were said to him, 'Clear this stream,' could he have done it; and I only long and lust that the Messiah would throw him into my hands in this very convent, that I might go forth to him in the habit of a man and drag him from his saddle seat and make him my captive and lay him in bilboes.&amp;quot;- -And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Forty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Nazarene damsel said to Sharrkan (and he listening impatiently enow), &amp;quot;Verily if Sharrkan fell into my hands, I would go forth to him in the habit of a man and drag him from his saddle seat and make him my captive and lay him in bilboes,&amp;quot; pride and passion and knightly jealousy took possession of him and he desired to discover and declare himself and to lay on load; but her loveliness restrained him and he began repeating,&#xA;&#xA;&amp;quot;An faulty of one fault the Beauty prove, * Her charms a thousand advocates shall move.&amp;quot;&#xA;&#xA;So she went up and Sharrkan after her; and, when he saw the maiden's back and hinder cheeks that clashed against each other, like rollers in the rolling sea, he extemporised these couplets:- -&#xA;&#xA;&amp;quot;For her sins is a pleader that brow, * And all hearts its fair&#xA;             pleading must bow:&#xA;When I saw it I cried, &amp;quot;To night * The moon at its fullest doth&#xA;            show;&#xA;Tho' Balkis' own Ifrit try a bout, * Spite his force she&#xA;            would deal him a throw.&amp;quot;&#xA;The two fared on till they reached a gate over which rose a marble archway. This she opened and ushered Sharrkan into a long vestibule, vaulted with ten connected arches, from each of which hung a crystal lamp glistening like a spark of fire. The handmaids met her at the further end bearing wax candles of goodly perfume, and wearing on their heads golden fillets crusted with all manner bezel gems, and went on before her (Sharrkan still following), till they reached the inner convent. There the Moslem saw couches and sofas ranged all around, one opposite the other and all over hung with curtains flowered in gold. The monastery floor was paved with every kind of vari coloured marbles and mosaic work, and in the midst stood a basin that held four and twenty jetting fountains of gold, whence the water ran like molten silver; whilst at the upper end stood a throne spread with silks fit only for Kings. Then said the damsel, &amp;quot;Ascend, O my lord, this throne.&amp;quot; So he went up to it and sat down and she withdrew to remain absent for some time. Sharrkan asked of her from one of the servants who answered him, &amp;quot;She hath gone to her dormitory; but we will serve thee even as she ordered.&amp;quot; So they set before him viands of rare varieties, and he ate his sufficiency, when they brought him a basin of gold and an ewer of silver, and he washed his hands. Then his thoughts reverted to his army, knowing not what had befallen it in his absence and calling to mind also how he had forgotten his father's injunctions: so he was troubled about his case, repenting of what he had done till the dawn broke and the day appeared; when he lamented and sighed and became drowned in sea of sadness and repeated,&#xA;&#xA;&amp;quot;I am not lost to prudence, but indeed * Here I'm bewildered,&#xA;            what shall be my rede?&#xA;Would any aid me in mine ails of love, * By my own might and&#xA;            sleight would I be free'd:&#xA;But ah! my heart is lost and passion-shent: * To none save Allah&#xA;          can I trust my need!&amp;quot;&#xA;&#xA;When he ended his verse behold, there came up to him a rare show and a fair, more than twenty maidens like crescents encompassing the young lady, who shone in their midst as the full moon among the constellations guarding and girding her. She was clad in brocades befitting Kings; her breasts were like twin pomegranates, a woven zone set with all kinds of jewels tightly clasped her waist which expanded below into jutting hips; and her hinder cheeks stood out as a mound of crystal supporting a silvern shaft. When Sharrkan looked at her his wits went nigh to fly away from him with delight; and he forgot army and Wazir as he gazed on her fair head decked and dight with a net work of pearls set off by divers sorts of gems. Handmaids on her right and handmaids on her left bore her train, as she paced with dainty graceful gait in all the pride of seemlihead. He sprang to his feet seeing such beauty and loveliness, and cried aloud, &amp;quot;Beware and beware of that zone rarely fair!&amp;quot; and broke out into these couplets,&#xA;&#xA;&amp;quot;With heavy back parts, high breasts delicate, * And lissome form&#xA;           that sways with swimming gait&#xA;She deftly hides love longing in her breast; * But I may never&#xA;           hide its ban and bate&#xA;While hosts of followers her steps precede, * Like pearls&#xA;            now necklaced and now separate.&amp;quot;&#xA;&#xA;She gazed upon him for a long time and considered him till she was assured of him, when she came up to him and said, &amp;quot;In very sooth the place is honoured and illumined by thee, O Sharrkan! How sped thy night, O hero, after we went away and left thee?&amp;quot;; adding, &amp;quot;Verily lying is a vile thing and a shameful, especially in great Kings! and thou art Crown Prince Sharrkan, son and heir of King Omar bin al-Nu'uman; so henceforth make no secret of thy rank and condition, nor let me hear aught from thee but the truth; for leasing bequeatheth hate and despite. And as thou art pierced by the shaft of Fate, be resignation thine and abide content to wait.&amp;quot; When he heard her words he saw that artifice availed him naught and he acknowledged the truth, saying, &amp;quot;I am Sharrkan, bin Omar bin al-Nu'uman, whom fortune hath afflicted and cast into this place; so whatso thou willest, do it in my case!&amp;quot; She hung her head groundwards a long while, then turned to him and said, &amp;quot;Be of good cheer and let thine eyes be cool and clear; for thou art the guest of my hospitality, and bread and salt hath made a tie between me and thee; wherefore thou art in my ward and under my safeguard. Have no fear for, by the truth of the Messiah, if all on earth sought to do thee hurt they should not come at thee, till life had left my body for thy sake: indeed thou art now under the charge of the Messiah and of me.&amp;quot; Hereat she sat her down by his side and fell to playing with him, till his alarm subsided and he knew that had she desired to slay him, she would have done so during the past night. Presently she bespoke in the Grecian tongue one of her slave girls, who went away and soon came back bringing a beaker and a tray of food; but Sharrkan abstained from eating and said to himself, &amp;quot;Haply she hath put somewhat in this meat.&amp;quot; She knew what was in his thought; so she turned to him and said, &amp;quot;By the truth of the Messiah, the case is not on such wise, nor is there aught in this meat of what thou suspectest! Had my mind been set on slaying thee, I had slain thee ere now.&amp;quot; Then she walked up to the tray and ate of every dish a mouthful; where upon Sharrkan came forward and ate too. She was pleased at this and both ate till they were satisfied. They washed their hands and after that she rose and ordered a handmaid to bring perfumes and herbs of sweet savour, wines of all colours and kinds and a wine-service with vessels of gold, silver and crystal. She filled a first goblet and drank it off before offering it to him, even as she had done with the food: then she crowned a second and handed it to him. He drank and she said to him, &amp;quot;O Moslem, see how thou art here in all solace and delight of life!&amp;quot; And she ceased not to drink and ply him with drink, till he took leave of his wits,- -And Shahrazad perceived the dawn of day, and ceased saying her permitted say.&#xA;&#xA;When it was the Forty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the damsel ceased not to drink and ply Sharrkan with drink till he took leave of his wits, for the wine and the intoxication of love he bore her. Presently she said to the slave girl, &amp;quot;O Marjanah! bring us some instruments of music!&amp;quot; &amp;quot;To hear is to obey,&amp;quot; said the hand maid and going out, returned in the twinkling of an eye with a Damascus lute, a Persian harp, a Tartar pipe, and an Egyptian dulcimer. The young lady took the lute and, after tuning each several string, began in gentle undersong to sing, softer than zephyr's wing and sweeter than Tasmin spring, with heart safe and secure from everything the couplets following,&#xA;&#xA;&amp;quot;Allah assain those eyne! What streams of blood they shed! * How&#xA;           many an arrowy glance those lids of thine have sped.&#xA;I love all lovers who to lovers show them cure; * 'Twere wrong to&#xA;           rue the love in wrong head born and bred:&#xA;Haply fall hapless eye for thee no sleeping kens! * Heaven help&#xA;          the hapless heart by force of thee misled!&#xA;Thou doomest me to death who art my king, and I * Ransom with&#xA;          life the deemster who would doom me dead.&amp;quot;&#xA;Thereupon each and every of the maidens rose up and taking an instrument, played and recited couplets in the Roumi tongue; then their mistress sang also and seeing Sharrkan in ecstasies asked him, &amp;quot;O Moslem, dost thou understand what I say?&amp;quot;; and he answered, &amp;quot;Nay, my ecstasy cometh from the beauty of thy finger sips.&amp;quot; She laughed and continued, &amp;quot;If I sing to thee in Arabic what wouldst thou do?&amp;quot; &amp;quot;I should no longer,&amp;quot; quoth he, &amp;quot;be master of my senses.&amp;quot; Then she took an instrument and, changing the measure, began singing these verses,&#xA;&#xA;&amp;quot;The smack of parting's myrrh to me, * How, then, bear patience'&#xA;            aloë?&#xA;I'm girt by ills in trinity * Severance, distance,&#xA;             cruelty!&#xA;My freedom stole that fairest she, * And parting irks me&#xA;            bitterly.&amp;quot;&#xA;&#xA;When she ended her verse, she looked at Sharrkan and found him lost to existence, and he lay for a while stretched at full length and prone among the maidens. Then he revived and, remembering the songs, again inclined to mirth and merriment; and the twain returned to their wine and wassail, and continued their playing and toying, their pastime and pleasure till day ceased illuminating and night drooped her wing. Then the damsel went off to her dormitory and when Sharrkan asked after her they answered, &amp;quot;She is gone to her sleeping chamber,&amp;quot; whereto he rejoined, &amp;quot;Under Allah's ward and His good guard!&amp;quot; As soon as it was morning, a handmaid came to him and said to him, &amp;quot;My mistress biddeth thee to her.&amp;quot; So he rose and followed her and, as he drew near her lodging, the damsels welcomed him with smitten tabrets and songs of greeting, and led him through a great door of ivory studded with pearls and jewels. Thence they passed with him into a tall and spacious hall, at the upper end of which was a wide dais carpeted with all kinds of silks, and round it open lattices commanding a view of trees and streams. About the saloon were figures carved in human form, and fashioned on such wise that the air passed through them and set in motion musical instruments within, so that the beholder would fancy they spoke. Here sat the young lady, looking at the figures; but when she saw Sharrkan, she sprang to her feet and, taking him by the hand, made him sit down by her side, and asked him how he had passed the night. He blessed her and the two sat talking awhile till she asked him, &amp;quot;Knowest thou aught touching lovers and slaves of love?&amp;quot;; and he answered &amp;quot;Yes! I wot somewhat in verse on that matter.&amp;quot; &amp;quot;Let me hear it,&amp;quot; quoth she, so he began quoting,&#xA;&#xA;&amp;quot;Pleasure and health, good cheer, good appetite * To Azzah,&#xA;           freest with our name and fame!&#xA;By Allah! would I near her off she flies * At tangent, granting&#xA;           less the more I claim:&#xA;I dote on Azzah, but when clear I off * My rivals, clears me too&#xA;           that dearest dame;&#xA;Like wandering wight that chose for shade a cloud * Which, ere&#xA;            siesta done, thin air became.&amp;quot;&#xA;&#xA;When she heard this she said, &amp;quot;Verily Al-Kuthayyir was conspicuous for sweet speech and chaste, and he was superlative in his praise of Azzah when he sang&amp;quot; (and she began to recite),&#xA;&#xA;&amp;quot;Did Azzah deal behest to Sun o' noon, * The judge had judged her&#xA;             beauty's bestest boon;&#xA;And girls who come to me and carp at her, * God make their rosy&#xA;           cheeks her sandal-shoon!&#xA;&#xA;And indeed,&amp;quot; quoth she, &amp;quot;'twas said that Azzah boasted exceeding beauty and loveliness.&amp;quot; Then she asked Sharrkan saying, &amp;quot;O Prince, cost thou know aught of Jamil's verses to Buthaynah? if so repeat to us somewhat of them;&amp;quot; and he answered, &amp;quot;Yes, I know them better than any;&amp;quot; whereupon he began repeating these couplets,&#xA;&#xA;&amp;quot;Jamil, in Holy war go fight!&amp;quot; to me they say: * What war save&#xA;            fight for fair ones would I e'er essay?&#xA;To me their every word and work are mere delight, * And martyrs&#xA;           crepe I all they slay in fight and fray:&#xA;An ask I, 'O Buthaynah! what's this love, I pray, * Which eats&#xA;            my heart?' quoth she ' 'Twill stay for ever and aye!'&#xA;And when I cry, 'Of wits return some small display * For daily&#xA;            use,' quoth she, 'Far, far 'tis fled away!&#xA;Thou seekst my death; naught else thy will can satisfy * While I&#xA;             no goal espy save thee and thee alway.'&amp;quot;&#xA;&#xA;&amp;quot;Thou hast spoken right well,&amp;quot; said she, &amp;quot;O King's son, and Jamil also spoke excellently well. But what would Buthaynah have done with him that he saith in his hemistich,&#xA;&#xA;'Thou seekst my death; naught else thy will can satisfy?'&amp;quot;&#xA;&#xA;&amp;quot;O my lady,&amp;quot; quoth Sharrkan, &amp;quot;she willed to do him what thou willest to do with me, and even that will not satisfy thee.&amp;quot; She laughed at his opportune reply and they ceased not carousing till Day put out her light and Night came in darkness dight. Then she rose and went to her dormitory and slept, while Sharrkan slept in his place till morning dawned. As soon as he awoke, the hand maids came to him with tabrets and other instruments of mirth and merriment, as wont; and, kissing the ground between his hands, said to him, &amp;quot;Bismillah! in Allah's name be so kind as to come: our mistress biddeth thee to her presence!&amp;quot; So he rose and accompanied the slave girls who surrounded him, playing on tabrets and other instruments of music, till they passed from that saloon into another and a yet more spacious hall, decorated with pictured likenesses and figures of birds and beasts, passing all description. Sharrkan marvelled at the art and artifice of the place and began reciting,&#xA;&#xA;&amp;quot;He plucks fruits of her necklace in rivalry, * And her breast-&#xA;           pearls that bedded in gold mine lie.&#xA;Pure water on silvern bars is her brow, * And her cheeks show&#xA;             roses with rubies vie:&#xA;Meseems in her eyne that the violet's hue * Lies purpling set in&#xA;            the Ithmid's dye.&amp;quot;&#xA;When the lady saw Sharrkan, she stood up to him in honour and,&#xA;taking his hand, seated him by her side and asked, &amp;quot;O son of King&#xA;Omar bin al-Nu'uman, hast thou any cunning in the game of chess?&amp;quot;&#xA;&amp;quot;Yes,&amp;quot; he answered, &amp;quot;but do not thou with me as said the poet,&#xA;'I speak and longing love upties me and unties me; * Till with&#xA;             her honey dew of inner lip she plies me:&#xA;I brought the chess board and my liefest lover plays me * With&#xA;            white and black, but black cum white ne'er satisfies&#xA;             me:&#xA;'Twas as if King for Castle I were fain to place me * Till wilful&#xA;             loss of game atwixt two queens surprise me:&#xA;And if I seek to read intent in eyes that eye me * Oh man! that&#xA;             glance askance with hint of wish defies me.'&amp;quot;&#xA;&#xA;Then she brought the chessboard and played with him; but Sharrkan, instead of looking at her moves, kept gazing at her fair mouth, and putting knight in place of elephant and elephant instead of knight. She laughed and said to him, &amp;quot;If thy play be after this fashion, thou knowest naught of the game.&amp;quot; &amp;quot;This is only our first,&amp;quot; replied he, &amp;quot;judge not by this bout.&amp;quot; When she beat him he replaced the pieces in position and played again with her; but she beat him a second time, a third, a fourth and a fifth. So she turned to him and said, &amp;quot;Thou art beaten in everything;&amp;quot; and he replied, &amp;quot;O my lady, how should one playing with the like of thee avoid being beaten?&amp;quot; Then she bade bring food, and they ate and washed their hands; after which the wine was set before them and they drank. Presently, she took the dulcimer, for her hand was cunning in smiting it, and she began repeating to an accompaniment these couplets,&#xA;&#xA;&amp;quot;Twixt the close tied and open wide no medium Fortune knoweth, *&#xA;            Now ebb and flow then flow and ebb this wise her likeness&#xA;             showeth.&#xA;Then drink her wine the syne she's thine and smiling thou dost&#xA;             find her * Anon she'll fall and fare away when all thy good&#xA;             forth goeth.&amp;quot;&#xA;&#xA;They ceased not to carouse till nightfall and this day was pleasanter even than the first. When darkness set in, the lady betook her to her dormitory, leaving him alone with the hand maids; so he threw himself on the ground and slept till dawn, when the damsels came to him with tambourines and other instruments according to custom. Seeing them he roused him hastily and sat up; and they carried him to their mistress, who came to meet him and, taking him by the hand, seated him by her side. Then she asked him how he had passed his night, whereat he prayed that her life be prolonged; and she took the lute and sang to it these verses which she improvised,&#xA;&#xA;&amp;quot;Ne'er incline thee to part * Which embitters the heart&#xA;E'en the sun when he sets * Shall in pallor depart.&amp;quot;&#xA;&#xA;While they were solacing themselves after this fashion, behold, there arose a great and sudden clamour, and a confused crowd of knights and men rushed in, holding drawn swords that glittered and gleamed in their hands, and cried aloud in the Grecian tongue &amp;quot;Thou hast fallen into our hands, O Sharrkan, so make thee sure of death!&amp;quot; When he heard this, he said to himself, &amp;quot;By Allah, she hath entrapped me and held me in play, till her men should come. These are the Knights with whom she threatened me; but 'tis I who have thrown myself into this strait.&amp;quot; Then he turned towards the young lady to reproach her, but saw that she had changed colour and her face was pale; and she sprang to her feet and asked the crowd, &amp;quot;Who are ye?&amp;quot; &amp;quot;O most gracious Princess and peerless onion pearl,&amp;quot; answered the leading Knight, &amp;quot;dost thou weet who is yon man by thy side?&amp;quot; &amp;quot;Not I,&amp;quot; she replied, &amp;quot;who may he be?&amp;quot; Quoth the Patrician, &amp;quot;This is of towns the highwayman! This is he who rideth in the horseman's van! This is Sharrkan, son of King Omar bin al-Nu'uman! This is he that forceth fortalice and penetrateth every impregnable place! The news of him reached King Hardub, thy father, by report of the ancient dame Zat al- Dawahi; and thy sire, our sovereign, hath made sure that thou hast rendered good service to the army of the Greeks by taking captive this ominous lion.&amp;quot; When she heard this, she looked at the Knight and asked him, &amp;quot;What be thy name?&amp;quot; and he answered, &amp;quot;I am Másúrah, son of thy slave Mausúrah bin Káshardah, Knight of Knights.&amp;quot; &amp;quot;And how?&amp;quot; quoth she, &amp;quot;durst thou enter my presence without leave?&amp;quot; Quoth he, &amp;quot;O my lady, when I came to the gate, none forbade me, neither chamberlain nor porter, but all the door keepers rose and forewent us as of wont; although, when others come, they leave them standing at the gate while they ask permission to admit them. But this is not a time for long talking, when the King is expecting our return with this Prince, the scorpion sting of the Islamitic host, that he may kill him and drive back his men whither they came, without the bane of battling with them.&amp;quot; &amp;quot;These words be ill words,&amp;quot; rejoined the Princess, &amp;quot;and Dame Zat al-Dawahi lied, avouching an idle thing and a vain, whereof she weeteth not the truth; for by the virtue of the Messiah, this man who is with me is not Sharrkan, nor is he a captive, but a stranger who came to us seeking our hospitality, and I made him my guest. So even were we assured that this be Sharrkan and were it proved to us that it is he beyond a doubt, I say it would ill befit mine honour that I should deliver into your hands one who hath entered under my protection. So make me not a traitor to my guest and a disgrace among men; but return to the King, my father, and kiss the ground before him, and inform him that the case is contrariwise to the report of the Lady Zat al-Dawahi.&amp;quot; &amp;quot;O Abrízah,&amp;quot; replied Masurah, the Knight, &amp;quot;I cannot return to the King's majesty without his debtor and enemy.&amp;quot; Quoth she (and indeed she had waxed very wroth). &amp;quot;Out on thee! Return to him with my answer, and no blame shall befal thee!&amp;quot; Quoth Masurah, &amp;quot;I will not return without him.&amp;quot; Thereupon her colour changed and she exclaimed, &amp;quot;Exceed not in talk and vain words; for verily this man had not come in to us, were he not assured that he could of himself and single handed make head against an hundred riders; and if I said to him, 'Thou art Sharrkan, son of King Omar bin al-Nu'uman,' he would answer, 'Yes.' But 'tis not of your competence to let or hinder him; for if you do so, he will not turn back from you till he hath slain all that are in this place. Behold, here he is by my side, and I will bring him before you sword and targe in hand.&amp;quot; &amp;quot;Albeit I were safe from thy wrath,&amp;quot; answered Masurah the Knight, &amp;quot;I am not safe from that of thy father, and when I see him, I shall sign to the Knights to take him captive, and we will carry him to the King bound and in abject sort.&amp;quot; When she heard this, she said, &amp;quot;The matter shall not pass thus, for 'twould be blazoning mere folly. This man is but one and ye are an hundred Knights: so if you would attack him come out against him, one after one, that it may appear to the King which is the valiant amongst you.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fiftieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Princess Abrizah said to the Knight, &amp;quot;This man is but one, and ye are an hundred: so if ye would attack him, come out against him, one after one, that it may appear to the King which is the valiant.&amp;quot; Quoth Masurah, the Knight, &amp;quot;By the truth of the Messiah, thou sayest sooth, and none but I shall sally out against him first.&amp;quot; Quoth she, &amp;quot;Wait till I go to him and acquaint him with the case and hear what answer he will make. If he consent, 'tis well; but if he refuse, ye shall on no wise come to him, for I and my hand maids and whosoever is in the convent will be his ransom.&amp;quot; So she went to Sharrkan and told him the news, whereat he smiled and knew that she had not informed any of the Emirs; but that tidings of him had been bruited and blazed abroad, till the report reached the King, against her wish and intent. So he again began reproaching himself and said, &amp;quot;How came I to adventure and play with my life by coming to the country of the Greeks?&amp;quot; But hearing the young lady's proposal he said to her, &amp;quot;Indeed their onset, one after one, would be overburdensome to them. Will they not come out against me, ten by ten?&amp;quot; &amp;quot;That would be villainy,&amp;quot; said she; &amp;quot;Let one have at one.&amp;quot; When he heard this, he sprang to his feet and made for them with his sword and battle gear; and Masurah, the Knight, also sprang up and bore down upon him. Sharrkan met him like a lion and delivered a shoulder cut which clove him to the middle, and the blade came out gleaming and glittering from his back and bowels. When the lady beheld that swashingblow, Sharrkan's might was magnified in her sight and she knew that when she overthrew him in the wrestle it was not by her strength but by her beauty and loveliness. So she turned to the Knights and said, &amp;quot;Take wreak for your chief!&amp;quot; Thereupon out came the slain man's brother, a fierce and furious Knight, and rushed upon Sharrkan, who delayed not, but smote him also with the shoulder cut and the sword came out glittering from his vitals. Then cried the Princess, &amp;quot;O ye servants of the Messiah, avenge your comrade!&amp;quot; So they ceased not charging down upon him, one after one; and Sharrkan also ceased not playing upon them with the blade, till he had slain fifty Knights, the lady looking on the while. And Allah cast a panic into the hearts of the survivors, so that they held back and dared not meet him in the duello, but fell upon him in a body; and he laid on load with heart firmer than a rock, and smote them and trod them down like straw under the threshing sled, till he had driven sense and soul out of them. Then the Princess called aloud to her damsels, saying, &amp;quot;Who is left in the convent?&amp;quot;; and they replied, &amp;quot;None but the gate keepers;&amp;quot; whereupon she went up to Sharrkan and took him to her bosom, he doing the same, and they returned to the palace, after he had made an end of the melee. Now there remained a few of the Knights hiding from him in the cells of the monastery, and when the Princess saw this she rose from Sharrkan's side and left him for a while, but presently came back clad in closely meshed coat of ring mail and holding in her hand a fine Indian scymitar. And she said, &amp;quot;Now by the truth of the Messiah, I will not be a niggard of myself for my guest; nor will I abandon him though for this I abide a reproach and a by word in the land of the Greeks.&amp;quot; Then she took reckoning of the dead and found that he had slain fourscore of the Knights, and other twenty had taken to flight. When she saw what work he had made with them she said to him, &amp;quot;Allah bless thee, O Sharrkan! The Cavaliers may well glory in the like of thee.&amp;quot; Then he rose and wiping his blade clean of the blood of the slain began reciting these couplets,&#xA;&#xA;&amp;quot;How oft in the mellay I've cleft the array, * And given their&#xA;             bravest to lions a prey:&#xA;Ask of me and of them when I proved me prow * O'er creation, on&#xA;             days of the foray and fray:&#xA;When I left in the onslaught their lions to lie * On the sands of&#xA;             the low lands in fieriest day.&amp;quot;&#xA;&#xA;When he ended his verse, the Princess came up to him with smiles and kissed his hand; then she doffed her hauberk and he said to her, &amp;quot;O lady mine, wherefore didst thou don that coat of mail and bare thy brand?&amp;quot; &amp;quot;To guard thee against these caitiffs,&amp;quot; she replied. Then she summoned the gate keepers and asked them, &amp;quot;How came ye to admit the King's Knights into my dwelling without leave of me?&amp;quot;; and they answered, &amp;quot;O Princess, it is not our custom to ask leave of thee for the King's messengers, and especially for the chief of his Knights.&amp;quot; Quoth she, &amp;quot;I think ye were minded only to disgrace me and murder my guest;&amp;quot; and bade Sharrkan smite their necks. He did so and she cried to the rest of her servants, &amp;quot;Of a truth, they deserved even more than that!&amp;quot; Then turning to Sharrkan, she said to him, &amp;quot;Now that there hath become manifest to thee what was concealed, thou shalt be made acquainted with my history. Know, then, that I am the daughter of King Hardub of Roum; my name is Abrizah and the ancient dame, yclept Zat al-Dawahi, is my grandmother by the sword side. She it certainly is who told my father of thee, and as surely she will compass a sleight to slay me, more by token as thou hast slain my father's chivalry and it is noised abroad that I have separated myself from the Nazarenes and have become no better than I should be with the Moslems. Wherefore it were wiser that I leave this dwelling while Zat al-Dawahi is on my track; but I require of thee the like kindness and courtesy I have shown thee, for enmity will presently befal between me and my father on thine account. So do not thou neglect to do aught that I shall say to thee, remembering all this betided me not save by reason of thee.&amp;quot; Hearing her words, Sharrkan joyed greatly; his breast broadened and his wits flew from him for delight, and he said, &amp;quot;By Allah, none shall come at thee, while life is in my bosom! But hast thou patience to bear parting from thy parents and thy people?&amp;quot; &amp;quot;Even so,&amp;quot; she answered; and Sharrkan swore to her and the two plighted their troth. Then said she, &amp;quot;Now is my heart at ease; but there remaineth one other condition for thee.&amp;quot; &amp;quot;What is it?&amp;quot; asked he and she answered, &amp;quot;It is that thou return with thy host to thine own country.&amp;quot; Quoth he, &amp;quot;O lady mine, my father, King Omar bin al- Nu'uman, sent me to wage war upon thy sire, on account of the treasure he plundered from the King of Constantinople, and amongst the rest three great jewels, noted givers of good fortune.&amp;quot; Quoth she, &amp;quot;Cheer thy heart and clear thine eyes: I will tell thee the whole of the tale and the cause of our feud with the King of Constantinople. Know that we have a yearly festival, highs the Convent Feast, whereat Kings from all quarters and the noblest women are wont to congregate; thither also come merchants and traders with their wives and families, and the visitors abide there seven days. I was wont to be one of them; but, when there befel enmity between us, my father forbade me to be present at the festival for the space of seven years. One year, it chanced that amongst the daughters of the great who resorted to the patron, as was their custom, came a daughter of the King of Constantinople, a beautiful girl called Sophia. They tarried at the monastery six days and on the seventh the folk went their ways; but Sophia said, 'I will not return to Constantinople save by water.' So they equipped for her a ship in which she embarked with her suite; and making sail they put out to sea; but as they were voyaging behold, a contrary wind caught them and drove the vessel from her course till, as Fate and Fortune would have it, she fell in with a Nazarene craft from the Camphor Island carrying a crew of five hundred armed Franks, who had been cruising about a long time. When they sighted the sails of the ship, wherein Sophia and her women were, they gave chase in all haste and in less than an hour they came up with her, then they laid the grappling irons aboard her and captured her. Then taking her in tow they made all sail for their own island and were but a little distant from it when the wind veered round and, splitting their sails, drove them on to a shoal which lies off our coast. Thereupon we sallied forth and, looking on them as spoil driven to us by Fate, boarded and took them; and, slaying the men, made prize of the wreck, wherein we found the treasures and rarities in question and forty maidens, amongst whom was the King's daughter, Sophia. After the capture we carried the Princess and her women to my father, not knowing her to be a daughter of King Afridun of Constantinople; and he chose out for himself ten including her; and divided the rest among his dependents. Presently he set apart five damsels, amongst whom was the King s daughter, and sent them to thy father, King Omar bin al-Nu'uman, together with other gifts, such as broadcloth and woollen stuffs and Grecian silks. Thy father accepted them and chose out from amongst the five girls Sophia, daughter of King Afridun; nor did we hear more of her till the beginning of this year, when her father wrote to my father in words unfitting for me to repeat, rebuking him with menaces and saying to him: Two years ago, you plundered a ship of ours which had been seized by a band of Frankish pirates in which was my daughter, Sophia, attended by her maidens numbering some threescore. Yet ye informed me not thereof by messenger or otherwise; nor could I make the matter public, lest reproach befal me amongst the Kings, by reason of my daughter's honour. So I concealed my case till this year, when I wrote to certain Frankish corsairs and sought news of my daughter from the Kings of the Isles. They replied, 'By Allah we carried her not forth of thy realm; but we have heard that King Hardub rescued her from certain pirates. And they told me the whole tale.' Then he added in the writing which he writ to my father: 'Except you wish to be at feud with me and design to disgrace me and dishonour my daughter, you will, the instant my letter reacheth you, send my daughter back to me. But if you slight my letter and disobey my commandment, I will assuredly make you full return for your foul dealing and the baseness of your practices.' When my father read this letter and understood the contents, it vexed him and he regretted not having known that Sophia, King Afridun's daughter, was among the captured damsels, that he might have sent her back to her sire; and he was perplexed about the case because, after so long a time, he could not send to King Omar bin al-Nu'uman and demand her back from him, especially as he had lately heard that Heaven had granted him boon of babe by this Sophia. So when we pondered that truth, we knew that this letter was none other than a grievous calamity; and my father found nothing for it but to write an answer to King Afridun, making his excuses and swearing to him by strong oaths that he knew not his daughter to be among the bevy of damsels in the ship and setting forth how he had sent her to King Omar bin al Nu'uman, who had gotten the blessing of issue by her. When my father's reply reached King Afridun he rose up and sat down, and roared and foamed at the mouth crying:—'What! shall he take captive my daughter and even her with slave girls and pass her on from hand to hand sending her for a gift to Kings, and they lie with her without marriage contract? By the Messiah and the true Faith,' said he, 'I will not desist till I have taken my blood vengeance for this and have wiped out my shame; and indeed I will do a deed which the chroniclers shall chronicle after me!' So he bided his time till he devised a device and laid notable toils and snares, when he sent an embassy to thy father, King Omar, to tell him that which thou hast heard: accordingly thy father equipped thee and an army with thee and sent thee to King Afridun, whose object is to seize thee and thine army to boot. As for the three jewels whereof he told thy father when asking his aid, there was not one soothfast word in that matter, for they were with Sophia, his daughter; and my father took them from her, when he got possession of her and of her maidens, and gave them to me in free gift, and they are now with me. So go thou to thy host and turn them back ere they be led deep into, and shut in by, the land of the bevy of damsels in the ship and setting forth the Franks and the country of the Greeks; for as soon as you have come far enough into their interior, they will stop the roads upon you and there will be no escape for you till the Day of retribution and retaliation. I know that thy troops are still halting where thou leftest them, because thou didst order a three days' rest; withal they have missed thee all this time and they wot not what to do.&amp;quot; When Sharrkan heard her words, he was absent awhile in thought; then he kissed Princess Abrizah's hand and said, &amp;quot;Praise be to Allah who hath bestowed thee on me and appointed thee to be the cause of my salvation and the salvation of whoso is with me! But 'tis grievous to me to part from thee and I know not what will become of thee after my departure.&amp;quot; &amp;quot;Go now to thine army,&amp;quot; she replied, &amp;quot;and turn them back, while ye are yet near your own country. If the envoys be still with them, lay hands on them and keep them, that the case may be made manifest to you; and, after three days, I will be with you all and we will enter Baghdad together.&amp;quot; As he turned to depart she said, &amp;quot;Forget not the compact which is between me and thee,&amp;quot; then she rose to bid him farewell and embrace him and quench the fire of desire, so she took leave of him and, throwing her arms round his neck, wept with exceeding weeping, and repeated these verses,&#xA;&#xA;&amp;quot;I bade adieu, my right hand wiped my tears away, * The while my&#xA;             left hand held her in a close embrace:&#xA;'Fearest thou naught,' quoth she, 'of shame?' I answered 'Nay, *&#xA;             The lover's parting day is lover's worst disgrace.'&amp;quot;&#xA;&#xA;Then Sharrkan left her and walked down from the convent. They brought his steed, so he mounted and rode down stream to the drawbridge which he crossed and presently threaded the woodland paths and passed into the open meadow. As soon as he was clear of the trees he was aware of horsemen which made him stand on the alert, and he bared his brand and rode cautiously, but as they drew near and exchanged curious looks he recognized them and behold, it was the Wazir Dandan and two of his Emirs. When they saw him and knew him, they dismounted and saluting him, asked the reason of his absence; whereupon he told them all that had passed between him and Princess Abrizah from first to last. The Wazir returned thanks to Almighty Allah for his safety and said, &amp;quot;Let us at once leave these lands; for the envoys who came with us are gone to inform the King of our approach, and haply he will hasten to fall on us and take us prisoners.&amp;quot; So Sharrkan cried to his men to saddle and mount, which they did and, setting out at once, they stinted not faring till they reached the sole of the valley wherein the host lay. The Ambassadors meanwhile had reported Sharrkan's approach to their King, who forthright equipped a host to lay hold of him and those with him. But Sharrkan, escorted by the Wazir Dandan and the two Emirs, had no sooner sighted the army, than he raised the cry &amp;quot;March! March!&amp;quot; They took horse on the instant and fared through the first day and second and third day, nor did they cease faring for five days; at the end of which time they alighted in a well wooded valley, where they rested awhile. Then they again set out and stayed not riding for five and twenty days which placed them on the frontiers of their own country. Here, deeming themselves safe, they halted to rest; and the country people came out to them with guest gifts for the men and provender and forage for the beasts. They tarried there two days after which, as all would be making for their homes, Sharrkan put the Wazir Dandan in command, bidding him lead the host back to Baghdad. But he himself remained behind with an hundred riders, till the rest of the army had made one day's march: then he called &amp;quot;To horse!&amp;quot; and mounted with his hundred men. They rode on two parasangs' space till they arrived at a gorge between two mountains and lo! there arose before them a dark cloud of sand and dust. So they checked their steeds awhile till the dust opened and lifted, discovering beneath it an hundred cavaliers, lion faced and in mail coats cased. As soon as they drew within earshot of Sharrkan and his meiny they cried out to them, saying, &amp;quot;By the virtue of John and Mary, we have won to our wish! We have been following you by forced marches, night and day, till we forewent you to this place. So dismount and lay down your arms and yield yourselves, that we may grant you your lives.&amp;quot; When Sharrkan heard this, his eyes stood out from his head and his cheeks flushed red and he said 'How is it, O. Nazarene dogs, ye dare enter our country and overmatch our land? And doth not this suffice you, but ye must adventure yourselves and address us in such unseemly speech? Do you think to escape out of our hands and return to your country?&amp;quot; Then he shouted to his hundred horsemen, &amp;quot;Up and at these hounds, for they even you in number!&amp;quot; So saying, he bared his sabre and bore down on them, he and his, but the Franks met them with hearts firmer than rocks, and wight dashed against wight, and knight dashed upon knight, and hot waxed the fight, and sore was the affright, and nor parley nor cries of quarter helped their plight; and they stinted not to charge and to smite, right hand meeting right, nor to hack and hew with blades bright white, till day turned to night and gloom oppressed the sight. Then they drew apart and Sharrkan mustered his men and found none wounded save four only, who showed hurts but not death hurts. Said he to them, &amp;quot;By Allah, my life long have I waded in the clashing sea of fight and I have met many a gallant sprite, but none so unfrightened of the sword that smites and the shock of men that affrights like these valiant Knights!&amp;quot; &amp;quot;Know, O King,&amp;quot; said they, that there is among them a Frankish cavalier who is their leader and, indeed, he is a man of valour and fatal is his spear thrust: but, by Allah, he spares us great and small; for whoso falls into his hands he lets him go and forbears to slay him. By Allah, had he willed he had killed us all.&amp;quot; Sharrkan was astounded when he heard what the Knight had done and such high report of him, so he said, &amp;quot;When the morn shall morrow, we will draw out and defy them, for we are an hundred to their hundred; and we will seek aid against them from the Lord of the Heavens.&amp;quot; So they rested that night in such intent; whilst the Franks gathered round their Captain and said, &amp;quot;Verily this day we did not win our will of these;&amp;quot; and he replied, &amp;quot;At early dawn when the morrow shall morn, we will draw out and challenge them, one after one.&amp;quot; They also rested in that mind, and both camps kept guard until Almighty Allah sent the light of day dawn. Thereupon King Sharrkan and his hundred riders took horse and rode forth to the plain, where they found the Franks ranged in line of battle; and Sharrkan said to his followers, &amp;quot;Our foes have determined like ourselves to do their devoir; so up and at them and lay on load.&amp;quot; Then came forth an Herald of the Franks and cried out, saying, &amp;quot;Let there be no general engagement betwixt us this day, save by the duello, a champion of yours against a champion of ours.&amp;quot; Whereupon one of Sharrkan's riders dashed out from the ranks and crave between the two lines crying, &amp;quot;Ho! who is for smiting? Let no dastard engage me this day nor niderling!&amp;quot; Hardly had he made an end of his vaunt, when there sallied forth to him a Frankish cavalier, armed cap-à-pie and clad in a surcoat of gold stuff, riding on a grey white steed, and he had no hair on his cheeks. He urged his charger on to the midst of the battle plain and the two fell to derring do of cut and thrust, but it was not long before the Frank foined the Moslem with the lance point; and, toppling him from his steed, took him prisoner and led him off crestfallen. His folk rejoiced in their comrade and, forbidding him to go out again to the field, sent forth another, to whom sallied out another Moslem, brother to the captive, and offered him battle. The two fell to, either against other, and fought for a little while, till the Frank bore down upon the Moslem and, falsing him with a feint, tumbled him by a thrust of the lance heel from his destrier and took him prisoner. After this fashion the Moslems ceased not dashing forwards, one after one, and the Franks to unhorse them and take them captive, till day departed and the night with darkness upstarted. Now they had captured of the Moslems twenty cavaliers, and when Sharrken saw this, it was grievous to him and he mustered his men and said to them, &amp;quot;What is this thing that hath befallen us? To- morrow, I myself will go forth to the field and offer singular combat to their chief and learn what is the cause of his entering our land and warn him against doing battle with our band. If he persist, we will punish him with death, and if he prove peaceable we will make peace with him.&amp;quot; They righted on this wise till Allah Almighty caused the morn to dawn, when mounted the twain and drew up for battle fain; and Sharrkan was going forth to the plain, but behold, more than one half of the Franks dismounted and remained on foot before one of them who was mounted, till they reached the midst of the battle plain. Sharrken looked at that horseman and lo! he was their chief. He was clad in a surcoat of blue satin and a close ringed mail shirt; his face was as the moon when it rises and no hair was upon his cheeks. He hent in hand an Indian scymitar and he rode a sable steed with a white blaze on brow, like a dirham; and he smote the horse with heel till he stood almost in the midst of the field when, signing to the Moslems, he cried out in fluent Arab speech &amp;quot;Ho, Sharrkan! Ho, son of Omar bin al- Nu'uman! Ho, thou who forcest fortalice and overthrowest cities and countries! up and out to battle bout, and blade single handed wield with one who halves with thee the field! Thou art Prince of thy people and I am Prince of mine; and whoso overcometh his adversary, him let the other's men obey and come under his sway.&amp;quot; Hardly had he ended his speech, when out came Sharrkan with a heart full of fury, and urging his steed into the midst of the field, closed like a raging lion with the Frank who encountered him with wariness and steadfastness and met him with the meeting of warriors. Then they fell to foining and hewing, and they stinted not of onset and offset, and give and take, as they were two mountains clashing together or two seas together dashing; nor did they cease fighting until day darkened and night starkened. Then they drew apart and each returned to his own party; but as soon as Sharrkan foregathered with his comrades, he said, &amp;quot;Never looked I on the like of this cavalier: he hath one quality I have not yet seen in any and this it is that, when his foemen uncovereth a place for the death blow, he reverseth his weapon and smiteth with the lance-heel! In very deed I know not what will be the issue 'twixt him and me; but 'tis my wish that we had in our host his like and the like of his men.&amp;quot; Then he went to his rest for the night and, when morning dawned, the Frank came forth and rode down to the mid field, where Sharrkan met him; and they fell to fighting and to wheeling, left and right; and necks were stretched out to see the sight, nor did they stint from strife and sword play and lunge of lance with main and might, till the day turned to night and darkness overwhelmed the light. Then the twain drew asunder and returned each to his own camp, where both related to their comrades what had befallen them in the duello; and at last the Frank said to his men, &amp;quot;Tomorrow shall decide the matter!&amp;quot; So they both passed that night restfully till dawn; and, as soon as it was day, they mounted and each bore down on other and ceased not to fight till half the day was done. Then the Frank bethought him of a ruse; first urging his steed with heel and then checking him with the rein, so that he stumbled and fell with his rider; thereupon Sharrkan threw himself on the foe, and would have smitten him with the sword fearing lest the strife be prolonged, when the Frank cried out to him, &amp;quot;O Sharrkan, champions are not wont to do thus! This is the act of a man accustomed to be beaten by a woman.&amp;quot; When Sharrkan heard this, he raised his eyes to the Frank's face and gazing steadfastly at him, recognized in him Princess Abrizah with whom that pleasant adventure had befallen him in the convent; whereupon he cast brand from hand and, kissing the earth before her, asked her, &amp;quot;What moved thee to a deed like this?&amp;quot;; and she answered, &amp;quot;I desired to prove thy prowess afield and test thy doughtiness in tilting and jousting. These that are with me are my handmaids, and they are all clean maids; yet they have vanquished thy horsemen in fair press and stress of plain; and had not my steed stumbled with me, thou shouldst have seen my might and prowess in combat.&amp;quot; Sharrkan smiled at her speech and said, &amp;quot;Praise be to Allah for safety and for my reunion with thee, O Queen of the age!&amp;quot; Then she cried out to her damsels to loose the twenty captives of Sharrkan's troop and dismount. They did as she bade and came and kissed the earth before her and Sharrkan who said to them, &amp;quot;It is the like of you that Kings keep in store for the need hour.&amp;quot; Then he signed to his comrades to salute the Princess; so all alighted and kissed the earth before her, for they knew the story. After this, the whole two hundred took horse, and fared on night and day for six days' space, till they drew near to Baghdad, when they halted and Sharrkan bade Abrizah and her handmaids doff the Frankish garb that was on them,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan bade Princess Abrizah and her damsels doff the garb that was on them and don the garments of daughters of Greece; and thus did they. Then he despatched a company of his companions to Baghdad to acquaint his father Omar bin al-Nu'uman, with his arrival and report that he was accompanied by Princess Abrizah, daughter of King Hardub, Lord of Graecia-land. They halted forthright in the place they had reached, and Sharrkan also halted and all righted there; and when Almighty Allah made morning dawn, Sharrkan and his company and Abrizah and her company took horse and fared on towards the city; when lo! on the way they met the Wazir Dandan, who had come out amongst a thousand horse to honour Abrizah and Sharrkan, by especial commandment of King Omar Son of Al- Nu'uman. When the two drew near, they turned towards them and kissed ground before them; then they mounted again and escorted them into the city and went up with them to the palace. Sharrkan walked in to his father, who rose and embraced him and questioned him of his case. So he told him all that Abrizah had told him, and what had passed between them and said, &amp;quot;She hath parted from her sire and departed from her reign and hath chosen to take part with us and make her abode with us; and indeed,&amp;quot; he said to his father, &amp;quot;the King of Constantinople hath plotted to do us a mischief, because of his daughter Sophia, for that the King of Greece had made known to him her story and the cause of her being given to thee; and he (the Grecian King) not knowing her to be daughter of King Afridun, Lord of Constantinople; and, had he known that, he would not have bestowed her upon thee, but he would have restored her to her parent. And of a verity,&amp;quot; he continued, &amp;quot;we were saved from these perils only by the Lady Abrizah, and never saw we a more valiant than she.&amp;quot; And he went on to tell his father all that had passed from first to last of the wrestling and the single fighting. When King Omar heard the story of Sharrkan, Abrizah was exalted in his eyes, and he longed to see her and question her. Thereupon Sharrkan went out to her and said, &amp;quot;The King calleth for thee;&amp;quot; she replied, &amp;quot;I hear and I obey;&amp;quot; and he took her and brought her in to his father, who was seated on his throne and who, having dismissed his high officers, was attended only by his eunuchs. The Princess entered and kissing the ground between his hands, saluted him in choice terms. He was amazed at her eloquent speech and thanked her for her dealing with his son Sharrkan and bade her be seated. So she sat down and unveiled her face; and, when the King saw her beauty, his reason fled his head and he made her draw near and showed her favour, appointing her an especial palace for herself and her damsels, and assigning them solde and allowances. Then began he to ask her of the three jewels aforesaid, and she answered, &amp;quot;Here be they with me, O King of the age!&amp;quot; So saying, she rose and going to her lodging, unpacked her baggage and from it brought out a box and from the box a casket of gold. She opened the casket and taking out those three jewels, kissed them and gave them to the King. Then she went away bearing his heart with her. After her going the King sent for his son Sharrkan and gave him one jewel of the three, and when he enquired of the other two replied, &amp;quot;O my son! I mean to give one to thy brother Zau al-Makan, and the other to thy sister Nuzhat al- Zaman.&amp;quot; But when Sharrkan heard that he had a brother (for to that time he knew only of his sister) he turned to his sire and said to him, &amp;quot;O King, hast thou a son other than myself?&amp;quot; He answered, &amp;quot;Yes, and he is now six years old;&amp;quot; adding that his name was Zau al- Makan and that he and Nuzhat al-Zaman were twins, born at a birth. This news was grievous to Sharrkan, but he kept his secret and said, &amp;quot;The bless- ing of Allah Most High be upon them!&amp;quot;, and he cast the jewel from his hand and shook the dust off his clothes. Quoth the King, &amp;quot;How do I see thee change thy manner when hearing of this, considering that after me thou becomes&amp;quot; heir of the kingdom. Of a truth the troops have sworn to thee and the Emirs and Grandees have taken the oath of succession to thee; and this one of the three jewels is thine.&amp;quot; Sharrkan bowed his head to the ground and was ashamed to bandy words with his parent so he accepted the jewel and went away, knowing not what to do for exceeding wrath, and stayed not walking till he had entered Abrizah's palace. As he approached she stood up to meet him and thanked him for what he had done and prayed for blessings on him and his sire. Then she sat down and seated him by her side; but when he had taken his place she saw rage in his face and questioned him, whereupon he told her that Allah had blessed his father with two children by Sophia, a boy and a girl, and that he had named the boy Zau al-Makan and the girl Nuzhat al-Zaman; adding, &amp;quot;He hath kept the other two jewels for them and hath given me one of thine, so I left it behind; I knew naught of Zau al-Makan's birth till this day, and the twain are now six years old. So when I learnt this, wrath possessed me; and I tell thee the reason of my rage and hide nothing from thee. But now I fear lest my father take thee to wife, for he loveth thee and I saw in him signs of desire for thee: so what wilt thou say, if he wish this?&amp;quot; Quoth she, &amp;quot;Know, O Sharrkan, that thy father hath no dominion over me, nor can he have me without my consent; and if he prevail over me by force, I will take my own life. As for the three jewels, it was not my intent that he should give any of them to either of his children and I had no thought but that he would lay them up in his treasury with his things of price; but now I desire of thy favour that thou make me a present of the jewel which he gave thee, if thou have accepted it.&amp;quot; &amp;quot;Hearkening and obedience,&amp;quot; replied Sharrkan, and gave it to her. Then said she, &amp;quot;Fear nothing,&amp;quot; and talked with him awhile and continued, &amp;quot;I fear lest my father hear that I am with you and sit not patiently under my loss, but do his endeavours to find me; and to that end he may ally himself with King Afridun, on account of his daughter Sophia, and both come on thee with armies and so there befal great turmoil.&amp;quot; When Sharrken heard these words, he said to her, &amp;quot;O my lady, if it please thee to sojourn with us, take no thought of them; though there gather together against us all that be on land and on sea.&amp;quot; &amp;quot; 'Tis well,&amp;quot; rejoined she; &amp;quot;if ye entreat me fair, I will tarry with you, and if ye deal evilly by me, I will depart from you.&amp;quot; Then she bade her slave maidens bring food; so they set the tables, and Sharrkan ate a little and went away to his own house, disturbed and perturbed. Such was his case; but regarding the affairs of his father, Omar bin al-Nu'uman, after dismissing his son Sharrkan he arose and, taking the other two jewels, betook himself to the Lady Sophia, who stood up when she saw him and remained standing till he was seated. Presently, his two children, Zau al-Makan and Nuzhat al-Zaman, came to him and he kissed them and hung a jewel round each one's neck, at which they rejoiced and kissed his hands. Then went they to their mother, who joyed in their joy and wished the King long life; so he asked her, &amp;quot;Why hast thou not informed me all this time that thou art the daughter of King Afridun, Lord of Constantinople, that I might have honoured thee still more and enlarged thee in dignity and raised thy rank?&amp;quot; &amp;quot;O King,&amp;quot; answered Sophia, &amp;quot;and what could I desire greater or higher than this my standing with thee, overwhelmed as I am with thy favours and thy benefits? And, furthermore, Allah hath blessed me with two children by thee, a son and a daughter.&amp;quot; Her reply pleased the King and after leaving her, he set apart for her and her children a wondrous fine palace. Moreover, he appointed for them eunuchs and attendants and doctors of law and doctors of philosophy and astrologers and physicians and surgeons to do them service; and in every way he redoubled his favour and entreated them with the best of treatment. And presently he returned to the palace of his dominion and to his Court where he distributed justice among the lieges. So far concerning him and Sophia and her children; but in the matter of Abrizah the King was greatly occupied with love of her and burnt with desire of her night and day; and every night, he would go in to her and converse with her and pay his court to her, but she gave him no answer, only saying, &amp;quot;O King of the age! I have no desire for men at this present.&amp;quot; When he saw her withdraw from him, his passion waxed hotter and his longing and pining increased until, when weary of this, he summoned his Wazir Dandan and, opening his very heart to him, told him of his love for Princess Abrizah, daughter of Hardub, and informed him how she refused to yield to his wishes and how desire for her was doing him to die, for that he could get no grace of her. The Wazir, hearing these words, said to the King, &amp;quot;As soon as it is dark night, take thou a piece of Bhang the measure of a miskal, about an ounce, and go in to her and drink somewhat of wine with her. When the hour of ending the carousel shall draw near, fill her a last cup and dropping therein the Bhang, give it to her to drink, and she will not reach her sleeping chamber ere the drug take effect on her. Then do thou go in to her and take thy will of her; and such is my advice.&amp;quot; &amp;quot;Thy rede is aright,&amp;quot; quoth the King, and seeking his treasury, he took thence a piece of concentrated Bhang, if an elephant smelt it he would sleep from year to year. This he put in his bosom pocket and waited till some little of the night went by, when he betook himself to the palace of Princess Abrizah, who seeing him stood up to receive him; but he bade her sit down. So she sat down, and he sat by her, and he began to talk with her of wine and wassail, whereupon she furnished the carousing table and placed it before him. Then she set on the drinking vessels and lighted the candles and ordered to bring dried fruits and sweet meats and all that pertaineth to drinking. So they fell to tippling and the King ceased not to pledge her till drunkenness crept into her head; and seeing this he took out the bit of Bhang from his pocket and, holding it between his fingers, filled a cup with his own hand and drank it off. Then filling a second he said, &amp;quot;To thy companionship!&amp;quot;; and dropped the drug into her cup, she knowing naught of it. She took it and drank it off; then she rose and went to her sleeping chamber. He waited for less than an hour till he was assured that the dose had taken effect on her and had robbed her of her senses, when he went in to her and found her thrown on her back: and she had doffed her petticoat trousers and the air raised the skirt of her shift and discovered what was between her thighs. When the King saw the state of things and found a lighted candle at her head and another at her feet, shining upon what her thighs enshrined he took leave of his five senses for lust and Satan seduced him and he could not master himself, but put off his trousers and fell upon her and abated her maiden head. Then he rose off her and went to one of her women, by name Marjánah, and said, &amp;quot;Go in to thy lady and speak with her.&amp;quot; So she went in to her mistress and found her lying on her back insensible, with the blood running down to the calves of her legs, whereupon she took a kerchief and wiped away the blood and lay by her that night. As soon as Almighty Allah brought the dawn, the handmaid Marjanah washed her mistress's hands and feet and brought rose water and bathed her face and mouth with it, where upon she sneezed and yawned and cast up from her inside that bit of Bhang like a bolus. Then she revived and washed her hands and mouth and said to Marjanah, &amp;quot;Tell me what hath befallen me.&amp;quot; So she told her what had passed and how she had found her, lying on her back, with the blood running down, wherefore she knew that King Omar bin al-Nu'uman had lain with her and had undone her and taken his will of her. At this she grieved with exceeding grief and retired into privacy, saying to her damsels, &amp;quot;Deny me to whoso would come in to me and say to him that I am ill, till I see what Allah will do with me.&amp;quot; Presently the news of her sickness came to the King; so he sent her sherbets and sugar electuaries. Some months she thus passed in solitude, during which time the King's flame cooled and his desire for her was quenched, so that he abstained from her. Now she had conceived by him, and when the months of child breeding had gone by, her pregnancy appeared and her belly swelled, and the world was straitened upon her, so she said to her handmaid Marjanah, &amp;quot;Know that it is not the folk who have wronged me, but I who sinned against my own self in that I left my father and mother and country. Indeed, I abhor life, for my spirit is broken and neither courage nor strength is left me. I used, when I mounted my steed, to have the mastery of him, but now I am unable to ride. If I be brought to bed among them I shall be dishonoured before my hand women and every one in the palace will know that he hath taken my maidenhead in the way of shame; and if I return to my father, with what face shall I meet him or with what face shall I have recourse to him? How well quoth the poet,&#xA;&#xA;'Say, what shall solace one who hath nor home nor stable stead *&#xA;             Nor cup companion, nor a cup, nor place to house his head?'&amp;quot;&#xA;&#xA;Marjanah answered her, &amp;quot;It is thine to command; I will obey;&amp;quot; and Abrizah said, &amp;quot;I desire at once to leave this place secretly, so that none shall know of me but thou; and return to my father and my mother, for when flesh stinketh, there is naught for it but its own folk and Allah shall do with me e'en as He will.&amp;quot; &amp;quot;O Princess,&amp;quot; Marjanah replied, &amp;quot;what thou wouldest do is well.&amp;quot; Then she made matters ready and kept her secret and waited for some days till the King went out to chase and hunt, and his son Sharrkan betook himself to certain of the fortresses to sojourn there awhile. Then said she to Marjanah, &amp;quot;I wish to set out this night, but how shall I do against my destiny? For already I feel the pangs of labour and child birth, and if I abide other four or five days, I shall be brought to bed here, and I shall be unable to travel to my country. But this is what was written on my forehead.&amp;quot; Then she considered awhile, and said to Marjanah, &amp;quot;Look us out a man who will go with us and serve us by the way, for I have no strength to bear arms.&amp;quot; &amp;quot;By Allah, O my lady,&amp;quot; replied Marjanah, &amp;quot;I know none but a black slave called Al- Ghazbán, who is one of the slaves of King Omar bin al- Nu'uman; he is a valiant wight, and he keepeth guard at our palace gate. The King appointed him to attend us, and indeed we have overwhelmed him with our favours; so, lookye, I will go out and speak with him of this matter, and promise him some monies and tell him that, if he have a mind to tarry with us, I will marry him to whom he will. He told me before to day that he had been a highwayman; so if he consent to us we shall win our wish and reach to our own land.&amp;quot; She rejoined, &amp;quot;Call him that I may talk with him;&amp;quot; whereupon Marjanah fared forth and said to the slave, 'O Ghazban, Allah prosper thee, so thou fall in with what my lady saith to thee!&amp;quot; Then she took him by the hand and brought him to the Princess, whose hands he kissed but as she beheld him, her heart took fright at him. &amp;quot;How ever,&amp;quot; she said to herself, &amp;quot;of a truth, Need giveth the law;&amp;quot; and she approached to speak with him, yet her heart started away from him. Presently she said, &amp;quot;O Ghazban, say me, wilt thou help me against the perfidies of Fortune and conceal my secret if I discover it to thee?&amp;quot; When the slave saw her, his heart was taken by storm and he fell in love with her forthright and could not but reply; &amp;quot;O my mistress, whatsoever thou biddest me do, I will not depart therefrom.&amp;quot; Quoth she, &amp;quot;I would have thee take me at this hour and take this my handmaid and saddle us two camels and two of the King's horses and set on each horse a saddle bag of goods and somewhat of provaunt, and go with us to our own country; where, if thou desire to abide with us, I will marry thee to her thou shalt choose of my handmaidens, or, if thou prefer return to thine own land, we will marry thee and give thee whatso thou desires&amp;quot; after thou hast taken of money what shall satisfy thee.&amp;quot; When Al Ghazban, heard this, he rejoiced with great joy and replied, &amp;quot;O my lady, I will serve both of you with mine eyes and will go at once and saddle the horses.&amp;quot; Then he went away gladsome and saying to himself, &amp;quot;I shall get my will of them and if they will not yield to me, I will kill them both and take their riches.&amp;quot; But he kept this his intent to himself, and presently returned with two camels and three head of horses, one of which he rode, and Princess Abrizah made Marjanah mount the second she mounting the third, albeit she was in labour pains and possessed not her soul for anguish. And the slave ceased not travelling with them night and day through the passes of the mountains, till there remained but musingly march between them and their own country; when the travail pangs came upon Abrizah and she could no longer resist; so she said to Al-Ghazban, &amp;quot;Set me down, for the pains of labour are upon me;&amp;quot; and cried to Marjanah, &amp;quot;Do thou alight and sit by me and deliver me.&amp;quot; Then Marjanah dismounted from her horse, and Al-Ghazban did in like sort, and they made fast the bridles and helped the Princess to dismount, for she was aswoon from excess of anguish. When Al-Ghazban saw her on the ground, Satan entered into him and he drew his falchion and brandishing it in her face, said &amp;quot;O my lady, vouchsafe me thy favours.&amp;quot; Hearing these words she turned to him and said, &amp;quot;It remaineth for me only that I yield me to negro slaves, after having refused Kings and Braves!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Princess Abrizah said to the black slave Al Ghazban, &amp;quot;It remaineth for me only that I yield me to negro slaves, after having refused Kings and Braves!&amp;quot; And she was wroth with him and cried, &amp;quot;Woe to thee! what words are these thou sayest? Out on thee, and talk not thus in my presence and know that I will never consent to what thou sayest, though I drink the cup of death. Wait till I have cast my burden and am delivered of the after birth, and then, if thou be able thereto, do with me as thou wilt; but, an thou leave not lewd talk at this time assuredly I will slay myself with my own hand and quit the world and be at peace from all this.&amp;quot; And she began reciting extempore,&#xA;&#xA;&amp;quot;O spare me, thou Ghazban, indeed enow for me * Are heavy strokes&#xA;            of time, mischance and misery!&#xA;Whoredom my Lord forfends to all humanity; * Quoth He, 'Who&#xA;           breaks my bidding Hell for home shall see!'&#xA;And if thou leave not suing me to whoredom's way * Against th'&#xA;          Almighty's choicest gift, my chastity,&#xA;Upon my tribesmen I with might and main will call * And gather&#xA;          all, however far or near they be;&#xA;And with Yamáni blade were I in pieces hewn, * Ne'er shall he&#xA;           sight my face who makes for villeiny,&#xA;The face of free born come of noble folk and brave; * What then&#xA;            can be to me the seed of whoreson slave?&amp;quot;&#xA;&#xA;When Ghazban heard these lines he was wroth exceedingly; his eyes reddened with blood and his face became a dusty grey; his nostrils swelled, his lips protruded and the repulsiveness of his aspect redoubled. And he repeated these couplets,&#xA;&#xA;&amp;quot;Ho thou, Abrizah, mercy! leave me not for I * Of thy love and&#xA;             Yamáni glance the victim lie&#xA;My heart is cut to pieces by thy cruelty, * My body wasted and my&#xA;                   patience done to die:&#xA;From glances ravishing all hearts with witchery * Reason far&#xA;           flies, the while desire to thee draws nigh;&#xA;Though at thy call should armies fill the face of earth * E'en&#xA;           now I'd win my wish and worlds in arms defy!&amp;quot;&#xA;&#xA;When Abrizah heard these words, she wept with sore weeping and said to him, &amp;quot;Woe to thee, O Ghazban! How dareth the like of thee to address me such demand, O base born and obscene bred? Dost thou deem all folk are alike?&amp;quot; When the vile slave heard this from her, he waxt more enraged and his eyes grew redder: and he came up to her and smiting her with the sword on her neck wounded her to the death. Then he drove her horse before him with the treasure and made off with himself to the mountains. Such was the case with Al-Ghazban; but as regards Abrizah, she gave birth to a son, like the moon, and Marjanah took the babe and did him the necessary offices and laid him by his mother's side; and lo and behold! the child fastened to its mother's breast and she dying. When Marjanah saw this, she cried out with a grievous cry and rent her raiment and cast dust on her head and buffeted her cheeks till blood flowed, saying, &amp;quot;Alas, my mistress! Alas, the pity of it! Thou art dead by the hand of a worthless black slave, after all thy knightly prowess!&amp;quot; And she ceased not weeping when suddenly a great cloud of dust arose and walled the horizon; but, after awhile, it lifted and discovered a numerous conquering host. Now this was the army of King Hardub, Princess Abrizah's father, and the cause of his coming was that when he heard of his daughter and her handmaids having fled to Baghdad, and that they were with King Omar bin al- Nu'uman, he had come forth, leading those with him, to seek tidings of her from travellers who might have seen her with the King. When he had gone a single day's march from his capital, he espied three horse men afar off and made towards them, intending to ask whence they came and seek news of his daughter. Now these three whom he saw at a distance were his daughter and Marjanah and the slave Al- Ghazban; and he made for them to push inquiry. Seeing this the villain blackamoor feared for himself; so he killed Abrizah and fled for his life. When they came up, King Hardub saw his daughter lying dead and Marjanah weeping over her, and he threw himself from his steed and fell fainting to the ground. All the riders of his company, the Emirs and Waxirs, took foot and forth right pitched their tents on the mountain and set up for the King a great pavilion, domed and circular, without which stood the grandees of the realm. When Marjanah saw her master, she at once recognized him and her tears redoubled; and, when he came to himself, he questioned her and she told him all that had passed and said, &amp;quot;Of a truth he that hath slain thy daughter is a black slave belonging to King Omar bin al-Nu'uman, and she informed him how Sharrkan's father had dealt with the Princess. When King Hardub heard this, the world grew black in his sight and he wept with sore weeping. Then he called for a litter and, therein laying his dead daughter, returned to Caesarea and carried her into the palace, where he went in to his mother, Zat al-Dawahi, and said to that Lady of Calamities, &amp;quot;Shall the Moslems deal thus with my girl? Verily King Omar bin al-Nu'uman despoiled her of her honour by force, and after this, one of his black slaves slew her. By the truth of the Messiah, I will assuredly take blood revenge for my daughter and clear away from mine honour the stain of shame; else will I kill myself with mine own hand!&amp;quot; And he wept passing sore. Quoth his mother, &amp;quot;None other than Marjanah killed thy daughter, for she hated her in secret;&amp;quot; and she continued to her son, &amp;quot;Fret not for taking the blood wit of thy daughter, for, by the truth of the Messiah, I will not turn back from King Omar bin al-Nu'uman till I have slain him and his sons; and of a very truth I will do with him a deed, passing the power of Sage and Knight, whereof the chroniclers shall tell chronicles in all countries and in every place: but needs must thou do my bidding in all I shall direct, for whoso be firmly set on the object of his desire shall surely compass his desire.&amp;quot; &amp;quot;By the virtue of the Messiah,&amp;quot; replied he, &amp;quot;I will not cross thee in aught thou shalt say.&amp;quot; Then quoth she, &amp;quot;Bring me a number of hand maids, high bosomed virgins, and summon the wise men of the age and let them teach them philosophy and the rules of behaviour before Kings, and the art of conversation and making verses; and let them talk with them of all manner science and edifying knowledge. And the sages must be Moslems, that they may teach them the language and traditions of the Arabs, together with the history of the Caliphs and the ancient annals of the Kings of Al-Islam; and if we persevere in this for four years' space, we shall gain our case. So possess thy soul in patience and wait; for one of the Arabs saith, 'If we take man bote after years forty the time were short to ye.' When we have taught the girls these things, we shall be able to work our will with our foe, for he doteth on women and he hath three hundred and sixty concubines, whereto are now added an hundred of the flowers of thy handmaidens who were with thy daughter, she that hath found mercy. As soon as I have made an end of their education, as described to thee, I will take them and set out with them in person.&amp;quot; When King Hardub heard his mother's words, he rejoiced and arose and kissed her head; and at once despatched messengers and couriers to lands sundry and manifold to fetch him Moslem sages. They obeyed his commands and fared to far countries and thence brought him the sages and the doctors he sought. When these came into presence, he honoured them with notable honorurs and bestowed dresses on them and appointed to them stipends and allowances and promised them much money whenas they should have taught the damsels. Then he committed the handmaidens to their hands—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-third Night.&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the sages and the doctors stood in presence of King Hardub, he honoured them with notable honours and committed the hand maidens to their hands, enjoining that these be instructed in all manner of knowledge, philosophy and polite accomplishments; and they set themselves to do his bidding. Such was the case with King Hardub; but as for King Omar bin al Nu'uman, when he returned from coursing and hunting and entered his palace, he sought Princess Abrizah but found her not, nor any one knew of her nor could any give him news of her. This was grievous to him and he said, &amp;quot;How could the lady leave the palace unknown of any? Had my kingdom been at stake in this case, it were in perilous condition there being none to govern it! I will never again go to sport and hunt till I have stationed at the gates those who shall keep good guard over them!&amp;quot; And he was sore vexed and his breast was straitened for the loss of Princess Abrizah. Hereupon behold, his son Sharrkan returned from his journey; and the father told him what had happened, and informed him how the lady had fled, whilst he was chasing and hunting, whereat he grieved with exceeding grief. Then King Omar took to visiting his children every day and making much of them and brought them learned men and doctors to teach them, appointing for them stipends. When Sharrkan saw this, he raged with exceeding rage and envied thereupon his brother and sister till the signs of chagrin appeared in his face and he ceased not to languish by reason of this matter: so one day his father said to him, &amp;quot;Why do I see thee grown weak in body and yellow of face?&amp;quot; &amp;quot;O my father,&amp;quot; replied Sharrkan, &amp;quot;every time I see thee fondle my brother and sister and make much of them, jealousy seizeth on me, and I fear lest it grow on me till I slay them and thou slay me in return. And this is the reason of my weakness of body and change of complexion. But now I crave of thy favour that thou give me one of thy castles outlying the rest, that I may abide there the remnant of my life, for as the sayer of bywords saith, 'Absence from my friend is better and fitter for me'; and, 'Whatso eye doth not perceive, that garreth not heart to grieve.'&amp;quot; And he bowed his head towards the ground. When King Omar bin al-Nu'uman heard his words and knew the cause of his ailment and of his being broken down, he soothed his heart and said to him, &amp;quot;O my son, I grant thee this and I have not in my reign a greater than the Castle of Damascus, and the government of it is thine from this time.&amp;quot; Thereupon he forthright summoned his secretaries of state and bade them write Sharrkan's patent of investiture to the viceroyalty of Damascus of Syria. And when they had written it, he equipped him and sent with him the Wazir Dandan, and invested him with the rule and government and gave him instructions as to policy and regulations; and took leave of him, and the grandees and officers of state did likewise, and he set out with his host. When he arrived at Damascus, the townspeople beat the drums and blew the trumpets and decorated the city and came out to meet him in great state; whilst all the notables and grandees paced in procession, and those who stood to the right of the throne walked on his right flank, and the others to the left. Thus far concerning Sharrkan; but as regards his father, Omar bin al- Nu'uman, soon after the departure of his son, the children's tutors and governors presented themselves before him and said to him, &amp;quot;O our lord, thy children have now learnt knowledge and they are completely versed in the rules of manners and the etiquette of ceremony.&amp;quot; The King rejoiced thereat with exceeding joy and conferred bountiful largesse upon the learned men, seeing Zau al- Makan grown up and flourishing and skilled in horsemanship. The Prince had reached the age of fourteen and he occupied himself with piety and prayers, loving the poor, the Olema and the Koran students, so that all the people of Baghdad loved him, men and women. One day, the procession of the Mahmil of Irák passed round Baghdad before its departure for the pilgrimage to Meccah and visitation of the tomb of the Prophet (whom Allah bless and preserve!). When Zau al-Makan the Mahmil procession he was seized with longing desire to become a pilgrim, so he went in to his sire and said, &amp;quot;I come to ask thy leave to make the pilgrimage.&amp;quot; But his father forbade him saying, &amp;quot;Wait till next year and I will go and thou too.&amp;quot; When the Prince saw that the matter was postponed, he betook himself to his sister Nuzhat al-Zaman, whom he found standing at prayer. As soon as she had ended her devotions he said to her, &amp;quot;I am dying with desire of pilgrimage to the Holy House of Allah at Meccah and to visit the tomb of the Prophet, upon whom be peace! I asked my father's leave, but he forbade me that, so I mean to take privily somewhat of money and set out on the pilgrimage without his knowledge.&amp;quot; &amp;quot;Allah upon thee,&amp;quot; exclaimed she, &amp;quot;take me with thee and deprive me not of visitation to the tomb of the Prophet, whom Allah bless and keep!&amp;quot; And he answered, &amp;quot;As soon as it is dark night, do thou come forth from this place, without telling any.&amp;quot; Accordingly,When it was the middle of the night she arose and took somewhat of money and donned a man's habit; and she ceased not walking to the palace gate, where she found Zau al-Makan with camels ready for marching. So he mounted and mounted her; and the two fared on till they were in the midst of the Iraki pilgrim-party, and they ceased not marching and Allah wrote safety for them, till they entered Meccah the Holy and stood upon Arafát and performed the pilgrimage rites. Then they made a visitation to the tomb of the Prophet (whom Allah bless and assain!) and thought to return with the pilgrims to their native land. But Zau al-Makan said to his sister, &amp;quot;O my sister, it is in my mind to visit the Holy House, Jerusalem, and Abraham the Friend of Allah (on whom be peace!).&amp;quot; &amp;quot;I also desire so to do,&amp;quot; replied she. So they agreed upon this and he fared forth and took passage for himself and her and they made ready and set out in the ship with a company of Jerusalem palmers. That very night the sister fell sick of an aguish chill, and was grievously ill but presently recovered, after which the brother also sickened. She tended him during his malady and they ceased not wayfaring till they arrived at Jerusalem, but the fever increased on him and he grew weaker and weaker. They alighted at a Khan and there hired a lodging; but Zau al- Makan's sickness ceased not to increase on him, till he was wasted with leanness and became delirious. At this, his sister was greatly afflicted and exclaimed, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! This is the decree of Allah!&amp;quot; They sojourned in that place awhile, his weakness ever increasing and she attending him and buying necessaries for him and for herself, till all the money she had was expended and she became so poor that she had not so much as a dirham left. Then she sent a servant of the Khan to the bazar with some of her clothes, and he sold them and she spent the price upon her brother; then sold she something more and she ceased not selling all she had, piece by piece, till nothing was left but an old rug. Whereupon she wept and exclaimed, &amp;quot;Verily is Allah the Orderer of the past and the future!&amp;quot; Presently her brother said to her, &amp;quot;O my sister, I feel recovery drawing near and my heart longeth for a little roast meat.&amp;quot; &amp;quot;By Allah! O my brother,&amp;quot; replied she, &amp;quot;I have no face to beg; but tomorrow I will enter some rich man's house and serve him and earn somewhat for our living.&amp;quot; Then she bethought herself awhile and said, &amp;quot;Of a truth 'tis hard for me to leave thee and thou in this state, but I must despite myself!&amp;quot; He rejoined, &amp;quot;Allah forbid! Thou wilt be put to shame; but there is no Majesty and there is no Might save in Allah!&amp;quot; And he wept and she wept too. Then she said, &amp;quot;O my brother, we are strangers who have dwelt here a full year, but none hath yet knocked at our door. Shall we then die of hunger? I know no resource but that I go out and do service and earn somewhat to keep us alive, till thou recover from thy sickness, when we will travel back to our native land.&amp;quot; She sat weeping awhile and he wept too, propped upon his elbow. Then Nuzhat al-Zaman arose and, veiling her head with a bit of camlet, which had been of the cameleer's clothes and which the owner had forgotten and left with them; she kissed the head of her brother and embraced him and went forth from him, weeping and knowing not whither she should wend. And she stinted not going and her brother Zau al-Makan awaiting her return till the supper time; but she came not, and he watched for her till the morning morrowed but still she returned not; and this endured till two days went by. He was greatly troubled thereat and his heart fluttered for her, and hunger was sore upon him. At last he left the chamber and, calling the servant of the caravanserai, said, &amp;quot;I wish thee to bear me to the bazar.&amp;quot; So he carried him to the market street and laid him down there; and the people of Jerusalem gathered round him and were moved to tears seeing his condition. He signed to them begging for somewhat to eat; so they brought him some money from certain of the merchants who were in the bazar, and bought food and fed him therewith; after which they carried him to a shop, where they spread him a mat of palm leaves and set an ewer of water at his head. When night fell, all the folk went away, sore concerned for him and, in the middle of the night, he called to mind his sister and his sickness redoubled on him, so that he abstained from eating and drinking and became insensible to the world around him. Then the bazar people arose and took for him from the merchants thirty seven dirhams, and hiring a camel, said to the driver, &amp;quot;Carry this sick man to Damascus and leave him in the hospital; haply he may be cured and recover health.&amp;quot; &amp;quot;On my head be it!&amp;quot; replied the camel man; but he said to himself, &amp;quot;How shall I take this sick man to Damascus, and he nigh upon death?&amp;quot; So he carried him away to a place and hid with him till the night, when he threw him down on the ash heap near the fire hole of a Hammam and went his way. When morning dawned the Stoker of the bath came to his work and, finding Zau al-Makan cast on his back, exclaimed, &amp;quot;Why did they not throw their dead body anywhere but here?&amp;quot; So saying, he gave him a kick and he moved; whereupon quoth the Fireman, &amp;quot;Some one of you who hath eaten a bit of Hashish and hath thrown himself down in whatso place it be!&amp;quot; Then he looked at his face and saw his hairless cheeks and his grace and comeliness; so he took pity on him and knew that he was sick and a stranger in the land. And he cried, &amp;quot;There is no Majesty and there is no Might save in Allah! verily, I have sinned against this youth, for indeed the Prophet (whom Allah bless and keep!) enjoineth honour to the stranger, more especially when the stranger is sick.&amp;quot; Then he carried him home and went in with him to his wife and bade her tend him. So she spread him a sleeping rug and set a cushion under his head, then warmed water for him and washed therewith his hands and feet and face. Meanwhile, the Stoker went to the market and bought some rose water and sugar, and sprinkled Zau al-Makan's face with the water and gave him to drink of the sherbet. Then he fetched a clean shirt and put it on him. With this, Zau al-Makan sniffed the zephyr of health and recovery returned to him; and he sat up and leant against the pillow. Hereat the Fireman rejoiced and exclaimed, &amp;quot;Praise be to Allah for the welfare of this youth! O Allah, I beseech Thee by Thy knowledge of hidden things, that Thou make the salvation of this youth to be at my hands!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Fireman exclaimed, &amp;quot;O Allah, I beseech Thee of Thy knowledge of hidden things, that Thou make this young man's life the work of my hands!&amp;quot; And he ceased not to nurse him for three days, giving him to drink of sherbet of sugar and willow flower water and rose water; and doing him all manner of service and kindness, till health began to return to his body and Zau al-Makan opened his eyes. Presently came in the Fireman and, seeing him sitting up and showing signs of amendment, said to him, &amp;quot;What is now thy state, O my son?&amp;quot; &amp;quot;Praise be to Allah,&amp;quot; replied Zau al-Makan, &amp;quot;I am well and like to recover, if such be the will of Allah Almighty at this time.&amp;quot; The Stoker praised the Lord of All for this and, wending fast to the market, bought ten chickens, which he carried to his wife and said, &amp;quot;Kill two of these for him every day, one at dawn of day and the other at fall of day.&amp;quot; So she rose up and killed a fowl and brought it to him boiled, and fed him with the flesh and made him drink its broth. When he had done eating, she fetched hot water and he washed his hands and lay back upon the pillow, whereupon she covered him up with the coverlet, and he slept till the time of the mid afternoon prayer. Then she arose and killed another fowl and boiled it; after which she cut it up and, bringing it to Zau al-Makan, said, &amp;quot;Eat, O my son!&amp;quot; While he was eating; behold, her husband entered and seeing her feeding him, sat down at his head and said to him, &amp;quot;How is it with thee now, O my son?&amp;quot; &amp;quot;Thanks be to Allah for recovery!&amp;quot; he replied: &amp;quot;may the Almighty requite thee thy kindness to me.&amp;quot; At this the Fireman rejoiced and going out, bought sherbet of violets and rose water and made him drink it. Now the Stoker used to work at the Hammam all day for a wage of five dirhams, whereof he spent every day, for Zau al-Makan, one dirham upon sugar and sherbet of rose water and willow flower water, and another dirham for fowls; and he ceased not to entreat him thus kindly during a whole month, till the traces of illness ceased from him and he was once more sound and whole. Thereupon the Fireman and his wife rejoiced and asked him, &amp;quot;O my son, wilt thou go with me to the bath?&amp;quot;; whereto he answered, &amp;quot;Yes!&amp;quot; So the Stoker went to the bazar and fetched a donkey boy, and he mounted Zau al-Makan on the ass and supported him in the saddle till they came to the bath. Then he made him sit down and seated the donkey boy in the furnace-room and went forth to the market and bought Iote leaves and lupin-flour, with which he returned to the bath and said to Zau al-Makan, &amp;quot;O my master, in Allah's name, walk in and I will wash thy body.&amp;quot; So they entered the inner room of the bath, and the Fireman took to rubbing Zau al-Makan's legs and began to wash his body with the leaves and meal, when there came to them a bathman, whom the bath keeper had sent to Zau al-Makan; and he, seeing the Stoker washing and rubbing him, said, &amp;quot;This is doing injury to the keeper's rights.&amp;quot; Replied the Fireman, &amp;quot;The master overwhelmeth us with his favours!&amp;quot; Then the bathman proceeded to shave Zau al-Makan's head, after which he and the Stoker washed themselves and returned to the house, where he clad Zau al-Makan in a shirt of fine stuff and a robe of his own; and gave him a handsome turband and girdle and a light kerchief which he wound about his neck. Meanwhile the Fireman's wife had killed and cooked two chickens; so, as soon as Zau al-Makan entered and seated himself on the carpet, the husband arose and, dissolving sugar in willow flower water, made him drink of it. Then he brought the food tray and, cutting up the chickens, fed him with the flesh and gave him the broth to drink till he was satisfied; when he washed his hands and praised Allah for recovery, and said to the Fireman, &amp;quot;Thou art he whom the Almighty vouchsafed to me and made the cause of my cure!&amp;quot; &amp;quot;Leave this talk,&amp;quot; replied the other, &amp;quot;and tell us the cause of thy coming to this city and whence thou art. Thy face showeth signs of gentle breeding.&amp;quot; &amp;quot;Tell me first how thou camest to fall in with me,&amp;quot; said Zau al-Makan; &amp;quot;and after I will tell thee my story.&amp;quot; Rejoined the Fireman, &amp;quot;As for that, I found thee lying on the rubbish heap by the door of the fire house, as I went to my work near the morning, and knew not who had thrown thee there. So I carried thee home with me; and this is all my tale.&amp;quot; Quoth Zau al-Makan, &amp;quot;Glory to Him who quickeneth the bones, though they be rotten! Indeed, O my brother, thou hast not done good save to one worthy of it, and thou shalt presently gather its fruitage.&amp;quot; And he added, &amp;quot;But where am I now?&amp;quot; &amp;quot;Thou art in the city of Jerusalem,&amp;quot; replied the Stoker; where upon Zau al-Makan called to mind his strangerhood and remembered his separation from his sister and wept. Then he discovered his secret to the Fireman and told him his story and began repeating,&#xA;&#xA;&amp;quot;In love they bore me further than my force would go, * And for&#xA;            them made me suffer resurrection throe:&#xA;Oh, have compassion, cruel! on this soul of mine * Which, since&#xA;            ye fared, is pitied by each envious foe;&#xA;Nor grudge the tender mercy of one passing glance * My case to&#xA;            lighten, easing this excess of woe:&#xA;Quoth I 'Heart, bear this loss in patience!' Patience cried *&#xA;             'Take heed! no patience in such plight I'm wont to show.' &amp;quot;&#xA;&#xA;Then he redoubled his weeping, and the Fireman said to him, &amp;quot;Weep not, but rather praise Allah for safety and recovery.&amp;quot; Asked Zau al-Makan, &amp;quot;How far is it hence to Damascus?&amp;quot; Answered the other, &amp;quot;Six days' journey.&amp;quot; Then quoth Zau al-Makan, &amp;quot;Wilt thou send me thither?&amp;quot; &amp;quot;O my lord,&amp;quot; quoth the Stoker, &amp;quot;how can I allow thee to go alone, and thou a youth and a stranger to boot? If thou would journey to Damascus, I am one who will go with thee; and if my wife will listen to and obey me and accompany me, I will take up my abode there; for it is no light matter to part with thee.&amp;quot; Then said he to his wife, &amp;quot;Wilt thou travel with me to Damascus of Syria or wilt thou abide here, whilst I lead this my lord thither and return to thee? For he is bent upon going to Damascus of Syria and, by Allah, it is hard to me to part with him, and I fear for him from highway men.&amp;quot; Replied she, &amp;quot;I will go with you both;&amp;quot; and he rejoined, &amp;quot;Praised be Allah for accord, and we have said the last word!&amp;quot; Then he rose and selling all his own goods and his wife's gear,—And Shahrazad perceived the dawn of day and ceased saying her permitted say,&#xA;&#xA;When it was the Fifty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Fire man and his wife agreed with Zau al-Makan to travel with him Damascus wards. Then the Stoker sold his goods and his wife's gear and bought a camel and hired an ass for Zau al-Makan; and they set out, and ceased not wayfaring for six days till they reached Damascus. And they arrived there towards eventide; when the Fireman went forth and, as was his wont, bought some meat and drink. They had dwelt but five days in Damascus, when his wife sickened and, after a short illness, was translated to the mercy of Almighty Allah. Her death was a heavy matter to Zau al-Makan, for he was grown used to her as she had tended him assiduously; and the Fireman grieved for her with excessive grief. Presently the Prince turned to the Stoker and finding him mourning, said to him, &amp;quot;Grieve not, for at this gate we must all go in.&amp;quot; Replied he, &amp;quot;Allah make weal thy lot, O my son! Surely He will compensate us with His favours and cause our mourning to cease. What sayst thou, O my son, about our walking abroad to view Damascus and cheer thy spirits?&amp;quot; Replied Zau al-Makan, &amp;quot;Thy will is mine.&amp;quot; So the Fireman arose and placed his hand in that of Zau al- Makan and the two walked on till they came to the stables of the Viceroy of Damascus, where they found camels laden with chests and carpets and brocaded stuffs, and horses ready saddled and Bactrian dromedaries, while Mamelukes and negro slaves and folk in a hubbub were running to and fro. Quoth Zau al-Makan, &amp;quot;I wonder to whom belong all these chattels and camels and stuffs!&amp;quot; So he asked one of the eunuchs, &amp;quot;Whither this dispatching?'' and he answered, &amp;quot;These are presents sent by the Emir of Damascus to King Omar bin al-Nu'uman, with the tribute of Syria.&amp;quot; Now when Zau al-Makan heard his father's name his eyes brimmed over with tears, and he began repeating,&#xA;&#xA;&amp;quot;Oh ye gone from the gaze of these ridded eyne, * Ye whose sight&#xA;             in my spirit shall ever dwell!&#xA;Your charms are gone, but this heart of me * Hath no sweet, and&#xA;             no pleasures its sour dispel;&#xA;If Allah's grace make us meet again, * In long drawn love-tale my&#xA;             love I'll tell.&amp;quot;&#xA;&#xA;And when he had ended his verse, he wept and the Fireman said to him, &amp;quot;O my son, we hardly believed that thy health had returned; so take heart and do not weep, for I fear a relapse for thee.&amp;quot; And he ceased not comforting and cheering him, whilst Zau al-Makan sighed and moaned over his strangerhood and separation from his sister and his family; and tears streamed from his eyes and he recited these couplets,&#xA;&#xA;&amp;quot;Get thee provaunt in this world ere thou wend upon thy way, *&#xA;           And know how surely Death descends thy life lot to waylay:&#xA;All thy worldly goods are pride and the painfullest repine; * All&#xA;           thy worldly life is vexing, of thy soul in vain display:&#xA;Say is not worldly wone like a wanderer's place of rest, * Where&#xA;           at night he 'nakhs' his camels and moves off at dawn&#xA;           of day?&amp;quot;&#xA;&#xA;And he continued to weep and wail over his separation; whilst the Fireman also bewept the loss of his wife, yet ceased not to comfort Zau al-Makan till morning dawned. When the sun rose, he said to him, &amp;quot;Meseemeth thou yearnest for thy native land?&amp;quot; &amp;quot;Yes,&amp;quot; replied Zau al-Makan, &amp;quot;and I can no longer tarry here; so I will commend thee to Allah's care and set out with these folk and journey with them, little by little, till I come to my mother land.&amp;quot; Said the Stoker, &amp;quot;And I with thee; for of a truth I cannot bear to part with thee. I have done thee kindly service and I mean to complete it by tending thee on thy travel.&amp;quot; At this, Zau al-Makan rejoiced and said, &amp;quot;Allah abundantly requite thee for me!&amp;quot; and was pleased with the idea of their travelling together. The Fireman at once went forth and bought another ass, selling the camel; and laid in his provaunt and said to Zau al-Makan, &amp;quot;This is for thee to ride by the way; and, when thou art weary of riding, thou canst dismount and walk.&amp;quot; Said Zau al-Makan, &amp;quot;May Allah bless thee and aid me to requite thee! for verily thou hast dealt with me more lovingly than one with his brother.&amp;quot; Then he waited till it was dark night, when he laid the provisions and baggage on that ass and set forth upon their journey. This much befel Zau al-Makan and the Fireman; but as regards what happened to his sister Nuzhat al-Zaman, when she left her brother in the Khan where they abode and, wrapped in the old camlet, went out to seek service with some one, that she might earn wherewithal to buy him the roast meat he longed for, she fared on, weeping and knowing not whither to go, whilst her mind was occupied with thoughts of her brother and of her family and her native land. So she implored Allah Almighty to do away with these calamities from them and began versifying,&#xA;&#xA;&amp;quot;Dark falls the night and Passion comes sore pains to gar me&#xA;            dree, * And pine upstirs those ceaseless pangs which work my&#xA;           tormentry,&#xA;And cease not separation flames my vitals to consume, * And&#xA;           drives me on destruction way this sorrow's ecstacy&#xA;And longing breeds me restlessness; desire for ever fires, * And&#xA;          tears to all proclaim what I would keep in secrecy&#xA;No cunning shift is known to me a meeting to secure, * That I may&#xA;            quit this sickly state, may cure my malady:&#xA;The love which blazeth in my heart is fed with fancy fuel, * The&#xA;           lover from its hell of fire must bear Hell's agony!&#xA;O thou who blamest me for all befel me, 'tis enough, * Patient I&#xA;           bear what ever wrote the Reed of Doom for me:&#xA;By Love I swear I'll never be consoled, no, never more; * I swear&#xA;             the oath of Love's own slaves who know no perjury:&#xA;O Night, to chroniclers of Love the news of me declare; * That&#xA;           sleep hath fed mine eyelids of thy knowledge witness bear!&amp;quot;&#xA;&#xA;Then she walked on, weeping and turning right and left as she went, when behold, there espied her an old Badawi who had come into the town from the desert with wild Arabs other five. The old man took note of her and saw that she was lovely, but she had nothing on her head save a piece of camlet, and, marvelling at her beauty, he said to himself, &amp;quot;This charmer dazzleth men's wits but she is in squalid condition, and whether she be of the people of this city or she be a stranger, I needs must have her.&amp;quot; So he followed her, little by little, till he met her face to face and stopped the way before her in a narrow lane, and called out to her, asking her case, and said, &amp;quot;Tell me, O my little daughter! art thou a free woman or a slave?&amp;quot; When she heard this, she said to him, &amp;quot;By thy life, do not add to my sorrows!&amp;quot; Quoth he, &amp;quot;Allah hath blessed me with six daughters, of whom five died and only one is left me, the youngest of all; and I came to ask thee if thou be of the folk of this city or a stranger; that I might take thee and carry thee to her, to bear her company so as to divert her from pining for her sisters. If thou have no kith and kin, I will make thee as one of them and thou and she shall be as my two children.&amp;quot; Nuzhat al-Zaman bowed her head in bashfulness when she heard what he said and communed with herself, &amp;quot;Haply I may trust myself to this old man.&amp;quot; Then she said to him, &amp;quot;O nuncle, I am a maiden of the Arabs and a stranger and I have a sick brother; but I will go with thee to thy daughter on one condition, which is, that I may spend only the day with her and at night may return to my brother. If thou strike this bargain I will fare with thee, for I am a stranger and I was high in honour among my tribe, and I awoke one morning to find myself vile and abject. I came with my brother from the land of Al-Hijaz and I fearless he know not where I am.&amp;quot; When the Badawi heard this, he said to himself, &amp;quot;By Allah, I have got my desire!&amp;quot; Then he turned to her and replied, &amp;quot;There shall none be dearer to me than thou; I wish thee only to bear my daughter company by day and thou shalt go to thy brother at earliest nightfall. Or, if thou wilt, bring him over to dwell with us.&amp;quot; And the Badawi ceased not to console her heart and coax her, till she trusted in him and agreed to serve him. Then he walked on before her and, when she followed him, he winked to his men to go in advance and harness the dromedaries and load them with their packs and place upon them water and provisions, ready for setting out as soon as he should come up with the camels. Now this Badawi was a base born churl, a highway thief and a traitor to the friend he held most fief, a rogue in grain, past master of plots and chicane. He had no daughter and no son and was only passing through the town when, by the decree of the Decreer, he fell in with this unhappy one. And he ceased not to hold her in converse on the highway till they came without the city of Jerusalem and, when outside, he joined his companions and found they had made ready the dromedaries. So the Badawi mounted a camel, having seated Nuzhat al-Zaman behind him and they rode on all night. Then she knew that the Badawi's proposal was a snare and that he had tricked her; and she continued weeping and crying out the whole night long, while they journeyed on making for the mountains, in fear any should see them. Now when it was near dawn, they dismounted from their dromedaries and the Badawi came up to Nuzhat al-Zaman and said to her, &amp;quot;O city strumpet, what is this weeping? By Allah, an thou hold not thy peace, I will beat thee to death, O thou town filth!&amp;quot; When she heard this she loathed life and longed for death; so she turned to him and said, &amp;quot;O accursed old man, O gray beard of hell, how have I trusted thee and thou hast played me false, and now thou wouldst torture me?&amp;quot; When he heard her reply he cried out, &amp;quot;O lazy baggage, dost thou dare to bandy words with me?&amp;quot; And he stood up to her and beat her with a whip, saying, &amp;quot;An thou hold not thy peace, I will kill thee!&amp;quot; So she was silent awhile, then she called to mind her brother and the happy estate she had been in and she shed tears secretly. Next day, she turned to the Badawi and said to him, &amp;quot;How couldst thou play me this trick and lure me into these bald and stony mountains, and what is thy design with me?&amp;quot; When he heard her words he hardened his heart and said to her, &amp;quot;O lazy baggage of ill omen and insolent! wilt thou bandy words with me?&amp;quot; and he took the whip and came down with it on her back till she felt faint. Then she bowed down over his feet and kissed them; and he left beating her and began reviling her and said, &amp;quot;By the rights of my bonnet, if I see or hear thee weeping, I will cut out thy tongue and stuff it up thy coynte, O thou city filth!&amp;quot; So she was silent and made him no reply, for the beating pained her; but sat down with her arms round her knees and, bowing her head upon her collar, began to look into her case and her abasement after her lot of high honour; and the beating she had endured; and she called to mind her brother and his sickness and forlorn condition, and how they were both strangers in a far country, which crave her tears down her cheeks and she wept silently and began repeating,&#xA;&#xA;&amp;quot;Time hath for his wont to upraise and debase, * Nor is lasting&#xA;           condition for human race:&#xA;In this world each thing hath appointed turn; * Nor may man&#xA;            transgress his determined place:&#xA;How long these perils and woes? Ah woe * For a life, all woeful&#xA;            in parlous case!&#xA;Allah bless not the days which have laid me low * I' the world,&#xA;            with disgrace after so much grace!&#xA;My wish is baffled, my hopes cast down, * And distance forbids me&#xA;             to greet his face:&#xA;O thou who passeth that dear one's door, * Say for me, these&#xA;             tears shall flow evermore!&amp;quot;&#xA;&#xA;When she had finished her verses, the Badawi came up to her and, taking compassion on her, bespoke her kindly and wiped away her tears. Then he gave her a barley scone and said, &amp;quot;I love not one who answereth at times when I am in wrath: so henceforth give me no more of these impertinent words and I will sell thee to a good man like myself, who will do well with thee, even as I have done.&amp;quot; &amp;quot;Yes; whatso thou doest is right,&amp;quot; answered she; and when the night was longsome upon her and hunger burnt her, she ate very little of that barley bread. In the middle of the night the Badawi gave orders for departure,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Badawi gave the barley scone to Nuzhat al-Zaman and promised he would sell her to a good man like himself, she replied, &amp;quot;Whatso thou doest is right!&amp;quot; and, about midnight when hunger burned her, she ate a very little of that barley bread and the Badawi ordered his party to set out; so they loaded their loads and he mounted a camel setting Nuzhat al-Zaman behind him. Then they journeyed and ceased not journeying for three days, till they entered the city of Damascus and alighted at the Sultan's Khan, hard by the Viceroy's Gate. Now she had lost her colour by grief and the fatigue of such travelling, and she ceased not to weep over her misfortunes. So the Badawi came up to her and said, &amp;quot;O thou city filth, by the right of my bonnet, if thou leave not this weeping, I will sell thee to none but a Jew!&amp;quot; Then he arose and took her by the hand and carried her to a chamber, and walked off to the bazar, and he went round to, the merchants who dealt in slave girls, and began to parley with them, saying, &amp;quot;I have brought a slave girl whose brother fell ill, and I sent him to my people about Jerusalem, that they might tend him till he is cured. As for her I want to sell her, but after the dog her brother fell sick, the separation from him was grievous to her, and since then she doth nothing but weep, and now I wish that whoso is minded to buy her of me speak softly to her and say, 'Thy brother is with me in Jerusalem ill'; and I will be easy with him about her price.&amp;quot; Then one of the merchants came up to him and asked, &amp;quot;How old is she?&amp;quot; He answered &amp;quot;She is a virgin, just come to marriageable age, and she is endowed with sense and breeding and wit and beauty and loveliness. But from the day I sent her brother to Jerusalem, her heart hath been yearning for him, so that her beauty is fallen away and her value lessened.&amp;quot; Now when the merchant heard this, he set forth with the Badawi and said, &amp;quot;O Shaykh of the Arabs, I will go with thee and buy of thee this girl whom thou praisest so highly for wit and manners and beauty and loveliness; and I will pay thee her price but it must be upon conditions which if thou accept, I will give thee ready money, and if thou accept not I will return her to thee.&amp;quot; Quoth the Badawi, &amp;quot;An thou wilt, take her up to the Sultan Sharrkan, son of Omar bin al-Nu'uman lord of Baghdad and of the land of Khorasan, and condition me any conditions thou likest, for when thou hast brought her before King Sharrkan, haply she will please him, and he will pay thee her price and a good profit for thyself to boot.&amp;quot; Rejoined the merchant, &amp;quot;It happens that I have just now something to ask from him, and it is this that he write me an order upon the office, exempting me from custom dues and also that he write me a letter of recommendation to his father, King Omar bin al-Nu'uman. So if he take the girl, I will weigh thee out her price at once.&amp;quot; &amp;quot;I agree with thee to this condition,&amp;quot; answered the Badawi. So they returned together to the place where Nuzhat al-Zaman was and the wild Arab stood at the chamber door and called out, saying, &amp;quot;O Nájiyah!&amp;quot; which was the name wherewith he had named her. When she heard him, she wept and made no answer. Then he turned to the merchant and said to him, &amp;quot;There she sitteth; go to her and look at her and speak to her kindly as I enjoined thee.&amp;quot; So the trader went up to her in courteous wise and saw that she was wondrous beautiful and loveable, especially as she knew the Arabic tongue; and he said to the Badawi, &amp;quot;If she be even as thou saddest, I shall get of the Sultan what I will for her.&amp;quot; Then he bespake her, &amp;quot;Peace be on thee, my little maid! How art thou?&amp;quot; She turned to him and replied, &amp;quot;This also was registered in the Book of Destiny.&amp;quot; Then she looked at him and, seeing him to be a man of respectable semblance with a handsome face, she said to herself, &amp;quot;I believe this one cometh to buy me;&amp;quot; and she continued, &amp;quot;If I hold aloof from him, I shall abide with my tyrant and he will do me to death with beating. In any case, this person is handsome of face and maketh me hope for better treatment from him than from my brute of a Badawi. May be he cometh only to hear me talk; so I will give him a fair answer.&amp;quot; All this while her eyes were fixed on the ground; then she raised them to him and said in a sweet voice, &amp;quot;And upon thee be peace, O my lord, and Allah's mercy and His benediction! This is what is commanded of the Prophet, whom Allah bless and preserve! As for thine enquiry how I am, if thou wouldst know my case, it is such as thou wouldst not wish but to thy foe.&amp;quot; And she held her peace. When the merchant heard what she said, his fancy took wings for delight in her and, turning to the Badawi, he asked him, &amp;quot;What is her price, for indeed she is noble?&amp;quot; Thereupon the Badawi waxed angry and answered, &amp;quot;Thou wilt turn me the girl's head with this talk! Why dost thou say that she is noble, while she is of the scum of slave girls and of the refuse of folk? I will not sell her to thee!&amp;quot; When the merchant heard this, he knew the man to be weak of wits and said to him, &amp;quot;Calm thyself, for I will buy her of thee with these blemishes thou mentionest.&amp;quot; &amp;quot;And how much wilt thou give me for her?&amp;quot; enquired the Badawi. Replied the merchant, &amp;quot;Name thy price for her: none should name the son save his sire.&amp;quot; Rejoined the Badawi, &amp;quot;None shall name it but thou thyself.&amp;quot; Quoth the merchant to himself, &amp;quot;This wildling is a rudesby and a maggotty head. By Allah, I cannot tell her price, for she hath won my heart with her fair speech and good looks; and, if she can read and write, it will be complete fair luck to her and to her purchaser. But this Badawi does not know her worth.&amp;quot; Then he turned and said to him, &amp;quot;O Shaykh of the Arabs, I will give thee in ready money, clear of the tax and the Sultan's dues, two hundred gold pieces.&amp;quot; Now when the Badawi heard this, he flew into a violent rage and cried at the merchant, saying, &amp;quot;Get up and go thy ways! By Allah, wert thou to offer me two hundred diners for the bit of camlet she weareth, I would not sell it to thee. And now I will not sell her, but will keep her by me, to pasture the camels and grind my grist.&amp;quot; And he cried out to her, saying, &amp;quot;Come here, thou stinkard! I will not sell thee.&amp;quot; Then he turned to the merchant and said to him, &amp;quot;I used to think thee a man of judgment; but, by the right of my bonnet, if thou begone not from me, I will let thee hear what shall not please thee!&amp;quot; Quoth the merchant to himself, &amp;quot;Of a truth this Badawi is mad and knoweth not her value, and I will say no more to him about her price at the present time; for by Allah, were he a man of sense, he would not say, 'By the rights of my bonnet!' By the Almighty, she is worth the kingdom of the Chosroës and I have not her price by me, but if he ask even more, I will give him what he will, though it be all my goods.&amp;quot; Then he turned and said to him, &amp;quot;O Shaykh of the Arabs, take patience and calm thyself and tell me what clothes she hath with thee?&amp;quot; Cried the Badawi, &amp;quot;And what hath the baggage to do with clothes? By Allah, this camlet in which she is wrapped is ample for her.&amp;quot; &amp;quot;With thy leave,&amp;quot; said the merchant, &amp;quot;I will unveil her face and examine her even as folk examine slave girls whom they think of buying.&amp;quot; Replied the other, &amp;quot;Up and do what thou wilt and Allah keep thy youth! Examine her outside and inside and, if thou wilt, strip off her clothes and look at her when she is naked.&amp;quot; Quoth the trader, &amp;quot;Allah forfend! I will look at naught save her face.&amp;quot; Then he went up to her and was put to shame by her beauty and loveliness,—And Shahrazed perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the merchant went up to Nuzhat al-Zaman and was put to shame by her beauty and loveliness, so he sat by her side and asked her, &amp;quot;O my mistress, what is thy name?&amp;quot; She answered, &amp;quot;Doss thou ask what is my name this day or what it was before this day?&amp;quot; Thereupon the merchant enquired, &amp;quot;Hast thou then two names: to day's and yesterday's?&amp;quot; &amp;quot;Yes,&amp;quot; replied she, &amp;quot;my name in the past was Nuzhat al-Zaman, the Delight of the Age; but my name at this present is Ghussat al-Zaman, the Despight of the Age.&amp;quot; When the merchant heard this his eyes brimmed over with tears and quoth he to her, &amp;quot;Hast thou not a sick brother?&amp;quot; &amp;quot;Ay by Allah, O my lord, I have,&amp;quot; quoth she, &amp;quot;but fortune hath parted me and him and he lieth sick in Jerusalem.&amp;quot; The merchant's head was confounded at the sweetness of her speech and he said to himself, &amp;quot;Verily, the Badawi spake the truth of her.&amp;quot; Then she called to mind her brother and his sickness and his strangerhood and her separation from him in his hour of weakness and her not knowing what had befallen him; and she thought of all that had happened to her with the Badawi and of her severance from her mother and father and native land; and the tears coursed down her cheeks and fast as they started they dropped; and she began reciting,&#xA;&#xA;&amp;quot;Allah, where'er thou be, His aid impart * To thee, who distant&#xA;             dwellest in my heart!&#xA;Allah be near thee how so far thou fare; * Ward off all shifts of&#xA;            Time, all dangers thwart!&#xA;Mine eyes are desolate for thy vanisht sight, * And start my&#xA;            tears-ah me, how fast they start!&#xA;Would Heaven I kenned what quarter or what land * Homes thee, and&#xA;           in what house and tribe thou art&#xA;A fount of life thou drain in greenth of rose, * While drink I&#xA;             tear drops for my sole desert?&#xA;An thou 'joy slumber in those hours, when I * Peel 'twixt my side&#xA;           and couch coals' burning smart?&#xA;All things were easy save to part from thee, * For my sad heart&#xA;           this grief is hard to dree.&amp;quot;&#xA;&#xA;When the merchant heard her verses, he wept and put out his hand to wipe away the tears from her cheeks; but she let down her veil over her face, saying, &amp;quot;Heaven forbid, O my lord!'' Then the Badawi, who was sitting at a little distance watching them, saw her cover her face from the merchant while about to wipe the tears from her cheeks; and he concluded that she would have hindered him from handling her: so he rose and running to her, dealt her, with a camel's halter he had in his hand, such a blow on the shoulders that she fell to the ground on her face. Her eyebrow struck a stone which cut it open, and the blood streamed down her cheeks; whereupon she screamed a loud scream and felt faint and wept bitterly. The merchant was moved to tears for her and said in himself, &amp;quot;There is no help for it but that I buy this damsel, though at her weight in gold, and free her from this tyrant.&amp;quot; And he began to revile the Badawi whilst Nazhat al- Zaman lay in sensible. When she came to herself, she wiped away the tears and blood from her face; and she bound up her head: then, raising her glance to heaven, she besought her Lord with a sorrowful heart and began repeating,&#xA;&#xA;&amp;quot;And pity one who erst in honour throve, * And now is fallen into&#xA;             sore disgrace.&#xA;She weeps and bathes her cheeks with railing tears, * And asks&#xA;            'What cure can meet this fatal case?'&amp;quot;&#xA;&#xA;When she had ended her verse, she turned to the merchant and said in an undertone, &amp;quot;By the Almighty, do not leave me with a tyrant who knoweth not Allah the Most High! If I pass this night in his place, I shall kill myself with my own hand: save me from him, so Allah save thee from Gehenna-fire.&amp;quot; Then quoth the merchant to the Badawi, &amp;quot;O Shaykh of the Arabs, this slave is none of thine affair; so do thou sell her to me for what thou wilt.&amp;quot; &amp;quot;Take her,&amp;quot; quoth the Badawi, &amp;quot;and pay me down her price, or I will carry her back to the camp and there set her to feed the camels and gather their dung.&amp;quot; Said the merchant, &amp;quot;I will give thee fifty thousand diners for her.&amp;quot; &amp;quot;Allah will open!&amp;quot; replied the Badawi. &amp;quot;Seventy thousand,&amp;quot; said the merchant. &amp;quot;Allah will open!&amp;quot; repeated the Badawi: &amp;quot;this is not the capital spent upon her, for she hath eaten with me barley bread to the value of ninety thousand gold pieces.&amp;quot; The merchant rejoined, &amp;quot;Thou and thine and all thy tribe in the length of your lives have not eaten a thousand ducats' worth of barley; but I will say thee one word, wherewith if thou be not satisfied, I will set the Viceroy of Damascus on thee and he will take her from thee by force.&amp;quot; The Badawi continued, &amp;quot;Say on!&amp;quot; &amp;quot;An hundred thousand,&amp;quot; quoth the merchant. &amp;quot;I have sold her to thee at that price,&amp;quot; answered the Badawi; &amp;quot;I shall be able to buy salt with her.&amp;quot; The merchant laughed and, going to his lodgings, brought the money and put it into the hand of the Badawi, who took it and made off, saying to himself, &amp;quot;Needs must I go to Jerusalem where, haply, I shall happen on her brother, and I will bring him here and sell him also.&amp;quot; So he mounted and journeyed till he arrived at Jerusalem, where he went to the Khan and asked for Zau al-Makan, but could not find him. Such was the case with him; but for what regards the merchant and Nazhat al-Zaman, when he took her he threw some of his clothes over her and carried her to his lodgings,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the trader saved Nuzhat al-Zaman from the Badawi and bore her to his lodgings and robed her in the richest raiment, he went down with her to the bazar, where he bought her what ornaments she chose and put them in a satin bag, which he set before her, saying, &amp;quot;All is for thee and I ask nothing of thee in return but that, when I lead thee to the Sultan, Viceroy of Damascus, thou acquaint him with the price I paid for thee, albeit it was little compared with thy value: and, if seeing thee he buy thee of me, thou tell him how I have dealt with thee and ask of him for me a royal patent, and a written recommendation wherewith I can repair to his father, King Omar bin al-Nu'uman, Lord of Baghdad, to the intent that he may forbid the tax on my stuffs or any other goods in which I traffic.&amp;quot; When she heard his words, she wept and sobbed, and the merchant said to her, &amp;quot;O my lady, I observe that, every time I mention Baghdad, thine eyes are tearful: is there any one there whom thou lovest? If it be a trader or the like, tell me; for I know all the merchants and so forth there and, if thou wouldst send him a message, I will bear it for thee.&amp;quot; Replied she, &amp;quot;By Allah, I have no acquaintance among merchant folk and the like! I know none there but King Omar bin Nu'uman, Lord of Baghdad.&amp;quot; When the merchant heard her words, he laughed and rejoiced with exceeding joy and said in himself, &amp;quot;By Allah, I have won my wish!&amp;quot; Then he said to her, &amp;quot;Hast thou been shown to him in time past?&amp;quot; She answered, &amp;quot;No, but I was brought up with his daughter and he holdeth me dear and I have high honour with him; so if thou wouldst have the King grant thee thy desire, give me ink case and paper and I will write thee a letter; and when thou reachest the city of Baghdad, do thou deliver it into the hand of King Omar bin al-Nu'uman and say to him, 'Thy handmaid, Nuzhat al-Zaman, would have thee to know that the chances and changes of the nights and days have struck her as with a hammer, and have smitten her so that she hath been sold from place to place, and she sendeth thee her salams.' And, if he ask further of her, say that I am now with the Viceroy at Damascus.&amp;quot; The merchant wondered at her eloquence, and his affection for her increased and he said to her I cannot but think that men have played upon thine understanding and sold thee for money. Tell me, dost thou know the Koran by heart?&amp;quot; &amp;quot;Yes,&amp;quot; answered she; &amp;quot;and I am also acquainted with philosophy and medicine and the prolegomena of science and the commentaries of Galen, the physician, on the canons of Hippocrates; and I have commented him and I have read the Tazkirah and have commented the Burhán; and I have studied the Simples of Ibn Baytár, and I have something to say of the canon of Meccah, by Avicenna. I can ree riddles and can solve ambiguities, and discourse upon geometry and am skilled in anatomy I have read the books of the Sháfi'í school and the Traditions of the Prophet and syntax; and I can argue with the Olema and discourse of all manner learning. Moreover I am skilled in logic and rhetoric and arithmetic and the making of talismans and almanacs, and I know thoroughly the Spiritual Sciences and the times appointed for religious duties and I understand all these branches of knowledge.&amp;quot; Then quoth she to the merchant, &amp;quot;Bring me ink case and paper, that I write thee a letter which shall aid thee on thy journey to Baghdad and enable thee to do without passports.&amp;quot; Now when the merchant heard this, he cried out &amp;quot;Brava! Brava! Then O happy he in whose palace thou shalt! Thereupon he brought her paper and ink case and a pen of brass and bussed the earth before her face to do her honour. She took a sheet and handled the reed and wrote therewith these verses,&#xA;&#xA;&amp;quot;I see all power of sleep from eyes of me hath flown; * Say, did&#xA;           thy parting teach these eyne on wake to wone?&#xA;What makes thy memory light such burnings in my heart? * Hath&#xA;            every lover strength such memories to own?&#xA;How sweet the big dropped cloud which rained on summer day; *&#xA;            'Tis gone and ere I taste its sweets afar 'tis flown:&#xA;I pray the wind with windy breath to bring some news * From thee,&#xA;            to lover wightwi' love so woe begone&#xA;Complains to thee a lover of all hope forlorn, * For parting&#xA;             pangs can break not only heart but stone.&amp;quot;&#xA;&#xA;And when she had ended writing the verses she continued, &amp;quot;These words are from her who saith that melancholy destroyeth her and that watching wasteth her; in the murk of whose night is found no light and darkness and day are the same in her sight. She tosseth on the couch of separation and her eyes are blackened with the pencils of sleeplessness; she watcheth the stars arise and into the gloom she strains her eyes: verily, sadness and leanness have consumed her strength and the setting forth of her case would run to length. No helper hath she but tears and she reciteth these verses,&#xA;&#xA;'No ring dove moans from home on branch in morning light, * But&#xA;             shakes my very frame with sorrow's killing might:&#xA;No lover sigheth for his love or gladdeth heart * To meet his&#xA;             mate, but breeds in me redoubled blight&#xA;I bear my plaint to one who has no ruth for me, * Ah me, how Love&#xA;             can part man's mortal frame and sprite!' &amp;quot;&#xA;Then her eyes welled over with tears, and she wrote also these two couplets,&#xA;&#xA;&amp;quot;Love smote my frame so sore on parting day, * That severance&#xA;             severed sleep and eyes for aye.&#xA;I waxt so lean that I am still a man, * But for my speaking, thou&#xA;             wouldst never say.&amp;quot;&#xA;&#xA;Then she shed tears and wrote at the foot of the sheet, &amp;quot;This cometh from her who is far from her folk and her native land, the sorrowful hearted woman Nuzhat al-Zaman.&amp;quot; In fine, she folded the sheet and gave it to the merchant, who took it and kissed it and understood its contents and exclaimed, &amp;quot;Glory to Him who fashioned thee!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-ninth Night,&#xA;&#xA;She said, It reached me, O auspicious King, that Nuzhat al-Zaman wrote the letter and gave it to the merchant; and he took it and read it and understood the contents and exclaimed, &amp;quot;Glory to Him who fashioned thee!&amp;quot; Then he redoubled his kindness and made himself pleasant to her all that day, and when night came he sallied out to the bazar and bought some food, wherewith he fed her; after which he carried her to the Hammam and said to the bath woman, &amp;quot;As soon as thou hast made an end of washing her head, dress her and send and let me know of it.&amp;quot; And she replied &amp;quot;Hearing is obeying.&amp;quot; Meanwhile he fetched food and fruit and wax candles and set them on the bench in the outer room of the bath; and when the tire woman had done washing her, she dressed her and led her out of the bath and seated her on the bench. Then she sent to tell the merchant, and Nuzhat al-Zaman went forth to the outer room, where she found the tray spread with food and fruit. So she ate and the tire woman with her, and gave the rest to the people and keeper of the bath. Then she slept till the morning, and the merchant lay the night in a place apart from her. When he aroused himself from sleep he came to her and waking her, presented her with a shift of fine stuff and a head kerchief worth a thousand diners, a suit of Turkish embroidery and walking boots purfled with red gold and set with pearls and gems. Moreover, he hung in each of her ears a circlet of gold with a fine pearl therein, worth a thousand diners, and threw round her neck a collar of gold with bosses of garnet and a chain of amber beads that hung down between her breasts over her navel. Now to this chain were attached ten balls and nine crescents, and each crescent had in its midst a bezel of ruby, and each ball a bezel of balass: the value of the chain was three thousand diners and each of the balls was priced at twenty thousand dirhams, so that the dress she wore was worth in all a great sum of money. When she had put these on, the merchant bade her adorn herself, and she adorned herself to the utmost beauty; then she let fall her fillet over her eyes and she fared forth with the merchant preceding her. But when folk saw her, all wondered at her beauty and exclaimed, &amp;quot;Blessed be Allah, the most excellent Creator! O lucky the man in whose house the hall be!&amp;quot; And the trader ceased not walking (and she behind him) till they entered the palace of Sultan Sharrkan; when he sought an audience and, kissing the earth between his hands, said, &amp;quot;O auspicious King, I have brought thee a rare gift, unmatched in this time and richly gifted with beauty and with good qualities.&amp;quot; Quoth the King, &amp;quot;Let me see it.&amp;quot; So the merchant went out and brought her, she following him till he made her stand before King Sharrkan. When he beheld her, blood yearned to blood, though she had been parted from him in childhood and though he had never seen her, having only heard a long time after her birth that he had a sister called Nuzhat al- Zaman and a brother Zau al-Makan, he having been jealous of them, because of the succession. And such was the cause of his knowing little about them. Then, having placed her before the presence, the merchant said, &amp;quot;O King of the age, besides being peerless in her time and beauty and loveliness, she is also versed in all learning, sacred and profane, including the art of government and the abstract sciences.&amp;quot; Quoth the King to the trader, &amp;quot;Take her price, according as thou boughtest her, and go thy ways.&amp;quot; &amp;quot;I hear and I obey,&amp;quot; replied the merchant; &amp;quot;but first write me a patent, exempting me for ever from paying tithe on my merchandise.&amp;quot; Said the King, &amp;quot;I will do this, but first tell me what price thou paidest for her.&amp;quot; Said the merchant, &amp;quot;I bought her for an hundred thousand diners, and her clothes cost me another hundred thousand.&amp;quot; When the Sultan heard these words, he declared, &amp;quot;I will give thee a higher price than this for her;&amp;quot; and, calling his treasurer, said to him, &amp;quot;Pay this merchant three hundred and twenty thousand ducats; so will he have an hundred and twenty thousand diners profit.&amp;quot; Thereupon the Sultan summoned the four Kazis and paid him the money in their presence and then he said, &amp;quot;I call you to witness that I free this my slave girl and purpose to marry her.&amp;quot; So the Kazis wrote out the deed of emancipation and the contract of marriage, when the Sultan scattered much gold on the heads of those present; and the pages and the eunuchs picked up this largesse. Then, after paying him his monies, Sharrkan bade them write for the merchant a perpetual patent, exempting him from toll, tax or tithe upon his merchandise and forbidding each and every in all his government to molest him, and lastly bestowed on him a splendid dress of honour.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixtieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Sharrkan bade them write for the merchant a mandate, after paying him his monies; and they wrote a perpetual patent, exempting him from the tithe upon his merchandise and forbidding any in his government to molest him; and lastly bestowed upon him a splendid dress of honour. Then all about him retired, and none remained save the Kazis and the merchant, whereupon said he to the judges, &amp;quot;I wish you to hear such discourse from this damsel as may prove her knowledge and accomplishments in all aimed for her by this trader, that we ascertain the truth of his assertions.&amp;quot; They answered, &amp;quot;There is no evil in that!&amp;quot;; and he commanded the curtain to be let down between him and those with him and the maiden and those with her; and the women about the damsel behind the curtains began to wish her joy and kiss her hands and feet, when they learned that she was become the King's wife. Then they came round her and took off her dresses easing her of the weight of her clothes and began to look upon her beauty and loveliness. Presently the wives of the Emirs and Wazirs heard that King Sharrkan had bought a hand maiden unmatched for her beauty and learning and philosophy and account keeping, and versed in all branches of knowledge, that he had paid for her three hundred and twenty thousand dinars, and that he had set her free and had written a marriage contract with her and had summoned the four Kazis to make trial of her, how she would answer all their questions and hold disputetion with them. So they asked leave of their husbands and repaired to the palace wherein was Nuzhat al- Zaman. When they came in to her, they found the eunuchs standing before her; and, as soon as she saw the wives of the Emirs and Wazirs and Grandees of the realm coming to call upon her, she arose to them on her feet and met them with courtesy, her handmaidens standing behind her, and she received them saying, &amp;quot;Ye be welcome!&amp;quot; The while she smiled in their faces so as to win their hearts; and she promised them all manner of good and seated them in their proper stations, as if she had been brought up with them; so all wondered at her beauty and loveliness and said to one another, &amp;quot;This damsel is none other than a Queen, the daughter of a King.&amp;quot; Then they sat down, magnifying her worth and said to her, &amp;quot;O our lady, this our city is illumined by thee, and our country and abode and birth place and reign are honoured by thy presence. The kingdom indeed is thy kingdom and the palace is thy palace, and we all are thy handmaids; so, by Allah, do not shut us out from thy favours and the sight of thy beauty.&amp;quot; And she thanked them for this. All this while the curtains were let down between Nuzhat al-Zaman and the women with her, on the one side, and King Sharrkan and the four Kazis and the merchant seated by him on the other. Presently King Sharrkan called to her and said, &amp;quot;O Queen, the glory of thine age, this merchant hath described thee as being learned and accomplished; and he claimeth that thou art skilled in all branches of knowledge, even to astrology: so let us hear something of all this he hath mentioned, and favour us with a short discourse on such subjects.&amp;quot; She replied, saying: &amp;quot;O King, to hear is to obey. The first subjects whereof I will treat are the art of government and the duties of Kings and what behoveth governors of command meets according to religious law, and what is incumbent on them in respect of satisfactory speech and manners. Know then, O King, that all men's works tend either to religious or to laical life, for none attaineth to religion save through this world, because it is the best road to futurity. Now the works of this world are not ordered save by the doings of its people, and men's doings are divided into four divisions, government, commerce, husbandry and craftsmanship. Now government requireth perfect administration with just and true judgment; for government is the pivot of the edifice of the world, which world is the road to futurity; since Allah Almighty hath made the world for His servants as viaticum to the traveller for the attainment of his goal; and it befitteth each man that he receive of it such measure as shall bring him to Allah, and that he follow not herein his own mind and his individual lust. If folk would take of worldly goods with justice and equity, all cause of contention would be cut off; but they take thereof with violence ant after their own desires, and their persistence therein giveth rise to contentions; so they have need of the Sultan, that he do justice between them and order their affairs; and, if the King restrain not his folk from one another, the strong will drive the weak to the wall. Hence Ardeshir saith, 'Religion and Kingship be twins'; religion is a hidden treasure and the King is its keeper; and the Divine Ordinances and men's intelligence point out that it behoveth the people to adopt a Sultan who shall withhold oppressor from oppressed and do the weak justice against the strong and restrain the violence of the proud and the rebels against rule. For know, O King, that according to the measure of the Sultan's good morals, even so will be the time; as saith the Apostle of Allah (on whom be peace and salvation!), 'There be two classes who, if they be good, the people will be good; and if they be bad, the people will be bad, even the Olema and the Emirs.' And it is said by a certain sage, 'There be three kinds of Kings, the King of the Faith, the King who protecteth things to which reverence is due, and the King of his own lusts.' The King of the Faith obligeth his subjects to follow their faith, and it behoveth he be the most faithful, for it is by him that they take pattern in the things of the Faith; and it becometh the folk to obey him in whatso he commandeth according to Divine Ordinance; but he shall hold the discontented in the same esteem as the contented, because of submission to the decrees of Destiny. As for the King who protecteth things to be reverenced, he upholdeth the things of the Faith and of the World and compelleth his folk to follow the Divine Law and to preserve the rights of humanity; and it fitteth him to unite Pen and Sword; for whoso declineth from what Pen hath written his feet slip and the King shall rectify his error with the sharp Sword and dispread his justice over all mankind. As for the King of his own lusts, he hath no religion but the following his desire and, as he feareth not the wrath of his Lord who set him on the throne, so his Kingdom inclineth to deposition and the end of his pride is in the house of perdition. And sages say, 'The King hath need of many people, but the people have need of but one King' wherefore it beseemeth that he be well acquainted with their natures, that he reduce their discord to concord, that with his justice be encompass them all and with his bounties overwhelm them all. And know, O King, that Ardeshir, styled Jamr Shadíd, or the Live Coal, third of the Kings of Persia, conquered the whole world and divided it into four divisions and, for this purpose, get for himself four seal rings, one for each division. The first seal was that of the sea and the police of prohibition and on it was written, Alterna lives. The second was the seal of tribute and of the receipt of monies, and on it was written, Building up. The third was the seal of the provisioning department and on it was written, Plenty. The fourth was the seal of the oppressed, and on it was written, Justice. And these usages remained valid in Persia until the revelation of Al-Islam. Chosroës also wrote his son, who was with the army, 'Be not thou too open handed with thy troops, or they will be too rich to need thee.'—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-first night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Chosroës wrote his son, 'Be not thou too open handed with thy troops, or they will be too rich to need thee; nor be thou niggardly with them, or they will murmur against thee. Give thy giving deliberately and confer thy favours advisedly; open thy hand to them in time of success and stint them not in time of distress.' There is a legend that a desert Arab came once to the Caliph Al- Mansúr and said, 'Starve thy dog and he shall follow thee.' When the Caliph heard his words, he was enraged with the Arab, but Abu 'l-Abbás of Tús said to him, 'I fear that if some other than thou should show him a scone, the dog would follow him and leave thee alone.' Thereupon the Caliph Al-Mansur's wrath subsided and he knew that the wild Arab had intended no offence and ordered him a present. And know, O King, that Abd al-Malik bin Marwán wrote to his brother Abd al-Azíz, when he despatched him to Egypt, as follows, 'Pay heed to thy Secretaries and thy Chamberlains, for the Secretaries will acquaint thee with estate fished matters and the Chamberlains with matters of official ceremony, whilst thine expenditure will make thy troops known to thee.' Omar bin Al-Khattáb (whom Allah accept!) when engaging a servant was in the habit of conditioning him with four conditions; the first that he should not ride the baggage beasts, the second that he should not wear fine clothes, the third that he should not eat of the spoil and the fourth that he should not put off praying till after the proper period. It is said that there is no wealth more profitable than understanding, and there is no understanding like common sense and prudence, and there is no prudence like piety; that there is no means of drawing near to God like good morals, no measure like good breeding, no traffic like good works and no profit like earning the Divine favour; that there is no temperance like standing within the limits of the law, no science like that of meditation, no worship like obeying the Divine commends, no faith like modesty, no calculation like self abasement and no honour like knowledge. So guard the head and what it containeth and the belly and what it compriseth; and think of death and doom ere it ariseth. Saith Ali (whose face Allah honour!), 'Beware of the wickedness of women and be on thy guard against them: consult them not in aught; but grudge not complaisance to them, lest they greed for intrigue.' And eke quoth he, 'Whoso leaveth the path of moderation his wits become perplexed'; and there be rules for this which we will mention, if it be Allah's will. And Omar (whom Allah accept!) saith, 'There are three kinds of women, firstly the true believing, Heaven fearing, love full and fruit full, who helpeth her mate against fate, not helping fate against her mate; secondly, she who loveth her children but no more and, lastly, she who is a shackle Allah setteth on the neck of whom He will.' Men be also three: the wise when he exerciseth his own judgement; the wiser who, when befalleth somewhat whereof he knoweth not the issue, seeketh folk of good counsel and acteth by their advice; and the unwise irresolute ignoring the right way nor heeding those who would guide him straight. Justice is indispensable in all things; even slave girls have need of justice; and men quote as an instance highway robbers who live by violenting mankind, for did they not deal equitably among themselves and observe justice in dividing their booty, their order would fall to pieces. In short, for the rest, the Prince of noble qualities is Beneficence cum Benevolence; and how excellent is the saying of the poet,&#xA;&#xA;By open hand and ruth the youth rose to his tribe's command; * Go and do likewise for the same were easy task to thee.'&#xA;&#xA;And quoth another,&#xA;&#xA;'In ruth and mildness surety lies and mercy wins respect, * And&#xA;             Truth is best asylum for the man of soothfast soul:&#xA;Whoso for wealth of gold would win and wear the world's good&#xA;             word, * On glory's course must ever be the first to gain the&#xA;             goal.'&amp;quot;&#xA;&#xA;And Nazhat al-Zaman discoursed upon the policy of Kings till the bystanders said, &amp;quot;Never have we seen one reason of rule and government like this damsel! Haply she will let us hear some discourse upon subject other than this.&amp;quot; When she heard their words and understood them she said, &amp;quot;As for the chapter of good breeding, it is wide of comprehension, being a compend of things perfect. Now it so happened that one day there came to the Caliph Mu'áwiyah one of his companions, who mentioned the people of Irak and the goodness of their wit; and the Caliph's wife Maysún, mother of Yezíd, heard his words. So, when he was gone, she said to the Caliph, 'O Prince of the Faithful, I would thou let some of the people of Irak come in and talk to thee, that I may hear their discourse.' Therewith Mu'awiyah said to his attendants, 'See who is at the door?' And they answered, 'The Banu Tamim.' 'Let them come in,' said he. So they came in and with them Al-Ahnáf son of Kays. Then quoth Mu'awiyah, 'Enter, O Abu Bahr,' and drew a curtain between himself and Maysun, that she might hear what they said without being seen herself; then he said to Al-Ahnaf, 'O Son of the Sea, draw near and tell me what counsel thou hast for me.' Quoth Al-Ahnaf, 'Part thy hair and trim thy moustachio and pare thy nails and pluck thine armpits and shave thy pubes and ever use the toothstick because therein be two and seventy virtues, and make the Ghusl or complete ablution on Friday, as an expiation for all between the Fridays.'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Ahnaf bin Kays replied to Al-Mu'awiyah's question, 'And ever use the toothstick, because therein be two end seventy virtues and make the complete Friday ablution as an expiation for all between the two Fridays.' Quoth Mu'awiyah, 'What is thy counsel to thyself?' 'To set my feet firmly on the ground, to move them deliberately and watch over them with mine eyes!' 'How dost thou order thyself when thou goest in to one not of the nobles of thy tribe?' 'I lower mine eyes modestly and I salute first; I avoid what concerneth me not and I spare my words!' 'And how when thou goest in to thine equals?' 'I give ear to them when they speak and I do not assail them when they err!' 'When thou goest in to thy chiefs?' 'I salute without making any sign and await the reply: if they bid me draw near, I draw near, and if they draw off from me I withdraw!' 'How dost thou with thy wife?' Quoth Ahnaf, 'Excuse me from answering this, O Commander of the Faithful!'; but Mu'awiyah cried, 'I conjure thee inform me.' He said, 'I entreat her kindly and show her familiarity and am large in expenditure, for woman was created of a crooked rib.' 'And how dost thou when thou hast a mind to lie with her?' 'I bid her perfume herself and kiss her till she is moved to desire; then, should it be as thou knowest, I throw her on her back. If the seed abide in her womb I say, 'O Allah make it blessed and let it not be a wastrel, but fashion it into the best of fashions!' Then I rise from her to ablution and first I pour water over my hands and then over my body and lastly, I praise Allah for the joy He hath given me.' Said Mu'awiyah, 'Thou hast answered right well and now tell me what be thy requirements?' Said Ahnaf, 'I would have thee rule thy subjects in the fear of Allah and do even handed justice between them.' Thereupon Ahnaf rose to his feet and left the Caliph's presence, and when he had gone Maysun said, 'Were there but this man in Irak, he would suffice to it.' Then continued Nuzhat al-Zaman, &amp;quot;And all this is a section of the chapter of good breeding, and know O King, that Muaykib was intendant of the public treasury during the Caliphate of Omar bin al-Khattáb,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, &amp;quot;Know, O King, that Mu'aykib was intendant of the public treasury during the Caliphate of Omar bin al-Khattab; and it so befel him that he saw Omar's son and gave him a dirham out of the treasury. Thereupon, quoth Mu'aykib, 'I returned to my own house, and while I was sitting there behold, a messenger came to me from Omar and I was afraid and went to him, and when I came into his presence, in his hand was the dirham I had given his son. He said to me, 'Woe to thee Mu'aykib! I have found somewhat concerning thy soul.' I asked 'And what is that?'; and he answered, 'It is that thou hast shown thyself a foe to the followers of Mohammed (on whom be peace and salvation!) in the matter of this dirham, and thou wilt have to account for it on Resurrection Day.' And Omar also wrote a letter to Abú Músá al-Ashári as follows, 'When these presents reach thee, give the people what is theirs and remit to me the rest.' And he did so. Now when Othman succeeded to the Caliphate, he wrote a like letter to Abu Musa, who did his bidding and sent him the tribute accordingly, and with it came Ziyád. And when Ziyad laid the tribute before Othman, the Caliph's son came in and took a dirham, whereupon Ziyad shed tears. Othman asked 'Why weepest thou?'; and Ziyad answered, 'I once brought Omar bin al-Khattab the like of this and his son took a dirham, where upon Omar bade snatch it from his hand. Now thy son hath taken of the tribute, yet I have seen none say aught to him or snatch the money from him.' Then Othman cried, 'And where wilt thou find the like of Omar?' Again Zayd bin Aslam relates of his father that he said, 'I went out one night with Omar till we approached a blazing fire. Quoth Omar, 'O Aslam, I think these must be travellers who are suffering from the cold. Come, let us join them.' So we walked on till we came to them and behold! we found a woman who had lighted a fire under a cauldron and by her side were two children, both a wailing. Said Omar, 'Peace be with you, O folk of light (for it was repugnant to him to say 'folk of fire'), what aileth you?' Said she, 'The cold and the night trouble us.' He asked, 'What aileth these little people that they weep?'; and she answered, 'They are hungry.' He enquired, 'And what is in this cauldron?'; and she replied, 'It is what I quiet them withal, and Allah will question Omar bin al- Khattab of them, on the Day of Doom.' He said, 'And what should Omar know of their case?' 'Why then,' rejoined she, 'should he manage people's affairs and yet be unmindful of them?' Thereupon Omar turned to me (continned Aslam) and cried, 'Come with us!' So we set off running till we reached the pay department of his treasury, where he took out a sack containing flour and a pot holding fat and said to me, 'Load these on my back!' Quoth I, 'O Commander of the Faithful, I will carry them for thee.' He rejoined, 'Wilt thou bear my load for me on the Day of Resurrection?' So I put the things on his back, and we set off, running, till we threw down the sack hard by her. Then he took out some of the flour and put it in the cauldron; and, saying to the woman, 'Leave it to me,' he began blowing the fire under the cauldron. Now he was a long bearded man and I saw the smoke issuing from between the hairs of his beard till the flour was cooked, when he took some of the fat and threw it in and said to the woman, 'Bed them while I cool it for them.' So they fell to eating till they had eaten their fill, and he left the rest with her. Then he turned to me and said, 'O Aslam, I see it was indeed hunger made them weep; and I am glad I did not go away ere I found out the cause of the light I saw.'—And Shahrazad per ceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, &amp;quot;It is related that Omar passed by a flock of sheep, kept by a Mameluke, and asked him to sell him a sheep. He answered, 'They are not mine.' 'Thou art the man I sought,' said Omar, and bought him and freed him; whereupon the slave exclaimed, 'O Allah, as thou hast bestowed on me the lesser emancipation; so vouchsafe me the greater!' It is also said that Omar bin al- Khattab was wont to give his servants sweet milk and himself eat coarse fare, and to clothe them softly and himself wear rough garments. He rendered unto all men their due, and exceeded in his giving to them. He once gave a man four thousand dirhams and added thereto a thousand, wherefore it was said to him, 'Why dost thou not increase to thy son as thou increasest to this man?' He answered, 'This man's father stood firm at the battle day of Ohod.' Al-Hasan relates that Omar once came back from foray with much money, and that Hafsah approached him and said, 'O Commander of the Faithful, the due of kinship!' 'O Hafsah!' replied he, 'verily Allah hath enjoined us to satisfy the dues of kinship, but not with the monies of the True Believers. Indeed, thou pleasest&amp;quot; thy family, but thou angerest thy father.' And she went away trailing her skirts. The son of Omar said, 'I implored the Lord to show me my father one year after his death, till at last I saw him wiping the sweat from his brow and asked him, 'How is it with thee, O my father?' He answered, 'But for my Lord's mercy thy father surely had perished.' Then said Nuzhat al-Zaman, &amp;quot;Hear, O auspicious King, the second division of the first chapter of the instances of the followers of the Apostle and other holy men. Saith Al Hasan al-Basrí, Not a soul of the sons of Adam goeth forth of the world without regretting three things,- failure to enjoy what he hath amassed, failure to compass what he hoped, failure to provide himself with sufficient viaticum for that hereto he goeth. It was said of Sufyan, 'Can a man be a religious and yet possess wealth?' He replied, 'Yes, so he be patient when grieved and be thankful when he hath received.' Abdullah bin Shaddád, being about to die, sent for his son Mohammed and admonished him, saying, 'O my son, I see the Summoner of Death summoning me, and so I charge thee to fear Allah both in public and private, to praise Allah and to be soothfastin thy speech, for such praise bringeth increase of prosperity, and piety in itself is the best of provision for the next world; even as saith one of the poets,&#xA;&#xA;'I see not happiness lies in gathering gold; * The man most pious&#xA;is man happiest:&#xA;In truth the fear of God is best of stores, * And God shall make&#xA;the pious choicely blest.'&#xA;Then quoth Nuzhat al-Zaman, &amp;quot;Let the King also give ear to these notes from the second section of the first chapter.&amp;quot; He asked her 'What be they?'; and she answered, &amp;quot;When Omar bin Abd al-Azíz succeeded to the Caliphate, he went to his household and laying hands on all that was in their hold, put it into the public treasury. So the Banu Umayyah flew for aid to his father's sister, Fátimah, daughter of Marwan, and she sent to him saying, 'I must needs speak to thee.' So she came to him by night and, when he had made her alight from her beast and sit down, he said to her, 'O aunt, it is for thee to speak first, since thou hast some thing to ask: tell me then what thou wouldst with me.' Replied she, 'O Commander of the Faithful, it is thine to speak first, for thy judgment perceiveth that which is hidden from the intelligence of others.' Then said Omar, 'Of a verity Allah Almighty sent Mohammed as a blessing to some and a bane to others; and He elected for him those with him, and commissioned him as His Apostle and took him to Himself,'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued thus, &amp;quot;Said Omar, 'Verily Allah commissioned as His Apostle Mohammed (upon whom be the benediction of Allah and His salvation!), for a blessing to some and a bane to others; and He elected for him those with him and took him to Himself, leaving the people a stream whereof they might drink. After him Abu Bakr the Truth teller became Caliph and he left the river as it was, doing what was pleasing to Allah. Then arose Omar and worked a work and strove in holy war and strife where of none might do the like. But when Othman arose to power he diverted a streamlet from the stream, and Mu'awiyah in his turn diverted from it several streamlets; and without ceasing in like manner, Yezid and the Banu Marwán such as Abd al-Malik and Walíd and Sulaymán drew away water from the stream, and the main course dried up, till rule devolved upon me, and now I am minded to restore the stream to its normal condition.' When Fatimah heard this, she said, 'I came wishing only to speak and confer with thee, but if this be thy word, I have nothing to say to thee.' Then she returned to the Ommiades and said to them, 'Now take ye the consequences of your act when ye allied yourselves by marriage with Omar bin al-Khattab.' And it is also said that when Omar was about to die, he gathered his children round him, and Maslamah bin Abd al-Malik said to him, 'O Prince of the Faithful, how wilt thou leave thy children paupers and thou their protector? None can hinder thee in thy lifetime from giving them what will suffice them out of the treasury; and this indeed were better than leaving the good work to him who shall rule after thee.' Omar looked at him with a look of wrath and wonder and presently replied, 'O Maslamah, I have defended them from this sin all the days of my life, and shall I make them miserable after my death? Of a truth my sons are like other men, either obedient to Almighty Allah who will prosper them, or disobedient and I will not help them in their disobedience. Know, O Maslamah, that I was present, even as thou, when such an one of the sons of Marwanwas buried, and I fell asleep by him and saw him in a dream given over to one of the punishments of Allah, to whom belong Honour and Glory! This terrified me and made me tremble, and I vowed to Allah, that if ever I came to power, I would not do such deeds as the dead man had done. I have striven to fulfil this vow all the length of my life and I hope to die in the mercy of my Lord.' Quoth Maslamah, 'A certain man died and I was present at his burial, and when all was over I fell asleep and I saw him as a sleeper seeth a dream, walking in a garden of flowing waters clad in white clothes. He came up to me and said: 'O Maslamah, it is for the like of this that rulers should rule.' Many are the instances of this kind, and quoth one of the men of authority, 'I used to milk the ewes in the Caliphate of Omar bin Abd al-Aziz, and one day I met a shepherd, among whose sheep I saw a wolf or wolves. I thought them to be dogs, for I had never before seen wolves; so I asked, 'What dost thou with these dogs?' 'They are not dogs, but wolves,' answered the shepherd. Quoth I, 'Can wolves be with sheep and not hurt them?' Quoth he, 'When the head is whole, the body is whole.' Omar bin Abd al-Aziz once preached from a pulpit of clay and, after praising and glorifying Allah Almighty, said three words as follows, 'O folk, make clean your inmost hearts, that your outward lives may be dean to your brethren, and abstain ye from the things of the world. Know that between us and Adam there is no one man alive among the dead. Dead are Abd al- Malik and those who forewent him, and Omar also shall die and those who forewent him.' Asked Maslamah, 'O Commander of the Faithful, an we set a pillow behind thee, wilt thou lean on it a little while?' But Omar answered, 'I fear lest it be a fault about my neck on Resurrection Day.' Then he gasped with the death rattle and fell back in a faint; whereupon Fatimah cried out, saying, 'Ho, Maryam! Ho, Muzahim! Ho, such an one! Look to this man!' And she began to pour water on him weeping, till he revived from his swoon; and, seeing her in tears said to her, 'What causeth thee to weep, O Fatimah?' She replied, 'O Commander of the Faithful, I saw thee lying prostrate before us and thought of thy prostration in death before Almighty Allah, of thy departure from the world and of thy separation from us. This is what made me weep.' Answered he, 'Enough, O Fatimah, for indeed thou exceedest.' Then he would have risen, but fell down and Fatimah strained him to her and said, 'Thou art to me as my father and my mother, O Commander of the Faithful! We cannot speak to thee, all of us.' Then quoth Nuzhat al-Zaman to her brother Sharrkan and the four Kazis, &amp;quot;Here endeth the second section of the first chapter.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman said to her brother Sharrkan and the four Kazis, &amp;quot;Here endeth the second section of the first chapter. And it so happened that Omar bin Abd al-Aziz wrote to the people of the festival at Meccah as follows, 'I call Allah to witness, in the Holy Month, in the Holy City and on the day of the Greater Pilgrimage, that I am innocent of your oppression and of his wrongs that doth wrong you, in that I have neither commanded this nor purposed it, neither hath any report of aught thereof hitherto reached me, nor have I compassed any knowledge thereof; and I trust that a cause for pardon will be found in that none hath authority from me to oppress any man, for I shall assuredly be questioned concerning every one oppress. And if any of my officers swerve from the right and act otherwise than the Holy Book and the Traditions of the Apostle do authorise, obey him not so that he may return to the way of righteousness.' He said also (Allah accept of him!), 'I do not wish to be relieved from death, because it is the supreme thing for which the True Believer is rewarded.' Quoth one of authority, 'I went to the Prince of the Faithful, Omarbin Abd al-Aziz, who was then Caliph, and saw before him twelve dirhams, which he ordered for deposit in the public treasury. So I said to him, 'O Commander of the Faithful, thou impoverishest thy children and reducest them to beggary having nothing whereon to live. An thou wouldst appoint somewhat by will to them and to those who are poor of the people of thy house, it were well.' 'Draw near to me,' answered he: so I drew near to him and he said, 'Now as for thy saying, 'Thou beggarest thy children; provide for them and for the poor of thy household,' it is without reason; for Allah of a truth will replace me to my children and to the poor of my house, and He will be their guardian. Verily, they are like other men; he who feareth Allah, right soon will Allah provide for him a happy issue, and he that is addicted to sins, I will not up hold him in his sin against Allah.' Then he summoned his sons who numbered twelve, and when he beheld them his eyes dropped tears and presently he said to them, 'Your Father is between two things; either ye will be well to do, and your parent will enter the fire, or ye will be poor and your parent will enter Paradise; and your father's entry into Paradise is liefer to him than that ye should be well to do. So arise and go, Allah be your helper, for to Him I commit your affairs!' Khálid bin Safwán said, 'Yúsuf bin Omar accompanied me to Hishám bin Abd al-Malik, and as I met him he was coming forth with his kinsmen and attendants. He alighted and a tent was pitched for him. When the people had taken their seats, I came up to the side of the carpet whereon he sat reclining and looked at him; and, waiting till my eyes met his eyes, bespoke him thus, 'May Allah fulfil His bounty to thee, O Commander of the Faithful, I have an admonition for thee, which hath come down to us from the history of the Kings preceding thee!' At this, he sat up whenas he had been reclining and said to me, 'Bring what thou hast, O son of Safwan!' Quoth I, 'O Commander of the Faithful, one of the Kings before thee went forth in a time before this thy time, to this very country and said to his companions, 'Saw ye ever any state like mine and say me, hath such case been given to any man even as it hath been given unto me?' Now there was with him a man of those who survive to bear testimony to Truth; upholders of the Right and wayfarers in its highway, and he said to him, 'O King, thou askest of a grave matter. Wilt thou give me leave to answer?' 'Yes,' replied the King, and the other said, 'Dost thou judge thy present state to be short lasting or ever lasting?' 'It is temporary,' replied the King. 'How then,' rejoined the man, 'do I see thee exulting in that which thou wilt enjoy but a little while and whereof thou wilt be questioned for a long while and for the rendering an account whereof thou shalt be as a pledge which is pawned?' Quoth the King, 'Whither shall I flee and what must I seek for me?' 'That thou abide in thy kingship,' replied the other, 'or else robe thee in rags and apply thyself to obey Almighty Allah thy Lord until thine appointed hour. I will come to thee again at daybreak.' Khalid bin Safwan further relates that the man knocked at the door at dawn and behold, the King had put off his crown and resolved to become an anchorite, for the stress of his exhortation. When Hishám bin Abd al-Malik heard this, he wept till his beard was wet, and, bidding his rich apparel be put off, shut himself up in his palace. Then the grandees and dependents came to Khalid and said, 'What is this thou hast done with the Commander of the Faithful? Thou hast troubled his pleasure and disturbed his life!' Then quoth Nuzhat al-Zaman, addressing herself to Sharrkan, &amp;quot;How many instances of admonition are there not in this chapter! Of a truth I cannot report all appertaining to this head in a single sitting,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, speaking to Sharrkan, &amp;quot;Know, O King, that in this chapter be so many instances of admonition that of a truth I cannot report all appertaining to this head in a single sitting but, with length of days, O King of the age, all will be well.&amp;quot; There said the Kazis, &amp;quot;O King, of a truth this damsel is the wonder of the world, and of our age the unique pearl! Never heard we her like in the length of time or in the length of our lives.&amp;quot; And they called down blessings on the King and went away. Then Sharrkan turned to his attendants and said, &amp;quot;Begin ye to prepare the marriage festival and make ready food of all kinds.&amp;quot; So they forthright did his bidding as regards the viands, and he commanded the wives of the Emirs and Wazirs and Grandees depart not until the time of the wedding banquet and of the unveiling of the bride. Hardly came the period of afternoon prayer when the tables were spread with whatso heart can desire or eye can delight in of roast meats and geese and fowls; and the subjects ate till they were satisfied. Moreover, Sharrkan had sent for all the singing women of Damascus and they were present, together with every slave girl of the King and of the notables who knew how to sing. And they went up to the palace in one body. When the evening came and darkness starkened they lighted candles, right and left, from the gate of the citadel to that of the palace; and the Emirs and Wazirs and Grandees marched past before King Sharrkan, whilst the singers and the tire women took the damsel to dress and adorn her, but found she needed no adornment. Meantime King Sharrkan went to the Hammam and coming out, sat down on his seat of estate, whilst they paraded the bride before him in seven different dresses: after which they eased her of the weight of her raiment and ornaments and gave such injunctions as are enjoined upon virgins on their wedding nights. Then Sharrkan went in unto her and took her maidenhead; and she at once conceived by him and, when she announced it, he rejoiced with exceeding joy and commanded the savants to record the date of her conception. On the morrow he went forth and seated himself on his throne, and the high officers came in to him and gave him joy. Then he called his private secretary and bade him write a letter to his father, King Omar bin al-Nu'uman, saying that he had bought him a damsel, who excels in learning and good breeding and who is mistress of all kinds of knowledge. Moreover he wrote, &amp;quot;There is no help but that I send her to Baghdad to visit my brother Zau al-Makan and my sister Nuzhat al-Zaman. I have set her free and married her and she hath conceived by me.&amp;quot; And he went on to praise her wit and salute his brother and sister together with the Wazir Dandan and all the Emirs. Then he sealed the letter and despatched it to his father by a post courier who was absent a whole month, after which time he returned with the answer and presented it in the presence. Sharrkan took it and read as follows, &amp;quot;After the usual Bismillah, this is from the afflicted distracted man, from him who hath lost his children and home by bane and ban, King Omar bin al- Nu'uman, to his son Sharrkan. Know that, since thy departure from me, the place is become contracted upon me, so that no longer I have power of patience nor can I keep my secret: and the cause thereof is as follows. It chanced that when I went forth to hunt and course Zau al-Makan sought my leave to fare Hijaz wards, but I, fearing for him the shifts of fortune, forbade him therefrom until the next year or the year after. My absence while sporting and hunting endured for a whole month&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-eighth night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Omar bin al-Nu'uman wrote in his letter, &amp;quot;My absence while sporting and hunting endured for a whole month, and when I returned I found that thy brother and sister had taken somewhat of money and had set out with the pilgrim caravan for pilgrimage by stealth. When I knew this, the wide world narrowed on me, O my son! but I awaited the return of the caravan, hoping that haply they would come back with it. Accordingly, when the palmers appeared I asked concerning the twain, but they could give me no news of them; so I donned mourning for them, being heavy at heart, and in sleep I have no part and I am drowned in the tears of my eyes.&amp;quot; Then he wrote in verse,&#xA;&#xA;&amp;quot;That pair in image quits me not one single hour, * Whom in my&#xA;             heart's most honourable place I keep:&#xA;Sans hope of their return I would not live one hour, * Without my&#xA;             dreams of them I ne'er would stretch me in sleep.&amp;quot;&#xA;&#xA;The letter went on, &amp;quot;And after the usual salutations to thee and thine, I command thee neglect no manner of seeking news of them for indeed this is a shame to us.&amp;quot; When Sharrkan read the letter he felt grief for his father and joy for the loss of his brother and sister. Then he took the missive and went in with it to Nuzhat al-Zaman who knew not that he was her brother, nor he that she was his sister, albeit he often visited her both by night and by day till the months were accomplished and she sat down on the stool of delivery. Allah made the child birth easy to her and she bare a daughter, whereupon she sent for Sharrkan and seeing him she said to him, &amp;quot;This is thy daughter: name her as thou wilt.&amp;quot; Quoth he, &amp;quot;It is usual to name children on the seventh day after birth.&amp;quot; Then he bent over the child to kiss it and he saw, hung about its neck, a jewel, which he knew at once for one of those which Princess Abrizah had brought from the land of the Greeks. Now when he saw the jewel hanging from his babe's neck he recognised it right well, his senses fled and wrath seized on him; his eyes rolled in rage and he looked at Nuzhat al- Zaman and said to her, &amp;quot;Whence hadst thou this jewel, O slave girl?&amp;quot; When she heard this from Sharrkan she replied, &amp;quot;I am thy lady, and the lady of all in thy palace! Art thou not ashamed to say to me Slave girl? I am a Queen, daughter of King Omar bin al-Nu'uman.&amp;quot; Hearing this, he was seized with trembling and hung his head earthwards,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan heard these words, his heart fluttered and his colour waxed yellow and he was seized with trembling and he hung his head earthwards, for he knew that she was his sister by the same father. Then he lost his senses; and, when he revived, he abode in amazement, but did not discover his identity to her and asked, O my lady, say, art thou in sooth the daughter of King Omar bin al- Nu'uman?&amp;quot; &amp;quot;Yes,&amp;quot; answered she; and he continued, &amp;quot;Tell me the cause of thy leaving thy sire and of thy being sold for a slave.&amp;quot; So she related to him all that had befallen her from beginning to end, how she had left her brother sick in the Sanctified City, Jerusalem, and how the Badawi had kidnapped her and had sold her to the trader. When Sharrkan heard this, he was certified of her being his sister on the sword side and said to himself, &amp;quot;How can I have my sister to wife? By Allah, needs must I marry her to one of my chamberlains; and, if the thing get wind, I will declare that I divorced her before consummation and married her to my Chief Chamberlain.&amp;quot; Then he raised his head and sighing said, &amp;quot;O Nuzhat al-Zaman, thou art my very sister and I cry: 'I take refuge with Allah from this sin whereinto we have fallen,' for I am Sharrkan, son of Omar bin al-Nu'uman.&amp;quot; She looked at him and knew he spoke the truth; and, becoming as one demented, she wept and buffeted her face, exclaiming, &amp;quot;There is no Majesty and there is no Might save in Allah! Verily have we fallen into mortal sin! What shall I do and what shall I say to my father and my mother when they ask me, Whence hadst thou thy daughter?&amp;quot; Quoth Sharrkan, &amp;quot;It were meetest that I marry thee to my Chamberlain and let thee bring up my daughter in his house, that none may know thou be my sister. This hath befallen us from Almighty Allah for a purpose of his own, and nothing shall cover us but thy marriage with this Chamberlain, ere any know.&amp;quot; Then he fell to comforting her and kissing her head and she asked him, &amp;quot;What wilt thou call the girl?&amp;quot; &amp;quot;Call her Kuzia Fakán,&amp;quot; answered he. Then he gave the mother in marriage to the Chief Chamberlain, and transferred her to his house with the child, which they reared on the laps of the slave girls, and fed with milk and dosed with powders. Now all this occurred whilst the brother, Zau al-Makan, still tarried with the Fireman at Damascus. One day there came to King Sharrkan a courier from his father, with a letter which he took and read and found therein, &amp;quot;After the Bismillah know, O beloved King, that I am afflicted with sore affliction for the loss of my children: sleep ever faileth me and wakefulness ever assaileth me. I send thee this letter that, as soon as thou receivest it, thou make ready the monies and the tribute, and send them to us, together with the damsel whom thou hast bought and taken to wife; for I long to see her and hear her discourse; more especially because there hath come to us from Roumland an old woman of saintly bearing and with her be five damsels high bosomed virgins, endowed with knowledge and good breeding and all arts and sciences befitting mortals to know; and indeed tongue faileth me to describe this old woman and these who with her wend; for of a truth they are compendiums of perfections in learning and accomplishments. As soon as I saw them I loved them, and I wished to have them in my palace and in the compass of my hand; for none of the Kings owneth the like of them; so I asked the old woman their price and she answered, 'I will not sell them but for the tribute of Damascus.' And I, by Allah, did not hold this price exorbitant, indeed it is but little, for each one of them is worth the whole valuation. So I agreed to that and took them into my palace, and they remain in my possession. Wherefore do thou forward the tribute to us that the woman may return to her own country; and send to us the damsel to the end that she may dispute with them before the doctors; and, if she prevail over them, I will return her to thee accompanied by the tribute of Baghdad.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Omar son of Al-Nu'uman said in his letter, &amp;quot;And send to us the damsel to the end that she may dispute with them before the doctors and, if she prevail over them, I will return her to thee accompanied with the tribute of Baghdad.&amp;quot; As soon as Sharrkan knew the contents, he went in to his brother in law and said to him, &amp;quot;Bring the damsel to whom I married thee;&amp;quot; and when she came he showed her the letter and said, &amp;quot;O my sister! what answer wouldst thou advise me make to this letter?&amp;quot; Replied she, &amp;quot;Seek advice from thyself!&amp;quot; and presently added (for she yearned after her people and her native land), &amp;quot;Send me together with my husband the Chamberlain, to Baghdad, that I may tell my father my tale and let him know whatso befel me with the Badawi who sold me to the merchant, and that I also inform him how thou boughtest me of the trader and gavest me in marriage to the Chamberlain, after setting me free.&amp;quot; &amp;quot;Be it so,&amp;quot; replied Sharrkan. Then Sharrkan took his daughter, Kuzia Fakan, and committed her to the charge of the wet nurses and the eunuchs, and he made ready the tribute in haste, bidding the Chamberlain travel with the Princess and the treasure to Baghdad. He also furnished him two travelling litters one for himself and the other for his wife. And the Chamberlain replied, &amp;quot;To hear is to obey.&amp;quot; Moreover Sharrkan collected camels and mules and wrote a letter to his father and committed it to the Chamberlain; then he bade farewell to his sister, after he had taken the jewel from her and hung it round his daughter's neck by a chain of pure gold; and she and her husband set out for Baghdad the same night. Now it so happened that Zau al-Makan and his friend the Fireman had come forth from the hut in which they were, to see the spectacle, and they beheld camels and Bukhti dromedaries and bât-mules and torches and lanterns alight; and Zau al-Makan enquired about the loads and their owner and was told that it was the tribute of Damascus going to King Omar bin al-Nu'uman, Lord of the City of Baghdad. He then asked, &amp;quot;Who be the leader of the caravan?&amp;quot; and they answered, &amp;quot;The Head Chamberlain who hath married the damsel so famous for learning and science.&amp;quot; Thereupon Zau al-Makan wept with bitter weeping and was minded of his mother and his father and his sister and his native land, and he said to the Stoker, &amp;quot;I will join this caravan and, little by little, will journey homewards.&amp;quot; Quoth the Fireman, &amp;quot;I would not suffer thee to travel single handed from the Holy City to Damascus, then how shall I be sure of thy safety when thou farest for Baghdad? But I will go with thee and care for thee till thou effectest thine object.&amp;quot; &amp;quot;With joy and good will,&amp;quot; answered Zau al-Makan. Then the Fireman get him ready for the journey and hired an ass and threw saddle bags over it and put therein something of provaunt; and, when all was prepared, he awaited the passage of the caravan. And presently the Chamberlain came by on a dromedary and his footmen about him. Then Zau al-Ma ken mounted the ass and said to his companion, &amp;quot;Do thou mount with me.&amp;quot; But he replied, &amp;quot;Not so: I will be thy servant.&amp;quot; Quoth Zau al-Makan, &amp;quot;There is no help for it but thou ride awhile.&amp;quot; &amp;quot;'Tis well,&amp;quot; quoth the Stoker; &amp;quot;I will ride when I grow tired.&amp;quot; Then said Zau al-Makan, &amp;quot;O my brother, soon shalt thou see how I will deal with thee, when I come to my own folk.&amp;quot; So they fared on till the sun rose and,When it was the hour of the noonday sleep the Chamberlain called a halt and they alighted and reposed and watered their camels. Then he gave the signal for departure and, after five days, they came to the city of Hamáh, where they set down and made a three days' halt;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that they halted in the city of Hamah three days; they then fared forwards and ceased not travelling till they reached another city. Here also they halted three days and thence they travelled till they entered the province Diyár Bakr. Here blew on them the breezes of Baghdad, and Zau al-Makan bethought him of his father and mother and native land, and how he was returning to his sire without his sister: so he wept and sighed and complained, and his regrets grew on him, and he began improvising these couplets,&#xA;&#xA;&amp;quot;Sweetheart! How long must I await by so long suffering teed? *&#xA;            Nor cometh messenger to tell me where thou dost abide:&#xA;Ah me! in very sooth our meeting time was short enow: * Would&#xA;            Heaven shorter prove to me the present parting-tide!&#xA;Now trend my hand and open my robe and thou within shall sight *&#xA;            How wasted are the limbs of me and yet the waste I hide:&#xA;When say they 'Comfort take for loss of love' I but reply * 'By&#xA;            Allah, till the Day of Doom no comfort shall betide!' &amp;quot;&#xA;&#xA;Thereupon said to him the Fireman, &amp;quot;Leave this weeping and wailing, for we are near the Chamberlain's tent.&amp;quot; Quoth Zau al- Makan, &amp;quot;Needs must I recite somewhat of verse; haply it may quench the fire of my heart.&amp;quot; &amp;quot;Allah upon thee,&amp;quot; cried the other, &amp;quot;cease this lamentation till thou come to shine own country; then do what thou wilt, and I will be with thee wherever thou art.&amp;quot; Replied Zau al-Makan, &amp;quot;By Allah! I cannot forbear from this!&amp;quot; Then he turned his face towards Baghdad and the moon was shining brightly and shedding her light on the place, and Nuzhat al-Zaman could not sleep that night, but was restless and called to mind her brother and wept. And while she was in tears, he heard Zau al-Makan weeping and improvising the following distichs,&#xA;&#xA;'Al-Yaman's leven-gleam I see, * And sore despair&#xA;            despaireth me&#xA;For friend who erst abode wi' me * Crowning my cup with gladdest&#xA;           gree:&#xA;It minds me o' one who jilted me * To mourn my bitter liberty.&#xA;Say sooth, thou fair sheet lightning! shall * We meet once more&#xA;           in joy and glee?&#xA;O blamer! spare to me thy blame * My Lord hath sent this dule to&#xA;            dree,&#xA;Of friend who left me, fain to flee; * Of Time that breeds&#xA;            calamity:&#xA;All bliss hath fled the heart of me * Since Fortune proved mine&#xA;            enemy.&#xA;He brimmed a bowl of merest pine, * And made me drain the&#xA;            dregs, did he:&#xA;I see me, sweetheart, dead and gone * Ere I again shall gaze on&#xA;           thee.&#xA;Time! prithee bring our childhood back, * Restore our happy&#xA;            infancy,&#xA;When joy and safety 'joyed we * From shafts that now they shoot&#xA;            at me!&#xA;Who aids the hapless stranger wight, * That nights in fright and&#xA;            misery,&#xA;That wastes his days in lonely grief, * For 'Time's&#xA;             Delight' no more must be?&#xA;Doomed us despite our will to bear * The hands of base bores cark&#xA;             and care.&amp;quot;&#xA;&#xA;When he ended his verse he cried out and fell down in a fainting fit. This is how it fared with him; but as regards Nuzhat al- Zaman, when she heard that voice in the night, her heart was at rest and she rose and in her joy she called the Chief Eunuch, who said to her, &amp;quot;What is thy will?&amp;quot; Quoth she, &amp;quot;Arise and bring me him who recited verses but now.&amp;quot; Replied he, &amp;quot;Of a truth I did not hear him&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Nuzhat Al-Zaman heard her brother reciting, she called the Chief Eunuch and said to him, &amp;quot;Go, fetch me the man who is repeating this poetry!&amp;quot; Replied he, &amp;quot;Of a truth I heard him not and I wot him not and folks are all sleeping.&amp;quot; But she said, &amp;quot;Whomsoever thou seest awake, he is the reciter.&amp;quot; So he went, yet found none on wake save the Stoker; for Zau al-Makan was still insensible, and when his companion saw the Eunuch standing by his head he was afraid of him. Then said the Eunuch, &amp;quot;Art thou he who repeated poetry but now and my lady heard him?&amp;quot; The Stoker fancied that the dame was wroth with the reciter; and, being afraid, he replied, &amp;quot;By Allah, 'twas not I!&amp;quot; Rejoined the Eunuch, &amp;quot;Who then was the reciter?: point him out to me. Thou must know who it was, seeing that thou art awake.&amp;quot; The Fireman feared for Zau al- Makan and said in himself, &amp;quot;Haply the Eunuch will do him some hurt&amp;quot;; so he answered, &amp;quot;By Allah, I know not who it was.&amp;quot; Said the Eunuch, &amp;quot;By Allah, thou liest, for there is none on wake here but thou! So needs must thou know him.&amp;quot; &amp;quot;By Allah,&amp;quot; replied the Fireman, &amp;quot;I tell thee the truth!: some passer by, some wayfarer must have recited the verses and disturbed me and kept me awake; Allah requite him!&amp;quot; Quoth the Eunuch, &amp;quot;If thou happen upon him, point him out to me and I will lay hands on him and bring him to the door of our lady's litter or do thou take him with thine own hand.&amp;quot; Said the Fireman, &amp;quot;Go thou back and I will bring him to thee.&amp;quot; So the Eunuch left him and went his ways; and, going in to his mistress, told her all this and said to her, &amp;quot;None knoweth who it was; it must have been some passer by, some wayfarer.&amp;quot; And she was silent. Meanwhile, Zau al-Makan came to himself and saw that the moon had reached the middle Heavens; the breath of the dawn breeze breathed upon him and his heart was moved to longing and sadness; so he cleared his throat and was about to recite verses, when the Fire man asked him, &amp;quot;What wilt thou do?&amp;quot; Answered Zau al-Makan, &amp;quot;I have a mind to repeat somewhat of poetry, that I may quench therewith the fire of my heart.&amp;quot; Quoth the other, &amp;quot;Thou knowest not what befel me whilst thou wast a faint, and how I escaped death only by beguiling the Eunuch.&amp;quot; &amp;quot;Tell me what happened,&amp;quot; quoth Zau al-Makan. Replied the Stoker, &amp;quot;Whilst thou wast aswoon there came up to me but now an Eunuch, with a long staff of almond tree wood in his hand, who took to looking in all the people's faces, as they lay asleep, and asked me who it was recited the verses, finding none awake but myself. I told him in reply it was some passerby, some wayfarer; so he went away and Allah delivered me from him; else had he killed me. But first he said to me, 'If thou hear him again, bring him to us.'&amp;quot; When Zau al-Makan heard this he wept and said, &amp;quot;Who is it would forbid me to recite? I will surely recite, befal me what may; for I am near mine own land and care for none.&amp;quot; Rejoined the Fireman, &amp;quot;Thy design is naught save to lose thy life;&amp;quot; and Zau al-Makan retorted, &amp;quot;Needs must I recite verses.&amp;quot; &amp;quot;Verily,&amp;quot; said the Stoker, &amp;quot;needs must there be a parting between me and thee in this place, albeit;I had intended not to leave thee, till I had brought thee to thy native city and reunited thee with thy mother and father. Thou hast now tarried with me a year and a half and I have never harmed thee in aught. What ails thee, then, that thou must needs recite verses, seeing that we are tired out with walking and watching and all the folk are asleep, for they require sleep to rest them of their fatigue?&amp;quot; But Zau al-Makan answered, &amp;quot;I will not be turned away from my purpose.&amp;quot; Then grief moved him and he threw off concealment and began repeating these couplets,&#xA;&#xA;&amp;quot;Stand thou by the homes and hail the lords of the ruined stead;&#xA;          * Cry thou for an answer, belike reply to thee shall be&#xA;           sped:&#xA;If the night and absence irk thy spirit kindle a torch * Wi'&#xA;           repine; and illuminate the gloom with a gleaming greed:&#xA;If the snake of the sand dunes hiss, I shall marvel not at all!&#xA;           * Let him bite so I bite those beauteous lips of the&#xA;           luscious red:&#xA;O Eden, my soul hath fled in despite of the maid I love: * Had I&#xA;           lost hope of Heaven my heart in despair were dead.&amp;quot;&#xA;And he also improvised the two following distichs,&#xA;&#xA;&amp;quot;We were and were the days enthralled to all our wills, *&#xA;           Dwelling in union sweet and homed in fairest site:&#xA;Who shall restore the home of the beloved, where showed * Light&#xA;            of the Place for aye conjoined with Time's&#xA;            Delight?''&#xA;&#xA;And as he ceased his verses, he shrieked three shrieks and fell senseless to the ground and the Fireman rose and covered him. When Nuzhat al-Zaman heard the first improvisation, she called to mind her father and her mother and her brother and their whilome home; then she wept and cried at the Eunuch and said to him, &amp;quot;Woe to thee! He who recited the first time hath recited a second time and I heard him hard by. By Allah, an thou fetch him not to me, I will assuredly rouse the Chamberlain on thee, and he shall beat thee and cast thee out. But take these hundred diners and give them to the singer and bring him to me gently, and do him no hurt. If he refuse, hand to him this purse of a thousand diners, then leave him and return to me and tell me, after thou hast informed thyself of his place and his calling and what countryman he is. Return quickly and linger not.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman sent the Eunuch to make enquiries concerning the singer and said, &amp;quot;Beware how thou come back to me and report, I could not find him.&amp;quot; So the Eunuch went out and laid about the people and trod in their tents, but found none awake, all being asleep for weariness, till he came to the Stoker and saw him sitting up, with his head uncovered. So he drew near and seizing him by the hand, said to him, &amp;quot;It was thou didst recite the verses!&amp;quot; The Fireman was afeard for his life and replied, &amp;quot;No, by Allah, O chief of the people, it was not I!&amp;quot; But the Eunuch said, &amp;quot;I will not leave thee till thou show me who it was that recited the verses, for I dread returning to my lady without him.&amp;quot; Now when the Fireman heard these words he feared for Zau al-Makan and wept with exceeding weeping and said to the Eunuch, &amp;quot;By Allah, it was not I, and I know him not. I only heard some passer by, some wayfarer, recite verses: so do not thou commit sin on me, for I am a stranger and come from the Holy City of Jerusalem; and Abraham, the friend of Allah, be with you all.&amp;quot; &amp;quot;Rise up and fare with me,&amp;quot; rejoined the Eunuch, &amp;quot;and tell my lady this with thine own mouth, for I have seen none awake save thyself.&amp;quot; Quoth the Stoker, &amp;quot;Hast thou not come and seen me sitting in the place where I now am, and dost thou not know my station? Thou wottest none can stir from his place, except the watchman seize him. So go thou to thy station and if thou again meet any one after this hour reciting aught of poetry, whether he be near or far, it will be I or some one I know, and thou shalt not learn of him but by me.&amp;quot; Then he kissed the Eunuch's head and spake him fair till he went away; but the Castrato fetched a round and, returning secretly, came and stood behind the Fireman, fearing to go back to his mistress without tidings. As soon as he was gone, the Stoker arose and aroused Zau al-Makan and said to him, &amp;quot;Come, sit up, that I may tell thee what hath happened.&amp;quot; So Zau al-Makan sat up, and his companion told him what had passed, and he answered, &amp;quot;Let me alone; I will take no heed of this and I care for none, for I am mine own country.&amp;quot; Quoth the Stoker, &amp;quot;Why wilt thou obey thy flesh and the devil? If thou fear no one, I fear for thee and for my life, so Allah upon thee! recite nothing more of verses till thou come to thine own land. Indeed, I had not deemed thee so ill conditioned. Dost thou not know that this lady is the wife; of the Chamberlain and is minded to chastise thee for disturbing her? Belike, she is ill or restless for fatigue of the journey and the distance of the place from her home, and this is the second time she hath sent the Eunuch to look for thee.&amp;quot; However Zau al-Makan paid no heed to the Fireman's words but cried out a third time and began versifying with these couplets,&#xA;&#xA;&amp;quot;I fly the carper's injury,* Whose carping sorely vexeth me:&#xA;He chides and taunts me, wotting not * He burns me but more&#xA;            grievously.&#xA;The blamer cries 'He is consoled!' * I say, 'My own dear&#xA;            land to see:'&#xA;They ask, 'Why be that land so dear?' * I say, 'It taught me in&#xA;            love to be:'&#xA;They ask, 'What raised its dignity?' * I say, 'What made my&#xA;            ignomy:'&#xA;Whate'er the bitter cup I drain, * Far be fro' me that land to&#xA;             flee:&#xA;Nor will I bow to those who blame, * And for such love would deal&#xA;             me shame.&#xA;&#xA;Hardly had he made an end of his verses and come to a conclusion, when the Eunuch (who had heard him from his hiding place at his head) came up to him; whereupon the Fireman flea end stood afar off to see what passed between them. Then said the Eunuch to Zau al-Makan, &amp;quot;Peace be with thee, O my lord!&amp;quot; &amp;quot;And on thee be peace,&amp;quot; replied Zau al-Makan, &amp;quot;and the mercy of Allah and His blessings!&amp;quot; &amp;quot;O my lord,&amp;quot; continued the Eunuch—-And Shahrazad perceived the dawn of day and ceased to say her permitted say,&#xA;&#xA;When it was the Seventy-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Eunuch said to Zau al-Makan, &amp;quot;O my lord, I have sought thee these several times this night, for my mistress biddeth thee to her.&amp;quot; Quoth Zau al- Makan, &amp;quot;And who be this bitch that seeketh for me? Allah curse her and curse her husband with her!&amp;quot; And he began to revile the Eunuch, who could make him no answer, because his mistress had charged him to do Zau al-Makan no hurt, nor bring him save of his own especial free will; and, if he would not accompany him, to give him the thousand diners. So the Castrato began to speak him fair and say to him, &amp;quot;O my lord, take this purse and go with me. We will do thee no upright, O my son, nor wrong thee in aught; but our object is that thou bend thy gracious steps with me to my mistress, to receive her answer and return in weal and safety: and thou shalt have a handsome present as one who bringeth good news.&amp;quot; When Zau al- Makan heard this, he arose and went with the Eunuch and walked among the sleeping folk, stepping over them; whilst the Fireman followed after them from afar, and kept his eye upon him and said to himself, &amp;quot;Alas the pity of his youth! Tomorrow they will hang him.&amp;quot; And he ceased not following them till he approached their station, without any observing him. Then he stood still and said, &amp;quot;How base it will be of him, if he say it was I who bade him recite the verses!&amp;quot; This was the case of the Stoker; but as regards what befel Zau al-Makan, he ceased not walking with the Eunuch till he reached his station and the Castrato went in to Nuzhat al-Zaman and said, &amp;quot;O my lady, I have brought thee him whom thou soughtest, and he is a youth, fair of face and bearing the marks of wealth and gentle breeding.&amp;quot; When she heard this, her heart fluttered and she cried, &amp;quot;Let him recite some verses, that I may hear him near hand, and after ask him his name and his condition and his native land.&amp;quot; Then the Eunuch went out to Zau al-Makan and said to him, &amp;quot;Recite what verses thou knowest, for my lady is here hard by, listening to thee, and after I will ask thee of thy name and thy native country and thy condition.&amp;quot; Replied he, &amp;quot;With love and gladness but, an thou ask my name, it is erased and my trace is unplaced and my body a waste. I have a story, the beginning of which is not known nor can the end of it be shown, and behold, I am even as one who hath exceeded in wine drinking and who hath not spared himself; one who is afflicted with distempers and who wandereth from his right mind, being perplexed about his case and drowned in the sea of thought.&amp;quot; When Nuzhat al-Zaman heard this, she broke out into excessive weeping and sobbing, and said to the Eunuch, &amp;quot;Ask him if he have parted from one he loveth even as his mother or father.&amp;quot; The Castrato asked as she bade him, and Zau al-Makan replied, &amp;quot;Yes, I have parted from every one I loved: but the dearest of all to me was my sister, from whom Fate hath separated me.&amp;quot; When Nuzhat al- Zaman heard this, she exclaimed, &amp;quot;Allah Almighty reunite him with what he loveth!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Nuzhat al-Zaman heard his words she said, &amp;quot;Allah reunite him with what he loveth!&amp;quot; Then quoth she to the Eunuch, &amp;quot;Tell him to let me hear somewhat anent his separation from his countrymen and his country.&amp;quot; The Eunuch did so, and Zau al-Makan sighed heavily and began repeating these couplets,&#xA;&#xA;&amp;quot;Is not her love a pledge by all mankind confest? * The house&#xA;            that hometh Hinda be forever blest'&#xA;Her love all levels; man can reck of naught beside; * Naught or&#xA;           before or after can for man have zest&#xA;'Tis though the vale is paved with musk and ambergris * That day&#xA;           when Hinda's footstep on its face is prest:&#xA;Hail to the beauty of our camp, the pride of folk, * The dearling&#xA;           who en' Slaves all hearts by her behest:&#xA;Allah on 'Time's Delight' send large dropped clouds that teem *&#xA;           With genial rain but bear no thunder in their breast.&amp;quot;&#xA;And also these,&#xA;&#xA;&amp;quot;I vow to Allah if at home I sight * My sister Nuzhat al-Zamani&#xA;           highs&#xA;I'll pass the days in joyance and delight * Mid bashful minions,&#xA;             maidens soft and white:&#xA;To sound of harps in various modes they smite * Draining the&#xA;            bowl, while eyes rain lively light&#xA;'Neath half closed lids, a sipping lips red bright * By stream&#xA;            bank flowing through my garden site.&amp;quot;&#xA;&#xA;When he had finished his verse, Nuzhat al-Zaman lifted up a skirt of the litter curtain and looked at him. As soon as her eyes fell on his face, she knew him for certain and cried out, &amp;quot;O my brother! O Zau al-Makan!&amp;quot; He also looked at her and knew her and cried out, &amp;quot;O my sister! O Nuzhat al-Zaman!&amp;quot; Then she threw herself upon him and he gathered her to his bosom and the twain fell down in a fainting fit. When the Eunuch saw this case, he wondered at them and throwing over them somewhat to cover them, waited till they should recover. After a while they came to themselves, and Nuzhat al-Zaman rejoiced with exceeding joy: oppression and depression left her and gladness took the mastery of her, and she repeated these verses,&#xA;&#xA;&amp;quot;Time sware my life should fare in woeful waste; * Forsworn art&#xA;           Time, expiate thy sin in haste!&#xA;Comes weal and comes a welcome friend to aid; * To him who brings&#xA;           good news, rise, gird thy waist&#xA;I spurned old world tales of Eden bliss; * Till came I&#xA;            Kausar on those lips&#xA;&#xA;When Zau al-Makan heard this, he pressed his sister to his breast; tears streamed from his eyes for excess of joy and he repeated these couplets,&#xA;&#xA;&amp;quot;Long I lamented that we fell apart, * While tears repentant&#xA;            railed from these eyne;&#xA;And sware, if Time unite us twain once more, * 'Severance' shall&#xA;            never sound from tongue of mine:&#xA;Joy hath so overwhelmed me that excess * Of pleasure from mine&#xA;            eyes draws gouts of brine:&#xA;Tears, O mine eyes, have now become your wont * Ye weep for&#xA;            pleasure and you weep for pine!&amp;quot;&#xA;&#xA;They sat awhile at the litter door till she said to him, &amp;quot;Come with me into the litter and tell me all that hath befallen thee, and I will tell thee what happened to me.&amp;quot; So they entered and Zau al-Maken said, &amp;quot;Do thou begin thy tale.&amp;quot; Accordingly she told him all that had come to her since their separation at the Khan and what had happened to her with the Badawi; how the merchant had bought her of him and had taken her to her brother Sharrkan and had sold her to him; how he had freed her at the time of buying; how he had made a marriage contract with her and had gone in to her and how the King, their sire, had sent and asked for her from Sharrkan. Then quoth she, &amp;quot;Praised be Allah who hath vouchsafed thee to me and ordained that, even as we left our father together, so together shall we return to him!&amp;quot; And she added, &amp;quot;Of a truth my brother Sharrkan gave me in marriage to this Chamberlain that he might carry me to my father. And this is what befel me from first to last; so now tell me how it hath fared with thee since I left thee.&amp;quot; Thereupon he told her all that had happened to him from beginning to end; and how Allah vouchsafed to send the Fireman to him, and how he had journeyed with him and spent his money on him and had served him night and day. She praised the Stoker for this and Zau al-Makan added, &amp;quot;Of a truth, O my sister, this Fireman hath dealt with me in such benevolent wise as would not lover with lass nor sire with son, for that he fasted and gave me to eat, and he walked whilst he made me ride; and I owe my life to him.&amp;quot; Said she, &amp;quot;Allah willing, we will requite him for all this, according to our power.&amp;quot; Then she called the Eunuch, who came and kissed Zau al- Makan's hand, and she said, &amp;quot;Take thy reward for glad tidings, O face of good omen! It was thy hand reunited me with my brother; so the purse I gave thee and all in it are thine. But now go to thy master and bring him quickly to me.&amp;quot; The Castrato rejoiced and, going in to the Chamberlain, him to his mistress. Accordingly, he came in to his wife and finding Zau al-Makan with her, asked who he was. So she told him all that had befallen them both, first and last, and added, &amp;quot;Know, O Chamberlain, that thou hast married no slave girl; far from it, thou hast taken to wife the daughter of King Omar bin al-Nu'uman for I am Nuzhat al- Zaman, and this is my brother, Zau al-Makan.&amp;quot; When the Chamberlain heard the story he knew it to be sooth, and its manifest truth appeared to him and he was certified that he was become King Omar bin al-Nu'uman's son in law, so he said to himself, &amp;quot; 'Twill be my fate to be made viceroy of some province.&amp;quot; Then he went up to Zau al-Makan and gave him joy of his safety and reunion with his sister, and bade his servants forthwith make him ready a tent and one of the best of his own horses to ride. Thereupon said Nuzhat al-Zaman, &amp;quot;We are now near our country and I would be left alone with my brother, that we may enjoy each other's company and take our fill of it ere we reach Baghdad; for we have been parted a long, long time.&amp;quot; &amp;quot;Be it as thou biddest,&amp;quot; replied the Chamberlain, and, going forth from them, sent them wax candles and various kinds of sweetmeats, together with three suits of the costliest for Zau al-Makan. Then he returned to the litter and related the good he had done and Nuzhat al-Zaman said to him, &amp;quot;Bid the Eunuch bring me the Fireman and give him a horse to ride and ration him with a tray of food morning and evening, and let him be forbidden to leave us.&amp;quot; The Chamberlain called the Castrato and charged him to do accordingly; so he replied, &amp;quot;I hear and I obey;&amp;quot; and he took his pages with him and went out in search of the Stoker till he found him in the rear of the caravan, girthing his ass and preparing for flight. The tears were running adown his cheeks, out of fear for his life and grief for his separation from Zau al-Makan; and he was saying to himself, &amp;quot;Indeed, I warned him for the love of Allah, but he would not listen to me; Oh would I knew what is become of him!&amp;quot; Ere he had done speaking the Eunuch was standing by his head whilst the pages surrounded him The Fireman turned and seeing the Eunuch and the pages gathered around him became yellow with fear,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Stoker girthed his ass for flight and bespake himself, saying, &amp;quot;Oh would I knew what is become of him!&amp;quot;; ere he had done speaking the Castrato was standing by his head and his side muscles quivered for fear and he lifted up his voice and cried, &amp;quot;Verily he knoweth not the value of the good offices I have done him! I believe he hath denounced me to the Eunuch (hence these pages et about me) and he hath made me an accomplice in his crime.&amp;quot; Then the effeminated one cried at him, saying, &amp;quot;Who was it recited the verses? O liar! why didst thou say, 'I never repeated these couplets, nor do I know who repeated them;' when it was thy companion? But now I will not leave thee between this place and Baghdad, and what betideth thy comrade shall betide thee.&amp;quot; Quoth the Fireman, &amp;quot;What I feared hath befallen me.&amp;quot; And he repeated this couplet,&#xA;&#xA;&amp;quot;'Twas as I feared the coming ills discerning: * But unto Allah we are all returning.&amp;quot;&#xA;&#xA;Then the Eunuch cried upon the pages, saying, &amp;quot;Take him off the ass.&amp;quot; So they carried him along with the caravan, surrounded by the pages, as the white contains the black of the eye; and the Castrato said to them, &amp;quot;If a hair of him be lost, you will be lost with it.&amp;quot; And he bade them privily treat him with honour and not humiliate him. But when the Stoker saw himself beset by the pages, he despaired of his life and turning to the Eunuch, said to him, &amp;quot;O Chief, I am neither this youth's brother nor am I akin to him, nor is he sib to me; but I was a Fireman in a Hammam and found him cast out, in his sickness, on the dung heap.&amp;quot; Then the caravan fared on and the Stoker wept and imagined in himself a thousand things, whilst the Eunuch walked by his side and told him nothing, but said to him, &amp;quot;Thou disturbedst our mistress by reciting verses, thou and this youth: but fear nothing for thy self;&amp;quot; and kept laughing at him the while to himself. Whenever the caravan halted, they served him with food, and he and the Castrato ate from one dish. Then the Eunuch bade his lads bring a gugglet of sugared sherbet and, after drinking himself, gave it to the Fireman, who drank; but all the while his tears never dried, out of fear for his life and grief for his separation from Zau al-Makan and for what had befallen them in their strangerhood. So they both travelled on with the caravan, whilst the Chamberlain now rode by the door of his wife's litter, in attendance on Zau al-Makan and his sister, and now gave an eye to the Fireman; and Nuzhat al-Zaman and her brother occupied themselves with converse and mutual condolence; and they ceased not after this fashion till they came within three days' journey from Baghdad. Here they alighted at eventide and rested till the morning morrowed; and as they awoke and they were about to load the beasts, behold, there appeared afar off a great cloud of dust that darkened the firmament till it became black as gloomiest night. Thereupon the Chamberlain cried out to them, &amp;quot;Stay, and your loading delay!&amp;quot;; then, mounting with his Mamelukes, rode forward in the direction of the dust cloud. When they drew near, suddenly appeared under it a numerous conquering host like the full tide sea, with flags and standards, drums and kettledrums, horsemen and footmen. The Chamberlain marvelled at this; and when the troops saw him, there detached itself from amongst them a plump of five hundred cavaliers, who fell upon him and his suite and surrounded them, five for one; whereupon said he to them, &amp;quot;What is the matter and what are these troops, that ye do this with us?&amp;quot; Asked they, &amp;quot;Who art thou; and whence comest thou, and whither art thou bound?&amp;quot; and he answered, &amp;quot;I am the Chamberlain of the Emir of Damascus, King Sharrkan, son of Omar bin al-Nu'uman, Lord of Baghdad and of the land of Khorasan, and I bring tribute and presents from him to his father in Baghdad.&amp;quot; When the horsemen heard his words they let their head kerchiefs fall over their faces and wept, saying, &amp;quot;In very sooth King Omar is dead and he died not but of poison. So fare ye forwards; no harm shall befal you till you join his Grand Wazir, Dandan.&amp;quot; Now when the Chamberlain heard this, he wept sore and exclaimed, &amp;quot;Oh for our disappointment in this our journey!&amp;quot; Then he and all his suite wept till they had come up with the host and sought access to the Wazir Dandan, who granted an interview and called a halt and, causing his pavilion to be pitched, sat down on a couch therein and commanded to admit the Chamberlain. Then he bade him be seated and questioned him; and he replied that he was Chamberlain to the Emir of Damascus and was bound to King Omar with presents and the tribute of Syria. The Wazir, hearing the mention of King Omar's name, wept and said, &amp;quot;King Omar is dead by poison, and upon his dying the folk fell out amongst themselves as to who should succeed him, until they were like to slay one another on this account; but the notables and grandees and the four Kazis interposed and all the people agreed to refer the matter to the decision of the four judges and that none should gainsay them. So it was agreed that we go to Damascus and fetch thence the King's son, Sharrkan, and make him Sultan over his father's realm. And amongst them were some who would have chosen the cadet, Zau Al-Makan, for, quoth they, his name be Light of the Place, and he hath a sister Nuzhat al-Zaman highs, the Delight of the Time; but they set out five years ago for Al-Hijaz and none wotteth what is become of them.&amp;quot; When the Chamberlain heard this, he knew; that his wife had told him the truth of her adventures; and he grieved with sore grief for the death of King Omar, albeit he joyed with exceeding joy, especially at the arrival of Zau al-Makan, for that he would now become Sultan of Baghdad in his father's stead—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan's Chamberlain heard of the death of King Omar bin al- Nu'uman he mourned, but he rejoiced because of his wife and her brother Zau al-Makan who would become Sultan of Baghdad in his father's stead. So he turned to the Wazir Dandan and said to him, &amp;quot;Verily your tale is a wonder of wonders! Know, O Chief Wazir, that here, where you have encountered me, Allah hath given you rest from fatigue and bringeth you your desire after the easiest of fashions, for that His Almighty Will restoreth to you Zau al-Makan and his sister Nuzhat al-Zaman; whereby we will settle the matter as we easily can.&amp;quot; When the Minister heard these words he rejoiced with great joy and said, &amp;quot;O Chamberlain, tell me the tale of the twain and what befel them and the cause of their long absence.&amp;quot; So he repeated to him the whole story and told him that Nuzhat al-Zaman was his wife and related to him the adventures of Zau al-Makan from first to last. As soon as he had ended his tale, the Wazir sent for the Emirs and Wazirs and Chief Officers and acquainted them with the matter; whereat they rejoiced with great joy and wondered at the happy chance. Then they gathered in a body and went in to the Chamberlain and did their service to him, kissing the ground between his hands; and the Wazir Dandan also rose and went out to meet him and stood before him in honour. After this, the Chamberlain held on that day a Divan council; and he and the Wazir sat upon a throne, whilst all the Emirs and Grandees and Officers of State took their places before them, according to their several ranks. Then they melted sugar in rose water and drank, after which the Emirs sat down to hold council and permitted the rest of the host to mount and ride forward leisurely, till they should make an end of their debate and overtake them. So the officers kissed the ground between their hands and mounting, rode onwards, preceded by the standards of war. When the grandees had finished their conference, they took horse and rejoined the host; and the Chamberlain approached the Wazir Dandan and said, &amp;quot;I deem it well to ride on before you, and precede you, that I may get ready a place for the Sultan and notify him of your coming and of your choosing him as Sultan over the head of his brother Sharrkan.&amp;quot; &amp;quot;Aright thou reckest,&amp;quot; answered the Wazir Then the Chamberlain rose up in haste and Dandan also stood up to do him honour and brought him presents, which he conjured him to accept. In similar guise did all the Emirs and Grandees and Officers of State, bringing him gifts and calling down blessings on him and saying to him, &amp;quot;Haply thou wilt mention our case to Sultan Zau al-Makan and speak to him to continue us in our dignities.&amp;quot; The Chamberlain promised all they required and bade his pages be ready to march, whereupon the Wazir Dandan sent with him tents and bade the tent pitchers set them up at a day's journey from the city. And they did his bidding. Then the Chamberlain mounted and rode forward, full of joy and saying to himself, &amp;quot;How blessed is this gurney!&amp;quot;, and indeed his wife was exalted in his eyes, she and her brother Zau al-Makan. They made all haste over their wayfare, till they reached a place distant a day's journey from Baghdad, where the Chamberlain called a halt for rest, and bade his men alight and make ready a sitting place for the Sultan Zau al-Makan, son of King Omar bin al-Nu'uman, while he rode forward with his Mamelukes and, alighting at a distance from Nuzhat al-Zaman's litter, commanded the eunuchs to ask leave of admission to the presence. They did so and she gave permission; whereupon he went in to her and conversed with her and her brother; and told them of the death of their father; and of Zau al-Makan, how the heads of the people had made him King over them in the stead of his sire; and he gave them joy of the kingdom. They both wept for their father and asked the manner of his being killed; but the Chamberlain answered, &amp;quot;The news rests with the Wazir Dandan who will be here tomorrow leading all the host; and it only remaineth for thee, O King, to do what they counsel, since they have unanimously chosen thee Sultan; for if thou do not this, they will choose some one else and thou canst not be sure of thy life with another Sultan. Haply he will kill thee, or discord may befal between you twain and the kingdom pass out of the hands of both.&amp;quot; Zau al-Makan bowed his head awhile and then said, &amp;quot;I accept this position;&amp;quot; for indeed there was no refusing; and he was certified that the Chamberlain had counselled him well and wisely and set him on the right way. Then he added, &amp;quot;O my uncle, how shall I do with my brother Sharrkan?&amp;quot; &amp;quot;O my son,&amp;quot; replied the Chamberlain, &amp;quot;thy brother will be Sultan of Damascus and thou Sultan of Baghdad; so take heart of grace and get ready thy case.&amp;quot; Zau al-Makan accepted this and the Chamberlain presented him with a suit of royal raiment and a dagger of state, which the Wazir Dandan had brought with him; then leaving him he bade the tent pitchers choose a spot of rising ground and set up thereon a spacious pavilion, wherein the Sultan might sit to receive the Emirs and Grandees. Moreover he ordered the kitcheners to cook rich viands and serve them and he commanded the water carriers to dispose the water troughs. They did as he bade them and presently arose a cloud of dust from the ground and spread till it walled the horizon round. After awhile, the dust dispersed and there appeared under it the army of Baghdad and Khorasan, a conquering host like the full tide sea.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Chamberlain bade the tent pitchers set up a pavilion spacious enough to receive the subjects flocking to their Sultan, they planted a splendid Sháhmiyánah befitting Kings. And as they ended their labours behold, a dust cloud spired aloft and the breeze made it lift and beneath it showed a conquering host; and presently it appeared that this was the army of Baghdad and Khorasan preceded by the Wazir Dandan. And in it all rejoiced at the accession of the &amp;quot;Light of the Place.&amp;quot; Now Zau al-Makan had donned robes of royal estate and girt himself with the sword of state: so the Chamberlain brought him a steed and he mounted surrounded by the Mamelukes and all the company from the tents on foot, to do him service, and he rode on until he came to the great pavilion, where he sat down and he laid the royal dagger across his thighs, whilst the Chamberlain stood in attendance on him and his armed slaves stationed themselves under the entrance awning of the Shahmiyanah, with drawn swords in their hands. Presently, up came the troops and the host and craved admission so the Chamberlain went in to Zau al-Makan and asked his leave whereupon he bade admit them, ten by ten. The Chamberlain acquainted them with the King's commands, to which they replied, &amp;quot;We hear and we obey;&amp;quot; and all drew up before the pavilion entrance. Then he took ten of them and carried them through the vestibule into the presence of Sultan Zau al-Makan, whom when they saw, they were awed; but he received them with most gracious kindness and promised them all good. So they gave him joy of his safe return and invoked Allah's blessings upon him after which they took the oath of fealty never to gainsay him in aught and they kissed ground before him and withdrew. Then other ten entered and he entreated them as he had entreated the ethers; and they ceased not to enter, ten by ten, till none was left but the Wazir Dandan. Lastly the Minister went in and kissed the ground before Zau al-Makan, who rose to meet him, saying, &amp;quot;Welcome, O Wazir and sire sans peer! Verily, thine acts are those of a counsellor right dear, and judgement and foreseeing clear are in the hands of the Subtle of Lere.&amp;quot; Then bade he the Chamberlain forthwith go out and cause the tables to be spread and order all the troops thereto. So they came and ate and drank. Moreover the Sultan commanded his Wazir Dandan call a ten days' halt of the army, that he might be private with him and learn from him how and wherefore his father had been slain. The Wazir obeyed the commands of the Sultan with submission and wished him eternity of glory and said, &amp;quot;This needs must be!&amp;quot; He then repaired to the heart of the encampment and ordered the host to halt ten days. They did as he bade them and, moreover, he gave them leave to divert themselves and ordered that none of the lords in waiting should attend upon the King for service during the space of three days. Then the Wazir went to the Sultan and reported all to him, and Zau al-Makan waited until nightfall, when he went in to his sister Nuzhat al-Zaman and asked her, &amp;quot;Dost thou know the cause of my father's murder or not?&amp;quot; &amp;quot;I have no knowledge of the cause,&amp;quot; she answered, and drew a silken curtain before herself, whilst Zau al-Makan seated himself without the curtain and commanded the Wazir to the presence and, when he came, said to him, &amp;quot;I desire thou relate to me in detail the cause of the killing of my sire, King Omar bin al-Nu'uman!&amp;quot; &amp;quot;Know then, O King,&amp;quot; replied Dandan, &amp;quot;that King Omar bin al- Nu'uman, when he returned to Baghdad from his chasing and hunting and entered the city, enquired for thee and thy sister, but could not find you and knew that you twain had gone on the Pilgrimage; whereat he was greatly grieved and much angered, and his breast was straitened and he abode thus half a year, seeking news of you from all who came and went but none could give him any tidings. Now while we were in attendance upon him one day, after a whole year had sped since ye were lost to his sight, lo! there came to us an ancient dame with signs of being a devotee, accompanied by five damsels, high bosomed virgins like moons, endowed with such beauty and loveliness as tongue faileth to describe; and, to crown their perfections of comeliness, they could read the Koran and were versed in various kinds of learning and in the histories of bygone peoples. Then that old woman sought audience of the King, and he bade admit her; whereupon she entered the presence and kissed the ground between his hands. I was then sitting by his side and he, seeing in her the signs of asceticism and devoutness, made her draw near and take seat hard by him. And when she had sat down she addressed him and said, 'Know, O King, that with me are five damsels, whose like no King among the Kings possesseth; for they are endowed with wit and beauty and loveliness and perfection. They read the Koran—and the Traditions and are skilled in all manner of learning and in the history of bygone races. They stand here between thy hands to do thee service, O King of the Age, and it is by trial that folk are prized or despised. 'Thy father, who hath found mercy; looked at the damsels and their favour pleased him; so he said to them, Let each and every of you make me hear something of what she knoweth anent the history of the folk of yore and of peoples long gone before!'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan said unto King Zau al-Makan, &amp;quot;Thy father, who hath found mercy, glanced at the damsels and their favour pleased him and he said to them, 'Let each and every of you make me hear something of what she knoweth anent the history of the folk of yore and of peoples long gone before!' Thereupon one of them came forward and, kissing the ground before him, spake as follows 'Know, O King, that it behoveth one of good breeding to eschew impertinence and adorn himself with excellencies, and observe the Divine injunctions and avoid mortal sins; and to this he should apply himself with the assiduity of one who, if he stray therefrom, falleth into perdition; for the foundation of good breeding is virtuous behaviour. And know that the chief cause and reason of man's existence is the endeavour after life everlasting, and the right way thereto is the service of Allah. Wherefore it behoveth thee to deal beneficently with the people: and swerve not from this canon, for the mightier men are in dignity, the more their need of prudence and foresight; and indeed Monarchs need this more than the many, for the general cast themselves into affairs, without taking thought to the issue thereof. Be thou prodigal of thy life and thy good in the way of Allah, and know that, if an enemy dispute with thee, thou mayst dispute with him and refute him with proofs and be proof against him; but as for thy friend, there is none can judge between thee and him save righteousness and fair dealing. Choose, therefore, thy friend for thyself, after thou hast proved him. If he be of the brotherhood of futurity, let him be zealous in observing the externals of the Holy Law and versed in its inner meaning, as far as may be; and if he be of the brotherhood of the world, let him be free born, sincere, neither a fool nor a perverse, for the fool man is such that even his parents might well flee from him, and a liar cannot be a true friend. Indeed the word, Siddík ('friend') deriveth from Sidk ('truth') that welleth up from the bottom of the heart; and how can this be the case, when falsehood is manifest upon the tongue? And know, that the observance of the Law profiteth him who practiseth it: so love thy brother, if he be of this quality and do not cast him off, even if thou see in him that which irketh thee, for a friend is not I like a wife, whom one can divorce and re-marry: nay, his heart is like glass: once broken, it may not be mended. And Allah bless him who saith,&#xA;&#xA;'Ware how thou hurtest man with hurt of heart; * 'Tis hard to win&#xA;             thee back the heart offended:&#xA;For hearts indeed, whence love is alien made, * Like broken glass&#xA;             may nevermore be mended.'&#xA;&#xA;The maiden continued and concluded with pointing out to us what sages say, 'The best of brethren is he who is the most constant in good counsel; the best of action is that which is fairest in its consequence, and the best of praise is not that which is in the mouths of men. It is also said, 'It behoveth not the servant to neglect thanking Allah especially for two favours, health and reason.' Again it is said, 'Whoso honoureth himself, his lust is a light matter to him, and he who maketh much of his small troubles, Allah afflicteth him with the greater; he who obeyeth his own inclination neglecteth his duties and he who listeneth to the slanderer loseth the true friend. He who thinketh well of thee, do thou fulfill his thought of thee. He who exceedeth in contention sinneth, and he who against upright standeth not on ward, is not safe from the sword. Now will I tell thee somewhat of the duties of Kazis and judges. Know, O King, that no judgement serveth the cause of justice save it be given after proof positive, and it behoveth the judge to treat all people on the same level, to the intent that the great may not hunger for oppression nor the small despair of justice. Furthermore he should extract proof from the complainant and impose an oath upon the defendant; and mediation is admissible between Moslems, except it be a compromise sanctioning the unlawful or forbidding the lawful. If thou shalt have done aught during the day, of which thy reason is doubtful but thy good intention is proved, thou (O Kazi) shouldst revert to the right, for to do justice is a religious obligation and to return to that which is right is better than persistence in wrong. Then (O judge) thou shouldest study precedents and the law of the case and do equal justice between the suitors, withal fixing thine eyes upon the truth and committing thine affair to Allah (be He extolled and exalted!). And require thou proof of the complainant, and if he adduce evidence let him have due benefit of it; and if not, put the defendant to his oath; for this is the ordinance of Allah. Receive thou the testimony of competent Moslem witnesses, one against other, for Almighty Allah hath commanded judges to judge by externals, He Himself taking charge of the inner and secret things. It behoveth the judge also to avoid giving judge meet, whilst suffering from stress of pain or hunger, and that in his decisions between folk he seek the face of Allah Almighty for he whose intent is pure and who is at peace with himself, Allah shall guarantee him against what is between him and the people.' Quoth al-Zuhri, 'There are three things for which, if they be found in a Kazi, he should be deposed; namely, if he honour the base, if he love praise and if he fear dismissal. And Omar bin Abd al-Aziz once deposed a Kazi, who asked him, 'Why hast thou dismissed me? It hath reached me,' answered Omar, 'that thy converse is greater than thy condition.' It is said also that Iskandar said to his Kazi, 'I have invested thee with this function and committed to thee in it my soul and mine honour and my manliness; so do thou guard it with thy sense and thine understanding.' To his Cook he said, 'Thou art the Sultan of my body; so look thou tender it as thine own self.' To his Secretary he said, 'Thou art the controller of my wit: so do thou watch over me in what thou writest for me and from me.'&amp;quot; Thereupon the first damsel backed out from the presence and a second damsel came forward.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eightieth Night,&#xA;&#xA;She continued, It hath reached me, O auspicious King, that the Wazir Dandan said to Zau al-Makan, &amp;quot;Thereupon the first damsel backed out from the presence and a second damsel came forward and, kissing the ground seven times before the King thy father, spake as follows, 'The sage Lukmán said to his son, 'There be three who are known only in three several cases; the merciful man is unknown save in time of wrath, the brave only in battle, and thy friend in time of need.' It is said that the oppressor shall be depress though by people praised, and that the oppress is at rest though by people blamed. Quoth Allah Almighty, 'Assuredly deem not that those who rejoice in what they have done, and who love to be praised for what they have not done, shall escape reckoning of punishment: indeed there is reserved for them a grievous penalty.' And he said (on whom be salvation and salutation!), 'Works are according to intention and to each man is attributed that which he intendeth.' He said also, 'In the body is a part which being sound the rest is sound, and which being unsound the whole is unsound.' And this is the heart. Now this heart is the most marvellous of what is in man, since it is that which ordereth his whole affair: If covetise stir in it, desire destroyeth him, and if affliction master it, anguish slayeth him; if anger rage in it, danger is hard upon him; if it be blest with contentment, he is safe from discontent; if fear surprise it, he is full of mourning; and if calamity overtake it, affliction betideth him. If a man gain the use of wealth, peradventure he is diverted thereby from the remembrance of his Lord; if poverty choke him his heart is distracted by woe, or if disquietude waste his heart, weakness causeth him to fall. Thus, in any case, nothing profiteth him but that he be mindful of Allah and occupy himself with gaining his livelihood in this world and securing his place in the next. It was asked of a certain sage, 'Who is the most ill conditioned of men?'; and he answered, 'The man whose lusts master his manhood and whose mind soareth over high, so that his knowledge dispreadeth and his excuse diminisheth; and how excellently saith the poet,&#xA;&#xA;Freest am I of all mankind fro' meddling wight * Who, seeing&#xA;            others err, self error ne'er can sight:&#xA;Riches and talents are but loans to creature lent, * Each wears&#xA;            the cloak of that he bears in breast and sprite:&#xA;If by mistaken door attempt on aught thou make, * Thou shalt go&#xA;            wrong and if the door be right, go right!'&#xA;&#xA;Continued the maiden, 'As for anecdotes of devotees, quoth Hisham bin Bashar, 'I asked Omar bin Ubayd, What is true piety?'; and he answered, 'The Apostle of Allah (to whom be salutation and salvation!) hath explained it when he sayeth, The pious is he who forgetteth not the grave nor calamity and who preferreth that which endureth to that which passeth away; who counteth not the morrow as of his days but reckoneth himself among the dead.' And it is related that Abu Zarr used to say, Want is dearer to me than wealth, and unheal is dearer to me than health.' Quoth one of the listeners, 'May Allah have mercy on Abu Zarr!'. For my part, I say, 'Whoso putteth his trust in the goodness of the election of Almighty Allah should be content with that condition which Allah hath chosen for him.' Quoth one of the Companions of the Prophet, 'Ibn Abi Aufa once prayed with us the dawn prayer. When he had done, he recited, 'O Thou Enwrapped!' till he came to where Allah saith, 'When there shall be a trumping on the trumpet,' and fell down dead. It is said that Sabit al-Banani wept till he well nigh lost his eyes. They brought him a man to medicine him who said to him, 'I will cure thee, provided thou obey my bidding' Asked Sabit, 'In what matter?' Quoth the leach, 'In that thou leave weeping!' 'What is the worth of mine eyes?', rejoined Sabit, 'if they do not weep?' Quoth a man to Mohammed bin Abdillah, 'Exhort thou me!'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-first Night,&#xA;&#xA;She continued, It hath reached me, O auspicious King, that the Wazir Dandan said to Zau al-Makan, &amp;quot;Thus spake the second hand maid to the King who hath found mercy, Omar bin al-Nu'uman. 'Quoth a man to Mohammed bin Abdillah, Exhort thou me!' 'I exhort thee,' replied he, 'to be a self ruler, an abstainer in this world, and in the next a greedy slave.' 'How so?' asked the other and Mohammed answered, 'The abstinent man in this world conquereth both the world that is and the world to come.' And quoth Ghaus bin Abdillah, 'There were two brothers among the sons of Israel, one of whom said to the other, 'What be the most perilous thing thou hast done?' Replied the brother, 'I once came upon a nest of young birds; so I took out one and threw it back into the nest; but among the chickens were some which drew apart from it. This is the most perilous thing I ever did; now what be the most perilous thing thou hast ever done?' He rejoined, 'When I arise for prayer I am fearful that it is only for the sake of the reward.' Now their father heard these words and exclaimed, 'O Allah, an say they sooth take them to Thyself!' It was declared by one of the wise men, 'Verily, these were of the most virtuous of children.' Quoth Sa'íd bin Jubayr, 'I was once in company with Fuzalah bin 'Ubaydand said to him, 'Exhort thou me!, Replied he, 'Bear in mind these two necessaries, Shun syntheism and harm not any of Allah's creatures.' And he repeated these two couplets,&#xA;&#xA;'Be as thou wilt, for Allah still is bounteous Lord, * And care&#xA;            dispeller dread not therefore bane and ban&#xA;To two things only never draw thee nigh, nor give * Partner to&#xA;            Allah trouble to thy brother man.'&#xA;And how well saith the poet,&#xA;&#xA;'An thou of pious works a store neglect * And after death meet&#xA;             one who did collect,&#xA;Thou shalt repent thou diddest not as he, * Nor madest ready as&#xA;             he did elect.'&#xA;&#xA;Then the third damsel came forward, after the second had with drawn, and said, 'Of a truth, the chapter of piety is exceeding wide; but I will mention what occurreth to me thereof, concerning the pious of old. Quoth a certain holy man, 'I congratulate myself in death, though I am not assured of rest therein, save that I know death interveneth between a man and his works; so I hope for the doubling of good works and the docking off of ill works.' And Ita'a al Salami, when he had made an end of an exhortation, was wont to tremble and grieve and weep sore; and as they asked him why he did this he answered, 'I desire to enter upon a grave matter, and it is the standing up before Almighty Allah to do in accordance with my exhortation.' In similar guise Zayn al-Abidín, son of Al-Husayn, was wont to tremble when he rose to pray. Being asked the cause of this, he replied, 'Know ye not before whom I stand and whom I address?' It is said that there lived near Sufyán al-Thauri a blind man who, when the month of Ramazan came, went out with the folk to pray, but remained silent and hung back. Said Sufyan, 'On the Day of Resurrection he shall come with the people of the Koran and they will be distinguished by increase of honour from their fellows.' Quoth Sufyan, 'Were the soul established in the heart as befitteth, it would fly away for joy and pining for Paradise, and for grief and fear of hell-fire.' It is related also of Sufyan Al-Thauri that he said, 'To look upon the face of a tyrant is a sin.' Then the third damsel retired and came for ward the fourth, who said, 'Here am I to treat of sundry traditions of pious men which suggest themselves to me. It is related that Bishr Barefoot said, 'I once heard Khálid say, 'Beware of secret polytheism.' I asked, 'What may secret polytheism be?'; and he answered, 'When one of you in praying prolong his inclinations and prostrations till a cause of impurity come upon him.' And one of the sages said, 'Doing works of weal expiateth what is ill.' Quoth Ibrahim, 'I supplicated Bishr Barefoot to acquaint me with some theological mysteries; but he said, 'O my son, this knowledge it behoveth us not to teach to every one; of every hundred five, even as the legal alms upon money.' Said Ibrahim, 'I thought his reply excellent and approved of it and while I was praying behold, Bishr was also praying: so I stood behind him making the prayer bow till the Mu'ezzin called his call. Then rose a man of tattered appearance and said, O folk, beware of a truth which bringeth unweal, for there is no harm in a lie bringing weal, and in time of need no choice we heed: speech booteth not in the absence of good qualities even as silence hurteth not in the presence of good. Presently I saw Bishr drop a danik, so I picked it up and exchanged it for a dirham which I gave him. Quoth he, 'I will not take it.' Quoth I, 'It is perfectly lawful change'; but he rejoined 'I cannot take in exchange the riches of the present world for those of the future world.' It is related also that Bishr Barefoot's sister once went to Ahmad bin Hanbal&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to bespeak Zau al-Makan on this wise, &amp;quot;And quoth the maiden to thy father, 'Bishr Barefoot's sister once went to Ahmad bin Hanbal and said to him, 'O Imam of the Faith, we are a family that spin thread by night and work for our living by day; and oftentimes the cressets of the watch of Baghdad pass by and we on the roof spinning by their light. Is this forbidden to us?' Asked Ahmad:'Who are thou?' 'I am the sister of Bishr Barefoot,' answered she. Rejoined the Iman, 'O household of Bishr, I shall never cease to drink full draughts of piety from your hearts.' Quoth one of the sages, 'When Allah willeth well to His servant He openeth upon him the gate of action.' Málik bin Dinár, when he passed through the bazar and saw aught he desired, was wont to say, 'O soul, take patience, for I will not accord to thee what thou desirest.' He said also (Allah accept him!), 'The salvation of the soul lies in resistance to it and its damnation in submission to it.' Quoth Mansúr bin Ammár, 'I made a pilgrimage and was faring Meccahwards by way of Cufa, and the night was overcast, when I heard a voice crying out from the deeps of the darkness saying, 'O Allah, I swear by Thy Greatness and Thy Glory, I meant not through my disobedience to transgress against Thee; for indeed I am not ignorant of Thee; but my fault is one Thou didst foreordain to me from eternity without beginning; so do Thou pardon my transgression, for indeed I disobeyed Thee of my ignorance!' When he had made an end of his prayer he recited aloud the verse, 'O true believers, save your souls and those of your families from the fire whose fuel is men and stones.' Then I heard a fall, but not knowing what it was I passed on. When the morning morrowed, as we went our way, behold, we fell in with a funeral train, followed by an old woman whose strength had left her. I asked her of the dead, and she answered, 'This is the funeral of a man who passed by us yesterday whilst my son was standing at prayer and after his prayers he recited a verse from the Book of Allah Almighty when the man's gall bladder burst and he fell dead.' Therewith the fourth damsel retired and the fifth came forward and said, 'I here will also repeat what occurreth to me regarding the acts of devotees in olden time. Maslamah bin Dinár used to say, 'By making sound the secret thoughts, sins great and small are covered'; and, 'when the servant of Allah is resolved to leave sinning, victory cometh to him.' Also quoth he, 'Every worldly good which doth not draw one nearer to Allah is a calamity, for a little of this world distracteth from a mickle of the world to come and a mickle of the present maketh thee forget the whole of the future.' It was asked of Abú Házim, 'Who is the most prosperous of men?'; and he answered, 'Whoso spendeth his life in submission to Allah.' The other enquired, 'And who is the most foolish of mankind?' 'Whoso selleth his future for the worldly goods of others,' replied Abu Hazim. It is reported of Moses (on whom be peace!) that when he came to the waters of Midian he exclaimed, 'O Lord, verily I stand in need of the good which thou shalt send down to me.' And he asked of his Lord and not of his folk. There came two damsels and he drew water for them both and allowed not the shepherds to draw first. When the twain returned, they informed their father Shu'ayb (on whom be peace!) who said, 'Haply, he is hungry,' adding to one of them, 'Go back to him and bid him hither.' Now when she came to Moses, she veiled her face and said, 'My father biddeth thee to him that he may pay thee thy wage for having drawn water for us.' Moses was averse to this and was not willing to follow her. Now she was a woman large in the back parts, and the wind blowing upon her garment covered the hinder cheeks to Moses; which when Moses saw, he lowered his eyes and said to her, 'Get thee behind while I walk in front.' So she followed him till he entered the house of Shu'ayb where supper was ready.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;Now, quoth the fifth damsel to thy sire, 'When Moses (on whom be peace!) entered the home of Shu'ayb where supper was ready, Shu'ayb said to him, 'O Moses, I desire to pay thee thy wage for having drawn water for these two.' But Moses answered, 'I am of a household which selleth nothing of the fashion of the next world for what is on earth of gold and silver.' Then quoth Shu'ayb, 'O youth! nevertheless thou art my guest, and it is my wont and that of my forbears to honour the guest by setting food before him.' So Moses sat down and ate. Then Shu'ayb hired Moses for eight pilgrimages, that is to say, eight years, and made his wage marriage with one of his two daughters, and Moses' service to him was to stand for her dowry. As saith the Holy Writ of him, 'Verily I will give thee one of these my two daughters in marriage, on condition that thou serve me for hire eight pilgrimages: and if thou fulfil ten years, it is in thine own breast; for I seek not to impose a hardship on thee.' A certain man once said to one of his friends whom he had not met for many days, 'Thou hast made me desolate, for that I have not seen thee this long while.' Quoth the other, 'I have been distracted from thee by Ibn Shiháb: dost thou know him?' Quoth his friend, 'Yes, he hath been my neighbour these thirty years, but I have never spoken to him.' He replied, 'Verily thou forgettest Allah in forgetting—thy neighbour! If thou lovedst Allah thou wouldst love thy neighbour. Knowest thou not that a neighbour hath a claim upon his neighbour, even as the right of kith and kin?' Said Huzayfah, 'We entered Meccah with Ibráhím bin Adham, and Shakík al-Balkhí was also making a pilgrimage that year. Now we met whilst circumambulating the Ka'abah and Ibrahim said to Shakik, 'What is your fashion in your country?' Replied Shakik, 'When we are blest with our daily bread we eat, and when we hunger we take patience.' 'This wise,' said Ibrahim, 'do the dogs of Balkh; but we, when blest with plenty, do honour to Allah and when an hungered we thank Him.' And Shakik seated himself before Ibrahim and said to him, 'Thou art my master.' Also said Mohammed bin Imrán, 'A man once asked of Hátim the Deaf 'What maketh thee to trust in Allah?' 'Two things,' answered he, 'I know that none save myself shall eat my daily bread, so my heart is at rest as to that; and I know that I was not created without the knowledge of Allah, and am abashed before Him.' Then the fifth damsel retired and the ancient dame came forward and, kissing the ground before thy father nine times, said, 'Thou hast heard, O King, what these all have spoken on the subject of piety; and I will follow their example in relating what hath reached me of the famous men of past times. It is said that the Imam al-Sháfi'í departed the night into three portions, the first for study, the second for sleep and the third for prayer. The Imam Abú Hanífah was wont also to pass half the night in prayer. One&#xA;&#xA;day a man pointed him out to another, as he walked by and remarked, 'Yonder man watcheth the whole night.' When he heard this Abu Hanifah said, 'I was abashed before Allah to hear myself praised for what was not in me'; so after this he used to watch the whole night. And one of the Sages hath said,&#xA;&#xA;'Who seeketh for pearl in the Deep dives deep; * Who on high would hie robs his night of sleep.'&#xA;&#xA;Al-Rabí a relates that Al-Shafi'i used to recite the whole Koran seventy times during the month of Ramazan, and that in his daily prayers. Quoth Al-Shafi'i (Allah accept him!), 'During ten years I never ate my fill of barley bread, for fullness hardeneth the heart and deadeneth the wit and induceth sleep and enfeebleth one from standing up to pray.' It is reported of Abdullah bin Mohammed al-Sakrá that he said, 'I was once talking with Omar and he observed to me, 'Never saw I a more God fearing or eloquent man than Mohammed bin Idris al-Shafi'i.' It so happened I went out one day with Al-Háris bin Labíb al-Saffár, who was a disciple of Al-Muzani and had a fine voice and he read the saying of the Almighty, 'This shall be a day whereon they shall not speak to any purpose, nor shall they be permitted to excuse themselves.' I saw Al-Shafi'i's colour change; his skin shuddered with horripilation, he was violently moved and he fell down in a fainting fit When he revived he said, 'I take refuge with Allah from the stead of the liars and the lot of the negligent! O Allah, before whom the hearts of the wise abase themselves, O Allah, of Thy bene ficence accord to me the remission of my sins, adorn me with the curtain of Thy protection and pardon me my shortcomings, by the magnanimity of Thy Being!' Then I rose and went away. Quoth one of the pious, 'When I entered Baghdad, Al-Shafi'i was there. So I sat down on the river bank to make the ablution before prayer; and behold, there passed me one who said, 'O youth, make thy Wuzu-ablution well and Allah will make it well for thee in this world and in the next.' I turned and lo! there was a man behind whom came a company of people. So I hastened to finish my ablution and followed him. Presently, he turned and asked me, 'Say, dost thou want aught?' 'Yes,' answered I, 'I desire that thou teach me somewhat of that which Allah Almighty hath taught thee.' He said, 'Know then that whoso believeth in Allah shall be saved, and whoso jealously loveth his faith shall be delivered from destruction, and whoso practiseth abstinence in this world, his eyes shall be solaced on the morrow of death. Shall I tell thee any more?' I replied, 'Assuredly;' and he continued, 'Be thou of the world that is, heedless; and of the world to come, greediest. Be truthful in all thy dealings, and thou shalt be saved with the Salvationists.' Then he went on and I asked about him and was told that he was the Imam Al-Shafi'i. Al-Shafi'i was wont to remark, 'I love to see folk profit by this learning of mine, on condition that nothing of it be attributed to me.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;The old woman bespake thy sire, saying, 'The Imam Al-Shafi'i was wont to remark, I love to see folk profit by this learning of mine on condition that nothing of it be attributed to me.' He also said, 'I never disputed with any one, but I would that Almighty Allah should give him the knowledge of the Truth and aid him to dispread it: nor did I ever dispute with anyone at all but for the showing forth of the Truth, and I reck not whether Allah manifest it by my tongue or by His.' He said also (whom Allah accept!), 'If thou fear to grow conceited of thy lore, then bethink thee Whose grace thou seekest and for what good thou yearnest and what punishment thou dreadest.' It was told to Abu Hanífah that the Commander of the Faithful, Abú Ja'afar al-Mansúr, had appointed him Kazi and ordered him a salary of ten thousand dirhams; but he would not accept of this; and, when the day came on which the money was to be paid him, he prayed the dawn prayer, then covered his head with his robe—and spoke not. When the Caliph's messenger came with the money, he went in to the Imam and accosted him, but he would not speak to him. So the messenger said, 'Verily this money is lawfully thine.' 'I know that it is lawfully mine,' replied he: 'but I abhor that the love of tyrants get a hold upon my heart.' Asked the other, 'If thou go in to them canst thou not guard thyself from loving them?' Answered Abu Hanifah, 'Can I look to enter the sea without my clothes being wet?' Another of Al-Shafi'i's sayings (Allah accept him!) is,&#xA;&#xA;'Oh soul of me, an thou accept my rede, * Thou shalt be wealthy&#xA;           and of grace entire:&#xA;Cast off ambitious hopes and vain desires, * How many a death was&#xA;            done by vain desire!'&#xA;&#xA;Among the sayings of Sufyán al-Thaurí, with which he admonished Ali bin al-Hasan al-Salami was, 'Be thou a man of truth and 'ware lies and treachery and hypocrisy and pride. Be not indebted save to Him who is merciful to His debtors; and let thine associate be one who shall dissociate thee from the world. Be ever mindful of death and be constant in craving pardon of Allah and in beseeching of Allah peace for what remaineth of thy life. Counsel every True Believer, when he asketh thee concerning the things of his faith; and beware of betraying a Believer, for whoso betrayeth a Believer, betrayeth Allah and His Apostle. Avoid dissensions and litigation; and leave that which causeth doubt in thee for things which breed no doubt: so shalt thou be at peace. Enjoin beneficence and forbid malevolence: so shalt thou be loved of Allah. Adorn thine inner man and Allah shall adorn thine outer man. Accept the excuse of him who excuseth self to thee and hate not any one of the Moslems. Draw near unto those who withdraw from thee and excuse those that misuse thee: so shalt thou be the friend of the Prophets. Let thine affairs, both public and private, be in Allah's charge, and fear Him with the fear of one who knoweth he is dead and who fareth towards Resurrection and Judgement stead between the hands of the Lord of Dread; and remember that to one of two houses thou art sped, either for Heavens eterne or to the Hell fires that burn.' Thereupon the old woman sat down beside the damsels. Now when thy father, who hath found mercy, heard their discourse, he knew that they were the most accomplished of the people of their time; and, seeing their beauty and loveliness and the extent of their wisdom and lore, he showed them all favour. Moreover, he turned to the ancient dame and treated her with honour, and set apart for her and her damsels the palace which had lodged Princess Abrizah, daughter of the King of Greece, to which he bade carry all the luxuries they needed. They abode with him ten days and the old woman abode with them; and, whenever the King visited them, he found her absorbed in prayer, watching by night and fasting by day; whereby love of her took hold upon his heart and he said to me, 'O Wazir, verily this old woman is of the pious, and awe of her is strong in my heart.' Now on the eleventh day, the King visited her, that he might pay her the price of the damsels; but she said to him, 'O King, know that the price of these maidens surpasseth the competence of men; indeed I seek not for them either gold or silver or jewels, be it little or much.' Now when thy father heard these words he wondered and asked her, 'O my lady and what is their price?'; whereto she answered, 'I will not sill them to thee save on condition that thou fast, watching by night a whole month, and abstaining by day, all for the love of Allah Almighty; and, if thou do this, they are thy property to use in thy palace as thou please.' So the King wondered at the perfection of her rectitude and piety and abnegation; she was magnified in his eyes and he said, 'Allah make this pious woman to profit us!' Then he agreed with her to fast for a month as she had stipulated, and she said to him, 'I will help thee with the prayers I pray for thee and now bring me a gugglet of water.' They brought one and she took it and recited over it and muttered spells, and sat for an hour speaking in speech no one understood or knew aught thereof. Lastly she covered it with a cloth and, sealing it with her signet ring, gave it to thy sire, saying, 'When thou hast fasted the first ten days, break thy fast on the eleventh night with what is in this gugglet, for it will root out the love of the world from thy heart and fill it with light and faith. As for me, tomorrow I will go forth to my brethren, the Invisible Controuls, for I yearn after them, and I will return to thee when the first ten days are past. Thy father took the gugglet and arose and set it apart in a closet of his palace, then locked the door and put the key in his pocket. Next day the King fasted and the old woman went her ways.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan thus continued to Zau al-Makan, &amp;quot;Now when came the day for the Sultan's fast, the old woman went her ways. And after he had accomplished the ten days thereof, on the eleventh he opened the gugglet and drank what was therein and found it cordial to his stomach. Within the second ten days of the month the old woman returned, bringing sweetmeats wrapped in a green leaf, like no leaf of known tree. She went in to thy sire and saluted him; and, when he saw her, he rose to her saying, 'Welcome, O pious lady!' 'O King,' quoth she, 'the Invisible Controuls salute thee, for I told them of thee, and they rejoiced in thee and have sent thee their Halwá, which is of the sweetmeats of the other world. Do thou break thy fast on it at the end of the day.' The King rejoiced at this with great joy, and exclaimed, 'Praised be Allah, who hath given me brethren of the Invisible World!' Thereupon he thanked the ancient dame and kissed her hands; and he honoured her and the damsels with exceeding honour. She went forth for the twenty days of thy father's fast at the end of which time she came to him and said, 'Know, O King, that I told the Invisible Controuls of the love which is between me and thee, and informed them how I had left the maidens with thee, and they were glad that the damsels should belong to a King like thee; for they were wont, when they saw them, to be strenuous in offering on their behalf prayers and petitions ever granted. So I would fain carry them to the Invisible Controuls that they may benefit by the breath of their favour, and peradventure, they shall not return to thee without some treasure of the treasures of the earth, that thou, after completing thy fast, mayst occupy thyself with their raiment and help thyself by the money they shall bring thee, to the extent of thy desires.' When thy sire heard her words, he thanked her for them and said, 'Except that I fear to cross thee, I would not accept the treasure or aught else; but when wilt thou set out with them?' Replied she, 'On the seven and twentieth night; and I will bring them back to thee at the head of the month, by which time thou wilt have accomplished thy fast and they will have had their courses and be free from impurity; and they shall become thine and be at thy disposal. By Allah, each damsel of them is worth many times thy kingdom!' He said, 'I know it, O pious lady!' Then quoth the old woman, 'There is no help but that thou send with them someone in thy palace who is dear to thee, that she may find solace and seek a blessing of the Invisible Controuls.' Quoth he, 'I have a Greek slave called Sophia, by whom I have been blessed with two children, a girl and a boy; but they were lost; years ago. Take her with thee that she may get the blessing'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;Quoth thy sire to the ancient woman when she demanded the handmaids of him, 'I have a Greek slave called Sophia, by whom I have been blest with two children, a girl and a boy, but they were lost years ago; so take her with thee, haply she may get the benediction and, belike, the Invisible Controuls will sue Allah for her that her two children may be restored to her.' 'Thou hast said well,' replied she; 'for that indeed was her grievousest want.' Thy sire gave not over finishing his fast till the old woman said to him, 'O my son, I am going to the Invisible Controuls; so bring me Sophia.' Accordingly, he summoned her and she came forthright, and he delivered her to the old woman who mixed her up with the other damsels. Then she went in to her chamber and bringing out a sealed cup, presented it to the Sultan saying, 'On the thirtieth day, do thou repair to the Hammam and when thou comest out, enter one of the closets in thy palace and drink what is in this cup. Then sleep, and thou shalt attain what thou seekest, and peace be with thee'! Thereat the King was glad and thanked her and kissed her hands. Quoth she, 'I commend thee to Allah's care;' whereat quoth he, 'And when shall I see thee again, O pious lady? In very sooth I love not to part with thee.' Then she called down blessings on him and departed with the five damsels and the Queen; whilst the King fasted after her departure other three days, till the month ended, when he arose and went to the Hammam and coming out shut himself up in a closet of his palace, commanding that none should go in to him. There, after making fast the door, he drank what was in the cup and lay down to sleep; and we sat awaiting him till the end of the day, but he did not come out and we said, 'Perchance he is tired with the bath and with watching by night and fasting by day; wherefore he sleepeth.' So we waited till next day; but still he did not come forth. Then we stood at the closet door and cried aloud so haply he might awake and ask what was the matter. But nothing came of that; so at last we lifted up the door; and, going in, found him dead, with his flesh torn into strips and bits and his bones broken. When we saw him in this condition it was grievous to us, and we took up the cup and found within its cover a piece of paper whereon was inscribed, 'Whoso doeth evil leaveth no regrets, and this be the reward of him who playeth traitor with the daughters of Kings and who debaucheth them; and we make known to all who fall upon this scroll that Sharrkan, when he came to our country, seduced our Queen Abrizah; nor did that suffice him but he must needs take her from us and bring her to you. Then he sent her away in company of a black slave who slew her, and we found her lying dead on the desert sward and thrown out to wild beasts. This be no kingly deed, and he who did this is requited with naught but what he merited. So do ye suspect none of having killed him, for no one slew him but the cunning witch, whose name is Zat al-Dawahi. And behold, I have taken the King's wife, Sophia, and have carried her to her father, Afridun King of Constantinople. Moreover, there is no help for it but that we wage war upon you and kill you and take your country from you, and ye shall be cut off even to the last man, nor shall a living soul be spared by Death nor one who bloweth fire with his breath, save he who Cross and Belt worshippeth.' When we read this paper, we knew that the ancient woman had beguiled us and carried out her plot against us: whereupon we cried aloud and buffeted our faces and wept sore when weeping availed us naught. And the troops fell out as to whom they should make Sultan; some would have thee, and others would have thy brother Sharrkan; and we ceased not to dispute about this for the space of a month, at the end of which certain of us drew together and agreed to repair to thy brother Sharrkan: so we set out and journeyed on till we fell in with thee. And such is the manner of the death of Sultan Omar bin al-Nu'uman!&amp;quot; Now when the Wazir Dandan had made an end of his story, Zau al- Makan and his sister, Nuzhat al-Zaman wept; and the Chamberlain, who wept also, said to Zau al-Makan, &amp;quot;O King, weeping will avail thee naught; nor shall aught profit thee but that thou harden thy heart and strengthen thy stress and establish thy sovranty; for verily whoso leaveth the like of thee is not dead.&amp;quot; Thereupon Zau al-Makan gave over his weeping and caused his throne to be set up without the pavilion, and then commanded the army to pass in review order before him. And the Chamberlain sat by his side and all the armour-bearers behind him, whilst the Wazir Dandan and the rest of the Emirs and Grandees stood each in his individual stead. Then quoth King Zau al-Makan to the Minister Dandan, &amp;quot;Inform me concerning my sire's treasures;&amp;quot; and he replied, &amp;quot;I hear and I obey;&amp;quot; and gave him to know of the late King's hoards and monies, and what was in the treasury of amassed wealth and jewels, and acquainted him with other precious things. So Zau al-Makan opened his hand to the army, and gave a sumptuous robe of honour to the Wazir Dandan, saying, &amp;quot;Thou continues&amp;quot; in office. Whereupon Dandan kissed the ground before him and wished him long life. Then he bestowed dresses on the Emirs, after which he said to the Chamberlain, &amp;quot;Bring out before me the tribute of Damascus that is with thee.&amp;quot; So he was shown the chests of money and rarities and jewels, when he took them and parted them all amongst the troops,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Zau al- Makan ordered the Chamberlain to bring out before him what he had brought of the tribute of Damascus; and, when he was shown the chests of money and rarities and jewels, he took them and parted them all amongst the troops, till nothing was left. And the Emirs kissed the ground before him and wished him long life, saying, &amp;quot;Never saw we a King, who gave the like of these gifts.&amp;quot; Then all went away to their tents and when it was morning he gave orders for marching. So they marched for three days, till, on the fourth day, they drew near to Baghdad. When they entered the city, they found it decorated, and Zau al-Makan, the Sultan, went up to his father's palace and sat down on the throne, whilst the Emirs of the army and the Wazir Dandan and the Chamberlain of Damascus stood between his hands. Then he bade his private secretary write a writ to his brother Sharrkan, acquainting him with all that had passed, from first to last, and he concluded, &amp;quot;As soon as thou hast read this letter, make ready thine affair and join us with thine army, that we may turn to Holy War upon the Infidels and take man bote for our father and wipe out the stain upon our honour.&amp;quot; Then he folded the letter and sealed it with his seal ring and said to the Minister Dandan, &amp;quot;None shall carry this letter but thou; and it behoveth thee speak my brother fair and say to him, 'If thou have a mind to thy father's kingdom, it is thine, and thy brother shall be Viceroy for thee in Damascus; for to this effect am I instructed by him.'&amp;quot; So the Wazir went down from before him and made ready for his march. Then Zau al-Makan bade set apart a magnificent house for the Fireman and furnished it with the best of furniture and long is the tale of that Fireman. Presently Zau al-Makan went out chasing and hunting and, as he was returning to Baghdad, one of the Emirs presented him with blood horses and with beauteous handmaids whose description the tongue evades. One of the damsels pleased him: so he went in unto her and knew her that night, and she conceived by him forthright. After a while, the Wazir Dandan returned from his journey, bringing him news of his brother Sharrkan and that he was then on his way to him, and said, &amp;quot;It were fitting thou go forth to meet him.&amp;quot; Zau al- Makan replied, &amp;quot;I hear and I consent;&amp;quot; and riding forth with his Grandees a day's journey from Baghdad, he pitched his pavilions there awaiting his brother. Next morning appeared King Sharrkan amid the army of Syria, a horseman of might, a lion fierce in fight, a prow and doughty knight. As the squadrons drew nigh and the dust clouds came hard by and the troops rode up with banners on high, Zau al-Makan and those with him pushed forward to meet Sharrkan and his men; and when Zau al-Makan saw his brother, he desired to dismount, but Sharrkan conjured him not to do on this wise, and himself footed it, and walked a few paces towards him. As soon as he reached Zau al-Makan, the new Sultan threw himself upon him, and Sharrkan embraced him and wept with great weeping and the twain condoled with each other. Then they mounted and rode onward, they and their troops, till they reached Baghdad, where they alighted and went up to the royal palace and there they passed that night, and when next morning came, Zau al- Makan went forth and bade summon the troops from all parts, and proclaimed a Holy War and a Razzia. They then awaited the coming of the levies from each quarter of the kingdom, and every one who came they entreated with honour and promised him all manner of good; till in so doing a full month had sped, and the fighting men flocked to them in a continuous body. Then Sharrkan said to Zau al-Makan, &amp;quot;O my brother, tell me thy history.&amp;quot; So he told him all that had befallen him from first to last, including the benevolent dealing of the Fireman with him. Asked Sharrkan, 'Hast thou requited his kindness?&amp;quot;; and he answered, &amp;quot;O my brother! I have not rewarded him as yet, but Inshallah! I will recompense him whenas I return from this raid&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan asked his brother Zau al-Makan, &amp;quot;Hast thou requited the Fireman for his kindness?&amp;quot;; and he answered, &amp;quot;O my brother, I have not rewarded him as yet, but Inshallah! I will recompense him whenas I return from this raid and find time so to do.&amp;quot; Therewith Sharrkan was certified that his sister, Nuzhat al-Zaman, had told him the whole truth; but he concealed what had passed between them and offered his salutation to her by her husband the Chamberlain. She sent him back her greeting, calling down blessings on him and enquiring after her daughter Kuzia-Fakan, to which he replied that the maiden was well and in the best of health and safety. Where upon she praised Almighty Allah and gave him thanks. Then Sharrkan went to his brother to take counsel with him for departure; and Zau al-Makan said, &amp;quot;O my brother, as soon as the army is complete and the Arabs have come in from all parts, we will march forth.&amp;quot; So he bade make ready the commissariat and prepare munitions of war and went in to his wife, who was now five months gone with child; and he put under her astrologers and mathematicians, to whom he appointed stipends and allowances. Then he set out three months after the arrival of the army of Syria, and as soon as the Arabs were come in and the troops were assembled from all directions; and, as he fared forth, he was followed by the warriors and the united host. Now the name of the General of the Daylam army was Rustam and that of the General of the army of the Turks Bahram. And Zau al- Makan marched in mid host and on his right was his brother Sharrkan, and on his left the Chamberlain his brother-in-law. So the squadrons broke up and pushed forward and the battalions and companies filed past in battle array, till the whole army was in motion. They ceased not to fare on for the space of a month, and each body dismounted at its own ground and there rested every week three days (for the host was great); and they advanced in this order till they came to the country of the Greeks. Then the people of the villages and hamlets and the poorer sort took fright at them and fled to Constantinople. But when King Afridun heard the tidings he arose and betook himself to Zat al-Dawahi, the same who had contrived the stratagem, and had travelled to Baghdad and had slain King Omar bin Al-Nu'uman; and who after carrying off her slaves and Queen Sophia, had returned with them all to her native land. Now when she had been restored to her son, the King of Greece, and felt herself safe, she said to King Hardub, &amp;quot;Cool thine eyes; for I have avenged by blood the shame of thy daughter Abrizah, and have killed Omar bin al-Nu'uman and have brought back Sophia. So now let us go to the King of Constantinople and carry to him his daughter and acquaint him with what hath happened, that all of us be on guard and prepare our forces; and I will fare with thee to King Afridun, Lord of Constantinople, for I opine that the Moslems will not await our attack.&amp;quot; Said Hardub, &amp;quot;Tarry thou till they draw near our country, that we may make us ready meantime and assemble our power.&amp;quot; Accordingly they took to levying their forces and preparing for war, and, when the news of the Moslems' advance reached them, they were prepared for defence; and Zat al Dawahi had preceded them. Now when she and her son arrived at Constantinople, the King of Kings, Afridun, hearing of the approach of Hardub, King of the Greeks, came forth to meet him and asked how it was with him and the cause of his visit. So Hardub acquainted him with the cunning doings of his mother, Zat al-Dawahi, how she had slain the Moslem King and recovered from him Queen Sophia, and had said, &amp;quot;The Moslems have assembled their forces and are on their way to attack us, wherefore it behoveth that we two join hands in single band and meet them.&amp;quot; Now King Afridun rejoiced in the return of his daughter and the killing of King Omar bin al-Nu'uman; and he sent to all countries seeking succour and acquainting the folk with the cause of slaying the Moslem King. So the Nazarene troops flocked to him and three months were not past ere the army of the Greeks was complete, besides which there joined themselves to him Franks from all their lands, French, Germans and Ragusans, with men of Zara, Venetians, Genoese, and all the hosts of the Yellow Faces; and, when the gathering was at its full, earth was straitened on them by reason of their multitude. Then Afridun, the Great King, ordered a march; so they set out and ceased not to defile through the city for ten days. They fared on till they reached the Wady highs Al-Nu'uman, a broad sided vale hard by the Salt Sea, where they halted three days; and on the fourth they were about to set out again, when news came that the army of Al-Islam on them press, and the defenders of the faith of Mohammed, of Men the Best. So they halted in it other three days, and on the eighth they espied a dust cloud which towered till it walled the whole land; nor was an hour of the day past ere that dust began to drift and was torn to shreds in the lift, and pierced through its shades the starry radiance of lance and the white levee of blades. Presently there appeared beneath it the banners Islamitan and the ensigns Mahometan; the horsemen urged forward, like the letting loose of seas that surged, clad in mail, as they were mackerel-back clouds which the moon enveil; whereupon the two hosts clashed, like two torrents on each other dashed. Eyes fell upon eyes; and the first to seek combat singular was the Wazir Dandan, he and the army of Syria, numbering thirty thousand bridles, and with him were the General of the Turks, and the General of Daylam, Rustam and Bahram, amid twenty thousand horse, behind whom came the men from the shores of the Salt Sea, clad in iron mail, as they were full moons that past through a night o'ercast. Then the Nazarene host called out on Jesus and Mary, and the defiled Cross and they heaped themselves upon the Wazir Dandan and those with him of the Syrian host. Now all this was in pursuance of a stratagem devised by that ancient woman Zat al-Dawahi; for, before his departure, King Afridun had gone in to her and asked her, &amp;quot;How shall I do and what plan shall I pursue?; it is thou hast caused this great distress to us;&amp;quot; and she had answered, &amp;quot;O great King and mighty Cohen! I will teach thee a trick would baffle Iblis himself, though he summon to his assistance all his grisly hosts.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, all this was a stratagem of the ancient woman, for that the King before his departure had gone to her and asked, &amp;quot;How shall I do and what plan shall I pursue? it is thou hast caused this great distress to us!&amp;quot; And she had answered, &amp;quot;O great King and mighty Cohen, I will teach thee a trick would baffle the Devil himself though he summon to his assistance all his grisly hosts. It is that thou send fifty thousand men going down in ships, and sailing over the sea to the Mountain of Smoke; and there let them land and stir not till {he standards of Al-Islam come upon thee, when do thou up and at them. Then bid the troops from the seaward sally out upon the Moslems and take them in rear, whilst we confront them from the landward. So not one of them shall escape, and our sorrows shall tease and peace abide with us.&amp;quot; Now the counsel of this ancient woman commended itself to King Afridun, and he replied, &amp;quot;Right is the recking thou reckest, O Princess of wits and recourse of Kings and Cohens warring for their blood wit!&amp;quot; So when the army of Al-Islam came upon them in chat valley, before they knew of it the flames began to burn up the tents and the swords in men's bodies to make rents. Then hurried up the army of Baghdad and Khorasan who numbered one hundred and twenty thousand horse, with Zau al-Makan in the front of war. When the host of the Infidels that lay by the sea saw them, they sallied out against them and followed in their tracks; and when Zau al- Makan espied this he cried out to his men, &amp;quot;Turn back to the Infidels, O People of the Chosen Apostle, and slay those who deny and hate the authority of the Compassionating, the Compassionate!&amp;quot; So they turned and fought with the Christians. Then Sharrkan marched up with another corps of the Moslem host, some hundred thousand men, whilst the Infidels numbered nigh upon a thousand and six hundred thousand men. When the Moslems were united, their hearts were strengthened and they cried out, saying, &amp;quot;Verily Allah hath pro mised us victory, and to the Infidels hath assigned defeat.&amp;quot; And they clashed together with sword and spear. Now Sharrkan tare through rank and row and raged among the masses of the foe, fighting so fierce a fight as to make children grey grow; nor did he cease tourneying among the infidel horde and working havoc among them with the keen edged sword, shouting &amp;quot;Allaho Akbar!&amp;quot; (Allah is Most Great) till he drove back the host to the coast. Then failed the force of the foe and Allah gave victory to the faith of Al-Islam, and folk fought folk, drunken without strong drink till they slew of the Infidels in this affair forty and five thousand, while of the Moslems but three thousand and five hundred fell. Moreover, the Lion of the Faith, King Sharrkan, and his brother, Zau al-Makan, slept not that night, but occupied themselves with congratulating their braves and with looking to the wounded and with assuring the army of victory and salvation and promise of reward in the world to come. Thus far concerning the Moslem; but as regards King Afridun, Lord of Constantinople and Sovran of Roum, and Zat Al-Dawahi, they assembled the Emirs of the host and said to them, &amp;quot;Verily, we had worked our will and solaced our hearts, but our over confidence in our numbers, and that only, defeated us.&amp;quot; Then quoth to them the ancient one, the Lady of Calamities, &amp;quot;In very sooth nought shall profit you, except ye draw you nigh unto the Messiah and put your trust in the True Belief, for, by the virtue of the Messiah, the whole strength of the Moslem host lieth in that Satan, King Sharrkan.&amp;quot; &amp;quot;Tomorrow,&amp;quot; said King Afridun, &amp;quot;I have resolved to draw up in battle array and to send out against them that redoubtable cavalier, Lúká bin Shamlút; for if King Sharrkan come forth as a champion to fight single handed, our man will slay him and will slay the other Moslem Knights, till not one is left. And I purpose this night to sacre you all with the Holy Incense.&amp;quot; When the Emirs heard these words they kissed the ground before him. Now the incense which he designated was the excrement of the Chief Patriarch, the denier, the defiler of the Truth, and they sought for it with such instance, and they so highly valued it that the high priests of the Greeks used to send it to all the countries of the Christians in silken wraps after mixing it with musk and ambergris. Hearing of it Kings would pay a thousand gold pieces for every dram and they sent for and sought it to fumigate brides withal; and the Chief Priests and the great Kings were wont to use a little of it as collyrium for the eyes and as a remedy in sickness and colic; and the Patriarchs used to mix their own skite with it, for that the skite of the Chief Patriarch could not suffice for ten countries. So, as soon as dawn was seen and the morning shone with its shine and sheen, the horsemen ran to their spears full keen, and King Afridun,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninetieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, as soon as dawn was seen and the morning shone with its shine and sheen, the horsemen ran to their spears full keen and King Afridun summoned his chief Knights and Nobles and invested them with dresses of honour; and, drawing the sign of the cross on their brows, incensed them with the incense which as aforesaid was the skite of the Chief Patriarch, the Cohen, the Heresiarch. This incensing done, he called for Luka bin Shamlut, surnamed the Sword of the Messiah; and, after fumigating him and rubbing his palate with the Holy Merde, caused him to snuff it and smeared his cheeks and anointed his moustaches with the rest. Now there was no stouter champion in the land of Roum than this accursed Luka, nor any better at bending of bow or sway of sword or lunge with lance on the day of devoir; but he was foul of favour, for his face was as the face of an ass, his shape that of an ape and his look as the look of a malignant snake: his presence was grievouser than parting from the beloved make; and blacker than night was his blackness and more fetid than the lion was his breath for foulness; more crooked than a bow was his crookedness and grimmer than the leopard was his ugliness, and he was branded with the mark of the Infidels on face. After this he came up to King Afridun and kissed his feet and stood before him; and the King said to him, &amp;quot;I desire thou go out against Sharrkan, King of Damascus, son of Omar bin al-Nu'uman, and deliver us from this affliction.&amp;quot; Quoth Luka, &amp;quot;Hearkening and obedience;&amp;quot; and the King made the sign of the cross on his forehead and felt assured of help from Heaven being near hand. Then Luka went out from the presence and the accursed one mounted a sorrel horse; he was clad in a red robe and a hauberk of gold set with jewels, and he bore a trident spear, as he were Iblis the damned on the day of drewing out his hosts war to darraign. Then he rode forward, he and his horde of Infidels, even as though they were driving to the Fire, preceded by a herald, crying aloud in the Arabic tongue and saying, &amp;quot;Ho, sect of Mohammed (upon whom be salutation and salvation!), let none of you come out but your champion Sharrkan, the Sword of Al-Islam, Lord of Damascus in Shám!&amp;quot; Nor had he made an end of speaking, when arose a tumult in the plain; all the people heard the strain and the whole moving bodies of the armies twain called to mind the Day of Complain. Then the cowards trembled and all necks turned towards the sound, and lo! it was King Sharrkan, son of King Omar bin al-Nu'uman. For when his brother, Zau al-Makan, saw that accursed one push out on the plain, and heard the pursuivant, he turned to Sharrkan and said to him, &amp;quot;Of a surety they seek for thee.&amp;quot; Said he, &amp;quot;Should it so be, 'twere most pleasing to me.&amp;quot; So when they made sure of the matter and heard the herald crying in the plain, &amp;quot;Let none of you come out against me save Sharrkan,&amp;quot; they knew this cursed Luka to be champion of the land of Roum who had sworn to sweep the earth clean of Moslems. Now he was one of the greatest of villains, a wretch who caused hearts to pain; and the DayIamites, Turks and Kurds dreaded his might and main. Presently Sharrkan crave at him like a lion angry grim, mounted on a courser like a wild gazelle flying snell and slim; and coming nigh to him made the spear he hent to shake as it were a darting snake, and recited these couplets,&#xA;&#xA;&amp;quot;I have a sorrel steed, whose pride is fain to bear the rein, *&#xA;             Shall give thee what thou likest not and make thee feel his&#xA;             main:&#xA;I have a handy limber spear full bright and keen of point, * Upon&#xA;             whose shaft the dam of Death her throny seat hath ta'en:&#xA;I have a trenchant glaive of Hind; and, when I bare its face * Of&#xA;             scabbard&amp;quot; veil, from out its brow the rays of levee rain.&amp;quot;&#xA;&#xA;Luka understood not the sense of his speech nor did he apprehend the vehemence of the verse; but he smote his forehead with his hand, in honour of the Cross drawn thereon and kissed it; then he couched his throw spear and ran at Sharrkan. But first he tossed the javelin with one hand in air to such height that it was lost to the spectators' sight; and, catching it with the other hand as do the jugglers, hurled it at Sharrkan. It flew from his grasp like a shooting star and folk clamoured and feared for Sharrkan; but, as the spear flew near him, he put out his hand and caught it in full flight to the amazement of all who saw the sight. Then he shook it with the hand that took it till it was well nigh broken, and hurled it so high into the welkin that it disappeared from view. As it descended, he caught it again with the other hand, in less than the twinkling of an eye, and cried out from his heart core, saying, &amp;quot;By the truth of Him who created the sevenfold skies, I will assuredly make this cursed wight a byword for mankind to despise!&amp;quot; Then threw he the throw spear at Luka, who thought to do as Sharrkan had done and put forth his hand to trend it in mid flight; but Sharrkan prevented him, and sped at him a second throw spear which smote him and the point fell on his forehead, in the very centre of the sign of the Cross, and Allah hurried his soul to the Fire and Dwelling place dire. But when the Infidels saw Luka bin Shamlut fall slain, they buffeted their faces and they cried, &amp;quot;Alas!&amp;quot; and &amp;quot;Woe worth the day!&amp;quot; and called for aid upon the Abbots of the monasteries,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Infidels saw Luka bin Shamlut fall slain, they buffeted their faces and cried, &amp;quot;Alas!&amp;quot; and &amp;quot;Woe worth the day!&amp;quot; and called upon the Abbots of the monasteries and cried, &amp;quot;Where be the crosses?&amp;quot; So the Religious offered up prayers and the Christians all drew together against Sharrkan; and, brandishing their scymitars and lances, rushed forward to the attack. Then army met army and breasts fell under hoof, whilst spear and sword ruled the day and forearms and wrists grew weak and the coursers seemed created without legs; nor did the herald of-war cease calling to fight, till arms were aweary and day took flight and night came on with darkness dight. So the two hosts drew apart, whilst every brave staggered like a drunken knave, for that with so much cut and thrust they strave; and the place was choked with the slain; fell were the wounds and the hurt knew not by whom they fell. Then Sharrkan joined his brother, Zau al-Makan, and the Chamberlain and the Wazir Dandan, and said to them, &amp;quot;Verily Allah hath opened a door for the Infidels to fall, praised be the Lord of the Worlds one and all!&amp;quot; Replied Zau al-Makan, &amp;quot;Let us never cease to praise Allah, for that He hath dispelled trouble from the Arab and the Ajam. Indeed the folk, generation after generation, shall tell of thy derring do against the accursed Luka, the falsifier of the Evangel; of thy catching the throng spear in mid-flight, and how the enemy of Allah among men thou didst smite; and thy fame shall endure until the end of time.&amp;quot; Then said Sharrkan, &amp;quot;Harkye, O grand Chamberlain and doughty Capitayne!&amp;quot; and he answered, &amp;quot;Adsum!&amp;quot; Quoth Sharrkan, &amp;quot;Take with thee the Wazir Dandan and twenty thousand horse, and lead them seven parasangs towards the sea, and force the march till ye shall have come near the shore, and there remain only two parasangs between thee and the foe. Then ambush ye in the hollows of the ground till ye hear the tumult of the Infidels disembarking from their ships; and the war cry from every side strike your ear and ye know that the sabres have begun labour between us and them; and, whenso ye see our troops falling back, as if defeated, and all the Infidels following them, as well those in front as those from the seaward and the tents, do ye still lie in wait for them: but as soon as ye see the standard with the words, There is no god but the God, and Mohammed is God's Apostle (on whom be salutation and salvation!), then up with the green banner, and do your endeavour and fall on their rear and shout, 'Alla ho Akbar! Allah is most Great!' and circle round that they may not interpose between the retreating army and the sea.&amp;quot; He replied, &amp;quot;To hear is to obey!&amp;quot;; and forthright they agreed upon this matter and they went forth. Now the Chamberlain took with himself the Wazir Dandan and twenty thousand men even as Sharrkan had commanded. As soon as dawned the morn, the troops sprung to horse when they had donned their armour gear and drawn the scymitar and slung the spear. Then the Christians dispread themselves over hill and dale and the Ecclesiasts cried out and all heads were bared, and those in the ships hoisted the Cross at their mast heads and began making for shore from every side, and landed their horses and get them ready for fight and fray, whilst the sword blades glittered bright and the javelins glanced like levee light on mail shirt white; and all joined fight and the grind mill of Death whirled round and ground those who fought from horse and aground: heads from bodies flew end tongues mute grew and eyes no vision knew. Scymitars strave with utmost strain and heads flew over the battle plain; gall bladders crave and wrists were shorn in twain; steeds plashed in pools of gore and beards were gripped right sore; the host of Al-Islam called out, saying, &amp;quot;On the Prince of Mankind be blessings and peace, and to the Compassionate glory and praise, which ne'er shall cease, for His boons which aye increase;&amp;quot; and the host of the Infidels shouted, &amp;quot;Glory to the Cross and the Belt and the vine press juice, and the wine presser and the Priests and the Monks and the Festival of Palms and the Metropolitan!&amp;quot; Now Zau al-Makan and Sharrkan held back and their troops gave way and feigned flight from before the enemy, while the Infidel array pressed hard upon them deeming them in rout, and made ready to foin and hew. Then the meiny of the Moslems raised their voices, reciting the first verses of the Chapter of the Cow, whilst the dead were trampled under hoofs of steeds, and the heralds of the Greeks cried out, &amp;quot;Ho, servants of the Messiah! Ho, people of the True Faith! Ho, followers of the Primate! Verily Divine grace upon you opes; for see, the hosts of Al Islam like birds with broken wings incline to elope! So turn ye not to them your backs, but let your swords cleave deep in their necks and hold not your hands from them, else are ye outcasts from the Messiah, Mary's son, who spoke even when a cradled one!&amp;quot; Now Afridun, King of Constantinople, deemed that the Infidels were victorious, knowing not that this was but a clever stratagem of the Moslems, and sent to King Hardub of Roum congratulations on success, adding, &amp;quot;Availed us naught but the Holy Merde of the Arch Patriarch, whose fragrance exhaled from the beards and mustachios of the slaves of the Cross near and far; and I swear, by the Miracles of the Messiah; and by thy daughter Abrizah, the Nazarene, the Mariolater; and by the Waters of Baptism, that I will not leave upon the earth a single defender of Al- Islam! And to the bitter end will I carry out this plan.&amp;quot; So the messenger betook himself with the address to King Hardub, whilst the Infidels called to one another saying, &amp;quot;Take we vengeance wreak for Luka!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Infidels called to one another, saying, &amp;quot;Take we vengeance wreak for Luka!&amp;quot; while Hardub King of Greece cried aloud, &amp;quot;Ho, to our revenge for Abrizah!&amp;quot; Thereupon King Zau al-Makan shouted &amp;quot;Ho, servants of the Requiting King!: smite the children of denial and disobedience with the blanch of sword and the brown of spear!&amp;quot; So the Moslems returned to the Infidels and plied them with the keen edged scymitar, whilst their herald cried aloud, &amp;quot;Up, and at the foes of the Faith, all ye who love the Prophet Elect, with hope of salvation on the Day of Fear, to win favour of the Bountiful, the Forgiving One; for verily the Garden of Paradise is under the shadow of swords!&amp;quot; And behold, Sharrkan and his men charged down upon the Infidels and cut off their retreat and wheeled and tourneyed among the ranks; when lo! a knight of goodly presence opened a passage through the army of Unbelievers and circled hither and thither amongst the Deniers, cutting and thrusting and covering the ground with heads and trunks, so that the Faithless feared him and their necks bent under his lunge and hew. He was girt with two swords, his glances and his brand, and he was armed with two lances, one of bamboo cane and the other his straight wand like shape; and his flowing hair stood him in stead of many warriors, even as saith the poet,&#xA;&#xA;&amp;quot;Laud not long hair, except it be dispread * In two fold&#xA;            locks, on day of fight and fray,&#xA;O'er youth who bears his lance 'twixt flank and thigh, * From&#xA;             many a whis kered knight to win the day.&amp;quot;&#xA;And as singeth another,&#xA;&#xA;&amp;quot;I say to him, what while he slings his sword, * 'For sword shall&#xA;             serve those looks that sword like show!'&#xA;Says he, 'My sabre looks for those I love, * My sword for those&#xA;             who sweets of love unknow!'&amp;quot;&#xA;&#xA;When Sharrkan saw him, he said to him, &amp;quot;I conjure thee by the Koran and the attributes of the Compassionate One, O Champion of the Champions! tell me who thou art: for verily by thy deeds this day thou hast pleased the Requiting King, whom one thing distracteth not from other thing; in that thou hast been discomforting the children of impiety and in rebellion revelling.&amp;quot; Then cried the Cavalier to him saying, &amp;quot;Thou art he who madest brother covenant with me but yesterday: how quickly thou hast forgotten me!&amp;quot; Thereupon he withdrew his mouth veil, so that what was hidden of his beauty was disclosed, and lo! it was none other than Zau al-Makan. Then Sharrkan rejoiced in his brother, save that he feared for him the rush of fighting and the crush of braves a smiting; and this for two reasons, the first, his tender age and exposure to the evil eye, and the second, that his safety was to the kingdom the greater of the two overshadowing wings. So he said to him, &amp;quot;O King! thou riskest thy life, so join thy steed to mine; in very sooth I fear for thee from the foe; and better thou stint hazarding thyself forth of these squadrons, that we may shoot at the enemy thine unerring shaft.&amp;quot; Quoth Zau al-Makan, &amp;quot;I desire to even thee in fray and I will not be niggard of myself before thee in the melay.&amp;quot; Then the host of Al-Islam, heaping itself upon the Infidels, girt them on all sides, warred on them a right Holy War, and brake the power of the children of impiety and pride and stowre. But King Afridun sighed when he saw the evil wreak that had fallen on the Greek, and they turned their backs from fight and addressed themselves to flight, making for the ships, when lo! there came out upon them from the seacoast another host, led by the Minister Dandan, the champion who was wont to make champions bite the dust, and to lay load on them with cut and thrust. Nor less came forth the Emir Bahram, Lord of the Provinces of Sham, amid twenty thousand horse doughty of arm; and the host of Al-Islam pressed them in front and on flank and wrought them grievous harm. Then a body of the Moslems turned against those who in the ships remained, and perdition on them rained, till they threw themselves into the main, and they slew of them many slain, more than a hundred thousand noblemen, nor was one of their champions, great or small, saved from bale and bane. Moreover, they took their ships, with all the money and treasure and cargo, save a score of keel, and the Moslems got that loot whose like was never gotten in by gone years; nor was such cut and thrust ever heard of by men's ears. Now amongst the booty were fifty thousand horses, besides treasure and spoil past reckoning and arithmetic, whereat the Moslems rejoiced with an exceeding joy for that Allah had given them victory and protection. Such was the case with them; but as regards the fugitive Infidels they soon reached Constantinople, whither the tidings preceded them that King Afridun had prevailed over the Moslems; so quoth the ancient dame, Zat al-Dawahi, &amp;quot;I know that my son Hardub, King of Roum, is no runagate and that he feareth not the Islamitic hosts, but will restore the whole world to the Nazarene faith.&amp;quot; Then she bade the Great King, Afridun, give command that the city be decorated, and the people held festival high and drank their wines drunkenly and knew not the decrees of Destiny. Now whilst they were in the midst of their rejoicings, behold, the raven of dule and downfall croaked over them, and up came the twenty fugitive ships wherein was the King of Cæsarea. So King Afridun, Lord of Constantinople, met them on the sea shore, and they told him all that had befallen them from the Moslem, and they wept sore and groaned and moaned; and rejoicing at weal was turned into dismay for unheal; and they informed him concerning Luka son of Shamlut, how calamity had betided him and how Death had shot him with his shaft. Thereat the horrors of Doomday rose upon King Afridun, and he knew that there was no making straight their crook. Then came up from them the sound of weeping and wailing; the city was full of men mourning and the keepers were keening, and sighs and cries were heard from all sides. And when King Hardub of Greece met King Afridun he told him the truth of the case and how the flight of the Moslems was by way of stratagem and deceit, and said to him, &amp;quot;Look not to see any of the army, save those who have already reached thee.&amp;quot; When King Afridun heard these words he fell down in a fainting fit, with his nose under his feet; and, as soon as he revived, he exclaimed, &amp;quot;Surely the Messiah was wroth with them that he caused the Moslems to prevail over them!&amp;quot; Then came the Arch Patriarch sadly to the King who said to him, &amp;quot;O our father, annihilation hath overtaken our army and the Messiah hath punished us!&amp;quot; Replied the Patriarch, &amp;quot;Grieve not nor feel concerned, for it cannot be but that one of you have sinned against the Messiah, and all have been punished for his offence; but now we will read prayers for you in the churches, that the Mohammeden hosts may be repelled from you.&amp;quot; After which the old woman, Zat al-Dawahi, came to Afridun and said to him, &amp;quot;O King, verily the Moslem hosts are many, and we shall never overcome them save by wile: wherefore I purpose to work upon them by guile and repair to this army of Al-Islam, haply I may win my wish of their leader and slay their champion, even as I slew his father. If my stratagem succeed in his case, not one of the host he leads shall return to his native land, for all are strong only because of him; but I desire to have some Christian dwellers of Syria, such as go out every month and year to sell their goods, that they may help me (for this they can do) in carrying out my plan.&amp;quot; Replied the King, &amp;quot;Be it so whenever thou wilt.&amp;quot; So she bade fetch an hundred men, natives of Najrán, in Sham, and the King asked them, &amp;quot;Have ye not heard what hath befallen the Christians with the Moslems?&amp;quot; &amp;quot;Yes,&amp;quot; answered they; and he rejoined, &amp;quot;Know ye that this woman hath devoted her life to the Messiah and purposeth to go forth with you, disguised as Monotheists and Mohammedans, to work out a device which shall profit us and hinder the Moslem from us: say, then, are ye also willing to devote yourselves to the Anointed and I will give you a quintal of gold? He of you who escapeth shall have the money, and him of you who dieth will the Messiah reward.&amp;quot; &amp;quot;O King,&amp;quot; replied they, &amp;quot;we will devote our lives to the Messiah, and we will be thy sacrifice.&amp;quot; Thereupon the old woman took all she required of aromatic roots and placed them in water which she boiled over the fire till the black essence of them was extracted. She waited till the decoction was cold, then dipped the corner of a long kerchief therein and stained her face therewith. Moreover, she donned over her clothes a long gaberdine with an embroidered border and took in her hand a rosary, and afterwards went in to King Afridun, who knew her not, nor did any of his companions know her, till she discovered herself to them: and there was none in the assembly but who thanked and praised her for her cunning; and her son rejoiced and said, &amp;quot;May the Messiah never fail thee!&amp;quot; Thereupon she took with her the Syrian Christians, and set out for the army of Baghdad.— And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Afridun heard these words, he fell into a fainting fit with his nose under his feet; and, as soon as he revived, fear fluttered the scrotum below his belly and he complained to the ancient dame, Zat al-Dawahi. Now this accursed old woman was a witch of the witches, past mistress in sorcery and deception; wanton and wily, deboshed and deceptious; with foul breath, red eyelids, yellow cheeks, dull brown face, eyes bleared, mangy body, hair grizzled, back humped, skin withered and wan and nostrils which ever ran. But she had studied the scriptures of Al-Islam and had made the Pilgrimage to the Holy House of Meccah and all this that she might come to the knowledge of the Mohammedan ordinances and the miraculous versets of the Koran; and she had professed Judaism in the Holy City of Jerusalem for two years' space, that she might master the magic of men and demons; so that she was a plague of plagues and a pest of pests, wrong headed as to belief and to no religion fief. Now the chief reason of her sojourn with her son, King Hardub of Greece, was on account of the slave virgins at his court: for she was given to tribadism and could not exist without sapphism or she went mad: so if any damsel pleased her, she was wont to teach her the art of rubbing clitoris against clitoris and would anoint her with saffron till she fainted away for excess of volupty. Whoso obeyed her she was wont to favour and make her son incline towards her; but whoso repelled her she would contrive to destroy; and so she abode for a length of time. This was known to Marjanah and Rayhánah and Utrijah, the handmaids of Abrizah, and their Princess loathed the old woman and abhorred to lie with her, because of the rank smell from her armpits, the stench of her fizzles more fetid than carrion, and the roughness of her hide coarser than palm fibre. She was wont to bribe those who rubbed parts with her by means of jewels and instructions; but Abrizah held aloof from her and sought refuge with the Omnipotent, the Omniscient; for, by Allah, right well quoth the poet,&#xA;&#xA;&amp;quot;Ho thou who grovellest low before the great * Nor over fording&#xA;             lesser men dost blench&#xA;Who gildest dross by dirham gathering, * No otter scent disguises&#xA;             carrion stench!&#xA;&#xA;And now to return to the story of her stratagem and the woes of her working. Presently she departed, taking the chief Nazarenes with their hosts, and turned towards the army of the Moslems. Whereupon King Hardub went in to King Afridun and said to him, &amp;quot;O King, we have no need of the Chief Patriarch nor of his prayers, but will consult my mother's counsel and observe what she will do with her craft unending against the Moslem hosts; for these are marching with all their power, they will soon be upon us and they will encircle us on all sides.&amp;quot; When King Afridun heard this, terror took hold upon his heart and he wrote letters, without stay or delay, to all the nations of the Nazarenes, saying, &amp;quot;It behoveth none of the Messiahites or Cross knights to hold back, especially the folk of the strongholds and forts: but let them all come to us, foot and horse, women and children, for the Moslem hosts already tread our soil. So haste! haste ye! ere what we fear to us here appear.&amp;quot; Thus much concerning them; but regarding the work of the old woman, Zat al-Dawahi; when she went forth from the city with her suite, she clad them in the clothing of Moslem merchants, having provided herself with an hundred mules carrying stuffs of Antioch, such as goldwoven satins and royal brocades and so forth. And she had taken a letter from King Afridun to the following effect: &amp;quot;These be merchantmen from the land of Sham who have been with us: so it besitteth none to do them harm or hindrance, nor take tax and tithe of them, till they reach their homes and safe places, for by merchants a country flourisheth, and these are no men of war nor of ill faith.&amp;quot; Then quoth the accursed Zat al-Dawahi to those with her, &amp;quot;Verily I wish to work out a plot for the destruction of the Moslem.&amp;quot; Replied they, &amp;quot;O Queen, command us whatso thou wilt; we are at thy disposal and may the Messiah never disappoint thy dealings!&amp;quot; Then she donned a gown of fine white wool and rubbed her forehead, till she made a great mark as of a scar and anointed it with an ointment of her own fashion, so that it shone with prodigious sheen. Now the old hag was lean bodied and hollow eyed, and she bound her legs tightly round with cords just above her feet, till she drew near the Moslem camp, when she unwound them, leaving their marks deeply embedded in her ankles. Then she anointed the wheels with dragon's blood and bade her companions beat her with a severe beating, and set her in a chest and, quoth she, &amp;quot;Cry abroad the Refrain of Unity, nor fear from it aught of damage!&amp;quot; Replied they, &amp;quot;How can we beat thee, who be our sovereign lady, Zat al-Dawahi, mother of the King we glory in?&amp;quot; Then said she, &amp;quot;We blame not nor deal reproach to him who goeth to the jakes, and in need evil becometh good deed. When ye have set me in the chest, take it and make it one of the bales and place it on mule back and fare forth with it and the other goods through the Moslem camp, and fear ye no blame. And if any of the Moslems hinder you, give up the mules and their lading and be take yourselves to their King, Zau al-Makan, and implore his protection saying, 'We were in the land of the Infidels and they took nothing from us, but wrote us a passport, that none shall do us hindrance or work our mischance.' If he ask you, 'What profit had ye of your property in the land of Roum?' answer him, 'We profited in the deliverance of a pious man, who had been bound down in an underground cell nigh fifteen years, crying out for help yet none helped him. Nay, the Infidels tortured him night and day. We knew not this; but, after we had tarried in Constantinople for some time, having sold our goods and bought others in their stead, we determined on and made ready for a return to our native land. We spent that night conversing about our journey and when day broke, we saw figured upon the wall a human form and as we drew nigh it, behold, it moved and said, 'O Moslems, is there amongst you one who is minded to woo the favour of the Lord of the three Worlds?' 'How so?' asked we; and the figure answered, 'Know that Allah hath made me speak to you, to the intent that your faith be fortified, and that your belief embolden you and that you may go forth of the country of the Infidels and repair to the Moslem host; for with them wones the Sword of the Com passionate One, of our Age the Champion, King Sharrkan, by whom He shall conquer Constantinople town and destroy the sect of the Nazarene. And when ye shall have journeyed three days, you will find an hermitage known as the Hermitage of the ascetic Matruhina and containing a cell; visit it with pure intent and contrive to arrive there by force of will, for therein is a Religious from the Holy City, Jerusalem, by name Abdullah, and he is one of the devoutest of mankind, endowed with the power of working saintly miracles such as dispel doubts and obscurity. Certain of the monks seized him by fraud and shut him up in a souterrain where he hath lain a long time. By his deliverance you will please the Lord of Faithful Men, for such release is better than fighting for the Faith.'&amp;quot; Now when the ancient dame and those with her had agreed upon such words, she said, &amp;quot;As soon as that which I impart shall reach the ears of King Sharrkan, say him further, 'Hearing this from that image we knew that the holy man'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the old woman, Zat al-Dawahi, and those with her had agreed upon such words, she said, &amp;quot;Now as soon as that which I impart shall reach the ears of King Sharrkan say him further, 'Hearing these words from that image we knew that the holy man was indeed of the chiefest devotees and Allah's servants of purest qualities; so we made three days' march till we came in sight of that hermitage, and then we went up to it and passed the day in buying and selling, as is the wont of merchants. As soon as day had departed our sight and night was come to darken light, we repaired to the cell wherein was the dungeon, and we heard the holy man, after chanting some verses of the Koran, repeat the following couplets,&#xA;&#xA;'My heart disheartened is, my breast is strait, * And sinks my&#xA;            soul in sea of bale and bate&#xA;Unless escape be near I soon shall die; * And Death were better&#xA;             than this doleful strait:&#xA;O Lightning an thou light my home and folk, * An their still&#xA;             brighter charms thy shine abate,&#xA;Say, what my path to meet them, being barred * By wars, and&#xA;             barricado'd succour's gate?'&#xA;&#xA;&amp;quot;When once ye have brought me into the Moslem camp, and I mix with them you shall see,&amp;quot; the old woman continued, &amp;quot;how I will make shift to beguile them and slay them all, even to the last man.&amp;quot; The Nazarenes hearing whet she said, kissed her hands and set her in the chest, after they had beaten her with a grievous beating in obedience to her commands, for they saw it was incumbent on them to do her bidding in this; then they all made for the Moslem host as hath erst been said. Such was the case with the damned hag, Zat al-Dawahi and her companions; but as regards the Mohammeden army, they indeed, after Allah had given them victory over their enemies and they had plundered everything in the ships of money and hoards, all sat down to converse with one another and Zau al-Makan said to his brother Sharrkan, &amp;quot;Verily, Allah hath granted us to prevail because of our just dealing and discipline and concord amongst ourselves; wherefore continue, O Sharrkan, to obey my commandment, in submission to Allah (be He exalted and extolled!), for I mean to slay ten Kings in blood revenge for my sire, to cut the throat of fifty thousand Greeks and to enter Constantinople.&amp;quot; Replied Sharrkan, &amp;quot;My life be thy ransom against death! Needs must I follow out the Holy War, though I wone many a year in their country. But I have, O my brother, in Damascus a daughter, named Kuzia Fakan, whom I love heartily for she is one of the marvels of the time and she will soon be of age.' Said Zau al-Makan, &amp;quot;And I also have left my wife with child and near her time, nor do I know what Allah will vouchsafe me by her. But promise me, O my brother, that if Allah bless me with a son, thou wilt grant me thy daughter for wife to him, and make covenant with me and pledge me thy faith thereon.&amp;quot; &amp;quot;With love and good will, replied Sharrkan; and, stretching out his hand to his brother, he said, If she bring thee a son, I will give him my daughter Kuzia Fakan, to wife.&amp;quot; At this Zau al-Makan rejoiced, and they fell to congratulating each other on the victory over the enemy. And the Wazir Dandan also congratulated the two brothers and said to them, &amp;quot;Know, O ye Kings, that Allah hath given us the victory, for that we have devoted our lives to Him (be He exalted and ex tolled!); and we have left our homes and households; and it is my counsel that we follow up the foe and press upon him and harass him, so haply Allah shall enable us to win our wishes, and we shall destroy our enemies, branch and root. If it please you, do ye go down in these ships and sail over the sea, whilst we fare forward by land and bear the brunt of battle and the thrust of fight.&amp;quot; And the Minister Dandan ceased not to urge them to combat and repeated his words who said,&#xA;&#xA;&amp;quot;To slay my foes is chiefest bliss I wist, * And on the courser's&#xA;            back be borne a list;&#xA;Comes promising tryst a messenger from friend * Full oft, when&#xA;            comes the friend withouten tryst.&amp;quot;&#xA;And these words of another,&#xA;&#xA;&amp;quot;War for my mother (an I live) I'll take; * Spear for my brother;&#xA;           scymitar for sire&#xA;With every shag haired brave who meets his death * Smiling, till&#xA;           won from Doom his dear desire!&amp;quot;&#xA;&#xA;And when the Wazir ended his verses, he said, &amp;quot;Praise be to Him who aided us dear victory to uphold and who hath given us spoil of silver and fine gold!&amp;quot; Then Zau al-Makan commanded the army to depart; and they fared on forcing their marches for Constantinople, till they came to a wide and spacious champaign, full of all things fair and fain, with wild cattle frisking and gazelles pacing to and fro across the plain. Now they had traversed great deserts and drink had been six days cut off from them, when they drew near this meadow and saw therein waters founting and ripe fruits daunting and that land as it were Paradise; for it had donned its adornments and decked itself. Gently waved the branches of its trees drunken with the new wine of the dew, and combined with the nectar of Tasnim the soft breathings of the morning breeze. Mind and gazer were confounded by its beauty, even as saith the poet,&#xA;&#xA;&amp;quot;Behold this lovely garden! 'tis as though * Spring o'er its&#xA;           frame her greeny cloak had spread.&#xA;Looking with fleshly eyne, thou shalt but sight * A lake whose&#xA;            waters balance in their bed,&#xA;But look with spirit eyes and lo! shalt see * Glory in every&#xA;           leaf o'erwaves thy head.&amp;quot;&#xA;&#xA;And as another saith,&#xA;&#xA;&amp;quot;The stream's a cheek by sunlight rosy dyed, * Whose down&#xA;          is creeping shade of tamarisk stems&#xA;Round legs of tree trunks waveless roll in rings * Silvern, and&#xA;           blossoms are the diadems.&amp;quot;&#xA;&#xA;When Zau al-Makan saw this champaign, with its trees bowing and its flowers blooming and its birds warbling, he called to his brother Sharrkan and said, &amp;quot;O my brother, verily in Damascus is naught the like of this place. We will not march from it save after three days, that we may take rest ourselves and that the army of Al-Islam may regain strength and their souls be fortified to encounter the blamed Infidels.&amp;quot; So they halted therein and while camping behold, they heard a noise of voices from afar, and Zau al-Makan asked the cause thereof, and was answered that a caravan of merchants from the Land of Syria had halted there to rest and that the Moslem troops had come on them and had haply seized something of the goods which they had brought from the country of the Infidels. After a while up came the merchants, crying out and appealing to the King for aidance. When Zau al- Makan saw this, he bade them be brought before him and, when in presence they said to him, &amp;quot;O King, we have been in the country of the Infidels and they plundered us of nothing: why then do our brothers the Moslems despoil our goods, and we in their own land? Of a truth when we saw your troops, we went up to them and they robbed us of what we had with us and we have now reported to thee all that hath befallen us.&amp;quot; Thereupon they brought out to him the letter of the King of Constantinople, and Sharrkan read it and said, &amp;quot;We will presently restore to you what hath been taken from you; but yet it behoveth you not to carry merchandise to the country of the Infidels.&amp;quot; Replied they, &amp;quot;O our Lord, in very sooth Allah despatched us thither that we might win what Gházi never won the like of, not even thou in all thy razzias.&amp;quot; Asked Sharrkan, &amp;quot;What was it ye won?&amp;quot; &amp;quot;O King,&amp;quot; answered they, &amp;quot;we will not tell thee save in private; for if this matter be noised among the folk, haply it may come to the ears of some, and this will be the cause of our ruin and of the ruin of all Moslems who resort to the land of the Greeks.&amp;quot; Now they had hidden the chest wherein was the damned Zat al- Dawahi. So Zau al-Makan and his brother brought them to a private place, where they laid bare to both of them the story of the devotee, and wept till they made the two Kings weep.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Nazarenes who wore merchants' weed, when brought to a private place by Zau al-Makan and his brother Sharrkan, laid bare to both of them the story of the devotee and wept till they made the two Kings weep and repeated to them all which had been taught by the old witch Zat al-Dawahi. Thereupon Sharrkan's heart yearned to the devotee and he was moved to ruth for him and was fired with zeal for the service of Almighty Allah. So quoth he to them, &amp;quot;Did ye rescue this holy man or is he still in the hermitage?&amp;quot; Quoth they, &amp;quot;We delivered him and slew the hermit, fearing for our lives; after which we made haste to fly for dread of death; but a trusty man told us that in this hermitage are quintals of gold and silver and stones of price.&amp;quot; Then they fetched the chest and brought out the accursed old woman, as she were a cassia pod for excess of blackness and leanness, and she was laden with the same fetters and shackles. When Zau al-Makan and the bystanders saw her, they took her for a man of the best of Allah's devotees and surpassing in pious qualities, more especially because of the shining of her forehead for the ointment wherewith she had anointed her face. So Zau al-Makan and Sharrkan wept sore; then they rose up in honour and kissed her hands and feet, sobbing aloud: but she signed to them and said, &amp;quot;Cease this weeping and hear my words. Hereat they dried their tears in obedience to her bidding, and she said, &amp;quot;Know ye both that I was content to accept what my Lord did unto me, for I kenned that the affliction which befel me was a trial from Him (be He exalted and extolled!); and whoso hath not patience under calamity and tribulation, for him there is no coming to the delights of Paradise. I had indeed supplicated Him that I might return to my native land, not as a compensation for the sufferings decreed to me, but that I might die under the horse hoofs of warriors fighting for the Faith who, being slain in fray, live again without suffering death.&amp;quot; Then she repeated the following couplets,&#xA;&#xA;&amp;quot;Our Fort is Tor, and flames the fire of fight: * Moses&#xA;            art thou and this is time for aid:&#xA;Cast down thy rod, 'twill swallow all they wrought, * Nor dread&#xA;            for men their ropes be vipers made.&#xA;For Chapters read on fight day lines of foes, * And on their&#xA;            necks 'grave versets wi' thy blade!&amp;quot;&#xA;&#xA;When the old woman had ended her verse, her eyes overflowed with tears and her forehead under the unguent shone like gleaming light, and Sharrkan rose and kissed her hand and caused food be brought before her: but she refused it, saying, &amp;quot;I have not broken my fast by day for fifteen years; and how should I break it at such a time when my Lord hath been bountiful to me in delivering me from the captivity of the Infidels and removing from me that which was more grievous to me than torment of fire? I will wait till sun down.&amp;quot; So when it was nightfall, Sharrkan and Zau al-Makan came and served her with food and said, &amp;quot;Eat, O ascetic!&amp;quot; But she said, &amp;quot;This is no time for eating; it is the time for worshipping the Requiting King.&amp;quot; Then she stood up in the prayer niche and remained praying till the night was spent; and she ceased not to do after this fashion for three days and nights, sitting not but at the time of the Salám or salutation ending with several prayers. When Zau al- Makan saw her on this wise, firm belief in her get hold of his heart and he said to Sharrkan, &amp;quot;Cause a tent of perfumed leather to be pitched for this Religious, and appoint a body servant to wait upon him.&amp;quot; On the fourth day she called for food; so they brought her all kinds of meats that could seduce the sense or delight the sight; but of all this she would eat only a scone with salt. Then she again turned to her fast and, as the night came, she rose anew to pray; when Sharrkan said to Zau al-Makan, &amp;quot;Verily, this man carrieth renunciation of the world to the extreme of renouncing, and, were it not for this Holy War, I would join myself to him and worship Allah in his service, till I came before His presence. And now I desire to enter his tent and talk with him for an hour.&amp;quot; Quoth Zau al-Makan, &amp;quot;And I also: tomorrow we sally forth to fight against Constantinople, and we shall find no time like the present.&amp;quot; Said the Wazir Dandan, &amp;quot;And I no less desire to see this ascetic; haply he will pray for me that I find death in this Holy War and come to the presence of my Lord, for I am aweary of the world.&amp;quot; So as soon as night had darkened, they repaired to the tent of that witch, Zat al-Dawahi; and, seeing her standing to pray, they drew near her and fell a weeping for pity of her; but she paid no heed to them till midnight was past, when she ended her orisons by pronouncing the salutation. Then she turned to them and after wishing them long life, asked them &amp;quot;Wherefore come ye?&amp;quot;, whereto they answered, &amp;quot;O thou holy man! diddest thou not hear us weep around thee?&amp;quot; She rejoined, &amp;quot;To him who standeth in the presence of Allah, remaineth no existence in time, either for hearing any or for seeing aught about him.&amp;quot; Quoth they, &amp;quot;We would have thee recount to us the cause of thy captivity and pray for us this night, for that will profit us more than the possession of Constantinople.&amp;quot; Now when she heard their words she said, &amp;quot;By Allah, were ye not the Emirs of the Moslems, I would not relate to you aught of this at any time; for I complain not but to Allah alone. However, to you I will relate the circumstances of my captivity. Know, then, that I was in the saintly City of Jerusalem with certain ecstatics and inspired men, and did not magnify myself among them, for that Allah (be He exalted and extolled!) had endowed me with humility and abnegation, till I chanced to go down to the sea one night and walked upon the water. Then entered into me pride; whence I know not, and I said to myself, 'Who like me can walk the water?' And my heart from that time hardened and Allah afflicted me with the love of travel. So I journeyed to Roum land and visited every part for a whole year, and left no place but therein I worshiped Allah. When I came to this spot, I clomb the mountain and saw there an hermitage, inhabited by a monk called Matrubina, who, when he sighted me, came out and kissed my hands and feet and said, 'Verily, I have seen thee since thou enteredst the land of the Greeks, and thou hast filled me with longing for the land of Al-Islam.' Then he took my hand and carried me into that hermitage, and brought me to a dark room; and, when I entered it unawares, he locked the door on me and left me there forty days, without meat or drink; for it was his intent to kill me by delay. It chanced one day, that a Knight called Dakianús came to the hermitage, accompanied by ten squires and his daughter Tamásil, a girl whose beauty was incom parable. When they entered that hermitage, the monk Matruhina told them of me, and the Knight said, 'Bring him out, for surely there is not on him a bird's meal of meat.' So they opened the door of the dark room and found me standing in the niche, praying and reciting the Koran and glorifying Allah and humbling myself before the Almighty. When they saw me in this state Matrohina exclaimed, 'This man is indeed a sorcerer of the sorcerers!'; and hearing his words, they all came in on me, Dakianus and his company withal, and they beat me with a grievous beating, till I desired death and reproached myself, saying, 'This is his reward who exalteth himself and who prideth himself on that which Allah hath vouchsafed to him, beyond his own competence! And thou, O my soul, verily self esteem and arrogance have crept into thee. Dost thou not know that pride angereth the Lord and hardeneth the heart and bringeth men to the Fire?' Then they laid me in fetters and returned me to my place which was the dungeon under ground. Every three days, they threw me down a scone of barley bread and a draught of water; and every month or two the Knight came to the hermitage. Now his daughter Tamasil had grown up, for she was nine years old when I first saw her, and fifteen years passed over me in captivity, so that she had reached her four and twentieth year. There is not in our land nor in the land of the Greeks a fairer than she, and her father feared lest the King take her from him; for she had vowed herself to the Messiah and rode with Dakianus in the habit of a cavalier, so that albeit none might compare with her in loveliness, no one who saw her knew her for a woman. And her father had laid up his monies in this hermitage, every one who had aught of price or treasured hoard being wont to deposit it therein; and I saw there all manner of gold and silver and jewels and precious vessels and rarities, none may keep count of them save Almighty Allah. Now ye are worthier of these riches than those Infidels; so lay hands on that which is in the hermitage and divide it among the Moslems and especially on fighters in the Holy War. When these merchants came to Constantinople and sold their merchandise, that image which is on the wall spoke to them, by grace of a marvel which Allah granted to me; so they made for that hermitage and slew Matruhina, after torturing him with most grievous torments, and dragging him by the beard, till he showed them the place where I was; when they took me and found no path but flight for dread of death. Now tomorrow night Tamasil will visit that hermitage as is her habit, and her father and his squires will come after her, as he feareth for her; so, if ye would witness these things, take me with you and I will deliver to you the monies and the riches of the Knight Dakianus which be in that mountain; for I saw them bring out vessels of gold and silver to drink therefrom, and I heard a damsel of their company sing to them in Arabic and well-away! that so sweet a voice should not be busied in chaunting the Koran. If, then, ye will; enter into that hermitage and hide there against the coming of Dakianus and his daughter; and take her, for she is fit only for the King of the Age, Sharrkan, or King Zau al-Makan.&amp;quot; Thereat they all rejoiced with the exception of the Wazir Dandan, who put scant faith in her story, for her words took no hold on his reason, and signs of doubt in her and disbelief showed in his face. Yet he was confounded at her discourse, but he feared to speak with her for awe of the King. Then quoth the ancient dame, Zat al-Dawahi, &amp;quot;Verily, I fear lest the Knight come and, seeing these troops encamped in the meadow, be afraid to enter the hermitage.&amp;quot; So Zau al-Makan ordered the army to march upon Constantinople and said, &amp;quot;I have resolved to take with me an hundred horse and many mules and make for that mountain, where we will load the beasts with the monies which be in the hermitage.&amp;quot; Then he sent at once for the Chief Chamberlain whom they brought into the presence; and he summoned likewise the leaders of the Turks and Daylamites and said, &amp;quot;As soon as it is dawn, do ye set forth for Constantinople; and thou, O Chamberlain, shalt take my place in council and contrivance, while thou, O Rustam, shalt be my brother's deputy in battle. But let none know that we are not with you and after three days we will rejoin you.&amp;quot; Then he chose out an hundred of the doughtiest riders, and he and Sharrkan and the Minister Dandan set out for the hermitage, and the hundred horsemen led the mules with chests for transporting the treasure.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan and his brother, Zau al-Makan and the Wazir Dandan set off with an hundred horse for the hermitage described to them by that accursed Zat al-Dawahi, and they took with them mules and chests for transporting the treasure. Now as soon as dawned the morn, the Chamberlain signalled to the host an order for departure, and they set out thinking that the two Kings and the Wazir were with them; knowing not that the three had made for the monastery. Such was the case with the host, but as regards the two Kings and the Minister, they tarried in their place till the end of that day. Now the Infidels who were with Zat al-Dawahi took their departure privily, after they had gone in to her and kissed her hands and feet and obtained her leave to march. So she not only gave them permission but also taught them all she minded of wile and guile. And when it was dark night, she arose and went in to Zau al-Makan and his companions and said to them, &amp;quot;Come, let us set out for the mountain, and take with you a few men at arms.&amp;quot; They obeyed her and left five horsemen at the foot of the mountain, whilst the rest rode on before Zat al-Dawahi, who gained new strength for excess of joy, so that Zau al-Makan said, &amp;quot;Glory be to Him who sustaineth this holy man, whose like we never saw!&amp;quot; Now the witch had written a letter to the King of Constantinople and despatched it on the wings of a bird, acquainting him with what had passed and ending, &amp;quot;I wish thee to send me ten thousand horsemen of the bravest of the Greeks and let them steal along the foot of the mountains with caution, lest the host of Al-Islam get sight of them; and, when they reach the hermitage, let them ambush themselves there, till I come to them with the Moslem King and his brother, for I shall inveigle them and will bring them thither, together with the Wazir and an hundred horse and no more, that I may presently deliver to them the crosses which be in the hermitage. I am resolved to slay the Monk Matruhina, since my scheme cannot be carried out but by taking his life. If my plot work well, not one of the Moslems shall return to his own country; no, not a living wight nor one who blows the fire alight; and Matruhina shall be a sacrifice for the followers of the Nazarene faith and the servants of the Cross, and praise be to the Messiah, first and last.&amp;quot; When this letter reached Constantinople, the keeper of the carrier pigeons carried it to King Afridun, who read it and forthwith inspected his host and equipped ten thousand cavaliers with horses and dromedaries and mules and provaunt and bade them repair to that hermitage and, after reaching the tower, to hide therein. Thus far concerning them; but as regards King Zau al-Makan and his brother Sharrkan and the Wazir Dandan and the escort, when they reached the hermitage they entered and met the Monk Matruhina, who came out to see who and what they were; whereupon quoth that pious man Zat al-Dawahi, &amp;quot;Slay this damned fellow.&amp;quot; So they smote him with their swords and made him drink the cup of death. Then the accursed old woman carried them to the place of offerings and ex votos, and brought out to them treasures and precious things more than she had described to them; and after gathering the whole together, they set the booty in chests and loaded the mules therewith. As for Tamasil, she came not, she or her father, for fear of the Moslems; so Zau al-Makan tarried there, awaiting her all that day and the next and a third, till Sharrkan said to him, &amp;quot;By Allah, I am troubled anent the army of Al-Islam, for I know not what is become of them.&amp;quot; His brother replied, &amp;quot;And I also am concerned for them: we have come by this great treasure and I do not believe that Tamasil or any one else will approach the hermitage, after that befel which hath befallen the host of the Christians. It behoveth us, then, to content ourselves with what Allah hath given us and depart; so haply He will help us conquer Constantinople.&amp;quot; Accordingly they came down from the mountain, while Zat al-Dawahi was impotent to oppose their march for fear of betraying her deceit; and they fared forwards till they reached the head of a defile, where the old woman had laid an ambush for them with the ten thousand horse. As soon as these saw the Moslems they encircled them from all sides, couching lance and baring the white sabre blade; and the Infidels shouted the watch word of their faithless Faith and set the shafts of their mischief astring. When Zau al-Makan and his brother Sharrkan and the Minister Dandan looked upon this host, they saw that it was a numerous army and said, &amp;quot;Who can have given these troops information of us?&amp;quot; Replied Sharrkan, &amp;quot;O my brother, this be no time for talk; this is the time for smiting with swords and shooting with shafts) so gird up your courage and hearten your hearts, for this strait is like a street with two gates; though, by the virtue of the Lord of Arabs and Ajams, were not the place so narrow I would bring them to naught, even though they were an hundred thousand men!&amp;quot; Said Zau al-Makan, &amp;quot;Had we wotted this we would have brought with us five thousand horse;&amp;quot; and the Wazir Dandan continued, &amp;quot;If we had ten thousand horse they had availed us naught in these narrows; but Allah will succour us against them. I know this defile and its straitness, and I know there be many places of refuge in it; for I have been here on razzia with King Omar bin al-Nu'uman, what while we besieged Constantinople. We abode in this place, and here is water colder than snow. So come, let us push out of this defile ere the Infidel host increase on us and get the start of us to the mountain top, whence they will hurl down rocks upon us, and we powerless to come at them.&amp;quot; So they began hurrying on to get out of those narrows; but the pious man, Zat al-Dawahi, looked at them and said, &amp;quot;What is it ye fear, ye who have vowed yourselves to the Lord, and to working His will? By Allah, I abode imprisoned underground for fifteen years, yet never gainsaid the Almighty in aught he did with me! Fight ye in Allah's way; so whoever of you is slain Paradise shall be his abode, and whoso slayeth, his striving shall be to his honour.&amp;quot; When they heard from the ascetic these words, their care and anxiety ceased from them and they stood firm till the Infidels charged down from all sides, whilst the swords played upon their necks and the cup of death went round amongst them. The Moslems fought for the service of Allah a right good fight, and wrought upon His foes with sway of sword and lunge of lance; whilst Zau al-Makan smote upon the men and garred the knights bite the dust and their heads from their bodies take flight, five by five and ten by ten, till he had done to death a number of them past numbering and an accompt beyond counting. Now while so doing, he looked at the accursed old woman who was waving her sword and heartening them, and all who feared fled to her for shelter; but she was also signing the Infidels to slay Sharrkan. So troop after troop rushed on him with design to do him die; but each troop that charged, he charged and drove back; and when another troop attacked him he repelled the assault with the sword in their backs; for he thought it was the devotee's blessing that gave him the vic tory, and he said in himself, &amp;quot;Verily on this holy men Allah looketh with eyes of His favour and strengtheneth my prowess against the Infidels with the purity of his pious intent: for I see that they fear me and cannot prevail against me, but every one who assaileth me turneth tail and taketh flight.&amp;quot; So they battled the rest of the day and, when night fell, the Moslems took refuge in a cave of that defile being weary with stress of war and cast of stone: and that day were slain of them five and forty. And when they were gathered together, they sought the devotee, but could find no trace of him; and this was grievous to them and they said, &amp;quot;Belike, he hath died a martyr.&amp;quot; Quoth Sharrkan, &amp;quot;I saw him heartening the horsemen with divine instances and using as talisman verses of Holy Writ.&amp;quot; Now while they were talking, behold, the accursed old woman, Zat al-Dawahi, stood before them, hending in hand the head of the Chief Captain of the ten thousand horse, a noble knight, a champion fierce in fight and a Satan for blight. One of the Turks had slain him with an arrow, and Allah hurried his soul to the fire; and when the Infidels saw what that Moslem had done with their leader, they all fell on him and wrought his bane and hewed him in pieces with their swords, and Allah hurried his soul to Heaven. Then the accursed old woman cut off that Knight's head and brought it and threw it at the feet of Sharrkan and Zau al-Makan and the Wazir Dandan. Now when Sharrkan sew her, he sprang up hastily before her and exclaimed, &amp;quot;Praised be Allah for thy safety and for our sighting thee, O holy man and devout champion of the Religion!&amp;quot; Replied she, O my son, I have sought martyrdom this day, and have thrown my life away amid the Infidel array, but they feared me with dismay. When ye dispersed, I waxed jealous for your honour; so I rushed on the Chief Knight their leader, albeit he was a match for a thousand horse, and I smote him till I severed head from trunk. Not one of the Infidels could near me; so I brought his head to you,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the damned witch, Zat al-Dawahi, took the head of the Knight, the leader of the twenty thousand Infidels, she brought it and threw it down before Zau al-Makan and his brother Sharrkan and the Wazir Dandan, saying, &amp;quot;When I saw your condition, I waxed jealous for your honour; so I rushed on the Chief Knight and smote him with the sword till I severed head from trunk. And none could near me, so I brought his head to you, that you may be strengthened in Holy War and work out with your swords the will of the Lord of the Faithful. And now I purpose leaving you to strive against the Infidels, whilst I go to your army, though they be at the gates of Constantinople, and return with twenty thousand horse to destroy these Unfaithfuls.&amp;quot; Quoth Sharrkan, &amp;quot;How wilt thou pass to them, O thou holy man, seeing that the valley is blocked up on all sides by the Miscreants?&amp;quot; Quoth the accursed hag, &amp;quot;Allah will veil me from their eyes and they shall not sight me; nor, if any saw me, would he dare to attack me at that time, for I shall be as one non existing, absorbed in Allah, and He will fend off from me His foes.&amp;quot; &amp;quot;Thou sayest sooth, O holy man,&amp;quot; rejoined Sharrkan, &amp;quot;for indeed I have been witness of that; so, if thou can pass out at the first of the night, 'twill be best for us.&amp;quot; Replied she, &amp;quot;I will set out at this very hour and, if thou desire, thou shalt go with me and none shall see thee. Furthermore if thy brother also have a mind to go with us we will take him, but none else; for the shadow of a saint can cover only twain.&amp;quot; Sharrkan said, &amp;quot;As for me I will not leave my comrades; but, if my brother will, there is no harm in his going with thee and setting us free of this strait; for he is the stronghold of the Moslems and the sword of the Lord of the three Worlds; and if it be his pleasure, let him take with him the Wazir Dandan, or whom else he may elect and send us ten thousand horse to succour us against these caitiffs.&amp;quot; So after debate they agreed on this and the old woman said, &amp;quot;Give me leisure to go before you and consider the condition of the Infidels, if they be asleep or awake.&amp;quot; Quoth they, &amp;quot;We will not go forth save with thee and trust our affair to Allah.&amp;quot; &amp;quot;If I do your bidding,&amp;quot; replied she, &amp;quot;blame me not but blame yourselves; for it is my rede that you await me till I bring you tidings of the case.&amp;quot; Then said Sharrkan, &amp;quot;Go to them and delay not from us, for we shall be awaiting thee.&amp;quot; Thereupon she fared forth and Sharrkan turned to his brother addressing him and said, &amp;quot;Were not this holy man a miracle worker, he had never slain yonder furious knight. This is proof sufficient of the ascetic's power; and of a truth the pride of the Infidels is laid low by the slaying of this cavalier, for he was violent, an evil devil and a stubborn.&amp;quot; Now whilst they were thus devising of the mighty works of the devotee, behold, the accursed Zat al-Dawahi came upon them and promised them victory over the Unbelievers; wherefor they thanked her (not knowing that all this was wile and guile) and the damned hag asked, &amp;quot;Where be the King of the Age, Zau al-Makan, and the Minister Dandan?&amp;quot; Answered he, &amp;quot;Here am I!&amp;quot; Take with thee thy Wazir,&amp;quot; said she, &amp;quot;and follow after me, that we may fare forth to Constantinople.&amp;quot; Now she had acquainted the Infidels with the cheat she had put upon the Moslems, and they rejoiced with exceeding great joy, and said, Our hearts will not be contented till we shall have slain their King in return for the Knight's death; because we had no stouter rider than he;&amp;quot; and they added (bespeaking the ill omened hag as she told them her plan of faring to the land of the Moslems), &amp;quot;When thou bringest him to us, we will bear him to King Afridun.&amp;quot; Then she went out and went out with her Zau al-Makan and the Minister Dandan, and she walked on before the two saying, &amp;quot;Fare forth with the blessing of Almighty Allah!&amp;quot; So they did her bidding, for the shaft of Pate and Fortune of man's lot had shot them, and she ceased not leading them both through the midst of the Grecian camp, till they came to the defile, the narrow pass aforesaid, whilst the Infidel enemy watched them, but did them no hindrance; for the infernal old woman had enjoined this. Now when Zau al-Makan and the Wazir Dandan saw that the Infidel host offered them no let and stay and yet had them in sight, the Wazir exclaimed, &amp;quot;By Allah, this is one of the holy man's saintly miracles! and doubtless he be of the elect.&amp;quot; Rejoined Zau al-Makan, &amp;quot;By Allah, I think the Infidels be naught but blind, for we see them and they see us not.&amp;quot; And while they were thus praising the holy man and recounting his mighty works and his piety and his prayers, behold, the Infidels charged down on them from all sides and surrounded them and seized them, saying, &amp;quot;Is there anyone else with you twain, that we may seize upon him too?&amp;quot; And the Wazir Dandan replied, &amp;quot;See you not yon other man that is before us? ' Replied the Unbelievers, &amp;quot;By the truth of the Messiah and the Monks, and the Primate and the Metropolitan, we see none save you two!&amp;quot; Then Zau Al-Makan said, &amp;quot;By Allah, this is a chastisement decreed to us by Almighty Allah!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Unfaithful had seized upon King Zau al-Makan and the Wazir Dandan, they said to the two, &amp;quot;Is there anyone else with you twain, that we may seize upon him also?&amp;quot; And the Wazir Dandan replied, &amp;quot;See you not yon other man who be with us?&amp;quot; They rejoined, &amp;quot;By the truth of the Messiah and the Monks and the Primate and the Metropolitan, we see none save you two!&amp;quot; Then the Infidels laid shackles on their feet and set men to guard them during the night, whilst Zat al-Dawahi fared on and disappeared from their sight. So they fell to lamenting and saying to each other, &amp;quot;Verily, the opposing of pious men leadeth to greater distress than this, and we are punished by the strait which hath befallen us.&amp;quot; So far concerning Zau al-Makan and the Wazir Dandan; but as regards King Sharrkan, he passed that night in the cavern with his comrades, and when dawned the day and he had prayed the morn prayer, he and his men made ready to do battle with the Infidel and he heartened them and promised them all good. Then they sallied out till they were hard upon the Unbelievers and, when these saw them from afar, they cried out to them, saying, &amp;quot;O Moslems, we have taken captives your Sultan and your Wazir who hath the ordering of your affairs; and except ye leave off fighting us, we will slay you to the last man; but an you yield yourselves we will take you to our King, who will make peace with you on condition that you quit our country and return home and harm us in naught, and we will do you no harm in aught. If ye accept, it will be well for you; but if ye refuse there remaineth nothing for you but death. So we have told you sooth, and this is our last word to you.&amp;quot; Now when Sharrkan heard this and was certified of the captivity of his brother and the Wazir Dandan, he was weighed down with woe and wept; his force failed him and, making sure of death, he said to himself, &amp;quot;Would I knew the cause of their capture! Did they fail of respect to the holy man or disobey him, or what was the matter?&amp;quot; Then they sprang up to battle with the Unbelievers and slew great numbers of them. The brave was known that day from craven men, and sword and spear were dyed with bloody stain; for the Infidels flocked up on them, as flies flock to drink, from hill and from plain; but Sharrkan and his men ceased not to wage the fight of those who fear not to die, nor let death hinder them from the pursuit of victory, till the valley ran gore and earth was full of the slain she bore. And when night fell the armies separated each making for his own place; and the Moslems returned to the cavern where gain and loss were manifest to them: few remained of them and there was no dependence for them but on Allah and the scymitar. Now there had been slain of them that day five and thirty men of the chiefest Emirs, and they had killed thousands of the Infidels, footmen and fighters on horse. When Sharrkan saw this, the case was grievous to him and he asked his comrades &amp;quot;What shall we do?&amp;quot;; whereto all answered, &amp;quot;That which Almighty Allah willeth shall befal us.&amp;quot; On the morning of the second day, Sharrkan said to the remnant of his troop, &amp;quot;If ye go forth to fight, not one of you will remain alive and we have but little left of food and water; so I deem ye would do better to bare your brands and go forth and stand at the mouth of this cavern, to hinder any from entering. Haply the holy man may have reached the Moslem host, and may return with ten thousand horses to succour us in fight with the Infidels, for belike the Unfaithful may have failed to see him and those with him.&amp;quot; They said, This were the better course to take, and of its expediency no doubt we make.&amp;quot; So the troop went out and held the cavern mouth standing by its walls; and every one of the Infidels who sought to enter in, they slew. Thus did they fend off the foe from the gape of the cave and they patiently supported all such assaults, till day was done and night came on dusky and dun;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the army of the Moslems held the cavern mouth and stood by its walls and they fended off the foe, and every one of the Infidels attempted to charge them, him they slew; and they patiently supported all such assaults till day was done and night came on dusky and dun, by which time King Sharrkan had only five and twenty men and no more left. Then quoth the Infidels to one another, &amp;quot;When shall these battle days have an end? We are weary of warring the Moslems.&amp;quot; And quoth one of them, &amp;quot;Up and at them, for there remain of them but five and twenty men! If we cannot prevail on them to fight, let us light a fire upon them; and if they submit themselves and yield to us, we will take them prisoners; but if they refuse we will leave them for fuel to the fire, so shall they become to men of foreseeing mind a warning dire. May the Messiah on their fathers have no grace, and may the sojourn of the Nazarenes be for them no abiding place!&amp;quot; So they carried fuel to the jaws of the cavern and set fire to it. Thereupon Sharrkan and his companions made sure of perdition and yielded themselves prisoners. And while they were in this condition, lo! the knight their captain said to those who counselled their slaughter, &amp;quot;It is not for any save for King Afridun to kill them, that he may gratify his wrath; therefore it behoveth us to keep them in durance by us till the morrow, when we will journey with them to Constantinople and deliver them to our King, who shall deal with them as he please.&amp;quot; Said they, &amp;quot;This is the right course;&amp;quot; and he commanded to pinion them and set guards over them. Then, as soon as it was black night, the Infidels busied themselves with feasting and making festival; and they called for wine and drank it till all fell upon their backs. Now Sharrkan and his brother, Zau al-Makan, were in confinement and so also were his companion knights; whereupon the elder turned to the younger brother and said to him, &amp;quot;O my brother, how win free?&amp;quot; &amp;quot;By Allah,&amp;quot; replied Zau al Makan, &amp;quot;I know not; for here we be like birds in cage.&amp;quot; Then Sharrkan waxed wroth and sighed for excess of rage and stretched himself, till his pinion bonds brass asunder; whereupon being free he arose and went up to the Captain of the guard, and taking from his pocket the keys of the fetters, freed Zau al-Makan and the Wazir Dandan and the rest of his men. Then he turned to the two and said, &amp;quot;I desire to slay three of these Infidels and take and don their dress, we three; so that we shall be guised as Greeks and we will pass through them, with out their knowing us, and fare forth to our own force.&amp;quot; Replied Zau al-Makan, &amp;quot;This is no safe counsel for if we kill them, I fear some of their comrades may hear their shrieks and the foe be aroused upon us and kill us. 'Twere the surer way to pass out of the defile.&amp;quot; So they agreed upon this and set out; and, when they had left the head of the strait a little distance behind, they saw horses picketed and the riders sleeping: and Sharrkan said to his brother, &amp;quot;Better we take each one of us a steed.&amp;quot; There were five and twenty horsemen, so they took five and twenty horses, whilst Allah sent sleep upon the Infidels for a purpose He knew and the Faithful mounted and fared on till they were out of reach. Meanwhile Sharrkan set to gathering from the Infidels as many weapons, swords, and spears, as were wanted. And while they took saddle and struck forwards none of the Infidels supposed that anyone could release Zau al-Makan and his brother and their men; or that their prisoners had power to escape. Now when all the captives were safe from the Unfaithful, Sharrkan came up with his comrades, and found them awaiting his arrival, on coals of flame, expecting him in anxious grame, so he turned to them and said, &amp;quot;Feel no fear since Allah protecteth us. I have that to propose which haply shall effect our purpose.&amp;quot; &amp;quot;What is it?&amp;quot; asked they and he answered, &amp;quot;I desire that ye all climb to the mountain top and cry out with one voice, 'Allaho Akbar!' and ye add, 'The army of Al Islam is upon you! Allaho Akbar!' This wise their company will surely be dissolved nor will they find out the trick for they are drunk, but they will think that the Moslem troops have encompassed them about on all sides and have mingled with them; so they will fall on one another brand in hand during the confusion of drunkenness and sleep, and we will cleave them asunder with their own swords and the scymitar will go round amongst them till dawn.&amp;quot; Replied Zau al-Makan, &amp;quot;This plan is not good; we should do better to make our way to our army and speak not a word; for if we cry out 'Allaho Akbar,' they will wake and fall on us and not one of us will escape.&amp;quot; Rejoined Sharrkan, &amp;quot;By Allah, though they should awake tis no matter, and I long that ye fall in with my plan, for naught save good can come of it!&amp;quot; So they agreed thereon and clomb the mountain and shouted, &amp;quot;Allaho Akbar!&amp;quot; And hills and trees and rocks reworded their Allaho Akbar for fear of the Almighty. But when the Kafirs heard this slogan they cried out to one another,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundredth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan spake thus, &amp;quot;I long that ye fall in with this my plan, for naught save good can come of it.&amp;quot; So they agreed thereon and clomb the mountain head and shouted, &amp;quot;Allaho Akbar!&amp;quot;; and hills and trees and rocks re worded their Allaho Akbar for fear of the Almighty. The Infidels heard it and cried out one to other and donned their armour and said, &amp;quot;The foe is upon us, by the truth of the Messiah!&amp;quot; Then they fell on one another and slew of their own men more than any knoweth save Almighty Allah. As soon as it was dawn, they sought for the captives, but found no trace of them, and their captains said, &amp;quot;They who did this were the prisoners in our possession; up, then, and after them in all haste till ye overtake them, when we will make them quaff the cup of requital; and let not fright nor the panic of sudden awaking possess you.&amp;quot; So they took horse and rode after the fugitives and it wanted but an eye twinkling before they overtook them and surrounded them. Now when Zau al-Makan saw this, he was seized with increase of terror and said to his brother, &amp;quot;What I feared would come, is come upon us, and now it remaineth only for us to fight for the Faith.&amp;quot; But Sharrkan preferred to hold his peace. Then Zau al- Makan and his companions rushed down from the hill crest, shouting, &amp;quot;Allaho Akbar!&amp;quot; and his men repeated the war cry and addressed themselves to fight and to sell their lives in the service of the Lord of Faithful Men; and while they were in this case, behold, they heard many voices voicing, &amp;quot;There is no god but the God! God is most great! Salutation and salvation upon the Apostle, the Bringer of glad Tidings, the Bearer of bad Tidings!'' So they turned towards the direction of the sound and saw a company of Moslems who believed in one God, pushing towards them, whereat their hearts were heartened and Sharrkan charged upon the Infidels crying out, &amp;quot;There is no god but the God! God is most great! he and those with him, so that earth quaked as with an earthquake and the Unbeliever host brake asunder and fled into the mountains and the Moslems followed them with lunge and blow; and Zau al-Makan and his comrades of the Moslems ceased not to smite the hosts of the Infidel foe, and parted heads from bodies till day darkened and night coming on starkened sight. Thereupon the Moslems drew together and passed the night in congratulations, and, when morning dawned and daybreak shone with its shine and sheen, they saw Bahram, the captain of the Daylamites, and Rustam, the captain of the Turks, advancing to join them, with twenty thousand cavaliers like lions grim. As soon as they saw Zau al-Makan, the riders dismounted and saluted him, and kissed ground between his hands when he said to them, &amp;quot;Rejoice ye in the glad tidings of the victory of the Moslem and the discomfiture of the tribe of Unbelievers!&amp;quot; Then they gave one another joy of their deliverance and of the greatness of their reward after Resurrection Day. Now the cause of the coming of the succours to that place was this. When the Emir Bahram and the Emir Rustam and the Chief Chamberlain, with the Moslem host and flags flaunting high ahead, came in sight of Constantinople they saw that the Nazarenes had mounted the walls and manned the towers and the forts, and had set all their defenders in order of defence, as soon as they learned of the approach of the host of Al-Islam and the banners Mohammedan, and they heard the clash of arms and the noise of war voices and tramp of horse hoofs and from their look outs they beheld the Moslems, with their standards and ensigns of the Faith of Unity under the dust clouds and lo! they were like a flight of locusts or rain clouds raining rain, and the voices of the Moslems chanting the Koran and glorifying the Compassionate One, struck their ears. Now the Infidels knew of the approach of this host through Zat al-Dawahi with her craft and whoredom, calumny and contrivance. And the armies of Al-Islam drew near, as it were the swollen sea, for the multitude of footmen and horsemen and women and children. Then quoth the General of the Turks to the General of the Daylamites, &amp;quot;O Emir, of a truth, we are in jeopardy from the multitude of the foe who is on the walls. Look at yonder bulwarks and at this world of folk like the seas that clash with dashing billows. Indeed yon Infidel outnumbereth us an hundredfold and we cannot be safe from spies who may inform them that we are without a Sultan. In very sooth, we run danger from these enemies, whose numbers may not be told and whose resources none can withhold, especially in the absence of King Zau al-Makan and his brother Sharrkan and the illustrious Wazir Dandan. If they know of this, they will be emboldened to attack us in their absence and with the sword they will annihilate us to the last man; not one of us safety shall see. So it is my counsel that thou take ten thousand riders of the allies and the Turks, and march them to the hermitage of Matruhina and the meadow of Malúkhiná in quest of our brothers and comrades. If thou act by my advice, it may be we shall approve ourselves the cause of their deliverance, in case they be hard pressed by the Infidels; and if thou act not, blame will not attach to me. But, an ye go, it behoveth that ye return quickly, for ill suspicion is part of prudence.&amp;quot; The Emir aforesaid fell in with his counsel; so they chose twenty thousand horse and they set out covering the roads and making for the monastery above mentioned. So much for the cause of their coming; but as regards the ancient dame, Zat al-Dawahi, as soon as she had delivered Sultan Zau al-Makan and his brother Sharrkan and the Wazir Dandan into the hands of the Infidels, the foul whore mounted a swift steed, saying to the Faithless, &amp;quot;I design to rejoin the Moslem army which is at Constantinople and contrive for their destruction; for I will inform them that their chiefs are dead, and when they hear that from me, their joining will be disjointed and the cord of their confederation cut and their host scattered. Then will I go to King Afridun, Lord of Constantinople, and to my son Hardub, King of Roum, and relate to them their tidings and they will sally forth on the Moslems with their troops and will destroy them and will not leave one of them alive.&amp;quot; So she mounted and struck across country on her good steed all the livelong night; and, when day dawned, appeared the armies of Bahram and Rustam advancing towards her. So she turned into a wayside brake and hid her horse among the trees and she walked a while saying to herself, &amp;quot;Haply the Moslem hosts be returning, routed, from the assault of Constantinople.&amp;quot; However, as she drew near them she looked narrowly and made sure that their standards were not reversed, and she knew that they were coming not as conquered men, but fearing for their King and comrades. When she was assured of this, she hastened towards them, running at speed, like a devil of ill rede, till reaching them she cried out, &amp;quot;Haste ye! haste ye! O soldiers of the Compassionate One, hasten to the Holy War against the hosts of Satan!&amp;quot; When Bahram saw her he dismounted and kissed the ground before her and asked her, &amp;quot;O friend of Allah what is behind thee?&amp;quot; Answered she, &amp;quot;Question not of sad case and sore condition; for when our comrades had taken the treasure from the hermitage of Matruhina, and designed to win their way Constantinople wards, thereupon came out on them a driving host and a dreadful of the Infidels.&amp;quot; And the damned witch repeated to them the story to fill them with trouble and terror, adding, &amp;quot;The most of them are dead, and there are but five and twenty men left.&amp;quot; Said Bahram, &amp;quot;O holy man! when didst thou leave them?&amp;quot; &amp;quot;But this night,&amp;quot; replied she. He cried, &amp;quot;Glory be to Allah! to Him who hath rolled up the far distance for thee like a rug, so that thou hast sped thus walking upon thy feet and props upon a mid-rib of palm-tree! But thou art one of the saints which fly like birds when inspired and possessed by His directions.&amp;quot; Then he mounted his horse, and he was perplexed and confounded by what he had heard from the beldam so strong in lies and ill calumnies, and he said, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! Verily our labour is lost and our hearts are heavy within us, for our Sultan is a prisoner and those who are with him.&amp;quot; Then they cut across the country, wide and side, night and day, and when morning dawned they reached the head of the defile and saw Zau al-Makan and Sharrkan shouting. &amp;quot;There is no god but the God! Allaho Akbar! and Salutation and Salvation upon the Congratulator, the Comminator.&amp;quot; Whereupon he and his drove at the Unbelievers and whelmed them, as the rain torrent whelms the waste; and cried out their war cries, till fear get hold of the prowess Knights and the mountains were cloven in affright. And when shone the day and showed its shine and sheen, the breeze of morning blew upon them sweet and fragrant, and each recognised other as hath been said before. Then they kissed the ground before the King and before his brother Sharrkan, who told them all that had befallen the party in the cave. Now thereat they marvelled and said to one another, &amp;quot;Hasten we back to Constantinople, for we left our companions there, and our hearts are with them.&amp;quot; So they hurried departure, commending themselves to the Subtle, the All-wise, and Zau al-Makan exhorted the Moslems to steadfast- ness and versified in the following couplets,&#xA;&#xA;&amp;quot;Be praises mine to all praiseworthy Thee, * O Lord, who stinted&#xA;            not mine aid to be!&#xA;Though was I lost abroad, Thou west to me * Strongest support&#xA;            which vouchsafed victory:&#xA;Thou gav'st me wealth and reign and goodly gifts, * And slungest&#xA;            con quering sword of valiancy:&#xA;Thou mad'st me blest beneath Thy kingly shade, * Engraced with&#xA;            generous boons dealt fain and free:&#xA;Thou savedst *from every fear I feared, by aid * Of my Wazir, the&#xA;            Age's noblest he!&#xA;Garred us Thy grace in fight to throw the Greek, * Who yet came&#xA;             back dight in War's cramoisie:&#xA;Then made I feint to fly from out the fight; * But like grim lion&#xA;           turning made them flee,&#xA;And left on valley sole my foemen, drunk * Not with old&#xA;           wine but Death-cup's revelry:&#xA;Then came the Saintly Hermit, and he showed * His marvels wrought&#xA;            for town and wold to see;&#xA;When slew they hero-wights who woke to dwell * In Eden bowers&#xA;           wherein sweet rill-lets well.&amp;quot;&#xA;&#xA;But, when Zau al-Makan had made an end of versifying, his brother Sharrkan congratulated him on his safety and thanked him for the deeds he had done; after which both set out forcing their marches to rejoin their army.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and First Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan congratulated his brother, Zau al-Makan, on his safety and thanked him for the deeds he had done; after which both set out forcing their marches to rejoin their army. Such was their case; but as regards the old woman, Zat al-Dawahi, after she had foregathered with the hosts of Rustam and Bahram, she returned to the coppice, where she took her steed and mounted and sped on at speed, till she drew near the Moslem army that beleaguered Constantinople, when she lighted down from her destrier and led it to the pavilion tent of the Chief Chamberlain. And when he saw her, he stood up to her in honour and signed to her with his right hand and said, &amp;quot;Welcome O pious recluse!&amp;quot; Then he questioned her of what had befallen, and she repeated to him her disquieting lies and deluding calumnies, saying, &amp;quot;In sooth I fear for the Emir Rustam, and the Emir Bahram, for that I met them and theirs on the way and sent them and their following to relieve the King and his companions. Now there are but twenty thousand horse and the Unbelievers outnumber them; so I would have thee at this moment send off the rest of thy troops at full speed to their suc cour, lest they be slain to the last man.&amp;quot; And she cried to them, &amp;quot;Haste! Haste!&amp;quot; When the Chamberlain and the Moslems heard these words, their spirits fell and they wept; but Zat al-Dawahi said to them, &amp;quot;Ask aidance of Allah and bear patiently this triburation; for ye have the example of those who have been before you of the people of Mohammed; and Paradise with its palaces is laid out by Allah for those who die martyrs; and needs must all die, but most praiseworthy is dying while fighting for the Faith.&amp;quot; The Chamberlain, hearing this speech of the accursed old woman, called for the Emir Bahram's brother, a knight by name Tarkash; and, choosing out for him ten thousand horse, riders famed for force, bade him set out at once. So he fared forth and marched all that day and the whole of the next night, till he neared the Moslems. When daylight dawned, Sharrkan saw the dust cloud about them and feared for the men of Al-Islam and said, &amp;quot;If these troops which are coming upon us be Moslem men our victory is assured by them; but, if these be Nazarenes, there is no gainsaying Destiny's decrees.&amp;quot; Then he turned to his brother, Zau al- Makan, and said, Never fear, for with my life I will ransom thee from death. If these be Mohammedan troops, then were it an increase of heavenly favours; but, if they be our foes, there is no help save that we fight them. Yet do I long to meet the Holy Man ere I die, so I may beg him to pray that I die not save by death of martyrdom.&amp;quot; Whilst the twain were thus speaking, behold, there appeared the banners inscribed with the words, &amp;quot;There is no god but the God and Mohammed is the Apostle of God;&amp;quot; and Sharrkan cried out, &amp;quot;How is it with the Moslems?&amp;quot; &amp;quot;All are sound and safe,&amp;quot; replied they, &amp;quot;and we came not but out of concern for you.&amp;quot; Then the Chief of the army dismounted and, kissing ground before Sharrkan, asked, &amp;quot;O my lord, how be the Sultan and the Wazir Dandan and Rustam and my brother Bahram; are they all in safety?&amp;quot; He answered, &amp;quot;All well; but who brought thee tidings of us?&amp;quot; Quoth Tarkash; &amp;quot;It was the Holy Man who told us that he had met my brother Bahram and Rustam and had sent them both to you and he also assured us that the Infidels had encompassed you and out numbered you; but I see not the case save the contrary thereof and that you are victorious.&amp;quot; They questioned him, &amp;quot;And how did the Holy Man reach you?&amp;quot;; and he replied, &amp;quot;Walking on his feet and he had compassed in a day and a night, ten days' journey for a well girt horseman.&amp;quot; &amp;quot;There is no doubt but that he is a Saint of Allah,&amp;quot; said Sharrkan, &amp;quot;but where is he now?&amp;quot; They rejoined, &amp;quot;We left him with our troops, the folk of the Faith, moving them to do battle with the rebels and the Faithless.&amp;quot; Thereat Sharrkan rejoiced and all thanked Allah for their own deliverance and the safety of the Holy Man; and commended the dead to His mercy saying, &amp;quot;This was writ in the Book.&amp;quot; Then they set out making for Constantinople by forced marches, and whilst they were on this enterprise, behold, a dust cloud arose to such height that it walled the two horizons, the eastern and the western, from man's sight and the day was darkened by it to night. But Sharrkan looked at it and said, &amp;quot;Verily, I fear lest this be the Infidels who have routed the army of Al-Islam for that this dust walleth the world, east and west, and hideth the two horizons, north and south.&amp;quot; Presently appeared under the dust a pillar of darkness, blacker than the blackness of dismal days; nor ceased to come upon them that column more dreadful than the dread of the Day of Doom. Horse and foot hastened up to look at it and know the terrors of the case, when behold, they saw it to be the recluse aforesaid; so they thronged round him to kiss his hands and he cried out, &amp;quot;O people of the Best of Mankind, the lamp which shineth in darkness blind, verily the Infidels have outwitted the Moslems by guile, for they fell upon the host of the One God whilst they deemed themselves safe from the Faithless, and attacked them in their tents and made a sore slaughter of them what while they looked for no wile; so hasten to the aid of the Believers in the unity of God, and deliver them from those who deny Him!&amp;quot; Now when Sharrkan heard these words, his heart flew from his breast with sore trouble; and, alighting from his steed in amazement, he kissed the Recluse's hands and feet. On like wise did his brother, Zau al-Makan, and the rest of the foot and horse troops; except the Wazir Dandan, who dismounted not but said, &amp;quot;By Allah, my heart flieth from this devotee, for I never knew show of devotion to religion that bred not bane. So leave him and rejoin your comrades the Moslems, for this man is of the outcasts from the gate of the mercy of the Lord of the Three Worlds! How often have I here made razzias with King Omar bin al-Nu'uman and trodden the earth of these lands!&amp;quot; Said Sharrkan, &amp;quot;Put away from thee such evil thought, hast thou not seen this Holy Man exciting the Faithful to fight, and holding spears and swords light? So slander him not, for backbiting is blameable and poisoned is the flesh of the pious. Look how he inciteth us to fight the foe; and, did not Almighty Allah love him, He had cast him aforetime into fearful torment.&amp;quot; Then Sharrkan bade bring a Nubian mule for the ascetic to ride and said, &amp;quot;Mount, O pious man, devout and virtuous!&amp;quot; But the devotee refused to ride and feigned self denial, that he might attain his end; and they knew not that this holy personage was like him of whom the poet saith,&#xA;&#xA;&amp;quot;He prayeth and he fasteth for an end he doth espy; * When once his end is safely won then fast and prayer good bye.&amp;quot;&#xA;&#xA;So the devotee ceased not to walk among the horsemen and the footmen, like a wily fox meditating guile, and began to uplift her voice, chanting the Koran and praising the Compassionate One. And they continued pressing forward till they approached the camp of Al-Islam, where Sharrkan found the Moslem in conquered plight and the Chamberlain upon the brink of falling back in flight, whilst the sword of Greece havoc dight among the Faithful, the righteous and those who work upright,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan saw the Moslems in conquered plight and the Chamberlain upon the brink of retreat and flight and the sword havoc dight among the righteous and the workers of upright, the cause of this weakness among the Moslems was that the accursed old woman, Zat al- Dawahi, the foe of the Faith, after seeing that Bahram and Rustam had set forward with their troops to join Sharrkan and his brother Zau al-Makan, repaired to the camp of the Mahometans before Constantinople and caused the mission of the Emir Tarkash, as hath been before said. In this her purpose was to divide the Moslem forces the better to weaken them. Then she left them and entered Constantinople, and called with a loud voice on the knights of the Greeks, saying, &amp;quot;Let me down a cord that I may tie thereto this letter, and do ye bear it to your King Afridun, that he may read it and to my son King Hardub that they both do what is written therein of bidding and forbidding.&amp;quot; So they let down for her a string and she tied thereto a letter whose purport was the following: &amp;quot;From the terriblest of tribulations and the chiefest of all calamities, Zat al-Dawahi, to King Afridun greeting. But afterwards, of a truth I have contrived a device for destroying the Moslems; so bide ye quiet and content. I have cozened and captured their Sultan and the Wazir Dandan; and then I returned to their camp and acquainted them therewith, whereby their pride had a fall and their withers were wrung. And I have so wrought upon the host 'leaguering Constantinople that they have sent ten thousand men under the Emir Tarkash to succour the capitves, of whom there be now left but few; it is therefore my object that ye sally forth against them with all your power while this day endureth; and that ye fall on them in their tents and that ye leave them not till ye shall have slain them to the last man; for, verily the Messiah looketh down upon you and the Blessed Virgin favoureth you; and I hope of the Messiah that he forget not what deed I have done.&amp;quot; When her letter came to King Afridun, he rejoiced with great joyance; and, sending at once for King Hardub of Greece, son of Zat al-Dawahi, read the letter to him as soon as he came,whereathe was exceeding glad and said, &amp;quot;See my mother's craft; verily it dispenseth with swords, and her aspect standeth in stead of the terrors of the Day of Dread.&amp;quot; Rejoined Afridun, &amp;quot;May the Messiah not bereave us of thy venerable parent nor deprive her of her wile and guile!&amp;quot; Then he bade the Knights give orders for sallying outside the city, and the news was noised abroad in Constantinople. So the Nazarenes and the cohorts of the Cross burst forth and unsheathed their keen sabres in their numbers, shouting out their professions of impiety and heresies, and blaspheming the Lord of all Creatures. When the Chamberlain saw the sally, he said, &amp;quot;Behold, the Greek is upon us and they surely have learned that our Sultan is far away; and haply they have attacked us, for that the most part of our troops have marched to the succour of King Zau al-Makan!&amp;quot; Therewith he waxed wroth and cried out, &amp;quot;Ho, soldiers of Al-Islam and favourers of the True Faith, an you flee you are lost, but if ye stand fast, ye win! Know ye that valiancy lieth in endurance of outrance and that no case is so strait but that the Almighty is able to make it straight; Allah assain you and look upon you with eyes of compassion fain!&amp;quot; Thereupon the Moslems cried out, &amp;quot;Allaho Akbar!&amp;quot; and the believer in the One God shouted his slogan, and whirled the mill wheels of fight with cutting and thrusting in main and might; scymitars and spears played sore and the plains and valleys were swamped with gore. The priests and monks priested it, tight girding their girdles and uplifting the Crucifixes, while the Moslem shouted out the professions of the Requiting King and verses of the Koran began to sing. The hosts of the Compassion are One fought against the legions of Satan; and head flew from body of man, while the good Angels hovered above the people of the Chosen Prophet, nor did the sword cease to smite till the day darkened and night came on and starkened. Now the miscreants had encompassed the Moslems and made sure of escaping the pains that awaited them; and the Faithless greeded for victory over the Faithful until day dawned and dazzled. There upon the Chamberlain mounted, he and his men, trusting thee Allah would help them to victory; and host was mingled with host and battle rose a foot and took post. And heads flew from trunks whilst the brave stood fast in stead; the craven turned tail and fled; and the Judge of death judged and sentence sped, so that the champions fell from their saddles slain and corpses cumbered meadow and plain. Then the Moslem began to give ground and rearwards bent; and the Greek took possession of some of their tents; whereupon the Moslems were about to break and retreat and take flight, when meanwhile behold, up came Sharrkan with the rest of the host of Al-Islam and the standards of the Believers in Unity. And having come up with them, he charged the Infidels; and followed him Zau al-Makan and the Wazir Dandan and the Emirs Bahram and Rustam with his brother Tarkash. When the foe saw this, they lost head and their reason fled, and the dust clouds towered till they covered the country whilst the righteous Believers joined their pious comrades. Then Sharrkan accosted the Chamberlain and praised him for his steadfastness; and he in turn gave the Prince joy of his timely succour and his gaining the day. Thereat the Moslems were glad and their hearts were heartened; so they rushed upon their enemies and devoted themselves to Allah in their Fight for the Faith. But when the Idolaters beheld the standards Mohammedan and there on the profession of Faith Islamitan, proclaiming the Unity, they shrieked &amp;quot;Woe!&amp;quot; and &amp;quot;Ruin!&amp;quot; and besought succour of the Patriarchs of the Monasteries. Then fell they to calling upon John and Mary and the Cross abhorrent and stayed their hands from slaughter, whilst King Afridun went up to consult King Hardub of Greece, for the two Kings stood one at the head of each wing, right and left. Now there was with them also a famous cavalier, Lawiya highs, who commanded the centre; and they drew out in battle array, but indeed they were full of alarm and affray. Meanwhile, the Moslems aligned their forces and thereupon Sharrkan came to his brother, Zau al-Makan, and said, &amp;quot;O King of the Age, doubtless they mean to champion it, and that is also the object of our desire; but it is my wish to push forward the stoutest hearted of our fighters, for by forethought is one half of life wrought.&amp;quot; Replied the Sultan, &amp;quot;As thou wilt, O companion of good counsel!&amp;quot; &amp;quot;It is my wish,&amp;quot; added Sharrkan, &amp;quot;to stand in mid line opposite the Infidel, with the Wazir Dandan on my left and thee on my right, whilst the Emir Bahram leads the dexter wing and the Emir Rustam leads the wing sinistral; and thou, O mighty King, shalt be under the standards and the ensigns, for that thou art the pillar of our defence; upon thee, after Allah, is our dependence and we will all be thy ransom from aught that can harm thee.&amp;quot; Zau al-Makan thanked him therefor, and the slogan arose and the sabre was drawn; but, as things stood thus, behold, there came forth a cavalier from the ranks of Roum; and, as he drew near, they saw that he was mounted on a slow paced she mule, fleeing with her master from the shock of swords. Her housings were of white silk covered by a prayer-carpet of Cash mere stuff, and on her back sat a Shaykh, an old man of comely presence and reverend aspect, garbed in a gown of white wool. He stinted not pushing her and hurrying her on till he came near the Moslem and said, &amp;quot;I am an ambassador to you all, and an ambassador hath naught to do save to deliver; so give me safe conduct and permit of speech, that I communicate to you my message.&amp;quot; Replied Sharrkan, &amp;quot;Thou art in safety: fear neither sway of sword nor lunge of lance.&amp;quot; Thereupon the old man dismounted and, taking the Cross from his neck, placed it before the Sultan and humbled himself with much humility. Then quoth to him the Moslems, &amp;quot;What is with thee of news?&amp;quot;; and quoth he, &amp;quot;I am an ambassador from King Afridun, for I counselled him to avert the destruction of all these frames of men and temples of the Compassionate One; and to him it seemed righteous to stay the shedding of blood and limit it to the encounter of two knights in shock of fight singular; so he agreed to that and he saith to you, 'Verily, I will ransom my army with my life; so let the Moslem King do as I do and with his life ransom his host. And if he kill me, there will be no stay left in the army of Roum, and if I kill him, there will be no stability with the Moslems.&amp;quot; When Sharrkan heard this he said, &amp;quot;O monk, I agree to that, for it is just nor may it be gainsaid; and behold, I will meet him in duello and do with him derring do, for I am Champion of the Faithful even as he is Champion of the Faithless; and if he slay me, he will have won the day and naught will remain for the Moslems forces save flight. So return to him, O thou monk, and say that the single combat shall take place to morrow, for this day we have come off our journey and are aweary; but after rest neither reproach nor blame fear ye.&amp;quot; So the monk returned (and he rejoicing) to King Afridun and King Hardub, and told them both what Sharrkan had said, whereat King Afridun was glad with exceeding gladness and fell from him anxiety and sadness, and he said to himself, &amp;quot;No doubt but this Sharrkan is their doughtiest swayer of the sword and the dourest at lunge of lance; and when I shall have slain him, their hearts will be disheartened and their strength will be shattered.&amp;quot; Now Zat al-Dawahi had written to King Afridun of that and had told him how Sharrkan was a Knight of the Braves and the bravest of knights and had warned him against him; but Afridun was a stalwart cavalier who fought in many a fashion; he could hurl rocks and throw spears and smite with the iron mace and he feared not the prowess of the prow. So when he heard the report of the monk that Sharrkan agreed to the duello, he was like to fly for exceeding joy because he had self confidence and he knew that none could with stand him. The Infidels passed that night in joy and jubilee and wine bibbing; and, as soon as it was dawn, the two armies drew out with the swart of spear and the blanch of blade. And behold a cavalier rode single handed into the plain, mounted on a steed of purest strain, and for foray and fray full ready and fain. And that Knight had limbs of might and he was clad in an iron cuirass made for stress of fight. On his breast he wore a jewelled mirror and in his hand he bore a keen scymitar and his lance of Khalanj wood, the curious work of the Frank, weighing a quintal. Then the rider uncovered his face and cried out, saying, &amp;quot;Whoso knoweth me verily hath enough of me, and whoso knoweth me not right soon shall ken who I be. I am Afridun the overwhelmed by the well omened Shawáhi, Zat al-Dawahi.&amp;quot; But he had not ended speaking ere Sharrkan, the Champion of the Moslems, fared forth to meet him, mounted on a sorrel horse worth a thousand pieces of red gold with accoutrements purfled in pearls and precious stone; and he bore in baldrick a blade of watered Indian steel that through necks shore and made easy the hard and sore. He crave his charger between the two hosts in line whilst the horsemen all fixed on him their eyne, and he cried out to Afridun, &amp;quot;Woe to thee, O accursed! dost thou deem me one of the horsemen thou hast overta'en who cannot stand against thee on battle plain?&amp;quot; Then each rushed upon other and they bashed together like two mountains crashing or two billows dash ing and clashing: they advanced and retreated; and drew together and withdrew; and stinted not of fray and fight and weapon play, and strife and stay, with stroke of sword and lunge of lance. Of the two armies looking on, some said, &amp;quot;Sharrkan is victor!&amp;quot; and others, &amp;quot;Afridun will conquer!&amp;quot;; and the two riders stayed not their hands from the hustle until ceased the clamour and the bustle; and the dust columns rose and the day waned and the sun waxed yellow and wan. Then cried out King Afridun to Sharrkan, saying, &amp;quot;By the truth of the Messiah and the Faith which is no liar, thou art nought save a doughty rider and a stalwart fighter; but thou art fraudful and thy nature is not that of the noble. I ken thy work is other than praiseworthy nor is thy prowess that of a Prince; for thy people behave to thee as though thou wert a slave; and see! they bring thee out a charger which is not thine, that thou mayst mount and return to the fight. But by the truth of my Faith, thy fighting irketh and fatigueth me and I am weary of cutting and thrusting with thee; and if thou purpose to lay on load with me to night, thou wouldst not change aught of thy harness nor thy horse, till thou approve to the cavaliers, thy generous blood and skill in brunt.&amp;quot; When Sharrkan heard him say these words concerning his own folk behaving to him though he were a slave, he waxt wroth and turned towards his men, meaning to sign to them and bid them not prepare him change of harness or horse, when lo! Afridun shook his throw spear high in air and cast it at Sharrkan. Now when the Moslem turned his back, he found none of the men near him, and he knew this to be a trick of the accursed Infidel; so he wheeled round in haste and behold, the javelin came at him, so he swerved from it, till his head was bent low as his saddle bow. The weapon grazed his breast, and pierced the skin of his chest, for Sharrkan was high bosomed: whereupon he gave one cry and swooned away. Thereat the accursed Afridun was joyful, thinking he had slain him; and shouted to the Infidels bidding them rejoice, whereat the Faithless were encouraged and the Faithful wept. When Zau al-Makan saw his brother reeling in selle so that he well nigh fell, he despatched cavaliers towards him and the braves hurried to his aid and came up with him. Thereupon the Infidels drove at the Moslems; the two hosts joined battle and the two lines were mingled, whilst the keen scymitar of Al-Yaman did good work. Now the first to reach Sharrkan was the Wazir Dandan,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Zau al-Makan saw that the accursed Infidel had struck with javelin his brother Sharrkan, he deemed him dead, and despatched cavaliers towards him; and the first to reach him were the Wazir Dandan and the Emir of the Turks, Bahram, and the Emir of the Daylamites, Rustam. They found him falling from his horse; so they stayed him in his saddle and returned with him to his brother, Zau al-Makan; then they gave him in charge to his pages, and went again to do the work of cut and thrust. So the strife redoubled and the weapons together clashed and ceased not bate and debate and naught was to be seen but blood flowing and necks bowing; nor did the swords cease on the napes of men to make play nor the strife to rage with more and more affray, till the most part of the night was past away and the two hosts were aweary of the mellay. So they called a truce and each army returned to its tents, whilst all the Infidels repaired to King Afridun and kissed the ground before him, and the priests and monks wished him joy of his victory over Sharrkan. Then the King fared for Constantinople and sat upon the throne of his realm, when King Hardub came to him and said, &amp;quot;May the Messiah strengthen thy fore arm and never cease to be thy helper and hearken to what prayers my pious mother, Zat al-Dawahi, shall pray for thee! Know that the Moslems can make no stay without Sharrkan.&amp;quot; Replied Afridun, &amp;quot;To morrow shall end the affair when to fight I fare: I will seek Zau al-Makan and slay him, and their army shall turn tail and of flight shall avail.&amp;quot; Such was the case with the Kafirs; but as regards the host of Al-Islam, when Zau al-Makan returned to his tent, he thought of naught but his brother and, going into the pavilion, found him in evil case and sore condition; whereupon he summoned for counsel the Wazir Dandan and Rustam and Bahram. When they entered, they opined to assemble the physicians that they might medicine Sharrkan, and they wept and said, &amp;quot;The world will not readily afford his like!&amp;quot; and they watched by him all that night, and about the later hours came to them the Recluse in tears. When Zau al-Makan saw him, he rose in honour; and the Religious stroked Sharrkan's wound with his hand, chanting somewhat of the Koran and repeating by way of talisman some of the verses of the Compassionate One. And the pretender ceased not to watch over him till dawn, when he came to himself and, opening his eyes, moved his tongue in his mouth and spake. At this Zau al-Makan rejoiced, saying, &amp;quot;Of a truth the blessing of the Holy Man hath taken effect on him!&amp;quot; And Sharrkan said, &amp;quot;Praised be Allah for recovery; indeed, I am well at this hour. That accursed one played me false; and, but that I swerved aside lighter than lightening, the throw spear had pierced through my breast. So praised be Allah for saving me! And how is it with the Moslems?&amp;quot; Answered Zau al-Makan, &amp;quot;All are weeping for thee.&amp;quot; Quoth Sharrkan, &amp;quot;I am well and in good case; but where is the Holy Man?&amp;quot; Now he was sitting by him and said, &amp;quot;At thy head.&amp;quot; So the Prince turned to him and kissed his hand when he said, &amp;quot;O my son! Be of good patience and Allah shall increase thy reward; for the wage is measured by the work.&amp;quot; Sharrkan rejoined, &amp;quot;Pray for me,&amp;quot; and he prayed for him. As soon as morning dawned and day brake in shine and sheen, the Moslems sallied out to the plain and the Kafirs made ready to thrust and cut. Then the Islamite host advanced and offered fight with weapons ready dight, and King Zau al-Makan and Afridun made to charge one at other. But when Zau al-Makan fared forth into the field, there came with him the Wazir Dandan and the Chamberlain and Bahram, saying, &amp;quot;We will be thy sacrifice.&amp;quot; He replied, &amp;quot;By the Holy House and Zemzem and the Place! I will not be stayed from going forth against these wild asses.&amp;quot; And when he rode out into the field he played with sword and spear till riders marvelled and both armies wondered; then he rushed upon the foe's right wing and of it slew two knights and in like manner he dealt with the left wing. Presently he stayed his steed in the midst of the field and cried out, &amp;quot;Where is Afridun, that I may make him taste the cup of disgrace?&amp;quot; But when King Hardub saw the case he conjured Afridun not to attack him, saying, &amp;quot;O King, yesterday it was thy turn to fight: it is mine to day. I care naught for his prowess.&amp;quot; So he rushed out towards Zau al-Makan brand in hand and under him a stallion like Abjar, which was Antar's charger and its coat was jet black even as saith the poet,&#xA;&#xA;&amp;quot;On the glancing racer outracing glance * He speeds, as though he&#xA;            would collar Doom:&#xA;His steed's black coat is of darkest jet, * And likest Night in&#xA;            her nightliest gloom:&#xA;Whose neigh sounds glad to the hearer's ears * Like thunders&#xA;             rolling in thun d'rous boom:&#xA;If he race the wind he will lead the way, * And the lightning&#xA;             flash will behind him loom.''&#xA;&#xA;Then each rushed upon the opponent, parrying blows and proving the marvellous qualities were stored in him; and they fell to drawing on and withdrawing till the breasts of the bystanders were straitened and they were weary of waiting for the event. At last Zau al-Makan cried out his war cry and rushed upon Hardub, King of Cæsarea, and struck him a stroke that shore head from trunk and slew him on the spot. When the Infidels saw this, they charged in a body, compact and united, upon Zau al-Makan, who met them amidfield, and they engaged in hewing and foining, till blood ran in rills. Then the Moslems cried out, &amp;quot;Allaho Akbar!&amp;quot; (God is most Great) and &amp;quot;There is no god but the God!&amp;quot;, and invoked salvation for the Prophet, the Bringer of Glad Tidings, the Bearer of Bad Tidings. And there befel a great fight, but Allah assigned victory to the Faithful and defeat to the Faithless. The Wazir Dandan shouted, &amp;quot;Take your blood revenge for King Omar bin al Nu'uman and his son Sharrkan!&amp;quot;; and bared his head and cried out to the Turks. Now there were by his side more than twenty thousand horse, and all charged with him as men, when the Faithless found naught to save their lives but flight. So they turned tail to fly while the biting sabre wrought its havoc and the Moslems slew of them that day some fifty thousand horse and took more than that number: much folk also were slain while going in at the gates, for the flock was great. Then the Greeks hove to the doors and swarmed up the walls to await the assault; and in fine the Moslem hosts returned to their tents aided to glory and victory, and King Zau al-Makan went in to his brother whom he found in most joyous case. So he made a prostration of thanks to the Bountiful and the Exalted; and then he came forward and gave Sharrkan joy of his recovery. Answered he, &amp;quot;Verily we are all under the benediction of this Religious, holy and righteous, nor would you have been victorious, but for his accepted orisons; indeed all day he remained at prayer to invoke victory on the Moslems.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Zau al- Makan went in to his brother Sharrkan, he found him sitting with the Holy Man by his side; so he rejoiced and drew near him and gave him joy of his recovery. Answered he, &amp;quot;Verily we are all under the benediction of this Recluse nor would you have been victorious but for his prayers, indeed he felt no fear this day and he ceased not supplication for the Moslems. I found strength return to me, when I heard your 'Allaho Akbar,' for then I knew you to be victorious over your enemies. But now recount to me, O my brother, what befel thee.&amp;quot; So he told him all that had passed between him and the accursed Hardub and related how he had slain him and sent him to the malediction of Allah; and Sharrkan praised him and thanked him for his prowess. When Zat al-Dawahi heard tell of her son's death (and she still drest as a devotee), her face waxed yellow and her eyes ran over with railing tears: she kept her counsel, however, and feigned to the Moslems that she was glad and wept for excess of joy. But she said to herself, &amp;quot;By the truth of the Messiah, there remaineth no profit of my life, if I burn not his heart for his brother, Sharrkan, even as he hath burned my heart for King Hardub, the mainstay of Christendom and the hosts of Crossdom!&amp;quot; Still she kept her secret. And the Wazir Dandan and King Zau al-Makan and the Chamberlain remained sitting with Sharrkan till they had dressed and salved his wound; after which they gave him medicines and he began to recover strength; whereat they joyed with exceeding joy and told the troops who congratulated themselves, saying, &amp;quot;To morrow he will ride with us and do manly devoir in the siege.&amp;quot; Then said Sharrkan to them, &amp;quot;Ye have fought through all this day and are aweary of fight; so it behoveth that you return to your places and sleep and not sit up.&amp;quot; They accepted his counsel and then each went away to his own pavilion, and none remained with Sharrkan but a few servants and the old woman Zat al-Dawahi. He talked with her through part of the night, then he stretched himself to rest: and his servants did likewise and presently sleep overcame them all and they lay like the dead. Such was the case with Sharrkan and his men; but as regards the old woman she alone abode awake while they slumbered in the tent and, looking at Sharrkan she presently saw that he was drowned in sleep. Thereupon she sprang to her feet, as she were a scald she bear or a speckled snake, and drew from her waist cloth a dagger so poisoned that if laid thereon it would have melted a rock. Then she unsheathed the poniard and went up to Sharrkan's head and she drew the knife across his throat and severed his weasand and hewed off his head from his body. And once more she sprang to her feet; and, going the round of the sleeping servants, she cut off their heads also, lest they should awake. Then she left the tent and made for the Sultan's pavilion, but finding the guards on the alert, turned to that of the Wazir Dandan. Now she found him reading the Koran and when his sight fell upon her he said, &amp;quot;Welcome to the Holy Man!&amp;quot; Hearing this from the Wazir, her heart trembled and she said, &amp;quot;The reason of my coming hither at this time is that I heard the voice of a saint amongst Allah's Saints and am going to him.&amp;quot; Then she turned her back, but the Wazir said to himself, &amp;quot;By Allah, I will follow our Devotee this night!&amp;quot; So he rose and walked after her; but when the accursed old woman sensed his footsteps, she knew that he was following her: wherefore she feared the disgrace of discovery and said in herself, &amp;quot;Unless I serve some trick upon him he will disgrace me.&amp;quot; So she turned and said to him from afar, &amp;quot;Ho, thou Wazir, I am going in search of this Saint that I may learn who he is; and, after learning this much, I will ask his leave for thee to visit him. Then I will come back and tell thee: for I fear thine accompanying me, without having his permission, lest he take umbrage at me seeing thee in my society.&amp;quot; Now when the Wazir heard these words, he was ashamed to answer her; so he left her and returned to his tent, and would have slept; but sleep was not favourable to him and the world seemed heaped upon him. Presently he rose and went forth from the tent saying in himself, &amp;quot;I will go to Sharrkan and chat with him till morning.&amp;quot; But when he entered into Sharrkan's pavilion, he found the blood running like an aqueduct and saw the servants lying with their throats cut like beasts for food. At this he cried a cry which aroused all who were asleep; the folk hastened to him and, seeing the blood streaming, set up a clamour of weeping and wailing. Then the noise awoke the Sultan, who enquired what was the matter, and it was said to him, &amp;quot;Sharrkan thy brother and his servants are murthered.&amp;quot; So he rose in haste and entered the tent, and found the Wazir Dandan shrieking aloud and he saw his brother's body without a head. Thereat he swooned away and all the troops crowded around him, weeping and crying out, and so remained for a while, till he came to himself, when he looked at Sharrkan and wept with sore weeping, while the Wazir and Rustam and Bahram did the like. But the Chamberlain cried and lamented more than the rest and asked leave to absent himself, such was his alarm. Then said Zau al-Makan, &amp;quot;Know ye who did this deed and how is it I see not the Devotee, him who the things of this world hath put away?&amp;quot; Quoth the Wazir, &amp;quot;And who should have been the cause of this affliction, save that Devotee, that Satan? By Allah, my heart abhorred him from the first, because I know that all who pretend to be absorbed in practices religious are vile and treacherous!&amp;quot; And he repeated to the King the tale of how he would have followed the Religious, but he forbade him, whereupon the folk broke out into a tumult of weeping and lamentation and humbled themselves before Him who is ever near, Him who ever answereth prayer, supplicating that He would cause the false Devotee who denied Allah's testimony to fall into their hands. Then they laid Sharrken out and buried him in the mountain aforesaid and mourned over his far-famed virtues.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that they laid Sharrkan out and buried him in the mountain aforesaid and mourned over his far-famed virtues. Then they looked for the opening of the city gate; but it opened not and no sign of men appeared to them on the walls; whereat they wondered with exceeding wonder. But King Zau al-Makan said, &amp;quot;By Allah, I will not turn back from them, though I sit here for years and years, till I take blood revenge for my brother Sharrkan and waste Constantinople and kill the King of the Nazarenes, even if death overcome me and I be at rest from this woeful world!&amp;quot; Then he bade be brought out the treasure taken from the Monastery of Matruhina; and mustered the troops and divided the monies among them, and he left not one of them but he gave him gifts which contented him. Moreover, he assembled in the presence three hundred horse of every division and said to them, &amp;quot;Do ye send supplies to your households, for I am resolved to abide by this city, year after year, till I have taken man bote for my brother Sharrkan, even if I die in this stead.&amp;quot; And when the army heard these words and had received his gifts of money they replied, &amp;quot;To hear is to obey!&amp;quot; Thereupon he summoned couriers and gave them letters and charged them to deliver the same, together with the monies, to the soldiers' families and inform them that all were safe and satisfied, and acquaint them saying, &amp;quot;We are encamped before Constantinople and we will either destroy it or die; and, albeit we be obliged to abide here months and years, we will not depart hence till we take it.&amp;quot; Moreover, he bade the Wazir Dandan write to his sister, Nuzhat al-Zaman, and said to him, &amp;quot;Acquaint her with what hath befallen us, and what be our situation and commend my child to her care since that, when I went out to war, my wife was near her delivery and by this time she must needs have been brought to bed; and if she hath given birth to a boy, as I have heard say, hasten your return and bring me the acceptable news.&amp;quot; Then he gave them somewhat of money, which they pouched and set out at once; and all the people flocked forth to take leave of them and entrust them with the monies and the messages. After they had departed, Zau al-Makan turned to the Wazir Dandan and commanded him to advance with the army against the city walls. So the troops pushed forward, but found none on the ramparts, whereat they marvelled, while Zau al-Makan was troubled at the case, for he deeply mourned the severance from his brother Sharrkan and he was sore perturbed about that traitor the Ascetic. In this condition they abode three days without seeing anyone. So far concerning the Moslems; but as regards the Greeks and the cause of their refusing to fight during these three days the case was this. As soon as Zat al-Dawahi had slain Sharrkan, she hastened her march and reached the walls of Constantinople, where she called out in the Greek tongue to the guards to throw her down a rope. Quoth they, &amp;quot;Who art thou?&amp;quot;; and quoth she, &amp;quot;I am Zat al- Dawahi.&amp;quot; They knew her and let down a cord to which she tied herself and they drew her up; and, when inside the city, she went in to the King Afridun and said to him, &amp;quot;What is this I hear from the Moslems? They say that my son King Hardub is slain.&amp;quot; He answered, &amp;quot;Yes;&amp;quot; and she shrieked out and wept right grievously and ceased not weeping thus till she made Afridun and all who were present weep with her. Then she told the King how she had slain Sharrkan and thirty of his servants, whereat he rejoiced and thanked her; and, kissing her hands, exhorted her to resignation for the loss of her son. Said she, &amp;quot;By the truth of the Messiah, I will not rest content with killing that dog of the Moslem dogs in blood revenge for my son, a King of the Kings of the age! Now there is no help for it but that I work some guile and I contrive a wile whereby to slay the Sultan Zau al-Makan and the Wazir Dandan and the Chamberlain and Rustam and Bahram and ten thousand cavaliers of the army of Al-Islam; for it shall never be said that my son's head be paid with the bloodwit of Sharrkan's head; no, never!&amp;quot; Then said she to King Afridun, &amp;quot;Know, O King of the Age, that it is my wish to set forth mourning for my son and to cut my Girdle and to break the Crosses.&amp;quot; Replied Afridun, &amp;quot;Do what thou desire; I will not gainsay thee in aught. And if thou prolong thy mourning for many days it were a little thing; for though the Moslems resolve to beleaguer us years and years, they will never win their will of us nor gain aught of us save trouble and weariness.&amp;quot; Then the Accursed One (when she had ended with the calamity she had wrought and the ignominies which in herself she had thought) took ink case and paper and wrote thereon: &amp;quot;From Shawahi, Zat al- Dawahi, to the host of the Moslems. Know ye that I entered your country and duped by my cunning your nobles and at first hand I slew your King Omar bin al-Nu'uman in the midst of his palace. Moreover, I slew, in the affair of the mountain pass and of the cave, many of your men; and the last I killed were Sharrkan and his servants. And if fortune do not stay me and Satan obey me, I needs must slay me your Sultan and the Wazir Dandan, for I am she who came to you in disguise of a Recluse and who heaped upon you my devices and deceits. Wherefore, an you would be in safety after this, fare ye forth at once; and if you seek your own destruction cease not abiding for the nonce; and though ye tarry here years and years, ye shall not do your desire on us. And so peace be yours!&amp;quot; After writing her writ she devoted three days to mourning for King Hardub; arid, on the fourth, she called a Knight and bade him take the letter and make it fast to a shaft and shoot it into the Moslem camp. When this was done, she entered the church and gave herself up to weeping and wailing for the loss of her son, saying to him who took the kingship after him, &amp;quot;Nothing will serve me but I must kill Zau al-Makan and all the nobles of Al-Islam.&amp;quot; Such was the case with her; but as regards what occurred to the Moslems, all passed three days in trouble and anxiety, and on the fourth when gazing at the walls behold, they saw a knight holding a bow and about to shoot an arrow along whose side a letter was bound. So they waited till he had shot it among them and the Sultan bade the Wazir Dandan take the missive and read it. He perused it accordingly; and, when Zau al-Makan heard it to end and understood its purport, his eyes filled with tears and he shrieked for agony at her perfidy; and the Minister Dandan said, &amp;quot;By Allah, my heart shrank from her!&amp;quot; Quoth the Sultan, &amp;quot;How could this whore play her tricks upon us twice? But by the Almighty I will not depart hence till I fill her cleft with molten lead and jail her with the jailing of a bird encaged, then bind her with her own hair and crucify her over the gate of Constantinople.&amp;quot; And he called to mind his brother and wept with excessive weeping. But when Zat al-Dawahi arrived amongst the Infidels and related to them her adventures at length, they rejoiced at her safety and at the slaying of Sharrkan. There upon the Moslems addressed themselves again to the siege of the city and the Sultan promised his men that, if it should be taken, he would divide its treasures among them in equal parts. But he dried not his tears grieving for his brother till his body was wasted and sick, growing thin as a tooth pick. Presently the Wazir Dandan came in to him and said, &amp;quot;Be of good cheer and keep thine eyes cool and clear; in very sooth thy brother died not but because his hour was come, and there is no profit in this mourning. How well saith the poet,&#xA;&#xA;&amp;quot;Whatso is not to be no sleight shall bring to pass; * What is to&#xA;             be without a failure shall become;&#xA;Soon the becoming fortune shall be found to be, * And Folly's&#xA;             brother shall abide forlorn and glum.&amp;quot;&#xA;&#xA;Wherefore do thou leave this weeping and wailing and hearten thy heart to bear arms.&amp;quot; He replied, &amp;quot;O Wazir, my heart is heavy for the death of my father and my brother and for our absence from hearth and home; and my mind is concerned for my subjects.&amp;quot; Thereupon the Wazir and the bystanders wept; but they ceased not from pushing forward the siege of Constantinople for a length of days. And they being thus, behold, news arrived from Baghdad, by one of the Emirs to the effect that the King's wife had been blessed with a boy, and that his sister, Nuzhat al-Zaman, had named him Kánmákán. Moreover, that the boy bid fair to be famous, already showing wondrous signs and marvellous tokens; and that she had commanded the Olema and the preachers to pray for mother and child from the pulpits and bless them in all wise; furthermore that the twain were well, that the land had enjoyed abundant rains, and that his comrade the Fireman was established in all prosperity, with eunuchs and slaves to wait upon him; but that he was still ignorant of what had befallen him. And she ended with the greeting of peace. Then quoth Zau al- Makan to the Wazir Dandan, &amp;quot;Now is my back strengthened for that I have been blest with a son whose name is Kanmakan.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when they brought him the news of his wife having borne him a boy child, Zau al- Makan rejoiced with great joy and cried, &amp;quot;Now is my back strengthened, for that I have been blessed with a son whose name is Kanmakan.&amp;quot; And he spake to the Wazir Dandan, saying, &amp;quot;I am minded to leave this mourning and order perfections of the Koran for my brother and command almsdeeds on his account.&amp;quot; Quoth the Wazir, &amp;quot;Thy design is good.&amp;quot; Thereupon he caused tents to be pitched over his brother's tomb; so they raised them and gathered together such of the men at arms as could repeat the Koran; and some began reciting the Holy volume; whilst others chanted litanies containing the names of Allah, and thus they did till the morning. Then Zau al-Makan went up to the grave of his brother Sharrkan and poured forth copious tears, and improvised these couplets,&#xA;&#xA;&amp;quot;They bore him bier'd, and all who followed wept * With Moses'&#xA;         shrieks what day o'erhead shook Tor;&#xA;Till reached the grave which Pate had made his home, * Dug in&#xA;           men's souls who one sole God adore:&#xA;Ne'er had I thought before to see my joy * Borne on the bier&#xA;           which heads of bearers bore:&#xA;Ah no! nor ere they homed thee in the dust * That stars of&#xA;           heaven earth ever covered o'er.&#xA;Is the tomb dweller hostage of a stead, * Where light and&#xA;            splendour o'er thy face shall pour?&#xA;Praise to restore his life her word hath pledged: * Cribbed and&#xA;           confined he shall dispread the more!&amp;quot;&#xA;&#xA;When Zau al-Makan had made an end of his versifying he wept and wept with him all the troops; then he came to the grave and threw himself upon it wild with woe, and the Wazir repeated the words of the poet,&#xA;&#xA;&amp;quot;Pain leaving life that fleets thou hast th' eternal won; * Thou&#xA;            didst as whilom many a doer like thee hath done&#xA;Leftest this worldly house without reproach or blame; * Ah, may&#xA;            th' ex change secure thee every benison!&#xA;Thou west from hostile onset shield and firm defence, * For us to&#xA;            baffle shafts and whistling spears to shun.&#xA;I see this world is only cheat and vanity, * Where man naught&#xA;           else must seek but please the Truthful One:&#xA;Th' Empyrean's Lord allow thee bower of heavenly bliss, * And wi'&#xA;            thy faithful friends The Guide show goodly wone:&#xA;I bid thee last good e'en with sigh of bitter grief, * Seeing the&#xA;             West in woe for lack of Easting Sun.&amp;quot;&#xA;&#xA;&#xA;When the Wazir Dandan had finished his reciting, he wept with sore weeping and the tears rained from his eyes like cushioned pearls. Then came forward one who had been of Sharrkan's boon companions in his cups and he wept till ran in rills the drops, and he enumerated the dead man's generous qualities, reciting the following pentastichs,&#xA;&#xA;&#xA;&amp;quot;Where gone is Bounty since thy hand is turned to clay? * And I&#xA;             in misery lie since thou west ta'en away.&#xA;See'st not, O litter guide (Heaven keep thee glad and&#xA;             gay!), * How tears adorn my cheeks, these furrowed wrinkles&#xA;             fray?&#xA;                        A sight to joy shine eyes and fill thee with&#xA;                        dismay.&#xA;By Allah ne'er this heart within I spoke of thee; * Ah no! nor&#xA;             dared my sight to see thy brilliancy:&#xA;Save that my tear drops sorest wound have garred me dree * Yea!&#xA;             and if e'er on other rest these eyne of me,&#xA;                        May yearning draw their reins nor suffer sleep to see.&amp;quot;&#xA;&#xA;&#xA;And when the man stinted reciting, Zau al-Makan and the Minister Dandan wept and the whole army was moved to tears; after which all retired to their tents, and the King turning to the Wazir took counsel with him concerning the conduct of the campaign. On this wise the two passed days and nights, while Zau al-Makan was weighed down with grief and mourning till at last he said, &amp;quot;I long to hear stories and adventures of Kings and tales of lover folk enslaved by love; haply Allah may make this to solace that which is on my heart of heavy anxiety, and stint and stay my weeping and wailing.&amp;quot; Quoth the Wazir, &amp;quot;If naught can dispel thy trouble but hearing curious tales of Kings and people long gone before and stories of folk enslaved by love of yore, and so forth, this thing were easy, for I had no other business, in the lifetime of thy father (who hath found mercy) than to relate stories and to repeat verses to him. This very night I will tell thee a tale of a lover and his beloved, so shall thy breast be broadened.&amp;quot; When Zau al-Makan heard these words from the Minister, his heart was set upon that which had been promised to him and he did nothing but watch for the coming of the night, that he might hear what the Wazir Dandan had to tell of the Kings of yore and distracted lovers long gone before. And hardly would he believe that night had fallen ere he bade light the wax candles and the lamps and bring all that was needful of meat and drink and perfume gear, and what not; and when all was in presence, he summoned the Wazir Dandan, and the Emirs Rustam and Bahram and Tarkash and the Grand Chamberlain; then waited till the whole party was seated before him; whereupon he turned to the Minister and said, &amp;quot;Know, O Wazir, that night is come and hath let down over us its veil of gloom, and we desire that thou tell us those tales which thou promisedst us.&amp;quot; Replied the Wazir, &amp;quot;With joy and good will.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Zau Al-Makan summoned the Wazir and the Chamberlain and Rustam and Bahram, he turned towards the Minister Dandan and said, &amp;quot;Know, O Wazir, that night is come and hath let down over us its veil of gloom, and we desire that thou tell us those tales which thou promisedst us.&amp;quot; Replied the Wazir, &amp;quot;With love and gladness! Know, O auspicious King, that there reached my ears a relation of a lover and a loved one and of the discourse between them and what befel them of things rare and fair, a story such as repelleth care from the heart and dispelleth sorrow like unto that of the patriarch Jacob; and it is as follows&amp;quot;:&#xA;&#xA;Footnotes:&#xA;&#xA;&#xA; This knightly tale, the longest in the Nights (xliv.— cxlv.), about one-eighth of the whole, does not appear in the Bres. Edit. Lane, who finds it &amp;quot;objectionable,&amp;quot; reduces it to two of its episodes, Azíz-cum-Azízah and Táj al-Mulúk. On the other hand it has been converted into a volume (8vo, pp. 240) &amp;quot;Scharkan, Conte Arabe,&amp;quot; etc. Traduit par M. Asselan Riche, etc. Paris: Dondey-Dupré. 1829. It has its longueurs and at times is longsome enough; but it is interesting as a comparison between the chivalry of Al-Islam and European knight-errantry. Although all the characters are fictitious the period is evidently in the early crusading days. Cæsarea, the second capital of Palestine, taken during the Caliphate of Omar (A.H. 19) and afterwards recovered, was fortified in A.H. 353 = 963 as a base against the Arabs by the Emperor Phocas, the Arab. &amp;quot;Nakfúr&amp;quot; i.e. Nicephorus. In A.H. 498=1104, crusading craft did much injury by plundering merchantmen between Egypt and Syria, to which allusion is found in the romance. But the story teller has not quite made up his mind about which Cæsarea he is talking, and M. Riche tells us that Césarée is a &amp;quot;ville de la Mauritanie, en Afrique&amp;quot; (p. 20).&#xA;&#xA; The fifth Ommiade Caliph reign. A.H. 65-86 = 685-704.&#xA;&#xA; This does not merely mean that no one was safe from his wrath: or, could approach him in the heat of fight: it is a reminiscence of the masterful &amp;quot;King Kulayb,&amp;quot; who established game-laws in his dominions and would allow no man to approach his camp-fire. Moreover the Jinn lights a fire to decoy travellers, but if his victim be bold enough to brave him, he invites him to take advantage of the heat.&#xA;&#xA; China.&#xA;&#xA; The Jaxartes and the Bactrus (names very loosely applied).&#xA;&#xA; In full &amp;quot;Sharrun kána&amp;quot; i.e. an evil (Sharr) has come to being (kána) that is, &amp;quot;bane to the foe&amp;quot; a pagan and knightly name. The hero of the Romance &amp;quot;Al-Dalhamah&amp;quot; is described as a bitter gourd (colocynth), a viper, a calamity.&#xA;&#xA; This is a Moslem law (Koran chaps. iv. bodily borrowed from the Talmud) which does not allow a man to marry one wife unless he can carnally satisfy her. Moreover he must distribute his honours equally and each wife has a right to her night unless she herself give it up. This was the case even with the spouses of the Prophet; and his biography notices several occasions when his wives waived their rights in favour of one another M. Riche kindly provides the King with la piquante francaise (p. 15).&#xA;&#xA; So the celebrated mosque in Stambul, famed for being the largest church in the world is known to the Greeks as &amp;quot;Agia (pron. Aya) Sophia&amp;quot; and to Moslems as &amp;quot;Aye Sofíyeh&amp;quot; (Holy Wisdom) i.e. the Logos or Second Person of the Trinity (not a Saintess). The sending a Christian girl as a present to a Moslem would, in these days, be considered highly scandalous. But it was done by the Mukaukis or Coptic Governor of Egypt (under Heraclius) who of course hated the Greeks. This worthy gave two damsels to Mohammed; one called Sírín and the other Máriyah (Maria) whom the Prophet reserved for his especial use and whose abode is still shown at Al-Medinah. The Rev. Doctor Badger (loc. cit. p. 972) gives the translation of an epistle by Mohammed to this Mukaukis, written in the Cufic character ( ? ?) and sealed &amp;quot;Mohammed, The Apostle of Allah.&amp;quot; My friend seems to believe that it is an original, but upon this subject opinions will differ. It is, however, exceedingly interesting, beginning with &amp;quot;Bismillah,&amp;quot; etc., and ending (before the signature) with a quotation from the Koran (iii. 57); and it may be assumed as a formula addressee to foreign potentates by a Prophet who had become virtually &amp;quot;King of Arabia.&amp;quot;&#xA;&#xA; This prayer before &amp;quot;doing the deed of kind&amp;quot; is, I have said, Moslem as well Christian.&#xA;&#xA; Exodus i. 16, quoted by Lane (M. E., chaps. xxvii.).&#xA;Torrens in his Notes cites Drayton's &amp;quot;Moon-calf':—&#xA;            Bring forth the birth-stool—no, let it alone;&#xA;            She is so far beyond all compass grown,&#xA;            Some other new device us needs must stead,&#xA;            Or else she never can be brought to bed.&#xA;It is the &amp;quot;groaning-chair&amp;quot; of Poor Robin's Almanac (1676) and we find it alluded to in Boccaccio, the classical sedile which according to scoffers has formed the papal chair (a curule seat) ever since the days of Pope Joan, when it has been held advisable for one of the Cardinals to ascertain that His Holiness possesses all the instruments of virility. This &amp;quot;Kursí al-wiládah&amp;quot; is of peculiar form on which the patient is seated. A most interesting essay might be written upon the various positions preferred during delivery, e.g. the wild Irish still stand on all fours, like the so-called &amp;quot;lower animals.&amp;quot; Amongst the Moslems of Waday, etc., a cord is hung from the top of the hut, and the woman in labour holds on to it standing with her legs apart, till the midwife receives the child.&#xA;&#xA; Some Orientalists call &amp;quot;lullilooing&amp;quot; the trilling cry, which is made by raising the voice to its highest pitch and breaking it by a rapid succession of touches on the palate with the tongue-tip, others &amp;quot;Ziraleet&amp;quot; and Zagaleet, and one traveller tells us that it began at the marriage-festival of Isaac and Rebecca (!). Arabs term it classically &amp;quot;Tahlíl&amp;quot; and vulgarly &amp;quot;Zaghrutah&amp;quot; (Plur. Zaghárit) and Persians &amp;quot;Kil.&amp;quot; Finally in Don Quixote we have &amp;quot;Lelilies,&amp;quot; the battle-cry of the Moors (Duffield iii. 289). Dr. Buchanan likens it to a serpent uttering human sounds, but the good missionary heard it at the festival of Jagannath. (Pilgrimage iii. 197 )&#xA;&#xA; i.e. &amp;quot;Light of the Place&amp;quot; (or kingdom) and &amp;quot;Delight of the&#xA;Age.&amp;quot;&#xA;&#xA; It is utterly absurd to give the old heroic Persian name Afridun or Furaydun, the destroyer of Zohák or Zahhák to a Greek, but such anachronisms are characteristic of The Nights and are evidently introduced on purpose. See Boccaccio, ix. 9.&#xA;&#xA; Arab. &amp;quot;Yunán&amp;quot; lit. Ionia, which applies to all Greece, insular and continental, especially to ancient Greece.&#xA;&#xA; In 1870 I saw at Sidon a find of some hundreds of gold&#xA;&amp;quot;Philippi&amp;quot; and &amp;quot;Alexanders.&amp;quot;&#xA;&#xA; M. Riche has (p. 21), &amp;quot;Ces talismans travaillés par le ciseau du célèbre Califaziri,&amp;quot; adding in a note, &amp;quot;Je pense que c'est un sculpteur Arabe.&amp;quot;&#xA;&#xA; This periphrase, containing what seems to us a useless negative, adds emphasis in Arabic.&#xA;&#xA; This bit of geographical information is not in the Bull&#xA;Edit.&#xA;&#xA; In Pers. = a tooth, the popular word.&#xA;&#xA; This preliminary move, called in Persian Nakl-i Safar, is generally mentioned. So the Franciscan monks in California, when setting out for a long journey through the desert, marched three times round the convent and pitched tents for the night under its walls.&#xA;&#xA; In Arab. &amp;quot;Khazinah&amp;quot; or &amp;quot;Khaznah&amp;quot; lit. a treasure, representing 1,000 &amp;quot;Kís&amp;quot; or purses (each=£5). The sum in the text is 7,000 purses X 5=£35,000.&#xA;&#xA; Travellers often prefer such sites because they are sheltered from the wind, and the ground is soft for pitching tents; but many have come to grief from sudden torrents following rain.&#xA;&#xA; Arab &amp;quot;Ghábah&amp;quot; not a forest in our sense of the word, but a place where water sinks and the trees (mostly Mimosas), which elsewhere are widely scattered, form a comparatively dense growth and collect in thickets. These are favourite places for wild beasts during noon-heats.&#xA;&#xA; At various times in the East Jews and Christians were ordered to wear characteristic garments, especially the Zunnár or girdle.&#xA;&#xA; The description is borrowed from the Coptic Convent, which invariably has an inner donjon or keep. The oldest monastery in the world is Mar Antonios (St. Anthony the Hermit) not far from Suez. (Gold Mines of Midian, p. 85.)&#xA;&#xA; &amp;quot;Dawáhí,&amp;quot; plur. of Dáhiyah = a mishap. The title means &amp;quot;Mistress of Misfortunes&amp;quot; or Queen of Calamities (to the enemy); and the venerable lady, as will be seen, amply deserved her name, which is pronounced Zát al-Dawáhí.&#xA;&#xA; Arab. &amp;quot;Kunfuz&amp;quot;=hedgehog or porcupine.&#xA;&#xA; These flowers of speech are mere familiarities, not insults. In societies where the sexes are separated speech becomes exceedingly free. &amp;quot;Étourdie que vous êtes,&amp;quot; says M. Riche, toning down the text.&#xA;&#xA; Arab. &amp;quot;Zirt,&amp;quot; a low word. The superlative &amp;quot;Zarrát&amp;quot; (fartermost) or, &amp;quot;Abu Zirt&amp;quot; (Father of farts) is a facetious term among the bean-eating Fellahs and a deadly insult amongst the Badawin (Night ccccx.). The latter prefer the word Taggáa (Pilgrimage iii. 84). We did not disdain the word in farthingale=pet en air.&#xA;&#xA; Arab. &amp;quot;kicked&amp;quot; him, i.e. with the sharp corner of the shovel-stirrup. I avoid such expressions as &amp;quot;spurring&amp;quot; and &amp;quot;pricking over the plain,&amp;quot; because apt to give a wrong idea.&#xA;&#xA; Arab. &amp;quot;Allaho Akbar!&amp;quot; the classical Moslem slogan.&#xA;&#xA; Arab horses are never taught to leap, so she was quite safe on the other side of a brook nine feet broad.&#xA;&#xA; &amp;quot;Batrík&amp;quot; (vulg. Bitrík)=patricius, a title given to&#xA;Christian knights who commanded ten thousand men; the Tarkhan (or&#xA;Nobb) heading four thousand, and the Kaumas (Arab. Káid) two&#xA;hundred. It must not be confounded with Batrak (or&#xA;Batrik)=patriarcha. (Lane's Lex.)&#xA;&#xA; Arab. &amp;quot;Kázi al-Kuzát,&amp;quot; a kind of Chief Justice or Chancellor. The office wag established under the rule of Harun al Rashid, who so entitled Abú Yúsuf Ya'akab al-Ansári: therefore the allusion is anachronistic. The same Caliph also caused the Olema to dress as they do still.&#xA;&#xA; The allusion is Koranic: &amp;quot;O men, if ye be in doubt concerning the resurrection, consider that He first created you of the dust of the ground (Adam), afterwards of seed&amp;quot; (chaps. xxii.). But the physiological ideas of the Koran are curious. It supposes that the Mani or male semen is in the loins and that of women in the breast bone (chaps Ixxxvi.); that the mingled seed of the two (chaps. Ixxvi.) fructifies the ovary and that the child is fed through the navel with menstruous blood, hence the cessation of the catamenia. Barzoi (Kalilah and Dímnah) says:— &amp;quot;Man's seed, falling into the woman's womb, is mixed with her seed and her blood: when it thickens and curdles the Spirit moves it and it turns about like liquid cheese; then it solidifies, its arteries are formed, its limbs constructed and its joints distinguished. If the babe is a male, his face is placed towards his mother's back; if a female, towards her belly.&amp;quot; (P. 262, Mr. L G.N. Keith- Falconer's translation.) But there is a curious prolepsis of the spermatozoa-theory. We read (Koran chaps. vii.), &amp;quot;Thy Lord drew forth their posterity from the loins of the sons of Adam;&amp;quot; and the commentators say that Allah stroked Adam's back and extracted from his loins all his posterity, which shall ever be, in the shape of small ants; these confessed their dependence on God and were dismissed to return whence they came.&amp;quot; From this fiction it appears (says Sale) that the doctrine of pre-existence is not unknown to the Mohammedans, and there is some little conformity between it and the modern theory of generatio ex animalculis in semine marium. The poets call this Yaum-i-Alast = the Day of Am-I-not (-your Lord)? which Sir William Jones most unhappily translated &amp;quot;Art thou not with thy Lord ?&amp;quot; (Alasta bi Rabbi- kum); fand they produce a grand vision of unembodied spirits appearing in countless millions before their Creator.&#xA;&#xA; The usual preliminary of a wrestling bout.&#xA;&#xA; In Eastern wrestling this counts as a fair fail. So Ajax fell on his back with Ulysses on his breast. (Iliad xxxii., 700, etc.)&#xA;&#xA; So biting was allowed amongst the Greeks in the , the final struggle on the ground.&#xA;&#xA; Supposed to be names of noted wrestlers. &amp;quot;Kayim&amp;quot; (not El-Kim as Torrens has it) is a term now applied to a juggler or &amp;quot;professor&amp;quot; of legerdemain who amuses people in the streets with easy tricks. (Lane, M. E., chaps. xx.)&#xA;&#xA; Lit. &amp;quot;laughed in his face&amp;quot; which has not the unpleasant meaning it bears in English.&#xA;&#xA; Arab. &amp;quot;Abu riyáh&amp;quot;=a kind of child's toy. It is our &amp;quot;bull-roarer&amp;quot; well known in Australia and parts of Africa.&#xA;&#xA; The people of the region south of the Caspian which is called &amp;quot;Sea of Daylam.&amp;quot; It has a long history; for which see D'Herbelot, s.v. &amp;quot;Dilem.&amp;quot;&#xA;&#xA; Coptic convents in Egypt still affect these drawbridges over the keep-moat.&#xA;&#xA; Koran iv., xxii. etc., meaning it is lawful to marry women taken in war after the necessary purification although their husbands be still living. This is not permitted with a free woman who is a True Believer. I have noted that the only concubine slave-girl mentioned in the Koran are these &amp;quot;captives possessed by the right hand.&amp;quot;&#xA;&#xA; The Amazonian dame is a favourite in folk-lore and is an ornament to poetry from the Iliad to our modern day. Such heroines, apparently unknown to the Pagan Arabs, were common in the early ages of Al-Islam as Ockley and Gibbon prove, and that the race is not extinct may be seen in my Pilgrimage (iii. 55) where the sister of Ibn Rumi resolved to take blood revenge for her brother.&#xA;&#xA; And Solomon said, &amp;quot;O nobles, which of you will bring me her throne ?&amp;quot; A terrible genius (i.e. an If rit of the Jinn named Dhakwan or the notorious Sakhr) said, &amp;quot; I will bring it unto thee before thou arise from thy seat (of justice); for I am able to perform it, and may be trusted&amp;quot; (Koran, xxvii. 38-39). Balkís or Bilkís (says the Durrat al-Ghawwás) daughter of Hozád bin Sharhabíl, twenty-second in the list of the rulers of Al- Yaman, according to some murdered her husband, and became, by Moslem ignorance, the Biblical &amp;quot; Queen of Sheba.&amp;quot; The Abyssinians transfer her from Arabian Saba to Ethiopia and make her the mother by Solomon of Menelek, their proto-monarch; thus claiming for their royalties an antiquity compared with which all reigning houses in the world are of yesterday. The dates of the Tabábi'ah or Tobbas prove that the Bilkis of history ruled Al-Yaman in the early Christian era.&#xA;&#xA; Arab. &amp;quot;Fass,&amp;quot; fiss or fuss; the gem set in a ring; also applied to a hillock rounded en cabochon. In The Nights it is used to signify &amp;quot;a fine gem.&amp;quot;&#xA;&#xA; This prominence of the glutæi muscles is always insisted upon, because it is supposed to promise well in a bed-fellow. In Somali land where the people are sub- steatopygous, a rich young man, who can afford such luxury, will have the girls drawn up in line and choose her to wife who projects furthest behind&#xA;&#xA; The &amp;quot;bull&amp;quot; is only half mine.&#xA;&#xA; A favourite Arab phrase, the &amp;quot;hot eye&amp;quot; is one full of tears.&#xA;&#xA; i.e., &amp;quot;Coral,&amp;quot; coral branch, a favourite name for a slave-girl, especially a negress. It is the older &amp;quot;Morgiana.&amp;quot; I do not see why Preston in Al-Haríni's &amp;quot;Makamah (Séance) of Singar&amp;quot; renders it pearls, because Golius gives &amp;quot;small pearls,&amp;quot; when it is evidently &amp;quot;coral.&amp;quot; Richardson (Dissert. xlviii.) seems to me justified in finding the Pari (fairy) Marjan of heroic Persian history reflected in the Fairy Morgain who earned off King Arthur after the battle of Camelon.&#xA;&#xA; Arab. &amp;quot;'Ud Jalaki&amp;quot;=Jalak or Jalik being a poetical and almost obsolete name of Damascus.&#xA;&#xA; The fountain in Paradise whose water shall be drunk with &amp;quot;pure&amp;quot; wine mixed and sealed with musk (for clay). It is so called because it comes from the &amp;quot;Sanam&amp;quot; (Sanima, to be high) boss or highest ridge of the Moslem Heaven (Koran lv. 78 and lxxxiii. 27). Mr. Rodwell says &amp;quot;it is conveyed to the highest apartments in the Pavilions of Paradise.&amp;quot; (?)&#xA;&#xA; This &amp;quot;hysterical&amp;quot; temperament is not rare even amongst the bravest Arabs.&#xA;&#xA; An idea evidently derived from the Æolipyla (olla animatoria) the invention of Hero Alexandrinus, which showed that the ancient Egyptians could apply the motive force of steam.&#xA;&#xA; Kuthayyir ibn Abi Jumah, a poet and far-famed Ráwí or Tale-reciter, mentioned by Ibn Khallikan he lived at Al-Medinah and sang the attractions of one Azzah, hence his soubriquet Sáhib (lover of) Azzah. As he died in A. H. 105 (=726), his presence here is a gross anachronism the imaginary Sharrkan flourished before the Caliphate of Abd al-Malik bin Marwán A. H. 65-86.&#xA;&#xA; Jamíl bin Ma'amar, a poet and lover contemporary with&#xA;Al-Kuthayrir.&#xA;&#xA; Arab. &amp;quot;Tafazzal,&amp;quot; a word of frequent use in conversation=&amp;quot;favour me,&amp;quot; etc.&#xA;&#xA; The word has a long history. From the Gr. or is the Lat. stibium; while the Low Latin &amp;quot;antimonium&amp;quot; and the Span. Althimod are by metathesis for Al-Ithmid. The dictionaries define the substance as a stone from which antimony is prepared, but the Arabs understand a semi-mythical mineral of yellow colour which enters into the veins of the eyes and gives them Iynx-like vision. The famous Anz nicknamed Zarká (the blue eyed) of Yamámah (Province) used it; and, according to some, invented Kohl. When her (protohistoric) tribe Jadis had destroyed all the rival race of Tasm, except Ribáh ibn Murrah; the sole survivor fled to the Tobba of Al-Yaman, who sent a host to avenge him. The king commanded his Himyarites to cut tree-boughs and use them as screens (again Birnam wood). Zarká from her Utum, or peel-tower, saw the army three marches off and cried, &amp;quot;O folk, either trees or Himyar are coming upon you!&amp;quot; adding, in Rajaz verse:—&#xA;&#xA;I swear by Allah that trees creep onward, or that Himyar beareth somewhat which he draweth along!&#xA;&#xA;She then saw a man mending his sandal. But Jadis disbelieved; Cassandra was slain and, when her eyes were cut out the vessels were found full of Ithmid. Hence Al-Mutanabbi sang:&#xA;&#xA;&amp;quot;Sharper-sighted than Zarká of Jau&amp;quot; (Yamámah).&#xA;&#xA;See C. de Perceval i. 101; Arab. Prov. i. 192; and Chenery p. 381.&#xA;(The Assemblies of Al-Hariri; London, Williams and Norgate, 1867).&#xA;I have made many enquiries into the true nature of Ithmid and&#xA;failed to learn anything: on the Upper Nile the word is=Kohl.&#xA;&#xA; The general colour of chessmen in the East, where the game is played on a cloth more often than a board.&#xA;&#xA; Arab. &amp;quot;Al-fil,&amp;quot; the elephant=the French fol or fou and our bishop. I have derived &amp;quot;elephant&amp;quot; from Píl (old Persian, Sansk. Pilu) and Arab. Fil, with the article Al-Fil, whence the Greek the suffix—as being devoted to barbarous words as Obod-as (Al Ubayd), Aretas (Al-Háris), etc. Mr. Isaac Taylor (The Alphabet i. 169), preserves the old absurdity of &amp;quot;eleph-ant or ox-like (!) beast of Africa.&amp;quot; Prof. Sayce finds the word al-ab (two distinct characters) in line 3, above the figure of an (Indian) elephant, on the black obelisk of Nimrod Mound, and suggests an Assyrian derivation.&#xA;&#xA; Arab. &amp;quot;Shaukat&amp;quot; which may also mean the &amp;quot;pride&amp;quot; or &amp;quot;mainstay&amp;quot; (of the army).&#xA;&#xA; Lit. &amp;quot;smote him on the tendons of his neck.&amp;quot; This is the famous shoulder-cut (Tawash shuh) which, with the leg-cut (Kalam), formed, and still forms, the staple of Eastern attack with the sword.&#xA;&#xA; Arab. &amp;quot;Dirás.&amp;quot; Easterns do not thresh with flails. The material is strewed over a round and smoothed floor of dried mud in the open air and threshed by different connivances. In Egypt the favourite is a chair-like machine called &amp;quot;Norag,&amp;quot; running on iron plates and drawn by bulls or cows over the corn. Generally, however, Moslems prefer the old classical , the Tribulum of Virgil and Varro, a slipper-shaped sled of wood garnished on the sole with large-headed iron nails, or sharp fragments of flint or basalt. Thus is made the &amp;quot;Tibn&amp;quot; or straw, the universal hay of the East, which our machines cannot imitate.&#xA;&#xA; These numbers appear to be grossly exaggerated, but they were possible in the days of sword and armour: at the battle of Saffayn the Caliph Ali is said to have cut down five hundred and twenty-three men in a single night.&#xA;&#xA; Arab. &amp;quot;Bika'á&amp;quot;: hence the &amp;quot;Buka'ah&amp;quot; or Clesyria.&#xA;&#xA; Richardson in his excellent dictionary (note 103) which modern priggism finds &amp;quot;unscientific &amp;quot; wonderfully derives this word from Arab. &amp;quot;Khattáf,&amp;quot; a snatcher (i.e. of women), a ravisher. It is an evident corruption of &amp;quot;captivus&amp;quot; through Italian and French&#xA;&#xA; These periodical and fair-like visitations to convents are still customary; especially amongst the Christians of Damascus.&#xA;&#xA; Camphor being then unknown.&#xA;&#xA; The &amp;quot;wrecker&amp;quot; is known all over the world; and not only barbarians hold that ships driven ashore become the property of the shore&#xA;&#xA; Arab. &amp;quot;Jokh&amp;quot;: it is not a dictionary word, but the only term in popular use for European broadcloth.&#xA;&#xA; The second person plural is used because the writer would involve the subjects of his correspondent in the matter.&#xA;&#xA; This part of the phrase, which may seem unnecessary to the European, is perfectly intelligible to all Orientalists. You may read many an Eastern letter and not understand it. Compare Boccacoo iv. 1.&#xA;&#xA; i.e. he was greatly agitated&#xA;&#xA; In text &amp;quot;Li-ajal a al-Taudi'a,&amp;quot; for the purpose of farewelling, a low Egyptianism; emphatically a &amp;quot;Kalám wáti.&amp;quot; (Pilgrimage thee iii. 330.)&#xA;&#xA; In the Mac. Edit. Sharrkan speaks, a clerical error.&#xA;&#xA; The Farsakh (Germ. Stunde) a measure of time rather than distance, is an hour's travel or its equivalent, a league, a meile=three English stat. miles. The word is still used in Persia its true home, but not elsewhere. It is very old, having been determined as a lineal measure of distance by Herodotus (ii. 5 and 6 ; v. 53), who computes it at 30 furlongs (=furrow-lengths, 8 to the stat. mile). Strabo (xi.) makes it range from 40 to 60 stades (each=606 feet 9 inches), and even now it varies between 1,500 to 6,000 yards. Captain Francklin (Tour to Persia) estimates it = about four miles. (Pilgrimage ii. 113.)&#xA;&#xA; Arab. &amp;quot;Ashhab.&amp;quot; Names of colours are few amongst semi civilised peoples, but in Arabia there is a distinct word for every shade of horseflesh.&#xA;&#xA; She had already said to him &amp;quot;Thou art beaten in everything!&amp;quot;&#xA;&#xA; Showing that she was still a Christian.&#xA;&#xA; This is not Badawi sentiment: the honoratioren amongst wild people would scorn such foul play; but amongst the settled Arabs honour between men and women is unknown and such &amp;quot;hocussing&amp;quot; would be held quite fair.&#xA;&#xA; The table of wine, in our day, is mostly a japanned tray with glasses and bottles, saucers of pickles and fruits and, perhaps, a bunch of flowers and aromatic herbs. During the Caliphate the &amp;quot;wine-service&amp;quot; was on a larger scale.&#xA;&#xA; Here the &amp;quot;Bhang&amp;quot; (almost a generic term applied to hellebore, etc.) may be hyoscyamus or henbane. Yet there are varieties of Cannabis, such as the Dakha of South Africa capable of most violent effect. I found the use of the drug well known to the negroes of the Southern United States and of the Brazil, although few of their owners had ever heard of it.&#xA;&#xA; Amongst Moslems this is a reference to Adam who first &amp;quot;sinned against himself,' and who therefore is called &amp;quot; Safíyu'llah,&amp;quot; the Pure of Allah. (Pilgrimage iii. 333.)&#xA;&#xA; Meaning, an angry, violent man.&#xA;&#xA; Arab. &amp;quot;Inshád,&amp;quot; which may mean reciting the verse of another or improvising one's own. In Modern Egypt &amp;quot;Munshid&amp;quot; is the singer or reciter of poetry at Zikrs (Lane M. E. chaps. xxiv.). Here the verses are quite bad enough to be improvised by the hapless Princess.&#xA;&#xA; The negro skin assumes this dust colour in cold, fear, concupiscence and other mental emotions.&#xA;&#xA; He compares her glance with the blade of a Yamani sword, a lieu commun of Eastern poetry. The weapons are famous in The Nights; but the best sword-cutlery came from Persia as the porcelain from China to Sana'á. Here, however, is especial allusion as to the sword &amp;quot;Samsam&amp;quot; or &amp;quot;Samsamah.&amp;quot; It belonged to the Himyarite Tobba, Amru bin Ma'ad Kurb, and came into the hands of Harun al-Rashid. When the Emperor of the Greeks sent a present of superior sword-blades to him by way of a brave, the Caliph, in the presence of the Envoys, took &amp;quot;Samsam&amp;quot; in hand and cut the others in twain as if they were cabbages without the least prejudice to the edge of &amp;quot;Samsam.&amp;quot;&#xA;&#xA; This touch of pathos is truly Arab. So in the &amp;quot;Romance of Dalhamah&amp;quot; (Lane, M. E. xxiii.) the infant Gundubah sucks the breast of its dead mother and the King exclaims, &amp;quot;If she had committed this crime she would not be affording the child her milk after she was dead.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Sadda'l-Aktár,&amp;quot; a term picturesque enough to be preserved in English. &amp;quot;Sadd,&amp;quot; I have said, is a wall or dyke, the term applied to the great dam of water- plants which obstructs the navigation of the Upper Nile, the lilies and other growths floating with the current from the (Victoria) Nyanza Lake. I may note that we need no longer derive from India the lotus-llily so extensively used by the Ancient Egyptians and so neglected by the moderns that it has well nigh disappeared. All the Central African basins abound in the Nymphæa and thence it found its way down the Nile Valley.&#xA;&#xA; Arab. &amp;quot;Al Marhúmah&amp;quot;: equivalent to our &amp;quot;late lamented.&amp;quot;&#xA;&#xA; Vulgarly pronounced &amp;quot;Mahmal,&amp;quot; and by Egyptians and Turks &amp;quot;Mehmel.&amp;quot; Lane (M. E. xxiv.) has figured this queenly litter and I have sketched and described it in my Pilgrimage (iii. 12).&#xA;&#xA; For such fits of religious enthusiasm see my Pilgrimage (iii. 254).&#xA;&#xA; &amp;quot;Irák&amp;quot; (Mesopotamia) means &amp;quot;a level country beside the banks of a ever.&amp;quot;&#xA;&#xA; &amp;quot;Al Kuds,&amp;quot; or &amp;quot;Bays al-Mukaddas,&amp;quot; is still the popular name of Jerusalem, from the Heb. Yerushalaim ha-Kadushah (legend on shekel of Simon Maccabeus).&#xA;&#xA; &amp;quot;Follow the religion of Abraham&amp;quot; says the Koran (chaps. iii. 89). Abraham, titled &amp;quot;Khalílu'llah,&amp;quot; ranks next in dignity to Mohammed, preceding Isa, I need hardly say that his tomb is not in Jerusalem nor is the tomb itself at Hebron ever visited. Here Moslems (soi disant) are allowed by the jealousies of Europe to close and conceal a place which belongs to the world, especially to Jews and Christians. The tombs, if they exist, lie in a vault or cave under the Mosque.&#xA;&#xA; Abá, or Abáyah, vulg. Abayah, is a cloak of hair, goat's or camel's; too well known to require description.&#xA;&#xA; Arab. &amp;quot;Al-Wakkád,&amp;quot; the man who lights and keeps up the bath-fires.&#xA;&#xA; Arab. &amp;quot;Má al-Khaláf&amp;quot; (or &amp;quot;Khiláf&amp;quot;) a sickly perfume but much prized, made from the flowers of the Salix Ægyptiaca.&#xA;&#xA; Used by way of soap; like glasswort and other plants.&#xA;&#xA; i.e., &amp;quot;Thou art only just recovered.&amp;quot;&#xA;&#xA; To &amp;quot;Nakh&amp;quot; is to gurgle &amp;quot;Ikh! Ikh!&amp;quot; till the camel kneels. Hence the space called &amp;quot;Barr al-Manákhah&amp;quot; in Al-Medinah (Pilgrimage i. 222, ii. 91). There is a regular camel vocabulary amongst the Arabs, made up like our &amp;quot;Gee&amp;quot; (go ye!), etc. of significant words worn down.&#xA;&#xA; Arab. &amp;quot;Laza,&amp;quot; the Second Hell provided for Jews.&#xA;&#xA; The word has been explained (vol. i. 112). It is trivial, not occurring in the Koran which uses &amp;quot;Arabs of the Desert ;&amp;quot; &amp;quot;Arabs who dwell in tents,&amp;quot; etc. (chaps. ix. and xxxiii.). &amp;quot;A'arábi&amp;quot; is the classical word and the origin of &amp;quot;Arab&amp;quot; is disputed. According to Pocock (Notæ Spec. Hist. Arab.): &amp;quot;Diverse are the opinions concerning the denomination of the Arabs; but the most certain of all is that which draws it from Arabah, which is part of the region of Tehama (belonging to Al-Medinah Pilgrimage ii. 118), which their father Ismail afterwards inhabited.&amp;quot; Tehamah (sierra caliente) is the maritime region of Al Hijaz, the Moslems Holy Land; and its &amp;quot;Arabah,&amp;quot; a very small tract which named a very large tract, must not be confounded, as some have done, with the Wady Arabah, the ancient outlet of the Dead Sea. The derivation of &amp;quot;Arab&amp;quot; from &amp;quot;Ya'arab&amp;quot; a fancied son of Joktan is mythological. In Heb. Arabia may be called &amp;quot;Eretz Ereb&amp;quot; (or &amp;quot;Arab&amp;quot;)=land of the West; but in Arabic &amp;quot;Gharb&amp;quot; (not Ereb) is the Occident and the Arab dates long before the Hebrew.&#xA;&#xA; &amp;quot;When thine enemy extends his hand to thee, cut it off if thou can, or kiss it,&amp;quot; wisely said Caliph al-Mansur.&#xA;&#xA; The Tartur was a peculiar turban worn by the Northern Arabs and shown in old prints. In modern Egypt the term is applied to the tall sugar-loaf caps of felt affected mostly by regular Dervishes. Burckhardt (Proverbs 194 and 398) makes it the high cap of felt or fur proper to the irregular cavalry called Dely or Delaty. In Dar For (Darfour) &amp;quot;Tartur&amp;quot; is a conical cap adorned with beads and cowries worn by the Manghwah or buffoon who corresponds with the Egyptian &amp;quot;Khalbús&amp;quot; or &amp;quot;Maskharah&amp;quot; and the Turkish &amp;quot;Sutari.&amp;quot; For an illustration see Plate iv. fig. 10 of Voyage au Darfour par Mohammed El Tounsy (The Tunisian), Paris, Duprat, 1845.&#xA;&#xA; The term is picturesque and true; we say &amp;quot;gnaw,&amp;quot; which is not so good.&#xA;&#xA; Here, meaning an Elder, a Chief, etc.; the word has been almost naturalised in English. I have noted that Abraham was the first &amp;quot;Shaykh.&amp;quot;&#xA;&#xA; This mention of weighing suggests the dust of Dean Swift and the money of the Gold Coast It was done, I have said, because the gold coin, besides being &amp;quot;sweated&amp;quot; was soft and was soon worn down.&#xA;&#xA; Fem. of Nájí (a deliverer, a saviour)=Salvadora.&#xA;&#xA; This, I have noted, is according to Koranic command (chaps. iv. 88). &amp;quot;When you are saluted with a salutation, salute the person with a better salutation.&amp;quot; The longer answer to &amp;quot;Peace be with (or upon) thee! &amp;quot; is still universally the custom. The &amp;quot;Salem&amp;quot; is so differently pronounced by every Eastern nation that the observant traveller will easily make of it a Shibboleth.&#xA;&#xA; The Badawi, who was fool as well as rogue, begins to fear that he has kidnapped a girl of family.&#xA;&#xA; These examinations being very indecent are usually done in strictest privacy. The great point is to make sure of virginity.&#xA;&#xA; This is according to strict Moslem law: the purchaser may not look at the girl's nakedness till she is his, and he ought to manage matters through an old woman.&#xA;&#xA; Lit. wrath; affliction which chokes; in Hindustani it means simply anger.&#xA;&#xA; i.e. Heaven forbid I be touched by a strange man.&#xA;&#xA; Used for fuel and other purposes, such as making &amp;quot;doss stick.&amp;quot;&#xA;&#xA; Arab &amp;quot;Yaftah'Allah&amp;quot; the offer being insufficient. The rascal is greedy as a Badaw and moreover he is a liar, which the Badawi is not.&#xA;&#xA; The third of the four great Moslem schools of Theology, taking its name from the Imam al-Sháfi'í (Mohammed ibn Idrís) who died in Egypt A.H. 204, and lies buried near Cairo. (Sale's Prel. Disc. sect. viii.)&#xA;&#xA; The Moslem form of Cabbala, or transcendental philosophy of the Hebrews.&#xA;&#xA; Arab. &amp;quot;Bakh&amp;quot; the word used by the Apostle to Ali his son-in-law. It is the Latin &amp;quot;Euge.&amp;quot;&#xA;&#xA; Readers, who read for amusement, will do well to &amp;quot;skip&amp;quot; the fadaises of this highly educated young woman.&#xA;&#xA; There are three Persian Kings of this name (Artaxerxes)&#xA;which means &amp;quot;Flour and milk,&amp;quot; or &amp;quot;high lion.&amp;quot; The text alludes to&#xA;Ardeshir Babegan, so called because he married the daughter of&#xA;Babak the shepherd, founder of the Sassanides in A.D. 202. See&#xA;D,Herberot, and the Dabistan.&#xA;&#xA; Alluding to the proverb, &amp;quot;Folk follow their King's faith,&amp;quot;&#xA;&amp;quot;Cujus regio ejus religio&amp;quot; etc.&#xA;&#xA; Second Abbaside, A.H. 136-158 (=754-775).&#xA;&#xA; The celebrated companion of Mohammed who succeeded Abu Bakr in the Caliphate (A.H. 13-23=634-644). The Sunnis know him as Al-Adil the Just, and the Shiahs detest him for his usurpation, his austerity and harshness. It is said that he laughed once and wept once. The laugh was caused by recollecting how he ate his dough-gods (the idols of the Hanifah tribe) in The Ignorance. The tears were drawn by remembering how he buried alive his baby daughter who, while the grave was being dug, patted away the dust from his hair and beard. Omar was doubtless a great man, but he is one of the most ungenial figures in Moslem history which does not abound in genialities. To me he suggests a Puritan, a Covenanter of the sourest and narrowest type; and I cannot wonder that the Persians abhor him, and abuse him on all occasions.&#xA;&#xA; The austere Caliph Omar whose scourge was more feared than the sword was the - author of the celebrated saying &amp;quot;Consult them (feminines) and do clear contrary-wise.&amp;quot;&#xA;&#xA; Our &amp;quot;honour amongst thieves.&amp;quot;&#xA;&#xA; The sixth successor of Mohammed and founder of the Banu Umayyah or Ommiades, called the &amp;quot;sons of the little mother&amp;quot; from their eponymus (A.H. 41-60=661-680). For his Badawi wife Maysun, and her abuse of her husband, see Pilgrimage iii. 262.&#xA;&#xA; Shaykh of the noble tribe, or rather nation, Banu Tamím and a notable of the day, surnamed, no one knows why, &amp;quot;Sire of the Sea.&amp;quot;&#xA;&#xA; This is essential for cleanliness in hot lands: however much the bath may be used, the body-pile and lower hair, if submitted to a microscope, will show more or less sordes adherent. The axilla-hair is plucked because if shaved the growing pile causes itching and the depilatories are held deleterious. At first vellication is painful but the skin becomes used to it. The pecten is shaved either without or after using depilatories, of which more presently. The body-pile is removed by &amp;quot;Takhfíf&amp;quot;; the Libán Shámi (Syrian incense), a fir- gum imported from Scio, is melted and allowed to cool in the form of a pledget. This is passed over the face and all the down adhering to it is pulled up by the roots (Burckhardt No. 420). Not a few Anglo-Indians have adopted these precautions&#xA;&#xA; This Caliph was a tall, fair, handsome man of awe-inspiring aspect. Omar used to look at him and say, &amp;quot;This is the Cæsar of the Arabs,&amp;quot; while his wife called him a &amp;quot;fatted ass.&amp;quot;&#xA;&#xA; The saying is attributed to Abraham when &amp;quot;exercised&amp;quot; by the unkindly temper of Sarah; &amp;quot;woman is made hard and crooked like a rib;&amp;quot; and the modern addition is, &amp;quot;whoso would straighten her, breaketh her.&amp;quot;&#xA;&#xA; i.e. &amp;quot;When ready and in erection.&amp;quot;&#xA;&#xA; &amp;quot;And do first (before going in to your wives) some act which may be profitable unto your souls&amp;quot; or, for you: soul's good. (Koran, chaps. ii. 223.) Hence Ahnaf makes this prayer.&#xA;&#xA; It was popularly said that &amp;quot;Truth-speaking left Omar without a friend.&amp;quot; Entitled &amp;quot;The Just&amp;quot; he was murdered by Abu Lúlúah, alias Fírúz, a (Magian ?) slave of Al-Maghírah for denying him justice.&#xA;&#xA; Governor of Bassorah under the first four Caliphs. See&#xA;D'Herbelot s.v. &amp;quot;Aschári.&amp;quot;&#xA;&#xA; Ziyad bin Abi Sufyan, illegitimate brother of the Caliph&#xA;Mu'awiyah afterwards governor of Bassorah, Cufa and Al-Hijaz.&#xA;&#xA; The seditions in Kufah were mainly caused by the wilful nepotism of Caliph Othman bin Asákir which at last brought about his death. His main quality seems to have been personal beauty: &amp;quot;never was seen man or woman of fairer face than he and he was the most comely of men:&amp;quot; he was especially famed for beautiful teeth which in old age he bound about with gold wire. He is described as of middling stature, large- limbed, broad shouldered, fleshy of thigh and long in the fore-arm which was hairy. His face inclined to yellow and was pock-marked; his beard was full and his curly hair, which he dyed yellow, fell below his ears. He is called &amp;quot;writer of the Koran&amp;quot; from his edition of the M.S., and &amp;quot;Lord of the two Lights&amp;quot; because he married two of the Prophet's daughters, Rukayyah and Umm Kulthum; and, according to the Shi'ahs who call him Othman-i-Lang or&amp;quot; limping Othman,&amp;quot; he vilely maltreated them. They justify his death as the act of an Ijmá' al-Muslimín, the general consensus of Moslems which ratifies &amp;quot;Lynch law.&amp;quot; Altogether Othman is a mean figure in history.&#xA;&#xA; &amp;quot;Nár&amp;quot; (fire) is a word to be used delicately from its connection with Gehenna. You say, e.g. &amp;quot;bring me a light, a coal (bassah)&amp;quot; etc.; but if you say &amp;quot;bring me fire! &amp;quot; the enemy will probably remark &amp;quot;He wanteth fire even before his time!&amp;quot; The slang expression would be &amp;quot;bring the sweet.&amp;quot; (Pilgrimage i. 121.)&#xA;&#xA; Omar is described as a man of fair complexion, and very ruddy, but he waxed tawny with age, when he also became bald and grey. He had little hair on the cheeks but a long mustachio with reddish ends. In stature he overtopped the people and was stout as he was tall. A popular saying of Mohammed's is, &amp;quot;All (very) long men are fools save Omar, and all (very) short men are knaves save Ali.&amp;quot; The Persians, who abhor Omar, compare every lengthy, ungainly, longsome thing with him; they will say, &amp;quot;This road never ends, like the entrails of Omar.&amp;quot; We know little about Ali's appearance except that he was very short and stout, broad and full-bellied with a tawny complexion and exceedingly hairy, his long beard, white as cotton, filling all the space between his shoulders. He was a &amp;quot;pocket. Hercules,&amp;quot; and incredible tales, like that about the gates of Khaybar, are told of his strength. Lastly, he was the only Caliph who bequeathed anything to literature: his &amp;quot;Cantiloquium&amp;quot; is famous and he has left more than one mystical and prophetic work. See Ockley for his &amp;quot;Sentences&amp;quot; and D'Herbelot s. D. &amp;quot;Ali&amp;quot; and &amp;quot;Gebr.&amp;quot; Ali is a noble figure in Moslem history.&#xA;&#xA; The emancipation from the consequences of his sins; or it may mean a holy death.&#xA;&#xA; Battle fought near Al-Medinah A.D. 625. The word is derived from &amp;quot;shad&amp;quot; (one). I have described the site in my Pilgrimage, (vol. ii. 227).&#xA;&#xA; &amp;quot;Haphsa&amp;quot; in older writers; Omar's daughter and one of Mohammed's wives, famous for her connection with the manuscripts of the Koran. From her were (or claimed to be) descended the Hafsites who reigned in Tunis and extended their power far and wide over the Maghrib (Mauritania), till dispossessed by the Turks.&#xA;&#xA; i.e. humbly without the usual strut or swim: it corresponds with the biblical walking or going softly. (I Kings xxi. 27; Isaiah xxxviii. 15, etc.)&#xA;&#xA; A theologian of the seventh and eighth centuries.&#xA;&#xA; i.e. to prepare himself by good works, especially alms-giving, for the next world.&#xA;&#xA; A theologian of the eighth century.&#xA;&#xA; Abd al-Aziz was eighth Ommiade (regn. A.H. 99=717) and the fifth of the orthodox, famed for a piety little known to his house. His most celebrated saying was, &amp;quot; Be constant in meditation on death: if thou bein straitened case 'twill enlarge it, and if in affluence 'twill straiten it upon thee.&amp;quot; He died. poisoned, it is said, in A.H 101,&#xA;&#xA; Abu Bakr originally called Abd al-Ka'abah (slave of the Ka'abah) took the name of Abdullah and was surnamed Abu Bakr (father of the virgin) when Mohammed, who before had married only widows, took to wife his daughter, the famous or infamous Ayishah. &amp;quot;Bikr&amp;quot; is the usual form, but &amp;quot;Bakr,&amp;quot; primarily meaning a young camel, is metaphorically applied to human youth (Lane's Lex. s. c.). The first Caliph was a cloth-merchant, like many of the Meccan chiefs. He is described as very fair with bulging brow, deep set eyes and thin-checked, of slender build and lean loined, stooping and with the backs of his hands fleshless. He used tinctures of Henna and Katam for his beard. The Persians who hate him, call him &amp;quot;Pir-i-Kaftár,&amp;quot; the old she-hyaena, and believe that he wanders about the deserts of Arabia in perpetual rut which the males must satisfy.&#xA;&#xA; The second, fifth, sixth and seventh Ommiades.&#xA;&#xA; The mother of Omar bin Abd al-Aziz was a granddaughter of&#xA;Omar bin al-Khattab.&#xA;&#xA; Brother of this Omar's successor, Yezid II.&#xA;&#xA; So the Turkish proverb &amp;quot;The fish begins to stink at the head.&amp;quot;&#xA;&#xA; Calling to the slaves.&#xA;&#xA; When the &amp;quot;Day of Arafat&amp;quot; (9th of Zú'l-Hijjah) falls upon a Friday. For this Hajj al- Akbar see my Pilgrimage iii. 226. It is often confounded by writers (even by the learned M. Caussin de Perceval) with the common Pilgrimage as opposed to the Umrah, or &amp;quot; Lesser Pilgrimage&amp;quot; (ibid. iii. 342, etc.). The latter means etymologically cohabiting with a woman in her father's house as opposed to 'Ars or leading her to the husband's home: it is applied to visiting Meccah and going through all the pilgrim-rites but not at the Pilgrimage-season. Hence its title &amp;quot;Hajj al-Asghar&amp;quot; the &amp;quot;Lesser Hajj.&amp;quot; But &amp;quot;Umrah&amp;quot; is also applied to a certain ceremony between the hills Safá (a large hard rock) and Marwah (stone full of flints), which accompanies the Hajj and which I have described (ibid. iii. 344). At Meccah I also heard of two places called Al-Umrah, the Greater in the Wady Fátimah and the Lesser half way nearer the city (ibid. iii. 344).&#xA;&#xA; A fair specimen of the unworthy egoism which all religious systems virtually inculcate Here a pious father leaves his children miserable to save his own dirty soul.&#xA;&#xA; Chief of the Banú Tamín, one of the noblest of tribes, derived from Tamím, the uncle of Kuraysh (Koreish); hence the poets sang:—&#xA;&#xA;             There cannot be a son nobler than Kuraysh,&#xA;             Nor an uncle nobler than Tamím.&#xA;&#xA;The high minded Tamín is contrasted with the mean-spirited Kays, who also gave rise to a tribe; and hence the saying concerning one absolutely inconsistent, &amp;quot;Art thou now Tamín and then Kays?&amp;quot;&#xA;&#xA; Surnamed Al-Sakafi, Governor of Al-Yaman and Irak.&#xA;&#xA; Tenth Ommiade (regn. A H. 105-125 = 724-743).&#xA;&#xA; Or &amp;quot;clothe thee in worn-out clothes&amp;quot; i.e. &amp;quot;Become a Fakir&amp;quot; or religious mendicant.&#xA;&#xA; This gratuitous incest in ignorance injures the tale and is as repugnant to Moslem as to Christian taste.&#xA;&#xA; The child is named either on the day of its birth or on that day week. The father whispers it in the right ear, often adding the Azán or prayer-call, and repeating in the left ear the &amp;quot;Ikámah&amp;quot; or Friday sentence. There are many rules for choosing names according to the week-day, the ascendant planet, the &amp;quot;Sortes Coranicæ,&amp;quot; etc.&#xA;&#xA; Amongst Moslems as amongst Christians there are seven deadly sins: idolatry, murder, falsely charging modest women with unchastity, robbing orphans, usury, desertion in Holy War and disobedience to parents. The difference between the two creeds is noteworthy. And the sage knows only three, intemperance, ignorance and egoism.&#xA;&#xA; Meaning, &amp;quot;It was decreed by Destiny; so it came to pass,&amp;quot; appropriate if not neat.&#xA;&#xA; The short, stout, dark, long-haired and two-bunched camel from &amp;quot;Bukhtar&amp;quot; (Bactria), the &amp;quot;Eastern&amp;quot; (Bakhtar) region on the Amu or Jayhun (Oxus) River; afterwards called Khorasan. The two-humped camel is never seen in Arabia except with northern caravans, and to speak of it would be a sore test of Badawi credulity.&#xA;&#xA; &amp;quot;Kaylúlah&amp;quot; is the &amp;quot;forty-winks&amp;quot; about noon: it is a Sunnat or Practice of the Prophet who said, &amp;quot;Make the mid-day siesta, for verily at this hour the devils sleep not.&amp;quot; &amp;quot;Aylúlain&amp;quot; is slumbering after morning prayers (our &amp;quot;beauty-sleep&amp;quot;), causing heaviness andid leness: &amp;quot;Ghaylúlah&amp;quot; is dozing about 9 a.m. engendering poverty and wretchedness: &amp;quot;Kaylúlah&amp;quot; (with the guttural Kaf) is sleeping before evening prayers and &amp;quot;Faylúlah&amp;quot; is slumbering after sunset—both held to be highly detrimental. (Pilgrimage ii 49.)&#xA;&#xA; The Biblical &amp;quot;Hamath&amp;quot; (Hightown) too well known to require description. It is still famous for the water-wheels mentioned by al-Hariri (assembly of the Banu Harám).&#xA;&#xA; When they say, &amp;quot;The levee flashes bright on the hills of&#xA;Al-Yaman,&amp;quot; the allusion is to the south quarter, where&#xA;summer-lightning is seen. Al-Yaman (always with the article) means,&#xA;I have said, the right-hand region to one facing the rising sun and&#xA;Al-Sham (Syria) the left-hand region.&#xA; Again &amp;quot;he&amp;quot; for &amp;quot;she,&amp;quot; in delicacy and jealousy of making public the beauty or conditions of the &amp;quot;veiled sex.&amp;quot; Even public singers would hesitate to use a feminine pronoun. As will be seen however, the rule is not invariably kept and hardly ever in Badawi poetry.&#xA;&#xA; The normal pun on &amp;quot;Nuzhat al-Zaman&amp;quot; = Delight of the Age or Time.&#xA;&#xA; The reader will find in my Pilgrimage (i. 305) a sketch of the Takht-rawan or travelling-litter, in which pilgrimesses are wont to sleep.&#xA;&#xA; In poetry it holds the place of our Zephyr; end the &amp;quot;Bád- i-Sabá&amp;quot;=Breeze o' the morn, Is much addressed by Persian poets.&#xA;&#xA; Here appears the nervous, excitable, hysterical Arab temperament which is almost phrensied by the neighbourhood of a home from which he had run away.&#xA;&#xA; Zau al-Makan and Nuzhat al-Zaman.&#xA;&#xA; The idea is essentially Eastern, &amp;quot;A lion at home and a lamb abroad&amp;quot; is the popular saying.&#xA;&#xA; Arab. &amp;quot;Hubb al-Watan&amp;quot; (= love of birthplace, patriotism) of which the Tradition says &amp;quot;Min al-Imán&amp;quot; (=is part of man's religion).&#xA;&#xA; He is supposed to speak en prince; and he yields to a prayer when he spurns a command.&#xA;&#xA; In such caravans each party must keep its own place under pain of getting into trouble with the watchmen and guards.&#xA;&#xA; Mr. Payne (ii. 109) borrows this and the next quotation from the Bull Edit. i. 386.&#xA;&#xA; For the expiation of inconsiderate oaths see Koran (chaps. v.). I cannot but think that Al-Islam treats perjury too lightly: all we can say is-that it improves upon Hinduism which practically seems to leave the punishment to the gods.&#xA;&#xA; &amp;quot;Kausar,&amp;quot; as has been said, represents the classical nectar, the Amrita of the Hindus.&#xA;&#xA; From Bull Edit. i. 186. The couplet in the Mac. Edit. i. 457 is very wildly applied.&#xA;&#xA; The &amp;quot;insula&amp;quot; of Sancho Panza.&#xA;&#xA; This should have assured him that he stood in no danger.&#xA;&#xA; Here ends the wearisome tale of the brother and sister, and the romance of chivalry begins once more with the usual Arab digressions.&#xA;&#xA; I have derived this word from the Persian &amp;quot;rang&amp;quot;=colour, hue, kind.&#xA;&#xA; Otherwise all would be superseded, like U. S. officials under a new President.&#xA;&#xA; Arab. &amp;quot;Nímshah&amp;quot; from the Pers. Nímchah, a &amp;quot;half-sword,&amp;quot; a long dagger worn in the belt. Richardson derives it from Namsh, being freckled (damasked).&#xA;&#xA; The Indian term for a tent large enough to cover a troop of cavalry.&#xA;&#xA; Arab. &amp;quot;Marhúm&amp;quot; a formula before noticed. It is borrowed from the Jewish, &amp;quot;of blessed memory&amp;quot; (after the name of the honoured dead, Prov. x. 17.); with the addition of &amp;quot;upon whom be peace,&amp;quot; as opposed to the imprecation, &amp;quot;May the name of the wicked rot!&amp;quot;&#xA;&#xA; The speeches of the five damsels should be read only by students.&#xA;&#xA; i.e. Those who look for &amp;quot;another and a better.&amp;quot;&#xA;&#xA; The title of Caliph Abu Bakr because he bore truthful witness to the Apostle's mission or, others say, he confirmed the &amp;quot;Mi'ráj&amp;quot; or nocturnal journey to Heaven.&#xA;&#xA; All this is Koranic (chaps. ii., etc.).&#xA;&#xA; This may have applied more than once to &amp;quot;hanging judges&amp;quot; in the Far West.&#xA;&#xA; A traditionist and jurisconsult of Al-Medinah in the seventh and eighth centuries.&#xA;&#xA; The Alexander of the Koran and Eastern legends, not to be confounded with the Alexander of Macedon. He will be noticed in a future Night.&#xA;&#xA; Æsop, according to the Arabs: of him or rather of the two&#xA;Lukmans, more presently.&#xA;&#xA; Koran ii. 185.&#xA;&#xA; Mohammed.&#xA;&#xA; One of the Asháb or Companions of Mohammed.&#xA;&#xA; A noted traditionist at Cufa in the seventh century.&#xA;&#xA; Koran, chaps. lxxiv. I (and verse 8 follows). The Archangel Gabriel is supposed to address Mohammed and not a few divines believe this Surah (chapter) to have been first revealed. Mr. Rodwell makes it No. ii. following the Fatrah or silent interval which succeeded No. xcvi. &amp;quot;Clots of Blood.&amp;quot; See his 2nd Edit. p. 3 for further details.&#xA;&#xA; i.e. dangerous to soul-health.&#xA;&#xA; In the Mac. Edit. &amp;quot;Abd&amp;quot; for &amp;quot;Sa'id.&amp;quot; The latter was a black and a native of Cufa during the first century (A.H ) and is still famous as a traditionist.&#xA;&#xA; Arab. &amp;quot;Shirk,&amp;quot; giving a partner to Allah, attending chiefly to Christians and idolaters and in a minor degree to Jews and Guebres. We usually English it by &amp;quot;polytheism,&amp;quot; which is clumsy and conveys a wrong idea&#xA;&#xA; Grandson of the Caliph Ali. He is one of the Imams&#xA;(High-priests) of the Shi'ah school.&#xA;&#xA; An eminent traditionist of the eighth century (A.D.).&#xA;&#xA; The prayers of the Fast-month and Pilgrimage-month are often said in especial places outside the towns and cities; these are the Indian Id(Eed-)gáh. They have a screen of wall about a hundred yards long with a central prayer-niche and the normal three steps for the preacher; and each extremity is garnished with an imitation minaret. They are also called Namáz-gah and one is sketched by Herklots (Plate iii. fig. 2). The object of the trips thither in Zu'l-Ka'adah and Zu'l-Hijjah is to remind Moslems of the &amp;quot;Ta'aríf,&amp;quot; or going forth from Meccah to Mount Arafat.&#xA;&#xA; Arab. &amp;quot;Al-Háfi,&amp;quot; which in Egyptian means sore-footed as well. He was an ascetic of the eighth and ninth centuries (A.D.). He relates a tradition of the famous soldier saint Khálid bin Walíd who lies buried like the poet Ka'ab al-Ahbár near Hums (Emessa) once the Botia, Phrygia, Abdera, Suabia of Syria now Halbun (pronounced Halbáun) near Damascus. I cannot explain how this Kuraysh noble (a glorious figure in Moslem history) is claimed by the Afghans as one of their countrymen and made to speak Pukhtu or Pushtu, their rough old dialect of Persian. The curious reader will consult my Pilgrimage iii. 322 for the dialogue between Mohammed and Khalid. Again there is general belief in Arabia that the English sent a mission to the Prophet, praying that Khalid might be despatched to proselytise them: unfortunately Mohammed was dead and the &amp;quot;Ingríz&amp;quot; ratted. It is popularly held that no armed man can approach Khalid's grave; but I suppose my revolver did not count.&#xA;&#xA; When he must again wash before continuing prayer.&#xA;&#xA; Bin Adham; another noted ascetic of the eighth century.&#xA;Those curious about these unimportant names will consult the great&#xA;Biographical Dictionary of Ibn Khallikan, translated by Baron&#xA;MacGuckin de Slane (1842-45).&#xA;&#xA; Thus making Bishr the &amp;quot;Imám&amp;quot; (artistes) lit. one who stands in front. In Koran xvii. 74 it means &amp;quot;leader&amp;quot;: in ii. 118 Allah makes Abraham an &amp;quot;Imam to mankind.&amp;quot;&#xA;&#xA; A favourite sentiment in the East: we find it at the very beginning of Sa'di's Gulistan: better a weal-bringing lie than a harm-dealing truth.&#xA;&#xA; A penny, one sixth of the drachma.&#xA;&#xA; Founder of the Hanbali, fourth (in date) of the four orthodox Moslem schools. The Caliph al-Mu'atasim bi'llah, son of Harun al-Rashid, who believed the Koran to have been created and not a Logos (whatever that may be), co-eternal with Allah, scourged this Imam severely for &amp;quot;differing in opinion&amp;quot; (A.H. 220=833). In fact few of the notable reverends of that day escaped without a caress of the scourge or the sword.&#xA;&#xA; A learned man of the eighth century at Bassorah (A.D.).&#xA;&#xA; A traditionist of Khorasan in the ninth century (A.D.).&#xA;&#xA; &amp;quot;Azal,&amp;quot; opp. to &amp;quot;Abad,&amp;quot; eternity without end, infinity.&#xA;&#xA; Koran lxvi. 6.&#xA;&#xA; A traditionist of Al-Medinah, eighth century (A.D.).&#xA;&#xA; Arab. &amp;quot;Músá&amp;quot;: the Egyptian word was &amp;quot;Mesu,&amp;quot; the &amp;quot;child&amp;quot; or the &amp;quot;boy&amp;quot; (brought up in the palace?), and the Hebrews made it &amp;quot;Mosheh&amp;quot; or &amp;quot;one drawn out of the water;&amp;quot; &amp;quot;Mu&amp;quot; in Egypt being water, the Arab &amp;quot;Ma&amp;quot;; whence probably the moderns have derived the dim. &amp;quot;Moyeh ,&amp;quot; vulg. Egyptian for water.&#xA;&#xA; Koran, chaps. xxviii.: Shu'ayb is our Jethro: Koran, chaps. vii. and xi. Mr. Rodwell suggests (p. 101) that the name has been altered from Hobab (Numb. x. 29).&#xA;&#xA; Arab. &amp;quot;Taub&amp;quot; (Saub), the long shirt popularly written in English Tobe and pronounced so by Egyptians. It is worn by both sexes (Lane, M. E. chaps. i. &amp;quot;Tob&amp;quot;) in Egypt, and extends into the heart of Moslem Africa: I can compare it with nothing but a long nightgown dyed a dirty yellow by safflower and about as picturesque as a carter's smock-frock.&#xA;&#xA; There is nothing of this in the Koran; and it is a most unhappy addition, as Moses utterly and pretentiously ignored a &amp;quot;next world.&amp;quot;&#xA;&#xA; Koran xxviii. 22-27. Mohammed evidently confounded the contract between Laban and Jacob. (Gen. xxix. 15-39.)&#xA;&#xA; So says Al-Hariri (Ass. of Sasan), &amp;quot;The neighbour before the house and the traveller before the journey.&amp;quot; In certain cities the neighbourhood is the real detective police, noting every action and abating scandals (such as orgies, etc.) with a strong hand and with the full consent of public opinion and of the authorities. This loving the neighbour shows evident signs of being borrowed from Christianity.&#xA;&#xA; Al-Asamm a theologian of Balkh, ninth century (A.D.).&#xA;&#xA; The founder of the Senior School, for which see Sale Prel.&#xA;Disc. sect. viii.&#xA;&#xA; Thus serving the Lord by sinning against his own body.&#xA;&#xA; An Egyptian doctor of the law (ninth century).&#xA;&#xA; Koran lxxvii. 35, 36. This is one of the earliest and most poetical chapters of the book.&#xA;&#xA; Abu Hanifah was scourged for refusing to take office and was put to death in prison, it is said by poison (A.H. 150=A.D. 767), for a judicial sentence authorising rebellion against the second Abbaside, Al-Mansur, surnamed Abu'l-Dawánik (Father of Pence) for his exceeding avarice.&#xA;&#xA; &amp;quot;Lá rayba fí-hi&amp;quot; says the Koran (ii. 1) of itself; and the saying is popularly applied to all things of the Faith.&#xA;&#xA; Arab. &amp;quot;Rivál al-Ghayb,&amp;quot; somewhat like the &amp;quot;Himalayan Brothers&amp;quot; of modern superstition. See Herklots (Qanoon-e-Islam) for a long and careful description of these &amp;quot;Mardán-i-Ghayb&amp;quot; (Pers.), a &amp;quot;class of people mounted on clouds,&amp;quot; invisible, but moving in a circular orbit round the world, and suggesting the Hindu &amp;quot;Lokapálas.&amp;quot; They should not be in front of the traveller nor on his right, but either behind or on his left hand. Hence tables, memorial couplets and hemistichs are required to ascertain the station, without which precaution journeys are apt to end badly.&#xA;&#xA; A sweetmeat before noticed.&#xA;&#xA; Door hinges in the east are two projections for the top and bottom of the leaf playing in hollows of the lintel and threshold. It appears to be the primitive form, for we find it in the very heart of Africa. In the basaltic cities of the Hauran, where the doors are of thick stone, they move easily on these pins. I found them also in the official (not the temple)City of Palmyra, but all broken.&#xA;&#xA; The effect of the poison and of the incantation which accompanied it.&#xA;&#xA; King Omar who had raped her. My sympathies are all with the old woman who nightly punished the royal lecher.&#xA;&#xA; Arab. &amp;quot;Zunnár,&amp;quot; the Gr. . Christians and Jews were compelled by the fanatical sumptuary laws of the Caliph Al- Mutawakkil (AD. 856) to wear a broad leather belt in public, hence it became a badge of the Faith. Probably it was confounded with the &amp;quot;Janeo&amp;quot; (Brahmanical thread) and the Parsi sacred girdle called Kashti. (Dabistan i, 297, etc.). Both Mandeville and La Brocquière speak of &amp;quot;Christians of the Girdle, because they are all girt above,&amp;quot; intending Jacobites or Nestorians.&#xA;&#xA; &amp;quot;Siláh dár&amp;quot; (Arab. and Pers.)=a military officer of high rank; literally an &amp;quot;armour-bearer,&amp;quot; chosen for velour and trustworthiness. So Jonathan had a &amp;quot;young man&amp;quot; (brave) who bare his armour (I Sam. xiv. 1, 6 and 7); and Goliath had a man that bare the shield before him (ibid. xvii. 7, 41). Men will not readily forget the name of Sulayman Agha, called the Silahdar, in Egypt. (Lane M. E. chaps. iv.)&#xA;&#xA; It will be told afterwards.&#xA;&#xA; The elder brother thus showed himself a vassal and proved himself a good Moslem by not having recourse to civil war.&#xA;&#xA; Arab. &amp;quot;Ghazwah,&amp;quot; the corrupt Gallicism, now&#xA;Europeanised=raid, foray.&#xA; Turk in modern parlance means a Turkoman, a pomade: the settled people call themselves Osmanli or Othmanli. Turkoman=Turk- like.&#xA;&#xA; Arab. &amp;quot;Nimsá;&amp;quot; southern Germans, Austrians; from the Slav. &amp;quot;Nemica&amp;quot; (any Germans), literally meaning &amp;quot;The dumb&amp;quot; (nemac), because they cannot speak Slav.&#xA;&#xA; Arab. &amp;quot;Dubárá&amp;quot; from the Slav. &amp;quot;Dubrovnik,&amp;quot; from &amp;quot;Dub&amp;quot; (an oak) and &amp;quot;Dubrava&amp;quot; (an oak forest). Ragusa, once a rival of Venice, gave rise to the word &amp;quot;Argosy.&amp;quot; D'Herbelot calls it &amp;quot;Dobravenedik&amp;quot; or &amp;quot;Good Venice,&amp;quot; the Turkish name, because it paid tribute when Venice would not (?).&#xA;&#xA; Arab. &amp;quot;Jawarnah,&amp;quot; or, &amp;quot;Júrnah&amp;quot; evidently Zara, a place of many names, Jadera (Hirtius de Bell. Alex. cap. 13), Jadra, Zadra (whence the modern term), Diadora, Diadosca and Jadrossa. This important Liburnian city sent forth many cruisers in crusading days; hence the Arabs came to know its name.&#xA;&#xA; Arab. &amp;quot;Banu'l-Asfar;&amp;quot; which may mean &amp;quot;Pale faces,&amp;quot; in the sense of &amp;quot;yeller girls&amp;quot; (New Orleans) and that intended by North American Indians, or, possibly, the peoples with yellow (or rather tow-coloured) hair we now call Russians. The races of Hindostan term the English not &amp;quot;white men,&amp;quot; but &amp;quot;red men;&amp;quot; and the reason will at once be seen by comparing a Britisher with a high-caste Nágar Brahman whose face is of parchment colour as if he had drunk exsangue cuminum. The Yellow-faces of the text correspond with the Sansk. &amp;quot;Svetadvipa&amp;quot;—Whiteman's Land.&#xA;&#xA; Arab. &amp;quot;Al-Musakhkham.&amp;quot; No Moslem believes that Isa was crucified and a favourite fancy is that Judas, changed to the likeness of Jesus, thus paid for his treason. (Evangel. Barnabæ.) Hence the resurrection is called not &amp;quot;Kiyámah&amp;quot; but &amp;quot;Kumámah&amp;quot;=rubbish. This heresy about the Cross they share with the Docetes, &amp;quot;certain beasts in the shape of men&amp;quot; (says Ignatius), who held that a phantom was crucified. So far the Moslems are logical, for &amp;quot;Isa,&amp;quot; being angelically, miraculously and immaculately conceived, could not be; but they contradict themselves when they hold a vacant place near Mohammed's tomb for the body of Isa after his second coming as a forerunner to Mohammed and Doomday. (Pilgrimage ii. 89.)&#xA;&#xA; A diviner, priest, esp. Jewish, and not belonging to the tribe of Levi.&#xA;&#xA; Again the coarsest word &amp;quot;Khara.&amp;quot; The allusion is to the&#xA;vulgar saying, &amp;quot;Thou eatest skite!&amp;quot; (i.e. thou talkest nonsense).&#xA;Decent English writers modify this to, &amp;quot;Thou eatest dirt:&amp;quot; and Lord&#xA;Beaconsfield made it ridiculous by turning it into &amp;quot;eating sand.&amp;quot;&#xA; These silly scandals, which cause us only to smile, excite&#xA;Easterns to fury. I have seen a Moslem wild with rage on hearing a&#xA;Christian parody the opening words of the Koran, &amp;quot;Bismillahi 'l-&#xA;Rahmáni 'l-Rahím, Mismish wa Kamar al-din,&amp;quot; roughly translated,&#xA;&#xA;&amp;quot;In the name of Allah, the Compassionating, the Compassionate! Apricots and marmalede.&amp;quot; The idea of the Holy Merde might have been suggested by the Hindus: see Mandeville, of the archiprotopapaton (prelate) carrying ox-dung and urine to the King, who therewith anoints his brow and breast, &amp;amp;c. And, incredible to relate, this is still practiced after a fashion by the Parsis, one of the most progressive and the sharpest witted of Asiatic races.&#xA;&#xA; Meaning that he had marked his brow with a cross (of ashes?) as certain do on Ash Wednesday.&#xA;&#xA; Syria, the &amp;quot;left-hand land&amp;quot; as has before been explained. The popular saying about its people is &amp;quot;Shámi shúmi!&amp;quot;—the Syrian is small potatoes (to render the sense Americanicè). Nor did Syrus, the slave in Roman days, bear the best of names. In Al-Hijaz the Syrian is addressed &amp;quot;Abú Shám&amp;quot; (Father of Syria) and insulted as &amp;quot;Abuser of the Salt&amp;quot; (a traitor). Yet many sayings of Mohammed are recorded in honour of Syria, and he sometimes used Syriac words. Such were &amp;quot;Bakh, bakh&amp;quot; (=euge, before noticed), and &amp;quot;Kakh,&amp;quot; a congener of the Latin Cacus and Caca which our day has docked to &amp;quot;cack.&amp;quot; (Pilgrimage iii. 115)&#xA;&#xA; Koran xiv. 34. &amp;quot;They (Unbelievers) shall be thrown therein (i.e., the House of Perdition=Hell); and an unhappy dwelling shall it be.&amp;quot;&#xA;&#xA; The leg-cut is a prime favourite with the Eastern Sworder, and a heavy two-handed blade easily severs a horse's leg.&#xA;&#xA; Mohammed repeatedly declared (Koran lxi.) that the Christians had falsified the passage (&amp;quot;I go to my Father and the Paraclete shall come,&amp;quot; John xvi. 7) promising the advent of the Comforter, (ibid. xiv. 20; xv. 26) by substituting the latter word for glorious, renowned, i.e., Ahmed or Mohammed=the praised one. This may have been found in the Arabic translation of the Gospels made by Warakah, cousin to Mohammed's first wife; and hence in Koran lxi. we find Jesus prophesying of an Apostle &amp;quot;whose name shall be Ahmad.&amp;quot; The word has consequently been inserted into the Arabic Gospel of Saint Barnabas (Dabistan iii. 67). Moslems accept the Pentateuch, the Psalter and the Gospel; but assert (Koran, passim.) that all extant copies have been hopelessly corrupted, and they are right. Moses, to whom the Pentateuch is attributed, notices his own death and burial—&amp;quot;the mair the miracle,&amp;quot; said the old Scotch lady. The &amp;quot;Psalms of David&amp;quot; range over a period of some five hundred years, and there are three Isaiahs who pass with the vulgar for one. The many apocryphal Gospels, all of which have been held genuine and canonical at different times and in different places, prove that the four, which are still in use, were retained because they lack the manifest absurdities of their discarded rivals.&#xA;&#xA; Arab. &amp;quot; Labbayka; &amp;quot; the Pilgrimage-cry (Night xxii.) which in Arabic is,&#xA;&#xA;Labbayk' Allahumma, Labbayk'!&#xA;Lá Sharíka lake, Labbayk'!&#xA;Inna 'l-hamda w'al ni'amata lake wa'l mulk!&#xA;Labbayk' Allahumma, Labbayk'!&#xA;&#xA;Some add &amp;quot;Here am I, and I honour Thee, the son of Thy two slaves; beneficence and good are all between Thy hands.&amp;quot;With the &amp;quot;Talbiyah&amp;quot; the pilgrims should bless the Prophet, pray Allah to grant Heaven and exclaim, &amp;quot;By Thy mercy spare us from the pains of Hell-fire!&amp;quot; (Pilgrimage iii. 232.) Labbayka occurs in the verses attributed to Caliph Ali; so labba=he faced, and yalubbu=it faces (as one house faces another); lastly, he professed submission to Allah; in which sense, together with the verbal noun &amp;quot;Talbiyah,&amp;quot; it is used by Al- Hanri (Pref. and Ass. of Su'adah).&#xA;&#xA; Arab. &amp;quot;Kissís&amp;quot; (plur. Kusús) from .&#xA;&#xA; Koran ii. The &amp;quot;red cow&amp;quot; is evidently the &amp;quot;red heifer&amp;quot; of&#xA;Barnabas, chaps. vii.&#xA;&#xA; Arab. &amp;quot;Al-Jásalík&amp;quot;= .&#xA;&#xA; This is from the first &amp;quot;Gospel of Infancy,&amp;quot; wherein Jesus said to his mother, &amp;quot;Verily I am Jesus, the Son of God, the Word which thou hast brought forth, as the Angel Gabriel did declare unto thee; and my Father hath sent me to save the world&amp;quot; (chaps. i. 2.). The passage is virtually quoted in the Koran (chaps. iii. 141), of course omitting &amp;quot; the Son of God&amp;quot;&#xA;&#xA; Mohammed allowed his locks to grow down to his ear-lobes but never lower.&#xA;&#xA; Arab. &amp;quot;Lisám&amp;quot; I have explained as a covering for the lower face, made by drawing over it the corner of the head-kerchief (Pilgrimage i. 346). The Lisám of the African Tawárik hoods the eyes so that a man must turn up his face to see, and swathes all the lower half, leaving only the nose exposed. And this is worn by many men by night as well as by day, doubtless to avoid the evil eye. The native Sultans of Darfur, like those of Bornu and others further west, used white muslin as a face-wrap: hence, too, the ceremonies when spitting, etc., etc. The Kúfiyah or head-kerchief of the Arabs soon reached Europe and became in Low Latin Cuphia; in Spanish Escofia; in Ital. Cuffia or Scuffia; in French Escoffion, Scofion (Reine Marguerite) Coëffe (une pellicule, marque de bonheur) Coiffe and Coife, &amp;amp;c.; the Scotch Curch or Coif, opposed to the maiden snood, and, lastly our Sergeant-at-Law's Coif. Littré, the Learned, who in erudition was né coiffé, has missed this obvious derivation.&#xA;&#xA; &amp;quot;Cutting,&amp;quot; throughout the book, alludes to the scymitar with which Arabs never give point; and &amp;quot;thrusting&amp;quot; to the footman's spear and the horseman's lance.&#xA;&#xA; A popular phrase, I repeat, for extreme tenor and consternation.&#xA;&#xA; The name usually applies to a well-known district and city of Al Yaman, where &amp;quot;Koss the eloquent&amp;quot; was bishop in Mohammed's day: the Negiran of D'Herbelot. Here, however, it is the Syrian Najrán (Nejrân of Missionary Porter's miserable Handbook), now a wretched village near the volcanic Lajjá, about one hundred and twenty miles direct south of Damascus and held by Druzes and Christians.&#xA;&#xA; The Kantár (quintal) of 100 ratls (Ibs.) =98-99 Ibs. avoir.&#xA;&#xA; Arab. &amp;quot;Juráb (bag) mi'adat- ih (of his belly),&amp;quot; the &amp;quot;curdling of the testicles&amp;quot; in fear is often mentioned.&#xA;&#xA; Clearly alluding to the magic so deeply studied by mediæval Jews.&#xA;&#xA; Arab. &amp;quot;Sahákah,&amp;quot; lit. rubbing. The Moslem Harem is a great school for this &amp;quot;Lesbian (which I would call Atossan) love &amp;quot;; but the motive of the practice lies deeper. As amongst men the mixture of the feminine with the masculine temperament leads to sodomy, so the reverse makes women prefer their own sex. These tribades are mostly known by peculiarities of form and features, hairy cheeks and upper lips, gruff voices, hircine odour and the large projecting clitoris with erectile powers known to the Arabs as &amp;quot;bazar&amp;quot; hence Tabzír=circumcision or amputation of such clitoris. Burckhardt (Prov. 436) translates &amp;quot; Bazarah&amp;quot; by slut or wench. He adds &amp;quot; it originally signifies the labia which the Cairenes also entice Zambúr and which are cut off in girlhood.&amp;quot; See also Lane, Lex. s.v.; Tabzír. Both writers confuse excision of the nymphæ with circumcision of the clitoris (Zambúr) Al-Siyúti (Kitab al-Izá' fi'Ilm al-Nikah) has a very interesting chapter on Sapphic venery, which is well known to Europe as proved by such works as &amp;quot;Gamiani,&amp;quot; and &amp;quot;Anandria ou Confessions de Mademoiselle Sappho, avec la Clef,&amp;quot; Lesbos, 1718. Onanism is fatally prevalent: in many Harems and girls' schools tallow candles and similar succedanea are vainly forbidden and bananas when detected are cut into four so as to be useless; of late years, however, China has sent some marvellous artificial phalli of stuffed bladder, horn and even caoutchouc, the latter material of course borrowed from Europe.&#xA;&#xA; This is considered a powerful aphrodisiac in the East. Hence male devotees are advised to avoid tile &amp;quot;two reds,&amp;quot; i.e. meat and wine; while the &amp;quot;two reds,&amp;quot; which corrupt women, are gold and saffron, that is perfumery. Hence also the saying of Mohammed:— &amp;quot;Perfumes for men should have scent and not colour; for women should have colour and not scent.&amp;quot; (Mishkát al-Masábíh ii. 361.)&#xA;&#xA;&#xA; These are the &amp;quot;Hibás&amp;quot; or thin cords of wool which the&#xA;Badawi binds round his legs, I believe to keep off cramp.&#xA;(Pilgrimage iii. 78).&#xA;&#xA; Crying out &amp;quot;La iláha illa 'llah.&amp;quot; (There is no god but the&#xA;God.); technically called &amp;quot;Tahlíl.&amp;quot;&#xA;&#xA; i.e. Men, angels and devils, the &amp;quot;Triloka&amp;quot; (triple people) of the Hindus. Alamín (plur.), never Alamayn (dual), is the Triregno denoted by the papal Tiara, the three Christian kingdoms being Heaven, Hell and Purgatory.&#xA;&#xA; Matrahinna or Mit-Rahinah is a well-known village near Memphis, the name being derived from the old Egyptian Minat-ro- hinnu, the port at the mouth of the canal. Let me remark that two of these three words, &amp;quot;Minat&amp;quot; and &amp;quot;Ru,&amp;quot; are still common in &amp;quot; Aryan&amp;quot; Persian.&#xA;&#xA; Kirámat, a sign, a prodigy, opposed to Mu'ujizah, a miracle wrought by a prophet. The Sufis explain this thaumaturgy by Allah changing something of Nature's ordinary course in favour of an especial worshipper, and, after a fashion, this is Catholic doctrine (See Dabistan, iii. 173).&#xA;&#xA; Koran, x. 25, &amp;quot;until the earth receive its vesture and be adorned with various plants.&amp;quot;&#xA;&#xA; i.e. the young hair sprouting on the boy's cheek.&#xA;&#xA; A fighter for the faith and now a title which follows the name, e.g. Osmán Páshá Ghází, whom the English press dubbed &amp;quot;Ghazi Osman.&amp;quot;&#xA;&#xA; That is the King of Constantinople.&#xA;&#xA; Cassia fistularis, a kind of carob: &amp;quot; Shambar&amp;quot; is the&#xA;Arab. form of the Persian &amp;quot; Chambar.&amp;quot;&#xA;&#xA; Koran, ii. 149. Hence the vulgar idea that Martyrs are still alive in the flesh. See my Pilgrimage (ii. 110 and elsewhere) for the romantic and picturesque consequences of that belief. The Commentators (Jalál al-Dín, etc.) play tricks with the Koranic words, &amp;quot; they (martyrs) are not dead but living&amp;quot; (iii. 179) by placing the happy souls in the crops of green birds which eat of the fruits and drink of the waters of Paradise; whereas the reprobates and the (very) wicked are deposited in black birds which drain the sanies and the boiling waters of Hell. Amongst the Greeks a body remaining entire long after death suggests Anathema Maranatha: it is the contrary with Catholic Christians (Boccaccio iv. 5, of the Pot of Basil). Concerning this creed see Maundrell, Letter of 1698.&#xA;&#xA; Tor is &amp;quot;Mount Sinai&amp;quot; in the Koran (xcv. 1). I have only to repeat my opinion concerning the present site so called: &amp;quot;It is evident that Jebel Serbal dates only from the early days of Coptic Christianity; that Jebel Musa, its Greek rival, rose after the visions of Helena in the fourth century; whilst the building of the Convent by Justinian belongs to A.D 527. Ras Safsáfah, its rival to the north, is an affair of yesterday, and may be called the invention of Robinson; and Jebel Katerina, to the south is the property of Rüppell&amp;quot; (Midian Revisited i., 237). I would therefore call the &amp;quot;Sinaitic&amp;quot; Peninsula, Peninsula of Paran in old days and Peninsula of Tor (from its chief port) in our time. It is still my conviction that the true Mount Sinai will be found in Jabal Aráif, or some such unimportant height to the north of the modern Hajj- road from Suez to Akabah. Even about the name (which the Koran writes &amp;quot;Sainá&amp;quot; and &amp;quot;Sínín&amp;quot;) there is a dispute: It is usually derived from the root &amp;quot;Sanah&amp;quot;=sentis, a bush; but this is not satisfactory. Our eminent Assyriologist, Professor Sayce, would connect it with &amp;quot;Sin,&amp;quot; the Assyrian Moon- god as Mount Nebo with the Sun-god and he expects to find there the ruins of a Lunar temple as a Solar fane stands on Ba'al Zapuna (Baal Zephon) or the classical Mount Casius.&#xA;&#xA; Alluding to the miracle of Aaron's rod (the gift of Jethro) as related in the Koran (chapts. vii. 1., xx., etc.), where the Egyptian sorcerers threw down thick ropes which by their magic twisted and coiled like serpents.&#xA;&#xA; Arab. &amp;quot;Ayát&amp;quot; lit. &amp;quot;signs,&amp;quot; here &amp;quot;miracles of the truth,&amp;quot; 1. c. Koranic versets as opposed to chapters. The ranks of the enemy represent the latter, sword-cuts the former—a very persuasive mode of preaching.&#xA;&#xA; Lane (M. E. chapt.. iii.) shows by a sketch the position of the worshipper during this &amp;quot;Salám&amp;quot; which is addressed, some say, to the guardian angels, others suppose to all brother-believers and angels.&#xA;&#xA; i.e., where the Syrians found him.&#xA;&#xA; i.e., Dedianus Arabised; a name knightly and plebian.&#xA;&#xA; In such tales the Wazir is usually the sharp-witted man, contrasting with the &amp;quot;dummy,&amp;quot; or master.&#xA;&#xA; Carrier-pigeons were extensively used at this time. The Caliph Al-Násir li-Díni lláh (regn. A.H. 575=1180) was, according to Ibn Khaldún, very fond of them. The moderns of Damascus still affect them. My successor, Mr. Consul Kirby Green, wrote an excellent report on pigeon-fancying at Damascus. The so-called Maundeville or Mandeville in A. D. 1322 speaks of carrier-pigeons in Syria as a well-known mode Of intercourse between lord and lord.&#xA;&#xA; Mohammed who declared &amp;quot;There is no monkery in Al-Islam,&amp;quot; and who virtually abolished the priest, had an especial aversion to the shaveling (Ruhbán). But the &amp;quot;Gens æterna in quâ nemo nascitur&amp;quot; (Pliny v. 17) managed to appear even in Al-lslam, as Fakirs,, Dervishes, Súfis, etc. Of this more hereafter.&#xA;&#xA; i.e. her holiness would act like a fascinating talisman.&#xA;&#xA; The &amp;quot;smoking out&amp;quot; practice is common amongst the Arabs: hence Marshal Pelissier's so- called &amp;quot; barbarity.&amp;quot; The Public is apt to forget that on a campaign the general's first duty is to save his own men by any practice which the laws of fair warfare do not absolutely forbid.&#xA;&#xA; i.e. Mohammed, who promised Heaven and threatened Hell.&#xA;&#xA; Arab. &amp;quot;Ahr&amp;quot; or &amp;quot;ihr,&amp;quot; fornication or adultery, i.e., irreligion, infidelity as amongst the Hebrews (Isaiah xxiii.17).&#xA;&#xA; A sign of defeat.&#xA;&#xA; In English &amp;quot;last night&amp;quot;: I have already noted that the Moslem day, like the Jewish and the Scandinavian, begins at sundown; and &amp;quot;layl &amp;quot; a night, is often used to denote the twenty- four hours between sunset and sunset, whilst &amp;quot;yaum,&amp;quot; a day, would by us be translated in many cases &amp;quot;battle-day.&amp;quot;&#xA;&#xA; Iterum the &amp;quot;Himalayan Brothers.&amp;quot;&#xA;&#xA; Again, Mohammed who promised Good to the Good, and vice versâ.&#xA;&#xA; They are sad doggrel like most of the pièces d'occasion inserted in The Nights.&#xA;&#xA; Here &amp;quot;Kahwah&amp;quot; (coffee) is used in its original sense of strong old wine. The derivation is &amp;quot;Akhá&amp;quot;=fastidire fecit, causing disinclination for food, the Matambre (kill- hunger) of the Iberians. In old days the scrupulous called coffee &amp;quot;Kihwah&amp;quot; in order to distinguish it from 'Kakwah,&amp;quot; wine.&#xA;&#xA; i.e. Mohammed, a common title.&#xA;&#xA; That is, fatal to the scoffer and the impious.&#xA;&#xA; Equivalent to our &amp;quot;The Devil was sick,&amp;quot; etc.&#xA;&#xA; i.e. to the enemy: the North American Indians (so called) use similar forms of &amp;quot;inverted speech&amp;quot;; and the Australian aborigines are in no way behind them.&#xA;&#xA; See Vol. i., p. 154 (Night xvi.).&#xA;&#xA; Arab. &amp;quot;Sauf,&amp;quot; a particle denoting a near future whereas&#xA;&amp;quot;Sa-&amp;quot; points to one which may be very remote.&#xA;&#xA; From the root &amp;quot;Shanh&amp;quot;=having a fascinating eye, terrifying. The Irish call the fascinater &amp;quot;eybitter&amp;quot; and the victim (who is also rhymed to death) &amp;quot;eybitten.&amp;quot;&#xA;&#xA; i.e., not like the noble-born, strong in enduring the stress of fight.&#xA;&#xA; i.e., of Abraham. For the Well Zemzem and the Place of Abraham see my Pilgrimage (iii. 171-175, etc.), where I described the water as of salt-bitter taste, like that of Epsom (iii. 203). Sir William Muir (in his excellent life of Mahomet, I. cclviii.) remarks that &amp;quot;the flavour of stale water bottled up for months would not be a criterion of the same water freshly drawn;&amp;quot; but soldered tins-full of water drawn a fortnight before are to be had in Calcutta and elsewhere after Pilgrimage time; and analysis would at once detect the salt.&#xA;&#xA; Racing was and is a favourite pastime with those hippomanists, the Arabs; but it contrasts strongly with our civilised form being a trial of endurance rather than of speed. The Prophet is said to have limited betting in these words, &amp;quot;There shall be no wagering save on the Kuff (camel's foot), the Hafir (hoof of horse, ass, etc.) or the Nasal (arrow-pile or lance head).&amp;quot;&#xA;&#xA; In the Mac. Edit. &amp;quot;Arman&amp;quot;=Armenia, which has before occurred. The author or scribe here understands by &amp;quot;Cæsarea&amp;quot; not the old Turris Stratonis, Herod's city called after Augustus, but Cæsareia the capital of Cappadocia (Pliny, vi. 3), the royal residence before called Mazaca (Strabo).&#xA;&#xA; An idiom meaning &amp;quot;a very fool.&amp;quot;&#xA;&#xA; i.e. Kána (was) má (that which) was (kána).&#xA;&#xA; A son being &amp;quot;the lamp of a dark house.&amp;quot;&#xA;&#xA; When the Israelites refused to receive the Law (the souls of all the Prophets even those unborn being present at the Covenant), Allah tore up the mountain (Sinai which is not mentioned) by the roots and shook it over their heads to terrify them, saying, &amp;quot;Receive the Law which we have given you with a resolution to keep it&amp;quot; (Koran chaps. xlx. 170). Much of this story is from the Talmud (Abodah Sar. 2, 2, Tract Sabbath, etc.) whence Al-Islam borrowed so much of its Judaism, as it took Christianity from the Apocryphal New Testament. This tradition is still held by the Israelites, says Mr. Rodwell (p. 333) who refers it to a misunderstanding of Exod. xix. 17, rightly rendered in the E. version &amp;quot;at the nether part of the mountain.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Azghán&amp;quot; = the camel-litters in which women travel.&#xA;&#xA; i.e. to joy foes and dismay friends.&#xA;&#xA; Whose eyes became white (i.e. went blind) with mourning for his son Joseph (Koran, chaps. xii. 84). He recovered his sight when his face was covered with the shirt which Gabriel had given to the youth after his brethren had thrown him into the well." PRODUCER="Copyright Control" COVERARTID="061/33TSQLBC2WUACBKJD4Y0CLDL0DGB" KEY="10m" PLAYTIME="239" PLAYTIME_FLOAT="238.554947" IMPORT_DATE="2025/4/9" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="29966"></INFO>
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<INFO BITRATE="990441" KEY_LYRICS="5 ContributorsOriginal Don Lyrics(Verse 1 - Yesus 199)&#xA;Peep the Boricua Jesus&#xA;Features of a God leave most bitches speechless&#xA;The rest on they knees quick&#xA;My team is hot as Phoenix&#xA;Rollin' in a topless jeep, no doors while I'm coppin' keys&#xA;24 a Coors, blowin' sour d&#xA;I'm gettin mouth on balconies while countin' cheese&#xA;The multitask is astounding, b&#xA;We Bound to be holdin' the throne..&#xA;My foul lines be the hole in ya zone&#xA;Stay posted on the block like Moses Malone&#xA;I like a bitch with her face down, ass up&#xA;Rollin' me a hash blunt&#xA;Fuck real good then she bounce when the cash comes&#xA;Most definite, only hoes neckin' it are pole specialists&#xA;Home checkin' old messages, that's 07 shit&#xA;Now everybody DUCK&#xA;Take a bottle to the head get everybody drunk&#xA;Now everybody fuck&#xA;&#xA;(Verse 2 - Izzy- OZ)&#xA;Slump king OZ&#xA;Scrolling doly&#xA;Ain't with nothing&#xA;Get your own weed&#xA;Niggas stay bopped&#xA;Ak from my ahks&#xA;Blue meanies blue dreams&#xA;But I swear I get no sleep&#xA;So proceed with caution ho&#xA;Coughin' purp till my coffin close&#xA;Sun I love these bitches&#xA;I loathe these bitches&#xA;Like set it off&#xA;Or off you go&#xA;Caught 'em all since Kanto&#xA;Swing like panthro&#xA;Camp Low&#xA;But my suns high as shit&#xA;Assholes, black gold&#xA;Jones in the kangol&#xA;While damsels dangle off my dick&#xA;Out of my patience&#xA;So I'm cloud chasin'&#xA;With the blue and green&#xA;Bitch I think I'm Miles Davis&#xA;Lost in my thoughts&#xA;Lookin' for a lighter&#xA;Boogie down bombs&#xA;Lookin' like we Al Qaeda&#xA;(Hook)&#xA;Set it off, bi-bitch get off me&#xA;Set-set it off, bi-bitch get off me&#xA;Set-set it off, bi-bitch get off me&#xA;Now bounce bitch, now bounce bitch&#xA;&#xA;Set it off, bi-bitch get off me&#xA;Set-set it off, bi-bitch get off me&#xA;Set-set it off, bi-bitch get off me&#xA;Now bounce bitch, now bounce bitch&#xA;&#xA;(Verse 3 - Pete)&#xA;&#xA;Steady on my bull like Brahma nigga&#xA;Pause the drama&#xA;Comma Nigga&#xA;Gotta left jab that'll calm ya nigga&#xA;So I suggest you get lost&#xA;Fo' I find ya nigga&#xA;Gotta dub in my Dutch&#xA;Gotta dime on my dick&#xA;I'm kinda the shit&#xA;You kind of a bitch&#xA;My mind is a mine&#xA;Whenever I rhyme&#xA;You niggas is mimes&#xA;I said that you quiet&#xA;You looking like Simba&#xA;Thats King of the lyin' ass niggas&#xA;I'm flyin' past niggas&#xA;The shit about me is I'm doing my thing&#xA;The shit about you is you doing nothing&#xA;Im my own shrink but I drive myself crazy&#xA;Sunnin' you niggas cause I am not shady&#xA;But get you some shades cause I'm shinin' bright&#xA;It's slow for you niggas like yellow lights&#xA;(Hook)&#xA;&#xA;(Verse 4 - Ill Spills)&#xA;&#xA;Motherfucker&#xA;Fuck what you think&#xA;You steadily sucking my dick&#xA;You bumping my shit, you loving the hit&#xA;You coming up sick, from blunts that I lit&#xA;I dump it then quit, I punish your bitch&#xA;My papers legit, I'm smoking and choking&#xA;And possibly dosing, the molly be potent&#xA;And she just be open, my dick down her throat and&#xA;She loving the dick, now back from the trip&#xA;Watch how I go in again, with my dual fucking citizenship&#xA;As I shout out my Dominicans&#xA;So like kings we move graceful, or is just that were wasted&#xA;Seems like the same shit, when you're wearing crowns in a basement&#xA;She was standing in amazement&#xA;My dick standing at attention&#xA;Too many drugs to mention&#xA;She got lifted like I'm benching&#xA;All my homies they got next and&#xA;We barely use protection&#xA;Got the nut off now I'm resting&#xA;Ran through her now we gunning&#xA;For her best friend, uh&#xA;(Hook)" PRODUCER="Urban Dubz Music" COVERARTID="041/JR5XCHAFGZ0ZKBWTAEVGDTIOJBEB" KEY="7m" PLAYTIME="396" PLAYTIME_FLOAT="395.625000" IMPORT_DATE="2025/4/9" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="48128"></INFO>
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<INFO BITRATE="895507" KEY_LYRICS="2 ContributorsSidewindah Lyrics&#xA;So lididdy lo the liddy lo&#xA;Be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphoone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard mе on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphonе&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;&#xA;So, so, so&#xA;Boom, shakalaka&#xA;Dhoosh, dhoosh, dhoosher&#xA;Boom, shakalaka&#xA;Dhoosh, dhoosh, dhoosher&#xA;Dhoosh, dhoosh, dhoosher&#xA;Drrr-dhoosher&#xA;Drr-dhoosher&#xA;Drr-dhoosher&#xA;Drr, the legendary&#xA;&#xA;&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;&#xA;&#xA;&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;So lididdy lo the liddy lo&#xA;I be the lay lididdy diddy dee&#xA;I be killer pon the microphone inside of the garage and zones&#xA;Makin' the ladies dem a warp-warp, you heard me on warp speed&#xA;Lo diddy, ooh&#xA;Lay lay lididdy diddy er&#xA;Killer pon the microphone&#xA;Inside the garage and zone&#xA;Makin' the ladies dem a warp-warp&#xA;&#xA;&#xA;So, so, so&#xA;Boom, shakalaka&#xA;Dhoosh, dhoosh, dhoosher" PRODUCER="℗ 2022 Universal Music Operations Ltd" COVERARTID="111/PTEQLTB0CCLYMBY3MEHFDDCEVDMB" KEY="1m" PLAYTIME="217" PLAYTIME_FLOAT="216.937485" IMPORT_DATE="2025/4/9" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="23933"></INFO>
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<INFO BITRATE="799929" KEY_LYRICS="3 ContributorsThe Poetaster Act 5. Scene 1 LyricsBanquet halls are a very special place, where under one big roof so many different memories are made. From proms to weddings to baby showers, once that DJ starts to spin, there's something about that cavernous echo that begs to be filled with sing-along dance tunes. Top 40 hits come and go, and no doubt there will be plenty of those contemporary tunes throughout the evening, but there are few songs that are as fun now as they were the first time. Not only do they never go out of style, they are essential components of the perfect hoe-down in all banquet halls.&#xA;&#xA;1. The Chicken Dance&#xA;This song is a great opener to get the crowd going. Even the stiffest old timers can't help but get up and shake a leg when this song comes on. And what could be cuter than a gaggle of little kids all wiggling their tail feathers and squawking like chicks? This is a great song for a country-themed wedding.&#xA;&#xA;2. Macarena, by Los Dos Rios&#xA;A major craze when first released in 1995, the Macarena will keep the energy up, up, up. The simple dance moves and catchy tune are an irresistible combination, and the Latin flavor will be a welcome change of beat.&#xA;&#xA;3. Dancing Queen, by ABBA&#xA;Light-hearted and bubbly, Dancing Queen is a must-have for any occasion where free spirits are blooming and the night is young. Dancing Queen was written for the royal Swedish wedding in 1976, but its candy-sweet ebullience is as fresh as ever. This song has gone on to be a romantic staple at just about every wedding in the U.S.&#xA;&#xA;4. My Heart Will Go On, by Celine Dion&#xA;The words are simple, the feeling is big. Lost love is in the air, and nobody ever said it better than Celine. Play this song later in the night, after a few glasses of wine have everyone misty-eyed and ready to belt out, &amp;quot;My heart will go on and OOOOOOON!&amp;quot; with Celine.&#xA;&#xA;5. Don't Stop Believin, by Journey&#xA;The ultimate crowd-pleaser, bring the mood up again with Journey's quintessential Americana midnight adventure song. Fists will pump and memories of late-night train rides and midnight diner trysts will flood back. Even though this song came out in 1981, it still plays on the radio often enough that kids who weren't even born then know the words. It's a great goodbye, goodnight, and see you on the road song.&#xA;&#xA;These time-honored tunes have been staples of banquet halls for decades because they've got that timeless jive that keeps them fresh. They are sure to bring back old memories and inspire new ones.&#xA;&#xA;riage, first gave sign&#xA;Unto his contract; fire and air did shine,&#xA;As guilty of the match; and from the hill&#xA;The nymphs with shriekings do the region fill.&#xA;Here first began their bane; this day was ground&#xA;Of all their ills; for now, nor rumour's sound,&#xA;Nor nice respect of state, moves Dido ought;&#xA;Her love no longer now by stealth is sought:&#xA;She calls this wedlock, and with that fair name&#xA;Covers her fault. Forthwith the bruit and fame,&#xA;Through all the greatest Lybian towns is gone;&#xA;Fame, a fleet evil, than which is swifter none,&#xA;That moving grows, and flying gathers strength,&#xA;Little at first, and fearful; but at length&#xA;She dares attempt the skies, and stalking proud&#xA;With feet on ground, her head doth pierce a cloud!&#xA;This child, our parent earth, stirr'd up with spite&#xA;Of all the gods, brought forth; and, as some write,&#xA;She was last sister of that giant race&#xA;That thought to scale Jove' s court; right swift of pace,&#xA;And swifter far of wing; a monster vast,&#xA;And dreadful. Look, how many plumes are placed&#xA;On her huge corps, so many waking eyes&#xA;Stick underneath; and, which may stranger rise&#xA;In the report, as many tongues she bears,&#xA;As many mouths, as many listening ears.&#xA;Nightly, in midst of all the heaven, she flies,&#xA;And through the earth's dark shadow shrieking cries,&#xA;Nor do her eyes once bend to taste sweet sleep;&#xA;By day on tops of houses she doth keep,&#xA;Or on high towers; and doth thence affright&#xA;Cities and towns of most conspicuous site:&#xA;As covetous she is of tales and lies,&#xA;As prodigal of truth: this monster—&#xA;Lup.&#xA; Come, follow me, assist me, second me! Where'! the&#xA;emperor?&#xA;&#xA;1 Eques.&#xA; Sir, you must pardon us.&#xA;&#xA;2 Eques.&#xA; Caesar is private now; you may not enter.&#xA;&#xA;Tuc.&#xA; Not enter! Charge them upon their allegiance,&#xA;cropshin.&#xA;&#xA;1 Eques.&#xA; We have a charge to the contrary, sir.&#xA;&#xA;Lup.&#xA; I pronounce you all traitors, horrible traitors:&#xA;What! do you know my affairs? I have matter of danger and state to impart to Caesar.&#xA;&#xA;Caes.&#xA;What noise is there? who's that names Caesar?&#xA;&#xA;Lup.&#xA; A friend to Caesar. One that, for Caesar's good,&#xA;would speak with Caesar.&#xA;Caes.&#xA;Who is it? look, Cornelius.&#xA;&#xA;1 Eques.&#xA; Asinius Lupus.&#xA;&#xA;Caes.&#xA;O, bid the turbulent informer hence;&#xA;We have no vacant ear now, to receive&#xA;The unseason'd fruits of his officious tongue.&#xA;&#xA;Mec.&#xA;You must avoid him there.&#xA;&#xA;Lup.&#xA; I conjure thee, as thou art. Caesar, or respectest&#xA;thine own safety, or the safety of the state, Caesar, hear me,&#xA;speak with me, Caesar; 'tis no common business I come about, but&#xA;such, as being neglected, may concern the life of Caesar.&#xA;&#xA;Caes.&#xA;The life of Caesar! Let him enter. Virgil, keep thy seat.&#xA;Enter Lupus, Tucca, and Lictors.&#xA;&#xA;Eques.&#xA; Bear back, there: whither will you? keep back!&#xA;Tuc.&#xA;By thy leave, goodman usher: mend thy peruke; so.&#xA;&#xA;Lup.&#xA;Lay hold on Horace there; and on Mecaenas, lictors. Romans,&#xA;offer no rescue, upon your allegiance: read, royal Caesar.&#xA; I'll tickle you, Satyr.&#xA;&#xA;Tuc.&#xA;He will, Humours, he will; he will squeeze you, poet&#xA;puck-fist.&#xA;&#xA;Lup.&#xA;I'll lop you off for an unprofitable branch, you satirical&#xA;varlet.&#xA;&#xA;Tuc.&#xA;Ay, and Epaminondas your patron here, with his flagon chain;&#xA;come, resign:  though 'twere your great grandfather's, the law has made it mine now, sir. Look to him, my party-coloured rascals; look to him.&#xA;&#xA;Caes.&#xA;What is this, Asinius Lupus? I understand it not.&#xA;&#xA;Lup.&#xA;Not understand it! A libel, Caesar; a dangerous, seditious&#xA;libel; a libel in picture.&#xA;&#xA;Caes.&#xA;A libel!&#xA;&#xA;Lup.&#xA;Ay, I found it in this Horace his study, in Mecaenas his&#xA;house, here; I challenge the penalty of the laws against them.&#xA;&#xA;Tuc.&#xA;Ay, and remember to beg their land betimes; before some of&#xA;these hungry court-hounds scent it out.&#xA;&#xA;Caes.&#xA;Shew it to Horace: ask him if he know it.&#xA;&#xA;Lup.&#xA;Know it! his hand is at it, Caesar.&#xA;&#xA;Caes.&#xA;Then 'tis no libel.&#xA;&#xA;Hor.&#xA;It is the imperfect body of an emblem, Caesar, I began for&#xA;Mecaenas.&#xA;&#xA;Lup.&#xA;An emblem! right: that's Greek for a libel. Do but mark how&#xA;confident he is.&#xA;&#xA;Hor.&#xA;A just man cannot fear, thou foolish tribune;&#xA;Not, though the malice of traducing tongues,&#xA;The open vastness of a tyrant's ear,&#xA;The senseless rigour of the wrested laws,&#xA;Or the red eyes of strain'd authority,&#xA;Should, in a point, meet all to take his life:&#xA;His innocence is armour 'gainst all these.&#xA;&#xA;Lup.&#xA;Innocence! O impudence! let me see, let me see! Is not here an&#xA;eagle! and is not that eagle meant by Caesar, ha? Does not Caesar&#xA;give the eagle? answer me; what sayest thou?&#xA;&#xA;Tuc.&#xA;Hast thou any evasion, stinkard?&#xA;&#xA;Lup.&#xA;Now he's turn'd dumb. I'll tickle you, Satyr.&#xA;&#xA;Hor.&#xA;Pish: ha, ha!&#xA;&#xA;Lup.&#xA;Dost thou pish me? Give me my long sword.&#xA;&#xA;Hor.&#xA;With reverence to great Caesar, worthy Romans,&#xA;Observe but this ridiculous commenter;&#xA;The soul 'to my device was in this distich:&#xA;Thus oft, the base and ravenous multitude&#xA;Survive, to share the spoils of fortitude.&#xA;Which in this body I have figured here,&#xA;A vulture—&#xA;&#xA;Lup.&#xA;A vulture! Ay, now, 'tis a vulture. O abominable! monstrous!&#xA;monstrous! has not your vulture a beak? has it not legs, and&#xA;talons, and wings, and feathers?&#xA;&#xA;Tuc.&#xA;Touch him, old buskins.&#xA;&#xA;Hor.&#xA;And therefore must it be an eagle?&#xA;&#xA;Mec.&#xA;Respect him not, good Horace: say your device.&#xA;&#xA;Hor.&#xA;A vulture and a wolf&#xA;&#xA;Lup.&#xA;A wolf! good: that's I; I am the wolf: my name's Lupus; I am&#xA;meant by the wolf. On, on; a vulture and a wolf&#xA;&#xA;Hor.&#xA;Preying upon the carcass of an ass—&#xA;&#xA;Lup.&#xA;An ass! good still: that's I too; I am the ass. You mean me by&#xA;the ass.&#xA;&#xA;Mec.&#xA;Prithee, leave braying then.&#xA;&#xA;Hor.&#xA;If you will needs take it, I cannot with modesty give it from&#xA;you.&#xA;&#xA;Mec.&#xA;But, by that beast, the old Egyptians&#xA;Were wont to figure, in their hieroglyphics,&#xA;Patience, frugality, and fortitude;&#xA;For none of which we can suspect you, tribune.&#xA;&#xA;Caes.&#xA;Who was it, Lupus, that inform'd you first, This should be&#xA;meant by us? Or was't your comment?&#xA;&#xA;Lup.&#xA;No, Caesar; a player gave me the first light of it indeed.&#xA;&#xA;Tuc.&#xA;Ay, an honest sycophant-like slave, and a politician besides&#xA;&#xA;Caes.&#xA;Where is that player?&#xA;&#xA;Tuc.&#xA;He is without here.&#xA;&#xA;Caes.&#xA;Call him in.&#xA;&#xA;Tuc.&#xA;Call in the player there: master AEsop, call him.&#xA;&#xA;Equites.&#xA; Player! where is the player? bear back: none but&#xA;the player enter.&#xA;&#xA;[Enter AESOP, followed by CRISPINUS and DEMETRIUS.&#xA;&#xA;Tuc.&#xA;Yes, this gentleman and his Achates must.&#xA;&#xA;Cris.&#xA;Pray you, master usher:—we'll stand close, here.&#xA;&#xA;Tuc.&#xA;'Tis a gentleman of quality, this; though he be somewhat out&#xA;of clothes, I tell ye.—Come, AEsop, hast a bay-leaf in thy mouth?&#xA;Well said; be not out, stinkard. Thou shalt have a monopoly of&#xA;playing confirm'd to thee, and thy covey, under the emperor's broad seal, for this service.&#xA;&#xA;Caes.&#xA;Is this he?&#xA;&#xA;Lup.&#xA;Ay, Caesar, this is he.&#xA;&#xA;Caes.&#xA;Let him be whipped. Lictors, go take him hence.&#xA;And, Lupus, for your fierce credulity,&#xA;One fit him with a pair of larger ears:&#xA;'Tis Caesar's doom, and must not be revoked.&#xA;We hate to have our court and peace disturb'd&#xA;With these quotidian clamours. See it done.&#xA;&#xA;Lup.&#xA;Caesar! &#xA;&#xA;[Exeunt some of the Lictors, with Lupus and AEsop&#xA;&#xA;Caes.&#xA;Gag him,  we may have his silence.&#xA;&#xA;Virg.&#xA;Caesar hath done like Caesar. Fair and just&#xA;Is his award, against these brainless creatures.&#xA;'Tis not the wholesome sharp morality,&#xA;Or modest anger of a satiric spirit,&#xA;That hurts or wounds the body of the state;&#xA;But the sinister application&#xA;Of the malicious, ignorant, and base&#xA;Interpreter; who will distort, and strain&#xA;The general scope and purpose of an author&#xA;To his particular and private spleen.&#xA;&#xA;Caes.&#xA;We know it, our dear Virgil, and esteem it&#xA;A most dishonest practice in that man,&#xA;Will seem too witty in another's work.&#xA;What would Cornelius Gallus, and Tibullus?&#xA;&#xA;[They whisper Caesar.&#xA;&#xA;Tuc.&#xA; Nay, but as thou art a man, dost hear! a man&#xA;of worship and honourable: hold, here, take thy chain again.&#xA;Resume, mad Mecoenas. What! dost thou think I meant to have kept it, old boy? no: I did it but to fright thee, I, to try how thou&#xA;would'st take it. What! will I turn shark upon my friends, or my&#xA;friends' friends? I scorn it with my three souls. Come, I love&#xA;bully Horace as well as thou dost, I: 'tis an honest hieroglyphic.&#xA;Give me thy wrist, Helicon. Dost thou think I'll second e'er a&#xA;rhinoceros of them all, against thee, ha? or thy noble Hippocrene,&#xA;here? I'll turn stager first, and be whipt too: dost thou see,&#xA;bully?&#xA;&#xA;Caes.&#xA;You have your will of Caesar: use it, Romans.&#xA;Virgil shall be your praetor: and ourself&#xA;Will here sit by, spectator of your sports;&#xA;And think it no impeach of royalty.&#xA;Our ear is now too much profaned, grave Maro,&#xA;With these distastes, to take thy sacred lines;&#xA;Put up thy book, till both the time and we&#xA;Be fitted with more hallow'd circumstance&#xA;For the receiving of so divine a work.&#xA;Proceed with your design.&#xA;&#xA;Mec. Gal. Tib.&#xA;Thanks to great Caesar.&#xA;&#xA;Gal.&#xA;Tibullus, draw you the indictment then, whilst Horace arrests&#xA;them on the statute of Calumny. Mecaenas and I will take our&#xA;places here. Lictors, assist him.&#xA;&#xA;Hor.&#xA;I am the worst accuser under heaven.&#xA;&#xA;Gal.&#xA;Tut, you must do it; 'twill be noble mirth.&#xA;&#xA;Hor.&#xA;I take no knowledge that they do malign me.&#xA;&#xA;Tib.&#xA;Ay, but the world takes knowledge.&#xA;&#xA;Hor.&#xA;Would the world knew&#xA;How heartily I wish a fool should hate me!&#xA;&#xA;Tuc.&#xA;Body of Jupiter! what! will they arraign my brisk Poetaster&#xA;and his poor journeyman, ha? Would I were abroad skeldering for, a drachm, so I were out of this labyrinth again! I do feel myself&#xA;turn stinkard already: but I must set the best face I have upon't&#xA;now.&#xA;—Well said, my divine, deft Horace, bring the whoreson detracting slaves to the bar, do; make them hold up their spread golls: I'll give in evidence for thee, if thou wilt. Take courage, Crlspinus; would thy man had a clean band!&#xA;&#xA;Cris.&#xA;What must we do, captain?&#xA;&#xA;Tuc.&#xA;Thou shalt see anon: do not make division with thy legs so.&#xA;&#xA;Caes.&#xA;What's he. Horace?&#xA;&#xA;Hor.&#xA;I only know him for a motion, Caesar.&#xA;&#xA;Tuc.&#xA;I am one of thy commanders, Caesar; a man of service and&#xA;action: my name is Pantilius Tucca; I have served in thy wars&#xA;against Mark Antony, I.&#xA;&#xA;Caes.&#xA;Do you know him, Cornelius?&#xA;&#xA;Gal.&#xA;He's one that hath had the mustering, or convoy of a company&#xA;now and then: I never noted him by any other employment.&#xA;&#xA;Caes.&#xA;We will observe him better.&#xA;&#xA;Tib.&#xA;Lictor, proclaim silence in the court.&#xA;&#xA;Lict.&#xA;In the name of Caesar, silence!&#xA;&#xA;Tib.&#xA;Let the parties, the accuser and the accused, present&#xA;themselves.&#xA;&#xA;Lict.&#xA;The accuser and the accused, present yourselves in court.&#xA;&#xA;Cris.&#xA;Dem. Here.&#xA;&#xA;Virg.&#xA;Read the indictment.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, hold up your&#xA;hands. You are, before this time, jointly and severally indicted,&#xA;and here presently to be arraigned upon the statute of calumny, or&#xA;Lex Remmia, the one by the name of Rufus Laberius Crispinus, alias&#xA;Cri-spinus, poetaster and plagiary, the other by the name of&#xA;Demetrius Fannius, play-dresser and plagiary. That you (not having&#xA;the fear of Phoebus, or his shafts, before your eyes) contrary to&#xA;the peace of our liege lord, Augustus Caesar, his crown and&#xA;dignity, and against the form of a statute, in that case made and&#xA;provided, have moat ignorantly, foolishly, and, more like&#xA;yourselves, maliciously, gone about to deprave, and calumniate the&#xA;person and writings of Quintus Horatius Flaccus, here present,&#xA;poet, and priest to the Muses, and to that end have mutually&#xA;conspired and plotted, at sundry times, as by several means, and in&#xA;sundry places, for the better accomplishing your base and envious&#xA;purpose, taxing him falsely, of self-love, arrogancy, impudence,&#xA;railing, filching by translation, etc. Of all which calumnies, and&#xA;every of them, in manner and form aforesaid, what answer you! Are you guilty, or not guilty?&#xA;&#xA;Tuc.&#xA;Not guilty, say.&#xA;&#xA;Cris.&#xA;Dem. Not guilty.&#xA;&#xA;Tib.&#xA;How will you be tried?&#xA;[Aside to Crispinus.&#xA;&#xA;Tuc.&#xA;By the Roman Gods, and the noblest Romans.&#xA;&#xA;Cris.&#xA;Dem. By the Roman gods, and the noblest Romans.&#xA;&#xA;Virg.&#xA;Here sits Mecaenas, and Cornelius Gallus, are you contented&#xA;to be tried by these?&#xA;[Aside.&#xA;&#xA;Tuc.&#xA;Ay, so the noble captain may be joined with them in&#xA;commission, say.&#xA;&#xA;Cris.&#xA;Dem. Ay, so the noble captain may be joined&#xA;with them in commission.&#xA;&#xA;Virg.&#xA;What says the plaintiff?&#xA;&#xA;Hor.&#xA;I am content.&#xA;&#xA;Virg.&#xA;Captain, then take your place.&#xA;&#xA;Tuc.&#xA;alas, my worshipful praetor! 'tis more of thy gentleness than&#xA;of my deserving, I wusse. But since it hath pleased the court to&#xA;make choice of my wisdom and gravity, come, my calumnious&#xA;varlets; let's hear you talk for yourselves, now, an hour or two.&#xA;What can you say? Make a noise. Act, act!&#xA;&#xA;Virg.&#xA;Stay, turn, and take an oath first. You shall swear,&#xA;By thunder-darting Jove, the king of gods,&#xA;And by the genius of Augustus Caesar;&#xA;By your own white and uncorrupted souls,&#xA;And the deep reverence of our Roman justice;&#xA;To judge this case, with truth and equity:&#xA;As bound by your religion, and your laws.&#xA;Now read the evidence: but first demand&#xA;Of either prisoner, if that writ be theirs.&#xA;[Gives him two papers.&#xA;&#xA;Tib.&#xA;Shew this unto Crispinus. Is it yours?&#xA;&#xA;Tuc.&#xA;Say, ay. —What! dost thou stand upon it, pimp! Do not&#xA;deny thine own Minerva, thy Pallas, the issue of thy brain.&#xA;&#xA;Oris.&#xA;Yes it is mine.&#xA;&#xA;Tib.&#xA;Shew that unto Demetrius. Is it yours?&#xA;&#xA;Dem.&#xA;It is.&#xA;&#xA;Tuc.&#xA;There's a father will not deny his own bastard now, I warrant&#xA;thee.&#xA;&#xA;Virg.&#xA;Read them aloud.&#xA;&#xA;Tib.&#xA;Ramp up my genius, be not retrograde;&#xA;But boldly nominate a spade a spade&#xA;What, shall thy lubrical and glibbery muse&#xA;Live, as she were defunct, like punk in stews!&#xA;&#xA;Tuc.&#xA;Excellent!&#xA;&#xA;Alas! that were no modern consequence,&#xA;To have cothurnal buskins frighted hence.&#xA;No, teach thy Incubus to poetise;&#xA;And throw abroad thy spurious snotteries,&#xA;Upon that puft-up lump of balmy froth.&#xA;&#xA;Tuc.&#xA;Ah, Ah!&#xA;&#xA;Or clumsy chilblain'd judgment; that with oath&#xA;Magnificates his merit; and beapawls&#xA;The conscious time, with humorous foam and brawls,&#xA;As if his organons of sense would crack&#xA;The sinews of my patience. Break his back,&#xA;O poets all and some! for now we list&#xA;Of strenuous vengeance to clutch the fist.&#xA;CRISPINUS.&#xA;&#xA;Tuc.&#xA;Ay, marry, this was written like a Hercules in poetry, now.&#xA;&#xA;Caes.&#xA;Excellently well threaten'd!&#xA;&#xA;Virg.&#xA;And as strangely worded, Caesar.&#xA;&#xA;Caes.&#xA;We observe it.&#xA;&#xA;Virg.&#xA;The other now.&#xA;&#xA;Tuc.&#xA;This is a fellow of a good prodigal tongue too, this will do&#xA;well.&#xA;&#xA;Tib.&#xA;Our Muse is in mind for th' untrussing a poet,&#xA;I slip by his name, for most men do know it:&#xA;A critic, that all the world bescumbers&#xA;With satirical humours and lyrical numbers:&#xA;&#xA;Tuc.&#xA;Art thou there, boy?&#xA;&#xA;And for the most part, himself doth advance&#xA;With much self-love, and more arrogance.&#xA;&#xA;Tuc.&#xA;Good again!&#xA;&#xA;And, but that I would not be thought a prater,&#xA;I could tell you he were a translator.&#xA;I know the authors from whence he has stole,&#xA;And could trace him too, but that&#xA;I understand them not full and whole.&#xA;&#xA;Tuc.&#xA;That line is broke loose from all his fellows: chain him up&#xA;shorter, do.&#xA;&#xA;The best note I can give you to know him by,&#xA;Is, that he keeps gallants' company;&#xA;Whom I could wish, in time should him fear,&#xA;Lest after they buy repentance too dear.&#xA;DEME. FANNIUS.&#xA;&#xA;Tuc.&#xA;Well said! This carries palm with it.&#xA;&#xA;Hor.&#xA;And why, thou motley gull, why should they fear!&#xA;When hast thou known us wrong or tax a friend?&#xA;I dare thy malice to betray it. Speak.&#xA;Now thou curl'st up, thou poor and nasty snake,&#xA;And shrink'st thy poisonous head into thy bosom:&#xA;Out, viper! thou that eat'st thy parents, hence!&#xA;Rather, such speckled creatures, as thyself,&#xA;Should be eschew'd, and shunn'd; such as will bite&#xA;And gnaw their absent friends, not cure their fame;&#xA;Catch at the loosest laughters, and affect&#xA;To be thought jesters; such as can devise&#xA;Things never seen, or head, t'impair men's names,&#xA;And gratify their credulous adversaries;&#xA;Will carry tales, do basest offices,&#xA;Cherish divided fires, and still encrease&#xA;New flames, out of old embers; will reveal&#xA;Each secret that's committed to their trust:&#xA;These be black slaves; Romans, take heed of these.&#xA;&#xA;Tuc.&#xA;Thou twang'st right, little Horace: they be indeed a couple of&#xA;chap-fall'n curs. Come, we of the bench, let's rise to the urn, and&#xA;condemn them quickly.&#xA;&#xA;Virg.&#xA;Before you go together, worthy Romans,&#xA;We are to tender our opinion;&#xA;And give you those instructions, that may add&#xA;Unto your even judgment in the cause:&#xA;Which thus we do commence. First, you must know,&#xA;That where there is a true and perfect merit,&#xA;There can be no dejection; and the scorn&#xA;Of humble baseness, oftentimes so works&#xA;In a high soul, upon the grosser spirit,&#xA;That to his bleared and offended sense,&#xA;There seems a hideous fault blazed in the object;&#xA;When only the disease is in his eyes.&#xA;Here-hence it comes our Horace now stands tax'd&#xA;Of impudence, self-love, and arrogance,&#xA;By those who share no merit in themselves;&#xA;And therefore think his portion is as small.&#xA;For they, from their own guilt, assure their souls,&#xA;If they should confidently praise their works,&#xA;In them it would appear inflation:&#xA;Which, in a full and well digested man,&#xA;Cannot receive that foul abusive name,&#xA;But the fair title of erection.&#xA;And, for his true use of translating men,&#xA;It still hath been a work of as much palm,&#xA;In clearest judgments, as to invent or make,&#xA;His sharpness,—-that is most excusable;&#xA;As being forced out of a suffering virtue,&#xA;Oppressed with the license of the time:—-&#xA;And howsoever fools or jerking pedants,&#xA;Players, or suchlike buffoon barking wits,&#xA;May with their beggarly and barren trash&#xA;Tickle base vulgar ears, in their despite;&#xA;This, like Jove's thunder, shall their pride control,&#xA;&amp;quot;The honest satire hath the happiest soul.&amp;quot;&#xA;&#xA;Now, Romans, you have heard our thoughts;&#xA;withdraw when you please.&#xA;&#xA;Tib.&#xA;Remove the accused from the bar.&#xA;&#xA;Tuc.&#xA;Who holds the urn to us, ha? Fear nothing, I'll quit you, mine&#xA;honest pitiful stinkards; I'll do't.&#xA;&#xA;Cris.&#xA;Captain, you shall eternally girt me to you, as I am&#xA;generous.&#xA;&#xA;Tuc.&#xA;Go to.&#xA;&#xA;Caes.&#xA;Tibullus, let there be a case of vizards privately provided;&#xA;we have found a subject to bestow them on.&#xA;&#xA;Tib.&#xA;It shall be done, Caesar.&#xA;&#xA;Caes.&#xA;Here be words, Horace, able to bastinado a man's ears.&#xA;&#xA;Hor. Ay.&#xA;Please it, great Caesar, I have pills about me,&#xA;Mixt with the whitest kind of hellebore,&#xA;Would give him a light vomit, that should purge&#xA;His brain and stomach of those tumorous heats:&#xA;Might I have leave to minister unto him.&#xA;&#xA;Caes.&#xA;O, be his AEsculapius, gentle Horace!&#xA;You shall have leave, and he shall be your patient. Virgil,&#xA;Use your authority, command him forth.&#xA;&#xA;Virg.&#xA;Caesar is careful of your health, Crispinus;&#xA;And hath himself chose a physician&#xA;To minister unto you: take his pills.&#xA;&#xA;Hor.&#xA;They are somewhat bitter, sir, but very wholesome.&#xA;Take yet another; so: stand by, they'll work anon.&#xA;&#xA;Tib.&#xA;Romans, return to your several seats: lictors, bring forward&#xA;the urn; and set the accused to the bar.&#xA;&#xA;Tuc.&#xA;Quickly, you whoreson egregious varlets; come forward. What!&#xA;shall we sit all day upon you? You make no more haste now, than a&#xA;beggar upon pattens; or a physician to a patient that has no money,&#xA;you pilchers.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, hold up your&#xA;hands. You have, according to the Roman custom, put yourselves upon trial to the urn, for divers and sundry calumnies, whereof you&#xA;have, before this time, been indicted, and are now presently&#xA;arraigned: prepare yourselves to hearken to the verdict of your&#xA;tryers. Caius Cilnius Mecaenas pronounceth you, by this&#xA;hand-writing, guilty. Cornelius Gallus, guilty. Pantilius Tucca—&#xA;&#xA;Tuc.&#xA;Parcel-guilty, I.&#xA;&#xA;Dem.&#xA;He means himself; for it was he indeed&#xA;Suborn'd us to the calumny.&#xA;&#xA;Tuc.&#xA;I, you whoreson cantharides! was it I?&#xA;&#xA;Dem.&#xA;I appeal to your conscience, captain.&#xA;&#xA;Tib.&#xA;Then you confess it now?&#xA;&#xA;Dem.&#xA;I do, and crave the mercy of the court.&#xA;&#xA;Tib.&#xA;What saith Crispinus?&#xA;&#xA;Cris.&#xA;O, the captain, the captain—-&#xA;&#xA;Bor.&#xA;My physic begins to work with my patient, I see.&#xA;&#xA;Virg.&#xA;Captain, stand forth and answer.&#xA;&#xA;Tuc.&#xA;Hold thy peace, poet praetor: I appeal from thee to Caesar, I.&#xA;Do me right, royal Caesar.&#xA;&#xA;Caes.&#xA;Marry, and I will, sir.—-Lictors, gag him; do.&#xA;And put a case of vizards o'er his head,&#xA;That he may look bifronted, as he speaks.&#xA;&#xA;Tuc.&#xA;Gods and fiends! Caesar! thou wilt not, Caesar, wilt thou?&#xA;Away, you whoreson vultures; away. You think I am a dead corps now, because Caesar is disposed to jest with a man of mark, or so. Hold  your hook'd talons out of my flesh, you inhuman harpies. Go to, do't. What! will the royal Augustus cast away a gentleman of&#xA;worship, a captain and a commander, for a couple of condemn'd&#xA;caitiff calumnious cargos?&#xA;&#xA;Caes.&#xA;Dispatch, lictors.&#xA;&#xA;Tuc. Caesar!&#xA;[The vizards are put upon him.&#xA;&#xA;Caes.&#xA;Forward, Tibullus.&#xA;&#xA;Virg.&#xA;Demand what cause they had to malign Horace.&#xA;&#xA;Dem.&#xA;In troth, no great cause, not I, I must confess; but that he&#xA;kept better company, for the most part, than I; and that better men&#xA;loved him than loved me; and that his writings thrived better than&#xA;mine, and were better liked and graced: nothing else.&#xA;&#xA;Virg.&#xA;Thus envious souls repine at others' good.&#xA;&#xA;Hor.&#xA;If this be all, faith, I forgive thee freely.&#xA;Envy me still, so long as Virgil loves me,&#xA;Gallus, Tibullus, and the best-best Caesar,&#xA;My dear Mecaenas; while these, with many more,&#xA;Whose names I wisely slip, shall think me worthy&#xA;Their honour'd and adored society,&#xA;And read and love, prove and applaud my poems;&#xA;I would not wish but such as you should spite them.&#xA;&#xA;Cris.&#xA;O—!&#xA;&#xA;Tib.&#xA;How now, Crispinus? C&#xA;&#xA;Cris.&#xA;O, I am sick—!&#xA;&#xA;Hor.&#xA;A bason, a bason, quickly; our physic works. Faint not, man.&#xA;&#xA;Cris.&#xA;O———retrograde———reciprocal———incubus.&#xA;&#xA;Caes.&#xA;What's that, Horace?&#xA;&#xA;Hor.&#xA;Retrograde, reciprocal, and incubus, are come up.&#xA;&#xA;Gal.&#xA;Thanks be to Jupiter!&#xA;&#xA;Cris.&#xA;O———glibbery———lubrical———defunct———O———!&#xA;&#xA;Hor.&#xA;Well said; here's some store.&#xA;&#xA;Virg.&#xA;What are they?&#xA;&#xA;Hor.&#xA;Glibbery, lubrical, and defunct.&#xA;&#xA;Gal.&#xA;O, they came up easy.&#xA;&#xA;Cris.&#xA;O———O———!&#xA;&#xA;Tib.&#xA;What's that?&#xA;&#xA;Hor.&#xA;Nothing yet.&#xA;&#xA;Cris.&#xA;Magnificate———&#xA;&#xA;Mec.&#xA;Magnificate!  That came up somewhat hard.&#xA;&#xA;Hor.&#xA;Ay. What cheer, Crispinus?&#xA;&#xA;Cris.&#xA;O! I shall cast up my———spurious———snotteries———&#xA;&#xA;Hor.&#xA;Good. Again.&#xA;&#xA;Oris.&#xA;Chilblain'd———O———O———clumsie———&#xA;&#xA;Hor.&#xA;That clumsie stuck terribly.&#xA;&#xA;Mec.&#xA;What's all that, Horace?&#xA;&#xA;Hor.&#xA;Spurious, snotteries, chilblain'd, clumsie.&#xA;&#xA;Tib.&#xA;O Jupiter!&#xA;&#xA;Gal.&#xA;Who would have thought there should have been such a deal of&#xA;filth in a poet?&#xA;&#xA;Cris.&#xA;O———balmy froth———&#xA;&#xA;Caes.&#xA;What's that?&#xA;&#xA;Cris.&#xA;———Puffie———inflate———turgidious———-ventosity.&#xA;&#xA;Hor.&#xA;Balmy, froth, puffie, inflate, turgidous, and ventosity are&#xA;come up.&#xA;&#xA;Tib.&#xA;O terrible windy words.&#xA;&#xA;Gal.&#xA;A sign of a windy brain.&#xA;&#xA;Cris.&#xA;O———oblatrant———furibund———fatuate———strenuous—-&#xA;&#xA;Hor.&#xA;Here's a deal; oblatrant, furibund, fatuate, strenuous.&#xA;&#xA;Caes.&#xA;Now all's come up, I trow. What a tumult he had in his belly?&#xA;&#xA;Hor.&#xA;No, there's the often conscious damp behind still.&#xA;&#xA;Cris.&#xA;O———conscious———damp.&#xA;&#xA;Hor.&#xA;It is come up, thanks to Apollo and AEsculapius: another; you&#xA;were best take a pill more.&#xA;&#xA;Cris.&#xA;O, no; O———O———O———O———O!&#xA;&#xA;Hor.&#xA;Force yourself then a little with your finger.&#xA;&#xA;Cris.&#xA;O———O———prorumped.&#xA;&#xA;Tib.&#xA;Prorumped I What a noise it made! as if his spirit would have&#xA;prorumpt with it.&#xA;&#xA;Cris.&#xA;O———O———O!&#xA;&#xA;Virg.&#xA;Help him, it sticks strangely, whatever it is.&#xA;&#xA;Cris.&#xA;O———clutcht&#xA;&#xA;Hor.&#xA;Now it is come; clutcht.&#xA;&#xA;Caes.&#xA;Clutcht!  it is well that's come up; it had but a narrow&#xA;passage.&#xA;&#xA;Cris.&#xA;O———!&#xA;&#xA;Virg.&#xA;Again! hold him, hold his head there.&#xA;&#xA;Cris.&#xA;Snarling gusts———quaking custard.&#xA;&#xA;Hor.&#xA;How now, Crispinus?&#xA;&#xA;Cris.&#xA;O———obstupefact.&#xA;&#xA;Tib.&#xA;Nay, that are all we, I assure you.&#xA;&#xA;Hor.&#xA;How do you feel yourself?&#xA;&#xA;Cris.&#xA;Pretty and well, I thank you.&#xA;&#xA;Virg.&#xA;These pills can but restore him for a time,&#xA;Not cure him quite of such a malady,&#xA;Caught by so many surfeits, which have fill'd&#xA;His blood and brain thus full of crudities:&#xA;'Tis necessary therefore he observe&#xA;A strict and wholesome diet. Look you take&#xA;Each morning of old Cato's principles&#xA;A good draught next your heart; that walk upon,&#xA;Till it be well digested: then come home,&#xA;And taste a piece of Terence, suck his phrase&#xA;Instead of liquorice; and, at any hand,&#xA;Shun Plautus and old Ennius: they are meats&#xA;Too harsh for a weak stomach.&#xA;Use to read (But not without a tutor) the best Greeks,&#xA;As Orpheus, Musaeus, Pindarus,&#xA;Hesiod, Callimachus, and Theocrite,&#xA;High Homer; but beware of Lycophron,&#xA;He is too dark and dangerous a dish.&#xA;You must not hunt for wild outlandish terms,&#xA;To stuff out a peculiar dialect;&#xA;But let your matter run before your words.&#xA;And if at any time you chance to meet&#xA;Some Gallo-Belgic phrase; you shall not straight.&#xA;Rack your poor verse to give it entertainment,&#xA;But let it pass; and do not think yourself&#xA;Much damnified, if you do leave it out,&#xA;When nor your understanding, nor the sense&#xA;Could well receive it. This fair abstinence,&#xA;In time, will render you more sound and clear:&#xA;And this have I prescribed to you, in place&#xA;Of a strict sentence; which till he perform,&#xA;Attire him in that robe. And henceforth learn&#xA;To bear yourself more humbly; not to swell,&#xA;Or breathe your insolent and idle spite&#xA;On him whose laughter can your worst affright.&#xA;&#xA;Tib.&#xA;Take him away.&#xA;&#xA;Cris.&#xA;Jupiter guard Caesar!&#xA;&#xA;Virg.&#xA;And for a week or two see him lock'd up&#xA;In some dark place, removed from company;&#xA;He will talk idly else after his physic.&#xA;Now to you, sir.  The extremity of law&#xA;Awards you to be branded in the front,&#xA;For this your calumny: but since it pleaseth&#xA;Horace, the party wrong'd, t' intreat of Caesar&#xA;A mitigation of that juster doom,&#xA;With Caesar's tongue thus we pronounce your sentence.&#xA;Demetrius Fannius, thou shalt here put on&#xA;That coat and cap, and henceforth think thyself&#xA;No other than they make thee; vow to wear them&#xA;In every fair and generous assembly,&#xA;Till the best sort of minds shall take to knowledge&#xA;As well thy satisfaction, as thy wrongs.&#xA;&#xA;Hor.&#xA;Only, grave praetor, here, in open court,&#xA;I crave the oath for good behaviour&#xA;May be administer'd unto them both.&#xA;&#xA;Virg.&#xA;Horace, it shall: Tibullus, give it them.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, lay your&#xA;hands on your hearts. You shall here solemnly attest and swear,&#xA;that never, after this instant, either at booksellers' stalls, in&#xA;taverns, two-penny rooms, tyring-houses, noblemen's butteries,&#xA;puisents chambers, (the best and farthest places where you are&#xA;admitted to come,) you shall once offer or dare (thereby to endear&#xA;yourself the more to any player, enghle, or guilty gull in your&#xA;company) to malign, traduce, or detract the person or writings of&#xA;Quintus Horatius Flaccus, or any other eminent men, transcending&#xA;you in merit, whom your envy shall find cause to work upon, either&#xA;for that, or for keeping himself in better acquaintance, or&#xA;enjoying better friends, or if, transported by any sudden and&#xA;desperate resolution, you do, that then you shall not under the&#xA;batoon, or in the next presence, being an honourable assembly of&#xA;his favourers, be brought as voluntary gentlemen to undertake the&#xA;for-swearing of it. Neither shall you, at any time, ambitiously&#xA;affecting the title of the Untrussers or Whippers of the age,&#xA;suffer the itch of writing to over-run your performance in libel,&#xA;upon pain of being taken up for lepers in wit, and, losing both&#xA;your time and your papers, be irrecoverably forfeited to the&#xA;hospital of fools. So help you our Roman gods and the Genius of&#xA;great Caesar.&#xA;&#xA;Virg.&#xA;So! now dissolve the court.&#xA;&#xA;Bor. Tib. Gal. Mec.&#xA;And thanks to Caesar, That thus hath exercised his patience.&#xA;&#xA;Caes.&#xA;We have, indeed, you worthiest friends of Caesar.&#xA;It is the bane and torment of our ears,&#xA;To hear the discords of those jangling rhymers,&#xA;That with their bad and scandalous practices&#xA;Bring all true arts and learning in contempt.&#xA;But let not your high thoughts descend so low&#xA;As these despised objects; let them fall,&#xA;With their flat grovelling souls: be you yourselves;&#xA;And as with our best favours you stand crown'd,&#xA;So let your mutual loves be still renown'd.&#xA;Envy will dwell where there is want of merit,&#xA;Though the deserving man should crack his spirit.&#xA;&#xA;Blush, folly, blush; here's none that fears&#xA;The wagging of an ass's ears,&#xA;Although a wolfish case he wears.&#xA;Detraction is but baseness' varlet;&#xA;And apes are apes, though clothed in scarlet.&#xA;&#xA;[Exeunt.&#xA;&#xA;Rumpatur, quisquis rumpitur invidi!&#xA;&#xA;&amp;quot;Here, reader, in place of the epilogue, was meant to thee an&#xA;apology from the author, with his reasons for the publishing of&#xA;this book: but, since he is no less restrained than thou deprived&#xA;of it by authority, he prays thee to think charitably of what thou&#xA;hast read. till thou mayest hear him speak what he hath written.&amp;quot;&#xA;&#xA;                                    HORACE AND TREBATIUS.&#xA;                                                A DIALOGUE.&#xA;                                                Sat. 1. Lib. 2.&#xA;&#xA;Hor.&#xA;There are to whom I seem excessive sour,&#xA;And past a satire's law t' extend my power:&#xA;Others, that think whatever I have writ&#xA;Wants pith and matter to eternise it;&#xA;And that they could, in one day's light, disclose&#xA;A thousand verses, such as I compose.&#xA;What shall I do, Trebatius? say.&#xA;&#xA;Treb.&#xA;Surcease.&#xA;&#xA;Hor.&#xA;And shall my muse admit no more increase?&#xA;&#xA;Treb.&#xA;So I advise.&#xA;&#xA;Hor.&#xA;An ill death let me die,&#xA;If 'twere not best; but sleep avoids mine eye,&#xA;And I use these, lest nights should tedious seem.&#xA;&#xA;Treb.&#xA;Rather, contend to sleep, and live like them,&#xA;That, holding golden sleep in special price,&#xA;Rubb'd with sweet oils, swim silver Tyber thrice,&#xA;And every even with neat wine steeped be:&#xA;Or, if such love of writing ravish thee,&#xA;Then dare to sing unconquer'd Caesar's deeds;&#xA;Who cheers such actions with abundant meeds.&#xA;&#xA;Hor.&#xA;That, father, I desire; but, when I try,&#xA;I feel defects in every faculty:&#xA;Nor is't a labour fit for every pen,&#xA;To paint the horrid troops of armed men,&#xA;The lances burst, in Gallia's slaughter'd forces;&#xA;Or wounded Parthians, tumbled from their horses:&#xA;Great Caesar's wars cannot be fought with words.&#xA;&#xA;Treb.&#xA;Yet, what his virtue in his peace affords,&#xA;His fortitude and justice thou canst shew&#xA;As wise Lucilius honour'd Scipio.&#xA;&#xA;Hor.&#xA;Of that, my powers shall suffer no neglect,&#xA;When such slight labours may aspire respect:&#xA;But, if I watch not a most chosen time,&#xA;The humble words of Flaccus cannot climb&#xA;Th' attentive ear of Caesar; nor must I&#xA;With less observance shun gross flattery:&#xA;For he, reposed safe in his own merit,&#xA;Spurns back the gloses of a fawning spirit.&#xA;&#xA;Treb.&#xA;But how much better would such accents sound&#xA;Than with a sad and serious verse to wound&#xA;Pantolabus, railing in his saucy jests,&#xA;Or Nomentanus spent in riotous feasts?&#xA;In satires, each man, though untouch'd, complains&#xA;As he were hurt; and hates such biting strains.&#xA;&#xA;Hor.&#xA;What shall I do? Milonius shakes his heels&#xA;In ceaseless dances, when his brain once feels&#xA;The stirring fervour of the wine ascend;&#xA;And that his eyes false numbers apprehend.&#xA;Castor his horse, Pollux loves handy-fights;&#xA;A thousand heads, a thousand choice delights.&#xA;My pleasure is in feet my words to close,&#xA;As, both our better, old Lucilius does:&#xA;He, as his trusty friends, his books did trust&#xA;With all his secrets; nor, in things unjust,&#xA;Or actions lawful, ran to other men:&#xA;So that the old man's life described, was seen&#xA;As in a votive table in his lines:&#xA;And to his steps my genius inclines;&#xA;Lucanian, or Apulian, I know not whether,&#xA;For the Venusian colony ploughs either;&#xA;Sent thither, when the Sabines were forced thence,&#xA;As old Fame sings, to give the place defence&#xA;'Gainst such as, seeing it empty, might make road&#xA;Upon the empire; or there fix abode:&#xA;Whether the Apulian borderer it were,&#xA;Or the Lucanian violence they fear.—-&#xA;But this my style no living man shall touch,&#xA;If first I be not forced by base reproach;&#xA;But like a sheathed sword it shall defend&#xA;My innocent life; for why should I contend&#xA;To draw it out, when no malicious thief&#xA;Robs my good name, the treasure of my life?&#xA;O Jupiter, let it with rust be eaten,&#xA;Before it touch, or insolently threaten&#xA;The life of any with the least disease;&#xA;So much I love, and woo a general peace.&#xA;But, he that wrongs me, better, I proclaim,&#xA;He never had assay'd to touch my fame.&#xA;For he shall weep, and walk with every tongue&#xA;Throughout the city, infamously sung.&#xA;Servius the praetor threats the laws, and urn,&#xA;If any at his deeds repine or spurn;&#xA;The witch Canidia, that Albutius got,&#xA;Denounceth witchcraft, where she loveth not;&#xA;Thurius the judge, doth thunder worlds of ill,&#xA;To such as strive with his judicial will.&#xA;All men affright their foes in what they may,&#xA;Nature commands it, and men must obey.&#xA;Observe with me: The wolf his tooth doth use,&#xA;The bull his horn; and who doth this infuse,&#xA;But nature? There's luxurious Scaeva; trust&#xA;His long-lived mother with him; his so just&#xA;And scrupulous right-hand no mischief will;&#xA;No more than with his heel a wolf will kill,&#xA;Or ox with jaw: marry, let him alone&#xA;With temper'd poison to remove the croan.&#xA;But briefly, if to age I destined be,&#xA;Or that quick death's black wings environ me;&#xA;If rich, or poor; at Rome; or fate command&#xA;I shall be banished to some other land;&#xA;What hue soever my whole state shall bear,&#xA;I will write satires still, in spite of fear.&#xA;&#xA;Treb.&#xA;Horace, I fear thou draw'st no lasting breath;&#xA;And that some great man's friend will be thy death.&#xA;&#xA;Hor.&#xA;What! when the man that first did satirise&#xA;Durst pull the skin over the ears of vice,&#xA;And make who stood in outward fashion clear,&#xA;Give place, as foul within; shall I forbear?&#xA;Did Laelius, or the man so great with fame,&#xA;That from sack'd Carthage fetch'd his worthy name,&#xA;Storm that Lucilius did Metellus pierce,&#xA;Or bury Lupus quick in famous verse?&#xA;Rulers and subjects, by whole tribes he checkt,&#xA;But virtue and her friends did still protect:&#xA;And when from sight, or from the judgment-seat,&#xA;The virtuous Scipio and wise Laelius met,&#xA;Unbraced, with him in all light sports they shared,&#xA;Till their most frugal suppers were prepared.&#xA;Whate'er I am, though both for wealth and wit&#xA;Beneath Lucilius I am pleased to sit;&#xA;Yet Envy, spite of her empoison'd breast,&#xA;Shall say, I lived in grace here with the best;&#xA;And seeking in weak trash to make her wound,&#xA;Shall find me solid, and her teeth unsound:&#xA;'Less learn'd Trebatius' censure disagree.&#xA;&#xA;Treb.&#xA;No, Horace, I of force must yield to thee;&#xA;Only take heed, as being advised by me,&#xA;Lest thou incur some danger: better pause,&#xA;Than rue thy ignorance of the sacred laws;&#xA;There's justice, and great action may be sued&#xA;'Gainst such as wrong men's fames with verses lewd.&#xA;&#xA;Hor.&#xA;Ay, with lewd verses, such as libels be,&#xA;And aim'd at persons of good quality:&#xA;I reverence and adore that just decree.&#xA;But if they shall be sharp, yet modest rhymes,&#xA;That spare men's persons, and but tax their crimes,&#xA;Such shall in open court find current pass,&#xA;Were Caesar judge, and with the maker's grace.&#xA;&#xA;Treb.&#xA;Nay, I'll add more; if thou thyself, being clear,&#xA;Shall tax in person a man fit to bear&#xA;Shame and reproach, his suit shall quickly be&#xA;Dissolved in laughter, and thou thence set free.&#xA;&#xA;                                                TO THE READER&#xA;&#xA;If, by looking on what is past, thou hast deserved that name, I am&#xA;willing thou should'st yet know more, by that which follows, an&#xA;APOLOGETICAL DIALOGUE; which was only once spoken upon the stage and all the answer I ever gave to sundry impotent libels then cast out (and some yet remaining) against me, and this play. Wherein I take no pleasure to revive the times; but that posterity may make a difference between their manners that provoked me then, and mine that neglected them ever, For, in these strifes, and on such persons, were as wretched to affect a victory, as it is unhappy to be committed with them.&#xA;&#xA;            Non annorum canities est laudanda, sed morum.&#xA;                                 SCENE, The Author's Lodgings.&#xA;                              Enter NASUTUS and POLYPOSUS.&#xA;&#xA;Nas.&#xA;I pray You let' s go see him, how he looks&#xA;After these libels.&#xA;&#xA;Pol.&#xA;O vex'd, vex'd, I warrant you.&#xA;&#xA;Nas. Do you think so? I should be sorry for him,&#xA;If I found that.&#xA;&#xA;Pol.&#xA;O, they are such bitter things,&#xA;He cannot choose.&#xA;&#xA;Nas.&#xA;But, is he guilty of them?&#xA;&#xA;Pol.&#xA;Fuh! that's no matter.&#xA;&#xA;Nas.&#xA;No!&#xA;&#xA;Pol.&#xA;No. Here's his lodging.&#xA;We'll steal upon him: or let's listen; stay.&#xA;He has a humour oft to talk t' himself.&#xA;&#xA;Nas.&#xA;They are your manners lead me, not mine own.&#xA;&#xA;[They come forward; the scene opens, and discovers the&#xA;Author in his study.&#xA;&#xA;Aut.&#xA;The fates have not spun him the coarsest thread,&#xA;That (free from knots of perturbation)&#xA;Doth yet so live, although but to himself,&#xA;As he can safely scorn the tongues of slaves,&#xA;And neglect fortune, more than she can him.&#xA;It is the happiest thing this, not to be&#xA;Within the reach of malice; it provides&#xA;A man so well, to laugh off injuries;&#xA;And never sends him farther for his vengeance,&#xA;Than the vex'd bosom of his enemy.&#xA;I, now, but think how poor their spite sets off,&#xA;Who, after all their waste of sulphurous terms,&#xA;And burst-out thunder of their charged mouths,&#xA;Have nothing left but the unsavoury smoke&#xA;Of their black vomit, to upbraid themselves:&#xA;Whilst I, at whom they shot, sit here shot-free,&#xA;And as unhurt of envy, as unhit.&#xA;&#xA;[Pol. and Nas. discover themselves.&#xA;&#xA;Pol.&#xA;Ay, but the multitude they think not so, sir,&#xA;They think you hit, and hurt: and dare give out,&#xA;Your silence argues it in not rejoining&#xA;To this or that late libel.&#xA;&#xA;Aut.&#xA;'Las, good rout!&#xA;I can afford them leave to err so still;&#xA;And like the barking students of Bears-college,&#xA;To swallow up the garbage of the time&#xA;With greedy gullets, whilst myself sit by,&#xA;Pleased, and yet tortured, with their beastly feeding.&#xA;'Tis a sweet madness runs along with them,&#xA;To think, all that are aim'd at still are struck:&#xA;Then, where the shaft still lights, make that the mark:&#xA;And so each fear or fever-shaken fool&#xA;May challenge Teucer's hand in archery.&#xA;Good troth, if I knew any man so vile,&#xA;To act the crimes these Whippers reprehend,&#xA;Or what their servile apes gesticulate,&#xA;I should not then much muse their shreds were liked;&#xA;Since ill men have a lust t' hear others' sins,&#xA;All good men have a zeal to hear sin shamed.&#xA;But when it is all excrement they vent,&#xA;Base filth and offal; or thefts, notable&#xA;As ocean-piracies, or highway-stands;&#xA;And not a crime there tax'd, but is their own,&#xA;Or what their own foul thoughts suggested to them;&#xA;And that, in all their heat of taxing others,&#xA;Not one of them but lives himself, if known,&#xA;Improbior satiram scribente cinaedo&#xA;What should I say more, than turn stone with wonder!&#xA;&#xA;Nas.&#xA;I never saw this play bred all this tumult:&#xA;What was there in it could so deeply offend&#xA;And stir so many hornets?&#xA;&#xA;Aut.&#xA;Shall I tell you?&#xA;&#xA;Nas.&#xA;Yea, and ingeniously.&#xA;&#xA;Aut.&#xA;Then, by the hope&#xA;Which I prefer unto all other objects,&#xA;I can profess, I never writ that piece&#xA;More innocent or empty of offence.&#xA;Some salt it had, but neither tooth nor gall,&#xA;Nor was there in it any circumstance&#xA;Which. in the setting down, I could suspect&#xA;Might be perverted by an enemy's tongue;&#xA;Only it had the fault to be call'd mine;&#xA;That was the crime.&#xA;&#xA;Pol.&#xA;No! why, they say you tax'd&#xA;The law and lawyers, captains and the players,&#xA;By their particular names.&#xA;&#xA;Aut.&#xA;It is not so.&#xA;I used no name. My books have still been taught&#xA;To spare the persons, and to speak the vices.&#xA;These are mere slanders, and enforced by such&#xA;As have no safer ways to men's disgraces.&#xA;But their own lies and loss of honesty:&#xA;Fellows of practised and most laxative tongues,&#xA;Whose empty and eager bellies, in the year,&#xA;Compel their brains to many desperate shifts,&#xA;(I spare to name them, for their wretchedness&#xA;Fury itself would pardon). These, or such,&#xA;Whether of malice, or of ignorance,&#xA;Or itch t' have me their adversary, I know not,&#xA;Or all these mixt; but sure I am, three years&#xA;They did provoke me with their petulant styles&#xA;On every stage: and I at last unwilling,&#xA;But weary, I confess, of so much trouble,&#xA;Thought I would try if shame could win upon 'em,'&#xA;And therefore chose Augustus Caesar's times,&#xA;When wit and area were at their height in Rome,&#xA;To shew that Virgil, Horace, and the rest&#xA;Of those great master-spirits, did not want&#xA;Detractors then, or practicers against them:&#xA;And by this line, although no parallel,&#xA;I hoped at last they would sit down and blush;&#xA;But nothing I could find more contrary.&#xA;And though the impudence of flies be great,&#xA;Yet this hath so provok'd the angry wasps,&#xA;Or, as you said, of the next nest, the hornets,&#xA;That they fly buzzing, mad, about my nostrils,&#xA;And, like so many screaming grasshoppers&#xA;Held by the wings, fill every ear with noise.&#xA;And what? those former calumnies you mention'd.&#xA;First, of the law: indeed I brought in Ovid&#xA;Chid by his angry father for neglecting&#xA;The study of their laws for poetry:&#xA;And I am warranted by his own words:&#xA;&#xA;Saepe pater dixit, studium quid inutile tentas!&#xA;Maeonides nullas ipse reliquit opes.&#xA;&#xA;And in far harsher terms elsewhere, as these:&#xA;&#xA;Non me verbosas leges ediscere, non me&#xA;Ingrato voces prostituisse foro.&#xA;&#xA;But how this should relate unto our laws,&#xA;Or the just ministers, with least abuse,&#xA;I reverence both too much to understand!&#xA;Then, for the captain, I will only speak&#xA;An epigram I here have made: it is&#xA;&#xA;UNTO TRUE SOLDIERS.&#xA;That's the lemma: mark it.&#xA;Strength of my country, whilst I bring to view&#xA;Such: as are miss-call'd captains, and wrong you,&#xA;And your high names; I do desire, that thence,&#xA;Be nor put on you, nor you take offence:&#xA;I swear by your true friend, my muse, I love&#xA;Your great profession which I once did prove;&#xA;And did not shame it with my actions then,&#xA;No more than I dare now do with my pen.&#xA;He that not trusts me, having vowed thus much,&#xA;But's angry for the captain, still: is such.&#xA;Now for the players, it is true, I tax'd them,&#xA;And yet but some; and those so sparingly,&#xA;As all the rest might have sat still unquestion'd,&#xA;Had they but had the wit or conscience&#xA;To think well of themselves. But impotent, they&#xA;Thought each man's vice belong'd to their whole tribe;&#xA;And much good do't them! What they have done 'gainst me,&#xA;I am not moved with: if it gave them meat,&#xA;Or got them clothes, 'tis well; that was their end.&#xA;Only amongst them, I am sorry for&#xA;Some better natures, by the rest so drawn,&#xA;To run in that vile line.&#xA;&#xA;Pol.&#xA;And is this all!&#xA;Will you not answer then the libels?&#xA;&#xA;Aut.&#xA;No.&#xA;&#xA;Pol.&#xA;Nor the Untrussers?&#xA;&#xA;Aut.&#xA;Neither.&#xA;&#xA;Pol.&#xA;Y'are undone then.&#xA;&#xA;Aut.&#xA;With whom?&#xA;&#xA;Pol.&#xA;The world.&#xA;&#xA;Aut.&#xA;The bawd!&#xA;&#xA;Pol.&#xA;It will be taken&#xA;To be stupidity or tameness in you.&#xA;&#xA;Aut.&#xA;But they that have incensed me, can in soul&#xA;Acquit me of that guilt. They know I dare&#xA;To spurn or baffle them, or squirt their eyes&#xA;With ink or urine; or I could do worse,&#xA;Arm'd with Archilochus' fury, write Iambics,&#xA;Should make the desperate lashers hang themselves;&#xA;Rhime them to death, as they do Irish rats&#xA;In drumming tunes. Or, living, I could stamp&#xA;Their foreheads with those deep and public brands,&#xA;That the whole company of barber-surgeon a&#xA;Should not take off with all their art and plasters.&#xA;And these my prints should last, still to be read&#xA;In their pale fronts; when, what they write 'gainst me&#xA;Shall, like a figure drawn in water, fleet,&#xA;And the poor wretched papers be employed&#xA;To clothe tobacco, or some cheaper drug:&#xA;This I could do, and make them infamous.&#xA;But, to what end? when their own deeds have mark'd 'em;&#xA;And that I know, within his guilty breast&#xA;Each slanderer bears a whip that shall torment him&#xA;Worse than a million of these temporal plagues:&#xA;Which to pursue, were but a feminine humour,&#xA;And far beneath the dignity of man.&#xA;&#xA;Nas.&#xA;'Tis true; for to revenge their injuries,&#xA;Were to confess you felt them. Let them go,&#xA;And use the treasure of the fool, their tongues,&#xA;Who makes his gain, by speaking worst of beat.&#xA;&#xA;Pol.&#xA;O, but they lay particular imputations—&#xA;&#xA;Aut.&#xA;As what?&#xA;&#xA;Pol.&#xA;That all your writing is mere railing.&#xA;&#xA;Aut.&#xA;Ha?&#xA;If all the salt in the old comedy&#xA;Should be so censured, or the sharper wit&#xA;Of the bold satire termed scolding rage,&#xA;What age could then compare with those for buffoons?&#xA;What should be said of Aristophanes,&#xA;Persius, or Juvenal, whose names we now&#xA;So glorify in schools, at least pretend it?—-&#xA;Have they no other?&#xA;&#xA;Pol.&#xA;Yes; they say you are slow,&#xA;And scarce bring forth a play a year.&#xA;&#xA;Aut.&#xA;'Tis true.&#xA;I would they could not say that I did that!&#xA;There' s all the joy that I take in their trade,&#xA;Unless such scribes as these might be proscribed&#xA;Th' abused theatres. They would think it strange, now,&#xA;A man should take but colts-foot for one day,&#xA;And, between whiles, spit out a better poem&#xA;Than e'er the master of art, or giver of wit,&#xA;Their belly, made. Yet, this is possible,&#xA;If a free mind had but the patience,&#xA;To think so much together and so vile.&#xA;But that these base and beggarly conceits&#xA;Should carry it, by the multitude of voices,&#xA;Against the most abstracted work, opposed&#xA;To the stuff'd nostrils of the drunken rout!&#xA;O, this would make a learn'd and liberal soul&#xA;To rive his stained quill up to the back,&#xA;And damn his long-watch'd labours to the fire,&#xA;Things that were born when none but the still night&#xA;And his dumb candle, saw his pinching throes,&#xA;Were not his own free merit a more crown&#xA;Unto his travails than their reeling claps.&#xA;This 'tis that strikes me silent, seals my lips,&#xA;And apts me rather to sleep out my time,&#xA;Than I would waste it in contemned strifes&#xA;With these vile Ibides, these unclean birds,&#xA;That make their mouths their clysters, and still purge&#xA;From their hot entrails. But I leave the monsters&#xA;To their own fate. And, since the Comic Muse&#xA;Hath proved so ominous to me, I will try&#xA;If TRAGEDY have a more kind aspect;&#xA;Her favours in my next I will pursue,&#xA;Where, if I prove the pleasure but of one,&#xA;So he judicious be, he shall be alone&#xA;A theatre unto me; Once I'll say&#xA;To strike the ear of time in those fresh strains,&#xA;As shall, beside the cunning of their ground,&#xA;Give cause to some of wonder, some despite,&#xA;And more despair, to imitate their sound.&#xA;I, that spend half my nights, and all my days,&#xA;Here in a cell, to get a dark paleface,&#xA;To come forth worth the ivy or the bays,&#xA;And in this age can hope no other grace—-&#xA;Leave me! There's something come into my thought,&#xA;That must and shall be sung high and aloof,&#xA;Safe from the wolfs black jaw, and the dun ass's hoof&#xA;&#xA;Nas.&#xA;I reverence these raptures, and obey them.&#xA;&#xA;&#xA;[The scene closes—-&#xA;&#xA;&#xA;                                                    GLOSSARY&#xA;&#xA;ABATE, cast down, subdue.&#xA;&#xA;ABHORRING, repugnant (to), at variance.&#xA;&#xA;ABJECT, base, degraded thing, outcast.&#xA;&#xA;ABRASE, smooth, blank.&#xA;&#xA;ABSOLUTE(LY), faultless(ly).&#xA;&#xA;ABSTRACTED, abstract, abstruse.&#xA;&#xA;ABUSE, deceive, insult, dishonour, make ill use of.&#xA;&#xA;ACATER, caterer.&#xA;&#xA;ACATES, cates.&#xA;&#xA;ACCEPTIVE, willing, ready to accept, receive.&#xA;&#xA;ACCOMMODATE, fit, befitting.  (The word was a fashionable&#xA;one and used on all occasions.  See &amp;quot;Henry IV.,&amp;quot; pt. 2,&#xA;iii. 4).&#xA;&#xA;ACCOST, draw near, approach.&#xA;&#xA;ACKNOWN, confessedly acquainted with.&#xA;&#xA;ACME, full maturity.&#xA;&#xA;ADALANTADO, lord deputy or governor of a Spanish province.&#xA;&#xA;ADJECTION, addition.&#xA;&#xA;ADMIRATION, astonishment.&#xA;&#xA;ADMIRE, wonder, wonder at.&#xA;&#xA;ADROP, philosopher's stone, or substance from which obtained.&#xA;&#xA;ADSCRIVE, subscribe.&#xA;&#xA;ADULTERATE, spurious, counterfeit.&#xA;&#xA;ADVANCE, lift.&#xA;&#xA;ADVERTISE, inform, give intelligence.&#xA;&#xA;ADVERTISED, &amp;quot;be—,&amp;quot; be it known to you.&#xA;&#xA;ADVERTISEMENT, intelligence.&#xA;&#xA;ADVISE, consider, bethink oneself, deliberate.&#xA;&#xA;ADVISED, informed, aware; &amp;quot;are you—?&amp;quot; have you found that out?&#xA;&#xA;AFFECT, love, like; aim at; move.&#xA;&#xA;AFFECTED, disposed; beloved.&#xA;&#xA;AFFECTIONATE, obstinate; prejudiced.&#xA;&#xA;AFFECTS, affections.&#xA;&#xA;AFFRONT, &amp;quot;give the—,&amp;quot; face.&#xA;&#xA;AFFY, have confidence in; betroth.&#xA;&#xA;AFTER, after the manner of.&#xA;&#xA;AGAIN, AGAINST, in anticipation of.&#xA;&#xA;AGGRAVATE, increase, magnify, enlarge upon.&#xA;&#xA;AGNOMINATION.  See Paranomasie.&#xA;&#xA;AIERY, nest, brood.&#xA;&#xA;AIM, guess.&#xA;&#xA;ALL HID, children's cry at hide-and-seek.&#xA;&#xA;ALL-TO, completely, entirely (&amp;quot;all-to-be-laden&amp;quot;).&#xA;&#xA;ALLOWANCE, approbation, recognition.&#xA;&#xA;ALMA-CANTARAS (astronomy), parallels of altitude.&#xA;&#xA;ALMAIN, name of a dance.&#xA;&#xA;ALMUTEN, planet of chief influence in the horoscope.&#xA;&#xA;ALONE, unequalled, without peer.&#xA;&#xA;ALUDELS, subliming pots.&#xA;&#xA;AMAZED, confused, perplexed.&#xA;&#xA;AMBER, AMBRE, ambergris.&#xA;&#xA;AMBREE, MARY, a woman noted for her valour at the&#xA;siege of Ghent, 1458.&#xA;&#xA;AMES-ACE, lowest throw at dice.&#xA;&#xA;AMPHIBOLIES, ambiguities.&#xA;&#xA;AMUSED, bewildered, amazed.&#xA;&#xA;AN, if.&#xA;&#xA;ANATOMY, skeleton, or dissected body.&#xA;&#xA;ANDIRONS, fire-dogs.&#xA;&#xA;ANGEL, gold coin worth 10 shillings, stamped with the&#xA;figure of the archangel Michael.&#xA;&#xA;ANNESH CLEARE, spring known as Agnes le Clare.&#xA;&#xA;ANSWER, return hit in fencing.&#xA;&#xA;ANTIC, ANTIQUE, clown, buffoon.&#xA;&#xA;ANTIC, like a buffoon.&#xA;&#xA;ANTIPERISTASIS, an opposition which enhances the quality&#xA;it opposes.&#xA;&#xA;APOZEM, decoction.&#xA;&#xA;APPERIL, peril.&#xA;&#xA;APPLE-JOHN, APPLE-SQUIRE, pimp, pander.&#xA;&#xA;APPLY, attach.&#xA;&#xA;APPREHEND, take into custody.&#xA;&#xA;APPREHENSIVE, quick of perception; able to perceive and appreciate.&#xA;&#xA;APPROVE, prove, confirm.&#xA;&#xA;APT, suit, adapt; train, prepare; dispose, incline.&#xA;&#xA;APT(LY), suitable(y), opportune(ly).&#xA;&#xA;APTITUDE, suitableness.&#xA;&#xA;ARBOR, &amp;quot;make the—,&amp;quot; cut up the game (Gifford).&#xA;&#xA;ARCHES, Court of Arches.&#xA;&#xA;ARCHIE, Archibald Armstrong, jester to James I. and Charles I.&#xA;&#xA;ARGAILE, argol, crust or sediment in wine casks.&#xA;&#xA;ARGENT-VIVE, quicksilver.&#xA;&#xA;ARGUMENT, plot of a drama; theme, subject; matter in question;&#xA;token, proof.&#xA;&#xA;ARRIDE, please.&#xA;&#xA;ARSEDINE, mixture of copper and zinc, used as an imitation of&#xA;gold-leaf.&#xA;&#xA;ARTHUR, PRINCE, reference to an archery show by a society who&#xA;assumed arms, etc., of Arthur's knights.&#xA;&#xA;ARTICLE, item.&#xA;&#xA;ARTIFICIALLY, artfully.&#xA;&#xA;ASCENSION, evaporation, distillation.&#xA;&#xA;ASPIRE, try to reach, obtain, long for.&#xA;&#xA;ASSALTO (Italian), assault.&#xA;&#xA;ASSAY, draw a knife along the belly of the deer, a&#xA;ceremony of the hunting-field.&#xA;&#xA;ASSOIL, solve.&#xA;&#xA;ASSURE, secure possession or reversion of.&#xA;&#xA;ATHANOR, a digesting furnace, calculated to keep up a&#xA;constant heat.&#xA;&#xA;ATONE, reconcile.&#xA;&#xA;ATTACH, attack, seize.&#xA;&#xA;AUDACIOUS, having spirit and confidence.&#xA;&#xA;AUTHENTIC(AL), of authority, authorised, trustworthy, genuine.&#xA;&#xA;AVISEMENT, reflection, consideration.&#xA;&#xA;AVOID, begone! get rid of.&#xA;&#xA;AWAY WITH, endure.&#xA;&#xA;AZOCH, Mercurius Philosophorum.&#xA;&#xA;BABION, baboon.&#xA;&#xA;BABY, doll.&#xA;&#xA;BACK-SIDE, back premises.&#xA;&#xA;BAFFLE, treat with contempt.&#xA;&#xA;BAGATINE, Italian coin, worth about the third of a farthing.&#xA;&#xA;BAIARD, horse of magic powers known to old romance.&#xA;&#xA;BALDRICK, belt worn across the breast to support bugle, etc.&#xA;&#xA;BALE (of dice), pair.&#xA;&#xA;BALK, overlook, pass by, avoid.&#xA;&#xA;BALLACE, ballast.&#xA;&#xA;BALLOO, game at ball.&#xA;&#xA;BALNEUM (BAIN MARIE), a vessel for holding hot water&#xA;in which other vessels are stood for heating.&#xA;&#xA;BANBURY, &amp;quot;brother of—,&amp;quot; Puritan.&#xA;&#xA;BANDOG, dog tied or chained up.&#xA;&#xA;BANE, woe, ruin.&#xA;&#xA;BANQUET, a light repast; dessert.&#xA;&#xA;BARB, to clip gold.&#xA;&#xA;BARBEL, fresh-water fish.&#xA;&#xA;BARE, meer; bareheaded; it was &amp;quot;a particular mark of state&#xA;and grandeur for the coachman to be uncovered&amp;quot; (Gifford).&#xA;&#xA;BARLEY-BREAK, game somewhat similar to base.&#xA;&#xA;BASE, game of prisoner's base.&#xA;&#xA;BASES, richly embroidered skirt reaching to the knees, or&#xA;lower.&#xA;&#xA;BASILISK, fabulous reptile, believed to slay with its eye.&#xA;&#xA;BASKET, used for the broken provision collected for prisoners.&#xA;&#xA;BASON, basons, etc., were beaten by the attendant mob when&#xA;bad characters were &amp;quot;carted.&amp;quot;&#xA;&#xA;BATE, be reduced; abate, reduce.&#xA;&#xA;BATOON, baton, stick.&#xA;&#xA;BATTEN, feed, grow fat.&#xA;&#xA;BAWSON, badger.&#xA;&#xA;BEADSMAN, prayer-man, one engaged to pray for another.&#xA;&#xA;BEAGLE, small hound; fig. spy.&#xA;&#xA;BEAR IN HAND, keep in suspense, deceive with false hopes.&#xA;&#xA;BEARWARD, bear leader.&#xA;&#xA;BEDPHERE.  See Phere.&#xA;&#xA;BEDSTAFF, (?) wooden pin in the side of the bedstead for&#xA;supporting the bedclothes (Johnson); one of the sticks or&#xA;&amp;quot;laths&amp;quot;; a stick used in making a bed.&#xA;&#xA;BEETLE, heavy mallet.&#xA;&#xA;BEG, &amp;quot;I'd—him,&amp;quot; the custody of minors and idiots was&#xA;begged for; likewise property fallen forfeit to the Crown&#xA;(&amp;quot;your house had been begged&amp;quot;).&#xA;&#xA;BELL-MAN, night watchman.&#xA;&#xA;BENJAMIN, an aromatic gum.&#xA;&#xA;BERLINA, pillory.&#xA;&#xA;BESCUMBER, defile.&#xA;&#xA;BESLAVE, beslabber.&#xA;&#xA;BESOGNO, beggar.&#xA;&#xA;BESPAWLE, bespatter.&#xA;&#xA;BETHLEHEM GABOR, Transylvanian hero, proclaimed King of Hungary.&#xA;&#xA;BEVER, drinking.&#xA;&#xA;BEVIS, SIR, knight of romance whose horse was equally celebrated.&#xA;&#xA;BEWRAY, reveal, make known.&#xA;&#xA;BEZANT, heraldic term: small gold circle.&#xA;&#xA;BEZOAR'S STONE, a remedy known by this name was a&#xA;supposed antidote to poison.&#xA;&#xA;BID-STAND, highwayman.&#xA;&#xA;BIGGIN, cap, similar to that worn by the Beguines; nightcap.&#xA;&#xA;BILIVE (belive), with haste.&#xA;&#xA;BILK, nothing, empty talk.&#xA;&#xA;BILL, kind of pike.&#xA;&#xA;BILLET, wood cut for fuel, stick.&#xA;&#xA;BIRDING, thieving.&#xA;&#xA;BLACK SANCTUS, burlesque hymn, any unholy riot.&#xA;&#xA;BLANK, originally a small French coin.&#xA;&#xA;BLANK, white.&#xA;&#xA;BLANKET, toss in a blanket.&#xA;&#xA;BLAZE, outburst of violence.&#xA;&#xA;BLAZE, (her.) blazon; publish abroad.&#xA;&#xA;BLAZON, armorial bearings; fig. all that pertains to&#xA;good birth and breeding.&#xA;&#xA;BLIN, &amp;quot;withouten—,&amp;quot; without ceasing.&#xA;&#xA;BLOW, puff up.&#xA;&#xA;BLUE, colour of servants' livery, hence &amp;quot;—order,&amp;quot;&#xA;&amp;quot;—waiters.&amp;quot;&#xA;&#xA;BLUSHET, blushing one.&#xA;&#xA;BOB, jest, taunt.&#xA;&#xA;BOB, beat, thump.&#xA;&#xA;BODGE, measure.&#xA;&#xA;BODKIN, dagger, or other short, pointed weapon; long&#xA;pin with which the women fastened up their hair.&#xA;&#xA;BOLT, roll (of material).&#xA;&#xA;BOLT, dislodge, rout out; sift (boulting-tub).&#xA;&#xA;BOLT'S-HEAD, long, straight-necked vessel for distillation.&#xA;&#xA;BOMBARD SLOPS, padded, puffed-out breeches.&#xA;&#xA;BONA ROBA, &amp;quot;good, wholesome, plum-cheeked wench&amp;quot; (Johnson)&#xA;—not always used in compliment.&#xA;&#xA;BONNY-CLABBER, sour butter-milk.&#xA;&#xA;BOOKHOLDER, prompter.&#xA;&#xA;BOOT, &amp;quot;to—,&amp;quot; into the bargain; &amp;quot;no—,&amp;quot; of no avail.&#xA;&#xA;BORACHIO, bottle made of skin.&#xA;&#xA;BORDELLO, brothel.&#xA;&#xA;BORNE IT, conducted, carried it through.&#xA;&#xA;BOTTLE (of hay), bundle, truss.&#xA;&#xA;BOTTOM, skein or ball of thread; vessel.&#xA;&#xA;BOURD, jest.&#xA;&#xA;BOVOLI, snails or cockles dressed in the Italian manner&#xA;(Gifford).&#xA;&#xA;BOW-POT, flower vase or pot.&#xA;&#xA;BOYS, &amp;quot;terrible—,&amp;quot; &amp;quot;angry—,&amp;quot; roystering young bucks.&#xA;(See Nares).&#xA;&#xA;BRABBLES (BRABBLESH), brawls.&#xA;&#xA;BRACH, bitch.&#xA;&#xA;BRADAMANTE, a heroine in &amp;quot;Orlando Furioso.&amp;quot;&#xA;&#xA;BRADLEY, ARTHUR OF, a lively character commemorated in&#xA;ballads.&#xA;&#xA;BRAKE, frame for confining a horse's feet while being&#xA;shod, or strong curb or bridle; trap.&#xA;&#xA;BRANCHED, with &amp;quot;detached sleeve ornaments, projecting&#xA;from the shoulders of the gown&amp;quot; (Gifford).&#xA;&#xA;BRANDISH, flourish of weapon.&#xA;&#xA;BRASH, brace.&#xA;&#xA;BRAVE, bravado, braggart speech.&#xA;&#xA;BRAVE (adv.), gaily, finely (apparelled).&#xA;&#xA;BRAVERIES, gallants.&#xA;&#xA;BRAVERY, extravagant gaiety of apparel.&#xA;&#xA;BRAVO, bravado, swaggerer.&#xA;&#xA;BRAZEN-HEAD, speaking head made by Roger Bacon.&#xA;&#xA;BREATHE, pause for relaxation; exercise.&#xA;&#xA;BREATH UPON, speak dispraisingly of.&#xA;&#xA;BREND, burn.&#xA;&#xA;BRIDE-ALE, wedding feast.&#xA;&#xA;BRIEF, abstract; (mus.) breve.&#xA;&#xA;BRISK, smartly dressed.&#xA;&#xA;BRIZE, breese, gadfly.&#xA;&#xA;BROAD-SEAL, state seal.&#xA;&#xA;BROCK, badger (term of contempt).&#xA;&#xA;BROKE, transact business as a broker.&#xA;&#xA;BROOK, endure, put up with.&#xA;&#xA;BROUGHTON, HUGH, an English divine and Hebrew scholar.&#xA;&#xA;BRUIT, rumour.&#xA;&#xA;BUCK, wash.&#xA;&#xA;BUCKLE, bend.&#xA;&#xA;BUFF, leather made of buffalo skin, used for military&#xA;and serjeants' coats, etc.&#xA;&#xA;BUFO, black tincture.&#xA;&#xA;BUGLE, long-shaped bead.&#xA;&#xA;BULLED, (?) bolled, swelled.&#xA;&#xA;BULLIONS, trunk hose.&#xA;&#xA;BULLY, term of familiar endearment.&#xA;&#xA;BUNGY, Friar Bungay, who had a familiar in the shape of a dog.&#xA;&#xA;BURDEN, refrain, chorus.&#xA;&#xA;BURGONET, closely-fitting helmet with visor.&#xA;&#xA;BURGULLION, braggadocio.&#xA;&#xA;BURN, mark wooden measures (&amp;quot;—ing of cans&amp;quot;).&#xA;&#xA;BURROUGH, pledge, security.&#xA;&#xA;BUSKIN, half-boot, foot gear reaching high up the leg.&#xA;&#xA;BUTT-SHAFT, barbless arrow for shooting at butts.&#xA;&#xA;BUTTER, NATHANIEL (&amp;quot;Staple of News&amp;quot;), a compiler of general&#xA;news.  (See Cunningham).&#xA;&#xA;BUTTERY-HATCH, half-door shutting off the buttery, where&#xA;provisions and liquors were stored.&#xA;&#xA;BUY, &amp;quot;he bought me,&amp;quot; formerly the guardianship of wards&#xA;could be bought.&#xA;&#xA;BUZ, exclamation to enjoin silence.&#xA;&#xA;BUZZARD, simpleton.&#xA;&#xA;BY AND BY, at once.&#xA;&#xA;BY(E), &amp;quot;on the __,&amp;quot; incidentally, as of minor or secondary&#xA;importance; at the side.&#xA;&#xA;BY-CHOP, by-blow, bastard.&#xA;&#xA;CADUCEUS, Mercury's wand.&#xA;&#xA;CALIVER, light kind of musket.&#xA;&#xA;CALLET, woman of ill repute.&#xA;&#xA;CALLOT, coif worn on the wigs of our judges or&#xA;serjeants-at-law (Gifford).&#xA;&#xA;CALVERED, crimped, or sliced and pickled.  (See Nares).&#xA;&#xA;CAMOUCCIO, wretch, knave.&#xA;&#xA;CAMUSED, flat.&#xA;&#xA;CAN, knows.&#xA;&#xA;CANDLE-RENT, rent from house property.&#xA;&#xA;CANDLE-WASTER, one who studies late.&#xA;&#xA;CANTER, sturdy beggar.&#xA;&#xA;CAP OF MAINTENCE, an insignia of dignity, a cap of state&#xA;borne before kings at their coronation; also an heraldic term.&#xA;&#xA;CAPABLE, able to comprehend, fit to receive instruction,&#xA;impression.&#xA;&#xA;CAPANEUS, one of the &amp;quot;Seven against Thebes.&amp;quot;&#xA;&#xA;CARACT, carat, unit of weight for precious stones, etc.;&#xA;value, worth.&#xA;&#xA;CARANZA, Spanish author of a book on duelling.&#xA;&#xA;CARCANET, jewelled ornament for the neck.&#xA;&#xA;CARE, take care; object.&#xA;&#xA;CAROSH, coach, carriage.&#xA;&#xA;CARPET, table-cover.&#xA;&#xA;CARRIAGE, bearing, behaviour.&#xA;&#xA;CARWHITCHET, quip, pun.&#xA;&#xA;CASAMATE, casemate, fortress.&#xA;&#xA;CASE, a pair.&#xA;&#xA;CASE, &amp;quot;in—,&amp;quot; in condition.&#xA;&#xA;CASSOCK, soldier's loose overcoat.&#xA;&#xA;CAST, flight of hawks, couple.&#xA;&#xA;CAST, throw dice; vomit; forecast, calculate.&#xA;&#xA;CAST, cashiered.&#xA;&#xA;CASTING-GLASS, bottle for sprinkling perfume.&#xA;&#xA;CASTRIL, kestrel, falcon.&#xA;&#xA;CAT, structure used in sieges.&#xA;&#xA;CATAMITE, old form of &amp;quot;ganymede.&amp;quot;&#xA;&#xA;CATASTROPHE, conclusion.&#xA;&#xA;CATCHPOLE, sheriff's officer.&#xA;&#xA;CATES, dainties, provisions.&#xA;&#xA;CATSO, rogue, cheat.&#xA;&#xA;CAUTELOUS, crafty, artful.&#xA;&#xA;CENSURE, criticism; sentence.&#xA;&#xA;CENSURE, criticise; pass sentence, doom.&#xA;&#xA;CERUSE, cosmetic containing white lead.&#xA;&#xA;CESS, assess.&#xA;&#xA;CHANGE, &amp;quot;hunt—,&amp;quot; follow a fresh scent.&#xA;&#xA;CHAPMAN, retail dealer.&#xA;&#xA;CHARACTER, handwriting.&#xA;&#xA;CHARGE, expense.&#xA;&#xA;CHARM, subdue with magic, lay a spell on, silence.&#xA;&#xA;CHARMING, exercising magic power.&#xA;&#xA;CHARTEL, challenge.&#xA;&#xA;CHEAP, bargain, market.&#xA;&#xA;CHEAR, CHEER, comfort, encouragement; food, entertainment.&#xA;&#xA;CHECK AT, aim reproof at.&#xA;&#xA;CHEQUIN, gold Italian coin.&#xA;&#xA;CHEVRIL, from kidskin, which is elastic and pliable.&#xA;&#xA;CHIAUS, Turkish envoy; used for a cheat, swindler.&#xA;&#xA;CHILDERMASS DAY, Innocents' Day.&#xA;&#xA;CHOKE-BAIL, action which does not allow of bail.&#xA;&#xA;CHRYSOPOEIA, alchemy.&#xA;&#xA;CHRYSOSPERM, ways of producing gold.&#xA;&#xA;CIBATION, adding fresh substances to supply the waste&#xA;of evaporation.&#xA;&#xA;CIMICI, bugs.&#xA;&#xA;CINOPER, cinnabar.&#xA;&#xA;CIOPPINI, chopine, lady's high shoe.&#xA;&#xA;CIRCLING BOY, &amp;quot;a species of roarer; one who in some way&#xA;drew a man into a snare, to cheat or rob him&amp;quot; (Nares).&#xA;&#xA;CIRCUMSTANCE, circumlocution, beating about the bush;&#xA;ceremony, everything pertaining to a certain condition;&#xA;detail, particular.&#xA;&#xA;CITRONISE, turn citron colour.&#xA;&#xA;CITTERN, kind of guitar.&#xA;&#xA;CITY-WIRES, woman of fashion, who made use of wires&#xA;for hair and dress.&#xA;&#xA;CIVIL, legal.&#xA;&#xA;CLAP, clack, chatter.&#xA;&#xA;CLAPPER-DUDGEON, downright beggar.&#xA;&#xA;CLAPS HIS DISH, a clap, or clack, dish (dish with a&#xA;movable lid) was carried by beggars and lepers to show&#xA;that the vessel was empty, and to give sound of their&#xA;approach.&#xA;&#xA;CLARIDIANA, heroine of an old romance.&#xA;&#xA;CLARISSIMO, Venetian noble.&#xA;&#xA;CLEM, starve.&#xA;&#xA;CLICKET, latch.&#xA;&#xA;CLIM O' THE CLOUGHS, etc., wordy heroes of romance.&#xA;&#xA;CLIMATE, country.&#xA;&#xA;CLOSE, secret, private; secretive.&#xA;&#xA;CLOSENESS, secrecy.&#xA;&#xA;CLOTH, arras, hangings.&#xA;&#xA;CLOUT, mark shot at, bull's eye.&#xA;&#xA;CLOWN, countryman, clodhopper.&#xA;&#xA;COACH-LEAVES, folding blinds.&#xA;&#xA;COALS, &amp;quot;bear no—,&amp;quot; submit to no affront.&#xA;&#xA;COAT-ARMOUR, coat of arms.&#xA;&#xA;COAT-CARD, court-card.&#xA;&#xA;COB-HERRING, HERRING-COB, a young herring.&#xA;&#xA;COB-SWAN, male swan.&#xA;&#xA;COCK-A-HOOP, denoting unstinted jollity; thought to&#xA;be derived from turning on the tap that all might&#xA;drink to the full of the flowing liquor.&#xA;&#xA;COCKATRICE, reptile supposed to be produced from a&#xA;cock's egg and to kill by its eye—used as a term&#xA;of reproach for a woman.&#xA;&#xA;COCK-BRAINED, giddy, wild.&#xA;&#xA;COCKER, pamper.&#xA;&#xA;COCKSCOMB, fool's cap.&#xA;&#xA;COCKSTONE, stone said to be found in a cock's&#xA;gizzard, and to possess particular virtues.&#xA;&#xA;CODLING, softening by boiling.&#xA;&#xA;COFFIN, raised crust of a pie.&#xA;&#xA;COG, cheat, wheedle.&#xA;&#xA;COIL, turmoil, confusion, ado.&#xA;&#xA;COKELY, master of a puppet-show (Whalley).&#xA;&#xA;COKES, fool, gull.&#xA;&#xA;COLD-CONCEITED, having cold opinion of, coldly&#xA;affected towards.&#xA;&#xA;COLE-HARBOUR, a retreat for people of all sorts.&#xA;&#xA;COLLECTION, composure; deduction.&#xA;&#xA;COLLOP, small slice, piece of flesh.&#xA;&#xA;COLLY, blacken.&#xA;&#xA;COLOUR, pretext.&#xA;&#xA;COLOURS, &amp;quot;fear no—,&amp;quot; no enemy (quibble).&#xA;&#xA;COLSTAFF, cowlstaff, pole for carrying a cowl=tub.&#xA;&#xA;COME ABOUT, charge, turn round.&#xA;&#xA;COMFORTABLE BREAD, spiced gingerbread.&#xA;&#xA;COMING, forward, ready to respond, complaisant.&#xA;&#xA;COMMENT, commentary; &amp;quot;sometime it is taken for a lie&#xA;or fayned tale&amp;quot; (Bullokar, 1616).&#xA;&#xA;COMMODITY, &amp;quot;current for—,&amp;quot; allusion to practice of&#xA;money-lenders, who forced the borrower to take part of&#xA;the loan in the shape of worthless goods on which the&#xA;latter had to make money if he could.&#xA;&#xA;COMMUNICATE, share.&#xA;&#xA;COMPASS, &amp;quot;in—,&amp;quot; within the range, sphere.&#xA;&#xA;COMPLEMENT, completion, completement; anything&#xA;required for the perfecting or carrying out of&#xA;a person or affair; accomplishment.&#xA;&#xA;COMPLEXION, natural disposition, constitution.&#xA;&#xA;COMPLIMENT, See Complement.&#xA;&#xA;COMPLIMENTARIES, masters of accomplishments.&#xA;&#xA;COMPOSITION, constitution; agreement, contract.&#xA;&#xA;COMPOSURE, composition.&#xA;&#xA;COMPTER, COUNTER, debtors' prison.&#xA;&#xA;CONCEALMENT, a certain amount of church property&#xA;had been retained at the dissolution of the monasteries;&#xA;Elizabeth sent commissioners to search it out, and the&#xA;courtiers begged for it.&#xA;&#xA;CONCEIT, idea, fancy, witty invention, conception, opinion.&#xA;&#xA;CONCEIT, apprehend.&#xA;&#xA;CONCEITED, fancifully, ingeniously devised or conceived;&#xA;possessed of intelligence, witty, ingenious (hence well&#xA;conceited, etc.); disposed to joke; of opinion, possessed&#xA;of an idea.&#xA;&#xA;CONCEIVE, understand.&#xA;&#xA;CONCENT, harmony, agreement.&#xA;&#xA;CONCLUDE, infer, prove.&#xA;&#xA;CONCOCT, assimilate, digest.&#xA;&#xA;CONDEN'T, probably conducted.&#xA;&#xA;CONDUCT, escort, conductor.&#xA;&#xA;CONEY-CATCH, cheat.&#xA;&#xA;CONFECT, sweetmeat.&#xA;&#xA;CONFER, compare.&#xA;&#xA;CONGIES, bows.&#xA;&#xA;CONNIVE, give a look, wink, of secret intelligence.&#xA;&#xA;CONSORT, company, concert.&#xA;&#xA;CONSTANCY, fidelity, ardour, persistence.&#xA;&#xA;CONSTANT, confirmed, persistent, faithful.&#xA;&#xA;CONSTANTLY, firmly, persistently.&#xA;&#xA;CONTEND, strive.&#xA;&#xA;CONTINENT, holding together.&#xA;&#xA;CONTROL (the point), bear or beat down.&#xA;&#xA;CONVENT, assembly, meeting.&#xA;&#xA;CONVERT, turn (oneself).&#xA;&#xA;CONVEY, transmit from one to another.&#xA;&#xA;CONVINCE, evince, prove; overcome, overpower; convict.&#xA;&#xA;COP, head, top; tuft on head of birds; &amp;quot;a cop&amp;quot; may&#xA;have reference to one or other meaning; Gifford and&#xA;others interpret as &amp;quot;conical, terminating in a point.&amp;quot;&#xA;&#xA;COPE-MAN, chapman.&#xA;&#xA;COPESMATE, companion.&#xA;&#xA;COPY (Lat. copia), abundance, copiousness.&#xA;&#xA;CORN (&amp;quot;powder—&amp;quot;), grain.&#xA;&#xA;COROLLARY, finishing part or touch.&#xA;&#xA;CORSIVE, corrosive.&#xA;&#xA;CORTINE, curtain, (arch.) wall between two towers, etc.&#xA;&#xA;CORYAT, famous for his travels, published as &amp;quot;Coryat's&#xA;Crudities.&amp;quot;&#xA;&#xA;COSSET, pet lamb, pet.&#xA;&#xA;COSTARD, head.&#xA;&#xA;COSTARD-MONGER, apple-seller, coster-monger.&#xA;&#xA;COSTS, ribs.&#xA;&#xA;COTE, hut.&#xA;&#xA;COTHURNAL, from &amp;quot;cothurnus,&amp;quot; a particular boot worn by&#xA;actors in Greek tragedy.&#xA;&#xA;COTQUEAN, hussy.&#xA;&#xA;COUNSEL, secret.&#xA;&#xA;COUNTENANCE, means necessary for support; credit, standing.&#xA;&#xA;COUNTER.  See Compter.&#xA;&#xA;COUNTER, pieces of metal or ivory for calculating at play.&#xA;&#xA;COUNTER, &amp;quot;hunt—,&amp;quot; follow scent in reverse direction.&#xA;&#xA;COUNTERFEIT, false coin.&#xA;&#xA;COUNTERPANE, one part or counterpart of a deed or indenture.&#xA;&#xA;COUNTERPOINT, opposite, contrary point.&#xA;&#xA;COURT-DISH, a kind of drinking-cup (Halliwell); N.E.D.&#xA;quotes from Bp. Goodman's &amp;quot;Court of James I.&amp;quot;: &amp;quot;The&#xA;king...caused his carver to cut him out a court-dish,&#xA;that is, something of every dish, which he sent him as&#xA;part of his reversion,&amp;quot; but this does not sound like&#xA;short allowance or small receptacle.&#xA;&#xA;COURT-DOR, fool.&#xA;&#xA;COURTEAU, curtal, small horse with docked tail.&#xA;&#xA;COURTSHIP, courtliness.&#xA;&#xA;COVETISE, avarice.&#xA;&#xA;COWSHARD, cow dung.&#xA;&#xA;COXCOMB, fool's cap, fool.&#xA;&#xA;COY, shrink; disdain.&#xA;&#xA;COYSTREL, low varlet.&#xA;&#xA;COZEN, cheat.&#xA;&#xA;CRACK, lively young rogue, wag.&#xA;&#xA;CRACK, crack up, boast; come to grief.&#xA;&#xA;CRAMBE, game of crambo, in which the players find&#xA;rhymes for a given word.&#xA;&#xA;CRANCH, craunch.&#xA;&#xA;CRANION, spider-like; also fairy appellation for a&#xA;fly (Gifford, who refers to lines in Drayton's&#xA;&amp;quot;Nimphidia&amp;quot;).&#xA;&#xA;CRIMP, game at cards.&#xA;&#xA;CRINCLE, draw back, turn aside.&#xA;&#xA;CRISPED, with curled or waved hair.&#xA;&#xA;CROP, gather, reap.&#xA;&#xA;CROPSHIRE, a kind of herring.  (See N.E.D.)&#xA;&#xA;CROSS, any piece of money, many coins being stamped&#xA;with a cross.&#xA;&#xA;CROSS AND PILE, heads and tails.&#xA;&#xA;CROSSLET, crucible.&#xA;&#xA;CROWD, fiddle.&#xA;&#xA;CRUDITIES, undigested matter.&#xA;&#xA;CRUMP, curl up.&#xA;&#xA;CRUSADO, Portuguese gold coin, marked with a cross.&#xA;&#xA;CRY (&amp;quot;he that cried Italian&amp;quot;), &amp;quot;speak in a musical&#xA;cadence,&amp;quot; intone, or declaim (?); cry up.&#xA;&#xA;CUCKING-STOOL, used for the ducking of scolds, etc.&#xA;&#xA;CUCURBITE, a gourd-shaped vessel used for distillation.&#xA;&#xA;CUERPO, &amp;quot;in—,&amp;quot; in undress.&#xA;&#xA;CULLICE, broth.&#xA;&#xA;CULLION, base fellow, coward.&#xA;&#xA;CULLISEN, badge worn on their arm by servants.&#xA;&#xA;CULVERIN, kind of cannon.&#xA;&#xA;CUNNING, skill.&#xA;&#xA;CUNNING, skilful.&#xA;&#xA;CUNNING-MAN, fortune-teller.&#xA;&#xA;CURE, care for.&#xA;&#xA;CURIOUS(LY), scrupulous, particular; elaborate,&#xA;elegant(ly), dainty(ly) (hence &amp;quot;in curious&amp;quot;).&#xA;&#xA;CURST, shrewish, mischievous.&#xA;&#xA;CURTAL, dog with docked tail, of inferior sort.&#xA;&#xA;CUSTARD, &amp;quot;quaking—,&amp;quot; &amp;quot;—politic,&amp;quot; reference to&#xA;a large custard which formed part of a city feast&#xA;and afforded huge entertainment, for the fool jumped&#xA;into it, and other like tricks were played.  (See&#xA;&amp;quot;All's Well, etc.&amp;quot; ii. 5, 40.)&#xA;&#xA;CUTWORK, embroidery, open-work.&#xA;&#xA;CYPRES (CYPRUS) (quibble), cypress (or cyprus) being&#xA;a transparent material, and when black used for mourning.&#xA;&#xA;DAGGER (&amp;quot;—frumety&amp;quot;), name of tavern.&#xA;&#xA;DARGISON, apparently some person known in ballad or tale.&#xA;&#xA;DAUPHIN MY BOY, refrain of old comic song.&#xA;&#xA;DAW, daunt.&#xA;&#xA;DEAD LIFT, desperate emergency.&#xA;&#xA;DEAR, applied to that which in any way touches us nearly.&#xA;&#xA;DECLINE, turn off from; turn away, aside.&#xA;&#xA;DEFALK, deduct, abate.&#xA;&#xA;DEFEND, forbid.&#xA;&#xA;DEGENEROUS, degenerate.&#xA;&#xA;DEGREES, steps.&#xA;&#xA;DELATE, accuse.&#xA;&#xA;DEMI-CULVERIN, cannon carrying a ball of about ten pounds.&#xA;&#xA;DENIER, the smallest possible coin, being the twelfth&#xA;part of a sou.&#xA;&#xA;DEPART, part with.&#xA;&#xA;DEPENDANCE, ground of quarrel in duello language.&#xA;&#xA;DESERT, reward.&#xA;&#xA;DESIGNMENT, design.&#xA;&#xA;DESPERATE, rash, reckless.&#xA;&#xA;DETECT, allow to be detected, betray, inform against.&#xA;&#xA;DETERMINE, terminate.&#xA;&#xA;DETRACT, draw back, refuse.&#xA;&#xA;DEVICE, masque, show; a thing moved by wires,&#xA;etc., puppet.&#xA;&#xA;DEVISE, exact in every particular.&#xA;&#xA;DEVISED, invented.&#xA;&#xA;DIAPASM, powdered aromatic herbs, made into balls&#xA;of perfumed paste.  (See Pomander.)&#xA;&#xA;DIBBLE, (?) moustache (N.E.D.); (?) dagger (Cunningham).&#xA;&#xA;DIFFUSED, disordered, scattered, irregular.&#xA;&#xA;DIGHT, dressed.&#xA;&#xA;DILDO, refrain of popular songs; vague term of low meaning.&#xA;&#xA;DIMBLE, dingle, ravine.&#xA;&#xA;DIMENSUM, stated allowance.&#xA;&#xA;DISBASE, debase.&#xA;&#xA;DISCERN, distinguish, show a difference between.&#xA;&#xA;DISCHARGE, settle for.&#xA;&#xA;DISCIPLINE, reformation; ecclesiastical system.&#xA;&#xA;DISCLAIM, renounce all part in.&#xA;&#xA;DISCOURSE, process of reasoning, reasoning faculty.&#xA;&#xA;DISCOURTSHIP, discourtesy.&#xA;&#xA;DISCOVER, betray, reveal; display.&#xA;&#xA;DISFAVOUR, disfigure.&#xA;&#xA;DISPARAGEMENT, legal term applied to the unfitness&#xA;in any way of a marriage arranged for in the case&#xA;of wards.&#xA;&#xA;DISPENSE WITH, grant dispensation for.&#xA;&#xA;DISPLAY, extend.&#xA;&#xA;DIS'PLE, discipline, teach by the whip.&#xA;&#xA;DISPOSED, inclined to merriment.&#xA;&#xA;DISPOSURE, disposal.&#xA;&#xA;DISPRISE, depreciate.&#xA;&#xA;DISPUNCT, not punctilious.&#xA;&#xA;DISQUISITION, search.&#xA;&#xA;DISSOLVED, enervated by grief.&#xA;&#xA;DISTANCE, (?) proper measure.&#xA;&#xA;DISTASTE, offence, cause of offence.&#xA;&#xA;DISTASTE, render distasteful.&#xA;&#xA;DISTEMPERED, upset, out of humour.&#xA;&#xA;DIVISION (mus.), variation, modulation.&#xA;&#xA;DOG-BOLT, term of contempt.&#xA;&#xA;DOLE, given in dole, charity.&#xA;&#xA;DOLE OF FACES, distribution of grimaces.&#xA;&#xA;DOOM, verdict, sentence.&#xA;&#xA;DOP, dip, low bow.&#xA;&#xA;DOR, beetle, buzzing insect, drone, idler.&#xA;&#xA;DOR, (?) buzz; &amp;quot;give the—,&amp;quot; make a fool of.&#xA;&#xA;DOSSER, pannier, basket.&#xA;&#xA;DOTES, endowments, qualities.&#xA;&#xA;DOTTEREL, plover; gull, fool.&#xA;&#xA;DOUBLE, behave deceitfully.&#xA;&#xA;DOXY, wench, mistress.&#xA;&#xA;DRACHM, Greek silver coin.&#xA;&#xA;DRESS, groom, curry.&#xA;&#xA;DRESSING, coiffure.&#xA;&#xA;DRIFT, intention.&#xA;&#xA;DRYFOOT, track by mere scent of foot.&#xA;&#xA;DUCKING, punishment for minor offences.&#xA;&#xA;DUILL, grieve.&#xA;&#xA;DUMPS, melancholy, originally a mournful melody.&#xA;&#xA;DURINDANA, Orlando's sword.&#xA;&#xA;DWINDLE, shrink away, be overawed.&#xA;&#xA;EAN, yean, bring forth young.&#xA;&#xA;EASINESS, readiness.&#xA;&#xA;EBOLITION, ebullition.&#xA;&#xA;EDGE, sword.&#xA;&#xA;EECH, eke.&#xA;&#xA;EGREGIOUS, eminently excellent.&#xA;&#xA;EKE, also, moreover.&#xA;&#xA;E-LA, highest note in the scale.&#xA;&#xA;EGGS ON THE SPIT, important business on hand.&#xA;&#xA;ELF-LOCK, tangled hair, supposed to be the work of elves.&#xA;&#xA;EMMET, ant.&#xA;&#xA;ENGAGE, involve.&#xA;&#xA;ENGHLE.  See Ingle.&#xA;&#xA;ENGHLE, cajole; fondle.&#xA;&#xA;ENGIN(E), device, contrivance; agent; ingenuity, wit.&#xA;&#xA;ENGINER, engineer, deviser, plotter.&#xA;&#xA;ENGINOUS, crafty, full of devices; witty, ingenious.&#xA;&#xA;ENGROSS, monopolise.&#xA;&#xA;ENS, an existing thing, a substance.&#xA;&#xA;ENSIGNS, tokens, wounds.&#xA;&#xA;ENSURE, assure.&#xA;&#xA;ENTERTAIN, take into service.&#xA;&#xA;ENTREAT, plead.&#xA;&#xA;ENTREATY, entertainment.&#xA;&#xA;ENTRY, place where a deer has lately passed.&#xA;&#xA;ENVOY, denouement, conclusion.&#xA;&#xA;ENVY, spite, calumny, dislike, odium.&#xA;&#xA;EPHEMERIDES, calendars.&#xA;&#xA;EQUAL, just, impartial.&#xA;&#xA;ERECTION, elevation in esteem.&#xA;&#xA;ERINGO, candied root of the sea-holly, formerly&#xA;used as a sweetmeat and aphrodisiac.&#xA;&#xA;ERRANT, arrant.&#xA;&#xA;ESSENTIATE, become assimilated.&#xA;&#xA;ESTIMATION, esteem.&#xA;&#xA;ESTRICH, ostrich.&#xA;&#xA;ETHNIC, heathen.&#xA;&#xA;EURIPUS, flux and reflux.&#xA;&#xA;EVEN, just equable.&#xA;&#xA;EVENT, fate, issue.&#xA;&#xA;EVENT(ED), issue(d).&#xA;&#xA;EVERT, overturn.&#xA;&#xA;EXACUATE, sharpen.&#xA;&#xA;EXAMPLESS, without example or parallel.&#xA;&#xA;EXCALIBUR, King Arthur's sword.&#xA;&#xA;EXEMPLIFY, make an example of.&#xA;&#xA;EXEMPT, separate, exclude.&#xA;&#xA;EXEQUIES, obsequies.&#xA;&#xA;EXHALE, drag out.&#xA;&#xA;EXHIBITION, allowance for keep, pocket-money.&#xA;&#xA;EXORBITANT, exceeding limits of propriety or law,&#xA;inordinate.&#xA;&#xA;EXORNATION, ornament.&#xA;&#xA;EXPECT, wait.&#xA;&#xA;EXPIATE, terminate.&#xA;&#xA;EXPLICATE, explain, unfold.&#xA;&#xA;EXTEMPORAL, extempore, unpremeditated.&#xA;&#xA;EXTRACTION, essence.&#xA;&#xA;EXTRAORDINARY, employed for a special or temporary purpose.&#xA;&#xA;EXTRUDE, expel.&#xA;&#xA;EYE, &amp;quot;in—,&amp;quot; in view.&#xA;&#xA;EYEBRIGHT, (?) a malt liquor in which the herb of&#xA;this name was infused, or a person who sold the same&#xA;(Gifford).&#xA;&#xA;EYE-TINGE, least shade or gleam.&#xA;&#xA;FACE, appearance.&#xA;&#xA;FACES ABOUT, military word of command.&#xA;&#xA;FACINOROUS, extremely wicked.&#xA;&#xA;FACKINGS, faith.&#xA;&#xA;FACT, deed, act, crime.&#xA;&#xA;FACTIOUS, seditious, belonging to a party, given to party feeling.&#xA;&#xA;FAECES, dregs.&#xA;&#xA;FAGIOLI, French beans.&#xA;&#xA;FAIN, forced, necessitated.&#xA;&#xA;FAITHFUL, believing.&#xA;&#xA;FALL, ruff or band turned back on the shoulders; or, veil.&#xA;&#xA;FALSIFY, feign (fencing term).&#xA;&#xA;FAME, report.&#xA;&#xA;FAMILIAR, attendant spirit.&#xA;&#xA;FANTASTICAL, capricious, whimsical.&#xA;&#xA;FARCE, stuff.&#xA;&#xA;FAR-FET.  See Fet.&#xA;&#xA;FARTHINGAL, hooped petticoat.&#xA;&#xA;FAUCET, tapster.&#xA;&#xA;FAULT, lack; loss, break in line of scent; &amp;quot;for—,&amp;quot; in default of.&#xA;&#xA;FAUTOR, partisan.&#xA;&#xA;FAYLES, old table game similar to backgammon.&#xA;&#xA;FEAR(ED), affright(ed).&#xA;&#xA;FEAT, activity, operation; deed, action.&#xA;&#xA;FEAT, elegant, trim.&#xA;&#xA;FEE, &amp;quot;in—&amp;quot; by feudal obligation.&#xA;&#xA;FEIZE, beat, belabour.&#xA;&#xA;FELLOW, term of contempt.&#xA;&#xA;FENNEL, emblem of flattery.&#xA;&#xA;FERE, companion, fellow.&#xA;&#xA;FERN-SEED, supposed to have power of rendering invisible.&#xA;&#xA;FET, fetched.&#xA;&#xA;FETCH, trick.&#xA;&#xA;FEUTERER (Fr. vautrier), dog-keeper.&#xA;&#xA;FEWMETS, dung.&#xA;&#xA;FICO, fig.&#xA;&#xA;FIGGUM, (?) jugglery.&#xA;&#xA;FIGMENT, fiction, invention.&#xA;&#xA;FIRK, frisk, move suddenly, or in jerks; &amp;quot;—up,&amp;quot;&#xA;stir up, rouse; &amp;quot;firks mad,&amp;quot; suddenly behaves like&#xA;a madman.&#xA;&#xA;FIT, pay one out, punish.&#xA;&#xA;FITNESS, readiness.&#xA;&#xA;FITTON (FITTEN), lie, invention.&#xA;&#xA;FIVE-AND-FIFTY, &amp;quot;highest number to stand on at&#xA;primero&amp;quot; (Gifford).&#xA;&#xA;FLAG, to fly low and waveringly.&#xA;&#xA;FLAGON CHAIN, for hanging a smelling-bottle (Fr.&#xA;flacon) round the neck (?).  (See N.E.D.).&#xA;&#xA;FLAP-DRAGON, game similar to snap-dragon.&#xA;&#xA;FLASKET, some kind of basket.&#xA;&#xA;FLAW, sudden gust or squall of wind.&#xA;&#xA;FLAWN, custard.&#xA;&#xA;FLEA, catch fleas.&#xA;&#xA;FLEER, sneer, laugh derisively.&#xA;&#xA;FLESH, feed a hawk or dog with flesh to incite&#xA;it to the chase; initiate in blood-shed; satiate.&#xA;&#xA;FLICKER-MOUSE, bat.&#xA;&#xA;FLIGHT, light arrow.&#xA;&#xA;FLITTER-MOUSE, bat.&#xA;&#xA;FLOUT, mock, speak and act contemptuously.&#xA;&#xA;FLOWERS, pulverised substance.&#xA;&#xA;FLY, familiar spirit.&#xA;&#xA;FOIL, weapon used in fencing; that which&#xA;sets anything off to advantage.&#xA;&#xA;FOIST, cut-purse, sharper.&#xA;&#xA;FOND(LY), foolish(ly).&#xA;&#xA;FOOT-CLOTH, housings of ornamental cloth which&#xA;hung down on either side a horse to the ground.&#xA;&#xA;FOOTING, foothold; footstep; dancing.&#xA;&#xA;FOPPERY, foolery.&#xA;&#xA;FOR, &amp;quot;—failing,&amp;quot; for fear of failing.&#xA;&#xA;FORBEAR, bear with; abstain from.&#xA;&#xA;FORCE, &amp;quot;hunt at—,&amp;quot; run the game down with dogs.&#xA;&#xA;FOREHEAD, modesty; face, assurance, effrontery.&#xA;&#xA;FORESLOW, delay.&#xA;&#xA;FORESPEAK, bewitch; foretell.&#xA;&#xA;FORETOP, front lock of hair which fashion&#xA;required to be worn upright.&#xA;&#xA;FORGED, fabricated.&#xA;&#xA;FORM, state formally.&#xA;&#xA;FORMAL, shapely; normal; conventional.&#xA;&#xA;FORTHCOMING, produced when required.&#xA;&#xA;FOUNDER, disable with over-riding.&#xA;&#xA;FOURM, form, lair.&#xA;&#xA;FOX, sword.&#xA;&#xA;FRAIL, rush basket in which figs or raisins&#xA;were packed.&#xA;&#xA;FRAMPULL, peevish, sour-tempered.&#xA;&#xA;FRAPLER, blusterer, wrangler.&#xA;&#xA;FRAYING, &amp;quot;a stag is said to fray his head when he&#xA;rubs it against a tree to...cause the outward coat&#xA;of the new horns to fall off&amp;quot; (Gifford).&#xA;&#xA;FREIGHT (of the gazetti), burden (of the newspapers).&#xA;&#xA;FREQUENT, full.&#xA;&#xA;FRICACE, rubbing.&#xA;&#xA;FRICATRICE, woman of low character.&#xA;&#xA;FRIPPERY, old clothes shop.&#xA;&#xA;FROCK, smock-frock.&#xA;&#xA;FROLICS, (?) humorous verses circulated at a feast&#xA;(N.E.D.); couplets wrapped round sweetmeats (Cunningham).&#xA;&#xA;FRONTLESS, shameless.&#xA;&#xA;FROTED, rubbed.&#xA;&#xA;FRUMETY, hulled wheat boiled in milk and spiced.&#xA;&#xA;FRUMP, flout, sneer.&#xA;&#xA;FUCUS, dye.&#xA;&#xA;FUGEAND, (?) figent: fidgety, restless (N.E.D.).&#xA;&#xA;FULLAM, false dice.&#xA;&#xA;FULMART, polecat.&#xA;&#xA;FULSOME, foul, offensive.&#xA;&#xA;FURIBUND, raging, furious.&#xA;&#xA;GALLEY-FOIST, city-barge, used on Lord Mayor's Day,&#xA;when he was sworn into his office at Westminster&#xA;(Whalley).&#xA;&#xA;GALLIARD, lively dance in triple time.&#xA;&#xA;GAPE, be eager after.&#xA;&#xA;GARAGANTUA, Rabelais' giant.&#xA;&#xA;GARB, sheaf (Fr. gerbe); manner, fashion, behaviour.&#xA;&#xA;GARD, guard, trimming, gold or silver lace, or other&#xA;ornament.&#xA;&#xA;GARDED, faced or trimmed.&#xA;&#xA;GARNISH, fee.&#xA;&#xA;GAVEL-KIND, name of a land-tenure existing chiefly in&#xA;Kent; from 16th century often used to denote custom&#xA;of dividing a deceased man's property equally among&#xA;his sons (N.E.D.).&#xA;&#xA;GAZETTE, small Venetian coin worth about three-farthings.&#xA;&#xA;GEANCE, jaunt, errand.&#xA;&#xA;GEAR (GEER), stuff, matter, affair.&#xA;&#xA;GELID, frozen.&#xA;&#xA;GEMONIES, steps from which the bodies of criminals&#xA;were thrown into the river.&#xA;&#xA;GENERAL, free, affable.&#xA;&#xA;GENIUS, attendant spirit.&#xA;&#xA;GENTRY, gentlemen; manners characteristic of gentry,&#xA;good breeding.&#xA;&#xA;GIB-CAT, tom-cat.&#xA;&#xA;GIGANTOMACHIZE, start a giants' war.&#xA;&#xA;GIGLOT, wanton.&#xA;&#xA;GIMBLET, gimlet.&#xA;&#xA;GING, gang.&#xA;&#xA;GLASS (&amp;quot;taking in of shadows, etc.&amp;quot;), crystal or beryl.&#xA;&#xA;GLEEK, card game played by three; party of three, trio;&#xA;side glance.&#xA;&#xA;GLICK (GLEEK), jest, gibe.&#xA;&#xA;GLIDDER, glaze.&#xA;&#xA;GLORIOUSLY, of vain glory.&#xA;&#xA;GODWIT, bird of the snipe family.&#xA;&#xA;GOLD-END-MAN, a buyer of broken gold and silver.&#xA;&#xA;GOLL, hand.&#xA;&#xA;GONFALIONIER, standard-bearer, chief magistrate, etc.&#xA;&#xA;GOOD, sound in credit.&#xA;&#xA;GOOD-YEAR, good luck.&#xA;&#xA;GOOSE-TURD, colour of.  (See Turd).&#xA;&#xA;GORCROW, carrion crow.&#xA;&#xA;GORGET, neck armour.&#xA;&#xA;GOSSIP, godfather.&#xA;&#xA;GOWKED, from &amp;quot;gowk,&amp;quot; to stand staring and gaping like&#xA;a fool.&#xA;&#xA;GRANNAM, grandam.&#xA;&#xA;GRASS, (?) grease, fat.&#xA;&#xA;GRATEFUL, agreeable, welcome.&#xA;&#xA;GRATIFY, give thanks to.&#xA;&#xA;GRATITUDE, gratuity.&#xA;&#xA;GRATULATE, welcome, congratulate.&#xA;&#xA;GRAVITY, dignity.&#xA;&#xA;GRAY, badger.&#xA;&#xA;GRICE, cub.&#xA;&#xA;GRIEF, grievance.&#xA;&#xA;GRIPE, vulture, griffin.&#xA;&#xA;GRIPE'S EGG, vessel in shape of.&#xA;&#xA;GROAT, fourpence.&#xA;&#xA;GROGRAN, coarse stuff made of silk and mohair, or of&#xA;coarse silk.&#xA;&#xA;GROOM-PORTER, officer in the royal household.&#xA;&#xA;GROPE, handle, probe.&#xA;&#xA;GROUND, pit (hence &amp;quot;grounded judgments&amp;quot;).&#xA;&#xA;GUARD, caution, heed.&#xA;&#xA;GUARDANT, heraldic term: turning the head only.&#xA;&#xA;GUILDER, Dutch coin worth about 4d.&#xA;&#xA;GULES, gullet, throat; heraldic term for red.&#xA;&#xA;GULL, simpleton, dupe.&#xA;&#xA;GUST, taste.&#xA;&#xA;HAB NAB, by, on, chance.&#xA;&#xA;HABERGEON, coat of mail.&#xA;&#xA;HAGGARD, wild female hawk; hence coy, wild.&#xA;&#xA;HALBERD, combination of lance and battle-axe.&#xA;&#xA;HALL, &amp;quot;a—!&amp;quot; a cry to clear the room for the dancers.&#xA;&#xA;HANDSEL, first money taken.&#xA;&#xA;HANGER, loop or strap on a sword-belt from which the&#xA;sword was suspended.&#xA;&#xA;HAP, fortune, luck.&#xA;&#xA;HAPPILY, haply.&#xA;&#xA;HAPPINESS, appropriateness, fitness.&#xA;&#xA;HAPPY, rich.&#xA;&#xA;HARBOUR, track, trace (an animal) to its shelter.&#xA;&#xA;HARD-FAVOURED, harsh-featured.&#xA;&#xA;HARPOCRATES, Horus the child, son of Osiris, figured&#xA;with a finger pointing to his mouth, indicative of&#xA;silence.&#xA;&#xA;HARRINGTON, a patent was granted to Lord H. for the&#xA;coinage of tokens (q.v.).&#xA;&#xA;HARROT, herald.&#xA;&#xA;HARRY NICHOLAS, founder of a community called the&#xA;&amp;quot;Family of Love.&amp;quot;&#xA;&#xA;HAY, net for catching rabbits, etc.&#xA;&#xA;HAY! (Ital. hai!), you have it (a fencing term).&#xA;&#xA;HAY IN HIS HORN, ill-tempered person.&#xA;&#xA;HAZARD, game at dice; that which is staked.&#xA;&#xA;HEAD, &amp;quot;first—,&amp;quot; young deer with antlers first&#xA;sprouting; fig. a newly-ennobled man.&#xA;&#xA;HEADBOROUGH, constable.&#xA;&#xA;HEARKEN AFTER, inquire; &amp;quot;hearken out,&amp;quot; find, search out.&#xA;&#xA;HEARTEN, encourage.&#xA;&#xA;HEAVEN AND HELL (&amp;quot;Alchemist&amp;quot;), names of taverns.&#xA;&#xA;HECTIC, fever.&#xA;&#xA;HEDGE IN, include.&#xA;&#xA;HELM, upper part of a retort.&#xA;&#xA;HER'NSEW, hernshaw, heron.&#xA;&#xA;HIERONIMO (JERONIMO), hero of Kyd's &amp;quot;Spanish Tragedy.&amp;quot;&#xA;&#xA;HOBBY, nag.&#xA;&#xA;HOBBY-HORSE, imitation horse of some light material,&#xA;fastened round the waist of the morrice-dancer, who&#xA;imitated the movements of a skittish horse.&#xA;&#xA;HODDY-DODDY, fool.&#xA;&#xA;HOIDEN, hoyden, formerly applied to both sexes (ancient&#xA;term for leveret?  Gifford).&#xA;&#xA;HOLLAND, name of two famous chemists.&#xA;&#xA;HONE AND HONERO, wailing expressions of lament or discontent.&#xA;&#xA;HOOD-WINK'D, blindfolded.&#xA;&#xA;HORARY, hourly.&#xA;&#xA;HORN-MAD, stark mad (quibble).&#xA;&#xA;HORN-THUMB, cut-purses were in the habit of wearing a horn&#xA;shield on the thumb.&#xA;&#xA;HORSE-BREAD-EATING, horses were often fed on coarse bread.&#xA;&#xA;HORSE-COURSER, horse-dealer.&#xA;&#xA;HOSPITAL, Christ's Hospital.&#xA;&#xA;HOWLEGLAS, Eulenspiegel, the hero of a popular German&#xA;tale which relates his buffooneries and knavish tricks.&#xA;&#xA;HUFF, hectoring, arrogance.&#xA;&#xA;HUFF IT, swagger.&#xA;&#xA;HUISHER (Fr. huissier), usher.&#xA;&#xA;HUM, beer and spirits mixed together.&#xA;&#xA;HUMANITIAN, humanist, scholar.&#xA;&#xA;HUMOROUS, capricious, moody, out of humour; moist.&#xA;&#xA;HUMOUR, a word used in and out of season in the time&#xA;of Shakespeare and Ben Jonson, and ridiculed by both.&#xA;&#xA;HUMOURS, manners.&#xA;&#xA;HUMPHREY, DUKE, those who were dinnerless spent the&#xA;dinner-hour in a part of St. Paul's where stood a&#xA;monument said to be that of the duke's; hence &amp;quot;dine&#xA;with Duke Humphrey,&amp;quot; to go hungry.&#xA;&#xA;HURTLESS, harmless.&#xA;&#xA;IDLE, useless, unprofitable.&#xA;&#xA;ILL-AFFECTED, ill-disposed.&#xA;&#xA;ILL-HABITED, unhealthy.&#xA;&#xA;ILLUSTRATE, illuminate.&#xA;&#xA;IMBIBITION, saturation, steeping.&#xA;&#xA;IMBROCATA, fencing term: a thrust in tierce.&#xA;&#xA;IMPAIR, impairment.&#xA;&#xA;IMPART, give money.&#xA;&#xA;IMPARTER, any one ready to be cheated and to part&#xA;with his money.&#xA;&#xA;IMPEACH, damage.&#xA;&#xA;IMPERTINENCIES, irrelevancies.&#xA;&#xA;IMPERTINENT(LY), irrelevant(ly), without reason or purpose.&#xA;&#xA;IMPOSITION, duty imposed by.&#xA;&#xA;IMPOTENTLY, beyond power of control.&#xA;&#xA;IMPRESS, money in advance.&#xA;&#xA;IMPULSION, incitement.&#xA;&#xA;IN AND IN, a game played by two or three persons&#xA;with four dice.&#xA;&#xA;INCENSE, incite, stir up.&#xA;&#xA;INCERATION, act of covering with wax; or reducing&#xA;a substance to softness of wax.&#xA;&#xA;INCH, &amp;quot;to their—es,&amp;quot; according to their stature,&#xA;capabilities.&#xA;&#xA;INCH-PIN, sweet-bread.&#xA;&#xA;INCONVENIENCE, inconsistency, absurdity.&#xA;&#xA;INCONY, delicate, rare (used as a term of affection).&#xA;&#xA;INCUBEE, incubus.&#xA;&#xA;INCUBUS, evil spirit that oppresses us in sleep, nightmare.&#xA;&#xA;INCURIOUS, unfastidious, uncritical.&#xA;&#xA;INDENT, enter into engagement.&#xA;&#xA;INDIFFERENT, tolerable, passable.&#xA;&#xA;INDIGESTED, shapeless, chaotic.&#xA;&#xA;INDUCE, introduce.&#xA;&#xA;INDUE, supply.&#xA;&#xA;INEXORABLE, relentless.&#xA;&#xA;INFANTED, born, produced.&#xA;&#xA;INFLAME, augment charge.&#xA;&#xA;INGENIOUS, used indiscriminantly for ingenuous;&#xA;intelligent, talented.&#xA;&#xA;INGENUITY, ingenuousness.&#xA;&#xA;INGENUOUS, generous.&#xA;&#xA;INGINE.  See Engin.&#xA;&#xA;INGINER, engineer.  (See Enginer).&#xA;&#xA;INGLE, OR ENGHLE, bosom friend, intimate, minion.&#xA;&#xA;INHABITABLE, uninhabitable.&#xA;&#xA;INJURY, insult, affront.&#xA;&#xA;IN-MATE, resident, indwelling.&#xA;&#xA;INNATE, natural.&#xA;&#xA;INNOCENT, simpleton.&#xA;&#xA;INQUEST, jury, or other official body of inquiry.&#xA;&#xA;INQUISITION, inquiry.&#xA;&#xA;INSTANT, immediate.&#xA;&#xA;INSTRUMENT, legal document.&#xA;&#xA;INSURE, assure.&#xA;&#xA;INTEGRATE, complete, perfect.&#xA;&#xA;INTELLIGENCE, secret information, news.&#xA;&#xA;INTEND, note carefully, attend, give ear to, be&#xA;occupied with.&#xA;&#xA;INTENDMENT, intention.&#xA;&#xA;INTENT, intention, wish.&#xA;&#xA;INTENTION, concentration of attention or gaze.&#xA;&#xA;INTENTIVE, attentive.&#xA;&#xA;INTERESSED, implicated.&#xA;&#xA;INTRUDE, bring in forcibly or without leave.&#xA;&#xA;INVINCIBLY, invisibly.&#xA;&#xA;INWARD, intimate.&#xA;&#xA;IRPE (uncertain), &amp;quot;a fantastic grimace, or contortion&#xA;of the body: (Gifford).&amp;quot;&#xA;&#xA;JACK, Jack o' the clock, automaton figure that strikes&#xA;the hour; Jack-a-lent, puppet thrown at in Lent.&#xA;&#xA;JACK, key of a virginal.&#xA;&#xA;JACOB'S STAFF, an instrument for taking altitudes and&#xA;distances.&#xA;&#xA;JADE, befool.&#xA;&#xA;JEALOUSY, JEALOUS, suspicion, suspicious.&#xA;&#xA;JERKING, lashing.&#xA;&#xA;JEW'S TRUMP, Jew's harp.&#xA;&#xA;JIG, merry ballad or tune; a fanciful dialogue or&#xA;light comic act introduced at the end or during an&#xA;interlude of a play.&#xA;&#xA;JOINED (JOINT)-STOOL, folding stool.&#xA;&#xA;JOLL, jowl.&#xA;&#xA;JOLTHEAD, blockhead.&#xA;&#xA;JUMP, agree, tally.&#xA;&#xA;JUST YEAR, no one was capable of the consulship until&#xA;he was forty-three.&#xA;&#xA;KELL, cocoon.&#xA;&#xA;KELLY, an alchemist.&#xA;&#xA;KEMB, comb.&#xA;&#xA;KEMIA, vessel for distillation.&#xA;&#xA;KIBE, chap, sore.&#xA;&#xA;KILDERKIN, small barrel.&#xA;&#xA;KILL, kiln.&#xA;&#xA;KIND, nature; species; &amp;quot;do one's—,&amp;quot; act according&#xA;to one's nature.&#xA;&#xA;KIRTLE, woman's gown of jacket and petticoat.&#xA;&#xA;KISS OR DRINK AFORE ME, &amp;quot;this is a familiar expression,&#xA;employed when what the speaker is just about to say is&#xA;anticipated by another&amp;quot; (Gifford).&#xA;&#xA;KIT, fiddle.&#xA;&#xA;KNACK, snap, click.&#xA;&#xA;KNIPPER-DOLING, a well-known Anabaptist.&#xA;&#xA;KNITTING CUP, marriage cup.&#xA;&#xA;KNOCKING, striking, weighty.&#xA;&#xA;KNOT, company, band; a sandpiper or robin snipe (Tringa&#xA;canutus); flower-bed laid out in fanciful design.&#xA;&#xA;KURSINED, KYRSIN, christened.&#xA;&#xA;LABOURED, wrought with labour and care.&#xA;&#xA;LADE, load(ed).&#xA;&#xA;LADING, load.&#xA;&#xA;LAID, plotted.&#xA;&#xA;LANCE-KNIGHT (Lanzknecht), a German mercenary foot-soldier.&#xA;&#xA;LAP, fold.&#xA;&#xA;LAR, household god.&#xA;&#xA;LARD, garnish.&#xA;&#xA;LARGE, abundant.&#xA;&#xA;LARUM, alarum, call to arms.&#xA;&#xA;LATTICE, tavern windows were furnished with lattices of&#xA;various colours.&#xA;&#xA;LAUNDER, to wash gold in aqua regia, so as imperceptibly&#xA;to extract some of it.&#xA;&#xA;LAVE, ladle, bale.&#xA;&#xA;LAW, &amp;quot;give—,&amp;quot; give a start (term of chase).&#xA;&#xA;LAXATIVE, loose.&#xA;&#xA;LAY ABOARD, run alongside generally with intent to board.&#xA;&#xA;LEAGUER, siege, or camp of besieging army.&#xA;&#xA;LEASING, lying.&#xA;&#xA;LEAVE, leave off, desist.&#xA;&#xA;LEER, leering or &amp;quot;empty, hence, perhaps, leer horse,&#xA;a horse without a rider; leer is an adjective meaning&#xA;uncontrolled, hence 'leer drunkards'&amp;quot; (Halliwell);&#xA;according to Nares, a leer (empty) horse meant also a&#xA;led horse; leeward, left.&#xA;&#xA;LEESE, lose.&#xA;&#xA;LEGS, &amp;quot;make—,&amp;quot; do obeisance.&#xA;&#xA;LEIGER, resident representative.&#xA;&#xA;LEIGERITY, legerdemain.&#xA;&#xA;LEMMA, subject proposed, or title of the epigram.&#xA;&#xA;LENTER, slower.&#xA;&#xA;LET, hinder.&#xA;&#xA;LET, hindrance.&#xA;&#xA;LEVEL COIL, a rough game...in which one hunted&#xA;another from his seat.  Hence used for any noisy&#xA;riot (Halliwell).&#xA;&#xA;LEWD, ignorant.&#xA;&#xA;LEYSTALLS, receptacles of filth.&#xA;&#xA;LIBERAL, ample.&#xA;&#xA;LIEGER, ledger, register.&#xA;&#xA;LIFT(ING), steal(ing); theft.&#xA;&#xA;LIGHT, alight.&#xA;&#xA;LIGHTLY, commonly, usually, often.&#xA;&#xA;LIKE, please.&#xA;&#xA;LIKELY, agreeable, pleasing.&#xA;&#xA;LIME-HOUND, leash-, blood-hound.&#xA;&#xA;LIMMER, vile, worthless.&#xA;&#xA;LIN, leave off.&#xA;&#xA;Line, &amp;quot;by—,&amp;quot; by rule.&#xA;&#xA;LINSTOCK, staff to stick in the ground, with forked&#xA;head to hold a lighted match for firing cannon.&#xA;&#xA;LIQUID, clear.&#xA;&#xA;LIST, listen, hark; like, please.&#xA;&#xA;LIVERY, legal term, delivery of the possession, etc.&#xA;&#xA;LOGGET, small log, stick.&#xA;&#xA;LOOSE, solution; upshot, issue; release of an arrow.&#xA;&#xA;LOSE, give over, desist from; waste.&#xA;&#xA;LOUTING, bowing, cringing.&#xA;&#xA;LUCULENT, bright of beauty.&#xA;&#xA;LUDGATHIANS, dealers on Ludgate Hill.&#xA;&#xA;LURCH, rob, cheat.&#xA;&#xA;LUTE, to close a vessel with some kind of cement.&#xA;&#xA;MACK, unmeaning expletive.&#xA;&#xA;MADGE-HOWLET or OWL, barn-owl.&#xA;&#xA;MAIM, hurt, injury.&#xA;&#xA;MAIN, chief concern (used as a quibble on heraldic&#xA;term for &amp;quot;hand&amp;quot;).&#xA;&#xA;MAINPRISE, becoming surety for a prisoner so as to&#xA;procure his release.&#xA;&#xA;MAINTENANCE, giving aid, or abetting.&#xA;&#xA;MAKE, mate.&#xA;&#xA;MAKE, MADE, acquaint with business, prepare(d), instruct(ed).&#xA;&#xA;MALLANDERS, disease of horses.&#xA;&#xA;MALT HORSE, dray horse.&#xA;&#xA;MAMMET, puppet.&#xA;&#xA;MAMMOTHREPT, spoiled child.&#xA;&#xA;MANAGE, control (term used for breaking-in horses);&#xA;handling, administration.&#xA;&#xA;MANGO, slave-dealer.&#xA;&#xA;MANGONISE, polish up for sale.&#xA;&#xA;MANIPLES, bundles, handfuls.&#xA;&#xA;MANKIND, masculine, like a virago.&#xA;&#xA;MANKIND, humanity.&#xA;&#xA;MAPLE FACE, spotted face (N.E.D.).&#xA;&#xA;MARCHPANE, a confection of almonds, sugar, etc.&#xA;&#xA;MARK, &amp;quot;fly to the—,&amp;quot; &amp;quot;generally said of a goshawk&#xA;when, having 'put in' a covey of partridges, she takes&#xA;stand, marking the spot where they disappeared from&#xA;view until the falconer arrives to put them out to her&amp;quot;&#xA;(Harting, Bibl. Accip. Gloss. 226).&#xA;&#xA;MARLE, marvel.&#xA;&#xA;MARROW-BONE MAN, one often on his knees for prayer.&#xA;&#xA;MARRY! exclamation derived from the Virgin's name.&#xA;&#xA;MARRY GIP, &amp;quot;probably originated from By Mary Gipcy&amp;quot; =&#xA;St. Mary of Egypt, (N.E.D.).&#xA;&#xA;MARTAGAN, Turk's cap lily.&#xA;&#xA;MARYHINCHCO, stringhalt.&#xA;&#xA;MASORETH, Masora, correct form of the scriptural text&#xA;according to Hebrew tradition.&#xA;&#xA;MASS, abb. for master.&#xA;&#xA;MAUND, beg.&#xA;&#xA;MAUTHER, girl, maid.&#xA;&#xA;MEAN, moderation.&#xA;&#xA;MEASURE, dance, more especially a stately one.&#xA;&#xA;MEAT, &amp;quot;carry—in one's mouth,&amp;quot; be a source of money&#xA;or entertainment.&#xA;&#xA;MEATH, metheglin.&#xA;&#xA;MECHANICAL, belonging to mechanics, mean, vulgar.&#xA;&#xA;MEDITERRANEO, middle aisle of St. Paul's, a general&#xA;resort for business and amusement.&#xA;&#xA;MEET WITH, even with.&#xA;&#xA;MELICOTTON, a late kind of peach.&#xA;&#xA;MENSTRUE, solvent.&#xA;&#xA;MERCAT, market.&#xA;&#xA;MERD, excrement.&#xA;&#xA;MERE, undiluted; absolute, unmitigated.&#xA;&#xA;MESS, party of four.&#xA;&#xA;METHEGLIN, fermented liquor, of which one ingredient&#xA;was honey.&#xA;&#xA;METOPOSCOPY, study of physiognomy.&#xA;&#xA;MIDDLING GOSSIP, go-between.&#xA;&#xA;MIGNIARD, dainty, delicate.&#xA;&#xA;MILE-END, training-ground of the city.&#xA;&#xA;MINE-MEN, sappers.&#xA;&#xA;MINION, form of cannon.&#xA;&#xA;MINSITIVE, (?) mincing, affected (N.E.D.).&#xA;&#xA;MISCELLANY MADAM, &amp;quot;a female trader in miscellaneous&#xA;articles; a dealer in trinkets or ornaments of various&#xA;kinds, such as kept shops in the New Exchange&amp;quot; (Nares).&#xA;&#xA;MISCELLINE, mixed grain; medley.&#xA;&#xA;MISCONCEIT, misconception.&#xA;&#xA;MISPRISE, MISPRISION, mistake, misunderstanding.&#xA;&#xA;MISTAKE AWAY, carry away as if by mistake.&#xA;&#xA;MITHRIDATE, an antidote against poison.&#xA;&#xA;MOCCINIGO, small Venetian coin, worth about ninepence.&#xA;&#xA;MODERN, in the mode; ordinary, commonplace.&#xA;&#xA;MOMENT, force or influence of value.&#xA;&#xA;MONTANTO, upward stroke.&#xA;&#xA;MONTH'S MIND, violent desire.&#xA;&#xA;MOORISH, like a moor or waste.&#xA;&#xA;MORGLAY, sword of Bevis of Southampton.&#xA;&#xA;MORRICE-DANCE, dance on May Day, etc., in which&#xA;certain personages were represented.&#xA;&#xA;MORTALITY, death.&#xA;&#xA;MORT-MAL, old sore, gangrene.&#xA;&#xA;MOSCADINO, confection flavoured with musk.&#xA;&#xA;MOTHER, Hysterica passio.&#xA;&#xA;MOTION, proposal, request; puppet, puppet-show;&#xA;&amp;quot;one of the small figures on the face of a large&#xA;clock which was moved by the vibration of the&#xA;pendulum&amp;quot; (Whalley).&#xA;&#xA;MOTION, suggest, propose.&#xA;&#xA;MOTLEY, parti-coloured dress of a fool; hence&#xA;used to signify pertaining to, or like, a fool.&#xA;&#xA;MOTTE, motto.&#xA;&#xA;MOURNIVAL, set of four aces or court cards in a hand;&#xA;a quartette.&#xA;&#xA;MOW, setord hay or sheaves of grain.&#xA;&#xA;MUCH! expressive of irony and incredulity.&#xA;&#xA;MUCKINDER, handkerchief.&#xA;&#xA;MULE, &amp;quot;born to ride on—,&amp;quot; judges or serjeants-at-law&#xA;formerly rode on mules when going in state to Westminster&#xA;(Whally).&#xA;&#xA;MULLETS, small pincers.&#xA;&#xA;MUM-CHANCE, game of chance, played in silence.&#xA;&#xA;MUN, must.&#xA;&#xA;MUREY, dark crimson red.&#xA;&#xA;MUSCOVY-GLASS, mica.&#xA;&#xA;MUSE, wonder.&#xA;&#xA;MUSICAL, in harmony.&#xA;&#xA;MUSS, mouse; scramble.&#xA;&#xA;MYROBOLANE, foreign conserve, &amp;quot;a dried plum, brought&#xA;from the Indies.&amp;quot;&#xA;&#xA;MYSTERY, art, trade, profession.&#xA;&#xA;NAIL, &amp;quot;to the—&amp;quot; (ad unguem), to perfection, to the&#xA;very utmost.&#xA;&#xA;NATIVE, natural.&#xA;&#xA;NEAT, cattle.&#xA;&#xA;NEAT, smartly apparelled; unmixed; dainty.&#xA;&#xA;NEATLY, neatly finished.&#xA;&#xA;NEATNESS, elegance.&#xA;&#xA;NEIS, nose, scent.&#xA;&#xA;NEUF (NEAF, NEIF), fist.&#xA;&#xA;NEUFT, newt.&#xA;&#xA;NIAISE, foolish, inexperienced person.&#xA;&#xA;NICE, fastidious, trivial, finical, scrupulous.&#xA;&#xA;NICENESS, fastidiousness.&#xA;&#xA;NICK, exact amount; right moment; &amp;quot;set in the—,&amp;quot;&#xA;meaning uncertain.&#xA;&#xA;NICE, suit, fit; hit, seize the right moment, etc.,&#xA;exactly hit on, hit off.&#xA;&#xA;NOBLE, gold coin worth 6s. 8d.&#xA;&#xA;NOCENT, harmful.&#xA;&#xA;NIL, not will.&#xA;&#xA;NOISE, company of musicians.&#xA;&#xA;NOMENTACK, an Indian chief from Virginia.&#xA;&#xA;NONES, nonce.&#xA;&#xA;NOTABLE, egregious.&#xA;&#xA;NOTE, sign, token.&#xA;&#xA;NOUGHT, &amp;quot;be—,&amp;quot; go to the devil, be hanged, etc.&#xA;&#xA;NOWT-HEAD, blockhead.&#xA;&#xA;NUMBER, rhythm.&#xA;&#xA;NUPSON, oaf, simpleton.&#xA;&#xA;OADE, woad.&#xA;&#xA;OBARNI, preparation of mead.&#xA;&#xA;OBJECT, oppose; expose; interpose.&#xA;&#xA;OBLATRANT, barking, railing.&#xA;&#xA;OBNOXIOUS, liable, exposed; offensive.&#xA;&#xA;OBSERVANCE, homage, devoted service.&#xA;&#xA;OBSERVANT, attentive, obsequious.&#xA;&#xA;OBSERVE, show deference, respect.&#xA;&#xA;OBSERVER, one who shows deference, or waits upon another.&#xA;&#xA;OBSTANCY, legal phrase, &amp;quot;juridical opposition.&amp;quot;&#xA;&#xA;OBSTREPEROUS, clamorous, vociferous.&#xA;&#xA;OBSTUPEFACT, stupefied.&#xA;&#xA;ODLING, (?) &amp;quot;must have some relation to tricking and&#xA;cheating&amp;quot; (Nares).&#xA;&#xA;OMINOUS, deadly, fatal.&#xA;&#xA;ONCE, at once; for good and all; used also for additional&#xA;emphasis.&#xA;&#xA;ONLY, pre-eminent, special.&#xA;&#xA;OPEN, make public; expound.&#xA;&#xA;OPPILATION, obstruction.&#xA;&#xA;OPPONE, oppose.&#xA;&#xA;OPPOSITE, antagonist.&#xA;&#xA;OPPRESS, suppress.&#xA;&#xA;ORIGINOUS, native.&#xA;&#xA;ORT, remnant, scrap.&#xA;&#xA;OUT, &amp;quot;to be—,&amp;quot; to have forgotten one's part;&#xA;not at one with each other.&#xA;&#xA;OUTCRY, sale by auction.&#xA;&#xA;OUTRECUIDANCE, arrogance, presumption.&#xA;&#xA;OUTSPEAK, speak more than.&#xA;&#xA;OVERPARTED, given too difficult a part to play.&#xA;&#xA;OWLSPIEGEL.  See Howleglass.&#xA;&#xA;OYEZ!  (O YES!), hear ye! call of the public crier&#xA;when about to make a proclamation.&#xA;&#xA;PACKING PENNY, &amp;quot;give a—,&amp;quot; dismiss, send packing.&#xA;&#xA;PAD, highway.&#xA;&#xA;PAD-HORSE, road-horse.&#xA;&#xA;PAINED (PANED) SLOPS, full breeches made of strips&#xA;of different colour and material.&#xA;&#xA;PAINFUL, diligent, painstaking.&#xA;&#xA;PAINT, blush.&#xA;&#xA;PALINODE, ode of recantation.&#xA;&#xA;PALL, weaken, dim, make stale.&#xA;&#xA;PALM, triumph.&#xA;&#xA;PAN, skirt of dress or coat.&#xA;&#xA;PANNEL, pad, or rough kind of saddle.&#xA;&#xA;PANNIER-ALLY, inhabited by tripe-sellers.&#xA;&#xA;PANNIER-MAN, hawker; a man employed about the inns of&#xA;court to bring in provisions, set the table, etc.&#xA;&#xA;PANTOFLE, indoor shoe, slipper.&#xA;&#xA;PARAMENTOS, fine trappings.&#xA;&#xA;PARANOMASIE, a play upon words.&#xA;&#xA;PARANTORY, (?) peremptory.&#xA;&#xA;PARCEL, particle, fragment (used contemptuously); article.&#xA;&#xA;PARCEL, part, partly.&#xA;&#xA;PARCEL-POET, poetaster.&#xA;&#xA;PARERGA, subordinate matters.&#xA;&#xA;PARGET, to paint or plaster the face.&#xA;&#xA;PARLE, parley.&#xA;&#xA;PARLOUS, clever, shrewd.&#xA;&#xA;PART, apportion.&#xA;&#xA;PARTAKE, participate in.&#xA;&#xA;PARTED, endowed, talented.&#xA;&#xA;PARTICULAR, individual person.&#xA;&#xA;PARTIZAN, kind of halberd.&#xA;&#xA;PARTRICH, partridge.&#xA;&#xA;PARTS, qualities, endowments.&#xA;&#xA;PASH, dash, smash.&#xA;&#xA;PASS, care, trouble oneself.&#xA;&#xA;PASSADO, fencing term: a thrust.&#xA;&#xA;PASSAGE, game at dice.&#xA;&#xA;PASSINGLY, exceedingly.&#xA;&#xA;PASSION, effect caused by external agency.&#xA;&#xA;PASSION, &amp;quot;in—,&amp;quot; in so melancholy a tone, so pathetically.&#xA;&#xA;PATOUN, (?) Fr. Paton, pellet of dough; perhaps the&#xA;&amp;quot;moulding of the tobacco...for the pipe&amp;quot; (Gifford); (?)&#xA;variant of Petun, South American name of tobacco.&#xA;&#xA;PATRICO, the recorder, priest, orator of strolling&#xA;beggars or gipsies.&#xA;&#xA;PATTEN, shoe with wooden sole; &amp;quot;go—,&amp;quot; keep step with,&#xA;accompany.&#xA;&#xA;PAUCA VERBA, few words.&#xA;&#xA;PAVIN, a stately dance.&#xA;&#xA;PEACE, &amp;quot;with my master's—,&amp;quot; by leave, favour.&#xA;&#xA;PECULIAR, individual, single.&#xA;&#xA;PEDANT, teacher of the languages.&#xA;&#xA;PEEL, baker's shovel.&#xA;&#xA;PEEP, speak in a small or shrill voice.&#xA;&#xA;PEEVISH(LY), foolish(ly), capricious(ly); childish(ly).&#xA;&#xA;PELICAN, a retort fitted with tube or tubes, for&#xA;continuous distillation.&#xA;&#xA;PENCIL, small tuft of hair.&#xA;&#xA;PERDUE, soldier accustomed to hazardous service.&#xA;&#xA;PEREMPTORY, resolute, bold; imperious; thorough, utter,&#xA;absolute(ly).&#xA;&#xA;PERIMETER, circumference of a figure.&#xA;&#xA;PERIOD, limit, end.&#xA;&#xA;PERK, perk up.&#xA;&#xA;PERPETUANA, &amp;quot;this seems to be that glossy kind of stuff&#xA;now called everlasting, and anciently worn by serjeants&#xA;and other city officers&amp;quot; (Gifford).&#xA;&#xA;PERSPECTIVE, a view, scene or scenery; an optical device&#xA;which gave a distortion to the picture unless seen from a&#xA;particular point; a relief, modelled to produce an&#xA;optical illusion.&#xA;&#xA;PERSPICIL, optic glass.&#xA;&#xA;PERSTRINGE, criticise, censure.&#xA;&#xA;PERSUADE, inculcate, commend.&#xA;&#xA;PERSWAY, mitigate.&#xA;&#xA;PERTINACY, pertinacity.&#xA;&#xA;PESTLING, pounding, pulverising, like a pestle.&#xA;&#xA;PETASUS, broad-brimmed hat or winged cap worn by Mercury.&#xA;&#xA;PETITIONARY, supplicatory.&#xA;&#xA;PETRONEL, a kind of carbine or light gun carried by horsemen.&#xA;&#xA;PETULANT, pert, insolent.&#xA;&#xA;PHERE.  See Fere.&#xA;&#xA;PHLEGMA, watery distilled liquor (old chem. &amp;quot;water&amp;quot;).&#xA;&#xA;PHRENETIC, madman.&#xA;&#xA;PICARDIL, stiff upright collar fastened on to the coat&#xA;(Whalley).&#xA;&#xA;PICT-HATCH, disreputable quarter of London.&#xA;&#xA;PIECE, person, used for woman or girl; a gold coin&#xA;worth in Jonson's time 20s. or 22s.&#xA;&#xA;PIECES OF EIGHT, Spanish coin: piastre equal to eight&#xA;reals.&#xA;&#xA;PIED, variegated.&#xA;&#xA;PIE-POUDRES (Fr. pied-poudreux, dusty-foot), court held&#xA;at fairs to administer justice to itinerant vendors and&#xA;buyers.&#xA;&#xA;PILCHER, term of contempt; one who wore a buff or leather&#xA;jerkin, as did the serjeants of the counter; a pilferer.&#xA;&#xA;PILED, pilled, peeled, bald.&#xA;&#xA;PILL'D, polled, fleeced.&#xA;&#xA;PIMLICO, &amp;quot;sometimes spoken of as a person—perhaps&#xA;master of a house famous for a particular ale&amp;quot; (Gifford).&#xA;&#xA;PINE, afflict, distress.&#xA;&#xA;PINK, stab with a weapon; pierce or cut in scallops for&#xA;ornament.&#xA;&#xA;PINNACE, a go-between in infamous sense.&#xA;&#xA;PISMIRE, ant.&#xA;&#xA;PISTOLET, gold coin, worth about 6s.&#xA;&#xA;PITCH, height of a bird of prey's flight.&#xA;&#xA;PLAGUE, punishment, torment.&#xA;&#xA;PLAIN, lament.&#xA;&#xA;PLAIN SONG, simple melody.&#xA;&#xA;PLAISE, plaice.&#xA;&#xA;PLANET, &amp;quot;struck with a—,&amp;quot; planets were supposed to&#xA;have powers of blasting or exercising secret influences.&#xA;&#xA;PLAUSIBLE, pleasing.&#xA;&#xA;PLAUSIBLY, approvingly.&#xA;&#xA;PLOT, plan.&#xA;&#xA;PLY, apply oneself to.&#xA;&#xA;POESIE, posy, motto inside a ring.&#xA;&#xA;POINT IN HIS DEVICE, exact in every particular.&#xA;&#xA;POINTS, tagged laces or cords for fastening the breeches&#xA;to the doublet.&#xA;&#xA;POINT-TRUSSER, one who trussed (tied) his master's&#xA;points (q.v.).&#xA;&#xA;POISE, weigh, balance.&#xA;&#xA;POKING-STICK, stick used for setting the plaits of ruffs.&#xA;&#xA;POLITIC, politician.&#xA;&#xA;POLITIC, judicious, prudent, political.&#xA;&#xA;POLITICIAN, plotter, intriguer.&#xA;&#xA;POLL, strip, plunder, gain by extortion.&#xA;&#xA;POMANDER, ball of perfume, worn or hung about the&#xA;person to prevent infection, or for foppery.&#xA;&#xA;POMMADO, vaulting on a horse without the aid of stirrups.&#xA;&#xA;PONTIC, sour.&#xA;&#xA;POPULAR, vulgar, of the populace.&#xA;&#xA;POPULOUS, numerous.&#xA;&#xA;PORT, gate; print of a deer's foot.&#xA;&#xA;PORT, transport.&#xA;&#xA;PORTAGUE, Portuguese gold coin, worth over 3 or 4&#xA;pounds.&#xA;&#xA;PORTCULLIS, &amp;quot;—of coin,&amp;quot; some old coins have a&#xA;portcullis stamped on their reverse (Whalley).&#xA;&#xA;PORTENT, marvel, prodigy; sinister omen.&#xA;&#xA;PORTENTOUS, prophesying evil, threatening.&#xA;&#xA;PORTER, references appear &amp;quot;to allude to Parsons, the king's&#xA;porter, who was...near seven feet high&amp;quot; (Whalley).&#xA;&#xA;POSSESS, inform, acquaint.&#xA;&#xA;POST AND PAIR, a game at cards.&#xA;&#xA;POSY, motto.  (See Poesie).&#xA;&#xA;POTCH, poach.&#xA;&#xA;POULT-FOOT, club-foot.&#xA;&#xA;POUNCE, claw, talon.&#xA;&#xA;PRACTICE, intrigue, concerted plot.&#xA;&#xA;PRACTISE, plot, conspire.&#xA;&#xA;PRAGMATIC, an expert, agent.&#xA;&#xA;PRAGMATIC, officious, conceited, meddling.&#xA;&#xA;PRECEDENT, record of proceedings.&#xA;&#xA;PRECEPT, warrant, summons.&#xA;&#xA;PRECISIAN(ISM), Puritan(ism), preciseness.&#xA;&#xA;PREFER, recommend.&#xA;&#xA;PRESENCE, presence chamber.&#xA;&#xA;PRESENT(LY), immediate(ly), without delay; at the&#xA;present time; actually.&#xA;&#xA;PRESS, force into service.&#xA;&#xA;PREST, ready.&#xA;&#xA;PRETEND, assert, allege.&#xA;&#xA;PREVENT, anticipate.&#xA;&#xA;PRICE, worth, excellence.&#xA;&#xA;PRICK, point, dot used in the writing of Hebrew and&#xA;other languages.&#xA;&#xA;PRICK, prick out, mark off, select; trace, track;&#xA;&amp;quot;—away,&amp;quot; make off with speed.&#xA;&#xA;PRIMERO, game of cards.&#xA;&#xA;PRINCOX, pert boy.&#xA;&#xA;PRINT, &amp;quot;in—,&amp;quot; to the letter, exactly.&#xA;&#xA;PRISTINATE, former.&#xA;&#xA;PRIVATE, private interests.&#xA;&#xA;PRIVATE, privy, intimate.&#xA;&#xA;PROCLIVE, prone to.&#xA;&#xA;PRODIGIOUS, monstrous, unnatural.&#xA;&#xA;PRODIGY, monster.&#xA;&#xA;PRODUCED, prolonged.&#xA;&#xA;PROFESS, pretend.&#xA;&#xA;PROJECTION, the throwing of the &amp;quot;powder of projection&amp;quot;&#xA;into the crucible to turn the melted metal into gold or&#xA;silver.&#xA;&#xA;PROLATE, pronounce drawlingly.&#xA;&#xA;PROPER, of good appearance, handsome; own, particular.&#xA;&#xA;PROPERTIES, stage necessaries.&#xA;&#xA;PROPERTY, duty; tool.&#xA;&#xA;PRORUMPED, burst out.&#xA;&#xA;PROTEST, vow, proclaim (an affected word of that time);&#xA;formally declare non-payment, etc., of bill of exchange;&#xA;fig. failure of personal credit, etc.&#xA;&#xA;PROVANT, soldier's allowance—hence, of common make.&#xA;&#xA;PROVIDE, foresee.&#xA;&#xA;PROVIDENCE, foresight, prudence.&#xA;&#xA;PUBLICATION, making a thing public of common property (N.E.D.).&#xA;&#xA;PUCKFIST, puff-ball; insipid, insignificant, boasting fellow.&#xA;&#xA;PUFF-WING, shoulder puff.&#xA;&#xA;PUISNE, judge of inferior rank, a junior.&#xA;&#xA;PULCHRITUDE, beauty.&#xA;&#xA;PUMP, shoe.&#xA;&#xA;PUNGENT, piercing.&#xA;&#xA;PUNTO, point, hit.&#xA;&#xA;PURCEPT, precept, warrant.&#xA;&#xA;PURE, fine, capital, excellent.&#xA;&#xA;PURELY, perfectly, utterly.&#xA;&#xA;PURL, pleat or fold of a ruff.&#xA;&#xA;PURSE-NET, net of which the mouth is drawn together&#xA;with a string.&#xA;&#xA;PURSUIVANT, state messenger who summoned the persecuted&#xA;seminaries; warrant officer.&#xA;&#xA;PURSY, PURSINESS, shortwinded(ness).&#xA;&#xA;PUT, make a push, exert yourself (N.E.D.).&#xA;&#xA;PUT OFF, excuse, shift.&#xA;&#xA;PUT ON, incite, encourage; proceed with, take in hand, try.&#xA;&#xA;QUACKSALVER, quack.&#xA;&#xA;QUAINT, elegant, elaborated, ingenious, clever.&#xA;&#xA;QUAR, quarry.&#xA;&#xA;QUARRIED, seized, or fed upon, as prey.&#xA;&#xA;QUEAN, hussy, jade.&#xA;&#xA;QUEASY, hazardous, delicate.&#xA;&#xA;QUELL, kill, destroy.&#xA;&#xA;QUEST, request; inquiry.&#xA;&#xA;QUESTION, decision by force of arms.&#xA;&#xA;QUESTMAN, one appointed to make official inquiry.&#xA;&#xA;QUIB, QUIBLIN, quibble, quip.&#xA;&#xA;QUICK, the living.&#xA;&#xA;QUIDDIT, quiddity, legal subtlety.&#xA;&#xA;QUIRK, clever turn or trick.&#xA;&#xA;QUIT, requite, repay; acquit, absolve; rid; forsake,&#xA;leave.&#xA;&#xA;QUITTER-BONE, disease of horses.&#xA;&#xA;QUODLING, codling.&#xA;&#xA;QUOIT, throw like a quoit, chuck.&#xA;&#xA;QUOTE, take note, observe, write down.&#xA;&#xA;RACK, neck of mutton or pork (Halliwell).&#xA;&#xA;RAKE UP, cover over.&#xA;&#xA;RAMP, rear, as a lion, etc.&#xA;&#xA;RAPT, carry away.&#xA;&#xA;RAPT, enraptured.&#xA;&#xA;RASCAL, young or inferior deer.&#xA;&#xA;RASH, strike with a glancing oblique blow, as a&#xA;boar with its tusk.&#xA;&#xA;RATSEY, GOMALIEL, a famous highwayman.&#xA;&#xA;RAVEN, devour.&#xA;&#xA;REACH, understand.&#xA;&#xA;REAL, regal.&#xA;&#xA;REBATU, ruff, turned-down collar.&#xA;&#xA;RECTOR, RECTRESS, director, governor.&#xA;&#xA;REDARGUE, confute.&#xA;&#xA;REDUCE, bring back.&#xA;&#xA;REED, rede, counsel, advice.&#xA;&#xA;REEL, run riot.&#xA;&#xA;REFEL, refute.&#xA;&#xA;REFORMADOES, disgraced or disbanded soldiers.&#xA;&#xA;REGIMENT, government.&#xA;&#xA;REGRESSION, return.&#xA;&#xA;REGULAR (&amp;quot;Tale of a Tub&amp;quot;), regular noun (quibble) (N.E.D.).&#xA;&#xA;RELIGION, &amp;quot;make—of,&amp;quot; make a point of, scruple of.&#xA;&#xA;RELISH, savour.&#xA;&#xA;REMNANT, scrap of quotation.&#xA;&#xA;REMORA, species of fish.&#xA;&#xA;RENDER, depict, exhibit, show.&#xA;&#xA;REPAIR, reinstate.&#xA;&#xA;REPETITION, recital, narration.&#xA;&#xA;REREMOUSE, bat.&#xA;&#xA;RESIANT, resident.&#xA;&#xA;RESIDENCE, sediment.&#xA;&#xA;RESOLUTION, judgment, decision.&#xA;&#xA;RESOLVE, inform; assure; prepare, make up one's mind;&#xA;dissolve; come to a decision, be convinced; relax, set&#xA;at ease.&#xA;&#xA;RESPECTIVE, worthy of respect; regardful, discriminative.&#xA;&#xA;RESPECTIVELY, with reverence.&#xA;&#xA;RESPECTLESS, regardless.&#xA;&#xA;RESPIRE, exhale; inhale.&#xA;&#xA;RESPONSIBLE, correspondent.&#xA;&#xA;REST, musket-rest.&#xA;&#xA;REST, &amp;quot;set up one's—,&amp;quot; venture one's all, one's&#xA;last stake (from game of primero).&#xA;&#xA;REST, arrest.&#xA;&#xA;RESTIVE, RESTY, dull, inactive.&#xA;&#xA;RETCHLESS(NESS), reckless(ness).&#xA;&#xA;RETIRE, cause to retire.&#xA;&#xA;RETRICATO, fencing term.&#xA;&#xA;RETRIEVE, rediscovery of game once sprung.&#xA;&#xA;RETURNS, ventures sent abroad, for the safe return of&#xA;which so much money is received.&#xA;&#xA;REVERBERATE, dissolve or blend by reflected heat.&#xA;&#xA;REVERSE, REVERSO, back-handed thrust, etc., in fencing.&#xA;&#xA;REVISE, reconsider a sentence.&#xA;&#xA;RHEUM, spleen, caprice.&#xA;&#xA;RIBIBE, abusive term for an old woman.&#xA;&#xA;RID, destroy, do away with.&#xA;&#xA;RIFLING, raffling, dicing.&#xA;&#xA;RING, &amp;quot;cracked within the—,&amp;quot; coins so cracked were&#xA;unfit for currency.&#xA;&#xA;RISSE, risen, rose.&#xA;&#xA;RIVELLED, wrinkled.&#xA;&#xA;ROARER, swaggerer.&#xA;&#xA;ROCHET, fish of the gurnet kind.&#xA;&#xA;ROCK, distaff.&#xA;&#xA;RODOMONTADO, braggadocio.&#xA;&#xA;ROGUE, vagrant, vagabond.&#xA;&#xA;RONDEL, &amp;quot;a round mark in the score of a public-house&amp;quot;&#xA;(Nares); roundel.&#xA;&#xA;ROOK, sharper; fool, dupe.&#xA;&#xA;ROSAKER, similar to ratsbane.&#xA;&#xA;ROSA-SOLIS, a spiced spirituous liquor.&#xA;&#xA;ROSES, rosettes.&#xA;&#xA;ROUND, &amp;quot;gentlemen of the—,&amp;quot; officers of inferior rank.&#xA;&#xA;ROUND TRUNKS, trunk hose, short loose breeches reaching&#xA;almost or quite to the knees.&#xA;&#xA;ROUSE, carouse, bumper.&#xA;&#xA;ROVER, arrow used for shooting at a random mark at&#xA;uncertain distance.&#xA;&#xA;ROWLY-POWLY, roly-poly.&#xA;&#xA;RUDE, RUDENESS, unpolished, rough(ness), coarse(ness).&#xA;&#xA;RUFFLE, flaunt, swagger.&#xA;&#xA;RUG, coarse frieze.&#xA;&#xA;RUG-GOWNS, gown made of rug.&#xA;&#xA;RUSH, reference to rushes with which the floors were&#xA;then strewn.&#xA;&#xA;RUSHER, one who strewed the floor with rushes.&#xA;&#xA;RUSSET, homespun cloth of neutral or reddish-brown colour.&#xA;&#xA;SACK, loose, flowing gown.&#xA;&#xA;SADLY, seriously, with gravity.&#xA;&#xA;SAD(NESS), sober, serious(ness).&#xA;&#xA;SAFFI, bailiffs.&#xA;&#xA;ST. THOMAS A WATERINGS, place in Surrey where criminals&#xA;were executed.&#xA;&#xA;SAKER, small piece of ordnance.&#xA;&#xA;SALT, leap.&#xA;&#xA;SALT, lascivious.&#xA;&#xA;SAMPSUCHINE, sweet marjoram.&#xA;&#xA;SARABAND, a slow dance.&#xA;&#xA;SATURNALS, began December 17.&#xA;&#xA;SAUCINESS, presumption, insolence.&#xA;&#xA;SAUCY, bold, impudent, wanton.&#xA;&#xA;SAUNA (Lat.), a gesture of contempt.&#xA;&#xA;SAVOUR, perceive; gratify, please; to partake of the nature.&#xA;&#xA;SAY, sample.&#xA;&#xA;SAY, assay, try.&#xA;&#xA;SCALD, word of contempt, implying dirt and disease.&#xA;&#xA;SCALLION, shalot, small onion.&#xA;&#xA;SCANDERBAG, &amp;quot;name which the Turks (in allusion to&#xA;Alexander the Great) gave to the brave Castriot, chief&#xA;of Albania, with whom they had continual wars.  His&#xA;romantic life had just been translated&amp;quot; (Gifford).&#xA;&#xA;SCAPE, escape.&#xA;&#xA;SCARAB, beetle.&#xA;&#xA;SCARTOCCIO, fold of paper, cover, cartouch, cartridge.&#xA;&#xA;SCONCE, head.&#xA;&#xA;SCOPE, aim.&#xA;&#xA;SCOT AND LOT, tax, contribution (formerly a parish&#xA;assessment).&#xA;&#xA;SCOTOMY, dizziness in the head.&#xA;&#xA;SCOUR, purge.&#xA;&#xA;SCOURSE, deal, swap.&#xA;&#xA;SCRATCHES, disease of horses.&#xA;&#xA;SCROYLE, mean, rascally fellow.&#xA;&#xA;SCRUPLE, doubt.&#xA;&#xA;SEAL, put hand to the giving up of property or rights.&#xA;&#xA;SEALED, stamped as genuine.&#xA;&#xA;SEAM-RENT, ragged.&#xA;&#xA;SEAMING LACES, insertion or edging.&#xA;&#xA;SEAR UP, close by searing, burning.&#xA;&#xA;SEARCED, sifted.&#xA;&#xA;SECRETARY, able to keep a secret.&#xA;&#xA;SECULAR, worldly, ordinary, commonplace.&#xA;&#xA;SECURE, confident.&#xA;&#xA;SEELIE, happy, blest.&#xA;&#xA;SEISIN, legal term: possession.&#xA;&#xA;SELLARY, lewd person.&#xA;&#xA;SEMBLABLY, similarly.&#xA;&#xA;SEMINARY, a Romish priest educated in a foreign seminary.&#xA;&#xA;SENSELESS, insensible, without sense or feeling.&#xA;&#xA;SENSIBLY, perceptibly.&#xA;&#xA;SENSIVE, sensitive.&#xA;&#xA;SENSUAL, pertaining to the physical or material.&#xA;&#xA;SERENE, harmful dew of evening.&#xA;&#xA;SERICON, red tincture.&#xA;&#xA;SERVANT, lover.&#xA;&#xA;SERVICES, doughty deeds of arms.&#xA;&#xA;SESTERCE, Roman copper coin.&#xA;&#xA;SET, stake, wager.&#xA;&#xA;SET UP, drill.&#xA;&#xA;SETS, deep plaits of the ruff.&#xA;&#xA;SEWER, officer who served up the feast, and brought&#xA;water for the hands of the guests.&#xA;&#xA;SHAPE, a suit by way of disguise.&#xA;&#xA;SHIFT, fraud, dodge.&#xA;&#xA;SHIFTER, cheat.&#xA;&#xA;SHITTLE, shuttle; &amp;quot;shittle-cock,&amp;quot; shuttlecock.&#xA;&#xA;SHOT, tavern reckoning.&#xA;&#xA;SHOT-CLOG, one only tolerated because he paid the shot&#xA;(reckoning) for the rest.&#xA;&#xA;SHOT-FREE, scot-free, not having to pay.&#xA;&#xA;SHOVE-GROAT, low kind of gambling amusement, perhaps&#xA;somewhat of the nature of pitch and toss.&#xA;&#xA;SHOT-SHARKS, drawers.&#xA;&#xA;SHREWD, mischievous, malicious, curst.&#xA;&#xA;SHREWDLY, keenly, in a high degree.&#xA;&#xA;SHRIVE, sheriff; posts were set up before his door for&#xA;proclamations, or to indicate his residence.&#xA;&#xA;SHROVING, Shrovetide, season of merriment.&#xA;&#xA;SIGILLA, seal, mark.&#xA;&#xA;SILENCED BRETHERN, MINISTERS, those of the Church or&#xA;Nonconformists who had been silenced, deprived, etc.&#xA;&#xA;SILLY, simple, harmless.&#xA;&#xA;SIMPLE, silly, witless; plain, true.&#xA;&#xA;SIMPLES, herbs.&#xA;&#xA;SINGLE, term of chase, signifying when the hunted stag&#xA;is separated from the herd, or forced to break covert.&#xA;&#xA;SINGLE, weak, silly.&#xA;&#xA;SINGLE-MONEY, small change.&#xA;&#xA;SINGULAR, unique, supreme.&#xA;&#xA;SI-QUIS, bill, advertisement.&#xA;&#xA;SKELDRING, getting money under false pretences; swindling.&#xA;&#xA;SKILL, &amp;quot;it—s not,&amp;quot; matters not.&#xA;&#xA;SKINK(ER), pour, draw(er), tapster.&#xA;&#xA;SKIRT, tail.&#xA;&#xA;SLEEK, smooth.&#xA;&#xA;SLICE, fire shovel or pan (dial.).&#xA;&#xA;SLICK, sleek, smooth.&#xA;&#xA;'SLID, 'SLIGHT, 'SPRECIOUS, irreverent oaths.&#xA;&#xA;SLIGHT, sleight, cunning, cleverness; trick.&#xA;&#xA;SLIP, counterfeit coin, bastard.&#xA;&#xA;SLIPPERY, polished and shining.&#xA;&#xA;SLOPS, large loose breeches.&#xA;&#xA;SLOT, print of a stag's foot.&#xA;&#xA;SLUR, put a slur on; cheat (by sliding a die in some way).&#xA;&#xA;SMELT, gull, simpleton.&#xA;&#xA;SNORLE, &amp;quot;perhaps snarl, as Puppy is addressed&amp;quot; (Cunningham).&#xA;&#xA;SNOTTERIE, filth.&#xA;&#xA;SNUFF, anger, resentment; &amp;quot;take in—,&amp;quot; take offence at.&#xA;&#xA;SNUFFERS, small open silver dishes for holding snuff,&#xA;or receptacle for placing snuffers in (Halliwell).&#xA;&#xA;SOCK, shoe worn by comic actors.&#xA;&#xA;SOD, seethe.&#xA;&#xA;SOGGY, soaked, sodden.&#xA;&#xA;SOIL, &amp;quot;take—,&amp;quot; said of a hunted stag when he takes&#xA;to the water for safety.&#xA;&#xA;SOL, sou.&#xA;&#xA;SOLDADOES, soldiers.&#xA;&#xA;SOLICIT, rouse, excite to action.&#xA;&#xA;SOOTH, flattery, cajolery.&#xA;&#xA;SOOTHE, flatter, humour.&#xA;&#xA;SOPHISTICATE, adulterate.&#xA;&#xA;SORT, company, party; rank, degree.&#xA;&#xA;SORT, suit, fit; select.&#xA;&#xA;SOUSE, ear.&#xA;&#xA;SOUSED (&amp;quot;Devil is an Ass&amp;quot;), fol. read &amp;quot;sou't,&amp;quot; which&#xA;Dyce interprets as &amp;quot;a variety of the spelling of &amp;quot;shu'd&amp;quot;:&#xA;to &amp;quot;shu&amp;quot; is to scare a bird away.&amp;quot;  (See his &amp;quot;Webster,&amp;quot;&#xA;page 350).&#xA;&#xA;SOWTER, cobbler.&#xA;&#xA;SPAGYRICA, chemistry according to the teachings of Paracelsus.&#xA;&#xA;SPAR, bar.&#xA;&#xA;SPEAK, make known, proclaim.&#xA;&#xA;SPECULATION, power of sight.&#xA;&#xA;SPED, to have fared well, prospered.&#xA;&#xA;SPEECE, species.&#xA;&#xA;SPIGHT, anger, rancour.&#xA;&#xA;SPINNER, spider.&#xA;&#xA;SPINSTRY, lewd person.&#xA;&#xA;SPITTLE, hospital, lazar-house.&#xA;&#xA;SPLEEN, considered the seat of the emotions.&#xA;&#xA;SPLEEN, caprice, humour, mood.&#xA;&#xA;SPRUNT, spruce.&#xA;&#xA;SPURGE, foam.&#xA;&#xA;SPUR-RYAL, gold coin worth 15s.&#xA;&#xA;SQUIRE, square, measure; &amp;quot;by the—,&amp;quot; exactly.&#xA;&#xA;STAGGERING, wavering, hesitating.&#xA;&#xA;STAIN, disparagement, disgrace.&#xA;&#xA;STALE, decoy, or cover, stalking-horse.&#xA;&#xA;STALE, make cheap, common.&#xA;&#xA;STALK, approach stealthily or under cover.&#xA;&#xA;STALL, forestall.&#xA;&#xA;STANDARD, suit.&#xA;&#xA;STAPLE, market, emporium.&#xA;&#xA;STARK, downright.&#xA;&#xA;STARTING-HOLES, loopholes of escape.&#xA;&#xA;STATE, dignity; canopied chair of state; estate.&#xA;&#xA;STATUMINATE, support vines by poles or stakes; used&#xA;by Pliny (Gifford).&#xA;&#xA;STAY, gag.&#xA;&#xA;STAY, await; detain.&#xA;&#xA;STICKLER, second or umpire.&#xA;&#xA;STIGMATISE, mark, brand.&#xA;&#xA;STILL, continual(ly), constant(ly).&#xA;&#xA;STINKARD, stinking fellow.&#xA;&#xA;STINT, stop.&#xA;&#xA;STIPTIC, astringent.&#xA;&#xA;STOCCATA, thrust in fencing.&#xA;&#xA;STOCK-FISH, salted and dried fish.&#xA;&#xA;STOMACH, pride, valour.&#xA;&#xA;STOMACH, resent.&#xA;&#xA;STOOP, swoop down as a hawk.&#xA;&#xA;STOP, fill, stuff.&#xA;&#xA;STOPPLE, stopper.&#xA;&#xA;STOTE, stoat, weasel.&#xA;&#xA;STOUP, stoop, swoop=bow.&#xA;&#xA;STRAIGHT, straightway.&#xA;&#xA;STRAMAZOUN (Ital. stramazzone), a down blow, as opposed&#xA;to the thrust.&#xA;&#xA;STRANGE, like a stranger, unfamiliar.&#xA;&#xA;STRANGENESS, distance of behaviour.&#xA;&#xA;STREIGHTS, OR BERMUDAS, labyrinth of alleys and courts&#xA;in the Strand.&#xA;&#xA;STRIGONIUM, Grau in Hungary, taken from the Turks in&#xA;1597.&#xA;&#xA;STRIKE, balance (accounts).&#xA;&#xA;STRINGHALT, disease of horses.&#xA;&#xA;STROKER, smoother, flatterer.&#xA;&#xA;STROOK, p.p. of &amp;quot;strike.&amp;quot;&#xA;&#xA;STRUMMEL-PATCHED, strummel is glossed in dialect dicts.&#xA;as &amp;quot;a long, loose and dishevelled head of hair.&amp;quot;&#xA;&#xA;STUDIES, studious efforts.&#xA;&#xA;STYLE, title; pointed instrument used for writing on wax&#xA;tablets.&#xA;&#xA;SUBTLE, fine, delicate, thin; smooth, soft.&#xA;&#xA;SUBTLETY (SUBTILITY), subtle device.&#xA;&#xA;SUBURB, connected with loose living.&#xA;&#xA;SUCCUBAE, demons in form of women.&#xA;&#xA;SUCK, extract money from.&#xA;&#xA;SUFFERANCE, suffering.&#xA;&#xA;SUMMED, term of falconry: with full-grown plumage.&#xA;&#xA;SUPER-NEGULUM, topers turned the cup bottom up when&#xA;it was empty.&#xA;&#xA;SUPERSTITIOUS, over-scrupulous.&#xA;&#xA;SUPPLE, to make pliant.&#xA;&#xA;SURBATE, make sore with walking.&#xA;&#xA;SURCEASE, cease.&#xA;&#xA;SUR-REVERENCE, save your reverence.&#xA;&#xA;SURVISE, peruse.&#xA;&#xA;SUSCITABILITY, excitability.&#xA;&#xA;SUSPECT, suspicion.&#xA;&#xA;SUSPEND, suspect.&#xA;&#xA;SUSPENDED, held over for the present.&#xA;&#xA;SUTLER, victualler.&#xA;&#xA;SWAD, clown, boor.&#xA;&#xA;SWATH BANDS, swaddling clothes.&#xA;&#xA;SWINGE, beat.&#xA;&#xA;TABERD, emblazoned mantle or tunic worn by knights&#xA;and heralds.&#xA;&#xA;TABLE(S), &amp;quot;pair of—,&amp;quot; tablets, note-book.&#xA;&#xA;TABOR, small drum.&#xA;&#xA;TABRET, tabor.&#xA;&#xA;TAFFETA, silk; &amp;quot;tuft-taffeta,&amp;quot; a more costly silken fabric.&#xA;&#xA;TAINT, &amp;quot;—a staff,&amp;quot; break a lance at tilting in an&#xA;unscientific or dishonourable manner.&#xA;&#xA;TAKE IN, capture, subdue.&#xA;&#xA;TAKE ME WITH YOU, let me understand you.&#xA;&#xA;TAKE UP, obtain on credit, borrow.&#xA;&#xA;TALENT, sum or weight of Greek currency.&#xA;&#xA;TALL, stout, brave.&#xA;&#xA;TANKARD-BEARERS, men employed to fetch water from the&#xA;conduits.&#xA;&#xA;TARLETON, celebrated comedian and jester.&#xA;&#xA;TARTAROUS, like a Tartar.&#xA;&#xA;TAVERN-TOKEN, &amp;quot;to swallow a—,&amp;quot; get drunk.&#xA;&#xA;TELL, count.&#xA;&#xA;TELL-TROTH, truth-teller.&#xA;&#xA;TEMPER, modify, soften.&#xA;&#xA;TENDER, show regard, care for, cherish; manifest.&#xA;&#xA;TENT, &amp;quot;take—,&amp;quot; take heed.&#xA;&#xA;TERSE, swept and polished.&#xA;&#xA;TERTIA, &amp;quot;that portion of an army levied out of one&#xA;particular district or division of a country&amp;quot; (Gifford).&#xA;&#xA;TESTON, tester, coin worth 6d.&#xA;&#xA;THIRDBOROUGH, constable.&#xA;&#xA;THREAD, quality.&#xA;&#xA;THREAVES, droves.&#xA;&#xA;THREE-FARTHINGS, piece of silver current under Elizabeth.&#xA;&#xA;THREE-PILED, of finest quality, exaggerated.&#xA;&#xA;THRIFTILY, carefully.&#xA;&#xA;THRUMS, ends of the weaver's warp; coarse yarn made from.&#xA;&#xA;THUMB-RING, familiar spirits were supposed capable of&#xA;being carried about in various ornaments or parts of dress.&#xA;&#xA;TIBICINE, player on the tibia, or pipe.&#xA;&#xA;TICK-TACK, game similar to backgammon.&#xA;&#xA;TIGHTLY, promptly.&#xA;&#xA;TIM, (?) expressive of a climax of nonentity.&#xA;&#xA;TIMELESS, untimely, unseasonable.&#xA;&#xA;TINCTURE, an essential or spiritual principle supposed&#xA;by alchemists to be transfusible into material things;&#xA;an imparted characteristic or tendency.&#xA;&#xA;TINK, tinkle.&#xA;&#xA;TIPPET, &amp;quot;turn—,&amp;quot; change behaviour or way of life.&#xA;&#xA;TIPSTAFF, staff tipped with metal.&#xA;&#xA;TIRE, head-dress.&#xA;&#xA;TIRE, feed ravenously, like a bird of prey.&#xA;&#xA;TITILLATION, that which tickles the senses, as a perfume.&#xA;&#xA;TOD, fox.&#xA;&#xA;TOILED, worn out, harassed.&#xA;&#xA;TOKEN, piece of base metal used in place of very small&#xA;coin, when this was scarce.&#xA;&#xA;TONNELS, nostrils.&#xA;&#xA;TOP, &amp;quot;parish—,&amp;quot; large top kept in villages for&#xA;amusement and exercise in frosty weather when people&#xA;were out of work.&#xA;&#xA;TOTER, tooter, player on a wind instrument.&#xA;&#xA;TOUSE, pull, rend.&#xA;&#xA;TOWARD, docile, apt; on the way to; as regards; present,&#xA;at hand.&#xA;&#xA;TOY, whim; trick; term of contempt.&#xA;&#xA;TRACT, attraction.&#xA;&#xA;TRAIN, allure, entice.&#xA;&#xA;TRANSITORY, transmittable.&#xA;&#xA;TRANSLATE, transform.&#xA;&#xA;TRAY-TRIP, game at dice (success depended on throwing&#xA;a three) (Nares).&#xA;&#xA;TREACHOUR (TRECHER), traitor.&#xA;&#xA;TREEN, wooden.&#xA;&#xA;TRENCHER, serving-man who carved or served food.&#xA;&#xA;TRENDLE-TAIL, trundle-tail, curly-tailed.&#xA;&#xA;TRICK (TRICKING), term of heraldry: to draw outline of&#xA;coat of arms, etc., without blazoning.&#xA;&#xA;TRIG, a spruce, dandified man.&#xA;&#xA;TRILL, trickle.&#xA;&#xA;TRILLIBUB, tripe, any worthless, trifling thing.&#xA;&#xA;TRIPOLY, &amp;quot;come from—,&amp;quot; able to perform feats of agility,&#xA;a &amp;quot;jest nominal,&amp;quot; depending on the first part of the word&#xA;(Gifford).&#xA;&#xA;TRITE, worn, shabby.&#xA;&#xA;TRIVIA, three-faced goddess (Hecate).&#xA;&#xA;TROJAN, familiar term for an equal or inferior; thief.&#xA;&#xA;TROLL, sing loudly.&#xA;&#xA;TROMP, trump, deceive.&#xA;&#xA;TROPE, figure of speech.&#xA;&#xA;TROW, think, believe, wonder.&#xA;&#xA;TROWLE, troll.&#xA;&#xA;TROWSES, breeches, drawers.&#xA;&#xA;TRUCHMAN, interpreter.&#xA;&#xA;TRUNDLE, JOHN, well-known printer.&#xA;&#xA;TRUNDLE, roll, go rolling along.&#xA;&#xA;TRUNDLING CHEATS, term among gipsies and beggars for&#xA;carts or coaches (Gifford).&#xA;&#xA;TRUNK, speaking-tube.&#xA;&#xA;TRUSS, tie the tagged laces that fastened the breeches&#xA;to the doublet.&#xA;&#xA;TUBICINE, trumpeter.&#xA;&#xA;TUCKET (Ital. toccato), introductory flourish on the&#xA;trumpet.&#xA;&#xA;TUITION, guardianship.&#xA;&#xA;TUMBLER, a particular kind of dog so called from the&#xA;mode of his hunting.&#xA;&#xA;TUMBREL-SLOP, loose, baggy breeches.&#xA;&#xA;TURD, excrement.&#xA;&#xA;TUSK, gnash the teeth (Century Dict.).&#xA;&#xA;TWIRE, peep, twinkle.&#xA;&#xA;TWOPENNY ROOM, gallery.&#xA;&#xA;TYRING-HOUSE, attiring-room.&#xA;&#xA;ULENSPIEGEL.  See Howleglass.&#xA;&#xA;UMBRATILE, like or pertaining to a shadow.&#xA;&#xA;UMBRE, brown dye.&#xA;&#xA;UNBATED, unabated.&#xA;&#xA;UNBORED, (?) excessively bored.&#xA;&#xA;UNCARNATE, not fleshly, or of flesh.&#xA;&#xA;UNCOUTH, strange, unusual.&#xA;&#xA;UNDERTAKER, &amp;quot;one who undertook by his influence in the&#xA;House of Commons to carry things agreeably to his&#xA;Majesty's wishes&amp;quot; (Whalley); one who becomes surety for.&#xA;&#xA;UNEQUAL, unjust.&#xA;&#xA;UNEXCEPTED, no objection taken at.&#xA;&#xA;UNFEARED, unaffrighted.&#xA;&#xA;UNHAPPILY, unfortunately.&#xA;&#xA;UNICORN'S HORN, supposed antidote to poison.&#xA;&#xA;UNKIND(LY), unnatural(ly).&#xA;&#xA;UNMANNED, untamed (term in falconry).&#xA;&#xA;UNQUIT, undischarged.&#xA;&#xA;UNREADY, undressed.&#xA;&#xA;UNRUDE, rude to an extreme.&#xA;&#xA;UNSEASONED, unseasonable, unripe.&#xA;&#xA;UNSEELED, a hawk's eyes were &amp;quot;seeled&amp;quot; by sewing the&#xA;eyelids together with fine thread.&#xA;&#xA;UNTIMELY, unseasonably.&#xA;&#xA;UNVALUABLE, invaluable.&#xA;&#xA;UPBRAID, make a matter of reproach.&#xA;&#xA;UPSEE, heavy kind of Dutch beer (Halliwell); &amp;quot;—Dutch,&amp;quot;&#xA;in the Dutch fashion.&#xA;&#xA;UPTAILS ALL, refrain of a popular song.&#xA;&#xA;URGE, allege as accomplice, instigator.&#xA;&#xA;URSHIN, URCHIN, hedgehog.&#xA;&#xA;USE, interest on money; part of sermon dealing with the&#xA;practical application of doctrine.&#xA;&#xA;USE, be in the habit of, accustomed to; put out to interest.&#xA;&#xA;USQUEBAUGH, whisky.&#xA;&#xA;USURE, usury.&#xA;&#xA;UTTER, put in circulation, make to pass current; put forth for sale.&#xA;&#xA;VAIL, bow, do homage.&#xA;&#xA;VAILS, tips, gratuities.&#xA;&#xA;VALL.  See Vail.&#xA;&#xA;VALLIES (Fr. valise), portmanteau, bag.&#xA;&#xA;VAPOUR(S) (n. and v.), used affectedly, like &amp;quot;humour,&amp;quot;&#xA;in many senses, often very vaguely and freely ridiculed&#xA;by Jonson; humour, disposition, whims, brag(ging),&#xA;hector(ing), etc.&#xA;&#xA;VARLET, bailiff, or serjeant-at-mace.&#xA;&#xA;VAUT, vault.&#xA;&#xA;VEER (naut.), pay out.&#xA;&#xA;VEGETAL, vegetable; person full of life and vigour.&#xA;&#xA;VELLUTE, velvet.&#xA;&#xA;VELVET CUSTARD.  Cf. &amp;quot;Taming of the Shrew,&amp;quot; iv. 3, 82,&#xA;&amp;quot;custard coffin,&amp;quot; coffin being the raised crust over a pie.&#xA;&#xA;VENT, vend, sell; give outlet to; scent, snuff up.&#xA;&#xA;VENUE, bout (fencing term).&#xA;&#xA;VERDUGO (Span.), hangman, executioner.&#xA;&#xA;VERGE, &amp;quot;in the—,&amp;quot; within a certain distance of the court.&#xA;&#xA;VEX, agitate, torment.&#xA;&#xA;VICE, the buffoon of old moralities; some kind of&#xA;machinery for moving a puppet (Gifford).&#xA;&#xA;VIE AND REVIE, to hazard a certain sum, and to cover&#xA;it with a larger one.&#xA;&#xA;VINCENT AGAINST YORK, two heralds-at-arms.&#xA;&#xA;VINDICATE, avenge.&#xA;&#xA;VIRGE, wand, rod.&#xA;&#xA;VIRGINAL, old form of piano.&#xA;&#xA;VIRTUE, valour.&#xA;&#xA;VIVELY, in lifelike manner, livelily.&#xA;&#xA;VIZARD, mask.&#xA;&#xA;VOGUE, rumour, gossip.&#xA;&#xA;VOICE, vote.&#xA;&#xA;VOID, leave, quit.&#xA;&#xA;VOLARY, cage, aviary.&#xA;&#xA;VOLLEY, &amp;quot;at—,&amp;quot; &amp;quot;o' the volee,&amp;quot; at random (from a&#xA;term of tennis).&#xA;&#xA;VORLOFFE, furlough.&#xA;&#xA;WADLOE, keeper of the Devil Tavern, where Jonson and his&#xA;friends met in the 'Apollo' room (Whalley).&#xA;&#xA;WAIGHTS, waits, night musicians, &amp;quot;band of musical&#xA;watchmen&amp;quot; (Webster), or old form of &amp;quot;hautboys.&amp;quot;&#xA;&#xA;WANNION, &amp;quot;vengeance,&amp;quot; &amp;quot;plague&amp;quot; (Nares).&#xA;&#xA;WARD, a famous pirate.&#xA;&#xA;WARD, guard in fencing.&#xA;&#xA;WATCHET, pale, sky blue.&#xA;&#xA;WEAL, welfare.&#xA;&#xA;WEED, garment.&#xA;&#xA;WEFT, waif.&#xA;&#xA;WEIGHTS, &amp;quot;to the gold—,&amp;quot; to every minute particular.&#xA;&#xA;WELKIN, sky.&#xA;&#xA;WELL-SPOKEN, of fair speech.&#xA;&#xA;WELL-TORNED, turned and polished, as on a wheel.&#xA;&#xA;WELT, hem, border of fur.&#xA;&#xA;WHER, whether.&#xA;&#xA;WHETSTONE, GEORGE, an author who lived 1544(?) to 1587(?).&#xA;&#xA;WHIFF, a smoke, or drink; &amp;quot;taking the—,&amp;quot; inhaling the&#xA;tobacco smoke or some such accomplishment.&#xA;&#xA;WHIGH-HIES, neighings, whinnyings.&#xA;&#xA;WHIMSY, whim, &amp;quot;humour.&amp;quot;&#xA;&#xA;WHINILING, (?) whining, weakly.&#xA;&#xA;WHIT, (?) a mere jot.&#xA;&#xA;WHITEMEAT, food made of milk or eggs.&#xA;&#xA;WICKED, bad, clumsy.&#xA;&#xA;WICKER, pliant, agile.&#xA;&#xA;WILDING, esp. fruit of wild apple or crab tree (Webster).&#xA;&#xA;WINE, &amp;quot;I have the—for you,&amp;quot; Prov.: I have the&#xA;perquisites (of the office) which you are to share&#xA;(Cunningham).&#xA;&#xA;WINNY, &amp;quot;same as old word &amp;quot;wonne,&amp;quot; to stay, etc.&amp;quot; (Whalley).&#xA;&#xA;WISE-WOMAN, fortune-teller.&#xA;&#xA;WISH, recommend.&#xA;&#xA;WISS (WUSSE), &amp;quot;I—,&amp;quot; certainly, of a truth.&#xA;&#xA;WITHOUT, beyond.&#xA;&#xA;WITTY, cunning, ingenious, clever.&#xA;&#xA;WOOD, collection, lot.&#xA;&#xA;WOODCOCK, term of contempt.&#xA;&#xA;WOOLSACK (&amp;quot;—pies&amp;quot;), name of tavern.&#xA;&#xA;WORT, unfermented beer.&#xA;&#xA;WOUNDY, great, extreme.&#xA;&#xA;WREAK, revenge.&#xA;&#xA;WROUGHT, wrought upon.&#xA;&#xA;WUSSE, interjection.  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<INFO BITRATE="951000" KEY_LYRICS="1 ContributorRuff C LyricsAye Steeno, a who fah riddim dis?&#xA;Sick a wah pawt&#xA;Chip, chip, chip, chip wah pawt&#xA;Yah fi mad&#xA;Sick, sick, sick, sick a wah&#xA;Sick a wah&#xA;You wah dead pussy ramp wid eh millions&#xA;Shot a man now dawg and nuh response&#xA;Spend a brick and send a sinna pon a kick stand&#xA;Zunzheng pon eh tar a do friction&#xA;Fling cawn, kill one put him inna hit song&#xA;Three killa mask up inna the Nissan&#xA;3K fully chip up inna each hand&#xA;Tell Nachy fling 30 inna eh Ingram&#xA;Anyweh we fling bomb senseless minions&#xA;A suh the killa dem dance wid eh big pan&#xA;Mad head pon eh crime a do slingshot&#xA;A me seh sick a wah pawt (sick)&#xA;Me killa dem chip a wah pawt&#xA;16 pon me belly pon me hip a wah pawt (pon mi hip)&#xA;Mommy seh me head sick a wah pawt&#xA;Hennessy pon eh rocks me a sip a wah pawt&#xA;Sleepwalk, pop pill and get dawk&#xA;A suh the sinna get lit a wah pawt&#xA;Bag just land spend a brick a wah bar (wull on)&#xA;Head chip a wah pawt&#xA;Nuh a me killa anuh commana&#xA;Put eh pan pon eh K buss eh wid dah one hand yah&#xA;Play wid eh trigga (brrrrr) till eh hammer pop&#xA;Shot a man, shot a gyal, a the banga dat&#xA;Who dat a talk yuh fi know me a the badda man&#xA;Travel wid eh clip pon eh m4, banana&#xA;Now we put a M put u head bro&#xA;Sinna dem a Tobago pop pill and page you&#xA;Portal and break up mopstick and Draco&#xA;Head sick and stay suh, two backhand wake yuh&#xA;Three black hand drape yuh, K clap and shake yuh&#xA;A me seh sick a wah pawt (sick)&#xA;Me killa dem chip a wah pawt&#xA;16 pon me belly pon me hip a wah pawt (pon mi hip)&#xA;Mommy seh me head sick a wah pawt&#xA;Hennessy pon eh rocks me a sip a wah pawt&#xA;Sleepwalk, pop pill and get dawk&#xA;A suh the sinna get lit a wah pawt&#xA;Bag just land spend a brick a wah bar (wull on)&#xA;Head chip a wah pawt&#xA;Mi got a clip inna Glock chip (blick)&#xA;Check, check eh drip inna the watch (patek)&#xA;The mount a brick inna eh stash (stash)&#xA;The rubber grip inna eh bag&#xA;Consume, sleep, bleed and dwell inna the trap&#xA;Fell in love with these keys and me never turn back&#xA;Pop a pill, eh pain ease and yuh better learn that&#xA;Copper kill when it squeeze yeah a suh we serve shot" PRODUCER="Hardline" COVERARTID="025/ZQSZUHAEF0RCNDEKUX2IB2Y0D24A" KEY="9m" PLAYTIME="298" PLAYTIME_FLOAT="297.428558" IMPORT_DATE="2025/4/9" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="34792"></INFO>
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<INFO BITRATE="616000" KEY_LYRICS="63 Contributors12 Minute Freestyle LyricsEpic freestyle by Eminem and Royce da 5'9&amp;quot;, a.k.a. Bad Meets Evil, on The Stretch Armstrong Show.  Eminem’s verses can be heard on other freestyles, but Royce’s are pretty rare.  Here’s some more info on this… Read More &#xA;I'll shove a gun in your grill, greasy and heated&#xA;Smothered in hot mustard, so when I feed it to you it's easy to eat it&#xA;You need to be immediately treated while you're breathin'&#xA;And you'll be leavin' the receivin' room this evenin' with Jesus&#xA;You hate on us? We'll be waitin' on eight corners&#xA;Swarmin' your hood with a thousand angry skateboarders&#xA;I'll hop in a jeep and slam on the gas and charge you&#xA;And bombard you in the car that your mom bought you&#xA;Fuck around and get choked and found in a moat&#xA;Floatin' around, drowned, face-down in a boat&#xA;I'll pile five dudes in a Pinto and pull-up to the Seven Mile drive through&#xA;At McDonald's and pile-drive you&#xA;I got the power to snatch a driver out of his Eddie Bauer&#xA;When it drives by me at 90 miles an hour&#xA;This place is my house&#xA;I might as well erase my face with white-out&#xA;'Cause y'all can't see me like Mase's eyebrows&#xA;&#xA;&#xA;Walking in swamp water with an M-16, out for the blood&#xA;Shove a gun in the mouth of a thug&#xA;To break braces, you say grace and make faces&#xA;I'll display hate and break you in eight places&#xA;Take paces, turn around, draw in a standoff&#xA;Precise aim, ice in my veins, blowin' your hand off&#xA;Dancin' with the Devil leadin', I won't die, I'm never leavin'&#xA;I pledge allegiance to forever breathin'&#xA;Street niggas with nuts, what? My meat's bigger&#xA;Fake-ass thugs with toy guns and cheap triggers&#xA;With a death wish, thinkin' I'm the nigga to mess with&#xA;Let the tech lift, direct chest hit, melt your necklace&#xA;For instance, you just a henchmen, on tough soil&#xA;A follower never had heart, he just loyal&#xA;Thugs is glass doors, I see through 'em, put the heat to 'em&#xA;Be careful, you might get what you ask for&#xA;That's what you false ballers get mugged and gagged for&#xA;Your life flashin' in front of your eyes in fast forward&#xA;Dearly departed, I don't even listen to artists&#xA;I'm pissing the farthest, and I'm also hittin' the hardest&#xA;I'm very intelligent&#xA;Compare me to cameras&#xA;I flash, and shoot what I see, and steady developin'&#xA;I fly you out of your whip with one try of the trigger&#xA;Out of your clique, ain't one nigga out of his shit&#xA;You gotta be kiddin', bring all of them niggas&#xA;They all gotta be hit quick, and they all gotta be hitten&#xA;It's not a game, and I ain't playin'&#xA;Yo, if I ain't lived it, did it, or seen it, then I ain't sayin'&#xA;I put a hole right in your chest&#xA;Stick a knife in your soul&#xA;Then take your life after taking your death&#xA;I'm nice!&#xA;That ain't even countin' the endless bars&#xA;Friends with stars, wondering which Benz is ours&#xA;Pretendin' to ball could even be the ending of y'all&#xA;The minute you fall, my criminals will finish you off&#xA;I argue with no one&#xA;You got a gun? Alright, show one&#xA;If you ain't got heart now, you ain't gon' just grow one&#xA;&#xA;I'm keeping it raw, illegal like Malik and Jamal&#xA;'Cause I don't believe in the law, like I'm Steven Seagal&#xA;Flippin' off the police while I'm leapin' a wall&#xA;Take a bunch of Tylenol, then fall asleep in a mall&#xA;I got your little son, you'll be receivin' a call&#xA;You're lucky this little punk's still breathin' at all&#xA;Fuck the world, this how I get even at y'all&#xA;Pop shit, get rolled up, and leave in a ball&#xA;I hit you in your mouth and sink your teeth in your jaws&#xA;You won't be able to eat shit, not even a malt&#xA;This lethal assault, is giving you a reason to stall&#xA;I'm cocking this deuce-deuce and I'm squeezing it off&#xA;At the first burp and a fart, sniffle a sneeze and a cough&#xA;Get your arm chewed off like you was teasin' a dog&#xA;I'm cold enough and hot enough to freeze and unthaw&#xA;I'll kick my girl out in 10 degrees in her bra&#xA;&#xA;&#xA;Yo&#xA;I'm gonna give it to you straight this time, lace this bong&#xA;Bring it to your face till the Jakes respond&#xA;Guard y'all shit, I don't care how hard y'all hit&#xA;I got cats with bats you wouldn't play hardball with&#xA;I splatter intestines quick, before you can blast&#xA;Or handle your weapon, you'll get stabbed in a matter of seconds&#xA;We ain't worried about threats 'cause God got us&#xA;We popping Cris, y'all sipping Moet by-products&#xA;I ain't scared to die, let's blast, it's gonna be either&#xA;If you both die then your casket is gonna be deeper&#xA;Yo, you ain't a Don, you don't even know what beef is&#xA;What you competing with, or hit and make concrete give&#xA;Yo, I came out, naked at birth, making it worse&#xA;Making a verse, sacred and shaking the Earth&#xA;Niggas got plenty opinions about Royce&#xA;But they ain't got a voice&#xA;I'm doper than them, so they ain't got a choice&#xA;Niggas be swearin' battle-battle, not understanding themselves&#xA;They babble-babble, that's why they stay on the shelves&#xA;Playing yourself, promisin' threats to test y'all&#xA;Just doing this rap shit until UPS calls&#xA;I see why you must hate me&#xA;I'm sharp enough to cut gravy&#xA;It's just crazy, niggas is such babies&#xA;Real as they come, dancin'&#xA;Killing for fun, advancin'&#xA;Healing my thumb, feelin' my gun&#xA;Cock, squeeze and make every nigga freeze in here&#xA;Stop breathing, there better be some cheese in here&#xA;If there's any MCs in here, I hope you read me clear&#xA;You seein' teeth, beef with the C's in here&#xA;Yo, you ain't fly, I got shit that you can't buy&#xA;You can't lie, you drink St. Ides and fake high&#xA;Take pie, try to flip it&#xA;You don't know nothing about that shit&#xA;If I was you, I wouldn't risk it&#xA;&#xA;I wouldn't risk it...&#xA;Rappers get hit with this verbal biscuit&#xA;Hey, yo, yo, yo, yo, yo&#xA;Keep the same beat, keep the same beat, keep the same beat&#xA;It goes like this, yo&#xA;My attitude is worse than N.W.A.'s was&#xA;I'll battle you over stupid shit and diss people&#xA;Who ain't have shit to do with it, like Cool J does&#xA;You see me standing outside of your building&#xA;Screaming &amp;quot;Puffy is good, but Slim Shady is for the children!&amp;quot;&#xA;I look at my life in a new light -- fuck it&#xA;Give me two mics; I write songs for me -- fuck what you like&#xA;You're probably hear me rap half-hearted&#xA;'Cause I don't like rap anyway, I'm just trying to get my porno career started&#xA;Every place and event, been there, done that&#xA;Shit, Dre stuck me in a suitcase when he went&#xA;Want a deal? Study these 5 chapters&#xA;Lesson one: Throw demos as hard as you can at signed rappers&#xA;Lesson two: Face 'em and diss 'em&#xA;Don't give 'em a demo; kidnap 'em&#xA;And make 'em come to your basement and listen&#xA;Lesson three: Get a job at a label; switch demos with Canibus&#xA;And put yours on the owner's table&#xA;Lesson four: Know you heard this before:&#xA;&amp;quot;Hey let me get your number; I'll call you tomorrow, for sure!&amp;quot;&#xA;Don't act like a fan -- you wanna get signed?&#xA;Get the whitest A&amp;amp;R you can find&#xA;Pull him aside and rap as wack as you can&#xA;Lesson five: Get a hook-up at Jive&#xA;Dress up like I.C.P and have them come see you perform live&#xA;And that's the key, but when you see me on the street&#xA;I ain't givin' you shit bitch, don't even bother asking me&#xA;Toilet water splashes me right in the ass when I'm spittin'&#xA;'Cause I'm always shittin' when I'm rapping like Master P&#xA;Got a blowjob from Paula Jones&#xA;And stuck it so far in her mouth my balls broke both of her collarbones&#xA;Told Mya this shit was all about me-ah&#xA;Gave Alyssa Milano syphillis, mono and gonorrhea&#xA;And all three of my main girls said see-ya&#xA;'Cause Brandy and Monica walked in and caught me fucking Aaliyah&#xA;I splish splash while I'm taking a bath&#xA;Grab a handful of pills, break 'em in half, take 'em and laugh&#xA;White trash, fucking your wife in the ass&#xA;While you're out siphoning gas&#xA;For your lawnmower to cut the grass&#xA;And it's like that, and it's like that&#xA;&#xA;It don't stop, what&#xA;5-9, Slim Shady, yo&#xA;The rap auctioneer, spitting out double figures&#xA;Deliver for fans to repeat, handling heat&#xA;The Commander in Chief, I should've been banned from the street&#xA;Flee after I stab an MC with twin crutches&#xA;You've been had by the phantom of beef&#xA;Release when the paper and pen touches&#xA;While y'all talking, my venomous rap splits&#xA;Get your ass kicked, punk, your kind get offed often&#xA;80 niggas deep with heat at the mall walking&#xA;You'll either get shot with all barkers&#xA;Or get knocked upside your head with big blocks&#xA;Till you spit teeth&#xA;You're all soft and up shit's creek in a long coffin&#xA;I get work without a single fiend involved&#xA;I'm married to the mob, I mean for real, ring and all&#xA;Basically that means that I ain't your average rap nigga&#xA;You'll get slapped and thrown in the back of an Ac' bigger&#xA;With the latch cracked, trunk open&#xA;So you can look up at the stars&#xA;Fill your pockets with plastic explosives&#xA;Drive to cover, detonate the bomb&#xA;Blow you up with the car and flee the scene and cop another&#xA;Morph right into the physical form of your spirit&#xA;In front of your eyes, and make you battle yourself&#xA;Like Shang Tsung with wisdom in the brilliance of a million disciples&#xA;Equipped with a right hook to split a buildin'&#xA;The pure repertoire of an African vase&#xA;Sent here to knock you off your square and put you back in your place&#xA;Babylon battalion, holding your engineer ransom&#xA;For your master, so I can sabotage your album&#xA;&#xA;&#xA;Yo, yo, yo, yo, yo, yo, yo&#xA;Weed lacer, '97 burgundy Blazer&#xA;Wanted for burglary, had to ditch the Mercury Tracer&#xA;I’m on some loc shit, some fed up with this being broke shit&#xA;I’m not to joke with, bitch, I don’t sell crack, I smoke it&#xA;Having a coke fit, going through withdrawls daily&#xA;Shoot-up with Mescaline in front of my baby daughter Hailie&#xA;My brain’s dusted, I’m disgusted at all my habits&#xA;Too many aspirin tablets, empty medicine cabinets&#xA;Losing battles to wack rappers 'cause I’m always too blunted&#xA;Walking up in the cypher smoking, talking about “Who want it?”&#xA;Thug and a crook; every drug in the book; I’ve done it&#xA;My 9’s at your brain, is that you chain? Run it&#xA;Crews die from an overdosage of excessive flavor&#xA;Aggressive nature got me sticking you for your Progressive pager&#xA;Spectacular, crystal-meth manufacturer&#xA;Stole your momma’s Acura, wrecked it, and sold it back to her&#xA;Boosting Nike jackets, escaped from psychiatrics&#xA;Told the nurse to save my bed for me, I might be back, bitch&#xA;So barricade your entrance, put up some extra fences&#xA;A woman beater, wanted for repeated sex offenses&#xA;Chasing dips – take them on long vacation trips&#xA;Kidnapping ‘em and trapping ‘em in abusive relationships&#xA;Fuck up your face and lips, slit your stomach and watch your gut split&#xA;Cut you with that razor that I use to shave my nuts with&#xA;Mama, don’t you cry, your son is too far gone&#xA;I’m so high, I don’t even know what label I’m on&#xA;I’m fucked up, I feel just like an overworked plumber&#xA;I’m sick of this shit, what’s Jack Kevorkian’s phone number?&#xA;&#xA;&#xA;It's like this, right?&#xA;Slim Shady, Royce Da 5'9&amp;quot;, bust it, set it&#xA;Yo, check it, yo, yo&#xA;You get laced by the gun, in case you try to run&#xA;Hatred on my face by the tongue, get baked by the sun&#xA;Constructed of interplanetary rock and metal&#xA;Topping levels of combustion that's hot enough to stop the devil&#xA;Innovative flusher to enemies&#xA;The impact will be the generated destructive energy to flatten trees&#xA;Black, poised since birth&#xA;Birth? Tore the womb up&#xA;To hit the Earth like an asteroid and blow the moon up&#xA;Trust me, I'm the epitome, you better bust me&#xA;Any nigga can say fuck me and he gon' touch me&#xA;Smoking organic ganja inside of a stanza&#xA;Me and my man cypher with cans of volcanic lava&#xA;Man and it's hot, I'm out of my shit&#xA;From the bottom, I can leap out a bottomless pit and land at the top&#xA;Raw, that's what I came out here for&#xA;To raise and eclipse, and occasional trips to the beer store&#xA;And switch-up, the breed of MC and stick a bitch up&#xA;Bigger and speed to reach in the sea and pick a fish up&#xA;I'm fly against all laws of gravitation&#xA;I done crushed all y'all, now you want a collaboration&#xA;But fuck that, you stepped up, so I'm gonna fuck your rep up&#xA;Tear the rest up, with every joint that I press up&#xA;Handling heat and ammo, bullets passing me by&#xA;Challenging me to battle? Man, you asking to die&#xA;Narrow off niggas, squeeze a grenade until it's dissolved&#xA;Bite the barrel of a revolver and spin it&#xA;Nigga, forget it, I earned it&#xA;I kill you then come to your funeral and strangle you to confirm it&#xA;Minds carry malaria, sick&#xA;Ask niggas who the best is, you'll hear 5-9 in every area&#xA;Crushing your head, hunting you dead&#xA;You ain't nice&#xA;I battled you before, I don't remember nothing you said&#xA;You was wack, I was gonna quit on it till I thought&#xA;My dick is big enough for all of y'all niggas to get on it&#xA;Making you high off of the smoke, often you're cold&#xA;Making y'all join that big hip-hop nation in the sky&#xA;And it's easy, believe me, you better been frontin'&#xA;When you said you was hot, 'cause you couldn't please me if you was begging me&#xA;&#xA;&#xA;Some people say I'm strange, I tell them ain't shit change&#xA;I'm still the same lame asshole with a different name&#xA;Who came late to the last show with a different dame&#xA;Brain ate from the last O that I sniffed of cane&#xA;You know you're spaced the fuck out like George Lucas&#xA;When your puke is turning to yellowish-orange mucus&#xA;So when I grab a pencil and squeeze it between fingers&#xA;I'm not a rapper, I'm a demon who speaks English&#xA;A freak genius, too extreme for the weak and squeamish&#xA;Burn you alive till you screaming to be extinguished&#xA;'Cause when I drop the science, motherfuckers tell me to stop the violence&#xA;Start a fire and block the hydrants&#xA;I'm just a mean person, you never seen worse than&#xA;So when Slim gets this M-16 bursting&#xA;You getting spun backwards like every word of obscene cursin'&#xA;On the B-side of my first single with the clean version&#xA;Stopping your short life when you still a teen virgin&#xA;Unless you get a kidney specialist and a spleen surgeon&#xA;In the best hospital possible for emergency surgery&#xA;To try to stop the blood from your ruptured sternum internally&#xA;I'll take it back before we knew each others' name&#xA;Run in the ultrasound and snatch you out your mother's frame&#xA;I'll take it further back than that&#xA;Back to Lovers Lane, to the night you were thought of&#xA;And cock block your father's game&#xA;I'll plead the fifth like my jaws were muzzled&#xA;So suck my dick while I take a shit and do this crossword puzzle&#xA;And when I'm down with ten seconds left in the whole bout&#xA;I'm gonna throw a head-butt so hard, it'll knock us both out" PRODUCER="2022 Shall Not Fade LTD" COVERARTID="110/OHFQ02CE2M4GJDX5LTSCADQW3NVB" KEY="12m" PLAYTIME="264" PLAYTIME_FLOAT="263.187836" IMPORT_DATE="2025/4/9" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="20394"></INFO>
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<INFO BITRATE="844946" KEY_LYRICS="2 ContributorsFresh Finds 2/8/2023 LyricsCamille&#x9; - &#x9;Small Doses&#xA;Portraits Of Tracy&#x9; - &#x9;The Party&#xA;LANNDS&#x9; - &#x9;Bonfire&#xA;The National Honor Society&#x9; - &#x9;In Your Eyes&#xA;sagacious&#x9; - &#x9;ur self&#xA;Swami Sound,Chediak&#x9; - &#x9;Refuse - Refazer&#xA;MARIS&#x9; - &#x9;False Idol&#xA;nicole han&#x9; - &#x9;people grow apart, people let me down&#xA;Noah Pope&#x9; - &#x9;When i'm blue&#xA;thook&#x9; - &#x9;lone idol&#xA;Anna Kellam&#x9; - &#x9;dog park&#xA;diet lemon&#x9; - &#x9;glow&#xA;Josh Melton&#x9; - &#x9;Old&#xA;Hey Cowboy!&#x9; - &#x9;Mesmerize&#xA;good and you&#x9; - &#x9;give my all to you&#xA;Glimji,Elphi&#x9; - &#x9;Blush&#xA;King Isis&#x9; - &#x9;in my ways&#xA;Jota Taborda,Orquesta La Central&#x9; - &#x9;Volver a Verte&#xA;Sion&#x9; - &#x9;Flying Fish&#xA;Half Gringa&#x9; - &#x9;Some Curse&#xA;Maria Celin&#x9; - &#x9;FREYA&#xA;Bеrzingue&#x9; - &#x9;One&#xA;TYGAPAW&#x9; - &#x9;MYSM&#xA;Cowboy Malfoy&#x9; - &#x9;How I'd Kill&#xA;Martin Luke Brown&#x9; - &#x9;еlsie&#xA;a kid named rufus,Cole Bauer&#x9; - &#x9;eighteen&#xA;Carlay&#x9; - &#x9;do u miss me&#xA;Pugilist&#x9; - &#x9;Daggers&#xA;Sierra Bryan&#x9; - &#x9;Change Your/My Mind&#xA;Ango&#x9; - &#x9;So Close&#xA;Skyalit Kill&#x9; - &#x9;After the fact&#xA;Papa Nugs&#x9; - &#x9;Another Brainstorm&#xA;Adam Swim&#x9; - &#x9;When You Wake&#xA;Lakeview&#x9; - &#x9;By Now&#xA;Ronnie &amp;amp; Clyde&#x9; - &#x9;Sleeping City&#xA;Cap1talA&#x9; - &#x9;I'll Come Around&#xA;Cooper T&#x9; - &#x9;Gettin' In The Way&#xA;Lenny357&#x9; - &#x9;Amor Tumbado (Bachata RMX)&#xA;Zilka&#x9; - &#x9;Ole&#xA;Silva Bumpa&#x9; - &#x9;Feel Aight&#xA;Leah Sykes&#x9; - &#x9;Your New Girlfriend&#xA;NOVA ONE&#x9; - &#x9;dangerous&#xA;Tarrah&#x9; - &#x9;Cali&#xA;Caroline Lobb&#x9; - &#x9;Space&#xA;Floats&#x9; - &#x9;Stealing Turf from a Cowboy&#xA;Elli Moore&#x9; - &#x9;Green Juice&#xA;POiSON GiRL FRiEND&#x9; - &#x9;HARDLY EVER SMILE(without you)&#xA;Prof. Stranger&#x9; - &#x9;Back 2 Me&#xA;MISS DRE&#x9; - &#x9;SEE ME GIVE IT&#xA;Sabrina Bellaouel&#x9; - &#x9;Eclipse" PRODUCER="(C) 2023 ec2a" COVERARTID="016/QQZFIOC1BS4ZOAXWJHQRAWM21Q4D" KEY="10m" PLAYCOUNT="6" PLAYTIME="284" PLAYTIME_FLOAT="283.895813" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/5/28" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="29629" COLOR="1"></INFO>
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<INFO BITRATE="791000" KEY_LYRICS="2 ContributorsL.O.S. Angeles Lyrics&#xA;Where you from, nigga? Tell 'em where you from, nigga&#xA;Shit, where you from, nigga? Tell 'em where you from, nigga&#xA;Where you from, nigga? Tell 'em where you from, nigga&#xA;Nigga, where you from, nigga? Tell 'em where you from, nigga&#xA;Where you from, nigga? Tell 'em where you from, nigga&#xA;Nigga, where you from, nigga? Tell 'em where you from, nigga&#xA;Where you from, nigga? Where you from, nigga?&#xA;Where you from, nigga?&#xA;Nigga nigga, tеll ell 'em wherе you from, nigga&#xA;&#xA;&#xA;I'm from the L. to the O.S. Angeles&#xA;Where motherfuckers be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;I'm from the L. to the O.S. Angeles&#xA;Where homies be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;&#xA;&#xA;I'm the original dope individual&#xA;There to give you suckers the bull, fool&#xA;What's up with the new school?&#xA;Shit, I'm on a roll like a pimp in a Volvo&#xA;You pimpin' on all hoes, that's bullshit, loco&#xA;Pull up on a hooker, then I dim the lights&#xA;She wanna spend the night&#xA;Because I'm rollin' in a burgundy Impala&#xA;Ain't get no one, nigga, rims are tight&#xA;And I gotta make some ends tonight&#xA;And mothafucka, you just walk in the door&#xA;But you're ready to go for&#xA;You niggas know I'm a gigolo, and im'ma get your ho&#xA;Me and my niggas are kickin', lyrics are chic&#xA;So listen, this is the nigga they're keepin'&#xA;The chicks are booty kissin'&#xA;Niggas runnin' up and call it crazy&#xA;Probably because your baby's mama wanted my pager number&#xA;I'm gonna take your hoochie momma, put her in the bed&#xA;Put her into spread, and break her off like gingerbread&#xA;Back in the hood, while I roll in the low-low&#xA;Me and my nigga rolls down watchin' for po-po&#xA;I never been the one for talking shit, nigga&#xA;Gotta keep on workin' on my grip, nigga&#xA;Give me the gold, the Benz, give me the Rolls&#xA;I'm the only nigga that's in control&#xA;Because the nigga like myself, I got a gang of hoes&#xA;I'm straight putting motherfuckers in a stranglehold&#xA;You see, I'm like a badass who you're mad at&#xA;When you get it, tell the nigga where the cooty cat at&#xA;Me and my friends are running up in the skins&#xA;Got ends, the dividends, I roll up in a Benz, so grip, nigga&#xA;I'll let you know that it ain't easy, fuckin' we can please it&#xA;So you better just run, nigga run, here I come with a gun&#xA;Gettin' dumb, 'cause I'm strong&#xA;Let me tell you where I'm from, nigga&#xA;&#xA;I'm from the L. to the O.S. Angeles&#xA;Where motherfuckers be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;I'm from the L. to the O.S. Angeles&#xA;Where homies be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;I'm from the L. to the O.S. Angeles&#xA;Where motherfuckers be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;I'm from the L. to the O.S. Angeles&#xA;Where homies be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;&#xA;&#xA;You know, I felt it was about time that somebody finally gave a dedication to the whole Los Angeles hip-hop movement&#xA;I gots to give a shout-out to people like the Egyptian Lover, Uncle Jamm's Army, the World Class Wreckin' Cru, the L.A. Dream Team, Toddy Tee, Mixmaster Spade, DJ Pooh, King Tee, Rodney O &amp;amp; Joe Cooley, niggas like Ice-T puttin' that gangsta shit down from back in the day; Tone Low, Young MC, Russ Paul, Greg Mack and the whole KDAY crew&#xA;Motherfuckers like M Walk, Tony G, hamburger hamburger helper, my nigga Julio G, nigga who was doing that shit back at the Casa, the L.A. Posse, Muff, Above the Law, N.W.A, Ice Cube, Ren, Dre, Eazy, Yella...&#xA;Gotta give a shout-out to Yo-Yo, DJ Quik, Daz, Kurupt, Tha whole Dogg Pound, Snoop, Warren G, all Death Row; Tha Alkaholiks, Xzibit, the 4Ryde , Dilated Peoples, Cypress Hill, Mack 10, MC Eiht, the Boo-Yaa T.R.I.B.E.; niggas like Kid Frost, the G'Fellas...&#xA;And the Ghetto Dynasty, nigga, let me tell you where we from&#xA;&#xA;&#xA;I'm from the L. to the O.S. Angeles&#xA;Where motherfuckers be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;I'm from the L. to the O.S. Angeles&#xA;Where homies be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;I'm from the L. to the O.S. Angeles&#xA;Where motherfuckers be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;I'm from the L. to the O.S. Angeles&#xA;Where homies be livin' real scandalous&#xA;I'm from the L. to the O.S. Angeles&#xA;Los Angeles, Los Angeles!&#xA;&#xA;Where you from, nigga? Tell 'em where you from, nigga&#xA;Shit, where you from, nigga? Tell 'em where you from, fool&#xA;Where you from, nigga? Where you from, nigga?&#xA;Where you from, nigga? Where you from?&#xA;Tell 'em where you from, nigga&#xA;Where you from, nigga? Tell 'em where you from, nigga&#xA;Shit, where you from, nigga? Tell 'em where you from, nigga&#xA;Where you from, nigga? Where you from, nigga?&#xA;Where you from, nigga? Where you from?&#xA;Tell 'em where you from, nigga&#xA;&#xA;&#xA;Ah... 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<INFO BITRATE="1027000" KEY_LYRICS="10 ContributorsCripn 4 Life Lyrics&#xA;Yo, Unc' you wasn't lyin' 'bout these muh'fuckin' cookies, cuz&#xA;&#xA;&#xA;All this money I'm makin'&#xA;They thinkin' Mason, but I ain't Pappy&#xA;Yo Unc', as clean they come, fuck it, my braids nappy&#xA;My older bitch wanted to kick it, I put on Rick James gladly&#xA;Range or the same caddy, got there with the same navi'&#xA;&#xA;&#xA;I'm up early at the crack of dawn, movin' like a mackathon&#xA;Uncle Snoop in the coupe, regroup stoop bag up on&#xA;Bad bitch twistin' my locks, Jack in the box&#xA;Do it major, slang my flavor as I stayed on the block&#xA;&#xA;&#xA;They raided the spot, I'm hot, devilish features, but heaven sent&#xA;Pimp shit, mink to the floor, my bitch in leopard print&#xA;I don't trick paper on your chick, somethin' I never spent&#xA;Just me and Snoop, twin drop coupes, cookie's the medicine&#xA;&#xA;&#xA;Sky walk in the everglades, cuz, I'm forever paid&#xA;Cut from a different cloth, I guess I'm a renegade&#xA;Drinkin' Crip juice with a splash of some lemonade&#xA;We on Daytons and we skatin' like a icecapade&#xA;&#xA;Gelato we can light for days, on God I'm a boss now&#xA;Uptown nigga, I was up in Harlem knockin' Dogg Pound&#xA;Used to the water nobody get nervous if it's sharks round&#xA;Chains glow in the dark now, foreigns, I hardly walk now&#xA;&#xA;&#xA;Used to run, now I walk, all the cases I done fought&#xA;All the bud that I done bought, and all the bitches that they thought&#xA;That they could get a piece of my establishment&#xA;Looky here bitch, I ain't havin' it&#xA;&#xA;&#xA;If I blast the shit, watch the opp do a backward flip&#xA;My Backwood lit, F&amp;amp;N got a plastic grip&#xA;Had an advantage in the trap was good at math and shit&#xA;Used to bag up to Doggystyle, you can't imagine this&#xA;&#xA;&#xA;It's like a, action flick, with the mackin' pimp&#xA;The rap I spit will hit you like a tag and split&#xA;Bag the fit, blue rag, sag for this&#xA;You mad as shit, my nigga East bagged ya bitch&#xA;&#xA;&#xA;Got blue diamonds, blue hoodies, feel like I could never Crip enough&#xA;Unc' put on for years, who am I to fuck tradition up?&#xA;Don't even trip nephew, just clean the kitchen up&#xA;And keep it Crip'n for life, never switchin' up, (never) yeah&#xA;&#xA;Real talk (real talk)&#xA;From Dogg Pound to Uptown&#xA;Real shit (real shit)&#xA;You can't spell West without the ES&#xA;You know what it is (you know what it is)&#xA;Real hustlers, real Crip'n (real Crip'n)&#xA;Shout out to my nigga Mars&#xA;MyGuy, for hookin' up this motherfuckin' beat&#xA;Yo East, I told you when you hit the motherfuckin'&#xA;LAX, touch down, nigga&#xA;'Cause I got that bubblegum&#xA;That real shit, that real Crip shit&#xA;You what I'm talkin' 'bout&#xA;That hubba bubba, that blue bubblegum, cuz&#xA;You can't get it no where but here, for real though&#xA;Have a little bit of that Crip juice, with a splash of lemonade&#xA;And a bubblegum Backwood, and you gon' be aight&#xA;You understand me, yeah, East" PRODUCER="2022 Shall Not Fade LTD" COVERARTID="039/HJ0Z2KD3QIWDMA1VZRICDKRIV5IC" KEY="5m" PLAYCOUNT="1" PLAYTIME="359" PLAYTIME_FLOAT="358.261108" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="45207"></INFO>
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<INFO BITRATE="800971" KEY_LYRICS="1 ContributorMAX LOUD! Lyrics:&#xA;OK! I'm here! If you wanna misbehave, get hit!&#xA;Got no time for nonsense!&#xA;I'mma put a lot of time on my concepts!&#xA;Fuck yeah! Aye!&#xA;&#xA;Yeah, I'm a crazy person who's not in box&#xA;New stuff like new mails at inbox&#xA;I be 24/7 working and that is much&#xA;This why I get guys whom to I, give props (give props)&#xA;&#xA;People on my nerves like they are a kind of drug&#xA;I don't care about them much, I just make their jaws drop&#xA;And I do not talk punch, What I meant is punch talk&#xA;Gonna lower height of audience mandible, alright I'm done&#xA;But I'm not done, uh&#xA;Givе me all these firе beats I'm dropping 'em bar bombs, I'm&#xA;Never gonna talk about stuff I reckon 'em wrong, nah&#xA;When I drop a single track it's not about just one song&#xA;Only time I'm not the winner is when the match is draw draw (tie)&#xA;&#xA;Ay, I'm not a fan of violence&#xA;I'm not a fan of silence&#xA;I know I know nothing&#xA;The more I use my damn brain&#xA;In real life I'm chillin' but&#xA;In music I'm like chili hot&#xA;Filling my CV by tracks which are silly hard&#xA;This is why when I talk I make sure&#xA;My talk has been minified&#xA;Civilized like people who be citified&#xA;But I love nature and my nature, I'm giving props&#xA;:&#xA;I be taking every damn feedback, uh&#xA;Yeah I know a lot of 'em mismatch&#xA;Why I break syllables like kitkat?&#xA;Because I be choppin' 'em all I wanna to get that right, uh&#xA;&#xA;Who you wanna play with huh?&#xA;I got 2 balls you can play with cause&#xA;I be killing the competition while I be full of innovative ideas&#xA;I pull up and I win this once&#xA;&#xA;Music I make it&#xA;You wanna take it&#xA;You wanna copy&#xA;Yeah cause you like it&#xA;You think you're better&#xA;Cause no one seen what&#xA;You've done in the dark and&#xA;Don't wanna tell 'em&#xA;&#xA;Your &amp;quot;Main Phase&amp;quot;&#xA;Declare &amp;quot;End Phase&amp;quot;&#xA;Waiting for my next turn, uh, yeah&#xA;Get placed, yeah" PRODUCER="Constant Sound" COVERARTID="089/ZGA3COALZLVB4BJXRSFJAEZ1O43D" KEY="5m" PLAYCOUNT="1" PLAYTIME="352" PLAYTIME_FLOAT="351.719299" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="34641"></INFO>
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<INFO BITRATE="823096" KEY_LYRICS="5 ContributorsRagnarok Cypher, Pt. 2 Lyrics&#xA;Silva, what the heck is this?&#xA;Yeah, damn&#xA;&#xA;&#xA;Bitch, I'm at the table seated&#xA;Ain't one for feelings fleeting&#xA;Man, no matter the era, been my brothers keeper&#xA;Man, no matter the era, been Odin's arrow, if he unsheathe me, then I guess I delete him&#xA;Thinking they matching my strength, form a line 'bout it&#xA;This shit like putting a jit to a linebacker&#xA;Why y'all be talking that shit, but won't slide 'bout it?&#xA;Canonically died three times, ain't cry 'bout it&#xA;Do you know the definition of restrained?&#xA;Get one thing straight, no, he can't think straight&#xA;Mjolnir only heavy 'cause I get weight&#xA;'Cause if it ain't have that shit, it disintegrate&#xA;Don't even need full force to eliminate&#xA;We gon' turn his skull and brain to a lemonade&#xA;Break up his skeleton&#xA;Need me a fork and a plate for this dinner date&#xA;I'm straight feasting&#xA;Not to be hoarse, but I came from the north, you know Gods from the norse always straight on that fiend shit&#xA;Ain't lightning gon' strike twice? Bitch, watch the beam hit&#xA;Straight from Regalia, right to I battle ya, do it so seamless&#xA;Beating me? Dream it&#xA;Either that or he got jokes like Loki&#xA;Mjolnir smashing, boy, you know it gon' poke 'em&#xA;Leaving 'em broken, put it on Odin! Haha&#xA;&#xA;Ay, God of gods, king of kings&#xA;What's above me? Not a single thing&#xA;Big body when I'm in the ring&#xA;Could turn the first man into a missing link&#xA;If he thinks he's him and I'm awful&#xA;I'm humbling mortals, immortal, he's not finna win&#xA;Higher you soar, then the further you fall&#xA;When I call up Apollo, he's singeing his wings&#xA;Nah, look, I'm just killing time, and that's word to my pops&#xA;Get in line, or be the first one to drop, bet your life and come prepared for the loss&#xA;Fire in your chest, remember that shit came from me, it's no effort for turning it off&#xA;Sending your best, it doesn't matter the man 'cause a man's no concern to a God&#xA;Matter fact, let's dosey doe&#xA;Think he tough, then try blow for blow&#xA;Match the technique and match the flow&#xA;But if he take my shot, he gonna overdose&#xA;Talk about sleeper builds&#xA;My physique really stumping 'em, slumping 'em, fuck it, I'm swole&#xA;Man, I'm done talking, these mortals my boredom&#xA;I'm passing it off to my brother, my bro&#xA;&#xA;&#xA;Who wanna go with Poseidon&#xA;The GOG, the king of seas, the tyrant&#xA;I am he, you can not be beside him&#xA;So why are people reaching for my likeness?&#xA;Maybe 'cause I got that drip, OK&#xA;I been saucing right off of the rip, OK&#xA;Keep on talking, I topple that ship, OK&#xA;Watch with caution, I walk with a blade, OK&#xA;It's safe to say that they ain't playing with I&#xA;If you play the favorite, then I'm swaying the side&#xA;If I make a wave, then it'll wave 'em goodbye&#xA;They was riding my wave, haters stay in the tide&#xA;They defy, if I reign, then you die trying&#xA;From the trident, you taking the dive&#xA;Dry 'em with the flame, I'm creating inside&#xA;So I wet 'em up, but if I aim it, you fried, bitch&#xA;Hades my brother&#xA;Adapted my hate if you wading, I flood 'em&#xA;We came up from nothing, they quake when I'm summoned&#xA;Like bass when it's bumping, I'm saying I'm based, and I'm based on destruction&#xA;Draw the forty - how I up demeter, now they see eruption&#xA;If I up the meter, now they flee the function&#xA;You was lucky breathing&#xA;Chop a chubby eater - how it need consumption like damn&#xA;&#xA;Too handsome, tool handler, club banger, two hander, they duck when that swung&#xA;As a young lad tantrums turned into the man hunts, got backs up and some bad blood&#xA;Big brother, no Hogan, baby rattler is an actual snake that I'm choking&#xA;How you speak on my name, boutta change like Romans like (like what?)&#xA;Heracles, Hercules&#xA;When I feed, murder scene&#xA;Fetching seeds, Hesperides&#xA;Next step? Three heads? Get Cerberus leashed&#xA;Not a God that can say he ain't earned his keep&#xA;Bare hands, no shoes, no shirt&#xA;Fuck up their plans, won't move, stone stern&#xA;Hardest labour I was part of? My own birth&#xA;Mane attraction be the back piece real fur&#xA;Snap like Achilles when heels turn&#xA;Banquet feast is my meal served&#xA;Yeah, he think he comedian - Bill Burr&#xA;I revert to think later, kill first&#xA;Baby get laid like brickwork&#xA;Mister Olympia built like freaking ballista&#xA;You get the picture&#xA;&#xA;&#xA;Ay, ay, step on the dirt with a purpose&#xA;If anyone hurting my soldiers, I murk 'em&#xA;It's quadriple fist to his face, and it burn him&#xA;You look in my eyes, and you don't see the third one&#xA;You fuck with the purple, it's curtains&#xA;I'm doing these humans a service&#xA;How the fuck you think I got to this spot?&#xA;One thousand Gods on my mountain, they riders, and they finna jump on your block if you not&#xA;Really tag toes in this bitch&#xA;I'm hitting moves, I really tap toes in this bitch&#xA;I can not be froze, I might melt all the gold in this bitch&#xA;Chosen for throwing them bows over so many foes, I broke over bones for this shit&#xA;I turn your blood into lava&#xA;No gun make you dance if I Tandava Karma&#xA;Told Rudra I got him, I can not go under&#xA;I pick apart partner, I tear him asunder&#xA;My body parts cut him, that's really my chopper, you and that big valkyrie gon' need a doctor&#xA;When I put this blue and red fire to your body, I'm so above all 'em&#xA;They don't try to fight 'till they die, they just pussy out quick when I off 'em&#xA;I hope that I taught 'em, you not him, I stay at my peak, you can't fuck with the top of the mountain&#xA;&#xA;Ay, me and mine like company&#xA;Clear you under me&#xA;This ain't regicide, ain't no fucking king&#xA;Keep a guillotine set to cut 'em clean&#xA;Personality split among us like there isn't one of me&#xA;Double agent, moving subtly&#xA;Storm coming, make the metal rain&#xA;When the sparks fly, they gon' be loving me&#xA;I don't want the bliss, the comfort&#xA;'Cause I'd just get pissed when it does hurt&#xA;Ride in an iron maiden, get 'em punctured&#xA;War in a single direction like Dunkirk&#xA;Cut up the beat 'till I'm tongue tied&#xA;Nothing iller gotten on the one earth&#xA;They hate me, I don't give a fuck why&#xA;Often neither do they, don't know what's worse&#xA;Got 'em under command like I'm custer&#xA;Send 'em up into the clouds finally, the chopper bigger than a buster&#xA;It mean speaking with my chest in, it's a cavern, no heart I could muster&#xA;Don't even acknowledge the gesture, the intent bloody, see the luster, don't hit me up when it does work, pussy&#xA;&#xA;&#xA;Who the best? Talk about Zeus? Who is that?&#xA;Zerofuku? Who is that? Loki too? Who is that?&#xA;Talk about this time last year everybody else in their feelings crying talking 'bout Budapest&#xA;Nine Five Four enlightened one, now who getting blessed by Buddha next?&#xA;Did it off the temple like Gautama Buddha&#xA;I'mma fuck it up and call it Kama Sutra&#xA;These designer goggles, they could watch the future&#xA;I'm the top Siddhartha, you is not the ruler&#xA;We pray to none, why you thinking we do?&#xA;Pray tell why he thinking he cool?&#xA;Got 'em falling like infinity pools&#xA;Gods got 'em yawning, we ain't finna be moved&#xA;Wonder which I'm picking from the six realms&#xA;Leave your shit twisted like witch elms&#xA;Swimming with the sharks, you on fish scale?&#xA;I been heaven sent, but I give hell&#xA;I'm Kong with it - how I'm killing the Gods&#xA;Gong hitting, then I'm switching the odds&#xA;I dodge different, precognition is top&#xA;The plot thickens when I lift the facade&#xA;Karma hit 'em, he get sent to nirvana&#xA;Sansara shit will rip in his chakra&#xA;Folding Odin, hit a crow with the carbon&#xA;Loafing on 'em, I don't go for the jargon&#xA;Mahayana - this a whole different dharma&#xA;King Shaka put a dart where his heart is&#xA;Have a habit bringing havoc or happiness&#xA;But they finna let it go 'cause I'm charming, talk" PRODUCER="Hardline" COVERARTID="099/DXXJ5FDXZZY5IAANQNXPAI51G3FC" KEY="12m" PLAYTIME="294" PLAYTIME_FLOAT="293.731354" IMPORT_DATE="2025/4/9" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="29694"></INFO>
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<INFO BITRATE="951000" KEY_LYRICS="2 ContributorsDance Sister (Biofeedback) LyricsI love the way you shake it, agitate it&#xA;It puts me in the mood&#xA;Your body contour&#xA;I love the way you shake it, agitate it&#xA;It puts me in the mood&#xA;Your body contour&#xA;I love the way you shake it, agitate it&#xA;It puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;(Dance sister!)&#xA;&#xA;Biofeedback!&#xA;&#xA;Put all things aside!&#xA;Makes no difference why!&#xA;Biofeedback!&#xA;&#xA;My baby called me&#xA;She wants to go and dance&#xA;Got to release some energy&#xA;'Cause it's feeling bad, you see&#xA;She could dance all night long&#xA;She won't stop, not for a breath&#xA;Biofeedback struck again&#xA;&#xA;I lovе the way you shake it, agitate it&#xA;It puts mе in the mood&#xA;Your body contour (Dance sister!)&#xA;Dance, dance, dance&#xA;I love the way you shake it, agitate it&#xA;It puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;Hooked on satisfaction&#xA;Biofeedback&#xA;It's on the attack&#xA;The music gets your body&#xA;You can't do nothing but react&#xA;My baby's shaking&#xA;She won't go unsatisfied&#xA;Biofeedback&#xA;It's on the attack&#xA;Don't let it get you down!&#xA;&#xA;Shake it, agitate it&#xA;Puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;Dance, dance, dance!&#xA;I love the way you shake it, agitate it&#xA;It puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;Hooked on satisfaction&#xA;&#xA;I love the way you shake it, agitate it&#xA;It puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;Put all things aside!&#xA;I love the way you shake it, agitate it&#xA;It puts me in the mood (Makes no difference why!)&#xA;Your body contour (Dance sister!)&#xA;I love the way you shake it, agitate it&#xA;Baby's happy&#xA;She's finally got in the groove&#xA;She's speed dancing, running the floor&#xA;Woah dear, she moves&#xA;Dippin', spinning&#xA;She's got me screamin' for more&#xA;The amplified energy, yeah&#xA;It makes me lose control&#xA;Don't let it get you down!&#xA;&#xA;I love the way you shake it, agitate it&#xA;Puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;Dance, dance, dance!&#xA;I love the way you shake it, agitate it&#xA;Puts me in the mood, ooh&#xA;Your body contour (Dance sister!)&#xA;Dance, dance, dance!&#xA;&#xA;I love the way you shake it, agitate it&#xA;Puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;Hooked on satisfaction&#xA;I love the way you shake it, agitate it&#xA;Puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;Dance, dance, dance!&#xA;Don't let it get you down!&#xA;&#xA;Dance sister!&#xA;I love the way you shake it, agitate it&#xA;It puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;I love the way you shake it, agitate it&#xA;It puts me in the mood&#xA;Your body contour (Dance sister!)&#xA;&#xA;Baby's happy&#xA;She's finally got in the groove&#xA;Fiercely dancing, running the floor&#xA;Woah dear, she moves&#xA;Fiercely dancing&#xA;She's got me screamin' for more&#xA;Amplified energy, yeah&#xA;It makes me lose control&#xA;Don't let it get you down!&#xA;&#xA;Your body contour (Dance sister!)&#xA;Don't let it get you down!&#xA;Shake it (Dance sister!)&#xA;(Dance sister!)&#xA;(Dance sister!)&#xA;(Dance sister!)&#xA;(Dance sister!)&#xA;(Dance sister!)&#xA;(Dance sister!) Don't let it get you down!&#xA;(Dance sister!) I love the way you shake it&#xA;(Dance sister!) Hooked on satisfaction&#xA;(Dance sister!) Your body contour&#xA;(Dance sister!) Don't let it get you down!&#xA;(Dance sister!) I love the way you shake it" PRODUCER="System Records Ltd" COVERARTID="117/VLZR42BVVDM0YAUPU5PICU0UT2AB" KEY="8m" PLAYCOUNT="2" PLAYTIME="219" PLAYTIME_FLOAT="218.181808" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="25705" COLOR="3"></INFO>
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<INFO BITRATE="809219" KEY_LYRICS="3 ContributorsEl Paso Lyrics&#xA;Out in the West Texas town of El Paso&#xA;I fell in love with a Mexican girl&#xA;Nighttime would find me in Rosa's Cantina&#xA;Music would play and Feleena would whirl&#xA;&#xA;&#xA;Blacker than night were the eyes of Feleena&#xA;Wicked and evil while casting her spell&#xA;My love was deep for this Mexican maiden&#xA;I was in love, but in vain, I could tell&#xA;&#xA;&#xA;One night, a wild young cowboy came in&#xA;Wild as the West Texas wind&#xA;Dashing and daring, a drink he was sharing&#xA;With wicked Feleena, the girl that I love&#xA;&#xA;&#xA;So in anger, I challenged his right for the love of this maiden&#xA;Down went his hand for the gun that he wore&#xA;My challenge was answered in less than a heartbeat&#xA;The handsome young stranger lay dead on the floor&#xA;&#xA;&#xA;Out through the back door of Rosa's, I ran&#xA;Out where the horses were tied&#xA;I caught a good one, it looked like it could run&#xA;Up on its back and away, I did ride&#xA;&#xA;Just as fast as I could&#xA;From the West Texas town of El Paso&#xA;Out to the badlands of New Mexico&#xA;&#xA;&#xA;Back in El Paso, my life would be worthless&#xA;Everything's gone in life, nothing is left&#xA;It's been so long since I've seen the young maiden&#xA;My love is stronger than my fear of death&#xA;&#xA;&#xA;I saddled up and away, I did go&#xA;Riding alone in the dark&#xA;Maybe tomorrow, a bullet may find me&#xA;Tonight, nothing's worse than this pain in my heart&#xA;&#xA;&#xA;And at last, here I am on the hill overlooking El Paso&#xA;I can see Rosa's Cantina below&#xA;My love is strong, it pushes me onward&#xA;Down off the hill to Feleena, I go&#xA;&#xA;&#xA;Off to my right, I see five mounted cowboys&#xA;Off to my left ride a dozen or more&#xA;Shouting and shooting, I can't let them catch me&#xA;I have to make it to Rosa's back door&#xA;&#xA;Something is dreadfully wrong, for I feel&#xA;A deep burning pain in my side&#xA;Though I am trying to stay in the saddle&#xA;I'm getting weary, unable to ride&#xA;&#xA;&#xA;But my love for Feleena is strong, I rise where I've fallen&#xA;Though I am weary, I can't stop to rest&#xA;I see the white puff of smoke from the rifles&#xA;I feel the bullet go deep in my chest&#xA;&#xA;&#xA;From out of nowhere, Feleena has found me&#xA;Kissing my cheek as she kneels by my side&#xA;Cradled by two loving arms that I'll die for&#xA;One little kiss and Feleena, goodbye" PRODUCER="2023 Jucey Tunes" COVERARTID="060/23FXBXD35BLDABRLAXQFC4EU3AEB" KEY="2m" PLAYTIME="229" PLAYTIME_FLOAT="228.444473" IMPORT_DATE="2025/4/9" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="23019" COLOR="1"></INFO>
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<INFO BITRATE="878000" KEY_LYRICS="2 ContributorsConveniency (Bakey Remix) Lyrics&#xA;I know that I'm your homie&#xA;I ain't just gonna let that go&#xA;Don't think you can just call me&#xA;Because you're feelin' lonely&#xA;&#xA;&#xA;I can't always be&#xA;Option number three&#xA;I'm at your conveniency&#xA;&#xA;&#xA;I won't always be, yeah, ayy&#xA;I can't always be, yeah, ayy&#xA;I won't always be, yeah, ayy&#xA;I can't always be, yeah, ayy&#xA;I won't always be, yeah, ayy&#xA;I can't always be, yeah, ayy&#xA;I won't always be, yeah, ayy&#xA;I can't always be, yeah, ayy&#xA;&#xA;&#xA;I know that I'm your homie&#xA;I ain't just gonna let that go&#xA;Don't think you can just call me&#xA;Because you're feelin' lonely&#xA;&#xA;I can't always be&#xA;Option number three&#xA;I'm at your conveniency&#xA;&#xA;&#xA;I know that I'm your homie&#xA;I ain't just gonna let that go&#xA;Don't think you can just call me&#xA;Because you're feelin' lonely&#xA;&#xA;&#xA;I can't always be&#xA;Option number three&#xA;I'm at your conveniency&#xA;&#xA;&#xA;I won't always be, yeah, ayy&#xA;I can't always be, yeah, ayy&#xA;I won't always be, yeah, ayy&#xA;I can't always be, yeah, ayy&#xA;I won't always be, yeah, ayy&#xA;I can't always be, yeah, ayy&#xA;I won't always be, yeah, ayy&#xA;I can't always be, yeah, ayy" PRODUCER="A HIJINXX / Island Release; ℗ 2023 Nia Archives, under exclusive licence to Universal Music Operations Limited" COVERARTID="012/MUEJHLBXPLXU4CFJLLWXATOMH30A" KEY="12d" PLAYCOUNT="4" PLAYTIME="239" PLAYTIME_FLOAT="238.246124" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/5/28" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="26081" COLOR="1"></INFO>
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<INFO BITRATE="949128" KEY_LYRICS="1 ContributorDeath or Desteni LyricsPresent in the moment&#xA;Never living in the past&#xA;Got the briefcase&#xA;Full of cash&#xA;Cuz Finesser got the bag&#xA;This girl acting crazy&#xA;I don't know&#xA;What she be on&#xA;Real World Las Vegas&#xA;Dawg she fine like Irulan&#xA;This my Game 6&#xA;2012 LeBron song&#xA;So y'all can rap along&#xA;Cuz this the anthem for all my dawgs&#xA;Classic OG&#xA;Point Guard&#xA;Dawg Finesser go hard&#xA;TechnoTutor Desteni&#xA;And audios by Bernard&#xA;Celeb game I hear&#xA;Finesser can hoop&#xA;Man I shoot like&#xA;Mahmoud Abdul-Rauf&#xA;Handles like Skip to my Lou&#xA;Used to go to Warriors games&#xA;Way back when thеy had&#xA;Larry Hughes&#xA;I'm about winning&#xA;If you ain't kick rocks&#xA;I need glue guys&#xA;On the squad&#xA;Likе Rick Fox&#xA;Ron Harper&#xA;Robert Horry&#xA;B Shaw&#xA;Ten times a champ&#xA;I'm Sam Jones&#xA;With the bank shot&#xA;Back when I was 21&#xA;I would get drunk&#xA;And do the cocaina&#xA;Outside the club&#xA;Aye real talk only thought&#xA;When I tried it&#xA;The 87 Celtics&#xA;Would've won with Len Bias&#xA;Champions behave like Champions&#xA;Before they are Champions&#xA;The secret to life&#xA;And to the rapping aye&#xA;Penthouse residence&#xA;Changed the inner resonance&#xA;TechnoTutor&#xA;Only solution worth mentioning&#xA;Dominican Republic&#xA;I'm playing plakata&#xA;Smoking a cigar&#xA;Cuz this the boss rap I'm on&#xA;I can buy anything dawg&#xA;Pick and choose&#xA;Money always flowing&#xA;And wifey always in the mood&#xA;Hook (x2)&#xA;Stacking up this crypto&#xA;Girl I be making moves&#xA;You can rock if you want&#xA;Yeah girl it's all on you&#xA;You been confused&#xA;All I been do is tell the truth&#xA;You passed me the rock&#xA;Best believe that I'm gon' shoot&#xA;&#xA;Aye real talk&#xA;I ain't playing no games&#xA;Just tryna give you another reason&#xA;To come back to the The Bay aye&#xA;Jodeci stay&#xA;Come back into the fray&#xA;Private jets anywhere&#xA;Take you on a vacay cuz&#xA;What people think nowadays is hot&#xA;Nah that's hella lame&#xA;Play a new song&#xA;All these new rappers&#xA;Sound the same&#xA;Big time dub&#xA;For a big time playa&#xA;I'm JJ Finesser&#xA;Wave yo hands in the air&#xA;Decalcify my pineal gland&#xA;Pure shilajit&#xA;2 Legit 2 Quit&#xA;So International man B Legit&#xA;Truth is revealed furreal&#xA;If you seeking it&#xA;Discretion is the key&#xA;Keep your business secretive&#xA;Ice Cream what it is&#xA;Only Built 4 Cuban Linx&#xA;Uncle Teddy's Jam&#xA;Finesser man&#xA;The New Jack Swing&#xA;People still together man&#xA;That's funny to me&#xA;I been doing my thing&#xA;Since I've been 19&#xA;With Leanna then Taylor&#xA;They was homies&#xA;Leanna told Taylor&#xA;Thanks for stealing&#xA;Jalen from me&#xA;That's still hella funny&#xA;Girl I know you love me&#xA;JJ Finesser&#xA;Man I'm out here&#xA;Getting Money&#xA;Money&#xA;Hook (x2)&#xA;Stacking up this crypto&#xA;Girl I be making moves&#xA;You can rock if you want&#xA;Yeah girl it's all on you&#xA;You been confused&#xA;All I been do is tell the truth&#xA;You passed me the rock&#xA;Best believe that I'm gon' shoot" PRODUCER="© 2024 Disorder" COVERARTID="045/NJMBSEC01NKJADF5YLBYDEFGXZMB" KEY="3d" PLAYTIME="144" PLAYTIME_FLOAT="143.283585" IMPORT_DATE="2025/4/9" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="16890" COLOR="3"></INFO>
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<INFO BITRATE="988914" KEY_LYRICS="11 ContributorsNEVEZMU TĚ Z KLUBU DOMU 3 Lyrics&#xA;&#xA;&#xA;New name, man: the Original Nuttah&#xA;Take heed and take check, UK Apachi along di Shy FX&#xA;And when we come it's murderation, all original gangsta man&#xA;Hear what mi tellin' now, ya hear mi, come and nuh imitate&#xA;Originate, we come fi originate&#xA;Alright, mate? Know what yer doing, mate&#xA;In here we get 'em comin' about kill, so now I'm 'unna stop talk&#xA;Watch mi tell dem, rude bwoy, watch this&#xA;Na-ni-ni-whoa, zig-i-na-na-no-no-no&#xA;Na-ni-ni-whoa, zig-i-na-na-no-no-no&#xA;Na-ni-ni-whoa, zig-i-na-na-no-no-no&#xA;Ooh, yeah-eh, ooh-yeah-eh, no, no, no, no, no, no&#xA;Bad boys inna London&#xA;Rude boys inna England&#xA;Bad boys him a take on&#xA;Rude boys inna Kingston, watch ya&#xA;You never know di gangsta, mi seh dem inna jungle&#xA;Well, yeah&#xA;You never know di heartical, mi seh dem inna jungle&#xA;Well, yeah&#xA;You never know Shy FX, mon, big inna jungle&#xA;Well, yeah&#xA;&#xA;You never know UK, you never know UK&#xA;You never know UK, you never know UK&#xA;You never, you never, you never, you never&#xA;You never, you never, you never, you never&#xA;Ayy&#xA;&#xA;&#xA;Zmrd se mnou nemůže vyjebávat&#xA;Ne, zmrde, tohle nepůjde (Oh)&#xA;A já jsem ready na to rozmrdávat (Woo)&#xA;Chci vidět moshpit do krve (Ayy, ayy)&#xA;Ten zmrd se mnou nemůže vyjebávat (Ne)&#xA;Ne, zmrde, tohle nepůjde (Ne)&#xA;A já jsem (Ayy, whoop) ready na to rozmrdávat&#xA;Chci vidět moshpit do krve (Ayy, ye-yey)&#xA;&#xA;&#xA;Zmrde, P T K je ready, zase nabíhám na mic (Uh)&#xA;Dneska všude plný kluby, dneska říkaj, že mě znaj (Ayy)&#xA;Stříkám tvý píče do huby, proto je pořád offline (Oh)&#xA;Nemůžu bejt nikdy jinej (Woah), takže pochcávám tvůj vibe (Ayy)&#xA;Celej klub lítá sem a tam, tam a sem jak jungle (Skrr)&#xA;Nevezmu tě z klubu domů (Ayy), stejně se mnou půjde&#xA;Dneska show, zítra show, pak celej tejden v kundě (Ooh)&#xA;Zmrdi jdou pro peklo, protože ho najdou u mě&#xA;&#xA;(Can you love?) Oh (How to, how to?)&#xA;Goddammit, Goddammit (Can you love?), ayy (How to, how to?)&#xA;What's up? (Can you love? How to, how to?)&#xA;What's up? (Can you love?) Ayy (How to, how to?)&#xA;&#xA;&#xA;Woah, woah (Woah), píčo, nech mě jet (Ayy)&#xA;Nech mě rozstřílet ten klub jako kulomet (Woah)&#xA;Woah, woah, a kurva kde jsem teď? (Kde?)&#xA;Dvě nahý holky fotim po ránu na internet (Ayy)&#xA;A ta kurva byla moc, tak moc, že jsem ji musel poslat do píče (Ooh)&#xA;Chtěla se vrátit dva dny zpátky, že prej tady zapomněla klíče (Co?)&#xA;Ayy, bitch, nemůžeš fellit, znám to, píčo, nemůžeš věřit&#xA;Jdu pryč, nebo jdu se střelit (Oh), pryč, nebo jdu se střelit (Oh)&#xA;&#xA;&#xA;Gun Fingers if you're a real raver, ayy (Raver, raver, raver, raver)&#xA;Že prej jde, že prej jde, že prej jde (Raver, raver, raver, raver)&#xA;Ayy (Raver, raver, raver, raver), že prej jde&#xA;Ayy, ayy, Can we catch  escape&#xA;&#xA;&#xA;Že prej jde (Aah), že prej půjde dneska se mnou (Woah, ayy, woah)&#xA;To jsme se, to jsme se viděli jednou (Oh, woah, woah, ayy)&#xA;Že prej jde, že prej půjde dneska se mnou (Woah, woah)&#xA;To jsme se (Ayy), to jsme se viděli jednou (Woah)&#xA;Že prej jde, že prej půjde dneska se mnou (Jen se mnou)&#xA;Že prej jde, že prej půjde dneska se mnou (Woah, woah)&#xA;Že prej jde, že prej půjde dneska se mnou&#xA;Že prej jde, že prej půjde dneska se mnou (Ayy)" PRODUCER="1985 Music" COVERARTID="070/GWRIWXAJ1GW5BA5ZRRN0AMGXYQJC" KEY="4m" PLAYCOUNT="5" PLAYTIME="233" PLAYTIME_FLOAT="232.567413" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/5/28" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="28492" COLOR="3"></INFO>
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<INFO BITRATE="870000" KEY_LYRICS="6 Contributors1Minute Lyrics&#xA;Everything come by da &amp;quot;p&amp;quot; (oh yeah)&#xA;He claimin' he a trapper out hea servin' by da G (huh)&#xA;I'm tired of all these rappers out hea claimin' that they street&#xA;Puttin' on like dey a smakka, ok kool, we gone see (ok)&#xA;On da blokk I done got blakker get a tan on my street (Kome on)&#xA;Oh, dem krakkas blitz da blokk, in da wind wea I be (I'm gone)&#xA;He got it off da klokk, he ain't get dat shit from me (I swea)&#xA;I'm tied off all the opps klikkin' up, makin' teams&#xA;(Kome on)&#xA;Just got anoda glokk issa 40 wit a beam (ok)&#xA;I'm peepin' all da tension, what u on, what u mean (wassup)&#xA;If it's some let it be known&#xA;&#xA;&#xA;Uhh, aye, let it be, oh yeah&#xA;We view shit from a different eye spy 3 (Kome hea)&#xA;Salt kill leaches baby (Not me, untunt)&#xA;30 out da glizzy days a -dingaling (Oh yea)&#xA;Got da glizzy in my pant, ain't no wrinkles in my jeans&#xA;Im gone need anoda advanxe one after dis single get released (Kome on)&#xA;Hollon', do yo steppa danxe we kikk shit like Bruxe Lee&#xA;I gotta feed da whole family (yup, yup)&#xA;We all fiest&#xA;I'm in the trenches with my pistol, I been thuggin' all week (Oh yeah)&#xA;And tell dem krakkas, free Lil Mete, kause I been missing my G" PRODUCER="Hospital Records Limited" COVERARTID="122/0TH3YLBK5LVIMCJURCIHBDXPRC2D" KEY="6m" PLAYTIME="245" PLAYTIME_FLOAT="244.628296" IMPORT_DATE="2025/4/9" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="26365"></INFO>
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<INFO BITRATE="909000" KEY_LYRICS="7 ContributorsBoom boom pow KUNG FU Lyrics&#xA;Boom boom pow, this is kung fu&#xA;Roundhouse kick: TKO, 1 – 2&#xA;Mama said to knock you out, so that's what I'm gon' do&#xA;Combat, mortal; you cannot press &amp;quot;undo&amp;quot;&#xA;Many enemies that I run through&#xA;Jump in my jumpsuit&#xA;Twisting your arm till you scream out uncle&#xA;{gasping} That's a lung-full&#xA;I'm Michael Buffer, motherfucker: let's get ready to rumble&#xA;I see you over there, acting like you're never scared&#xA;But I come equipped with mad hi hats and kicks, so be prepared&#xA;Knock you with an uppercut&#xA;Make your toes move like you were doing double dutch&#xA;Causing such a fuss&#xA;I can smoosh all of y'all at will: call me Snuffleupagus&#xA;I'm batshit crazy: do you like Spacey&#xA;Stomping on your face till you're pushing up daisies&#xA;It's amazing to witness&#xA;Skull and some crossbones, I bring the sickness&#xA;Fork to your eyelid; I'm not kidding when I say that I might get&#xA;Real heavy hitting; call a medic: you should ice it&#xA;Bringing the pain till you say that you likes it (yeah, I likes it…)&#xA;&#xA;x2&#xA;Step into my zone&#xA;Get a dent put in your dome&#xA;Come across my path, you don't want to be alone&#xA;&#xA;Yo, I'm a pacifist, but, when it comes to my music, I'm a masochist&#xA;Another day, another track, another ass to whip&#xA;Rocking teeny boppers cause they asked for it: I got cash to get&#xA;You don't really even know the half of it&#xA;Lyrical content? Got a stack of it&#xA;Resurrect beats like Lazarus&#xA;My mixtape, homie, pass that shit!&#xA;I'mma break it down and tell it to you straight&#xA;Concuss' your brain, have a bad headache&#xA;Stutter step: ankles might break&#xA;Heavy hitter though I look like a lightweight&#xA;My…right hook is a deadly weapon&#xA;Take to you to stairways, straight to heaven&#xA;Knuckles made of brass, fists so iron&#xA;Not Odysseus, but I'm hearing sirens&#xA;&#xA;x2" PRODUCER="2024 Observatory Records" COVERARTID="117/VTSWMUC1THPXGBVEI3XSDAK2TLJC" KEY="9m" PLAYCOUNT="1" PLAYTIME="219" PLAYTIME_FLOAT="218.345901" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="24764" COLOR="4"></INFO>
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<INFO BITRATE="917000" KEY_LYRICS="18 ContributorsNeurotica Lyrics&#xA;Good morning, it's 3 a.m. in this great, roaring city&#xA;Full of garbage eaters ravaging parking spots&#xA;Beneath my plaza window&#xA;I see cheetah in their tight skins and tired heels&#xA;All-night hippo in the diner crossing the street&#xA;Swarthy herds of young impala&#xA;Flambastic gibbon, even a struggling monza&#xA;And over there that brilliant head ornament&#xA;On that Japanese macaque&#xA;But look closely at the hammerhead&#xA;Hand in hand with the mandrill&#xA;It's a sight you're unlikely to see&#xA;Anywhere else on the planet&#xA;&#xA;&#xA;The stench and the noise, yes, yes&#xA;The howler's resonating repertoire is not too bad&#xA;When mixed with the more musical twern of the tropical warbler&#xA;But the impatient taxi blare, the squawking elderly ibis&#xA;And the glass-eye snapper hawking papers&#xA;I can certainly live without&#xA;Also be cautious of the poisonous boomslang laughter&#xA;Social droppings of the fruit bat and purple queen fish&#xA;And who's that babbler conversing with a magazine stand?&#xA;Evidently, he's getting a good reply&#xA;&#xA;Arrive in Neurotica&#xA;Through neon heat disease&#xA;I swear at the swarming herds&#xA;I sweat the foul terrain&#xA;I rove the moving scenery&#xA;&#xA;&#xA;Arrive in Neurotica&#xA;Through neon heat disease&#xA;I swear at the swarming herds&#xA;I sweat the foul terrain&#xA;I rove the moving scenery&#xA;&#xA;&#xA;I have no fin, no wing, no stinger&#xA;No claw, no camouflage, I have no more to say&#xA;&#xA;&#xA;Say, isn't that an elephant fish on the corner over there?&#xA;Look at that bush baby, mud puppy&#xA;Noolbenger, rhinoderma, marmoset&#xA;Spring peeper, shingleback skink, siren skate&#xA;Starling star-gazer spoonbill and suckers&#xA;They seem to be everywhere, well it's a live revue&#xA;Random animal parts, now playing nightly&#xA;Right here in Neurotica, so long" PRODUCER="© 2023 Southpoint" COVERARTID="100/EXTO0LBYWYJ1QAFSSQNHDYLEXIOA" KEY="3m" PLAYTIME="198" PLAYTIME_FLOAT="197.142853" IMPORT_DATE="2025/4/9" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="22340" COLOR="3"></INFO>
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<INFO BITRATE="977000" KEY_LYRICS="2 ContributorsOliver Francis Discography LyricsKey ✦• * = Unconfirmed Title&#xA;•❓= Lost Media&#xA;•🤯= Leak&#xA;•😞= Unreleased&#xA;•🎤= Feature&#xA;•🎹= Production&#xA;•🔒= SoundCloud Release&#xA;•▶️= YouTube Release&#xA;•🎸= Bandcamp Release&#xA;•💿= ProjectReleased ✦Projects ✦• Victory ~ I Don't Want This Anymore (2007)&#xA;• As High As Kites ~ Demo (2008)&#xA;• Oliver ~ This Is Really Happening EP (2008)&#xA;• Oliver ~ This Cardigan Doesn't Fit Me Anymore (2009)&#xA;• Oliver ~ A Mix-Tape For Ghosts (2010)&#xA;• Treebeard ~ Demo (September 6, 2010)&#xA;• Oliver Kites ~ GOLD VOL. 1 (2012)&#xA;• Oliver ~ Oliver (September 2, 2012)&#xA;• Treebeard ~ Here Are The Answers (September 4, 2012)&#xA;• Alex Kelly ~ You be my star, and I'll be your sky (2013)&#xA;• Alex Kelly ~ Alex Kelly (2013)&#xA;• Alex Kelly ~ Losing Me (May 13, 2013)&#xA;• Treebeard ~ Answers Revisited (August 16, 2013)&#xA;• Treebeard ~ Stars Over Somber Skies (November 12, 2013)&#xA;• Oliver ~ Oliver EP (March 23, 2014)&#xA;• Oliver ~ DEMOS 2013 (March 23, 2014)&#xA;• Oliver ~ It's Not Working Out (April 10, 2014)&#xA;• Oliver ~ stars (March 5, 2015)&#xA;• Oliver ~ Demo 2014 (April 22, 2015)&#xA;• Glory Days ~ Sad Like You Want To Be (May 8, 2015)&#xA;• Oliver ~ Gold Vol. 1 (May 20, 2015)&#xA;• Glory Days ~ NAIL IN MY COFFIN (August 30, 2015)&#xA;• Oliver ~ if you need a friend (October 17, 2015)&#xA;• Oliver ~ Club Swoosh (October 17, 2015)&#xA;• Oliver ~ if you need a friend (Re-Release) (December 19, 2015)&#xA;• Oliver ~ $pla$h Hou$e 3 (December 19, 2015)&#xA;• Oliver ~ things aren't that simple (March 21, 2016)&#xA;• Oliver ~ 2013 (May 17, 2016)&#xA;• Oliver ~ stars (Re-Release) (May 17, 2016)&#xA;• Oliver &amp;amp; New York Nico ~ orange peels (August 15, 2016)&#xA;• Oliver ~ burnout (August 25, 2016)&#xA;• Oliver ~ bape music (November 16, 2016)&#xA;• Oliver ~ sleepy head radio vol. 1 (November 20, 2016)&#xA;• Oliver Francis ~ Essentials (April 3, 2017)&#xA;• Oliver Francis ~ Chlorine (April 6, 2017)&#xA;• Oliver Francis ~ A Million Miles An Hour (October 12, 2017)&#xA;• Oliver Francis ~ Infinity Boy (April 1, 2018)&#xA;• Oliver Francis ~ CROWN OF DEATH (June 7, 2019)&#xA;• Oliver Francis ~ The Adventures Of Oliver Francis (November 20, 2019)&#xA;• Oliver Francis ~ Block By Block West (May 16, 2020)&#xA;• Oliver Francis ~ Oli FM (October 1, 2021)&#xA;• Oliver Francis ~ sleepy head radio vol. 2 (November 5, 2021)&#xA;• Oliver Francis ~ LIVE in Chicago (November 25, 2021)&#xA;• Oliver Francis &amp;amp; Violence Labs ~ Memory Loss (May 25, 2022)&#xA;• Oliver Francis &amp;amp; Violence Labs ~ memory_lo55_reloaded (June 10, 2022)&#xA;• Oliver Francis ~ Hijinks (September 2, 2022)&#xA;• Oliver Francis ~ pond scum (October 26, 2022)&#xA;• Oliver Francis ~ pond scum ~ b sides (January 17, 2023)&#xA;• Oliver Francis ~ OLIVER'S REVENGE (March 24, 2023)&#xA;• LOCKED SHUT ~ Demo 23 (September 3, 2023)&#xA;• Oliver Francis ~ Overdrive (May 31, 2024)&#xA;• LOCKED SHUT ~ THE NEW CHAOS (August 23, 2024)&#xA;• Oliver Francis ~ VIOLENCE (August 30, 2024)Music Videos ✦• Oliver Kites - Gold Dust (February 12, 2012) ❓&#xA;• Oliver Kites -  Shade And A Vacay (February 3, 2013)&#xA;• Treebeard -  Haru Tora (May 11, 2013)&#xA;• Treebeard &amp;quot;Alone Song&amp;quot; Official Music Video (September 13, 2013)&#xA;• Treebeard &amp;quot;XIV&amp;quot; Official Music Video (October 3, 2013)&#xA;• Treebeard &amp;quot;Glory of the Chosen&amp;quot; Official Music Video&#x9;(May 10, 2014)&#xA;• Oliver - LWTGG (September 28, 2015)&#xA;• Oliver ~ flip phone (October 7, 2015)&#xA;• Oliver ~ big surf (October 15, 2015)&#xA;• Oliver ~ slowking freestyle (October 31, 2015)&#xA;• Oliver ~ three 6 forever (November 18, 2015)&#xA;• Oliver ~ vitamin water (prod lowkey damian) (November 22, 2015)&#xA;• Oliver ~ NIKE ROSHES (December 6, 2015)&#xA;• Oliver ~ $pla$h Hou$e (December 11, 2015)&#xA;• Oliver ~ banana sake (December 25, 2015)&#xA;• Oliver ~ ssuuurrfiinn (January 6, 2016)&#xA;• Oliver ~ bape freestyle (February 6, 2016)&#xA;• Oliver ~ 100 iPhones (March 3, 2016)&#xA;• Oliver ~ polo socks (March 21, 2016)&#xA;• Oliver ~ ice castle (April 11, 2016)&#xA;• Oliver ~ frfr (May 9, 2016)&#xA;• Oliver ~ breezy (May 22, 2016)&#xA;• Oliver ~ yeenreally (May 31, 2016)&#xA;• Oliver ~ work 2016 (June 14, 2016)&#xA;• Oliver ~ 23 (June 27, 2016)&#xA;• Oliver ~ JOHNNY TSUNAMI (July 11, 2016)&#xA;• Oliver ~ peach nehi (July 31, 2016)&#xA;• Oliver ~ wwaavyy (August 4, 2016)&#xA;• Oliver ~ hang 10 (August 24, 2016)&#xA;• Oliver ~ waterbed (September 5, 2016)&#xA;• Oliver ~ money bags (September 18, 2016)&#xA;• Oliver ~ don't do that (October 14, 2016)&#xA;• Oliver ~ AAHYEAHH (November 15, 2016)&#xA;• Oliver ~ jet ski freestyle (December 4, 2016)&#xA;• Oliver ~ 3 deep (December 18, 2016)&#xA;• Oliver ~ new year's day (January 1, 2017)&#xA;• Oliver ~ jellyfish (January 24, 2017)&#xA;• Oliver ~ good life freestyle (February 19, 2017)&#xA;• Oliver ~ don't start (April 6, 2017)&#xA;• Oliver ~ the mud (April 23, 2017)&#xA;• Oliver ~ celebration (May 10, 2017)&#xA;• Oliver ~ nothing gold can stay (May 18, 2017)&#xA;• Oliver ~ GENE SIMMONS (June 3, 2017)&#xA;• Oliver ~ yeee (July 12, 2017)&#xA;• Oliver ~ bloom (July 19, 2017)&#xA;• Oliver ~ 100k (August 9, 2017)&#xA;• Oliver ~ sonic (September 13, 2017)&#xA;• Oliver ~ TRU$T (October 6, 2017)&#xA;• Oliver ~ gemini (November 12, 2017)&#xA;• Oliver ~ AEOU (December 11, 2017)&#xA;• Oliver ~ Devil's Advocate (January 1, 2018)&#xA;• Oliver &amp;amp; Big Baby ~ Carl Edwards (January 18, 2018)&#xA;• Oliver ~ Golden Halo (January 30, 2018)&#xA;• Oliver ~ TIDAL WAVE (February 21, 2018)&#xA;• Oliver ~ Chernobyl (March 19, 2018)&#xA;• Oliver ~ SpaceX (April 1, 2018)&#xA;• Oliver ~ 9,000 (April 16, 2018)&#xA;• Oliver ~ OZZY (April 30, 2018)&#xA;• OLIVER &amp;amp; BIG BABY SCUMBAG ~ WINDOWS DOWN (June 29, 2018)&#xA;• Oliver ~ ANTI-GRAV (August 17, 2018)&#xA;• Oliver ~ Kids In America (September 25, 2018)&#xA;• Oliver ~ Hanz Freestyle (October 31, 2018)&#xA;• OLIVER ~ KAMABOKO (December 11, 2018)&#xA;• Oliver ~ Dreamcast (December 31, 2018)&#xA;• Oliver ~ DANNY PHANTOM (February 7, 2019)&#xA;• Oliver ~ SEPHIROTH (April 20, 2019)&#xA;• Oliver ~ BERSERK (May 24, 2019)&#xA;• Oliver ~ Bullet Time Freestyle (July 5, 2019)&#xA;• Oliver ~ LIGHT FLEX (August 22, 2019)&#xA;• Oliver ~ Withdrawal (September 1, 2019)&#xA;• Oliver ~ DEAD OR ALIVE FREESTYLE (September 17, 2019)&#xA;• Oliver ~ Tangerine Summer (September 24, 2019)&#xA;• Oliver ~ FU2 (October 25, 2019)&#xA;• Oliver ~ Sucker Free Sundays (December 26, 2019)&#xA;• Oliver ~ Panic Attack (January 17, 2020)&#xA;• Oliver &amp;amp; Global Dan ~ FWMD (February 6, 2020)&#xA;• Oliver ~ VIOLENCE (September 16, 2020)&#xA;• Oliver ~ No Angel (Lyric Video) ft. nothing,nowhere. (December 24, 2020)&#xA;• Oliver ~ TOXIC PARADISE (Official Music Video) (March 4, 2021)&#xA;• Oliver ~ TOXIC PARADISE (March, 2021)&#xA;• Oliver ~ STAR (May 21, 2021)&#xA;• Oliver ~ penthouse (June 29, 2021)&#xA;• Oliver ~ FRIENDS (July 30, 2021)&#xA;• Oliver ~ PMW (August 20, 2021)&#xA;• Oliver ~ All I Know (September 3, 2021)&#xA;• Oliver ~ Money On My Mind (September 17, 2021)&#xA;• Oliver ~ MOB (October 1, 2021)&#xA;• Savage Ga$p - my sanctuary w/ oliver francis  (November 11, 2021)&#xA;• Oliver x Violence Labs ~ memory loss (May 5, 2022)&#xA;• Oliver x Violence Labs ~ secrets (May 25, 2022)&#xA;• Oliver ~ Bark at the Moon (August 11, 2022)&#xA;• Oliver ~ S500 (September 1, 2022)&#xA;• Oliver ~ jolly ranchers (September 11, 2022)&#xA;• Oliver ~ ssppllasshhiinn (September 18, 2022)&#xA;• Oliver ~ slomo (October 6, 2022)&#xA;• Oliver ~ 550 (October 11, 2022)&#xA;• Oliver ~ the black swordsman (November 16, 2022)&#xA;• Oliver ~ tight rope (January 2, 2023)&#xA;• Oliver ~ hour glass (January 8, 2023)&#xA;• Oliver ~ wave runner freestyle (January 23, 2023)&#xA;• Oliver ~ PERFECT CELL (February 1, 2023)&#xA;• Oliver ~ 24K (February 28, 2023)&#xA;• Oliver ~ GANDALF (March 23, 2023)&#xA;• Oliver ~ GRAILED (May 21, 2023)&#xA;• Oliver ~ JOHN CENA SHORTS (June 18, 2023)&#xA;• LOCKED SHUT &amp;quot;ROLL THE DICE&amp;quot; Official Music Video (September 18, 2023)&#xA;• Oliver ~ cloud 2 (December 3, 2023)&#xA;• LOCKED SHUT &amp;quot;STEEL SPINE&amp;quot; Official Music Video (July 18, 2024)&#xA;• LOCKED SHUT &amp;quot;TOOTHACHE&amp;quot; Official Music Video (August 8, 2024)&#xA;• Oliver ~ hunned bands freestyle (November 12, 2024)&#xA;• Oliver ~ northern lights (January 1, 2025)&#xA;• Oliver ~ recharge (February 17, 2025)Unknown Release Date ✦• Oliver Kites ~ &amp;quot;DAEMON FREESTYLE&amp;quot; (Unknown) ❓&#xA;• Oliver Kites ~ &amp;quot;think im rob de niro&amp;quot; (Unknown) ❓&#xA;• Oliver Kites ~ &amp;quot;swag x 2&amp;quot; (Unknown) ❓&#xA;• Oliver Kites ~ &amp;quot;i look better than yo girlfriend cassandra or something&amp;quot; (Unknown) ❓&#xA;• Oliver Kites ~ &amp;quot;garbaeg&amp;quot; (Unknown) ❓&#xA;• Oliver ~ &amp;quot;The Pornographer's Daughter ~ Northstar Cover ~&amp;quot; (Unknown) ❓▶️2007 ✦• Victory ~ I Don't Want This Anymore (2007)💿2008 ✦• As High As Kites ~ Demo (2008) ❓💿&#xA;• Oliver ~ This Is Really Happening EP (2008) ❓💿2009 ✦• Oliver ~ This Cardigan Doesn't Fit Me Anymore (2009) 💿2010 ✦• Oliver ~ A Mix-Tape For Ghosts (2010) ❓💿&#xA;• Treebeard ~ Demo (September 6, 2010) 💿&#xA;• Oliver ~ &amp;quot;Untitled (Headlight Sessions Part One)&amp;quot; (September 15, 2010) ▶️&#xA;• Oliver ~ &amp;quot;Deer Season (Headlight Sessions Part Two)&amp;quot; (September 15, 2010) ▶️&#xA;• Oliver ~ &amp;quot;Nothing So Horrible (Headlight Sessions Part Three)&amp;quot; (September 15, 2010) ▶️&#xA;• Oliver ~ &amp;quot;2nd Untitled (Headlight Sessions Part Four)&amp;quot; (September 15, 2010) ▶️2011 ✦• Oliver Kites ~ &amp;quot;CUUPZ&amp;quot; (2011)&#xA;• Oliver Kites ~ &amp;quot;SLOW&amp;quot; (2011) ❓&#xA;• Treebeard ~ &amp;quot;The Creek Watcher - NEW DEMO 2011&amp;quot; (June 4, 2011) ▶️&#xA;• Treebeard ~ &amp;quot;Witch Moon - NEW DEMO 2011&amp;quot; (June 11, 2011) ▶️&#xA;• Oliver ~ &amp;quot;Untitled&amp;quot; (September 4, 2011)&#xA;• Treebeard ~ &amp;quot;Alone Song - NEW DEMO 2011&amp;quot; (October 9, 2011) ▶️&#xA;• Oliver Kites ~ &amp;quot;GUTS&amp;quot; (November 9, 2011) ❓▶️&#xA;• Chris Suede ~ &amp;quot;Easy ( Produced By Oliver Kites )&amp;quot; (November 10, 2011) ❓🎹▶️&#xA;• Oliver Kites ~ &amp;quot;GOLD&amp;quot; (December 1, 2011) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;white cups&amp;quot; (December 22, 2011) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Codeine X 3-Methylmorphine&amp;quot; (December 30, 2011) ❓▶️2012 ✦• Oliver Kites ~ &amp;quot;JINGLE&amp;quot; (2012)&#xA;• Oliver Kites ~ &amp;quot;FUVK&amp;quot; (2012)&#xA;• Oliver Kites ~ &amp;quot;SKULLKID&amp;quot; (2012)&#xA;• Oliver Kites ~ &amp;quot;Pain Killers&amp;quot; (2012) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;CAVE$TORY//BRITNEY&amp;quot; (2012)&#xA;• Oliver Kites ~ &amp;quot;Golden Rubbers&amp;quot; (2012)&#xA;• Oliver Kites ~ &amp;quot;BESTBEATEVERBLACKMOTHSUPERRAINBOW&amp;quot; (2012) ❓&#xA;• Oliver Kites &amp;amp; Chris Suede ~ &amp;quot;Lava Lamp&amp;quot; (2012) ❓▶️&#xA;• Oliver Kites &amp;amp; Chris Suede ~ &amp;quot;Guts X Chris Suede&amp;quot; (2012) ❓▶️&#xA;• Oliver Kites ~ GOLD VOL. 1 (2012) ❓💿&#xA;• Oliver Kites ~ &amp;quot;▲C▲P X DRUGS&amp;quot; (January 17, 2012) ❓▶️&#xA;• Oliver Kites &amp;amp; Chris Suede ~ &amp;quot;DINGUS FЯEESTYLE&amp;quot; (January 20, 2012) ❓▶️&#xA;• Oliver Kites &amp;amp; Chris Suede ~ &amp;quot;Cough Syrup&amp;quot; (January 20, 2012) ❓▶️&#xA;• Due Cruze, Kai Killin, &amp;amp; Oliver Kites ~ &amp;quot;Dappin Sinners&amp;quot; (February 8, 2012) 🎤▶️&#xA;• Oliver Kites ~ &amp;quot;Gold Dust&amp;quot; (February 12, 2012) ❓▶️&#xA;• Oliver Kites &amp;amp; Golden Tarantula ~ &amp;quot;Swag X Cancer&amp;quot; (February 14, 2012) ❓▶️&#xA;• alexanderxkush ~ &amp;quot;THINK IM WIZ KHALIFA&amp;quot; (April 20, 2012) 🎸&#xA;• Treebeard ~ &amp;quot;Glory Of The Chosen - NEW DEMO 2012&amp;quot; (April 23, 2012) ▶️&#xA;• Oliver Kites ~ &amp;quot;Gold Dvst&amp;quot; (April 26, 2012) ▶️&#xA;• alexanderxkush ~ &amp;quot;PURPLE LADY&amp;quot; (June 2012) 🎸&#xA;• alexanderxkush ~ &amp;quot;VEGAS ON ACID&amp;quot; (June 1, 2012) 🎸&#xA;• alexanderxkush ~ &amp;quot;GNARLETHAL&amp;quot; (June 4, 2012) 🎸&#xA;• alexanderxkush ~ chopped and sCREWed LOVE (June 6, 2012) 🎸&#xA;• Oliver ~ Oliver (September 2, 2012) 💿🎸&#xA;• Treebeard ~ Here Are The Answers (September 4, 2012) 💿🎸&#xA;• Oliver Kites ~ &amp;quot;Halloween Song&amp;quot; (October 4, 2012) ▶️&#xA;• Oliver Kites ~ &amp;quot;Vavdv Kedvarv&amp;quot; (December 26, 2012) 🔒2013 ✦• Alex Kelly ~ You be my star, and I'll be your sky (2013) ❓💿▶️&#xA;• Alex Kelly ~ Alex Kelly (2013)&#xA;• Oliver Kites ~ &amp;quot;Cvmp Fire&amp;quot; (January 2, 2013)&#xA;• Oliver Kites ~ &amp;quot;$VNCTUVRY&amp;quot; (January 15, 2013) 🔒&#xA;• Oliver Kites ~ &amp;quot;Necromvncer&amp;quot; (January 27, 2013)&#xA;• Oliver Kites ~ &amp;quot;My Star&amp;quot; (January 28, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;Shade And A Vacay&amp;quot; (February 3, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;The Shroomery&amp;quot; (February 5, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;$hrim&amp;quot; (February 5, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;The Greatest&amp;quot; (February 7, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;Alabastor Lamborghini&amp;quot; (February 7, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;Justin Bieber - You Want Me NEW SONG 2013&amp;quot; (February 17, 2013) ❓▶️&#xA;• Treebeard ~ &amp;quot;On Distant Shores&amp;quot; (February 22, 2013) 🔒&#xA;• Oliver Kites ~ &amp;quot;Secret Cave&amp;quot; (March 4, 2013) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;Down&amp;quot; (March 5, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;Pink&amp;quot; (March 7, 2013) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;Sip&amp;quot; (March 12, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;ANGELS&amp;quot; (March 12, 2013) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;JV$T4NOW&amp;quot; (March 17, 2013)&#xA;• Oliver Kites ~ &amp;quot;Scarlett&amp;quot; (March 18, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;Winner&amp;quot; (March 18, 2013) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;Purp&amp;quot; (March 20, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;Float&amp;quot; (March 24, 2013) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;Scarlett Johansson&amp;quot; (March 25, 2013)&#xA;• Oliver Kites ~ &amp;quot;PRL Club Freestyle&amp;quot; (April 19, 2013) ❓▶️&#xA;• Alex Kelly ~ Losing Me (May 13, 2013) 💿▶️&#xA;• Oliver Kites ~ &amp;quot;UR$$HER&amp;quot; (May 17, 2013)&#xA;• Oliver Kites ~ &amp;quot;OCEVN$420&amp;quot; (May 17, 2013)&#xA;• Alex Kelly ~ &amp;quot;Okay To Be Lonely&amp;quot; (July 21, 2013) ▶️&#xA;• Alex Kelly ~ &amp;quot;This Clock Is Two Days Slow&amp;quot; (July 21, 2013) ▶️&#xA;• Oliver ~ &amp;quot;Porch Luck (Hightide Hotel Cover)&amp;quot; (July 22, 2013) ▶️&#xA;• Alex Kelly ~ &amp;quot;White Cups Pt II&amp;quot; (July 30, 2013) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;Drrreeeaaammyy Dream&amp;quot; (August 9, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Moonlight Graveyard Dance&amp;quot; (August 9, 2013) ▶️&#xA;• Alex Kelly ~ &amp;quot;Ellie&amp;quot; (August 9, 2013) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;Antoinette&amp;quot; (August 12, 2013) ▶️🔒&#xA;• Treebeard ~ Answers Revisited (August 16, 2013) 💿&#xA;• Oliver Kites ~ &amp;quot;IGB$CRXW&amp;quot; (August 19, 2013) 🔒&#xA;• Oliver Kites ~ &amp;quot;House Party&amp;quot; (August 19, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;Shawtaaayyy&amp;quot; (August 20, 2013) ▶️🔒&#xA;• Oliver ~ &amp;quot;Respite&amp;quot; (Demo) (August 26, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;kotori&amp;quot; (August 28, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;u kno&amp;quot; (August 30, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;miyu&amp;quot; (August 31, 2013) ▶️🔒&#xA;• Alex Kelly ~ &amp;quot;I Don't Want This Anymore&amp;quot; (September 2, 2013) ▶️&#xA;• Oliver ~ &amp;quot;Respite&amp;quot; (September 6, 2013) ▶️&#xA;• Oliver ~ &amp;quot;Withdrawal&amp;quot; (September 8, 2013) ▶️&#xA;• Oliver ~ &amp;quot;Bouquet&amp;quot; (September 18, 2013) ▶️&#xA;• Alex Kelly ~ &amp;quot;MTF Acoustic&amp;quot; (September 24, 2013) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;do it right&amp;quot; (September 28, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;merlin&amp;quot; (September 29, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Princess Sweatshirt&amp;quot; (September 29, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;Wizard Party&amp;quot; (September 30, 2013) ▶️🔒&#xA;• Oliver ~ &amp;quot;October&amp;quot; (October 4, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;1992&amp;quot; (October 9, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Sorceress&amp;quot; (October 10, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Diamond 64&amp;quot; (October 10, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Empire Roller Rink 1998&amp;quot; (October 17, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Lowkey&amp;quot; (November 11, 2013) 🔒&#xA;• Treebeard ~ Stars Over Somber Skies (November 12, 2013) 💿🎸&#xA;• Oliver Kites ~ &amp;quot;dragon frout&amp;quot; (November 27, 2013) ▶️&#xA;• Oliver Kites ~ &amp;quot;without u&amp;quot; (November 30, 2013) ▶️🔒&#xA;• Chris Travis ~ &amp;quot;Flex Action Wherever You Want (10:15 P.M)&amp;quot; (December 1, 2013) 🎹🔒&#xA;• Oliver Kites ~ &amp;quot;miley&amp;quot; (December 19, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Goddess Sword X ALAYLM X Language&amp;quot; (December 20, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;knight&amp;quot; (December 21, 2013) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;riku&amp;quot; (December 27, 2013) ▶️🔒2014 ✦• Oliver ~ &amp;quot;Respite (Acoustic Session)&amp;quot; (2014) ▶️&#xA;• Oliver Kites ~ &amp;quot;big brother freestyle&amp;quot; (January 2, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;2day&amp;quot; (January 2, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Tell Me If U Like It&amp;quot; (January 16, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;&amp;lt;3 Sosa Screwx&amp;quot; (January 16, 2014) ▶️🔒&#xA;• Oliver ~ &amp;quot;Funeral Suit&amp;quot; (January 25, 2014) ❓▶️&#xA;• Smug Mang &amp;amp; Chris Travis ~ &amp;quot;Flex Action&amp;quot; (February 1, 2014) 🎹&#xA;• Oliver ~ &amp;quot;Summer&amp;quot; (February 13, 2014) ▶️&#xA;• Oliver Kites ~ &amp;quot;sora&amp;quot; (February 15, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Bubble Tea Dubble Cup&amp;quot; (February 16, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;hentai&amp;quot; (February 16, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;casio 420 (a dragon breathes fire thru the streets and only the truest of thugs remain)&amp;quot; (February 17, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;masterkush&amp;quot; (February 17, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;icedragon&amp;quot; (February 17, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Drank 45&amp;quot; (February 28, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;deep&amp;quot; (March 1, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;so sweet&amp;quot; (March 4, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;Lil Shawty&amp;quot; (March 4, 2014) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;U My Shawty&amp;quot; (March 5, 2014) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;Flashing Lights Freestyle&amp;quot; (March 6, 2014) ❓▶️&#xA;• Oliver Kites ~ &amp;quot;wwee mmaaddee iitt&amp;quot; (March 7, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;pu$$y&amp;quot; (March 8, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;Way U Move&amp;quot; (March 9, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Little Pineapple ~ kawaii radio beach party bootleg ~&amp;quot; (March 10, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;~ jiggy ~&amp;quot; (March 12, 2014) ❓🔒&#xA;• Oliver Kites ~ &amp;quot;icemane420 ~ majin buu rework ~&amp;quot; (March 14, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;~ kkkkuuuusssshhhh ~&amp;quot; (March 15, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;Citgo 2 Screwx&amp;quot; (March 17, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;ursher ~ kawaii radio beach party bootleg ~&amp;quot; (March 19, 2014) 🔒&#xA;• Oliver ~ Oliver EP (March 23, 2014) 💿🎸&#xA;• Oliver ~ DEMOS 2013 (March 23, 2014) 💿🎸&#xA;• Oliver Kites ~ &amp;quot;riley&amp;quot; (March 27, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;all me screwx&amp;quot; (March 27, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;guts 2 (black dragon freestyle)&amp;quot; (March 28, 2014) ❓🔒&#xA;• Oliver Kites ~ &amp;quot;cloudboys (OG)&amp;quot; (March 29, 2014) ❓🔒&#xA;• Oliver Kites ~ &amp;quot;cloud&amp;quot; (March 31, 2014) ▶️&#xA;• Oliver Kites ~ &amp;quot;Wasn't Me&amp;quot; (April 3, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;Shaggyb Screwx&amp;quot; (April 3, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;Bound 3&amp;quot; (April 4, 2014) ▶️🔒&#xA;• Oliver ~ It's Not Working Out (April 10, 2014) 💿🎸&#xA;• Mr.Sisco ~ &amp;quot;That Same Nigga&amp;quot; (April 17, 2014) 🎹&#xA;• Oliver Kites ~ &amp;quot;cloudboys&amp;quot; (April 18, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;boof&amp;quot; (April 21, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;Lido X Yung Lean X Oliver ~ lil rework ~&amp;quot; (April 21, 2014) ❓🔒&#xA;• Oliver Kites ~ &amp;quot;Lido X Yung Lean X Oliver &amp;quot; (April 22, 2014) 🔒&#xA;• Oliver ~ &amp;quot;Complicated&amp;quot; (May 7, 2014) ▶️&#xA;• Oliver Kites &amp;amp; slvter ~ &amp;quot;Think I'm Q Tip&amp;quot; (May 11, 2014) 🔒&#xA;• Oliver ~ &amp;quot;Alone Song&amp;quot; (May 12, 2014) ▶️&#xA;• Oliver Kites ~ &amp;quot;Stars (blazefest2012) (May 24, 2014) ▶️&#xA;• Oliver ~ &amp;quot;Bedroom Arsonist&amp;quot; (May 24, 2014) ▶️&#xA;• Oliver ~ &amp;quot;Throne&amp;quot; (June 6, 2014) ❓▶️&#xA;• Oliver ~ &amp;quot;Laundry&amp;quot; (June 10, 2014) ❓▶️&#xA;• Glory Days ~ &amp;quot;Jennifer's Body&amp;quot; (June 12, 2014) ▶️&#xA;• Oliver Kites ~ &amp;quot;ovoliver&amp;quot; (June 15, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;(man Of The Year Freestyle)&amp;quot; (June 21, 2014) 🔒&#xA;• Oliver ~ &amp;quot;Empty Handed&amp;quot; (July 13, 2014) ▶️&#xA;• Oliver Kites ~ &amp;quot;22&amp;quot; (July 20, 2014) ▶️🔒&#xA;• Oliver ~ &amp;quot;Telephone&amp;quot; (July 23, 2014) ▶️&#xA;• Oliver Kites ~ &amp;quot;Ford Explorer X Drake&amp;quot; (July 26, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;morpheus&amp;quot; (August 3, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;koume&amp;quot; (August 13, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;Tease (full song ALMOST) ((should i do another verse maybe?))&amp;quot; ~ (August 17, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;TBRN&amp;quot; (August 20, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;u want me screwx ~ kawaii trap casette tape rip ~&amp;quot; (August 25, 2014) ❓🔒&#xA;• Oliver Kites ~ &amp;quot;stars&amp;quot; (August 31, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;weezy&amp;quot; (September 12, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;bae21&amp;quot; (September 14, 2014) ▶️🔒&#xA;• Oliver Kites ~ &amp;quot;flower&amp;quot; (September 14, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;french inhale&amp;quot; (September 18, 2014) ❓🔒&#xA;• Oliver Kites ~ &amp;quot;breaking bad&amp;quot; (September 22, 2014) ❓🔒&#xA;• Oliver Kites ~ &amp;quot;nardis&amp;quot; (September 23, 2014) ❓🔒&#xA;• Oliver Kites ~ &amp;quot;free gucci mane&amp;quot; (October 12, 2014) 🔒&#xA;• Oliver ~ &amp;quot;Lucky Star&amp;quot; (October 23, 2014) ▶️&#xA;• Oliver Kites ~ &amp;quot;asap oli&amp;quot; (November 16, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;free gucci mane pt. 2&amp;quot; (December 2, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;weezy x nardis&amp;quot; (December 23, 2014) 🔒&#xA;• Oliver Kites ~ &amp;quot;im going nowhere&amp;quot; (December 27, 2014) 🔒2015 ✦• Oliver ~ &amp;quot;stroke thzat thuing&amp;quot; (January 5, 2015) ❓🔒&#xA;• Oliver ~ &amp;quot;without you freestyle&amp;quot; (January 13, 2015) ❓🔒&#xA;• Oliver ~ &amp;quot;Hit It In The Trap 100&amp;quot; (January 18, 2015) 🔒&#xA;• Oliver ~ &amp;quot;shilohdynasty&amp;quot; (January 19, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;Summer Nights&amp;quot; (February 3, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;topanga&amp;quot; (February 20, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;Shadow Hearts&amp;quot; (February 21, 2015) ❓🔒&#xA;• Oliver ~ &amp;quot;TIWK (OG)&amp;quot; (March 1, 2015) 🔒&#xA;• Oliver ~ &amp;quot;Can I Flex&amp;quot; (March 4, 2015) 🔒&#xA;• Oliver ~ stars (March 5, 2015) 💿🎸&#xA;• Oliver ~ &amp;quot;vans screwx&amp;quot; (March 13, 2015) 🔒&#xA;• Oliver ~ &amp;quot;Flex&amp;quot; (March 25, 2015) 🔒&#xA;• Oliver ~ &amp;quot;yeenreally&amp;quot; (March 26, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;Banana Sake (OG)&amp;quot; (March 28, 2015) 🔒&#xA;• Oliver ~ Demo 2014 (April 22, 2015) 💿🎸&#xA;• Oliver ~ &amp;quot;The Drama Club&amp;quot; (April 26, 2015) ▶️🎸&#xA;• Glory Days ~ Sad Like You Want To Be (May 8, 2015) 💿▶️🎸&#xA;• Oliver ~ Gold Vol. 1 (May 20, 2015) 💿🎸&#xA;• Oliver ~ &amp;quot;tunchi&amp;quot; (May 22, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;Rrari Freestyle&amp;quot; (July 4, 2015) 🔒&#xA;• Oliver ~ &amp;quot;Backwoods Shawty (OG)&amp;quot; (July 15, 2015) 🔒&#xA;• Oliver ~ &amp;quot;icy boy&amp;quot; (July 19, 2015) 🔒&#xA;• Oliver ~ &amp;quot;LWTGG&amp;quot; (July 20, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;Work&amp;quot; (July 23, 2015) 🔒&#xA;• Oliver ~ &amp;quot;Lil Syrup&amp;quot; (July 23, 2015) 🔒&#xA;• Glory Days ~ &amp;quot;Jennifer's Body (Cassette Rip)&amp;quot; (August 2, 2015) 🎸&#xA;• Oliver ~ &amp;quot;23 (bby Thnk U) ((ballin like im jordan))&amp;quot; (August 9, 2015) ▶️🔒&#xA;• Glory Days ~ NAIL IN MY COFFIN (August 30, 2015) 💿🎸&#xA;• Oliver ~ &amp;quot;u dun feel me&amp;quot; (September 17, 2015) 🔒&#xA;• Oliver ~ &amp;quot;flip phone&amp;quot; (September 25, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;Long Time (Prod. By StewRat)&amp;quot; (September 26, 2015) 🔒&#xA;• Oliver ~ &amp;quot;Banana Sake&amp;quot; (September 28, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;big surf&amp;quot; (October 9, 2015) ▶️🔒&#xA;• Oliver ~ if you need a friend (October 17, 2015) 💿🎸&#xA;• Oliver ~ Club Swoosh (October 17, 2015) 💿🎸&#xA;• Oliver ~ &amp;quot;Eternal Sunshine (ballin like i'm kobe)&amp;quot; (October 21, 2015) 🔒&#xA;• Oliver ~ &amp;quot;TIWK&amp;quot; (November 2, 2015) 🔒&#xA;• Oliver ~ &amp;quot;three 6 forever&amp;quot; (November 18, 2015) ▶️🔒&#xA;• Oliver ~ &amp;quot;$pla$h Hou$e&amp;quot; (December 11, 2015) ▶️🔒&#xA;• Oliver ~ $pla$h Hou$e 3 (December 19, 2015) 💿🎸2016 ✦• Oliver ~ &amp;quot;ssuurrffiinn&amp;quot; (January 6, 2016) ▶️🔒&#xA;• Oliver ~ &amp;quot;bape freestyle&amp;quot; (February 6, 2016) ▶️🔒&#xA;• Oliver ~ &amp;quot;100 iPhones&amp;quot; (March 3, 2016) ▶️🔒&#xA;• Oliver ~ things aren't that simple (March 21, 2016) 💿🎸&#xA;• Oliver ~ &amp;quot;frfr&amp;quot; (May 9, 2016) ▶️🔒🎸&#xA;• Oliver ~ 2013 (May 17, 2016) 💿🎸&#xA;• Oliver ~ stars (Re-Release) (May 17, 2016) 💿🎸&#xA;• Oliver ~ &amp;quot;breezy&amp;quot; (May 22, 2016) ▶️🔒&#xA;• Oliver ~ &amp;quot;JOHNNY TSUNAMI&amp;quot; (July 11, 2016) ▶️🔒&#xA;• Sierra Kidd &amp;amp; Oliver ~ &amp;quot;Patron&amp;quot; (July 25, 2016) 🎤▶️&#xA;• Oliver ~ &amp;quot;peach nehi&amp;quot; (July 31, 2016) ▶️🔒&#xA;• Oliver ~ &amp;quot;wwaavvyy&amp;quot; (August 4, 2016) ▶️🔒&#xA;• Oliver &amp;amp; New York Nico ~ orange peels (August 15, 2016) 💿▶️🎸&#xA;• Oliver ~ burnout (August 25, 2016) 💿🎸&#xA;• Oliver ~ &amp;quot;money bags&amp;quot; (September 18, 2016) ▶️🔒&#xA;• vierre cloud &amp;amp; Oliver ~ &amp;quot;Aloe Vera Juice&amp;quot; (September 19, 2016) ▶️🔒&#xA;• Oliver &amp;amp; New York Nico ~ &amp;quot;camo shark purple piano&amp;quot; (October 9, 2016)&#xA;• Oliver ~ &amp;quot;Don't Do That&amp;quot; (October 14, 2016) ▶️🔒&#xA;• Oliver ~ bape music (November 16, 2016) 💿🎸&#xA;• Oliver ~ sleepy head radio vol. 1 (November 20, 2016) 💿▶️🎸&#xA;• Oliver Francis ~ &amp;quot;New Year's Day&amp;quot; (December 22, 2016) ▶️🔒🎸2017 ✦• Oliver Francis ~ &amp;quot;Good Life Freestyle&amp;quot; (February 19, 2017) ▶️&#xA;• Oliver Francis ~ Essentials (April 3, 2017)&#xA;• Oliver Francis ~ Chlorine (April 6, 2017) 💿🎸&#xA;• Oliver Francis ~ &amp;quot;The Mud&amp;quot; (April 22, 2017) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;GENE SIMMONS&amp;quot; (June 4, 2017) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;yeee&amp;quot; (July 12, 2017) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;bloom&amp;quot; (July 19, 2017) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;100k&amp;quot; (August 9, 2017) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;sonic&amp;quot; (September 13, 2017) ▶️🔒&#xA;• blackbear &amp;amp; Lil Aaron ~ &amp;quot;playboy shit&amp;quot; (October 6, 2017) 🎹&#xA;• Oliver Francis ~ TRU$T (October 6, 2017) ▶️&#xA;• Oliver Francis ~ A Million Miles An Hour (October 12, 2017) 💿&#xA;• Oliver Francis ~ &amp;quot;Gemini&amp;quot; (November 12, 2017) ▶️🔒2018 ✦• Oliver Francis ~ &amp;quot;Devil's Advocate&amp;quot; (January 1, 2018) ▶️🔒&#xA;• Oliver Francis &amp;amp; Big Baby Scumbag ~ &amp;quot;Carl Edwards&amp;quot; (January 18, 2018) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;TIDAL WAVE&amp;quot; (February 21, 2018) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;9,000&amp;quot; (March 29, 2018) ▶️🔒&#xA;• Oliver Francis ~ Infinity Boy (April 1, 2018) 💿&#xA;• Oliver Francis ~ &amp;quot;Morrissey&amp;quot; (June 1, 2018) 🔒&#xA;• Oliver Francis &amp;amp; Big Baby Scumbag ~ &amp;quot;WINDOWS DOWN&amp;quot; (June 29, 2018) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;ANTI-GRAV&amp;quot; (August 26, 2018) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;Kids In America&amp;quot; (September 25, 2018) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;HANZ FREESTYLE&amp;quot; (October 31, 2018) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;KAMABOKO&amp;quot; (December 12, 2018) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;dreamcast&amp;quot; (December 31, 2018) ▶️2019 ✦• Oliver Francis ~ &amp;quot;DANNY PHANTOM&amp;quot; (February 7, 2019) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;SEPHIROTH&amp;quot; (April 30, 2019) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;BERSERK&amp;quot; (May 25, 2019) ▶️🔒&#xA;• Oliver Francis ~ CROWN OF DEATH (June 7, 2019) 💿&#xA;• Oliver Francis ~ &amp;quot;Bullet Time Freestyle&amp;quot; (July 4, 2019) ▶️&#xA;• Oliver Francis ~ &amp;quot;Tangerine Summer&amp;quot; (September 25, 2019) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;FU2&amp;quot; (October 25, 2019) ▶️🔒&#xA;• Oliver Francis ~ The Adventures Of Oliver Francis (November 20, 2019) 💿2020 ✦• Oliver Francis ~ Block By Block West (May 16, 2020) 💿▶️&#xA;• Oliver Francis ~ &amp;quot;VIOLENCE&amp;quot; (September 16, 2020) ▶️🔒&#xA;• Oliver Francis &amp;amp; nothing,nowhere. ~ &amp;quot;No Angel&amp;quot; (December 24, 2020) ▶️2021 ✦• Oliver Francis ~ &amp;quot;TOXIC PARADISE&amp;quot; (March 4, 2021) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;STAR&amp;quot; (May 21, 2021) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;penthouse&amp;quot; (June 29, 2021) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;FRIENDS&amp;quot; (July 30, 2021) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;PMW&amp;quot; (August 20, 2021) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;All I Know&amp;quot; (September 3, 2021) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;money on my mind&amp;quot; (September 17, 2021) ▶️🔒&#xA;• Oliver Francis ~ Oli FM (October 1, 2021) 💿&#xA;• Oliver Francis ~ sleepy head radio vol. 2 (November 5, 2021) 💿▶️🔒&#xA;• Savage Ga$p &amp;amp; Oliver Francis ~ &amp;quot;my sanctuary ♥╣╠♥&amp;quot; (November 11, 2021) 🎤▶️🔒&#xA;• Savage Ga$p &amp;amp; Oliver Francis ~ &amp;quot;my sanctuary&amp;quot; (November 12, 2021) 🎤&#xA;• Oliver Francis ~ LIVE in Chicago (November 25, 2021) 💿▶️2022 ✦• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;Memory Loss&amp;quot; (May 5, 2022) ▶️🔒&#xA;• Oliver Francis &amp;amp; Violence Labs ~ Memory Loss (May 25, 2022) 💿&#xA;• Oliver Francis &amp;amp; Violence Labs ~ memory_lo55_reloaded (June 10, 2022) 💿&#xA;• Oliver Francis ~ &amp;quot;Freaks&amp;quot; (July 21, 2022) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;Bark At The Moon&amp;quot; (August 11, 2022) ▶️🔒&#xA;• Oliver Francis ~ Hijinks (September 2, 2022) 💿&#xA;• Oliver Francis ~ &amp;quot;Jolly Ranchers&amp;quot; (September 9, 2022) ▶️🔒&#xA;• Oliver Francis ~ pond scum (October 26, 2022) 💿&#xA;• Oliver Francis ~ &amp;quot;MAZDA FREESTYLE&amp;quot; (December 23, 2022) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;buss down iphone&amp;quot; (December 29, 2022) ▶️🔒2023 ✦• Oliver Francis ~ &amp;quot;tight rope&amp;quot; (January 2, 2023) ▶️&#xA;• Oliver Francis ~ &amp;quot;hour glass&amp;quot; (January 9, 2023) ▶️&#xA;• Oliver Francis ~ pond scum ~ b sides (January 17, 2023) 💿&#xA;• Oliver Francis ~ &amp;quot;PERFECT CELL&amp;quot; (February 1, 2023) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;swag jar jar binks&amp;quot; (February 9, 2023) 🔒&#xA;• Oliver Francis ~ &amp;quot;24K&amp;quot; (February 28, 2023) ▶️🔒&#xA;• Oliver Francis ~ &amp;quot;cloud 2 (OG)&amp;quot; (March 13, 2023) ▶️🔒&#xA;• Oliver Francis ~ OLIVER'S REVENGE (March 24, 2023) 💿▶️&#xA;• Oliver Francis ~ &amp;quot;DLC&amp;quot; (March 30, 2023) ▶️🔒&#xA;• LOCKED SHUT ~ Demo 23 (September 3, 2023) 💿🎸&#xA;• Oliver Francis ~ &amp;quot;cloud 2&amp;quot; (December 3, 2023) ▶️&#xA;• LOCKED SHUT ~ &amp;quot;ME VS. A BRICK WALL (SINGLE MIX)&amp;quot; (December 6, 2023) ▶️🎸2024 ✦• Savage Ga$p &amp;amp; Oliver Francis ~ &amp;quot;when you meet your god, tell him to leave me alone&amp;quot; (January 9, 2024) 🎤🔒&#xA;• Oliver Francis ~ &amp;quot;Swag Freestyle Pt. 1&amp;quot; (January 19, 2024) 🔒&#xA;• Oliver Francis ~ &amp;quot;Blue Skyline&amp;quot; (March 22, 2024) ▶️&#xA;• Oliver Francis ~ Overdrive (May 31, 2024) 💿&#xA;• LOCKED SHUT ~ &amp;quot;STEEL SPINE&amp;quot; (July 18, 2024) ▶️&#xA;• Oliver Francis ~ &amp;quot;ANGELS BLOOD&amp;quot; (July 25, 2024) ▶️&#xA;• LOCKED SHUT ~ &amp;quot;TOOTHACHE&amp;quot; (August 9, 2024) ▶️&#xA;• Oliver Francis ~ &amp;quot;GODS&amp;quot; (August 16, 2024)&#xA;• LOCKED SHUT ~ THE NEW CHAOS (August 23, 2024) 💿&#xA;• Oliver Francis ~ VIOLENCE (August 30, 2024) 💿2025 ✦• Oliver Francis ~ &amp;quot;northern lights&amp;quot; (January 1, 2025) 🔒▶️&#xA;• Oliver Francis ~ &amp;quot;recharge&amp;quot; (February 17, 2025) ▶️&#xA;• Oliver Francis ~ &amp;quot;motivation&amp;quot; ▶️Unreleased ✦Projects ✦• Oliver ~ dethkore musical (2009)&#xA;• Oliver ~ LYMAN TAPE (September 9, 2013)&#xA;• Oliver ~ Cave Story Mixtape (October 12, 2013)&#xA;• Oliver ~ GOLD Vol. 1 (December 20, 2013)&#xA;• Oliver ~ GOLD Vol. 2 (2013)&#xA;• Treebeard ~ TREEBEARD DEMOS 2014 (March 7, 2014)&#xA;• Treebeard ~ no matter what happens, I'll always be with you (2014)&#xA;• Oliver ~ Blue Dragon Mixtape (2015)&#xA;• Oliver ~ kawaii radio vol. 1 (2016)&#xA;• Oliver ~ other trash (August 20, 2016)&#xA;• Oliver Francis ~ Overdrive 1992 (2017)&#xA;• Oliver Francis ~ Overrdrive (2018)&#xA;• Oliver Francis &amp;amp; Big Baby Scumbag ~ Oliver x Big Baby Scumbag Mixtape (2018)&#xA;• Oliver Francis ~ Nail In My Coffin (2019)&#xA;• Oliver Francis ~ bape music 2 (2019)&#xA;• Oliver Francis ~ Untitled Emo Project (2019)&#xA;• Oliver Francis &amp;amp; Violence Labs ~ Untitled Nu-Metal Project (2022)&#xA;• Oliver Francis ~ things aren't that simple 2 (2022)&#xA;• Oliver Francis ~ OLIVER'S REVENGE PT. 2 (2023)Music Videos ✦• Glory Days Unreleased Video (2015) ❓&#xA;• Oliver ~ comfortable (May 17, 2017) 🤯&#xA;• Oliver &amp;amp; Cold Hart ~ Summer '17 (2017) ❓&#xA;• Oliver ~ DEAD OR ALIVE FREESTYLE (OG) (2019) ❓&#xA;• Oliver &amp;amp; Cold Hart ~ Vvs Tear Drops (2019) ❓2009 ✦• Oliver ~ dethkore musical (Unknown) 💿🤯2012 ✦• Oliver ~ &amp;quot;Alabastor Lamborghini (Alternate Version)&amp;quot; (Unknown) 🤯2013 ✦• Oliver Kites ~ &amp;quot;lording&amp;quot; (Unknown) 🤯&#xA;• Oliver Kites ~ &amp;quot;u kno (no samples)&amp;quot; (Unknown) 🤯&#xA;• Treebeard ~ &amp;quot;Nick Fast Chords&amp;quot; 🤯&#xA;• Treebeard ~ &amp;quot;Nick Song 2&amp;quot; 🤯&#xA;• Treebeard ~ &amp;quot;fuck&amp;quot; 🤯&#xA;• Treebeard ~ &amp;quot;D Minor Song&amp;quot; 🤯&#xA;• Treebeard ~ &amp;quot;Constance (Demo)&amp;quot; 🤯&#xA;• Treebeard ~ &amp;quot;Alone Song (Demo)&amp;quot; 🤯&#xA;• Treebeard ~ &amp;quot;Maru Socku&amp;quot; 🤯&#xA;• Treebeard ~ &amp;quot;Glory Of The Chosen (Demo)&amp;quot; 🤯&#xA;• Treebeard ~ &amp;quot;WITCH MOON (NOT TRUDS)&amp;quot; 🤯2014 ✦• Oliver Kites &amp;amp; slvter ~ &amp;quot;vc&amp;quot; (Unknown) 🤯&#xA;• Treebeard ~ &amp;quot;Memory (the true master song)&amp;quot; (Unknown) 😞&#xA;• Treebeard ~ TREEBEARD DEMOS 2014 (March 7, 2014) 💿🤯2015 ✦• Oliver ~ &amp;quot;30 days of sprite&amp;quot; (Unknown) 😞&#xA;• Oliver ~ &amp;quot;Ride With Me*&amp;quot; (Unknown) 😞&#xA;• Oliver ~ &amp;quot;Pop That*&amp;quot; (Unknown) 😞&#xA;• Oliver ~ &amp;quot;Big Money*&amp;quot; (Unknown) 😞2016 ✦• Oliver ~ &amp;quot;ice castle (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver ~ &amp;quot;Untitled Christmas Lo-Fi Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver ~ &amp;quot;friendly (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver, Fat Nick, &amp;amp; Riff Raff ~ &amp;quot;Untitled Collab*&amp;quot; (Unknown) 😞&#xA;• Oliver ~ &amp;quot;jet ski freestyle (OG)&amp;quot; (September 13, 2016) 🤯&#xA;• Oliver ~ &amp;quot;money bags (OG)&amp;quot; (September 13, 2016) 🤯&#xA;• Oliver ~ &amp;quot;cloud (OG)&amp;quot; (May 20, 2016) 🤯&#xA;• Oliver &amp;amp; c ~ &amp;quot;fuck myself&amp;quot; (September 13, 2016) 🤯&#xA;• Oliver &amp;amp; c ~ &amp;quot;GLO BOY&amp;quot; (September 15, 2016) 🤯&#xA;• Oliver ~ &amp;quot;sry lil death&amp;quot; (September 16, 2016) 🤯&#xA;• vierre cloud &amp;amp; Oliver ~ &amp;quot;lil head ass&amp;quot; (September 16, 2016) 🤯&#xA;• vierre cloud &amp;amp; Oliver ~ &amp;quot;lil head ass (ROUGH DRAFT 2/2)&amp;quot; (September 16, 2016) 🤯&#xA;• Oliver ~ &amp;quot;all day&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;audi&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;necklace&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;waifu&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;aquafina wrist&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;stay with me&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;ape escape (uma thurman) &amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;ape escape (uma thurman) (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;Can't Handle My Love (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;jet ski freestyle 2&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;diddy kong racing&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;diddy kong racing 2&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;Jellyfish (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;shed no tears (prod yunglowsock)&amp;quot; (Unknown) 🤯&#xA;• Oliver ~ &amp;quot;mud&amp;quot; (Unknown) 😞&#xA;• Oliver ~ &amp;quot;tommy jeans vacation (prod by sadderryuken)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Celebration (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;Nothing Gold Can Stay (OG)&amp;quot; (Unknown) 🤯2017 ✦• Oliver Francis ~ &amp;quot;como to london&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;hypocrite freestyle&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;friendly&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;chlorine&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;hennessy song&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;windows down (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;The Words&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;hold up&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;sooner or later&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;LKIR&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;til my death&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Medicinal Marijuana/Travis Pastrana*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled AMMAH Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Carl Edwards (OG)&amp;quot; (Unknown)&#xA;• Oliver Francis ~ &amp;quot;Falling In Love&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Chernobyl (OG)&amp;quot; (Unknown) 😞2018 ✦• Oliver Francis ~ &amp;quot;Love...*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Andrew Buenos*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Final Form&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Overrdrive&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Bacon &amp;amp; Eggs (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;DEPTH OF YOUR LOVE (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Nag Champa&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;KAMABOKO (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Kids In America (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled Lo-Fi Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Matrix (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Champagne Supernova&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Wet Wet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Glass House (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Glass House (Final)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled Door Snippet&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;KAMABOKO v2&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;KAMABOKO v3&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;KAMABOKO v4&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled Tour Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Way Of The Samurai&amp;quot; (Unknown) 😞2019 ✦• Oliver Francis ~ Nail In My Coffin (Unknown) 💿🤯&#xA;• Oliver Francis &amp;amp; Marco XO ~ &amp;quot;Fwmd&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Sucker Free Sundays (v2)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled BOTW Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Blue Ribbon/Love Note*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;FU2 (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled Instrumental*&amp;quot; (Unknown) 😞2020 ✦• Oliver Francis ~ &amp;quot;Untitled Guitar Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Stone Cold*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled Melodic Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Extendo Clips*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;VIOLENCE (Remix)*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;MADAMOSIELLE ROUGH MIX&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;Mademoiselle_2.12.20.mp3&amp;quot; (February 12, 2020) 🤯&#xA;• Oliver Francis ~ &amp;quot;War Zone&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;super soaker&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;FREAKS (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;FREAKS (v2)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;BARK AT THE MOON (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;BARK AT THE MOON (v2)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;STAR (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;STAR (v2) (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;DOOM (TOXIC PARADISE OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;TOXIC PARADISE (v2)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis &amp;amp; Jay Vee ~ UNDERWATER (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;woke up lit&amp;quot; (Unknown) 🤯2021 ✦• Oliver Francis ~ &amp;quot;TOXIC PARADISE (Remix)*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;RACKS ON RACKS&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;pink champagne&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis &amp;amp; lil aaron ~ &amp;quot;can't stop going in&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis &amp;amp; lil aaron ~ &amp;quot;Untitled Collab*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;PRETTY RICKY&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;FUNCTION&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;MIDA$ FLOW&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;HIT DA FLOOOOOOOW&amp;quot; (Unknown) 🤯&#xA;• EKKSTACY &amp;amp; Oliver Francis ~ &amp;quot;letter (OG)&amp;quot; (Unknown) 😞&#xA;• EKKSTACY &amp;amp; Oliver Francis ~ &amp;quot;letter&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;lin0lium&amp;quot; (Unknown) 😞&#xA;• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;amnesia state&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;MOB (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Flashing Lights*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Slomo (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Vanilla Orchids*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Memory Loss (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;FRIENDS (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;MONEY ON MY MIND (OG) (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;INTERLUDE 1&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;DEPTH OF YOUR LOVE&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;ALL I KNOW (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;PMW (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;INTERLUDE 2&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;PARADISE&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;POISEN&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;ENCRYPTED&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;ANESTHETIC (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;GODS (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;VENOM (OG)&amp;quot; (Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;VENOM (v2)&amp;quot; (Unknown) 🤯2022 ✦• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;Untitled Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;Bleed&amp;quot; (Unknown) 😞&#xA;• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;Psycho&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled TATS 2 Snippet*&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Jolly Ranchers (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;Suffocating&amp;quot; (Unknown) 😞&#xA;• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;AAHHYEAHH&amp;quot; (Unknown) 😞&#xA;• Oliver Francis &amp;amp; Violence Labs ~ &amp;quot;TOXIC PARADISE&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Hunned Bands Freestyle (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Michaelangelo (OG)&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Untitled Instrumental&amp;quot; (Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;snowmaggeddon2022 (OG)&amp;quot;(Unknown) 😞&#xA;• Oliver Francis ~ &amp;quot;Anthony Kiedis&amp;quot;(Unknown) 🤯&#xA;• Oliver Francis ~ &amp;quot;ssuurrff's up pt 1&amp;quot; (July 14, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;GREMLIN MODE&amp;quot; (July 14, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;Jolly X 6&amp;quot; (September 11, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;MICHAELANGELO v2&amp;quot; (October 1, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;PEBBLE STONE PATH&amp;quot;(October 7, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;Yin Yang&amp;quot; (October 16, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;7&amp;quot; (October 18, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;Mr Deeds&amp;quot;(October 19, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;Michaelangelo v3&amp;quot;(October 19, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;LAUNDRY DAY&amp;quot; (October 22, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;TIGHT ROPE Mix 2&amp;quot; (October 22, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;HOUR GLASS Mix 2&amp;quot; (October 22, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;TIGHT ROPE Mix 3&amp;quot; (October 23, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;TIGHT ROPE Mix 5&amp;quot; (October 25, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;MICHAELNGELO HEVY&amp;quot; (October 25, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;Black Sword Man Night Core&amp;quot; (October 29, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;Black Sword Man Night Core 2&amp;quot; (October 29, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;Mike Take 10000&amp;quot; (November 2, 2022) 🤯&#xA;• Oliver Francis ~ &amp;quot;snowmageddon2022&amp;quot; (December 22, 2022) 🤯2023 ✦• Oliver Francis ~ &amp;quot;don't make no meme rap*&amp;quot; (Unknown) 😞&#xA;• BACK OFF ~ &amp;quot;SHOVEL&amp;quot; (March 22, 2023) 🤯&#xA;• BACK OFF ~ &amp;quot;GASOLINE&amp;quot; (March 22, 2023) 🤯&#xA;• BACK OFF ~ &amp;quot;FAST SONG&amp;quot; (March 22, 2023) 🤯&#xA;• BACK OFF ~ &amp;quot;STOMP YOU (v1) (March 22, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;SSGSS&amp;quot; (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;RELOAD FREESTYLE&amp;quot;  (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;VILLAIN ARCH&amp;quot; (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;VOMIT&amp;quot; (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;GORDON RAMSAY&amp;quot; (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;OUTTA DA BENZ&amp;quot; (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;KUSH IN MY CARRY-ON&amp;quot; (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;JUICE&amp;quot; (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;PURPLE FLOWERS&amp;quot; (June 12, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;strawberries&amp;quot; (August 29, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;rip stuckys&amp;quot;(August 29, 2023) 🤯&#xA;• Oliver Francis ~ &amp;quot;Mr. Deeds (Alternate Version)&amp;quot; (August 29, 2023) 🤯" PRODUCER="Don't Just..." 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<INFO BITRATE="954000" KEY_LYRICS="1 ContributorAshes II Lyrics&#xA;You rise from the ashes&#xA;To swim in the ocean&#xA;To put out the fire&#xA;That burns in your mind&#xA;You fell from your highest&#xA;But maybe I'm biased&#xA;Or maybe I loved you&#xA;At all the wrong times&#xA;At all the wrong times&#xA;&#xA;&#xA;So l won't tell you I need you&#xA;I can't even see you&#xA;I don't even know who you are&#xA;In your eves&#xA;In your lies&#xA;In your perfect disguise&#xA;You can call it whatever you want&#xA;&#xA;&#xA;We ring in the New Year&#xA;But there's nothing new here&#xA;There's nothing waiting&#xA;On thе other side&#xA;So, l'll say goodbye&#xA;&#xA;So don't tеll me you need me&#xA;You can't even see me&#xA;You don't even know who I am&#xA;In your eves&#xA;In your lies&#xA;In your perfect disguise&#xA;You can call it whatever you want&#xA;&#xA;&#xA;Listen&#xA;From the moment that I seen her&#xA;I knew that I would show a false demeanor&#xA;And focus on a steez that would bring her&#xA;That weakness in her knees inviting me to make her sing&#xA;Like Aretha, or Tamia, or Tweet, or even Anita&#xA;But nah&#xA;I'm not a G, son, no desire to be one&#xA;But she's done got me being someone that would cause unease&#xA;Just for a waft of she&#xA;Lust&#xA;I mean such is all I'm really feeling&#xA;Just want her heels to the ceiling screaming&#xA;God&#xA;But God sees what I be on, word is bond&#xA;I swear to God, I'll seethe with Beelzebub if I accomplish&#xA;Ma just&#xA;Said she wants to meet up&#xA;We'll meet up&#xA;But she'll have no idea of my honest ID 'cuz&#xA;She thinks my name is Steve&#xA;Thinks I'm from the D&#xA;Thinks I'm even inked with BBE&#xA;Thinks that I'm on tour about leave tomorrow evening&#xA;Proceeding overseas&#xA;With Joan and HR and the team&#xA;&#xA;So don't tell her you need her&#xA;You can't even see her&#xA;She thinks that you're all that she's got in your eyes&#xA;In your lies&#xA;In your perfect disguise&#xA;Now she thinks that you're someone vou're not&#xA;In your eyes&#xA;In your lies&#xA;In your perfect disguise&#xA;You can call it whatever you want&#xA;Whatever you want" PRODUCER="(P) 2024 Mutual Pleasure" COVERARTID="096/ATFG2AARYX24BAK3BVT3DPHVM2TD" KEY="6m" PLAYCOUNT="4" PLAYTIME="250" PLAYTIME_FLOAT="249.960007" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/5/28" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="29362" COLOR="4"></INFO>
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<INFO BITRATE="873000" KEY_LYRICS="19 ContributorsTranslationsEspañolPortuguês​stayinit Lyrics&#xA;I know you&#xA;Gotta let the pain see more rain than most do&#xA;Realize every moment won't be perfect, but I do&#xA;Enjoy all the mistakes that I made with you, with you&#xA;You do, you do, you do&#xA;&#xA;&#xA;You've got a life&#xA;You've got a life&#xA;You've got a life&#xA;Stay in it&#xA;You've got a life&#xA;You've got a life&#xA;You've got a life&#xA;Stay in it&#xA;&#xA;&#xA;You've got a&#xA;You've got a&#xA;You've got a&#xA;You've got a&#xA;&#xA;&#xA;I know you&#xA;Live by the sun, but always run into rain&#xA;Those opioids don't heal your pain, alright&#xA;Your pain, ah&#xA;&#xA;You've got a life&#xA;You've got a life&#xA;You've got a life&#xA;Stay in it&#xA;You've got a life&#xA;You'vе got a life&#xA;You've got a life&#xA;Stay in it&#xA;&#xA;&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it&#xA;Stay in it, stay in it, stay in it, stay in it" PRODUCER="Under exclusive licence to Warner Music UK Limited, an Atlantic Records UK release, ℗ 2024 Fred Gibson" COVERARTID="001/BM3O4FBI4H0DVBZNPQ1ZA4HIMD2B" KEY="11m" PLAYCOUNT="1" PLAYTIME="275" PLAYTIME_FLOAT="274.925385" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="29785" COLOR="3"></INFO>
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<INFO BITRATE="817000" KEY_LYRICS="2 ContributorsMedia Killed The Royalty Star LyricsWe fell in love with Princess Di in '82&#xA;The press was photographing everything she'd do&#xA;They tracked her everywhere from here to Timbuktu&#xA;Oh-a oh-a&#xA;&#xA;They took their photos, no respect for privacy&#xA;Using the latest in zoom lens technology&#xA;And then they chased her through the streets of gay Paris&#xA;Oh-a oh-a&#xA;They act like children&#xA;Oh-a oh-a&#xA;Someone should tell them&#xA;&#xA;Media killed the royalty star&#xA;Media crashed the royalty's car&#xA;The paparazzi go too far&#xA;Oh-a-a-a oh&#xA;&#xA;I'm in the checkout line, it's moving rather slow&#xA;I glance around and see the tabloids down below&#xA;Those slimy bastards, they'll never get my dough&#xA;Oh-a oh-a&#xA;They are the worst scum&#xA;Oh-a oh-a&#xA;You shouldn't buy them&#xA;Media killed the royalty star&#xA;Media crashed the royalty's car&#xA;The Princess' death has broke our hearts&#xA;The paparazzi went too far&#xA;It's time to stop harassing stars&#xA;And drunken chauffeurs shouldn't be driving their cars&#xA;&#xA;Too far, they know who they are&#xA;Too far, you know who you are&#xA;&#xA;Media killed the royalty star&#xA;Media crashed the royalty's car&#xA;Media killed the royalty star (Too far, you know who you are)&#xA;Media crashed the royalty's car&#xA;Media killed the royalty star (Too far, you know who you are)&#xA;Media crashed the royalty's car" PRODUCER="Royal-T Music" COVERARTID="119/XPKD4UDRF12YMAHF5XDBBLFKV10C" KEY="8m" PLAYCOUNT="1" PLAYTIME="192" PLAYTIME_FLOAT="191.874985" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/4/9" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="19708" COLOR="1"></INFO>
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<INFO BITRATE="877285" KEY_LYRICS="1 ContributorCovenant LyricsI see that your empty&#xA;Thirsting, starving&#xA;Come to me in solace&#xA;Open and pure&#xA;You've come so far for refuge&#xA;Fleeing seraphs&#xA;As long as you believe it&#xA;Your faith shall not lead you astray&#xA;&#xA;The thousands I have cleansed here&#xA;Mean nothing to me anymore&#xA;Take all that which you hold dear&#xA;For soon you'll pass through holy doors&#xA;&#xA;Desolation is peace&#xA;When the flames burn clean&#xA;Cacophony turned to silence&#xA;Transformation obscene&#xA;&#xA;All I ask is that you bow before my humble glory&#xA;Now follow me and carve your own wretched story&#xA;&#xA;Into this covenant&#xA;Create this covenant&#xA;&#xA;Just know that I've returned&#xA;As your salvation&#xA;Come with me into the dark&#xA;To witness devastation&#xA;Desolation is peace&#xA;When the flames burn clean&#xA;Cacophony turned to silence&#xA;Transformation obscene&#xA;&#xA;All I ask is that you bow before my humble glory&#xA;Now follow me and carve your own wretched story&#xA;&#xA;This path that must be walked&#xA;Will test your feeble strength&#xA;As far as you can go&#xA;Along unending lengths&#xA;&#xA;To seal this covenant&#xA;&#xA;The future foreboding&#xA;Unveils this heinous story&#xA;Prepare for your last breath&#xA;The only certainty is death" PRODUCER="Oppidan" COVERARTID="101/FPAR1VCDKM3M0ABXPLCVDR3CZYPC" KEY="2m" PLAYCOUNT="4" PLAYTIME="262" PLAYTIME_FLOAT="261.818176" IMPORT_DATE="2025/4/9" LAST_PLAYED="2025/5/28" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="28547" COLOR="4"></INFO>
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<INFO BITRATE="974790" KEY_LYRICS="89 ContributorsTranslationsDeutschY.M.C.A. LyricsThe opening track and lead single of the Village People’s 1978 album Cruisin'. At first, “Y.M.C.A.” appears to be expressing the virtues of the titular Young Men’s Christian Association, a worldwide… Read More &#xA;Young man, there's no need to feel down, I said&#xA;Young man, pick yourself off the ground, I said&#xA;Young man, 'cause you're in a new town&#xA;There's no need to be unhappy&#xA;Young man, there's a place you can go, I said&#xA;Young man, when you're short on your dough you can&#xA;Stay there and I'm sure you will find&#xA;Many ways to have a good time&#xA;&#xA;&#xA;It's fun to stay at the Y.M.C.A. &#xA;It's fun to stay at the Y.M.C.A. &#xA;They have everything for young men to enjoy&#xA;You can hang out with all the boys&#xA;It's fun to stay at the Y.M.C.A. &#xA;It's fun to stay at the Y.M.C.A. &#xA;You can get yourself clean, you can have a good meal&#xA;You can do whatever you feel&#xA;&#xA;&#xA;Young man, are you listening to me? I said&#xA;Young man, what do you want to be? I said&#xA;Young man, you can make real your dreams&#xA;But you've got to know this one thing&#xA;No man does it all by himself, I said&#xA;Young man, put your pride on the shelf&#xA;And just go there, to the Y.M.C.A. &#xA;I'm sure they can help you today&#xA;&#xA;It's fun to stay at the Y.M.C.A. &#xA;It's fun to stay at the Y.M.C.A. &#xA;They have everything for young men to enjoy&#xA;You can hang out with all the boys&#xA;It's fun to stay at the Y.M.C.A. &#xA;It's fun to stay at the Y.M.C.A. &#xA;You can get yourself clean, you can have a good meal&#xA;You can do whatever you feel&#xA;&#xA;&#xA;Young man, I was once in your shoes, I said&#xA;I was down and out with the blues, I felt&#xA;No man cared if I were alive&#xA;I felt the whole world was so jive&#xA;That's when someone came up to me and said&#xA;&amp;quot;Young man, take a walk up the street&#xA;It's a place there called the Y.M.C.A. &#xA;They can start you back on your way&amp;quot;&#xA;&#xA;&#xA;It's fun to stay at the Y.M.C.A. &#xA;It's fun to stay at the Y.M.C.A. &#xA;They have everything for young men to enjoy&#xA;You can hang out with all the boys&#xA;&#xA;Y.M.C.A., it's fun to stay at the&#xA;Y.M.C.A. &#xA;Young man, young man, there's no need to feel down&#xA;Young man, young man, get yourself off the ground&#xA;&#xA;&#xA;&#xA;&#xA;Y.M.C.A., it's fun to stay at the&#xA;Y.M.C.A. &#xA;Young man, young man, are you listening to me?&#xA;Young man, young man, what do you wanna be?&#xA;Y.M.C.A., you'll find it at the&#xA;Y.M.C.A. &#xA;No man, no man does it all by himself&#xA;Young man, young man, put your pride on the shelf&#xA;Y.M.C.A. and just go to the&#xA;Y.M.C.A. &#xA;Young man, young man, I was once in your shoes&#xA;Young man, young man, I was down with the blues&#xA;Y.M.C.A., it's fun to stay at the" PRODUCER="Can't Stop Productions NYC 1978" COVERARTID="110/OP055ZAA5FKRYDNKNLN5CVQAZT4D" PLAYTIME="287" PLAYTIME_FLOAT="286.799988" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="34494"></INFO>
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<INFO BITRATE="1091816" KEY_LYRICS="15 ContributorsBorn to Be Alive Lyrics&#xA;We were born to be—&#xA;Alive!&#xA;We were born to be—&#xA;Alive!&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;&#xA;&#xA;People asked me why I never&#xA;Find a place to stop and settle&#xA;Down, down, down&#xA;But I never wanted all those things&#xA;People need to justify their&#xA;Lives, lives, lives&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;&#xA;Time was on my side when I was&#xA;Running down the street, it was no&#xA;Bind, bind, bind&#xA;A suitcase and an old guitar and&#xA;Something new to occupy my&#xA;Mind, mind, mind&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive" PRODUCER="Jean Van Loo" COVERARTID="056/YF4GBAB0KSDBMAFFD1VFARXWYDIC" PLAYTIME="189" PLAYTIME_FLOAT="188.133331" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="25513"></INFO>
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<INFO BITRATE="1002082" KEY_LYRICS="27 ContributorsTranslationsFrançaisEspañolDeutschTürkçeالعربيةFreed from Desire Lyrics&#xA;My love has got no money, he's got his strong beliefs&#xA;My love has got no power, he's got his strong beliefs&#xA;My love has got no fame, he's got his strong beliefs&#xA;My love has got no money, he's got his strong beliefs&#xA;&#xA;&#xA;Want more and more, people just want more and more&#xA;Freedom and love, what he's looking for&#xA;Want more and more, people just want more and more&#xA;Freedom and love, what he's looking for&#xA;&#xA;&#xA;Freed from desire, mind and senses purified&#xA;Freed from desire, mind and senses purified&#xA;Freed from desire, mind and senses purified&#xA;Freed from desire&#xA;&#xA;&#xA;Na-na-na-na-na-na-na, na-na-na, na-na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na&#xA;&#xA;&#xA;My love has got no money, he's got his strong beliefs&#xA;My love has got no power, he's got his strong beliefs&#xA;My love has got no fame, he's got his strong beliefs&#xA;My love has got no money, he's got his strong beliefs&#xA;&#xA;Want more and more, people just want more and more&#xA;Freedom and love, what he's looking for&#xA;Want more and more, people just want more and more&#xA;Freedom and love, what he's looking for&#xA;&#xA;&#xA;Freed from desire, mind and senses purified&#xA;Freed from desire, mind and senses purified&#xA;Freed from desire, mind and senses purified&#xA;Freed from desire&#xA;&#xA;&#xA;Na-na-na-na-na-na-na, na-na-na, na-na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na&#xA;&#xA;&#xA;&#xA;&#xA;Na-na-na-na-na-na-na, na-na-na, na-na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na-na&#xA;Na-na-na-na-na-na-na, na-na-na, na-na" PRODUCER="Do It Yourself Multimedia Group S.r.l. Unipersonale (Italy), Mollyville Publishing S.r.l." COVERARTID="014/OYIZ5NDKFEGRVCHL0NWBBRVT1E5C" PLAYCOUNT="2" PLAYTIME="214" PLAYTIME_FLOAT="213.394287" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/19" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="26343"></INFO>
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<INFO BITRATE="982685" KEY_LYRICS="104 ContributorsTranslationsFrançaisDeutschBarbie Girl Lyrics&#xA;Hiya, Barbie&#xA;Hi, Ken&#xA;You wanna go for a ride?&#xA;Sure, Ken&#xA;Jump in&#xA;&#xA;&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;Come on, Barbie, let's go party&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;&#xA;&#xA;I'm a blonde bimbo girl in a fantasy world&#xA;Dress me up, make it tight, I'm your dolly&#xA;You're my doll, rock and roll, feel the glamor in pink&#xA;Kiss me here, touch me there, hanky-panky&#xA;&#xA;&#xA;You can touch, you can play&#xA;If you say I'm always yours, ooh woah&#xA;&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;&#xA;&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;&#xA;&#xA;Make me walk, make me talk, do whatever you please&#xA;I can act like a star, I can beg on my knees&#xA;Come jump in, bimbo friend, let us do it again&#xA;Hit the town, fool around, let's go party&#xA;&#xA;&#xA;You can touch, you can play&#xA;If you say I'm always yours&#xA;You can touch, you can play&#xA;If you say I'm always yours&#xA;&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;&#xA;&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;&#xA;&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;&#xA;Oh, I'm having so much fun&#xA;Well, Barbie, we're just getting started&#xA;Oh, I love you Ken" PRODUCER="℗ 1997 Universal Music (Denmark) A/S" COVERARTID="075/L0KQK2BYBIXFICMRIQHWCFRBVJ4A" PLAYTIME="198" PLAYTIME_FLOAT="197.960007" IMPORT_DATE="2025/4/14" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="24094"></INFO>
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<INFO BITRATE="956268" KEY_LYRICS="1 ContributorBAD BOYS Lyrics&#xA;Oh honey I stopped breathing when you looked at me&#xA;Am I the guy you like?&#xA;Although I'm not your type&#xA;&#xA;Your last boyfriend made me drunk with jealousy&#xA;I should have been with you&#xA;But now I'm done it's true&#xA;&#xA;&#xA;Silly girl&#xA;You're just treated wrong&#xA;And you hate your boyfriend&#xA;Though he don't know&#xA;&#xA;Will you be my girl?&#xA;You won't wait too long&#xA;You know, we'd stay on the phone at night till dawn baby&#xA;&#xA;&#xA;Stop girl, count to three&#xA;I said you don't want a guy like me&#xA;You like dream looks, fantasy&#xA;Because you love bad boys&#xA;&#xA;She said &amp;quot;oh no here we go&amp;quot;&#xA;She said &amp;quot;you're the man I love the most,”&#xA;“I need a good onе to hold me close,&amp;quot;&#xA;&amp;quot;You know I'm done with bad boys&amp;quot;&#xA;&#xA;You know I can't stand whеn you look like this&#xA;Now he's your best friend&#xA;I can't see you all pissed&#xA;Like what he do?&#xA;What he say?&#xA;Damn, don't take him back, You need a man (damn right)&#xA;Who won't tie you down when you goin up (woop)&#xA;Won't stop you from ever blowing up (eyy)&#xA;Won't say you could never be enough&#xA;Let me know, if you want I could make you feel love like&#xA;&#xA;&#xA;Silly girl&#xA;You're just treated wrong&#xA;And you hate your boyfriend&#xA;Though he don't know&#xA;&#xA;Will you be my girl?&#xA;You won't wait too long&#xA;You know, we'd stay on the phone at night till dawn baby&#xA;&#xA;&#xA;Stop girl, count to three&#xA;I said you don't want a guy like me&#xA;You like dream looks, fantasy&#xA;Because you love bad boys&#xA;She said &amp;quot;oh no here we go&amp;quot;&#xA;She said &amp;quot;you're the man I love the most,”&#xA;“I need a good one to hold me close,&amp;quot;&#xA;&amp;quot;You know I'm done with bad boys&amp;quot;&#xA;&#xA;&#xA;I met her on the way to the train stop&#xA;She had short brown hair and a crop top&#xA;She was a &amp;quot;heart break girl&amp;quot; when her eyes locked&#xA;Because she loved bad boys&#xA;&#xA;I met her on the way to the train stop&#xA;She had short brown hair and a crop top&#xA;She was a &amp;quot;heart break girl&amp;quot; when her eyes locked&#xA;Because she loved bad boys&#xA;&#xA;&#xA;Stop girl, count to three&#xA;I said you don't want a guy like me&#xA;You like dream looks, fantasy&#xA;Because you love bad boys&#xA;&#xA;She said &amp;quot;oh no here we go&amp;quot;&#xA;She said &amp;quot;you're the man I love the most,”&#xA;“I need a good one to hold me close,&amp;quot;&#xA;&amp;quot;You know I'm done with bad boys&amp;quot;&#xA;&#xA;Ooh ooh ooh&#xA;Love bad boys&#xA;Ooh ooh ooh&#xA;Done with bad boys" PRODUCER="Sherman Records, under license to Music Manager" COVERARTID="047/PRSHL0C3IGQ2XCLQUP2YBBF0D0WB" PLAYTIME="235" PLAYTIME_FLOAT="234.812546" IMPORT_DATE="2025/4/14" RELEASE_DATE="2011/1/1" FLAGS="12" FILESIZE="27591"></INFO>
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<INFO BITRATE="929943" KEY_LYRICS="36 ContributorsTranslationsCatalàHot Stuff LyricsThe Queen of Disco’s mega hit from 1979, routinely chosen as one of the top 100 or so pop/rock song of all time. It reached the top of the Billboard Hot 100 and won Donna Summer a Grammy for Best Female Rock… Read More &#xA;&#xA;&#xA;Sittin' here eatin' my heart out waitin'&#xA;Waitin' for some lover to call&#xA;Dialed about a thousand numbers lately&#xA;Almost rang the phone off the wall&#xA;&#xA;&#xA;Lookin' for some hot stuff, baby, this evenin'&#xA;I need some hot stuff, baby, tonight&#xA;I want some hot stuff, baby, this evenin'&#xA;Gotta have some hot stuff, gotta have some love tonight&#xA;(Hot stuff)&#xA;I need hot stuff&#xA;I want some hot stuff&#xA;I need hot stuff&#xA;&#xA;&#xA;Lookin' for a lover who needs another&#xA;Don't want another night on my own&#xA;Wanna share my love with a warm-blooded lover&#xA;Wanna bring a wild man back home&#xA;&#xA;&#xA;Gotta have some hot love, baby, this evenin'&#xA;I need some hot stuff, baby, tonight&#xA;I want some hot stuff, baby, this evenin'&#xA;Gotta have some lovin', gotta have love tonight (Hot stuff)&#xA;I need hot stuff&#xA;Hot love, lookin' for hot love&#xA;&#xA;&#xA;&#xA;Hot, hot, hot, hot stuff&#xA;Hot, hot, hot&#xA;Hot, hot, hot, hot stuff&#xA;Hot, hot, hot&#xA;&#xA;&#xA;How's about some hot stuff, baby, this evenin'?&#xA;I need some hot stuff baby, tonight&#xA;Gimme a little hot stuff, baby, this evenin'&#xA;Hot stuff, baby, gonna need your love tonight (Hot stuff)&#xA;I need hot love&#xA;Lookin' for hot stuff, wanna have hot love&#xA;&#xA;&#xA;Sittin' here eatin' my heart out, no reason&#xA;Won't spend another night on my own&#xA;I dialed about a hundred numbers lately&#xA;I'm bound to find somebody home&#xA;&#xA;&#xA;Gonna have some hot stuff, baby, this evenin'&#xA;I need some hot stuff, baby, tonight&#xA;Lookin' for my hot stuff, baby, this evenin'&#xA;Need some lovin', baby, gonna need your love tonight&#xA;Hot stuff, baby, this evenin'&#xA;I need some hot stuff, baby, tonight, yeah, yeah&#xA;I want some hot stuff, baby, this evenin'&#xA;I want some hot stuff, baby, tonight, yeah, yeah, yeah, yeah, now&#xA;Hot stuff, baby&#xA;I need your hot stuff, baby, tonight&#xA;I want your hot stuff, baby, this evenin'&#xA;Hot stuff, baby, gonna need your love tonight" PRODUCER="℗ 1979 The Island Def Jam Music Group" COVERARTID="057/ZZE1YHAW1CXRSA2NRMMYAY41WDAA" PLAYCOUNT="1" PLAYTIME="176" PLAYTIME_FLOAT="175.477341" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="20475"></INFO>
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<INFO BITRATE="946714" KEY_LYRICS="6 ContributorsSaved by Grace Lyrics&#xA;Jesus is surely/&#xA;The King who is worthy, of all praise/&#xA;For His redeeming mercy/&#xA;He freed us thoroughly/&#xA;So we seek Him early/&#xA;You’re seeming thirsty/&#xA;Yo peep this verse, b&#xA;&#xA;While the devil ups the bass and treble, tryin’ to take you under/&#xA;Godly rebels raise the level, tryin’ to wake you from your slumber/&#xA;We’re preaching to the choir/&#xA;And we reach into the fire/&#xA;To the people in the mire/&#xA;Who seeking evil desires/&#xA;Christ is the solution/&#xA;It’s nice to know the truth when/&#xA;Strife is no illusion/&#xA;And this life is so confusing/&#xA;Cuz this world has its collective head in a guillotine (John 12:31)/&#xA;Misled by the illest scheme/&#xA;And end up dead like the Philistines! (1 Samuel 17:48-52, 2 Samuel 5:19-20)/&#xA;We’re quotin’ scriptures/&#xA;They’re potent mixtures/&#xA;That flow from pitchers they open blisters/&#xA;Yo, our chosen Christian bro’s and sisters/&#xA;Know they’re overflowed with the dopest riches/&#xA;God’s smokin’ foes and tricksters/&#xA;Graven images get left as broken pictures/&#xA;No forgiveness for a Jehovah’s Witness/&#xA;Some only think of Christ when it’s close to Christmas/&#xA;Cause demons on a mission steaming up your vision/&#xA;Our Redeemer’s up and risen/&#xA;Listen, yo we’re screaming on religion/&#xA;Cause no one is saying nothing/&#xA;While runaways are running/&#xA;It’s funny cause some just stay fronting/&#xA;Knowing Judgment Day is Coming/&#xA;When the Master of the Bible's/&#xA;Gonna blast you like a rifle/&#xA;Snatching all your titles/&#xA;Laughing while He’s smashing all your idols/&#xA;The first to go is Buddha/&#xA;Christ, the universal Ruler/&#xA;Searching through your files like a personal computer/&#xA;So, you never could measure/&#xA;His heavenly treasure/&#xA;It’s not credit or cheddar/&#xA;His blessing is better/&#xA;But if you settle for pleasure/&#xA;I bet you’ll be severed/&#xA;And left to the mess unless you confess like Nebuchadnezzar&#xA;&#xA;Yo timothy you blazed it ace&#xA;Glory to God I’m just a sinner saved by grace (Eph. 2:8-9)&#xA;What is grace? Grace is unmerited favor (Psalm 103:10)&#xA;Our inheritance major (1 Peter 1:4) cause we cherish the Savior&#xA;But actually Shai your flavor’s great&#xA;Praise the Lord I’m just a sinner saved by grace (Jer. 9:23-24)&#xA;Define grace. Our redemption price immense (1 Peter 3:18-19)&#xA;Grace stands for God’s Riches At Christ’s Expense&#xA;&#xA;&#xA;I write this so God’s name in my song would be hallowed&#xA;Bite this it’s not a thing just as long as you swallow&#xA;Follow me on this course/&#xA;To enlighten the mentality of the lost/&#xA;By hyping the centrality of the cross/&#xA;Because of the costly price/&#xA;Of the cross of Christ/&#xA;And His flawless life/&#xA;Our Faith's called suffice/&#xA;The lost oppose this/&#xA;We thank God He chose us/&#xA;We’re justified through Faith/&#xA;And not the Law of Moses/&#xA;Because Christ fulfilled it/&#xA;On behalf of us/&#xA;The Father’s wrath was Just/&#xA;When Christ was smashed and crushed/&#xA;Some try to ignore that the salvation of the worst/&#xA;Was decided before the foundation of the earth/&#xA;God’s prior election/ is not just fire protection/&#xA;The Messiah’s reflection/&#xA;Will change your entire direction/&#xA;Read the inspired text, He requires perfection/&#xA;Keep fighting the blessed Son?/&#xA;You might be the next one/&#xA;To get blasted/&#xA;Bashed in/&#xA;Mashed in/&#xA;Crashed in/&#xA;The fattest gas mask can’t withstand the Lamb’s wrath kid/&#xA;The Nazarene/&#xA;Will smash your spleen/&#xA;You’ll be mashed and creamed/&#xA;When His wrath is steamed/&#xA;So acknowledge your sin/&#xA;And start following Him/&#xA;Or you’ll be hollow within/&#xA;And then swallowed and pinned/&#xA;Hey truthfully/&#xA;We’re depraved too you see/&#xA;But a great Jew/came through/to save you and me/&#xA;We have the win cause He put His wrath on sin/&#xA;The Father loved the Son but He turned His back on Him/&#xA;The devil was glad, but then, at the chapter’s end/&#xA;Christ defeated death and laughed last my friend!/&#xA;So repent and be saved/&#xA;We weren’t meant to be slaves/&#xA;Christ is infinitely praised/&#xA;Cause He emptied the grave/&#xA;God delights in repentance/&#xA;No fight or resistance/&#xA;Jesus Christ the difference/ between life and mere existence/&#xA;&#xA;Yo Shai man you slayed the bass&#xA;Chill son I’m just a sinner saved by grace (Titus 3:5)&#xA;What's grace? Grace is unmerited favor (Psalm 32:1-2)&#xA;Our inheritance major cause we cherish the Savior&#xA;But Tim you got flavor like tastycakes&#xA;Give props to Christ I’m just a sinner saved by grace (2 Tim.1:9)&#xA;Define grace. Our redemption price immense (1 Peter 3:18-19)&#xA;Grace stands for God’s Riches At Christ’s Expense&#xA;&#xA;&#xA;We used to clown Christians/&#xA;Before we found wisdom/&#xA;Now listen/&#xA;Jesus all up in your sound system/&#xA;We used to invent idols/&#xA;Parties, drugs, girls -- sin trifle/&#xA;Caught up in the world’s spin cycle/&#xA;It seems absurd/&#xA;We once schemed for herb/&#xA;But now we have a fiending urge/&#xA;To read the Word/&#xA;This messy child/&#xA;Was less than vile/&#xA;Flesh defiled/&#xA;Praise God we’ve been reconciled/&#xA;Ayo my destiny was possibly extortion with a gun/&#xA;But Christ rescued me and swapped me from an orphan to a son/&#xA;Unexpectedly an awesome metamorphosis has come/&#xA;He elected me in His sovereignty of course it will be done/&#xA;Check it His life was poured out despite the war/&#xA;Waged by those who hated Him relentlessly/&#xA;You’re connected to Christ my Lord like mics and cords/&#xA;He saved my soul so I’ll be praising Him endlessly/&#xA;His Grace is the greatest gift, it made us rich/&#xA;We inherit Christ (Rom. 8:17) He’s our reward/&#xA;We’re patient with atheists, they’re hating this/&#xA;So we share the light that Jesus is Lord/&#xA;Rhyme schemes intricate/&#xA;Time seems infinite/&#xA;Or is it just your mind’s dreams?/&#xA;The kind of themes we hit you with/&#xA;Spiritual analogies/&#xA;Lyrical theology/&#xA;The miracle at Calvary/&#xA;Empirical reality/&#xA;We’re God’s children, not His nieces and nephews/&#xA;Jesus will bless you/&#xA;If you believe that His death’s true/&#xA;Trust that He rose from the grave a few days later/&#xA;He was chosen to reign as the Jews’ great Savior/&#xA;Hell is now waiting/&#xA;Is that making you think?/&#xA;From the wells of salvation/&#xA;Ayo we taking a drink/&#xA;We’re reading you/&#xA;Ephesians 2/&#xA;Believe it’s true/&#xA;Or keep your mouth shut like you’re eating glue/&#xA;&#xA;Ayo Shai we blazed it ace&#xA;Yo relax kid we just some sinners saved by grace (Rom. 3:27)&#xA;Oh yeah what’s grace?&#xA;Grace is unmerited favor our inheritance major (Titus 3:7)&#xA;Cause we cherish the Savior&#xA;Yo Timothy we raised the stakes&#xA;But you just said we some sinners saved by grace (Rom. 4:2)&#xA;Oh define grace&#xA;Our redemption price immense (1 Peter 1:18-19)&#xA;Grace stands for God’s Riches at Christ’s Expense (2x)" PRODUCER="Cadeau Company / L.S.B. / Plateforme 2000" COVERARTID="091/1OIORWDRFPHBDAN3OOBGDPZMMEMC" PLAYTIME="212" PLAYTIME_FLOAT="211.500015" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="24629"></INFO>
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<INFO BITRATE="846462" KEY_LYRICS="2 ContributorsLady Marmalade (Live) Lyrics&#xA;Woah, really?&#xA;Sarah Dash, Nona Hendryx, ah&#xA;Produced by Allen Toussaint&#xA;Hey, yeah, hey&#xA;Hey sister, go sister&#xA;Soul sister, go sister&#xA;Hey sister, go sister&#xA;Soul sister, go sister&#xA;&#xA;&#xA;He met Marmalade down in Old New Orleans&#xA;Strutting her stuff on the street&#xA;She said, &amp;quot;Hello, hey, Joe&amp;quot; (Come on)&#xA;&amp;quot;You wanna give it a go?&amp;quot; (I don't know)&#xA;&#xA;&#xA;Gitchi-gitchi, ya-ya, da-da (Da-da-da-da-da)&#xA;Gitchi-gitchi, ya-ya, here (Mocha chocalata, ya-ya)&#xA;Mocha chocolata, ya-ya&#xA;Creole Lady Marmalade (Come on)&#xA;&#xA;&#xA;Voulez-vous coucher avec moi ce soir?&#xA;Voulez-vous coucher avеc moi?&#xA;Voulez-vous coucher avec moi cе soir?&#xA;Creole Lady Marmalade&#xA;Voulez-vous coucher avec moi ce soir?&#xA;Voulez-vous coucher avec moi?&#xA;Voulez-vous coucher avec moi ce soir?&#xA;Voulez-vous coucher avec moi?&#xA;Voulez-vous coucher avec moi ce soir?&#xA;Voulez-vous coucher avec moi?&#xA;Voulez-vous coucher avec moi ce soir?&#xA;Voulez-vous coucher avec moi?&#xA;&#xA;What? Yeah&#xA;We did that one with Allen Toussaint in New Orleans (Yeah)&#xA;Yeah, girl, you remember him, what a wonderful man (Yeah)&#xA;Yes, and, um, when we did this song, we didn't know what it meant (Yeah)&#xA;It meant, &amp;quot;Will you sleep with me tonight?&amp;quot; (Yeah)&#xA;So, we didn't know what it meant&#xA;We just knew that, &amp;quot;Voulez-vous coucher avec moi ce soir?&amp;quot; sounded like a hit&#xA;So we sang it, and it was that&#xA;And then the nuns called on us and said, &amp;quot;Why are these ladies singing about hookers?&amp;quot; (Yeah)&#xA;Well, we didn't really know (Yeah)&#xA;It just sounded good (Yeah, I know)&#xA;Okay, one of those things (Well, I took a little bit of French so I kind of)&#xA;Right, just a little bit, I know you (Just a little bit, so), right?&#xA;Well, I was a young girl, I had no clue (I know), but we found out&#xA;We were just singing, when we—&#xA;Just singing, a lot of times, we were just singing because it felt so good (It felt good)&#xA;Yeah (Yeah), and that at the time felt really good&#xA;That, &amp;quot;Voulez-vous coucher avec moi ce soir?&amp;quot; part (Yeah)&#xA;Yes, darling, one of those things (Really good)" PRODUCER="(P) 1974 Epic Records, a division of Sony Music Entertainment" COVERARTID="024/YENRFYD12RJ3MDOUKUIXAWD1GNCA" PLAYTIME="236" PLAYTIME_FLOAT="235.266663" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="24574"></INFO>
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<INFO BITRATE="841879" KEY_LYRICS="1 ContributorDisco Fever LyricsCHIC - Le Freak (2018 Remaster)&#xA;Sylvester - You Make Me Feel (Mighty Real)&#xA;Sister Sledge - He's the Greatest Dancer&#xA;Anita Ward - Ring My Bell&#xA;The Weather Girls - It’s Raining Men&#xA;The Emotions - Best of My Love&#xA;Earth - Boogie Wonderland (with The Emotions) (12&amp;quot; Version) (feat. Wind &amp;amp; Fire)&#xA;Candi Staton - Young Hearts Run Free&#xA;The Trammps - Disco Inferno (Single Edit)&#xA;Gloria Gaynor - I Will Survive (Rerecorded)&#xA;Cheryl Lynn - Got to Be Real (Single Version)&#xA;Michael Jackson - Burn This Disco Out&#xA;Bee Gees - Night Fever (From &amp;quot;Saturday Night Fever&amp;quot; Soundtrack)&#xA;Diana Ross - Love Hangover&#xA;CHIC - Everybody Dance (12&amp;quot; Mix)&#xA;Dan Hartman - Relight My Fire (Single Version)&#xA;Tina Charles - I Love to Love&#xA;Diana Ross - I'm Coming Out&#xA;Village People - Y.M.C.A.&#xA;Donna Summer - I Feel Love (12&amp;quot; Version)&#xA;Amii Stewart - Knock On Wood&#xA;The Pointer Sisters - Jump (For My Love)&#xA;Chaka Khan - Ain't Nobody&#xA;Cerrone - Give Me Love&#xA;Grace Jones - Pull Up To The Bumper&#xA;Indeep - Last Night a D.J. Saved My Life&#xA;Bronski Beat - Smalltown Boy&#xA;Boys Town Gang - Can’t Take My Eyes Off Of You (Original Radio Edit)&#xA;Stars On 45 - Stars On 45 (Original Single Edit)&#xA;Frankie Knuckles - Your Love (feat. Jamie Principle)&#xA;Van McCoy - The Hustle (Original Mix)&#xA;Divine - Shake It Up&#xA;Loleatta Holloway - Love Sensation&#xA;Evelyn Thomas - High Energy&#xA;Average White Band - Pick Up The Pieces&#xA;Olivia Newton-John - Xanadu&#xA;Patti LaBelle - Lady Marmalade&#xA;Kelly Marie - Feels Like I'm in Love&#xA;Patrick Hernandez - Born to Be Alive (Original Mix 79)&#xA;Evelyn &amp;quot;Champagne&amp;quot; King - Shame&#xA;Tavares - More Than A Woman (Remastered)&#xA;CHIC - I Want Your Love (Remastered)&#xA;The Gap Band - Burn Rubber On Me (Why You Wanna Hurt Me)&#xA;Grace Jones - I Need A Man&#xA;Cissy Houston - Think It Over&#xA;Shalamar - I Can Make You Feel Good&#xA;Gloria Gaynor - I Am What I Am&#xA;Giorgio Moroder - Knights In White Satin (Part 1)&#xA;Grace Jones - Pride&#xA;Commodores - Brick House" PRODUCER="℗ 1977 Atlantic Recording Corp. for the US and WEA International for the world outside the US." COVERARTID="102/GX1HYDCAUVOHUC3ABQ01AZISM3JA" PLAYTIME="216" PLAYTIME_FLOAT="215.626663" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="22323"></INFO>
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<INFO BITRATE="965054" KEY_LYRICS="47 ContributorsBlame It On the Boogie Lyrics&#xA;Hee-hee-hee-hee&#xA;&#xA;&#xA;My baby's always dancin' and it wouldn't be a bad thing&#xA;But I don't get no lovin' and that's no lie&#xA;We spent the night in Frisco at every kinda disco&#xA;From that night, I kissed our love goodbye&#xA;&#xA;&#xA;Don't blame it on the sunshine&#xA;Don't blame it on the moonlight&#xA;Don't blame it on the good times&#xA;Blame it on the boogie&#xA;Don't blame it on the sunshine&#xA;Don't blame it on the moonlight&#xA;Don't blame it on the good times&#xA;Blame it on the boogie&#xA;&#xA;&#xA;That nasty boogie bugs me, but somehow, it has drugged me&#xA;Spellbound rhythm gets me on my feet&#xA;I've changed my life completely, I've seen the lightning leave me&#xA;And my baby just can't take her eyes off me&#xA;&#xA;&#xA;Don't blame it on the sunshine&#xA;Don't blame it on the moonlight&#xA;Don't blame it on the good times&#xA;Blame it on the boogie (Woo!)&#xA;Don't you blame it on the sunshine&#xA;Don't blame it on the moonlight&#xA;Don't blame it on the good times&#xA;Blame it on the boogie&#xA;&#xA;I just can't, I just can't&#xA;I just can't control my feet&#xA;I just can't, I just can't (Yeah)&#xA;I just can't (Woo!) control my feet&#xA;I just can't, I just can't&#xA;I just can't control my feet&#xA;I just can't, I just can't&#xA;I just can't control my feet&#xA;&#xA;&#xA;Sunshine&#xA;Don't blame it on the moonlight&#xA;Don't blame it on the good times&#xA;Blame it on the boogie&#xA;Don't blame it on the sunshine&#xA;Don't blame it on the moonlight&#xA;Don't, on the good times&#xA;Blame it on the boogie&#xA;&#xA;&#xA;This magic music grooves me, that dirty rhythm fools me&#xA;The devil's gotten to me through this dance&#xA;I'm full of funky fever, a fire burns inside me&#xA;Boogie's got me in a super trance&#xA;&#xA;Don't blame it on the sunshine&#xA;Don't blame it on the moonlight&#xA;Don't blame it on the good times&#xA;Blame it on the boogie&#xA;Don't you blame it, sunshine&#xA;Don't blame it on the moonlight&#xA;Don't blame it on the good times&#xA;Blame it on the boogie&#xA;&#xA;&#xA;Aaow! (Sunshine)&#xA;Hoo! (Moonlight)&#xA;Yeah (Good times)&#xA;Mmm (Boogie)&#xA;You just gotta (Sunshine)&#xA;Yeah (Moonlight)&#xA;(Good times)&#xA;Good times (Boogie)&#xA;&#xA;&#xA;Don't you blame it (Sunshine)&#xA;You just gotta (Moonlight)&#xA;You just wanna (Good times)&#xA;Yeah, oh (Boogie)&#xA;Blame it on yourself (Sunshine)&#xA;Ain't nobody's fault (Moonlight)&#xA;But yours and that boogie (Good times)&#xA;All night long (Boogie)&#xA;Can't stop that boogie (Sunshine)&#xA;Ain't nobody's fault (Moonlight)&#xA;But yours and that boogie (Good times)&#xA;Dancin' all night long (Boogie)&#xA;Blame it on yourself (Sunshine)&#xA;Ain't nobody's fault (Moonlight)&#xA;But yours and that boogie (Good times)&#xA;Boogie, boogie, boogie, yeah (Boogie)" PRODUCER="(P) 1978 Epic Records, a division of Sony Music Entertainment" COVERARTID="029/3EAQHTCQHCCMGDU1QTYQDQHTETND" PLAYTIME="216" PLAYTIME_FLOAT="215.319412" IMPORT_DATE="2025/4/14" RELEASE_DATE="1978/1/1" FLAGS="12" FILESIZE="25922"></INFO>
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<INFO BITRATE="974041" KEY_LYRICS="1 ContributorTell Them I’m Insane Lyrics&#xA;Staring at the ceiling with my arms by my side&#xA;Still as a statue with my eyes open wide&#xA;A subtle smile starts to creep on my face&#xA;While my thoughts rush, I can’t keep up the pace&#xA;I count my bullets while these seconds tick by&#xA;So, it will be, they’ll meet their fate tonight&#xA;Made mistakes I wish I could undo&#xA;But is it too late to see these actions through&#xA;&#xA;&#xA;Who’s to define what’s good and what’s bad&#xA;I’ll be set free if I tell em’ I’m mad&#xA;&#xA;&#xA;Silly old me, I guess I’m a psycho&#xA;I’ll take out the world and say it’s delightful&#xA;I had no choice&#xA;So I can’t take the blamе&#xA;I’ll say that I don’t know it’s wrong&#xA;Or even know what’s going on&#xA;With a wink and a nod&#xA;I know how to play their gamеs&#xA;If they tell me I’m guilty&#xA;I’ll tell them I’m insane&#xA;&#xA;If I look in the mirror, can I choose what is there?&#xA;Or will I just meet my despicable glare?&#xA;I’ll tell you one thing that you could call profane&#xA;You can’t find joy without some pain&#xA;&#xA;&#xA;Cause they know what’s good and what’s bad&#xA;I’m the only one sane while the rest are all mad&#xA;&#xA;&#xA;Silly old me, I guess I’m a psycho&#xA;I’ll take out the world and say it’s delightful&#xA;I had no choice&#xA;So I can’t take the blame&#xA;I’ll say that I don’t know it’s wrong&#xA;Or even know what’s going on&#xA;With a wink and a nod&#xA;I know how to play their games&#xA;If they tell me I’m guilty&#xA;I’ll tell them I’m insane&#xA;&#xA;&#xA;I’ll grab my gun and take it to court&#xA;Swing it around as they run to the door&#xA;I’m not here to mess around&#xA;Look at me, I’ve finally unwound&#xA;&#xA;Silly old me, I guess I’m a psycho&#xA;I’ll take out the world and say it’s delightful&#xA;I had no choice&#xA;So I can’t take the blame&#xA;I’ll say that I don’t know it’s wrong&#xA;Or even know what’s going on&#xA;With a wink and a nod&#xA;I know how to play their games&#xA;If they tell me I’m guilty&#xA;I’ll tell them I’m insane" PRODUCER="Fauves Production / Nicolas Skorsky" COVERARTID="091/10YQAFASB3ROUCXPNVPTAXS4TN4B" PLAYTIME="218" PLAYTIME_FLOAT="217.276779" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="26021"></INFO>
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<INFO BITRATE="833888" KEY_LYRICS="42 ContributorsTranslationsDeutschCelebration Lyrics&#xA;Yahoo! (This is your celebration)&#xA;Yahoo! (This is your celebration)&#xA;Celebrate good times, come on (Let's celebrate)&#xA;Celebrate good times, come on (Let's celebrate)&#xA;&#xA;&#xA;There's a party goin' on right here&#xA;A celebration to last throughout the years&#xA;So bring your good times and your laughter too&#xA;We gonna celebrate your party with you&#xA;Come on now&#xA;&#xA;&#xA;(Celebration) Let's all celebrate and have a good time&#xA;(Celebration) We gon' celebrate and have a good time&#xA;&#xA;&#xA;It's time to come together&#xA;It's up to you, what's your pleasure?&#xA;(Everyone around the world, come on)&#xA;&#xA;&#xA;Yahoo! It's a celebration&#xA;Yahoo!&#xA;&#xA;Celebrate good times, come on (It's a celebration)&#xA;Celebrate good times, come on (Let's celebrate)&#xA;&#xA;&#xA;There's a party goin' on right here&#xA;A dedication to last throughout the years&#xA;So bring your good times and your laughter too&#xA;We gonna celebrate and party with you&#xA;Come on now&#xA;&#xA;&#xA;(Celebration) Let's all celebrate and have a good time, yeah-yeah&#xA;(Celebration) We gon' celebrate and have a good time&#xA;&#xA;&#xA;It's time to come together&#xA;It's up to you, what's your pleasure?&#xA;(Everyone around the world, come on)&#xA;&#xA;&#xA;Yahoo! It's a celebration&#xA;Yahoo! It's a celebration&#xA;&#xA;&#xA;Celebrate good times, come on (Let's celebrate, come on now)&#xA;Celebrate good times, come on (Let's celebrate)&#xA;&#xA;We're gonna have a good time tonight&#xA;Let's celebrate, it's all right&#xA;We're gonna have a good time tonight&#xA;Let's celebrate, it's all right, baby&#xA;We're gonna have a good time tonight (Celebration)&#xA;Let's celebrate, it's all right&#xA;We're gonna have a good time tonight (Celebration)&#xA;Let's celebrate, it's all right&#xA;&#xA;&#xA;Yahoo!&#xA;Yahoo!&#xA;&#xA;&#xA;Celebrate good times, come on (Let's celebrate)&#xA;Celebrate good times, come on (It's a celebration)&#xA;Celebrate good times, come on (Let's celebrate)&#xA;Celebrate good times, come on (Come on and celebrate tonight)&#xA;(Baby everything's gonna be alright, let's celebrate)&#xA;Celebrate good times, come on&#xA;Celebrate good times, come on (Let's have a great time, celebrate)&#xA;Celebrate good times, come on" PRODUCER="℗ 1980 UMG Recordings, Inc." COVERARTID="015/PYZJOUADHOVLTC0SLRVWD5O5OARD" PLAYTIME="216" PLAYTIME_FLOAT="215.653336" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="22130"></INFO>
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<INFO BITRATE="905550" KEY_LYRICS="25 ContributorsYes Sir, I Can Boogie Lyrics&#xA;Mister&#xA;Your eyes are full of hesitation&#xA;Sure makes me wonder&#xA;If you know what you're looking for&#xA;Mm, baby&#xA;I wanna keep my reputation&#xA;I'm a sensation&#xA;You try me once, you'll beg for more&#xA;&#xA;&#xA;Oh, yes, sir, I can boogie&#xA;But I need a certain song&#xA;I can boogie, boogie-woogie&#xA;All night long&#xA;Yes, sir, I can boogie&#xA;If you stay, you can't go wrong&#xA;I can boogie, boogie-woogie&#xA;All night long&#xA;&#xA;&#xA;No, sir&#xA;I don't feel very much like talking&#xA;No, neither walking&#xA;You wanna know if I can dance&#xA;Yes, sir&#xA;Already told you in the first verse&#xA;And in the chorus&#xA;But I will give you one more chance&#xA;&#xA;Ah, yes, sir, I can boogie&#xA;But I need a certain song&#xA;I can boogie, boogie-woogie&#xA;All night long&#xA;Yes, sir, I can boogie&#xA;If you stay, you can't go wrong&#xA;I can boogie, boogie-woogie&#xA;All night long&#xA;Yes, sir, I can boogie&#xA;If you stay, you can't go wrong&#xA;I can boogie, boogie-woogie&#xA;All night long&#xA;&#xA;&#xA;&#xA;&#xA;Yes, sir, I can boogie&#xA;But I need a certain song&#xA;I can boogie, boogie-woogie&#xA;All night long&#xA;Yes, sir, I can boogie (I can boogie)&#xA;If you stay, you can't go wrong (Ah-ah)&#xA;I can boogie (I can boogie), boogie-woogie (Boogie-woogie)&#xA;All night long&#xA;Yes, sir, I can boogie (I can boogie)&#xA;If you stay, you can't go wrong (Ah-ah)&#xA;I can boogie (I can boogie), boogie-woogie (Oh)&#xA;All night long (All night long)&#xA;Yes, sir, I can boogie&#xA;If you stay, you can't go wrong&#xA;I can boogie, boogie-woogie&#xA;All night long" PRODUCER="(P) 1977 Sony Music Entertainment Germany GmbH" COVERARTID="054/WZVMHLAPZY04DCXTWSRZCWZRO1JD" PLAYTIME="274" PLAYTIME_FLOAT="273.933319" IMPORT_DATE="2025/4/14" RELEASE_DATE="1990/1/1" FLAGS="12" FILESIZE="30568"></INFO>
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<INFO BITRATE="1013928" KEY_LYRICS="9 ContributorsBambi Lyrics&#xA;You know, like, uh&#xA;You know, like&#xA;Uh-uh, uh-uh&#xA;So, where are you from? Oh yeah?&#xA;So, do you speak any French?&#xA;Where am I from?&#xA;I'm from New York&#xA;New York, New York&#xA;New York, New York&#xA;New York, New York&#xA;So, what's your sign?&#xA;Are you an Aquarius? You act like an Aquarius&#xA;What's so fucking funny?!?!&#xA;&#xA;&#xA;You know my liberty ain't&#xA;Clean and my ghetto fancy&#xA;If your man spits the digits, I'mma spend his damn change&#xA;I'mma vamp with the ribbon and the little panties&#xA;When I pound to the rhythm and these bitches can't breathe&#xA;And she a lead, she a damn champion&#xA;Do the dance for you nigga like a damn banji (Ha)&#xA;&#xA;&#xA;It's little little bam-bambi&#xA;I know all these bitches really can't stand me&#xA;Can't stand me, can't stand me&#xA;Can't stand me, can't stand me&#xA;Can't stand me, can't stand me&#xA;It's little little bam-bambi&#xA;I know all these bitches really can't stand me&#xA;Can't stand me, can't stand me&#xA;Can't stand me, can't stand me&#xA;Can't stand me, can't stand me, uh&#xA;&#xA;&#xA;So bang it against the wall&#xA;No one wants to see you fall down&#xA;The repetition kills you&#xA;The repetition kills you&#xA;The repetition kills you&#xA;Put your hands over your eyes&#xA;And stumble your way through the night&#xA;The repetition kills you&#xA;The repetition kills you&#xA;The repetition kills you&#xA;&#xA;&#xA;I mean like, what the fuck are we supposed to do now?&#xA;Do you guys do drugs?&#xA;Well, you should try it&#xA;I bet you'd really, really fuckin' like it" PRODUCER="℗ 1977 Productions Jean Kluger / Musiques &amp; Solutions" COVERARTID="043/LJZ0YGAHCEHXLCWPGOTDCDAHF5CC" PLAYTIME="199" PLAYTIME_FLOAT="198.807602" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="24780"></INFO>
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<INFO BITRATE="902040" KEY_LYRICS="10 ContributorsI Love to Love LyricsOh I love to love&#xA;But my baby just loves to dance&#xA;He wants to dance, he loves to dance&#xA;He's got to dance&#xA;Oh, I love to love&#xA;But my baby just loves to dance&#xA;Oh, I love to love&#xA;But there's no time for our romance, no, no, noooo&#xA;Oh, I love to love&#xA;But my baby just loves to dance&#xA;&#xA;The minute the bands begin to swing it&#xA;He's on his feet to dig it and dance the night away&#xA;Stop, I'm spinning like a top&#xA;We'll dance until we drop&#xA;But if I had my way&#xA;&#xA;Oh I love to love&#xA;But my baby just loves to dance&#xA;He wants to dance, he loves to dance&#xA;He's got to dance&#xA;Oh, I love to love&#xA;But my baby just loves to dance&#xA;Oh, I love to love&#xA;But there's no time for our romance, no, no, noooo&#xA;Oh, I love to love&#xA;But my baby just loves to dance&#xA;Stop, I'm spinning like a top&#xA;We'll dance until we drop&#xA;But if I had my way&#xA;Sometimes, instead of going downtown&#xA;We'll stay at home and get down&#xA;To what I'm trying to say&#xA;&#xA;Oh, I love to love&#xA;But my baby just loves to dance, yeah, yeah&#xA;I love to love&#xA;But my baby loves to dance, yes he does&#xA;&#xA;I love to love&#xA;But my baby loves to dance, yes he does&#xA;I love to love&#xA;But my baby loves to dance, yes he does&#xA;I love to love&#xA;But my baby loves to dance, yes he does" PRODUCER="(P) 1976 Sony Music Entertainment UK Limited" COVERARTID="013/NEPPNNCFTNUY3CHR0MKRCQMB3KRB" PLAYTIME="184" PLAYTIME_FLOAT="183.693329" IMPORT_DATE="2025/4/14" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="20377"></INFO>
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<INFO BITRATE="922981" KEY_LYRICS="88 ContributorsStayin’ Alive Lyrics“Stayin' Alive” is a 1977 disco single written by the Bee Gees which peaked at #1 on the Billboard Hot 100 and remained there for four weeks.&#xA;&#xA;It was released as part of the 1977 soundtrack album Saturday… Read More &#xA;Well, you can tell by the way I use my walk&#xA;I'm a woman's man, no time to talk&#xA;The music loud and the women warm&#xA;I've been kicked around since I was born&#xA;&#xA;&#xA;And now it's alright, it's okay&#xA;And you may look the other way&#xA;But we can try to understand&#xA;The New York Times' effect on man&#xA;&#xA;&#xA;Whether you're a brother or whether you're a mother&#xA;You're stayin' alive, stayin' alive&#xA;Feel the city breakin' and everybody shakin'&#xA;And we're stayin' alive, stayin' alive&#xA;Ah, ah, ah, ah&#xA;Stayin' alive, stayin' alive&#xA;Ah, ah, ah, ah&#xA;Stayin' alive&#xA;Oh, when you walk&#xA;&#xA;&#xA;Well now, I get low and I get high&#xA;And if I can't get either, I really try&#xA;Got the wings of Heaven on my shoes&#xA;I'm a dancin' man and I just can't lose&#xA;&#xA;You know it's alright, it's okay&#xA;I'll live to see another day&#xA;But we can try to understand&#xA;The New York Times' effect on man&#xA;&#xA;&#xA;Whether you're a brother or whether you're a mother&#xA;You're stayin' alive, stayin' alive&#xA;Feel the city breakin' and everybody shakin'&#xA;And we're stayin' alive, stayin' alive&#xA;Ah, ah, ah, ah&#xA;Stayin' alive, stayin' alive&#xA;Ah, ah, ah, ah&#xA;Stayin' alive&#xA;(Hey, yeah)&#xA;&#xA;&#xA;Life goin' nowhere&#xA;Somebody help me&#xA;Somebody help me, yeah&#xA;Life goin' nowhere&#xA;Somebody help me, yeah&#xA;I'm stayin' alive&#xA;&#xA;&#xA;Well, you can tell by the way I use my walk&#xA;I'm a woman's man, no time to talk&#xA;The music loud and the women warm&#xA;I've been kicked around since I was born&#xA;&#xA;And now it's alright, it's okay&#xA;And you may look the other way&#xA;But we can try to understand&#xA;The New York Times' effect on man&#xA;&#xA;&#xA;Whether you're a brother or whether you're a mother&#xA;You're stayin' alive, stayin' alive&#xA;Feel the city breakin' and everybody shakin'&#xA;And we're stayin' alive, stayin' alive&#xA;Ah, ah, ah, ah&#xA;Stayin' alive, stayin' alive&#xA;Ah, ah, ah, ah&#xA;Stayin' alive&#xA;(Hey, yeah)&#xA;&#xA;&#xA;Life goin' nowhere&#xA;Somebody help me&#xA;Somebody help me, yeah&#xA;Life goin' nowhere&#xA;Somebody help me, yeah&#xA;I'm stayin' alive&#xA;Life goin' nowhere&#xA;Somebody help me&#xA;Somebody help me, yeah&#xA;Life goin' nowhere&#xA;Somebody help me, yeah&#xA;I'm stayin' alive&#xA;Life goin' nowhere&#xA;Somebody help me&#xA;Somebody help me, yeah&#xA;Life goin' nowhere&#xA;Somebody help me, yeah&#xA;I'm stayin' alive&#xA;Life goin' nowhere&#xA;Somebody help me&#xA;Somebody help me, yeah&#xA;Life goin' nowhere&#xA;Somebody help me, yeah&#xA;I'm stayin' alive" PRODUCER="℗ 1977 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb, under exclusive license to Capitol Music Group" COVERARTID="038/GZLOAWCTLCOPGAUNQJ2DBRCNOSGC" PLAYTIME="285" PLAYTIME_FLOAT="284.066681" IMPORT_DATE="2025/4/14" RELEASE_DATE="1977/1/1" FLAGS="12" FILESIZE="32333"></INFO>
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<INFO BITRATE="1077259" KEY_LYRICS="86 ContributorsTranslationsTürkçeEspañolČeskyFrançaisDeutschDancing Queen Lyrics&#xA;Ooh&#xA;You can dance, you can jive&#xA;Having the time of your life&#xA;Ooh, see that girl, watch that scene&#xA;Diggin' the dancing queen&#xA;&#xA;&#xA;Friday night and the lights are low&#xA;Looking out for a place to go&#xA;Where they play the right music&#xA;Getting in the swing&#xA;You come to look for a king&#xA;Anybody could be that guy&#xA;Night is young and the music's high&#xA;With a bit of rock music&#xA;Everything is fine&#xA;You're in the mood for a dance&#xA;And when you get the chance&#xA;&#xA;&#xA;You are the dancing queen&#xA;Young and sweet, only seventeen&#xA;Dancing queen&#xA;Feel the beat from the tambourine, oh, yeah&#xA;You can dance, you can jive&#xA;Having the time of your life&#xA;Ooh, see that girl, watch that scene&#xA;Diggin' the dancing queen&#xA;&#xA;You're a teaser, you turn 'em on&#xA;Leave 'em burning and then you're gone&#xA;Looking out for another&#xA;Anyone will do&#xA;You're in the mood for a dance&#xA;And when you get the chance&#xA;&#xA;&#xA;You are the dancing queen&#xA;Young and sweet, only seventeen&#xA;Dancing queen&#xA;Feel the beat from the tambourine, oh, yeah&#xA;You can dance, you can jive&#xA;Having the time of your life&#xA;Ooh, see that girl, watch that scene&#xA;Diggin' the dancing queen&#xA;&#xA;&#xA;Diggin' the dancing queen" PRODUCER="℗ 1976 Polar Music International AB" COVERARTID="009/JQKACOC2O23CTCL5QSOADWSWQZND" PLAYTIME="232" PLAYTIME_FLOAT="231.093338" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="30480"></INFO>
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<INFO BITRATE="891239" KEY_LYRICS="86 ContributorsTranslationsSuomiРусскийI Will Survive Lyrics&#xA;At first I was afraid, I was petrified&#xA;Kept thinkin' I could never live without you by my side&#xA;But then I spent so many nights thinkin' how you did me wrong&#xA;And I grew strong and I learned how to get along&#xA;&#xA;&#xA;And so you're back, from outer space&#xA;I just walked in to find you here with that sad look upon your face&#xA;I should have changed that stupid lock&#xA;I should have made you leave your key&#xA;If I'd have known for just one second you'd be back to bother me&#xA;&#xA;&#xA;Go on now, go, walk out the door&#xA;Just turn around now, 'cause you're not welcome anymore&#xA;Weren't you the one who tried to hurt me with goodbye?&#xA;Did you think I'd crumble? Did you think I'd lay down and die?&#xA;&#xA;&#xA;Oh no, not I, I will survive&#xA;Oh, as long as I know how to love, I know I'll stay alive&#xA;I've got all my life to live, and I've got all my love to give&#xA;And I'll survive, I will survive, hey hey&#xA;&#xA;&#xA;&#xA;It took all the strength I had not to fall apart&#xA;Just tryin' hard to mend the pieces of my broken heart&#xA;And I spent oh so many nights just feeling sorry for myself&#xA;I used to cry, but now I hold my head up high&#xA;And you see me, somebody new&#xA;I'm not that chained up little person still in love with you&#xA;And so you felt like droppin' in and just expect me to be free&#xA;Now I'm saving all my lovin' for someone who's lovin' me&#xA;&#xA;&#xA;Go on now, go, walk out the door&#xA;Just turn around now, 'cause you're not welcome anymore&#xA;Weren't you the one who tried to break me with goodbye?&#xA;Did you think I'd crumble? Did you think I'd lay down and die?&#xA;&#xA;&#xA;Oh no, not I, I will survive&#xA;Oh, as long as I know how to love, I know I'll stay alive&#xA;I've got all my life to live, and I've got all my love to give&#xA;And I'll survive, I will survive, oh&#xA;&#xA;&#xA;Go on now go, walk out the door&#xA;Just turn around now, 'cause you're not welcome anymore&#xA;Weren't you the one who tried to break me with goodbye?&#xA;Did you think I'd crumble? Did you think I'd lay down and die?&#xA;&#xA;Oh no, not I, I will survive&#xA;Oh, as long as I know how to love, I know I'll stay alive&#xA;I've got all my life to live, and I've got all my love to give&#xA;And I'll survive, I will survive, I will survive&#xA;&#xA;&#xA;&#xA;&#xA;It took all the strength I had not to fall apart&#xA;Just tryin' hard to mend the pieces of my broken heart&#xA;And I spent oh so many nights just feeling sorry for myself&#xA;I used to cry, but now I hold my head up high&#xA;And you see me, somebody new&#xA;I'm not that chained up little person still in love with you&#xA;And so you felt like droppin' in and just expect me to be free&#xA;Well, now I'm saving all my lovin' for someone who's lovin' me&#xA;&#xA;&#xA;Go on now go, walk out the door&#xA;Just turn around now, 'cause you're not welcome anymore&#xA;Weren't you the one who tried to hurt me with goodbye?&#xA;Did you think I'd crumble? Did you think I'd break down and die?&#xA;&#xA;&#xA;Oh no, not I, I will survive&#xA;Oh, as long as I know how to love, I know I'll stay alive&#xA;I've got all my life to live, and I've got all my love to give&#xA;And I'll survive, I will survive, I will survive&#xA;&#xA;I've got all my life to live, and I've got so much love to give&#xA;And I'll survive, yes, I'll survive, yeah, I'll survive" PRODUCER="℗ 1978 UMG Recordings, Inc." COVERARTID="028/2ITQXKAJSHFXACW51NANC2MHAZ3C" PLAYTIME="199" PLAYTIME_FLOAT="198.066208" IMPORT_DATE="2025/4/14" RELEASE_DATE="1996/1/1" FLAGS="12" FILESIZE="21808"></INFO>
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<INFO BITRATE="936243" KEY_LYRICS="18 ContributorsLadies’ Night LyricsOne of Kool &amp;amp; the Gang’s biggest hits, “Ladies Night” reached #8 on the Billboard Hot 100 as well as the top 10 in Switzerland and the United Kingdom. B-sides to this song include “Too Hot”, and “If You Feel… Read More &#xA;Mmm, oh, yeah, oh, what a night&#xA;&#xA;&#xA;Oh, yes, it's ladies' night&#xA;And the feeling's right&#xA;Oh, yes, it's ladies' night&#xA;Oh, what a night (Oh, what a night)&#xA;Oh, yes, it's ladies' night&#xA;And the feeling's right&#xA;Oh, yes, it's ladies' night&#xA;Oh, what a night&#xA;&#xA;&#xA;Girls, y'all got the one (What?)&#xA;A night that's special everywhere&#xA;From New York to Hollywood&#xA;It's ladies' night, and girl, the feeling's good&#xA;&#xA;&#xA;Oh, yes, it's ladies' night&#xA;And the feeling's right&#xA;Oh, yes, it's ladies' night&#xA;Oh, what a night (Oh, what a night)&#xA;Oh, yes, it's ladies' night&#xA;And the feeling's right&#xA;Oh, yes, it's ladies' night&#xA;Oh, what a night&#xA;&#xA;Romantic lady, single baby&#xA;Mmm, sophisticated mama (Ooh)&#xA;Come here, you disco lady&#xA;Yeah, stay with me tonight, mama, yeah&#xA;&#xA;&#xA;If you hear any noise&#xA;It ain't the boys&#xA;It's ladies' night (Uh, huh)&#xA;Gonna step out ladies night&#xA;Steppin' out ladies night&#xA;Gonna step out ladies night&#xA;Steppin' out ladies night&#xA;&#xA;&#xA;Oh, yes, it's ladies' night&#xA;And the feeling's right&#xA;Oh, yes, it's ladies' night&#xA;Oh, what a night (Oh, what a night)&#xA;Oh, yes, it's ladies' night&#xA;And the feeling's right&#xA;Oh, yes, it's ladies' night&#xA;Oh, what a night&#xA;&#xA;&#xA;On disco lights, your name will be seen&#xA;You can fulfill all your dreams&#xA;Party here, party there, everywhere&#xA;This is your night, baby&#xA;You've got to be there, well&#xA;&#xA;This is your night tonight&#xA;Everything is gonna be all right&#xA;This is your night tonight&#xA;Everything is gonna be all right&#xA;This is your night tonight&#xA;Everything is gonna be all right&#xA;This is your night tonight&#xA;Everything is gonna be all right&#xA;&#xA;&#xA;This is your night tonight (Come on, let's all celebrate)&#xA;Everything is gonna be all right&#xA;This is your night tonight&#xA;Everything is gonna be all right&#xA;This is your night tonight (Come on, let's all celebrate)&#xA;Everything is gonna be all right&#xA;This is your night tonight&#xA;Everything is gonna be all right&#xA;This is your night tonight (Come on, let's all celebrate)&#xA;Everything is gonna be all right&#xA;This is your night tonight&#xA;Everything is gonna be all right&#xA;This is your night tonight (Come on, let's all celebrate)&#xA;Everything is gonna be all right&#xA;This is your night tonight&#xA;Everything is gonna be all right&#xA;This is your night tonight (Come on, let's all celebrate)..." PRODUCER="℗ 1979 UMG Recordings, Inc." COVERARTID="036/EZBU2ODVBTELBCX3D4SFBT5HOHNB" PLAYTIME="209" PLAYTIME_FLOAT="208.733337" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="24005"></INFO>
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<INFO BITRATE="1023565" KEY_LYRICS="1 ContributorSan Fan Gigolo LyricsThere's a world beneath&#xA;A place to clear your mind&#xA;The reason he exists&#xA;I guess it has its price&#xA;(1, 2, 3, 4)&#xA;&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;&#xA;New to the island&#xA;You wanna stay&#xA;But it’s not easy&#xA;Gotta pay your way&#xA;&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;&#xA;&#xA;&#xA;On the whitest beach&#xA;A lonely paradise&#xA;Beautiful stranger&#xA;That comes with a price&#xA;San Fan Gigolo&#xA;&#xA;&#xA;&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;&#xA;New to the island&#xA;You wanna stay&#xA;But it's not easy&#xA;Gotta pay your way&#xA;&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;&#xA;&#xA;&#xA;San Fan&#xA;San&#xA;San Fan&#xA;San&#xA;San Fan&#xA;San&#xA;San Fan&#xA;San&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;San Fan Gigolo&#xA;&#xA;New to the island&#xA;You wanna stay&#xA;But it's not easy&#xA;Gotta pay your way&#xA;&#xA;San Fan Gigolo&#xA;San Fan Gigolo" PRODUCER="Léo Carrier" COVERARTID="019/TQRXJLBVKAPNHABHDDOFASYDEBTB" PLAYTIME="213" PLAYTIME_FLOAT="212.627884" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="26809"></INFO>
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<INFO BITRATE="829222" KEY_LYRICS="1 ContributorThe Write LyricsThis is to the woman who I loved but lost&#xA;Intertwined souls of the universe got divorced&#xA;But it wasn't forced. got single thoughts of being double crossed&#xA;Still there's no love lost&#xA;&#xA;Now I can't even start this. I see no light inside the darkness&#xA;So whatcha want, miss? don't check my pulse because i'm heartless&#xA;You were my life support. And in a sense my defense fights the thought&#xA;I'll try to keep this one nice and short&#xA;Our four chambers beat in unison&#xA;I'm wanting you to listen to the dead silence in my defiance&#xA;I used to sin and be intrigued by violence&#xA;Now as I glimpse into the past I thank God for your guidance&#xA;Alas, I give my eyes a rinse&#xA;Blink and think in retrospect...realize you need to get your respect&#xA;I apologize as I holler cries&#xA;Cause it's you and not these college guys that keeps my knowledge wise&#xA;You're my crutch. but now I fall cause you're someone i can't touch&#xA;Now no one wants to help me up and that's too much&#xA;Even my wisdom fell. i'm in a living hell&#xA;Throw my inner child back in the prison cell&#xA;Incarcerated hatred is causing conflict&#xA;With the free love sentencing death to the convict&#xA;My soul is on skid row, where can this kid go?&#xA;I'm homeless, how could you notice when this whole world didn't know?&#xA;It's time i make public just how personal we got in private moments&#xA;Because lies are our opponents&#xA;Forget material or superficial stuff&#xA;I either let you know too much or not enough&#xA;This is to the woman who i loved but lost&#xA;Intertwined souls of the universe got divorced&#xA;But it wasn't forced. got single thoughts&#xA;Of being double crossed, still there's no love lost. There's no love lost&#xA;&#xA;I can't pretend this. The impact on my life has been tremendous&#xA;It can't be fixed with a friendly kiss&#xA;What's endless?&#xA;Questions, pain, grief and misbelief?&#xA;I'm so faithful all I grind is my teeth&#xA;But what I find beneath the surface has changed from priceless to worthless&#xA;This three ring circus of clowning around is what hurts us&#xA;My brain short circuits as my mind starts to wander&#xA;To discover another lover. I'm isolated, living somber&#xA;She's whispering &amp;quot;come hither from there yonder.&amp;quot;&#xA;I don't think i wanna. The pressure ain't gettin' lesser&#xA;Open my dresser...it overflows with memorabilia&#xA;Momentos of our success now symbolize my failure&#xA;I took time to write you diaries when we couldn't speak much&#xA;According to you that was a weak touch&#xA;Cause &amp;quot;actions speak louder than words.&amp;quot; Turn up your hearing aid&#xA;You made this man afraid. Put the pin back in the hand grenade&#xA;There's not much time left til I'm left with nothing but a broken promise&#xA;While every syllable I said was spoken honest&#xA;We expected each other to be a physic mind reader&#xA;Don't tell me &amp;quot;life goes on.&amp;quot; I need her...&#xA;Next to me...&#xA;So once again I can feel the high of ecstasy...&#xA;We tripped...walking down the aisle of destiny&#xA;Respectful sexually, because see...I understood&#xA;And I don't know too many people who would&#xA;Have done anything to get a laugh from their better half&#xA;I should have sensed it sooner...when you lost your sense of humor&#xA;Now let my soul speak, I couldn't eat for a whole week&#xA;With no sleep. The price I pay for being a control freak&#xA;Now I'm screaming inside my pillow instead of dreaming&#xA;I must have said &amp;quot;I love you&amp;quot; so much that it lost it's meaning&#xA;But no one's perfect, so where's my chance to make adjustments?&#xA;It's worth it...if our romance had substance&#xA;Because with purity we conceived marriage&#xA;Til insecurity caused a miscarriage&#xA;This is to the woman who i loved but lost&#xA;Intertwined souls of the universe got divorced&#xA;But it wasn't forced. got single thoughts of being double crossed...&#xA;&#xA;I was in it for the long run&#xA;Now who's the weak and the strong one?&#xA;I tried to be Mr. Right, though things were wrongly done&#xA;But ummmm...When it was time for sacrifice&#xA;Straight up, you didn't have to ask me twice&#xA;I put off this rap device&#xA;I wasn't ACTING nice, all my feelings they were genuine&#xA;You got me open and I let you in&#xA;But now you're screaming bloody murder. 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<INFO BITRATE="899112" KEY_LYRICS="2 ContributorsMachine Gun Kelly Cleanup LyricsDiscographyAlbums / Mixtapes / EPsHomecoming (2009)100 Words And Running (2010)Differenter Gang (2010) w/ Travis Porter &amp;amp; FKiLace Up! (2010)Rage Pack (2011)Half Naked &amp;amp; Almost Famous (2012)EST 4 Life (2012) w/ Dub-OLace Up (2012)Black Flag (2013)Fuck It (2015)General Admission (2015)bloom (2017)BINGE (2018)Hotel Diablo (2019)Tickets To My Downfall (2020)lockdown sessions (2022)mainstream sellout (2022)lofi chill vibes with machine gun kelly (2023) w/ lonelyboygenre : sadboy (2024) w/ Trippie ReddCleanupMachine Gun Kelly - Homecoming (2009)&#xA;&#xA;1. One Night&#xA;2. Good Mourning ft. Success the King&#xA;3. Hell Yeah &#xA;4. Born 2 Be On Top ft. Hardstone&#xA;5. Midwest Takeover&#xA;6. Bounce&#xA;7. Divinе Comedy&#xA;8. Ceiling Fans&#xA;9. I Am ft. Slim Gudz&#xA;10. Anybody's Anthem&#xA;11. No Liе&#xA;12. Peace&#xA;13. Nothing At All ft. Chelsea Bowen&#xA;14. HomecomingMachine Gun Kelly - 100 Words And Running (2010)&#xA;&#xA;1. Mr. Peter Parker &amp;amp; DJ E-V Intro&#xA;2. The Start&#xA;3. 100 Words And Running&#xA;4. The Arsonist&#xA;5. Leave Me Alone ft. Rock City&#xA;6. A Million And One Answers&#xA;7. Cleveland State Of Mind&#xA;8. Payback Music&#xA;9. Tell You Somethin'&#xA;10. Like That&#xA;11. 107.9 FM Radio Freestyle&#xA;12. Turnt Up ft. Travis Porter&#xA;13. Ohio (I'm From That) ft. Dub-O&#xA;14. Hell Yeah&#xA;15. What It Seems  ft. Dub-O&#xA;16. Let The Beat Build&#xA;17. Can't Stop Me&#xA;18. Still Get It In Ohio&#xA;19. Run This Town&#xA;20. The Finish&#xA;21. Dub-O - Reminder ft. Machine Gun KellyTravis Porter, Machine Gun Kelly &amp;amp; FKi - Differenter Gang (2010)&#xA;4. Chip Off The Block&#xA;12. P.S.A.&#xA;13. We Gone (Gun Sound)&#xA;14. Toast&#xA;17. ConclusionMachine Gun Kelly - Lace Up! (2010)&#xA;&#xA;1. Salute&#xA;2. Chip Off The Block&#xA;3. End Of The Road  ft. Mat Musto&#xA;4. I Know ft. Ray Jr.&#xA;5. Alice In Wonderland&#xA;6. Stereo ft. Alex Fitts of The Kickdrums&#xA;7. Fantasy ft. Aaron Lafette&#xA;8. Make It ft. Sean McGee&#xA;9. Midwest Side&#xA;10. All Alone ft. Collin Hilton&#xA;11. Been Through It All ft. Cheri Dennis&#xA;12. Lead You On&#xA;13. What It Seems ft. Dub-O&#xA;14. Cleveland ft. Dub-O&#xA;15. Victory Music ft. Britni Elise&#xA;16. The ReturnMachine Gun Kelly - Rage Pack (2011)&#xA;&#xA;1. STFU&#xA;2. Wild Boy ft. Waka Flocka Flame&#xA;3. Half Naked and Almost Famous &#xA;4. Chasing Pavements&#xA;5. The Pledge&#xA;6. Warning Shot  ft. Livvi Franc&#xA;7. LTFU (One More Time)&#xA;8. The Morning After Voicemail...&#xA;9. Welcome To The Rage ft. The Madden Brothers&#xA;10. Fantasy (DIGIRAATII) ft. Aaron Lafette&#xA;11. On Fire (Drug Dealer Girl Part II) ft. Mike Posner&#xA;12. Thought I Was Gone, HelloMachine Gun Kelly - Half Naked &amp;amp; Almost Famous (2012)&#xA;1. Warning Shot ft. Cassie&#xA;2. Wild Boy ft. Waka Flocka Flame&#xA;3. See My Tears&#xA;4. Half Naked &amp;amp; Almost famous&#xA;5. EST 4 Life ft. Dub-O &amp;amp; DJ XplosiveMachine Gun Kelly &amp;amp; Dub-O - EST 4 Life (2012)&#xA;&#xA;1. Intro&#xA;2. EST 4 Life ft. Dub-O &amp;amp; DJ Xplosive&#xA;3. Police ft. Pooh Gutta&#xA;4. Get Laced (Cleveland WINS)&#xA;5. Dub-O - Paid&#xA;6. Hold On (Shut Up) ft. Young Jeezy&#xA;7. Rucker Park Freestyle&#xA;8. Blaze Up&#xA;9. PapaDickChicken's Drive Thru Skit&#xA;10. Dub-O - Hy For Dayz&#xA;11. Dub-O - On Deck&#xA;12. Dub-O - MayHEM (H.A.M) ft. Machine Gun Kelly&#xA;13. Halo&#xA;14. Now I Know (Interlude)&#xA;15. Her Song&#xA;16. Spordy Skit&#xA;17. Highline Ballroom Soundcheck (Freestyle)&#xA;18. Letter To My Fans ft. Dub-OMachine Gun Kelly - Lace Up: The Prelude (2012)&#xA;&#xA;1. Invincible ft. Ester Dean&#xA;2. Stereo ft. Alex Fitts of The Kickdrums&#xA;3. Hold On (Shut Up) ft. Young Jeezy&#xA;4. Meant To BeMachine Gun Kelly - Lace Up (2012)&#xA;1. Save Me ft. M. Shadows &amp;amp; Synyster Gates&#xA;2. What I Do ft. Bun B &amp;amp; Dub-O&#xA;3. Wild Boy ft. Waka Flocka Flame&#xA;4. Lace Up ft. Lil Jon&#xA;5. Stereo ft. Alex Fitts of The Kickdrums&#xA;6. All We Have ft. Anna Yvette&#xA;7. See My Tears&#xA;8. D3MONS ft. DMX&#xA;9. Edge of Destruction ft. Tech N9ne &amp;amp; Twista&#xA;10. Runnin' ft. Planet VI&#xA;11. Invincible ft. Ester Dean&#xA;12. On My Way&#xA;13. End Of The Road ft. blackbear&#xA;14. Half Naked &amp;amp; Almost Famous&#xA;15. La La La (The Floating Song)&#xA;16. Hold On (Shut Up) ft. Young Jeezy&#xA;17. Warning Shot ft. CassieMachine Gun Kelly - Black Flag (2013)&#xA;&#xA;1. Raise The Flag&#xA;2. Breaking News&#xA;3. Pe$o ft. Meek Mill &amp;amp; Pusha T&#xA;4. Black Tuxedos ft. TezO&#xA;5. Mind Of A Stoner ft. Wiz Khalifa&#xA;6. D&amp;amp;G ft. Sean McGee&#xA;7. Skate Cans&#xA;8. 50 (Interlude) ft. French Montana&#xA;9. Baddest&#xA;10. Miss Me? ft. Dub-O&#xA;11. Street Dreams&#xA;12. Swing Life Away ft. Kellin Quinn&#xA;13. Home Soon&#xA;14. Dark Side Of The MoonMachine Gun Kelly - Fuck It (2015)&#xA;&#xA;1. Almost&#xA;2. On Everything ft. Tezo&#xA;3. Blue Skies&#xA;4. The IllEST, The RealEST &amp;amp; The TrillEST ft. Bun B &amp;amp; Trae tha Truth&#xA;5. Thoed Ass ft. Dub-O &amp;amp; Tezo&#xA;6. Conversations&#xA;7. Rockstar (Interlude)&#xA;8. Rolling Stone ft. Earl St. Clair&#xA;9. The Register&#xA;10. Ray Jr. - BiggieMachine Gun Kelly - General Admission (2015)&#xA;&#xA;1. Spotlight ft. Lzzy Hale&#xA;2. Alpha Omega&#xA;3. Till I Die&#xA;4. Eddie Cane&#xA;5. Bad Mother F*cker ft. Kid Rock&#xA;6. World Series&#xA;7. Oz.&#xA;8. Everyday&#xA;9. Gone ft. Leroy Sánchez&#xA;10. Story Of The Stairs&#xA;11. Merry Go Round&#xA;12. A Little More ft. Victoria Monét&#xA;13. All Night Long&#xA;14. Make It Happen&#xA;15. Round Here&#xA;16. Therapy&#xA;17. Life&#xA;18. Till I Die: Part II ft. French Montana, Ray Cash, Bone Thugs-N-Harmony &amp;amp; Yo GottiMachine Gun Kelly - bloom (2017)&#xA;&#xA;1. The Gunner&#xA;2. Wake + Bake&#xA;3. Go For Broke ft. James Arthur&#xA;4. At My Best ft. Hailee Steinfeld&#xA;5. Kiss the Sky&#xA;6. Golden God&#xA;7. Trap Paris ft. Quavo &amp;amp; Ty Dolla $ing&#xA;8. Moonwalkers ft. DubXX&#xA;9. Can't Walk&#xA;10. Bad Things ft. Camila Cabello&#xA;11. Rehab&#xA;12. Let You Go&#xA;13. 27&#xA;14. The Break Up&#xA;15. HabitsMachine Gun Kelly - BINGE (2018)&#xA;&#xA;1. LONG TIME COMING&#xA;2. LOCO&#xA;3. GTS&#xA;4. RAP DEVIL&#xA;5. NYLON&#xA;6. LATELY&#xA;7. SIGNS ft. 24hrs&#xA;8. GET THE BROOM&#xA;9. LIVEFASTDIEYOUNGMachine Gun Kelly - Hotel Diablo (2019)&#xA;&#xA;1. Sex Drive&#xA;2. el Diablo&#xA;3. Hollywood Whore&#xA;4. Glass House ft. Naomi Wild&#xA;5. Burning Memories ft. Lil Skies&#xA;6. A Message From The Count&#xA;7. FLOOR 13&#xA;8. Roulette&#xA;9. Truck Norris Interlude&#xA;10. Death In My Pocket&#xA;11. Candy ft. Trippie Redd&#xA;12. Waste Love ft. Madison Love&#xA;13. 5:3666 ft. phem&#xA;14. I Think I'm OKAY ft. YUNGBLUD &amp;amp; Travis BarkerMachine Gun Kelly - Tickets To My Downfall (2020)&#xA;&#xA;1. title track&#xA;2. kiss kiss&#xA;3. drunk face&#xA;4. bloody valentine&#xA;5. forget me too ft. Halsey&#xA;6. all i know ft. Trippie Redd&#xA;7. lonely&#xA;8. WWIII&#xA;9. kevin and barracuda (interlude)&#xA;10. concert for aliens&#xA;11. my ex's best friend ft. blackbear&#xA;12. jawbreaker&#xA;13. nothing inside ft. iann dior&#xA;14. banyan tree (interlude)&#xA;15. play this when i'm gone&#xA;16. body bag ft. YUNGBLUD &amp;amp; Bert McCracken of The Used&#xA;17. hangover cure&#xA;18. split a pill&#xA;19. can't look back&#xA;20. misery business ft. Travis Barker&#xA;21. bloody valentine (Acoustic)&#xA;&#xA;Target Bonus Tracks&#xA;roll the windows up (Smoke and Drive)&#xA;love on the brainMachine Gun Kelly - lockdown sessions (2022)&#xA;&#xA;1. roll the windows up&#xA;2. pretty toxic revolver&#xA;3. in these walls (my house) ft. PVRISMachine Gun Kelly - mainstream sellout (2022)&#xA;&#xA;1. 9 lives&#xA;2. more than life ft. glaive&#xA;3. why are you here&#xA;4. last november&#xA;5. born with horns&#xA;6. god save me&#xA;7. maybe ft. Bring Me The Horizon&#xA;8. drug dealer ft. Lil Wayne&#xA;9. wall of fame (interlude)&#xA;10. mainstream sellout&#xA;11. make up sex ft. blackbear&#xA;12. emo girl ft. WILLOW&#xA;13. 5150&#xA;14. papercuts (album edit)&#xA;15. WW4&#xA;16. ay! ft. Lil Wayne&#xA;17. fake love don't last ft. iann dior&#xA;18. die in california ft. Gunna, Young Thug &amp;amp; Landon Barker&#xA;19. sid &amp;amp; nancy&#xA;20. twin flame&#xA;21. papercuts &#xA;22. maybe (acoustic) ft. Bring Me The Horizon&#xA;&#xA;CD Bonus Track&#xA;love race ft. Kellin Quinnmgk &amp;amp; Trippie Redd - genre : sadboy (2024)&#xA;&#xA;1. lost boys&#xA;2. beauty&#xA;3. time travel ft. Zzz.&#xA;4. struggles&#xA;5. suddenly&#xA;6. half dead&#xA;7. hiding in the hills&#xA;8. no more&#xA;9. who do i call ft. 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<INFO BITRATE="1031312" KEY_LYRICS="12 ContributorsSupernature Lyrics&#xA;Once upon a time&#xA;Science opened up the door&#xA;We would feed the hungry fields&#xA;Till they couldn't eat no more&#xA;But the potions that we made&#xA;Touched the creatures down below&#xA;And they grew up in a way&#xA;That we'd never seen before&#xA;&#xA;&#xA;Supernature, supernature&#xA;Supernature, supernature&#xA;Supernature, supernature&#xA;Supernature, supernature&#xA;&#xA;&#xA;They were angry with the man&#xA;'Cause he changed their way of life&#xA;And they take their sweet revenge&#xA;As they trample through the night&#xA;For a hundred miles or more&#xA;You can hear the people cry&#xA;But there's nothing you can do&#xA;Even God is on their side&#xA;&#xA;Supernature, supernature&#xA;Supernature, supernature&#xA;Supernature, supernature&#xA;Supernature, supernature&#xA;&#xA;&#xA;How can I explain?&#xA;Things are different today&#xA;Darkness all around&#xA;And nobody makes a sound&#xA;Such a sad affair&#xA;No one seems to care&#xA;&#xA;&#xA;Supernature, better watch out!&#xA;Look at you now, better watch out!&#xA;Look at you now!&#xA;&#xA;&#xA;(Supernature) Better watch out&#xA;There's no way to stop it now&#xA;You can't escape, it's too late&#xA;Look what you've done:&#xA;There's no place that you can run&#xA;The monsters made, we must pray&#xA;&#xA;Supernature, better watch out!&#xA;Look at you now!&#xA;Supernature, better watch out!&#xA;Supernature!&#xA;Look at you now!&#xA;&#xA;&#xA;Better watch out&#xA;There's no way to stop it now&#xA;You can't escape, it's too late&#xA;Look what you've done&#xA;There's no place that you can run&#xA;The monster's made, we must pray&#xA;&#xA;&#xA;Maybe nature has a plan&#xA;To control the ways of man&#xA;He must start from scratch again&#xA;Many battles he must win&#xA;Till he earns his place on earth&#xA;Like the other creatures do&#xA;Will there be a happy end?&#xA;Now that all depends on you&#xA;&#xA;&#xA;Supernature&#xA;Supernature&#xA;Supernature&#xA;Supernature" PRODUCER="Malligator Préférence under exclusive licence to Because Music" COVERARTID="041/JJI5TNADVWPVJDW11WLAAPX544FB" PLAYTIME="263" PLAYTIME_FLOAT="262.292603" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="33143"></INFO>
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<INFO BITRATE="862243" KEY_LYRICS="26 ContributorsRing My Bell Lyrics&#xA;I'm glad you're home&#xA;Now, did you really miss me?&#xA;I guess&#xA;You did by the look in your eyes&#xA;Look in your eyes, look in your eyes&#xA;Well, lay back and relax&#xA;While I put away the dishes&#xA;Put away the dishes&#xA;Then you and me&#xA;Can rock-a-bye&#xA;&#xA;&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;&#xA;&#xA;The night is young&#xA;And full of possibilities&#xA;Well, come on&#xA;And let yourself be free!&#xA;My love for you&#xA;So long I've been saving&#xA;Tonight was made&#xA;For me and you&#xA;&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;&#xA;&#xA;You can ring my bell&#xA;You can ring my bell&#xA;Ding-dong-ding, ah! Ring it&#xA;You can ring my bell&#xA;Anytime, anywhere&#xA;Ring it, ring it&#xA;Ring it, ring it, ah!&#xA;You can ring my bell&#xA;You can ring my bell&#xA;Ding-dong-ding, ah! Ring it&#xA;You can ring my bell&#xA;Anytime, anywhere&#xA;Ring it, ring it&#xA;Ring it, ring it, ah!&#xA;&#xA;&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;You can ring my bell, ring my bell&#xA;&#xA;You can ring my bell&#xA;You can ring my bell&#xA;Ding-dong-ding, ah! Ring it&#xA;You can ring my bell&#xA;Anytime, anywhere&#xA;Ring it, ring it&#xA;Ring it, ring it, ah!&#xA;You can ring my bell&#xA;You can ring my bell&#xA;Ding-dong-ding, ah! Ring it&#xA;You can ring my bell&#xA;Anytime, anywhere&#xA;Ring it, ring it&#xA;Ring it, ring it, ah!&#xA;&#xA;&#xA;Bell, ring my bell&#xA;Ring my bell, ding-dong-ding, ah&#xA;Bell, ring my bell&#xA;Ring my bell, ring-a-ling-a-ling&#xA;Bell, ring my bell&#xA;Ring my bell, ding-dong-ding, ah&#xA;Bell, ring my bell&#xA;Ring my bell, ring-a-ling-a-ling&#xA;&#xA;Bell, ring my bell&#xA;Bell, ring my bell&#xA;Bell, ring my bell&#xA;Ring my bell, ding-dong-ding, ah!&#xA;Bell, ring my bell&#xA;Ring my bell, ring-a-ling-a-ling&#xA;Bell, ring my bell&#xA;Bell, ring my bell&#xA;Bell, ring my bell&#xA;Ring my bell, ding-dong-ding, ah!&#xA;Bell, ring my bell&#xA;Ring my bell, ring-a-ling-a-ling" PRODUCER="1979 Juana Records" COVERARTID="124/2TTLMAAMSQHTCAX5VUZPB0ONO5LC" PLAYTIME="213" PLAYTIME_FLOAT="212.009323" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="22636"></INFO>
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<INFO BITRATE="959137" KEY_LYRICS="3 ContributorsShe Can’t Love You Lyrics&#xA;Hi, yeah&#xA;Saw you last night&#xA;Mm-hmm, I was at the club, yeah&#xA;Saw who you were with, too&#xA;Huh&#xA;&#xA;&#xA;When I saw you last night&#xA;I could easily see&#xA;She was holdin' you so tight&#xA;'Cause she knows you want me&#xA;Oh no, but&#xA;&#xA;&#xA;She can't love you&#xA;She can't love you like I do&#xA;She can't love you&#xA;She can't love you like I do&#xA;&#xA;&#xA;I said to myself&#xA;What must be on your mind?&#xA;You were there with someone else&#xA;But you know you're wastin' your time&#xA;Oh no, 'cause&#xA;&#xA;She can't love you&#xA;She can't love you like I do&#xA;She can't love you&#xA;She can't love you like I do&#xA;She can't love you (Uh-uh, no, no)&#xA;She can't love you like I do (You know it too)&#xA;She can't love you&#xA;She can't love you like I do&#xA;&#xA;&#xA;You ain't foolin' me, no (Uh-uh, no, no)&#xA;Who's foolin' who? (Uh-uh, no, no)&#xA;Oh, you ain't foolin' me, no (Uh-uh, no, no)&#xA;Tell me, who's foolin' who, yo? (Uh-uh, no, no)&#xA;&#xA;&#xA;You're listenin' to my beat&#xA;And I'm needin' your moves&#xA;Let's give it one more try&#xA;Let's get back in the groove&#xA;&#xA;&#xA;She can't love you (She can't love you)&#xA;She can't love you like I do (She)&#xA;She can't love you (Uh-uh)&#xA;She can't love you like I do (I do)&#xA;She can't love you (Ooh, dove, she can't)&#xA;She can't love you like I do (Uh-uh)&#xA;She can't love you (No, no)&#xA;She can't love you like I do (Oh)&#xA;&#xA;She (You know that she can't do it, uh-uh, no, no)&#xA;She can't love you (Who's foolin', who's foolin', uh-uh, no, no)&#xA;She (You ain't foolin' me, boy, uh-uh, no, no)&#xA;She can't love you (Uh-uh, no, no, oh-woah)&#xA;She (Oh, uh-uh, no, no)&#xA;She can't love you (Ahaha, you know it, uh-uh, no, no)&#xA;She (She can't love you, uh-uh, no, no)&#xA;She can't love you (Uh-uh, no, no)&#xA;&#xA;&#xA;She can't love you (She can't love you)&#xA;She can't love you like I do (Uh-uh, no, no)&#xA;She can't love you&#xA;She can't love you like I do&#xA;&#xA;&#xA;Mmm, like I said&#xA;You know you miss me&#xA;And you know, I miss you too, baby&#xA;Well, you know, I know I was wrong&#xA;But, what can I say?&#xA;What am I supposed to do?&#xA;I stepped out on you first&#xA;Right, right?&#xA;But I'm ready to make it up to you&#xA;And you know that&#xA;&#xA;She can't love you (She can't love you)&#xA;She can't love you (You know it too, and I know it, a-that)&#xA;She can't love you (Oh)&#xA;She can't love you (Ooh)&#xA;She can't love you (Uh-uh)&#xA;She can't love you (Ohh, no, no)&#xA;She can't love you (Ohh, she can't love you like I do)&#xA;She can't love you (Uh-uh)" PRODUCER="1982 Unidisc Music Inc." COVERARTID="094/4W1QKYCJN3UMUAFNCN3BD1KX3Z5B" PLAYTIME="239" PLAYTIME_FLOAT="238.730652" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="28185"></INFO>
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<INFO BITRATE="923806" KEY_LYRICS="61 ContributorsTranslationsDeutschFunkytown LyricsThe 1979-80 signature disco hit  - considered the unofficial last and ending the disco era in pop/rock. Spent 4 weeks at the top of the Billboard charts (and in numerous others) – not due to its lyrics…&#xA;by a… Read More &#xA;&#xA;&#xA;Gotta make a move to a town that's right for me&#xA;Town to keep me movin', keep me groovin' with some energy&#xA;&#xA;&#xA;Well, I talk about it, talk about it&#xA;Talk about it, talk about it&#xA;Talk about, talk about&#xA;Talk about movin'&#xA;Gotta move on&#xA;Gotta move on&#xA;Gotta move on&#xA;&#xA;&#xA;&#xA;&#xA;A-won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;&#xA;&#xA;&#xA;&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;&#xA;&#xA;&#xA;Gotta make a move to a town that's right for me&#xA;Town to keep me movin', keep me groovin' with some energy&#xA;&#xA;&#xA;Well, I talk about it, talk about it&#xA;Talk about it, talk about it&#xA;Talk about, talk about&#xA;Talk about movin'&#xA;Gotta move on&#xA;Gotta move on&#xA;Gotta move on&#xA;&#xA;&#xA;&#xA;&#xA;A-won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;&#xA;&#xA;&#xA;&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown?&#xA;Won't you take me to Funkytown, yeah?&#xA;&#xA;Won't you take me down to Funkytown?&#xA;Won't you take me down to Funkytown?&#xA;Won't you take me down to Funkytown?&#xA;Won't you take me down to Funkytown?&#xA;(Won't you take me to) Funkytown?&#xA;(Won't you take me to) Funkytown?&#xA;(Won't you take me to) Funkytown?&#xA;(Won't you take me to) Funkytown?&#xA;Take me, won't you take me?&#xA;Take me, won't you take me?&#xA;Take me, (won't you take me) won't you take me?&#xA;Take me, (won't you take me) won't you take me?&#xA;I wanna go (won't you take me) to Funkytown&#xA;I wanna go (won't you take me) to Funkytown&#xA;I wanna go (won't you take me) to Funkytown&#xA;I wanna go (won't you take me) to Funkytown" PRODUCER="2009 CONSECUENCIAS DISCOGRAFICAS" COVERARTID="073/JKRXXZD2CAPBACCYIHAABSEPNROB" PLAYTIME="240" PLAYTIME_FLOAT="239.253326" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="27346"></INFO>
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<INFO BITRATE="957586" KEY_LYRICS="5 ContributorsFrom A to Screen LyricsFrom A to Screen&#xA;&#xA;Johanna Drucker&#xA; &#xA;&#xA;HOW DO LETTERS appear on our screens, these exquisite expressions of design, our Baskerville so clearly differentiated from the Caslon and Comic Sans that we recognize instantly what font families we are inviting into view? Do they come, like pasta letters in a can of alphabet soup, intact and already formed, down the pipeline of network connections, so many obedient foot soldiers in the ranks of our textual forces? Are they conjured to their tasks through the sorcery of application apprentices calling the infinite stream of glyphic figures into service for maneuvers as written rows and ranks? Arguably among the most nuanced and thus demanding figures in our graphical universe, letters and fonts rely on an infrastructure that largely disappears in its daily operation, even as their existence guarantees the performance of the alphanumeric codes that underpin our encoded communications. We take the virtual letters as things, mistaking their appearance for substance, and we also overlook the agency of alphanumeric code, taking it for granted. In each case, and across an array of other activities sustained by writing in our analogue and digital worlds, letters function as much on account of how we conceive of them as on the basis of any autonomous existence based in what they are. Indeed, our concepts of what the letters are, as well as their literal forms, have migrated from scratched stone and inked surface to screen, and in their current iteration, they reveal much about assumptions on which other functional illusions are based.&#xA;&#xA;For a profound paradox governs the conception of alphabetic letters and their functional identity in the digital environment: they are at once understood as atomistic elements, discretely defined and operationally distinct, and they are also understood as expressions of complex, distributed contingencies whose identities are produced across an array of ephemerally connected conditions. Code, that is, functional discrete-ness, should not be confused with appearance, the graphical particulars of individual forms. They are different orders of things in different conceptual systems. After all, the signs in alphanumeric code could be replaced. Another set of symbols, equally arbitrary and distinguishable one from another, could be substituted. The circumstances that have led us to use these familiar entities from historical reasons, our a’s, b’s, and 0’s to 9’s, are now less important than the dependence built into and around their use in many multiple trillions of lines of code. Few elements of our digitally literate lives are more integral to its operations. Alphanumeric notation underpins the processing of code, it is code, as well as the stuff of higher-order expressions in languages of all kinds.&#xA;&#xA;But the code–contingency paradox has implications for the ways we use letters, taking them for granted as a stable system in the first instance and recognizing their complex contingency in networks linking design, storage, delivery, display, and output in the second. The roots of the distinction are deep, linked to philosophical debates about stability and change that apply to particles and waves at a higher level of physics and to discussions of autonomy and codependence in systems theories and ecologies. The way we “think” the letters—how we conceive of them—shapes their design and our understanding as much as the technologies through which we make them.&#xA;&#xA;Conceptions of letters function as expressions of beliefs about form and identity, providing the basis on which functional activity of alphabetic code operates. If I could activate the a on my keyboard only through a process of distinguishing it from every other letter in the system of all letters in all fonts and styles, my typing speed would slow to geologic (or philosophical) time rates. But the fact that I can single out a letter of the alphabet is built on an assumption that it is an unambiguous, discrete entity. However, the unique reaction triggered when a keystroke communicates with an application in my system tells me nothing about the identity of letters in an ontological sense. Atomistic theories of letters have led to medieval theories of the kabbalah, the manipulation of the many names of god, the attributes and elements of the cosmos, Lullian methods of ars sciendi, and cosmological interpretations of male and female properties in procreative metaphors projected onto their forms (Drucker 1994). But this combinatoric mojo has no relation to the digital processes and platforms that are too often and so easily considered the extension of a world of spinning volvelles and diagrammatic charts (Gardner 1982). The technological distance between merkebah meditations and Turing machines cannot be measured on a single scale any more than the fact that the GATC sequences used to represent four nucleic proteins that make up genetic code can be read as if they were actually alphabetic. Such approaches mistake accident for substance, incidental information for essential properties. Probing the relation of atomistic concepts of alphabetic letters quickly ensnares the technological and intellectual discussions with mystical resonances. That said, the graphical primitives that make up letterforms lend themselves to atomistic analysis. I/O elements, straight–curve oppositions, quickly get absorbed into mystical analysis of digital notation for its own sake, just as they have served occultists of various kinds over the centuries (a good example is Tory 1529) (see Figure 4.1).&#xA;&#xA;&#xA;&#xA;FIGURE 4.1. Geoffroy Tory, Champfleury. 1529.&#xA;&#xA;&#xA;&#xA;The graphical appearance of letters, their style and shape, which seems self-evident for other reasons, also has a history of productive tensions in relation to techniques and materials (Kinross 1992). The production of a “letter” in a digital environment is an effect of multiple, distributed processes, each of which participates in its production as surely as constraints of varied material substrates have in other circumstances. Thus the second part of the dualism in our paradox: that specific forms (be they letters, human shapes, or natural phenomena) assume their identity only as momentary configurations of energy in flux. This has connections to a systems-based ecology of signs, a view in which human apperception of the fleeting phenomena is always partial, situated, ephemeral. For letters to be grasped fully, in all their philo-semio-sophical actuality, a Peircian tripartite description of signs would need to be pressed into service (Colapietro and Olshewsky 1996). In such a description, the very formation process of signs is considered in three parts, beginning with the undifferentiated world, through resistance to difference, and into a system of relations. Such a view encompasses all signs, human and natural, in which configured meaning is understood as an effect of a larger semiotic ecology (Taborsky 1998; Frost and Coole 2010).1 Though essential to a theory of meta-informatics and signs, such frameworks are not explicitly related to an analysis of the migration of alphabetic letters across technological platforms—except insofar as the very notion of “letter” in that discussion depends on these philosophical debates and explanations. I don’t aspire to such grand ambitions, except by implication. The level of abstraction to which such arguments rise, though intoxicating, won’t explain the shape of the letters on the screen or their connection to their rich history of prior conceptions. So let’s return to the letters, the inventory of their conception, and ways such notions shift in the transubstantiation the alphabet undergoes in the course of historical change and technological variation.&#xA;&#xA;What are the letters? Did our ancestors ask this, forming their proto-Canaanite glyphs in the early part of the second millennium B.C., as the alphabet emerged in a cultural exchange between cuneiform scripts and hieroglyphic signs (Driver 1976; Diringer 1943; Albright 1966)?2 If they did, they left no trace of these ruminations. The earliest recorded reflections on the letters, their origins and their identity, come from the Greeks almost a thousand years later. Their adaptation of the alphabet was, these Hellenes knew full well, a borrowing from the peoples to the East. Cadmus, the Phoenician, was identified by Herodotus as the bearer of the letters, those signs that had come into Greece from Asia Minor by a route in the north and also by sea along the Mediterranean trade routes in various waves of diffusion and exchange some time in the ninth or eighth century B.C. (Bernal 1990).&#xA;&#xA;But in addition to mythic (albeit accurate) histories of writing, the Greeks were aware of the differences among sign types and systems. Plato had been to Egypt, and his investigation of self-evident signs and the myth of mimesis, The Cratylus, bears within it a mistaken conviction that the hieroglyphics he had seen on monuments abroad had a capacity to communicate directly to the eye. The contrast between his own abstract script and the pictorial signs of the Egyptians gave him ground on which to consider the effects and implications of this difference. But the “Greek” alphabet, like many of the variant scripts that spring into being on the Eastern edge of the Mediterranean, is in fact a host of different strains, spores of experiment that take hold and mutate, adopt and adapt to new soil and new tasks (Naveh 1982; also Petrie, 1912; Cottrell, 1971; Albright, 1966).&#xA;&#xA;Wait, you say, suddenly pausing for a moment in confusion. Who invented the alphabet? Which alphabet? The Greek alphabet? Each of these three questions leads to an abundance of wrong answers. The idea that the Greeks invented the alphabet is based on a particular conception—that the alphabet is a specific kind of transcription of a particular spoken language (Havelock 1976). But this is only one among several concepts of the alphabet, and the Greeks, in fact, were late in the game, receiving their packet of potential notation as a hand-me-down transmission after the initial formation of an alphabetic script on which the sequence, names, and “powers” of their letters are based (Logan 1986). The Semitic language speakers forged an alphabet to serve a tongue whose consonantal morphemes communicated adequately without vowels, and the technical specifications for their writing were different than for the Greeks, who later modified the writing for their own use. It was the Semites who fixed the sequence of signs (so securely that the assembling of architectural elements followed its order, a code of instructions for putting pieces of built form together in the right order in the turquoise-mining region of the Sinai). They gave the letters their names—aleph, beth, gimel, and so on—and their original graphic identities more than a millennium before the Greeks took them up like dragon’s teeth to sow their own ground and bring forth generations of poetic texts and language.&#xA;The alphabet was not invented but emerged, and all known alphabets spring from the same common root, which tracks to the lands of Canaan, Accad, Moab, Byblos, Sinai, and other realms whose names haunt the biblical history of a region of the Middle East that stretched as a fertile crescent from Mesopotamia to northern Africa (Sanders 2009). Its origins are intertwined with the histories of nations and peoples whose inscriptions provide a piecemeal record of the first appearances of a system of signs that was neither cuneiform, nor hieroglyphic, nor syllabic, logographic, or ideographic, but alphabetic (letters used to represent phonemes) in the centuries beginning around 1700 B.C. at the earliest. That original alphabet has been seen through many interpretative lenses, as archaeological evidence expanded and its techniques of analysis replaced biblical histories and origin myths linked to Adam, Abraham, and the angels. But the archaeologists’ conception is also just that, one of many, rooted in empirical study of objects and evidence correlated with information about ancient languages and narratives of history retrospectively projected onto shards and fragments of remains. Even among these scholars of antiquity, passionate debates rooted in differences of opinion about the symbolic role of the alphabet within the formation of national identity versus its mere advantages of functionality continue to appear (Sanders 2009). Empirical evidence, in this case, builds on the assumptions to which it is put rather than serving to dispel the foundations of belief. Tracking the connections between fragments of ancient inscriptions and the morphing of forms into all the many variants of Arabic, Ethiopic, South Indian, Indonesian, Glagolitic, Slavonic, Germanic, Runic, and Roman forms creates a genealogical model of cultural diffusion (Senner 1989). This can in turn be countered by a more diffuse approach to the early emergence of this, the most persistent and long-lived writing system.&#xA;&#xA;But the question that guides our investigation into the paradox of letters on the screen, the tension between the atomistic and systemic identities of these forms, remains much as it has been for centuries—not simply “What is the alphabet?” but “How does the alphabet function according to the ways we may conceive it?” Just as our ancestors made use of the fixed sequence of letters, a model of order and ordering, so we take advantage of a concept of atomistic discreteness. Thus the answers have implications for our current condition, for the unacknowledged hegemonic hold of the Western alphabet on computational processing, on its infiltration into the very structure of the networked world in which its ASCII, Unicode, and Bin-Hex systems operate. As stated before, letterforms (graphical expressions) and alphanumeric code (discrete elements of a system) should not be confused. But the two use a common set of alphabetic signs that have been in continuous use from the sands of the ancient Middle East to the digital present, over a span of almost four thousand years. And problems of technology, concealed in the apparently mechanistic issue of design, turn out to be a Trojan horse in which the problems of philosophy make their stealth entry into our guarded precincts. The migration of the letters is not a history of things across spaces, time, and material substrates but of models and concepts reformulated. One strain of this reimagination springs from the encounter with materials.&#xA;&#xA;The development of contemporary modes of production, that is, the design problems of technological migration, could be studied by looking at the career of an individual designer. One example is justly renowned Matthew Carter, who began with lessons in stone carving from his father, accompanied by exercises in calligraphy, before becoming involved in each successive wave of design production, from hot type (lead) to cold (photographic), and digital, from earliest pixel wrangling to programmable fonts whose variants are produced through an algorithm generating random variations (Re 2003). When he worked on designs of phototype, his training stood him in good stead, his eye attuned to the difficulties of scale and the need to compensate for the ways in which light spreads as it goes through a negative and onto a photosensitive surface, clotting the finer elements of letters at the points where strokes connected or where serifs met strokes. To correct these visual awkwardnesses, for the fattening of the ankles or swelling of the bellies or filled-in counters, the designer has to chisel away bits of the letter at a microscale so that the projected light coming through the film strip negative onto the photosensitive paper would not result in clumsy forms. Retrospectively, phototype seems physical, direct, only moderately mediated by contrast to digital fonts, whose identity as elements is stored, kept latent, waiting for a call by the machine to the file that then appears on screen or passes into a processing unit on a device. Carter’s early work in digital type was equally nuanced, and as memory and processing capacities escalated exponentially, so did the ability to refine digital typography.&#xA;&#xA;But what to draw? Consider the complexity of the problem. Carving curved letters in stone is difficult, but inscription is direct. Description—the indication of a set of instructions for drawing produced by a design—remediates the direct process. Bitmapped fonts could be hand-tuned so that pixel locations could be defined for every point size. The image of a needlework grid at finer and finer scales makes a vivid analogy. Outline fonts had to be stored as a set of instructions for rendering the outline of the glyph, with the instructions for filling in provided by the printer. The decision to create a number of system fonts that shipped with desktop computers meant that Apple, at least, put its energy into making particular letterforms work throughout its file storage, screen, and output units (Ploudre 2011). A distinction between screen fonts and printer fonts enabled printer-specific files to communicate ways of drawing and making letters. As laser printers came into use, graphical expressions became more refined, and the demands on systems of processing and memory increased. The distributed aspects of a font’s existence had to be considered across an array of operations. Challenges of graphic design led to encounters with questions of ontology and identity.&#xA;&#xA;From the outset, digital fonts had to be created across a life cycle of design, storage, processing, display, and output in environments that each had different requirements and protocols. The earliest output devices were plotter pens and dot matrix printers, primitive graphical means at best. They created crude versions of letters whose patterns of dark spots in a grid bore little resemblance to font designs. The pixilated letters on early blinking amber and green screens had the grace of punch card patterns, as refined as cross-stitch and only as resolved as the scale of the grid. But what produced these letters? What was being stored where, and how? Digital fonts explode any illusion on which stable, fixed, atomistic autonomy could be based. Even at the level of their graphic identity, letters have only to be able to be distinguished from each other, not hold their own as pictorial shapes.&#xA;&#xA;Designs for typography on desktop computers began to take shape in the mid-1980s, before fonts had any connection to networking activities. The basic problem of how to create the illusion of curves in a world of pixels forced designers into a choice between vector graphics and the tapestry world of pixels. Scalable vector graphics, designed with Bezier spline curves spaced at close enough intervals to create nuanced transitions from thin to thick, swelling shapes, and neatly nipped points of connection between strokes, required a great deal of memory. Displaying them on the screen, except while they were being designed, was probably not worth the processing and storage overhead. But each rendering of a letter required that the file be stored and processed to be seen. Even on a single machine, the existence of a letter had stretched along a line of contingent connections.&#xA;&#xA;The choice of what to store—a glyph outline, curves and points, or a pixel pattern—had consequences at every step of the font’s life cycle. The creation of TrueType,3 Apple’s way to store outline fonts, was meant as competition for Adobe’s Type 1 fonts used in Postscript.4 The great advantage of TrueType and Adobe’s Type 1 fonts was scalability—the same design could be redrawn at any size, or so it seemed (Phinney 2011). Experiments with multiple-master fonts, such as Minion, played (briefly) with the computer’s capacity for morphing letterforms across a set of variables. But each size of a font requires rework, and in the digital design world, this is referred to as hinting. Questions of where and how a printing language lived—whether it was part of an operating system or part of applications or the software associated with particular printers—had market implications because every device had to be equipped with the ability to recognize a font file format if it were to render the letters accurately. Agreeing on a single standard for type formats, Microsoft and Apple collaborated on TrueType in the early 1990s.&#xA;&#xA;Fonts were sold as files, their screen, printer, and display elements packaged on disks and shipped. The size of font files was large; they took up lots of space in the hard drive. And changing fonts too many times in a single document could clog the output pipeline as a poor printer chugged away like a dancer required to change from tango to waltz and square dance moves at every step. On-screen display posed its own challenges. Counterintuitive though it may seem, in grayscale displays, blurring the font’s appearance through a process called anti-aliasing took advantage of the eye’s ability to create a sharper appearance.5 Up close, anti-aliasing looks fuzzy, out of focus, and ill defined, but from a reading distance, the letters look finer than in the high-contrast resolution of most screens. Likewise, the RGB lines of the monitor tended to be brutal to the nuances of typefaces. Subpixel rendering, another technique for improving the way screens display fonts, takes advantage of the ways the red, green, and blue lines of RGB displays can create their own refracted image so that it recombines into a sharp illusion, using the physical properties of the display to best advantage. These are technical problems, however, challenges for engineers and designers, not philosophers.&#xA;&#xA;Or are they? Font designers speak of “character drift” when they talk about hinting, noting that the specific features that give a particular letterform its identity are at risk, losing their defining boundaries in the process. How long before the well-defined lowercase r looks like an i whose point has slipped? What is a letter in these conditions? Where is its identity held? And how is that identity specified? A basic font contains multiple tables that include both structured and unstructured data, the specific forms and shapes of icons, and instructions on how to talk to and work with a word processor or an application. The data about a font are merely stored until needed, held in the virtual memory awaiting a command.&#xA;&#xA;Web-safe fonts are linked to the capacities of browsers to access font information stored in the operating system. Font files had to be loaded, rasterized, autohinted, and configured by the browser, translating a web page’s information using locally stored fonts and display capacity. If an unfamiliar font was referenced in an HTML file, a browser would use a default font in the desktop operating system. At first, HTML had no capacity to embed fonts. Fonts were controlled by the browser. Each browser had its own limitations and specifications. Designers were appalled. HTML, designed for “display,” had stripped out one of the fundamental elements of all graphic design—font design. The crudeness of HTML’s system—simply regulating relative sizes of the handful of fonts available for web pages—was extremely reductive but very powerful. By ignoring the information required for font description, HTML could concentrate on other aspects of display in the early days of low bandwidth and still primitive browser capability. For designers, this was the equivalent of forcing a world-class concert pianist to perform Rachmaninoff on a child’s toy piano of a dozen dull keys. By 1995, Netscape introduced a  tag that allowed a designer to specify that a particular font was to be used in a web display, but this required that the viewer have that exact font installed. Again, a series of default decisions could revert to the system fonts if that font were not present.&#xA;&#xA;Early cascading style sheets provided the means of specifying qualities or characteristics of fonts to be displayed. They allowed for five parameters to be indicated: family (sans serif, serif, monospace, cursive, fantasy), style, variant, weight, and size. Again, an analogy is in order. Every vanilla ice cream is not the same as any other. The nuances of design were rendered moot through the need to invoke generic, rather than specific, fonts. The distinctions among different renderings of various fonts, crucial to their history and development, could not register in such a crude system of classification or description. Designers, already annoyed at the nonspecific crudeness of HTML code, had more to complain about as they watched their Gill Sans turn into Arial and Hoefler Text or Mrs. Eaves rendered as Times New Roman.&#xA;&#xA;The most recent attempt to resolve these issues, Web Open File Format (WOFF), shifts font storage responsibility to a server from which the information can be called, like an actor on permanent alert for casting and appearances onstage. The notion of WOFF depends on a continuous connection to the web so that any instance of that font will be rendered from files provided on a call. The complexity of the files—suited to a variety of browsers, screens, displays, and output devices, including printers—comes from the need to coordinate the consistent identity of the font across each stage of its design, storage, transfer, processing, restorage in memory, display, output, and so forth. The notion of distributed materiality, developed by Jean-François Blanchette (2011), provides a useful description of these interdependent relations of memory, processing, storage, networks, and other features of the computational apparatus brought into play when a letter’s existence is distributed and contingent.&#xA;&#xA;A letter? Imagine the lines of code, contingencies, forks, and options built into each glyph’s back story and front end. The skill of the punch-cutter, so inspiring for its manual precision and optically exquisite execution, is now matched by an equally remarkable but almost invisible (code can read, after all, but is rarely displayed in public view) set of instructions that also encodes ownership, proprietary information, the track and trace of foundry source, and, ultimately, perhaps, a set of signals to trigger micropayments for use.6 The model of the letter is now an economic and distribution model as well as a graphical form with identifying characteristics. The letter performs across its roles and activities, with responsibility at every stage to conform to standards and protocols it encounters in every area of the web, to live on a server without becoming corrupted or decayed, to enact its formal execution on command no matter who or what has called it into play. These are megafiles with meta-elements, wrapped with instructions for behaviors as well as form. For the font storage in our times reinforces the performative dimensions of identity, of a file that is a host of latencies awaiting instantiation (Drucker 2009). The condition exposes the relation between modes and their embodiment, even as it belies the possibility of a disembodied letter.&#xA;If a letter is an entity that can be specified to a high degree and yet remain implementation independent, what does that mean (Glaves 2006)? The term implementation independent recalls another moment, some years ago, when a young scholar of modern poetry interested in typographic specificity in editions of various works asked me, “Does a letter have a body? Need a body?” I had never pondered the question in quite that way. Where to look for an answer to this metaphysics of form? In the essay where he speculated on the origins of geometry, Edmund Husserl provided a highly nuanced discussion of the relation between the “first geometer” and the ideal triangles and other geometric forms whose existence he brings us to consider as independent of human apperception and yet fundamentally created within the constitutive systems of representational thought (Husserl 1989). But letters are not like triangles. Their proportions and harmonies are neither transcendent nor perfect in a way that can be expressed in abstract formulae. Between the opening gambit of the question of embodiment and the recognition of the fundamental distinction between mathematically prescribable forms that conform to universal equations that hold true in all instances lies the path from A to screen. For if all circles may be created through the same rules with respect to center point, radius, and circumference, letters cannot be so prescribed. In fact, the very notion of pre-scription, of a writing in advance, has philosophical resonance.&#xA;&#xA;Approaching this as a practical problem brought metaphysics into play through the work of Donald Knuth in the late 1970s (Knuth 1986). The mathematician and computer-programming pioneer had sought the algorithmic identity of letters. And in the course of failing to find them, he provided revealing insight into the complexity of their graphical forms. Frustrated by the publication costs involved in production of his books, Knuth wanted to use computer-generated type to set his mathematical texts. By 1982, he had come up with the idea of a meta-font to take advantage of the capabilities of digital media to generate visual letterforms and equations. At the core of the typesetting and layout programs he designed, TeX and Metafont, was a proposition that a single set of algorithms could describe basic alphabetic letters. As Douglas Hofstadter (1985, 266) later commented, Knuth held out a “tantalizing prospect . . . : that with the arrival of computers, we can now approach the vision of a unification of all typefaces” (see Figure 4.2).&#xA;&#xA;&#xA;&#xA;FIGURE 4.2. Donald Knuth, The METAFONTbook. 1986.&#xA;&#xA;&#xA;&#xA;In essence, the “meta” aspect of these fonts was contained in a vision of a flexible design capable of creating “a 6 1/7-point font that is one fourth of the way between Baskerville and Helvetica” (Hofstadter 1985, 266). Knuth’s assumption was that all alphabetic letters—regardless of their font—could be described as a fixed, delimited, finite set of essential forms. For an a to be described according to its features such that the “Helvetica-ness” of one version could be mixed with “Baskerville-ness” in another would require that these stylistic characteristics be specifiable (distinct and discrete) and modifiable (available to an algorithmic specification and alteration). Hofstadter argued that letters belong to what are called productive sets, sets that cannot ever be complete because they are by definition composed of each and every instantiation (chairs are another example of a productive set). Not only do an infinite number of a’s exist, but determining precisely what their common features are—or the properties of consistency, in mathematical terms—turned out to be more complicated than Knuth had imagined.&#xA;&#xA;Knuth was having these realizations in 1982, as desktop publishing and design were just coming into view over the horizon. The idea of generating fonts from a set of simple instructions, parameters describing each letter, seemed just the right fantasy to entertain because it aligned with the optimism about the capacities of computational and digital media. Conceiving the essence of a letter as an algorithm and proposing a meta-font are ideas with a direct connection to digital media’s perceived capabilities. As it turned out, no single essential a exists. A swash letter majuscule A in a wildly excessive script face will have elements that could never be predicted from an algorithm responsible for the minimal stroke forms of a three-stroke sans serif A.&#xA;&#xA;Knuth’s concept of letters had everything to do with the technology in which he was imaging their production. The idea of treating letters as pure mathematical information had suggested that they were reducible to algorithmic conditions outside of instantiation. He had believed that the letters did not need a body. Clearly the technology of production and the frameworks of conception both contribute to our sense of what a letter is. The technology of digital media couldn’t produce a genuine meta-font, but in the context of computational typesetting and design, such an idea seemed feasible.&#xA;&#xA;This example undercuts any technodeterminist view of letter design or conception. The limit of what a letter can be is always a product of the exchange between material and ideational possibilities. Sometimes technology leads, sometimes not. If we consider the history of letterforms, we can see many moments when one (technological development or conceptual leap) gets out of synch with the other. The serifs of Giambattista Bodoni’s eighteenth-century rational modern designs, meant to embody mathematical proportion, reason, and stability in metal type, were prone to break (Updike  1962; Drucker and McVarish 2009). These forms were better suited to production through photocomposition or digital modes in which their visual fragility could be countered by a technological robustness, but like the sparkling types of Baskerville, they suited an era in which refinement of taste was linked to virtuosic skills that flaunted the ability of punch-cutters to compete with the flourishes of master penmen. Style concepts were supported by technological innovation, not the reverse, so the printer from Birmingham had his paper “calendared” to make its surfaces smooth from the pressure of heated plates so it would support the finest possible print impressions.&#xA;&#xA;Business models play their own part in the creation of concepts on which letters were and are imagined, and the most recently invented standard for letterforms, to support the storage of fonts on the cloud, is as much an opportunistic effect of markets as it is an effect of design drives or desires, because liberating fonts from their licensing agreements and foundries could be one of the unintended (or perhaps deliberate) consequences. Neoliberal notions of property, the effacement of labor and authorship and redistribution of economic benefit, are bound up in the new concept of Web Open Font Format (WOFF).&#xA;&#xA;Hyperrationalization of letterforms is not exclusive to the realm of digital technology. Approaches to the drawing of letters in elaborate systems has several notable precedents. Renaissance designers Giambattista Palatino, Giovanni Tagliente, and Fra Luca de Pacioli, imagining a debt to the classical forms of Roman majuscules, strove not merely to imitate the perfection of shape and proportion they could see in the giant inscriptions of the Forum but to conjure a system that could embody principles for their design (Rogers 1979; Morison 1933) (see Figure 4.3). The letters on Trajan’s column, erected in A.D. 113, provided (and provide, for these aspirations continue well into the twenty-first century) the stand-out example of Roman type design. The letterforms in the inscription seemed to express order and beauty in balance, a kind of majesty that was at once imperial in its strength and classical in its humanity. The myth of compass and straight-edge as the tools for their production persisted until the twentieth century, when Father Edward Catich’s close observation showed that the quirks of form are too subtle to be traced to mechanistic instruments (Clough 2011).7 The Romans drew their letters onto stone and then included the subtle alterations of shape that were the result of gestures in their carving. According to the Encyclopaedia Romana, Catich&#xA;&#xA;&#xA;&#xA;FIGURE 4.3. Fra Luca Pacioli, De Divina Proportione. 1509.&#xA;&#xA;&#xA;hypothesized that the forms first were sketched using a flat square-tipped brush, using only three or four quick strokes to form each letter, the characteristic variations in line thickness formed by the changing cant of the brush. The letters then were cut in the stone by the same person (and not, Catich contended, separately by scribe and stone mason), the illusion of form being created by shadow.8&#xA;&#xA;&#xA;&#xA;Concepts of the alphabet do not walk lockstep with the history of technological change. Early carvers, scraping the letters as best they could into the surface of rock, made shapes based on models they knew—how? Was seeing enough to imprint that memory on the Neolithic imagination? Or did these scribes carry a cheat sheet of some kind, a rock or bit of clay or papyrus with the signs carved in them? Who taught these scribes? We know of the schools at Nineveh and throughout the ancient Near East (Robson 2009); of the training of Egyptian scribes and Babylonian ones; of the measured lines of Hammurabi’s stele from about 1780 B.C., its regular and elegant cuneiform speaking volumes about the habits of writing and the expertise of its inscriber and anticipated readers. But literate culture was fully developed, part of administrative systems of power and purpose in those regions. The Sinai inscriptions are in a remote region. Who knew the alphabet—this new set of glyphs—well enough to hold it in mind and pass it on as a fixed sequence of letters with stable names and graphic identities? The models of letter making that appear on Greek vases—the Dipylon vase is a celebrated example—would have been painted from familiar models, as a set of strokes that comprised fixed patterns. The increasingly abstract forms that became Greek writing have no easy mnemonic to guide their creation, as the aleph-oxhead resemblance did for earlier scrapers in stone. Atomists are convinced of the power of letters whether in a mystical or instrumental sense. Empirical archaeologists are equally determined to piece together a single binding narrative from physical remains, the genealogical seekers after the origins and mutations as if in a single organic tree of influence spreading like some alluvial fan across the world from a single source. Mystics believe symbolic tales adhere to the signs (or inhere in them) that are a mystery to unravel or contemplate. In the technological inventory of conceptions, another set of frameworks prevails.&#xA;&#xA;But when Renaissance artists looked to their antique past, they made every effort to create perfect forms. Their worldview, figured in ideal shapes as much an expression of cosmological belief in the perfection of divine proportions and design, depended on regular circles and squares. The aforementioned Pacioli’s De Divina Proportione (1509) bears some of the same conspicuous graphic features as the diagrams of Tycho Brahe in his explanations of the apparent motion of the planets. As an expression of a divine design, these must comprise perfect forms, and the circles within circles elaborately constructed by Tycho to describe elliptical motions are as mistaken in their mathematical principles as are Pacioli’s attempts to redraw Roman letters by the same means (Koestler 1959). Other extreme approaches to rationalized design include the elaborate calculations produced at the very end of the seventeenth century on the order of the French King Louis XIV. The resulting Roman du Roi, on its grid of perfect squares sanctioned by a large committee of experts, proved equally sterile, static to the eye. Modified by the punch-cutter Phillippe Granjean, the designs of the monarch’s font, held by exclusive license for his use, were modified to subtle effect in the production process. Matter triumphed over idea, and the hand and body over intellection, as the experienced type designer recast the ideal forms into realized designs that passed as perfect.&#xA;&#xA;Just as reason and proportion could be pressed into design service by the rationalizers of form, other approaches to production had their own systematic foundation. The discipline of the hand, conformance to a stroke pattern, ability to execute a series of marks in fixed, controlled sequence that become letters on a page—these were the skills of the writing master. Ink from a pen, paint from a brush, graphite from a pencil are all technologies that require training to be perfected. The virtuoso capacities of the writing masters of the seventeenth and eighteenth centuries will rarely be equaled or surpassed in our lifetime (Bickham  1941; Hoefnagel 2010). Those well-orchestrated moves, and the training necessary to achieve them, are part of a cultural pattern long past. But in the process of creating their own materials for training, the teachers of handwriting conceived simple charts of the basic strokes from which any and all letters might be derived. A curious combination of atomistic elements and somatic gestures, this approach is ductal, or gestural, in its foundation. The letters are more like traces of dance steps than ideal forms, their beauty achieved by schooling the fingers, wrist, and arm to act together in a well-regulated performance (see Figure 4.4).&#xA;&#xA;&#xA;&#xA;FIGURE 4.4. George Bickham, The Drawing and Writing Tutor. Or an alluring introduction to the study of those sister arts. 1740.&#xA;&#xA;&#xA;&#xA;In fact, every technology suggests possibilities for letterform designs: clay and stylus, brush and ink, drawing pens and vellum, metal type, steel engravings, paper and pencil, ballpoint, photography and photomechanical devices, digital type. But letter design isn’t simply determined by technology. Gutenberg’s metal characters took their design from preexisting handwritten models just as surely as photocomposition copied the design of hot metal fonts—despite the unsuitability of these models to the new media. Finding a vocabulary for a new technology takes time. The aesthetics of a medium aren’t in any way self-evident—or immediately apparent. How was the metal-ness of metal to be made use of with respect to the design of letterforms (Updike  1962)? The inherent aesthetics of phototype and its ability to carry decorative and pictorial images, drawn and fanciful forms; to be set so close the letters overlap; or to be produced with a bent and curved film strip through which light shining made an anamorphic or distorted form—all this had to be discovered. Similarly, in the simulacral technologies of digital media, where shape-shifting and morphing are the common currency of image exchange, what defines the technological basis of an aesthetic—the capacity for endless invention and mimicry or the ability to create a randomization in the processing that always produces a new alteration in each instantiation?&#xA;&#xA;But conceptual shifts across historical moments and geographies arise from other impulses than technological change, and this is crucial. The conception of forms can be realigned radically when explanatory narratives change. The eighteenth-century scholars L. D. Nelme and Roland Jones, for instance, struggling with Irish national identity and its roots in the prehistory of the Celts, took apart the alphabet and demonstrated its foundations in myths of origin that supported their claims to cultural autonomy. The letters were a code on which policies and politics might be played out in a contemporary arena. Published in London in 1772, Nelme’s An Essay towards an Investigation of the Origin and Elements of Language and Letters employed an old theory, that of two essential forms of the I and O as the radicals from which the ten signs of the ante-diluvian language used by the Japhetans could be derived. The original Europeans, according to Nelme, their language, were not confused at Babel. His reading of the O and L as O-L, the ALL, was put to the purpose of showing that the Celts were the chosen people. Nelme was repeating the theme of Jones’s 1764 Origin of Language, which traced the alphabet to the ancient tongue of the Cumbri-Gallic Celts, a point of view taken up again by Charles Vallencey in 1802 in his publication Prospectus of a Dictionary of the Language of Aire Coti, or, Ancient Irish, compared with the Language of the Cuti, or Ancient Persians, Hindoostanee, the Arabic, and Chaldean Languages. The point is simply that what drove the analysis of the forms of letters was a powerful belief system rooted in exigencies that were sufficiently compelling in their moment that they explained the alphabet as a vivid demonstration of principles. They cannot be characterized as wrong any more than Knuth’s quest for a meta-font. Each is an accurate expression of belief. No era has an exclusive claim on blindness to its assumptions.&#xA;&#xA;A letter, like any other cultural artifact, is designed according to the parameters on which it can be conceived. If we imagine, for instance, that a letterform may be shaped to contain an image with a moral tale, or that the letters of the alphabet comprise cosmological elements, or national histories, then designs that realize these principles may be forthcoming no matter what the material. Similarly, a twentieth-century modern sensibility inclined to seek forms within the aesthetic potential of materials of production was satisfied by designs that brought forth the qualities of smoothly machined curves such as those typical of Deco forms. Obviously, in any historical moment, competing sensibilities and conceptualizations exist simultaneously. The modernity of Paul Rand exists side by side with the pop sensibility of Milton Glaser and the 1960s psychedelic baroque style of poster designer Victor Moscoso (Heller and Chwast 2000). Can anything be said to unify their sensibilities? At the conceptual level, yes—a conviction that custom design and innovation are affordances permitted, even encouraged, in an era of explosive consumer culture. Thus, for our moment, the need to use the discrete properties of the alphanumeric code allows us to press its arbitrary signs into the service of a World Wide Web whose Western roots thus connect it to antiquity.&#xA;&#xA;The design of optical character recognition (OCR) systems divides along conceptually familiar lines. Print materials are analyzed by imagining their characters are pictures, distinguished one from another by graphical features. By contrast, handwriting samples are studied by capturing the sequence of events in their production. OCR was already dreamed of by the visionary entrepreneurial inventors of the mid- to late nineteenth century, who hoped they might create a machine capable of reading to the blind. Not until the mid-twentieth century was the first actual “reading machine” produced. The technological capacity for reliable machine reading progressed according to various constraints. Initially fonts were designed to suit the capacities of machine reading, with a feature set that occupied distinct areas of a grid. This allowed a unique, unambiguous identity to be ascribed to each letter through a scanning process, without the need for sophisticated feature extraction or analysis (the font was essentially a code, though it could be read by humans as well as machines). Technological capacities have become more sophisticated and no longer require use of a specially designed font, but some of the processes of pattern recognition in these earliest systems are still present. These basic techniques rely on thresholding (sorting characters from background), segmentation (into discrete symbols), zoning (dividing an imaginary rectangle enclosing the letter so that points, crossings, line segments, intersections, and other elements can be analyzed optically), and feature extraction and matching (against templates or feature sets). Problems occur when letters are fragmented, much visual noise is present, or letters overlap or touch other elements in the text or image. The feature extraction can be complemented with natural language processing, gauging the probability of the presence of a word according to statistical norms of use, frequency, or rules of syntax. In handwritten specimens, the basic act of segmentation poses a daunting challenge, and therefore the automated reading of handwriting is most effective when working with samples that store the production history of strokes or the act of a letter’s coming into being. Thus the two approaches to OCR align with earlier conceptions of the letter—as either an image with distinctive features or as the result of a series of motions resulting in strokes.&#xA;&#xA;The same two variables are at play, then, no matter what the individual style or cultural trend: the materials of production and the conception of a letter. Even at the level of production, where identity seems self-evident, a host of different concepts about what a letter is can be identified. In overview, we can say that a letterform may be understood graphically as a preexisting shape or model, a ductal form created by a sequence of strokes with varying pressures, an arbitrary sign, an image fraught and resonant with history and reference, an arrangement of vectors or pixels on a screen, or a digital file capable of being manipulated as an image or algorithm. Conversely, in conceptual terms, we understand a letter as a function of its origins (born in flames, traced on wet sand, marked by the hand of God on tablets of stone, reduced from images, invented out of air, scratched in rocks), its value (numerical, graphical, pictorial), its form (style, history, design), its functionality (phonetic accuracy, legibility), its authenticity (accuracy), or its behaviors (how it works). Other conceptualizations might be added to this list.&#xA;&#xA;Therefore asking “what is a letter?” is not the same as asking “how is it made?” The answers are never in synch—the questions don’t arise from a common ground—but they push against each other in a dynamic dualism. The road from invention to the present existence of letters is a dialogical road, not a material one. The milestones are not a set of dates with tags: creation of the quill pen, invention of printing, or production of the punch-cutting machine. Important as these technological developments are to the transformation of designs in physical, material form, they are modified in relation to the conceptual schema by which the letters may be conjured as forms. The letters did not migrate from A to screen. Atomistic in their operation, contingently distributed in their constitution, and embodied in their appearance, they have had to be reconstituted, remade in their new environment, still mutable after four thousand years of wandering.&#xA;&#xA;&#xA;Notes&#xA;&#xA;&#xA;&#xA;1 I am indebted to Jason Taksony Hewitt for conversations that have informed my understanding of these issues.&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;2 Basic books on the alphabet from an archaeological point of view include Sampson (1985), Driver (1976), Healy (1990), McCarter (1975), Gardiner and Peet (1952–55), and Diringer (1943).&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;3 For an explanation, see http://computer.howstuffworks.com/question460.htm. See also http://www.truetype-typography.com/articles/ttvst1.htm.&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;4 http://en.wikipedia.org/wiki/Typography_of_Apple_Inc.&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;5 http://en.wikipedia.org/wiki/Font_rasterization&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;6 http://www.fastcodesign.com/1671073/algorithmic-typography-crafted-entirely-with-computer-code#1.&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;7 See also http://penelope.uchicago.edu/048grout/encyclopaedia_romana/imperialfora/trajan/column.html.&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;8 http://penelope.uchicago.edu/050grout/encyclopaedia_romana/imperialfora/trajan/column.html.&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;References&#xA;&#xA;Albright, William Foxwell. 1966. The Proto-Sinaitic Inscriptions and Their Decipherment. Cambridge, Mass.: Harvard University Press.&#xA;&#xA;Bernal, Martin. 1990. The Cadmean Letters. Winona Lake, Ind.: Eisenbrauns.&#xA;&#xA;Bickham, George. (1743) 1941. The Universal Penman. New York: Dover Reprint.&#xA;&#xA;Blanchette, Jean-François. 2011. “A Material History of Bits.” Journal of the American Association for Information Science and Technology 62, no. 6: 1042–57.&#xA;&#xA;Catich, Edward M. 1968. The Origin of the Serif: Brush Writing and Roman Letters. Davenport, Iowa: Catfish Press.&#xA;&#xA;Clough, James. 2011. “James Clough’s Roman Letter.” http://soulellis.tumblr.com/post/683637102/james-cloughs-roman-letter.&#xA;&#xA;Colapietro, Vincent Michael, and Thomas M. Olshewsky. 1996. Peirce’s Doctrine of Signs. New York: Mouton de Gruyter.&#xA;&#xA;Cottrell, Leonard. 1971. Reading the Past. New York: Crowell Collier Press.&#xA;&#xA;Diringer, David. 1943. “The Palestinian Inscriptions and the Origin of the Alphabet.” Journal of the American Oriental Society 63, no. 1: 24–30. http://www.jstor.org/pss/594149.&#xA;&#xA;Driver, Godfrey. 1976. Semitic Writing from Pictograph to Alphabet. London: Oxford University Press.&#xA;&#xA;Drucker, Johanna. 1994. The Alphabetic Labyrinth: The Letters in History and Imagination. New York: Thames and Hudson.&#xA;&#xA;———. 2009. “From Entity to Event: From Literal Mechanistic Materiality to Probabilistic Materiality.” Parallax. http://indexofpotential.net/uploads/1123/drucker.pdf.&#xA;&#xA;Drucker, Johanna, and Emily McVarish. 2009. Graphic Design History: A Critical Guide. Upper Saddle River, N.J.: Pearson Prentice-Hall.&#xA;&#xA;Frost, Samantha, and Diana Coole. 2010. New Materialisms. Durham, N.C.: Duke University Press.&#xA;&#xA;Gardiner, Alan, and T. Eric Peet. 1952–55. Inscriptions of Sinai. London: Egyptian Exploration Society.&#xA;&#xA;Gardner, Martin. 1982. Logic Machines and Diagrams. Chicago: University of Chicago Press.&#xA;&#xA;Glaves, Mason. 2006. “The Impending ‘Implementation Independent’ Interface.” http://weblogs.java.net/blog/mason/archive/2006/06/the_implending.html.&#xA;&#xA;Havelock, Eric. 1976. Origins of Western Literacy. Toronto: Ontario Institute for Studies in Education.&#xA;&#xA;Healy, John. 1990. The Early Alphabet. Berkeley: University of California Press.&#xA;&#xA;Heller, Stephen, and Seymour Chwast. 2000. Graphic Style. New York: Harry N. Abrams.&#xA;&#xA;Hoefnagel, Joris. 2010. The Art of the Pen. Los Angeles, Calif.: Getty.&#xA;&#xA;Hofstadter, Douglas. 1985. “Metafont, Meta-mathematics, and Metaphysics.” In Metamagical Themas, 266. New York: Viking.&#xA;&#xA;Husserl, Edmund. 1989. The Origin of Geometry. Lincoln: University of Nebraska Press.&#xA;&#xA;Kinross, Robin. 1992. Modern Typography. London: Hyphen Press.&#xA;&#xA;Knuth, Donald. 1986. METAFONT: The Program. Reading, Mass: Addison-Wesley.&#xA;&#xA;Koestler, Arthur. 1959. The Sleepwalkers. New York: Grosset and Dunlap.&#xA;&#xA;Logan, Robert. 1986. The Alphabet Effect. New York: William Morrow.&#xA;&#xA;McCarter, P. Kyle, Jr. 1975. The Antiquity of the Greek Alphabet and the Early Phoenician Script. Cambridge, Mass.: Scholars Press for Harvard Semitic Museum.&#xA;&#xA;Morison, Stanley. 1933. Fra Luca de Pacioli. New York: Grolier Club.&#xA;&#xA;Naveh, Joseph. 1982. Early History of the Alphabet. Jerusalem: Magnes Press.&#xA;&#xA;Petrie, W. M. Flinders. 1912. The Formation of the Alphabet. London: Macmillan.&#xA;&#xA;Phinney, Thomas. 2011. “True Type and Post ScriptType 1: What’s the Difference?” http://www.truetype-typography.com/articles/ttvst1.htm.&#xA;&#xA;Ploudre, Jonathan. 2011. “Macintosh System Fonts.” http://lowendmac.com/backnforth/2k0601.html.&#xA;&#xA;Re, Margaret. 2003. Typographically Speaking: The Art of Matthew Carter. New York: Princeton Architectural Press.&#xA;&#xA;Robson, Eleanor. 2009. “The Clay Table Book in Sumer, Assyria, and Babylonia.” In A Companion to the History of the Book, edited by Simon Eliot and Jonathan Rose, 67–94. Malden, Mass.: Wiley-Blackwell.&#xA;&#xA;Rogers, Bruce. 1979. Paragraphs on Printing. New York: Dover Reprint.&#xA;&#xA;Sampson, Geoffrey. 1985. Writing Systems. Stanford, Calif.: Stanford University Press.&#xA;&#xA;Sanders, Seth. 2009. The Invention of Hebrew. Urbana: University of Illinois Press.&#xA;&#xA;Senner, Wayne M. 1989. The Origins of Writing. Lincoln: University of Nebraska Press.&#xA;&#xA;Taborsky, Edwina. 1998. Architectonics of Semiosis. New York: Palgrave Macmillan.&#xA;&#xA;Tory, Geoffroy. 1529. Champfleury. Paris.&#xA;&#xA;Updike, Daniel Berkely. (1922) 1962. Printing Types: Their History and Use. Reprint, Cambridge, Mass.: Belknap Press.&#xA;&#xA;Vallencey, Charles. 1802. Prospectus of a Dictionary of the Language of Aire Coti, or, Ancient Irish, compared with the Language of the Cuti, or Ancient Persians, Hindoostanee, the Arabic, and Chaldean Languages. Dublin: Printed by Graisberry and Campbell." PRODUCER="℗ 1979 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States." 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<INFO BITRATE="813845" KEY_LYRICS="33 ContributorsTranslationsDeutschManiac LyricsOne of the most notable songs made famous by a movie. Phil Ramone was not only the producer of the track but the music supervisor for 1983 movie Flashdance, which would launch it into success.&#xA;&#xA;Sembello wrote… Read More &#xA;Just a steel town girl on a Saturday night&#xA;Lookin' for the fight of her life&#xA;In the real-time world, no one sees her at all&#xA;They all say she's crazy&#xA;Locking rhythms to the beat of her heart&#xA;Changing movement into light&#xA;She has danced into the danger zone&#xA;When the dancer becomes the dance&#xA;&#xA;&#xA;It can cut you like a knife&#xA;If the gift becomes the fire&#xA;On the wire between will and what will be&#xA;&#xA;&#xA;She's a maniac, maniac on the floor&#xA;And she's dancing like she's never danced before&#xA;She's a maniac, maniac on the floor&#xA;And she's dancing like she's never danced before&#xA;&#xA;&#xA;On the ice-blue line of insanity&#xA;Is a place most never see&#xA;It's a hard-won place of mystery&#xA;Touch it, but can't hold it&#xA;You work all your life for that moment in time&#xA;It could come or pass you by&#xA;It's a push-shove world, but there's always a chance&#xA;If the hunger stays the night&#xA;&#xA;There's a cold kinetic heat&#xA;Struggling, stretching for the peak&#xA;Never stopping with her head against the wind&#xA;&#xA;&#xA;She's a maniac, maniac at your door&#xA;And she's dancing like she's never danced before&#xA;She's a maniac, maniac at your door&#xA;And she's dancing like she's never danced before&#xA;&#xA;&#xA;Ooh, oh&#xA;Oh&#xA;&#xA;&#xA;&#xA;&#xA;It can cut you like a knife&#xA;If the gift becomes the fire&#xA;On the wire between will and what will be&#xA;&#xA;&#xA;She's a maniac, maniac at your door&#xA;And she's dancing like she's never danced before&#xA;She's a maniac, maniac at your door&#xA;And she's dancing like she's never danced before&#xA;Maniac, maniac at your door&#xA;And she's dancing like she's never danced before" PRODUCER="℗ 1983 UMG Recordings, Inc." COVERARTID="066/C4R5KBCZI3H44C2MRXFWBLEV1I0B" PLAYTIME="245" PLAYTIME_FLOAT="244.706665" IMPORT_DATE="2025/4/14" RELEASE_DATE="1983/1/1" FLAGS="12" FILESIZE="24512"></INFO>
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<INFO BITRATE="860521" KEY_LYRICS="5 ContributorsHigh Energy LyricsHigh energy, your love is lifting me-ah&#xA;Hoh-oh-oh-oh, high energy, your love is lifting me&#xA;Lifting me hiiiiiiiiiigher, hi-hi-hiiiiiiiigher&#xA;&#xA;It was only last week that we first met&#xA;When I was a-walking' down the street&#xA;You came up from behi-ind me and I knew&#xA;That our eyes were gonna meet&#xA;&#xA;That's when I fell, into your arms&#xA;Ima-agine my surprise&#xA;I thought this only happened in fairytales&#xA;Lo-ove hit me right between the eye-eyes&#xA;&#xA;Oh yeah, high energy, your love is lifting me&#xA;Woh-oh-woh-oh-oh, high energy, yeah&#xA;Your love is lifting me&#xA;Lifting me hiiiiiiiiiigher, hi-hiiiiiiiiigher&#xA;&#xA;When you call me on the phone&#xA;You make my spirits rise&#xA;I'm glad the others didn't last&#xA;It's a blessing in disguise&#xA;&#xA;Everytime your touchin' me&#xA;It gives me such a thrill&#xA;When I look deep into your eyes&#xA;My heart just can't keep sti-i-i-ill, oh no&#xA;High energy, yeah, your love is lifting me&#xA;Woh-woh-woh-woh-woh, high energy, woh yeah&#xA;Your love is lifting me&#xA;Lifting me hi-i-i-igh (high energy)&#xA;Oh-high-high, (your love is lifting me)&#xA;Wooooh-hooo-hooo-hoo (high energy), high-yeah-yeah-eah&#xA;(Your love is lifting me) Lifting me hiiiiiiiiiigher, hiiiiiiiiiigher" PRODUCER="2015 One Media iP Ltd" COVERARTID="018/SY1C3YCP4USJLCYLFCGWAGLF4TJA" PLAYTIME="234" PLAYTIME_FLOAT="233.866669" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="24928"></INFO>
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<INFO BITRATE="1044784" KEY_LYRICS="60 ContributorsTranslationsMagyarIt’s Raining Men LyricsThe Weather Girls camp classic “It’s Raining Men” was a late hit for the disco genre, released in 1982. It’s a type of disco called Hi-NRG—known for its uptempo beats, pulsating bass line, and relative… Read More &#xA;Hi! (Hi!) We're your weather girls&#xA;(Uh-huh)&#xA;And have we got news for you!&#xA;(You better listen)&#xA;Get ready all you lonely girls&#xA;And leave those umbrellas at home&#xA;(Alright)&#xA;&#xA;&#xA;Humidity is rising (Mm rising), barometer's getting low (How low, girl?)&#xA;According to all sources  (What sources now?)&#xA;The street's the place to go (You better hurry up)&#xA;'Cause tonight for the first time (First time)&#xA;Just about half-past ten (Half-past ten)&#xA;For the first time in history&#xA;It's gonna start raining men (Start raining men)&#xA;&#xA;&#xA;It's raining men! Hallelujah!&#xA;It's raining men! Amen!&#xA;I'm gonna go out to run and let myself get&#xA;Absolutely soaking wet!&#xA;It's raining men! Hallelujah!&#xA;It's raining men! Every specimen!&#xA;Tall, blonde, dark and lean&#xA;Rough and tough and strong and mean&#xA;&#xA;God bless Mother Nature, she's a single woman too&#xA;She took off to heaven and she did what she had to do&#xA;She bought every angel&#xA;And rearranged the sky&#xA;So that each and every woman could find her perfect guy&#xA;&#xA;&#xA;It's raining men! Hallelujah!&#xA;It's raining men! Amen!&#xA;It's raining men! Hallelujah!&#xA;It's raining men! Amen!&#xA;&#xA;&#xA;I feel stormy weather moving in&#xA;About to begin (About to begin)&#xA;Hear the thunder, don't you lose your head&#xA;Rip off the roof and stay in bed (Rip off the roof and stay in bed)&#xA;&#xA;&#xA;God bless Mother Nature, she's a single woman too&#xA;She took off to heaven and she did what she had to do&#xA;She bought every angel&#xA;She rearranged the sky&#xA;So that each and every woman could find her perfect guy&#xA;Oh, it's raining men! Yeah&#xA;&#xA;&#xA;Humidity is rising (Humidity is rising, yeah) (Oh, oh yes, rising)&#xA;Barometer's getting low (Is getting low, low, low, low, low, low, low, low, is getting low)&#xA;According to all sources (According to all sources)&#xA;The street's the place to go&#xA;'Cause tonight for the first time&#xA;Just about half-past ten (half-past ten)&#xA;For the first time in history&#xA;It's gonna start raining men (It's gonna start raining men)&#xA;&#xA;&#xA;It's raining men! (Woo!) Hallelujah!&#xA;It's raining men! Amen!&#xA;It's raining men! Hallelujah!&#xA;It's raining men! Amen!&#xA;It's raining men! Hallelujah!&#xA;It's raining men! Amen!&#xA;It's raining men! Hallelujah!&#xA;It's raining men! Amen!&#xA;(Tall, blonde, dark and lean)&#xA;(Rough and tough and strong and mean)&#xA;She taught every angel&#xA;She rearranged the sky&#xA;(It's Raining Men! Hallelujah!)&#xA;(It's Raining Men! Hallelujah!)" PRODUCER="(P) 1982 Sony Music Entertainment Inc." COVERARTID="053/VRU0JVCTH1KGFCZG1K0GA3V2ZHEA" PLAYTIME="212" PLAYTIME_FLOAT="211.013351" IMPORT_DATE="2025/4/14" RELEASE_DATE="2007/1/1" FLAGS="12" FILESIZE="27091"></INFO>
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<INFO BITRATE="850860" KEY_LYRICS="23 ContributorsI’m So Excited Lyrics&#xA;Tonight's the night we're gonna make it happen&#xA;Tonight, we'll put all other things aside&#xA;Give in this time and show me some affection&#xA;We're going for those pleasures in the night&#xA;&#xA;&#xA;I want to love you, feel you&#xA;Wrap myself around you&#xA;I want to squeeze you, please you&#xA;I just can't get enough&#xA;And if you move real slow, I'll let it go&#xA;&#xA;&#xA;I'm so excited, and I just can't hide it&#xA;I'm about to lose control, and I think I like it&#xA;I'm so excited, and I just can't hide it&#xA;And I know, I know, I know, I know&#xA;I know I want you&#xA;&#xA;&#xA;We shouldn't even think about tomorrow&#xA;Sweet memories will last a long, long time&#xA;We'll have a good time, baby, don't you worry&#xA;And if we're still playing 'round, boy, that's just fine&#xA;&#xA;Let's get excited, we just can't hide it&#xA;I'm about to lose control and I think I like it&#xA;I'm so excited, and I just can't hide it&#xA;I know, I know, I know, I know&#xA;I know I want you, I want you, I want you&#xA;&#xA;&#xA;&#xA;&#xA;Oh boy, I want to love you, feel you&#xA;Honey, wrap myself around you&#xA;I want to squeeze you, please you&#xA;No, I just can't get enough&#xA;And if you move real slow, I'll let it go&#xA;&#xA;&#xA;I'm so excited, and I just can't hide it&#xA;I'm about to lose control and I think I like it&#xA;I'm so excited, and I just can't hide it&#xA;I know, I know, I know, I know&#xA;I know I want you, want you&#xA;&#xA;&#xA;I'm so excited (Look what you do to me)&#xA;And I just can't hide it (You’ve got me burning up)&#xA;I'm about to lose control and I think I like it (Oh, oh, oh, oh, ow!)&#xA;I'm so excited (How did you get to me?)&#xA;And I can't deny it (I’ve got to give it up)&#xA;I know (Oh, oh, oh, oh ow!)&#xA;I know I want you&#xA;I'm so excited (Look what you do to me)&#xA;Oh, boy (You’ve got me burning up)&#xA;Oh, oh, oh, oh, ow!&#xA;I'm so excited&#xA;(How did you get to me?)&#xA;Look at me (I’ve got to give it up)&#xA;Oh, oh, oh, oh ow!&#xA;I'm so excited&#xA;(Look what you do to me, you’ve got me burning up)&#xA;Oh, oh, oh, oh, ow!" PRODUCER="(P) 1982 RCA Records, a division of Sony Music Entertainment" COVERARTID="072/IGBRTLDM4BP0MAOBEULVCIPEQVLD" PLAYTIME="231" PLAYTIME_FLOAT="230.639999" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="24666"></INFO>
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<INFO BITRATE="919204" KEY_LYRICS="30 ContributorsAfter the Love Has Gone Lyrics&#xA;For awhile, to love was all we could do&#xA;We were young and we knew&#xA;In our eyes, we're alive&#xA;Deep inside, we knew our love was true&#xA;For awhile, we paid no mind to the past&#xA;We knew love would last&#xA;Every night, something right&#xA;Would invite us to begin the day&#xA;&#xA;&#xA;Something happened along the way&#xA;What used to be happy is sad&#xA;Something happened along the way&#xA;And yesterday was all we had&#xA;&#xA;&#xA;And, oh, after the love has gone&#xA;How could you lead me on&#xA;And not let me stay around?&#xA;Oh, oh, oh, after the love has gone&#xA;What used to be right is wrong&#xA;Can love that's lost be found?&#xA;&#xA;&#xA;For awhile, to love each other with all&#xA;We would ever need&#xA;Love was strong for so long&#xA;Never knew that what was wrong&#xA;Oh, baby, wasn't right&#xA;We tried to find what we had&#xA;'Til sadness was all we shared&#xA;We were scared&#xA;This affair would lead our love in two&#xA;&#xA;Something happened along the way&#xA;Yesterday was all we had&#xA;Something happened along the way&#xA;What used to be happy is sad&#xA;Something happened along the way&#xA;Oh, and yesterday was all we had&#xA;&#xA;&#xA;And, oh, after the love has gone&#xA;How could you lead me on&#xA;And not let me stay around?&#xA;Oh, oh, oh, after the love has gone&#xA;What used to be right is wrong&#xA;Can love that's lost be found?&#xA;&#xA;Oh, oh, oh, oh, oh, oh&#xA;After the love has gone&#xA;What used to be right is wrong&#xA;Can love that's lost be found?&#xA;&#xA;Oh, oh, oh&#xA;After the love has gone&#xA;What used to be right is wrong&#xA;Can love that's lost be found?&#xA;Oh, oh, oh&#xA;After the love has gone&#xA;What used to be right is wrong&#xA;Can love that's lost be found?&#xA;&#xA;Oh, oh, oh&#xA;&#xA;Oh, oh, oh&#xA;After the love has gone&#xA;What used to be right is wrong&#xA;Can love that's lost be found?&#xA;Oh, oh, oh&#xA;After the love has gone&#xA;What used to be right is wrong&#xA;Can love that's lost be found?" PRODUCER="(P) 1979 Columbia Records, a division of Sony Music Entertainment" COVERARTID="004/EA1NZNB1FHABWB0PYEXABCYAYY0A" PLAYTIME="265" PLAYTIME_FLOAT="264.573334" IMPORT_DATE="2025/4/14" RELEASE_DATE="1996/1/1" FLAGS="12" FILESIZE="30170"></INFO>
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<INFO BITRATE="896160" KEY_LYRICS="5 ContributorsZero to One Chapter 3-5 Lyrics3. All Happy Companies Are DifferentThe business version of our contrarian question is: what valuable company is nobody building? This question is harder than it looks, because your company could create a lot of value without becoming very valuable itself. Creating value is not enough—you also need to capture some of the value you create. This means that even very big businesses can be bad businesses. For example, U.S. airline companies serve millions of passengers and create hundreds of billions of dollars of value each year. But in 2012, when the average airfare each way was $178, the airlines made only 37 cents per passenger trip. Compare them to Google, which creates less value but captures far more. Google brought in $50 billion in 2012 (versus $160 billion for the airlines), but it kept 21% of those revenues as profits—more than 100 times the airline industry’s profit margin that year. Google makes so much money that it’s now worth three times more than every U.S. airline combined.&#xA;&#xA;The airlines compete with each other, but Google stands alone. Economists use two simplified models to explain the difference: perfect competition and monopoly. “Perfect competition” is considered both the ideal and the default state in Economics 101. So-­called perfectly competitive markets achieve equilibrium when producer supply meets consumer demand. Every firm in a competitive market is undifferentiated and sells the same homogeneous products. Since no firm has any market power, they must all sell at whatever price the market determines. If there is money to be made, new firms will enter the market, increase supply, drive prices down, and thereby eliminate the profits that attracted them in the first place. If too many firms enter the market, they’ll suffer losses, some will fold, and prices will rise back to sustainable levels. Under perfect competition, in the long run no company makes an economic profit.&#xA;&#xA;The opposite of perfect competition is monopoly. Whereas a competitive firm must sell at the market price, a monopoly owns its market, so it can set its own prices. Since it has no competition, it produces at the quantity and price combination that maximizes its profits. To an economist, every monopoly looks the same, whether it deviously eliminates rivals, secures   license from the state, or innovates its way to the top. In this book, we’re not interested in illegal bullies or government favorites: by “monopoly,” we mean the kind of company that’s so good at what it does that no other firm can offer a close substitute. Google is a good example of a company that went from 0 to 1: it hasn’t competed in search since the early 2000s, when it definitively distanced itself from Microsoft and Yahoo!&#xA;&#xA;Americans mythologize competition and credit it with saving us from socialist bread lines. Actually, capitalism and competition are opposites. Capitalism is premised on the accumulation of capital, but under perfect competition all profits get competed away. The lesson for entrepreneurs is clear: if you want to create and capture lasting value, don’t build an undifferentiated commodity business.Lies People SellHow much of the world is actually monopolistic? How much is truly competitive? It’s hard to say, because our common conversation about these matters is so confused. To the outside observer, all businesses can seem reasonably alike, so it’s&#xA;easy to perceive only small differences between them.Perception: Firms Are SimilarBut the reality is much more binary than that. There’s an enormous difference between perfect competition and monopoly, and most businesses are much closer to one extreme than we commonly realize.Reality: Differences Are DeepThe confusion comes from a universal bias for describing market conditions in self-­serving ways: both monopolists and competitors are incentivized to bend the truth.Monopoly LiesMonopolists lie to protect themselves. They know that bragging about their great monopoly invites being audited, scrutinized, and attacked. Since they very much want their monopoly profits to continue unmolested, they tend to do whatever they can to conceal their monopoly—usually by exaggerating the power of their (nonexistent) competition.&#xA;&#xA;Think about how Google talks about its business. It certainly doesn’t claim to be a monopoly. But is it one? Well, it depends: a monopoly in what? Let’s say that Google is primarily a search engine. As of May 2014, it owns about 68% of the search market. (Its closest competitors, Microsoft and Yahoo!, have about 19% and 10%, respectively.) If that doesn’t seem dominant enough, consider the fact that the word “google” is now an official entry in the Oxford English Dictionary—as a verb. Don’t hold your breath waiting for that to happen to Bing.&#xA;&#xA;But suppose we say that Google is primarily an advertising company. That changes things. The U.S. search engine advertising market is $17 billion annually. Online advertising is $37 billion annually. The entire U.S. advertising market is $150 billion. And global advertising is a $495 billion market. So even if Google completely monopolized U.S. search engine advertising, it would own just 3.4% of the global advertising market. From this angle, Google looks like a small player in a competitive world.&#xA;&#xA;What if we frame Google as a multifaceted technology company instead? This seems reasonable enough; in addition to its search engine, Google makes dozens of other software products, not to mention robotic cars, Android phones, and wearable computers. But 95% of Google’s revenue comes from search advertising; its other products generated just $2.35 billion in 2012, and its consumer tech products a mere fraction of that. Since consumer tech is a $964 billion market globally, Google owns less than 0.24% of it—a far cry from relevance, let alone monopoly. Framing itself as just another tech company allows Google to escape all sorts of unwanted attention.Competitive LiesNon-­monopolists tell the opposite lie: “we’re in a league of our own.” Entrepreneurs are always biased to understate the&#xA;scale of competition, but that is the biggest mistake a startup can make. The fatal temptation is to describe your market&#xA;extremely narrowly so that you dominate it by definition. Suppose you want to start a restaurant that serves British food in Palo Alto. “No one else is doing it,” you might reason. “We’ll own the entire market.” But that’s only true if the relevant market is the market for British food specifically. What if the actual market is the Palo Alto restaurant market in general? And what if all the restaurants in nearby towns are part of the relevant market as well?&#xA;&#xA;These are hard questions, but the bigger problem is that you have an incentive not to ask them at all. When you hear that most new restaurants fail within one or two years, your instinct will be to come up with a story about how yours is different. You’ll spend time trying to convince people that you are exceptional instead of seriously considering whether that’s true. It would be better to pause and consider whether there are people in Palo Alto who would rather eat British food above all else. It’s very possible they don’t exist.&#xA;&#xA;In 2001, my co-­workers at PayPal and I would often get lunch on Castro Street in Mountain View. We had our pick of restaurants, starting with obvious categories like Indian, sushi, and burgers. There were more options once we settled on a type: North Indian or South Indian, cheaper or fancier, and so on. In contrast to the competitive local restaurant market, PayPal was at that time the only email-­based payments company in the world. We employed fewer people than the restaurants on Castro Street did, but our business was much more valuable than all of those restaurants combined. Starting a new South Indian restaurant is a really hard way to make money. If you lose sight of competitive reality and focus on trivial differentiating factors—maybe you think your naan is superior because of your great-­grandmother’s recipe—your business is unlikely to survive.&#xA;&#xA;Creative industries work this way, too. No screenwriter wants to admit that her new movie script simply rehashes what has already been done before. Rather, the pitch is: “This film will combine various exciting elements in entirely new ways.” It could even be true. Suppose her idea is to have Jay-Z star in a cross between Hackers and Jaws: rap star joins elite group of hackers to catch the shark that killed his friend.&#xA;&#xA;That has definitely never been done before. But, like the lack of British restaurants in Palo Alto, maybe that’s a good thing.&#xA;Non-monopolists exaggerate their distinction by defining their market as the intersection of various smaller markets:British food Q restaurant Q Palo Alto&#xA;Rap star Q hackers Q sharksMonopolists, by contrast, disguise their monopoly by&#xA;framing their market as the union of several large markets:search engine q mobile phones q wearable&#xA;computers q self-driving carsWhat does a monopolist’s union story look like in practice? Consider a statement from Google chairman Eric Schmidt’s testimony at a 2011 congressional hearing:We face an extremely competitive landscape in which consumers have a multitude of options to access information.Or, translated from PR-speak to plain English:Google is a small fish in a big pond. We could be swallowed whole at any time. We are not the monopoly that the government is looking for.Ruthless PeopleThe problem with a competitive business goes beyond lack of profits. Imagine you’re running one of those restaurants in Mountain View. You’re not that different from dozens of your competitors, so you’ve got to fight hard to survive. If you offer affordable food with low margins, you can probably pay employees only minimum wage. And you’ll need to squeeze out every efficiency: that’s why small restaurants put Grandma to work at the register and make the kids wash dishes in the back. Restaurants aren’t much better even at the very highest rungs, where reviews and ratings like Michelin’s star system enforce a culture of intense competition that can drive chefs crazy. (French chef and winner of three Michelin stars Bernard Loiseau was quoted as saying, “If I lose a star, I will commit suicide.” Michelin maintained his rating, but Loiseau killed himself anyway in 2003 when a competing French dining guide downgraded his restaurant.) The competitive ecosystem pushes people toward ruthlessness or death.&#xA;A monopoly like Google is different. Since it doesn’t have to worry about competing with anyone, it has wider latitude to care about its workers, its products, and its impact on the wider world. Google’s motto—“Don’t be evil”—is in part a branding ploy, but it’s also characteristic of a kind of business that’s successful enough to take ethics seriously without jeopardizing its own existence. In business, money is either an important thing or it is everything. Monopolists can afford to think about things other than making money; non-­monopolists can’t. In perfect competition, a business is so focused on today’s margins that it can’t possibly plan for a long-­term future. Only one thing can allow a business to transcend the daily brute struggle for survival: monopoly profits.Monopoly CapitalismSo, a monopoly is good for everyone on the inside, but what about everyone on the outside? Do outsized profits come at the expense of the rest of society? Actually, yes: profits come out of customers’ wallets, and monopolies deserve their bad reputation—but only in a world where nothing changes.&#xA;&#xA;In a static world, a monopolist is just a rent collector. If you corner the market for something, you can jack up the price; others will have no choice but to buy from you. Think of the famous board game: deeds are shuffled around from player to player, but the board never changes. There’s no way to win by inventing a better kind of real estate development. The relative values of the properties are fixed for all time, so all you can do is try to buy them up.&#xA;&#xA;But the world we live in is dynamic: it’s possible to invent new and better things. Creative monopolists give customers more choices by adding entirely new categories of abundance to the world. Creative monopolies aren’t just good for the rest of society; they’re powerful engines for making it better.Even the government knows this: that’s why one of its departments works hard to create monopolies (by granting patents to new inventions) even though another part hunts them down (by prosecuting antitrust cases). It’s possible to question whether anyone should really be awarded a legally enforceable monopoly simply for having been the first to think of something like a mobile software design. But it’s clear that something like Apple’s monopoly profits from designing, producing, and marketing the iPhone were the reward for creating greater abundance, not artificial scarcity: customers were happy to finally have the choice of paying high prices to get a smartphone that actually works.&#xA;&#xA;The dynamism of new monopolies itself explains why old monopolies don’t strangle innovation. With Apple’s iOS at the forefront, the rise of mobile computing has dramatically reduced Microsoft’s decades-long operating system dominance. Before that, IBM’s hardware monopoly of the ’60s and ’70s was overtaken by Microsoft’s software monopoly. AT&amp;amp;T had a monopoly on telephone service for most of the 20th century, but now anyone can get a cheap cell phone plan from any number of providers. If the tendency of monopoly businesses were to hold back progress, they would be dangerous and we'd be right to oppose them. But the history of progress is a history of better monopoly businesses replacing incumbents.&#xA;&#xA;Monopolies drive progress because the promise of years or even decades of monopoly profits provides a powerful incentive to innovate. Then monopolies can keep innovating because profits enable them to make the long-term plans and to finance the ambitious research projects that firms locked in to competition can't dream of.&#xA;&#xA;So why are economists obsessed with competition as an ideal state? It’s a relic of history. Economists copied their mathematics from the work of 19th-century physicists: they see individuals and businesses as interchangeable atoms, not as unique creators. Their theories describe an equilibrium state of perfect competition because that’s what’s easy to model, not because it represents the best of business. But it’s worth recalling that the long-run equilibrium predicted by 19th-century physics was a state in which all energy is evenly distributed and everything comes to rest—also known as the heat death of the universe. Whatever your views on thermodynamics, it's a powerful metaphor: in business, equilibrium means stasis, and stasis means death. If your industry is in a competitive equilibrium, the death of your business won't matter to the world; some other undifferentiated competitor will always be ready to take your place.&#xA;&#xA;Perfect equilibrium may describe the void that is most of the universe. It may even characterize many businesses. But every new creation takes place far from equilibrium. In the real world outside economic theory, every business is successful exactly to the extent that it does something others cannot. Monopoly is therefore not a pathology or an exception. Monopoly is the condition of every successful business.&#xA;&#xA;Tolstop opens Anna Karenina by observing: &amp;quot;All happy families are alike; each unhappy family is unhappy in its own way.&amp;quot; Business is the opposite. All happy companies are different: each one earns a monopoly by solving a unique problem. All failed companies are the same: they failed to escape competition.4. The Ideology of CompetitionCreative monopoly means new products that benefit everybody and sustainable profits for the creator. Competition means no profits for anybody, no meaningful differentiation, and a struggle for survival. So why do people believe that competition is healthy? The answer is that competition is not just an economic concept or a simple in- convenience that individuals and companies must deal with in the marketplace. More than anything else, competition is an ideology—the ideology—that pervades our society and distorts our thinking. We preach competition, internalize its necessity, and enact its commandments; and as a result, we trap ourselves within it—even though the more we compete, the less we gain.&#xA;&#xA;This is a simple truth, but we’ve all been trained to ignore it. Our educational system both drives and reflects our obsession with competition. Grades themselves allow precise measurement of each student’s competitiveness; pupils with the highest marks receive status and credentials. We teach every young person the same subjects in mostly the same ways, irrespective of individual talents and preferences. Students who don’t learn best by sitting still at a desk are made to feel somehow inferior, while children who excel on conventional measures like tests and assignments end up defining their identities in terms of this weirdly contrived academic parallel reality.&#xA;&#xA;And it gets worse as students ascend to higher levels of the tournament. Elite students climb confidently until they reach a level of competition sufficiently intense to beat their dreams out of them. Higher education is the place where people who had big plans in high school get stuck in fierce rivalries with equally smart peers over conventional careers like management consulting and investment banking. For the privilege of being turned into conformists, students (or their families) pay hundreds of thousands of dollars in skyrocketing tuition that continues to outpace inflation. Why are we doing this to ourselves?&#xA;&#xA;I wish I had asked myself when I was younger. My path was so tracked that in my 8th-grade yearbook, one of my friends predicted—accurately—that four years later I would enter Stanford as a sophomore. And after a conventionally successful undergraduate career, I enrolled at Stanford Law School, where I competed even harder for the standard badges of success.&#xA;&#xA;The highest prize in a law student’s world is unambiguous: out of tens of thousands of graduates each year, only a few dozen get a Supreme Court clerkship. After clerking on a federal appeals court for a year, I was invited to interview for clerkships with Justices Kennedy and Scalia. My meetings with the Justices went well. I was so close to winning this last competition. If only I got the clerkship, I thought, I would be set for life. But I didn’t. At the time, I was devastated.&#xA;&#xA;In 2004, after I had built and sold PayPal, I ran into an old friend from law school who had helped me prepare my failed clerkship applications. We hadn’t spoken in nearly a decade. His first question wasn’t “How are you doing?” or “Can you believe it’s been so long?” Instead, he grinned and asked: “So, Peter, aren’t you glad you didn’t get that clerk- ship?” With the benefit of hindsight, we both knew that winning that ultimate competition would have changed my life for the worse. Had I actually clerked on the Supreme Court, I probably would have spent my entire career taking depositions or drafting other people’s business deals instead of creating anything new. It’s hard to say how much would be different, but the opportunity costs were enormous. All Rhodes Scholars had a great future in their past. War and PeaceProfessors downplay the cutthroat culture of academia, but managers never tire of comparing business to war. MBA stu- dents carry around copies of Clausewitz and Sun Tzu. War metaphors invade our everyday business language: we use headhunters to build up a sales force that will enable us to take a captive market and make a killing. But really it’s competition, not business, that is like war: allegedly necessary, supposedly valiant, but ultimately destructive.&#xA;Why do people compete with each other? Marx and Shakespeare provide two models for understanding almost every kind of conflict. According to Marx, people fight because they are different. The proletariat fights the bourgeoisie because they have completely different ideas and goals (generated, for Marx, by their very different material circumstances). The greater the differences, the greater the conflict.&#xA;&#xA;To Shakespeare, by contrast, all combatants look more or less alike. It’s not at all clear why they should be fighting, since they have nothing to fight about. Consider the opening line from Romeo and Juliet: “Two households, both alike in dignity.” The two houses are alike, yet they hate each other. They grow even more similar as the feud escalates. Eventually, they lose sight of why they started fighting in the first place.&#xA;&#xA;In the world of business, at least, Shakespeare proves the superior guide. Inside a firm, people become obsessed with their competitors for career advancement. Then the firms themselves become obsessed with their competitors in the marketplace. Amid all the human drama, people lose sight of what matters and focus on their rivals instead.&#xA;&#xA;Let’s test the Shakespearean model in the real world. Imagine a production called Gates and Schmidt, based on Romeo and Juliet. Montague is Microsoft. Capulet is Google. Two great families, run by alpha nerds, sure to clash on account of their sameness.&#xA;&#xA;As with all good tragedy, the conflict seems inevitable only in retrospect. In fact it was entirely avoidable. These families came from very different places. The House of Montague built operating systems and office applications. The House of Capulet wrote a search engine. What was there to fight about?&#xA;&#xA;Lots, apparently. As a startup, each clan had been content to leave the other alone and prosper independently. But as they grew, they began to focus on each other. Montagues ob- sessed about Capulets obsessed about Montagues. The result? Windows vs. Chrome OS, Bing vs. Google Search, Explorer vs. Chrome, Office vs. Docs, and Surface vs. Nexus.&#xA;&#xA;Just as war cost the Montagues and Capulets their chil- dren, it cost Microsoft and Google their dominance: Apple came along and overtook them all. In January 2013, Apple’s market capitalization was $500 billion, while Google and Microsoft combined were worth $467 billion. Just three years before, Microsoft and Google were each more valuable than Apple. War is costly business.&#xA;&#xA;Rivalry causes us to overemphasize old opportunities and slavishly copy what has worked in the past. Consider the re- cent proliferation of mobile credit card readers. In October 2010, a startup called Square released a small, white, square- shaped product that let anyone with an iPhone swipe and accept credit cards. It was the first good payment processing solution for mobile handsets. Imitators promptly sprang into action.&#xA;&#xA;A Canadian company called NetSecure launched its own card reader in a half‐moon shape. Intuit brought a cylindrical reader to the geometric battle. In March 2012, eBay’s PayPal unit launched its own copycat card reader. It was shaped like a triangle—a clear jab at Square, as three sides are simpler than four. One gets the sense that this Shakespearean saga won’t end until the apes run out of shapes.&#xA;&#xA;The hazards of imitative competition may partially ex‐ plain why individuals with an Asperger’s‐like social ineptitude seem to be at an advantage in Silicon Valley today. If you’re less sensitive to social cues, you’re less likely to do the same things as everyone else around you. If you’re interested in making things or programming computers, you’ll be less afraid to pursue those activities single‐mindedly and thereby become incredibly good at them. Then when you apply your skills, you’re a little less likely than others to give up your own convictions: this can save you from getting caught up in crowds competing for obvious prizes.&#xA;&#xA;Competition can make people hallucinate opportunities where none exist. The crazy ’90s version of this was the fierce battle for the online pet store market. It was Pets.com vs. PetStore.com vs. Petopia.com vs. what seemed like dozens of others. Each company was obsessed with defeating its rivals, precisely because there were no substantive differences to focus on. Amid all the tactical questions—Who could price chewy dog toys most aggressively? Who could create the best Super Bowl ads?—these companies totally lost sight of the wider question of whether the online pet supply market was the right space to be in. Winning is better than losing, but everybody loses when the war isn’t one worth fighting. When Pets.com folded after the dot-com crash, $300 million of investment capital disappeared with it.&#xA;&#xA;Other times, rivalry is just weird and distracting. Con- sider the Shakespearean conflict between Larry Ellison, co- founder and CEO of Oracle, and Tom Siebel, a top salesman at Oracle and Ellison’s protégé before he went on to found Siebel Systems in 1993. Ellison was livid at what he thought was Siebel’s betrayal. Siebel hated being in the shadow of his former boss. The two men were basically identical—hard- charging Chicagoans who loved to sell and hated to lose—so their hatred ran deep. Ellison and Siebel spent the second half of the ’90s trying to sabotage each other. At one point, Ellison sent truckloads of ice cream sandwiches to Siebel’s headquarters to try to convince Siebel employees to jump ship. The copy on the wrappers? “Summer is near. Oracle is here. To brighten your day and your career.”&#xA;&#xA;Strangely, Oracle intentionally accumulated enemies. Ellison’s theory was that it’s always good to have an enemy, so long as it was large enough to appear threatening (and thus motivational to employees) but not so large as to actually threaten the company. So Ellison was probably thrilled when in 1996 a small database company called Informix put up a billboard near Oracle’s Redwood Shores headquarters that read: caution: dinosaur crossing. Another Informix billboard on northbound Highway 101 read: you’ve just passed redwood shores. so did we.&#xA;Oracle shot back with a billboard that implied that Informix’s software was slower than snails. Then Informix CEO Phil White decided to make things personal. When White learned that Larry Ellison enjoyed Japanese samurai culture, he commissioned a new billboard depicting the Oracle logo along with a broken samurai sword. The ad wasn’t even really aimed at Oracle as an entity, let alone the consuming public; it was a personal attack on Ellison. But perhaps White spent a little too much time worrying about the competition: while he was busy creating billboards, Informix imploded in a massive accounting scandal and White soon found himself in federal prison for securities fraud.&#xA;&#xA;If you can’t beat a rival, it may be better to merge. I started Confinity with my co‐founder Max Levchin in 1998. When we released the PayPal product in late 1999, Elon Musk’s X.com was right on our heels: our companies’ offices were four blocks apart on University Avenue in Palo Alto, and X’s product mirrored ours feature‐for‐feature. By late 1999, we were in all‐out war. Many of us at PayPal logged 100‐hour workweeks. No doubt that was counterproductive, but the focus wasn’t on objective productivity; the focus was defeat‐ ing X.com. One of our engineers actually designed a bomb for this purpose; when he presented the schematic at a team meeting, calmer heads prevailed and the proposal was attributed to extreme sleep deprivation.&#xA;&#xA;&#xA;But in February 2000, Elon and I were more scared about the rapidly inflating tech bubble than we were about each other: a financial crash would ruin us both before we could finish our fight. So in early March we met on neutral ground—a café almost exactly equidistant to our offices— and negotiated a 50‐50 merger. De‐escalating the rivalry post‐merger wasn’t easy, but as far as problems go, it was a good one to have. As a unified team, we were able to ride out the dot‐com crash and then build a successful business.&#xA;&#xA;Sometimes you do have to fight. Where that’s true, you should fight and win. There is no middle ground: either don’t throw any punches, or strike hard and end it quickly.&#xA;&#xA;This advice can be hard to follow because pride and honor can get in the way. Hence Hamlet: &#xA;Exposing what is mortal and unsure&#xA;To all that fortune, death, and danger dare, Even for an eggshell. Rightly to be great&#xA;Is not to stir without great argument,&#xA;But greatly to find quarrel in a straw When honor’s at the stake.For Hamlet, greatness means willingness to fight for reasons as thin as an eggshell: anyone would fight for things that matter; true heroes take their personal honor so seriously they will fight for things that don’t matter. This twisted logic is part of human nature, but it’s disastrous in business. If you can recognize competition as a destructive force instead of a sign of value, you’re already more sane than most. The next chapter is about how to use a clear head to build a monopoly business.5. Last Mover AdvantageEscaping competition will give you a monopoly, but even a monopoly is only a great business if it can endure in the future. Compare the value of the New York Times Company with Twitter. Each employs a few thousand people, and each gives millions of people a way to get news. But when Twitter went public in 2013, it was valued at $24 billion— more than 12 times the Times’s market capitalization—even though the Times earned $133 million in 2012 while Twitter lost money. What explains the huge premium for Twitter?&#xA;&#xA;The answer is cash flow. This sounds bizarre at first, since the Times was profitable while Twitter wasn’t. But a great business is defined by its ability to generate cash flows in the future. Investors expect Twitter will be able to capture monopoly profits over the next decade, while newspapers’ monopoly days are over.&#xA;&#xA;Simply stated, the value of a business today is the sum of all the money it will make in the future. (To properly value a business, you also have to discount those future cash flows to their present worth, since a given amount of money today is worth more than the same amount in the future.)&#xA;&#xA;Comparing discounted cash flows shows the difference between low-growth businesses and high-growth startups at its starkest. Most of the value of low-growth businesses is in the near term. An Old Economy business (like a newspaper) might hold its value if it can maintain its current cash flows for five or six years. However, any firm with close substitutes will see its profits competed away. Nightclubs or restaurants are extreme examples: successful ones might collect healthy amounts today, but their cash flows will probably dwindle over the next few years when customers move on to newer and trendier alternatives.&#xA;&#xA;Technology companies follow the opposite trajectory. They often lose money for the first few years: it takes time to build valuable things, and that means delayed revenue. Most of a tech company’s value will come at least 10 to 15 years in the future.&#xA;&#xA;In March 2001, PayPal had yet to make a profit but our revenues were growing 100% year‐over‐year. When I projected our future cash flows, I found that 75% of the company’s present value would come from profits generated in 2011 and beyond—hard to believe for a company that had been in business for only 27 months. But even that turned out to be an underestimation. Today, PayPal continues to grow at about 15% annually, and the discount rate is lower than a decade ago. It now appears that most of the company’s value will come from 2020 and beyond.&#xA;&#xA;LinkedIn is another good example of a company whose value exists in the far future. As of early 2014, its market capitalization was $24.5 billion—very high for a company with less than $1 billion in revenue and only $21.6 million in net income for 2012. You might look at these numbers and conclude that investors have gone insane. But this valuation makes sense when you consider LinkedIn’s projected future cash flows.&#xA;&#xA;The overwhelming importance of future profits is counterintuitive even in Silicon Valley. For a company to be valuable it must grow and endure, but many entrepreneurs focus only on short‐term growth. They have an excuse: growth is easy to measure, but durability isn’t. Those who succumb to measurement mania obsess about weekly active user statistics, monthly revenue targets, and quarterly earnings reports. However, you can hit those numbers and still overlook deeper, harder‐to‐measure problems that threaten the durability of your business.&#xA;&#xA;For example, rapid short‐term growth at both Zynga and Groupon distracted managers and investors from long‐term challenges. Zynga scored early wins with games like Farmville and claimed to have a “psychometric engine” to rigorously gauge the appeal of new releases. But they ended up with the same problem as every Hollywood studio: how can you reliably produce a constant stream of popular entertainment for a fickle audience? (Nobody knows.) Groupon  posted fast growth as hundreds of thousands of local businesses tried their product. But persuading those businesses to become repeat customers was harder than they thought.&#xA;&#xA;If you focus on near‐term growth above all else, you miss the most important question you should be asking: will this business still be around a decade from now? Numbers alone won’t tell you the answer; instead you must think critically about the qualitative characteristics of your business.Characteristics of MonopolyWhat does a company with large cash flows far into the future look like? Every monopoly is unique, but they usually share some combination of the following characteristics: proprietary technology, network effects, economies of scale, and branding.&#xA;&#xA;This isn’t a list of boxes to check as you build your business—there’s no shortcut to monopoly. However, analyzing your business according to these characteristics can help you think about how to make it durable.1. Proprietary TechnologyProprietary technology is the most substantive advantage a company can have because it makes your product difficult or impossible to replicate. Google’s search algorithms, for ex‐ ample, return results better than anyone else’s. Proprietary technologies for extremely short page load times and highly accurate query autocompletion add to the core search product’s robustness and defensibility. It would be very hard for anyone to do to Google what Google did to all the other search engine companies in the early 2000s.&#xA;&#xA;As a good rule of thumb, proprietary technology must be at least 10 times better than its closest substitute in some important dimension to lead to a real monopolistic advantage. Anything less than an order of magnitude better will probably be perceived as a marginal improvement and will be hard to sell, especially in an already crowded market.&#xA;&#xA;The clearest way to make a 10x improvement is to invent something completely new. If you build something valuable where there was nothing before, the increase in value is theoretically infinite. A drug to safely eliminate the need for sleep, or a cure for baldness, for example, would certainly support a monopoly business.&#xA;&#xA;Or you can radically improve an existing solution: once you’re 10x better, you escape competition. PayPal, for instance, made buying and selling on eBay at least 10 times better. Instead of mailing a check that would take 7 to 10 days to arrive, PayPal let buyers pay as soon as an auction ended. Sellers received their proceeds right away, and unlike with a check, they knew the funds were good.&#xA;Amazon made its first 10x improvement in a particularly visible way: they offered at least 10 times as many books as any other bookstore. When it launched in 1995, Amazon could claim to be “Earth’s largest bookstore” because, unlike a retail bookstore that might stock 100,000 books, Amazon didn’t need to physically store any inventory—it simply requested the title from its supplier whenever a customer made an order. This quantum improvement was so effective that a very unhappy Barnes &amp;amp; Noble filed a lawsuit three days before Amazon’s IPO, claiming that Amazon was unfairly calling itself a “bookstore” when really it was a “book broker.”&#xA;&#xA;You can also make a 10x improvement through superior integrated design. Before 2010, tablet computing was so poor that for all practical purposes the market didn’t even exist. “Microsoft Windows XP Tablet PC Edition” products first shipped in 2002, and Nokia released its own “Internet Tablet” in 2005, but they were a pain to use. Then Apple released the iPad. Design improvements are hard to measure, but it seems clear that Apple improved on anything that had come before by at least an order of magnitude: tablets went from unusable to useful.2. Network EffectsNetwork effects make a product more useful as more peo‐ ple use it. For example, if all your friends are on Facebook, it makes sense for you to join Facebook, too. Unilaterally choosing a different social network would only make you an eccentric.&#xA;&#xA;Network effects can be powerful, but you’ll never reap them unless your product is valuable to its very first users when the network is necessarily small. For example, in 1960 a quixotic company called Xanadu set out to build a two‐way communication network between all computers—a sort of early, synchronous version of the World Wide Web. After more than three decades of futile effort, Xanadu folded just as the web was becoming commonplace. Their technology probably would have worked at scale, but it could have worked only at scale: it required every computer to join the network at the same time, and that was never going to happen.&#xA;&#xA;Paradoxically, then, network effects businesses must start with especially small markets. Facebook started with just Harvard students—Mark Zuckerberg’s first product was designed to get all his classmates signed up, not to attract all people of Earth. This is why successful network businesses rarely get started by MBA types: the initial markets are so small that they often don’t even appear to be business opportunities at all.3. Economies of ScaleA monopoly business gets stronger as it gets bigger: the fixed costs of creating a product (engineering, management, office space) can be spread out over ever greater quantities of sales. Software startups can enjoy especially dramatic economies of scale because the marginal cost of producing another copy of the product is close to zero.&#xA;&#xA;Many businesses gain only limited advantages as they grow to large scale. Service businesses especially are difficult to make monopolies. If you own a yoga studio, for example, you’ll only be able to serve a certain number of customers. You can hire more instructors and expand to more locations, but your margins will remain fairly low and you’ll never reach a point where a core group of talented people can provide something of value to millions of separate clients, as software engineers are able to do.&#xA;&#xA;A good startup should have the potential for great scale built into its first design. Twitter already has more than 250 million users today. It doesn’t need to add too many customized features in order to acquire more, and there’s no inherent reason why it should ever stop growing.4. BrandingA company has a monopoly on its own brand by definition, so creating a strong brand is a powerful way to claim a monopoly. Today’s strongest tech brand is Apple: the attractive looks and carefully chosen materials of products like the iPhone and MacBook, the Apple Stores’ sleek minimalist design and close control over the consumer experience, the omnipresent advertising campaigns, the price positioning as a maker of premium goods, and the lingering nimbus of Steve Jobs’s personal charisma all contribute to a perception that Apple offers products so good as to constitute a category of their own.&#xA;&#xA;Many have tried to learn from Apple’s success: paid advertising, branded stores, luxurious materials, playful keynote speeches, high prices, and even minimalist design are all susceptible to imitation. But these techniques for polishing the surface don’t work without a strong underlying substance. Apple has a complex suite of proprietary technologies, both in hardware (like superior touchscreen materials) and software (like touchscreen interfaces purpose‐designed for specific materials). It manufactures products at a scale large enough to dominate pricing for the materials it buys. And it enjoys strong network effects from its content ecosystem: thousands of developers write software for Apple devices because that’s where hundreds of millions of users are, and those users stay on the platform because it’s where the apps are. These other monopolistic advantages are less obvious than Apple’s sparkling brand, but they are the fundamentals that let the branding effectively reinforce Apple’s monopoly.&#xA;&#xA;Beginning with brand rather than substance is dangerous. Ever since Marissa Mayer became CEO of Yahoo! in mid‐2012, she has worked to revive the once‐popular internet giant by making it cool again. In a single tweet, Yahoo! summarized Mayer’s plan as a chain reaction of “people then products then traffic then revenue.” The people are supposed to come for the coolness: Yahoo! demonstrated design awareness by overhauling its logo, it asserted youthful relevance by acquiring hot startups like Tumblr, and it has gained media attention for Mayer’s own star power. But the big question is what products Yahoo! will actually create. When Steve Jobs returned to Apple, he didn’t just make Apple a cool place to work; he slashed product lines to focus on the handful of opportunities for 10x improvements. No technology company can be built on branding alone.Building A MonopolyBrand, scale, network effects, and technology in some combination define a monopoly; but to get them to work, you need to choose your market carefully and expand deliberately.Start Small and MonopolizeEvery startup is small at the start. Every monopoly dominates a large share of its market. Therefore, every startup should start with a very small market. Always err on the side of starting too small. The reason is simple: it’s easier to dominate a small market than a large one. If you think your initial market might be too big, it almost certainly is.&#xA;&#xA;Small doesn’t mean nonexistent. We made this mistake early on at PayPal. Our first product let people beam money to each other via PalmPilots. It was interesting technology and no one else was doing it. However, the world’s millions of PalmPilot users weren’t concentrated in a particular place, they had little in common, and they used their devices only episodically. Nobody needed our product, so we had no customers.&#xA;&#xA;With that lesson learned, we set our sights on eBay auctions, where we found our first success. In late 1999, eBay had a few thousand high-volume “PowerSellers,” and after only three months of dedicated effort, we were serving 25% of them. It was much easier to reach a few thousand people who really needed our product than to try to compete for the attention of millions of scattered individuals.&#xA;&#xA;The perfect target market for a startup is a small group of particular people concentrated together and served by few or no competitors. Any big market is a bad choice, and a big market already served by competing companies is even worse. This is why it’s always a red flag when entrepreneurs talk about getting 1% of a $100 billion market. In practice, a large market will either lack a good starting point or it will be open to competition, so it’s hard to ever reach that 1%. And even if you do succeed in gaining a small foothold, you’ll have to be satisfied with keeping the lights on: cut- throat competition means your profits will be zero.Scaling UpOnce you create and dominate a niche market, then you should gradually expand into related and slightly broader markets. Amazon shows how it can be done. Jeff Bezos’s founding vision was to dominate all of online retail, but he very deliberately started with books. There were millions of books to catalog, but they all had roughly the same shape, they were easy to ship, and some of the most rarely sold books—those least profitable for any retail store to keep in stock—also drew the most enthusiastic customers. Amazon became the dominant solution for anyone located far from a bookstore or seeking something unusual. Amazon then had two options: expand the number of people who read books, or expand to adjacent markets. They chose the latter, starting with the most similar markets: CDs, videos, and software. Amazon continued to add categories gradually until it had become the world’s general store. The name itself brilliantly encapsulated the company’s scaling strategy. The biodiversity of the Amazon rain forest reflected Amazon’s first goal of cataloging every book in the world, and now it stands for every kind of thing in the world, period.&#xA;&#xA;eBay also started by dominating small niche markets. When it launched its auction marketplace in 1995, it didn’t need the whole world to adopt it at once; the product worked well for intense interest groups, like Beanie Baby obsessives. Once it monopolized the Beanie Baby trade, eBay didn’t jump straight to listing sports cars or industrial surplus: it continued to cater to small‐time hobbyists until it became the most reliable marketplace for people trading online no matter what the item.&#xA;&#xA;Sometimes there are hidden obstacles to scaling—a lesson that eBay has learned in recent years. Like all marketplaces, the auction marketplace lent itself to natural monopoly be‐ cause buyers go where the sellers are and vice versa. But eBay found that the auction model works best for individually distinctive products like coins and stamps. It works less well for commodity products: people don’t want to bid on pencils or Kleenex, so it’s more convenient just to buy them from Amazon. eBay is still a valuable monopoly; it’s just smaller than people in 2004 expected it to be.&#xA;&#xA;Sequencing markets correctly is underrated, and it takes discipline to expand gradually. The most successful companies make the core progression—to first dominate a specific niche and then scale to adjacent markets—a part of their founding narrative.Don't DisruptSilicon Valley has become obsessed with “disruption.” Originally, “disruption” was a term of art to describe how a firm can use new technology to introduce a low‐end product at low prices, improve the product over time, and eventually overtake even the premium products offered by incumbent companies using older technology. This is roughly what happened when the advent of PCs disrupted the market for mainframe computers: at first PCs seemed irrelevant, then they became dominant. Today mobile devices may be doing the same thing to PCs.&#xA;&#xA;However, disruption has recently transmogrified into a self‐congratulatory buzzword for anything posing as trendy and new. This seemingly trivial fad matters because it dis‐ torts an entrepreneur’s self‐understanding in an inherently competitive way. The concept was coined to describe threats to incumbent companies, so startups’ obsession with disruption means they see themselves through older firms’ eyes. If you think of yourself as an insurgent battling dark forces, it’s easy to become unduly fixated on the obstacles in your path. But if you truly want to make something new, the act of creation is far more important than the old industries that might not like what you create. Indeed, if your company can be summed up by its opposition to already existing firms, it can’t be completely new and it’s probably not going to be‐ come a monopoly.&#xA;&#xA;Disruption also attracts attention: disruptors are people who look for trouble and find it. Disruptive kids get sent to the principal’s office. Disruptive companies often pick fights they can’t win. Think of Napster: the name itself meant trouble. What kinds of things can one “nap”? Music . . . Kids . . . and perhaps not much else. Shawn Fanning and Sean Parker, Napster’s then‐teenage founders, credibly threatened to disrupt the powerful music recording industry in 1999. The next year, they made the cover of Time magazine. A year and a half after that, they ended up in bankruptcy court.&#xA;&#xA;PayPal could be seen as disruptive, but we didn’t try to directly challenge any large competitor. It’s true that we took some business away from Visa when we popularized internet payments: you might use PayPal to buy something online instead of using your Visa card to buy it in a store. But since we expanded the market for payments overall, we gave Visa far more business than we took. The overall dynamic was net positive, unlike Napster’s negative‐sum struggle with the U.S. recording industry. As you craft a plan to expand to adjacent markets, don’t disrupt: avoid competition as much as possible.The Last Will Be FirstYou’ve probably heard about “first mover advantage”: if you’re the first entrant into a market, you can capture significant market share while competitors scramble to get started. But moving first is a tactic, not a goal. What really matters is generating cash flows in the future, so being the first mover doesn’t do you any good if someone else comes along and unseats you. It’s much better to be the last mover—that is, to make the last great development in a specific market and enjoy years or even decades of monopoly profits. The way to do that is to dominate a small niche and scale up from there, toward your ambitious long‐term vision. In this one particular at least, business is like chess. Grandmaster José Raúl Capablanca put it well: to succeed, “you must study the endgame before everything else.”" PRODUCER="Cadeau Company / L.S.B. / Plateforme 2000" COVERARTID="091/1OIORWDRFPHBDAN3OOBGDPZMMEMC" PLAYTIME="255" PLAYTIME_FLOAT="254.004517" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="28016"></INFO>
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<INFO BITRATE="820272" KEY_LYRICS="52 ContributorsLovely Day LyricsLovely Day was published by Bill Withers in 1977.&#xA;The song appeared in Bill’s 1978 album “Menagerie”. In early 1978 it reached the #30 on Billboard top 100.&#xA;&#xA;&#xA;&#xA;By the way, in the end of the song, Bill holds a… Read More &#xA;When I wake up in the mornin', love&#xA;And the sunlight hurts my eyes&#xA;And somethin' without warnin', love&#xA;Bears heavy on my mind&#xA;&#xA;&#xA;Then I look at you&#xA;And the world's all right with me&#xA;Just one look at you&#xA;And I know it's gonna be&#xA;&#xA;&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;&#xA;&#xA;When the day that lies ahead of me&#xA;Seemed impossible to face&#xA;When someone else instead of me&#xA;Always seems to know the way&#xA;&#xA;Then I look at you&#xA;And the world's all right with me&#xA;Just one look at you&#xA;And I know it's gonna be&#xA;&#xA;&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;&#xA;&#xA;When the day that lies ahead of me&#xA;Seemed impossible to face&#xA;And when someone else instead of me&#xA;Always seems to know the way&#xA;&#xA;&#xA;Then I look at you&#xA;And the world's all right with me&#xA;Just one look at you&#xA;And I know it's gonna be&#xA;&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;A lovely day&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day, lovely day, lovely day)&#xA;(Lovely day, lovely day)" PRODUCER="(P) 1977 Columbia Records, a division of Sony Music Entertainment" COVERARTID="114/SH0ISVC1YYZU0DIAUQRGC3LSJAUD" PLAYTIME="258" PLAYTIME_FLOAT="257.157379" IMPORT_DATE="2025/4/14" RELEASE_DATE="1977/1/1" FLAGS="12" FILESIZE="26380"></INFO>
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<INFO BITRATE="912393" KEY_LYRICS="1 ContributorSnow, Love, And Sludge (Toybox Mix) LyricsI've got a gift&#xA;But the gift needs batteries&#xA;In some way I'm sick&#xA;I can't get it out of me&#xA;I've broken all the wishes that I can&#xA;And if you leave me now&#xA;If you would leave me now&#xA;Then my death be complete&#xA;But I'm a tin man&#xA;I'm a toy soldier&#xA;And you know where I sleep&#xA;&#xA;It was the year after I graduated from college&#xA;&#xA;In January, I go down to Baltimore, to do some voice acting for a tiny production company making their first game&#xA;They operate out a disheveled house, owned by a recovering alcoholic--the president of the company's father&#xA;The president himself is a quietly impish man, as hospitable as he is enigmatic&#xA;As gaudy as he is impeccable, as much a conceptual humorist as a businessman&#xA;There is a trophy that says &amp;quot;Number One Rapist&amp;quot; with his name printed underneath&#xA;Sitting on his desk, and he won't explain it&#xA;Sometimes he wears a dress. His girlfriend is fat, but pretty&#xA;I spend two weeks drinking, going to the mall and watching movies&#xA;No one in the company seems to do any work, but the vice president does receive packages&#xA;From record labels who think he might be in a position to afford licensing their artists&#xA;From time to time&#xA;We're making a dance game&#xA;Ten days into the trip, my girlfriend comes to visit us...&#xA;And a woman who will eventually become a stripper buys her a nightie&#xA;She is the ex-girlfriend of the vice president&#xA;They aren't on good terms but she needs a place to stay for the night&#xA;And he's going to drive her to the airport in the morning&#xA;After they sleep together&#xA;Me and my girlfriend sleep together too&#xA;As do the president and his, the one who is fat but pretty&#xA;And for one night, the whole company is swallowed up in sex&#xA;In the morning, which is four PM for us, we go down to the basement and record the voice overs&#xA;The session only lasts about four hours and it's the only session&#xA;But for the next five months, when people ask me what I've been doing since I graduated from college&#xA;I tell them I've been doing some voice acting&#xA;&#xA;From February to May, nothing of significance happens&#xA;My girlfriend flies to Japan to become an exchange student&#xA;I get a three-month trial membership at a gym&#xA;And the highlight of my day becomes fifty minutes on the elliptical&#xA;This is because, during this trial period, it's the only thing I leave the house for&#xA;I spend a lot of time chatting online, and I call &amp;quot;networking.&amp;quot;&#xA;I change my dietary habits: no cheese or red meat, empty carbs or fried food&#xA;I eat garlic, and raw ginger, and I will live forever&#xA;A twenty-dollar rice cooker improves my quality of life&#xA;I lose fifty pounds&#xA;I make an appointment to have that hand surgery I've been putting off;&#xA;For two years carpal tunnel's been stealing my ability to play guitar, but I can still type&#xA;In May, I get a job in a writing lab at a local community college&#xA;It's a good job. Although It doesn't give me any satisfaction from helping people&#xA;I'm not even sure I am helping people;&#xA;I'm probably under-qualified to do that, but what's important is that it doesn't give me the dissatisfaction&#xA;I would get from working retail—the only other viable option&#xA;I discover previously unimagined nuance regarding correct usage of the definite article&#xA;&#xA;In July, the surgery goes well, but heals badly. I can't type anymore&#xA;The only potentially marketable skills I've ever had become inexpressible, dormant and begin to atrophy&#xA;I write off this disability as temporary until October, when I slip into a slow, sustained panic&#xA;I start to worry that my limited ability to use my left hand is affecting my brain&#xA;As I've read that doing activities that use both hands in consort&#xA;Like playing piano, or guitar, or typing, improve general cognition&#xA;Maybe they're vital to general cognition; maybe they don't just improve it&#xA;At work, my change in demeanor does not go unnoticed&#xA;I overhear my boss saying she's going to fire me on the phone&#xA;And I tell her I won't be coming back next semester in order to save myself the disgrace&#xA;And immediately she cuts my hours, leaving me with more time to go crazy&#xA;My girlfriend returns from Japan to me in this state and is not unaffected&#xA;She ends up leaving me for a guy named Bob, which ruins &amp;quot;Bob&amp;quot; as a throw-away name for me&#xA;Which is a shame, since &amp;quot;Bob&amp;quot; kind of my go-to throw-away name&#xA;&#xA;In November I shave my head down to stubble and, for a while, I feel monastic&#xA;Then I feel cold. I find myself sitting several times a week in the same Burger King&#xA;At the same time of day, eating the same meal:&#xA;Diet Coke, small fries and a BK Veggie&#xA;The worst of two broad-spectrum dietary paradigms&#xA;The healthy eater wouldn't get the fries, but the big fat guy would get a real burger&#xA;Typical American martyr. I gain back the 50 pounds&#xA;One weekend I go to Philadelphia with a small film production company for a convention&#xA;And, in the dealer room, I run into the vice president's ex girlfriend&#xA;She's become a stripper and has a lot of money now&#xA;I invite her back to our hotel and she has a lot of sex with one of the guys from the production company in the shower&#xA;And on the bathroom sink, and in one of the bedrooms and&#xA;For the first time in a long time, I'm reminded of Maryland&#xA;And the vice president, and the president, and his fat but pretty girlfriend&#xA;The next morning it's my birthday&#xA;I don't tell anyone, letting the rough cut film premieres and hotel room drinking proceed sans any potential minor complication&#xA;And, for the first time, during long on-screen pauses that the director asserts&#xA;Addressing the audience as they occur, will be filled up by music in the finished version, I feel old&#xA;I thought I'd felt old before, on previous birthdays, but I hadn't&#xA;What I'd felt was the fear of feeling old&#xA;The severity of the difference between the two cannot be emphasized enough&#xA;Consider a roller coaster vs. a car crash&#xA;I don't do very much in December&#xA;I fantasize about web log entries I will never make, in which I would fantasize about things I would never do, were I to make them&#xA;A whole new layer of inefficiency opens up to me&#xA;I shave my head down to the skin, as though doing so would prepare me for my own death&#xA;I give up writing music. 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<INFO BITRATE="973709" KEY_LYRICS="4 ContributorsGonna Get Over You LyricsGonna get, gonna get over you, over you&#xA;Gonna get, gonna get over you&#xA;Gonna get, gonna get over you, over you&#xA;Gonna get, gonna get over you&#xA;&#xA;'Cause tomorrow, I know&#xA;I'll get over you (over you)&#xA;'Cause tomorrow, I know&#xA;I'll get over you (over you)&#xA;&#xA;Today you're heavy on my mind, baby&#xA;I just can't face the fact that you said goodbye&#xA;Why you said goodbye? Why you made me cry?&#xA;Why you lived a lie? You said our love won't die&#xA;But baby (baby), I can't let this get me down&#xA;I've got my life to live, I've got more love to give&#xA;So I'm crying now&#xA;Nursing this pain in my heart, in my heart&#xA;&#xA;'Cause tomorrow, I know&#xA;I'll get over you (over you)&#xA;'Cause tomorrow, I know&#xA;I'll get over you (over you)&#xA;&#xA;Gonna get, gonna get over you, over you&#xA;Gonna get, gonna get over you&#xA;Gonna get, gonna get over you, over you&#xA;Gonna get, gonna get over you&#xA;Everyone has their destiny, so do I&#xA;I got no time to waste&#xA;I'm the star in my life you see&#xA;Yes, it's me and only meant for me&#xA;Gonna get myself together, enjoy my life forever&#xA;Not thinking of you 'cause you made me blue&#xA;Shame on you 'cause my love was true&#xA;It was true&#xA;&#xA;Gonna get, gonna get over you, over you&#xA;Gonna get, gonna get over you&#xA;Gonna get, gonna get over you, over you&#xA;Gonna get, gonna get over you&#xA;&#xA;Tomorrow (tomorrow), I know (I know)&#xA;I'll get over you (over you)&#xA;Tomorrow (tomorrow), I know&#xA;I'll get over you (ooh babe, I'll get over you)&#xA;&#xA;Gonna get, gonna get over you, over you&#xA;Gonna get, gonna get over you&#xA;I'll get over you&#xA;&#xA;Tomorrow, I know (gonna get myself together)&#xA;I'll get over you (and I'll enjoy my life forever)&#xA;Tomorrow, I know (ooh-ooh)&#xA;I'll get over you" PRODUCER="1982 Unidisc Music Inc." COVERARTID="056/YFH1VCB0JBBZ2B3RB2SSBJW0C2DB" PLAYTIME="252" PLAYTIME_FLOAT="251.360001" IMPORT_DATE="2025/4/14" RELEASE_DATE="1994/1/1" FLAGS="12" FILESIZE="30415"></INFO>
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<INFO BITRATE="916114" KEY_LYRICS="6 ContributorsStreet Life LyricsI play the street life&#xA;&#xA;Because there's no place I can go&#xA;&#xA;Street life&#xA;&#xA;It's the only life I know&#xA;&#xA;Street life&#xA;&#xA;And there's a thousand cards to play&#xA;&#xA;Street life&#xA;&#xA;Until you play your life away&#xA;&#xA;&#xA;You never people see&#xA;&#xA;Just who you wanna be&#xA;&#xA;And every night you shine&#xA;&#xA;Just like a superstar&#xA;&#xA;The type of life that's played&#xA;A temptin' masquerade&#xA;&#xA;You dress you walk you talk&#xA;&#xA;You're who you think you are&#xA;&#xA;&#xA;Street life&#xA;&#xA;You can run away from time&#xA;&#xA;Street life&#xA;&#xA;For a nickel, for a dime&#xA;&#xA;Street life&#xA;&#xA;But you better not get old&#xA;&#xA;Street life&#xA;&#xA;Or you're gonna feel the cold&#xA;&#xA;&#xA;There's always love for sale&#xA;A grown up fairy tale&#xA;&#xA;Prince charming always smiles&#xA;&#xA;Behind a silver spoon&#xA;&#xA;And if you keep it young&#xA;&#xA;Your song is always sung&#xA;&#xA;Your love will pay your way beneath the silver moon&#xA;&#xA;&#xA;Street life, street life, street life, oh street life&#xA;&#xA;Hmm, Yeah, oh&#xA;&#xA;&#xA;I play the street life&#xA;&#xA;Because there's no place I can go&#xA;&#xA;Street life&#xA;&#xA;It's the only life I know&#xA;Street life&#xA;&#xA;There's a thousand cards to play&#xA;&#xA;Street life&#xA;&#xA;Until you play your life away&#xA;&#xA;Oh !&#xA;&#xA;&#xA;Street life, street life, street life, oh street life..." PRODUCER="℗ 1981 Warner Records Inc." COVERARTID="084/UC1J3WC2W1FDFBTHHRIADKD1YRNA" PLAYTIME="257" PLAYTIME_FLOAT="256.613098" IMPORT_DATE="2025/4/14" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="29124"></INFO>
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<INFO BITRATE="933674" KEY_LYRICS="20 ContributorsYoung Hearts Run Free Lyrics&#xA;What's the sense in sharing this one and only life&#xA;Ending up just another lost and lonely wife?&#xA;You count up the years&#xA;And they will be filled with tears&#xA;Love only breaks up to start over again&#xA;You'll get the babies&#xA;But you won't have your man&#xA;While he is busy loving every woman that he can, uh-huh&#xA;&#xA;&#xA;Say I'm gonna leave&#xA;A hundred times a day&#xA;It's easier said than done&#xA;When you just can't break away&#xA;(Just can't break away)&#xA;&#xA;&#xA;Oh! Young hearts run free&#xA;They'll never be hung up&#xA;Hung up like my man and me&#xA;My man and me&#xA;Oh! Young hearts&#xA;To yourself be true&#xA;Don't be no fool when love really don't love you&#xA;Don't love you&#xA;&#xA;It's high time now, just one crack at life&#xA;Who wants to live in trouble and strife&#xA;My mind must be free to learn all I can about me, mmm&#xA;I'm gonna love me for the rest of my days&#xA;Encourage the babies every time they say&#xA;Self-preservation is what's really going on today&#xA;&#xA;&#xA;Say I'm gonna turn loose&#xA;A thousand times a day&#xA;How can I turn loose&#xA;When I just can't break away&#xA;(When I just can't break away)&#xA;&#xA;&#xA;Oh! Young hearts run free&#xA;They'll never be hung up&#xA;Hung up like my man and me&#xA;You and me&#xA;Oh! Young hearts&#xA;To yourself be true&#xA;Don't be no fool when love really don't love you&#xA;Don't love you&#xA;&#xA;&#xA;Young hearts run free&#xA;They'll never be hung up&#xA;Hung up like my man and me&#xA;My man and me&#xA;Oh! Young hearts&#xA;To yourself be true&#xA;Don't be no fool when love really don't love you&#xA;It don't love you&#xA;Oh! Young hearts run free&#xA;They'll never be hung up&#xA;Hung up like my man and me&#xA;My man and me&#xA;Oh! Young hearts&#xA;To yourself be true&#xA;Don't be no fool when love really don't love you&#xA;Don't love you&#xA;Oh! Young hearts run free&#xA;They'll never be hung up&#xA;Hung up like my man and me&#xA;My man and me&#xA;Oh! Young hearts&#xA;To yourself be true&#xA;Don't be no fool when love really don't love you&#xA;Don't love you&#xA;Oh! Young hearts run free&#xA;They'll never be hung up&#xA;Hung up like my man and me" PRODUCER="℗ 1976 Warner Records Inc." COVERARTID="082/SWV4VSBMVDVTXBPCVN4BAUTLN0QA" PLAYTIME="249" PLAYTIME_FLOAT="248.360001" IMPORT_DATE="2025/4/14" RELEASE_DATE="2005/1/1" FLAGS="12" FILESIZE="28531"></INFO>
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<INFO BITRATE="982058" KEY_LYRICS="30 ContributorsMa Baker Lyrics“Ma Baker” was a ballad to the leader of the Barker/Karpis gang, Ma Barker, and was released in 1977 in a 7&amp;quot; single format. The song is part of Boney M’s album Love for Sale.&#xA;&#xA;The song ended the 1977 yearly… Read More &#xA;Freeze! I'm Ma Baker&#xA;Put your hands in the air and give me all your money!&#xA;This is the story of Ma Baker&#xA;The meanest cat from old Chicago town&#xA;&#xA;&#xA;She was the meanest cat in old Chicago town&#xA;She was the meanest cat, she really mowed them down&#xA;She had no heart at all — no, no, no heart at all&#xA;She was the meanest cat, oh, she was really tough&#xA;She left her husband flat, he wasn't tough enough&#xA;She took her boys along 'cause they were mean and strong&#xA;&#xA;&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, she taught her four sons&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, to handle their guns&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, she never could cry&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, but she knew how to die&#xA;&#xA;&#xA;They left a trail of crime across the USA&#xA;And when one boy was killed she really made them pay&#xA;She had no heart at all — no, no, no heart at all&#xA;&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, she taught her four sons&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, to handle their guns&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, she never could cry&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, but she knew how to die&#xA;&#xA;&#xA;Then came a man she liked, she thought she'd stay with him&#xA;When he informed on them they did away with him&#xA;She didn't care at all, just didn't care at all&#xA;&#xA;&#xA;&amp;quot;Here is a special bulletin. Ma Baker is the FBI's most wanted woman. Her photo is hanging on every post office wall. If you have any information about this woman, please contact the nearest police station.&amp;quot;&#xA;Don't anybody move!&#xA;The money or your lives!&#xA;&#xA;&#xA;One day they robbed a bank, it was their last foray&#xA;The cops appeared too soon, they couldn't get away&#xA;And all the loot they had, it made them mighty mad&#xA;And so they shot it out, Ma Baker and her sons&#xA;They didn't want to hang, they died with blazing guns&#xA;And so the story ends of one who left no friends&#xA;&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, she taught her four sons&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, to handle their guns&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, she never could cry&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, but she knew how to die&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, she taught her four sons&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, to handle their guns&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, she never could cry&#xA;Ma, Ma, Ma, Ma&#xA;Ma Baker, but she knew how to die" PRODUCER="(P) 1977 Sony Music Entertainment Germany GmbH" COVERARTID="019/T2EDXUAT3B2GXCBTNQC1APWVHGKB" PLAYTIME="275" PLAYTIME_FLOAT="274.773346" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="33157"></INFO>
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<INFO BITRATE="973758" KEY_LYRICS="4 ContributorsHot Shot LyricsWhoa oh yeah&#xA;&#xA;When, I'm sitting home&#xA;And I'm all alone&#xA;And I don't hear no phone&#xA;I need a hot shot&#xA;&#xA;When it's late at night&#xA;And I ain't feeling right&#xA;There ain't no man in sight&#xA;I need a hot shot&#xA;Hot shot, hot shot&#xA;&#xA;Ooh baby baby baby baby baby won't you feel it in my soul&#xA;Come on now move it&#xA;Hey I know you never never never never gonna lose control&#xA;My fire's burning, it's getting real hot&#xA;You know that I need me my shot&#xA;&#xA;When I'm on the street&#xA;And I feel the beat&#xA;That drives out on my feet&#xA;I need a hot shot&#xA;&#xA;When I'm with the crowd&#xA;And we're feelin' proud&#xA;And the music's loud&#xA;I need a hot shot&#xA;Hot shot, hot shot&#xA;Ooh come on, come on, come on, come on&#xA;You gotta feel the kinda motion in my soul&#xA;You gotta move it&#xA;Whoo, I know you never never never gonna lose control&#xA;My fire's burning, it's getting real hot&#xA;You know that I need me my shot, whooo&#xA;&#xA;I need a hot shot&#xA;Hot shot hot shot hot&#xA;I need a hot shot&#xA;&#xA;Burn, I'm sitting home&#xA;And I'm all alone&#xA;And I don't hear no phone&#xA;I need a hot shot&#xA;&#xA;When I'm with the crowd&#xA;And we're feelin' proud&#xA;And the music's loud&#xA;I need a hot shot&#xA;Hot shot, hot shot&#xA;&#xA;Ooh come on, come on, come on, come on&#xA;You gotta feel the kinda motion in my soul&#xA;You gotta move it&#xA;Whoo, i know you never never never gonna lose control&#xA;My fire's burning, it's getting real hot&#xA;You know that I need me my shot, whooo&#xA;I need a hot shot&#xA;Hot shot hot shot hot (ah)&#xA;Hot shot hot shot hot&#xA;&#xA;Whoaaa now baby&#xA;Whoo hmm gimme gimme gimme gimme your love and baby&#xA;My my my my sweet sweet hot shot&#xA;Whoo come on and feel, don't cha feel, don't cha feel&#xA;Don't cha feel, don't cha feel, don't cha feel, whoo don't cha feel&#xA;Whoo hoo my my my baby sweet sweet baby&#xA;Hey hey hey hey&#xA;&#xA;My body is burning&#xA;It's getting real hot&#xA;I'm waiting and waiting&#xA;For an offer to shooooot&#xA;Whoo...&#xA;&#xA;A feeling, yeah hey like a feeling&#xA;Whooo yeah hey hey&#xA;Whoo whoo whoo whoo&#xA;Sweet sweet sweet sweet" PRODUCER="Altra Moda Music" COVERARTID="104/IPMH5PAJI3GDZCKI2UVPAQHO0SRD" PLAYTIME="194" PLAYTIME_FLOAT="193.265732" IMPORT_DATE="2025/4/14" RELEASE_DATE="1978/1/1" FLAGS="12" FILESIZE="23066"></INFO>
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<INFO BITRATE="917559" KEY_LYRICS="30 ContributorsUpside Down Lyrics&#xA;I said upside down, you're turning me&#xA;You're giving love instinctively&#xA;'Round and 'round, you're turning me&#xA;&#xA;&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round and 'round&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round and 'round&#xA;&#xA;&#xA;Instinctively, you give to me the love that I need&#xA;I cherish the moments with you&#xA;Respectfully, I say to thee&#xA;I'm aware that you're cheating&#xA;When no one makes me feel like you do&#xA;&#xA;&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round and 'round&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round and 'round&#xA;&#xA;I know you got charm and appeal&#xA;You always play the field&#xA;I'm crazy to think you're all mine&#xA;As long as the sun continues to shine&#xA;There's a place in my heart for you, that's the bottom line&#xA;&#xA;&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round and 'round&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round and 'round&#xA;&#xA;&#xA;Instinctively, you give to me the love that I need&#xA;I cherish the moments with you&#xA;Respectfully, I say to thee&#xA;I'm aware that you're cheating&#xA;But no one makes me feel like you do&#xA;&#xA;&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round, 'round&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round and 'round&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round and 'round&#xA;Upside down&#xA;Boy, you turn me inside out&#xA;And 'round, 'round&#xA;&#xA;Upside down, you're turning me&#xA;You're giving love instinctively&#xA;'Round and 'round, you're turning me&#xA;I say to thee, respectfully&#xA;Upside down, you're turning me&#xA;You're giving love instinctively&#xA;Around and around, you're turning me&#xA;I say to thee, respectfully&#xA;I said upside down, you're turning me&#xA;You're giving love instinctively&#xA;Around and around, you're turning me&#xA;I say to thee, respectfully&#xA;Upside down, you're turning me&#xA;You're giving love instinctively&#xA;'Round and 'round, you're turning me&#xA;I say to thee, respectfully&#xA;Upside down, you're turning me" PRODUCER="℗ 1980 UMG Recordings, Inc." COVERARTID="052/UZC5JBAEUHJALAISGUCWAC0BOOPC" PLAYTIME="246" PLAYTIME_FLOAT="245.562546" IMPORT_DATE="2025/4/14" RELEASE_DATE="1980/1/1" FLAGS="12" FILESIZE="27762"></INFO>
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<INFO BITRATE="1066716" KEY_LYRICS="58 ContributorsNovember 2023 Album Release Calendar Lyrics11/1&#xA;Dounia - DOUNIA - 11/14&#xA;Sia - Gimme Christmas - 6/6&#xA;&#xA;11/2&#xA;BiC Fizzle - Chosen 1K - 17/17&#xA;&#xA;11/3&#xA;1111 - Tres de Palacio - 4/13&#xA;Actress - LXXXVIII - 4/13&#xA;Alex Amor - Super Sonic - 7/7&#xA;amanda jerlov - notes from a soap opera - 6/6&#xA;Arctic Lake - How Do You Make It Look So Easy? - 7/7&#xA;Atreyu - A Torch In The Dark - 2/4&#xA;Augustine - Youth and Why It Ends - 10/10&#xA;bar italia - The Twits - 13/13&#xA;Bon Calso - OUTTA CONTROL - 13/13&#xA;Calboy - UNCHAINED - 4/12&#xA;Cher - Believe (25th Anniversary Deluxe Edition) - 23/23&#xA;Cody Johnson - Leather - 12/12&#xA;Cold War Kids - Cold War Kids - 12/12&#xA;Crystal Fighters - Light+ - 10/10&#xA;deathcrash - Less+ - 2/8&#xA;DJ Kay Slay - Rolling 200 Deep - 1/16&#xA;Don Omar - Back To Reggaeton - EP - 2/4&#xA;Drop Nineteens - Hard Light - 10/11&#xA;Emilia - .mp3 - 13/13&#xA;Empty Country - Empty Country II - 9/9&#xA;Gregory Porter - Christmas Wish - 12/12&#xA;Hilary Woods - Acts of Light - 1/9&#xA;Hotline TNT - Cartwheel - 12/12&#xA;IAN SWEET - Sucker - 10/10&#xA;ill peach - THIS IS NOT AN EXIT - 10/13&#xA;Jade LeMac - Confessions - EP - 6/6&#xA;Jason Aldean - Highway Despеrado - 5/14&#xA;Jeezy - I Might Forgive… But I Don't Forget - 29/29&#xA;Jessiе James Decker - Decker the Halls - EP - 6/6&#xA;Jockstrap - I&amp;lt;3UQTINVU - 9/9&#xA;Jon Vinyl - Heartbreak Hill - 8/8&#xA;Joy Anonymous - Cult Classics - 14/14&#xA;Jung Kook - GOLDEN - 11/11&#xA;Kevin Abstract - Blanket - 13/13&#xA;Kevin Drew - Aging - 5/8&#xA;Kita Alexander - Best You Ever Had - EP - 4/4&#xA;Lady London - S.O.U.L. - 13/13&#xA;Laura Veirs - Phone Orphans - 14/14&#xA;Liza Anne - Utopian - 6/12&#xA;Majid Jordan - Good People - 9/9&#xA;Marnie Stern - The Comeback Kid - 3/13&#xA;Marshmello - Sugar Papi - 11/11&#xA;Matt Rogers - Have You Heard Of Christmas? - 12/12&#xA;Mermaidens - Mermaidens - 0/11&#xA;Niall Horan - The Show: The Encore - 18/19&#xA;Pendulum - Anima - EP - 4/4&#xA;Penelope Scott - Girl's Night - 6/6&#xA;Raedio - RAP SH!T: The Mixtape (From the Max Original Series, S2) - 8/19&#xA;Rebecca Sugar - Spiral Bound - 6/6&#xA;Russell Dickerson - The Afterparty Deluxe - 24/25&#xA;Ryan Trey - STREETS SAY YOU MISS ME - 13/13&#xA;Semisonic - Little Bit Of Sun - 12/12&#xA;Sen Morimoto - Diagnosis - 4/13&#xA;Silent Planet - SUPERBLOOM - 12/12&#xA;Snail Mail - Valentine (Demos) - EP - 5/5&#xA;Spiritual Cramp - Spiritual Cramp - 3/10&#xA;Tee Grizzley - Tee's Coney Island - 16/16&#xA;The Alchemist - Flying High, Pt. 2 - 10/10&#xA;The Struts - Pretty Vicious - 11/11&#xA;There Will Be Fireworks - Summer Moon - 13/13&#xA;Tkay Maidza - Sweet Justice - 14/14&#xA;Various Artists - Priscilla (Original Motion Picture Soundtrack) - 16/17&#xA;Yung Beef - #A.D.R.O.M.I.C.F.M.S. 4 1/2 - 24/24&#xA;Zoe Wees - Therapy - 20/20&#xA;11/7&#xA;GAYLE - hello this is the setlist for my tour - 18/18&#xA;​koi &amp;amp; Dylvinci - overdue - 10/10&#xA;Lil Darius &amp;amp; Tay Keith - Yung N Turnt - 14/14&#xA;Tee Grizzley - Tee's Coney Island (Deluxe) - 20/20&#xA;&#xA;11/8&#xA;Anti Da Menace - No Sympathy - 13/13&#xA;Cassia - Circular Motion - 4/4&#xA;EverdreaM - Jekyll &amp;amp; Hyde / 青の原石 (Haru no Genseki) - EP - 6/6&#xA;Ivana - me da miedo que escuches esto - 5/13&#xA;Polimá Westcoast - DE CAMINO A HERMÉS - 7/7&#xA;​Mia Carucci - Deities In Stone - 0/10&#xA;&#xA;11/9&#xA;Bryson Tiller - Slum Tiller: Volume Two - 5/5&#xA;Cris Mj - Partyson - 12/17&#xA;Goldie Boutilier - Emerald Year - 6/6&#xA;Robleis - DESDE EL HURACÁN - 8/11&#xA;&#xA;11/10&#xA;AJR - The Maybe Man - 12/12&#xA;Alan Walker - Walkerworld - 10/10&#xA;AWOLNATION - Candy Pop - 3/5&#xA;Baby Queen - Quarter Life Crisis - 3/14&#xA;Bear's Den - First Loves &amp;amp; White Magnolias - 8/8&#xA;Big Time Rush - Another Life (Deluxe Version) - 15/15&#xA;Black Birdie - Black Birdie (Deluxe)  - 17/17&#xA;Bleed From Within - Shrine (Deluxe Edition) - 15/15&#xA;Brandy - Christmas With Brandy - 12/12&#xA;Cannons - Heartbeat Highway - 12/12&#xA;Celine Georgi - Serendipity I - 5/5&#xA;Chris Brown - 11:11 - 22/22&#xA;Chris Stapleton - Higher - 14/14&#xA;Cuco - Hitchhiker - 6/6&#xA;Daneshevskaya - Long Is the Tunnel - 7/7&#xA;Fenne Lily - Big Picture (Expanded Edition) - 15/15&#xA;Fresco Trey - Detour - 7/7&#xA;George Riley - Un/limited Love - EP - 4/6&#xA;HoneyKomb Brazy - Free Brazy EP - 1/5&#xA;James Marriott - Are We There Yet? - 10/10&#xA;Jelani Blackman - The Heart Of It - 2/15&#xA;John Francis Flynn - Look Over the Wall, See the Sky - 0/8&#xA;Jubël - Daydreamin' - 5/5&#xA;KC Rae - Think I'm Gonna Die - 9/9&#xA;Kodak Black - When I Was Dead - 18/18&#xA;Larry June &amp;amp; Cardo - The Night Shift - 3/17&#xA;Lil Peep - Come Over When You're Sober, Pt. 2 (og version) - 10/10&#xA;Locket - Superluminal - 12/12&#xA;Lola Brooke - Dennis Daughter - 12/12&#xA;Lonely The Brave - What We Do To Feel - 10/10&#xA;Lost Frequencies - All Stand Together - 10/11&#xA;Luh Kel - Head Melodies - 16/16&#xA;Måneskin - RUSH! (ARE U COMING?) - 22/22&#xA;Melendi - 20 Años Sin Noticias - 14/14&#xA;​mxmtoon - plum blossom (revisited) - 7/7&#xA;NEA - TRANSPARENT - 5/9&#xA;Oscar Scheller - Coming Of Age - 13/13&#xA;oxxie - CREEPYPASTA MANIFESTO - 8/8&#xA;Passenger - All The Little Lights (Anniversary Edition) - 17/22&#xA;Pearly Drops - Haunted Expansion Pack - 2/4&#xA;PinkPantheress - Heaven knows - 13/13&#xA;Polymancer - air flows - 6/6&#xA;REI AMI - shhh - 5/5&#xA;Rick Ross &amp;amp; Meek Mill - Too Good To Be True - 17/17&#xA;Robinson - Chasing Nirvana - 5/5&#xA;Sayian Jimmy - Controlando el Ki - 1/12&#xA;Searows - End of the World - 6/6&#xA;Space Weather - Jaded and Dreaming - 5/10&#xA;Tamera - L.I.T (Lost In Translation) - 3/5&#xA;The Kid LAROI - THE FIRST TIME - 20/20&#xA;Trippie Redd - Saint Michael - EP - 7/7&#xA;Wiki &amp;amp; Tony Seltzer - 14K Figaro - 4/14&#xA;Will Linley - Magic - 6/6&#xA;YoungBoy Never Broke Again - Decided 2 - 18/18&#xA;11/11&#xA;La Goony Chonga - Goonyverso - 5/11&#xA;YSY A &amp;amp; Oniria - EL AFTER DEL AFTER - 11/11&#xA;&#xA;11/14&#xA;Andrea Grauzas - El Mejor/Peor Sentimiento - 4/13&#xA;Aly &amp;amp; AJ - Lonesome Dove - EP - 3/3&#xA;Madonna - Don't Tell Me (The Remixes) - 10/10&#xA;Yuna - Battle - 4/4&#xA;&#xA;11/15&#xA;alequi - LA ESKINA DEL ESTANKE - 8/8&#xA;Ego Ella May - FIELDNOTES PT III - 4/4&#xA;JZAC - It's Still Real to Me Damn it! - 10/10&#xA;Lauren Dejey - To Sow by Scattering - 4/4&#xA;&#xA;11/16&#xA;La Joaqui - Mal Aprendida - 2/12&#xA;Movimiento Original - Sobre El Aire - 5/14&#xA;&#xA;11/17&#xA;2 Chainz &amp;amp; Lil Wayne - Welcome 2 Collegrove - 21/21&#xA;41 - 41 World (Not The Album) - 11/11&#xA;ABSOLUTELY - CEREBRUM - 10/13&#xA;Aitch - Lost Files - 7/7&#xA;Ali Sethi &amp;amp; Nicolas Jaar - Intiha - 0/8&#xA;André 3000 - New Blue Sun - 8/8&#xA;Arcángel - Sentimiento, Elegancia y Más Maldad - 19/19&#xA;Babebee - A PROPHECY - 7/7&#xA;Baby Pantera - AMIRINO - 8/10&#xA;BEO Lil Kenny - 1 Foot In 1 Foot Out (Gangsta Grillz) - 5/15&#xA;Billy Porter - Black Mona Lisa - 7/12&#xA;Charlotte Cardin - Une semaine à Paris - EP - 4/4&#xA;CLOVES - Graveyard - 4/4&#xA;Daft Punk - Random Access Memories (Drumless Edition) - 13/13&#xA;Danny Brown - Quaranta - 11/11&#xA;Disney Junior - Disney Junior Music: Holiday Jams - 3/4&#xA;Dolly Parton - Rockstar - 30/30&#xA;Dolly Parton - Rockstar (HSN Exclusive) - 33/33&#xA;Drake - For All The Dogs (Scary Hours Edition) - 29/29&#xA;E-40 - Rule of Thumb: Rule 1 - 14/23&#xA;Emeli Sandé - How Were We To Know - 11/11&#xA;ENHYPEN - ORANGE BLOOD - 7/7&#xA;Evanescence - Fallen (Deluxe Edition / Remastered 2023) - 21/21&#xA;Frost Children - Hearth Room - 11/11&#xA;Hard GZ - LACOSTA - 6/17&#xA;JasonMartin - A Compton Story - 1/30&#xA;Jewel - Spirit (Deluxe Edition) - 37/38&#xA;John Vincent III - Songs For The Canyon - 2/12&#xA;Josh Groban - Closer (20th Anniversary Deluxe Edition) - 18/19&#xA;Journey Montana - Stargirl - 8/8&#xA;Julian Cross - Stories Of The Nebula - 7/10&#xA;Julie Byrne &amp;amp; Laugh Cry Laugh - s/t - EP - 2/4&#xA;Kanii - ​it was nice knowing u - 8/8&#xA;Krúbi - III. Krúbi - 9/9&#xA;Kurt Vile - Back to Moon Beach - 9/9&#xA;Kuttem Reese - REESE - 17/17&#xA;Lenka - Intraspectral - 11/11&#xA;Lil Tony Official - 2 Sides 2 Every Story - 8/20&#xA;Lonely Cortell - nothings different (Deluxe) - 21/21&#xA;Mariusz Duda - AFR AI D - 3/8&#xA;Maurice Moore - I Need Space. - 12/12&#xA;Mingjia - star, star - 0/11&#xA;MJ Lenderman - And the Wind (Live and Loose!) - 1/15&#xA;NADINE - HERSTORY - 3/5&#xA;Natalie Jane - Where Am I? - 10/10&#xA;Only The Family &amp;amp; Lil Durk - Nightmares In The Trenches - 11/11&#xA;Ozuna - Cosmo - 15/15&#xA;Penelope Scott - Mysteries for Rats - 5/5&#xA;Plain White T's - Plain White T's - 13/13&#xA;Queen Naija - After the Butterflies - 10/10&#xA;Red Leather - RENO - 15/15&#xA;Reneé Rapp - Snow Angel (Deluxe) - 16/16&#xA;Ronisia - era 24 - 16/16&#xA;Russ Millions - FREEDOM - 4/7&#xA;Sabrina Carpenter - fruitcake - 6/6&#xA;Sada Baby - SkuBop - 3/12&#xA;Scarlet Pleasure - Pompeii - 2/10&#xA;Showtek - 360 Yellow - 12/24&#xA;Steve Aoki - HiROQUEST 2: Double Helix - 16/23&#xA;TeaMarrr - You Should Prolly Sit Down For This - 13/13&#xA;Tory Lanez - Alone at Prom (Deluxe) - 21/21&#xA;Vince Clarke - Songs of Silence - 9/10&#xA;Water From Your Eyes - Crushed By Everyone - 9/9&#xA;Winterbourne - Act of Disappearing - 5/12&#xA;Wrabel - ​​based on a true story - 13/13&#xA;Wyatt Flores - Life Lessons - 7/7&#xA;Ying Yaang's - Twin Dream - EP - 0/4&#xA;11/18&#xA;SAR4 XOX0 - Princess Treatment - 6/6&#xA;&#xA;11/19&#xA;Dolly Parton - Rockstar (Download Exclusive Version) - 32/32&#xA;&#xA;11/20&#xA;American Authors - Come Home to Me - EP - 4/4&#xA;Scott Wade - Sticky next to you on the train - 0/6&#xA;&#xA;11/21&#xA;bo en - Pale Machine 2 - 10/10&#xA;Boy Wonder CF - Chosen Few: New Generation - 10/12&#xA;Jordin Sparks - The Gift of Christmas - EP - 4/4&#xA;Matoma - Love For the Beat - 7/10&#xA;Tim McGraw - Poet’s Resumé - 6/6&#xA;&#xA;11/22&#xA;Dreamcatcher -  - 5/5&#xA;Jessica (제시카) - BEEP BEEP - 6/6&#xA;Hannah Waddingham - Hannah Waddingham: Home For Christmas (Soundtrack from the Apple Original) - 2/8&#xA;The Japanese House - ITEIAD Sessions - 6/6&#xA;&#xA;11/23&#xA;Eix - OTRA VIDA - 1/12&#xA;FAKE TYPE. - FAKE SWING 2 - 9/10&#xA;&#xA;11/24&#xA;Alesha Dixon - Fired Up (Deluxe Edition) - 19/19&#xA;Alextbh - It's All Good - 10/10&#xA;AViVA - HATE 2 LUV U - 10/10&#xA;Big Baby Tape - VARSKVA - 19/19&#xA;Big Moochie Grape - East Haiti Baby: Incarcerated - 26/26&#xA;Biosphere - Inland Delta - 9/9&#xA;Busta Rhymes - BLOCKBUSTA - 19/19&#xA;Che Ecru - I Cant Focus - 10/10&#xA;Christian Nodal - La Voz De México ¡Lo Mejor! - 20/20&#xA;Etham - Patterns - 5/6&#xA;Fetty Wap - King Zoo - 17/17&#xA;GLADES - Summer's for Lovers - 5/5&#xA;Guided by Voices - Nowhere To Go But Up - 11/11&#xA;ILIRA - NEVER REALLY THE END - 6/6&#xA;Joel Corry - Hey DJ (The Remixes) - 5/5&#xA;jungle bobby - wibe world - 18/18&#xA;merci, mercy - Like An Orchid - 5/5&#xA;Olivia Rodrigo - GUTS: the secret tracks - 4/4&#xA;RAAHiiM - BUT IF iiM HONEST (Deluxe) - 16/16&#xA;Slow J - Afro Fado - 14/14&#xA;Snoop Dogg - Doggystyle (30th Anniversary Edition) - 14/14&#xA;Sophie Ellis-Bextor - HANA (Deluxe) - 16/21&#xA;Spector - Here Come the Early Nights - 10/10&#xA;Take That - This Life - 12/12&#xA;&#xA;11/25&#xA;VCC Left Hand - YEAR2000 - 12/12&#xA;&#xA;11/26&#xA;Jade Nicole - Princess Die High - 8/8&#xA;MEMEY - TLP Mixtape, Vol. III - 0/8&#xA;&#xA;11/27&#xA;La Favi - 14 Mission - 6/6&#xA;​sophie meiers - crawl__space - 7/8&#xA;&#xA;11/28&#xA;Slimey Trelle - Who Is Trelle - 0/9&#xA;&#xA;11/29&#xA;Brent Faiyaz - Apple Music Live: Brent Faiyaz - 1/22&#xA;King Gnu - THE GREATEST UNKNOWN - 21/21&#xA;Panopticon - The Rime Of Memory - 6/6&#xA;Unflirt - April's Nectar - 1/5&#xA;yyy891 - Experimento Doctor Satán - EP - 6/6&#xA;&#xA;11/30&#xA;Dave East &amp;amp; Cruch Calhoun - 30 For 30 - 9/14&#xA;Wilbur Soot -  Mammalian Sighing Reflex - 12/12&#xA;&#xA;TBA&#xA;Masked Wolf - In The Realm Of Giants - 5/?" 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<INFO BITRATE="931086" KEY_LYRICS="192 ContributorsTranslationsEspañolRonald Reagan Era (His Evils) Lyrics&#xA;We're far from good, not good from far&#xA;Ninety miles per hour down Compton Boulevard&#xA;With the top down, screamin', &amp;quot;We don't give a fuck&amp;quot;&#xA;Drink my forty-ounce of freedom while I roll my blunt&#xA;'Cause the kids just ain't alright&#xA;&#xA;&#xA;Oh shit, nigga&#xA;Somethin' 'bout to happen&#xA;Nigga, this shit, nigga, this sound like thirty keys under the Compton court building&#xA;Hope the dogs don't smell it&#xA;&#xA;&#xA;Welcome to vigilante, '80s, so don't you ask me&#xA;I'm hungry, my body's antsy, I rip through your fuckin' pantry&#xA;Peelin' off like a Xanny, examine my orchestra&#xA;Granny said when I'm old enough, I'll be sure to be all I can be&#xA;You niggas Marcus Camby, washed up&#xA;Pussy, fix your panties, I'm Mr. Marcus, you gettin' fucked, uh&#xA;You ain't heard nothin' harder since Daddy Kane&#xA;Take it in vain, Vicodins couldn't ease the pain&#xA;Lightning bolts hit your body, you thought it rained&#xA;Not a cloud in sight, just the shit that I write&#xA;Strong enough to stand in front of a travelin' freight train, are you trained?&#xA;To go against Dracula, draggin' the record industry by my fangs&#xA;AK clips, money clips, and gold chains&#xA;You walk around with a P90 like it's the '90s&#xA;Bullet to your temple, your homicide'll remind me&#xA;&#xA;That Compton Crip niggas ain't nothin' to fuck with&#xA;Bompton Pirus ain't nothin' to fuck with&#xA;Compton éses ain't nothin' to fuck with&#xA;But they fuck with me, and bitch, I love it&#xA;Woop-di-woop, woop-di-woop-woop, woop-di-woop&#xA;Woop-di-woop, woop-di-woop-woop (California Dungeons)&#xA;Woop-di-woop, woop-di-woop-woop, woop-di-woop&#xA;Woop-di-woop, woop-di-woop-woop (California Dungeons)&#xA;&#xA;&#xA;Let's hit the county buildin', gotta cash my check&#xA;Spend it all on a forty-ounce to the neck&#xA;And in retrospect, I remember December being the hottest&#xA;Squad cars, neighborhood wars, and stolen Mazdas&#xA;I tell you motherfuckers that life is full of hydraulics&#xA;Up and down, get a six-four, better know how to drive it&#xA;I'm drivin' on E with no license or registration&#xA;Heart racin', racin' past Johnny because he's racist&#xA;1987, the children of Ronald Reagan&#xA;Rake the leaves off your front porch with a machine blowtorch (I'm really out here, my nigga)&#xA;He blowin' on stress, hopin' to ease the stress (Like, really out here)&#xA;He coppin' some blow, hopin' that it can stretch&#xA;Newborn massacre&#xA;Hoppin' out the passenger with calendars 'cause your day comin'&#xA;Run him down and then he gun him down, I'm hopin' that you fast enough&#xA;Even the legs of Michael Johnson don't mean nothin', because&#xA;&#xA;Compton Crip niggas ain't nothin' to fuck with&#xA;Bompton Pirus ain't nothin' to fuck with&#xA;Compton éses ain't nothin' to fuck with&#xA;But they fuck with me, and bitch, I love it&#xA;Woop-di-woop, woop-di-woop-woop, woop-di-woop&#xA;Woop-di-woop, woop-di-woop-woop (California Dungeons)&#xA;Woop-di-woop, woop-di-woop-woop, woop-di-woop&#xA;Woop-di-woop, woop-di-woop-woop (California Dungeons)&#xA;&#xA;&#xA;Can't detour when you at war with your city, why run for it?&#xA;Just ride with me, just die with me, that gun store right there&#xA;When you fight, don't fight fair, 'cause you'll never win&#xA;(Right, I had the yopper, and I tore they ass up)&#xA;Can't detour when you at war with your city, why run for it?&#xA;Just ride with me, just die with me, that gun store right there&#xA;When you fight, don't fight fair, 'cause you'll never win, yeah, yeah, yeah&#xA;&#xA;&#xA;Woah, woah, woah-woah-woah-woah&#xA;Woah, woah, woah-woah-woah-woah&#xA;Woah, woah, woah-woah-woah-woah&#xA;Woah, woah, woah-woah-woah-woah&#xA;&#xA;&#xA;We really out here, my nigga&#xA;You niggas don't understand, my nigga&#xA;I'm off a pill and Rémy Red, my nigga&#xA;Trippin', my nigga" PRODUCER="Manu Vogel Music" COVERARTID="087/XCLQWHCJ0OBNKCIJMAK2BWBNUOGA" PLAYTIME="229" PLAYTIME_FLOAT="228.826416" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="26356"></INFO>
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<INFO BITRATE="884935" KEY_LYRICS="1 ContributorChapter 24 LyricsIf Peshawar was the city that reminded me of what Kabul used to be, then Islamabad was the city Kabul could have become someday. The streets were wider than Peshawar's, cleaner, and lined with rows of hibiscus and flame trees. The bazaars were more organized and not nearly as clogged with rickshaws and pedestrians. The architecture was more elegant too, more modern, and I saw parks where roses and jasminе bloomed in the shadows of trees.&#xA;&#xA;Farid found a small hotel on a sidе street running along the foot of the Margalla Hills. We passed the famous Shah Faisal Mosque on the way there, reputedly the biggest mosque in the world, with its giant concrete girders and soaring minarets. Sohrab perked up at the sight of the mosque, leaned out of the window and looked at it until Farid turned a corner.&#xA;&#xA;THE HOTEL ROOM was a vast improvement over the one in Kabul where Farid and I had stayed. The sheets were clean, the carpet vacuumed, and the bathroom spotless. There was shampoo, soap, razors for shaving, a bathtub, and towels that smelled like lemon. And no bloodstains on the walls. One other thing: a television set sat on the dresser across from the two single beds.&#xA;&#xA;&amp;quot;Look!&amp;quot;I said to Sohrab. I turned it on manually--no remote--and turned the dial. I found a children's show with two fluffy sheep puppets singing in Urdu. Sohrab sat on one of the beds and drew his knees to his chest. Images from the TV reflected in his green eyes as he watched, stone-faced, rocking back and forth. I remembered the time I'd promised Hassan I'd buy his family a color TV when we both grew up.&#xA;&#xA;&amp;quot;I'll get going, Amir agha,&amp;quot;Farid said.&#xA;&#xA;&amp;quot;Stay the night,&amp;quot;I said. &amp;quot;It's a long drive. Leave tomorrow.&amp;quot;&#xA;&#xA;&amp;quot;Tashakor,&amp;quot;he said. &amp;quot;But I want to get back tonight. I miss my children.&amp;quot;On his way out of the room, he paused in the doorway. &amp;quot;Good-bye, Sohrab jan,&amp;quot;he said. He waited for a reply, but Sohrab paid him no attention. Just rocked back and forth, his face lit by the silver glow of the images flickering across the screen.&#xA;&#xA;Outside, I gave him an envelope. When he tore it, his mouth opened.&#xA;&#xA;&amp;quot;I didn't know how to thank you,&amp;quot;I said. &amp;quot;You've done so much for me.&amp;quot;&#xA;&#xA;&amp;quot;How much is in here?&amp;quot;Farid said, slightly dazed.&#xA;&#xA;&amp;quot;A little over two thousand dollars.&amp;quot;&#xA;&#xA;&amp;quot;Two thou--?he began. His lower lip was quivering a little. Later, when he pulled away from the curb, he honked twice and waved. I waved back. I never saw him again.&#xA;&#xA;I returned to the hotel room and found Sohrab lying on the bed, curled up in a big C. His eyes were closed but I couldn't tell if he was sleeping. He had shut off the television. I sat on my bed and grimaced with pain, wiped the cool sweat off my brow. I wondered how much longer it would hurt to get up, sit down, roll over in bed. I wondered when I'd be able to eat solid food. I wondered what I'd do with the wounded little boy lying on the bed, though a part of me already knew.&#xA;There was a carafe of water on the dresser. I poured a glass and took two of Armand's pain pills. The water was warm and bitter. I pulled the curtains, eased myself back on the bed, and lay down. I thought my chest would rip open. When the pain dropped a notch and I could breathe again, I pulled the blanket to my chest and waited for Armand's pills to work.&#xA;&#xA;WHEN I WOKE UP, the room was darker. The slice of sky peeking between the curtains was the purple of twilight turning into night. The sheets were soaked and my head pounded. I'd been dreaming again, but I couldn't remember what it had been about.&#xA;&#xA;My heart gave a sick lurch when I looked to Sohrab's bed and found it empty I called his name. The sound of my voice startled me. It was disorienting, sitting in a dark hotel room, thousands of miles from Home, my body broken, calling the name of a boy I'd only met a few days ago. I called his name again and heard nothing. I struggled out of bed, checked the bathroom, looked in the narrow hallway outside the room. He was gone.&#xA;&#xA;I locked the door and hobbled to the manager's office in the lobby, one hand clutching the rail along the walkway for support. There was a fake, dusty palm tree in the corner of the lobby and flying pink flamingos on the wallpaper. I found the hotel manager reading a newspaper behind the Formica-topped check-in counter. I described Sohrab to him, asked if he'd seen him. He put down his paper and took off his reading glasses. He had greasy hair and a square-shaped little mustache speckled with gray. He smelled vaguely of some tropical fruit I couldn't quite recognize.&#xA;&#xA;&amp;quot;Boys, they like to run around,&amp;quot;he said, sighing. &amp;quot;I have three of them. All day they are running around, troubling their mother.&amp;quot;He fanned his face with the newspaper, staring at my jaws.&#xA;&#xA;&amp;quot;I don't think he's out running around,&amp;quot;I said. &amp;quot;And we're not from here. I'm afraid he might get lost.&amp;quot;&#xA;&#xA;He bobbed his head from side to side. &amp;quot;Then you should have kept an eye on the boy, mister.&amp;quot;&#xA;&#xA;&amp;quot;I know,&amp;quot;I said. &amp;quot;But I fell asleep and when I woke up, he was gone.&amp;quot;&#xA;&#xA;&amp;quot;Boys must be tended to, you know.&amp;quot;&#xA;&#xA;&amp;quot;Yes,&amp;quot;I said, my pulse quickening. How could he be so oblivious to my apprehension? He shifted the newspaper to his other hand, resumed the fanning. &amp;quot;They want bicycles now?&#xA;&#xA;&amp;quot;Who?&amp;quot;&#xA;&#xA;&amp;quot;My boys,&amp;quot;he said. &amp;quot;They're saying, 'Daddy, Daddy, please buy us bicycles and we'll not trouble you. Please, Daddy!&amp;quot;He gave a short laugh through his nose. &amp;quot;Bicycles. Their mother will kill me, I swear to you.&amp;quot;&#xA;&#xA;I imagined Sohrab lying in a ditch. Or in the trunk of some car, bound and gagged. I didn't want his blood on my hands. Not his too. &amp;quot;Please...&amp;quot;I said. I squinted. Read his name tag on the lapel of his short-sleeve blue cotton shirt. &amp;quot;Mr. Fayyaz, have you seen him?&amp;quot;&#xA;&amp;quot;The boy?&amp;quot;&#xA;&#xA;I bit down. &amp;quot;Yes, the boy! The boy who came with me. Have you seen him or not, for God's sake?&amp;quot;&#xA;&#xA;The fanning stopped. His eyes narrowed. &amp;quot;No getting smart with me, my friend. I am not the one who lost him.&amp;quot;&#xA;&#xA;That he had a point did not stop the blood from rushing to my face. &amp;quot;You're right. I'm wrong. My fault. Now, have you seen him?&amp;quot;&#xA;&#xA;&amp;quot;Sorry,&amp;quot;he said curtly. He put his glasses back on. Snapped his newspaper open. &amp;quot;I have seen no such boy.&amp;quot;&#xA;&#xA;I stood at the counter for a minute, trying not to scream. As I was exiting the lobby, he said, &amp;quot;Any idea where he might have wandered to?&amp;quot;&#xA;&#xA;&amp;quot;No,&amp;quot;I said. I felt tired. Tired and scared.&#xA;&#xA;&amp;quot;Does he have any interests?&amp;quot;he said. I saw he had folded the paper. &amp;quot;My boys, for example, they will do anything for American action films, especially with that Arnold ?&amp;quot;WThatsanegger--?&#xA;&#xA;&amp;quot;The mosque!&amp;quot;I said. &amp;quot;The big mosque.&amp;quot;I remembered the way the mosque had jolted Sohrab from his stupor when we'd driven by it, how he'd leaned out of the window looking at it.&#xA;&#xA;&amp;quot;Shah Faisal?&amp;quot;&#xA;&#xA;&amp;quot;Yes. Can you take me there?&amp;quot;&#xA;&#xA;&amp;quot;Did you know it's the biggest mosque in the world?&amp;quot;he asked.&#xA;&#xA;&amp;quot;No, but--?&#xA;&amp;quot;The courtyard alone can fit forty thousand people.&amp;quot;&#xA;&#xA;&amp;quot;Can you take me there?&amp;quot;&#xA;&#xA;&amp;quot;It's only a kilometer from here,&amp;quot;he said. But he was already pushing away from the counter.&#xA;&#xA;&amp;quot;I'll pay you for the ride,&amp;quot;I said.&#xA;&#xA;He sighed and shook his head. &amp;quot;Wait here.&amp;quot;He disappeared into the back room, returned wearing another pair of eyeglasses, a set of keys in hand, and with a short, chubby woman in an orange sari trailing him. She took his seat behind the counter. &amp;quot;I don't take your money,&amp;quot;he said, blowing by me. &amp;quot;I will drive you because I am a father like you.&amp;quot;&#xA;&#xA;I THOUGHT WE'D END UP DRIVING around the city until night fell. I saw myself calling the police, describing Sohrab to them under Fayyaz's reproachful glare. I heard the officer, his voice tired and uninterested, asking his obligatory questions. And beneath the official questions, an unofficial one: Who the hell cared about another dead Afghan kid?&#xA;&#xA;But we found him about a hundred yards from the mosque, sitting in the half-full parking lot, on an island of grass. Fayyaz pulled up to the island and let me out. &amp;quot;I have to get back,&amp;quot;he said.&#xA;&#xA;&amp;quot;That's fine. We'll walk back,&amp;quot;I said. &amp;quot;Thank you, Mr. Fayyaz. Really.&amp;quot;&#xA;&#xA;He leaned across the front seat when I got out. &amp;quot;Can I say something to you?&amp;quot;&#xA;&#xA;&amp;quot;Sure.&amp;quot;&#xA;&#xA;In the dark of twilight, his face was just a pair of eyeglasses reflecting the fading light. &amp;quot;The thing about you Afghanis is that... well, you people are a little reckless.&amp;quot;&#xA;&#xA;I was tired and in pain. My jaws throbbed. And those damn wounds on my chest and stomach felt like barbed wire under my skin. But I started to laugh anyway.&#xA;&#xA;&amp;quot;What... what did I...&amp;quot;Fayyaz was saying, but I was cackling by then, full-throated bursts of laughter spilling through my wired mouth.&#xA;&#xA;&amp;quot;Crazy people,&amp;quot;he said. His tires screeched when he peeled away, his tail-lights blinking red in the dimming light.&#xA;&#xA;&amp;quot;You GAVE ME A GOOD SCARE,&amp;quot;I said. I sat beside him, wincing with pain as I bent.&#xA;&#xA;He was looking at the mosque. Shah Faisal Mosque was shaped like a giant tent. Cars came and went; worshipers dressed in white streamed in and out. We sat in silence, me leaning against the tree, Sohrab next to me, knees to his chest. We listened to the call to prayer, watched the building's hundreds of lights come on as daylight faded. The mosque sparkled like a diamond in the dark. It lit up the sky, Sohrab's face.&#xA;&#xA;&amp;quot;Have you ever been to Mazar-i-Sharif?&amp;quot;Sohrab said, his chin resting on his kneecaps.&#xA;&#xA;&amp;quot;A long time ago. I don't remember it much.&amp;quot;&#xA;&#xA;&amp;quot;Father took me there when I was little. Mother and Sasa came along too. Father bought me a monkey from the bazaar. Not a real one but the kind you have to blow up. It was brown and had a bow tie.&amp;quot;&#xA;&#xA;&amp;quot;I might have had one of those when I was a kid.&amp;quot;&#xA;&#xA;&amp;quot;Father took me to the Blue Mosque,&amp;quot;Sohrab said. &amp;quot;I remember there were so many pigeons outside the masjid, and they weren't afraid of people. They came right up to us. Sasa gave me little pieces of &amp;quot;naan&amp;quot; and I fed the birds. Soon, there were pigeons cooing all around me. That was fun.&amp;quot;&#xA;&#xA;&amp;quot;You must miss your parents very much,&amp;quot;I said. I wondered if he'd seen the Taliban drag his parents out into the street. I hoped he hadn't.&#xA;&#xA;&amp;quot;Do you miss your parents?&amp;quot;he aked, resting his cheek on his knees, looking up at me.&#xA;&#xA;&amp;quot;Do I miss my parents? Well, I never met my mother. My father died a few years ago, and, yes, I do miss him. Sometimes a lot.&amp;quot;&#xA;&#xA;&amp;quot;Do you remember what he looked like?&amp;quot;&#xA;&#xA;I thought of Baba's thick neck, his black eyes, his unruly brown hair. Sitting on his lap had been like sitting on a pair of tree trunks. &amp;quot;I remember what he looked like,&amp;quot;I said. &amp;quot;What he smelled like too.&amp;quot;&#xA;&#xA;&amp;quot;I'm starting to forget their faces,&amp;quot;Sohrab said. &amp;quot;Is that bad?&amp;quot;&#xA;&#xA;&amp;quot;No,&amp;quot;I said. &amp;quot;Time does that.&amp;quot;I thought of something. I looked in the front pocket of my coat. Found the Polaroid snap shot of Hassan and Sohrab. &amp;quot;Here,&amp;quot;I said.&#xA;&#xA;He brought the photo to within an inch of his face, turned it so the light from the mosque fell on it. He looked at it for a long time. I thought he might cry, but he didn't. He just held it in both hands, traced his thumb over its surface. I thought of a line I'd read somewhere, or maybe I'd heard someone say it: There are a lot of children in Afghanistan, but little childhood. He stretched his hand to give it back to me.&#xA;&#xA;&amp;quot;Keep it,&amp;quot;I said. &amp;quot;It's yours.&amp;quot;&#xA;&#xA;&amp;quot;Thank you.&amp;quot;He looked at the photo again and stowed it in the pocket of his vest. A horse-drawn cart clip-clopped by in the parking lot. Little bells dangled from the horse's neck and jingled with each step.&#xA;&#xA;&amp;quot;I've been thinking a lot about mosques lately,&amp;quot;Sohrab said.&#xA;&#xA;&amp;quot;You have? What about them?&amp;quot;&#xA;&#xA;He shrugged. &amp;quot;Just thinking about them.&amp;quot;He lifted his face, looked straight at me. Now he was crying, softly, silently. &amp;quot;Can I ask you something, Amir agha?&amp;quot;&#xA;&#xA;&amp;quot;Of course.&amp;quot;&#xA;&#xA;&amp;quot;Will God...&amp;quot;he began, and choked a little. &amp;quot;Will God put me in hell for what I did to that man?&amp;quot;&#xA;&#xA;I reached for him and he flinched. I pulled back. &amp;quot;Nay. Of course not,&amp;quot;I said. I wanted to pull him close, hold him, tell him the world had been unkind to him, not the other way around.&#xA;&#xA;His face twisted and strained to stay composed. &amp;quot;Father used to say it's wrong to hurt even bad people. Because they don't know any better, and because bad people sometimes become good.&amp;quot;&#xA;&#xA;&amp;quot;Not always, Sohrab.&amp;quot;&#xA;&#xA;He looked at me questioningly.&#xA;&#xA;&amp;quot;The man who hurt you, I knew him from many years ago,&amp;quot;I said. &amp;quot;I guess you figured that out that from the conversation he and I had. He... he tried to hurt me once when I was your age, but your father saved me. Your father was very brave and he was always rescuing me from trouble, standing up for me. So one day the bad man hurt your father instead. He hurt him in a very bad way, and I... I couldn't save your father the way he had saved me.&amp;quot;&#xA;&#xA;&amp;quot;Why did people want to hurt my father?&amp;quot;Sohrab said in a wheezy little voice. &amp;quot;He was never mean to anyone.&amp;quot;&#xA;&#xA;&amp;quot;You're right. Your father was a good man. But that's what I'm trying to tell you, Sohrab jan. That there are bad people in this world, and sometimes bad people stay bad. Sometimes you have to stand up to them. What you did to that man is what I should have done to him all those years ago. You gave him what he deserved, and he deserved even more.&amp;quot;&#xA;&#xA;&amp;quot;Do you think Father is disappointed in me?&amp;quot;&#xA;&#xA;&amp;quot;I know he's not,&amp;quot;I said. &amp;quot;You saved my life in Kabul. I know he is very proud of you for that.&amp;quot;&#xA;&#xA;He wiped his face with the sleeve of his shirt. It burst a bubble of spittle that had formed on his lips. He buried his face in his hands and wept a long time before he spoke again. &amp;quot;I miss Father, and Mother too,&amp;quot;he croaked. &amp;quot;And I miss Sasa and Rahim Khan sahib. But sometimes I'm glad they're not ... they're not here anymore.&amp;quot;&#xA;&#xA;&amp;quot;Why?&amp;quot;I touched his arm. He drew back.&#xA;&#xA;&amp;quot;Because--?he said, gasping and hitching between sobs, &amp;quot;because I don't want them to see me... I'm so dirty.&amp;quot;He sucked in his breath and let it out in a long, wheezy cry. &amp;quot;I'm so dirty and full of sin.&amp;quot;&#xA;&#xA;&amp;quot;You're not dirty, Sohrab,&amp;quot;I said.&#xA;&#xA;&amp;quot;Those men--?&#xA;&#xA;&amp;quot;You're not dirty at all.&amp;quot;&#xA;&#xA;&amp;quot;-they did things... the bad man and the other two... they did things... did things to me.&amp;quot;&#xA;&#xA;&amp;quot;You're not dirty, and you're not full of sin.&amp;quot;I touched his arm again and he drew away. I reached again, gently, and pulled him to me. &amp;quot;I won't hurt you,&amp;quot;I whispered. &amp;quot;I promise.&amp;quot;He resisted a lit tle. Slackened. He let me draw him to me and rested his head on my chest. His little body convulsed in my arms with each sob.&#xA;&#xA;A kinship exists between people who've fed from the same b.r.e.a.s.t. Now, as the boy's pain soaked through my shirt, I saw that a kinship had taken root between us too. What had happened in that room with Assef had irrevocably bound us.&#xA;&#xA;I'd been looking for the right time, the right moment, to ask the question that had been buzzing around in my head and keep ing me up at night. I decided the moment was now, right here, right now, with the bright lights of the house of God shining on us.&#xA;&#xA;&amp;quot;Would you like to come live in America with me and my wife?&amp;quot;&#xA;&#xA;He didn't answer. He sobbed into my shirt and I let him.&#xA;&#xA;FOR A WEEK, neither one of us mentioned what I had asked him, as if the question hadn't been posed at all. Then one day, Sohrab and I took a taxicab to the Daman-e-Koh Viewpoint--or &amp;quot;the hem of the mountain.&amp;quot;Perched midway up the Margalla Hills, it gives a panoramic view of Islamabad, its rows of clean, tree-lined avenues and white houses. The driver told us we could see the presidential palace from up there. &amp;quot;If it has rained and the air is clear, you can even see past Rawalpindi,&amp;quot;he said. I saw his eyes in his rearview mirror, skipping from Sohrab to me, back and forth, back and forth. I saw my own face too. It wasn't as swollen as before, but it had taken on a yellow tint from my assortment of fading bruises.&#xA;&#xA;We sat on a bench in one of the picnic areas, in the shade of a gum tree. It was a warm day, the sun perched high in a topaz blue sky. On benches nearby, families snacked on samosas and pakoras. Somewhere, a radio played a Hindi song I thought I remembered from an old movie, maybe Pakeeza. Kids, many of them Sohrab's age, chased soccer balls, giggling, yelling. I thought about the orphanage in Karteh-Seh, thought about the rat that had scurried between my feet in Zaman's office. My chest tightened with a surge of unexpected anger at the way my countrymen were destroying their own land.&#xA;&#xA;&amp;quot;What?&amp;quot;Sohrab asked. I forced a smile and told him it wasn't important.&#xA;&#xA;We unrolled one of the hotel's bathroom towels on the picnic table and played panjpar on it. It felt good being there, with my half brother's son, playing cards, the warmth of the sun patting the back of my neck. The song ended and another one started, one I didn't recognize.&#xA;&#xA;&amp;quot;Look,&amp;quot;Sohrab said. He was pointing to the sky with his cards. I looked up, saw a hawk circling in the broad seamless sky. &amp;quot;Didn't know there were hawks in Islamabad,&amp;quot;I said.&#xA;&#xA;&amp;quot;Me neither,&amp;quot;he said, his eyes tracing the bird's circular flight. &amp;quot;Do they have them where you live?&amp;quot;&#xA;&#xA;&amp;quot;San Francisco? I guess so. I can't say I've seen too many, though.&amp;quot;&#xA;&#xA;&amp;quot;Oh,&amp;quot;he said. I was hoping he'd ask more, but he dealt another hand and asked if we could eat. I opened the paper bag and gave him his meatball sandwich. My lunch consisted of yet another cup of blended bananas and oranges--I'd rented Mrs. Fayyaz's blender for the week. I sucked through the straw and my mouth filled with the sweet, blended fruit. Some of it dripped from the corner of my lips. Sohrab handed me a napkin and watched me dab at my lips. I smiled and he smiled back.&#xA;&#xA;&amp;quot;Your father and I were brothers,&amp;quot;I said. It just came out. I had wanted to tell him the night we had sat by the mosque, but I hadn't. But he had a right to know; I didn't want to hide anything anymore. &amp;quot;Half brothers, really. We had the same father.&amp;quot;&#xA;&#xA;Sohrab stopped chewing. Put the sandwich down. &amp;quot;Father never said he had a brother.&amp;quot;&#xA;&#xA;&amp;quot;That's because he didn't know.&amp;quot;&#xA;&#xA;&amp;quot;Why didn't he know?&amp;quot;&#xA;&#xA;&amp;quot;No one told him,&amp;quot;I said. &amp;quot;No one told me either. I just found out recently.&amp;quot;&#xA;&#xA;Sohrab blinked. Like he was looking at me, really looking at me, for the very first time. &amp;quot;But why did people hide it from Father and you?&amp;quot;&#xA;&#xA;&amp;quot;You know, I asked myself that same question the other day. And there's an answer, but not a good one. Let's just say they didn't tell us because your father and I... we weren't supposed to be brothers.&amp;quot;&#xA;&#xA;&amp;quot;Because he was a Hazara?&amp;quot;&#xA;&#xA;I willed my eyes to stay on him. &amp;quot;Yes.&amp;quot;&#xA;&#xA;&amp;quot;Did your father,&amp;quot;he began, eyeing his food, &amp;quot;did your father love you and my father equally?&amp;quot;&#xA;&#xA;I thought of a long ago day at Ghargha Lake, when Baba had allowed himself to pat Hassan on the back when Hassan's stone had outskipped mine. I pictured Baba in the hospital room, beaming as they removed the bandages from Hassan's lips. &amp;quot;I think he loved us equally but differently.&amp;quot;&#xA;&#xA;&amp;quot;Was he ashamed of my father?&amp;quot;&#xA;&#xA;&amp;quot;No,&amp;quot;I said. &amp;quot;I think he was ashamed of himself.&amp;quot;&#xA;&#xA;He picked up his sandwich and nibbled at it silently.&#xA;&#xA;WE LEFT LATE THAT AFTERNOON, tired from the heat, but tired in a pleasant way. All the way back, I felt Sohrab watching me. I had the driver pull over at a store that sold calling cards. I gave him the money and a tip for running in and buying me one.&#xA;&#xA;That night, we were lying on our beds, watching a talk show on TV. Two clerics with pepper gray long beards and white turbans were taking calls from the faithful all over the world. One caller from Finland, a guy named Ayub, asked if his teenaged son could go to hell for wearing his baggy pants so low the seam of his underwear showed.&#xA;&#xA;&amp;quot;I saw a picture of San Francisco once,&amp;quot;Sohrab said.&#xA;&#xA;&amp;quot;Really?&amp;quot;&#xA;&#xA;&amp;quot;There was a red bridge and a building with a pointy top.&amp;quot;&#xA;&#xA;&amp;quot;You should see the streets,&amp;quot;I said.&#xA;&#xA;&amp;quot;What about them?&amp;quot;He was looking at me now. On the TV screen, the two mullahs were consulting each other.&#xA;&#xA;&amp;quot;They're so steep, when you drive up all you see is the hood of your car and the sky,&amp;quot;I said.&#xA;&#xA;&amp;quot;It sounds scary,&amp;quot;he said. He rolled to his side, facing me, his back to the TV.&#xA;&#xA;&amp;quot;It is the first few times,&amp;quot;I said. &amp;quot;But you get used to it.&amp;quot;&#xA;&#xA;&amp;quot;Does it snow there?&amp;quot;&#xA;&#xA;&amp;quot;No, but we get a lot of fog. You know that red bridge you saw?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;&#xA;&#xA;&amp;quot;Sometimes the fog is so thick in the morning, all you see is the tip of the two towers poking through.&amp;quot;&#xA;&#xA;There was wonder in his smile. &amp;quot;Oh.&amp;quot;&#xA;&#xA;&amp;quot;Sohrab?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;&#xA;&#xA;&amp;quot;Have you given any thought to what I asked you before?&amp;quot;&#xA;&#xA;His smiled faded. He rolled to his back. Laced his hands under his head. The mullahs decided that Ayub's son would go to hell after all for wearing his pants the way he did. They claimed it was in the Haddith. &amp;quot;I've thought about it,&amp;quot;Sohrab said.&#xA;&#xA;&amp;quot;And?&amp;quot;&#xA;&#xA;&amp;quot;It scares me.&amp;quot;&#xA;&#xA;&amp;quot;I know it's a little scary,&amp;quot;I said, grabbing onto that loose thread of hope. &amp;quot;But you'll learn English so fast and you'll get used to--?&#xA;&#xA;&amp;quot;That's not what I mean. That scares me too, but...&#xA;&#xA;&amp;quot;But what?&amp;quot;&#xA;&#xA;He rolled toward me again. Drew his knees up. &amp;quot;What if you get tired of me? What if your wife doesn't like me?&amp;quot;&#xA;&#xA;I struggled out of bed and crossed the space between us. I sat beside him. &amp;quot;I won't ever get tired of you, Sohrab,&amp;quot;I said. &amp;quot;Not ever. That's a promise. You're my nephew, remember? And Soraya jan, she's a very kind woman. Trust me, she's going to love you. I promise that too.&amp;quot;I chanced something. Reached down and took his hand. He tightened up a little but let me hold it.&#xA;&#xA;&amp;quot;I don't want to go to another orphanage,&amp;quot;he said.&#xA;&#xA;&amp;quot;I won't ever let that happen. I promise you that.&amp;quot;I cupped his hand in both of mine. &amp;quot;Come Home with me.&amp;quot;&#xA;&#xA;His tears were soaking the pillow. He didn't say anything for a long time. Then his hand squeezed mine back. And he nodded. He nodded.&#xA;&#xA;THE CONNECTION WENT THROUGH on the fourth try. The phone rang three times before she picked it up. &amp;quot;Hello?&amp;quot;It was 7:30 in the evening in Islamabad, roughly about the same time in the morning in California. That meant Soraya had been up for an hour, getting ready for school.&#xA;&#xA;&amp;quot;It's me,&amp;quot;I said. I was sitting on my bed, watching Sohrab sleep.&#xA;&#xA;&amp;quot;Amir!&amp;quot;she almost screamed. &amp;quot;Are you okay? Where are you?&amp;quot;&#xA;&#xA;&amp;quot;I'm in Pakistan.&amp;quot;&#xA;&#xA;&amp;quot;Why didn't you call earlier? I've been sick with tashweesh! My mother's praying and doing nazr every day.&amp;quot;&#xA;&#xA;&amp;quot;I'm sorry I didn't call. I'm fine now.&amp;quot;I had told her I'd be away a week, two at the most. I'd been gone for nearly a month. I smiled. &amp;quot;And tell Khala Jamila to stop killing sheep.&amp;quot;&#xA;&#xA;&amp;quot;What do you mean 'fine now? And what's wrong with your voice?&amp;quot;&#xA;&#xA;&amp;quot;Don't worry about that for now. I'm fine. Really. Soraya, I have a story to tell you, a story I should have told you a long time ago, but first I need to tell you one thing.&amp;quot;&#xA;&#xA;&amp;quot;What is it?&amp;quot;she said, her voice lower now, more cautious.&#xA;&#xA;&amp;quot;I'm not coming Home alone. I'm bringing a little boy with me.&amp;quot;I paused. &amp;quot;I want us to adopt him.&amp;quot;&#xA;&#xA;&amp;quot;What?&amp;quot;&#xA;&#xA;I checked my watch. &amp;quot;I have fifty-seven minutes left on this stupid calling card and I have so much to tell you. Sit some where.&amp;quot;I heard the legs of a chair dragged hurriedly across the wooden floor.&#xA;&#xA;&amp;quot;Go ahead,&amp;quot;she said.&#xA;&#xA;Then I did what I hadn't done in fifteen years of marriage: I told my wife everything. Everything. I had pictured this moment so many times, dreaded it, but, as I spoke, I felt something lifting off my chest. I imagined Soraya had experienced something very similar the night of our khastegari, when she'd told me about her past.&#xA;&#xA;By the time I was done with my story, she was weeping.&#xA;&#xA;&amp;quot;What do you think?&amp;quot;I said.&#xA;&#xA;&amp;quot;I don't know what to think, Amir. You've told me so much all at once.&amp;quot;&#xA;&#xA;&amp;quot;I realize that.&amp;quot;&#xA;&#xA;I heard her blowing her nose. &amp;quot;But I know this much: You have to bring him Home. I want you to.&amp;quot;&#xA;&#xA;&amp;quot;Are you sure?&amp;quot;I said, closing my eyes and smiling.&#xA;&#xA;&amp;quot;Am I sure?&amp;quot;she said. &amp;quot;Amir, he's your qaom, your family, so he's my qaom too. Of course I'm sure. You can't leave him to the streets.&amp;quot;There was a short pause. &amp;quot;What's he like?&amp;quot;&#xA;&#xA;I looked over at Sohrab sleeping on the bed. &amp;quot;He's sweet, in a solemn kind of way.&amp;quot;&#xA;&#xA;&amp;quot;Who can blame him?&amp;quot;she said. &amp;quot;I want to see him, Amir. I really do.&amp;quot;&#xA;&#xA;&amp;quot;Soraya?&amp;quot;&#xA;&#xA;&amp;quot;Yeah.&amp;quot;&#xA;&#xA;&amp;quot;Dostet darum.&amp;quot;I love you.&#xA;&#xA;&amp;quot;I love you back,&amp;quot;she said. I could hear the smile in her words. &amp;quot;And be careful.&amp;quot;&#xA;&#xA;&amp;quot;I will. And one more thing. Don't tell your parents who he is. If they need to know, it should come from me.&amp;quot;&#xA;&#xA;&amp;quot;Okay.&amp;quot;&#xA;&#xA;We hung up.&#xA;&#xA;THE LAWN OUTSIDE the American embassy in Islamabad was neatly mowed, dotted with circular cl.u.s.ters of flowers, bordered by razor-straight hedges. The building itself was like a lot of buildings in Islamabad: flat and white. We passed through several road blocks to get there and three different security officials conducted a body search on me after the wires in my jaws set off the metal detectors. When we finally stepped in from the heat, the airconditioning hit my face like a splash of ice water. The secretary in the lobby, a fifty-something, lean-faced blond woman, smiled when I gave her my name. She wore a beige blouse and black slacks--the first woman I'd seen in weeks dressed in something other than a burqa or a shalwar-kameez. She looked me up on the appointment list, tapping the eraser end of her pencil on the desk. She found my name and asked me to take a seat.&#xA;&#xA;&amp;quot;Would you like some lemonade?&amp;quot;she asked.&#xA;&#xA;&amp;quot;None for me, thanks,&amp;quot;I said.&#xA;&#xA;&amp;quot;How about your son?&amp;quot;&#xA;&#xA;&amp;quot;Excuse me?&amp;quot;&#xA;&#xA;&amp;quot;The handsome young gentleman,&amp;quot;she said, smiling at Sohrab.&#xA;&#xA;&amp;quot;Oh. That'd be nice, thank you.&amp;quot;&#xA;&#xA;Sohrab and I sat on the black leather sofa across the reception desk, next to a tall American flag. Sohrab picked up a magazine from the glass-top Coffee table. He flipped the pages, not really looking at the pictures.&#xA;&#xA;&amp;quot;What?&amp;quot;Sohrab said.&#xA;&#xA;&amp;quot;Sorry?&amp;quot;&#xA;&#xA;&amp;quot;You're smiling.&amp;quot;&#xA;&#xA;&amp;quot;I was thinking about you,&amp;quot;I said.&#xA;&#xA;He gave a nervous smile. Picked up another magazine and flipped through it in under thirty seconds.&#xA;&#xA;&amp;quot;Don't be afraid,&amp;quot;I said, touching his arm. &amp;quot;These people are friendly. Relax.&amp;quot;I could have used my own advice. I kept shifting in my seat, untying and retying my shoelaces. The secretary placed a tall glass of lemonade with ice on the Coffee table. &amp;quot;There you go.&amp;quot;&#xA;&#xA;Sohrab smiled shyly. &amp;quot;Thank you very much,&amp;quot;he said in English. It came out as &amp;quot;Tank you wery match.&amp;quot;It was the only English he knew, he'd told me, that and &amp;quot;Have a nice day.&amp;quot;&#xA;&#xA;She laughed. &amp;quot;You're most welcome.&amp;quot;She walked back to her desk, high heels clicking on the floor.&#xA;&#xA;&amp;quot;Have a nice day,&amp;quot;Sohrab said.&#xA;&#xA;RAYMOND ANDREWS was a short fellow with small hands, nails perfectly trimmed, wedding band on the ring finger. He gave me a curt little shake; it felt like squeezing a sparrow. Those are the hands that hold our fates, I thought as Sohrab and I seated our selves across from his desk. A &amp;quot;Les Misérables&amp;quot; poster was nailed to the wall behind Andrews next to a topographical map of the U.S. A pot of tomato plants basked in the sun on the windowsill.&#xA;&#xA;&amp;quot;Smoke?&amp;quot;he asked, his voice a deep baritone that was at odds with his slight stature.&#xA;&#xA;&amp;quot;No thanks,&amp;quot;I said, not caring at all for the way Andrews's eyes barely gave Sohrab a glance, or the way he didn't look at me when he spoke. He pulled open a desk drawer and lit a cigarette from a half-empty pack. He also produced a bottle of lotion from the same drawer. He looked at his tomato plants as he rubbed lotion into his hands, cigarette dangling from the corner of his mouth. Then he closed the drawer, put his elbows on the desktop, and exhaled. &amp;quot;So,&amp;quot;he said, crinkling his gray eyes against the smoke, &amp;quot;tell me your story.&amp;quot;&#xA;&#xA;I felt like Jean Valjean sitting across from Javert. I reminded myself that I was on American soil now, that this guy was on my side, that he got paid for helping people like me. &amp;quot;I want to adopt this boy, take him back to the States with me,&amp;quot;I said.&#xA;&#xA;&amp;quot;Tell me your story,&amp;quot;he repeated, crushing a flake of ash on the neatly arranged desk with his index finger, flicking it into the trash can.&#xA;&#xA;I gave him the version I had worked out in my head since I'd hung up with Soraya. I had gone into Afghanistan to bring back my half brother's son. I had found the boy in squalid conditions, wasting away in an orphanage. I had paid the orphanage director a sum of money and withdrawn the boy. Then I had brought him to Pakistan.&#xA;&#xA;&amp;quot;You are the boy's half uncle?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;&#xA;&#xA;He checked his watch. Leaned and turned the tomato plants on the sill. &amp;quot;Know anyone who can attest to that?&amp;quot;&#xA;&#xA;&amp;quot;Yes, but I don't know where he is now.&amp;quot;&#xA;&#xA;He turned to me and nodded. I tried to read his face and couldn't. I wondered if he'd ever tried those little hands of his at poker.&#xA;&#xA;&amp;quot;I assume getting your jaws wired isn't the latest fashion statement,&amp;quot;he said. We were in trouble, Sohrab and I, and I knew it then. I told him I'd gotten mugged in Peshawar.&#xA;&#xA;&amp;quot;Of course,&amp;quot;he said. Cleared his throat. &amp;quot;Are you Muslim?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;&#xA;&#xA;&amp;quot;Practicing?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;In truth, I didn't remember the last time I had laid my forehead to the ground in prayer. Then I did remember: the day Dr. Amani gave Baba his prognosis. I had kneeled on the prayer rug, remembering only fragments of verses I had learned in school.&#xA;&#xA;&amp;quot;Helps your case some, but not much,&amp;quot;he said, scratching a spot on the flawless part in his sandy hair.&#xA;&#xA;&amp;quot;What do you mean?&amp;quot;I asked. I reached for Sohrab's hand, intertwined my fingers with his. Sohrab looked uncertainly from me to Andrews.&#xA;&#xA;&amp;quot;There's a long answer and I'm sure I'll end up giving it to you. You want the short one first?&amp;quot;&#xA;&#xA;&amp;quot;I guess,&amp;quot;I said.&#xA;&#xA;Andrews crushed his cigarette, his lips pursed. &amp;quot;Give it up.&amp;quot;&#xA;&#xA;&amp;quot;I'm sorry?&amp;quot;&#xA;&#xA;&amp;quot;Your petition to adopt this young fellow. Give it up. That's my advice to you.&amp;quot;&#xA;&#xA;&amp;quot;Duly noted,&amp;quot;I said. &amp;quot;Now, perhaps you'll tell me why.&amp;quot;&#xA;&#xA;&amp;quot;That means you want the long answer,&amp;quot;he said, his voice impassive, not reacting at all to my curt tone. He pressed his hands palm to palm, as if he were kneeling before the V.i.r.g.i.n Mary. &amp;quot;Let's assume the story you gave me is true, though I'd bet my pension a good deal of it is either fabricated or omitted. Not that I care, mind you. You're here, he's here, that's all that matters. Even so, your petition faces significant obstacles, not the least of which is that this child is not an orphan.&amp;quot;&#xA;&#xA;&amp;quot;Of course he is.&amp;quot;&#xA;&#xA;&amp;quot;Not legally he isn't.&amp;quot;&#xA;&#xA;&amp;quot;His parents were executed in the street. The neighbors saw it,&amp;quot;I said, glad we were speaking in English.&#xA;&#xA;&amp;quot;You have death certificates?&amp;quot;&#xA;&#xA;&amp;quot;Death certificates? This is Afghanistan we're talking about. Most people there don't have birth certificates.&amp;quot;&#xA;&#xA;His glassy eyes didn't so much as blink. &amp;quot;I don't make the laws, sir. Your outrage notwithstanding, you still need to prove the parents are deceased. The boy has to be declared a legal orphan.&amp;quot;&#xA;&#xA;&amp;quot;But--?&#xA;&#xA;&amp;quot;You wanted the long answer and I'm giving it to you. Your next problem is that you need the cooperation of the child's country of origin. Now, that's difficult under the best of circ.u.mstances, and, to quote you, this is Afghanistan we're talking about. We don't have an American embassy in Kabul. That makes things extremely complicated. Just about impossible.&amp;quot;&#xA;&#xA;&amp;quot;What are you saying, that I should throw him back on the streets?&amp;quot;I said.&#xA;&#xA;&amp;quot;I didn't say that.&amp;quot;&#xA;&#xA;&amp;quot;He was s.e.x.u.a.lly abused,&amp;quot;I said, thinking of the bells around Sohrab's ankles, the mascara on his eyes.&#xA;&#xA;&amp;quot;I'm sorry to hear that,&amp;quot;Andrews's mouth said. The way he was looking at me, though, we might as well have been talking about the weather. &amp;quot;But that is not going to make the INS issue this young fellow a visa.&amp;quot;&#xA;&#xA;&amp;quot;What are you saying?&amp;quot;&#xA;&#xA;&amp;quot;I'm saying that if you want to help, send money to a reputable relief organization. Volunteer at a refugee camp. But at this point in time, we strongly discourage U.S. citizens from attempting to adopt Afghan children.&amp;quot;&#xA;&#xA;I got up. &amp;quot;Come on, Sohrab,&amp;quot;I said in Farsi. Sohrab slid next to me, rested his head on my hip. I remembered the Polaroid of him and Hassan standing that same way. &amp;quot;Can I ask you some thing, Mr. Andrews?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;&#xA;&#xA;&amp;quot;Do you have children?&amp;quot;&#xA;&#xA;For the first time, he blinked.&#xA;&#xA;&amp;quot;Well, do you? It's a simple question.&amp;quot;&#xA;&#xA;He was silent.&#xA;&#xA;&amp;quot;I thought so,&amp;quot;I said, taking Sohrab's hand. &amp;quot;They ought to put someone in your chair who knows what it's like to want a child.&amp;quot;I turned to go, Sohrab trailing me.&#xA;&#xA;&amp;quot;Can I ask you a question?&amp;quot;Andrews called.&#xA;&#xA;&amp;quot;Go ahead.&amp;quot;&#xA;&#xA;&amp;quot;Have you promised this child you'll take him with you?&amp;quot;&#xA;&#xA;&amp;quot;What if I have?&amp;quot;&#xA;&#xA;He shook his head. &amp;quot;It's a dangerous Business, making promises to kids.&amp;quot;He sighed and opened his desk drawer again. &amp;quot;You mean to pursue this?&amp;quot;he said, rummaging through papers.&#xA;&#xA;&amp;quot;I mean to pursue this.&amp;quot;&#xA;&#xA;He produced a Business card. &amp;quot;Then I advise you to get a good immigration lawyer. Omar Faisal works here in Islamabad. You can tell him I sent you.&amp;quot;&#xA;&#xA;I took the card from him. &amp;quot;Thanks,&amp;quot;I muttered.&#xA;&#xA;&amp;quot;Good luck,&amp;quot;he said. As we exited the room, I glanced over my shoulder. Andrews was standing in a rectangle of sunlight, absently staring out the window, his hands turning the potted tomato plants toward the sun, petting them lovingly.&#xA;&#xA;&amp;quot;TAKE CARE,&amp;quot;the secretary said as we passed her desk.&#xA;&#xA;&amp;quot;Your boss could use some manners,&amp;quot;I said. I expected her to roll her eyes, maybe nod in that &amp;quot;I know, everybody says that,&amp;quot;kind of way. Instead, she lowered her voice. &amp;quot;Poor Ray. He hasn't been the same since his daughter died.&amp;quot;&#xA;&#xA;I raised an eyebrow.&#xA;&#xA;&amp;quot;Suicide,&amp;quot;she whispered.&#xA;&#xA;ON THE TAXI RIDE back to the hotel, Sohrab rested his head on the window, kept staring at the passing buildings, the rows of gum trees. His breath fogged the glass, cleared, fogged it again. I waited for him to ask me about the meeting but he didn't.&#xA;&#xA;ON THE OTHER SIDE of the closed bathroom door the water was running. Since the day we'd checked into the hotel, Sohrab took a long bath every night before bed. In Kabul, hot running water had been like fathers, a rare commodity. Now Sohrab spent almost an hour a night in the bath, soaking in the soapy water, scrubbing. Sitting on the edge of the bed, I called Soraya. I glanced at the thin line of light under the bathroom door. Do you feel clean yet, Sohrab?&#xA;&#xA;I passed on to Soraya what Raymond Andrews had told me. &amp;quot;So what do you think?&amp;quot;I said.&#xA;&#xA;&amp;quot;We have to think he's wrong.&amp;quot;She told me she had called a few adoption agencies that arranged international adoptions. She hadn't yet found one that would consider doing an Afghan adoption, but she was still looking.&#xA;&#xA;&amp;quot;How are your parents taking the news?&amp;quot;&#xA;&#xA;&amp;quot;Madar is happy for us. You know how she feels about you, Amir, you can do no wrong in her eyes. Padar... well, as always, he's a little harder to read. He's not saying much.&amp;quot;&#xA;&#xA;&amp;quot;And you? Are you happy?&amp;quot;&#xA;&#xA;I heard her shifting the receiver to her other hand. &amp;quot;I think we'll be good for your nephew, but maybe that little boy will be good for us too.&amp;quot;&#xA;&#xA;&amp;quot;I was thinking the same thing.&amp;quot;&#xA;&#xA;&amp;quot;I know it sounds crazy, but I find myself wondering what his favorite &amp;quot;qurma&amp;quot; will be, or his favorite subject in school. I picture myself helping him with Homework...&amp;quot;She laughed. In the bathroom, the water had stopped running. I could hear Sohrab in there, shifting in the tub, spilling water over the sides.&#xA;&#xA;&amp;quot;You're going to be great,&amp;quot;I said.&#xA;&#xA;&amp;quot;Oh, I almost forgot! I called Kaka Sharif.&amp;quot;&#xA;&#xA;I remembered him reciting a poem at our nika from a scrap of hotel stationery paper. His son had held the Koran over our heads as Soraya and I had walked toward the stage, smiling at the flashing cameras. &amp;quot;What did he say?&amp;quot;&#xA;&#xA;&amp;quot;Well, he's going to stir the pot for us. He'll call some of his INS buddies,&amp;quot;she said.&#xA;&#xA;&amp;quot;That's really great news,&amp;quot;I said. &amp;quot;I can't wait for you to see Sohrab.&amp;quot;&#xA;&#xA;&amp;quot;I can't wait to see you,&amp;quot;she said.&#xA;&#xA;I hung up smiling.&#xA;&#xA;Sohrab emerged from the bathroom a few minutes later. He had barely said a dozen words since the meeting with Raymond Andrews and my attempts at conversation had only met with a nod or a monosyllabic reply. He climbed into bed, pulled the blanket to his chin. Within minutes, he was snoring.&#xA;&#xA;I wiped a circle on the fogged-up mirror and shaved with one of the hotel's old-fashioned razors, the type that opened and you slid the blade in. Then I took my own bath, lay there until the steaming hot water turned cold and my skin shriveled up. I lay there drifting, wondering, imagining...&#xA;&#xA;OMAR FAISAL WAS CHUBBY, dark, had dimpled cheeks, black button eyes, and an affable, gap-toothed smile. His thinning gray hair was tied back in a ponytail. He wore a brown corduroy suit with leather elbow patches and carried a worn, overstuffed briefcase. The handle was missing, so he clutched the briefcase to his chest. He was the sort of fellow who started a lot of sentences with a laugh and an unnecessary apology, like I'm sorry, I'll be there at five. Laugh. When I had called him, he had insisted on coming out to meet us. &amp;quot;I'm sorry, the cabbies in this town are sharks,&amp;quot;he said in perfect English, without a trace of an accent. &amp;quot;They smell a foreigner, they triple their fares.&amp;quot;&#xA;&#xA;He pushed through the door, all smiles and apologies, wheezing a little and sweating. He wiped his brow with a handkerchief and opened his briefcase, rummaged in it for a notepad and apologized for the sheets of paper that spilled on the bed. Sitting crosslegged on his bed, Sohrab kept one eye on the muted television, the other on the harried lawyer. I had told him in the morning that Faisal would be coming and he had nodded, almost asked some thing, and had just gone on watching a show with talking animals.&#xA;&#xA;&amp;quot;Here we are,&amp;quot;Faisal said, flipping open a yellow legal notepad. &amp;quot;I hope my children take after their mother when it comes to organization. I'm sorry, probably not the sort of thing you want to hear from your prospective lawyer, heh?&amp;quot;He laughed.&#xA;&#xA;&amp;quot;Well, Raymond Andrews thinks highly of you.&amp;quot;&#xA;&#xA;&amp;quot;Mr. Andrews. Yes, yes. Decent fellow. Actually, he rang me and told me about you.&amp;quot;&#xA;&#xA;&amp;quot;He did?&amp;quot;&#xA;&#xA;&amp;quot;Oh yes.&amp;quot;&#xA;&#xA;&amp;quot;So you're familiar with my situation.&amp;quot;&#xA;&#xA;Faisal dabbed at the sweat beads above his lips. &amp;quot;I'm familiar with the version of the situation you gave Mr. Andrews,&amp;quot;he said. His cheeks dimpled with a coy smile. He turned to Sohrab. &amp;quot;This must be the young man who's causing all the trouble,&amp;quot;he said in Farsi.&#xA;&#xA;&amp;quot;This is Sohrab,&amp;quot;I said. &amp;quot;Sohrab, this is Mr. Faisal, the lawyer I told you about.&amp;quot;&#xA;&#xA;Sohrab slid down the side of his bed and shook hands with Omar Faisal. &amp;quot;Salaam alaykum,&amp;quot;he said in a low voice.&#xA;&#xA;&amp;quot;Alaykum salaam, Sohrab,&amp;quot;Faisal said. &amp;quot;Did you know you are named after a great warrior?&amp;quot;&#xA;&#xA;Sohrab nodded. Climbed back onto his bed and lay on his side to watch TV.&#xA;&#xA;&amp;quot;I didn't know you spoke Farsi so well,&amp;quot;I said in English. &amp;quot;Did you grow up in Kabul?&amp;quot;&#xA;&#xA;&amp;quot;No, I was born in Karachi. But I did live in Kabul for a number of years. Shar-e-Nau, near the Haji Yaghoub Mosque,&amp;quot;Faisal said. &amp;quot;I grew up in Berkeley, actually. My father opened a music store there in the late sixties. Free love, headbands, tiedyed shirts, you name it.&amp;quot;He leaned forward. &amp;quot;I was at Woodstock.&amp;quot;&#xA;&#xA;&amp;quot;Groovy,&amp;quot;I said, and Faisal laughed so hard he started sweating all over again. &amp;quot;Anyway,&amp;quot;I continued, &amp;quot;what I told Mr. Andrews was pretty much it, save for a thing or two. Or maybe three. I'll give you the uncensored version.&amp;quot;&#xA;&#xA;He licked a finger and flipped to a blank page, uncapped his pen. &amp;quot;I'd appreciate that, Amir. And why don't we just keep it in English from here on out?&amp;quot;&#xA;&#xA;&amp;quot;Fine.&amp;quot;&#xA;&#xA;I told him everything that had happened. Told him about my meeting with Rahim Khan, the trek to Kabul, the orphanage, the stoning at Ghazi Stadium.&#xA;&#xA;&amp;quot;God,&amp;quot;he whispered. &amp;quot;I'm sorry, I have such fond memories of Kabul. Hard to believe it's the same place you're telling me about.&amp;quot;&#xA;&#xA;&amp;quot;Have you been there lately?&amp;quot;&#xA;&#xA;&amp;quot;God no.&amp;quot;&#xA;&#xA;&amp;quot;It's not Berkeley, I'll tell you that,&amp;quot;I said.&#xA;&#xA;&amp;quot;Go on.&amp;quot;&#xA;&#xA;I told him the rest, the meeting with Assef, the fight, Sohrab and his slingshot, our escape back to Pakistan. When I was done, he scribbled a few notes, breathed in deeply, and gave me a sober look. &amp;quot;Well, Amir, you've got a tough battle ahead of you.&amp;quot;&#xA;&#xA;&amp;quot;One I can win?&amp;quot;&#xA;&#xA;He capped his pen. &amp;quot;At the risk of sounding like Raymond Andrews, it's not likely. Not impossible, but hardly likely.&amp;quot;Gone was the affable smile, the playful look in his eyes.&#xA;&#xA;&amp;quot;But it's kids like Sohrab who need a Home the most,&amp;quot;I said. &amp;quot;These rules and regulations don't make any sense to me.&amp;quot;&#xA;&#xA;&amp;quot;You're preaching to the choir, Amir,&amp;quot;he said. &amp;quot;But the fact is, take current immigration laws, adoption agency policies, and the political situation in Afghanistan, and the deck is stacked against you.&amp;quot;&#xA;&#xA;&amp;quot;I don't get it,&amp;quot;I said. I wanted to hit something. &amp;quot;I mean, I get it but I don't get it.&amp;quot;&#xA;&#xA;Omar nodded, his brow furrowed. &amp;quot;Well, it's like this. In the aftermath of a disaster, whether it be natural or man-made--and the Taliban are a disaster, Amir, believe me--it's always difficult to ascertain that a child is an orphan. Kids get displaced in refugee camps, or parents just abandon them because they can't take care of them. Happens all the time. So the INS won't grant a visa unless it's clear the child meets the definition of an eligible orphan. I'm sorry, I know it sounds ridiculous, but you need death certificates.&amp;quot;&#xA;&#xA;&amp;quot;You've been to Afghanistan,&amp;quot;I said. &amp;quot;You know how improbable that is.&amp;quot;&#xA;&#xA;&amp;quot;I know,&amp;quot;he said. &amp;quot;But let's suppose it's clear that the child has no surviving parent. Even then, the INS thinks it's good adoption practice to place the child with someone in his own country so his heritage can be preserved.&amp;quot;&#xA;&#xA;&amp;quot;What heritage?&amp;quot;I said. &amp;quot;The Taliban have destroyed what heritage Afghans had. You saw what they did to the giant Buddhas in Bamiyan.&amp;quot;&#xA;&#xA;&amp;quot;I'm sorry, I'm telling you how the INS works, Amir,&amp;quot;Omar said, touching my arm. He glanced at Sohrab and smiled. Turned back to me. &amp;quot;Now, a child has to be legally adopted according to the laws and regulations of his own country. But when you have a country in turmoil, say a country like Afghanistan, government offices are busy with emergencies, and processing adoptions won't be a top priority.&amp;quot;&#xA;&#xA;I sighed and rubbed my eyes. A pounding headache was settling in just behind them.&#xA;&#xA;&amp;quot;But let's suppose that somehow Afghanistan gets its act together,&amp;quot;Omar said, crossing his arms on his protruding belly. &amp;quot;It still may not permit this adoption. In fact, even the more moderate Muslim nations are hesitant with adoptions because in many of those countries, Islamic law, Shari'a, doesn't recognize adoption.&amp;quot;&#xA;&#xA;&amp;quot;You're telling me to give it up?&amp;quot;I asked, pressing my palm to my forehead.&#xA;&#xA;&amp;quot;I grew up in the U.S., Amir. If America taught me anything, it's that quitting is right up there with pissing in the Girl Scouts?lemonade jar. But, as your lawyer, I have to give you the facts,&amp;quot;he said. &amp;quot;Finally, adoption agencies routinely send staff members to evaluate the child's milieu, and no reasonable agency is going to send an agent to Afghanistan.&amp;quot;&#xA;&#xA;I looked at Sohrab sitting on the bed, watching TV, watching us. He was sitting the way his father used to, chin resting on one knee.&#xA;&#xA;&amp;quot;I'm his half uncle, does that count for anything?&amp;quot;&#xA;&#xA;&amp;quot;It does if you can prove it. I'm sorry, do you have any papers or anyone who can support you?&amp;quot;&#xA;&#xA;&amp;quot;No papers,&amp;quot;I said, in a tired voice. &amp;quot;No one knew about it. Sohrab didn't know until I told him, and I myself didn't find out until recently. The only other person who knows is gone, maybe dead.&amp;quot;&#xA;&#xA;&amp;quot;What are my options, Omar?&amp;quot;&#xA;&#xA;&amp;quot;I'll be frank. You don't have a lot of them.&amp;quot;&#xA;&#xA;&amp;quot;Well, Jesus, what can I do?&amp;quot;&#xA;&#xA;Omar breathed in, tapped his chin with the pen, let his breath out. &amp;quot;You could still file an orphan petition, hope for the best. You could do an independent adoption. That means you'd have to live with Sohrab here in Pakistan, day in and day out, for the next two years. You could seek asylum on his behalf. That's a lengthy process and you'd have to prove political persecution. You could request a humanitarian visa. That's at the discretion of the attorney general and it's not easily given.&amp;quot;He paused. &amp;quot;There is another option, probably your best shot.&amp;quot;&#xA;&#xA;&amp;quot;What?&amp;quot;I said, leaning forward.&#xA;&#xA;&amp;quot;You could relinquish him to an orphanage here, then file an orphan petition. Start your I-600 form and your Home study while he's in a safe place.&amp;quot;&#xA;&#xA;&amp;quot;What are those?&amp;quot;&#xA;&#xA;&amp;quot;I'm sorry, the 1-600 is an INS formality. The Home study is done by the adoption agency you choose,&amp;quot;Omar said. &amp;quot;It's, you know, to make sure you and your wife aren't raving lunatics.&amp;quot;&#xA;&#xA;&amp;quot;I don't want to do that,&amp;quot;I said, looking again at Sohrab. &amp;quot;I promised him I wouldn't send him back to an orphanage.&amp;quot;&#xA;&#xA;&amp;quot;Like I said, it may be your best shot.&amp;quot;&#xA;&#xA;We talked a while longer. Then I walked him out to his car, an old VW Bug. The sun was setting on Islamabad by then, a flaming red nimbus in the west. I watched the car tilt under Omar's weight as he somehow managed to slide in behind the wheel. He rolled down the window. &amp;quot;Amir?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;&#xA;&#xA;&amp;quot;I meant to tell you in there, about what you're trying to do? I think it's pretty great.&amp;quot;&#xA;&#xA;He waved as he pulled away. Standing outside the hotel room and waving back, I wished Soraya could be there with me.&#xA;&#xA;SOHRAB HAD TURNED OFF THE TV when l went back into the room. I sat on the edge of my bed, asked him to sit next to me. &amp;quot;Mr. Faisal thinks there is a way I can take you to America with me,&amp;quot;I said.&#xA;&#xA;&amp;quot;He does?&amp;quot;Sohrab said, smiling faintly for the first time in days. &amp;quot;When can we go?&amp;quot;&#xA;&#xA;&amp;quot;Well, that's the thing. It might take a little while. But he said it can be done and he's going to help us.&amp;quot;I put my hand on the back of his neck. From outside, the call to prayer blared through the streets.&#xA;&#xA;&amp;quot;How long?&amp;quot;Sohrab asked.&#xA;&#xA;&amp;quot;I don't know. A while.&amp;quot;&#xA;&#xA;Sohrab shrugged and smiled, wider this time. &amp;quot;I don't mind. I can wait. It's like the sour apples.&amp;quot;&#xA;&#xA;&amp;quot;Sour apples?&amp;quot;&#xA;&#xA;&amp;quot;One time, when I was really little, I climbed a tree and ate these green, sour apples. My stomach swelled and became hard like a drum, it hurt a lot. Mother said that if I'd just waited for the apples to ripen, I wouldn't have become sick. So now, whenever I really want something, I try to remember what she said about the apples.&amp;quot;&#xA;&#xA;&amp;quot;Sour apples,&amp;quot;I said. &amp;quot;&amp;quot;Mashallah&amp;quot;, you're just about the smartest little guy I've ever met, Sohrab jan.&amp;quot;His ears reddened with a blush.&#xA;&#xA;&amp;quot;Will you take me to that red bridge? The one with the fog?&amp;quot;he said.&#xA;&#xA;&amp;quot;Absolutely,&amp;quot;I said. &amp;quot;Absolutely.&amp;quot;&#xA;&#xA;&amp;quot;And we'll drive up those streets, the ones where all you see is the hood of the car and the sky?&amp;quot;&#xA;&#xA;&amp;quot;Every single one of them,&amp;quot;I said. My eyes stung with tears and I blinked them away.&#xA;&#xA;&amp;quot;Is English hard to learn?&amp;quot;&#xA;&#xA;&amp;quot;I say, within a year, you'll speak it as well as Farsi.&amp;quot;&#xA;&#xA;&amp;quot;Really?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;I placed a finger under his chin, turned his face up to mine. &amp;quot;There is one other thing, Sohrab.&amp;quot;&#xA;&#xA;&amp;quot;What?&amp;quot;&#xA;&#xA;&amp;quot;Well, Mr. Faisal thinks that it would really help if we could... if we could ask you to stay in a Home for kids for a while.&amp;quot;&#xA;&#xA;&amp;quot;Home for kids?&amp;quot;he said, his smile fading. &amp;quot;You mean an orphanage?&amp;quot;&#xA;&#xA;&amp;quot;It would only be for a little while.&amp;quot;&#xA;&#xA;&amp;quot;No,&amp;quot;he said. &amp;quot;No, please.&amp;quot;&#xA;&#xA;&amp;quot;Sohrab, it would be for just a little while. I promise.&amp;quot;&#xA;&#xA;&amp;quot;You promised you'd never put me in one of those places, Amir agha,&amp;quot;he said. His voice was breaking, tears pooling in his eyes. I felt like a prick.&#xA;&#xA;&amp;quot;This is different. It would be here, in Islamabad, not in Kabul. And I'd visit you all the time until we can get you out and take you to America.&amp;quot;&#xA;&#xA;&amp;quot;Please! Please, no!&amp;quot;he croaked. &amp;quot;I'm scared of that place. They'll hurt me! I don't want to go.&amp;quot;&#xA;&#xA;&amp;quot;No one is going to hurt you. Not ever again.&amp;quot;&#xA;&#xA;&amp;quot;Yes they will! They always say they won't but they lie. They lie! Please, God!&amp;quot;&#xA;&#xA;I wiped the tear streaking down his cheek with my thumb. &amp;quot;Sour apples, remember? It's just like the sour apples,&amp;quot;I said softly.&#xA;&#xA;&amp;quot;No it's not. Not that place. God, oh God. Please, no!&amp;quot;He was trembling, snot and tears mixing on his face.&#xA;&#xA;&amp;quot;Shhh.&amp;quot;I pulled him close, wrapped my arms around his shaking little body. &amp;quot;Shhh. It'll be all right. We'll go Home together. You'll see, it'll be all right.&amp;quot;&#xA;&#xA;His voice was muffled against my chest, but I heard the panic in it. &amp;quot;Please promise you won't! Oh God, Amir agha! Please promise you won't!&amp;quot;&#xA;&#xA;How could I promise? I held him against me, held him tightly, and rocked badk and forth. He wept into my shirt until his tears dried, until his shaking stopped and his frantic pleas dwindled to indecipherable mumbles. I waited, rocked him until his breathing slowed and his body slackened. I remembered something I had read somewhere a long time ago: That's how children deal with terror. They fall asleep.&#xA;&#xA;I carried him to his bed, set him down. Then I lay in my own bed, looking out the window at the purple sky over Islamabad.&#xA;&#xA;THE SKY WAS A DEEP BLACK when the phone jolted me from sleep. I rubbed my eyes and turned on the bedside lamp. It was a little past 10:30 P.M.; I'd been sleeping for almost three hours. I picked up the phone. &amp;quot;Hello?&amp;quot;&#xA;&#xA;&amp;quot;Call from America.&amp;quot;Mr. Fayyaz's bored voice.&#xA;&#xA;&amp;quot;Thank you,&amp;quot;I said. The bathroom light was on; Sohrab was taking his nightly bath. A couple of clicks and then Soraya:&#xA;&#xA;&amp;quot;Salaam!&amp;quot;She sounded excited.&#xA;&#xA;&amp;quot;How did the meeting go with the lawyer?&amp;quot;&#xA;&#xA;I told her what Omar Faisal had suggested. &amp;quot;Well, you can forget about it,&amp;quot;she said. &amp;quot;We won't have to do that.&amp;quot;&#xA;&#xA;I sat up. &amp;quot;Rawsti? Why, what's up?&amp;quot;&#xA;&#xA;&amp;quot;I heard back from Kaka Sharif. He said the key was getting Sohrab into the country. Once he's in, there are ways of keeping him here. So he made a few calls to his INS friends. He called me back tonight and said he was almost certain he could get Sohrab a humanitarian visa.&amp;quot;&#xA;&#xA;&amp;quot;No kidding?&amp;quot;I said. &amp;quot;Oh thank God! Good ol?Sharifjan!&amp;quot;&#xA;&#xA;&amp;quot;I know. Anyway, we'll serve as the sponsors. It should all happen pretty quickly. He said the visa would be good for a year, plenty of time to apply for an adoption petition.&amp;quot;&#xA;&#xA;&amp;quot;It's really going to happen, Soraya, huh?&amp;quot;&#xA;&#xA;&amp;quot;It looks like it,&amp;quot;she said. She sounded happy. I told her I loved her and she said she loved me back. I hung up.&#xA;&#xA;&amp;quot;Sohrab!&amp;quot;I called, rising from my bed. &amp;quot;I have great news.&amp;quot;I knocked on the bathroom door. &amp;quot;Sohrab! Soraya jan just called from California. We won't have to put you in the orphanage, Sohrab. We're going to America, you and I. Did you hear me? We're going to America!&amp;quot;&#xA;&#xA;I pushed the door open. Stepped into the bathroom.&#xA;&#xA;Suddenly I was on my knees, screaming. Screaming through my clenched teeth. Screaming until I thought my throat would rip and my chest explode.&#xA;&#xA;Later, they said I was still screaming when the ambulance arrived." PRODUCER="℗ 1986 Castle Copyrights Ltd." COVERARTID="068/EO5H1QBUDSO1IDAG0QWKAOSZZSGB" PLAYTIME="212" PLAYTIME_FLOAT="211.253326" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="23261"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63858" AUDIO_ID="AMwERERGVEQ0RERVVd////////7/7//////////////////9///////////////////v///v////7/////v/3/7///r/7///6WVWZnj+/9/878///9/+/////v/u/v///f///v/v//////3v7//////////+///9/8/////7/9/////d/v////////////////////////////////////7////+/+/6////////////////////3+7/3d//7//+nP/7K+TNTNrVPcn//////////////////////////////////////f/v//////////7///////7/7//6UQAAAA==" TITLE="Levitating" ARTIST="Dua Lipa"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="55 - Dua Lipa - Levitating.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="998173" KEY_LYRICS="165 ContributorsTranslationsTürkçeEspañolفارسیDeutschFrançaisNederlandsPolskiČeskyItalianoLevitating LyricsWith themes of space travel and excitement, “Levitating” is a joyful ode to the often-quick process of falling in love. Originally included on Dua Lipa’s 2020 album, Future Nostalgia, the song found new wind… Read More &#xA;If you wanna run away with me, I know a galaxy&#xA;And I can take you for a ride&#xA;I had a premonition that we fell into a rhythm&#xA;Where the music don't stop for life&#xA;Glitter in the sky, glitter in my eyes&#xA;Shining just the way I like&#xA;If you're feeling like you need a little bit of company&#xA;You met me at the perfect time&#xA;&#xA;&#xA;You want me, I want you, baby&#xA;My sugarboo, I'm levitating&#xA;The Milky Way, we're renegading&#xA;Yeah, yeah, yeah, yeah, yeah&#xA;&#xA;&#xA;I got you, moonlight, you're my starlight&#xA;I need you all night, come on, dance with me&#xA;I'm levitating&#xA;You, moonlight, you're my starlight (You're the moonlight)&#xA;I need you all night, come on, dance with me&#xA;I'm levitating&#xA;&#xA;&#xA;I believe that you're for me, I feel it in our energy&#xA;I see us written in the stars&#xA;We can go wherever, so let's do it now or never&#xA;Baby, nothing's ever, ever too far&#xA;Glitter in the sky, glitter in our eyes&#xA;Shining just the way we are&#xA;I feel like we're forever every time we get together&#xA;But whatever, let's get lost on Mars&#xA;&#xA;You want me, I want you, baby&#xA;My sugarboo, I'm levitating&#xA;The Milky Way, we're renegading&#xA;Yeah, yeah, yeah, yeah, yeah&#xA;&#xA;&#xA;I got you, moonlight, you're my starlight&#xA;I need you all night, come on, dance with me&#xA;I'm levitating&#xA;You, moonlight, you're my starlight (You're the moonlight)&#xA;I need you all night, come on, dance with me&#xA;I'm levitating&#xA;&#xA;&#xA;You can fly away with me tonight&#xA;You can fly away with me tonight&#xA;Baby, let me take you for a ride&#xA;Yeah, yeah, yeah, yeah, yeah&#xA;I'm levitating (Woo)&#xA;You can fly away with me tonight&#xA;You can fly away with me tonight&#xA;Baby, let me take you for a ride&#xA;Yeah, yeah, yeah, yeah, yeah (Woo)&#xA;&#xA;&#xA;My love is like a rocket, watch it blast off&#xA;And I'm feeling so electric, dance my ass off&#xA;And even if I wanted to, I can't stop&#xA;Yeah, yeah, yeah, yeah, yeah&#xA;My love is like a rocket, watch it blast off&#xA;And I'm feeling so electric, dance my ass off&#xA;And even if I wanted to, I can't stop&#xA;Yeah, yeah, yeah, yeah, yeah&#xA;&#xA;You want me, I want you, baby&#xA;My sugarboo, I'm levitating&#xA;The Milky Way, we're renegading&#xA;&#xA;&#xA;I got you (Yeah), moonlight, you're my starlight&#xA;I need you all night (All night), come on, dance with me&#xA;I'm levitating (Woo)&#xA;&#xA;&#xA;You can fly away with me tonight (Tonight)&#xA;You can fly away with me tonight&#xA;Baby, let me take you for a ride&#xA;Yeah, yeah, yeah, yeah, yeah (Take you for a ride)&#xA;I'm levitating (Woo)&#xA;You can fly away with me tonight (Tonight)&#xA;You can fly away with me tonight&#xA;Baby, let me take you for a ride&#xA;Yeah, yeah, yeah, yeah, yeah (Let me take you for a ride)&#xA;&#xA;&#xA;I got you, moonlight, you're my starlight (You are my starlight)&#xA;I need you all night, come on, dance with me (Come on, dance with me)&#xA;I'm levitating&#xA;You, moonlight, you're my starlight (You're the moonlight)&#xA;I need you all night, come on, dance with me&#xA;I'm levitating" PRODUCER="2022 Warner Music Group - X5 Music Group" COVERARTID="025/ZIF4EFDXRH0JEAJNSP2KDSYUZSMB" PLAYTIME="204" PLAYTIME_FLOAT="203.807983" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="24992"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63858" AUDIO_ID="AK8EVlVkZVRWVWZlV4yXvv///////v/v//////////7f/////v///////9//////7///+v/////+/+7///z////N///////83u//7///7c/f/////93///////7dvv/s/v//7///////7v/////////////+//7/////23uZp9vZn//////////////////////////////////////9v+//////zt/////P3Ozr367u3v7bWait////////////7////////u/////+////////////////////////////////////////////7senn//b7Py9/c792EEAAAAAAA==" TITLE="Espresso" ARTIST="Sabrina Carpenter"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="56 - Sabrina Carpenter - Espresso.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1017928" KEY_LYRICS="118 ContributorsTranslationsСрпскиNorsk (bokmål / riksmål)TürkçePolskiالعربيةFrançaisItalianoDeutschPortuguêsEspañolBahasa Indonesiaไทย / Phasa ThaiTiếng ViệtSlovenčinaБеларускаяРусскийУкраїнськаΕλληνικάCatalà日本語Македонски日本語한국어ČeskyEspresso Lyrics&#xA;Now he's thinkin' 'bout me every night, oh&#xA;Is it that sweet? I guess so&#xA;Say you can't sleep, baby, I know&#xA;That's that me espresso&#xA;Move it up, down, left, right, oh&#xA;Switch it up like Nintendo&#xA;Say you can't sleep, baby, I know&#xA;That's that me espresso&#xA;&#xA;&#xA;I can't relate to desperation&#xA;My give-a-fucks are on vacation&#xA;And I got this one boy and he won't stop calling&#xA;When they act this way, I know I got 'em&#xA;&#xA;&#xA;(Mm) Too bad your ex don't do it for ya&#xA;(Mm) Walked in and dream-came-trued it for ya&#xA;(Mm) Soft skin and I perfumed it for ya&#xA;(Yes) I know I Mountain Dew it for ya&#xA;(Yes) That morning coffee, brewed it for ya&#xA;(Yes) One touch and I brand-newed it for ya (Ooh)&#xA;&#xA;&#xA;And now he's thinkin' 'bout me every night, oh&#xA;Is it that sweet? I guess so&#xA;Say you can't sleep, baby, I know&#xA;That's that me espresso&#xA;Move it up, down, left, right, oh&#xA;Switch it up like Nintendo&#xA;Say you can't sleep, baby, I know&#xA;That's that me espresso&#xA;&#xA;Holy shit&#xA;Is it that sweet? I guess so (Mm)&#xA;&#xA;&#xA;I'm working late 'cause I'm a singer&#xA;Oh, he looks so cute wrapped 'round my finger&#xA;My twisted humor make him laugh so often&#xA;My honeybee, come and get this pollen&#xA;&#xA;&#xA;(Mm) Too bad your ex don't do it for ya&#xA;(Mm) Walked in and dream-came-trued it for ya&#xA;(Mm) Soft skin and I perfumed it for ya (Ayy, ayy, oh)&#xA;(Yes) I know I Mountain Dew it for ya&#xA;(Yes) That morning coffee, brewed it for ya&#xA;(Yes) One touch and I brand-newed it for ya (Stupid)&#xA;&#xA;&#xA;Now he's thinkin' 'bout me every night, oh&#xA;Is it that sweet? I guess so&#xA;Say you can't sleep, baby, I know&#xA;That's that me espresso&#xA;Move it up, down, left, right, oh&#xA;Switch it up like Nintendo&#xA;Say you can't sleep, baby, I know&#xA;That's that me espresso (Yes)&#xA;Thinkin' 'bout me every night, oh&#xA;Is it that sweet? I guess so (Yes)&#xA;Say you can't sleep, baby, I know&#xA;That's that me espresso (Yes)&#xA;Move it up, down, left, right, oh (Move it up, down, left, right, oh)&#xA;Switch it up like Nintendo (Yes)&#xA;Say you can't sleep, baby, I know&#xA;That's that me espresso&#xA;&#xA;Is it that sweet? I guess so&#xA;Mm, that's that me espresso" PRODUCER="℗ 2024 Island Records, a division of UMG Recordings, Inc." COVERARTID="106/KHSHG4DDQSYLVBOA5JI3DSMY4V2B" PLAYTIME="176" PLAYTIME_FLOAT="175.459427" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="22066"></INFO>
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<INFO BITRATE="957551" KEY_LYRICS="20 ContributorsHypnotized Lyrics&#xA;Feel buried alive, this city is airtight&#xA;Suffocated and lonely in the crowds&#xA;I'm surrounded by all the screens of their lies&#xA;Screamin' into space to drown them out&#xA;&#xA;&#xA;I fell down so low, found nowhere to go&#xA;But I know you wait for me, you wait for me&#xA;So far out of sight, sucked into the white&#xA;But I know you wait for me&#xA;&#xA;&#xA;I'm comin' home, I'm comin' back down tonight&#xA;'Cause I've been hypnotized by the lights&#xA;But I'm comin' home, I'm comin' back down tonight&#xA;Yeah, it's taken time to realize&#xA;But I'm comin' home, I'm comin' back down tonight&#xA;&#xA;&#xA;So hold me tight, I just wanna fade out&#xA;Somewhere we can shut the world away&#xA;I'm ready to hide, far from the fallout&#xA;They won't find us in the paradise we'll make&#xA;&#xA;&#xA;I fell down so low, found nowhere to go&#xA;But I know you wait for me, you wait for me&#xA;So far out of sight, sucked into the white&#xA;But I know you wait for me&#xA;&#xA;'Cause I've been hypnotized by the lights&#xA;But I'm comin' home, I'm comin' back down tonight&#xA;Yeah, it's taken time to realize&#xA;But I'm comin' home, I'm comin' back down tonight&#xA;&#xA;&#xA;I'm comin' home, I'm comin' back down tonight&#xA;I'm comin' home, I'm comin' back down tonight&#xA;&#xA;&#xA;Free-fallin' from the high&#xA;I'm followin' the voice I know&#xA;Free-fallin' from the high&#xA;&#xA;&#xA;I'm comin' home, I'm comin' back down tonight&#xA;'Cause I've been hypnotized by the lights&#xA;But I'm comin' home, I'm comin' back down tonight&#xA;Yeah, it's taken time to realize&#xA;But I'm comin' home, I'm comin' back down tonight&#xA;&#xA;&#xA;I'm comin' home, I'm comin' back down tonight&#xA;I'm comin' home, I'm comin' back down tonight" PRODUCER="(P) 2020 COLUMBIA - a division of Sony Music Entertainment Germany GmbH" COVERARTID="122/0H5EWQADOW5X5AZL2ONLCV5PNCNA" PLAYTIME="196" PLAYTIME_FLOAT="195.704391" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="23054"></INFO>
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<INFO BITRATE="943513" KEY_LYRICS="1 ContributorVirtual insanity - remastered for 2006 LyricsOh yeah, what we're living in (let me tell ya)&#xA;It's a wonder man can eat at all&#xA;When things are big that should be small&#xA;Who can tell what magic spells we'll be doing for us&#xA;And I'm giving all my love to this world&#xA;Only to be told&#xA;I can't see&#xA;I can't breathe&#xA;No more will we be&#xA;And nothing's going to change the way we live&#xA;'Cause we can always take but never give&#xA;And now that things are changing for the worse&#xA;See, its a crazy world we're living in&#xA;And I just can't see that half of us immersed in sin&#xA;Is all we have to give these&#xA;Futures made of virtual insanity now&#xA;Always seem to, be governed by this love we have&#xA;For useless, twisting, our new technology&#xA;Oh, now there is no sound for we all live underground&#xA;And I'm thinking what a mess we're in&#xA;Hard to know where to begin&#xA;If I could slip the sickly ties that earthly man has made&#xA;And now every mother, can choose a color&#xA;Of her child&#xA;That's not nature's way&#xA;Well that's what they said yesterday&#xA;There's nothing left to do but pray&#xA;I think it's time I found a new religion&#xA;Whoa, it's so insane&#xA;To synthesize another strain&#xA;There's something in these&#xA;Futures that we have to be told&#xA;Futures made of virtual insanity now&#xA;Always seem to, be governed by this love we have&#xA;For useless, twisting, our new technology&#xA;Oh, now there is no sound for we all live underground&#xA;Now there is no sound&#xA;If we all live underground&#xA;And now it's virtual insanity&#xA;Forget your virtual reality&#xA;Oh, there's nothing so bad. (happiness)&#xA;Oh yeah&#xA;I know yeah&#xA;Oh this virtual insanity we're living in&#xA;Has got to change, yeah&#xA;Things will never be the same&#xA;And I can't go on&#xA;Well we're living, oh oh&#xA;Virtual insanity&#xA;Oh this world has got to change&#xA;'Cause I just, I just can't keep going on&#xA;In this virtual, virtual insanity&#xA;That we're living in, that we're living in&#xA;That virtual insanity is what is&#xA;Futures made of virtual insanity now&#xA;Always seem to, be governed by this love we have&#xA;For useless, twisting, our new technology&#xA;Oh, now there is no sound for we all live underground, oh&#xA;Futures made of that virtual insanity now&#xA;Always seem to, be governed by our love&#xA;For useless, twisting, of that new technology&#xA;Oh, now there is no sound for we all live underground, yes we do&#xA;Virtual insanity is all we ever know&#xA;Yeah is all I have" PRODUCER="(P) 2006 Sony Music Entertainment UK Limited" COVERARTID="067/D0IEDNBAZNFFNB3DMMAWB02SC03C" PLAYTIME="230" PLAYTIME_FLOAT="229.360001" IMPORT_DATE="2025/4/14" RELEASE_DATE="2005/1/1" FLAGS="12" FILESIZE="26482"></INFO>
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<INFO BITRATE="843025" KEY_LYRICS="4 ContributorsGypsy Woman (She’s Homeless) (La Da Dee La Da Da) / SAD GIRLZ LUV MONEY   Lyrics&#xA;La-da, dee, la-dee, dow, la-da, dee, la-dee, dow&#xA;La-da, dee, la-dee, dow, la-da, dee, la-dee, dow&#xA;La-da, dee, la-dee, dow, la-da, dee, la-dee, dow&#xA;La-da, dee, la-dee, dow, la-da, dee, la-dee, dow&#xA;Kali Uchis&#xA;Oh, there's dollars all around&#xA;Dolla-dolla, bills, yeah&#xA;Dolla-dolla, bills (Kali)&#xA;Yeah, you've been starin' at me (¿Por qué me miras?)&#xA;I don't really know how long now&#xA;&#xA;&#xA;I feel like there's nothing in my way&#xA;All this money on me, it feels amazing&#xA;In the Range Rover, I'm racing&#xA;Me and your nigga still dating&#xA;I don't wanna talk, I'm dancing, dancing&#xA;I don't need no fake love&#xA;No, I don't need no favor&#xA;I know my time will come&#xA;Just me and my maker (Da, da, da, da-la)&#xA;I'm gonna make the paper (Da, da, da, da-la)&#xA;I'm gonna make the paper (Da, da, da, da-la)&#xA;I'm gonna make dollar bills (Da, da, da, da-la)&#xA;I'm gonna get paid, yeah&#xA;&#xA;Get the fuck outta my way&#xA;I'm gonna get paid, yeah&#xA;I wanna get paid, yeah&#xA;Just give me my mula-la-la&#xA;Get the fuck outta my way&#xA;I'm gonna gеt paid, yeah&#xA;I'm gonna get paid, yeah&#xA;Just givе me my mula-la-la&#xA;&#xA;&#xA;I really like to party&#xA;I really like to party&#xA;I really like to party, I cannot control my body&#xA;So when this song is starting, just cancel all your plans, oh&#xA;It's evident in my dancing, moonwalk like Michael Jackson&#xA;&#xA;&#xA;I really like your body, I really like your body&#xA;I don't know why you hide it, I wanna see it behind me&#xA;You know you don't gotta lie to me&#xA;Yo quiero sentirte inside of me&#xA;Todo el día imaginándote, lo quiero pa' mí to'a la noche&#xA;&#xA;&#xA;Get the fuck outta my way&#xA;I'm gonna get paid, yeah&#xA;I wanna get paid, yeah&#xA;Just give me my mula-la-la&#xA;Get the fuck outta my way&#xA;I'm gonna get paid, yeah&#xA;I'm gonna get paid, yeah&#xA;Just give me my mula-la-la&#xA;&#xA;I really like to party, I really like your body&#xA;I really wanna get naughty, I think you're such a hottie&#xA;Slow dancing in the party&#xA;Oh yes, bring me the money&#xA;Book a flight to Miami, baby take me out the country&#xA;Why you wanna act like Leo?&#xA;Like you don't love me please, oh&#xA;Like you don't spend money, oh, like you don't eat my pussy&#xA;To the left (Left), to the right (Right)&#xA;To the front with it, oh, yeah, yeah&#xA;I know that's right&#xA;Give me my mula-la-la (To the left)" PRODUCER="℗ 1991 UMG Recordings, Inc." COVERARTID="071/HOP2HGAR4NCODDP0DUAYD1J3IB1A" PLAYTIME="218" PLAYTIME_FLOAT="217.759995" IMPORT_DATE="2025/4/14" RELEASE_DATE="2007/1/1" FLAGS="12" FILESIZE="22713"></INFO>
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<INFO BITRATE="989633" KEY_LYRICS="62 ContributorsSuper Freak Lyrics&#xA;She's a very kinky girl&#xA;The kind you don't take home to mother&#xA;She will never let your spirits down&#xA;Once you get her off the street, ow, girl&#xA;She likes the boys in the band&#xA;She says that I'm her all-time favorite&#xA;When I make my move to her room, it's the right time&#xA;She's never hard to please, oh no&#xA;&#xA;&#xA;That girl is pretty wild now&#xA;The girl's a super freak&#xA;The kind of girl you read about&#xA;In new-wave magazines&#xA;That girl is pretty kinky&#xA;The girl's a super freak&#xA;I really love to taste her&#xA;Every time we meet&#xA;She's alright, she's alright&#xA;That girl's alright with me, yeah&#xA;Hey, hey, hey, hey&#xA;&#xA;&#xA;She's a super freak, super freak&#xA;She's super freaky, yow&#xA;Everybody sing&#xA;Super freak, super freak&#xA;&#xA;She's a very special girl&#xA;The kind of girl you want to know&#xA;From her head down to her toenails&#xA;Down to her feet, yeah&#xA;And she'll wait for me at backstage with her girlfriends&#xA;In a limousine&#xA;Long and black and shining bright&#xA;Three's not a crowd to her, she says (Ménage à trois, oui la la)&#xA;&amp;quot;Room 714, I'll be waiting&amp;quot;&#xA;When I get there she's got incense, wine and candles&#xA;It's such a freaky scene&#xA;&#xA;&#xA;That girl is pretty kinky&#xA;The girl's a super freak&#xA;The kind of girl you read about&#xA;In new-wave magazines&#xA;That girl is pretty wild now&#xA;The girl's a super freak&#xA;I really like to taste her&#xA;Every time we meet&#xA;She's alright, she's alright&#xA;That girl's alright with me, yeah&#xA;Hey, hey, hey, hey&#xA;&#xA;She's a super freak, super freak&#xA;She's super freaky, yow&#xA;&#xA;&#xA;Temptations, sing&#xA;Oh-oh-oh-oh-oh-oh-oh&#xA;Super freak, super freak&#xA;That girl's a super freak&#xA;Oh-oh-oh-oh-oh-oh-oh&#xA;&#xA;&#xA;She's a very kinky girl&#xA;The kind you don't take home to mother&#xA;She will never let your spirits down&#xA;Once you get her off the street&#xA;Blow, Danny&#xA;Oh, girl&#xA;Oh, girl" PRODUCER="℗ 1981 UMG Recordings, Inc." COVERARTID="121/ZHG1X4CQU1DEYBU3YVOGDYDQKWFD" PLAYTIME="205" PLAYTIME_FLOAT="204.600006" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="24955"></INFO>
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<INFO BITRATE="1057295" KEY_LYRICS="3 ContributorsSeascape, with Frieze of Girls (Chapter 3) Lyrics                                     SEASCAPE, WITH FRIEZE OF GIRLS&#xA;&#xA;                                DINNERS AT RIVEBELLE — ENTER ALBERTINE&#xA;&#xA;   That day, as for some days past, Saint-Loup had been obliged to go to Doncières, where, until his leave finally expired, he would be on duty now until late every afternoon. I was sorry that he was not at Balbec. I had seen alight from carriages and pass, some into the ball-room of the Casino, others into the ice-cream shop, young women who at a distance had seemed to me lovely. I was passing through one of those periods of our youth, unprovided with any one definite love, vacant, in which at all times and in all places — as a lover the woman by whose charms he is smitten — we desire, we seek, we see Beauty. Let but a single real feature — the little that one distinguishes of a woman seen from afar or from behind — enable us to project the form of beauty before our eyes, we imagine that we have seen her before, our heart beats, we hasten in pursuit, and will always remain half-persuaded that it was she, provided that the woman has vanished: it is only if we manage to overtake her that we realise our mistake&#xA;&#xA;   Besides, as I grew more and more delicate, I was inclined to overrate the simplest pleasures because of the difficulties that sprang up in the way of my attaining them. Charming women I seemed to see all round me, because I was too tired, if it was on the beach, too shy if it was in the Casino or at a pastry-cook’s, to go anywhere near them. And yet if I was soon to die I should have liked first to know the appearance at close quarters, in reality of the prettiest girls that life had to offer, even although it should be another than myself or no one at all who was to take advantage of the offer. (I did not, in fact, appreciate the desire for possession that underlay my curiosity.) I should have had the courage to enter the ballroom if Saint-Loup had been with me. Left by myself, I was simply hanging about in front of the Grand Hotel until it was time for me to join my grandmother, when, still almost at the far end of the paved ‘front’ along which they projected in a discordant spot of colour, I saw coming towards me five or six young girls, as different in appearance and manner from all the people whom one was accustomed to see at Balbec as could have been, landed there none knew whence, a flight of gulls which performed with measured steps upon the sands — the dawdlers using their wings to overtake the rest — a movement the purpose of which seems as obscure to the human bathers, whom they do not appear to see, as it is clearly determined in their own birdish minds&#xA;&#xA;   One of these strangers was pushing as she came, with one hand, her bicycle; two others carried golf-clubs; and their attire generally was in contrast to that of the other girls at Balbec, some of whom, it was true, went in for games, but without adopting any special outfit&#xA;&#xA;   It was the hour at which ladies and gentlemen came out every day for a turn on the ‘front,’ exposed to the merciless fire of the long glasses fastened upon them, as if they had each borne some disfigurement which she felt it her duty to inspect in its minutest details, by the chief magistrate’s wife, proudly seated there with her back to the band-stand, in the middle of that dread line of chairs on which presently they too, actors turned critics, would come and establish themselves, to scrutinise in their turn those others who would then be filing past them. All these people who paced up and down the ‘front,’ tacking as violently as if it had been the deck of a ship (for they could not lift a leg without at the same time waving their arms, turning their heads and eyes, settling their shoulders, compensating by a balancing movement on one side for the movement they had just made on the other, and puffing out their faces), and who, pretending not to see so as to let it be thought that they were not interested, but covertly watching, for fear of running against the people who were walking beside or coming towards them, did, in fact, butt into them, became entangled with them, because each was mutually the object of the same secret attention veiled beneath the same apparent disdain; their love — and consequently their fear — of the crowd being one of the most powerful motives in all men, whether they seek to please other people or to astonish them, or to shew them that they despise them. In the case of the solitary, his seclusion, even when it is absolute and ends only with life itself, has often as its primary cause a disordered love of the crowd, which so far overrules every other feeling that, not being able to win, when he goes out, the admiration of his hall-porter, of the passers-by, of the cabman whom he hails, he prefers not to be seen by them at all, and with that object abandons every activity that would oblige him to go out of doors&#xA;&#xA;   Among all these people, some of whom were pursuing a train of thought, but if so betrayed its instability by spasmodic gestures, a roving gaze as little in keeping as the circumspect titubation of their neighbours, the girls whom I had noticed, with that mastery over their limbs which comes from perfect bodily condition and a sincere contempt for the rest of humanity, were advancing straight ahead, without hesitation or stiffness, performing exactly the movements that they wished to perform, each of their members in full independence of all the rest, the greater part of their bodies preserving that immobility which is so noticeable in a good waltzer. They were now quite near me. Although each was a type absolutely different from the others, they all had beauty; but to tell the truth I had seen them for so short a time, and without venturing to look them straight in the face, that I had not yet individualised any of them. Save one, whom her straight nose, her dark complexion pointed in contrast among the rest, like (in a renaissance picture of the Epiphany) a king of Arab cast, they were known to me only, one by a pair of eyes, hard, set and mocking; another by cheeks in which the pink had that coppery tint which makes one think of geraniums; and even of these points I had not yet indissolubly attached any one to one of these girls rather than to another; and when (according to the order in which their series met the eye, marvellous because the most different aspects came next one another, because all scales of colours were combined in it, but confused as a piece of music in which I should not have been able to isolate and identify at the moment of their passage the successive phrases, no sooner distinguished than forgotten) I saw emerge a pallid oval, black eyes, green eyes, I knew not if these were the same that had already charmed me a moment ago, I could not bring them home to any one girl whom I might thereby have set apart from the rest and so identified. And this want, in my vision, of the demarcations which I should presently establish between them sent flooding over the group a wave of harmony, the continuous transfusion of a beauty fluid, collective and mobile&#xA;&#xA;   It was not perhaps, in this life of ours, mere chance that had, in forming this group of friends, chosen them all of such beauty; perhaps these girls (whose attitude was enough to reveal their nature, bold, frivolous and hard), extremely sensitive to everything that was ludicrous or ugly, incapable of yielding to an intellectual or moral attraction, had naturally felt themselves, among companions of their own age, repelled by all those in whom a pensive or sensitive disposition was betrayed by shyness, awkwardness, constraint, by what, they would say,‘didn’t appeal’ to them, and from such had held aloof; while they attached themselves, on the other hand, to others to whom they were drawn by a certain blend of grace, suppleness, and physical neatness, the only form in which they were able to picture the frankness of a seductive character and the promise of pleasant hours in one another’s company. Perhaps, too, the class to which they belonged, a class which I should not have found it easy to define, was at that point in its evolution at which, whether thanks to its growing wealth and leisure, or thanks to new athletic habits, extended now even to certain plebeian elements, and a habit of physical culture to which had not yet been added the culture of the mind, a social atmosphere, comparable to that of smooth and prolific schools of sculpture, which have not yet gone in for tortured expressions, produces naturally and in abundance fine bodies with fine legs, fine hips, wholesome and reposeful faces, with an air of agility and guile. And were they not noble and calm models of human beauty that I beheld there, outlined against the sea, like statues exposed to the sunlight upon a Grecian shore?&#xA;&#xA;   Just as if, in the heart of their band, which progressed along the ‘front’ like a luminous comet, they had decided that the surrounding crowd was composed of creatures of another race whose sufferings even could not awaken in them any sense of fellowship, they appeared not to see them, forced those who had stopped to talk to step aside, as though from the path of a machine that had been set going by itself, so that it was no good waiting for it to get out of their way, their utmost sign of consciousness being when, if some old gentleman of whom they did not admit the existence and thrust from them the contact, had fled with a frightened or furious, but a headlong or ludicrous motion, they looked at one another and smiled. They had, for whatever did not form part of their group, no affectation of contempt; their genuine contempt was sufficient. But they could not set eyes on an obstacle without amusing themselves by crossing it, either in a running jump or with both feet together, because they were all filled to the brim, exuberant with that youth which we need so urgently to spend that even when we are unhappy or unwell, obedient rather to the necessities of our age than to the mood of the day, we can never pass anything that can be jumped over or slid down without indulging ourselves conscientiously, interrupting, interspersing our slow progress — as Chopin his most melancholy phrase — with graceful deviations in which caprice is blended with virtuosity. The wife of an elderly banker, after hesitating between various possible exposures for her husband, had settled him on a folding chair, facing the ‘front,’ sheltered from wind and sun by the band-stand. Having seen him comfortably installed there, she had gone to buy a newspaper which she would read aloud to him, to distract him — one of her little absences which she never prolonged for more than five minutes, which seemed long enough to him but which she repeated at frequent intervals so that this old husband on whom she lavished an attention that she took care to conceal, should have the impression that he was still quite alive and like other people and was in no need of protection. The platform of the band-stand provided, above his head, a natural and tempting springboard, across which, without a moment’s hesitation, the eldest of the little band began to run; she jumped over the terrified old man, whose yachting cap was brushed by the nimble feet, to the great delight of the other girls, especially of a pair of green eyes in a ‘dashing’ face, which expressed, for that bold act, an admiration and a merriment in which I seemed to discern a trace of timidity, a shamefaced and blustering timidity which did not exist in the others. “Oh, the poor old man; he makes me sick; he looks half dead;” said a girl with a croaking voice, but with more sarcasm than sympathy. They walked on a little way, then stopped for a moment in the middle of the road, with no thought whether they were impeding the passage of other people, and held a council, a solid body of irregular shape, compact, unusual and shrill, like birds that gather on the ground at the moment of flight; then they resumed their leisurely stroll along the ‘front,’ against a background of sea&#xA;&#xA;   By this time their charming features had ceased to be indistinct and impersonal. I had dealt them like cards into so many heaps to compose (failing their names, of which I was still ignorant) the big one who had jumped over the old banker; the little one who stood out against the horizon of sea with her plump and rosy cheeks, her green eyes; the one with the straight nose and dark complexion, in such contrast to all the rest; another, with a white face like an egg on which a tiny nose described an arc of a circle like a chicken’s beak; yet another, wearing a hooded cape (which gave her so poverty-stricken an appearance, and so contradicted the smartness of the figure beneath that the explanation which suggested itself was that this girl must have parents of high position who valued their self-esteem so far above the visitors to Balbec and the sartorial elegance of their own children that it was a matter of the utmost indifference to them that their daughter should stroll on the ‘front’ dressed in a way which humbler people would have considered too modest); a girl with brilliant, laughing eyes and plump, colourless cheeks, a black polo-cap pulled down over her face, who was pushing a bicycle with so exaggerated a movement of her hips, with an air borne out by her language, which was so typically of the gutter and was being shouted so loud, when I passed her (although among her expressions I caught that irritating ‘live my own life’) that, abandoning the hypothesis which her friend’s hooded cape had made me construct, I concluded instead that all these girls belonged to the population which frequents the racing-tracks, and must be the very juvenile mistresses of professional bicyclists. In any event, in none of my suppositions was there any possibility of their being virtuous. At first sight — in the way in which they looked at one another and smiled, in the insistent stare of the one with the dull cheeks — I had grasped that they were not. Besides, my grandmother had always watched over me with a delicacy too timorous for me not to believe that the sum total of the things one ought not to do was indivisible or that girls who were lacking in respect for their elders would suddenly be stopped short by scruples when there were pleasures at stake more tempting than that of jumping over an octogenarian&#xA;&#xA;   Though they were now separately identifiable, still the mutual response which they gave one another with eyes animated by self-sufficiency and the spirit of comradeship, in which were kindled at every moment now the interest now the insolent indifference with which each of them sparkled according as her glance fell on one of her friends or on passing strangers, that consciousness, moreover, of knowing one another intimately enough always to go about together, by making them a ‘band apart’ established between their independent and separate bodies, as slowly they advanced, a bond invisible but harmonious, like a single warm shadow, a single atmosphere making of them a whole as homogeneous in its parts as it was different from the crowd through which their procession gradually wound&#xA;&#xA;   For an instant, as I passed the dark one with the fat cheeks who was wheeling a bicycle, I caught her smiling, sidelong glance, aimed from the centre of that inhuman world which enclosed the life of this little tribe, an inaccessible, unknown world to which the idea of what I was could certainly never attain nor find a place in it. Wholly occupied with what her companions were saying, this young girl in her polo-cap, pulled down very low over her brow, had she seen me at the moment in which the dark ray emanating from her eyes had fallen on me? In the heart of what universe did she distinguish me? It would have been as hard for me to say as, when certain peculiarities are made visible, thanks to the telescope, in a neighbouring planet, it is difficult to arrive at the conclusion that human beings inhabit it, that they can see us, or to say what ideas the sight of us can have aroused in their minds&#xA;&#xA;   If we thought that the eyes of a girl like that were merely two glittering sequins of mica, we should not be athirst to know her and to unite her life to ours. But we feel that what shines in those reflecting discs is not due solely to their material composition; that it is, unknown to us, the dark shadows of the ideas that the creature is conceiving, relative to the people and places that she knows — the turf of racecourses, the sand of cycling tracks over which, pedalling on past fields and woods, she would have drawn me after her, that little peri, more seductive to me than she of the Persian paradise — the shadows, too, of the home to which she will presently return, of the plans that she is forming or that others have formed for her; and above all that it is she, with her desires, her sympathies, her revulsions, her obscure and incessant will. I knew that I should never possess this young cyclist if I did not possess also what there was in her eyes. And it was consequently her whole life that filled me with desire; a sorrowful desire because I felt that it was not to be realised, but exhilarating, because what had hitherto been my life, having ceased of a sudden to be my whole life, being no more now than a little part of the space stretching out before me, which I was burning to cover and which was composed of the lives of these girls, offered me that prolongation, that possible multiplication of oneself which is happiness. And no doubt the fact that we had, these girls and I, not one habit — as we had not one idea — in common, was to make it more difficult for me to make friends with them and to please them. But perhaps, also, it was thanks to those differences, to my consciousness that there did not enter into the composition of the nature and actions of these girls a single element that I knew or possessed, that there came in place of my satiety a thirst — like that with which a dry land burns — for a life which my soul, because it had never until now received one drop of it, would absorb all the more greedily in long draughts, with a more perfect imbibition&#xA;   I had looked so closely at the dark cyclist with the bright eyes that she seemed to notice my attention, and said to the biggest of the girls something that I could not hear. To be honest, this dark one was not the one that pleased me most, simply because she was dark and because (since the day on which, from the little path by Tansonville, I had seen Gilberte) a girl with reddish hair and a golden skin had remained for me the inaccessible ideal. But Gilberte herself, had I not loved her principally because she had appeared to me haloed with that aureole of being the friend of Bergotte, of going with him to look at old cathedrals? And in the same way could I not rejoice at having seen this dark girl look at me (which made me hope that it would be easier for me to get to know her first), for she would introduce me to the others, to the pitiless one who had jumped over the old man’s head, to the cruel one who had said “He makes me sick, poor old man!”— to all of them in turn, among whom, moreover, she had the distinction of being their inseparable companion? And yet the supposition that I might some day be the friend of one or other of these girls, that their eyes, whose incomprehensible gaze struck me now and again, playing upon me unawares, like the play of sunlight upon a wall, might ever, by a miraculous alchemy, allow to interpenetrate among their ineffable particles the idea of my existence, some affection for my person, that I myself might some day take my place among them in the evolution of their course by the sea’s edge — that supposition appeared to me to contain within it a contradiction as insoluble as if, standing before some classical frieze or a fresco representing a procession, I had believed it possible for me, the spectator, to take my place, beloved of them, among the godlike hierophants&#xA;&#xA;   The happiness of knowing these girls was, then, not to be realised. Certainly it would not have been the first of its kind that I had renounced. I had only to recall the numberless strangers whom, even at Balbec, the carriage bowling away from them at full speed had forced me for ever to abandon. And indeed the pleasure that was given me by the little band, as noble as if it had been composed of Hellenic virgins, came from some suggestion that there was in it of the flight of passing figures along a road. This fleetingness of persons who are not known to us, who force us to put out from the harbour of life, in which the women whose society we frequent have all, in course of time, laid bare their blemishes, urges us into that state of pursuit in which there is no longer anything to arrest the imagination. But to strip our pleasures of imagination is to reduce them to their own dimensions, that is to say to nothing. Offered me by one of those procuresses (whose good offices, all the same, the reader has seen that I by no means scorned), withdrawn from the element which gave them so many fine shades and such vagueness, these girls would have enchanted me less. We must have imagination, awakened by the uncertainty of being able to attain our object, to create a goal which hides our other goal from us, and by substituting for sensual pleasures the idea of penetrating into a life prevents us from recognising that pleasure, from tasting its true savour, from restricting it to its own range&#xA;&#xA;   There must be, between us and the fish which, if we saw it for the first time cooked and served on a table, would not appear worth the endless trouble, craft and stratagem that are necessary if we are to catch it, interposed, during our afternoons with the rod, the ripple to whose surface come wavering, without our quite knowing what we intend to do with them, the burnished gleam of flesh, the indefiniteness of a form, in the fluidity of a transparent and flowing azure&#xA;&#xA;   These girls benefited also by that alteration of social values characteristic of seaside life. All the advantages which, in our ordinary environment, extend and magnify our importance, we there find to have become invisible, in fact to be eliminated; while on the other hand the people whom we suppose, without reason, to enjoy similar advantages appear to us amplified to artificial dimensions. This made it easy for strange women generally, and to-day for these girls in particular, to acquire an enormous importance in my eyes, and impossible to make them aware of such importance as I might myself possess&#xA;&#xA;   But if there was this to be said for the excursion of the little band, that it was but an excerpt from the innumerable flight of passing women, which had always disturbed me, their flight was here reduced to a movement so slow as to approach immobility. Now, precisely because, in a phase so far from rapid, faces no longer swept past me in a whirlwind, but calm and distinct still appeared beautiful, I was prevented from thinking as I had so often thought when Mme. de Villeparisis’s carriage bore me away that, at closer quarters, if I had stopped for a moment, certain details, a pitted skin, drooping nostrils, a silly gape, a grimace of a smile, an ugly figure might have been substituted, in the face and body of the woman, for those that I had doubtless imagined; for there had sufficed a pretty outline, a glimpse of a fresh complexion, for me to add, in entire good faith, a fascinating shoulder, a delicious glance of which I carried in my mind for ever a memory or a preconceived idea, these rapid decipherings of a person whom we see in motion exposing us thus to the same errors as those too rapid readings in which, on a single syllable and without waiting to identify the rest, we base instead of the word that is in the text a wholly different word with which our memory supplies us. It could not be so with me now. I had looked well at them all; each of them I had seen, not from every angle and rarely in full face, but all the same in two or three aspects different enough to enable me to make either the correction or the verification, to take a ‘proof of the different possibilities of line and colour that are hazarded at first sight, and to see persist in them, through a series of expressions, something unalterably material. I could say to myself with conviction that neither in Paris nor at Balbec, in the most favourable hypotheses of what might have happened, even if I had been able to stop and talk to them, the passing women who had caught my eye, had there ever been one whose appearance, followed by her disappearance without my having managed to know her, had left me with more regret than would these, had given me the idea that her friendship might be a thing so intoxicating. Never, among actresses nor among peasants nor among girls from a convent school had I beheld anything so beautiful, impregnated with so much that was unknown, so inestimably precious, so apparently inaccessible. They were, of the unknown and potential happiness of life, an illustration so delicious and in so perfect a state that it was almost for intellectual reasons that I was desperate with the fear that I might not be able to make, in unique conditions which left no room for any possibility of error, proper trial of what is the most mysterious thing that is offered to us by the beauty which we desire and console ourselves for never possessing, by demanding pleasure — as Swann had always refused to do before Odette’s day — from women whom we have not desired, so that, indeed, we die without having ever known what that other pleasure was. No doubt it was possible that it was not in reality an unknown pleasure, that on a close inspection its mystery would dissipate and vanish, that it was no more than a projection, a mirage of desire. But in that case I could blame only the compulsion of a law of nature — which if it applied to these girls would apply to all — and not the imperfection of the object. For it was that which I should have chosen above all others, feeling quite certain, with a botanist’s satisfaction, that it was not possible to find collected anywhere rarer specimens than these young flowers who were interrupting at this moment before my eyes the line of the sea with their slender hedge, like a bower of Pennsylvania roses adorning a garden on the brink of a cliff, between which is contained the whole tract of ocean crossed by some steamer, so slow in gliding along the blue and horizontal line that stretches from one stem to the next that an idle butterfly, dawdling in the cup of a flower which the moving hull has long since passed, can, if it is to fly and be sure of arriving before the vessel, wait until nothing but the tiniest slice of blue still separates the questing prow from the first petal of the flower towards which it is steering&#xA;&#xA;   I went indoors because I was to dine at Rivebelle with Robert, and my grandmother insisted that on those evenings, before going out, I must lie down for an hour on my bed, a rest which the Balbec doctor presently ordered me to extend to the other evenings also&#xA;&#xA;   However, there was no need, when one went indoors, to leave the ‘front’ and to enter the hotel by the hall, that is to say from behind. By virtue of an alteration of the clock which reminded me of those Saturdays when, at Combray, we used to have luncheon an hour earlier, now with summer at the full the days had become so long that the sun was still high in the heavens, as though it were only tea-time, when the tables were being laid for dinner in the Grand Hotel. And so the great sliding windows were kept open from the ground. I had but to step across a low wooden sill to find myself in the dining-room, through which I walked and straight across to the lift&#xA;&#xA;   As I passed the office I addressed a smile to the manager, and with no shudder of disgust gathered one for myself from his face which, since I had been at Balbec, my comprehensive study of it was injecting and transforming, little by little, like a natural history preparation. His features had become familiar to me, charged with a meaning that was of no importance but still intelligible, like a script which one can read, and had ceased in any way to resemble these queer, intolerable characters which his face had presented to me on that first day, when I had seen before me a personage now forgotten, or, if I succeeded in recalling him, unrecognisable, difficult to identify with this insignificant and polite personality of which the other was but a caricature, a hideous and rapid sketch. Without either the shyness or the sadness of the evening of my arrival I rang for the attendant, who no longer stood in silence while I rose by his side in the lift as in a mobile thoracic cage propelled upwards along its ascending pillar, but repeated:&#xA;&#xA;    “There aren’t the people now there were a month back. They’re beginning to go now; the days are drawing in.” He said this not because there was any truth in it but because, having an engagement, presently, for a warmer part of the coast, he would have liked us all to leave, so that the hotel could be shut up and he have a few days to himself before ‘rejoining’ in his new place. ‘Rejoin’ and ‘new’ were not, by the way, incompatible terms, since, for the lift-boy,‘rejoin’ was the usual form of the verb ‘to join.’ The only thing that surprised me was that he condescended to say ‘place,’ for he belonged to that modern proletariat which seeks to efface from our language every trace of the rule of domesticity. A moment later, however, he informed me that in the ‘situation’ which he was about to ‘rejoin,’ he would have a smarter ‘tunic’ and a better ‘salary,’ the words ‘livery’ and ‘wages’ sounding to him obsolete and unseemly. And as, by an absurd contradiction, the vocabulary has, through thick and thin, among us ‘masters,’ survived the conception of inequality, I was always failing to understand what the lift-boy said. For instance, the only thing that interested me was to know whether my grandmother was in the hotel. Now, forestalling my questions, the lift-boy would say to me: “That lady has just gone out from your rooms.” I was invariably taken in; I supposed that he meant my grandmother. “No, that lady; I think she’s an employee of yours.” As in the old speech of the middle classes, which ought really to be done away with, a cook is not called an employee, I thought for a moment: “But he must be mistaken. We don’t own a factory; we haven’t any employees.” Suddenly I remembered that the title of ‘employee’ is, like the wearing of a moustache among waiters, a sop to their self-esteem given to servants, and realised that this lady who had just gone out must be Françoise (probably on a visit to the coffee-maker, or to watch the Belgian lady’s little maid at her sewing), though even this sop did not satisfy the lift-boy, for he would say quite naturally, speaking pityingly of his own class, ‘with the working man’ or ‘the small person,’ using the same singular form as Racine when he speaks of ‘the poor.’ But as a rule, for my zeal and timidity of the first evening were now things of the past, I no longer spoke to the lift-boy. It was he now who stood there and received no answer during the short journey on which he threaded his way through the hotel, hollowed out inside like a toy, which extended round about us, floor by floor, the ramifications of its corridors in the depths of which the light grew velvety, lost its tone, diminished the communicating doors, the steps of the service stairs which it transformed into that amber haze, unsubstantial and mysterious as a twilight, in which Rembrandt picks out here and there a window-sill or a well-head. And on each landing a golden light reflected from the carpet indicated the setting sun and the lavatory window&#xA;&#xA;   I asked myself whether the girls I had just seen lived at Balbec, and who they could be. When our desire is thus concentrated upon a little tribe of humanity which it singles out from the rest, everything that can be associated with that tribe becomes a spring of emotion and then of reflexion. I had heard a lady say on the ‘front’: “She is a friend of the little Simonet girl” with that self-important air of inside knowledge, as who should say: “He is the inseparable companion of young La Rochefoucauld.” And immediately she had detected on the face of the person to whom she gave this information a curiosity to see more of the favoured person who was ‘a friend of the little Simonet.’ A privilege, obviously, that did not appear to be granted to all the world. For aristocracy is a relative state. And there are plenty of inexpensive little holes and corners where the son of an upholsterer is the arbiter of fashion and reigns over a court like any young Prince of Wales. I have often since then sought to recall how it first sounded for me there on the beach, that name of Simonet, still quite indefinite as to its form, which I had failed to distinguish, and also as to its significance, to the designation by it of such and such a person, or perhaps of some one else; imprinted, in fact, with that vagueness, that novelty which we find so moving in the sequel, when the name whose letters are every moment engraved more deeply on our hearts by our incessant thought of them has become (though this was not to happen to me with the name of the ‘little Simonet’ until several years had passed) the first coherent sound that comes to our lips, whether on waking from sleep or on recovering from a swoon, even before the idea of what o’clock it is or of where we are, almost before the word ‘I,’ as though the person whom it names were more ‘we’ even than we ourselves, and as though after a brief spell of unconsciousness the phase that is the first of all to dissolve is that in which we were not thinking of her. I do not know why I said to myself from the first that the name Simonet must be that of one of the band of girls; from that moment I never ceased to ask myself how I could get to know the Simonet family, get to know them, moreover, through people whom they considered superior to themselves (which ought not to be difficult if the girls were only common little ‘bounders’) so that they might not form a disdainful idea of me. For one cannot have a perfect knowledge, one cannot effect the complete absorption of a person who disdains one, so long as one has not overcome her disdain. And since, whenever the idea of women who are so different from us penetrates our senses, unless we are able to forget it or the competition of other ideas eliminates it, we know no rest until we have converted those aliens into something that is compatible with ourself, our heart being in this respect endowed with the same kind of reaction and activity as our physical organism, which cannot abide the infusion of any foreign body into its veins without at once striving to digest and assimilate it: the little Simonet must be the prettiest of them all — she who, I felt moreover, might yet become my mistress, for she was the only one who, two or three times half-turning her head, had appeared to take cognisance of my fixed stare. I asked the lift-boy whether he knew of any people at Balbec called Simonet. Not liking to admit that there was anything which he did not know, he replied that he seemed to have heard the name somewhere. As we reached the highest landing I told him to have the latest lists of visitors sent up to me&#xA;&#xA;   I stepped out of the lift, but instead of going to my room I made my way farther along the corridor, for before my arrival the valet in charge of the landing, despite his horror of draughts, had opened the window at the end, which instead of looking out to the sea faced the hill and valley inland, but never allowed them to be seen, for its panes, which were made of clouded glass, were generally closed. I made a short ‘station’ in front of it, time enough just to pay my devotions to the view which for once it revealed over the hill against which the back of the hotel rested, a view that contained but a solitary house, planted in the middle distance, though the perspective and the evening light in which I saw it, while preserving its mass, gave it a sculptural beauty and a velvet background, as though to one of those architectural works in miniature, tiny temples or chapels wrought in gold and enamels, which serve as reliquaries and are exposed only on rare and solemn days for the veneration of the faithful. But this moment of adoration had already lasted too long, for the valet, who carried in one hand a bunch of keys and with the other saluted me by touching his verger’s skull-cap, though without raising it, on account of the pure, cool evening air, came and drew together, like those of a shrine, the two sides of the window, and so shut off the minute edifice, the glistening relic from my adoring gaze. I went into my room. Regularly, as the season advanced, the picture that I found there in my window changed. At first it was broad daylight, and dark only if the weather was bad: and then, in the greenish glass which it distended with the curve of its round waves, the sea, set among the iron uprights of my window like a piece of stained glass in its leads, ravelled out over all the deep rocky border of the bay little plumed triangles of an unmoving spray delineated with the delicacy of a feather or a downy breast from Pisanello’s pencil, and fixed in that white, unalterable, creamy enamel which is used to depict fallen snow in Gallé‘s glass&#xA;&#xA;   Presently the days grew shorter and at the moment when I entered my room the violet sky seemed branded with the stiff, geometrical, travelling, effulgent figure of the sun (like the representation of some miraculous sign, of some mystical apparition) leaning over the sea from the hinge of the horizon as a sacred picture leans over a high altar, while the different parts of the western sky exposed in the glass fronts of the low mahogany bookcases that ran along the walls, which I carried back in my mind to the marvellous painting from which they had been detached, seemed like those different scenes which some old master executed long ago for a. confraternity upon a shrine, whose separate panels are now exhibited side by side upon the wall of a museum gallery, so that the visitor’s imagination alone can restore them to their place on the predella of the reredos. A few weeks later, when I went upstairs, the sun had already set. Like the one that I used to see at Combray, behind the Calvary, when I was coming home from a walk and looking forward to going down to the kitchen before dinner, a band of red sky over the sea, compact and clear-cut as a layer of aspic over meat, then, a little later, over a sea already cold and blue like a grey mullet, a sky of the same pink as the salmon that we should presently be ordering at Rivebelle reawakened the pleasure which I was to derive from the act of dressing to go out to dinner. Over the sea, quite near the shore, were trying to rise, one beyond another, at wider and wider intervals, vapours of a pitchy blackness but also of the polish and consistency of agate, of a visible weight, so much so that the highest among them, poised at the end of their contorted stem and overreaching the centre of gravity of the pile that had hitherto supported them, seemed on the point of bringing down in ruin this lofty structure already half the height of the sky, and of precipitating it into the sea. The sight of a ship that was moving away like a nocturnal traveller gave me the same impression that I had had in the train of being set free from the necessity of sleep and from confinement in a bedroom. Not that I felt myself a prisoner in the room in which I now was, since in another hour I should have left it and be getting into the carriage. I threw myself down on the bed; and, just as if I had been lying in a berth on board one of those steamers which I could see quite near to me and which, when night came, it would be strange to see stealing slowly out into the darkness, like shadowy and silent but unsleeping swans, I was on all sides surrounded by pictures of the sea&#xA;&#xA;   But as often as not they were, indeed, only pictures; I forgot that below their coloured expanse was hollowed the sad desolation of the beach, travelled by the restless evening breeze whose breath I had so anxiously felt on my arrival at Balbec; besides, even in my room, being wholly taken up with thoughts of the girls whom I had seen go past, I was no longer in a state of mind calm or disinterested enough to allow the formation of any really deep impression of beauty. The anticipation of dinner at Rivebelle made my mood more frivolous still, and my mind, dwelling at such moments upon the surface of the body which I was going to dress up so as to try to appear as pleasing as possible in the feminine eyes which would be scrutinising me in the brilliantly lighted restaurant, was incapable of putting any depth behind the colour of things. And if, beneath my window, the unwearying, gentle flight of sea-martins and swallows had not arisen like a playing fountain, like living fireworks, joining the intervals between their soaring rockets with the motionless white streaming lines of long horizontal wakes of foam, without the charming miracle of this natural and local phenomenon, which brought into touch with reality the scenes that I had before my eyes, I might easily have believed that they were no more than a selection, made afresh every day, of paintings which were shewn quite arbitrarily in the place in which I happened to be and without having any necessary connexion with that place. At one time it was an exhibition of Japanese colour-prints: beside the neat disc of sun, red and round as the moon, a yellow cloud seemed a lake against which black swords were outlined like the trees upon its shore; a bar of a tender pink which I had never seen again after my first paint-box swelled out into a river on either bank of which boats seemed to be waiting high and dry for some one to push them down and set them afloat. And with the contemptuous, bored, frivolous glance of an amateur or a woman hurrying through a picture gallery between two social engagements, I would say to myself: “Curious sunset, this; it’s different from what they usually are but after all I’ve seen them just as fine, just as remarkable as this.” I had more pleasure on evenings when a ship, absorbed and liquefied by the horizon so much the same in colour as herself (an Impressionist exhibition this time) that it seemed to be also of the same matter, appeared as if some one had simply cut out with a pair of scissors her bows and the rigging in which she tapered into a slender filigree from the vaporous blue of the sky. Sometimes the ocean filled almost the whole of my window, when it was enlarged and prolonged by a band of sky edged at the top only by a line that was of the same blue as the sea, so that I supposed it all to be still sea, and the change in colour due only to some effect of light and shade. Another day the sea was painted only in the lower part of the window, all the rest of which was so filled with innumerable clouds, packed one against another in horizontal bands, that its panes seemed to be intended, for some special purpose or to illustrate a special talent of the artist, to present a ‘Cloud Study,’ while the fronts of the various bookcases shewing similar clouds but in another part of the horizon and differently coloured by the light, appeared to be offering as it were the repetition — of which certain of our contemporaries are so fond — of one and the same effect always observed at different hours but able now in the immobility of art to be seen all together in a single room, drawn in pastel and mounted under glass. And sometimes to a sky and sea uniformly grey a rosy touch would be added with an exquisite delicacy, while a little butterfly that had gone to sleep at the foot of the window seemed to be attaching with its wings at the corner of this ‘Harmony in Grey and Pink’ in the Whistler manner the favourite signature of the Chelsea master. The pink vanished; there was nothing now left to look at. I rose for a moment and before lying down again drew dose the inner curtains. Above them I could see from my bed the ray of light that still remained, growing steadily fainter and thinner, but it was without any feeling of sadness, without any regret for its passing that I thus allowed to die above the curtains the hour at which, as a rule, I was seated at table, for I knew that this day was of another kind than ordinary days, longer, like those arctic days which night interrupts for a few minutes only; I knew that from the chrysalis of the dusk was preparing to emerge, by a radiant metamorphosis, the dazzling light of the Rivebelle restaurant. I said to myself: “It is time”; I stretched myself on the bed, and rose, and finished dressing; and I found a charm in these idle moments, lightened of every material burden, in which while down below the others were dining I was employing the forces accumulated during the inactivity of this last hour of the day only in drying my washed body, in putting on a dinner jacket, in tying my tie, in making all those gestures which were already dictated by the anticipated pleasure of seeing again some woman whom I had noticed, last time, at Rivebelle, who had seemed to be watching me, had perhaps left the table for a moment only in the hope that I would follow her; it was with joy that I enriched myself with all these attractions so as to give myself, whole, alert, willing, to a new life, free, without cares, in which I would lean my hesitations upon the calm strength of Saint-Loup, and would choose from among the different species of animated nature and the produce of every land those which, composing the unfamiliar dishes that my companion would at once order, might have tempted my appetite or my imagination. And then at the end of the season came the days when I could no longer pass indoors from the ‘front’ through the dining-room; its windows stood open no more, for it was night now outside and the swarm of poor folk and curious idlers, attracted by the blaze of light which they might not reach, hung in black clusters chilled by the north wind to the luminous sliding walls of that buzzing hive of glass&#xA;   There was a knock at my door; it was Aimé who had come upstairs in person with the latest lists of visitors&#xA;&#xA;   Aimé could not go away without telling me that Dreyfus was guilty a thousand times over. “It will all come out,” he assured me, “not this year, but next. It was a gentleman who’s very thick with the General Staff, told me. I asked him if they wouldn’t decide to bring it all to light at once, before the year is out. He laid down his cigarette,” Aimé went on, acting the scene for my benefit, and, shaking his head and his forefinger as his informant had done, as much as to say: “We mustn’t expect too much!”—”‘Not this year, Aimé,’ those were his very words, putting his hand on my shoulder, ‘It isn’t possible. But next Easter, yes!’” And Aimé tapped me gently on my shoulder, saying, “You see, I’m letting you have it exactly as he told me,” whether because he was flattered at this act of familiarity by a distinguished person or so that I might better appreciate, with a full knowledge of the facts, the worth of the arguments and our grounds for hope&#xA;&#xA;   It was not without a slight throb of the heart that on the first page of the list I caught sight of the words ‘Simonet and family.’ I had in me a store of old dream-memories which dated from my childhood, and in which all the tenderness (tenderness that existed in my heart, but, when my heart felt it, was not distinguishable from anything else) was wafted to me by a person as different as possible from myself. This person, once again I fashioned her, utilising for the purpose the name Simonet and the memory of the harmony that had reigned between the young bodies which I had seen displaying themselves on the beach, in a sportive procession worthy of Greek art or of Giotto. I knew not which of these girls was Mlle. Simonet, if indeed any of them were so named, but I did know that I was loved by Mlle. Simonet and that I was going, with Saint-Loup’s help, to attempt to know her. Unfortunately, having on that condition only obtained an extension of his leave, he was obliged to report for duty every day at Doncières: but to make him forsake his military duty I had felt that I might count, more even than on his friendship for myself, on that same curiosity, as a human naturalist, which I myself had so often felt — even without having seen the person mentioned, and simply on hearing some one say that there was a pretty cashier at a fruiterer’s — to acquaint myself with a new variety of feminine beauty. But that curiosity I had been wrong in hoping to excite in Saint-Loup by speaking to him of my band of girls. For it had been and would long remain paralysed in him by his love for that actress whose lover he was. And even if he had felt it lightly stirring him he would have repressed it, from an almost superstitious belief that on his own fidelity might depend that of his mistress. And so it was without any promise from him that he would take an active interest in my girls that we started out to dine at Rivebelle&#xA;&#xA;   At first, when we arrived there, the sun used just to have set, but it was light still; in the garden outside the restaurant, where the lamps had not yet been lighted, the heat of the day fell and settled, as though in a vase along the sides of which the transparent, dusky jelly of the air seemed of such consistency that a tall rose-tree fastened against the dim wall which it streaked with pink veins, looked like the arborescence that one sees at the heart of an onyx. Presently night had always fallen when we left the carriage, often indeed before we started from Balbec if the evening was wet and we had put off sending for the carriage in the hope of the weather’s improving. But on those days it was without any sadness that I listened to the wind howling, I knew that it did not mean the abandonment of my plans, imprisonment in my bedroom; I knew that in the great dining-room of the restaurant, which we would enter to the sound of the music of the gypsy band, the innumerable lamps would triumph easily over darkness and chill, by applying to them their broad cauteries of molten gold, and I jumped light-heartedly after Saint-Loup into the closed carriage which stood waiting for us in the rain. For some time past the words of Bergotte, when he pronounced himself positive that, in spite of all I might say, I had been created to enjoy, pre-eminently, the pleasures of the mind, had restored to me, with regard to what I might succeed in achieving later on, a hope that was disappointed afresh every day by the boredom that I felt on setting myself down before a writing-table to start work on a critical essay or a novel. “After all,” I said to myself, “possibly the pleasure that its author has found in writing it is not the infallible test of the literary value of a page; it may be only an accessory, one that is often to be found superadded to that value, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written yawning.” My grandmother set my doubts at rest by telling me that I should be able to work and should enjoy working as soon as my health improved. And, our doctor having thought it only prudent to warn me of the grave risks to which my state of health might expose me, and having outlined all the hygienic precaution that I ought to take to avoid any accident — I subordinated all my pleasures to an object which I judged to be infinitely more important than them, that of becoming strong enough to be able to bring into being the work which I had, possibly, within me; I had been exercising over myself, ever since I had come to Balbec, a scrupulous and constant control. Nothing would have induced me, there, to touch the cup of coffee which would have robbed me of the night’s sleep that was necessary if I was not to be tired next day. But as soon as we reached Rivebelle, immediately, what with the excitement of a new pleasure, and finding myself in that different zone into which the exception to our rule of life takes us after it has cut the thread, patiently spun throughout so many days, that was guiding us towards wisdom — as though there were never to be any such thing as to-morrow, nor any lofty aims to be realised, vanished all that exact machinery of prudent hygienic measures which had been working to safeguard them. A waiter was offering to take my coat, whereupon Saint-Loup asked: “You’re sure you won’t be cold? Perhaps you’d better keep it: it’s not very warm in here.”&#xA;&#xA;    “No, no,” I assured him; and perhaps I did not feel the cold; but however that might be, I no longer knew the fear of falling ill, the necessity of not dying, the importance of work. I gave up my coat; we entered the dining-room to the sound of some warlike march played by the gipsies, we advanced between two rows of tables laid for dinner as along an easy path of glory, and, feeling a happy glow imparted to our bodies by the rhythms of the orchestra which rendered us its military honours, gave us this unmerited triumph, we concealed it beneath a grave and frozen mien, beneath a languid, casual gait, so as not to be like those music-hall ‘mashers’ who, having wedded a ribald verse to a patriotic air, come running on to the stage with the martial countenance of a victorious general&#xA;&#xA;   From that moment I was a new man, who was no longer my grandmother’s grandson and would remember her only when it was time to get up and go, but the brother, for the time being, of the waiters who were going to bring us our dinner&#xA;&#xA;   The dose of beer — all the more, that of champagne — which at Balbec I should not have ventured to take in a week, albeit to my calm and lucid consciousness the flavour of those beverages represented a pleasure clearly appreciable, since it was also one that could easily be sacrificed, I now imbibed at a sitting, adding to it a few drops of port wine, too much distracted to be able to taste it, and I gave the violinist who had just been playing the two louis which I had been saving up for the last month with a view to buying something, I could not remember what. Several of the waiters, set going among the tables, were flying along at full speed, each carrying on his outstretched palms a dish which it seemed to be the object of this kind of race not to let fall. And in fact the chocolate soufflés arrived at their destination unspilled, the potatoes à l’anglaise, in spite of the pace which ought to have sent them flying, came arranged as at the start round the Pauilhac lamb. I noticed one of these servants, very tall, plumed with superb black locks, his face dyed in a tint that suggested rather certain species of rare birds than a human being, who, running without pause (and, one would have said, without purpose) from one end of the room to the other, made me think of one of those macaws which fill the big aviaries in zoological gardens with their gorgeous colouring and incomprehensible agitation. Presently the spectacle assumed an order, in my eyes at least, growing at once more noble and more calm. All this dizzy activity became fixed in a quiet harmony. I looked at the round tables whose innumerable assemblage filled the restaurant like so many planets as planets are represented in old allegorical pictures. Moreover, there seemed to be some irresistibly attractive force at work among these divers stars, and at each table the diners had eyes only for the tables at which they were not sitting, except perhaps some wealthy amphitryon who, having managed to secure a famous author, was endeavouring to extract from him, thanks to the magic properties of the turning table, a few unimportant remarks at which the ladies marvelled. The harmony of these astral tables did not prevent the incessant revolution of the countless servants who, because instead of being seated like the diners they were on their feet, performed their evolutions in a more exalted sphere. No doubt they were running, one to fetch the hors d’oeuvres, another to change the wine or with clean glasses. But despite these special reasons, their perpetual course among the round tables yielded, after a time, to the observer the law of its dizzy but ordered circulation. Seated behind a bank of flowers, two horrible cashiers, busy with endless calculations, seemed two witches occupied in forecasting by astrological signs the disasters that might from time to time occur in this celestial vault fashioned according to the scientific conceptions of the middle ages&#xA;&#xA;   And I rather pitied all the diners because I felt that for them the round tables were not planets and that they had not cut through the scheme of things one of those sections which deliver us from the bondage of appearances and enable us to perceive analogies. They thought that they were dining with this or that person, that the dinner would cost roughly so much, and that to-morrow they would begin all over again. And they appeared absolutely unmoved by the progress through their midst of a train of young assistants who, having probably at that moment no urgent duty, advanced processionally bearing rolls of bread in baskets. Some of them, the youngest, stunned by the cuffs which the head waiters administered to them as they passed, fixed melancholy eyes upon a distant dream and were consoled only if some visitor from the Balbec hotel in which they had once been employed, recognising them, said a few words to them, telling them in person to take away the champagne which was not fit to drink, an order that filled them with pride&#xA;&#xA;   I could hear the twinging of my nerves, in which there was a sense of comfort independent of the external objects that might have produced it, a comfort which the least shifting of my body or of my attention was enough to make me feel, just as to a shut eye a slight pressure gives the sensation of colour. I had already drunk a good deal of port wine, and if I now asked for more it was not so much with a view to the comfort which the additional glasses would bring me as an effect of the comfort produced by the glasses that had gone before. I allowed the music itself to guide to each of its notes my pleasure which, meekly following, rested on each in turn. If, like one of those chemical industries by means of which are prepared in large quantities bodies which in a state of nature come together only by accident and very rarely, this restaurant at Rivebelle united at one and the same moment more women to tempt me with beckoning vistas of happiness than the hazard of walks and drives would have made me encounter in a year; on the other hand, this music that greeted our ears — arrangements of waltzes, of German operettas, of music-hall songs, all of them quite new to me — was itself like an ethereal resort of pleasure superimposed upon the other and more intoxicating still. For these tunes, each as individual as a woman, were not keeping, as she would have kept, for some privileged person, the voluptuous secret which they contained: they offered me their secrets, ogled me, came up to me with affected or vulgar movements, accosted me, caressed me as if I had suddenly become more seductive, more powerful and more rich; I indeed found in these tunes an element of cruelty; because any such thing as a disinterested feeling for beauty, a gleam of intelligence was unknown to them; for them physical pleasures alone existed. And they are the most merciless of hells, the most gateless and imprisoning for the jealous wretch to whom they present that pleasure — that pleasure which the woman he loves is enjoying with another — as the only thing that exists in the world for her who is all the world to him. But while I was humming softly to myself the notes of this tune, and returning its kiss, the pleasure peculiar to itself which it made me feel became so dear to me that I would have left my father and mother, to follow it through the singular world which it constructed in the invisible, in lines instinct with alternate languor and vivacity. Although such a pleasure as this is not calculated to enhance the value of the person to whom it comes, for it is perceived by him alone, and although whenever, in the course of our life, we have failed to attract a woman who has caught sight of us, she could not tell whether at that moment we possessed this inward and subjective felicity which, consequently, could in no way have altered the judgment that she passed on us, I felt myself more powerful, almost irresistible. It seemed to me that my love was no longer something unattractive, at which people might smile, but had precisely the touching beauty, the seductiveness of this music, itself comparable to a friendly atmosphere in which she whom I loved and I were to meet, suddenly grown intimate&#xA;&#xA;   This restaurant was the resort not only of light women; it was frequented also by people in the very best society, who came there for afternoon tea or gave big dinner-parties. The tea-parties were held in a long gallery, glazed and narrow, shaped like a funnel, which led from the entrance hall to the dining-room and was bounded on one side by the garden, from which it was separated (save for a few stone pillars) only by its wall of glass, in which panes would be opened here and there. The result of which, apart from ubiquitous draughts, was sudden and intermittent bursts of sunshine, a dazzling light that made it almost impossible to see the tea-drinkers, so that when they were installed there, at tables crowded pair after pair the whole way along the narrow gully, as they were shot with colours at every movement they made in drinking their tea or in greeting one another, you would have called it a reservoir, a stewpond in which the fisherman has collected all his glittering catch, and the fish, half out of water and bathed in sunlight, dazzle the eye as they mirror an ever-changing iridescence&#xA;&#xA;   A few hours later, during dinner, which, naturally, was served in the dining-room, the lights would be turned on, although it was still quite light out of doors, so that one saw before one’s eyes, in the garden, among summer-houses glimmering in the twilight, like pale spectres of evening, alleys whose greyish verdure was pierced by the last rays of the setting sun and, from the lamp-lit room in which we were dining, appeared through the glass — no longer, as one would have said of the ladies who had been drinking tea there in the afternoon, along the blue and gold corridor, caught in a glittering and dripping net — but like the vegetation of a pale and green aquarium of gigantic size seen by a supernatural light. People began to rise from table; and if each party while their dinner lasted, albeit they spent the whole time examining, recognising, naming the party at the next table, had been held in perfect cohesion about their own, the attractive force that had kept them gravitating round their host of the evening lost its power at the moment when, for coffee, they repaired to the same corridor that had been used for the tea-parties; it often happened that in its passage from place to place some party on the march dropped one or more of its human corpuscles who, having come under the irresistible attraction of the rival party, detached themselves for a moment from their own, in which their places were taken by ladies or gentlemen who had come across to speak to friends before hurrying off with an “I really must fly: I’m dining with M. So-and-So.” And for the moment you would have been reminded, looking at them, of two separate nosegays that had exchanged a few of their flowers. Then the corridor too began to empty. Often, since even after dinner there was still a little light left outside, they left this long corridor unlighted, and, skirted by the trees that overhung it on the other side of the glass, it suggested a pleached alley in a wooded and shady garden. Here and there, in the gloom, a fair diner lingered. As I passed through this corridor one evening on my way out I saw, sitting among a group of strangers, the beautiful Princesse de Luxembourg. I raised my hat without stopping. She remembered me, and bowed her head with a smile; in the air, far above her bowed head, but emanating from the movement, rose melodiously a few words addressed to myself, which must have been a somewhat amplified good-evening, intended not to stop me but simply to complete the gesture, to make it a spoken greeting. But her words remained so indistinct and the sound which was all that I caught was prolonged so sweetly and seemed to me so musical that it seemed as if among the dim branches of the trees a nightingale had begun to sing. If it so happened that, to finish the evening with a party of his friends whom we had met, Saint-Loup decided to go on to the Casino of a neighbouring village, and, taking them with him, put me in a carriage by myself, I would urge the driver to go as fast as he possibly could, so that the minutes might pass less slowly which I must spend without having anyone at hand to dispense me from the obligation myself to provide my sensibility — reversing the engine, so to speak, and emerging from the passivity in which I was caught and held as in the teeth of a machine — with those modifications which, since my arrival at Rivebelle, I had been receiving from other people. The risk of collision with a carriage coming the other way along those lanes where there was barely room for one and it was dark as pitch, the insecurity of the soil, crumbling in many places, at the cliff’s edge, the proximity of its vertical drop to the sea, none of these things exerted on me the slight stimulus that would have been required to bring the vision and the fear of danger within the scope of my reasoning. For just as it is not the desire to become famous but the habit of being laborious that enables us to produce a finished work, so it is not the activity of the present moment but wise reflexions from the past that help us to safeguard the future. But if already, before this point, on my arrival at Rivebelle, I had flung irretrievably away from me those crutches of reason and self-control which help our infirmity to follow the right road, if I now found myself the victim of a sort of moral ataxy, the alcohol that I had drunk, by unduly straining my nerves, gave to the minutes as they came a quality, a charm which did not have the result of leaving me more ready, or indeed more resolute to inhibit them, prevent their coming; for while it made me prefer them a thousand times to anything else in my life, my exaltation made me isolate them from everything else; I was confined to the present, as heroes are or drunkards; eclipsed for the moment, my past no longer projected before me that shadow of itself which we call our future; placing the goal of my life no longer in the realisation of the dreams of that past, but in the felicity of the present moment, I could see nothing now of what lay beyond it. So that, by a contradiction which, however, was only apparent, it was at the very moment in which I was tasting an unfamiliar pleasure, feeling that my life might yet be happy, in which it should have become more precious in my sight; it was at this very moment that, delivered from the anxieties which my life had hitherto contrived to suggest to me, I unhesitatingly abandoned it to the chance of an accident. After all, I was doing no more than concentrate in a single evening the carelessness that, for most men, is diluted throughout their whole existence, in which every day they face, unnecessarily, the dangers of a sea-voyage, of a trip in an aeroplane or motor-car, when there is waiting for them at home the creature whose life their death would shatter, or when there is still stored in the fragile receptacle of their brain that book the approaching publication of which is their one object, now, in life. And so too in the Rivebelle restaurant, on evenings when we just stayed there after dinner, if anyone had come in with the intention of killing me, as I no longer saw, save in a distant prospect too remote to have any reality, my grandmother, my life to come, the books that I was going to write, as I clung now, body and mind, wholly to the scent of the lady at the next table, the politeness of the waiters, the outline of the waltz that the band was playing, as I was glued to my immediate sensation, with no extension beyond its limits, nor any object other than not to be separated from it, I should have died in and with that sensation, I should have let myself be strangled without offering any resistance, without a movement, a bee drugged with tobacco smoke that had ceased to take any thought for preserving the accumulation of its labours and the hopes of its hive&#xA;&#xA;   I ought here to add that this insignificance into which the most serious matters subsided, by contrast with the violence of my exaltation, came in the end to include Mlle. Simonet and her friends. The enterprise of knowing them seemed to me easy now but hardly worth the trouble, for my immediate sensation alone, thanks to its extraordinary intensity, to the joy that its slightest modifications, its mere continuity provoked, had any importance for me; all the rest — parents, work, pleasures, girls at Balbec weighed with me no more than does a flake of foam in a strong wind that will not let it find a resting place, existed no longer save in relation to this internal power: intoxication makes real for an hour or two a subjective idealism, pure phenomenism; nothing is left now but appearances, nothing exists save as a function of our sublime self. This is not to say that a genuine love, if we have one, cannot survive in such conditions. But we feel so unmistakably, as though in a new atmosphere, that unknown pressures have altered the dimensions of that sentiment that we can no longer consider it in the old way. It is indeed still there and we shall find it, but in a different place, no longer weighing upon us, satisfied by the sensation which the present affords it, a sensation that is sufficient for us, since for what is not actually present we take no thought. Unfortunately the coefficient which thus alters our values alters them only in the hour of intoxication. The people who had lost all their importance, whom we scattered with our breath like soap-bubbles, will to-morrow resume their density; we shall have to try afresh to settle down to work which this evening had ceased to have any significance. A more serious matter still, these mathematics of the morrow, the same as those of yesterday, in whose problems we shall find ourselves inexorably involved, it is they that govern us even in these hours, and we alone are unconscious of their rule. If there should happen to be, near us, a woman, virtuous or inimical, that question so difficult an hour ago — to know whether we should succeed in finding favour with her — seems to us now a million times easier of solution without having become easier in any respect, for it is only in our own sight, in our own inward sight, that we have altered. And she is as much annoyed with us at this moment as we shall be next day at the thought of our having given a hundred francs to the messenger, and for the same reason which in our case has merely been delayed in its operation, namely the absence of intoxication&#xA;&#xA;   I knew none of the women who were at Rivebelle and, because they formed a part of my intoxication just as its reflexions form part of a mirror, appeared to me now a thousand times more to be desired than the less and less existent Mlle. Simonet. One of them, young, fair, by herself, with a sad expression on a face framed in a straw hat trimmed with field-flowers, gazed at me for a moment with a dreamy air and struck me as being attractive. Then it was the turn of another, and of a third; finally of a dark one with glowing cheeks. Almost all of them were known, if not to myself, to Saint-Loup&#xA;   He had, in fact, before he made the acquaintance of his present mistress, lived so much in the restricted world of amorous adventure that all the women who would be dining on these evenings at Rivebelle, where many of them had appeared quite by chance, having come to the coast some to join their lovers, others in the hope of finding fresh lovers there, there was scarcely one that he did not know from having spent — or if not he, one or other of his friends — at least one night in their company. He did not bow to them if they were with men, and they, albeit they looked more at him than at anyone else, for the indifference which he was known to feel towards every woman who was not his mistress gave him in their eyes an exceptional interest, appeared not to know him. But you could hear them whispering: “That’s young Saint-Loup. It seems he’s still quite gone on that girl of his. Got it bad, he has. What a dear boy! I think he’s just wonderful; and what style! Some girls do have all the luck, don’t they? And he’s so nice in every way. I saw a lot of him when I was with d’Orléans. They were quite inseparable, those two. He was going the pace, that time. But he’s given it all up now, she can’t complain. She’s had a good run of luck, that she can say. And I ask you, what in the world can he see in her? He must be a bit of a chump, when all’s said and done. She’s got feet like boats, whiskers like an American, and her undies are filthy. I can tell you, a little shop girl would be ashamed to be seen in her knickers. Do just look at his eyes a moment; you would jump into the fire for a man like that. Hush, don’t say a word; he’s seen me; look, he’s smiling. Oh, he remembers me all right. Just you mention my name to him, and see what he says!” Between these girls and him I surprised a glance of mutual understanding. I should have liked him to introduce me to them, so that I might ask them for assignations and they give them to me, even if I had been unable to keep them. For otherwise their appearance would remain for all time devoid, in my memory, of that part of itself — just as though it had been hidden by a veil — which varies in every woman, which we cannot imagine in any woman until we have actually seen it in her, and which is apparent only in the glance that she directs at us, that acquiesces in our desire and promises that it shall be satisfied. And yet, even when thus reduced, their aspect was for me far more than that of women whom I should have known to be virtuous, and it seemed to me not to be, like theirs, flat, with nothing behind it, fashioned in one piece with no solidity. It was not, of course, for me what it must be for Saint-Loup who, by an act of memory, beneath the indifference, transparent to him, of the motionless features which affected not to know him, or beneath the dull formality of the greeting that might equally well have been addressed to anyone else, could recall, could see, through dishevelled locks, a swooning mouth, a pair of half-closed eyes, a whole silent picture like those that painters, to cheat their visitors’ senses, drape with a decent covering. Undoubtedly, for me who felt that nothing of my personality had penetrated the surface of this woman or that, or would be borne by her upon the unknown ways which she would tread through life, those faces remained sealed. But it was quite enough to know that they did open, for them to seem to me of a price which I should not have set on them had they been but precious medals, instead of lockets within which were hidden memories of love. As for Robert, scarcely able to keep in his place at table, concealing beneath a courtier’s smile his warrior’s thirst for action — when I examined him I could see how closely the vigorous structure of his triangular face must have been modelled on that of his ancestors’ faces, a face devised rather for an ardent bowman than for a delicate student. Beneath his fine skin the bold construction, the feudal architecture were apparent. His head made one think of those old dungeon keeps on which the disused battlements are still to be seen, although inside they have been converted into libraries&#xA;&#xA;   On our way back to Balbec, of those of the fair strangers to whom he had introduced me I would repeat to myself without a moment’s interruption, and yet almost unconsciously: “What a delightful woman!” as one chimes in with the refrain of a song. I admit that these words were prompted rather by the state of my nerves than by any lasting judgment. It was nevertheless true that if I had had a thousand francs on me and if there had still been a jeweller’s shop open at that hour, I should have bought the lady a ring. When the successive hours of our life are thus displayed against too widely dissimilar backgrounds, we find that we give away too much of ourselves to all sorts of people who next day will not interest us in the least. But we feel that we are still responsible for what we said to them overnight, and that we must honour our promises&#xA;&#xA;   As on these evenings I came back later than usual to the hotel, it was with joy that I recognised, in a room no longer hostile, the bed on which, on the day of my arrival, I had supposed that it would always be impossible for me to find any rest, whereas now my weary limbs turned to it for support; so that, in turn, thighs, hips, shoulders burrowed into, trying to adhere at every angle to, the sheets that covered its mattress, as if my fatigue, like a sculptor, had wished to take a cast of an entire human body. But I could not go to sleep; I felt the approach of morning; peace of mind, health of body, were no longer mine. In my distress it seemed that never should I recapture them. I should have had to sleep for a long time if I were to overtake them. But then, had I begun to doze, I must in any event be awakened in a couple of hours by the symphonic concert on the beach. Suddenly I was asleep, I had fallen into that deep slumber in which are opened to us a return to childhood, the recapture of past years, of lost feelings, the disincarnation, the transmigration of the soul, the evoking of the dead, the illusions of madness, retrogression towards the most elementary of the natural kingdoms (for we say that we often see animals in our dreams, but we forget almost always that we are ourself then an animal deprived of that reasoning power which projects upon things the light of certainty; we present on the contrary to the spectacle of life only a dubious vision, destroyed afresh every moment by oblivion, the former reality fading before that which follows it as one projection of a magic lantern fades before the next as we change the slide), all those mysteries which we imagine ourselves not to know and into which we are in reality initiated almost every night, as we are into the other great mystery of annihilation and resurrection. Rendered more vagabond by the difficulty of digesting my Rivebelle dinner, the successive and flickering illumination of shadowy zones of my past made of me a being whose supreme happiness would have been that of meeting Legrandin, with whom I had just been talking in my dream&#xA;&#xA;   And then, even my own life was entirely hidden from me by a new setting, like the ‘drop’ lowered right at the front of the stage before which, while the scene snifters are busy behind, actors appear in a fresh ‘turn.’ The turn in which I was now cast for a part was in the manner of an Oriental fairy-tale; I retained no knowledge of my past or of myself, on account of the intense proximity of this interpolated scenery; I was merely a person who received the bastinado and underwent various punishments for a crime the nature of which I could not distinguish, though it was actually that of having taken too much port wine. Suddenly I awoke and discovered that, thanks to a long sleep, I had not heard a note of the concert. It was already afternoon; I verified this by my watch after several efforts to sit up in bed, efforts fruitless at first and interrupted by backward falls on to my pillow, but those short falls which are a sequel of sleep as of other forms of intoxication, whether due to wine or to convalescence; besides, before I had so much as looked at the time, I was certain that it was past midday. Last night I had been nothing more than an empty vessel, without weight, and (since I must first have gone to bed to be able to keep still, and have been asleep to be able to keep silent) had been unable to refrain from moving about and talking; I had no longer any stability, any centre of gravity, I was set in motion and it seemed that I might have continued on my dreary course until I reached the moon. But if, while I slept, my eyes had not seen the time, my body had nevertheless contrived to calculate it, had measured the hours; not on a dial superficially marked and figured, but by the steadily growing weight of all my replenished forces which, like, a powerful clockwork, it had allowed, notch by notch, to descend from my brain into the rest of my body in which there had risen now to above my knees the unbroken abundance of their store. If it is true that the sea was once upon a time our native element, into which we must plunge our cooling blood if we are to recover our strength, it is the same with the oblivion, the mental non-existence of sleep; we seem then to absent ourselves for a few hours from Time, but the forces which we have gathered in that interval without expending them, measure it by their quantity as accurately as the pendulum of the clock or the crumbling pyramid of the sandglass. Nor does one emerge more easily from such sleep than from a prolonged spell of wakefulness, so strongly does everything tend to persist; and if it is true that certain narcotics make us sleep, to have slept for any time is an even stronger narcotic, after which we have great difficulty in making ourselves wake up. Like a sailor who sees plainly the harbour in which he can moor his vessel, still tossed by the waves, I had a quite definite idea of looking at the time and of getting up, but my body was at every moment cast back upon the tide of sleep; the landing was difficult, and before I attained a position in which I could reach my watch and confront with its time that indicated by the wealth of accumulated material which my stiffened limbs had at their disposal, I fell back two or three times more upon my pillow&#xA;&#xA;   At length I could reach and read it: “Two o’clock in the afternoon!” I rang; but at once I returned to a slumber which, this time, must have lasted infinitely longer, if I was to judge by the refreshment, the vision of an immense night overpassed, which I found on awakening. And yet as my awakening was caused by the entry of Françoise, and as her entry had been prompted by my ringing the bell, this second sleep which, it seemed to me, must have been longer than the other, and had brought me so much comfort and forgetfulness, could not have lasted for more than half a minute&#xA;&#xA;   My grandmother opened the door of my bedroom; I asked her various questions about the Legrandin family&#xA;&#xA;   It is not enough to say that I had returned to tranquillity and health, for it was more than a mere interval of space that had divided them from me yesterday, I had had all night long to struggle against a contrary tide, and now I not only found myself again in their presence, they had once more entered into me. At certain definite and still somewhat painful points beneath the surface of my empty head which would one day be broken, letting my ideas escape for all time, those ideas had once again taken their proper places and resumed that existence by which hitherto, alas, they had failed to profit&#xA;&#xA;   Once again I had escaped from the impossibility of sleeping, from the deluge, the shipwreck of my nervous storms. I feared now not at all the menaces that had loomed over me the evening before, when I was dismantled of repose. A new life was opening before me; without making a single movement, for I was still shattered, although quite alert and well, I savoured my weariness with a light heart; it had isolated and broken asunder the bones of my legs and arms, which I could feel assembled before me, ready to cleave together, and which I was to raise to life merely by singing, like the builder in the fable&#xA;&#xA;   Suddenly I thought of the fair girl with the sad expression whom I had seen at Rivebelle, where she had looked at me for a moment. Many others, in the course of the evening, had seemed to me attractive; now she alone arose from the dark places of my memory. I had felt that she noticed me, had expected one of the waiters to come to me with a whispered message from her. Saint-Loup did not know her and fancied that she was respectable. It would be very difficult to see her, to see her constantly. But I was prepared to make any sacrifice, I thought now only of her. Philosophy distinguishes often between free and necessary acts. Perhaps there is none to the necessity of which we are more completely subjected than that which, by virtue of an ascending power held in check during the act itself, makes so unfailingly (once our mind is at rest) spring up a memory that was levelled with other memories by the distributed pressure of our indiffer-ance, and rush to the surface, because unknown to us it contained, more than any of the others, a charm of which we do not become aware until the following day. And perhaps there is not, either, any act so free, for it is still unprompted by habit, by that sort of mental hallucination which, when we are in love, facilitates the invariable reappearance of the image of one particular person&#xA;&#xA;   This was the day immediately following that on which I had seen file past me against a background of sea the beautiful procession of young girls. I put questions about them to a number of the visitors in the hotel, people who came almost every year to Balbec. They could tell me nothing. Later on, a photograph shewed me why. Who could ever recognise now in them, scarcely and yet quite definitely beyond an age in which one changes so utterly, that amorphous, delicious mass, still wholly infantine, of little girls who, only a few years back, might have been seen sitting in a ring on the sand round a tent; a sort of white and vague constellation in which one would have distinguished a pair of eyes that sparkled more than the rest, a mischievous face, flaxen hair, only to lose them again and to confound them almost at once in the indistinct and milky nebula&#xA;&#xA;   No doubt, in those earlier years that were still so recent, it was not, as it had been yesterday when they appeared for the first time before me, one’s impression of the group, but the group itself that had been lacking in clearness. Then those children, mere babies, had been still at that elementary stage in their formation when personality has not set its seal on every face. Like those primitive organisms in which the individual barely exists by itself, consists in the reef rather than in the coral insects that compose it, they were still pressed one against another. Sometimes one pushed her neighbour over, and then a wild laugh, which seemed the sole manifestation of their personal life, convulsed them all at once, obliterating, confounding those indefinite, grinning faces in the congealment of a single cluster, scintillating and tremulous. In an old photograph of themselves, which they were one day to give me, and which I have kept ever since, their infantile troop already presents the same number of participants as, later, their feminine procession; one can see from it that their presence must, even then, have made on the beach an unusual mark which forced itself on the attention; but one cannot recognise them individually in it save by a process of reasoning, leaving a clear field to all the transformations possible during girlhood, up to the point at which one reconstructed form would begin to encroach upon another individuality, which must be identified also, and whose handsome face, owing to the accessories of a large build and curly hair, may quite possibly have been, once, that wizened and impish little grin which the photograph album presents to us; and the distance traversed in a short interval of time by the physical characteristics of each of these girls making of them a criterion too vague to be of any use, whereas what they had in common and, so to speak, collectively, had at that early date been strongly marked, it sometimes happened that even their most intimate friends mistook one for another in this photograph, so much so that the question could in the last resort be settled only by some detail of costume which one of them could be certain that she herself, and not any of the others, had worn. Since those days, so different from the day on which I had just seen them strolling along the ‘front,’ so different and yet so close in time, they still gave way to fits of laughter, as I had observed that afternoon, but to laughter of a kind that was no longer the intermittent and almost automatic laughter of childhood, a spasmodic discharge which, in those days, had continually sent their heads dipping out of the circle, as the clusters of minnows in the Vivonne used to scatter and vanish only to gather again a moment later; each countenance was now mistress of itself, their eyes were fixed on the goal towards which they were marching; and it had taken, yesterday, the indecision and tremulousness of my first impression to make me confuse vaguely (as their childish hilarity and the old photograph had confused) the spores now individualised and disjoined of the pale madrepore&#xA;&#xA;   Repeatedly, I dare say, when pretty girls went by, I had promised myself that I would see them again. As a rule, people do not appear a second time; moreover our memory, which speedily forgets their existence, would find it difficult to recall their appearance; our eyes would not recognise them, perhaps, and in the meantime we have seen new girls go by, whom we shall not see again either. But at other times, and this was what was to happen with the pert little band at Balbec, chance brings them back insistently before our eyes. Chance seems to us then a good and useful thing, for we discern in it as it were rudiments of organisation, of an attempt to arrange our life; and it makes easy to us, inevitable, and sometimes — after interruptions that have made us hope that we may cease to remember — cruel, the retention in our minds of images to the possession of which we shall come in time to believe that we were predestined, and which but for chance we should from the very first have managed to forget, like so many others, with so little difficulty&#xA;&#xA;   Presently Saint-Loup’s visit drew to an end. I had not seen that party of girls again on the beach. He was too little at Balbec in the afternoons to have time to bother about them, or to attempt, in my interest, to make their acquaintance. In the evenings he was more free, and continued to take me constantly to Rivebelle. There are, in those restaurants, as there are in public gardens and railway trains, people embodied in a quite ordinary appearance, whose name astonishes us when, having happened to ask it, we discover that this is not the mere inoffensive stranger whom we supposed but nothing less than the Minister or Duke of whom we have so often heard. Two or three times already, in the Rivebelle restaurant, we had — Saint-Loup and I— seen come in and sit down at a table when everyone else was getting ready to go, a man of large stature, very muscular, with regular features and a grizzled beard, gazing, with concentrated attention, into the empty air. One evening, on our asking the landlord who was this obscure, solitary and belated diner, “What!” he exclaimed, “do you mean to say you don’t know the famous painter Elstir?” Swann had once mentioned his name to me, I had entirely forgotten in what connexion; but the omission of a particular memory, like that of part of a sentence when we are reading, leads sometimes not to uncertainty but to a birth of certainty that is premature. “He is a friend of Swann, a very well known artist, extremely good,” I told Saint-Loup. Whereupon there passed over us both, like a wave of emotion, the thought that Elstir was a great artist, a celebrated man, and that, confounding us with the rest of the diners, he had no suspicion of the ecstasy into which we were thrown by the idea of his talent. Doubtless, his unconsciousness of our admiration and of our acquaintance with Swann would not have troubled us had we not been at the seaside. But since we were still at an age when enthusiasm cannot keep silence, and had been transported into a life in which not to be known is unendurable, we wrote a letter, signed with both our names, in which we revealed to Elstir in the two diners seated within a few feet of him two passionate admirers of his talent, two friends of his great friend Swann, and asked to be allowed to pay our homage to him in person. A waiter undertook to convey this missive to the celebrity&#xA;&#xA;   A celebrity Elstir was, perhaps, not yet at this period quite to the extent claimed by the landlord, though he was to reach the height of his fame within a very few years. But he had been one of the first to frequent this restaurant when it was still only a sort of farmhouse, and had brought to it a whole colony of artists (who had all, as it happened, migrated elsewhere as soon as the farm-yard in which they used to feed in the open air, under a lean-to roof, had become a fashionable centre); Elstir himself had returned to Rivebelle this evening only on account of a temporary absence of his wife, from the house which he had taken in the neighbourhood. But great talent, even when its existence is not yet recognised, will inevitably provoke certain phenomena of admiration, such as the landlord had managed to detect in the questions asked by more than one English lady visitor, athirst for information as to the life led by Elstir, or in the number of letters that he received from abroad. Then the landlord had further remarked that Elstir did not like to be disturbed when he was working, that he would rise in the middle of the night and take a little model down to the water’s edge to pose for him, nude, if the moon was shining; and had told himself that so much labour was not in vain, nor the admiration of the tourists unjustified when he had, in one of Elstir’s pictures, recognised a wooden cross which stood by the roadside as you came into Rivebelle&#xA;&#xA;    “It’s all right!” he would repeat with stupefaction, “there are all the four beams! Oh, he does take a lot of trouble!”&#xA;&#xA;   And he did not know whether a little Sunrise Over the Sea which Elstir had given him might not be worth a fortune&#xA;&#xA;   We watched him read our letter, put it in his pocket, finish his dinner, begin to ask for his things, get up to go; and we were so convinced that we had shocked him by our overture that we would now have hoped (as keenly as at first we had dreaded) to make our escape without his noticing us. We did not bear in mind for a single instant a consideration which should, nevertheless, have seemed to us most important, namely that our enthusiasm for Elstir, on the sincerity of which we should not have allowed the least doubt to be cast, which we could indeed have supported with the evidence of our breathing arrested by expectancy, our desire to do no matter what that was difficult or heroic for the great man, was not, as we imagined it to be, admiration, since neither of us had ever seen anything that he had painted; our feeling might have as its object the hollow idea of a ‘great artist,’ but not a body of work which was unknown to us. It was, at the most, admiration in the abstract, the nervous envelope, the sentimental structure of an admiration without content, that is to say a thing as indissolubly attached to boyhood as are certain organs which have ceased to exist in the adult man; we were still boys. Elstir meanwhile was reaching the door when suddenly he turned and came towards us. I was transported by a delicious thrill of terror such as I could not have felt a few years later, because, while age diminishes our capacity, familiarity with the world has meanwhile destroyed in us any inclination to provoke such strange encounters, to feel that kind of emotion&#xA;&#xA;   In the course of the few words that Elstir had come back to say to us, sitting down at our table, he never gave any answer on the several occasions on which I spoke to him of Swann. I began to think that he did not know him. He asked me, nevertheless, to come and see him at his Balbec studio, an invitation which he did not extend to Saint-Loup, and which I had earned (as I might not, perhaps, from Swann’s recommendation, had Elstir been intimate with him, for the part played by disinterested motives is greater than we are inclined to think in people’s lives) by a few words which made him think that I was devoted to the arts. He lavished on me a friendliness which was as far above that of Saint-Loup as that was above the affability of a mere tradesman. Compared with that of a great artist, the friendliness of a great gentleman, charming as it may be, has the effect of an actor’s playing a part, of being feigned. Saint-Loup sought to please; Elstir loved to give, to give himself. Everything that he possessed, ideas, work, and the rest which he counted for far less, he would have given gladly to anyone who could understand him. But, failing society that was endurable, he lived in an isolation, with a savagery which fashionable people called pose and ill-breeding, public authorities a recalcitrant spirit, his neighbours madness, his family selfishness and pride&#xA;&#xA;   And no doubt at first he had thought, even in his solitude, with enjoyment that, thanks to his work, he was addressing, in spite of distance, he was giving a loftier idea of himself, to those who had misunderstood or hurt him. Perhaps, in those days, he lived alone not from indifference but from love of his fellows, and, just as I had renounced Gilberte to appear to her again one day in more attractive colours, dedicated his work to certain people as a way of approaching them again, by which without actually seeing him they would be made to love him, admire him, talk about him; a renunciation is not always complete from the start, when we decide upon it in our original frame of mind and before it has reacted upon us, whether it be the renunciation of an invalid, a monk, an artist or a hero. But if he had wished to produce with certain people in his mind, in producing he had lived for himself, remote from the society to which he had become indifferent; the practice of solitude had given him a love for it, as happens with every big thing which we have begun by fearing, because we knew it to be incompatible with smaller things to which we clung, and of which it does not so much deprive us as it detaches us from them. Before we experience it, our whole preoccupation is to know to what extent we can reconcile it with certain pleasures which cease to be pleasures as soon as we have experienced it&#xA;&#xA;   Elstir did not stay long talking to us. I made up my mind that I would go to his studio during the next few days, but on the following afternoon, when I had accompanied my grandmother right to the point at which the ‘front’ ended, near the cliffs of Canapville, on our way back, at the foot of one of the little streets which ran down at right angles to the beach, we came upon a girl who, with lowered head like an animal that is being driven reluctant to its stall, and carrying golf-clubs, was walking in front of a person in authority, in all probability her or her friends’ ‘Miss,’ who suggested a portrait of Jeffreys by Hogarth, with a face as red as if her favourite beverage were gin rather than tea, on which a dried smear of tobacco at the corner of her mouth prolonged the curve of a moustache that was grizzled but abundant. The girl who preceded her was like that one of the little band who, beneath a black polo-cap, had shewn in an inexpressive chubby face a pair of laughing eyes. Now, the girl who was now passing me had also a black polo-cap, but she struck me as being even prettier than the other, the line of her nose was straighter, the curve of nostril at its base fuller and more fleshy. Besides, the other had seemed a proud, pale girl, this one a child well-disciplined and of rosy complexion. And yet, as she was pushing a bicycle just like the other’s, and was wearing the same reindeer gloves, I concluded that the differences arose perhaps from the angle and circumstances in which I now saw her, for it was hardly likely that there could be at Balbec a second girl, with a face that, when all was said, was so similar and with the same details in her accoutrements. She cast a rapid glance in my direction; for the next few days, when I saw the little band again on the beach, and indeed long afterwards when I knew all the girls who composed it, I could never be absolutely certain that any of them — even she who among them all was most like her, the girl with the bicycle — was indeed the one that I had seen that evening at the end of the ‘front,’ where a street ran down to the beach, a girl who differed hardly at all, but was still just perceptibly different from her whom I had noticed in the procession&#xA;&#xA;   From that moment, whereas for the last few days my mind had been occupied chiefly by the tall one, it was the one with the golf-clubs, presumed to be Mlle. Simonet, who began once more to absorb my attention. When walking with the others she would often stop, forcing her friends, who seemed greatly to respect her, to stop also. Thus it is, calling a halt, her eyes sparkling beneath her polo-cap, that I see her again to-day, outlined against the screen which the sea spreads out behind her, and separated from me by a transparent, azure space, the interval of time that has elapsed since then, a first impression, faint and fine in my memory, desired, pursued, then forgotten, then found again, of a face which I have many times since projected upon the cloud of the past to be able to say to myself, of a girl who was actually in my room: “It is she!” But it was perhaps yet another, the one with geranium cheeks and green eyes, whom I should have liked most to know. And yet, whichever of them it might be, on any given day, that I preferred to see, the others, without her, were sufficient to excite my desire which, concentrated now chiefly on one, now on another, continued — as, on the first day, my confused vision — to combine and blend them, to make of them the little world apart, animated by a life in common, which for that matter they doubtless imagined themselves to form; and I should have penetrated, in becoming a friend of one of them — like a cultivated pagan or a meticulous Christian going among barbarians — into a rejuvenating society in which reigned health, unconsciousness of others, sensual pleasures, cruelty, unintellectuality and joy&#xA;&#xA;   My grandmother, who had been told of my meeting with Elstir, and rejoiced at the thought of all the intellectual profit that I might derive from his friendship, considered it absurd and none too polite of me not to have gone yet to pay him a visit. But I could think only of the little band, and being uncertain of the hour at which the girls would be passing along the front, I dared not absent myself. My grandmother was astonished, too, at the smartness of my attire, for I had suddenly remembered suits which had been lying all this time at the bottom of my trunk. I put on a different one every day, and had even written to Paris ordering new hats and neckties&#xA;&#xA;   It adds a great charm to life in a watering-place like Balbec if the face of a pretty girl, a vendor of shells, cakes or flowers, painted in vivid colours in our mind, is regularly, from early morning, the purpose of each of those leisured, luminous days which we spend upon the beach. They become then, and for that reason, albeit unoccupied by any business, as alert as working-days, pointed, magnetised, raised slightly to meet an approaching moment, that in which, while we purchase sand-cakes, roses, ammonites, we will delight in seeing upon a feminine face its colours displayed as purely as on a flower. But at least, with these little traffickers, first of all we can speak to them, which saves us from having to construct with our imagination their aspects other than those with which the mere visual perception of them furnishes us, and to recreate their life, magnifying its charm, as when we stand before a portrait; moreover, just because we speak to them, we can learn where and at what time it will be possible to see them again. Now I had none of these advantages with respect to the little band. Their habits were unknown to me; when on certain days I failed to catch a glimpse of them, not knowing the cause of their absence I sought to discover whether it was something fixed and regular, if they were to be seen only every other day, or in certain states of the weather, or if there were days on which no one ever saw them. I imagined myself already friends with them, and saying: “But you weren’t there the other day?” “Weren’t we? Oh, no, of course not; that was because it was a Saturday. On Saturdays we don’t ever come, because . . . ” If it were only as simple as that, to know that on black Saturday it was useless to torment oneself, that one might range the beach from end to end, sit down outside the pastry-cook’s and pretend to be nibbling an éclair, poke into the curiosity shop, wait for bathing time, the concert, high tide, sunset, night, all without seeing the longed-for little band. But the fatal day did not, perhaps, come once a week. It did not, perhaps, of necessity fall on Saturdays. Perhaps certain atmospheric conditions influenced it or were entirely unconnected with it. How many observations, patient but not at all serene, must one accumulate of the movements, to all appearance irregular, of those unknown worlds before being able to be sure that one has not allowed oneself to be led astray by mere coincidence, that one’s forecasts will not be proved wrong, before one elucidates the certain laws, acquired at the cost of so much painful experience, of that passionate astronomy. Remembering that I had not yet seen them on some particular day of the week, I assured myself that they would not be coming, that it was useless to wait any longer on the beach. And at that very moment I caught sight of them. And yet on another day which, so far as I could suppose that there were laws that guided the return of those constellations, must, I had calculated, prove an auspicious day, they did not come. But to this primary uncertainty whether I should see them or not that day, there was added another, more disquieting: whether I should ever set eyes on them again, for I had no reason, after all, to know that they were not about to sail for America, or to return to Paris. This was enough to make me begin to love them. One can feel an attraction towards a particular person. But to release that fount of sorrow, that sense of the irreparable, those agonies which prepare the way for love, there must be — and this is, perhaps, more than any person can be, the actual object which our passion seeks so anxiously to embrace — the risk of an impossibility. Thus there were acting upon me already those influences which recur in the course of our successive love-affairs, which can, for that matter, be provoked (but then rather in the life of cities) by the thought of little working girls whose half-holiday is we know not on what day, and whom we are afraid of having missed as they came out of the factory; or which at least have recurred in mine. Perhaps they are inseparable from love; perhaps everything that formed a distinctive feature of our first love attaches itself to those that come after, by recollection, suggestion, habit, and through the successive periods of our life gives to its different aspects a general character&#xA;&#xA;   I seized every pretext for going down to the beach at the hours when I hoped to succeed in finding them there. Having caught sight of them once while we were at luncheon, I now invariably came in late for it, waiting interminably upon the ‘front’ for them to pass; devoting all the short time that I did spend in the dining-room to interrogating with my eyes its azure wall of glass; rising long before the dessert, so as not to miss them should they have gone out at a different hour, and chafing with irritation at my grandmother, when, with unwitting malevolence, she made me stay with her past the hour that seemed to me propitious. I tried to prolong the horizon by setting my chair aslant; if, by chance, I did catch sight of no matter which of the girls, since they all partook of the same special essence, it was as if I had seen projected before my face in a shifting, diabolical hallucination, a little of the unfriendly and yet passionately coveted dream which, but a moment ago, had existed only — where it lay stagnant for all time — in my brain&#xA;&#xA;   I was in love with none of them, loving them all, and yet the possibility of meeting them was in my daily life the sole element of delight, alone made to burgeon in me those high hopes by which every obstacle is surmounted, hopes ending often in fury if I had not seen them. For the moment, these girls eclipsed my grandmother in my affection; the longest journey would at once have seemed attractive to me had it been to a place in which they might be found. It was to them that my thoughts comfortably clung when I supposed myself to be thinking of something else or of nothing. But when, even without knowing it, I thought of them, they, more unconsciously still, were for me the mountainous blue undulations of the sea, a troop seen passing in outline against the waves. Our most intensive love for a person is always the love, really, of something else as well&#xA;&#xA;   Meanwhile my grandmother was shewing, because now I was keenly interested in golf and lawn-tennis and was letting slip an opportunity of seeing at work and hearing talk an artist whom she knew to be one of the greatest of his time, a disapproval which seemed to me to be based on somewhat narrow views. I had guessed long ago in the Champs-Elysées, and had since established to my own satisfaction, that when we are in love with a woman we simply project into her a state of our own soul, that the important thing is, therefore, not the worth of the woman but the depth of the state; and that the emotions which a young girl of no kind of distinction arouses in us can enable us to bring to the surface of our consciousness some of the most intimate parts of our being, more personal, more remote, more essential than would be reached by the pleasure that we derive from the conversation of a great man or even from the admiring contemplation of his work&#xA;&#xA;   I was to end by complying with my grandmother’s wishes, all the more reluctantly in that Elstir lived at some distance from the ‘front’ in one of the newest of Balbec’s avenues. The heat of the day obliged me to take the tramway which passed along the Rue de la Plage, and I made an effort (so as still to believe that I was in the ancient realm of the Cimmerians, in the country it might be, of King Mark, or upon the site of the Forest of Broceliande) not to see the gimcrack splendour of the buildings that extended on either hand, among which Elstir’s villa was perhaps the most sumptuously hideous, in spite of which he had taken it, because, of all that there were to be had at Balbec, it was the only one that provided him with a really big studio&#xA;&#xA;   It was also with averted eyes that I crossed the garden, which had a lawn — in miniature, like any little suburban villa round Paris — a statuette of an amorous gardener, glass balls in which one saw one’s distorted reflexion, beds of begonias and a little arbour, beneath which rocking chairs were drawn up round an iron table. But after all these preliminaries hallmarked with philistine ugliness, I took no notice of the chocolate mouldings on the plinths once I was in the studio; I felt perfectly happy, for, with the help of all the sketches and studies that surrounded me, I foresaw the possibility of raising myself to a poetical understanding, rich in delights, of many forms which I had not, hitherto, isolated from the general spectacle of reality. And Elstir’s studio appeared to me as the laboratory of a sort of new creation of the world in which, from the chaos that is all the things we see, he had extracted, by painting them on various rectangles of canvas that were hung everywhere about the room, here a wave of the sea crushing angrily on the sand its lilac foam, there a young man in a suit of white linen, leaning upon the rail of a vessel. His jacket and the spattering wave had acquired fresh dignity from the fact that they continued to exist, even although they were deprived of those qualities in which they might be supposed to consist, the wave being no longer able to splash nor the jacket to clothe anyone&#xA;&#xA;   At the moment at which I entered, the creator was just finishing, with the brush which he had in his hand, the form of the sun at its setting&#xA;&#xA;   The shutters were closed almost everywhere round the studio, which was fairly cool and, except in one place where daylight laid against the wall its brilliant but fleeting decoration, dark; there was open only one little rectangular window embowered in honeysuckle, which, over a strip of garden, gave on an avenue; so that the atmosphere of the greater part of the studio was dusky, transparent and compact in the mass, but liquid and sparkling at the rifts where the golden clasp of sunlight banded it, like a lump of rock crystal of which one surface, already cut and polished, here and there, gleams like a mirror with iridescent rays. While Elstir, at my request, went on painting, I wandered about in the half-light, stopping to examine first one picture, then another&#xA;&#xA;   Most of those that covered the walls were not what I should chiefly have liked to see of his work, paintings in what an English art journal which lay about on the reading-room table in the Grand Hotel called his first and second manners, the mythological manner and the manner in which he shewed signs of Japanese influence, both admirably exemplified, the article said, in the collection of Mme. de Guermantes. Naturally enough, what he had in his studio were almost all seascapes done here, at Balbec. But I was able to discern from these that the charm of each of them lay in a sort of metamorphosis of the things represented in it, analogous to what in poetry we call metaphor, and that, if God the Father had created things by naming them, it was by taking away their names or giving them other names that Elstir created them anew. The names which denote things correspond invariably to an intellectual notion, alien to our true impressions, and compelling us to eliminate from them everything that is not in keeping with itself&#xA;&#xA;   Sometimes in my window in the hotel at Balbec, in the morning when Françoise undid the fastenings of the curtains that shut out the light, in the evening when I was waiting until it should be time to go out with Saint-Loup, I had been led by some effect of sunlight to mistake what was only a darker stretch of sea for a distant coastline, or to gaze at a belt of liquid azure without knowing whether it belonged to sea or sky. But presently my reason would re-establish between the elements that distinction which in my first impression I had overlooked. In the same way I used, in Paris, in my bedroom, to hear a dispute, almost a. riot, in the street below, until I had referred back to its cause — a carriage for instance that was rattling towards me — this noise, from which I now eliminated the shrill and discordant vociferations which my ear had really heard but which my reason knew that wheels did not produce. But the rare moments in which we see nature as she is, with poetic vision, it was from those that Elstir’s work was taken. One of his metaphors that occurred most commonly in the seascapes which he had round him was precisely that which, comparing land with sea, suppressed every line of demarcation between them. It was this comparison, tacitly and untiringly repeated on a single canvas, which gave it that multiform and powerful unity, the cause (not always clearly perceived by themselves) of the enthusiasm which Elstir’s work aroused in certain collectors&#xA;&#xA;   It was, for instance, for a metaphor of this sort — in a picture of the harbour of Carquethuit, a picture which he had finished a few days earlier and at which I now stood gazing my fill — that Elstir had prepared the mind of the spectator by employing, for the little town, only marine terms, and urban terms for the sea. Whether its houses concealed a part of the harbour, a dry dock, or perhaps the sea itself came cranking in among the land, as constantly happened on the Balbec coast, on the other side of the promontory on which the town was built the roofs were overtopped (as it had been by mill-chimneys or church-steeples) by masts which had the effect of making the vessels to which they belonged appear town-bred, built on land, an impression which was strengthened by the sight of other boats, moored along the jetty but in such serried ranks that you could see men talking across from one deck to another without being able to distinguish the dividing line, the chink of water between them, so that this fishing fleet seemed less to belong to the water than, for instance, the churches of Criquebec which, in the far distance, surrounded by water on every side because you saw them without seeing the town, in a powdery haze of sunlight and crumbling waves, seemed to be emerging from the waters, blown in alabaster or in sea-foam, and, enclosed in the band of a particoloured rainbow, to form an unreal, a mystical picture. On the beach in the foreground the painter had arranged that the eye should discover no fixed boundary, no absolute line of demarcation between earth and ocean. The men who were pushing down their boats into the sea were running as much through the waves as along the sand, which, being wet, reflected their hulls as if they were already in the water. The sea itself did not come up in an even line but followed the irregularities of the shore, which the perspective of the picture increased still further, so that a ship actually at sea, half-hidden by the projecting works of the arsenal, seemed to be sailing across the middle of the town; women who were gathering shrimps among the rocks had the appearance, because they were surrounded by water and because of the depression which, after the ringlike barrier of rocks, brought the beach (on the side nearest the land) down to sea-level, of being in a marine grotto overhung by ships and waves, open yet unharmed in the path of a miraculously averted tide. If the whole picture gave this impression of harbours in which the sea entered into the land, in which the land was already subaqueous and the population amphibian, the strength of the marine element was everywhere apparent; and round about the rocks, at the mouth of the harbour, where the sea was rough, you felt from the muscular efforts of the fishermen and the obliquity of the boats leaning over at an acute angle, compared with the calm erect-ness of the warehouse on the harbour, the church, the houses of the town to which some of the figures were returning while others were coming out to fish, that they were riding bareback on the water, as it might be a swift and fiery animal whose rearing, but for their skill, must have unseated them. A party of holiday makers were putting gaily out to sea in a boat that tossed like a jaunting-car on a rough road; their boatman, blithe but attentive, also, to what he was doing, trimmed the bellying sail, every one kept in his place, so that the weight should not be all on one side of the boat, which might capsize, and so they went racing over sunlit fields into shadowy places, dashing down into the troughs of waves. It was a fine morning in spite of the recent storm. Indeed, one could still feel the powerful activities that must first be neutralized in order to attain the easy balance of the boats that lay motionless, enjoying sunshine and breeze, in parts where the sea was so calm that its reflexions had almost more solidity and reality than the floating hulls, vaporised by an effect of the sunlight, parts which the perspective of the picture dovetailed in among others. Or rather you would not have called them other parts of the sea. For between those parts there was as much difference as there was between one of them and the church rising from the water, or the ships behind the town. Your reason then set to work and made a single element of what was here black beneath a gathering storm, a little farther all of one colour with the sky and as brightly burnished, and elsewhere so bleached by sunshine, haze and foam, so compact, so terrestrial, so circumscribed with houses that you thought of some white stone causeway or of a field of snow, up the surface of which it was quite frightening to see a ship go climbing high and dry, as a carriage climbs dripping from a ford, but which a moment later, when you saw on the raised and broken surface of the solid plain boats drunkenly heaving, you understood, identical in all these different aspects, to be still the sea&#xA;&#xA;   Although we are justified in saying that there can be no progress, no discovery in art, but only in the sciences, and that the artist who begins afresh upon his own account an individual effort cannot be either helped or hindered by the efforts of all the others, we must nevertheless admit that, in so far as art brings into prominence certain laws, once an industry has taken those laws and vulgarised them, the art that was first in the field loses, in retrospect, a little of its originality. Since Elstir began to paint, we have grown familiar with what are called ‘admirable’ photographs of scenery and towns. If we press for a definition of what their admirers mean by the epithet, we shall find that it is generally applied to some unusual picture of a familiar object, a picture different from those that we are accustomed to see, unusual and yet true to nature, and for that reason doubly impressive to us because it startles us, makes us emerge from our habits and at the same time brings us back to ourselves by recalling to us an earlier impression. For instance, one of these ‘magnificent’ photographs will illustrate a law of perspective, will shew us some cathedral which we are accustomed to see in the middle of a town, taken instead from a selected point of view from which it will appear to be thirty times the height of the houses and to be thrusting a spur out from the bank of the river, from which it is actually a long way off. Now the effort made by Elstir to reproduce things not as he knew them to be but according to the optical illusions of which our first sight of them is composed, had led him exactly to this point; he gave special emphasis to certain of these laws of perspective, which were thus all the more striking, since his art had been their first interpreter. A river, because of the windings of its course, a bay because of the apparent contact of the cliffs on either side of it, would look as though there had been hollowed out in the heart of the plain or of the mountains a lake absolutely landlocked on every side. In a picture of a view from Balbec painted upon a scorching day in summer an inlet of the sea appeared to be enclosed in walls of pink granite, not to be the sea, which began farther out. The continuity of the ocean was suggested only by the gulls which, wheeling over what, when one looked at the picture, seemed to be solid rock, were as a matter of fact inhaling the moist vapour of the shifting tide. Other laws were discernible in the same canvas, as, at the foot of immense cliffs, the lilliputian grace of white sails on the blue mirror on whose surface they looked like butterflies asleep, and certain contrasts between the depth of the shadows and the pallidity of the light. This play of light and shade, which also photography has rendered commonplace, had interested Elstir so much that at one time he had painted what were almost mirages, in which a castle crowned with a tower appeared as a perfect circle of castle prolonged by a tower at its summit, and at its foot by an inverted tower, whether because the exceptional purity of the atmosphere on a fine day gave the shadow reflected in the water the hardness and brightness of the stone, or because the morning mists rendered the stone as vaporous as the shadow. And similarly, beyond the sea, behind a line of woods, began another sea roseate with the light of the setting sun, which was, in fact, the sky. The light, as it were precipitating new solids, thrust back the hull of the boat on which it fell behind the other hull that was still in shadow, and rearranged like the steps of a crystal staircase what was materially a plane surface, but was broken up by the play of light and shade upon the morning sea. A river running beneath the bridges of a town was caught from a certain point of view so that it appeared entirely dislocated, now broadened into a lake, now narrowed into a rivulet, broken elsewhere by the interruption of a hill crowned with trees among which the burgher would repair at evening to taste the refreshing breeze; and the rhythm of this disintegrated town was assured only by the inflexible uprightness of the steeples which did not rise but rather, following the plumb line of the pendulum marking its cadence as in a triumphal march, seemed to hold in suspense beneath them all the confused mass of houses that rose vaguely in the mist along the banks of the crushed, disjointed stream. And (since Elstir’s earliest work belonged to the time in which a painter would make his landscape attractive by inserting a human figure), on the cliff’s edge or among the mountains, the road, that half human part of nature, underwent, like river or ocean, the eclipses of perspective. And whether a sheer wall of mountain, or the mist blown from a torrent, or the sea prevented the eye from following the continuity of the path, visible to the traveller but not to us, the little human personage in old-fashioned attire seemed often to be stopped short on the edge of an abyss, the path which he had been following ending there, while, a thousand feet above him in those pine-forests, it was with a melting eye and comforted heart that we saw reappear the threadlike whiteness of its dusty surface, hospitable to the wayfaring foot, whereas from us the side of the mountain had hidden, where it turned to avoid waterfall or gully, the intervening bends&#xA;&#xA;   The effort made by Elstir to strip himself, when face to face with reality, of every intellectual concept, was all the more admirable in that this man who, before sitting down to paint, made himself deliberately ignorant, forgot, in his honesty of purpose, everything that he knew, since what one knows ceases to exist by itself, had in reality an exceptionally cultivated mind. When I confessed to him the disappointment that I had felt upon seeing the porch at Balbec: “What!” he had exclaimed, “you were disappointed by the porch! Why, it’s the finest illustrated Bible that the people have ever had. That Virgin, and all the bas-reliefs telling the story of her life, they are the most loving, the most inspired expression of that endless poem of adoration and praise in which the middle ages extolled the glory of the Madonna. If you only knew, side by side with the most scrupulous accuracy in rendering the sacred text, what exquisite ideas the old carver had, what profound thoughts, what delicious poetry!&#xA;&#xA;    “A wonderful idea, that great sheet in which the angels are carrying the body of the Virgin, too sacred for them to venture to touch it with their hands”; (I mentioned to him that this theme had been treated also at Saint-André-des-Champs; he had seen photographs of the porch there, and agreed, but pointed out that the bustling activity of those little peasant figures, all hurrying at once towards the Virgin, was not the same thing as the gravity of those two great angels, almost Italian, so springing, so gentle) “the angel who is carrying the Virgin’s soul, to reunite it with her body; in the meeting of the Virgin with Elizabeth, Elizabeth’s gestijre when she touches the Virgin’s Womb and marvels to feel that it is great with child; and the bandaged arm of the midwife who had refused, unless she touched, to believe the Immaculate Conception; and the linen cloth thrown by the Virgin to Saint Thomas to give him a proof of the Resurrection; that veil, too, which the Virgin tears from her own bosom to cover the nakedness of her Son, from Whose Side the Church receives in a chalice the Wine of the Sacrament, while, on His other side the Synagogue, whose kingdom is at an end, has its eyes bandaged, holds a half-broken sceptre and lets fall, with the crown that is slipping from its head, the tables of the old law; and the husband who, on the Day of Judgment, as he helps his young wife to rise from her grave, lays her hand against his own heart to reassure her, to prove to her that it is indeed beating, is that such a trumpery idea, do you think, so stale and commonplace? And the angel who is taking away the sun and the moon, henceforth useless, since it is written that the Light of the Cross shall be seven times brighter than the light of the firmament; and the one who is dipping his hand in the water of the Child’s bath, to see whether it is warm enough; and the one emerging from the clouds to place the crown upon the Virgin’s brow, and all the angels who are leaning from the vault of heaven, between the balusters of the New Jerusalem, and throwing up their arms with terror or joy at the sight of the torments of the wicked or the bliss of the elect! For it is all the circles of heaven, a whole gigantic poem full of theology and symbolism that you have before you there. It is fantastic, mad, divine, a thousand times better than anything you will see in Italy, where for that matter this very tympanum has been carefully copied by sculptors with far less genius. There never was a time when genius was universal; that is all nonsense; it would be going beyond the age of gold. The fellow who carved that front, you may make up your mind that he was every bit as great, that he had just as profound ideas as the men you admire most at the present day. I could shew you what I mean if we went there together. There are certain passages from the Office of the Assumption which have been rendered with a subtilty of expression that Redon himself has never equalled.”&#xA;&#xA;   This vast celestial vision of which he spoke to me, this gigantic theological poem which, I understood, had been inscribed there in stone, yet when my eyes, big with desire, had opened to gaze upon the front of Balbec church, it was not these things that I had seen. I spoke to him of those great statues of saints, which, mounted on scaffolds, formed a sort of avenue on either side&#xA;&#xA;    “It starts from the mists of antiquity to end in Jesus Christ,” he explained. “You see on one side His ancestors after the spirit, on the other the Kings of Judah, His ancestors after the flesh. All the ages are there. And if you had looked more closely at what you took for scaffolds you would have been able to give names to the figures standing on them. At the feet of Moses you would have recognised the calf of gold, at Abraham’s the ram and at Joseph’s the demon counselling Potiphar’s wife.”&#xA;&#xA;   I told him also that I had gone there expecting to find an almost Persian building, and that this had doubtless been one of the chief factors in my disappointment. “Indeed, no,” he assured me, “it is perfectly true. Some parts of it are quite oriental; one of the capitals reproduces so exactly a Persian subject that you cannot account for it by the persistence of Oriental traditions. The carver must have copied some casket brought from the East by explorers.” And he did indeed shew me, later on, the photograph of a capital on which I saw dragons that were almost Chinese devouring one another, but at Balbec this little piece of carving had passed unnoticed by me in the general effect of the building which did not conform to the pattern traced in my mind by the words, ‘an almost Persian church.’&#xA;&#xA;   The intellectual pleasures which I enjoyed in this studio did not in the least prevent me from feeling, although they enveloped us as it were in spite of ourselves, the warm polish, the sparkling gloom of the place itself and, through the little window framed in honeysuckle, in the avenue that was quite rustic, the resisting dryness of the sun-parched earth, screened only by the diaphanous gauze woven of distance and of a tree-cast shade. Perhaps the unaccountable feeling of comfort which this summer day was giving me came like a tributary to swell the flood of joy that had surged in me at the sight of Elstir’s Carquethuit Harbour.&#xA;&#xA;   I had supposed Elstir to be a modest man, but I realised my mistake on seeing his face cloud with melancholy when, in a little speech of thanks, I uttered the word ‘fame.’ Men who believe that their work will last — as was the case with Elstir — form the habit of placing that work in a period when they themselves will have crumbled into dust. And thus, by obliging them to reflect on their own extinction, the thought of fame saddens them because it is inseparable from the thought of death. I changed the conversation in the hope of driving away the cloud of ambitious melancholy with which unwittingly I had loaded Elstir’s brow. “Some one advised me once,” I began, thinking of the conversation we had had with Legrandin at Combray, as to which I was glad of an opportunity of learning Elstir’s views, “not to visit Brittany, because it would not be wholesome for a mind with a natural tendency to dream.” “Not at all;” he replied. “When the mind has a tendency to dream, it is a mistake to keep dreams away from it, to ration its dreams. So long as you distract your mind from its dreams, it will not know them for what they are; you will always be being taken in by the appearance of things, because you will not have grasped their true nature. If a little dreaming is dangerous, the cure for it is not to dream less but to dream more, to dream all the time. One must have a thorough understanding of one’s dreams if one is not to be troubled by them; there is a way of separating one’s dreams from one’s life which so often produces good results that I ask myself whether one ought not, at all costs, to try it, simply as a preventive, just as certain surgeons make out that we ought, to avoid the risk of appendicitis later on, to have all our appendices taken out when we are children.”&#xA;&#xA;   Elstir and I had meanwhile been walking about the studio, and had reached the window that looked across the garden on to a narrow avenue, a side-street that was almost a country lane. We had gone there to breathe the cooler air of the late afternoon. I supposed myself to be nowhere near the girls of the little band, and it was only by sacrificing for once the hope of seeing them that I had yielded to my grandmother’s prayers and had gone to see Elstir. For where the thing is to be found that we are seeking we never know, and often we steadily, for a long time, avoid the place to which, for quite different reasons, everyone has been asking us to go. But we never suspect that we shall there see the very person of whom we are thinking. I looked out vaguely over the country road which, outside the studio, passed quite close to it but did not belong to Elstir. Suddenly there appeared on it, coming along it at a rapid pace, the young bicyclist of the little band, with, over her dark hair, her polo-cap pulled down towards her plump cheeks, her eyes merry and almost importunate; and on that auspicious path, miraculously filled with promise of delights, I saw her beneath the trees throw to Elstir the smiling greeting of a friend, a rainbow that bridged the gulf for me between our terraqueous world and regions which I had hitherto regarded as inaccessible. She even came up to give her hand to the painter, though without stopping, and I could see that she had a tiny beauty spot on her chin. “Do you know that girl, sir?” I asked Elstir, realising that he could if he chose make me known to her, could invite us both to the house. And this peaceful studio with its rural horizon was at once filled with a surfeit of delight such as a child might feel in a house where he was already happily playing when he learned that, in addition, out of that bounteousness which enables lovely things and noble hosts to increase their gifts beyond all measure, there was being prepared for him a sumptuous repast. Elstir told me that she was called Albertine Simonet, and gave me the names also of her friends, whom I described to him with sufficient accuracy for him to identify them almost without hesitation. I had, with regard to their social position, made a mistake, but not the mistake that I usually made at Balbec. I was always ready to take for princes the sons of shopkeepers when they appeared on horseback. This time I had placed in an interloping class the daughters of a set of respectable people, extremely rich, belonging to the world of industry and business. It was the class which, on first thoughts, interested me least, since it held for me neither the mystery of the lower orders nor that of a society such as the Guermantes frequented. And no doubt if an inherent quality, a rank which they could never forfeit, had not been conferred on them, in my dazzled eyes, by the glaring vacuity of the seaside life all round them, I should perhaps not have succeeded in resisting and overcoming the idea that they were the daughters of prosperous merchants. I could not help marvelling to see how the French middle class was a wonderful studio full of sculpture of the noblest and most varied kind. What unimagined types, what richness of invention in the character of their faces, what firmness, what freshness, what simplicity in their features. The shrewd old moneychangers from whose loins these Dianas and these nymphs had sprung seemed to me to have been the greatest of statuaries. Before I had time to register the social metamorphosis of these girls — so are these discoveries of a mistake, these modifications of the notion one has of a person instantaneous as a chemical combination — there was already installed behind their faces, so street-arab in type that I had taken them for the mistresses of racing bicyclists, of boxing champions, the idea that they might easily be connected with the family of some lawyer or other whom we knew. I was barely conscious of what was meant by Albertine Simonet; she had certainly no conception of what she was one day to mean to me. Even the name, Simonet, which I had already heard spoken on the beach, if I had been asked to write it down I should have spelt with a double ‘n,’ never dreaming of the importance which this family attached to there being but one in their name. In proportion as we descend the social scale our snobbishness fastens on to mere nothings which are perhaps no more null than the distinctions observed by the aristocracy, but, being more obscure, more peculiar to the individual, take us more by surprise. Possibly there had been Simonnets who had done badly in business, or something worse still even. The fact remains that the Simonets never failed, it appeared, to be annoyed if anyone doubled their ‘n.’ They wore the air of being the only Simonets in the world with one ‘n’ instead of two, and were as proud of it, perhaps, as the Montmorency family were of being the premier barons of France. I asked Elstir whether these girls lived at Balbec; yes, he told me, some of them at any rate. The villa in which one of them lived was at that very spot, right at the end of the beach, where the cliffs of Canapville began. As this girl was a great friend of Albertine Simonet, this was another reason for me to believe that it was indeed the latter whom I had met that day when I was with my grandmother. There were of course so many of those little streets running down to the beach, and all at the same angle, that I could not have pointed out exactly which of them it had been. One would like always to remember a thing accurately, but at the time one’s vision was clouded. And yet that Albertine and the girl whom I had seen going to her friend’s house were one and the same person was a practical certainty. In spite of which, whereas the countless images that have since been furnished me by the dark young golfer, however different they may have been from one another, have overlaid one another (because I now know that they all belong to her), and if I retrace the thread of my memories I can, under cover of that identity, and as though along a tunnelled passage, pass through all those images in turn without losing my consciousness of the same person behind them all, if, on the other hand, I wish to revert to the girl whom I passed that day when I was with my grandmother, I must escape first into freer air. I am convinced that it is Albertine whom I find there, the same girl as her who would often stop dead among her moving comrades, in her walk along the foreground of the sea; but all those more recent images remain separate from that earlier one because I am unable to confer on her retrospectively an identity which she had not for me at the moment in which she caught my eye; whatever assurance I may derive from the law of probabilities, that girl with plump cheeks who stared at me so boldly from the angle of the little street and the beach, and by whom I believe that I might have been loved, I have never, in the strict sense of the words, seen again&#xA;&#xA;   My hesitation between the different girls of the little band, all of whom retained something of the collective charm which had at first disturbed me, combined with the reasons already given to allow me later on, even at the time of my greater — my second — passion for Albertine, a sort of intermittent and very brief liberty to abstain from loving her. From having strayed among all her friends before it finally concentrated itself on her, my love kept, now and then, between itself and the image of Albertine a certain ‘play’ of light and shade which enabled it, like a badly fitted lamp, to flit over the surface of each of the others before settling its focus upon her; the connexion between the pain which I felt in my heart and the memory of Albertine did not seem to me necessary; I might perhaps have managed to co-ordinate it with the image of another person, Which enabled me, in a momentary flash, to banish reality altogether, not only external reality, as in my love for Gilberte (which I had recognised to be an internal state in which I drew from myself alone the particular quality, the special character of the person whom I loved, everything that rendered her indispensable to my happiness), but even the other reality, internal and purely subjective&#xA;&#xA;    “Not a day passes but one or the other of them comes by here, and looks in for a minute or two,” Elstir told me, plunging me in despair when I thought that if I had gone to see him at once, when my grandmother had begged me to do so, I should, in all probability, long since have made Albertine’s acquaintance&#xA;&#xA;   She had passed on; from the studio she was no longer in sight. I supposed that she had gone to join her friends on the ‘front.’ Could I have appeared there suddenly with Elstir, I should have got to know them all. I thought of endless pretexts for inducing him to take a turn with me on the beach. I had no longer the same peace of mind as before the apparition of the girl in the frame of the little window; so charming until then in its fringe of honeysuckle, and now so drearily empty. Elstir caused me a joy that was tormenting also when he said that he would go a little way with me, but that he must first finish the piece of work on which he was engaged. It was a flower study but not one of any of the flowers, portraits of which I would rather have commissioned him to paint than the portrait of a person, so that I might learn from the revelation of his genius what I had so often sought in vain from the flowers themselves — hawthorn white and pink, cornflowers, apple-blossom. Elstir as he worked talked botany to me, but I scarcely listened; he was no longer sufficient in himself, he was now only the necessary intermediary between these girls and me; the distinction which, only a few moments ago, his talent had still given him in my eyes was now worthless save in so far as it might confer a little on me also in the eyes of the little band to whom I should be presented by him&#xA;&#xA;   I paced up and down the room, impatient for him to finish what he was doing; I picked up and examined various sketches, any number of which were stacked against the walls. In this way I happened to bring to light a water-colour which evidently belonged to a much earlier period in Elstir’s life, and gave me that particular kind of enchantment which is diffused by works of art not only deliriously executed but representing a subject so singular and so seductive that it is to it that we attribute a great deal of their charm, as if the charm were something that the painter had merely to uncover, to observe, realised already in a material form by nature, and to reproduce in art. That such objects can exist, beautiful quite apart from the painter’s interpretation of them, satisfies a sort of innate materialism in us, against which our reason contends and acts as a counterpoise to the abstractions of aesthetics. It was — this water-colour — the portrait of a young woman, by no means beautiful but of a curious type, in a close-fitting mob-cap not unlike a ‘billy-cock’ hat, trimmed with a ribbon of cherry-coloured silk; in one of her mittened hands was a lighted cigarette, while the other held, level with her knee, a sort of broad-brimmed garden hat, nothing more than a fire screen of plaited straw to keep off the sun. On a table by her side, a tall vase filled with pink carnations. Often (and it was the case here) the singularity of such works is due principally to their having been executed in special conditions for which we do not at first sight make proper allowance, if, for instance, the strange attire of a feminine model is her costume for a masked ball, or conversely the scarlet cloak which an elderly man looks as though he had put on to humour some whim in the painter is his gown as a professor or alderman or his cardinal’s cassock. The ambiguous character of the person whose portrait now confronted me arose, without my understanding it, from the fact that she was a young actress of an earlier generation half dressed for a part. But the cap or hat, beneath which the hair stuck out but was cut short, the velvet coat opening without lapels over a white shirt-front, made me hesitate as to the period of the clothes and the sex of the model, so that I did not know what it was exactly that I was holding before my eyes, unless simply the brightest coloured of these scraps of painting. And the pleasure which it afforded me was disturbed only by the fear that Elstir, by delaying further, would make me miss the girls, for the sun was now declining and hung low in the little window. Nothing in this water-colour was merely stated there as a fact and painted because of its utility to the composition, the costume because the young woman must be wearing something, the vase to hold the flowers. The glass of the vase, cherished for its own sake, seemed to be holding the water in which the stems of the carnations were dipped in something as limpid, almost as liquid as itself; the woman’s dress encompassed her in a manner that had an independent, a brotherly charm, and, if the works of man can compete in charm with the wonders of nature, as delicate, as pleasing to the touch of the eye, as freshly painted as the fur of a cat, the petals of a flower, the feathers of a dove. The whiteness of the shirt-front, fine as driven rain, with its gay pleats gathered into little bells like lilies of the valley, was starred with bright gleams of light from the room, as sharply edged and as finely shaded as though they had been posies of flowers stitched on the woven lawn. And the velvet of the coat, brilliant with a milky sheen, had here and there a roughness, a scoring, a shagginess on its surface which made one think of the crumpled brightness of the carnations in the vase. But above all one felt that Elstir, sublimely indifferent to whatever immoral suggestion there might be in this disguise of a young actress for whom the talent with which she would play her part on the stage was doubtless of less importance than the irritant attraction which she would offer to the jaded or depraved senses of some of her audience, had on the contrary fastened upon those ambiguous points as on an aesthetic element which deserved to be brought into prominence, and which he had done everything in his power to emphasise. Along the lines of the face, the latent sex seemed to be on the point of confessing itself to be that of a somewhat boyish girl, then vanished and farther on reappeared with a suggestion rather of an effeminate youth, vicious and pensive, then fled once more to remain uncapturable. The dreamy sadness in the expression of her eyes, by the mere fact of its contrast with the accessories belonging to the world of love-making and play-acting, was not the least disturbing element in the picture. One imagined moreover that it must be feigned, and that the young person who seemed ready to submit to caresses in this provoking costume had probably thought it effective to enhance the provocation with this romantic expression of a secret longing, an unspoken grief. At the foot of the picture was inscribed “Miss Sacripant: October, 1872.” I could not contain my admiration. “Oh, it’s nothing, only a rough sketch I did when I was young; it was a costume for a variety show. It’s all ages ago now.” “And what has become of the model?” A bewilderment provoked by my words preceded on Elstir’s face the indifferent, absent-minded air which, a moment later, he displayed there. “Quick, give it to me!” he cried, “I hear Madame Elstir coming, and, though, I assure you, the young person in the billy-cock hat never played any part in my life, still there’s no point in my wife’s coming in and finding it staring her in the face. I have kept it only as an amusing sidelight on the theatre of those days.” And, before putting it away behind the pile, Elstir, who perhaps had not set eyes on the sketch for years, gave it his careful scrutiny. “I must keep just the head,” he murmured, “the lower part is really too shockingly bad, the hands are a beginner’s work.” I was miserable at the arrival of Mme. Elstir, who could only delay us still further. The window sill was already aglow. Our excursion would be a pure waste of time. There was no longer the slightest chance of our seeing the girls, consequently it mattered now not at all how soon Mme. Elstir left us or how long she stayed. Not that she did stay for any length of time. I found her most tedious; she might have been beautiful, once, at twenty, driving an ox in the Roman Campagna, but her dark hair was streaked with grey and she was common without being simple, because she believed that a pompous manner and majestic attitudes were required by her statuesque beauty, which, however, advancing age had robbed of all its charm. She was dressed with the utmost simplicity. And it was touching, but at the same time surprising to hear Elstir, whenever he opened his mouth, and with a respectful gentleness, as if merely uttering the words moved him to tenderness and veneration, repeat: “My beautiful Gabrielle!” Later on, when I had become familiar with Elstir’s mythological paintings, Mme. Elstir acquired beauty in my eyes also. I understood then that to a certain ideal type illustrated by certain lines, certain arabesques which reappeared incessantly throughout his work, to a certain canon of art he had attributed a character that was almost divine, since the whole of his time, all the mental effort of which he was capable, in a word his whole life he had consecrated to the task of distinguishing those lines as clearly and of reproducing them as faithfully as possible. What such an ideal inspired in Elstir was indeed a cult so solemn, so exacting that it never allowed him to be satisfied with what he had achieved; was the most intimate part of himself, and so he had never been able to look at it from a detached standpoint, to extract emotion from it, until the day on which he encountered it realised outside, apart from himself, in the body of a woman, the body of her who in due course became Mme. Elstir and in whom he had been able (as one is able only with something that is not oneself) to find it meritorious, moving, god-like. How comforting, moreover, to let his lips rest upon that Beauty which hitherto he had been obliged with so great labour to extract from ^ within himself, whereas now, mysteriously incarnate, it offered itself to him in a series of communions, filled with saving grace. Elstir at this period was no longer in that early youth in which we look only to the power of our own mind for the realisation of our ideal. He was nearing the age at which we count on bodily satisfactions to stimulate the forces of the brain, at which the exhaustion of the brain inclining us to materialism and the diminution of our activity to the possibility of influences passively received, begin to make us admit that there may indeed be certain bodies, certain callings, certain rhythms that are privileged, realising so naturally our ideal that even without genius, merely by copying the movement of a shoulder, the tension of a throat, we can achieve a masterpiece, it is the age at which we like to caress Beauty with our eyes objectively, outside ourselves, to have it near us, in a tapestry, in a lovely sketch by Titian picked up in a second-hand shop, in a mistress as lovely as Titian’s sketch. When I understood this I could no longer look without pleasure at Mme. Elstir, and her body began to lose its heaviness, for I filled it with an idea, the idea that she was an immaterial creature, a portrait by Elstir. She was one for me, and for him also I dare say. The facts of life have no meaning for the artist, they are to him merely an opportunity for exposing the naked blaze of his genius. One feels unmistakably, when one sees side by side ten portraits of different people painted by Elstir, that they are all, first and foremost, Elstirs. Only, after this rising tide of genius, which sweeps over and submerges a man’s life, when the brain begins to tire, gradually the balance is upset and, like a river that resumes its course after the counter-flow of a spring tide, it is life that once more takes the upper hand. While the first period lasted, the artist has gradually evolved the law, the formula of his unconscious gift. He knows what situations, should he be a novelist — if a painter, what scenes — furnish him with the subject matter, which may be anything in the world but, whatever it is, is essential to his researches as a laboratory might be of a workshop. He knows that he has created his masterpieces out of effects of attenuated light, the action of remorse upon consciousness of guilt, out of women posed beneath trees or half-immersed in water, like statues. A day will come when, owing to the exhaustion of his brain, he will no longer have the strength, when provided with those materials which his genius was won't to use, to make the intellectual effort which alone can produce his work, and will yet continue to seek them out, happy when he finds himself in their presence, because of the spiritual pleasure, the allurement to work that they arouse in him; and, surrounding them besides with a kind of hedge of superstition as if they were superior to all things else, as if in them already dwelt a great part of the work of art which they might be said to carry within them ready made, he will confine himself to the company, to the adoration of his models. He will hold endless conversations with the repentant criminals whose remorse, whose regeneration formed, when he still wrote, the subject of his novels; he will buy a country house in a district where mists attenuate the light, he will spend long hours gazing at the limbs of bathing women; will collect sumptuous stuffs. And thus the beauty of life, a phase that has to some extent lost its meaning, a stage beyond the boundaries of art at which I had already seen Swann come to rest, was that also which, by a slackening of the creative ardour, idolatry of the forms which had inspired it, desire to avoid effort, must ultimately arrest an Elstir’s progress&#xA;&#xA;   At last he had applied the final brush-stroke to his flowers; I sacrificed a minute to look at them; I acquired no merit by the act, for I knew that there was no chance now of our finding the girls on the beach; and yet, had I believed them to be still there, and that these wasted moments would make me miss them, I should have stopped to look none the less, for I should have told myself that Elstir was more interested in his flowers than in my meeting with the girls. My grandmother’s nature, a nature that was the exact counterpart of my complete egoism, was nevertheless reflected in certain aspects of my own. In circumstances in which someone to whom I was indifferent, for whom I had always made a show of affection or respect, ran the risk merely of some unpleasantness whereas I was in real danger, I could not have done otherwise than commiserate with him on his annoyance as though it had been something important, and treat my own danger as nothing, because I would feel that these were the proportions in which he must see things. To be quite accurate, I would go even further, and not only not complain of the danger in which I myself stood but go half-way to meet it, and with that which involved other people try, on the contrary, were I to increase the risk of my being caught myself, to avert it from them. The reasons for this are several, none of which does me the slightest credit. One is that if, while only my reason was employed, I have always believed in self-preservation, whenever in the course of my existence I have found myself obsessed by moral anxieties, or merely by nervous scruples, so puerile often that I dare not enumerate them here, if an unforeseen circumstance then arose, involving for me the risk of being killed, this new preoccupation was so trivial in comparison with the others that I welcomed it with a sense of relief, almost of hilarity. Thus I find myself, albeit the least courageous of men, to have known that feeling which has always seemed to me, in my reasoning moods, so foreign to my nature, so inconceivable, the intoxication of danger. But even although I were, when any, even a deadly peril threatened me, passing through an entirely calm and happy phase, I could not, were I with another person, refrain from sheltering him behind me and choosing for myself the post of danger. When a sufficient store of experience had taught me that I invariably acted, and enjoyed acting, thus, I discovered — and was deeply ashamed by the discovery — that it was because, in contradiction of what I had always believed and asserted, I was extremely sensitive to the opinions of others. Not that this kind of unconfessed self-esteem is in any sense vanity or conceit. For what might satisfy one or other of those failings would give me no pleasure, and I have always refrained from indulging them. But with the people in whose company I have succeeded in concealing most effectively the slight advantages a knowledge of which might have given them a less derogatory idea of myself, I have never been able to deny myself the pleasure of shewing them that I take more trouble to avert the risk of death from their path than from my own. As my motive is then self-esteem and not valour, I find it quite natural that in any crisis they should act differently. I am far from blaming them for it, as I should perhaps if I had been moved by a sense of duty, a duty which would seem to me, in that case, to be as incumbent upon them as upon myself. On the contrary, I feel that it is eminently sensible of them to safeguard their lives, though at the same time I cannot prevent my own safety from receding into the background, which is particularly silly and culpable of me since I have come to realise that the lives of many of the people in front of whom I plant myself when a bomb bursts are more valueless even than my own. However, on the day of this first visit to Elstir, the time was still distant at which I was to become conscious of this difference in value, and there was no question of danger, but simply — a harbinger this of that pernicious self-esteem — the question of my not appearing to attach to the pleasure which I so ardently desired more importance than to the work which the painter had still to finish. It was finished at last. And, once we were out of doors, I discovered that — so long were the days still at this season — it was not so late as I had supposed; we strolled down to the ‘front.’ What stratagems I employed to keep Elstir standing at the spot where I thought that the girls might still come past. Pointing to the cliffs that towered beside us, I kept on asking him to tell me about them, so as to make him forget the time and stay there a little longer. I felt that we had a better chance of waylaying the little band if we moved towards the end of the beach. “I should like to look at those cliffs with you from a little nearer,” I said to him, having noticed that one of the girls was in the habit of going in that direction. “And as we go, do tell me about Carquethuit. I should so like to see Carquethuit,” I went on, without thinking that the so novel character which manifested itself with such force m Elstir’sCarquethuit Harbour, might belong perhaps rather to the painter’s vision than to any special quality in the place itself. “Since I’ve seen your picture, I think that is where I should most like to go, there and to the Pointe du Raz, but of course that would be quite a journey from here.” “Yes, and besides, even if it weren’t nearer, I should advise you perhaps all the same to visit Carquethuit,” he replied. “The Pointe du Raz is magnificent, but after all it is simply the high cliff of Normandy or Brittany which you know already. Carquethuit is quite different, with those rocks bursting from a level shore. I know nothing in France like it, it reminds me rather of what one sees in some parts of Florida. It is most interesting, and for that matter extremely wild too. It is between Clitourps and Nehomme; you know how desolate those parts are; the sweep of the coast-line is delicious. Here, the coast-line is like anywhere else; but along there I can’t tell you what charm it has, what softness.”&#xA;&#xA;   Night was falling; it was time to be turning homewards; I was escorting Elstir in the direction of his villa when suddenly, as it were Mephistopheles springing up before Faust, there appeared at the end of the avenue — like simply an objectification, unreal, diabolical, of the temperament diametrically opposed to my own, of the semi-barbarous and cruel vitality of which I, in my weakness, my excess of tortured sensibility and intellectuality was so destitute — a few spots of the essence impossible to mistake for anything else in the world, a few spores of the zoophytic band of girls, who wore an air of not having seen me but were unquestionably, for all that, proceeding as they advanced to pass judgment on me in their ironic vein. Feeling that a collision between them and us was now inevitable, and that Elstir would be certain to call me, I turned my back, like a bather preparing to meet the shock of a wave; I stopped dead and, leaving my eminent companion to pursue his way, remained where I was, stooping, as if I had suddenly become engrossed in it, towards the window of the curiosity shop which we happened to be passing at the moment. I was not sorry to give the appearance of being able to think of something other than these girls, and I was already dimly aware that when Elstir did call me up to introduce me to them I should wear that sort of challenging expression which betokens not surprise but the wish to appear as though one were surprised — so far is every one of us a bad actor, or everyone else a good thought-reader; — that I should even go so far as to point a finger to my breast, as who should ask “It is me, really, that you want?” and then run to join him, my head lowered in compliance and docility and my face coldly masking my annoyance at being torn from the study of old pottery in order to be introduced to people whom I had no wish to know. Meanwhile I explored the window and waited for the moment in which my name, shouted by Elstir, would come to strike me like an expected and innocuous bullet. The certainty of being introduced to these girls had had the result of making me not only feign complete indifference to them, but actually to feel it. Inevitable from this point, the pleasure of knowing them began at once to shrink, became less to me than the pleasure of talking to Saint-Loup, of dining with my grandmother, of making, in the neighbourhood of Balbec, excursions which I would regret the probability, in consequence of my having to associate with people who could scarcely be much interested in old buildings, of my being forced to abandon. Moreover, what diminished the pleasure which I was about to feel was not merely the imminence but the incoherence of its realisation. Laws as precise as those of hydrostatics maintain the relative position of the images which we form in a fixed order, which the coming event at once upsets. Elstir was just about to call me. This was not at all the fashion in which I had so often, on the beach, in my bedroom, imagined myself making these girls’ acquaintance. What was about to happen was a different event, for which I was not prepared. I recognised neither my desire nor its object; I regretted almost that I had come out with Elstir. But, above all, the shrinking of the pleasure that I expected to feel was due to the certainty that nothing, now, could take that pleasure from me. And it resumed, as though by some latent elasticity in itself, its whole extent when it ceased to be subjected to the pressure of that certainty, at the moment when, having decided to turn my head, I saw Elstir, standing where he had stopped a few feet away with the girls, bidding them good-bye. The face of the girl who stood nearest to him, round and plump and glittering with the light in her eyes, reminded me of a cake on the top of which a place has been kept for a morsel of blue sky. Her eyes, even when fixed on an object, gave one the impression of motion, just as on days of high wind the air, although invisible, lets us perceive the speed with which it courses between us and the unchanging azure. For a moment her gaze intersected mine, like those travelling skies on stormy days which hurry after a rain-cloud that moves less rapidly than they, overtake, touch, cover, pass it and are gone; but they do not know one another, and are soon driven far apart. So our eyes were for a moment confronted, neither pair knowing what the celestial continent that lay before their gaze held of future blessing or disaster. Only at the moment when her gaze was directly coincident with mine, without slackening its movement it grew perceptibly duller. So on a starry night the wind-swept moon passes behind a cloud and veils her brightness for a moment, but soon will shine again. But Elstir had already said goodbye to the girls, and had never summoned me. They disappeared down a cross street; he came towards me. My whole plan was spoiled&#xA;&#xA;   I have said that Albertine had not seemed to me that day to be the same as on previous days and that afterwards, each time I saw her, she was to appear different. But I felt at that moment that certain modifications in the appearance, the importance, the stature of a person may also be due to the variability of certain states of consciousness interposed between that person and us. One of those that play an important part in such transformations is belief; that evening my belief, then the vanishing of my belief, that I was about to know Albertine had, with a few seconds’ interval only, rendered her almost insignificant, then infinitely precious in my sight; some years later, the belief, then the disappearance of the belief, that Albertine was faithful to me brought about similar changes&#xA;&#xA;   Of course, long ago, at Combfay, I had seen shrink or stretch, according to the time of day, according as I was entering one or the other of the two dominant moods that governed my sensibility in turn, my grief at not having my mother with me, as imperceptible all afternoon as is the moon’s light when the sun is shining, and then, when night had come, reigning alone in my anxious heart in the place of recent memories now obliterated. But on that day at Balbec, when I saw that Elstir was leaving the girls and had not called me, I learned for the first time that the variations in the importance which a pleasure or a pain has in our eyes may depend not merely on this alternation of two moods, but on the displacement of invisible beliefs, such, for example, as make death seem to us of no account because they bathe it in a glow of unreality, and thus enable us to attach importance to our attending an evening party, which would lose much of its charm for if, on the announcement that we were sentenced to die by the guillotine, the belief that had bathed the party in its warm glow was instantly shattered; and this part that belief plays, it is true that something in me was aware of it; this was my will; but its knowledge is vain if the mind, the heart continue in ignorance; these last act in good faith when they believe that we are anxious to forsake a mistress to whom our will alone knows that we are still attached. This is because they are clouded by the belief that we shall see her again at any moment. But let this belief be shattered, let them suddenly become aware that this mistress is gone from us for ever, then the mind and heart, having lost their focus, are driven like mad things, the meanest pleasure becomes infinitely great&#xA;&#xA;   Variance of a belief, annulment also of love, which, pre-existent and mobile, comes to rest at the image of any one woman simply because that woman will be almost impossible of attainment. Thenceforward we think not so much of the woman of whom we find difficult in forming an exact picture, as of the means of getting to know her. A whole series of agonies develops and is sufficient to fix our love definitely upon her who is its almost unknown object. Our love becomes immense; we never dream how small a place in it the real woman occupies. And if suddenly, as at the moment when I had seen Elstir stop to talk to the girls, we cease to be uneasy, to suffer pain, since it is this pain that is the whole of our love, it seems to us as though love had abruptly vanished at the moment when at length we grasp the prey to whose value we had not given enough thought before. What did I know of Albertine? One or two glimpses of a profile against the sea, less beautiful, assuredly, than those of Veronese’s women whom I ought, had I been guided by purely aesthetic reasons, to have preferred to her. By what other reasons could I be guided, since, my anxiety having subsided, I could recapture only those mute profiles; I possessed nothing of her besides. Since my first sight of Albertine I had meditated upon her daily, a thousandfold, I had carried on with what I called by her name an interminable unspoken dialogue in which I made her question me, answer me, think and act, and in the infinite series of imaginary Albertines who followed one after the other in my fancy, hour after hour, the real Albertine, a glimpse caught on the beach, figured only at the head, just as the actress who creates a part, the star, appears, out of a long series of performances, in the few first alone. That Albertine was scarcely more than a silhouette, all that was superimposed being of my own growth, so far when we are in love does the contribution that we ourself make outweigh — even if we consider quantity only — those that come to us from the beloved object. And the same is true of love that is given its full effect. There are loves that manage not only to be formed but to subsist around a very little core — even among those whose prayer has been answered after the flesh. An old drawing-master who had taught my grandmother had been presented by some obscure mistress with a daughter. The mother died shortly after the birth of her child, and the drawing-master was so broken-hearted that he did not long survive her. In the last months of his life my grandmother and some of the Combray ladies, who had never liked to make any allusion in the drawing-master’s presence to the woman, with whom, for that matter, he had not officially ‘lived’ and had had comparatively slight relations, took it into their heads to ensure the little girl’s future by combining to purchase an annuity for her. It was my grandmother who suggested this; several of her friends made difficulties; after all was the child really such a very interesting case, was she even the child of her reputed father; with women like that, it was never safe to say. Finally, everything was settled. The child came to thank the ladies. She was plain, and so absurdly like the old drawing-master as to remove every shadow of doubt; her hair being the only nice thing about her, one of the ladies said to her father, who had come with her: “What pretty hair she has.” And thinking that now, the woman who had sinned being dead and the old man only half alive, a discreet allusion to that past of which they had always pretended to know nothing could do no harm, my grandmother added: “It runs in families. Did her mother have pretty hair like that?” “I don’t know,” was the old man’s quaint answer. “I never saw her except with a hat on.”&#xA;&#xA;   But I must not keep Elstir waiting. I caught sight of myself in a glass. To add to the disaster of my not having been introduced to the girls, I noticed that my necktie was all crooked, my hat left long wisps of hair shewing, which did not become me; but it was a piece of luck, all the same, that they should have seen me, even thus attired, in Elstir’s company and so could not forget me; also that I should have put on, that morning, at my grandmother’s suggestion, my smart waistcoat, when I might so easily have been wearing one that was simply hideous, and be carrying my best stick. For while an event for which we are longing never happens quite in the way we have been expecting, failing the advantages on which we supposed that we might count, others present themselves for which we never hoped, and make up for our disappointment; and we have been so dreading the worst that in the end we are inclined to feel that, taking one thing with another, chance has, on the whole, been rather kind to us&#xA;&#xA;    “I did so much want to know them,” I said as I reached Elstir. “Then why did you stand a mile away?” These were his actual words, not that they expressed what was in his mind, since, if his desire had been to grant mine, to call me up to him would have been quite easy, but perhaps because he had heard phrases of this sort, in familiar use among common people when they are in the wrong, and because even great men are in certain respects much the same as common people, take their everyday excuses from the same common stock just as they get their daily bread from the same baker; or it may be that such expressions (which ought, one might almost say, to be read ‘backwards,’ since their literal interpretation is the opposite of the truth) are the instantaneous effect, the negative exposure of a reflex action. “They were in a hurry.” It struck me that of course they must have stopped him from summoning a person who did not greatly attract them; otherwise he would not have failed, after all the questions that I had put to him about them, and the interest which he must have seen that I took in them, to call me. “We were speaking just now of Carquethuit,” he began, as we walked towards his villa. “I have done a little sketch, in which you can see much better how the beach curves. The painting is not bad, but it is different. If you will allow me, just to cement our friendship, I would like to give you the sketch,” he went on, for the people who refuse us the objects of our desire are always ready to offer us something else&#xA;&#xA;    “I should very much like, if you have such a thing, a photograph of the little picture of Miss Sacripant. ‘Sacripant’— that’s not a real name, surely?” “It is the name of a character the sitter played in a stupid little musical comedy.” “But, I assure you, sir, I have never set eyes on her; you look as though you thought that I knew her.” Elstir was silent. “It isn’t Mme. Swann, before she was married?” I hazarded, in one of those sudden fortuitous stumblings upon the truth, which are rare enough in all conscience, and yet give, in the long run, a certain cumulative support to the theory of presentiments, provided that one takes care to forget all the wrong guesses that would invalidate it. Elstir did not reply. The portrait was indeed that of Odette de Crécy. She had preferred not to keep it for many reasons, some of them obvious. But there were others less apparent. The portrait dated from before the point at which Odette, disciplining her features, had made of her face and figure that creation the broad outlines of which her hairdressers, her dressmakers, she herself — in her way of standing, of speaking, of smiling, of moving her hands, her eyes, of thinking — were to respect throughout the years to come. It required the vitiated tastes of a surfeited lover to make Swann prefer to all the countless photographs of the ‘sealed pattern’ Odette which was his charming wife the little photographs which he kept in his room and in which, beneath a straw hat trimmed with pansies, you saw a thin young woman, not even good-looking, with bunched-out hair and drawn features&#xA;&#xA;   But apart from this, had the portrait been not anterior like Swann’s favourite photograph, to the systématisation of Odette’s features in a fresh type, majestic and charming, but subsequent to it, Elstir’s vision would alone have sufficed to disorganise that type. Artistic genius in its reactions is like those extremely high temperatures which have the power to disintegrate combinations of atoms which they proceed to combine afresh in a diametrically opposite order, following another type. All that artificially harmonious whole into which a woman has succeeded in bringing her limbs and features, the persistence of which every day, before going out, she studies in her glass, changing the angle of her hat, smoothing her hair, exercising the sprightliness in her eyes, so as to ensure its continuity, that harmony the keen eye of the great painter instantly destroys, substituting for it a rearrangement of the woman’s features such as will satisfy a certain pictorial ideal of femininity which he carries in his head. Similarly it often happens that, after a certain age, the eye of a great seeker after truth will find everywhere the elements necessary to establish those relations which alone are of interest to him. Like those craftsmen, those players who, instead of making a fuss and asking for what they cannot have, content themselves with the instrument that comes to their hand, the artist might say of anything, no matter what, that it would serve his purpose. Thus a cousin of the Princesse de Luxembourg, a beauty of the most queenly type, having succumbed to a form of art which was new at that time, had asked the leading painter of the naturalist school to do her portrait. At once the artist’s eye had found what he sought everywhere in life. And on his canvas there appeared, in place of the proud lady, a street-boy, and behind him a vast, sloping, purple background which made one think of the Place Pigalle. But even without going so far as that, not only will the portrait of a woman by a great artist not seek in the least to give satisfaction to various demands on the woman’s part — such as for instance, when she begins to age, make her have herself photographed in dresses that are almost those of a young girl, which bring out her still youthful figure and make her appear like the sister, or even the daughter of her own daughter, who, if need be, is tricked out for the occasion as a ‘perfect fright’ by her side — it will, on the contrary, emphasise those very drawbacks which she seeks to hide, and which (as for instance a feverish, that is to say a livid complexion) are all the more tempting to him since they give his picture ‘character’; they are quite enough, however, to destroy all the illusions of the ordinary man who, when he sees the picture, sees crumble into dust the ideal which the woman herself has so proudly sustained for him, which has placed her in her unique, her unalterable form so far apart, so far above the rest of humanity. Fallen now, represented otherwise than in her own type in which she sat unassailably enthroned, she is become nothing more than just an ordinary woman, in the legend of whose superiority we have lost all faith. In this type we are so accustomed to regard as included not only the beauty of an Odette but her personality, her identity, that standing before the portrait which has thus transposed her from it we are inclined to protest not simply “How plain he has made her!” but “Why, it isn’t the least bit like her!” We find it hard to believe that it can be she. We do not recognise her. And yet there is a person there on the canvas whom we are quite conscious of having seen before. But that person is not Odette; the face of the person, her body, her general appearance seem familiar. They recall to us not this particular woman who never held herself like that, whose natural pose had no suggestion of any such strange and teasing arabesque in its outlines, but other women, all the women whom Elstir has ever painted, women whom invariably, however they may differ from one another, he has chosen to plant thus on his canvas facing you, with an arched foot thrust out from under the skirt, a large round hat in one hand, symmetrically corresponding at the level of the knee which it hides to what also appears as a disc, higher up in the picture: the face. And furthermore, not only does a portrait by the hand of genius disintegrate and destroy a woman’s type, as it has been denned by her coquetry and her selfish conception of beauty, but if it is also old, it is not content with ageing the original in the same way as a photograph ages its sitter, by shewing her dressed in the fashions of long ago. In a portrait, it is not only the manner the woman then had of dressing that dates it, there is also the manner the artist had of painting. And this, Elstir’s earliest manner, was the most damaging of birth certificates for Odette because it not only established her, as did her photographs of the same period, as the younger sister of various time-honoured courtesans, but made her portrait contemporary with the countless portraits that Manet or Whistler had painted of all those vanished models, models who already belonged to oblivion or to history&#xA;&#xA;   It was along this train of thought, meditated in silence by the side of Elstir as I accompanied him to his door, that I was being led by the discovery that I had just made of the identity of his model, when this original discovery caused me to make a second, more disturbing still, involving the identity of the artist. He had painted the portrait of Odette de Crécy. Could it possibly be that this man of genius, this sage, this eremite, this philosopher with his marvellous flow of conversation, who towered over everyone and everything, was the foolish, corrupt little painter who had at one time been ‘taken up’ by the Verdurins? I asked him if he had known them, whether by any chance it was he that they used to call M. Biche. He answered me in the affirmative, with no trace of embarrassment, as if my question referred to a period in his life that was ended and already somewhat remote, with no suspicion of what a cherished illusion his words were shattering in me, until looking up he read my disappointment upon my face. His own assumed an expression of annoyance. And, as we were now almost at the gate of his house, a man of less outstanding eminence, in heart and brain, might simply have said ‘good-bye’ to me, a trifle dryly, and taken care to avoid seeing me again. This however was not Elstir’s way with me; like the master that he was — and this was, perhaps, from the point of view of sheer creative genius, his one fault, that he was a master in that sense of the word, for an artist if he is to live the true life of the spirit in its full extent, must be alone and not bestow himself with profusion, even upon disciples — from every circumstance, whether involving himself or other people, he sought to extract, for the better edification of the young, the element of truth that it contained. He chose therefore, rather than say anything that might have avenged the injury to his pride, to say what he thought would prove instructive to me. “There is no man,” he began, “however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man — so far as it is possible for any of us to be wise — unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grandsons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you are not the result of training at home, by a father, or by masters at school, they have sprung from beginnings of a very different order, by reaction from the influence of everything evil or commonplace that prevailed round about them. They represent a struggle and a victory. I can see that the picture of what we once were, in early youth, may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not deny the truth of it, for it is evidence that we have really lived, that it is in accordance with the laws of life and of the mind that we have, from the common elements of life, of the life of studios, of artistic groups — assuming that one is a painter — extracted something that goes beyond them.” Meanwhile we had reached his door. I was disappointed at not having met the girls. But after all there was now the possibility of meeting them again later on; they had ceased to do no more than pass beyond a horizon on which I had been ready to suppose that I should never see them reappear. Around them no longer swirled that sort of great eddy which had separated me from them, which had been merely the expression of the perpetually active desire, mobile, compelling, fed ever on fresh anxieties, which was aroused in me by their inaccessibility, their flight from me, possibly for ever. My desire for them, I could now set it at rest, hold it in reserve, among all those other desires the realisation of which, as soon as I knew it to be possible, I would cheerfully postpone. I took leave of Elstir; I was alone once again. Then all of a sudden, despite my recent disappointment, I saw in my mind’s eye all that chain of coincidence which I had not supposed could possibly come about, that Elstir should be a friend of those very girls, that they who only that morning had been to me merely figures in a picture with the sea for background had seen me, had seen me walking in friendly intimacy with a great painter, who was now informed of my secret longing and would no doubt do what he could to assuage it. All this had been a source of pleasure to me, but that pleasure had remained hidden; it was one of those visitors who wait before letting us know that they are in the room until all the rest have gone and we are by ourselves. Then only do we catch sight of them, and can say to them, “I am at your service,” and listen to what they have to tell us. Sometimes between the moment at which these pleasures have entered our consciousness and the moment at which we are free to entertain them, so many hours have passed, we have in the interval seen so many people that we are afraid lest they should have grown tired of waiting. But they are patient, they do not grow tired, and as soon as the crowd has gone we find them there ready for us. Sometimes it is then we who are so exhausted that it seems as though our weary mind will not have the strength left to seize and retain those memories, those impressions for which our frail self is the one habitable place, the sole means of realisation. And we should regret that failure, for existence to us is hardly interesting save on the days on which the dust of realities is shot with magic sand, on which some trivial incident of life becomes a spring of romance. Then a whole promontory of the inaccessible world rises clear in the light of our dream, and enters into our life, our life in which, like the sleeper awakened, we actually see the people of whom we have been so ardently dreaming that we came to believe that we should never behold them save in our dreams&#xA;&#xA;   The sense of comfort that I drew from the probability of my now being able to meet the little band whenever I chose was all the more precious to me because I should not have been able to keep watch for them during the next few days, which would be taken up with preparations for Saint-Loup’s departure. My grandmother was anxious to offer my friend some proof of her gratitude for all the kindnesses that he had shewn to her and myself. I told her that he was a great admirer of Proudhon, and this put it into her head to send for a collection of autograph letters by that philosopher which she had once bought; Saint-Loup came to her room to look at them on the day of their arrival, which was also his last day at Balbec. He read them eagerly, fingering each page with reverence, trying to get the sentences by heart; and then, rising from the table, was beginning to apologise to my grandmother for having stayed so long, when he heard her say: “No, no; take them with you; they are for you to keep; that was why I sent for them, to give them to you.”&#xA;&#xA;   He was overpowered by a joy which he could no more control than we can a physical condition that arises without the intervention of our will. He blushed scarlet as a child who has just been whipped, and my grandmother was a great deal more touched to see all the efforts that he was making (without success) to control the joy that convulsed him than she would have been to hear any words of thanks that he could have uttered. But he, fearing that he had failed to shew his gratitude properly, begged me to make his excuses to her again, next day, leaning from the window of the little train of the local railway company which was to take him back to his regiment. The distance was, as a matter of fact, nothing. He had thought of going, as he had frequently done that summer, when he was to return the same evening and was not encumbered with luggage, by road. But this time he would have had, anyhow, to put all his heavy luggage in the train. And he found it simpler to take the train himself also, following the advice of the manager who, on being consulted, replied that “Carriage or train, it was more or less equivocal.” He meant us to understand that they were equivalent (in fact, very much what Françoise would have expressed as “coming to as near as made no difference”). “Very well,” Saint-Loup had decided, “I will take the ‘little crawler.’” I should have taken it too, had I not been tired, and gone with my friend to Doncières; failing this I kept on promising, all the time that we waited in the Balbec station — the time, that is to say, which the driver of the little train spent in waiting for unpunctual friends, without whom he refused to start, and also in seeking some refreshment for himself — to go over there and see him several times a week. As Bloch had come to the station also — much to Saint-Loup’s disgust — the latter, seeing that our companion could hear him begging me to come to luncheon, to dinner, to stay altogether at Doncières, finally turned to him and, in the most forbidding tone, intended to counteract the forced civility of the invitation and to prevent Bloch from taking it seriously: “If you ever happen to be passing through Doncières any afternoon when I am off duty, you might ask for me at the barracks; but I hardly ever am off duty.” Perhaps, also, Robert feared lest, if left to myself, I might not come, and, thinking that I was more intimate with Bloch than I made out, was providing me in this way with a travelling companion, one who would urge me on&#xA;&#xA;   I was afraid that this tone, this way of inviting a person while warning him not to come, might have wounded Bloch, and felt that Saint-Loup would have done better, saying nothing. But I was mistaken, for after the train had gone, while we were walking back together as far as the crossroads at which we should have to part, one road going to the hotel, the other to the Blochs’ villa, he never ceased from asking me on what day we should go to Doncières, for after “all the civilities that Saint-Loup had shewn” him, it would be ‘too unmannerly’ on his part not to accept the invitation. I was glad that he had not noticed, or was so little displeased as to wish to let it be thought that he had not noticed on how far from pressing, how barely polite a note the invitation had been sounded. At the same time I should have liked Bloch, for his own sake, to refrain from making a fool of himself by going over at once to Doncières. But I dared not offer a piece of advice which could only have offended him by hinting that Saint-Loup had been less pressing than himself impressed. He was a great deal too ready to respond, and even if all his faults of this nature were atoned for by remarkable qualities which others, with more reserve than he, would not possess, he carried indiscretion to a pitch that was almost maddening. The week must not, to hear him speak, pass without our going to Doncières (he said ‘our’ for I think that he counted to some extent on my presence there as an excuse for his own). All the way home, opposite the gymnasium, in its grove of trees, opposite the lawn-tennis courts, the mayor’s office, the shell-fish stall, he stopped me, imploring me to fix a day, and, as I did not, left me in a towering rage, saying: “As your lordship pleases. For my part, I’m obliged to go since he has invited me.”&#xA;&#xA;   Saint-Loup was still so much afraid of not having thanked my grandmother properly that he charged me once again to express his gratitude to her a day or two later in a letter I received from him from the town in which he was quartered, a town which seemed, on the envelope where the post-mark had stamped its name, to be hastening to me across country, to tell me that within its walls, in the Louis XVI cavalry barracks, he was thinking of me. The paper was embossed with the arms of Marsantes, in which I could make out a lion, surmounted by a coronet formed by the cap of a Peer of France&#xA;&#xA;    “After a journey which,” he wrote, “passed pleasantly enough, with a book I bought at the station, by Arvède Barine (a Russian author, I fancy; it seemed to me remarkably well written for a foreigner, but you shall give me your critical opinion, you are bound to know all about it, you fount of knowledge who have read everything), here I am again in the thick of this debased existence, where, alas, I feel a sad exile, not having here what I had to leave at Balbec; this life in which I cannot discover one affectionate memory, any intellectual attraction; an environment on which you would probably look with contempt — and yet it has a certain charm. Everything seems to have changed since I was last here, for in the interval one of the most important periods in my life, that from which our friendship dates, has begun. I hope that it may never come to an end. I have spoken of our friendship, of you, to one person only, to the friend I told you of, who has just paid me a surprise visit here. She would like immensely to know you, and I feel that you would get on well together, for she too is extremely literary. I, on the other hand, to go over in my mind all our talk, to live over again those hours which I never shall forget, have shut myself off from my comrades, excellent fellows, but altogether incapable of understanding that sort of thing. This remembrance of moments spent with you I should almost have preferred, on my first day here, to call up for my own solitary enjoyment, without writing. But I was afraid lest you, with your subtle mind and ultra-sensitive heart, might, if you did not hear from me, needlessly torment yourself, if, that is to say, you still condescend to occupy your thoughts with this blunt trooper whom you will have a hard task to polish and refine, and make a little more subtle and worthier of your company.”&#xA;&#xA;   On the whole this letter, in its affectionate spirit, was not at all unlike those which, when I did not yet know Saint-Loup, I had imagined that he would write to me, in those daydreams from which the coldness of his first greeting had shaken me by bringing me face to face with an icy reality which was not, however, to endure. Once I had received this letter, whenever, at luncheon-time, the post was brought in, I could tell at once when it was from him that a letter came, for it had always that second face which a person assumes when he is absent, in the features of which (the characters of his script) there is no reason why we should not suppose that we are tracing an individual soul just as much as in the line of a nose or the inflexions of a voice&#xA;&#xA;   I would now gladly remain at the table while it was being cleared, and, if it was not a moment at which the girls of the little band might be passing, it was no longer solely towards the sea that I would turn my eyes. Since I had seen such things depicted in water-colours by Elstir, I sought to find again in reality, I cherished, as though for their poetic beauty, the broken gestures of the knives still lying across one another, the swollen convexity of a discarded napkin upon which the sun would patch a scrap of yellow velvet, the half-empty glass which thus shewed to greater advantage the noble sweep of its curved sides, and, in the heart of its translucent crystal, clear as frozen daylight, a dreg of wine, dusky but sparkling with reflected lights, the displacement of solid objects, the transmutation of liquids by the effect of light and shade, the shifting colour of the plums which passed from green to blue and from blue to golden yellow in the half-plundered dish, the chairs, like a group of old ladies, that came twice daily to take their places round the white cloth spread on the table as on an altar at which were celebrated the rites of the palate, where in the hollows of oyster-shells a few drops of lustral water had gathered as in tiny holy water stoups of stone; I tried to find beauty there where I had never imagined before that it could exist, in the most ordinary things, in the profundities of ‘still life.’&#xA;&#xA;   When, some days after Saint-Loup’s departure, I had succeeded in persuading Elstir to give a small tea-party, at which I was to meet Albertine, that freshness of appearance, that smartness of attire, both (alas) fleeting, which were to be observed in me at the moment of my starting out from the Grand Hotel, and were due respectively to a longer rest than usual and to special pains over my toilet, I regretted my inability to reserve them (and also the credit accruing from Elstir’s friendship) for the captivation of some other, more interesting person; I regretted having to use them all up on the simple pleasure of making Albertine’s acquaintance. My brain assessed this pleasure at a very low value now that it was assured me. But, inside, my will did not for a moment share this illusion, that will which is the persevering and unalterable servant of our successive personalities; hiding itself in secret places, despised, downtrodden, untiringly faithful, toiling without intermission and with no thought for the variability of the self, its master, if only that master may never lack what he requires. Whereas at the moment when we are just about to start on a long-planned and eagerly awaited holiday, our brain, our nerves begin to ask themselves whether it is really worth all the trouble involved, the will, knowing that those lazy masters would at once begin to consider their journey the most wonderful experience, if it became impossible for them to take it, the will leaves them explaining their difficulties outside the station, multiplying their hesitations; but busies itself with taking the tickets and putting us into the carriage before the train starts. It is as invariable as brain and nerves are fickle, but as it is silent, gives no account of its actions, it seems almost non-existent; it is by its dogged determination that the other constituent parts of our personality are led, but without seeing it, while they distinguish clearly all their own uncertainties. My nerves and brain then started a discussion as to the real value of the pleasure that there would be in knowing Albertine, while I studied in the glass vain and perishable attractions which nerves and brain would have preserved intact for use on some other occasion. But my will would not let the hour pass at which I must start, and ‘it was Elstir’s address that it called out to the driver. Brain and nerves were at liberty, now that the die was cast, to think this ‘a pity.’ If my will had given the man a different address, they would have been finely ‘sold.’&#xA;&#xA;   When I arrived at Elstir’s, a few minutes later, my first impression was that Mlle. Simonet was not in the studio. There was certainly a girl sitting there in a silk frock, bareheaded, but one whose marvellous hair, whose nose, meant nothing to me, in whom I did not recognise the human entity that I had formed out of a young cyclist strolling past, in a polo-cap, between myself and the sea. It was Albertine, nevertheless. But even when I knew it to be she, I gave her no thought. On entering any social gathering, when we are young, we lose consciousness of our old self, we become a different man, every drawing-room being a fresh universe, in which, coming under the sway of a new moral perspective, we fasten our attention, as if they were to matter to us for all time, on people, dances, card-tables, all of which we shall have forgotten by the morning. Obliged to follow, if I was to arrive at the goal of conversation with Albertine, a road in no way of my own planning, which first brought me to a halt at Elstir, passed by other groups of guests to whom I was presented, then along the table, at which I was offered, and ate, a strawberry tart or two, while I listened, motionless, to the music that was beginning in another part of the room, I found myself giving to these various incidents the same importance as to my introduction to Mlle. Simonet, an introduction which was now nothing more than one among several such incidents, having entirely forgotten that it had been, but a few minutes since, my sole object in coming there that day. But is it not ever thus in the bustle of daily life, with every true happiness, every great sorrow? In a room full of other people we receive from her whom we love the answer, propitious or fatal, which we have been awaiting for the last year. But we must go on talking, ideas come, one after another, forming a smooth surface which is pricked, at the very most, now and then by a dull throb from within of the memory, deep-rooted enough but of very slender growth, that misfortune has come upon us. If, instead of misfortune, it is happiness, it may be that not until many years have elapsed will we recall that the most important event in our sentimental life occurred without our having time to give it any prolonged attention, or even to become aware of it almost, at a social gathering, it may have been, to which we had gone solely in expectation of that event&#xA;&#xA;   When Elstir asked me to come with him so that he might introduce me to Albertine, who was sitting a little farther down the room, I first of all finished eating a coffee éclair and, with a show of keen interest, asked an old gentleman whose acquaintance I had just made (and thought that I might, perhaps, offer him the rose in my buttonhole which he had admired) to tell me more about the old Norman fairs. This is not to say that the introduction which followed did not give me any pleasure, nor assume a definite importance in my eyes. But so far as the pleasure was concerned, I was not conscious of it, naturally, until some time later, when, once more in the hotel, and in my room alone, I had become myself again. Pleasure in this respect is like photography. What we take, in the presence of the beloved object, is merely a negative film; we develop it later, when we are at home, and have once again found at our disposal that inner darkroom, the entrance to which is barred to us so long as we are with other people&#xA;&#xA;   If my consciousness of the pleasure it had brought me was thus retarded by a few hours, the importance of this introduction I felt immediately. At such moments of introduction, for all that we feel ourselves to have been suddenly enriched, to have been furnished with a pass that will admit us henceforward to pleasures which we have been pursuing for weeks past, but in vain, we realise only too clearly that this acquisition puts an end for us not merely to hours of toilsome search — a relief that could only fill us with joy — but also to the very existence of a certain person, her whom our imagination had wildly distorted, our anxious fear that we might never become known to her enlarged. At the moment when our name sounds on the lips of the person introducing us, especially if he amplifies it, as Elstir was now doing, with a flattering account of us — in that sacramental moment, as when in a fairy tale the magician commands a person suddenly to become someone else, she to whose presence we have been longing to attain vanishes; how could she remain the same when, for one thing — owing to the attention which the stranger is obliged to pay to the announcement of our name and the sight of our person — in the eyes that only yesterday were situated at an infinite distance (where we supposed that our eyes, wandering, uncontrolled, desperate, divergent, would never succeed in meeting them) the conscious gaze, the incommunicable thought which we have been seeking have been miraculously and quite simply replaced by our own image, painted in them as though behind the glass of a smiling mirror. If this incarnation of ourself in the person who seems to differ most from us is what does most to modify the appearance of the person to whom we have just been introduced, the form of that person still remains quite vague; and we are free to ask ourself whether she will turn out to be a god, a table or a basin. But, as nimble as the wax-modellers who will fashion a bust before our eyes in five minutes, the few words which the stranger is now going to say to us will substantiate her form, will give her something positive and final that will exclude all the hypotheses by which, a moment ago, our desire, our imagination were being tempted. Doubtless, even before her coming to this party, Albertine had ceased to be to me simply that sole phantom worthy to haunt our life which is what remains of a passing stranger, of whom we know nothing and have caught but the barest glimpse. Her relation to Mme. Bontemps had already restricted the scope of those marvellous hypotheses, by stopping one of the channels along which they might have spread. As I drew closer to the girl, and began to know her better, my knowledge of her underwent a process of subtraction, all the factors of imagination and desire giving place to a notion which was worth infinitely less, a notion to which, it must be admitted, there was added presently what was more or less the equivalent, in the domain of real life, of what joint stock companies give one, after paying interest on one’s capital, and call a bonus. Her name, her family connexions had been the original limit set to my suppositions. Her friendly greeting while, standing close beside her, I saw once again the tiny mole on her cheek, below her eye, marked another stage; last of all, I was surprised to hear her use the adverb ‘perfectly’ (in place of ‘quite’) of two people whom she mentioned, saying of one: “She is perfectly mad, but very nice for all that,” and of the other, “He is a perfectly common man, a perfect bore.” However little to be commended this use of ‘perfectly’ may be, it indicates a degree of civilisation and culture which I could never have imagined as having been attained by the bacchante with the bicycle, the frenzied muse of the golf-course. Nor did it mean that after this first transformation Albertine was not to change again for me, many times. The good and bad qualities which a person presents to us, exposed to view on the surface of his or her face, rearrange themselves in a totally different order if we approach them from another angle — just as, in a town, buildings that appear strung irregularly along a single line, from another aspect retire into a graduated distance, and their relative heights are altered. To begin with, Albertine now struck me as not implacable so much as almost frightened; she seemed to me rather respectably than ill bred, judging by the description, ‘bad style,’ ‘a comic manner’ which she applied to each in turn of the girls of whom I spoke to her; finally, she presented as a target for my line of sight a temple that was distinctly flushed and hardly attractive to the eye, and no longer the curious gaze which I had always connected with her until then. But this was merely a second impression and there were doubtless others through which I was successively to pass. Thus it can be only after one has recognised, not without having had to feel one’s way, the optical illusions of one’s first impression that one can arrive at an exact knowledge of another person, supposing such knowledge to be ever possible. But it is not; for while our original impression of him undergoes correction, the person himself, not being an inanimate object, changes in himself, we think that we have caught him, he moves, and, when we imagine that at last we are seeing him clearly, it is only the old impressions which we had already formed of him that we have succeeded in making clearer, when they no longer represent him&#xA;&#xA;   And yet, whatever the inevitable disappointments that it must bring in its train, this movement towards what we have only half seen, what we have been free to dwell upon and imagine at our leisure, this movement is the only one that is wholesome for the senses, that whets the appetite. How dreary a monotony must pervade those people’s lives who, from indolence or timidity, drive in their carriages straight to the doors of friends whom they have got to know without having first dreamed of knowing them, without ever daring, on the way, to stop and examine what arouses their desire&#xA;&#xA;   I returned home, my mind full of the party, the coffee éclair which I had finished eating before I let Elstir take me up to Albertine, the rose which I had given the old gentleman, all the details selected without our knowledge by the circumstances of the occasion, which compose in a special and quite fortuitous order the picture that we retain of a first meeting. But this picture, I had the impression that I was seeing it from a fresh point of view, a long way remote from myself, realising that it had not existed only for me, when some months later, to my great surprise, on my speaking to Albertine on the day on which I had first met her, she reminded me of the éclair, the flower that I had given away, all those things which I had supposed to have been — I will not say of importance only to myself but — perceived only by myself, and which I now found thus transcribed, in a version the existence of which I had never suspected, in the mind of Albertine. On this first day itself, when, on my return to the hotel, I was able to visualise the memory which I had brought away with me, I realised the consummate adroitness with which the sleight of hand had been performed, and how I had talked for a moment or two with a person who, thanks to the skill of the conjurer, without actually embodying anything of that other person whom I had for so long been following as she paced beside the sea, had been effectively substituted for her. I might, for that matter, have guessed as much in advance, since the girl of the beach was a fabrication invented by myself. In spite of which, as I had, in my conversations with Elstir, identified her with this other girl, I felt myself in honour bound to fulfil to the real the promises of love made to the imagined Albertine. We betroth ourselves by proxy, and think ourselves obliged, in the sequel, to marry the person who has intervened. Moreover, if there had disappeared, provisionally at any rate, from my life, an anguish that found adequate consolation in the memory of polite manners, of that expression ‘perfectly common’ and of the glowing temple, that memory awakened in me desire of another kind which, for all that it was placid and not at all painful, resembling rather brotherly love, might in the long run become fully as dangerous by making me feel at every moment a compelling need to kiss this new person, whose charming ways, shyness, unlooked-for accessibility, arrested the futile process of my imagination but gave birth to a sentimental gratitude. And then, since memory begins at once to record photographs independent of one another, eliminates every link, any kind of sequence from between the scenes portrayed in the collection which it exposes to our view, the most recent does not necessarily destroy or cancel those that came before. Confronted with the commonplace though appealing Albertine to whom I had spoken that afternoon, I still saw the other, mysterious Albertine outlined against the sea. These were now memories, that is to say pictures neither of which now seemed to me any more true than the other. But, to make an end of this first afternoon of my introduction to Albertine, when trying to recapture that little mole on her cheek, just under the eye, I remembered that, looking from Elstir’s window, when Albertine had gone by, I had seen the mole on her chin. In fact, whenever I saw her I noticed that she had a mole, but my inaccurate memory made it wander about the face of Albertine, fixing it now in one place, now in another&#xA;&#xA;   Whatever my disappointment in finding in Mlle. Simonet a girl so little different from those that I knew already, just as my rude awakening when I saw Balbec Church did not prevent me from wishing still to go to Quimperlé, Pont-Aven and Venice, I comforted myself with the thought that through Albertine at any rate, even if she herself was not all that I had hoped, I might make the acquaintance of her comrades of the little band&#xA;&#xA;   I thought at first that I should fail. As she was to be staying (and I too) for a long time still at Balbec, I had decided that the best thing was not to make my efforts to meet her too apparent, but to wait for an accidental encounter. But should this occur every day, even, it was greatly to be feared that she would confine herself to acknowledging my bow from a distance, and such meetings, repeated day after day throughout the whole season, would benefit me not at all&#xA;&#xA;   Shortly after this, one morning when it had been raining and was almost cold, I was accosted on the ‘front’ by a girl wearing a close-fitting toque and carrying a muff, so different from the girl whom I had met at Elstir’s party that to recognise in her the same person seemed an operation beyond the power of the human mind; mine was, nevertheless, successful in performing it, but after a momentary surprise which did not, I think, escape Albertine’s notice. On the other hand, when I instinctively recalled the good breeding which had so impressed me before, she filled me with a converse astonishment by her rude tone and manners typical of the ‘little band.’ Apart from these, her temple had ceased to be the optical centre, on which the eye might comfortably rest, of her face, either because I was now on her other side, or because her toque hid it, or else possibly because its inflammation was not a constant thing. “What weather!” she began. “Really the perpetual summer of Balbec is all stuff and nonsense. You don’t go in for anything special here, do you? We don’t ever see you playing golf, or dancing at the Casino. You don’t ride, either. You must be bored stiff. You don’t find it too deadly, staying about on the beach all day? I see, you just bask in the sun like a lizard; you enjoy that. You must have plenty of time on your hands. I can see you’re not like me; I simply adore all sports. You weren’t at the Sogne races! We went in the ‘tram,’ and I can quite believe you don’t see the fun of going in an old ‘tin-pot’ like that. It took us two whole hours! I could have gone there and back three times on my bike.” I, who had been lost in admiration of Saint-Loup when he, in the most natural manner in the world, called the little local train the ‘crawler,’ because of the ceaseless windings of its line, was positively alarmed by the glibness with which Albertine spoke of the ‘tram,’ and called it a ‘tin-pot.’ I could feel her mastery of a form of speech in which I was afraid of her detecting and scorning my inferiority. And yet the full wealth of the synonyms that the little band possessed to denote this railway had not yet been revealed to me. In speaking, Albertine kept her head motionless, her nostrils closed, allowing only the corners of her lips to move. The result of this was a drawling, nasal sound, into the composition of which there entered perhaps a provincial descent, a juvenile affectation of British phlegm, the teaching of a foreign governess and a congestive hypertrophy of the mucus of the nose. This enunciation which, as it happened, soon disappeared when she knew people better, giving place to a natural girlish tone, might have been thought unpleasant. But it was peculiar to herself, and delighted me. Whenever I had gone for several days without seeing her, I would refresh my spirit by repeating to myself: “We don’t ever see you playing golf,” with the nasal intonation in which she had uttered the words, point blank, without moving a muscle of her face. And I thought then that there could be no one in the world so desirable&#xA;&#xA;   We formed that morning one of those couples who dotted the ‘front’ here and there with their conjunction, their stopping together for time enough just to exchange a few words before breaking apart, each to resume separately his or her divergent stroll. I seized the opportunity, while she stood still, to look again and discover once and for all where exactly the little mole was placed. Then, just as a phrase of Vinteuil which had delighted me in the sonata, and which my recollection allowed to wander from the andante to the finale, until the day when, having the score in my hands, I was able to find it, and to fix it in my memory in its proper place, in the scherzo, so this mole, which I had visualised now on her cheek, now on her chin, came to rest for ever on her upper lip, just below her nose. In the same way, too, do we come with amazement upon lines that we know by heart in a poem in which we never dreamed that they were to be found&#xA;&#xA;   At that moment, as if in order that against the sea there might multiply in freedom, in the variety of its forms, all the rich decorative whole which was the lovely unfolding of the train of maidens, at once golden and rosy, baked by sun and wind, Albertine’s friends, with their shapely limbs, their supple figures, but so different one from another, came into sight in a cluster that expanded as it approached, advancing towards us, but keeping closer to the sea, along a parallel line. I asked Albertine’s permission to walk for a little way with her. Unfortunately, all she did was to wave her hand to them in greeting. “But your friends will be disappointed if you don’t go with them,” I hinted, hoping that we might all walk together. A young man with regular features, carrying a bag of golf-clubs, sauntered up to us. It was the baccarat-player, whose fast ways so enraged the chief magistrate’s wife. In a frigid, impassive tone, which he evidently regarded as an indication of the highest refinement, he bade Albertine good day. “Been playing golf, Octave?” she asked. “How did the game go? Were you in form?” “Oh, it’s too sickening; I can’t play for nuts,” he replied. “Was Andrée playing?” “Yes, she went round in seventy-seven.” “Why, that’s a record!” “I went round in eighty-two yesterday.” He was the son of an immensely rich manufacturer who was to take an important part in the organisation of the coming World’s Fair. I was struck by the extreme degree to which, in this young man and in the other by no means numerous male friends of the band of girls, the knowledge of everything that pertained to clothes and how to wear them, cigars, English drinks, horses, a knowledge which he possessed in its minutest details with a haughty infallibility that approached the reticent modesty of the true expert, had been developed in complete isolation, unaccompanied by the least trace of any intellectual culture. He had no hesitation as to the right time and place for dinner-jacket or pyjamas, but neither had he any suspicion of the circumstances in which one might or might not employ this or that word, or even of the simplest rules of grammar. This disparity between the two forms of culture must have existed also in his father, the President of the Syndicate that ‘ran’ Balbec, for, in an open letter to the electors which he had recently had posted on all the walls, he announced: “I desired to see the Mayor, to speak to him of the matter; he would not listen to my righteous plaint.” Octave, at the Casino, took prizes in all the dancing competitions, for bostons, tangos and what-not, an accomplishment that would entitle him, if he chose, to make a fine marriage in that seaside society where it is not figuratively but in sober earnest that the young women ‘marry their dancing-partners.’ He lighted a cigar with a “D’you mind?” to Albertine, as one who asks permission to finish, while going on talking, an urgent piece of work. For he was one of those people who can never be ‘doing nothing,’ although there was nothing, for that matter, that he could ever be said to do. And as complete inactivity has the same effect on us, in the end, as prolonged overwork, and on the character as much as on the life of body and muscles, the unimpaired nullity of intellect that was enshrined behind Octave’s meditative brow had ended by giving him, despite his air of unruffled calm, ineffectual longings to think which kept him awake at night, for all the world like an overwrought philosopher&#xA;&#xA;   Supposing that if I knew their male friends I should have more opportunities of seeing the girls, I had been on the point of asking for an introduction to Octave. I told Albertine this, as soon as he had left us, still muttering, “I couldn’t play for nuts!” I thought I would thus put into her head the idea of doing it next time. “But I can’t,” she cried, “introduce you to a tame cat like that. This place simply swarms with them. But what on earth would they have to say to you? That one plays golf quite well, and that’s all there is to it. I know what I’m talking about; you’d find he wasn’t at all your sort.” “Your friends will be cross with you if you desert them like this,” I repeated, hoping that she would then suggest my joining the party. “Oh, no, they don’t want me.” We ran into Bloch, who directed at me a subtle, insinuating smile, and, embarrassed by the presence of Albertine, whom he did not know, or, rather, knew ‘without knowing’ her, bent his head with a stiff, almost irritated jerk. “What’s he called, that Ostrogoth?” Albertine asked. “I can’t think why he should bow to me; he doesn’t know me. And I didn’t bow to him, either.” I had no time to explain to her, for, bearing straight down upon us, “Excuse me,” he began, “for interrupting you, but I must tell you that I am going to Don-cières to-morrow. I cannot put it off any longer without discourtesy; indeed, I ask myself, what must de Saint-Loup-en-Bray think of me. I just came to let you know that I shall take the two o’clock train. At your service.” But I thought now only of seeing Albertine again, and of trying to get to know her friends, and Doncières, since they were not going there, and my going would bring me back too late to see them still on the beach, seemed to me to be situated at the other end of the world. I told Bloch that it was impossible. “Oh, very well, I shall go alone. In the fatuous words of Master Arouet, I shall say to Saint-Loup, to beguile his clericalism:&#xA;&#xA;            ‘My duty stands alone, by his in no way bound;&#xA;               Though he should choose to fail, yet faithful I’ll be found.’”&#xA;&#xA;    “I admit he’s not a bad looking boy,” was Albertine’s comment, “but he makes me feel quite sick.” I had never thought that Bloch might be ‘not a bad looking boy’; and yet, when one came to think of it, so he was. With his rather prominent brow, very aquiline nose, and his air of extreme cleverness and of being convinced of his cleverness, he had a pleasing face. But he could not succeed in pleasing Albertine. This was perhaps due, to some extent, to her own disadvantages, the harshness, the want of feeling of the little band, its rudeness towards everything that was not itself. And later on, when I introduced them, Albertine’s antipathy for him grew no less. Bloch belonged to a section of society in which, between the free and easy customs of the ‘smart set’ and the regard for good manners which a man is supposed to shew who ‘does not soil his hands,’ a sort of special compromise has been reached which differs from the manners of the world and is nevertheless a peculiarly unpleasant form of worldliness. When he was introduced to anyone he would bow with a sceptical smile, and at the same time with an exaggerated show of respect, and, if it was to a man, would say: “Pleased to meet you, sir,” in a voice which ridiculed the words that it was uttering, though with a consciousness of belonging to some one who was no fool. Having sacrificed this first moment to a custom which he at once followed and derided (just as on the first of January he would greet you with a ‘Many happy!’) he would adopt an air of infinite cunning, and would ‘proffer subtle words’ which were often true enough but ‘got on’ Albertine’s nerves. When I told her on this first day that his name was Bloch, she exclaimed: “I would have betted anything he was a Jew-boy. Trust them to put their foot in it!” Moreover, Bloch was destined to give Albertine other grounds for annoyance later on. Like many intellectuals, he was incapable of saying a simple thing in a simple way. He would find some precious qualification for every statement, and would sweep from particular to general. It vexed Albertine, who was never too well pleased at other people’s shewing an interest in what she was doing, that when she had sprained her ankle and was keeping quiet, Bloch said of her: “She is outstretched on her chair, but in her ubiquity has not ceased to frequent simultaneously vague golf-courses and dubious tennis-courts.” He was simply being ‘literary,’ of course, but this, in view of the difficulties which Albertine felt that it might create for her with friends whose invitations she had declined on the plea that she was unable to move, was quite enough to disgust her with the face, the sound of the voice, of the young man who could say such things about her. We parted, Albertine and I, after promising to take a walk together later. I had talked to her without being any more conscious of where my words were falling, of what became of them, than if I were dropping pebbles into a bottomless pit. That our words are, as a general rule, filled, by the person to whom we address them, with a meaning which that person derives from her own substance, a meaning widely different from that which we had put into the same words when we uttered them, is a fact which the daily round of life is perpetually demonstrating. But if we find ourselves as well in the company of a person whose education (as Albertine’s was to me) is inconceivable, her tastes, her reading, her principles unknown, we cannot tell whether our words have aroused in her anything that resembles their meaning, any more than in an animal, although there are things that even an animal may be made to understand. So that to attempt any closer friendship with Albertine seemed to me like placing myself in contact with the unknown, if not the impossible, an occupation as arduous as breaking a horse, as reposeful as keeping bees or growing roses&#xA;&#xA;    I had thought, a few hours before, that Albertine would acknowledge my bow but would not speak to me. We had now parted, after planning to make some excursion soon together. I vowed that when I next met Albertine I would treat her with greater boldness, and I had sketched out in advance a draft of all that I would say to her, and even (being now quite convinced that she was not strait-laced) of all the favours that I would demand of her. But the mind is subject to external influences, as plants are, and cells and chemical elements, and the medium in which its immersion alters it is a change of circumstances, or new surroundings. Grown different by the mere fact of her presence, when I found myself once again in Albertine’s company, what I said to her was not at all what I had meant to say. Remembering her flushed temple, I asked myself whether she might not appreciate more keenly a polite attention which she knew to be disinterested. Besides, I was embarrassed by certain things in her look, in her smile. They might equally well signify a laxity of morals and the rather silly merriment of a girl who though full of spirits was at heart thoroughly respectable. A single expression, on a face as in speech, is susceptible of divers interpretations, and I stood hesitating like a schoolboy faced by the difficulties of a piece of Greek prose&#xA;&#xA;    On this occasion we met almost immediately the tall one, Andrée, the one who had jumped over the old banker, and Albertine was obliged to introduce me. Her friend had a pair of eyes of extraordinary brightness, like, in a dark house, a glimpse through an open door of a room into which the sun is shining with a greenish reflexion from the glittering sea&#xA;&#xA;    A party of five were passing, men whom I had come to know very well by sight during my stay at Balbec. I had often wondered who they could be. “They’re nothing very wonderful,” said Albertine with a sneering laugh. “The little old one with dyed hair and yellow gloves has a fine touch; he knows how to draw all right, he’s the Balbec dentist; he’s a good sort. The fat one is the Mayor, not the tiny little fat one, you must have seen him before, he’s the dancing master; he’s rather a beast, you know; he can’t stand us, because we make such a row at the Casino; we smash his chairs, and want to have the carpet up when we dance; that’s why he never gives us prizes, though we’re the only girls there who can dance a bit. The dentist is a dear, I would have said how d’ye do to him, just to make the dancing master swear, but I couldn’t because they’ve got M. de Sainte-Croix with them; he’s on the General Council; he comes of a very good family, but he’s joined the Republicans, to make more money. No nice people ever speak to him now. He knows my uncle, because they’re both in the Government, but the rest of my family always cut him. The thin one in the waterproof is the bandmaster. You know him, of course. You don’t? Oh, he plays divinely. You haven’t been to Cavalleria Rusticana? I thought it too lovely! He’s giving a concert this evening, but we can’t go because it’s to be in the town hall. In the Casino it wouldn’t matter, but in the town hall, where they’ve taken down the crucifix. Andrée’s mother would have a fit if we went there. You’re going to say that my aunt’s husband is in the Government. But what difference does that make? My aunt is my aunt. That’s not why I’m fond of her. The only thing she has ever wanted has been to get rid of me. No, the person who has really been a mother to me, and all the more credit to her because she’s no relation at all, is a friend of mine whom I love just as much as if she was my mother. I will let you see her ‘photo.’” We were joined for a moment by the golf champion and baccarat plunger, Octave. I thought that I had discovered a bond between us, for I learned in the course of conversation that he was some sort of relative, and even more a friend of the Verdurins. But he spoke contemptuously of the famous Wednesdays, adding that M. Verdurin had never even heard of a dinner-jacket, which made it a horrid bore when one ran into him in a music-hall, where one would very much rather not be greeted with “Well, you young rascal,” by an old fellow in a frock coat and black tie, for all the world like a village lawyer. Octave left us, and soon it was Andrée’s turn, when we came to her villa, into which she vanished without having uttered a single word to me during the whole of our walk. I regretted her departure, all the more in that, while I was complaining to Albertine how chilling her friend had been with me, and was comparing in my mind this difficulty which Albertine seemed to find in making me know her friends with the hostility that Elstir, when he might have granted my desire, seemed to have encountered on that first afternoon, two girls came by to whom I lifted my hat, the young Ambresacs, whom Albertine greeted also&#xA;&#xA;    I felt that, in Albertine’s eyes, my position would be improved by this meeting. They were the daughters of a kinswoman of Mme. de Ville-parisis, who was also a friend of Mme. de Luxembourg. M. and Mme. d’Ambresac, who had a small villa at Balbec and were immensely rich, led the simplest of lives there, and always went about dressed he in an unvarying frock coat, she in a dark gown. Both of them used to make sweeping bows to my grandmother, which never led to anything further. The daughters, who were very pretty, were dressed more fashionably, but in a fashion suited rather to Paris than to the seaside. With their long skirts and large hats, they had the look of belonging to a different race from Albertine. She, I discovered, knew all about them&#xA;&#xA;    “Oh, so you know the little d’Ambresacs, do you? Dear me, you have some swagger friends. After all, they’re very simple souls,” she went on as though this might account for it. “They’re very nice, but so well brought up that they aren’t allowed near the Casino, for fear of us — we’ve such a bad tone. They attract you, do they? Well, it all depends on what you like. They’re just little white rabbits, really. There may be something in that, of course. If little white rabbits are what appeals to you, they may supply a long-felt want. It seems, there must be some attraction, because one of them has got engaged already to the Marquis de Saint-Loup. Which is a cruel blow to the younger one, who is madly in love with that young man. I’m sure, the way they speak to you with their lips shut is quite enough for me. And then they dress in the most absurd way. Fancy going to play golf in silk frocks! At their age, they dress more showily than grown-up women who really know about clothes. Look at Mme. Elstir; there’s a well dressed woman if you like.” I answered that she had struck me as being dressed with the utmost simplicity. Albertine laughed. “She does put on the simplest things, I admit, but she dresses wonderfully, and to get what you call simplicity costs her a fortune.” Mme. Elstir’s gowns passed unnoticed by any one who had not a sober and unerring taste in matters of attire. This was lacking in me. Elstir possessed it in a supreme degree, or so Albertine told me. I had not suspected this, nor that the beautiful but quite simple objects which littered his studio were treasures long desired by him which he had followed from sale room to sale room, knowing all their history, until he had made enough money to be able to acquire them. But as to this Albertine, being as ignorant as myself, could not enlighten me. Whereas when it came to clothes, prompted by a coquettish instinct, and perhaps by the regretful longing of a penniless girl who is able to appreciate with greater disinterestedness, more delicacy of feeling, in other, richer people the things that she will never be able to afford for herself, she expressed herself admirably on the refinement of Elstir’s taste, so hard to satisfy that all women appeared to him badly dressed, while, attaching infinite importance to right proportions and shades of colour, he would order to be made for his wife, at fabulous prices, the sunshades, hats and cloaks which he had learned from Albertine to regard as charming, and which a person wanting in taste would no more have noticed than myself. Apart from this, Albertine, who had done a little painting, though without, she confessed, having any ‘gift’ for it, felt a boundless admiration for Elstir, and, thanks to his precept and example, shewed a judgment of pictures which was in marked contrast to her enthusiasm for Cavalleria Rusticana. The truth was, though as yet it was hardly apparent, that she was highly intelligent, and that in the things that she said the stupidity was not her own but that of her environment and age. Elstir’s had been a good but only a partial influence. All the branches of her intelligence had not reached the same stage of development. The taste for pictures had almost caught up the taste for clothes and all forms of smartness, but had not been followed by the taste for music, which was still a long way behind&#xA;&#xA;    Albertine might know all about the Ambresacs; but as he who can achieve great things is not necessarily capable of small, I did not find her, after I had bowed to those young ladies, any better disposed to make me known to her friends. “It’s too good of you to attach any importance to them. You shouldn’t take any notice of them; they don’t count. What on earth can a lot of kids like them mean to a man like you? Now Andrée, I must say, is remarkably clever. She is a good girl, that, though she is perfectly fantastic at times, but the others are really dreadfully stupid.” When I had left Albertine, I felt suddenly a keen regret that Saint-Loup should have concealed his engagement from me and that he should be doing anything so improper as to choose a wife before breaking with his mistress. And then, shortly afterwards, I met Andrée, and as she went on talking to me for some time I seized the opportunity to tell her that I would very much like to see her again next day, but she replied that this was impossible, because her mother was not at all well, and she would have to stay beside her. The next day but one, when I was at Elstir’s, he told me how greatly Andrée had been attracted by me; on my protesting: “But it was I who was attracted by her from the start; I asked her to meet me again yesterday, but she could not.” “Yes, I know; she told me all about that,” was his reply, “she was very sorry, but she had promised to go to a picnic, somewhere miles from here. They were to drive over in a break, and it was too late for her to get out of it.” Albeit this falsehood (Andrée knowing me so slightly) was of no real importance, I ought not to have continued to seek the company of a person who was capable of uttering it. For what people have once done they will do again indefinitely, and if you go every year to see a friend who, the first time, was not able to meet you at the appointed place, or was in bed with a chill, you will find him in bed with another chill which he has just caught, you will miss him again at another meeting-place at which he has failed to appear, for a single and unalterable reason in place of which he supposes himself to have various reasons, drawn from the circumstances. One morning, not long after An-dree’s telling me that she would be obliged to stay beside her mother, I was taking a short stroll with Albertine, whom I had found on the beach tossing up and catching again on a cord an oddly shaped implement which gave her a look of Giotto’s ‘Idolatry’; it was called, for that matter, ‘Diabolo,’ and is so fallen into disuse now that, when they come upon the picture of a girl playing with one, the critics of future generations will solemnly discuss, as it might be over one of the allegorical figures in the Arena, what it is that she is holding. A moment later their friend with the penurious and harsh appearance, the same one who on that first day had sneered so malevolently: “I do feel sorry for him, poor old man,” when, she saw the old gentleman’s head brushed by the flying feet of Andrée, came up to Albertine with “Good morning,‘m I disturbing you?” She had taken off her hat, for comfort, and her hair, like a strange and fascinating-plant, lay over her brow, displaying all the delicate tracery of its foliation^ Albertine, perhaps because she resented seeing the other bare-headed, made-no reply, preserved a frigid silence in spite of which the girl stayed with us, kept apart from myself by Albertine, who arranged at one moment to be-alone with her, at another to walk with me leaving her to follow. I was obliged, to secure an introduction, to ask for it in the girl’s hearing. Then, as Albertine was uttering my name, on the face and in the blue eyes of this girl, whose expression I had thought so cruel when I heard her say: “Poor old man, I do feel so sorry for him,” I saw gather and gleam a cordial, friendly smile, and she held out her hand. Her hair was golden, and not her hair only; for if her cheeks were pink and her eyes blue it was like the still roseate morning sky which sparkles everywhere with dazzling points of gold&#xA;&#xA;    At once kindled by her flame, I said to myself that this was a child who when in love grew shy, that it was for my sake, from love for me that she had remained with us, despite Albertine’s rebuffs, and that she must have rejoiced in the opportunity to confess to me at last, by that smiling, friendly gaze, that she would be as kind to me as she was terrible to other people. Doubtless she had noticed me on the beach, when I still knew nothing of her, and had been thinking of me ever since; perhaps it had been to win my admiration that she mocked at the old gentleman, and because she had not succeeded in getting to know me that on the following days she appeared so morose. From the hotel I had often seen her, in the evenings, walking by herself on the beach. Probably in the hope of meeting me. And now, hindered as much by Albertine’s presence as she would have been by that of the whole band, she had evidently attached herself to us, braving the increasing coldness of her friend’s attitude, only in the hope of outstaying her, of being left alone with me, when she might make an appointment with me for some time when she would find an excuse to slip away without either her family’s or her friends’ knowing that she had gone, and would meet me in some safe place before church or after golf. It was all the more difficult to see her because Andrée had quarrelled with her and now detested her. “I have put up far too long with her terrible dishonesty,” she explained to me, “her baseness; I can’t tell you all the vile insults she has heaped on me. I have stood it all because of the others. But her latest effort was really too much!” And she told me of some foolish thing that this girl had done, which might indeed have injurious consequences to Andrée herself&#xA;&#xA;    But those private words promised me by Gisèle’s confiding eyes for the moment when Albertine should have left us by ourselves, were destined never to be spoken, because after Albertine, stubbornly planted between us, had answered with increasing curtness, and finally had ceased to respond at all to her friend’s remarks, Gisèle at length abandoned the attempt and turned back. I found fault with Albertine for having been so disagreeable. “It will teach her to be more careful how she behaves. She’s not a bad kid, but she’d talk the head off a donkey. She’s no business, either, to go poking her nose into everything. Why should she fasten herself on to us without being asked? In another minute, I’d have told her to go to blazes. Besides I can’t stand her going about with her hair like that; it’s such bad form.” I gazed at Albertine’s cheeks as she spoke, and asked myself what might be the perfume, the taste of them: this time they were not cool, but glowed with a uniform pink, violet-tinted, creamy, like certain roses whose petals have a waxy gloss. I felt a passionate longing for them such as one feels sometimes for a particular flower. “I hadn’t noticed it,” was all that I said. “You stared at her hard enough; anyone would have said you wanted to paint her portrait,” she scolded, not at all softened by the fact that it was at herself that I was now staring so fixedly. “I don’t believe you would care for her, all the same. She’s not in the least a flirt. You like little girls who flirt with you, I know. Anyhow, she won’t have another chance of fastening on to us and being sent about her business; she’s going off to-day to Paris.” “Are the rest of your friends going too?” “No; only she and ‘Miss,’ because she’s got an exam, coming; she’s got to stay at home and swot for it, poor kid. It’s not much fun for her, I don’t mind telling you. Of course, you may be set a good subject, you never know. But it’s a tremendous risk. One girl I know was asked: Describe an accident that you have witnessed. That was a piece of luck. But I know another girl who got: State which you would rather have as a friend, Alceste or Philinte. I’m sure I should have dried up altogether! Apart from everything else, it’s not a question to set to girls. Girls go about with other girls; they’re not supposed to have gentlemen friends.” (This announcement, which shewed that I had but little chance of being admitted to the companionship of the band, froze my blood.) “But in any case, supposing it was set to boys, what on earth would you expect them to say to a question like that? Several parents wrote to the Gaulois, to complain of the difficult questions that were being set. The joke of it is that in a collection of prize-winning essays they gave two which treated the question in absolutely opposite ways. You see, it all depends on which examiner you get. One would like you to say that Philinte was a flatterer and a scoundrel, the other that you couldn’t help admiring Alceste, but that he was too cantankerous, and that as a friend you ought to choose Philinte. How can you expect a lot of unfortunate candidates to know what to say when the professors themselves can’t make up their minds. But that’s nothing. They get more difficult every year. Gisèle will want all her wits about her if she’s to get through.” I returned to the hotel. My grandmother was not there. I waited for her for some time; when at last she appeared, I begged her to allow me, in quite unexpected circumstances, to make an expedition which might keep me away for a couple of days. I had luncheon with her, ordered a carriage and drove to the station. Gisèle would shew no surprise at seeing me there. After we had changed at Doncières, in the. Paris train, there would be a carriage with a corridor, along which, while the governess dozed, I should be able to lead Gisèle into dark corners, and make an appointment to meet her on my return to Paris, which I would then try to put forward to the earliest possible date. I would travel with her as far as Caen or Evreux, whichever she preferred, and would take the next train back to Balbec. And yet, what would she have thought of me had she known that I had hesitated for a long time between her and her friends, that quite as much as with her I had contemplated falling in love with Albertine, with the bright-eyed girl, with Rosemonde. I felt a pang of remorse now that a bond of mutual affection was going to unite me with Gisèle. I could, moreover, truthfully have assured her that Albertine no longer interested me. I had seen her that morning as she swerved aside, almost turning her back on me, to speak to Gisèle. On her head, which was bent sullenly over her bosom, the hair that grew at the back, different from and darker even than the rest, shone as though she had just been bathing. “Like a dying duck in a thunderstorm!” I thought to myself, this view of her hair having let into Albertine’s body a soul entirely different from that implied hitherto by her glowing complexion and mysterious gaze. That shining cataract of hair at the back of her head had been for a moment or two all that I was able to see of her, and continued to be all that I saw in retrospect. Our memory is like a shop in the window of which is exposed now one, now another photograph of the same person. And as a rule the most recent exhibit remains for some time the only one to be seen. While the coachman whipped on his horse I sat there listening to the words of gratitude and affection which Gisèle was murmuring in my ear, born, all of them, of her friendly smile and outstretched hand, the fact being that in those periods of my life in which I was not actually, but desired to be in love, I carried in my mind not only an ideal form of beauty once seen, which I recognised at a glance in every passing stranger who kept far enough from me for her confused features to resist any attempt at identification, but also the moral phantom — ever ready to be incarnate — of the woman who was ‘going to fall in love with me, to take up her cues in the amorous comedy which I had had written out in my mind from my earliest boyhood, and in which every nice girl seemed to me to be equally desirous of playing, provided that she had also some of the physical qualifications required. In this play, whoever the new star might be whom I invited to create or to revive the leading part, the plot, the incidents, the lines themselves preserved an unalterable form&#xA;&#xA;    Within the next few days, in spite of the reluctance that Albertine had shewn from introducing me to them, I knew all the little band of that first afternoon (except Gisèle, whom, owing to a prolonged delay at the level crossing by the station and a change in the time-table, I had not succeeded in meeting on the train, which had been gone some minutes before I arrived, and to whom as it happened I never gave another thought), and two or three other girls as well to whom at my request they introduced me. And thus, my expectation of the pleasure which I should find in a new girl springing from another girl through whom I had come to know her, the latest was like one of those new varieties of rose which gardeners get by using first a rose of another kind. And as I passed from blossom to blossom along this flowery chain, the pleasure of knowing one that was different would send me back to her to whom I was indebted for it, with a gratitude in which desire was mingled fully as much as in my new expectation. Presently I was spending all my time among these girls&#xA;&#xA;    Alas! in the freshest flower it is possible to discern those just perceptible signs which to the instructed mind indicate already what will be, by the desiccation or fructification of the flesh that is to-day in bloom, the ultimate form, immutable and already predestinate, of the autumnal seed. The eye rapturously follows a nose like a wavelet that deliriously curls the water’s face at daybreak and seems not to move, to be capturable by the pencil, because the sea is so calm then that one does not notice its tidal flow. Human faces seem not to change while we are looking at them, because the revolution which they perform is too slow for us to perceive it. But we have only to see, by the side of any of those girls, her mother or her aunt, to realise the distance over which, obeying the gravitation of a type that is, generally speaking, deplorable, her features will have travelled in less than thirty years, and must continue to travel until the sunset hour, until her face, having vanished altogether below the horizon, catches the light no more. I knew that, as deep, as ineluctable as is their Jewish patriotism or Christian atavism in those who imagine themselves to be the most emancipated of their race, there dwelt beneath the rosy inflorescence of Albertine, Rosemonde, Andrée, unknown to themselves, held in reserve until the circumstances should arise, a coarse nose, a protruding jaw, a bust that would create a sensation when it appeared, but was actually in the wings, ready to “come on,” just as it might be a burst of Dreyfusism, or clericalism, sudden, unforeseen, fatal, some patriotic, some feudal form of heroism emerging suddenly when the circumstances demand it from a nature anterior to that of the man himself, by means of which he thinks, lives, evolves, gains strength himself or dies, without ever being able to distinguish that nature from the successive phases which in turn he takes for it. Even mentally, we depend a great deal more than we think upon natural laws, and our mind possesses already, like some cryptogamous plant, every little peculiarity that we imagine ourselves to be selecting. For we can see only the derived ideas, without detecting the primary cause (Jewish blood, French birth or whatever it may be) that inevitably produced them, and which at a given moment we expose. And perhaps, while the former appear to us to be the result of deliberate thought, the latter that of an imprudent disregard for our own health, we take from our family, as the papilionaceae take the form of their seed, as well the ideas by which we live as the malady from which we shall die&#xA;&#xA;    As on a plant whose flowers open at different seasons, I had seen, expressed in the form of old ladies, on this Balbec shore, those shrivelled seed-pods, those flabby tubers which my friends would one day be. But what matter? For the moment it was their flowering-time. And so when Mme. de Villeparisis asked me to drive with her I sought an excuse to be prevented. I never went to see Elstir unless accompanied by my new friends. I could not even spare an afternoon to go to Doncières, to pay the visit I had promised Saint-Loup. Social engagements, serious discussions, even a friendly conversation, had they usurped the place allotted to my walks with these girls, would have had the same effect on me as if, when the luncheon bell rang, I had been taken not to a table spread with food but to turn the pages of an album. The men, the youths, the women, old or mature, whose society we suppose that we shall enjoy, are borne by us only on an unsubstantial plane surface, because we are conscious of them only by visual perception restricted to its own limits; whereas it is as delegates from our other senses that our eyes dart towards young girls; the senses follow, one after another, in search of the various charms, fragrant, tactile, savoury, which they thus enjoy even without the aid of fingers and lips; and able, thanks to the art of transposition, the genius for synthesis in which desire excels, to reconstruct beneath the hue of cheeks or bosom the feel, the taste, the contact that is forbidden them, they give to these girls the same honeyed consistency as they create when they stand rifling the sweets of a rose-garden, or before a vine whose clusters their eyes alone devour&#xA;&#xA;    If it rained, although the weather had no power to daunt Albertine, who was often to be seen in her waterproof spinning on her bicycle through the driving showers, we would Spend the day in the Casino, where on such days it would have seemed to me impossible not to go. I had the greatest contempt for the young Ambresacs, who had never set foot in it. And I willingly joined my friends in playing tricks on the dancing master. As a rule we had to listen to admonition from the manager, or from some of his staff, usurping dictatorial powers, because my friends, even Andrée herself, whom on that account I had regarded when I first saw her as so dionysiac a creature, whereas in reality she was delicate, intellectual, and this year far from well, in spite of which her actions were controlled less by the state of her health than by the spirit of that age which overcomes every other consideration and confounds in a general gaiety the weak with the strong, could not enter the outer hall of the rooms without starting to run, jumping over all the chairs, sliding back along the floor, their balance maintained by a graceful poise of their outstretched arms, singing the while, mingling all the arts, in that first bloom of youth, in the manner of those poets of ancient days for whom the different ‘kinds’ were not yet separate, so that in an epic poem they would introduce rules of agriculture with theological doctrine&#xA;&#xA;    This Andrée who had struck me when I first saw them as the coldest of them all, was infinitely more refined, more loving, more sensitive than Albertine, to whom she displayed the caressing, gentle affection of an elder sister. At the Casino she would come across the floor to sit down by me, and knew instinctively, unlike Albertine, to refuse my invitation to dance, or even, if I was tired, to give up the Casino and come to me instead at the hotel. She expressed her friendship for me, for Albertine, in terms which were evidence of the most exquisite understanding of the things of the heart, which may have been partly due to the state of her health. She had always a merry smile of excuse for the childish behaviour of Albertine, who expressed with a crude violence the irresistible temptation held out to her by the parties and picnics to which she had not the sense, like Andrée, resolutely to prefer staying and talking with me. When the time came for her to go off to a luncheon party at the golf-club, if we were all three together she would get ready to leave us, then, coming up to Andrée: “Well, Andrée, what are you waiting for now? You know we are lunching at the golf-club.” “No; I’m going to stay and talk to him,” replied Andrée, pointing to me. “But you know, Mme. Durieux invited you,” cried Albertine, as if Andree’s intention to remain with me could be explained only by ignorance on her part where else and by whom she had been bidden. “Look here, my good girl, don’t be such an idiot,” Andrée chid her. Albertine did not insist, fearing a suggestion that she too should stay with me. She tossed her head. “Just as you like,” was her answer, uttered in the tone one uses to an invalid whose self-indulgence is killing him by inches, “I must fly; I’m sure your watch is slow,” and off she went. “She is a dear girl, but quite impossible,” said Andrée, bathing her friend in a smile at once caressing and critical. If in this craze for amusement Albertine might be said to echo something of the old original Gilberte, that is because a certain similarity exists, although the type evolves, between all the women we love, a similarity that is due to the fixity of our own temperament, which it is that chooses them, eliminating all those who would not be at once our opposite and our complement, fitted that is to say to gratify our senses and to wring our heart. They are, these women, a product of our temperament, an image inversely projected, a negative of our sensibility. So that a novelist might, in relating the life of his hero, describe his successive love-affairs in almost exactly similar terms, and thereby give the impression not that he was repeating himself but that he was creating, since an artificial novelty is never so effective as a repetition that manages to suggest a fresh truth. He ought, moreover, to indicate in the character of the lover a variability which becomes apparent as the story moves into fresh regions, into different latitudes of life. And perhaps he would be stating yet another truth if while investing all the other persons of his story with distinct characters he refrained from giving any to the beloved. We understand the characters of people who do not interest us; how can we ever grasp that of a person who is an intimate part of our existence, whom after a little we no longer distinguish in any way from ourselves, whose motives provide us with an inexhaustible supply of anxious hypotheses which we perpetually reconstruct. Springing from somewhere beyond our understanding, our curiosity as to the woman whom we love overleaps the bounds of that woman’s character, which we might if we chose but probably will not choose to stop and examine. The object of our uneasy investigation is something more essential than those details of character comparable to the tiny particles of epidermis whose varied combinations form the florid originality of human flesh. Our intuitive radiography pierces them, and the images which it photographs for us, so far from being those of any single face, present rather the joyless universality of a skeleton&#xA;&#xA;    Andrée, being herself extremely rich while the other was penniless and an orphan, with real generosity lavished on Albertine the full benefit of her wealth. As for her feelings towards Gisèle, they were not quite what I had been led to suppose. News soon reached us of the young student, and when Albertine handed round the letter she had received, a letter intended by Gisèle to give an account of her journey and to report her safe arrival to the little band, pleading laziness as an excuse for not having written yet to the rest, I was surprised to hear Andrée (for I imagined an irreparable breach between them) say: “I shall write to her to-morrow, because if I wait for her to write I may have to wait for years, she’s such a slacker.” And, turning to myself, she added: “You saw nothing much in her, evidently; but she’s a jolly nice girl, and besides I’m really very fond of her.” From which I concluded that Andrée’s quarrels were apt not to last very long&#xA;&#xA;    Except on these rainy days, as we had always arranged to go on our bicycles along the cliffs, or on an excursion inland, an hour or so before it was time to start I would go upstairs to make myself smart and would complain if Françoise had not laid out all the things that I wanted. Now even in Paris she would proudly, angrily straighten a back which the years had begun to bend, at the first word of reproach, she so humble, she so modest and charming when her self-esteem was flattered. As this was the mainspring of her life: her satisfaction, her good humour were in direct ratio to the difficulty of the tasks imposed on her. Those which she had to perform at Balbec were so easy that she shewed almost all the time a discontent which was suddenly multiplied an hundredfold, with the addition of an ironic air of offended dignity when I complained, on my way down to join my friends, that my hat had not been brushed or my ties sorted. She who was capable of taking such endless pains, without in consequence assuming that she had done anything at all, on my simply remarking that a coat was not in its proper place, not only did she boast of the care with which she had “put it past sooner than let it go gathering the dust,” but, paying a formal tribute to her own labours, lamented that it was little enough of a holiday that she was getting at Balbec, and that we would not find another person in the whole world who would consent to put up with such treatment. “I can’t think how anyone can leave things lying about the way you do; you just try and get anyone else to find what you want in such a mix-up. The devil himself would give it up as a bad job.” Or else she would adopt a regal mien, scorching me with her fiery glance, and preserve a silence that was broken as soon as she had fastened the door behind her and was outside in the passage, which would then reverberate with utterances which I guessed to be insulting, though they remained as indistinct as those of characters in a play whose opening lines are spoken in the wings, before they appear on the stage. And even if nothing was missing and Françoise was in a good temper, still she made herself quite intolerable when I was getting ready to go out with my friends. For, drawing upon a store of stale witticisms at their expense which, in my need to be talking about the girls, I had made in her hearing, she put on an air of being about to reveal to me things of which I should have known more than she had there been any truth in her statements, which there never was, Françoise having misunderstood what she had heard. She had, like most people, her own ways; a person is never like a straight highway, but surprises us with the strange, unavoidable windings of his course through life, by which, though some people may not notice them, we find it a perpetual annoyance to be stopped and hindered. Whenever I arrived at the stage of “Where is my hat?” or uttered the name of Andrée or Albertine, I was forced by Françoise to stray into endless and absurd side-tracks which greatly delayed my progress. So too when I asked her to cut me the sandwiches of cheese or salad, or sent her out for the cakes which I was to eat while we rested on the cliffs, sharing them with the girls, and which the girls “might very well have taken turns to provide, if they had not been so close,” declared Françoise, to whose aid there came at such moments a whole heritage of atavistic peasant rapacity and coarseness, and for whom one would have said that the soul of her late enemy Eulalie had been broken into fragments and reincarnate, more attractively than it had ever been in Saint-Eloi’s, in the charming bodies of my friends of the little band. I listened to these accusations with a dull fury at finding myself brought to a standstill at one of those places beyond which the well-trodden country path that was Françoise’s character became impassable, though fortunately never for very long. Then, my hat or coat found and the sandwiches ready, I sailed out to find Albertine, Andrée, Rosemonde, and any others there might be, and on foot or on our bicycles we would start&#xA;&#xA;    In the old days I should have preferred our excursion to be made in bad weather. For then I still looked to find in Balbec the ‘Cimmerians’ land,’ and fine days were a thing that had no right to exist there, an intrusion of the vulgar summer of seaside holiday-makers into that ancient region swathed in eternal mist. But now, everything that I had hitherto despised, shut out of my field of vision, not only effects of sunlight upon sea and shore, but even the regattas, the race-meetings, I would have sought out with ardour, for the reason for which formerly I had wanted only stormy seas, which was that these were now associated in my mind, as the others had been, with an aesthetic idea. Because I had gone several times with my new friends to visit Elstir, and, on the days when the girls were there, what he had selected to shew us were drawings of pretty women in yachting dress, or else a sketch made on a race-course near Balbec. I had at first shyly admitted to Elstir that I had not felt inclined to go to the meetings that were being held there. “You were wrong,” he told me, “it is such a pretty sight, and so well worth seeing. For one thing, that peculiar animal, the jockey, on whom so many eager eyes are fastened, who in the paddock there looks so grim, a colourless face between his brilliant jacket and cap, one body and soul with the prancing horse he rides, how interesting to analyse his professional movements, the bright splash of colour he makes, with the horse’s coat blending in it, as they stream down the course. What a transformation of every visible object in that luminous vastness of a racecourse where one is constantly surprised by fresh lights and shades which one sees only there. How charming the women can look there, too! The first day’s racing was quite delightful, and there were women there exquisitely dressed, in the misty light of a Dutch landscape, in which one could feel rising to cloud the sun itself the penetrating coldness of the water. Never have I seen women arriving in carriages, or standing with glasses to their eyes in so extraordinary a light, which was due, I suppose, to the moisture from the sea. I should simply have loved to paint it. I came home from the races quite mad, and so keen to get to work! “After which he became more enthusiastic still over the yacht-races, and I realised that regattas, social fixtures where well-dressed women might be seen bathed in the greenish light of a marine race-course, might be for a modern artist as interesting a subject as were the revels which they so loved to depict for a Veronese or Carpaccio. When I suggested this to Elstir, “Your comparison is all the more true,” he replied, “since, from the position of the city in which they painted, those revels were to a great extent aquatic. Except that the beauty of the shipping in those days lay as a rule in its solidity, in the complication of its structure. They had water-tournaments, as we have here, held generally in honour of some Embassy, such as Carpaccio shews us in his Legend of Saint Ursula. The vessels were massive, built up like architecture, and seemed almost amphibious, like lesser Venices set in the heart of the greater, when, moored to the banks by hanging stages decked with crimson satin and Persian carpets, they bore their freight of ladies in cherry-red brocade and green damask close under the balconies incrusted with many-coloured marbles from which other ladies leaned to gaze at them, in gowns with black sleeves slashed with white, stitched with pearls or bordered with lace. You cannot tell where the land ends and the water begins, what is still the palace or already the vessel, the caravel, the galeas, the Bucintoro.” Albertine had listened with the keenest interest to these details of costume, these visions of elegance that Elstir was describing to us. “Oh, I should so like to see that lace you speak of; it’s so pretty, the Venice-point,” she cried. “Besides, I should love to see Venice.” “You may, perhaps, before very long, be able,” Elstir informed her, “to gaze upon the marvellous stuffs which they used to wear. Hitherto one has seen them only in the works of the Venetian painters, or very rarely among the treasures of old churches, except now and then when a specimen has come into the sale-room. But I hear that a Venetian artist, called Fortuny, has recovered the secret of the craft, and that before many years have passed women will be able to walk abroad, and better still to sit at home in brocades as sumptuous as those that Venice adorned, for her patrician daughters, with patterns brought from the Orient. But I don’t know that I should much care for that, that it wouldn’t be too much of an anachronism for the women of to-day, even when they parade at regattas, for, to return to our modern pleasure-craft, the times have completely changed since ‘Venice, Queen of the Adriatic.’ The great charm of a yacht, of the furnishings of a yacht, of yachting dress, is their simplicity, as just things for the sea, and I do so love the sea. I must confess to you that I prefer the fashions of to-day to those of Veronese’s and even of Carpaccio’s time. What there is so attractive about our yachts — and the smaller yachts especially, I don’t like the huge ones, they’re too much like ships; yachts are like women’s hats, you must keep within certain limits — is the unbroken surface, simple, gleaming, grey, which under a cloudy, leaden sky takes on a creamy softness. The cabin in which we live ought to make us think of a little café. And women’s clothes on board a yacht are the same sort of thing; what really are charming are those light garments, uniformly white, of cloth or linen or nankeen or drill, which in the sunlight and against the blue of the sea shew up with as dazzling a whiteness as a spread sail. You very seldom see a woman, for that matter, who knows how to dress, and yet some of them are quite wonderful. At the races, Mlle. Léa had a little white hat and a little white sunshade, simply enchanting. I don’t know what I wouldn’t give for that little sunshade.” I should have liked very much to know in what respect this little sunshade differed from any other, and for other reasons, reasons of feminine vanity, Albertine was still more curious. But, just as Françoise used to explain the excellence of her soufflés by “It’s the way you do them,” so here the difference lay in the cut. “It was,” Elstir explained, “quite tiny, quite round, like a Chinese umbrella.” I mentioned the sunshades carried by various ladies, but it was not like any of them. Elstir found them all quite hideous. A man of exquisite taste, singularly hard to please, he would isolate some minute detail which was the whole difference between what was worn by three-quarters of the women he saw, and horrified him, and a thing which enchanted him by its prettiness; and — in contrast to its effect on myself, whose mind any display of luxury at once sterilised — stimulated his desire to paint “so as to make something as attractive.” “Here you see a young lady who has guessed what the hat and sunshade were like,” he said to me, pointing to Albertine whose eyes shone with envy. “How I should love to be rich, to have a yacht!” she said to the painter. “I should come to you to tell me how to run it. What lovely trips I’d take. And what fun it would be to go to Cowes for the races. And a motor-car! Tell me, do you think the ladies’ fashions for motoring pretty?” “No”; replied Elstir, “but that will come in time. You see, there are very few firms at present, one or two only, Callot — although they go in rather too freely for lace — Doucet, Cheruit, Paquin sometimes. The others are all horrible.” “Then, is there a vast difference between a Callot dress and one from any ordinary shop?” I asked Albertine. “Why, an enormous difference, my little man! I beg your pardon! Only, alas! what you get for three hundred francs in an ordinary shop will cost two thousand there. But there can be no comparison; they look the same only to people who know nothing at all about it.” “Quite so,” put in Elstir; “though I should not go so far as to say that it is as profound as the difference between a statue from Rheims Cathedral and one from Saint-Augustin. By the way, talking of cathedrals,” he went on, addressing himself exclusively to me, because what he was saying had reference to an earlier conversation in which the girls had not taken part, and which for that matter would not have interested them at all, “I spoke to you the other day of Balbec Church as a great cliff, a huge breakwater built of the stone of the country; now look at this”; he handed me a water-colour. “Look at these cliffs (it’s a sketch I did close to here, at the Creuniers); don’t these rocks remind you of a cathedral?” And indeed one would have taken them for soaring red arches. But, painted on a roasting hot day, they seemed to have crumbled into dust, made volatile by the heat which had drunk up half the sea, distilled over the whole surface of the picture almost into a gaseous state. On this day on which the sunlight had, so to speak, destroyed reality, reality concentrated itself in certain dusky and transparent creatures which, by contrast, gave a more striking, a closer impression of life: the shadows. Ravening after coolness, most of them, deserting the scorched open spaces, had fled for shelter to the foot of the rocks, out of reach of the sun; others, swimming gently upon the tide, like dolphins, kept close under the sides of the moving vessels, whose hulls they extended upon the pale surface of the water with their glossy blue forms. It was perhaps the thirst for coolness which they conveyed that did most to give me the sensation of the heat of this day and made me exclaim how much I regretted not knowing the Creuniers. Albertine and Andrée were positive that I must have been there hundreds of times. If so I had been there without knowing it, never suspecting that one day the sight of these rocks was to inspire me with such a thirst for beauty, not perhaps exactly natural beauty such as I had been seeking hitherto among the cliffs of Balbec, but rather architectural. Above all, I who, having come here to visit the kingdom of the storm, had never found, on any of my drives with Mme. de Villeparisis, when often we saw it only from afar, painted in a gap between the trees, the ocean sufficiently real, sufficiently liquid, giving a sufficient impression that it was hurling its massed forces against the shore, and would have liked to see it lie motionless only under a wintry shroud of fog, I could never have believed that I should now be dreaming of a sea which was nothing more than a whitish vapour that had lost both consistency and colour. But of such a sea Elstir, like the people who sat musing on board those vessels drowsy with the heat, had so intensely felt the enchantment that he had succeeded in transcribing, in fixing for all time upon the painted sheet the imperceptible reflux of the tide, the throb of one happy moment; and one suddenly became so enamoured, at the sight of this magic portrait, that one could think of nothing else than to range the world over, seeking to recapture the vanished day in its instantaneous, slumbering beauty&#xA;&#xA;    So that if before these visits to Elstir, before I had set eyes on one of his sea-pictures in which a young woman in a dress of white serge or linen, on the deck of a yacht flying the American flag, had duplicated a white linen dress and coloured flag in my imagination which at once bred in me an insatiable desire to visit the spot and see there with my own eyes white linen dresses and flags against the sea, as though no such experience had ever yet befallen me, always until then I had taken care when I stood by the sea to expel from my field of vision, as well as the bathers in the foreground, the yachts with their too dazzling sails that were like seaside costumes, everything that prevented me from persuading myself that I was contemplating the immemorial flood of ocean which had been moving with the same mysterious life before the appearance of the human race; and had grudged even the days of radiant sunshine which seemed to me to invest with the trivial aspect of the world’s universal summer this coast of fog and tempest, to mark simply an interruption, equivalent to what in music is known as a rest; now on the other hand it was the bad days that appeared to me to be some disastrous accident, a thing that could no longer find any place for itself in the world of beauty; I felt a keen desire to go out and recapture in reality what had so powerfully aroused my imagination, and I hoped that the weather would be propitious enough for me to see from the summit of the cliff the same blue shadows as were in Elstir’s picture&#xA;&#xA;    Nor, as I went along, did I still make a frame about my eyes with my hands as in the days when, conceiving nature to be animated by a life anterior to the first appearance of man, and inconsistent with all those wearisome perfections of industrial achievement which had hitherto made me yawn with boredom at Universal Exhibitions or in the milliners’ windows, I endeavoured to include only that section of the sea over which there was no steamer passing, so that I might picture it to myself as immemorial, still contemporary with the ages in which it had been set apart from the land, or at least with the first dawn of life in Greece, which enabled me to repeat in their literal meaning the lines of ‘Father Leconte’ of which Bloch was so fond:&#xA;&#xA;            ‘Gone are the Kings, gone are their towering prows&#xA;            Vanished upon the raging deep, alas&#xA;            The long-haired warrior heroes of Hellas.’&#xA;&#xA;    I could no longer despise the milliners, now that Elstir had told me that the delicate touches by which they give a last refinement, a supreme caress to the ribbons or feathers of a hat after it is finished, would be as interesting to him to paint as the muscular action of the jockeys themselves (a statement which had delighted Albertine). But I must wait until I had returned — for milliners, to Paris — for regattas and races to Balbec, where there would be no more now until next year-. Even a yacht with women in white linen garments was not to be found&#xA;&#xA;    Often we encountered Bloch’s sisters, to whom I was obliged to bow since I had dined with their father. My new friends did not know them. “I am not allowed to play with Israelites,” Albertine explained. Her way of pronouncing the word —‘Issraelites’ instead of ‘Izraelites’— would in itself have sufficed to shew, even if one had not heard the rest of the sentence, that it was no feeling of friendliness towards the chosen race that inspired these young Frenchwomen, brought up in God-fearing homes, and quite ready to believe that the Jews were in the habit of massacring Christian children. “Besides, they’re shocking bad form, your friends,” said Andrée with a smile which implied that she knew very well that they were no friends of mine. “Like everything to do with the tribe,” went on Albertine, in the sententious tone of one who spoke from personal experience. To tell the truth, Bloch’s sisters, at once overdressed and half naked, with their languishing, bold, blatant, sluttish air did not create the best impression. And one of their cousins, who was only fifteen, scandalised the Casino by her unconcealed admiration for Mlle. Lea, whose talent as an actress M. Bloch senior rated very high, but whose tastes were understood to lead her not exactly in the direction of the gentlemen&#xA;&#xA;    Some days we took our refreshment at one of the outlying farms which catered to visitors. These were the farms known as Les Ecorres, Marie-Thérèse, La Croix d’Heuland, Bagatelle, Californie and Marie-Antoinette. It was the last that had been adopted by the little band&#xA;&#xA;    But at other times, instead of going to a farm, we would climb to the highest point of the cliff, and, when we had reached it and were seated on the grass, would undo our parcel of sandwiches and cakes. My friends preferred the sandwiches, and were surprised to see me eat only a single chocolate cake, sugared with gothic tracery, or an apricot tart. This was because, with the sandwiches of cheese or of green-stuff, a form of food that was novel to me and knew nothing of the past, I had nothing in common. But the cakes understood, the tarts were gossips. There were in the former an insipid taste of cream, in the latter a fresh taste of fruit which knew all about Combray, and about Gilberte, not only the Gilberte of Combray but her too of Paris, at whose tea-parties I had found them again. They reminded me of those cake-plates of the Arabian Nights pattern, the subjects on which were such a distraction to my aunt Léonie when Françoise brought her up, one day, Aladdin or the Wonderful Lamp, another day Ali-Baba, or the Sleeper Awakes, or Sinbad the Sailor embarking at Bassorah with all his treasure. I should dearly have liked to see them again, but my grandmother did not know what had become of them, and thought moreover that they were just common plates that had been bought in the village. No matter, in that grey, midland Combray scene they and their pictures were set like many-coloured jewels, as in the dark church were the windows with their shifting radiance, as in the dusk of my bedroom were the projections cast by the magic-lantern, as in the foreground of the view of the railway-station and the little local line the buttercups from the Indies and the Persian lilacs, as were my great-aunt’s shelves of old porcelain in the sombre dwelling of an elderly lady in a country town&#xA;&#xA;    Stretched out on the cliff I would see before me nothing but grassy meadows and beyond them not the seven heavens of the Christian cosmogony but two stages only, one of a deeper blue, the sea, and over it another more pale. We ate our food, and if I had brought with me also some little keepsake which might appeal to one or other of my friends, joy sprang with such sudden violence into her translucent face, flushed in an instant, that her lips had not the strength to hold it in, and to allow it to escape parted in a shout of laughter. They had gathered close round me, and between their faces which were almost touching one another the air that separated them traced azure pathways such as might have been cut by a gardener wishing to clear the ground a little so as to be able himself to move freely through a thicket of roses&#xA;&#xA;    When we had finished eating we would play games which until then I should have thought boring, sometimes such childish games as King of the Castle, or Who Laughs First; not for a kingdom would I have renounced them now; the rosy dawn of adolescence, with which the faces of these girls were still aglow, and from which I, young as I was, had already emerged, shed its light on everything round about them and, like the fluid painting of some of the Primitives, brought out the most insignificant details of their daily lives in relief against a golden background. Even the faces of the girls were, for the most part, clouded with this misty effulgence of a dawn from which their actual features had not yet emerged. One saw only a charming sheet of colour beneath which what in a few years’ time would be a profile was not discernible. The profile of to-day had nothing definite about it, and could be only a momentary resemblance to some deceased member of the family to whom nature had paid this commemorative courtesy. It comes so soon, the moment when there is nothing left to wait for, when the body is fixed in an immobility which holds no fresh surprise in store, when one loses all hope on seeing — as on a tree in the height of summer leaves already brown — round a face still young hair that is growing thin or turning grey; it is so short, that radiant morning time that one comes to like only the very youngest girls, those in whom the flesh, like a precious leaven, is still at work. They are no more yet than a stream of ductile matter, moulded ever afresh by the fleeting impression of the moment. You would say that each of them was in turn a little statuette of childish gaiety, of a child grown earnest, coaxing, surprised, taking its pattern from an expression frank and complete, but fugitive. This plasticity gives a wealth of variety and charm to the pretty attentions which a little girl pays to us. Of course, such attentions are indispensable in the woman also, and she whom we do not attract, or who fails to let us see that we have attracted her, tends to assume in our eyes a somewhat tedious uniformity. But even these pretty attentions, after a certain age, cease to send gentle ripples over a face which the struggle for existence has hardened, has rendered unalterably militant or ecstatic. One — owing to the prolonged strain of the obedience that subjects wife to husband — will seem not so much a woman’s face as a soldier’s; another, carved by the sacrifices which a mother has consented to make, day after day, for her children, will be the face of an apostle. A third is, after a stormy passage through the years, the face of an ancient mariner, upon a body of which its garments alone indicate the sex. Certainly the attentions that a woman pays us can still, so long as we are in love with her, scatter fresh charms over the hours that we spend in her company. But she is not then for us a series of different women. Her gaiety remains external to an unchanging face. Whereas adolescence is anterior to this complete solidification; and from this it follows that we feel, in the company of young girls, the refreshing sense that is afforded us by the spectacle of forms undergoing an incessant process of change, a play of unstable forces which makes us think of that perpetual re-creation of the primordial elements of nature which we contemplate when we stand by the sea&#xA;&#xA;    It was not merely a social engagement, a drive with Mme. de Villeparisis, that I would have sacrificed to the ‘Ferret’ or ‘Guessing Games’ of my friends. More than once, Robert de Saint-Loup had sent word that, since I was not coming to see him at Doncières, he had applied for twenty-four hours’ leave, which he would spend at Balbec. Each time I wrote back that he was on no account to come, offering the excuse that I should be obliged to be away myself that very day, when I had some duty call to pay with my grandmother on family friends in the neighbourhood. No doubt I fell in his estimation when he learned from his aunt in what the ‘duty call’ consisted, and who the persons were who combined to play the part of my grandmother. And yet I had not been wrong, perhaps, after all, in sacrificing not only the vain pleasures of the world but the real pleasure of friendship to that of spending the whole day in this green garden. People who enjoy the capacity — it is true that such people are artists, and I had long been convinced that I should never be that — are also under an obligation to live for themselves. And friendship is a dispensation from this duty, an abdication of self. Even conversation, which is the mode of expression of friendship, is a superficial digression which gives us no new acquisition. We may talk for a lifetime without doing more than indefinitely repeat the vacuity of a minute, whereas the march of thought in the solitary travail of artistic creation proceeds downwards, into the depths, in the only direction that is not closed to us, along which we are free to advance — though with more effort, it is true — towards a goal of truth. And friendship is not merely devoid of virtue, like conversation, it is fatal to us as well. For the sense of boredom which it is impossible not to feel in a friend’s company (when, that is to say, we must remain exposed on the surface of our consciousness, instead of pursuing our voyage of discovery into the depths) for those of us in whom the law of development is purely internal — that first impression of boredom our friendship impels us to correct when we are alone again, to recall with emotion the words uttered by our friend, to look upon them as a valuable addition to our substance, albeit we are not like buildings to which stones can be added from without, but like trees which draw from their own sap the knot that duly appears on their trunks, the spreading roof of their foliage. I was lying to myself, I was interrupting the process of growth in that direction in which I could indeed really be enlarged and made happy, when I congratulated myself on being liked, admired, by so good, so clever, so rare a creature as Saint-Loup, when I focussed my mind, not upon my own obscure impressions which duty bade me unravel, but on the words uttered by my friend, in which, when I repeated them to myself — when I had them repeated to me by that other self who dwells in us and on to whom we are always so ready to transfer the burden of taking thought — I strove to make myself find a beauty very different from that which I used to pursue in silence when I was really alone, but one that would enhance the merit of Robert, of myself, of my life. In the life which a friend like this provided for me, I seemed to myself to be comfortably preserved from solitude, nobly desirous of sacrificing myself for him, in fact quite incapable of realising myself. Among the girls, on the other hand, if the pleasure which I enjoyed was selfish, at least it was not based on the lie which seeks to make us believe that we are not irremediably alone, and which, when we talk to another person, prevents us from admitting that it is no longer we who speak, that we are fashioning ourselves in the likeness of strangers and not of our own ego, which is quite different from them. The words that passed between the girls of the little band and myself were not of any interest; they were, moreover, but few, broken by long spells of silence on my part. All of which did not prevent me from finding, in listening to them when they spoke to me, as much pleasure as in gazing at them, in discovering in the voice of each one of them a brightly coloured picture. It was with ecstasy that I caught their pipings. Love helps us to discern things, to discriminate. Standing in a wood, the lover of birds at once distinguishes the notes of the different species, which to ordinary people sound the same. The lover of girls knows that human voices vary even more. Each one possesses more notes than the richest instrument of music. And the combinations in which the voice groups those notes are as inexhaustible as the infinite variety of personalities. When I talked with any one of my friends I was conscious that the original, the unique portrait of her individuality had been skilfully traced, tyranically imposed on my mind as much by the inflexions of her voice as by those of her face, and that these were two separate spectacles which rendered, each in its own plane, the same single reality. No doubt the lines of the voice, like those of the face, were not yet definitely fixed; the voice had still to break, as the face to change. Just as children have a gland the secretion in which enables them to digest milk, a gland which is not found in grown men and women, so there were in the twitterings of these girls notes which women’s voices no longer contain. And on this instrument with its greater compass they played with their lips, shewing all the application, the ardour of Bellini’s little angel musicians, qualities which also are an exclusive appanage of youth. Later on these girls would lose that note of enthusiastic conviction which gave a charm to their simplest utterances, whether it were Albertine who, in a tone of authority, repeated puns to which the younger ones listened with admiration, until that wild impulse to laugh caught them all with the irresistible violence of a sneeze, or Andrée who began to speak of their work in the schoolroom, work even more childish seemingly than the games they played, with a gravity essentially puerile; and their words changed in tone, like the lyrics of ancient times when poetry, still hardly differentiated from music, was declaimed upon the different notes of a scale. In spite of which, the girls’ voices already gave a quite clear indication of the attitude that each of these little people had adopted towards life, an attitude so personal that it would be speaking in far too general terms to say of one: “She treats everything as a joke,” of another: “She jumps from assertion to assertion,” of a third: “She lives in a state of expectant hesitation.” The features of our face are hardly more than gestures which force of habit has made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement. Similarly, our intonations embody our philosophy of life, what a person says to himself about things at any given moment. No doubt these peculiarities were to be found not only in the girls. They were those of their parents. The individual is a part of something that is more generally diffused than himself. By this reckoning, our parents furnish us not only with those habitual gestures which are the outlines of our face and voice, but also with certain mannerisms in speech, certain favourite expressions, which, almost as unconscious as an intonation, almost as profound, indicate likewise a definite point of view towards life. It is quite true, since we are speaking of girls, that there are certain of these expressions which their parents do not hand on to them until they have reached a certain age, as a rule not before they are women. These are kept in reserve. Thus, for instance, if you were to speak of the pictures of one of Elstir’s friends, Andrée, whose hair was still ‘down,’ could not yet make use, personally, of the expression which her mother and elder sister employed: “It appears, the man is quite charming!” But that would come in due course, when she was allowed to go to the Palais-Royal. And already, since her first communion, Albertine had begun to say, like a friend of her aunt: “I’m sure I should find that simply terrible!” She had also had given to her, as a little present, the habit of repeating whatever you had just been saying to her, so as to appear to be interested, and to be trying to form an opinion of her own. If you said that an artist’s work was good, or his house nice, “Oh, his work is good, is it?” “Oh, his house is nice, is it?” Last of all, and even more general than the family heritage, was the rich layer imposed by the native province from which they derived their voices and of which indeed their intonations smacked. When Andrée sharply struck a solemn note she could not prevent the Perigordian string of her vocal instrument from giving back a resonant sound quite in harmony, moreover, with the Meridional purity of her features; while to the incessant pranks of Rosemonde the substance of her North-Country face and voice responded, whatever her mood at the time, in the accent of their province. Between that province and the temperament of the little girl who dictated these inflexions, I caught a charming dialogue. A dialogue, not in any sense a discord. It would not have been possible to separate the girl herself and her native place. She was herself; she was still it also. Moreover this reaction of locally procured materials on the genius who utilises them and to whose work their reaction imparts an added freshness, does not make the work any less individual, and whether it be that of an architect, a cabinet-maker or a composer, it reflects no less minutely the most subtle shades of the artist’s personality, because he has been compelled to work in the millstone of Senlis or the red sandstone of Strasbourg, has respected the knots peculiar to the ash-tree, has borne in mind, when writing his score, the resources, the limitations, the volume of sound, the possibilities of flute or alto voice&#xA;&#xA;    All this I realised, and yet we talked so little. Whereas with Mme. de Villeparisis or Saint-Loup I should have displayed by my words a great deal more pleasure than I should actually have felt, for I used always to be worn out when I parted from them; when, on the other hand, I was lying on the grass among all these girls, the plenitude of what I was feeling infinitely outweighed the paucity, the infrequency of our speech, and brimmed over from my immobility and silence in floods of happiness, the waves of which rippled up to die at the feet of these young roses&#xA;&#xA;    For a convalescent who rests all day long in a flower-garden or orchard, a scent of flowers or fruit does not more completely pervade the thousand trifles that compose his idle hours than did for me that colour, that fragrance in search of which my eyes kept straying towards the girls, and the sweetness of which finally became incorporated in me. So it is that grapes grow sugary in sunshine. And by their slow continuity these simple little games had gradually wrought in me also, as in those who do nothing else all day but lie outstretched by the sea, breathing the salt air and growing sunburned, a relaxation, a blissful smile, a vague sense of dizziness that had spread from brain to eyes&#xA;&#xA;    Now and then a pretty attention from one or another of them would stir in me vibrations which dissipated for a time my desire for the rest. Thus one day Albertine had suddenly asked: “Who has a pencil?” Andrée had provided one, Rosemonde the paper; Albertine had warned them: “Now, young ladies, you are not to look at what I write.” After carefully tracing each letter, supporting the paper on her knee, she had passed it to me with: “Take care no one sees.” Whereupon I had unfolded it and read her message, which was: “I love you.”&#xA;&#xA;    “But we mustn’t sit here scribbling nonsense,” she cried, turning impetuously, with a sudden gravity of demeanour, to Andrée and Rosemonde&#xA;&#xA;    “I ought to shew you the letter I got from Gisèle this morning. What an idiot I am; I’ve had it all this time in my pocket — and you can’t think how important it may be to us.” Gisèle had been moved to copy out for her friend, so that it might be passed on to the others, the essay which she had written in her certificate examination. Albertine’s fears as to the difficulty of the subjects set had been more than justified by the two from which Gisèle had had to choose. The first was: “Sophocles, from the Shades, writes to Racine to console him for the failure of Athalie“; the other: “Suppose that, after the first performance of Esther, Mme. de Sévigné is writing to Mme. de La Fayette to tell her how much she regretted her absence.” Now Gisèle, in an excess of zeal which ought to have touched the examiners’ hearts, had chosen the former, which was also the more difficult of the two subjects, and had handled it with such remarkable skill that she had been given fourteen marks, and had been congratulated by the board. She would have received her ‘mention’ if she had not ‘dried up’ in the Spanish paper. The essay, a copy of which Gisèle had now sent her, was immediately read aloud to us by Albertine, for, having presently to pass the same examination, she was anxious to have an opinion from Andrée, who was by far the cleverest of them all and might be able to give her some good ‘tips.’ “She did have a bit of luck!” was Albertine’s comment.“It’s the very subject her French mistress made her swot up while she was here.” The letter from Sophocles to Racine, as drafted by Gisèle, ran as follows: “My dear friend, You must pardon me the liberty of addressing you when I have not the honour of your personal acquaintance, but your latest tragedy, Athalie, shews, does it not, that you have made the most thorough study of my own modest works. You have not only put poetry in the mouths of the protagonists, or principal persons of the drama, but you have written other, and, let me tell you without flattery, charming verses for the choruses, a feature which was not too bad, according to all one hears, in Greek Tragedy, but is a complete novelty in France. Nay more, your talent always so fluent, so finished, so winning, so fine, so delicate, has here acquired an energy on which I congratulate you. Athalie, Joad — these are figures which your rival Corneille could have wrought no better. The characters are virile, the plot simple and strong. You have given us a tragedy in which love is not the keynote, and on this I must offer you my sincerest compliments. The most familiar proverbs are not always the truest. I will give you an example:&#xA;&#xA;            ‘This passion treat, which makes the poet’s art&#xA;            Fly, as on wings, straight to the listener’s heart.’&#xA;&#xA;    You have shewn us that the religious sentiment in which your choruses are steeped is no less capable of moving us. The general public may have been puzzled at first, but those who are best qualified to judge must give you your due. I have felt myself impelled to offer you all my congratulations, to which I would add, my dear brother poet, an expression of my very highest esteem.” Albertine’s eyes, while she was reading this to us, had not ceased to sparkle. “Really, you’d think she must have cribbed it somewhere!” she exclaimed, as she reached the end. “I should never have believed that Gisèle could hatch out anything like as good! And the poetry she brings in! Where on earth can she have got that from?” Albertine’s admiration, with a change, it is true, of object, but with no loss — an increase, rather — of intensity, combined with the closest attention to what was being said, continued to make her eyes ‘start from her head’ all the time that Andrée (consulted as being the biggest of the band and more knowledgeable than the others) first of all spoke of Gisèle’s essay with a certain irony, then with a levity of tone which failed to conceal her underlying seriousness proceeded to reconstruct the letter in her own way. “It is not badly done,” she told Albertine, “but if I were you and had the same subject set me, which is quite likely, as they do very often set that, I shouldn’t do it in that way. This is how I would tackle it. Well, first of all, if I had been Gisèle, I should not have let myself get tied up, I should have begun by making a rough sketch of what I was going to write on a separate piece of paper. On the top line I should state the question and give an account of the subject, then the general ideas to be worked into the development. After that, appreciation, style, conclusion. In that way, with a summary to refer to, you know where you are. But at the very start, where she begins her account of the subject, or, if you like, Titine, since it’s a letter we’re speaking of, where she comes to the matter, Gisèle has gone off the rails altogether. Writing to a person of the seventeenth century, Sophocles ought never to have said, ‘My dear friend.’” “Why, of course, she ought to have said, ‘My dear Racine,’” came impetuously from Albertine. “That would have been much better.” “No,” replied Andrée, with a trace of mockery in her tone, “she ought to have put ‘Sir.’ In the same way, to end up, she ought to have thought of something like, ‘Suffer me, Sir,’ (at the very most, ‘Dear Sir’) to inform you of the sense of high esteem with which I have the honour to be your servant.’ Then again, Gisèle says that the choruses in Athalie are a novelty. She is forgetting Esther, and two tragedies that are not much read now but happen to have been analysed this year by the Professor himself, so that you need only mention them, since he’s got them on the brain, and you’re bound to pass. I mean Les Juives, by Robert Gamier, and Montchrestien’s L’Aman.” Andrée quoted these titles without managing quite to conceal a secret sense of benevolent superiority, which found expression in a smile, quite a delightful smile, for that matter. Albertine could contain herself no — longer. “Andrée, you really are a perfect marvel,” she cried. “You must write down those names for me. Just fancy, what luck it would be if I got on to that, even in the oral, I should bring them in at once and make a colossal impression.” But in the days that followed, every time that Albertine begged Andrée just to tell her again the names of those two plays so that she might write them down, her blue-stocking friend seemed most unfortunately to have forgotten them, and left her none the wiser. “And another thing,” Andrée went on with the faintest note in her voice of scorn for companions so much younger than herself, though she relished their admiration and attached to the manner in which she herself would have composed the essay a greater importance than she wanted us to think, “Sophocles in the Shades must be kept well-informed of all that goes on. He must know, therefore, that it was not before the general public but before the King’s Majesty and a few privileged courtiers that Athalie was first played. What Gisèle says in this connexion of the esteem of qualified judges is not at all bad, but she might have gone a little further. Sophocles, now that he is immortal, might quite well have the gift of prophecy and announce that, according to Voltaire,Athalie is to be the supreme achievement not of Racine merely but of the human mind.” Albertine was drinking in every word. Her eyes blazed. And it was with the utmost indignation that she rejected Rosemonde’s suggestion that they should begin to play. “And so,” Andrée concluded, in the same easy, detached tone, blending a faint sneer with a certain warmth of conviction, “if Gisèle had noted down properly, first of all, the general ideas that she was going to develop, it might perhaps have occurred to her to do what I myself should have done, point out what a difference there is between the religious inspiration of Sophocles’s choruses and Racine’s. I should have made Sophocles remark that if Racine’s choruses are instinct with religious feeling like those of the Greek Tragedians, the gods are not the same. The God of Joad has nothing in common with the god of Sophocles. And that brings us quite naturally, when we have finished developing the subject, to our conclusion: What does it matter if their beliefs are different? Sophocles would hesitate to insist upon such a point. He would be afraid of wounding Racine’s convictions, and so, slipping in a few appropriate words on his masters at Port-Royal, he prefers to congratulate his disciple on the loftiness of his poetic genius.”&#xA;&#xA;    Admiration and attention had so heated Albertine that great drops were rolling down her cheeks. Andrée preserved the unruffled calm of a female dandy. “It would not be a bad thing either to quote some of the opinions of famous critics,” she added, before they began their game. “Yes,” put in Albertine, “so I’ve been told. The best ones to quote, on the whole, are Sainte-Beuve and Merlet, aren’t they?” “Well, you’re not absolutely wrong,” Andrée told her, “Merlet and Sainte-Beuve are by no means bad. But you certainly ought to mention Deltour and Gascq-Desfossés.” She refused, however, despite Albertine’s entreaties, to write down these two unfamiliar names&#xA;&#xA;    Meanwhile I had been thinking of the little page torn from a scribbling block which Albertine had handed me. “I love you,” she had written. And an hour later, as I scrambled down the paths which led back, a little too vertically for my liking, to Balbec, I said to myself that it was with her that I would have my romance&#xA;&#xA;    The state of being indicated by the presence of all the signs by which we are accustomed to recognise that we are in love, such as the orders which I left in the hotel not to awaken me whoever might ask to see me, unless it were one or other of the girls, the beating of my heart while I waited for her (whichever of them it might be that I was expecting) and on those mornings my fury if I had not succeeded in finding a barber to shave me, and must appear with the disfigurement of a hairy chin before Albertine, Rosemonde or Andrée, no doubt this state, recurring indifferently at the thought of one or another, was as different from what we call love as is from human life the life of the zoophytes, where an existence, an individuality, if we may term it, is divided up among several organisms. But natural history teaches us that such an organization of animal life is indeed to be observed, and that our own life, provided only that we have outgrown the first phase, is no less positive as to the reality of states hitherto unsuspected by us, through which we have to pass, and can then abandon them altogether. Such was for me this state of love divided among several girls at once. Divided — say rather undivided, for more often than not what was so delicious to me, different from the rest of the world, what was beginning to become so precious to me that the hope of finding it again on the morrow was the greatest happiness in my life, was rather the whole of the group of girls, taken as they were all together on those afternoons on the cliffs, during those lifeless hours, upon that strip of grass on which were laid those forms, so exciting to my imagination, of Albertine, Rosemonde, Andrée; and that without my being able to say which of them it was that made those scenes so precious to me, which of them I was most anxious to love. At the start of a new love as at its ending, we are not exclusively attached to the object of that love, but rather the desire to be loving from which it will presently emerge (and, later on, the memory which it leaves behind) wanders voluptuously through a zone of interchangeable charms — simply natural charms, it may be, gratification of appetite, enjoyment of one’s surroundings — which are so far harmonised among themselves that it does not in the presence of any one of them feel itself out of place. Besides, as my perception of them was not yet dulled by familiarity, I had still the faculty of seeing them, that is to say of feeling a profound astonishment every time that I found myself in their presence. No doubt this astonishment is to some extent due to the fact that the other person on such occasions presents himself in a fresh aspect; but so great is the multiformity of each of us, so abundant the wealth of lines of face and body, lines so few of which leave any trace, once we have parted from the other person, on the arbitrary simplicity of our memory. As our mind has selected some peculiarity that had struck us, has isolated it, exaggerated it, making of a woman who has appeared to us tall, a sketch in which her figure is absurdly elongated, or of a woman who has seemed to be pink-cheeked and golden-haired a pure ‘Harmony in pink and gold,’ so, the moment that woman is once again standing before us, all the other forgotten qualities which restore the balance of that one remembered feature at once assail us, in their confused complexity, diminishing her height, paling her cheeks, and substituting for what we have come to her solely to seek other peculiarities which we remember now that we did notice the first time, and fail to understand how we can so far have forgotten to look out for again. We thought we remembered; it was a peahen, surely; we go to see it and find a peony. And this inevitable astonishment is not the only one; for, side by side with it comes another, born of the difference, not now between the stereotyped forms of memory and reality, but between the person whom we saw last time and him who appears to us to-day from another angle and shews us another aspect. The human face is indeed, like the face of the God of some Oriental theogony, a whole cluster of faces, crowded together but on different surfaces so that one does not see them all at once&#xA;&#xA;    But to a great extent our astonishment springs from the other person’s presenting to us also a face that is the same as before. It would require so immense an effort to reconstruct everything that has been imparted to us by things other than ourselves — were it only the taste of a fruit — that no sooner is the impression received than we begin imperceptibly to descend the slope of memory and, without noticing anything, in a very short time, we have come a long way from what we actually felt. So that every fresh encounter is a sort of rectification, which brings us back to what we really did see. We have no longer any recollection of this, to such an extent does what we call remembering a person consist really in forgetting him. But so long as we can still see at the moment when the forgotten aspect appears, we recognise it, we are obliged to correct the straying line; thus the perpetual and fruitful surprise which made so salutary and invigorating for me these daily outings with the charming damsels of the sea shore, consisted fully as much in recognition as in discovery. When there is added to this the agitation aroused by what these girls were to me, which was never quite what I had supposed, and meant that my expectancy of our next meeting resembled not so much my expectancy the time before as the still throbbing memory of our latest conversation, it will be realised that each of our excursions made a violent interruption in the course of my thoughts and moved them clean out of the direction which, in the solitude of my own room, I had been able to trace for them at my leisure. That plotted course was forgotten, had ceased to exist, when I returned home buzzing like a hive of bees with remarks which had disquieted me when I heard them and were still echoing in my brain. The other person is destroyed when we cease to see him; after which his next appearance means a fresh creation of him, different from that which immediately preceded it, if not from them all. For the minimum variation that is to be found in these creations is duality. If we have in mind a strong and searching glance, a bold manner, it is inevitably, next time, by a half-languid profile, a sort of dreamy gentleness, overlooked by us in our previous impression, that we shall be, on meeting him again, astonished, that is to say almost solely struck. In confronting our memory with the new reality it is this that will mark the extent of our disappointment or surprise, will appear to us like the revised version of an earlier reality warning us that we had not remembered it correctly. In its turn, the facial aspect neglected the time before, and for that very reason the most striking this time, the most real, the most documentary, will become a matter for dreams and memories. It is a languorous and rounded profile, a gentle, dreamy expression which we shall now desire to see again. And then, next time, such resolution, such strength of character as there may be in the piercing eyes, the pointed nose, the tight lips, will come to correct the discrepancy between our desire and the object to which it has supposed itself to correspond. It is understood, of course, that this loyalty to the first and purely physical impressions which I formed afresh at each encounter with my friends did not involve only their facial appearance, since the reader has seen that I was sensible also of their voices, more disquieting still, perhaps (for not only does a voice offer the same strange and sensuous surfaces as a face, it issues from that unknown, inaccessible region the mere thought of which sets the mind swimming with unattainable kisses), their voices each like the unique sound of a little instrument into which the player put all her artistry and which was found only in her possession. Traced by a casual inflexion, a sudden deep chord in one of their voices would astonish me when I recognised after having forgotten it. So much so that the corrections which after every fresh meeting I was obliged to make so as to ensure absolute accuracy were as much those of a tuner or singing-master as a draughtsman’s&#xA;&#xA;    As for the harmonious cohesion in which had been neutralised for some time, by the resistance that each brought to bear against the expansion of the others, the several waves of sentiment set in motion in me by these girls, it was broken in Albertine’s favour one afternoon when we were playing the game of ‘ferret.’ It was in a little wood on the cliff. Stationed between two girls, strangers to the little band, whom the band had brought in its train because we wanted that day to have a bigger party than usual, I gazed enviously at Albertine’s neighbour, a young man, saying to myself that if I had been in his place I could have been touching my friend’s hands all those miraculous moments which might perhaps never recur, and that this would have been but the first stage in a great advance. Already, by itself, and even without the consequences which it would probably have involved, the contact of Albertine’s hands would have been delicious to me. Not that I had never seen prettier hands than hers. Even in the group of her friends, those of Andrée, slender hands and much more finely modelled, had as it were a private life of their own, obedient to the commands of their mistress, but independent, and used often to strain out before her like a leash of thoroughbred greyhounds, with lazy pauses, long dreams, sudden stretchings of a joint, seeing which Elstir had made a number of studies of these hands. And in one of them, in which you saw Andrée warming her hands at the fire, they had, with the light behind them, the gilded transparency of two autumn leaves. But, plumper than these, the hands of Albertine would yield for a moment, then resist the pressure of the hand that clasped them, giving a sensation that was quite peculiar to themselves. The act of pressing Albertine’s hand had a sensual sweetness which was in keeping somehow with the rosy, almost mauve colouring of her skin. That pressure seemed to allow you to penetrate into the girl’s being, to plumb the depths of her senses, like the ringing sound of her laughter, indecent as may be the cooing of doves or certain animal cries. She was the sort of woman with whom shaking hands affords so much pleasure that one feels grateful to civilisation for having made of the handclasp a lawful act between young men and girls when they meet. If the arbitrary code of good manners had replaced the clasp of hands by some other gesture, I should have gazed, day after day, at the unattainable hands of Albertine with a curiosity to know the feel of them as ardent as was my curiosity to learn the savour of her cheeks. But in the pleasure of holding her hand unrestrictedly in mine, had I been next to her at ‘ferret’ I did not envisage that pleasure alone; what avowals, declarations silenced hitherto by my bashfulness, I could have conveyed by certain pressures of hand on hand; on her side, how easy it would have been for her, in responding by other pressures, to shew me that she accepted; what complicity, what a vista of happiness stood open! My love would be able to make more advance in a few minutes spent thus by her side than it had yet made in all the time that I had known her. Feeling that they would last but a short time, were rapidly nearing their end, since presumably we were not going on much longer with this game, and that once it was over I should be too late, I could not keep in my place for another moment. I let myself deliberately be caught with the ring, and, having gone into the middle, when the ring passed I pretended not to see it but followed its course with my eyes, waiting for the moment when it should come into the hands of the young man next to Albertine, who herself, pealing with helpless laughter, and in the excitement and pleasure of the game, was blushing like a rose. “Why, we really are in the Fairy Wood!” said Andrée to me, pointing to the trees that grew all round, with a smile in her eyes which was meant only for me and seemed to pass over the heads of the other players, as though we two alone were clever enough to double our parts, and make, in connexion with the game we were playing, a remark of a poetic nature. She even carried the delicacy of her fancy so far as to sing half-unconsciously: “The Ferret of the Wood has passed this way, Sweet Ladies; he has passed by this way, the Ferret of Fairy Wood!” like those people who cannot visit Trianon without getting up a party in Louis XVI costume, or think in effective to have a song sung to its original setting. I should no doubt have been sorry that I could see no charm in this piece of mimicry, had I had time to think of it. But my thoughts were all elsewhere. The players began to shew surprise at my stupidity in never getting the ring. I was looking at Albertine, so pretty, so indifferent, so gay, who, though she little knew it, was to be my neighbour when at last I should catch the ring in the right hands, thanks to a stratagem which she did not suspect, and would certainly have resented if she had. In the heat of the game her long hair had become loosened, and fell in curling locks over her cheeks on which it served to intensify, by its dry brownness, the carnation pink. “You have the tresses of Laura Dianti, of Eleanor of Guyenne, and of her descendant so beloved of Chateaubriand. You ought always to wear your hair half down like that,” I murmured in her ear as an excuse for drawing close to her. Suddenly the ring passed to her neighbour. I sprang upon him at once, forced open his hands and seized it; he was obliged now to take my place inside the circle, while I took his beside Albertine. A few minutes earlier I had been envying this young man, when I saw that his hands as they slipped over the cord were constantly brushing against hers. Now that my turn was come, too shy to seek, too much moved to enjoy this contact, I no longer felt anything save the rapid and painful beating of my heart. At one moment Albertine leaned towards me, with an air of connivance, her round and rosy face, making a show of having the ring, so as to deceive the ferret, and keep him from looking in the direction in which she was just going to pass it. I realised at once that this was the sole object of Albertine’s mysterious, confidential gaze, but I was a little shocked to see thus kindle in her eyes the image — purely fictitious, invented to serve the needs of the game — of a secret, an understanding between her and myself which did not exist, but which from that moment seemed to me to be possible and would have been divinely sweet. While I was still being swept aloft by this thought, I felt a slight pressure of Albertine’s hand against mine, and her caressing finger slip under my finger along the cord, and I saw her, at the same moment, give me a wink which she tried to make pass unperceived by the others. At once, a mass of hopes, invisible hitherto by myself, crystallised within me. “She is taking advantage of the game to let me feel that she really does love me,” I thought to myself, in an acme of joy, from which no sooner had I reached it than I fell, on hearing Albertine mutter furiously: “Why can’t you take it? I’ve been shoving it at you for the last hour.” Stunned with grief, I let go the cord, the ferret saw that ring and swooped down on it, and I had to go back into the middle, where I stood helpless, in despair, looking at the unbridled rout which continued to circle round me, stung by the jeering shouts of all the players, obliged, in reply, to laugh when I had so little mind for laughter, while Albertine kept on repeating: “People can’t play if they don’t pay attention, and spoil the game for the others. He shan’t be asked again when we’re going to play, Andrée; if he is, I don’t come.” Andrée, with a mind above the game, still chanting her ‘Fairy Wood’ which, in a spirit of imitation, Rosemonde had taken up too, but without conviction, sought to make a diversion from Albertine’s reproaches by saying to me: “We’re quite close to those old Creuniers you wanted so much to see. Look, I’ll take you there by a dear little path, and we’ll leave these silly idiots to go on playing like babies in the nursery.” As Andrée was extremely nice to me, as we went along I said to her everything about Albertine that seemed calculated to make me attractive to the latter. Andrée replied that she too was very fond of Albertine, thought her charming; in spite of which the compliments that I was paying to her friend did not seem altogether to please her. Suddenly, in the little sunken path, I stopped short, touched to the heart by an exquisite memory of my childhood. I had just recognised, by the fretted and glossy leaves which it thrust out towards me, a hawthorn-bush, flowerless, alas, now that spring was over. Around me floated the atmosphere of far-off Months of Mary, of Sunday afternoons, of beliefs, or errors long ago forgotten. I wanted to stay it in its passage. I stood still for a moment, and Andrée, with a charming divination of what was in my mind, left me to converse with the leaves of the bush. I asked them for news of the flowers, those hawthorn flowers that were like merry little girls, headstrong, provocative, pious. “The young ladies have been gone from here for a long time now,” the leaves told me. And perhaps they thought that, for the great friend of those young ladies that I pretended to be, I seemed to have singularly little knowledge of their habits. A great friend, but one who had never been to see them again for all these years, despite his promises. And yet, as Gilberte had been my first love among girls, so these had been my first love among flowers. “Yes, I know all that, they leave about the middle of June,” I answered, “but I am so delighted to see the place where they stayed when they were here. They came to see me, too, at Combray, in my room; my mother brought them when I was ill in bed. And we used to meet on Saturday evenings, too, at the Month of Mary devotions. Can they get to them from here?” “Oh, of course! Why, they make a special point of having our young ladies at Saint-Denis du Désert, the church near here.” “Then, if I want to see them now?” “Oh, not before May, next year.” “But I can be sure that they will be here?” “They come regularly every year.” “Only I don’t know whether it will be easy to find the place.” “Oh, dear, yes! They are so gay, the young ladies, they stop laughing only to sing hymns together, so that you can’t possibly miss them, you can tell by the scent from the other end of the path.”&#xA;&#xA;    I caught up Andrée, and began again to sing Albertine’s praises. It was inconceivable to me that she would not repeat what I said to her friend, seeing the emphasis that I put into it. And yet I never heard that Albertine had been told. Andrée had, nevertheless, a far greater understanding of the things of the heart, a refinement of nice behaviour; finding the look, the word, the action that could most ingeniously give pleasure, keeping to herself a remark that might possibly cause pain, making a sacrifice (and making it as though it were no sacrifice at all) of an afternoon’s play, or it might be an ‘at home’ or a garden party in order to stay beside a friend who was feeling sad, and thus shew him or her that she preferred the simple company of a friend to frivolous pleasures; these were her habitual delicacies. But when one knew her a little better one would have said that it was with her as with those heroic cravens who wish not to be afraid, and whose bravery is especially meritorious, one would have said that in her true character there was none of that generosity which she displayed at every moment out of moral distinction, or sensibility, or a noble desire to shew herself a true friend. When I listened to all the charming things she was saying to me about a possible affection between Albertine and myself it seemed as though she were bound to do everything in her power to bring it to pass. Whereas, by mere chance perhaps, not even of the least of the various minor opportunities which were at her disposal and might have proved effective in uniting me to Albertine did she ever make any use, and I would not swear that my effort to make myself loved by Albertine did not — if not provoke in her friend secret stratagems destined to bring it to nought — at any rate arouse in her an anger which however she took good care to hide and against which even, in her delicacy of feeling, she may herself have fought. Of the countless refinements of goodness which Andrée shewed Albertine would have been incapable, and yet I was not certain of the underlying goodness of the former as I was to be, later on, of the latter’s. Shewing herself always tenderly indulgent to the exuberant frivolity of Albertine, Andrée would greet her with speeches, with smiles which were those of a friend, better still, she always acted towards her as a friend. I have seen her, day after day, in order to give the benefit of her own wealth, to bring some happiness to this penniless friend take, without any possibility of advantage to herself, more pains than a courtier would take who sought to win his sovereign’s favour. She was charmingly gentle always, charming in her choice of sweet, pathetic expressions, when you said to her what a pity it was that Albertine was so poor, and took infinitely more trouble on her behalf than she would have taken for a wealthy friend. But if anyone were to hint that Albertine was perhaps not quite so poor as people made out, a just discernible cloud would veil the light of Andrée’s eyes and brow; she seemed out of temper. And if you went on to say that after all Albertine might perhaps be less difficult to marry off than people supposed, she would vehemently contradict you, repeating almost angrily: “Oh dear, no; she will never get married! I am quite certain of it; it is a dreadful worry to me!” In so far as I myself was concerned, Andrée was the only one of the girls who would never have repeated to me anything not very pleasant that might have been said about me by a third person; more than that, if it were I who told her what had been said she would make a pretence of not believing it, or would furnish some explanation which made the remark inoffensive; it is the aggregate of these qualities that goes by the name of tact. Tact is the attribute of those people who, if we have called a man out in a duel, congratulate us and add that there was no necessity, really; so as to enhance still further in our own eyes the courage of which we have given proof without having been forced to do lo. They are the opposite of the people who, in similar circumstances, say: “It must have been a horrid nuisance for you, fighting a duel, but on the other hand you couldn’t possibly swallow an insult like that, there was nothing else to be done.” But as there, is always something to be said on both sides, if the pleasure, or at least the indifference shewn by our friends in repeating something offensive that they have heard said about us, proves that they do not exactly put themselves in our skin at the moment of speaking, but thrust in the pin-point, turn the knife-blade as though it were gold-beater’s skin and not human, the art of always keeping hidden from us what might be disagreeable to us in what they have heard said about our actions, or in the opinion which those actions have led the speakers themselves to form of us, proves that there is in the other kind of friends, in the friends who are so full of tact, a strong vein of dissimulation. It does no harm if indeed they are incapable of thinking evil, and if what is said by other people only makes them suffer as it would make us. I supposed this to be the case with Andrée, without, however, being absolutely sure&#xA;&#xA;    We had left the little wood and had followed a network of overgrown paths through which Andrée managed to find her way with great skill. Suddenly, “Look now,” she said to me, “there are your famous Creuniers, and, I say, you are in luck, it’s just the time of day, and the light is the same as when Elstir painted them.” But I was still too wretched at having fallen, during the game of ‘ferret,’ from such a pinnacle of hopes. And so it was not with the pleasure which otherwise I should doubtless have felt that I caught sight, almost below my feet, crouching among the rocks, where they had gone for protection from the heat, of marine goddesses for whom Elstir had lain in wait and surprised them there, beneath a dark glaze as lovely as Leonardo would have painted, the marvellous Shadows, sheltered and furtive, nimble and voiceless, ready at the first glimmer of light to slip behind the stone, to hide in a cranny, and prompt, once the menacing ray had passed, to return to rock or seaweed beneath the sun that crumbled the cliffs and the colourless ocean, over whose slumbers they seemed to be watching, motionless lightfoot guardians letting appear on the water’s surface their viscous bodies and the attentive gaze of their deep blue eyes&#xA;&#xA;    We went back to the wood to pick up the other girls and go home together. I knew now that I was in love with Albertine; but, alas! I had no thought of letting her know it. This was because, since the days of our games in the Champs-Elysées, my conception of love had become different, even if the persons to whom my love was successively assigned remained practically the same. For one thing, the avowal, the declaration of my passion to her whom I loved no longer seemed to me one of the vital and necessary incidents of love, nor love itself an external reality, but simply a subjective pleasure. And as for this pleasure, I felt that Albertine would do everything necessary to furnish it, all the more since she would not know that I was enjoying it&#xA;&#xA;    As we walked home the image of Albertine, bathed in the light that streamed from the other girls, was not the only one that existed for me. But as the moon, which is no more than a tiny white cloud of a more definite and fixed shape than other clouds during the day, assumes her full power as soon as daylight dies, so when I was once more in the hotel it was Albertine’s sole image that rose from my heart and began to shine. My room seemed to me to have become suddenly a new place. Of course, for a long time past, it had not been the hostile room of my first night in it. All our lives we go on patiently modifying the surroundings in which we dwell; and gradually, as habit dispenses us from feeling them, we suppress the noxious elements of colour, shape and smell which were at the root of our discomfort. Nor was it any longer the room, still potent enough over my sensibility, not certainly to make me suffer, but to give me joy, the fount of summer days, like a marble basin in which, half way up its polished sides, they mirrored an azure surface steeped in light over which glided for an instant, impalpable and white as a wave of heat, a shadowy and fleeting cloud; not the room, wholly aesthetic, of the pictorial evening hours; it was the room in which I had been now for so many days that I no longer saw it. And now I was just beginning again to open my eyes to it, but this time from the selfish angle which is that of love. I liked to feel that the fine big mirror across one corner, the handsome bookcases with their fronts of glass would give Albertine, if she came to see me, a good impression of myself. Instead of a place of transit in which I would stay for a few minutes before escaping to the beach or to Rivebelle, my room became real and dear to me, fashioned itself anew, for I looked at and appreciated each article of its furniture with the eyes of Albertine&#xA;&#xA;    A few days after the game of ‘ferret,’ when, having allowed ourselves to wander rather too far afield, we had been fortunate in finding at Maine-ville a couple of little “tubs” with two seats in each which would enable us to be back in time for dinner, the keenness, already intense, of my love for Albertine, had the following effect, first of all, that it was Rosemonde and Andrée in turn that I invited to be my companion, and never once Albertine, after which, in spite of my manifest preference for Andrée or Rosemonde, I led everybody, by secondary considerations of time and distance, cloaks and so forth, to decide, as though against my wishes, that the most practical policy was that I should take Albertine, to whose company I pretended to resign myself for good or ill. Unfortunately, since love tends to the complete assimilation of another person, while other people are not comestible by way of conversation alone, Albertine might be (and indeed was) as friendly as possible to me on our way home; when I had deposited her at her own door she left me happy but more famished for her even than I had been at the start, and reckoning the moments that we had spent together as only à prelude, of little importance in itself, to those that were still to come. And yet this prelude had that initial charm which is not to be found again. I had not yet asked anything of Albertine. She could imagine what I wanted, but, not being certain of it, would suppose that I was tending only towards relations without any definite purpose, in which my friend would find that delicious vagueness, rich in surprising fulfilments of expectations, which is true romance&#xA;&#xA;    In the week that followed I scarcely attempted to see Albertine. I made a show of preferring Andrée. Love is born; one would like to remain, for her whom one loves, the unknown whom she may love in turn, but one has need of her, one requires contact not so much with her body as with her attention, her heart. One slips into a letter some spiteful expression which will force the indifferent reader to ask for some little kindness in compensation, and love, following an unvarying procedure, sets going with an alternating movement the machinery in which one can no longer either refrain from loving or be loved. I gave to Andrée the hours spent by the others at a party which I knew that she would sacrifice for my sake, with pleasure, and would have sacrificed even with reluctance, from a moral nicety, so as not to let either the others or herself think that she attached any importance to a relatively frivolous amusement. I arranged in this way to have her entirely to myself every evening, meaning not to make Albertine jealous, but to improve my position in her eyes, or at any rate not to imperil it by letting Albertine know that it was herself and not Andrée that I loved. Nor did I confide this to Andrée either, lest she should repeat it to her friend. When I spoke of Albertine to Andrée I affected a coldness by which she was perhaps less deceived that I by her apparent credulity. She made a show of believing in my indifference to Albertine, of desiring the closest possible union between Albertine and myself. It is probable that, on the contrary, she neither believed in the one nor wished for the other. While I was saying to her that I did not care very greatly for her friend, I was thinking of one thing only, how to become acquainted with Mme. Bontemps, who was staying for a few days near Balbec, and to whom Albertine was going presently on a short visit. Naturally I did not let Andrée become aware of this desire, and when I spoke to her of Albertine’s people, it was in the most careless manner possible. Andrée’s direct answers did not appear to throw any doubt on my sincerity. Why then did she blurt out suddenly, about that time: “Oh, guess who’ I’ve just seen — Albertine’s aunt!” It is true that she had not said in so many words: “I could see through your casual remarks all right that the one thing you were really thinking of was how you could make friends with Albertine’s aunt.” But it was clearly to the presence in Andrée’s mind of some such idea which she felt it more becoming to keep from me that the word ‘just’ seemed to point. It was of a kind with certain glances, certain gestures which, for all that they have not a form that is logical, rational, deliberately calculated to match the listener’s intelligence, reach him nevertheless in their true significance, just as human speech, converted into electricity in the telephone, is turned into speech again when it strikes the ear. In order to remove from Andree’s mind the idea that I was interested in Mme. Bontemps, I spoke of her from that time onwards not only carelessly but with downright malice, saying that I had once met that idiot of a woman, and trusted I should never have that experience again. Whereas I was seeking by every means in my power to meet her&#xA;&#xA;    tried to induce Elstir (but without mentioning to anyone else that I had asked him) to speak to her about me and to bring us together. He promised to introduce me to her, though he seemed greatly surprised at my wishing it, for he regarded her as a contemptible woman, a born intriguer, as little interesting as she was disinterested. Reflecting that if I did see Mme. Bontemps, Andrée would be sure to hear of it sooner or later, I thought it best to warn her in advance. “The things one tries hardest to avoid are what one finds one cannot escape,” I told her. “Nothing in the world could bore me so much as meeting Mme. Bontemps again, and yet I can’t get out of it, Elstir has arranged to invite us together.” “I have never doubted it for a single instant,” exclaimed Andrée in a bitter tone, while her eyes, enlarged and altered by her annoyance, focussed themselves upon some invisible object. These words of Andree’s were not the most recent statement of a thought which might be expressed thus: “I know that you are in love with Albertine, and that you are working day and night to get in touch with her people.” But they were the shapeless fragments, easily pieced together again by me, of some such thought which I had exploded by striking it, through the shield of Andree’s self-control. Like her ‘just,’ these words had no meaning save in the second degree, that is to say they were words of the sort which (rather than direct affirmatives) inspires in us respect or distrust for another person, and leads to a rupture&#xA;&#xA;    If Andrée had not believed me when I told her that Albertine’s relatives left me indifferent, that was because she thought that I was in love with Albertine. And probably she was none too happy in the thought&#xA;&#xA;    She was generally present as a third party at my meetings with her friend. And yet there were days when I was to see Albertine by herself, days to which I looked forward with feverish impatience, which passed without bringing me any decisive result, without having, any of them, been that cardinal day whose part I immediately entrusted to the day that was to follow, which would prove no more apt to play it; thus there crumbled and collapsed, one after another, like waves of the sea, those peaks at once replaced by others&#xA;&#xA;    About a month after the day on which we had played ‘ferret’ together, I learned that Albertine was going away next morning to spend a couple of days with Mme. Bontemps, and, since she would have to start early, was coming to sleep that night at the Grand Hotel, from which, by taking the omnibus, she would be able, without disturbing the friends with whom she was staying, to catch the first train in the morning. I mentioned this to Andrée. “I don’t believe a word of it,” she replied, with a look of annoyance. “Anyhow it won’t help you at all, for I’m quite sure Albertine won’t want to see you if she goes to the hotel by herself. It wouldn’t be ‘regulation,’” she added, employing an epithet which had recently come into favour with her, in the sense of ‘what is done.’ “I tell you this because I understand Albertine. What difference do you suppose it makes to me, whether you see her or not? Not the slightest, I can assure you!”&#xA;&#xA;    We were joined by Octave who had no hesitation in telling Andrée the number of strokes he had gone round in, the day before, at golf, then by Albertine, counting her diabolo as she walked along, like a nun telling her beads. Thanks to this pastime she could be left alone for hours on end without growing bored. As soon as she joined us I became conscious of the obstinate tip of her nose, which I had omitted from my mental pictures of her during the last few days; beneath her dark hair the vertical front of her brow controverted — and not for the first time — the indefinite image that I had preserved of her, while its whiteness made a vivid splash in my field of vision; emerging from the dust of memory, Albertine was built up afresh before my eyes. Golf gives one a taste for solitary pleasures. The pleasure to be derived from diabolo is undoubtedly one of these. And yet, after she had joined us, Albertine continued to toss up and catch her missile, just as a lady on whom friends have come to call does not on their account stop working at her crochet. “I hear that Mme. de Villeparisis,” she remarked to Octave, “has been complaining to your father.” I could hear, underlying the word, one of those notes that were peculiar to Albertine; always, just as I had made certain that I had forgotten them, I would be reminded of a glimpse caught through them before of Albertine’s determined and typically Gallic mien. I might have been blind, and yet have detected certain of her qualities, alert and slightly provincial, from those notes, just as plainly as from the tip of her nose. These were equivalent and might have been substituted for one another, and her voice was like what we are promised in the photo-telephone of the future; the visual image was clearly outlined in the sound. “She’s not written only to your father, either, she wrote to the Mayor of Balbec at the same time, to say that we must stop playing diabolo on the ‘front’ as somebody hit her in the face with one.” “Yes, I was hearing about that. It’s too silly. There’s little enough to do here as it is.” Andrée did not join in the conversation; she was not acquainted, any more than was Albertine or Octave, with Mme. de Villeparisis. She did, however, remark: “I can’t think why this lady should make such a song about it. O’d Mme. de Cambremer got hit in the face, and she never complained.” “I will explain the difference,” replied Octave gravely, striking a match as he spoke. “It’s my belief that Mme. de Cambremer is a woman of the world, and Mme. de Villeparisis is just an upstart. Are you playing golf this afternoon?” And he left us, followed by Andrée. I was alone now with Albertine. “Do you see,” she began, “I’m wearing my hair now the way you like — look at my ringlet. They all laugh at me and nobody knows who’ I’m doing it for. My aunt will laugh at me too. But I shan’t tell her why, either.” I had a sidelong view of Albertine’s cheeks, which often appeared pale, but, seen thus, were flushed with a coursing stream of blood which lighted them up, gave them that dazzling clearness which certain winter mornings have when the stones sparkling in the sun seem blocks of pink granite and radiate joy. The joy that I was drawing at this moment from the sight of Albertine’s cheeks was equally keen, but led to another desire on my part, which was not to walk with her but to take her in my arms. I asked her if the report of her plans which I had heard were correct. “Yes,” she told me, “I shall be sleeping at your hotel to-night, and in fact as I’ve got rather a chill, I shall be going to bed before dinner. You can come and sit by my bed and watch me eat, if you like, and afterwards we’ll play at anything you choose. I should have liked you to come to the station to-morrow morning, but I’m afraid it might look rather odd, I don’t say to Andrée, who is a sensible person, but to the others who will be there; if my aunt got to know, I should never hear the last of it. But we can spend the evening together, at any rate. My aunt will know nothing about that. I must go and say good-bye to Andrée. So long, then. Come early, so that we can have a nice long time together,” she added, smiling. At these words I was swept back past the days in which I loved Gilberte to those in which love seemed to me not only an external entity but one that could be realised as a whole. Whereas the Gilberte whom I used to see in the Champs-Elysées was a different Gilberte from the one whom I found waiting inside myself when I was alone again, suddenly in the real Albertine, her whom I saw every day, whom I supposed to be stuffed with middle-class prejudices and entirely open with her aunt, there was incarnate the imaginary Albertine, she whom, when I still did not know her, I had suspected of casting furtive glances at myself on the ‘front,’ she who had worn an air of being reluctant to go indoors when she saw me making off in the other direction&#xA;&#xA;    I went in to dinner with my grandmother. I felt within me a secret which she could never guess. Similarly with Albertine; to-morrow her friends would be with her, not knowing what novel experience she and I had in common; and when she kissed her niece on the brow Mme. Bontemps would never imagine that I stood between them, in that arrangement of Albertine’s hair which had for its object, concealed from all the world, to give me pleasure, me who had until then so greatly envied Mme. Bontemps because, being related to the same people as her niece, she had the same occasions to don mourning, the same family visits to pay; and now I found myself meaning more to Albertine than did the aunt herself. When she was with her aunt, it was of me that she would be thinking. What was going to happen that evening, I scarcely knew. In any event, the Grand Hotel, the evening, would no longer seem empty to me; they contained my happiness. I rang for the lift-boy to take me up to the room which Albertine had engaged, a room that looked over the valley. The slightest movements, such as that of sitting down on the bench in the lift, were satisfying, because they were in direct relation to my heart; I saw in the ropes that drew the cage upwards, in the few steps that I had still to climb, only a materialisation of the machinery, the stages of my joy. I had only two or three steps to take now along the corridor before coming to that room in which was enshrined the precious substance of that rosy form — that room which, even if there were to be done in it delicious things, would keep that air of permanence, of being, to a chance visitor who knew nothing of its history, just like any other room, which makes of inanimate things the obstinately mute witnesses, the scrupulous confidants, the inviolable depositaries of our pleasure. Those few steps from the landing to Albertine’s door, those few steps which no one now could prevent my taking, I took with delight, with prudence, as though plunged into a new and strange element, as if in going forward I had been gently displacing the liquid stream of happiness, and at the same time with a strange feeling of absolute power, and of entering at length into an inheritance which had belonged to me from all time. Then suddenly I reflected that it was wrong to be in any doubt; she had told me to come when she was in bed. It was as clear as daylight; I pranced for joy, I nearly knocked over Françoise who was standing in my way, I ran, with glowing eyes, towards my friend’s room. I found Albertine in bed. Leaving her throat bare, her white nightgown altered the proportions of her face, which, flushed by being in bed or by her cold or by dinner, seemed pinker than before; I thought of the colours which I had had, a few hours earlier, displayed beside me, on the ‘front,’ the savour of which I was now at last to taste; her cheek was crossed obliquely by one of those long, dark, curling tresses, which, to please me, she had undone altogether. She looked at me and smiled. Beyond her, through the window, the valley lay bright beneath the moon. The sight of Albertine’s bare throat, of those strangely vivid cheeks, had so intoxicated me (that is to say had placed the reality of the world for me no longer in nature, but in the torrent of my sensations which it was all I could do to keep within bounds), as to have destroyed the balance between the life, immense and indestructible, which circulated in my being, and the life of the universe, so puny in comparison. The sea, which was visible through the window as well as the valley, the swelling breasts of the first of the Maineville cliffs, the sky in which the moon had not yet climbed to the zenith, all of these seemed less than a featherweight on my eyeballs, which between their lids I could feel dilated, resisting, ready to bear very different burdens, all the mountains of the world upon their fragile surface. Their orbit no longer found even the sphere of the horizon adequate to fill it. And everything that nature could have brought me of life would have seemed wretchedly meagre, the sigh of the waves far too short a sound to express the enormous aspiration that was surging in my breast. I bent over Albertine to kiss her. Death might have struck me down in that moment; it would have seemed to me a trivial, or rather an impossible thing, for life was not outside, it was in me; I should have smiled pityingly had a philosopher then expressed the idea that some day, even some distant day, I should have to die, that the external forces of nature would survive me, the forces of that nature beneath whose godlike feet I was no more than a grain of dust; that, after me, there would still remain those rounded, swelling cliffs, that sea, that moonlight and that sky! How was that possible; how could the world last longer than myself, since it was it that was enclosed in me, in me whom it went a long way short of filling, in me, where, feeling that there was room to store so many other treasures, I flung contemptuously into a corner sky, sea and cliffs. “Stop that, or I’ll ring the bell!” cried Albertine, seeing that I was flinging myself upon her to kiss her. But I reminded myself that it was not for no purpose that a girl made a young man come to her room in secret, arranging that her aunt should not know — that boldness, moreover, rewards those who know how to seize their opportunities; in the state of exaltation in which I was, the round face of Albertine, lighted by an inner flame, like the glass bowl of a lamp, started into such prominence that, copying the rotation of a burning sphere, it seemed to me to be turning, like those faces of Michelangelo which are being swept past in the arrested headlong flight of a whirlwind. I was going to learn the fragrance, the flavour which this strange pink fruit concealed. I heard a sound, precipitous, prolonged, shrill. Albertine had pulled the bell with all her might&#xA;&#xA;    * * *&#xA;&#xA;    I had supposed that the love which I felt for Albertine was not based on the hope of carnal possession. And yet, when the lesson to be drawn from my experience that evening was, apparently, that such possession was impossible; when, after having had not the least doubt, that first day, on the beach, of Albertine’s being unchaste, and having then passed through various intermediate assumptions, I seemed to have quite definitely reached the conclusion that she was absolutely virtuous; when, on her return from her aunt’s, a week later, she greeted me coldly with: “I forgive you; in fact I’m sorry to have upset you, but you must never do it again,”— then, in contrast to what I had felt on learning from Bloch that one could always have all the women one liked, and as if, in place of a real girl, I had known a wax doll, it came to pass that gradually there aetached itself from her my desire to penetrate into her life, to follow her through the places in which she had spent her childhood, to be initiated by her into the athletic life; my intellectual curiosity to know what were her thoughts on this subject or that did not survive my belief that I might take her in my arms if I chose. My dreams abandoned her, once they had ceased to be nourished by the hope of a possession of which I had supposed them to be independent. Thenceforward they found themselves once more at liberty to transmit themselves, according to the attraction that I had found in her on any particular day, above all according to the chances that I seemed to detect of my being, possibly, one day, loved by her — to one or another of Albertine’s friends, and to Andrée first of all. And yet, if Albertine had not existed, perhaps I should not have had the pleasure which I began to feel more and more strongly during the days that followed in the kindness that was shewn me by Andrée. Albertine told no one of the check which I had received at her hands. She was one of those pretty girls who, from their earliest youth, by their beauty, but especially by an attraction, a charm which remains somewhat mysterious and has its source perhaps in reserves of vitality to which others less favoured by nature come to quench their thirst, have always — in their home circle, among their friends, in society — proved more attractive than other more beautiful and richer girls; she was one of those people from whom, before the age of love and ever so much more after it is reached, one asks more than they ask in return, more even than they are able to give. From her childhood Albertine had always had round her in an adoring circle four or five little girl friends, among them Andrée who was so far her superior and knew it (and perhaps this attraction which Albertine exerted quite involuntarily had been the origin, had laid the foundations of the little band). This attraction was still potent even at a great social distance, in circles quite brilliant in comparison, where if there was a pavane to be danced, they would send for Albertine rather than have it danced by another girl of better family. The consequence was that, not having a penny to her name, living a hard enough life, moreover, on the hands of M. Bontemps, who was said to be ‘on the rocks,’ and was anyhow anxious to be rid of her, she was nevertheless invited, not only to dine but to stay, by people who, in Saint-Loup’s sight, might not have had any distinction, but to Rosemonde’s mother or Andrée’s, women who though very rich themselves did not know these other and richer people, represented something quite incalculable. Thus Albertine spent a few weeks every year with the family of one of the Governors of the Bank of France, who was also Chairman of the Board of Directors of a great Railway Company. The wife of this financier entertained people of importance, and had never mentioned her ‘day’ to Andrée’s mother, who thought her wanting in politeness, but was nevertheless prodigiously interested in everything that went on in her house. Accordingly she encouraged Andrée every year to invite Albertine down to their villa, because, as she said, it was a real charity to offer a holiday by the sea to a girl who had not herself the means to travel and whose aunt did so little for her; Andrée’s mother was probably not prompted by the thought that the banker and his wife, learning that Albertine was made much of by her and her daughter, would form a high opinion of them both; still less did she hope that Albertine, good and clever as she was, would manage to get her invited, or at least to get Andrée invited, to the financier’s garden-parties. But every evening at the dinner-table, while she assumed an air of indifference slightly tinged with contempt, she was fascinated by Albertine’s accounts of everything that had happened at the big house while she was staying there, and the names of the other guests, almost all of them people whom she knew by sight or by name. True, the thought that she knew them only in this indirect fashion, that is to say did not know them at all (she called this kind of acquaintance knowing people ‘all my life’), gave Andrée’s mother a touch of melancholy while she plied Albertine with questions about them in a lofty and distant tone, speaking with closed lips, and might have left her doubtful and uneasy as to the importance of her own social position had she not been able to reassure herself, to return safely to the ‘realities of life,’ by saying to the butler: “Please tell the chef that he has not made the peas soft enough.” She then recovered her serenity. And she was quite determined that Andrée was to marry nobody but a man — of the best family, of course — rich enough for her too to be able to keep a chef and a couple of coachmen. This was the proof positive, the practical indication of ‘position.’ But the fact that Albertine had dined at the banker’s house in the country with this or that great lady, and that the said great lady had invited the girl to stay with her next winter, did not invalidate a sort of special consideration which Albertine shewed towards Andrée’s mother, which went very well with the pity, and even repulsion, excited by the tale of her misfortunes, a repulsion increased by the fact that M. Bontemps had proved a traitor to the cause (he was even, people said, vaguely Panamist) and had rallied to the Government. Not that this deterred Andrée’s mother, in her passion for abstract truth, from withering with her scorn the people who appeared to believe that Albertine was of humble origin. “What’s that you say? Why, they’re one of the best families in the country. Simonet with a single ‘n,’ you know!” Certainly, in view of the class of society in which all this went on, in which money plays so important a part, and mere charm makes people ask you out but not marry you, a ‘comfortable’ marriage did not appear to be for Albertine a practical outcome of the so distinguished patronage which she enjoyed but which would not have been held to compensate for her poverty. But even by themselves, and with no prospect of any matrimonial consequence, Albertine’s ‘successes’ in society excited the envy of certain spiteful mothers, furious at seeing her received like one of the family by the banker’s wife, even by Andrée’s mother, neither of whom they themselves really knew. They therefore went about telling common friends of those ladies and their own that both ladies would be very angry if they knew the facts, which were that Albertine repeated to each of them everything that the intimacy to which she was rashly admitted enabled her to spy out in the household of the other, a thousand little secrets which it must be infinitely unpleasant to the interested party to have made public. These envious women said this so that it might be repeated and might get Albertine into trouble with her patrons. But, as often happens, their machinations met with no success. The spite that prompted them was too apparent, and their only result was to make the women who had planned them appear rather more contemptible than before. Andrée’s mother was too firm in her opinion of Albertine to change her mind about her now. She looked upon her as a ‘poor wretch,’ but the best-natured girl living, and one who would do anything in the world to give pleasure&#xA;&#xA;    If this sort of select popularity to which Albertine had attained did not seem likely to lead to any practical result, it had stamped Andrée’s friend with the distinctive marks of people who, being always sought after, have never any need to offer themselves, marks (to be found also, and for analogous reasons, at the other end of the social scale among the leaders of fashion) which consist in their not making any display of the successes they have scored, but rather keeping them to themselves. She would never say to anyone: “So-and-so is anxious to meet me,” would speak of everyone with the greatest good nature, and as if it had been she who ran after, who sought to know other people, and not they. If you spoke of a young man who, a few minutes earlier, had been, in private conversation with her, heaping the bitterest reproaches upon her because she had refused him an assignation, so far from proclaiming this in public, or betraying any resentment she would stand up for him: “He is such a nice boy!” Indeed it quite annoyed her when she attracted people, because that compelled her to disappoint them, whereas her natural instinct was always to give pleasure. So much did she enjoy giving pleasure that she had come to employ a particular kind of falsehood, found among utilitarians and men who have ‘arrived.’ Existing besides in an embryonic state in a vast number of people, this form of insincerity consists in not being able to confine the pleasure arising out of a single act of politeness to a single person. For instance, if Albertine’s aunt wished her niece to accompany her to a party which was not very lively, Albertine might have found it sufficient to extract from the incident the moral profit of having given pleasure to her aunt. But being courteously welcomed by her host and hostess, she thought it better to say to them that she had been wanting to see them for so long that she had finally seized this opportunity and begged her aunt to take her to their party. Even this was not enough: at the same party there happened to be one of Albertine’s friends who was in great distress. “I did not like the idea of your being here by yourself. I thought it might do you good to have me with you. If you would rather come away from here, go somewhere else, I am ready to do anything you like; all I want is to see you look not so sad.”— Which, as it happened, was true also. Sometimes it happened however that the fictitious object destroyed the real. Thus, Albertine, having a favour to ask on behalf of one of her friends, went on purpose to see a certain lady who could help her. But on arriving at the house of this lady — a kind and sympathetic soul — the girl, unconsciously following the principle of utilising a single action in a number of ways, felt it to be more ingratiating to appear to have come there solely on account of the pleasure she knew she would derive from seeing the lady again. The lady was deeply touched that Albertine should have taken a long journey purely out of friendship for herself. Seeing her almost overcome by emotion, Albertine began to like the lady still better. Only, there was this awkward consequence: she now felt so keenly the pleasure of friendship which she pretended to have been her motive in coming, that she was afraid of making the lady suspect the genuineness of sentiments which were actually quite sincere if she now asked her to do the favour, whatever it may have been, for her friend. The lady would think that Albertine had come for that purpose, which was true, but would conclude also that Albertine had no disinterested pleasure in seeing her, which was not. With the result that she came away without having asked the favour, like a man sometimes who has been so good to a woman, in the hope of winning her, that he refrains from declaring his passion in order to preserve for his goodness an air of nobility. In other instances it would be wrong to say that the true object was sacrificed to the subordinate and subsequently conceived idea, but the two were so far incompatible that if the person to whom Albertine endeared herself by stating the second had known of the existence of the first, his pleasure would at once have been turned into the deepest annoyance. At a much later point in this story, we shall have occasion to see this kind of incompatibility expressed in clearer terms. Let us say for the present, borrowing an example of a completely different order, that they occur very frequently in the most divergent situations that life has to offer. A husband has established his mistress in the town where he is quartered with his regiment. His wife, left by herself in Paris, and with an inkling of the truth, grows more and more miserable, and writes her husband letters embittered by jealousy. Very well; the mistress is obliged to go up to Paris for the day. The husband cannot resist her entreaties that he will go with her, and applies for short leave, which is granted. But as he is a good-natured fellow, and hates to make his wife unhappy, he goes to her and tells her, shedding a few quite genuine tears, that, driven to desperation by her letters, he has found the means of getting away from his duties to come to her, to console her in his arms. He has thus contrived by a single journey to furnish wife and mistress alike with proofs of his affection. But if the wife were to learn the reason for which he has come to Paris, her joy would doubtless be turned into grief, unless her pleasure in seeing the faithless wretch outweighed, in spite of everything, the pain that his infidelities had caused her. Among the men who have struck me as practising with most perseverance this system of what might be called killing any number of birds with one stone, must be included M. de Norpois. He would now and then agree to act as intermediary between two of his friends who had quarrelled, which led to his being called the most obliging of men. But it was not sufficient for him to appear to be doing a service to the friend who had come to him to demand it; he would represent to the other the steps which he was taking to effect a reconciliation as undertaken not at the request of the first friend but in the interest of the second, an attitude of the sincerity of which he had never any difficulty in convincing a listener already influenced by the idea that he saw before him the ‘most serviceable of men.’ In this fashion, playing in two scenes turn about, what in stage parlance is called ‘doubling’ two parts, he never allowed his influence to be in the slightest degree imperilled, and the services which he rendered constituted not an expenditure of capital but a dividend upon some part of his credit. At the same time every service, seemingly rendered twice over, correspondingly enhanced his reputation as an obliging friend, and, better still, a friend whose interventions were efficacious, one who did not draw bows at a venture, whose efforts were always justified by success, as was shewn by the gratitude of both parties. This duplicity in rendering services was — allowing for disappointments such as are the lot of every human being — an important element of M. de Norpois’s character. And often at the Ministry he would make use of my father, who was a simple soul, while making him believe that it was he, M. de Norpois, who was being useful to my father. Attracting people more easily than she wished, and having no need to proclaim her conquests abroad, Albertine kept silence with regard to the scene with myself by her bedside, which a plain girl would have wished the whole world to know. And yet of her attitude during that scene I could not arrive at any satisfactory explanation. Taking first of all the supposition that she was absolutely chaste (a supposition with which I had originally accounted for the violence with which Albertine had refused to let herself be taken in my arms and kissed, though it was by no means essential to my conception of the goodness, the fundamentally honourable character of my friend), I could not accept it without a copious revision of its terms. It ran so entirely counter to the hypothesis which I had constructed that day when I saw Albertine for the first time. Then ever so many different acts, all acts of kindness towards myself (a kindness that was caressing, at times uneasy, alarmed, jealous of my predilection for Andrée) came up on all sides to challenge the brutal gesture with which, to escape from me, she had pulled the bell. Why then had she invited me to come and spend the evening by her bedside? Why had she spoken all the time in the language of affection? What object is there in your desire to see a friend, in your fear that he is fonder of another of your friends than of you; why seek to give him pleasure, why tell him, so romantically, that the others will never know that he has spent the evening in your room, if you refuse him so simple a pleasure and if to you it is no pleasure at all? I could not believe, all the same, that Albertine’s chastity was carried to such a pitch as that, and I had begun to ask myself whether her violence might not have been due to some reason of coquetry, a disagreeable odour, for instance, which she suspected of lingering about her person, and by which she was afraid that I might be disgusted, or else of cowardice, if for instance she imagined, in her ignorance of the facts of love, that my state of nervous exhaustion was due to something contagious, communicable to her in a kiss. She was genuinely distressed by her failure to afford me pleasure, and gave me a little gold pencil-case, with that virtuous perversity which people shew who, moved by your supplications and yet not consenting to grant you what those supplications demand, are anxious all the same to bestow on you some mark of their affection; the critic, an article from whose pen would so gratify the novelist, asks him instead to dinner; the duchess does not take the snob with her to the theatre but lends him her box on an evening when she will not be using it herself. So far are those who do least for us, and might easily do nothing, driven by conscience to do something. I told Albertine that in giving me this pencil-case she was affording me great pleasure, and yet not so great as I should have felt if, on the night she had spent at the hotel, she had permitted me to embrace her. “It would have made me so happy; what possible harm could it have done you? I was simply astounded at your refusing to let me do it.” “What astounds me,” she retorted, “is that you should have thought it astounding. Funny sort of girls you must know if my behaviour surprises you.” “I am extremely sorry if I annoyed you, but even now I cannot say that I think I was in the wrong. What I feel is that all that sort of thing is of no importance, really, and I can’t understand a girl who could so easily give pleasure not consenting to do so. Let us be quite clear about it,” I went on, throwing a sop of sorts to her moral scruples, as I recalled how she and her friends had scarified the girl who went about with the actress Lea. “I don’t mean to say for a moment that a girl can behave exactly as she likes, or that there’s no such thing as immorality. Take, let me see now, yes, what you were saying the other day about a girl who is staying at Balbec and her relations with an actress; I call that degrading, so degrading that I feel sure it must all have been made up by the girl’s enemies, and that there can’t be any truth in the story. It strikes me as improbable, impossible. But to let a friend kiss you, and go farther than that even — since you say that I am your friend . . . ” “So you are, but I have had friends before now, I have known lots of young men who were every bit as friendly, I can assure you. There wasn’t one of them would ever have dared to do a thing like that. They knew they’d get their ears boxed if they tried it on. Besides, they never dreamed of trying, we would shake hands in an open, friendly sort of way, like good pals, but there was never a word said about kissing, and yet we weren’t any the less friends for that. Why, if it’s my friendship you are after, you’ve nothing to complain of; I must be jolly fond of you to forgive you. But I’m sure you don’t care two straws about me, really. Own up now, it’s Andrée you’re in love with. After all, you’re quite right; she is ever so much prettier than I am, and perfectly charming! Oh! You men!” Despite my recent disappointment, these words so frankly uttered, by giving me a great respect for Albertine, made a very pleasant impression on me. And perhaps this impression was to have serious and vexatious consequences for me later on, for it was round it that there began to form that feeling almost of brotherly intimacy, that moral core which was always to remain at the heart of my love for Albertine. A feeling of this sort may be the cause of the keenest pain. For in order really to suffer at the hands of a woman one must have believed in her completely. For the moment, that embryo of moral esteem, of friendship, was left embedded in me like a stepping-stone in a stream. It could have availed nothing, by itself, against my happiness if it had remained there without growing, in an inertia which it was to retain the following year, and still more during the final weeks of this first visit to Balbec. It dwelt in me like one of those foreign bodies which it would be wiser when all is said to expel, but which we leave where they are without disturbing them, so harmless for the present does their weakness, their isolation amid a strange environment render them&#xA;&#xA;    My dreams were now once more at liberty to concentrate on one or another of Albertine’s friends, and returned first of all to Andrée, whose kindnesses might perhaps have appealed to me less strongly had I not been certain that they would come to Albertine’s ears. Undoubtedly the preference that I had long been pretending to feel for Andrée had furnished me — in the habit of conversation with her, of declaring my affection — with, so to speak, the material, prepared and ready, for a love of her which had hitherto lacked only the complement of a genuine sentiment, and this my heart being once more free was now in a position to supply. But for me really to love Andrée, she was too intellectual, too neurotic, too sickly, too much like myself. If Albertine now seemed to me to be void of substance, Andrée was filled with something which I knew only too well. I had thought, that first day, that what I saw on the beach there was the mistress of some racing cyclist, passionately athletic; and now Andrée told me that if she had taken up athletic pastimes, it was under orders from her doctor, to cure her neurasthenia, her digestive troubles, but that her happiest hours were those which she spent in translating one of George Eliot’s novels. The misunderstanding, due to an initial mistake as to what Andrée was, had not, as a matter of fact, the slightest importance. But my mistake was one of the kind which, if they allow love to be born, and are not recognised as mistakes until it has ceased to be under control, become a cause of suffering. Such mistakes — which may be quite different from mine with regard to Andrée, and even its exact opposite — are frequently due (and this was especially the case here) to our paying too much attention to the aspect, the manners of what a person is not but would like to be, in forming our first impression of that person. To the outward appearance affectation, imitation, the longing to be admired, whether by the good or by the wicked, add misleading similarities of speech and gesture. These are cynicisms and cruelties which, when put to the test, prove no more genuine than certain apparent virtues and generosities. Just as we often discover a vain miser beneath the cloak of a man famed for his bountiful charity, so her flaunting of vice leads us to suppose a Messalina a respectable girl with middle-class prejudices. I had thought to find in Andrée a healthy, primitive creature, whereas she was merely a person in search of health, as were doubtless many of those in whom she herself had thought to find it, and who were in reality no more healthy than a burly arthritic with a red face and in white flannels is necessarily a Hercules. Now there are circumstances in which it is not immaterial to our happiness that the person whom we have loved because of what appeared to be so healthy about her is in reality only one of those invalids who receive such health as they possess from others, as the planets borrow their light, as certain bodies are only conductors of electricity&#xA;&#xA;    No matter, Andrée, like Rosemonde and Gisèle, indeed more than they, was, when all was said, a friend of Albertine, sharing her life, imitating her conduct, so closely that, the first day, I had not at once distinguished them one from another. Over these girls, flowering sprays of roses whose principal charm was that they outlined themselves against the sea, the same undivided partnership prevailed as at the time when I did not know them, when the appearance of no matter which of them had caused me such violent emotion by its announcement that the little band was not far off. And even now the sight of one of them filled me with a pleasure into which there entered, to an extent which I should not have found it easy to define, the thought of seeing the others follow her in due course, and even if they did not come that day, speaking about them, and knowing that they would be told that I had been on the beach&#xA;&#xA;    It was no longer simply the attraction of those first days, it was a regular love-longing which hesitated among them all, so far was each the natural substitute for the others. My bitterest grief would not have been to be thrown over by whichever of the girls I liked best, but I should at once have liked best, because I should have fastened on to her the whole of the melancholy dream which had been floating vaguely among them all, her who had thrown me over. It would, moreover, in that event, be the loss of all her friends, in whose eyes I should speedily have forfeited whatever advantage I might possess, that I should, in losing her, have unconsciously regretted, having vowed to them that sort of collective love which the politician and the actor feel for the public for whose desertion of them after they have enjoyed all its favours they can never be consoled. Even those favours which I had failed to win from Albertine I would hope suddenly to receive from one or other who had parted from me in the evening with a word or glance of ambiguous meaning, thanks to which it was to her that, for the next day or so, my desire would turn. It strayed among them all the more voluptuously in that upon those volatile faces a comparative fixation of features had now begun, and had been carried far enough for the eye to distinguish — even if it were to change yet further — each malleable and floating effigy. To the differences that existed among them there was doubtless very little that corresponded in the no less marked differences in the length and breadth of those features, any of which might, perhaps, dissimilar as the girls appeared, almost have been lifted bodily from one face and imposed at random upon any other. But our knowledge of faces is not mathematical. In the first place, it does not begin with the measurement of the parts, it takes as its starting point an expression, a combination of the whole. In Andrée, for instance, the fineness of her gentle eyes seemed to go with the thinness of her nose, as slender as a mere curve which one could imagine as having been traced in order to produce along a single line the idea of delicacy divided higher up between the dual smile of her twin gaze. A line equally fine was engraved in her hair, pliant and deep as the line with which the wind furrows the sand. And in her it must have been hereditary; for the snow-white hair of Andrée’s mother was driven in the same way, forming here a swelling, there a depression, like a snowdrift that rises or sinks according to the irregularities of the soil. Certainly, when compared with the fine delineation of Andrée’s, Rosemonde’s nose seemed to present broad surfaces, like a high tower raised upon massive foundations. Albeit expression suffices to make us believe in enormous differences between things that are separated by infinitely little — albeit that infinitely little may by itself create an expression that is absolutely unique, an individuality — it was not only the infinitely little of its lines and the originality of its expression that made each of these faces appear irreducible to terms of any other. Between my friends’ faces their colouring established a separation wider still, not so much by the varied beauty of the tones with which it provided them, so contrasted that I felt when I looked at Rosemonde — flooded with a sulphurous rose colour, with the further contrast of the greenish light in her eyes — and then at Andrée — whose white cheeks received such an austere distinction from her black hair — the same kind of pleasure as if I had been looking alternately at a geranium growing by a sunlit sea and a camellia in the night; but principally because the infinitely little differences of their lines were enlarged out of all proportion, the relations between one and another surface entirely changed by this new element of colour which, in addition to being a dispenser of tints, is great at restoring, or rather at altering, dimensions. So that faces which were perhaps constructed on not dissimilar lines, according as they were lighted by the flaming torch of an auburn poll or high complexion, or by the white glimmer of a dull pallor, grew sharper or broader, became something else, like those properties used in the Russian ballet, consisting sometimes, when they are seen in the light of day, of a mere disc of paper, out of which the genius of a Bakst, according to the blood-red or moonlit effect in which he plunges his stage, makes a hard incrustation, like a turquoise on a palace well, or a swooning softness, as of a Bengal rose in an eastern garden. And so when acquiring a knowledge of faces we take careful measurements, but as painters, not as surveyors&#xA;&#xA;    So it was with Albertine as with her friends. On certain days, slim, with grey cheeks, a sullen air, a violet transparency falling obliquely from her such as we notice sometimes on the sea, she seemed to be feeling the sorrows of exile. On other days her face, more sleek, caught and glued my desires to its varnished surface and prevented them from going any farther; unless I caught a sudden glimpse of her from the side, for her dull cheeks, like white wax on the surface, were visibly pink beneath, which made me anxious to kiss them, to reach that different tint which thus avoided my touch. At other times happiness bathed her cheeks with a clarity so mobile that the skin, grown fluid and vague, gave passage to a sort of stealthy and subcutaneous gaze, which made it appear to be of another colour but not of another substance than her eyes; sometimes, instinctively, when one looked at her face punctuated with tiny brown marks among which floated what were simply two larger, bluer stains, it was like looking at the egg of a goldfinch — or often like an opalescent agate cut and polished in two places only, where, from the heart of the brown stone, shone like the transparent wings of a sky-blue butterfly her eyes, those features in which the flesh becomes a mirror and gives us the illusion that it allows us, more than through the other parts of the body, to approach the soul. But most often of all she shewed more colour, and was then more animated; sometimes the only pink thing in her white face was the tip of her nose, as finely pointed as that of a mischievous kitten with which one would have liked to stop and play; sometimes her cheeks were so glossy that one’s glance slipped, as over the surface of a miniature, over their pink enamel, which was made to appear still more delicate, more private, by the enclosing though half-opened case of her black hair; or it might happen that the tint of her cheeks had deepened to the violet shade of the red cyclamen, and, at times, even, when she was flushed or feverish, with a suggestion of un-healthiness which lowered my desire to something more sensual and made her glance expressive of something more perverse and unwholesome, to the deep purple of certain roses, a red that was almost black; and each of these Albertines was different, as in every fresh appearance of the dancer whose colours, form, character, are transmuted according to the innumerably varied play of a projected limelight. It was perhaps because they were so different, the persons whom I used to contemplate in her at this period, that later on I became myself a different person, corresponding to the particular Albertine to whom my thoughts had turned; a jealous, an indifferent, a voluptuous, a melancholy, a frenzied person, created anew not merely by the accident of what memory had risen to the surface, but in proportion also to the strength of the belief that was lent to the support of one and the same memory by the varying manner in which I appreciated it. For this is the point to which we must always return, to these beliefs with which most of the time we are quite unconsciously filled, but which for all that are of more importance to our happiness than is the average person whom we see, for it is through them that we see him, it is they that impart his momentary greatness to the person seen. To be quite accurate I ought to give a different name to each of the ‘me’s’ who were to think about Albertine in time to come; I ought still more to give a different name to each of the Albertines who appeared before me, never the same, like — called by me simply and for the sake of convenience ‘the sea’— those seas that succeeded one another on the beach, in front of which, a nymph likewise, she stood apart. But above all, in the same way as, in telling a story (though to far greater purpose here), one mentions what the weather was like on such and such a day, I ought always to give its name to the belief that, on any given day on which I saw Albertine, was reigning in my soul, creating its atmosphere, the appearance of people like that of seas being dependent on those clouds, themselves barely visible, which change the colour of everything by their concentration, their mobility, their dissemination, their flight — like that cloud which Elstir had rent one evening by not introducing me to these girls, with whom he had stopped to talk, whereupon their forms, as they moved away, had suddenly increased in beauty — a cloud that had formed again a few days later when I did get to know the girls, veiling their brightness, interposing itself frequently between my eyes and them, opaque and soft, like Virgil’s Leucothea&#xA;&#xA;    No doubt, all their faces had assumed quite new meanings for me since the manner in which they were to be read had been to some extent indicated to me by their talk, talk to which I could ascribe a value all the greater in that, by questioning them, I could prompt it whenever I chose, could vary it like an experimenter who seeks by corroborative proofs to establish the truth of his theory. And it is, after all, as good a way as any of solving the problem of existence to approach near enough to the things that have appeared to us from a distance to be beautiful and mysterious, to be able to satisfy ourselves that they have neither mystery nor beauty. It is one of the systems of hygiene among which we are at liberty to choose our own, a system which is perhaps not to be recommended too strongly, but it gives us a certain tranquillity with which to spend what remains of life, and also — since it enables us to regref nothing, by assuring us that we have attained to the best, and that the best was nothing out of the common — with which to resign ourselves to death&#xA;&#xA;    I had now substituted, in the brains of these girls, for their supposed contempt for chastity, their memories of daily ‘incidents,’ honest principles, liable, it might be, to relaxation, but principles which had hitherto kept unscathed the children who had acquired them in their own respectable homes. And yet, when one has been mistaken from the start, even in trifling details, when an error of assumption or recollection makes one seek for the author of a malicious slander, or for the place where one has lost something, in the wrong direction, it frequently happens that one discovers one’s error only to substitute for it not the truth but a fresh error. I drew, so far as their manner of life and the proper way to behave with them went, all the possible conclusions from the word ‘Innocence’ which I had read, in talking familiarly with them, upon their faces. But perhaps I had been reading carelessly, with the inaccuracy born of a too rapid deciphering, and it was no more written there than was the name of Jules Ferry on the programme of the performance at which I had heard Berma for the first time, an omission which had not prevented me from maintaining to M. de Norpois that Jules Ferry, beyond any possibility of doubt, was a person who wrote curtain-raisers&#xA;&#xA;    No matter which it might be of my friends of the little band, was not inevitably the face that I had last seen the only face that I could recall, since, of our memories with respect to a person, the mind eliminates everything that does not agree with our immediate purpose of our daily relations (especially if those relations are quickened with an element of love which, ever unsatisfied, lives always in the moment that is about to come)? That purpose allows the chain of spent days to slip away, holding on only to the very end of it, often of a quite different metal from the links that have vanished in the night, and in the journey which we make through life, counts as real only in the place in which we at any given moment are. But all those earliest impressions, already so remote, could not find, against the blunting process that assailed them day after day, any remedy in my memory; during the long hours which I spent in talking, eating, playing with these girls, I did not remember even that they were the same ruthless, sensual virgins whom I had seen, as in a fresco, file past between me and the sea&#xA;&#xA;    Geographers, archaeologists may conduct us over Calypso’s island, may excavate the Palace of Minos. Only Calypso becomes then nothing more than a woman, Minos than a king with no semblance of divinity. Even the good and bad qualities which history teaches us to have been the attributes of those quite real personages, often differ widely from those which we had ascribed to the fabulous beings who bore the same names as they. Thus had there faded and vanished all the lovely mythology of Ocean which I had composed in those first days. But it is not altogether immaterial that we do succeed, at any rate now and then, in spending our time in familiar intercourse with what we have thought to be unattainable and have longed to possess. In our later dealings with people whom at first we found disagreeable there persists always, even among the artificial pleasure which we have come at length to enjoy in their society, the lingering taint of the defects which they have succeeded in hiding. But, in relations such as I was now having with Albertine and her friends, the genuine pleasure which was there at the start leaves that fragrance which no amount of skill can impart to hot-house fruits, to grapes that have not ripened in the sun. The supernatural creatures which for a little time they had been to me still introduced, even without any intention on my part, a miraculous element into the most commonplace dealings that I might have with them, or rather prevented such dealings from ever becoming commonplace at all. My desire had sought so ardently to learn the significance of the eyes which now knew and smiled to see me, but whose glances on the first day had crossed mine like rays from another universe; it had distributed so generously, so carefully, so minutely, colour and fragrance over the carnation surfaces of these girls who now, outstretched on the cliff-top, were simply offering me sandwiches or guessing riddles, that often, in the afternoon, while I lay there among them, like those painters who seek to match the grandeurs of antiquity in modern life, give to a woman cutting her toe-nail the nobility of the Spinario, or, like Rubens, make goddesses out of women whom they know, to people some mythological scene; at those lovely forms, dark and fair, so dissimilar in type, scattered around me in the grass, I would gaze without emptying them, perhaps, of all the mediocre contents with which my everyday experience had filled them, and at the same time without expressly recalling their heavenly origin, as if, like young Hercules or young Telemachus, I had been set to play amid a band of nymphs&#xA;&#xA;    Then the concerts ended, the bad weather began, my friends left Balbec; not all at once, like the swallows, but all in the same week. Albertine was the first to go, abruptly, without any of her friends understanding, then or afterwards, why she had returned suddenly to Paris whither neither her work nor any amusement summoned her. “She said neither why nor wherefore, and with that she left!” muttered Françoise, who, for that matter, would have liked us to leave as well. We were, she thought, inconsiderate towards the staff, now greatly reduced in number, but retained on account of the few visitors who were still staying on, and towards the manager who was ‘just eating up money.’ It was true that the hotel, which would very soon be closed for the winter, had long since seen most of its patrons depart, but never had it been so attractive. This view was not shared by the manager; from end to end of the rooms in which we sat shivering, and and at the doors of which no page now stood on guard, he paced the corridors, wearing a new frock coat, so well tended by the hairdresser that his insipid face appeared to be made of some composition in which, for one part of flesh, there were three of cosmetics, incessantly changing his neckties. (These refinements cost less than having the place heated and keeping on the staff, just as a man who is no longer able to subscribe ten thousand francs to a charity can still parade his generosity without inconvenience to himself by tipping the boy who brings him a telegram with five.) He appeared to be inspecting the empty air, to be seeking to give, by the smartness of his personal appearance, a provisional splendour to the desolation that could now be felt in this hotel where the season had not been good, and walked like the ghost of a monarch who returns to haunt the ruins of what was once his palace. He was particularly annoyed when the little local railway company, finding the supply of passengers inadequate, discontinued its trains until the following spring. “What is lacking here,” said the manager, “is the means of commotion.” In spite of the deficit which his books shewed, he was making plans for the future on a lavish scale. And as he was, after all, capable of retaining an exact memory of fine language when it was directly applicable to the hotel-keeping industry and had the effect of enhancing its importance: “I was not adequately supported, although in the dining room I had an efficient squad,” he explained; “but the pages left something to be desired. You will see, next year, what a phalanx I shall collect.” In the meantime the suspension of the services of the B. C. B. obliged him to send for letters and occasionally to dispatch visitors in a light cart. I would often ask leave to sit by the driver, and in this way I managed to be out in all weathers, as in the winter that I had spent at Combray&#xA;&#xA;    Sometimes, however, the driving rain kept my grandmother and me, the Casino being closed, in rooms almost completely deserted, as in the lowest hold of a ship when a storm is raging; and there, day by day, as in the course of a sea-voyage, a new person from among those in whose company we had spent three months without getting to know them, the chief magistrate from Caen, the leader of the Cherbourg bar, an American lady and her daughters, came up to us, started conversation, discovered some way of making the time pass less slowly, revealed some social accomplishment, taught us a new game, invited us to drink tea or to listen to music, to meet them at a certain hour, to plan together some of those diversions which contain the true secret of pleasure-giving, which is to aim not at giving pleasure but simply at helping us to pass the time of our boredom, in a word, formed with us, at the end of our stay at Balbec, ties of friendship which, in a day or two, their successive departures from the place would sever. I even made the acquaintance of the rich young man, of one of his pair of aristocratic friends and of the actress, who had reappeared for a few days; but their little society was composed now of three persons only, the other friend having returned to Paris. They asked me to come out to dinner with them at their restaurant. I think, they were just as well pleased that I did not accept. But they had given the invitation in the most friendly way imaginable, and albeit it came actually from the rich young man, since the others were only his guests, as the friend who was staying with him, the Marquis Maurice de Vaudémont, came of a very good family indeed, instinctively the actress, in asking me whether I would not come, said, to flatter my vanity: “Maurice will be so pleased.”&#xA;&#xA;    And when in the hall of the hotel I met them all three together, it was M. de Vaudémont (the rich young man effacing himself) who said to me: “Won’t you give us the pleasure of dining with us?”&#xA;&#xA;    On the whole I had derived very little benefit from Balbec, but this only strengthened my desire to return there. It seemed to me that I had not stayed there long enough. This was not what my friends at home were thinking, who wrote to ask whether I meant to stay there for the rest of my life. And when I saw that it was the name ‘Balbec’ which they were obliged to put on the envelope — just as my window looked out not over a landscape or a street but on to the plains of the sea, as I heard through the night its murmur to which I had before going to sleep entrusted my ship of dreams, I had the illusion that this life of promiscuity with the waves must effectively, without my knowledge, pervade me with the notion of their charm, like those lessons which one leams by heart while one is asleep&#xA;&#xA;    The manager offered to reserve better rooms for me next year, but I had now become attached to mine, into which I went without ever noticing the scent of flowering grasses, while my mind, which had once found such difficulty in rising to fill its space had come now to take its measurements so exactly that I was obliged to submit it to a reverse process when I had to sleep in Paris, in my own room, the ceiling of which was low&#xA;&#xA;    It was high time, indeed, to leave Balbec, for the cold and damp had become too penetrating for us to stay any longer in a hotel which had neither fireplaces in the rooms nor a central furnace. Moreover, I forgot almost immediately these last weeks of our stay. What my mind’s eye did almost invariably see when I thought of Balbec were the hours which, every morning during the fine weather, as I was going out in the afternoon with Albertine and her friends, my grandmother, following the doctor’s orders, insisted on my spending lying down, with the room darkened. The manager gave instructions that no noise was to be made on my landing, and came up himself to see that they were obeyed. Because the light outside was so strong, I kept drawn for as long as possible the big violet curtains which had adopted so hostile an attitude towards me the first evening. But as, in spite of the pins with which, so that the light should not enter, Françoise fastened them every night, pins which she alone knew how to unfasten; as in spite of the rugs, the red cretonne table-cover, the various fabrics collected here and there which she fitted in to her defensive scheme, she never succeeded in making them meet exactly, the darkness was not complete, and they allowed to spill over the carpet as it were a scarlet shower of anemone-petals, among which I could not resist the temptation to plunge my bare feet for a moment. And on the wall which faced the window and so was partially lighted, a cylinder of gold with no visible support was placed vertically and moved slowly along like the pillar of fire which went before the Hebrews in the desert. I went back to bed; obliged to taste without moving, in imagination only, and all at once, the pleasures of games, bathing, walks which the morning prompted, joy made my heart beat thunderingly like a machine set going at full speed but fixed to the ground, which can spend its energy only by turning upon its own axis&#xA;&#xA;    I knew that my friends were on the ‘front,’ but I did not see them as they passed before the links of the sea’s uneven chain, far at the back of which, and nestling amid its bluish peaks like an Italian citadel, one could occasionally, in a clear moment, make out the little town of Rivebelle, drawn in minutest detail by the sun. I did not see my friends, but (while there mounted to my belvedere the shout of the newsboy, the ‘journalists’ as Françoise used to call them, the shouts of the bathers and of children at play, punctuating like the cries of sea-birds the sound of the gently breaking waves) I guessed their presence, I heard their laughter enveloped like the laughter of the Nereids in the smooth tide of sound that rose to my ears. “We looked up,” said Albertine in the evening, “to see if you were coming down. But your shutters were still closed when the concert began.” At ten o’clock, sure enough, it broke out beneath my windows. In the intervals in the blare of the instruments, if the tide were high, would begin again, slurred and continuous, the gliding surge of a wave which seemed to enfold the notes of the violin in its crystal spirals and to be spraying its foam over echoes of a submarine music. I grew impatient because no one had yet come with my things, so that I might rise and dress. Twelve o’clock struck, Françoise arrived at last. And for months on end, in this Balbec to which I had so looked forward because I imagined it only as battered by the storm and buried in fogs, the weather had been so dazzling and so unchanging that when she came to open the window I could always, without once being wrong, expect to see the same patch of sunlight folded in the corner of the outer wall, of an unalterable colour which was less moving as a sign of summer than depressing as the colour of a lifeless and composed enamel. And after Françoise had removed her pins from the mouldings of the window-frame, taken down her various cloths, and drawn back the curtains, the summer day which she disclosed seemed as dead, as immemorially ancient as would have been a sumptuously attired dynastic mummy from which our old servant had done no more than pre-cautionally unwind the linen wrappings before displaying it to my gaze, embalmed in its vesture of gold" PRODUCER="Let's Go Music / Dan Perlman" COVERARTID="017/RYT31QD1Z0UEZD3SVMGHC4T5LRRC" PLAYTIME="232" PLAYTIME_FLOAT="231.502930" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="30434"></INFO>
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<INFO BITRATE="1041732" KEY_LYRICS="131 ContributorsTranslationsEspañolPortuguêsFrançaisРусскийHrvatskiWanna Be Startin’ Somethin’ LyricsAs the opening song and fourth single of Thriller, “Wanna Be Startin' Somethin'” picks up where Off the Wall left off and begins the new phenomenon of Thriller. According to Epic Records notes, the song was… Read More &#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;&#xA;&#xA;I took my baby to the doctor with a fever&#xA;But nothin' he found&#xA;By the time this hit the street&#xA;They said she had a breakdown&#xA;Someone's always tryin'&#xA;To start my baby cryin'&#xA;Talkin', squealin', lyin'&#xA;Sayin' you just want to be startin' somethin'&#xA;&#xA;&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;&#xA;You love to pretend that you're good&#xA;When you're always up to no good&#xA;You really can't make him hate her&#xA;So your tongue became a razor&#xA;Someone's always tryin'&#xA;To keep my baby cryin'&#xA;Treacherous, cunnin', declinin'&#xA;You got my baby cryin' (Hee)&#xA;&#xA;&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;&#xA;&#xA;You're a vegetable (You're a vegetable)&#xA;You're a vegetable (You're a vegetable)&#xA;Still, they hate you (Still, they hate you)&#xA;You're a vegetable (You're a vegetable)&#xA;You're just a buffet (You're just a buffet) (You're a vegetable)&#xA;You're a vegetable (You're a vegetable)&#xA;They eat off of you (They eat off of you) (You're a vegetable)&#xA;You're a vegetable, aaow!&#xA;&#xA;Billie Jean is always talkin' when nobody else is talkin'&#xA;Tellin' lies and rubbin' shoulders&#xA;So they called her mouth a motor&#xA;Someone's always tryin'&#xA;To start my baby cryin'&#xA;Talkin', squealin', spyin'&#xA;Sayin' you just want to be startin' somethin'&#xA;&#xA;&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;&#xA;&#xA;You're a vegetable (You're a vegetable)&#xA;You're a vegetable (You're a vegetable)&#xA;Still, they hate you (Still, they hate you)&#xA;You're a vegetable (You're a vegetable)&#xA;You're just a buffet (You're just a buffet) (You're a vegetable)&#xA;You're a vegetable (You're a vegetable)&#xA;They eat off of you (They eat off of you) (You're a vegetable)&#xA;You're a vegetable, ow!&#xA;&#xA;Ow!&#xA;Yee-haw! (Ooh!)&#xA;&#xA;&#xA;If you can't feed your baby (Yeah, yeah)&#xA;Then don't have a baby (Yeah, yeah)&#xA;And don't think maybe (Yeah, yeah)&#xA;If you can't feed your baby (Yeah, yeah)&#xA;You'll be always tryin'&#xA;To stop that child from cryin'&#xA;Hustlin', stealin', lyin'&#xA;Now, baby's slowly dyin'&#xA;&#xA;&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;I said you wanna be startin' somethin'&#xA;You got to be startin' somethin'&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;It's too high to get over (Yeah, yeah)&#xA;You're too low to get under (Yeah, yeah)&#xA;You're stuck in the middle (Yeah, yeah)&#xA;And the pain is thunder (Yeah, yeah)&#xA;&#xA;&#xA;Lift your head up high and scream out to the world&#xA;&amp;quot;I know I am someone,&amp;quot; and let the truth unfurl (Hee-ha)&#xA;No one can hurt you now because you know what's true&#xA;Yes, I believe in me, so you believe in you&#xA;&#xA;&#xA;Help me sing it&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hoo-hoo)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee, hee-hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee-hee-hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Help me sing it, babe)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee-hee-hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Yeah, sing it to the world)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Sing it out loud)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hoo-hoo)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Help me sing it)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hoo-hoo)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee-hee-hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Help me sing it)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hoo-hoo)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee-hee-hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Sing it to the world)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hoo-hoo)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee, hee-hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee-hee-hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Help me sing it, babe)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee-hee-hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hee)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Yeah)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Sing it to the world)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Sing it out loud)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa (Hoo, hoo)&#xA;Mama-say, mama-sa, ma-ma-ko-ssa" PRODUCER="(P) 1982 MJJ Productions Inc." 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<INFO BITRATE="1033989" KEY_LYRICS="31 ContributorsTranslationsPortuguêsInto the Groove LyricsTaken from the soundtrack of Desperately Seeking Susan. It was also featured on the re-issue of Madge’s second album Like A Virgin, its remixes ended up on the compilation ‘You Can Dance’ and the greatest… Read More &#xA;And you can dance&#xA;For inspiration&#xA;Come on&#xA;I'm waiting&#xA;&#xA;&#xA;Get into the groove&#xA;Boy, you've got to prove&#xA;Your love to me, yeah&#xA;Get up on your feet&#xA;Yeah, step to the beat&#xA;Boy, what will it be?&#xA;&#xA;&#xA;Music can be such a revelation&#xA;Dancing around, you feel the sweet sensation&#xA;We might be lovers if the rhythm's right&#xA;I hope this feeling never ends tonight&#xA;&#xA;&#xA;Only when I'm dancing can I feel this free&#xA;At night, I lock the doors, where no one else can see&#xA;I'm tired of dancing here all by myself&#xA;Tonight, I want to dance with someone else&#xA;&#xA;Get into the groove&#xA;Boy, you've got to prove&#xA;Your love to me, yeah&#xA;Get up on your feet&#xA;Yeah, step to the beat&#xA;Boy, what will it be?&#xA;&#xA;&#xA;Gonna get to know you in a special way&#xA;This doesn't happen to me every day&#xA;Don't try to hide it, love wears no disguise&#xA;I see the fire burning in your eyes&#xA;&#xA;&#xA;Only when I'm dancing can I feel this free&#xA;At night, I lock the doors, where no one else can see&#xA;I'm tired of dancing here all by myself&#xA;Tonight, I want to dance with someone else&#xA;&#xA;&#xA;Get into the groove&#xA;Boy, you've got to prove&#xA;Your love to me, yeah&#xA;Get up on your feet&#xA;Yeah, step to the beat&#xA;Boy, what will it be?&#xA;Yeah&#xA;&#xA;Live out your fantasy here with me&#xA;Just let the music set you free&#xA;Touch my body, and move in time&#xA;Now I know you're mine&#xA;You've got to&#xA;&#xA;&#xA;Get into the groove&#xA;Boy, you've got to prove&#xA;Your love to me, yeah&#xA;Get up on your feet&#xA;Yeah, step to the beat&#xA;Boy, what will it be?&#xA;&#xA;&#xA;Only when I'm dancing can I feel this free&#xA;At night I lock the doors, where no one else can see&#xA;I'm tired of dancing here all by myself&#xA;Tonight I want to dance with someone else&#xA;&#xA;&#xA;Live out your fantasy here with me&#xA;Just let the music set you free&#xA;Touch my body, and move in time&#xA;Now I know you're mine&#xA;Now I know you're mine&#xA;Now I know you're mine&#xA;Now I know you're mine&#xA;Now I know you're mine&#xA;You've got to&#xA;&#xA;Get into the groove&#xA;Boy, you've got to prove&#xA;Your love to me, yeah&#xA;Get up on your feet&#xA;Yeah, step to the beat&#xA;Boy, what will it be? (You've got to)&#xA;&#xA;Get into the groove&#xA;Boy, you've got to prove&#xA;Your love to me, yeah&#xA;Get up on your feet&#xA;Yeah, step to the beat&#xA;Boy, what will it be? (You've got to)&#xA;&#xA;&#xA;Get into the groove&#xA;Boy, you've got to prove&#xA;Your love to me, yeah&#xA;Get up on your feet&#xA;Yeah, step to the beat&#xA;Boy, what will it be? (You've got to)&#xA;&#xA;Get into the groove&#xA;Boy, you've got to prove&#xA;Your love to me, yeah&#xA;Get up on your feet&#xA;Yeah, step to the beat&#xA;Boy, what will it be? (You've got to)" PRODUCER="℗ 2009 Warner Records Inc." COVERARTID="100/EDA2EECRUPHVQAP3RABUAWPWMZUB" PLAYTIME="286" PLAYTIME_FLOAT="285.093323" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="36503"></INFO>
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<INFO BITRATE="791605" KEY_LYRICS="15 ContributorsBorn to Be Alive Lyrics&#xA;We were born to be—&#xA;Alive!&#xA;We were born to be—&#xA;Alive!&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;&#xA;&#xA;People asked me why I never&#xA;Find a place to stop and settle&#xA;Down, down, down&#xA;But I never wanted all those things&#xA;People need to justify their&#xA;Lives, lives, lives&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;&#xA;Time was on my side when I was&#xA;Running down the street, it was no&#xA;Bind, bind, bind&#xA;A suitcase and an old guitar and&#xA;Something new to occupy my&#xA;Mind, mind, mind&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive" PRODUCER="Saturn PHL" COVERARTID="113/RXDCENBYITMKAAL0XJ50CMGT50FC" PLAYTIME="216" PLAYTIME_FLOAT="215.721924" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="21202"></INFO>
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<INFO BITRATE="907686" KEY_LYRICS="4 ContributorsINVERTEBRATE Lyrics&#xA;It's not that hard to swallow your pride&#xA;And dismount from the high horse you ride&#xA;Paid to kill the mood&#xA;Brash and rude&#xA;You intrude&#xA;That's my queue&#xA;Goodbye&#xA;Ruining the fun&#xA;Bad reputation&#xA;Go back to your own kind&#xA;Calling pest control&#xA;God rest your soul&#xA;Just lay down and die&#xA;&#xA;&#xA;You're a spineless bottom feeder&#xA;Invasive parasite&#xA;Hostile demeanor&#xA;But can't put up a fight&#xA;Foaming at the mouth&#xA;When your prey comes into sight&#xA;But a failure like you&#xA;Only knows to run and hide&#xA;How does it feel to be the bottom of the food chain?&#xA;After hours of causing fear, hurt, pain&#xA;Don't know who you think you're scaring away&#xA;I'll crush you with a hammer&#xA;And put you on display&#xA;&#xA;Call an exterminator&#xA;End your vile naturе&#xA;Put you out of your misery&#xA;Excuse me mistеr&#xA;With your fragile pincers&#xA;Filthy trickster&#xA;Learn some chivalry&#xA;Infestation&#xA;Irritation&#xA;Congregation&#xA;Fatal injuries&#xA;Lacerations&#xA;Dislocation&#xA;Brutalization&#xA;Please don't bother me&#xA;&#xA;&#xA;Red zone vision has you confused&#xA;I'm no prey for you to come consume&#xA;Combative&#xA;Your mother doesn't love you&#xA;Hit the road at age of twenty-two&#xA;&#xA;&#xA;(Your mother doesn't love you)&#xA;&#xA;One more time!&#xA;Red zone vision has you confused&#xA;I'm no prey for you to come consume&#xA;Aggressive&#xA;Your mother doesn't love you&#xA;Hit the road at age of twenty-two&#xA;&#xA;&#xA;You're a spineless bottom feeder (spineless)&#xA;Invasive parasite (invasive)&#xA;Hostile demeanor (hostile)&#xA;But can't put up a fight (fight)&#xA;Foaming at the mouth (foaming)&#xA;When your prey comes into sight&#xA;But a failure like you (failure)&#xA;Only knows to run and hide (hide)&#xA;How does it feel to be the bottom of the food chain?&#xA;After hours of causing fear, hurt, pain (pain)&#xA;Don't know who you think you're scaring away&#xA;(Scaring)&#xA;I'll crush you with a hammer and put you on&#xA;Display&#xA;&#xA;&#xA;Nothing but a bee sting&#xA;Drag yourself down with it&#xA;Sucking out my energy&#xA;Pushing me to my limit&#xA;Why waste my time&#xA;When your lifespan is a minute?&#xA;I'll drop you in formaldehyde&#xA;Forever stop the itching&#xA;" PRODUCER="Cadeau Company / L.S.B. / Plateforme 2000" COVERARTID="068/E0PMI5DU4ZM05C45R4B1DUBB4AZA" PLAYTIME="242" PLAYTIME_FLOAT="241.719727" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="27118"></INFO>
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<INFO BITRATE="891764" KEY_LYRICS="1 ContributorDaniel Deronda (Chap. 64) Lyrics&amp;quot;Questa montagna e tale,&#xA;Che sempre al cominciar di sotto a grave.&#xA;E quanto uom piu va su e men fa male.&amp;quot;&#xA;—DANTE: Il Purgatorio.&#xA;&#xA;It was not many days after her mother's arrival that Gwendolen would consent to remain at Genoa. Her desire to get away from that gem of the sea, helped to rally her strength and courage. For what place, though it were the flowery vale of Enna, may not the inward sense turn into a circle of punishment where the flowers are no better than a crop of flame-tongues burning the soles of our feet?&#xA;&#xA;&amp;quot;I shall never like to see the Mediterranean again,&amp;quot; said Gwendolen, to her mother, who thought that she quite understood her child's feeling—even in her tacit prohibition of any express reference to her late husband.&#xA;&#xA;Mrs. Davilow, indeed, though compelled formally to regard this time as one of severe calamity, was virtually enjoying her life more than she had ever done since her daughter's marriage. It seemed that her darling was brought back to her not merely with all the old affection, but with a conscious cherishing of her mother's nearness, such as we give to a possession that we have been on the brink of losing.&#xA;&#xA;&amp;quot;Are you there, mamma?&amp;quot; cried Gwendolen, in the middle of the night (a bed had been made for her mother in the same room with hers), very much as she would have done in her early girlhood, if she had felt frightened in lying awake.&#xA;&#xA;&amp;quot;Yes, dear; can I do anything for you?&amp;quot;&#xA;&#xA;&amp;quot;No, thank you; only I like so to know you are there. Do you mind my waking you?&amp;quot; (This question would hardly have been Gwendolen's in her early girlhood.)&#xA;&#xA;&amp;quot;I was not asleep, darling.&amp;quot;&#xA;&#xA;&amp;quot;It seemed not real that you were with me. I wanted to make it real. I can bear things if you are with me. But you must not lie awake, anxious about me. You must be happy now. You must let me make you happy now at last—else what shall I do?&amp;quot;&#xA;&#xA;&amp;quot;God bless you, dear; I have the best happiness I can have, when you make much of me.&amp;quot;&#xA;&#xA;But the next night, hearing that she was sighing and restless Mrs.&#xA;Davilow said, &amp;quot;Let me give you your sleeping-draught, Gwendolen.&amp;quot;&#xA;&amp;quot;No, mamma, thank you; I don't want to sleep.&amp;quot;&#xA;&amp;quot;It would be so good for you to sleep more, my darling.&amp;quot;&#xA;&#xA;&amp;quot;Don't say what would be good for me, mamma,&amp;quot; Gwendolen answered, impetuously. &amp;quot;You don't know what would be good for me. You and my uncle must not contradict me and tell me anything is good for me when I feel it is not good.&amp;quot;&#xA;&#xA;Mrs. Davilow was silent, not wondering that the poor child was irritable. Presently Gwendolen said—&#xA;&#xA;&amp;quot;I was always naughty to you, mamma.&amp;quot;&#xA;&#xA;&amp;quot;No, dear, no.&amp;quot;&#xA;&#xA;&amp;quot;Yes, I was,&amp;quot; said Gwendolen insistently. &amp;quot;It is because I was always wicked that I am miserable now.&amp;quot;&#xA;&#xA;She burst into sobs and cries. The determination to be silent about all the facts of her married life and its close, reacted in these escapes of enigmatic excitement.&#xA;&#xA;But dim lights of interpretation were breaking on the mother's mind through the information that came from Sir Hugo to Mr. Gascoigne, and, with some omissions, from Mr. Gascoigne to herself. The good-natured baronet, while he was attending to all decent measures in relation to his nephew's death, and the possible washing ashore of the body, thought it the kindest thing he could do to use his present friendly intercourse with the rector as an opportunity for communicating with him, in the mildest way, the purport of Grandcourt's will, so as to save him the additional shock that would be in store for him if he carried his illusions all the way home. Perhaps Sir Hugo would have been communicable enough without that kind motive, but he really felt the motive. He broke the unpleasant news to the rector by degrees: at first he only implied his fear that the widow was not so splendidly provided for as Mr. Gascoigne, nay, as the baronet himself had expected; and only at last, after some previous vague reference to large claims on Grandcourt, he disclosed the prior relations which, in the unfortunate absence of a legitimate heir, had determined all the splendor in another direction.&#xA;&#xA;The rector was deeply hurt, and remembered, more vividly than he had ever done before, how offensively proud and repelling the manners of the deceased had been toward him—remembered also that he himself, in that interesting period just before the arrival of the new occupant at Diplow, had received hints of former entangling dissipations, and an undue addiction to pleasure, though he had not foreseen that the pleasure which had probably, so to speak, been swept into private rubbish-heaps, would ever present itself as an array of live caterpillars, disastrous to the green meat of respectable people. But he did not make these retrospective thoughts audible to Sir Hugo, or lower himself by expressing any indignation on merely personal grounds, but behaved like a man of the world who had become a conscientious clergyman. His first remark was—&#xA;&#xA;&amp;quot;When a young man makes his will in health, he usually counts on living a long while. Probably Mr. Grandcourt did not believe that this will would ever have its present effect.&amp;quot; After a moment, he added, &amp;quot;The effect is painful in more ways than one. Female morality is likely to suffer from this marked advantage and prominence being given to illegitimate offspring.&amp;quot;&#xA;&#xA;&amp;quot;Well, in point of fact,&amp;quot; said Sir Hugo, in his comfortable way, &amp;quot;since the boy is there, this was really the best alternative for the disposal of the estates. Grandcourt had nobody nearer than his cousin. And it's a chilling thought that you go out of this life only for the benefit of a cousin. A man gets a little pleasure in making his will, if it's for the good of his own curly heads; but it's a nuisance when you're giving the bequeathing to a used-up fellow like yourself, and one you don't care two straws for. It's the next worse thing to having only a life interest in your estates. No; I forgive Grandcourt for that part of his will. But, between ourselves, what I don't forgive him for, is the shabby way he has provided for your niece—our niece, I will say—no better a position than if she had been a doctor's widow. Nothing grates on me more than that posthumous grudgingness toward a wife. A man ought to have some pride and fondness for his widow. I should, I know. I take it as a test of a man, that he feels the easier about his death when he can think of his wife and daughters being comfortable after it. I like that story of the fellows in the Crimean war, who were ready to go to the bottom of the sea if their widows were provided for.&amp;quot;&#xA;&#xA;&amp;quot;It has certainly taken me by surprise,&amp;quot; said Mr. Gascoigne, &amp;quot;all the more because, as the one who stood in the place of father to my niece, I had shown my reliance on Mr. Grandcourt's apparent liberality in money matters by making no claims for her beforehand. That seemed to me due to him under the circumstances. Probably you think me blamable.&amp;quot;&#xA;&#xA;&amp;quot;Not blamable exactly. I respect a man for trusting another. But take my advice. If you marry another niece, though it may be to the Archbishop of Canterbury, bind him down. Your niece can't be married for the first time twice over. And if he's a good fellow, he'll wish to be bound. But as to Mrs. Grandcourt, I can only say that I feel my relation to her all the nearer because I think that she has not been well treated. And I hope you will urge her to rely on me as a friend.&amp;quot;&#xA;Thus spake the chivalrous Sir Hugo, in his disgust at the young and beautiful widow of a Mallinger Grandcourt being left with only two thousand a year and a house in a coal-mining district. To the rector that income naturally appeared less shabby and less accompanied with mortifying privations; but in this conversation he had devoured a much keener sense than the baronet's of the humiliation cast over his niece, and also over her nearest friends, by the conspicuous publishing of her husband's relation to Mrs. Glasher. And like all men who are good husbands and fathers, he felt the humiliation through the minds of the women who would be chiefly affected by it; so that the annoyance of first hearing the facts was far slighter than what he felt in communicating them to Mrs. Davilow, and in anticipating Gwendolen's feeling whenever her mother saw fit to tell her of them. For the good rector had an innocent conviction that his niece was unaware of Mrs. Glasher's existence, arguing with masculine soundness from what maidens and wives were likely to know, do, and suffer, and having had a most imperfect observation of the particular maiden and wife in question. Not so Gwendolen's mother, who now thought that she saw an explanation of much that had been enigmatic in her child's conduct and words before and after her engagement, concluding that in some inconceivable way Gwendolen had been informed of this left-handed marriage and the existence of the children. She trusted to opportunities that would arise in moments of affectionate confidence before and during their journey to England, when she might gradually learn how far the actual state of things was clear to Gwendolen, and prepare her for anything that might be a disappointment. But she was spared from devices on the subject.&#xA;&#xA;&amp;quot;I hope you don't expect that I am going to be rich and grand, mamma,&amp;quot; said Gwendolen, not long after the rector's communication; &amp;quot;perhaps I shall have nothing at all.&amp;quot;&#xA;&#xA;She was dressed, and had been sitting long in quiet meditation. Mrs.&#xA;Davilow was startled, but said, after a moment's reflection—&#xA;&amp;quot;Oh yes, dear, you will have something. Sir Hugo knows all about the will.&amp;quot;&#xA;&#xA;&amp;quot;That will not decide,&amp;quot; said Gwendolen, abruptly.&#xA;&#xA;&amp;quot;Surely, dear: Sir Hugo says you are to have two thousand a year and the house at Gadsmere.&amp;quot;&#xA;&#xA;&amp;quot;What I have will depend on what I accept,&amp;quot; said Gwendolen. &amp;quot;You and my uncle must not attempt to cross me and persuade me about this. I will do everything I can do to make you happy, but in anything about my husband I must not be interfered with. Is eight hundred a year enough for you, mamma?&amp;quot;&#xA;&#xA;&amp;quot;More than enough, dear. You must not think of giving me so much.&amp;quot; Mrs. Davilow paused a little, and then said, &amp;quot;Do you know who is to have the estates and the rest of the money?&amp;quot;&#xA;&#xA;&amp;quot;Yes,&amp;quot; said Gwendolen, waving her hand in dismissal of the subject. &amp;quot;I know everything. It is all perfectly right, and I wish never to have it mentioned.&amp;quot;&#xA;&#xA;The mother was silent, looked away, and rose to fetch a fan-screen, with a slight flush on her delicate cheeks. Wondering, imagining, she did not like to meet her daughter's eyes, and sat down again under a sad constraint. What wretchedness her child had perhaps gone through, which yet must remain as it always had been, locked away from their mutual speech. But Gwendolen was watching her mother with that new divination which experience had given her; and in tender relenting at her own peremptoriness, said, &amp;quot;Come and sit nearer to me, mamma, and don't be unhappy.&amp;quot;&#xA;&#xA;Mrs. Davilow did as she was told, but bit her lips in the vain attempt to hinder smarting tears. Gwendolen leaned toward her caressingly and said, &amp;quot;I mean to be very wise; I do, really. And good—oh, so good to you, dear, old, sweet mamma, you won't know me. Only you must not cry.&amp;quot;&#xA;&#xA;The resolve that Gwendolen had in her mind was that she would ask Deronda whether she ought to accept any of her husband's money—whether she might accept what would enable her to provide for her mother. The poor thing felt strong enough to do anything that would give her a higher place in Deronda's mind.&#xA;&#xA;An invitation that Sir Hugo pressed on her with kind urgency was that she and Mrs. Davilow should go straight with him to Park Lane, and make his house their abode as long as mourning and other details needed attending to in London. Town, he insisted, was just then the most retired of places; and he proposed to exert himself at once in getting all articles belonging to Gwendolen away from the house in Grosvenor Square. No proposal could have suited her better than this of staying a little while in Park Lane. It would be easy for her there to have an interview with Deronda, if she only knew how to get a letter into his hands, asking him to come to her. During the journey, Sir Hugo, having understood that she was acquainted with the purport of her husband's will, ventured to talk before her and to her about her future arrangements, referring here and there to mildly agreeable prospects as matters of course, and otherwise shedding a decorous cheerfulness over her widowed position. It seemed to him really the more graceful course for a widow to recover her spirits on finding that her husband had not dealt as handsomely by her as he might have done; it was the testator's fault if he compromised all her grief at his departure by giving a testamentary reason for it, so that she might be supposed to look sad, not because he had left her, but because he had left her poor. The baronet, having his kindliness doubly fanned by the favorable wind on his fortunes and by compassion for Gwendolen, had become quite fatherly in his behavior to her, called her &amp;quot;my dear,&amp;quot; and in mentioning Gadsmere to Mr. Gascoigne, with its various advantages and disadvantages, spoke of what &amp;quot;we&amp;quot; might do to make the best of that property. Gwendolen sat by in pale silence while Sir Hugo, with his face turned toward Mrs. Davilow or Mr. Gascoigne, conjectured that Mrs. Grandcourt might perhaps prefer letting Gadsmere to residing there during any part of the year, in which case he thought that it might be leased on capital terms to one of the fellows engaged with the coal: Sir Hugo had seen enough of the place to know that it was as comfortable and picturesque a box as any man need desire, providing his desires were circumscribed within a coal area.&#xA;&amp;quot;I shouldn't mind about the soot myself,&amp;quot; said the baronet, with that dispassionateness which belongs to the potential mood. &amp;quot;Nothing is more healthy. And if one's business lay there, Gadsmere would be a paradise. It makes quite a feature in Scrogg's history of the county, with the little tower and the fine piece of water—the prettiest print in the book.&amp;quot;&#xA;&#xA;&amp;quot;A more important place than Offendene, I suppose?&amp;quot; said Mr. Gascoigne.&#xA;&#xA;&amp;quot;Much,&amp;quot; said the baronet, decisively. &amp;quot;I was there with my poor brother—it is more than a quarter of a century ago, but I remember it very well. The rooms may not be larger, but the grounds are on a different scale.&amp;quot;&#xA;&#xA;&amp;quot;Our poor dear Offendene is empty after all,&amp;quot; said Mrs. Davilow. &amp;quot;When it came to the point, Mr. Haynes declared off, and there has been no one to take it since. I might as well have accepted Lord Brackenshaw's kind offer that I should remain in it another year rent-free: for I should have kept the place aired and warmed.&amp;quot;&#xA;&#xA;&amp;quot;I hope you've something snug instead,&amp;quot; said Sir Hugo.&#xA;&#xA;&amp;quot;A little too snug,&amp;quot; said Mr. Gascoigne, smiling at his sister-in-law.&#xA;&amp;quot;You are rather thick upon the ground.&amp;quot;&#xA;Gwendolen had turned with a changed glance when her mother spoke of Offendene being empty. This conversation passed during one of the long unaccountable pauses often experienced in foreign trains at some country station. There was a dreamy, sunny stillness over the hedgeless fields stretching to the boundary of poplars; and to Gwendolen the talk within the carriage seemed only to make the dreamland larger with an indistinct region of coal-pits, and a purgatorial Gadsmere which she would never visit; till at her mother's words, this mingled, dozing view seemed to dissolve and give way to a more wakeful vision of Offendene and Pennicote under their cooler lights. She saw the gray shoulders of the downs, the cattle-specked fields, the shadowy plantations with rutted lanes where the barked timber lay for a wayside seat, the neatly-clipped hedges on the road from the parsonage to Offendene, the avenue where she was gradually discerned from the window, the hall-door opening, and her mother or one of the troublesome sisters coming out to meet her. All that brief experience of a quiet home which had once seemed a dullness to be fled from, now came back to her as a restful escape, a station where she found the breath of morning and the unreproaching voice of birds after following a lure through a long Satanic masquerade, which she had entered on with an intoxicated belief in its disguises, and had seen the end of in shrieking fear lest she herself had become one of the evil spirits who were dropping their human mummery and hissing around her with serpent tongues.&#xA;&#xA;In this way Gwendolen's mind paused over Offendene and made it the scene of many thoughts; but she gave no further outward sign of interest in this conversation, any more than in Sir Hugo's opinion on the telegraphic cable or her uncle's views of the Church Rate Abolition Bill. What subjects will not our talk embrace in leisurely day-journeying from Genoa to London? Even strangers, after glancing from China to Peru and opening their mental stores with a liberality threatening a mutual impression of poverty on any future meeting, are liable to become excessively confidential. But the baronet and the rector were under a still stronger pressure toward cheerful communication: they were like acquaintances compelled to a long drive in a mourning-coach who having first remarked that the occasion is a melancholy one, naturally proceed to enliven it by the most miscellaneous discourse. &amp;quot;I don't mind telling you,&amp;quot; said Sir Hugo to the rector, in mentioning some private details; while the rector, without saying so, did not mind telling the baronet about his sons, and the difficulty of placing them in the world. By the dint of discussing all persons and things within driving-reach of Diplow, Sir Hugo got himself wrought to a pitch of interest in that former home, and of conviction that it was his pleasant duty to regain and strengthen his personal influence in the neighborhood, that made him declare his intention of taking his family to the place for a month or two before the autumn was over; and Mr. Gascoigne cordially rejoiced in that prospect. Altogether, the journey was continued and ended with mutual liking between the male fellow-travellers.&#xA;&#xA;Meanwhile Gwendolen sat by like one who had visited the spirit-world and was full to the lips of an unutterable experience that threw a strange unreality over all the talk she was hearing of her own and the world's business; and Mrs. Davilow was chiefly occupied in imagining what her daughter was feeling, and in wondering what was signified by her hinted doubt whether she would accept her husband's bequest. Gwendolen in fact had before her the unsealed wall of an immediate purpose shutting off every other resolution. How to scale the wall? She wanted again to see and consult Deronda, that she might secure herself against any act he would disapprove. Would her remorse have maintained its power within her, or would she have felt absolved by secrecy, if it had not been for that outer conscience which was made for her by Deronda? It is hard to say how much we could forgive ourselves if we were secure from judgment by another whose opinion is the breathing-medium of all our joy—who brings to us with close pressure and immediate sequence that judgment of the Invisible and Universal which self-flattery and the world's tolerance would easily melt and disperse. In this way our brother may be in the stead of God to us, and his opinion which has pierced even to the joints and marrow, may be our virtue in the making. That mission of Deronda to Gwendolen had begun with what she had felt to be his judgment of her at the gaming-table. He might easily have spoiled it:—much of our lives is spent in marring our own influence and turning others' belief in us into a widely concluding unbelief which they call knowledge of the world, while it is really disappointment in you or me. Deronda had not spoiled his mission.&#xA;&#xA;But Gwendolen had forgotten to ask him for his address in case she wanted to write, and her only way of reaching him was through Sir Hugo. She was not in the least blind to the construction that all witnesses might put on her giving signs of dependence on Deronda, and her seeking him more than he sought her: Grandcourt's rebukes had sufficiently enlightened her pride. But the force, the tenacity of her nature had thrown itself into that dependence, and she would no more let go her hold on Deronda's help, or deny herself the interview her soul needed, because of witnesses, than if she had been in prison in danger of being condemned to death. When she was in Park Lane and knew that the baronet would be going down to the Abbey immediately (just to see his family for a couple of days and then return to transact needful business for Gwendolen), she said to him without any air of hesitation, while her mother was present—&#xA;&#xA;&amp;quot;Sir Hugo, I wish to see Mr. Deronda again as soon as possible. I don't know his address. Will you tell it me, or let him know that I want to see him?&amp;quot;&#xA;&#xA;A quick thought passed across Sir Hugo's face, but made no difference to the ease with which he said, &amp;quot;Upon my word, I don't know whether he's at his chambers or the Abbey at this moment. But I'll make sure of him. I'll send a note now to his chambers telling him to come, and if he's at the Abbey I can give him your message and send him up at once. I am sure he will want to obey your wish,&amp;quot; the baronet ended, with grave kindness, as if nothing could seem to him more in the appropriate course of things than that she should send such a message.&#xA;&#xA;But he was convinced that Gwendolen had a passionate attachment to Deronda, the seeds of which had been laid long ago, and his former suspicion now recurred to him with more strength than ever, that her feeling was likely to lead her into imprudences—in which kind-hearted Sir Hugo was determined to screen and defend her as far as lay in his power. To him it was as pretty a story as need be that this fine creature and his favorite Dan should have turned out to be formed for each other, and that the unsuitable husband should have made his exit in such excellent time. Sir Hugo liked that a charming woman should be made as happy as possible. In truth, what most vexed his mind in this matter at present was a doubt whether the too lofty and inscrutable Dan had not got some scheme or other in his head, which would prove to be dearer to him than the lovely Mrs. Grandcourt, and put that neatly-prepared marriage with her out of the question. It was among the usual paradoxes of feeling that Sir Hugo, who had given his fatherly cautions to Deronda against too much tenderness in his relations with the bride, should now feel rather irritated against him by the suspicion that he had not fallen in love as he ought to have done. Of course all this thinking on Sir Hugo's part was eminently premature, only a fortnight or so after Grandcourt's death. But it is the trick of thinking to be either premature or behind-hand.&#xA;&#xA;However, he sent the note to Deronda's chambers, and it found him there." 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<INFO BITRATE="909596" KEY_LYRICS="29 ContributorsYou Sexy Thing Lyrics&#xA;I believe in miracles&#xA;Where're you from?&#xA;You sexy thing&#xA;(You sexy thing, you)&#xA;I believe in miracles&#xA;Since you came along&#xA;You sexy thing&#xA;&#xA;&#xA;Miracles right before my eyes&#xA;You sexy thing got me hypnotised&#xA;Don't stop what ya' doing&#xA;What ya' doing to me&#xA;My angel from above lying next to me&#xA;How did you know I one&#xA;Been a long time coming only just begun&#xA;Doing all the things that makes my heart sing&#xA;Keep doing what you're doing you sexy thing&#xA;&#xA;&#xA;Where did you come from, baby?&#xA;How did you know I needed you?&#xA;How did you know I needed you so badly&#xA;How did you know I'd give my heart gladly&#xA;Yesterday I was one of the lonely people&#xA;Now you're lying next to me&#xA;Making love to me&#xA;&#xA;I believe in miracles&#xA;Where you from?&#xA;You sexy thing&#xA;(You sexy thing, you)&#xA;I believe in miracles&#xA;Since you came along&#xA;You sexy thing&#xA;&#xA;&#xA;Only yesterday I was on my own&#xA;Just another day later my mind was blown&#xA;You sexy thing come into my life&#xA;Forever and a day it feels so right&#xA;How did ya' know that I'd be the one&#xA;Been a long time coming only just begun&#xA;Doing all the things that makes my heart sing&#xA;Keep doing what you're doing you sexy thing&#xA;&#xA;&#xA;Where did you come from, angel?&#xA;How did you know I'd be the one?&#xA;Did you know you're everything I prayed for?&#xA;Did you know, every night and day for?&#xA;Every day, needing love as satisfaction&#xA;Now you're lying next to me, giving it to me&#xA;&#xA;I believe in miracles&#xA;Where you from?&#xA;You sexy thing&#xA;(You sexy thing, you)&#xA;I believe in miracles&#xA;Since you came along&#xA;You sexy thing&#xA;&#xA;&#xA;Oh, kiss me, you sexy thing&#xA;Touch me, baby, you sexy thing&#xA;I love the way you touch me, darling, you sexy thing&#xA;Oh, it's ecstasy, you sexy thing&#xA;&#xA;&#xA;Yesterday, I was one of the lonely people&#xA;Now you're lying close to me, giving it to me&#xA;&#xA;&#xA;I believe in miracles&#xA;Where you from?&#xA;You sexy thing&#xA;(You sexy thing, you)&#xA;I believe in miracles&#xA;Since you came along, you sexy thing&#xA;&#xA;Oh, touch me&#xA;Kiss me, darling&#xA;I love the way you hold me, baby&#xA;Oh, it's ecstasy&#xA;&#xA;Oh, it's ecstasy (Sexy thing, you sexy thing, you)&#xA;Kiss me, baby (Sexy thing, you sexy thing, you)&#xA;I love the way you kiss me, darling (Sexy thing, you sexy thing, you)&#xA;Oh, yeah (Sexy thing, you sexy thing, you)&#xA;Love the way you hold me (Sexy thing, you sexy thing, you)&#xA;Keep on lovin' me, darling (Sexy thing, you sexy thing, you)&#xA;Keep on lovin' me, baby (Sexy thing, you sexy thing, you)&#xA;Ah, ah, ah-ha, yeah" PRODUCER="℗ 1975 Parlophone Records Ltd, a Warner Music Group Company" COVERARTID="064/ACHK5WCTLLSDRCR1XZS4CWKZZ4AB" PLAYTIME="245" PLAYTIME_FLOAT="244.919998" IMPORT_DATE="2025/4/14" RELEASE_DATE="1975/1/1" FLAGS="12" FILESIZE="27496"></INFO>
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<INFO BITRATE="1043754" KEY_LYRICS="57 ContributorsTranslationsDeutschFrançaisEspañolTürkçeDanskMurder on the Dancefloor Lyrics&#xA;(Murder, murder, murder…)&#xA;It's murder on the dancefloor&#xA;But you better not kill the groove&#xA;DJ, gonna burn this goddamn house right down&#xA;&#xA;&#xA;Oh, I know, I know, I know, I know, I know, I know, I know&#xA;About your kind&#xA;And so, and so, and so, and so, and so, and so, and so&#xA;I'll have to play&#xA;&#xA;&#xA;If you think you're getting away, I will prove you wrong&#xA;I'll take you all the way, boy, just come along&#xA;Hear me when I say, hey&#xA;&#xA;&#xA;It's murder on the dancefloor&#xA;But you better not kill the groove, hey-hey, hey-hey&#xA;It's murder on the dancefloor&#xA;But you better not steal the moves&#xA;DJ, gonna burn this goddamn house right down&#xA;&#xA;&#xA;Oh, I know, I know, I know, I know, I know, I know, I know&#xA;I know there may be others&#xA;And so, and so, and so, and so, and so, and so, and so&#xA;You'll just have to pray&#xA;&#xA;If you think you're getting away, I will prove you wrong&#xA;I'll take you all the way, stay another song&#xA;I'll blow you all away, hey&#xA;&#xA;&#xA;It's murder on the dancefloor&#xA;But you better not kill the groove, hey-hey, hey-hey&#xA;It's murder on the dancefloor&#xA;But you better not steal the moves&#xA;DJ, gonna turn this house around somehow&#xA;Murder on the dancefloor (On the dancefloor)&#xA;But you better not kill the groove, hey-hey, hey-hey&#xA;It's murder on the dancefloor (On the dancefloor)&#xA;But you better not steal the moves&#xA;DJ, gonna burn this goddamn house right down&#xA;&#xA;&#xA;&#xA;&#xA;Don't think you'll get away, I will prove you wrong&#xA;I'll take you all the way, boy, just come along&#xA;Hear me when I say, hey&#xA;&#xA;&#xA;It's murder on the dancefloor&#xA;But you better not kill the groove&#xA;It's murder on the dancefloor&#xA;But you better not steal the moves&#xA;DJ, gonna burn this goddamn house right down&#xA;It's murder on the dancefloor&#xA;But you better not kill the groove, hey-hey, hey-hey&#xA;It's murder on the dancefloor&#xA;But you better not steal the moves&#xA;DJ, gonna burn this goddamn house right down&#xA;It's murder on the dancefloor (On the dancefloor)&#xA;But you better not kill the groove, hey-hey, hey-hey&#xA;It's murder on the dancefloor (On the dancefloor)&#xA;But you better not steal the moves&#xA;DJ, gonna burn this goddamn house right down&#xA;Oh, I know, I know, I know, I know, I know, I know, I know (On the dancefloor)&#xA;But you better not kill the groove" PRODUCER="℗ 2001 Polydor Ltd. (UK)" COVERARTID="071/HCJRWYDVHHQ2RCGVPQMPBWUZZ4OA" PLAYTIME="219" PLAYTIME_FLOAT="218.948074" IMPORT_DATE="2025/4/14" RELEASE_DATE="2001/1/1" FLAGS="12" FILESIZE="28342"></INFO>
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<INFO BITRATE="1044241" KEY_LYRICS="18 ContributorsCrush Lyrics&#xA;Ah&#xA;Crush&#xA;Ah&#xA;&#xA;&#xA;See you blowin' me a kiss&#xA;It doesn't take a scientist&#xA;To understand what's going on, baby&#xA;If you see something in my eye&#xA;Let's not overanalyze&#xA;Don't go too deep with it, baby (Baby)&#xA;&#xA;&#xA;So let it be what it'll be&#xA;Don't make a fuss and get crazy over you and me&#xA;Here's what I do, I'll play it loose&#xA;Not like we have a date with destiny&#xA;&#xA;&#xA;It's just (Ahh) a little crush (Crush)&#xA;Not like I faint every time we touch&#xA;It's just (Ahh) some little thing (Crush)&#xA;Not like everything I do&#xA;Depends on you&#xA;&#xA;Sha, la, la, la&#xA;Sha, la, la, la&#xA;&#xA;&#xA;It's raising my adrenaline&#xA;You're banging on a heart of tin&#xA;Please don't make too much of it, baby (Baby)&#xA;Say that we're forevermore&#xA;That's not what I'm looking for&#xA;All I can commit to is maybe (Maybe)&#xA;&#xA;&#xA;So let it be what it'll be&#xA;Don't make a fuss and get crazy over you and me&#xA;(Crazy over you and me)&#xA;Here's what I do, I'll play it loose&#xA;Not like we have a date with destiny&#xA;Oh, oh&#xA;&#xA;&#xA;It's just (Ahh) a little crush (Crush)&#xA;Not like I faint every time we touch&#xA;It's just (Ahh) some little thing (Crush)&#xA;Not like everything I do&#xA;Depends on you&#xA;&#xA;Sha, la, la, la&#xA;Sha, la, la, la&#xA;&#xA;&#xA;Vanilla skies (Vanilla skies)&#xA;White picket fences in your eyes&#xA;A vision of you and me (And me, and me)&#xA;&#xA;&#xA;It's just (Ahh) a little crush (Crush)&#xA;Not like I faint every time we touch&#xA;It's just (Ahh) some little thing (Crush)&#xA;Not like everything I do (Everything I do)&#xA;Depends on you&#xA;&#xA;&#xA;Sha, la, la, la&#xA;&#xA;&#xA;Not like I faint every time we touch&#xA;It's just some little thing&#xA;Not like everything I do depends on you&#xA;Sha, la, la, la&#xA;Sha, la, la, la&#xA;Not like I faint every time we touch&#xA;It's just some little thing&#xA;Not like everything I do" PRODUCER="Edel America Records, Inc." COVERARTID="036/E3SM15AF0JDSSAYUBEVFA4Q2GRLC" PLAYTIME="201" PLAYTIME_FLOAT="200.293335" IMPORT_DATE="2025/4/14" RELEASE_DATE="1998/1/1" FLAGS="12" FILESIZE="25721"></INFO>
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<INFO BITRATE="913957" KEY_LYRICS="1 ContributorFool’s Errand LyricsAs it all falls down, and everything burns, the meek have their day&#xA;It seems you’ve found your way down&#xA;Slip into this void. This longing brought suffering&#xA;We speak in bitter tongues&#xA;A stone is the crux of a wall. Its burden lies in weight&#xA;Lowly, we bask in omens, and dream of what reality was&#xA;Beholden to a paradise broken, dream of what reality was&#xA;Slowly, we bend so slowly&#xA;As we descend the walls that seem so sloped call forth my way&#xA;We bend so slowly. I won’t stay or carve my name&#xA;You were tied to the weight of this failure&#xA;We sink in through reverie&#xA;In quiet moments I prayed for this day&#xA;In weaker moments I rued this day&#xA;In desperation I gave way&#xA;What would I do to be rid of this?&#xA;Head down, back to wind, what would I do?&#xA;Forget this weight&#xA;This day was yours to take, heads down&#xA;Backs to the wind, beating back the deluge endlessly&#xA;We need something to hold as the light fades away" PRODUCER="2024 Vincent Fernandel Production / Musiques &amp; Solutions" COVERARTID="053/VVDRCPD11DH31D1G2LBTCQWLYSTD" PLAYTIME="164" PLAYTIME_FLOAT="164.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="18506"></INFO>
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<INFO BITRATE="1109119" KEY_LYRICS="4 ContributorsSexbomb Lyrics&#xA;&#xA;&#xA;Spy on me, baby, use satellite&#xA;Infrared to see me move through the night&#xA;Ain't gonna fire, shoot me right&#xA;I'm gonna like the way, the way that you fight&#xA;Now you found the secret code I use&#xA;To wash away my lonely blues&#xA;And I can't deny or lie&#xA;'Cause you're the only who makes me fly&#xA;&#xA;&#xA;Sexbomb, sexbomb, yeah, you're a sexbomb&#xA;And you can give it to me when I need to be turned on&#xA;Sexbomb, sexbomb, you're my sexbomb&#xA;And, baby, you can turn, turn me on&#xA;Woo&#xA;Yeah&#xA;&#xA;&#xA;Don't get me wrong, ain't gonna do you no harm&#xA;This bomb's for lovin' and you can shoot it far&#xA;I'm your main target, come and help me ignite&#xA;Lovestruck, holding me tight&#xA;Make me explode, although you know&#xA;The route to go to sex me slow&#xA;Yes, I must react to, to claims of those&#xA;Who say that you are not all that&#xA;&#xA;Sexbomb, sexbomb, yeah, you're a sexbomb&#xA;And you can give it to me when I need to come along&#xA;Sexbomb, sexbomb, you're my sexbomb&#xA;And, baby, you can turn, turn me on (Yeah)&#xA;Sexbomb, sexbomb, yeah, you're a sexbomb&#xA;And you can give it to me when I need to come along&#xA;Sexbomb, sexbomb, you're my sexbomb&#xA;And, baby, you can turn, turn me on (Alright)&#xA;&#xA;&#xA;You can give me more and more, counting up the score&#xA;You can turn me upside down and inside out&#xA;You can make me feel the real deal&#xA;And I can give it to you any time because you're mine&#xA;&#xA;&#xA;Sexbomb, sexbomb, yeah, you're my sexbomb&#xA;And you can give it to me when I need to come along&#xA;Sexbomb, sexbomb, you're my sexbomb&#xA;And, baby, you can turn, turn me on (Baby, you can turn me on)&#xA;Sexbomb, sexbomb, you're my sexbomb&#xA;And you can give it to me when I need to come along&#xA;Sexbomb, sexbomb, you're my sexbomb&#xA;And, baby, you can turn me on (Baby, you can turn me on)&#xA;And, baby, you can turn me on (You can turn me on)&#xA;Baby, you can turn me on&#xA;&#xA;Oh" PRODUCER="℗ 1999 Universal Music TV, a division of Universal Music Operations Ltd." COVERARTID="045/NRAGXMBE2BZYYAC2MXKKDATNMVXC" PLAYTIME="212" PLAYTIME_FLOAT="211.893326" IMPORT_DATE="2025/4/14" RELEASE_DATE="1999/1/1" FLAGS="12" FILESIZE="29053"></INFO>
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<INFO BITRATE="1034839" KEY_LYRICS="185 ContributorsTranslationsPortuguêsΕλληνικάFrançaisTürkçeHappy LyricsPharrell made the world “Happy” in 2014 with this feel-good anthem. The song soared to #1 in 35 countries—it was the best selling song of 2014.&#xA;&#xA;Pharrell wrote and produced “Happy” for the soundtrack of… Read More &#xA;&#xA;&#xA;It might seem crazy what I'm 'bout to say&#xA;Sunshine, she's here, you can take a break&#xA;I'm a hot air balloon that could go to space&#xA;With the air, like I don't care, baby, by the way, huh&#xA;&#xA;&#xA;(Because I'm happy)&#xA;Clap along if you feel like a room without a roof&#xA;(Because I'm happy)&#xA;Clap along if you feel like happiness is the truth&#xA;(Because I'm happy)&#xA;Clap along if you know what happiness is to you&#xA;(Because I'm happy)&#xA;Clap along if you feel like that's what you wanna do&#xA;&#xA;&#xA;Here come bad news, talking this and that (Yeah!)&#xA;Well, give me all you got, don't hold it back (Yeah!)&#xA;Well, I should probably warn ya, I'll be just fine (Yeah!)&#xA;No offense to you, don’t waste your time, here's why&#xA;&#xA;&#xA;(Because I'm happy)&#xA;Clap along if you feel like a room without a roof&#xA;(Because I'm happy)&#xA;Clap along if you feel like happiness is the truth&#xA;(Because I'm happy)&#xA;Clap along if you know what happiness is to you&#xA;(Because I'm happy)&#xA;Clap along if you feel like that's what you wanna do (Hey! Come on! Uh!)&#xA;&#xA;(Happy) Bring me down&#xA;Can't nothing (Happy), bring me down&#xA;My level's too high to (Happy), bring me down&#xA;Can't nothing (Happy), bring me down, I said&#xA;(Let me tell you now)&#xA;(Happy, happy, happy, happy) Bring me down&#xA;Can't nothing (Happy, happy, happy, happy) bring me down&#xA;My level's too high to (Happy, happy, happy, happy)  bring me down&#xA;Can't nothing (Happy, happy, happy) bring me down, I said&#xA;&#xA;&#xA;(Because I'm happy)&#xA;Clap along if you feel like a room without a roof&#xA;(Because I'm happy)&#xA;Clap along if you feel like happiness is the truth&#xA;(Because I'm happy)&#xA;Clap along if you know what happiness is to you&#xA;(Because I'm happy)&#xA;Clap along if you feel like that's what you wanna do&#xA;(Because I'm happy)&#xA;Clap along if you feel like a room without a roof&#xA;(Because I'm happy)&#xA;Clap along if you feel like happiness is the truth&#xA;(Because I'm happy)&#xA;Clap along if you know what happiness is to you&#xA;(Because I'm happy)&#xA;Clap along if you feel like that's what you wanna do (Hey! Come on! Uh!)&#xA;&#xA;(Happy, happy, happy, happy) Bring me down&#xA;Can't nothing (Happy, happy, happy, happy) bring me down&#xA;My level's too high to (Happy, happy, happy, happy)  bring me down&#xA;Can't nothing (Happy, happy, happy) bring me down, I said…&#xA;&#xA;&#xA;(Because I'm happy)&#xA;Clap along if you feel like a room without a roof&#xA;(Because I'm happy)&#xA;Clap along if you feel like happiness is the truth&#xA;(Because I'm happy)&#xA;Clap along if you know what happiness is to you&#xA;(Because I'm happy)&#xA;Clap along if you feel like that's what you wanna do&#xA;(Because I'm happy)&#xA;Clap along if you feel like a room without a roof&#xA;(Because I'm happy)&#xA;Clap along if you feel like happiness is the truth&#xA;(Because I'm happy)&#xA;Clap along if you know what happiness is to you&#xA;(Because I'm happy)&#xA;Clap along if you feel like that's what you wanna do (Come on)" PRODUCER="(P) 2013 Back Lot Music, under exclusive license to Columbia Records, a Division of Sony Music Entertainment" COVERARTID="099/D5AQR4DLN1ZOQCK15DP0DKC0SJYD" PLAYTIME="233" PLAYTIME_FLOAT="232.726379" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="29771"></INFO>
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<INFO BITRATE="914972" KEY_LYRICS="25 ContributorsSunny Lyrics&#xA;Sunny&#xA;Yesterday my life was filled with rain&#xA;Sunny&#xA;You smiled at me and really eased the pain&#xA;&#xA;&#xA;The dark days are gone and the bright days are here&#xA;My sunny one shines so sincere&#xA;&#xA;&#xA;Sunny, one so true&#xA;I love you&#xA;&#xA;&#xA;Sunny (Yeah)&#xA;Thank you for the sunshine bouquet (That sweet bouquet)&#xA;Sunny&#xA;Thank you for the love you've brought my way&#xA;&#xA;&#xA;You gave to me your all and all&#xA;And now I feel ten feet tall&#xA;&#xA;&#xA;Sunny, one so true&#xA;I love you&#xA;&#xA;Sunny&#xA;Thank you for the truth you let me see&#xA;Sunny&#xA;Thank you for the facts from A to Z&#xA;&#xA;&#xA;My life was torn like the wind-blown sand&#xA;And a rock was formed when you held my hand&#xA;&#xA;&#xA;Sunny, one so true&#xA;I love you&#xA;Sunny&#xA;&#xA;&#xA;(Yeah)&#xA;&#xA;&#xA;Sunny&#xA;Thank you for the smile upon your face&#xA;Sunny&#xA;Thank you for the gleam that shows disgrace&#xA;&#xA;&#xA;You're my part of nature's fire&#xA;You're my sweet complete desire&#xA;&#xA;Sunny, one so true&#xA;I love you&#xA;&#xA;&#xA;Sunny (Sunny)&#xA;Yesterday my life was filled with rain&#xA;Sunny (Sunny, yeah)&#xA;You smiled at me and really eased the pain&#xA;&#xA;&#xA;The dark days are gone and the bright days are here&#xA;My sunny one shines so sincere&#xA;&#xA;&#xA;Sunny, one so true&#xA;I love you (Yeah)&#xA;&#xA;&#xA;I love you (Oh, my baby)&#xA;I love you&#xA;I love you&#xA;I love you&#xA;I love you&#xA;I love you" PRODUCER="(P) 1977 BMG Berlin Musik GmbH/MCI" COVERARTID="044/MNWV11CL2V3CCDLLBX5AD3V342WB" PLAYTIME="195" PLAYTIME_FLOAT="194.493332" IMPORT_DATE="2025/4/14" RELEASE_DATE="1984/1/1" FLAGS="12" FILESIZE="22091"></INFO>
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<INFO BITRATE="1088109" KEY_LYRICS="16 ContributorsNever Can Say Goodbye LyricsI never can say goodbye, no, no, no, I&#xA;I never can say goodbye&#xA;&#xA;Every time I think I've had enough&#xA;And start heading for the door&#xA;There's a very strange vibration&#xA;Piercing me right to the core&#xA;It says, &amp;quot;turn around you fool&#xA;You know you love him more and more&amp;quot;&#xA;Tell me why is it so&#xA;Don't want to let you go&#xA;&#xA;Hey, I never can say goodbye, boy&#xA;Ooh baby, I never can say goodbye, no, no, no, hey&#xA;&#xA;I never can say goodbye, oh no, I&#xA;I never can say goodbye&#xA;&#xA;I keep thinking that our problems&#xA;Soon are all gonna work out&#xA;But there's that same unhappy feeling&#xA;And that anguish and that doubt&#xA;It's that same old dizzy hang-up&#xA;I can't do with you or without&#xA;Tell me why is it so&#xA;I don't want to let you go&#xA;Hey, I never can say goodbye, boy&#xA;Ooh baby, I never can say goodbye, no, no, no, ooh&#xA;Hey, I never can say goodbye, boy&#xA;Ooh baby, I never can say goodbye, no, no, no, no, no, no&#xA;&#xA;Hey, I never can say goodbye, boy&#xA;No, no, no, baby, hey, I never can say goodbye, no, no, no&#xA;Please don't let me say goodbye&#xA;I just cannot say goodbye" PRODUCER="℗ 1974 UMG Recordings, Inc." COVERARTID="107/LLBRAAAVH405MB3VMQAXBP5JHRHA" PLAYTIME="180" PLAYTIME_FLOAT="179.466660" IMPORT_DATE="2025/4/14" RELEASE_DATE="1975/1/1" FLAGS="12" FILESIZE="24235"></INFO>
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<INFO BITRATE="905852" KEY_LYRICS="4 ContributorsSay No Brother (Crack Attack Don’t Do It)  Lyrics&#xA;Crown Ruler Allah Cee King&#xA;Crack that's exactly what this means&#xA;And to all the Gods in 86 who are impressed&#xA;You better sit right back and listen to this&#xA;&#xA;&#xA;Crack stay back, crack stay back, crack attack&#xA;I say the jumbo means dumbo&#xA;I say crack stay back, crack stay back, crack attack&#xA;I say the dime is a waste of time&#xA;&#xA;&#xA;Young, proud, middle class, beware yet&#xA;Crack infiltrating, it's that you can bet&#xA;Now is it politics or lack of leadership&#xA;That has a young baby selling her body for a hit&#xA;(I say the dime is a waste of time)&#xA;&#xA;Why don't you wake up, girl, at your school&#xA;And get knowledge of yourself and the golden rule&#xA;Now woman don't you know you're the queen of the Earth&#xA;And your precious womb is the home of human birth&#xA;So don't sell your body for no crack or dirt&#xA;(I say the jumbo means dumbo)&#xA;You tell your mother a lie just to get high&#xA;And talk about the sneakers that you didn't buy&#xA;Just to get a fifty to get high, this new affliction&#xA;Some people say it's worst of all&#xA;There are no barriers, everyone will fall&#xA;First it was heroin from Kennedy to Luther&#xA;So now they're in the street just selling woolah woolah&#xA;(I say the jumbo means dumbo)&#xA;&#xA;I'm gonna break it down to you if you don't know what I mean&#xA;I say cracks mixed with reefer taking over the scene&#xA;First it was coke, girl, now that's a brand new thing&#xA;Now let's pray to God and let's pray to God&#xA;And let's pray to God you don't get addicted to this scene&#xA;(I say the jumbo means dumbo)&#xA;&#xA;&#xA;So what do we say now my young people&#xA;What should we do&#xA;I say crack stay back, jumbo is a dumbo&#xA;And a dime is a waste of time&#xA;Young, proud, middle class, beware yet&#xA;Cause crack's an infiltration, you can bet&#xA;Is it politics or a lack of leadership&#xA;Who really knows&#xA;But after a blast of this stuff your soul, mind and body goes&#xA;Crack stay back, jumbo means dumbo, a dime is a waste of time&#xA;Even the upper class you must watch your set&#xA;With this stuff you'll lose all your gains, you may even lose your jet&#xA;First they gave us heron, they called it Boy&#xA;From Malcolm, John F Kennedy, right through Martin Luther King&#xA;But now it's cocaine in crack form, hey it's the same old thing&#xA;This new affliction's powerful, y'all, some say it is worst of all&#xA;There are no barriers this time, with crack everyone will fall&#xA;So what do you say now my young people&#xA;Black, white, hispanic alike, what do you say now&#xA;I say stay back with your crack&#xA;I'm no dumbo, keep your jumbo&#xA;I value my time, don't want to buy your silly dime&#xA;Cracks are the devil in a white disguise&#xA;Once you use them you are sure to die&#xA;I'm the brother who on TV said&#xA;Say no young people and keep your heads&#xA;Say no young people, say no&#xA;" PRODUCER="℗ 1979 J.P.L.L. Productions / Jean-Pierre Lowf Legoff" COVERARTID="055/XVFOTJDBTVU3VAJDNBZVBAZZ2DGC" PLAYTIME="176" PLAYTIME_FLOAT="175.655350" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="19770"></INFO>
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<INFO BITRATE="908152" KEY_LYRICS="37 ContributorsI’m Coming Out LyricsAfter Chic founders Nile Rodgers and Bernard Edwards saw three drag queens dressed up like Diana Ross at a bar, they wrote “I’m Coming Out” to appeal to Ross' gay following. The song remains an anthem for the… Read More &#xA;I'm ... comin' ... out&#xA;I'm comin'&#xA;I'm ... comin' ... out&#xA;I'm comin' out&#xA;&#xA;I'm comin' ... out&#xA;I'm ... comin' ... out&#xA;&#xA;&#xA;I'm comin' out, I want the world to know&#xA;I got to let it show&#xA;I'm comin' out, I want the world to know&#xA;I got to let it show&#xA;&#xA;&#xA;There's a new me comin' out and I just had to live&#xA;And I wanna give, I'm completely positive&#xA;I think this time around, I am gonna do it&#xA;Like you never knew it, oh, I'll make it through&#xA;The time has come for me to break out of this shell&#xA;I have to shout that I am comin' out&#xA;&#xA;&#xA;I'm comin' out, I want the world to know&#xA;I got to let it show (I'm comin')&#xA;I'm comin' out&#xA;I want the world to know, I got to let it show&#xA;I'm comin' out&#xA;I want the world to know, I got to let it show&#xA;I'm comin' out&#xA;I want the world to know, I got to let it show&#xA;&#xA;I've got to show the world all that I wanna be&#xA;And all my abilities, there's so much more to me&#xA;Somehow I'll have to make them just understand&#xA;I got it well in hand and oh how I have planned&#xA;I'm spreadin' love, there is no need to fear&#xA;And I just feel so good, every time I hear&#xA;&#xA;&#xA;I'm comin' out, I want the world to know&#xA;I got to let it show&#xA;I'm comin' out, I want the world to know&#xA;Got to let it show&#xA;&#xA;&#xA;&#xA;&#xA;I'm comin' out, I want the world to know&#xA;Got to let it show&#xA;I'm comin' out, I want the world to know&#xA;Got to let it show&#xA;I'm comin' out, I want the world to know&#xA;Got to let it show&#xA;I'm comin' out, I want the world to know&#xA;Got to let it show&#xA;I'm comin' out, I want the world to know&#xA;Got to let it show&#xA;I'm comin' out, I want the world to know&#xA;Got to let it show&#xA;I'm, I'm comin' out&#xA;I have to shout that I'm comin' out&#xA;I want the world to know&#xA;Got to let it show&#xA;I'm comin', I'm comin' out" PRODUCER="℗ 1980 UMG Recordings, Inc." COVERARTID="110/O5BDCRDGNJ05EBIDEXQMBAX5C5OA" PLAYTIME="325" PLAYTIME_FLOAT="324.238403" IMPORT_DATE="2025/4/14" RELEASE_DATE="1980/1/1" FLAGS="12" FILESIZE="36235"></INFO>
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<INFO BITRATE="983914" KEY_LYRICS="3 ContributorsAll American Girls LyricsWe're all American girls&#xA;And we love the life that we lead&#xA;We're all American girls&#xA;Hear what we say&#xA;Know what we mean&#xA;We're all American girls&#xA;&#xA;The day has finally come&#xA;We're reaching out for number one&#xA;We've worked hard all of our lives&#xA;It was a fight just to survive&#xA;You`d better get this straight&#xA;&#xA;Wise up&#xA;Before it's too late&#xA;We`re not threatened by your lies&#xA;Or your goodbyes&#xA;&#xA;We're all American girls&#xA;Sometimes the struggle gets rough&#xA;You give your all&#xA;But it`s not enough&#xA;A vacant job at the top&#xA;&#xA;Don't let them tell you&#xA;That right you`re not&#xA;We`re not asking to reverse roles&#xA;So long rehearsed&#xA;Give us an equal share&#xA;That's just fair&#xA;We're all American girls" PRODUCER="2018 Warner Music Group - X5 Music Group" COVERARTID="061/3VGJAKAF3JWMKBOYT4VEAIZV40PA" PLAYTIME="236" PLAYTIME_FLOAT="235.786667" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="28519"></INFO>
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<INFO BITRATE="957555" KEY_LYRICS="20 ContributorsEverybody Dance Lyrics&#xA;&#xA;&#xA;Everybody dance, do-do-do&#xA;Clap your hands, clap your hands&#xA;Everybody dance, do-do-do&#xA;Clap your hands, clap you hands&#xA;&#xA;Everybody dance, do-do-do&#xA;Clap your hands, clap your hands&#xA;Everybody dance, do-do-do&#xA;Clap your hands, clap your hands&#xA;&#xA;&#xA;Music never lets you down&#xA;Puts a smile on your face any time, any place&#xA;Dancing helps relieve the pain&#xA;Soothes your mind, makes you happy again&#xA;Listen to those dancing feet&#xA;Close your eyes and let go&#xA;But it don't mean a thing if it ain't got that swing&#xA;&#xA;&#xA;&#xA;&#xA;Spinning all around the floor just like Rogers and Astaire&#xA;Who found love without a care stepping to our favorite tune&#xA;The good times always end too soon&#xA;Everybody's dancing lift your feet, have some fun&#xA;Come on everybody, get on your feet&#xA;Clap your hands everybody's screaming&#xA; (x2)&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Everybody dance&#xA;Everybody dance&#xA;Everybody dance&#xA;Everybody dance&#xA;&#xA;Everybody dance&#xA;Everybody dance&#xA;Everybody dance&#xA;Everybody dance&#xA;&#xA;&#xA;Everybody dance, do-do-do&#xA;Clap your hands, clap your hands&#xA;Everybody dance, do-do-do&#xA;Clap your hands, clap you hands&#xA;(x4)" PRODUCER="℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States" COVERARTID="104/IPH4LHDNQK2ZMBFJ4FOBD0C1I43A" PLAYTIME="248" PLAYTIME_FLOAT="247.666672" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="29013"></INFO>
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<INFO BITRATE="872149" KEY_LYRICS="2 ContributorsRum Nitty vs. Viixen The Assassin Lyrics&#xA;How's everyone doin' tonight?&#xA;Well for me...it's been rough rough&#xA;Combining Kings vs. Queens with Summer Madness, when they hit us, it ain't enough bucks&#xA;I know Smack came a long way from DVD's and now he's stuck up&#xA;But you need to call Caffeine and fix whatever you fucked up&#xA;Blade out, shit like coupons, I'm finna cut up&#xA;One slice, change the game, Pizza Hut fuck&#xA;Blood, dry on the blade like, &amp;quot;What is this stuff? Crust?&amp;quot;&#xA;Watch a Crip die slow but his Blood rust&#xA;Silencers, shhhh&#xA;I better bring back white girls sayin', &amp;quot;Shut up&amp;quot;&#xA;Creepin' Rum, , snuck up&#xA;Let this bitch blow, point one (.1)...Rum got me fucked up&#xA;What's up?&#xA;I know I can't outpunch this puncher, I'm not stupid&#xA;But y'all allow domestic violence shit, y'all ruthless&#xA;Ask mе why I'm more of a Left Eye, Waiting To Exhalе type of bitch when I'm movin'&#xA;(Why?)&#xA;Cause for a punch, I brought fire like Hadouken&#xA;Let's get to it&#xA;I'm on a different time bro, shit fly by&#xA;Damn where does the time go?&#xA;My shooters grip from the jump like Skyzone&#xA;Do my signature muah, and you goin' to sleep, I'm talkin' pronto&#xA;That's kiss and the Z's (disease) like mono&#xA;No combo, I'm givin' him all rights, he in for a long night&#xA;They confused on how a white girl can hit a Crip this smooth, Kendrick Lamar, right?&#xA;You The Alien, alright, I'll still up the heat&#xA;I don't care where you at&#xA;Once it's up with me, it's stuck with me&#xA;Catch an Alien while he fuckin', nigga you can't even come (cum) in peace&#xA;Drop the heat&#xA;There go this blade again&#xA;This bitch old, but it does enough&#xA;You gonna end up like Pittsburgh Steelers, stuck with rust&#xA;Where I'm from, you have to toughen up&#xA;Ever since a kid I was in the trenches dawg (dog); Scruff McGruff&#xA;I don't wanna go punch for punch or knuckle up&#xA;Sniper rifle or fuck you up&#xA;It's so 'Dangerous', through the scope it look like a 90's video from Busta Bus'&#xA;URL What's up?&#xA;Y'all got me mad in this bitch&#xA;Do I gotta remind y'all I'm fuckin' HER&#xA;Like a nigga that brag on his dick?&#xA;I don't care if he a Crip&#xA;Once he act up he gettin' packed up&#xA;I'm a Nut', Insane and I ain't bust in awhile, you better back up&#xA;They said I'm all performance, no punches, I'm never endin' frail&#xA;We different ranks, you can't school me, y'all better wish him well&#xA;Yes, I'm 'bout to scream in your face allll night...that ship will never sail&#xA;All Ivey do it yell (Yale), I'm still better than Cornell&#xA;When we pull up, we droppin' shit&#xA;Mask over all, it's Alcohol Anonymous, make him strip&#xA;Before the casket, I'm that bold&#xA;Yeah you gotta take everything off before you lay down, like outside clothes&#xA;Why wouldn't I bring a gun to this punch fight, that's what it's made for&#xA;He swing he gettin' it worse than what he came for&#xA;If the punch come with a combo, I'ma up/charge, and he gonna have to pay more&#xA;You 'bout to die die&#xA;Split his shit, 'til he wide wide&#xA;Open the punch, look like I'm givin' a Hi-5&#xA;You sweet sweet, can't beat me&#xA;I got answers for the cheat sheet&#xA;Here to take Rum, straight up, I like it neat neat&#xA;Crack a smile like keet keet&#xA;Anemic, I seek heat&#xA;Cock back, bust in mouth, I'm a freak freak&#xA;He went from being a puncher to tastin' a mil' (meal), he Keith-&#xA;You gon' use my skin tone against me, but I'm not here to fight race&#xA;Thinkin' I won't easily black out on Rum cause I'm light-wait (weight)&#xA;We can go black side or white side, I'm really with the drama&#xA;My black side come with the big butt, and I get it from my mama&#xA;But I will bust yo' head 'til you on my white meat like a threat from yo' mama&#xA;Holdin' it, polar grip&#xA;Bullets go straight through his skull gets split&#xA;Y'all wanna know the best thing about being black and white?&#xA;Graze (gray's) areas don't exist&#xA;I'll make this bitch bleed with anything within reach&#xA;He your number one?&#xA;Well anything can get beat&#xA;Havin' an OnlyFans taught me, be careful who you sendin' to(send in two), anything can get leaked&#xA;Time&#xA;&#xA;Y'all ready?&#xA;(Yeeeah!)&#xA;Alright bitch&#xA;Bitch&#xA;Yooou gotta be try to be more safe&#xA;We had your bookin' info, room number and all&#xA;We was really on your case&#xA;Could've made that a short stay&#xA;I mean, I was gonna slide right to the hotel where they booked Viix' (vic') the suite...on Floor 8&#xA;We ain't for play (foreplay)&#xA;You should've battled someone from ya class&#xA;Back out while you still got time, Rum gonna do you bad&#xA;She must just wanna crash&#xA;I don't even know why she clipped on that mic, Viix' (Vicks) outta pocket, run before you pass&#xA;I'm on yo' ass&#xA;We blitz shit&#xA;Follow you around, watch your every step, like a FitBit&#xA;Big blick, ladder with the semi', attachment with the glizzy, like a dick pic&#xA;Send six, blast this whore&#xA;Go ahead get hype, they gonna be pickin' out caskets for her&#xA;If V Bucks up, we're gonna have to charge it to the game, the little girl was askin' for it&#xA;You'll get smashed for sure&#xA;But if she get this anaconda&#xA;She gonna be tryin' to introduce me to her dad and all like that's an honor&#xA;Whole family tryin' to have me over for some bland ass lasagna&#xA;If I take one bite, and it's no seasoning, I'ma slap ya mama&#xA;Jab, take accountability (account ability) like the best hacker&#xA;Jab, you don't wanna see me bar for bar like Chess rappin'&#xA;Jab, you gonna have to go over everything you write (right) like you left handed&#xA;Overhand, you dealin' with the real life Juggernaut (jug or ((k))not) like breast cancer&#xA;This just practice, this shit a breeze&#xA;Where you from? Milwaukee?&#xA;Well I'm about to end this with ease (E's)&#xA;Lift, blick and squeeze&#xA;You prayin' to the Lord for help&#xA;You propped up on a hospital bed, usin' that annoyin' bell&#xA;Watchin' old cartoons on the screen, tryin' to enjoy yourself&#xA;Laughin' at Wild E. Coyote gettin' a piano dropped on him- 'til an organ fail (fell)&#xA;Tell this fat ass white girl, I'll beat her off the camera&#xA;Take it back to middle school, you might see her paws then slam her&#xA;No cap&#xA;Tell queen to &amp;quot;stop the cappin'&amp;quot;, cause I'm Conrad Murray&#xA;The King Of Pop, Assassin&#xA;Soon as she fall I'm clappin'&#xA;Blammin' more in this hoe face&#xA;Let the cannon go, it ain't no breaks&#xA;Your 2K player ever get cold?&#xA;Got me shootin' standin' over a snowflake&#xA;We don't know fake&#xA;We all thorough&#xA;I done hit licks and robbed niggas just to feed myself&#xA;I might rob one of you bitches&#xA;Then Viixen held up too (2), like a ring card girl&#xA;&#xA;So men talk about guns, drugs, how they leg Mags fly&#xA;How they got Calico's by a Landslide&#xA;How y'all will kill a whole family, don't care if mom and dad cry&#xA;I show a little pussy online and now I'm the bad guy?!&#xA;How you get yo' money, is how you get yo' money&#xA;It ain't never my concern boss&#xA;You do hold the power in the Volume&#xA;You got mouths to feed, I can never be mad at something you earn off&#xA;Just know that this pussy is power and my lights will never be turned off&#xA;A man tryin' to bash a woman that smash? I don't trust you&#xA;But nobody knock the Hustle...but dude&#xA;Sex appeal and pretty privilege won't work tonight, you right&#xA;I'ma still get it done&#xA;But for the record, I don't got a gag reflex, I got a trigger one&#xA;Kidnap his kids, so he know that I'm wiggin'&#xA;I'm every father's worst nightmare, his daughter lookin' up to a Viixen&#xA;When we ride, I ain't leavin' shit back to hold me&#xA;A vet show up, it look like I'm goin' back to Jodie&#xA;AK ring, leave holy, matrimony&#xA;Chopper clip look like elbow macaroni&#xA;Thompson hit ya friend, like when he mad at Khloe&#xA;Never let love show, they just smashed the homie&#xA;Somethin' big shootin', look like Shaq gettin' a pass from Kobe&#xA;Or get a thin slice for cheap, like Jack's and Tony's&#xA;You gonna run into a star player, and pick a foul up&#xA;You from the west I call my 'Regulators' to mount up&#xA;Put Rum in the grave and watch Cornell pile (Powell) up&#xA;Pull up, servin' Llamas, it's a halal truck&#xA;Bus(t) in front of the crib, I'm finna pick a child up&#xA;You a Crab, a boney bitch, don't get my riled up&#xA;When I see (sea) food, fuck muscles (mussels), I'ma lift this cal' (cow) up&#xA;I'm foul brah&#xA;Even wit' ya kids, I'm completin' a mission&#xA;Catch you out with ya Family, Guy, and hit Pow(ell) right in the kisser&#xA;It's a given, I don't play&#xA;Even my Mexicans know I talk different Corn'; elote&#xA;You tough? No way&#xA;Cornell get core nailed, Corn' frail&#xA;Steak fajitas, get Corn' shells&#xA;The shit Hell!&#xA;They never let you lose&#xA;They never come and doubt you&#xA;We all know Corn' never dies just (digests) know I'ma beat the shit up out you&#xA;I'm not really a wrong type of bitch&#xA;Some bars, life shit&#xA;I'd rather much often, the shit you said to Bigg K mean Jack and then lies&#xA;You do that much often&#xA;White Claws, the words won't work on me, fuck talkin'&#xA;I don't care if you said you'd put a Shard in A (Chardoney), that cut water&#xA;I know those are different types of drinks, it didn't really make sense&#xA;But let me fix all of this&#xA;I'm bi-racial, ain't know what to do with Rum, I'm a mixologist&#xA;Nigga you'se a bitch&#xA;You gave Geechi half of your money?&#xA;You got kids to feed&#xA;They college fund, that's what's makin' me mad&#xA;If you didn't give him nothin', he would've had to understand if he was really ya mans&#xA;Now you back beggin' Smack cause them funds gettin' low&#xA;You bad at Math&#xA;That's why when y'all come at me, I'm like, &amp;quot;Why is that a brag?&amp;quot;&#xA;At least I was born 50/50, nigga you chose to go half and half&#xA;Pops comin' after if this white girl take it&#xA;It get nasty when I'm cookin', y'all gonna hate to taste what this white girl makin'&#xA;I'm usin' every fuckin' bar, ain't a line this white girl wastin'&#xA;Gun on my hip, this white girl wasted&#xA;One shot spill Rum, top, oops, this white girl wasted&#xA;Geechi and Danny gonna have to hold him up, he lookin' like a white girl wasted&#xA;I'll have Rum stumblin' into every fuckin' bar&#xA;Ain't that what you do when you -&#xA;They been tryin' to find your replacement&#xA;And somebody else that be punch wildin'&#xA;They even got Fonz (finds) for Rum, like drunk drivin'&#xA;You go on them small leagues and give 'em your all&#xA;Why is that where you wig?&#xA;Then get on URL and complain about time when them other people ain't did as half as they did&#xA;Rum keep goin' to those little leagues, they gonna stop goin' to bat for you kid&#xA;They lettin' you kill your own career&#xA;Your slogan, never fit better&#xA;You the worst kind of me&#xA;You got mad at Smack, and cried about it online for eyes to see&#xA;Told us, Lux was your end game, they want you gone so they gonna do it obviously&#xA;You got in your feelings, took on somethin' Loaded for your end game&#xA;Shit sound like suicide to me&#xA;Beasley had to beg me for this, I didn't have the time or depressing led me to suicide&#xA;Now his body chalked out, he gotta die&#xA;His tape around suicide, like 13 Reasons Why&#xA;Time&#xA;&#xA;Aye if we fight now&#xA;I'll knock her stupid ass right out&#xA;I don't even get mad when she push me&#xA;Cause you weak pussy&#xA;Now lights out&#xA;This your mission to abort&#xA;Cause you gon' lose&#xA;I mean we all seen Viixen versus Ward&#xA;The bitch was gettin' torched&#xA;He said that &amp;quot;Crown Vic'&amp;quot; bar and kicked the shit out you&#xA;That's what happens when you get behind a Horse&#xA;This bitch'll die for sure, I bet she'll lose&#xA;You'll be paralyzed from the waist down if I air the tool&#xA;Bed ridden, can barely move&#xA;I put White Chicks in wheel chairs like Terry Crews&#xA;You better move, I'ma pull to where you live with it tho&#xA;Tie you up, throw you in the closet, your kids gettin' smoked&#xA;By the time yo' husband get to the do'&#xA;He see a bunch of niggas with guns out but no Viixen (vixen), it look like a drill video&#xA;This bitch is bold&#xA;When I first heard her, I said, &amp;quot;She cold with it&#xA;She got punches, delivery, presence, her flow different.&amp;quot;&#xA;Had a little seasoning to her and all, no kizzy&#xA;Tried to convince her she was half black, alright, Whoa Vicky&#xA;They say I take it light on the women, I don't be really tryin'&#xA;But don't trip, this bitch is dyin'&#xA;To simplify it, Viix' (Vics) gettin' blew out just to clear the air, a humidifier&#xA;I'm really fire&#xA;She crazy if you ask me, I heard Norbes smashed&#xA;They didn't even have to pay you just to clap cheeks&#xA;Just pick you up from the airport and have you eatin' babies in the taxi&#xA;By the time they left JFK, Assassin ate it (assassinated) in the backseat&#xA;I clap heat&#xA;Bury you in the widest plot&#xA;Can't find the spot&#xA;I'll put a Viixen (vixen) underneath the earth like Firefox&#xA;You don't slide on blocks&#xA;You bitches play with nail kits&#xA;Most of my niggas in the coffin or in a box, really on they jail tip&#xA;You play with burettes, shell clips, when you're finna get your hair did&#xA;I play with Berettas, shells, clips, and my trigger is the hair pin&#xA;I air shit&#xA;I'ma have one of you bitches missin'&#xA;This ain't nothin' like you faced before, this a different mission&#xA;You on OnlyFans only cause you fucked up and penny pinchin'&#xA;Might end up strippin' to give your kids a Christmas&#xA;Become a Dancer, so I pull up like a Dasher- Blitzen Viixen (Vixen)&#xA;Nice try&#xA;Shit get hot out in Florida, you ain't got enough melanin&#xA;You might die from light shine&#xA;Shit, I'll bet the Miami Heat will be way too much for your white side&#xA;I ain't never told a white lie&#xA;&#xA;&#xA;Ah ah ah ah&#xA;The Alien&#xA;You rap so good it kinda get my pussy wet&#xA;The Alien? We don't gotta end this in a tragedy&#xA;Baby, you The Alien?&#xA;What kind of car you drive? A spaceship?&#xA;What kind of phone you got? A Galaxy?&#xA;Come here (x6)&#xA;Stop tryin' to blast at me&#xA;You don't gotta shoot 'til it hella empty&#xA;Put the guns down, let's start a family, come settle wit' me&#xA;Just know if The Alien give me a baby, I'm turnin' to Ellen Ripley&#xA;When they first tried to get at me, they didn't mention you&#xA;Bright idea, it's lit for you, I'm sick of dude&#xA;Anything you say they push, will cheer (wheelchair), that's a Crip for you&#xA;I got a gift for the-&#xA;God ain't wrap me too tight&#xA;And I'm always mad he missed a screw&#xA;Smack said, &amp;quot;I got Nit' for you.&amp;quot;&#xA;I said, &amp;quot;Nit' for who?&amp;quot;&#xA;He said, &amp;quot;Nit' for you.&amp;quot;&#xA;Pardon my grammar but this must be a croquet class if I was meant for you&#xA;Instead of sticks crossin' over, look like I'm tryin' to knit for you&#xA;Or a stick can hold shit up, I guess I'm Crippin' too&#xA;This type of shit will close towns and make a business move&#xA;Joe Clark, I shut down schools over the principle&#xA;Knife out, one poke, that's the end of you&#xA;His family like, &amp;quot;You actin' different. What done got into you?&amp;quot;&#xA;I'll kill a nigga with a bow cut like Dylann Roof&#xA;You think cause Surf gone you the biggest Crip to move?&#xA;We won't let a RICO take him out, does he look like Money Mitch to you?&#xA;Plus the only alcoholic Crip we respect made 'Gin &amp;amp; Juice'&#xA;Your style? Extra dry, name should be &amp;quot;Gin and Juice&amp;quot;&#xA;Chest shot, he rollin' down the street, like 'Gin &amp;amp; Juice'&#xA;Fuck the slogan, cause I'm a Dogg sittin' on bars like Snoop in 'Gin &amp;amp; Juice'&#xA;You do all that back to back punchin' and really don't grasp nothin'&#xA;It's like givin' Narcan to someone who's not really overdosin'&#xA;I'll up the nose on a nigga that lacks substance&#xA;Headshot 'til it's fallin' out&#xA;Tonight I said, &amp;quot;Fuck a corset&amp;quot;, this a natural body, let it all hang out&#xA;Shit's like a men's bathroom&#xA;#1 if I'm pissed&#xA;#2? You better stall 'em out&#xA;I'll bash his head in, 'til he lose all coherency&#xA;Of course The Alien not real- it's a conspiracy&#xA;You sick, but with this shot I'm immunity&#xA;Your crew gon' need unity if I'm at you Nitty&#xA;Headshot, causes unity&#xA;Now they gotta come together to pray and whine (wine), they commune Nitty (community)&#xA;I can go gun line for gun line wit' you Nitty&#xA;I don't give a fuck about your hood tendency&#xA;Don't you see we both click (clique) from the jump&#xA;Baby, this good chemistry&#xA;You're still a bitch to me&#xA;You did all that clique hoppin'&#xA;We done really seen it all&#xA;You had all these clique's (click) backs, and I'm finna delete them all&#xA;Pull up, skeeert, origami&#xA;Bend the corner, run in his crib&#xA;It don't matter who go in first, we 'bout to flip a Quarter&#xA;Then catch him, Geechi and EFB and spray somethin'&#xA;Police don't think the murders really related, they play cousins&#xA;They put you in these small rooms to help you look better&#xA;That's how they coddle&#xA;But this Viixen (vixen) in any room you fucked, it's a brothel&#xA;I got my foot on necks&#xA;You complained about Footz, it's a time difference&#xA;Take a chunk out of him, look like we kidnapped EK, a side (Assad) mission&#xA;You can't walk in the hood without gettin' pressed, we ride different&#xA;Ratchet come out, soon as he pass&#xA;Rich Homie Quan bitches&#xA;&#xA;&#xA;You kickin' my ass right&#xA;&#xA;&#xA;You are 5 foot- nothing&#xA;I'll dog walk him&#xA;Chihuahua, little bitch, I don't care what y'all call him&#xA;I'm tired of you Nit' pickers making a big deal out of a small problem&#xA;You let Twork push you across the stage&#xA;Geechi hid behind a tree&#xA;Neither one of y'all got heart&#xA;To me, that's the same shit&#xA;It's like Ashanti, cause Cornell and Gotti inside the same bitch&#xA;You let Geechi pass you up&#xA;He created a group&#xA;And now you just every battle, you Sammy The Bull&#xA;Cause yeah, you got a kingpin (king pen) too, but you'll always be in Gotti's shadow&#xA;You are not tough&#xA;Big chopper and I pop up&#xA;Third shift at Wal-Mart, the stock's up&#xA;That's what you used to do, but now you a gangsta&#xA;You a Stan to me&#xA;It's crazy you worked at Wal-Mart but they knew it was Great Value off branding me&#xA;Bitch I'm from Milwaukee&#xA;We really in the field&#xA;I came to Stretch cousin (cuz in) like 2Pac, and only did it for the Mil'&#xA;So y'all can glorify another bitch that think she fuckin' wit' me&#xA;But make sure that she's sugar free cause these bitches sweet&#xA;Muah&#xA;&#xA;&#xA;Aye, Smack, this yo' fault&#xA;Cause you already know what I do to hoes&#xA;Real nigga&#xA;I got troopers that's gon' move and they shootin' poles&#xA;If I die, they still get active on my account like Julio Foolio&#xA;Y'all said she had PEN-pen&#xA;That's not true guys&#xA;Bitch can't even spell &amp;quot;vixen&amp;quot; right, that's not too wise (two I's)&#xA;I mean, you fine, but that ass is a'ight&#xA;Outside the clothes you probably built like a garbage bag full of rice&#xA;I'm past all the hype&#xA;Nigga will feel like Little Chris from Friday, tryin' to hit that trash from the bike&#xA;You can't be no wife, this ain't what you thought&#xA;She'll play with that pussy on camera if you pay what it cost&#xA;Shakin' it all&#xA;All you gotta do is send a tip to get Viix' to moan (Vic Damone), cause they say Money Talks&#xA;Fuck you thought?&#xA;We got blickies in the car today&#xA;Think we ain't strapped cause we in Orlando, cause semi's (Kissimmee) not that far away&#xA;You are for play, you just rap 'bout it&#xA;Every bar you got a gun, like your strap poppin'&#xA;You soft, but you act brolic&#xA;I'll do the Shotgun Suge special move- on your back pockets&#xA;Clap choppers, this bitch'll take L's&#xA;You couldn't shoot a gun if you wanted to&#xA;You'll lift up the blick and break nails&#xA;Give your temple K shells&#xA;You might as well start charging for blow job videos, you missin' brain cells (sales)&#xA;You can't tell?&#xA;You extra week&#xA;You talk about you carry heat&#xA;Cut it out, you ain't gonna shoot nothin'; a vasectomy&#xA;We got hella heat, all kind of blickies&#xA;You'll get smoked if you try me Vicki&#xA;Put you in a leaf&#xA;A fuckin' Russian Cream, sound like a quickie" PRODUCER="℗ 1979 J.P.L.L. 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<INFO BITRATE="1068388" KEY_LYRICS="55 ContributorsLet’s Groove Lyrics&#xA;We can boogie down, down up on down&#xA;The boogie sound, down up on down&#xA;The boogie sound, down up on down&#xA;The boogie sound, down up on down&#xA;&#xA;&#xA;Let's groove tonight (down down upon down)&#xA;Share the spice of life&#xA;(The boogie sound, down upon down)&#xA;Baby, slice it right&#xA;(The boogie sound, down upon down)&#xA;We're gonna groove tonight&#xA;(The boogie sound, down upon down)&#xA;&#xA;&#xA;Let this groove get you to move&#xA;It's alright, alright, alright&#xA;Let this groove set in your shoes&#xA;So stand up, alright, alright&#xA;&#xA;&#xA;Gonna tell you what you can do with my love&#xA;Alright&#xA;Let you know, girl&#xA;You're looking good, you're out of sight&#xA;Alright&#xA;Just move yourself and glide like a 747&#xA;And lose yourself in the sky&#xA;Among the clouds in the heavens, gods&#xA;&#xA;Let this groove light up your fuse&#xA;It's alright, alright, alright (Uh-oh-uh)&#xA;Let this groove set in your shoes&#xA;So stand up, alright, alright&#xA;&#xA;&#xA;Let me tell ya what you can do with my love&#xA;Alright&#xA;Gotta let you know, girl&#xA;You're looking good, you're out of sight&#xA;Alright&#xA;Just tell the DJ to play your favorite tune&#xA;Then you know it's okay&#xA;What you found is happening now&#xA;&#xA;&#xA;Let this groove light up your fuse&#xA;It's alright, alright, alright&#xA;Let this groove set in your shoes&#xA;So stand up (Stand up), alright, alright&#xA;Let this groove get you to move&#xA;It's alright, alright, alright (Yeah)&#xA;Let this groove set in your shoes&#xA;So stand up, alright, alright&#xA;&#xA;You will find peace of mind on the floor&#xA;Take a little time&#xA;Come and see, you and me&#xA;Give a little sign&#xA;I'll be there, after a while&#xA;If you want my love&#xA;We can boogie on down&#xA;Down, boogie on down (The boogie sound, down upon down)&#xA;Down, boogie on down (The boogie sound, down upon down)&#xA;Down, we boogie on down (The boogie sound, down upon down)&#xA;On down (The boogie sound, down upon down)&#xA;&#xA;&#xA;Let's groove tonight (The boogie sound, down upon down)&#xA;Share the spice of life (The boogie sound, down upon down)&#xA;Baby, slice it right (The boogie sound, down upon down)&#xA;We're gonna groove tonight (The boogie sound, down upon down)&#xA;Uh-oh-uh&#xA;&#xA;&#xA;&#xA;&#xA;Let this groove light up your fuse&#xA;It's alright, alright, alright (Uh-oh-uh)&#xA;Let this groove set in your shoes&#xA;So stand up (Alright), alright, alright&#xA;&#xA;Let this groove get you to move (We're gonna groove tonight)&#xA;It's alright, alright, alright (Share the spice of life)&#xA;Let this groove set in your shoes (Baby, slice it right)&#xA;So stand up, alright, alright (Just start the groove tonight)&#xA;Let this groove light up your fuse (Just move yourself)&#xA;It's alright, alright (Just move yourself)&#xA;Let this groove set in your shoes (Just move yourself)&#xA;So stand up, alright, alright&#xA;Let this groove get you to move (Groove tonight)&#xA;It's alright, alright, alright, uh-oh-uh (Share the spice of life)&#xA;Let this groove set in your shoes (Baby, slice it right)&#xA;So stand up, alright, alright (We're gonna groove tonight)&#xA;Let this groove get you to move (Just move yourself)&#xA;It's alright, alright&#xA;Let this groove set in your shoes (Just move yourself)&#xA;So stand up, alright, alright (Just move yourself)&#xA;Hey-yeah, alright&#xA;Let this groove light up your fuse&#xA;It's alright, alright, alright&#xA;Let this groove set in your shoes&#xA;So stand up, alright, alright" PRODUCER="(P) 1981 Columbia Records, a division of Sony Music Entertainment" COVERARTID="071/HWYMDPBPOHJUXDOHG1TJD00U0GWB" PLAYCOUNT="1" PLAYTIME="336" PLAYTIME_FLOAT="335.160004" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="43998"></INFO>
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<INFO BITRATE="897411" KEY_LYRICS="26 ContributorsGet Down On It Lyrics“Get Down On It” was an original song produced and performed by North American group, Kool &amp;amp; The Gang.&#xA;&#xA;“Get Down On It” was released in December, 1981.&#xA;&#xA;There was a “restoration” of the song, performed by… Read More &#xA;Oh, hey, hey&#xA;Yeah? Uh-huh&#xA;Oh, what you gon' do?&#xA;You wanna get down? Tell me&#xA;Oh, what you gon' do?&#xA;Do you wanna get down?&#xA;Oh, what you gon' do?&#xA;You wanna get down?&#xA;&#xA;&#xA;Get your back up off the wall&#xA;Dance, come on!&#xA;Get your back up off the wall&#xA;Dance, come on!&#xA;&#xA;&#xA;Get down on it!&#xA;Get down on it!&#xA;Get down on it!&#xA;Get down on it! (Come on and)&#xA;Get down on it!&#xA;Get down on it!&#xA;Get down on it!&#xA;Get down on it!&#xA;&#xA;How you gonna do it if you really don't wanna dance&#xA;By standing on the wall?&#xA;Get your back up off the wall and tell me&#xA;How you gonna do it if you really don't wanna dance&#xA;By standing on the wall?&#xA;Get your back up off the wall&#xA;'Cause I heard all the people singin'&#xA;&#xA;&#xA;Get down on it! (Come on and)&#xA;Get down on it! (If you really want it)&#xA;Get down on it! (You gotta feel it)&#xA;Get down on it! (Get down on it!)&#xA;Get down on it! (Come on and)&#xA;Get down on it! (Baby, baby)&#xA;Get down on it! (Get on it!)&#xA;Get down on it!&#xA;&#xA;&#xA;I say, people! (What?)&#xA;What you gonna do?&#xA;You gotta get on the groove&#xA;If you want your body to move&#xA;Tell me, baby&#xA;&#xA;How you gonna do it if you really don't wanna dance&#xA;By standing on the wall?&#xA;Get your back up off the wall and tell me&#xA;How you gonna do it if you really won't take a chance&#xA;By standing on the wall?&#xA;Get your back up off the wall&#xA;'Cause I heard all the people singin'&#xA;&#xA;&#xA;Get down on it!&#xA;Get down on it!&#xA;&#xA;&#xA;Sha-Dah-Bah-Dah-Bah-Dah-Bah-Doo&#xA;Oh, what you gon' do? (Ooh)&#xA;Do you wanna get down? (Ah)&#xA;Oh, what you gon' do? (Ooh, ah)&#xA;&#xA;&#xA;Get your back up off the wall&#xA;Dance, come on!&#xA;Get your back up off the wall&#xA;Dance, come on!&#xA;Get your back up off the wall&#xA;&#xA;Get down on it! (Come on and)&#xA;Get down on it! (If you really want it)&#xA;Get down on it! (You gotta feel it)&#xA;Get down on it! (Get down on it!)&#xA;Get down on it! (Get down on it, come on and)&#xA;Get down on it! (Baby, baby)&#xA;Get down on it! (Get down on it, get on it!)&#xA;Get down on it!&#xA;&#xA;&#xA;How you gonna do it if you really don't wanna dance&#xA;By standing on the wall?&#xA;Get your back up off the wall&#xA;Tell me, baby!&#xA;How you gonna do it if you really won't take a chance&#xA;By standing on the wall?&#xA;Get your back up off the wall&#xA;Listen, baby&#xA;You know it&#xA;Oh, when your dancin', yeah&#xA;You show it&#xA;Oh, when you move-move-move&#xA;You know it&#xA;Oh, when your dancin', yeah&#xA;You show it&#xA;As you move across the floor&#xA;&#xA;&#xA;Get down on it! (Come on and)&#xA;Get down on it! (If you really want it)&#xA;Get down on it! (You gotta feel it)&#xA;Get down on it! (Get down on it!)&#xA;Get down on it! (Come on and)&#xA;Get down on it! (Baby, baby)&#xA;Get down on it! (Get on it!)&#xA;Get down on it!&#xA;&#xA;&#xA;Sha-Dah-Bah-Dah-Bah-Dah-Bah-Doo&#xA;Oh, what you gon' do? (Ooh)&#xA;Do you wanna get down? (Ah)&#xA;Oh, what you gon' do? (If you gonna feel it, Ooh, ah)&#xA;&#xA;&#xA;Get your back up off the wall&#xA;Dance, come on!&#xA;Get your back up off the wall&#xA;Dance, come on! (If you gonna feel it)&#xA;&#xA;&#xA;Get down on it! (Come on and)&#xA;Get down on it! (If you really want it)&#xA;Get down on it! (You gotta feel it)&#xA;Get down on it! (Get down on it!)&#xA;Get down on it! (Come on and)&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (While your dancin')&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (Get down on it)&#xA;Get down on it!&#xA;Get down on it! (Get down on it, You groove me, baby, when you move)&#xA;Get down on it!&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (Oh-woah-woah-oh, yeah)&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (Woah, yeah)&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (Oh-woah-woah-oh, yeah)&#xA;Get down on it! (Get down on it, You move me, baby, when you move)&#xA;Get down on it!&#xA;Get down on it! (Get down on it, Ooh, get down)&#xA;Get down on it!&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (Get your back up off the wall)&#xA;Get down on it! (Get down on it, Ooh, get down)&#xA;Get down on it!&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (Get your back up off the wall)&#xA;Get down on it! (Get down on it, Ooh, get down)&#xA;Get down on it!&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (Get your back up off the wall)&#xA;Get down on it! (Get down on it, Ooh, get down)&#xA;Get down on it!&#xA;Get down on it! (Get down on it)&#xA;Get down on it! (Get your back up off the wall, oh, yeah)&#xA;Get down on it! (Get down—, Ooh—)" PRODUCER="℗ 1981 UMG Recordings, Inc." COVERARTID="036/EZBU2ODVBTELBCX3D4SFBT5HOHNB" PLAYTIME="212" PLAYTIME_FLOAT="211.679993" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="23340"></INFO>
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<INFO BITRATE="914354" KEY_LYRICS="26 ContributorsGot To Be Real Lyrics&#xA;What you think, ah!&#xA;What you feel, now&#xA;What you know, ah!&#xA;To be real!&#xA;&#xA;What you think, now&#xA;(I think I love you, baby)&#xA;What you feel now&#xA;(I think I need you, baby)&#xA;What you know ah&#xA;Oooh, ah&#xA;To be real!&#xA;&#xA;&#xA;Ooh, your love's for real now&#xA;You know that your love is my love&#xA;My love is your love&#xA;Our love is here to stay&#xA;&#xA;&#xA;What you think, ah&#xA;(I think I love you, baby)&#xA;What you feel, now&#xA;(I think I need you, baby)&#xA;What you know, ah&#xA;Oh, ah&#xA;To be real!&#xA;&#xA;Ooh, your love's for real now&#xA;You know that your love is my love&#xA;And my love is your love&#xA;Our love is here to stay&#xA;Yeah, yeah, hey, hoo!&#xA;&#xA;&#xA;What you think, ah!&#xA;(I think I love you, baby)&#xA;What you feel, now&#xA;(I feel I need you)&#xA;What you know, ah!&#xA;Oh, ah&#xA;To be real!&#xA;&#xA;What you think, ah!&#xA;(I think I love you)&#xA;What you feel, now&#xA;(I feel I need you, oh oh)&#xA;What you know ah!&#xA;To be real!&#xA;&#xA;(It's got to be real)&#xA;To be real!&#xA;(It's got to be real)&#xA;To be real!&#xA;&#xA;&#xA;&#xA;What you think, ah!&#xA;What you feel, now&#xA;What you know, ah!&#xA;To be real!&#xA;&#xA;What you think, ah!&#xA;(Oh, ah, what you feel, now)&#xA;What you feel, now&#xA;(Oh, ah, what you know, now)&#xA;What you know ah!&#xA;(Tell you again)&#xA;To be real!&#xA;(Oh yeah, ha!)&#xA;&#xA;To be real!&#xA;(Got to be real, it's got to be real)&#xA;To be real!&#xA;(Got to be real, it's got to be real)&#xA;To be real!&#xA;(It's got to be real, it's got to be real)&#xA;To be real!&#xA;(It's got to be real, it's got to be real)&#xA;To be real!&#xA;(Oh, real, real, real, real, real, real, real)" PRODUCER="(P) 1978 Sony Music Entertainment" COVERARTID="087/XCJK53AYQVPVPBZRKO02BE3NACVA" PLAYTIME="224" PLAYTIME_FLOAT="223.173340" IMPORT_DATE="2025/4/14" RELEASE_DATE="1978/1/1" FLAGS="12" FILESIZE="25247"></INFO>
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<INFO BITRATE="871784" KEY_LYRICS="2 ContributorsGive Me Delight Lyrics&#xA;Give me delight, do it right&#xA;Find my point of pleasure&#xA;Give me delight, just tonight&#xA;You can steal my treasure&#xA;Give me delight, it's OK&#xA;Baby, when you hold me tight (Give me delight tonight!)&#xA;&#xA;&#xA;Dance, we feel the groove&#xA;Baby, make my body move&#xA;I say, we're gonna stay&#xA;Only dreams can fly away&#xA;I have made of stone&#xA;When I hear your sexy moan&#xA;You are all I need&#xA;Love and hearts will never cheat&#xA;We can dance all night&#xA;Soul to soul and side by side&#xA;Let the fever rise&#xA;Baby, when you close your eyes&#xA;So, it's hot desire&#xA;You will find delight tonight&#xA;&#xA;&#xA;Give me delight, do it right&#xA;Find my point of pleasure&#xA;Give me delight, just tonight&#xA;You can steal my treasure&#xA;Give me delight, it's OK&#xA;Baby, when you hold me tight (It's now or never!)&#xA;Give me delight, do it right&#xA;Find my point of pleasure&#xA;Give me delight, just tonight&#xA;You can steal my treasure&#xA;Give me delight, it's OK&#xA;Baby, when you hold me tight (Give me delight tonight!)&#xA;&#xA;Dance, I feel your touch&#xA;Cause I miss you, oh, so much&#xA;With you I give it all&#xA;When the worlds of reason fall&#xA;You can make me cry&#xA;It's a love, I can't deny&#xA;And your kiss so sweet&#xA;It's the only thing I need&#xA;We can dance all night&#xA;Soul to soul and side by side&#xA;Let the fever rise&#xA;Baby, when you close your eyes&#xA;So, it's hot desire&#xA;You will find delight tonight&#xA;&#xA;&#xA;Give me delight, do it right&#xA;Find my point of pleasure&#xA;Give me delight, just tonight&#xA;You can steal my treasure&#xA;Give me delight, it's OK&#xA;Baby, when you hold me tight (It's now or never!)&#xA;Give me delight, do it right&#xA;Find my point of pleasure&#xA;Give me delight, just tonight&#xA;You can steal my treasure&#xA;Give me delight, it's OK&#xA;Baby, when you hold me tight (Give me delight tonight!)&#xA;&#xA;Give me delight tonight!" PRODUCER="Fauves Production / Nicolas Skorsky" COVERARTID="091/10YQAFASB3ROUCXPNVPTAXS4TN4B" PLAYTIME="243" PLAYTIME_FLOAT="242.625336" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="26007"></INFO>
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<INFO BITRATE="941557" KEY_LYRICS="1 ContributorJoint Plan of Action Lyrics￼Vienna, 14 July 2015&#xA;PREFACE&#xA;Joint Comprehensive Plan of Action&#xA;The E3/EU+3 (China, France, Germany, the Russian Federation, the United Kingdom and the United States, with the High Representative of the European Union for Foreign Affairs and Security Policy) and the Islamic Republic of Iran welcome this historic Joint Comprehensive Plan of Action (JCPOA), which will ensure that Iran’s nuclear programme will be exclusively peaceful, and mark a fundamental shift in their approach to this issue. They anticipate that full implementation of this JCPOA will positively contribute to regional and international peace and security. Iran reaffirms that under no circumstances will Iran ever seek, develop or acquire any nuclear weapons.&#xA;Iran envisions that this JCPOA will allow it to move forward with an exclusively peaceful, indigenous nuclear programme, in line with scientific and economic considerations, in accordance with the JCPOA, and with a view to building confidence and encouraging international cooperation. In this context, the initial mutually determined limitations described in this JCPOA will be followed by a gradual evolution, at a reasonable pace, of Iran’s peaceful nuclear programme, including its enrichment activities, to a commercial programme for&#xA;￼exclusively peaceful purposes, consistent with international non-proliferation norms.&#xA;The E3/EU+3 envision that the implementation of this JCPOA will progressively allow them to gain confidence in the exclusively peaceful nature of Iran’s programme. The JCPOA reflects mutually determined parameters, consistent with practical needs, with agreed limits on the scope of Iran’s nuclear programme, including enrichment activities and R&amp;amp;D. The JCPOA addresses the E3/EU+3’s concerns, including through comprehensive measures providing for transparency and verification.&#xA;The JCPOA will produce the comprehensive lifting of all UN Security Council sanctions as well as multilateral and national sanctions related to Iran’s nuclear programme, including steps on access in areas of trade, technology, finance, and energy.&#xA;￼PREAMBLE AND GENERAL PROVISIONS&#xA;i. The Islamic Republic of Iran and the E3/EU+3 (China, France, Germany, the Russian Federation, the United Kingdom and the United States, with the High Representative of the European Union for Foreign Affairs and Security Policy) have decided upon this long-term Joint Comprehensive Plan of Action&#xA;(JCPOA). This JCPOA, reflecting a step-by-step approach, includes the reciprocal commitments as laid down in this document and the annexes hereto and is to be endorsed by the United Nations (UN) Security Council.&#xA;ii. The full implementation of this JCPOA will ensure the exclusively peaceful nature of Iran's nuclear programme.&#xA;￼￼￼￼&#xA;￼iii. Iran reaffirms that under no circumstances will Iran ever seek, develop or acquire any nuclear weapons.&#xA;iv. Successful implementation of this JCPOA will enable Iran to fully enjoy its right to nuclear energy for peaceful purposes under the relevant articles of the nuclear Non-Proliferation Treaty (NPT) in line with its obligations therein, and the Iranian nuclear programme will be treated in the same manner as that of any other non-nuclear-weapon state party to the NPT.&#xA;v. This JCPOA will produce the comprehensive lifting of all UN Security Council sanctions as well as multilateral and national sanctions related to Iran’s nuclear programme, including steps on access in areas of trade, technology, finance and energy.&#xA;vi. The E3/EU+3 and Iran reaffirm their commitment to the purposes and principles of the United Nations as set out in the UN Charter.&#xA;vii. The E3/EU+3 and Iran acknowledge that the NPT remains the cornerstone of the nuclear non-proliferation regime and the essential foundation for the pursuit of nuclear disarmament and for the peaceful uses of nuclear energy.&#xA;viii. The E3/EU+3 and Iran commit to implement this JCPOA in good faith and in a constructive atmosphere, based on mutual respect, and to refrain from any action inconsistent with the letter, spirit and intent of this JCPOA that would undermine its successful implementation. The E3/EU+3 will refrain from imposing discriminatory regulatory and procedural requirements in lieu of the sanctions and restrictive measures covered by this JCPOA. This JCPOA builds on&#xA;￼￼￼￼￼￼￼￼￼￼&#xA;￼the implementation of the Joint Plan of Action (JPOA) agreed in Geneva on 24 November 2013.&#xA;￼￼ix. A Joint Commission consisting of the E3/EU+3 and Iran will be established to monitor the implementation of this JCPOA and will carry out the functions provided for in this JCPOA. This Joint Commission will address issues arising from the implementation of this JCPOA and will operate in accordance with the provisions as detailed in the relevant annex.&#xA;x. The International Atomic Energy Agency (IAEA) will be requested to monitor and verify the voluntary nuclear-related measures as detailed in this JCPOA. The IAEA will be requested to provide regular updates to the Board of Governors, and as provided for in this JCPOA, to the UN Security Council. All relevant rules and regulations of the IAEA with regard to the protection of information will be fully observed by all parties involved.&#xA;xi. All provisions and measures contained in this JCPOA are only for the purpose of its implementation between E3/EU+3 and Iran and should not be considered as setting precedents for any other state or for fundamental principles of international law and the rights and obligations under the NPT and other relevant instruments, as well as for internationally recognised principles and practices.&#xA;xii. Technical details of the implementation of this JCPOA are dealt with in the annexes to this document.&#xA;￼￼￼￼￼￼￼&#xA;￼xiii. The EU and E3+3 countries and Iran, in the framework of the JCPOA, will cooperate, as appropriate, in the field of peaceful uses of nuclear energy and engage in mutually determined civil nuclear cooperation projects as detailed in Annex III, including through IAEA involvement.&#xA;xiv. The E3+3 will submit a draft resolution to the UN Security Council endorsing this JCPOA affirming that conclusion of this JCPOA marks a fundamental shift in its consideration of this issue and expressing its desire to build a new relationship with Iran. This UN Security Council resolution will also provide for the termination on Implementation Day of provisions imposed under previous resolutions; establishment of specific restrictions; and conclusion of consideration of the Iran nuclear issue by the UN Security Council 10 years after the Adoption Day.&#xA;xv. The provisions stipulated in this JCPOA will be implemented for their respective durations as set forth below and detailed in the annexes.&#xA;xvi. The E3/EU+3 and Iran will meet at the ministerial level every 2 years, or earlier if needed, in order to review and assess progress and to adopt appropriate decisions by consensus.&#xA;￼￼￼￼￼￼￼￼I.&#xA;￼Iran and E3/EU+3 will take the following voluntary measures within the timeframe as detailed in this JCPOA and its Annexes&#xA;NUCLEAR&#xA;A. ENRICHMENT, ENRICHMENT R&amp;amp;D, STOCKPILES&#xA;￼1. Iran's long term plan includes certain agreed limitations on all uranium enrichment and uranium enrichment-related activities including certain limitations on specific research and development (R&amp;amp;D) activities for the first 8 years, to be followed by gradual evolution, at a reasonable pace, to the next stage of its enrichment activities for exclusively peaceful purposes, as described in Annex I. Iran will abide by its voluntary commitments, as expressed in its own long-term enrichment and enrichment R&amp;amp;D plan to be submitted as part of the initial declaration for the Additional Protocol to Iran’s Safeguards Agreement.&#xA;￼￼2. Iran will begin phasing out its IR-1 centrifuges in 10 years. During this period, Iran will keep its enrichment capacity at Natanz at up to a total installed uranium enrichment capacity of 5060 IR-1 centrifuges. Excess centrifuges and enrichment-related infrastructure at Natanz will be stored under IAEA continuous monitoring, as specified in Annex I.&#xA;￼￼3. Iran will continue to conduct enrichment R&amp;amp;D in a manner that does not accumulate enriched uranium. Iran's enrichment R&amp;amp;D with uranium for 10 years will only include IR-4, IR-5, IR-6 and IR-8 centrifuges as laid out in Annex I, and Iran will not engage in other isotope separation technologies for enrichment of uranium as specified in Annex I. Iran will continue testing IR-6 and IR-8&#xA;￼centrifuges, and will commence testing of up to 30 IR-6 and IR-8 centrifuges after eight and a half years, as detailed in Annex I.&#xA;￼￼4. As Iran will be phasing out its IR-1 centrifuges, it will not manufacture or assemble other centrifuges, except as provided for in Annex I, and will replace failed centrifuges with centrifuges of the same type. Iran will manufacture advanced centrifuge machines only for the purposes specified in this JCPOA. From the end of the eighth year, and as described in Annex I, Iran will start to manufacture agreed numbers of IR-6 and IR-8 centrifuge machines without rotors and will store all of the manufactured machines at Natanz, under IAEA continuous monitoring until they are needed under Iran's long-term enrichment and enrichment R&amp;amp;D plan.&#xA;￼￼5. Based on its long-term plan, for 15 years, Iran will carry out its uranium enrichment-related activities, including safeguarded R&amp;amp;D exclusively in the Natanz Enrichment facility, keep its level of uranium enrichment at up to 3.67%, and, at Fordow, refrain from any uranium enrichment and uranium enrichment R&amp;amp;D and from keeping any nuclear material.&#xA;￼￼6. Iran will convert the Fordow facility into a nuclear, physics and technology centre. International collaboration including in the form of scientific joint partnerships will be established in agreed areas of research. 1044 IR-1 centrifuges in six cascades will remain in one wing at Fordow. Two of these cascades will spin without uranium and will be transitioned, including through appropriate infrastructure modification, for stable isotope production. The other four cascades with all associated infrastructure will remain idle. All other centrifuges and enrichment-related infrastructure will be removed and stored under IAEA continuous monitoring as specified in Annex I.&#xA;￼&#xA;￼7. During the 15 year period, and as Iran gradually moves to meet international qualification standards for nuclear fuel produced in Iran, it will keep its uranium stockpile under 300 kg of up to 3.67% enriched uranium hexafluoride (UF6) or the equivalent in other chemical forms. The excess quantities are to be sold based on international prices and delivered to the international buyer in return for natural uranium delivered to Iran, or are to be down-blended to natural uranium level. Enriched uranium in fabricated fuel assemblies from Russia or other sources for use in Iran's nuclear reactors will not be counted against the above stated 300 kg UF6 stockpile, if the criteria set out in Annex I are met with regard to other sources. The Joint Commission will support assistance to Iran, including through IAEA technical cooperation as appropriate, in meeting international qualification standards for nuclear fuel produced in Iran. All remaining uranium oxide enriched to between 5% and 20% will be fabricated into fuel for the Tehran Research Reactor (TRR). Any additional fuel needed for the TRR will be made available to Iran at international market prices.&#xA;￼B. ARAK, HEAVY WATER, REPROCESSING&#xA;￼8. Iran will redesign and rebuild a modernised heavy water research reactor in Arak, based on an agreed conceptual design, using fuel enriched up to 3.67 %, in a form of an international partnership which will certify the final design. The reactor will support peaceful nuclear research and radioisotope production for medical and industrial purposes. The redesigned and rebuilt Arak reactor will not produce weapons grade plutonium. Except for the first core load, all of the activities for redesigning and manufacturing of the fuel assemblies for the redesigned reactor will be carried out in Iran. All spent fuel from Arak will be shipped out of Iran for the lifetime of the reactor. This international partnership will include participating E3/EU+3 parties, Iran and such other countries as may be mutually determined. Iran will take the leadership role as the owner and as the project manager and the E3/EU+3 and Iran will, before Implementation Day,&#xA;￼conclude an official document which would define the responsibilities assumed by the E3/EU+3 participants.&#xA;9. Iran plans to keep pace with the trend of international technological advancement in relying on light water for its future power and research reactors with enhanced international cooperation, including assurance of supply of necessary fuel.&#xA;10. There will be no additional heavy water reactors or accumulation of heavy water in Iran for 15 years. All excess heavy water will be made available for export to the international market.&#xA;11. Iran intends to ship out all spent fuel for all future and present power and research nuclear reactors, for further treatment or disposition as provided for in relevant contracts to be duly concluded with the recipient party.&#xA;12. For 15 years Iran will not, and does not intend to thereafter, engage in any spent fuel reprocessing or construction of a facility capable of spent fuel reprocessing, or reprocessing R&amp;amp;D activities leading to a spent fuel reprocessing capability, with the sole exception of separation activities aimed exclusively at the production of medical and industrial radio-isotopes from irradiated enriched uranium targets.&#xA;￼￼C. TRANSPARENCY AND CONFIDENCE BUILDING MEASURES&#xA;￼13. Consistent with the respective roles of the President and Majlis (Parliament), Iran will provisionally apply the Additional Protocol to its Comprehensive Safeguards Agreement in accordance with Article 17(b) of the Additional Protocol, proceed with its ratification within the timeframe as detailed in Annex V and fully implement the modified Code 3.1 of the Subsidiary Arrangements to its Safeguards Agreement.&#xA;￼￼14. Iran will fully implement the &amp;quot;Roadmap for Clarification of Past and Present Outstanding Issues&amp;quot; agreed with the IAEA, containing arrangements to address past and present issues of concern relating to its nuclear programme as raised in the annex to the IAEA report of 8 November 2011 (GOV/2011/65). Full implementation of activities undertaken under the Roadmap by Iran will be completed by 15 October 2015, and subsequently the Director General will provide by 15 December 2015 the final assessment on the resolution of all past and present outstanding issues to the Board of Governors, and the E3+3, in their capacity as members of the Board of Governors, will submit a resolution to the Board of Governors for taking necessary action, with a view to closing the issue, without prejudice to the competence of the Board of Governors.&#xA;15. Iran will allow the IAEA to monitor the implementation of the voluntary measures for their respective durations, as well as to implement transparency measures, as set out in this JCPOA and its Annexes. These measures include: a long-term IAEA presence in Iran; IAEA monitoring of uranium ore concentrate produced by Iran from all uranium ore concentrate plants for 25 years; containment and surveillance of centrifuge rotors and bellows for 20 years; use of IAEA approved and certified modern technologies including on-line enrichment measurement and electronic seals; and a reliable mechanism to ensure speedy resolution of IAEA access concerns for 15 years, as defined in Annex I.&#xA;16. Iran will not engage in activities, including at the R&amp;amp;D level, that could contribute to the development of a nuclear explosive device, including uranium or plutonium metallurgy activities, as specified in Annex I.&#xA;17. Iran will cooperate and act in accordance with the procurement channel in this JCPOA, as detailed in Annex IV, endorsed by the UN Security Council resolution.&#xA;￼&#xA;￼SANCTIONS&#xA;￼18. The UN Security Council resolution endorsing this JCPOA will terminate all provisions of previous UN Security Council resolutions on the Iranian nuclear issue - 1696 (2006), 1737 (2006), 1747 (2007), 1803 (2008), 1835 (2008), 1929 (2010) and 2224 (2015) – simultaneously with the IAEA-verified implementation of agreed nuclear-related measures by Iran and will establish specific restrictions, as specified in Annex V.&#xA;19. The EU will terminate all provisions of the EU Regulation, as subsequently amended, implementing all nuclear-related economic and financial sanctions, including related designations, simultaneously with the IAEA-verified implementation of agreed nuclear-related measures by Iran as specified in Annex V, which cover all sanctions and restrictive measures in the following areas, as described in Annex II:&#xA;i. Transfers of funds between EU persons and entities, including financial institutions, and Iranian persons and entities, including financial institutions;&#xA;ii. Banking activities, including the establishment of new correspondent banking relationships and the opening of new branches and subsidiaries of Iranian banks in the territories of EU Member States;&#xA;iii. Provision of insurance and reinsurance;&#xA;iv. Supply of specialised financial messaging services, including SWIFT, for persons and entities set out in Attachment 1 to Annex II, including the Central Bank of Iran and Iranian financial institutions;&#xA;v. Financial support for trade with Iran (export credit, guarantees or insurance);&#xA;￼vi. Commitments for grants, financial assistance and concessional loans to the Government of Iran;&#xA;vii. Transactions in public or public-guaranteed bonds;&#xA;viii. Import and transport of Iranian oil, petroleum products, gas and petrochemical products;&#xA;ix. Export of key equipment or technology for the oil, gas and petrochemical sectors;&#xA;x. Investment in the oil, gas and petrochemical sectors;&#xA;xi. Export of key naval equipment and technology;&#xA;xii. Design and construction of cargo vessels and oil tankers;&#xA;xiii. Provision of flagging and classification services;&#xA;xiv. Access to EU airports of Iranian cargo flights;&#xA;xv. Export of gold, precious metals and diamonds;&#xA;xvi. Delivery of Iranian banknotes and coinage;&#xA;xvii. Export of graphite, raw or semi-finished metals such as aluminum and steel, and export or software for integrating industrial processes;&#xA;xviii. Designation of persons, entities and bodies (asset freeze and visa ban) set out in Attachment 1 to Annex II; and&#xA;xix. Associated services for each of the categories above.&#xA;20. The EU will terminate all provisions of the EU Regulation implementing all EU proliferation-related sanctions, including related designations, 8 years after Adoption Day or when the IAEA has reached the Broader Conclusion that all nuclear material in Iran remains in peaceful activities, whichever is earlier.&#xA;21. The United States will cease the application, and will continue to do so, in accordance with this JCPOA of the sanctions specified in Annex II to take effect simultaneously with the IAEA-verified implementation of the agreed nuclear-&#xA;￼related measures by Iran as specified in Annex V. Such sanctions cover the following areas as described in Annex II:&#xA;i. Financial and banking transactions with Iranian banks and financial institutions as specified in Annex II, including the Central Bank of Iran and specified individuals and entities identified as Government of Iran by the Office of Foreign Assets Control on the Specially Designated Nationals and Blocked Persons List (SDN List), as set out in Attachment 3 to Annex II (including the opening and maintenance of correspondent and payable through-accounts at non-U.S. financial institutions, investments, foreign exchange transactions and letters of credit);&#xA;ii. Transactions in Iranian Rial;&#xA;iii. Provision of U.S. banknotes to the Government of Iran;&#xA;iv. Bilateral trade limitations on Iranian revenues abroad, including limitations on their transfer;&#xA;v. Purchase, subscription to, or facilitation of the issuance of Iranian sovereign debt, including governmental bonds;&#xA;vi. Financial messaging services to the Central Bank of Iran and Iranian financial institutions set out in Attachment 3 to Annex II;&#xA;vii. Underwriting services, insurance, or reinsurance;&#xA;viii. Efforts to reduce Iran’s crude oil sales;&#xA;ix. Investment, including participation in joint ventures, goods, services, information, technology and technical expertise and support for Iran's oil, gas and petrochemical sectors;&#xA;x. Purchase, acquisition, sale, transportation or marketing of petroleum, petrochemical products and natural gas from Iran;&#xA;xi. Export, sale or provision of refined petroleum products and petrochemical products to Iran;&#xA;xii. Transactions with Iran's energy sector;&#xA;￼xiii. Transactions with Iran’s shipping and shipbuilding sectors and port operators;&#xA;xiv. Trade in gold and other precious metals;&#xA;xv. Trade with Iran in graphite, raw or semi-finished metals such as aluminum and steel, coal, and software for integrating industrial processes;&#xA;xvi. Sale, supply or transfer of goods and services used in connection with Iran’s automotive sector;&#xA;xvii. Sanctions on associated services for each of the categories above;&#xA;xviii. Remove individuals and entities set out in Attachment 3 to Annex II from&#xA;the SDN List, the Foreign Sanctions Evaders List, and/or the Non-SDN Iran Sanctions Act List; and&#xA;xix. Terminate Executive Orders 13574, 13590, 13622, and 13645, and Sections 5 – 7 and 15 of Executive Order 13628.&#xA;22. The United States will, as specified in Annex II and in accordance with Annex V, allow for the sale of commercial passenger aircraft and related parts and services to Iran; license non-U.S. persons that are owned or controlled by a U.S. person to engage in activities with Iran consistent with this JCPOA; and license the importation into the United States of Iranian-origin carpets and foodstuffs.&#xA;23. Eight years after Adoption Day or when the IAEA has reached the Broader Conclusion that all nuclear material in Iran remains in peaceful activities, whichever is earlier, the United States will seek such legislative action as may be appropriate to terminate, or modify to effectuate the termination of, the sanctions specified in Annex II on the acquisition of nuclear-related commodities and services for nuclear activities contemplated in this JCPOA, to be consistent with the U.S. approach to other non-nuclear-weapon states under the NPT.&#xA;24. The E3/EU and the United States specify in Annex II a full and complete list of all nuclear-related sanctions or restrictive measures and will lift them in accordance with Annex V. Annex II also specifies the effects of the lifting of&#xA;￼sanctions beginning on &amp;quot;Implementation Day&amp;quot;. If at any time following the Implementation Day, Iran believes that any other nuclear-related sanction or restrictive measure of the E3/EU+3 is preventing the full implementation of the sanctions lifting as specified in this JCPOA, the JCPOA participant in question will consult with Iran with a view to resolving the issue and, if they concur that lifting of this sanction or restrictive measure is appropriate, the JCPOA participant in question will take appropriate action. If they are not able to resolve the issue, Iran or any member of the E3/EU+3 may refer the issue to the Joint Commission.&#xA;25. If a law at the state or local level in the United States is preventing the implementation of the sanctions lifting as specified in this JCPOA, the United States will take appropriate steps, taking into account all available authorities, with a view to achieving such implementation. The United States will actively encourage officials at the state or local level to take into account the changes in the U.S. policy reflected in the lifting of sanctions under this JCPOA and to refrain from actions inconsistent with this change in policy.&#xA;26. The EU will refrain from re-introducing or re-imposing the sanctions that it has terminated implementing under this JCPOA, without prejudice to the dispute resolution process provided for under this JCPOA. There will be no new nuclear- related UN Security Council sanctions and no new EU nuclear-related sanctions or restrictive measures. The United States will make best efforts in good faith to sustain this JCPOA and to prevent interference with the realisation of the full benefit by Iran of the sanctions lifting specified in Annex II. The U.S. Administration, acting consistent with the respective roles of the President and the Congress, will refrain from re-introducing or re-imposing the sanctions specified in Annex II that it has ceased applying under this JCPOA, without prejudice to the dispute resolution process provided for under this JCPOA. The U.S. Administration, acting consistent with the respective roles of the President and the Congress, will refrain from imposing new nuclear-related sanctions. Iran has stated that it will treat such a re-introduction or re-imposition of the&#xA;￼sanctions specified in Annex II, or such an imposition of new nuclear-related sanctions, as grounds to cease performing its commitments under this JCPOA in whole or in part.&#xA;27. The E3/EU+3 will take adequate administrative and regulatory measures to ensure clarity and effectiveness with respect to the lifting of sanctions under this JCPOA. The EU and its Member States as well as the United States will issue relevant guidelines and make publicly accessible statements on the details of sanctions or restrictive measures which have been lifted under this JCPOA. The EU and its Member States and the United States commit to consult with Iran regarding the content of such guidelines and statements, on a regular basis and whenever appropriate.&#xA;28. The E3/EU+3 and Iran commit to implement this JCPOA in good faith and in a constructive atmosphere, based on mutual respect, and to refrain from any action inconsistent with the letter, spirit and intent of this JCPOA that would undermine its successful implementation. Senior Government officials of the E3/EU+3 and Iran will make every effort to support the successful implementation of this JCPOA including in their public statements. The E3/EU+3 will take all measures required to lift sanctions and will refrain from imposing exceptional or discriminatory regulatory and procedural requirements in lieu of the sanctions and restrictive measures covered by the JCPOA.&#xA;29. The EU and its Member States and the United States, consistent with their respective laws, will refrain from any policy specifically intended to directly and adversely affect the normalisation of trade and economic relations with Iran inconsistent with their commitments not to undermine the successful implementation of this JCPOA.&#xA;30. The E3/EU+3 will not apply sanctions or restrictive measures to persons or entities for engaging in activities covered by the lifting of sanctions provided for in this JCPOA, provided that such activities are otherwise consistent with E3/EU+3 laws and regulations in effect. Following the lifting of sanctions under&#xA;￼this JCPOA as specified in Annex II, ongoing investigations on possible infringements of such sanctions may be reviewed in accordance with applicable national laws.&#xA;31. Consistent with the timing specified in Annex V, the EU and its Member States will terminate the implementation of the measures applicable to designated entities and individuals, including the Central Bank of Iran and other Iranian banks and financial institutions, as detailed in Annex II and the attachments thereto. Consistent with the timing specified in Annex V, the United States will remove designation of certain entities and individuals on the Specially Designated Nationals and Blocked Persons List, and entities and individuals listed on the Foreign Sanctions Evaders List, as detailed in Annex II and the attachments thereto.&#xA;32. EU and E3+3 countries and international participants will engage in joint projects with Iran, including through IAEA technical cooperation projects, in the field of peaceful nuclear technology, including nuclear power plants, research reactors, fuel fabrication, agreed joint advanced R&amp;amp;D such as fusion, establishment of a state-of-the-art regional nuclear medical centre, personnel training, nuclear safety and security, and environmental protection, as detailed in Annex III. They will take necessary measures, as appropriate, for the implementation of these projects.&#xA;33. The E3/EU+3 and Iran will agree on steps to ensure Iran’s access in areas of trade, technology, finance and energy. The EU will further explore possible areas for cooperation between the EU, its Member States and Iran, and in this context consider the use of available instruments such as export credits to facilitate trade, project financing and investment in Iran.&#xA;￼￼IMPLEMENTATION PLAN&#xA;￼34. Iran and the E3/EU+3 will implement their JCPOA commitments according to the sequence specified in Annex V. The milestones for implementation are as follows:&#xA;￼￼i. Finalisation Day is the date on which negotiations of this JCPOA are concluded among the E3/EU+3 and Iran, to be followed promptly by submission of the resolution endorsing this JCPOA to the UN Security Council for adoption without delay.&#xA;ii. Adoption Day is the date 90 days after the endorsement of this JCPOA by the UN Security Council, or such earlier date as may be determined by mutual consent of the JCPOA participants, at which time this JCPOA and the commitments in this JCPOA come into effect. Beginning on that date, JCPOA participants will make necessary arrangements and preparations for the implementation of their JCPOA commitments.&#xA;iii. Implementation Day is the date on which, simultaneously with the IAEA report verifying implementation by Iran of the nuclear-related measures described in Sections 15.1. to 15.11 of Annex V, the EU and the United States take the actions described in Sections 16 and 17 of Annex V respectively and in accordance with the UN Security Council resolution, the actions described in Section 18 of Annex V occur at the UN level.&#xA;iv. Transition Day is the date 8 years after Adoption Day or the date on which the Director General of the IAEA submits a report stating that the IAEA has reached the Broader Conclusion that all nuclear material in Iran remains in peaceful activities, whichever is earlier. On that date, the EU and the United States will take the actions described in Sections 20 and 21 of Annex V respectively and&#xA;￼￼￼￼￼￼&#xA;￼Iran will seek, consistent with the Constitutional roles of the President and Parliament, ratification of the Additional Protocol.&#xA;￼￼v. UN Security Council resolution Termination Day is the date on which the UN Security Council resolution endorsing this JCPOA terminates according to its terms, which is to be 10 years from Adoption Day, provided that the provisions of previous resolutions have not been reinstated. On that date, the EU will take the actions described in Section 25 of Annex V.&#xA;￼￼35. The sequence and milestones set forth above and in Annex V are without prejudice to the duration of JCPOA commitments stated in this JCPOA.&#xA;￼DISPUTE RESOLUTION MECHANISM&#xA;￼36. If Iran believed that any or all of the E3/EU+3 were not meeting their commitments under this JCPOA, Iran could refer the issue to the Joint Commission for resolution; similarly, if any of the E3/EU+3 believed that Iran was not meeting its commitments under this JCPOA, any of the E3/EU+3 could do the same. The Joint Commission would have 15 days to resolve the issue, unless the time period was extended by consensus. After Joint Commission consideration, any participant could refer the issue to Ministers of Foreign Affairs, if it believed the compliance issue had not been resolved. Ministers would have 15 days to resolve the issue, unless the time period was extended by consensus. After Joint Commission consideration – in parallel with (or in lieu of) review at the Ministerial level - either the complaining participant or the participant whose performance is in question could request that the issue be considered by an Advisory Board, which would consist of three members (one each appointed by the participants in the dispute and a third independent&#xA;￼member). The Advisory Board should provide a non-binding opinion on the compliance issue within 15 days. If, after this 30-day process the issue is not resolved, the Joint Commission would consider the opinion of the Advisory Board for no more than 5 days in order to resolve the issue. If the issue still has not been resolved to the satisfaction of the complaining participant, and if the complaining participant deems the issue to constitute significant non- performance, then that participant could treat the unresolved issue as grounds to cease performing its commitments under this JCPOA in whole or in part and/or notify the UN Security Council that it believes the issue constitutes significant non-performance.&#xA;37. Upon receipt of the notification from the complaining participant, as described above, including a description of the good-faith efforts the participant made to exhaust the dispute resolution process specified in this JCPOA, the UN Security Council, in accordance with its procedures, shall vote on a resolution to continue the sanctions lifting. If the resolution described above has not been adopted within 30 days of the notification, then the provisions of the old UN Security Council resolutions would be re-imposed, unless the UN Security Council decides otherwise. In such event, these provisions would not apply with retroactive effect to contracts signed between any party and Iran or Iranian individuals and entities prior to the date of application, provided that the activities contemplated under and execution of such contracts are consistent with this JCPOA and the previous and current UN Security Council resolutions. The UN Security Council, expressing its intention to prevent the reapplication of the provisions if the issue giving rise to the notification is resolved within this period, intends to take into account the views of the States involved in the issue and any opinion on the issue of the Advisory Board. Iran has stated that if sanctions are reinstated in whole or in part, Iran will treat that as grounds to cease performing its commitments under this JCPOA in whole or in part.&#xA;￼￼￼￼￼￼￼￼&#xA;￼ The provisions of this Resolution do not constitute provisions of this JCPOA.  'Government officials' for the U.S. means senior officials of the U.S. Administration.&#xA;Annex I – Nuclear-related measures A. GENERAL&#xA;￼1. The sequence of implementation of the commitments detailed in this Annex is specified in Annex V to the Joint Comprehensive Plan of Action (JCPOA). Unless otherwise specified, the durations of the commitments in this Annex are from Implementation Day.&#xA;￼B. ARAK HEAVY WATER RESEARCH REACTOR&#xA;￼2. Iran will modernise the Arak heavy water research reactor to support peaceful nuclear research and radioisotopes production for medical and industrial purposes. Iran will redesign and rebuild the reactor, based on the agreed conceptual design (as attached to this Annex) to support its peaceful nuclear research and production needs and purposes, including testing of fuel pins and assembly prototypes and structural materials. The design will be such as to minimise the production of plutonium and not to produce weapon-grade plutonium in normal operation. The power of the redesigned reactor will not exceed 20 MWth. The E3/EU+3 and Iran share the understanding that the parameters in the conceptual design are subject to possible and necessary adjustments in developing the final design while fully preserving the above-mentioned purposes and principles of modernisation.&#xA;3. Iran will not pursue construction at the existing unfinished reactor based on its original design and will remove the existing calandria and retain it in Iran. The calandria will be made inoperable by filling any openings in the calandria with concrete such that the IAEA can verify that it will not be usable for a future nuclear application. In redesigning and reconstructing of the modernized Arak heavy water research reactor, Iran will&#xA;￼4.&#xA;maximise the use of existing infrastructure already installed at the current Arak research reactor.&#xA;Iran will take the leadership role as the owner and as the project manager, and have responsibility for overall implementation of the Arak modernisation project, with E3/EU+3 participants assuming responsibilities regarding the modernisation of the Arak reactor as described in this Annex. A Working Group composed of E3/EU+3 participants will be established to facilitate the redesigning and rebuilding of the reactor. An international partnership composed of Iran and the Working Group would implement the Arak modernisation project. The Working Group could be enlarged to include other countries by consensus of the participants of the Working Group and Iran. E3/EU+3 participants and Iran will conclude an official document expressing their strong commitments to the Arak modernisation project in advance of Implementation Day which would provide an assured path forward to modernise the reactor and would define the responsibilities assumed by the E3/EU+3 participants, and subsequently contracts would be concluded. The participants of the Working Group will provide assistance needed by Iran for redesigning and rebuilding the reactor, consistent with their respective national laws, in such a manner as to enable the safe and timely construction and commissioning of the modernised reactor.&#xA;Iran and the Working Group will cooperate to develop the final design of the modernised reactor and the design of the subsidiary laboratories to be carried out by Iran, and review conformity with international safety standards, such that the reactor can be licensed by the relevant Iranian regulatory authority for commissioning and operation. The final design of the modernised reactor and the design of the subsidiary laboratories will be submitted to the Joint Commission. The Joint Commission will aim to complete its review and endorsement within three months after the submission of the final design. If the Joint Commission does not complete its review and endorsement within three months, Iran could raise the issue through the dispute resolution mechanism envisaged by this JCPOA.&#xA;The IAEA will monitor the construction and report to the Working Group for confirmation that the construction of the modernised reactor is consistent with the approved final design.&#xA;5.&#xA;6.&#xA;￼7. As the project manager, Iran will take responsibility for the construction efforts. E3/EU+3 parties will, consistent with their national laws, take appropriate administrative, legal, technical, and regulatory measures to support co-operation.&#xA;￼E3/EU+3 parties will support the purchase by Iran, the transfer and supply of necessary materials, equipment, instrumentation and control systems and technologies required for the construction of the redesigned reactor, through the mechanism established by this JCPOA, as well as through exploration of relevant funding contributions.&#xA;￼8. E3/EU+3 parties will also support and facilitate the timely and safe construction of the modernized Arak reactor and its subsidiary laboratories, upon request by Iran, through IAEA technical cooperation if appropriate, including but not limited to technical and financial assistance, supply of required materials and equipment, state-of-the-art instrumentation and control systems and equipment and support for licensing and authorization.&#xA;9. The redesigned reactor will use up to 3.67 percent enriched uranium in the form of UO2 with a mass of approximately 350 kg of UO2 in a full core load, with a fuel design to be reviewed and approved by the Joint Commission. The international partnership with the participation of Iran will fabricate the initial fuel core load for the reactor outside&#xA;Iran. The international partnership will cooperate with Iran, including through technical assistance, to fabricate, test and license fuel fabrication capabilities in Iran for subsequent fuel core reloads for future use with this reactor. Destructive and non- destructive testing of this fuel including Post-Irradiation-Examination (PIE) will take place in one of the participating countries outside of Iran and that country will work with Iran to license the subsequent fuel fabricated in Iran for the use in the redesigned reactor under IAEA monitoring.&#xA;10. Iran will not produce or test natural uranium pellets, fuel pins or fuel assemblies, which are specifically designed for the support of the originally designed Arak reactor, designated by the IAEA as IR-40. Iran will store under IAEA continuous monitoring all existing natural uranium pellets and IR-40 fuel assemblies until the modernised Arak reactor becomes operational, at which point these natural uranium pellets and IR-40 fuel assemblies will be converted to UNH, or exchanged with an equivalent quantity of&#xA;￼natural uranium. Iran will make the necessary technical modifications to the natural uranium fuel production process line that was intended to supply fuel for the IR-40 reactor design, such that it can be used for the fabrication of the fuel reloads for the modernised Arak reactor.&#xA;11. All spent fuel from the redesigned Arak reactor, regardless of its origin, for the lifetime of the reactor, will be shipped out of Iran to a mutually determined location in E3/EU+3 countries or third countries, for further treatment or disposition as provided for in relevant contracts to be concluded, consistent with national laws, with the recipient party, within one year from the unloading from the reactor or whenever deemed to be safe for transfer by the recipient country.&#xA;12. Iran will submit the DIQ of the redesigned reactor to the IAEA which will include information on the planned radio-isotope production and reactor operation programme. The reactor will be operated under IAEA monitoring.&#xA;13. Iran will operate the Fuel Manufacturing Plant only to produce fuel assemblies for light water reactors and reloads for the modernized Arak reactor.&#xA;￼￼C. HEAVY WATER PRODUCTION PLANT&#xA;￼14. All excess heavy water which is beyond Iran's needs for the modernised Arak research reactor, the Zero power heavy water reactor, quantities needed for medical research and production of deuterate solutions and chemical compounds including, where appropriate, contingency stocks, will be made available for export to the international market based on international prices and delivered to the international buyer for 15 years. Iran's needs, consistent with the parameters above, are estimated to be 130 metric tonnes of nuclear grade heavy water or its equivalent in different enrichments prior to commissioning of the modernised Arak research reactor, and 90 metric tonnes after the commissioning, including the amount contained in the reactor.&#xA;15. Iran will inform the IAEA about the inventory and the production of the HWPP and will allow the IAEA to monitor the quantities of the heavy water stocks and the amount of heavy water produced, including through IAEA visits, as requested, to the HWPP.&#xA;￼￼D. OTHER REACTORS&#xA;￼16. Consistent with its plan, Iran will keep pace with the trend of international technological advancement in relying only on light water for its future nuclear power and research reactors with enhanced international cooperation including assurances of supply of necessary fuel.&#xA;17. Iran intends to ship out all spent fuel for all future and present nuclear power and research reactors, for further treatment or disposition as provided for in relevant contracts to be concluded consistent with national laws with the recipient party.&#xA;￼￼E. SPENT FUEL REPROCESSING ACTIVITIES&#xA;￼18. For 15 years Iran will not, and does not intend to thereafter, engage in any spent fuel reprocessing or spent fuel reprocessing R&amp;amp;D activities. For the purpose of this annex, spent fuel includes all types of irradiated fuel.&#xA;19. For 15 years Iran will not, and does not intend to thereafter, reprocess spent fuel except for irradiated enriched uranium targets for production of radio-isotopes for medical and peaceful industrial purposes.&#xA;20. For 15 years Iran will not, and does not intend to thereafter, develop, acquire or build facilities capable of separation of plutonium, uranium or neptunium from spent fuel or from fertile targets, other than for production of radio-isotopes for medical and peaceful industrial purposes.&#xA;21. For 15 years, Iran will only develop, acquire, build, or operate hot cells (containing a cell or interconnected cells), shielded cells or shielded glove boxes with dimensions less than 6 cubic meters in volume compatible with the specifications set out in Annex I of the Additional Protocol. These will be co-located with the modernised Arak research reactor, the Tehran Research Reactor, and radio-medicine production complexes, and only capable of the separation and processing of industrial or medical isotopes and non-destructive PIE. The needed equipment will be acquired through the procurement mechanism established by this JCPOA. For 15 years, Iran will develop, acquire, build, or operate hot cells (containing a cell or interconnected cells), shielded cells or shielded&#xA;￼glove boxes with dimensions beyond 6 cubic meters in volume and specifications set out in Annex I of the Additional Protocol, only after approval by the Joint Commission.&#xA;22. The E3/EU+3 are ready to facilitate all of the destructive and non-destructive examinations on fuel elements and/or fuel assembly prototypes including PIE for all fuel fabricated in or outside Iran and irradiated in Iran, using their existing facilities outside Iran. Except for the Arak research reactor complex, Iran will not develop, build, acquire or operate hot cells capable of performing PIE or seek to acquire equipment to build/develop such a capability, for 15 years.&#xA;23. For 15 years, in addition to continuing current fuel testing activities at the TRR, Iran will undertake non-destructive post irradiation examination (PIE) of fuel pins, fuel assembly prototypes and structural materials. These examinations will be exclusively at the Arak research reactor complex. However, the E3/EU+3 will make available their facilities to conduct destructive testing with Iranian specialists, as agreed. The hot cells at the Arak research reactor in which non-destructive PIE are performed will not be physically interconnected to cells that process or handle materials for the production of medical or industrial radioisotopes.&#xA;24. For 15 years, Iran will not engage in producing or acquiring plutonium or uranium metals or their alloys, or conducting R&amp;amp;D on plutonium or uranium (or their alloys) metallurgy, or casting, forming, or machining plutonium or uranium metal.&#xA;￼￼25. Iran will not produce, seek, or acquire separated plutonium, highly enriched uranium (defined as 20% or greater uranium-235), or uranium-233, or neptunium-237 (except for use as laboratory standards or in instruments using neptunium-237) for 15 years.&#xA;￼￼26. If Iran seeks to initiate R&amp;amp;D on uranium metal based TRR fuel in small agreed quantities after 10 years and before 15 years, Iran will present its plan to, and seek approval by, the Joint Commission.&#xA;￼￼&#xA;￼F. ENRICHMENT CAPACITY&#xA;￼27. Iran will keep its enrichment capacity at no more than 5060 IR-1 centrifuge machines in no more than 30 cascades in their current configurations in currently operating units at the Natanz Fuel Enrichment Plant (FEP) for 10 years.&#xA;￼￼28. Iran will keep its level of uranium enrichment at up to 3.67 percent for 15 years.&#xA;￼￼29. Iran will remove the following excess centrifuges and infrastructure not associated with 5060 IR-1 centrifuges in FEP, which will be stored at Natanz in Hall B of FEP under IAEA continuous monitoring:&#xA;￼￼29. All excess centrifuge machines, including IR-2m centrifuges. Excess IR-1 centrifuges will be used for the replacement of failed or damaged centrifuges of the same type on a one-for-one basis.&#xA;￼￼29. UF6 pipework including sub headers, valves and pressure transducers at cascade level, and frequency inverters, and UF6 withdrawal equipment from one of the withdrawal stations, which is currently not in service, including its vacuum pumps and chemical traps.&#xA;￼￼30. For the purpose of this Annex, the IAEA will confirm through the established practice the failed or damaged status of centrifuge machines before removal.&#xA;￼￼31. For 15 years, Iran will install gas centrifuge machines, or enrichment-related infrastructure, whether suitable for uranium enrichment, research and development, or&#xA;￼stable isotope enrichment, exclusively at the locations and for the activities specified under this JCPOA.&#xA;￼￼G. CENTRIFUGES RESEARCH AND DEVELOPMENT&#xA;￼32. Iran will continue to conduct enrichment R&amp;amp;D in a manner that does not accumulate enriched uranium. For 10 years and consistent with its enrichment R&amp;amp;D plan, Iran's enrichment R&amp;amp;D with uranium will only include IR-4, IR-5, IR-6 and IR-8 centrifuges. Mechanical testing on up to two single centrifuges for each type will be carried out only on the IR-2m, IR-4, IR-5, IR-6, IR-6s, IR-7 and IR-8. Iran will build or test, with or without uranium, only those gas centrifuges specified in this JCPOA.&#xA;￼￼33. Consistent with its plan, Iran will continue working with the 164-machine IR-2m cascade at PFEP in order to complete the necessary tests until 30 November 2015 or the day of implementation of this JCPOA, whichever comes later, and after that it will take these machines out of the PFEP and store them under IAEA continuous monitoring at Natanz in Hall B of FEP.&#xA;￼￼34. Consistent with its plan, Iran will continue working with the 164-machine IR-4 cascade at PFEP in order to complete the necessary tests until 30 November 2015 or the day of implementation of this JCPOA, whichever comes later, and after that it will take these machines out of the PFEP and store them under IAEA continuous monitoring at Natanz in Hall B of FEP.&#xA;￼￼35. Iran will continue the testing of a single IR-4 centrifuge machine and IR-4 centrifuge cascade of up to 10 centrifuge machines for 10 years.&#xA;￼&#xA;￼36. Iran will test a single IR-5 centrifuge machine for 10 years.&#xA;￼￼37. Iran will continue testing of the IR-6 on single centrifuge machines and its intermediate cascades and will commence testing of up to 30 centrifuge machines from one and a half years before the end of year 10. Iran will proceed from single centrifuge machines and small cascades to intermediate cascades in a logical sequence.&#xA;￼￼38. Iran will commence, upon start of implementation of the JCPOA, testing of the IR-8 on single centrifuge machines and its intermediate cascades and will commence the testing of up to 30 centrifuges machines from one and a half years before the end of year 10. Iran will proceed from single centrifuges to small cascades to intermediate cascades in a logical sequence.&#xA;￼￼39. For 10 years, Iran, consistent with the established practice, will recombine the enriched and depleted streams from the IR-6 and IR-8 cascades through the use of welded pipework on withdrawal main headers in a manner that precludes the withdrawal of enriched and depleted uranium materials and verified by the IAEA.&#xA;￼￼40. For 15 years, Iran will conduct all testing of centrifuges with uranium only at the PFEP. Iran will conduct all mechanical testing of centrifuges only at the PFEP and the Tehran Research Centre.&#xA;￼￼41. For the purpose of adapting PFEP to the R&amp;amp;D activities in the enrichment and enrichment R&amp;amp;D plan, Iran will remove all centrifuges except those needed for testing as described in the relevant paragraphs above, except for the IR-1 cascade (No. 1) as described below. For the full IR-1 cascade (No. 6), Iran will modify associated infrastructure by removing UF6 pipework, including sub-headers, valves and pressure transducers at cascade level, and frequency inverters. The IR-1 cascade (No. 1)&#xA;￼centrifuges will be kept but made inoperable, as verified by the IAEA, through the removal of centrifuge rotors and the injection of epoxy resin into the sub headers, feeding, product, and tails pipework, and the removal of controls and electrical systems for vacuum, power and cooling. Excess centrifuges and infrastructure will be stored at Natanz in Hall B of FEP under IAEA continuous monitoring. The R&amp;amp;D space in line No. 6 will be left empty until Iran needs to use it for its R&amp;amp;D programme.&#xA;￼￼42. Consistent with the activities in the enrichment and enrichment R&amp;amp;D plan, Iran will maintain the cascade infrastructure for testing of single centrifuges and small and intermediate cascades in two R&amp;amp;D lines (No. 2 and No. 3) and will adapt two other lines (No. 4 and No. 5) with infrastructure similar to that for lines No. 2 and No. 3 in order to enable future R&amp;amp;D activities as specified in this JCPoA. Adaptation will include modification of all UF6 pipework (including removal of all sub headers except as agreed as needed for the R&amp;amp;D programme) and associated instrumentation to be compatible with single centrifuges and small and intermediate cascade testing instead of full scale testing.&#xA;￼￼43. Consistent with its plan and internationally established practices, Iran intends to continue R&amp;amp;D on new types of centrifuges through computer modelling and simulations, including at universities. For any such project to proceed to a prototype stage for mechanical testing within 10 years, a full presentation to, and approval by, the Joint Commission is needed.&#xA;￼H. FORDOW FUEL ENRICHMENT PLANT&#xA;￼44. The Fordow Fuel Enrichment Plant (FFEP) will be converted into a nuclear, physics, and technology centre and international collaboration will be encouraged in agreed areas of research. The Joint Commission will be informed in advance of the specific projects that will be undertaken at Fordow.&#xA;￼￼45. Iran will not conduct any uranium enrichment or any uranium enrichment related R&amp;amp;D and will have no nuclear material at the Fordow Fuel Enrichment Plant (FFEP) for 15 years.&#xA;￼￼46. For 15 years, Iran will maintain no more than 1044 IR-1 centrifuge machines at one wing of the FFEP of which:&#xA;￼￼46. Two cascades that have not experienced UF6 before will be modified for the production of stable isotopes. The transition to stable isotope production of these cascades at FFEP will be conducted in joint partnership between the Russian Federation and Iran on the basis of arrangements to be mutually agreed upon. To prepare these two cascades for installation of a new cascade architecture appropriate for stable isotope production by the joint partnership, Iran will remove the connection to the UF6 feed main header, and move cascade UF6 pipework (except for the dump line in order to maintain vacuum) to storage in Fordow under IAEA continuous monitoring. The Joint Commission will be informed about the conceptual framework of stable isotope production at FFEP.&#xA;￼￼46. For four cascades with all associated infrastructure remaining except for pipework that enables crossover tandem connections, two will be placed in an idle state, not spinning. The other two cascades will continue to spin until the transition to stable isotope production described in the previous subparagraph has been completed. Upon completion of the transition to stable isotope production described in the previous&#xA;￼subparagraph, these two spinning cascades will be placed in an idle state, not spinning.&#xA;￼￼47. Iran will:&#xA;￼47. remove the other 2 cascades of IR-1 centrifuges from this wing, by removing all centrifuges and cascade UF6 pipework, including sub headers, valves and pressure transducers at cascade level, and frequency inverters.&#xA;￼￼47. also subsequently remove cascade electrical cabling, individual cascade control cabinets and vacuum pumps. All these excess centrifuges and infrastructure will be stored at Natanz in Hall B of FEP under IAEA continuous monitoring.&#xA;￼￼48. Iran will:&#xA;￼48. remove all excess centrifuges and uranium enrichment related infrastructure from the other wing of the FFEP. This will include removal of all centrifuges and UF6 pipework, including sub headers, valves and pressure gauges and transducers, and frequency inverters and converters, and UF6 feed and withdrawal stations.&#xA;￼￼48. also subsequently remove cascade electrical cabling, individual cascade control cabinets, vacuum pumps and centrifuge mounting blocks. All these excess centrifuges and infrastructure will be stored at Natanz in Hall B of FEP under IAEA continuous monitoring.&#xA;￼￼49. Centrifuges from the four idle cascades may be used for the replacement of failed or damaged centrifuges in stable isotope production at Fordow.&#xA;￼&#xA;￼50. Iran will limit its stable isotope production activities with gas centrifuges to the FFEP for 15 years and will use no more than 348 IR-1 centrifuges for these activities at the FFEP. The associated R&amp;amp;D activities in Iran will occur at the FFEP and at Iran's declared and monitored centrifuge manufacturing facilities for testing, modification and balancing these IR-1 centrifuges.&#xA;￼￼51. The IAEA will establish a baseline for the amount of uranium legacy from past enrichment operations that will remain in Fordow. Iran will permit the IAEA regular access, including daily as requested by the IAEA, access to the FFEP in order to monitor Iran's production of stable isotopes and the absence of undeclared nuclear material and activities at the FFEP for 15 years.&#xA;￼￼I. OTHER ASPECTS OF ENRICHMENT&#xA;￼￼52. Iran will abide by its voluntary commitments as expressed in its own long term enrichment and enrichment R&amp;amp;D plan to be submitted as part of the initial declaration described in Article 2 of the Additional Protocol. The IAEA will confirm on an annual basis, for the duration of the plan that the nature and scope and scale of Iran's enrichment and enrichment R&amp;amp;D activities are in line with this plan.&#xA;53. Iran will start to install necessary infrastructure for the IR-8 at Natanz in Hall B of FEP after year 10.&#xA;54. An agreed template for describing different centrifuge types (IR-1, IR-2m, IR-4, IR-5, IR- 6, IR-6s, IR-7, IR-8) and the associated definitions need to be accomplished by implementation day.&#xA;￼&#xA;￼55. An agreed procedure for measuring IR-1, IR-2m and IR-4 centrifuge performance data needs to be accomplished by implementation day.&#xA;￼J. URANIUM STOCKS AND FUELS&#xA;￼56. Iran will maintain a total enriched uranium stockpile of no more than 300 kg of up to 3.67% enriched uranium hexafluoride (or the equivalent in different chemical forms) for 15 years.&#xA;￼&#xA;￼57. All enriched uranium hexafluoride in excess of 300 kg of up to 3.67% enriched UF6 (or the equivalent in different chemical forms) will be down blended to natural uranium level or be sold on the international market and delivered to the international buyer in return for natural uranium delivered to Iran. Iran will enter into a commercial contract with an entity outside Iran for the purchase and transfer of its enriched uranium stockpile in excess of 300 kg UF6 in return for natural uranium delivered to Iran. The E3/EU+3 will facilitate, where applicable, the conclusion and implementation of this contract. Iran may choose to seek to sell excess enriched uranium to the IAEA fuel bank in Kazakhstan when the fuel bank becomes operational.&#xA;￼￼58. All uranium oxide enriched to between 5% and 20% will be fabricated into fuel plates for the Tehran Research Reactor or transferred, based on a commercial transaction, outside of Iran or diluted to an enrichment level of 3.67% or less. Scrap oxide and other forms not in plates that cannot be fabricated into TRR fuel plates will be transferred, based on a commercial transaction, outside of Iran or diluted to an enrichment level of 3.67% or less. In case of future supply of 19.75% enriched uranium oxide (U3O8) for TRR fuel plates fabrication, all scrap oxide and other forms not in plates that cannot be fabricated into TRR fuel plates, containing uranium enriched to between 5% and 20%, will be transferred, based on a commercial transaction, outside of Iran or diluted to an enrichment level of 3.67% or less within 6 months of its production. Scrap plates will be transferred, based on a commercial transaction, outside Iran. The commercial transactions should be structured to return an equivalent amount of natural uranium to Iran. For 15 years, Iran will not build or operate facilities for converting fuel plates or scrap back to UF6.&#xA;￼￼59. Russian designed, fabricated and licensed fuel assemblies for use in Russian-supplied reactors in Iran do not count against the 300 kg UF6 stockpile limit. Enriched uranium in fabricated fuel assemblies from other sources outside of Iran for use in Iran's nuclear research and power reactors, including those which will be fabricated outside of Iran for the initial fuel load of the modernised Arak research reactor, which are certified by the&#xA;￼fuel supplier and the appropriate Iranian authority to meet international standards, will not count against the 300 kg UF6 stockpile limit. The Joint Commission will establish a Technical Working Group with the goal of enabling fuel to be fabricated in Iran while adhering to the agreed stockpile parameters (300 kg of up to 3.67 % enriched UF6 or the equivalent in different chemical forms). This Technical Working Group will also, within one year, work to develop objective technical criteria for assessing whether fabricated fuel and its intermediate products can be readily converted to UF6. Enriched uranium in fabricated fuel assemblies and its intermediate products manufactured in Iran and certified to meet international standards, including those for the modernised Arak research reactor, will not count against the 300 kg UF6 stockpile limit provided the Technical Working Group of the Joint Commission approves that such fuel assemblies and their intermediate products cannot be readily reconverted into UF6. This could for instance be achieved through impurities (e.g. burnable poisons or otherwise) contained in fuels or through the fuel being in a chemical form such that direct conversion back to UF6 would be technically difficult without dissolution and purification. The objective technical criteria will guide the approval process of the Technical Working Group. The IAEA will monitor the fuel fabrication process for any fuel produced in Iran to verify that the fuel and intermediate products comport with the fuel fabrication process that was approved by the Technical Working Group. The Joint Commission will also support assistance to Iran including through IAEA technical cooperation as appropriate, in meeting international qualification standards for nuclear fuel produced by Iran.&#xA;￼￼60. Iran will seek to enter into a commercial contract with entities outside Iran for the purchase of fuel for the TRR and enriched uranium targets. The E3/EU+3 will facilitate, as needed, the conclusion and implementation of this contract. In the case of lack of conclusion of a contract with a fuel supplier, E3/EU+3 will supply a quantity of 19.75% enriched uranium oxide (U3O8) and deliver to Iran, exclusively for the purpose of fabrication in Iran of fuel for the TRR and enriched uranium targets for the lifetime of the reactor. This 19.75% enriched uranium oxide (U3O8) will be supplied in increments no greater than approximately 5 kg and each new increment will be provided only when the previous increment of this material has been verified by the IAEA to have been mixed&#xA;￼with aluminum to make fuel for the TRR or fabricated into enriched uranium targets. Iran will notify the E3/EU+3 within 2 year before the contingency of TRR fuel will be exhausted in order to have the uranium oxide available 6 months before the end of the 2 year period.&#xA;￼￼K. CENTRIFUGE MANUFACTURING&#xA;￼61. Consistent with its enrichment and enrichment R&amp;amp;D plan, Iran will only engage in production of centrifuges, including centrifuge rotors suitable for isotope separation or any other centrifuge components, to meet the enrichment and enrichment R&amp;amp;D requirements of this Annex.&#xA;￼￼62. Consistent with its plan, Iran will use the stock of IR-1 centrifuge machines in storage, which are in excess of the remaining 5060 IR-1 centrifuges in Natanz and the IR-1 centrifuges installed at Fordow, for the replacement of failed or damaged machines. Whenever during the 10 year period from the start of the implementation of the JCPOA, the level of stock of IR-1 machines falls to 500 or below, Iran may maintain this level of stock by resuming production of IR-1 machines at a rate up to the average monthly crash rate without exceeding the stock of 500.&#xA;￼￼63. Consistent with its plan, at the end of year 8, Iran will commence manufacturing of IR-6 and IR-8 centrifuges without rotors through year 10 at a rate of up to 200 centrifuges per year for each type. After year 10, Iran will produce complete centrifuges with the same rate to meet its enrichment and enrichment R&amp;amp;D needs. Iran will store them at Natanz in an above ground location, under IAEA continuous monitoring, until they are needed for final assembly according to the enrichment and enrichment R&amp;amp;D plan.&#xA;￼￼￼￼L. ADDITIONAL PROTOCOL AND MODIFIED CODE 3.1&#xA;￼64. Iran will notify the IAEA of provisional application of the Additional Protocol to its Safeguards Agreement in accordance with Article 17(b) of the Additional Protocol pending its entry into force, and subsequently seek ratification and entry into force, consistent with the respective roles of the President and the Majlis (Parliament).&#xA;￼￼￼65. Iran will notify the IAEA that it will fully implement the Modified Code 3.1 of the Subsidiary Arrangement to Iran’s Safeguards Agreement as long as the Safeguards Agreement remains in force.&#xA;￼M. PAST AND PRESENT ISSUES OF CONCERN&#xA;￼66. Iran will complete all activities as set out in paragraphs 2, 4, 5, and 6 of the “Roadmap for Clarification of Past and Present Outstanding Issues”, as verified by the IAEA in its&#xA;￼regular updates by the Director General of the IAEA on the implementation of this Roadmap.&#xA;￼￼N. MODERN TECHNOLOGIES AND LONG TERM PRESENCE OF IAEA&#xA;￼￼67. For the purpose of increasing the efficiency of monitoring for this JCPOA, for 15 years or longer, for the specified verification measures:&#xA;￼￼67. Iran will permit the IAEA the use of on-line enrichment measurement and electronic seals which communicate their status within nuclear sites to IAEA inspectors, as well as other IAEA approved and certified modern technologies in line with internationally accepted IAEA practice. Iran will facilitate automated collection of IAEA measurement recordings registered by installed measurement devices and sending to IAEA working space in individual nuclear sites.&#xA;￼￼67. Iran will make the necessary arrangements to allow for a long-term IAEA presence, including issuing long-term visas, as well as providing proper working space at nuclear sites and, with best efforts, at locations near nuclear sites in Iran for the designated IAEA inspectors for working and keeping necessary equipment.&#xA;￼￼67. Iran will increase the number of designated IAEA inspectors to the range of 130-150 within 9 months from the date of the implementation of the JCPOA, and will generally&#xA;￼allow the designation of inspectors from nations that have diplomatic relations with Iran, consistent with its laws and regulations.&#xA;￼￼O. TRANSPARENCY RELATED TO URANIUM ORE CONCENTRATE (UOC)&#xA;￼￼68. Iran will permit the IAEA to monitor, through agreed measures that will include containment and surveillance measures, for 25 years, that all uranium ore concentrate produced in Iran or obtained from any other source, is transferred to the uranium conversion facility (UCF) in Esfahan or to any other future uranium conversion facility which Iran might decide to build in Iran within this period.&#xA;￼￼69. Iran will provide the IAEA with all necessary information such that the IAEA will be able to verify the production of the uranium ore concentrate and the inventory of uranium ore concentrate produced in Iran or obtained from any other source for 25 years.&#xA;￼&#xA;￼P. TRANSPARENCY RELATED TO ENRICHMENT&#xA;￼70. For 15 years, Iran will permit the IAEA to implement continuous monitoring, including through containment and surveillance measures, as necessary, to verify that stored centrifuges and infrastructure remain in storage, and are only used to replace failed or damaged centrifuges, as specified in this Annex.&#xA;￼￼71. Iran will permit the IAEA regular access, including daily access as requested by the IAEA, to relevant buildings at Natanz, including all parts of the FEP and PFEP, for 15 years.&#xA;￼￼72. For 15 years, the Natanz enrichment site will be the sole location for all of Iran's uranium enrichment related activities including safeguarded R&amp;amp;D.&#xA;￼￼73. Iran intends to apply nuclear export policies and practices in line with the internationally established standards for the export of nuclear material, equipment and technology. For 15 years, Iran will only engage, including through export of any enrichment or enrichment related equipment and technology, with any other country, or with any foreign entity in enrichment or enrichment related activities, including related research and development activities, following approval by the Joint Commission.&#xA;￼￼￼￼&#xA;￼Q. ACCESS&#xA;￼74. Requests for access pursuant to provisions of this JCPOA will be made in good faith, with due observance of the sovereign rights of Iran, and kept to the minimum necessary to effectively implement the verification responsibilities under this JCPOA. In line with normal international safeguards practice, such requests will not be aimed at interfering with Iranian military or other national security activities, but will be exclusively for resolving concerns regarding fulfilment of the JCPOA commitments and Iran's other non-proliferation and safeguards obligations. The following procedures are for the purpose of JCPOA implementation between the E3/EU+3 and Iran and are without prejudice to the safeguards agreement and the Additional Protocol thereto. In implementing this procedure as well as other transparency measures, the IAEA will be requested to take every precaution to protect commercial, technological and industrial secrets as well as other confidential information coming to its knowledge.&#xA;￼￼75. In furtherance of implementation of the JCPOA, if the IAEA has concerns regarding undeclared nuclear materials or activities, or activities inconsistent with the JCPOA, at locations that have not been declared under the comprehensive safeguards agreement or Additional Protocol, the IAEA will provide Iran the basis for such concerns and request clarification.&#xA;￼￼76. If Iran’s explanations do not resolve the IAEA’s concerns, the Agency may request access to such locations for the sole reason to verify the absence of undeclared nuclear materials and activities or activities inconsistent with the JCPOA at such locations. The IAEA will provide Iran the reasons for access in writing and will make available relevant information.&#xA;￼￼77. Iran may propose to the IAEA alternative means of resolving the IAEA’s concerns that enable the IAEA to verify the absence of undeclared nuclear materials and activities or activities inconsistent with the JCPOA at the location in question, which should be given due and prompt consideration.&#xA;￼￼78. If the absence of undeclared nuclear materials and activities or activities inconsistent with the JCPOA cannot be verified after the implementation of the alternative arrangements agreed by Iran and the IAEA, or if the two sides are unable to reach satisfactory arrangements to verify the absence of undeclared nuclear materials and activities or activities inconsistent with the JCPOA at the specified locations within 14 days of the IAEA’s original request for access, Iran, in consultation with the members of the Joint Commission, would resolve the IAEA’s concerns through necessary means agreed between Iran and the IAEA. In the absence of an agreement, the members of the Joint Commission, by consensus or by a vote of 5 or more of its 8 members, would advise on the necessary means to resolve the IAEA's concerns. The process of consultation with, and any action by, the members of the Joint Commission would not exceed 7 days, and Iran would implement the necessary means within 3 additional days.&#xA;￼￼￼R. CENTRIFUGE COMPONENT MANUFACTURING TRANSPARENCY&#xA;￼79. Iran and the IAEA will take the necessary steps for containment and surveillance on centrifuge rotor tubes and bellows for 20 years.&#xA;￼￼80. In this context:&#xA;￼￼80. Iran will provide the IAEA with an initial inventory of all existing centrifuge rotor tubes and bellows and subsequent reports on changes in such inventory and will permit the IAEA to verify the inventory by item counting and numbering, and through containment and surveillance, of all rotor tubes and bellows, including in all existing and newly produced centrifuges.&#xA;￼￼80. Iran will declare all locations and equipment, namely flow-forming machines, filament- winding machines and mandrels that are used for production of centrifuge rotor tubes or bellows, and will permit the IAEA to implement continuous monitoring, including through containment and surveillance on this equipment, to verify that this equipment is being used to manufacture centrifuges only for the activities specified in this JCPOA.&#xA;￼￼￼￼S. OTHER URANIUM ISOTOPE SEPARATION ACTIVITIES&#xA;￼81. For 10 years, Iran's uranium isotope separation-related research and development or production activities will be exclusively based on gaseous centrifuge technology. Iran&#xA;￼will permit IAEA access to verify that uranium isotope separation production and R&amp;amp;D activities are consistent with this Annex.&#xA;￼￼￼￼T. ACTIVITIES WHICH COULD CONTRIBUTE TO THE DESIGN AND DEVELOPMENT OF A NUCLEAR EXPLOSIVE DEVICE&#xA;￼82. Iran will not engage in the following activities which could contribute to the development of a nuclear explosive device:&#xA;￼￼82. Designing, developing, acquiring, or using computer models to simulate nuclear explosive devices.&#xA;￼￼82. Designing, developing, fabricating, acquiring, or using multi-point explosive detonation systems suitable for a nuclear explosive device, unless approved by the Joint Commission for non-nuclear purposes and subject to monitoring.&#xA;￼￼82. Designing, developing, fabricating, acquiring, or using explosive diagnostic systems (streak cameras, framing cameras and flash x-ray cameras) suitable for the development of a nuclear explosive device, unless approved by the Joint Commission for non-nuclear purposes and subject to monitoring.&#xA;￼￼82. Designing, developing, fabricating, acquiring, or using explosively driven neutron sources or specialized materials for explosively driven neutron sources.&#xA;￼Attachment: Arak conceptual design&#xA;Fundamental Principles:&#xA;￼• Maximize use of the current infrastructure of original design of Arak research reactor, designated by the IAEA as IR-40, according to their respective ratings.&#xA;• Modernizing of the original design in order to be a multi-purpose research reactor comprising radio-isotope production, structural materials and fuel (pins and assembly prototypes) testing and able to conduct other neutronic experiments which demand high neutron fluxes (more than 1014).&#xA;￼• Using heavy water as coolant, moderator and reflector. Light water would be utilized as an annular ring around the compact new core for safety reasons if necessary.&#xA;• Around 78 fuel assemblies in a tight hexagonal grid spacing with the following preliminary characteristics will be loaded.&#xA;• Up to 3.67 percent enriched UO2, in the improved assembly design, will be used as fuel.&#xA;• Power will not exceed to 20 MWth.&#xA;• Adding different types of beam tubes to the existing beam tubes which being extended to the edge of the new compact core.&#xA;• Having one central channel in the center of the new core with passive cooling system for the purpose of structural materials and fuel pins and assembly prototypes testing with neutron flux beyond 2•1014, twelve in-core irradiation channels (IIC) inside the core and twelve lateral irradiation chennals (LIC) just next to the outer ring of fuel assemblies.&#xA;• The location of the in-core and lateral irradiation channels should be designed and fixed to meet the best anticipated performances.&#xA;• Consistent with relevant section of Annex 1, sibsidiary laboratories are part of the modernization project of the Arak Research Reactor. In Addition, Annex III reinforce design and construction of subsidiary laboratoties.&#xA;• The highest tolerable pressure for the first and second loop is 0.33 Mpa (at the interance of the reactor pit).&#xA;• The highest possible flow rate for coolant is 610 kg/s at the pressure of 0.33 MPa in the main piping system and 42 Kg/sec for Moderator with the same conditions.&#xA;￼Preliminary Characteristics:&#xA;￼￼￼￼￼Core Parameters&#xA;￼￼￼￼￼￼￼￼Values&#xA;￼￼￼￼￼Power (MW)&#xA;￼￼￼￼￼￼￼￼￼20&#xA;￼￼￼&#xA;￼￼￼￼￼￼￼￼￼￼￼￼Number of fuel assemblies ~ 78&#xA;￼￼￼￼￼￼￼￼￼￼￼Active length (cm) ~ 110&#xA;￼￼￼￼￼￼￼￼￼￼￼Lattice configuration Hexagonal&#xA;￼￼￼￼￼￼￼￼￼￼￼Fuel pellets Material UO2&#xA;￼￼￼￼￼￼￼￼￼￼￼Fuel enrichment level Up to 3.67 %&#xA;￼￼￼￼￼￼￼￼￼￼￼Clad material Zr Alloys&#xA;￼￼￼￼￼￼￼￼￼￼￼Burnable poison Yes, if necessary&#xA;￼￼￼￼￼￼￼￼￼￼￼Lattice pitch (cm) ~ 11&#xA;￼￼￼￼￼￼￼￼￼￼￼Coolant medium D2O&#xA;￼￼￼￼￼￼￼￼￼￼￼Moderator medium D2O&#xA;￼￼￼￼￼￼￼￼￼￼￼Reflector medium D2O&#xA;￼￼￼￼￼￼￼￼￼￼￼Reflector thickness (cm) ~ 50&#xA;￼￼￼￼￼￼￼￼￼￼￼Purity of D2O ~ 99.8%&#xA;￼￼￼￼￼￼￼￼￼￼￼Mass of D2O (mtons) ~ 60-70&#xA;￼￼￼￼￼￼￼￼￼￼￼Yearly makeup Yes&#xA;￼￼￼￼￼￼￼￼￼￼￼Keff &amp;lt; 1.25&#xA;￼￼￼￼￼￼￼&#xA;￼￼￼￼￼￼￼￼￼￼￼￼Core Excess reactivity (pcm) &amp;lt; 20000&#xA;￼￼￼￼￼￼￼￼￼￼￼Cycle length (days) approximatly ~ 250&#xA;￼￼￼￼￼￼￼￼￼￼￼239Pu at EoC (g) ~ 850&#xA;￼￼￼￼￼￼￼￼￼￼￼239Pu purity at EoC ~ 78%&#xA;￼￼￼￼￼￼￼￼￼￼￼235U consumption ~ 60%&#xA;￼￼￼￼￼￼￼￼￼￼￼Maximum Thermal Flux , E&amp;lt;0.625ev ~ 3•1014&#xA;￼￼￼￼￼￼￼￼￼￼￼Maximum Fast Flux, E&amp;gt;0.625ev ~ 1•1014&#xA;￼￼￼￼￼￼￼￼￼￼￼Minimum Thermal Flux , E&amp;lt;0.625ev ~ 1•1014&#xA;￼￼￼￼￼￼￼￼￼￼￼Minimum Fast Flux, E&amp;gt;0.625ev ~ 1•1014&#xA;￼￼￼￼￼￼￼￼￼￼￼Fluid velocity in channels (m/s) ~ 3.8&#xA;￼￼￼￼￼￼￼￼￼￼￼Channel mass flow rate (kg/s) ~ 2.4&#xA;￼￼￼￼￼￼￼￼￼￼￼Working pressure (MPa) 0.33&#xA;￼￼￼￼￼￼￼￼￼￼￼Fluid inlet temperature (oC) ~ 47&#xA;￼￼￼￼￼￼￼￼￼￼￼Fluid outlet temperature (oC) ~ 78&#xA;￼￼￼￼￼￼￼￼￼￼￼Core material Mainly S.S. 304&#xA;￼￼￼￼￼￼￼￼￼￼￼Core wall Thichness (mm) ~ 30&#xA;￼￼￼￼￼￼￼&#xA;￼￼￼￼￼￼￼￼￼￼￼￼￼Fuel Pellet Diameter (cm)&#xA;~ 0.65&#xA;￼￼￼￼￼￼￼￼￼￼￼Inner Clad Diameter (cm)&#xA;~ 0.67&#xA;￼￼￼￼￼￼￼￼￼￼￼Outer Clad Diameter (cm)&#xA;~ 0.8&#xA;￼￼￼￼￼￼￼￼￼￼￼Number of pins per assembly&#xA;12&#xA;￼￼￼￼￼￼￼￼￼￼￼Mass of UO2 in full core load (Kg)&#xA;~ 350&#xA;￼￼￼￼￼￼￼￼￼￼￼￼Core diameter (cm)&#xA;~ 240&#xA;￼￼￼￼￼￼￼￼￼￼￼￼￼ Iran will permit the IAEA to share the content of the enrichment and enrichment R&amp;amp;D plan, as submitted as part of the initial declaration, with the Joint Commission participants.&#xA; For the purpose of this Annex, non-gaseous centrifuge uranium isotope separation- related research and development or production will include laser isotope separation systems, electromagnetic isotope separation systems, chemical exchange systems, gaseous diffusion systems, vortex and aerodynamic systems, and other such processes that separate uranium isotopes.&#xA;Annex II – Sanctions-related commitments&#xA;￼The sequence of implementation of the commitments detailed in this Annex is specified in Annex V (Implementation Plan) to this Joint Comprehensive Plan of Action (JCPOA).&#xA;￼A. European Union&#xA;￼￼￼￼1. The EU and EU Member States commit to terminate all provisions of Council Regulation (EU) No 267/2012 (as subsequently amended) implementing all nuclear-related sanctions or restrictive measures as specified in Sections 1.1-1.10 below, to terminate all provisions of Council Decision 2010/413/CFSP (as subsequently amended), as specified in Sections 1.1-1.10 below, and to terminate or amend national implementing legislation as required, in accordance with Annex V:&#xA;￼￼1. Financial, banking and insurance measures&#xA;￼￼1. Prohibition and authorisation regimes on financial transfers to and from Iran (Article 10 of Council Decision 2010/413/CFSP; Articles 30, 30a, 30b and 31 of Council Regulation (EU) No 267/2012);&#xA;￼￼1. Sanctions on banking activities (Article 11 of Council Decision 2010/413/CFSP; Article 33 of Council Regulation (EU) No 267/2012);&#xA;￼￼1. Sanctions on insurance (Article 12 of Council Decision 2010/413/CFSP; Article 35 of Council Regulation (EU) No 267/2012);&#xA;￼￼1. Sanctions on financial messaging services (Article 20(12) of Council Decision 2010/413/CFSP; Article 23(4) of Council Regulation (EU) No 267/2012);&#xA;￼￼1. Sanctions on financial support for trade with Iran (Article 8 of Council Decision 2010/413/CFSP);&#xA;￼￼1. Sanctions on grants, financial assistance and concessional loans (Article 9 of Council Decision 2010/413/CFSP);&#xA;￼￼1. Sanctions on Government of Iran public-guaranteed bonds (Article 13 of Council Decision 2010/413/CFSP; Article 34 of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. Sanctions on associated services for each of the categories above (see the references above).&#xA;￼￼1. Oil, gas and petrochemical sectors&#xA;￼￼1. Sanctions on the import of oil and gas from Iran (Articles 3a, 3c and 3e of Council Decision 2010/413/CFSP; Articles 11, 12 and 14a, and Annexes IV and IVA of Council Regulation (EU) No 267/2012);&#xA;￼￼1. Sanctions on the import of Iranian petrochemical products (Articles 3b and 3d of Council Decision 2010/413/CFSP; Articles 13 and 14, and Annex V of Council Regulation (EU) No 267/2012);&#xA;￼&#xA;￼1. Sanctions on the export of key equipment for the oil, gas and petrochemical sectors (Articles 4, 4a and 4b of Council Decision 2010/413/CFSP; Articles 8, 9 and 10, and Annexes VI and VIA of Council Regulation (EU) No 267/2012);&#xA;￼￼1. Sanctions on investment in the oil, gas and petrochemical sectors (Articles 6, 6a and 7 of Council Decision 2010/413/CFSP; Articles 17(1), 17(2)(b) and (c), 17(3), 17(4), 17(5), 20 and 21 of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. Sanctions on associated services for each of the categories above (see the references above).&#xA;￼￼1. Shipping, shipbuilding and transport sectors&#xA;￼￼1. Sanctions related to shipping and shipbuilding (Articles 4g, 4h, 8a, 18a and 18b of Council Decision 2010/413/CFSP; Articles 10a, 10b, 10c, 37a, and 37b, and Annex VIB of Council Regulation (EU) No 267/2012);&#xA;￼￼1. Sanctions related to the transport sector (Articles 15, 16, 17 and 18 of Council Decision 2010/413/CFSP; Articles 36 and 37 of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. Sanctions on associated services for each of the categories above (see the references above).&#xA;￼￼1. Gold, other precious metals, banknotes and coinage&#xA;￼&#xA;￼1. Sanctions on gold, precious metals and diamonds, banknotes and coinage (Articles 4c and 4d of Council Decision 2010/413/CFSP; Articles 15 and 16, and Annex VII of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. Sanctions on associated services for each of the categories above (see the references above).&#xA;￼￼1. Nuclear proliferation-related measures&#xA;￼￼1. Sanctions related to proliferation-sensitive nuclear activities (goods and technology, investment and specialised training) (Articles 1(1) (a), (b), (d), (e), (2), (3) and (4), 2, 3, 5, 14 and 21 of Council Decision 2010/413/CFSP; Articles 2, 3, 4, 5, 6,7, 17(1) and (2)(a), 18, 19 and 22, and Annexes I, II and III of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. Sanctions on associated services for the category above (see the references above).&#xA;1. Metals&#xA;￼￼￼￼1. Sanctions on metals (Articles 4e and 4f of Council Decision 2010/413/CFSP; Articles 15a, 15b and 15c, and Annex VIIB of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. Sanctions on associated services for the category above (see the references above).&#xA;1. Software&#xA;￼￼&#xA;￼￼1. Sanctions on software (Articles 4i and 4j of Council Decision 2010/413/CFSP; Articles 10d, 10e and 10f, and Annex VIIA of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. Sanctions on associated services for the category above (see the references above).&#xA;1. Arms&#xA;￼￼￼￼1. Sanctions on arms (Articles 1(1)(c), (3) and (4), and 3 of Council Decision 2010/413/CFSP; Articles 5(1)(a) and (c), 17(1) and (2)(a), and 19 of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. Sanctions on associated services for the category above (see the references above).&#xA;1. Listing of persons, entities and bodies (asset freeze and visa ban)&#xA;1. Asset freeze and visa ban measures applicable to:&#xA;￼￼￼￼￼￼1. listed Iranian banks and financial institutions, including the Central Bank of Iran;&#xA;2. listed persons, entities and bodies related to the oil, gas and petrochemical sectors;&#xA;3. listed persons, entities and bodies related to shipping, shipbuilding and transport;&#xA;4. other listed persons, entities and bodies not related to proliferation-sensitive nuclear-, arms- and ballistic missile- related activities;&#xA;￼5. listed persons, entities and bodies related to proliferation-sensitive nuclear-, arms- and ballistic missile-related activities; and&#xA;6. entities and individuals listed by the UN Security Council,&#xA;￼￼as set out in Attachment 1, part I to this Annex for categories 1.9.1.1-1.9.1.4, Attachment 2, part I to this Annex for category 1.9.1.5, and Parts II of Attachments 1 and 2 to this Annex for category 1.9.1.6 (Articles 19 and 20, and Annexes I and II to Council Decision 2010/413/CFSP; Articles 23, 24, 25, 26, 27, 28, 28a, 28b and 29, and Annexes VIII and IX to Council Regulation (EU) No 267/2012).&#xA;￼1. Other provisions&#xA;￼￼1. The commitment in Section 1 covers all remaining provisions of Council Decision 2010/413/CFSP and Council Regulation (EU) No 267/2012 not specified above.&#xA;￼￼1. Definitions (Article 1 of Council Regulation (EU) No 267/2012); and&#xA;￼￼1. General and final provisions (Articles 22, 23, 24, 25, 26, 26a, 27 and 28 of Council Decision 2010/413/CFSP; Articles 38, 39, 40, 41, 42, 43, 43a, 44, 45, 46, 47, 48, 49, 50 and 51, and Annex X of Council Regulation (EU) No 267/2012).&#xA;￼￼2. The EU represents that the provisions listed in Section 1 above constitute the full and complete list of all EU nuclear-related sanctions or restrictive measures. These sanctions or restrictive measures will be lifted in accordance with Annex V.&#xA;￼￼3. Effects of the lifting of EU economic and financial sanctions&#xA;￼￼3. As a result of the lifting of sanctions specified in Section 1 above, the following activities, including associated services, will be allowed, beginning on implementation day, in accordance with this JCPOA and provided that such activities are otherwise consistent with EU and EU Member States’ laws and regulations in effect:&#xA;￼￼3. Financial, banking and insurance measures (See Sections 1.1.1 to 1.1.8)&#xA;￼￼1. Transfers of funds between EU persons, entities or bodies, including EU financial and credit institutions, and Iranian persons, entities or bodies, including Iranian financial and credit institutions, without the requirement for authorisation or notification;&#xA;￼￼1. Opening of new branches, subsidiaries or representative offices of Iranian banks in the territories of EU Member States; and the establishment of new joint ventures, or the taking of an ownership interest or the establishment of new correspondent banking relationships by Iranian banks with EU banks; and opening by EU persons, including EU financial and credit institutions, of representative offices, subsidiaries, joint ventures or bank accounts in Iran;&#xA;￼￼1. Provision of insurance or reinsurance to Iran or the Government of Iran, an Iranian legal person, entity or body, or a natural person or a legal person, entity or body acting on their behalf or at their direction;&#xA;￼￼1. Supply of specialised financial messaging services to any Iranian natural or legal persons, entities or bodies, including those listed in Attachment 1 to this Annex;&#xA;￼&#xA;￼1. Entering into commitments by EU Member States to provide financial support for trade with Iran, including the granting of export credits, guarantees or insurance; and into commitments for grants, financial assistance and concessional loans to the Government of Iran; and&#xA;￼￼1. Sale or purchase of public or public-guaranteed bonds to and from Iran, the Government of Iran, the Central Bank of Iran, or Iranian banks and financial institutions or persons acting on their behalf.&#xA;￼￼3. Oil, gas and petrochemical sectors (See Sections 1.2.1 to 1.2.5)&#xA;￼￼1. Import, purchase, swap or transport of Iranian crude oil and petroleum products, natural gas or petrochemical products and related financing;&#xA;￼￼1. Sale, supply, transfer or export of equipment or technology, technical assistance, including training, used in the sectors of the oil, gas and petrochemical industries in Iran covering exploration, production and refining of oil and natural gas, including liquefaction of natural gas, to any Iranian person, in or outside Iran, or for use in Iran; and&#xA;￼￼1. Granting of any financial loan or credit to, the acquisition or extension of a participation in, and the creation of any joint venture with, any Iranian person that is engaged in the oil, gas and petrochemical sectors in Iran or outside Iran.&#xA;￼￼3. Shipping, shipbuilding and transport sectors (See Sections 1.3.1 to 1.3.3)&#xA;￼&#xA;￼1. Sale, supply, transfer or export of naval equipment and technology for ship building, maintenance or refit, to Iran or to any Iranian persons engaged in this sector; the design, construction or the participation in the design or construction of cargo vessels and oil tankers for Iran or for Iranian persons; the provision of vessels designed or used for the transport or storage of oil and petrochemical products to Iranian persons, entities or bodies; and the provision of flagging and classification services, including those pertaining to technical specification, registration and identification numbers of any kind, to Iranian oil tankers and cargo vessels;&#xA;￼￼1. Access to the airports under the jurisdiction of EU Member States of all cargo flights operated by Iranian carriers or originating from Iran;&#xA;￼￼1. Cessation of inspection, seizure and disposal by EU Member States of cargoes to and from Iran in their territories with regard to items which are no longer prohibited; and&#xA;￼￼1. Provision of bunkering or ship supply services, or any other servicing of vessels, to Iranian-owned or Iranian-contracted vessels not carrying prohibited items; and the provision of fuel, engineering and maintenance services to Iranian cargo aircraft not carrying prohibited items.&#xA;￼￼3. Gold, other precious metals, banknotes and coinage (See Sections 1.4.1 to 1.4.2)&#xA;￼￼1. Sale, supply, purchase, export, transfer or transport of gold and precious metals as well as diamonds, and provision of related brokering, financing and security services, to, from or for the Government of Iran, its public bodies, corporations and agencies, or the Central Bank of Iran; and&#xA;￼&#xA;￼1. Delivery of newly printed or minted or unissued Iranian denominated banknotes and coinage to, or for the benefit of the Central Bank of Iran.&#xA;￼￼3. Metals (See Sections 1.6.1 to 1.6.2)&#xA;￼￼1. Sale, supply, transfer or export of graphite and raw or semi-finished metals, such as aluminum and steel to any Iranian person, entity or body or for use in Iran, in connection with activities consistent with this JCPOA.&#xA;￼￼3. Software (See Sections 1.7.1 to 1.7.2)&#xA;￼￼1. Sale, supply, transfer or export of software for integrating industrial processes, including updates, to any Iranian person, entity or body, or for use in Iran, in connection with activities consistent with this JCPOA,&#xA;￼￼3. Listing of persons, entities and bodies (asset freeze and visa ban) (See Section 1.9.1)&#xA;￼￼1. As a result of delisting as specified in this Annex, releasing of all funds and economic resources which belong to, and making available funds or economic resources to, the persons, entities and bodies, including Iranian banks and financial institutions, the Central Bank of Iran, listed in Attachment 1 to this Annex; and&#xA;￼3.8.2. As a result of delisting as specified in this Annex, entry into, or transit through the territories of EU Member States of individuals listed in Attachment 1 to this Annex.&#xA;￼￼B. United States&#xA;￼4. The United States commits to cease the application of, and to seek such legislative action as may be appropriate to terminate, or modify to effectuate the termination of, all nuclear-related sanctions as specified in Sections 4.1-4.9 below, and to terminate Executive Orders 13574, 13590, 13622 and 13645, and Sections 5-7 and 15 of Executive Order 13628, in accordance with Annex V.&#xA;￼￼4.1. Financial and banking measures&#xA;4.1.1. Sanctions on transactions with individuals and entities set out in Attachment 3 to this Annex, including: the Central Bank of Iran (CBI) and other specified Iranian financial institutions; the National Iranian Oil Company (NIOC), Naftiran Intertrade Company (NICO), National Iranian Tanker Company (NITC) and other specified individuals and entities identified as Government of Iran by the Office of Foreign Assets Control; and certain designated individuals and entities on the Specially Designated Nationals and Blocked Persons List (SDN List) (Comprehensive Iran Sanctions, Accountability, and Divestment Act of 2010 (CISADA) Section 104(c)(2)(E)(ii)(I); National Defense Authorization Act for Fiscal Year 2012 (NDAA) Sections 1245(d)(1) and (3); Iran Freedom and Counter- Proliferation Act of 2012 (IFCA) Sections 1244(c)(1) and (d), 1245(a)(1)(A), (a)(1)(C)(i)(II) and (c), 1246(a) and 1247(a); Sections 1(a)(i) and 5(a) of Executive Order (E.O.) 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;4.1.2. Sanctions on the Iranian Rial (NDAA Sections 1245(d)(1) and (3); IFCA Sections 1244(c)(1), 1246(a) and 1247(a); Section 5(a) of E.O. 13622 and Sections 1(a), 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;4.1.3. Sanctions on the provision of U.S. banknotes to the Government of Iran (NDAA Sections 1245(d)(1) and (3); IFCA Sections 1244(c)(1) and (d), 1246(a)&#xA;￼and 1247(a); Section 5(a) of E.O. 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;4.1.4. Bilateral trade limitations on Iranian revenues held abroad, including limitations on their transfer (NDAA Sections 1245(d)(1) and (3); IFCA Sections 1244(c)(1), (d) and (h)(2), 1246(a) and 1247(a); Sections 1(a)(i)-(ii), 2(a)(i) and 5(a) of E.O. 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;4.1.5. Sanctions on the purchase, subscription to, or facilitation of the issuance of Iranian sovereign debt, including governmental bonds (NDAA Sections 1245(d)(1) and (3); Iran Threat Reduction and Syria Human Rights Act of 2012 (TRA) Section 213(a); IFCA Sections 1244(c)(1) and (d), 1246(a) and 1247(a); Sections 1(a)(i) and 5(a) of E.O. 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;￼￼4.1.6. Sanctions on financial messaging services to the CBI and Iranian financial institutions set out in Attachment 3 to this Annex (NDAA Sections 1245(d)(1) and (3); TRA Section 220; IFCA Sections 1244(c)(1) and (d), 1246(a) and 1247(a); Section 5(a) of E.O. 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645); and&#xA;4.1.7. Sanctions on associated services for each of the categories above (see individual citation references above).&#xA;￼￼4.2. Insurance measures&#xA;4.2.1. Sanctions on the provision of underwriting services, insurance, or re- insurance in connection with activities consistent with this JCPOA, including activities with individuals and entities set forth in Attachment 3 to this Annex (Iran Sanctions Act of 1996 (ISA) Section 5(a)(7); NDAA Sections 1245(d)(1) and (3); TRA Sections 211(a) and 212(a); IFCA Sections 1244(c)(1) and (d), 1246(a) and 1247(a); Section 5(a) of E.O. 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645).&#xA;￼4.3. Energy and petrochemical sectors&#xA;4.3.1. Efforts to reduce Iran's crude oil sales, including limitations on the quantities of Iranian crude oil sold and the nations that can purchase Iranian crude oil (ISA Section 5(a)(7); NDAA Sections 1245(d)(1) and (3); TRA Section 212(a); IFCA Sections 1244(c)(1) and (d), 1246(a) and 1247(a); Section 1 of E.O. 13574, Sections 1(a)(i)-(ii), 2(a)(i) and 5(a) of E.O. 13622, Section 5 of E.O. 13628, and Sections 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;￼￼4.3.2. Sanctions on investment, including participation in joint ventures, goods, services, information, technology and technical expertise and support for Iran's oil, gas, and petrochemical sectors (ISA Sections 5(a)(1)-(2) and (4)-(8); TRA Section 212(a); IFCA Sections 1244(c)(1), (d) and (h)(2), 1245(a)(1)(B), (a)(1)(C)(i)(I)- (II), (a)(1)(C)(ii)(I)-(II) and (c), 1246(a) and 1247(a); Section 1 of E.O. 13574, Section 1 of E.O. 13590, Sections 1(a)(i)-(ii), 2(a)(i)-(iii) and 5(a) of E.O. 13622, and Sections 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;4.3.3. Sanctions on the purchase, acquisition, sale, transportation, or marketing of petroleum, petrochemical products and natural gas from Iran (NDAA Sections 1245(d)(1) and (3); TRA Section 212(a); IFCA Sections 1244(c)(1), (d) and (h)(2), 1246(a) and 1247(a); Sections 1(a)(i)-(iii), 2(a)(i)-(ii) and 5(a) of E.O. 13622, and Sections 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;￼￼4.3.4. Sanctions on the export, sale or provision of refined petroleum products and petrochemical products to Iran (ISA Section 5(a)(3); NDAA Sections 1245(d)(1) and (3); TRA Section 212(a); IFCA Sections 1244(c)(1) and (d), 1246(a) and 1247(a); Section 1 of E.O. 13574, Sections 1(a)(i) and 5(a) of E.O. 13622, Section 5 of E.O. 13628, and Sections 2(a)(i) and 3(a)(i) of E.O. 13645);&#xA;￼&#xA;￼4.3.5. Sanctions on transactions with Iran's energy sector including with NIOC, NICO and NITC (NDAA Sections 1245(d)(1) and (3); IFCA Sections 1244(c)(1), (d) and (h)(2), 1246(a) and 1247(a); TRA Section 212(a); Sections 1(a)(i)- (iii), 2(a)(i)-(ii) and 5(a) of E.O. 13622, and Sections 2(a)(i) and 3(a)(i) of E.O. 13645); and&#xA;￼￼4.3.6. Sanctions on associated services for each of the categories above (see individual citation references above).&#xA;4.4. Shipping, shipbuilding and port sectors&#xA;4.4.1. Sanctions on transactions with Iran's shipping and shipbuilding sectors and port operators including IRISL, South Shipping Line, and NITC, and the port operator(s) of Bandar Abbas (TRA Sections 211(a) and 212(a); IFCA Sections 1244(c)(1) and (d); 1245(a)(1)(B), (a)(1)(C)(i)(I)-(II), (a)(1)(C)(ii)(I)-(II) and (c), 1246(a) and 1247(a); Section 5(a) of E.O. 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645); and&#xA;￼￼4.4.2. Sanctions on associated services for each of the categories above (see individual citation references above).&#xA;4.5. Gold and other precious metals&#xA;4.5.1. Sanctions on Iran's trade in gold and other precious metals (NDAA Sections 1245(d)(1) and (3); IFCA Sections 1244(c)(1), 1245(a)(1)(A) and (c), 1246(a) and 1247(a); Section 5(a) of E.O. 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645); and&#xA;4.5.2. Sanctions on associated services for each of the categories above (see individual citation references above).&#xA;￼4.6. Software and metals&#xA;￼￼4.6.1. Sanctions on trade with Iran in graphite, raw or semi-finished metals such as aluminum and steel, coal, and software for integrating industrial processes, in connection with activities consistent with this JCPOA, including trade with individuals and entities set forth in Attachments 3 and 4 to this Annex (NDAA Sections 1245(d)(1) and (3); IFCA Sections 1244(c)(1), 1245(a)(1)(B)-(C) and (c), 1246(a) and 1247(a); Section 5(a) of E.O. 13622 and Sections 2(a)(i) and 3(a)(i) of E.O. 13645); and&#xA;4.6.2. Sanctions on associated services for each of the categories above (see individual citation references above).&#xA;4.7. Automotive sector&#xA;4.7.1. Sanctions on the sale, supply or transfer of goods and services used in connection with Iran's automotive sector (NDAA Sections 1245(d)(1) and (3); IFCA Sections 1244(c)(1), 1245(a)(1)(B), (a)(1)(C)(i)(II), (a)(1)(C)(ii)(II) and (c), 1246(a) and 1247(a); Section 5(a) of E.O. 13622 and Sections 2(a)(i), 3(a)(i)-(ii), 5 and 6 of E.O. 13645); and&#xA;4.7.2. Sanctions on associated services for each of the categories above (see individual citation references above).&#xA;4.8. Designations and other sanctions listings&#xA;￼￼4.8.1. Removal of individuals and entities set out in Attachments 3 and 4 to this Annex from the Specially Designated Nationals and Blocked Persons List&#xA;￼(SDN List), the Foreign Sanctions Evaders List, and/or the Non-SDN Iran Sanctions Act List (Removal of designations and/or sanctions imposed under ISA Section 5(a), IFCA Section 1244(d)(1) and TRA Section 212; and removals pursuant to the International Emergency Economic Powers Act of certain persons listed pursuant to E.O. 13382, E.O. 13608, E.O. 13622, and E.O. 13645).&#xA;￼￼4.9. Nuclear proliferation-related measures&#xA;4.9.1. Sanctions under the Iran, North Korea and Syria Nonproliferation Act on the acquisition of nuclear-related commodities and services for nuclear activities contemplated in the JCPOA, to be consistent with the U.S. approach to other non-nuclear-weapon states under the NPT;&#xA;￼￼1. Sanctions on joint ventures relating to the mining, production, or transportation of uranium (ISA Section 5(b)(2)); and&#xA;￼￼1. Exclusion of Iranian citizens from higher education coursework related to careers in nuclear science, nuclear engineering or the energy sector (TRA Section 501).&#xA;￼5.&#xA;5.1.&#xA;5.1.1.&#xA;and services to Iran by licensing the (i) export, re-export, sale, lease or transfer to Iran of commercial passenger aircraft for exclusively civil aviation end-use, (ii) export, re-export, sale, lease or transfer to Iran of spare parts and components for commercial passenger aircraft, and (iii) provision of associated serviced, including warranty, maintenance, and repair services and safety-related inspections, for all&#xA;Other trade measures&#xA;The United States commits to: &#xA;Allow for the sale of commercial passenger aircraft and related parts&#xA;￼the foregoing, provided that licensed items and services are used exclusively for commercial passenger aviation;&#xA;5.1.2. License non-U.S. entities that are owned or controlled by a U.S. person to engage in activities with Iran that are consistent with this JCPOA; and&#xA;￼￼5.1.3. License the importation into the United States of Iranian-origin carpets and foodstuffs, including pistachios and caviar.&#xA;6. The United States represents that the provisions listed in Section 4 above constitute the full and complete list of all U.S. nuclear-related sanctions. These sanctions will be lifted in accordance with Annex V.&#xA;￼￼7. Effects of the lifting of U.S. economic and financial sanctions:&#xA;￼￼7. As a result of the lifting of sanctions specified in Section 4 above, beginning on implementation day such sanctions, including associated services, would not apply to non-U.S. persons who carry out the following or that:&#xA;￼￼7. Financial and banking measures (See Sections 4.1.1 to 4.1.7)&#xA;￼Engage in activities, including financial and banking transactions, with the Government of Iran, the Central Bank of Iran, Iranian financial institutions and other Iranian persons specified in Attachment 3 to this Annex, including the provision of loans, transfers, accounts (including the opening and maintenance of correspondent and payable through accounts at non-U.S. financial institutions), investments, securities, guarantees, foreign exchange (including Rial related&#xA;￼transactions), letters of credit and commodity futures or options, the provision of specialised financial messaging services and facilitation of direct or indirect access thereto, the purchase or acquisition by the Government of Iran of U.S. bank notes, and the purchase, subscription to, or facilitation of the issuance of Iranian sovereign debt.&#xA;￼￼7. Insurance measures (See Section 4.2.1)&#xA;￼Provide underwriting services, insurance, or re-insurance in connection with activities consistent with this JCPOA, including activities with individuals and entities set forth in Attachment 3 to this Annex, including underwriting services, insurance, or re-insurance in connection with activities in the energy, shipping, and shipbuilding sectors of Iran, for the National Iranian Oil Company (NIOC) or the National Iranian Tanker Company (NITC), or for vessels that transport crude oil, natural gas, liquefied natural gas, petroleum and petrochemical products to or from Iran.&#xA;￼7. Energy and petrochemical sectors (See Sections 4.3.1 to 4.3.6)&#xA;￼Are part of the energy sector of Iran; purchase, acquire, sell, transport or market petroleum, petroleum products (including refined petroleum products), petrochemical products or natural gas (including liquefied natural gas) to or from Iran; provide to Iran support, investment (including through joint ventures), goods, services (including financial services) and technology that can be used in connection with Iran’s energy sector, the development of its petroleum resources, its domestic production of refined petroleum products and petrochemical products; or engage in activities with Iran’s energy sector, including NIOC, NITC, and NICO).&#xA;￼￼7. Shipping, shipbuilding and port sectors (See Sections 4.4.1 to 4.4.2)&#xA;￼Are part of the shipping or shipbuilding sectors of Iran; own, operate, control or insure a vessel used to transport crude oil, petroleum products (including refined petroleum products), petrochemical products or natural gas (including liquefied natural gas) to or from Iran; operate a port in Iran, engage in activities with, or provide financial services and other goods and services used in connection with, the shipping and shipbuilding sectors of Iran or a port operator in Iran (including the port operator(s) of Bandar Abbas), including port services, such as bunkering and inspection, classification, and financing, and the sale, leasing, and provision of vessels to Iran, including to the Islamic Republic of Iran Shipping Lines (IRISL), NITC, and South Shipping Line Iran or their affiliates.&#xA;￼7. Gold and other precious metals (See Sections 4.5.1 to 4.5.2)&#xA;￼Sell, supply, export or transfer, directly or indirectly, to or from Iran, gold and other precious metals, or conduct or facilitate a financial transaction or provide services for the foregoing including security, insurance and transportation.&#xA;￼7. Software and metals (See Sections 4.6.1 to 4.6.2)&#xA;￼Sell, supply, or transfer, directly or indirectly, graphite, raw or semi-finished metals such as aluminum and steel, coal, and software for integrating industrial processes, to or from Iran in connection with activities consistent with this JCPOA, including trade with individuals and entities set forth in Attachment 3 to this Annex, and the sale, supply, or transfer of such materials to the energy, petrochemical, shipping and shipbuilding sectors of Iran, and Iranian ports, or conduct or facilitate a financial transaction or provide services for the foregoing, including insurance and transportation.&#xA;￼7.&#xA;Automotive sector (See Sections 4.7.1 to 4.7.2)&#xA;￼￼Conduct or facilitate financial or other transactions for the sale, supply or transfer to Iran of goods and services used in connection with the automotive sector of Iran.&#xA;￼7.&#xA;Designations and other sanctions listings (See Section 4.8.1)&#xA;￼The removal of designations and/or sanctions as described in Section 4.8.1, ceasing the application of secondary sanctions for transactions with individuals and entities set out in Attachment 3 to this Annex; and unblocking of property and interests in property within U.S. jurisdiction for individuals and entities set out in Attachment 3 to this Annex.&#xA;￼￼￼￼￼￼￼￼ For the purposes of EU legislation, “Iranian person, entity or body” means:&#xA;￼i. ii. iii. iv.&#xA;the State of Iran or any public authority thereof;&#xA;any natural person in, or resident in, Iran;&#xA;any legal person, entity or body having its registered office in Iran;&#xA;any legal person, entity or body, inside or outside Iran, owned or controlled directly or indirectly by one or more of the above mentioned persons or bodies.&#xA;￼ The headings and subheadings in this Annex are for descriptive purposes only.&#xA; For the purposes of this Annex, the term &amp;quot;associated services&amp;quot; means any service – including technical assistance, training, insurance, re-insurance, brokering, transportation or&#xA;￼financial service – necessary and ordinarily incident to the underlying activity for which sanctions have been lifted pursuant to this JCPOA.&#xA; Unless specifically provided otherwise, the sanctions lifting described in this Section does not apply to transactions that involve persons still subject to restrictive measures and is without prejudice to sanctions that may apply under legal provisions other than those referred to in Section 1. Nothing in this JCPOA reflects a change in Iran's position on EU sanctions.&#xA; For the purposes of U.S. legislation, “Iranian person” means (A) an individual who is a citizen or national of Iran; and (B) an entity organised under the laws of Iran or otherwise subject to the jurisdiction of the Government of Iran.&#xA; The sanctions that the United States will cease to apply, and subsequently terminate, or modify to effectuate the termination of, pursuant to its commitment under Section 4 are those directed towards non-U.S. persons. For the purposes of Sections 4 and 6-7 of this JCPOA, the term “non-U.S. person” means any individual or entity, excluding (i) any United States citizen, permanent resident alien, entity organised under the laws of the United States or any jurisdiction within the United States (including foreign branches), or any person in the United States, and (ii) any entity owned or controlled by a U.S. person. For the purposes of (ii) of the preceding sentence, an entity is “owned or controlled” by a U.S. person if the U.S. person: (i) holds a 50 percent or greater equity interest by vote or value in the entity; (ii) holds a majority of seats on the board of directors of the entity; or (iii) otherwise controls the actions, policies, or personnel decisions of the entity. U.S. persons and U.S.-owned or -controlled foreign entities will continue to be generally prohibited from conducting transactions of the type permitted pursuant to this JCPOA, unless authorised to do so by the U.S. Department of the Treasury’s Office of Foreign Assets Control (OFAC).&#xA; All citations to statutes and Executive orders included in this JCPOA refer to the statute or Executive order as amended as of the conclusion date of this JCPOA, including: the Iran Sanctions Act of 1996 (ISA), as amended by Section 102 of the Comprehensive Iran Sanctions, Accountability, and Divestment Act of 2010 (CISADA) and Sections 201-207 and 311 of the Iran Threat Reduction and Syria Human Rights Act of 2012 (TRA); CISADA, as amended by Sections 214-216, 222, 224, 311-312, 402-403 and 605 of TRA and Section 1249 of the Iran Freedom and Counter-Proliferation Act of 2012 (IFCA); the National Defense Authorization Act for Fiscal Year 2012 (NDAA), as amended by Sections 503-504 of TRA and Section 1250 of IFCA; Executive Order (E.O.) 13622, as amended by Section 15 of E.O. 13628 and Section 16 of E.O. 13645. The citations listed in Section 4 include&#xA;￼authorities under which secondary sanctions will no longer apply as a result of actions described in Section 4.8.1.&#xA; Removal of NIOC from the SDN List, as provided for in Section 4.8.1, will include resolution of related designations and determinations.&#xA; See footnote 3 for the meaning of &amp;quot;associated services&amp;quot;.&#xA; This commitment in Section 4.4.1 is based on the port operator(s) of Bandar Abbas no&#xA;longer being controlled by a person on the SDN List.&#xA; To give effect to the measures described in this Section 5.1, the United States will license activities that do not involve any person on the SDN List and are otherwise consistent with applicable U.S. laws and regulations, including but not limited to the Export Administration Act, the Federal Food, Drug and Cosmetic Act and the Iran-Iraq Arms Nonproliferation Act.&#xA; Licenses issued in furtherance of Section 5.1.1 will include appropriate conditions to ensure that licensed activities do not involve, and no licensed aircraft, goods, or services are re-sold or re-transferred to, any person on the SDN list. Should the United States determine that licensed aircraft, goods, or services have been used for purposes other than exclusively civil aviation end-use, or have been re-sold or re-transferred to persons on the SDN List, the United States would view this as grounds to cease performing its commitments under Section 5.1.1 in whole or in part.&#xA; For the purposes of Section 5.1.2 of this JCPOA, a non-U.S. entity is owned or controlled by a U.S. person if the U.S. person: (i) holds a 50 per cent or greater equity interest by vote or value in the entity; (ii) holds a majority of seats on the board of directors of the entity; or (iii) otherwise controls the actions, policies, or personnel decisions of the entity.&#xA; Unless specifically provided otherwise, the sanctions lifting described in this Section does not apply to transactions that involve persons on the SDN List and is without prejudice to sanctions that may apply under legal provisions other than those cited in Section 4. Nothing in this JCPOA reflects a change in Iran's position on U.S. sanctions.&#xA; For the purposes of the cessation of application of the provisions set out in Sections 4.1.1-4.1.7, the effects described for non-U.S. financial institutions extend to the activities outside of U.S. jurisdiction of international financial institutions.&#xA;￼Non-U.S., non-Iranian financial institutions engaging in transactions with Iranian financial institutions (including the Central Bank of Iran) not appearing on the SDN List will not be exposed to sanctions as a result of those Iranian financial institutions engaging in transactions or banking relationships involving Iranian individuals and entities, including financial institutions, on the SDN List, provided that the non-U.S., non-Iranian financial institution does not conduct or facilitate, and is not otherwise involved in, those specific transactions or banking relationships with the Iranian individuals and entities, including financial institutions, on the SDN List.&#xA; The effects described in Section 7.5 with respect to the port operator(s) of Bandar Abbas are based on the port operator(s) of Bandar Abbas no longer being controlled by a person on the SDN List.&#xA;ACENA SHIPPING COMPANY LIMITED ADVANCE NOVEL&#xA;AGHAJARI OIL &amp;amp; GAS PRODUCTION COMPANY AGHAZADEH, Reza&#xA;AHMADIAN, Mohammad AKHAVAN-FARD, Massoud&#xA;ALPHA EFFORT LTD&#xA;ALPHA KARA NAVIGATION LIMITED ALPHA NARI NAVIGATION LIMITED ARIAN BANK&#xA;ARVANDAN OIL &amp;amp; GAS COMPANY ASHTEAD SHIPPING COMPANY LTD ASPASIS MARINE CORPORATION ASSA CORPORATION&#xA;ASSA CORPORATION LTD&#xA;￼ATLANTIC INTERMODAL&#xA;AVRASYA CONTAINER SHIPPING LINES&#xA;AZARAB INDUSTRIES&#xA;AZORES SHIPPING COMPANY ALIAS AZORES SHIPPING FZE LLC BANCO INTERNACIONAL DE DESARROLLO CA&#xA;BANK KARGOSHAE&#xA;BANK MELLAT&#xA;BANK MELLI IRAN INVESTMENT COMPANY&#xA;BANK MELLI IRAN ZAO&#xA;BANK MELLI PRINTING AND PUBLISHING COMPANY&#xA;BANK MELLI,&#xA;BANK OF INDUSTRY AND MINE&#xA;BANK REFAH KARGARAN&#xA;BANK TEJARAT&#xA;BATENI, Naser&#xA;BEST PRECISE LTD&#xA;BETA KARA NAVIGATION LTD&#xA;BIIS MARITIME LIMITED&#xA;BIS MARITIME LIMITED&#xA;BONAB RESEARCH CENTER&#xA;BRAIT HOLDING SA&#xA;BRIGHT JYOTI SHIPPING&#xA;BRIGHT SHIP FZC&#xA;BUSHEHR SHIPPING COMPANY LIMITED&#xA;BYFLEET SHIPPING COMPANY LTD&#xA;￼CEMENT INVESTMENT AND DEVELOPMENT COMPANY CENTRAL BANK OF IRAN&#xA;CHAPLET SHIPPING LIMITED&#xA;COBHAM SHIPPING COMPANY LTD&#xA;CONCEPT GIANT LTD&#xA;COOPERATIVE DEVELOPMENT BANK&#xA;CRYSTAL SHIPPING FZE&#xA;DAJMAR, Mohammad Hossein&#xA;DAMALIS MARINE CORPORATION&#xA;DARYA CAPITAL ADMINISTRATION GMBH&#xA;DARYA DELALAN SEFID KHAZAR SHIPPING COMPANY DELTA KARA NAVIGATION LTD&#xA;DELTA NARI NAVIGATION LTD&#xA;DIAMOND SHIPPING SERVICES&#xA;DORKING SHIPPING COMPANY LTD&#xA;EAST OIL &amp;amp; GAS PRODUCTION COMPANY&#xA;EDBI EXCHANGE COMPANY&#xA;EDBI STOCK BROKERAGE COMPANY&#xA;EFFINGHAM SHIPPING COMPANY LTD&#xA;EIGHTH OCEAN ADMINISTRATION GMBH&#xA;EIGHTH OCEAN GMBH &amp;amp; CO. KG&#xA;ELBRUS LTD&#xA;ELCHO HOLDING LTD&#xA;ELEGANT TARGET DEVELOPMENT LIMITED&#xA;ELEVENTH OCEAN ADMINISTRATION GMBH&#xA;￼ELEVENTH OCEAN GMBH &amp;amp; CO. KG EMKA COMPANY&#xA;EPSILON NARI NAVIGATION LTD&#xA;E-SAIL A.K.A.E-SAIL SHIPPING COMPANY ETA NARI NAVIGATION LTD&#xA;ETERNAL EXPERT LTD. EUROPÄISCH-IRANISCHE HANDELSBANK EXPORT DEVELOPMENT BANK OF IRAN FAIRWAY SHIPPING&#xA;FAQIHIAN, Dr Hoseyn&#xA;FARNHAM SHIPPING COMPANY LTD&#xA;FASIRUS MARINE CORPORATION&#xA;FATSA&#xA;FIFTEENTH OCEAN ADMINISTRATION GMBH FIFTEENTH OCEAN GMBH &amp;amp; CO. KG&#xA;FIFTH OCEAN ADMINISTRATION GMBH&#xA;FIFTH OCEAN GMBH &amp;amp; CO. KG&#xA;FIRST ISLAMIC INVESTMENT BANK&#xA;FIRST OCEAN ADMINISTRATION GMBH&#xA;FIRST OCEAN GMBH &amp;amp; CO. KG&#xA;FIRST PERSIAN EQUITY FUND&#xA;FOURTEENTH OCEAN ADMINISTRATION GMBH FOURTEENTH OCEAN GMBH &amp;amp; CO. KG FOURTH OCEAN ADMINISTRATION GMBH FOURTH OCEAN GMBH &amp;amp; CO. KG&#xA;￼FUTURE BANK BSC&#xA;GACHSARAN OIL &amp;amp; GAS COMPANY&#xA;GALLIOT MARITIME INCORPORATION GAMMA KARA NAVIGATION LTD&#xA;GIANT KING LIMITED&#xA;GOLDEN CHARTER DEVELOPMENT LTD. GOLDEN SUMMIT INVESTMENTS LTD. GOLDEN WAGON DEVELOPMENT LTD. GOLPARVAR, Gholam Hossein&#xA;GOMSHALL SHIPPING COMPANY LTD&#xA;GOOD LUCK SHIPPING COMPANY LLC GRAND TRINITY LTD.&#xA;GREAT EQUITY INVESTMENTS LTD.&#xA;GREAT METHOD LTD&#xA;GREAT PROSPECT INTERNATIONAL LTD. HAFIZ DARYA SHIPPING LINES&#xA;HANSEATIC TRADE TRUST &amp;amp; SHIPPING GMBH HARVEST SUPREME LTD.&#xA;HARZARU SHIPPING&#xA;HELIOTROPE SHIPPING LIMITED&#xA;HELIX SHIPPING LIMITED&#xA;HK INTERTRADE COMPANY LTD&#xA;HONG TU LOGISTICS PRIVATE LIMITED HORSHAM SHIPPING COMPANY LTD&#xA;IFOLD SHIPPING COMPANY LIMITED&#xA;￼INDUS MARITIME INCORPORATION&#xA;INDUSTRIAL DEVELOPMENT &amp;amp; RENOVATION ORGANIZATION&#xA;INSIGHT WORLD LTD&#xA;INTERNATIONAL SAFE OIL&#xA;IOTA NARI NAVIGATION LIMITED&#xA;IRAN ALUMINIUM COMPANY&#xA;IRAN FUEL CONSERVATION ORGANIZATION&#xA;IRAN INSURANCE COMPANY&#xA;IRAN LIQUEFIED NATURAL GAS CO.&#xA;IRANIAN OFFSHORE ENGINEERING &amp;amp; CONSTRUCTION CO&#xA;IRANIAN OIL COMPANY LIMITED&#xA;IRANIAN OIL PIPELINES AND TELECOMMUNICATIONS COMPANY (IOPTC) IRANIAN OIL TERMINALS COMPANY&#xA;IRANO MISR SHIPPING COMPANY&#xA;IRINVESTSHIP LTD&#xA;IRISL (MALTA) LTD&#xA;IRISL EUROPE GMBH&#xA;IRISL MARINE SERVICES AND ENGINEERING COMPANY&#xA;IRISL MARITIME TRAINING INSTITUTE&#xA;IRITAL SHIPPING SRL&#xA;ISI MARITIME LIMITED&#xA;ISIM AMIN LIMITED&#xA;ISIM ATR LIMITED&#xA;ISIM OLIVE LIMITED&#xA;ISIM SAT LIMITED&#xA;￼ISIM SEA CHARIOT LTD&#xA;ISIM SEA CRESCENT LTD&#xA;ISIM SININ LIMITED&#xA;ISIM TAJ MAHAL LTD&#xA;ISIM TOUR COMPANY LIMITED&#xA;ISLAMIC REPUBLIC OF IRAN SHIPPING LINES JACKMAN SHIPPING COMPANY&#xA;KALA NAFT&#xA;KALAN KISH SHIPPING COMPANY LTD KAPPA NARI NAVIGATION LTD&#xA;KARA SHIPPING AND CHARTERING GMBH KAROON OIL &amp;amp; GAS PRODUCTION COMPANY KAVERI MARITIME INCORPORATION&#xA;KAVERI SHIPPING LLC&#xA;KEY CHARTER DEVELOPMENT LTD. KHALILIPOUR, Said Esmail&#xA;KHANCHI, Ali Reza&#xA;KHAZAR EXPL &amp;amp; PROD CO&#xA;KHAZAR SHIPPING LINES&#xA;KHEIBAR COMPANY&#xA;KING PROSPER INVESTMENTS LTD. KINGDOM NEW LTD&#xA;KINGSWOOD SHIPPING COMPANY LIMITED KISH SHIPPING LINE MANNING COMPANY LAMBDA NARI NAVIGATION LIMITED&#xA;￼LANCING SHIPPING COMPANY LIMITED LOGISTIC SMART LTD&#xA;LOWESWATER LTD&#xA;MACHINE SAZI ARAK&#xA;MAGNA CARTA LIMITED&#xA;MALSHIP SHIPPING AGENCY&#xA;MARBLE SHIPPING LIMITED&#xA;MAROUN OIL &amp;amp; GAS COMPANY MASJED-SOLEYMAN OIL &amp;amp; GAS COMPANY MASTER SUPREME INTERNATIONAL LTD. MAZANDARAN CEMENT COMPANY&#xA;MEHR CAYMAN LTD.&#xA;MELLAT BANK SB CJSC&#xA;MELLI AGROCHEMICAL COMPANY PJS&#xA;MELLI BANK PLC&#xA;MELLI INVESTMENT HOLDING INTERNATIONAL MELODIOUS MARITIME INCORPORATION&#xA;METRO SUPREME INTERNATIONAL LTD. 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KG NARMADA SHIPPING&#xA;NATIONAL IRANIAN DRILLING COMPANY&#xA;NATIONAL IRANIAN GAS COMPANY&#xA;NATIONAL IRANIAN OIL COMPANY&#xA;NATIONAL IRANIAN OIL COMPANY NEDERLAND (A.K.A.: NIOC NETHERLANDS REPRESENTATION OFFICE)&#xA;NATIONAL IRANIAN OIL COMPANY PTE LTD&#xA;NATIONAL IRANIAN OIL COMPANY, INTERNATIONAL AFFAIRS LIMITED NATIONAL IRANIAN OIL ENGINEERING AND CONSTRUCTION COMPANY (NIOEC) NATIONAL IRANIAN OIL PRODUCTS DISTRIBUTION COMPANY (NIOPDC) NATIONAL IRANIAN OIL REFINING AND DISTRIBUTION COMPANY&#xA;NATIONAL IRANIAN TANKER COMPANY&#xA;NEUMAN LTD&#xA;NEW DESIRE LTD&#xA;NEW SYNERGY&#xA;NEWHAVEN SHIPPING COMPANY LIMITED&#xA;NINTH OCEAN ADMINISTRATION GMBH&#xA;NINTH OCEAN GMBH &amp;amp; CO. 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KG&#xA;UNIVERSAL TRANSPORTATION LIMITATION UTL VALFAJR 8TH SHIPPING LINE&#xA;WEST OIL &amp;amp; GAS PRODUCTION COMPANY WESTERN SURGE SHIPPING COMPANY LIMITED WISE LING SHIPPING COMPANY LIMITED ZANJANI, Babak&#xA;ZETA NERI NAVIGATION&#xA;AGHA-JANI, Dawood&#xA;ALAI, Amir Moayyed&#xA;ASGARPOUR, Behman&#xA;ASHIANI, Mohammad Fedai&#xA;ASHTIANI, Abbas Rezaee&#xA;ATOMIC ENERGY ORGANISATION OF IRAN (AEOI) BAKHTIAR, Haleh&#xA;BEHZAD, Morteza&#xA;ESFAHAN NUCLEAR FUEL RESEARCH AND PRODUCTION CENTRE (NFRPC) AND ESFAHAN NUCLEAR TECHNOLOGY CENTRE (ENTC)&#xA;FIRST EAST EXPORT BANK, P.L.C.: HOSSEINI, Seyyed Hussein&#xA;IRANO HIND SHIPPING COMPANY IRISL BENELUX NV&#xA;￼JABBER IBN HAYAN&#xA;KARAJ NUCLEAR RESEARCH CENTRE&#xA;KAVOSHYAR COMPANY&#xA;LEILABADI, Ali Hajinia&#xA;MESBAH ENERGY COMPANY&#xA;MODERN INDUSTRIES TECHNIQUE COMPANY&#xA;MOHAJERANI, Hamid-Reza&#xA;MOHAMMADI, Jafar&#xA;MONAJEMI, Ehsan&#xA;NOBARI, Houshang&#xA;NOVIN ENERGY COMPANY&#xA;NUCLEAR RESEARCH CENTER FOR AGRICULTURE AND MEDICINE PARS TRASH COMPANY&#xA;PISHGAM (PIONEER) ENERGY INDUSTRIES&#xA;QANNADI, Mohammad&#xA;RAHIMI, Amir&#xA;RAHIQI, Javad&#xA;RASHIDI, Abbas&#xA;SABET, M. Javad Karimi&#xA;SAFDARI, Seyed Jaber&#xA;SOLEYMANI, Ghasem&#xA;SOUTH SHIPPING LINE IRAN (SSL)&#xA;TAMAS COMPANY&#xA;￼AEROSPACE INDUSTRIES ORGANISATION, AIO AL YASIN, Javad&#xA;ALUMINAT&#xA;ANSAR BANK&#xA;ARAN MODERN DEVICES ARAS FARAYANDE&#xA;ARFA PAINT COMPANY ARFEH COMPANY&#xA;ARIA NIKAN,&#xA;ARMED FORCES GEOGRAPHICAL ORGANISATION&#xA;ASHTIAN TABLO&#xA;BABAEI, Davoud&#xA;BALS ALMAN&#xA;BANK SADERAT IRAN&#xA;BANK SADERAT PLC&#xA;BARGH AZARAKSH&#xA;BEHNAM SAHRIYARI TRADING COMPANY&#xA;BONYAD TAAVON SEPAH&#xA;BORBORUDI, Sayed Shamsuddin&#xA;DANESHJOO, Kamran&#xA;DARVISH-VAND, IRGC Brigadier-General Javad&#xA;ELECTRONIC COMPONENTS INDUSTRIES&#xA;ESNICO (EQUIPMENT SUPPLIER FOR NUCLEAR INDUSTRIES CORPORATION) ETEMAD AMIN INVEST CO MOBIN&#xA;￼EYVAZ TECHNIC&#xA;FADAVI, Rear Admiral Ali&#xA;FAJR AVIATION COMPOSITE INDUSTRIES FARAHI, IRGC Brigadier-General Seyyed Mahdi FARASEPEHR ENGINEERING COMPANY&#xA;FATAH, Parviz&#xA;GHANI SAZI URANIUM COMPANY&#xA;HAERI, Engineer Mojtaba&#xA;HIRBOD CO&#xA;HOSEYNITASH, IRGC Brigadier-General Ali HOSSEINI NEJAD TRADING CO.&#xA;INSTITUTE OF APPLIED PHYSICS&#xA;IRAN AIRCRAFT INDUSTRIES&#xA;IRAN AIRCRAFT MANUFACTURING COMPANY IRAN CENTRIFUGE TECHNOLOGY COMPANY IRAN COMMUNICATIONS INDUSTRIES&#xA;IRAN COMPOSITES INSTITUTE&#xA;IRAN ELECTRONICS INDUSTRIES&#xA;IRAN MARINE INDUSTRIAL COMPANY&#xA;IRAN POOYA&#xA;IRAN SAFFRON COMPANY OR IRANSAFFRON CO. IRANIAN AVIATION INDUSTRIES ORGANIZATION IRGC AIR FORCE&#xA;IRGC QODS FORCE&#xA;IRGC-AIR FORCE AL-GHADIR MISSILE COMMAND&#xA;￼ISFAHAN OPTICS&#xA;ISLAMIC REVOLUTIONARY GUARD CORPS&#xA;JAFARI, Milad&#xA;JAVEDAN MEHR TOOS&#xA;JELVESAZAN COMPANY&#xA;KARANIR&#xA;KARIMIAN, Ali&#xA;KHALA AFARIN PARS&#xA;KHANSARI, Majid&#xA;MAAA SYNERGY&#xA;MACPAR MAKINA SAN VE TIC&#xA;MAHMUDZADEH, Ebrahim&#xA;MARINE INDUSTRIES&#xA;MAROU SANAT&#xA;MATSA (MOHANDESI TOSEH SOKHT ATOMI COMPANY)&#xA;MECHANIC INDUSTRIES GROUP&#xA;MEHR BANK&#xA;MINISTRY OF DEFENSE AND SUPPORT FOR ARMED FORCES LOGISTICS MOBIN SANJESH&#xA;MODERN TECHNOLOGIES FZC&#xA;MOHAMMADI, Mohammad&#xA;MOHAMMADLU, Brigadier-General Beik&#xA;MOVASAGHNIA, Mohammad Reza&#xA;MULTIMAT LC VE DIS TICARET PAZARLAMA LIMITED SIRKETI NACCACHE, Anis&#xA;￼NADERI, Brigadier-General Mohammad&#xA;NAJJAR, IRGC Brigadier-General Mostafa Mohammad&#xA;NAQDI, BrigGen Mohammad Reza&#xA;NASERI, Mohammad Sadegh&#xA;NASERIN VAHID&#xA;NEDA INDUSTRIAL GROUP&#xA;NEKA NOVIN&#xA;NOAVARAN POOYAMOJ&#xA;NOURI, Ali Ashraf&#xA;OIL INDUSTRY PENSION FUND INVESTMENT COMPANY ORGANISATION OF DEFENSIVE INNOVATION AND RESEARCH PAKPUR, BrigGen Mohammad&#xA;PARCHIN CHEMICAL INDUSTRIES&#xA;PARTO SANAT CO&#xA;PASSIVE DEFENSE ORGANIZATION&#xA;PAYA PARTO&#xA;QASEMI, Rostam (a.k.a. Rostam GHASEMI)&#xA;RAAD IRAN&#xA;RAKA&#xA;RESEARCH CENTRE FOR EXPLOSION AND IMPACT ROSMACHIN&#xA;SAIDI, Hojatoleslam Ali&#xA;SALAMI, BrigGen Hossein&#xA;SAMAN NASB ZAYENDEH ROOD; SAMAN NASBZAINDE ROOD SAMAN TOSE'E ASIA&#xA;￼SAMEN INDUSTRIES&#xA;SCHILLER NOVIN&#xA;SEPANIR OIL AND GAS ENERGY ENGINEERING COMPANY&#xA;SHAFI'I RUDSARI, Rear Admiral Mohammad&#xA;SHAHID AHMAD KAZEMI INDUSTRIAL GROUP&#xA;SHAHID BEHESHTI UNIVERSITY&#xA;SHAKHESE BEHBUD SANAT&#xA;SHAMS, Abolghassem Mozaffari&#xA;SHAMSHIRI, IRGC Brigadier-General Ali&#xA;SHARIF UNIVERSITY OF TECHNOLOGY&#xA;SHETAB G.&#xA;SHETAB GAMAN&#xA;SHETAB TRADING&#xA;SHIRAZ ELECTRONICS INDUSTRIES&#xA;SIMATEC DEVELOPMENT COMPANY&#xA;SOLAT SANA, Abdollah&#xA;SOLTANI, Hamid&#xA;STATE PURCHASING ORGANISATION&#xA;STEP STANDART TEKNIK PARCA SAN VE TIC A.S.&#xA;SUN MIDDLE EAST FZ COMPANY&#xA;SURENA (A.K.A. SAKHD VA RAH-AN- DA-ZI)&#xA;TABA (IRAN CUTTING TOOLS MANUFACTURING COMPANY - TABA TOWLID ABZAR BORESHI IRAN)&#xA;TAGHTIRAN&#xA;TAJHIZ SANAT SHAYAN&#xA;TECHNOLOGY COOPERATION OFFICE OF THE IRANIAN PRESIDENT'S OFFICE&#xA;￼TEST TAFSIR&#xA;TIDEWATER&#xA;TOSSE SILOOHA&#xA;TURBINE ENGINEERING MANUFACTURING VAHIDI, IRGC Brigadier-General Ahmad WEST SUN TRADE GMBH&#xA;Y.A.S. CO. 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BABAIE INDUSTRIES&#xA;MAKIN&#xA;MALEK ASHTAR UNIVERSITY&#xA;MALEKI, Naser&#xA;MINISTRY OF DEFENSE LOGISTICS EXPORT&#xA;MIZAN MACHINERY MANUFACTURING A.K.A.: 3MG NAQDI, Mohammad Reza&#xA;NEJAD NOURI, Mohammad Mehdi&#xA;NIRU BATTERY MANUFACTURING COMPANY&#xA;OMRAN SAHEL&#xA;ORIENTAL OIL KISH&#xA;PARCHIN CHEMICAL INDUSTRIES&#xA;PARS AVIATION SERVICES COMPANY&#xA;PEJMAN INDUSTRIAL SERVICES CORPORATION&#xA;QODS AERONAUTICS INDUSTRIES&#xA;RAH SAHEL&#xA;RAHAB ENGINEERING INSTITUTE&#xA;REZAIE, Morteza&#xA;SABALAN COMPANY&#xA;SAD IMPORT EXPORT COMPANY&#xA;SAFARI, Morteza&#xA;SAFAVI, Yahya Rahim&#xA;￼SAFETY EQUIPMENT PROCUREMENT (SEP) SAHAND ALUMINUM PARTS INDUSTRIAL COMPANY SAHEL CONSULTANT ENGINEERS&#xA;SALIMI, Hosein&#xA;SANAM INDUSTRIAL GROUP&#xA;SEPANIR&#xA;SEPASAD ENGINEERING COMPANY&#xA;SHAHID BAGHERI INDUSTRIAL GROUP (SBIG) SHAHID HEMMAT INDUSTRIAL GROUP (SHIG) SHAHID KARRAZI INDUSTRIES&#xA;SHAHID SATARRI INDUSTRIES&#xA;SHAHID SAYYADE SHIRAZI INDUSTRIES&#xA;SHO’A’ AVIATION.&#xA;SOLEIMANI, Qasem&#xA;SPECIAL INDUSTRIES GROUP&#xA;TABATABAEI, Ali Akbar&#xA;TIZ PARS&#xA;YA MAHDI INDUSTRIES GROUP&#xA;YAS AIR&#xA;YAZD METALLURGY INDUSTRIES&#xA;ZAHEDI, Mohammad Reza&#xA;ZOLQADR, General&#xA;AA ENERGY FZCO&#xA;￼ABAN AIR&#xA;ADVANCE NOVEL LIMITED&#xA;AFZALI, Ali&#xA;AGHA-JANI, Dawood&#xA;AL AQILI GROUP LLC&#xA;AL AQILI, Mohamed Saeed&#xA;AL FIDA INTERNATIONAL GENERAL TRADING AL HILAL EXCHANGE&#xA;ALPHA EFFORT LIMITED&#xA;AMERI, Teymour&#xA;AMIN INVESTMENT BANK*&#xA;ANTARES SHIPPING COMPANY NV&#xA;ARASH SHIPPING ENTERPRISES LIMITED* ARIAN BANK&#xA;ARTA SHIPPING ENTERPRISES LIMITED* ASAN SHIPPING ENTERPRISE LIMITED* ASCOTEC HOLDING GMBH*&#xA;ASCOTEC JAPAN K.K.*&#xA;ASCOTEC MINERAL &amp;amp; MACHINERY GMBH* ASCOTEC SCIENCE &amp;amp; TECHNOLOGY GMBH* ASCOTEC STEEL TRADING GMBH*&#xA;ASHTEAD SHIPPING COMPANY LIMITED ASIA BANK&#xA;ASIA ENERGY GENERAL TRADING (LLC)* ASIA MARINE NETWORK PTE. LTD.&#xA;￼ASSA CO. LTD.&#xA;ASSA CORP.&#xA;ATLANTIC INTERMODAL&#xA;ATOMIC ENERGY ORGANIZATION OF IRAN AZORES SHIPPING COMPANY LL FZE&#xA;BAHADORI, Masoud*&#xA;BANCO INTERNACIONAL DE DESARROLLO, C.A. BANDAR IMAM PETROCHEMICAL COMPANY* BANK KARGOSHAEE&#xA;BANK KESHAVARZI IRAN*&#xA;BANK MARKAZI JOMHOURI ISLAMI IRAN*&#xA;BANK MASKAN*&#xA;BANK MELLAT*&#xA;BANK MELLI IRAN INVESTMENT COMPANY BANK MELLI IRAN*&#xA;BANK MELLI PRINTING AND PUBLISHING CO. 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LTD.&#xA;COBHAM SHIPPING COMPANY LIMITED&#xA;COMMERCIAL PARS OIL CO.*&#xA;CONCEPT GIANT LIMITED&#xA;CREDIT INSTITUTION FOR DEVELOPMENT*&#xA;CRYSTAL SHIPPING FZE&#xA;CYLINDER SYSTEM L.T.D.*&#xA;DAJMAR, Mohhammad Hossein&#xA;￼DANESH SHIPPING COMPANY LIMITED* DARYA CAPITAL ADMINISTRATION GMBH DAVAR SHIPPING CO LTD*&#xA;DENA TANKERS FZE*&#xA;DERAKHSHANDEH, AHMAD DETTIN SPA&#xA;DEY BANK*&#xA;DFS WORLDWIDE DIVANDARI, Ali&#xA;DORKING SHIPPING COMPANY LIMITED EDBI EXCHANGE COMPANY&#xA;EDBI STOCK BROKERAGE COMPANY EFFINGHAM SHIPPING COMPANY LIMITED EGHTESAD NOVIN BANK*&#xA;EIGHTH OCEAN ADMINISTRATION GMBH EIGHTH OCEAN GMBH &amp;amp; CO. KG&#xA;ELEVENTH OCEAN ADMINISTRATION GMBH ELEVENTH OCEAN GMBH &amp;amp; CO. KG&#xA;ESFAHAN NUCLEAR FUEL RESEARCH AND PRODUCTION CENTER ESLAMI, Mansour&#xA;EUROPAISCH-IRANISCHE HANDELSBANK AG* EUROPEAN OIL TRADERS&#xA;EVEREX&#xA;EXECUTION OF IMAM KHOMEINI'S ORDER* EXPORT DEVELOPMENT BANK OF IRAN*&#xA;￼EZATI, Ali&#xA;FAIRWAY SHIPPING LTD&#xA;FAL OIL COMPANY LIMITED&#xA;FARNHAM SHIPPING COMPANY LIMITED&#xA;FARSOUDEH, Houshang&#xA;FAYLACA PETROLEUM&#xA;FERLAND COMPANY LIMITED&#xA;FIFTEENTH OCEAN GMBH &amp;amp; CO. KG&#xA;FIFTH OCEAN ADMINISTRATION GMBH&#xA;FIFTH OCEAN GMBH &amp;amp; CO. KG&#xA;FIRST EAST EXPORT BANK, P.L.C.&#xA;FIRST ISLAMIC INVESTMENT BANK LTD.&#xA;FIRST OCEAN ADMINISTRATION GMBH&#xA;FIRST OCEAN GMBH &amp;amp; CO. KG&#xA;FIRST PERSIA EQUITY FUND&#xA;FOURTEENTH OCEAN GMBH &amp;amp; CO. KG&#xA;FOURTH OCEAN ADMINISTRATION GMBH&#xA;FOURTH OCEAN GMBH &amp;amp; CO. KG&#xA;FUTURE BANK B.S.C.*&#xA;GALLIOT MARITIME INC&#xA;GARBIN NAVIGATION LTD*&#xA;GEORGIAN BUSINESS DEVELOPMENT&#xA;GHADIR INVESTMENT COMPANY*&#xA;GHAED BASSIR PETROCHEMICAL PRODUCTS COMPANY* GHALEBANI, Ahmad*&#xA;￼GHARZOLHASANEH RESALAT BANK*&#xA;GHAVAMIN BANK*&#xA;GHEZEL AYAGH, Alireza&#xA;GOLDEN RESOURCES TRADING COMPANY L.L.C.* GOLDENTEX FZE&#xA;GOLPARVAR, Gholamhossein&#xA;GOMSHALL SHIPPING COMPANY LIMITED GOOD LUCK SHIPPING L.L.C.&#xA;GRACE BAY SHIPPING INC*&#xA;GREAT BUSINESS DEALS&#xA;GREAT METHOD LIMITED&#xA;HADI SHIPPING COMPANY LIMITED* HAFIZ DARYA SHIPPING CO&#xA;HARAZ SHIPPING COMPANY LIMITED* HATEF SHIPPING COMPANY LIMITED* HEKMAT IRANIAN BANK*&#xA;HERCULES INTERNATIONAL SHIP* HERMIS SHIPPING SA*&#xA;HIRMAND SHIPPING COMPANY LIMITED* HODA SHIPPING COMPANY LIMITED* HOMA SHIPPING COMPANY LIMITED* HONAR SHIPPING COMPANY LIMITED* HONG KONG INTERTRADE COMPANY* HORMOZ OIL REFINING COMPANY* HORSHAM SHIPPING COMPANY LIMITED&#xA;￼HOSSEINPOUR, Houshang&#xA;HTTS HANSEATIC TRADE TRUST AND SHIPPING, GMBH&#xA;IDEAL SUCCESS INVESTMENTS LIMITED&#xA;IFIC HOLDING AG*&#xA;IHAG TRADING GMBH*&#xA;IMPIRE SHIPPING COMPANY*&#xA;INDUS MARITIME INC&#xA;INDUSTRIAL DEVELOPMENT AND RENOVATION ORGANIZATION OF IRAN*&#xA;INTERNATIONAL SAFE OIL&#xA;INTRA CHEM TRADING GMBH*&#xA;IRAN &amp;amp; SHARGH COMPANY*&#xA;IRAN &amp;amp; SHARGH LEASING COMPANY*&#xA;IRAN AIR&#xA;IRAN FOREIGN INVESTMENT COMPANY*&#xA;IRAN INSURANCE COMPANY*&#xA;IRAN O HIND SHIPPING COMPANY&#xA;IRAN O MISR SHIPPING COMPANY&#xA;IRAN PETROCHEMICAL COMMERCIAL COMPANY*&#xA;IRAN ZAMIN BANK*&#xA;IRANAIR TOURS&#xA;IRANIAN MINES AND MINING INDUSTRIES DEVELOPMENT AND RENOVATION ORGANIZATION*&#xA;IRANIAN OIL COMPANY (U.K.) LIMITED*&#xA;IRANIAN-VENEZUELAN BI-NATIONAL BANK / JOINT IRAN-VENEZUELA BANK* IRASCO S.R.L.*&#xA;IRINVESTSHIP LTD.&#xA;￼IRISL (MALTA) LIMITED&#xA;IRISL (UK) LTD.&#xA;IRISL CHINA SHIPPING CO., LTD.&#xA;IRISL EUROPE GMBH&#xA;IRISL MARINE SERVICES &amp;amp; ENGINEERING COMPANY IRISL MULTIMODAL TRANSPORT CO.&#xA;IRITAL SHIPPING SRL COMPANY&#xA;ISI MARITIME LIMITED&#xA;ISIM AMIN LIMITED&#xA;ISIM ATR LIMITED&#xA;ISIM OLIVE LIMITED&#xA;ISIM SAT LIMITED&#xA;ISIM SEA CHARIOT LIMITED&#xA;ISIM SEA CRESCENT LIMITED&#xA;ISIM SININ LIMITED&#xA;ISIM TAJ MAHAL LIMITED&#xA;ISIM TOUR LIMITED&#xA;ISLAMIC REGIONAL COOPERATION BANK*&#xA;ISLAMIC REPUBLIC OF IRAN SHIPPING LINES&#xA;JABBER IBN HAYAN JAM PETROCHEMICAL COMPANY&#xA;JASHNSAZ, Seifollah*&#xA;JUPITER SEAWAYS SHIPPING* KADDOURI, Abdelhak KAFOLATBANK*&#xA;￼KALA LIMITED*&#xA;KALA PENSION TRUST LIMITED* KARAFARIN BANK*&#xA;KASB INTERNATIONAL LLC* KAVERI MARITIME INC&#xA;KAVOSHYAR COMPANY KERMAN SHIPPING CO LTD&#xA;KHALILI, Jamshid&#xA;KHAVARMIANEH BANK*&#xA;KHAZAR SEA SHIPPING LINES&#xA;KISH INTERNATIONAL BANK*&#xA;KISH PROTECTION &amp;amp; INDEMNITY&#xA;KONING MARINE CORP*&#xA;KONT INVESTMENT BANK&#xA;KONT KOSMETIK&#xA;KSN FOUNDATION&#xA;KUO OIL PTE. LTD&#xA;LANCELIN SHIPPING COMPANY LIMITED&#xA;LEADING MARITIME PTE. LTD.&#xA;LEILABADI, Ali Hajinia&#xA;LISSOME MARINE SERVICES LLC&#xA;LOGISTIC SMART LIMITED&#xA;LOWESWATER LIMITED&#xA;MACHINE SAZI ARAK CO. LTD.*&#xA;MAHAB GHODSS CONSULTING ENGINEERING COMPANY*&#xA;￼MAHDAVI, Ali&#xA;MALSHIP SHIPPING AGENCY LTD.&#xA;MARANER HOLDINGS LIMITED&#xA;MARBLE SHIPPING LIMITED&#xA;MARJAN PETROCHEMICAL COMPANY* MAZANDARAN CEMENT COMPANY MAZANDARAN TEXTILE COMPANY&#xA;MCS ENGINEERING*&#xA;MCS INTERNATIONAL GMBH*&#xA;MEHR CAYMAN LTD.&#xA;MEHR IRAN CREDIT UNION BANK*&#xA;MEHRAN SHIPPING COMPANY LIMITED* MELLAT BANK SB CJSC&#xA;MELLAT INSURANCE COMPANY*&#xA;MELLI AGROCHEMICAL COMPANY, P.J.S. MELLI BANK PLC&#xA;MELLI INVESTMENT HOLDING INTERNATIONAL MELODIOUS MARITIME INC&#xA;MERSAD SHIPPING COMPANY LIMITED* MESBAH ENERGY COMPANY&#xA;METAL &amp;amp; MINERAL TRADE S.A.R.L.*&#xA;MID OIL ASIA PTE LTD&#xA;MILL DENE LIMITED&#xA;MINAB SHIPPING COMPANY LIMITED*&#xA;MINES AND METALS ENGINEERING GMBH*&#xA;￼MIR BUSINESS BANK ZAO&#xA;MOALLEM INSURANCE COMPANY&#xA;MOBIN PETROCHEMICAL COMPANY*&#xA;MODABER*&#xA;MODALITY LIMITED&#xA;MOGHADDAMI FARD, Mohammad&#xA;MOHADDES, Seyed Mahmoud*&#xA;MOINIE, Mohammad*&#xA;MONSOON SHIPPING LTD*&#xA;MOUNT EVEREST MARITIME INC&#xA;MSP KALA NAFT CO. TEHRAN*&#xA;N.I.T.C. REPRESENTATIVE OFFICE*&#xA;NABIPOUR, Ghasem&#xA;NAFTIRAN INTERTRADE CO. (NICO) LIMITED* NAFTIRAN INTERTRADE CO. (NICO) SARL* NAFTIRAN TRADING SERVICES CO. (NTS) LIMITED* NARI SHIPPING AND CHARTERING GMBH &amp;amp; CO. KG NASIRBEIK, Anahita&#xA;NATIONAL IRANIAN OIL COMPANY PTE LTD* NATIONAL IRANIAN OIL COMPANY*&#xA;NATIONAL IRANIAN TANKER COMPANY LLC* NATIONAL IRANIAN TANKER COMPANY*&#xA;NATIONAL PETROCHEMICAL COMPANY*&#xA;NAYEBI, Pourya&#xA;NEFERTITI SHIPPING COMPANY&#xA;￼NEUMAN LIMITED&#xA;NEW DESIRE LIMITED&#xA;NEW YORK GENERAL TRADING&#xA;NEW YORK MONEY EXCHANGE&#xA;NICO ENGINEERING LIMITED*&#xA;NIKOUSOKHAN, Mahmoud*&#xA;NIKSIMA FOOD AND BEVERAGE JLT&#xA;NINTH OCEAN ADMINISTRATION GMBH&#xA;NINTH OCEAN GMBH &amp;amp; CO. KG&#xA;NIOC INTERNATIONAL AFFAIRS (LONDON) LIMITED* NIZAMI, Anwar Kamal&#xA;NOOR AFZAR GOSTAR COMPANY NOOR ENERGY (MALAYSIA) LTD.*&#xA;NOURI PETROCHEMICAL COMPANY* NOVIN ENERGY COMPANY&#xA;NPC INTERNATIONAL LIMITED*&#xA;NUCLEAR RESEARCH CENTER FOR AGRICULTURE AND MEDICINE NUCLEAR SCIENCE AND TECHNOLOGY RESEARCH INSTITUTE&#xA;OCEAN CAPITAL ADMINISTRATION GMBH&#xA;OIL INDUSTRY INVESTMENT COMPANY*&#xA;OMID REY CIVIL &amp;amp; CONSTRUCTION COMPANY* ONE CLASS PROPERTIES (PTY) LTD.*&#xA;ONE VISION INVESTMENTS 5 (PTY) LTD.* ONERBANK ZAO*&#xA;ORCHIDEA GULF TRADING&#xA;￼P.C.C. (SINGAPORE) PRIVATE LIMITED* PACIFIC SHIPPING DMCEST&#xA;PAJAND, Mohammad Hadi&#xA;PARDIS INVESTMENT COMPANY* PARS MCS*&#xA;PARS OIL AND GAS COMPANY*&#xA;PARS OIL CO.*&#xA;PARS PETROCHEMICAL COMPANY*&#xA;PARS PETROCHEMICAL SHIPPING COMPANY* PARS TRASH COMPANY&#xA;PARSAEI, Reza*&#xA;PARSIAN BANK*&#xA;PARTNER CENTURY LIMITED&#xA;PARVARESH, Farhad Ali&#xA;PASARGAD BANK*&#xA;PEARL ENERGY COMPANY LTD.&#xA;PEARL ENERGY SERVICES, SA&#xA;PERSIA INTERNATIONAL BANK PLC&#xA;PERSIA OIL &amp;amp; GAS INDUSTRY DEVELOPMENT CO.*&#xA;PETRO ENERGY INTERTRADE COMPANY*&#xA;PETRO ROYAL FZE*&#xA;PETRO SUISSE INTERTRADE COMPANY SA* PETROCHEMICAL COMMERCIAL COMPANY (U.K.) LIMITED* PETROCHEMICAL COMMERCIAL COMPANY FZE* PETROCHEMICAL COMMERCIAL COMPANY INTERNATIONAL*&#xA;￼PETROIRAN DEVELOPMENT COMPANY (PEDCO) LIMITED* PETROLEOS DE VENEZUELA S.A. (PDVSA)&#xA;PETROPARS INTERNATIONAL FZE*&#xA;PETROPARS LTD.*&#xA;PETROPARS UK LIMITED*&#xA;PIONEER ENERGY INDUSTRIES COMPANY&#xA;POLAT, Muzaffer&#xA;POLINEX GENERAL TRADING LLC*&#xA;POLYNAR COMPANY*&#xA;POST BANK OF IRAN*&#xA;POURANSARI, Hashem*&#xA;PROTON PETROCHEMICALS SHIPPING LIMITED*&#xA;PRYVATNE AKTSIONERNE TOVARYSTVO AVIAKOMPANIYA BUKOVYNA QANNADI, Mohammad&#xA;QULANDARY, Azizullah Asadullah&#xA;RAHIQI, Javad RASOOL, Seyed Alaeddin Sadat&#xA;REY INVESTMENT COMPANY*&#xA;REY NIRU ENGINEERING COMPANY* REYCO GMBH.*&#xA;REZVANIANZADEH, Mohammed Reza RISHI MARITIME INC&#xA;RISHMAK PRODUCTIVE &amp;amp; EXPORTS COMPANY* ROYAL ARYA CO.*&#xA;ROYAL OYSTER GROUP&#xA;￼ROYAL-MED SHIPPING AGENCY LTD SABET, Javad Karimi&#xA;SACKVILLE HOLDINGS LIMITED&#xA;SADAF PETROCHEMICAL ASSALUYEH COMPANY* SAFDARI, Seyed Jaber&#xA;SAFIRAN PAYAM DARYA SHIPPING COMPANY SAMAN BANK*&#xA;SAMAN SHIPPING COMPANY LIMITED*&#xA;SAMBOUK SHIPPING FZC*&#xA;SANDFORD GROUP LIMITED&#xA;SANTEX LINES LIMITED&#xA;SARKANDI, Ahmad&#xA;SARMAYEH BANK*&#xA;SARV SHIPPING COMPANY LIMITED*&#xA;SECOND OCEAN ADMINISTRATION GMBH&#xA;SECOND OCEAN GMBH &amp;amp; CO. KG&#xA;SEIBOW LIMITED&#xA;SEIBOW LOGISTICS LIMITED&#xA;SEIFI, Asadollah&#xA;SEPID SHIPPING COMPANY LIMITED*&#xA;SEVENTH OCEAN ADMINISTRATION GMBH&#xA;SEVENTH OCEAN GMBH &amp;amp; CO. KG&#xA;SEYYEDI, Seyed Nasser Mohammad*&#xA;SEYYEDI, Seyedeh Hanieh Seyed Nasser Mohammad SHAHID TONDGOOYAN PETROCHEMICAL COMPANY*&#xA;￼SHALLON LIMITED&#xA;SHAZAND PETROCHEMICAL COMPANY*&#xA;SHERE SHIPPING COMPANY LIMITED&#xA;SHIPPING COMPUTER SERVICES COMPANY&#xA;SHOMAL CEMENT COMPANY&#xA;SIMA GENERAL TRADING CO FZE*&#xA;SIMA SHIPPING COMPANY LIMITED*&#xA;SINA BANK*&#xA;SINA SHIPPING COMPANY LIMITED*&#xA;SINGA TANKERS PTE. LTD.&#xA;SINO ACCESS HOLDINGS LIMITED&#xA;SINOSE MARITIME PTE. LTD.&#xA;SIQIRIYA MARITIME CORP.&#xA;SIXTH OCEAN ADMINISTRATION GMBH&#xA;SIXTH OCEAN GMBH &amp;amp; CO. KG&#xA;SMART DAY HOLDINGS GROUP LIMITED&#xA;SOKOLENKO, Vitaly&#xA;SORINET COMMERCIAL TRUST (SCT) BANKERS&#xA;SOROUSH SARZAMIN ASATIR SHIP MANAGEMENT COMPANY SOUTH SHIPPING LINE IRAN&#xA;SPEEDY SHIP FZC&#xA;SPRINGTHORPE LIMITED&#xA;STARRY SHINE INTERNATIONAL LIMITED&#xA;SWISS MANAGEMENT SERVICES SARL*&#xA;SYNERGY GENERAL TRADING FZE*&#xA;￼SYSTEM WISE LIMITED&#xA;TABATABAEI, Seyyed Mohammad Ali Khatibi*&#xA;TABRIZ PETROCHEMICAL COMPANY*&#xA;TADBIR BROKERAGE COMPANY*&#xA;TADBIR CONSTRUCTION DEVELOPMENT COMPANY*&#xA;TADBIR ECONOMIC DEVELOPMENT GROUP*&#xA;TADBIR ENERGY DEVELOPMENT GROUP CO.*&#xA;TADBIR INVESTMENT COMPANY*&#xA;TAFAZOLI, Ahmad&#xA;TALAI, Mohamad&#xA;TAMAS COMPANY&#xA;TAT BANK*&#xA;TC SHIPPING COMPANY LIMITED*&#xA;TENTH OCEAN GMBH &amp;amp; CO. KG&#xA;THE EXPLORATION AND NUCLEAR RAW MATERIALS PRODUCTION COMPANY&#xA;THE NUCLEAR REACTORS FUEL COMPANY THIRD OCEAN ADMINISTRATION GMBH&#xA;THIRD OCEAN GMBH &amp;amp; CO. KG&#xA;THIRTEENTH OCEAN GMBH &amp;amp; CO. KG TONGHAM SHIPPING CO LTD&#xA;TOP GLACIER COMPANY LIMITED&#xA;TOP PRESTIGE TRADING LIMITED&#xA;TOSEE EQTESAD AYANDEHSAZAN COMPANY* TOSEE TAAVON BANK*&#xA;TOURISM BANK*&#xA;￼TRADE TREASURE LIMITED&#xA;TRUE HONOUR HOLDINGS LIMITED TWELFTH OCEAN ADMINISTRATION GMBH TWELFTH OCEAN GMBH &amp;amp; CO. 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×&#xA;NATIONAL IRANIAN TANKER COMPANY&#xA;￼￼￼￼V essel&#xA;￼￼9569671&#xA;￼￼￼￼￼￼DEMOS ×&#xA;￼￼￼￼NATIONAL IRANIAN TANKER COMPANY&#xA;￼￼￼￼￼￼￼￼￼V essel&#xA;￼￼￼￼￼￼￼9569683&#xA;￼￼￼￼￼￼YANGZHOU DAYANG DY905 ×&#xA;NATIONAL IRANIAN TANKER COMPANY&#xA;￼￼￼￼V essel&#xA;￼￼9575424&#xA;￼￼￼￼￼￼￼SUNRISE ×&#xA;￼￼￼￼￼￼NATIONAL IRANIAN TANKER COMPANY&#xA;￼￼￼￼￼￼￼￼￼V essel&#xA;￼￼￼￼￼￼￼￼￼9615092&#xA;￼￼￼&#xA;￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼ANTHEM&#xA;SIQIRIYA MARITIME CORP&#xA;V essel&#xA;8310669&#xA;￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼JAFFNA&#xA;SIQIRIYA MARITIME CORP&#xA;V essel&#xA;8609515&#xA;￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼OLYSA&#xA;SIQIRIYA MARITIME CORP&#xA;V essel&#xA;9001605&#xA;￼￼￼￼￼￼￼￼￼￼ABBASI-DAVANI, Fereidoun&#xA;ADVANCE ELECTRICAL AND INDUSTRIAL TECHNOLOGIES SL ALUMINAT&#xA;ANDISHEH ZOLAL&#xA;ARIA NIKAN MARINE INDUSTRY&#xA;BUJAR, Farhad&#xA;DAYENI, Mahmoud Mohammadi&#xA;EYVAZ TECHNIC MANUFACTURING COMPANY FAKHRIZADEH-MAHABADI, Mohsen FARATECH&#xA;FARAYAND TECHNIQUE&#xA;FULMEN GROUP&#xA;IMANIRAD, Arman&#xA;IMANIRAD, Mohammad Javad&#xA;IRAN CENTRIFUGE TECHNOLOGY COMPANY IRAN POOYA&#xA;JAHAN TECH ROOYAN PARS&#xA;￼JAVEDAN MEHR TOOS&#xA;KAHVARIN, Iradj Mohammadi&#xA;KALAYE ELECTRIC COMPANY&#xA;KHAKI, Parviz&#xA;MANDEGAR BASPAR KIMIYA COMPANY&#xA;MARO SANAT COMPANY&#xA;MODERN INDUSTRIES TECHNIQUE COMPANY&#xA;NEDA INDUSTRIAL GROUP&#xA;NEKA NOVIN&#xA;PARTO SANAT CO.&#xA;PAYA PARTOV CO.&#xA;PENTANE CHEMISTRY INDUSTRIES&#xA;PETRO GREEN&#xA;PISHRO SYSTEMS RESEARCH COMPANY&#xA;POUYA CONTROL&#xA;PUNTI, Pere&#xA;RAHIMYAR, Amir Hossein&#xA;SIMATIC DEVELOPMENT CO.&#xA;TAGHTIRAN KASHAN COMPANY&#xA;TANIDEH, Hossein&#xA;TARH O PALAYESH&#xA;THE ORGANIZATION OF DEFENSIVE INNOVATION AND RESEARCH TOWLID ABZAR BORESHI IRAN&#xA;WISSER, Gerhard&#xA;YASA PART&#xA;￼ZOLAL IRAN COMPANY&#xA;Denotes Iranian financial institutions and individuals and entities identified as GOI by the Office of Foreign Assets Control (OFAC). U.S. persons and foreign entities owned or controlled by a U.S. person will continue to be prohibited from transactions with these individuals and entities, pursuant to the Iranian Transactions and Sanctions Regulations.&#xA;Annex III - Civil Nuclear Cooperation A. General&#xA;￼￼￼￼￼￼￼￼1. Iran and E3/EU+3 decided to co-operate, among others, including through IAEA technical cooperation, where appropriate, and without prejudice to the existing bilateral agreements, in different areas of civil nuclear co-operation to be developed within the framework of this JCPOA, as detailed in this Annex. In this context, the Joint Commission will also support assistance to Iran, including through IAEA technical cooperation projects, as appropriate.&#xA;2. All civil nuclear cooperation projects under this JCPOA will be mutually determined by the participating states and will be consistent with the JCPOA and the national laws and regulations of the participating parties.&#xA;￼￼3. The civil nuclear and scientific cooperation projects envisioned between Iran and the E3/EU+3 as part of this JCPOA may be undertaken in a variety of formats, with a variety of potential participants. A given project undertaken by the E3/EU+3 will not necessarily include participation by all E3/EU+3 parties:&#xA;￼&#xA;￼3. bilateral or multilateral cooperation arrangements with Iran. Such arrangements would be mutually determined by the participating states.&#xA;￼￼3. projects under the auspices of the IAEA, either through IAEA technical co-operation projects including through Project and Supply Agreements.&#xA;￼￼3. through International Science and Technology Centres.&#xA;2.&#xA;B. Reactors, Fuels and Associated Technologies, Facilities and Processes&#xA;￼￼1. 2.&#xA;￼￼Specifically, E3/EU+3 parties will undertake, to develop nuclear co-operation with Iran, in particular within the following areas:&#xA;￼￼4. Modern light water power and research reactors and associated equipment, technologies and facilities&#xA;￼E3/EU+3 parties, as appropriate, will facilitate Iran’s acquisition of light-water research and power reactors, for research, development and testing, and for the supply of electricity and desalination, with arrangements for the assured supply of nuclear fuel and the removal of spent fuel as provided for in relevant contracts, for each reactor provided. This may include the following areas for co-operation:&#xA;￼4. Construction as well as effective and safe operation of new light water power reactors and associated equipment, according to Generation III+ requirements, including small and medium sized nuclear reactors, including joint design and manufacturing, as appropriate.&#xA;￼4. Construction of state of the art light water moderated multipurpose research reactors capable of testing fuel pins, assembly prototypes and structural materials with associated related facilities, including joint design and manufacturing, as appropriate.&#xA;4. Supply of state-of-the-art instrumentation and control systems for the above research and power reactors, including joint design and manufacturing, as appropriate;&#xA;4. Supply of nuclear simulation and calculation codes and software solutions with regard to the above areas, including joint development, as appropriate;&#xA;4. Supply of first and second loop main equipment as well as core of the above research and power reactors, including joint design and manufacturing, as appropriate;&#xA;4. On-the-job training on fuel management scenarios and reshuffling for the above research and power nuclear reactors;&#xA;4. Joint technical review of Iran’s current nuclear reactors, upon the request by Iran, in order to upgrade current equipment and systems, including concerning nuclear safety;&#xA;5. Arak Modernisation Project&#xA;￼5. As described in Section B of Annex I, an international partnership composed&#xA;of E3/EU+3 parties and Iran, which may subsequently be enlarged to include mutually determined third countries will be established, to support and facilitate the redesign and rebuilding of the IR-40 reactor at Arak into a modernised, not exceeding 20MWth, heavy-water moderated and cooled research reactor, based on the agreed conceptual design (as attached to Annex I).&#xA;5. Iran will take the leadership role as the owner and as the project manager, and have responsibility for overall implementation of the Arak modernisation project. A Working Group composed of E3/EU+3 participants will be established to support and facilitate the redesigning and rebuilding of the reactor. An international partnership composed of Iran and the Working Group would implement the Arak modernisation project, with E3/EU+3 participants assuming responsibilities as described in Annex I. The Working Group could be enlarged to include other&#xA;￼countries by consensus of the participants of the Working Group and&#xA;Iran. E3/EU+3 participants and Iran will conclude an official document expressing their strong commitments to the Arak modernisation project in advance of Implementation Day which would provide an assured path forward to modernise the reactor and would define the responsibilities assumed by the E3/EU+3 participants, especially in the key areas such as redesign, design review and certification, reactor core manufacturing, fuel design, fabrication and supply, safety and security, spent fuel treatment or disposition, as well as concerning the supply of materials, equipment, instrumentation and control systems, and subsequently contracts would be concluded. The participants of the Working Group will provide assistance needed by Iran for redesigning and rebuilding the reactor, consistent with their respective national laws, in such a manner as to enable the safe and timely construction and commissioning of the modernised reactor.&#xA;5. Iran and the Working Group will cooperate to develop the final design of the modernised reactor and the design of the subsidiary laboratories to be carried out by Iran, and review conformity with international safety standards, such that the reactor can be licensed by the relevant Iranian regulatory authority for commissioning and operation.&#xA;5. Iran will continue to assume the primary responsibility for financing the modernisation project. Additional funding arrangements for the project, including for IAEA projects supporting the Arak modernisation project, will be determined based on the official document and contracts to be subsequently concluded.&#xA;￼6. Nuclear Fuel&#xA;￼6. E3/EU+3 parties, as appropriate, will support assistance to Iran, including through the IAEA, as appropriate, in meeting international qualification standards for nuclear fuel fabricated by Iran.&#xA;6. E3/EU+3 parties will seek to cooperate regarding the supply of modern fuels, including, as appropriate, joint design and fabrication, the relevant licenses and fabrication technologies and equipment and related infrastructure, for current and future nuclear research and power reactors, including technical assistance on&#xA;￼purification processes, forming and metallurgical activities for different types of nuclear fuel clads and cladding for the modernised Arak heavy water research reactor.&#xA;￼C. Research and Development (R&amp;amp;D) Practices&#xA;￼7. To implement other aspects of this JCPOA and in support of a broader opening of scientific engagements between the E3/EU+3 and Iran, the E3/EU+3 and Iran will seek cooperation and scientific exchange in the field of nuclear science and technology:&#xA;￼7. Accelerator-based nuclear physics and nuclear astrophysics research, and stable isotope production in international collaboration at the nuclear, physics, and technology centre at the Fordow facility. Iran will request from the E3/EU+3 and other interested parties specific proposals for cooperative international nuclear, physics, and technology projects and will host an international workshop to review these proposals. The goal is to realise international collaborative projects within a few years. The transitioning to stable isotope production of two cascades will be conducted in a joint partnership between the Russian Federation and Iran on the basis of arrangements to be mutually agreed upon.&#xA;7. Plasma physics and nuclear fusion;&#xA;7. Research reactor applications at the TRR, modernized Arak reactor, or at other future research reactors in Iran, such as:&#xA;￼1. Training&#xA;2. Radio-isotope production and utilization&#xA;3. Nuclear desalination&#xA;4. Neutron transmutation doping&#xA;5. Neutron activation analysis&#xA;6. Neutron capture therapy&#xA;7. Neutron imaging and materials characterization studies using neutron beams&#xA;￼7. E3/EU+3 parties and Iran could also explore co-operation in the following additional areas:&#xA;￼1. Design, manufacture and/or assembly of in-core measuring instrumentation and technologies;&#xA;2. Nuclear instrumentation and control, systems and electronics design, manufacture and/or assembly;&#xA;3. Fusion technology and plasma physics and related infrastructure and facilitating contribution of Iran to the International Thermonuclear Experimental Reactor (ITER) Project and/or similar projects, including relevant IAEA technical cooperation projects;&#xA;4. Neutrino astronomy;&#xA;5. Design and manufacturing, and supply, of different types of accelerators and supply of related equipment including through relevant IAEA technical cooperation projects;&#xA;6. Data acquisition and processing software and interface equipment;&#xA;￼￼D. Nuclear Safety, Safeguards and Security 8. Nuclear safety&#xA;￼￼E3/EU+3 parties, and possibly other states, as appropriate, are prepared to cooperate with Iran to establish a Nuclear Safety Centre in Iran, engage in workshops and training events in Iran to support interactions between Iranian nuclear regulatory authorities and those from the E3/EU+3 and elsewhere to, among other things, share lessons learned on establishing and maintaining regulatory independence and effectiveness, and training on implementing nuclear safety culture and best practices; facilitate exchanges and visits to nuclear regulatory authorities and nuclear power plants outside of Iran focusing on best practices for safe operation; and enhance and strengthen domestic emergency preparedness and severe accident management capability.&#xA;Provide support and assistance to enable Iran to join relevant conventions on nuclear safety and security, e.g. through workshops or seminars furthering accession to such&#xA;￼commitments. Such workshops or seminars could also take place under the auspices of the IAEA.&#xA;E3/EU+3 parties, and possibly other states, as appropriate, will co-operate with Iran in the following areas of nuclear safety, as well as in other areas to be mutually agreed:&#xA;￼￼8. Conclusion of bilateral/multilateral agreements with related organisations and research centres;&#xA;8. Supply of valid codes, instruments and equipment related to nuclear safety;&#xA;8. Facilitate exchange of knowledge and experience in the area of nuclear safety;&#xA;8. Enhance and strengthen domestic emergency preparedness and severe accident management capability;&#xA;8. Arrange on-the-job training and apprenticeship courses for reactor and facility operators, regulatory authority personnel and related supportive organizations in the area of nuclear safety inside and outside of Iran;&#xA;8. Establish a Nuclear Safety Centre in Iran, which shall be equipped with necessary tools, techniques and equipment, in order to support and facilitate technical and professional training and exchange of lessons-learned for reactor and facility operators, regulatory authority personnel and related supportive organizations;&#xA;9. Nuclear Safeguards&#xA;￼E3/EU+3 parties, and possibly other states, as appropriate, are prepared to cooperate with Iran on the effective and efficient implementation of IAEA safeguards and transparency measures in Iran. Co-operation in the following areas can be envisaged:&#xA;￼9. Cooperation in the form of on-the-job trainings and workshops to strengthen nuclear material accounting and control process, human resource development, and quality assurance/quality control processes;&#xA;9. E3/EU+3 parties, and other states, as appropriate, are prepared to cooperate with Iran for the effective and efficient implementation of IAEA safeguards and transparency measures in Iran.&#xA;9. This cooperation could take the form of training and workshops to strengthen Iran’s safeguards regulatory authority, nuclear material accounting and control processes, human resource development, and quality assurance/quality control processes.&#xA;￼￼10. Nuclear Security&#xA;￼E3/EU+3 parties, and possibly other states, as appropriate, are prepared to cooperate with Iran on the implementation of nuclear security guidelines and best practices. Co- operation in the following areas can be envisaged:&#xA;￼10. Co-operation in the form of training courses and workshops to strengthen Iran's ability to prevent, protect and respond to nuclear security threats to nuclear facilities and systems as well as to enable effective and sustainable nuclear security and physical protection systems;&#xA;10. Co-operation through training and workshops to strengthen Iran’s ability to protect against, and respond to nuclear security threats, including sabotage, as well as to enable effective and sustainable nuclear security and physical protection systems.&#xA;￼E. Nuclear Medicine and Radioisotopes, Associated Technologies, Facilities and Processes&#xA;￼11. E3/EU+3 parties, as appropriate, are prepared to cooperate with Iran to improve the utilization of nuclear medicine in Iran in order to enhance Iran's expertise in diagnostic&#xA;￼imaging and radiotherapy, increase the availability of medical radioisotopes for diagnosis and treatment of Iranian citizens, and facilitate Iran’s participation in the broader international scientific and nuclear medicine community. Such cooperation may include:&#xA;￼11. Upgrades to the infrastructure associated with existing cyclotron facilities, including for medical radioisotopes production.&#xA;11. Facilitating Iranian acquisition of a new cyclotron, and associated radio-pharmacy equipment, for medical radioisotopes production.&#xA;11. Acquisition of state-of-the-art diagnostic imaging and radiotherapy equipment for existing or new nuclear medicine centers, including co-operation between hospitals for the treatment of individual patients.&#xA;11. Cooperation on occupational and patient dosimetry procedures.&#xA;11. Improved target utilization to increase radioisotope production.&#xA;11. Acquisition of radioisotope sources for bracho therapy, and radiotherapy instrument calibration, and other medical and industrial applications.&#xA;11. Supply of state-of-the art radio-medicine center and necessary laboratories.&#xA;￼F. Waste Management and Facility Decommissioning&#xA;￼12. E3/EU+3 parties, as appropriate, are prepared to cooperate with Iran in the safe, effective, and efficient management and disposition of nuclear and radiological wastes derived from Iran's nuclear fuel cycle activities and nuclear medicine, radioisotope production and/or consumption activities.&#xA;13. E3/EU+3 parties, as appropriate, are prepared to cooperate with Iran in areas of safe, effective, and environmentally friendly best practices for facility decontamination and decommissioning, including co-operation on long term storage facilities for the repository of low and medium level waste.&#xA;￼14. E3/EU+3 parties, as appropriate, are prepared to facilitate exchanges and visits to relevant sites and locations outside of Iran related to effective waste management and best practices.&#xA;15. E3/EU+3 parties, as appropriate, will facilitate the supply of appropriate equipment and systems for waste management and depository facilities in Iran.&#xA;￼G. Other projects&#xA;￼16. Other projects may be implemented between the relevant E3/EU+3 parties and Iran, as mutually determined by the participants in the JCPOA, including in the following areas:&#xA;￼16. Construction of nuclear desalination and associated infrastructure in Iran;&#xA;16. Development of laser technology for medical applications (e.g. for eye surgery);&#xA;￼Annex IV – Joint Commission&#xA;￼1. Establishment, Composition, and Coordinator&#xA;￼1. The Joint Commission is established to carry out the functions assigned to it in the JCPOA, including its Annexes.&#xA;1. The Joint Commission is comprised of representatives of Iran and the E3/EU+3 (China, France, Germany, the Russian Federation, the United Kingdom, and the United States, with the High Representative of the Union for Foreign Affairs and Security Policy), together, the JCPOA participants.&#xA;1. The Joint Commission may establish Working Groups in particular areas, as appropriate.&#xA;￼1. The High Representative of the Union for Foreign Affairs and Security Policy ('High Representative'), or his/her designated representative will serve as the Coordinator of the Joint Commission.&#xA;￼￼2. Functions&#xA;2. The Joint Commission will perform the following functions:&#xA;￼￼1. Review and approve the final design for the modernized heavy water research reactor and the design of the subsidiary laboratories prior to the commencement of construction, and review and approve the fuel design for the modernized heavy water research reactor as provided for in Section B of Annex I;&#xA;2. Review and approve, upon request by Iran, development, acquisition, construction or operation of hot cells (containing a cell or interconnected cells), shielded cells or shielded glove boxes with dimensions beyond 6 cubic meters in volume and specifications set out in Annex I of the Additional Protocol, as provided for in paragraph 21 of Annex I;&#xA;3. Review and approve plans submitted by Iran to initiate R&amp;amp;D on uranium metal based TRR fuel, as provided for in paragraph 26 of Annex I;&#xA;4. Review and approve, upon request by Iran, projects on new types of centrifuges to proceed to a prototype stage for mechanical testing, as provided for in paragraph 43 of Annex I;&#xA;5. Receive information in advance about the specific projects that will be undertaken at Fordow, as provided for in paragraph 44 of Annex I;&#xA;6. Receive information about the conceptual framework of stable isotope production at Fordow, as provided for in paragraph 46.1 of Annex I;&#xA;￼￼1. Assess and then approve, upon request by Iran, that fuel assemblies manufactured in Iran and their intermediate products cannot be readily reconverted into UF6, based on&#xA;￼the objective technical criteria, with the goal of enabling fuel to be fabricated in Iran, as provided in paragraph 59 of Annex I;&#xA;2. Support assistance to Iran, including through IAEA technical cooperation as appropriate, in meeting international qualification standards for nuclear fuel produced by Iran, as provided for in paragraph 59 of Annex I;&#xA;3. Review and approve in advance, upon request by Iran, engagement by Iran, including through export of any enrichment or enrichment related equipment and technology, with any other country, or with any foreign entity in enrichment and enrichment related activities, including related research and development, as provided for in paragraph 73 in Annex I;&#xA;4. Provide consultation, and advise on the necessary means in the context of access as specified in paragraph 78 of Annex I;&#xA;5. Review and approve in advance, upon request by Iran, the design, development, fabrication, acquisition, or use for non-nuclear purposes of multi-point explosive detonation systems suitable for a nuclear explosive device and explosive diagnostic systems (streak cameras, framing cameras and flash x-ray cameras) suitable for the development of a nuclear explosive device, as provided for in paragraphs 82.2 and 82.3 of Annex I;&#xA;6. Review and consult to address issues arising from the implementation of sanctions lifting as specified in this JCPOA and its Annex II;&#xA;7. Review and decide on proposals for nuclear-related transfers to or activities with, Iran, in accordance with Section 6 of this Annex and the United Nations Security Council resolution endorsing this JCPOA;&#xA;8. Review, with a view to resolving, any issue that a JCPOA participant believes constitutes nonperformance by another JCPOA participant of its commitments under the JCPOA, according to the process outlined in the JCPOA;&#xA;9. Adopt or modify, as necessary, procedures to govern its activities;&#xA;10. Consult and provide guidance on other implementation matters that may arise under the JCPOA.&#xA;￼￼3. Procedures&#xA;3. The Joint Commission will meet on a quarterly basis and at any time upon request of a JCPOA participant to the Coordinator. The Coordinator will convene a meeting of the Joint Commission to be held no later than one week following receipt of such a request, except for consultations in accordance with Section Q of Annex I and any other matter that the Coordinator and/or a JCPOA participant deem urgent, in which case the meeting will be convened as soon as possible and not later than three calendar days from receipt of the request.&#xA;3. Meetings of the Joint Commission will be held in New York, Vienna, or Geneva as appropriate. The host country should facilitate entry formalities for those attending such meetings.&#xA;3. The Joint Commission may decide by consensus to invite observers to attend its meetings.&#xA;3. Except as provided in Section 6 of this Annex which will be subject to the confidentiality procedure of the UN, the work of the Joint Commission is confidential and may be shared only among JCPOA participants and observers as appropriate, unless the Joint Commission decides otherwise.&#xA;￼￼4. Decisions&#xA;￼4. Except as stated otherwise in this Annex, decisions by the Joint Commission are to be made by consensus.&#xA;4. Each JCPOA participant will have one vote. Decisions of the Joint Commission are to be taken by the Representative or the Deputy Representative or other such alternate as the JCPOA participant may designate.&#xA;￼4. The vote of each JCPOA participant will be made known to all other JCPOA participants if any JCPOA participant requests a recorded vote.&#xA;4. Matters before the Joint Commission pursuant to Section Q of Annex I are to be decided by consensus or by affirmative vote of five JCPOA participants. There is no quorum requirement.&#xA;4. The Coordinator will not take part in decision-making on nuclear-related transfers and activities as set out in Section 6 of this Annex.&#xA;￼￼5. Other&#xA;5. Each JCPOA participant will be responsible for its own costs of participating in the Joint&#xA;Commission, unless the Joint Commission decides otherwise.&#xA;5. JCPOA participants may request that the Coordinator circulates a notification to the other JCPOA participants at any time. Upon such a request, the Coordinator will circulate such notification without delay to all JCPOA participants.&#xA;￼￼6. Procurement Working Group&#xA;￼6. With the purpose of establishing a procurement channel, the Joint Commission will, except as otherwise provided by the United Nations Security Council resolution endorsing this JCPOA, review and decide on proposals by states seeking to engage in:&#xA;7. the supply, sale or transfer directly or indirectly from their territories, or by their nationals or using their flag vessels or aircraft to, or for the use in or benefit of, Iran, and whether or not originating in their territories, of all items, materials, equipment, goods and technology set out in INFCIRC/254/Rev.12/Part 1, and, if the end-use will be for Iran's nuclear programme set out in this JCPOA or other non-nuclear civilian end-use, all items, materials, equipment, goods and technology set out in INFCIRC/254/Rev.9/Part 2 (or the most recent version of these documents as&#xA;￼updated by the Security Council), as well as any further items if the relevant State determines that they could contribute to activities inconsistent with the JCPOA; and,&#xA;8. the provision to Iran of any technical assistance or training, financial assistance, investment, brokering or other services related to the supply, sale, transfer, manufacture, or use of the items, materials, equipment, goods and technology described in subparagraph (a) above;&#xA;9. acquisition by Iran of an interest in a commercial activity in another State involving uranium mining, production or use of nuclear materials and technologies as listed in INFCIRC/254/Rev.12/Part 1, and such investments in territories under their jurisdiction by Iran, its nationals, and entities incorporated in Iran or subject to its jurisdiction, or by individuals or entities acting on their behalf or direction, or by entities owned or controlled by them.&#xA;￼6. The Joint Commission will discharge its responsibility for reviewing and making recommendations on proposals for nuclear-related transfers to or activities with Iran through a Procurement Working Group.&#xA;6. Each E3+3 State and Iran will participate in the Procurement Working Group. The High Representative will serve as the Coordinator of the Procurement Working Group.&#xA;6. Except as otherwise provided by the Joint Commission or the United Nations Security Council resolution endorsing this JCPOA, the Procurement Working Group will consider proposals according to the following process:&#xA;￼1. Upon receipt of a proposal, including all necessary supporting information, by a State seeking to engage in transfers and activities referenced in Section 6.1, the Coordinator will forward the proposal, through appropriate means, without delay to the Procurement Working Group and, when the proposal relates to items, material, equipment, goods and technology intended to be used in nuclear activities authorized by the JCPOA, to the IAEA. The Procurement Working Group will have up to 30 working days to consider and decide on the proposal.&#xA;￼2. “Necessary supporting information” for purposes of Section 6.4.1 means: (a) a description of the item; (b) the name, address, telephone number, and email address of the exporting entity; (c) the name, address, telephone number, and email address of the importing entity; (d) a statement of the proposed end-use and end use location, along with an end-use certification signed by the AEOI or the appropriate authority of Iran attesting the stated end-use; (e) export license number if available; (f) contract date, if available; and (g) details on transportation, if available; provided that if any of the export license number, contract date, or details on transportation are not available as of the time of submittal of the proposal, such information will be provided as soon as possible and in any event as condition of approval prior to shipment of the item.&#xA;3. Each participant in the Procurement Working Group will have to communicate to the Coordinator, within 20 working days, whether it approves or rejects the proposal. The timeline for consideration may be extended for an additional period of 10 working days at the request of a participant of the Procurement Working Group.&#xA;4. The proposal will be recommended for approval as soon as the Coordinator receives formal approvals from all the Procurement Working Group Participants or if, at the end of the 30 working day period, the Coordinator has received no disapprovals from any of the Procurement Working Group Participants. If at the end of the 30 working day period, the proposal has not been recommended for approval, the proposal may, at the request of at least two Working Group Participants within 5 working days, be referred to the Joint Commission, which would decide on approval of the proposal by consensus within 10 working days. Otherwise the proposal will be recommended for disapproval. The disapproving JCPOA participant(s) should provide relevant information regarding the disapproval to the Joint Commission as appropriate, taking into account the need to protect confidential information.&#xA;5. The Coordinator will communicate the recommendation of the Joint Commission to the United Nations Security Council no later than 35 working days, or in case of referral to the Joint Commission no later than 45 working days from the date the&#xA;￼Coordinator transmitted the proposal and all necessary supporting information to the Procurement Working Group.&#xA;6. Except as decided otherwise by consensus, the Procurement Working Group will meet every three weeks for reviewing the proposals. When some of the proposals to be reviewed relate to items, material, equipment, goods and technology intended to be used in nuclear activities authorized by the JCPOA, the IAEA may be invited to attend the meeting as an observer.&#xA;￼6. All JCPOA participants will act in accordance with the procurement channel and will only engage in transfers and activities referenced in Section 6.1 following approval by the Joint Commission and the United Nations Security Council. Iran will not use, acquire, or seek to procure the items, materials, equipment, goods, and technology referred to in Section 6.1 of this Annex for nuclear activities which are inconsistent with this JCPOA.&#xA;6. Any JCPOA participant may refer a procurement-related activity to the Joint Commission under the dispute settlement mechanism if it is concerned that such activity is inconsistent with this JCPOA.&#xA;6. Iran will provide to the IAEA access to the locations of intended use of all items, materials, equipment, goods and technology set out in INFCIRC/254/Rev.12/Part 1 (or the most recent version of these documents as updated by the Security Council) imported following the procedure under Section 6 of this Annex.&#xA;6. Iran will permit the exporting state to verify the end-use of all items, materials, equipment, goods and technology set out in INFCIRC/254/Rev.9/Part 2 (or the most recent version of these documents as updated by the Security Council) imported following the procedure under Section 6 of this Annex. Upon request of the exporting state, or if the Joint Commission deems necessary when approving a proposal for transfer, the Joint Commission will provide expertise to the exporting state, including experts, as needed, to participate in the end-use verification.&#xA;￼6. The Procurement Working Group will respond to requests for guidance on procurement activities from third parties, as communicated by the Coordinator. The Procurement Working Group will endeavor to respond to such requests for guidance within 9 working days from the date the Coordinator submits it to the Procurement Working Group.&#xA;6. The Joint Commission will report to the United Nations Security Council at least every 6 months on the status of the Procurement Working Group's decisions and on any implementation issues.&#xA;￼￼7. Working Group on Implementation of Sanctions Lifting&#xA;7. The Joint Commission will discharge its responsibilities for reviewing and consulting on issues related to the implementation of sanctions lifting as specified in this JCPOA assisted by a working group on the implementation of sanctions lifting.&#xA;7. The Joint Commission participants will participate in this working group. The High Representative will serve as coordinator of this working group.&#xA;7. If at any time following the implementation day Iran believes that any other nuclear- related sanction or restrictive measure including related designations of the E3/EU+3 is preventing the full implementation of the sanctions lifting as specified in this JCPOA, the JCPOA participant in question will consult with Iran with a view to resolving the issue. If they are not able to resolve the issue, Iran or any member of the E3/EU+3 may refer the issue to the working group.&#xA;7. The participants of the working group will review and consult, with a view to resolving the issue within 30 working days.&#xA;7. If after involvement of the working group, the issue remains unresolved, any participant of the JCPOA may refer it to the Joint Commission.&#xA;￼Annex V - Implementation Plan&#xA;￼1. This Annex describes the sequence of the actions specified in Annexes I and II to this JCPOA.&#xA;￼A. Finalisation Day&#xA;￼￼2. Upon conclusion of the negotiations of this JCPOA, the E3/EU+3 (China, France, Germany, the Russian Federation, the United Kingdom and the United States, with the High Representative of the European Union for Foreign Affairs and Security Policy) and Iran will endorse this JCPOA.&#xA;3. Promptly after the conclusion of the negotiations of this JCPOA, the proposed UN Security Council resolution referred to in Section 18 of this Annex will be submitted to the UN Security Council for adoption without delay.&#xA;4. The EU will promptly endorse the UN Security Council resolution referred to above through Council Conclusions.&#xA;5. Iran and the IAEA will start developing necessary arrangements to implement all transparency measures provided for in this JCPOA so that such arrangements are completed, in place, and ready for implementation on Implementation Day.&#xA;￼B. Adoption Day&#xA;￼￼6. Adoption Day will occur 90 days after the endorsement of this JCPOA by the UN Security Council through the resolution referred to above, or at an earlier date by mutual consent of all JCPOA participants, at which point this JCPOA comes into effect.&#xA;7. Beginning on Adoption Day, JCPOA participants will make necessary arrangements and preparations, including legal and administrative preparations, for the implementation of their JCPOA commitments.&#xA;8. Iran will officially inform the IAEA that, effective on Implementation Day, Iran will provisionally apply the Additional Protocol, pending its ratification by the Majlis (Parliament), and will fully implement the modified code 3.1.&#xA;￼9. Iran will implement paragraph 66 from Section M on “Past and Present Issues of Concern&amp;quot; of Annex I.&#xA;10. The EU and its Member States will adopt an EU Regulation, taking effect as of Implementation Day, terminating all provisions of the EU Regulation implementing all nuclear-related economic and financial EU sanctions as specified in Section 16.1 of this Annex, simultaneously with the IAEA-verified implementation by Iran of agreed nuclear- related measures.&#xA;11. The United States, acting pursuant to Presidential authorities, will issue waivers, to take effect upon Implementation Day, ceasing the application of the statutory nuclear-related sanctions as specified in Sections 17.1 to 17.2 of this Annex. The President will also take action to direct that all appropriate additional measures be taken to implement the cessation of application of sanctions as specified in Sections 17.1 to 17.4 of this Annex, including the termination of Executive orders as specified in Section 17.4, and the licensing of activities as specified in Section 17.5.&#xA;12. E3/EU+3 participants and Iran will begin discussions on an official document to be concluded in advance of Implementation Day which will express strong commitments of the E3/EU+3 participants to the Arak Heavy Water Reactor modernisation project and define the responsibilities assumed by the E3/EU+3 participants.&#xA;13. The EU, its Member States and the United States will begin consultation as appropriate with Iran regarding relevant guidelines and publicly accessible statements on the details of sanctions or restrictive measures to be lifted under this JCPOA.&#xA;￼C. Implementation Day&#xA;￼￼14. Implementation Day will occur upon the IAEA-verified implementation by Iran of the nuclear-related measures described in paragraph 15 below, and, simultaneously, the E3/EU+3 taking the actions described in paragraphs 16 and 17 below, and with the actions described in paragraph 18 below taking place at the UN level in accordance with the UN Security Council resolution.&#xA;￼15. Iran will implement the nuclear-related measures as specified in Annex I:&#xA;￼15. Paragraphs 3 and 10 from Section B on &amp;quot;Arak Heavy Water Research Reactor&amp;quot;;&#xA;15. Paragraphs 14 and 15 from Section C on &amp;quot;Heavy Water Production Plant&amp;quot;;&#xA;15. Paragraphs 27, 28, 29, 29.1 and 29.2 from Section F on &amp;quot;Enrichment Capacity&amp;quot;;&#xA;15. Paragraphs 32, 33, 34, 35, 36, 37, 38, 39, 40, 41 and 42 from Section G on &amp;quot;Centrifuges Research and Development&amp;quot;;&#xA;15. Paragraphs 45, 46, 46.1, 46.2, 47.1, 48.1 from Section H on &amp;quot;Fordow Fuel Enrichment Plant&amp;quot;;&#xA;15. Paragraphs 52, 54 and 55 from Section I on &amp;quot;Other Aspects of Enrichment&amp;quot;;&#xA;15. Paragraphs 57 and 58 from Section J on &amp;quot;Uranium Stocks and Fuels&amp;quot;;&#xA;15. Paragraph 62 from Section K on &amp;quot;Centrifuge Manufacturing&amp;quot;;&#xA;15. Complete the modalities and facilities-specific arrangements to allow the IAEA to implement all transparency measures provided for in Annex I;&#xA;15. Paragraphs 64 and 65 from Section L on &amp;quot;Additional Protocol and Modified Code 3.1&amp;quot;;&#xA;15. Paragraphs 80.1 and 80.2 from Section R on &amp;quot;Centrifuge Component Manufacturing Transparency&amp;quot;; and&#xA;15. Within one year from Implementation Day, Iran will have completed the measures specified in paragraphs 47.2 and 48.2 of Section H on &amp;quot;Fordow Fuel Enrichment Plant&amp;quot;.&#xA;￼16. The European Union will:&#xA;￼16. Terminate the provisions of Council Regulation (EU) No 267/2012 and suspend the corresponding provisions of Council Decision 2010/413/CFSP specified in Sections 1.1.1- 1.1.3; 1.1.5 - 1.1.8; 1.2.1 - 1.2.5; 1.3.1, 1.3.2 (in so far as it concerns Articles 16 and 17 of Council Decision 2010/413/CFSP) and 1.3.3; 1.4.1 and 1.4.2; 1.10.1.2 (in so far as it concerns Articles 39, 43, 43a of Council Regulation (EU) No 267/2012)&#xA;￼of Annex II. EU Member States will terminate or amend national implementing legislation as required.&#xA;16. Amend the provisions of Council Regulation (EU) No 267/2012 and the corresponding provisions of Council Decision 2010/413/CFSP specified in Sections 1.6.1 - 1.7.2 of Annex II, in connection with activities consistent with this JCPOA.&#xA;16. Remove individuals and entities set forth in Attachment 1 to Annex II of this JCPOA from Annexes VIII and IX to Council Regulation (EU) 267/2012. Suspend the provisions of Council Decision 2010/413/CFSP specified in Section 1.9.1 of Annex II in relation to individuals and entities set forth in Attachment 1 to Annex II.&#xA;16. Amend the provisions of Council Regulation (EU) No 267/2012 and Council Decision 2010/413/CFSP specified in Sections 1.5.1 and 1.5.2 of Annex II to implement the relevant provisions of the UN Security Council resolution referred to above.&#xA;￼￼17. The United States will:&#xA;￼17. Cease the application of the sanctions set forth in Sections 4.1 - 4.5 and 4.7 of Annex II, with the exception of Section 211(a) of the Iran Threat Reduction and Syria Human Rights Act of 2012 (TRA);&#xA;17. Cease the application of the sanctions set forth in Section 4.6 of Annex II, in connection with activities consistent with this JCPOA, including trade with individuals and entities set forth in Attachment 3 to Annex II;&#xA;17. Remove individuals and entities set forth in Attachment 3 to Annex II from the Specially Designated Nationals and Blocked Persons List (SDN List), the Foreign Sanctions Evaders List (FSE List), and/or the Non-SDN Iran Sanctions Act List as set forth in Section 4.8.1 of Annex II;&#xA;17. Terminate Executive Orders 13574, 13590, 13622, 13645 and Sections 5-7 and 15 of Executive Order 13628 as set forth in Section 4 of Annex II; and&#xA;17. License activities as set forth in Section 5 of Annex II.&#xA;￼18. UN Security Council&#xA;￼18. In accordance with the UN Security Council resolution endorsing this JCPOA, the provisions imposed in UN Security Council resolutions 1696 (2006), 1737 (2006), 1747 (2007), 1803 (2008), 1835 (2008), 1929 (2010) and 2224 (2015) will be terminated subject to re-imposition in the event of significant non-performance by Iran of JCPOA commitments, and specific restrictions, including restrictions regarding the transfer of proliferation sensitive goods will apply.&#xA;18. The E3/EU+3 will take appropriate measures to implement the new UNSC resolution.&#xA;￼￼D. Transition Day&#xA;￼￼19. Transition Day will occur 8 years from Adoption Day or upon a report from the Director General of the IAEA to the IAEA Board of Governors and in parallel to the UN Security Council stating that the IAEA has reached the Broader Conclusion that all nuclear material in Iran remains in peaceful activities, whichever is earlier.&#xA;￼￼20. The European Union will:&#xA;￼20. Terminate the provisions of Council Regulation (EU) No 267/2012 and suspend the corresponding provisions of Council Decision 2010/413/CFSP specified in Sections 1.1.4, 1.3.2 (in so far as it concerns Articles 15 and 18 of Council Decision and Articles 36 and 37 of Council Regulation); 1.5.1 and 1.5.2 (in so far as it concerns Ballistic Missiles restrictions); 1.6.1 - 1.9.1 of Annex II.&#xA;20. Remove individuals and entities set forth in Attachment 2 to Annex II from Annexes VIII and IX to Council Regulation (EU) 267/2012.&#xA;20. Remove individuals and entities set forth in Attachment 1 to Annex II from Annexes I and II to Council Decision 2010/413/CFSP.&#xA;￼20. Terminate all provisions in Council Decision 2010/413/CFSP suspended on Implementation Day.&#xA;￼21. The United States will:&#xA;￼21. Seek such legislative action as may be appropriate to terminate, or modify to effectuate the termination of, the statutory sanctions set forth in Sections 4.1-4.5, 4.7 and 4.9 of Annex II;&#xA;￼￼21. Seek such legislative action as may be appropriate to terminate, or modify to effectuate the termination of, the statutory sanctions described in Section 4.6 of Annex II, in connection with activities consistent with this JCPOA, including trade with individuals and entities set forth in Attachments 3 and 4 to Annex II; and&#xA;￼￼21. Remove individuals and entities set out in Attachment 4 to Annex II from the SDN List and/or the FSE List as set forth in Section 4.8.1 of Annex II.&#xA;￼￼22. Iran will:&#xA;E. UNSCR Termination Day&#xA;￼22. Seek, consistent with the Constitutional roles of the President and Parliament, ratification of the Additional Protocol.&#xA;￼￼￼23. UNSCR (UN Security Council resolution) Termination Day will occur in accordance with the terms of the UN Security Council resolution endorsing the JCPOA, which is 10 years from Adoption Day, provided that the provisions of previous resolutions have not been reinstated.&#xA;24. On UNSCR Termination Day, the provisions and measures imposed in that resolution would terminate and the UN Security Council would no longer be seized of the Iran nuclear issue.&#xA;￼25. The European Union will:&#xA;￼25. Terminate all remaining provisions of Council Regulation (EU) No 267/2012 and Council Decision 2010/413/CFSP.&#xA;￼F . Other&#xA;26. The terminations described in this Annex V are without prejudice to other JCPOA commitments that would continue beyond such termination dates.&#xA;￼----------&#xA; This Annex is only for the purpose of determining the sequence of implementation of the commitments described in this JCPOA and annexes thereto and does not restrict or expand the scope of these commitments.&#xA; The sanctions that the United States will cease to apply are those directed towards non- U.S. persons, as described in Section 4 of Annex II.&#xA; The provisions of this Resolution do not constitute provisions of this JCPOA.&#xA;￼￼￼￼￼￼￼" PRODUCER="℗ 1980 Sanctuary Records Group Ltd." COVERARTID="086/W421M3ACLO2MHBRN05YVCPIHHHWD" PLAYTIME="229" PLAYTIME_FLOAT="228.253326" IMPORT_DATE="2025/4/14" RELEASE_DATE="1980/1/1" FLAGS="12" FILESIZE="27036"></INFO>
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<INFO BITRATE="929387" KEY_LYRICS="134 ContributorsTranslationsDeutschTürkçeSuomiRasputin Lyrics“Rasputin” is a 1978 euro disco hit single by the Germany-based pop and disco group Boney M. It’s the second track on their album Nightflight to Venus. With a tune resembling the second half of the Turkish… Read More &#xA;There lived a certain man in Russia long ago&#xA;He was big and strong, in his eyes a flaming glow&#xA;Most people look at him with terror and with fear&#xA;But to Moscow chicks, he was such a lovely dear&#xA;He could preach the Bible like a preacher&#xA;Full of ecstasy and fire&#xA;But he also was the kind of teacher&#xA;Women would desire&#xA;&#xA;&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;&#xA;&#xA;There lived a certain man in Russia long ago&#xA;He was big and strong, in his eyes, a flaming glow&#xA;Most people look at him with terror and with fear&#xA;But to Moscow chicks, he was such a lovely dear&#xA;He could preach the Bible like a preacher&#xA;Full of ecstasy and fire&#xA;But he also was the kind of teacher&#xA;Women would desire&#xA;&#xA;Ra-Ra-Rasputin, lover of the Russian Queen&#xA;There was a cat that really was gone&#xA;Ra-Ra-Rasputin, Russia's greatest love machine&#xA;It was a shame how he carried on&#xA;&#xA;&#xA;He ruled the Russian land and never mind the Tsar&#xA;But the kazachok, he danced really wunderbar&#xA;In all affairs of state, he was the man to please&#xA;But he was real great when he had a girl to squeeze&#xA;For the Queen, he was no wheeler dealer&#xA;Though she'd heard the things he'd done&#xA;She believed he was a holy healer&#xA;Who would heal her son&#xA;&#xA;&#xA;Ra-Ra-Rasputin, lover of the Russian Queen&#xA;There was a cat that really was gone&#xA;Ra-Ra-Rasputin, Russia's greatest love machine&#xA;It was a shame how he carried on&#xA;&#xA;&#xA;But when his drinking and lusting and his hunger for power&#xA;Became known to more and more people&#xA;The demands to do something about this outrageous man became louder and louder&#xA;&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;Hey, hey, hey, hey, hey, hey, hey, hey&#xA;&#xA;&#xA;&amp;quot;This man's just gotta go&amp;quot;, declared his enemies&#xA;But the ladies begged, &amp;quot;Don't you try to do it, please&amp;quot;&#xA;No doubt this Rasputin had lots of hidden charms&#xA;Though he was a brute, they just fell into his arms&#xA;Then one night, some men of higher standing&#xA;Set a trap, they're not to blame&#xA;&amp;quot;Come to visit us&amp;quot;, they kept demanding&#xA;And he really came&#xA;&#xA;&#xA;Ra-Ra-Rasputin, lover of the Russian Queen&#xA;They put some poison into his wine&#xA;Ra-Ra-Rasputin, Russia's greatest love machine&#xA;He drank it all and he said, &amp;quot;I feel fine&amp;quot;&#xA;Ra-Ra-Rasputin, lover of the Russian Queen&#xA;They didn't quit, they wanted his head&#xA;Ra-Ra-Rasputin, Russia's greatest love machine&#xA;And so they shot him 'til he was dead&#xA;&#xA;Oh, those Russians" PRODUCER="(P) 1978 BMG Berlin GmbH/MCI" COVERARTID="032/AB2NLDAITHZTFAZDT0O0DDPTX1RC" PLAYTIME="222" PLAYTIME_FLOAT="221.600006" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="25505"></INFO>
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<INFO BITRATE="1046878" KEY_LYRICS="36 ContributorsCan You Feel It Lyrics&#xA;Can you feel it, can you feel it, can you feel it&#xA;&#xA;&#xA;If you look around&#xA;The whole world's coming together now (Yeah)&#xA;&#xA;&#xA;Can you feel it, can you feel it, can you feel it&#xA;&#xA;&#xA;Feel it in the air&#xA;The wind is taking it everywhere (Yeah)&#xA;&#xA;&#xA;Can you feel it, can you feel it, can you feel it&#xA;&#xA;&#xA;All the colors of the world should be&#xA;Lovin' each other wholeheartedly&#xA;Yes, it's all right&#xA;Take my message to your brother and tell him twice&#xA;Spread the word and try to teach the man&#xA;Who's hating his brother when hate won't do&#xA;'Cause we're all the same&#xA;Yes, the blood inside of me is inside of you&#xA;Now, tell me&#xA;&#xA;Can you feel it, tell me can you feel it (can you feel it), can you feel it&#xA;Can you see what's goin' down&#xA;Can you feel it in your bones&#xA;(Can you feel it, can you feel it)&#xA;Can you feel it&#xA;Yeah, yeah&#xA;&#xA;&#xA;Every breath you take&#xA;Is someone's death in another place&#xA;('nother place, 'nother place, nother place)&#xA;Every healthy smile&#xA;Is hunger and strife to another child&#xA;('nother child, 'nother child)&#xA;But the stars do shine&#xA;In promising salvation is near this time&#xA;(Near this time)&#xA;Can you feel it now&#xA;So brothers and sisters&#xA;Show we know how&#xA;Now, tell me&#xA;&#xA;&#xA;Can you feel it, tell me can you feel it, can you feel it&#xA;Papa, can you see what's goin down&#xA;(Can you feel it, can you feel it, can you feel it)&#xA;Open up your mind&#xA;&#xA;All the children of the world should be&#xA;Loving each other wholeheartedly&#xA;Yes, it's all right&#xA;Take my message to your brother and tell him twice&#xA;Tell the news to the marching men&#xA;Who are killing their brothers when death won't do&#xA;'Cause we're all the same&#xA;Yes, the blood inside my veins is inside of you, now, tell me&#xA;&#xA;&#xA;Can you feel it, can you feel it, can you feel it (can you)&#xA;Can you feel it, can you feel it, can you feel it (can you feel it)" PRODUCER="(P) 1980 Epic Records, a division of Sony Music Entertainment" COVERARTID="087/X01UVHDIF5H22AHXMIH2CM1FGPJA" PLAYTIME="231" PLAYTIME_FLOAT="230.967590" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="29821"></INFO>
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<INFO BITRATE="992912" KEY_LYRICS="13 ContributorsStreet Player Lyrics&#xA;I'll never forget those aimless years&#xA;Street sounds swirling through my mind&#xA;Trouble was often in the air&#xA;So we fought to forget our despair&#xA;&#xA;&#xA;'Cause I'm a street player&#xA;And I'll play you a song&#xA;'Cause you know, my heart &amp;amp; soul&#xA;Will carry, carry on&#xA;Carry on&#xA;Carry on&#xA;Carry on&#xA;&#xA;&#xA;City life's the only way&#xA;Street corners and billiard halls&#xA;Was our home away&#xA;Lessons learned that still help me today&#xA;&#xA;&#xA;I'm a street player&#xA;And I've seen it all&#xA;Hit men, thieves, and many a brawl&#xA;But as you see, I still stand tall&#xA;&#xA;It was such a small space in time&#xA;I never knew that I would find&#xA;A musical path for all to see&#xA;Anxiety to ecstasy&#xA;&#xA;&#xA;I'm a street player&#xA;I'm a street player&#xA;I'm a street player&#xA;Woo ooh, I'm a street player&#xA;&#xA;&#xA;&#xA;&#xA;I'm a street player&#xA;And I've seen it all&#xA;Hit men, thieves, and many a brawl&#xA;But as you see, I still stand tall&#xA;&#xA;&#xA;It was such a small space in time&#xA;I never knew that I would find&#xA;A musical path for all to see&#xA;Anxiety to ecstasy&#xA;&#xA;Woo&#xA;I'm a street player&#xA;I'm a street player&#xA;I'm a street player&#xA;Woo ooh, I'm a, street player&#xA;&#xA;" PRODUCER="℗ 1979 Warner Strategic Marketing, Inc." COVERARTID="122/0LEHZFA1SWFEMAA0KUWGBQEZ0SCB" PLAYTIME="262" PLAYTIME_FLOAT="261.959991" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="31967"></INFO>
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<INFO BITRATE="969415" KEY_LYRICS="15 ContributorsBorn to Be Alive Lyrics&#xA;We were born to be—&#xA;Alive!&#xA;We were born to be—&#xA;Alive!&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;&#xA;&#xA;People asked me why I never&#xA;Find a place to stop and settle&#xA;Down, down, down&#xA;But I never wanted all those things&#xA;People need to justify their&#xA;Lives, lives, lives&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;&#xA;Time was on my side when I was&#xA;Running down the street, it was no&#xA;Bind, bind, bind&#xA;A suitcase and an old guitar and&#xA;Something new to occupy my&#xA;Mind, mind, mind&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive" PRODUCER="Van Loo Music" COVERARTID="008/IMSOZCA11ZJCQCRZMFC1B201B4LB" PLAYTIME="141" PLAYTIME_FLOAT="140.156265" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="16938"></INFO>
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<INFO BITRATE="895427" KEY_LYRICS="4 ContributorsEssays of Michel de Montaigne (Chap. 2.12) Lyrics                   Apology For Raimond Sebond&#xA;&#xA;Learning is, indeed, a very great and a very material accomplishment; and those who despise it sufficiently discover their own want of understanding; but learning yet I do not prize it at the excessive rate that some others do, as Herillus, the philosopher, for one, who therein places the sovereign good, and maintained &amp;quot;That it was only in her to render us wise and contented,&amp;quot; which I do not believe; no more than I do what others have said, that learning is the mother of all virtue, and that all vice proceeds from ignorance, which, if it be true, required a very long interpretation. My house has long-been open to men of knowledge, and is very well known to them; for my father, who governed it fifty years and upwards, inflamed with the new ardour with which Francis the First embraced letters, and brought them into esteem, with great diligence and expense hunted after the acquaintance of learned men, receiving them into his house as persons sacred, and that had some particular inspiration of divine wisdom; collecting their sayings and sentences as so many oracles, and with so much the greater reverence and religion as he was the less able to judge of them; for he had no knowledge of letters any more than his predecessors. For my part I love them well, but I do not adore them. Amongst others, Peter Bunel, a man of great reputation for knowledge in his time, having, with some others of his sort, staid some days at Montaigne in my father's company, he presented him at his departure with a book, entitled Theologia naturalis; sive Liber Creaturarum, magistri Raimondi de Sebonde. And as the Italian and Spanish tongues were familiar to my father, and as this book was written in a sort of jargon of Spanish with Latin terminations, he hoped that, with a little help, he might be able to understand it, and therefore recommended it to him for a very useful book, and proper tor the time wherein he gave it to him; which was when the novel doctrines of Luther began to be in vogue, and in many places to stagger our ancient belief: wherein he was very well advised, wisely, in his own reason, foreseeing that the beginning of this distemper would easily run into an execrable atheism, for the vulgar, not having the faculty of judging of things, suffering themselves to be carried away by chance and appearance, after having once been inspired with the boldness to despise and control those opinions which they had before had in extreme reverence, such as those wherein their salvation is concerned, and that some of the articles of their religion are brought into doubt and dispute, they afterwards throw all other parts of their belief into the same uncertainty, they having with them no other authority or foundation than the others they had already discomposed; and shake off all the impressions they had received from the authority of the laws, or the reverence of the ancient customs, as a tyrannical yoke:&#xA;&#xA;           Nam cupide eonculcatur nimis ante metutum;&#xA;           &amp;quot;For with most eagerness they spurn the law,&#xA;          By which they were before most kept in awe;&amp;quot;&#xA;resolving to admit nothing for the future to which they had not first interposed their own decrees, and given their particular consent.&#xA;&#xA;It happened that my father, a little before his death, having accidentally found this book under a heap of other neglected papers, commanded me to translate it for him into French. It is good too translate such authors as this, where there is little but the matter itself to express; but such wherein grace of language and elegance of style are aimed at, are dangerous to attempt, especially when a man is to turn them into a weaker idiom. It was a strange and a new undertaking for me; but having by chance at that time nothing else to do, and not being able to resist the command of the best father that ever was, I did it as well as I could; and he was so well pleased with it as to order it to be printed, which after his death was done.&#xA;&#xA;I found the ideas of this author exceeding fine the contexture of his work well followed, and his design full of piety; and because many people take a delight to read it, and particularly the ladies, to whom we owe the most service, I have often thought to assist them to clear the book of two principal objections made to it. His design is bold and daring, for he undertakes, by human and natural reasons, to establish and make good, against the atheists, all the articles of the Christian religion: wherein, to speak the truth, he is so firm and so successful that I do not think it possible to do better upon that subject; nay, I believe he has been equalled by none. This work seeming to me to be too beautiful and too rich for an author whose name is so little known, and of whom all that we know is that he was a Spaniard, practising physic at Toulouse about two hundred years ago; I enquired of Adrian Turnebus, who knew all things, what he thought of that book; who made answer, &amp;quot;That he thought it was some abstract drawn from St. Thomas d'Aquin; for that, in truth, his mind, so full of infinite erudition and admirable subtlety, was alone capable of such thoughts.&amp;quot; Be this as it may, whoever was the author and inventor (and 'tis not reasonable, without greater certainty, to deprive Sebond of that title), he was a man of great judgment and most admirable parts.&#xA;&#xA;The first thing they reprehend in his work is &amp;quot;That Christians are to blame to repose their belief upon human reason, which is only conceived by faith and the particular inspiration of divine grace.&amp;quot; In which objection there appears to be something of zeal to piety, and therefore we are to endeavour to satisfy those who put it forth with the greater mildness and respect. This were a task more proper for a man well read in divinity than for me, who know nothing of it; nevertheless, I conceive that in a thing so divine, so high, and so far transcending all human intelligence, as is that truth, with which it has pleased the bounty of God to enlighten us, it is very necessary that he should moreover lend us his assistance, as a very extraordinary favour and privilege, to conceive and imprint it in our understanding. And I do not believe that means purely human are in any sort capable of doing it: for, if they were, so many rare and excellent souls, and so abundantly furnished with natural force, in former ages, could not have failed, by their reason, to arrive at this knowledge. 'Tis faith alone that livelily mind certainly comprehends the deep mysteries of our religion; but, withal, I do not say that it is not a worthy and very laudable attempt to accommodate those natural and human utensils with which God has endowed us to the service of our faith: it is not to be doubted but that it is the most noble use we can put them to; and that there is not a design in a Christian man more noble than to make it the aim and end of all his studies to extend and amplify the truth of his belief. We do not satisfy ourselves with serving God with our souls and understandings only, we moreover owe and render him a corporal reverence, and apply our limbs and motions, and external things to do him honour; we must here do the same, and accompany our faith with all the reason we have, but always with this reservation, not to fancy that it is upon us that it depends, nor that our arguments and endeavours can arrive at so supernatural and divine a knowledge. If it enters not into us by an extraordinary infusion; if it enters not only by reason, but, moreover, by human ways, it is not in us in its true dignity and splendour: and yet, I am afraid, we only have it by this way.&#xA;&#xA;If we hold upon God by the mediation of a lively faith; if we hold upon God by him, and not by us; if we had a divine basis and foundation, human occasions would not have the power to shake us as they do; our fortress would not surrender to so weak a battery; the love of novelty, the constraint of princes, the success of one party, and the rash and fortuitous change of our opinions, would not have the power to stagger and alter our belief: we should not then leave it to the mercy of every new argument, nor abandon it to all the rhetoric in the world; we should withstand the fury of these waves with an immovable and unyielding constancy:&#xA;&#xA;                As a great rock repels the rolling tides,&#xA;&#xA;            That foam and bark about her marble sides,&#xA;           From its strong bulk&#xA;If we were but touched with this ray of divinity, it would appear throughout; not only our words, but our works also, would carry its brightness and lustre; whatever proceeded from us would be seen illuminated with this noble light. We ought to be ashamed that, in all the human sects, there never was any of the faction, that did not, in some measure, conform his life and behaviour to it, whereas so divine and heavenly an institution does only distinguish Christians by the name! Will you see the proof of this? Compare our manners to those of a Mahometan or Pagan, you will still find that we fall very&#xA;&#xA;short; there, where, out of regard to the reputation and advantage of our religion, we ought to shine in excellency at a vast distance beyond all others: and that it should be said of us, &amp;quot;Are they so just, so charitable, so good: Then they are Christians.&amp;quot; All other signs are common to all religions; hope, trust, events, ceremonies, penance,&#xA;&#xA;martyrs. The peculiar mark of our truth ought to be our virtue, as it is also the most heavenly and difficult, and the most worthy product of truth. For this our good St. Louis was in the right, who, when the Tartar king, who was become Christian, designed to come to Lyons to kiss the Pope's feet, and there to be an eye-witness of the sanctity he hoped to find in our manner, immediately diverted him from his purpose; for fear lest our disorderly way of living should, on the contrary, put him out of conceit with so holy a belief! And yet it happened quite otherwise since to that other, who, going to Rome, to the same end, and there seeing the dissoluteness of the prelates and people of that time, settled himself so much the more firmly in our religion, considering how great the force and divinity of it must necessarily be that could maintain its dignity and splendour among so much corruption, and in so vicious hands. If we had but one single grain of faith, we should remove mountains from their places, saith the sacred Word; our actions, that would then be directed and accompanied by the divinity, would not be merely human, they would have in them something of miraculous, as well as our belief: Brevis est institutio vit honest beauque, si credos. &amp;quot;Believe, and the way to happiness and virtue is a short one.&amp;quot; Some impose upon the world that they believe that which they do not; others, more in number, make themselves believe that they believe, not being able to penetrate into what it is to believe. We think it strange if, in the civil war which, at this time, disorders our state, we see events float and vary aller a common and ordinary manner; which is because we bring nothing to it but our own. Justice, which is in one party, is only there for ornament and palliation; it, is, indeed, pretended, but 'tis not there received, settled and espoused: it is there, as in the mouth of an advocate, not as in the heart and affection of the party. God owes his extraordinary assistance to faith and religion; not to our passions. Men there are the conductors, and therein serve themselves with religion, whereas it ought to be quite contrary. Observe, if it be not by our own hands that we guide and train it, and draw it like wax into so many contrary figures, from a rule in itself so direct and firm. When and where was this more manifest than in France in our days? They who have taken it on the left hand, they who have taken it on the right; they who call it black, they who call it white, alike employ it to their violent and ambitious designs, conduct it with a progress, so conform in riot and injustice that they render the diversity they pretended in their opinions, in a thing whereon the conduct and rule of our life depends, doubtful and hard to believe. Did one ever see, come from the same school and discipline, manners more united, and more the same? Do but observe with what horrid impudence we toss divine arguments to and fro, and how irreligiously we have both rejected and retaken them, accord—as fortune has shifted our places in these intestine storms.&#xA;This so solemn proposition, &amp;quot;Whether it be lawful for a subject to rebel and take up arms against his prince for the defence of his religion,&amp;quot; do you remember in whose mouths, the last year, the affirmative of it was the prop of one party, and the negative the pillar of another? And hearken now from what quarter comes the voice and instruction of the one and the other, and if arms make less noise and rattle for this cause than for that. We condemn those to the fire who say that truth must be made to bear the yoke of our necessity; and how much worse does France than say it? Let us confess the truth; whoever should draw out from the army, even that raised by the king, those who take up arms out of pure zeal to religion, and also those who only do it to protect the laws of their country, or for the service of their prince, could hardly, out of both these put together, make one complete company of gens-d'armes. Whence does this proceed, that there are so few to be found who have maintained the same will and the same progress in our civil commotions, and that we see them one while move but a foot-pace, and another run full speed? and the same men one while damage our affairs by their violent heat and fierceness, and another by their coldness, gentleness, and slowness; but that they are pushed on by particular and casual considerations, according to the variety wherein they move?&#xA;&#xA;I evidently perceive that we do not willingly afford devotion any other offices but those that least suit with our own passions.&#xA;&#xA;There hostility so admirable as the Christian. Our zeal performs wonders, when it seconds our inclinations to hatred, cruelty, ambition, avarice, detraction, and rebellion: but when it moves, against the hair, towards bounty, benignity, and temperance, unless, by miracle, some rare and virtuous disposition prompts us to it, we stir neither hand nor toot. Our religion is intended to extirpate vices, whereas it screens, nourishes, and incites them. We must not mock God. If we believed in him, I do not say by faith, but with a simple belief, that is to say (and I speak it to our great shame) if we believed in him and recognised him as we do any other history, or as we would do one of our companions, we should love him above all other things for the infinite bounty and beauty that shines in him;—at least, he would go equal in our affection with riches, pleasure, glory, and our friends. The best of us is not so much afraid to outrage him as he is afraid to injure his neighbour, his kinsman, or his master. Is there any understanding so weak that, having on one side the object of one of our vicious pleasures, and on the other (in equal knowledge and persuasion) the state of an immortal glory, would change the first for the other? and yet we often renounce this out of mere contempt: for what lust tempts us to blaspheme, if not, perhaps, the very desire to offend. The philosopher Antisthenes, as he was being initiated in the mysteries of Orpheus, the priest telling him, &amp;quot;That those who professed themselves of that religion were certain to receive perfect and eternal felicity after death,&amp;quot;—&amp;quot;If thou believest that,&amp;quot; answered he, &amp;quot;why dost thou not die thyself?&amp;quot; Diogenes, more rudely, according to his manner, and more remote from our purpose, to the priest that in like manner preached to him, &amp;quot;To become of his religion, that he might obtain the happiness of the other world;—&amp;quot;What!&amp;quot; said he, &amp;quot;thou wouldest have me to believe that Agesilaus and Epaminondas, who were so great men, shall be miserable, and that thou, who art but a calf, and canst do nothing to purpose, shalt be happy, because thou art a priest?&amp;quot; Did we receive these great promises of eternal beatitude with the same reverence and respect that we do a philosophical discourse, we should not have death in so great horror:&#xA;&#xA;          Non jam se moriens dissolvi conqurreretur;&#xA;          Sed magis ire foras, stemque relinquere ut angais,&#xA;         Gauderet, prealonga senex aut cornua cervus.&#xA;&#xA;          &amp;quot;We should not on a death bed grieve to be&#xA;           Dissolved, but rather launch out cheerfully&#xA;          From our old hut, and with the snake, be glad&#xA;           To cast off the corrupted slough we had;&#xA;          Or with th' old stag rejoice to be now clear&#xA;           From the large horns, too ponderous grown to bear.&amp;quot;&#xA;&amp;quot;I desire to be dissolved,&amp;quot; we should say, &amp;quot;and to be with Jesus Christ&amp;quot; The force of Plato's arguments concerning the immortality of the soul set some of his disciples to seek a premature grave, that they might the sooner enjoy the things he had made them hope for.&#xA;&#xA;All this is a most evident sign that we only receive our religion after our own fashion, by our own hands, and no otherwise than as other religions are received. Either we are happened in the country where it is in practice, or we reverence the antiquity of it, or the authority of the men who have maintained it, or fear the menaces it fulminates against misbelievers, or are allured by its promises. These considerations ought, 'tis true, to be applied to our belief but as subsidiaries only, for they are human obligations. Another religion, other witnesses, the like promises and threats, might, by the same way, imprint a quite contrary belief. We are Christians by the same title that we are Perigordians or Germans. And what Plato says, &amp;quot;That there are few men so obstinate in their atheism whom a pressing danger will not reduce to an acknowledgment of the divine power,&amp;quot; does not concern a true Christian: 'tis for mortal and human religions to be received by human recommendation. What kind of faith can that be that cowardice and want of courage establish in us? A pleasant faith, that does not believe what it believes but for want of courage to disbelieve it! Can a vicious passion, such as inconstancy and astonishment, cause any regular product in our souls? &amp;quot;They are confident in their judgment,&amp;quot; says he, &amp;quot;that what is said of hell and future torments is all feigned: but an occasion of making the expedient presenting itself, when old age or diseases bring them to the brink of the grave, the terror of death, by the horror of that future condition, inspires them with a new belief!&amp;quot; And by reason that such impressions render them timorous, he forbids in his Laws all such threatening doctrines, and all persuasion that anything of ill can befall a man from the gods, excepting for his great good when they happen to him, and for a medicinal effect. They say of Bion that, infected with the atheism of Theodoras, he had long had religious men in great scorn and contempt, but that death surprising him, he gave himself up to the most extreme superstition; as if the gods withdrew and returned according to the necessities of Bion. Plato and these examples would conclude that we are brought to a belief of God either by reason or by force. Atheism being a proposition as unnatural as monstrous, difficult also and hard to establish in the human understanding, how arrogant soever, there are men enough seen, out of vanity and pride, to be the authors of extraordinary and reforming opinions, and outwardly to affect the profession of them; who, if they are such fools, have, nevertheless, not the power to plant them in their own conscience. Yet will they not fail to lift up their hands towards heaven if you give them a good thrust with a sword in the breast, and when fear or sickness has abated and dulled the licentious fury of this giddy humour they will easily re-unite, and very discreetly suffer themselves to be reconciled to the public faith and examples. A doctrine seriously digested is one thing, and those superficial impressions another; which springing from the disorder of an unhinged understanding, float at random and great uncertainty in the fancy. Miserable and senseless men, who strive to be worse than they can!&#xA;&#xA;The error of paganism and the ignorance of our sacred truth, let this great soul of Plato, but great only in human greatness, fall also into this other mistake, &amp;quot;That children and old men were most susceptible of religion,&amp;quot; as if it sprung and derived its credit from our weakness. The knot that ought to bind the judgment and the will, that ought to restrain the soul and join it to our creator, should be a knot that derives its foldings and strength not from our considerations, from our reasons and passions, but from a divine and supernatural constraint, having but one form, one face, and one lustre, which is the authority of God and his divine grace. Now the heart and soul being governed and commanded by faith, 'tis but reason that they should muster all our other faculties, according as they are able to perform to the service and assistance of their design. Neither is it to be imagined that all this machine has not some marks imprinted upon it by the hand of the mighty architect, and that there is not in the things of this world some image that in some measure resembles the workman who has built and formed them. He has, in his stupendous works, left the character of his divinity, and 'tis our own weakness only that hinders us from discerning it. 'Tis what he himself is pleased to tell us, &amp;quot;That he manifests his invisible operations to us by those that are visible.&amp;quot; Sebond applied himself to this laudable and noble study, and demonstrates to us that there is not any part or member of the world that disclaims or derogates from its maker. It were to do wrong to the divine goodness, did not the universe consent to our belief. The heavens, the earth, the elements, our bodies and our souls,—all things concur to this; we have but to find out the way to use them; they instruct us, if we are capable of instruction. For this world is a sacred temple, into which man is introduced, there to contemplate statues, not the works of a mortal hand, but such as the divine purpose has made the objects of sense; the sun, the stars, the water, and the earth, to represent those that are intelligible to us. &amp;quot;The invisible tilings of God,&amp;quot; says St. Paul, &amp;quot;appear by the creation of the world, his eternal wisdom and divinity being considered by his works.&amp;quot;&#xA;&#xA;          And God himself envies not men the grace&#xA;          Of seeing and admiring heaven's face;&#xA;           But, rolling it about, he still anew&#xA;           Presents its varied splendour to our view,&#xA;          And on oar minds himself inculcates, so&#xA;           That we th' Almighty mover well may know:&#xA;         Instructing us by seeing him the cause&#xA;            Of ill, to revcreoce and obey his laws.&amp;quot;&#xA;Now our prayers and human discourses are but as sterile and undigested matter. The grace of God is the form; 'tis that which gives fashion and value to it. As the virtuous actions of Socrates and Cato remain vain and fruitless, for not having had the love and obedience to the true creator of all things, so is it with our imaginations and discourses; they have a kind of body, but it is an inform mass, without fashion and without light, if faith and grace be not added thereto. Faith coming to tinct and illustrate Sehond's arguments renders them firm and stolid; and to that degree that they are capable of serving for directions, and of being the first guides to an elementary Christian to put him into the way of this knowledge. They in some measure form him to, and render him capable of, the grace of God, by which means he afterwards completes and perfects himself in the true belief. I know a man of authority, bred up to letters, who has confessed to me to have been brought back from the errors of unbelief by Sebond's arguments. And should they be stripped of this ornament, and of the assistance and approbation of the faith, and be looked upon as mere fancies only, to contend with those who are precipitated into the dreadful and horrible darkness of irrligion, they will even there find them as solid and firm as any others of the same quality that can be opposed against them; so that we shall be ready to say to our opponents:&#xA;&#xA;           Si melius quid habes, arcesse; vel imperium fer:&#xA;               &amp;quot;If you have arguments more fit.&#xA;            Produce them, or to these submit.&amp;quot;&#xA;let them admit the force of our reasons, or let them show us others, and upon some other subject, better woven and of finer thread. I am, unawares, half engaged in the second objection, to which I proposed to make answer in the behalf of Sebond. Some say that his arguments are weak, and unable to make good what he intends, and undertake with great ease to confute them. These are to be a little more roughly handled, for they are more dangerous and malicious than the first Men willingly wrest the sayings of others to favour their own prejudicate opinions. To an atheist all writings tend to atheism: he corrupts the most innocent matter with his own venom. These have their judgments so prepossessed that they cannot relish Sebond's reasons. As to the rest, they think we give them very fair play in putting them into the liberty of combatting our religion with weapons merely human, whom, in her majesty, full of authority and command, they durst not attack. The means that I shall use, and that I think most proper to subdue this frenzy, is to crush and spurn under foot pride and human arrogance; to make them sensible of the inanity, vanity, and vileness of man; to wrest the wretched arms of their reason out of their hands; to make them bow down and bite the ground under the authority and reverence of the Divine Majesty. 'Tis to that alone that knowledge and wisdom appertain; that alone that can make a true estimate of itself, and from which we purloin whatever we value ourselves upon:  &amp;quot;God permits not any being but himself to be truly wise.&amp;quot; Let us subdue this presumption, the first foundation of the tyranny of the evil spirit Deus superbis re-sistit, humilibus autem dal gratiam. &amp;quot;God resists the proud, but gives grace to the humble.&amp;quot; &amp;quot;Understanding is in the gods,&amp;quot; says Plato, &amp;quot;and not at all, or very little, in men.&amp;quot; Now it is in the mean time a great consolation to a Christian man to see our frail and mortal parts so fitly suited to our holy and divine faith that, when we employ them to the subjects of their own mortal and frail nature they are not even there more unitedly or more firmly adjusted. Let us see, then, if man has in his power other more forcible and convincing reasons than those of Sebond; that is to say, if it be in him to arrive at any certainty by argument and reason. For St. Augustin, disputing against these people, has good cause to reproach them with injustice, &amp;quot;In that they maintain the part of our belief to be false that our reason cannot establish.&amp;quot; And to show that a great many things may be, and have been, of which our nature could not sound the reason and causes, he proposes to them certain known and undoubted experiments, wherein men confess they see nothing; and this he does, as all other things, with a curious and ingenious inquisition. We must do more than this, and make them know that, to convince the weakness of their reason, there is no necessity of culling out uncommon examples: and that it is so defective and so blind that there is no faculty clear enough for it; that to it the easy and the hard are all one; that all subjects equally, and nature in general, disclaim its authority and reject its mediation.&#xA;&#xA;What does truth mean when she preaches to us to fly worldly philosophy, when she so often inculcates to us, &amp;quot;That our wisdom is but folly in the sight of God: that the vainest of all vanities is man: that the man who presumes upon his wisdom does not yet know what wisdom is; and that man, who is nothing, if he thinks himself to be anything, does seduce and deceive himself.&amp;quot; These sentences of the Holy Spirit do so clearly and vividly express that which I would maintain that I should need no other proof against men who would with all humility and obedience submit to his authority: but these will be whipped at their own expense, and will not suffer a man to oppose their reason but by itself.&#xA;&#xA;Let us then, for once, consider a man alone, without foreign assistance, armed only with his own proper arms, and unfurnished of the divine grace and wisdom, which is all his honour, strength, and the foundation of his being. Let us see how he stands in this fine equipage. Let him make me understand, by the force of his reason, upon what foundations he has built those great advantages he thinks he has over other creatures. Who has made him believe that this admirable motion of the celestial arch, the eternal light of those luminaries that roll so high over his head, the wondrous and fearful motions of that infinite ocean, should be established and continue so many ages for his service and convenience? Can any thing be imagined so ridiculous, that this miserable and wretched creature, who is not so much as master of himself, but subject to the injuries of all things, should call himself master and emperor of the world, of which he has not power to know the least part, much less to command the whole? And the privilege which he attributes to himself of being the only creature in this vast fabric who has the understanding to discover the beauty and the paris of it; the only one who can return thanks to the architect, and keep account of the revenues and disbursements of the world; who, I wonder, sealed him this patent? Let us see his commission for this great employment Was it granted in favour of the wise only? Few people will be concerned in it. Are fools and wicked persons worthy so extraordinary a favour, and, being the worst part of the world, to be preferred before the rest? Shall we believe this man?—&amp;quot;For whose sake shall we, therefore, conclude that the world was made? For theirs who have the use of reason: these are gods and men, than whom certainly nothing can be better:&amp;quot; we can never sufficiently decry the impudence of this conjunction. But, wretched creature, what has he in himself worthy of such an advantage? Considering the incorruptible existence of the celestial bodies; beauty; magnitude, and continual revolution by so exact a rule;&#xA;&#xA;                   Cum suspicimus mni clestia mundi&#xA;            Templa super, stellisque micantibus arthera fiium,&#xA;            El venit in mcntem lun solisque viarurn.&#xA;&#xA;                  &amp;quot;When we the heavenly arch above behold.&#xA;            And the vast sky adorned with stars of gold.&#xA;            And mark the r'eglar course? that the sun&#xA;            And moon in their alternate progress run.&amp;quot;&#xA;&#xA;considering the dominion and influence those bodies have, not only over our lives and fortunes;&#xA;&#xA;           Facta etenim et vitas hominum suspendit ab aatris;&#xA;&#xA;           &amp;quot;Men's lives and actions on the stars depend.&amp;quot;&#xA;but even over our inclinations, our thoughts and wills, which they govern, incite and agitate at the mercy of their influences, as our reason teaches us;&#xA;&#xA;                &amp;quot;Contemplating the stars he finds that they&#xA;          Rule by a secret and a silent sway;&#xA;           And that the enamell'd spheres which roll above&#xA;           Do ever by alternate causes move.&#xA;           And, studying these, he can also foresee,&#xA;           By certain signs, the turns of destiny;&amp;quot;&#xA;seeing that not only a man, not only kings, but that monarchies, empires, and all this lower world follow the influence of the celestial motions,&#xA;&#xA;                 &amp;quot;How great a change a little motion brings!&#xA;            So great this kingdom is that governs kings:&amp;quot;&#xA;if our virtue, our vices, our knowledge, and this very discourse we are upon of the power of the stars, and the comparison we are making betwixt them and us, proceed, as our reason supposes, from their favour;&#xA;&#xA;                  &amp;quot;One mad in love may cross the raging main,&#xA;           To level lofty Ilium with the plain;&#xA;           Another's fate inclines him more by far&#xA;           To study laws and statutes for the bar.&#xA;           Sons kill their father, fathers kill their sons,&#xA;          And one arm'd brother 'gainst another runs..&#xA;           This war's not their's, but fate's, that spurs them on&#xA;         To shed the blood which, shed, they must bemoan;&#xA;           And I ascribe it to the will of fate&#xA;           That on this theme I now expatiate:&amp;quot;&#xA;if we derive this little portion of reason we have from the bounty of heaven, how is it possible that reason should ever make us equal to it? How subject its essence and condition to our knowledge?&#xA;Whatever we see in those bodies astonishes us: Qu molitio, qua ferramenta, qui vectes, qu machina, qui ministri tanti operis fuerunt? &amp;quot;What contrivance, what tools, what materials, what engines, were employed about so stupendous a work?&amp;quot; Why do we deprive them of soul, of life, and discourse? Have we discovered in them any immoveable or insensible stupidity, we who have no commerce with them but by obedience? Shall we say that we have discovered in no other creature but man the use of a reasonable soul? What! have we seen any thing like the sun? Does he cease to be, because we have seen nothing like him? And do his motions cease, because there are no other like them? If what we have not seen is not, our knowledge is marvellously contracted: Qu sunt tant animi angusti! &amp;quot;How narrow are our understandings!&amp;quot; Are they not dreams of human vanity, to make the moon a celestial earth? there to fancy mountains and vales, as Anaxagoras did? there to fix habitations and human abodes, and plant colonies for our convenience, as Plato and Plutarch have done? And of our earth to make a luminous and resplendent star? &amp;quot;Amongst the other inconveniences of mortality this is one, that darkness of the understanding which leads men astray, not so much from a necessity of erring, but from a love of error.&#xA;The corruptible body stupifies the soul, and the earthly habitation dulls the faculties of the imagination.&amp;quot;&#xA;Presumption is our natural and original disease. The most wretched and frail of all creatures is man, and withal the proudest. He feels and sees himself lodged here in the dirt and filth of the world, nailed and rivetted to the worst and deadest part of the universe, in the lowest story of the house, the most remote from the heavenly arch, with animals of the worst condition of the three; and yet in his imagination will be placing himself above the circle of the moon, and bringing the heavens under his feet. 'Tis by the same vanity of imagination that he equals himself to God, attributes to himself divine qualities, withdraws and separates himself from the the crowd of other creatures, cuts out the shares of the animals, his fellows and companions, and distributes to them portions of faculties and force, as himself thinks fit How does he know, by the strength of his understanding, the secret and internal motions of animals?—from what comparison betwixt them and us does he conclude the stupidity he attributes to them? When I play with my cat who knows whether I do not make her more sport than she makes me? We mutually divert one another with our play. If I have my hour to begin or to refus, she also has hers. Plato, in his picture of the golden age under Saturn, reckons, among the chief advantages that a man then had, his communication with beasts, of whom, inquiring and informing himself, he knew the true qualities and differences of them all, by which he acquired a very perfect intelligence and prudence, and led his life more happily than we could do. Need we a better proof to condemn human impudence in the concern of beasts? This great author was of opinion that nature, for the most part in the corporal form she gave them, had only regard to the use of prognostics that were derived thence in his time. The defect that hinders communication betwixt them and us, why may it not be in our part as well as theirs? 'Tis yet to determine where the fault lies that we understand not one another,—for we understand them no more than they do us; and by the same reason they may think us to be beasts as we think them. 'Tis no great wonder if we understand not them, when we do not understand a Basque or a Troglodyte. And yet some have boasted that they understood them, as Apollonius Tyanaus, Melampus, Tiresias, Thales, and others. And seeing, as cusmographers report, that there are nations that have a dog for their king, they must of necessity be able to interpret his voice and motions. We must observe the parity betwixt us, have some tolerable apprehension of their meaning, and so have beasts of ours,—much about the same. They caress us, threaten us, and beg of us, and we do the same to them.&#xA;&#xA;As to the rest, we manifestly discover that they have a full and absolute communication amongst themselves, and that they perfectly understand one another, not only those of the same, but of divers kinds:&#xA;&#xA;              &amp;quot;The tamer herds, and wilder sort of brutes.&#xA;          Though we of higher race conclude them mutes.&#xA;          Yet utter dissonant and various notes,&#xA;          From gentler lungs or more distended throats,&#xA;           As fear, or grief, or anger, do them move,&#xA;          Or as they do approach the joys of love.&amp;quot;&#xA;In one kind of barking of a dog the horse knows there is anger, of another sort of bark he is not afraid. Even in the very beasts that have no voice at all, we easily conclude, from the society of offices we observe amongst them, some other sort of communication: their very motions discover it:&#xA;&#xA;                &amp;quot;As infants who, for want of words, devise&#xA;            Expressive motions with their hands and eyes.&amp;quot;&#xA;And why not, as well as our dumb people, dispute, argue, and tell stories by signs? Of whom I have seen some, by practice, so clever and active that way that, in fact, they wanted nothing of the perfection of making themselves understood. Lovers are angry, reconciled, intreat, thank, appoint, and, in short, speak all things by their eyes:&#xA;&#xA;               &amp;quot;Even silence in a lover&#xA;          Love and passion can discover.&amp;quot;&#xA;What with the hands? We require, promise, call, dismiss, threaten, pray, supplicate, deny, refuse, interrogate, admire, number, confess, repent, fear, express confusion, doubt, instruct, command, incite, encourage, swear, testify, accuse, condemn, absolve, abuse, despise, defy, provoke, flatter, applaud, bless, submit, mock, reconcile, recommend, exalt, entertain, congratulate, complain, grieve, despair, wonder, exclaim, and what not! And all this with a variety and multiplication, even emulating speech.&#xA;With the head we invite, remand, confess, deny, give the lie, welcome, honour, reverence, disdain, demand, rejoice, lament, reject, caress, rebuke, submit, huff, encourage, threaten, assure, and inquire.&#xA;What with the eyebrows?—what with the shoulders! There is not a motion that does not speak, and in an intelligible language without discipline, and a public language that every one understands: whence it should follow, the variety and use distinguished from others considered, that these should rather be judged the property of human nature. I omit what necessity particularly does suddenly suggest to those who are in need;—the alphabets upon the fingers, grammars in gesture, and the sciences which are only by them exercised and expressed; and the nations that Pliny reports have no other language. An ambassador of the city of Abdera, after a long conference with Agis, King of Sparta, demanded of him, &amp;quot;Well, sir, what answer must I return to my fellow-citizens?&amp;quot; &amp;quot;That I have given thee leave,&amp;quot; said he, &amp;quot;to say what thou wouldest, and as much as thou wouldest, without ever speaking a word.&amp;quot; is not this a silent speaking, and very easy to be understood?&#xA;&#xA;As to the rest, what is there in us that we do not see in the operations of animals? Is there a polity better ordered, the offices better distributed, and more inviolably observed and maintained, than that of bees? Can we imagine that such, and so regular, a distribution of employments can be carried on without reasoning and deliberation?&#xA;&#xA;              &amp;quot;Hence to the bee some sages have assign'd&#xA;           Some portion of the god and heavenly wind.&amp;quot;&#xA;The swallows that we see at the return of the spring, searching all the corners of our houses for the most commodious places wherein to build their nest; do they seek without judgment, and amongst a thousand choose out the most proper for their purpose, without discretion? And in that elegant and admirable contexture of their buildings, can birds rather make choice of a square figure than a round, of an obtuse than of a right angle, without knowing their properties and effects? Do they bring water, and then clay, without knowing that the hardness of the latter grows softer by being wetted? Do they mat their palace with moss or down without foreseeing that their tender young will lie more safe and easy? Do they secure themselves from the wet and rainy winds, and place their lodgings against the east, without knowing the different qualities of the winds, and considering that one is more wholesome than another? Why does the spider make her web tighter in one place, and slacker in another; why now make one sort of knot, and then another, if she has not deliberation, thought, and conclusion? We sufficiently discover in most of their works how much animals excel us, and how unable our art is to imitate them. We see, nevertheless, in our rougher performances, that we employ all our faculties, and apply the utmost power of our souls; why do we not conclude the same of them?&#xA;&#xA;Why should we attribute to I know not what natural and servile inclination the works that excel all we can do by nature and art? wherein, without being aware, we give them a mighty advantage over us in making nature, with maternal gentleness and love, accompany and learn them, as it were, by the hand to all the actions and commodities of their life, whilst she leaves us to chance and fortune, and to seek out by art the things that are necessary to our conservation, at the same time denying us the means of being able, by any instruction or effort of understanding, to arrive at the natural sufficiency of beasts; so that their brutish stupidity surpasses, in all conveniences, all that our divine intelligence can do. Really, at this rate, we might with great reason call her an unjust stepmother: but it is nothing so, our polity is not so irregular and unformed.&#xA;&#xA;Nature has universally cared for all her creatures, and there is not one she has not amply furnished with all means necessary for the conservation of its being. For the common complaints I hear men make (as the license of their opinions one while lifts them up above the clouds, and then again depresses them to the antipodes), that we are the only animal abandoned naked upon the bare earth, tied and bound, not having wherewithal to arm and clothe us but by the spoil of others; whereas nature has covered all other creatures either with shells, husks, bark, hair, wool, prickles, leather, down, feathers, scales, or silk, according to the necessities of their being; has armed them with talons, teeth, or horns, wherewith to assault and defend, and has herself taught them that which is most proper for them, to swim, to run, to fly, and sing, whereas man neither knows how to walk, speak, eat, or do any thing but weep, without teaching;&#xA;&#xA;               &amp;quot;Like to the wretched mariner, when toss'd&#xA;         By raging seas upon the desert coast,&#xA;          The tender babe lies naked on the earth,&#xA;         Of all supports of life stript by his birth;&#xA;         When nature first presents him to the day,&#xA;         Freed from the cell wherein before he lay,&#xA;           He fills the ambient air with doleful cries.&#xA;          Foretelling thus life's future miseries;&#xA;            But beasts, both wild and tame, greater and less,&#xA;           Do of themselves in strength and bulk increase;&#xA;            They need no rattle, nor the broken chat,&#xA;            Ay which the nurse first teaches boys to prate&#xA;            They look not out for different robes to wear,&#xA;            According to the seasons of the year;&#xA;           And need no arms nor walls their goods to save,&#xA;            Since earth and liberal nature ever have,&#xA;          And will, in all abundance, still produce&#xA;         All things whereof they can have need or use:&amp;quot;&#xA;these complaints are false; there is in the polity of the world a greater equality and more uniform relation. Our skins are as sufficient to defend us from the injuries of the weather as theirs are; witness several nations that yet know not the use of clothes. Our ancient Gauls were but slenderly clad, any more than the Irish, our neighbours, though in so cold a climate; but we may better judge of this by ourselves: for all those parts that we are pleased to expose to the air are found very able to endure it: the face, the feet, the hands, the arms, the head, according to the various habit; if there be a tender part about us, and that would seem to be in danger from cold, it should be the stomach where the digestion is; and yet our forefathers were there always open, and our ladies, as tender and delicate as they are, go sometimes half-bare as low as the navel. Neither is the binding or swathing of infants any more necessary; and the Lacedmoman mothers brought theirs in all liberty of motion of members, without any ligature at all. Our crying is common with the greatest part of other animals, and there are but few creatures that are not observed to groan, and bemoan themselves a long time after they come into the world; forasmuch as it is a behaviour suitable to the weakness wherein they find themselves. As to the custom of eating, it is in us, as in them, natural, and without instruction;&#xA;&#xA;&amp;quot;For every one soon finds his natural force.&#xA;Which he, or better may employ, or worse.&amp;quot;&#xA;Who doubts but an infant, arrived to the strength of feeding himself, may make shift to find something to eat And the earth produces and offers him wherewithal to supply his necessity, without other culture and artifice; and if not at all times, no more does she do it to beasts, witness the provision we see ants and other creatures hoard up against the dead seasons of the year. The late discovered nations, so abundantly furnished with natural meat and drink, without care, or without cookery, may give us to understand that bread is not our only food, and that, without tillage, our mother nature has provided us sufficiently of all we stand in need of: nay, it appears more fully and plentifully than she does at present, now that we have added our own industry:&#xA;&#xA;                 &amp;quot;The earth did first spontaneously afford&#xA;           Choice fruits and wines to furnish out the board;&#xA;           With herbs and flow'rs unsown in verdant fields.&#xA;          But scarce by art so good a harvest yields;&#xA;            Though men and oxen mutually have strove,&#xA;           With all their utmost force the soil t' improve,&amp;quot;&#xA;the debauchery and irregularity of our appetites outstrips all the inventions we can contrive to satisfy it.&#xA;&#xA;As to arms, we have more natural ones than than most other animals more various motions of limbs, and naturally and without lesson extract more service from them. Those that are trained to fight naked are seen to throw themselves into the like hazards that we do. If some beasts surpass us in this advantage, we surpass many others. And the industry of fortifying the body, and covering it by acquired means, we have by instinct and natural precept? That it is so, the elephant shows who sharpen, and whets the teeth he makes use of in war (for he has particular ones for that service, which he spares, and never employs them at all to any other use); when bulls go to fight, they toss and throw the dust about them; boars whet their tusks; and the ichneumon, when he is about to engage with the crocodile, fortifies his body, and covers and crusts it all over with close-wrought and well-tempered slime, as with a cuirass. Why shall we not say that it is also natural for us to arm ourselves with wood and iron?&#xA;&#xA;As to speech, it is certain that if it be not natural it is not necessary. Nevertheless I believe that a child which had been brought up in an absolute solitude, remote from all society of men (which would be an experiment very hard to make), would have some kind of speech to express his meaning by. And 'tis not to be supposed that nature should have denied that to us which she has given to several other animals: for what is this faculty we observe in them, of complaining, rejoicing, calling to one another for succour, and inviting each other to love, which they do with the voice, other than speech? And why should they not speak to one another? They speak to us, and we to them. In how many several sorts of ways do we speak to our dogs, and they answer us? We converse with them in another sort of language, and use other appellations, than we do with birds, hogs, oxen, horses, and alter the idiom according to the kind.&#xA;&#xA;                &amp;quot;Thus from one swarm of ants some sally out.&#xA;           To spy another's stock or mark its rout.&amp;quot;&#xA;Lactantius seems to attribute to beasts not only speech, but laughter also. And the difference of language which is seen amongst us, according to the difference of countries, is also observed in animals of the same kind. Aristotle, in proof of this, instances the Various calls of partridges, according to the situation of places:&#xA;&#xA;                 &amp;quot;And various birds do from their warbling throats&#xA;          At various times, utter quite different notes,&#xA;          And some their hoarse songs with the seasons change.&amp;quot;&#xA;But it is yet to be known what language this child would speak; and of that what is said by guess has no great appearance. If a man will allege to me, in opposition to this opinion, that those who are naturally deaf speak not, I answer that this is not only because they could not receive the instruction of speaking by ear, but rather because the sense of hearing, of which they are deprived, relates to that of speaking, and that these hold together by a natural and inseparable tie, in such manner that what we speak we must first speak to ourselves within, and make it sound in our own ears, before we can utter it to others.&#xA;&#xA;All this I have said to prove the resemblance there is in human things, and to bring us back and join us to the crowd. We are neither above nor below the rest All that is under heaven, says the sage, runs one law and one fortune:&#xA;&#xA;               &amp;quot;All things remain&#xA;          Bound and entangled in one fatal chain.&amp;quot;&#xA;There is, indeed, some difference,—there are several orders and degrees; but it is under the aspect of one and the same nature:&#xA;&#xA;              &amp;quot;All things by their own rites proceed, and draw&#xA;         Towards their ends, by nature's certain law.&amp;quot;&#xA;Man must be compelled and restrained within the bounds of this polity. Miserable creature! he is not in a condition really to step over the rail. He is fettered and circumscribed, he is subjected to the same necessity that the other creatures of his rank and order are, and of a very mean condition, without any prerogative of true and real pre-eminence. That which he attributes to himself, by vain fancy and opinion, has neither body nor taste. And if it be so, that he only, of all the animals, has this liberty of imagination and irregularity of thoughts, representing to him that which is, that which is not, and that he would have, the false and the true, 'tis an advantage dearly bought, and of which he has very little reason to be proud; for thence springs the principal and original fountain of all the evils that befal him,—sin, sickness, irresolution, affliction, despair. I say, then, to return to my subject, that there is no appearance to induce a man to believe that beasts should, by a natural and forced inclination, do the same things that we do by our choice and industry. We ought from like effects to conclude like faculties, and from greater effects greater faculties; and consequently confess that the same reasoning, and the same ways by which we operate, are common with them, or that they have others that are better. Why should we imagine this natural constraint in them, who experience no such effect in ourselves? added that it is more honourable to be guided and obliged to act regularly by a natural and inevitable condition, and nearer allied to the divinity, than to act regularly by a temerarious and fortuitous liberty, and more safe to entrust the reins of our conduct in the hands of nature than our own. The vanity of our presumption makes us prefer rather to owe our sufficiency to our own exertions than to her bounty, and to enrich the other animals with natural goods, and abjure them in their favour, in order to honour and ennoble ourselves with goods acquired, very foolishly in my opinion; for I should as much value parts and virtues naturally and purely my own as those I had begged and obtained from education. It is not in our power to obtain a nobler reputation than to be favoured of God and nature.&#xA;&#xA;For instance, take the fox, the people of Thrace make use of when they wish to pass over the ice of some frozen river, and turn him out before them to that purpose; when we see him lay his ear upon the bank of the river, down to the ice, to listen if from a more remote or nearer distance he can hear the noise of the waters' current, and, according as he finds by that the ice to be of a less or greater thickness, to retire or advance,—have we not reason to believe thence that the same rational thoughts passed through his head that we should have upon the like occasions; and that it is a ratiocination and consequence, drawn from natural sense, that that which makes a noise runs, that which runs is not frozen, what is not frozen is liquid, and that which is liquid yields to impression! For to attribute this to a mere quickness of the sense of hearing, without reason and consequence, is a chimra that cannot enter into the imagination. We are to suppose the same of the many sorts of subtleties and inventions with which beasts secure themselves from, and frustrate, the enterprizes we plot against them.&#xA;&#xA;And if we will make an advantage even of this, that it is in our power to seize them, to employ them in our service, and to use them at our pleasure, 'tis still but the same advantage we have over one another.&#xA;We have our slaves upon these terms: the Climacid, were they not women in Syria who, squat on all fours, served for a ladder or footstool, by which the ladies mounted their coaches? And the greatest part of free persons surrender, for very trivial conveniences, their life and being into the power of another.&#xA;The wives and concubines of the Thracians contended who should be chosen to be slain upon their husband's tomb. Have tyrants ever failed of finding men enough vowed to their devotion? some of them moreover adding this necessity, of accompanying them in death as well as life? Whole armies have bound themselves after this manner to their captains. The form of the oath in the rude school of gladiators was in these words: &amp;quot;We swear to suffer ourselves to be chained, burnt, wounded, and killed with the sword, and to endure all that true gladiators suffer from their master, religiously engaging both body and soul in his service.&amp;quot;&#xA;&#xA;                 Uire meum, si vis, flamma caput, et pete ferro&#xA;           Corpus, et iutorto verbere terga seca.&#xA;&#xA;                &amp;quot;Wound me with steel, or burn my head with fire.&#xA;            Or scourge my shoulders with well-twisted wire.&amp;quot;&#xA;This was an obligation indeed, and yet there, in one year, ten thousand entered into it, to their destruction. When the Scythians interred their king they strangled upon his body the most beloved of his concubines, his cup-bearer, the master of his horse, his chamberlain, the usher of his chamber, and his cook. And upon the anniversary thereof they killed fifty horses, mounted by fifty pages, that they had impaled all up the spine of the back to the throat, and there left them fixed in triumph about his tomb. The men that serve us do it cheaper, and for a less careful and favourable usage than what we treat our hawks, horses and dogs withal. To what solicitude do we not submit for the conveniences of these? I do not think that servants of the most abject condition would willingly do that for their masters that princes think it an honour to do for their beasts. Diogenes seeing his relations solicitous to redeem, him from servitude: &amp;quot;They are fools,&amp;quot; said he; &amp;quot;'tis he that keeps and nourishes me that in reality serves me.&amp;quot; And they who entertain beasts ought rather to be said to serve them, than to be served by them. And withal in this these have something more generous in that one lion never submitted to another lion, nor one horse to another, for want of courage. As we go to the chase of beasts, so do tigers and lions to the chase of men, and do the same execution upon one another; dogs upon hares, pikes upon tench, swallows upon grass-hoppers, and sparrow-hawks upon blackbirds and larks:&#xA;&#xA;                &amp;quot;The stork with snakes and lizards from the wood&#xA;            And pathless wilds supports her callow brood,&#xA;           While Jove's own eagle, bird of noble blood,&#xA;          Scours the wide country for undaunted food;&#xA;            Sweeps the swift hare or swifter fawn away,&#xA;           And feeds her nestlings with the generous prey.&amp;quot;&#xA;We divide the quarry, as well as the pains and labour of the chase, with our hawks and hounds. And about Amphipolis, in Thrace, the hawkers and wild falcons equally divide the prey in the half. As also along the lake Motis, if the fisherman does not honestly leave the wolves an equal share of what he has caught, they presently go and tear his nets in pieces. And as we have a way of sporting that is carried on more by subtlety than force, as springing hares, and angling with line and hook, there is also the like amongst other animals. Aristotle says that the cuttle-fish casts a gut out of her throat as long as a line, which she extends and draws back at pleasure; and as she perceives some little fish approach her she lets it nibble upon the end of this gut, lying herself concealed in the sand or mud, and by little and little draws it in, till the little fish is so near her that at one spring she may catch it.&#xA;&#xA;As to strength, there is no creature in the world exposed to so many injuries as man. We need not a whale, elephant, or a crocodile, nor any such-like animals, of which one alone is sufficient to dispatch a great number of men, to do our business; lice are sufficient to vacate Sylla's dictatorship; and the heart and life of a great and triumphant emperor is the breakfast of a little contemptible worm!&#xA;&#xA;Why should we say that it is only for man, or knowledge built up by art and meditation, to distinguish the things useful for his being, and proper for the cure of his diseases, and those which are not; to know the virtues of rhubarb and polypody. When we see the goats of Candia, when wounded with an arrow, among a million of plants choose out dittany for their cure; and the tortoise, when she has eaten a viper, immediately go out to look for origanum to purge her; the dragon to rub and clear his eyes with fennel; the storks to give themselves clysters of sea-water; the elephants to draw not only out of their own bodies, and those of their companions, but out of the bodies of their masters too (witness the elephant of King Porus whom Alexander defeated), the darts and javelins thrown at them in battle, and that so dexterously that we ourselves could not do it with so little pain to the patient;—why do we not say here also that this is knowledge and reason? For to allege, to their disparagement, that 'tis by the sole instruction and dictate of nature that they know all this, is not to take from them the dignity of knowledge and reason, but with greater force to attribute it to them than to us, for the honour of so infallible a mistress. Chrysippus, though in other things as scornful a judge of the condition of animals as any other philosopher whatever, considering the motions of a dog, who coming to a place where three ways met, either to hunt after his master he has lost, or in pursuit of some game that flies before him, goes snuffing first in one of the ways, and then in another, and, after having made himself sure of two, without finding the trace of what he seeks, dashes into the third without examination, is forced to confess that this reasoning is in the dog: &amp;quot;I have traced my master to this place; he must of necessity be gone one of these three ways; he is not gone this way nor that, he must then infallibly be gone this other;&amp;quot; and that assuring himself by this conclusion, he makes no use of his nose in the third way, nor ever lays it to the ground, but suffers himself to be carried on there bv the force of reason. This sally, purely logical, and this use of propositions divided and conjoined, and the right enumeration of parts, is it not every whit as good that the dog knows all this of himself as well as from Trapezuntius?&#xA;&#xA;Animals are not incapable, however, of being instructed after our method. We teach blackbirds, ravens, pies, and parrots, to speak: and the facility wherewith we see they lend us their voices, and render both them and their breath so supple and pliant, to be formed and confined within a certain number of letters and syllables, does evince that they have a reason within, which renders them so docile and willing to learn. Everybody, I believe, is glutted with the several sorts of tricks that tumblers teach their dogs; the dances, where they do not miss any one cadence of the sound they hear; the several various motions and leaps they make them perform by the command of a word. But I observe this effect with the greatest admiration, which nevertheless is very common, in the dogs that lead the blind, both in the country and in cities: I have taken notice how they stop at certain doors, where they are wont to receive alms; how they avoid the encounter of coaches and carts, even there where they have sufficient room to pass; I have seen them, by the trench of a town, forsake a plain and even path and take a worse, only to keep their masters further from the ditch;—how could a man have made this dog understand that it was his office to look to his master's safely only, and to despise his own conveniency to serve him? And how had he the knowledge that a way was wide enough for him that was not so for a blind man? Can all this be apprehended without ratiocination!&#xA;&#xA;I must not omit what Plutarch says he saw of a dog at Rome with the Emperor Vespasian, the father, at the theatre of Marcellus. This dog served a player, that played a farce of several parts and personages, and had therein his part. He had, amongst other things, to counterfeit himself for some time dead, by reason of a certain drug he was supposed to eat After he had swallowed a piece of bread, which passed for the drug, he began after awhile to tremble and stagger, as if he was taken giddy: at last, stretching himself out stiff, as if dead, he suffered himself to be drawn and dragged from place to place, as it was his part to do; and afterward, when he knew it to be time, he began first gently to stir, as if awaking out of a profound sleep, and lifting up his head looked about him after such a manner as astonished all the spectators.&#xA;The oxen that served in the royal gardens of Susa, to water them, and turn certain great wheels to draw water for that purpose, to which buckets were fastened (such as there are many in Languedoc), being ordered every one to draw a hundred turns a day, they were so accustomed to this number that it was impossible by any force to make them draw one turn more; but, their task being performed, they would suddenly stop and stand still. We are almost men before we can count a hundred, and have lately discovered nations that have no knowledge of numbers at all.&#xA;&#xA;There is more understanding required in the teaching of' others than in being taught. Now, setting aside what Democritus held and proved, &amp;quot;That most of the arts we have were taught us by other animals,&amp;quot; as by the spider to weave and sew; by the swallow to build; by the swan and nightingale music; and by several animals to make medicines:—Aristotle is of opinion &amp;quot;That the nightingales teach their young ones to sing, and spend a great deal of time and care in it;&amp;quot; whence it happens that those we bring up in cages, and which have not had the time to learn of their parents, want much of the grace of their singing: we may judge by this that they improve by discipline and study; and, even amongst the wild, it is not all and every one alike—every one has learnt to do better or worse, according to their capacity. And so jealous are they one of another, whilst learning, that they contention with emulation, and by so vigorous a contention that sometimes the vanquished fall dead upon the place, the breath rather failing than the voice. The younger ruminate pensively and begin to mutter some broken notes; the disciple listens to the master's lesson, and gives the best account he is able; they are silent oy turns; one may hear faults corrected and observe some reprehensions of the teacher. &amp;quot; have formerly seen,&amp;quot; says Arrian, &amp;quot;an elephant having a cymbal hung at each leg, and another fastened to his trunk, at the sound of which all the others danced round about him, rising and bending at certain cadences, as they were guided by the instrument; and 'twas delightful to hear this harmony.&amp;quot; In the spectacles of Rome there were ordinarily seen elephants taught to move and dance to the sound of the voice, dances wherein were several changes and cadences very hard to learn. And some have been known so intent upon their lesson as privately to practice it by themselves, that they might not be chidden nor beaten by their masters.&#xA;But this other story of the pie, of which we have Plutarch himself for a warrant, is very strange. She lived in a barber's shop at Rome, and did wonders in imitating with her voice whatever she heard. It happened one day that certain trumpeters stood a good while sounding before the shop. After that, and all the next day, the pie was pensive, dumb, and melancholic; which every body wondered at, and thought the noise of the trumpets had so stupified and astonished her that her voice was gone with her hearing. But they found at last that it was a profound meditation and a retiring into herself, her thoughts exercising and preparing her voice to imitate the sound of those trumpets, so that the first voice she uttered was perfectly to imitate their strains, stops, and changes; having by this new lesson quitted and taken in disdain all she had learned before.&#xA;&#xA;I will not omit this other example of a dog, also, which the same Plutarch (I am sadly confounding all order, but I do not propose arrangement here any more than elsewhere throughout my book) which Plutarch says he saw on board a ship. This dog being puzzled how to get the oil that was in the bottom of a jar, which he could not reach with his tongue by reason of the narrow mouth of the vessel, went and fetched stones and let them fall into the jar till he made the oil rise so high that he could reach it.&#xA;What is this but an effect of a very subtle capacity! 'Tis said that the ravens of Barbary do the same, when the water they would drink is too low. This action is somewhat akin to what Juba, a king of their nation relates of the elephants: &amp;quot;That when, by the craft of the hunter, one of them is trapped in certain deep pits prepared for them, and covered over with brush to deceive them, all the rest, in great diligence, bring a great many stones and logs of wood to raise the bottom so that he may get out.&amp;quot; But this animal, in several other effects, comes so near to human capacity that, should I particularly relate all that experience hath delivered to us, I should easily have what I usually maintain granted: namely, that there is more difference betwixt such and such a man than betwixt such a beast and such a man. The keeper of an elephant in a private house of Syria robbed him every meal of the half of his allowance.&#xA;One day his master would himself feed him, and poured the full measure of barley he had ordered for his allowance into his manger which the elephant, casting an angry look at the keeper, with his trunk separated the one-half from the other, and thrust it aside, by that declaring the wrong was done him.&#xA;And another, having a keeper that mixed stones with his corn to make up the measure, came to the pot where he was boiling meat for his own dinner, and filled it with ashes. These are particular effects: but that which all the world has seen, and all the world knows, that in all the armies of the Levant one of the greatest force consisted in elephants, with whom they did, without comparison, much greater execution than we now do with our artillery; which takes, pretty nearly, their place in a day of battle (as may easily be supposed by such as are well read in ancient history);&#xA;&#xA;                  &amp;quot;The sires of these huge animals were wont&#xA;          The Carthaginian Hannibal to mount;&#xA;          Our leaders also did these beasts bestride,&#xA;           And mounted thus Pyrrhus his foes defied;&#xA;           Nay, more, upon their backs they used to bear&#xA;         Castles with armed cohorts to the war.&amp;quot;&#xA;They must necessarily have very confidently relied upon the fidelity and understanding of these beasts when they entrusted them with the vanguard of a battle, where the least stop they should have made, by reason of the bulk and heaviness of their bodies, and the least fright that should have made them face about upon their own people, had been enough to spoil all: and there are but few examples where it has happened that they have fallen foul upon their own troops, whereas we ourselves break into our own battalions and rout one another. They had the charge not of one simple movement only, but of many several things to be performed in the battle: as the Spaniards did to their dogs in their new conquest of the Indies, to whom they gave pay and allowed them a share in the spoil; and those animals showed as much dexterity and judgment in pursuing the victory and stopping the pursuit; in charging and retiring, as occasion required; and in distinguishing their friends from their enemies, as they did ardour and fierceness.&#xA;&#xA;We more admire and value things that are unusual and strange than those of ordinary observation. I had not else so long insisted upon these examples: for I believe whoever shall strictly observe what we ordinarily see in those animals we have amongst us may there find as wonderful effects as those we seek in remote countries and ages. 'Tis one and the same nature that rolls on her course, and whoever has sufficiently considered the present state of things, might certainly conclude as to both the future ana the past. I have formerly seen men, brought hither by sea from very distant countries, whose language not being understood by us, and moreover their mien, countenance, and habit, being quite differing from ours; which of us did not repute them savages and brutes! Who did not attribute it to stupidity and want of common sense to see them mute, ignorant of the French tongue, ignorant of our salutations and cringes, our port and behaviour, from which all human nature must by all means take its pattern and example. All that seems strange to us, and that we do not understand, we condemn. The same thing happens also in the judgments we make of beasts. They have several conditions like to ours; from those we may, by comparison, draw some conjecture: but by those qualities that are particular to themselves, what know we what to make of them! The horses, dogs, oxen, sheep, birds, and most of the animals that live amongst us, know our voices, and suffer themselves to be governed by them: so did Crassus's lamprey, and came when he called it; as also do the eels that are found in the Lake Arethusa; and I have seen several ponds where the fishes come to eat at a certain call of those who use to feed them.&#xA;&#xA;              &amp;quot;They every one have names, and one and all&#xA;         Straightway appear at their own master's call:&amp;quot;&#xA;We may judge of that. We may also say that the elephants have some participation of religion forasmuch as after several washings and purifications they are observed to lift up their trunk like arms, and, fixing their eyes towards the rising of the sun, continue long in meditation and contemplation, at certain hours of the days, of their own motion; without instruction or precept But because we do not see any such signs in other animals, we cannot for that conclude that they are without religion, nor make any judgment of what is concealed from us. As we discern something in this action which the philosopher Cleanthes took notice of, because it something resembles our own. He saw, he says, &amp;quot;Ants go from their ant-hill, carrying the dead body of an ant towards another ant-hill, whence several other ants came out to meet them, as if to speak with them; where, after having been a while together, the last returned to consult, you may suppose, with their fellow-citizens, and so made two or three journeys, by reason of the difficulty of capitulation. In the conclusion, the last comers brought the first a worm out of their burrow, as it were for the ransom of the defunct, which the first laid upon their backs and carried home, leaving the dead body to the others.&amp;quot; This was the interpretation that Cleanthes gave of this transaction, giving us by that to understand that those creatures that have no voice are not, nevertheless, without intercourse and mutual communication, whereof 'tis through our own defect that we do not participate; and for that reason foolishly take upon us to pass our censure. But they yet produce either effects far beyond our capacity, to which we are so far from being able to arrive by imitation that we cannot so much as by imitation conceive it. Many are of opinion that in the great and last naval engagement that Antony lost to Augustus, his admiral galley was stayed in the middle of her course by the little fish the Latins call remora, by reason of the property she has of staying all sorts of vessels to which she fastens herself. And the Emperor Caligula, sailing with a great navy upon the coast of Romania, his galley only was suddenly stayed by the same fish, which, he caused to be taken, fastened as it was to the keel of his ship, very angry that such a little animal could resist both the sea, the wind, and the force of all his oars, by being only fastened by the beak to his galley (for it is a shell-fish); and was moreover, not without great reason, astonished that, being brought to him in the vessel, it had no longer the strength it had without. A citizen of Cyzicus formerly acquired the reputation of a good mathematician for having learnt the quality of the hedge-hog: he has his burrow open in divers places, and to several winds, and, foreseeing the wind that is to come, stops the hole on that side, which that citizen observing, gave the city certain predictions of the wind which was presently to blow. The camlon takes her colour from the place upon which she is laid; but the polypus gives himself what colour he pleases, according to occasion, either to conceal himself from what he fears, or from what he has a design to seize: in the camlon 'tis a passive, but in the polypus 'tis an active, change. We have some changes of colour, as in fear, anger, shame, and other passions, that alter our complexions; but it is by the effect of suffering, as with the camlon. It is in the power of the jaundice, indeed, to make us turn yellow, but 'tis not in the power of our own will. Now these effects that we discover in other animals, much greater than ours, seem to imply some more excellent faculty in them unknown to us; as 'tis to be presumed there are several other qualities and abilities of theirs, of which no appearances have arrived at us.&#xA;&#xA;Amongst all the predictions of elder times, the most ancient and the most certain were those taken from the flight of birds; we have nothing certain like it, nor any thing to be so much admired. That rule and order of the moving of the wing, whence they derived the consequences of future things, must of necessity be guided by some excellent means to so noble an operation: for to attribute this great effect to any natural disposition, without the intelligence, consent, and meditation of him by whom it is produced, is an opinion evidently false. That it is so, the cramp-fish has this quality, not only to benumb all the members that touch her, but even through the nets transmit a heavy dulness into the hands of those that move and handle them; nay, it is further said that if one pour water upon her, he will feel this numbness mount up the water to the hand, and stupefy the feeling through the water. This is a miraculous force; but 'tis not useless to the cramp-fish; she knows it, and makes use on't; for, to catch the prey she desires, she will bury herself in the mud, that other fishes swimming over her, struck and benumbed with this coldness of hers, may fall into her power. Cranes, swallows, and other birds of passage, by shifting their abode according to the seasons, sufficiently manifest the knowledge they have of their divining faculty, and put it in use. Huntsmen assure us that to cull out from amongst a great many puppies that which ought to be preserved as the best, the best way is to refer the choice to the mother; as thus, take them and carry them out of the kennel, and the first she brings back will certainly be the best; or if you make a show as if you would environ the kennel with fire, that one she first catches up to save. By which it appears they have a sort of prognostic which we have not; or that they have some virtue in judging of their whelps other and more certain than we have.&#xA;&#xA;The manner of coming into the world, of engendering, nourishing, acting, moving, living and dying of beasts, is so near to ours that whatever we retrench from their moving causes, and add to our own condition above theirs, can by no means proceed from any meditation of our own reason. For the regimen of our health, physicians propose to us the example of the beasts' manners and way of living; for this saying (out of Plutarch) has in all times been in the mouth of these people: &amp;quot;Keep warm thy feet and head, as to the rest, live like a beast.&amp;quot;&#xA;&#xA;The chief of all natural actions is generation; we have a certain disposition of members which is the most proper for us to that end; nevertheless, we are ordered by Lucretius to conform to the gesture and posture of the brutes as the most effectual:—&#xA;&#xA;                More ferarum,&#xA;         Quadrupedumque magis ritu, plerumque putantur&#xA;          Concipere uxores:&#xA;           Quia sic loca sumere possunt,&#xA;           Pectoribus positis, sublatis semina lumbis;&#xA;and the same authority condemns, as hurtful, those indiscreet and impudent motions which the women have added of their own invention, to whom it proposes the more temperate and modest pattern and practice of the beasts of their own sex:—&#xA;&#xA;                 Nam mulier prohibet se concipere atque rpugnt,&#xA;           Clunibus ipsa viri Venerem si lta retractet,&#xA;           Atque exossato ciet omni pectore fluctua.&#xA;           Ejicit enim sulci recta regione viaque&#xA;          Vomerem, atque locis avertit seminis ictum.&#xA;If it be justice to render to every one their due, the beasts that serve, love, and defend their benefactors, and that pursue and fall upon strangers and those who offend them, do in this represent a certain air of our justice; as also in observing a very equitable equality in the distribution of what they have to their young. And as to friendship, they have it without comparison more lively and constant than men have. King Lysimachus's dog, Hyrcanus, master being dead, lay on his bed, obstinately refusing either to eat or drink; and, the day that his body was burnt, he took a run and leaped into the fire, where he was consumed, As also did the dog of one Pyrrhus, for he would not stir from off his master's bed from the time he died; and when they carried him away let himself be carried with him, and at last leaped into the pile where they burnt his master's body. There are inclinations of affection which sometimes spring in us, without the consultation of reason; and by a fortuitous temerity, which others call sympathy; of which beasts are as capable as we. We see horses take such an acquaintance with one another that we have much ado to make them eat or travel, when separated; we observe them to fancy a particular colour in those of their own kind, and, where they meet it, run to it with great joy and demonstrations of good will, and have a dislike and hatred for some other colour. Animals have choice, as well as we, in their amours, and cull out their mistresses; neither are they exempt from our jealousies and implacable malice.&#xA;&#xA;Desires are either natural and necessary, as to eat and drink; or natural and not necessary, as the coupling with females; or neither natural nor necessary; of which last sort are almost all the desires of men; they are all superfluous and artificial. For 'tis marvellous how little will satisfy nature, how little she has left us to desire; our ragouts and kickshaws are not of her ordering. The Stoics say that a man may live on an olive a day. The delicacy of our wines is no part of her instruction, nor the refinements we introduce into the indulgence of our amorous appetites:—&#xA;&#xA;                  Neque ilia&#xA;            Magno prognatum deposcit consule cunnum.&#xA;&#xA;                 &amp;quot;Nature, in her pursuit of love, disclaims&#xA;           The pride of titles, and the pomp of names.&amp;quot;&#xA;These irregular desires, that the ignorance of good and a false opinion have infused into us, are so many that they almost exclude all the natural; just as if there were so great a number of strangers in the city as to thrust out the natural inhabitants, or, usurping upon their ancient rights and privileges, should extinguish their authority and introduce new laws and customs of their own. Animals are much more regular than we, and keep themselves with greater moderation within the limits nature has prescribed; but yet not so exactly that they have not sometimes an analogy with our debauches. And as there have been furious desires that have impelled men to the love of beasts, so there have been examples of beasts that have fallen in love with us, and been seized with monstrous affection betwixt kinds; witness the elephant who was rival to Aristophanes the grammarian in the love of a young herb-wench in the city of Alexandria, who was nothing behind him in all the offices of a very passionate suitor; for going through the market where they sold fruit, he would take some in his trunk and carry them to her. He would as much as possible keep her always in his sight, and would sometimes put his trunk under her handkerchief into her bosom, to feel her breasts. They tell also of a dragon in love with a girl, and of a goose enamoured of a child; of a ram that was suitor to the minstrelless Glaucia, in the town of Asopus; and we see not unfrequently baboons furiously in love with women. We see also certain male animals that are fond of the males of their own kind. Oppian and others give us some examples of the reverence that beasts have to their kindred in their copulations; but experience often shows us the contrary:—&#xA;&#xA;                  Nec habetur turpe juvenc&#xA;           Ferre patrem tergo; fit equo sua filia conjux;&#xA;           Quasque creavit, init pecudes caper; ipsaque cujus&#xA;            Semine concepta est, ex illo concipit ales.&#xA;&#xA;                &amp;quot;The heifer thinks it not a shame to take&#xA;          Her lusty sire upon her willing back:&#xA;           The horse his daughter leaps, goats scruple not&#xA;           T' increase the herd by those they have begot;&#xA;         And birds of all sorts do in common live,&#xA;         And by the seed they have conceived conceive.&amp;quot;&#xA;And for subtle cunning, can there be a more pregnant example than in the philosopher Thales's mule? who, fording a river, laden with salt, and by accident stumbling there, so that the sacks he carried were all wet, perceiving that by the melting of the salt his burden was something lighter, he never failed, so oft as he came to any river, to lie down with his load; till his master, discovering the knavery, ordered that he should be laden with wood? wherein, finding himself mistaken, he ceased to practise that device. There are several that very vividly represent the true image of our avarice; for we see them infinitely solicitus to get all they can, and hide it with that exceeding great care, though they never make any use of it at all. As to thrift, they surpass us not only in the foresight and laying up, and saving for the time to come, but they have, moreover, a great deal of the science necessary thereto. The ants bring abroad into the sun their grain and seed to air, refresh and dry them when they perceive them to mould and grow musty, lest they should decay and rot. But the caution and prevention they use in gnawing their grains of wheat surpass all imagination of human prudence; for by reason that the wheat does not always continue sound and dry, but grows soft, thaws and dissolves as if it were steeped in milk, whilst hasting to germination; for fear lest it should shoot and lose the nature and property of a magazine for their subsistence, they nibble off the end by which it should shoot and sprout.&#xA;&#xA;As to what concerns war, which is the greatest and most magnificent of human actions, I would very fain know whether we would use it for an argument of some prerogative or, on contrary, for a testimony of our weakness and imperfection; as, in truth, the science of undoing and killing one another, and of ruining and destroying our own kind, has nothing in it so tempting as to make it be coveted by beasts who have it not.&#xA;&#xA;                  Quando leoni Fortior eripuit vitam leo? quo nemore unquam&#xA;           Expiravit aper majoris dentibus apri?&#xA;&#xA;                 &amp;quot;No lion drinks a weaker lion's gore,&#xA;            No boar expires beneath a stronger boar.&amp;quot;&#xA;Yet are they not universally exempt; witness the furious encounters of bees, and the enterprises of the princes of the contrary armies:—&#xA;&#xA;            Spe duobus Regibus incessit magno discordia motu;&#xA;           Continuoque animos vulgi et trepidantia bello&#xA;           Gorda licet long prsciscere.&#xA;&#xA;                 &amp;quot;But if contending factions arm the hive,&#xA;           When rival kings in doubtful battle strive,&#xA;           Tumultuous crowds the dread event prepare,&#xA;           And palpitating hearts that beat to war.&amp;quot;&#xA;I never read this divine description but that, methinks, I there see human folly and vanity represented in their true and lively colours. For these warlike movements, that so ravish us with their astounding noise and horror, this rattle of guns, drums, and cries,&#xA;&#xA;               Fulgur ibi ad coelum se tollit, totaque circum&#xA;           re renidescit tellus, subterque virm vi&#xA;            Excitur pedibus sonitus, clamoreque montes&#xA;            Icti rejectant voces ad sidera mundi;&#xA;&#xA;                 &amp;quot;When burnish'd arms to heaven dart their rays,&#xA;            And many a steely beam i' th' sunlight plays,&#xA;           When trampled is the earth by horse and man,&#xA;          Until the very centre groans again,&#xA;           And that the rocks, struck by the various cries,&#xA;          Reverberate the sound unto the skies;&amp;quot;&#xA;in the dreadful embattling of so many thousands of armed men, and so great fury, ardour, and courage, 'tis pleasant to consider by what idle occasions they are excited, and by how light ones appeased:—&#xA;&#xA;                 Paridis propter narratur amorem&#xA;           Greci Barbari diro collisa duello:&#xA;&#xA;                &amp;quot;Of wanton Paris the illicit love&#xA;            Did Greece and Troy to ten years' warfare move:&amp;quot;&#xA;all Asia was ruined and destroyed for the lust of Paris; the envy of one single man, a despite, a pleasure, a domestic jealousy, causes that ought not to set two oyster-wenches by the ears, is the mover of all this mighty bustle. Shall we believe those very men who are themselves the principal authors of these mischiefs? Let us then hear the greatest, the most powerful, the most victorious emperor that ever was, turning into a jest, very pleasantly and ingeniously, several battles fought both by sea and land, the blood and lives of five hundred thousand men that followed his fortune, and the strength and riches of two parts of the world drained for the expense of his expeditions:—&#xA;&#xA;                 Quod futuit Glaphyran Antonius, hanc mihi poenam&#xA;           Fulvia constituit, se quoqne uti futuam.&#xA;           Fulviam ego ut futuam! quid, si me Manius oret&#xA;           Podicem, faciam? Non puto, si sapiam.&#xA;          Aut futue, aut pugnemus, ait&#xA;           Quid, si mihi vitii&#xA;          Charior est ips mentula? Signa canant.&#xA;&#xA;                  Qui? moi, que je serve Fulvie!&#xA;          Sufflt-il quelle en ait envie?&#xA;           A ce compte, on verrait se retirer von moi&#xA;           Mille pouses mal satisfaites.&#xA;         Aime-moi, me dit elle, ou combattons. Mais quoi?&#xA;           Elle est bien laide! Allons, sonnes trompettes.&#xA;&#xA;           'Cause Anthony is fired with Glaphire's charms&#xA;          Fain would his Fulvia tempt me to her arms.&#xA;          If Anthony be false, what then? must I&#xA;           Be slave to Fulvia's lustful tyranny?&#xA;            Then would a thousand wanton, waspish wives,&#xA;(I use my Latin with the liberty of conscience you are pleased to allow me.) Now this great body, with so many fronts, and so many motions, which seems to threaten heaven and earth:—&#xA;&#xA;                Quam multi Lybico volvuntur marmore fluctus,&#xA;           Svus ubi Orion hibemis conditur undis,&#xA;            Vel quam solo novo dens torrentur Arist,&#xA;            Aut Hermi campo, aut Lyci flaventibus arvis;&#xA;           Scuta sonant, pulsuque pedum tremit excita tellus:&#xA;&#xA;                   &amp;quot;Not thicker billows beat the Lybian main,&#xA;            When pale Orion sits in wintry rain;&#xA;           Nor thicker harvests on rich Hermus rise,&#xA;          Or Lycian fields, when Phobus burns the skies,&#xA;           Than stand these troops: their bucklers ring around;&#xA;           Their trampling turns the turf and shakes the solid ground:&amp;quot;&#xA;this furious monster, with so many heads and arms, is yet man—feeble, calamitous, and miserable man! 'Tis but an ant-hill disturbed and provoked:—&#xA;&#xA;         It nigrum campis agmen:&#xA;&#xA;         &amp;quot;The black troop marches to the field:&amp;quot;&#xA;a contrary blast, the croaking of a flight of ravens, the stumble of a horse, the casual passage of an eagle, a dream, a voice, a sign, a morning mist, are any one of them sufficient to beat down and overturn him. Dart but a sunbeam in his face, he is melted and vanished. Blow but a little dust in his eyes, as our poet says of the bees, and all our ensigns and legions, with the great Pompey himself at the head of them, are routed and crushed to pieces; for it was he, as I take it, that Sertorious beat in Spain with those fine arms, which also served Eumenes against Antigonus, and Surena against Crassus:—&#xA;&#xA;                 &amp;quot;Swarm to my bed like bees into their hives.&#xA;          Declare for love, or war, she said; and frown'd:&#xA;          No love I'll grant: to arms bid trumpets sound.&amp;quot;&#xA;                 Hi motus animorum, atque hoc certamina tanta,&#xA;          Pulveris exigui jactu compressa quiescent.&#xA;&#xA;                &amp;quot;Yet at thy will these dreadful conflicts cease,&#xA;            Throw but a little dust and all is peace.&amp;quot;&#xA;Let us but slip our flies after them, and they will have the force and courage to defeat them. Of fresh memory, the Portuguese having besieged the city of Tamly, in the territory of Xiatine, the inhabitants of the place brought a great many hives, of which are great plenty in that place, upon the wall; and with fire drove the bees so furiously upon the enemy that they gave over the enterprise, not being able to stand their attacks and endure their stings; and so the citizens, by this new sort of relief, gained liberty and the victory with so wonderful a fortune, that at the return of their defenders from the battle they found they had not lost so much as one. The souls of emperors and cobblers are cast in the same mould; the weight and importance of the actions of princes considered, we persuade ourselves that they must be produced by some as weighty and important causes; but we are deceived; for they are pushed on, and pulled back in their motions, by the same springs that we are in our little undertakings. The same reason that makes us wrangle with a neighbour causes a war betwixt princes; the same reason that makes us whip a lackey, falling into the hands of a king makes him ruin a whole province. They are as lightly moved as we, but they are able to do more. In a gnat and an elephant the passion is the same.&#xA;&#xA;As to fidelity, there is no animal in the world so treacherous as man. Our histories have recorded the violent pursuits that dogs have made after the murderers of their masters. King Pyrrhus observing a dog that watched a dead man's body, and understanding that he had for three days together performed that office, commanded that the body should be buried, and took the dog along with him. One day, as he was at a general muster of his army, this dog, seeing his master's murderers, with great barking and extreme signs of anger flew upon them, and by this first accusation awakened the revenge of this murder, which was soon after perfected by form of justice. As much was done by the dog of the wise Hesiod, who convicted the sons of Ganictor of Naupactus of the murder committed on the person of his master. Another dog being to guard a temple at Athens, having spied a sacrilegious thief carrying away the finest jewels, fell to barking at him with all his force, but the warders not awaking at the noise, he followed him, and day being broke, kept off at a little distance, without losing sight of him; if he offered him any thing to eat he would not take it, but would wag his tail at all the passengers he met, and took whatever they gave him; and if the thief laid down to sleep, he likewise stayed upon the same place. The news of this dog being come to the warders of the temple they put themselves upon the pursuit, inquiring of the colour of the dog, and at last found him in the city of Cromyon, and the thief also, whom they brought back to Athens, where he got his reward; and the judges, in consideration of this good office, ordered a certain measure of corn for the dog's daily sustenance, at the public charge, and the priests to take care of it. Plutarch delivers this story for a certain truth, and that it happened in the age wherein he lived.&#xA;&#xA;As to gratitude (for I think we need bring this word into a little repute), this one example, which Apion reports himself to have been an eye-witness of, shall suffice.&#xA;&#xA;&amp;quot;One day,&amp;quot; says he, &amp;quot;at Rome, they entertained the people with the sight of the fighting of several strange beasts, and principally of lions of an unusual size; there was one amongst the rest who, by his furious deportment, by the strength and largeness of his limbs, and by his loud and dreadful roaring, attracted the eyes of all the spectators. Amongst other slaves that were presented to the people in this combat of beasts there was one Androdus, of Dacia, belonging to a Roman lord of consular dignity. This lion having seen him at a distance first made a sudden stop, as it were in a wondering posture, and then softly approached nearer in a gentle and peaceable manner, as if it were to enter into acquaintance with him. This being done, and being now assured of what he sought for, he began to wag his tail, as dogs do when they flatter their masters, and to kiss and lick the hands and thighs of the poor wretch, who was beside himself, and almost dead with fear. Androdus being by this kindness of the lion a little come to himself, and having taken so much heart as to consider and know him, it was a singular pleasure to see the joy and caresses that passed betwixt them. At which the people breaking into loud acclamations of joy, the emperor caused the slave to be called, to know from him the cause of so strange an event; who thereupon told him a new and a very strange story: &amp;quot;My master,&amp;quot; said he, &amp;quot;being pro-consul in Africa, I was constrained, by his severity and cruel usage, being daily beaten, to steal from him and run away; and, to hide myself secretly from a person of so great authority in the province, I thought it my best way to fly to the solitudes, sands, and uninhabitable parts of that country, resolving that in case the means of supporting life should chance to fail me, to make some shift or other to kill myself. The sun being excessively hot at noon, and the heat intolerable, I lit upon a private and almost inaccessible cave, and went into it Soon after there came in to me this lion, with one foot wounded and bloody, complaining and groaning with the pain he endured. At his coming I was exceeding afraid; but he having spied me hid in the comer of his den, came gently to me, holding out and showing me his wounded foot, as if he demanded my assistance in his distress. I then drew out a great splinter he had got there, and, growing a little more familiar with him, squeezing the wound thrust out the matter, dirt, and gravel which was got into it, and wiped and cleansed it the best I could. He, finding himself something better, and much eased of his pain, laid him down to rest, and presently fell asleep with his foot in my hand. From that time forward he and I lived together in this cave three whole years upon one and the same diet; for of the beasts that he killed in hunting he always brought me the best pieces, which I roasted in the sun for want of fire, and so ate it. At last, growing weary of this wild and brutish life, the lion being one day gone abroad to hunt for our ordinary provision, I departed thence, and the third day after was taken by the soldiers, who brought me from Africa to this city to my master, who presently condemned me to die, and to be thus exposed to the wild beasts. Now, by what I see, this lion was also taken soon after, who has now sought to recompense me for the benefit and cure that he received at my hands.&amp;quot; This is the story that Androdus told the emperor, which he also conveyed from hand to hand to the people; wherefore, at the general request, he was absolved from his sentence and set at liberty, and the lion was, by order of the people, presented to him. &amp;quot;We afterwards saw,&amp;quot; says Apion, &amp;quot;Androdus leading this lion, in nothing but a small leash, from tavern to tavern at Rome, and receiving what money every body would give him, the lion being so gentle as to suffer himself to be covered with the flowers that the people threw upon him, every one that met him saying, 'There goes the lion that entertained the man; there goes the man that cured the lion.'&amp;quot;&#xA;&#xA;We often lament the loss of beasts we love, and so do they the loss of us:—&#xA;&#xA;                 Post, bellator equus, positis insignibus, thon&#xA;          It lacrymans, guttisque humectt grandibus ora.&#xA;&#xA;                 &amp;quot;To close the pomp, thon, the steed of state.&#xA;            Is led, the fun'ral of his lord to wait.&#xA;          Stripped of his trappings, with a sullen pace&#xA;          He walks, and the big tears run rolling down his face.&amp;quot;&#xA;As some nations have their wives in common, and some others have every one his own, is not the same seen among beasts, and marriages better kept than ours? As to the society and confederation they make amongst themselves, to league together and to give one another mutual assistance, is it not known that oxen, hogs, and other animals, at the cry of any of their kind that we offend, all the herd run to his aid and embody for his defence? The fish Scarus, when he has swallowed the angler's hook, his fellows all crowd about him and gnaw the line in pieces; and if, by chance, one be got into the bow net, the others present him their tails on the outside, which he holding fast with his teeth, they after that manner disengage and draw him out.&#xA;&#xA;Mullets, when one of their companions is engaged, cross the line over their back, and, with a fin they have there, indented like a saw, cut and saw it asunder. As to the particular offices that we receive from one another for the service of life, there are several like examples amongst them. 'Tis said that the whale never moves that she has not always before her a little fish like the sea-gudgeon, for this reason called the guide-fish, whom the whale follows, suffering himself to be led and turned with as great facility as the rudder guides the ship; in recompense of which service also, whereas all the other things, whether beast or vessel, that enter into the dreadful gulf of this monster's mouth, are immediately lost and swallowed up, this little fish retires into it in great security, and there sleeps, during which time the whale never stirs; but so soon as ever it goes out he immediately follows it; and if by accident he loses the sight of his little guide, he goes wandering here and there, and strikes his sides against the rocks like a ship that has lost her helm; which Plutarch affirms to have seen in the island of Anticyra. There is a like society betwixt the little bird called the wren and the crocodile. The wren serves for a sentinel over this great animal; and if the ichneumon, his mortal enemy, approach to fight him, this little bird, for fear lest he should surprise him asleep, both with his voice and bill rouses him and gives him notice of his danger.&#xA;He feeds of this monster's leavings, who receives him familiarly into his mouth, suffering him to peck in his jaws and betwixt his teeth, and thence to pick out the bits of flesh that remain; and when he has a mind to shut his mouth, he first gives the bird warning to go out by closing it by little and little, and without bruising or doing it any harm at all. The shell-fish called the naker, lives in the same intelligence with the shrimp, a little sort of animal of the lobster kind, which serves him in the nature of a porter, sitting at the opening of the shell, which the naker keeps always gaping and open till the shrimp sees some little fish, proper for their prey, within the hollow of the shell, where she enters too, and pinches the naker so to the quick that she is forced to close her shell, where they two together devour the prey they have trapped in their fort. In the manner of living of the tunnies we observe a singular knowledge of the three parts of mathematics. As to astrology, they teach it men, for they stay in the place where they are surprised by the brumal solstice, and never stir thence till the next equinox; for which reason Aristotle himself attributes to them this science. As to geometry and arithmetic, they always form their numbers in the figure of a cube, every way square, and make up the body of a battalion, solid, close, and environed round with six equal sides, and swim in this square order, as large behind as before; so that whoever in seeing them can count one rank may easily number the whole troop, by reason that the depth is equal to the breadth, and the breadth to the length.&#xA;&#xA;As to magnanimity, it will be hard to exhibit a better instance of it than in the example of the great dog sent to Alexander the Great from the Indies. They first brought him a stag to encounter, next a boar, and after that a bear, all which he slighted, and disdained to stir from his place; but when he saw a lion he then immediately roused himself, evidently manifesting that he declared that alone worthy to enter the lists with him. Touching repentance and the acknowledgment of faults, 'tis reported of an elephant that, having in the impetuosity of his rage killed his keeper, he fell into so extreme a sorrow that he would never after eat, but starved himself to death. And as to clemency, 'tis said of a tiger, the most cruel of all beasts, that a kid having been put in to him, he suffered a two days' hunger rather than hurt it, and the third broke the grate he was shut up in, to seek elsewhere for prey; so unwilling he was to fall upon the kid, his familiar and his guest, And as to the laws of familiarity and agreement, formed by conversation, it ordinarily happens that we bring up cats, dogs, and hares, tame together.&#xA;&#xA;But that which seamen by experience know, and particularly in the Sicilian Sea, of the quality of the halcyons, surpasses all human thought of what kind of animal has nature even so much honoured the birth? The poets indeed say that one only island, Delos, which was before a floating island, was fixed for the service of Latona's lying-in; but God has ordered that the whole ocean should be stayed, made stable and smooth, without waves, without winds or rain, whilst the halcyon produces her young, which is just about the solstice, the shortest day of the year; so that by her privilege we have seven days and seven nights in the very heart of winter wherein we may sail without danger. Their females never have to do with any other male but their own, whom they serve and assist all their lives, without ever forsaking him. If he becomes weak and broken with age, they take him upon their shoulders and carry him from place to place, and serve him till death. But the most inquisitive into the secrets of nature could never yet arrive at the knowledge of the wonderful fabric wherewith the halcyon builds her nest for her little ones, nor guess at the materials. Plutarch, who has seen and handled many of them, thinks it is the bones of some fish which she joins and binds together, interlacing them, some lengthwise and others across, and adding ribs and hoops in such manner that she forms at last a round vessel fit to launch; which being done, and the building finished, she carries it to the beach, where the sea beating gently against it shows where she is to mend what is not well jointed and knit, and where better to fortify the seams that are leaky, that open at the beating of the waves; and, on the contrary, what is well built and has had the due finishing, the beating of the waves does so close and bind together that it is not to be broken or cracked by blows either of stone or iron without very much ado. And that which is more to be admired is the proportion and figure of the cavity within, which is composed and proportioned after such a manner as not to receive or admit any other thing than the bird that built it; for to any thing else it is so impenetrable, close, and shut, nothing can enter, not so much as the water of the sea. This is a very dear description of this building, and borrowed from a very good hand; and yet me-thinks it does not give us sufficient light into the difficulty of this architecture. Now from what vanity can it proceed to despise and look down upon, and disdainfully to interpret, effects that we can neither imitate nor comprehend?&#xA;&#xA;To pursue a little further this equality and correspondence betwixt us and beasts, the privilege our soul so much glorifies herself upon, of things she conceives to her own law, of striping all things that come to her of their mortal and corporeal qualities, of ordering and placing things she conceives worthy her taking notice of, stripping and divesting them of their corruptible qualities, and making them to lay aside length, breadth, depth, weight, colour, smell, roughness, smoothness, hardness, softness, and all sensible accidents, as mean and superfluous vestments, to accommodate them to her own immortal and spiritual condition; as Rome and Paris, for example, that I have in my fancy, Paris that I imagine, I imagine and comprehend it without greatness and without place, without stone, without plaster, and without wood; this very same privilege, I say, seems evidently to be in beasts; for a courser accustomed to trumpets, to musket-shots, and battles, whom we see start and tremble in his sleep and stretched upon his litter, as if he were in a fight; it is almost certain that he conceives in his soul the beat of a drum without noise, and an army without arms and without body:—&#xA;&#xA;                 Quippe videbis equos fortes, cum membra jacebunt&#xA;          In somnis, sudare tamen, spirareque spe,&#xA;            Et quasi de palm summas contendere vires:&#xA;&#xA;                  &amp;quot;You shall see maneg'd horses in their sleep&#xA;            Sweat, snort, start, tremble, and a clutter keep,&#xA;           As if with all their force they striving were&#xA;            The victor's palm proudly away to bear:&amp;quot;&#xA;the hare, that a greyhound imagines in his sleep, after which we see him pant so whilst he sleeps, stretch out his tail, shake his legs, and perfectly represents all the motions of a course, is a hare without fur and without bones:—&#xA;&#xA;           Venantumque canes in molli spe quiete&#xA;          Jactant crura tamen subito, vocesque repente&#xA;         Mittunt, et crebras reducunt naribus auras,&#xA;           Ut vestigia si teneant inventa ferarum:&#xA;          Expergeftique sequuntur inania spe&#xA;          Cervorum simulacra, fag quasi dedita cernant;&#xA;           Donee discussis redeant erroribus ad se:&#xA;&#xA;               &amp;quot;And hounds stir often in their quiet rest,&#xA;         Spending their mouths, as if upon a quest,&#xA;         Snuff, and breathe quick and short, as if they went&#xA;          In a full chase upon a burning scent:&#xA;         Nay, being wak'd, imagin'd stags pursue,&#xA;         As if they had them in their real view,&#xA;         Till, having shook themselves more broad awake,&#xA;         They do at last discover the mistake:&amp;quot;&#xA;the watch-dogs, that we often observe to snarl in their dreams, and afterwards bark out, and start up as if they perceived some stranger at hand; the stranger that their soul discerns is a man spiritual and imperceptible, without dimension, without colour, and without being:—&#xA;&#xA;                Consueta domi catulorum blanda propago&#xA;            Degere, spe levem ex oculis volucremque soporem&#xA;           Discutere, et corpus de terra corripere instant,&#xA;           Proinde quasi ignotas facies atque ora tuantur.&#xA;&#xA;                 &amp;quot;The fawning whelps of household curs will rise,&#xA;          And, shaking the soft slumber from their eyes,&#xA;          Oft bark and stare at ev'ry one within,&#xA;          As upon faces they had never seen.&amp;quot;&#xA;to the beauty of the body, before I proceed any further I should know whether or no we are agreed about the description. 'Tis likely we do not well know what beauty is in nature and in general, since to our own human beauty we give so many divers forms, of which, were there any natural rule and prescription, we should know it in common, as the heat of the fire. But we fancy the forms according to our own appetite and liking:—&#xA;&#xA;         Turpis Romano Belgicus ore color:&#xA;&#xA;         &amp;quot;A German hue ill suits, a Roman face.&amp;quot;&#xA;The Indians paint it black and tawny, with great swelled lips, wide flat noses and load the cartilage betwixt the nostrils with great rings of gold, to make it hang down to the mouth; as also the under lip with great hoops, enriched with precious stones, that weigh them down to fall upon the chin, it being with them a singular grace to show their teeth, even below the roots. In Peru the greatest ears are the most beautiful, which they stretch out as far as they can by art. And a man now living says that he has seen in an eastern nation this care of enlarging them in so great repute, and the ear loaded with so ponderous jewels, that he did with great ease put his arm, sleeve and all, through the hole of an ear. There are elsewhere nations that take great care to black their teeth, and hate to see them white, whilst others paint them red. The women are reputed more beautiful, not only in Biscay, but elsewhere, for having their heads shaved; and, which is more, in certain frozen countries, as Pliny reports. The Mexicans esteem a low forehead a great beauty, and though they shave all other parts, they nourish hair on the forehead and increase it by art, and have great breasts in so great reputation that they affect to give their children suck over their shoulders. We should paint deformity so. The Italians fashion it gross and massy; the Spaniards gaunt and slender; and amongst us one has it white, another brown; one soft and delicate, another strong and vigorous; one will have his mistress soft and gentle, others haughty and majestic. Just as the preference in beauty that Plato attributes to the spherical figure the Epicureans gave rather to the pyramidal or square, and cannot swallow a god in the form of a bowl. But, be it how it will, nature has no more privileged us in this from her common laws than in the rest And if we will judge ourselves aright, we shall find that, if there be some animals less favoured in this than we, there are others, and in greater number, that are more; a multis animalibus decore vincimur &amp;quot;Many animals surpass us in beauty,&amp;quot; even among the terrestrial, our compatriots; for as to those of sea, setting the figure aside, which cannot fall into any manner of proportion, being so much another thing in colour, clearness, smoothness, and arrangement, we sufficiently give place to them; and no less, in all qualities, to the aerial. And this prerogative that the poets make such a mighty matter of, our erect stature, looking towards heaven our original,&#xA;&#xA;                  Pronaque cum spectent animalia ctera terrain,&#xA;          Os homini sublime ddit, columque tueri&#xA;          Jussit, et erectos ad sidera tollere vultus,&#xA;&#xA;                &amp;quot;Whilst all the brutal creatures downward bend&#xA;          Their sight, and to their earthly mother tend,&#xA;          He set man's face aloft, that, with his eyes&#xA;          Uplifted, he might view the starry skies,&amp;quot;&#xA;is truly poetical; for there are several little beasts who have their sight absolutely turned towards heaven; and I find the gesture of camels and ostriches much higher raised and more erect than ours. What animals have not their faces above and not before, and do not look opposite, as we do; and that do not in their natural posture discover as much of heaven and earth as man? And what qualities of our bodily constitution, in Plato and Cicero, may not indifferently serve a thousand sorts of beasts? Those that most resemble us are the most despicable and deformed of all the herd; for those, as to outward appearance and form of visage, are baboons:—&#xA;&#xA;          Simia quam similis, turpissima bestia, nobis?&#xA;&#xA;          &amp;quot;How like to man, in visage and in shape,&#xA; ��       Is, of all beasts the most uncouth, the ape?&amp;quot;&#xA;as to the internal and vital parts, the hog. In earnest, when I consider man stark naked, even in that sex which seems to have greatest share of beauty, his defects, natural subjection, and imperfections, I find that we have more reason than any other animal, to cover ourselves; and are to be excused from borrowing of those to whom nature has in this been kinder than to us, to trick ourselves out with their beauties, and hide ourselves under their spoils, their wool, feathers, hair, and silk. Let us observe, as to the rest, that man is the sole animal whose nudities offend his own companions, and the only one who in his natural actions withdraws and hides himself from his own kind. And really 'tis also an effect worth consideration, that they who are masters in the trade prescribe, as a remedy for amorous passions, the full and free view of the body a man desires; for that to cool the ardour there needs no more but freely and fully to see what he loves:—&#xA;&#xA;                 Ille quod obscnas in aperto corpore partes&#xA;            Viderat, in cursu qui fuit, hsit amor.&#xA;&#xA;             &amp;quot;The love that's tilting when those parts appear&#xA;         Open to view, flags in the hot career,&amp;quot;&#xA;And, although this receipt may peradventure proceed from a nice and cold humour, it is notwithstanding a very great sign of our deficiencies that use and acquaintance should make us disgust one another. It is not modesty, so much as cunning and prudence, that makes our ladies so circumspect to refuse us admittance into their cabinets before they are painted and tricked up for the public view:—&#xA;&#xA;              Nec Veneres nostras hoc fallit; quo magis ips&#xA;          Omnia summopere hos vit postscenia celant,&#xA;         Quos retinere volunt, adstrictoque esse in amore:&#xA;&#xA;              &amp;quot;Of this our ladies are full well aware,&#xA;         Which make them, with such privacy and care,&#xA;         Behind the scene all those defects remove,&#xA;         Likely to check the flame of those they love,&amp;quot;&#xA;whereas, in several animals there is nothing that we do not love, and that does not please our senses; so that from their very excrements we do not only extract wherewith to heighten our sauces, but also our richest ornaments and perfumes. This discourse reflects upon none but the ordinary sort of women, and is not so sacrilegious as to comprehend those divine, supernatural, and extraordinary beauties, which we see shine occasionally among us like stars under a corporeal and terrestrial veil.&#xA;&#xA;As to the rest, the very share that we allow to beasts of the bounty of nature, by our own confession, is very much to their advantage. We attribute to ourselves imaginary and fantastic good, future and absent good, for which human capacity cannot of herself be responsible; or good, that we falsely attribute to ourselves by the license of opinion, as reason, knowledge, and honour, and leave to them for their dividend, essential, durable, and palpable good, as peace, repose, security, innocence, and health; health, I say, the fairest and richest present that nature can make us. Insomuch that philosophy, even the Stoic, is so bold as to say, &amp;quot;That Heraclitus and Pherecides, could they have trucked their wisdom for health, and have delivered themselves, the one of his dropsy, and the other of the lousy disease that tormented him, they had done well.&amp;quot; By which they set a greater value upon wisdom, comparing and putting it into the balance with health, than they do with this other proposition, which is also theirs; they say that if Circe had presented Ulysses with the two potions, the one to make a fool become a wise man, and the other to make a wise man become a fool, that Ulysses ought rather to have chosen the last, than consent to that by which Circe changed his human figure into that of a beast; and say that wisdom itself would have spoke to him after this manner: &amp;quot;Forsake me, let me alone, rather than lodge me under the body and figure of an ass.&amp;quot; How! the philosophers, then will abandon this great and divine wisdom for this corporeal and terrestrial covering? It is then no more by reason, by discourse, and by the soul, that we excel beasts; 'tis by our beauty, our fair complexion, and our fine symmetry of parts, for which we must quit our intelligence, our prudence, and all the rest. Well, I accept this open and free confession; certainly they knew that those parts, upon which we so much value ourselves, are no other than vain fancy. If beasts then had all the virtue, knowledge, wisdom, and stoical perfection, they would still be beasts, and would not be comparable to man, miserable, wicked, mad, man. For, in short, whatever is not as we are is nothing worth; and God, to procure himself an esteem among us, must put himself into that shape, as we shall show anon. By which it appears that it is not upon any true ground of reason, but by a foolish pride and vain opinion, that we prefer ourselves before other animals, and separate ourselves from their society and condition.&#xA;&#xA;But to return to what I was upon before; we have for our part inconstancy, irresolution, incertitude, sorrow, superstition, solicitude of things to come, even after we shall be no more, ambition, avarice, jealousy, envy, irregular, frantic, and untamed appetites, war, lying, disloyalty, detraction, and curiosity. Doubtless, we have strangely overpaid this fine reason, upon which we so much glorify ourselves, and this capacity of judging and knowing, if we have bought it at the price of this infinite number of passions to which we are eternally subject. Unless we shall also think fit, as even Socrates does, to add to the counterpoise that notable prerogative above beasts, That whereas nature has prescribed them certain seasons and limits for the delights of Venus, she has given us the reins at all hours and all seasons.&amp;quot; Ut vinum ogrotis, quia prodest rar, nocet sopissime, melius est non adhibere omnino, quam, spe dubio salutis, in apertam per-niciem incurrere; sic, haud scio an melius fuerit humano generi motum istum celerem cogitationis, acumen, solertiam, quam rationem vocamus, quoniam pestifera sint multis, ad-modum paucis saluiaria, non dari omnino, quam tam muniice et tam large dari? As it falls out that wine often hurting the sick, and very rarely doing them good, it is better not to give them any at all than to run into an apparent danger out of hope of an uncertain benefit, so I know not whether it had not been better for mankind that this quick motion, this penetration, this subtlety that we call reason, had not been given to man at all; considering how pestiferous it is to many, and useful but to few, than to have been conferred in so abundant manner, and with so liberal a hand.&amp;quot; Of what advantage can we conceive the knowledge of so many things was to Yarro and Aristotle? Did it exempt them from human inconveniences? Were they by it freed from the accidents that lay heavy upon the shoulders of a porter?&#xA;Did they extract from their logic any consolation for the gout? Or, for knowing how this humour is lodged in the joints, did they feel it the less? Did they enter into composition with death by knowing that some nations rejoice at his approach; or with cuckoldry, by knowing that in some parts of the world wives are in common? On the contrary, having been reputed the greatest men for knowledge, the one amongst the Romans and the other amongst the Greeks, and in a time when learning did most flourish, we have not heard, nevertheless, that they had any particular excellence in their lives; nay, the Greek had enough to do to clear himself from some notable blemishes in his. Have we observed that pleasure and health have a better relish with him that understands astrology and grammar than with others?&#xA;&#xA;            Illiterati num minus nervi rigent?&#xA;&#xA;           &amp;quot;Th' illiterate ploughman is as fit&#xA;            For Venus' service as the wit:&amp;quot;&#xA;or shame and poverty less troublesome to the first than to the last?&#xA;&#xA;                  Scilicet et morbis et debilitate carebis,&#xA;           Et luctum et curam effugies, et tempora vit&#xA;           Longa tibi post hc fato meliore dabuntur.&#xA;&#xA;                   &amp;quot;Disease thy couch shall flee,&#xA;           And sorrow and care; yes, thou, be sure, wilt see&#xA;          Long years of happiness, till now unknown.&amp;quot;&#xA;I have known in my time a hundred artisans, a hundred labourers, wiser and more happy than the rectors of the university, and whom I had much rather have resembled. Learning, methinks, has its place amongst the necessary, things of life, as glory, nobility, dignity, or at the most, as beauty, riches, and such other qualities, which indeed are useful to it, but remotely, and more by opinion than by nature. We stand very little more in need of offices, rules, and laws of living in our society, than cranes and ants do in theirs; and yet we see that these carry themselves very regularly without erudition. If man was wise, he would take the true value of every thing according as it was useful and proper to his life. Whoever will number us by our actions and deportments will find many more excellent men amongst the ignorant than among the learned; aye, in all sorts of virtue. Old Rome seems to me to have been of much greater value, both for peace and war, than that learned Rome that ruined itself. And, though all the rest should be equal, yet integrity and innocency would remain to the ancients, for they cohabit singularly well with simplicity. But I will leave this discourse, that would lead me farther than I am willing to follow; and shall only say this further, 'tis only humility and submission that can make a complete good man. We are not to leave the knowledge of his duty to every man's own judgment; we are to prescribe it to him, and not suffer him to choose it at his own discretion; otherwise, according to the imbecility, and infinite variety of our reasons and opinions, we should at large forge ourselves duties that would, as Epicurus says, enjoin us to eat one another.&#xA;&#xA;The first law that ever God gave to man was a law of pure obedience; it was a commandment naked and simple, wherein man had nothing to inquire after, nor to dispute; forasmuch as to obey is the proper office of a rational soul, acknowledging a heavenly superior and benefactor. From obedience and submission spring all other virtues, as all sin does from selfopinion. And, on the contrary, the first temptation that by the devil was offered to human nature, its first poison insinuated itself into us by the promise made us of knowledge and wisdom; Eritis sicut Dii, scientes bonum et malum. &amp;quot;Ye shall be as gods, knowing good and evil.&amp;quot; And the sirens, in Homer, to allure Ulysses, and draw him within the danger of their snares, offered to give him knowledge. The plague of man is the opinion of wisdom; and for this reason it is that ignorance is so recommended to us, by our religion, as proper to faith and obedience; Cavete ne quis vos decipiat per philosophiam et inanes seductiones, secundum elementa mundi. &amp;quot;Take heed, lest any man deceive you by philosophy and vain deceit, after the tradition of men, and the rudiments of the world.&amp;quot; There is in this a general consent amongst all sorts of philosophers, that the sovereign good consists in the tranquillity of the soul and body; but where shall we find it?&#xA;&#xA;                   Ad summum, sapiens uno minor est Jove, dives,&#xA;            Liber, honoratus, pulcher, rex deniqne regum;&#xA;            Prcipue sanus, nisi cum pituita molesta est:&#xA;&#xA;                   &amp;quot;In short, the wise is only less than Jove,&#xA;            Rich, free, and handsome; nay, a king above&#xA;           All earthly kings; with health supremely blest,&#xA;            Excepting when a cold disturbs his rest!&amp;quot;&#xA;It seems, in truth, that nature, for the consolation of our miserable and wretched state, has only given us presumption for our inheritance. 'Tis as Epictetus says, that man has nothing properly his own, but the use of his opinion; we have nothing but wind and smoke for our portion. The gods have health in essence, says philosophy, and sickness in intelligence. Man, on the contrary, possesses his goods by fancy, his ills in essence. We have reason to magnify the power of our imagination; for all our goods are only in dream. Hear this poor calamitous animal huff! &amp;quot;There is nothing,&amp;quot; says Cicero, &amp;quot;so charming as the employment of letters; of letters, I say, by means whereof the infinity of things, the immense grandeur of nature, the heavens even in this world, the earth, and the seas are discovered to us; 'tis they that have taught us religion, moderation, and the grandeur of courage, and that have rescued our souls from darkness, to make her see all things, high, low, first, last, and middling; 'tis they that furnish us wherewith to live happily and well, and conduct us to pass over our lives without displeasure, and without offence.&amp;quot; Does not this man seem to speak of the condition of the ever-living and almighty God? But as to effects, a thousand little countrywomen have lived lives more equal, more sweet, and constant than his.&#xA;&#xA;                 Deus ille fuit, deus, inclyte Memmi,&#xA;          Qui princeps vit rationem invenit earn, qu&#xA;           Nunc appellatur sapientia; quique per artem&#xA;           Fluctibus  tantis vitam, tantisque tenebris,&#xA;          In tam tranquilla et tam clara luce locavit:&#xA;&#xA;               &amp;quot;That god, great Memmus, was a god no doubt&#xA;         Who, prince of life, first found that reason out&#xA;         Now wisdom called; and by his art, who did&#xA;         That life in tempests tost, and darkness hid,&#xA;         Place in so great a calm, and clear a light:&amp;quot;&#xA;here are brave ranting words; but a very slight accident put this man's understanding in a worse condition than that of the meanest shepherd, notwithstanding this instructing god, this divine wisdom. Of the same stamp and impudence is the promise of Democritus's book: &amp;quot;I am going to speak of all things;&amp;quot; and that foolish title that Aristotle prefixes to one of his, order only afforded him a few lucid intervals which he employed in composing his book, and at last made him kill himself,—Eusebius's Chronicon.&#xA;&#xA;Of the Mortal Gods; and the judgment of Chrysippus, that &amp;quot;Dion was as virtuous as God;&amp;quot; and my Seneca himself says, that &amp;quot;God had given him life; but that to live well was his own;&amp;quot; conformably to this other: In virtute vere gloriamur; quod non contingeret, si id donum Deo, non nobis haberemus: &amp;quot;We truly glory in our virtue; which would not be, if it was given us of God, and not by ourselves;&amp;quot; this is also Seneca's saying; &amp;quot;that the wise man hath fortitude equal with God, but that his is in spite of human frailty, wherein therefore he more than equals God.&amp;quot; There is nothing so ordinary as to meet with sallies of the like temerity; there is none of us, who take so much offence to see himself equalled with God, as he does to see himself undervalued by being ranked with other creatures; so much more are we jealous of our own interest than that of our Creator.&#xA;&#xA;But we must trample under foot this foolish vanity, and briskly and boldly shake the ridiculous foundation upon which these false opinions are founded. So long as man shall believe he has any means and power of himself, he will never acknowledge what he owes to his Maker; his eggs shall always be chickens, as the saying is; we must therefore strip him to his shirt. Let us see some notable examples of the effects of his philosophy: Posidonius being tormented with a disease so painful as made him writhe his arms and gnash his teeth, thought he sufficiently scorned the dolour, by crying out against it: &amp;quot;Thou mayst do thy worst, I will not confess that thou art an evil.&amp;quot; He was as sensible of the pain as my footman, but he made a bravado of bridling his tongue, at least, and restraining it within the laws of his sect: Re succumbere non oportebat, verbis gloriantem. &amp;quot;It did not become him, that spoke so big, to confess his frailty when he came to the test.&amp;quot; Arcesilas being ill of the gout, and Car-neades, who had come to see him, going away troubled at his condition, he called him back, and showing him his feet and breast: &amp;quot;There is nothing comes thence hither,&amp;quot; said he. This has something a better grace, for he feels himself in pain, and would be disengaged from it; but his heart, notwithstanding, is not conquered nor subdued by it. The other stands more obstinately to his point, but, I fear, rather verbally than really. And Dionysius Heracleotes, afflicted with a vehement smarting in his eyes, was reduced to quit these stoical resolutions. But even though knowledge should, in effect, do as they say, and could blunt the point, and dull the edge, of the misfortunes that attend us, what does she, more than what ignorance does more purely and evidently?—The philosopher Pyrrho, being at sea in very great danger, by reason of a mighty storm, presented nothing to the imitation of those who were with him, in that extremity, but a hog they had on board, that was fearless and unconcerned at the tempest. Philosophy, when she has said all she can, refers us at last to the example of a gladiator, wrestler, or muleteer, in which sort of people we commonly observe much less apprehension of death, sense of pain, and other inconveniences, and more of endurance, than ever knowledge furnished any one withal, that was not bom and bred to hardship. What is the cause that we make incisions, and cut the tender limbs of an infant, and those of a horse, more easily than our own—but ignorance only? How many has mere force of imagination made sick? We often see men cause themselves to be let blood, purged, and physicked, to be cured of diseases they only feel in opinion.—When real infirmities fail us, knowledge lends us her's; that colour, that complexion, portend some catarrhous defluxion; this hot season threatens us with a fever; this breach in the life-line of your left hand gives you notice of some near and dangerous indisposition; and at last she roundly attacks health itself; saying, this sprightliness and vigour of youth cannot continue in this posture; there must be blood taken, and the heat abated, lest it turn against yourself. Compare the life of a man subjected to such imaginations, to that of a labourer that suffers himself to be led by his natural appetite, measuring things only by the present sense, without knowledge, and without prognostic, that feels no pain or sickness, but when he is really ill. Whereas the other has the stone in his soul, before he has it in his bladder; as if it were not time enough to suffer the evil when it shall come, he must anticipate it by fancy, and run to meet it.&#xA;&#xA;What I say of physic may generally serve in example for all other sciences. Thence is derived that ancient opinion of the philosophers that placed the sovereign good in the discovery of the weakness of our judgment My ignorance affords me as much occasion of hope as of fear; and having no other rule for my health than that of the examples of others, and of events I see elsewhere upon the like occasion, I find of all sorts, and rely upon those which by comparison are most favourable to me. I receive health with open arms, free, full, and entire, and by so much the more whet my appetite to enjoy it, by how much it is at present less ordinary and more rare; so far am I from troubling its repose and sweetness with the bitterness of a new and constrained manner of living. Beasts sufficiently show us how much the agitation of our minds brings infirmities and diseases upon us. That which is told us of those of Brazil, that they never die but of old age, is attributed to the serenity and tranquillity of the air they live in; but I rather attribute it to the serenity and tranquillity of their souls, free from all passion, thought, or employment, extended or unpleasing, a people that pass over their lives in a wonderful simplicity and ignorance, without letters, without law, without king, or any manner of religion. And whence comes that, which we find by experience, that the heaviest and dullest men are most able; and the most to be desired in amorous performances; and that the love of a muleteer often renders itself more acceptable than that of a gentleman, if it be not that the agitation of the soul in the latter disturbs his physical ability, dissolves and tires it, as it also ordinarily troubles and tires itself. What puts the soul beside itself, and more usually throws it into madness, but her own promptness, vigour, and agility, and, finally, her own proper force? Of what is the most subtle folly made, but of the most subtle wisdom? As great friendships spring from great enmities, and vigorous health from mortal diseases, so from the rare and vivid agitations of our souls proceed the most wonderful and most distracted frenzies; 'tis but half a turn of the toe from the one to the other. In the actions of madmen we see how infinitely madness resembles the most vigorous operations of the soul. Who does not know how indiscernible the difference is betwixt folly and the sprightly elevations of a free soul, and the effects of a supreme and extraordinary virtue? Plato says that melancholy persons are the most capable of discipline, and the most excellent; and accordingly in none is there so great a propension to madness. Great wits are ruined by their own proper force and pliability; into what a condition, through his own agitation and promptness of fancy, is one of the most judicious, ingenious, and nearest formed, of any other Italian poet, to the air of the ancient and true poesy, lately fallen! Has he not vast obligation to this vivacity that has destroyed him? to this light that has blinded him? to this exact and subtle apprehension of reason that has put him beside his own? to this curious and laborious search after sciences, that has reduced him to imbecility? and to this rare aptitude to the exercises of the soul, that has rendered him without exercise and without soul? I was more angry, if possible, than compassionate, to see him at Ferrara in so pitiful a condition surviving himself, forgetting both himself and his works, which, without his knowledge, though before his face, have been published unformed and incorrect.&#xA;&#xA;Would you have a man healthy, would you have him regular, and in a steady and secure posture? Muffle him up in the shades of stupidity and sloth. We must be made beasts to be made wise, and hoodwinked before we are fit to be led. And if one shall tell me that the advantage of having a cold and dull sense of pain and other evils, brings this disadvantage along with it, to render us consequently less sensible also in the fruition of good and pleasure, this is true; but the misery of our condition is such that we have not so much to enjoy as to avoid, and that the extremest pleasure does not affect us to the degree that a light grief does: Segnius homines bona quam mala sentiunt. We are not so sensible of the most perfect health as we are of the least sickness.&#xA;&#xA;                Pungit&#xA;           In cute vix sum ma violatum plagula corpus;&#xA;          Quando valere nihil quemquam movet. Hoc juvat unum,&#xA;         Quod me non torquet latus, aut pes;&#xA;         Ctera quisquam Vix queat aut sanum sese, aut sentire valentem.&#xA;&#xA;              &amp;quot;The body with a little sting is griev'd,&#xA;         When the most perfect health is not perceiv'd,&#xA;         This only pleases me, that spleen nor gout&#xA;         Neither offend my side nor wring my foot;&#xA;         Excepting these, scarce any one can tell,&#xA;         Or e'er observes, when he's in health and well.&amp;quot;&#xA;Our well-being is nothing but the not being ill. Which is the reason why that sect of philosophers, which sets the greatest value upon pleasure, has yet fixed it chiefly in unconsciousness of pain. To be freed from ill is the greatest good that man can hope for or desire; as Ennius says,—&#xA;&#xA;           Nimium boni est, cui nihil est mali;&#xA;for that every tickling and sting which are in certain pleasures, and that seem to raise us above simple health and passiveness, that active, moving, and, I know not how, itching, and biting pleasure; even that very pleasure itself aims at nothing but insensibility as its mark. The appetite that carries us headlong to women's embraces has no other end but only to cure the torment of our ardent and furious desires, and only requires to be glutted and laid at rest, and delivered from the fever. And so of the rest. I say, then, that if simplicity conducts us to a state free from evil, she leads us to a very happy one according to our condition. And yet we are not to imagine it so stupid an insensibility as to be totally without sense; for Crantor had very good reason to controvert the insensibility of Epicurus, if founded so deep that the very first attack and birth of evils were not to be perceived: &amp;quot;I do not approve such an insensibility as is neither possible nor to be desired. I am very well content not to be sick; but if I am, I would know that I am so; and if a caustic be applied, or incisions made in any part, I would feel them.&amp;quot; In truth, whoever would take away the knowledge and sense of evil, would at the same time eradicate the sense of pleasure, and finally annihilate man himself: Istud nihil dolere, non sine magn mercede contingit, immanitatis in animo, stuporis in corpore. &amp;quot;An insensibility that is not to be purchased but at the price of inhumanity in the soul, and of stupidity of the body.&amp;quot; Evil appertains to man of course. Neither is pain always to be avoided, nor pleasure always pursued.&#xA;&#xA;'Tis a great advantage to the honour of ignorance that knowledge itself throws us into its arms, when she finds herself puzzled to fortify us against the weight of evil; she is constrained to come to this composition, to give us the reins, and permit us to fly into the lap of the other, and to shelter ourselves under her protection from the strokes and injuries of fortune. For what else is her meaning when she instructs us to divert our thoughts from the ills that press upon us, and entertain them with the meditation of pleasures past and gone; to comfort ourselves in present afflictions with the remembrance of fled delights, and to call to our succour a vanished satisfaction, to oppose it to the discomfort that lies heavy upon us? Levationes gritudinum in avocatione a cogitand molesti, et revocation ad contemplandas voluptates, ponit; &amp;quot;He directs us to alleviate our grief and pains by rejecting unpleasant thoughts, and recalling agreeable ideas;&amp;quot; if it be not that where her power fails she would supply it with policy, and make use of sleight of hand where force of limbs will not serve her turn? For not only to a philosopher, but to any man in his right wits, when he has upon him the thirst of a burning fever, what satisfaction can it be to him to remember the pleasure he took in drinking Greek wine a month ago? It would rather only make matters worse to him:—&#xA;&#xA;          Che ricordarsi il ben doppia la noia.&#xA;&#xA;           &amp;quot;The thinking of pleasure doubles trouble.&amp;quot;&#xA;Of the same stamp is this other counsel that philosophy gives, only to remember the happiness that is past, and to forget the misadventures we have undergone; as if we had the science of oblivion in our own power, and counsel, wherein we are yet no more to seek.&#xA;&#xA;           Suavis laborum est prteritorum rmoria.&#xA;&#xA;           &amp;quot;Sweet is the memory of by-gone pain.&amp;quot;&#xA;How does philosophy, that should arm me to contend with fortune, and steel my courage to trample all human adversities under foot, arrive to this degree of cowardice to make me hide my head at this rate, and save myself by these pitiful and ridiculous shifts? For the memory represents to us not what we choose, but what she pleases; nay, there is nothing that so much imprints any thing in our memory as a desire to forget it. And 'tis a good way to retain and keep any thing safe in the soul to solicit her to lose it. And this is false: Est situm in nobis, ut et adversa quasi perpetua oblivione obruamus, et secunda jucunde et suaviter meminerimus; &amp;quot;it is in our power to bury, as it were, in a perpetual oblivion, all adverse accidents, and to retain a pleasant and delightful memory of our successes;&amp;quot; and this is true: Memini etiam quo nolo; oblivisci non possum quo volo. &amp;quot;I do also remember what I would not; but I cannot forget what I would.&amp;quot; And whose counsel is this? His, qui se unies sapiervtem profiteri sit ausus; &amp;quot;who alone durst profess himself a wise man.&amp;quot;&#xA;&#xA;                Qui genus humanum ingenio superavit, et omnes&#xA;          Prstinxit stellas, exortus uti thereus Sol.&#xA;&#xA;                &amp;quot;Who from mankind the prize of knowledge won,&#xA;         And put the stars out like the rising sun.&amp;quot;&#xA;To empty and disfurnish the memory, is not this the true way to ignorance?&#xA;&#xA;         Iners malorum remedium ignorantia est.&#xA;&#xA;         &amp;quot;Ignorance is but a dull remedy for evils.&amp;quot;&#xA;We find several other like precepts, whereby we are permitted to borrow frivolous appearances from the vulgar, where we find the strongest reason will not answer the purpose, provided they administer satisfaction and comfort Where they cannot cure the wound, they are content to palliate and benumb it I believe they will not deny this, that if they could add order and constancy in a state of life that could maintain itself in ease and pleasure by some debility of judgment, they would accept it:—&#xA;&#xA;                Potare, et spargere flores&#xA;          Incipiam, patiarque vel inconsultus haberi.&#xA;&#xA;               &amp;quot;Give me to drink, and, crown'd with flowers, despise&#xA;          The grave disgrace of being thought unwise.&amp;quot;&#xA;There would be a great many philosophers of Lycas's mind this man, being otherwise of very regular manners, living quietly and contentedly in his family, and not failing in any office of his duty, either towards his own or strangers, and very carefully preserving himself from hurtful things, became, nevertheless, by some distemper in his brain, possessed with a conceit that he was perpetually in the theatre, a spectator of the finest sights and the best comedies in the world; and being cured by the physicians of his frenzy, was hardly prevented from endeavouring by suit to compel them to restore him again to his pleasing imagination:—&#xA;&#xA;                Pol I me occidistis, amici,&#xA;           Non servastis, ait; cui sic extorta voluptas,&#xA;           Et demptus per vim mentis gratissimus error;&#xA;&#xA;                &amp;quot;By heaven! you've killed me, friends, outright,&#xA;          And not preserved me; since my dear delight&#xA;         And pleasing error, by my better sense&#xA;          Unhappily return'd, is banished hence;&amp;quot;&#xA;with a madness like that of Thrasylaus the son of Pythodorus, who made himself believe that all the ships that weighed anchor from the port of Pirus, and that came into the haven, only made their voyages for his profit; congratulating them upon their successful navigation, and receiving them with the greatest joy; and when his brother Crito caused him to be restored to his better understanding, he infinitely regretted that sort of condition wherein he had lived with so much delight and free from all anxiety of mind. 'Tis according to the old Greek verse, that &amp;quot;there is a great deal of convenience in not being over-wise.&amp;quot;&#xA;&#xA;And Ecclesiastes, &amp;quot;In much wisdom there is much sorrow;&amp;quot; and &amp;quot;Who gets wisdom gets labour and trouble.&amp;quot;&#xA;&#xA;Even that to which philosophy consents in general, that last remedy which she applies to all sorts of necessities, to put an end to the life we are not able to endure. Placet?—Pare. Non placet?—Qucumque vis, exi. Pungit dolor?—Vel fodiat sane. Si nudus es, da jugulum; sin tectus armis Vulcaniis, id est fortitudine, rsist; &amp;quot;Does it please?—Obey it. Not please?—Go where thou wilt. Does grief prick thee,—nay, stab thee?—If thou art naked, present thy throat; if covered with the arms of Vulcan, that is, fortitude, resist it.&amp;quot; And this word, so used in the Greek festivals, aut bibat, aut abeat, &amp;quot;either drink or go,&amp;quot; which sounds better upon the tongue of a Gascon, who naturally changes the h into v, than on that of Cicero:—&#xA;&#xA;               Vivere si recte nescis, decede peritis.&#xA;         Lusisti satis, edisti satis, atque bibisti;&#xA;         Tempus abire tibi est, ne potum largius quo&#xA;           Rideat et pulset lasciva decentius tas.&#xA;&#xA;               &amp;quot;If to live well and right thou dost not know,&#xA;         Give way, and leave thy place to those that do.&#xA;          Thou'st eaten, drunk, and play'd to thy content,&#xA;          'Tis time to make thy parting compliment,&#xA;          Lest youth, more decent in their follies, scoff&#xA;         The nauseous scene, and hiss thee reeling off;&amp;quot;&#xA;What is it other than a confession of his impotency, and a sending back not only to ignorance, to be there in safety, but even to stupidity, insensibility, and nonentity?&#xA;&#xA;               Democritum postquam matura vetustas&#xA;          Admonuit memorem motus languescere mentis;&#xA;          Sponte sua letho caput obvius obtulit ipse.&#xA;&#xA;              &amp;quot;Soon as, through age, Democritus did find&#xA;           A manifest decadence in his mind,&#xA;           He thought he now surviv'd to his own wrong,&#xA;         And went to meet his death, that stay'd too long.&amp;quot;&#xA;'Tis what Antisthenes said, &amp;quot;That a man should either make provision of sense to understand, or of a halter to hang himself;&amp;quot; and what Chrysippus alleged upon this saying of the poet Tyrtus:—&#xA;&#xA;         &amp;quot;Or to arrive at virtue or at death;&amp;quot;&#xA;and Crates said, &amp;quot;That love would be cured by hunger, if not by time; and whoever disliked these two remedies, by a rope.&amp;quot; That Sextius, of whom both Seneca and Plutarch speak with so high an encomium, having applied himself, all other things set aside, to the study of philosophy, resolved to throw himself into the sea, seeing the progress of his studies too tedious and slow. He ran to find death, since he could not overtake knowledge. These are the words of the law upon the subject: &amp;quot;If peradventure some great inconvenience happen, for which there is no remedy, the haven is near, and a man may save himself by swimming out of his body as out of a leaky skiff; for 'tis the fear of dying, and not the love of life, that ties the fool to his body.&amp;quot;&#xA;&#xA;As life renders itself by simplicity more pleasant, so more innocent and better, also it renders it as I was saying before: &amp;quot;The simple and ignorant,&amp;quot; says St. Paul, &amp;quot;raise themselves up to heaven and take possession of it; and we, with all our knowledge, plunge ourselves into the infernal abyss.&amp;quot; I am neither swayed by Valentinian, a professed enemy to all learning and letters, nor by Licinius, both Roman emperors, who called them the poison and pest of all political government; nor by Mahomet, who, as 'tis said, interdicted all manner of learning to his followers; but the example of the great Lycurgus, and his authority, with the reverence of the divine Lacedemonian policy, so great, so admirable, and so long flourishing in virtue and happiness, without any institution or practice of letters, ought certainly to be of very great weight. Such as return from the new world discovered by the Spaniards in our fathers' days, testify to us how much more honestly and regularly those nations live, without magistrate and without law, than ours do, where there are more officers and lawyers than there are of other sorts of men and business:—&#xA;&#xA;                   Di cittatorie piene, e di libelli,&#xA;           D'esamine, e di carte di procure,&#xA;           Hanno le mani e il seno, e gran fastelli&#xA;          Di chioge, di consigli, et di letture:&#xA;          Per cui le faculta de* poverelli&#xA;           Non sono mai nelle citt sicure;&#xA;            Hanno dietro e dinanzi, e d'ambi i lati,&#xA;            Notai, procuratori, ed avvocati.&#xA;&#xA;                    &amp;quot;Their bags were full of writs, and of citations,&#xA;            Of process, and of actions and arrests,&#xA;            Of bills, of answers, and of replications,&#xA;            In courts of delegates, and of requests,&#xA;            To grieve the simple sort with great vexations;&#xA;            They had resorting to them as their guests,&#xA;            Attending on their circuit, and their journeys,&#xA;           Scriv'ners, and clerks, and lawyers, and attorneys.&amp;quot;&#xA;It was what a Roman senator of the latter ages said, that their predecessors' breath stunk of garlic, but their stomachs were perfumed with a good conscience; and that, on the contrary, those of his time were all sweet odour without, but stunk within of all sorts of vices; that is to say, as I interpret it, that they abounded with learning and eloquence, but were very defective in moral honesty. Incivility, ignorance, simplicity, roughness, are the natural companions of innocence; curiosity, subtlety, knowledge, bring malice in their train; humility, fear, obedience, and affability, which are the principal things that support and maintain human society, require an empty and docile soul, and little presuming upon itself.&#xA;&#xA;Christians have a particular knowledge, how natural and original an evil curiosity is in man; the thirst of knowledge, and the desire to become more wise, was the first ruin of man, and the way by which he precipitated himself into eternal damnation. Pride was his ruin and corruption. 'Tis pride that diverts him from the common path, and makes him embrace novelties, and rather choose to be head of a troop, lost and wandering in the path of error; to be a master and a teacher of lies, than to be a disciple in the school of truth, suffering himself to be led and guided by the hand of another, in the right and beaten road. 'Tis, peradventure, the meaning of this old Greek saying, that superstition follows pride, and obeys it as if it were a father:  Ah, presumption, how much dost thou hinder us?&#xA;&#xA;After that Socrates was told that the god of wisdom had assigned to him the title of sage, he was astonished at it, and, searching and examining himself throughout, could find no foundation for this divine judgment. He knew others as just, temperate, valiant, and learned, as himself; and more eloquent, more handsome, and more profitable to their country than he. At last he concluded that he was not distinguished from others, nor wise, but only because he did not think himself so; and that his God considered the opinion of knowledge and wisdom as a singular absurdity in man; and that his best doctrine was the doctrine of ignorance, and simplicity his best wisdom. The sacred word declares those miserable among us who have an opinion of themselves: &amp;quot;Dust and ashes,&amp;quot; says it to such, &amp;quot;what hast thou wherein to glorify thyself?&amp;quot; And, in another place, &amp;quot;God has made man like unto a shadow,&amp;quot; of whom who can judge, when by removing the light it shall be vanished! Man is a thing of nothing.&#xA;&#xA;Our force is so far from being able to comprehend the divine height, that, of the works of our Creator, those best bear his mark, and are with better title his, which we the least understand. To meet with an incredible thing is an occasion to Christians to believe; and it is so much the more according to reason, by how much it is against human reason. If it were according to reason, it would be no more a miracle; and if it were according to example, it would be no longer a singular thing. Melius scitur Deus nesdendo: &amp;quot;God is better known by not knowing him,&amp;quot; says St. Austin: and Tacitus, Sanctius est ac reverentius de actis Deorum credere, quam scire; &amp;quot;it is more holy and reverent to believe the works of God than to know them;&amp;quot; and Plato thinks there is something of impiety in inquiring too curiously into God, the world, and the first causes of things: Atque illum quidem parentem hujus universitaiis invenire, difficile; et, quum jam inveneris, indicare in vulgtis, nefas: &amp;quot;to find out the parent of the world is very difficult; and when found out, to reveal him to the vulgar is sin,&amp;quot; says Cicero. We talk indeed of power, truth, justice; which are words that signify some great thing; but that thing we neither see nor conceive at all. We say that God fears, that God is angry, that God loves,&#xA;&#xA;           Immortalia mortali sermone notantes:&#xA;&#xA;          &amp;quot;Giving to things immortal mortal names.&amp;quot;&#xA;These are all agitations and emotions that cannot be in God, according to our form, nor can we imagine them, according to his. It only belongs to God to know himself, and to interpret his own works; and he does it in our language, going out of himself, to stoop to us who grovel upon the earth. How can prudence, which is the choice between good and evil, be properly attributed to him whom no evil can touch? How can reason and intelligence, which we make use of, to arrive by obscure at apparent things; seeing that nothing is obscure to him? How justice, which distributes to every one what appertains to him, a thing begot by the society and community of men, how is that in God? How temperance, which is the moderation of corporal pleasures, that have no place in the Divinity? Fortitude to support pain, labour, and dangers, as little appertains to him as the rest; these three things have no access to him. For which reason Aristotle holds him equally exempt from virtue and vice: Neque gratia, neque ira teneri potest; quod quo talia essent, imbecilla essent omnia? &amp;quot;He can neither be affected with favour nor indignation, because both these are the effects of frailty.&amp;quot;&#xA;&#xA;The participation we have in the knowledge of truth, such as it is, is not acquired by our own force: God has sufficiently given us to understand that, by the witnesses he has chosen out of the common people, simple and ignorant men, that he has been pleased to employ to instruct us in his admirable secrets. Our faith is not of our own acquiring; 'tis purely the gift of another's bounty: 'tis not by meditation, or by virtue of our own understanding, that we have acquired our religion, but by foreign authority and command wherein the imbecility of our own judgment does more assist us than any force of it; and our blindness more than our clearness of sight: 'tis more by__ the mediation of our ignorance than of our knowledge that we know any thing of the divine wisdom. 'Tis no wonder if our natural and earthly parts cannot conceive that supernatural and heavenly knowledge: let us bring nothing of our own, but obedience and subjection; for, as it is written, &amp;quot;I will destroy the wisdom of the wise, and will bring to nothing the understanding of the prudent. Where is the wise? Where is the scribe? Where is the disputer of this world? Hath not God made foolish the wisdom of this world? For after that, in the wisdom of God, the world knew not God, it pleased God by the foolishness of preaching to save them that believe.&amp;quot;&#xA;&#xA;Finally, should I examine whether it be in the power of man to find out that which he seeks and if that quest, wherein he has busied himself so many ages, has enriched him with any new force, or any solid truth; I believe he will confess, if he speaks from his conscience, that all he has got by so long inquiry is only to have learned to know his own weakness. We have only by a long study confirmed and verified the natural ignorance we were in before. The same has fallen out to men truly wise, which befalls the ears of corn; they shoot and raise their heads high and pert, whilst empty; but when full and swelled with grain in maturity, begin to flag and droop. So men, having tried and sounded all things, and having found in that mass of knowledge, and provision of so many various things, nothing solid and firm, and nothing but vanity, have quitted their presumption, and acknowledged their natural condition. 'Tis what Velleius reproaches Cotta withal and Cicero, &amp;quot;that they had learned of Philo, that they had learned nothing.&amp;quot; Pherecydes, one of the seven sages, writing to Thales upon his death-bed; &amp;quot;I have,&amp;quot; said he, &amp;quot;given order to my people, after my interment, to carry my writings to thee. If they please thee and the other sages, publish; if not, suppress them. They contain no certainty with which I myself am satisfied. Neither do I pretend to know the truth, or to attain to it. I rather open than discover things.&amp;quot; The wisest man that ever was, being asked what he knew, made answer, &amp;quot;He knew this, that he knew nothing.&amp;quot; By which he verified what has been said, that the greatest part of what we know is the least of what we do not; that is to say, that even what we think we know is but a piece, and a very little one, of our ignorance. We know things in dreams, says Plato, and are ignorant of them in truth. Ormes pene veteres nihil cognosci, nihil percipi, nihil sciri posse dixerunt; angustos sensus, imbecilles animos, brevia curricula vito. &amp;quot;Almost all the ancients have declared that there is nothing to be known, nothing to be perceived or understood; the senses are too limited, men's minds too weak, and the course of life too short.&amp;quot; And of Cicero himself, who stood indebted to his learning for all he was worth, Valerius says, &amp;quot;That he began to disrelish letters in his old age; and when at his studies, it was with great independency upon any one party; following what he thought probable, now in one sect, and then in another, evermore wavering under the doubts of the academy.&amp;quot; Dicendum est, sed ita ut nihil affirment, quceram omnia, dubitans plerumque, et mihi diffidens. &amp;quot;Something I must say, but so as to affirm nothing; I inquire into all things, but for the most part in doubt and distrust of myself.&amp;quot;&#xA;&#xA;I should have too fair a game should I consider man in his common way of living and in gross; yet I might do it by his own rule, who judges truth not by weight, but by the number of votes. Let us set the people aside,&#xA;&#xA;              Qui vigilans stertit,....&#xA;           Mortua cui vita est prope jam vivo atque videnti;&#xA;&#xA;                &amp;quot;Half of his life by lazy sleep's possess'd,&#xA;          And when awake his soul but nods at best;&amp;quot;&#xA;who neither feel nor judge, and let most of their natural faculties lie idle; I will take man in his highest ground. Let us consider him in that little number of men, excellent and culled out from the rest, who, having been endowed with a remarkable and particular natural force, have moreover hardened and whetted it by care, study, and art, and raised it to the highest pitch of wisdom to which it can possibly arrive. They have adjusted their souls to all ways and all biases; have propped and supported them with all foreign helps proper for them, and enriched and adorned them with all they could borrow for their advantage, both within and without the world; 'tis in these is placed the utmost and most supreme height to which human nature can attain. They have regulated the world with policies and laws. They have instructed it with arts and sciences, and by the example of their admirable manners. I shall make account of none but such men as these, their testimony and experience. Let us examine how far they have proceeded, and where they stopped. The errors and defects that we shall find amongst these men the world may boldly avow as their own.&#xA;&#xA;Whoever goes in search of any thing must come to this, either to say that he has found it, or that it is not to be found, or that he is yet upon the search. All philosophy is divided into these three kinds; her design is to seek out truth, knowledge, and certainty. The Peripatetics, Epicureans, Stoics, and others, have thought they have found it. These established the sciences we have, and have treated of them as of certain knowledge. Clitomachus, Carneades, and the Academics, have despaired in their search, and concluded that truth could not be conceived by our understandings. The result of these is weakness and human ignorance. This sect has had the most and the most noble followers. Pyrrho, and other skeptics or epechists, whose dogmas are held by many of the ancients to be taken from Homer, the seven sages, and from Archilochus and Euripides, and to whose number these are added, Zeno, Democritus, and Xenophanes, say that they are yet upon the inquiry after truth. These conclude that the others, who think they have found it out, are infinitely deceived; and that it is too daring a vanity in the second sort to determine that human reason is not able to attain unto it; for this establishing a standard of our power, to know and judge the difficulty of things, is a great and extreme knowledge, of which they doubt whether man is capable:—&#xA;&#xA;                 Nil sciri quisquis putat, id quoque nescit,&#xA;           An sciri possit; quam se nil scire fatetur.&#xA;&#xA;               &amp;quot;He that says nothing can be known, o'erthrows&#xA;           His own opinion, for he nothing knows,&#xA;          So knows not that.&amp;quot;&#xA;The ignorance that knows itself, judges and condemns itself, is not an absolute ignorance; to be such, it must be ignorant of itself; so that the profession of the Pyrrhonians is to waver, doubt, and inquire, not to make themselves sure of, or responsible to themselves for any thing. Of the three actions of the soul, imaginative, appetitive, and consentive, they receive the two first; the last they kept ambiguous, without inclination or approbation, either of one thing or another, so light as it is. Zeno represented the motion of his imagination upon these divisions of the faculties of the soul thus: &amp;quot;An open and expanded hand signified appearance; a hand half shut, and the fingers a little bending, consent; a clenched fist, comprehension; when with the left he yet thrust the right fist closer, knowledge.&amp;quot; Now this situation of their judgment upright and inflexible, receiving all objects without application or consent, leads them to their ataraxy, which is a peaceable condition of life, temperate, and exempt from the agitations we receive by the impression of opinion and knowledge that we think we have of things; whence spring fear, avarice, envy, immoderate desires, ambition, pride, superstition, love of novelty, rebellion, disobedience, obstinacy, and the greatest part of bodily ills; nay, and by that they are exempt from the jealousy of their discipline; for they debate after a very gentle manner; they fear no requital in their disputes; when they affirm that heavy things descend they would be sorry to be believed, and love tobe contradicted, to engender doubt and suspense of judgment, which is their end. They only put forward their propositions to contend with those they think we have in our belief. If you take their arguments, they will as readily maintain the contrary; 'tis all one to them, they have no choice. If you maintain that snow is black, they will argue on the contrary that it is white; if you say it is neither the one nor the other, they will maintain that it is both. If you hold, of certain judgment, that you know nothing, they will maintain that you do. Yea, and if by an affirmative axiom you assure them that you doubt, they will argue against you that you doubt not; or that you cannot judge and determine that you doubt. And by this extremity of doubt, which jostles itself, they separate and divide themselves from many opinions, even of those they have several ways maintained, both concerning doubt and ignorance. &amp;quot;Why shall not they be allowed to doubt,&amp;quot; say they, &amp;quot;as well as the dogmatists, one of whom says green, another yellow? Can any thing be proposed to us to grant, or deny, which it shall not be permitted to consider as ambiguous?&amp;quot; And where others are carried away, either by the custom of their country, or by the instruction of parents, or by accident, as by a tempest, without judgment and without choice, nay, and for the most part before the age of discretion, to such and such an opinion, to the sect whether Stoic or Epicurean, with which they are prepossessed, enslaved, and fast bound, as to a thing they cannot forsake: Ad quamcumque disciplinant, velut tempestate, delati, ad earn, tanquam ad saxum, adhorescunt; &amp;quot;every one cleaves to the doctrine he has happened upon, as to a rock against which he has been thrown by tempest;&amp;quot; why shall not these likewise be permitted to maintain their liberty, and consider things without obligation or slavery? hoc liberiores et solutiores, quod integra illis est judicandi potestas: &amp;quot;in this more unconstrained and free, because they have the greater power of judging.&amp;quot; Is it not of some advantage to be disengaged from the necessity that curbs others? Is it not better to remain in suspense than to entangle one's self in the innumerable errors that human fancy has produced? Is it not much better to suspend one's persuasion than to intermeddle with these wrangling and seditious divisions: &amp;quot;What shall I choose?&amp;quot; &amp;quot;What you please, provided you will choose.&amp;quot; A very foolish answer; but such a one, nevertheless, as all dogmatism seems to point at, and by which we are not permitted to be ignorant of what we are ignorant of.&#xA;&#xA;Take the most eminent side, that of the greatest reputation; it will never be so sure that you shall not be forced to attack and contend with a hundred and a hundred adversaries to defend it. Is it not better to keep out of this hurly-burly? You are permitted to embrace Aristotle's opinions of the immortality of the soul with as much zeal as your honour and life, and to give the lie to Plato thereupon, and shall they be interdicted to doubt him? If it be lawful for Pantius to maintain his opinion about augury, dreams, oracles, vaticinations, of which the Stoics made no doubt at all; why may not a wise man dare to do the same in all things that he dared to do in those he had learned of his masters, established by the common consent of the school, whereof he is a professor and a member? If it be a child that judges, he knows not what it is; if a wise man, he is prepossessed. They have reserved for themselves a marvellous advantage in battle, having eased themselves of the care of defence. If you strike them, they care not, provided they strike too, and they turn every thing to their own use. If they overcome, your argument is lame; if you, theirs; if they fall short, they verify ignorance; if you fall short, you do it; if they prove that nothing is known, 'tis well; if they cannot prove it, 'tis also well: Ut quurn in eadem re paria contrariis in partibus momenta inveniuntur, facilius ab utraque parte assertio sustineatur: &amp;quot;That when like sentiments happen pro and con in the same thing, the assent may on both sides be more easily suspended.&amp;quot; And they make account to find out, with much greater facility, why a thing is false, than why 'tis true; that which is not, than that which is; and what they do not believe, than what they do. Their way of speaking is: &amp;quot;I assert nothing; it is no more so than so, or than neither one nor t'other; I understand it not. Appearances are everywhere equal; the law of speaking, pro or con, is the same. Nothing seems true, that may not seem false.&amp;quot; Their sacramental word is that is to say, &amp;quot;I hold, I stir not.&amp;quot; This is the burden of their song, and others of like stuff. The effect of which is a pure, entire, perfect, and absolute suspension of judgment. They make use of their reason to inquire and debate, but not to fix and determine. Whoever shall imagine a perpetual confession of ignorance, a judgment without bias, propension, or inclination, upon any occasion whatever, conceives a true idea of Pyrrhonism. I express this fancy as well as I can, by reason that many find it hard to conceive, and the authors themselves represent it a little variously and obscurely.&#xA;&#xA;As to what concerns the actions of life, they are in this of the common fashion. They yield and give up themselves to their natural inclinations, to the power and impulse of passions, to the constitution of laws and customs, and to the tradition of arts; Non enim nos Deus ista scire, sed tantummodo uti, voluit. &amp;quot;For God would not have us know, but only use those things.&amp;quot; They suffer their ordinary actions to be guided by those things, without any dispute or judgment. For which reason I cannot consent to what is said of Pyrrho, by those who represent him heavy and immovable, leading a kind of savage and unsociable life, standing the jostle of carts, going upon the edge of precipices, and refusing to accommodate himself to the laws. This is to enhance upon his discipline; he would never make himself a stock or a stone, he would show himself a living man, discoursing, reasoning, enjoying all reasonable conveniences and pleasures, employing and making use of all his corporal and spiritual faculties in rule and reason. The fantastic, imaginary, and false privileges that man had usurped of lording it, ordaining, and establishing, he has utterly quitted and renounced. Yet there is no sect but is constrained to permit her sage to follow several things not comprehended, perceived, or consented to, if he means to live. And if he goes to sea, he follows that design, not knowing whether his voyage shall be successful or no; and only insists upon the tightness of the vessel, the experience of the pilot, and the convenience of the season, and such probable circumstances; after which he is bound to go, and suffer himself to be governed by appearances, provided there be no express and manifest contrariety in them. He has a body, he has a soul; the senses push them, the mind spurs them on. And although he does not find in himself this proper and singular sign of judging, and that he perceives that he ought not to engage his consent, considering that there may be some false, equal to these true appearances, yet does he not, for all that, fail of carrying on the offices of his life with great liberty and convenience. How many arts are there that profess to consist more in conjecture than knowledge; that decide not on true and false, and only follow that which seems so! There are, say they, true and false, and we have in us wherewith to seek it; but not to make it stay when we touch it. We are much more prudent, in letting ourselves be regulated by the order of the world, without inquiry. A soul clear from prejudice has a marvellous advance towards tranquillity and repose. Men that judge and control their judges, do never duly submit to them.&#xA;&#xA;How much more docile and easy to be governed, both by the laws of religion and civil polity, are simple and incurious minds, than those over-vigilant wits, that will still be prating of divine and human causes! There is nothing in human invention that carries so great a show of likelihood and utility as this; this presents man, naked and empty, confessing his natural weakness, fit to receive some foreign force from above, unfurnished of human, and therefore more apt to receive into him the divine knowledge, making nought of his own judgment, to give more room to faith; neither disbelieving nor establishing any dogma against common observances; humble, obedient, disciplinable, and studious; a sworn enemy of heresy; and consequently freeing himself from vain and irreligious opinions, introduced by false sects. 'Tis a blank paper prepared to receive such forms from the finger of God as he shall please to write upon it. The more we resign and commit ourselves to God, and the more we renounce ourselves, of the greater value we are. &amp;quot;Take in good part,&amp;quot; says Ecclesiastes, &amp;quot;the things that present themselves to thee, as they seem and taste from hand to mouth; the rest is out of thy knowledge.&amp;quot; Dominus novit cogitationes hominum, quoniam van sunt: &amp;quot;The Lord knoweth the hearts of men, that they are but vanity.&amp;quot;&#xA;&#xA;Thus we see that of the three general sects of philosophy, two make open profession of doubt and ignorance; and in that of the Dogmatists, which is the third, it is easy to discover that the greatest part of them only assume this face of confidence and assurance that they may produce the better effect; they have not so much thought to establish any certainty for us, as to show us how far they have proceeded in their search of truth: Quam docti jingunt magis quam nrunt: &amp;quot;Which the learned rather feign than know.&amp;quot; Timus, being to instruct Socrates in what he knew of the gods, the world, and men, proposes to speak to him as a man to a man; and that it is sufficient, if his reasons are probable as those of another; for that exact reasons were neither in his nor any other mortal hand; which one of his followers has thus imitated: Ut potero, explicabo: nec tamen, ut Pythius Apollo, certa ut sint et fixa qu dixero; sed, ut homunculus, probabilia conjectur sequens: &amp;quot;I will, as well as I am able, explain; affirming, yet not as the Pythian oracle, that what I say is fixed and certain, but like a mere man, that follows probabilities by conjecture.&amp;quot; And this, upon the natural and common subject of the contempt of death; he has elsewhere translated from the very words of Plato: Si forte, de Deorum natur ortuque mundi disserentes, minus id quod habemiis in animo consequi-mur, haud erit mirum; oquum est enim meminisse, et me, qui disseram, hominem esse, et vos, qui judicetis, ut, si probabilia dicentur, nihil ultra requiratis? &amp;quot;If perchance, when we discourse of the nature of God, and the world's original, we cannot do it as we desire, it will be no great wonder. For it is just you should remember that both I who speak and you who are to judge, are men; so that if probable things are delivered, you shall require and expect no more.&amp;quot; Aristotle ordinarily heaps up a great number of other men's opinions and beliefs, to compare them with his own, and to let us see how much he has gone beyond them, and how much nearer he approaches to the likelihood of truth; for truth is not to be judged by the authority and testimony of others; which made Epicurus religiously avoid quoting them in his writings. This is the prince of all dogmatists, and yet we are told by him that the more we know the more we have room for doubt. In earnest, we sometimes see him shroud and muffle up himself in so thick and so inextricable an obscurity that we know not what to make of his advice; it is, in effect, a Pyrrhonism under a resolutive form. Hear Cicero's protestation, who expounds to us another's fancy by his own: Qui requirunt quid de quque re ipsi sentiamus, curiosius id faciunt quam necesse est,... Hoc in philosophi ratio, contra omnia disserendi, nuttamque rem aperte judicandi, profecta a Socrate, repetita ab Arcesila, conjirmata a Gameade, usqu ad nostram viget cetatem..........Hi sumus, qui omnibus veris falsa quodam adjuncta esse dicamus, tanta similitudine, ut in iis nulla insit certe judicandi et assentiendi nota. &amp;quot;They who desire to know what we think of every thing are therein more inquisitive than is necessary. This practice in philosophy of disputing against every thing, and of absolutely concluding nothing, begun by Socrates, repeated by Arcesilaus, and confirmed by Cameades, has continued in use even to our own times. We are they who declare that there is so great a mixture of things false amongst all that are true, and they so resemble one another, that there can be in them no certain mark to direct us either to judge or assent.&amp;quot; Why hath not Aristotle only, but most of the philosophers, affected difficulty, if not to set a greater value upon the vanity of the subject, and amuse the curiosity of our minds by giving them this hollow and fleshless bone to pick? Clitomachus affirmed &amp;quot;That he could never discover by Carneades's writings what opinion he was of.&amp;quot; This was it that made Epicurus affect to be abstruse, and that procured Heraclitus the epithet of  Difficulty is a coin the learned make use of, like jugglers, to conceal the vanity of their art, and which human sottishness easily takes for current pay.&#xA;&#xA;                 Claras, ob obscuram linguam, magis inter manes...&#xA;         Omnia enim stolidi magis admirantur amantque&#xA;          Inversis qu sub verbis latitantia cemunt.&#xA;&#xA;                &amp;quot;Bombast and riddle best do puppies please,&#xA;         For fools admire and love such things as these;&#xA;         And a dull quibble, wrapt in dubious phrase,&#xA;          Up to the height doth their wise wonder raise.&amp;quot;&#xA;Cicero reprehends some of his friends for giving more of their time to the study of astrology, logic, and geometry, than they were really worth; saying that they were by these diverted from the duties of life, and more profitable and proper studies. The Cyrenaick philosophers, in like manner, despised physics and logic. Zeno, in the very beginning of the books of the commonwealth, declared all the liberal arts of no use. Chrysippus said &amp;quot;That what Plato and Aristotle had writ, concerning logic, they had only done in sport, and by way of exercise;&amp;quot; and could not believe that they spoke in earnest of so vain a thing. Plutarch says the same of metaphysics. And Epicurus would have said as much of rhetoric, grammar, poetry, mathematics, and, natural philosophy excepted, of all the sciences; and Socrates of them all, excepting that which treats of manners and of life. Whatever any one required to be instructed in, by him, he would ever, in the first place, demand an account of the conditions of his life present and past, which he examined and judged, esteeming all other learning subsequent to that and supernumerary: Parum mihi placeant e littero quo ad virtutem doctoribus nihil pro-fuerunt. &amp;quot;That learning is in small repute with me which nothing profited the teachers themselves to virtue.&amp;quot; Most of the arts have been in like manner decried by the same knowledge; but they did not consider that it was from the purpose to exercise their wits in those very matters wherein there was no solid advantage.&#xA;&#xA;As to the rest, some have looked upon Plato as a dogmatist, others as a doubter, others in some things the one, and in other things the other. Socrates, the conductor of his dialogues, is eternally upon questions and stirring up disputes, never determining, never satisfying, and professes to have no other science but that of opposing himself. Homer, their author, has equally laid the foundations of all the sects of philosophy, to show how indifferent it was which way we should choose. 'Tis said that ten several sects sprung from Plato; yet, in my opinion, never did any instruction halt and stumble, if his does not.&#xA;&#xA;Socrates said that midwives, in taking upon them the trade of helping others to bring forth, left the trade of bringing forth themselves; and that by the title of a wise man or sage, which the gods had conferred upon him, he was disabled, in his virile and mental love, of the faculty of bringing forth, contenting himself to help and assist those that could; to open their nature, anoint the passes, and facilitate their birth; to judge of the infant, baptize, nourish, fortify, swath, and circumcise it, exercising and employing his understanding in the perils and fortunes of others.&#xA;&#xA;It is so with the most part of this third sort of authors, as the ancients have observed in the writings of Anaxagoras, Democritus, Parmenides, Xenophanes, and others. They have a way of writing, doubtful in substance and design, rather inquiring than teaching, though they mix their style with some dogmatical periods. Is not the same thing seen in Seneca and Plutarch? How many contradictions are there to be found if a man pry narrowly into them! So many that the reconciling lawyers ought first to reconcile them every one to themselves. Plato seems to have affected this method of philosophizing in dialogues; to the end that he might with greater decency, from several mouths, deliver the diversity and variety of his own fancies. It is as well to treat variously of things as to treat of them conformably, and better, that is to say, more copiously and with greater profit. Let us take example from ourselves: judgments are the utmost point of all dogmatical and determinative speaking; and yet those arrets that our parliaments give the people, the most exemplary of them, and those most proper to nourish in them the reverence due to that dignity, principally through the sufficiency of the persons acting, derive their beauty not so much from the conclusion, which with them is quotidian and common to every judge, as from the dispute and heat of divers and contrary arguments that the matter of law and equity will permit And the largest field for reprehension that some philosophers have against others is drawn from the diversities and contradictions wherein every one of them finds himself perplexed, either on purpose to show the vacillation of the human mind concerning every thing, or ignorantly compelled by the volubility and incomprehensibility of all matter; which is the meaning of the maxim—&amp;quot;In a slippery and sliding place let us suspend our belief;&amp;quot; for, as Euripides says,—&#xA;&#xA;         &amp;quot;God's various works perplex the thoughts of men.&amp;quot;&#xA;Like that which Empedocles, as if transported with a divine fury, and compelled by truth, often strewed here and there in his writings: &amp;quot;No, no, we feel nothing, we see nothing; all things are concealed from us; there is not one thing of which we can positively say what it is;&amp;quot; according to the divine saying: Cogitationes mortalium timid, et incert adinventiones nostro et providentice. &amp;quot;For the thoughts of mortal men are doubtful; and our devices are but uncertain.&amp;quot; It is not to be thought strange if men, despairing to overtake what they hunt after, have not however lost the pleasure of the chase; study being of itself so pleasant an employment; and so pleasant that amongst the pleasures, the Stoics forbid that also which proceeds from the exercise of the mind, will have it curbed, and find a kind of intemperance in too much knowledge.&#xA;&#xA;Democritus having eaten figs at his table that tasted of honey, fell presently to considering with himself whence they should derive this unusual sweetness; and to be satisfied in it, was about to rise from the table to see the place whence the figs had been gathered; which his maid observing, and having understood the cause, smilingly told him that &amp;quot;he need not trouble himself about that, for she had put them into a vessel in which there had been honey.&amp;quot; He was vexed at this discovery, and that she had deprived him of the occasion of this inquiry, and robbed his curiosity of matter to work upon: &amp;quot;Go thy way,&amp;quot; said he, &amp;quot;thou hast done me an injury; but, for all that, I will seek out the cause as if it were natural;&amp;quot; and would willingly have found out some true reason for a false and imaginary effect. This story of a famous and great philosopher very clearly represents to us that studious passion that puts us upon the pursuit of things, of the acquisition of which we despair. Plutarch gives a like example of some one who would not be satisfied in that whereof he was in doubt, that he might not lose the pleasure of inquiring into it; like the other who would not that his physician should allay the thirst of his fever, that he might not lose the pleasure of quenching it by drinking. Satius est supervacua discere, quam nihil. &amp;quot;'Tis better to learn more than necessary than nothing at all.&amp;quot; As in all sorts of feeding, the pleasure of eating is very often single and alone, and that what we take, which is acceptable to the palate, is not always nourishing or wholesome; so that which our minds extract from science does not cease to be pleasant, though there be nothing in it either nutritive or healthful. Thus they say: &amp;quot;The consideration of nature is a diet proper for our minds, it raises and elevates us, makes us disdain low and terrestrial things, by comparing them with those that are celestial and high. The mere inquisition into great and occult things is very pleasant, even to those who acquire no other benefit than the reverence and fear of judging it.&amp;quot; This is what they profess. The vain image of this sickly curiosity is yet more manifest in this other example which they so often urge. &amp;quot;Eudoxus wished and begged of the gods that he might once see the sun near at hand, to comprehend the form, greatness, and beauty of it; even though he should thereby be immediately burned.&amp;quot; He would at the price of his life purchase a knowledge, of which the use and possession should at the same time be taken from him; and for this sudden and vanishing knowledge lose all the other knowledge he had in present, or might afterwards have acquired.&#xA;&#xA;I cannot easily persuade myself that Epicurus, Plato, and Pytagoras, have given us their atom, idea and numbers, for current pay. They were too wise to establish their articles of faith upon things so disputable and uncertain. But in that obscurity and ignorance in which the world then was, every one of these great men endeavoured to present some kind of image or reflection of light, and worked their brains for inventions that might have a pleasant and subtle appearance; provided that, though false, they might make good their ground against those that would oppose them. Unicuique ista pro ingenio finguntur, non ex scienti vi. &amp;quot;These things every one fancies according to his wit, and not by any power of knowledge.&amp;quot;&#xA;&#xA;One of the ancients, who was reproached, &amp;quot;That he professed philosophy, of which he nevertheless in his own judgment made no great account,&amp;quot; made answer, &amp;quot;That this was truly to philosophize.&amp;quot;&#xA;&#xA;They wished to consider all, to balance every thing, and found that an employment well suited to our natural curiosity. Some things they wrote for the benefit of public society, as their religions; and for that consideration it was but reasonable that they should not examine public opinions to the quick, that they might not disturb the common obedience to the laws and customs of their country.&#xA;&#xA;Plato treats of this mystery with a raillery manifest enough; for where he writes according to his own method he gives no certain rule. When he plays the legislator he borrows a magisterial and positive style, and boldly there foists in his most fantastic inventions, as fit to persuade the vulgar, as impossible to be believed by himself; knowing very well how fit we are to receive all sorts of impressions, especially the most immoderate and preposterous; and yet, in his Laws, he takes singular care that nothing be sung in public but poetry, of which the fiction and fabulous relations tend to some advantageous end; it being so easy to imprint all sorts of phantasms in human minds, that it were injustice not to feed them rather with profitable untruths than with untruths that are unprofitable and hurtful. He says very roundly, in his Republic, &amp;quot;That it is often necessary, for the benefit of men, to deceive them.&amp;quot; It is very easy to distinguish that some of the sects have more followed truth, and the others utility, by which the last have gained their reputation. 'Tis the misery of our condition that often that which presents itself to our imagination for the truest does not appear the most useful to life. The boldest sects, as the Epicurean, Pyrrhonian, and the new Academic, are yet constrained to submit to the civil law at the end of the account.&#xA;&#xA;There are other subjects that they have tumbled and tossed about, some to the right and others to the left, every one endeavouring, right or wrong, to give them some kind of colour; for, having found nothing so abstruse that they would not venture to speak of, they are very often forced to forge weak and ridiculous conjectures; not that they themselves looked upon them as any foundation, or establishing any certain truth, but merely for exercise. Non tam id sensisse quod dicerent, quam exercere ingnia materio difficultate videntur voluisse. &amp;quot;They seem not so much themselves to have believed what they said, as to have had a mind to exercise their wits in the difficulty of the matter.&amp;quot; And if we did not take it thus, how should we palliate so great inconstancy, variety, and vanity of opinions, as we see have been produced by those excellent and admirable men? As, for example, what can be more vain than to imagine, to guess at God, by our analogies and conjectures? To direct and govern him and the world by our capacities and our laws? And to serve ourselves, at the expense of the divinity, with what small portion of capacity he has been pleased to impart to our natural condition; and because we cannot extend our sight to his glorious throne, to have brought him down to our corruption and our miseries?&#xA;&#xA;Of all human and ancient opinions concerning religion, that seems to me the most likely and most excusable, that acknowledged God as an incomprehensible power, the original and preserver of all things, all goodness, all perfection, receiving and taking in good part the honour and reverence that man paid him, under what method, name, or ceremonies soever—&#xA;&#xA;               Jupiter omnipotens, rerum, regumque, demque,&#xA;            Progenitor, genitrixque.&#xA;&#xA;                &amp;quot;Jove, the almighty, author of all things,&#xA;         The father, mother, of both gods and kings.&amp;quot;&#xA;This zeal has universally been looked upon from heaven with a gracious eye. All governments have reaped fruit from their devotion; impious men and actions have everywhere had suitable events. Pagan histories acknowledge dignity, order, justice, prodigies, and oracles, employed for their profit and instruction in their fabulous religions; God, through his mercy, vouchsafing, by these temporal benefits, to cherish the tender principles of a kind of brutish knowledge that natural reason gave them of him, through the deceiving images of their dreams. Not only deceiving and false, but impious also and injurious, are those that man has forged from his own invention: and of all the religions that St. Paul found in repute at Athens, that which they had dedicated &amp;quot;to the unknown God&amp;quot; seemed to him the most to be excused.&#xA;&#xA;Pythagoras shadowed the truth a little more closely, judging that the knowledge of this first cause and being of beings ought to be indefinite, without limitation, without declaration; that it was nothing else than the extreme effort of our imagination towards perfection, every one amplifying the idea according to the talent of his capacity. But if Numa attempted to conform the devotion of his people to this project; to attach them to a religion purely mental, without any prefixed object and material mixture, he undertook a thing of no use; the human mind could never support itself floating in such an infinity of inform thoughts; there is required some certain image to be presented according to its own model. The divine majesty has thus, in some sort, suffered himself to be circumscribed in corporal limits for our advantage. His supernatural and celestial sacraments have signs of our earthly condition; his adoration is by sensible offices and words; for 'tis man that believes and prays. I shall omit the other arguments upon this subject; but a man would have much ado to make me believe that the sight of our crucifixes, that the picture of our Saviour's passion, that the ornaments and ceremonious motions of our churches, that the voices accommodated to the devotion of our thoughts, and that emotion of the senses, do not warm the souls of the people with a religious passion of very advantageous effect.&#xA;&#xA;Of those to whom they have given a body, as necessity required in that universal blindness, I should, I fancy, most incline to those who adored the sun:—&#xA;&#xA;               La Lumire commune,&#xA;          L'oil du monde; et si Dieu au chef porte des yeux,&#xA;           Les rayons du soleil sont ses yeulx radieux,&#xA;            Qui donnent vie  touts, nous maintiennent et gardent,&#xA;           Et les faictsdes humains en ce monde regardent:&#xA;          Ce beau, ce grand soleil qui nous faict les saisons,&#xA;         Selon qu'il entre ou sort de ses douze maisons;&#xA;         Qui remplit l'univers de ses vertus cognues;&#xA;          Qui d'un traict de ses yeulx nous dissipe les nues;&#xA;           L'esprit, l'ame du monde, ardent et flamboyant,&#xA;           En la course d'un jour tout le Ciel tournoyant;&#xA;           Plein d'immense grandeur, rond, vagabond, et ferme;&#xA;            Lequel tient dessoubs luy tout le monde pour terme:&#xA;          En repos, sans repos; oysif, et sans sjour;&#xA;         Fils aisn de nature, et le pre du jour:&#xA;&#xA;                &amp;quot;The common light that equal shines on all,&#xA;           Diffused around the whole terrestrial ball;&#xA;           And, if the almighty Ruler of the skies&#xA;          Has eyes, the sunbeams are his radiant eyes,&#xA;           That life and safety give to young and old,&#xA;            And all men's actions upon earth behold.&#xA;           This great, this beautiful, the glorious sun,&#xA;           Who makes their course the varied seasons run;&#xA;         That with his virtues fills the universe,&#xA;           And with one glance can sullen clouds disperse;&#xA;          Earth's life and soul, that, flaming in his sphere,&#xA;          Surrounds the heavens in one day's career;&#xA;         Immensely great, moving yet firm and round,&#xA;         Who the whole world below has made his bound;&#xA;         At rest, without rest, idle without stay,&#xA;         Nature's first son, and father of the day:&amp;quot;&#xA;forasmuch as, beside this grandeur and beauty of his, 'tis the only piece of this machine that we discover at the remotest distance from us; and by that means so little known that they were pardonable for entering into so great admiration and reverence of it.&#xA;&#xA;Thales, who first inquired into this sort of matter, believed God to be a Spirit that made all things of water; Anaximander, that the gods were always dying and entering into life again; and that there were an infinite number of worlds; Anaximines, that the air was God, that he was procreate and immense, always moving. Anaxagoras the first, was of opinion that the description and manner of all things were conducted by the power and reason of an infinite spirit. Alcmon gave divinity to the sun, moon, and stars, and to the soul. Pythagoras made God a spirit, spread over the nature of all things, whence our souls are extracted; Parmenides, a circle surrounding the heaven, and supporting the world by the ardour of light. Empedocles pronounced the four elements, of which all things are composed, to be gods; Protagoras had nothing to say, whether they were or were not, or what they were; Democritus was one while of opinion that the images and their circuitions were gods; another while, the nature that darts out those images; and then, our science and intelligence. Plato divides his belief into several opinions; he says, in his Timus, that the Father of the World cannot be named; in his Laws, that men are not to inquire into his being; and elsewhere, in the very same books, he makes the world, the heavens, the stars, the earth, and our souls, gods; admitting, moreover, those which have been received by ancient institution in every republic.&#xA;&#xA;Xenophon reports a like perplexity in Socrates's doctrine; one while that men are not to inquire into the form of God, and presently makes him maintain that the sun is God, and the soul God; that there is but one God, and then that there are many. Speusippus, the nephew of Plato, makes God a certain power governing all things, and that he has a soul. Aristotle one while says it is the spirit, and another the world; one while he gives the world another master, and another while makes God the heat of heaven. Zenocrates makes eight, five named amongst the planets; the sixth composed of all the fixed stars, as of so many members; the seventh and eighth, the sun and moon. Heraclides Ponticus does nothing but float in his opinion, and finally deprives God of sense, and makes him shift from one form to another, and at last says that it is heaven and earth. Theophrastus wanders in the same irresolution amongst his fancies, attributing the superintendency of the world one while to the understanding, another while to heaven, and then to the stars. Strato says that 'tis nature, she having the power of generation, augmentation, and diminution, without form and sentiment Zeno says 'tis the law of nature, commanding good and prohibiting evil; which law is an animal; and takes away the accustomed gods, Jupiter, Juno, and Vesta. Diogenes Apolloniates, that 'tis air. Zenophanes makes God round, seeing and hearing, not breathing, and having nothing in common with human nature. Aristo thinks the form of God to be incomprehensible, deprives him of sense, and knows not whether he be an animal or something else; Cleanthes, one while supposes it to be reason, another while the world, another the soul of nature, and then the supreme heat rolling about, and environing all. Perseus, Zeno's disciple, was of opinion that men have given the title of gods to such as have been useful, and have added any notable advantage to human life, and even to profitable things themselves. Chrysippus made a confused heap of all the preceding theories, and reckons, amongst a thousand forms of gods that he makes, the men also that have been deified. Diagoras and Theodoras flatly denied that there were any gods at all. Epicurus makes the gods shining, transparent, and perflable, lodged as betwixt two forts, betwixt two worlds, secure from blows, clothed in a human figure, and with such members as we have; which members are to them of no use:—&#xA;&#xA;              Ego Deum genus esse semper duxi, et dicam colitum;&#xA;         Sed eos non curare opinor quid agat humanum genus.&#xA;&#xA;              &amp;quot;I ever thought that gods above there were,&#xA;         But do not think they care what men do here.&amp;quot;&#xA;&#xA;Trust to your philosophy, my masters; and brag that you have found the bean in the cake when you see what a rattle is here with so many philosophical heads! The perplexity of so many worldly forms has gained this over me, that manners and opinions contrary to mine do not so much displease as instruct me; nor so much make me proud as they humble me, in comparing them. And all other choice than what comes from the express and immediate hand of God seems to me a choice of very little privilege. The policies of the world are no less opposite upon this subject than the schools, by which we may understand that fortune itself is not more variable and inconstant, nor more blind and inconsiderate, than our reason. The things that are most unknown are most proper to be deified; wherefore to make gods of ourselves, as the ancients did, exceeds the extremest weakness of understanding. I would much rather have gone along with those who adored the serpent, the dog, or the ox; forasmuch as their nature and being is less known to us, and that we have more room to imagine what we please of those beasts, and to attribute to them extraordinary faculties. But to have made gods of our own condition, of whom we ought to know the imperfections; and to have attributed to them desire, anger, revenge, marriages, generation, alliances, love, jealousy, our members and bones, our fevers and pleasures, our death and obsequies; this must needs have proceeded from a marvellous inebriety of the human understanding;&#xA;&#xA;              Qu procul usque adeo divino ab numine distant,&#xA;          Inque Dem numro qu sint indigna videri;&#xA;&#xA;              &amp;quot;From divine natures these so distant are,&#xA;         They are unworthy of that character.&amp;quot;&#xA;Formo, otates, vestitus, omatus noti sunt; genera, conjugia, cognationes, omniaque traducta ad similitudinem imbellitar tis humano: nam et perturbatis animis inducuntur; accipimus enim deorurn cupiditates, cegritudines, iracundias; &amp;quot;Their forms, ages, clothes, and ornaments are known: their descents, marriages, and kindred, and all adapted to the similitude of human weakness; for they are represented to us with anxious minds, and we read of the lusts, sickness, and anger of the gods;&amp;quot; as having attributed divinity not only to faith, virtue, honour, concord, liberty, victory, and piety; but also to voluptuousness, fraud, death, envy, old age, misery; to fear, fever, ill fortune, and other injuries of our frail and transitory life:—&#xA;&#xA;              Quid juvat hoc, templis nostros inducere mores?&#xA;         O curv in terris anim et colestium inanes!&#xA;&#xA;               &amp;quot;O earth-born souls! by earth-born passions led,&#xA;         To every spark of heav'nly influence dead!&#xA;         Think ye that what man values will inspire&#xA;         In minds celestial the same base desire?&amp;quot;&#xA;The Egyptians, with an impudent prudence, interdicted, upon pain of hanging, that any one should say that their gods, Serapis and Isis, had formerly been men; and yet no one was ignorant that they had been such; and their effigies, represented with the finger upon the mouth, signified, says Varro, that mysterious decree to their priests, to conceal their mortal original, as it must by necessary consequence cancel all the veneration paid to them. Seeing that man so much desired to equal himself to God, he had done better, says Cicero, to have attracted those divine conditions to himself, and drawn them down hither below, than to send his corruption and misery up on high; but, to take it right, he has several ways done both the one and the other, with like vanity of opinion.&#xA;&#xA;When philosophers search narrowly into the hierarchy of their gods, and make a great bustle about distinguishing their alliances, offices, and power, I cannot believe they speak as they think. When Plato describes Pluto's orchard to us, and the bodily conveniences or pains that attend us after the ruin and annihilation of our bodies, and accommodates them to the feeling we have in this life:—&#xA;&#xA;                Secreti celant calles, et myrtea circum&#xA;         Sylva tegit; cur non ips in morte relinquunt;&#xA;&#xA;              &amp;quot;In secret vales and myrtle groves they lie,&#xA;         Nor do cares leave them even when they die.&amp;quot;&#xA;when Mahomet promises his followers a Paradise hung with tapestry, gilded and enamelled with gold and precious stones, furnished with wenches of excelling beauty, rare wines, and delicate dishes; it is easily discerned that these are deceivers that accommodate their promises to our sensuality, to attract and allure us by hopes and opinions suitable to our mortal appetites. And yet some amongst us are fallen into the like error, promising to themselves after the resurrection a terrestrial and temporal life, accompanied with all sorts of worldly conveniences and pleasures. Can we believe that Plato, he who had such heavenly conceptions, and was so well acquainted with the Divinity as thence to derive the name of the Divine Plato, ever thought that the poor creature, man, had any thing in him applicable to that incomprehensible power? and that he believed that the weak holds we are able to take were capable, or the force of our understanding sufficient, to participate of beatitude or eternal pains? We should then tell him from human reason: &amp;quot;If the pleasures thou dost promise us in the other life are of the same kind that I have enjoyed here below, this has nothing in common with infinity; though all my five natural senses should be even loaded with pleasure, and my soul full of all the contentment it could hope or desire, we know what all this amounts to, all this would be nothing; if there be any thing of mine there, there is nothing divine; if this be no more than what may belong to our present condition, it cannot be of any value. All contentment of mortals is mortal. Even the knowledge of our parents, children, and friends, if that can affect and delight us in the other world, if that still continues a satisfaction to us there, we still remain in earthly and finite conveniences. We cannot as we ought conceive the greatness of these high and divine promises, if we could in any sort conceive them; to have a worthy imagination of them we must imagine them unimaginable, inexplicable, and incomprehensible, and absolutely another thing than those of our miserable experience.&amp;quot; &amp;quot;Eye hath not seen,&amp;quot; saith St. Paul, &amp;quot;nor ear heard, neither hath entered into the heart of man, the things that God hath prepared for them that love him.&amp;quot; And if, to render us capable, our being were reformed and changed (as thou, Plato, sayest, by thy purifications), it ought to be so extreme and total a change, that by physical doctrine it be no more us;—&#xA;&#xA;                Hector erat tunc cum bello certabat; at ille&#xA;          Tractus ab monio non erat Hector eqao;&#xA;&#xA;               He Hector was whilst he could fight, but when&#xA;          Dragg'd by Achilles' steeds, no Hector then;&#xA;it must be something else that must receive these recompenses:—&#xA;&#xA;              Quod mutatur... dissolvitur; interit ergo;&#xA;         Trajiciuntur enim partes, atque ordine migrant.&#xA;&#xA;             &amp;quot;Things changed dissolved are, and therefore die;&#xA;         Their parts are mix'd, and from their order fly.&amp;quot;&#xA;For in Pythagoras's metempsychosis, and the change of habitation that he imagined in souls, can we believe that the lion, in whom the soul of Csar is enclosed, does espouse Csar's passions, or that the lion is he? For if it was still Csar, they would be in the right who, controverting this opinion with Plato, reproach him that the son might be seen to ride his mother transformed into a mule, and the like absurdities. And can we believe that in the mutations that are made of the bodies of animals into others of the same kind, the new comers are not other than their predecessors? From the ashes of a phoenix, a worm, they say, is engendered, and from that another phoenix; who can imagine that this second phoenix is no other than the first? We see our silk-worms, as it were, die and wither; and from this withered body a butterfly is produced; and from that another worm; how ridiculous would it be to imagine that this was still the first! That which once has ceased to be is no more:—&#xA;&#xA;              Nec, si materiam nostram collegerit tas&#xA;         Post obitum, rursumque redegerit, ut sita nunc est,&#xA;         Atque iterum nobis fuerint data lumina vit,&#xA;         Pertineat quidquam tamen ad nos id quoque factum,&#xA;         Interrupta semel cum sit repetentia nostra.&#xA;&#xA;              &amp;quot;Neither tho' time should gather and restore&#xA;         Our matter to the form it was before,&#xA;         And give again new light to see withal,&#xA;         Would that new figure us concern at all;&#xA;         Or we again ever the same be seen,&#xA;         Our being having interrupted been.&amp;quot;&#xA;And, Plato, when thou sayest in another place that it shall be the spiritual part of man that will be concerned in the fruition of the recompense of another life, thou tellest us a thing wherein there is as little appearance of truth:—&#xA;&#xA;              Scilicet, avolsis radicibus, ut nequit ullam&#xA;          Dispicere ipsa oculus rem, seorsum corpore toto;&#xA;&#xA;              &amp;quot;No more than eyes once from their optics torn,&#xA;         Can ever after any thing discern;&amp;quot;&#xA;for, by this account, it would no more be man, nor consequently us, who would be concerned in this enjoyment; for we are composed of two principal essential parts, the separation of which is the death and ruin of our being:—&#xA;&#xA;              Inter enim jecta est vital pausa, vageque&#xA;         Deerrarunt passim motus ab sensibus omnes;&#xA;&#xA;              &amp;quot;When once that pause of life is come between,&#xA;           'Tis just the same as we had never been;&amp;quot;&#xA;we cannot say that the man suffers when the worms feed upon his members, and that the earth consumes them:—&#xA;&#xA;              Et nihil hoc ad nos, qui coltu conjugioque&#xA;         Corporis atque anim consistimus uniter apti.&#xA;&#xA;             &amp;quot;What's that to us? for we are only we,&#xA;         While soul and body in one frame agree.&amp;quot;&#xA;Moreover, upon what foundation of their justice can the gods take notice of or reward man after his death and virtuous actions, since it was themselves that put them in the way and mind to do them? And why should they be offended at or punish him for wicked ones, since themselves have created in him so frail a condition, and when, with one glance of their will, they might prevent him from falling? Might not Epicurus, with great colour of human reason, object this to Plato, did he not often save himself with this sentence: &amp;quot;That it is impossible to establish any thing certain of the immortal nature by the mortal?&amp;quot; She does nothing but err throughout, but especially when she meddles with divine things. Who does more evidently perceive this than we? For although we have given her certain and infallible principles; and though we have enlightened her steps with the sacred lamp of truth that it has pleased God to communicate to us; we daily see, nevertheless, that if she swerve never so little from the ordinary path; and that she stray from, or wander out of the way set out and beaten by the church, how soon she loses, confounds and fetters herself, tumbling and floating in this vast, turbulent, and waving sea of human opinions, without restraint, and without any determinate end; so soon as she loses that great and common road, she enters into a labyrinth of a thousand several paths.&#xA;&#xA;Man cannot be any thing but what he is, nor imagine beyond the reach of his capacity. &amp;quot;Tis a greater presumption,&amp;quot; says Plutarch, &amp;quot;in them who are but men to attempt to speak and discourse of the gods and demi-gods than it is in a man utterly ignorant of music to give an opinion of singing; or in a man who never saw a camp to dispute about arms and martial affairs, presuming by some light conjecture to understand the effects of an art he is totally a stranger to.&amp;quot; Antiquity, I believe, thought to put a compliment upon, and to add something to, the divine grandeur in assimilating it to man, investing it with his faculties, and adorning it with his ugly humours and most shameful necessities; offering it our aliments to eat, presenting it with our dances, mummeries, and farces, to divert it; with our vestments to cover it, and our houses to inhabit, coaxing it with the odour of incense and the sounds of music, with festoons and nosegays; and to accommodate it to our vicious passions, flattering its justice with inhuman vengeance, and with the ruin and dissipation of things by it created and preserved as Tiberius Sempronius, who burnt the rich spoils and arms he had gained from the enemy in Sardinia for a sacrifice to Vulcan; and Paulus milius, those of Macedonia, to Mars and Minerva; and Alexander, arriving at the Indian Ocean, threw several great vessels of gold into the sea, in honour of Thetes; and moreover loading her altars with a slaughter not of innocent beasts only, but of men also, as several nations, and ours among the rest, were commonly used to do; and I believe there is no nation under the sun that has not done the same:—&#xA;&#xA;               Sulmone creatos&#xA;         Quatuor hc juvenes, totidem quos educat Ufens,&#xA;         Viventes rapit, inferias quos immolet umbris.&#xA;&#xA;              &amp;quot;Four sons of Sulmo, four whom Ufens bred,&#xA;          He took in flight, and living victims led,&#xA;         To please the ghost of Pallas, and expire&#xA;         In sacrifice before his fun'ral pyre.&amp;quot;&#xA;The Get hold themselves to be immortal, and that their death is nothing but a journey to their god Zamolxis. Every five years they dispatch some one among them to him, to entreat of him such necessaries as they stand in need of. This envoy is chosen by lot, and the form of dispatching him, after he has been instructed by word of mouth what he is to deliver, is that of the assistants, three hold up as many javelins, upon which the rest throw his body with all their force. If he happen to be wounded in a mortal part, and that he immediately dies, 'tis held a certain argument of divine favour; but if he escapes, he is looked upon as a wicked and execrable wretch, and another is dismissed after the same manner in his stead. Amestris, the mother of Xerxes, being grown old, caused at once fourteen young men, of the best families of Persia, to be buried alive, according to the religion of the country, to gratify some infernal deity. And even to this day the idols of Themixtitan are cemented with the blood of little children, and they delight in no sacrifice but of these pure and infantine souls; a justice thirsty of innocent blood:—&#xA;&#xA;              Tantum religio potuit suadere maloram.&#xA;&#xA;         &amp;quot;Such impious use was of religion made,&#xA;         So many demon acts it could persuade.&amp;quot;&#xA;The Carthaginians immolated their own children to Saturn; and those who had none of their own bought of others, the father and mother being in the mean time obliged to assist at the ceremony with a gay and contented countenance.&#xA;&#xA;It was a strange fancy to think to gratify the divine bounty with our afflictions; like the Lacedemonians, who regaled their Diana with the tormenting of young boys, whom they caused to be whipped for her sake, very often to death. It was a savage humour to imagine to gratify the architect by the subversion of his building, and to think to take away the punishment due to the guilty by punishing the innocent; and that poor Iphigenia, at the port of Aulis, should by her death and immolation acquit, towards God, the whole army of the Greeks from all the crimes they had committed;&#xA;&#xA;               Et casta inceste, nubendi tempore in ipso,&#xA;         Hostia concideret mactatu mosta parentis;&#xA;&#xA;              &amp;quot;That the chaste virgin in her nuptial band&#xA;         Should die by an unnat'ral father's hand;&amp;quot;&#xA;and that the two noble and generous souls of the two Decii, the father and the son, to incline the favour of the gods to be propitious to the affairs of Rome, should throw themselves headlong into the thickest of the enemy: Quo fuit tanta deorum iniquitas, ut placari populo Romano non possent, nisi tales viri occidissent? &amp;quot;How great an injustice in the gods was it that they could not be reconciled to the people of Rome unless such men perished!&amp;quot; To which may be added, that it is not for the criminal to cause himself to be scourged according to his own measure nor at his own time, but that it purely belongs to the judge, who considers nothing as chastisements but the penalty that he appoints, and cannot call that punishment which proceeds from the consent of him that suffers. The divine vengeance presupposes an absolute dissent in us, both for its justice and for our own penalty. And therefore it was a ridiculous humour of Polycrates, tyrant of Samos, who, to interrupt the continued course of his good fortune, and to balance it, went and threw the dearest and most precious jewel he had into the sea, believing that by this voluntary and antedated mishap he bribed and satisfied the revolution and vicissitude of fortune; and she, to mock his folly, ordered it so that the same jewel came again into his hands, found in the belly of a fish. And then to what end were those tearings and dismemberments of the Corybantes, the Menades, and, in our times, of the Mahometans, who slash their faces, bosoms, and limbs, to gratify their prophet; seeing that the offence lies in the will, not in the breast, eyes, genitals, roundness of form, the shoulders, or the throat? Tantus est perturbto mentis, et sedibus suis pilso, furor, ut sic dii placentur, quemadmodum ne homines quidem soviunt. &amp;quot;So great is the fury and madness of troubled minds when once displaced from the seat of reason, as if the gods should be appeased with what even men are not so cruel as to approve.&amp;quot; The use of this natural contexture has not only respect to us, but also to the service of God and other men; 'tis as unjust for us voluntarily to wound or hurt it as to kill ourselves upon any pretence whatever; it seems to be great cowardice and treason to exercise cruelty upon, and to destroy, the functions of the body that are stupid and servile, to spare the soul the solicitude of governing them according to reason: Ubi iratos deos timent, qui sic propitios habere merentur? In regi libidinis voluptatem castrati sunt quidam; sed nemo sibi, ne vir esset, jubente domino, mantis intulit. &amp;quot;Where are they so afraid of the anger of the gods as to merit their favour at that rate? Some, indeed, have been made eunuchs for the lust of princes: but no man at his master's command has put his own hand to unman himself.&amp;quot; So did they fill their religion with several ill effects:—&#xA;&#xA;         Spius olim Religio peperit scelerosa atque impia facta.&#xA;&#xA;         &amp;quot;In elder times Religion did commit most fearful crimes.&amp;quot;&#xA;Now nothing of ours can in any sort be compared or likened unto the divine nature, which will not blemish and stain it with much imperfection.&#xA;&#xA;How can that infinite beauty, power, and goodness, admit of any correspondence or similitude to such abject things as we are, without extreme wrong and manifest dishonour to his divine greatness? Infirmum dei fortius est hominibs; et stultum dei sapientius est hominibus. &amp;quot;For the foolishness of God is wiser than men, and the weakness of God is stronger than men.&amp;quot; Stilpo, the philosopher, being asked, &amp;quot;Whether the gods were delighted with our adorations and sacrifices?&amp;quot;—&amp;quot;You are indiscreet,&amp;quot; answered he; &amp;quot;let us withdraw apart, if you would talk of such things.&amp;quot; Nevertheless, we prescribe him bounds, we keep his power besieged by our reasons (I call our ravings and dreams reason, with the dispensation of philosophy, which says, &amp;quot;That the wicked man, and even the fool, go mad by reason, but a particular form of reason&amp;quot;), we would subject him to the vain and feeble appearances of our understandings,—him who has made both us and our knowledge. Because that nothing is made of nothing, God therefore could not make the world without matter. What! has God put into our hands the keys and most secret springs of his power? Is he obliged not to exceed the limits of our knowledge? Put the case, O man! that thou hast been able here to mark some footsteps of his effects; dost thou therefore think that he has employed all he can, and has crowded all his forms and ideas in this work? Thou seest nothing but the order and revolution of this little cave in which thou art lodged, if, indeed, thou dost see so much; whereas his divinity has an infinite jurisdiction beyond. This part is nothing in comparison of the whole:—&#xA;&#xA;                Omnia cum colo, terrque, manque,&#xA;           Nil sunt ad summam summal totius omnem.&#xA;&#xA;               &amp;quot;The earth, the sea, and skies, from pole to pole,&#xA;           Are small, nay, nothing to the mighty whole.&amp;quot;&#xA;'Tis a municipal law that thou allegest, thou knowest not what is universal Tie thyself to that to which thou art subject, but not him; he is not of thy brotherhood, thy fellow-citizen, or companion. If he has in some sort communicated himself unto thee, 'tis not to debase himself unto thy littleness, nor to make thee comptroller of his power; the human body cannot fly to the clouds; rules are for thee. The sun runs every day his ordinary course; the bounds of the sea and the earth cannot be confounded; the water is unstable and without firmness; a wall, unless it be broken, is impenetrable to a solid body; a man cannot preserve his life in the flames; he cannot be both in heaven and upon earth, and corporally in a thousand places at once. 'Tis for thee that he has made these rules; 'tis thee that they concern; he has manifested to Christians that he has enfranchised himself from them all when it pleased him. And, in truth, why, almighty as he is, should he have limited his power within any certain bounds? In favour of whom should he have renounced his privilege? Thy reason has in no other thing more of likelihood and foundation than in that wherein it persuades thee that there is a plurality of worlds:—&#xA;&#xA;                 Terramque et solem, lunam, mare, estera quo rant,&#xA;           Non esse unica, sed numro magis innumerali.&#xA;&#xA;                  &amp;quot;That earth, sun, moon, sea, and the rest that are,&#xA;           Not single, but innumerable were.&amp;quot;&#xA;The most eminent minds of elder times believed it; and some of this age of ours, compelled by the appearances of human reason, do the same; forasmuch as in this fabric that we behold there is nothing single and one,&#xA;&#xA;          Cum in summ res nulla sit una,&#xA;           Unica quo gignatur, et unica solaque crescat;&#xA;&#xA;                &amp;quot;Since nothing's single in this mighty place,&#xA;           That can alone beget, alone increase;&amp;quot;&#xA;and that all the kinds are multiplied in some number; by which it seems not to be likely that God should have made this work only without a companion; and that the matter of this form should have been totally drained in this individual.&#xA;&#xA;               Quare etiam atque etiam tales fateare necesse est&#xA;           Esse alios alibi congressus materiali;&#xA;          Qualis hic est, avido complexu quem tenet ther.&#xA;&#xA;               &amp;quot;Wherefore 'tis necessary to confess&#xA;          That there must elsewhere be the like congress&#xA;          Of the like matter, which the airy space&#xA;          Holds fast within its infinite embrace.&amp;quot;&#xA;Especially if it be a living creature, which its motions render so credible that Plato affirms it, and that many of our people do either confirm, or dare not deny it; no more than that ancient opinion that the heavens, the stars, and other members of the world, are creatures composed of body and soul, mortal in respect of their composition, but immortal by the determination of the Creator. Now if there be many worlds, as Democritus, Epicurus, and almost all philosophy has believed, what do we know that the principles and rules of this of ours in like manner concern the rest? They may peradventure have another form and another polity. Epicurus supposes them either like or unlike. We see in this world an infinite difference and variety, only by distance of places; neither com, wine, nor any of our animals are to be seen in that new comer of the world discovered by our fathers; 'tis all there another thing; and in times past, do but consider in how many parts of the world they had no knowledge either of Bacchus or Ceres. If Pliny and Herodotus are to be believed, there are in certain places kinds of men very little resembling us, mongrel and ambiguous forms, betwixt the human and brutal natures; there are countries where men are bom without heads, having their mouth and eyes in their breast; where they are all hermaphrodites; where they go on all four; where they have but one eye in the forehead, and a head more like a dog than like ours; where they are half fish the lower part, and live in the water; where the women bear at five years old, and live but eight; where the head and the skin of the forehead is so hard that a sword will not touch it, but rebounds again; where men have no beards; nations that know not the use of fire; others that eject seed of a black colour. What shall we say of those that naturally change themselves into wolves, colts, and then into men again? And if it be true, as Plutarch says, that in some place of the Indies there are men without mouths, who nourish themselves with the smell of certain odours, how many of our descriptions are false? He is no longer risible, nor, perhaps, capable of reason and society. The disposition and cause of our internal composition would then for the most part be to no purpose, and of no use.&#xA;&#xA;Moreover, how many things are there in our own knowledge that oppose those fine rules we have cut out for and prescribe to nature? And yet we must undertake to circumscribe thereto God himself! How many things do we call miraculous, and contrary to nature? This is done by every nation and by every man, according to the proportion of his ignorance. How many occult properties and quintessences do we daily discover? For, for us to go &amp;quot;according to nature,&amp;quot; is no more but to go &amp;quot;according to our understanding,&amp;quot; as far as that is able to follow, and as far as we are able to see into it; all beyond that is, forsooth, monstrous and irregular. Now, by this account, all things shall be monstrous to the wisest and most understanding men; for human reason has persuaded them that there was no manner of ground nor foundation, not so much as to be assured that snow is white, and Anaxagoras affirmed it to be black; if there be any thing, or if there be nothing; if there be knowledge or ignorance, which Metrodorus of Chios denied that man was able to determine; or whether we live, as Euripides doubts whether the life we live is life, or whether that we call death be not life,  and not without some appearance. For why do we derive the title of being from this instant, which is but a flash in the infinite course of an eternal night, and so short an interruption of our perpetual and natural condition, death possessing all the before and after this moment, and also a good part of the moment itself. Others swear there is no motion at all, as followers of Melissus, and that nothing stirs. For if there be but one, neither can that spherical motion be of any use to him, nor motion from one place to another, as Plato proves: &amp;quot;That there is neither generation nor corruption in nature.&amp;quot; Protagoras says that there is nothing in nature but doubt; that a man may equally dispute of all things; and even of this, whether a man can equally dispute of all things; Nausiphanes, that of things which seem to be, nothing is more than it is not; that there is nothing certain but uncertainty; Parmenides, that of that which seems, there is no one thing in general; that there is but one thing; Zeno, that one same is not, and that there is nothing; if there were one thing, it would either be in another or in itself; if it be in another, they are two; if it be in itself, they are yet two; the comprehending, and the comprehended. According to these doctrines the nature of things is no other than a shadow, either false or vain.&#xA;&#xA;This way of speaking in a Christian man has ever seemed to me very indiscreet and irreverent. &amp;quot;God cannot die; God cannot contradict himself; God cannot do this or that.&amp;quot; I do not like to have the divine power so limited by the laws of men's mouths; and the idea which presents itself to us in those propositions ought to be more religiously and reverently expressed.&#xA;&#xA;Our speaking has its failings and defects, as well as all the rest. Most of the occasions of disturbance in the world are grammatical ones; our suits only spring from disputes as to the interpretation of laws; and most wars proceed from the inability of ministers clearly to express the conventions and treaties of amity of princes. How many quarrels, and of how great importance, has the doubt of the meaning of this syllable, hoc,* created in the world? Let us take the clearest conclusion that logic itself&#xA;&#xA;            * Montaigne here refers to the controversies between&#xA;              the Catholics and Protestants about transubstantiation.&#xA;presents us withal; if you say, &amp;quot;It is fine weather,&amp;quot; and that you say true, it is then fine weather. Is not this a very certain form of speaking? And yet it will deceive us; that it will do so, let us follow the example: If you say, &amp;quot;I lie,&amp;quot; if you say true, you do lie. The art, the reason, and force of the conclusion of this, are the same with the other, and yet we are gravelled. The Pyrrhonian philosophers, I see, cannot express their general conception in any kind of speaking; for they would require a new language on purpose; ours is all formed of affirmative propositions, which are totally antarctic to them; insomuch that when they say &amp;quot;I doubt,&amp;quot; they are presently taken by the throat, to make them confess that at least they know and are assured that they do doubt. By which means they have been compelled to shelter themselves under this medical comparison, without which their humour would be inexplicable: when they pronounce, &amp;quot;I know not,&amp;quot; or, &amp;quot;I doubt,&amp;quot; they say that this proposition carries off itself with the rest, no more nor less than rhubarb, that drives out the ill humours, and carries itself off with them. This fancy will be more certainly understood by interrogation: &amp;quot;What do I know?&amp;quot; as I bear it with the emblem of a balance.&#xA;&#xA;See what use they make of this irreverent way of speaking; in the present disputes about our religion, if you press its adversaries too hard, they will roundly tell you, &amp;quot;that it is not in the power of God to make it so, that his body should be in paradise and upon earth, and in several places at once.&amp;quot; And see, too, what advantage the old scoffer made of this. &amp;quot;At least,&amp;quot; says he, &amp;quot;it is no little consolation to man to see that God cannot do all things; for he cannot kill himself, though he would; which is the greatest privilege we have in our condition; he cannot make mortal immortal, nor revive the dead; nor make it so, that he who has lived has not; nor that he who has had honours has not had them; having no other right to the past than that of oblivion.&amp;quot; And that the comparison of man to God may yet be made out by jocose examples: &amp;quot;He cannot order it so,&amp;quot; says he, &amp;quot;that twice ten shall not be twenty.&amp;quot; This is what he says, and what a Christian ought to take heed shall not escape his lips. Whereas, on the contrary, it seems as if men studied this foolish daring of language, to reduce God to their own measure:—&#xA;&#xA;                Cras vel atr Nube polum, Pater, occupato,&#xA;          Vel sole puro; non tamen irritum&#xA;          Quodcumque retro est efficiet, neque&#xA;           Diffinget infectumque reddet&#xA;            Quod fugiens semel hora vexit.&#xA;&#xA;               &amp;quot;To-morrow, let it shine or rain,&#xA;           Yet cannot this the past make vain:&#xA;           Nor uncreate and render void&#xA;           That which was yesterday enjoyed.&amp;quot;&#xA;When we say that the infinity of ages, as well past as to come, are but one instant with God; that his goodness, wisdom, and power are the same with his essence; our mouths speak it, but our understandings apprehend it not; and yet, such is our vain opinion of ourselves, that we must make the Divinity to pass through our sieve; and thence proceed all the dreams and errors with which the world abounds, whilst we reduce and weigh in our balance a thing so far above our poise. Mirum quo procdat improbitas cordis humani, parvulo aliquo intritata successu. &amp;quot;'Tis wonderful to what the wickedness of man's heart will proceed, if elevated with the least success.&amp;quot; How magisterially and insolently does Epicurus reprove the Stoics, for maintaining that the truly good and happy being appertained only to God, and that the wise man had nothing but a shadow and resemblance of it! How temerariously have they bound God to destiny (a thing which, by my consent, none that bears the name of a Christian shall ever do again)! and Thales, Plato, and Pythagoras have enslaved him to necessity. This arrogance of attempting to discover God with our eyes has been the cause that an eminent person among us has attributed to the Divinity a corporal form; and is the reason of what happens to us every day, of attributing to God important events, by a particular assignment. Because they weigh with us, they conclude that they also weigh with him, and that he has a more intent and vigilant regard to them than to others of less moment to us or of ordinary course: Magna Dii curant, parva negligunt: &amp;quot;The gods are concerned at great matters, but slight the small.&amp;quot; Listen to him; he will clear this to you by his reason: Nec in regnis quidem reges omnia minima curant: &amp;quot;Neither indeed do kings in their administration take notice of all the least concerns.&amp;quot; As if to that King of kings it were more or less to subvert a kingdom, or to move the leaf of a tree; or as if his providence acted after another manner in inclining the event of a battle than in the leap of a flea. The hand of his government is laid upon every thing after the same manner, with the same power and order; our interest does nothing towards it; our inclinations and measures sway nothing with him. Deus ita artifex magnus in magnis, ut minor non sit in parvis: &amp;quot;God is so great an artificer in great things, that he is no less in the least&amp;quot; Our arrogancy sets this blasphemous comparison ever before us. Because our employments are a burden to us, Strato has courteously been pleased to exempt the gods from all offices, as their priests are; he makes nature produce and support all things; and with her weights and motions make up the several parts of the world, discharging human nature from the awe of divine judgments: Quod beatum terumque sit, id nec habere negotii quicquam, nec exhibere alteri: &amp;quot;What is blessed and eternal has neither any business itself nor gives any to another.&amp;quot; Nature will that in like things there should be a like relation. The infinite number of mortals, therefore, concludes a like number of immortals; the infinite things that kill and destroy presupposes as many that preserve and profit. As the souls of the gods, without tongue, eye, or ear, do every one of them feel amongst themselves what the other feels, and judge our thoughts; so the souls of men, when at liberty and loosed from the body, either by sleep or some ecstacy, divine, foretell, and see things, which, whilst joined to the body, they could not see. &amp;quot;Men,&amp;quot; says St. Paul, &amp;quot;professing themselves to be wise, they become fools; and change the glory of the uncorruptible God into an image made like corruptible man.&amp;quot; Do but take notice of the juggling in the ancient deifications. After the great and stately pomp of the funeral, so soon as the fire began to mount to the top of the pyramid, and to catch hold of the couch where the body lay, they at the same time turned out an eagle, which flying upward, signified that the soul went into Paradise. We have a thousand medals, and particularly of the worthy Faustina, where this eagle is represented carrying these deified souls to heaven with their heels upwards. 'Tis pity that we should fool ourselves with our own fopperies and inventions,&#xA;&#xA;          Quod finxere, timent,&#xA;&#xA;          &amp;quot;They fear their own inventions,&amp;quot;&#xA;like children who are frighted with the same face of their playfellow, that they themselves have smeared and smutted. Quasi quicquam infelicius sit homine, cui sua figmenta dominantur:&#xA;&#xA;&amp;quot;As if any thing could be more unhappy than man, who is insulted over by his own imagination.&amp;quot; 'Tis far from honouring him who made us, to honour him that we have made. Augustus had more temples than Jupiter, served with as much religion and belief of miracles. The Thracians, in return of the benefits they had received from Agesilaus, came to bring him word that they had canonized him: &amp;quot;Has your nation,&amp;quot; said he to them, &amp;quot;the power to make gods of whom they please? Pray first deify some one amongst yourselves, and when I shall see what advantage he has by it, I will thank you for your offer.&amp;quot; Man is certainly stark mad; he cannot make a worm, and yet he will be making gods by dozens. Hear Trismegistus in praise of our sufficiency: &amp;quot;Of all the wonderful things, it surmounts all wonder that man could find out the divine nature and make it.&amp;quot; And take here the arguments of the school of philosophy itself:—&#xA;&#xA;               Nosse cui divos et coli munina soli,&#xA;          Aut soli nescire, datum.&#xA;&#xA;               &amp;quot;To whom to know the deities of heaven,&#xA;          Or know he knows them not, alone 'tis given.&amp;quot;&#xA;&amp;quot;If there is a God, he is a living creature; if he be a living creature, he has sense; and if he has sense, he is subject to corruption. If he be without a body he is without a soul, and consequently without action; and if he has a body, it is perishable.&amp;quot; Is not here a triumph? we are incapable of having made the world; there must then be some more excellent nature that has put a hand to the work. It were a foolish and ridiculous arrogance to esteem ourselves the most perfect thing of the universe. There must then be something that is better, and that must be God. When you see a stately and stupendous edifice, though you do not know who is the owner of it, you would yet conclude it was not built for rats. And this divine structure, that we behold of the celestial palace, have we not reason to believe that it is the residence of some possessor, who is much greater than we? Is not the most supreme always the most worthy? but we are in the lowest form. Nothing without a soul and without reason can produce a living creature capable of reason. The world produces us, the world then has soul and reason. Every part of us is less than we. We are part of the world, the world therefore is endued with wisdom and reason, and that more abundantly than we. 'Tis a fine thing to have a great government; the government of the world then appertains to some happy nature. The stars do us no harm; they are then full of goodness. We have need of nourishment; then so have the gods also, and feed upon the vapours of the earth. Worldly goods are not goods to God; therefore they are not goods to us; offending and being offended are equally testimonies of imbecility; 'tis therefore folly to fear God. God is good by his nature; man by his industry, which is more. The divine and human wisdom have no other distinction, but that the first is eternal; but duration is no accession to wisdom, therefore we are companions. We have life, reason, and liberty; we esteem goodness, charity, and justice; these qualities are then in him. In conclusion, building and destroying, the conditions of the Divinity, are forged by man, according as they relate to himself. What a pattern, and what a model! let us stretch, let us raise and swell human qualities as much as we please; puff up thyself, poor man, yet more and more, and more:—&#xA;&#xA;           Non, si tu ruperis, inquit.&#xA;&#xA;          &amp;quot;Not if thou burst,&amp;quot; said he.&#xA;Profecto non Deum, quern cogitare non possunt, sed semetip pro illo cogitantes, non ilium, sed seipsos, non illi, sed sibi comparant? &amp;quot;Certainly they do not imagine God, whom they cannot imagine; but they imagine themselves in his stead; they do not compare him, but themselves, not to him, but to themselves.&amp;quot; In natural things the effects do but half relate to their causes. What's this to the purpose? His condition is above the order of nature, too elevated, too remote, and too mighty, to permit itself to be bound and fettered by our conclusions. 'Tis not through ourselves that we arrive at that place; our ways lie too low. We are no nearer heaven on the top of Mount Cenis than at the bottom of the sea; take the distance with your astrolabe. They debase God even to the carnal knowledge of women, to so many times, and so many generations. Paulina, the wife of Satuminus, a matron of great reputation at Rome, thinking she lay with the god Serapis, found herself in the arms of an amoroso of hers, through the panderism of the priests of his temple. Varro, the most subtle and most learned of all the Latin authors, in his book of theology, writes, that the sexton of Hercules's temple, throwing dice with one hand for himself, and with the other for Hercules, played after that manner with him for a supper and a wench; if he won, at the expense of the offerings; if he lost, at his own. The sexton lost, and paid the supper and the wench. Her name was Laurentina, who saw by night this god in her arms, who moreover told her, that the first she met the next day, should give her a heavenly reward; which proved to be Taruncius, a rich young man, who took her home to his house, and in time left her his inheritrix. She, in her turn, thinking to do a thing that would be pleasing to the god, left the people of Rome heirs to her; and therefore had divine honours attributed to her. As if it had not been sufficient that Plato was originally descended from the gods by a double line, and that he had Neptune for the common father of his race, it was certainly believed at Athens, that Aristo, having a mind to enjoy the fair Perictione, could not, and was warned by the god Apollo, in a dream, to leave her unpolluted and untouched, till she should first be brought to bed. These were the father and mother of Plato. How many ridiculous stories are there of like cuckoldings, committed by the gods against poor mortal men! And how many husbands injuriously scandaled in favour of the children! In the Mahometan religion there are Merlins enough found by the belief of the people; that is to say, children without fathers, spiritual, divinely conceived in the wombs of virgins, and carry names that signify so much in their language.&#xA;&#xA;We are to observe that to every thing nothing is more dear and estimable than its being (the lion, the eagle the dolphin, prize nothing above their own kind); and that every thing assimilates the qualities of all other things to its own proper qualities, which we may indeed extend or contract, but that's all; for beyond that relation and principle our imagination cannot go, can guess at nothing else, nor possibly go out thence, nor stretch beyond it; whence spring these ancient conclusions: of all forms the most beautiful is that of man; therefore God must be of that form. No one can be happy without virtue, nor virtue be without reason, and reason cannot inhabit anywhere but in a human shape; God is therefore clothed in a human figure. Ita est informatum et anticipatum mentibus nostris, ut homini, quum de Deo cogitet, forma occurrat hu-mana. &amp;quot;It is so imprinted in our minds, and the fancy is so prepossessed with it, that when a man thinks of God, a human figure ever presents itself to the imagination.&amp;quot; Therefore it was that Xenophanes pleasantly said, &amp;quot;That if beasts frame any gods to themselves, as 'tis likely they do, they make them certainly such as themselves are, and glorify themselves in it, as we do. For why may not a goose say thus; &amp;quot;All the parts of the universe I have an interest in; the earth serves me to walk upon; the sun to light me; the stars have their influence upon me; I have such an advantage by the winds and such by the waters; there is nothing that yon heavenly roof looks upon so favourably as me; I am the darling of nature! Is it not man that keeps, lodges, and serves me? 'Tis for me that he both sows and grinds; if he eats me he does the same by his fellow-men, and so do I the worms that kill and devour him.&amp;quot; As much might be said by a crane, and with greater confidence, upon the account of the liberty of his flight, and the possession of that high and beautiful region. Tam blanda conciliatrix, et tam sui est lena ipsa natura. &amp;quot;So flattering and wheedling a bawd is nature to herself.&amp;quot;&#xA;&#xA;Now by the same consequence, the destinies are then for us; for us the world; it shines it thunders for us; creator and creatures, all are for us; ''tis the mark and point to which the universality of things aims. Look into the records that philosophy has kept for two thousand years and more, of the affairs of heaven; the gods all that while have neither acted nor spoken but for man. She does not allow them any other consultation or occupation. See them here against us in war:—&#xA;&#xA;               Domitosque Hercule manu&#xA;          Telluris juvenes, unde periculum&#xA;          Fulgens contre mu it domus&#xA;          Saturai veteris.&#xA;&#xA;          &amp;quot;The brawny sons of earth, subdu'd by hand&#xA;          Of Hercules on the Phlegran strand,&#xA;          Where the rude shock did such an uproar make,&#xA;          As made old Saturn's sparkling palace shake.&amp;quot;&#xA;And here you shall see them participate of our troubles, to make a return for our having so often shared in theirs:—&#xA;&#xA;          Neptunus muros, magnoque emota tridenti&#xA;          Fundamenta quatit, totamque  sedibus urbem&#xA;          Emit: hie Juno Scas svissima portas Prima tenet.&#xA;&#xA;               &amp;quot;Amidst that smother Neptune holds his place,&#xA;          Below the walls' foundation drives his mace,&#xA;          And heaves the city from its solid base.&#xA;          See where in arms the cruel Juno stands,&#xA;           Full in the Scan gate.&amp;quot;&#xA;The Caunians, jealous of the authority of their own proper gods, armed themselves on the days of their devotion, and through the whole of their precincts ran cutting and slashing the air with their swords, by that means to drive away and banish all foreign gods out of their territory. Their powers are limited according that the plague, that the scurf, that the phthisic; one cures one sort of itch, another another: Adeo minimis etiam rebus prava religio inserit Deos? &amp;quot;At such a rate does false religion create gods for the most contemptible uses.&amp;quot; This one makes grapes grow, that onions; this has the presidence over lechery, that over merchandise; for every sort of artisan a god; this has his province and reputation in the east; that his in the west:—&#xA;&#xA;               &amp;quot;Here lay her armour, here her chariot stood.&amp;quot;&#xA;&#xA;               O sancte Apollo, qui umbilicum certum terrarum obtines!&#xA;&#xA;                 &amp;quot;O sacred Phoebus, who with glorious ray,&#xA;           From the earth's centre, dost thy light display.&amp;quot;&#xA;&#xA;          Pallada Cecropid, Minola Creta Dianam,&#xA;           Vulcanum tellus Hypsipylea colit,&#xA;          Junonem Sparte, Pelopeladesque Mycen;&#xA;          Pinigerum Fauni Mnalis ora caput;&#xA;          Mars Latio venerandus.&#xA;&#xA;               &amp;quot;Th' Athenians Pallas, Cynthia Crete adore,&#xA;           Vulcan is worshipped on the Lemnian shore.&#xA;           Proud Juno's altars are by Spartans fed,&#xA;          Th' Arcadians worship Faunus, and 'tis said&#xA;          To Mars, by Italy, is homage paid.&amp;quot;&#xA;to our necessity; this cures horses, that men,&#xA;&#xA;          Hic illius arma, Hic currus fuit.&#xA;This has only one town or family in his possession; that lives alone; that in company, either voluntary or upon necessity:—&#xA;&#xA;               Junctaque sunt magno templa nepotis avo.&#xA;&#xA;                &amp;quot;And temples to the nephew joined are,&#xA;          To those were reared to the great-grandfather.&amp;quot;&#xA;In here are some so wretched and mean (for the number amounts to six and thirty thousand) that they must pack five or six together, to produce one ear of corn, and thence take their several names; three to a door—that of the plank, that of the hinge, and that of the threshold. Four to a child—protectors of his swathing-clouts, his drink, meat, and sucking. Some certain, some uncertain and doubtful, and some that are not yet entered Paradise:—&#xA;&#xA;               Quos, quoniam coli nondum dignamur honore,&#xA;          Quas dedimus cert terras habitare sinanras:&#xA;&#xA;               &amp;quot;Whom, since we yet not worthy think of heaven,&#xA;          We suffer to possess the earth we've given.&amp;quot;&#xA;There are amongst them physicians, poets, and civilians. Some of a mean betwixt the divine and human nature; mediators betwixt God and us, adorned with a certain second and diminutive sort of adoration; infinite in titles and offices; some good; others ill; some old and decrepit, and some that are mortal. For Chrysippus was of opinion that in the last conflagration of the world all the gods were to die but Jupiter. Man makes a thousand pretty societies betwixt God and him; is he not his countryman?&#xA;&#xA;          Jovis incunabula Creten.&#xA;&#xA;          &amp;quot;Crete, the cradle of Jupiter.&amp;quot;&#xA;And this is the excuse that, upon consideration of this subject, Scvola, a high priest, and Varro, a great theologian in their times, make us: &amp;quot;That it is necessary that the people should be ignorant of many things that are true, and believe many things that are false.&amp;quot; Quum veritatem qua liberetur inquirat credatur ei expedire quod fallitur. &amp;quot;Seeing he inquires into the truth, by which he would be made free, 'tis fit he should be deceived.&amp;quot; Human eyes cannot perceive things but by the forms they know; and we do not remember what a leap miserable Phton took for attempting to guide his father's horses with a mortal hand. The mind of man falls into as great a depth, and is after the same manner bruised and shattered by his own rashness. If you ask of philosophy of what matter the heavens and the sun are? what answer will she return, if not that it is iron, or, with Anaxagoras, stone, or some other matter that she makes use of? If a man inquire of Zeno what nature is? &amp;quot;A fire,&amp;quot; says he, &amp;quot;an artisan, proper for generation, and regularly proceeding.&amp;quot; Archimedes, master of that science which attributes to itself the precedency before all others for truth and certainty; &amp;quot;the sun,&amp;quot; says he, &amp;quot;is a god of red-hot iron.&amp;quot; Was not this a fine imagination, extracted from the inevitable necessity of geometrical demonstrations? Yet not so inevitable and useful but that Socrates thought it was enough to know so much of geometry only as to measure the land a man bought or sold; and that Polynus, who had been a great and famous doctor in it, despised it, as full of falsity and manifest vanity, after he had once tasted the delicate fruits of the lozelly gardens of Epicurus. Socrates in Xenophon, concerning this affair, says of Anaxagoras, reputed by antiquity learned above all others in celestial and divine matters, &amp;quot;That he had cracked his brain, as all other men do who too immoderately search into knowledges which nothing belong to them:&amp;quot; when he made the sun to be a burning stone, he did not consider that a stone does not shine in the fire; and, which is worse, that it will there consume; and in making the sun and fire one, that fire does not turn the complexions black in shining upon them; that we are able to look fixedly upon fire; and that fire kills herbs and plants. 'Tis Socrates's opinion, and mine too, that the best judging of heaven is not to judge of it at all. Plato having occasion, in his Timous, to speak of the demons, &amp;quot;This undertaking,&amp;quot; says he, &amp;quot;exceeds my ability.&amp;quot; We are therefore to believe those ancients who said they were begotten by them; 'tis against all reason to refuse a man's faith to the children of the gods, though what they say should not be proved by any necessary or probable reasons; seeing they engage to speak of domestic and familiar things.&#xA;&#xA;Let us see if we have a little more light in the knowledge of human and natural things. Is it not a ridiculous attempt for us to forge for those to whom, by our own confession, our knowledge is not able to attain, another body, and to lend a false form of our own invention; as is manifest in this motion of the planets; to which, seeing our wits cannot possibly arrive, nor conceive their natural conduct, we lend them material, heavy, and substantial springs of our own by which to move:—&#xA;&#xA;                Temo aureus, aurea summ&#xA;            Curvatura rot, radiorum argenteus ordo.&#xA;&#xA;                &amp;quot;Gold was the axle, and the beam was gold;&#xA;           The wheels with silver spokes on golden circles roll'd.&amp;quot;&#xA;You would say that we had had coachmakers, carpenters, and painters, that went up on high to make engines of various motions, and to range the wheelwork and interfacings of the heavenly bodies of differing colours about the axis of necessity, according to Plato:—&#xA;&#xA;               Mundus domus est maxima rerum,&#xA;          Quam quinque altiton fragmine zon&#xA;          Cingunt, per quam limbus pictus bis sex signis&#xA;          Stellimicantibus, altus in obliquo there, lun&#xA;          Bigas acceptat.&#xA;&#xA;               &amp;quot;The world's a mansion that doth all things hold,&#xA;          Which thundering zones, in number five, enfold,&#xA;          Through which a girdle, painted with twelve signs,&#xA;          And that with sparkling constellations, shines,&#xA;          In heaven's arch marks the diurnal course&#xA;          For the sun's chariot and his fiery horse.&amp;quot;&#xA;These are all dreams and fanatic follies. Why will not nature please for once to lay open her bosom to us, and plainly discover to us the means and conduct of her movements, and prepare our eyes to see them? Good God, what abuse, what mistakes should we discover in our poor science! I am mistaken if that weak knowledge of ours holds any one thing as it really is, and I shall depart hence more ignorant of all other things than my own ignorance.&#xA;&#xA;Have I not read in Plato this divine saying, that &amp;quot;nature is nothing but enigmatic poesy!&amp;quot; As if a man might perhaps see a veiled and shady picture, breaking out here and there with an infinite variety of false lights to puzzle our conjectures: Latent ista omnia crassis occullata et circumfusa tenebris; ut nulla acies humani ingenii tanta sit, qu penetrare in coelum, terram intrare, possit. &amp;quot;All those things lie concealed and involved in so dark an obscurity that no point of human wit can be so sharp as to pierce heaven or penetrate the earth.&amp;quot; And certainly philosophy is no other than sophisticated poetry. Whence do the ancient writers extract their authorities but from the poets? and the first of them were poets themselves, and writ accordingly. Plato is but a poet unripped. Timon calls him, insultingly, &amp;quot;a monstrous forger of miracles.&amp;quot; All superhuman sciences make use of the poetic style. Just as women make use of teeth of ivory where the natural are wanting, and instead of their true complexion make one of some artificial matter; as they stuff themselves out with cotton to appear plump, and in the sight of every one do paint, patch, and trick up themselves with a false and borrowed beauty; so does science (and even our law itself has, they say, legitimate fictions, whereon it builds the truth of its justice); she gives us in presupposition, and for current pay, things which she herself informs us were invented; for these epicycles, eccentrics, and concentrics, which astrology makes use of to carry on the motions of the stars, she gives us for the best she could invent upon that subject; as also, in all the rest, philosophy presents us not that which really is, or what she really believes, but what she has contrived with the greatest and most plausible likelihood of truth, and the quaintest invention. Plato, upon the discourse of the state of human bodies and those of beasts, says, &amp;quot;I should know that what I have said is truth, had I the confirmation of an oracle; but this I will affirm, that what I have said is the most likely to be true of any thing I could say.&amp;quot;&#xA;&#xA;'Tis not to heaven only that art sends her ropes, engines, and wheels; let us consider a little what she says of us ourselves, and of our contexture.&#xA;&#xA;There is not more retrogradation, trepidation, accession, recession, and astonishment, in the stars and celestial bodies, than they have found out in this poor little human body. In earnest, they have good reason, upon that very account, to call it the little world, so many tools and parts have they employed to erect and build it. To assist the motions they see in man, and the various functions that we find in ourselves, in how many parts have they divided the soul, in how many places lodged it? in how many orders have they divided, and to how many stories have they raised this poor creature, man, besides those that are natural and to be perceived? And how many offices and vocations have they assigned him? They make it an imaginary public thing. 'Tis a subject that they hold and handle; and they have full power granted to them to rip, place, displace, piece, and stuff it, every one according to his own fancy, and yet they possess it not They cannot, not in reality only, but even in dreams, so govern it that there will not be some cadence or sound that will escape their architecture, as enormous as it is, and botched with a thousand false and fantastic patches. And it is not reason to excuse them; for though we are satisfied with painters when they paint heaven, earth, seas, mountains, and remote islands, that they give us some slight mark of them, and, as of things unknown, are content with a faint and obscure description; yet when they come and draw us after life, or any other creature which is known and familiar to us, we then require of them a perfect and exact representation of lineaments and colours, and despise them if they fail in it.&#xA;&#xA;I am very well pleased with the Milesian girl, who observing the philosopher Thales to be always contemplating the celestial arch, and to have his eyes ever gazing upward, laid something in his way that he might stumble over, to put him in mind that it would be time to take up his thoughts about things that are in the clouds when he had provided for those that were under his feet. Doubtless she advised him well, rather to look to himself than to gaze at heaven; for, as Democritus says, by the mouth of Cicero,—&#xA;&#xA;             Quod est ante pedes, nemo spectat: coeli scrutantur plagas.&#xA;&#xA;                  &amp;quot;No man regards what is under his feet;&#xA;             They are always prying towards heaven.&amp;quot;&#xA;But our condition will have it so, that the knowledge of what we have in hand is as remote from us, and as much above the clouds, as that of the stars. As Socrates says, in Plato, &amp;quot;That whoever meddles with philosophy may be reproached as Thales was by the woman, that he sees nothing of that which is before him. For every philosopher is ignorant of what his neighbour does; aye, and of what he does himself, and is ignorant of what they both are, whether beasts or men.&amp;quot;&#xA;&#xA;Those people, who find Sebond's arguments too weak, that are ignorant of nothing, that govern the world, that know all,—&#xA;&#xA;                Qu mare compescant caus; quid temperet annum;&#xA;           Stell sponte su, jussve, vagentur et errent;&#xA;          Quid premat obscurum lun, quid profrt orbem;&#xA;          Quid velit et posait rerum concordia discors;&#xA;&#xA;                &amp;quot;What governs ocean's tides,&#xA;          And through the various year the seasons guides;&#xA;          Whether the stars by their own proper force,&#xA;           Or foreign power, pursue their wand'ring course;&#xA;          Why shadows darken the pale queen of night;&#xA;           Whence she renews her orb and spreads her light;—&#xA;          What nature's jarring sympathy can mean;&amp;quot;&#xA;have they not sometimes in their writings sounded the difficulties they have met with of knowing their own being? We see very well that the finger moves, that the foot moves, that some parts assume a voluntary motion of themselves without our consent, and that others work by our direction; that one sort of apprehension occasions blushing; another paleness; such an imagination works upon the spleen only, another upon the brain; one occasions laughter, another tears; another stupefies and astonishes all our senses, and arrests the motion of all our members; at one object the stomach will rise, at another a member that lies something lower; but how a spiritual impression should make such a breach into a massy and solid subject, and the nature of the connection and contexture of these admirable springs and movements, never yet man knew: Omnia incerta ratione, et in natur majestate abdita. &amp;quot;All uncertain in reason, and concealed in the majesty of nature,&amp;quot; says Pliny. And St Augustin, Modus quo corporibus adhorent spiritus.... omnino minis est, nec comprehendi ab homine potest; et hoc ipse homo est, &amp;quot;The manner whereby souls adhere to bodies is altogether wonderful, and cannot be conceived by man, and yet this is man.&amp;quot; And yet it is not so much as doubted; for the opinions of men are received according to the ancient belief, by authority and upon trust, as if it were religion and law. 'Tis received as gibberish which is commonly spoken; this truth, with all its clutter of arguments and proofs, is admitted as a firm and solid body, that is no more to be shaken, no more to be judged of; on the contrary, every one, according to the best of his talent, corroborates and fortifies this received belief with the utmost power of his reason, which is a supple utensil, pliable, and to be accommodated to any figure; and thus the world comes to be filled with lies and fopperies. The reason that men doubt of divers things is that they never examine common impressions; they do not dig to the root, where the faults and defects lie; they only debate upon the branches; they do not examine whether such and such a thing be true, but if it has been so and so understood; it is not inquired into whether Galen has said any thing to purpose, but whether he has said so or so. In truth it was very good reason that this curb to the liberty of our judgments and that tyranny over our opinions, should be extended to the schools and arts. The god of scholastic knowledge is Aristotle; 'tis irreligion to question any of his decrees, as it was those of Lucurgus at Sparta; his doctrine is a magisterial law, which, peradventure, is as false as another. I do not know why I should not as willingly embrace either the ideas of Plato, or the atoms of Epicurus, or the plenum or vacuum of Leucippus and Democritus, or the water of Thales, or the infinity of nature of Anaximander, or the air of Diogenes, or the numbers and symmetry of Pythagoras, or the infinity of Parmenides, or the One of Musus, or the water and fire of Apollodorus, or the similar parts of Anaxagoras, or the discord and friendship of Empedocles, or the fire of Heraclitus, or any other opinion of that infinite confusion of opinions and determinations, which this fine human reason produces by its certitude and clearsightedness in every thing it meddles withal, as I should the opinion of Aristotle upon this subject of the principles of natural things; which principles he builds of three pieces—matter, form, and privation. And what can be more vain than to make inanity itself the cause of the production of things? Privation is a negative; of what humour could he then make the cause and original of things that are? And yet that were not to be controverted but for the exercise of logic; there is nothing disputed therein to bring it into doubt, but to defend the author of the school from foreign objections; his authority is the non-ultra, beyond which it is not permitted to inquire.&#xA;&#xA;It is very easy, upon approved foundations, to build whatever we please; for, according to the law and ordering of this beginning, the other parts of the structure are easily carried on without any failure. By this way we find our reason well-grounded, and discourse at a venture; for our masters prepossess and gain beforehand as much room in our belief as is necessary towards concluding afterwards what they please, as geometricians do by their granted demands, the consent and approbation we allow them giving them wherewith to draw us to the right and left, and to whirl us about at their pleasure. Whatever springs from these presuppositions is our master and our God; he will take the level of his foundations so ample and so easy that by them he may mount us up to the clouds, if he so please. In this practice and negotiation of science we have taken the saying of Pythagoras, &amp;quot;That every expert person ought to be believed in his own art&amp;quot; for current pay. The logician refers the signification of words to the grammarians; the rhetorician borrows the state of arguments from the logician; the poet his measure from the musician: the geometrician his proportions from the arithmetician, and the metaphysicians take physical conjectures for their foundations; for every science has its principle presupposed, by which human judgment is everywhere kept in check. If you come to rush against the bar where the principal error lies, they have presently this sentence in their mouths, &amp;quot;That there is no disputing with persons who deny principles.&amp;quot; Now men can have no principles if not revealed to them by the divinity; of all the rest the beginning, the middle, and the end, is nothing but dream and vapour. To those that contend upon presupposition we must, on the contrary, presuppose to them the same axiom upon which the dispute is. For every human presupposition and declaration has as much authority one as another, if reason do not make the difference. Wherefore they are all to be put into the balance, and first the generals and those that tyrannize over us. The persuasion of certainty is a certain testimony of folly and extreme incertainty; and there are not a more foolish sort of men, nor that are less philosophers, than the Philodoxes of Plato; we must inquire whether fire be hot? whether snow be white? if there be any such things as hard or soft within our knowledge?&#xA;&#xA;And as to those answers of which they make old stories, as he that doubted if there was any such thing as heat, whom they bid throw himself into the fire; and he that denied the coldness of ice, whom they bid to put ice into his bosom;—they are pitiful things, unworthy of the profession of philosophy. If they had let us alone in our natural being, to receive the appearance of things without us, according as they present themselves to us by our senses, and had permitted us to follow our own natural appetites, governed by the condition of our birth, they might then have reason to talk at that rate; but 'tis from them we have learned to make ourselves judges of the world; 'tis from them that we derive this fancy, &amp;quot;That human reason is controller-general of all that is without and within the roof of heaven; that comprehends every thing, that can do every thing; by the means of which every thing is known and understood.&amp;quot; This answer would be good among the cannibals, who enjoy the happiness of a long, quiet, and peaceable life, without Aristotle's precepts, and without the knowledge of the name of physics; this answer would perhaps be of more value and greater force than all those they borrow from their reason and invention; of this all animals, and all where the power of the law of nature is yet pure and simple, would be as capable as we, but as for them they have renounced it. They need not tell us, &amp;quot;It is true, for you see and feel it to be so;&amp;quot; they must tell me whether I really feel what I think I do; and if I do feel it, they must then tell me why I feel it, and how, and what; let them tell me the name, original, the parts and junctures of heat and cold, the qualities of the agent and patient; or let them give up their profession, which is not to admit or approve of any thing but by the way of reason; that is their test in all sorts of essays; but, certainly, 'tis a test full of falsity, error, weakness, and defect.&#xA;&#xA;Which way can we better prove it than by itself? If we are not to believe her when speaking of herself, she can hardly be thought fit to judge of foreign things; if she know any thing, it must at least be her own being and abode; she is in the soul, and either a part or an effect of it; for true and essential reason, from which we by a false colour borrow the name, is lodged in the bosom of the Almighty; there is her habitation and recess; 'tis thence that she imparts her rays, when God is pleased to impart any beam of it to mankind, as Balias issued from her father's head, to communicate herself to the world.&#xA;&#xA;Now let us see what human reason tells us of herself and of the soul, not of the soul in general, of which almost all philosophy makes the celestial and first bodies participants; nor of that which Thales attributed to things which themselves are reputed inanimate, lead thereto by the consideration of the loadstone; but of that which appertains to us, and that we ought the best to know:—&#xA;&#xA;                    Ignoratur enim, qu sit natura animai;&#xA;             Nata sit; an, contra, nascentibus insinuetur;&#xA;             Et simnl intereat nobiscum morte dirempta;&#xA;            An tenebras Orci visat, vastasque lacunas,&#xA;            An pecudes alias divinitns insinuet se.&#xA;&#xA;                &amp;quot;For none the nature of the soul doth know,&#xA;            Whether that it be born with us, or no;&#xA;           Or be infused into us at our birth,&#xA;           And dies with us when we return to earth,&#xA;           Or then descends to the black shades below,&#xA;           Or into other animals does go.&amp;quot;&#xA;Crates and Dicarchus were of opinion that there was no soul at all, but that the body thus stirs by a natural motion; Plato, that it was a substance moving of itself; Thales, a nature without repose; Aedepiades, an exercising of the senses; Hesiod and Anaximander, a thing composed of earth and water; Parmenides, of earth and fire; Empedocles, of blood:—&#xA;&#xA;          Sanguineam vomit ille animam;&#xA;&#xA;          &amp;quot;He vomits up his bloody soul.&amp;quot;&#xA;Posidonius, Cleanthes, and Galen, that it was heat or a hot complexion—&#xA;&#xA;          Igneus est ollis vigor, et colestis origo;&#xA;&#xA;           &amp;quot;Their vigour of fire and of heavenly race.&amp;quot;&#xA;Hippocrates, a spirit diffused all over the body; Varro, that it was an air received at the mouth, heated in the lungs, moistened in the heart, and diffused throughout the whole body; Zeno, the quintessence of the four elements; Heraclides Ponticus, that it was the light; Zenocrates and the Egyptians, a mobile number; the Chaldeans, a virtue without any determinate form:—&#xA;&#xA;               Habitum quemdam vitalem corporis esse,&#xA;          Harmoniam Grci quam dicunt.&#xA;&#xA;               &amp;quot;A certain vital habit in man's frame,&#xA;          Which harmony the Grecian sages name.&amp;quot;&#xA;Let us not forget Aristotle, who held the soul to be that which naturally causes the body to move, which he calls entelechia, with as cold an invention as any of the rest; for he neither speaks of the essence, nor of the original, nor of the nature of the soul, but only takes notice of the effect Lactantius, Seneca, and most of the Dogmatists, have confessed that it was a thing they did not understand; after all this enumeration of opinions, Harum sententiarum quo vera sit, Deus aliquis viderit: &amp;quot;Of these opinions which is the true, let some god determine,&amp;quot; says Cicero. &amp;quot;I know by myself,&amp;quot; says St Bernard, &amp;quot;how incomprehensible God is, seeing I cannot comprehend the parts of my own being.&amp;quot;&#xA;&#xA;Heraclitus, who was of opinion that every being was full of souls and demons, did nevertheless maintain that no one could advance so far towards the knowledge of the soul as ever to arrive at it; so profound was the essence of it.&#xA;&#xA;Neither is there less controversy and debate about seating of it. Hippocrates and Hierophilus place it in the ventricle of the brain; Democritus and Aristotle throughout the whole body;—&#xA;&#xA;&#xA;               Ut bona spe valetudo cum dicitur esse&#xA;           Corporis, et non est tamen hc pars ulla ralentis;&#xA;&#xA;                &amp;quot;As when the body's health they do it call,&#xA;          When of a sound man, that's no part at all.&amp;quot;&#xA;Epicurus in the stomach;&#xA;&#xA;               Hic exsultat enim pavor ac metus;&#xA;          Hc loca circum Ltiti mulcent.&#xA;&#xA;               &amp;quot;For this the seat of horror is and fear,&#xA;          And joys in turn do likewise triumph here.&amp;quot;&#xA;The Stoics, about and within the heart; Erasistratus, adjoining the membrane of the epicranium; Empedocles, in the blood; as also Moses, which was the reason why he interdicted eating the blood of beasts, because the soul is there seated; Galen thought that every part of the body had its soul; Strato has placed it betwixt the eyebrows; Qu facie quidem sit animus, aut ubi habitet, ne quorendum quidem est: &amp;quot;What figure the soul is of, or what part it inhabits, is not to be inquired into,&amp;quot; says Cicero. I very willingly deliver this author to you in his own words; for should I alter eloquence itself? Besides, it were but a poor prize to steal the matter of his inventions; they are neither very frequent, nor of any great weight, and sufficiently known. But the reason why Chrysippus argues it to be about the heart, as all the rest of that sect do, is not to be omitted; &amp;quot;It is,&amp;quot; says he, &amp;quot;because when we would affirm any things we lay our hand upon our breasts; and when we would pronounce y, which signifies I, we let the lower jaw fall towards the stomach.&amp;quot; This place ought not to be passed over without a remark upon the vanity of so great a man; for besides that these considerations are infinitely light in themselves, the last is only a proof to the Greeks that they have their souls lodged in that part. No human judgment is so sprightly and vigilant that it does not sometimes sleep. Why do we fear to say? The Stoics, the fathers of human prudence, think that the soul of a man, crushed under a ruin, long labours and strives to get out, like a mouse caught in a trap, before it can disengage itself from the burden. Some hold that the world was made to give bodies, by way of punishment, to the spirits fallen, by their own fault, from the purity wherein they had been created, the first creation having been incorporeal; and that, according as they are more or less depraved from their spirituality, so are they more or less jocundly or dully incorporated; and that thence proceeds all the variety of so much created matter. But the spirit that for his punishment was invested with the body of the sun must certainly have a very rare and particular measure of change.&#xA;&#xA;The extremities of our perquisition do all fall into astonishment and blindness; as Plutarch says of the testimony of histories, that, according to charts and maps, the utmost bounds of known r countries are taken up with marshes, impenetrable forests, deserts, and uninhabitable places; this is the reason why the most gross and childish ravings were most found in those authors who treat of the most elevated subjects, and proceed the furthest in them, losing themselves in their own curiosity and presumption. The beginning and end of knowledge are equally foolish; observe to what a pitch Plato flies in his poetic clouds; do but take notice there of the gibberish of the gods; but what did he dream of when he defined a man to be &amp;quot;a two-legged animal without feathers: giving those who had a mind to deride him a pleasant occasion; for, having pulled a capon alive, they went about calling it the man of Plato.&amp;quot;&#xA;&#xA;And what did the Epicureans think of, out of what simplicity did they first imagine that their atoms that they said were bodies having some weight, and a natural motion downwards, had made the world; till they were put in mind, by their adversaries, that, according to this description, it was impossible they should unite and join to one another, their fall being so direct and perpendicular, and making so many parallel lines throughout? Wherefore there was a necessity that they should since add a fortuitous and sideways motion, and that they should moreover accoutre their atoms with hooked tails, by which they might unite and cling to one another. And even then do not those that attack them upon this second consideration put them hardly to it? &amp;quot;If the atoms have by chance formed so many sorts of figures, why did it never fall out that they made a house or a shoe? Why at the same rate should we not believe that an infinite number of Greek letters, strewed all over a certain place, might fall into the contexture of the Iliad?&amp;quot;—&amp;quot;Whatever is capable of reason,&amp;quot; says Zeno, &amp;quot;is better than that which is not capable; there is nothing better than the world; the world is therefore capable of reason.&amp;quot; Cotta, by this way of argumentation, makes the world a mathematician; 'and tis also made a musician and an organist by this other argumentation of Zeno: &amp;quot;The whole is more than a part; we are capable of wisdom, and are part of the world; therefore the world is wise.&amp;quot; There are infinite like examples, not only of arguments that are false in themselves, but silly ones, that do not hold in themselves, and that accuse their authors not so much of ignorance as imprudence, in the reproaches the philosophers dash one another in the teeth withal, upon their dissensions in their sects and opinions.&#xA;&#xA;Whoever should bundle up a lusty faggot of the fooleries of human wisdom would produce wonders. I willingly muster up these few for a pattern, by a certain meaning not less profitable to consider than the most sound and moderate instructions. Let us judge by these what opinion we are to have of man, of his sense and reason, when in these great persons that have raised human knowledge so high, so many gross mistakes and manifest errors are to be found.&#xA;&#xA;For my part, I am apt to believe that they have treated of knowledge casually, and like a toy, with both hands; and have contended about reason as of a vain and frivolous instrument, setting on foot all sorts of fancies and inventions, sometimes more sinewy, and sometimes weaker. This same Plato, who defines man as if he were a cock, says elsewhere, after Socrates, &amp;quot;That he does not, in truth, know what man is, and that he is a member of the world the hardest to understand.&amp;quot; By this variety and instability of opinions, they tacitly lead us, as it were by the hand, to this resolution of their irresolution. They profess not always to deliver their opinions barefaced and apparent to us; they have one while disguised them in the fabulous shadows of poetry, and at another in some other vizor; for our imperfection carries this also along with it, that crude meat is not always proper for our stomachs; we must dry, alter, and mix it; they do the same; they sometimes conceal their real opinions and judgments, and falsify them to accommodate themselves to the public use. They will not make an open profession of ignorance, and of the imbecility of human reason, that they may not fright children; but they sufficiently discover it to us under the appearance of a troubled and inconstant science.&#xA;&#xA;I advised a person in Italy, who had a great mind to speak Italian, that provided he only had a desire to make himself understood, without being ambitious in any other respect to excel, that he should only make use of the first word that came to the tongue's end, whether Latin, French, Spanish, or Gascon, and that, by adding the Italian termination, he could not fail of hitting upon some idiom of the country, either Tuscan, Roman, Venetian, Piedmontese, or Neapolitan, and so fall in with some one of those many forms. I say the same of Philosophy; she has so many faces, so much variety, and has said so many things, that all our dreams and ravings are there to be found. Human fancy can conceive nothing good or bad that is not there: Nihil tam absurde did potest, quod non dicatur ab aliquo philosophorum. &amp;quot;Nothing can be said so absurd, that has not been said before by some of the philosophers.&amp;quot; And I am the more willing to expose my whimsies to the public; forasmuch as, though they are spun out of myself, and without any pattern, I know they will be found related to some ancient humour, and some will not stick to say, &amp;quot;See whence he took it!&amp;quot; My manners are natural, I have not called in the assistance of any discipline to erect them; but, weak as they are, when it came into my head to lay them open to the world's view, and that to expose them to the light in a little more decent garb I went to adorn them with reasons and examples, it was a wonder to myself accidentally to find them conformable to so many philosophical discourses and examples. I never knew what regimen my life was of till it was near worn out and spent; a new figure—an unpremeditated and accidental philosopher.&#xA;&#xA;But to return to the soul. Inasmuch as Plato has placed reason in the brain, anger in the heart, and concupiscence in the liver; 'tis likely that it was rather an interpretation of the movements of the soul, than that he intended a division and separation of it, as of a body, into several members. And the most likely of their opinions is that 'tis always a soul, that by its faculty, reasons, remembers, comprehends, judges, desires, and exercises all its other operations by divers instruments of the body; as the pilot guides his ship according to his experience, one while straining or slacking the cordage, one while hoisting the mainyard, or removing the rudder, by one and the same power carrying on several effects; and that it is lodged in the brain; which appears in that the wounds and accidents that touch that part do immediately offend the faculties of the soul; and 'tis not incongruous that it should thence diffuse itself through the other parts of the body&#xA;&#xA;                Medium non deserit unquam&#xA;          Coeli Phoebus iter; radiis tamen omnia lustrt.&#xA;&#xA;                &amp;quot;Phoebus ne'er deviates from the zodiac's way;&#xA;          Yet all things doth illustrate with his ray.&amp;quot;&#xA;As the sun sheds from heaven its light and influence, and fills the world with them:—&#xA;&#xA;               Ctera pars animas, per totum dissita corpus,&#xA;           Paret, et ad numen mentis momenque movetur.&#xA;&#xA;               &amp;quot;The other part o' th' soul diffus'd all o'er&#xA;          The body, does obey the reason's lore.&amp;quot;&#xA;Some have said that there was a general soul, as it were a great body, whence all the particular souls were extracted, and thither again return, always restoring themselves to that universal matter:—&#xA;&#xA;               Deum namque ire per omnes&#xA;          Terrasque, tractusque maris, columque profundum;&#xA;          Hinc pecudes, armenta, viros, genus omne ferarum,&#xA;          Quemque sibi tenues nascentem arcessere vitas:&#xA;          Scilicet hue reddi deinde, ac resoluta referri&#xA;          Omnia; nec morti esse locum:&#xA;&#xA;               &amp;quot;For God goes forth, and spreads throughout the whole&#xA;          Heaven, earth, and sea, the universal soul;&#xA;          Each at its birth, from him all beings share,&#xA;          Both man and brute, the breath of vital air;&#xA;          To him return, and, loos'd from earthly chain,&#xA;          Fly whence they sprung, and rest in God again,&#xA;           Spurn at the grave, and, fearless of decay,&#xA;           Dwell in high heaven, and star th' ethereal way.&amp;quot;&#xA;Others, that they only rejoined and reunited themselves to it; others, that they were produced from the divine substance; others, by the angels of fire and air; others, that they were from all antiquity; and some that they were created at the very point of time the bodies wanted them; others make them to descend from the orb of the moon, and return thither; the generality of the ancients believed that they were begotten from father to son, after a like manner, and produced with all other natural things; taking their argument from the likeness of children to their fathers;&#xA;&#xA;               Instillata patris virtus tibi;&#xA;          Fortes creantur fortibus, et bonis;&#xA;&#xA;               &amp;quot;Thou hast thy father's virtues with his blood:&#xA;          For still the brave spring from the brave and good;&amp;quot;&#xA;and that we see descend from fathers to their children not only bodily marks, but moreover a resemblance of humours, complexions, and inclinations of the soul:—&#xA;&#xA;                Denique cur acris violentia triste leonum&#xA;          Seminium sequitur? dolus vulpibus, et fuga, cervis&#xA;          A patribus datur, et patrius pavor incitt artus?&#xA;          Si non certa suo quia semine seminioque&#xA;          Vis animi pariter crescit cum corpore toto.&#xA;&#xA;               &amp;quot;For why should rage from the fierce lion's seed,&#xA;          Or from the subtle fox's craft, proceed;&#xA;          Or why the tim'rous and flying hart&#xA;          His fear and trembling to his race impart;&#xA;          But that a certain force of mind does grow,&#xA;           And still increases as the bodies do?&amp;quot;&#xA;That thereupon the divine justice is grounded, punishing in the children the faults of their fathers; forasmuch as the contagion of paternal vices is in some sort imprinted in the soul of children, and that the ill government of their will extends to them; moreover, that if souls had any other derivation than a natural consequence, and that they had been some other thins out of the body, they would retain some memory of their first being, the natural faculties that are proper to them of discoursing, reasoning, and remembering, being considered:—&#xA;&#xA;               Si in corpus nascentibus insinuatur,&#xA;          Cur super anteactam tatem meminisse nequimus,&#xA;          Nec vestigia gestarum rerum ulla tenemus?&#xA;&#xA;               &amp;quot;For at our birth if it infused be,&#xA;          Why do we then retain no memory&#xA;          Of our foregoing life, and why no more&#xA;          Remember any thing we did before?&amp;quot;&#xA;for, to make the condition of our souls such as we would have it to be, we must suppose them all-knowing, even in their natural simplicity and purity; by these means they had been such, being free from the prison of the body, as well before they entered into it, as we hope they shall be after they are gone out of it; and from this knowledge it should follow that they should remember, being got in the body, as Plato said, &amp;quot;That what we learn is no other than a remembrance of what we knew before;&amp;quot; a thing which every one by experience may maintain to be false. Forasmuch, in the first place, as that we do not justly remember any thing but what we have been taught, and that if the memory did purely perform its office it would at least suggest to us something more than what we have learned. Secondly, that which she knew being in her purity, was a true knowledge, knowing things as they are by her divine intelligence; whereas here we make her receive falsehood and vice when we instruct her; wherein she cannot employ her reminiscence, that image and conception having never been planted in her. To say that the corporal prison does in such sort suffocate her natural faculties, that they are there utterly extinct, is first contrary to this other belief of acknowledging her power to be so great, and the operations of it that men sensibly perceive in this life so admirable, as to have thereby concluded that divinity and eternity past, and the immortality to come:—&#xA;&#xA;               Nam si tantopere est anirai mutata potestas,&#xA;          Omnia ut actarum exciderit retinentia rerum,&#xA;          Non, ut opinor, ea ab letho jam longior errat.&#xA;&#xA;               &amp;quot;For if the mind be changed to that degree&#xA;          As of past things to lose all memory,&#xA;          So great a change as that, I must confess,&#xA;          Appears to me than death but little less.&amp;quot;&#xA;Furthermore, 'tis here with us, and not elsewhere, that the force and effects of the soul ought to be considered; all the rest of her perfections are vain and useless to her; 'tis by her present condition that all her immortality is to be rewarded and paid, and of the life of man only that she is to render an account It had been injustice to have stripped her of her means and powers; to have disarmed her in order, in the time of her captivity and imprisonment in the flesh, of her weakness and infirmity in the time wherein she was forced and compelled, to pass an infinite and perpetual sentence and condemnation, and to insist upon the consideration of so short a time, peradventure but an hour or two, or at the most but a century, which has no more proportion with infinity than an instant; in this momentary interval to ordain and definitively to determine of her whole being; it were an unreasonable disproportion, too, to assign an eternal recompense in consequence of so short a life. Plato, to defend himself from this inconvenience, will have future payments limited to the term of a hundred years, relatively to human duration; and of us ourselves there are enough who have given them temporal limits. By this they judged that the generation of the soul followed the common condition of human things, as also her life, according to the opinion of Epicurus and Democritus, which has been the most received; in consequence of these fine appearances that they saw it bom, and that, according as the body grew more capable, they saw it increase in vigour as the other did; that its feebleness in infancy was very manifest, and in time its better strength and maturity, and after that its declension and old age, and at last its decrepitude:—&#xA;&#xA;               Gigni pariter cum corpore, et una&#xA;          Crescere sentimus, pariterque senescere mentem.&#xA;&#xA;               &amp;quot;Souls with the bodies to be born we may&#xA;          Discern, with them t' increase, with them decay.&amp;quot;&#xA;They perceived it to be capable of divers passions, and agitated with divers painful motions, whence it fell into lassitude and uneasiness; capable of alteration and change, of cheerfulness, of stupidity and languor, and subject to diseases and injuries, as the stomach or the foot;&#xA;&#xA;               Mentem sanari, corpus ut grum,&#xA;            Ceraimus, et flecti medicin posse videmus;&#xA;&#xA;                &amp;quot;Sick minds, as well as bodies, we do see&#xA;           By Med'cine's virtue oft restored to be;&amp;quot;&#xA;dazzled and intoxicated with the fumes of wine, jostled from her seat by the vapours of a burning fever, laid asleep by the application of some medicaments, and roused by others,—&#xA;&#xA;               Corpoream naturam animi esse necesse est,&#xA;           Corporeis quoniam telis ictuque laborat;&#xA;&#xA;               &amp;quot;There must be of necessity, we find,&#xA;          A nature that's corporeal of the mind,&#xA;          Because we evidently see it smarts&#xA;            And wounded is with shafts the body darts;&amp;quot;&#xA;they saw it astonished and overthrown in all its faculties through the mere bite of a mad dog, and in that condition to have no stability of reason, no sufficiency, no virtue, no philosophical resolution, no resistance that could exempt it from the subjection of such accidents; the slaver of a contemptible cur shed upon the hand of Socrates, to shake all his wisdom and all his great and regulated imaginations, and so to annihilate them, ad that there remained no trace of his former knowledge,—&#xA;&#xA;               Vis.... animal Conturbatur, et.... divisa seorsum&#xA;          Disjectatur, eodem illo distracta veneno;&#xA;&#xA;               &amp;quot;The power of the soul's disturbed; and when&#xA;          That once is but sequestered from her, then&#xA;           By the same poison 'tis dispersed abroad;&amp;quot;&#xA;and this poison to find no more resistance in that great soul than in an infant of four years old; a poison sufficient to make all philosophy, if it were incarnate, become furious and mad; insomuch that Cato, who ever disdained death and fortune, could not endure the sight of a looking-glass, or of water, overwhelmed with horror and affright at the thought of falling, by the contagion of a mad dog, into the disease called by physicians hydrophobia:—&#xA;&#xA;              Vis morbi distracta per artus&#xA;          Turbat agens animam, spumantes quore salso&#xA;         Ventorum ut validis fervescunt viribus und.&#xA;&#xA;              &amp;quot;Throughout the limbs diffused, the fierce disease&#xA;         Disturbs the soul, as in the briny seas,&#xA;         The foaming waves to swell and boil we see,&#xA;          Stirred by the wind's impetuosity.&amp;quot;&#xA;Now, as to this particular, philosophy has sufficiently armed man to encounter all other accidents either with patience, or, if the search of that costs too dear, by an infallible defeat, in totally depriving himself of all sentiment; but these are expedients that are only of use to a soul being itself, and in its full power, capable of reason and deliberation; but not at all proper for this inconvenience, where, in a philosopher, the soul becomes the soul of a madman, troubled, overturned, and lost; which many occasions may produce, as a too vehement agitation that any violent passion of the soul may beget in itself; or a wound in a certain part of the person, or vapours from the stomach, any of which may stupefy the understanding and turn the brain.&#xA;&#xA;                Morbis in corporis avius errat&#xA;          Spe animus; dementit enim, deliraque fatur;&#xA;          Interdumque gravi lethargo fertur in altum&#xA;         ternumque soporem, oculis mi tuque cadenti:&#xA;&#xA;         &amp;quot;For when the body's sick, and ill at ease,&#xA;         The mind doth often share in the disease;&#xA;          Wonders, grows wild, and raves, and sometimes by&#xA;         A heavy and a stupid lethargy,&#xA;         Is overcome and cast into a deep,&#xA;         A most profound and everlasting sleep.&amp;quot;&#xA;The philosophers, methinks, have not much touched this string, no more than another of equal importance; they have this dilemma continually in their mouths, to console our mortal condition: &amp;quot;The soul is either mortal or immortal; if mortal, it will suffer no pain; if immortal, it will change for the better.&amp;quot;—They never touch the other branch, &amp;quot;What if she change for the worse?&amp;quot; and leave to the poets the menaces of future torments. But thereby they make themselves a good game. These are two omissions that I often meet with in their discourses. I return to the first.&#xA;&#xA;This soul loses the use of the sovereign stoical good, so constant and so firm. Our fine human wisdom must here yield, and give up her arms. As to the rest, they also considered, by the vanity of human reason, that the mixture and association of two so contrary things as the mortal and the immortal, was unimaginable:—&#xA;&#xA;              Quippe etenim mortale terao jungere, et una&#xA;         Consentire putare, et fungi mutua posse,&#xA;         Desipere est. Quid enim diversius esse putandum est,&#xA;         Aut magis inter se disjunctum discrepitansque,&#xA;         Quam, mortale quod est, immortali atque perenni&#xA;          Junctum, in concilio, svas tolerare procellas?&#xA;&#xA;               &amp;quot;The mortal and th' eternal, then, to blend,&#xA;         And think they can pursue one common end,&#xA;         Is madness: for what things more diff'rent are.&#xA;         Distinct in nature, and disposed to jar?&#xA;         How can it then be thought that these should bear,&#xA;         When thus conjoined, of harms an equal share?&amp;quot;&#xA;Moreover, they perceived the soul tending towards death as well as the body:—&#xA;&#xA;         Simul ovo fessa fatiscit:&#xA;&#xA;         &amp;quot;Fatigued together with the weight of years:&amp;quot;&#xA;which, according to Zeno, the image of sleep does sufficiently demonstrate to us; for he looks upon it &amp;quot;as a fainting and fall of the soul, as well as of the body:&amp;quot; Contrahi animum et quasi labi putat atque decidere: and, what they perceived in some, that the soul maintained its force and vigour to the last gasp of life, they attributed to the variety of diseases, as it is observable in men at the last extremity, that some retain one sense, and some another; one the hearing, and another the smell, without any manner of defect or alteration; and that there is not so universal a deprivation that some parts do not remain vigorous and entire:—&#xA;&#xA;              Non alio pacto, quam si, pes cum dolet gri,&#xA;         In nullo caput interea sit forte dolore.&#xA;&#xA;              &amp;quot;So, often of the gout a man complains,&#xA;         Whose head is, at the same time, free from pains.&amp;quot;&#xA;The sight of our judgment is, to truth, the same that the owl's eyes are to the splendour of the sun, says Aristotle. By what can we better convince him, than by so gross blindness in so apparent a light? For the contrary opinion of the immortality of the soul, which, Cicero says, was first introduced, according to the testimony of books at least, by Pherecydes&#xA;&#xA;Syrius, in the time of King Tullus (though some attribute it to Thales, and others to others), 'tis the part of human science that is treated of with the greatest doubt and&#xA;&#xA;reservation. The most positive dogmatists are fain, in this point principally, to fly to the refuge of the Academy. No one doubts what Aristotle has established upon this subject, no more than all the ancients in general, who handle it with a wavering belief: Rem gratissimam promittentium magis quam probantium: &amp;quot;A thing more acceptable in the promisors than the provers.&amp;quot; He conceals himself in clouds of words of difficult, unintelligible sense, and has left to those of his sect as great a dispute about his judgment as about the matter itself.&#xA;&#xA;Two things rendered this opinion plausible to them; one, that, without the immortality of souls, there would be nothing whereon to ground the vain hopes of glory, which is a consideration of wonderful&#xA;&#xA;repute in the world; the other, that it is a very profitable impression, as Plato says, that vices, when they escape the discovery and cognizance of human justice, are still within the reach of the divine, which will pursue them even after the death of the guilty. Man is excessively solicitous to prolong his being, and has to the utmost of his power provided for it; there are monuments for the conservation of the body, and glory to preserve the name. He has employed all his wit and opinion to the rebuilding of himself, impatient of his fortune, and to prop himself by his inventions. The soul, by reason of its anxiety and impotence, being unable to stand by itself, wanders up and down to seek out consolations, hopes, and foundations, and alien circumstances, to which she adheres and fixes; and how light or fantastic soever invention delivers them to her, relies more willingly, and with greater assurance, upon them than upon herself. But 'tis wonderful to observe how the most constant and obstinate maintainers of this just and clear persuasion of the immortality of the soul fall short, and how weak their arguments are, when they go about to prove it by human reason: Somnia sunt non docentis, sed optantis: &amp;quot;They are dreams, not of the teacher, but wisher,&amp;quot; says one of the ancients. By which testimony man may know that he owes the truth he himself finds out to fortune and accident; since that even then, when it is fallen into his hand, he has not wherewith to hold and maintain it, and that his reason has not force to make use of it. All things produced by our own meditation and understanding, whether true or false, are subject to incertitude and controversy. 'Twas for the chastisement of our pride, and for the instruction of our miserable condition and incapacity, that God wrought the perplexity and confusion of the tower of Babel. Whatever we undertake without his assistance, whatever we see without the lamp of his grace, is but vanity and folly. We corrupt the very essence of truth, which is uniform and constant, by our weakness, when fortune puts it into our possession. What course soever man takes of himself, God still permits it to come to the same confusion, the image whereof he so lively represents to us in the just chastisement wherewith he crushed Nimrod's presumption, and frustrated the vain attempt of his proud structure; Perdam sapientiam sapientium, et prudentiam prudentium reprobabo. &amp;quot;I will destroy the wisdom of the wise, and will bring to nothing the understanding of the prudent.&amp;quot; The diversity of idioms and tongues, with which he disturbed this work, what are they other than this infinite and perpetual alteration and discordance of opinions and reasons, which accompany and confound the vain building of human wisdom, and to very good effect too; for what would hold us, if we had but the least grain of knowledge? This saint has very much obliged me: Ipsa veritatis occultatio ant humili-tatis exercitatio est, aut elationis attritio &amp;quot;The very concealment of the truth is either an exercise of humility or a quelling of presumption.&amp;quot; To what a pitch of presumption and insolence do we raise our blindness and folly!&#xA;&#xA;But to return to my subject. It was truly very good reason that we should be beholden to God only, and to the favour of his grace, for the truth of so noble a belief, since from his sole bounty we receive the fruit of immortality, which consists in the enjoyment of eternal beatitude. Let us ingenuously confess that God alone has dictated it to us, and faith; for 'tis no lesson of nature and our own reason. And whoever will inquire into his own being and power, both within and without, without this divine privilege; whoever shall consider man impartially, and without flattery, will see in him no efficacy or faculty that relishes of any thing but death and earth. The more we give and confess to owe and render to God, we do it with the greater Christianity. That which this Stoic philosopher says he holds from the fortuitous consent of the popular voice; had it not been better that he had held it from God? Cum de animarum otemitate disserimus, non leve momentum apud nos habet consensus hominum aut timentium inferos, aut colentium. Utor hc public persuasione. &amp;quot;When we discourse of the immortality of souls, the consent of men that either fear or adore the infernal powers, is of no small advantage. I make use of this public persuasion.&amp;quot; Now the weakness of human arguments upon this subject is particularly manifested by the fabulous circumstances they have superadded as consequences of this opinion, to find out of what condition this immortality of ours was. Let us omit the Stoics, (usuram nobis largiuntur tanquam cornicibus; diu mansuros aiunt animos; semper, negant. &amp;quot;They give us a long life, as also they do to crows; they say our soul shall continue long, but that it shall continue always they deny,&amp;quot;) who give to souls a life after this, but finite. The most universal and received fancy, and that continues down to our times in various places, is that of which they make Pythagoras the author; not that he was the original inventor, but because it received a great deal of weight and repute by the authority of his approbation: &amp;quot;That souls, at their departure out of us, did nothing but shift from one body to another, from a lion to a horse, from a horse to a king, continually travelling at this rate from habitation to habitation;&amp;quot; and he himself said that he remembered he had been tha-lides, since that Euphorbus, afterwards Hermotimus, and, finally, from Pyrrhus was passed into Pythagoras; having a memory of himself of two hundred and six years. And some have added that these very souls sometimes mount up to heaven, and come down again:—&#xA;&#xA;              O pater, aime aliquas ad colum hinc ire putandum est&#xA;         Sublimes animas, iterumque ad tarda reverti&#xA;          Corpora? Qu lucis miseris tam dira cupido?&#xA;&#xA;                &amp;quot;O, father, is it then to be conceiv'd&#xA;         That any of these spirits, so sublime,&#xA;         Should hence to the celestial regions climb,&#xA;          And thence return to earth to reassume&#xA;          Their sluggish bodies rotting in a tomb?&#xA;          For wretched life whence does such fondness come?&amp;quot;&#xA;Origen makes them eternally to go and come from a better to a worse estate. The opinion that Varro mentions is that, after four hundred and forty years' revolution, they should be reunited to their first bodies; Chrysippus held that this would happen after a certain space of time unknown and unlimited. Plato, who professes to have embraced this belief from Pindar and the ancient poets, that we are to undergo infinite vicissitudes of mutation, for which the soul is prepared, having neither punishment nor reward in the other world but what is temporal, as its life here is but temporal, concludes that it has a singular knowledge of the affairs of heaven, of hell, of the world, through all which it has passed, repassed, and made stay in several voyages, are matters for her memory. Observe her progress elsewhere: &amp;quot;The soul that has lived well is reunited to the stars to which it is assigned; that which has lived ill removes into a woman, and if it do not there reform, is again removed into a beast of condition suitable to its vicious manners, and shall see no end of its punishments till it be returned to its natural constitution, and that it has, by the force of reason, purged itself from those gross, stupid, and elementary qualities it was polluted with.&amp;quot; But I will not omit the objection the Epicureans make against this transmigration from one body to another; 'tis a pleasant one; they ask what expedient would be found out if the number of the dying should chance to be greater than that of those who are coming into the world. For the souls, turned out of their old habitation, would scuffle and crowd which should first get possession of their new lodging; and they further demand how they shall pass away their time, whilst waiting till new quarters are made ready for them? Or, on the contrary, if more animals should be born than die, the body, they say, would be but in an ill condition whilst waiting for a soul to be infused into it; and it would fall out that some bodies would die before they had been alive.&#xA;&#xA;              Denique comrabia ad Veneris, partusque ferarum&#xA;         Esse animas prsto, deridiculum esse videtur;&#xA;         Et spectare immortales mortalia membra&#xA;         Innumero numro, certareque prproperanter&#xA;          Inter se, qu prima potissimaq insinueter.&#xA;&#xA;              &amp;quot;Absurd to think that whilst wild beasts beget,&#xA;         Or bear their young, a thousand souls do wait,&#xA;         Expect the falling body, fight and strive&#xA;         Which first shall enter in and make it live.&amp;quot;&#xA;Others have arrested the soul in the body of the deceased, with it to animate serpents, worms, and other beasts, which are said to be bred out of the corruption of our members, and even out of our ashes; others divide them into two parts, the one mortal, the other immortal; others make it corporeal, and nevertheless immortal. Some make it immortal, without&#xA;sense or knowledge. There are others, even among ourselves, who have believed that devils were made of the souls of the damned; as Plutarch thinks that gods were made of those that were saved; for there are few things which that author is so positive in as he is in this; maintaining elsewhere a doubtful and ambiguous way of expression. &amp;quot;We are told,&amp;quot; says he, &amp;quot;and steadfastly should believe, that the souls of virtuous men, both according to nature and the divine justice, become saints, and from saints demigods, and from demigods, after they are perfectly, as in sacrifices of purgation, cleansed and purified, being delivered from all passibility and all mortality, they become, not by any civil decree, but in real truth, and according to all probability of reason, entire and perfect gods, in receiving a most happy and glorious end.&amp;quot; But who desires to see him—him, who is yet the most sober and moderate of the whole gang of philosophers, lay about him with greater boldness, and relate his miracles upon this subject, I refer him to his treatise of the Moon, and of the Demon of Socrates, where he may, as evidently as in any other place whatever, satisfy himself that the mysteries of philosophy have many strange things in common with those of poetry; human understanding losing itself in attempting to sound and search all things to the bottom; even as we, tired and worn out with a long course of life, return to infancy and dotage. See here the fine and certain instructions which we extract from human knowledge concerning the soul.&#xA;&#xA;Neither is there less temerity in what they teach us touching our corporal parts. Let us choose out one or two examples; for otherwise we should lose ourselves in this vast and troubled ocean of medical errors. Let us first know whether, at least, they agree about the matter whereof men produce one another; for as to their first production it is no wonder if, in a thing so high and so long since past, human understanding finds itself puzzled and perplexed. Archelaus, the physician, whose disciple and favourite Socrates was, according to Aristoxenus, said that both men and beasts were made of a lacteous slime, expressed by the heat of the earth; Pythagoras says that our seed is the foam or cream of our better blood; Plato, that it is the distillation of the marrow of the backbone; raising his argument from this, that that part is first sensible of being weary of the work; Alcmeon, that it is part of the substance of the brain, and that it is so, says he, is proved by the weakness of the eyes in those who are immoderate in that exercise; Democritus, that it is a substance extracted from the whole mass of the body; Epicurus, an extract from soul and body; Aristotle, an excrement drawn from the aliment of the blood, the last which is diffused over our members; others, that it is a blood concocted and digested by the heat of the genitals, which they judge, by reason that in excessive endeavours a man voids pure blood; wherein there seems to be more likelihood, could a man extract any appearance from so infinite a confusion. Now, to bring this seed to do its work, how many contrary opinions do they set on foot? Aristotle and Democritus are of opinion that women have no sperm, and that 'tis nothing but a sweat that they distil in the heat of pleasure and motion, and that contributes nothing at all to generation. Galen, on the contrary, and his followers, believe that without the concurrence of seeds there can be no generation. Here are the physicians, the philosophers, the lawyers, and divines, by the ears with our wives about the dispute, &amp;quot;For what term women carry their fruit?&amp;quot; and I, for my part, by the example of myself, stick with those that maintain a woman goes eleven months with child. The world is built upon this experience; there is no so commonplace a woman that cannot give her judgment in all these controversies; and yet we cannot agree.&#xA;&#xA;Here is enough to verify that man is no better instructed in the knowledge of himself, in his corporal than in his spiritual part We have proposed himself to himself, and his reason to his reason, to see what she could say. I think I have sufficiently demonstrated how little she understands herself in herself; and who understands not himself in himself, in what can he? Quasi vero mensuram ullius rei possit agere, qui sui nesciat. &amp;quot;As if he could understand the measure of any other thing, that knows not his own.&amp;quot; In earnest, Protagoras told us a pretty flam in making man the measure of all things, that never knew so much as his own; and if it be not he, his dignity will not permit that any other creature should have this advantage; now he being so contrary in himself, and one judgment so incessantly subverting another, this favourable proposition was but a mockery, which induced us necessarily to conclude the nullity of the compass and the compasser. When Thales reputes the knowledge of man very difficult for man to comprehend, he at the same time gives him to understand that all other knowledge is impossible.&#xA;&#xA;You,* for whom I have taken the pains, contrary to my custom, to write so long a discourse, will not refuse to support your Sebond by the ordinary forms of arguing, wherewith you are every day instructed, and in this will exercise both your wit and learning; for this last fencing trick is never to be made use of but as an extreme remedy; 'tis a desperate thrust, wherein you are to quit your own arms to make your adversary abandon his; and a secret sleight, which must be very rarely, and then very reservedly, put in practice. 'Tis great temerity to lose yourself that you may destroy another; you must not die to be revenged, as Gobrias did; for, being closely grappled in combat with a lord of Persia, Darius coming in sword in hand, and fearing to strike lest he should kill Gobrias, he called out to him boldly to fall on,&#xA;&#xA;         * The author, as we have already mentioned, is addressing&#xA;          Margaret de Valois.&#xA;though he should run them both through at once. I have known desperate weapons, and conditions of single combat, and wherein he that offered them put himself and his adversary upon terms of inevitable death to them both, censured for unjust. The Portuguese, in the Indian Sea, took certain Turks prisoners, who, impatient of their captivity, resolved, and it succeeded, by striking the nails of the ship one against another, and making a spark to fall into the barrels of powder that were set in the place where they were guarded, to blow up and reduce themselves, their masters, and the vessel to ashes. We here touch the out-plate and utmost limits of sciences, wherein the extremity is vicious, as in virtue. Keep yourselves in the common road; it is not good to be so subtle and cunning. Remember the Tuscan proverb:—&#xA;&#xA;          Chi troppo s'assottiglia, si scavezza.&#xA;&#xA;         &amp;quot;Who makes himself too wise, becomes a fool.&amp;quot;&#xA;I advise you that, in all your opinions and discourses, as well as in your manners and all other things, you keep yourself moderate and temperate, and avoid novelty; I am an enemy to all extravagant ways. You, who by the authority of your grandeur, and yet more by the advantages which those qualities give you that are more your own, may with the twinkle of an eye command whom you please, ought to have given this charge to some one who made profession of letters, who might after a better manner have proved and illustrated these things to you. But here is as much as you will stand in need of.&#xA;&#xA;Epicurus said of the laws, &amp;quot;That the worst were so necessary for us that without them men would devour one another.&amp;quot; And Plato affirms, &amp;quot;That without laws we should live like beasts.&amp;quot; Our wit is a wandering, dangerous, and temerarious utensil; it is hard to couple any order or measure to it; in those of our own time, who are endued with any rare excellence above others, or any extraordinary vivacity of understanding, we see them almost all lash out into licentiousness of opinions and manners; and 'tis almost a miracle to find one temperate and sociable. 'Tis all the reason in the world to limit human wit within the strictest limits imaginable; in study, as in all the rest, we ought to have its steps and advances numbered and fixed, and that the limits of its inquisition be bounded by art. It is curbed and fettered by religions, laws, customs, sciences, precepts, mortal and immortal penalties. And yet we see that it escapes from all these bonds by its volubility and dissolution; *tis a vain body which has nothing to lay hold on or to seize; a various and difform body, incapable of being either bound or held. In earnest, there are few souls so regular, firm, and well descended, as are to be trusted with their own conduct, and that can with moderation, and without temerity, sail in the liberty of their own judgments, beyond the common and received opinions; *tis more expedient to put them under pupilage. Wit is a dangerous weapon, even to the possessor, if he knows not how to use it discreetly; and there is not a beast to whom a headboard is more justly to be given, to keep his looks down and before his feet, and to hinder him from wandering here and there out of the tracks which custom and the laws have laid before him. And therefore it will be better for you to keep yourself in the beaten path, let it be what it will, than to fly out at a venture with this unbridled liberty. But if any of these new doctors will pretend to be ingenious in your presence, at the expense both of your soul and his own, to avoid this dangerous plague, which is every day laid in your way to infect you, this preservative, in the extremest necessity, will prevent the danger and hinder the contagion of this poison from offending either you or your company.&#xA;&#xA;The liberty, then, and frolic forwardness of these ancient wits produced in philosophy and human sciences several sects of different opinions, every one undertaking to judge and make choice of what he would stick to and maintain. But now that men go all one way, Qui certis quibusdam destinatisque sententiis addicti et consecrati sunt, ut etiam, qu non probant, cogantur defendere, &amp;quot;Who are so tied and obliged to certain opinions that they are bound to defend even those they do not approve,&amp;quot; and that we receive the arts by civil authority and decree, so that the schools have but one pattern, and a like circumscribed institution and discipline, we no more take notice what the coin weighs, and is really worth, but every one receives it according to the estimate that common approbation and use puts upon it; the alloy is not questioned, but how much it is current for. In like manner all things pass; we take physic as we do geometry; and tricks of hocus-pocus, enchantments, and love-spells, the correspondence of the souls of the dead, prognostications, domifications, and even this ridiculous pursuit of the philosophers' stone, all things pass for current pay, without any manner of scruple or contradiction. We need to know no more but that Mars' house is in the middle of the triangle of the hand, that of Venus in the thumb, and that of Mercury in the little finger; that when the table-line cuts the tubercle of the forefinger 'tis a sign of cruelty, that when it falls short of the middle finger, and that the natural median-line makes an angle with the vital in the same side, 'tis a sign of a miserable death; that if in a woman the natural line be open, and does not close the angle with the vital, this denotes that she shall not be very chaste. I leave you to judge whether a man qualified with such knowledge may not pass with reputation and esteem in all companies.&#xA;&#xA;Theophrastus said that human knowledge, guided by the senses, might judge of the causes of things to a certain degree; but that being arrived to first and extreme causes, it must stop short and retire, by reason either of its own infirmity or the difficulty of things. 'Tis a moderate and gentle opinion, that our own understandings may conduct us to the knowledge of some things, and that it has certain measures of power, beyond which 'tis temerity to employ it; this opinion is plausible, and introduced by men of well composed minds, but 'tis hard to limit our wit, which is curious and greedy, and will no more stop at a thousand than at fifty paces; having experimentally found that, wherein one has failed, the other has hit, and that what was unknown to one age, the age following has explained; and that arts and sciences are not cast in a mould, but are formed and perfected by degrees, by often handling and polishing, as bears leisurely lick their cubs into form; what my force cannot discover, I do not yet desist to sound and to try; and by handling and kneading this new matter over and over again, by turning and heating it, I lay open to him that shall succeed me, a kind of facility to enjoy it more at his ease, and make it more maniable and supple for him,&#xA;&#xA;               Ut hymettia sole&#xA;         Cera remollescit, tractataque poll ice multas&#xA;          Vertitur in facies, ipsoque fit utilis usu;&#xA;&#xA;              &amp;quot;As wax doth softer in the sun become,&#xA;          And, tempered 'twixt the finger and the thumb,&#xA;         Will varions forms, and several shapes admit,&#xA;         Till for the present use 'tis rendered fit;&amp;quot;&#xA;as much will the second do for the third; which is the cause that the difficulty ought not to make me despair, and my own incapacity as little; for 'tis nothing but my own.&#xA;&#xA;Man is as capable of all things as of some; and if he confesses, as Theophrastus says, the ignorance of first causes, let him at once surrender all the rest of his knowledge; if he is defective in foundation, his reason is aground; disputation and inquiry have no other aim nor stop but principles; if this aim do not stop his career, he runs into an infinite irresolution. Non potest aliud alio magis minusve comprehendi, quoniam omnium rerum una est dejinitio comprehendendi:&#xA;&#xA;&amp;quot;One thing can no more or less be comprehended than another, because the definition of comprehending all things is the same.&amp;quot; Now 'tis very likely that, if the soul knew any thing, it would in the first place know itself; and if it knew any thing out of itself, it would be its own body and case, before any thing else. If we see the gods of physic to this very day debating about our anatomy,&#xA;&#xA;         Mulciber in Trojam, pro Troj stabat Apollo;&#xA;&#xA;         &amp;quot;Vulcan against, for Troy Apollo stood;&amp;quot;&#xA;when are we to expect that they will be agreed? We are nearer neighbours to ourselves than whiteness to snow, or weight to stones. If man do not know himself, how should he know his force and functions? It is not, perhaps, that we have not some real knowledge in us; but 'tis by chance; forasmuch as errors are received into our soul by the same way, after the same manner, and by the same conduct, it has not wherewithal to distinguish them, nor wherewithal to choose the truth from falsehood.&#xA;&#xA;The Academics admitted a certain partiality of judgment, and thought it too crude to say that it was not more likely to say that snow was white than black; and that we were no more assured of the motion of a stone, thrown by the hand, than of that of the eighth sphere. And to avoid this difficulty and strangeness, that can in truth hardly lodge in our imagination, though they concluded that we were in no sort capable of knowledge, and that truth is engulfed in so profound an abyss as is not to be penetrated by human sight; yet they acknowledged some things to be more likely than others, and received into their judgment this faculty, that they had a power to incline to one appearance more than another, they allowed him this propension, interdicting all resolution. The Pyrrhonian opinion is more bold, and also somewhat more likely; for this academic inclination, and this propension to one proposition rather than another, what is it other than a recognition of some more apparent truth in this than in that? If our understanding be capable of the form, lineaments, port, and face of truth, it might as well see it entire as by halves, springing and imperfect This appearance of likelihood, which makes them rather take the left hand than the right, augments it; multiply this ounce of verisimilitude that turns the scales to a hundred, to a thousand, ounces; it will happen in the end that the balance will itself end the controversy, and determine one choice, one entire truth. But why do they suffer themselves to incline to and be swayed by verisimilitude, if they know not the truth? How should they know the similitude of that whereof they do not know the essence? Either we can absolutely judge, or absolutely we cannot If our intellectual and sensible faculties are without foot or foundation, if they only pull and drive, 'tis to no purpose that we suffer our judgments to be carried away with any part of their operation, what appearance soever they may seem to present us; and the surest and most happy seat of our understanding would be that where it kept itself temperate, upright, and inflexible, without tottering, or without agitation: Inter visa, vera aut falsa, ad animi assensum, nihil interest: &amp;quot;Amongst things that seem, whether true or false, it signifies nothing to the assent of the mind.&amp;quot; That things do not lodge in us in their form and essence, and do not there make their entry by their own force and authority, we sufficiently see; because, if it were so, we should receive them after the same manner; wine would have the same relish with the sick as with the healthful; he who has his finger chapt or benumbed would find the same hardness in wood or iron that he handles that another does; foreign subjects then surrender themselves to our mercy, and are seated in us as we please. Now if on our part we received any thing without alteration, if human grasp were capable and strong enough to seize on truth by our own means, these means being common to all men, this truth would be conveyed from hand to hand, from one to another; and at least there would be some one thing to be found in the world, amongst so many as there are, that would be believed by men with an universal consent; but this, that there is no one proposition that is not debated and controverted amongst us, or that may not be, makes it very manifest that our natural judgment does not very clearly discern what it embraces; for my judgment cannot make my companions approve of what it approves; which is a sign that I seized it by some other means than by a natural power that is in me and in all other men.&#xA;&#xA;Let us lay aside this infinite confusion of opinions, which we see even amongst the philosophers themselves, and this perpetual and universal dispute about the knowledge of things; for this is truly presupposed, that men, I mean the most knowing, the best bom, and of the best parts, are not agreed about any one thing, not that heaven is over our heads; for they that doubt of every thing, do also doubt of that; and they who deny that we are able to comprehend any thing, say that we have not comprehended that the heaven is over our heads, and these two opinions are, without comparison, the stronger in number.&#xA;&#xA;Besides this infinite diversity and division, through the trouble that our judgment gives ourselves, and the incertainty that every one is sensible of in himself, 'tis easy to perceive that its seat is very unstable and insecure. How variously do we judge of things?—How often do we alter our opinions? What I hold and believe to-day I hold and believe with my whole belief; all my instruments and engines seize and take hold of this opinion, and become responsible to me for it, at least as much as in them lies; I could not embrace nor conserve any truth with greater confidence and assurance than I do this; I am wholly and entirely possessed with it; but has it not befallen me, not only once, but a hundred, a thousand times, every day, to have embraced some other thing with all the same instruments, and in the same condition, which I have since judged to be false? A man must at least become wise at his own expense; if I have often found myself betrayed under this colour; if my touch proves commonly false, and my balance unequal and unjust, what assurance can I now have more than at other times? Is it not stupidity and madness to suffer myself to be so often deceived by my guide? Nevertheless, let fortune remove and shift us five hundred times from place to place, let her do nothing but incessantly empty and fill into our belief, as into a vessel, other and other opinions; yet still the present and the last is the certain and infallible one; for this we must abandon goods, honour, life, health, and all.&#xA;&#xA;    Posterior.... res ilia reperta&#xA;         Perdit, et immutat sensus ad pristina qnqne.&#xA;&#xA;         &amp;quot;The last things we find out are always best,&#xA;          And make us to disrelish all the rest.&amp;quot;&#xA;Whatever is preached to us, and whatever we learn, we should still remember that it is man that gives and man that receives; 'tis a mortal hand that presents it to us; 'tis a mortal hand that accepts it The things that come to us from heaven have the sole right and authority of persuasion, the sole mark of truth; which also we do not see with our own eyes, nor receive by our own means; that great and sacred image could not abide in so wretched a habitation if God for this end did not prepare it, if God did not by his particular and supernatural grace and favour fortify and reform it. At least our frail and defective condition ought to make us behave ourselves with more reservedness and moderation in our innovations and changes; we ought to remember that, whatever we receive into the understanding, we often receive things that are false, and that it is by the same instruments that so often give themselves the lie and are so often deceived.&#xA;&#xA;Now it is no wonder they should so often contradict themselves, being so easy to be turned and swayed by very light occurrences. It is certain that our apprehensions, our judgment, and the faculties of the soul in general, suffer according to the movements and alterations of the body, which alterations are continual. Are not our minds more sprightly, ou memories more prompt and quick, and our thoughts more lively, in health than in sickness? Do not joy and gayety make us receive subjects that present themselves to our souls quite otherwise than care and melancholy? Do you believe that Catullus's verses, or those of Sappho, please an old doting miser as they do a vigorous, amorous young man? Cleomenes, the son of Anexandridas, being sick, his friends reproached him that he had humours and whimsies that were new and unaccustomed; &amp;quot;I believe it,&amp;quot; said he; &amp;quot;neither am I the same man now as when I am in health; being now another person, my opinions and fancies are also other than they were before.&amp;quot; In our courts of justice this word is much in use, which is spoken of criminals when they find the judges in a good humour, gentle, and mild, Gaudeat de bon fortun ; &amp;quot;Let him rejoice in his good fortune;&amp;quot; for it is most certain that men's judgments are sometimes more prone to condemnation, more sharp and severe, and at others more facile, easy, and inclined to excuse; he that carries with him from his house the pain of the gout, jealousy, or theft by his man, having his whole soul possessed with anger, it is not to be doubted but that his judgment will lean this way. That venerable senate of the Areopagites used to hear and determine by night, for fear lest the sight of the parties might corrupt their justice. The very air itself, and the serenity of heaven, will cause some mutation in us, according to these verses in Cicero:—&#xA;&#xA;              Tales sunt hominnm mentes, quali pater ipse&#xA;         Jupiter auctifer lustravit lampade terras.&#xA;&#xA;              &amp;quot;Men's minds are influenc'd by th' external air,&#xA;         Dark or serene, as days are foul or fair.&amp;quot;&#xA;'Tis not only fevers, debauches, and great accidents, that overthrow our judgments,—the least things in the world will do it; and we are not to doubt, though we may not be sensible of it, that if a continued fever can overwhelm the soul, a tertian will in some proportionate measure alter it; if an apoplexy can stupefy and totally extinguish the sight of our understanding, we are not to doubt but that a great cold will dazzle it; and consequently there is hardly one single hour in a man's whole life wherein our judgment is in its due place and right condition, our bodies being subject to so many continual mutations, and stuffed with so many several sorts of springs, that I believe the physicians, that it is hard but that there must be always some one or other out of order.&#xA;&#xA;As to what remains, this malady does not very easily discover itself, unless it be extreme and past remedy; forasmuch as reason goes always lame, halting, and that too as well with falsehood as with truth; and therefore 'tis hard to discover her deviations and mistakes. I always call that appearance of meditation which every one forges in himself reason; this reason, of the condition of which there may be a hundred contrary ones about one and the same subject, is an instrument of lead and of wax, ductile, pliable, and accommodate to all sorts of biases, and to all measures; so that nothing remains but the art and skill how to turn and mould it. How uprightly soever a judge may mean, if he does not look well to himself, which few care to do, his inclination to friendship, to relationship, to beauty or revenge, and not only things of that weight, but even the fortuitous instinct that makes us favour one thing more than another, and that, without reason's permission, puts the choice upon us in two equal subjects, or some shadow of like vanity, may insensibly insinuate into his judgment the recommendation or disfavour of a cause, and make the balance dip.&#xA;&#xA;I, that watch myself as narrowly as I can, and that have my eyes continually bent upon myself, like one that has no great business to do elsewhere,&#xA;&#xA;              Quis sub Arcto Rex gelid metuatur or,&#xA;         Quid Tyridatem terreat, unice Securus,&#xA;&#xA;              &amp;quot;I care not whom the northern clime reveres,&#xA;         Or what's the king that Tyridates fears,&amp;quot;&#xA;dare hardly tell the vanity and weakness I find in myself My foot is so unstable and unsteady, I find myself so apt to totter and reel, and my sight so disordered, that, fasting, I am quite another man than when full; if health and a fair day smile upon me, I am a very affable, good-natured man; if a corn trouble my toe, I am sullen, out of humour, and not to be seen. The same pace of a horse seems to me one while hard, and another easy; and the same way one while shorter, and another longer; and the same form one while more, another less agreeable: I am one while for doing every thing, and another for doing nothing at all; and what pleases me now would be a trouble to me at another time. I have a thousand senseless and casual actions within myself; either I am possessed by melancholy or swayed by choler; now by its own private authority sadness predominates in me, and by and by, I am as merry as a cricket. When I take a book in hand I have then discovered admirable graces in such and such passages, and such as have struck my soul; let me light upon them at another time, I may turn and toss, tumble and rattle the leaves to no purpose; 'tis then to me an inform and undiscovered mass. Even in my own writings I do not always find the air of my first fancy; I know not what I would have said, and am often put to it to correct and pump for a new sense, because I have lost the first that was better. I do nothing but go and come; my judgment does not always advance—it floats and roams:—&#xA;&#xA;              Velut minuta magno&#xA;         Deprensa navis in mari vesaniente vento.&#xA;&#xA;             &amp;quot;Like a small bark that's tost upon the main.&#xA;         When winds tempestuous heave the liquid plain.&amp;quot;&#xA;Very often, as I am apt to do, having for exercise taken to maintain an opinion contrary to my own, my mind, bending and applying itself that way, does so engage me that way that I no more discern the reason of my former belief, and forsake it I am, as it were, misled by the side to which I incline, be it what it will, and carried away by my own weight. Every one almost would say the same of himself, if he considered himself as I do. Preachers very well know that the emotions which steal upon them in speaking animate them towards belief; and that in passion we are more warm in the defence of our proposition, take ourselves a deeper impression of it, and embrace it with greater vehemence and approbation than we do in our colder and more temperate state. You only give your counsel a simple brief of your cause; he returns you a dubious and uncertain answer, by which you find him indifferent which side he takes. Have you feed him well that he may relish it the better, does he begin to be really concerned, and do you find him interested and zealous in your quarrel? his reason and learning will by degrees grow hot in your cause; behold an apparent and undoubted truth presents itself to his understanding; he discovers a new light in your business, and does in good earnest believe and persuade himself that it is so. Nay, I do not know whether the ardour that springs from spite and obstinacy, against the power and violence of the magistrate and danger, or the interest of reputation, may not have made some men, even at the stake, maintain the opinion for which, at liberty, and amongst friends, they would not have burned a finger. The shocks and jostles that the soul receives from the body's passions can do much in it, but its own can do a great deal more; to which it is so subjected that perhaps it may be made good that it has no other pace and motion but from the breath of those winds, without the agitation of which it would be becalmed and without action, like a ship in the middle of the sea, to which the winds hare denied their assistance. And whoever should maintain this, siding with the Peripatetics, would do us no great wrong, seeing it is very well known that the greatest and most noble actions of the soul proceed from, and stand in need of, this impulse of the passions. Valour, they say, cannot be perfect without the assistance of anger; Semper Ajax fortis, fortissimus tamen in furore; &amp;quot;Ajax was always brave, but most when in a fury:&amp;quot; neither do we encounter the wicked and the enemy vigorously enough if we be not angry; nay, the advocate, it is said, is to inspire the judges with indignation, to obtain justice.&#xA;&#xA;Irregular desires moved Themistocles, and Demosthenes, and have pushed on the philosophers to watching, fasting, and pilgrimages; and lead us to honour, learning, and health, which are all very useful ends. And this meanness of soul, in suffering anxiety and trouble, serves to breed remorse and repentance in the conscience, and to make us sensible of the scourge of God, and politic correction for the chastisement of our offences; compassion is a spur to clemency; and the prudence of preserving and governing ourselves is roused by our fear; and how many brave actions by ambition! how many by presumption! In short, there is no brave and spiritual virtue without some irregular agitation. May not this be one of the reasons that moved the Epicureans to discharge God from all care and solicitude of our affairs; because even the effects of his goodness could not be exercised in our behalf without disturbing its repose, by the means of passions which are so many spurs and instruments pricking on the soul to virtuous actions; or have they thought otherwise, and taken them for tempests, that shamefully hurry the soul from her tranquillity? Ut maris tranquillitas intettigitur, null, ne minima quidem, aura fluctus commovente: Sic animi quietus et placatus status cemitur, quum perturbatis nulla est, qua moveri queat.. &amp;quot;As it is understood to be a calm sea when there is not the least breath of air stirring; so the state of the soul is discerned to be quiet and appeased when there is no perturbation to move it.&amp;quot;&#xA;&#xA;What varieties of sense and reason, what contrariety of imaginations does the diversity of our passions inspire us with! What assurance then can we take of a thing so mobile and unstable, subject by its condition to the dominion of trouble, and never going other than a forced and borrowed pace? If our judgment be in the power even of sickness and perturbation; if it be from folly and rashness that it is to receive the impression of things, what security can we expect from it?&#xA;&#xA;Is it not a great boldness in philosophy to believe that men perform the greatest actions, and nearest approaching the Divinity, when they are furious, mad, and beside themselves? We better ourselves by the privation of our reason, and drilling it. The two natural ways to enter into the cabinet of the gods, and there to foresee the course of destiny, are fury and sleep.&#xA;&#xA;This is pleasant to consider; by the dislocation that passions cause in our reason, we become virtuous; by its extirpation, occasioned by madness or the image of death, we become diviners and prophets. I was never so willing to believe philosophy in any thing as this. 'Tis a pure enthusiasm wherewith sacred truth has inspired the spirit of philosophy, which makes it confess, contrary to its own proposition, that the most calm, composed, and healthful estate ef the soul that philosophy can seat it in is not its best condition; our waking is more a sleep than sleep itself, our wisdom less wise than folly; our dreams are worth more than our meditation; and the worst place we can take is in ourselves. But does not philosophy think that we are wise enough to consider that the voice that the spirit utters, when dismissed from man, so clear-sighted, so great, and so perfect, and whilst it is in man so terrestrial, ignorant, and dark, is a voice proceeding from the spirit of dark, terrestrial, and ignorant man, and for this reason a voice not to be trusted and believed?&#xA;&#xA;I, being of a soft and heavy complexion, have no great experience of these vehement agitations, the most of which surprise the soul on a sudden, without giving it leisure to recollect itself. But the passion that is said to be produced by idleness in the hearts of young men, though it proceed leisurely, and with a measured progress, does evidently manifest, to those who have tried to oppose its power, the violence our judgment suffers in this alteration and conversion. I have formerly attempted to withstand and repel it; for I am so far from being one of those that invite vices, that I do not so much as follow them, if they do not haul me along; I perceived it to spring, grow, and increase, in spite of my resistance; and at last, living and seeing as I was, wholly to seize and possess me. So that, as if rousing from drunkenness, the images of things began to appear to me quite other than they used to be; I evidently saw the advantages of the object I desired, grow, and increase, and expand by the influence of my imagination, and the difficulties of my attempt to grow more easy and smooth; and both my reason and conscience to be laid aside; but this fire being evaporated in an instant, as from a flash of lightning, I was aware that my soul resumed another kind of sight, another state, and another judgment; the difficulties of retreat appeared great and invincible, and the same things had quite another taste and aspect than the heat of desire had presented them to me; which of the two most truly? Pyrrho knows nothing about it. We are never without sickness. Agues have their hot and cold fits; from the effects of an ardent passion we fall again to shivering; as much as I had advanced, so much I retired:—&#xA;&#xA;              Qualis ubi alterno procurrens gurgite pontus,&#xA;         Nunc ruit ad terras, scopulosque superjacit undam&#xA;         Spumeus, extremamque sinu perfundit arenam;&#xA;         Nunc rapidus retro, atque stu revoluta resorbens&#xA;         Saxa, fugit, littusque vado labente relihquit.&#xA;&#xA;              &amp;quot;So swelling surges, with a thundering roar,&#xA;         Driv'n on each others' backs, insult the shore,&#xA;         Bound o'er the rocks, encroach upon the land,&#xA;         And far upon the beach heave up the sand;&#xA;         Then backward rapidly they take their way,&#xA;         Repulsed from upper ground, and seek the sea.&amp;quot;&#xA;Now, from the knowledge of this volubility of mine, I have accidentally begot in myself a certain constancy of opinions, and have not much altered those that were first and natural in me; for what appearance soever there may be in novelty, I do not easily change, for fear of losing by the bargain; and, as I am not capable of choosing, I take other men's choice, and keep myself in the station wherein God has placed me; I could not otherwise keep myself from perpetual rolling. Thus have I, by the grace of God, preserved myself entire, without anxiety or trouble of conscience, in the ancient faith of our religion, amidst so many sects and divisions as our age has produced. The writings of the ancients, the best authors I mean, being full and solid, tempt and carry me which way almost they will; he that I am reading seems always to have the most force; and I find that every one in his turn is in the right, though they contradict one another. The facility that good wits have of rendering every thing likely they would recommend, and that nothing is so strange to which they do not undertake to give colour enough to deceive such simplicity as mine, this evidently shows the weakness of their testimony. The heavens and the stars have been three thousand years in motion; all the world were of that belief till Cleanthes the Samian, or, according to Theophrastus, Nicetas of Syracuse, took it into his head to maintain that it was the earth that moved, turning about its axis by the oblique circle of the zodiac. And Copernicus has in our times so grounded this doctrine that it very regularly serves to all astrological consequences; what use can we make of this, if not that we ought not much to care which is the true opinion? And who knows but that a third, a thousand years hence, may over throw the two former.&#xA;&#xA;              Sic volvenda tas commutt tempora rerum:&#xA;         Quod fuit in pretio, fit nullo denique honore;&#xA;         Porro aliud succedit, et e contemptibus exit,&#xA;         Inque dies magis appetitur, floretque repertum&#xA;         Laudibus, et miro est mortales inter honore.&#xA;&#xA;               &amp;quot;Thus ev'ry thing is changed in course of time,&#xA;          What now is valued passes soon its prime;&#xA;         To which some other thing, despised before,&#xA;          Succeeds, and grows in vogue still more and more;&#xA;         And once received, too faint all praises seem,&#xA;         So highly it is rais'd in men's esteem.&amp;quot;&#xA;So that when any new doctrine presents itself to us, we have great reason to mistrust, and to consider that, before that was set on foot, the contrary had been generally received; and that, as that has been overthrown by this, a third invention, in time to come, may start up which may damn the second. Before the principles that Aristotle introduced were in reputation, other principles contented human reason, as these satisfy us now. What patent have these people, what particular privilege, that the career of our invention must be stopped by them, and that the possession of our whole future belief should belong to them? They are no more exempt from being thrust out of doors than their predecessors were. When any one presses me with a new argument, I ought to believe that what I cannot answer another can; for to believe all likelihoods that a man cannot confute is great simplicity; it would by that means come to pass that all the vulgar (and we are all of the vulgar) would have their belief as tumable as a weathercock; for their souls, being so easy to be imposed upon, and without any resistance, must of force incessantly receive other and other impressions, the last still effacing all footsteps of that which went before. He that finds himself weak ought to answer, according to practice, that he will speak with his counsel, or refer himself to the wiser, from whom he received his instruction. How long is it that physic has been practised in the world? 'Tis said that a new comer, called Paracelsus, changes and overthrows the whole order of ancient rules, and maintains that, till now, it has been of no other use but to kill men. I believe he will easily make this good, but I do not think it were wisdom to venture my life in making trial of his own experience. We are not to believe every one, says the precept, because every one can say all things. A man of this profession of novelties and physical reformations not long since told me that all the ancients were notoriously mistaken in the nature and motions of the winds, which he would evidently demonstrate to me if I would give him the hearing. After I had with some patience heard his arguments, which were all full of likelihood of truth: &amp;quot;What, then,&amp;quot; said I, &amp;quot;did those that sailed according to Theophrastus make way westward, when they had the prow towards the east? did they go sideward or backward?&amp;quot; &amp;quot;That's fortune,&amp;quot; answered he, &amp;quot;but so it is that they were mistaken.&amp;quot; I replied that I had rather follow effects than reason. Now these are things that often interfere with one another, and I have been told that in geometry (which pretends to have gained the highest point of certainty of all science) there are inevitable demonstrations found which subvert the truth of all experience; as Jacques Pelletier told me, at my own house, that he had found out two lines stretching themselves one towards the other to meet, which nevertheless he affirmed, though extended to infinity, could never arrive to touch one another. And the Pyrrhonians make no other use of their arguments and their reason than to ruin the appearance of experience; and 'tis a wonder how far the suppleness of our reason has followed them in this design of controverting the evidence of effects; for they affirm that we do not move, that we do not speak, and that there is neither weight nor heat, with the same force of argument that we affirm the most likely things. Ptolemy, who was a great man, had established the bounds of this world of ours; all the ancient philosophers thought they had the measure of it, excepting some remote isles that might escape their knowledge; it had been Pyrrhonism, a thousand years ago, to doubt the science of cosmography, and the opinions that every one had received from it; it was heresy to admit the antipodes; and behold, in this age of ours, there is an infinite extent of terra firma discovered, not an island or single country, but a division of the world, nearly equal in greatness to that we knew before. The geographers of our time stick not to assure us that now all is found; all is seen:—&#xA;&#xA;         Nam quod adest prosto, placet, et pollere videtur;&#xA;&#xA;         &amp;quot;What's present pleases, and appears the best;&amp;quot;&#xA;but it remains to be seen whether, as Ptolemy was therein formerly deceived upon the foundation of his reason, it were not very foolish to trust now in what these people say? And whether it is not more likely that this great body, which we call the world, is not quite another thing than what we imagine.&#xA;&#xA;Plato says that it changes countenance in all respects; that the heavens, the stars, and the sun, have all of them sometimes motions retrograde to what we see, changing east into west The Egyptian priests told Herodotus that from the time of their first king, which was eleven thousand and odd years since (and they showed him the effigies of all their kings in statues taken from the life), the sun had four times altered his course; that the sea and the earth did alternately change into one another; that the beginning of the world is undetermined; Aristotle and Cicero both say the same; and some amongst us are of opinion that it has been from all eternity, is mortal, and renewed again by several vicissitudes; calling Solomon and Isaiah to witness; to evade those oppositions, that God has once been a creator without a creature; that he has had nothing to do, that he got rid of that idleness by putting his hand to this work; and that consequently he is subject to change. In the most famous of the Greek schools the world is taken for a god, made by another god greater than he, and composed of a body, and a soul fixed in his centre, and dilating himself by musical numbers to his circumference; divine, infinitely happy, and infinitely great, infinitely wise and eternal; in him are other gods, the sea, the earth, the stars, who entertain one another with an harmonious and perpetual agitation and divine dance, sometimes meeting, sometimes retiring from one another; concealing and discovering themselves; changing their order, one while before, and another behind. Heraclitus was positive that the world was composed of fire; and, by the order of destiny, was one day to be enflamed and consumed in fire, and then to be again renewed. And Apuleius says of men: Sigillatim mortales, cunctim perpetui. &amp;quot;That they are mortal in particular, and immortal in general.&amp;quot; Alexander writ to his mother the narration of an Egyptian priest, drawn from their monuments, testifying the antiquity of that nation to be infinite, and comprising the birth and progress of other countries. Cicero and Diodorus say that in their time the Chaldees kept a register of four hundred thousand and odd years, Aristotle, Pliny, and others, that Zoroaster flourished six thousand years before Plato's time. Plato says that they of the city of Sais have records in writing of eight thousand years; and that the city of Athens was built a thousand years before the said city of Sais; Epicurus, that at the same time things are here in the posture we see, they are alike and in the same manner in several other worlds; which he would have delivered with greater assurance, had he seen the similitude and concordance of the new discovered world of the West Indies with ours, present and past, in so many strange examples.&#xA;&#xA;In earnest, considering what is come to our knowledge from the course of this terrestrial polity, I have often wondered to see in so vast a distance of places and times such a concurrence of so great a number of popular and wild opinions, and of savage manners and beliefs, which by no means seem to proceed from our natural meditation. The human mind is a great worker of miracles! But this relation has, moreover, I know not what of extraordinary in it; 'tis found to be in names, also, and a thousand other things; for they found nations there (that, for aught we know, never heard of us) where circumcision was in use; where there were states and great civil governments maintained by women only, without men; where our fasts and Lent were represented, to which was added abstinence from women; where our crosses were several ways in repute; here they were made use of to honour and adorn their sepultures, there they were erected, and particularly that of St Andrew, to protect themselves from nocturnal visions, and to lay upon the cradles of infants against enchantments; elsewhere there was found one of wood, of very great height, which was adored for the god of rain, and this a great way in the interior; there was seen an express image of our penance priests, the use of mitres, the celibacy of priests, the art of divination by the entrails of sacrificed beasts, abstinence from all sorts of flesh and fish in their diet, the manner of priests officiating in a particular and not a vulgar language; and this fancy, that the first god was driven away by a second, his younger brother; that they were created with all sorts of necessaries and conveniences, which have since been in a degree taken from them for their sins, their territory changed, and their natural condition made worse; that they were of old overwhelmed by the inundation of water from heaven; that but few families escaped, who retired into caves on high mountains, the mouths of which they stopped so that the waters could not get in, having shut up, together with themselves, several sorts of animals; that when they perceived the rain to cease they sent out dogs, which returning clean and wet, they judged that the water was not much abated; afterwards sending out others, and seeing them return dirty, they issued out to repeople the world, which they found only full of serpents. In one place we met with the belief of a day of judgment; insomuch that they were marvellously displeased at the Spaniards for discomposing the bones of the dead, in rifling the sepultures for riches, saying that those bones so disordered could not easily rejoin; the traffic by exchange, and no other way; fairs and markets for that end; dwarfs and deformed people for the ornament of the tables of princes; the use of falconry, according to the nature of their hawks; tyrannical subsidies; nicety in gardens; dancing, tumbling tricks, music of instruments, coats of arms, tennis-courts, dice and lotteries, wherein they are sometimes so eager and hot as to stake themselves and their liberty; physic, no otherwise than by charms; the way of writing in cypher; the belief of only one first man, the father of all nations; the adoration of one God, who formerly lived a man in perfect virginity, fasting, and penitence, preaching the laws of nature, and the ceremonies of religion, and that vanished from the world without a natural death; the theory of giants; the custom of making themselves drunk with their beverages, and drinking to the utmost; religious ornaments painted with bones and dead men's skulls; surplices, holy water sprinkled; wives and servants, who present themselves with emulation, burnt and interred with the dead husband or master; a law by which the eldest succeeds to all the estate, no part being left for the younger but obedience; the custom that, upon promotion to a certain office of great authority, the promoted is to take upon him a new name, and to leave that which he had before; another to strew lime upon the knee of the new-born child, with these words:&#xA;&#xA;&amp;quot;From dust thou earnest, and to dust thou must return;&amp;quot; as also the art of augury. The vain shadows of our religion, which are observable in some of these examples, are testimonies of its dignity and divinity. It is not only in some sort insinuated into all the infidel nations on this side of the world, by a certain imitation, but in these barbarians also, as by a common and supernatural inspiration; for we find there the belief of purgatory, but of a new form; that which we give to the fire they give to the cold, and imagine that souls are purged and punished by the rigour of an excessive coldness. And this example puts me in mind of another pleasant diversity; for as there were there some people who delighted to unmuffle the ends of their instruments, and clipped off the prepuce after the Mahometan and Jewish manner; there were others who made so great conscience of laying it bare, that they carefully pursed it up with little strings to keep that end from peeping into the air; and of this other diversity, that whereas we, to honour kings and festivals, put on the best clothes we have; in some regions, to express their disparity and submission to their king, his subjects present themselves before him in their vilest habits, and entering his palace, throw some old tattered garment over their better apparel, to the end that all the lustre and ornament may solely be in him. But to proceed:—&#xA;&#xA;If nature enclose within the bounds of her ordinary progress the beliefs, judgments, and opinions of men, as well as all other things; if they have their revolution, their season, their birth and death, like cabbage plants; if the heavens agitate and rule them at their pleasure, what magisterial and permanent authority do we attribute to them? If we experimentally see that the form of our beings depends upon the air, upon the climate, and upon the soil, where we are bom, and not only the colour, the stature, the complexion, and the countenances, but moreover the very faculties of the soul itself: Et plaga codi non solum ad robor corporum, sed etiam anirum facit: &amp;quot;The climate is of great efficacy, not only to the strength of bodies, but to that of souls also,&amp;quot; says Vegetius; and that the goddess who founded the city of Athens chose to situate it in a temperature of air fit to make men prudent, as the Egyptian priests told Solon: Athenis tenue colum; ex quo etiam acutiores putantur Attici; crassum Thebis; itaque pingues Thebani, et valentes: &amp;quot;The air of Athens is subtle and thin; whence also the Athenians are reputed to be more acute; and at Thebes more gross and thick; wherefore the Thebans are looked upon as more heavy-witted and more strong.&amp;quot; In such sort that, as fruits and animals grow different, men are also more or less warlike, just, temperate, and docile; here given to wine, elsewhere to theft or uncleanness; here inclined to superstition, elsewhere to unbelief; in one place to liberty, in another to servitude; capable of one science or of one art, dull or ingenious, obedient or mutinous, good or bad, according as the place where they are seated inclines them; and assume a new complexion, if removed, like trees, which was the reason why Cyrus would not grant the Persians leave to quit their rough and craggy country to remove to another more pleasant and even, saying, that fertile and tender soils made men effeminate and soft. If we see one while one art and one belief flourish, and another while another, through some celestial influence; such an age to produce such natures, and to incline mankind to such and such a propension, the spirits of men one while gay and another gray, like our fields, what becomes of all those fine prerogatives we so soothe ourselves withal? Seeing that a wise man may be mistaken, and a hundred men and a hundred nations, nay, that even human nature itself, as we believe, is many ages wide in one thing or another, what assurances have we that she should cease to be mistaken, or that in this very age of ours she is not so?&#xA;&#xA;Methinks that amongst other testimonies of our imbecility, this ought not to be forgotten, that man cannot, by his own wish and desire, find out what he wants; that not in fruition only, but in imagination and wish, we cannot agree about what we would have to satisfy and content us. Let us leave it to our own thought to cut out and make up at pleasure; it cannot so much as covet what is proper for it, and satisfy itself:—&#xA;&#xA;              Quid enim ratione timemus,&#xA;          Aut cupimus? Quid tain dextro pede concipis, ut te&#xA;         Conatus non poniteat, votique peracti?&#xA;&#xA;              &amp;quot;For what, with reason, do we speak or shun,&#xA;         What plan, how happily soe'r begun,&#xA;         That, when achieved, we do not wish undone?&amp;quot;&#xA;And therefore it was that Socrates only begged of the gods that they would give him what they knew to be best for him; and the private and public prayer of the Lacedemonians was simply for good and useful things, referring the choice and election of them to the discretion of the Supreme Power:—&#xA;&#xA;              Conjugium petimus, partumqu uxoris; at illis&#xA;         Notum, qui pueri, qualisque futura sit uxor:&#xA;&#xA;      ��       &amp;quot;We ask for Wives and children; they above&#xA;         Know only, when we have them, what they'll prove;&amp;quot;&#xA;and Christians pray to God, &amp;quot;Thy will be done,&amp;quot; that they may not fall into the inconvenience the poet feigns of King Midas. He prayed to the gods that all he touched might be turned into gold; his prayer was heard; his wine was gold, his bread was gold, the feathers of his bed, his shirt, his clothes, were all gold, so that he found himself overwhelmed with the fruition of his desire, and endowed with an intolerable benefit, and was fain to unpray his prayers.&#xA;&#xA;              Attonitus novitate mali, divesque, miserque,&#xA;         Effugere optt opes, et, qu modo voverat, odit.&#xA;&#xA;              &amp;quot;Astonished at the strangeness of the ill,&#xA;         To be so rich, yet miserable still;&#xA;         He wishes now he could his wealth evade,&#xA;         And hates the thing for which before he prayed.&amp;quot;&#xA;To instance in myself: being young, I desired of fortune, above all things, the order of St. Michael, which was then the utmost distinction of honour amongst the French nobles, and very rare. She pleasantly gratified my longing; instead of raising me, and lifting me up from my own place to attain to it, she was much kinder to me; for she brought it so low, and made it so cheap, that it stooped down to my shoulders, and lower. Cleobis and Bito, Trophonius and Agamedes, having requested, the first of their goddess, the last of their god, a recompense worthy of their piety, had death for a reward; so differing from ours are heavenly opinions concerning what is fit for us. God might grant us riches, honours, life, and even health, to our own hurt; for every thing that is pleasing to us is not always good for us. If he sends us death, or an increase of sickness, instead of a cure, Vvrga tua et baculus, tuus ipsa me consolata sunt. &amp;quot;Thy rod and thy staff have comforted me,&amp;quot; he does it by the rule of his providence, which better and more certainly discerns what is proper for us than we can do; and we ought to take it in good part, as coming from a wise and most friendly hand&#xA;&#xA;              Si consilium vis:&#xA;         Permittee ipsis expendere numinibus, quid&#xA;         Conveniat nobis, rebusque sit utile nostris...&#xA;         Carior est illis homo quam sibi;&#xA;&#xA;              &amp;quot;If thou'lt be rul'd, to th' gods thy fortunes trust,&#xA;         Their thoughts are wise, their dispensations just.&#xA;         What best may profit or delight they know,&#xA;         And real good, for fancied bliss, bestow;&#xA;         With eyes of pity, they our frailties scan,&#xA;         More dear to them, than to himself, is man;&amp;quot;&#xA;for to require of him honours and commands, is to require 'that he may throw you into a battle, set you upon a cast at dice, or something of the like nature, whereof the issue is to you unknown, and the fruit doubtful.&#xA;&#xA;There is no dispute so sharp and violent amongst the philosophers, as about the question of the sovereign good of man; whence, by the calculation of Varro, rose two hundred and eighty-eight sects. Qui autem de summo bono dissentit, de tot philosophies ratione disputt. &amp;quot;For whoever enters into controversy concerning the supreme good, disputes upon the whole matter of philosophy.&amp;quot;&#xA;&#xA;              Trs mihi conviv prope dissentire videntur,&#xA;         Poscentes vario mul turn divers a palato;&#xA;         Quid dem? Quid non dem? Renuis tu quod jubet alter;&#xA;         Quod petis, id sane est invisum acidumque duobus;&#xA;&#xA;              &amp;quot;I have three guests invited to a feast,&#xA;         And all appear to have a different taste;&#xA;         What shall I give them? What shall I refuse?&#xA;         What one dislikes the other two shall choose;&#xA;         And e'en the very dish you like the best&#xA;         Is acid or insipid to the rest:&amp;quot;&#xA;nature should say the same to their contests and debates. Some say that our well-being lies in virtue, others in pleasure, others in submitting to nature; one in knowledge, another in being exempt from pain, another in not suffering ourselves to be carried away by appearances; and this fancy seems to have some relation to that of the ancient Pythagoras,&#xA;&#xA;              Nil admirari, prope res est una, Numici,&#xA;         Solaque, qu possit facere et servare beatum:&#xA;&#xA;              &amp;quot;Not to admire's the only art I know&#xA;         Can make us happy, and can keep us so;&amp;quot;&#xA;which is the drift of the Pyrrhonian sect; Aristotle attributes the admiring nothing to magnanimity; and Arcesilaus said, that constancy and a right inflexible state of judgment were the true good, and consent and application the sin and evil; and there, it is true, in being thus positive, and establishing a certain axiom, he quitted Pyrrhonism; for the' Pyrrhonians, when they say that ataraxy, which is the immobility of judgment, is the sovereign good, do not design to speak it affirmatively; but that the same motion of soul which makes them avoid precipices, and take shelter from the cold, presents them such a fancy, and makes them refuse another.&#xA;&#xA;How much do I wish that, whilst I live, either some other or Justus Lipsius, the most learned man now living, of a most polite and judicious understanding, truly resembling my Turnebus, had both the will and health, and leisure sufficient, carefully and conscientiously to collect into a register, according to their divisions and classes, as many as are to be found, of the opinions of the ancient philosophers, about the subject of our being and manners, their controversies, the succession and reputation of sects; with the application of the lives of the authors and their disciples to their own precepts, in memorable accidents, and upon exemplary occasions. What a beautiful and useful work that would be!&#xA;&#xA;As to what remains, if it be from ourselves that we are to extract the rules of our manners, upon what a confusion do we throw ourselves! For that which our reason advises us to, as the most likely, is generally for every one to obey the laws of his country, as was the advice of Socrates, inspired, as he says, by a divine counsel; and by that, what would it say, but that our duty has no other rule but what is accidental? Truth ought to have a like and universal visage; if man could know equity and justice that had a body and a true being, he would not fetter it to the conditions of this country or that; it would not be from the whimsies of the Persians or Indians that virtue would receive its form. There is nothing more subject to perpetual agitation than the laws; since I was born, I have known those of the English, our neighbours, three or four times changed, not only in matters of civil regimen, which is the only thing wherein constancy may be dispensed with, but in the most important subject that can be, namely, religion, at which I am the more troubled and ashamed, because it is a nation with whom those of my province have formerly had so great familiarity and acquaintance, that there yet remains in my house some footsteps of our ancient kindred; and here with us at home, I have known a thing that was capital to become lawful; and we that hold of others are likewise, according to the chance of war, in a possibility of being one day found guilty of high-treason, both divine and human, should the justice of our arms fall into the power of injustice, and, after a few years' possession, take a quite contrary being. How could that ancient god more clearly accuse the ignorance of human knowledge concerning the divine Being, and give men to understand that their religion was but a thing of their own contrivance, useful as a bond to their society, than declaring as he did to those who came to his tripod for instruction, that every one's true worship was that which he found in use in the place where he chanced to be? O God, what infinite obligation have we to the bounty of our sovereign Creator, for having disabused our belief from these wandering and arbitrary devotions, and for having seated it upon the eternal foundation of his holy word? But what then will philosophers say to us in this necessity? &amp;quot;That we follow the laws of our country;&amp;quot; that is to say, this floating sea of the opinions of a republic, or a prince, that will paint out justice for me in as many colours, and form it as many ways as there are changes of passions in themselves; I cannot suffer my judgment to be so flexible. What kind of virtue is that which I see one day in repute, and that to-morrow shall be in none, and which the crossing of a river makes a crime? What sort of truth can that be, which these mountains limit to us, and make a lie to all the world beyond them?&#xA;&#xA;But they are pleasant, when, to give some certainty to the laws, they say, that there are some firm, perpetual, and immovable, which they call natural, that are imprinted in human kind by the condition of their own proper being; and of these some reckon three, some four, some more, some less; a sign that it is a mark as doubtful as the rest Now they are so unfortunate, (for what can I call it else but misfortune that, of so infinite a number of laws, there should not be found one at least that fortune and the temerity of chance has suffered to be universally received by the consent of all nations?) they are, I say, so miserable, that of these three or four select laws, there is not so much as one that is not contradicted and disowned, not only by one nation, but by many. Now, the only likely sign, by which they can argue or infer some natural laws, is the universality of approbation; for we should, without doubt, follow with a common consent that which nature had truly ordained us; and not only every nation, but every private man, would resent the force and violence that any one should do him who would tempt him to any thing contrary to this law. But let them produce me one of this condition. Proctagoras and Aristo gave no other essence to the justice of laws than the authority and opinion of the legislator; and that, these laid aside, the honest and the good lost their qualities, and remained empty names of indifferent things; Thrasymachus, in Plato, is of opinion that there is no other right but the convenience of the superior. There is not any thing wherein the world is so various as in laws and customs; such a thing is abominable here which is elsewhere in esteem, as in Lacedemon dexterity in stealing; marriages between near relations, are capitally interdicted amongst us; they are elsewhere in honour:—&#xA;&#xA;              Gentes esse ferantur,&#xA;         In quibus et nato genitrix, et nata parenti&#xA;         Jungitur, et pietas geminato crescit amore;&#xA;&#xA;              &amp;quot;There are some nations in the world, 'tis said,&#xA;         Where fathers daughters, sons their mothers wed;&#xA;         And their affections thereby higher rise,&#xA;         More firm and constant by these double ties;&amp;quot;&#xA;the murder of infants, the murder of fathers, the community of wives, traffic of robberies, license in all sorts of voluptuousness; in short, there is nothing so extreme that is not allowed by the custom of some nation or other.&#xA;&#xA;It is credible that there are natural laws for us, as we see them in other creatures; but they are lost in us, this fine human reason everywhere so insinuating itself to govern and command, as to shuffle and confound the face of things, according to its own vanity and inconstancy: Nihil itaque amplius nostrum est; quod nostrum dico, artis est: &amp;quot;Therefore nothing is any more truly ours; what we call ours belongs to art.&amp;quot; Subjects have divers lustres and divers considerations, and thence the diversity of opinions principally proceeds; one nation considers a subject in one aspect, and stops there: another takes it in a different point of view.&#xA;&#xA;There is nothing of greater horror to be imagined than for a man to eat his father; and yet the people, whose ancient custom it was so to do, looked upon it as a testimony of piety and affection, seeking thereby to give their progenitors the most worthy and honourable sepulture; storing up in themselves, and as it were in their own marrow, the bodies and relics of their fathers; and in some sort regenerating them by transmutation into their living flesh, by means of nourishment and digestion. It is easy to consider what a cruelty and abomination it must have appeared to men possessed and imbued with this snperstition to throw their fathers' remains to the corruption of the earth, and the nourishment of beasts and worms.&#xA;&#xA;Lycurgus considered in theft the vivacity, diligence, boldness, and dexterity of purloining any thing from our neighbours, and the benefit that redounded to the public that every one should look more narrowly to the conservation of what was his own; and believed that, from this double institution of assaulting and defending, advantage was to be made for military discipline (which was the principal science and virtue to which he would inure that nation), of greater consideration than the disorder and injustice of taking another man's goods.&#xA;&#xA;Dionysius, the tyrant, offered Plato a robe of the Persian fashion, long, damasked, and perfumed; Plato refused it, saying, &amp;quot;That being born a man, he would not willingly dress himself in women's clothes;&amp;quot; but Aristippus accepted it with this answer, &amp;quot;That no accoutrement could corrupt a chaste courage.&amp;quot; His friends reproaching him with meanness of spirit, for laying it no more to heart that Dionysius had spit in his face, &amp;quot;Fishermen,&amp;quot; said he, &amp;quot;suffer themselves to be drenched with the waves of the sea from head to foot to catch a gudgeon.&amp;quot; Diogenes was washing cabbages, and seeing him pass by, &amp;quot;If thou couldst live on cabbage,&amp;quot; said he, &amp;quot;thou wouldst not fawn upon a tyrant;&amp;quot; to whom Aristippus replied, &amp;quot;And if thou knewest how to live amongst men, thou wouldst not be washing cabbages.&amp;quot; Thus reason finds appearances for divers effects; 'tis a pot with two ears that a man may take by the right or left:—&#xA;&#xA;              Bellum, o terra hospita, portas:&#xA;         Bello armantur eqni; bellum hc armenta minantur.&#xA;         Sed tamen idem olim curru succedere sueti&#xA;         Quadrupedes, et frena jugo concordia ferre;&#xA;         Spes est pacis.&#xA;&#xA;         &amp;quot;War, war is threatened from this foreign ground&#xA;               (My father cried), where warlike steeds are found.&#xA;         Yet, since reclaimed, to chariots they submit,&#xA;         And bend to stubborn yokes, and champ the bit,&#xA;         Peace may succeed to war.&amp;quot;&#xA;Solon, being lectured by his friends not to shed powerless and unprofitable tears for the death of his son, &amp;quot;It is for that reason that I the more justly shed them,&amp;quot; said he, &amp;quot;because they are powerless and unprofitable.&amp;quot; Socrates's wife exasperated her grief by this circumstance: &amp;quot;Oh, how unjustly do these wicked judges put him to death!&amp;quot; &amp;quot;Why,&amp;quot; replied he, &amp;quot;hadst thou rather they should execute me justly?&amp;quot; We have our ears bored; the Greeks looked upon that as a mark of slavery. We retire in private to enjoy our wives; the Indians do it in public. The Scythians immolated strangers in their temples; elsewhere temples were a refuge:—&#xA;&#xA;               Inde furor vulgi, quod numina vicinorum&#xA;         Odit quisque locus, cum solos credat habendos&#xA;         Esse deos, quos ipse colit.&#xA;&#xA;              &amp;quot;Thus 'tis the popular fury that creates&#xA;         That all their neighbours' gods each nation hates;&#xA;         Each thinks its own the genuine; in a word,&#xA;         The only deities to be adored.&amp;quot;&#xA;I have heard of a judge who, coming upon a sharp conflict betwixt Bartolus and Aldus, and some point controverted with many contrarieties, writ in the margin of his book, &amp;quot;a question for a friend;&amp;quot; that is to say, that truth was there so controverted and disputed that in a like cause he might favour which of the parties he thought fit 'Twas only for want of wit that he did not write &amp;quot;a question for a friend&amp;quot; throughout. The advocates and judges of our times find bias enough in all causes to accommodate them to what they themselves think fit. In so infinite a science, depending upon the authority of so many opinions, and so arbitrary a subject, it cannot be but that of necessity an extreme confusion of judgments must arise; there is hardly any suit so clear wherein opinions do not very much differ; what one court has determined one way another determines quite contrary, and itself contrary to that at another time. Of which we see very frequent examples, owing to that practice admitted amongst us, and which is a marvellous blemish to the ceremonious authority and lustre of our justice, of not abiding by one sentence, but running from judge to judge, and court to court, to decide one and the same cause.&#xA;&#xA;As to the liberty of philosophical opinions concerning vice and virtue, 'tis not necessary to be insisted upon; therein are found many opinions that are better concealed than published to weak minds. Arcesilaus said, &amp;quot;That in venery it was no matter where, or with whom, it was committed:&amp;quot; Et obsccenas voluptates, si natura requirit, non genere, aut loco, aut ordine, sed forma, otate, jigur, metiendas Epicurus putat.... ne amores quidem sanctos a sapiente alienos esse arbitrantur.... Queeramus, ad quam usque otatem juvenes amandi sint. &amp;quot;And obscene pleasures, if nature requires them,&amp;quot; Epicurus thinks, &amp;quot;are not to be measured either by race, kind, place, or rank, but by age, shape, and beauty.... Neither are sacred loves thought to be foreign to wise men;... we are to inquire till what age young men are to be loved.&amp;quot; These last two stoical quotations, and the reproach that Dicarchus threw into the teeth of Plato himself, upon this account, show how much the soundest philosophy indulges licenses and excesses very remote from common custom.&#xA;&#xA;Laws derive their authority from possession and custom. 'Tis dangerous to trace them back to their beginning; they grow great, and ennoble themselves, like our rivers, by running on; but follow them upward to their source, 'tis but a little spring, scarce discernable,&#xA;&#xA;that swells thus, and thus fortifies itself by growing old. Do but consult the ancient considerations that gave the first motion to this famous torrent, so full of dignity, awe, and reverence, you will find them so light and weak that it is no wonder if these people, who weigh and reduce every thing to reason, and who admit nothing by authority, or upon trust, have their judgments often very remote, and differing from those of the public. It is no wonder if people, who take their pattern from the first image of nature, should in most of their opinions swerve from the common path; as, for example, few amongst them would have approved of the strict conditions of our marriages, and most of them have been for having wives in common, and without obligation; they would refuse our ceremonies. Chrysippus said, &amp;quot;That a philosopher would make a dozen somersaults, aye, and without his breeches, for a dozen of olives.&amp;quot;&#xA;That philosopher would hardly have advised Clisthenes to have refused Hippoclides the fair Agarista his daughter, for having seen him stand on his head upon a table. Metrocles somewhat indiscreetly broke wind backwards while in disputation, in the presence of a great auditory in his school, and kept himself hid in his own house for shame, till Crates coming to visit him, and adding to his consolations and reasons the example of his own liberty, by falling to try with him who should sound most, cured him of that scruple, and withal drew him to his own stoical sect, more free than that more reserved one of the Peripatetics, of which he had been till then. That which we call decency, not to dare to do that in public which is decent enough to do in private, the Stoics call foppery; and to mince it, and to be so modest as to conceal and disown what nature, custom, and our desires publish and proclaim of our actions, they reputed a vice. The other thought it was to undervalue the mysteries of Venus to draw them out of the private oratory, to expose them to the view of the people; and that to bring them out from behind the curtain was to debase them. Modesty is a thing of weight; secrecy, reservation, and circumspection, are parts of esteem. Pleasure did very ingeniously when, under the mask of virtue, she sued not to be prostituted in the open streets, trodden under foot, and exposed to the public view, wanting the dignity and convenience of her private cabinets. Hence some say that to put down public stews is not only to disperse fornication into all places, that was confined to one, but moreover, by the difficulty, to incite wild and idle people to this vice:—&#xA;&#xA;              Mochus es Aufidi, qui vir,&#xA;         Scvine, fuisti:&#xA;         Rivalis fuerat qui tuus, ille vir est.&#xA;          Cur alina placet tibi, qu tua non placet uxor?&#xA;         Numquid securus non potes arrigere?&#xA;This experience diversifies itself in a thousand examples:—&#xA;&#xA;              Nullus in urbe fuit tot, qui tangere vellet&#xA;         Uxorem gratis, Cciliane, tuam,&#xA;         Dum licuit: sed nunc, positis custodibus, ingens&#xA;         Turba fututorum est. Ingeniosus homo es.&#xA;A philosopher being taken in the very act, and asked what he was doing, coldly replied, &amp;quot;I am planting man;&amp;quot; no more blushing to be so caught than if they had found him planting garlic.&#xA;&#xA;It is, I suppose, out of tenderness and respect to the natural modesty of mankind that a great and religious author is of opinion that this act is so necessarily obliged to privacy and shame that he cannot persuade himself there could be any absolute performance in those impudent embraces of the Cynics, but that they contented themselves to represent lascivious gestures only, to maintain the impudence of their school's profession; and that, to eject what shame had withheld and restrained, it was afterward necessary for them to withdraw into the shade. But he had not thoroughly examined their debauches; for Diogenes, playing the beast with himself in public, wished, in the presence of all that saw him, that he could fill his belly by that exercise. To those who asked him why he did not find out a more commodious place to eat in than in the open street, he made answer, &amp;quot;Because I am hungry in the open street.&amp;quot; The women philosophers who mixed with their sect, mixed also with their persons, in all places, without reservation; and Hipparchia was not received into Crates's society, but upon condition that she should, in all things, follow the practice and customs of his rule. These philosophers set a great price upon virtue, and renounce all other discipline but the moral; and yet, in all their actions, they attributed the sovereign authority to the election of their sage, and above the laws; and gave no other curb to voluptuousness but moderation only, and the conservation of the liberty of others.&#xA;&#xA;Heraclitus and Protagoras, forasmuch as wine seemed bitter to the sick, and pleasant to the sound, the rudder crooked in the water, and straight when out, and such like contrary appearances as are found in subjects, argued thence that all subjects had, in themselves, the causes of these appearances; and there was some bitterness in the wine which had some sympathy with the sick man's taste, and the rudder some bending quality sympathizing with him that looks upon it in the water; and so of all the rest; which is to say, that all is in all things, and, consequently, nothing in any one; for, where all is, there is nothing.&#xA;&#xA;This opinion put me in mind of the experience we have that there is no sense or aspect of any thing, whether bitter or sweet, straight or crooked, that the human mind does not find out in the writings it undertakes to tumble over. Into the cleanest, purest, and most perfect words that can possibly be, how many lies and falsities have we suggested! What heresy has not there found ground and testimony sufficient to make itself embraced and defended! 'Tis for this that the authors of such errors will never depart from proof of the testimony of the interpretation of words. A person of dignity, who would approve to me, by authority, the search of the philosopher's stone, wherein he was head over ears engaged, lately alleged to me at least five or six passages of the Bible upon which, he said, he first founded his attempt, for the discharge of his conscience (for he is a divine); and, in truth, the idea was not only pleasant, but, moreover, very well accommodated to the defence of this fine science.&#xA;&#xA;By this way the reputation of divining fables is acquired. There is no fortune-teller, if we have this authority, but, if a man will take the pains to tumble and toss, and narrowly to peep into all the folds and glosses of his words, he may make him, like the Sibyls, say what he will. There are so many ways of interpretation that it will be hard but that, either obliquely or in a direct line, an ingenious wit will find out, in every subject, some air that will serve for his purpose; therefore we find a cloudy and ambiguous style in so frequent and ancient use. Let the author but make himself master of that, to busy posterity about his predictions, which not only his own parts, but the accidental favour of the matter itself, may do for him; and, as to the rest, express himself, whether after a foolish or a subtle manner, somewhat obscurely or contradictorily, 'tis no matter;—a number of wits, shaking and sifting him, will bring out a great many several forms, either according to his meaning, or collateral, or contrary, to it, which will all redound to his honour; he will see himself enriched by the means of his disciples, like the regents of colleges by their pupils yearly presents. This it is which has given reputation to many things of no worth at all; that has brought several writings in vogue, and given them the fame of containing all sorts of matter can be desired; one and the same thing receiving a thousand and a thousand images and various considerations; nay, as many as we please.&#xA;&#xA;Is it possible that Homer could design to say all that we make him say, and that he designed so many and so various figures, as that the divines, law-givers, captains, philosophers, and all sorts of men who treat of sciences, how variously and opposite soever, should indifferently quote him, and support their arguments by his authority, as the sovereign lord and master of all offices, works, and artisans, and counsellor-general of all enterprises? Whoever has had occasion for oracles and predictions has there found sufficient to serve his turn. 'Tis a wonder how many and how admirable concurrences an intelligent person, and a particular friend of mine, has there found out in favour of our religion; and cannot easily be put out of the conceit that it was Homer's design; and yet he is as well acquainted with this author as any man whatever of his time. And what he has found in favour of our religion there, very many anciently have found in favour of theirs. Do but observe how Plato is tumbled and tossed about; every one ennobling his own opinions by applying him to himself, and making him take what side they please. They draw him in, and engage him in all the new opinions the world receives; and make him, according to the different course of things, differ from himself; every one makes him disavow, according to his own sense, the manners and customs lawful in his age, because they are unlawful in ours; and all this with vivacity and power, according to the force and sprightliness of the wit of the interpreter. From the same foundation that Heraclitus and this sentence of his had, &amp;quot;that all things had in them those forms that we discern,&amp;quot; Democritus drew quite a contrary conclusion,—&amp;quot;that objects have in them nothing that we discern in them;&amp;quot; and because honey is sweet to one and bitter to another, he thence argued that it was neither sweet nor bitter. The Pyrrhonians would say that they knew not whether it is sweet or bitter, or whether the one or the other, or both; for these always gained the highest point of dubitation. The Cyrenaics held that nothing was perceptible from without, and that that only was perceptible that inwardly touched us, as pain and pleasure; acknowledging neither sound nor colour, but certain affections only that we receive from them; and that man's judgment had no other seat Protagoras believed that &amp;quot;what seems true to every one, is true to every one.&amp;quot; The Epicureans lodged all judgment in the senses, and in the knowledge of things, and in pleasure. Plato would have the judgment of truth, and truth itself, derived from opinions and the senses, to belong to the wit and cogitation.&#xA;&#xA;This discourse has put me upon the consideration of the senses, in which lies the greatest foundation and Prof of our ignorance. Whatsoever is known, is doubtless known by the faculty of the knower; for, seeing the judgment proceeds from the operation of him that judges, 'tis reason that this operation be performed by his means and will, not by the constraint of another; as it would happen if we knew things by the power, and according to the law of their essence. Now all knowledge is conveyed to us by the senses; they are our masters:—&#xA;&#xA;                Via qua munita fidei&#xA;          Proxima fert humanum in pectus, templaque mentis;&#xA;&#xA;              &amp;quot;It is the surest path that faith can find&#xA;         By which to enter human heart and mind.&amp;quot;&#xA;Science begins by them, and is resolved into them. After all, we should know no more than a stone if we did not know there is sound, odour, light, taste, measure, weight, softness, hardness, sharpness, colour, smoothness, breadth, and depth; these are the platforms and principles of the structure of all our knowledge; and, according to some, science is nothing else but sense. He that could make me contradict the senses, would have me by the throat; he could not make me go further back. The senses are the beginning and the end of human knowledge:—&#xA;&#xA;               Invenies primis ab sensibns esse creatam&#xA;          Notitiam veil; neque sensus posse refelli....&#xA;           Quid majore fide porro, quam sensus, haberi Debet?&#xA;&#xA;              &amp;quot;Of truth, whate'er discoveries are made,&#xA;          Are by the senses to us first conveyed;&#xA;         Nor will one sense be baffled; for on what&#xA;         Can we rely more safely than on that?&amp;quot;&#xA;Let us attribute to them the least we can, we must, however, of necessity grant them this, that it is by their means and mediation that all our instruction is directed. Cicero says, that Chrysippus having attempted to extenuate the force and virtue of the senses, presented to himself arguments and so vehement oppositions to the contrary that he could not satisfy himself therein; whereupon Cameades, who maintained the contrary side, boasted that he would make use of the very words and arguments of Chrysippus to controvert and confute him, and therefore thus cried out against him: &amp;quot;O miserable! thy force has destroyed thee.&amp;quot; There can be nothing absurd to a greater degree than to maintain that fire does not warm, that light does not shine, and that there is no weight nor solidity in iron, which are things conveyed to us by the senses; neither is there belief nor knowledge in man that can be compared to that for certainty.&#xA;&#xA;The first consideration I have upon the subject of the senses is that I make a doubt whether or no man be furnished with all natural senses. I see several animals who live an entire and perfect life, some without sight, others without hearing; who knows whether to us also one, two, three, or many other senses may not be wanting? For if any one be wanting, our examination cannot discover the defect. 'Tis the privilege of the senses to be the utmost limit of our discovery; there is nothing beyond them that can assist us in exploration, not so much as one sense in the discovery of another:—&#xA;&#xA;                 An poterunt oculos aures reprehendere? an aures&#xA;            Tactus an hunc porro tactum sapor argnet oris?&#xA;          An confutabunt nares, oculive revincent?&#xA;&#xA;                &amp;quot;Can ears the eyes, the touch the ears, correct?&#xA;           Or is that touch by tasting to be check'd?&#xA;          Or th' other senses, shall the nose or eyes&#xA;           Confute in their peculiar faculties?&amp;quot;&#xA;They all make the extremest limits of our ability:—&#xA;&#xA;               Seorsum cuique potestas Divisa est, sua vis cuique est,&#xA;&#xA;              &amp;quot;Each has its power distinctly and alone,&#xA;         And every sense's power is its own.&amp;quot;&#xA;It is impossible to make a man naturally blind conceive that he does not see; impossible to make him desire sight, or to regret his defect; for which reason we ought not to derive any assurance from the soul's being contented and satisfied with those we have; considering that it cannot be sensible herein of its infirmity and imperfection, if there be any such thing. It is impossible to say any thing to this blind man, either by reasoning, argument, or similitude, that can possess his imagination with any apprehension of light, colour, or sight; there's nothing remains behind that can push on the senses to evidence. Those that are born blind, whom we hear wish they could see, it is not that they understand what they desire; they have learned from us that they want something; that there is something to be desired that we have, which they can name indeed and speak of its effect and consequences; but yet they know not what it is, nor apprehend it at all.&#xA;&#xA;I have seen a gentleman of a good family who was born blind, or at least blind from such an age that he knows not what sight is; who is so little sensible of his defect that he makes use as we do of words proper for seeing, and applies them after a manner wholly particular and his own. They brought him a child to which he was god-father, which, having taken into his arms, &amp;quot;Good God,&amp;quot; said he, &amp;quot;what a fine child! How beautiful to look upon! what a pretty face it has!&amp;quot; He will say, like one of us, &amp;quot;This room has a very fine prospect;—it is clear weather;—the sun shines bright.&amp;quot; And moreover, being that hunting, tennis, and butts are our exercises, and he has heard so, he has taken a liking to them, will ride a-hunting, and believes he has as good share of the sport as we have; and will express himself as angry or pleased as the best of us all, and yet knows nothing of it but by the ear. One cries out to him, &amp;quot;Here's a hare!&amp;quot; when he is upon some even plain where he may safely ride; and afterwards, when they tell him, &amp;quot;The hare is killed,&amp;quot; he will be as overjoyed and proud of it as he hears others say they are. He will take a tennis-ball in his left hand and strike it away with the racket; he will shoot with a harquebuss at random, and is contented with what his people tell him, that he is over, or wide.&#xA;&#xA;Who knows whether all human kind commit not the like absurdity, for want of some sense, and that through this default the greatest part of the face of things is concealed from us? What do we know but that the difficulties which we find in several works of nature proceed hence; and that several effects of animals, which exceed our capacity, are not produced by faculty of some sense that we are defective in? and whether some of them have not by this means a life more full and entire than ours? We seize an apple with all our senses; we there find redness, smoothness, odour, and sweetness; but it may have other virtues besides these, as to heat or binding, which no sense of ours can have any reference unto. Is it not likely that there are sensitive faculties in nature that are fit to judge of and to discern those which we call the occult properties in several things, as for the loadstone to attract iron; and that the want of such faculties is the cause that we are ignorant of the true essence of such things? 'Tis perhaps some particular sense that gives cocks to understand what hour it is at midnight, and when it grows to be towards day, and that makes them crow accordingly; that teaches chickens, before they have any experience of the matter, to fear a sparrow-hawk, and not a goose or a peacock, though birds of a much larger size; that cautions them against the hostile quality the cat has against them, and makes them not to fear a dog; to arm themselves against the mewing, a kind of flattering voice, of the one, and not against the barking, a shrill and threatening voice, of the other; that teaches wasps, ants, and rats, to fall upon the best pear and the best cheese before they have tasted them, and inspires the stag, elephant, and serpent, with the knowledge of a certain herb proper for their cure. There is no sense that has not a mighty dominion, and that does not by its power introduce an infinite number of knowledges. If we were defective in the intelligence of sounds, of harmony, and of the voice, it would cause an unimaginable confusion in all the rest of our science; for, besides what belongs to the proper effect of every sense, how many arguments, consequences, and conclusions do we draw to other things, by comparing one sense with another? Let an understanding man imagine human nature originally produced without the sense of seeing, and consider what ignorance and trouble such a defect would bring upon him, what a darkness and blindness in the soul; he will then see by that of how great importance to the knowledge of truth the privation of such another sense, or of two or three, should we be so deprived, would be. We have formed a truth by the consultation and concurrence of our five senses; but perhaps we should have the consent and contribution of eight or ten to make a certain discovery of it in its essence.&#xA;&#xA;The sects that controvert the knowledge of man do it principally by the uncertainty and weakness of our senses; for since all knowledge is by their means and mediation conveyed unto us, if they fail in their report, if they corrupt or alter what they bring us from without, if the light which by them creeps into the soul be obscured in the passage, we have nothing else to hold by. From this extreme difficulty all these fancies proceed: &amp;quot;That every subject has in itself all we there find. That it has nothing in it of what we think we there find;&amp;quot; and that of the Epicureans, &amp;quot;That the sun is no bigger than 'tis judged by our sight to be:—&amp;quot;&#xA;&#xA;                Quidquid id est, nihilo fertur majore figura,&#xA;         Quam nostris oculis quam cemimus, esse videtur:&#xA;&#xA;              &amp;quot;But be it what it will in our esteems,&#xA;         It is no bigger than to us it seems:&amp;quot;&#xA;that the appearances which represent a body great to him that is near, and less to him that is more remote, are both true:—&#xA;&#xA;              Nee tamen hic oculos falli concedimus hilum....&#xA;         Proinde animi vitium hoc oculis adfingere noli:&#xA;&#xA;              &amp;quot;Yet that the eye's deluded we deny;&#xA;         Charge not the mind's faults, therefore, on the eye:&amp;quot;&#xA;&amp;quot;and, resolutely, that there is no deceit in the senses; that we are to lie at their mercy, and seek elsewhere reasons to excuse the difference and contradictions we there find, even to the inventing of lies and other flams, if it come to that, rather than accuse the senses.&amp;quot; Timagoras vowed that, by pressing or turning his eye, he could never perceive the light of the candle to double, and that the seeming so proceeded from the vice of opinion, and not from the instrument. The most absurd of all absurdities, with the Epicureans, is to deny the force and effect of the senses:—&#xA;&#xA;                  Proinde, quod in quoquo est his visum tempore, verum est&#xA;            Et, si non potuit ratio dissolvere causam,&#xA;            Cur ea, qu fuerint juxtim quadrata, procul sint&#xA;            Visa rotunda; tamen prstat rationis egentem&#xA;            Beddere mendose causas utriusque figur,&#xA;           Quam manibus manifesta suis emittere ququam,&#xA;            Et violare fidem primam, et convellere tota&#xA;            Fundamenta, quibus nixatur vita salusque:&#xA;            Non modo enim ratio ruat omnis, vita quoque ipsa&#xA;           Concidat extemplo, nisi credere sensibus ausis,&#xA;            Procipitesque locos vitare, et ctera, qu sint&#xA;           In genere hoc fugienda.&#xA;&#xA;                &amp;quot;That what we see exists I will maintain,&#xA;          And if our feeble reason can't explain&#xA;            Why things seem square when they are very near,&#xA;            And at a greater distance round appear;&#xA;           'Tis better yet, for him that's at a pause,&#xA;          'T' assign to either figure a false cause,&#xA;          Than shock his faith, and the foundations rend&#xA;         On which our safety and our life depend:&#xA;         For reason not alone, but life and all,&#xA;         Together will with sudden ruin fall;&#xA;         Unless we trust our senses, nor despise&#xA;         To shun the various dangers that arise.&amp;quot;&#xA;This so desperate and unphilosophical advice expresses only this,—that human knowledge cannot support itself but by reason unreasonable, foolish, and mad; but that it is yet better that man, to set a greater value upon himself, make use of any other remedy, how fantastic soever, than to confess his necessary ignorance—a truth so disadvantageous to him. He cannot avoid owning that the senses are the sovereign lords of his knowledge; but they are uncertain, and falsifiable in all circumstances; 'tis there that he is to fight it out to the last; and if his just forces fail him, as they do, to supply that defect with obstinacy, temerity, and impudence. In case what the Epicureans say be true, viz: &amp;quot;that we have no knowledge if the senses' appearances be false;&amp;quot; and if that also be true which the Stoics say, &amp;quot;that the appearances of the senses are so false that they can furnish us with no manner of knowledge,&amp;quot; we shall conclude, to the disadvantage of these two great dogmatical sects, that there is no science at all.&#xA;&#xA;As to the error and uncertainty of the operation of the senses, every one may furnish himself with as many examples as he pleases; so ordinary are the faults and tricks they put upon us. In the echo of a valley the sound of a trumpet seems to meet us, which comes from a place behind:—&#xA;&#xA;              Exstantesque procul medio de gurgite montes,&#xA;         Classibus inter qnos liber patet exitus, idem&#xA;         Apparent, et longe divolsi licet, ingens&#xA;         Insula conjunctis tamen ex his ana videtur...&#xA;         Et fugere ad puppim colies campique videntur,&#xA;         Qnos agimns proter navim, velisque volamus....&#xA;         Ubi in medio nobis equus acer obhsit&#xA;         Flamine, equi corpus transversum ferre videtur&#xA;         Vis, et in adversum flumen contrudere raptim.&#xA;&#xA;               &amp;quot;And rocks i' th' seas that proudly raise their head,&#xA;         Though far disjoined, though royal navies spread,&#xA;         Their sails between; yet if from distance shown,&#xA;         They seem an island all combin'd in one.&#xA;         Thus ships, though driven by a prosperous gale,&#xA;         Seem fix'd to sailors; those seem under sail&#xA;         That ride at anchor safe; and all admire,&#xA;         As they row by, to see the rocks retire.&#xA;         Thus, when in rapid streams my horse hath stood,&#xA;         And I look'd downward on the rolling flood;&#xA;         Though he stood still, I thought he did divide&#xA;         The headlong streams, and strive against the tide,&#xA;         And all things seem'd to move on every side.&amp;quot;&#xA;Take a musket-ball under the forefinger, the middle finger being lapped over it, it feels so like two that a man will have much ado to persuade himself there is but one; the end of the two fingers feeling each of them one at the same time; for that the senses are very often masters of our reason, and constrain it to receive impressions which it judges and knows to be false, is frequently seen. I set aside the sense of feeling, that has its functions nearer, more lively, and substantial, that so often, by the effects of the pains it helps the body to, subverts and overthrows all those fine Stoical resolutions, and compels him to cry out of his belly, who has resolutely established this doctrine in his soul—&amp;quot;That the colic, and all other pains and diseases, are indifferent things, not having the power to abate any thing of the sovereign felicity wherein the wise man is seated by his virtue.&amp;quot; There is no heart so effeminate that the rattle and sound of our drums and trumpets will not inflame with courage; nor so sullen that the harmony of our music will not rouse and cheer; nor so stubborn a soul that will not feel itself struck with some reverence in considering the gloomy vastness of our churches, the variety of ornaments, and order of our ceremonies; and in hearing the solemn music of our organs, and the grace and devout harmony of our voices. Even those that come in with contempt feel a certain shivering in their hearts, and something of dread that makes them begin to doubt their opinions. For my part I do not think myself strong enough to hear an ode of Horace or Catullus sung by a beautiful young mouth without emotion; and Zeno had reason to say &amp;quot;that the voice was the flower of beauty.&amp;quot; One would once make me believe that a certain person, whom all we Frenchmen know, had imposed upon me in repeating some verses that he had made; that they were not the same upon paper that they were in the air; and that my eyes would make a contrary judgment to my ears; so great a power has pronunciation to give fashion and value to works that are left to the efficacy and modulation of the voice. And therefore Philoxenus was not so much to blame, hearing one giving an ill accent to some composition of his, in spurning and breaking certain earthen vessels of his, saying, &amp;quot;I break what is thine, because thou corruptest what is mine.&amp;quot; To what end did those men who have, with a firm resolution, destroyed themselves, turn away their faces that they might not see the blow that was by themselves appointed? And that those who, for their health, desire and command incisions to be made, and cauteries to be applied to them, cannot endure the sight of the preparations, instruments, and operations of the surgeon, being that the sight is not in any way to participate in the pain? Are not these proper examples to verify the authority the senses have over the imagination? 'Tis to much purpose that we know these tresses were borrowed from a page or a lackey; that this rouge came from Spain, and this pearl-powder from the Ocean Sea. Our sight will, nevertheless, compel us to confess their subject more agreeable and more lovely against all reason; for in this there is nothing of its own:—&#xA;&#xA;               Auferinrar cultu; gemmis, auroque teguntur&#xA;         Crimina; pars minima est ipsa puella sni.&#xA;         Spe, ubi sit quod ames, inter tarn multa requiras:&#xA;         Decipit hac oculos gide dives Amor.&#xA;&#xA;               &amp;quot;By dress we're won; gold, gems, and rich brocades&#xA;          Make up the pageant that your heart invades;&#xA;          In all that glittering figure which you see,&#xA;         The far least part of her own self is she;&#xA;         In vain for her you love amidst such cost&#xA;         You search, the mistress in such dress is lost.&amp;quot;&#xA;What a strange power do the poets attribute to the senses, that make Narcissus so desperately in love with his own shadow,&#xA;&#xA;              Cunctaque miratur, quibus est mirabilis ipse;&#xA;         Se cupit imprudens, et, qui probat, ipse probatur;&#xA;         Dumque petit, petitur; pariterque accendit, et ardet:&#xA;&#xA;              &amp;quot;Admireth all; for which to be admired;&#xA;         And inconsiderately himself desir'd.&#xA;         The praises which he gives his beauty claim'd,&#xA;         Who seeks is sought, th' inflamer is inflam'd:&amp;quot;&#xA;and Pygmalion's judgment so troubled by the impression of the sight of his ivory statue that he loves and adores it as if it were a living woman!&#xA;&#xA;              Oscnla dat, reddique putat: sequi turque, tenetque,&#xA;         Et credit tactis digitos insidere membris;&#xA;         Et metuit, pressos veniat ne livor in artus.&#xA;&#xA;              &amp;quot;He kisses, and believes he's kissed again;&#xA;         Seizes, and 'twixt his arms his love doth strain,&#xA;         And thinks the polish'd ivory thus held&#xA;         Doth to his fingers amorous pressure yield,&#xA;         And has a timorous fear, lest black and blue&#xA;          Should in the parts with ardour press'd ensue.&amp;quot;&#xA;Put a philosopher into a cage of small thin set bars of iron, hang him on the top of the high tower of Notre Dame at Paris; he will see, by manifest reason, that he cannot possibly fall, and yet he will find (unless he has been used to the plumber's trade) that he cannot help but the sight of the excessive height will fright and astound him; for we have enough to do to assure ourselves in the galleries of our steeples, if they are made with open work, although they are of stone; and some there are that cannot endure so much as to think of it. Let there be a beam thrown over betwixt these two towers, of breadth sufficient to walk upon, there is no philosophical wisdom so firm that can give us the courage to walk over it as we should do upon the ground. I have often tried this upon our mountains in these parts; and though I am one who am not the most subject to be afraid, I was not able to endure to look into that infinite depth without horror and trembling, though I stood above my length from the edge of the precipice, and could not have fallen unless I would. Where I also observed that, what height soever the precipice was, provided there were some tree, or some jutting out of a rock, a little to support and divide the sight, it a little eases our fears, and gives greater assurance; as if they were things by which in falling we might have some relief; but that direct precipices we are not to look upon without being giddy; Ut despici vine vertigine timid ocvlorum animique non possit: &amp;quot;'To that one cannot look without dizziness;&amp;quot; which is a manifest imposture of the sight. And therefore it was that that fine philosopher put out his own eyes, to free the soul from being diverted by them, and that he might philosophize at greater liberty; but, by the same rule, he should have dammed up his ears, that Theophrastus says are the most dangerous instruments about us for receiving violent impressions to alter and disturb us; and, finally, should have deprived himself of all his other senses, that is to say, of his life and being; for they have all the power to command our soul and reason: Fit etiam sope specie qudam, sope vocum gravitate et cantibus, ut pettantur animi vehementius; sope etiam cura et timor, &amp;quot;For it often falls out that the minds are more vehemently struck by some sight, by the quality and sound of the voice, or by singing; and ofttimes also by grief and fear.&amp;quot; Physicians hold that there are certain complexions that are agitated by the same sounds and instruments even to fury. I have seen some who could not hear a bone gnawed under the table without impatience; and there is scarce any man who is not disturbed at the sharp and shrill noise that the file makes in grating upon the iron; as also to hear chewing near them, or to hear any one speak who has an impediment in the throat or nose, will move some people even to anger and hatred. Of what use was that piping prompter of Gracchus, who softened, raised, and moved his master's voice whilst he declaimed at Rome, if the movements and quality of the sound had not the power to move and alter the judgments of the auditory? In earnest, there is wonderful reason to keep such a clutter about the firmness of this fine piece, that suffers itself to be turned and twined by the motion and accidents of so light a wind.&#xA;&#xA;The same cheat that the senses put upon our understanding they have in turn put upon them; the soul also some times has its revenge; they lie and contend which should most deceive one another. What we see and hear when we are transported with passion, we neither see nor hear as it is:—&#xA;&#xA;               Et solem geminum, et duplices se ostendere Thebas.&#xA;&#xA;              &amp;quot;Thebes seems two cities, and the sun two suns.&amp;quot;&#xA;The object that we love appears to us more beautiful than it really is;&#xA;&#xA;              Multimodis igitur pravas turpesque videmus&#xA;         Esse in deliciis, summoque in honore vigere;&#xA;&#xA;              &amp;quot;Hence 'tis that ugly things in fancied dress&#xA;         Seem gay, look fair to lovers' eyes, and please;&amp;quot;&#xA;and that we hate more ugly; to a discontented and afflicted man the light of the day seems dark and overcast. Our senses are not only depraved, but very often stupefied by the passions of the soul; how many things do we see that we do not take notice of, if the mind be occupied with other thoughts?&#xA;&#xA;               In rebus quoque apertis noscere possis,&#xA;         Si non advertas animum, proinde esse quasi omni&#xA;         Tempore semot fuerint, longeque remot:&#xA;&#xA;               &amp;quot;Nay, even in plainest things, unless the mind&#xA;         Take heed, unless she sets herself to find,&#xA;         The thing no more is seen, no more belov'd,&#xA;         Than if the most obscure and most remov'd:&amp;quot;&#xA;it would appear that the soul retires within, and amuses the powers of the senses. And so both the inside and the outside of man is full of infirmity and falsehood.&#xA;&#xA;They who have compared our lives to a dream were, perhaps, more in the right than they were aware of. When we dream, the soul lives, works, and exercises all its faculties, neither more nor less than when awake; but more largely and obscurely, yet not so much, neither, that the difference should be as great as betwixt night and the meridian brightness of the sun, but as betwixt night and shade; there she sleeps, here she slumbers; but, whether more or less, 'tis still dark, and Cimmerian darkness. We wake sleeping, and sleep waking. I do not see so clearly in my sleep; but as to my being awake, I never found it clear enough and free from clouds; moreover, sleep, when it is profound, sometimes rocks even dreams themselves asleep; but our waking is never so sprightly that it rightly purges and dissipates those whimsies, which are waking dreams, and worse than dreams. Our reason and soul receiving those fancies and opinions that come in dreams, and authorizing the actions of our dreams with the like approbation that they do those of the day, wherefore do we not doubt whether our thought, our action, is not another sort of dreaming, and our waking a certain kind of sleep?&#xA;&#xA;If the senses be our first judges, it is not ours that we are alone to consult; for, in this faculty, beasts have as great, or greater, than we; it is certain that some of them have the sense of hearing more quick than man; others that of seeing, others that of feeling, others that of touch and taste. Democritus said, that the gods and brutes had the sensitive faculties more perfect than man. But betwixt the effects of their senses and ours the difference is extreme. Our spittle cleanses and dries up our wounds; it kills the serpent:—&#xA;&#xA;              Tantaque in his rebas distantia differitasque est,&#xA;          Ut quod aliis cibus est, aliis fuat acre venenum.&#xA;         Spe etenim serpens, hominis contacta saliv,&#xA;         Disperit, ac sese mandendo conficit ipsa:&#xA;&#xA;               &amp;quot;And in those things the difference is so great&#xA;         That what's one's poison is another's meat;&#xA;         For serpents often have been seen, 'tis said,&#xA;         When touch'd with human spittle, to go mad,&#xA;         And bite themselves to death:&amp;quot;&#xA;what quality shall we attribute to our spittle? as it affects ourselves, or as it affects the serpent? By which of the two senses shall we prove the true essence that we seek for?&#xA;&#xA;Pliny says there are certain sea-hares in the Indies that are poison to us, and we to them; insomuch that, with the least touch, we kill them. Which shall be truly poison, the man or the fish? Which shall we believe, the fish of the man, or the man of the fish? One quality of the air infects a man, that does the ox no harm; some other infects the ox, but hurts not the man. Which of the two shall, in truth and nature, be the pestilent quality? To them who have the jaundice, all things seem yellow and paler than to us:—&#xA;&#xA;              Lurida prterea fiunt, qucunque tuentur Arquati.&#xA;&#xA;               &amp;quot;Besides, whatever jaundic'd eyes do view&#xA;         Looks pale as well as those, and yellow too.&amp;quot;&#xA;They who are troubled with the disease that the physicians call hyposphagma—which is a suffusion of blood under the skin—see all things red and bloody. What do we know but that these humours, which thus alter the operations of sight, predominate in beasts, and are usual with them? for we see some whose eyes are yellow, like us who have the jaundice; and others of a bloody colour; 'tis likely that the colours of objects seem other to them than to us. Which of the two shall make a right judgment? for it is not said that the essence of things has a relation to man only; hardness, whiteness, depth, and sharpness, have reference to the service and knowledge of animals as well as to us, and nature has equally designed them for their use. When we press down the eye, the body that we look upon we perceive to be longer and more extended;—many beasts have their eyes so pressed down; this length, therefore, is perhaps the true form of that body, and not that which our eyes give it in the usual state. If we close the lower part of the eye things appear double to us:—&#xA;&#xA;               Bina lucemarum fiorentia lumina flammis...&#xA;         Et duplices hominum facis, et corpora bina.&#xA;&#xA;              &amp;quot;One lamp seems double, and the men appear&#xA;         Each on two bodies double heads to bear.&amp;quot;&#xA;If our ears be hindered, or the passage stopped with any thing, we receive the sound quite otherwise than we usually do; animals, likewise, who have either the ears hairy, or but a very little hole instead of an ear, do not, consequently, hear as we do, but receive another kind of sound. We see at festivals and theatres that, opposing a painted glass of a certain colour to the light of the flambeaux, all things in the place appear to us green, yellow, or violet:—&#xA;&#xA;              Et vulgo faciunt id lutea russaque vela,&#xA;         Et ferrugina, cum, magnis intenta theatris,&#xA;         Per malos vulgata trabesque, trementia pendent;&#xA;         Namque ibi consessum caveai subter, et omnem&#xA;         Scenai speciem, patrum, matrumque, deorumque&#xA;         Inficiunt, coguntque suo volitare colore:&#xA;&#xA;              &amp;quot;Thus when pale curtains, or the deeper red,&#xA;         O'er all the spacious theatre are spread,&#xA;         Which mighty masts and sturdy pillars bear,&#xA;         And the loose curtains wanton in the air;&#xA;         Whole streams of colours from the summit flow,&#xA;         The rays divide them in their passage through,&#xA;         And stain the scenes, and men, and gods below:&amp;quot;&#xA;'tis likely that the eyes of animals, which we see to be of divers colours, produce the appearance of bodies the same with their eyes.&#xA;&#xA;We should, therefore, to make a right judgment of the oppositions of the senses, be first agreed with beasts, and secondly amongst ourselves; which we by no means are, but enter into dispute every time that one hears, sees, or tastes something otherwise than another does, and contests, as much as upon any other thing, about the diversity of the images that the senses represent to us. A child, by the ordinary rule of nature, hears, sees, and talks otherwise than a man of thirty years old; and he than one of threescore. The senses are, in some, more obscure and dusky, and more open and quick in others. We receive things variously, according as we are, and according as they appear to us. Those rings which are cut out in the form of feathers, which are called endless feathers, no eye can discern their size, or can keep itself from the deception that on one side they enlarge, and on the other contract, and come So a point, even when the ring is being turned round the finger; yet, when you feel them, they seem all of an equal size. Now, our perception being so uncertain and so controverted, it is no more a wonder if we are told that we may declare that snow appears white to us; but that to affirm that it is in its own essence really so is more than we are able to justify; and, this foundation being shaken, all the knowledge in the world must of necessity fall to ruin. What! do our senses themselves hinder one another? A picture seems raised and embossed to the sight; in the handling it seems flat to the touch. Shall we say that musk, which delights the smell, and is offensive to the taste, is agreeable or no? There are herbs and unguents proper for one part o the body, that are hurtful to another; honey is pleasant to the taste, but offensive to the sight. They who, to assist their lust, used in ancient times to make use of magnifying-glasses to represent the members they were to employ bigger, by that ocular tumidity to please themselves the more; to which of their senses did they give the prize,—whether to the sight, that represented the members as large and great as they would desire, or to the feeling, which represented them little and contemptible? Are they our senses that supply the subject with these different conditions, and have the subjects themselves, nevertheless, but one? As we see in the bread we eat, it is nothing but bread, but, by being eaten, it becomes bones, blood, flesh, hair; and nails:—&#xA;&#xA;                Ut cibus in membra atque artus cum diditur omnes,&#xA;        Disperit,, atque aliam naturam sufficit ex se;&#xA;&#xA;                &amp;quot;As meats, diffus'd through all the members, lose&#xA;        Their former state, and different things compose;&amp;quot;&#xA;the humidity sucked up by the root of a tree becomes trunk, leaf, and fruit; and the air, being but one, is modulated, in a trumpet, to a thousand sorts of sounds; are they our senses, I would fain know, that, in like manner, form these subjects into so many divers qualities, or have they them really such in themselves? And upon this doubt what can we determine of their true essence? Moreover, since the accidents of disease, of raving, or sleep, make things appear otherwise to us than they do to the healthful, the wise, and those that are awake, is it not likely that our right posture of health and understanding, and our natural humours, have, also, wherewith to give a being to things that have a relation to their own condition, and accommodate them to themselves, as well as when they are disordered;—that health is as capable of giving them an aspect as sickness? Why has not the temperate a certain form of objects relative to it, as well as the intemperate? and why may it not as well stamp it with its own character as the other? He whose mouth is out of taste, says the wine is flat; the healthful man commends its flavour, and the thirsty its briskness. Now, our condition always accommodating things to itself, and transforming them according to its own posture, we cannot know what things truly are in themselves, seeing that nothing comes to us but what is falsified and altered by the senses. Where the compass, the square, and the rule, are crooked, all propositions drawn thence, and all buildings erected by those guides, must, of necessity, be also defective; the uncertainty of our senses renders every thing uncertain that they produce:—&#xA;&#xA;                 Denique ut in fabric, si prava est rgula prima,&#xA;         Normaque si fallax rectis regionibus exit,&#xA;         Et libella aliqu si ex parte claudicat hilum;&#xA;        Omnia mendose fieri, atque obstipa necessum est,&#xA;        Prava, cubantia, prona, supina, atque absona tecta;&#xA;        Jam ruere ut qudam videantux'velle, ruantque&#xA;        Prodita judiciis fallacibus omnia primis;&#xA;        Sic igitur ratio tibi reram prava necesse est,&#xA;        Falsaque sit, falsis qucunque ab sensibus orta est.&#xA;&#xA;                &amp;quot;But lastly, as in building, if the line&#xA;        Be not exact and straight, the rule decline,&#xA;        Or level false, how vain is the design!&#xA;        Uneven, an ill-shap'd and tottering wall&#xA;        Must rise; this part must sink, that part must fall,&#xA;        Because the rules were false that fashion'd all;&#xA;        Thus reason's rules are false if all commence&#xA;        And rise from failing and from erring sense.&amp;quot;&#xA;As to what remains, who can be fit to judge of and to determine those differences? As we say in controversies of religion that we must have a judge neither inclining to the one side nor the other, free from all choice and affection, which cannot be amongst Christians, just so it falls out in this; for if he be old he cannot judge of the sense of old age, being himself a party in the case; if young, there is the same exception; if healthful, sick, asleep, or awake, he is still the same incompetent judge. We must have some one exempt from all these propositions, as of things indifferent to him; and by this rule we must have a judge that never was.&#xA;&#xA;To judge of the appearances that we receive of subjects, we ought t have a deciding instrument; to verify this instrument we must have demonstration; to verify this demonstration an instrument; and here we are round again upon the wheel, and no further advanced. Seeing the senses cannot determine our dispute, being full of uncertainty themselves, it must then be reason that must do it; but no reason can be erected upon any other foundation than that of another reason; and so we run back to all infinity. Our fancy does not apply itself to things that are strange, but is conceived by the mediation of the senses; and the senses do not comprehend a foreign subject, but only their own passions; by which means fancy and appearance are no part of the subject, but only of the passion and sufferance of sense; which passion and subject are different things; wherefore whoever judges by appearances judges by another thing than the subject. And to say that the passions of the senses convey to the soul the quality of foreign subjects by resemblance, how can the soul and understanding be assured of this resemblance, having of itself no commerce with foreign subjects? As they who never knew Socrates cannot, when they see his picture, say it is like him. Now, whoever would, notwithstanding, judge by appearances, if it be by all, it is impossible, because they hinder one another by their contrarieties and discrepancies, as we by experience see: shall some select appearances govern the rest? you must verify this select by another select, the second by a third, and thus there will never be any end to it. Finally, there is no constant existence, neither of the objects' being nor our own; both we, and our judgments, and all mortal things, are evermore incessantly running and rolling; and consequently nothing certain can be established from the one to the other, both the judging and the judged being in a continual motion and mutation.&#xA;&#xA;We have no communication with being, by reason that all human nature is always in the middle, betwixt being bom and dying, giving but an obscure appearance and shadow, a weak and uncertain opinion of itself; and if, perhaps, you fix your thought to apprehend your being, it would be but like grasping water; for the more you clutch your hand to squeeze and hold what is in its own nature flowing, so much more you lose of what you would grasp and hold. So, seeing that all things are subject to pass from one change to another, reason, that there looks for a real substance, finds itself deceived, not being able to apprehend any thing that is subsistent and permanent, because that every thing is either entering into being, and is not yet arrived at it, or begins to die before it is bom. Plato said, that bodies had never any existence, but only birth; conceiving that Homer had made the Ocean and Thetis father and mother of the gods, to show us that all things are in a perpetual fluctuation, motion, and variation; the opinion of all the philosophers, as he says, before his time, Parmenides only excepted, who would not allow things to have motion, on the power whereof he sets a mighty value. Pythagoras was of opinion that all matter was flowing and unstable; the Stoics, that there is no time present, and that what we call so is nothing but the juncture and meeting of the future and the past; Heraclitus, that never any man entered twice into the same river; Epichar-mus, that he who borrowed money but an hour ago does not owe it now; and that he who was invited over-night to come the next day to dinner comes nevertheless uninvited, considering that they are no more the same men, but are become others; and that there could not a mortal substance be found twice in the same condition; for, by the suddenness and quickness of the change, it one while disperses, and another reunites; it comes and goes after such a manner that what begins to be born never arrives to the perfection of being, forasmuch as that birth is never finished and never stays, as being at an end, but from the seed is evermore changing and shifting one to another; as human seed is first in the mother's womb made a formless embryo, after delivered thence a sucking infant, afterwards it becomes a boy, then a youth, then a man, and at last a decrepit old man; so that age and subsequent generation is always destroying and spoiling that which went before:—&#xA;&#xA;             Mutt enira mundi naturam totius tas,&#xA;        Ex alioque alius status excipere omnia debet;&#xA;        Nec manet ulla sui similis res; omnia migrant,&#xA;        Omnia commutt natura, et vertere cogit.&#xA;&#xA;            &amp;quot;For time the nature of the world translates,&#xA;        And from preceding gives all things new states;&#xA;        Nought like itself remains, but all do range,&#xA;        And nature forces every thing to change.&amp;quot;&#xA;&amp;quot;And yet we foolishly fear one kind of death, whereas we have already passed, and do daily pass, so many others; for not only, as Heraclitus said, the death of fire is generation of air, and the death of air generation of water; but, moreover, we may more manifestly discern it in ourselves; manhood dies, and passes away when age comes on; and youth is terminated in the flower of age of a full-grown man, infancy in youth, and the first age dies in infancy; yesterday died in to-day, and to-day will die in to-morrow; and there is nothing that remains in the same state, or that is always the same thing. And that it is so let this be the proof; if we are always one and the same, how comes it to pass that we are now pleased with one thing, and by and by with another? How comes it to pass that we love or hate contrary things, that we praise or condemn them? How comes it to pass that we have different affections, and no more retain the same sentiment in the same thought? For it is not likely that without mutation we should assume other passions; and, that which suffers mutation does not remain the same, and if it be not the same it is not at all; but the same that the being is does, like it, unknowingly change and alter; becoming evermore another from another thing; and consequently the natural senses abuse and deceive themselves, taking that which seems for that which is, for want of well knowing what that which is, is. But what is it then that truly is? That which is eternal; that is to say, that never had beginning, nor never shall have ending, and to which time can bring no mutation. For time is a mobile thine, and that appears as in a shadow, with a matter evermore flowing and running, without ever remaining stable and permanent; and to which belong those words, before and after, has been, or shall be: which at the first sight, evidently show that it is not a thing that is; for it were a great folly, and a manifest falsity, to say that that is which is not et being, or that has already ceased to be. And as to these words, present, instant, and now, by which it seems that we principally support and found the intelligence of time, reason, discovering, does presently destroy it; for it immediately divides and splits it into the future and past, being of necessity to consider it divided in two. The same happens to nature, that is measured, as to time that measures it; for she has nothing more subsisting and permanent than the other, but all things are either born, bearing, or dying. So that it were sinful to say of God, who is he only who is, that he was, or that he shall be ; for those are terms of declension, transmutation, and vicissitude, of what cannot continue or remain in being; wherefore we are to conclude that God alone is, not according to any measure of time, but according to an immutable and an immovable eternity, not measured by time, nor subject to any declension; before whom nothing was, and after whom nothing shall be, either more new or more recent, but a real being, that with one sole now fills the for ever, and that there is nothing that truly is but he alone; without our being able to say, he has been, or shall be; without beginning, and without end.&amp;quot; To this so religious conclusion of a pagan I shall only add this testimony of one of the same condition, for the close of this long and tedious discourse, which would furnish me with endless matter: &amp;quot;What a vile and abject thing,&amp;quot; says he, &amp;quot;is man, if he do not raise himself above humanity!&amp;quot; 'Tis a good word and a profitable desire, but withal absurd; for to make the handle bigger than the hand, the cubic longer than the arm, and to hope to stride further than our legs can reach, is both impossible and monstrous; or that man should rise above himself and humanity; for he cannot see but with his eyes, nor seize but with his hold. He shall be exalted, if God will lend him an extraordinary hand; he shall exalt himself, by abandoning and renouncing his own proper means, and by suffering himself to be raised and elevated by means purely celestial. It belongs to our Christian faith, and not to the stoical virtue, to pretend to that divine and miraculous metamorphosis." PRODUCER="(P) 2021 Sony Music Entertainment France SAS" COVERARTID="044/MB4QXPDCSQNBGBIPHR3FBTNBIV4B" PLAYTIME="219" PLAYTIME_FLOAT="218.373337" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="24578"></INFO>
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<INFO BITRATE="937217" KEY_LYRICS="6 ContributorsCold Heart (Acoustic) Lyrics&#xA;It's a human sign&#xA;When things go wrong&#xA;When the scent of her lingers&#xA;And temptation's strong&#xA;&#xA;&#xA;Cold, cold heart&#xA;Hardened by you&#xA;Some things lookin' better, baby&#xA;Just passin' through (No, no, no, no, no)&#xA;&#xA;&#xA;And I think it's gonna be a long, long time&#xA;'Til touchdown brings me 'round again to find&#xA;I'm not the man they think I am at home&#xA;Oh no, no, no&#xA;And this is what I should have said&#xA;Well, I thought it, but I kept it in&#xA;&#xA;&#xA;Cold, cold heart&#xA;Hardened by you (Oh)&#xA;Some things lookin' better, baby&#xA;Just passin' through (No, no, no, no, no)&#xA;&#xA;And I think it's gonna be a long, long time&#xA;'Til touchdown brings me 'round again to find&#xA;I'm not the man they think I am at home&#xA;Oh no, no, no (No, no, no, no, no)&#xA;And this is what I should have ever said&#xA;Well, I thought it, but I kept it in (No, no, no, no, no)&#xA;&#xA;&#xA;Cold, cold heart&#xA;Hardened by you&#xA;Some things lookin' better, baby (Oh)&#xA;Just passin' through (No, no, no, no, no)&#xA;&#xA;&#xA;And I think it's gonna be a long, long time&#xA;'Til touchdown brings me 'round again to find&#xA;I'm not the man they think I am at home&#xA;Oh no, no, no (No, no, no, no, no)&#xA;And this is what I should have ever said (And I think it's gonna be a long, long time)&#xA;('Til touchdown brings me 'round again to find)&#xA;Well, I thought it, but I kept it in (I'm not the man they think I am at home)&#xA;(Oh, no, no, no)&#xA;(No, no, no, no, no)&#xA;&#xA;&#xA;(Oh)&#xA;(Oh)&#xA;(No, no, no, no, no)" PRODUCER="℗ 2021 Mercury Records Limited" COVERARTID="051/TBUFVUD104LYQAAMOMWVDHMTTU3A" PLAYTIME="203" PLAYTIME_FLOAT="202.735458" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="23472"></INFO>
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<INFO BITRATE="1069293" KEY_LYRICS="1 ContributorCAN’T STOP THE FEELING! (from DreamWorks Animation’s TROLLS”) LyricsUh&#xA;Yeah&#xA;Uh&#xA;Yeah&#xA;I got this feeling inside my bones&#xA;It goes electric, wavy when I turn it on&#xA;All through my city, all through my home&#xA;We're flying up, no ceiling, when we in our zone&#xA;I got that sunshine in my pocket&#xA;Got that good soul in my feet&#xA;I feel that hot blood in my body when it drops (ooh)&#xA;I can't take my eyes up off it, moving so phenomenally&#xA;Room on lock, the way we rock it, so don't stop&#xA;Under the lights when everything goes&#xA;Nowhere to hide when I'm getting you close&#xA;When we move, well, you already know&#xA;So just imagine, just imagine, just imagine&#xA;Nothing I can see but you when you dance, dance, dance&#xA;Feeling good, good, creeping up on you&#xA;So just dance, dance, dance, come on&#xA;All those things I shouldn't do&#xA;But you dance, dance, dance&#xA;And ain't nobody leaving soon, so keep dancing&#xA;I can't stop the feeling&#xA;So just dance, dance, dance&#xA;I can't stop the feeling&#xA;So just dance, dance, dance, come on&#xA;Ooh, it's something magical&#xA;It's in the air, it's in my blood, it's rushing on (rushing on)&#xA;I don't need no reason, don't need control (don't need control)&#xA;I fly so high, no ceiling, when I'm in my zone&#xA;'Cause I got that sunshine in my pocket&#xA;Got that good soul in my feet&#xA;I feel that hot blood in my body when it drops (ooh)&#xA;I can't take my eyes up off it, moving so phenomenally&#xA;Room on lock the way we rock it, so don't stop&#xA;Under the lights when everything goes&#xA;Nowhere to hide when I'm getting you close&#xA;When we move, well, you already know&#xA;So just imagine, just imagine, just imagine&#xA;Nothing I can see but you when you dance, dance, dance&#xA;Feeling good, good, creeping up on you&#xA;So just dance, dance, dance, come on&#xA;All those things I shouldn't&#xA;But you dance, dance, dance&#xA;And ain't nobody leaving soon, so keep dancing&#xA;I can't stop the feeling&#xA;So just dance, dance, dance&#xA;I can't stop the feeling&#xA;So just dance, dance, dance&#xA;I can't stop the feeling&#xA;So just dance, dance, dance&#xA;I can't stop the feeling&#xA;So keep dancing, come on&#xA;Oh, yeah, yeah&#xA;I can't stop the, I can't stop the&#xA;I can't stop the, I can't stop the&#xA;I can't stop the feeling&#xA;Nothing I can see but you when you dance, dance, dance&#xA;(I can't stop the feeling) feeling good, good, creeping up on you&#xA;So just dance, dance, dance, come on (I can't stop the feeling)&#xA;All those things I should do to you&#xA;But you dance, dance, dance (I can't stop the feeling)&#xA;And ain't nobody leaving soon, so keep dancing&#xA;Everybody sing (I can't stop the feeling)&#xA;Got this feeling in my body (I can't stop the feeling)&#xA;Got this feeling in my body (I can't stop the feeling)&#xA;Wanna see you move your body (I can't stop the feeling)&#xA;Got this feeling in my body&#xA;Break it down&#xA;Got this feeling in my body (uh, can't stop the feeling)&#xA;Got this feeling in my body, come on (ooh)" PRODUCER="(P) 2016 RCA Records/DreamWorks Animation LLC" COVERARTID="036/EVUFSVCBBGFLBDCLUL5SDA3CVRRB" PLAYTIME="237" PLAYTIME_FLOAT="236.001923" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="30990"></INFO>
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<INFO BITRATE="1080527" KEY_LYRICS="3 ContributorsPromised Land LyricsHouse music verging on gospel house, from the ever-optimistic Chicago house DJ, Joe Smooth.Oh yeah&#xA;&#xA;&#xA;Brothers, sisters, one day we will be free&#xA;From fighting, violence, people crying in the street&#xA;When the angels from above&#xA;Fall down and spread their wings like doves&#xA;As we walk hand in hand&#xA;Sister, brothers, we'll make it to the promised land&#xA;&#xA;You and I will walk the land&#xA;And as one, and as one, we'll take our stand&#xA;&#xA;" PRODUCER="Armada Music B.V." COVERARTID="110/OPJCK2BOUZ05QCTMPUH5AXWCGOQC" PLAYTIME="202" PLAYTIME_FLOAT="201.734375" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="26927"></INFO>
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<INFO BITRATE="933562" KEY_LYRICS="50 ContributorsTranslationsDeutschEspañolCan’t Get You Out of My Head Lyrics&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;&#xA;&#xA;I just can't get you out of my head&#xA;Boy, your loving is all I think about&#xA;I just can't get you out of my head&#xA;Boy, it's more than I dare to think about&#xA;&#xA;&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;&#xA;&#xA;I just can't get you out of my head&#xA;Boy, your loving is all I think about&#xA;I just can't get you out of my head&#xA;Boy, it's more than I dare to think about&#xA;&#xA;&#xA;Every night, every day&#xA;Just to be there in your arms&#xA;Won't you stay? Won't you lay?&#xA;Stay forever and ever and ever and ever&#xA;&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;&#xA;&#xA;I just can't get you out of my head&#xA;Boy, your loving is all I think about&#xA;I just can't get you out of my head&#xA;Boy, it's more than I dare to think about&#xA;&#xA;&#xA;There's a dark secret in me&#xA;Don't leave me locked in your heart&#xA;Set me free&#xA;Feel the need in me&#xA;Set me free&#xA;Stay forever and ever and ever and ever&#xA;&#xA;&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la&#xA;&#xA;La-la-la, la-la-la-la-la (I just can't get you out of my head)&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la (I just can't get you out of my head)&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la (I just can't get you out of my head)&#xA;La-la-la, la-la-la-la-la&#xA;La-la-la, la-la-la-la-la (I just can't get you out of my head)&#xA;La-la-la, la-la-la-la-la" PRODUCER="℗ 2001 Parlophone Records Ltd, a Warner Music Group Company" COVERARTID="055/XBZ20WBNFCIB1ANPFCJTBHAOMRYA" PLAYTIME="231" PLAYTIME_FLOAT="230.639999" IMPORT_DATE="2025/4/14" RELEASE_DATE="2002/1/1" FLAGS="12" FILESIZE="26383"></INFO>
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<INFO BITRATE="876347" KEY_LYRICS="4 ContributorsFinnegans Wake (Chap. 1.3) LyricsBhootniChest Cee! ‘Sdense! Corpo di barragio! you spoof of visibility in a freakfog, of mixed sex cases among goats hill cat and plain mousey, Bigamy Bob and his old Shanvocht! The Blackfriars treacle plaster outrage be liddled! Therewith was released in that kingsrick of Humidia a poisoning volume of cloud barrage indeed. Yet all they who heard or redelivered are now with that family of bards and Vergobretas himself and the crowd of Caraculacticors as much no more as be they not yet now or had they then not-ever been. Canbe in some future we shall presently here amid those zouave players of Inkermann the mime mumming the mick and his nick miming their maggies, Hilton St Just (Mr Frank Smith), Ivanne Ste Austelle (Mr J. F. Jones), Coleman of Lucan taking four parts, a choir of the O’Daley O’Doyles doublesixing the chorus in Fenn Mac Call and the Serven Feeries of Loch Neach, Galloper Troppler and Hurleyquinn the zitherer of the past with his merrymen all, zimzim, zimzim. Of the persins sin this Eyrawyg-gla saga (which, thorough readable to int from and, is from tubb to buttom all falsetissues, antilibellous and nonactionable and this applies to its whole wholume) of poor Osti–Fosti, described as quite a musical genius in a small way and the owner of an exceedingly niced ear, with tenorist voice to match, not alone, but a very major poet of the poorly meritary order (he began Tuonisonian but worked his passage up as far as the we-all-hang-together Animandovites) no one end is known. If they whistled him before he had curtains up they are whistling him still after his curtain’s doom’s doom. Ei f —. His husband, poor old A’Hara (Okaroff?) crestfallen by things and down at heels at the time, they squeak, accepted the (Zassnoch!) ardree’s shilling at the conclusion of the Crimean war and, having flown his wild geese, alohned in crowds to warnder on like Shuley Luney, enlisted in Tyrone’s horse, the Irish whites, and soldiered a bit with Wolsey under the assumed name of Blanco Fusilovna Buck-lovitch (spurious) after which the cawer and the marble halls of Pump Court Columbarium, the home of the old seakings, looked upon each other and queth their haven evermore for it transpires that on the other side of the water it came about that on the field of Vasileff’s Cornix inauspiciously with his unit he perished, saying, this papal leafless to old chap give, rawl chaw-clates for mouther-inlouth. Booil. Poor old dear Paul Horan, to satisfy his literary as well as his criminal aspirations, at the suggestion thrown out by the doomster in loquacity lunacy, so says the Dublin Intelligence, was thrown into a Ridley’s for inmates in the northern counties. Under the name of Orani he may have been the utility man of the troupe capable of sustaining long parts at short notice. He was. Sordid Sam, a dour decent deblancer, the unwashed, haunted always by his ham, the unwished, at a word from Israfel the Summoner, passed away painlessly after life’s upsomdowns one hallowe’en night, ebbrous and in the state of nature, propelled from Behind into the great Beyond by footblows coulinclouted upon his oyster and atlas on behanged and behooved and behicked and behulked of his last fishandblood bedscrappers, a Northwegian and his mate of the Sheawolving class. Though the last straw glimt his baring this stage thunkhard is said (the pitfallen gagged him as ‘Promptboxer’) to have solemnly said — as had the brief thot but fell in till his head like a bass dropt neck fust in till a bung crate (cogged!): Me drames, O’Loughlins, has come through! Now let the centuple celves of my egourge as Micholas de Cusack calls them, — of all of whose I in my hereinafter of course by recourse demission me — by the coincidance of their contraries reamalgamerge in that indentity of undiscernibles where the Baxters and the Fleshmans may they cease to bidivil uns and (but at this poingt though the iron thrust of his cockspurt start might have prepared us we are well-nigh stinkpotthered by the mustardpunge in the tailend) this outandin brown candlestock melt Nolan’s into peese! Han var. Disliken as he was to druriodrama, her wife Langley, the prophet, and the decentest dozendest short of a frusker whoever stuck his spickle through his spoke, disappeared, (in which toodooing he has taken all the French leaves unveilable out of Calomne-quiller’s Pravities) from the sourface of this earth, that austral plain he had transmaried himself to, so entirely spoorlessly (the mother of the book with a dustwhisk tabularasing his obliteration done upon her involucrum) as to tickle the speculative to all but opine (since the Levey who might have been Langley may have really been a redivivus of paganinism or a volunteer Vousden) that the hobo (who possessed a large amount of the humoresque) had transtuled his funster’s latitat to its finsterest interrimost. Bhi she. Again, if Father San Browne, tea and toaster to that quaint-esttest of yarnspinners is Padre Don Bruno, treu and troster to the queen of Iar–Spain, was the reverend, the sodality director, that eupeptic viceflayer, a barefaced carmelite, to whose palpi-tating pulpit (which of us but remembers the rarevalent and hornerable Fratomistor Nawlanmore and Brawne.) sinning society sirens (see the  presspassim) fortunately became so enthusiastically attached and was an objectionable ass who very occasionally cockaded a raffles ticket on his hat which he wore all to one side like the hangle of his pan (if Her Elegance saw him she’d have the canary!) and was semiprivately convicted of mal-practices with his hotwashed tableknife (glossing over the cark in his pocket) that same snob of the dunhill, fully several year-schaums riper, encountered by the General on that redletter morning or maynoon jovesday and were they? Fuitfuit.&#xA;&#xA;When Phishlin Phil wants throws his lip ’tis pholly to be fortune flonting and whoever’s gone to mix Hotel by the salt say water there’s nix to nothing we can do for he’s never again to sea. It is nebuless an autodidact fact of the commonest that the shape of the average human cloudyphiz, whereas sallow has long daze faded, frequently altered its ego with the possing of the showers (Not original!). Whence it is a slopperish matter, given the wet and low visibility (since in this scherzarade of one’s thousand one nightinesses that sword of certainty which would indentifide the body never falls) to idendifine the individuone in scratch wig, squarecuts, stock lavaleer, regattable oxeter, baggy pants and shufflers (he is often alluded to as Slypatrick, the llad in the llane) with already an incipience (lust!) in the direction of area baldness (one is continually firstmeeting with odd sorts of others at all sorts of ages!) who was asked by free boardschool shirkers in drenched coats overawall, Will, Conn and Otto, to tell them overagait, Vol, Pov and Dev, that fishabed ghoatstory of the haardly creditable edventyres of the Haberdasher, the two Cur-chies and the three Enkelchums in their Bearskin ghoats! Girles and jongers, but he has changed alok syne Thorkill’s time! Ya, da, tra, gathery, pimp, shesses, shossafat, okodeboko, nine! Those many warts, those slummy patches, halfsinster wrinkles, (what has come over the face on wholebroader E?), and (shrine of Mount Mu save us!) the large fungopark he has grown! Drink!&#xA;&#xA;Sport’s a common thing. It was the Lord’s own day for damp (to wait for a postponed regatta’s eventualising is not of Battlecock Shettledore — Juxta — Mare only) and the request for a fully armed explanation was put (in Loo of Pat) to the porty (a native of the sisterisle — Meathman or Meccan? — by his brogue, ex-race eyes, lokil calour and lucal odour which are said to have been average clownturkish (though the capelist’s voiced nasal liquids and the way he sneezed at zees haul us back to the craogs and bryns of the Silurian Ordovices) who, the lesser pilgrimage accomplished, had made, pats’ and pigs’ older inselt, the south-east bluffs of the stranger stepshore, a regifugium persecutorum, hence hindquarters) as he paused at evenchime for some or so minutes (hit the pipe dannyboy! Time to won, barmon. I’ll take ten to win.) amid the devil’s one duldrum (Apple by her blossom window and Charlotte at her toss panomancy his sole admirers, his only tearts in store) for a fragrend culubosh during his week- end pastime of executing with Anny Oakley deadliness (the consummatory pairs of provocatives, of which remained provokingly but two, the ones he fell for, Lili and Tutu, cork em!) empties which had not very long before contained Reid’s family (you ruad that before, soaky, but all the bottles in sodemd histry will not soften your bloodathirst!) stout. Having reprimed his repeater and resiteroomed his timespiece His Revenances, with still a life or two to spare for the space of his occupancy of a world at a time, rose to his feet and there, far from Tolkaheim, in a quiet English garden (commonplace!), since known as Whiddington Wild, his simple intensive curolent vocality, my dearbraithers, my most dearbrathairs, as he, so is a supper as is a sipper, spake of the One and told of the Compassionate, called up before the triad of precoxious scaremakers (scoretaking: Spegulo ne helpas al mal-bellulo, Mi Kredas ke vi estas prava, Via dote la vizago rispondas fraulino) the now to ushere mythical habiliments of Our Farfar and Arthor of our doyne.&#xA;&#xA;Television kills telephony in brothers’ broil. Our eyes de-mand their turn. Let them be seen! And wolfbone balefires blaze the trailmost if only that Mary Nothing may burst her bibby buckshee. When they set fire then she’s got to glow so we may stand some chances of warming to what every soorkabatcha, tum or hum, would like to know. The first Humphrey’s latitu-dinous baver with puggaree behind, (calaboose belong bigboss belong Kang the Toll) his fourinhand bow, his elbaroom surtout, the refaced unmansionables of gingerine hue, the state slate umbrella, his gruff woolselywellesly with the finndrinn knopfs and the gauntlet upon the hand which in an hour not for him solely evil had struck down the might he mighthavebeen d’Est-erre of whom his nation seemed almost already to be about to have need. Then, stealing his thunder, but in the befitting le-gomena of the smaller country, (probable words, possibly said, of field family gleaming) a bit duskish and flavoured with a smile, seein as ow his thoughts consisted chiefly of the cheerio, he aptly sketched for our soontobe second parents (sukand see whybe!) the touching seene. The solence of that stilling! Here one might a fin fell. Boomster rombombonant! It scenes like a landescape from Wildu Picturescu or some seem on some dimb Arras, dumb as Mum’s mutyness, this mimage of the seventyseventh kusin of kristansen is odable to os across the wineless Ere no þdor nor mere eerie nor liss potent of suggestion than in the tales of the tingmount. (Prigged!)&#xA;&#xA;And there oftafter, jauntyjogging, on an Irish visavis, instea-dily with shoulder to shoulder Jehu will tell to Christianier, saint to sage, the humphriad of that fall and rise while daisy winks at her pinker sister among the tussocks and the copoll between the shafts mocks the couple on the car. And as your who may look like how on the owther side of his big belttry your tyrs and cloes your noes and paradigm maymay rererise in eren. Follow we up his whip vindicative. Thurston’s! Lo bebold! La arboro, lo petrusu. The augustan peacebetothem oaks, the monolith rising stark from the moonlit pinebarren. In all fortitudinous ajaxious rowdinoisy tenuacity. The angelus hour with ditchers bent upon their farm usetensiles, the soft belling of the fallow deers (doereh-moose genuane!) advertising their milky approach as midnight was striking the hours (letate!), and how brightly the great tri-bune outed the sharkskin smokewallet (imitation!) from his frock, kippers, and by Joshua, he tips un a topping swank cheroot, none of your swellish soide, quoit the reverse, and how manfally he says, pluk to pluk and lekan for lukan, he was to just pluggy well suck that brown boyo, my son, and spend a whole half hour in Havana. Sorer of the kreeksmen, would not thore be old high gothsprogue! Wherefore he met Master, he mean to say, he do, sire, bester of redpublicans, at Eagle Cock Hostel on Lorenzo Tooley street and how he wished his Honour the ban-nocks of Gort and Morya and Bri Head and Puddyrick, yore Loudship, and a starchboxsitting in the pit of his St Tomach’s, — a strange wish for you, my friend, and it would poleaxe your sonson’s grandson utterly though your own old sweatandswear floruerunts heaved it hoch many as the times, when they were turrified by the hitz.&#xA;&#xA;Chee chee cheers for Upkingbilly and crow cru cramwells Downaboo! Hup, boys, and hat him! See! Oilbeam they’re lost we’ve fount rerembrandtsers, their hours to date link these heirs to here but wowhere are those yours of Yestersdays? Farseeinge-therich and Poolaulwoman Charachthercuss and his Ann van Vogt. D.e.e.d! Edned, ended or sleeping soundlessly? Favour with your tongues! Intendite!&#xA;&#xA;Any dog’s life you list you may still hear them at it, like sixes and seventies as eversure as Halley’s comet, ulemamen, sobran-jewomen, storthingboys and dumagirls, as they pass its bleak and bronze portal of your Casaconcordia: Huru more Nee, minny frickans? Hwoorledes har Dee de* Losdoor onleft mladies, cue. Millecientotrigintadue scudi. Tippoty, kyrie, tippoty. Cha kai rotty kai makkar, sahib? Despenseme Usted, senhor, en son suc-co, sabez. O thaw bron orm, A’Cothraige, thinkinthou gaily? Lick–Pa-flai-hai-pa-Pa-li-si-lang-lang. Epi alo, ecou, Batiste, tu-vavnr dans Lptit boing going. Ismeme de bumbac e meias de por — tocallie. O.O. Os pipos mios es demasiada gruarso por O pic — colo pocchino. Wee fee? Ung duro. Kocshis, szabad? Mercy, and you? Gomagh, thak.&#xA;&#xA;And, Cod, says he with mugger’s tears: Would you care to know the prise of a liard? Maggis, nick your nightynovel! Mass Travener’s at the mike again! And that bag belly is the buck to goat it! Meggeg, m’gay chapjappy fellow, I call our univalse to witness, as sicker as moyliffey eggs is known by our good househalters from yorehunderts of mamooth to be which they commercially are in ahoy high British quarters (conventional!) my guesthouse and cowhaendel credits will immediately stand ohoh open as straight as that neighbouring monument’s fabrication before the hygienic gllll (this was where the reverent sab — both and bottlebreaker with firbalk forthstretched touched upon his tricoloured boater, which he uplifted by its pickledhoopy (he gave Stetson one and a penny for it) whileas oleaginosity of an-cestralolosis sgocciolated down the both pendencies of his mut — sohito liptails (Sencapetulo, a more modestuous conciliabulite never curled a tom pocketmouth), cordially inwiting the adul-lescence who he was wising up to do in like manner what all did so as he was able to add) lobe before the Great Schoolmaster’s. (I tell you no story.) Smile!&#xA;&#xA;The house of Atreox is fallen indeedust (Ilyam, Ilyum! Mae-romor Mournomates!) averging on blight like the mundibanks of Fennyana, but deeds bounds going arise again. Life, he himself said once, (his biografiend, in fact, kills him verysoon, if yet not, after) is a wake, livit or krikit, and on the bunk of our bread-winning lies the cropse of our seedfather, a phrase which the establisher of the world by law might pretinately write across the chestfront of all manorwombanborn. The scene, refreshed, reroused, was never to be forgotten, the hen and crusader ever-intermutuomergent, for later in the century one of that puisne band of factferreters, (then an excivily (out of the custom huts) (retired), (hurt), under the sixtyfives act) in a dressy black modern style and wewere shiny tan burlingtons, (tam, homd and dicky, quopriquos and peajagd) rehearsed it, pippa pointing, with a dignified (copied) bow to a namecousin of the late archdeacon F. X. Preserved Coppinger (a hot fellow in his night, may the mouther of guard have mastic on him!) in a pullwoman of our first transhibernian with one still sadder circumstance which is a dirkandurk heartskewerer if ever to bring bouncing brimmers from marbled eyes. Cycloptically through the windowdisks and with eddying awes the round eyes of the rundreisers, back to back, buck to bucker, on their airish chaunting car, beheld with intouristing anterestedness the clad pursue the bare, the bare the green, the green the frore, the frore the cladagain, as their convoy wheeled encirculingly abound the gigantig’s lifetree, our fire-leaved loverlucky blomsterbohm, phoenix in our woodlessness, haughty, cacuminal, erubescent (repetition!) whose roots they be asches with lustres of peins. For as often as the Archicadenus, pleacing aside his Irish Field and craving their auriculars to re-cepticle particulars before they got the bump at Castlebar (mat and far!) spoke of it by request all, hearing in this new reading of the part whereby, because of Dyas in his machina, the new garrickson’s grimacing grimaldism hypostasised by substintuation the axiomatic orerotundity of that once grand old elrington bawl, the copycus’s description of that fellowcommuter’s play upon countenants, could simply imagine themselves in their bo-som’s inmost core, as pro tem locums, timesported acorss the yawn — ing (abyss), as once they were seasiders, listening to the cockshy — shooter’s evensong evocation of the doomed but always ventri — loquent Agitator, (nonot more plangorpound the billows o’er Thounawahallya Reef!) silkhouatted, a whallrhosmightiadd, a-ginsst the dusk of skumring, (would that fane be Saint Muezzin’s calling — holy places! — and this fez brimless as brow of faithful toucher of the ground, did wish it were — blessed be the bones! — the ghazi, power of his sword.) his manslayer’s gunwielder protended towards that overgrown leadpencil which was soon, monumentally at least, to rise as Molyvdokondylon to, to be, to be his mausoleum (O’dan stod tillsteyne at meisies aye skould show pon) while olover his exculpatory features, as Roland rung, a wee dropeen of grief about to sillonise his jouejous, the ghost of resignation diffused a spectral appealingness, as a young man’s drown o’er the fate of his waters may gloat, similar in origin and akkurat in effective to a beam of sunshine upon a coffin plate.&#xA;&#xA;Not olderwise Inn the days of the Bygning would our Travel-ler remote, unfriended, from van Demon’s Land, some lazy skald or maundering pote, lift wearywilly his slowcut snobsic eyes to the semisigns of his zooteac and lengthily lingering along flaskneck, cracket cup, downtrodden brogue, turfsod, wild-broom, cabbageblad, stockfisch, longingly learn that there at the Angel were herberged for him poteen and tea and praties and baccy and wine width woman wordth warbling: and informally quasi-begin to presquesm’ile to queasithin’ (Nonsense! There was not very much windy Nous blowing at the given moment through the hat of Mr Melancholy Slow!)&#xA;&#xA;But in the pragma what formal cause made a smile of that to-think? Who was he to whom? (O’Breen’s not his name nor the brown one his maid.) Whose are the placewheres? Kiwasti, kis-ker, kither, kitnabudja? Tal the tem of the tumulum. Giv the gav of the grube. Be it cudgelplayers’ country, orfishfellows’ town or leeklickers’ land or panbpanungopovengreskey. What regnans raised the rains have levelled but we hear the pointers and can gauge their compass for the melos yields the mode and the mode the manners plicyman, plansiman, plousiman, plab. Tsin tsin tsin tsin! The forefarther folkers for a prize of two peaches with Ming, Ching and Shunny on the lie low lea. We’ll sit down on the hope of the ghouly ghost for the titheman troubleth but his hantitat hies not here. They answer from their Zoans; Hear the four of them! Hark torroar of them! I, says Armagh, and a’m proud o’it. I, says Clonakilty, God help us! I, says Deansgrange, and say nothing. I, says Barna, and whatabout it? Hee haw! Be-fore he fell hill he filled heaven: a stream, alplapping streamlet, coyly coiled um, cool of her curls: We were but thermites then, wee, wee. Our antheap we sensed as a Hill of Allen, the Barrow for an People, one Jotnursfjaell: and it was a grummelung amung the porktroop that wonderstruck us as a thunder, yunder.&#xA;&#xA;Thus the unfacts, did we possess them, are too imprecisely few to warrant our certitude, the evidencegivers by legpoll too untrustworthily irreperible where his adjugers are semmingly freak threes but his judicandees plainly minus twos. Neverthe-less Madam’s Toshowus waxes largely more lifeliked (entrance, one kudos; exits, free) and our notional gullery is now com-pletely complacent, an exegious monument, aerily perennious. Oblige with your blackthorns; gamps, degrace! And there many have paused before that exposure of him by old Tom Quad, a flashback in which he sits sated, gowndabout, in clericalease ha-bit, watching bland sol slithe dodgsomely into the nethermore, a globule of maugdleness about to corrugitate his mild dewed cheek and the tata of a tiny victorienne, Alys, pressed by his limper looser.&#xA;&#xA;Yet certes one is. Eher the following winter had overed the pages of nature’s book and till Ceadurbar-atta-Cleath became Dablena Tertia, the shadow of the huge outlander, maladik, mult-vult, magnoperous, had bulked at the bar of a rota of tribunals in manor hall as in thieves’ kitchen, mid pillow talk and chithouse chat, on Marlborough Green as through Molesworth Fields, here sentenced pro tried with Jedburgh justice, there acquitted con testimony with benefit of clergy. His Thing Mod have undone him: and his madthing has done him man. His beneficiaries are legion in the part he created: they number up his years. Greatwheel Dunlop was the name was on him: behung, all we are his bisaacles. As hollyday in his house so was he priest and king to that: ulvy came, envy saw, ivy conquered. Lou! Lou! They have waved his green boughs o’er him as they have torn him limb from lamb. For his muertification and uxpiration and dumnation and annu-hulation. With schreis and grida, deprofound souspirs. Steady, sullivans! Mannequins pause! Longtong’s breach is fallen down but Graunya’s spreed’s abroad. Ahdostay, feedailyones, and feel the Flucher’s bawls for the total of your flouts is not fit to fan his fettle, O! Have a ring and sing wohl! Chin, chin! Chin, chin! And of course all chimed din width the eatmost boviality. Swiping rums and beaunes and sherries and ciders and negus and cit — ronnades too. The strongers. Oho, oho, Mester Begge, you’re about to be bagged in the bog again. Bugge. But softsies seuf-sighed: Eheu, for gassies! But, lo! lo! by the threnning gods, human, erring and condonable, what the statues of our kuo, who is the messchef be our kuang, ashu ashure there, the unforgettable treeshade looms up behind the jostling judgements of those, as all should owe, malrecapturable days.&#xA;Tap and pat and tapatagain, (fire firstshot, Missiers the Refusel-eers! Peingpeong! For saxonlootie!) three tommix, soldiers free, cockaleak and cappapee, of the Coldstream. Guards were walking, in (pardonnez-leur, je vous en prie, eh?) Montgomery Street. One voiced an opinion in which on either wide (pardonnez!), nod-ding, all the Finner Camps concurred (je vous en prie, eh?). It was the first woman, they said, souped him, that fatal wellesday, Lili Coninghams, by suggesting him they go in a field. Wroth mod eldfar, ruth redd stilstand, wrath wrackt wroth, confessed private Pat Marchison retro. (Terse!) Thus contenters with san-toys play. One of our coming Vauxhall ontheboards who is resting for the moment (she has been callit by a noted stagey ele-cutioner a wastepacket Sittons) was interfeud in a waistend pewty parlour. Looking perhaps even more pewtyflushed in her cherry- derry padouasoys, girdle and braces by the halfmoon and Seven Stars, russets from the Blackamoor’s Head, amongst the climbing boys at his Eagle and Child and over the corn and hay emptors at their Black and All Black, Mrs F . . . A . . . saidaside, half in stage of whisper to her confidante glass, while recoopering her cartwheel chapot (ahat! — and we now know what thimbles a baquets on lallance a talls mean), she hoped Sid Arthar would git a Chrissman’s portrout of orange and lemonsized orchids with hollegs and ether, from the feeatre of the Innocident, as the worryld had been uncained. Then, while it is odrous comparisoning to the sprangflowers of his burstday which was a virid — able goddinpotty for the reinworms and the charlattinas and all branches of climatitis, it has been such a wanderful noyth untirely, added she, with many regards to Maha’s pranjapansies. (Tart!) Prehistoric, obitered to his dictaphone an entychologist: his pro-penomen is a properismenon. A dustman nocknamed Seven — churches in the employ of Messrs Achburn, Soulpetre and Ashreborn, prairmakers, Glintalook, was asked by the sisterhood the vexed question during his midday collation of leaver and buckrom alternatively with stenk and kitteney phie in a hash-housh and, thankeaven, responsed impulsively: We have just been propogandering his nullity suit and what they took out of his ear among my own crush. All our fellows at O’Dea’s sages with Aratar Calaman he is a cemented brick, buck it all! A more nor usually sober cardriver, who was jauntingly hosing his runabout, Ginger Jane, took a strong view. Lorry hosed her as he talked and this is what he told rewritemen: Irewaker is just a plain pink joint reformee in private life but folks all have it by brehemons laws he has parliamentary honours. Eiskaffier said (Louigi’s, you know that man’s, brillant Savourain): Mon foie, you wish to ave some homelette, yes, lady! Good, mein leber! Your hegg he must break himself See, I crack, so, he sit in the poele, umbedimbt! A perspirer (over sixty) who was keeping up his tennises panted he kne ho har twa to clect infamatios but a diffpair flannels climb wall and trespassing on doorbell. After fullblown Braddon hear this fresky troterella! A railways barmaid’s view (they call her Spilltears Rue) was thus expressed: to sympathisers of the Dole Line, Death Avenue, anent those objects of her pity-prompted ministrance, to wet, man and his syphon. Ehim! It is ever too late to whissle when Phyllis floods her stable. It would be skar-lot shame to jailahim in lockup, as was proposed to him by the Seddoms creature what matter what merrytricks went off with his revulverher in connections with ehim being a norphan and enjoining such wicked illth, ehim! Well done, Drumcollakill! Kitty Tyrrel is proud of you, was the reply of a B.O.T. official (O blame gnot the board!) while the Daughters Benkletter mur-mured in uniswoon: Golforgilhisjurylegs! Brian Lynsky, the cub curser, was questioned at his shouting box, Bawlonabraggat, and gave a snappy comeback, when saying: Paw! Once more I’ll hellbowl! I am for caveman chase and sahara sex, burk you! Them two bitches ought to be leashed, canem! Up hog and hoar hunt! Paw! A wouldbe martyr, who is attending on sanit Asitas where he is being taught to wear bracelets, when grilled on the point, revealed the undoubted fact that the consequence would be that so long as Sankya Moondy played his mango tricks under the mysttetry, with shady apsaras sheltering in his leaves’ licence and his shadowers torrifried by the potent bolts of indradiction, there would be fights all over Cuxhaven. (Tosh!) Missioner Ida Womb-well, the seventeenyearold revivalist, said concerning the coinci — dent of interfizzing with grenadines and other respectable and disgusted peersons using the park: That perpendicular person is a brut! But a magnificent brut! ‘Caligula’ (Mr Danl Magrath, bookmaker, wellknown to Eastrailian poorusers of the Sydney Parade Ballotin) was, as usual, antipodal with his: striving todie, hopening tomellow, Ware Splash. Cobbler. We have meat two hourly, sang out El Caplan Buycout, with the famous padre’s turridur’s capecast, meet too ourly, matadear! Dan Meiklejohn, precentor, of S.S. Smack and Olley’s was probiverbal with his upsiduxit: mutatus mutandus. Dauran’s lord (‘Sniffpox’) and Moir-gan’s lady (‘Flatterfun’) took sides and crossed and bowed to each other’s views and recrossed themselves. The dirty dubs upin their flies, went too free, echoed the dainly drabs downin their scenities, una mona. Sylvia Silence, the girl detective (Meminerva, but by now one hears turtlings all over Doveland!) when supplied with informations as to the several facets of the case in her cozy-dozy bachelure’s flat, quite overlooking John a’Dream’s mews, leaned back in her really truly easy chair to query restfully through her vowelthreaded syllabelles: Have you evew thought, wepow-tew, that sheew gweatness was his twadgedy? Nevewtheless ac — cowding to my considewed attitudes fow this act he should pay the full penalty, pending puwsuance, as pew Subsec. 32, section II, of the C. L. A. act 1885, anything in this act to the contwawy notwithstanding. Jarley Jilke began to silke for he couldn’t get home to Jelsey but ended with: He’s got the sack that helped him moult instench of his gladsome rags. Meagher, a naval rating, seated on one of the granite cromlech setts of our new fish-shambles for the usual aireating after the ever popular act, with whom were Questa and Puella, piquante and quoite, (this had a cold in her brain while that felt a sink in her summock, wit’s wat, wot’s wet) was encouraged, although nearvanashed himself, by one of his co-affianced to get your breath, Walt, and gobbit and when ther chidden by her fastra sastra to saddle up your pance, Naville, thus cor replied to her other’s thankskissing: I lay my two fingerbuttons, fiancee Meagher, (he speaks!) he was to blame about your two velvetthighs up Horniman’s Hill — as hook and eye blame him or any other piscman? — but I also think, Puellywally, by the siege of his trousers there was some-one else behind it — you bet your boughtem blarneys — about their three drummers down Keysars Lane. (Trite!).&#xA;Be these meer marchant taylor’s fablings of a race referend with oddman rex? Is now all seenheard then forgotten? Can it was, one is fain in this leaden age of letters now to wit, that so diversified outrages (they have still to come!) were planned and partly carried out against so staunch a covenanter if it be true than any of those recorded ever took place for many, we trow, beyessed to and denayed of, are given to us by some who use the truth but sparingly and we, on this side ought to sorrow for their pricking pens on that account. The seventh city, Urovivla, his citadear of refuge, whither (would we believe the laimen and their counts), beyond the outraved gales of Atreeatic, changing clues with a baggermalster, the hejirite had fled, silentioussue-meant under night’s altosonority, shipalone, a raven of the wave, (be mercy, Mara! A he whence Rahoulas!) from the ostmen’s dirtby on the old vic, to forget in expiating manslaughter and, reberthing in remarriment out of dead seekness to devine previ-dence, (if you are looking for the bilder deep your ear on the movietone!) to league his lot, palm and patte, with a papishee. For mine qvinne I thee giftake and bind my hosenband I thee halter. The wastobe land, a lottuse land, a luctuous land, Emerald-illuim, the peasant pastured, in which by the fourth commandment with promise his days apostolic were to be long by the abundant mercy of Him Which Thundereth From On High, murmured, would rise against him with all which in them were, franchisab-les and inhabitands, astea as agora, helotsphilots, do him hurt, poor jink, ghostly following bodily, as were he made a curse for them, the corruptible lay quick, all saints of incorruption-of-an holy nation, the common or ere-ingarden castaway, in red re-surrection to condemn so they might convince him, first pha — roah, Humpheres Cheops Exarchas, of their proper sins. Busi — ness bred to speak with a stiff upper lip to all men and most occa — sions the Man we wot of took little short of fighting chances but for all that he or his or his care were subjected to the horrors of the premier terror of Errorland. (perorhaps!)&#xA;&#xA;We seem to us (the real Us!) to be reading our Amenti in the sixth sealed chapter of the going forth by black. It was after the show at Wednesbury that one tall man, humping a suspicious parcel, when returning late amid a dense particular on his home way from the second house of the Boore and Burgess Christy Menestrels by the old spot, Roy’s Corner, had a barkiss revolver placed to his faced with the words: you’re shot, major: by an unknowable assailant (masked) against whom he had been jealous over, Lotta Crabtree or Pomona Evlyn. More than that Whenn the Waylayer (not a Lucalizod diocesan or even of the Glenda-lough see, but hailing fro’ the prow of Little Britain), mention — ing in a bytheway that he, the crawsopper, had, in edition to Reade’s cutless centiblade, a loaded Hobson’s which left only twin alternatives as, viceversa, either he would surely shoot her, the aunt, by pistol, (she could be okaysure of that!) or, failing of such, bash in Patch’s blank face beyond recognition, pointedly asked with gaeilish gall wodkar blizzard’s business Thornton had with that Kane’s fender only to be answered by the aggravated assaulted that that that was the snaps for him, Midweeks, to sultry well go and find out if he was showery well able. But how trans-paringly nontrue, gentlewriter! His feet one is not a tall man, not at all, man. No such parson. No such fender. No such lumber. No such race. Was it supposedly in connection with a girls, Myramy Huey or Colores Archer, under Flaggy Bridge (for ann there is but one liv and hir newbridge is her old) or to explode his twelvechamber and force a shrievalty entrance that the heavybuilt Abelbody in a butcherblue blouse from One Life One Suit (a men’s wear store), with a most decisive bottle of single in his possession, seized after dark by the town guard at Haveyou-caught-emerod’s temperance gateway was there in a gate’s way.&#xA;&#xA;Fifthly, how parasoliloquisingly truetoned on his first time of hearing the wretch’s statement that, muttering Irish, he had had had o’gloriously a’lot too much hanguest or hoshoe fine to drink in the House of Blazes, the Parrot in Hell, the Orange Tree, the Glibt, the Sun, the Holy Lamb and, lapse not leashed, in Ramitdown’s ship hotel since the morning moment he could dixtinguish a white thread from a black till the engine of the laws declosed unto Murray and was only falling fillthefluthered up against the gatestone pier which, with the cow’s bonnet a’top o’it, he falsetook for a cattlepillar with purest peaceablest intentions. Yet how lamely hobbles the hoy of his then pseudo-jocax axplanation how, according to his own story, he vas a process server and was merely trying to open zozimus a bottlop stoub by mortially hammering his magnum bonum (the curter the club the sorer the savage) against the bludgey gate for the boots about the swan, Maurice Behan, who hastily into his shoes with nothing his hald barra tinnteack and came down with homp, shtemp and jumphet to the tiltyard from the wastes a’sleep in his obi ohny overclothes or choker, attracted by the norse of guns playing Delandy is cartager on the raglar rock to Dulyn, said war’ prised safe in bed as he dreamed that he’d wealthes in mor-mon halls when wokenp by a fourth loud snore out of his land of byelo while hickstrey’s maws was grazing in the moonlight by hearing hammering on the pandywhank scale emanating from the blind pig and anything like it (oonagh!oonagh!) in the whole history of the Mullingcan Inn he never. This battering babel allower the door and sideposts, he always said, was not in the very remotest like the belzey babble of a bottle of boose which would not rouse him out o’ slumber deep but reminded him loads more of the martiallawsey marses of foreign musi-kants’ instrumongs or the overthrewer to the third last days of Pompery, if anything. And that after this most nooningless knockturn the young reine came down desperate and the old liffopotamus started ploring all over the plains, as mud as she cud be, ruinating all the bouchers’ schurts and the backers’ wischandtugs so that be the chandeleure of the Rejaneyjailey they were all night wasching the walters of, the weltering walters off. Whyte.&#xA;&#xA;Just one moment. A pinch in time of the ideal, musketeers! Alphos, Burkos and Caramis, leave Astrelea for the astrollajerries and for the love of the saunces and the honour of Keavens pike puddywhackback to Pamintul. And roll away the reel world, the reel world, the reel world! And call all your smokeblushes, Snowwhite and Rosered, if you will have the real cream! Now for a strawberry frolic! Filons, filoosh! Cherchons la flamme! Famm-famm! Fammfamm!&#xA;&#xA;Come on, ordinary man with that large big nonobli head, and that blanko berbecked fischial ekksprezzion Machinsky Scapolo-polos, Duzinascu or other. Your machelar’s mutton leg’s getting musclebound from being too pulled. Noah Beery weighed stone thousand one when Hazel was a hen. Now her fat’s falling fast. Therefore, chatbags, why not yours? There are 29 sweet reasons why blossomtime’s the best. Elders fall for green almonds when they’re raised on bruised stone root ginger though it winters on their heads as if auctumned round their waistbands. If you’d had pains in your hairs you wouldn’t look so orgibald. You’d have Colley Macaires on your lump of lead. Now listen, Mr Leer! And stow that sweatyfunnyadams Simper! Take an old geeser who calls on his skirt. Note his sleek hair, so elegant, tableau vivant. He vows her to be his own honeylamb, swears they will be papa pals, by Sam, and share good times way down west in a guaranteed happy lovenest when May moon she shines and they twit twinkle all the night, combing the comet’s tail up right and shooting popguns at the stars. Creampuffs all to dime! Every nice, missymackenzies! For dear old grumpapar, he’s gone on the razzledar, through gazing and crazing and blazing at the stars. Compree! She wants her wardrobe to hear from above by return with cash so as she can buy her Peter Robinson trousseau and cut a dash with Arty, Bert or possibly Charley Chance (who knows?) so tolloll Mr Hunker you’re too dada for me to dance (so off she goes!) and that’s how half the gels in town has got their bottom drars while grumpapar he’s trying to hitch his braces on to his trars. But old grum he’s not so clean dippy between sweet you and yum (not on your life, boy! not in those trousers! not by a large jugful!) for someplace on the sly, where Furphy he isn’t by, old grum has his gel number two (bravevow, our Grum!) and he would like to canoodle her too some part of the time for he is downright fond of his number one but O he’s fair mashed on peaches number two so that if he could only canoodle the two, chivee chivoo, all three would feel genuinely happy, it’s as simple as A. B. C., the two mixers, we mean, with their cherrybum chappy (for he is simply shamming dippy) if they all were afloat in a dreamlifeboat, hugging two by two in his zoo-doo-you-doo, a tofftoff for thee, missymissy for me and howcameyou-e’enso for Farber, in his tippy, upindown dippy, tiptoptippy canoodle, can you? Finny.&#xA;&#xA;Ack, ack, ack. With which clap, trap and soddenment, three to a loaf, our mutual friends the fender and the bottle at the gate seem to be implicitly in the same bateau, so to singen, bearing also several of the earmarks of design, for there is in fact no use in putting a tooth in a snipery of that sort and the amount of all those sort of things which has been going on onceaday in and twiceaday out every other nachtistag among all kinds of pro-miscious individuals at all ages in private homes and reeboos publikiss and allover all and elsewhere throughout secular sequence the country over and overabroad has been particularly stupendous. To be continued. Federals’ Uniteds’ Transports’ Unions’ for Exultations’ of Triumphants’ Ecstasies.&#xA;&#xA;But resuming inquiries. Will it ever be next morning the postal unionist’s (officially called carrier’s, Letters Scotch, Limited) strange fate (Fierceendgiddyex he’s hight, d.e., the losel that hucks around missivemaids’ gummibacks) to hand in a huge chain envelope, written in seven divers stages of ink, from blanch-essance to lavandaiette, every pothook and pancrook bespaking the wisherwife, superscribed and subpencilled by yours A Laugh-able Party, with afterwite, S.A.G., to Hyde and Cheek, Eden — berry, Dubblenn, WC? Will whatever will be written in lappish language with inbursts of Maggyer always seem semposed, black looking white and white guarding black, in that siamixed twoa-talk used twist stern swift and jolly roger? Will it bright upon us, nightle, and we plunging to our plight? Well, it might now, mircle, so it light. Always and ever till Cox’s wife, twice Mrs Hahn, pokes her beak into the matter with Owen K. after her, to see whawa smutter after, will this kiribis pouch filled with litterish frag-ments lurk dormant in the paunch of that halpbrother of a herm, a pillarbox?&#xA;&#xA;The coffin, a triumph of the illusionist’s art, at first blench naturally taken for a handharp (it is handwarp to tristinguish jubabe from jabule or either from tubote when all three have just been invened) had been removed from the hardware premises of Oetzmann and Nephew, a noted house of the gonemost west, which in the natural course of all things continues to supply funeral requisites of every needed description. Why needed, though? Indeed needed (wouldn’t you feel like rattanfowl if you hadn’t the oscar!) because the flash brides or bride in their lily boleros one games with at the Nivynubies’ finery ball and your upright grooms that always come right up with you (and by jingo when they do!) what else in this mortal world, now ours, when meet there night, mid their nackt, me there na-ket, made their nought the hour strikes, would bring them right — came back in the flesh, thumbs down, to their orses and their hashes.&#xA;&#xA;To proceed. We might leave that nitrience of oxagiants to take its free of the air and just analectralyse that very chymerical com-bination, the gasbag where the warderworks. And try to pour somour heiterscene up thealmostfere. In the bottled heliose case continuing, Long Lally Tobkids, the special, sporting a fine breast of medals, and a conscientious scripturereader to boot in the brick and tin choorch round the coroner, swore like a Norewheezian tailliur on the stand before the proper functionary that he was up against a right querrshnorrt of a mand in the butcher of the blues who, he guntinued, on last epening after delivering some car-casses mattonchepps and meatjutes on behalf of Messrs Otto Sands and Eastman, Limericked, Victuallers, went and, with his unmitigated astonissment, hickicked at the dun and dorass against all the runes and, when challenged about the pretended hick (it was kickup and down with him) on his solemn by the imputant imputed, said simply: I appop pie oath, Phillyps Captain. You did, as I sostressed before. You are deepknee in error, sir, Madam Tomkins, let me then tell you, replied with a gentlewomanly salaam MackPartland, (the meatman’s family, and the oldest in the world except nick, name.) And Phelps was flayful with his peeler. But his phizz fell.&#xA;&#xA;Now to the obverse. From velveteens to dimities is barely a fivefinger span and hence these camelback excesses are thought to have been instigated by one or either of the causing causes of all, those rushy hollow heroines in their skirtsleeves, be she ma-gretta be she the posque. Oh! Oh! Because it is a horrible thing to have to say to say to day but one dilalah, Lupita Lorette, short-ly after in a fit of the unexpectednesses drank carbolic with all her dear placid life before her and paled off while the other soiled dove that’s her sister-inlove, Luperca Latouche, finding one day while dodging chores that she stripped teasily for binocu-lar man and that her jambs were jimpjoyed to see each other, the nautchy girly soon found her fruitful hat too small for her and rapidly taking time, look, she rapidly took to necking, partying and selling her spare favours in the haymow or in lumber closets or in the greenawn ad huck (there are certain intimacies in all ladies’ lavastories we just lease to imagination) or in the sweet churchyard close itself for a bit of soft coal or an array of thin trunks, serving whom in fine that same hot coney a la Zingara which our own little Graunya of the chilired cheeks dished up to the greatsire of Oscar, that son of a Coole. Houri of the coast of emerald, arrah of the lacessive poghue, Aslim-all-Muslim, the resigned to her surrender, did not she, come leinster’s even, true dotter of a dearmud, (her pitch was Forty Steps and his perch old Cromwell’s Quarters) with so valkirry a licence as sent many a poor pucker packing to perdition, again and again, ay, and again sfidare him, tease fido, eh tease fido, eh eh tease fido, toos top-ples topple, stop, dug of a dog of a dgiaour, ye! Angealousmei! And did not he, like Arcoforty, farfar off Bissavolo, missbrand her behaveyous with iridescent huecry of down right mean false sop lap sick dope? Tawfulsdreck! A reine of the shee, a shebeen quean, a queen of pranks. A kingly man, of royal mien, regally robed, exalted be his glory! So gave so take: Now not, not now! He would just a min. Suffering trumpet! He thought he want. Whath? Hear, O hear, living of the land! Hungreb, dead era, hark! He hea, eyes ravenous on her lippling lills. He hear her voi of day gon by. He hears! Zay, zay, zay! But, by the beer of his profit, he cannot answer. Upterputty till rise and shine! Nor needs none shaft ne stele from Phenicia or Little Asia to obelise on the spout, neither pobalclock neither folksstone, nor sunkenness in Tomar’s Wood to bewray how erpressgangs score off the rued. The mouth that tells not will ever attract the unthinking tongue and so long as the obseen draws theirs which hear not so long till allearth’s dumbnation shall the blind lead the deaf. Tatcho, tawney yeeklings! The column of lumps lends the pattrin of the leaves behind us. If violence to life, limb and chattels, often as not, has been the expression, direct or through an agent male, of womanhid offended, (ah! ah!), has not levy of black mail from the times the fairies were in it, and fain for wilde erthe blothoms followed an impressive private reputation for whispered sins?&#xA;&#xA;Now by memory inspired, turn wheel again to the whole of the wall. Where Gyant Blyant fronts Peannlueamoore There was once upon a wall and a hooghoog wall a was and such a wall-hole did exist. Ere ore or ire in Aaarlund. Or you Dair’s Hair or you Diggin Mosses or your horde of orts and oriorts to garble a garthen of Odin and the lost paladays when all the eddams ended with aves. Armen? The doun is theirs and still to see for menags if he strikes a lousaforitch and we’ll come to those baregazed shoeshines if you just shoodov a second. And let oggs be good old gaggles and Isther Estarr play Yesther Asterr. In the drema of Sorestost Areas, Diseased. A stonehinged gate then was for another thing while the suroptimist had bought and enlarged that shack under fair rental of one yearlyng sheep, (prime) value of sixpence, and one small yearlyng goat (cadet) value of eight-pence, to grow old and happy (hogg it and kidd him) for the re — minants of his years; and when everything was got up for the purpose he put an applegate on the place by no means as some pretext a bedstead in loo thereof to keep out donkeys (the pig-dirt hanging from the jags to this hour makes that clear) and just thenabouts the iron gape, by old custom left open to prevent the cats from getting at the gout, was triplepatlockt on him on purpose by his faithful poorters to keep him inside probably and possibly enaunter he felt like sticking out his chest too far and tempting gracious providence by a stroll on the peoplade’s egg-day, unused as he was yet to being freely clodded.&#xA;&#xA;O, by the by, lets wee brag of praties, it ought to be always remembered in connection with what has gone before that there was a northroomer, Herr Betreffender, out for his zimmer hole-digs, digging in number 32 at the Rum and Puncheon (Branch of Dirty Dick’s free house) in Laxlip (where the Sockeye Sammons were stopping at the time orange fasting) prior to that, a Kom-merzial (Gorbotipacco, he was wreaking like Zentral Oylrubber) from Osterich, the U.S.E. paying (Gaul save the mark!) II/— in the week (Gosh, these wholly romads!) of conscience money in the first deal of Yuly wheil he was, swishing beesnest with bles-sure, and swobbing broguen eeriesh myth brockendootsch, making his reporterage on Der Fall Adams for the Frankofurto Siding, a Fastland payrodicule, and er, consstated that one had on him the Lynn O’Brien, a meltoned lammswolle, disturbed, and wider he might the same zurichschicken other he would, with tosend and obertosend tonnowatters, one monkey’s damages become. Now you must know, franksman, to make a heart of glass, that the game of gaze and bandstand butchery was merely a Patsy O’Strap tissue of threats and obuses such as roebucks raugh at pinnacle’s peak and after this sort. Humphrey’s unsolicited visitor, Davy or Titus, on a burgley’s clan march from the middle west, a hikely excellent crude man about road who knew his Bullfoost Mountains like a starling bierd, after doing a long dance untidled to Cloudy Green, deposend his bockstump on the waityoumay-wantme, after having blew some quaker’s (for you! Oates!) in through the houseking’s keyhole to attract attention, bleated through the gale outside which the tairor of his clothes was hog-callering, first, be the hirsuiter, that he would break his bulshey — wigger’s head for him, next, be the heeltapper, that he would break the gage over his lankyduckling head the same way he would crack a nut with a monkeywrench and, last of all, be the stirabouter, that he would give him his (or theumperom’s or any-bloody else’s) thickerthanwater to drink and his bleday steppe — brodhar’s into the bucket. He demanded more wood alcohol to pitch in with, alleging that his granfather’s was all taxis and that it was only after ten o’connell, and this his isbar was a public oven for the sake of irsk irskusky, and then, not easily dis-couraged, opened the wrathfloods of his atillarery and went on at a wicked rate, weathering against him in mooxed metaphores from eleven thirty to two in the afternoon without even a lunch-eonette interval for House, son of Clod, to come out, you jew — beggar, to be Executed Amen. Earwicker, that patternmind, that paradigmatic ear, receptoretentive as his of Dionysius, longsuffer- ing although whitening under restraint in the sititout corner of his conservatory, behind faminebuilt walls, his thermos flask and ripidian flabel by his side and a walrus whiskerbristle for a tusk-pick, compiled, while he mourned the flight of his wild guineese, a long list (now feared in part lost) to be kept on file of all abusive names he was called (we have been compelled for the rejoicement of foinne loidies ind the humours of Milltown etcetera by Joseph-ine Brewster in the collision known as Contrastations with Inker — mann and so on and sononward, lacies in loo water, flee, celestials, one clean turv): Firstnighter, Informer, Old Fruit, Yellow Whigger, Wheatears, Goldy Geit, Bogside Beauty, Yass We’ve Had His Badannas, York’s Porker, Funnyface, At Baggotty’s Bend He Bumped, Grease with the Butter, Opendoor Ospices, Cainandabler, Ireland’s Eighth Wonderful Wonder, Beat My Price, Godsoilman, Moonface the Murderer, Hoary Hairy Hoax, Midnight Sunburst, Remove that Bible, Hebdromadary Publocation, Tummer the Lame the Tyrannous, Blau Clay, Tight before Teatime, Real Your Pantojoke, Acoustic Disturbance, Thinks He’s Gobblasst the Good Dook of Ourguile, W.D.‘s Grace, Gibbering Bayamouth of Dublin, His Farther was a Mundzucker and She had him in a Growler, Burnham and Bailey, Artist, Unworthy of the Homely Protestant Religion, Terry Cotter, You’re Welcome to Waterfood, signed the Ribbonmen, Lobsterpot Lardling, All for Arthur of this Town, Hooshed the Cat from the Bacon, Leathertogs Donald, The Ace and Deuce of Paupering, O’Reilly’s Delights to Kiss the Man behind the Borrel, Magogagog, Swad Puddlefoot, Gouty Ghibeline, Loose Luther, Hatches Cocks’ Eggs, Muddle the Plan, Luck before Wedlock, I Divorce Thee Husband, Tanner and a Make, Go to Hellena or Come to Connies, Piobald Puffpuff His Bride, Purged out of Burke’s, He’s None of Me Causin, Barebarean, Peculiar Person, Grunt Owl’s Facktotem, Twelve Months Aristocrat, Lycanthrope, Flunkey Beadle Vamps the Tune Letting on He’s Loney, Thunder and Turf Married into Clandorf, Left Boot Sent on Approval, Cumberer of Lord’s Holy Ground, Stodge Arschmann, Awnt Yuke, Tommy Furlong’s Pet Plagues, Archdukon Cabbanger, Last Past the Post, Kennealey Won’t Tell Thee off Nancy’s Gown, Scuttle to Cover, Salary Grab, Andy Mac Noon in Annie’s Room, Awl Out, Twitchbratschballs, Bombard Street Bester, Sublime Porter, A Ban for Le King of the Burgaans and a Bom for Ye Sur of all the Ruttledges, O’Phelim’s Cutprice, And at Number Wan Wan Wan, What He Done to Castlecostello, Sleeps with Feathers end Ropes, It is Known who Sold Horace the Rattler, Enclosed find the Sons of Fingal, Swayed in his Falling, Wants a Wife and Forty of Them, Let Him Do the Fair, Apeegeequanee Chimmuck, Plowp Goes his Whastle, Ruin of the Small Trader, He —— Milkinghoneybeaverbrooker, Vee was a Vindner, Sower Rapes, Armenian Atrocity, Sickfish Bellyup, Edomite,—‘Man Devoyd of the Commoner Characteristics of an Irish Nature, Bad Humborg, Hraabhraab, Coocoohandler, Dirt, Miching Daddy, Born Burst Feet Foremost, Woolworth’s Worst, Easyathic Phallusaphist, Guiltey-pig’s Bastard, Fast in the Barrel, Boose in the Bed, Mister Fatmate, In Custody of the Polis, Boawwll’s Alocutionist, Deposed, but anar-chistically respectsful of the liberties of the noninvasive individual, did not respond a solitary wedgeword beyond such sedentarity, though it was as easy as kissanywhere for the passive resistant in the booth he was in to reach for the hello gripes and ring up Kim-mage Outer 17.67, because, as the fundamentalist explained, when at last shocked into speech, touchin his woundid feelins in the fuchsiar the dominican mission for the sowsealist potty was on at the time and he thought the rowmish devowtion known as the howly rowsary might reeform ihm, Gonn. That more than considerably unpleasant bullocky before he rang off drunkishly pegged a few glatt stones, all of a size, by way of final mocks for his grapes, at the wicket in support of his words that he was not guilphy but, after he had so slaunga vollayed, reconnoi-tring through his semisubconscious the seriousness of what he might have done had he really polished off his terrible intentions finally caused him to change the bawling and leave downg the whole grumus of brookpebbles pangpung and, having sobered up a bit, paces his groundould diablen lionndub, the flay the flegm, the floedy fleshener, (purse, purse, pursyfurse, I’ll splish the splume of them all!) this backblocks boor bruskly put out his langwedge and quite quit the paleologic scene, telling how by his selfdenying ordnance he had left Hyland on the dissenting table, after exhorting Earwicker or, in slightly modified phrase-ology, Messrs or Missrs Earwicker, Seir, his feminisible name of multitude, to cocoa come outside to Mockerloo out of that for the honour of Crumlin, with his broody old flishguds, Gog’s curse to thim, so as he could brianslog and burst him all dizzy, you go bail, like Potts Fracture did with Keddle Flatnose and nobodyatall with Wholyphamous and build rocks over him, or if he didn’t, for two and thirty straws, be Cacao Campbell, he didn’t know what he wouldn’t do for him nor nobody else no-more nor him after which, batell martell, a brisha a milla a stroka a boola, so the rage of Malbruk, playing on the least change of his manjester’s voice, the first heroic couplet from the fuguall tropical, Opus Elf, Thortytoe: My schemes into obeyance for This time has had to fall: they bit goodbyte to their thumb and, his bandol eer his solgier, dripdropdrap on pool or poldier, wishing the loff a falladelfian in the morning, proceeded with a Hubble-forth slouch in his slips backwords (Et Cur Heli!) in the directions of the duff and demb institutions about ten or eleven hundred years lurch away in the moonshiny gorge of Patself on the Bach. Adyoe!&#xA;&#xA;And thus, with this rochelly exetur of Bully Acre, came to close that last stage in the siegings round our archicitadel which we would like to recall, if old Nestor Alexis would wink the worth for us, as Bar-le-Duc and Dog-an-Doras and Bangen-op-Zoom.&#xA;Yed he med leave to many a door beside of Oxmanswold for so witness his chambered cairns a cloudletlitter silent that are at browse up hill and down coombe and on eolithostroton, at Howth or at Coolock or even at Enniskerry, a theory none too rectiline of the evoluation of human society and a testament of the rocks from all the dead unto some the living. Olivers lambs we do call them, skatterlings of a stone, and they shall be ga-thered unto him, their herd and paladin, as nubilettes to cumule, in that day hwen, same the lightning lancer of Azava Arthur- honoured (some Finn, some Finn avant!), he skall wake from earthsleep, haught crested elmer, in his valle of briers of Green-man’s Rise O, (lost leaders live! the heroes return!) and o’er dun and dale the Wulverulverlord (protect us!) his mighty horn skall roll, orland, roll.&#xA;For in those deyes his Deyus shall ask of Allprohome and call to himm: Allprohome! And he make answer: Add some. Nor wink nor wunk. Animadiabolum, mene credidisti mortuum? Silence was in thy faustive halls, O Truiga, when thy green woods went dry but there will be sounds of manymirth on the night’s ear ringing when our pantriarch of Comestowntonobble gets the pullover on his boots.&#xA;&#xA;Liverpoor? Sot a bit of it! His braynes coolt parritch, his pelt nassy, his heart’s adrone, his bluidstreams acrawl, his puff but a piff, his extremeties extremely so: Fengless, Pawmbroke, Chil-blaimend and Baldowl. Humph is in his doge. Words weigh no no more to him than raindrips to Rethfernhim. Which we all like. Rain. When we sleep. Drops. But wait until our sleeping. Drain. Sdops." PRODUCER="Brunch Records" COVERARTID="023/XAVOW3CNN4PUGBPOZS0DCZ4J3URC" PLAYTIME="187" PLAYTIME_FLOAT="186.774200" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="20308"></INFO>
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<INFO BITRATE="935662" KEY_LYRICS="27 ContributorsHow Will I Know Lyrics&#xA;There's a boy I know, he's the one I dream of&#xA;Looks into my eyes, takes me to the clouds above&#xA;Ooh, I lose control, can't seem to get enough, uh-huh&#xA;When I wake from dreaming, tell me, is it really love?&#xA;&#xA;&#xA;Ooh, how will I know? (Don't trust your feelings)&#xA;How will I know?&#xA;How will I know? (Love can be deceiving)&#xA;How will I know?&#xA;&#xA;&#xA;How will I know if he really loves me?&#xA;I say a prayer with every heartbeat&#xA;I fall in love whenever we meet&#xA;I'm asking you 'cause you know about these things&#xA;How will I know if he's thinking of me?&#xA;I try to phone, but I'm too shy (Can't speak)&#xA;Falling in love is so bittersweet&#xA;This love is strong, why do I feel weak?&#xA;&#xA;&#xA;Oh, wake me, I'm shaking&#xA;Wish I had you near me now, uh-huh&#xA;Said there's no mistakin'&#xA;What I feel is really love&#xA;Ooh, tell me&#xA;&#xA;How will I know? (Don't trust your feelings)&#xA;How will I know?&#xA;How will I know? (Love can be deceiving)&#xA;How will I know?&#xA;&#xA;&#xA;How will I know if he really loves me?&#xA;I say a prayer with every heartbeat&#xA;I fall in love whenever we meet&#xA;I'm asking you 'cause you know about these things&#xA;How will I know if he's thinking of me?&#xA;I try to phone, but I'm too shy (Can't speak)&#xA;Falling in love is so bittersweet&#xA;This love is strong, why do I feel weak?&#xA;&#xA;&#xA;If he loves me&#xA;If he loves me not (Mm)&#xA;If he loves me&#xA;(Ooh) If he loves me not&#xA;(Hey) If he loves me&#xA;If he loves me not&#xA;Oh, how will I know?&#xA;How will I know?&#xA;How will I know?&#xA;Hey, how will I know? (Ooh)&#xA;&#xA;How will I know if he really loves me?&#xA;I say a prayer with every heartbeat&#xA;I fall in love whenever we meet&#xA;I'm asking you 'cause you know about these things&#xA;How will I know if he's thinking of me?&#xA;I try to phone, but I'm too shy (Can't speak)&#xA;Falling in love is so bittersweet&#xA;This love is strong, why do I feel weak?&#xA;&#xA;&#xA;How will I know? (How will I know?)&#xA;How will I know?&#xA;How will I know? (I say a prayer)&#xA;How will I know? Ooh&#xA;How will I know? (I fall in love)&#xA;How will I know?&#xA;Hey, how will I know?&#xA;I'm asking you&#xA;How will I, how will I know?" PRODUCER="(P) 1985 Arista Records LLC" COVERARTID="118/WDXVOPA431D4KDF1JR1XBUXBULVA" PLAYTIME="270" PLAYTIME_FLOAT="269.696259" IMPORT_DATE="2025/4/14" RELEASE_DATE="1985/1/1" FLAGS="12" FILESIZE="30970"></INFO>
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<INFO BITRATE="942065" KEY_LYRICS="237 ContributorsTranslationsTürkçePortuguêsEspañolFrançaisDeutschРусскийУкраїнськаNever Gonna Give You Up Lyrics“Never Gonna Give You Up” is known as the world famous Rick Roll song.&#xA;&#xA;The music video, directed by Simon West, finds Astley singing at various west London locales, including an empty club where he gradually… Read More &#xA;Desert you&#xA;Ooh-ooh-ooh-ooh&#xA;Hurt you&#xA;&#xA;&#xA;We're no strangers to love&#xA;You know the rules and so do I (Do I)&#xA;A full commitment's what I'm thinking of&#xA;You wouldn't get this from any other guy&#xA;&#xA;&#xA;I just wanna tell you how I'm feeling&#xA;Gotta make you understand&#xA;&#xA;&#xA;Never gonna give you up&#xA;Never gonna let you down&#xA;Never gonna run around and desert you&#xA;Never gonna make you cry&#xA;Never gonna say goodbye&#xA;Never gonna tell a lie and hurt you&#xA;&#xA;&#xA;We've known each other for so long&#xA;Your heart's been aching, but you're too shy to say it (To say it)&#xA;Inside, we both know what's been going on (Going on)&#xA;We know the game, and we're gonna play it&#xA;&#xA;And if you ask me how I'm feeling&#xA;Don't tell me you're too blind to see&#xA;&#xA;&#xA;Never gonna give you up&#xA;Never gonna let you down&#xA;Never gonna run around and desert you&#xA;Never gonna make you cry&#xA;Never gonna say goodbye&#xA;Never gonna tell a lie and hurt you&#xA;Never gonna give you up&#xA;Never gonna let you down&#xA;Never gonna run around and desert you&#xA;Never gonna make you cry&#xA;Never gonna say goodbye&#xA;Never gonna tell a lie and hurt you&#xA;&#xA;&#xA;Ooh (Give you up)&#xA;Ooh-ooh (Give you up)&#xA;Ooh-ooh&#xA;Never gonna give, never gonna give (Give you up)&#xA;Ooh-ooh&#xA;Never gonna give, never gonna give (Give you up)&#xA;&#xA;We've known each other for so long&#xA;Your heart's been aching, but you're too shy to say it (To say it)&#xA;Inside, we both know what's been going on (Going on)&#xA;We know the game, and we're gonna play it&#xA;&#xA;&#xA;I just wanna tell you how I'm feeling&#xA;Gotta make you understand&#xA;&#xA;&#xA;Never gonna give you up&#xA;Never gonna let you down&#xA;Never gonna run around and desert you&#xA;Never gonna make you cry&#xA;Never gonna say goodbye&#xA;Never gonna tell a lie and hurt you&#xA;Never gonna give you up&#xA;Never gonna let you down&#xA;Never gonna run around and desert you&#xA;Never gonna make you cry&#xA;Never gonna say goodbye&#xA;Never gonna tell a lie and hurt you&#xA;Never gonna give you up&#xA;Never gonna let you down&#xA;Never gonna run around and desert you&#xA;Never gonna make you cry&#xA;Never gonna say goodbye&#xA;Never gonna tell a lie and hurt you" PRODUCER="℗ 1987 Sony Music Entertainment UK Limited" COVERARTID="026/0UKFZHCRW5QSYDBW0U4NCNQCJ00B" PLAYTIME="214" PLAYTIME_FLOAT="213.573334" IMPORT_DATE="2025/4/14" RELEASE_DATE="1987/1/1" FLAGS="12" FILESIZE="24829"></INFO>
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<INFO BITRATE="1044433" KEY_LYRICS="7 ContributorsNothing’s Gonna Stop Me Now Lyrics&#xA;Nothing's gonna stop me now&#xA;Nothing's gonna stop me now&#xA;&#xA;&#xA;There was a time&#xA;I couldn't get you out of my mind&#xA;And since the day you came&#xA;You tried to take control of me&#xA;&#xA;&#xA;Then came the day&#xA;I thought about running away&#xA;And now my bags are packed&#xA;Don't even think of holding me back&#xA;&#xA;&#xA;Nothing's gonna stop me now&#xA;And I don't wanna talk it over&#xA;I said nothing's gonna stop me now&#xA;Gonna break it up, gonna take my love away&#xA;Yeah, yeah&#xA;&#xA;&#xA;Day after day&#xA;I started slipping away&#xA;You took my self respect&#xA;And you made a fool of me&#xA;&#xA;Time after time&#xA;I turn it around in my mind&#xA;And now my mind's made up&#xA;To leave the past behind me&#xA;&#xA;&#xA;Nothing's gonna stop me now&#xA;And I don't wanna talk it over&#xA;I said nothing's gonna stop me now&#xA;Gonna break it up, gonna take my love away&#xA;&#xA;&#xA;Nothing's gonna stop me (Yeah, yeah)&#xA;Nothing's gonna stop me, no-no&#xA;Nothing's gonna stop me&#xA;Nothing's gonna stop me, no-oh&#xA;&#xA;&#xA;Time after time&#xA;I turn it around in my mind&#xA;And now my mind's made up&#xA;To leave the past behind me&#xA;&#xA;&#xA;Nothing's gonna stop me now&#xA;And I don't wanna talk it over&#xA;I said nothing's gonna stop me now&#xA;Gonna break it up, gonna take my love away&#xA;Nothing's gonna stop me now (Yeah, yeah)&#xA;And I don't wanna talk it over&#xA;I said nothing's gonna stop me now&#xA;Gonna break it up, gonna take my love away&#xA;Nothing's gonna stop me now (Yeah, yeah)&#xA;And I don't wanna talk it over&#xA;I said nothing's gonna stop me now&#xA;Gonna break it up, gonna take my love away&#xA;&#xA;Nothing's gonna stop me now (Yeah, yeah)&#xA;And I don't wanna talk it over" PRODUCER="(P) 1987 Sony Music Entertainment UK Limited under exclusive license to BMG Rights Management UK Limited" COVERARTID="089/ZWP1YZDNGJDEKBSMXISVAJIQCSRA" PLAYTIME="226" PLAYTIME_FLOAT="225.146667" IMPORT_DATE="2025/4/14" RELEASE_DATE="1987/1/1" FLAGS="12" FILESIZE="29097"></INFO>
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<INFO BITRATE="948647" KEY_LYRICS="14 ContributorsMoving On Up LyricsYou've done me wrong&#xA;Your time is up&#xA;You took a sip (just a sip)&#xA;From the devil's cup&#xA;You broke my heart&#xA;There's no way back&#xA;Move right outta here baby&#xA;Go on pack your bags&#xA;&#xA;Just who do you think you are&#xA;Stop acting like some kinda star&#xA;Just who do you think you are&#xA;Take it like a man baby if that's what you are&#xA;&#xA;Cause I'm moving on up&#xA;You're moving on out&#xA;Moving on up&#xA;Nothing can stop me&#xA;I'm moving on up&#xA;You're moving on out&#xA;Time to break free&#xA;Nothing can stop me&#xA;&#xA;They brag a man has walked in space&#xA;But you can't even find my place&#xA;Mm there ain't nothing (not a thing)&#xA;You can do&#xA;Cause I've had enough of me baby&#xA;Being part of you&#xA;Just who do you think you are&#xA;This time you've gone too far&#xA;Just who do you think you are&#xA;Take it like a man baby if that's what you are&#xA;&#xA;Cause I'm moving on up&#xA;You're moving on out&#xA;Moving on up&#xA;Nothing can stop me&#xA;I'm moving on up&#xA;You're moving on out&#xA;Time to break free&#xA;Nothing can stop me&#xA;(moving on up,moving on up,moving on up)&#xA;(moving on up, moving on up,moving on up)&#xA;(moving on up, moving on up,moving on up)&#xA;(moving on up, moving on up,moving on up)&#xA;Moving on up&#xA;You're moving on out&#xA;Moving on up&#xA;Nothing can stop me&#xA;I'm moving on up&#xA;You're moving on out&#xA;Time to break free&#xA;Nothing can stop me&#xA;(moving)&#xA;(moving)&#xA;(moving)&#xA;Nothing can stop me&#xA;(moving)&#xA;(moving)&#xA;Time to break free&#xA;Nothing can stop me" PRODUCER="(P) 1993 Sony Music Entertainment UK Limited" COVERARTID="042/KBBVM4CUYXHXQBDOQSF5AFYAVKVD" PLAYTIME="216" PLAYTIME_FLOAT="215.533340" IMPORT_DATE="2025/4/14" RELEASE_DATE="1998/1/1" FLAGS="12" FILESIZE="25097"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63859" AUDIO_ID="AQgTMzEkMTMRNEITQzEkMTMRNDMhEneIiIiHiJiHeImIh3dWeZiIeImYd3mYd4iYd4dXh4iIiYh4h4iJmXh3dkRpiZd5iImYiYiZiah4iImYhlVlRnVVVFdVVlV2VWVXUjaYd4iYd4iIh4mZiYd4d5iIiIiIiHeZl3iJh2RDR3eYd4iIiYeJiIeJeIh3iYeJiYiJiIh3iJeJiIiZd4h3iJh4hmVlVVVVVVZVVVVlVWRDVlZVRmd4dndmd1VURVVXdndmmYiXdod4h4iImYiHd4doh3VDeYmXiYd4mIiImImoeIeImImImImXeYeJmIiIh3iXiYiJmIiHdDMxAAAAAA==" TITLE="The Rhythm of the Night" ARTIST="Corona"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="102 - Corona - The Rhythm of the Night.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="920061" KEY_LYRICS="45 ContributorsTranslationsDeutschThe Rhythm of the Night Lyrics“The Rhythm of the Night” is a song by the Italian band Corona.&#xA;It was released in November 1993 as the lead single from their debut album of the same name.&#xA;&#xA;The vocals for this song were performed by… Read More &#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life&#xA;&#xA;&#xA;You could put some joy upon my face&#xA;Oh, sunshine in an empty place&#xA;Take me to the top, and babe I'll make you stay&#xA;Oh, I can ease you of your pain&#xA;Feel you give me love again&#xA;Round and round we go, each time I hear you say&#xA;&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life&#xA;&#xA;&#xA;&#xA;Won't you teach me how to love and learn&#xA;There'll be nothing left for me to yearn&#xA;Think of me and burn, and let me hold your hand&#xA;I don't wanna face the world in tears&#xA;Please think again, I'm on my knees&#xA;Sing that song to me, no reason to repent&#xA;I know you wanna say it&#xA;&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life&#xA;&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life (life, life, life, life)&#xA;&#xA;&#xA;(Oh, right) yeah, (Oh, right) yeah, (Oh, right) yeah&#xA;(Oh, right) yeah, (Oh, right) yeah, (Oh, right) yeah&#xA;(Oh, right) yeah&#xA;This is the rhythm of the night&#xA;Ooooh-oooooh&#xA;This is the rhythm of the night&#xA;Ooooh-oooooh&#xA;Rhythm of the night&#xA;This is the rhythm of the night&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life&#xA;&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life (life, life, life, life)&#xA;&#xA;&#xA;This is the rhythm of the night" PRODUCER="Extravaganza Publishing srl" COVERARTID="089/ZOME3QAHA2FHYBNVSSMVCLG02XHD" PLAYTIME="265" PLAYTIME_FLOAT="264.279999" IMPORT_DATE="2025/4/14" RELEASE_DATE="1994/1/1" FLAGS="12" FILESIZE="29917"></INFO>
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<INFO BITRATE="1034726" KEY_LYRICS="17 ContributorsRide on Time LyricsGotta get up, gotta get up, gotta get up&#xA;Gotta get up, gotta get up, gotta get up&#xA;And time won't take my love away&#xA;&#xA;Wa-ho, wa-ho, wa-wa-ho, wa-wa-wa-wa-ho&#xA;You're such a, you're such a, you're such a&#xA;You're such a hot temptation, you just walk right in, walk- walk- walk right in and&#xA;&#xA;Wa-ho, wa-ho, wa-wa-ho, wa-wa-wa-wa-ho&#xA;Wa-Wa-ho, wa-ho, wa-wa-wa-wa-ho, wa-wa-wa-ho&#xA;&#xA;Gotta get up, gotta get up, gotta get up (Thank- thank- thank you, baby)&#xA;Gotta get up, gotta get up, gotta get up (Just don't move)&#xA;Gotta get up, gotta get up, gotta get up (Thank- thank- thank you, baby)&#xA;Gotta get up, gotta get up, gotta get up (Walk right in and)&#xA;'Cause you're right on time, 'cause you're right on time, right on time&#xA;'Cause you're right on time, 'cause you're right on time, right on time&#xA;Let me tell you, let me tell you what you do, what you do, what you do to me&#xA;You're such a hot temptation, you just walk right in, walk- walk- walk right in and&#xA;Wa-ho, wa-ho, wa-wa-ho, wa-wa-wa-wa-ho&#xA;Wa-Wa-ho, wa-ho, wa-wa-wa-wa-ho, wa-wa-wa-ho&#xA;&#xA;Gotta get up, gotta get up, gotta get up (Thank- thank- thank you, baby)&#xA;Gotta get up, gotta get up, gotta get up (Just don't move)&#xA;Gotta get up, gotta get up, gotta get up (Thank- thank- thank you, baby)&#xA;Gotta get up, gotta get up, gotta get up (Walk right in and)&#xA;Away&#xA;'Cause you're right on time, 'cause you're right on time, right on time&#xA;'Cause you're right on time, 'cause you're right on time, right on time&#xA;'Cause you're right on time, right on time, 'cause you're right on time, right on time&#xA;'Cause you're right on time, right- right- right on time, 'cau- 'cause you're right on time, right- right- right on time&#xA;Away&#xA;&#xA;&#xA;&#xA;And time won't take my love away" PRODUCER="© 1989 Gnomi Publishing ltd/Zyx Music/Constant Evolution" COVERARTID="072/IG3KJWCRS5P5XDOJTISLCON2A1PC" PLAYTIME="273" PLAYTIME_FLOAT="272.147339" IMPORT_DATE="2025/4/14" RELEASE_DATE="1990/1/1" FLAGS="12" FILESIZE="34656"></INFO>
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<INFO BITRATE="937853" KEY_LYRICS="25 ContributorsTranslationsDeutschEspañolBe My Lover Lyrics&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;Be my lover&#xA;Wanna be my lover (Lover)&#xA;&#xA;&#xA;Lookin' back on all the time we spent together&#xA;You oughta know by now if you wanna be my lover&#xA;Wanna be my lover&#xA;Go ahead and take your time, boy, you gotta feel secure&#xA;Before I'll make you mine, baby, you have to be sure&#xA;You wanna be my lover, wanna be my lover, wanna be my lover&#xA;&#xA;&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover, hey-hey, yeah-yeah&#xA;&#xA;I must confess&#xA;Girl yes, I wanna be your lover&#xA;Take a chance, my love is like no other&#xA;On the dance floor gettin' down&#xA;Hold tight, I'll never let you down&#xA;My love is definitely the key&#xA;Like Boyz II Men, I'm on bended knee&#xA;Loving you, not like your brother&#xA;Ah yeah, I wanna be your lover&#xA;&#xA;&#xA;I hear what you say&#xA;I see what you do&#xA;I know everything I need to know about you&#xA;And I want you to know that it's tellin' me&#xA;You wanna be my lover&#xA;&#xA;&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da (Mm-mm)&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover, hey-hey, yeah-yeah&#xA;Oh, be my baby, yeah-yeah&#xA;Oh, be my lover&#xA;I know you wanna be my lover&#xA;I know you wanna be mine, oh&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, oh baby, baby, yeah-yeah" PRODUCER="(P) 1996 Sony Music Entertainment Germany GmbH" COVERARTID="028/2IRDKCBLM0ASLDNIQVSBCNQ2GKHA" PLAYTIME="242" PLAYTIME_FLOAT="241.133331" IMPORT_DATE="2025/4/14" RELEASE_DATE="1996/1/1" FLAGS="12" FILESIZE="27875"></INFO>
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<INFO BITRATE="1069340" KEY_LYRICS="2 ContributorsMr. Vain Recall - Radio Edit LyricsCall him Mr. Raider call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider call him Mr. Wrong&#xA;Call him insane&#xA;He'd say: I know what I want&#xA;And I want it now&#xA;I want you cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you cause I'm Mr. Vain&#xA;&#xA;Call me Raider call me Wrong&#xA;Call me insane call me Mr. Vain&#xA;Call me what you like&#xA;As long as you call me time and again&#xA;Feel the presence of the aura&#xA;Of the man none to compare&#xA;Loveless dying&#xA;For a chance just to touch a hand&#xA;Or a moment to share&#xA;Can't deny the urge that makes them&#xA;Want to lose themselves to the debonair one&#xA;Hold me back the simple fact is&#xA;That i'm all that and i'm always near&#xA;One sexy can't perplex me now&#xA;You know who's raw&#xA;As if you didn't know before&#xA;I know what I want and I want it now&#xA;I want you and then I want a little more&#xA;Call him Mr. Raider call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider call him Mr. Wrong&#xA;Call him insane&#xA;He'd say: I know what I want&#xA;And I want it now&#xA;I want you cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you cause I'm Mr. Vain&#xA;&#xA;Girls are all over the world&#xA;They hope and pray and die for men&#xA;Like me cause I'm the one&#xA;Begotten son that breaks the mould&#xA;Get a look at male epitome&#xA;Style has never seen&#xA;That makes you want to grab and hold&#xA;And squeeze real tight&#xA;Whose gonna be the one to save&#xA;You from yourself&#xA;When you wanna take a bite&#xA;Please oh baby please&#xA;You beg you want you say&#xA;You got to get some caught&#xA;Up in the charm that I laid on thick&#xA;And now there's nowhere&#xA;To run&#xA;Just another fish to fit the&#xA;Worm on the hook of my line&#xA;Yeah I keep many females&#xA;Longing for a chance to win my heart&#xA;With S E X and plenty" PRODUCER="2012 Abfahrt Media GmbH" COVERARTID="112/QPEADOAQWUJH5AQ42SU1AFZPRSVC" PLAYTIME="258" PLAYTIME_FLOAT="257.466675" IMPORT_DATE="2025/4/14" RELEASE_DATE="1993/1/1" FLAGS="12" FILESIZE="33951"></INFO>
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<INFO BITRATE="947433" KEY_LYRICS="59 ContributorsSexual Healing Lyrics&#xA;Get up, get up, get up, get up&#xA;Wake up, wake up, wake up, wake up&#xA;&#xA;Oh baby, now let's get down tonight&#xA;Ooh&#xA;&#xA;&#xA;Baby I'm hot just like an oven (Heal me, my darling)&#xA;I need some lovin' (Heal me, my darling)&#xA;And baby, I can't hold it much longer (Heal me, my darling)&#xA;It's getting stronger and stronger (Heal me, my darling)&#xA;&#xA;&#xA;And when I get that feeling&#xA;I want sexual healing&#xA;Sexual healing, oh baby&#xA;Makes me feel so fine&#xA;Helps to relieve my mind&#xA;Sexual healing, baby, is good for me&#xA;Sexual healing is something that's good for me&#xA;&#xA;&#xA;Whenever blue teardrops are falling&#xA;And my emotional stability is leaving me&#xA;There is something I can do&#xA;I can get on the telephone and call you up, baby, and&#xA;Honey, I know you'll be there to relieve me&#xA;The love you give to me will free me&#xA;If you don't know the thing you're dealing&#xA;Oh, I can tell you, darling, that it's sexual healing&#xA;&#xA;(Get up, get up, get up, get up)&#xA;Let's make love tonight&#xA;(Wake up, wake up, wake up, wake up)&#xA;'Cause you do it right&#xA;&#xA;&#xA;Baby, I got sick this morning (Heal me, my darling)&#xA;A sea was storming inside of me (Heal me, my darling)&#xA;Baby, I think I'm capsizing (Heal me, my darling)&#xA;The waves are rising and rising (Heal me, my darling)&#xA;&#xA;&#xA;And when I get that feeling&#xA;I want sexual healing&#xA;Sexual healing is good for me&#xA;Makes me feel so fine, it's such a rush&#xA;Helps to relieve the mind, and it's good for us&#xA;Sexual healing, baby, it's good for me&#xA;Sexual healing is something that's good for me&#xA;&#xA;&#xA;And it's good for me, and it's so good to me&#xA;My baby, ohhh&#xA;Come take control, just grab a hold&#xA;Of my body and mind, soon we'll be making it, honey&#xA;Oh, we're feeling fine&#xA;You're my medicine, open up and let me in&#xA;Darling, you're so great&#xA;I can't wait for you to operate&#xA;&#xA;(Heal me, my darling)&#xA;I can't wait for you to operate&#xA;&#xA;&#xA;When I get this feeling (Heal me, my darling)&#xA;I need sexual healing&#xA;Oh, when I get this feeling (Heal me, my darling)&#xA;I need sexual healing&#xA;I gotta have sexual healing, darling (Heal me, my darling)&#xA;'Cause I'm all alone&#xA;I need sexual healing, darling (Heal me, my darling)&#xA;'Til you come back home&#xA;&#xA;Please don't procrastinate (Heal me, my darling)&#xA;It's not good to masturbate" PRODUCER="(P) 1982 Columbia Records, a division of Sony Music Entertainment" COVERARTID="081/R4PAVYDUGFHT5AKGTPCEBQU2YH5D" PLAYTIME="239" PLAYTIME_FLOAT="238.600006" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="27969"></INFO>
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<INFO BITRATE="776850" KEY_LYRICS="44 ContributorsTranslationsDeutschIt’s a Man’s Man’s Man’s World Lyrics&#xA;This is a man's world&#xA;This is a man's world&#xA;But it wouldn't be nothing&#xA;Nothing without a woman or a girl&#xA;&#xA;&#xA;You see, man made the cars&#xA;To take us over the road&#xA;Man made the train&#xA;To carry the heavy load&#xA;Man made the electric light&#xA;To take us out of the dark&#xA;Man made the boat for the water&#xA;Like Noah made the ark&#xA;&#xA;&#xA;This is a man's, man's, man's world&#xA;But it wouldn't be nothing&#xA;Nothing without a woman or a girl&#xA;&#xA;&#xA;Man thinks about our little bitty baby girls&#xA;And our baby boys&#xA;Man make them happy&#xA;'Cause man make them toys&#xA;And after man make everything&#xA;Everything he can&#xA;Do you know that man makes money&#xA;To buy from other man&#xA;&#xA;This is a man's world&#xA;But it wouldn't be nothing, nothing&#xA;Not one little thing without a woman or a girl&#xA;&#xA;&#xA;He's lost in the wilderness&#xA;He's lost in bitterness&#xA;He's lost, lawd have mercy now, in loneliness" PRODUCER="℗ 1966 Universal Records, a Division of UMG Recordings, Inc." COVERARTID="042/KRYGO4ALHX2NVC00R510A5NDPHCB" PLAYTIME="167" PLAYTIME_FLOAT="166.693329" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="16066"></INFO>
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<INFO BITRATE="883099" KEY_LYRICS="1 ContributorGlassdancers LyricsAnd she walks in too deep&#xA;As the light at heights begin to fade&#xA;Moon is as too cold to lean on&#xA;Some would say that she’s the only one&#xA;She looks like she could bring the sun up to the world&#xA;Lend herself to the night&#xA;Ancient goddess come and shine&#xA;For I put my trust in your heart&#xA;Lights will sooth you&#xA;Lights will ease you&#xA;We need you with us tonight&#xA;Hold my hand and take me with you&#xA;&#xA;Come and help me push away the demons in my head&#xA;I can’t survive on my own&#xA;I can’t go on on my own&#xA;I can’t breathe in, I can’t see it through&#xA;Come and help me push away the demons in my head&#xA;I can’t survive on my own&#xA;I can’t go on on my own&#xA;I can’t breathe in, I can’t see it through&#xA;&#xA;&#xA;And she talks like she would&#xA;Know just how to heal your broken heart&#xA;She looks strong like she could&#xA;Raise a fire here without a spark&#xA;She looks like she could bring the world close to the sun&#xA;Lost herself somewhere in the night&#xA;Ancient goddess come and shine&#xA;For I put my trust on your side&#xA;Lights will sooth you&#xA;Lights seduce you&#xA;We need you with us tonight&#xA;Hold my hand and take me with you&#xA;Hold my hand this ghetto needs you&#xA;Come and help me push away the demons in my head&#xA;I can’t survive on my own&#xA;I can’t go on on my own&#xA;I can’t breathe in, I can’t see it through&#xA;Come and help me push away the demons in my head&#xA;I can’t survive on my own&#xA;I can’t go on on my own&#xA;I can’t see it, I can’t breathe in through&#xA;Come and help me push away the demons in my head&#xA;I can’t survive on my own&#xA;I can’t go on on my own&#xA;I can’t fight it, I can’t see it through" PRODUCER="Adel Musique - Leda Productions" COVERARTID="083/TOIMECBJUHKE3CR5DRZUCXK5VHQA" PLAYTIME="281" PLAYTIME_FLOAT="280.866150" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="30498"></INFO>
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<INFO BITRATE="974686" KEY_LYRICS="45 ContributorsTranslationsDeutschIsn’t She Lovely Lyrics&#xA;Isn't she lovely?&#xA;Isn't she wonderful?&#xA;Isn't she precious?&#xA;Less than one minute old&#xA;I never thought through love, we'd be&#xA;Making one as lovely as she&#xA;But isn't she lovely? Made from love&#xA;&#xA;&#xA;Isn't she pretty?&#xA;Truly the angel's best&#xA;Boy, I'm so happy&#xA;We have been heaven blessed&#xA;I can't believe what God has done&#xA;Through us, He's given life to one&#xA;But isn't she lovely? Made from love&#xA;&#xA;&#xA;&#xA;&#xA;Isn't she lovely?&#xA;Life and love are the same&#xA;Life is Aisha&#xA;The meaning of her name&#xA;Londie, it could have not been done&#xA;Without you who conceived the one&#xA;That's so very lovely, made from love&#xA;" PRODUCER="℗ 1996 UMG Recordings, Inc." COVERARTID="046/O3YNOZDECTM0ZDK0DNSIDML0X02A" PLAYTIME="200" PLAYTIME_FLOAT="199.386673" IMPORT_DATE="2025/4/14" RELEASE_DATE="2002/1/1" FLAGS="12" FILESIZE="23926"></INFO>
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<INFO BITRATE="913936" KEY_LYRICS="14 ContributorsOn the Radio Lyrics“On the Radio” became Donna Summer’s tenth top 10 hit in the US in early 1980 and was also successful overseas. Her husband told Songfacts she wrote it about “somebody hoping that the song on the radio will… Read More &#xA;Someone found a letter you wrote me on the radio&#xA;And they told the world just how you felt&#xA;It must have fallen out of a hole in your old brown overcoat&#xA;They never said your name but I knew just who they meant&#xA;Whoa-oh-oh-oh-oh&#xA;I was so surprised and shocked, and I wondered too&#xA;If, by chance, you heard it for yourself&#xA;I never told a soul just how I've been feeling over you&#xA;But they said it really loud, they said it on the air&#xA;&#xA;&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;&#xA;&#xA;Now, now, don't it kinda strike you sad when you hear our song&#xA;Things are not the same since we broke up last June&#xA;The only thing that I wanna hear is that you love me still&#xA;And that you think you'll be comin' home real soon&#xA;Whoa-oh-oh-oh-oh&#xA;Yeah, it kinda made me feel proud when I heard him say&#xA;You couldn't find the words to say it yourself&#xA;And now in my heart I know I can say what I really feel&#xA;'Cause they said it really loud, they said it on the air&#xA;&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio&#xA;&#xA;&#xA;&#xA;&#xA;If you think that love isn't found on the radio&#xA;Then tune right in, you may find the love you lost&#xA;'Cause now I'm sitting here with the man I sent away long ago&#xA;It sounded really loud, they said it really loud&#xA;&#xA;&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio, whoa-oh-oh-oh&#xA;On the radio (radio-radio-radio)" PRODUCER="℗ 1979 UMG Recordings, Inc." COVERARTID="066/C4PZW4AJNIHXQDPCPHEJBMFC4CHD" PLAYTIME="245" PLAYTIME_FLOAT="244.600006" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="27571"></INFO>
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<INFO BITRATE="996007" KEY_LYRICS="31 ContributorsFantasy LyricsEvery man has a place&#xA;In his heart, there's a space&#xA;And the world can't erase his fantasies&#xA;Take a ride in the sky&#xA;On our ship, fantasize&#xA;All your dreams will come true right away&#xA;&#xA;And we will live together&#xA;Until the twelfth of never&#xA;Our voices will ring forever, as one&#xA;&#xA;Every thought is a dream&#xA;Rushing by in a stream&#xA;Bringing life to the kingdom of doing&#xA;Take a ride in the sky&#xA;On our ship, fantasize&#xA;All your dreams will come true miles away&#xA;&#xA;Our voices will ring together&#xA;Until the twelfth of never&#xA;We all will live, love forever, as one&#xA;&#xA;Come to see victory&#xA;In the land called fantasy&#xA;Loving life, a new degree&#xA;Bring your mind to everlasting liberty&#xA;As one&#xA;&#xA;Come to see victory&#xA;In a land called fantasy&#xA;Loving life for you and me&#xA;To behold, to your soul is ecstasy&#xA;&#xA;You will find (You will find)&#xA;Other kind (Other kind)&#xA;That has been in search of you&#xA;Many lives has brought you to&#xA;Recognize (Recognize), it's your life now in review&#xA;&#xA;And as you stay for the play&#xA;Fantasy has in store for you&#xA;Glowing light will see you through&#xA;It's your day, shining day&#xA;All your dreams come true&#xA;Oh-ah-oh-ah-oh-ohh&#xA;As you glide in your stride&#xA;With the wind as you fly away&#xA;Give a smile from your lips and say&#xA;&amp;quot;I am free. Yes, I'm free. Now, I'm on my way&amp;quot;&#xA;&#xA;Come to see victory&#xA;In a land called fantasy&#xA;Loving life for you and me&#xA;To behold, to your soul is ecstasy&#xA;You will find other kind&#xA;That has been in search of you&#xA;Many lives has brought you to&#xA;Recognize, it's your life now in review" PRODUCER="(P) 1977 Columbia Records, a division of Sony Music Entertainment" COVERARTID="091/1WKAXYAYP2BNVA35PAV1DUJUAZRC" PLAYTIME="226" PLAYTIME_FLOAT="225.501785" IMPORT_DATE="2025/4/14" RELEASE_DATE="1988/1/1" FLAGS="12" FILESIZE="27788"></INFO>
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<INFO BITRATE="997395" KEY_LYRICS="20 ContributorsBest of My Love Lyrics&#xA;Doesn't take much to make me happy&#xA;And make me smile with glee&#xA;Never, never will I feel discouraged&#xA;'Cause our love's no mystery&#xA;Demonstrating love and affection&#xA;That you give so openly, yeah&#xA;I like the way you make me feel about you, baby&#xA;Want the whole wide world to see&#xA;&#xA;&#xA;Whoa-whoa, you got the best of my love&#xA;Whoa-whoa, you got the best of my love&#xA;Whoa-whoa, you got the best of my love&#xA;Whoa-whoa, you got the best of my love&#xA;&#xA;&#xA;Goin' in and out of changes&#xA;The kind that come around each day&#xA;My life has a better meaning&#xA;Love has kissed me in a beautiful way&#xA;&#xA;&#xA;And oh, yeah (my love, my love)&#xA;Oh, yeah (my love, my love)&#xA;&#xA;Oh, you got the best of my love&#xA;Whoa-whoa, you got the best of my love&#xA;Whoa-whoa, you got the best of my love&#xA;Whoa-whoa, you got the best of my love&#xA;&#xA;&#xA;Demonstrating sweet love and affection&#xA;That you give so openly yeah&#xA;The way I feel about you, baby, can't explain it&#xA;Want the whole wide world to see&#xA;&#xA;Oh, but in my heart&#xA;You're all I need&#xA;You for me and me for you (my love, my love)&#xA;Oh, it's growin' every day, oh (my love, my love)&#xA;&#xA;&#xA;Oh, oh oh oh oh oh&#xA;You've got the best of my love&#xA;Oh, oh oh oh oh oh&#xA;You've got the best of my love&#xA;Oh, givin' you the best of my love&#xA;My love, my love, my love&#xA;Oh, givin' you the best of my love&#xA;My love, my love, oh yeah&#xA;Oh, oh oh oh oh oh&#xA;You've got the best of my love&#xA;Oh, oh oh oh oh oh&#xA;You've got the best of my love&#xA;Oh, givin' you the best of my love&#xA;Oh, givin' you the best of my love" PRODUCER="(P) 1977 Columbia Records, a division of Sony Music Entertainment" COVERARTID="072/IKOBB1BO0HXVNDD1JH3FDRFSEN0B" PLAYTIME="221" PLAYTIME_FLOAT="220.559998" IMPORT_DATE="2025/4/14" RELEASE_DATE="1977/1/1" FLAGS="12" FILESIZE="27025"></INFO>
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<INFO BITRATE="1086370" KEY_LYRICS="2 ContributorsDope Lyrics&#xA;The Mekanix&#xA;Dope like the building on Broadway&#xA;Dope like the lookouts in the project hallway&#xA;Dope like the tar, same color as raisins&#xA;Dope like Dade County, Zoe Pound Haitians&#xA;&#xA;&#xA;The homies rockin' bustdown Daytonas&#xA;Mr. Craig four times, he been spinnin' every corner&#xA;The game is in us, it ain't on us&#xA;They been tryna duplicate our city, but can't clone us&#xA;Lay it on us, Lil Phillip belong to us&#xA;Mob figures like Jacka, Rydah, and Hus&#xA;Get Fab 'til you bust, kickin' the love&#xA;Ghazi the new Russ, nigga, now we rollin' with Rush, ayy&#xA;I'm one GD emcee&#xA;You get bust for tryna pull a move, Chi Ali&#xA;All out in Vegas, we in VIP&#xA;Knockin' &amp;quot;Going Back to Cali,&amp;quot; B.I.G.&#xA;24 inches up under the cabelet&#xA;When the package land, I get a text, say checkmate&#xA;All Off-White like Aretha or Bronco&#xA;And always got them extras like the Las Palmas combo&#xA;&#xA;&#xA;Dope like the building on Broadway&#xA;Dope like the lookouts in the project hallway&#xA;Dope like the tar, same color as raisins&#xA;Dope like Dade County, Zoe Pound Haitians&#xA;Dope like when George put the band together&#xA;Or that meet-up spot in Fresco at the Transamerica&#xA;Dope when niggas try and they can't compare to you (Ayy, it's Philthy, nigga)&#xA;I pull up to the gas station off that regular dope (Uh-huh, look)&#xA;&#xA;2008, had the baby stain (Oh, I remember)&#xA;Now everything foreign so I can't complain (Foreign)&#xA;Them niggas' ghetto passes has been revoked (Pussy)&#xA;I only ride Forgis, I remember spokes (It's Philthy)&#xA;Fab been solid since Oakland Tech (Solid)&#xA;I used to bag up solids while I load the TEC's (Swear to God)&#xA;Foothill, nigga, where you find me at (Seminary)&#xA;I used to hide my dope behind the laundromat (It's Philthy)&#xA;Either El Special or Times Kitchen (Ayy, eat it up)&#xA;All rats gotta die so it's time ticking (Suckers)&#xA;Free that nigga Smitty, free that nigga Nef (Free my niggas)&#xA;Callin' shots behind the wall, beat a nigga to death (It's Philthy)&#xA;I'm from where Hub and Scrilla Mike got rich at (Ayy, rest in peace)&#xA;Where a whole lot of dope be gettin' pitched at (36)&#xA;Best thing shining since C Diamond (I am)&#xA;I ain't never been extorted but I'm payin' homage, it's Philthy&#xA;&#xA;&#xA;Dope like the building on Broadway&#xA;Dope like the lookouts in the project hallway&#xA;Dope like the tar, same color as raisins&#xA;Dope like Dade County, Zoe Pound Haitians&#xA;Dope like when George put the band together&#xA;Or that meet-up spot in Fresco at the Transamerica&#xA;Dope when niggas try and they can't compare to you&#xA;I pull up to the gas station off that regular dope&#xA;&#xA;15, servin' rocks at Havie's Court&#xA;Nigga this Jodi like Baby Boy&#xA;Got my run in the Ville, never runner-up&#xA;Legend, built an empire off fifty bucks&#xA;Me and V dank or die, that's dope shit&#xA;Always did it for the town, only Oak shit&#xA;When the police got me, I ain't know shit&#xA;Look at 'em bringin' up my past, that's some more shit&#xA;Mobbin' old schools like Fat Anthony (Rest in peace)&#xA;I'm really from the mob, now that's Stanton (Real shit)&#xA;Call my OG's unc' like that's family&#xA;'Member niggas tried to raise me, niggas can't ban me (Nah)&#xA;Stack really from the era, D-O-P-E&#xA;And keep a bundle full of greens like groceries&#xA;American gangster, got the hops shipped overseas&#xA;Throwin' up the peace sign, yup, for the V&#xA;&#xA;&#xA;Dope like the building on Broadway&#xA;Dope like the lookouts in the project hallway&#xA;Dope like the tar, same color as raisins&#xA;Dope like Dade County, Zoe Pound Haitians&#xA;Dope like when George put the band together&#xA;Or that meet-up spot in Fresco at the Transamerica&#xA;Dope when niggas try and they can't compare to you&#xA;I pull up to the gas station off that regular dope" PRODUCER="LTO Music" COVERARTID="086/WWPJIRCX4UVFKCCHL2B0DI5EYB4B" PLAYTIME="200" PLAYTIME_FLOAT="199.405289" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="26720"></INFO>
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<INFO BITRATE="962682" KEY_LYRICS="9 ContributorsRelight My Fire LyricsHelp me escape this feelin' of insecurity&#xA;I need you so much but I don't think you really need me&#xA;But if we all stand up in the name of love&#xA;And state the case of what we're dreamin' of&#xA;I've got to say I only dream of you&#xA;But like a thief in the night&#xA;You took away the love that I knew&#xA;&#xA;Relight my fire&#xA;Your love is my only desire&#xA;Relight my fire&#xA;'Cause I need your love&#xA;&#xA;Turn back the times 'til the days when our love was new&#xA;Do you remember?&#xA;No matter what was happenin' I was there with you&#xA;But if we all stand up for what we believe&#xA;And maybe live within our possibilities&#xA;The world would be wild for the dream&#xA;So baby don't turn away&#xA;Listen to what I gotta say&#xA;&#xA;Relight my fire&#xA;Your love is my only desire&#xA;Relight my fire&#xA;'Cause I need your love&#xA;Relight my fire&#xA;Your love is my only desire&#xA;Relight my fire&#xA;'Cause I need your love&#xA;You gotta be strong enough to walk on through the night (yeah)&#xA;There's a new day on the other side (yeah)&#xA;You got to have hope in your soul&#xA;Just keep on walkin', yeah&#xA;Just keep on walkin', yeah, walk on&#xA;Just keep on, walk on&#xA;&#xA;Strong enough to walk on through the night (through the night)&#xA;There's a new day on the other side (the other side, the other side)&#xA;I got to have hope in my soul (in your soul)&#xA;So I'll keep on walkin', yeah&#xA;Keep on walkin'&#xA;&#xA;Relight my fire (gotta keep the fire burnin')&#xA;Your love is my only desire&#xA;Relight my fire&#xA;'Cause I need your love" PRODUCER="(P) 1979 Epic Records, a division of Sony Music Entertainment" COVERARTID="026/0MJX3KAM0DX3LCF0L30WBMH50KXA" PLAYTIME="226" PLAYTIME_FLOAT="225.893326" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="26830"></INFO>
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<INFO BITRATE="1119077" KEY_LYRICS="5 ContributorsOTO Lyrics&#xA;Attention, ceci est un message d'alerte à la population&#xA;Vos programmes sont momentanément interrompus&#xA;Ce n'est pas un exercice&#xA;&#xA;&#xA;Comme Takeshi Kitano j'développe le Sharingan ou le Toki-Tobashi&#xA;Sept péchés capitaux donc faut faire gaffe à pas décapiter n'importe qui&#xA;Si d'ici dix minutes, t'es face à Belzébuth, t'as commis l'irréparable&#xA;T'as baisé des putes, t'as niqué ta réput, ton appréhension est palpable&#xA;Car il y a de quoi, le karma sort la flèche de son carquois&#xA;(?)&#xA;Créance de Son dans le barillet, bye&#xA;Grosse armada face à Bonnie and Clyde&#xA;Colin-maillard quand la police débarque&#xA;(?)&#xA;T'es pas capitaine, t'es commis d'office, t'as pas compris dégage&#xA;T'as pas compris dégage, Créance de Son sors du marécage&#xA;(?) pour ma vanilla kush&#xA;J'm'en bat les couilles je mets tout les dix meuges&#xA;Tout, tout, tout les dix meuges&#xA;T'as bien compris j'ai dit tout les dix meuges&#xA;T'es pas content j'fais ça tout les dimanches&#xA;Lundi fonce-dé j'fais le tour de l'immeuble&#xA;J'deviens plus précis que Pedro Miguel&#xA;J'apprécie peu tout tes fréros qui gueulent&#xA;J'deviens plus puissant qu'un Desert Eagle&#xA;Quand je rentre dans ta mère, bah y'a un jingle&#xA;J'suis Sacha Distel, j'suis pas assez à l'écoute me disent-elles&#xA;C'est parce que je pense qu'au rap depuis mes 17 ans&#xA;J'ai cassé des dents comme un goulot de champagne&#xA;&#xA;Ok ok, j'mets des gants, pas de costard&#xA;Nique tout ces mecs qui se prennent pour des messies&#xA;Je n'ai pas l'habitude de prendre la grosse tête&#xA;En retard j'finis, sweat Tacchini&#xA;Masashi Kishimoto, j'la baise dans l'auto&#xA;Ramène moi moto ou merco, merco boîte auto&#xA;(?) que je pisse la codé&#xA;Faire que du sale c'est promis, faire que je les baises jusqu'à (?)&#xA;Ma voix résonne sur le cro-mi&#xA;Vroum vroum, j'vous dépasse tous sur la gauche&#xA;Les crocs d'un rottweiler&#xA;Valérie poucave ce hustler&#xA;En mission découverte j'les fracasse tous&#xA;Ils parlent de mon rap mais savent pas que je manigance en douceur&#xA;Créance de Son a mis le cruiser&#xA;Réaction instantanée dans tes tympans&#xA;Ça résonne fort dans ceux de ta sœur&#xA;Vous m'cassez les couilles tous&#xA;Mélange ta soupe, ramène le flouze&#xA;Créance de Son a mis le cruiser&#xA;Venus foutre la merde à plusieurs ou tout seul&#xA;Créance de Son a mis le cruiser&#xA;&#xA;&#xA;Passe au bistrot je suis le boss de la cuite&#xA;Un paquet de Camel dans les poches (?)&#xA;J'évite les coups fourrés, les fists et les cistes-ra&#xA;Je reprends la coupe, je risque le Saint Graal&#xA;Et l'européenne qui reprend sa place&#xA;J'arrive tranquille dans ma Clio 2 cinq places&#xA;Ça me fait marrer&#xA;Et les féministes qui reprennent nos phases&#xA;Tarpé de taré, pas préparé&#xA;Faut que tu finisses ton vernissage&#xA;Quand tu me regardes, sois expressif&#xA;J'ai trompé ta femme, c'est maladif&#xA;Soit pas oisif, ne reste pas à rien faire&#xA;Cherche un hobby, laisse le (?)&#xA;Un pied à terre et l'autre sur la bécane&#xA;J'assure mes arrières, j'assure mes arrières&#xA;J'irai au cimetière même si (?)&#xA;J'assumerai après, j'assumerai après&#xA;Akapulco est sur tes cotés&#xA;Surcoté, tu perds tes mots sans tout tes (?)&#xA;(?) dingo je prends mon Pulco sur scène&#xA;Le mélomane est de la partie, fils&#xA;Créance de Son qui va monter sur scène&#xA;J'ferais le sauvage avant de voir Elvis&#xA;Pressé, pressé, pressé par le temps&#xA;Dans l'attente, y'a le (?)&#xA;(?)&#xA;Reste cool, reste cool, reste cool&#xA;Reste cool, reste cool, reste cool&#xA;Reste cool, reste cool, reste cool&#xA;Reste cool, reste cool, hey&#xA;&#xA;Mon gars, la concu j'viens baiser&#xA;Balec qu'ils soient busy busy&#xA;Les wacks qu'ils aillent se reposer&#xA;Qu'on leur fasse des gouzi-gouzi&#xA;&#xA;Mon gars, la concu j'viens baiser&#xA;Balec qu'ils soient busy busy&#xA;Les wacks qu'ils aillent se reposer&#xA;Qu'on leur fasse des gouzi-gouzi&#xA;&#xA;&#xA;Créance de Son dans le bistrot&#xA;Bien trop bourré mec je pisse trop&#xA;Je fais tout tout seul, nique le piston&#xA;Mélange la bière et piquons&#xA;Force de cobra, force de python&#xA;Dès qu'on débarque c'est la fusion&#xA;Potaras, métamol, pas le temps, Gogeta Vegeto hey, merde&#xA;Lumière accrue dans mon secteur&#xA;Les flics nous soupçonnent de ne pas être inspecteurs&#xA;Ajuste ta boussole et assume tes plus grosses peurs&#xA;Adule le message et le fait que tu aies peur&#xA;Tout ton message se passe de commentaire&#xA;Alain Souchon ma caille, c'est pas le but à long terme&#xA;Vida loca pour tout mes gars sous pastis&#xA;Vise à l'occas, on a pas besoin de bassiste&#xA;1996 le jeune Pok apparaît&#xA;Ta mamacita ne fait que parler du P&#xA;Ecchymosé, y'as pas d'accréditation&#xA;C'est qui qui pose en cabine et en caleçon ?&#xA;Toubib qui cause, faudrait que j'arrête le niakson&#xA;Tes gosses m'écoutent et demandent ce qu'est une leçon&#xA;Passe dans la Punto à 100km/h&#xA;Dès qu'on débarque c'est fini la guéguerre&#xA;Créance de Son ou bien marteau-kickeur&#xA;J'aime les femmes matures, Sigourney Weaver&#xA;Serre moi la main si tes copines m'acclament&#xA;Elles vont sous la table si t'as une McLaren&#xA;Braquer la banque me donne envie chaque semaine&#xA;Car mon business décolle pas comme casoar&#xA;Pirate tel Barbossa, t'as vu je m'en bat les yeuks&#xA;&#xA;On veut se faire de la money&#xA;Rien dans tes termes n'a l'air honnête&#xA;Tout bonnement, t'es bon à perdre&#xA;Dédoublement de personnalité&#xA;Tape dans ta paie si t'as l'envie d'un extra&#xA;Fascinante est l'exactitude émanant de moi&#xA;Mais maintenant j'ai habitude&#xA;Ne cherche pas d'excuses, mon pardon ne revient à personne&#xA;Les wacks MC je les baise, pas de patron qui déconne au réveil&#xA;Plus de panique, vas-y allume un pèt&#xA;Quand j'me réveille j'décolle pour aller rejoindre les frères équipés comme des zoulous de Varsovie&#xA;Le verre se vide à la vitesse de l'éclair&#xA;Un élan de folie mène les rageuses à terre&#xA;C'est au beau fixe que CDS prend le danger de se dédier à la plume et ses vices&#xA;Mais j'ai l'envie, mélange la ligne&#xA;Tise sous la lune, aiguise les ruses, et fume le plus&#xA;Akapulco catapulte, Créance de Son ça t'a plu&#xA;Akapulco catapulte, Créance de Son ça t'a plu&#xA;&#xA;&#xA;Mon gars, la concu j'viens baiser&#xA;Balec qu'ils soient busy busy&#xA;Les wacks qu'ils aillent se reposer&#xA;Qu'on leur fasse des gouzi-gouzi&#xA;&#xA;Mon gars, la concu j'viens baiser&#xA;Balec qu'ils soient busy busy&#xA;Les wacks qu'ils aillent se reposer&#xA;Qu'on leur fasse des gouzi-gouzi&#xA;&#xA;&#xA;Mon crew a décidé de passer la seconde, le tiens n'a pas envisagé le quart de nos ambitions&#xA;De la mine sur une feuille et mon esprit se canalise&#xA;Une dispute bête et là, t'es seul contre sept&#xA;Téma la vitesse avec laquelle j'alimente mon corps, allez arrête, t'es bête&#xA;Ça 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<INFO BITRATE="849875" KEY_LYRICS="18 ContributorsJust an Illusion Lyrics&#xA;Illusion, illusion&#xA;Illusion, illusion&#xA;&#xA;&#xA;Searching for a destiny that's mine&#xA;There's another place another time&#xA;Touching many hearts along the way, yeah&#xA;Hoping that I'll never have to say&#xA;It's just an illusion&#xA;&#xA;&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;&#xA;&#xA;Follow your emotions anywhere&#xA;Is it really magic in the air?&#xA;Never let your feelings get you down&#xA;Open up your eyes and look around&#xA;It's just an illusion&#xA;&#xA;&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Putting me back)&#xA;In all this confusion?&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Now)&#xA;&#xA;&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Putting me back)&#xA;In all this confusion?&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Now)&#xA;&#xA;&#xA;Could it be a picture in my mind?&#xA;Never sure exactly what I'll find&#xA;Only in my dreams I'll turn you on&#xA;Here for just a moment, then you're gone&#xA;It's just an illusion&#xA;&#xA;&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;&#xA;&#xA;&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;(Ooh-ooh-ooh-ooh, ah-ah) Illusion&#xA;&#xA;&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Putting me back)&#xA;In all this confusion?&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Now)&#xA;&#xA;&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Putting me back)&#xA;In all this confusion?&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Now)&#xA;&#xA;(Now)&#xA;(Now)&#xA;&#xA;&#xA;(Could it be that)&#xA;(Putting me back)&#xA;(Could it be that)&#xA;(Now)&#xA;&#xA;&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Putting me back)&#xA;In all this confusion?&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Now) Yeah!&#xA;&#xA;&#xA;(Could it be that) Ooh, yeah&#xA;It's just an illusion?&#xA;(Putting me back) Ow!&#xA;In all this confusion?&#xA;(Could it be that) Yeah&#xA;It's just an illusion?&#xA;(Now) Yeah, yeah, yeah&#xA;&#xA;&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Putting me back) Yeah, yeah, yeah&#xA;In all this confusion?&#xA;(Could it be that)&#xA;It's just an illusion?&#xA;(Now) Yeah!&#xA;&#xA;&#xA;(Could it be that) Ooh, yeah&#xA;It's just an illusion?&#xA;(Putting me back) Ow!&#xA;In all this confusion..." PRODUCER="R&amp;B Division Ltd" COVERARTID="054/WBD2FFCEXLF5KDNUMXA3AEMMHMJB" PLAYTIME="388" PLAYTIME_FLOAT="387.866669" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="40526"></INFO>
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<INFO BITRATE="863969" KEY_LYRICS="13 ContributorsSolid Lyrics&#xA;And for love's sake&#xA;Each mistake&#xA;Oh, you forgave&#xA;And soon both of us&#xA;Learned to trust&#xA;Not run away&#xA;It was no time to play&#xA;We build it up&#xA;And build it up&#xA;And build it up&#xA;&#xA;&#xA;And now it's solid&#xA;Solid as a rock&#xA;That's what this love is&#xA;That's what we've got, oh, mmm&#xA;&#xA;Solid&#xA;Solid as a rock&#xA;And nothing's changed it, woo&#xA;The thrill is still hot, hot, hot, hot, hot, hot, hot, hot&#xA;&#xA;&#xA;Oh, ha, you didn't turn away&#xA;When the sky went gray&#xA;Somehow we managed&#xA;We had to stick together&#xA;You didn't bat an eye&#xA;When I made you cry&#xA;We knew down the line&#xA;We would make it better&#xA;&#xA;&#xA;And for love's sake&#xA;Each mistake&#xA;Oh, you forgave&#xA;And soon both of us&#xA;Learned to trust&#xA;Not run away&#xA;It was no time to play&#xA;We build it up&#xA;And build it up&#xA;And build it up&#xA;&#xA;&#xA;And now it's solid&#xA;Solid as a rock&#xA;That's what this love is&#xA;That's what we've got, oh&#xA;Yes, it is&#xA;&#xA;Solid&#xA;Solid as a rock&#xA;And nothing's changed it, oh&#xA;The thrill is still hot, hot, hot, hot, hot, hot, hot, hot&#xA;&#xA;Gone with the wind&#xA;Another friend&#xA;Got in between&#xA;Tried to separate us&#xA;&#xA;Knock, knock on wood&#xA;You understood&#xA;Love was so new&#xA;We did what we had to&#xA;&#xA;&#xA;And with that feeling&#xA;We were willing&#xA;To take a chance&#xA;So, against all odds&#xA;We made a start&#xA;We got serious&#xA;This wouldn't turn to dust&#xA;We build it up&#xA;And build it up&#xA;And build it up&#xA;&#xA;&#xA;And now it's solid&#xA;Solid as a rock&#xA;That's what this love is&#xA;Oh, that's what we've got, oh&#xA;Solid, yes it is&#xA;Solid as a rock&#xA;And nothing's changed it&#xA;The thrill is still hot, hot, hot, hot, hot, hot, hot, hot&#xA;&#xA;&#xA;Solid&#xA;Solid as a rock&#xA;You know it, well&#xA;You know it, baby&#xA;Solid&#xA;Solid as a rock&#xA;Solid&#xA;Don't leave me, baby&#xA;Solid as a rock&#xA;Solid&#xA;Solid as a rock&#xA;Solid&#xA;Solid as a rock&#xA;Good, good thing&#xA;&#xA;&#xA;Solid (solid, solid, solid, solid, solid)&#xA;As a rock" PRODUCER="℗ 1984 Capitol Records, LLC" COVERARTID="002/CQN1RBCMHEX0CCV4PK25AGJR0Z1D" PLAYTIME="312" PLAYTIME_FLOAT="312.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="1984/1/1" FLAGS="12" FILESIZE="33158"></INFO>
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<INFO BITRATE="904329" KEY_LYRICS="18 ContributorsStomp! Lyrics&#xA;Steppin' out, the weekend's open wide&#xA;Fill it up, let's blast the jams and ride&#xA;While we're cruisin' around in the street&#xA;Listen up for the party in feet&#xA;Slap me five, that's the place we've arrived, it's alive&#xA;&#xA;&#xA;Everybody take it to the top&#xA;We're gonna stomp all night&#xA;In the neighborhood&#xA;Don't it feel alright?&#xA;Gonna stomp all night&#xA;Wanna party 'til the morning light&#xA;Mmm, runnin', runnin', runnin'&#xA;&#xA;&#xA;The set is hot, there's people wall to wall&#xA;Old ones, young things, short ones standing tall&#xA;So grab the one with the smile on her face&#xA;And hit the floor and stay right on the case&#xA;The heat is on and the funk just won't leave us alone&#xA;&#xA;&#xA;Everybody take it to the top&#xA;We're gonna stomp all night&#xA;In the neighborhood&#xA;Don't it feel alright?&#xA;Gonna stomp all night&#xA;Wanna party 'til the morning light&#xA;Gonna stomp all night&#xA;In the neighborhood&#xA;Don't it feel alright?&#xA;Gonna stomp all night&#xA;Wanna party 'til the morning light&#xA;Stomp!&#xA;&#xA;Stomp, step down in it&#xA;Put your foot where you feel the fit&#xA;Stomp, you don't wanna quit&#xA;Put your heels where you're feeling it&#xA;&#xA;&#xA;Stomp all night&#xA;In the neighborhood&#xA;Don't it feel alright?&#xA;Gonna stomp all night&#xA;Wanna party 'til the morning light (Well, well, well)&#xA;Gonna stomp all night&#xA;In the neighborhood&#xA;Don't it feel alright?&#xA;Gonna stomp all night&#xA;Wanna party 'til the morning light&#xA;Gonna stomp all night&#xA;In the neighborhood&#xA;Don't it feel alright?&#xA;Gonna stomp all night&#xA;Wanna party 'til the morning light&#xA;Stomp!&#xA;&#xA;&#xA;Stomp, step down in it&#xA;Put your foot where you feel the fit (Take it to the top)&#xA;Stomp, you don't wanna quit&#xA;Put your heels where you're feeling it (Take it to the top)&#xA;Stomp, step down in it&#xA;Put your foot where you feel the fit&#xA;Stomp, you don't wanna quit&#xA;Put your heels where you're feeling it&#xA;Stomp, step down in it&#xA;Put your foot where you feel the fit&#xA;Stomp, you don't wanna quit&#xA;Put your heels where you're feeling it" PRODUCER="℗ 1980 UMG Recordings, Inc." COVERARTID="096/APHFLHD4L3IL1CXYSO0KDFAUV4MB" PLAYTIME="248" PLAYTIME_FLOAT="247.133331" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="27569"></INFO>
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<INFO BITRATE="956578" KEY_LYRICS="57 ContributorsBankroll Lyrics&#xA;(DP on the beat&#xA;Greedy Money)&#xA;&#xA;&#xA;Yeah, yeah (Cash Carti)&#xA;Told that bitch to call my phone&#xA;Then she text my phone with upset face, and I look like yeah (Yeah)&#xA;Told that bitch to give me dome (Dome)&#xA;Pass her to my bros like ain't shit changed and we look like yeah, yeah (Cash Carti)&#xA;And I'm smokin' on this dope&#xA;Takin' Xans 'til I can't feel my face and I look like yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah&#xA;Yeah&#xA;&#xA;&#xA;Ayy, ayy (Cash Carti)&#xA;Pull up, wait, ayy&#xA;On a date, ayy&#xA;Countin' cake, ayy&#xA;Play with my cake, ayy&#xA;Break your face, ayy&#xA;Countin' cake, ayy (Cash Carti)&#xA;Break the bank, ayy&#xA;Diamonds flooded like the sink, ayy&#xA;I've been pullin' up in a tank, ayy (In a tank)&#xA;'Cause my money got no limit, ayy (Cash Carti)&#xA;And my car don't got no ceiling, ayy (Yeah)&#xA;And my bitch don't got no limit, ayy (Lil Uzi)&#xA;Makin' that money, I'm willin', ayy (Chee, chee)&#xA;Told your bitch I got that money, ayy (Chee, chee)&#xA;Told your bitch that I be peelin', ayy&#xA;&#xA;Drinking that lean out the bottle, ayy&#xA;This is not no penicillin, ayy&#xA;My credit card got the billions, ayy (Cash Carti)&#xA;Your credit card got a limit, ayy&#xA;Big shout out right to my dentist, ayy&#xA;I put them diamonds in glaciers, ayy&#xA;&#xA;&#xA;Yeah, yeah (Cash Carti)&#xA;Told that bitch to call my phone&#xA;Then she text my phone with upset face and I look like yeah (Yeah)&#xA;Told that bitch to give me dome (Dome)&#xA;Pass her to my bros like ain't shit changed and we look like yeah, yeah (Cash Carti)&#xA;And I'm smokin' on this dope (Dope)&#xA;Taking Xans 'til I can't feel my face and I look like yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah&#xA;Yeah&#xA;&#xA;&#xA;And I always keep the pole (Cash Carti, always keep the pole)&#xA;And I always keep the pole (Always keep the pole)&#xA;Everywhere I go I keep that pole, I keep that pole (Cash Carti, everywhere I go)&#xA;Everywhere I go I keep the pole, I keep the pole (Everywhere I go)&#xA;Everywhere I go these bitches know, these bitches know (Ayy, countin' all these rolls)&#xA;Everywhere I go my bank don't fold, that bank don't fold (Ayy, countin' all these rolls)&#xA;Countin' up them rolls, big bankrolls, them big bankrolls&#xA;(Cash Carti)&#xA;Countin' up them rolls, big bankrolls, them big bankrolls (Cash Carti)&#xA;Yeah (Yeah)&#xA;Got a bitch named Rubi Rose (Sauce, sauce, sauce)&#xA;See me with Justine then she stopped callin' my phone (Woo, zone, zone, zone, zone)&#xA;I be in my zone (Cash Carti)&#xA;Girl, what's goin' on?&#xA;She stopped callin' my phone&#xA;Ayy, yeah&#xA;&#xA;Yeah, yeah (Woo, woo)&#xA;Told that bitch to call my phone (Cash Carti)&#xA;Then she text my phone with upset face and I look like yeah (Yeah)&#xA;Told that bitch to give me dome (Dome)&#xA;Pass her to my bros like ain't shit changed and we look like yeah, yeah (Cash Carti)&#xA;And I'm smokin' on this dope (Dope)&#xA;Taking Xans 'til I can't feel my face and I look like yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah (Greedy Money)&#xA;Yeah, yeah (DP on the beat)&#xA;Yeah&#xA;&#xA;&#xA;Yeah, ayy (Cash Carti, What?)&#xA;Pull up, wait, ayy&#xA;On a date, ayy&#xA;Countin' cake&#xA;Play with my cake, ayy&#xA;Break your face, ayy&#xA;Countin' cake, ayy (Cash Carti)&#xA;Break the bank (Yeah)&#xA;&#xA;&#xA;AK, beam (Countin' all these rolls)&#xA;Bitches, Bs (Oh yeah)&#xA;I be in Lennox (Yeah)&#xA;Squad big (Countin' all these rolls)&#xA;I fuck that ho 'cause I want to (Cash Carti)&#xA;I fuck them girls 'cause I want to&#xA;I bought that bag 'cause I want to (Cash Carti)&#xA;Yeah, 2, zone, zone, zone, ayy&#xA;&#xA;Drinkin' that lean out the bottom, ayy (Woo, zone, zone, zone)&#xA;This is not no penicillin, ayy&#xA;My credit card got the billions, ayy (Cash Carti)&#xA;Your credit card got a limit, ayy&#xA;Big shout out right to my dentist, ayy&#xA;I put them diamonds in glaciers, ayy (Le' go, le' go)&#xA;&#xA;&#xA;Yeah, yeah (Cash Carti)&#xA;Told that bitch to call my phone&#xA;Then she text my phone with upset face and I look like yeah (Yeah)&#xA;Told that bitch to give me dome (Dome)&#xA;Pass her to my bros like ain't shit changed and we look like yeah, yeah (Cash Carti)&#xA;And I'm smokin' on this dope (Dope)&#xA;Taking Xans 'til I can't feel my face and I look like yeah, yeah&#xA;Yeah, yeah&#xA;Yeah, yeah (Greedy Money)&#xA;Yeah, yeah (DP on the beat)&#xA;Yeah" PRODUCER="1981 Clock Music Sas" COVERARTID="055/XNBAYTAZ1NA3LDPJYN1IB4OYRIZC" PLAYTIME="229" PLAYTIME_FLOAT="228.266663" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="26899"></INFO>
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<INFO BITRATE="980182" KEY_LYRICS="8 ContributorsFollow Me LyricsI'm getting out, I'm moving on&#xA;And from now on, address unknown&#xA;I shall be difficult to find&#xA;So follow me, just follow me&#xA;I'll sell you dreams and new desires&#xA;I'm trading hopes, I'm open late&#xA;I am the night, I am your fate&#xA;So follow me, just follow me&#xA;&#xA;Faust was right, have no regret&#xA;Gimme your soul, I'll give you life&#xA;And all the things you want to get&#xA;So follow me, just follow me&#xA;&#xA;I'll give you wings, I'll sell you fame&#xA;Merry-go-round, maybe to Hell&#xA;I am the key to your problem&#xA;So follow me, just follow me&#xA;&#xA;Unbelievable, maybe&#xA;You'll have a new identity&#xA;For a second of vanity&#xA;I want to change your destiny&#xA;Unbelievable, maybe&#xA;You'll have a new identity&#xA;For a second of vanity&#xA;I want to change your destiny&#xA;Follow me&#xA;Follow me&#xA;I'll give you anything you want&#xA;Your wish is my command&#xA;If you agree to follow me" PRODUCER="(P) 1978 Sony Music Entertainment Germany GmbH under exclusive license to BMG Rights Management GmbH" COVERARTID="046/O3TTDXAMVMCJADEV1ATCBCYV2CDA" PLAYTIME="231" PLAYTIME_FLOAT="230.333328" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="27769"></INFO>
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<INFO BITRATE="1030022" KEY_LYRICS="2 ContributorsGive Me Love LyricsGive me love&#xA;Give me all that you've got&#xA;You know that I need you, babe&#xA;Give me love&#xA;Give me all that you've got&#xA;All the time&#xA;&#xA;Give me love&#xA;Give me all that you've got, ooh yeah&#xA;Give me love&#xA;Give me all that you've got&#xA;You know, you know&#xA;I want you, baby&#xA;&#xA;Give me love&#xA;Give me all that you've got&#xA;Give me all you've got&#xA;Give me love&#xA;Give me all that you've got&#xA;You know I need you&#xA;&#xA;Give me love&#xA;Give me all that you've got&#xA;You know I want you&#xA;Give me the loving I need&#xA;I'm begging you, please&#xA;Give me love&#xA;Give me all that you've got&#xA;Give me love&#xA;Give me all that you've got&#xA;&#xA;Give me love&#xA;Give me all that you've got&#xA;Give me love&#xA;Give me all that you've got&#xA;&#xA;Give me love&#xA;Give me all that you've got&#xA;Give me love&#xA;You know I need you all the time&#xA;&#xA;Give me love&#xA;Give me all that you've got&#xA;Give me love&#xA;Ooh yeah, I want you&#xA;I want you, I want you&#xA;&#xA;Give me love&#xA;Give me all that you've got&#xA;Give me love&#xA;Give me all that you've got&#xA;Give it to me&#xA;Give it to me&#xA;Give it to me&#xA;Give it to me&#xA;&#xA;I want you&#xA;I want you&#xA;I want you&#xA;I want you" PRODUCER="Malligator Préférence under exclusive licence to Because Music" COVERARTID="114/SLQ0PZAD21NISCZSDMIRCB0TIRSD" PLAYTIME="281" PLAYTIME_FLOAT="280.868561" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="35728"></INFO>
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<INFO BITRATE="894925" KEY_LYRICS="30 ContributorsTranslationsDeutschRivers of Babylon Lyrics&#xA;By the rivers of Babylon&#xA;There we sat down&#xA;Yeah, we wept&#xA;When we remembered Zion&#xA;By the rivers of Babylon&#xA;There we sat down&#xA;Yeah, we wept&#xA;When we remembered Zion&#xA;&#xA;&#xA;When the wicked&#xA;Carried us away in captivity&#xA;Required from us a song&#xA;Now how shall we sing the Lord's song&#xA;In a strange land?&#xA;When the wicked&#xA;Carried us away in captivity&#xA;Requiring of us a song&#xA;Now how shall we sing the Lord's song&#xA;In a strange land?&#xA;&#xA;&#xA;Let the words of our mouth and the meditations of our heart&#xA;Be acceptable in thy sight here tonight&#xA;Let the words of our mouth and the meditation of our hearts&#xA;Be acceptable in thy sight here tonight&#xA;&#xA;By the rivers of Babylon&#xA;There we sat down&#xA;Yeah, we wept&#xA;When we remembered Zion&#xA;By the rivers of Babylon&#xA;There we sat down&#xA;Yeah, we wept&#xA;When we remembered Zion&#xA;&#xA;&#xA;&#xA;&#xA;By the rivers of Babylon&#xA;(Dark tears of Babylon)&#xA;There we sat down&#xA;(You got to sing a song)&#xA;Yeah we wept&#xA;(Sing a song of love)&#xA;When we remembered Zion&#xA;(Yeah, yeah, yeah, yeah, yeah)&#xA;By the rivers of Babylon&#xA;(Rough bits of Babylon)&#xA;There we sat down&#xA;(You hear the people cry)&#xA;Yeah we wept&#xA;(They need their god)&#xA;When we remembered Zion&#xA;(Ooh, have the power)" PRODUCER="(P)1978 BMG Berlin Musik GmbH/MCI" COVERARTID="044/MNWV11CL2V3CCDLLBX5AD3V342WB" PLAYTIME="239" PLAYTIME_FLOAT="238.026672" IMPORT_DATE="2025/4/14" RELEASE_DATE="1984/1/1" FLAGS="12" FILESIZE="26371"></INFO>
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<INFO BITRATE="1118666" KEY_LYRICS="24 Contributors(Shake, Shake, Shake) Shake Your Booty Lyrics&#xA;Ah everybody, get on the floor, and let's dance!&#xA;Don't fight your feelings, give yourself a chance!&#xA;&#xA;&#xA;Shake shake shake, shake shake shake&#xA;Shake your booty! Shake your booty!&#xA;Oh, shake shake shake, shake shake shake&#xA;Shake your booty! Shake your booty!&#xA;&#xA;&#xA;Aah, you can, you can do it very well&#xA;You're the best in the world, I can tell&#xA;&#xA;&#xA;Oh, shake shake shake, shake shake shake&#xA;Shake your booty! Shake your booty!&#xA;Oh, shake shake shake, shake shake shake&#xA;Shake your booty! Shake your booty!&#xA;&#xA;&#xA;Oh yeah&#xA;Shake shake shake, shake&#xA;Ah, shake shake, shake shake&#xA;&#xA;&#xA;Oh, shake shake shake, shake shake shake&#xA;Shake your booty! Shake your booty!&#xA;Oh, shake shake shake, shake shake shake&#xA;Shake your booty! Shake your booty!&#xA;&#xA;Ah, shake shake, shake shake, shake your booty!&#xA;Ah, don't fight the feeling&#xA;Shake shake, shake shake, shake your booty!&#xA;Aah, give yourself a chance&#xA;&#xA;Shake shake, shake shake, shake your booty!&#xA;You can do it, do it!&#xA;Shake shake, shake shake, shake your booty!&#xA;Come home with momma now!&#xA;Shake shake, shake shake, shake your booty!&#xA;&#xA;Shake shake, shake shake, shake your booty!&#xA;Aah, run down to sister&#xA;Shake shake, a-ha, shake shake, a-ha, on your booty!&#xA;Aah! Doo your duty&#xA;A-ha shake shake, a-ha shake shake" PRODUCER="℗ 1976 Parlophone Records Ltd, a Warner Music Group Company" COVERARTID="034/CJQCVZD4KYBGSDLZLMSWBDABM0HB" PLAYTIME="186" PLAYTIME_FLOAT="185.639999" IMPORT_DATE="2025/4/14" RELEASE_DATE="1976/1/1" FLAGS="12" FILESIZE="25573"></INFO>
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<INFO BITRATE="1059315" KEY_LYRICS="1 ContributorCalicoe vs Ill Will - RBE RAP BATTLE LyricsRound 1: Ill Will&#xA;&#xA;One year ago today, I beat Quill plain as day.&#xA;But we ain’t playin’ today.&#xA;Shout out to my brother Moe Dirty.&#xA;You don’t belong in Detroit.&#xA;It’s a difference between metaphors and—&#xA;Nigga, you what’s wrong with Detroit.&#xA;&#xA;I ain’t gon’ talk like you boss Detroit,&#xA;Especially when your niggas could’ve been Gil Scott.&#xA;Y’all could’ve lost Detroit.&#xA;But we can gladly scrap.&#xA;This 9-iron wasn’t in Caddyshack.&#xA;I get your BM Afton blacker face—&#xA;Now tell your daddy that.&#xA;&#xA;I come from them wild blocks.&#xA;Pull up, you hear loud shots.&#xA;Askin’ me about this shotgun?&#xA;Get a nigga in the crowd shot.&#xA;That was for Detroit.&#xA;But we ain’t in the wild.&#xA;&#xA;I already cooked your man’s tuna.&#xA;Last time it was a fish fry.&#xA;Fuck your skill—this shit another drill.&#xA;He bowlin’ with the bumpers—&#xA;His pen don’t got that gutter feel.&#xA;Nigga please, I got bitches in the D,&#xA;Hit the Yak, go to PA, come back to the D—it’s a feat.&#xA;I go in his dentistry if I lift that heat,&#xA;Drop his body in the street,&#xA;If they gotta identify him by his teeth.&#xA;I cut off the dentistry.&#xA;&#xA;We the army—so even kids get chopped. That’s the infantry.&#xA;Off the hip it kick.&#xA;You jet now—instantly.&#xA;I’m goin’ psychotic again.&#xA;Two pistols—they obviously twins.&#xA;Morgan Freeman, Shawshank.&#xA;I know the shit niggas go through to get out of this pen.&#xA;&#xA;We was raised different—we don’t talk, it ain’t a trivia.&#xA;But when you see Ill with grams, it ain’t dementia.&#xA;Dumb techs—this bitch come easy like drunk sex.&#xA;.45 still scratchin’ like Funk Flex.&#xA;&#xA;They said I ain’t had nothin’ for Will—&#xA;Now I got somethin’.&#xA;Nigga, you can’t train for Ill—&#xA;You just die from it.&#xA;&#xA;My brother JC said,&#xA;“You can’t criticize the form when the shot perfect.”&#xA;Perfect. That was Dame fury.&#xA;But if somebody criticizin’ this form—&#xA;It was the grand jury.&#xA;Two shots with the throwaway,&#xA;Hit any witness that look at me.&#xA;Toss the pistol—illiterate,&#xA;So the judge can’t throw the book at me.&#xA;&#xA;This nigga wasn’t even thuggin’ when he came on the scene.&#xA;Pops come home, he BMF—Almighty out.&#xA;But I bet if you go to that interrogation room,&#xA;You gon’ be Almighty Mouse.&#xA;&#xA;Niggas still lil bro Cal in Detroit—he don’t even run the D.&#xA;Women’s intuition—in the mitten,&#xA;This bitch already know what’s up with me.&#xA;&#xA;Difference between us:&#xA;You gotta call a shooter, then you owe things.&#xA;I call a shooter—my phone ring.&#xA;You mad, nigga? Well I’m glad, nigga.&#xA;Cause you been a ho.&#xA;Foe from Michigan—but he always dissin’ though.&#xA;&#xA;Revolver out—aim it at ten and foe.&#xA;Like, why bring it out if I can’t spin it, foe?&#xA;He big frontin’.&#xA;Pull from the hip, clip stuffin’.&#xA;You get hacked from what you saw—Jim Duggan.&#xA;Let the fifth ring, then I’m out—Tim Duncan.&#xA;Big somethin’.&#xA;He in the hospital when it hit somethin’.&#xA;Tubes hooked up to him,&#xA;Machine soundin’ like the backup cam ‘bout to hit somethin’.&#xA;&#xA;You big frail.&#xA;I give you a menhale—airway over your head.&#xA;Chemtrails.&#xA;I was just in your city last week.&#xA;You right—I was hella scared.&#xA;It was handshakes and hugs everywhere.&#xA;&#xA;I said, “Where Calicoe?”&#xA;You know, cause he put his stain there.&#xA;Atlanta? Oh, so you Southern Cal—&#xA;Actin’ like it won’t rain there.&#xA;&#xA;Nigga, you’s a bitch.&#xA;I got the raft to spot one.&#xA;Omar in The Wire—you was actin’ like a fag with Shotgun.&#xA;&#xA;So, real rap these niggas to death.&#xA;I really have the stripes.&#xA;Whatever you have tonight,&#xA;Entertain them with whatever you wrote about your daddy life.&#xA;&#xA;Yaktown in this bitch.&#xA;&#xA;&#xA;&#xA;Round 1: Calicoe&#xA;&#xA;No time to play with him, let’s get right to the shit.&#xA;RIP Whoa, RIP Boom, Moot Bum, RIP Mice in this bitch.&#xA;They want me to kill him so bad,&#xA;They paid me twice for this shit.&#xA;&#xA;But I wanna steal him so bad,&#xA;I should go right in this shit.&#xA;Cause when William become tough,&#xA;Mr. Softy gon’ get iced in his whip.&#xA;The gun on him—I caught him speedin’,&#xA;Plus his license was spent. I run on him.&#xA;&#xA;Pontiac eatin’ cause I put life in they shit.&#xA;Hosted JC vs. Mac Myron—that was the height of they shit.&#xA;Hosted your first battle with Cash Eaton,&#xA;Told you, “You was alright with your shit.”&#xA;Then you got the big head—&#xA;He must’ve thought “alright” was some shit.&#xA;&#xA;I’m here for the big bread.&#xA;When we sign contracts, they ain’t even announce you.&#xA;Just announced a nigga they couldn’t go further without, dude.&#xA;&#xA;Let’s talk for real—guns ain’t legal in New York,&#xA;But I brought ‘em still.&#xA;Like, fuck goin’ to the drum board—he gon’ get chalked for real.&#xA;Shooters on deck that I taught to drill.&#xA;I sent them boys down to Pontiac while they off the pills.&#xA;&#xA;Roll on him while they rollin’.&#xA;They pull up in the Stoli.&#xA;Chopper rip him out his clothing—&#xA;Now he can model for Ye.&#xA;&#xA;It’s not a game,&#xA;But for some reason this nigga wanna play.&#xA;Charlamagne gon’ give this nigga the Donkey of the Day.&#xA;You a lame. Just a flunky in the way.&#xA;But on stage, he Ill Will.&#xA;&#xA;You need to chill, Will.&#xA;Cause how I’m built—I’ll really get you killed, Will.&#xA;Have your mama at the funeral like,&#xA;“This don’t even feel real.”&#xA;&#xA;Headshot—&#xA;He gon’ be just like them Jordans that came out today. Then stop.&#xA;And since he wanna act,&#xA;We gon’ put him in a Redbox.&#xA;I make a movie with your bitch called All Ahead You Got.&#xA;I’ll make an argument with any nigga that ever said you was hot.&#xA;&#xA;Cause I don’t believe niggas believe niggas.&#xA;And all this dick-ridin’, dawg, they shouldn’t even be niggas.&#xA;Ayy, he joined the clique—I was from his town.&#xA;How your hood tough, Pontiac?&#xA;I ain’t never caught none of y’all.&#xA;&#xA;I just pulled up, supported you niggas.&#xA;Will, you was my first son—I should’ve aborted you, nigga.&#xA;I showed all you niggas love.&#xA;You was a cornball when I met you.&#xA;Now all you niggas thugs?&#xA;&#xA;I’m shocked at the way I was treated.&#xA;I was all you niggas’ plug.&#xA;I been in your city.&#xA;Up at all you niggas’ clubs.&#xA;Fuckin’ all y’all baddest bitches.&#xA;Servin’ all your niggas drugs.&#xA;&#xA;I seen your sister at the club,&#xA;And gave your auntie a hug&#xA;I exaggerate a lot of shit,&#xA;But you know I ain’t makin’ that up.&#xA;&#xA;Niggas start to hate when they can’t be us—&#xA;But we used to that.&#xA;Whack a nigga baby—&#xA;Now he can’t never call no truce to that.&#xA;&#xA;Shooter go crazy, play with his nose—&#xA;That ain’t no Mucinex.&#xA;Twelve years old when Pop showed me how to use the TEC.&#xA;&#xA;Why y’all keep puttin’ these niggas in the room with vets?&#xA;You ‘bout to be on my shit list with Smack.&#xA;Treat him like I treated Pat—&#xA;He gon’ get rounds from the MAC like a number one.&#xA;&#xA;Watch me turn Townsend to a cat with a one-and-done.&#xA;Oh nigga, I’m wiggin’.&#xA;Brutal dreads like D. Rose.&#xA;The clip lookin’ like Gibson.&#xA;Now he went out like Jimmy.&#xA;&#xA;Yeah, I got wolves with me.&#xA;He got a knife in his kidney.&#xA;I make him scream like Sidney.&#xA;Free Roddy—he got a ten-piece.&#xA;Don’t worry ‘bout who with me.&#xA;&#xA;The Pontiac can try to swerve and hit me while I’m in it,&#xA;Ridin’ with two bad bitches on Patron and Simply.&#xA;Somehow, I still hit the shifty and he just missed me.&#xA;Oh, he might’ve nicked me.&#xA;&#xA;When you battled Math, you was mighty humorous.&#xA;No funny shit this battle—I will really beat your ass.&#xA;I told you, when it’s real, nigga, it don’t gotta rhyme.&#xA;I’m here to get this bag,&#xA;Cause when you rap, you waste our time.&#xA;&#xA;&#xA;Round 2: Ill Will&#xA;&#xA;Your foundation—you make up shit.&#xA;You lipstick to the featherweights.&#xA;Your bitch? I bet the mascara if I set her straight.&#xA;I gave my bitch a Louisville.&#xA;Said once she catch her eye, line her up.&#xA;I set the bait.&#xA;Once your little boo see her,&#xA;She come out bat and rude like Kevin Gates.&#xA;&#xA;Calabasas gon’ be my getaway.&#xA;I don’t just dream of rich.&#xA;Fuckin’ with me, you gon’ meet the fishes.&#xA;Calabasas what you gon’ be sleepin’ with.&#xA;&#xA;Peep the shit—I’m too hostile.&#xA;I two-Glock you.&#xA;Passenger side—Tupac you.&#xA;I’ll fuck this pussy up bad. Blue waffle.&#xA;&#xA;Fuck jail—I could take the time.&#xA;Potato on me, listenin’ to Nas,&#xA;He gon’ be in a vegetable state of mind.&#xA;&#xA;What has he done besides lose to Lux?&#xA;Get on the news, look like a stupid fuck.&#xA;Jumpin’ in pools with dudes and such.&#xA;This your top ten? Not him.&#xA;&#xA;Skinny-dippin’ with niggas—&#xA;That’s why you gettin’ doctored in Manhattan,&#xA;Cause you Watchmen.&#xA;&#xA;Your OGs know me—I’m valid. Don’t start with me.&#xA;Jesus take the nigga when it’s real problems,&#xA;He don’t wanna get in the car with me.&#xA;&#xA;Deal with it.&#xA;With these rhymes, I’m ill with it.&#xA;But he know—&#xA;If you see Ill with it, then ill with it.&#xA;I mean I’m ill with it,&#xA;But still compliment the tray like a meal critic.&#xA;&#xA;Caught him on the phone tryna explain himself—&#xA;Bow! Catch a buck on the phone tryna explain yourself.&#xA;He don’t think I could find his crib?&#xA;I hit his shorty—light her leg up through the window—&#xA;A Christmas Story.&#xA;&#xA;How the fuck I’m supposed to believe what he rappin’?&#xA;He don’t even live it.&#xA;Y’all believe him?&#xA;It’s still not proven.&#xA;I gotta see it.&#xA;Quadriplegic—I blew through the tube,&#xA;And Will got movin’.&#xA;&#xA;What make you the nigga that decide what’s real&#xA;And what’s not in battle rap?&#xA;You ain’t decide to do shit when I hollered at QP and asked to scrap.&#xA;You ain’t decide to do shit&#xA;When I sent them city niggas up the way.&#xA;You ain’t decide to do shit&#xA;When that one nigga spit in your face.&#xA;&#xA;Oh, but the shooters on go?&#xA;But you ain’t never packin’ a gun.&#xA;Y’all know them Buffie frames Detroit niggas be wearin’?&#xA;Pontiac niggas used to snatch ‘em for fun.&#xA;&#xA;They ain’t go like that.&#xA;It ain’t like I give a fuck—&#xA;It’s just another body, I ain’t worried about it.&#xA;My brothers got me.&#xA;&#xA;Killin’ is a fuckin’ hobby.&#xA;Twelve behind him like, “Fuck, they got me.”&#xA;Bullets comin’ out the Calicoe—deadly kick.&#xA;Doctors takin’ bullets out of Calicoe—&#xA;I’m like, “I already did that shit.”&#xA;&#xA;And when a nigga say he think you tough&#xA;And you don’t be actin’ tough,&#xA;That nigga think you tough.&#xA;So meet Mr. Tough Man.&#xA;I should beat your man’s ass—&#xA;And if Cal assists, he get some rough hands.&#xA;&#xA;You nobody ‘til somebody kills you—&#xA;That’s what Biggie taught.&#xA;Think you can outrun these shells?&#xA;That’s what Ricky thought.&#xA;&#xA;You got a .40?&#xA;I got a .42.&#xA;I’m on a worthy spurt.&#xA;Give me a dirty smirk,&#xA;We can get it jumpin’ mid-round—Jersey Twork.&#xA;&#xA;I saw what you did to Roc and Stay,&#xA;And the lack of damage they done.&#xA;But nigga, I’m not Roc nor Stay—&#xA;You better handle that, son.&#xA;&#xA;Play me like Roc and Stay?&#xA;You gon’ get rocked and stay&#xA;On the ground ‘til the ambulance come.&#xA;&#xA;You better weigh options.&#xA;Stay conscious before you say nonsense.&#xA;I literally be a wrecker for shootin’—I’m Klay Thompson.&#xA;But the blade out—he get sliced.&#xA;I’m Shinobi slicin’.&#xA;In a Kobe fashion—&#xA;Doctors come out to his moms like,&#xA;“It’s 3rd and 20… You know he passin’.”&#xA;&#xA;Who scared of Cal? Not me.&#xA;I really bring a .40, fire a shot,&#xA;And then Ill in the wind—chemical warfare.&#xA;&#xA;The heat is out.&#xA;He don’t appreciate me reachin’ out.&#xA;I ain’t thievin’ from the Reekin’—&#xA;But third round…&#xA;Some shit we gotta speak about.&#xA;&#xA;Yaktown in this bitch, nigga.&#xA;&#xA;⸻&#xA;&#xA;Round 2: Calicoe&#xA;&#xA;&#xA;ARP:&#xA;Hold on, Cal.&#xA;What’s good out there?&#xA;You sure? Let him go.&#xA;Shut the fuck up. Sit down.&#xA;We straight. Let’s ride.&#xA;&#xA;⸻&#xA;Calicoe:&#xA;Second round. Let’s get right to the shit.&#xA;In your trailer, he said,&#xA;“Calicoe never liked me.”&#xA;Nigga, you sound like a bitch.&#xA;&#xA;He from the Mitten—why wouldn’t I fuck with him?&#xA;Ex called me like, “You know it’s Will behind me.”&#xA;I said, “No he didn’t.”&#xA;&#xA;At the time, we still tryna kill New York niggas.&#xA;He signin’ with them—&#xA;So it ain’t like I just didn’t like you.&#xA;I said, “Fuck you, you New York nigga—&#xA;You dyin’ with them.”&#xA;&#xA;Don’t get sidetracked.&#xA;What problems we ever had beyond rap?&#xA;Somebody please find the facts.&#xA;Show me truth aligned with that.&#xA;I don’t even think about you when it’s time to rap.&#xA;&#xA;ARP had to hit my line with all kinda stacks.&#xA;The first time, I spared you and you ain’t take it.&#xA;So this time, bitch, I’ma air you and you won’t make it.&#xA;&#xA;I told Rare Breed I’m the rare one—these niggas basic.&#xA;The type to show up to the fair one with a K,&#xA;Like “Give me all that.”&#xA;&#xA;Enough of William—nigga, Cal back.&#xA;It’s a robbery—&#xA;And I don’t want nothin’ but my style back.&#xA;Niggas hide from me&#xA;In all the leagues they allowed at.&#xA;&#xA;This DE good with no safety—nigga, Myles Jack.&#xA;I seen him comin’ for me, not knowin’ he the wanted man.&#xA;So I drop back in coverage—he thinkin’ I’m runnin’, man.&#xA;Soon as he see the gun in hand—&#xA;He gon’ do the Running Man.&#xA;&#xA;My youngin’ in Pontiac now runnin’ through 100 grams.&#xA;He couldn’t be at this battle to see me bag you,&#xA;Cause he gotta sit still ‘til the bag move.&#xA;&#xA;My niggas chicken-scapin’&#xA;That never shifted culture.&#xA;Nowadays they crack a million views&#xA;And think the mission over.&#xA;&#xA;Nowadays, I get a light 20—&#xA;These niggas get to bitchin’.&#xA;But I don’t remember takin’ no food out your kitchen.&#xA;I don’t remember comin’ in between none of your missions.&#xA;&#xA;What part of the game is that?&#xA;I’m startin’ to think these niggas glitchin’.&#xA;Chopper leave his stroke missin’.&#xA;I’m in his crib like I’m with the PS4 and the Xbox—&#xA;Bitch, I got two K’s on both systems.&#xA;&#xA;Say what to me one more time—&#xA;And we goin’ fishin’.&#xA;I’m talkin’ to him like Samuel in Pulp Fiction.&#xA;I hate when niggas don’t listen.&#xA;I got his bitch scammin’,&#xA;Punchin’ on cam in the store like Joe Mixon.&#xA;&#xA;This nigga ain’t even got no fans.&#xA;It’ll be my fans that fuck with you when I go missin’.&#xA;That’s Will Mahoe trippin’.&#xA;He came here lookin’ for the knockout,&#xA;But wasn’t prepared to go the distance.&#xA;&#xA;I ain’t speakin’ no Verb here—&#xA;But I brought extensions.&#xA;I don’t even like lame niggas’ names in my mentions.&#xA;&#xA;It’s funny what they do for the fame and attention.&#xA;I spent my last month playin’ the game,&#xA;Blowin’ strains while he trained for the Olympics.&#xA;He can’t stand the rain—this .40’ll bang on him.&#xA;&#xA;Stand over the body and point that bitch like my shot.&#xA;You from the fake Detroit—so I guess you hatin’.&#xA;Different kind of animal—these niggas domesticated.&#xA;&#xA;Different kind of Hannibal—I really eat flesh for breakfast.&#xA;That’s why the fans don’t always love me like my exes.&#xA;He didn’t get the message—I had to send more texts.&#xA;&#xA;You Pontiac-ass nigga.&#xA;They put me with the Corvettes.&#xA;You nothin’ like the Corvettes.&#xA;You nothin’ like Myles NorX.&#xA;You couldn’t walk a mile with Marv Norquist.&#xA;Bitch, I’m a Vietnam War vet.&#xA;&#xA;I don’t sound like none of you niggas.&#xA;They should charge 60,000 for the format.&#xA;&#xA;They gon’ see his brains leakin’ on the doormat.&#xA;You still tried to cuff Bonnie&#xA;Knowin’ she swallowed Mav chow.&#xA;&#xA;And he gon’ interfere with Cal—how?&#xA;He can only be as big as Kal-El—low.&#xA;He ain’t never flipped no bricks or hit no licks.&#xA;You just a motherfuckin’ rapper—&#xA;And it ain’t nothin’ wrong with that.&#xA;&#xA;When it’s real, it don’t gotta rhyme.&#xA;I’m here to get this bag—&#xA;Cause when he rap, he waste time.&#xA;Let’s close this out strong — here’s the fully cleaned-up, bar-for-bar version of Round 3: Ill Will.&#xA;&#xA;⸻&#xA;&#xA;Round 3: Ill Will&#xA;&#xA;When y’all hear the word Landslide,&#xA;Who the first person y’all think about? Calicoe?&#xA;Gang—I ain’t gon’ lie, that shit dope.&#xA;My nigga, that’s some devious shit.&#xA;&#xA;No, I mean Detroit—Joy Road, Exit 9—&#xA;That’s my nigga Devious shit.&#xA;Did he tell you what it stand for?&#xA;Lyrics And Nice Delivery, Spittin’ Like I Do Everyday.&#xA;You ain’t know this shit?&#xA;&#xA;He ain’t tell you what it meant before you stole his shit?&#xA;That’s what be killin’ me about you.&#xA;When you say it, it be hard to watch—&#xA;Knowin’ you emulatin’ real street niggas&#xA;When you was sweepin’ up hair in barbershops.&#xA;&#xA;Oh, now he harbor Glocks?&#xA;He harbor Glocks?&#xA;When I got into it with QP, this nigga ran to Twitter.&#xA;I thought you was gon’ put Will on ice?&#xA;WebMD—nigga, you could’ve checked Ill on site.&#xA;&#xA;Marv One wanna punch you in the mouth.&#xA;Snake nigga—I hear the rattle.&#xA;I should take your bitch and box her with a bald head—&#xA;But I’ll let Marv One haggle her.&#xA;&#xA;You acted like a whole vulture,&#xA;But it wasn’t that he was scared…&#xA;He just didn’t care.&#xA;Doggin’ a dead legend from Detroit?&#xA;You ain’t got no loyalty to that.&#xA;&#xA;Dissin’ Proof is fine,&#xA;But let a nigga jump on Hollow Da Don?&#xA;He lose his mind.&#xA;Fuck nigga, I got family in—real blood ties.&#xA;Ain’t no prince left in the city,&#xA;But the doves cry.&#xA;Thugs die.&#xA;&#xA;Try to bring dirt up on me?&#xA;Everything get wet.&#xA;Y’all gon’ go from land… to mudslide.&#xA;&#xA;If it’s beef—it’s beef.&#xA;I be stalkin’ niggas in your city.&#xA;I won’t settle—I’m petty.&#xA;On the stoop—down to your level.&#xA;&#xA;Speaking of petty—&#xA;Why you doin’ McCodey like that?&#xA;Why you disrespect the plate?&#xA;I thought that was your brother.&#xA;&#xA;Seemed like you was just on a quest for pay.&#xA;Didn’t pay him back,&#xA;But caught me behind his back&#xA;Tryna give me extra pay.&#xA;&#xA;Let’s do it on Black Mountain.&#xA;Shut the fuck up, bitch—you sound extra gay.&#xA;Either leave me the throne or he see the chrome.&#xA;Y’all give me a Calicoe?&#xA;I’m takin’ him to school—&#xA;These kids better leave me alone.&#xA;&#xA;I ain’t gon’ bark with you—I’m off Twitter.&#xA;Mossberg—get niggas gone.&#xA;People on the news soundin’ like Beloved,&#xA;Talkin’ ‘bout how he a lost nigga.&#xA;&#xA;And you’s a lost nigga.&#xA;Homeboy come in your hotel room like,&#xA;“I see the liquor count, the weed…&#xA;Shit, where the bitches though?”&#xA;&#xA;Cal gay ass come out the room like,&#xA;“Shit, what we need some bitches for?&#xA;Turn the radio on. Put it on 10 or 4.&#xA;Leave your clothes, we ‘bout to go get in the pool&#xA;And take some pictures, bro.”&#xA;&#xA;Fag nigga tried to take the picture down&#xA;So he could shake the—&#xA;It was bitches there.&#xA;Nigga, don’t that make it worse?&#xA;&#xA;So it was bad bitches there—top notch, so rare…&#xA;And you pan your camera over to your homeboy like,&#xA;“Oh yeah.”&#xA;Fuckin’ fruit.&#xA;&#xA;I can joke about whatever the fuck I want—&#xA;Cause I’ll fuckin’ shoot.&#xA;Terrain-yo, if a chopper land on a high tower,&#xA;I’ll tell the judge it was nothin’ new.&#xA;&#xA;Fuck is you?&#xA;It’s all just some laughter&#xA;‘Til it’s all up to a pastor.&#xA;&#xA;How you want it?&#xA;Rutabaga or Anita Baker?&#xA;Be a vegetable, or get caught up in the rapture.&#xA;&#xA;Talkin’ ‘bout how he movin’ the tan—&#xA;It’s all in his bars though.&#xA;If you associated Ill with Dog,&#xA;It wasn’t Parvo.&#xA;&#xA;Y’all made Calicoe—I made myself.&#xA;Did my PG on felony probation—paid myself.&#xA;Nobody ushered me in—I paved the way myself.&#xA;&#xA;Stay calm—I’m Surf moms.&#xA;I created a wave myself.&#xA;The shit spin… or Hightower get clocked—Big Ben.&#xA;Beat him over the head with the pistol ‘til the shit bend.&#xA;&#xA;Hold on…&#xA;I heard Hitman Holla want some smoke.&#xA;So you want the smoke or what?&#xA;&#xA;I’ll throw him up—nigga, I won’t hold him up.&#xA;Only thing is…&#xA;When this thing get loaded and I load it up,&#xA;Doctors gon’ have to sew you up.&#xA;&#xA;Back to this nigga.&#xA;You talkin’ ‘bout talkin’ me to death—&#xA;All you doin’ is marketin’ death.&#xA;But I’m too royal.&#xA;&#xA;If you was really with it,&#xA;Me or Trick wouldn’t have had to check Suge for you.&#xA;He know what’s up.&#xA;D’s’ll fold him up.&#xA;Actin’ like he cookin’ for the D—&#xA;Yeah, you Yvette after Jody.&#xA;&#xA;Fuck don’t click-clack,&#xA;You called dispatch.&#xA;You don’t wanna fight,&#xA;You want a mishap.&#xA;&#xA;Keep searchin’ for them bitches online—&#xA;This a mismatch.&#xA;When that van slide, you see a hand slide&#xA;Soon as I see your man vibe.&#xA;&#xA;Next time, pay homage to the nigga that started you&#xA;Before you scream Landslide.&#xA;&#xA;Now I killed you, nigga—&#xA;But I’m still your folks.&#xA;I want you to know:&#xA;You go against me,&#xA;Your will get wrote.&#xA;&#xA;Niggas say they the best—&#xA;But I kill to go.&#xA;Any ill will towards Ill Will,&#xA;Ill Will get ill…&#xA;&#xA;And you…&#xA;&#xA;Yaktown in this bitch, nigga.&#xA;&#xA;&#xA;⸻&#xA;&#xA;Round 3: Calicoe&#xA;&#xA;I’m from a place where&#xA;Niggas just hate you ‘cause they ain’t you.&#xA;They can’t stomach seein’ you do all the shit&#xA;They feel they can’t do.&#xA;&#xA;Will guilty—&#xA;I hear him thinkin’ in his head now like,&#xA;“Is he killin’ me?”&#xA;Duh, nigga.&#xA;Fuck he thought this was, nigga?&#xA;&#xA;Y’all know me—&#xA;I’m the nigga that give out daps with a hug with it.&#xA;Since the first time I met this nigga,&#xA;I could sense there wasn’t no love in him.&#xA;&#xA;He been an actor since day one.&#xA;He the second nigga that put cheese on his head—&#xA;He been a Packer since day one.&#xA;Bitch, I’m a real Lion.&#xA;I knew I was gon’ have to clap you since day one.&#xA;&#xA;When I met you ‘round 2010,&#xA;You was drinkin’ gin,&#xA;Postin’ on Facebook:&#xA;“Poppin’ bottles with my friends.”&#xA;&#xA;I knew your bars was comin’ from the bottle shelf right then.&#xA;I’m 20 in Pontiac with a light ten like,&#xA;“Oh, he found a nigga with his own name&#xA;To be his hype man.”&#xA;How both of—&#xA;My bad…&#xA;&#xA;I’m 20 in Pontiac with a light ten like,&#xA;“Oh, he found a nigga with his own name&#xA;To be his hype man.”&#xA;&#xA;Now hey—&#xA;I know I be blow,&#xA;But either I’m on some blow shit&#xA;Or he so much of a dick sucker&#xA;He wanna be on his own dick.&#xA;&#xA;He’s so much of a lame nigga—&#xA;You shoulda seen the niggas he roll with.&#xA;He’s so much of a clique hopper&#xA;He wouldn’t join Sway and them.&#xA;&#xA;It used to be Yaktown shit.&#xA;Now he showin’ up to battles like,&#xA;“I got Harlem in this bitch.”&#xA;He got a problem in this bitch.&#xA;You probably pulled up to the battle with J. Mills.&#xA;&#xA;Ayy, y’all gon’ love him if y’all hate real.&#xA;I lost my cousin to some fake pills.&#xA;My niggas hustlin’, tryna make M’s.&#xA;I can’t be strugglin’—it gotta make sense&#xA;For me to come on your platform&#xA;And battle with a nigga I don’t take serious.&#xA;&#xA;Give me my money—point blank period.&#xA;Say it louder for the niggas in the back that can’t hear him.&#xA;My shooters probably comin’ for them stacks to tap they tears.&#xA;Give ‘em they deposit, and they gon’ give it—&#xA;Even if it take a year.&#xA;&#xA;I brought Visine to the battle—&#xA;I wanna make it Will.&#xA;Why we had to take it here?&#xA;You can’t fuck with me and you know it.&#xA;You a rapper—I’m a poet.&#xA;&#xA;Flow strong as Landslide.&#xA;OG—I had to grow it.&#xA;Let me hear they tryna slide on me…&#xA;Before you know it,&#xA;Ladder droppin’ all out the chopper—this bitch heroic.&#xA;&#xA;All my niggas from the gutter—&#xA;I tell them boys we goin’ bowlin’.&#xA;They gon’ lift me from the soul up.&#xA;&#xA;You battle on Smack—&#xA;In the Yak, that’s probably a glow up.&#xA;In Detroit, nobody give a fuck about no battle rap—&#xA;You gotta show up.&#xA;&#xA;You still spreadin’ dubs on the ‘Gram?&#xA;My nigga—grow up.&#xA;You gotta prove that shit to yourself&#xA;Before you try to show us.&#xA;&#xA;That’s the problem with him.&#xA;Niggas always wanna be the goons&#xA;Until the goblins get ‘em.&#xA;&#xA;Street sweeper clean the whole room&#xA;And whoever ridin’ with him.&#xA;Chopper sound like Sonic boom—&#xA;He think God’ll hit him.&#xA;&#xA;Paramedics say,&#xA;“We done found the victim… by the name of William.”&#xA;What’s next to do?&#xA;Is he gon’ make it to the spin wash?&#xA;&#xA;Questionable.&#xA;Is he dead on the ride?&#xA;Well, I ain’t got a breath or two.&#xA;They say his mama keep prayin’ over his body.&#xA;I’m blow like,&#xA;“Do that make Ill Will a halal vegetable?”&#xA;&#xA;Boy, get the fuck out my face.&#xA;It’s what’s best for you.&#xA;Tell Trump we’ll fuck with him&#xA;If he put the wall between Pontiac and Detroit.&#xA;Not Mexico.&#xA;(Not Mexico)&#xA;(Not Mexico)&#xA;&#xA;Take him to breakfast.&#xA;Connie and Barbers—give him extra toast.&#xA;He’s still writin’ raps&#xA;While I’m sortin’ out the X’s and O’s.&#xA;You wish you was me, man.&#xA;&#xA;Ain’t no nigga bolder than me.&#xA;I will fold your shit—&#xA;Over and out.&#xA;Over with me.&#xA;&#xA;Listen…&#xA;I will pull up on a motherfuckin’ Pontiac bum&#xA;In snow season, 20 below freezin’,&#xA;Jump out onto the freeway and say:&#xA;“Ain’t no Pontiac nigga ever gon’ be colder than me.”&#xA;&#xA;You just ain’t a real nigga if you don’t feel me.&#xA;So many fake niggas spittin’—&#xA;I don’t even know why I still speak.&#xA;&#xA;You already know how I feel, P.&#xA;You gotta bring Rare Breed to Detroit.&#xA;Ain’t nobody gon’ get killed, P.&#xA;&#xA;I just killed Ill Will in his hometown of Harlem…&#xA;…and made him feel wack.&#xA;There’s a difference between metaphors and real rap." 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<INFO BITRATE="976362" KEY_LYRICS="41 ContributorsFlashdance... What a Feeling Lyrics&#xA;First, when there's nothing, but a slow glowing dream&#xA;That your fear seems to hide deep inside your mind&#xA;All alone, I have cried silent tears full of pride&#xA;In a world made of steel, made of stone&#xA;&#xA;&#xA;Well, I hear the music, close my eyes, feel the rhythm&#xA;Wrap around, take a hold of my heart&#xA;&#xA;&#xA;What a feelin', being's believin'&#xA;I can have it all, now I'm dancing for my life&#xA;Take your passion and make it happen&#xA;Pictures come alive, you can dance right through your life&#xA;&#xA;&#xA;Now I hear the music, close my eyes, I am rhythm&#xA;In a flash, it takes hold of my heart&#xA;&#xA;&#xA;What a feelin', being's believin'&#xA;I can have it all, now I'm dancing for my life&#xA;Take your passion, and make it happen&#xA;Pictures come alive, now I'm dancing through my life&#xA;&#xA;What a feelin'&#xA;&#xA;&#xA;&#xA;&#xA;What a feeling (I am music now), being's believin' (I am rhythm now)&#xA;Pictures come alive, you can dance right through your life&#xA;What a feelitg (I can really have it all)&#xA;What a feeling (Pictures come alive when I call)&#xA;I can have it all (I can really have it all)&#xA;Have it all (Pictures come alive when I call)&#xA;(Call, call, call, call, oh, what a feeling) I can have it all&#xA;(Being's believin'&#xA;(Take your passion (Being's believin', oh)&#xA;Make it happen) Make it happen&#xA;(What a feeling) What a feeling&#xA;(Being's believin')..." PRODUCER="1981 Unidisc Music Inc." COVERARTID="089/Z4HEM4CBJ0XUSDFWMC0DBAOGGZ5C" PLAYTIME="238" PLAYTIME_FLOAT="237.053329" IMPORT_DATE="2025/4/14" RELEASE_DATE="1983/1/1" FLAGS="12" FILESIZE="28756"></INFO>
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<INFO BITRATE="1026144" KEY_LYRICS="23 ContributorsFame Lyrics“Fame” was Irene Cara’s debut single and first of six top 40 US hits, peaking at #4 on the Hot 100 in late 1980.&#xA;&#xA;Cara was cast in the role of Coco Hernandez for the film Fame and her character sang this song… Read More &#xA;Baby, look at me&#xA;And tell me what you see&#xA;You ain't seen the best of me yet&#xA;Give me time, I'll make you forget the rest&#xA;&#xA;&#xA;I got more in me&#xA;And you can set it free&#xA;I can catch the moon in my hands&#xA;Don't you know who I am?&#xA;Remember my name&#xA;&#xA;&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;I'm gonna learn how to fly&#xA;(High!)&#xA;I feel it coming together&#xA;People will see me and cry&#xA;(Fame!)&#xA;I'm gonna make it to heaven&#xA;Light up the sky like a flame&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;Baby, remember my name&#xA;(Remember, remember, remember, remember)&#xA;(Remember, remember, remember, remember)&#xA;&#xA;&#xA;Baby hold me tight&#xA;'Cause you can make it right&#xA;You can shoot me straight to the top&#xA;Give me love and take all I've got to give&#xA;&#xA;&#xA;Baby I'll be tough&#xA;Too much is not enough&#xA;I can ride your heart til it breaks&#xA;Oooh I got what it takes&#xA;&#xA;&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;I'm gonna learn how to fly&#xA;(High!)&#xA;I feel it coming together&#xA;People will see me and cry&#xA;(Fame!)&#xA;I'm gonna make it to heaven&#xA;Light up the sky like a flame&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;Baby, remember my name&#xA;&#xA;(Remember, remember, remember, remember)&#xA;(Remember, remember, remember)&#xA;&#xA;&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;I'm gonna learn how to fly&#xA;(High!)&#xA;I feel it coming together&#xA;People will see me and cry&#xA;(Fame!)&#xA;I'm gonna make it to heaven&#xA;Light up the sky like a flame&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;Baby, remember my name&#xA;&#xA;&#xA;(Remember, remember, remember, remember)&#xA;(Remember, remember, remember, remember)&#xA;&#xA;Remember my name&#xA;&#xA;&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;I'm gonna learn how to fly&#xA;(High!)&#xA;I feel it coming together&#xA;People will see me and cry&#xA;(Fame!)&#xA;I'm gonna make it to heaven&#xA;Light up the sky like a flame&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;Baby, remember my...&#xA;&#xA;(Remember, remember, remember, remember)&#xA;(Remember, remember, remember, remember)&#xA;&#xA;&#xA;(Fame!)&#xA;I'm gonna make it to heaven&#xA;Light up the sky like a flame&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;Baby, remember my...&#xA;&#xA;&#xA;(Remember, remember, remember, remember)&#xA;(Remember, remember, remember, remember)&#xA;(Remember my name)&#xA;&#xA;&#xA;(Fame!)&#xA;I'm gonna live forever&#xA;I'm gonna learn how to fly&#xA;(High!)&#xA;I feel it coming together&#xA;People will see me and cry&#xA;(Fame!)&#xA;I'm gonna make it to heaven..." PRODUCER="℗ 2003 Turner Entertainment Co. and Warner Bros. Entertainment Inc." COVERARTID="119/XXRMB4AHFPT3NBQTBIQADCD4RQID" PLAYTIME="317" PLAYTIME_FLOAT="316.066681" IMPORT_DATE="2025/4/14" RELEASE_DATE="1980/1/1" FLAGS="12" FILESIZE="39739"></INFO>
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<INFO BITRATE="1093463" KEY_LYRICS="13 ContributorsSuper Trouper Lyrics&#xA;I was sick and tired of everything&#xA;When I called you last night from Glasgow&#xA;All I do is eat and sleep and sing&#xA;Wishing every show was the last show&#xA;&#xA;&#xA;So imagine I was glad to hear you’re coming&#xA;Suddenly I feel all right&#xA;And it’s gonna be so different&#xA;When I’m on the stage tonight&#xA;&#xA;&#xA;Tonight the Super Trouper, lights are gonna find me&#xA;Shining like the sun&#xA;Smiling, having fun&#xA;Feeling like a number one&#xA;Tonight the Super Trouper, beams are gonna blind me&#xA;But I won’t feel blue&#xA;Like I always do&#xA;‘Cause somewhere in the crowd there’s you&#xA;&#xA;&#xA;Facing twenty thousand of your friends&#xA;How can anyone be so lonely?&#xA;Part of a success that never ends&#xA;Still I’m thinking about you only&#xA;&#xA;There are moments when I think I’m going crazy&#xA;But it’s gonna be alright&#xA;Everything will be so different&#xA;When I’m on the stage tonight&#xA;&#xA;&#xA;Tonight the Super Trouper, lights are gonna find me&#xA;Shining like the sun&#xA;Smiling, having fun&#xA;Feeling like a number one&#xA;Tonight the Super Trouper, beams are gonna blind me&#xA;But I won’t feel blue&#xA;Like I always do&#xA;'Cause somewhere in the crowd there’s you&#xA;&#xA;&#xA;So I’ll be there when you arrive&#xA;The sight of you will prove to me I’m still alive&#xA;And when you take me in your arms&#xA;And hold me tight&#xA;I know it’s gonna mean so much tonight&#xA;&#xA;&#xA;Tonight the Super Trouper, lights are gonna find me&#xA;Shining like the sun&#xA;Smiling, having fun&#xA;Feeling like a number one&#xA;Tonight the Super Trouper, beams are gonna blind me&#xA;But I won’t feel blue&#xA;Like I always do&#xA;'Cause somewhere in the crowd there’s you&#xA;&#xA;Super Trouper, lights are gonna find me" PRODUCER="℗ 2008 Littlestar Services Limited, under exclusive licence to Universal Music Operations Limited" COVERARTID="075/L0IYFMCQWEAMOCVP53UIBYNNVF4C" PLAYTIME="235" PLAYTIME_FLOAT="234.399994" IMPORT_DATE="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="31655"></INFO>
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<INFO BITRATE="1043810" KEY_LYRICS="30 ContributorsNight Fever Lyrics&#xA;Listen to the ground&#xA;There is movement all around&#xA;There is something goin' down&#xA;And I can feel it&#xA;On the waves of the air&#xA;There is dancin' out there&#xA;If it's somethin' we can share&#xA;We can steal it&#xA;&#xA;&#xA;And that sweet city woman, she moves through the light&#xA;Controlling my mind and my soul&#xA;When you reach out for me, yeah, and the feelin' is right&#xA;&#xA;&#xA;Gimme that night fever, night fever&#xA;We know how to do it&#xA;Gimme that night fever, night fever&#xA;We know how to show it&#xA;&#xA;&#xA;Here I am&#xA;Prayin' for this moment to last&#xA;Livin' on the music so fine&#xA;Borne on the wind, makin' it mine&#xA;&#xA;Night fever, night fever&#xA;We know how to do it&#xA;Gimme that night fever, night fever&#xA;We know how to show it&#xA;&#xA;&#xA;In the heat of our love, don't need no help for us to make it&#xA;Gimme just enough to take us to the mornin'&#xA;I got fire in my mind, I get higher in my walkin'&#xA;And I'm glowin' in the dark, I give you warnin'&#xA;&#xA;&#xA;And that sweet city woman, she moves through the light&#xA;Controlling my mind and my soul&#xA;When you reach out for me, yeah, and the feelin' is right&#xA;&#xA;&#xA;I get night fever, night fever&#xA;We know how to do it&#xA;Gimme that night fever, night fever&#xA;We know how to show it&#xA;&#xA;&#xA;Here I am&#xA;Prayin' for this moment to last&#xA;Livin' on the music so fine&#xA;Borne on the wind, makin' it mine&#xA;&#xA;Night fever, night fever&#xA;We know how to do it&#xA;Gimme that night fever, night fever&#xA;We know how to show it&#xA;Gimme that night fever, night fever&#xA;We know how to do it&#xA;Gimme that night fever, night fever&#xA;We know how to show it&#xA;&#xA;&#xA;Gimme that night fever, night fever&#xA;We know how to do it" PRODUCER="℗ 1977 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb, under exclusive license to Capitol Music Group" COVERARTID="098/CX2UBID4HTNBOAAQDPNCCUDVZHCD" PLAYTIME="213" PLAYTIME_FLOAT="212.253326" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="27415"></INFO>
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<INFO BITRATE="887584" KEY_LYRICS="3 ContributorsDolls (Sweet Rock And Roll) Lyrics&#xA;La-la, la-la-la-la-la&#xA;La-la, la-la-la-la-la&#xA;&#xA;&#xA;Saw you walking down the street&#xA;Holding hands with some other guy&#xA;Wearin' a sharkskin suit, black patent leather boots&#xA;Big brown flyin' saucer eyes&#xA;I didn't talk to you then, you was kissing your friend&#xA;Besides, it was the wrong time and place&#xA;I went home, took a shower&#xA;Read &amp;quot;Our Lady of the Flowers&amp;quot; by Jean Genet&#xA;I knew we'd meet again&#xA;&#xA;&#xA;Don't want your diamonds, don't want your gold&#xA;I want your love, I want your soul&#xA;Oh, come on, babe, let's have a good time&#xA;&#xA;&#xA;(La-la, la-la-la-la-la)&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Sweet rock and roll&#xA;&#xA;I searched all over town, queers and dudes hangin' around&#xA;No one had ever seen a chick like you before&#xA;I hit strip joints and museums, bars and clubs and Jesus&#xA;I even prayed in a cathedral for your soul&#xA;Then one rainy winter Tuesday, I saw you on the subway&#xA;You were heading for the tunnel near the door&#xA;I pressed my face against the glass, you sped by me in a flash&#xA;Like a motorcycle crash, you smoked my skull&#xA;&#xA;&#xA;Don't want your diamonds, don't want your gold&#xA;I want your love, I want your soul&#xA;Oh, come on, babe, let's have a good time&#xA;&#xA;&#xA;(La-la, la-la-la-la-la)&#xA;Let's have a good time, woo (La-la, la-la-la-la-la)&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Sweet rock and roll&#xA;&#xA;&#xA;Here she comes now, alright&#xA;Woo, woo, woo&#xA;&#xA;&#xA;&#xA;So there I was again, walking in the pouring rain&#xA;Wondering who and why and where and what you were&#xA;I had hallucinatory dreams, shivers, sweats and screams&#xA;Like an opium withdrawal, only worse&#xA;Then on one hot summer night, I took a motorcycle ride&#xA;Saw you looking mean and evil, spitting fire from your eyes&#xA;Like a rockabilly queen 'bout to kick start your machine&#xA;Like a fighter pilot flying off to war&#xA;You had a tight black leather jacket, skull and crossbones on the back&#xA;God bless the soul of sweet Gene Vincent, there you were&#xA;&#xA;&#xA;I said&#xA;Don't want your diamonds, don't want your gold&#xA;I want your love, I want your soul&#xA;Come on, babe, let's have a good time&#xA;&#xA;&#xA;(La-la, la-la-la-la-la)&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Woo-woo-woo&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Woo-woo-woo&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Sweet, sweet rock and roll&#xA;(La-la, la-la-la-la-la)&#xA;Let's have a good time (La-la, la-la-la-la-la)&#xA;Good time, good time, good time (La-la, la-la-la-la-la)&#xA;Good time, good time, good time (La-la, la-la-la-la-la)&#xA;Woo, woo&#xA;Sweet, sweet, sweet rock and roll" PRODUCER="Jean Musy" COVERARTID="083/TODK4TCROI3L2ASFSIUHDMQMFKQB" PLAYTIME="219" PLAYTIME_FLOAT="218.824326" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="23852"></INFO>
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<INFO BITRATE="1031152" KEY_LYRICS="5 ContributorsFinnegan’s Wake (Chap 1.5) LyricsIn the name of Annah the Allmaziful, the Everliving, the Bringer of Plurabilities, haloed be her eve, her singtime sung, her rill be run, unhemmed as it is uneven!&#xA;&#xA;Her untitled mamafesta memorialising the Mosthighest has gone by many names at disjointed times. Thus we hear of, The Augusta Angustissimost for Old Seabeastius’ Salvation, Rockabill Booby in the Wave Trough, Here’s to the Relicts of All Decencies, Anna Stessa’s Rise to Notice, Knickle Down Duddy Gunne and Arishe Sir Cannon, My Golden One and My Selver Wedding, Amoury Treestam and Icy Siseule, Saith a Sawyer til a Strame, Ik dik dopedope et tu mihimihi, Buy Birthplate for a Bite, Which of your Hesterdays Mean Ye to Morra? Hoebegunne the Hebrewer Hit Waterman the Brayned, Arcs in His Ceiling Flee Chinx on the Flur, Rebus de Hibernicis, The Crazier Letters, Groans of a Briton-ess, Peter Peopler Picked a Plot to Pitch his Poppolin, An Apology for a Big (some such nonoun as Husband or husboat or hose-bound is probably understood for we have also the plutherplethoric My Hoonsbood Hansbaad’s a Journey to Porthergill gone and He Never Has the Hour), Ought We To Visit Him? For Ark see Zoo, Cleopater’s Nedlework Ficturing Aldborougham on the Sahara with the Coombing of the Cammmels and the Parlourmaids of Aegypt, Cock in the Pot for Father, Placeat Vestrae, A New Cure for an Old Clap, Where Portentos they’d Grow Gonder how I’d Wish I Woose a Geese; Gettle Nettie, Thrust him not, When the Myrtles of Venice Played to Bloccus’s Line, To Plenge Me High He Waives Chiltern on Friends, Oremunds Queue Visits Amen Mart, E’en Tho’ I Granny a-be He would Fain Me Cuddle, Twenty of Chambers, Weighty Ten Beds and a Wan Ceteroom, I Led the Life, Through the Boxer Coxer Rising in the House with the Golden Stairs, The Following Fork, He’s my O’Jerusalem and I’m his Po, The Best in the West, By the Stream of Zemzem under Zig-zag Hill, The Man That Made His Mother in the Marlborry Train, Try Our Taal on a Taub, The Log of Anny to the Base All, Nopper Tipped a Nappiwenk to his Notylytl Dantsigirls, Prszss Orel Orel the King of Orlbrdsz, Intimier Minnelisp of an Extor-reor Monolothe, Drink to Him, My Juckey, and Dhoult Bemine Thy Winnowing Sheet, I Ask You to Believe I was his Mistress, He Can Explain, From Victrolia Nuancee to Allbart Noahnsy, Da’s a Daisy so Guimea your Handsel too, What Barbaras Done to a Barrel Organ Before the Rank, Tank and Bonnbtail, Huskvy Admortal, What Jumbo made to Jalice and what Anisette to Him, Ophelia’s Culpreints, Hear Hubty Hublin, My Old Dansh, I am Older northe Rogues among Whisht I Slips and He Calls Me his Dual of Ayessha, Suppotes a Ventriliquorst Merries a Corpse, Lapps for Finns This Funnycoon’s Week, How the Buckling Shut at Rush in January, Look to the Lady, From the Rise of the Dudge Pupublick to the Fall of the Potstille, Of the Two Ways of Opening the Mouth, I have not Stopped Water Where It Should Flow and I Know the Twentynine Names of Attraente, The Tortor of Tory Island Traits Galasia like his Milchcow, From Abbeygate to Crowalley Through a Lift in the Lude, Smocks for Their Graces and Me Aunt for Them Clodshoppers, How to Pull a Good Horus-coup even when Oldsire is Dead to the World, Inn the Gleam of Waherlow, Fathe He’s Sukceded to My Esperations, Thee Steps Forward, Two Stops Back, My Skin Appeals to Three Senses and My Curly Lips Demand Columbkisses; Gage Street on a Crany’s Savings, Them Lads made a Trion of Battlewatschers and They Totties a Doeit of Deers, In My Lord’s Bed by One Whore Went Through It, Mum It is All Over, Cowpoyride by Twelve Acre Ter-riss in the Unique Estates of Amessican, He Gave me a Thou so I serve Him with Thee, Of all the Wide Torsos in all the Wild Glen, O’Donogh, White Donogh, He’s Hue to Me Cry, I’m the Stitch in his Baskside You’d be Nought Without Mom, To Keep the Huskies off the Hustings and Picture Pets from Lifting Shops, Nor-sker Torsker Find the Poddle, He Perssed Me Here with the Ardour of a Tonnoburkes, A Boob Was Weeping This Mower was Reaping, O’Loughlin, Up from the Pit of my Stomach I Swish you the White of the Mourning, Inglo–Andeen Medoleys from Tommany Moohr, The Great Polynesional Entertrainer Exhibits Ballantine Braut-chers with the Link of Natures, The Mimic of Meg Neg end the Mackeys, Entered as the Lastest Pigtarial and My Pooridiocal at Stitchioner’s Hall, Siegfield Follies and or a Gentlehomme’s Faut Pas, See the First Book of Jealesies Pessim, The Suspended Sen-tence, A Pretty Brick Story for Childsize Heroes, As Lo Our Sleep, I Knew I’d Got it in Me so Thit settles That, Thonderbalt Captain Smeth and La Belle Sauvage Pocahonteuse, Way for Wet Week Welikin’s Douchka Marianne, The Last of the Fingallians, It Was Me Egged Him on to the Stork Exchange and Lent my Dutiful Face to His Customs, Chee Chee Cheels on their China Miction, Pickedmeup Peters, Lumptytumtumpty had a Big Fall, Pimpimp Pimpimp, Measly Ventures of Two Lice and the Fall of Fruit, The Fokes Family Interior, If my Spreadeagles Wasn’t so Tight I’d Loosen my Cursits on that Bunch of Maggiestraps, Allolosha Popofetts and Howke Cotchme Eye, Seen Aples and Thin Dyed, i big U to Beleaves from Love and Mother, Fine’s Fault was no Felon, Exat Delvin Renter Life, The Flash that Flies from Vuggy’s Eyes has Set Me Hair On Fire, His is the House that Malt Made, Divine Views from Back to the Front, Abe to Sare Stood Icyk Neuter till Brahm Taulked Him Common Sex, A Nibble at Eve Will That Bowal Relieve, Allfor Guineas, Sounds and Compliments Libidous, Seven Wives Awake Aweek, Airy Ann and Berber Blut, Amy Licks Porter While Huffy Chops Eads, Abbrace of Umbellas or a Tripple of Caines, Buttbutterbust, From the Manorlord Hoved to the Misses O’Mollies and from the Dames to their Sames, Many-festoons for the Colleagues on the Green, An Outstanding Back and an Excellent Halfcentre if Called on, As Tree is Quick and Stone is White So ts My Washing Done by Night, First and Last Only True Account au about the Honorary Mirsu Earwicker, L.S.D., and the Snake (Nuggets!) by a Woman of the World who only can Tell Naked Truths about a Dear Man and all his Conspirators how they all Tried to Fall him Putting it all around Lucalizod about Privates Earwicker and a Pair of Sloppy Sluts plainly Showing all the Unmentionability falsely Accusing about the Raincoats.&#xA;The proteiform graph itself is a polyhedron of scripture. There was a time when naif alphabetters would have written it down the tracing of a purely deliquescent recidivist, possibly ambidextrous, snubnosed probably and presenting a strangely profound rainbowl in his (or her) occiput. To the hardily curio-sing entomophilust then it has shown a very sexmosaic of nym — phosis in which the eternal chimerahunter Oriolopos, now frond of sugars, then lief of saults, the sensory crowd in his belly coupled with an eye for the goods trooth bewilderblissed by their night effluvia with guns like drums and fondlers like forceps persequestellates his vanessas from flore to flore. Somehows this sounds like the purest kidooleyoon wherein our madernacerution of lour lore is rich. All’s so herou from us him in a kitchernott darkness, by hasard and worn rolls arered, we must grope on till Zerogh hour like pou owl giaours as we are would we salve aught of moments for our aysore today. Amousin though not but. Closer inspection of the bordereau would reveal a multiplicity of person-alities inflicted on the documents or document and some prevision of virtual crime or crimes might be made by anyone unwary enough before any suitable occasion for it or them had so far managed to happen along. In fact, under the closed eyes of the inspectors the traits featuring the chiaroscuro coalesce, their con trarieties eliminated, in one stable somebody similarly as by the providential warring of heartshaker with housebreaker and of dramdrinker against freethinker our social something bowls along bumpily, experiencing a jolting series of prearranged disappoint-ments, down the long lane of (it’s as semper as oxhousehumper! generations, more generations and still more generations.&#xA;&#xA;Say, baroun lousadoor, who in hallhagal wrote the durn thing anyhow? Erect, beseated, mountback, against a partywall, below freezigrade, by the use of quill or style, with turbid or pellucid mind, accompanied or the reverse by mastication, interrupted by visit of seer to scribe or of scribe to site, atwixt two showers or atosst of a trike, rained upon or blown around, by a right-down regular racer from the soil or by a too pained whittlewit laden with the loot of learning?&#xA;&#xA;Now, patience; and remember patience is the great thing, and above all things else we must avoid anything like being or be-coming out of patience. A good plan used by worried business folk who may not have had many momentums to master Kung’s doctrine of the meang or the propriety codestruces of Carpri-mustimus is just to think of all the sinking fund of patience pos — sessed in their conjoint names by both brothers Bruce with whom are incorporated their Scotch spider and Elberfeld’s Calculating Horses. If after years upon years of delving in ditches dark one tubthumper more than others, Kinihoun or Kahanan, giardarner or mear measenmanonger, has got up for the darnall same pur-pose of reassuring us with all the barbar of the Carrageehouse that our great ascendant was properly speaking three syllables less than his own surname (yes, yes, less!), that the ear of Fionn Earwicker aforetime was the trademark of a broadcaster with wicker local jargon for an ace’s patent (Hear! Calls! Everywhair!) then as to this radiooscillating epiepistle to which, cotton, silk or samite, kohol, gall or brickdust, we must ceaselessly return, where-abouts exactly at present in Siam, Hell or Tophet under that glorisol which plays touraloup with us in this Aludin’s Cove of our cagacity is that bright soandsuch to slip us the dinkum oil?&#xA;&#xA;Naysayers we know. To conclude purely negatively from the positive absence of political odia and monetary requests that its page cannot ever have been a penproduct of a man or woman of that period or those parts is only one more unlookedfor conclu-sion leaped at, being tantamount to inferring from the nonpre — sence of inverted commas (sometimes called quotation marks) on any page that its author was always constitutionally incapable of misappropriating the spoken words of others.&#xA;&#xA;Luckily there is another can't to the questy. Has any fellow, of the dime a dozen type, it might with some profit some dull evening quietly be hinted — has any usual sort of ornery josser, flat — chested fortyish, faintly flatulent and given to ratiocination by syncopation in the elucidation of complications, of his greatest Fung Yang dynasdescendanced, only another the son of, in fact, ever looked sufficiently longly at a quite everydaylooking stamped addressed envelope? Admittedly it is an outer husk: its face, in all its featureful perfection of imperfection, is its fortune: it ex-hibits only the civil or military clothing of whatever passion — pallid nudity or plaguepurple nakedness may happen to tuck it — self under its flap. Yet to concentrate solely on the literal sense or even the psychological content of any document to the sore neglect of the enveloping facts themselves circumstantiating it is just as hurtful to sound sense (and let it be added to the truest taste) as were some fellow in the act of perhaps getting an intro from another fellow turning out to be a friend in need of his, say, to a lady of the latter’s acquaintance, engaged in performing the elaborative antecistral ceremony of upstheres, straightaway to run off and vision her plump and plain in her natural altogether, pre-ferring to close his blinkhard’s eyes to the ethiquethical fact that she was, after all, wearing for the space of the time being some definite articles of evolutionary clothing, inharmonious creations, a captious critic might describe them as, or not strictly necessary or a trifle irritating here and there, but for all that suddenly full of local colour and personal perfume and suggestive, too, of so very much more and capable of being stretched, filled out, if need or wish were, of having their surprisingly like coincidental parts separated don’t they now, for better survey by the deft hand of an expert, don’t you know? Who in his heart doubts either that the facts of feminine clothiering are there all the time or that the feminine fiction, stranger than the facts, is there also at the same time, only a little to the rere? Or that one may be separated from the other? Or that both may then be contemplated simultaneously? Or that each may be taken up and considered in turn apart from the other?&#xA;&#xA;Here let a few artifacts fend in their own favour. The river felt she wanted salt. That was just where Brien came in. The country asked for bearspaw for dindin! And boundin aboundin it got it surly. We who live under heaven, we of the clovery kingdom, we middlesins people have often watched the sky overreaching the land. We suddenly have. Our isle is Sainge. The place. That stern chuckler Mayhappy Mayhapnot, once said to repeation in that lutran conservatory way of his that Isitachapel–Asitalukin was the one place, ult aut nult, in this madh vaal of tares (whose verdhure’s yellowed therever Phaiton parks his car while its tamelised tay is the drame of Drainophilias) where the possible was the improbable and the improbable the inevitable. If the pro-verbial bishop of our holy and undivided with this me ken or no me ken Zot is the Quiztune havvermashed had his twoe nails on the head we are in for a sequentiality of improbable possibles though possibly nobody after having grubbed up a lock of cwold cworn aboove his subject probably in Harrystotalies or the vivle will go out of his way to applaud him on the onboiassed back of his remark for utterly impossible as are all these events they are probably as like those which may have taken place as any others which never took person at all are ever likely to be. Ahahn!&#xA;&#xA;About that original hen. Midwinter (fruur or kuur?) was in the offing and Premver a promise of a pril when, as kischabrigies sang life’s old sahatsong, an iceclad shiverer, merest of bantlings ob-served a cold fowl behaviourising strangely on that fatal midden or chip factory or comicalbottomed copsjute (dump for short) afterwards changed into the orangery when in the course of deeper demolition unexpectedly one bushman’s holiday its limon threw up a few spontaneous fragments of orangepeel, the last remains of an outdoor meal by some unknown sunseeker or place-hider illico way back in his mistridden past. What child of a strand — looper but keepy little Kevin in the despondful surrounding of such sneezing cold would ever have trouved up on a strate that was called strete a motive for future saintity by euchring the finding of the Ardagh chalice by another heily innocent and beachwalker whilst trying with pious clamour to wheedle Tip- peraw raw raw reeraw puteters out of Now Sealand in spignt of the patchpurple of the massacre, a dual a duel to die to day, goddam and biggod, sticks and stanks, of most of the Jacobiters.&#xA;&#xA;The bird in the case was Belinda of the Dorans, a more than quinquegintarian (Terziis prize with Serni medal, Cheepalizzy’s Hane Exposition) and what she was scratching at the hour of klokking twelve looked for all this zogzag world like a goodish-sized sheet of letterpaper originating by transhipt from Boston (Mass.) of the last of the first to Dear whom it proceded to mention Maggy well &amp;amp; allathome’s health well only the hate turned the mild on the van Houtens and the general’s elections with a lovely face of some born gentleman with a beautiful present of wedding cakes for dear thankyou Chriesty and with grand funferall of poor Father Michael don’t forget unto life’s &amp;amp; Muggy well how are you Maggy &amp;amp; hopes soon to hear well &amp;amp; must now close it with fondest to the twoinns with four crosskisses for holy paul holey comer holipoli whollyisland pee ess from (locust may eat all but this sign shall they never) affectionate largelooking tache of tch. The stain, and that a teastain (the overcautelousness of the masterbilker here, as usual, signing the page away), marked it off on the spout of the moment as a genuine relique of ancient Irish pleasant pottery of that lydialike languishing class known as a hurry-me-o’er-the-hazy.&#xA;&#xA;Why then how?&#xA;&#xA;Well, almost any photoist worth his chemicots will tip anyone asking him the teaser that if a negative of a horse happens to melt enough while drying, well, what you do get is, well, a positively grotesquely distorted macromass of all sorts of horsehappy values and masses of meltwhile horse. Tip. Well, this freely is what must have occurred to our missive (there’s a sod of a turb for you! please wisp off the grass!) unfilthed from the boucher by the sagacity of a lookmelittle likemelong hen. Heated residence in the heart of the orangeflavoured mudmound had partly ob-literated the negative to start with, causing some features pal — pably nearer your pecker to be swollen up most grossly while the farther back we manage to wiggle the more we need the loan of a lens to see as much as the hen saw. Tip.&#xA;&#xA;You is feeling like you was lost in the bush, boy? You says: It is a puling sample jungle of woods. You most shouts out: Bethicket me for a stump of a beech if I have the poultriest no-tions what the farest he all means. Gee up, girly! The quad gos — pellers may own the targum but any of the Zingari shoolerim may pick a peck of kindlings yet from the sack of auld hensyne.&#xA;&#xA;Lead, kindly fowl! They always did: ask the ages. What bird has done yesterday man may do next year, be it fly, be it moult, be it hatch, be it agreement in the nest. For her socioscientific sense is sound as a bell, sir, her volucrine automutativeness right on normalcy: she knows, she just feels she was kind of born to lay and love eggs (trust her to propagate the species and hoosh her fluffballs safe through din and danger!); lastly but mostly, in her genesic field it is all game and no gammon; she is ladylike in everything she does and plays the gentleman’s part every time. Let us auspice it! Yes, before all this has time to end the golden age must return with its vengeance. Man will become dirigible, Ague will be rejuvenated, woman with her ridiculous white bur-den will reach by one step sublime incubation, the manewanting human lioness with her dishorned discipular manram will lie down together publicly flank upon fleece. No, assuredly, they are not justified, those gloompourers who grouse that letters have never been quite their old selves again since that weird weekday in bleak Janiveer (yet how palmy date in a waste’s oasis!) when to the shock of both, Biddy Doran looked at literature.&#xA;And. She may be a mere marcella, this midget madgetcy, Misthress of Arths. But. It is not a hear or say of some anomo-rous letter, signed Toga Girilis, (teasy dear). We have a cop of her fist right against our nosibos. We note the paper with her jotty young watermark: Notre Dame du Bon March‚. And she has a heart of Arin! What lumililts as she fols with her falli-mineers and her nadianods. As a strow will shaw she does the wind blague, recting to show the rudess of a robur curling and shewing the fansaties of a frizette. But how many of her readers realise that she is not out to dizzledazzle with a graith uncouthre-ment of postmantuam glasseries from the lapins and the grigs. Nuttings on her wilelife! Grabar gooden grandy for old almea-nium adamologists like Dariaumaurius and Zovotrimaserov — meravmerouvian; (dmzn!); she feel plain plate one flat fact thing and if, lastways firdstwise, a man alones sine anyon anyons utharas has no rates to done a kik at with anyon anakars about tutus milking fores and the rereres on the outerrand asikin the tutus to be forrarder. Thingcrooklyexineverypasturesixdix-likencehimaroundhersthemaggerbykinkinkankanwithdownmind — lookingated. Mesdaims, Marmouselles, Mescerfs! Silvapais! All schwants (schwrites) ischt tell the cock’s trootabout him. Ka-pak kapuk. No minzies matter. He had to see life foully the plak and the smut, (schwrites). There were three men in him (schwrites). Dancings (schwrites) was his only ttoo feebles. With apple harlottes. And a little mollvogels. Spissially (schwrites) when they peaches. Honeys wore camelia paints. Yours very truthful. Add dapple inn. Yet is it but an old story, the tale of a Treestone with one Ysold, of a Mons held by tentpegs and his pal whatholoosed on the run, what Cadman could but Badman wouldn’t, any Genoaman against any Venis, and why Kate takes charge of the waxworks.&#xA;&#xA;Let us now, weather, health, dangers, public orders and other circumstances permitting, of perfectly convenient, if you police, after you, policepolice, pardoning mein, ich beam so fresch, bey? drop this jiggerypokery and talk straight turkey meet to mate, for while the ear, be we mikealls or nicholists, may sometimes be inclined to believe others the eye, whether browned or nolensed, find it devilish hard now and again even to believe itself. Habes aures et num videbis? Habes oculos ac mannepalpabuat? Tip! Drawing nearer to take our slant at it (since after all it has met with misfortune while all underground), let us see all there may remain to be seen.&#xA;&#xA;I am a worker, a tombstone mason, anxious to pleace avery-buries and jully glad when Christmas comes his once ayear. You are a poorjoist, unctuous to polise nopebobbies and tunnibelly soully when ’tis thime took o’er home, gin. We cannot say aye to aye. We cannot smile noes from noes. Still. One cannot help noticing that rather more than half of the lines run north-south in the Nemzes and Bukarahast directions while the others go west-east in search from Maliziies with Bulgarad for, tiny tot though it looks when schtschupnistling alongside other incuna-bula, it has its cardinal points for all that. These ruled barriers along which the traced words, run, march, halt, walk, stumble at doubtful points, stumble up again in comparative safety seem to have been drawn first of all in a pretty checker with lamp-black and blackthorn. Such crossing is antechristian of course, but the use of the homeborn shillelagh as an aid to calligraphy shows a distinct advance from savagery to barbarism. It is seriously believed by some that the intention may have been geodetic, or, in the view of the cannier, domestic economical. But by writing thithaways end to end and turning, turning and end to end hithaways writing and with lines of litters slittering up and louds of latters slettering down, the old semetomyplace and jupetbackagain from tham Let Rise till Hum Lit. Sleep, where in the waste is the wisdom?&#xA;Another point, in addition to the original sand, pounce pow-der, drunkard paper or soft rag used (any vet or inhanger in ous sot’s social can see the seen for seemself, a wee ftofty od room, the cheery spluttered on the one karrig, a darka disheen of voos from Dalbania, any gotsquantity of racky, a portogal and some buk setting out on the sofer, you remember the sort of softball sucker motru used to tell us when we were all biribiyas or nippies and messas) it has acquired accretions of terricious matter whilst loitering in the past. The teatimestained terminal (say not the tag, mummer, or our show’s a failure!) is a cosy little brown study all to oneself and, whether it be thumb-print, mademark or just a poor trait of the artless, its importance in establishing the identities in the writer complexus (for if the hand was one, the minds of active and agitated were more than so) will be best appreciated by never forgetting that both before and after the battle of the Boyne it was a habit not to sign letters always. Tip. And it is surely a lesser ignorance to write a word with every consonant too few than to add all too many. The end? Say it with missiles then and thus arabesque the page. You have your cup of scalding Souchong, your taper’s waxen drop, your cat’s paw, the clove or coffinnail you chewed or champed as you worded it, your lark in clear air. So why, pray, sign any-thing as long as every word, letter, penstroke, paperspace is a perfect signature of its own? A true friend is known much more easily, and better into the bargain, by his personal touch, habits of full or undress, movements, response to appeals for charity than by his footwear, say. And, speaking anent Tiberias and other incestuish salacities among gerontophils, a word of warning about the tenderloined passion hinted at. Some softnosed per-user might mayhem take it up erogenously as the usual case of spoons, prostituta in herba plus dinky pinks deliberatively summer-saulting off her bisexycle, at the main entrance of curate’s per — petual soutane suit with her one to see and awoh! who picks her up as gingerly as any balmbearer would to feel whereupon the virgin was most hurt and nicely asking: whyre have you been so grace a mauling and where were you chaste me child? Be who, farther potential? and so wider but we grisly old Sykos who have done our unsmiling bit on ‘alices, when they were yung and easily freudened, in the penumbra of the procuring room and what oracular comepression we have had apply to them! could (did we care to sell our feebought silence in camera) tell our very moistnostrilled one that father in such virgated contexts is not always that undemonstrative relative (often held up to our contumacy) who settles our hashbill for us and what an innocent all — abroad’s adverb such as Michaelly looks like can be suggestive of under the pudendascope and, finally, what a neurasthene nym-pholept, endocrine-pineal typus, of inverted parentage with a prepossessing drauma present in her past and a priapic urge for congress with agnates before cognates fundamentally is feeling for under her lubricitous meiosis when she refers with liking to some feeler she fancie’s face. And Mm. We could. Yet what need to say? ’Tis as human a little story as paper could well carry, in affect, as singsing so Salaman susuing to swittvitles while as unbluffingly blurtubruskblunt as an Esra? the cat, the cat’s meeter, the meeter’s cat’s wife, the meeter’s cat’s wife’s half better, the meeter’s cat’s wife’s half better’s meeter, and so back to our horses, for we also know, what we have perused from the pages of I Was A Gemral, that Showting up of Bulsklivism by ‘Schot-tenboum’, that Father Michael about this red time of the white terror equals the old regime and Margaret is the social revolution while cakes mean the party funds and dear thank you signifies national gratitude. In fine, we have heard, as it happened, of Spartacus intercellular. We are not corknered yet, dead hand! We can recall, with voluntears, the froggy jew, and sweeter far ’twere now westhinks in Dumbil’s fair city ere one more year is o’er. We tourned our coasts to the good gay tunes. When from down swords the sea merged the oldowth guns and answer made the bold O’ Dwyer. But. Est modest in verbos. Let a prostitute be whoso stands before a door and winks or parks herself in the fornix near a makeussin wall (sinsin! sinsin!) and the curate one who brings strong waters (gingin! gingin!), but also, and dinna forget, that there is many asleeps between someathome’s first and moreinausland’s last and that the beautiful presence of waiting kates will until life’s (!) be more than enough to make any milkmike in the language of sweet tarts punch hell’s hate into his twin nicky and that Maggy’s tea, or your majesty, if heard as a boost from a born gentleman is (?). For if the lingo gasped between kicksheets, however basically English, were to be preached from the mouths of wickerchurchwardens and metaphysicians in the row and advokaatoes, allvoyous, demivoyelles, languoaths, les-biels, dentelles, gutterhowls and furtz, where would their prac — tice be or where the human race itself were the Pythagorean ses — quipedalia of the panepistemion, however apically Volapucky, grunted and gromwelled, ichabod, habakuk, opanoff, uggamyg, hapaxle, gomenon, ppppfff, over country stiles, behind slated dwellinghouses, down blind lanes, or, when all fruit fails, under some sacking left on a coarse cart? So hath been, love: tis tis: and will be: till wears and tears and ages. Thief us the night, steal we the air, shawl thiner liefest, mine! Here, Ohere, insult the fair! Traitor, bad hearer, brave! The lightning look, the birding cry, awe from the grave, ever-flowing on the times. Feueragusaria iordenwater; now godsun shine on menday’s daughter; a good clap, a fore marriage, a bad wake, tell hell’s well; such is manowife’s lot of lose and win again, like he’s gruen quhiskers on who’s chin again, she plucketed them out but they grown in again. So what are you going to do about it? O dear!&#xA;&#xA;If juness she saved! Ah ho! And if yulone he pouved! The ol-old stoliolum! From quiqui quinet to michemiche chelet and a jambebatiste to a brulobrulo! It is told in sounds in utter that, in signs so adds to, in universal, in polygluttural, in each auxiliary neutral idiom, sordomutics, florilingua, sheltafocal, flayflutter, a con’s cubane, a pro’s tutute, strassarab, ereperse and anythongue athall. Since nozzy Nanette tripped palmyways with Highho Harry there’s a spurtfire turf a’kind o’kindling when oft as the souffsouff blows her peaties up and a claypot wet for thee, my Sitys, and talkatalka tell Tibbs has eve: and whathough (revilous life proving aye the death of ronaldses when winpower wine has bucked the kick on poor won man) billiousness has been billious-ness during milliums of millenions and our mixed racings have been giving two hoots or three jeers for the grape, vine and brew and Pieter’s in Nieuw Amsteldam and Paoli’s where the poules go and rum smelt his end for him and he dined off sooth ameri-can (it would give one the frier even were one a normal Kettle — licker) this oldworld epistola of their weatherings and their marryings and their buryings and their natural selections has combled tumbled down to us fersch and made-at-all-hours like an ould cup on tay. As I was hottin me souser. Haha! And as you was caldin your dutchy hovel. Hoho! She tole the tail or her toon. Huhu!&#xA;&#xA;Now, kapnimancy and infusionism may both fit as tight as two trivets but while we in our wee free state, holding to that prestatute in our charter, may have our irremovable doubts as to the whole sense of the lot, the interpretation of any phrase in the whole, the meaning of every word of a phrase so far de-ciphered out of it, however unfettered our Irish daily indepen — dence, we must vaunt no idle dubiosity as to its genuine author — ship and holusbolus authoritativeness. And let us bringtheecease to beakerings on that clink, olmond bottler! On the face of it, to volt back to our desultory horses, and for your roughshod mind, bafflelost bull, the affair is a thing once for all done and there you are somewhere and finished in a certain time, be it a day or a year or even supposing, it should eventually turn out to be a serial number of goodness gracious alone knows how many days or years. Anyhow, somehow and somewhere, before the bookflood or after her ebb, somebody mentioned by name in his telephone directory, Coccolanius or Gallotaurus, wrote it, wrote it all, wrote it all down, and there you are, full stop. O, undoubtedly yes, and very potably so, but one who deeper thinks will always bear in the baccbuccus of his mind that this down-right there you are and there it is is only all in his eye. Why?&#xA;&#xA;Because, Soferim Bebel, if it goes to that, (and dormerwindow gossip will cry it from the housetops no surelier than the writing on the wall will hue it to the mod of men that mote in the main street) every person, place and thing in the chaosmos of Alle anyway connected with the gobblydumped turkery was moving and changing every part of the time: the travelling inkhorn (possibly pot), the hare and turtle pen and paper, the continually more and less intermisunderstanding minds of the anticollabora-tors, the as time went on as it will variously inflected, differently pronounced, otherwise spelled, changeably meaning vocable scriptsigns. No, so holp me Petault, it is not a miseffectual why-acinthinous riot of blots and blurs and bars and balls and hoops and wriggles and juxtaposed jottings linked by spurts of speed: it only looks as like it as damn it; and, sure, we ought really to rest thankful that at this deleteful hour of dungflies dawning we have even a written on with dried ink scrap of paper at all to show for ourselves, tare it or leaf it, (and we are lufted to ourselves as the soulfisher when he led the cat out of the bout) after all that we lost and plundered of it even to the hidmost coignings of the earth and all it has gone through and by all means, after a good ground kiss to Terracussa and for wars luck our lefftoff’s flung over our home homoplate, cling to it as with drowning hands, hoping against hope all the while that, by the light of philo-phosy, (and may she never folsage us!) things will begin to clear up a bit one way or another within the next quarrel of an hour and be hanged to them as ten to one they will too, please the pigs, as they ought to categorically, as, stricly between ourselves, there is a limit to all things so this will never do.&#xA;&#xA;For, with that farmfrow’s foul flair for that flayfell foxfetor, (the calamite’s columitas calling for calamitous calamitance) who that scrutinising marvels at those indignant whiplooplashes; those so prudently bolted or blocked rounds; the touching reminiscence of an incompletet trail or dropped final; a round thousand whirligig glorioles, prefaced by (alas!) now illegible airy plumeflights, all tiberiously ambiembellishing the initials majuscule of Earwicker: the meant to be baffling chrismon trilithon sign , finally called after some his hes hecitency Hec, which, moved contra-watchwise, represents his title in sigla as the smaller , fontly called following a certain change of state of grace of nature alp or delta, when single, stands for or tautologically stands beside the consort: (though for that matter, since we have heard from Cathay cyrcles how the hen is not mirely a tick or two after the first fifth fourth of the second eighth twelfth — siangchang hongkong sansheneul — but yirely the other and thirtieth of the ninth from the twentieth, our own vulgar 432 and 1132 irre-spectively, why not take the former for a village inn, the latter for an upsidown bridge, a multiplication marking for crossroads ahead, which you like pothook for the family gibbet, their old fourwheedler for the bucker’s field, a tea anyway for a tryst someday, and his onesidemissing for an allblind alley leading to an Irish plot in the Champ de Mors, not?) the steady monologuy of the interiors; the pardonable confusion for which some blame the cudgel and more blame the soot but unthanks to which the pees with their caps awry are quite as often as not taken for kews with their tails in their or are quite as often as not taken for pews with their tails in their mouths, thence your pristopher polombos, hence our Kat Kresbyterians; the curt witty wotty dashes never quite just right at the trim trite truth letter; the sudden spluttered petulance of some capItalIsed Middle; a word as cunningly hidden in its maze of confused drapery as a fieldmouse in a nest of coloured ribbons: that ab-surdly bullsfooted bee declaring with an even plainer dummp — show than does the mute commoner with us how hard a thing it is to mpe mporn a gentlerman: and look at this prepronominal funferal, engraved and retouched and edgewiped and pudden-padded, very like a whale’s egg farced with pemmican, as were it sentenced to be nuzzled over a full trillion times for ever and a night till his noddle sink or swim by that ideal reader suffering from an ideal insomnia: all those red raddled obeli cayennepep-percast over the text, calling unnecessary attention to errors, omissions, repetitions and misalignments: that (probably local or personal) variant maggers for the more generally accepted ma-jesty which is but a trifle and yet may quietly amuse: those super — ciliouslooking crisscrossed Greek ees awkwardlike perched there and here out of date like sick owls hawked back to Athens: and the geegees too, jesuistically formed at first but afterwards genu-flected aggrily toewards the occident: the Ostrogothic kako — graphy affected for certain phrases of Etruscan stabletalk and, in short, the learning betrayed at almost every line’s end: the head-strength (at least eleven men of thirtytwo palfrycraft) revealed by a constant labour to make a ghimel pass through the eye of an iota: this, for instance, utterly unexpected sinistrogyric return to one peculiar sore point in the past; those throne open doubleyous (of an early muddy terranean origin whether man chooses to damn them agglutinatively loo — too — blue — face — ache or illvoodawpeehole or, kants koorts, topplefouls) seated with such floprightdown determination and reminding uus ineluctably of nature at her naturalest while that fretful fidget eff, the hornful digamma of your bornabarbar, rarely heard now save when falling from the unfashionable lipsus of some hetarosexual (used always in two boldfaced print types — one of them as wrongheaded as his Claudian brother, is it worth while interrupting to say?— throughout the papyrus as the revise mark) stalks all over the page broods sensationseeking an idea, amid the verbiage, gaunt, stands dejectedly in the diapered window margin, with its basque of bayleaves all aflutter about its forksfrogs, paces with a frown, jerking to and fro, flinging phrases here, there, or returns inhibited, with some half-halted suggestion, F, dragging its shoestring; the curious warning sign before our protoparent’s ipsissima verba (a very pure nondescript, by the way, sometimes a palmtailed otter, more often the arbutus fruitflowerleaf of the cainapple) which paleographers call a leak in the thatch or the aranman ingperwhis through the hole of his hat, indicating that the words which follow may be taken in any order desired, hole of Aran man the hat through the whispering his ho (here keen again and begin again to make soundsense and sensesound kin again); those haughtypitched disdotted aiches easily of the rariest inasdroll as most of the jaywalking eyes we do plough into halve, unconnected, principial, medial or final, always jims in the jam, sahib, as pipless as threadworms: the innocent exhibitionism of those frank yet capricious underlinings: that strange exotic serpen-tine, since so properly banished from our scripture, about as freak — wing a wetterhand now as to see a rightheaded ladywhite don a corkhorse, which, in its invincible insolence ever longer more and of more morosity, seems to uncoil spirally and swell lacertinelazily before our eyes under pressure of the writer’s hand; the ungainly musicianlessness so painted in sculpting selfsounder ah ha as blackartful as a podatus and dumbfounder oh ho oaproariose as ten canons in skelterfugue: the studious omission of year number and era name from the date, the one and only time when our copyist seems at least to have grasped the beauty of restraint; the lubricitous conjugation of the last with the first: the gipsy mating of a grand stylish gravedigging with secondbest buns (an in terpolation: these munchables occur only in the Bootherbrowth family of MSS., Bb — Cod IV, Pap II, Brek XI, Lun III, Dinn XVII, Sup XXX, Fullup M D C X C: the scholiast has hungrily misheard a deadman’s toller as a muffinbell): the four shortened ampersands under which we can glypse at and feel for ourselves across all those rushyears the warm soft short pants of the quick-scribbler: the vocative lapse from which it begins and the accu — sative hole in which it ends itself; the aphasia of that heroic agony of recalling a once loved number leading slip by slipper to a general amnesia of misnomering one’s own: next those ars, rrrr! those ars all bellical, the highpriest’s hieroglyph of kettletom and oddsbones, wrasted redhandedly from our hallowed rubric prayer for truce with booty, O’Remus pro Romulo, and rudely from the fane’s pinnacle tossed down by porter to within an aim’s ace of their quatrain of rubyjets among Those Who arse without the Temple nor since Roe’s Distillery burn’d have quaff’d Night’s firefill’d Cup But jig jog jug as Day the Dicebox Throws, whang, loyal six I lead, out wi’yer heart’s bluid, blast ye, and there she’s for you, sir, whang her, the fine ooman, rouge to her lobster locks, the rossy, whang, God and O’Mara has it with his ruddy old Villain Rufus, wait, whang, God and you’re another he hasn’t for there’s my spoil five of spuds’s trumps, whang, whack on his pigsking’s Kisser for him, K.M. O’Mara where are you?; then (coming over to the left aisle corner down) the cruciform postscript from which three basia or shorter and smaller oscula have been overcarefully scraped away, plainly inspiring the tene-brous Tunc page of the Book of Kells (and then it need not be lost sight of that there are exactly three squads of candidates for the crucian rose awaiting their turn in the marginal panels of Columkiller, chugged in their three ballotboxes, then set apart for such hanging committees, where two was enough for anyone, starting with old Matthew himself, as he with great distinction said then just as since then people speaking have fallen into the custom, when speaking to a person, of saying two is company when the third person is the person darkly spoken of, and then that last labiolingual basium might be read as a suavium if who-ever the embracer then was wrote with a tongue in his (or per — haps her) cheek as the case may have been then) and the fatal droopadwindle slope of the blamed scrawl, a sure sign of imper-fectible moral blindness; the toomuchness, the fartoomanyness of all those fourlegged ems: and why spell dear god with a big thick dhee (why, O why, O why?): the cut and dry aks and wise form of the semifinal; and, eighteenthly or twentyfourthly, but at least, thank Maurice, lastly when all is zed and done, the pene-lopean patience of its last paraphe, a colophon of no fewer than seven hundred and thirtytwo strokes tailed by a leaping lasso — who thus at all this marvelling but will press on hotly to see the vaulting feminine libido of those interbranching ogham sex up-andinsweeps sternly controlled and easily repersuaded by the uniform matteroffactness of a meandering male fist?&#xA;Duff–Muggli, who now may be quoted by very kind arrange-ment (his dectroscophonious photosensition under suprasonic light control may be logged for by our none too distant futures as soon astone values can be turned out from Chromophilomos, Limited at a millicentime the microamp), first called this kind of paddygoeasy partnership the ulykkhean or tetrachiric or quad-rumane or ducks and drakes or debts and dishes perplex (v. Some Forestallings over that Studium of Sexophonologistic Schizophre-nesis, vol. xxiv, pp. 2–555) after the wellinformed observation, made miles apart from the Master by Tung–Toyd (cf. Later Frustrations amengst the Neomugglian Teachings abaft the Semi-unconscience, passim) that in the case of the littleknown periplic bestteller popularly associated with the names of the wretched mariner (trianforan deffwedoff our plumsucked pattern shape-keeper) a Punic admiralty report, From MacPerson’s Oshean Round By the Tides of Jason’s Cruise, had been cleverly capsized and saucily republished as a dodecanesian baedeker of the every-tale-a-treat-initself variety which could hope satisfactorily to tickle me gander as game as your goose.&#xA;&#xA;The unmistaken identity of the persons in the Tiberiast du-plex came to light in the most devious of ways. The original document was in what is known as Hanno O’Nonhanno’s unbrookable script, that is to say, it showed no signs of punctua — tion of any sort. Yet on holding the verso against a lit rush this new book of Morses responded most remarkably to the silent query of our world’s oldest light and its recto let out the piquant fact that it was but pierced butnot punctured (in the university sense of the term) by numerous stabs and foliated gashes made by a pronged instrument. These paper wounds, four in type, were gradually and correctly understood to mean stop, please stop, do please stop, and O do please stop respectively, and following up their one true clue, the circumflexuous wall of a singleminded men’s asylum, accentuated by bi tso fb rok engl a ssan dspl itch ina, — Yard inquiries pointed out þ that they ad bin “provoked” ay þ fork, of … grave BrofŠsor; …th ‚‘s BrŠak — fast — table;; ac — tely profŠssionally piqu‚d, to = introd — ce a notion of time  by p — nct! ingh oles (sic) in Ispace?! Deeply religious by nature and position, and warmly attached to Thee, and smearbread and better and Him and newlaidills, it was rightly suspected that such ire could not have been visited by him Brotfressor Prenderguest even under-wittingly, upon the ancestral pneuma of one whom, with rheuma, he venerated shamelessly at least once a week at Cockspur Com-mon as his apple in his eye and her first boys’ best friend and, though plain English for a married lady misled heaps by the way, yet when some peerer or peeress detected that the fourleaved shamrock or quadrifoil jab was more recurrent wherever the script was clear and the term terse and that these two were the selfsame spots naturally selected for her perforations by Dame Partlet on her dungheap, thinkers all put grown in waterung-spillfull Pratiland only and a playful fowl and musical me and not you in any case, two and two together, and, with a swarm of bisses honeyhunting after, a sigh for shyme (O, the petty-bonny rouge!) separated modest mouths. So be it. And it was. The lettermaking of the explots of Fjorgn Camhelsson when he was in the Kvinnes country with Soldru’s men. With acknow-ledgment of our fervour of the first instant he remains years most fainfully. For postscrapt see spoils. Though not yet had the sailor sipped that sup nor the humphar foamed to the fill. And fox and geese still kept the peace around L’Auberge du Pere Adam.&#xA;&#xA;Small need after that, old Jeromesolem, old Huffsnuff, old Andycox, old Olecasandrum, for quizzing your weekenders come to the R.Q. with: shoots off in a hiss, muddles up in a mussmass and his whole’s a dismantled noondrunkard’s son. Howbeit we heard not a son of sons to leave by him to oceanic society in his old man without a thing in his ignorance, Tulko MacHooley. And it was thus he was at every time, that son, and the other time, the day was in it and after the morrow Diremood is the name is on the writing chap of the psalter, the juxtajunctor of a dearmate and he passing out of one desire into its fellow. The daughters are after going and loojing for him, Torba’s nice-lookers of the fair neck. Wanted for millinary servance to olderly’s person by the Totty Askinses. Formelly confounded with amother. Maybe growing a moustache, did you say, with an adorable look of amuzement? And uses noclass billiardhalls with an upandown ladder? Not Hans the Curier though had he had have only had some little laughings and some less of cheeks and were he not so warried by his bulb of persecussion he could have, ay, and would have, as true as Essex bridge. And not Go-pheph go gossip, I declare to man! Noe! To all’s much relief one’s half hypothesis of that jabberjaw ape amok the showering jestnuts of Bruisanose was hotly dropped and his room taken up by that odious and still today insufficiently malestimated note-snatcher (kak, pfooi, bosh and fiety, much earny, Gus, poteen? Sez you!) Shem the Penman." PRODUCER="Léo Carrier" COVERARTID="042/KRCWMOCD1QSJJAAHVUFFB2CWEEQD" PLAYTIME="189" PLAYTIME_FLOAT="188.068726" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="23920"></INFO>
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<INFO BITRATE="924684" KEY_LYRICS="1 ContributorDo It For Me Lyrics&#xA;Sugar, sugar&#xA;Give me your attention&#xA;Honey, honey&#xA;Give me your affection&#xA;Baby, do it for me&#xA;&#xA;Give me, give me&#xA;Your love and your happiness&#xA;Hold me tight and give me&#xA;All your sweet caresses&#xA;Baby, do it for me&#xA;&#xA;Ta da da da ta da da da da&#xA;Ta da da da ta da da da da&#xA;Baby, do it for me (I love you)&#xA;Ta da da da ta da da da da (Hold me)&#xA;Ta da da da ta da da da da&#xA;Baby, do it for me&#xA;&#xA;Ta da da da ta da da da da&#xA;Ta da da da ta da da da da&#xA;Baby, do it for me&#xA;Ta da da da ta da da da da (I love you)&#xA;Ta da da da ta da da da da&#xA;Baby, do it for me&#xA;&#xA;(Ahhh)&#xA;Sugar, sugar&#xA;Give me your attention&#xA;Honey, honey&#xA;Give me your affection&#xA;Baby, do it for me&#xA;&#xA;Give me, give me&#xA;Your love and your happinеss&#xA;Hold me tight and give me&#xA;All your sweet carеsses&#xA;Baby, do it for me&#xA;&#xA;&#xA;Ta da da da ta da da da da&#xA;Ta da da da ta da da da da&#xA;Baby, do it for me (Ahhh)&#xA;Ta da da da ta da da da da&#xA;Ta da da da ta da da da da&#xA;Baby, do it for me&#xA;Ta da da da ta da da da da&#xA;Ta da da da ta da da da da&#xA;Baby, do it for me (Ahhh)&#xA;Ta da da da ta da da da da&#xA;Ta da da da ta da da da da&#xA;..." PRODUCER="Angels / Musiques &amp; Solutions" COVERARTID="117/VDXD05CE3YCSRBF0NBE3DKNLU2ZD" PLAYTIME="183" PLAYTIME_FLOAT="182.968140" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="20760"></INFO>
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<INFO BITRATE="944477" KEY_LYRICS="13 ContributorsD.I.S.C.O. LyricsD.I.S.C.O is a song by the French band Ottawan, released in the 1980 album D.I.S.C.O.&#xA;&#xA;After being released into the music industry, it immediately became a international success, reaching No. 2 in the… Read More &#xA;D.I.S.C.O&#xA;D.I.S.C.O&#xA;D.I.S.C.O&#xA;D.I.S.C.O&#xA;&#xA;She is disco&#xA;&#xA;&#xA;She is D, delirious&#xA;She is I, incredible&#xA;She is S, superficial&#xA;She is C, complicated&#xA;She is O, oh, oh, oh&#xA;&#xA;&#xA;She is D, desirable&#xA;She is I, irresistible&#xA;She is S, super sexy&#xA;She is C, such a cutie&#xA;She is O, oh, oh, oh&#xA;&#xA;&#xA;D.I.S.C.O&#xA;D.I.S.C.O&#xA;D.I.S.C.O&#xA;D.I.S.C.O&#xA;She is disco&#xA;&#xA;&#xA;She is D, disastrous&#xA;She is I, impossible&#xA;She is S, super special&#xA;She is C, crazy, crazy&#xA;She is O, oh, oh, oh&#xA;&#xA;&#xA;She is D, delightful&#xA;She is I, incredible&#xA;She is S, sensational&#xA;She is C, sweetest candy&#xA;She is O, oh, oh, oh&#xA;&#xA;D.I.S.C.O&#xA;&#xA;She is disco&#xA;&#xA;&#xA;She is D, delirious&#xA;She is I, incredible&#xA;She is S, superficial&#xA;She is C, complicated&#xA;She is O, oh, oh, oh&#xA;&#xA;She is D, desirable&#xA;She is I, irresistible&#xA;She is S, super sexy&#xA;She is C, such a cutie&#xA;She is O, oh, oh, oh&#xA;&#xA;&#xA;D.I.S.C.O..." PRODUCER="Zagora distributed by Because Music" COVERARTID="040/IBJRVNBCOUI41A1EMSPJAYR1SJRB" PLAYTIME="302" PLAYTIME_FLOAT="301.453339" IMPORT_DATE="2025/4/14" RELEASE_DATE="1980/1/1" FLAGS="12" FILESIZE="35036"></INFO>
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<INFO BITRATE="1000557" KEY_LYRICS="1 ContributorSpanish Selections 2000-2009 Lyrics2000 (Eurocanción)Final - TVE Studios, Madrid 08.02.2000Serafin Zubiri - &amp;quot;Colgado de un sueño&amp;quot; (205p)Raúl - &amp;quot;Sueño su boca&amp;quot; (152p)Yago - &amp;quot;No quiero&amp;quot; (133p)Anabel Conde &amp;amp; David Dominguez - &amp;quot;Ni colores ni fronteras&amp;quot; (83p)Alazán - &amp;quot;Alcanzarás la luna&amp;quot; (76p)Alto Rango - &amp;quot;Sin fronteras&amp;quot; (75p)Dulce - &amp;quot;Dónde estabas&amp;quot; (59p)Myriam Fultz - &amp;quot;Gotas de algodón&amp;quot; (58p)Sito Abalos - &amp;quot;Bailando en la oscuridad&amp;quot; (52p)Olga Domínguez - &amp;quot;Si te vas&amp;quot; (49p)Ángel Caramé - &amp;quot;Suave&amp;quot; (45p)20 Años de Cuna - &amp;quot;El reloj&amp;quot; (23p)Sur S.A. - &amp;quot;Mala racha&amp;quot; (22p)Aguadulce - &amp;quot;Buscaré&amp;quot; (20p)Manuel Bravo - &amp;quot;Muy mujer&amp;quot; (3p)2001 (Eurocanción)Final - TVE Studios, Madrid 23.02.2001David Civera - &amp;quot;Dile que la quiero&amp;quot; (108p)Hi Priority - &amp;quot;A nadie como a ti&amp;quot; (84p)Mina - &amp;quot;Libres&amp;quot; (78p)Noemí - &amp;quot;Sin rencor&amp;quot; (63p)Herbert - &amp;quot;Abre los brazos&amp;quot; (60p)Luna - &amp;quot;No pidas más amor&amp;quot; (52p)Virginia - &amp;quot;No tengas miedo de amar&amp;quot; (50p)Mister Robinson - &amp;quot;Un flechazo de Cupido&amp;quot; (43p)Sonia &amp;amp; Sеlena - &amp;quot;Yo quiero bailar&amp;quot; (41p)David Castedo - &amp;quot;Un tеrrón de azúcar&amp;quot; (35p)Natalia - &amp;quot;Porque quiero&amp;quot; (33p)Trans X - &amp;quot;Amándonos&amp;quot; (11p)Kingdom Brothers - &amp;quot;Nada es igual&amp;quot; (8p)Frank Bravo - &amp;quot;No sé por qué&amp;quot; (8p)Paula - &amp;quot;Prisionera de tu amor&amp;quot; (6p)Román - &amp;quot;Nada sin ti&amp;quot; (6p)Locomía - &amp;quot;Música, música&amp;quot; (4p)Toni &amp;amp; Miguel - &amp;quot;Baila&amp;quot; (4p)Oxigeno - &amp;quot;Niña bonita&amp;quot; (2p)Silvana - &amp;quot;Dónde&amp;quot;2002 (Operación Triunfo)Semi-final First Round - TVE Studios, Barcelona 25.02.2002David Bisbal - &amp;quot;El alma en pie&amp;quot; (Second Round)Rosa - &amp;quot;Un sueño especial&amp;quot; (Second Round)David Bustamante - &amp;quot;Más de mil noches&amp;quot; (Second Round)David Bisbal - &amp;quot;Corazón Latino&amp;quot; (Second Round)David Bustamante - &amp;quot;La magia del corazón&amp;quot; (Second Round)Rosa - &amp;quot;Europe's Living a Celebration&amp;quot; (Second Round)David Bustamente - &amp;quot;Urgente&amp;quot;Rosa - &amp;quot;Hay que vivir&amp;quot;David Bisbal - &amp;quot;Miénteme&amp;quot;Semi-final Second Round - TVE Studios, Barcelona 25.02.2002David Bisbal - &amp;quot;Corazón Latino&amp;quot; (Final)Rosa - &amp;quot;Europe's Living a Celebration&amp;quot; (Final)David Bustamante - &amp;quot;La magia del corazón&amp;quot; (Final)David Bustamante - &amp;quot;Más de mil noches&amp;quot;Rosa - &amp;quot;Un sueño especial&amp;quot;David Bisbal - &amp;quot;El alma en pie&amp;quot;Final - TVE Studios, Barcelona 18.03.2002Rosa - &amp;quot;Europe's Living a Celebration&amp;quot; (50%)David Bisbal - &amp;quot;Corazón Latino&amp;quot; (33%)David Bustamante - &amp;quot;La magia del corazón&amp;quot; (17%)2003 (Operación Triunfo)Final First Round - TVE Studios, Barcelona 17.02.2003Manuel Carrasco - &amp;quot;Viviré, moriré&amp;quot; (Second Round)Ainhoa - &amp;quot;Mi razón de vivir&amp;quot; (Second Round)Beth - &amp;quot;Dime&amp;quot; (Second Round)Beth - &amp;quot;La vida sin ti&amp;quot;Manuel Carrasco - &amp;quot;Santa Lucía&amp;quot;Ainhoa - &amp;quot;Con la fuerza del corazón&amp;quot;Ainhoa - &amp;quot;Viva la noche&amp;quot;Beth - &amp;quot;Cerrando heridas&amp;quot;Manuel Carrasco - &amp;quot;Sueña con ése momento&amp;quot;Final Second Round - TVE Studios, Barcelona 17.02.2003Beth - &amp;quot;Dime&amp;quot; (45%)Ainhoa - &amp;quot;Mi razón de vivir&amp;quot; (31%)Manuel Carrasco - &amp;quot;Viviré, moriré&amp;quot; (24%)2004 (Operación Triunfo)Heat 1 - TVE Studios, Barcelona 14.01.2004Davinia - &amp;quot;Quiero tu amor&amp;quot; (Heat 2)Ramón - &amp;quot;Para llenarme de ti&amp;quot; (Heat 2)Vicente - &amp;quot;Veinte años más&amp;quot; (Heat 2)Miguel - &amp;quot;Amor de madrugada&amp;quot; (Heat 2)Vicente - &amp;quot;Se me va la vida&amp;quot; (Heat 2)Davinia - &amp;quot;Cómo quieres que te quiera&amp;quot; (Heat 2)Miguel - &amp;quot;Muéveme&amp;quot; (Heat 2)Ramón - &amp;quot;Todo vuelve a importar&amp;quot; (Heat 2)Miguel - &amp;quot;Hoy te quiero más&amp;quot;Ramón - &amp;quot;Cuestión de alma&amp;quot;Vicente - &amp;quot;Nadie como tú&amp;quot;Davinia - &amp;quot;Mi obsesión&amp;quot;Heat 2 - TVE Studios, Barcelona 21.01.2004Davinia - &amp;quot;Cómo quieres que te quiera&amp;quot; (Final)Vicente - &amp;quot;Se me va la vida&amp;quot; (Final)Miguel - &amp;quot;Muéveme&amp;quot; (Final)Ramón - &amp;quot;Para llenarme de ti&amp;quot; (Final)Ramón - &amp;quot;Todo vuelve a importar&amp;quot;Miguel - &amp;quot;Amor de madrugada&amp;quot;Vicente - &amp;quot;Veinte años más&amp;quot;Davinia - &amp;quot;Cómo quieres que te quiera&amp;quot;Final - TVE Studios, Barcelona 28.01.2004Ramón - &amp;quot;Para llenarme de ti&amp;quot; (39%)Vicente - &amp;quot;Se me va la vida&amp;quot; (29%)Miguel - &amp;quot;Muéveme&amp;quot; (17%)Davinia - &amp;quot;Cómo quieres que te quiera&amp;quot; (15%)2005 (Eurovisión 2005: Elige nuestra canción)Semi-final - Estudio Buñuel, Madrid 04.03.2005Las Supremas de Móstoles - &amp;quot;Eres un enfermo&amp;quot; (Final)Lanco - &amp;quot;Nada para ti, nada para mi&amp;quot; (Final)Enzo - &amp;quot;Quién dirá&amp;quot; (Final)Son de Sol - &amp;quot;Brujería&amp;quot; (Final)Felipe Conde - &amp;quot;Echo de menos&amp;quot; (Final)Yulia - &amp;quot;Arriba el mundo&amp;quot; (Final)María Lorente - &amp;quot;Vente pal sur&amp;quot;Jaster - &amp;quot;Cómo olvidarte&amp;quot;A-Crew - &amp;quot;El swatch&amp;quot;Katherina - &amp;quot;Boca loca&amp;quot;Pierre N'Sue - &amp;quot;Quizás mejor así&amp;quot;Gema Castaño - &amp;quot;Santo Job&amp;quot;Final - Estudio Buñuel, Madrid 05.03.2005Son de Sol - &amp;quot;Brujería&amp;quot; (24%)Las Supremas de Móstoles - &amp;quot;Eres un enfermo&amp;quot; (22%)Felipe Conde - &amp;quot;Echo de menos&amp;quot; (16%)Yulia - &amp;quot;Arriba el mundo&amp;quot;Lanco - &amp;quot;Nada para ti, nada para mi&amp;quot;Enzo - &amp;quot;Quién dirá&amp;quot;20062007 (Misión Eurovisión)Final First Round - TVE Studios, Madrid 24.02.2007NASH - &amp;quot;Busco una chica&amp;quot; (Superfinal)Nazaret - &amp;quot;Busco un hombre&amp;quot; (Superfinal)NASH - &amp;quot;I Love You Mi Vida&amp;quot; (Superfinal)Mirela - &amp;quot;La reina de la noche&amp;quot; (Superfinal)Nazaret - &amp;quot;Tu voz se apagará&amp;quot; (Superfinal)Yanira Figueroa - &amp;quot;Busco un hombre&amp;quot;Mirela - &amp;quot;Busco un hombre&amp;quot;Merche Llober - &amp;quot;Busco un hombre&amp;quot;Nazaret - &amp;quot;I Love You Mi Vida&amp;quot;Mirela - &amp;quot;I Love You Mi Vida&amp;quot;Merche Llobera - &amp;quot;I Love You Mi Vida&amp;quot;Yanira Figueroa - &amp;quot;I Love You Mi Vida&amp;quot;NASH - &amp;quot;La reina de la noche&amp;quot;Yanira Figueroa - &amp;quot;La reina de la noche&amp;quot;Merche Llobera - &amp;quot;La reina de la noche&amp;quot;Nazaret - &amp;quot;La reina de la noche&amp;quot;Mirela - &amp;quot;Tu voz se apagará&amp;quot;Merche Llobera - &amp;quot;Tu voz se apagará&amp;quot;NASH - &amp;quot;Tu voz se apagará&amp;quot;Yanira Figueroa - &amp;quot;Tu voz se apagará&amp;quot;Merche Llobera - &amp;quot;Una lágrima&amp;quot;Nazaret - &amp;quot;Una lágrima&amp;quot;NASH - &amp;quot;Una lágrima&amp;quot;Yanira Figueroa - &amp;quot;Una lágrima&amp;quot;Mirela - &amp;quot;Una lágrima&amp;quot;Superfinal - TVE Studios, Madrid 24.02.2007NASH - &amp;quot;I Love You Mi Vida&amp;quot; (85p)Mirela - &amp;quot;La reina de la noche&amp;quot; (67p)Nazaret - &amp;quot;Tu voz se apagará&amp;quot; (44p)NASH - &amp;quot;Busco una chica&amp;quot; (20p)Nazaret - &amp;quot;Busco un hombre&amp;quot; (4p)2008 (Salvemos Eurovisión)Final - Estudios Buñuel, Madrid 08.03.2008Rodolfo Chikilicuatre - &amp;quot;Baile el Chiki-chiki&amp;quot; (60p)Coral - &amp;quot;Todo está en tu mente&amp;quot; (48p)La Casa Azul - &amp;quot;La revolución sexual&amp;quot; (42p)Arkaitz - &amp;quot;Un olé&amp;quot; (32p)Marzok Mangui - &amp;quot;Caramelo&amp;quot; (31p)Lorena C - &amp;quot;Piensa gay&amp;quot; (22p)Bizarre - &amp;quot;Si pudiera&amp;quot; (22p)Innata - &amp;quot;Me encanta bailar&amp;quot; (15p)Ell*as - &amp;quot;100 x 100&amp;quot; (9p)D-Vine - &amp;quot;I Do You&amp;quot; (9p)2009 (Eurovisión 2009 El retorno)Heat 1 - Casino l'Aliança del Poblenou Theatre, Barcelona 14.02.2009Melody - &amp;quot;Amante de la luna&amp;quot; (Final)La La Love You - &amp;quot;Dame un beso&amp;quot; (Final)Noelia Cano - &amp;quot;Cruza los dedos&amp;quot; (Final)Gran Baobab - &amp;quot;Despedida de soltero&amp;quot; (Final)La Red de San Luis - &amp;quot;Madre tierra&amp;quot;Normativa Vigente - &amp;quot;Alejandría new generation&amp;quot;Carlos Ferrer Eai - &amp;quot;El patito&amp;quot;Yulia Valentayn - &amp;quot;Uh la la&amp;quot;Vicente Casal - &amp;quot;Tú me complementas&amp;quot;Atalis - &amp;quot;Retrato frontal&amp;quot;Heat 2 - Casino l'Aliança del Poblenou Theatre, Barcelona 21.02.2009Soraya - &amp;quot;La noche es para mi&amp;quot; (Final)Virginia - &amp;quot;True Love&amp;quot; (Final)Jorge González - &amp;quot;Si yo vengo a enamorarte&amp;quot; (Final)Salva Ortego - &amp;quot;Lujuria&amp;quot; (Final)Leather Boys - &amp;quot;We're Livin' In a Bar&amp;quot;Ángeles Vela - &amp;quot;Vístete de primavera&amp;quot;Diqesi - &amp;quot;Subiré&amp;quot;Roel - &amp;quot;Y ahora dices&amp;quot;Calipop - &amp;quot;Burbuja&amp;quot;Elektronikboy - &amp;quot;Mon petit oiseau&amp;quot;Heat 3 - Casino l'Aliança del Poblenou Theatre, Barcelona 28.02.2009Santa Fe - &amp;quot;Samba House&amp;quot; (Final)Mirela - &amp;quot;Nada es comparable a tí&amp;quot; (Final)Isí - &amp;quot;Ahora no&amp;quot; (Final)Julia Bermejo - &amp;quot;Ya no estas&amp;quot; (Final)El Secreto de Álex - &amp;quot;Por esta vez&amp;quot;Dulce - &amp;quot;Bésame&amp;quot;Biquini - &amp;quot;Una chica normal&amp;quot;Remembrances - &amp;quot;Espejismo&amp;quot;Beatriz - &amp;quot;Dónde te metes&amp;quot;Solydo - &amp;quot;Tú&amp;quot;Final - Casino l'Aliança del Poblenou Theatre, Barcelona 28.02.2009Soraya - &amp;quot;La noche es para mi&amp;quot; (22p)Melody - &amp;quot;Amante de la luna&amp;quot; (22p)Santa Fe - &amp;quot;Samba House&amp;quot; (16p)Mirela - &amp;quot;Nada es comparable a tí&amp;quot; (13p)Virginia - &amp;quot;True Love&amp;quot; (11p)Isí - &amp;quot;Ahora no&amp;quot; (11p)La La Love You - &amp;quot;Dame un beso&amp;quot; (9p)Julia Bermejo - &amp;quot;Ya no estas&amp;quot; (4p)Jorge González - &amp;quot;Si yo vengo a enamorarte&amp;quot; (4p)Salva Ortego - &amp;quot;Lujuria&amp;quot; (3p)Noelia Cano - &amp;quot;Cruza los dedos&amp;quot; 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<INFO BITRATE="921062" KEY_LYRICS="53 ContributorsTranslationsFrançaisDeutschEspañolMamma Mia Lyrics&#xA;I've been cheated by you since I don't know when&#xA;So I made up my mind—it must come to an end&#xA;Look at me now, will I ever learn?&#xA;I don't know how, but I suddenly lose control&#xA;There's a fire within my soul&#xA;&#xA;&#xA;Just one look and I can hear a bell ring&#xA;One more look and I forget everything, woah&#xA;&#xA;&#xA;Mamma mia, here I go again&#xA;My my, how can I resist you?&#xA;Mamma mia, does it show again?&#xA;My my, just how much I've missed you&#xA;Yes, I've been broken-hearted&#xA;Blue since the day we parted&#xA;Why, why did I ever let you go?&#xA;Mamma mia, now I really know&#xA;My my, I could never let you go&#xA;&#xA;&#xA;I've been angry and sad about things that you do&#xA;I can't count all the times that I've told you we're through&#xA;And when you go, when you slam the door&#xA;I think you know that you won't be away too long&#xA;You know that I'm not that strong&#xA;&#xA;Just one look and I can hear a bell ring&#xA;One more look and I forget everything, woah&#xA;&#xA;&#xA;Mamma mia, here I go again&#xA;My my, how can I resist you?&#xA;Mamma mia, does it show again&#xA;My my, just how much I've missed you?&#xA;Yes, I've been broken-hearted&#xA;Blue since the day we parted&#xA;Why, why did I ever let you go?&#xA;Mamma mia, even if I say&#xA;&amp;quot;Bye-bye&amp;quot;, leave me now or never&#xA;Mamma mia, it's a game we play&#xA;&amp;quot;Bye-bye&amp;quot; doesn't mean forever&#xA;Mamma mia, here I go again&#xA;My my, how can I resist you?&#xA;Mamma mia, does it show again&#xA;My my, just how much I've missed you?&#xA;Yes, I've been broken-hearted&#xA;Blue since the day we parted&#xA;Why, why did I ever let you go?&#xA;Mamma mia, now I really know&#xA;My my, I could never let you go" PRODUCER="℗ 1975 Polar Music International AB" COVERARTID="090/0CTN1RDQWLDHBC1SGIHGDZZQ5CLB" PLAYTIME="214" PLAYTIME_FLOAT="213.266663" IMPORT_DATE="2025/4/14" RELEASE_DATE="1975/1/1" FLAGS="12" FILESIZE="24400"></INFO>
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<INFO BITRATE="1008308" KEY_LYRICS="3 ContributorsGenesis LyricsThat day was gray&#xA;And full of human prayers&#xA;The shaman, our father&#xA;Extracts us from the mother&#xA;&#xA;Man's blood became a river&#xA;And his heart paralyzed&#xA;The ritual was the key&#xA;For a new paradise&#xA;&#xA;We are four, we are gold&#xA;We are the favorite sons&#xA;We are breeze, we are heat&#xA;We ride the astral winds&#xA;&#xA;I will be the savior, I am your rod of freedom&#xA;I will fall down the sky like a burning star&#xA;I will light the way, I will tell the truth&#xA;I am the key to salvation, I'm against the doom&#xA;&#xA;Next day was black&#xA;And it was full of deaths&#xA;The demons, the devils&#xA;The ritual turns to inferno&#xA;&#xA;The blood of the battle&#xA;Is pure liberation&#xA;The blood of the sacrifice&#xA;Will flow for your damnation&#xA;We are four, we are gold&#xA;We are the favorite sons&#xA;We are breeze, we are heat&#xA;We ride the astral winds&#xA;&#xA;Mother&#xA;&#xA;I will be the savior, I am your rod of freedom&#xA;I will fall down the sky like a burning star&#xA;I will light the way, I will tell the truth&#xA;I am the key to salvation, I'm against the doom" PRODUCER="Léo Carrier" COVERARTID="120/YLHNJHDFBMNL0AGR3OYNBRBJ0IFB" PLAYTIME="215" PLAYTIME_FLOAT="214.064667" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="26551"></INFO>
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<INFO BITRATE="931935" KEY_LYRICS="3 ContributorsBack to Boogie LyricsGet up, get up&#xA;Get up, yeah!&#xA;&#xA;Move your body, now!&#xA;&#xA;Boogie woogie, Boogie woogie&#xA;Boogie, boogie, boogie woogie&#xA;&#xA;Back to boogie&#xA;Back to boogie&#xA;Back to boogie-la-da-woogie&#xA;(Dance with me)&#xA;&#xA;Back to boogie&#xA;Back to boogie&#xA;Back to boogie-la-da-woogie&#xA;(Dance with me)&#xA;&#xA;There's a brass band&#xA;Hard-playin' brass band&#xA;In the heart of town they move down&#xA;&#xA;They're playin' boogie&#xA;Hard-rockin' boogie&#xA;That makes you weak at the knees&#xA;That class is real tight&#xA;They're playin' all night&#xA;We'll dance the whole night away&#xA;&#xA;Whatcha doin'?&#xA;Let's get a move on!&#xA;Why can't you do it for sure?&#xA;&#xA;Back to boogie&#xA;Back to boogie&#xA;Back to boogie-la-da-woogie&#xA;(Dance with me)&#xA;&#xA;Back to boogie&#xA;Back to boogie&#xA;Back to boogie-la-da-woogie&#xA;(Dance with me)&#xA;&#xA;There's a big brass band!&#xA;Who is comin' to get you, guys?&#xA;That's quality!&#xA;There's a big brass band&#xA;Playin' just for you&#xA;Boogie!&#xA;&#xA;Boogie!&#xA;Back to boogie&#xA;Back to boogie&#xA;Back to boogie-la-da-woogie&#xA;(Dance with me)&#xA;&#xA;Boogie woogie, Boogie woogie" PRODUCER="Vanloo Music" COVERARTID="037/FJPCHZD0FJAHWCX0AN14BG4GPW0D" PLAYTIME="217" PLAYTIME_FLOAT="216.217056" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="25404"></INFO>
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<INFO BITRATE="1085266" KEY_LYRICS="2 ContributorsThe Width Of A Circle  Lyrics&#xA;&#xA;&#xA;In the corner of the morning in the past&#xA;I would sit and blame the master first and last&#xA;All the roads were straight and narrow&#xA;And the prayers were small and yellow&#xA;And the rumour spread that I was aging fast&#xA;Then I ran across a monster who was sleeping by a tree&#xA;And I looked and frowned and the monster was me&#xA;&#xA;&#xA;Well, I said hello and I said hello&#xA;And I asked &amp;quot;Why not?&amp;quot; and I replied &amp;quot;I don't know&amp;quot;&#xA;So we asked a simple black bird, who was happy as can be&#xA;And he laughed insane and quipped Khalil Gibran&#xA;And I cried for all the others 'til the day was nearly through&#xA;For I realized that God's a young man too&#xA;&#xA;&#xA;&#xA;&#xA;So I said &amp;quot;So long&amp;quot; and I waved bye-bye&#xA;And I smashed my soul and traded my mind&#xA;Got laid by a young bordello&#xA;Who was vaguely half asleep&#xA;For which my reputation swept back home in drag&#xA;And the moral of this magic spell&#xA;Negotiates my hide&#xA;When God did take my logic for a ride&#xA;(Riding along)&#xA;&#xA;&#xA;&#xA;He swallowed his pride and puckered his lips&#xA;And showed me the leather belt round his hips&#xA;My knees were shaking my cheeks aflame&#xA;He said, you'll never go down to the Gods again&#xA;(Turn around, go back!)&#xA;He struck the ground, a cavern appeared&#xA;And I smelt the burning pit of fear&#xA;We crashed a thousand yards below&#xA;I said, do it again, do it again&#xA;(Turn around, go back!)&#xA;His nebulous body swayed above&#xA;His tongue swollen with devil's love&#xA;The snake and I, a venom high&#xA;I said, do it again, do it again&#xA;(Turn around, go back!)&#xA;Breathe, breathe, breathe deeply&#xA;And I was seething, breathing deeply&#xA;Spitting sentry, horned and tailed&#xA;Waiting for you&#xA;&#xA;&#xA;&#xA;&#xA;Oh, oh, oh&#xA;Oh, oh, oh&#xA;" PRODUCER="Pony Music" COVERARTID="086/WSOT30DFESCB2CLQHTELD5ZH5RQD" PLAYTIME="371" PLAYTIME_FLOAT="370.600006" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="49328"></INFO>
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<INFO BITRATE="1025863" KEY_LYRICS="2 ContributorsTheKing36's Project list LyricsThe following are just some scripts I've been floating around in my head, and I want to write. They're divided into different categories, so check them out and give your thoughts. I'd like your guys' help, if you're willing so hit me up or whatever.&#xA;&#xA;DREAM PROJECTS&#xA;These are the projects I'd absolutely love to do if I made it. I've always wanted to be a filmmaker and these projects are ones that I've wanted and dreamed about doing for years and years and years.&#xA;&#xA;HUSTLE&#xA;This is one of the scripts I've been writing for about a year or two now, and I've given it several different names, but landed on 'Hustle', and loved it. I'm a big fan of the crime film genre and have followed it throughout its history, tracking back to the days it was ruled by such actors as Humphrey Bogart and James Cagney (who by the way, are my two favorite actors throughout cinematic history). I wanted this film to be a tribute to some of my favorite directors of the past (Frank Capra and Martin Scorsese in particular), my favorite actors of the past (Bogart and Cagney specifically cited), my favorite films of the past (Casablanca and The Godfather in specific), my favorite genres (crime, action, and comedy in specific), and my favorite actors working right now (who I specifically wrote the characters for and geared towards their personas), as well as personal touches such as past experiences and certain things I like and enjoy (for example, this film would be set in Florida, a place I would like to live in the future). In terms of the cast, yes, I specifically wrote these characters to fit certain actors' personas because I always loved the idea of all star ensembles, it fired my passion for cinema even more. And in recent years, we've seen The Avengers films and American Hustle, among others, and when directors and screenwriters have everything going for them, the results are incredible. I always told myself if I made it, I wanted my first film to be with my favorite actors, and this is the plan. I also firmly believe in a line said by the legendary Scorsese himself, &amp;quot;When I'm making a film, I'm the audience&amp;quot;. I want to make a movie that I truly enjoy and would want to see, but also give that same feeling and euphoria back to the audience. Now, this is what I'm thinking in terms of the cast.&#xA;Denzel Washington-leader of a crime organization named 'The Invisible Hand'; very well respected, charismatic, but is impatient and has a temper&#xA;Matt Damon-leader's right hand man; we later learn that he set everyone up and is turning each of the group members against each other&#xA;Christian Bale-a loose cannon in the group; he's rich, but he's arrogant; he's married, but he sleeps around; he gets angry whenever anyone else tries to tell him how to live his life and is overprotective over what he already has but takes advantage of&#xA;Robert Downey Jr.-the lawyer in the group; a self made man that's respectable, but impatient, and doesn't approve of some of the actions the group takes&#xA;Jeremy Renner-he's always caught in the middle of things and unsure of where he belongs, though he feels he finally found a place where he belongs and people who need him and care about him&#xA;Tom Hardy-a cocky, arrogant, brutal casino owner/business partner of The Invisible Hand that turns on them and turns out to be screwing them over&#xA;Mark Ruffalo-a charismatic nice guy in the group who gets along with everyone but disapproves of Bale's character's actions and has been warming up to his wife&#xA;Joseph Gordon-Levitt-the youngest member of the group, but also very naive and hot-tempered&#xA;Anthony Mackie-a cautious father figure/best friend type to Gordon-Levitt's character and an enforcer in the group&#xA;Scarlett Johansson-the girl of Renner's dreams; very attractive yet also charismatic and understanding; turns out to be working with the police as a double agent but feels bad since she fell for Renner&#xA;Margot Robbie-a superficial beauty; so drawn in and obsessed with her looks that she turns away basically anyone that is attracted to her, putting herself on a pedestal and overcompensating for her rather hollow personality&#xA;Mila Kunis-Gordon-Levitt's friend and would be love interest; she's the voice of reason; he realizes how he really feels about her too late&#xA;Rebecca Hall-Bale's neglected and exhausted wife who turns to Ruffalo for help&#xA;Cameos: Will Smith as the police chief working with Scarlett; Martin Scorsese; Adam Sandler; Jerry Seinfeld; Jimmy Fallon; Gene Wilder; Robert De Niro; Mike Alstott; Evan Longoria; Chris Archer; Brooklyn Decker; Kate Upton; Bono; Ryan Tedder; Drake; Kendrick Lamar; Lupe Fiasco; John Legend&#xA;Music from: U2, OneRepublic, Drake, Kendrick Lamar, Lupe Fiasco, John Legend, Imagine Dragons, The Black Keys, X Ambassadors, Eminem, Coldplay, American Authors, Big Sean, Kid Ink, Jeremih, ScHoolboy Q, A$AP Rocky, J.Cole, Jay Z, Kanye West&#xA;Music composed by Hans Zimmer&#xA;^Idk if it'll all work out like this, but that is my dream, a pretty damn big one for my first film.&#xA;&#xA;HAUNTED HOUSE PROJECT (no title yet)&#xA;In terms of this project, I just thought it would be really cool to make a comedy, first of all because they're probably the most entertaining and crowd-pleasing films to watch, if done right, and second of all because I just love the recent wave of comedies with the 'what if' type of questions. For example, 'what if a bunch of prima donna actors were stuck in Vietnam with a bunch of drug lords in pursuit'? There you have Tropic Thunder. 'What if some kid's teddy bear came to life, what would happen 20 years later'? There you have Ted. 'What if a bunch of best friends got stuck in an apocalyptic scenario'? There you have This is the End. The list goes on and on. I want to chip in and also, add some personal quirks to each character reflecting back on some of my friends and put them in this scenario: what if a group of friends were stuck inside a haunted house together? You've seen this done many times in actual horror films, but this is different cuz this is through and through comedy with the same type of twists that some of the films aforementioned had. In terms of the cast, this is who I'm thinking:&#xA;Joseph Gordon-Levitt-the guy that gets everyone together; he's not the leader, but he's the one that everyone can get along with; sometimes gets caught in the wrong situation at the wrong time; gets down on himself a lot; charismatic, nice, and understanding&#xA;Scarlett Johansson-Gordon-Levitt's girlfriend that he's about to propose to that weekend; he's liked her for a long time, but he doesn't know how much he likes him in return because he thinks she's 'out of his league' per se, but in reality she really does&#xA;Chris Pine-Gordon-Levitt's best friend; had a rough time earlier on in his life and has been toughened to the point where he knows how to deal with rough situations; charismatic and funny, but still trying to put some of the past demons away&#xA;Natalie Portman-Pine's wife; he's liked her ever since he saw her and the same goes for her; she understands him and has been through similar situations&#xA;Seth Rogen-a good friend to everyone in the group; very funny and sarcastic; unpredictable with some of the stuff he says; also sort of emotionally closed off to a degree and secretly a deep thinker&#xA;Margot Robbie-Rogen's wife; she's funny and charismatic and gets along well with Rogen, also understanding him&#xA;Anthony Mackie-lazy and a bit reserved but still charismatic and offhandedly funny&#xA;Emma Stone-Mackie's wife; charismatic and reserved, but becomes increasingly more comfortable&#xA;Michael B. Jordan-very charismatic and funny but also observant and understanding&#xA;Zoe Saldana-Jordan's girlfriend; understanding and observant&#xA;Bradley Cooper-the real leader of the group; outgoing and willing to take charge; funny but also reserved to a degree&#xA;Jennifer Lawrence-Cooper's wife; outgoing and easy to get along with&#xA;Chadwick Boseman-shy and lazy but easy to get along with and understanding&#xA;Mila Kunis-Boseman's girlfriend, who's trying to get him to come out of his shell&#xA;James Spader-the house's owner; creepy and menacing; the antagonist&#xA;Andy Serkis-Spader's right hand man; very strange and mysterious&#xA;WAR&#xA;I wanted this film, if at all possible to sort of be a dream scape scenario and a basic satire of Hollywood and studio heads that throw millions of dollars into projects just for a pay check.&#xA;This film will be about a bunch of famous cinematic heroes going up against a bunch of famous cinematic villains, and metaphorically and sometimes literally, they are just wondering why this happened and where this will take them.&#xA;HEROES&#xA;Captain America&#xA;Iron Man&#xA;Batman&#xA;Hulk&#xA;Indiana Jones&#xA;Jason Bourne&#xA;Falcon&#xA;VILLAINS&#xA;Bane&#xA;Ultron&#xA;General Grievous&#xA;Darth Vader&#xA;Michael Corleone&#xA;The Joker&#xA;&#xA;DISNEY PROJECTS&#xA;I owe Disney a lot, I grew up watching the movies, and my family is really into all of that, and I have many younger siblings. The Disney movies are the first things that really drew me into loving movies and really fired up my passion and creativity, and I'd love to do the same and give other people that same sort of experience. I also notice that there's several projects with a lot of untapped potential, and I'd like to work with them. So, specifically speaking if I make it to where I want to be, here are a list of some of the projects I'm interested in working on.&#xA;&#xA;MAGIC KINGDOM&#xA;This was said to be a film about a family visiting Walt Disney World in Florida and they stay a little past the time the title park closes. The park suddenly comes to life, with all the characters getting up and walking around, and they find themselves in the middle of it. I always found this idea very interesting, and one that I've loved ever since I was a kid. Now, it was slated to be in development with Jon Favreau directing but he's working on several different things and I have no idea if it'll ever pan out, but I've had a vision for this ever since I was a little kid.&#xA;&#xA;JUNGLE CRUISE&#xA;This is another project Disney had in development for awhile, and it was slated to star Tom Hanks and Tim Allen. Whatever the case, I don't know if that'll ever pan out. But I like the idea of a few people traveling on a cruise down the jungle, encountering different obstacles in order to find a cure for something. It just sounds a lot like the movies I grew up watching, such as Raiders of the Lost Ark.&#xA;SWISS FAMILY ROBINSON&#xA;The original was pretty good, but it's outdated by now, and due for a remake. I think this could be done very well. For those who don't know, this is a story of a shipwrecked family that make their home on an island while trying to figure out when they will ever leave or get help, and then pirates come into the equation.&#xA;&#xA;PIRATES OF THE CARIBBEAN&#xA;Don't get me wrong, I grew up watching the first three films (the fourth was awful and even the third was not all that great either). I thought the first two were alright, but they never fully gave off the vibe that it needed, the one that was in the ride, and I think I can reboot the series, if given a chance, only bringing Jack Sparrow and Davy Jones back on board but wiping everything else clear.&#xA;&#xA;ENCHANTED TIKI ROOM&#xA;I always liked that tropical atmosphere, and this would be a great Polynesian type of animated film.&#xA;&#xA;SPLASH MOUNTAIN&#xA;I always loved this ride and the story behind it and Song of the South was released in 1946, and it's about time to make a new animated film for this attraction.&#xA;&#xA;BIG THUNDER MOUNTAIN RAILROAD&#xA;The Western keeps trying to come back and we've seen some pretty good ones over the past few years. This could be the film that The Lone Ranger wasn't. The backstory is about a city called Tumbleweed and a mountain full of gold, but the mountain is said to be cursed. A lot of potential here.&#xA;&#xA;HAUNTED MANSION&#xA;Of course this was made into a film with Eddie Murphy starring, and it was pretty pitiful. Guillermo del Toro has been slated to direct a reboot but who knows whenever that'll come to fruition? I think this attraction deserves a proper film, one that's dark, but still has a sense of fun to it.&#xA;&#xA;SPACE MOUNTAIN&#xA;Another interesting sci-fi film in terms of humans getting stranded in space, but this could be a variation on that, and be a pretty good film.&#xA;&#xA;EPCOT&#xA;A film that would be based on the park, and a basic lay out for where humans and life are headed in the future.&#xA;&#xA;JOURNEY INTO IMAGINATION WITH FIGMENT&#xA;This would be an animated film based on the title character, strictly because I always grew up thinking he deserved one, but was never given it.&#xA;SOARIN'&#xA;I believe a film about a cross country tour on a glider, if done right, could be a thrilling experience and really fun to watch.&#xA;&#xA;TEST TRACK&#xA;This is another sci-fi film I would love to make, one where people obtain the technology to make their own vehicles and design exactly how they want them to be (thinking outside the box and stuff).&#xA;&#xA;MISSION: SPACE&#xA;Yet another interesting sci-fi film possibility, about astronauts in training and which ones will make it and which ones don't.&#xA;&#xA;THE MAELSTROM&#xA;An interesting fantasy based on the former attraction, rooted in Norwegian folklore about trolls and Vikings, and other such things.&#xA;&#xA;THE GREAT MOVIE RIDE&#xA;A variation on the Magic Kingdom idea as well as the War idea, where characters from films throughout cinematic history come to life.&#xA;&#xA;THE TWILIGHT ZONE TOWER OF TERROR&#xA;A film about a haunted tower/elevator, which would be pretty interesting as well.&#xA;&#xA;FANTASMIC!&#xA;A twist on the Magic Kingdom idea, where Mickey's imagination becomes controlled by a few Disney villains and his nightmares start becoming reality. Could be a very interesting animated film, and one I've thought about since I was younger.&#xA;&#xA;COUNTDOWN TO EXTINCTION&#xA;A time travel machine is obtained, and passengers are sent back to the time of the dinosaurs, however they are unknowingly sent right before extinction begins. Could be a great film." PRODUCER="Léo Carrier" COVERARTID="091/1WXC0RCYHOWNOCHHQ4RACWSHUIDB" PLAYTIME="240" PLAYTIME_FLOAT="239.246796" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="30252"></INFO>
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<INFO BITRATE="920257" KEY_LYRICS="40 ContributorsI Feel Love Lyrics&#xA;&#xA;&#xA;Ooh, it's so good, it's so good&#xA;It's so good, it's so good, it's so good&#xA;Ooh, heaven knows, heaven knows&#xA;Heaven knows, heaven knows, heaven knows&#xA;Ooh, I feel love, I feel love&#xA;I feel love, I feel love, I feel love&#xA;&#xA;&#xA;I feel love&#xA;I feel love&#xA;&#xA;&#xA;&#xA;&#xA;Ooh, fallin' free, fallin' free&#xA;Fallin' free, fallin' free, fallin' free&#xA;Ooh, you and me, you and me&#xA;You and me, you and me, you and me&#xA;Ooh, I feel love, I feel love&#xA;I feel love, I feel love, I feel love&#xA;&#xA;&#xA;I feel love&#xA;I feel love&#xA;I feel love&#xA;I feel love...&#xA;&#xA;&#xA;&#xA;Ooh, I'll get you, I'll get you&#xA;I'll get you, I'll get you, I'll get you&#xA;Ooh, what you do, what you do&#xA;What you do, what you do, what you do&#xA;Ooh, I feel love, I feel love&#xA;I feel love, I feel love, I feel love&#xA;&#xA;&#xA;I feel love&#xA;I feel love&#xA;I feel love&#xA;I feel love&#xA;I feel love...&#xA;&#xA;" PRODUCER="℗ 1977 The Island Def Jam Music Group" COVERARTID="066/C4PZW4AJNIHXQDPCPHEJBMFC4CHD" PLAYTIME="227" PLAYTIME_FLOAT="226.906662" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="25771"></INFO>
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<INFO BITRATE="827468" KEY_LYRICS="64 ContributorsKiss Lyrics&#xA;Uh!&#xA;&#xA;&#xA;You don't have to be beautiful to turn me on&#xA;I just need your body, baby, from dusk 'til dawn&#xA;You don't need experience to turn me out&#xA;You just leave it all up to me, I'm gonna show you what it's all about&#xA;&#xA;&#xA;You don't have to be rich to be my girl&#xA;You don't have to be cool to rule my world&#xA;Ain't no particular sign I'm more compatible with&#xA;I just want your extra time and your kiss&#xA;&#xA;&#xA;You got to not talk dirty, baby, if you wanna impress me&#xA;You can't be too flirty, mama, I know how to undress me, yeah&#xA;I want to be your fantasy, maybe you could be mine&#xA;You just leave it all up to me, we could have a good time, oh&#xA;&#xA;&#xA;You don't have to be rich to be my girl&#xA;You don't have to be cool to rule my world&#xA;Ain't no particular sign I'm more compatible with&#xA;I just want your extra time and your kiss&#xA;&#xA;Yes, oh, I think I wanna dance, uh&#xA;Oh!&#xA;Gotta, gotta, oh&#xA;Little Girl Wendy's Parade&#xA;Gotta, gotta, gotta&#xA;&#xA;&#xA;Women, not girls, rule my world, I said they rule my world&#xA;Act your age, mama, not your shoe size, maybe we could do the twirl&#xA;You don't have to watch “Dynasty” to have an attitude, uh&#xA;You just leave it all up to me, my love will be your food&#xA;&#xA;&#xA;Yeah, you don't have to be rich to be my girl&#xA;You don't have to be cool to rule my world&#xA;Ain't no particular sign I'm compatible with&#xA;I just want your extra time and your kiss" PRODUCER="℗ 1986 NPG Records, Inc. under exclusive license to Warner Records Inc." COVERARTID="024/Y2LUXDBGON5OKAFJM1CKCT4XOOID" PLAYTIME="227" PLAYTIME_FLOAT="226.240005" IMPORT_DATE="2025/4/14" RELEASE_DATE="1993/1/1" FLAGS="12" FILESIZE="23262"></INFO>
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<INFO BITRATE="998424" KEY_LYRICS="240 ContributorsTranslationsTürkçePortuguêsΕλληνικάFrançaisEspañolDeutschالعربيةI Feel It Coming LyricsInspired by house-and ‘80s pop, “I Feel It Coming” is about wanting more from a relationship. The song differs from The Weeknd’s usual attitudes towards love, which revolve around one-night stands and… Read More &#xA;Yeah, ah&#xA;&#xA;&#xA;Tell me what you really like&#xA;Baby, I can take my time&#xA;We don't ever have to fight&#xA;Just take it step-by-step&#xA;I can see it in your eyes&#xA;'Cause they never tell me lies&#xA;I can feel that body shake&#xA;And the heat between your legs&#xA;&#xA;&#xA;You've been scared of love and what it did to you&#xA;You don't have to run, I know what you've been through&#xA;Just a simple touch and it could set you free&#xA;We don't have to rush when you're alone with me&#xA;&#xA;&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;&#xA;&#xA;You are not the single type&#xA;So, baby, this the perfect time&#xA;I'm just tryna get you high (I'm just tryin', babe)&#xA;And faded off this touch&#xA;You don't need a lonely night&#xA;So, baby, I can make it right&#xA;You just gotta let me try (Try)&#xA;To give you what you want&#xA;&#xA;You've been scared of love and what it did to you&#xA;You don't have to run, I know what you've been through&#xA;Just a simple touch and it could set you free&#xA;We don't have to rush when you're alone with me&#xA;&#xA;&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;I feel it comin', I feel it comin', babe&#xA;&#xA;&#xA;Uh, you've been scared of love and what it did to you&#xA;You don't have to run, I know what you've been through&#xA;Just a simple touch and it could set you free&#xA;We don't have to rush when you're alone with me&#xA;&#xA;&#xA;I feel it comin' (I feel it comin')&#xA;I feel it comin', babe (I feel it comin', babe)&#xA;I feel it comin' (I feel it comin')&#xA;I feel it comin', babe (I know what you feel right now)&#xA;I feel it comin' (I feel it comin')&#xA;I feel it comin', babe (I feel it comin', baby)&#xA;I feel it comin' (I feel it comin')&#xA;I feel it comin', babe (I know what you say right now, babe)&#xA;I feel it comin' (Na-na-na, na-na-na, na-na-na; I feel it comin')&#xA;I feel it comin', babe (I feel it comin', babe; oh, babe)&#xA;I feel it comin' (I feel it comin')&#xA;I feel it comin', babe (I know what you say right now)&#xA;I feel it comin' (Na-na-na, na-na-na, na-na-na; I feel it comin')&#xA;I feel it comin', babe (I feel it comin', baby)&#xA;I feel it comin' (I feel it comin')&#xA;I feel it comin', babe&#xA;&#xA;I feel it comin', babe&#xA;I feel it comin', babe&#xA;I feel it comin', babe&#xA;I feel it comin', babe" PRODUCER="℗ 2016 The Weeknd XO, Inc., Manufactured and Marketed by Republic Records, a Division of UMG Recordings, Inc." COVERARTID="113/RTPIUCACUZV4VCCFWUFCBXUSPJHC" PLAYTIME="270" PLAYTIME_FLOAT="269.176636" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="33305"></INFO>
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<INFO BITRATE="1064893" KEY_LYRICS="23 ContributorsI Can’t Wait Lyrics“I Can’t Wait” is a hit song by husband-and-wife duo Nu Shooz. Originally the song was released independently in 1985 on an EP called Tha’s Right. It became a regional hit on radio stations in Portland… Read More &#xA;Baby, I can't wait&#xA;&#xA;&#xA;My love, tell me what it's all about&#xA;You've got something&#xA;That I can't live without&#xA;Happiness, is so hard to find&#xA;Hey baby, tell me what is on your mind&#xA;&#xA;&#xA;Cause I can't wait (baby, I can't wait)&#xA;Till you call me on the telephone&#xA;I can't wait (baby, I can't wait)&#xA;Till we're all alone (I can't wait)&#xA;&#xA;&#xA;You know I love you&#xA;Even when you don't try&#xA;I know, that our love will never die&#xA;Hey darling, when you look into my eye&#xA;Please tell me, you'll never have to say goodbye&#xA;&#xA;&#xA;Cause I can't wait (baby, I can't wait) this is what I've been waiting for&#xA;I can't wait (baby, I can't wait) 'till my love walked in the door&#xA;I can't wait (baby, I can't wait) true love is so hard to find&#xA;I found yours, you found mine&#xA;I can't wait (baby, I can't wait) tell me what is on your mind (I can't wait)&#xA;&#xA;(I can't wait) I can't wait&#xA;Say it one more time (baby, I can't wait) tell me what is on your mind&#xA;Oh I can't wait (baby, I can't wait) this is what I've been waiting for&#xA;Oh I can't wait (baby, I can't wait) 'till my love walked in the door&#xA;&#xA;" PRODUCER="2019 Warner Music Group - X5 Music Group" COVERARTID="099/DTKQFBCTYWKU2CVDUYNJBNB3PAQB" PLAYTIME="219" PLAYTIME_FLOAT="218.826660" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="28794"></INFO>
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<INFO BITRATE="921423" KEY_LYRICS="7 ContributorsWanna Get With U Lyrics&#xA;Yo, drop it&#xA;I wanna get with you (I wanna)&#xA;So let's get together (Come on, I wanna)&#xA;So let's get together (Come on, come on, I wanna)&#xA;So let's get together (Come on, come on, I wanna)&#xA;I wanna get with you (Come on, come on, come on)&#xA;(I wann—, I wann—)&#xA;&#xA;&#xA;I wanna get with you 'cause you got a lot (I wanna)&#xA;You're sure 'nough kickin', you lookin' hot (I wanna)&#xA;I wanna get with you if you got the time (I wanna)&#xA;Baby, we can swing it, but you gotta make up your mind&#xA;(I wann—, I wann—, I wanna)&#xA;Gotta get with you, gonna make you sweat (I wanna)&#xA;I can't wait just to make you wet (I wanna)&#xA;And if I get with you, can't forget the crew (I wanna)&#xA;So you can get your girlfriends and I'm gonna get you, I'm gonna get you&#xA;(I wann—, I wann—, I wanna)&#xA;&#xA;&#xA;I wanna get with you&#xA;Oh, oh, I gotta get with you&#xA;(I wanna) I wanna get with you&#xA;Oh, ow, I wanna get with you&#xA;(I wanna) I wanna get with you&#xA;Oh, just gotta get with you&#xA;(I wanna) I wanna get with you&#xA;Yo, bust, I wanna get with you&#xA;(I wanna)&#xA;&#xA;Yo, I wanna get with you&#xA;Tell me is that much to ask for? (I wanna)&#xA;Nothing more than a spare minute&#xA;I got time if you wanna get with it (I wanna)&#xA;Whatever you want, I'll get it&#xA;I got cash, now help me spend it (I wanna)&#xA;Don't worry, if you're broke, I'll fix it&#xA;Like a flat then blow you up wicked&#xA;(I wann—, I wann—, I wanna)&#xA;Got the ingredients, you need me to mix it&#xA;So, baby, let me go to work (I wanna)&#xA;I'll show you how I go to work&#xA;Have the whole thing sewed up like a shirt (I wanna)&#xA;Give me a chance to show you&#xA;Spend some time, I need time to know you (I wanna)&#xA;After that, we're in like the New Jack Swing&#xA;Until it's through, I wanna get with you (I want you)&#xA;&#xA;&#xA;I wanna get with you&#xA;Ooh, I want you&#xA;I wanna get with you&#xA;Ah-ah-ah, I wanna get with you&#xA;I wanna get with you&#xA;I wanna get with you&#xA;I wanna get with you&#xA;I wanna get with you&#xA;I wanna get with you&#xA;Ooh, ooh&#xA;I wanna get with you&#xA;Ooh, I gotta get with you&#xA;I wanna get with you&#xA;Aw, baby, aw, baby, gotta get with you&#xA;I wanna get with you&#xA;Yo, Aaron, take it to the bridge&#xA;&#xA;You got what I want (Uh, I wanna)&#xA;(You got what I want)&#xA;You're so fine, I cannot front (I wanna, I wanna)&#xA;On my knees, begging you please (I wanna)&#xA;I'll do anything in the world to get with you (C'mon, baby, come on)&#xA;(I wann—, I wann—, I wanna)&#xA;&#xA;&#xA;I wanna freak you, freak you, girl (I wanna get—)&#xA;If you think you can rock my world (I wanna, I wanna)&#xA;Bring all the girls to the men with clout (I wanna get—)&#xA;And then we'll see who can bust who out (I wanna)&#xA;If I had the chance to get with you (I wanna get—)&#xA;There's nothing in the world that I can't do (I wanna get—, I wanna)&#xA;Say we get together tomorrow at two (I wanna get—)&#xA;I wanna get with you, hmm&#xA;&#xA;&#xA;I wanna get with you&#xA;(I wanna get with you)&#xA;I wanna get with you&#xA;I just gotta get with you&#xA;(I wanna get with you)&#xA;I cannot take it no more, baby&#xA;Hey, ow, I wanna get with you&#xA;(I wanna get with you)&#xA;Come on and, come on and get with me&#xA;Yeah, I just gotta get with you&#xA;(I wanna get with you)&#xA;It will feel alright tonight&#xA;Baby, we gotta get together&#xA;(I wanna get with you)&#xA;Baby, I wanna get with you, I just gotta get with you, baby&#xA;(I wanna get with you)&#xA;Said we gotta get together&#xA;(I wanna get with you)&#xA;Just gotta get, just gotta get, just—&#xA;I wanna get with you&#xA;(I wanna get with you)&#xA;I wanna get with you&#xA;Hey, I gotta get with you&#xA;(I wanna get with you)&#xA;I gotta with you&#xA;You and I&#xA;(I wanna get with you)&#xA;Oh, I&#xA;Me, me, me, me&#xA;(I wanna get with you)&#xA;Me, me, me, oh&#xA;Oh, oh-oh-oh&#xA;(I wanna get with you)&#xA;Yeah, yes, tonight, tonight&#xA;(I wanna get with you)&#xA;Just gotta get with you tonight&#xA;Gotta get with you tonight&#xA;(I wanna get with you)&#xA;Have a little fun with me, baby&#xA;Sure fun, yeah&#xA;(I wanna get with you)&#xA;Look like a cute little hottie&#xA;I just gotta get with you&#xA;(I wanna get with you)&#xA;Just gotta get&#xA;If you got the time, sure 'nough look good&#xA;(I wanna get with you)&#xA;Sure 'nough look&#xA;Sure 'nough look fine&#xA;I gotta get with you&#xA;Fine, fine&#xA;(I wanna get with you)&#xA;Gotta get&#xA;Gonna make you sweat, make you sweat&#xA;I can't wait&#xA;(I wanna get with you)&#xA;I can't wait&#xA;Just to make you wet, oh, I&#xA;(I wanna get with you)&#xA;Oh, I, oh, I, oh, I&#xA;I wanna get with you&#xA;(I wanna get with you)&#xA;Just got to get with you&#xA;If you got the time&#xA;(I wanna get with you)&#xA;If you got the time&#xA;Won't you just be mine, mine?" 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<INFO BITRATE="842085" KEY_LYRICS="9 ContributorsC’est la Vie Lyrics&#xA;Got a job that's okay&#xA;But they've got me working night and day&#xA;Punching in, punching out&#xA;Is this really what life's all about?&#xA;&#xA;&#xA;(What'cha gonna do?)&#xA;(What'cha gonna feel?)&#xA;I don't know&#xA;(What'cha gonna feel?)&#xA;(What'cha gonna do?)&#xA;Ooh, won't someone tell me?&#xA;(What'cha wanna say?)&#xA;(What'cha wanna do?)&#xA;There's only one thing left to say&#xA;(What'cha wanna say?)&#xA;(What'cha wanna say?)&#xA;Whoo!&#xA;&#xA;&#xA;(C'est la vie, c'est la vie)&#xA;That's just the way it goes&#xA;(That's life) Oh yeah&#xA;(C'est la vie, c'est la vie)&#xA;That's just the way it goes&#xA;(That's life) Mm-mm&#xA;&#xA;Baby's gone, all alone&#xA;Are you sad because you're on your own?&#xA;Get back up, party down&#xA;There's so many good ones still around&#xA;&#xA;&#xA;(What'cha gonna do?)&#xA;(What'cha gonna feel?)&#xA;Ooh, I don't know&#xA;(What'cha gonna feel?)&#xA;(What'cha gonna do?)&#xA;Ooh, won't someone tell me?&#xA;(What'cha wanna say?)&#xA;(What'cha wanna do?)&#xA;I guess there's just one thing to say&#xA;(What'cha wanna say?)&#xA;(What'cha wanna say?)&#xA;Ooh-ooh&#xA;&#xA;&#xA;(C'est la vie, c'est la vie)&#xA;That's just the way it goes&#xA;(That's life) Oh yeah, ooh&#xA;(C'est la vie, c'est la vie)&#xA;That's just the way it goes&#xA;(That's life) Ooh-ooh&#xA;&#xA;Hey, it's JJ!&#xA;What you been doing?&#xA;You said your car broke down&#xA;The thing just isn't moving&#xA;Say JJ, don't you know?&#xA;When you're down&#xA;There's just one way to go&#xA;Now sing it&#xA;&#xA;&#xA;(C'est la vie, c'est la vie)&#xA;That's just the way it goes&#xA;(That's life) Sometimes&#xA;(C'est la vie, c'est la vie)&#xA;Hey, hey, that's just the way it goes&#xA;(C'est la vie, c'est la vie)&#xA;That's just the way it goes&#xA;(That's life) Ooh yeah, ooh yeah&#xA;(C'est la vie, c'est la vie)&#xA;Oh, that's just the way it goes&#xA;(That's life) You know it, ooh yeah&#xA;(C'est la vie, c'est la vie)&#xA;That's just the way it goes&#xA;(That's life)&#xA;(C'est la vie, c'est la vie)&#xA;&#xA;&#xA;&#xA;(That's life)" PRODUCER="℗ 1986 Capitol Records, LLC" COVERARTID="117/VPRUX0CXXPPEKDZEUAMDC1IR1P4A" PLAYTIME="271" PLAYTIME_FLOAT="270.306671" IMPORT_DATE="2025/4/14" RELEASE_DATE="1986/1/1" FLAGS="12" FILESIZE="28142"></INFO>
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<INFO BITRATE="995851" KEY_LYRICS="203 ContributorsTranslationsРусскийEspañolPortuguêsFrançaisSmooth Criminal Lyrics“Smooth Criminal” was an idea Michael had in 1984. Originally, it was to be a Western Musical, with Michael being a gunslinger.&#xA;&#xA;When he didn’t like the original sketching of the concept, he decided to make… Read More &#xA;Ow!&#xA;Cha!&#xA;Shoo-ca-choo-ca!&#xA;&#xA;&#xA;As he came into the window&#xA;Was a sound of a crescendo&#xA;He came into her apartment&#xA;He left the bloodstains on the carpet&#xA;She ran underneath the table&#xA;He could see she was unable&#xA;So she ran into the bedroom&#xA;She was struck down, it was her doom&#xA;&#xA;&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;&#xA;&#xA;Annie, are you okay?&#xA;Will you tell us that you're okay?&#xA;There's a sound at the window&#xA;Then he struck you, a crescendo, Annie&#xA;He came into your apartment&#xA;Left the bloodstains on the carpet&#xA;And then you ran into the bedroom&#xA;You were struck down&#xA;It was your doom&#xA;&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;&#xA;&#xA;You've been hit by—&#xA;You've been hit by—&#xA;A smooth criminal&#xA;Ow!&#xA;&#xA;&#xA;So they came in to the out way&#xA;It was Sunday, what a black day&#xA;Every time I tried to find him&#xA;He's leaving no clues left behind him&#xA;And he had no way of knowing&#xA;Of the suspect or what to expect&#xA;Mouth-to-mouth resuscitation&#xA;Sounding heartbeats, intimidations&#xA;&#xA;&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;Annie, are you okay?&#xA;Annie, are you okay? Are you okay?&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;Annie, are you okay?&#xA;So, Annie, are you okay? Are you okay, Annie?&#xA;&#xA;Annie, are you okay?&#xA;Will you tell us that you're okay?&#xA;There's a sound at the window&#xA;Then he struck you, a crescendo, Annie&#xA;He came into your apartment&#xA;Left the bloodstains on the carpet&#xA;And then you ran into the bedroom&#xA;You were struck down&#xA;It was your doom&#xA;&#xA;&#xA;Annie, are you okay? Annie, are you okay?&#xA;Are you okay, Annie?&#xA;&#xA;&#xA;You've been hit by—&#xA;You've been struck by—&#xA;A smooth criminal&#xA;&#xA;&#xA;Choo-cha, choo-cha&#xA;Ow!&#xA;Okay, I want everybody to clear the area right now!&#xA;&#xA;&#xA;Ow!&#xA;Hoo!&#xA;Hoo!&#xA;Hoo!&#xA;Hoo!&#xA;Ow!&#xA;&#xA;Annie, are you okay? (I don't know)&#xA;Will you tell us that you're okay? (I don't know)&#xA;There's a sound at the window (I don't know)&#xA;Then he struck you, a crescendo, Annie (I don't know)&#xA;He came into your apartment (I don't know)&#xA;Left the bloodstains on the carpet (I don't know why, baby)&#xA;And then you ran into the bedroom (Help me)&#xA;You were struck down&#xA;It was your doom, Annie (Doggone it)&#xA;Annie, are you okay? (Doggone it, baby)&#xA;Will you tell us that you're okay? (Doggone it, baby)&#xA;There's a sound at the window (Doggone it, baby)&#xA;Then he struck you, a crescendo Annie (Hoo! Hoo!)&#xA;He came into your apartment, (Doggone it)&#xA;Left the bloodstains on the carpet (Hoo!)&#xA;And then you ran into the bedroom (Hoo! Hoo!)&#xA;You were struck down (Doggone it)&#xA;It was your doom, Annie (Ow!)&#xA;&#xA;&#xA;Ow!&#xA;Ow!&#xA;Shoo-cha-choo, shoo-cha-choo!&#xA;Ow!&#xA;Ow!" PRODUCER="(P) 1987 MJJ Productions Inc." COVERARTID="031/5ETAZVCTW32HXBL531HKA3SFLSXC" PLAYTIME="259" PLAYTIME_FLOAT="258.634918" IMPORT_DATE="2025/4/14" RELEASE_DATE="2005/1/1" FLAGS="12" FILESIZE="31740"></INFO>
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<INFO BITRATE="1021042" KEY_LYRICS="53 ContributorsTranslationsEspañolI Wanna Dance With Somebody (Who Loves Me) Lyrics&#xA;Ah&#xA;Yeah, woo&#xA;Hey, yeah, ah&#xA;Ooh, yeah, uh-huh&#xA;Yeah&#xA;I wanna dance&#xA;&#xA;&#xA;Clock strikes upon the hour&#xA;And the sun begins to fade&#xA;Still enough time to figure out&#xA;How to chase my blues away&#xA;&#xA;&#xA;I've done alright up 'til now&#xA;It's the light of day that shows me how&#xA;And when the night falls&#xA;The loneliness calls&#xA;&#xA;&#xA;Oh, I wanna dance with somebody&#xA;I wanna feel the heat with somebody&#xA;Yeah, I wanna dance with somebody&#xA;With somebody who loves me&#xA;Oh, I wanna dance with somebody&#xA;I wanna feel the heat with somebody&#xA;Yeah, I wanna dance with somebody&#xA;With somebody who loves me&#xA;&#xA;I've been in love and lost to my senses&#xA;Spinnin' through the town&#xA;Sooner or later, the fever ends&#xA;And I wind up feelin' down&#xA;&#xA;&#xA;I need a man who'll take a chance&#xA;On a love that burns hot enough to last&#xA;So when the night falls&#xA;My lonely heart calls&#xA;&#xA;&#xA;Oh, I wanna dance with somebody&#xA;I wanna feel the heat with somebody&#xA;Yeah, I wanna dance with somebody&#xA;With somebody who loves me&#xA;Oh, I wanna dance with somebody&#xA;I wanna feel the heat&#xA;Yeah, I wanna dance with somebody&#xA;With somebody who loves me&#xA;&#xA;&#xA;Somebody who, somebody who&#xA;Somebody who loves me, yeah&#xA;Somebody who, somebody who&#xA;To hold me in his arms, oh&#xA;&#xA;I need a man who'll take a chance&#xA;On a love that burns hot enough to last&#xA;So when the night falls&#xA;My lonely heart calls&#xA;&#xA;&#xA;Oh, I wanna dance with somebody&#xA;I wanna feel the heat with somebody&#xA;Yeah, I wanna dance with somebody&#xA;With somebody who loves me&#xA;Oh, I wanna dance with somebody&#xA;I wanna feel the heat with somebody&#xA;Yeah, I wanna dance with somebody&#xA;With somebody who loves me&#xA;&#xA;&#xA;Ooh, ooh (Dance)&#xA;Come on, baby (Dance)&#xA;Woo, yeah (Dance)&#xA;Now get with this, woah (Dance)&#xA;Don't you wanna dance (Dance) with me, baby?&#xA;Don't you wanna dance (Dance) with me, boy?&#xA;Hey, don't you wanna dance (Dance) with me, baby?&#xA;With somebody who loves me&#xA;Don't you wanna dance? Say you wanna dance&#xA;Don't you wanna dance? (Dance)&#xA;Don't you wanna dance? Say you wanna dance&#xA;Don't you wanna dance? (Dance)&#xA;Don't you wanna dance? Say you wanna dance&#xA;Uh-huh (Dance)&#xA;With somebody who loves me&#xA;Ooh, ooh (Dance)&#xA;Ooh, ooh (Dance)&#xA;Ooh, ooh (Dance)&#xA;Hey, baby&#xA;Don't you wanna love, don't you wanna love me?" PRODUCER="(P) 1987 Arista Records LLC" COVERARTID="098/CLDVTQD2GDXR5AXNOY40CCWPHFXD" PLAYTIME="293" PLAYTIME_FLOAT="292.875031" IMPORT_DATE="2025/4/14" RELEASE_DATE="1987/1/1" FLAGS="12" FILESIZE="36889"></INFO>
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<INFO BITRATE="1061242" KEY_LYRICS="51 ContributorsTranslationsPortuguêsItalianoEspañolLike a Virgin Lyrics&#xA;I made it through the wilderness&#xA;Somehow I made it through&#xA;Didn't know how lost I was&#xA;Until I found you&#xA;I was beat, incomplete&#xA;I'd been had, I was sad and blue&#xA;But you made me feel&#xA;Yeah, you made me feel&#xA;Shiny and new, hoo&#xA;&#xA;&#xA;Like a virgin&#xA;Touched for the very first time&#xA;Like a virgin&#xA;When your heart beats next to mine&#xA;&#xA;&#xA;Gonna give you all my love, boy&#xA;My fear is fadin' fast&#xA;Been savin' it all for you&#xA;'Cause only love can last&#xA;You're so fine and you're mine&#xA;Make me strong, yeah, you make me bold&#xA;Oh, your love thawed out&#xA;Yeah, your love thawed out&#xA;What was scared and cold&#xA;&#xA;Like a virgin, hey&#xA;Touched for the very first time&#xA;Like a virgin&#xA;With your heartbeat next to mine&#xA;&#xA;&#xA;Woah&#xA;Woah (Ah)&#xA;Woah&#xA;&#xA;&#xA;You're so fine and you're mine&#xA;I'll be yours 'til the end of time&#xA;'Cause you made me feel&#xA;Yeah, you made me feel&#xA;I've nothin' to hide&#xA;&#xA;&#xA;Like a virgin, hey&#xA;Touched for the very first time&#xA;Like a virgin&#xA;With your heartbeat next to mine&#xA;&#xA;&#xA;Like a virgin&#xA;Ooh, like a virgin&#xA;Feels so good inside&#xA;When you hold me&#xA;And your heart beats&#xA;And you love me&#xA;Oh-oh, oh-oh&#xA;Oh-oh, oh-oh, oh&#xA;Ooh, baby&#xA;Yeah, can't you hear my heart beat&#xA;For the very first time?" PRODUCER="℗ 2009 Warner Records Inc." COVERARTID="083/T45Y40CK3YAWZBMD1HOGDYBKAU0A" PLAYTIME="189" PLAYTIME_FLOAT="188.279999" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="25061"></INFO>
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<INFO BITRATE="912901" KEY_LYRICS="20 ContributorsGive It Up Lyrics&#xA;Everybody wants you&#xA;Everybody wants your love&#xA;I'd just like to make you mine, all mine&#xA;&#xA;&#xA;Na-na, na-na, na-na, na-na, na, na, now&#xA;Baby, give it up&#xA;Give it up&#xA;Baby, give it up&#xA;Na-na, na-na, na-na, na-na, na, na, now&#xA;Baby, give it up&#xA;Give it up&#xA;Baby, give it up&#xA;&#xA;&#xA;Everybody sees you&#xA;Everybody looks and stares&#xA;I'd just like to make you mine, all mine&#xA;&#xA;&#xA;Na-na, na-na, na-na, na-na, na, na, now&#xA;Baby, give it up&#xA;Give it up&#xA;Baby, give it up&#xA;Na-na, na-na, na-na, na-na, na, na, now&#xA;Baby, give it up&#xA;Give it up&#xA;Baby, give it up&#xA;&#xA;Give it up&#xA;&#xA;&#xA;Na-na, na-na, na-na, na-na, na, na, now&#xA;Baby, give it up&#xA;Give it up&#xA;Baby, give it up&#xA;Na-na, na-na, na-na, na-na, na, na, now&#xA;Baby, give it up&#xA;Give it up&#xA;Baby, give it up&#xA;&#xA;&#xA;Everybody wants you&#xA;Everybody wants your love&#xA;I'd just like to make you mine, all mine&#xA;&#xA;&#xA;Na-na, na-na, na-na, na-na, na, na, now&#xA;Baby, give it up&#xA;Give it up&#xA;Baby, give it up&#xA;Na-na, na-na, na-na, na-na, na, na, now&#xA;Baby, give it up&#xA;Give it up&#xA;Baby, give it up&#xA;&#xA;Can you give it, can you give it, give it up?&#xA;Come on, baby, I need your love&#xA;Give it up, give it up, baby&#xA;Give it up&#xA;Do you know I want it, baby?&#xA;Come on, baby, I want your love&#xA;Give it up, give it up, baby&#xA;Give it up&#xA;Give it up, some of your love&#xA;Come on and play the game of love&#xA;Give it up, give it up, baby&#xA;Give it up&#xA;Everybody is in need, give it up&#xA;Come on, baby, I need your love&#xA;Give it up, give it up, baby&#xA;Give it up&#xA;Can I touch you? Can I love you?&#xA;Come on, baby, baby, I love you&#xA;Give it up, give it up, baby&#xA;Give it up&#xA;Can you give it, give it up?&#xA;Come on, baby, give me your love&#xA;Give it up, give it up, baby&#xA;Give it up&#xA;Don't you know I want your love?&#xA;Come on, baby, I need your love&#xA;Give it up, give it up…" PRODUCER="℗ 1982 Sony Music Entertainment Inc." COVERARTID="013/N2ZENFDVXVAFQCHGKKIZCXYWF0HD" PLAYTIME="246" PLAYTIME_FLOAT="245.800003" IMPORT_DATE="2025/4/14" RELEASE_DATE="1990/1/1" FLAGS="12" FILESIZE="27574"></INFO>
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<INFO BITRATE="997532" KEY_LYRICS="42 ContributorsBoogie Wonderland Lyrics&#xA;Dance, boogie wonderland, hah, hah&#xA;Dance, boogie wonderland&#xA;&#xA;&#xA;Midnight creeps so slowly into hearts of men&#xA;Who need more than they get&#xA;Daylight deals a bad hand to a woman&#xA;Who has laid too many bets&#xA;&#xA;The mirror stares you in the face&#xA;And says &amp;quot;Baby, uh, uh, it don't work&amp;quot;&#xA;You say your prayers though you don't care&#xA;You dance and shake the hurt&#xA;&#xA;&#xA;Dance, boogie wonderland, hah, hah&#xA;Dance, boogie wonderland (Ooh, ooh, ooh dance, yeah)&#xA;&#xA;&#xA;Sound fly through the night&#xA;I chase my vinyl dreams to boogie wonderland&#xA;I find romance when I start to dance in boogie wonderland&#xA;(Ooh, ooh, ooh, ooh, dance, ooh, ooh, ooh, ooh)&#xA;(Dance, ooh, ooh, ooh, dance)&#xA;I find romance when I start to dance in boogie wonderland&#xA;(Dance, ooh, ooh, ooh, dance, ooh, ooh, ooh, ooh)&#xA;(Dance, ooh, ooh, ooh, dance)&#xA;&#xA;All the love in the world can't be gone&#xA;All the need to be loved can't be wrong&#xA;All the records are playing and my heart keeps saying (Oh)&#xA;&amp;quot;Boogie wonderland, wonderland&amp;quot; (Haaah, aaah-aaaaaah)&#xA;&#xA;&#xA;Dance, boogie wonderland, hah, hah&#xA;(Dance, ooh, ooh, ooh, dance, ooh, ooh, ooh, ooh)&#xA;(Dance, ooh, ooh, ooh, dance)&#xA;Dance, boogie wonderland, hah, hah&#xA;(Dance, ooh, ooh, ooh, dance, ooh, ooh, ooh, ooh)&#xA;(Dance, ooh, ooh, ooh, dance)&#xA;&#xA;&#xA;I find romance when I start to dance in boogie wonderland&#xA;I find romance when I start to dance in boogie wonderland&#xA;&#xA;&#xA;Dance, boogie wonderland, hah, hah&#xA;(Dance, ooh, ooh, ooh, dance, ooh, ooh, ooh, ooh)&#xA;(Dance, ooh, ooh, ooh, dance)&#xA;Dance, boogie wonderland&#xA;(Dance, ooh, ooh, ooh, dance, ooh, ooh, ooh, ooh)&#xA;(Dance, ooh, ooh, ooh, dance)&#xA;&#xA;Hmm hmm hmm hmm, hmm hmm hmm hmm&#xA;Hmm hmm hmm hmm, wonderland&#xA;Hmm hmm hmm hmm, hmm hmm hmm hmm&#xA;Hmm hmm hmm hmm, wonderland&#xA;Hmm hmm hmm hmm, hmm hmm hmm hmm&#xA;Hmm hmm hmm hmm&#xA;&#xA;&#xA;All the love in the world can't be gone&#xA;(All the love in the world can't be gone)&#xA;All the need to be loved can't be wrong&#xA;(All the need to be loved can't be wrong)&#xA;All the records are playing and my heart keeps saying&#xA;(Oooh, haa-woah, haa-woah)&#xA;&amp;quot;Boogie wonderland, wonderland&amp;quot; (Wonderland, aaah)&#xA;&#xA;&#xA;Dance, boogie wonderland, hah, hah&#xA;Dance, boogie wonderland, hah, hah&#xA;&#xA;&#xA;I find romance when I start to dance in boogie wonderland&#xA;(Dance, dance, dance, dance)&#xA;(Dance, dance, dance, aah)&#xA;I find romance when I start to dance in boogie wonderland&#xA;(Dance, dance, dance, dance)&#xA;(Dance, dance, dance)&#xA;Dance, boogie wonderland, hah, hah&#xA;(Dance, dance, dance, dance)&#xA;(Dance, dance, haa, aah)&#xA;(Dance, ooh, ooh, ooh, dance, ooh, ooh, ooh, ooh)&#xA;(Dance, ooh, ooh, ooh, dance)&#xA;Dance, boogie wonderland&#xA;(Dance, dance, dance, dance)&#xA;(Dance, dance, dance, aah)&#xA;(Dance, ooh, ooh, ooh, dance, ooh, ooh, ooh, ooh)&#xA;(Dance, ooh, ooh, ooh, dance)" PRODUCER="(P) 1979 Columbia Records, a division of Sony Music Entertainment" COVERARTID="030/4EGPTTC5Y2BSGC01T5FYBT3GQQYB" PLAYTIME="289" PLAYTIME_FLOAT="288.408264" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="35760"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63859" AUDIO_ID="AP8FZVRTNEREQ0VTMyIyIzIyRoczJTMlM1p3VlZFZVZVaWZTVFNUVFRTVFRUVFRUVVd0ZlRkVWZUeHVmRVRFVWmGVWY1VTVVNVVGZjVVRURFVEZlVVRVVFVUVlNUVFVVQ0VGZURFaGZmVWZWZlZnRVVFREZVZ3ZGZUVERURFQ0VTVWNEREVTVWVUQ0REVUNUQ0RDRDEjQiRCIjNYQ4dCJDIjNHciR2VERTNFRFVFVURlVGRGp3VlVGVVZVVmRXRWVEVmVmc1VUVmRVZFhmQ0RFZUNFRWVERUVVRFV4ZlZFVVZVVmZWVVZVVlVoZVVUVERVVGeGZVRURFVWh2REQAAA==" TITLE="Conga" ARTIST="Gloria Estefan"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="155 - Gloria Estefan - Conga.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="931638" KEY_LYRICS="3 ContributorsConga LyricsCome on, shake your body baby, do the conga&#xA;I know you can't control yourself any longer&#xA;&#xA;Come on, shake your body baby, do the conga&#xA;I know you can't control yourself any longer&#xA;&#xA;Come on, shake your body baby, do the conga&#xA;I know you can't control yourself any longer&#xA;Feel the rhythm of the music getting stronger&#xA;Don't you fight it till you've tried it do the conga beat&#xA;&#xA;Everybody gather 'round now&#xA;Let your body feel the heat&#xA;Don't you worry if you can't dance&#xA;Let the music move your feet&#xA;&#xA;It's the rhythm of the island&#xA;And like sugarcane, so sweet&#xA;If you want to do the conga&#xA;You've got to listen to the beat&#xA;&#xA;Come on, shake your body baby, do the conga&#xA;I know you can't control yourself any longer&#xA;Feel the rhythm of the music getting stronger&#xA;Don't you fight it till you've tried it do the conga beat&#xA;Feel the fire of desire&#xA;As you dance the night away&#xA;'Cos tonight we're gonna party&#xA;Till we see the break of day&#xA;&#xA;Better get yourself together&#xA;And hold on to what you got&#xA;Once the music hits your system&#xA;There's no way you're gonna stop&#xA;&#xA;Come on, shake your body baby, do the conga&#xA;I know you can't control yourself any longer&#xA;Feel the rhythm of the music getting stronger&#xA;Don't you fight it till you've tried it do the conga beat&#xA;&#xA;Come on, shake your body baby, do the conga&#xA;I know you can't control yourself any longer&#xA;Feel the rhythm of the music getting stronger&#xA;Don't you fight it till you've tried it, do the conga&#xA;&#xA;Come on, shake your body baby, do the conga&#xA;I know you can't control yourself any longer&#xA;Feel the rhythm of the music getting stronger&#xA;Don't you fight it till you've tried it do the conga beat&#xA;&#xA;Come on, shake your body baby, do the conga" PRODUCER="(P) 1990 Epic Records, a division of Sony Music Entertainment" COVERARTID="074/KOKMKWBFUSZSJC0D4FSKDPPDOIVD" PLAYTIME="256" PLAYTIME_FLOAT="255.106674" IMPORT_DATE="2025/4/14" RELEASE_DATE="1990/1/1" FLAGS="12" FILESIZE="29432"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63859" AUDIO_ID="AQQAEQEREREQERATQyNCIjMjMyIjNDMzVEMzM0RDMzM0MyM0M0NEQzNUNERUNkQkQzREQ0RSVEM1MzVEJTQ1V4ZndmeWZoZmiXZoZmp2aHZnlENEMkVERUMmMyMjNGVTRUNlVFRFRkRFREVlQ2RCZENFVEaZmHl2eph4iGi5dodmmpiJZ3zJqpmYeJd3qaqqmnd5Z3qqq6q5h5Znmau6q8qJRWaqeXWXh0NUR2dENiZWQzRUVJqnqZmcl2eJd3ZpyXiYeLmHp4eqh3mHepl5d5u5iaiIqpiZmJmIiYh5qIiXeLyHl3eah3h4eZd4dmZ1VVRERDIiIiIRERAAAAAAAA==" TITLE="All Night Long (All Night)" ARTIST="Lionel Richie"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="156 - Lionel Richie - All Night Long (All Night) (Single Version).flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="920740" KEY_LYRICS="35 ContributorsAll Night Long (All Night) Lyrics&#xA;Da, da&#xA;Da, da, oh&#xA;Da&#xA;Woah, oh&#xA;&#xA;&#xA;Well, my friends, the time has come&#xA;To raise the roof and have some fun&#xA;Throw away the work to be done&#xA;Let the music play on&#xA;Everybody sing, everybody dance&#xA;Lose yourself in wild romance&#xA;&#xA;&#xA;We're going to party, Karamu, fiesta, forever&#xA;Come on and sing along&#xA;We're going to party, Karamu, fiesta, forever&#xA;Come on and sing along&#xA;&#xA;&#xA;All night long (All night, all night, all night)&#xA;All night long (All night, all night, all night)&#xA;All night long (All night, all night, all night)&#xA;All night long (All night)&#xA;Oh, yeah (All night)&#xA;&#xA;People dancing all in the street&#xA;See the rhythm all in their feet&#xA;Life is good, wild and sweet&#xA;Let the music play on&#xA;Feel it in your heart and feel it in your soul&#xA;Let the music take control&#xA;&#xA;&#xA;We're going to party, Liming, fiesta, forever&#xA;Come on and sing along&#xA;We're going to party, Liming, fiesta, forever&#xA;Come on and sing my song&#xA;&#xA;&#xA;All night long, oh (All night, all night)&#xA;All night long, yeah (All night, all night)&#xA;All night long, yeah (All night, all night)&#xA;All night long, ah (All night, all night)&#xA;&#xA;&#xA;Yeah, once you get started, you can't sit down&#xA;Come join the fun, it's a merry-go-round&#xA;Everyone's dancing their troubles away&#xA;Come join our party, see how we play&#xA;&#xA;Tam bo li de say de moi ya&#xA;Yeah, Jambo, Jambo&#xA;Way to parti, o we goin'&#xA;Oh, jambali&#xA;Tam bo li de say de moi ya&#xA;Yeah, Jambo, Jambo&#xA;Oh, yes&#xA;We're gonna have a party, yeah, uh&#xA;&#xA;&#xA;All night long (All night, all night, all night)&#xA;All night long, yeah (All night, all night)&#xA;All night long (All night, all night, all night)&#xA;All night long, oh (All night, all night)&#xA;&#xA;&#xA;We're going to party, Karamu, fiesta, forever&#xA;Come on and sing along&#xA;We're going to party, Karamu, fiesta, forever&#xA;Come on and sing my song&#xA;&#xA;&#xA;All night long (All night, all night, all night)&#xA;All night long (All night, all night, all night)&#xA;All night long (All night, all night, all night)&#xA;All night long (All night, all night)&#xA;&#xA;All night, all night&#xA;All night, all night&#xA;All night, all night&#xA;All night, all night&#xA;All night, all night&#xA;All night, all night&#xA;All night, all night&#xA;All night, all night&#xA;&#xA;&#xA;Everyone you meet (All night)&#xA;They're jamming in the street (All night)&#xA;All night long (All night)&#xA;Yeah, I said (All night)&#xA;Everyone you meet (All night)&#xA;They're jamming in the street (All night)&#xA;All night long (All night, all night)&#xA;Feel good, feel good&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)&#xA;(All night, all night)" PRODUCER="℗ 1983 UMG Recordings, Inc." COVERARTID="032/AJXN1NBNVMIBWAP5KE44CXQC4G1D" PLAYTIME="261" PLAYTIME_FLOAT="260.426666" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="29629"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63859" AUDIO_ID="APgAERERERERERERR2h1dXVWVSVEQldnZmZ3eFY0U1NpqnapmKt2dnRGaqqFi5iMdod1V1h3p3d4h7lzVDUld4Zod2V1hFY2NqqoWbub14h4VnequVjKutqId2V1iGZVdnZWVmWGZ4hWZXZnWGd1hmisyqnIECSHd6kRV3aFh2hXdnWHeFmXhnh4aYaEaHmJqJh5hmeHhVdYZ7qIiHi6r/7tqHapqmjJqMl5eHaHmpl2qaq7ipiFiYlWZHVnV0V2dVd4ZXV2aWhlhnZYioaGd2hndnZ4Z5mGd3h4mJd5iXeqvKmKrbmGeYh3qa27id/Yh3mJmJl7qprDASqZicUQAA==" TITLE="Georgy Porgy" ARTIST="TOTO"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="157 - TOTO - Georgy Porgy.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="959795" KEY_LYRICS="22 ContributorsGeorgy Porgy Lyrics&#xA;It's not your situation&#xA;I just need contemplation over you&#xA;I'm not so systematic&#xA;It's just that I'm an addict for your love&#xA;&#xA;&#xA;I'm not the only one that holds you&#xA;I never ever should have told you&#xA;You're my only girl&#xA;I'm not the only one that holds you&#xA;I never ever should have told you&#xA;You're my only world&#xA;&#xA;&#xA;Just think how long I've known you&#xA;It's wrong for me to own you, lock and key&#xA;It's really not confusing&#xA;I'm just the young illusion, can't you see&#xA;&#xA;&#xA;I'm not the only one that holds you&#xA;I never ever should have told you&#xA;You're my only girl&#xA;I'm not the only one that holds you&#xA;I never ever should have told you&#xA;You're my only world&#xA;&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Kissed the girls and made them cry&#xA;Kissed the girls and made them cry&#xA;&#xA;&#xA;&#xA;&#xA;It's not your situation&#xA;I just need contemplation over you&#xA;I'm not so systematic&#xA;It's just that I'm an addict for your love&#xA;&#xA;&#xA;I'm not the only one that holds you&#xA;I never ever should have told you&#xA;You're my only girl&#xA;I'm not the only one that holds you&#xA;I never ever should have told you&#xA;You're my only world&#xA;&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Kissed the girls and made them cry&#xA;Kissed the girls and made them cry&#xA;Georgy Porgy, pudding pie&#xA;Kissed the girls and made them cry&#xA;Kissed the girls and made them cry&#xA;Kissed the girls and made them high&#xA;Georgy, yeah&#xA;Porgy, yeah&#xA;Kissed the girls and made them cry&#xA;Kissed the girls and made them cry&#xA;Georgy, yeah&#xA;Porgy&#xA;Kissed the girls and made them cry&#xA;Kissed the girls and made them cry" PRODUCER="(P) 1978 Columbia Records, a division of Sony Music Entertainment" COVERARTID="020/U2M3APDW3P4FNATSWHQFBBP1OZGC" PLAYTIME="248" PLAYTIME_FLOAT="247.592880" IMPORT_DATE="2025/4/14" RELEASE_DATE="1978/1/1" FLAGS="12" FILESIZE="29365"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63859" AUDIO_ID="AKd3f3WVnYaFuaeau9lH93ta2Xpul6jKlot7ZZt+qdqPZqvKutmrRcismLepZ4uYd7erdrfLiafoW9u7rZjGSpjaq5y1WKmoScuWrbvcm6x57ZmnfcmNzMrMy6adqalovKetu5qbzHjMvMeauXvc27rcqJ3Ku2y7eMury7zKjduql8vHrLvL3b2X7byNprt5hth4eLmZu7zVW7d4fqionmepuaq3iVa3u5uX5lnLu96o1luJypyLhHi5hopbc3pvl7mNVbu5utird8hZy7fnSXuqrafofZfYrZy5rLvbrJ6Zyn2XyXxXqamJl3hmdGZEU1QzQzIjITESERAAAAAAAA==" TITLE="Risin' Up" ARTIST="Black White And Co"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="158 - Black White And Co - Risin' Up.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="808233" KEY_LYRICS="3 Contributors​momentary Lyrics&#xA;The skies are dark, it's about to rain&#xA;Inside of me a different pain&#xA;But everything remains the same&#xA;No, there's nothing wrong with me&#xA;I'm glad you asked&#xA;There are some things I have to pass&#xA;This is momentary&#xA;Momentary, momentary&#xA;&#xA;&#xA;What is this I'm feeling?&#xA;Like a spring that's rising up within me&#xA;Black and white turn to color&#xA;The grass is greener on my side, finally&#xA;Like it's the first time I'm falling in love with life&#xA;&#xA;&#xA;Suddenly&#xA;This momentary feeling becomes a part of me&#xA;And I'm starting to believе the pain and the glory&#xA;It's all part of the story&#xA;It keeps mе going, I'll keep going&#xA;I'll keep going, I'll keep going&#xA;I'll keep going, I'll keep going on&#xA;And on and onward I'll go&#xA;&#xA;I'm not saying that I have it all together, no&#xA;Or that I have it made&#xA;Don't get me wrong, I am no expert in life&#xA;Oh, but I've got my eye on the goal&#xA;It's beckoning me, it's beckoning me on&#xA;&#xA;&#xA;Suddenly&#xA;This momentary feeling becomes a part of me&#xA;And I'm starting to believe no guts no glory&#xA;Fear has no hold on me&#xA;'Cause love keeps me going, I'll keep going&#xA;I'll keep going, I'll keep going&#xA;I'll keep going, I'll keep going&#xA;I'll keep going, I'll keep going&#xA;I'll keep going, I'll keep going on&#xA;And on and onward I'll go" PRODUCER="℗ 1982 J.P.L.L. Productions / Jean-Pierre Lowf Legoff" COVERARTID="073/JCNPFKDCJA1DVDNN0BCKCV12BE5A" PLAYTIME="168" PLAYTIME_FLOAT="167.427490" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="16814"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63859" AUDIO_ID="ANUXVXZYhXZHeXhnhUN3d4eYWIeIUXdmZ1VXZlaImblXm3Z8uod2ebmWZ7uZVlVVe5h4qId4qqt3dmmrmGdmirQTemeahqvKZnZ5q4Z4qtlnZmZmmbq6lnu63Kealnuoe6Z2dmZ2V1h4m4Z4loe8uXeIi6q7l4qFdWZ2eKvLd3mprKhneMmrpneZliFJuniKzcqGh3eMupuoi7hmZndmqsqpeKu7u4mpeatpqnZmdndnaJmbqJmYeqmKmZi7q6qYmru6mIh3d3h4iHmZiZmHd4d5qHipd867d2i8q5iKu6Z2Z3d4qruYZ5q83LiqibuY66ZVVmZmZERDMyIhAAAAAA==" TITLE="You're The First, The Last, My Everything" ARTIST="Barry White"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="159 - Barry White - You're The First, The Last, My Everything (Single.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="984159" KEY_LYRICS="31 ContributorsYou’re the First, the Last, My Everything Lyrics&#xA;We got it together, didn't we?&#xA;We've definitely got our thing together, don't we, baby?&#xA;Isn't that nice?&#xA;I mean, really, when you really sit and think about it, isn't it really, really nice?&#xA;I can easily feel myself slipping more and more ways&#xA;That super world of my own&#xA;Nobody but you and me&#xA;We've got it together, baby&#xA;Oh, oh&#xA;&#xA;&#xA;The first, my last, my everything&#xA;And the answer to all my dreams&#xA;You're my sun (Sun), my moon (Moon), my guiding star&#xA;My kind of wonderful, that's what you are&#xA;&#xA;&#xA;I know there's only, only one like you&#xA;There's no way they could have made two&#xA;You're you're all I'm living for&#xA;Your love, I'll keep forevermore&#xA;(You're the first) You're the first (The last), you're the last, my everything&#xA;&#xA;&#xA;In you, I found so many things&#xA;A love so new only you could bring&#xA;(Can't you see it's you, you, you?) Can't you see it's you? You make me feel this way&#xA;You're like a first morning dew on a brand new day&#xA;&#xA;I see so many ways that I&#xA;Can love you 'til the day I die&#xA;You're my reality&#xA;Yet I'm lost in a dream&#xA;(You're the first) You're the first (The last), the last, my everything&#xA;&#xA;&#xA;Ooh&#xA;Ooh&#xA;Ooh&#xA;Ooh&#xA;&#xA;&#xA;I know there's only, only one like you&#xA;There's no way they could have made two&#xA;Girl, you're my reality&#xA;But I'm lost in a dream&#xA;You're the first (The last), you're the last (My everything), my everything&#xA;&#xA;&#xA;You and me, babe&#xA;It's you and me&#xA;And you are the first, the last, my everything" PRODUCER="℗ 1974 UMG Recordings, Inc." COVERARTID="035/DJXWYRBU4NFWHATJGJJIDHKYVQSD" PLAYTIME="213" PLAYTIME_FLOAT="212.986664" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="25809"></INFO>
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<INFO BITRATE="948358" KEY_LYRICS="1 ContributorI want your love - edit version LyricsI want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;Do you feel like you ever want&#xA;To try my love and see how well it fits?&#xA;Baby, can't you see when you look at me&#xA;I can't kick this feelin' when it hits&#xA;All alone in my bed at night&#xA;I grab my pillow and squezze it tight&#xA;I think of you and I dream of you all of the time&#xA;What am I gonna do?&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;Sometime, ddon't you feel like you&#xA;Never really had a love that's real?&#xA;Well, here I am and who's to say&#xA;A better love you won't find today&#xA;Just one chance and I will show you love&#xA;Like no other, two steps above&#xA;On your ladder I'll be a peg&#xA;I want your lovin', please don't make me beg&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I need your love&#xA;I'll share my dreams and make you see&#xA;How really bad, your love I need&#xA;I want your love&#xA;I need your love&#xA;Just like the birds need sky above&#xA;I'll share my dreams and make you see&#xA;How really bad, your love I need&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love&#xA;I want your love" PRODUCER="℗ 1978 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States." COVERARTID="043/L313RADGMMR0CCBZMBPFD3TECU4A" PLAYTIME="205" PLAYTIME_FLOAT="204.666412" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="23998"></INFO>
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<INFO BITRATE="862255" KEY_LYRICS="11 ContributorsAi No Corrida Lyrics&#xA;I hold you, I touch you&#xA;In a maze, can't find my way&#xA;I think you, I drink you&#xA;I'm being served you on a tray&#xA;You see, girl&#xA;That's what I go through every day&#xA;Is this the way it should feel?&#xA;&#xA;Pinch me, I'm dreaming&#xA;But if it is don't let me know&#xA;I'm drowning, don't save me&#xA;It's just the way I'd like to go&#xA;You see, girl&#xA;You thrill me, half kill me&#xA;That's what you do...&#xA;&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;You and nothing else&#xA;&#xA;Before my heart saw you&#xA;Each day was just another day&#xA;Night, the lonely interlude&#xA;Just came, then blew away&#xA;You know, girl&#xA;Everything was come what may&#xA;Until you fell in my life&#xA;&#xA;This spell I'm under&#xA;Has caught me, I'm in a daze&#xA;Your lightning and thunder&#xA;Sets my poor heart ablaze&#xA;You see, girl&#xA;You thrill me, half kill me&#xA;That's what you do&#xA;&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;You and nothing else&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;You and nothing else&#xA;&#xA;&#xA;&#xA;&#xA;I hold you, I touch you&#xA;In a maze, can't find my way&#xA;I think you, I drink you&#xA;I'm being served you on a tray&#xA;You see, girl&#xA;That's what I go through every day&#xA;Is this the way it should feel?&#xA;Pinch me, I'm dreaming&#xA;But if it is don't let me know&#xA;I'm drowning, don't save me&#xA;It's just the way I'd like to go&#xA;You see, girl&#xA;You thrill me, half kill me&#xA;That's what you do&#xA;&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;You and nothing else&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;You and nothing else&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;You and nothing else&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else&#xA;&#xA;Ai no corrida, that's where I am&#xA;You send me there&#xA;Your dream is my command&#xA;Ai no corrida, I find myself&#xA;No other thought&#xA;Just you and nothing else" PRODUCER="℗ 1981 UMG Recordings, Inc." COVERARTID="071/HSGSZVAFHDX2YCEHVTC5AD3CTHTB" PLAYTIME="254" PLAYTIME_FLOAT="253.160004" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="26940"></INFO>
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<INFO BITRATE="839434" KEY_LYRICS="4 ContributorsStraight Ahead LyricsStraight ahead&#xA;Straight ahead&#xA;Hey&#xA;&#xA;Let's go straight ahead to straight ahead&#xA;Straight ahead&#xA;&#xA;Come on - straight ahead&#xA;Moving straight ahead&#xA;&#xA;Keep moving straight ahead&#xA;Straight ahead&#xA;Yeah&#xA;So you started from the bottom but you always saw the light&#xA;And now you're ready for your journey - one direction reaching high&#xA;Keep the feeling of the spirit always present as you climb&#xA;One direction&#xA;One vibration&#xA;That's the message&#xA;Let us try&#xA;&#xA;Straight ahead&#xA;Keep moving&#xA;Yeah&#xA;Moving straight ahead&#xA;Keep moving straight ahead&#xA;Straight ahead-yeah&#xA;&#xA;Keep the feeling of the spirit always present as you climb&#xA;One direction&#xA;One vibration that's the message -&#xA;You can make it if you try. - Keep moving straight ahead&#xA;&#xA;Straight ahead&#xA;Moving straight ahead&#xA;Keep moving straight ahead in love&#xA;Oh yeah&#xA;Let's go&#xA;Let's go&#xA;Keep the spirit high and your heart in love&#xA;Keep on movin'&#xA;Keep the spirit high and your heart in love&#xA;Keep your head above and your heart in love&#xA;Keep on movin'&#xA;&#xA;Keep your head above and your heart in love&#xA;Keep your feelings now&#xA;Keep moving straight ahead&#xA;Straight ahead&#xA;&#xA;Straight ahead&#xA;Keep moving straight ahead" PRODUCER="A Mercury Records Release; ℗ 1983 UMG Recordings, Inc." COVERARTID="038/GBFZDYDJCX34QAEHZMLBBO4YFVGB" PLAYTIME="211" PLAYTIME_FLOAT="210.506668" IMPORT_DATE="2025/4/14" RELEASE_DATE="1983/1/1" FLAGS="12" FILESIZE="21985"></INFO>
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<INFO BITRATE="1043624" KEY_LYRICS="4 ContributorsThriller 7&amp;quot; (Special Edit) Lyrics&#xA;It's close to midnight&#xA;And something evil's lurking in the dark&#xA;Under the moonlight&#xA;You see a sight that almost stops your heart&#xA;You try to scream&#xA;But terror takes the sound before you make it&#xA;You start to freeze&#xA;As horror looks you right between the eyes&#xA;You're paralyzed&#xA;&#xA;&#xA;'Cause this is thriller, thriller night&#xA;And no one's gonna save you from the beast about to strike&#xA;You know it's thriller, thriller night&#xA;You're fighting for your life inside a killer, thriller tonight, yeah&#xA;&#xA;&#xA;Ooh&#xA;&#xA;&#xA;You hear the door slam&#xA;And realize therе's nowhere left to run&#xA;You feel thе cold hand&#xA;And wonder if you'll ever see the sun&#xA;You close your eyes&#xA;And hope that this is just imagination (Girl)&#xA;But all the while&#xA;You hear a creature creepin' up behind&#xA;You're out of time&#xA;&#xA;'Cause this is thriller, thriller night&#xA;There ain't no second chance against the thing with forty eyes, girl&#xA;Thriller (Ooh), thriller night&#xA;You're fighting for your life inside a killer, thriller tonight&#xA;&#xA;&#xA;Night creatures call&#xA;And the dead start to walk in their masquerade&#xA;There's no escaping the jaws of the alien this time&#xA;(They're open wide) This is the end of your life, ooh&#xA;&#xA;&#xA;They're out to get you&#xA;There's demons closing in on every side (Ooh)&#xA;They will possess you&#xA;Unless you change that number on your dial&#xA;Now is the time&#xA;For you and I to cuddle close together, yeah&#xA;All through the night&#xA;I'll save you from the terror on the screen&#xA;I'll make you see&#xA;&#xA;&#xA;That this is thriller, thriller night&#xA;'Cause I can thrill you more than any ghoul would ever dare try&#xA;Thriller (Ooh), thriller night&#xA;So let me hold you tight and share a killer, thriller, chiller&#xA;&#xA;Thriller, here tonight&#xA;&#xA;&#xA;'Cause this is thriller, thriller night&#xA;Girl, I can thrill you more than any ghoul would ever dare try&#xA;Thriller (Ooh), thriller night&#xA;So let me hold you tight and share a killer, thriller (Ow!)&#xA;&#xA;&#xA;I'm gonna thrill you tonight&#xA;Darkness falls across the land&#xA;The midnight hour is close at hand&#xA;Creatures crawl in search of blood&#xA;To terrorize y'all's neighborhood (I'm gonna thrill you tonight)&#xA;And whosoever shall be found&#xA;Without the soul for getting down&#xA;Must stand and face the hounds of hell&#xA;And rot inside a corpse's shell (I'm gonna thrill you tonight)&#xA;Thriller, ooh, babe (Thriller)&#xA;I'm gonna thrill you tonight (Thriller night)&#xA;Thriller, oh, darling (Oh, baby)&#xA;I'm gonna thrill you tonight (Thriller)&#xA;Ooh, babe (Thriller night)&#xA;I'm gonna thrill you tonight (Thriller)&#xA;Oh, darling (Oh, baby)&#xA;Thriller night, babe (Thriller night, babe)&#xA;Ooh&#xA;I'm gonna thrill you tonight (Thriller)&#xA;Thriller night, babe" PRODUCER="(P) 1983 MJJ Productions." COVERARTID="030/4QQV1ZAHPRHSSA2IWQRQBHKFQ0CA" PLAYTIME="279" PLAYTIME_FLOAT="278.099670" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="36283"></INFO>
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<INFO BITRATE="1094215" KEY_LYRICS="35 ContributorsTranslationsPortuguêsItalianoExpress Yourself Lyrics“Express Yourself” was the second single released from Madonna’s Like a Prayer. The anthemic ode to female empowerment was originally a sonic homage to the ‘70s funk-soul of Sly &amp;amp; The Family Stone and The… Read More &#xA;(Hoo!)&#xA;(Hoo!)&#xA;Come on, girls!&#xA;Do you believe in love?&#xA;'Cause I got something to say about it&#xA;And it goes something like this&#xA;&#xA;&#xA;Don't go for second best, baby&#xA;Put your love to the test&#xA;You know, you know, you've got to&#xA;Make him express how he feels&#xA;And maybe then you'll know your love is real&#xA;&#xA;&#xA;You don't need diamond rings&#xA;Or eighteen karat gold&#xA;Fancy cars that go very fast&#xA;You know they never last, no no&#xA;What you need is a big strong hand&#xA;To lift you to your higher ground&#xA;Make you feel like a queen on a throne&#xA;Make him love you 'til you can't come down&#xA;(You'll never come down)&#xA;&#xA;Don't go for second best, baby&#xA;Put your love to the test&#xA;You know, you know, you've got to&#xA;Make him express how he feels&#xA;And maybe then you'll know your love is real&#xA;&#xA;&#xA;Long stem roses are the way to your heart&#xA;But he needs to start with your head&#xA;Satin sheets are very romantic&#xA;What happens when you're not in bed?&#xA;You deserve the best in life&#xA;So if the time isn't right, then move on&#xA;Second best is never enough&#xA;You'll do much better, baby, on your own&#xA;(Baby, on your own)&#xA;&#xA;&#xA;Don't go for second best, baby&#xA;Put your love to the test&#xA;You know, you know, you've got to&#xA;Make him express how he feels&#xA;And maybe then you'll know your love is real&#xA;&#xA;Express yourself&#xA;You've got to make him express himself&#xA;Hey, hey, hey, hey&#xA;So if you want it right now, make him show you how&#xA;Express what he's got, oh baby, ready or not&#xA;&#xA;And when you're gone he might regret it&#xA;Think about the love he once had&#xA;Try to carry on, but he just won't get it&#xA;He'll be back on his knees&#xA;To express himself&#xA;You've got to make him express himself&#xA;Hey, hey&#xA;&#xA;&#xA;What you need is a big strong hand&#xA;To lift you to your higher ground&#xA;Make you feel like a queen on a throne&#xA;Make him love you 'til you can't come down&#xA;(You'll never come down)&#xA;&#xA;&#xA;And when you're gone he might regret it&#xA;Think about the love he once had&#xA;Try to carry on, but he just won't get it&#xA;He'll be back on his knees, so please&#xA;&#xA;&#xA;Don't go for second best, baby&#xA;Put your love to the test&#xA;You know, you know, you've got to&#xA;Make him express how he feels&#xA;And maybe then you'll know your love is real&#xA;Express yourself&#xA;You've got to make him express himself&#xA;Hey, hey, hey, hey&#xA;So if you want it right now, make him show you how&#xA;Express what he's got, oh baby, ready or not&#xA;&#xA;Express yourself&#xA;(You've got to make him) So you can respect yourself&#xA;Hey, hey&#xA;So if you want it right now, make him show you how&#xA;Express what he's got, oh baby, ready or not&#xA;Express yourself" PRODUCER="℗ 2009 Warner Records Inc." COVERARTID="083/T45Y40CK3YAWZBMD1HOGDYBKAU0A" PLAYTIME="240" PLAYTIME_FLOAT="239.093338" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="32607"></INFO>
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<INFO BITRATE="1003345" KEY_LYRICS="19 ContributorsWords Lyrics&#xA;Words don't come easy to me&#xA;How can I find a way to make you see I love you?&#xA;Words don't come easy&#xA;Words don't come easy to me&#xA;This is the only way for me to say I love you&#xA;Words don't come easy&#xA;&#xA;&#xA;Well, I'm just a music man, melodies are so far my best friend&#xA;But my words are coming out wrong, girl, I reveal my heart to you&#xA;And hope that you believe it's true 'cause&#xA;&#xA;&#xA;Words don't come easy to me&#xA;How can I find a way to make you see I love you?&#xA;Words don't come easy&#xA;&#xA;&#xA;This is just a simple song that I've made for you on my own&#xA;There's no hidden meaning you know when I, when I say I love you, honey&#xA;Please believe, I really do 'cause&#xA;&#xA;&#xA;Words don't come easy to me&#xA;How can I find a way to make you see I love you?&#xA;Words don't come easy&#xA;&#xA;It isn't easy, words don't come easy&#xA;&#xA;&#xA;Words don't come easy to me&#xA;How can I find a way to make you see I love you?&#xA;Words don't come easy&#xA;Don't come easy to me&#xA;This is the only way for me to say I love you&#xA;Words don't come easy&#xA;Don't come easy" PRODUCER="Universal / Moonlight" COVERARTID="093/3WFWYGBILXSR5DONNSK2DAHBM1LA" PLAYTIME="208" PLAYTIME_FLOAT="208.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="1983/1/1" FLAGS="12" FILESIZE="25739"></INFO>
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<INFO BITRATE="980524" KEY_LYRICS="28 ContributorsTranslationsDeutschBrother Louie Lyrics“Brother Louie” is a 1986 single by Modern Talking. It is the opening track of the third studio album Ready for Romance, released in May 1986. Spending 17 consecutive weeks, it was their fourth straight No.… Read More &#xA;Deep love is a burning fire&#xA;Stay, 'cause then the flames grows higher&#xA;Babe, don't let him steal your heart&#xA;It's easy, easy&#xA;Girl, this game can't last forever&#xA;Why we cannot live together?&#xA;Try, don't let him take your love from me&#xA;&#xA;&#xA;You're no good, can't you see?&#xA;Brother Louie, Louie, Louie&#xA;I'm in love, set her free&#xA;Oh, she's only looking to me&#xA;Only love breaks her heart&#xA;Brother Louie, Louie, Louie&#xA;Only love's paradise&#xA;Oh, she's only looking to me&#xA;Brother Louie, Louie, Louie&#xA;Oh, she's only looking to me&#xA;Oh, let it, Louie, she is undercover&#xA;Brother Louie, Louie, Louie&#xA;Oh, doing what he's doing&#xA;So leave it, Louie, 'cause I'm her lover&#xA;&#xA;&#xA;Stay, 'cause this boy wants to gamble&#xA;Stay, love's more than he can handle, girl&#xA;Oh, come on, stay by me forever, ever&#xA;Why does he go on pretending&#xA;That his love is never ending&#xA;Babe, don't let him steal your love from me&#xA;&#xA;You're no good, can't you see?&#xA;Brother Louie, Louie, Louie&#xA;I'm in love, set her free&#xA;Oh, she's only looking to me&#xA;Only love breaks her heart&#xA;Brother Louie, Louie, Louie&#xA;Only love's paradise&#xA;Oh, she's only looking to me&#xA;Brother Louie, Louie, Louie&#xA;Oh, she's only looking to me&#xA;Oh, let it, Louie, she is undercover&#xA;Brother Louie, Louie, Louie&#xA;Oh, doing what he's doing&#xA;So leave it, Louie, 'cause I'm her lover&#xA;&#xA;&#xA;Brother Louie, Louie, Louie&#xA;Oh, she's only looking to me&#xA;Oh, let it, Louie, she is undercover&#xA;Brother Louie, Louie, Louie&#xA;Oh, doing what he's doing&#xA;So leave it, Louie, 'cause I'm her lover&#xA;Brother Louie, Louie&#xA;Oh, she's only looking to me&#xA;Oh, let it, Louie—" PRODUCER="(P)1986 BMG Berlin Musik GmbH" COVERARTID="093/343R2QAHZSCYKCGQVN3NCNZCCAMB" PLAYTIME="223" PLAYTIME_FLOAT="222.666672" IMPORT_DATE="2025/4/14" RELEASE_DATE="1986/1/1" FLAGS="12" FILESIZE="26936"></INFO>
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<INFO BITRATE="1097765" KEY_LYRICS="20 ContributorsTell It to My Heart LyricsOn the debut single “Tell It to My Heart,” from the singer Taylor Dayne (born Leslie Wunderman), Dayne asks for a status update on her relationship. The sound is dance-pop meets Latin freestyle—perfect for… Read More &#xA;I feel the night explode&#xA;When we're together&#xA;Emotion overload&#xA;In the heat of pleasure&#xA;&#xA;&#xA;Take me I'm yours into your arms&#xA;Never let me go&#xA;Tonight I really need to know&#xA;&#xA;&#xA;Tell it to my heart&#xA;Tell me I'm the only one&#xA;Is this really love or just a game&#xA;Tell it to my heart&#xA;I can feel my body rock&#xA;Every time you call my name&#xA;&#xA;&#xA;The passion's so complete&#xA;It's never ending&#xA;As long as I receive&#xA;This message you're sending&#xA;&#xA;&#xA;Body to body, soul to soul&#xA;Always feel you near&#xA;So say the words I long to hear&#xA;&#xA;Tell it to my heart&#xA;Tell me I'm the only one&#xA;Is this really love or just a game&#xA;Tell it to my heart&#xA;I can feel my body rock&#xA;Every time you call my name&#xA;&#xA;&#xA;Love, love on the run&#xA;Breaking us down&#xA;Though we keep holding on&#xA;I don't want to lose&#xA;No, I can't let you go&#xA;&#xA;&#xA;Tell it to my heart&#xA;Tell me I'm the only one&#xA;Is this really love or just a game&#xA;Tell it to my heart&#xA;I can feel my body rock&#xA;Every time you call my name&#xA;&#xA;&#xA;Tell it to my heart&#xA;Tell me from the stars&#xA;Tell it to my heart&#xA;Tell it to my heart&#xA;Tell me from the stars&#xA;Tell it to my heart&#xA;Never make it stop&#xA;Oh take it to the heart&#xA;Oh no no ah ah&#xA;&#xA;Tell it to my heart&#xA;Tell me I'm the only one&#xA;Is this really love or just a game&#xA;Tell it to my heart&#xA;I can feel my body rock&#xA;Every time you call my name&#xA;&#xA;&#xA;Tell it to my heart&#xA;Tell me I'm the only one&#xA;Is this really love or just a game&#xA;Tell it to my heart&#xA;I can feel my body rock&#xA;Every time you call my name" PRODUCER="(P) 1987 Arista Records LLC" COVERARTID="024/YMBCJKC3PLVDEC1HR3H0DT2JVOJB" PLAYTIME="221" PLAYTIME_FLOAT="220.880005" IMPORT_DATE="2025/4/14" RELEASE_DATE="1988/1/1" FLAGS="12" FILESIZE="30207"></INFO>
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<INFO BITRATE="867277" KEY_LYRICS="122 ContributorsTranslationsEnglishAnother One Bites the Dust Lyrics&#xA;Ooh, let's go!&#xA;&#xA;&#xA;Steve walks warily down the street&#xA;With the brim pulled way down low&#xA;Ain't no sound but the sound of his feet&#xA;Machine guns ready to go&#xA;Are you ready? Hey, are you ready for this?&#xA;Are you hanging on the edge of your seat?&#xA;Out of the doorway, the bullets rip&#xA;To the sound of the beat, yeah&#xA;&#xA;&#xA;Another one bites the dust&#xA;Another one bites the dust&#xA;And another one gone, and another one gone&#xA;Another one bites the dust, yeah&#xA;Hey, I'm gonna get you, too&#xA;Another one bites the dust&#xA;&#xA;&#xA;How do you think I'm gonna get along&#xA;Without you, when you're gone?&#xA;You took me for everything that I had&#xA;And kicked me out on my own&#xA;Are you happy, are you satisfied?&#xA;How long can you stand the heat?&#xA;Out of the doorway, the bullets rip&#xA;To the sound of the beat&#xA;Look out&#xA;&#xA;Another one bites the dust&#xA;Another one bites the dust&#xA;And another one gone, and another one gone&#xA;Another one bites the dust&#xA;Hey, I'm gonna get you, too&#xA;Another one bites the dust&#xA;&#xA;&#xA;Hey&#xA;Oh, take it&#xA;Bite the dust&#xA;Bite the dust, yeah&#xA;Hey&#xA;Another one bites the dust&#xA;Another one bites the dust, ow&#xA;Another one bites the dust, hey hey&#xA;Another one bites the dust, hey-eh-eh&#xA;Ooh, shut up&#xA;&#xA;&#xA;There are plenty of ways you can hurt a man&#xA;And bring him to the ground&#xA;You can beat him, you can cheat him, you can treat him bad&#xA;And leave him when he's down, yeah&#xA;But I'm ready, yes, I'm ready for you&#xA;I'm standing on my own two feet&#xA;Out of the doorway, the bullets rip&#xA;Repeating to the sound of the beat&#xA;Oh yeah&#xA;&#xA;Another one bites the dust&#xA;Another one bites the dust&#xA;And another one gone, and another one gone&#xA;Another one bites the dust, yeah&#xA;Hey, I'm gonna get you, too&#xA;Another one bites the dust&#xA;&#xA;&#xA;Shoot out&#xA;Ay-yeah&#xA;Alright" PRODUCER="℗ 2011 Raincloud Productions Ltd., under exclusive licence to Universal International Music BV" COVERARTID="067/D4VFF3AJOSLHQDG5SIFRAUEAPHXA" PLAYTIME="216" PLAYTIME_FLOAT="215.333328" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="23033"></INFO>
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<INFO BITRATE="935142" KEY_LYRICS="3 ContributorsIrrelevant Cabbage’s Ever-Growing CD/Vinyl Collection LyricsThe links go to Discogs pages that show the exact versions I ownCDsAir - Moon Safari&#xA;The Virgin Suicides&#xA;Animal Collective - Merriweather Post Pavilion&#xA;Antony and the Johnsons - I Am a Bird Now&#xA;Fiona Apple - When the Pawn...&#xA;Extraordinary Machine&#xA;Arcade Fire - Funeral&#xA;Arctic Monkeys - AM&#xA;Tranquility Base Hotel + Casino&#xA;The Car&#xA;Arrested Development - 3 Years, 5 Months and 2 Days in the Life of...&#xA;Ash - 1977&#xA;The Auteurs - New Wave&#xA;BADBADNOTGOOD - Talk Memory&#xA;Basement Jaxx - Remedy&#xA;Count Basie - Atomic Basie &#xA;The Beach Boys - Pet Sounds&#xA;The Beatles - Rubber Soul &#xA;Revolver &#xA;Revolver &#xA;Magical Mystery Tour&#xA;The White Album/Esher Demos &#xA;Abbey Road (50th anniversary edition) &#xA;Various Artists - Beatles Day&#xA;Various Artists - Rubber Soul Rebound&#xA;Beck - Odelay&#xA;Bjork - Debut&#xA;Post&#xA;Vespertine&#xA;Medúlla&#xA;The Black Crowes - Shake Your Money Maker&#xA;The Black Keys - El Camino&#xA;Turn Blue&#xA;Bloc Party - Silent Alarm&#xA;Blur - Leisure&#xA;Modern Life is Rubbish&#xA;Parklife&#xA;The Great Escape&#xA;Blur&#xA;Think Tank&#xA;The Ballad of Darren&#xA;The Best Of&#xA;Bon Jovi - Slippery When Wet&#xA;David Bowie - Hunky Dory&#xA;Low&#xA;&amp;quot;Heroes&amp;quot;&#xA;Jeff Buckley - Grace&#xA;Buena Vista Social Club - Buena Vista Social Club&#xA;Jake Bugg - Jake Bugg&#xA;Shangri La&#xA;Kate Bush - Never for Ever&#xA;Captain Beefheart &amp;amp; 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<INFO BITRATE="965372" KEY_LYRICS="1 ContributorOn My Block Lyrics&#xA;Deniro, Farrar&#xA;Spadez I see you, know that (Spadez what's happenin')&#xA;You already know what you gon' see you come to my block&#xA;(Let 'em know)&#xA;&#xA;&#xA;You gon' see&#xA;A whole lot of killin', drug dealin', thug livin', caps peelin'&#xA;Growin' up on my street&#xA;And I done fucked a whole lot of them hoes&#xA;Had 'em down on all fo's, standin' on my tip toes goin' deep&#xA;You gon' see&#xA;A whole lot of killin', drug dealin', thug livin', caps peelin'&#xA;Growin' up on my street&#xA;And I done fucked a whole lot of them hoes&#xA;Had 'em down on all fo's, standin' on my tip toes goin' deep&#xA;&#xA;&#xA;Them hoes say I'm a fool with this shit&#xA;They lovin' my country grammar&#xA;Takin' naked pictures of yo bitch, then instagram 'em&#xA;Paranoid, schitzophrenic, I be fuckin' wit my hammer&#xA;Put my pistol on her pillow, arch yo back&#xA;Now let me ram ya&#xA;Wesley pipin' all these bitches, no wifin' up these bitches&#xA;Tell yo ho to roll my bush, you can light it but don't hit it&#xA;Extendos on them forty's look like mothafuckin' midgets&#xA;Executin' my plans, true religion full of bands&#xA;This Irene I'm smokin' louder than a cop siren&#xA;Beat yo bitch pussy 'til it's swole but I'm nonviolent&#xA;I'm a mothafuckin' dog&#xA;Them bitch niggas be hatin'&#xA;Fuck them black, white and asian&#xA;Boy, I swear my dick ain't racist&#xA;Got a bad bitch with braces, them sexy fuck faces&#xA;Let me watch it while she shavin', but we end up misbehavin'&#xA;I'm gone, she masterbatin'&#xA;She tell me I'm her favorite&#xA;If I up it, I'ma buss it nigga, ain't no hesitatin' *bow*&#xA;&#xA;You gon' see&#xA;A whole lot of killin', drug dealin', thug livin', caps peelin'&#xA;Growin' up on my street&#xA;And I done fucked a whole lot of them hoes&#xA;Had 'em down on all fo's, standin' on my tip toes goin' deep&#xA;You gon' see&#xA;A whole lot of killin', drug dealin', thug livin', caps peelin'&#xA;Growin' up on my street&#xA;And I done fucked a whole lot of them hoes&#xA;Had 'em down on all fo's, standin' on my tip toes goin' deep&#xA;&#xA;&#xA;Now all them bitches say I'm cocky&#xA;Shit, I'm conceited&#xA;I change hoes like drawers, got a car for every season&#xA;Lame niggas be quiet, you lucky that you breathin'&#xA;Yo bitch wake me up with head so we fuckin' all evening&#xA;Now her man gettin' suspicious ('spicious)&#xA;Say she always leavin' (leavin')&#xA;Ridin' with me freakin'&#xA;Callin' her phone, he say he cheatin'&#xA;Put that bitch on speaker phone&#xA;Just to let him hear her screamin'&#xA;You can run up if you want&#xA;Boy, that forty have you leanin'&#xA;Automatic shot, laser tag, boy we red beamin'&#xA;True religion pants sag, wit yo bitch leavin' Neimans&#xA;Hoes follow me like Twitter, they know I'm a real nigga&#xA;If I up that mothafucka, boy I'ma deal wit ya&#xA;K.O.B.K. around my way, kill or be killed nigga&#xA;I suggest you wear yo vest and respect these lil' niggas&#xA;Them the ones that's gon' blow, puttin' slugs in yo liver&#xA;You ain't grow up in that jungle&#xA;Tryin' to rumble with gorillas nigga&#xA;You already know what it is, mane&#xA;K.O.B.K. around my way, mane&#xA;Kill or be killed, &#xA;Iggy, I see you&#xA;Let's go&#xA;&#xA;&#xA;You gon' see&#xA;A whole lot of killin', drug dealin', thug livin', caps peelin'&#xA;Growin' up on my street&#xA;And I done fucked a whole lot of them hoes&#xA;Had 'em down on all fo's, standin' on my tip toes goin' deep&#xA;You gon' see&#xA;A whole lot of killin', drug dealin', thug livin', caps peelin'&#xA;Growin' up on my street&#xA;And I done fucked a whole lot of them hoes&#xA;Had 'em down on all fo's, standin' on my tip toes goin' deep (shady blaze)&#xA;&#xA;&#xA;Ay&#xA;Walkin' around wit a grin on my face&#xA;'Cause I know that I'm winnin' this race&#xA;Nigga it's time to replace all the garbage with me&#xA;I'll be here for a minute, get used to the taste&#xA;I'm close to the 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<INFO BITRATE="1006969" KEY_LYRICS="153 ContributorsTranslationsPortuguêsBosanskiTürkçeРусскийEspañolBeat It Lyrics&#xA;They told him, &amp;quot;Don't you ever come around here&#xA;Don't wanna see your face, you better disappear&amp;quot;&#xA;The fire's in their eyes and their words are really clear&#xA;So beat it, just beat it (Rrr)&#xA;You better run, you better do what you can (Ooh)&#xA;Don't wanna see no blood, don't be a macho man (Ooh)&#xA;You wanna be tough, better do what you can&#xA;So beat it, but you wanna be bad&#xA;&#xA;&#xA;Just beat it (Beat it), beat it (Beat it)&#xA;No one wants to be defeated&#xA;Show them how funky and strong is your fight&#xA;It doesn't matter who's wrong or right&#xA;Just beat it (Beat it), just beat it (Beat it)&#xA;Just beat it (Beat it), just beat it (Beat it, ooh)&#xA;&#xA;&#xA;They're out to get you, better leave while you can&#xA;Don't wanna be a boy, you wanna be a man&#xA;You wanna stay alive, better do what you can&#xA;So beat it, just beat it (Rrr)&#xA;You have to show them that you're really not scared (Ooh)&#xA;You're playin' with your life, this ain't no truth or dare (Ooh)&#xA;They'll kick you, then they'll beat you, then they'll tell you it's fair&#xA;So beat it, but you wanna be bad&#xA;&#xA;Just beat it (Beat it), beat it (Beat it)&#xA;No one wants to be defeated&#xA;Show them how funky and strong is your fight&#xA;It doesn't matter who's wrong or right&#xA;Just beat it (Beat it), beat it (Beat it)&#xA;No one wants to be defeated&#xA;Show them how funky and strong is your fight&#xA;It doesn't matter who's wrong or right&#xA;&#xA;&#xA;Just beat it (Beat it, beat it, beat it)&#xA;Beat it (Beat it, beat it)&#xA;Beat it (Beat it, beat it)&#xA;Beat it (Beat it, beat it)&#xA;Beat it (Beat it, beat it)&#xA;&#xA;&#xA;&#xA;&#xA;Beat it (Beat it), beat it (Beat it)&#xA;No one wants to be defeated&#xA;Show them how funky and strong is your fight&#xA;It doesn't matter who's wrong or right (Who's right)&#xA;Just beat it (Hoo-hoo; Beat it), beat it (Beat it)&#xA;No one wants to be defeated (No one)&#xA;Show them how funky and strong is your fight (Hee-hee, hee-hee-hee)&#xA;It doesn't matter who's wrong or right&#xA;Just beat it (Beat it), beat it (Beat it)&#xA;No one wants to be defeated (Oh, no)&#xA;Show them how funky and strong is your fight (Hoo-hoo, hee-hee)&#xA;It doesn't matter who's wrong or right (Hoo)&#xA;Just beat it (Beat it), beat it (Beat it)&#xA;No one wants to be defeated&#xA;Show them how funky and strong is your fight&#xA;It doesn't matter who's wrong or right (Who's right)&#xA;Just beat it (Beat it), beat it (Beat it, hoo-hoo)&#xA;No one wants to be—" PRODUCER="(P) 1982 MJJ Productions Inc." COVERARTID="031/5ETAZVCTW32HXBL531HKA3SFLSXC" PLAYTIME="260" PLAYTIME_FLOAT="259.085358" IMPORT_DATE="2025/4/14" RELEASE_DATE="2005/1/1" FLAGS="12" FILESIZE="32146"></INFO>
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<INFO BITRATE="950526" KEY_LYRICS="9 ContributorsBelfast Lyrics&#xA;Belfast&#xA;Belfast&#xA;Belfast&#xA;&#xA;&#xA;Got to have a belief in&#xA;Got to have a belief in&#xA;Got to have a belief in&#xA;All the people, cause the people are leaving&#xA;&#xA;When the people believe in&#xA;When the people believe in&#xA;When the people believe in&#xA;All the children, cause the children are leaving&#xA;&#xA;&#xA;Belfast, Belfast&#xA;When the country rings the leaving bell, you're lost&#xA;Belfast, Belfast&#xA;When the hate you have for one another's passed&#xA;You can try (You can try)&#xA;You can try (You can try)&#xA;You can try to tell the world the reason why&#xA;&#xA;Belfast&#xA;Belfast&#xA;Belfast&#xA;&#xA;It's a country that's changing&#xA;It's a country that's changing&#xA;It's a country that's changing&#xA;All the people, cause the people are leaving&#xA;&#xA;It's the world that's deceiving&#xA;It's the world that's deceiving&#xA;It's the world that's deceiving&#xA;All the people, cause the people believe in&#xA;&#xA;&#xA;Belfast, Belfast&#xA;When the country rings the leaving bell, you're lost&#xA;Belfast, Belfast&#xA;When the hate you have for one another's passed&#xA;You can try (You can try)&#xA;You can try (You can try)&#xA;You can try to tell the world the reason why&#xA;&#xA;Belfast&#xA;Belfast&#xA;Belfast&#xA;&#xA;&#xA;When the children believe in&#xA;When the children believe in&#xA;When the children believe in&#xA;All the people, cause the people are leaving&#xA;When the people are leaving&#xA;When the people are leaving&#xA;When the people are leaving&#xA;All the children, cause the children believe in&#xA;&#xA;&#xA;Belfast, Belfast&#xA;When the country rings the leaving bell, you're lost&#xA;Belfast, Belfast&#xA;When the hate you have for one another's passed&#xA;You can try (You can try)&#xA;You can try (You can try)&#xA;You can try to tell the world the reason why&#xA;&#xA;&#xA;Belfast&#xA;Belfast&#xA;Belfast&#xA;Belfast&#xA;Belfast&#xA;Belfast" PRODUCER="(P) 1977 BMG Berlin Musik GmbH/MCI" COVERARTID="041/JZD4EEBNNACMUDSCO0ZBC1M24XSD" PLAYTIME="210" PLAYTIME_FLOAT="209.973328" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="24570"></INFO>
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<INFO BITRATE="876145" KEY_LYRICS="1 ContributorI Love Video LyricsJ'ai le cinéma&#xA;Dans ma vidéo&#xA;Hollywood chez moi&#xA;C'est la vidéo&#xA;&#xA;&#xA; du métro&#xA;&#xA;La nuit je m'éclate&#xA;Dans ma vidéo&#xA; pirate&#xA;C'est la vidéo (Vidéo vidéo)&#xA;&#xA;Rocky est à moi&#xA;Ce sont mes oscars&#xA;&#xA;Ah ah ah ah, ah la vidéo&#xA;Ah ah ah ah, ah la vidéo&#xA;Na na na, na na na, na na na&#xA;Ah ah ah ah, ah la vidéo&#xA;Ah ah ah ah, ah la vidéo&#xA;&#xA;Regarder les mecs&#xA;Mets la vidéo&#xA;Je me shoot avec&#xA;'Vec ma vidéo (Vidéo vidéo)&#xA;J'ai des insomnia&#xA;Vidéo Mania&#xA;Marilyn s'ennuie&#xA;Docteur Vidéo&#xA;Rendez lui la vidéo&#xA;Dans ma vidéo&#xA;&#xA;Les dents de la mer&#xA; Fred Aster&#xA;&#xA;Ah ah ah ah, ah la vidéo&#xA;Ah ah ah ah, ah la vidéo&#xA;Chabada bada&#xA;Ah la vidéo&#xA;Chabada bada&#xA;Ah la vidéo&#xA;&#xA;Ah ah ah ah, ah la vidéo&#xA;Ah ah ah ah, ah la vidéo" PRODUCER="Léo Carrier" COVERARTID="113/R5ZXFGAH3PEG5BRCTNVDDGZ3DXVD" PLAYTIME="242" PLAYTIME_FLOAT="241.755096" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="26102"></INFO>
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<INFO BITRATE="757440" KEY_LYRICS="3 ContributorsMusic and Lights Lyrics&#xA;Yep... Oh... Yep... oh… yep... oh&#xA;What would summer be without Jabba?&#xA;And ah… what would Jabba be without a sample?&#xA;And what would a sample be without Magic Keys himself?&#xA;Bona… utlwa…&#xA;This time I got the very Best of Imagination on this track&#xA;Music &amp;amp; lights as we know it&#xA;Sticky Master Pref on the decks, Ross at the back&#xA;Rre Mabena somewhere in the party (Rre Mabena!)&#xA;&#xA;&#xA;Oh check...&#xA;Ke le tlela ka GT, fly like serontabole (Yet)&#xA;Another hit like it’s wonderful (Ke botlhole)&#xA;Beat you like a Flabba lebole (Ke mokone)&#xA;Make Tswana fashionable (Le mpone)&#xA;Mona never o nkgone&#xA;Move hills ka the music le mabone&#xA;Rough skills hanka ja lebotha I’m gone&#xA;Make a few mills get a new deal re tour-e (To bo… )&#xA;Rustenburg to Drakensburg (Le bo… )&#xA;Freshly Black ka vinyl bag (Le bo…)&#xA;Tsholo Mosaka ka traveler’s cheque (Le bo…)&#xA;DJ Sbu ka di-Hummer tsa mag (Ko bo… )&#xA;Dinner teng tsa Washington (To bo… )&#xA;Gidlang teng ko bo Hilton&#xA;We bring the after party back endlini&#xA;Jabba bringing you the life emzini&#xA;Joe we living with…&#xA;&#xA;(Music and lights)&#xA;Mona we pass time ka di blues delights&#xA;Move only in the heat of the night&#xA;Get down to a flow in sight&#xA;Get made by the end of the night&#xA;Coz it’s… (Music and lights)&#xA;Joe, we pass time with the booze and fights&#xA;Groove only in the heat of the mic&#xA;Get down to a flow in sight&#xA;Get paid by the end of the night&#xA;'Cause it’s… it’s… it’s…&#xA;&#xA;&#xA;It’s lekke, got bojwang ka seke&#xA;Chicks ba bang ba go tswa Pietersburg&#xA;Le nchecke, I got my cellphone back&#xA;Le ntracke, ke tladitse seno ka Jack&#xA;Le nthole, ko morago ga lori&#xA;Ke tlhantsha banyana ba bangwe ba ko Pitori&#xA;Mense le bo chikita ba ko labori&#xA;Re mingla le bo Mojoman ka dori (Ka bo)&#xA;Ten to two to after nine (Ko bo)&#xA;Bedfordview to Lounge Divine (Le bo)&#xA;DJ Que le Master Mind (Le bo)&#xA;Hugh sipping on a cold Fanta pine (Ka bo)&#xA;Sunset till the sun gon’ shine (Le bo)&#xA;Can’t get go fitlhela check out time (Hey)&#xA;This is how I make a living ka rhyme (Ke ya speeta)&#xA;Nkwalele fine&#xA;Joe finally&#xA;&#xA;(Music and lights)&#xA;Mona we pass time ka di blues delights&#xA;Move only in the heat of the night&#xA;Get down to a flow in sight&#xA;Get made by the end of the night&#xA;'Cause it’s… (Music and lights)&#xA;Joe, we pass time with the booze and fights&#xA;Groove only in the heat of the mic&#xA;Get down to a flow in sight&#xA;Get paid by the end of the night&#xA;'Cause it’s… it’s… it’s…&#xA;&#xA;&#xA;Pepedipe di-panty plenty boss&#xA;Tsenya lebotha otle (Tsenya lebotha otle)&#xA;Keya o kopa tu tlhe (Keya o kopa tu)&#xA;Tsenya lebotha otle (Tsenya lebotha otle)&#xA;Tsetside dike dikentse zaka boss&#xA;Kenya bo data le utlwe (Kenya bo data le utlwe)&#xA;Keya o kopa tu tlhe (Keya o kopa tu)&#xA;Kenya bo data le utlwe (Kenya bo dat le utlwe)&#xA;&#xA;Pepedipe di-panty plenty boss&#xA;Tsenya lebotha otle (Tsenya lebotha otle)&#xA;Keya o kopa tu tlhe (Keya o kopa tu)&#xA;Tsenya lebotha otle (Tsenya lebotha otle)&#xA;Tsetside dike dikentse zaka boss&#xA;Kenya bo data le utlwe (Kenya bo data le utlwe)&#xA;Keya o kopa tu tlhe (Keya o kopa tu)&#xA;Kenya bo data le utlwe (Kenya bo dat le utlwe)&#xA;&#xA;(Music and lights)&#xA;Mona we pass time ka di blues delights&#xA;Move only in the heat of the night&#xA;Get down to a flow in sight&#xA;Get made by the end of the night&#xA;Coz it’s… (Music and lights)&#xA;Joe, we pass time with the booze and fights&#xA;Groove only in the heat of the mic&#xA;Get down to a flow in sight&#xA;Get paid by the end of the night&#xA;Coz it’s… it’s… it’s…&#xA;&#xA;(Music and lights)&#xA;Mona we pass time ka di blues delights&#xA;Move only in the heat of the night&#xA;Get down to a flow in sight&#xA;Get made by the end of the night&#xA;'Cause it’s… (Music and lights)&#xA;Joe, we pass time with the booze and fights&#xA;Groove only in the heat of the mic&#xA;Get down to a flow in sight&#xA;Get paid by the end of the night&#xA;'Cause it’s… it’s… it’s…" PRODUCER="© 1982 R&amp;B Division Ltd." COVERARTID="043/LNDRU1ATCK1BHCQYXB3ICTC3OJFA" PLAYTIME="219" PLAYTIME_FLOAT="218.559998" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="20471"></INFO>
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<INFO BITRATE="942448" KEY_LYRICS="6 ContributorsMy Forbidden Lover Lyrics&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;&#xA;&#xA;I fell in love and I didn't want to do it 'cause I knew&#xA;That your love wasn't true&#xA;You try to hide that sinister appearance&#xA;And the lies, those alibis&#xA;You'll give your love to anyone who asks, yes, you do&#xA;And I know that it's true&#xA;But still I care and I want to see you there&#xA;When I need, yes, indeed you are&#xA;&#xA;&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;&#xA;I can't resist that very strong urge to have you, dear&#xA;Oh, please come here&#xA;Just let me love you any time and any place we dare&#xA;We'll just let them stare&#xA;You want to love everybody and everything you can&#xA;You're the typical man&#xA;Yet still and all I'm at your beck and call&#xA;When you need, yes, indeed you are&#xA;&#xA;&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;&#xA;&#xA;My love is forbidden&#xA;We keep our love hidden&#xA;My love is forbidden&#xA;We keep our love hidden&#xA;My love is forbidden&#xA;We keep our love hidden&#xA;My love is forbidden&#xA;We keep our love hidden&#xA;&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover&#xA;I don't want no other&#xA;My forbidden lover" PRODUCER="℗ 1979  Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States." COVERARTID="006/GIULZ1DXCTVSVBGWB0GCBGUFRV2B" PLAYTIME="275" PLAYTIME_FLOAT="274.066681" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="32029"></INFO>
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<INFO BITRATE="919988" KEY_LYRICS="1 ContributorThe Passion for Free Markets LyricsFor more than half a century, the United Nations has been the main forum for the United States to try to create a world in its image, maneuvering with its allies to forge global accords about human rights, nuclear tests or the environment that Washington insisted would mirror its own values.&amp;quot;&#xA;So runs postwar history, we learn from the opening paragraph of a front-page story by New York Times political analyst David Sanger. But times are changing. Today, the headline reads: &amp;quot;U.S. Is Exporting Its Free-Market Values Through Global Commercial Agreements.&amp;quot; Going beyond the traditional reliance on the UN, the Clinton administration is turning to the new World Trade Organization (WTO) to carry out the task of &amp;quot;exporting American values.&amp;quot; Down the road, Sanger continues (quoting the U.S. trade representative), it is the WTO that may be the most effective instrument for bringing &amp;quot;America’s passion for deregulation&amp;quot; and for the free market generally, and &amp;quot;the American values of free competition, fair rules, and effective enforcement,&amp;quot; to a world still fumbling in darkness. These &amp;quot;American values&amp;quot; are illustrated most dramatically by the wave of the future: telecommunications, the Internet, advanced computer technology, and the other wonders created by the exuberant American entrepreneurial spirit unleashed by the market, at last freed from government interference by the Reagan revolution.&#xA;&#xA;Today &amp;quot;governments are everywhere embracing the free-market gospel preached in the 1980s by President Reagan and Prime Minister Margaret Thatcher of Britain,&amp;quot; Youssef Ibrahim reports in another Times front-page story, reiterating a common theme. Like it or hate it, enthusiasts and critics over a broad range of opinion agree—just to keep to the liberal-to-left part of the spectrum—about &amp;quot;the implacable sweep of what its exponents call ‘the market revolution’&amp;quot;: &amp;quot;Reaganesque rugged individualism&amp;quot; has changed the rules of the game worldwide, while here at home &amp;quot;Republicans and Democrats alike are ready to give the market full sway&amp;quot; in their dedication to &amp;quot;the new orthodoxy.&amp;quot;&#xA;&#xA;There are a number of problems with the picture. One is the account of the last half-century. Even the most dedicated believers in &amp;quot;America’s mission&amp;quot; must be aware that U.S./UN relations have been virtually the opposite of what the opening passage depicts ever since the UN fell out of control with the progress of decolonization, leaving the U.S. regularly isolated in opposition to global accords on a wide range of issues and committed to undermining central components of the UN, particularly those with a third world orientation. Many questions about the world are debatable, but surely not this one.&#xA;&#xA;As for &amp;quot;Reaganesque rugged individualism&amp;quot; and its worship of the market, perhaps it is enough to quote the review of the Reagan years in Foreign Affairs by a Senior Fellow for International Finance at the Council on Foreign Relations, noting the &amp;quot;irony&amp;quot; that Ronald Reagan, &amp;quot;the postwar chief executive with the most passionate love of laissez faire, presided over the greatest swing toward protectionism since the 1930s&amp;quot;—no &amp;quot;irony,&amp;quot; but the normal workings of &amp;quot;passionate love of laissez faire&amp;quot;: for you, market discipline, but not for me, unless the &amp;quot;playing field&amp;quot; happens to be tilted in my favor, typically as a result of large-scale state intervention. It’s hard to find another theme so dominant in the economic history of the past three centuries. The current enthusiasms about the communications revolution that Sanger is reporting are a textbook case.&#xA;&#xA;Reaganites were following a well-trodden course—recently turned into a comedy act by Gingrich &amp;quot;conservatives&amp;quot;—when they extolled the glories of the market and issued stern lectures about the debilitating culture of dependency of the poor at home and abroad while boasting proudly to the business world that Reagan had &amp;quot;granted more import relief to U.S. industry than any of his predecessors in more than half a century&amp;quot;; in fact, more than all predecessors combined, as they led &amp;quot;the sustained assault on  principle&amp;quot; by the rich and powerful from the early 1970s, deplored in a scholarly review by GATT secretariat economist Patrick Low, who estimates the restrictive effects of Reaganite measures at about three times those of other leading industrial countries.&#xA;&#xA;The radical &amp;quot;swing toward protectionism&amp;quot; was only a part of the &amp;quot;sustained assault&amp;quot; on free trade principles that was accelerated under &amp;quot;Reaganite rugged individualism.&amp;quot; Another chapter of the story includes the huge transfer of public funds to private power, often under the traditional guise of &amp;quot;security.&amp;quot; Without such extreme measures of market interference, it is doubtful that the U.S. automotive, steel, machine tool, semiconductor industries, and others, would have survived Japanese competition or been able to forge ahead in emerging technologies, with broad effects through the economy.&#xA;&#xA;&amp;quot;Thatcher’s Britain&amp;quot; is another good choice to illustrate &amp;quot;free market gospel.&amp;quot; Just to keep to a few revelations of early 1997, &amp;quot;during the period of maximum pressure to make arms sales to Turkey,&amp;quot; the London Observer reported, Prime Minister Thatcher &amp;quot;personally intervened to ensure a payment of 22 million pounds was made out of Britain’s overseas aid budget, to help build a metro in the Turkish capital of Ankara. The project was uneconomical, and in 1995 it was admitted&amp;quot; by Foreign Secretary Douglas Hurd that it was &amp;quot;unlawful.&amp;quot; The incident was particularly noteworthy in the aftermath of the Pergau Dam scandal, which revealed illegal Thatcherite subsidies &amp;quot;to ‘sweeten’ arms deals with the Malaysian regime,&amp;quot; with a High Court judgment against Hurd. That’s aside from government credit guarantees and financing arrangements, and the rest of the panoply of devices to transfer public funds to &amp;quot;defense industry,&amp;quot; yielding a familiar range of benefits to advanced industry generally.&#xA;&#xA;A few days before, the same journal reported that &amp;quot;up to 2 million British children are suffering ill-health and stunted growth because of malnutrition&amp;quot; as a result of &amp;quot;poverty on a scale not seen since the 1930s.&amp;quot; The trend to increasing child health has reversed and childhood diseases that had been controlled are now on the upswing thanks to the (highly selective) &amp;quot;free market gospel&amp;quot; that is much admired by the beneficiaries.&#xA;&#xA;A few months earlier, a lead headline reported &amp;quot;One in three British babies born in poverty,&amp;quot; as &amp;quot;child poverty has increased as much as three-fold since Margaret Thatcher was elected.&amp;quot; &amp;quot;Dickensian diseases return to haunt today’s Britain,&amp;quot; another headline reads, reporting studies concluding that &amp;quot;social conditions in Britain are returning to those of a century ago.&amp;quot; Particularly grim are the effects of cutting off gas, electricity, water, and telephones to &amp;quot;a high number of households&amp;quot; as privatization takes its natural course, with a variety of devices that favor &amp;quot;more affluent customers&amp;quot; and amount to a &amp;quot;surcharge on the poor,&amp;quot; leading to a &amp;quot;growing gulf in energy between rich and poor,&amp;quot; also in water supply and other services. The &amp;quot;savage cuts&amp;quot; in social programs are placing the nation &amp;quot;in the grip of panic about imminent social collapse.&amp;quot; But industry and finance are benefiting very nicely from the same policy choices. To top it all off, public spending after 17 years of Thatcherite gospel was the same 42 1/4 percent of GDP that it was when she took over.&#xA;&#xA;Not exactly unfamiliar here.&#xA;&#xA;Exporting American Values&#xA;&#xA;Let us put aside the intriguing contrast between doctrine and reality, and see what can be learned by examining the new era that is coming into view. Quite a lot, I think.&#xA;&#xA;Sanger is celebrating the WTO agreement on telecommunications. One of its welcome effects is to provide Washington with a &amp;quot;new tool of foreign policy.&amp;quot; The agreement &amp;quot;empowers the WTO to go inside the borders of the 70 countries that have signed it,&amp;quot; and it is no secret that international institutions can function insofar as they keep to the demands of the powerful, in particular, the United States. In the real world, then, the &amp;quot;new tool&amp;quot; allows the U.S. to intervene profoundly in the internal affairs of others, compelling them to change their laws and practices. Crucially, the WTO will make sure that other countries are &amp;quot;following through on their commitments to allow foreigners to invest&amp;quot; without restriction in central areas of their economy. In the specific case at hand, the likely outcome is clear to all: &amp;quot;The obvious corporate beneficiaries of this new era will be U.S. carriers, who are best positioned to dominate a level playing field,&amp;quot; the Far Eastern Economic Review (FEER) points out, along with one UK-U.S. megacorporation.&#xA;Not everyone is delighted by the prospects. The winners recognize that fact, and offer their interpretation: in Sanger’s words, others fear that &amp;quot;American telecommunication giants...could overwhelm the flabby government-sanctioned monopolies that have long dominated telecommunications in Europe and Asia&amp;quot;—as in the United States, long past the period when it had become by far the world’s leading economy and most powerful state. It is also worth noting that major contributions to modern technology came from the research laboratories of the &amp;quot;flabby government-sanctioned monopoly&amp;quot; that dominated telecommunications here until the 1970s, using its freedom from market discipline to provide for the needs of advanced sectors of industry generally by transfer of public funds (in indirect ways, unlike the more direct modalities of the Pentagon system).&#xA;&#xA;Those who cling irrationally to the past see matters a bit differently. The FEER points out that &amp;quot;jobs will be lost&amp;quot; in Asia and &amp;quot;many Asian consumers will have to pay more for phone service before they will pay less.&amp;quot; When will they pay less? For that bright future to dawn, it is only necessary for foreign investors to be &amp;quot;encouraged...to act in socially desired ways,&amp;quot; not simply with an eye to profit and service to the rich and the business world. How this miracle will come to pass is unexplained, though doubtless the suggestion will inspire serious reflection in corporate headquarters.&#xA;&#xA;In the time span relevant to planning, the WTO agreement will raise phone service costs for most Asian consumers, the Review predicts. &amp;quot;The fact is, comparatively few customers in Asia stand to benefit from cheaper overseas rates&amp;quot; that are anticipated with the takeover by huge foreign corporations, mostly American. In Indonesia, for example, only about 300,000 of 190 million people make overseas calls at all, specifically the business sector. &amp;quot;It’s very likely the cost of local telecoms service, in general, will rise&amp;quot; in Asia, according to David Barden, regional telecoms analyst at J.P. Morgan Securities in Hong Kong. But that is all to the good, he continues: &amp;quot;if there is no profitability in the business, there will be no business.&amp;quot; And now that still more public property is being handed over to foreign corporations, they had better be guaranteed profitability — telecommunications today, and a far wider range of related services tomorrow. The business press predicts that &amp;quot;personal communications over the Internet  will overtake telecommunications in five or six years, and telephone operators have the biggest interest in getting into the online business.&amp;quot; Contemplating the future of his own company, Intel CEO Andrew Grove sees the Internet as &amp;quot;the biggest change in our environment&amp;quot; at present. He expects large-scale growth for &amp;quot;the connection providers, the people involved in generating the World Wide Web, the people who make the computers&amp;quot; (&amp;quot;people&amp;quot; meaning corporations), and the advertising industry, already running at almost $350 billion annually and anticipating new opportunities with the privatization of the Internet, which is expected to convert it to a global oligopoly.&#xA;&#xA;Meanwhile privatization precedes apace elsewhere. To take one important case, over considerable popular opposition the government of Brazil has decided to privatize the Vale Company, which controls vast uranium, iron, and other mineral resources and industrial and transport facilities, including sophisticated technology. Vale is highly profitable, with a 1996 income of over $5 billion, and excellent prospects for the future; it is 1 of 6 Latin American enterprises ranked among the 500 most profitable in the world. A study by specialists of the Graduate School of Engineering at the Federal University in Rio estimated that the government has seriously undervalued the Company, noting also that it relied on an &amp;quot;independent&amp;quot; analysis by Merrill Lynch, which happens to be associated with the Anglo American conglomerate that is seeking to take over this central component of Brazil’s economy. The government angrily denies the conclusions. If they are accurate, as one may plausibly surmise, it will fall into a very familiar pattern.&#xA;&#xA;Side comment: Communications are not quite the same as uranium. Where there is even a pretense of democracy, communications are at its heart. Concentration of communications in any hands (particularly foreign hands) raises some rather serious questions about meaningful democracy. Similar questions arise about concentration of finance, which undermines popular involvement in social and economic planning. Control over food raises even more serious questions, in this case about survival. A year ago the secretary-general of the UN Food and Agricultural Organization, discussing the &amp;quot;food crisis following huge rises in cereals prices this year,&amp;quot; warned that countries &amp;quot;must become more self reliant in food production,&amp;quot; the London Financial Times reported. The FAO is warning &amp;quot;developing countries&amp;quot; to reverse the policies imposed on them by the &amp;quot;Washington Consensus,&amp;quot; policies that have had a disastrous impact on much of the world, while proving a great boon to subsidized agribusiness—incidentally, also to narcotrafficking, perhaps the most dramatic success of neoliberal reforms as judged by the &amp;quot;free market values&amp;quot; that the &amp;quot;U.S. is exporting.&amp;quot;&#xA;&#xA;Control over food supplies by foreign corporate giants is well under way, and with the agreement on telecommunications signed and delivered, financial services are next in line.&#xA;&#xA;Summarizing, the expected consequences of the victory for &amp;quot;American values&amp;quot; at the WTO are: (1) a &amp;quot;new tool&amp;quot; for far-reaching U.S. intervention into the internal affairs of others; (2) the takeover of a crucial sector of foreign economies by U.S.-based corporations; (3) benefits for business sectors and the wealthy; (4) shifting of costs to the general population; (5) new and potentially powerful weapons against the threat of democracy.&#xA;&#xA;A rational person might ask whether these expectations have something to do with the celebration, or whether they are just incidental to a victory of principle that is celebrated out of commitment to higher values. Skepticism is heightened by comparison of the Times’ picture of the postwar era with uncontested fact. It is further enhanced by a look at some of history’s striking regularities, among them, that those in a position to impose their projects not only hail them with enthusiasm but also typically benefit from them, whether the values professed involve free trade or other grand principles—which turn out in practice to be finely tuned to the needs of those running the game and cheering the outcome. Logic alone would suggest a touch of skepticism when the pattern is repeated. History should raise it a notch higher.&#xA;&#xA;In fact, we need not even search that far.&#xA;&#xA;An Improper Forum&#xA;&#xA;The same day that the front page was reporting the victory for American values at the World Trade Organization, New York Times editors warned the European Union not to turn to the WTO to rule on its charge that the U.S. is violating free trade agreements. Narrowly at issue is the Helms-Burton Act, which &amp;quot;compels the United States to impose sanctions against foreign companies that do business in Cuba.&amp;quot; The sanctions &amp;quot;would effectively exclude these firms from exporting to, or doing business in, the United States, even if their products and activities have nothing to do with Cuba&amp;quot; (Peter Morici, former director of economics at the U.S. International Trade Commission). That is no slight penalty, even apart from more direct threats against individuals and companies who cross a line that Washington will draw unilaterally. The editors regard the Act as a &amp;quot;misguided attempt by Congress to impose its foreign policy on others&amp;quot;; Morici opposes it because it &amp;quot;is creating more costs than benefits&amp;quot; for the U.S. More broadly at issue is the embargo itself, &amp;quot;the American economic strangulation of Cuba&amp;quot; that the editors term &amp;quot;a cold war anachronism,&amp;quot; best abandoned because it is becoming harmful to U.S. business interests.&#xA;&#xA;But broader questions of right and wrong do not arise, and the whole affair is &amp;quot;essentially a political dispute,&amp;quot; the Times editors stress, not touching on Washington’s &amp;quot;free-trade obligations.&amp;quot; Like most others, the editors apparently assume that if Europe persists, the WTO is likely to rule against the United States. Accordingly, the WTO is not a proper forum.&#xA;&#xA;The logic is simple, and standard. Ten years ago, on the same grounds, the International Court of Justice was found to be an inappropriate forum for judging Nicaragua’s charges against Washington. The U.S. rejected ICJ jurisdiction, and when the Court condemned the U.S. for the &amp;quot;unlawful use of force,&amp;quot; ordering Washington to cease its international terrorism, violation of treaties, and illegal economic warfare, and to pay substantial reparations, the Democrat-controlled Congress reacted by instantly escalating the crimes while the Court was roundly denounced on all sides as a &amp;quot;hostile forum&amp;quot; that had discredited itself by rendering a decision against the United States. The Court judgment itself was scarcely reported, including the words just quoted and the explicit ruling that U.S. aid to the contras is &amp;quot;military&amp;quot; and not &amp;quot;humanitarian.&amp;quot; Along with U.S. direction of the terrorist forces, the aid continued until the U.S. imposed its will, always called &amp;quot;humanitarian aid.&amp;quot; Public history keeps to the same conventions.&#xA;The U.S. then vetoed a Security Council resolution calling on all states to observe international law (scarcely reported), and voted alone (with El Salvador and Israel) against a General Assembly Resolution calling for &amp;quot;full and immediate compliance&amp;quot; with the Court’s ruling—unreported in the mainstream, as was the repetition the following year, this time with only Israel on board. The whole affair happens to be a typical illustration of how the U.S. used the UN as a &amp;quot;forum&amp;quot; for imposing &amp;quot;its own values.&amp;quot;&#xA;&#xA;Returning to the current WTO case, in November 1996, Washington voted alone (with Israel and Uzbekistan) against a General Assembly Resolution, backed by the entire European Union, urging the U.S. to drop the embargo against Cuba. The Organization of American States had already voted unanimously to reject the Helms-Burton Act, and had asked its judicial body (the Inter-American Juridical Committee) to rule on its legality. In August 1996, the IAJC ruled unanimously that the Act violated international law. A year earlier, the Inter-American Commission on Human Rights of the OAS had condemned the U.S. restrictions on shipments of food and medicine to Cuba as a violation of international law. The Clinton administration’s response was that shipments of medicine are not literally barred, only prevented by conditions so onerous and threatening that even the largest corporations here and abroad are unwilling to face the prospects (huge financial penalties and imprisonment for what Washington determines to be violations of &amp;quot;proper distribution,&amp;quot; banning of ships and aircraft, mobilization of media campaigns, etc.). And while food shipments are indeed barred, the Administration argues that there are &amp;quot;ample suppliers&amp;quot; elsewhere (at far higher cost), so that the direct violation of international law is not a violation.&#xA;&#xA;As the issue was brought by the EU to the World Trade Organization, the U.S. withdrew from the proceedings on the ICJ model, effectively bringing the matter to a close.&#xA;&#xA;In short, the world that the U.S. has sought &amp;quot;to create in its image&amp;quot; through international institutions is one based on the principle of the rule of force. The &amp;quot;American passion for free trade&amp;quot; entails that the U.S. government may violate trade agreements at will. No problem arises when communications, finance, and food supplies are taken over by foreign (mainly U.S.) corporations. Matters are different, however, when trade agreements and international law interfere with the projects of the powerful.&#xA;&#xA;We learn more by investigating the reasons for U.S. rejection of international law and trade agreements. In the Nicaragua case, State Department Legal Adviser Abraham Sofaer explained that when the U.S. accepted World Court jurisdiction in the 1940s, most members of the UN &amp;quot;were aligned with the United States and shared its views regarding world order.&amp;quot; But now &amp;quot;A great many of these cannot be counted on to share our view of the original constitutional conception of the UN Charter,&amp;quot; and &amp;quot;This same majority often opposes the United States on important international questions.&amp;quot; It is therefore understandable that the U.S. should be far in the lead since the 1960s in vetoing UN resolutions on a wide range of issues including international law, human rights, environmental protection, and so on (UK second, France a distant third), precisely contrary to the standard version repeated in the opening paragraph above. The U.S. advanced its lead another notch shortly after this account appeared, casting its 71st veto since 1967. When the question (Israeli settlements in Jerusalem) moved to the General Assembly, the U.S. and Israel stood alone in opposition, again a standard pattern.&#xA;&#xA;Drawing the natural conclusions from the unreliability of the world, Sofaer went on to explain that we must now &amp;quot;reserve to ourselves the power to determine whether the Court has jurisdiction over us in a particular case.&amp;quot; The long-standing principle, now to be enforced in a world that is no longer obedient, is that &amp;quot;the United States does not accept compulsory jurisdiction over any dispute involving matters essentially within the domestic jurisdiction of the United States, as determined by the United States.&amp;quot; The &amp;quot;domestic matters&amp;quot; in question were the U.S. attack against Nicaragua.&#xA;&#xA;The basic operative principle was stated elegantly by the new Secretary of State, Madeleine Albright, when she lectured the UN Security Council about its unwillingness to go along with U.S. demands concerning Iraq: The U.S. will &amp;quot;behave, with others, multilaterally when we can and unilaterally as we must,&amp;quot; recognizing no external constraints in an area deemed &amp;quot;vital to U.S. national interests&amp;quot;—as determined by the United States. The UN is an appropriate forum when its members &amp;quot;can be counted on&amp;quot; to share Washington’s views, but not when the majority &amp;quot;opposes the United States on important international questions.&amp;quot; International law and democracy are fine things—but as judged by outcome, not process; like free trade.&#xA;&#xA;The current U.S. stand in the WTO case thus breaks no new ground. Washington declared that the WTO &amp;quot;has no competence to proceed&amp;quot; on an issue of American national security; we are to understand that our existence is at stake in the strangulation of the Cuban economy. A WTO ruling against the U.S. in absentia would be of no significance or concern, a Clinton administration spokesperson added, because &amp;quot;we do not believe anything the WTO says or does can force the U.S. to change its laws.&amp;quot; Recall that the great merit of the WTO telecommunications agreement was that this &amp;quot;new tool of foreign policy&amp;quot; forces other countries to change their laws and practices, in accord with our demands.&#xA;&#xA;The principle is that the U.S. is exempt from WTO interference with its laws, just as it is free to violate international law at will; uniquely, though the privilege may be extended to client states as circumstances require. The fundamental principles of world order again resound, loud and clear.&#xA;&#xA;The earlier GATT agreements had allowed for national security exceptions, and under them, Washingon had justified its embargo against Cuba as &amp;quot;measures taken in pursuit of essential US security interests.&amp;quot; The WTO agreement also permits a member to take &amp;quot;any action it considers necessary for the protection of its essential security interests,&amp;quot; but only in relation to three designated issues: fissionable materials, traffic in armaments, and actions &amp;quot;taken in time of war or other emergency in international relations.&amp;quot; Perhaps not wishing to be officially on record with an utter absurdity, the Clinton administration did not formally invoke its &amp;quot;national security exemption,&amp;quot; though it did make clear that the issue was &amp;quot;national security.&amp;quot;&#xA;&#xA;At the time of writing, the EU and the U.S. are trying to arrange a deal before April 14, when the WTO hearings are scheduled to begin. Meanwhile, the Wall Street Journal reports, Washington &amp;quot;says it won’t cooperate with the WTO panels, arguing that the trade organization doesn’t have jurisdiction over national security issues.&amp;quot;&#xA;&#xA;Indecent Thoughts&#xA;&#xA;Polite people are not supposed to remember the reaction when Kennedy tried to organize collective action against Cuba in 1961: Mexico could not go along, a diplomat explained, because &amp;quot;If we publicly declare that Cuba is a threat to our security, forty million Mexicans will die laughing.&amp;quot; Here we take a more sober view of threats to the national security.&#xA;There were also no reported deaths from laughter when Administration spokesperson Stuart Eizenstat, justifying Washington’s rejection of the WTO agreements, &amp;quot;argued that Europe is challenging ‘three decades of American Cuba policy that goes back to the Kennedy Administration,’ and is aimed entirely at forcing a change of government in Havana&amp;quot; (NYT). A sober reaction is entirely in order on the assumption that the U.S. has every right to overthrow another government; in this case, by aggression, large-scale terror, and economic strangulation.&#xA;&#xA;The assumption remains in place and apparently unchallenged, but Eizenstat’s statement was criticized on narrower grounds by historian Arthur Schlesinger. Writing &amp;quot;as one involved in the Kennedy Administration’s Cuban policy,&amp;quot; Schlesinger pointed out that Under Secretary of Commerce Eizenstat had misunderstood the policies of the Kennedy administration. Its concern was Cuba’s &amp;quot;troublemaking in the hemisphere&amp;quot; and &amp;quot;the Soviet connection.&amp;quot; But these are now behind us, so the Clinton policies are an anachronism, though otherwise, it seems, unobjectionable.&#xA;&#xA;Schlesinger did not explain the meaning of the phrases &amp;quot;troublemaking in the hemisphere&amp;quot; and &amp;quot;the Soviet connection,&amp;quot; but he has elsewhere, in secret. Reporting to the incoming President on the conclusions of a Latin American Mission in early 1961, Schlesinger spelled out the problem of Castro’s &amp;quot;troublemaking&amp;quot;: it is &amp;quot;the spread of the Castro idea of taking matters into one’s own hands,&amp;quot; a serious problem, he added shortly after, when &amp;quot;The distribution of land and other forms of national wealth greatly favors the propertied classes... The poor and underprivileged, stimulated by the example of the Cuban revolution, are now demanding opportunities for a decent living.&amp;quot; Schlesinger also explained the threat of the &amp;quot;Soviet connection&amp;quot;: &amp;quot;Meanwhile, the Soviet Union hovers in the wings, flourishing large development loans and presenting itself as the model for achieving modernization in a single generation.&amp;quot; The &amp;quot;Soviet connection&amp;quot; was perceived in a similar light far more broadly in Washington and London, from the origins of the Cold War in 1917 into the 1960s, when the documentary record currently ends.&#xA;&#xA;Schlesinger also recommended to the incoming president &amp;quot;a certain amount of high-flown corn&amp;quot; about &amp;quot;the higher aims of culture and spirit,&amp;quot; which &amp;quot;will thrill the audience south of the border, where metahistorical disquisitions are inordinately admired.&amp;quot; Meanwhile we’ll take care of serious matters. Just to show how much things change, Schlesinger also realistically criticized &amp;quot;the baleful influence of the International Monetary Fund,&amp;quot; then pursuing the 1950’s version of today’s &amp;quot;Washington Consensus&amp;quot; (&amp;quot;structural adjustment,&amp;quot; &amp;quot;neoliberalism&amp;quot;).&#xA;&#xA;With these (secret) explanations of Castro’s &amp;quot;troublemaking in the hemisphere&amp;quot; and the &amp;quot;Soviet connection,&amp;quot; we come a step closer to an understanding of the reality of the Cold War. But that is another topic.&#xA;&#xA;Similar troublemaking beyond the hemisphere has also been no slight problem, and continues to spread dangerous ideas among people who &amp;quot;are now demanding opportunities for a decent living.&amp;quot; In late February 1996, while the U.S. was in an uproar over Cuba’s downing of two planes of a Florida-based anti-Castro group that had regularly penetrated Cuban airspace, dropping leaflets in Havana calling on Cubans to revolt (also participating in the continuing terrorist attacks against Cuba, according to Cuban sources), the wire services were running different stories. AP reported that in South Africa, &amp;quot;a cheering, singing crowd welcomed Cuban doctors&amp;quot; who had just arrived at the invitation of the Mandela government &amp;quot;to boost medical care in poor rural areas.&amp;quot; &amp;quot;Cuba has 57,000 doctors for its 11 million people, compared to 25,000 in South Africa for 40 million people.&amp;quot; The 101 Cuban doctors included top medical specialists who, if they were South African, would &amp;quot;very likely be working in Cape Town or Johannesburg&amp;quot; at twice the salaries they will receive in the poor rural areas where they go. &amp;quot;Since the program of sending public health specialists overseas began in Algeria in 1963, Cuba has sent 51,820 doctors, dentists, nurses and other medical doctors&amp;quot; to &amp;quot;the poorest Third World nations,&amp;quot; providing &amp;quot;medical aid totally free of charge&amp;quot; in most cases. A month later Cuban medical experts were invited by Haiti to study a meningitis outbreak.&#xA;&#xA;This kind of troublemaking goes back a long way. A leading West German journal (Die Zeit) reported that Third World countries regard Cuba as &amp;quot;an international superpower&amp;quot; because of the teachers, construction workers, physicians, and others involved in &amp;quot;international service.&amp;quot; In 1985, it reported, 16,000 Cubans worked in Third World countries, more than twice the total of Peace Corps and AID specialists from the United States. By 1988, Cuba had &amp;quot;more physicians working abroad than any industrialized nation, and more than the UN’s World Health Organization.&amp;quot; Most of this aid is uncompensated, and Cuba’s &amp;quot;international emissaries&amp;quot; are &amp;quot;men and women who live under conditions that most development aid workers would not accept,&amp;quot; which is &amp;quot;the basis for their success.&amp;quot; For Cubans, the report continues, &amp;quot;international service&amp;quot; is regarded as &amp;quot;a sign of political maturity&amp;quot; and taught in the schools as &amp;quot;the highest virtue.&amp;quot; The warm reception by an ANC delegation in South Africa in 1996, and the crowds singing &amp;quot;long live Cuba,&amp;quot; attest to the same phenomenon.&#xA;&#xA;On the side, we might ask how the U.S. would react to Libyan planes flying over New York and Washington dropping leaflets calling on Americans to revolt, after years of terrorist attacks against U.S. targets at home and abroad. By garlanding them with flowers, perhaps? A hint was given by Barrie Dunsmore of ABC a few weeks before the downing of the two planes, citing Walter Porges, former &amp;quot;ABC News&amp;quot; vice president for News Practices. Porges reports that when an ABC news crew on a civilian plane attempted to take photographs of the U.S. Sixth Fleet in the Mediterranean, &amp;quot;it was told to move immediately or it would be shot down,&amp;quot; which &amp;quot;would have been legal under provisions of International Law defining military air space.&amp;quot; A small country under attack by a superpower is a different matter, however.&#xA;&#xA;A further look at history may be useful. The policy of overthrowing the government of Cuba does not go back to the Kennedy administration, as Eizenstat asserted, but to its predecessor: the formal decision to overthrow Castro in favor of a regime &amp;quot;more devoted to the true interests of the Cuban people and more acceptable to the U.S.&amp;quot; was taken in secret in March 1960, with the addendum that the operation must be carried out &amp;quot;in such a manner as to avoid any appearance of U.S. intervention,&amp;quot; because of the expected reaction in Latin America and the need to ease the burden on doctrinal managers at home. At the time, the &amp;quot;Soviet connection&amp;quot; and &amp;quot;troublemaking in the hemisphere&amp;quot; were nil, apart from the Schlesingerian version.&#xA;&#xA;Since Washington is the arbiter of the &amp;quot;true interests of the Cuban people,&amp;quot; it was unnecessary for the Eisenhower administration to attend to the public opinion studies it received, reporting popular support for Castro and optimism about the future. For similar reasons, current information about these matters is of no account. The Clinton Administration is serving the true interests of the Cuban people by imposing misery and starvation, whatever studies of Cuban opinion may indicate: for example, the polls reported in December 1994 by an affiliate of the Gallup organization that found that half the population consider the embargo to be the &amp;quot;principal cause of Cuba’s problems&amp;quot; while 3 percent found the &amp;quot;political situation&amp;quot; to be the &amp;quot;most serious problem facing Cuba today&amp;quot;; that 77 percent regard the USA as Cuba’s &amp;quot;worst friend&amp;quot; (no one else reached 3 percent); that by 2 to 1, the population feel that the revolution has registered more achievements than failures, the &amp;quot;principal failure&amp;quot; being &amp;quot;having depended on socialist countries like Russia which betrayed us&amp;quot;; and that half describe themselves as &amp;quot;revolutionary,&amp;quot; another 20 percent &amp;quot;communist&amp;quot; or &amp;quot;socialist.&amp;quot;&#xA;&#xA;Right or wrong, the conclusions about public attitudes are irrelevant, again a regular pattern, at home as well.&#xA;&#xA;History buffs might recall that the policy actually dates back to the 1820s, when Washington’s intention to take control of Cuba was blocked by the British deterrent. Cuba was regarded by Secretary of State John Quincy Adams as &amp;quot;an object of transcendent importance to the commercial and political interests of our Union,&amp;quot; but he advised patience: over time, he predicted, Cuba would fall into U.S. hands by &amp;quot;the laws of political...gravitation,&amp;quot; a &amp;quot;ripe fruit&amp;quot; for harvest. So it did, as power relations shifted enough for the U.S. to liberate the island (from its people) at the end of the century, turning it into a U.S. plantation and haven for crime syndicates and tourists.&#xA;&#xA;The historical depth of the commitment to rule Cuba may help account for the element of hysteria so apparent in the execution of the enterprise; for example, the &amp;quot;almost savage&amp;quot; atmosphere of the first cabinet meeting after the failed Bay of Pigs invasion described by Chester Bowles, the &amp;quot;almost frantic reaction for an action program,&amp;quot; a mood reflected in President Kennedy’s public statements about how failure to act would leave us &amp;quot;about to be swept away with the debris of history.&amp;quot; Clinton’s initiatives, public and indirect, reveal a similar streak of vindictive fanaticism, as in the threats and prosecutions that ensured that &amp;quot;the number of companies granted U.S. licences to sell  to Cuba has fallen to less than 4 percent&amp;quot; of the levels prior to the Cuban Democracy Act (CDA) of October 1992, while &amp;quot;only a few of the world’s medical companies have attempted to brave U.S. regulations&amp;quot; and penalties, a review in Britain’s leading medical journal reports.&#xA;&#xA;Considerations such as these carry us from the abstract plane of international law and solemn agreements to the realities of human life. Lawyers may debate whether the ban on food and (effectively) medicine violates international agreements stating that &amp;quot;food must not be used as an instrument for political and economic pressure&amp;quot; (Rome Declaration, 1996) and other declared principles and commitments. But the victims have to live with the fact that the CDA has &amp;quot;resulted in a serious reduction in the trade of legitimate medical supplies and food donations, to the detriment of the Cuban people&amp;quot; (Joanna Cameron, Fletcher Forum). A recently released study of the American Association for World Health concludes that the embargo has caused serious nutritional deficits, deterioration in the supply of safe drinking water, and sharp decline in availability of medicines and medical information, leading to low birth-rate, epidemics of neurological and other diseases with tens of thousands of victims, and other severe health consequences. &amp;quot;Health and nutrition standards have been devastated by the recent tightening of the 37-year-old US embargo, which includes food imports,&amp;quot; Victoria Brittain writes in the British press, reporting the year-long study by U.S. specialists, which found &amp;quot;hospitalised children lying in agony as essential drugs are denied them&amp;quot; and doctors compelled &amp;quot;to work with medical equipment at less than half efficiency because they have no spare parts.&amp;quot; Similar conclusions are drawn in other current studies in professional journals.&#xA;&#xA;These are the real crimes, far more than the casual and reflexive violation of legal instruments that are used as weapons against official enemies, with the cynicism that only the truly powerful can display.&#xA;&#xA;In fairness, it should be added that the suffering caused by the embargo is sometimes reported here as well. A lead story in the New York Times business section is headlined: &amp;quot;Exploding Cuban Cigar Prices: Now Embargo Really Hurts as Big Smokes Grow Scarcer.&amp;quot; The story reports the tribulations of business executives at &amp;quot;a plush smoking room&amp;quot; in Manhattan, who lament &amp;quot;that it’s really tough to get a Cuban cigar in the States these days&amp;quot; except at &amp;quot;prices that catch in the throats of the most devoted smokers.&amp;quot;&#xA;&#xA;While the Clinton administration, exploiting the privilege of the powerful, attributes the grim consequences of economic warfare without parallel in current history to the policies of the regime from which it promises to &amp;quot;liberate&amp;quot; the suffering Cuban people, a more plausible conclusion is more nearly the reverse: the &amp;quot;American economic strangulation of Cuba&amp;quot; has been designed, maintained, and in the post-Cold War era intensified, for the reasons implicit in Arthur Schlesinger’s report to incoming President Kennedy. Much as Kennedy’s Latin American Mission feared, the successes of programs to improve health and living standards had been helping to spread &amp;quot;the Castro idea of taking matters into one’s own hands,&amp;quot; stimulating &amp;quot;the poor and underprivileged&amp;quot; in the region with the worst inequality in the world to &amp;quot;demand opportunities for a decent living,&amp;quot; and with dangerous effects beyond as well. There is a substantial and compelling documentary record, accompanied by consistent action based on quite rational motives, which lends no slight credibility to this assessment. To evaluate the claim that the policies flow from concern for human rights and democracy, the briefest look at the record is more than sufficient, at least for those who even pretend to be serious.&#xA;&#xA;It is improper, however, to have any thoughts or recollections about such matters as we celebrate the triumph of &amp;quot;American values.&amp;quot; Nor are we supposed to remember that a few months ago, inspired by the same passion for free trade, Clinton &amp;quot;pressured Mexico into an agreement that will end the shipment of low-price tomatoes to the United States,&amp;quot; a gift to Florida growers that costs Mexico about $800 million annually, and that violates NAFTA as well as the WTO agreements (though only &amp;quot;in spirit,&amp;quot; because it was a sheer power play and did not require an official tariff). The Administration explained the decision forthrightly: Mexican tomatoes are cheaper and consumers here prefer them. The free market is working, but with the wrong outcome. Or perhaps tomatoes too are a threat to national security.&#xA;&#xA;To be sure, tomatoes and telecommunications are in very different leagues. Any favors Clinton might owe to Florida growers are dwarfed by the requirements of the telecommunications industry, even apart from what Thomas Ferguson describes as &amp;quot;the best-kept secret of the 1996 election&amp;quot;: that &amp;quot;more than any other single bloc, it was the telecommunications sector that rescued Bill Clinton,&amp;quot; who received major campaign contributions from &amp;quot;this staggeringly profitable sector.&amp;quot; The Telecommunications Act of 1996 and the WTO agreement are, in a sense, &amp;quot;thank you&amp;quot; notes, though it is unlikely that the outcome would have been very different if a different mix of largesse had been chosen by the business world, suffering at the time from what Business Week had just called &amp;quot;spectacular&amp;quot; profits in yet another &amp;quot;Surprise Party for Corporate America.&amp;quot;&#xA;&#xA;Prominent among the truths that are not to be recalled are the ones briefly mentioned earlier: the actual record of &amp;quot;Reaganesque rugged individualism&amp;quot; and the &amp;quot;free market gospel&amp;quot; that was preached (to the poor and defenseless) while protectionism reached unprecedented heights and the Administration poured public funds into high tech industry with unusual abandon. Here we begin to reach the heart of the matter. The reasons for skepticism about the &amp;quot;passion&amp;quot; that have just been reviewed are valid enough, but they are a footnote to the real story: how U.S. corporations came to be so well-placed to take over international markets, inspiring the current celebration of &amp;quot;American values.&amp;quot;&#xA;&#xA;But that, again, is a larger tale, one that tells us a lot about the contemporary world: its social and economic realities, and the grip of ideology and doctrine, including those doctrines crafted to induce hopelessness, resignation, and despair." PRODUCER="2024 Chany Music (Plez) / Musiques &amp; Solutions" COVERARTID="004/EEO4VZCDTDILHCJKUXUOABFNAFLC" PLAYTIME="216" PLAYTIME_FLOAT="215.029144" IMPORT_DATE="2025/4/14" RELEASE_DATE="1985/1/1" FLAGS="12" FILESIZE="24464"></INFO>
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<INFO BITRATE="980207" KEY_LYRICS="53 ContributorsDon’t You Want Me LyricsThe Human League’s lead singer, Phil Oakey, wrote “Don’t You Want Me” after reading a photo-story in a romance magazine for teen girls. The song tells the story of a man who falls for a cocktail waitress—he… Read More &#xA;You were workin' as a waitress in a cocktail bar&#xA;When I met you&#xA;I picked you out, I shook you up, and turned you around&#xA;Turned you into someone new&#xA;Now five years later on, you've got the world at your feet&#xA;Success has been so easy for you&#xA;But don't forget, it's me who put you where you are now&#xA;And I can put you back down too&#xA;&#xA;&#xA;Don't, don't you want me?&#xA;You know I can't believe it when I hear that you won't see me&#xA;Don't, don't you want me?&#xA;You know I don't believe you when you say that you don't need me&#xA;It's much too late to find&#xA;You think you've changed your mind&#xA;You'd better change it back or we will both be sorry&#xA;&#xA;&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;&#xA;&#xA;I was working as a waitress in a cocktail bar&#xA;That much is true&#xA;But even then, I knew I'd find a much better place&#xA;Either with or without you&#xA;The five years we have had have been such good times&#xA;I still love you&#xA;But now I think it's time I live my life on my own&#xA;I guess it's just what I must do&#xA;&#xA;Don't, don't you want me?&#xA;You know I can't believe it when I hear that you won't see me&#xA;Don't, don't you want me?&#xA;You know I don't believe you when you say that you don't need me&#xA;It's much too late to find&#xA;You think you've changed your mind&#xA;You'd better change it back or we will both be sorry&#xA;&#xA;&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;&#xA;&#xA;&#xA;&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;Don't you want me, baby?&#xA;Don't you want me? Oh&#xA;Don't you want me, baby?" PRODUCER="℗ 2002 Virgin Records Limited" COVERARTID="037/FNVCFBDGA5Q2TC3XNBQOCG5WGIOB" PLAYTIME="238" PLAYTIME_FLOAT="238.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="2005/1/1" FLAGS="12" FILESIZE="28632"></INFO>
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<INFO BITRATE="986157" KEY_LYRICS="36 ContributorsTranslationsTürkçeLay All Your Love on Me Lyrics&#xA;I wasn't jealous before we met&#xA;Now every woman I see is a potential threat&#xA;And I'm possessive, it isn't nice&#xA;You've heard me saying that smoking was my only vice&#xA;&#xA;&#xA;But now it isn't true&#xA;Now everything is new&#xA;And all I've learned has overturned&#xA;I beg of you&#xA;&#xA;&#xA;Don't go wasting your emotion&#xA;Lay all your love on me&#xA;&#xA;&#xA;It was like shooting a sitting duck&#xA;A little small talk, a smile, and baby, I was stuck&#xA;I still don't know what you've done with me&#xA;A grown-up woman should never fall so easily&#xA;&#xA;&#xA;I feel a kind of fear&#xA;When I don't have you near&#xA;Unsatisfied, I skip my pride&#xA;I beg you, dear&#xA;&#xA;Don't go wasting your emotion&#xA;Lay all your love on me&#xA;Don't go sharing your devotion&#xA;Lay all your love on me&#xA;&#xA;&#xA;I've had a few little love affairs&#xA;They didn't last very long and they've been pretty scarce&#xA;I used to think that was sensible&#xA;It makes the truth even more incomprehensible&#xA;&#xA;&#xA;'Cause everything is new&#xA;And everything is you&#xA;And all I've learned has overturned&#xA;What can I do?&#xA;&#xA;&#xA;Don't go wasting your emotion&#xA;Lay all your love on me&#xA;Don't go sharing your devotion&#xA;Lay all your love on me&#xA;Don't go wasting your emotion&#xA;Lay all your love on me&#xA;Don't go sharing your devotion&#xA;Lay all your love on me&#xA;Don't go wasting your emotion&#xA;Lay all your love on me" PRODUCER="℗ 1980 Polar Music International AB" COVERARTID="019/TQ0EPFCRD1CC4BRB5HXDBBFX0LQC" PLAYTIME="275" PLAYTIME_FLOAT="274.466675" IMPORT_DATE="2025/4/14" RELEASE_DATE="1980/1/1" FLAGS="12" FILESIZE="33259"></INFO>
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<INFO BITRATE="873742" KEY_LYRICS="6 ContributorsSo Many Men, So Little Time Lyrics&#xA;5, 10, 20, 40&#xA;50, 60, 70, 80, 85, 90, 95&#xA;Oh!&#xA;&#xA;&#xA;It's morning, I open my eyes&#xA;And everything's still the same&#xA;I turn to the guy who stayed last night&#xA;And ask him, &amp;quot;What's your name?&amp;quot;&#xA;It seems to happen more and more&#xA;I love those men one and all&#xA;Each new one I meet, makes my heart beat fast&#xA;When I see them so strong and tall&#xA;&#xA;&#xA;So many men, so little time&#xA;How can I lose?&#xA;So many men, so little time&#xA;How can I choose?&#xA;&#xA;&#xA;They tell me I'm up to no good&#xA;I should just settle down&#xA;But I don't wanna stay with just one man&#xA;I wanna sell for what's around&#xA;Feels like heaven every night&#xA;Being here with someone new&#xA;A physical thrill, a beautiful smile&#xA;And wonderful muscles, too&#xA;&#xA;So many men, so little time (So many men)&#xA;How can I lose?&#xA;So many men, so little time (So many men)&#xA;How can I choose?&#xA;&#xA;&#xA;5 (This is a five)&#xA;10 (Ten)&#xA;15 (Uh-uh)&#xA;20 (Twenty)&#xA;25 (Twenty-five)&#xA;30 (Thirty)&#xA;35 (Mm-hmm)&#xA;40 (Mmm...)&#xA;45 (Mm-hmm)&#xA;50 (Fifty)&#xA;55 (Fifty-five)&#xA;60 (Mm-hmm)&#xA;65, 70, 75, 80, 85, 90, 95&#xA;Oh!&#xA;&#xA;&#xA;So really, who cares about love?&#xA;Who wants to feel taken away?&#xA;For fifty-two weeks of every year&#xA;There's a new man every day&#xA;It's too hard a choice to make up my mind&#xA;So many men can turn on my light&#xA;Don't want true love, don't want friends&#xA;Just give me the bodies tonight&#xA;&#xA;So many men, so little time (So many men)&#xA;How can I lose?&#xA;So many men, so little time (So many men)&#xA;How can I choose?&#xA;So many men, so little time (So many men)&#xA;How can I lose?&#xA;So many men, so little time (So many men)&#xA;How can I choose?" PRODUCER="2014 One Media iP Ltd" COVERARTID="034/C3QXQRCI5FB03CVTDBOFA3JXXTSD" PLAYTIME="185" PLAYTIME_FLOAT="184.426666" IMPORT_DATE="2025/4/14" RELEASE_DATE="2002/1/1" FLAGS="12" FILESIZE="20049"></INFO>
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<INFO BITRATE="1012745" KEY_LYRICS="65 ContributorsYou Spin Me Round (Like a Record) Lyrics&#xA;If I, I get to know your name&#xA;Well if I, could trace your private number, baby&#xA;&#xA;&#xA;All I know is that to me&#xA;You look like you're lots of fun&#xA;Open up your lovin' arms&#xA;I want some, want some&#xA;&#xA;&#xA;I set my sights on you&#xA;(And no one else will do)&#xA;And I, I've got to have my way now, baby&#xA;&#xA;&#xA;All I know is that to me&#xA;You look like you're havin' fun&#xA;Open up your lovin' arms&#xA;Watch out, here I come&#xA;&#xA;&#xA;You spin me right 'round, baby, right 'round&#xA;Like a record, baby, right 'round, 'round, 'round&#xA;You spin me right 'round, baby, right 'round&#xA;Like a record, baby, right 'round, 'round, 'round&#xA;&#xA;I (I, I, I)&#xA;I got to be your friend now, baby&#xA;And I (I, I, I) would like to move in just a little bit closer (To move in just a little bit closer)&#xA;&#xA;&#xA;All I know is that to me&#xA;You look like you're lots of fun&#xA;Open up your lovin' arms&#xA;Watch out, here I come&#xA;&#xA;&#xA;You spin me right 'round, baby, right 'round&#xA;Like a record, baby, right 'round, 'round, 'round&#xA;You spin me right 'round, baby, right 'round&#xA;Like a record, baby, right 'round, 'round, 'round&#xA;&#xA;&#xA;I want your love&#xA;I want your love&#xA;&#xA;&#xA;All I know is that to me&#xA;You look like you're lots of fun&#xA;Open up your lovin' arms&#xA;Watch out, here I come&#xA;&#xA;You spin me right 'round, baby, right 'round&#xA;Like a record, baby, right 'round, 'round, 'round&#xA;You spin me right 'round, baby, right 'round&#xA;Like a record, baby, right 'round, 'round, 'round&#xA;You spin me right 'round, baby, right 'round (You spin me like a record)&#xA;Like a record, baby, right 'round, 'round, 'round (I want your love)&#xA;You spin me right 'round, baby, right 'round (You spin me like a record)&#xA;Like a record, baby, right 'round, 'round, 'round (I want your love)&#xA;You spin me right 'round, baby, right 'round (I need your love)&#xA;Like a record, baby, right 'round, 'round, 'round&#xA;You spin me right 'round, baby, right 'round (I need your love)&#xA;Like a record, baby, right 'round, 'round, 'round" PRODUCER="(P) 1985 Sony Music Entertainment UK Limited" COVERARTID="060/2VFIV5ADRBJ14C0AWNUBAWHMJ0CC" PLAYTIME="197" PLAYTIME_FLOAT="196.066666" IMPORT_DATE="2025/4/14" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="24567"></INFO>
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<INFO BITRATE="757297" KEY_LYRICS="17 ContributorsDon’t Go Lyrics&#xA;Came in from the city&#xA;Walked into the door&#xA;I turned around when I heard&#xA;The sound of footsteps on the floor&#xA;Love just like addiction&#xA;Now I'm hooked on you&#xA;I need some time to get it right&#xA;Your love's gonna see me through&#xA;&#xA;&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;&#xA;&#xA;Oh, baby&#xA;Make your mind up&#xA;Give me what you got&#xA;Fix me with your loving&#xA;Shut the door and turn the lock&#xA;Hey, go get the doctor&#xA;Doctor came too late&#xA;Another night, I feel all right&#xA;My love for you can't wait&#xA;&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;&#xA;&#xA;&#xA;&#xA;Came in from the city&#xA;Walked into the door&#xA;I turned around when I heard&#xA;The sound of footsteps on the floor&#xA;Said he was a killer&#xA;Now I know it's true&#xA;I'm dead when you walk out the door&#xA;Hey, babe, I'm hooked on you&#xA;&#xA;&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;Can't stop now&#xA;Don't you know?&#xA;I ain't never gonna let you go&#xA;Don't go&#xA;&#xA;Don't go&#xA;Don't go&#xA;Don't go&#xA;Don't go" PRODUCER="℗ 1982 Mute Records Ltd., a BMG Company" COVERARTID="116/U1PQ5KDRAUMYQC23H2QWBHCNES2D" PLAYTIME="189" PLAYTIME_FLOAT="188.466660" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="17683"></INFO>
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<INFO BITRATE="899098" KEY_LYRICS="1 ContributorRapper’s Delight (Single Version) Lyrics&#xA;I said a hip hop the hippie the hippie&#xA;To the hip hip hop and you don't stop&#xA;The rock it to the bang bang boogie&#xA;Say up jump the boogie to the rhythm of the boogie, the beat&#xA;&#xA;&#xA;Now, what you hear is not a test, I'm rapping to the beat&#xA;And me, the groove, and my friends are gonna try to move your feet&#xA;You see I am Wonder Mike and I'd like to say &amp;quot;hello&amp;quot;&#xA;To the black, to the white, the red and the brown, the purple and yellow&#xA;But first, I gotta bang bang the boogie to the boogie&#xA;Say up jump the boogie to the bang bang boogie&#xA;Let's rock, you don't stop&#xA;Rock the rhythm that'll make your body rock&#xA;Well so far you've heard my voice, but I brought two friends along&#xA;And next on the mic is my man Hank; come on, Hank, sing that song:&#xA;&#xA;&#xA;Check it out, Well, I'm Imp the Dimp the ladies pimp&#xA;The women fight for my delight&#xA;But I'm the grandmaster with the three emcees&#xA;That shock the house for the young ladies&#xA;And when you come inside, into the front&#xA;You do the freak, spank, and do the bump&#xA;And when the sucker emcees try to prove a point&#xA;We're treacherous trio, uh, with a serious joint&#xA;A from sun to sun and from day to day&#xA;I sit down and write a brand new rhyme&#xA;Because they say that miracles never cease&#xA;I've created a devastating masterpiece&#xA;I'm gonna rock the mic til you can't resist&#xA;Everybody, I say it goes like this&#xA;Well I was coming home late one dark afternoon&#xA;Reporter stopped me for a interview&#xA;She said she's heard stories and she's heard fables&#xA;That I'm vicious on the mic and the turntables&#xA;This young reporter I did adore&#xA;So I rocked a vicious rhyme like I never did before&#xA;She said &amp;quot;damn fly guy I'm in love with you&amp;quot;&#xA;The Casanova legend must have been true&#xA;I said by the way baby what's your name&#xA;Said &amp;quot;I go by the name of Lois Lane&amp;quot;&#xA;And you could be my boyfriend you surely can&#xA;Just let me quit my boyfriend called Superman&#xA;I said he's a fairy I do suppose&#xA;Flying through the air in pantyhose&#xA;He may be very sexy or even cute&#xA;But he looks like a sucker in a blue and red suit&#xA;I said you need a man who's got finesse&#xA;And his whole name across his chest&#xA;He may be able to fly all through the night&#xA;But can he rock a party 'til the early light&#xA;He can't satisfy you with his little worm&#xA;But I can bust you out with my super sperm&#xA;I go do it, I go do it, I go do it, do it, do it&#xA;An I'm here and I'm there I'm Big Bank Hank, I'm everywhere&#xA;Just throw your hands up in the air&#xA;And party hardy like you just don't care&#xA;Let's do it, uh, don't stop y'all, uh, tick a tock y'all you don't stop&#xA;&#xA;I go: Hotel, motel, what you gonna do today (say what)&#xA;I'm gonna get a fly girl gonna get some spank and drive off in a def OJ&#xA;Everybody go: Hotel, motel, holiday inn&#xA;You see, if your girl starts acting up then you take her friend&#xA;&#xA;&#xA;I say skip, dive, what can I say&#xA;I can't fit em all inside my OJ&#xA;So I just take half and bust them out&#xA;I give the rest to Master Gee so he could shock the house&#xA;&#xA;&#xA;I said M-A-S, a T-E-R, a G with a double E&#xA;I said I go by the unforgettable name&#xA;Of the man they call the Master Gee&#xA;Well, my name is known all over the world&#xA;By all the foxy ladies and the pretty girls&#xA;I'm going down in history&#xA;As the baddest rapper there ever could be&#xA;Now I'm feeling the highs and you're feeling the lows&#xA;The beat starts getting into your toes&#xA;You start popping your fingers and stomping your feet&#xA;And moving your body while you're sitting in your seat&#xA;And then jam you start doing the freak&#xA;I said damn, right outta your seat&#xA;Then you throw your hands high in the air&#xA;You're rocking to the rhythm, shake your derriere&#xA;You're rocking to the beat without a care&#xA;With the sure-shot emcees for the affair&#xA;Now, I'm not as tall as the rest of the gang&#xA;But I rap to the beat just the same&#xA;I got a little face and a pair of brown eyes&#xA;All I'm here to do ladies is hypnotize&#xA;Singing on and on and on, on and on&#xA;The beat don't stop until the break of dawn&#xA;Singing on and on and on, on and on&#xA;Like a hot ready to pop the pop the pop dibbie dibbie&#xA;Pop the pop, pop, you don't dare stop&#xA;Come alive y'all gimme what you got&#xA;I guess by now you can take a hunch&#xA;And find that I am the baby of the bunch&#xA;But that's okay, I still keep in stride&#xA;Cause all I'm here to do is just wiggle your behind&#xA;Singing on and on and on, on and on&#xA;The beat don't stop until the break of dawn&#xA;Singing on and on and on, on and on&#xA;Rock rock y'all get on the floor&#xA;&#xA;&#xA;I'm gonna freak ya here I'm gonna freak you there&#xA;I'm gonna move you outta this atmosphere&#xA;&#xA;&#xA;Cause I'm one of a kind and I'll shock your mind&#xA;I'll put t-t-tickets in your behind&#xA;I said 1-2-3-4, come on, girls, get on the floor&#xA;A-come alive, y'all gimme what ya got&#xA;Cause I'm guaranteed to make you rock&#xA;I said 1-2-3-4, tell me Wonder Mike what are you waiting for?&#xA;&#xA;&#xA;I said a hip hop the hippie the hippie&#xA;To the hip hip hop and you don't stop&#xA;The rock it to the bang bang boogie&#xA;Say up jump the boogie to the rhythm of the boogie, the beat&#xA;&#xA;Skiddlee beebop a we rock a scoobie doo&#xA;And guess what, America: we love you&#xA;Cause ya rock and ya roll with so much soul&#xA;You could rock 'til you're a hundred and one years old&#xA;I don't mean to brag, I don't mean to boast&#xA;But we like hot butter on a breakfast toast&#xA;Rock it up, uh, baby bubba&#xA;Baby bubba to the boogie the bang bang the boogie&#xA;To the beat beat, it's so unique&#xA;Come on, everybody, and dance to the beat&#xA;&#xA;Have you ever went over a friend's house to eat&#xA;And the food just ain't no good?&#xA;I mean the macaroni's soggy, the peas are mushed&#xA;And the chicken tastes like wood&#xA;So you try to play it off like you think you can&#xA;By saying that you're full&#xA;And then your friend says &amp;quot;momma, he's just being polite&#xA;He ain't finished, uh-uh, that's bull&amp;quot;&#xA;So your heart starts pumping and you think of a lie&#xA;And you say that you already ate&#xA;And your friend says &amp;quot;man there's plenty of food&amp;quot;&#xA;So you pile some more on your plate&#xA;While the stinky food's steaming your mind starts to dreaming&#xA;Of the moment that it's time to leave&#xA;And then you look at your plate and your chicken's slowly rotting&#xA;Into something that looks like cheese&#xA;Oh so you say that's it I got to leave this place&#xA;I don't care what these people think&#xA;I'm just sitting here making myself nauseous&#xA;With this ugly food that stinks&#xA;So you bust out the door while its still closed&#xA;Still sick from the food you ate&#xA;And then you run to the store for quick relief&#xA;From a bottle of kaopectate&#xA;And then you call your friend two weeks later&#xA;To see how he has been&#xA;And he says &amp;quot;I understand about the food&#xA;Baby but bubba, we're still friends&amp;quot;&#xA;&#xA;&#xA;With a hip hop the hippie the hippie&#xA;To the hip hip hop and you don't stop&#xA;The rock it to the bang bang boogie&#xA;Say up jump the boogie to the rhythm of the boogie, the beat..." 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<INFO BITRATE="835806" KEY_LYRICS="17 ContributorsCandy Girl Lyrics“Candy Girl” was the first single New Edition released in 1983 from their debut album of the same name. The song was recorded in 1982 after the group was given studio time by producer Maurice Starr following… Read More &#xA;My girl's like candy, a candy treat&#xA;She knocks me high up off my feet&#xA;She's so fine, as can be&#xA;I know this girl is meant for me&#xA;&#xA;&#xA;Candy girl&#xA;You are my world&#xA;You look so sweet&#xA;You're a special treat&#xA;Candy girl&#xA;All I want to say&#xA;When you're with me&#xA;You brighten up my day&#xA;&#xA;&#xA;All I know when I'm with you&#xA;You make me feel so good, through and through&#xA;The way you walk, and the way you talk&#xA;You always look so good, you make forget my thoughts&#xA;&#xA;&#xA;(Do you really love me?) Do you really love me?&#xA;(Don't you really care?) Don't you really care?&#xA;(Do you really need me?) Do you really need me&#xA;And will you always be there?&#xA;&#xA;Every night and every day&#xA;I'm always thinkin' of you in every way&#xA;All I know when I'm with you&#xA;You make me feel so good, through and through&#xA;&#xA;&#xA;Candy girl, you are my world&#xA;You're everything, everything, everything to me&#xA;Candy girl, all I want to say&#xA;I need your love, each and every day!&#xA;&#xA;&#xA;Hey fellas! (What?)&#xA;Check out Mike and Bobby's little lady!&#xA;(Ooooh-weeeee!)&#xA;Well, check out Ricky and Ralph's!&#xA;(Oooooh-weeee!)&#xA;What about Ronnie's!&#xA;She's bad, she's bad, I know she's bad!&#xA;&#xA;&#xA;She walks so fast, she looks so sweet&#xA;She makes my heart just skip a beat&#xA;My girl's the best and that's no lie&#xA;She tells me that I'm her only guy!&#xA;That might be true, but my girl's a joy&#xA;She don't play around, she's right to the point!&#xA;My girl's like candy, a candy treat&#xA;She knocks me high up off my feet&#xA;&#xA;Oh, candy&#xA;You look so sweet&#xA;Oh, candy!&#xA;You're a special treat&#xA;Candy (You're my candy), candy girl (Candy)&#xA;Candy (Girl, you're my candy), candy girl (Candy)&#xA;&#xA;&#xA;Candy girl, you are my world&#xA;I need your love, each and every day&#xA;Candy girl, all I want to say&#xA;You're everything, everything, everything to me&#xA;Candy girl, you are my world&#xA;I need your love, each and every day&#xA;Candy girl&#xA;I need it, need it, need it, need it, need it every day&#xA;Candy girl..." PRODUCER="(P) 1983 Streetwise Records" COVERARTID="078/OSAOWYANXZAGPA1LB3XCDGZZNXAC" PLAYTIME="236" PLAYTIME_FLOAT="235.373337" IMPORT_DATE="2025/4/14" RELEASE_DATE="1983/1/1" FLAGS="12" FILESIZE="24586"></INFO>
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<INFO BITRATE="1046247" KEY_LYRICS="124 ContributorsTranslationsPortuguêsFrançaisРусскийRomânăBad Lyrics&#xA;Ah, your butt is mine, gon' tell you right, ah&#xA;Just show your face in broad daylight, ah&#xA;I'm tellin' you on who I feel, ah&#xA;Gonna hurt your mind, don't shoot to kill&#xA;Shamone, ah, shamone&#xA;Lay it on me, ah, alright&#xA;Ah, I'm givin' you on count to three, ah&#xA;To show your stuff or let it be, ah&#xA;I'm tellin' you, just watch your mouth, ah&#xA;I know your game, hah, what you're about, ah&#xA;&#xA;&#xA;Well, they say the sky's the limit&#xA;And to me, that's really true, ah&#xA;But my friend, you have seen nothin'&#xA;Just wait 'til I get through&#xA;&#xA;&#xA;Because I'm bad, I'm bad, shamone, ah (Bad, bad, really, really bad)&#xA;You know I'm bad, I'm bad (Bad, bad)&#xA;You know it, ah (Really, really bad)&#xA;You know I'm bad, I'm bad, shamone (Bad, bad)&#xA;You know (Really, really bad)&#xA;And the whole world has to answer right now&#xA;Just to tell you once again&#xA;Who's bad?&#xA;&#xA;Ah, ah, the word is out, ah&#xA;You're doin' it wrong, ah&#xA;Gon' lock you up before too long, ah&#xA;Your lyin' eyes gon' tell you right, ah&#xA;So listen up, ah, don't make a fight, ah&#xA;Your talk is cheap, you're not a man, ah&#xA;You're throwin' stones to hide your hands&#xA;&#xA;&#xA;Well, they say the sky's the limit&#xA;And to me, that's really true, ah&#xA;But my friend, you have seen nothin'&#xA;Just wait 'til I get through&#xA;&#xA;&#xA;Because I'm bad, I'm bad, shamone, ah (Bad, bad, really, really bad)&#xA;You know I'm bad, I'm bad (Bad, bad)&#xA;You know it, ah (Really, really bad)&#xA;You know I'm bad, I'm bad, you know it (Bad, bad)&#xA;You know (Really, really bad)&#xA;And the whole world has to answer right now&#xA;Just to tell you once again&#xA;Who's bad?&#xA;&#xA;&#xA;&#xA;Ah, we can change the world tomorrow&#xA;This could be a better place, ah&#xA;If you don't like what I'm sayin'&#xA;Then won't you slap my face?&#xA;&#xA;&#xA;Because I'm bad, I'm bad, shamone, ah (Bad, bad, really, really bad)&#xA;You know I'm bad, I'm bad (Bad, bad)&#xA;You know it, ah (Really, really bad)&#xA;You know I'm bad, I'm bad (Bad, bad)&#xA;You know it, you know (Really, really bad)&#xA;And the whole world has to answer right now (Hoo, hoo)&#xA;Just to tell you once again (Hoo)&#xA;You know I'm bad, I'm bad, shamone, ah (Bad, bad, really, really bad)&#xA;You know I'm bad, I'm bad (Bad, bad)&#xA;You know it, you know it (Really, really bad)&#xA;You know, you know (Bad, bad)&#xA;You know, shamone (Really, really bad)&#xA;And the whole world has to answer right now&#xA;Just to tell you once again&#xA;You know I'm smooth, I'm bad, you know it (Bad, bad, really, really bad)&#xA;You know I'm bad, I'm bad, baby (Bad, bad, really, really bad)&#xA;You know, you know, you know it, shamone (Bad, bad, really, really bad)&#xA;And the whole world has to answer right now (Hoo)&#xA;Just to tell you once again&#xA;You know I'm bad, I'm bad, you know it (Bad, bad, really, really bad)&#xA;You know I'm bad, you know, woo (Bad, bad, really, really bad)&#xA;You know I'm bad, I'm bad (Bad, bad)&#xA;You know it, you know (Really, really bad)&#xA;And the whole world has to answer right now&#xA;Just to tell you once again&#xA;Who's bad?" PRODUCER="(P) 1987 MJJ Productions Inc." COVERARTID="092/2KBFKRDYLDGRSD1G3J4OCSEV0F4C" PLAYTIME="248" PLAYTIME_FLOAT="247.184097" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="31643"></INFO>
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<INFO BITRATE="1051789" KEY_LYRICS="27 ContributorsNasty Lyrics“Nasty” is the third single released from Control and was created in response to street harassment that she encountered from some “nasty boys”. The song is a funky dance track with some hard-hitting drums and… Read More &#xA;Gimme a beat&#xA;&#xA;&#xA;Sittin' in the movie show, thinkin' nasty thoughts, ha&#xA;Better be a gentleman or you'll turn me off&#xA;That's right, let me tell it&#xA;&#xA;&#xA;Nasty, nasty boys don't mean a thing (Huh)&#xA;Oh, you nasty boys&#xA;Nasty, nasty boys don't ever change (Huh)&#xA;Oh, you nasty boys&#xA;&#xA;&#xA;I don't like no nasty car, I don't like nasty food&#xA;Ooh, ooh yeah&#xA;The only nasty thing I like is a nasty groove (Ha)&#xA;Will this one do? Uh-huh, I know, sing&#xA;&#xA;&#xA;Nasty, nasty boys don't mean a thing (Huh)&#xA;Oh, you nasty boys&#xA;Nasty, nasty boys don't ever change (Huh)&#xA;Oh, you nasty boys&#xA;Nasty, nasty boys, give me a nasty groove (Huh)&#xA;Oh, you nasty boys&#xA;Nasty, nasty boys, let me see your nasty body move (Huh)&#xA;Oh, you nasty boys&#xA;&#xA;I could learn to like this&#xA;Listen up&#xA;&#xA;&#xA;I'm not a prude (No)&#xA;I just want some respect (That's right)&#xA;So close the door if you want me to respond (Ooh, ooh yeah)&#xA;'Cause privacy is my middle name&#xA;My last name is control&#xA;No, my first name ain't baby&#xA;It's Janet, Miss Jackson if you're nasty&#xA;&#xA;&#xA;Nasty, nasty boys don't mean a thing&#xA;Oh, you nasty boys&#xA;Nasty, nasty boys don't ever change (Huh)&#xA;Oh, you nasty boys&#xA;Nasty boys don't mean a thing&#xA;Oh, you nasty boys don't mean a thing to me (Uh)&#xA;Nasty, don't mean a thing (Uh)&#xA;Oh, you nasty boys (Uh)&#xA;&#xA;&#xA;I love this part&#xA;&#xA;Hey, who's that thinkin' nasty thoughts? (Nasty boys)&#xA;Who's that in that nasty car? (Nasty boys)&#xA;Who's that eatin' that nasty food? (Nasty boys)&#xA;Who's jammin' to my nasty groove? (Nasty boys)&#xA;Ladies?&#xA;&#xA;&#xA;Nasty boys don't mean a thing&#xA;Oh, you nasty boys" PRODUCER="℗ 1986 UMG Recordings, Inc." COVERARTID="043/LR3UVIDBZU4ZGBWTTSUDCA1WB5FD" PLAYTIME="245" PLAYTIME_FLOAT="244.160004" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="31541"></INFO>
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<INFO BITRATE="950270" KEY_LYRICS="88 ContributorsTranslationsTürkçeEspañolPortuguêsItalianoहिन्दीAbout Damn Time Lyrics&#xA;Anyway&#xA;&#xA;&#xA;It's bad bitch o'clock, yeah, it's thick-thirty&#xA;I've been through a lot, but I'm still flirty (Okay)&#xA;Is everybody back up in the buildin'?&#xA;It's been a minute, tell me how you're healin'&#xA;'Cause I'm about to get into my feelings&#xA;How you feelin'? How you feel right now?&#xA;&#xA;&#xA;Oh, I been so down and under pressure&#xA;I'm way too fine to be this stressed, yeah&#xA;Oh, I'm not the girl I was or used to be, uh&#xA;Bitch, I might be better&#xA;&#xA;&#xA;Turn up the music, turn down the lights&#xA;I got a feelin' I'm gon' be alright&#xA;Okay (Okay), alright&#xA;It's about damn time (Time)&#xA;Turn up the music, let's celebrate (Alright)&#xA;I got a feelin' I'm gon' be okay&#xA;Okay (Okay), alright&#xA;It's about damn time&#xA;&#xA;In a minute, I'ma need a sentimental&#xA;Man or woman to pump me up&#xA;Feelin' fussy, walkin' in my Balenci-ussies&#xA;Tryna bring out the fabulous&#xA;'Cause I give a fuck way too much&#xA;I'ma need like two shots in my cup&#xA;Wanna get up, wanna get down&#xA;Mm, that's how I feel right now&#xA;&#xA;&#xA;Oh, I been so down and under pressure&#xA;I'm way too fine to be this stressed, yeah&#xA;Oh, I'm not the girl I was or used to be, uh&#xA;Bitch, I might be better&#xA;&#xA;&#xA;Turn up the music, turn down the lights&#xA;I got a feelin' I'm gon' be alright&#xA;Okay (Okay), alright&#xA;It's about damn time (Time)&#xA;Turn up the music, let's celebrate (Alright)&#xA;I got a feelin' I'm gon' be okay&#xA;Okay (Okay), alright&#xA;It's about damn time&#xA;&#xA;Bitch&#xA;'Cause, uh, you know what time it is, uh&#xA;I'm comin' out tonight, I'm comin' out tonight (Uh-huh)&#xA;I'm comin' out tonight, I'm comin' out tonight (Woo)&#xA;I'm comin' out tonight, I'm comin' out tonight&#xA;Okay (Okay), alright (Alright)&#xA;It's about damn time&#xA;I'm comin' out tonight (Let's go), I'm comin' out tonight (Comin' out tonight)&#xA;I'm comin' out tonight, I'm comin' out tonight (Woo)&#xA;I'm comin' out tonight, I'm comin' out tonight (Comin' out tonight)&#xA;Okay (Okay), alright&#xA;It's about damn time (Oh)&#xA;&#xA;&#xA;Bitch&#xA;Yeah, yeah&#xA;It's about damn time" PRODUCER="℗ 2021 Nice Life Recording Company and Atlantic Recording Corporation" COVERARTID="038/GNO00HCLZSBBBDVQE3I0B03WBHKC" PLAYTIME="192" PLAYTIME_FLOAT="191.937775" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="22477"></INFO>
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<INFO BITRATE="913917" KEY_LYRICS="14 ContributorsJuly 2020 Singles Release Calendar LyricsWELCOME TO GENIUS' JULY 2020 SINGLES RELEASE CALENDAR!!!&#xA;&#xA;&#xA;&#xA;For July 2020 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights the notable singles released in all genres throughout July 2020. Each song… Read More 7/1&#xA;A Boogie Wit Da Hoodie &amp;amp; Don Q - &amp;quot;Flood My Wrist&amp;quot; ft. Lil Uzi Vert&#xA;Buddy - &amp;quot;Faces&amp;quot; ft. Lucky Daye&#xA;Evanescence - &amp;quot;The Game Is Over&amp;quot;&#xA;​ilyTOMMY - &amp;quot;Booty&amp;quot;&#xA;IV JAY - &amp;quot;Stay Mad&amp;quot;&#xA;LANY - &amp;quot;​if this is the last time&amp;quot;&#xA;Lil Bam - &amp;quot;Julio (Remix)&amp;quot; ft. Rick Ross &amp;amp; Jucee Froot&#xA;Maisie Peters - &amp;quot;Sad Girl Summer&amp;quot;&#xA;MisterWives - &amp;quot;​decide to be happy&amp;quot;&#xA;Mustafa - &amp;quot;Come Back&amp;quot; ft. James Blake&#xA;Smoove'L - Turn Left Turn Right&amp;quot;&#xA;Ty Dolla $ign - &amp;quot;Ego Death&amp;quot; ft. Skrillex, FKA twigs &amp;amp; Kanye West&#xA;Unlike Pluto - &amp;quot;FMO&amp;quot;&#xA;Wolftyla - &amp;quot;Butterflies&amp;quot; ft. Jay Park&#xA;&#xA;7/2&#xA;AJ Tracey &amp;amp; Mabel - &amp;quot;WEST TEN&amp;quot;&#xA;Ingrid Andress - &amp;quot;Waste of Lime&amp;quot;&#xA;Koe Wetzel - &amp;quot;Sundy or Mundy&amp;quot;&#xA;Leaving Austin - &amp;quot;American Avenue&amp;quot; ft. Cassadee Pope&#xA;​lovelytheband - &amp;quot;idwgtyp&amp;quot;&#xA;R3HAB - &amp;quot;I Can Feel Alive&amp;quot; ft. A R I Z O N A&#xA;Rocstaryoshi - &amp;quot;2%&amp;quot;&#xA;Saweetie - &amp;quot;Pretty Bitch Freestyle&amp;quot;&#xA;SL &amp;amp; Kenny Beats - &amp;quot;Little Bird&amp;quot;&#xA;Yo Gotti - &amp;quot;Recession Proof&amp;quot;&#xA;The Veronicas -  &amp;quot;Biting My Tongue&amp;quot;&#xA;7/3&#xA;$NOT - &amp;quot;CAN YOU HELP ME?&amp;quot;&#xA;6ix9ine - &amp;quot;YAYA&amp;quot;&#xA;Anthony Dircson &amp;amp; ISA - &amp;quot;Know Me Better&amp;quot;&#xA;Aria Bléu - &amp;quot;Theory of You&amp;quot;&#xA;Billy Currington - &amp;quot;Seaside&amp;quot;&#xA;Blueface - &amp;quot;Traphouse&amp;quot; ft. Flash Gottii &amp;amp; 03 Greedo&#xA;Casey Veggies &amp;amp; Rockie Fresh - &amp;quot;Miss My Dawgs (Long Live Nip)&amp;quot; ft. Hit-Boy&#xA;Christina Perri - &amp;quot;Jar of hearts (10th anniversary acoustic)&amp;quot;&#xA;Christine and the Queens - &amp;quot;Eyes of a Child&amp;quot;&#xA;Chris Young - &amp;quot;If That Ain't God&amp;quot;&#xA;Clinton Kane - &amp;quot;forget about us&amp;quot;&#xA;Clinton Kane - &amp;quot;hopeless&amp;quot;&#xA;Dounia - &amp;quot;Virgin Mimosas&amp;quot;&#xA;Futuristic &amp;amp; JZAC - &amp;quot;Cool AF&amp;quot;&#xA;GASHI - &amp;quot;Upset&amp;quot; ft. Njomza &amp;amp; Pink Sweat$&#xA;Jarreau Vandal - &amp;quot;My Way&amp;quot; ft. Col3trane&#xA;Jason Derulo, Puri &amp;amp; Jhorrmountain - &amp;quot;Coño&amp;quot;&#xA;Lauren Cimorelli - &amp;quot;Rabbit Hole&amp;quot;&#xA;Like Saturn - &amp;quot;Something Beautiful&amp;quot;&#xA;Jhay Cortez - &amp;quot;Dime a Ve&amp;quot;&#xA;Loser - &amp;quot;chase bank&amp;quot; ft. Sol Jay&#xA;Jim Jones - &amp;quot;The People (Remix)&amp;quot; ft. Conway the Machine &amp;amp; Marc Scibilia&#xA;Kelly Clarkson - &amp;quot;I Dare You (Gozzi Remix)&amp;quot;&#xA;Kidd Keo - &amp;quot;RIP THE WOO&amp;quot;&#xA;Kungs - &amp;quot;Dopamine&amp;quot; ft. JHart&#xA;Maia Wright - &amp;quot;I'm Ready&amp;quot;&#xA;​nobigdyl. - &amp;quot;PARABOLIC!&amp;quot;&#xA;osquinn - &amp;quot;dfwmn&amp;quot;&#xA;Rapsody - &amp;quot;Afeni (Remix)&amp;quot; ft. D Smoke &amp;amp; PJ Morton&#xA;Rema - &amp;quot;Woman&amp;quot;&#xA;Rockit Gaming - &amp;quot;Raze&amp;quot;&#xA;Rosa Raye - &amp;quot;Living Spree&amp;quot;&#xA;Russ - &amp;quot;Live From The Villa&amp;quot;&#xA;SahBabii - &amp;quot;Tongue Demon&amp;quot;&#xA;Seeb &amp;amp; Julie Bergan -&amp;quot;Don't You Wanna Play?&amp;quot;&#xA;Shoreline Mafia - &amp;quot;Change Ya Life&amp;quot;&#xA;Skylar Grey - &amp;quot;Sunscreen&amp;quot;&#xA;Spiritbox - &amp;quot;Holy Roller&amp;quot;&#xA;SVRITE &amp;amp; Jacobsen - &amp;quot;Thief in the Night&amp;quot;&#xA;Tinashe &amp;amp; ZHU - &amp;quot;Die a Little Bit (Remix)&amp;quot; ft. Ms Banks&#xA;Tinie Tempah - &amp;quot;Whoppa&amp;quot; ft. Sofía Reyes &amp;amp; Farina&#xA;TOKYO'S REVENGE - &amp;quot;GOTHAM&amp;quot;&#xA;Tory Lanez &amp;amp; Kevin Gates - &amp;quot;Convertible Burt&amp;quot;&#xA;Trae tha Truth - &amp;quot;Time for Change (Black Lives Matter)&amp;quot; ft. Anthony Hamilton, Ink, Lee Merritt, Tamika Mallory, Bun B, David Banner, E-40, Krayzie Bone, Conway the Machine, Mysonne &amp;amp; Styles P&#xA;vowl. &amp;amp; DIVINE - &amp;quot;secrets&amp;quot;&#xA;Wiktoria - &amp;quot;ME&amp;quot;&#xA;Young T &amp;amp; Bugsey - &amp;quot;Don't Rush (Busta Rhymes Remix)&amp;quot; ft. Busta Rhymes&#xA;ZenAware - &amp;quot;You&amp;quot;&#xA;7/4&#xA;Frvrfriday - &amp;quot;Pretty Vanilla&amp;quot;&#xA;&#xA;7/5&#xA;Bankroll Blockaye - &amp;quot;Scenes&amp;quot;&#xA;&#xA;7/6&#xA;Aminé - &amp;quot;Compensating&amp;quot; ft. Young Thug&#xA;Bill Callahan - &amp;quot;Another Song&amp;quot;&#xA;Juice WRLD &amp;amp; Halsey - &amp;quot;Life's a Mess&amp;quot;&#xA;Lute - &amp;quot;Life&amp;quot;&#xA;Sam Smith - &amp;quot;Fix You&amp;quot;&#xA;Terrell Hines &amp;amp; Vince Staples - &amp;quot;Get Up&amp;quot;&#xA;&#xA;7/7&#xA;2 Chainz - &amp;quot;Devil Just Trying to Be Seen&amp;quot; ft. Skooly&#xA;BENNY THE BUTCHER - &amp;quot;Deal or No Deal&amp;quot;&#xA;Dan Bull - &amp;quot;Je Suis Aveline&amp;quot;&#xA;Ebenezer - &amp;quot;3am in LA&amp;quot; ft. Stefflon Don&#xA;Ghetts - &amp;quot;Mozambique&amp;quot; ft. Moonchild Sanelly &amp;amp; Jaykae&#xA;Joey Trap - &amp;quot;SUPER SUCK&amp;quot; ft. KxllSwxtch&#xA;Kevin George - &amp;quot;SHINE&amp;quot;&#xA;Parker &amp;amp; Lisa Cimorelli - &amp;quot;Stand Up&amp;quot;&#xA;wifisfuneral - &amp;quot;End of Story&amp;quot;&#xA;&#xA;7/8&#xA;Brian Brown - &amp;quot;2K Freestyle&amp;quot;&#xA;CG5 &amp;amp; Hyper Potions - &amp;quot;The Speed in My Soul&amp;quot;&#xA;Don Q - &amp;quot;I'm the One&amp;quot;&#xA;Future Islands - &amp;quot;For Sure&amp;quot;&#xA;G-Eazy - &amp;quot;Sun Bleached &amp;amp; Dried&amp;quot;&#xA;H.E.R. - &amp;quot;Do to Me&amp;quot;&#xA;James Blake - &amp;quot;Are You Even Real&amp;quot;&#xA;Kyle Allen - &amp;quot;Over and Over&amp;quot;&#xA;Nyck Caution - &amp;quot;Famiglia&amp;quot; ft. Meechy Darko&#xA;Pressa, Sleepy Hallow &amp;amp; Sheff G - &amp;quot;Head Tap&amp;quot;&#xA;Unlike Pluto - &amp;quot;Stir Crazy&amp;quot;&#xA;Wiz Khalifa - &amp;quot;Slim Peter&amp;quot;&#xA;Wafia - &amp;quot;Hurricane&amp;quot;&#xA;Wrabel &amp;amp; Kesha - &amp;quot;Since I Was Young&amp;quot;&#xA;Rack, Dj Silence - &amp;quot;Barcode&amp;quot;&#xA;7/9&#xA;Ashnikko - &amp;quot;Daisy&amp;quot;&#xA;Bazzi - &amp;quot;I Don't Think I'm Okay&amp;quot;&#xA;blackbear - &amp;quot;queen of broken hearts&amp;quot;&#xA;D-Block Europe - &amp;quot;Plain Jane&amp;quot;&#xA;Dominic Fike - &amp;quot;Politics &amp;amp; Violence&amp;quot;&#xA;Dounia - &amp;quot;Dounia After Dark (Close)&amp;quot;&#xA;Faouzia - &amp;quot;How It All Works Out&amp;quot;&#xA;Jacob Latimore, Trevor Jackson &amp;amp; Rotimi - &amp;quot;Real Love, Pt. 2&amp;quot;&#xA;James Bay - &amp;quot;Chew On My Heart&amp;quot;&#xA;Juice WRLD &amp;amp; Marshmello - &amp;quot;Come &amp;amp; Go&amp;quot;&#xA;Lil Skies - &amp;quot;Red &amp;amp; Yellow&amp;quot;&#xA;MadeinTYO - &amp;quot;Square Bitch&amp;quot; ft. A$AP Ferg&#xA;Tainy &amp;amp; J Balvin - &amp;quot;Agua&amp;quot;&#xA;The Living Tombstone - &amp;quot;Alastor's Game&amp;quot;&#xA;Unknown T - &amp;quot;Deh Deh&amp;quot;&#xA;&#xA;7/10&#xA;8 Graves - &amp;quot;Eye for an Eye&amp;quot;&#xA;Alanis Morissette - &amp;quot;Reckoning&amp;quot;&#xA;Anitta - &amp;quot;Tócame&amp;quot; ft. Ann Marie &amp;amp; G Herbo - &amp;quot;Stress Relief&amp;quot;&#xA;Arcángel &amp;amp; De La Ghetto&#xA;Armin van Buuren &amp;amp; Nicky Romero - &amp;quot;I Need You To Know&amp;quot;&#xA;Avenue Beat - &amp;quot;F2020&amp;quot;&#xA;Becky G - &amp;quot;My Man&amp;quot;&#xA;Black Thought - &amp;quot;Thought vs Everybody&amp;quot;&#xA;Blueface &amp;amp; Coyote - &amp;quot;Yea Yea&amp;quot;&#xA;Bon Jovi - &amp;quot;American Reckoning&amp;quot;&#xA;Cavetown - &amp;quot;Smoke Signals&amp;quot; ft. Tessa Violet&#xA;Christian French - &amp;quot;make or break up&amp;quot;&#xA;Christian Rich &amp;amp; Vic Mensa - &amp;quot;NIGHT RIDERS&amp;quot;&#xA;Cyraq - &amp;quot;I'm Finna Shoot You (Remix)&amp;quot; ft. Lil Loaded&#xA;DC The Don - &amp;quot;Nascar Racer&amp;quot;&#xA;Desiigner - &amp;quot;Hate Me Now (FREESTYLE)&amp;quot;&#xA;DJDS - &amp;quot;Simple Things&amp;quot; ft. Rema &amp;amp; Tory Lanez&#xA;DreamDoll - &amp;quot;Ah Ah Ah&amp;quot; ft. Fivio Foreign&#xA;Emeli Sandé - &amp;quot;I'll Get There (The Other Side)&amp;quot;&#xA;Flipp Dinero - &amp;quot;Rich Today&amp;quot;&#xA;Flo Milli - &amp;quot;Weak&amp;quot;&#xA;Foster the People - &amp;quot;The Things We Do&amp;quot;&#xA;Good Times Ahead &amp;amp; Tony Romera - &amp;quot;Let Go&amp;quot;&#xA;Jacob Collier - &amp;quot;He Won’t Hold You&amp;quot; ft. Rapsody&#xA;Jay Critch, Tony Seltzer &amp;amp; A Lau - &amp;quot;Money Talk&amp;quot;&#xA;Kane Brown, Khalid &amp;amp; Swae Lee - &amp;quot;Be Like That&amp;quot;&#xA;KAROL G - &amp;quot;Ay, DiOs Mío!&amp;quot;&#xA;Katy Perry - &amp;quot;Smile&amp;quot;&#xA;KAYTRANADA - &amp;quot;Look Easy&amp;quot; ft. Lucky Daye&#xA;KB - &amp;quot;10K&amp;quot;&#xA;Kid Cudi - &amp;quot;The Adventures of Moon Man &amp;amp; Slim Shady&amp;quot; ft. Eminem&#xA;KILLY - &amp;quot;OH NO&amp;quot; ft. Y2K&#xA;Krewella &amp;amp; Yellow Claw - &amp;quot;Rewind&amp;quot;&#xA;Like Saturn - &amp;quot;Fairy Catching&amp;quot;&#xA;Lil Boom - &amp;quot;No Quirk No Life&amp;quot;&#xA;Lil Tracy - &amp;quot;WYA?&amp;quot;&#xA;Lindsay Lohan - &amp;quot;Back to Me (Black Caviar Remix)&amp;quot;&#xA;MAJ - &amp;quot;Supreme&amp;quot;&#xA;Mario Judah - &amp;quot;ROCKSTAR (Remix)&amp;quot;&#xA;Marshmello &amp;amp; Halsey - &amp;quot;Be Kind (Joy Club Remix)&amp;quot;&#xA;Mega Ran - &amp;quot;Mako Reactor&amp;quot; ft. RoboRob&#xA;Meghan Trainor - &amp;quot;Make You Dance&amp;quot;&#xA;MK XYZ - &amp;quot;Pass it&amp;quot; ft. G-Eazy&#xA;Natalie Grant - &amp;quot;Face to Face&amp;quot;&#xA;Neon Trees - &amp;quot;Mess Me Up&amp;quot;&#xA;RAYE - &amp;quot;Natalie Don't&amp;quot;&#xA;Rich Brian - &amp;quot;Love In My Pocket&amp;quot;&#xA;Rina Sawayama - &amp;quot;XS (Bree Runway Remix)&amp;quot; ft. Bree Runway&#xA;Russ - &amp;quot;Give Up&amp;quot;&#xA;Ryan Trey - &amp;quot;Rollin&amp;quot;&#xA;S1MBA - &amp;quot;Rover (Remix)&amp;quot; ft. Lil Tecca&#xA;Sinéad Harnett - &amp;quot;Stickin'&amp;quot; ft. Masego &amp;amp; VanJess&#xA;Snoh Aalegra - &amp;quot;DYING 4 YOUR LOVE&amp;quot;&#xA;StaySolidRocky &amp;amp; Lil Uzi Vert - &amp;quot;Party Girl (Remix)&amp;quot;&#xA;Sin Laurent, Toquel - &amp;quot;Pistoli&amp;quot;&#xA;The Hunna - &amp;quot;I Wanna Know&amp;quot;&#xA;The Rolling Stones - &amp;quot;Criss Cross&amp;quot;&#xA;Tim McGraw - &amp;quot;Here on Earth&amp;quot;&#xA;Tinashe &amp;amp; Tarro - &amp;quot;Touch &amp;amp; Go (Remix)&amp;quot; ft. 6LACK&#xA;Tyla Yaweh - &amp;quot;Tommy Lee (Tommy Lee Remix)&amp;quot; ft. Tommy Lee &amp;amp; Post Malone&#xA;Warren G - &amp;quot;And You Know That&amp;quot; ft. Ty Dolla $ign&#xA;YG - &amp;quot;Swag&amp;quot;&#xA;Zachary Knowles - &amp;quot;city&amp;quot;&#xA;Zara Larsson - &amp;quot;Love Me Land&amp;quot;&#xA;Zoe Wees &amp;amp; NOTD - &amp;quot;Control (NOTD Remix)&amp;quot;&#xA;&#xA;7/11&#xA;DHeusta - &amp;quot;Into the Pit&amp;quot; ft. Dawko&#xA;JT Music - &amp;quot;McDungeon&amp;quot;&#xA;Lil Playah - &amp;quot;Boof&amp;quot; ft. Autumn!&#xA;Rockit Gaming - &amp;quot;Sirens&amp;quot;&#xA;Rod Wave - &amp;quot;Through The Wire&amp;quot;&#xA;&#xA;7/12&#xA;Lil Smaller - &amp;quot;30,000 Feet Above&amp;quot;&#xA;SoMo - &amp;quot;All That&amp;quot;&#xA;&#xA;7/13&#xA;$NOT - &amp;quot;Valorie the Anarchist&amp;quot;&#xA;boy pablo - &amp;quot;honey&amp;quot;&#xA;​Childish Major - &amp;quot;SITGO&amp;quot;&#xA;Joey Trap - &amp;quot;SPICY&amp;quot;&#xA;Lil Darkie - &amp;quot;DARKIE STILL CANNOT RAP PT. 1 (REMIX)&amp;quot;&#xA;Rejjie Snow - &amp;quot;Cookie Chips&amp;quot; ft. Cam O'bi &amp;amp; MF DOOM&#xA;Yung Pinch - &amp;quot;Just Like U&amp;quot;&#xA;&#xA;7/14&#xA;​beabadoobee - &amp;quot;Care&amp;quot;&#xA;Eden xo - &amp;quot;American Youth French Kissing&amp;quot;&#xA;Problem, Freddie Gibbs &amp;amp; Snoop Dogg - &amp;quot;Don't Be Mad At Me (Remix)&amp;quot;&#xA;Sprado - &amp;quot;Magic&amp;quot; ft. NLE Choppa&#xA;Surf - &amp;quot;MY OLD LIFE&amp;quot;&#xA;Will Butler - &amp;quot;Surrender&amp;quot;&#xA;&#xA;7/15&#xA;Aluna, Princess Nokia &amp;amp; Jada Kingdom - &amp;quot;Get Paid&amp;quot;&#xA;Anson Seabra - &amp;quot;Hurricane&amp;quot;&#xA;BENEE - &amp;quot;Night Garden&amp;quot; ft. Bakar &amp;amp; Kenny Beats&#xA;Bob Moses &amp;amp; ZHU - &amp;quot;Desire&amp;quot;&#xA;CG5 - &amp;quot;Balance&amp;quot; ft. Rustage, Caleb Hyles &amp;amp; Chi-Chi&#xA;Jake Hill - &amp;quot;By the Sword&amp;quot;&#xA;K. Forest - &amp;quot;Friend Ting&amp;quot; ft. Joeezy&#xA;Kai Whiston &amp;amp; EDEN - &amp;quot;Stingray&amp;quot;&#xA;Kenny Mason - &amp;quot;Give&amp;quot; ft. Deante' Hitchcock&#xA;KYLE - &amp;quot;Money Now&amp;quot; ft. Johnny Yukon &amp;amp; Tyga&#xA;Lupe Fiasco &amp;amp; Kaelin Ellis -  &amp;quot;SHOES&amp;quot; ft. Virgil Abloh&#xA;Rob Markman - &amp;quot;Play in the Rain&amp;quot; ft. BurnsBeats&#xA;Sik World - &amp;quot;I Can't Believe I Died&amp;quot;&#xA;THEY. &amp;amp; Tinashe - &amp;quot;Play Fight&amp;quot;&#xA;Tkay Maidza - &amp;quot;Don't Call Again&amp;quot; ft. Kari Faux&#xA;Troye Sivan - &amp;quot;Easy&amp;quot;&#xA;YoungBoy Never Broke Again - &amp;quot;Sticks With Me&amp;quot;&#xA;&#xA;7/16&#xA;Jidenna - &amp;quot;Black Magic Hour&amp;quot;&#xA;Johan Lenox, Lil Keed &amp;amp; Kota the Friend - &amp;quot;throwback thursday&amp;quot;&#xA;Kara Marni - &amp;quot;Young Heart&amp;quot; ft. Russ&#xA;NIKI - &amp;quot;Selene&amp;quot;&#xA;Not3s - &amp;quot;Highest&amp;quot;&#xA;ryster - &amp;quot;treasure&amp;quot; ft. 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<INFO BITRATE="932979" KEY_LYRICS="1 Contributor50 Favourite Releases Of 2016 LyricsMy list of favourite releases in 2016, albums, mixtapes, LPs &amp;amp; EPs, soundtracks, the whole lot. Remember this is my opinion and preference.&#xA;&#xA;50- Kano- Made In ManorGrime, weather to categorize it as a genre on its own, or a sub genre in hip hop, has become a scene that is constantly growing, and 2016 once again was a massive year for the UK acts.&#xA;&#xA;Kano, hailed as one of the finding fathers of grime exerted his influence once again by delivering a strong release in March of 2016. Kano has proved to be consistent through his many years in the grime scene and this album does not disappoint. This album carries you on a journey through every corner of England, with the energy on tracks such as ‘Flow Of The Year &amp;amp; ‘’New Banger’’ but Kano also varies his style with more introspective records such as ‘Deep Blues’’.  One of three grime albums to make this list, it deserves its place with great validity.&#xA;&#xA;Favorite track: Flow of the Year featuring JME.&#xA;&#xA;&#xA;49: Abz- Kosher AbzIn the era of the turn up, it is much harder to find an artist that a regular adolescent can relate to. It’s even harder to find an artist that appreciates the older generation in terms of sonically implementing them into their own sound.&#xA;&#xA;Although this release has a consistent laid-back style nearly all the way through, it seems to get better track-by-track.  Abz is able to flow over jazzy and soulful instrumentals in a way that sounds almost effortless. Lyrically this project requires your full attention to fully appreciate Abz rapping through chapters in his story.&#xA;&#xA;Favorite track: 86&#xA;&#xA;Find the tape here: https://kosherabz.bandcamp.com/album/kshr&#xA;&#xA;&#xA;48- Kyle Dixon &amp;amp; Michael Stein-Stranger Things Official Soundtrack (Vol 1)If you were a fan of this phenomenal Netflix TV show, listening to this soundtrack will increase your love for the show in another variable, not that you needed any more. It’s special how music, through the ears, can make you relive those moments you observe, through the eyes, when binge watching the mystery of Will Byers.&#xA;&#xA;The scorers Kyle Dixon and Michael Stein rightly ensure that the soundtrack is heavily 80s influenced in terms of production, just like the TV show itself.  A year that was not exactly blessed with plenty of quality soundtrack material, gladly, this helped shed a better light in that department.&#xA;&#xA;Favorite track: Kids&#xA;&#xA;&#xA;47- PNL –Dans le legendeNot much is known of this French duo, but their popularity is growing smoothly like a healthy child. Their mysterious nature is captivating audiences to get to know more about them, but their music is doing a lot of speaking currently.&#xA;Their melodies are something that will catch your attention as soon as you press play, combined with their melancholic song writing, PNL are making a exceptional track record for themselves in the French and international scene. Their first album set them up nicely as it made them breakthrough to the French audience, with radio hits such as ‘DA’ on this album, they have now made the top of charts theirs in France.&#xA;&#xA;Favorite track: Tu Sais Pas.&#xA;&#xA;&#xA;46-Norah Jones- Day breaksIn times filled with technology taking over originality, Norah Jones is blessed with a wonderful natural voice that no technology could enhance any better. She has afforded herself the luxury to to dib and dab across genres in her career and she never allows herself to be boxed in or stagnant to one sound.&#xA;&#xA;This freedom mentality carries on to her wonderful latest release. Day Breaks may not be an album filled with loud instrumentations or obnoxious production but the jazzy feel all over is strong enough to give this album so much life. Norah Jones as she almost always seems to do, does justice to the classical songs she covers and at the same time bring her own style in perfectly.  Topic wise, this album is not all about the romance life and one of the standout tracks ‘’Flipside’’ actually offers great commentary on social issues&#xA;&#xA;Favorite track: Don’t Be Denied&#xA;&#xA;&#xA;45-Noname- TelefoneIt may be quite surprising that the only new Chiraq rapper that has made this list isn’t a rapper that totes the glock on the daily, well at least, not that we know off.  Slowly chopping away with quality features after features on other Chicago rappers such as Chance The Rapper and Vic Mensa, it was time Noname attempted to make a name for herself on the main stage.&#xA;&#xA;Her awkward, soft and intimate mixtape that is spread with jazz influence has definitely position Noname in a positive light as she progresses as an artist.&#xA;&#xA;&#xA;Favorite track: Diddy Bop featuring Raury &amp;amp; Cam O’bi&#xA;&#xA;&#xA;44- Kery James- Mouhammed AlixIn case you didn’t know, French rap is winning currently and with Kery James, we have the people’s leader. The name of this album should be self-explanatory as to an indication of what’s to come. Hard-hitting, rebellious and relentless are just a few words that you can use to summarize Kery James’s seventh studio album, just like the late great boxer himself. For those unfamiliar with this name Kery James has stayed true to his powerful, politically &amp;amp; socially charged views from the start of his career. A man never afraid to speak his mind of every social issue he has encountered or he is witnessing (Check out Kery James x Bene- L’Impasse) is a trait that continuous on this album. The major themes of this album are smartly balanced as Kery James opens up about his split personality, one that is the peaceful one, the other being the aggressive violent one.&#xA;&#xA;‘’FDT’’ by YG 4hunnid may be the hottest politically charged record this year, but Kery James’s sturdy ‘’Musique Negre’’ cannot go unmentioned in that conversation. This record is aimed at to a French politician who vowed to not allow Hip Hop music or black music to be played in the country if he gained the power, seeming to be not far from the seeds of Donald Trump. What makes this album even better is that Kery James just does not believe that rebelling and violence is the answer but on ‘’ Vivre ou Mourir Ensemble’’ over a calming beautifully laid production, he urges people to unite and work together to improve the way society and the higher powers treat certain races. Powerful album.&#xA;&#xA;Favorite track: Mohammed Alix&#xA;&#xA;43- Maren Morris- HeroThis record is deemed as a country record, but once you listen to it, you will be telling yourself its much more than just another country record.&#xA;&#xA;As a fan of both Hip Hop &amp;amp; R&amp;amp;B, the influences and references appealed to my ears and this is groundbreaking for a country artist, let alone a female one. The production on records like ‘’Rich’’ which got a lot of radio play, may indicate that Maren Morris can be the pole stabbed into the country scene to direct everyone to the path country music is going to take from here on.  Morris already seems to have the audience on her side; the success of her singles proves that more people are accepting of this change as country music evolves.&#xA;&#xA;Favorite track: 80’s Mercedes&#xA;&#xA;&#xA;&#xA;42- Aesop Rock- The Impossible KidNo not A$AP Rocky, Aesop Rock is a Caucasian rapper. One for the acquired taste, Aesop Rock is never going to be the majority’s favorite rapper. No one would know this more than the man himself who is arguably the most abstract rapper around. The Impossible Kid is an album that makes my list for the same reason I rate Aesop Rock so high.&#xA;&#xA;Firstly, Rock’s ability to play on words is constantly fascinating and listening to him can be compared to putting together a very challenging puzzle. By having so many projects out with this same tone, it was refreshing to see Aesop Rock tone it down   bit more on this release and instead he decides to open up personally more than ever. Once you get all the pieces of the puzzle together for the Impossible Kid, you will find Aesop telling you stories from his brother to his brand new cat ‘’Kirby’’.  His never-ending vocabulary enables him to draw you fictional pictures as you listen through and this is one of my favorite assets than an artist can posses, Aesop Rock has this in abundance.  It’s easy to forget with what seems like so much hard work with words that Aesop Rock produces most of his tracks and those carry similar complexity to his world play.&#xA;&#xA;Favorite track: Lotta Years.&#xA;&#xA;41-$uicideBoys –Radical Suicide (EP)Grimey, tough and eerie production is a full whenever this New Orleans act gets on the microphone, or jungle. This particular style and sound of music seems to be growing and gaining a pocket of hardcore fan base, along with Bones, these two acts give you a dark, drug filled feel but its very unlikely that there is anything more to them than that. The breath control and flow technics of this duo certainly is something to be applauded and get hyped about and this is an well put together exhibition EP of their skill set that I really found a liking towards this year.&#xA;&#xA;Favorite track: Goosebumps&#xA;&#xA;&#xA;40: Weezer- Weezer (The White Album)One of the older alternative rock bands still active in 2016 definitely produced one of my favorite alternative rock albums of the year. Having previously left me underwhelmed in recent years with the quality of their albums, The White Album stands tall and proud above their previous efforts in the at least the last 6 years.&#xA;&#xA;This album impressed me in many different aspects, notably, it seemed that the band have found the blessings in disguise of no longer having to compete with a larger pool of relevant alternative rock bands that aims to please a certain demographic and the mainstream radio ears. This has allowed the band to come out with a more likeable and intimate album for every true Weezer fan. Although a track like ‘’California Kids’’ displays sunny vibes like the California sun, most of the album features more heart felt revealing songs about the lead singer’s personal life that is not usually associated with Weezer’s catalogue.&#xA;&#xA;Favorite track: L.A. Girlz&#xA;&#xA;39-Vince Staples- Prima Donna EPFollowing Summer Time 06, NORF SIDE LONG BEACH rapper Vince Staples has risen a lot on everyone’s radar.&#xA;&#xA;With this EP, Vince Staples doesn’t shy away from his creative beat selection and production. This very energetic project may get rather exhausting or hard to take everything in at first, but this is perhaps what Vince Staples was aiming for as he stretches his sound and experimentation. As soon as you hear the Andre 3000 sample in the early days of this record it’s hard to stop head bopping throughout as ‘War Ready’ sets you up perfectly for that mood.&#xA;&#xA;Favorite track: Pimp Hand&#xA;&#xA;38- Mitski – Puberty 2Emotions are galore as Mitski takes us for a fascinating walk in her shoes.  The maturity and different dimensions in the voice of this 26-year-old indie rock singer is so phenomenal that you’re left with little or no option but to gravitate to her.&#xA;&#xA;Once you watch the music video to her award worthy track ‘’Your Best American Girl’’ you can see that Mitski has a very conceptual mind that reflects in the deepness of this album. One for the deeper meaning, this track is heavily influenced by her personal view that makes her even more endearing. If you’re an individual that is suffering or has suffered from racial identity, this should be your go to album.&#xA;&#xA;Favorite track ‘’ Your Best American Girl’’&#xA;&#xA;&#xA;&#xA;37- Lil Yachty –Lil BoatOn the subject of story telling, short story, Early this past summer, my guy Nnamdi got into my car and played a bunch of cartoon noises that I questioned if this was some sort of troll. A few weeks go by and there I was singing along to this bunch of noise that is titled ‘’Minnesota’’&#xA;&#xA;Lil Yachty’s whole make up is asking for you to hate on him, from his attention grabbing red hair to his mumbling auto tuned lullaby voice. This polarizing view puts Lil Boat in a unique stance, as there was nothing quite like this project in 2016.  We all enjoy turning up to Chief Keef and his off springs boasting about catching bodies and carrying glocks over trap and drill beats, but this year, we were introduced to the opposite. Yachty is unashamedly appearing rather innocent and softer as he mourns over his broken heart over more sophisticated trap beats. This project came at the perfect came as hip hop is slowly moving towards a more accepting nature when it comes to a way an artist chooses to express themselves.&#xA;&#xA;On the other hand, a project like this will fall well short technically compared to the other projects on this list (E.g. Lil Boat reveled it took him less than ten minutes to finish the loving ballad ‘’One night’’) and this may work against him in the future. For now, its unpredictable how far Lil Yachty and his sound will stay around for but with features such as Broccoli, there are glimmers he could be the birth of the new sound, or he could just be another Fetty Wap and this time next year Lil Boat won’t be on the sailing team.&#xA;&#xA;Favorite track: Good day featuring Skippa Da Flippa.&#xA;&#xA;36- Kevin Gates – IslahWhen Kevin Gates’s Islah debut album went platinum, (barely any features by the way), many eyebrows were raised. Numbers don’t lie though. Helped by the success of  ‘’Really Really’’ &amp;amp; ‘’ 2 Phones’’ it seemed like Kevin Gates had finally found the recipe for radio and cross over success. Certainly took him long enough because Gates has been around for some time now without releasing a studio album.&#xA;&#xA;Islah, named after his daughter, makes for a very entertaining listen weather you were a Kevin Gates listener prior or a new listener.  You will enjoy the thuggish &amp;amp; savage rhyming along with the catchy melodic hooks that Kevin Gates has a skill for. He will never fail to make you laugh on social media or in interviews hence him being one of my favorite characters in the rap scene, but it was pleasing to see him back his talking with music that ended up being very successful. Free Kevin Gates!&#xA;&#xA;Favorite track: Pride&#xA;&#xA;&#xA;&#xA;35- 2 Chainz- ColleGrove.It’s credit to 2 Chainz that he may have been well worthy of having at least two projects that he released in 2016 in this list. As ColleGrove was the only project officially released as an album, it’s the more suitable pick.&#xA;&#xA;The always-working TittyBoy with the help of a hungry Lil Wayne, were able to come up with viral tunes such as ‘’Watch Out’’ but with variety, as songs like ‘’Dedication’’ was more revealing than anything. This duo seems to have a very good chemistry between them as they trade witty, savage &amp;amp; hype bars over bumping trap beats. With production from the likes of Metro Booming, Zaytoven, Lil C &amp;amp; London on da Track, you should know what to expect.&#xA;&#xA;Favorite track: Not Invited.&#xA;&#xA;&#xA;&#xA;34- The Avalanches – WildflowerIt’s been more than a decade since The Avalanches has giving the patient people a full-length project. So when the group finally teased the people with the release of ‘’Frankie Sinatra’’ and it stated that MF DOOM and Danny Brown were involved you already know my hip-hop senses were vibrantly tingling and my anticipation for what this neo psychedelic group would provide this time round when it came to a full album.&#xA;&#xA;Not many have better quality ears for music than The Avalanches, evidently this album is heavily sample based and not many are able to incorporate samples into their music as fitting and creatively as this group. This is guaranteed to be one of the more smoother albums released in 2016 that will give you a divine listen. Previously, this group has released much more rough and louder funk sounds but with this album, which has been in the works since 2005, was beautifully crafted for your ears.&#xA;&#xA;&#xA;Favorite track: Because I’m Me&#xA;&#xA;&#xA;&#xA;&#xA;33: Maxwell:blackSUMMERS’nightThis continuous installment of the Black Summer night is a household favorite already. Maxwell does not constrain himself in the R&amp;amp;B realm as he touches corners of Jazz and Soul with his fantastic vocal ranges. As one of the pioneers of Neo Soul, which he certainly does not get enough credit for, the neo soul and funk implementations into the production gives for such a exhilarating listening session.&#xA;&#xA;If you were to just play the instrumentals of this album throughout you would satisfied let alone adding Maxwell’s poet like song writing. His ability to flow and ride the different types of instrumentations on this album makes him one of, if not the best in his lane. There are not too many albums released in 2016 with better vocal performances than this very one.&#xA;&#xA;Favorite track: Lake by the Ocean.&#xA;&#xA;32- Ro James- El DoradoRo James was not on everyone’s radar before the release of his debut album ElDorado, but the album by the ‘’bad boy of R&amp;amp;B’’ became a big statement in the R&amp;amp;B scene in 2016. Covered with quality material from start to finish, this easily became my favorite Male R&amp;amp;B record of the year.&#xA;&#xA;Following the release of his radio friendly song ‘’Permission’’, a song influenced by artists like Miguel and Prince with the extreme use of electric guitar, it proved to be a taste of what this album would offer. Ro James does not sound like every other upcoming R&amp;amp;B artist, which is to his benefit as he is able to create his own sound with hints of gospel, rock and soul.  This album is filled with catchy lines that are not easy to forget as Ro James shows off his songwriting abilities making him have a very successful year with potential for many more years to follow.&#xA;&#xA;&#xA;31:  Nick Cave and the Bad Seeds- Skeleton TreeNick Cave’s name is synonymies with topics of tragedies and other depressive symptoms, so it should serve as no surprise if an entire album is in that same lane.&#xA;&#xA;Although this may not be very appealing, its a fair warning that once you experience this album, you could be left in a very depressive &amp;amp; confused state, especially when you consider that Nick Cave went through an unfortunate passing of his son in 2015 and that is reflected in the material this band produces with Skeleton Tree.  You can almost feel the mourning in Nick’s voice as he translates this into a number of tracks. In some weird fashion, It’s amazing how we can still find beauty in such a gloomy and dark album as this.&#xA;&#xA;Favorite track: Skelton Tree&#xA;&#xA;30: K Roosevelt-Neon HazeContinuing on the very spacey vibe following Nick Cave, this album is on the other end of the spacey spectrum.  K Roosevelt is able to be more colorful and lively as he unfolds his emotions out on contrasting production.&#xA;&#xA;There is no doubting of K. Roosevelt’s ability to sing (Do Me Now has become one of my favorite songs over the past years), but he seems to have taken more time on perfecting his production and sound on this project this time around. Previously, Roosevelt would have just thrown the simple generic R&amp;amp;B production to sing over but the dedication was of much more abundance in Neon haze. The production is very electrically charged that throws you up on a euphoric experience accompanied by the smooth, moving vocals by K.&#xA;&#xA;Favorite song: Hello.&#xA;&#xA;&#xA;29: A Boogie &amp;amp; Don Q- Highbridge the Label: The Takeover Vol. 1There has been a steady shift in powers for the past decade or so over the demographic face of hip-hop.  Well documented, It was held by the East and West for the majority of the 90s until the South finally stood up and grabbed hip hop by the scuffs and they have not let go since.  Although the East and West still influence and are producing the big names such as Kendrick and the A$AP &amp;amp; Flatbush movement, every other person in Atlanta may as well claim to be a rapper nowadays as they are the frontrunners and the tastemakers for what the hip hop culture pushes.&#xA;&#xA;Atlanta has had another great year providing us with newer trending names like Lil Yachty and 21 Savage while Migos and their off springs (E.g. Rich the kid) all continue to make new trends, weather it’s a dance your Childs fourth grade teacher attempts (dab), or the flow everyone gets ‘’lit’’ to. It reached to the point that even one the hottest songs of 2016 (Panda) could have been performed by an Atlanta rapper and no one would question its origins. Since then of course, we’ve all learnt that Desiigner hails from the streets of Brooklyn, no fault of his, but as a teenager all he is influenced by is Southern movement so unsurprisingly, his sound is going to be of that same root.&#xA;&#xA;Bobby Shmurda and his shooters put New York back on the map for a brief period but that didn’t prove long lasting. Recently with the emergence of Young M.A with ‘’Ooouh’’ and nation wide hit records like ‘’Don’t Run’’ by Casanova, its safe to say that New York is making a much louder noise than it has in the past few years, deadass. The duo of A Boogie and Don Q is exactly what you’d want modern day hip-hop duo to come equip with. A Boogie on the one hand carries the catchy melodic tunes that you want to hear in the club, and on the other hand Don Q, much more familiar to the past New York scene is filled with bars in his arsenal.&#xA;&#xA;Eventually these two will go in their own paths once they have gained enough popularity and leg space in the hip hop game but their collaborative effort is something I hope to see more often in the future. New New York!&#xA;&#xA;Favorite song: Not a Regular Person&#xA;&#xA;28: Joe Budden- Rage &amp;amp; The MachineJoe Budden is character you either hate dearly or love. To say he had a troublesome 2016 would be an understatement. It was a year filled with controversies, from his critique of Drake’s Views to his awkward ‘’beef’’ with Hot 97. Although his fan base thoroughly enjoys Joe Budden’s love lost tales of all the women that have done him wrong, it was time for something different, something more than just ‘break up’ music.&#xA;&#xA;You could sometimes forget that Joe has phenomenal ink game, but if he was lacking in that he would never be part of the machine that is Slaughterhouse. Clever lines like ‘’If Fetty (Wap) is the face of New Jerz, then you see how badly we needed I’’ on the opening track of his latest album reminds you that he can wash up any of his peer when it comes to wordplay. With one of my favorite beat makers by his side, Araab Muzik, this was bound to be Joe’s most aggressive album yet. It proved to be that indeed but the Rage that Joe fueled for this album does fortunately not end up coming out forced but rather measured and assured. Taking the stance of one of the older statesmen in the game, Joey comes across more mature than ever but that edginess and hardness does not fade away either.&#xA;&#xA;Favorite track: I Gotta Ask.&#xA;&#xA;&#xA;27: Little Simz- Stillness in WonderlandEven though this album came out pretty late in the calendar year, it still plastered itself on this list quite easily. There had to be something special to Little Simz that the likes of Stormzy, Kendrick Lamar and the mogul himself Jay-Z rate the London rapper so very highly. Little Simz’s qualities as an artist are undeniably and her latest effort will only propel her to higher and bigger heights.&#xA;&#xA;This album consists of Simz’s roots of grime, R&amp;amp;B and a recurring role and jazz and soul. At only the tender age of 22, Little Simz has show great creativity in her music and she has the potential to grow into one of the most sought after artists in the industry. She can’t only rap her ass off over a variety of beats ‘’Low Tides’’ but she also has singing abilities in a unique sound that she can claim to be her own style ‘’Doorways’’. She is definitely one to watch.&#xA;&#xA;Favorite track: King Of Hearts featuring Chip &amp;amp; Ghetts&#xA;&#xA;&#xA;26: Nav- The Introduction.All you auto tune-dreaded codeine sipping trap soul impressionists better step up because you’ve got company. The 6ix have thrown up a lot of different big names in the last few years and next up is the mysterious vibe prince Nav.&#xA;&#xA;Following the release of Birds In The Trap by Travis Scott, one of the better songs on the album was titlted ‘’Beibs In The Trap’’ and a lot of the plaudit has to go to Nav. Not many have heard of Nav before this feature, perhaps because he was mainly just another beat maker, but it’s a definite that many were rushing to check out his Soundcloud account following that.&#xA;&#xA;After the success of a number of tracks he released on Soundcloud he had to do the growing audience some justice and provide some sort of a release, this came in the form of The Introduction, which was filled with stand out moments, namely the Metro Boomin produced track ‘’Up’’. It seems like Young Metro certainly trusts him as the success of Up has the most sought out trap producer right now announcing him and Nav have a project dropping soon. This could be the breakthrough moment for young Nav, if not, it would not be surprising to see Nav on a chorus of a big name record in 2017. Career wise, weather Nav decides to follow the footsteps of many before him by joining the higher powers of Toronto in the shape of the OVO or even The Weeknd’s XO, or he decides to do his own thing, he certainly has the potential to have a big 2017&#xA;&#xA;Favorite track: Ten Toes Down&#xA;&#xA;&#xA;25- DJ Khaled- Major KeyDJ Khaled was someone you could not avoid in 2016 and just like the character himself, his music releases is also something you cannot avoid, as he seems to run your social media. Mogul talk aside, every once in a while DJ Khaled will provide you with a song filled with star names you admire that you end up liking or at least finding decent. Major Key is DJ Khaled’s best effort by far and that is obviously down to the artists he put together around this time.&#xA;&#xA;A DJ Khaled album can be compared to the NBA all-star games, star studded and entertaining for the highlight reel but with not much at stake. The first five songs on this album have great replay value, Jay-Z and Future start it right with the energy you expect the rest of the album to follow with ‘‘I Got The Keys’’ followed by ‘’For Free’’ by Drake, it’s a safe bet to predict that these records were going to blow which they did. One of the finest moments of this album comes in the shape of Nas delivering ‘’Nas Album Done’’, over a gorgeous broken down Fugees sample Nas does his best effort to preview his new material hopefully coming in the near future. Followed by Big Sean and Kendrick snapping in a Control part two in a lyrical onslaught, the album seemed to be heading into unbeatable territory, but of course, from that track onwards, the album losses its way and goes on a downward dip with many mediocre pieces. Overall, the first halve of the record is what allows this album to make this list.&#xA;&#xA;Favorite track: Nas Album Done&#xA;&#xA;24: Meek Mill- DC42015 was a tough year for Meek Mill to say the least and the early days of 2016 seemed to be going in the same directions, it was countless Ls after Ls. People wondered if it was over for the Philly trapper, but Meek Mill stayed in there showed some signs of life, noticeably on his 4/4 Part 2 EP ‘’War Pain’’ record. Although that record came way too late to repair any damage to his career it helped set Meek up to start a new chapter. I&#xA;&#xA;It took Meek Mill three whole years to finally give the streets the fourth installment of the Dreamchasers tape. Instagram snippet after another, the people were getting impatient with the delays, It was just time to drop it, but at the same time it had to contain material that was worth the wait as Meek Mill had no ground for error.&#xA;&#xA;Once you press play on the first offering ‘’On The Regular’’ and you hear the sadistic O Fourtuna intro and the gunshots, (hopefully not aimed at Beanie Sigel), you could tell Meek Milly was back on his bully, we could all rest easy again. On the feature list, Meek Mill is clearly keeping in tune with the new names in the scene by working with 21 Savage, Don Q and Desiigner adlibs for instance. The ingredients that make up Meek Mill don’t go missing on this project, as he was full of up tempo energy, high-toned rapping, Wraith and Rolex talk. DC4 definitely continued the theme of the Dreamchasers series.&#xA;&#xA;Favorite track: Litty featuring Tory Lanez&#xA;&#xA;&#xA;23: James Blake: The Colour In AnythingWhen Beyoncé made the world stop by dropping ‘’Lemonade’’ and the track list listing featured James Blake, I couldn’t have been the only one hoping for a Blake album in 2016.  The three-year gap was sufficient as the previous teaser album made his listeners wanting more.&#xA;&#xA;After a number of listens to the 17 track album, though you will appreciate James’s intimacy and darkness, you’re left feeling that many of the songs feel unfinished and at the same time rather lost, which could be the goal James Blake is aiming for, after all Blake does seem lost in the artwork.  Blake could be challenging the listener by leaving it to the imagination and the listeners’ own interpretation of his story (Ironically what I happen to be doing now) Overall this album makes for a beautiful listen and Blake’s ideology of not being simple make this piece of art worthy of a mention.&#xA;&#xA;Favorite Track: I Need a Forest Fire featuring Bon Iver&#xA;&#xA;&#xA;22- Kweku Collins- Nat LoveIt would be interesting to see how many people have heard of this artist before reading this list. Credit should go to me if you decide to check him out.&#xA;&#xA;This will be your project if you’re a fan of unorthodox, intimate hip-hop. Full of melancholic vibes that Kweku Collins pockets himself to, Kweku is able to provide you with the way he sees the world in an interesting manner and perhaps in a way you never saw things before. His voice compliments the instrumentation that he usually produces himself and his flows come across rather drowsy but pleasantly, this project actually more live and bouncy than you would think, with elements of Neo Soul, Trap and Funk this young artist should be gaining way more attention than he has currently attracted.&#xA;&#xA;Favorite track: Nat’s Intro&#xA;&#xA;&#xA;21: Kamaiyah- A Good Night In The GhettoIf YG is a contender for the MVP of the west coast right now in the terms in the male category, Kamaiyah is equivalent in the female front. This was one of the projects of 2016 that many went into expecting little or nothing. Firstly because Kamaiyah was not a name people were familiar with. You could be quick to presume judging from the cover art and the title of the tape of expecting another female rapper talking about killing and violence wanting to be the female Ice Cube. If you did then you judged the wrong book by its cover. Instead what you get from Kamaiyah is her giving you fun and happy vibes over old G funk beats as she gave us one of the most fun going releases of the year. Don’t get it twisted though as Kamaiyah still lets you know very clearly she isn’t one to play with from time to time.&#xA;&#xA;Her contribution to YG’s ‘’Why You Always Hatin’’ banger just added to her Ws collection this year and this is the album to go to if you are in need to get into the party mood. Kamiayah carefree attitudes will make her very likeable as she continues to grow as an artist.  IT’S KAMAIYAHHHHH.&#xA;&#xA;Favorite Track: How Does It Feel&#xA;&#xA;&#xA;20- Travis Scott- Birds In The Trap Sing McKnightTravis Scott may have taken his time in finding and committing to his own sound, but the long titled peculiar Birds In The Trap Sing McKnight can be the final evidence needed to show that he has finally reached that stage of his career. An album that continues to grow on you, songs like ‘’Beibs in the Trap’’, ‘’Through The Late Night’’,  ‘’Pick Up The Phone’’ and ‘’Goosebumps’’ were constantly prominent soundtracks for most group of youth friends, weather the setting was a party atmosphere or a chilled night.&#xA;&#xA;As if this album needed any more reassurance in its merit to be on this list, Travis’s Rodeo experience on stage performance should kick any doubters out of the picture, or stage. This was a show I was lucky to experience in 2016 and rejuvenated my love for the project.&#xA;&#xA;Side note: I weighed this album up against Kanye West’s Life Of Pablo as I considered which of these two should make the final list, although the latter is not one of the worst albums of the year, it’s a great accomplishment to Travis that he outclassed one of his biggest influences at least in my ears.&#xA;&#xA;Favorite track: Through The Late Night featuring Kid Cudi&#xA;&#xA;&#xA;19-  Kayatranda- 99.9%This Montreal producer has been making steady groundwork to serve us with 99.9%. Kayatranda seems to be aiming to try everything out in this project and this may not make for a very cohesive listen but the stand out tracks make this project very worthwhile.&#xA;&#xA;The blend between the dance electronic vibe and hip-hop influence channels Kayatranda musical taste and he is able to combine the two rather well into his producing output. This isn’t the most captivating project of 2016, but after all, Kayatrnda is a producer that does not require you to use every single bit of your attention to still be able to enjoy his work.&#xA;&#xA;Favorite track: Glowed Up featuring Anderson Paak&#xA;&#xA;18: Royce Da 5’9’’- LayersIf you claim to be a fan of ‘’hip hop’’, do yourself a favour and listen to ‘’Tabernacle’’. This has instantly become one of my favorite hip hop songs in history that it goes up there Slick Rick’s Children Story and Immortal Technique’s Dance with the Devil in terms of story telling rap songs. Royce da 5’9’’ seems to be getting greater by age and he will most probably go down in history without getting the credit he deserves. He caters to his followers and his followers appreciate his abilities, and this album is up there with his best yet.&#xA;&#xA;Layers will position you to a point in life where you have the best perspective on the major things in your life, from money, family (he goes into detail about his son that suffers from autism and how he deals with that) and society. Beforehand, a younger Nickel would have solely provided you with clever punch lines after clever punchlines, even though you will be impressed, its even more impressive that he now carries the full package and the different layers, pun intended, of making a good quality song.&#xA;&#xA;We can all agree that hip hop is in its most eccentric state, with all the melodic and exuberant tunes at the forefront, which is not a criticism or a negative factor because at the end of the day there is a time and place for every type of hip hop expression. Layers though, is an album that you sit down with and if you were lucky enough to grow up listening to conscience hip hop music you will find this experience the most valuable of them all. The importance of a superb pen game cannot be underestimated and Layers by Royce Da 5’9 is what made many of us fall in love with this genre in the first place.&#xA;&#xA;Favorite track: Tabernacle&#xA;&#xA;&#xA;17- De La Soul- And The Anonymous Nobody…Many most have thought they were dreaming when they heard that De La Soul were producing a brand new album in 2016. Filled with uncertainty weather the group would attempt to force their old sound in a much more evolved times, De La Soul were able to fusion the old and new together beautifully as they reminded everyone why they will always be one of the best music makers period. De La Soul were known to be different and more vibrant even in their heydays. Surrounded with violent Hip Hop groups like Wu Tang and NWA previously, De La Soul always decided to be themselves, even though they expected backlash and being often seen as softer or ‘’weird’’ in the 90s.&#xA;&#xA;This album is excellently put as De La Soul keep some of their roots and old school vibe but they don’t ignore the possibility of incorporating the newer sound into their production and live instrumentation. ‘’Whoudeeni’, featuring 2 Chainz (who would have ever thought) is a perfect example of the overview of the album, with 2 Chainz rhyming on his usual topics over production he would not normally be accustomed to. Fair warning, this is not an album you can rush through but it requires active listening to understand the complete concept and for you to appreciate the complete package. De La Soul have made a huge impact on people’s lives when they were in the forefront of hip hop and those same people still&#xA;&#xA;Favorite track: Memory Of…(US) featuring Estelle &amp;amp; Pete Rock&#xA;&#xA;16- Giggs- LandlordIf Danny Brown has a distinctive voice, Giggs is in the same bracket. One of the most respected names in the grime scene, Giggs flexes and delivers one of the best grime albums of the year.  ‘’Lock Doh’’ became a hit record with Giggs flowing over at the simplest of flows and lyrics, but this banger, aided with his unique raspy voice, will get everyone around you hype. The lead single is the accurate representation of the album, banger after banger and material to play at full volume.&#xA;&#xA;Favorite track: Whippin Excursion&#xA;&#xA;&#xA;15. Ab Soul- Do What Thou Wilt (DWTW)The consensus agrees that Beyoncé carried the women empowering music in 2016 which should come as no surprise, but what is rather surprising is that an alternative Hip Hop version of women empowering album would come from none other than the TDE’S black lip pastor Ab-Soul.&#xA;&#xA;After going dark for what seemed a while, people started questioning Soulo’s place amongst his TDE peers. Even though he may be the wildcard of TDE, no one would question Ab-Soul’s potential to produce an excellent album, so when he finally came out of the woods with ‘’Huey Knew’’ you knew something that was worth the wait was on its way.&#xA;&#xA;This is a very abstract album, it makes you dissect everything starting with the title of the album for starter and his countless manipulation of words.&#xA;The album deserves loud credits as Soul may have only a small number of talking points, mainly women, religion and drugs but he manages to find a new way to be creative and not allow the listener to get bored. Soul’s does tend to be confusing as he can be conscience and ignorant in the space of two songs, but this album comes out much more balanced than his previous releases.&#xA;&#xA;Favorite track: God’s A Girl&#xA;&#xA;&#xA;14-1975- I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of ItManchester is known to be one the most talented cities musically and this it continues to provide artists, bands especially, that go down in history as the greatest.&#xA;&#xA;Although that’s a lot of pressure for the 1975 to live up to, if they continue to produce fantastic funky pop album like their 2016 release, they will create their own lane. With Matthew Healy’s awkwardly beautiful voice accompanied with electrifying instrumentations this is one of the finest pop albums of the year.&#xA;&#xA;Favorite track: Somebody Else&#xA;&#xA;13: Lil Uzi Vert- Lil Uzi Vs The WorldLil Uzi is really the modern day charismatic rockstar in every sense. His first project Luv is Rage is not the easiest pill to swallow, but once the pills do kick in, you cannot get enough of his squeaky, high-pitched melodic voice.&#xA;&#xA;Lil Uzi vs The world is not the most groundbreaking or creative project released in 2016, in fact it is very simple, it still makes for a much more enjoyable listen than the rest of Lil Uzi’s ‘’mumble rap’’ peer’s releases.  The production, by Maaly Raw, Don Cannon and Metro Boomin is as colorful as the artwork for the tape, with cuts like P &amp;amp; Qs sounding like the theme song for the next Cartoon Network show. This is nowhere near the hardest put together project this year but the lightness and the smooth transitions from track to track makes this a favorite of mine.&#xA;&#xA;Favorite track: You Was Right&#xA;&#xA;12: The Get Down- Official Soundtrack- Various artistsA TV show like The Get Down where music is the vocal point and theme desperately needed some sort of a soundtrack, and it got one that did justice.&#xA;&#xA;The Get Down for those living under a rock is a show focused on the roots of hip-hop and the emergence of this art form, and although many attempts of this have fell short previously, this is by far one of the best attempts. For one, it actually takes you back and you almost forget you’re not an Afro kid from the Bronx as you get invested in the show. The soundtrack itself features a mix of throwback songs like ‘’Bad Girls’’ by Donna Summer and a bunch of original well-crafted records. This is the same composer that worked on the fantastic Great Gatsby soundtrack therefore Baz Luhrmann’s pedigree is well documented and he can definitely hold this soundtrack high amongst his collection. With wise heads like Nas by his side Baz was able to deliver one of the best soundtracks of the year.&#xA;&#xA;Favorite track: Zeke’s Poem (I Am the One)&#xA;&#xA;&#xA;11- Mac Miller-Divine FemineYou may play this Mac Miller’s Divine Feminine and not realize that there is a change of track as the album follows the same theme in terms of production and topic wise all the way through. Oddly, this doesn’t come across too terrible or underwhelming. This has a lot to do with how honest and perhaps vulnerable Mac Miller comes across on this album. Mac expresses his thoughts on relationships that are helped to come to live sonically with the pretty stunning jazz influence throughout. No better example than the lead single ‘’Dang’’ featuring Anderson. Paak&#xA;&#xA;Jazz is seemingly the major production influence in current hip-hop albums, with Chance The Rapper, Kendrick Lamar and Anderson Paak carrying heavily jazz influenced projects to name a few. This is a pleasing pattern that the culture is pushing. The Divine Feminine could be categorized as one of the few love hip hop albums made and although this won’t be an album to always play, when the time is right, this will get you in that cuffing season vibe.&#xA;&#xA;Favorite track: God Is Fair, Sexy Nasty featuring Kendrick Lamar&#xA;&#xA;&#xA;10- Kendrick Lamar-Untitled Unmastered.PIMP PIMP, HOORAY! When your jam sessions make it into the album of the year discussion, you know you’re in the elite. Kendrick’s ear for music gives him the edge over his peers in my opinion. His jazz and funk influence seems to be getting greater by each year that it has almost become a trademark of his.&#xA;&#xA;Untitled Unmasetered came as a pleasant surprise. The always-kicking knowledge Kendrick continues to offer the people jewels and is grateful enough to allow us a peek of his vision of the world and its issues. There is no other project quite like it in this list and following To Pimp a Butterfly, this can be pinned in perfectly as either a tease for what’s to come or an end to this sound for Kendrick as he continue to grow as a person and artist.&#xA;&#xA;Favorite track: Untitled 07 (2014-2016)&#xA;&#xA;9- Skepta- KonnichiwaWith a very strategic BBK team behind him, Skepta seems to be very detailed and strategic with every move he makes as an artist, perhaps due to him currently holding the baton for the grime culture, but his moves have helped him crossover internationally as he continues to do big shows across the world and be acquainted with the likes of Kanye West and Drake.  After a number of delays, Skepta finally gave us Konnichiwa this year.&#xA;&#xA;This only negative critique this album may carry is that a number of the cuts such as ‘’Shutdown’’ or ‘’That’s Not Me’’ and a few more singles have been out for a year or even more so the quantity seemed lacking as the album only contained 12 tracks. Apart from that, everything else about the album is really well done. The grime influence is as heavy as it should, with aggression throughout on tracks like ‘’It Aint Safe’’ or ‘’ Man (Gang)’’. Not one for the most complex of lyrics, Skepta is always able to spray simple bars with his signature delivery and flow over complex production. This makes for a beautiful sounding combination.&#xA;&#xA;Skepta is definitely the leader of grime now and his every move is in the microscope but where Skepta can go from here can be groundbreaking for the UK.&#xA;&#xA;Sidenote: Seeing Skepta perform this album live made me appreciate the material even more and this moved the album higher in my ranks than initially.&#xA;&#xA;Favorite track: It Ain’t Safe Featuring Young Lord&#xA;&#xA;&#xA;8- Run The Jewels – RTJ 3Better late than never. It seemed like the year would close and EL-P and Killer Mike had decided that their third installment of the Run the Jewels frenzy would come out in 2017, but just a few days before the end of the year, out of the blue, it was made for digital download right in the mist of the festive period. There is not a better project to close 2016 off than this fantastic piece of work.&#xA;&#xA;Following 2016’s frantic year in terms of racial divide and many other political and social issues, you needed the wise heads of this duo to provide some sense and guidance to everything on current affairs through sounds. It’s hard to bring up a better duo in the hip-hop demography that have consistently dropped three back-to-back projects that have been this well received. It’s big credit to the chemistry and understanding the two MCs have off each other. Their timing when it comes to rhyming as to when they trade bars or fill each other’s spaces never seems congested or force, it rather comes out well timed and coordinated as the two rappers feed off each other’s energy phenomenally. This is the closest album that represents the state of the political state of America and EL-P and Killer Mike’s views are perspectives everyone can take something valuable from. In terms of production, this album is on another level, its safe to say Run The Jewels now have their own sound and that sound is generated by their high tempo nature and their energetic production and rapping. This would be the suitable candidate for riot music, but its also important to observe the finer details in terms of their artistry, the duo can leave you amazed at their abilities.&#xA;&#xA;I have only had a handful of days to sit down with this album and you may question weather it came too late to make it to this list, but I’ll have to disagree and stand firmly that this album is one of the standout albums of the year.&#xA;&#xA;Favorite track: A Report To The Shareholder Kill Your Masters&#xA;&#xA;7 -Danny Brown- Atrocity ExhibitionAfter hating his high-pitched repetitive voice after the first listen, XXX may be in my top 5 favorite albums in the past 6 years and that immediately made Danny Brown a household name in my playlist.  The Pharcyde aside it was hard to compare Danny Brown close to anyone else, this made him really unique. Old was a rather disappointing follow up project to such but his continuous experimentation of his sound will always lead to some hits and misses.&#xA;&#xA;After going quite for a while Danny Brown provided us with ‘’Pneumonia’’ and ‘’Really Doe’’ as teasers of what to expect, extraordinary music. This is the most complex hip-hop album of 2016 along with Death Grips in terms of production. It ranges from harsh &amp;amp; tight progressions and percussions in the production to raw, weird but exciting pitched flows provided by Danny Brown.  His explosive delivery throughout gives for the most thrilling listens that will exhaust you at the end, anchored by material that is so compelling. Danny Brown does exceptionally well to put everything together into an album that comes across in some way cohesive.&#xA;&#xA;Favorite track: Golddust&#xA;&#xA;6:Death Grips- Bottomless PitIs this a bunch of noise or geniuses at work? That’s the priceless question around Death Grips. Experimental hip hop finds it hard to state a claim in the hip hop genre and it seems like Death Grips are the most successful of the bunch currently. Everything about Death Grips is odd but that oddness is their biggest attraction and they seem to be trying to stretch oddness to its full width.  With Death Grips, you’re never going to get the same project back to back so you almost have to come into the project with zero expectations, after all they are always experimenting.&#xA;&#xA;They mixed up all the right potions this time around with the release of Bottomless Pit, which starts off with even heavier production than usual, even for Death Grips, which should be a feat that is pretty deafening aye. ‘’The Money Store’’ was ground breaking as it introduced Death Grips, but this project is even more ground breaking in terms of experimenting with all versions and dimensions of sound and how challenging the trio decided to push. It’s impossible to miss the alienated production of eerie guitar strings to the extremely powerful bass and drums. In terms of experience, the fifth track on this album ‘’EH’’ allows for a breather as it’s toned down ever so slightly but that doesn’t last long as the following track flips you totally upside down into the Bottomless Pit, true definition of a roller coaster experience.&#xA;&#xA;Overall this is a very excellent project that has little faults and those faults should be allowed because of the risk Death Grips take in terms of experimenting with sound. Side note, I wonder what state a person would be after playing this album followed by Danny Brown’s Atrocity Exhibition.&#xA;&#xA;Favorite track: Eh&#xA;&#xA;&#xA;&#xA;5- Denzel Curry-ImperialPutting water bottle flip challenges aside for a moment, Miami powerhouse Denzel Curry is now one of the more popular up and coming new artists. Imperial is one the albums that captivates you from the first play, as soon as Denzel Curry’s energetic alien like rapping starts off, he immediately gravitates to you, but he is able to add hooks full of hype that will fill you with energy.  Although he may get pretty repetitive and it would be difficult to listen to the same loud, sophisticated flow over a full-length album it was tolerably as this was the first project many outside his ever growing fan base have heard from Curry.  He does even tone it down on ‘’’Story No Title’’ &amp;amp; ‘’Pure Enough’’ where Curry is being introspective which is something that will be interesting to see more off, as he carries a lot of compelling stories about his life.&#xA;&#xA;This is an impressive effort by Denzel Curry and it would be interesting to see if Curry can diverse some more. He certainly carries sensational flow when rapping that gives him an edge over his peers in that department. In fact, its almost sounds inhumane how relentless Denzel Curry flows and at the same time his delivery is consistent throughout. A machine.&#xA;&#xA;Favorite track: Knotty Head featuring Rick Ross&#xA;&#xA;4- Schoolboy Q- Blank Face LPBetter and better. This should be the synonymous with Q’s discography and Blank Face continues the growing upwards curve as Q gave us one of the better hip hop albums of 2016.&#xA;&#xA;Apart from Q’s and Miguel attempt to emulate the hit groovy record ‘’Studio’’ from Q’s first studio album Oxymoron, every other record on this album is a favorite of many. Gang banging and drug dealing is not something we all relate to but this album makes you feel like you’re walking down the Figg Side streets with 40 of your hood comrades. Sonically, the psychedelic production throughout this album makes for a quite enjoyable trippy listen aided by the grimey vocals by Q. Content wise, it was wise that Q did not decided to tell us the same stories as Oxymoron, but instead he offers refreshing tales of his whole life, from a child born into the street life to becoming one of the most prominent hip hop names is present time.&#xA;&#xA;Favorite track: By Any Means&#xA;&#xA;&#xA;3- Childish Gambino- Awaken, My LoveIn the sports world of cricket, an all rounder is one of the most coveted assets to posses. Having quality further helps this versatility to be valuable to the team. A cricket expert would throw you the names of Imran Khan or Andrew Flintoff as examples. In the world of art, the name Childish Gambino or Donald Glover would be a fair enough comparison. With the success of his new show, Atlanta, Donald was already receiving rave reviews for work he did on the new hit show. Music was put aside and not many were predicting any music for a while, especially with him hinting of retiring as a rapper. Childish Gambino decided to show case his versatility by giving the people the most diverse album in his catalogue. With the success of Grammy Nominated Because Of The Internet, it was always interesting to see how Gambino would follow up. With Awaken, My Love, he followed up brilliantly, but in a whole different road. Because Of The Internet, despite it being a concept album, would still be in the Hip Hop category, but Gambino’s latest album can be anything but hip hop. With heavy funk and soul production by his long time friend Ludwig, Gambino has made one of the best modern day funk album. With outstanding vocals, which was always present in his previous albums, Donald Glover sounds much more mature and enlightening than talking about being the awkward rich kid. The production on this album is something that should carry the biggest praise about this album and this is another moment that Donald is able to prove that his talents range across many many areas of entertainment&#xA;&#xA;Favorite track: Redbone&#xA;&#xA;2:Solange: A Seat at The TableIf this is your favorite album of the year, there hardly any reason to argue with that preference. The impact this album alone had speaks volumes of phenomenal piece of art Solange was able to deliver. Along with her sister, A Seat at The Table was the talk of the towns for a long duration of 2016.&#xA;&#xA;It will be easy to compare Lemonade and A Seat at the Table for obvious reasons, but the latter detailed the Black American culture in a much more gorgeous and understandable fashion. Solange’s angel like innocent voice accompanied by the neo soul, R&amp;amp;B production sound makes for the most soothing of listens. Solange is able to come across laid back while she touches on heavy political and personal topics from police brutality to racial issues. This is outstanding and works wonders as her message and words come across very powerful, loud  &amp;amp; clear.  With Master P helping narrate and put the pieces of the album together, songs like ‘’Cranes in The Sky’’ and ‘’Don’t Touch My Hair’’ are one of the best records that have been made in years. This album is even more sensational as at the start of the year, no one would have predicted Solange to have the stand out year that she ended up having. Fully deserved.&#xA;&#xA;Favorite track: Don’t You Wait&#xA;&#xA;&#xA;1: A Tribe Called Quest- We Got It From Here... Thank You 4 Your ServiceWith rumors of members not getting alone and the unfortunate passing of Phife Dawg, the world was left thinking that was the last nail to the Tribe Called Quest album coffin cabinet, in the sense that we would never live to see another project by A Tribe Called Quest. So when murmurs of the group releasing a brand new album emerged, it was suddenly one of the best news the year would witness. Similarly to De La Soul and their hiatus, it was impossible to predict what a Tribe album would sound like in 2016. Was it going to be forced? Was it going to sound outdated? What’s a Tribe album without Phife? These were many of the keen questions surrounding this album.&#xA;&#xA;The answer to all those questions were simply answered by ‘We Got It From Here… Thank You 4 Your Service’’. This album wastes no time in making a first impression, with the opening track ‘’The Space Program’’, as soon as the voices of Q Tip and Phife Dawg emerges with ‘’It’s time to go left and not right’’ and that booming production comes through, you’re just left in awe followed quickly by the nostalgic feels of the old Tribe. Not only does Tribe easily have mine and many others favorite album of the year, they take my favorite song of the year too with ‘’We The People’’ the drums in the production hit you so hard, combined with the trios views on the current state of America with race tensions. This could not have been more perfectly timed. Its exceptional that Tribe managed to reinvent themselves many years later but they still manage to give you the Tribe Called Quest feeling of the 90s.&#xA;&#xA;This album is very special, there are so many layers to the sound and the message that Tribe are providing that the listener will continue to catch on new things after every listen. With actual Phife verses, it’s very hard to find a detail on this album to criticize.&#xA;Every feature on the project did not seem out of place. Tribe take us on a time travelling trip, from the 90s dungeon dragon Busta Rhymes to Andre 3000 and Q Tip trading bars like it’s a heaven match. And if Tribe were to feature one of the newer school rappers, it had to be Kendrick Lamar. This is an album that will become timeless.&#xA;&#xA;Favorite track: We The People&#xA;&#xA;Worthy mentions that missed out&#xA;Kanye West- Life of Pablo&#xA;YG- Still Brazy&#xA;Kid Cudi- Passion, Pain &amp;amp; Demon Slayin'&#xA;Roy Woods- Waking at Dawn&#xA;Belly- Another Day in Paradise&#xA;Future- Purple Reign&#xA;Young Thug- SS3&#xA;Sturgill Simpson- A Sailor's Guide To Earth&#xA;NAO-For All We Know&#xA;Isaiah Rashad- The Sun's Tirade&#xA;Eden- I Think You Think Too Much Of Me&#xA;The Monkees- Good Times!&#xA;Wolfie- 8 Ball&#xA;Sky zoo &amp;amp; Apollo Brown- The Easy Truth&#xA;Ras Kass- Intellectual Property II&#xA;Tank- Sex, Love &amp;amp; Pain II&#xA;Yung Lean- Frost God&#xA;Tory Lanez- I Told You&#xA;Vic Mensa- There's A lot Going On&#xA;Zayn Malik-Mind of Mine" PRODUCER="Brunch Records" COVERARTID="023/XAVOW3CNN4PUGBPOZS0DCZ4J3URC" PLAYTIME="164" PLAYTIME_FLOAT="164.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="19004"></INFO>
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<INFO BITRATE="853189" KEY_LYRICS="16 ContributorsDolce Vita Lyrics&#xA;We're walkin' like in a Dolce Vita&#xA;This time we got it right&#xA;We're livin' like in a Dolce Vita&#xA;Mmm, gonna dream tonight&#xA;We're dancin' like in a Dolce Vita&#xA;With lights and music on&#xA;Our love is made in the Dolce Vita&#xA;&#xA;&#xA;Nobody else than you&#xA;&#xA;&#xA;It's our last night&#xA;Together with our love again&#xA;Another light&#xA;Before we drown in darkness&#xA;Say you'll never leave me now&#xA;Say you're gonna love me now&#xA;&#xA;&#xA;We made it down in the Dolce Vita&#xA;Wipe all your fears away&#xA;We live it like in a Dolce Vita&#xA;A game of yesterday&#xA;I'm so alone in the Dolce Vita&#xA;Oh baby, telephone&#xA;This magic's gone in the Dolce Vita&#xA;&#xA;Nobody else than you&#xA;&#xA;&#xA;It's our last night&#xA;Together with our love again&#xA;Another light&#xA;Before we drown in darkness&#xA;Say you'll never leave me now&#xA;Say you're gonna love me&#xA;It's our last night&#xA;Together with our love again&#xA;Another light&#xA;Before we drown in darkness&#xA;Say you'll never leave me now&#xA;Say you're gonna love me now&#xA;&#xA;&#xA;We're livin' like in a Dolce Vita&#xA;Mmm, gonna dream tonight&#xA;We're dancin' like in a Dolce Vita&#xA;&#xA;&#xA;Nobody else than you&#xA;&#xA;&#xA;It's our last night&#xA;Together with our love again&#xA;Another light&#xA;Before we drown in darkness&#xA;Say you'll never leave me now&#xA;Say you're gonna love me&#xA;It's our last night" PRODUCER="(C)2020 ZYX Music" COVERARTID="113/R1IE1VAJQK0VQDQCF2XXDUXNWRFA" PLAYTIME="236" PLAYTIME_FLOAT="235.080002" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="24640"></INFO>
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<INFO BITRATE="933745" KEY_LYRICS="14 ContributorsTranslationsItalianoDeutschEnglishVamos a la Playa Lyrics&#xA;&#xA;&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh&#xA;&#xA;&#xA;Vamos a la playa&#xA;La bomba estalló&#xA;La radiaciones tostan&#xA;Y matizan de azul&#xA;&#xA;&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh&#xA;&#xA;&#xA;Vamos a la playa&#xA;Todos con sombrero&#xA;El viento radioactivo&#xA;Despeina los cabellos&#xA;&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh&#xA;&#xA;&#xA;&#xA;&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh&#xA;&#xA;&#xA;Vamos a la playa&#xA;Al fin el mar es limpio&#xA;No más peces hediondos&#xA;Si no agua fluorescente&#xA;&#xA;&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh&#xA;&#xA;&#xA;&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh&#xA;Vamos a la playa, oh, oh-oh-oh-oh" PRODUCER="1983 La Bionda Music" COVERARTID="019/TY0HJYCHSKJOFCJSX3PVCO5ZYPYC" PLAYTIME="218" PLAYTIME_FLOAT="217.327164" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="24971"></INFO>
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<INFO BITRATE="956557" KEY_LYRICS="30 ContributorsTarzan Boy Lyrics&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;&#xA;&#xA;Jungle life, I'm far away from nowhere&#xA;On my own like Tarzan boy&#xA;Hide-and-seek, I play alone while rushing 'cross the forest&#xA;Monkey business on a sunny afternoon&#xA;Jungle life, I'm living in the open&#xA;Native beat that carries on&#xA;Burning bright, a fire that blows a signal to the sky&#xA;I sit and wonder, does the message get to you?&#xA;&#xA;&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;&#xA;&#xA;Night to night&#xA;Give me the other, give me the other&#xA;Chance tonight&#xA;Give me the other, give me the other&#xA;Night to night&#xA;Give me the other, give me the other world&#xA;&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;&#xA;&#xA;Jungle life, you're far away from nothing&#xA;It's alright, you won't miss home&#xA;Take a chance, leave everything behind you, come and join me&#xA;Won't be sorry, it's easy to survive&#xA;Jungle life, we're living in the open&#xA;All alone like Tarzan's boy&#xA;Hide-and-seek, we play along while rushing 'cross the forest&#xA;Monkey business on a sunny afternoon&#xA;&#xA;&#xA;Night to night&#xA;Give me the other, give me the other&#xA;Chance tonight&#xA;Give me the other, give me the other&#xA;Night to night&#xA;Give me the other, give me the other world&#xA;&#xA;&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;&#xA;Night to night&#xA;Give me the other, give me the other&#xA;Chance tonight&#xA;Oh yeah&#xA;Night to night&#xA;Give me the other, give me the other&#xA;Night to night&#xA;You won't play&#xA;Yeah&#xA;Night to night&#xA;Give me the other, give me the other&#xA;Chance tonight&#xA;Oh yeah&#xA;Night to night&#xA;Night to night&#xA;Give me the other, give me the other world&#xA;&#xA;&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh&#xA;Oh-oh, oh-oh-oh, oh-oh-oh, oh-oh, oh-oh-oh" PRODUCER="℗ 2010 Emi Music Italy srl" COVERARTID="060/2NPO1VDNKQVITCCPPYSTAJHX4ZUB" PLAYTIME="231" PLAYTIME_FLOAT="230.026016" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="27128"></INFO>
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<INFO BITRATE="931763" KEY_LYRICS="19 ContributorsBrown Girl in the Ring LyricsBrown girl in the ring&#xA;Tra la la la la&#xA;There's a brown girl in the ring&#xA;Tra la la la la la&#xA;Brown girl in the ring&#xA;Tra la la la la&#xA;She looks like a sugar in a plum&#xA;Plum plum&#xA;&#xA;Show me your motion&#xA;Tra la la la la&#xA;Come on show me your motion&#xA;Tra la la la la la&#xA;Show me your motion&#xA;Tra la la la la&#xA;She looks like a sugar in a plum&#xA;Plum plum&#xA;&#xA;All had water run dry&#xA;Got no way to wash my clothes&#xA;All had water run dry&#xA;Got no way to wash my clothes&#xA;&#xA;I remember one Saturday night&#xA;We had fried fish and Johnny-cakes&#xA;I remember one Saturday night&#xA;We had fried fish and Johnny-cakes&#xA;Beng-a-deng&#xA;Beng-a-deng&#xA;&#xA;Brown girl in the ring&#xA;Tra la la la la&#xA;There's a brown girl in the ring&#xA;Tra la la la la la&#xA;Brown girl in the ring&#xA;Tra la la la la&#xA;She looks like a sugar in a plum&#xA;Plum plum&#xA;&#xA;Show me your motion&#xA;Tra la la la la&#xA;Come on show me your motion&#xA;Tra la la la la la&#xA;Show me your motion&#xA;Tra la la la la&#xA;She looks like a sugar in a plum&#xA;Plum plum&#xA;&#xA;All had water run dry&#xA;Got no way to wash my clothes&#xA;All had water run dry&#xA;Got no way to wash my clothes&#xA;I remember one Saturday night&#xA;We had fried fish and Johnny-cakes&#xA;I remember one Saturday night&#xA;We had fried fish and Johnny-cakes&#xA;&#xA;Beng-a-deng&#xA;Beng-a-deng&#xA;&#xA;Brown girl in the ring&#xA;Tra la la la la&#xA;See, brown girl in the ring&#xA;Tra la la la la la&#xA;Brown girl in the ring&#xA;Tra la la la la&#xA;She looks like a sugar in a plum&#xA;Plum plum&#xA;&#xA;All had water run dry&#xA;Got no way to wash my clothes&#xA;All had water run dry&#xA;Got no way to wash my clothes&#xA;&#xA;Brown girl in the ring&#xA;Tra la la la la&#xA;Look that brown girl in the ring&#xA;Tra la la la la la&#xA;Brown girl in the ring&#xA;Tra la la la la&#xA;She looks like a sugar in a plum&#xA;Plum plum" PRODUCER="(P)1978 BMG Berlin Musik GmbH/MCI" COVERARTID="073/JWUDWYCZ3OOH3B03YWYKBO4JBAWA" PLAYTIME="187" PLAYTIME_FLOAT="186.026672" IMPORT_DATE="2025/4/14" RELEASE_DATE="1999/1/1" FLAGS="12" FILESIZE="21491"></INFO>
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<INFO BITRATE="1028690" KEY_LYRICS="17 ContributorsThug Mariage LyricsIl s'agit du dernier morceau clippé de l'album La Cuenta. Il ferme donc ce chapitre et ouvre celui du Padre du Rap Game comme on peut le voir à la fin du clip qui passe d'une histoire d'amour orientale à un… Read More &#xA;T’es invité au mariage du plus frais et de la plus fraiche&#xA;En mode oriental, palace, Dubaï, Marrakech&#xA;Bugatti, Bentley dans le cortège&#xA;Escortés par la pègre bébé, que Dieu nous protège&#xA;Fuck mon ex et ses sortilèges, aie le cœur lèg'&#xA;Les anges nous enveloppent, savoure ce privilège&#xA;Prends ce billet de cinq cents pour essuyer tes larmes&#xA;Ta robe tue, elle est aussi blanche que mon arme&#xA;Ton mari vient de la rue, le costard taillé par une lame&#xA;On l’appelait déjà Monsieur, demoiselle devient une dame&#xA;T’es plus une gamine, zappe tes clubeuses de copines&#xA;Orgueilleuses, bousillées à la nicotine&#xA;Fais-moi confiance, tiens mon code Pin&#xA;Si tu me réveilles pour prier derrière moi je dirais &amp;quot;Ameen&amp;quot;&#xA;Tu veux un enfant de moi, faut que t’en restes digne&#xA;Pour les jours où notre mariage aura une sale mine !&#xA;&#xA;&#xA;Dile dile jaa, dile dile? jaa&#xA;Tere bin jee ho na ho&#xA;Dile dile jaa, dile dile? jaa&#xA;Tere bin jee ho na ho&#xA;&#xA;&#xA;J'marie tes rêves miss, marie mes cauchemars&#xA;Impose la trêve que je puisse m’évader du corbillard&#xA;Avant que les corps remontent à la surface du brouillard&#xA;Qu'j'me fasse une banque, finisse au trou comme la boule noire&#xA;Les corbeaux survolent mon passé sans foi ni loi&#xA;J’enterre ma vie de garçon dans les profondeurs d’une fille d’joie&#xA;Une rose rouge pour implorer le pardon si je déçois&#xA;Habille-toi de moi, je t’irais mieux que d’la soie&#xA;Me demande pas de faire un choix entre ma mère et toi yeah&#xA;Ma place au Paradis ne se trouve pas sous tes pieds&#xA;Je ne lâcherais pas ma famille, n’insulte pas mes amis&#xA;T’amuse pas à poser le doigt où ça fait mal à ma vie&#xA;Ma confiance compte plus que des bisous&#xA;Mon honneur entre tes mains vaut plus que tous tes bijoux&#xA;Tires-moi vers le haut je te le rendrais mi amor&#xA;Aie plus de valeur que l’or, je t’aimerais jusqu’à la mort !&#xA;&#xA;Dile dile jaa, dile dile? jaa&#xA;Tere bin jee ho na ho&#xA;Dile dile jaa, dile dile? jaa&#xA;Tere bin jee ho na ho&#xA;&#xA;&#xA;Marié à la street, marié à mes principes&#xA;Mariée à mes vices, mais pas mariée à un sale type&#xA;Soit on est hnin, soit on ne l’est pas&#xA;Garde-moi seul confident entre les hauts et les bas&#xA;Quand on se dévoile il faut qu’on s’alimente&#xA;Une alliance ne garantit pas l’entente ni la réponse aux attentes&#xA;Pas l’ombre d’un doute, si t’ensoleille mon existence&#xA;Sacrifie ton physique pour enfanter ma descendance&#xA;Accorde-moi cette danse sous notre pleine lune de miel&#xA;Deux étoiles dans le ciel, dans mon cœur noir une étincelle&#xA;Tu voulais un homme ouvert à la fois autoritaire&#xA;Qui te fait PTDR, qui te rappelle ton père&#xA;Je t’ai déshabillé d'son nom, pour te vêtir du mien&#xA;M’aimeras-tu encore si les épreuves nous enlever nos biens ?&#xA;Les dimanches après-midi en visite chez les tiens&#xA;Sous la méfiance d’une belle mère le mélange innocent de nos liens&#xA;&#xA;&#xA;Tumhe maine payaa, mujhe tum ne paaya&#xA;Khushi se gham phar gayi&#xA;Dile dile jaa (Bollywood Style), dile dile? jaa&#xA;Tere bin jee ho na ho&#xA;&#xA;Housni est dans le mariage&#xA;Indila est dans le mariage&#xA;La famille est dans le mariage&#xA;Y'a mes thugs dans le mariage&#xA;Housni est dans le mariage&#xA;Indila est dans le mariage&#xA;La famille est dans le mariage&#xA;Bienvenue dans le mariage" PRODUCER="Space Records" COVERARTID="061/3RRU4EBQEHWGTBF40Q41CJ2CC3TA" PLAYTIME="274" PLAYTIME_FLOAT="273.773346" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="34627"></INFO>
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<INFO BITRATE="958868" KEY_LYRICS="86 ContributorsTranslationsDeutschSomebody’s Watching Me Lyrics&#xA;Who's watching?&#xA;Tell me, who's watching?&#xA;Who's watching me?&#xA;&#xA;&#xA;I'm just an average man with an average life&#xA;I work from nine to five, hey, hell, I pay the price&#xA;All I want is to be left alone in my average home&#xA;But why do I always feel like I'm in The Twilight Zone? And&#xA;&#xA;&#xA;I always feel like somebody's watchin' me&#xA;And I have no privacy (Oh-oh-oh)&#xA;I always feel like somebody's watchin' me&#xA;Tell me, is it just a dream?&#xA;&#xA;&#xA;When I come home at night&#xA;I bolt the door real tight&#xA;People call me on the phone, I'm trying to avoid&#xA;But can the people on TV see me, or am I just paranoid?&#xA;When I'm in the shower, I'm afraid to wash my hair&#xA;'Cause I might open my eyes and find someone standing there&#xA;People say I'm crazy, just a little touched&#xA;But maybe showers remind me of Psycho too much, that's why&#xA;&#xA;I always feel like somebody's watchin' me&#xA;And I have no privacy (Oh-oh-oh)&#xA;I always feel like somebody's watchin' me&#xA;Who's playing tricks on me?&#xA;&#xA;&#xA;&#xA;&#xA;(Who's watching me?) I don't know anymore&#xA;Are the neighbors watching me? (Who's watching?)&#xA;Well, is the mailman watching me? (Tell me, who's watching?)&#xA;And I don't feel safe anymore, oh, what a mess&#xA;I wonder who's watching me now (Who?), the IRS?&#xA;&#xA;&#xA;I always feel like somebody's watchin' me&#xA;And I have no privacy (Oh-oh-oh)&#xA;I always feel like somebody's watchin' me&#xA;Tell me, is it just a dream?&#xA;I always feel like somebody's watchin' me (Hee-hee-hee)&#xA;And I have no privacy (Oh-oh-oh-oh)&#xA;I always feel like somebody's watchin' me&#xA;Who's playing tricks on me? (Who's watching?)&#xA;&#xA;&#xA;Oh-oh-oh&#xA;(Who's watching me?)&#xA;I always feel like somebody's watchin' me&#xA;Ooh, now, ah, ooh&#xA;I always feel like somebody's watchin' me&#xA;(Who's watching me?)&#xA;I always feel like somebody's watchin' me&#xA;Ooh, now, ah, ooh&#xA;I always feel like somebody's watchin' me&#xA;(Who's watching me?)&#xA;&#xA;I always feel like somebody's watchin' me&#xA;And I have no privacy (Oh-oh-oh-oh)&#xA;I always feel like somebody's watchin' me&#xA;I can't enjoy my tea (Who's watching me?)&#xA;I always feel like somebody's watchin' me&#xA;Can I have my privacy? (Oh-oh-oh)&#xA;I always feel like somebody's watchin' me&#xA;Who's watching me? (Who's watching me?)&#xA;I always feel like somebody's watchin' me&#xA;Hee-hee, oh-oh-oh-oh&#xA;I always feel like somebody's watchin' me&#xA;Stop playing tricks on me, yeah (Who's watching me?)&#xA;I always feel like somebody's watchin' me&#xA;Why don't they leave me be? (Oh-oh-oh)&#xA;I always feel like somebody's watchin' me&#xA;I can't enjoy my tea (Who's watching me?)" PRODUCER="℗ 1984 UMG Recordings, Inc." COVERARTID="022/WQ5NDADWCKIXUC4I4Y2LD4KNITPC" PLAYTIME="237" PLAYTIME_FLOAT="236.479996" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="27896"></INFO>
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<INFO BITRATE="1032453" KEY_LYRICS="75 ContributorsGhostbusters LyricsSome would call it one of the greatest songs of the 1980s, some may call it one of the cheesiest, but one thing is for sure… some quickly grew to hate it – as the man who designed the Ghostbusters logo once… Read More &#xA;(Ghostbusters!)&#xA;If there's something strange&#xA;In your neighborhood&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;If there's something weird&#xA;And it don't look good&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;&#xA;&#xA;I ain't 'fraid of no ghost&#xA;I ain't 'fraid of no ghost&#xA;&#xA;&#xA;If you're seeing things&#xA;Running through your head&#xA;Who can you call?&#xA;(Ghostbusters!)&#xA;An invisible man&#xA;Sleepin' in your bed&#xA;Ow, who you gonna call?&#xA;(Ghostbusters!)&#xA;&#xA;&#xA;I ain't 'fraid of no ghost&#xA;Uh, I ain't 'fraid of no ghost&#xA;&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;If you're all alone&#xA;Pick up the phone&#xA;And call&#xA;(Ghostbusters!)&#xA;&#xA;&#xA;I ain't 'fraid of no ghost&#xA;Ooh, I hear it likes the girls&#xA;Hm, I ain't 'fraid of no ghost&#xA;Yeah, yeah, yeah, yeah!&#xA;&#xA;&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;Mm, if, if you've had a dose of a&#xA;Freaky ghost, baby&#xA;You better call&#xA;(Ghostbusters!)&#xA;Ow!&#xA;&#xA;&#xA;Lemme tell ya something&#xA;Bustin' makes me feel good!&#xA;&#xA;I ain't 'fraid of no ghost&#xA;Uh, I ain't 'fraid of no ghost&#xA;&#xA;&#xA;Don't get caught alone, oh no&#xA;(Ghostbusters!)&#xA;When it comes through your door!&#xA;Unless you just a-want some more&#xA;I think you better call&#xA;(Ghostbusters!)&#xA;Ow!&#xA;&#xA;&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;Uh, think you better call&#xA;(Ghostbusters!)&#xA;Ha-ha, who you gonna call?&#xA;(Ghostbusters!)&#xA;I can't hear you&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;Louder!&#xA;(Ghostbusters!)&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;Who can you call?&#xA;(Ghostbusters!)&#xA;Who you gonna call?&#xA;(Ghostbusters!)&#xA;Uh, it likes the girls too&#xA;(Ghostbusters!)" PRODUCER="(P) 2010 Raydio Music Corp." COVERARTID="046/OVFA3ECTXVIGCD1UHU31BPNZ3XIB" PLAYTIME="246" PLAYTIME_FLOAT="245.248962" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="31091"></INFO>
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<INFO BITRATE="1061278" KEY_LYRICS="103 ContributorsTranslationsРусскийFrançaisThe Way You Make Me Feel Lyrics&#xA;Hee-hee, ooh&#xA;Go on, girl, aaow!&#xA;Hee&#xA;&#xA;&#xA;Hey, pretty baby with the high heels on&#xA;You give me fever like I've never ever known&#xA;You're just a product of loveliness&#xA;I like the groove of your walk, your talk, your dress&#xA;I feel your fever from miles around&#xA;I'll pick you up in my car and we'll paint the town&#xA;Just kiss me, baby, and tell me twice&#xA;That you're the one for me&#xA;&#xA;&#xA;The way you make me feel (The way you make me feel)&#xA;You really turn me on (You really turn me on)&#xA;You knock me off of my feet (You knock me off of my feet)&#xA;My lonely days are gone (My lonely days are gone)&#xA;Uh, uh&#xA;&#xA;&#xA;I like this feelin' you're givin' me&#xA;Just hold me, baby, and I'm in ecstasy&#xA;Oh, I'll be workin' from nine to five&#xA;To buy you things to keep you by my side&#xA;I've never felt so in love before&#xA;Just promise, baby, you'll love me forever more&#xA;I swear I'm keepin' you satisfied&#xA;'Cause you're the one for me&#xA;&#xA;The way you make me feel (The way you make me feel)&#xA;You really turn me on (You really turn me on)&#xA;You knock me off of my feet now, baby (You knock me off of my feet)&#xA;My lonely days are gone (My lonely days are gone)&#xA;&#xA;&#xA;Acha-ooh&#xA;Go on, girl, go on&#xA;Hee-hee, aaow&#xA;Go on, girl&#xA;&#xA;&#xA;I've never felt so in love before&#xA;Just promise, baby, you'll love me forevermore&#xA;I swear I'm keepin' you satisfied&#xA;'Cause you're the one for me&#xA;&#xA;&#xA;The way you make me feel (The way you make me feel)&#xA;You really turn me on (You really turn me on)&#xA;You knock me off of my feet now, baby, hee (You knock me off of my feet)&#xA;My lonely days are gone, ah, ah (My lonely days are gone)&#xA;The way you make me feel (The way you make me feel)&#xA;You really turn me on (You really turn me on)&#xA;You knock me off of my feet now, baby, hee (You knock me off of my feet)&#xA;My lonely days are gone (My lonely days are gone)&#xA;&#xA;Ain't nobody's business (The way you make me feel)&#xA;Ain't nobody's business&#xA;Ain't nobody's business (You really turn me on)&#xA;Ain't nobody's business&#xA;But mine and my baby, hee-hee (You knock me off of my feet)&#xA;Hee-hee, ooh (My lonely days are gone)&#xA;Give it to me (The way you make me feel)&#xA;Give me some time&#xA;Come on, be my girl (You really turn me on)&#xA;I wanna be with mine&#xA;Ain't nobody's business (You knock me off of my feet)&#xA;Ain't nobody's business&#xA;But mine and my baby (My lonely days are gone)&#xA;Go on, girl, aaow&#xA;&#xA;&#xA;Hee-hee, ooh&#xA;Choo-coo, choo-coo&#xA;Choo-coo, choo-coo, choo-coo&#xA;Go on, girl!&#xA;&#xA;&#xA;The way you make me feel (Hee-hee, hee-hee-hee)&#xA;You really turn me on&#xA;You knock me off of my feet&#xA;My lonely days are gone&#xA;&#xA;Give it to me (The way you make me feel)&#xA;Give me some time&#xA;Come on, be my girl (You really turn me on)&#xA;I wanna be with mine&#xA;Ain't nobody's business (You knock me off of my feet)&#xA;Ain't nobody's business&#xA;But mine and my baby (My lonely days are gone)&#xA;Go on, girl&#xA;Give it to me (The way you make me feel)&#xA;Give me some time&#xA;Come on, be my girl (You really turn me on)&#xA;I wanna be with mine" PRODUCER="(P) 1987 MJJ Productions Inc." COVERARTID="031/5ETAZVCTW32HXBL531HKA3SFLSXC" PLAYTIME="268" PLAYTIME_FLOAT="267.150726" IMPORT_DATE="2025/4/14" RELEASE_DATE="2005/1/1" FLAGS="12" FILESIZE="34909"></INFO>
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<INFO BITRATE="992039" KEY_LYRICS="30 ContributorsTake a Chance on Me Lyrics&#xA;If you change your mind, I'm the first in line&#xA;(Take a chance, take a-take a chance-chance, take a chance, take a chance)&#xA;Honey, I'm still free; take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;If you need me, let me know, gonna be around&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;If you got no place to go when you're feeling down&#xA;(Take a-take a chance-chance, take a chance, take a chance, take a chance)&#xA;(Take a chance, take a-take a chance-chance, take a chance, take a chance)&#xA;If you're all alone when the pretty birds have flown&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Honey, I'm still free; take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Gonna do my very best and it ain't no lie&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;If you put me to the test, if you let me try&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;&#xA;&#xA;Take a chance on me&#xA;That's all I ask of you honey&#xA;Take a chance on me&#xA;&#xA;We can go dancing, we can go walking&#xA;As long as we're together (As long as we're together)&#xA;Listen to some music, maybe just talking&#xA;Get to know you better (Get to know you better)&#xA;&#xA;&#xA;'Cause you know I've got&#xA;So much that I wanna do, when I dream I'm alone with you&#xA;It's magic&#xA;You want me to leave it there, afraid of a love affair&#xA;But I think you know&#xA;That I can't let go&#xA;&#xA;&#xA;If you change your mind, I'm the first in line&#xA;(Take a chance, take a-take a chance-chance, take a chance, take a chance)&#xA;Honey, I'm still free; take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;If you need me, let me know, gonna be around&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;If you got no place to go when you're feeling down&#xA;(Take a-take a chance-chance, take a chance, take a chance, take a chance)&#xA;(Take a chance, take a-take a chance-chance, take a chance, take a chance)&#xA;If you're all alone when the pretty birds have flown&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Honey, I'm still free; take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Gonna do my very best and it ain't no lie&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;If you put me to the test, if you let me try&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;&#xA;Take a chance on me&#xA;Come on, give me a break, will you?&#xA;Take a chance on me&#xA;&#xA;&#xA;Oh, you can take your time, baby, I'm in no hurry&#xA;Know I'm gonna get ya (Know I'm gonna get ya)&#xA;You don't wanna hurt me, baby, don't worry&#xA;I ain't gonna let you (I ain't gonna let ya)&#xA;&#xA;&#xA;Let me tell you now&#xA;My love is strong enough to last when things are rough&#xA;It's magic&#xA;You say that I waste my time, but I can't get you off my mind&#xA;No, I can't let go&#xA;'Cause I love you so&#xA;&#xA;&#xA;If you change your mind, I'm the first in line&#xA;(Take a chance, take a-take a chance-chance, take a chance, take a chance)&#xA;Honey, I'm still free; take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;If you need me, let me know, gonna be around&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;If you got no place to go when you're feeling down&#xA;(Take a-take a chance-chance, take a chance, take a chance, take a chance)&#xA;(Take a chance, take a-take a chance-chance, take a chance, take a chance)&#xA;If you're all alone when the pretty birds have flown&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Honey, I'm still free; take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Gonna do my very best, baby, can't you see?&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Gotta put me to the test, take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a chance, take a chance, take a chance on me)&#xA;&#xA;Ba-ba ba-ba ba, ba-ba ba-ba baa&#xA;(Take a chance, take a-take a chance-chance, take a chance, take a chance)&#xA;Honey, I'm still free; take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Gonna do my very best, baby, can't you see?&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Gotta put me to the test, take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance, take a chance)&#xA;(Take a chance, take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a chance, take a chance, take a chance on me)&#xA;Ba-ba ba-ba ba, ba-ba ba-ba baa-ba-ba&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Honey, I'm still free; take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Gonna do my very best, baby, can't you see&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;Gotta put me to the test, take a chance on me&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a-take a chance-chance, take a chance, take a chance)&#xA;(Take a chance, take a chance, take a chance on me)" PRODUCER="℗ 1977 Polar Music International AB" COVERARTID="057/ZRNVUXCKVSGF4DTFUOO0COXXVODC" PLAYTIME="244" PLAYTIME_FLOAT="243.933334" IMPORT_DATE="2025/4/14" RELEASE_DATE="1978/1/1" FLAGS="12" FILESIZE="29740"></INFO>
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<INFO BITRATE="985514" KEY_LYRICS="18 ContributorsNeutron Dance Lyrics&#xA;I don't wanna take it anymore&#xA;I'll just stay here locked behind the door&#xA;Just no time to stop and get away&#xA;'Cause I work so hard to make it every day&#xA;&#xA;&#xA;Whoo-ooh&#xA;Whoo-ooh&#xA;&#xA;&#xA;There's no money falling from the sky&#xA;'Cause a man took my heart and robbed me blind&#xA;Someone stole my brand new Chevrolet&#xA;And the rent is due, I got no place to stay&#xA;&#xA;&#xA;Whoo-ooh&#xA;Whoo-ooh&#xA;&#xA;&#xA;And it's hard to say&#xA;Just how some things never change&#xA;And it's hard to find&#xA;Any strength to draw the line&#xA;Oh, I'm just burnin' doin' the neutron dance&#xA;I'm just burnin' doin' the neutron dance&#xA;&#xA;Industry don't pay a price that's fair&#xA;All the common people breathing filthy air (Lord have mercy)&#xA;Roof caved in on all the simple dreams&#xA;And to get ahead your heart starts pumping schemes&#xA;&#xA;&#xA;And it's hard to say&#xA;Just how some things never change&#xA;And it's hard to find&#xA;Any strength to draw the line&#xA;Oh, I'm just burnin' doin' the neutron dance (Ah, ah, ah)&#xA;I'm just burnin' doin' the neutron dance&#xA;&#xA;&#xA;Whoo-ooh&#xA;(Whoo-ooh)&#xA;I'm on fire, yeah&#xA;I'm on fire, yeah&#xA;&#xA;&#xA;And it's hard to say&#xA;Just how some things never change&#xA;And it's hard to find&#xA;Any strength to draw the line&#xA;Oh, I'm just burnin' doin' the neutron dance (Ah, ah, ah)&#xA;I'm just burnin' doin' the neutron dance&#xA;&#xA;I know there's a pot of gold for me&#xA;All I got to do is just believe&#xA;Oh, I'm so happy doin' the neutron dance&#xA;And I'm just burnin' doin' the neutron dance&#xA;I'm so happy doin' the neutron dance (It's in my hands)&#xA;I'm just burnin' doin' the neutron dance (It's in my feet)&#xA;(Well, well, well, well)&#xA;Whoo-ooh&#xA;Whoo-ooh&#xA;I'm so happy doin' the neutron dance&#xA;I'm just burnin' doin' the neutron dance&#xA;Whoo-ooh&#xA;(Whoo-ooh)&#xA;Whoo-ooh&#xA;(Whoo-ooh)&#xA;I'm so happy (It's in my hands)&#xA;I'm just burnin' (It's in my feet)&#xA;I'm so happy (It's all over me)&#xA;I'm just burnin' (I can't help myself)&#xA;I'm so happy, I'm just burnin'&#xA;I'm so happy, I'm just burnin'&#xA;I'm so happy, I'm just burnin'&#xA;I'm so happy, I'm just burnin'&#xA;I'm so happy, I'm just burnin'" PRODUCER="(P) 1983 RCA Records, a division of Sony Music Entertainment" COVERARTID="040/IRXQDDBRKHJZZAEPT40XB1TN4UBB" PLAYTIME="236" PLAYTIME_FLOAT="235.119995" IMPORT_DATE="2025/4/14" RELEASE_DATE="1983/1/1" FLAGS="12" FILESIZE="28533"></INFO>
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<INFO BITRATE="880588" KEY_LYRICS="16 ContributorsBeing with You Lyrics&#xA;I don't care what they think about me and&#xA;I don't care what they say&#xA;I don't care what they think, if you're leaving&#xA;I'm gonna beg you to stay&#xA;I don't care if they start to avoid me&#xA;I don't care what they do&#xA;I don't care about anything else&#xA;But being with you, being with you&#xA;&#xA;&#xA;Honey don't go, don't leave this scene&#xA;Be out of the picture and off of the screen&#xA;Don't let them say &amp;quot;we told you so&amp;quot;&#xA;They tell me you'll love me and then let me go&#xA;&#xA;&#xA;I've heard the warning voice&#xA;From friends and my relations&#xA;They tell me all about your heart-break reputation&#xA;&#xA;&#xA;I don't care what they think about me and&#xA;I don't care what they say.. no&#xA;I don't care what they think, if you're leaving&#xA;I'm gonna beg you to stay&#xA;I don't care if they start to avoid me&#xA;I don't care what they do&#xA;I don't care about anything else&#xA;But being with you, being with you&#xA;&#xA;People can change, they always do&#xA;Haven't they noticed the changes in you?&#xA;Or can it be, that like love I am blind?&#xA;Do I want it so much 'til it's all in my mind?&#xA;&#xA;&#xA;One thing I know for sure&#xA;Is really really real&#xA;I never felt before the way you make me feel&#xA;&#xA;&#xA;I don't care what they think about me and&#xA;I don't care what they say&#xA;I don't care what they think, if you're leaving&#xA;I'm gonna beg you to stay&#xA;I don't care if they start to avoid me&#xA;I don't care what they do&#xA;I don't care about anything else&#xA;But being with you, being with you&#xA;&#xA;&#xA;Being with you&#xA;Being with you&#xA;I don't care about anything else&#xA;But being with you, being with you&#xA;I wanna be with you&#xA;I don't care if they start to avoid me" PRODUCER="℗ 1981 UMG Recordings, Inc." COVERARTID="064/AW221UBQUBQHLCTKNJG0D3S2W1TC" PLAYTIME="247" PLAYTIME_FLOAT="246.960297" IMPORT_DATE="2025/4/14" RELEASE_DATE="1981/1/1" FLAGS="12" FILESIZE="26968"></INFO>
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<INFO BITRATE="937257" KEY_LYRICS="2 ContributorsKing Of HipHop Lyrics&#xA;&#xA;I'm back in shadows, get rattled I'm broke&#xA;Just like you stupid fucks grabbing up smokes&#xA;400 a week n they say I'm a joke (shoot)&#xA;Water is thicker then blood I suppose&#xA;In and out of hotels, not by choice&#xA;They just hate on the porn job, we fuckin enjoy (fr tho)&#xA;Cuz of half of you sick fucks get over sized toys&#xA;N hit up the strip clubs, All girls n all boys (y'all sick)&#xA;Why you hating, not ashamed of dick (hell no)&#xA;I'll put that crap on pornhub, til you give it a click (I'll wait)&#xA;N If it downloadable, you saving the shit&#xA;Don't get mad I'm always fuckin wit my loyal ass bitch (yeh)&#xA;N I'm an asshole, so it all really fits (look)&#xA;As long as I'm aggressively sucking her tits&#xA;Ill be Trailing down her body wit my tongue to her clit&#xA;N Now everybody know that I'ma perv and, I'm sick (oh well)&#xA;&#xA;Yeh it took a while but I gladly admit&#xA;I put my girl on streamate for the money, be pissed (so)&#xA;But this is how we living got her sucking my dick&#xA;While the wives are out wifin, we scoping out all the pigs (that's you)&#xA;Cleaning out your wallet, got problems you lil bitch&#xA;Your man probably the smallest, to honest you better quit&#xA;But Ima make a profit, My pockets gon get all big&#xA;Pulling out bands just like my cock it'd be thick (you'll see)&#xA;I spent my whole life, hiding behind the truth&#xA;Doesn't matter if your kind, Stupid or being rude&#xA;Compare me to other dudes, impossible never true&#xA;Cuz i don't give a fuck, whats The difference? that you do&#xA;My focus is on the pussy, the music n all the boos&#xA;I'll use it for all the Boosting, Not using to be all cool&#xA;Abusing my fuckin life, wit druggies is an excuse&#xA;For everyone that's watching, I promise its outta view&#xA;&#xA;&#xA;Yo Ima looking ta be the king of hiphop genre&#xA;Drama, I can't take the trauma, gotta&#xA;Be the one ta take a bite from the black mamba&#xA;Be the one get the fight, For smoking marijuana&#xA;Like why? Why me! I just wanna spit bars&#xA;But you take it lightly Actin mighty like Charzard&#xA;Rawr rawr mother fucker, turn you into char tar&#xA;That's some shit that would really make me hard god&#xA;&#xA;&#xA;&#xA;I moved to the south, got me a bikini babe&#xA;N you still up on the couch, like diddy you pill away&#xA;Y'all got some big mouths, you going the pillow way&#xA;Cuz at the club I fuckin doubt Yo snatching some pussy aye&#xA;(that's wrong bruh)&#xA;Be mad, every day I get dick wet&#xA;Hitting it from the back, sloppy days wit some mad head&#xA;Shove this cock down her throat until her fuckin eyes red&#xA;Air not on the menu when I'm piping on the pad bed (yeh yeh)&#xA;&#xA;Parents still hating, Just saying,  i'm not in Lakeland (nope)&#xA;I took her back to Utah, when I said I wasn't faking&#xA;Now look at what u facing&#xA;King jay, Never break n now you shaking Cuz I got a lot of statements&#xA;Let em all know You rich n that you living all amazing&#xA;Got your daughter working naked n scraping for all the payments&#xA;Why you do that to your blood? (why you do that to your blood)&#xA;Oh you ashamed, just knowing you didn't care&#xA;Got us thinking bout this love&#xA;For the elders, why you even take that route?&#xA;If you don't treat me wit respect, then I won't face that&#xA;You clout chasing&#xA;I'm taken this hate around the town now&#xA;Wit a whole lot of energy, this melody is ancient&#xA;Lost us a couple years back, catch us waving&#xA;Took the airplane no goodbyes, keep it basic&#xA;Stay in your lane, I got the good vibes blazing&#xA;Crooks don't provide n I don't fight lil brave men&#xA;&#xA;Y'all just a bunch a of wanna b's, wantin ta be the one&#xA;Ta take me wit passion, I'm smashing you just for fun&#xA;If you really wanna pass me, so badly you better run&#xA;You not even in the backseat, in the fast lane son (look)&#xA;I'll be always driving, I'm riding around in front&#xA;We vibin wit lot of blunts, stop trying you lil punk (bruh)&#xA;You got no supply, you hella dryer then dessert sun&#xA;All of you, hella lame n I am not a lair look&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;This album took a while, my bad I'm not wealthy&#xA;I'm dirty like the Nile, so no-one really wanna help me&#xA;Most days i'm hungry, man I know I'm not healthy&#xA;Haven't been to the docs since like 14, Yeh (look)&#xA;Been in out of hell see, can't no-one speak correctly&#xA;They say the dream is dead n gone n everyone expects me&#xA;Ta give it up directly to the dirt, when I refuse (fuck)&#xA;They say I'm being selfish, yet i'm only stacking pennies&#xA;When they living the life, Not taking advice&#xA;From anyone unhappy&#xA;Yeh I'm making this right, I fight the vices&#xA;Even when its nasty&#xA;Still thinking I might, Just be the one&#xA;Ta show you really trashy&#xA;Yes i'm picking a night, I'll grab the mic&#xA;While smoking up a baggy (look)&#xA;You tripping n fight, I'm hitting the pipe&#xA;Tryna be this daddy&#xA;I'm slipping on ice, i'm never nice&#xA;When someone talking badly&#xA;Its different in light, I'm dipping in mind&#xA;While everyone is wacky, still&#xA;Up in the valley N Rolling the biggest fatties (yeh)&#xA;So honestly I don't really wanna hear nothing&#xA;From anyone, friends or fam, cuz I don't really trust em&#xA;No names I play no games, a homie had enough n&#xA;That's why my brother chose ta help Me out, so I trust him&#xA;My life is like the milky-way, around I go n every day&#xA;Scientists are still surprised with everything I have ta say&#xA;For now in spitting bars, ta stars for the future&#xA;Jjackals on the rise, I'm feeling ancient time ta play (but)&#xA;Reality I'm breaking it wit everything feeling greater then the hulk&#xA;It's real Like i'm Thanos in a shitty place (but)&#xA;You people think I'm fake n its, the haters by the bulk so chill&#xA;I promise I'll be honest, you can read that in my face (and)&#xA;She proud of me I'm taking it, I really don't deserve it&#xA;But I do like all the players, I went faster then the race (yeh)&#xA;Now everyone surround me, going wild in the county&#xA;Got no problems getting old so, turn the speakers n the bass (yo)&#xA;&#xA;" PRODUCER="Cadeau Company / L.S.B. / Plateforme 2000" COVERARTID="091/1OIORWDRFPHBDAN3OOBGDPZMMEMC" PLAYTIME="220" PLAYTIME_FLOAT="219.744110" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="25327"></INFO>
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<INFO BITRATE="946549" KEY_LYRICS="1 Contributor2023 Lyrics&#xA;Uh&#xA;Praying to God for some mercy&#xA;I never thought I was gon' make it to thirty&#xA;Been wylin' out in my twenties&#xA;I'm livin' like nothing is ever gon' hurt me&#xA;Stoned to be rolled&#xA;But I gotta lay low as I'm tryna stick to my journey&#xA;Finally got to my purpose&#xA;I tried telling everyone that I was worthy&#xA;You know we stay right ahead of all delays&#xA;These days they all got my on replay&#xA;Feel like I won a sweepstakes&#xA;Feel like you might wanna go and rephrase&#xA;All of them digs and them things you be sayin'&#xA;They need me around just to help them keep sane&#xA;It's ironic 'cause I be psychotic&#xA;Your song robotic, boy that flow bionic&#xA;I don't try and this still turn out iconic&#xA;You might skate on it but I might fly on it&#xA;I'm the king of the hill and I'll die on it&#xA;Know my name and you better not lie on it&#xA;Y'all just cap in them raps while I rhyme honest&#xA;To the sunset I walk with the sky dropping&#xA;I just been tryna be nice&#xA;But I put on my life that your vibe's not it&#xA;Live toxic and you gon' die toxic&#xA;Yeah, hey&#xA;Got in an accident after nawftoberfest&#xA;I ain't gon' lie bruh, I walked around so depressed&#xA;Feeling defeated like we ain't just throw the best show in the city dog&#xA;I don't have no regrets&#xA;They want a spot on the lineup, well show up then, look&#xA;I don't even know you, dog, yeah, hey&#xA;It's me and xvtlndzh, at work on my spanish&#xA;Not minding my manners, no time and no place&#xA;Brought the disaster, love watching them panic&#xA;A man of the madness, the chaos' saint&#xA;I took that chaos and with it, I paint&#xA;Hey, I gotta do what they can't&#xA;Nawfside president baby" PRODUCER="Vanloo Music" COVERARTID="037/FJPCHZD0FJAHWCX0AN14BG4GPW0D" PLAYTIME="167" PLAYTIME_FLOAT="166.963058" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="20099"></INFO>
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<INFO BITRATE="664493" KEY_LYRICS="8 ContributorsShame, Shame, Shame LyricsShame shame shame on you&#xA;If you can't dance too&#xA;REPEAT&#xA;Can't stop me now hear what I say&#xA;My feet wanna move so get out my way&#xA;I'm gonna have my say&#xA;I'm going to every discotheque&#xA;I'm gonna dance dance dance dance ooh&#xA;Till the break of day I say&#xA;CHORUS&#xA;Shame shame shame hey shame on you&#xA;If you can't dance too&#xA;I say shame shame shame&#xA;Shame shame shame&#xA;Shame shame on you&#xA;If you can't dance too&#xA;Don't stop the motion&#xA;If you get the notion&#xA;You can't stop the groove&#xA;'Cos you just won't move&#xA;Got my sun-roof down&#xA;Got my diamonds in the back&#xA;So put on your shaky wig baby&#xA;If you don't I ain't comin' back&#xA;REPEAT CHORUS&#xA;If you don't want to go&#xA;Remember one monkey don't stop no show&#xA;My body needs action ain't gonna blow&#xA;Yes I'm going out I'm going to find a dancin' man&#xA;If you really think you're fast&#xA;Try to catch me if you can&#xA;I say shame shame shame yeah (aah) shame on you&#xA;If you can't dance too&#xA;It's a shame shame shame&#xA;Shame shame shame&#xA;Shame shame on you&#xA;If you can't dance too&#xA;If you can't dance&#xA;REPEAT CHORUS&#xA;(Shame) said shame (shame) said shame&#xA;(Shame) shame on you&#xA;If you can't dance too if you can't dance&#xA;REPEAT TO FADE" PRODUCER="℗ 1975 Rhino for North America, Mexico, Caribbean, Sanctuary for Rest of World" COVERARTID="036/EZT5DHBQYJT2PCUSIHKNAFUGTA1C" PLAYTIME="246" PLAYTIME_FLOAT="245.786667" IMPORT_DATE="2025/4/14" RELEASE_DATE="1975/1/1" FLAGS="12" FILESIZE="20423"></INFO>
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<INFO BITRATE="860823" KEY_LYRICS="25 ContributorsCar Wash LyricsOoh, you might not ever get rich&#xA;But let me tell you it's better than digging a ditch&#xA;There ain't no telling who you might meet&#xA;A movie star or maybe even an Indian chief&#xA;&#xA;Working at the car wash&#xA;Working at the car wash, yeah&#xA;Come on and sing it with me, car wash&#xA;Sing it with the feeling now, car wash, yeah&#xA;&#xA;Ooh, come summer, the work gets kind of hard&#xA;This ain't no place to be if you planned on being a star&#xA;Let me tell you, it's always cool&#xA;And the boss don't mind sometimes if you act the fool&#xA;&#xA;At the car wash, woah&#xA;Talking about the car wash, yeah&#xA;Come on y'all and sing it for me&#xA;Car wash, wooh, car wash, yeah&#xA;&#xA;(Work and work) Well those cars never seem to stop coming&#xA;(Work and work) Keep those waxin' machines humming&#xA;(Work and work) My fingers to the bone&#xA;(Work) Keep up, I can't wait till it's time to go home&#xA;&#xA;Hey, get your car washed today&#xA;Fillup and you don't have to pay&#xA;Come on and give us a play&#xA;Car wash, right away&#xA;At the car wash&#xA;Talking about the car wash&#xA;Car wash, yeah&#xA;Come on y'all and sing it with me&#xA;Car wash&#xA;Sing it with feeling y'all&#xA;Car wash, yeah&#xA;&#xA;Wowowoh&#xA;(Car wash) Those cars never seem to stop coming&#xA;What I say&#xA;Keep those rags and machines humming&#xA;(Car wash) Let me tell you it's always cool&#xA;And the boss don't mind sometimes if you, act the fool&#xA;&#xA;At the car wash&#xA;Talking about the car wash, yeah&#xA;Car wash, yeah&#xA;Talking about the car wash, yeah&#xA;&#xA;Car wash&#xA;Car wash, yeah&#xA;Car wash&#xA;Car wash, yeah&#xA;Car wash&#xA;Car wash, yeah&#xA;Car wash&#xA;Car wash, yeah" PRODUCER="℗ 1976 UMG Recordings, Inc." COVERARTID="117/VP4IGNDOFJAW5BOG51UEDXWQD1CA" PLAYTIME="200" PLAYTIME_FLOAT="199.306671" IMPORT_DATE="2025/4/14" RELEASE_DATE="2002/1/1" FLAGS="12" FILESIZE="21206"></INFO>
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<INFO BITRATE="993439" KEY_LYRICS="88 ContributorsTranslationsEspañolDeutschSuperstition Lyrics&#xA;Very superstitious&#xA;Writing's on the wall&#xA;Very superstitious&#xA;Ladder's 'bout to fall&#xA;Thirteen month old baby&#xA;Broke the looking glass&#xA;Seven years of bad luck&#xA;The good things in your past&#xA;&#xA;&#xA;When you believe in things&#xA;That you don't understand&#xA;Then you suffer&#xA;Superstition ain't the way, yeah&#xA;&#xA;&#xA;Ooh, very superstitious&#xA;Wash your face and hands&#xA;Rid me of the problem&#xA;Do all that you can&#xA;Keep me in a daydream&#xA;Keep me going strong&#xA;You don't want to save me&#xA;Sad is my song&#xA;&#xA;When you believe in things&#xA;That you don't understand&#xA;Then you suffer&#xA;Superstition ain't the way, yeah&#xA;&#xA;&#xA;Very superstitious&#xA;Nothing more to say&#xA;Very superstitious&#xA;The devil's on his way&#xA;Thirteen month old baby&#xA;Broke the looking glass&#xA;Seven years of bad luck&#xA;Good things in your past&#xA;&#xA;&#xA;When you believe in things&#xA;That you don't understand&#xA;Then you suffer&#xA;Superstition ain't the way&#xA;No, no, no" PRODUCER="℗ 1972 Motown Records, a Division of UMG Recordings, Inc." COVERARTID="089/Z0SIT4CKGZNSGCOWOVTKAMB4UT2C" PLAYTIME="246" PLAYTIME_FLOAT="245.493332" IMPORT_DATE="2025/4/14" RELEASE_DATE="2002/1/1" FLAGS="12" FILESIZE="30114"></INFO>
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<INFO BITRATE="912972" KEY_LYRICS="6 ContributorsDon’t Push It Don’t Force It LyricsPatience isn't my best virtue&#xA;When I'm in the mood for love&#xA;I can't control my passion&#xA;I wanna love you all over&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;&#xA;I'm ready, I'm ready now&#xA;I want you now&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If love was meant to be&#xA;Patience isn't my best virtue&#xA;When I'm in the mood for love&#xA;I can't control my passion&#xA;I wanna love you all over&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If love was meant to be&#xA;&#xA;My nature is high inside I'm burning&#xA;About to lose self control&#xA;I can't fight this feeling&#xA;My love is much to hot to hold&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If love was meant to be&#xA;If it was really meant to be&#xA;Don't push it&#xA;It will happen naturally&#xA;Don't force it&#xA;&#xA;What will be will surely be&#xA;Don't push it&#xA;If love was meant for you and me&#xA;Don't force it&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If love was meant to be&#xA;&#xA;You're the spark that lights my fire&#xA;You set me off to a full alarm&#xA;I can't stand anticipation&#xA;I'm in the mood to get it on&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If love was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If love was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If love was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If love was meant to be&#xA;&#xA;Don't push it, don't force it&#xA;Let it happen naturally&#xA;It will surely happen&#xA;If it was meant to be" PRODUCER="℗ 1980 UMG Recordings, Inc." COVERARTID="107/L1SESIC5K1IGZCUMPQNRAYDBLKBB" PLAYTIME="209" PLAYTIME_FLOAT="208.866669" IMPORT_DATE="2025/4/14" RELEASE_DATE="1974/1/1" FLAGS="12" FILESIZE="23608"></INFO>
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<INFO BITRATE="985257" KEY_LYRICS="39 ContributorsTranslationsEspañolMove On Up Lyrics&#xA;Hush now, child&#xA;And don't you cry&#xA;Your folks might understand you&#xA;By and by&#xA;&#xA;&#xA;Just move on up&#xA;Toward your destination&#xA;Though you may find, from time to time&#xA;Complication&#xA;&#xA;&#xA;Bite your lip&#xA;And take the trip&#xA;Though there may be wet road ahead&#xA;And you cannot slip&#xA;&#xA;&#xA;Just move on up&#xA;For peace you'll find&#xA;Into the steeple of beautiful people&#xA;Where there's only one kind&#xA;&#xA;&#xA;So hush now, child&#xA;And don't you cry&#xA;Your folks might understand you&#xA;By and by&#xA;&#xA;Move on up&#xA;And keep on wishin'&#xA;Remember your dream is your only scheme&#xA;So keep on pushin'&#xA;&#xA;&#xA;Take nothing less&#xA;Than the supreme best&#xA;Do not obey rumors people say&#xA;For you can pass the test&#xA;&#xA;&#xA;Just move on up&#xA;To a greater day&#xA;With just a little faith, if you put your mind to it&#xA;You can surely do it&#xA;&#xA;Just move on up&#xA;Move on up&#xA;But move on up&#xA;Oh, child, but just a-move on up&#xA;But move on up&#xA;Move on up" PRODUCER="2023 Warner Music Group - X5 Music Group" COVERARTID="120/Y5EKLKBSKI2I1D34CIP5BOL3JW2B" PLAYTIME="166" PLAYTIME_FLOAT="165.789749" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="20156"></INFO>
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<INFO BITRATE="934203" KEY_LYRICS="9 ContributorsSomebody Else’s Guy Lyrics&#xA;I can't get off my high horse&#xA;And I can't let you go&#xA;You are the one who&#xA;You are the one who makes me feel&#xA;So real, yeah, yeah, yeah&#xA;Oh, what am I supposed to do&#xA;Oh, what am I supposed to do, baby&#xA;When I'm so hooked up on you&#xA;Then I realize&#xA;Oh, I realize&#xA;That you are somebody else's guy&#xA;Oh, yeah&#xA;Why you wanna do this to me, boy?&#xA;(Somebody else's guy)&#xA;&#xA;&#xA;Can you remember the times we spent together&#xA;Sharing our days in the sun&#xA;Then I found out that you were somebody else's lover&#xA;After all the plans we made, now were shattered&#xA;&#xA;&#xA;Still I can't get off my high horse&#xA;I can't let go&#xA;You are the one who makes me feel so real&#xA;Ooh, what am I supposed to do&#xA;When I'm hooked so on you&#xA;Then I realize that you're somebody else's guy&#xA;&#xA;That day in September, I'm sure you can remember&#xA;That's when all the stuff hit the fan&#xA;You told me a lie and you didn't have an alibi&#xA;But baby, yet I still cared&#xA;&#xA;&#xA;You know I loved you so, baby, that I can't let go&#xA;You are the one who makes me feel so real&#xA;Ooh, what am I supposed to do&#xA;When I'm hooked so on you&#xA;And realize you're somebody else's guy&#xA;&#xA;&#xA;&#xA;&#xA;You know I loved you so, baby, that I can't let go l&#xA;You are the one who makes me feel so real&#xA;Ooh, what am I supposed to do&#xA;When I'm hooked so on you&#xA;And realize that you're somebody else's guy&#xA;&#xA;" PRODUCER="Unidisc Music Inc." COVERARTID="109/NXJJYRDQD1S05D0XICYNCLPWZO4B" PLAYTIME="230" PLAYTIME_FLOAT="229.520004" IMPORT_DATE="2025/4/14" RELEASE_DATE="1984/1/1" FLAGS="12" FILESIZE="26490"></INFO>
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<INFO BITRATE="876791" KEY_LYRICS="1 ContributorTroubles wthes Lyrics                                        PART I&#xA;&#xA;                                  The Early Marx&#xA;&#xA;                     Marx on the History of His Opinions&#xA;&#xA;   This is the preface to Marx's book A Contribution to the Critique of Political Economy, first published in 1859 - The passage setting forth the materialist conception of history-one of the few general statements of the theory that Marx gave in his middle and later years-is the locus classicus of historical materialism. But the preface is also important as an account by Marx himself of the formative period of Marxism. As such it forms an ap­propriate introduction to the writings of 1837-1846 gathered here in Part I. The &amp;quot;criticism of post-Hegelian philosophy&amp;quot; which he mentions in the third-to-last paragraph is a reference to his work. The German Ideology, written jointly with Engels.&#xA;&#xA;* * * I am omitting a general introduction which I had jotted down because on closer reflection any anticipation of results still to be proved appears to me to be disturbing, and the reader who on the whole desires to follow me must be resolved to ascend from the particular to the general. A few indications concerning the course of my own politico-economic studies may, on the other hand, appear in place here. I was taking up law, which discipline, however, I only pursued as a subordinate subject along with philosophy and history. In the year 1842-44, as editor of the Rheinische Zeitung1, I experienced for the first time the embarrassment of having to take part in discussions on so-called material interests. The proceedings of the Rhenish Landtag on thefts of wood and parcelling of landed property, the official polemic which Herr von Schaper, then Oberprasident of the Rhine Province, opened against the Rheinische Zeitung on the conditions of the Moselle peasantry, and finally debates on free trade and protective tariffs provided the first occasions 'for occupying myself with economic questions. On the other hand, at that time when the good will &amp;quot; to go further&amp;quot; greatly outweighed knowledge of the subject, a philosophically weakly tinged echo of French socialism and communism made itself audible in the Rheinische Zeitung. I declared myself against this amateurism, but frankly confessed at the same time in a controversy with the  Allgemeine Augsburger Zeitung2 that my previous studies did not permit me even to venture any judgement on the content of the French tendencies. Instead, I eagerly seized on the illusion of the managers of the Rheinische Zeitung, who thought that by a weaker attitude on the part of the paper they could secure a remission of the death sentence passed upon it, to withdraw from the public stage into the study.&#xA;&#xA;   The first work which I undertook for a solution of the doubts which assailed me was a critical review of the Hegelian philosophy of right, a work the introduction to which appeared in 1844 in the Deutsch-Franzosische Jahrbucher3 published in Paris. My investigation led to the result that legal relations as well as forms of state are to be grasped neither from themselves nor from the so-called general development of the human mind, but rather have their roots in the material conditions of life, the sum total of which Hegel, following the example of the Englishmen and Frenchmen of the eighteenth century, combines under the name of &amp;quot;civil society,&amp;quot; that, however, the anatomy of civil society is to be sought in political economy. The investigation of the latter, which I began in Paris, I continued in Brussels, whither I had emigrated in consequence of an expulsion order of M. Guizot. The general result at which I arrived and which, once won, served as a guiding thread for my studies, can be briefly formulated as follows: In the social production of their life, men enter into definite relations that are indispensable and independent of their will, relations of production which correspond to a definite stage of development of their material productive forces. The sum total of these relations of production constitutes the economic structure of society, the real foundation, on which rises a legal and political superstructure and to which correspond definite forms of social consciousness. The mode of production of material life conditions the social, political and intellectual life process in general. It is not the consciousness of men that determines their being, but, on the contrary, their social being that determines their consciousness. At a certain stage of their development, the material productive forces of society come in conflict with the existing relations of production, or-what is but a legal expression for the same thing-with the property relations within which they have been at work hitherto. From forms of development of the productive forces these relations turn into their fetters. Then begins an epoch of social revolution with the change of the economic foundation the entire immense superstructure is more or less rapidly transformed. In considering such transformations a distinction should always be made between the material transformation of the economic conditions of production, which can be determined with the precision of natural science, and the legal, political, religious, aesthetic or philosophic-in short, ideological forms in which men become conscious of this conflict and fight it out. Just as our opinion of an individual is not based on what he thinks of himself, so can we not judge of such a period of transformation by its own consciousness; on the contrary, this consciousness must be explained rather from the contradictions of material life, from the existing conflict between the social productive forces and the relations of production. No social order ever perishes before all the productive forces for which there is room in it have developed; and new, higher relations of production never appear before the material conditions of their existence have matured in the womb of the old society itself. Therefore mankind always sets itself only such tasks as it can solve; since, looking at the matter more closely, it will always be found that the task itself arises only when the material conditions for its solution already exist or are at least in the process of formation. In broad outlines Asiatic, ancient, feudal, and modem bourgeois modes of production can be designated as progressive epochs in the economic formation of society. The bourgeois relations of production ar,e the last antagonistic form of the social process of production-antagonistic not in the sense of individual antagonism, but of one arising from the social conditions of life of the individuals; at the same time the productive forces developing in the womb of bourgeois society create the material conditions for the solution of that antagonism. This social formation brings, therefore, the prehistory of human society to a close.&#xA;&#xA;   Frederick Engels, with whom, since the appearance of his brilliant sketch on the criticism of the economic categories ( in the Deutsch-Franzosische Jahrbucher), I maintained a constant exchange of ideas by correspondence, had by another road (compare his The Condition of the Working Class in England in 1844) arrived at the same result as I, and when in the spring of 1845 he also settled in Brussels, we resolved to work out in common the opposition of our view to the ideological view of German philosophy, in fact, to settle accounts with our erstwhile philosophical conscience. The resolve was carried out in the form of a criticism of post-Hegelian philosophy. The manuscript, two large octavo volumes, had long reached its place of publication in Westphalia when we received the news that altered circumstances did not allow of its being printed. We abandoned the manuscript to the gnawing criticism of the mice all the more willingly as we had achieved our main purpose-self-clarification. Of the scattered works in which we put our views before the public at that time, now from one aspect, now from another, I will mention only the Manifesto of the Communist Party, jointly written by Engels and myself, and Discours sur le libre échange published by me. The decisive points of our view were first scientifically, although only polemically, indicated in my work published in 1847 and directed against Proudhon : Misere de la Philosophie, etc. A dissertation written in German on Wage Labour, in which I put together my lectures on this subject delivered in the Brussels German Workers' Society, was interrupted, while being printed, by the February Revolution and my consequent forcible removal from Belgium.&#xA;&#xA;   The editing of the Neue Rheinische Zeitung in 1848 and 1849, and the subsequent events, interrupted my economic studies which could only be resumed in the year 1850 in London. The enormous material for the history of political economy which is accumulated in the British Museum, the favourable vantage point afforded by London for the observation of bourgeois society, and finally the new stage of development upon which the latter appeared to have entered with the discovery of gold in California and Australia, determined me to begin afresh from the very beginning and to work through the new material critically. These studies led partly of themselves into apparently quite remote subjects on which I had to dwell for a shorter or longer period. Especially, however, was the time at my disposal curtailed by the imperative necessity of earning my living. My contributions, during eight years now, to the first English-American newspaper, the New York Tribune, compelled an extraordinary scattering of my studies, since I occupy myself with newspaper correspondence proper only in exceptional cases. However, articles on striking economic events in England and on the Continent constituted so considerable a part of my contributions that I was compelled to make myself familiar with practical details which lie outside the sphere of the actual science of political economy.&#xA;&#xA;   This sketch of the course of my studies in the sphere of political economy is intended only to show that my views, however they may be judged and however little they coincide with the interested prejudices of the ruling classes, are the results of conscientious investigation lasting many years. But at the entrance to science, as at the entrance to hell, the demand must be posted:&#xA;&#xA;                    Qui si convien lasciare ogni sospetto;&#xA;&#xA;                    Ogni vilta convien che qui sia morta.4&#xA;&#xA;                                 Discovering Hegel&#xA;&#xA;                                  KARL MARX&#xA;   On November 10, 1837, soon after becoming a student at the University of Berlin, Marx wrote a long letter to his father. It shows that at nineteen he had formed two relationships of great importance: a personal one with Jenny von Westphalen of Trier and an intellectual one with the late philosopher Hegel. The love of Jenny led to marriage, the spell of Hegel to Marxism.&#xA;&#xA;Dear Father,&#xA;&#xA;   There are moments in one's life which are like frontier posts marking the completion of a period but at the same time clearly indicating a new direction.&#xA;* * *&#xA;&#xA;   After my arrival in Berlin, I broke off all hitherto existing connections, made visits rarely and unwillingly, and tried to immerse myself in science and art.&#xA;&#xA;   In accordance with my state of mind at the time, lyrical poetry was bound to be my first subject, at l east the most pleasant and immediate one. But owing to my attitude and whole previous development it was purely idealistic. My heaven, my art, became a world beyond, as remote as my love. Everything real became hazy and what is hazy has no definite outlines . All the poems of the first three volumes I sent to Jenny are marked by attacks on our times, diffuse and inchoate expressions of feeling, nothing natural, everything built out of moonshine, complete opposition between what is and what ought to be, rhetorical reflections instead of poetic thoughts, but perhaps also a certain warmth of feeling and striving for poetic fire.&#xA;* * *&#xA;&#xA;   Poetry, however, could be and had to be only an accompaniment; I had to study law and above all felt the urge to wrestle with philosophy.&#xA;* * *&#xA;&#xA;   From the idealism which, by the way, I had compared and nourished with the idealism of Kant and Fichte, I arrived at the point of seeking the idea in reality itself. If previously the gods had dwelt above the earth, now they became its centre.&#xA;&#xA;   I had read fragments of Hegel's philosophy, the grotesque craggy melody of which did not appeal to me. Once more I wanted to dive into the sea, but with the definite intention of establishing that the nature of the mind is just as necessary, concrete and firmly based as the nature of the body . My aim was no longer to practise tricks of swordsmanship, but to bring genuine pearls into the light of day.&#xA;&#xA;   I wrote a dialogue of about 24 pages: &amp;quot;Cleanthes, or the Starting Point and Necessary Continuation of Philosophy.&amp;quot; Here art and science, which had become completely divorced from each other, were to some extent united, and like a vigorous traveller I set a bout the task itself, a philosophical-dialectical account of divinity, as it manifests itself as the idea-in-itself, as religion, as nature, and as history. My last proposition was the beginning of the Hegelian system.&#xA;* * *&#xA;&#xA;   For some days my vexation made me quite incapable of thinking; I ran about madly in the garden by the dirty water of the Spree, which &amp;quot;washes souls and dilutes the tea .&amp;quot;l I even joined my landlord in a hunting excursion, rushed off to Berlin and wanted to embrace every street-corner loafer.&#xA;&#xA;                                             * * *&#xA;    Owning to being upset over Jenny's illness and my vain, fruitless intellectual labours, and as the result of nagging annoyance at having had to make an idol of a view that I hated, I became ill, as I have already written to you, dear Father. When I got better I burnt all the poems and outlines of stories, etc., imagining that I could give them up completely, of which so far at any rate I have not given any proofs to the contrary.&#xA;&#xA;    While I was ill I got to know Hegel from beginning to end, together with most of his disciples. Through a n umber of meetings with friends in Stralow I came across a Doctors' Club,2 which includes some university lecturers and my most intimate Berlin friend, Dr. Rutenberg. In controversy h ere, many conflicting views were expressed, and I became ever more firmly bound to the modern world philosophy from which I had thought to escape.&#xA;* * *&#xA;&#xA;                                           * * *&#xA;&#xA;                                                                           Your ever loving son,&#xA;&#xA;                                                                                                 Karl&#xA;&#xA;&#xA;   Please, dear father, excuse my illegible handwriting and bad style; it is almost 4 o'clock, the candle has burnt itself out, and my eyes are dim; a real unrest has taken possession of me, I shall not be able to calm the turbulent spectres until I am with you who are dear to me.&#xA;&#xA;   Please give greetings from me to my sweet, wonderful Jenny. I have read her letter twelve times already, and always discover new delights in it. It is in every respect, including that of style, the most beautiful letter I can imagine being written by a woman.&#xA;&#xA;&#xA;                                   To Make the World Philosophical&#xA;&#xA;                                                KARL MARX&#xA;&#xA;Marx's doctoral dissertation, &amp;quot;The Difference Between the Democritean and Epicurean Philosophies of Nature,&amp;quot; written between 1839 and 1841, is chiefly of interest for the following excerpts arguing that after a great world philosophy-Aristotle's in antiquity and Hegel's now-the system's disciples feel an imperious urge to make the world &amp;quot;philosophical.&amp;quot; What this would mean Marx hinted in the dissertation's foreword, where he saluted Prometheus' revolt against the gods as a proclamation of &amp;quot;human self-consciousness as the highest divinity.&amp;quot; To transform the world in the image of Hegelian philosophy would mean to make of man in existential reality the divinity that, as Marx saw it, Hegel had a1ready made him in thought. &amp;quot;&#xA;&#xA;   The last two paragraphs of the selection are taken from Marx's preparatory material for the dissertation, &amp;quot;Notebooks on Epicurean Philosophy.&amp;quot;&#xA;&#xA;                                               * * *&#xA;   Also in relation to Hegel it is mere ignorance on the part of his pupils, when they explain one or the other determination of his system by his desire for accommodation and the like, hence, in one word, explain it in terms of morality. They forget that only a short time ago they were enthusiastic about all his idiosyncrasies  , as can be clearly demonstrated from their writings.&#xA;&#xA;   If they were really so affected by the ready-made science they acquired that they gave themselves up to it in naive uncritical trust, then how unscrupulous is their attempt to reproach the Master for a hidden intention behind his insight! The Master, to whom the science was not something received, but something in the process of becoming, to whose uttermost periphery his own intellectual heart's blood was pulsating! On the contrary, they rendered themselves suspect of not having been serious before. And now they oppose their own former condition, and ascribe it to Hegel, forgetting however that his relation to his system was immediate, substantial, while theirs is only a reflected one.&#xA;&#xA;                                           * * *&#xA;&#xA;   It is a psychological law that the theoretical mind, once liberated in itself, turns into practical energy, and, leaving the shadowy empire of Amenthes as will, turns itself against the reality of the world existing without it. ( From a philosophical point of view, however, it is important to specify these aspects better, since from the specific manner of this turn we can reason back towards the immanent determination and the universal historic character of a philosophy. We see here, as it were, its curriculum vitae 1 narrowed down to its subjective point.) But the  practice of philosophy is itself theoretical. It's the critique that measures the individual existence by the essence, the particular reality by the Idea. But this immediate realization of philosophy is in its deepest essence afflicted with con­ tradictions, and this its essence takes form in the appearance and imprints its seal upon it.&#xA;&#xA;   When philosophy turns itself as will against the world of appearance, then the system is lowered to an abstract totality, that is, it has become one aspect of the world which opposes another one. Its relationship to the world is that of reflection. Inspired by the urge to realise itself, it enters into tension against the other. The inner self-contentment and completeness has been broken. What was inner light has become consuming flame turning outwards. The result is that as the world becomes philosophical, philosophy also becomes worldly, that its realisation is also its loss, that what it struggles against on the outside is its own inner deficiency, that in the very struggle it falls precisely into those defects which it fights as defects in the opposite camp, and that it can only overcome these defects by falling into them. That which opposes it and that which it fights is always the same as itself, only with factors inverted.&#xA;&#xA;   This is the one side, when we consider this matter purely objec­ tively as immediate realisation of philosophy. However, it has also a subjective; aspect, which is merely another form of it. This is the relationship of the philosophical system which is realised to its intel-­ lectual carriers, to the individual self-consciousnesses in which its progress appears. This relationship results in what confronts the world in the realisation of philosophy itself, namely, in the fact that these individual self-consciousnesses always carry a double-edged demand, one edge turned against the world, the other against philosophy itself. Indeed, what in the thing itself appears as a relationship inverted in itself, appears in these self-consciousnesses as a double one, a demand and an action contradicting each other.&#xA;&#xA;   Their liberation of the world from the philosophy that held them in fetters as a particular system. * * *&#xA;&#xA;                                             * * *&#xA;&#xA;   As in the history of philosophy there are nodal points which raise philosophy in itself to concretion, apprehend abstract principles in a totality, and thus break off the rectilinear process, so also there are moments when philosophy turns its eyes to the external world, and no longer apprehends it, but, as a practical person, weaves, as it were, intrigues with the world, emerges from the transparent kingdom of Amenthes and throws itself on the breast of the worldly Siren. That is the carnival of philosophy, whether it disguises itself as a dog like the Cynic, in priestly vestments like the Alexandrian, or in fragrant spring array like the Epicurean. It is essential that philosophy should then wear character masks. As Deucalion, according to the legend, cast stones behind him in creating human beings, so philosophy casts its regard behind it (the bones of its mother are luminous eyes) when its heart is set on creating a world; but as Prometheus, having stolen fire from heaven, begins to build houses and to settle upon the earth, so philosophy, expanded to be the whole world, turns against the world of appearance. The same now with the philosophy of Hegel.&#xA;&#xA;   While philosophy has sealed itself off to form a consummate, total world, the determination of this totality is conditioned by the general development of philosophy, just as that development is the condition of the form in which philosophy turns into a practical relationship towards reality; thus the totality of the world in general is divided within itself, and this division is carried to the extreme, for spiritual existence has been freed, has been enriched to universality, the heart-beat has become in itself the differentiation in the concrete form which is the whole organism. The division of the world is total only when its aspects are totalities. The world confronting a philosophy total in itself is therefore a world torn apart. This philosophy's activity therefore also appears torn apart and contradictory; its objective universality is turned back into the subjective forms of individual consciousness in which it has life. But one must not let oneself be misled by this storm which follows a great philosophy, a world philosophy. Ordinary harps play under any fingers, Aeolian harps only when struck by the storm.&#xA;&#xA;                                              * * *&#xA;&#xA;                                    For a Ruthless Criticism&#xA;&#xA;                                      Of  Everything Existing&#xA;&#xA;                                     KARL MARX&#xA;&#xA;   The watchword of the young Karl Marx, as of his Young Hegelian associates generally, was Kritik-criticism. In this early article, printed in the Deutsch-Franzosische Jahrbucher in 1844 in the form of a letter to Arnold Ruge, Marx elaborated the idea of criticism into a program of this journal, of which he and Ruge were editors. His future strictures on utopian socialist plans, in the Communist Manifesto and other later writings, were prefigured in the dismissal here of the communist utopias of writers like Etienne Cabet as a &amp;quot;dogmatic abstraction.&amp;quot; The Deutsch-Franzosische Jahrbucher (German-French Annals) came out in Paris in February, 1844, in the German language. Only one double issue of the journal was published.&#xA;&#xA;     The translation was made by Dr. Ronald Rogowski for this edition.&#xA;&#xA;                                                                        M. to R.&#xA;&#xA;                                                                         Kreuznach&#xA;&#xA;                                                                        September, 1843&#xA;&#xA;    I am delighted that you are resolved and turn your thoughts from backward glances at the past toward a new undertaking. In Paris, then, the old university of philosophy (absit omen!) and the new capital of the new world. What is necessary will arrange itself. I do not doubt, therefore, that all obstacles-whose importance I do not fail to recognize-will be removed.&#xA;&#xA;    The undertaking may succeed, however, or not; in any case I will be in Paris at the end of this month, since the air here makes one servile and I see no room at all in Germany for free activity.&#xA;&#xA;   In Germany, everything is being forcibly repressed, a true anarchy of the spirit has burst out, stupidity itself reigns supreme, and Zurich obeys commands from Berlin; hence it becomes ever clearer that a new' gathering point must be sought for the really thinking and independent minds. I am convinced that our plan would meet a real need, and real needs must surely also be able to find real fulfillment. I therefore have no doubts about the enterprise if only we undertake it seriously.&#xA;&#xA;   The inner difficulties seem to be almost greater than the external obstacles. For even if there is no doubt about the &amp;quot;whence;&amp;quot; all the more confusion reigns about the &amp;quot;whither.&amp;quot; Apart from the general anarchy which has erupted among the reformers, each is compelled to confess to himself that he has no clear conception of what the future should be. That, however, is just the advantage of the new trend: that we do not attempt dogmatically to prefigure the future, but want to find the new world only through criticism of the old. Up to now the philosophers had the solution of all riddles lying in their lectern, and the stupid uninitiated world had only to open its jaws to let the roast partridges of absolute science fly into its mouth. Now philosophy has become worldly, and the most incontrovertible evidence of this is that the philosophical consciousness has been drawn, not only externally but also internally, into the stress of battle. But if the designing of the future and the proclamation of ready-made solutions for all time is not our affair, then we realize all the more clearly what we have to accomplish in the present-I am speaking of a ruthless criticism of everything existing, ruthless in two senses : The criticism must not be afraid of its own conclusions, nor of conflict with the powers that be.&#xA;&#xA;   I am therefore not in favor of setting up any dogmatic flag. On the contrary, we must try to help the dogmatics to clarify to themselves the meaning of their own positions. Thus communism, to be specific, is a dogmatic abstraction. I do not have in mind here some imaginary, possible communism, but actually existing communism in the form preached by Cabet, Dezamy,1 Weitling,2 etc. This communism is only a special manifestation of the humanistic principle which is still infected by its opposite-private being. Elimina­tion of private property is therefore by no means identical with this communism, and it is not accidental but quite inevitable that communism has seen other socialist teachings arise in opposition to it, such as the teachings of Fourier, Proudhon, etc., because it is itself only a special, one-sided realization of the socialist principle.&#xA;&#xA;    And the socialist principle itself represents, on the whole, only one side, affecting the reality of the true human essence. We have to concern ourselves just as much with the other side, the theoretical existence of man, in other words to make religion, science, etc., the objects of our criticism. Moreover, we want to have an effect on our contemporaries, and specifically on our German contemporaries. The question is, how is this to be approached? Two circumstances cannot be denied. First, religion, and second, politics, arouse predominant interest in contemporary Germany. We must take these two subjects, however they are, for a starting-point, and not set up against them some ready-made system such as the Voyage en Icarie.3  Reason has always existed, only not always in reasonable form .&#xA;&#xA;   The critic can therefore start out by taking any form of theoretical and practical consciousness and develop from the unique forms of existing reality the true reality as its norm and final goal. Now so far as real life is concerned, precisely the political state in all its modern forms contains, even where it is not yet consciously imbued with socialist demands, the demands of reason. Nor does the state stop at that. The state everywhere presupposes that reason has been realized. But in just this way it everywhere comes into contradiction between its ideal mission and its real preconditions.&#xA;&#xA;    çµOut of this conflict of the political state with itself, therefore, one can develop social truth. Just as religion is the catalogue of the theoretical struggles of mankind, so the political state is the catalogue of its practical struggles. The political state thus expresses, within the confines of its form sub specie rei publicae,4 all social struggles, needs, truths. Thus it is not at all beneath the hauteur des principles to make the most specific political question-e.g., the difference between the corporative5 and the representative system-the object of criticism. For this question only expresses in a political way the difference between the rule of man and the rule of private property. The critic therefore not only can but must go into these political questions (which the crass kind of socialists consider beneath anyone's dignity) . By showing the superiority of the representative system over the corporative system, the critic affects the practical interests of a large party. By elevating the representative system from its political form to its general form and by bringing out the true significance underlying this system, the critic at the same time forces this party to go beyond its own confines, since its victory is at the same time its loss.&#xA;&#xA;   Nothing prevents us, then, from tying our criticism to the criticism of politics and to a definite party position in politics, and hence from identifying our criticism with real struggles. Then we shall confront the world not as doctrinaires with a new principle: &amp;quot;Here is the truth, bow down before it!&amp;quot; We develop new principles to the world out of its own principles. We do not say to the world: &amp;quot;Stop fighting; your struggle is of no account. We want to shout the true slogan of the struggle at you.&amp;quot; We only show the world what it is fighting for, and consciousness is something that the world must acquire, like it or not.&#xA;&#xA;   The reform of consciousness consists only in enabling the world to clarify its consciousness, in waking it from its dream about itself, in explaining to it the meaning of its own actions. Our whole task can consist only in putting religious and political questions into self-conscious human form-as is also the case in Feuerbach's criticism of religion.&#xA;&#xA;   Our motto must therefore be: Reform of consciousness not through dogmas, but through analyzing the mystical consciousness, the consciousness which is unclear to itself, whether it appears in religious or political form. Then it will transpire that the world has long been dreaming of something that it can acquire if only it becomes conscious of it. It will transpire that it is not a matter of drawing a great dividing line between past and future, but of carrying out the thoughts of the past. And finally, it will transpire that mankind begins no new work, but consciously accomplishes its old work.&#xA;&#xA;   So, we can express the trend of our journal in one word: the work of our time to clarify to itself (critical philosophy) the meaning of its own struggle and its own desires. This is work for the world and for us. It can only be the work of joint forces. It is a matter of confession, no more. To have its sins forgiven mankind has only to declare them to be what they really are.&#xA;&#xA;Contribution to the Critique of Hegel's&#xA;&#xA;Philosophy of Right&#xA;&#xA;KARL MARX&#xA;&#xA;   In line with his program of effecting &amp;quot;a ruthless criticism of everything existing,&amp;quot; Marx during 1843 took up the criticism of politics, He set a bout this by working on a commentary on Hegel's treatise on the state, * To the Hegelian political philosophy (which he called, following Feuerbach, &amp;quot;speculative philosophy&amp;quot;) he applied the method of &amp;quot;transformational criticism&amp;quot; that Feuerbach had applied to the Hegelian philosophy of religion,* * *&#xA;&#xA;   Although the work was left incomplete and unpublished, it was, as Marx later said (see p. 4, above), a milestone on his road to historical materialism: it led him to the view that instead of the state being the basis of &amp;quot;civil society,&amp;quot; as Hegel held, civil or bourgeois society is the basis of the state.&#xA;&#xA;   Despite its incompleteness-the extant part of the commentary starts with paragraph 261 of Hegel's treatise and deals only with selected further sections up to paragraph 308-this work remains of interest as Marx's most extensive single piece of purely political writing, although his standpoint at the time of writing was no more than proto-Marxist.&#xA;&#xA;                              The State and Civil Society1&#xA;&#xA;                                              * * *&#xA;&#xA; The idea is made the subject and the actual relation of family and civil society to the state is conceived as its internal imaginary activity. Family and civil society are the premises of the state; they are the genuinely active elements, but in speculative philosophy things are inverted. When the idea is made the subject, however, the real subjects, namely, civil society, family, &amp;quot;circumstances, caprice, etc.,&amp;quot; become unreal objective elements of the idea with a changed significance.&#xA;&#xA;                                             * * *&#xA;&#xA; Rationally interpreted, Hegel's propositions would mean only this : The family and civil society are parts of the state. The material of the state is distributed amongst them &amp;quot;by circumstances, cap­ rice and the individual's own choice of vocation.&amp;quot; The citizens of the state are members of families and members of civil society.&#xA;&#xA;   &amp;quot;The actual idea, mind, divides itself into the two ideal spheres of its concept, family and civil society, that is, its finite phase&amp;quot;-­ hence, the division of the state into family and civil society is ideal, i.e., necessary as part of the essence of the state. Family and civil society are actual components of the state, actual spiritual existences of the will; they are modes of existence of the state. Family and civil society constitute themselves as the state. They are the driving force. According to Hegel, they are, on the contrary, produced by the actual idea. It is not the course of their own life which unites them in the state; on the contrary, it is the idea which in the course of its life has separated them off from itself. Indeed, they are the finiteness of this idea. They owe their presence to another mind than their own. They are entities determined by a third party, not self-determined entities. Accordingly, they are also defined as &amp;quot;finiteness,&amp;quot; as the &amp;quot;actual idea's&amp;quot; own finiteness. The purpose of their being is not this being itself; rather, the idea separates these presuppositions off from itself &amp;quot;so as to emerge from their ideality as explicitly infinite actual mind.&amp;quot; That is to say, there can be no political state without the natural basis of the family and the artificial basis of civil society; they are for it a conditio sine qua non. But the condition is postulated as the conditioned, the determinant as the determined, the producing factor as the product of its product. The actual idea only degrades itself into the &amp;quot;finiteness&amp;quot; of the family and civil society so as by transcending them to enjoy and bring forth its infinity. &amp;quot;Accordingly&amp;quot; (in order to achieve its purpose), it &amp;quot;assigns to these spheres the material of this, its finite actuality&amp;quot; (this? which? these spheres are indeed its &amp;quot;finite actuality,&amp;quot; its &amp;quot;material&amp;quot; ), &amp;quot;individuals as a multitude&amp;quot; (&amp;quot;the individuals, the multitude&amp;quot; are here the material of the state; &amp;quot;the state consists of them&amp;quot;; this composition of the state is here expressed as an act of the idea, as an &amp;quot;allocation&amp;quot; which it undertakes with its own material The fact is that the state issues from the multitude in their existence as members of families and as members of civil society. Speculative philosophy expresses this fact as the idea's deed, not as the idea of the multitude, but as the deed of a subjective idea different from the fact itself), &amp;quot;in such a way that with regard to the individual this assignment&amp;quot; (previously the discussion was only about the assignment of individuals to the spheres of the family and civil society) &amp;quot;appears mediated by circumstances, caprice, etc.&amp;quot; Empirical actuality is thus accepted as it is. It is also expressed as rational, but it is not rational on account of its own reason, but because the empirical fact in its empirical existence has a different significance from it itself. The fact which is taken as a point of departure is not conceived as such, but as a mystical result. The actual becomes a phenomenon, but the idea has no other content than this phenomenon. Nor has the idea any other purpose than the logical one of being &amp;quot;explicitly infinite actual mind.&amp;quot; The entire mystery of the philosophy of law and of Hegel's philosophy as a whole is set out in this paragraph.&#xA;&#xA;                                               * * *&#xA;&#xA;   If Hegel had set out from real subjects as the bases of the state he would not have found it necessary to transform the state in a mystical fashion into a subject. &amp;quot;In its truth, however,&amp;quot; says Hegel, &amp;quot;subjectivity exists only as subject, personality only as person.&amp;quot; This too is a piece of mystification. Subjectivity is a characteristic of the subject, personality a characteristic of the person. Instead of conceiving them as predicates of their subjects. Hegel gives the predicates an independent existence and subsequently transforms them in a mystical fashion into their subjects.&#xA;&#xA;   The existence of predicates is the subject, so that the subject is the existence of subjectivity, etc.; Hegel transforms the predicates, the objects, into independent entities, but divorced from their actual independence, their subject. Subsequently the actual subject appears as a result, whereas one must start from the actual subject and look at its objectification. The mystical substance, therefore, becomes the actual subject, and the real subject appears as something else, as an element of the mystical substance. Precisely because Hegel starts from the predicates of the general description instead of from the real ens (lnr0XEtltn'ov, subject), and since, nevertheless, there has to be a bearer of these qualities, the mystical idea becomes this bearer. The dualism consists in the fact that Hegel does not look upon the general as being the actual nature of the actual finite, i.e., of what exists and is determinate, or upon the actual ens as the true subject of the infinite.&#xA;&#xA;                                       Sovereignty&#xA;&#xA;   So in this case sovereignty, the essential feature of the state, is treated to begin with as an independent entity, is objectified. Then, of course, this objective entity has to become a subject again. This subject then appears, however, as a self-incarnation of sovereignty; whereas sovereignty is nothing but the objectifed mind of the subjects of the state.&#xA;&#xA;                                               * * *&#xA;&#xA;   As if the actual state were not the people. The state is an abstraction. The people alone is what is concrete. And it is remarkable that Hegel, who without hesitation attributes a living quality such as sovereignty to the abstraction, attributes it only with hesitation and reservations to something concrete. &amp;quot;The usual sense, however, in which men have recently begun to speak of the sovereignty of the people is in opposition to the sovereignty existing in the monarch. In this antithesis the sovereignty of the people is one of those confused notions which are rooted in the wild idea of the people.&amp;quot;&#xA;&#xA;   The &amp;quot;confused notions&amp;quot; and the &amp;quot;wild idea&amp;quot; are here exclusively Hegel's. To be sure, if sovereignty exists in the monarch, then it is foolish to speak of an antithetical sovereignty in the people; for it is implied in the concept of sovereignty that sovereignty can­ not have a double existence, still less one which is contradictory. However:&#xA;&#xA;   1) This is just the question: Is not that sovereignty which is claimed by the monarch an illusion? Sovereignty of the monarch or sovereignty of the people-that is the question.&#xA;&#xA;   2) One can also speak of a sovereignty of the people in opposi tion to the sovereignty existing in the monarch. But then it is not a question of one and the same sovereignty which has arisen on two sides, but two entirely contradictory concepts of sovereignty, the one a sovereignty such as can come to exist in a monarch, the other such as can come to exist only in a people. It is the same with the question: &amp;quot;Is God sovereign, or is man?&amp;quot; One of the two is an untruth, even if an existing untruth.&#xA;&#xA;   &amp;quot;Taken without its monarch and the articulation of the whole which is necessarily and directly associated with the monarch, the people .is that formless mass which is no longer a state. It no longer possesses any of the atrributes which are to be found only in an internally organized whole-sovereignty, government, courts of law, the administration, estates of the realm, etc. With the appearance in a nation of such factors, which relate to organisation, to the life of the state, a people ceases to be that indeterminate abstraction, which, as a purely general notion, is called the nation.&amp;quot; All this is a tautology. If a people has a monarch and the structure that neces- sarily and directly goes with a monarch, i.e., if it is structured as a monarchy, then indeed, taken out of this structure, it is a formless mass and a purely general notion. &amp;quot;If by sovereignty of the people is understood a republican form of government and, more specifically, democracy...then...there can be no further discussion of such a notion in face of the developed idea.&amp;quot; That is indeed right, if one has only &amp;quot;such a notion&amp;quot; and not a &amp;quot;developed idea&amp;quot; of democracy.&#xA;&#xA;                                        Democracy&#xA;&#xA;   Democracy is the truth of monarchy; monarchy is not the truth of democracy. Monarchy is necessarily democracy inconsistent with itself; the monarchical element is not an inconsistency in democracy. Monarchy cannot be understood in its own terms; democracy can. In democracy none of the elements attains a significance other than what is proper to it. Each is in actual fact only an element of the whole demos . In monarchy one part determines the character of the whole. The entire constitution has to adapt itself to this fixed point. Democracy is the genus Constitution. Monarchy is one species, and a poor one at that. Democracy is content and form. Monarchy is supposed to be only a form, but it falsifies the content.&#xA;&#xA;   In monarchy the whole, the people, is subsumed under one of its particular modes of being, the political constitution. In democracy the constitution itself appears only as one determination, that is, the self-determination of the people. In monarchy we have the people of the constitution; in democracy the constitution of the people. Democracy is the solved riddle of all constitutions. Here, not merely implicitly and in essence but existing in reality, the con-­ stitution is constantly brought back to its actual basis, the actual human being, the actual people, and established as the people's own work. The constitution appears as what it is, a free product of man. It could be said that in a certain respect this applies also to consti-­ tutional monarchy; but the specific distinguishing feature of democracy is that here the constitution as such forms only one element in the life of the people-that it is not the political constitution by itself which forms the state.&#xA;&#xA;   Hegel starts from the state and makes man the subjectified state; democracy starts from man and makes the state objectified man. Just as it is not religion which creates man but man who creates religion, so it is not the constitution which creates the people but the people which creates the constitution. In a certain respect the relation of democracy to all other forms of state is like the relation of Christianity to all other religions. Christianity is the religion INSERT TEXT,2the essence of religion-deified man as a particular religion. Similarly, democracy is the essence of all state constitutions-social-­ ised man as a particular state constitution. Democracy stands to the other constitutions as the genus stands to its species; except that here the genus itself appears as an existent, and therefore as one particular species over against the others whose existence does not correspond to their essence. To democracy all other forms of state stand as its Old Testament. Man does not exist for the law but the law for man-it is a human manifestation; whereas in the other forms of state man is a legal manifestation. That is the fundamental distinction of democracy.&#xA;&#xA;   All other state forms are definite, distinct, particular forms of state. In democracy the formal principle is at the same time the material principle. Only democracy, therefore, is the true unity of the general and the particular. In monarchy, for example, and in the republic as a merely particular form of state, political man has his particular mode of being alongside unpolitical man, man as a private individual. Property, contract, marriage, civil society, all appear here (as Hegel shows quite correctly with regard to these abstract state forms, but he thinks that he is expounding the idea of the state) as particular modes of existence alongside the political state, as the content to which the political state is related as organising form; properly speaking, the relation of the political state to this content is merely that of reason, inherently without content, which defines and delimits, which now affirms and now denies. In democracy the political state, which stands alongside this content and distinguishes itself from it, is itself merely a particular content and particular form of existence of the people. In monarchy, for example, this particular, the political constitution, has the significance of the general that dominates and determines everything particular. In democracy the state as particular is merely particular; as general, it is the truly general, i .e., not something determinate in distinction from the other content. The French have recently interpreted this as meaning that in true democracy the political state is annihilated. This is correct insofar as the political state qua political state, as constitution, no longer passes for the whole.&#xA;&#xA;   In all states other than democratic ones the state, the law, the constitution is what rules, without really ruling-i.e., without materially permeating the content of the remaining, non-political spheres. In democracy the constitution, the law, the state itself, insofar as it is a political constitution, is only the self-determination of the people, and a particular content of the people.&#xA;&#xA;    Incidentally, it goes without saying that all forms of state have democracy for their truth and that they are therefore untrue insofar as they are not democracy.&#xA;&#xA;                   Politics: Ancient, Medieval, and Modern&#xA;&#xA;   In the states of antiquity the political state makes up the content of the state to the exclusion of the other spheres. The modern state is a compromise between the political and the unpolitical state.&#xA;&#xA;   In democracy the abstract state has ceased to be the dominant factor. The struggle between monarchy and republic is itself still a struggle within the abstract state. The political republic is democracy within the abstract state form. The abstract state form of democracy is therefore the republic; but here it ceases to be the merely political constitution.&#xA;&#xA;   Property, etc., in short, the entire content of the law and the state, is the same in North America as in Prussia, with few modifications. The republic there is thus a mere state form, as is the monarchy here. The content of the state lies outside these constitutions. Hegel is right, therefore, when he says: The political state is the constitution, i.e., the material state is not political. What obtains here is merely an external identity, a determination of changing forms. Of the various elements of national life, the one most difficult to evolve was the political state, the constitution. It developed as universal reason over against the other spheres, as ulterior to them. The historical task then consisted in its  reassertion, but the particular spheres do not realise that their private nature coincides with the other-worldly nature of the constitution or of the political state, and that the other-worldly existence of the political state is nothing but the affirmation of their own estrangement. Up till now the political constitution has been the religious sphere, the religion of national life, the heaven of its gener­- ality over against the earthy existence of its actuality. The political sphere has been the only state sphere in the state, the only sphere in which the content as well as the form has been species-content, the truly general; but in such a way that at the same time, because this sphere has confronted the others, its content has also become formal and particular. Political life in the modern sense is the scho-­ lasticism of national life. Monarchy is the perfect expression of this estrangement. The republic is the negation of this estrangement within its own sphere. It is obvious that the political constitution as such is brought into being only where the private spheres have won an independent existence. Where trade and landed property are not free and have not yet become independent, the political constitution too does not yet exist. The Middle Ages were the democracy of unfreedom.&#xA;&#xA;   The abstraction of the state as such belongs only to modern times, because the abstraction of private life belongs only to modern times. The abstraction of the political state is a modern product.&#xA;&#xA;   In the Middle Ages there were serfs, feudal estates, merchant and trade guilds, corporations of scholars, etc.: that is to say, in the Middle Ages property, trade, society, man are political; the material content of the state is given by its form; every private sphere has a political character or is a political sphere; that is, politics is a characteristic of the private spheres too. In the Middle Ages the political constitution is the constitution of private property, but only because the constitution of private property is a political constitution. In the Middle Ages the life of the nation and the life of the state are identical. Man is the actual principle of the state-but unfree man. It is thus the democracy of unfreedom-estrangement carried to completion. The abstract reflected antithesis belongs only to the modern world. The Middle Ages are the period of actual dualism; modern times, one of abstract dualism.&#xA;&#xA;   &amp;quot;We have already noted the stage at which the division of constitutions into democracy, aristocracy and monarchy has been made­ the standpoint, that is, of that unity which is still substantial, which still remains within itself, and has not yet come to its process of infmite differentiation and inner deepening,: at that stage, the element of the final self-determining resolution of the will does not emerge explicitly into its own proper actuality as an immanent factor in the state.&amp;quot; In the spontaneously evolved monarchy, democracy and aristocracy there is as yet no political constitution as distinct from the actual, material state or the other content of the life of the nation. The political state does not yet appear as the form of the material state. Either, as in Greece, the  res publica 3 is the real private affair of the citizens, their real content, and the private individual is a slave; the political state, qua political state, being the true and only content of the life and will of the citizens; or, as in an Asiatic despotism, the political state is nothing but the personal caprice of a single individual; or the political state, like the material state, is a slave. What distinguishes the modern state from these states characterized by the substantial unity between people and state is not, as Hegel would have it, that the various elements of the constitution have been developed into particular actuality, but that the constitution itself has been developed into a particular actuality alongside the actual life of the people­- that the political state has become the constitution of the rest of the state.&#xA;&#xA;                                         * * *&#xA;&#xA;                                  Bureaucracy&#xA;&#xA;   The &amp;quot;state formalism&amp;quot; which bureaucracy is, is the &amp;quot;state as formalism&amp;quot;; and it is as a formalism of this kind that Hegel has described bureaucracy. Since this &amp;quot;state formalism&amp;quot; constitutes itself as an actual power and itself becomes its own material content, it goes without saying that the &amp;quot;bureaucracy&amp;quot; is a web of practical illusions, or the &amp;quot;illusion of the state.&amp;quot; The bureaucratic spirit is a jesuitical, theological spirit through and through. The bureaucrats are the jesuits and theologians of the state. The bureaucracy is la republique pretre.&#xA;&#xA;   Since by its very nature the bureaucracy is the &amp;quot;state as formalism,&amp;quot; it is this also as regards its purpose. The actual purpose of the state therefore appears to the bureaucracy as an objective hostile to the state. The spirit of the bureaucracy is the &amp;quot;formal state spirit.&amp;quot; The bureaucracy therefore turns the &amp;quot;formal state spirit&amp;quot; or the actual spiritless ness of the state into a categorical imperative. The bureaucracy takes itself to be the ultimate purpose of the state. Because the bureaucracy turns its &amp;quot;formal&amp;quot; objectives into its content, it comes into conflict everywhere with &amp;quot;real&amp;quot; objectives. It is therefore obliged to pass off the form for the content and the content for the form. State objectives are transformed into objectives of the department, and department objectives into objectives of the state. The bureaucracy is a circle from which no one can escape. Its hierarchy is a hierarchy of knowledge. The top entrusts the under­ standing of detail to the lower levels, whilst the lower levels credit the top with understanding of the general, and so all are mutually deceived.&#xA;&#xA;   The bureaucracy is the imaginary state alongside the real state­ the spiritualism of the state. Each thing has therefore a double meaning, a real and a bureaucratic meaning, just as knowledge (and also the will) is both real and bureaucratic. The really existing, however, is treated in the light of its bureaucratic nature, its other­ worldly, spiritual essence. The bureaucracy has the state, the spiritual essence of society, in its possession, as its private property. The general spirit of the bureaucracy is the secret, the mystery, preserved within itself by the hierarchy and against the outside world by being a closed corporation. Avowed political spirit, as also political­mindedness, therefore appear to the bureaucracy as treason against its mystery. Hence, authority is the basis of its knowledge, and the deification of authority is its conviction. Within the bureaucracy itself, however, spiritualism becomes crass materialism, the materialism of passive obedience, of faith in authority, of the mechanism of fixed and formalistic behaviour, and of fixed principles, views and traditions. In the case of the individual bureaucrat, the state objec­ tive turns into his private objective, into a after higher posts, the making of a career. In the first place, he looks on actual, life as something material, for the spirit of this life has its distinctly separate existence in the bureaucracy. The bureaucracy must therefore proceed to make life as material as possible. Secondly, actual life is material for the bureaucrat himself, i .e., so far as it becomes an object of bureaucratic manipulation; for his spirit is prescribed for him, his aim lies beyond him, and his existence is the existence of the department. The state only continues to exist as various fixed bureaucratic minds, bound together in subordination and passive obedience. Actual knowledge seems devoid of content, just as actual life seems dead; for this imaginary knowledge and this imaginary life are taken for the real thing. The bureaucrat must therefore deal with the actual state jesuitically, whether this jesuitry is conscious or unconscious. However, once its antithesis is knowledge, this jesuitry is like wise bound to achieve self-consciousness and then become deliberate jesuitry.&#xA;&#xA;   Whilst the bureaucracy is on the one hand this crass materialism, it manifests its crass spiritualism in the fact that it wants to do everything, i.e., by making the will the causa prima. For it is purely an active form of existence and receives its content from without and can prove its existence, therefore, only by shaping and restricting this content. For the bureaucrat the world is a mere object to be manipulated by him.&#xA;&#xA;   When Hegel calls the executive the objective aspect of the sovereignty dwelling in the monarch, that is right in the same sense in which the Catholic Church was the real presence of the sovereignty, substance and spirit of the Holy Trinity. In the bureaucracy the identity of state interest and particular private aim is established in such a way that the state interest becomes a particular private aim over against other private aims.&#xA;&#xA;   The abolition of the bureaucracy is only possible by the general interest actually-and not, as with Hegel, merely in thought, in abstraction-becoming the particular interest, which in turn is onlv possible as a result of the particular actually becoming the general interest. Hegel starts from an unreal antithesis and therefore achieves only an imaginary identity which is in truth again a contra- dictory identity. The bureaucracy is just such an identity.&#xA;&#xA;                                            * * *&#xA;&#xA;                                On the Jewish Question&#xA;&#xA;                                        KARL MARX&#xA;&#xA;   In this essay, written in the autumn of 1843 and published in the Deutsch-Franzosische Jahrbucher, Marx pursued his critical aims through a review of two studies on the Jewish question by another Young Hegelian, Bruno Bauer. The criticism of politics is developed in the first part, leading to the conclusion that human emancipation requires the ending of the division between man as an egoistic being in &amp;quot;civil society&amp;quot; and man as abstract citizen in the state. In the second part, Marx proceeds to the criticism of economics or commerce, which he equates with &amp;quot;Judaism.&amp;quot; His concluding call for &amp;quot;the emancipation of society from Judaism&amp;quot; (which has been seen on occasion as a manifesto of anti-Semitism) is in fact a call for the emancipation of society from what he here calls &amp;quot;huckstering,&amp;quot; or from what he was subsequently to call &amp;quot;capitalism.&amp;quot; This, however, is not to deny that Marx, although he himself was of Jewish origin, harbored antiJewish attitudes, nor is it to deny that such attitudes found expression in this essay.&#xA;&#xA;                             1. Bruno Bauer, Die Judenfrage1&#xA;&#xA;   The German Jews seek emancipation. What kind of emancipation do they want? Civic, political emancipation.&#xA;&#xA;   Bruno Bauer replies to them: In Germany no one is politically emancipated. We ourselves are not free. How then could we liberate you? You Jews are egoists if you demand for yourselves, as Jews, a special emancipation. You should work, as Germans, for the political emancipation of Germany, and as men, for the emancipation of mankind. You should feel the particular kind of oppression and shame which you suffer, not as an exception to the rule but rather as a confirmation of the rule.&#xA;&#xA;   Or do the Jews want to be placed on a footing of equality with the Christian subjects? If they recognize the Christian state as legally established they also recognize the regime of general enslavement. Why should their particular yoke be irksome when they accept the general yoke? Why should the German be interested in the liberation of the Jew, if the Jew is not interested in the liberation of the German?&#xA;&#xA;   The Christian state recognizes nothing but privileges. The Jew himself, in this state, has the privilege of being a Jew. As a Jew he possesses rights which the Christians do not have. Why does he want rights which he does not have but which the Christians enjoy?&#xA;&#xA;   In demanding his emancipation from the Christian state he asks the Christian state to abandon its religious prejudice. But does he, the Jew, give up his religious prejudice? Has he then the right to insist that someone else should forswear his religion?&#xA;&#xA;   The Christian state, by its very nature, is incapable of emancipating the Jew. But, adds Bauer, the Jew, by his very nature, cannot be emancipated. As long as the state remains Christian, and as long as the Jew remains a Jew, they are equally incapable, the one of conferring emancipation, the other of receiving it.&#xA;&#xA;   With respect to the Jews the Christian state can only adopt the attitude of a Christian state. That is, it can permit the Jew, as a matter of privilege, to isolate himself from its other subjects; but it must then allow the pressures of all the other spheres of society to bear upon the Jew, and all the more heavily since he is in religious opposition to the dominant religion. But the Jew likewise can only adopt a Jewish attitude, i.e. that of a foreigner, towards the state, since he opposes his illusory nationality to actual nationality, his illusory law to actual law. He considers it his right to separate himself from the rest of humanity; as a matter of principle he takes no part in the historical movement and looks to a future which has nothing in common with the future of mankind as a whole. He regards himself as a member of the Jewish people, and the Jewish people as the chosen people.&#xA;&#xA;   On what grounds, then, do you Jews demand emancipation? On account of your religion? But it is the mortal enemy of the state religion. As citizens? But there are no citizens in Germany. As men? But you are not men any more than are those to whom you appeal.&#xA;&#xA;    Bauer, after criticizing earlier approaches and solutions, formulates the question of Jewish emancipation in a new way. What, he asks, is the nature of the Jew who is to be emancipated, and the nature of the Christian state which is to emancipate him? He replies by a critique of the Jewish religion, analyses the religious opposition between Judaism and Christianity, explains the essence of the Christian state; and does all this with dash, clarity, wit and profundity, in a style which is as precise as it is pithy and vigorous.&#xA;&#xA;   How then does Bauer resolve the Jewish question? What is the result? To formulate a question is to resolve it. The critical study of the Jewish question is the answer to the Jewish question. Here it is in brief : we have to emancipate ourselves before we can emancipate others.&#xA;&#xA;   The most stubborn form of the opposition between Jew and Christian is the religious opposition. How is an opposition resolved? By making it impossible. And how is religious opposition made impossible? By abolishing religion. As soon as Jew and Christian come to see in their respective religions nothing more than stages in the development of the human mind-snake skins which have been cast off by history, and man as the snake who clothed himself in them-they will no longer find themselves in religious opposition, but in a purely critical, scientific and human relationship. Science will then constitute their unity. But scientific oppositions are resolved by science itself.&#xA;&#xA;   The German Jew, in particular, suffers from the general lack of political freedom and the pronounced Christianity of the state. But in Bauer's sense the Jewish question has a general significance, independent of the specifically German conditions. It is the question of the relations between religion and the state, of the contradiction between religious prejudice and political emancipation. Emancipation from religion is posited as a condition, both for the Jew who wants political emancipation, and for the state which should emancipate him and itself be emancipated.&#xA;&#xA;   &amp;quot;Very well, it may be said ( and the Jew himself says it) but the Jew should not be emancipated because he is a Jew, because he has such an excellent and universal moral creed; the Jew should take second place to the citizen, and he will be a citizen although he is and desires to remain a Jew. In other words, he is and remains a Jew, even though he is a citizen and as such lives in a universal human condition; his restricted Jewish nature always finally triumphs over his human and political obligations. The bias persists even though it is overcome by general principles. But if it persists, it would be truer to say that it overcomes all the rest.&amp;quot; &amp;quot;It is only in a sophistical and superficial sense that the Jew could remain a Jew in political life. Consequently, if he wanted to remain a Jew, this would mean that the superficial became the essential and thus triumphed. In other words, his life in the state would be only a semblance, or a momentary exception to the essential and normal. &amp;quot;2&#xA;&#xA;   Let us see also how Bauer establishes the role of the state. &amp;quot;France,&amp;quot; he says, &amp;quot;has provided us recently,3 in connexion with the Jewish question ( and for that matter all other political questions ), with the spectacle of a life which is free but which revokes its freedom by law and so declares it to be merely an appearance; and which, on the other hand, denies its free laws by its acts.&amp;quot;4&#xA;&#xA;   &amp;quot;In France, universal liberty is not yet established by law, nor is the Jewish question as yet resolved, because legal liberty, i .e. the equality of all citizens, is restricted in actual life, which is still dominated and fragmented by religious privileges, and because the lack of liberty in actual life influences law in its turn and obliges it to sanction the division of citizens who are by nature free into oppressors and oppressed.&amp;quot;5&#xA;&#xA;   When, therefore, would the Jewish question be resolved in France?&#xA;&#xA;   &amp;quot;The Jew would really have ceased to be Jewish, for example, if he did not allow his religions code to prevent his fulfilment of his duties towards the state and his fellow citizens; if he attended and took part in the public business of the Chamber of Deputies on the sabbath. It would be necessary, further, to abolish all religious privliege, including the monopoly of a privileged church. If, thereafter, some or many or even the overwhelming majority felt obliged to fulfil their religious duties, such practices should be left to them as an absolutely private matter.&amp;quot;6 &amp;quot;There is no longer any religion when there is no longer a privileged religion. Take away from religion its power to excommunicate and it will no longer exist.&amp;quot;7 &amp;quot;Mr. Martin du Nord has seen, in the suggestion to omit any mention of Sunday in the law, a proposal to declare that Christianity has ceased to exist. With equal right ( and the right is well founded ) the declaration that the law of the sabbath is no longer binding upon the Jew would amount to proclaiming the end of Judaism.&amp;quot;8&#xA;&#xA;   Thus Bauer demands, on the one hand, that the Jew should renounce Judaism, and in general that man should renounce religion, in order to be emancipated as a citizen. On the other hand, he considers, and this follows logically, that the political abolition of religion is the abolition of all religion. The state whic presupposes religion is not yet a true or actual state. &amp;quot;Clearly, the religious idea gives some assurances to the state. But to what state? To what kind of state?&amp;quot;9&#xA;&#xA;   At this point we see that the Jewish question is considered only from one aspect.&#xA;&#xA;   It was by no means sufficient to ask : who should emancipate? who should be emancipated? The critic should ask a third question: what kind of emancipation is involved? What are the essential conditions of the emancipation which is demanded? The criticism of political emancipation itself was only the final criticism of the Jewish question and its genuine resolution into the &amp;quot;general question of the age.&amp;quot;&#xA;&#xA;   Bauer, since he does not formulate the problem at this level, falls into contradictions. He establishes conditions which are not based upon the nature of political emancipation. He raises questions which are irrelevant to his problem, and he resolves problems which leave his question unanswered. When Bauer says of the opponents of Jewish emancipation that &amp;quot;Their error was simply to assume that the Christian state was the only true one, and not to subject it to the same criticism as Judaism,&amp;quot;1 we see his own error in the fact that he subjects only the &amp;quot;Christian state,&amp;quot; and not the &amp;quot;state as such&amp;quot; to criticism, that he does not examine the relation between political emancipation and human emancipation, and that he, therefore, poses conditions which are only explicable by his lack of critical sense in confusing political emancipation and universal human emancipation. Bauer asks the Jews : Have you, from your standpoint, the right to demand political emancipation?.We ask the converse question: from the standpoint of political emancipation can the Jew be required to abolish Judaism, or man be asked to abolish religion?&#xA;&#xA;   The Jewish question presents itself differently according to the state in which the Jew resides. In Germany, where there is no political state, no state as such, the Jewish question is purely theological. The Jew finds himself in religious opposition to the state, which proclaims Christianity as its foundation. This state is a theologian ex professo. Criticism here is criticism of theology; a double-edged criticism, of Christian and of Jewish theology. And so we move always in the domain of theology, however critically we may move therein.&#xA;&#xA;   In France, which is a constitutional state, the Jewish question is a question of constitutionalism, of the incompleteness of political emancipation. Since the semblance of a state religion is maintained here, if only in the insignificant and self-contradictory formula of a religion of the majority, the relation of the Jews to the state also retains a semblance of religious, theological opposition.&#xA;&#xA;   It is only in the free states of North America, or at least in some of them, that the Jewish question loses its theological significance and becomes a truly secular question. Only where the state exists in its completely developed form can the relation of the Jew, and of the religious man in general, to the political state appear in a pure form, with its own characteristics. The criticism of this relation ceases to be theological criticism when the state ceases to maintain a theological attitude towards religion, that is, when it adopts the attitude of a state, i .e. a political attitude. Criticism then becomes criticism of the political state. And at this point, where the question ceases to be theological, Bauer's criticism ceases to be critical.&#xA;&#xA;   &amp;quot;There is not, in the United States, either a state religion or a religion declared to be that of a majority, or a predominance of one religion over another. The state remains aloof from all religions.&amp;quot;2 There are even some states in North America in which &amp;quot;the constitution does not impose any religious belief or practice as a condition of political rights.&amp;quot;3 And yet, &amp;quot;no one in the United States believes that a man without religion can be an honest man.&amp;quot;4 And North America is pre-eminently the country of religiosity, as Beaumont,&amp;quot;5 Tocqueville6 and the Englishman, Hami1ton,7 assure us in unison. However, the states of North America only serve as an example. The question is : what is the relation between complete political emancipation and religion? If we find in the country which has attained full political emancipation, that religion not only continues to exist but is fresh and vigorous, this is proof that the existence of religion is not at all opposed to the perfection of the state. But since the existence of religion is the existence of a defect, the source of this defect must be sought in the nature of the state itself. Religion no longer appears as the basis, but as the manifestation of secular narrowness. That is why we explain the religious constraints upon the free citizens by the secular constraints upon them. We do not claim that they must transcend their religious narrowness in order to get rid of their secular limitations. We claim that they will transcend their religious narrowness once they have overcome their secular limitations. We do not turn secular questions into theological questions; we turn theological questions into secular ones. History has for long enough been resolved into superstition; but we now resolve superstition into history. The question of the relation between political emancipation and religion becomes for us a question of the relation between political emancipation and human emancipation. We criticize the religious failings of the political state by criticizing the political state in its secular form, disregarding its religious failings. We express in human terms the contradiction between the state and a particular religion, for example Judaism, by showing the contradiction between the state and particular secular elements, between the state and religion in general and between the state and its general presuppositions.&#xA;&#xA;   The political emancipation of the Jew or the Christian-of the religious man in general-is the emancipation of the state from Judaism, Christianity, and religion in general. The state emancipates itself from religion in its own particular way, in the mode which corresponds to its nature, by emancipating itself from the state religion; that is to say, by giving recognition to no religion and affirming itself purely and simply as a state. To be politically emancipated from religion is not to be finally and completely emancipated from religion, because political emancipation is not the final and absolute form of human emancipation.&#xA;&#xA;   The limits of political emancipation appear at once in the fact that the state can liberate itself from a constraint without man himself being really liberated; that a state may be a free state with-­ out man himself being a free man. Bauer himself tacitly admits this when he makes political emancipation depend upon the following condition.&#xA;&#xA;   &amp;quot;It would be necessary, moreover, to abolish all religious privileges, including the monopoly of a privileged church. If some people, or even the immense majority, still felt obliged to fulfil- their religious duties, this practice should be left to them as a completely private matter.&amp;quot; Thus the state may have emancipated itself from religion, even though the immense majority of people continue to be religious . And the immense majority do not cease to be religious by virtue of being religious in private.&#xA;&#xA;   The attitude of the state, especially the free state, towards religion is only the attitude towards religion of the individuals who compose the state. It follows that man frees himself from a constraint in a political way, through the state, when he transcends his limitations, in contradiction with himself, and in an abstract, narrow and partial way. Furthermore, by emancipating himself politically, man emancipates himself in a devious way, through an intermediary, however necessary this intermediary may be. Finally, even when he proclaims himself an atheist through the intermediary of the state, that is, when he declares the state to be an atheist, he is still engrossed in religion, because he only recognizes himself as an atheist in a roundabout way, through an intermediary. Religion is simply the recognition of man in a roundabout fashion; that is, through an intermediary. The state is the intermediary between man and human liberty. Just as Christ is the intermediary to whom man attributes all his own divinity and all his religious bonds, so the state is the intermediary to which man confides all his nondivinity and all his human freedom.&#xA;&#xA;   The political elevation of man above religion shares the weaknesses and merits of all such political measures . For example, the state as a state abolishes private property (i .e. man decrees by political means the abolition of private property) when it abolishes the property qualification for electors and representatives, as has been done in many of the North American States. Hamilton interprets this phenomenon quite correctly from the political standpoint : The masses have gained a victory over property owners and financial wealth.8 Is not private property ideally abolished when the non- owner comes to legislate for the owner of property? The property qualification is the last political form in which private property is recognized.&#xA;&#xA;   But the political suppression of private property not only does not abolish private property; it actually presupposes its existence. The state abolishes, after its fashion, the distinctions established by birth, social rank, education, occupation, when it decrees that birth, social rank, education, occupation are non-political distinctions; when it proclaims, without regard to these distinctions, that every member of society is an equal partner in popular sovereignty, and treats all the elements which compose the real life of the nation from the standpoint of the state. But the state, none the less, allows private property, education, occupation, to act after their own fashion, namely as private property, education, occupation, and to manifest their particular nature. Far from abolishing these effective differences, it only exists so far as they are presupposed; it is conscious of being a political state and it manifests its universality only in opposition to these elements. Hegel, therefore, defines the relation of the political state to religion quite correctly when he says: &amp;quot;In order for the state to come in to existence as the selfknowing ethical actuality of spirit, it is essential that it should be distinct from the forms of authority and of faith. But this distinction emerges only in so far as divisions occur within the ecclesiastical sphere itself. It is only in this way that the state, above the particular churches, has attained to the universality of thought-its formal principle-and is bringing this universality into existence.&amp;quot;9 To be sure! Only in this manner, above the particular elements, can the state constitute itself as universality.&#xA;&#xA;   The perfected political state is, by its nature, the species-life l of man as opposed to his material life. All the presuppositions of this egoistic life continue to exist in civil society outside the political sphere, as qualities of civil society. Where the political state has attained to its full development, man leads, not only in thought, in consciousness, but in reality, in life, a double existence-celestial and terrestrial. He lives in the political community, where he regards himself as a communal being, and in civil society where he acts simply as a private individual, treats other men as means, degrades himself to the role of a mere means, and becomes the plaything of alien powers . The political state, in relation to civil society, is just as spiritual as is heaven in relation to earth. It stands in the same opposition to civil society, and overcomes it in the same manner as religion overcomes the narrowness of the profane world; i .e. it has always to acknowledge it again, re-establish it, and allow itself to be dominated by it. Man, in his most intimate reality, in civil society, is a profane being. Here, where he appears both to himself and to others as a real individual he is an illusory phenomenon. In the state, on the contrary, where he is regarded as a species-being,2 man is the imaginary member of an imaginary sovereignty, divested of his real, individual life, and infused with an unreal universality.&#xA;&#xA;   The conflict in which the individual, as the professor of a particular religion, finds himself involved with his own quality of citizenship and with other men as members of the community, may be resolved into the secular schism between the political state and civil society. For man as a bourgeois 3 &amp;quot;life in the state is only an appearance or a fleeting exception to the normal and essential.&amp;quot; It is true that the bourgeois, like the Jew, participates in political life only in a sophistical way, just as the citoyen4 is a Jew or a bourgeois only in a sophistical way. But this sophistry is not personal. It is the sophistry of the political state itself. The difference between the religious man and the citizen is the same as that between the shopkeeper and the citizens, between the day-labourer and the citizen, between the landed proprietor and the citizen, between the living individual and the citizen. The contradiction in which the religious man finds himself with the political man, is the same contradiction in which the bourgeois finds himself with the citizen, and the member of civil society with his political lion's skin.&#xA;&#xA;   This secular opposition, to which the Jewish question reduces itself-the relation between the political state and its presuppositions, whether the latter are material elements such as private property, etc., or spiritual elements such as culture or religion, the conflict between the general interest and private interest, the schism between the political state and civil society-these profane contradictions, Bauer leaves intact, while he directs his polemic against their religious expression. &amp;quot;It is precisely this basis-that is, the needs which assure the existence of civil society and guarantee its necessity -which exposes its existence to continual danger, maintains an element of uncertainty in civil society, produces this continually changing compound of wealth and poverty, of prosperity and distress, and above all generates change.&amp;quot;5 Compare the whole section entitled &amp;quot;Civil society,&amp;quot;6 which follows closely the distinctive features of Hegel's philosophy of right. Civil society, in its opposition to this political state, is recognized as necessary because the political state is recognized as necessary.&#xA;&#xA;   Political emancipation certainly represents a great progress. It is not, indeed, the final form of human emancipation, but it is the final form of human emancipation within the framework of the prevailing social order. It goes without saying that we are speaking here of real, practical emancipation.&#xA;&#xA;   Man emancipates himself politically from religion by expelling it from the sphere of public law to that of private law. Religion is no longer the spirit of the state, in which man behaves, albeit in a specific and limited way and in a particular sphere, as a species-being, in community with other men. It has become the spirit of civil society, of the sphere of egoism and of the bellum omnium contraomnes. It is no longer the essence of community, but the essence of differentiation. It has become what it was at the beginning, an expression of the fact that man is separated from the community, from himself and from other men. It is now only the abstract avowal of an individual folly, a private whim or caprice. The infinite fragmentation of religion in North America, for example; already gives it the external form of a strictly private affair. It has been relegated among the numerous private interests and exiled from the life of the community as such. But one should have no illusions about the scope of political emancipation. The division of man into the public person and the private person, the displacement of religion from the state to civil society-all this is not a stage in political emancipation but its consummation. Thus political emancipation does not abolish, and does not even strive to abolish, man's real religiosity.&#xA;&#xA;   The decomposition of man into Jew and citizen, Protestant and citizen, religious man and citizen, is not a deception practiced against the political system nor yet an evasion of political emancipation. It is political emancipation itself, the political mode of emancipation from religion. Certainly, in periods when the political state as such comes violently to birth in civil society, and when men strive to liberate themselves through political emancipation, the state can, and must, proceed to abolish and destroy religion; but only in the same way as it proceeds to abolish private property, by declaring a maximum, by confiscation, or by progressive taxation, or in the same way as it proceeds to abolish life, by the guillotine. At those times when the state is most aware of itself, political life seeks to stifle its own prerequisites-civil society and its elements-and to establish itself as the genuine and harmonious species-life of man. But it can only achieve this end by setting itself in violent contradiction with its own conditions of existence, by declaring a permanent revolution. Thus the political drama ends necessarily with the restoration of religion, of private property, of all the elements of civil society, just as war ends with the conclusion of peace.&#xA;&#xA;   In fact, the perfected Christian state is not the so-called Christian state which acknowledges Christianity as its basis, as the state religion, and thus adopts an exclusive attitude towards other religions; it is, rather, the atheistic state, the democratic state, the state which relegates religion among the other elements of civil society. The state which is still theological, which still professes officially the Christian creed, and which has not yet dared to declare itself a state, has not yet succeeded in expressing in a human and secular form, in its political reality, the human basis of which Christianity is the transcendental expression. The so-called Christian state is simply a non-state; since it is not Christianity as a religion, but only the human core of the Christian religion which can realize itself in truly human creations.&#xA;&#xA;   The so-called Christian state is the Christian negation of the state, but not at all the political realization of Christianity. The state which professes Christianity as a religion does not yet profess it in a political form, because it still has a religious attitude towards religion. In other words, such a state is not the genuine realization of the human basis of religion, because it still accepts the unreal, imaginary form of this human core. The so-called Christian state is an imperfect state, for which the Christian religion serves as the supplement and sanctification of its imperfection. Thus religion becomes necessarily one of its means; and so it is the hypocritical state. There is a great difference between saying: (i) that the perfect state, owing to a deficiency in the general nature of the state, counts religion as one of its prerequisites, or ( ii) that the imperfect state, owing to a deficiency in its particular existence as an imperfect state, declares that religion is its basis. In the latter, religion becomes imperfect politics. In the former, the imperfection even of perfected politics is revealed in religion. The so-called Christian state needs the Christian religion in order to complete itself as a state. The democratic state, the real state, does not need religion for its political consummation. On the contrary, it can dispense with religion, because in this case the human core of religion is realized in a profane manner. The so-called Christian state, on the other hand, has a political attitude towards religion, and a religious attitude towards politics. It reduces political institutions and religion equally to mere appearances.&#xA;&#xA;   In order to make this contradiction clearer we shall examine Bauer's model of the Christian state, a model which is derived from his study of the German-Christian state.&#xA;&#xA;   &amp;quot;Quite recently,&amp;quot; says Bauer, &amp;quot;in order to demonstrate the impossibility or the non-existence of a Christian state, those pas-­ sages in the Bible have been frequently quoted with which the state does not conform and cannot conform unless it wishes to dissolve itself entirely.&amp;quot;&#xA;&#xA;   &amp;quot;But the question is not so easily settled. What do these Biblical passages demand? Supernatural renunciation, submission to the authority of revelation, turning away from the state, the abolition of profane conditions. But the Christian state proclaims and accomplishes all these things. It has assimilated the spirit of the Bible, and if it does not reproduce it exactly in the terms which the Bible uses, that is simply because it expresses this spirit in political forms, in forms which are borrowed from the political system of this world but which, in the religious rebirth which they are obliged to undergo, are reduced to simple appearances. Man turns away from the state and by this means realizes and completes the political institutions .&amp;quot;7&#xA;&#xA;   Bauer continues by showing that the members of a Christian state no longer constitute a nation with a will of its own. The nation has its true existence in the leader to whom it is subjected; but this leader is, by his origin and nature, alien to it since he has been imposed by God without the people having any part in the matter. The laws of such a nation are not its own work, but are direct revelations . The supreme leader, in his relations with the real nation, the masses, requires privileged intermediaries; and the nation itself disintegrates into a multitude of distinct spheres which are formed and determined by chance, are differentiated from each other by their interests and their specific passions and prejudices, and acquire as a privilege the permission to isolate themselves from each other, etc.8&#xA;&#xA;   But Bauer himself says : &amp;quot;Politics, if it is to be nothing more than religion, should not be politics; any more than the scouring of pans, if it is treated as a religious matter, should be regarded as ordinary housekeeping.&amp;quot;9 But in the German-Christian state religion is an &amp;quot;economic matter&amp;quot; just as &amp;quot;economic matters&amp;quot; are religion. In the German-Christian state the power of religion is the religion of power.&#xA;&#xA;   The separation of the &amp;quot;spirit of the Bible&amp;quot; from the &amp;quot;letter of the Bible&amp;quot; is an irreligious act. The state which expresses the Bible in the letter of politics, or in any letter other than that of the Holy Ghost, commits sacrilege, if not in the eyes of men at least in the eyes of its own religion. The state which acknowledges the Bible as its charter and Christianity as its supreme rule must be assessed according to the words of the Bible; for even the language of the Bible is sacred. Such a state, as well as the human rubbish upon which it is based, finds itself involved in a painful contradiction, which is insoluble from the standpoint of religious consciousness, when it is referred to those words of the Bible &amp;quot;with which it does not conform and cannot conform unless it wishes to dissolve itself entirely.&amp;quot; And why does it not wish to dissolve itself entirely? The state itself cannot answer either itself or others. In its own consciousness the official Christian state is an &amp;quot;ought&amp;quot; whose realization is imposible. It cannot affirm the reality of its own existence without lying to itself, and so it remains always in its own eyes an object of doubt, an uncertain and problematic object. Criticism is, therefore, entirely within its rights in forcing the state, which supports itself upon the Bible, into a total disorder of thought in which it no longer knows whether it is illusion or reality; and  in which the infamy of its profane ends ( for which religion serves as a cloak) enter into an insoluble conflict with the probity of its religious consciousness ( for which religion appears as the goal of the world ). Such a state can only escape its inner torment by becoming the myrmidon of the Catholic Church. In the face of this Church, which asserts that secular power is entirely subordinate to its commands, the state is powerless; powerless the secular power which claims to be the rule of the religious spirit.&#xA;&#xA;   What prevails in the so-called Christian state is not man but alienation. The only man who counts-the King-is specifically differentiated from other men and is still a religious being associated directly with heaven and with God. The relations which exist here are relations still based upon faith. The religious spirit is still not really secularized.&#xA;&#xA;   But the religious spirit cannot be really secularized. For what is it but the non-secular form of a stage in the development of the human spirit? The religious spirit can only be realized if the stage of development of the human spirit which it expresses in religious form, manifests and constitutes itself in its secular form. This is what happens in the democratic state. The basis of this state is not Christianity but the human basis of Christianity. Religion remains the ideal, non-secular consciousness of its members, because it is the ideal form of the stage of human development which has been attained.&#xA;&#xA;   The members of the political state are religious because of the dualism between individual life and species-life, between the life of civil society and political life. They are religious in the sense that man treats political life, which is remote from his own individual existence, as if it were his true life; and in the sense that religion is here the spirit of civil society, and expresses the separation and withdrawal of man from man. Political democracy is Christian in the sense that man, not merely one man but every man, is there considered a sovereign being, a supreme being; but it is uneducated, unsocial man, man just as he is in his fortuitous existence, man as he has been corrupted, lost to himself, alienated, subjected to the rule of inhuman conditions and elements, by the whole organization of our society-in short man who is not yet a real species-being. Creations of fantasy, dreams, the postulates of Christianity, the sovereignty of man-but of man as an alien being distinguished from the real man-all these become, in democracy, the tangible and present reality, secular maxims.&#xA;&#xA;   In the perfected democracy, the religious and theological consciousness appears to itself all the more religious and theological in that it is apparently without any political significance or terrestrial aims, is an affair of the heart withdrawn from the world, an expression of the limitations of reason, a product of arbitrariness and fantasy, a veritable life in the beyond. Christianity here attains the practical expression of its universal religious significance, because the most varied views are brought together in the form of Christianity, and still more because Christianity does not ask that anyone should profess Christianity, but simply that he should have some kind of religion (see Beaumont, op. cit.) . The religious consciousness runs riot in a wealth of contradictions and diversity.&#xA;&#xA;   We have shown, therefore, that political emancipation from religion leaves religion in existence, although this is no longer a privileged religion. The contradiction in which the adherent of a particular religion finds himself in relation to his citizenship is only one aspect of the universal secular contradiction between the political state and  civil society. The consummation of the Christian state is a state which acknowledges itself simply as a state and ignores the religion of its members. The emancipation of the state from religion is not the emancipation of the real man from religion.&#xA;&#xA;   We do not say to the Jews, therefore, as does Bauer: you cannot be emancipated politically without emancipating yourselves completely from Judaism. We say rather: it is because you can be emancipated politically, without renouncing Judaism completely and absolutely, that political emancipation itself is not human emancipation. If you want to be politically emancipated, without emancipating yourselves humanly, the inadequacy and the contradiction is not entirely in yourselves but in the nature and the category of political emancipation. If you are preoccupied with this category you share the general prejudice. Just as the state evangelizes when, although it is a state, it adopts a Christian attitude towards the Jews, the Jew acts politically when, though a Jew, he demands civil rights.&#xA;&#xA;   But if a man, though a Jew, can be emancipated politically and acquire civil rights, can he claim and acquire what are called the rights of man? Bauer denies it. &amp;quot;The question is whether the Jew as such, that is, the Jew who himself avows that he is constrained by his true nature to live eternally separate from men, is able to acquire and to concede to others the universal rights of man.&amp;quot;&#xA;&#xA;   &amp;quot;The idea of the rights of man was only discovered in the Christian world, in the last century. It is not an innate idea; on the contrary, 'it is acquired in a struggle against the historical traditions in which man has been educated up to the present time. The rights of man are not, therefore, a gift of nature, nor a legacy from past history, but the reward of a struggle against the accident of birth and against the privileges which history has hitherto transmitted from generation to generation. They are the results of culture, and only he can possess them who has merited and earned them.&amp;quot;&#xA;&#xA;   &amp;quot;But can the Jew really take possession of them? As long as he remains Jewish the limited nature which makes him a Jew must prevail over the human nature which should associate him, as a man, with other men; and it will isolate him from everyone who is not a Jew. He declares, by this separation, that the particular nature which makes him Jewish is his true and supreme nature, before which human nature has to efface itself.&amp;quot;&#xA;&#xA;   &amp;quot;Similarly, the Christian as such cannot grant the rights of man.&amp;quot;1&#xA;&#xA;   According to Bauer man has to sacrifice the &amp;quot;privilege of faith&amp;quot; in order to acquire the general rights of man. Let us consider for a moment the so-called rights of man; let us examine them in their most authentic form, that which they have among those who discovered them, the North Americans and the French! These rights of man are, in part, political rights, which can only be exercised if one is a member of a community. Their content is participation in the community life, in the political life of the community, the life of the state. They fall in the category of political liberty, of civil rights, which as we have seen do not at all presuppose the consistent and positive abolition of religion; nor consequently, of Judaism. It remains to consider the other part, namely the rights of man as distinct from the rights of the citizen.&#xA;&#xA;   Among them is to be found the freedom of conscience, the right to practise a chosen religion. The privilege of faith is expressly recognized, either as a right of man or as a consequence of a right of man, namely liberty. Declaration of the Rights of Man and of the Citizen, 1791, Article 10: &amp;quot;No one is to be disturbed on account of his opinions, even religious opinions.&amp;quot; There is guaranteed, as one of the rights of man, &amp;quot;the liberty of every man to practise the religion to which he adheres.&amp;quot;&#xA;&#xA;   The Declaration of the Rights of Man, etc. 1793, enumerates among the rights of man (Article 7 ) : &amp;quot;The liberty of religious observance.&amp;quot; Moreover, it is even stated, with respect to the right to express ideas and opinions, to hold meetings, to practise a religion, that: &amp;quot;The necessity of enunciating these rights presupposes either the existence or the recent memory of despotism.&amp;quot; Compare the Constitution of 1795, Section XII, Article 354.&#xA;&#xA;   Constitution of Pennsylvania, Article 9, 3: &amp;quot;All men have received from nature the imprescriptible right to worship the Almighty according to the dictates of their conscience, and no one can be legally compelled to follow, establish or support against his will any religion or religious ministry. No human authority can, in any circumstances, intervene in a matter of conscience or control the forces of the soul.&amp;quot;&#xA;&#xA;   Constitution of New Hampshire, Articles 5 and 6: &amp;quot;Among these natural rights some are by nature inalienable since nothing can replace them. The rights of conscience are among them.&amp;quot;2&#xA;&#xA;   The incompatibility between religion and the rights of man is so little manifest in the concept of the rights of man that the right to be religious, in one's own fashion, and to practise one's own particular religion, is expressly included among the rights of man. The privilege of faith is a universal right of man.&#xA;&#xA;   A distinction is made between the rights of man and the rights of the citizen. Who is this man distinct from the citizen? No one but the member of civil society. Why is the member of civil society called &amp;quot;man,&amp;quot; simply man, and why are his rights called the &amp;quot;rights of man&amp;quot;? How is this fact to be explained? By the relation between the political state and civil society, and by the nature of political emancipation.&#xA;&#xA;   Let us notice first of all that the so-called rights of man, as distinct from the rights of the citizen, are simply the rights of a member of civil society, that is, of egoistic man, of man separated from other men and from the community. The most radical constitution, that of 1 793, says : Declaration of the Rights of Man and of the Citizen: Article 2. &amp;quot;These righ ts, etc. ( the natural and imprescriptible rights ) are : equality, liberty,security, property.&#xA;&#xA;   What constitutes liberty?&#xA;&#xA;   Article 6. &amp;quot;Liberty is the power which man has to do everything which does not harm the rights of others . &amp;quot;&#xA;&#xA;   Liberty is, therefore, the right to do everything which does not harm others. The limits within which each individual can act with­ out harming others are determined by law, just as the boundary between two fields is marked by a stake. It is a question of the liberty of man regarded as an isolated monad, withdrawn into himself. Why, according to Bauer, is the Jew not fitted to acquire the rights of man? &amp;quot;As long as he remains Jewish the limited nature which makes him a Jew must prevail over the human nature which should associate him, as a man, with other men; and it will isolate him from everyone who is not a Jew.&amp;quot; But liberty as a right of man is not founded upon the relations between man and man, but rather upon the separation. of man from man. It is the right of such separation. The right of the circumscribed individual, withdrawn into himself.&#xA;&#xA;   The practical application of the right of liberty is the right of private property. What constitutes the right of private property?&#xA;&#xA;   Article 16 ( Constitution of 1793 ) &amp;quot;The right of property is that which belongs to every citizen of enjoying and disposing as he will of his goods and revenues, of the fruits of his work and industry . &amp;quot;&#xA;&#xA;   The right of property is, therefore, the right to enjoy one's fortune and to dispose of it as one will; without regard for other men and independently of society. It is the right of self-interest. This individual liberty, and its application, form the basis of civil society. It leads every man to see in other men, not the realization, but rather the limitation of his own liberty. It declares above all the right &amp;quot;to enjoy and to dispose as one will, one's goods and revenues, the fruits of one's work and industry.&amp;quot;&#xA;&#xA;   There remain the other rights of man, equality and security.&#xA;&#xA;   The term &amp;quot;equality&amp;quot; has here no political significance. It is only the equal right to liberty as defined above; namely that every man is equally regarded as a self-sufficient monad. The Constitution of 1795, defines the concept of liberty in this sense.&#xA;&#xA;   Article 5 ( Constitution of 1 795 ) ' &amp;quot;Equality consists in the fact that the law is the same for all, whether it protects or punishes .&amp;quot;&#xA;&#xA;   And security?&#xA;&#xA;   Article 8 (Constitution of 1793) &amp;quot;Security consists in the protection afforded by society to each of its members for the preservation of his person, his rights, and his property.&amp;quot;&#xA;&#xA;   Security is the supreme social concept of civil society; the concept of the police. The whole society exists only in order to guarantee for each of its members the preservation of his person, his rights and his property. It is in this sense that Hegel calls civil society &amp;quot;the state of need and of reason.&amp;quot;&#xA;&#xA;   The concept of security is not enough to raise civil society above its egoism. Security is, rather, the assurance of its egoism.&#xA;&#xA;   None of the supposed rights of man, therefore, go beyond the egoistic man, man as he is, as a member of civil society; that is, an individual separated from the community, withdrawn into himself, wholly preoccupied with his private interest and acting in accordance with his private caprice. Man is far from being considered, in the rights of man, as a species-being; on the contrary, species-life itself-society-appears as a system which is external to the individual and as a limitation of his original independence. The only bond between men is natural necessity, need and private interest, the presentation of their property and their egoistic persons.&#xA;&#xA;   It is difficult enough to understand that a nation which has just begun to liberate itself, to tear down all the barriers between different sections of the people and to establish a political community, should solemnly proclaim (Declaration of 1791) the rights of the egoistic man, separated from his fellow men and from the community, and should renew this proclamation at a moment when only the most heroic devotion can save the nation ( and is, therefore, urgently called for ), and when the sacrifice of all the interests of civil society is in question and egoism should be punished as a crime. (Declaration of the Rights of Man, etc. 1793 ). The matter becomes still more incomprehensible when we observe that the political liberators reduce citizenship, the political community, to a mere means for preserving these so-called rights of man; and consequently, that the citizen is declared to be the servant of egoistic &amp;quot;man,&amp;quot; that the sphere in which man functions as a species-being is degraded to a level below the sphere where he functions as a partial being, and finally that it is man as a bourgeois and not man as a citizen who is considered the true and authentic man.&#xA;&#xA;   &amp;quot;The end of every political association is the preservation of the natural and imprescriptible rights of man.&amp;quot; ( Declaration of the Rights of Man, etc. 1791, Article 2.) &amp;quot;Government is instituted in order to guarantee man's enjoyment of his natural and imprescriptible rights.&amp;quot; (Declaration, etc. 1793, Article 1 .) Thus, even in the period of its youthful enthusiasm, which is raised to fever pitch by the force of circumstances, political life declares itself to be only a means, whose end is the life of civil society. It is true that its revo­ lutionary practice is in flagrant contradiction with its theory. While, for instance, security is declared to be one of the rights of man, the violation of the privacy of correspondence is openly considered. W,hile the &amp;quot;unlimited freedom of the Press&amp;quot; ( Constitution of 1793, Article 122 ) , as a corollary of the right of individual liberty, is guaranteed, the freedom of the Press is completely destroyed, since &amp;quot;the freedom of the Press should not be permitted when it endangers public liberty.&amp;quot;3 This amounts to saying: the right to liberty ceases to be a right as soon as it comes into conflict with political life, whereas in theory political life is no more than the guarantee of the rights of man-the rights of the individual man-and should, therefore, be suspended as soon as it comes into contradiction with its end, these rights of man. But practice is only the exception, while theory is the rule. Even if one decided to regard revolutionary practice as the correct expression of this rela­ tion, the problem would remain as to why it is that in the minds of political liberators the relation is inverted, so that the end appears as the means and the means as the end? This optical illusion of their consciousness would always remain a problem, though a psy­ chological and theoretical one.&#xA;&#xA;   But the problem is easily solved.&#xA;&#xA;   Political emancipation is at the same time the dissolution of the old society, upon which the sovereign power, the alienated political life of the people, rests. Political revolution is a revolution of civil society. What was the nature of the old society? It can be characterized in one word: feudalism. The old civil society had a directly political character; that is, the elements of civil life such as property, the family, and types of occupation had been raised, in the form of lordship, caste and guilds, to elements of political life. They determined, in this form, the relation of the individual to the state as a whole; that is, his political situation, or in other words, his separation and exclusion from the other elements of society. For this organization of national life did not constitute property and labour as social elements; it rather succeeded in separating them from the body of the state, and made them distinct societies within society. Nevertheless, at least in the feudal sense, the vital func­ tions and conditions of civil society remained political. They excluded the individual from the body of the state, and trans­ formed the particular relation which existed between his corpora- tion and the state into a general relation between the individual and social life, j ust as they transformed his specific civil activity and situation into a general activity and situation. As a result of this organization, the state as a whole and its consciousness, will and activity-the general political power-also necessarily appeared as the private affair of a ruler and his servants, separated from the people.&#xA;&#xA;   The political revolution which overthrew this power of the ruler, which made state affairs the affairs of the people, and the political state a matter of general concern, i.e. a real state, necessarily shattered everything-estates, corporations, guilds, privileges-which expressed the separation of the people from community life. The political revolution therefore abolished the political character of civil society. It dissolved civil society into its basic elements, on the one hand individuals, and on the other hand the material and cultural elements which formed the life experience and the civil situation of these individuals. It set free the political spirit which had, so to speak, been dissolved, fragmented and lost in the various culs-de-sac of feudal society; it reassembled these scattered frag­ ments, liberated the political spirit from its connexion with civil life and made of it the community sphere, the general concern of the people, in principle independent of these particular elements of civil life. A specific activity and situation in life no longer had any but an individual significance. They no longer constituted the general relation between the individual and the state as a whole. Public affairs as such became the general affair of each individual, and political functions became general functions.&#xA;&#xA;   But the consummation of the idealism of the state was at the same time the consummation of the materialism of civil society. The bonds which had restrained the egoistic spirit of civil society were removed along with the political yoke. Political emancipation was at the same time an emancipation of civil society from politics and from even the semblance of a general content.&#xA;&#xA;   Feudal society was dissolved into its basic element, man; but into egoistic man who was its real foundation.&#xA;&#xA;   Man in this aspect, the member of civil society, is now the foundation and presupposition of the political state. He is recognized as such in the rights of man.&#xA;&#xA;   But the liberty of egoistic man, and the recognition of this liberty, is rather the recognition of the frenzied movement of the cul-­ tural and material elements which form the content of his life.&#xA;&#xA;   Thus man was not liberated from religion; he received religious liberty. He was not liberated from property; he received the liberty to own property. He was not liberated from the egoism of business; he received the liberty to engage in business.&#xA;&#xA;   The formation of the political state, and the dissolution of civil society into independent individuals whose relations are regulated by law, as the relations between men in the corporations and guilds were regulated by privilege, are accomplished by one and the same act. Man as a member of civil society-non-political man­necessarily appears as the natural man. The rights of man appear as natural rights because conscious activity is concentrated upon political action. Egoistic man is the passive, given result of the dissolution of society, an object of direct apprehension and consequently a natural object. The political revolution dissolves civil society into its elements without revolutionizing these elements themselves or subjecting them to criticism. This revolution regards civil society, the sphere of human needs, labour, private interests and civil law, as the basis of its own existence, as a self-subsistent precondition, and thus as its natural basis. Finally, man as a member of civil society is identified with authentic man, man as distinct from citizen, because he is man in his sensuous, individual and immediate existence, whereas political man is only abstract, artificial man, man as an allegorical, moral person. Thus man as he really is, is seen only in the form of egoistic man, and man in his true nature only in the form of the abstract citizen.&#xA;&#xA;   The abstract notion of political man is well formulated by Rousseau: &amp;quot;Whoever dares undertake to establish a people's institutions must feel himself capable of changing, as it were, human nature itself, of transforming each individual who, in isolation, is a complete but solitary whole, into a part of something greater than himself, from which in a sense, he derives his life and his being;  of substituting a limited and moral existence for the physical and independent life . His task, in short, is to take from a man his own powers, and to give him in exchange alien powers which he can only employ with the help of other men.&amp;quot;4&#xA;&#xA;   Every emancipation is a restoration of the human world and of human relationships to man himself.&#xA;&#xA;   Political emancipation is a reduction of man, on the one hand to a member of civil society, an independent and egoistic individual, and on the other hand, to a citizen, to a moral person.&#xA;&#xA;   Human emancipation will only be complete when the real, individual man has absorbed into himself the abstract citizen; when as an individual man, in his everyday life, in his work, and in his relationships, he has become a species-being; and when he has recognized and organized his own powers (forces propres) as social powers so that he no longer separates this social power from himself as political power.&#xA;&#xA;            2. Bruno Bauer, &amp;quot;Die Fahigkeit der heutigen&#xA;&#xA;                  Juden und Christen frei zu werden&amp;quot;5&#xA;&#xA;   It is in this form that Bauer studies the relation between the Jewish and Christian religions, and also their relation with modern criticism. This latter relation is their relation with &amp;quot;the capacity to become free.&amp;quot;&#xA;&#xA;   He reaches this conclusion: &amp;quot;The Christian has only to raise himself one degree, to rise above his religion, in order to abolish religion in general,&amp;quot; and thus to become free; but &amp;quot;the Jew, on the contrary, has to break not only with his Jewish nature, but also with the process towards the consummation of his religion, a proc-­ ess which has remained alien to him.&amp;quot;6&#xA;&#xA;   Thus Bauer here transforms the question of Jewish emancipation into a purely religious question. The theological doubt about whether the Jew or the Christian has the better chance of attaining salvation is reproduced here in the more enlightened form : which of the two is more capable of emancipation? It is indeed no longer asked: which makes free-Judaism or Christianity? On the contrary, it is now asked: which makes free-the negation of Judaism or the negation of Christianity?&#xA;&#xA;   &amp;quot;If they wish to become free the Jews should not embrace Christianity as such, but Christianity in dissolution, religion in dissolution; that is to say, the Enlightenment, criticism, and its outcome, a free humanity.&amp;quot;7&#xA;&#xA;   It is still a matter, therefore, of the Jews professing some kind of faith; no longer Christianity as such, but Christianity in dissolution.&#xA;&#xA;   Bauer asks the Jews to break with the essence of the Christian religion, but this demand does not follow, as he himself admits, from the development of the Jewish nature.&#xA;&#xA;   From the moment when Bauer, at the end of his Judenfrage, saw in Judaism only a crude religious criticism of Christianity, and; therefore, attributed to it only a religious significance, it was to b.e expected that he would transform the emancipation of the Jews into a philosophico-theological act.&#xA;&#xA;   Bauer regards the ideal and abstract essence of the Jew-his religion-as the whole of his nature. He, therefore, concludes rightly that &amp;quot;The Jew contributes nothing to mankind when he disregards his own limited law,&amp;quot; when he renounces all his Judaism.8&#xA;&#xA;   The relation between Jews and Christians thus becomes the following: the only interest which the emancipation of the Jew presents for the Christian is a general human and theoretical interest. Judaism is a phenomenon which offends the religious eye of the Christian. As soon as the Christian's eye ceases to be religious the phenomenon ceases to offend it. The emancipation of the Jew is not in itself, therefore, a task which falls to the Christian to per- form.&#xA;&#xA;   The Jew, on the other hand, if he wants to emancipate himself has to undertake, besides his own work, the work of the Christian-the &amp;quot;criticism of the gospels,&amp;quot; of the &amp;quot;life of Jesus,&amp;quot; etc.9 &amp;quot;It is for them to arrange matters; they will decide their own destiny. But history does not allow itself to be mocked.&amp;quot;l&#xA;&#xA;   We will attempt to escape from the theological formulation of the question. For us, the question concerning the capacity of thc Jew for emancipation is transformed into another question: what specific social element is it necessary to overcome in order to abolish Judaism? For the capacity of the present-day Jew to emancipate himself expresses the relation of Judaism to the emancipation of the contemporary world. The relation results necessarily from the particular situation of Judaism in the present enslaved world.&#xA;&#xA;   Let us consider the real Jew: not the sabbath Jew, whom Bauer considers, but the everyday Jew.&#xA;&#xA;   Let us not seek the secret of the Jew in his religion, but let us seek the secret of the religion in the real Jew.&#xA;&#xA;   What is the profane basis of Judaism? Practical need, self­ interest. What is the worldly cult of the Jew? Huckstering. What is his worldly god? Money.&#xA;&#xA;   Very well: then in emancipating itself from huckstering and money, and thus from real and practical Judaism, our age would emancipate itself.&#xA;&#xA;   An organization of society which would abolish the preconditions and thus the very possibility of huckstering, would make the Jew impossible. His religious consciousness would evaporate like some insipid vapour in the real, life-giving air of society. On the other hand, when the Jew recognizes his practical nature as invalid and endeavours to abolish it, he begins to deviate from his former path of development, works for general human emancipation and turns against the supreme practical expression of human self­ estrangement.&#xA;&#xA;   We discern in Judaism, therefore, a universal antisocial element of the present time, whose historical development, zealously aided in its harmful aspects by the Jews, has now attained its culminating point, a point at which it must necessarily begin to disintegrate. In the final analysis, the emancipation of the Jews is the emancipation of mankind from Judaism.&#xA;&#xA;   The Jew has already emancipated himself in a Jewish fashion.&#xA;&#xA;   &amp;quot;The Jew, who is merely tolerated in Vienna for example, determines the fate of the whole Empire by his financial power. The Jew, who may be entirely without rights in the smallest German state, decides the destiny of Europe. While the corporations and guilds exclude the Jew, or at least look on him with disfavour, the audacity of industry mocks the obstinacy of medieval institutions.&amp;quot;2&#xA;&#xA;   This is not an isolated instance. The Jew has emancipated him­ self in a Jewish manner, not only by acquiring the power of money, but also because money has become, through him and also apart from him, a world power, while the practical Jewish spirit has become the practical spirit of the Christian nations. The Jews have emancipated themselves in so far as the Christians have become Jews.&#xA;&#xA;   Thus, for example, Captain Hamilton reports that the devout and politically free inhabitant of New England is a kind of Laocoon who makes not the least effort to escape from the serpents which are crushing him. Mammon is his idol which he adores not only with his lips but with the whole force of his body and mind. In his view the world is no more than a Stock Exchange, and he is convinced that he has no other destiny here below than to become richer than his neighbour. Trade has seized upon all his thoughts, and he has no other recreation than to exchange objects. When he travels he carries, so to speak, his goods and h is counter on his back and talks only of interest and profit. If he loses sight of his own business for an instant it is only in order to pry into the business of his competitors.3&#xA;&#xA;   In North America, indeed, the effective domination of the Christian world by Judaism has come to be manifested in a common and unambiguous form; the preaching of the Gospel itself, Christian preaching, has become an article of commerce, and the bankrupt trader in the church behaves like the prosperous clergyman in business. &amp;quot;This man whom you see at the head of a respectable congregation began as a trader; his business having failed he has become a minister. This other began as a priest, but as soon as he had accumulated some money he abandoned the priesthood for trade. In the eyes of many people the religious ministry is a veritable industrial career. &amp;quot;4&#xA;&#xA;   According to Bauer, it is &amp;quot;a hypocritical situation when, in theory, the Jew is deprived of political rights, while in practice he wields tremendous power and exercises on a wholesale scale the political influence which is denied him in minor matters .&amp;quot;5&#xA;&#xA;   The contradiction which exists between the effective political power of the Jew and his political rights, is the contradiction between politics and the power of money in general. Politics is in principle superior to the power of money, but in practice it has become its bondsman.&#xA;&#xA;   Judaism has maintained itself alongside Christianity, not only because it constituted the religious criticism of Christianity and embodied the doubt concerning the religious origins of Christianity, but equally because the practical Jewish spirit-Judaism or commerce6-has perpetuated itself in Christian society and has even attained its highest development there. The Jew, who occupies a distinctive place in civil society, only manifests in a distinctive way the Judaism of civil society.&#xA;&#xA;   Judaism has been preserved, not in spite of history, but by history.&#xA;&#xA;   It is from its own entrails that civil society ceaselessly engenders the Jew.&#xA;&#xA;   What was, in itself, the basis of the Jewish religion? Practical need, egoism.&#xA;&#xA;   The monotheism of the Jews is, therefore, in reality, a polytheism of the numerous needs of man, a polytheism which makes even the lavatory an object of divine regulation. Practical need, egoism, is the principle of civil society, and is revealed as such in its pure form as soon as civil society has fully engendered the political state. The god of practical need and self-interest is money.&#xA;&#xA;   Money is the jealous god of Israel, beside which no other god may exist. Money abases all the gods of mankind and changes them into commodities. Money is the universal and self-sufficient value of all things. It has, therefore, deprived the whole world, both the human world and nature, of their own proper value. Money is the alienated essence of man's work and existence; this essence dominates him and he worships it.&#xA;&#xA;   The god of the Jews has been secularized and has become the god of this world. The bill of exchange is the real god of the Jew. His god is only an illusory bill of exchange.&#xA;&#xA;   The mode of perceiving nature, under the rule of private property and money, is a real contempt for, and a practical degradation of nature, which does indeed exist in the Jewish religion but only as a creature of the imagination.&#xA;&#xA;   It is in this sense that Thomas Munzer declares it intolerable &amp;quot;that every creature should be transformed into property-the fishes in the water, the birds of the air, the plants of the earth: the creature too should become free.&amp;quot;7&#xA;&#xA;   That which is contained in an abstract form in the Jewish reli­ gion-contempt for theory, for art, for history, and for man as an end in himself-is the real, conscious standpoint and the virtue of the man of money. Even the species-relation itself, the relation between man and woman, becomes an object of commerce. Woman is bartered away.&#xA;&#xA;   The chimerical nationality of the Jew is the nationality of the trader, and above all of the financier.&#xA;&#xA;   The law, without basis or reason, of the Jew, is only the religious caricature of morality and right in general, without basis or reason; the purely formal rites with which the world of self-interest encircles itself.&#xA;&#xA;   Here again the supreme condition of man is his legal status, his relationship to laws which are valid for him, not because they are the laws of his own will and nature, but because they are dominant and any infraction of them will be avenged.&#xA;&#xA;   Jewish Jesuitism, the same practical Jesuitism which Bauer dis­ covers in the Talmud, is the relationship of the world of self­ interest to the laws which govern this world, laws which the world devotes its principal arts to circumventing.&#xA;&#xA;   Indeed, the operation of this world within its framework of laws is impossible without the continual supersession of law.    Judaism could not develop further as a religion, in a theoretical form, because the world view of practical need is, by its very nature, circumscribed, and the delineation of its characteristics soon completed.&#xA;&#xA;   The religion of practical need could not, by its very nature, find its consummation in theory, but only in practice, just because prac­ tice is its truth.&#xA;&#xA;   Judaism could not create a new world. It could only bring the new creations and conditions af the world within its own sphere of activity, because practical need, the spirit of which is self-interest, is always passive, cannot expand at will, but finds itself extended as a result of the continued development of society.&#xA;&#xA;   Judaism attains its apogee with the perfection of civil society; but civil society only reaches perfection in the Christian world. Only under the sway of Christianity, which objectifies all national, natural, moral and theoretical relationships, could civil society separate itself completely from the life of the state, sever all the species­ bonds of man, establish egoism and selfish need in their place, and dissolve the human world into a world of atomistic, antagonistic individuals.&#xA;&#xA;   Christianity issued from Judaism. It has now been re-absorbed into Judaism.&#xA;&#xA;   From the beginning, the Christian was the theorizing Jew; consequently, the Jew is the practical Christian. And the practical Christian has become a Jew again.&#xA;&#xA;   It was only in appearance that Christianity overcame real Judaism. It was too refinedtheoretical fashion, the alienation of man from himself and from nature.&#xA;&#xA;   It was only then that Judaism could attain universal domination and could turn alienated man and alienated nature into alienable, saleable objects, in thrall to egoistic need and huckstering.&#xA;&#xA;   Objectification is the practice of alienation. Just as man, so long as he is engrossed in religion, can only objectify his essence by an alien and fantastic being; so under the sway of egoistic need, he can only affirm himself and produce objects in practice by subordinating his products and his own activity to the domination of an alien entity, and by attributing to them the significance of an alien entity, namely money.&#xA;&#xA;   In its perfected. practice the spiritual egoism of Christianity nec­ essarily becomes the material egoism of the Jew, celestial need is transmuted into terrestrial need, subjectivism into self-interest. The tenacity of the Jew is to be explained, not by his religion, but rather by the human basis of his religion-practical need and egoism.&#xA;&#xA;   It is because the essence of the Jew was universally realized and secularized in civil society, that civil society could not convince the Jew of the unreality of his religious essence, which is precisely the ideal representation of practical need. It is not only, therdore, in the Pentateuch and the Talmud, but also in contemporary society, that we find the essence of the present-day Jew; not as an abstract essence, but as one which is supremely empirical, not only as a limitation of the Jew, but as the Jewish narrowness of society.&#xA;&#xA;   As soon as society succeeds in abolishing the empirical essence of Judaism-huckstering and its conditions-the Jew becomes impossible, because his consciousness no longer has an object. The subjective basis of Judaism-practical need-assumes a human form, and the conflict between the inaividual, sensuous existence of man and his species-existence, is abolished.&#xA;&#xA;   The social emancipation of the Jew is the emancipation of society from Judaism.&#xA;&#xA;                        Contribution to the Critique of Hegel's&#xA;&#xA;                           Philosophy of Right: Introduction&#xA;&#xA;                                         KARL MARX&#xA;&#xA;   Written at the close of 1843 and published in the Deutsch-Franzosische Jahrbuche in 1844, this essay is a consummate expression of the radical mind. It proclaims the need for a &amp;quot;radical revolution&amp;quot; as the way to man's self-realization. Germany is taken as the focal point of this revolution, and the proletariat-the concept of which makes its first appearance in Marx's writings here-as its class vehicle. In August 1844 Marx sent a copy of the essay to Ludwig Feuerbach along with a long letter expressing love and respect for that thinker, whose writing had provided, he wrote, a &amp;quot;philosophical foundation for socialism&amp;quot; by bringing the idea of the human species from &amp;quot;the heaven of abstraction to the real earth.&amp;quot; Feuerbach's influence, along with that of Hegel, is clearly visible in the essay.&#xA;&#xA;   For Germany, the cristicism of religion has been largely completed; and the criticism of religion is the premise of all criticism.&#xA;&#xA;   The profane existence of error is compromised once its celestial oratio pro aris et focis has been refuted. Man, who has found in the fantastic reality of heaven, where he sought a supernatural being, only his own reflection, will no longer be tempted to find only the semblance of himself-a non-human being-where he seeks and must seek his true reality.&#xA;&#xA;   The basis of irreligious criticism is this: man makes religion; religion does not make man. Religion is indeed man's self­ consciousness and self-awareness so long as he has not found him­ self or has lost himself again. But man is not an abstract being, squatting outside the world. Man is the human world, the state. This state, this society, produce religion which is an inverted world consciousness, because they are an inverted world. Religion is the general theory of this world, its encyclopedic com­ pendium, its logic in popular form, its spiritual point d'honneur, its enthusiasm, its moral sanction, its solemn complement, its general basis of consolation and justification. It is the fantastic realization of the human being inasmuch as the human being possesses no true reality. The struggle against religion is, therefore, indirectly a struggle against that world whose spiritual aroma is religion.&#xA;&#xA;   Religious suffering is at the same time an expression of real suffering and a protest against real suffering. Religion is the sigh of the oppressed creature, the sentiment of a heartless world, and the soul of soulless conditions. It is the opium of the people.&#xA;&#xA;   The abolition of religion as the illusory happiness of men, is a demand for their real happiness. The call to abandon their illusions about their condition is a call to abandon a condition which requires illusions. The criticism of religion is, therefore, the embryonic criticism of this vale of tears of which religion is the I halo.&#xA;&#xA;   Criticism has plucked the imaginary flowers from the chain, not in order that man shall bear the chain without caprice or consolation but so that he shall cast off the chain and pluck the living flower. The criticism of religion disillusions man so that he will think, act and fashion his reality as a man who has lost his illusions and regained his reason; so that he will revolve about himself as his true sun. Religion is only the illusory sun about which man revolves so long as he does not revolve about himself.&#xA;&#xA;   It is the task of history, therefore, once the other-world of truth has vanished, to establish the truth of this world. The immediate task of philosophy, which is in the service of history, is to unmask human self-alienation in its secular form now that it has been unmasked in its sacred form. Thus the criticism of heaven is trans-­ formed into the criticism of earth, the criticism of religion into the criticism of law and the criticism of theology into the criticism of politics.&#xA;&#xA;   The following exposition1-which is a contribution to this undertaking-does not deal directly with the original but with a copy, the German philosophy of the state and of right, for the simple reason that it deals with Germany.&#xA;&#xA;   If one were to begin with the status quo itself in Germany, even in the most appropriate way, i .e. negatively, the result would still be an anachronism. Even the negation of our political present is already a dusty fact in the historical lumber room of modern nations. I may negate powdered wigs, but I am still left with unpowdered wigs. If I negate the German situation of 1843 I have, according to French chronology, hardly reached the year 1789, and still less the vital centre of the present day.&#xA;&#xA;   German history, indeed, prides itself upon a development which no other nation had previously accomplished, or will ever imitate in the historical sphere. We have shared in the restorations of modern nations without ever sharing in their revolutions . We have been restored, first because other nations have dared to make revolutions, and secondly because other nations have suffered counter­ revolutions; in the first case because our masters were afraid, and in the second case because they were not afraid. Led by our shep­ herds, we have only once kept company with liberty and that was on the day of its internment.&#xA;&#xA;   A school of thought, which justifies the infamy of today by that of yesterday, which regards every cry from the serf under the knout as a cry of rebellion once the knout has become time-honoured, ancestral and historical, a school for which history shows only its a posteriori as the God of Israel did for his servant Moses-the Historical school of law2-might be supposed to have invented German history, if it were not in fact itself an invention of German history, A Shylock, but a servile Shylock, it swears upon its bond, its historical, Christian-Germanic bond, for every pound of flesh cut from the heart of the people.&#xA;&#xA;   On the other hand, good-natured enthusiasts, German chauvinists by temperament and enlightened liberals by reflection, seek our history of liberty beyond our history, in the primeval Teutonic forests. But how does the history of our liberty differ from the history of the wild boar's liberty, if it is only to be found in the forests? And as the proverb has it: what is shouted into the forest, the forest echoes back. So peace upon the primeval Teutonic forests!&#xA;&#xA;   But war upon the state of affairs in Germany! By all means ! This state of affairs is beneath the level of history, beneath all criticism; nevertheless it remains an object of criticism just as the criminal who is beneath h umanity remains an object of the executioner. In its struggle against this state of affairs criticism is not a passion of the head, but the head of passion. It is not a lancet but a weapon. Its object is an enemy which it aims not to refute but to destroy. For the spirit of this state of affairs has already been refuted. It is not, in itself, an object worthy of our thought; it is an existence as contemptible as it is despised. Criticism itself has no need of any further elucidation of this object, for it has already understood it. Criticism is no longer an end in itself, but simply a means; indignation is its essential mode of feeling, and denunciation its principal task.&#xA;&#xA;   It is a matter of depicting the stifling pressure which the different social spheres exert upon other, the universal but passive ill-humour, the complacent but self-deluding narrowness of spirit; all this incorporated in a system of government which lives by conserving this paltriness, and is itself paltriness in government.&#xA;&#xA;     What a spectacle! Society is infinitely divided into the most diverse races, which confront each other with their petty antipathies, bad conscience and coarse mediocrity; and which, precisely because of their ambiguous and mistrustful situation, are treated without exception, though in different ways, as merely tolerated existences by their masters. And they are forced to recognize and acknowledge this fact of being dominated, governed and possessed, as a concession from heaven! On the other side are the rulers themselves, whose greatness is in inverse proportion to their number.&#xA;&#xA;     The criticism which deals with this subject-matter is criticism in a hand-to-hand fight; and in such a fight it is of no interest to know whether the adversary is of the same rank, is noble or interesting-all that matters is to strike him. It is a question of denying the Germans an instant of illusion or resignation. The burden must be made still more irksome by awakening a consciousness of it, and shame must be made more shameful still by rendering it public. Every sphere of German society must be depicted as the partie Honteuse of German society; and these petrified social conditions must be made to dance by singing their own melody to them. The nation must be taught to be terrified of itself, in order to give it courage. In this way an imperious need of the German nation will be satisfied, and the needs of nations are themselves the final causes of their satisfaction.&#xA;&#xA;   Even for the modern nations this struggle against the limited character of the German status quo does not lack interest; for the German status quo is the open consummation of the ancient régime, and the ancien régime is the hidden defect of the modern state.The struggle against the political present of the Germans is a struggle against the past of the modern nations, who are still continually importuned by the reminiscences of this past. It is instructive for the modern nations to see the ancien régime, which has played a tragic part in their history, play a comic part as a German ghost. The ancien régime had a tragic history, so long as it was the established power in the world while liberty was a personal fancy; in short, so long as it believed and had to believe in its own validity. So long as the ancien régime, as an existing world order, struggled against a new world which was just coming into existence, there was on its side a historical error but no personal error. Its decline was, therefore, tragic.&#xA;&#xA;     The present German regime, on the other hand, which is an anachronism, a flagrant contradiction of universally accepted axioms-the nullity of the ancien régime revealed to the whole world-only imagines that it believes in itself and asks the world to share its illusion. If it believed in its own nature would it attempt to hide it beneath the semblance of an alien nature and look for its salvation in hypocrisy and sophistry? The modern ancien régime is the comedian of a world order whose real heroes are dead. History is thorough, and it goes through many stages when it conducts an ancient formation to its grave. The last stage of a world-historical formation is comedy. The Greek gods, already once mortally wounded in Aeschylus' tragedy Prometheus Bound, had to endure a second death, a comic death, in Lucian's dialogues. Why should history proceed in this way? So that mankind shall separate itself gladly from its past. We claim this joyful historical destiny for the political powers of Germany.&#xA;&#xA;     But as soon as criticism concerns itself with modern social and political reality, and thus arrives at genuine human problems, it must either go outside the German status quo or approach its object indirectly. For example, the relation of industry, of the world of wealth in general, to the political world is a major prob­lem of modern times. In what form does this problem begin to preoccupy the Germans? In the form of protective tariffs, the system of prohibition, the national economy. German chauvinism has passed from men to matter, so that one fine day our knights of cotton and heroes of iron found themselves metamorphosed into patriots. The sovereignty of monopoly within the country has begun to be recognized since sovereignty vis-á-vis foreign countries was attributed to it. In Germany, therefore, a beginning is made with what came as the conclusion •in France and England. The old, rotten order against which these nations revolt in their theories, and which they bear only as chains are borne, is hailed in Germany as the dawn of a glorious future which as yet hardly dares to move from a cunning3 theory to a ruthless practice. While in France and England the problem is put in the form : political economy or the rule of society over wealth; in Germany it is put in the form : national economy or the rule of private property over nationality. Thus, in England and France it is a question of abolishing monop-oly, which has developed to its final consequences; while in Ger­many it is a question of proceeding to the final consequences of monopoly. There it is a question of the solution; here, only a ques­tion of the collision. We can see very well from this example how modem problems are presented in Germany; the example shows that our history, like a raw recruit, has so far only had to do extra drill on old and hackneyed historical matters.&#xA;&#xA;     If the whole of German development were at the level of German political development, a German could have no greater part in contemporary problems than can a Russian. If the individual is not restricted by the limitations of his country, still less is the nation liberated by the liberation of one indivdual. The fact that a Scythian was one of the Greek philosophers&amp;gt;sup&amp;gt;4 did not enable the Scythians to advance a single step towards Greek culture.&#xA;&#xA;     Fortunately, we Germans are not Scythians .&#xA;&#xA;       Just as the nations of the ancient world lived their pre-history in the imagination, in mythology, so we Germans have lived our post-history in thought, in philosophy. We are the philosophical contemporaries of the present day without being its historical contemporaries. German philosophy is the ideal prolongation of German history.When, therefore, we criticize, instead of the oeuvres incompletes of our real history, the oeuvres posthumes of our ideal history-philosophy, our criticism stands at the centre of the problems of which the present age says : that is the question. That which constitutes, for the advanced nations, a practical break With modern political conditions, is in Germany where these condi­tions do not yet exist, virtually a critical break with their philosophical reflection.&#xA;&#xA;     The German philosophy of right and of the state is the only German history which is al pari with the official modern times. The German nation is obliged, therefore, to connect its dream history with its present conditions, and to subject to criticism not only these existing conditions but also their abstract continuation. Its future cannot be restricted either to the direct negation of its real juridical and political circumstances, or to the direct realization of its ideal juridical and political circumstances. The direct negation of its real circumstances already exists in its ideal circumstances, while it has almost outlived the realization of its ideal circumstances in the contemplation of neighbouring nations. It is with good reason, therefore, that the practical political party in Germany demands the negation of philosophy. Its error does not consist in formulating this demand, but in limiting itself to a demand which it does not, and cannot, make effective. It supposes that it can achieve this negation by turning its back on philosophy, lookingelsewhere, and murmuring a few trite and ill-humoured phrases. Because of its narrow outlook it does not take account of philosophy as part of German reality, and even regards philosophy as beneath the level of German practical life and its theories. You demand as a point of departure real germs of life, but you forget that the real germ of life of the German nation has so far sprouted only in its cranium. In short, you cannot abolish philosophy without realizing it.&#xA;&#xA;     The same error was committed, but in the opposite direction, by the theoretical party which originated in philosophy.&#xA;&#xA;     In the present struggle, this party saw only the critical struggle of philosophy against the German world. It did not consider that previous philosophy itself belongs to this world and is its complement, even if only an ideal complement. Critical as regards its counterpart, it was not self-critical. It took as its point of departure the presuppositions of philosophy; and either accepted the conclusions which philosophy had reached or else presented as direct philosophical demands and conclusions, demands and conclusions drawn from elsewhere. But these latter-assuming their legitimacy-can only be achieved by the negation of previous philosophy, that is, philosophy as philosophy. We shall provide later a more compre­hensive account of this party. Its principal defect may be summarized as follows : it believed that it could realize philosophy without abolishing it.&#xA;&#xA;     The criticism of the German philosophy of right and of the state  which was given its most logical, profound and complete expression by Hegel, is at once the critical analysis of the modern state and of the reality connected with it, and the definitive negation of all the past forms of consciousness in German jurisprudence and politics, whose most distinguished and most general expression, raised to the level of a science, is precisely the speculative philosophy of right. If it was only Germany which could produce the speculative philosophy of right-this extravagant and abstract thought about the modern state, the reality of which remains in the beyond ( even if this beyond is only across the Rhine ) -the German representative of the modern state, on the contrary, which leaves out of account the real man was itself only possible because, and to the extent that, the modern state itself  leaves the real man out of account or only satisfies the whole man in an illusory way. In politics, the Ger­mans have thought what other nations have done. Germany has been their theoretical consciousness. The abstraction and presumption of its philosophy was in step with the partial and stunted char­acter of their reality. If, therefore, the status quo of the German political system expresses the consummation of the ancien régime, the thorn in the flesh of the modern state, the status quo of German political science expresses the imperfection of the modern state itself, the degeneracy of its flesh.&#xA;&#xA;     As the determined adversary of the previous form of German political consciousness, the criticism of the speculative philosophy of right does not remain within its own sphere, but leads on to tasks which can only be solved by means of practical activity.&#xA;&#xA;     The question then arises: can Germany attain a practical activity a la hauteur des principles; that is to say, a revolution which will raise it not only to the official level of the modern nations, but to the human level which will be the immediate future of those nations.&#xA;&#xA;     It is clear that the arm of criticism cannot replace the criticism of arms. Material force can only be overthrown by material force; but theory itself becomes a material force when it has seized the masses. Theory is capable of seizing the masses when it demon-strates ad hominem, and it demonstrates ad hominem as soon as it becomes radical. To be radical is to grasp things by the root. But for man the root is man himself. What proves beyond doubt the radicalism of German theory, and thus its practical energy, is that it begins from the resolute positive abolition of religion. The criti­cism of religion ends with the doctrine that man is the supreme being for man. It ends, therefore, with the categorical imperative to overthrow all those conditions in which man is an abased, enslaved, abandoned, contemptible being-conditions which can hardly be better described than in the exclamation of a Frenchman on the occasion of a proposed tax upon dogs : &amp;quot;'Wretched dogs! They want to treat you like men!&amp;quot;&#xA;&#xA;     Even from the historical standpoint theoretical emancipation has a specific practical importance for Germany. In fact Germany's revolutionary past is theoretical-it is the Reformation. In that period the revolution originated in the brain of a monk, today in the brain of the philosopher.&#xA;&#xA;     Luther, without question, overcame servitude through devotion but only by substituting servitude through conviction. He shattered the faith in authority by restoring the authority of faith. He transformed the priests into laymen by turning laymen into priests . He liberated man from external religiosity by making religiosity the innermost essence of man. He liberated the body from its chains because he fettered the heart with chains.&#xA;&#xA;     But if Protestantism was not the solution it did at least pose the problem correctly. It was no longer a question, thereafter, of the layman's struggle against the priest outside himself, but of his struggle against his own internal priest, against his own priestly nature. And if the Protestant metamorphosis of German laymen into priests emancipated the lay popes-the princes together withtheir clergy, the privileged and the philistines-the philosophical metamorphosis of the priestly Germans into men will emancipate the people. But just as emancipation will not be confined to princes, so the secularization of property will not be limited to the confiscation of church property, which was practised especially by hypocritical Prussia. At that time, the Peasant War, the most radical event in German history, came to grief because of theology.&#xA;&#xA;     Today, when theology itself has come to grief, the most unfree phenomenon in German history-our status quo-will be shattered by philosophy. On the eve of the Reformation official Germany was the most abject servant of Rome. On the eve of its revolution Germany is the abject servant of those who are far inferior to Rome; of Prussia and Austria, of petty squires and philistines.&#xA;&#xA;     But a radical revolution in Germany seems to encounter a major difficulty.&#xA;&#xA;     Revolutions need a passive element, a material basis. Theory is only realized in a people so far as it fulfils the needs of the people. Will there correspond to the monstrous discrepancy between the demands of German thought and the answers of German reality a similar discrepancy between civil society and the state, and within civil society itself? Will theoretical needs be directly practical needs? It is not enough that thought should seek to realize itself; reality must also strive towards thought.&#xA;&#xA;     But Germany has not passed through the intermediate stage of political emancipation at the same time as the modern nations. It has not yet attflined in practice those stages which it has transcended in theory. How could Germany, in salta mortale, surmount not only its own barriers but also those of the modern nations, that is, those barriers which it must in reality experience and strive for as an emancipation from its own real barriers? A radical revolution can only be a revolution of radical needs, for which the conditions and breeding ground appear to be lacking.&#xA;&#xA;     But if Germany accompanied the development of the modern nations only through the abstract activity of thought, without taking an active part in the real struggles of this development, it has also experienced the pains of this development without sharing in its pleasures and partial satisfactions. The abstract activity on one side has its counterpart in the abstract suffering on the other. And one fine day Germany will find itself at the level of the European decadence, before ever having attained the level of European emancipation. It will be comparable to a fetishist who is sickening from the diseases of Christianity.&#xA;&#xA;     If the German governments are examined it will be found that the circumstances of the time, the situation of Germany, the outlook of German culture, and lastly their own fortunate instinct, all drive them to combine the civilized deficiencies of the modern political world (whose advantages we do not enjoy) with the barbarous deficiencies of the ancien régime (which we enjoy in full measure); so that Germany must participate more and more, if not in the reason at least in the unreason of those political systems which transcend its status quo. Is there, for example, any country in the whole world which shares with such naivete as so-called constitutional Germany all the illusions of the constitutional régime without sharing its realities? And was it not, of necessity, a German government which had the idea of combining the torments of cen­sorship with the torments of the French September laws5 which presuppose the liberty of the Press? Just as the gods of all the nations were to be found in the Roman Pantheon, so there will be found in the Holy Roman German Empire an the sins of all the forms of State. That this eclecticism will attain an unprecedented degree is assured in particular by the politico-aesthetic gourmandise of a German king who proposes to play all the roles of royalty feudal or bureaucratic, absolute or constitutional, autocratic or democratic-if not in the person of the people at least in his own person, and if not for the people, at least for himself Germany, as the deficiency of present-day politics constituted into a system, will not be able to demolish the specific German barriers without demolishing the general barriers of present-day politics.&#xA;&#xA;     It is not radical revolution,universal human emancipation, which is a Utopian dream for Germany, but rather a partial, merely political revolution which leaves the pillars of the building standing. What is the basis of a partial, merely political revolution? Simply this: a section of civil society emancipates itself and attains universal domination; a determinate class undertakes, from its particular situation, a general emancipation of society. This class emancipates society as a whole, but only on condition that the whole of society is in the same situation as this class; for example, that it possesses or can easily acquire money or culture.&#xA;&#xA;     No class in civil society can play this part unless it can arouse, in itself and in the masses, a moment of enthusiasm in which it associates and mingles with society at large, identifies itself with it, and is felt and recognized as the general representative of this society. Its aims and interests must genuinely be the aims and interests of society itself, of which it becomes in reality the social head and heart. It is only in the name of general interests that a particular class can claim general supremacy. In order to attain this liberating position, and the political direction of all spheres of society, revolutionary energy and consciousness of its own power do not suffice. For a popular revolution and the emancipation of a particular class of civil society to coincide, for one class to represent the whole of society, another class must concentrate in itself all the evils of society, a particular class must embody and represent a general obstacle and limitation. A particular social sphere must be regarded as the notorious crime of the whole society, so that emancipation from this sphere appears as a general emancipation. For one class to be the liberating class par excellence, it is necessary that another class should be openly the oppressing class. The negative significance of the French nobility and clergy produced the positive significance of the bourgeoisie, the class which stood next to them and opposed them.&#xA;&#xA;      But in Germany every class lacks the logic, insight, courage and clarity which would make it a negative representative of society. Moreover, there is also lacking in every class the generosity of spirit which identifies itself, if only for a moment, with the popular mind; that genius which pushes material force to political power, that revolutionary daring which throws at its adversary the defiant phrase: I am nothing and I should be everything. The essence of German morality and honour, in classes as in individuals, is a modest egoism which displays, and allows others to display, its own narrowness. The relation between the different spheres of German society is, therefore, not dramatic, but epic. Each of these spheres begins to be aware of itself and to establish itself beside the others, not from the moment when it is oppressed, but from the moment that circumstances, without any action of its own, have created a new sphere which it can in turn oppress. Even the moral sentiment of the German middle class  has no other basis than the consciousness of being the representative of the narrow and limited mediocrity of all the other classes. It is not only the German kings, therefore, who ascend their thrones mal a propos. Each sphere of civil society suffers a defeat before gaining the victory; it erects its own barrier before having destroyed the barrier which opposes it; it displays the narrowness of its views before having displayed their generosity, and thus every opportunity of playing an important role has passed before it properly existed, and each class, at the very moment when it begins its struggle against the class above it, remains involved in a struggle against the class beneath. For this reason, the princes are in conflict with the monarch, the bureaucracy with the nobility, the bourgeoisie with all of them, while the proletariat is already beginning its struggle with the bourgeoisie. The middle class hardly dares to conceive the idea of emancipation from its own point of view before• the development of social conditions, and the progress of political theory, show that this point of view is already antiquated, or at least disputable.&#xA;&#xA;     In France it is enough to be something in order to desire to be everything. In Germany no one has the right to be anything without first renouncing everything. In France partial emancipation is a basis for complete emancipation. In Germany complete emancipation is a conditio sine qua non for any partial emancipation. In France it is the reality, in Germany the impossibility, of a progressive emancipation which must give birth to complete liberty. In France every class of the population is politically idealistic and con­siders itself first of all, not as a particular class, but as the representative of the general needs of society. The role of liberator can, therefore, pass successively in a dramatic movement to different classes in the population, until it finally reaches the class which achieves social freedom; no longer assuming certain conditions external to man, which are none the less created by human society, but organizing all the conditions of human life on the basis of social freedom. In Germany, on the contrary, where practical life is as little intellectual as intellectual life is practical, no class of civil society feels the need for, or the ability to achieve, a general eman­cipation, until it is forced to it by its immediate situation, by materia necessity and by its fetters themselves.&#xA;&#xA;     Where is there, then, a real possibility of emancipation in Germany?&#xA;&#xA;     This is our reply. A class must be formed which has radical chains, a class in civil society which is not a class of civil society, a class which is the dissolution of all classes, a sphere of society which has a universal character because its sufferings are universal, and which does not claim a particular redress because the wrong which is done to it is not a particular wrong but wrong in general. There must be formed a sphere of society which claims no tradi­tional status but only a human status, a sphere which is not opposed to particular consequences but is totally opposed to the assumptions of the German political system; a sphere, finally, which cannot emancipate itself without emancipating itself from all the other spheres of society, without, therefore, emancipating all these other spheres, which is, in short, a total loss of humanity and which can only redeem itself by a total redemption of humanity. This dissolution of society, as a particular class, is the proletariat.&#xA;&#xA;     The proletariat is only beginning to form itself in Germany, as a result of the industrial movement. For what constitutes the proletariat is not naturally existing poverty, but poverty artificially produced, is not the mass of people mechanically oppressed by the weight of society, but the mass resulting from the disintegration of society and above all from the disintegration of the middle class. Needless to say, however, the numbers of the proletariat are also increased by the victims of natural poverty and of Christian-Germanic serfdom.&#xA;&#xA;     When the proletariat announces the dissolution of the existing social order, it only declares the secret of its own existence, for it is the effective dissolution of this order. When the proletariat demands the negation of private property it only lays down as a principle for society what society has already made a principle for the proletariat, and what the latter already involuntarily embodies as the negative result of society. Thus the proletarian has the same right, in relation to the new world which is coming into being, as the German king  has in relation to the existing world when he calls the people his people or a horse his horse. In calling the people his private property the king simply declares that the owner of private property is king.&#xA;&#xA;     Just as philosophy finds its material weapons in the proletariat, so the proletariat finds its intellectual weapons in philosophy. And once the lightning of thought has penetrated deeply into this virgin soil of the people, the Germans will emancipate themselves and become men.&#xA;&#xA;     Let us sum up these results. The emancipation of Germany is only possible in practice if one adopts the point of view of that theory according to which man is the highest being for man. Germany will not be able to emancipate itself from the Middle ages unless it emancipates itself at the same time from the partial victories over the Middle Ages. In Germany no type of enslavement can be abolished unless all enslavement is destroyed. Germany, which likes to get to the bottom of things, can only make a revolution which upsets the whole order of things. The emancipation of Germany will be an emancipation of man. Philosophy is the head of this emancipation and the proletariat is its heart. Philosophy can only be realized by the abolition 6 of the proletariat, and the proletariat can only be abolished by the realization of philosophy.&#xA;&#xA;     When all the inner conditions ripen, the day of German resurrection will be proclaimed by the crowing of the Gallic cock.7&#xA;&#xA;                                       Economic and Philosophic&#xA;                                           Manuscripts of 1844&#xA;                                                  KARL MARX&#xA;&#xA;      Soon after moving to Paris in November, 1843, Marx applied himself to the criticism of political economy-the new phase of his critical program foreshadowed in his two essays in the Deutsch-Franzosische Jahrbucher. Between April and August of 1844 he produced the rough draft of what, judging by his preface, Was to have been a book. He did not finish it for publication, however, and it lay unpublished for more than eighty years. The surviving parts, comprising four manuscripts, were given the name shown above. An incomplete version in Russian translation was published in Moscow in 1927. The first full edition in German, prepared by D. Riazanov of the Marx•Engels Institute in Moscow, was published in Berlin in 1932, in Karl Marx, Friedrich Engels, Historisch-kritische Gesamtausgabe.&#xA;&#xA;      The fundamentals of the Marxist interpretation of history are to be found in the 1844 manuscripts, including the notion of the proletarian revolution and future communism as the goal of the historical process. The theory is set forth, however, in terms of philosophical concepts drawn by Marx from Hegel and Feuerbach, most notably the concept of man's &amp;quot;self-alienation&amp;quot; or &amp;quot;self-estrangement.&amp;quot; History, particularly under modern capitalism, is seen as a story of man's alienation in his life as producer, and communism is presented as the final transcendence of alienation via a revolution against private property. Because the 1844 manuscripts show us Marxism at the moment of its genesis in Marx's mind and because they help to clarify both the relation of Marxism to earlier German philosophy and its ethical significance, their publication has profoundly affected schoolarship on Marx and Marxism in our time.&#xA;&#xA;      A part of the manuscripts consists largely of excerpts from writings of the political economists on such topics as wages of labor, profit of capital, and rent of land. The material reprinted here, comprising the extant portions in which Marx expounds his own position, consists of the preface and the sections entitled &amp;quot;Estranged Labour,&amp;quot; &amp;quot;Private Property and Communism,&amp;quot; &amp;quot;The Meaning of Human Requirements,&amp;quot; &amp;quot;The Power of Money in Bourgeois Society,&amp;quot; and &amp;quot;Critique of the Hegelian Dialectic and Philosophy as a Whole.&amp;quot;&#xA;&#xA;      A number of passages in the manuscripts have been crossed out, apparently by Marx. There is no reason to think that the passages crossed out had ceased to represent what Marx thought. He may well have been guided by editorial considerations in working over the draft of a manuscript originally intended for publication.*&#xA;&#xA;                                                Preface&#xA;&#xA;      I have already given notice in the Deutsch-Franzosische Jahrbucher of the critique of jurisprudence and political science in the form of a critique of the Hegelian Philosophy of Right. In the course of elaboration for publication, the intermingling of criticism directed only against speculation with criticism of the various subjects themselves proved utterly unsuitable, hampering the development of the argument and rendering comprehension difficult. Moreover the wealth and diversity of the subjects to be treated, could have been compressed into one work only in a purely aphoristic style; whilst an aphoristic presentation of this kind, for its part, would have given the impression of arbitrary systematizing. I shall therefore issue the critique of law, ethics, politics, etc., in a series of distinct, independent pamphlets, and at the end try in a special work to present them again as a connected whole showing the interrelationship of the separate parts, and finally, shall make a critique of the speculative elaboration of that material. For this reason it will be found that the interconnection between political economy and the state, law, ethics, civil life, etc., is touched on in the present work only to the extent to which political economy itself ex professo1 touches on these subjects.&#xA;&#xA;      It is hardly necessary to assure the reader conversant with political economy that my results have been won by means of a wholly empirical analysis based on a conscientious critical study of political economy.&#xA;&#xA;      [Whereas the uninformed reviewer who &amp;quot;tries to hide his complete ignorance and intellectual poverty by hurling the &amp;quot;utopian phrase&amp;quot; at the positive critic's head, or again such phrases as &amp;quot;pure, resolute, utterly critical criticism,&amp;quot; the &amp;quot;not merely legal but social-utterly social-society,&amp;quot; the &amp;quot;compact, massy mass,&amp;quot; the &amp;quot;oratorical orators of the massy mass,&amp;quot;2 this reviewer has yet to fur&amp;quot; nish the first proof that besides his theological family-affairs he has anything to contribute to a discussion of worldly matters.&#xA;&#xA;      It goes without saying that besides the French and English Socialists I have made use of German socialist works as well. The only original German works of substance in this science, however-other than Weitling's writings-are the essays by Hess published in Einundzwanzig Bogen,4 and Engels Umrisse ZlL einer Kritik der Nationalokonomie5 in the Deutsch-Franzosische Jahrbucher where, likewise, I indicated in a very general way the basic elements of this work.&#xA;&#xA;      &#xA;&#xA;     It is only with Feuerbach that positive, humanistic and naturalistic criticism begins. The less noise they make, the more certain, profound, widespread and enduring is the effect of Feuerbach's writings, the only writings since Hegel's Phanomenologie and Logik to contain a real theoretical revolution.&#xA;&#xA;     In contrast to the critical theologians9 of our day, I have deemed the concluding chapter of the present work-the settling of accounts with Hegelian dialectic and Hegelian philosophy as a whole-to be absolutely necessary, a task not yet performed. This lack of thoroughness is not accidental, since even the critical theologian remains a theologian. Hence, either he had to start from certain presuppositions of. philosophy accepted as authoritative; or if in the process of criticism and as a result of other people's discoveries doubts about these philosophical presuppositions have arisen in him, he abandons them without vindication and in a cowardly fashion, abstracts from them showing his servile dependence on these presuppositions and his resentment at this dependence merely in a negative, unconscious and sophistical manner.&#xA;&#xA;       2&#xA;&#xA;     On close inspection theological criticism-genuinely progressive though it was at the inception of the movement-is seen in the final analysis to be nothing but the culmination and consequence of the old philosophical, and especially the Hegelian, transcendentalism, twisted into a theological caricature. This interesting example of the justice in history, which now assigns to theology, ever philosophy's spot of infection, the further role of portraying in itself the negative dissolution of philosophy-i.e., the process of its decay-this historical nemesis I shall demonstrate on another occasion.&#xA;&#xA;      &#xA;&#xA;                                              Estranged Labour3&#xA;&#xA;      We have proceeded from the premises of political economy. We have accepted its language and its laws. We presupposed private property, the separation of labour, capital and land, and of wages, profit of capital and rent of land-likewise division of labour, competition, the concept of exchange-value, etc. On the basis of political economy itself, in its own words, we have shown that the worker sinks to the level of a commodity and becomes indeed the  most wretched of commodities; that the wretchedness of the worker is in inverse proportion to the power and magnitude of his production; that the necessary result of competition is the accumu¬lation of capital in a few hands, and thus the restoration of monopoly in a more terrible form; that finally the distinction between capitalist and land-rentier, like that between the tiller of the soil and the factory-worker, disappears and that the whole of society must I fall apart into the two classes-the property-owners and the propertyless workers.&#xA;&#xA;     Political economy proceeds from the fact of private property, but it does not explain it to us. It expresses in general, abstract formulae the material process through which private property actually passes, and these formulae it then takes for laws. It does not comprehend these laws-i.e., it does not demonstrate how they arise from the very nature of private property. Political economy does not disclose the source of the division between labour and capital, and between capital and land. When, for example, it defines the relationship of wages to profit, it takes the interest of the capitalists to be the ultimate cause; i.e., it takes for granted what it is supposed to evolve. Similarly, competition comes in everywhere. It is explained from external circumstances. As to how far these external and apparently fortuitous circumstances are but the expression of a necessary course of development, political economy teaches us nothing. We have seen how, to it, exchange itself appears to be afortuitous fact. The only wheels which political economy sets in  motion are avarice and the war amongst the avaricious competition.&#xA;&#xA;     Precisely because political economy does not grasp the connections within the movement, it was possible to counterpose, for instance, the doctrine of competition to the doctrine of monopoly, the doctrine of craft-liberty to the doctrine of the corporation, the doctrine of the division of landed property to the doctrine of the big estate-for competition, craft-liberty and the division of landed property were explained and comprehended only as fortuitous, premeditated and violent consequences of monopoly, the corporation; and feudal property, not as their necessary, inevitable and natural consequences.&#xA;&#xA;      Now, therefore, we have to grasp the essential connection between private property, avarice, and the separation of labour, capital and landed property; between exchange and competition, value and the devaluation of men, monopoly and competition, etc.; the connection between this whole estrangement and the money system.&#xA;&#xA;     Do not let us go back to a fictitious primordial condition as the political economist does, when he tries to explain. Such a primor dial condition explains nothing. He merely pushes the question away into a grey nebulous distance. He assumes in the form of fact, of an event, what he is supposed to deduce-namely, the necessary relationship between two things-between, for example, division of labour and exchange. Theology in the same way explains the origin of evil by the fall of man: that is, it assumes as a fact, in historical form, what has to be explained.&#xA;&#xA;     We proceed from an actual economic fact.&#xA;&#xA;     The worker becomes all the poorer the more wealth he produces, the more his production increases in power and range. The worker becomes an ever cheaper commodity the more commodities he creates. With the increasing value of the world of things proceeds in direct proportion the devaluation of the world of men. Labour produces not only commodities; it produces itself and the worker as a commodity-and does so in the proportion in which it produces commodities generally.&#xA;&#xA;     This fact expresses merely that the object which labour produces-labour's product-confronts it as something alien, as a power independent of the producer. The product of labour is labour which has been congealed in an object, which has become material: it is the objectification of labour. Labour's realization is its objectification. In the conditions dealt with by political economy this realization of labour appears as loss of reality for the workers; objectification as loss of the object and object-bondage; appropriation as estrangement, as alienation.4&#xA;&#xA;     So much does labour's realization appear as loss of reality that the worker loses reality to the point of starving to death. So much does objectification appear as loss of the object that the worker is robbed of the objects most necessary not only for his life but for his work. Indeed, labour itself becomes an object which he can get hold of only with the greatest effort and with the most irregular interruptions. So much does the appropriation of the object appear as estrangement that the more objects the worker produces the fewer can he possess and the more he falls under the dominion of his product, capital.&#xA;&#xA;     All these consequences are contained in the definition that the worker is related to the product of his labour as to an alien object. For on this premise it is clear that the more the worker spends himself, the more powerful the alien objective world becomes which he creates over-against himself, the poorer he himself-his inner world-becomes, the less belongs to him as his own. It is the same in religion. The more man puts into God, the less he retains in himself. The worker puts his life into the object; but now his life no longer belongs to him but to the object. Hence, the greater this activity, the greater is the worker's lack of objects. Whatever the product of his labour is, he is not. Therefore the greater this product, the less is he himself. The alienation of the worker in his product means not only that his labour becomes an object, an external existence, but that it exists outside him, independently, as something alien to him, and that it becomes a power of its own confronting him; it means that the life which he has conferred on the object confronts him as something hostile and alien.&#xA;&#xA;     Let us now look more closely at the objectification, at the production of the worker; and therein at the estrangement, the loss of the object, his product.&#xA;&#xA;     The worker can create nothing without nature, without the sensuous external world. It is the material on which his labor is manifested, in which it is active, from which and by means of which it produces.&#xA;&#xA;     But just as nature provides labor with the means of life in the sense that labour cannot live without objects on which to operate, on the other hand, it also provides the means of life in the more restricted sense-i.e., the means for the physical subsistence of the worker himself.&#xA;&#xA;     Thus the more the worker by his labour appropriates the external world, sensuous nature, the more he deprives himself of means of life in the double respect: first, that the sensuous external world more and more ceases to be an object belonging to his labour-to be his labour's means of life; and secondly, that it more and more ceases to be means of life in the immediate sense, means for the physical subsistence of the worker.&#xA;&#xA;     Thus in this double respect the worker becomes a slave of his object, first, in that he receives an object of labour, i.e., in that he receives work; and secondly, in that he receives means of subsistence. Therefore, it enables him to exist, first, as a worker; and, second, as a physical subject. The extremity of this bondage is that it is only as a worker that he continues to maintain himself as a physical subject, and that it is only as a physical subject that he is a worker.&#xA;&#xA;      (The laws of political economy express the estrangement of the worker in his object thus: the more the worker produces, the less he has to consume; the more values he creates, the more valueless, the more unworthy he becomes; the better formed his product, the more deformed becomes the worker; the more civilized his object, the more barbarous becomes the worker; the mightier labour becomes, the more powerless becomes the worker; the more ingenious labour becomes, the duller becomes the worker and the more he becomes nature's bondsman.)&#xA;&#xA;     Political economy conceals the estrangement inherent in the nature of labour by not considering the direct relationship between the worker (labour) and production. It is true that labour produces for the rich wonderful things-but for the worker it produces privation. It produces palaces-but for the worker, hovels. It produces beauty-but for the worker, deformity. It replaces labour by machines-but some of the workers it throws back to a barbarous type of labour, and the other workers it turns into machines. It produces intelligence-but for the worker idiocy, cretinism.&#xA;&#xA;     The direct relationship of labour to its produce is the relationship of the worker to the objects of his production. The relationship of the man of means to the objects of production and to production itself is only a consequence of this first relationship-mid confirms it. We shall consider this other aspect later.&#xA;&#xA;     When we ask, then, what is the essential relationship of labour we are asking about the relationship of the worker to production.&#xA;&#xA;     Till now we have been considering the estrangement, the alienation of the worker only in one of its aspects, i.e., the worker's relationship to the products of his labour. But the estrangement is manifested not only in the result but in the act of production¬within the producing activity itself. How would the worker come to face the product of his activity as a stranger, were it not that in the very act of production he was estranging himself from himself? The product is after all but the summary of the activity of production.&#xA;&#xA;If then the product of labour is alienation, production itself must be active alienation, the alienation of activity, the activity of alienation. In the estrangement of the object of labour is merely summarized the estrangement, the alienation, in the activity of labour itself.&#xA;&#xA;      What, then, constitutes the alienation of labour?&#xA;&#xA;      First, the fact that labour is external to the worker, i.e., it does not belong to his essential being; that in his work, therefore, he does not affirm himself but denies himself, does not feel content but unhappy, does not develop freely his physical and mental energy but mortifies his body and ruins his mind. The worker therefore only feels himself outside his work, and in his work feels outside himself. He is at home when he is not working, and when he is working he is not at home. His labour is therefore not voluntary, but coerced; it is forced labour. It is therefore not the satisfaction of a need; it is merely a means to satisfy needs external to it. Its alien character emerges clearly in the fact that as soon as no physical or other compulsion exists, labour is shunned like the plague. External labour, labour in which man alienates himself, is a labour of self-sacrifice, of mortification. Lastly, the external character of labour for the worker appears in the fact that it is not his own, but someone else's, that it does not belong to him, that in it he belongs, not to himself, but to another. Just as in religion the spontaneous activity of the human imagination, of the human brain and the human heart, operates independently of the individual-that is, operates on him as an alien, divine or diabolical activity-in the same way the worker's activity is not his spontaneous activity. It belongs to another; it is the loss of his self.&#xA;&#xA;    As a result. therefore, man (the worker) no longer feels himself to be freely active in any but his animal functions-eating, drinking, procreating, or at most in his dwelling and in dressing-up, etc.; and in his human functions he no longer feels himself to be anything but an animal. What is animal becomes human and what is human becomes animal.&#xA;&#xA;    Certainly eating, drinking, procreating, etc., are also genuinely human functions. But in the abstraction which separates them from the sphere of all other human activity and turns them into sole and ultimate ends, they are animal.&#xA;&#xA;      We have considered the act of estranging practical human activity, labour, in two of its aspects. (1) The relation of the worker to the product of labour as an alien object exercising power over him. This relation is at the same time the relation to the sensuous external world, to the objects of nature as an alien world antagonistically opposed to him. (2) The relation of labour to the act of production within the labour process. This relation is the relation of theworker to his own activity as an alien activity not belonging to him; it is activity as suffering, strength as weakness, begetting as emasculating, the worker's own physical and mental energy, his personal life or what is life other than activity-as an activity which is turned against him, neither depends on nor belongs to him. Here we have self-estrangement, as we had previously the estrangement of the thing.&#xA;&#xA;     We have yet a third aspect of estranged labour to deduce from the two already considered.&#xA;&#xA;     Man is a species being, not only because in practice and in theory he adopts the species as his object (his own as well as those of other things), but-and this is only another way of expressing it-but also because he treats himself as the actual, living species; because he treats himself as a universal and therefore a free being.&#xA;&#xA;     The life of the species, both in man and in animals, consists physically in the fact that man (like the animal) lives on inorganic nature; and the more universal man is compared with an animal, the more universal is the sphere of inorganic nature on which he lives. Just as plants, animals, stones, the air, light, etc., constitute a part of human consciousness in the realm of theory, partly as objects of natural science, partly as objects of art-his spiritual inorganic nature, spiritual nourishment which he must first prepare to make it palatable and digestible-so too in the realm of practice they constitute a part of human life and human activity. Physically man lives only on these products of nature, whether they appear in the form of food, heating, clothes, a dwelling, or whatever it may be. The universality of man is in practice manifested precisely in the universality which makes all nature his inorganic body-both inasmuch as nature is (1) his direct means of life, and (2) the material, the object, and the instrument of his life-activity. Nature is man's inorganic body-nature, that is, in so far as it is not itself the human body. Man lives on nature-means that nature is his body, with which he must remain in continuous intercourse if he is not to die. That man's physical and spiritual life is linked to nature means simply that nature is linked to itself, for man is a part of nature.&#xA;&#xA;     In estranging from man (1) nature, and (2) himself, his own active functions, his life-activity, estranged labour estranges the species from man. It turns for him the life of the species into a means of individual life. First it estranges the life of the species and individual life, and secondly it makes individual life in its abstract form the purpose of the life of the species, likewise in its abstract and estranged form.&#xA;&#xA;     For in the first place labour, life-activity, productive life itself, appears to man merely as a means of satisfying a need-the need to maintain the physical existence. Yet the productive life is the life of the species. It is life-engendering life. The whole character of a species-its species character-is contained in the character of its life-activity; and free, conscious activity is man's species character. Life itself appears only as a means to life.&#xA;&#xA;      The animal is immediately identical with its life-activity. It does not distinguish itself from it. It is its life-activity. Man makes his life-activity itself the object of his will and of his consciousness. He has conscious life-activity. It is not a determination with which he directly merges. Conscious life-activity directly distinguishes man from animal life-activity. It is just because of this that he is a species being. Or it is only because he is a species being that he is a Conscious Being, i.e., that his own life is an object for him. Only because of that is his activity free activity. Estranged labour reverses this relationship, so that it is just because man is a conscious being that he makes his life-activity, his essential being, a mere means to his existence.&#xA;&#xA;     In creating an objective world by his practical activity, in working-up inorganic nature, man proves himself a conscious species being, i.e., as a being that treats the species as its own essential being, or that treats itself as a species being. Admittedly animals also produce. They build themselves nests, dwellings, like the bees, beavers, ants, etc. But an animal only produces what it immediately needs for itself or its young. It produces one-sidedly, whilst man produces universally. It produces. only under the dominion of immediate physical need, whilst man produces even when he is free from physical need and only truly produces in freedom therefrom. An animal produces only itself, whilst man reproduces the whole of nature. An animal's product belongs immediately to its physical body, whilst man freely confronts his product. An animal forms things in accordance with the standard and the need of the species to which it belongs, whilst man knows how to produce in accordance with the standard of every species, and knows how to apply everywhere the inherent standard to the object. Man therefore also forms things in accordance with the laws of beauty.&#xA;&#xA;     It is just in the working-up of the objective world, therefore, that man first really proves himself to be a species being. This production is his active species life. Through and because of this production, nature appears as his work and his reality. The object of la bour is, therefore, the objectification of man's species life: for he duplicates himself not only, as in consciousness, intellectually, but also actively, in reality, and therefore he contemplates himself in a world that he has created. In tearing away from man the object of his production, therefore, estranged labour tears from him his species life, his real species objectivity, and transforms his advantage over animals into the disadvantage that his inorganic body, nature, is taken from him.&#xA;&#xA;     Similarly, in degrading spontaneous activity, free activity, to a means, estranged labour makes man's species life a means to his physical existence.&#xA;&#xA;     The consciousness which man has of his species is thus transformed by estrangement in such a way that the species life becomes for him a means.&#xA;&#xA;     Estranged labour turns thus:&#xA;&#xA;      (3) Man's species being, both nature and his spiritual species property, into a being alien to him, into a means to his individual existence. It estranges man's own body from him, as it does external nature and his spiritual essence, his human being.&#xA;&#xA;      (4) An immediate consequence of the fact that man is estranged from the product of his labour, from his life-activity, from his species being is the estrangement of man from man. If a man is confronted by himself, he is confronted by the other man. &amp;quot;What applies to a man's relation to his work, to the product of his labour and to himself, also holds of a man's relation to the other man, and to the other man's labour and object of labour.&#xA;&#xA;     In fact, the proposition that man's species nature is estranged from him means that one man is estranged from the other, as each of them is from man's essential nature.5&#xA;&#xA;     The estrangement of man, and in fact every relationship in which man stands to himself, is first realized and expressed in the relationship in which a man stands to other men.&#xA;&#xA;     Hence within the relationship of estranged labour each man views the other in accordance with the standard and the position in which he finds himself as a worker.&#xA;&#xA;     We took our departure from a fact of political economy-the estrangement of the worker and his production. We have formulated the concept of this fact-estranged, alienated labour. We have analysed this concept-hence analysing merely a fact of political economy.&#xA;&#xA;      Let us now see, further, how in real life the concept of estranged, alienated labour must express and present itself. If the product of labour is alien to me, if it confronts me as an alien power, to whom, then, does it belong?&#xA;&#xA;     If my own activity does not belong to me, if it is an alien, a coerced activity, to whom, then, does it belong?&#xA;&#xA;     To a being other than me.&#xA;&#xA;     Who is this being?&#xA;&#xA;     The gods? To be sure, in the earliest times the principal production (for example, the building of temples, etc., in Egypt, India and Mexico) appears to be in the service of the gods, and the product belongs to the gods. However, the gods on their own were never the lords of labour. No more was nature. And what a contradiction it would be if, the more man subjugated nature by his labour and the more the miracles of the gods were rendered superfluous by the miracles of industry, the more man were to renounce the joy of production and the enjoyment of the produce in favour of these powers.&#xA;&#xA;     The alien being, to whom labour and the produce of labour belongs, in whose service labour is done and for whose benefit the produce of labour is provided, can only be man himself.&#xA;&#xA;     If the product of labour does not belong to the worker, if it confronts him as an alien power, this can only be because it belongs to some other man than the worker. If the worker's activity is a torment to him, to another it must be delight and his life's joy. Not the gods, not nature, but only man himself can be this alien power over man.&#xA;&#xA;     We must bear in mind the above-stated proposition that man's relation to himself only becomes objective and real for him through his relation to the other man. Thus, if the product of his labour, his labour objectified, is for him an alien, hostile, powerful object independent of him, then his position towards it is such that someone else is master of this object, someone who is alien, hostile, powerful, and independent of him. If his own activity is to him an unfree activity, then he is treating it as activity performed in the service, under the dominion, the coercion and the yoke of another man.&#xA;&#xA;      Every self-estrangement of man from himself and from nature appears in the relation in which he places himself and nature to men other than and differentiated from himself. For this reason religious self-estrangement necessarily appears in the relationship of the layman to the priest, or again to a mediator, etc., since we are here dealing with the intellectual world. In the real practical world self-estrangement can only become manifest through 'the real practical relationship to other men. The medium through which estrangement takes place is itself practical. Thus through estranged labour man not only engenders his relationship to the object and to the act of production as to powers that are alien and hostile to him; he also engenders the relationship in which other men stand to his production and to his product, and the relationship in which he stands to these other men. Just as he begets his own production as the, loss of his reality, as his punishment; just as he begets his own product as a loss, as a product not belonging to him; so he begets the dominion of the one who does not produce over production and over the product. Just as he estranges from himself his own activity, so he confers to the stranger activity which is not his own.&#xA;&#xA;     Till now we have only considered this relationship from the standpoint of the worker and later we shall be considering it also from the standpoint of the non-worker.&#xA;&#xA;     Through estranged, alienated labour, then, the worker produces the relationship to this labour of a man alien to labour and standing outside it. The relationship of the worker to labour engenders the relation to it of the capitalist, or whatever one chooses to call the master of labour. Private property is thus the product, the result, the necessary consequence, of alienated labour, of the external relation of the worker to nature and to himself.&#xA;&#xA;     Private property thus results by analysis from the concept of alienated labour-i.e., of alienated man, of estranged labour, of estranged life, of. estranged man.&#xA;&#xA;     True, it is as a result of the movement of private property  that we have obtained the concept of alienated labour (of alienated life) from political economy. But on analysis of this concept it becomes clear that though private property appears to be the source, the cause of alienated labour, it is really its consequence, just as the gods in the beginning are not the cause but the effect of man's intellectual confusion. Later this relationship becomes reciprocal.&#xA;&#xA;     Only at the very culmination of the development of private property does this, its secret, re-emerge, namely, that on the one hand it is the product of alienated labour, and that secondly it is the means by which labour alienates itself, the realization of this alienation.&#xA;&#xA;     This exposition immediately sheds light on various hitherto unsolved conflicts.&#xA;&#xA;      (1) Political economy starts from labour as the real soul of production; yet to labour it gives nothing, and to private property everything. From this contradiction Proudhon has concluded in favour of labour and against private property. We understand, however, that this apparent contradiction is the contradiction of estranged labour with itself, and that political economy has merely formulated the laws of estranged labour.&#xA;&#xA;     We also understand, therefore, that wages and private property are identical: where the product, the object of labour pays for labour itself, the wage is but a necessary consequence of labour's estrangement, for after all in the wage of labour, labour does not appear as an end in itself but as the servant of the wage. We shall develop this point later, and meanwhile will only deduce some conclusions.&#xA;&#xA;     A forcing-up of wages (disregarding all other difficulties, including the fact that it would only be by force, too, that the higher wages, being an anomaly, could be maintained) would therefore be nothing but better payment for the slave, and would not conquer either for the worker or for labour their human status and dignity.&#xA;&#xA;     Indeed, even the equality of wages demanded by Proudhon only transforms the relationship of the present-day worker to his labour into the relationship of all men to labour. Society is then conceived as an abstract capitalist.&#xA;&#xA;     Wages are a direct consequence of estranged labour, and estranged labour is the direct cause of private property. The downfall of the one aspect must therefore mean the downfall of the other.&#xA;&#xA;      (2) From the relationship of estranged labour to private property it further follows that the emancipation of society from private property, etc., from servitude, is expressed in the political form of the emancipation of the workers; not that their emancipation alone was at stake but because the emancipation of the workers contains universal human emancipation-and it contains this, because the whole of human servitude is involved in the relation of the worker to production, and every relation of servitude is but a modification and consequence of this relation.&#xA;&#xA;     Just as we have found the concept of private property from the concept of estranged, alienated labour by analysis, in the same way every category of political economy can be evolved with the help of these two factors; and we shall find again in each category, e.g., trade, competition, capital, money, only a definite and developed expression of the first foundations.&#xA;&#xA;     Before considering this configuration, however, let us try to solve two problems.&#xA;&#xA;      (1) To define the general nature of private property, as it has arisen as a result of estranged labour, in its relation to truly human, social property.&#xA;&#xA;      (2) We have accepted the estrangement of labour, its alienation, as a fact, and we have analysed this fact. How, we now ask, does man come to alienate, to estrange, his labour? How is this estrangement rooted in the nature of human development? We have already gone a long way to the solution of this problem by transforming the question as to the origin of private property into the question as to the relation of alienated labour to the course of humanity's development. For when one speaks of private property, one thinks of being concerned with something external to man. When one speaks of labour, one is directly concerned with man himself. This new formulation of the question already contains its solution.&#xA;&#xA;      As to (1): The general nature of private property and its relation to truly human property.&#xA;&#xA;      Alienated labour has resolved itself for us into two elements which mutually condition one another, or which are but different expressions of one and the same relationship. Appropriation appears as estrangement, as alienation; and alienation appears as appropriation, estrangement as true enfranchisement.&#xA;&#xA;      We have considered the one side-alienated labour in relation to the worker himself, i.e., the relation of alienated labour to itself. The property-relation of the non-worker to the worker and to labour we have found as the product, the necessary outcome of this relation of alienated labour. Private property, as the material, summary expression of alienated labour, embraces both relations-the relation of the worker to work, to the product of his labour and to the non-worker, and the relation of the non-worker to the worker and to the product of his labor.&#xA;&#xA;      Having seen that in relation to the worker who appropriates nature by means of his labour, this appropriation appears as estrangement, his own spontaneous activity as activity for another and as activity of another, vitality as a sacrifice of life, production of the object as loss of the object to an alien power, to an alien person-we shall now consider the relation to the worker, to labour and its object of this person who is alien to labour and the worker.&#xA;&#xA;      First it has to be noticed, that everything which appears in the worker as an activity of alienation, of estrangement, appears in the non-wor ker as a state of alienation, of estrangement.&#xA;      Secondly, that the worker's real, practical attitude in production and to the product (as a state of mind ) appears in the non-worker confronting him as a theoretical attitude.&#xA;&#xA;      Thirdly, the non-worker does everything against the worker which the worker does against himself; but he does not do against himself what he does against the worker.&#xA;&#xA;      Let us look more closely at these three relations.6&#xA;&#xA;                                 Private Property and Communism&#xA;&#xA;      Re. p. XXXIX. The antithesis of propertylessness and property so long as it is not comprehended as the antithesis of labour and capital, still remains an antithesis of indifference, not grasped in its active connection, its internal relation-an antithesis not yet grasped as a contradiction. It can find expression in this first form even without the advanced development of private property ( as in ancient Rome, Turkey, etc.). It does not yet appear as having been established by private property itself. But labour, the subjective essence of private property as exclusion of property, and capital, objective labour as exclusion of labour, constitute private property as its developed state of contradiction-hence a dynamic relationship moving inexorably to its resolution.&#xA;&#xA;     Re. the same page. The transcendence of self-estrangement follows the same course as self-estrangement. Private property is first considered only in its objective aspect-but nevertheless with labour as its essence. Its form of existence is therefore capital, which is to be annulled &amp;quot;as such&amp;quot; (Proudhon). Or a particular form of labour-labour levelled down, parcelled, and therefore unfree-is conceived as the source of private property's perniciousness and of its existence in estrangement from men; for instance, Fourier, who, like the physiocrats, also conceived agricultural labour to be at least the exemplary type, whilst Saint-Simon declares in contrast that industrial labour as such is the essence, and now also aspires to the exclusive rule of the industrialists and the improvement of the workers condition. Finally, communism is the positive expression of annulled private property-at first as universal private property. By embracing this relation as a whole, communism is:&#xA;&#xA;      (1) In its first form only a generalization and consummation of this relationship. It shows itself as such in a two fold form: on the one hand, the dominion of material property bulks so large that it wants to destroy everything which is not capable of being possessed by all as private property. It wants to abstract by force from talent, etc. For it the sole purpose of life and existence is direct, physical possession. The category of labourer is not done away with, but extended to all men. The relationship of private property persists as the relationship of the community to the world of things. Finally, this movement of counter posing universal private property to private property finds expression in the bestial form of counter posing to marriage (certainly a form of exclusive private property) the contmunity of women, in which a woman becomes a piece of communal and common property. It may be said that this idea of the community of women gives away the secret of this as yet completely crude and thoughtless communism. Just as the woman passes from marriage to general prostitution,7 so the entire world of wealth (that is, of man's objective substance) passes from the relationship of exclusive marriage with the owner of private property to a state of universal prostitution with the community. In negating the personality of man in every sphere, this type of communism is really nothing but the logical expression of private property, which is this negation. General envy constituting itself as a power is the disguise in which avarice re-establishes itself and satisfies itself, only in another way. The thoughts of every piece of private property-inherent in each piece as such-are at least turned against all wealthier private property in the form of envy and the urge to reduce to a common level, so that this envy and urge even constitute the essence of competition. The crude communism is only the consummation of this envy and of this levelling-down proceeding from the preconceived minimum. It has a definite, limited standard. How little this annulment of private property is really an appropriation is in fact proved by the abstract negation of the entire world of culture and civilization, the regression to the unnatural simplicity of the poor and undemanding man who has not only failed to go beyond private property, but has not yet even attained to it.&#xA;&#xA;     The community is only a community of labour, and an equality of wages paid out by the communal capital-the community as the universal capitalist. Both sides of the relationship are raised to an imagined- universality-labour as a state in which every person is put, and capital as the acknowledged universality and power of the community.&#xA;&#xA;     In the approach to woman as the spoil and handmaid of communal lust is expressed the infinite degradation in which man exists for himself, for the secret of this approach has its unambiguous, decisive, plain and undisguised expression in the relation of man to woman and in the manner in which the direct and natural procreative relationship is conceived. The direct, natural, and necessary relation of person to person is the relation of man to woman. In this natural relationship of the sexes man's relation to nature is immediately his relation to man, just as his relation to man is immediately his relation to nature-his own natural function. In this relationship, therefore, is sensuously manifested, reduced to an observable fact, the extent to which the human essence has become nature to man, or to which nature has to him become the human essence of man. From this relationship one can therefore judge man's whole level of development. It follows from the character of this relationship how much man as a species being, as man, has come to be himself and to comprehend himself; the relation of man to woman is the most natural relation of human being to human being. It therefore reveals the extent to which man's natural behaviour has become human, or the extent to which the human essence in him has become a natural essence-the extent to which his human nature has come to be nature to him. In this relationship is revealed, too, the extent to which man's need has hecome a human need; the extent to which, therefore, the other person as a person has become for him a need-the extent to which he in his individual existence is at the same time a social being. The first positive annulment of private property-crude communism-is thus merely one form in which the vileness of private property, which wants to set itself up as the positive community, comes to the surface.&#xA;&#xA;      (2) Communism (a) of a political nature still-democratic or despotic; (b) with the annulment of the state, yet still incomplete, and being still affected by private property (i.e., by the estrangement of man). In both forms communism already knows itself to be re-integration or return of man to himself, the transcendence of human self-estrangement; but since it has not yet grasped the positive essence of private property, and just as little the human nature of need, it remains captive to it and infected by it. It has, indeed, grasped its concept, but not its essence.&#xA;&#xA;      (3) Communism as the positive transcendence of private property, or human self-estrangement, and therefore as the real appropriation of the human essence by and for man; communism therefore as the complete return of man to himself as a social (i.e., human) being-a return become conscious, and accomplished within the entire wealth of previous development. This communism, as fully-developed naturalism, equals humanism, and as fully-developed humanism equals naturalism; it is the genuine resolution of the conflict between man and nature and between man and man-the true resolution of the strife between existence and essence, between objectification and self-confirmation, between freedom and necessity, between the individual and the species. Communism is the riddle of history solved, and it knows itself to be this solution.&#xA;&#xA;     The entire movement of history is, therefore, both its actual act of genesis (the birth act of its empirical existence) and also for its thinking consciousness the comprehended and known process of its coming-to-be. That other, still immature communism, meanwhile, seeks an historical proof for itself-a proof in the realm of the existent-amongst disconnected historical phenomena opposed to private property, tearing single phases from the historical process and focussing attention on them as proofs of its historical pedigree (a horse ridden hard especially by Cabet, Villegardelle, etc.). By so doing it simply makes clear that by far the greater part of this proc¬ess contradicts its claims, and that, if it has once been, precisely its being in the past refutes its pretension to being essential.&#xA;&#xA;     That the entire revolutionary movement necessarily finds both its empirical and its theoretical basis in the movement of private property-in that of the economy, to be precise-is easy to see.&#xA;&#xA;     This material, immediately sensuous private property is the material sensuous expression of estranged human life. Its movement production and consumption-is the sensuous revelation of the movement of all production hitherto-i.e., the realization or the reality of man. Religion, family, state, law, morality, science, art, etc., are only particular modes of production, and fall under its general law. The positive transcendence of private property as the appropriation of human life is, therefore, the positive transcendence of all estrangement-that is to say, the return of man from religion, family, state, etc., to this human, i.e., social made of existence. Religious estrangement as such occurs only in the realm of consciousness, of man's inner life, but economic estrangement is that of real life; its transcendence therefore embraces bath aspects. It is evident that the initial stage of the movement amongst the various peoples depends an whether the true and for them authentic life of the people manifests itself more in consciousness or in the external world-is mare ideal or real. Communism begins from the outset (Owen) with atheism; but atheism is at first far from being communism; indeed, it is still mostly an abstraction.&#xA;&#xA;     The philanthropy of atheism is therefore at first only philosophical, abstract, philanthropy, and that of communism is at once real and directly bent an action.&#xA;&#xA;     We have seen haw an the premise of positively annulled private property man produces man-himself and the other man; haw the object, being the direct embodiment of his individuality, is simultaneously his awn existence far the other man, the existence of the other man, and that existence far him. Likewise, however, bath the material of labour and man as the subject, are the paint of departure as well as the result of the movement (and precisely in this fact, that they must constitute the point of departure, lies the historical necessity of private property). Thus the social character is the general character of the whale movement: just as society itself produces man as man, So is society produced by him. Activity and consumption, bath in their content and in their mode of existence, are social: social activity and social consumption; the human essence of nature first exists only far social man; for only here does nature exist far him as a bond with man-as his existence for the other and the other's existence for him-as the life-element of the human world; only here does nature exist as the foundation of his own human existence. Only here has what is to him his natural existence became his human existence, and nature became man for him. Thus society is the consummated oneness in substance of man and nature-the true resurrection of nature-the naturalism of man and the humanism of nature bath brought to fulfilment.&#xA;&#xA;     Social activity and social consumption exist by no means only in the farm of same directly communal activity and directly communal consumption, although communal activity and communal consumption-i.e., activity and consumption which are manifested and directly confirmed in real association with other men-will occur wherever such a direct expression of sociality stems from the true character of the activity's content and is adequate to the nature of consumption.&#xA;&#xA;     But again when I am active scientifically, etc.,-when I am engaged in activity which I can seldom perform in direct community with others-then I am social, because I am active as a man. Not only is the material of my activity given to me as a social product (as is even the language in which the thinker is active): my own, existence is social activity, and therefore that which I make of myself, I make of myself for society and with the consciousness of myself as a social being.&#xA;&#xA;     My general consciousness is only the theoretical shape of that of which the living shape is the real community, the social fabric, although at the present day general consciousness is an abstraction from real life and as such antagonistically confronts it. Consequently, too, the activity of my general consciousness, as an activity, is my theoretical existence as a social being.&#xA;&#xA;     What is to be avoided above all is the re-establishing of &amp;quot;Society&amp;quot; as an abstraction vis-à-vis the individual. The individual is the social being. His life, even if it may not appear in the direct form of a communal life carried out together with others-is therefore an expression and confirmation of social life. Man's individual and species life are not different, however much-and this is inevitable-the mode of existence of the individual is a more particular, or more general mode of the life of the species, or the life of the species is a more particular or more general individual life.&#xA;&#xA;     In his consciousness of species man confirms his real social life and simply repeats his real existence in thought, just as conversely the being of the species confirms itself in species-consciousness and is for itself in its generality as a thinking being.&#xA;&#xA;     Man, much as he may therefore be a particular individual (and it is precisely his particularity which makes him an individual, and a real individual social being) , is just as much the totality-the ideal totality-the subjective existence of thought and experienced society present for itself; just as he exists also in the real world as the awareness and the real enjoyment of social existence, and as a totality of human life-activity.&#xA;&#xA;     Thinking and being are thus no doubt distinct, but at the same time they are in unity with each other.&#xA;&#xA;     Death seems to be a harsh victory of the species over the definite individual and to contradict their unity. But the determinate individual is only a determinate species being, and as such mortal.&#xA;&#xA;      (4) Just as private property is only the sensuous expression of the fact that man becomes objective for himself and at the same time becomes to himself a strange and inhuman object; just as it expresses the fact that the assertion of his life is the alienation of his life, that his realization is his loss of reality, is an alien reality: conversely, the positive transcendence of private property-i.e., the sensuous appropriation for and by man of the human essence and of human life, of objective man, of human achievements-is not to be conceived merely in the sense of direct, one-sided gratification-merely in the sense of possessing, of having. Man appropriates his total essence in a total manner, that is to say, as a whole man. Each of his human relations to the world-seeing, hearing, smelling, tasting, feeling, thinking, being aware, sensing, wanting, acting, loving-in short, all the organs of his individual being, like those organs which are directly social in their form, are in their objective orientation or in their orientation to the object, the appropriation of that object, the appropriation of the human world; their orientation to the object is the manifestation of the human world;8 it is human efficaciousness and human suffering, for suffering, apprehended humanly, is an enjoyment of self in man.&#xA;&#xA;     Private property has made us so stupid and one-sided that an object is only ours when we have it-when it exists for us as capital, or when it is directly possessed, eaten, drunk, worn, inhabited, etc.,-in short, when it is used by us. Although private property itself again conceives all these direct realizations of possession as means of life, and the life which they serve as means is the life of private property-labour and conversion into capital.&#xA;&#xA;     In place of all these physical and mental senses there has therefore come the sheer estrangement of all these senses-the sense of having. The human being had to be reduced to this absolute poverty in order that he might yield his inner wealth to the outer world. ( On the category of &amp;quot;having,&amp;quot; see Hess in the Twenty-One Sheets. )&#xA;&#xA;     The transcendence of private property is therefore the complete emancipation of all human senses and attributes; but it is this emancipation precisely because these senses and attributes have become, subjectively and objectively, human. The eye has become a human eye, just as its object has become a social, human object-an object emanating from man for man. The senses have therefore become directly in their practice theoreticians. They relate themselves to the thing for the sake of the thing, but the thing itself is an objective human relation to itself and to man,9and vice versa. Need or enjoyment have consequently lost their egotistical nature, and nature has lost its mere utility by use becoming human use.&#xA;&#xA;     In the same way, the senses and enjoyments of other men have become my own appropriation. Besides these direct organs, therefore, social organs develop in the form of society; thus, for instance, activity in direct association with others, etc., has become an organ for expressing my own life, and a mode of appropriating human life.&#xA;&#xA;     It is obvious that the human eye gratifies itself in a way different from the crude, non•human eye; the human ear different from the crude ear, etc.&#xA;&#xA;     To recapitulate; man is not lost in his object only when the object becomes for him a human object or objective man. This is possible only when the object becomes for him a social object, he himself for himself a social being, just as society becomes a being for him in this object.&#xA;&#xA;     On the one hand, therefore, it is only when the objective world becomes everywhere for man in society the world of man's essential powers1-human reality, and for that reason the reality of his own essential powers-that all objects become for him the objectification of himself, become objects which confirm and realize his individuality, become his objects: that is, man himself becomes the object. The manner in which they become his depends on the nature of the objects and on the nature of the essential power corresponding to it; for it is precisely the determinateness of this relationship which shapes the particular, real mode of affirmation. To the eye an object comes to be other than it is to the ear, and the object of the eye is another object than the object of the ear. The peculiarity of each essential power is precisely its peculiar essence, and therefore also the peculiar mode of its objectification, of its objectively actual living being. Thus man is affirmed in the objective world not only in the act of thinking, but with all his senses.&#xA;&#xA;     On the other hand, looking at this in its subjective aspect: just as music alone awakens in man the sense of music, and just as the most beautiful music has no sense for the unmusical ear-is no object for it, because my object can only be the confirmation of one of my essential powers and can therefore only be so for me as my essential power is present for itself as a subjective capacity, because the sense of an object for me goes only so far as my senses go (has only sense for a sense corresponding to that object) -for this reason the senses of the social man are other senses than those of the non-social man. Only through the objectively unfolded richness of man's essential being is the richness of subjective human sensibility (a musical ear, an eye for beauty of form-in short, senses capable of human gratifications, senses confirming themselves as essential powers of man ) either cultivated or brought into being. For not only the five senses but also the so-called mental senses-the practical senses (will, love, etc. )-in a word, human sense-the humanness of the senses-comes to be by virtue of its object, by virtue of humanized nature. The forming of the five senses is a labour of the entire history of the world down to the present.&#xA;&#xA;     The sense caught up in crude practical need has only a restricted sense. For the starving man, it is not the human form of food that exists, but only its abstract being as food; •it could just as well be there in its crudest form, and it would be impossible to say wherein this feeding-activity differs from that of animals. The care-burdened man in need has no sense for the finest play; the dealer in minerals sees only the mercantile value but not the beauty and the unique nature of the mineral: he has no mineralogical sense. Thus, the objectification of the human essence both in its theoretical and practical aspects is required to make man's sense human, as well as to create the human sense corresponding to the entire wealth of human and natural substance.&#xA;&#xA;     Just as resulting from the movement of private property, of its wealth as well as its poverty-or of its material and spiritual wealth and poverty-the budding society finds to hand all the material for this development: so established society produces man in this entire richness of his being-produces the rich man profoundly endowed with all the senses-as its enduring reality.&#xA;&#xA;     It will be seen how subjectivism and objectivism, spiritualism and materialism, activity and suffering, only lose their antithetical character, and thus their existence, as such antitheses in the social condition; it will be seen how the resolution of the theoretical antitheses is only possible  way, by virtue of the practical energy of men . Their resolution is therefore by no means merely, a problem of knowledge, but a real problem of life, which philosophy could not solve precisely because it conceived this problem as merely a theoretical one.&#xA;&#xA;     It will be seen how the history of industry and the established objective existence of industry are the open book of man's essential powers, the exposure to the senses of human psychology. Hitherto this was not conceived in its inseparable connection with man's essential being, but only in an external relation of utility, because, moving in the realm of estrangement, people could only think man's general mode of being-religion or history in its abstract general character as politics, art, literature, etc.,-to be the realityof man's essential powers and man's species-activity. We have before us the objectified essential powers of man in the form of sensuous, alien, useful objects, in the form of estrangement, displayed in ordinary material industry (which can be conceived as a part of that general movement, just as that movement can be conceived as a particular part of industry, since all human activity hitherto has been labour-that is, industry-activity estranged from itself).&#xA;&#xA;     A psychology for which this, the part of history most contemporary and accessible to sense, remains a closed book, cannot become a genuine, comprehensive and real science. What indeed are we to think of a science which airily abstracts from this large part of human labour and which fails to feel its own incompleteness, while such a wealth of human endeavour unfolded before it means nothing more to it than, perhaps, what can be expressed in one word-&amp;quot;need, &amp;quot; &amp;quot;vulgar need&amp;quot;?&#xA;&#xA;     The natural sciences have developed an enormous activity and have accumulated a constantly growing mass of material. Philosophy, however, has remained just as alien to them as they remain to philosophy. Their momentary unity was only a chimerical illusion. The will was there, but the means were lacking. Even historiography pays regard to natural science only occasionally, as a factor of enlightenment and utility arising from individual great discoveries. But natural science has invaded and transformed human life all the more practically through the medium of industry; and has prepared human emancipation, however directly and much it had to consummate dehumanization. Industry is the actual, historical relation of nature, and therefore of natural science, to man. If, therefore, industry is conceived as the exoteric revelation of man's essential powers, we also gain an understanding of the human essence of nature or the natural essence of man. In consequence, natural science will lose its abstractly material-or rather, its idealistictendency, and will become the basis of human science, as it has already become the basis of actual human life, albeit in an estranged form. One basis for life and another basis for science is a priori a lie. The nature which comes to be in human history-the genesis of human society-is man's real nature; hence nature as it comes to be through industry, even though in an estranged form, is true anthropological nature.&#xA;&#xA;     Sense-perception ( see Feuerbach) must be the basis of all science. Only when it proceeds from sense-perception in the twofold form both of sensuous consciousness and of sensuous need-that is, only when science proceeds from nature-is it true science. All history is the preparation for &amp;quot;man&amp;quot; to become the object of sensuous consciousness, and for the needs of &amp;quot;man as man&amp;quot; to become  needs. History itself is a real part of natural history-of nature's coming to be man. Natural science will in time subsume under itself the science of man, just as the science of man will subsume under itself natural science: there will be one science.&#xA;&#xA;     Man is the immediate object of natural science: for immediate, sensuous nature for man is, immediately, human sensuousness (the expressions are identical ) -presented immediately in the form of the other man sensuously present for him. For his own sensuousness first exists as human sensuousness for himself through the other man. But nature is the immediate object of the science of man: the first object of man-man-is nature, sensuousness; and the particular human sensuous essential powers can only find their self-knowledge in the science of the natural world in general, since they can find their objective realization in natural objects only. The element of thought itself-the element of thought's living expression-language-is of a sensuous nature. The social reality of nature, and human natural science, or the natural science about man, are identical terms.&#xA;&#xA;     It will be seen how in place of the wealth and poverty of political economy come the rich human being and rich human need. The rich human being is simultaneously the human being in need of a totality of human life activities-the man in whom his own realization exists as an inner necessity, as need. Not only wealth, but likewise the poverty of man-given socialism-receives in equal measure a human and therefore social significance. Poverty is the passive bond which causes the human being to experience the need of the- greatest wealth-the other human being. The dominion of the objective being in me, the sensuous outburst of my essential activity, is emotion, which thus becomes here the activity of my being.&#xA;&#xA;      (5) A being only considers himself independent when he stands on his own feet; and he only stands on his own feet when he owes his existence to himself. A man who lives by the grace of another regards himself as a dependent being. But I live completely by the grace of another if owe him not only the sustenance of my life, but if he has, moreover, created my life-if he is the source of my life; and if it is not of my own creation, my life has necessarily a source of this kind outside it. The Creation is therefore an idea very difficult to dislodge from popular consciousness. The self¬mediated being of nature and of man is incomprehensible to it, because it contradicts everything palpable in practical life.&#xA;&#xA;     The creation of the earth has received a mighty blow from geogen -i.e., from the science which presents the formation of the earth, the coming-to-be of the earth, as a process, as self-generation. Generatio aequivoca2 is the only practical refutation of the theory of creation.&#xA;&#xA;     Now it is certainly easy to say to the single individual what Aristotle has already said. You have been begotten by your father and your mother; therefore in you the mating of two human beings-a species-act of human beings-has produced the human being. You see, therefore, that even physically, man owes his existence to man. Therefore you must not only keep sight of the one aspect-the infinite progression which leads you further to enquire: &amp;quot;Who begot my father? Who his grandfather?&amp;quot;, etc. You must also hold on to the circular movement sensuously perceptible in that progression, by which man repeats himself in procreation, thus always remaining the subject. You will reply, however: I grant you this circular movement; now grant me the progression which drives me even further until I ask: Who begot the first man, and nature as a whole? I can only answer you: Your question is itself a product of abstraction. Ask yourself how you arrived at that question. Ask yourself whether your question is not posed from a standpoint to which I cannot reply, because it is a perverse one. Ask yourself whether that progression as such exists for a reasonable mind. When you ask about the creation of nature and man, you are abstracting, in so doing, from man and nature. You postulate them as non-existent, and yet you want me to prove them to you as existing. Now I say to you: Give up your abstraction and you will also give up your question. Or if you want to hold on to your abstraction, then be consistent, and if you think of man and nature as non-existent, then think of yourself as non-existent, for you too are surely nature and man. Don't think, don't ask me, for as soon as you think and. ask, your abstraction from the existence of nature and man has no meaning. Or are you such an egoist that you postulate everything as nothing, and yet want yourself to be?&#xA;&#xA;     You can reply: I do not want to postulate the nothingness of nature. I ask you about its genesis, just as I ask the anatomist about the formation of bones, etc.&#xA;&#xA;     But since for the socialist man the entire so-called history of the world  is nothing but the begetting of man through human labour, nothing but the coming-to-be of nature for man, he has the visible, irrefutable proof of his birth through himself, of his process of coming-to-be. Since the real existence of man and nature has become practical, sensuous and perceptible-since man has become for man as the being of nature, and nature for man as the being of man-the question about an alien being , about a being above nature and man-a question which implies the admission of the inessentiality of nature and of man-has become impossible in practice. Atheism, as the denial of this inessentiality, has no longer any meaning, for atheism is a negation of God, and postulates the existence of man through this negation; but socialism as socialism no longer stands in any need of such a mediation. It proceeds from the practically and theoretically sensuous consciousness of man and of nature as the essence. Socialism is man's positive self-consciousness no longer mediated through the annulment of religion, just as real life is man's positive reality, no longer mediated through the annulment of private property, through communism. Communism is the position as the negation of the negation, and is hence the actual phase necessary for the next stage of historical development in the process of human emancipation and recovery. Communism is the necessary pattern and the dynamic principle of the immediate future, but communism as such is not the goal of human development-the structure of human society.&#xA;&#xA;                              The Meaning of Human Requirements&#xA;&#xA;      We have seen what significance, given socialism, the wealth of human needs has, and what significance, therefore, both a new mode of production and a new object of production have: a new manifestation of the forces of human nature and a new enrichment of human nature.3 Under private property their significance is reversed: every person speculates on creating a new need in another, so as to drive him to a fresh sacrifice, to place him in a new depend¬ence and to seduce him into a new mode of gratification and therefore economic ruin. Each tries to establish over the other an alien power, so as thereby to find satisfaction .of his own selfish need. The increase in the quantity of objects is accompanied by an extension of the realm of the alien powers to which man is subjected, and every new product represents a new potency of mutual swindling and mutual plundering. Man becomes ever poorer as man; his need for money becomes ever greater if he wants to overpower hostile being; and the power of his money declines exactly in inverse proportion to the increase in the volume of production: that is, his neediness grows as the power of money increases.&#xA;&#xA;     The need for money is therefore the true need produced by the modern economic system, and it is the only need which the latter produces. The quantity of money becomes to an ever greater degree its sole effective attribute: just as it reduces everything to its abstract form, so it reduces itself in the course of its own movement to something merely quantitative. Excess and intemperance come to be its true norm. Subjectively, this is even partly manifested in that the extension of products and needs falls into contriving and ever¬calculating subservience to inhuman, refined, unnatural and imaginary appetites.Private property does not know how to change crudeneed into human need. Its idealism is fantasy, caprice and whim; and no eunuch flatters his despot more basely or uses more despicable means to stimulate his dulled capacity for pleasure in order to sneak a favour for himself than does the industrial eunuch-the producer-in order to sneak for himself a few pennies-in order to charm the golden birds out of the pockets of his Christianly beloved neighbours. He puts himself at the service of the other's most depraved fancies, plays the pimp between him and his need, excites in him morbid appetites, lies in wait for each of his weaknesses-all so that he can then demand the cash for this service of love. (Every product is a bait with which to seduce away the other's very being, his money; every real and possible need is a weakness which will lead the fly to the gluepot. General exploitation of communal human nature, just as every imperfection in man, is a bond with heaven-an avenue giving the priest access to his heart; every need is an opportunity to approach one's neighbour under the guise of the utmost amiability and to say to him: Dear friend, I give you what you need, but you know the conditio sine qua non; you know the ink in which you have to sign yourself over to me; in providing for your pleasure, I fleece you.)&#xA;&#xA;     And partly, this estrangement manifests itself in that it produces refinement of needs and of their means on the one hand, and a bestial barbarization, a complete, unrefined, abstract simplicity of need, on the other; or rather in that it merely resurrects itself in its opposite. Even the need for fresh air ceases for the worker. Man returns to living in a cave, which is now, however, contaminated with the mephitic breath of plague given off by civilization, and which he continues to occupy only precariously, it being for him a n alien habitation which can be withdrawn from him any day-a place from which, if he does not pay, he can be thrown out any day. For this mortuary he has to pay. A dwelling in the light, which Prometheus in Aeschylus designated as one of the greatest boons, by means of which he made the savage into a human being, ceases to exist for the worker. Light, air, etc.-the simplest animal cleanliness-ceases to be a need for man. Dirt-this stagnation and putrefaction of man-the sewage of civilization (speaking quite literally) -comes to be the element of life for him. Utter, unnatural neglect, putre¬fied nature, comes to be his life-element. None of his senses exist any longer, and not only in his human fashion, but in an inhuman fashion, and therefore not even in an animal fashion. The crudest modes (and instruments) of human labour are coming back: the tread mill of the Roman slaves, for instance, is the means of production, the means of existence, of many English workers. It is not only that man has no human needs-even his animal needs are ceasing to exist. The Irishman no longer knows any need now but the need to eat, and indeed only the need to eat potatoes-and scabby potatoes at that, the worst kind of potatoes. But in each of their industrial towns England and France have already a little Ireland. The savage and the animal have at least the need to hunt, to roam, etc.-the need of companionship. Machine labour is simplified in order to make a worker out of the human being still in the making, the completely immature human being, the child-whilst the worker has become a neglected child. The machine accommodates itself to the weakess of the human being in order to make the weak human being into a machine.&#xA;&#xA;     How the multiplication of needs and of the means of their satisfaction breeds the absence of needs and of means is demonstrated by the political economist (and the capitalist: it should be noted that it is always empirical business men we are talking about when we refer to political economists-their scientific confession and mode of being). This he shows:&#xA;&#xA;      (1) By reducing the worker's need to the barest and most miserable level of physical subsistence, and by reducing his activity to the most abstract mechanical movement. Hence, he says: Man has no other need either of activity or of enjoyment. For he calls even this life human life and existence.&#xA;&#xA;      (2) By counting the lowest possible level of life (existence) as the standard, indeed as the general standard-general because it is applicable to the mass of men. He changes the worker into an insensible being lacking all needs, just as he changes his activity into a pure abstraction from all activity. To him, therefore, every luxury of the worker seems to be reprehensible, and everything that goes beyond the most abstract need-be it in the realm of passive enjoyment, or a manifestation of activity-seems to him a luxury. Political economy, this science of wealth, is therefore simultaneously the science of denial, of want, of thrift, of saving-and it actually reaches the point where it spares man the need of either fresh air or physical exercise. This science of marvellous industry is simultaneously the science of asceticism, and its true ideal is the ascetic but extortionate miser and the ascetic but productive slave. Its moral ideal is the worker who takes part of his wages to the savings-bank, and it has even found ready-made an abject art in which to clothe this its pet idea: they have presented it, bathed in sentimentality, on the stage. Thus political economy-despite its worldly and wanton appearance-is a true moral science, the most moral of all the sciences. Self-denial, the denial of life and of all human needs, is its cardinal doctrine. The less you eat, drink and read books; the less you go to the theatre, the dance, hall, the public¬house; the less you think, love, theorize, sing, paint, fence, etc., the more you save-the greater becomes your treasure which neither moths nor dust will devour-your capital. The less you are, the more you have; the less you express your own life, the greater is your alienated life-the greater is the store of your estranged being. Everything which the political economist takes from you in life and in humanity, he replaces for you in money and in wealth; and all the things which you cannot do, your money can do. It can eat and drink, go to the dance hall and the theatre; it can travel, it can appropriate art, learning, the treasures of the past, political power -all this it can appropriate for you-it can buy all this for you: it is the true endowment. Yet being all this, it is inclined to do nothing but create itself, buy itself; for everything else is after all its servant. And when I have the master I have the servant and do not need his servant. All passions and all activity must therefore be submerged in avarice. The worker may only have enough for him to want to live, and may only want to live in order to have .&#xA;&#xA;     Of course a controversy now arises in the field of political economy. The one side (Lauderdale, Malthus, etc.) recommends luxury and execrates thrift. The other (Say, Ricardo, etc.) recommends thrift and execrates luxury. But the former admits that it wants luxury in order to produce labour (i.e., absolute thrift); and the latter admits that it recommends thrift in order to produce wealth (i.e., luxury). The Lauderdale-Malthus school has the romantic notion that avarice alone ought not to determine the consumption of the rich, and it contradicts its own laws in advancing extravagance as a direct means of enrichment. Against it, therefore, the other side very earnestly and circumstantially proves that I do not increase but reduce my possessions by being extravagant. The Say¬Ricardo school, however, is hypocritical in not admitting that it is precisely whim and caprice which determine production. It forgets the &amp;quot;refined needs&amp;quot;; it forgets that there would be no production without consumption; it forgets that as a result of competition production can only become more extensive and luxurious. It forgets that it is use that determines a thing's value, and that fashion determines use. It wishes to see only &amp;quot;useful things&amp;quot; produced, but it forgets that production of too many useful things produces too large a useless population. Both sides forget that extravagance and thrift, luxury and privation, wealth and poverty are equal.&#xA;&#xA;     And you must not only stint the immediate &amp;quot;,ratification of your senses, as by stinting yourself of food, etc.: you must also spare yourself all sharing of general interest, all sympathy, all trust, etc.; if you want to be economical, if you do not want to be ruined by illusions.&#xA;&#xA;     You must make everything that is yours saleable, i.e., useful. If I ask the political economist: Do I obey economic laws if I extract money by offering my body for sale, by surrendering it to another's lust? (The factory workers in France call the prostitution of their wives and daughters the xth working hour, which is literally correct. ) -Or am I not acting in keeping with political economy if I sell my friend to the Moroccans? ( And the direct sale of men in the form of a trade in conscripts, etc., takes place in all civilized countries.) -Then the political economist replies to me: You do not transgress my laws; but see what Cousin Ethics and Cousin Religion have to say about it. My political economic ethics and religion have nothing to reproach you with, but- But whom am I now to believe, political economy or ethics? The ethics of political economy is acquisition, work, thrift, sobriety-but political economy promises to satisfy my needs. The political economy of ethics is the opulence of a good conscience, of virtue, etc.; but how can I live virtuously if I do not live? And how can I have a good conscience if I am not conscious of anything? It stems from the very nature of estrangement that each sphere applies to me a different and opposite yard¬stick-ethics one and political economy another; for each is a specific estrangement of man and focuses attention on a particular round of estranged essential activity, and each stands in an estranged relation to the other. Thus M. Michel Chevalier reproaches Ricardo with having abstracted from ethics. But Ricardo is allowing political economy to speak its own language, and if it does not speak ethically, this is not Ricardo's fault. M. Chevalier abstracts from political economy in so far as he moralizes, but he really and necessarily abstracts from ethics in so far as he practises political economy. The reference of political economy to ethics, if it is other than an arbitrary, contingent and therefore unfounded and unscientific reference, if it is not being put up as a sham but is meant to be essential, can only be the reference of the laws of polit¬ical economy to ethics. If there is no such connection, or if the contrary is rather the case, can Ricardo help it? Besides, the opposition between political economy and ethics is only a sham opposition and just as much no opposition as it is an opposition. All that happens is that political economy expresses moral laws in its own way.&#xA;&#xA;     Needlessness as the principle of political economy is most brilliantly shown in its theory of population. There are too many people. Even the existence of men is a pure luxury; and if the worker is &amp;quot;ethical,&amp;quot; he will be sparing in procreation. ( Mill suggests public acclaim for those who prove themselves continent in their sexual relations, and public rebuke for those who sin against such barrenness of marriage.... Is not this the ethics, the teaching of asceticism?) The production of people appears in the form of public misery.&#xA;&#xA;     The meaning which production has in relation to the rich is seen revealed in the meaning which it has for the poor. At the top themanifestation is always refined, veiled, ambiguous-a sham; lower, it is rough, straightforward, frank-the real thing. The worker's crude need is a far greater source of gain than the refined need of the rich. The cellar-dwellings in London bring more to those who let them than do the palaces; that is to say, with reference to the landlord they constitute greater wealth, and thus (to speak the language of political economy) greater social wealth.&#xA;&#xA;     Industry speculates on the refinement of needs, but it speculates just as much on their crudeness, but on their artificially produced crudeness, whose true enjoyment, therefore, is self-stupefaction¬this seeming satisfaction of need-this civilization contained within the crude barbarism of need; the English gin-shops are therefore the symbolical embodiments of private property. Their luxury reveals the true relation of industrial luxury and wealth to man. They are therefore rightly the only Sunday pleasures of the people, dealt with at least mildly by the English police.&#xA;&#xA;     We have already seen how the political economist establishes the unity of labour and capital in a variety of ways:- (1) Capital is accumulated labour. (2) The purpose of capital within production -partly, reproduction of capital with profit, partly, capital as raw material ( material of labour) , and partly, as itself a working instrument (the machine is capital directly equated with labour)-is productive labour. (3) The worker is a capital. (4) Wages belong to costs of capital. (5) In relation to the worker, labour is the reprod¬uction of his life-capital. (6) In relation to the capitalist, labour is an aspect of his capital's activity.&#xA;&#xA;     Finally, (7) the political economist postulates the original unity of capital and labour in the form of the unity of the capitalist and the worker; this is the original state of paradise. The way in which these two aspects in the form of two persons leap at each other's throats is for the political economist a contingent event, and hence only to be explained by reference to external factors. (See Mill.) 4&#xA;&#xA;      The nations which are still dazzled by the sensuous splendour of precious metals, and are therefore still fetish-worshippers of metal money, are -not yet fully developed money-nations.-Contrast of France and England. The extent to which the solution of theoreti¬cal riddles is the task of practice and effected through practice, just as true practice is the condition of a real and positive theory, is shown, for example, in fetishism. The sensuous consciousness of the fetish-worshipper is different from that of the Greek, because his sensuous existence is still different. The abstract enmity between sense and spirit is necessary so long as the human feeling for nature, the human sense of nature, and therefore also the natural sense of man, are not yet produced by man's own labour.&#xA;&#xA;     Equality is nothing but a translation of the German &amp;quot;Ich=Ich&amp;quot; into the French, i.e., political form. Equality as the groundwork of communism is its political justification, and it is the same as when the German justifies it by conceiving man as universal self-consciousness. Naturally, the transcendence of the estrangement always proceeds from that form of the estrangement which is the dominant power: in Germany, self-consciousness; in France, equality, because politics; in England, real, material, practical need taking only itself as its standard. It is from this standpoint that Proudhon is to be criticized and appreciated.&#xA;&#xA;     If we characterize communism itself because of its character as negation of the negation, as the appropriation of the human essence which mediates itself with itself through the negation of private property-as being not yet the true, self-originating position but rather a position originating from private property, 5&#xA;&#xA;     Since in that case8 the real estrangement of the life of man remains, and remains all the more, the more one is conscious of it as such, it may be accomplished solely by putting communism into operation.&#xA;&#xA;     In order to abolish the idea of private property, the idea of communism is completely sufficient. It takes actual communist action to abolish actual private property. History will come to it; and this movement, which in theory we already know to be a self-transcending movement, will constitute in actual fact a very severe and protracted process. But we must regard it as a real advance to have gained beforehand a consciousness of the limited character as well as of the goal of this historical movement-and a consciousness which reaches out beyond it.&#xA;&#xA;     When communist workmen associate with one another, theory, propaganda, etc., is their first end. But at the same time, as a result of this association, they acquire a new need-the need for society -and what appears as a means becomes an end. You can observe this practical process in its most splendid results whenever you see French socialist workers together. Such things as smoking, drinking, eating, etc., are no longer means of contact or means that bring together. Company, association, and conversation, which again has society as its end, are enough for them; the brotherhood of man isno mere phrase with them, but a fact of life, and the nobility of man shines upon us from their work-h ardened bodies .&#xA;&#xA;     When political economy claims that demand and supply always balance each other, it immediately forgets that according to its own claim ( theory of population ) the supply of people always exceeds the demand, and that, therefore, in the essential result of the whole production process-the existence of man-the disparity between demand and supply gets its most striking expression.&#xA;&#xA;     The extent to which money, which appears as a means, constitutes true power and the sale end-the extent to which in general that means which gives me substance, which gives me possession of the objective substance of others, is an end in itself-can be clearly seen from the facts that landed p roperty wherever land is the source of life, and horse and sword wherever these are the true means of life, are also acknowledged as the true political powers in life. In the middle ages a social class is emancipated as soon as it is allowed to carry the sword. Amongst nomadic peoples it is the horse which makes me a free man and a participant in the life of the community.&#xA;&#xA;     We have said above that man is regressing to the cave dwelling etc.-but that he is regressing to it in an estranged, malignant form. The savage in his cave-a natural element which freely offers itself for his use and protection-feels h imself no more a stranger, or rather feels himself to be just as much at home as a fish in water. But the cellar-dwelling of the poor man is a hostile dwelling, &amp;quot;an alien, restraining power which only gives itself up to him in so far as he gives up to it his blood and sweat&amp;quot;-a dwelling which he cannot look upon as his own home where he might at last exclaim, &amp;quot; Here I am at home,&amp;quot; but where instead he finds himself in someone else's house, in the house of a stranger who daily lies in wait for him and throws him out if he does not pay his rent. Similarly, he is also aware of the contrast in quality between his dwelling and a human dwelling-a residence in that other world, the heaven of wealth.&#xA;&#xA;     Estrangement is manifested not only in the fact that my means of life belong to someone else, that my desire is the inaccessible possession of another, but also in the fact that everything is in itself something different from itself-that my activity is something else and that, finally ( and this applies also to the capitalist ) , all is under the sway of inhuman power. There is a form of inactive, extrava-gant wealth given over wholly to pleasure, the enjoyer of which on the one hand behaves as a mere ephemeral individual frantically spending himself to no purpose knows the slave-labour of others (human sweat and blood) as the p rey of his cupidity, and therefore knows man himself, and hence also his own self, as a sacrificed and empty being. With such wealth the contempt of man makes its appearance, partly as arrogance and as the throwing-away of whatcan give sustenance to a hundred human lives, and partly as the infamous illusion that his own unbridled extravagance and ceaseless, unproductive consumption is the condition of the other's labour and therefore of his subsistence. He knows the realization of the essential powers of man only as the realization of his own excesses, his whims and capricious, bizarre notions. This wealth which, on the other hand, again knows wealth as a mere means, as something that is good for nothing but to be annihilated and which is therefore at once slave and master, at once generous and mean, capricious, preumptuous, conceited, refined, cultured and witty-this wealth has not yet experienced wealth as an utterly alien power  over itself: it sees in it, rather, only its own power, and not wealth but gratification 7final aim and end.&#xA;&#xA;                                                      * * *&#xA;&#xA;     Society, as it appears to the political economist, is civil society, in which every individual is a totality of needs and only exists for the other person, as the other exists for him, in so far as each becomes a means for the other. The political economist reduces everything ( just as does politics in its Rights of Man) to man, i.e., to the individual whom he strips of all determinateness so as to class him as capitalist or worker.&#xA;     The division of labour is the expression in political economy of the social character of labour within the estrangement. Or, since labour is only an expression of human activity within alienation, of the living of life as the alienating of life, the division of labour, too, is therefore nothing else but the estranged, alienated positing of human activity as a real activity of the species or as activity of man as a species being.&#xA;&#xA;     As for the essence of the division of labour-and of course the division of labour had to be conceived as a major driving force in the production of wealth as soon as labour was recognized as the essence of private property-i.e., about the estranged and alienated form of human activity as an activity of the species-the political economists are very unclear and self-contradictory about it.&#xA;&#xA;                                                      * * *&#xA;&#xA;                                The Power of Money in Bourgeois Society&#xA;&#xA;      If man's feelings, passions, etc., are not merely anthropological phenomena in the  8 sense, but truly ontological affirmations o-f essential being ( of nature ) , and if they are only really affirmed because their object exists for them as an object of sense, then it is clear:&#xA;&#xA;      (1) That they have by no means merely one mode of affirma¬tion, but rather that the distinctive character of their existence, of their life, is constituted by the distinctive mode of their affirmation. In what manner the object exists for them, is the characteristic mode of their gratification.&#xA;&#xA;      (2) Whenever the sensuous affirmation is the direct annulment of the object in its independent form (as in eating, drinking, working up of the object, etc. ), this is the affirmation of the object.&#xA;&#xA;      (3) In so far as man, and hence also his feeling, etc., are human, the affirmation of the object by another is likewise his own enjoyment.&#xA;&#xA;      (4) Only through developed industry-i.e., through the medium of private property-does the ontological essence cif human passion come to be both in its totality and in its humanity; the science of man is therefore itself a product of man's establishment of himself by practical activity.&#xA;&#xA;      (5) The meaning of private property-liberated from its estrangement-is the existence of essential objects for man, both as objects of enjoyment and as objects of activity.&#xA;&#xA;      By possessing the property of buying everything, by possessing the property of appropriating all objects, money is thus the object of eminent possession. The universality of its property is the omnipotence of its being. It therefore functions as the almighty being. Money is the pimp between man's need and the object, between his life and his means of life. But that which mediates my life for me, also mediates the existence of other people for me. For me it is the other person.&#xA;&#xA;                   &amp;quot;What, man! confound it, hands and feet&#xA;                  And head and backside, all are yours !&#xA;                   And what we take while life is sweet,&#xA;                  Is that to be declared not ours?&#xA;                       Six stallions, say, I can afford,&#xA;                       Is not their strength my property?&#xA;                       I tear along, a sporting lord,&#xA;                        As if their legs belonged to me.&amp;quot;&#xA;                                      ( Mephistopheles, in Faust) 9&#xA;Shakespeare in Timon of Athens:&#xA;             &amp;quot; Gold? Yellow, glittering, precious gold? No, Gods,&#xA;             I am no idle votarist! . . . Thus much of this will&#xA;                       make black white, foul fair,&#xA;             Wrong right, base noble, old young, coward valiant.&#xA;            ... Why, this&#xA;             Will lug your priests and servants from your sides,&#xA;             Pluck stout men's pillows from below their heads:&#xA;             This yellow slave&#xA;             Will knit and break religions, bless the accursed;&#xA;             Make the hoar l eprosy adored, place thieves&#xA;             And give them title, knee and approbation&#xA;             With senators on the bench: This is it&#xA;             That makes the wappen'd widow wed again;&#xA;             She, whom the spital-house and ulcerous sores&#xA;             Would cast the gorge at, this embalms and spices&#xA;             To the April day again....Damned earth,&#xA;             Thou common whore of mankind, that putt'st odds&#xA;             Among the rout of nations.&amp;quot;1&#xA;And also later :&#xA;             &amp;quot;O thou sweet king-killer, and dear divorce&#xA;             Twixt natural son and sire! thou bright defiler&#xA;             Of Hymen's purest bed! thou valiant Mars!&#xA;             Thou ever young, fresh, loved and delicate wooer,&#xA;             Whose blush doth thaw the consecrated snow&#xA;             That lies on Dian's lap! Thou visible God!&#xA;             That solder'st close impossibilities,&#xA;             And mak'st them kiss! That speak'st with every tongue,&#xA;             To every purpose! O thou touch of hearts!&#xA;             Think thy slave man rebels, and by thy virtue&#xA;             Set them into confounding odds, that beasts&#xA;            May have the world in empire!&amp;quot;2&#xA;&#xA;     Shakespeare excellently depicts the real nature of money. To understand him, let us begin, first of all, by expounding the passage from Goethe.&#xA;&#xA;     That which is for me through the medium of money-that for which I can pay (i.e., which money can buy ) -that am I, the possessor of the money. The extent of the power of money is the extent of my power. Money's properties a re my properties and essential powers-the properties and powers of its possessor. Thus, what I am and am capable of is by no means determined by my individuality. I am ugly, but I can buy for myself the most beautiful of women. Therefore I am not ugly, for the effect of ugliness-its deterrent power-is nullified by money. I,  in my character as an, individual, am lame, but money furnishes me with twentyfour feet . Therefore I am not lame. I am bad, dishonest, unscrupulous, stupid; but money is honoured, and therefore so is its possessor. Money is the supreme good, therefore its possessor is good. Money, besides, saves me the trouble of being dishonest: I am therefore presumed honest. I am stupid, but money is the real  mind of all things and how then should its possessor be stupid? Besides, he can buy talented people for himself, and is he who has power over the talented not more talented than the talented? Do not I, who thanks to money am capable of all that the human heart longs for, possess all human capacities? Does not my money therefore transform all my incapacities into their contrary?&#xA;&#xA;     If money is the bond binding me to human life, binding society to me, binding me and nature and man, is not money the bond of all bonds? Can it not dissolve and bind all ties? Is it not, therefore, the universal agent of divorce? It is the true agent of divorce as well as the true binding agent-the 3galvano-chemical power of Society.&#xA;&#xA;     Shakespeare stresses especially two properties of money: (1) It is the visible divinity-the transformation of all human and natural properties into their contraries, the universal confounding and overturning of things : it makes brothers of impossibilities. (2) It is the common whore, the common pimp of people and nations.&#xA;&#xA;     The overturning and confounding of all human and natural qualities, the fraternization of impossibilities-the divine power of money-lies in its character as men's estranged, alienating and self-disposing species-nature. Money is the alienated ability of mankind.&#xA;&#xA;     That which I am unable to do as a man, and of which therefore all my individual essential powers are incapable, I am able to do by means of money. Money thus turns each of these powers into something which in itself it is not-turns it, that is, into its contrary.&#xA;&#xA;     If I long for a particular dish or want to take the mail-coach because I am not strong enough to go by foot, money fetches me the dish and the mail-coach: that is, it converts my wishes from something in the realm of imagination, translates them from their meditated, imagined or willed existence into their sensuous, actual existence-from imagination to life, from imagined being into real being. In effecting this mediation, money is the truly creative power.&#xA;&#xA;     No doubt demand also exists for him who has no money, but his demand is a mere thing of the imagination without effect or existence for me, for a third party, for the others, and which therefore remains for me unreal and objectless. The difference between effective demand based on money and ineffective demand based on my need, my passion, my wish, etc., is the difference between being and thinking, between the imagined which exists merely within me and the imagined as it is for me outside me as a real object.&#xA;&#xA;     If I have no money for travel, I have no need-that is, no real and self-realizing need-to travel. If I have the vocation for studybut no money for it, I have no vocation for study-that is, no effective, no true vocation. On the other hand, if I have really no vocation for study but have the will and the money for it, I have an effective vocation for it. Being the external, common medium and faculty for turning an image into reality and reality into a mere image (a faculty not springing from man as man or from human society as society), money transforms the real essential powers of man and nature into what are m erely abstract conceits and therefore imperfections-into tormenting chimeras-just as it transforms real imperfections and chimeras-essential powers which are really impotent, which exist only in the imagination of the individual-into real powers and faculties.&#xA;&#xA;     In the light of this characteristic alone, money is thus the general overturning of individualities which turns them into their contrary and adds contradictory attributes to their attributes .&#xA;&#xA;     Money, then, appears as this overturning power both against the individual and against the bonds of society, etc., which claim to be essences in themselves . It transforms fidelity into infidelity, love into hate, hate into l ove, virtue into vice, vice into virtue, servant into master, master into servant, idiocy into intelligence and intelligence into idiocy.&#xA;&#xA;     Since money, as the existing and active concept of value, confounds and exchanges all things, it is the general confounding and compounding of all things-the world upside-dawn-the confounding and compounding of all natural and human qualities.&#xA;&#xA;     He who can buy bravery is brave, though a coward. As money is not exchanged for any one specific quality, for any one specific thing, or for any particular human essential power, but for the entire objective world of man and nature, from the standpoint of its possessor it therefore serves to exchange every property for every other, even contradictory, property and object: it is the fraternization of impossibilities. It makes contradictions embrace.&#xA;&#xA;     Assume man to be man and his relationship to the world to be a human one: then you can exchange love only for love, trust for trust, etc. If you want to enjoy art, you must be an artistically¬cultivated person; if you want to exercise influence over other people, you m ust be a person with a stimulating and encouraging effect on other people. Every one of your relations to man and to nature must be a specific expression, corresponding to the object of your will, of your real individual life. If you love without evoking love in return-that is, if your loving as loving does not produce reciprocal love; if through a living expression of yourself as a loving person you do not make yourself a loved person, then your love is impotent-a misfortune.&#xA;&#xA;                            Critique of the Hegelian Dialectic and Philosophy&#xA;                                                      as a Whole&#xA;&#xA;      (6) This is perhaps the place at which, by way of explaining and justifying the ideas here presented, we might offer some considerations in regard to the Hegelian dialectic generally and especially its exposition in the Phenomenology and Logic, and also, lastly, the relation to it of the modern critical movement.&#xA;&#xA;      So powerful was modern German criticism's preoccupation with the past-so completely was it possessed in its development by its subject-matter-that there prevailed a completely uncritical attitude to the method of criticizing, together with a complete lack of awareness about the seemingly formal, but really vital question: how do we now stand as regards the Hegelian dialectic? This lack of awareness about the relationship of modern criticism to the Hegelian philosophy as a whole and especially to the Hegelian dialectic has been so great that critics like Strauss and Bruno Bauer still remain wholly within the confines of the Hegelian Logic; the former completely so and the latter at least implicitly so in his Synoptics4 (where, in opposition to Strauss, he replaces the substance of &amp;quot;abstract nature&amp;quot; by the &amp;quot;self-consciousness&amp;quot; of abstract man) and even in Christianity Discovered.5 Thus in Christianity Discovered, for example, you get:&#xA;&#xA;            &amp;quot;As though in positing the world, self-consciousness posits that&#xA;      which is different from itself, and in what it posits it posits itself,&#xA;      because it in turn annuls the difference between what it has&#xA;      posited and itself, inasmuch as it itself has being only in the&#xA;      positing and the movement.-How then can it not have its pur-&#xA;      pose in this movement?&amp;quot; etc.; or again: &amp;quot;They&amp;quot; ( the French mate-&#xA;      rialists ) &amp;quot;have not yet been able to see that it is only as the&#xA;      movement of self-consciousness that the movement of the uni-&#xA;      verse has actually come to be for itself, and achieved unity with&#xA;      itself.&amp;quot;&#xA;&#xA;      Such expressions do not even show any verbal divergence from the HegelIan approach, but on the contrary, repeat it word for word .&#xA;&#xA;      How little consciousness there was in relation to the Hegelian dialectic dunng the act of criticism ( Bauer, The Synoptics), and how  little little this consciousness came into being even after the act of material criticism is proved by Bauer when, in his The Good of Freedom,6 he dismisses the brash question put by Herr Gruppe¬ ''What about logic now?&amp;quot;-by referring him to future critics.&#xA;&#xA;     But even now-now that Feuerbach both in his Theses in the Anecdotis and, in detail, in The Philosophy of the Future, has in principle overthrown the old dialectic and philosophy; now that that school of criticism, on the other hand, which was incapable of accomplishing this has all the same seen it accomplished and has proclaimed itself pure, resolute, absolute criticism-criticism that has come into the clear with itself; now that this criticism, in its spiritual pride, has reduced the whole process of history to the relation between the rest of the world and itself ( the rest of the world, in contrast to itself, falling under the category of &amp;quot;the masses&amp;quot; ) and dissolved all dogmatic antithesis into the single dogmatic antithesis of its own cleverness and the stupidity of the world-the antithesis of the critical Christ and Mankind, the rabble; now that daily and hourly it has demonstrated its own excellence against the dullness of the'masses; now, finally, that it has proclaimed the critical Last Judgement in the shape of an announcement that the day is approaching when the whole of expiring humanity will assemble before it and be sorted by it into groups, each particular mob receiving its testimonium paupertatis;7 now that it has made known in print8 its superiority to human feelings as well as its superiority to the world, over which it sits enthroned in sublime solitude, only letting -fall from time to time from its sarcastic lips the ringing laughter of the Olympian Gods-even now, after all these delightful antics of moribund idealism in the guise of criticism (i.e., of Young-Hegelianism)-even now it has not expressed the suspicion that the time was ripe for a critical settling of accounts with the mother of Young-Hegelianism-the Hegelian dialectic-and even h ad  to say about its critical attitude towards the Feuerbachian dialectic. Criticism with a completely uncritical attitude to itself!&#xA;&#xA;     Feuerbach is the only one who has a serious, critical attitude to the Hegelian dialectic and who has made genuine discoveries in this field. He is in fact the true conqueror of the old philosophy. The extent of his achievement, and the unpretentious simplicity With which he, Feuerbach, gives it to the world, stand in striking contrast to the reverse.&#xA;&#xA;     Feuerbach's great achievement is:&#xA;&#xA;      (1) The proof that philosophy is nothing else but religion rendered into thoughts and thinking expounded, and that it has therefore likewise to be condemned as another form and manner of existence of the estrangement of the essence of man;&#xA;&#xA;      (2) The establishment of true materialism and of real science, since Feuerbach also makes the social relationship &amp;quot;of man to man&amp;quot; the basic principle of the theory;&#xA;&#xA;      ( 3) His opposing to the negation of the negation, which claims to be the absolute positive, the self-supporting positive, positively grounded on itself.&#xA;&#xA;     Feuerbach explains the Hegelian dialectic (and thereby justifies starting out from the positive, from sense-certainty) as follows:&#xA;&#xA;     Hegel sets out from the estrangement of Substance ( in Logic, from the Infinite, the abstractly universal ) -from the absolute and fixed abstraction; which means, put popularly, that he sets out from religion and theology.&#xA;&#xA;     Secondly, he annuls the infinite, and establishes the actual, sensuous, real, finite, particular (philosophy-annulment of religion and theology).&#xA;&#xA;     Thirdly, he again annuls the positive and restores the abstraction, the infinite-restoration of religion and theology.&#xA;&#xA;     Feuerbach thus conceives the negation of the negation only as a contradiction of philosophy with itself-as the philosophy which affirms theology ( the transcendent, etc. ) after having denied it, and which it therefore affirms in opposition to itself.&#xA;&#xA;     The position or self-affirmation and self-confirmation contained in the negation of the negation is taken to be a position which is not yet sure of itself, which is therefore burdened with its opposite, which is doubtful of itself and therefore in need of proof, and which, therefore, is not a position establishing itself by its existence-not a position that justifies itself; hence it is directly and immediately confronted by the self-grounded position of sense-certanity.9&#xA;&#xA;     But because Hegel has conceived the negation of the negation from the point of view of the positive relation inherent in it as the true and only positive, and from the point of view of the negative relation inherent in it as the only true act and self-realizing act of all being, he has only found the abstract, logical, speculative expression for the movement of history; and this historical process is not yet the real history of man-of man as a given subject, but only man's act of genesis-the story of man's origin: We shall explain both the abstract form of this process , and the difference between this process as it is in Hegel in contrast to modern criticism, that is, in contrast to the same process in Feuerbach's Wesen des Christentums (Essence of Christianity), or rather the critical form of this in Hegel still uncritical process.&#xA;&#xA;     Let us take a look at the Hegelian system. One must begin with Hegel's Phenomenology, the true point of origin and the secret of the Hegelian philosophy.&#xA;&#xA;                                            PHENOMENOLOGY1&#xA;&#xA;     &#xA;                                   A. Self-Consciousness&#xA;&#xA;     I. Consciousness. (a) Certainty at the level of sense experience; or the &amp;quot;This&amp;quot; and Meaning. (b) Perception, or the Thing with Its Properties, and Deception. (c) Force and Understanding, Appearance and the Super-sensible World.&#xA;&#xA;     II . Self-Consciousness. The Truth of Certainty of Self. (a) Independence and Dependence of Self-Consciousness; Lordship and Bondage. (b) Freedom of Self•Consciousness: Stoicism, Scepticism, the Unhappy Consciousness.&#xA;&#xA;     III. Reason. Reason's Certainty and Reason's Truth. (a) Observation as a Process of Reason. Observation of Nature and of Self-Consciousness. (b) Realization of Rational Self Consciousness through its own Activity. Pleasure and Necessity. The Law of the Heart and the Frenzy of Self-Conceit. Virtue and the Course of the World. (c)The Individuality Which is Real In and For Itself. The Spiritual Animal Kingdom and the Deception, or the Real Fact. Reason as Lawgiver. Reason Which Tests Laws.&#xA;&#xA;                                                 B. Mind&#xA;&#xA;     I. True Mind; the Ethical Order.&#xA;&#xA;     II. Mind in Self-Estrangement-Culture.&#xA;&#xA;     III. Mind Certain of Itself, Morality.&#xA;&#xA;                                                C. Religion&#xA;&#xA;Natural Religion; Religion in the Form of Art; Revealed Religion.&#xA;&#xA;                                        D. Absolute Knowledge&#xA;&#xA;Hegel's Encyclopaedia,2 beginning as it does with Logic, with pure speculative thought, and ending with Absolute Knowledge-with the self-conscious, self-comprehending, philosophic or absolute (i.e., superhuman) abstract mind-is in its entirety nothing but the display, the self-objectification, of the essence of the philosophic mind, and the philosophic mind is nothing but the estranged mind of the world thinking within its self-estrangement-i.e., comprehending itself abstractly. Logic ( mind's coin of the realm, the speculative or thought-value of man and nature-their essence grown totally indifferent to all real determinateness, and hence their unreal essence) is alienated thinking, and therefore thinking which abstracts from nature and from real man: abstract thinking. Then: The externality of this abstract thinking… nature, as it is for this abstract thinking. Nature is external to it-its self-loss; and it apprehends nature also in an external fashion, as abstract thinking-but as alienated abstract thinking. Finally, Mind, this thinking returning home to its own point of origin-the thinking which, as the anthropological, phenomenological, psychological, ethical, artistic and religious mind, is not valid for itself, until ultimately it finds itself, and relates itself to itself, as absolute knowledge in the hence absolute, i.e., abstract mind, and so receives its conscious embodiment in a mode of being corresponding to it. For its real mode of being is abstraction.&#xA;&#xA;     There is a double error in Hegel.&#xA;&#xA;     The first emerges most clearly in the Phenomenology, the Hegelian philosophy's place of origin. When, for instance, wealth, state-power, etc., are understood by Hegel as entities estranged from the human being, this only happens in their form as thoughts . . . They are thought-entities, and therefore merely an estrangement of pure, i.e., abstract, philosophical thinking. The whole process therefore ends with Absolute Knowledge. It is precisely abstract thought from which these objects are estranged and which they confront with their arrogation of reality. The philosopher sets up himself (that is, one who is himself an abstract form of estranged man) as the measuring-rod of the estranged world. The whole history of the alienation-process and the whole process of the retraction of the alienation is therefore nothing but the history of the production of abstract (i.e., absolute) thought-of logical, speculative thought. The estrangement, which therefore forms the real interest of this alienation and of the transcendence of this alienation, is the opposition of in itself and for itself, of consciousness and self-consciousness, of object and subject-that is to say, .it is the opposition, within thought itself, between abstract thinking and sensuous reality or real sensuousness. All other oppositions and movements of these oppositions are but the semblance, the cloak, the exoteric shape of these oppositions which alone matter, and which constitute the meaning of these other, profane oppositions. It is not the fact that the human being objectifies himself inhumanly,in opposition to himself, but the fact that he objectifies himself in distinction from and in opposition to abstract thinking, that is the posited essence of the estrangement and the thing to be superseded.&#xA;&#xA;     The appropriation of man's essential powers, which have become objects-indeed, alien objects-is thus in the first place only an appropriation occurring in consciousness, in pure thought-i.e., in abstraction: it is the appropriation of these objects as thoughts and as movements of thought. Consequently, despite its thoroughly negative and critical appearance and despite the criticism really contained in it, which often anticipates far later development, there is already latent in the Phenomenology as a germ, a potentiality, a secret, the uncritical positivism and the equally uncritical idealism of Hegel's later works-that philosophic dissolution and restoration of the existing empirical world. In the second place: the vindication of the objective world for man-for example, the realization that sensuous consciousness is not an abstractly sensuous consciousness but a humanly sensuous consciousness-that religion, wealth, etc., are but the estranged world of human objectification, of man’s essential powers given over to work and that they are therefore but the path to the true human world-this appropriation or the insight into this process consequently appears in Hegel in this form, that sense, religion, state-power, etc., are spiritual entities; for only mind is the true essence of man, and the true form of mind is thinking mind, the logical, speculative mind. The humanness of nature and of the nature begotten by history-the humanness of man's products-appears in the form that they are products of abstract mind and as such, therefore, phases of mind-thought entities. The Phenomenology is, therefore, an occult critique-still to itself obscure and mystifying criticism; but inasmuch as it keeps steadily in view man's estrangement, even though man appears only in the shape of mind, there lie concealed in it all the elements of criticism, already prepared and elaborated in a manner often rising far above the Hegelian standpoint. The &amp;quot;Unhappy Consciousness,&amp;quot; the &amp;quot;Honest Consciousness,&amp;quot; the struggle of the &amp;quot;Noble and Base Consciousness,&amp;quot; etc.,-these separate sections contain, but still in .an estranged form, the critical elements of whole spheres such as religion, the state, civil life, etc. Just as entities, objects, appear as thought-entities, so the subject is always consciousness or self-consciousness; or rather the object appears only as abstract consciousness, man only as self-consciousness: the distinct forms of estrangement which make their appearance are, therefore, only various forms of consciousness and self-consciousness. Just as in itself abstract consciousness ( the form in which the object is conceived) is merely a moment of distinction of self-consciousness, what appears as the result of the movement is the identity of self¬consciousness with consciousness-absolute knowledge-the movement of abstract thought no longer directed outwards but going on now oniy within its own self: that is to say, the dialectic of pure thought is the result.&#xA;&#xA;     The outstanding thing in Hegel's Phenomenology and its final outcome-that is, the dialectic of negativity as the moving and generating principle-is thus first that Hegel conceives the self-genesis of man as a process, conceives objectification as loss of the object, as alienation and as transcendence of this alienation; that he thus grasps the essence of labour and comprehends objective man-true, because real man-as the outcome of man's own labour. The real, active orientation of man to himself as a species being, or his manifestation as a real species being ( i.e., as a human being ) , is only possible by his really bringing out of himself all the powers that are his as the species man-something which in turn is only possible through the totality of man's actions, as the result of history-is only possible by man's treating these generic powers as objects: and this, to begin with, is again only possible in the form of estrangement.&#xA;&#xA;     We shall now demonstrate in detail Hegel's one-sidedness and limitations as they are displayed in the final chapter of the Phenomenology, &amp;quot;Absolute Knowledge&amp;quot;-a chapter which contains the concentrated spirit of the Phenomenology, the relationship of the Phenomenology to speculative dialectic, and also Hegel's consciousness concerning both and their relationship to one another.&#xA;&#xA;       Let us provisionally say just this much in advance: Hegel's standpoint is that of modern political economy. He grasps labour as the essence of man-as man's essence in the act of proving itself: he sees only the positive, not the negative side of labour. Labour is man's coming to-be for himself within alienation, or as alienated man. The only labour which Hegel knows and recognizes is abstractly mental labour. Therefore, that which constitutes the essence of philosophy-the alienation of man in his knowing of himself, or alienated science thinking itself-Hegel grasps as its essence; and he is therefore able vis-à-vis preceding philosophy to gather together its separate elements and phases, and to present his philosophy as the philosophy. What the other philosophers did¬that they grasped separate phases of nature and of human life as phases of self-consciousness, and indeed of abstract self-consciousness-is known to Hegel as the doings of philosophy. Hence his science is absolute.&#xA;&#xA;     Let us now turn to our subject.&#xA;&#xA;     Absolute Knowledge. The last chapter of the &amp;quot;Phenomenology.&amp;quot;&#xA;&#xA;     The main point is that the object of consciousness is nothing else but self-consciousness, or that the object is only objectified self-consciousness-self-consciousness as object.&#xA;&#xA;    ( Positing of man=self-consciousness.)&#xA;&#xA;     The issue, therefore, is to surmount the ,object of consciousness. Objectivity as such is regarded as an estranged human relationship which does not correspond to the essence of man, to self¬consciousness. The re-appropriation of the objective essence of man, begotten in the form of estrangement as something alien, has the meaning therefore not only to annul estrangement, but objectivity as well. Man, that is to say, is regarded as a non-objective, spiritual being.&#xA;&#xA;     The movement of surmounting the object of consciousness is now described by Hegel in the following way:&#xA;&#xA;     The object reveals itself not merely as returning into the self-for Hegel that is the one-sided way of apprehending this movement, the grasping of only one side. Man is posited as equivalent to self. The self, however, is only the abstractly conceived man-man begotten by abstraction. Man is egotistic. His eye, his ear, etc., are egotistic. In him every one of his essential powers has the quality of selfhood. But it is quite false to say an that account &amp;quot;Self-consciousness has eyes, ears, essential powers.&amp;quot; Self-consciousness is rather a quality of h uman nature, of the human eye, etc.; it is not human nature that is a quality of self-consciousness.&#xA;&#xA;     The self-abstracted and fixed for itself is man as abstract egoist-egoism raised in its pure abstraction to the level of thought. (We shall return to this point later.)&#xA;&#xA;     For Hegel the essence of man-man-equals self-consciousness. All estrangement of the human essence is therefore nothing but estrangement of self-consciousness. The estrangement of self¬consciousness is not regarded as an expression of the real estrangement of the human being-its expression reflected in the realm of knowledge and thought. Instead, the real estrangement-that which appears real-is from its innermost, hidden nature (a nature only brought to light by philosophy) nothing but the manifestation of the estrangement of the real essence of man, of self¬consciousness. The science which comprehends this is therefore called Phenomenology. All re-appropriation of the estranged objective essence appears, therefore, as a process of incorporation into self-consciousness : The man who takes hold of his essential being is merely the self-consciousness which takes hold of objective essences. Return of the object into the self is therefore the re-appropriation of the object.&#xA;&#xA;     The surmounting of the object of consciousness, comprehensively expressed, means: 4&#xA;&#xA;      (1) That the object as such presents itself to consciousness as something vanishing. (2) That it is the alienation of self¬consciousness which establishes thinghood. (3) That this externalization5 of self-consciousness has not merely a negative but a positive significance. (4) That it has this meaning not merely for us or intrinsically, but for self-consciousness itself. (5) For self-consciousness, the negative of the object, its annulling of itself, has positive significance-self-consciousness knows this nullity of the object-because self-consciousness itself alienates itself; for in this alienation it establishes itself as object, or, for the sake of the indivisible unity of being-for-self, establishes the object as itself. (6) On the other hand, there is also this other moment in the process, that self-consciousness has also just as much annulled and superseded this alienation and objectivity and resumed them into itself, being thus at home with itself in its other-being as such (7) This is the movement of consciousness and in this movement consciousness is the totality of its moments. (8) Consciousness must similarly have taken up a relation to the object in all its aspects and phases, and have comprehended it from the point of view of each of them. This totality of its determinate characteristics makes the object intrinsically a spiritual being; and it becomes so in truth for consciousness through the apprehending of each single one of them as self or through what was called above the spiritual attitude to them.&#xA;&#xA;     As to (1): That the object as such presents itself to consciousness as something vanishing-this is the above-mentioned return of the object into the self.&#xA;&#xA;     As to (2): The alienation of self-consciousness establishes thinghood. Because man equals self-consciousness, his alienated, objective essence, or thinghood, equals alienated self-consciousness, and thinghood is th us established through this alienation (thing hood being that which is an object for man and an object for him is really only that which is to him an essential object, therefore his objective essence. And since it is not real Man, nor therefore Nature-Man being human Nature-who as such is made the subject, but only the abstraction of man-self-consciousness-thinghood cannot be anything but alienated self-conciousness ). It is only to be expected that a living, natural being equipped and endowed with objective (i.e., material) essential powers should have real natural objects of his essence; as is the fact that his self-alienation should lead to the establishing of a real, objective world-but a world in the form of externality-a world, therefore, not belonging to his own essential being, and an over¬powering world. There is nothing incomprehensible or mysterious in this. It would be mysterious, rather, if it were otherwise. But it is equally clear that a self-consciousness can only establish thinghoodthrough its alienation-i.e., establish something which itself is only an abstract thing, a thing of abstraction and not a real thing. It is clear, further, that thinghood is therefore utterly without any independence, any essentiality vis-à-vis self-consciousness; that on the contrary, it is a mere creature-something posited by self-consciousness. And what is posited, instead of confirming itself, is but a confirmation of the act of positing in which is concentrated for a moment the energy of the act as its product, seeming to give the deposit-but only for a moment-the character of an independent, real substance.1&#xA;&#xA;     Whenever real, corporeal man, man with his feet firmly on the solid ground, man exhaling and inhaling all the forces of nature, establishes his real, objective essential powers as alien objects by his externalization, it is not the act of positing which is the subject in this process: it is the subjectivity of objective essential powers whose action, therefore, must also be something obfective.  A being who is objective acts objectively, and he would not act objectively if the objective did not reside in the very nature of his being. He creates or establishes only objects, because he is established by objects-because at bottom he is nature. In the act of establishing, therefore, this objective being does not fall from his state of &amp;quot;pure activity&amp;quot; into a creating of the object; on the contrary, his objective product only confirms his objective activity, establishing his activity as the activity of an objective, natural being.&#xA;&#xA;     Here we see how consistent naturalism or humanism distinguishes itself both from idealism and materialism, constituting at the same time the unifying truth of both. We see also how only naturalism is capable of comprehending the act of world history.&#xA;&#xA;     Man is directly a natural being. As a natural being and as a living natural being he is on the one hand furnished with natural powers of life-he is an active natural being. These forces exist in him as tendencies and abilities-as impulses. On the other hand, as a natural, corporeal, sensuous, objective being he is a suffering, conditioned and limited creature, like animals and plants. That is to say, the objects of his impulses exist outside him, as objects independent of him; yet these objects are objects of his need-essential objects, indispensable to the manifestation and confirmation of his essential powers. To say that man is a corporeal, living, real, sensuous, objective being full of natural vigour is to say that he has real, sensuous, objects as the objects of his being or of his life, or that he can only express his life in real, sensuous objects. To be objective, natural and sensuous, and at the same time to have object, nature and sense outside oneself, or oneself to be object, nature and sense for a third party, is one and the same thing. Hunger is a natural need; it therefore needs a nature outside itself,  an object outside itself, in order to satisfy itself, to be stilled. Hunger is an acknowledged need of my body for an object existing outside it, indispensable to its integration and to the expression of its essential being. The sun is the object of the plant-an indispensable object to it, confirming its life-just as the plant is an object of the sun, being an expression of the life-awakening power of the sun, of the sun's objective essential power.&#xA;&#xA;     A being which does not have its nature outside itself is not a natural being, and plays no part in the system of nature. A being which has no object outside itself is not an objective being. A being which is not itself an object for some third being has no being for its object; i.e., it is not objectively related. Its being is not objective. 1&#xA;&#xA;     An unobjective being is a nullity-an un-being.&#xA;&#xA;     Suppose a being which is neither an object itself, nor has an object. Such a being, in the first place, would be the unique being: there would exist no being outside it-it would-exist solitary and alone. For as soon as there are objects outside me, as soon as I am not alone, I am another-another reality than the object outside me. For this third object I am thus an other reality than it; that is, I am its object. Thus, to suppose a being which is not the object of another being is to presuppose that no objective being exists. As soon as I have an object, this object has me for an object. But a non-objective being is an unreal, nonsensical thing-something merely thought of (merely imagined, that is)-a creature of abstraction. To be sensuous, that is, to be an object of sense, to be a sensuous object, and thus to have sensuous objects outside one¬self-objects of one's sensuousness. To be sensuous is to suffer.8&#xA;&#xA;     Man as an objective, sensuous being is therefore a suffering being-and because he feels what he suffers, a passionate being. Passion is the essential force of man energetically bent on its object.&#xA;&#xA;     But man is not merely a natural being: he is a human natural being. That is to say, he is a being for himself. Therefore he is a species being, and has to confirm and manifest himself as such both in his being and in his knowing. Therefore, human objects are not natural objects as they immediately present themselves, and neither is human sense as it immediately is-as it is objectively¬human sensibility, human objectivity. Neither nature objectively nor nature subjectively is directly given in a form adequate to the human being. And as everything natural has to have its beginning, man too has his act of coming-to-be-history-which, however, is for him a known history, and hence as an act of coming-to-be it is a conscious self-transcending act of coming-to-be. History is the true natural history of man (on which more later) .&#xA;&#xA;     Thirdly, because this establishing of thinghood is itself only sham, an act contradicting the nature of pure activity, it has to be cancelled again and thinghood denied.&#xA;&#xA;     Re. 3, 4, 5 and 6. (3) This externalization of consciousness has not merely a negative but a positive significance, and (4) it has this meaning not merely for us or intrinsically, but for consciousness itself.9 (5) For consciousness the negative of the object, its annulling of itself, has positive significance-consciousness knows this nullity of the object because it alienates itself; for in this alienoation it knows itself as object, or, for the sake of the indivisible unity of being-for•itself, the object as itself. (6) On the other hand, there is also this other moment in the process, that consciousness has also just as much annulled and superseded this alienation and objectivity and resumed them into itself, being thus at home with itself in its other-being as such.&#xA;&#xA;     As we have already seen: the appropriation of what is estranged and objective, or the annulling of objectivity in the form of estrangement ( which has to advance from indifferent foreignness to real, antagonistic estrangement) means equally or even primarily for Hegel that it is objectivity which is to be annulled, because it is not the determinate character of the object, but rather its objective character that is offensive and constitutes estrangement for self-consciousness. The object is therefore something negative, self¬annulling nullity. This nullity of the object has not only a negative but a positive meaning for consciousness, for such a nullity of the object is precisely the self•confirmation of the non• objectivity, of the abstraction of itself. For consciousness itself this nullity of the object has a positive meaning because it knows this nullity, the objective being, as its self-alienation; because it knows that it exists only as a result of its own self-alienation....&#xA;&#xA;     The way in which consciousness is, and in which something is for it, is knowing. Knowing is its sale act. Something therefore comes to be for consciousness in so far as the latter knows this something. Knowing is its sale objective relation. Consciousness; then, knows the nullity of the object (i.e., knows the non-existence of the distinction between the object and itself, the non-existence of the object for it) because it knows the object as its self alienation; that is, it knows itself-knows knowing as the object-because the object is only the semblance of an object, a piece of mystification, which in its essence, however, is nothing else but knowing itself, which has confronted itself with itself and in so doing has confronted itself with a nullity-a something which has no objectivity outside the knowing. Or: knowing knows that in relating itself to an object it is only outside itself-that lt only externalizes itself; that it itself appears to itself only as an object-or that that which appears to it as an object is only it itself.&#xA;&#xA;     On the other hand, says Hegel, there is at the same time this other moment in this process, that consciousness has just as much annulled and superseded this externalization and objectivity and resumed them into itself, being thus at home in its other-being as such.&#xA;&#xA;     In this discussion are brought together all the illusions of speculation.&#xA;&#xA;     First of all: consciousness-self-consciousness-is at home with itself in its other-being as such. It is therefore-or if we here abstract from the Hegelian abstraction and put the self-consciousness of man instead of Self-consciousness-it is at home with itself in its other-being, as such. This implies, for one thing, that consciousness (knowing as knowing, thinking as thinking) pretends to be directly the other of itself-to be the world of sense, the real world, life-thought over-reaching itself in thought (Feuerbach).1 This aspect is contained herein, inasmuch as con¬sciousness as mere consciousness takes offence not at estranged objectivity, but at objectivity as such.&#xA;&#xA;     Secondly, this implies that self-conscious man, in so far as he has recognized and annulled and superseded the spiritual world (or his world's spiritual, general mode of being) as self-alienation, nevertheless again confirms this in its alienated shape and passes it off as his true mode of being-re-establishes it, and pretends to be at home in his other-being as such. Thus, for instance, after annulling and superseding religion, after recognizing religion to be a product of self-alienation, he yet finds confirmation of himself in religion as religion. Here is the root of Hegel's false positivism, or of his merely apparent criticism: this is what Feuerbach designated as the positing, negating and re-establishing of religion or theology-but it has to be grasped in more general terms. Thus reason is at home in unreason as unreason. The man who has recognized that he is leading an alienated life in politics, law, etc., is leading his true human life in this alienated life as such. Self-affirmation, in contradiction with itself-in contradiction both with the knowledge of and with the essential being of the object-is thus true knowledge and life.&#xA;&#xA;     There can therefore no longer be any question about an act of accommodation on Hegel's part vis-à-visreligion, the state, etc.,since this lie is the lie of his principle.&#xA;&#xA;     If I know religion as alienated human self-consciousness, then what I know in it as religion is not my self-consciousness, but my alienated self-consciousness confirmed in it. I therefore know my own self, the self-consciousness that belongs to its very nature, confirmed not in religion but rather in annihilated and superseded religion.&#xA;&#xA;     In Hegel, therefore, the negation of the negation is not the confirmation of the true essence, effected precisely through negation of the pseudo-essence. With him the negation of the negation is the confirmation of the pseudo-essence, or of the self-estranged essence in its denial; or it is the denial of this pseudo-essence as an objective being dwelling outside man and independent of him, and its transformation into the subject.&#xA;&#xA;     A peculiar role, therefore, is played by the act of superseding in which denial and preservation-denial and affirmation-are bound together.&#xA;&#xA;     Thus, for example, in Hegel's Philosophy of Right, Private Right superseded equals Morality, Morality superseded equals the Family, the Family superseded equals Civil Society, Civil Society superseded equals the State, the State superseded equals World History. In the actual world private right, morality, the family, civil society, the state, etc., remain in existence, only they have become moments of man-state of his existence and being-which have no validity in isolation, but dissolve and engender one another, etc. They have become moments of motion.&#xA;&#xA;     In their actual existence this mobile nature of theirs is hidden. It first appears and is made manifest in thought, in philosophy. Hence my true religious existence is my existence in the philosophy of religion; my true political existence is my existence within the philosophy of right; my true natural existence, existence in the philosophy of nature; my true artistic existence, existence in the philosophy of art; my true human existence, my existence in philosophy. Likewise the true existence of religion, the state, nature, art is, the philosophy of religion, of nature, of the state and of art. If, however, the philosophy of religion, etc., is for me the sole true existence of religion, then, too, it is only as a philosopher of religion that I am truly religious, and so I deny real religious sentiment and the really religious man. But at the same time I assert them, in part within my own existence or within the alien existence which I oppose to them-for this is only their philosophic expression-and in part I assert them in their own original shape, for they have validity for me as merely the apparent other-being, as allegories, forms of their own true existence ( i.e., of my philosophical existence) hidden under sensuous disguises.&#xA;&#xA;     In just the same way, Quality superseded equals Quantity, Quantity superseded equals Measure, Measure superseded equalsEssence, Essence superseded equals Appearance, Appearance superseded equals Actuality, Actuality superseded equals the Concept, the Concept superseded equals Objectivity, Objectivity superseded equals the Absolute Idea, the Absolute Idea superseded equals Nature, Nature superseded equals Ethical Objective Mind, Ethical Mind superseded equals Art, Art superseded equals Religion, Religion superseded equals Absolute Knowledge.2&#xA;&#xA;     On the one hand, this act of superseding is a transcending of the thought entity; th us, Private Property as a thought is transcended in the thought of morality. And because thought imagines itself to be directly the other of itself, to be sensuous reality-and therefore takes its own action for sensuous, real action-this superseding in thought, which leaves its object standing in the real world, believes that it has really overcome it. On the other hand, because the object has now become for it a moment of thought, thought takes it in its reality too to be self-confirmation of itself-of self• consciousness, of abstraction.&#xA;&#xA;     From the one point of view the existent which Hegel supersedes in philosophy is therefore not real religion, the real state, or real nature, but religion itself already become an object of knowledge, i.c., Dogmatics; thc same with Jurisprudence, Political Science and Natural Science. From the one point of view, therefore, he stands in opposition both to the real thing and to immediate, unphilosophic science or the unphilosophic conceptions of this thing. He therefore contradicts their conventional conceptions.3&#xA;&#xA;     On the other hand, the religious man, etc., can find in Hegel his final confirmation.&#xA;&#xA;     It is now time to lay hold of the positive aspects of the Hegelian dialectic within the realm of estrangement.&#xA;&#xA;      (a) Annulling as an objective movement of retracting the alienation into self. This is the insight, expressed within the• estrangement, concerning the appropriation of the objective essence through the annulment of its estrangement; it is the estranged insight into the real objectification of man, into the real appropriation of his objective essence through the annihilation of the estranged character of the objective world, through the annulment of the objective world in its estranged mode of being-just as atheism, being the annulment of God, is the advent of theoretic humanism, and communism, as the annulment of private property, is the justification of real human life as man's possession and thus the advent of practical humanism (or just as atheism is humanism mediated with itself through the annulment of religion, whilst communism is humanism mediated with itself through the annulment of private property). Only through the annulment of this mediation-which is itself, however, a necessary premise-does positively self-deriving humanism, positive humanism, come into being.&#xA;&#xA;     But atheism and communism are no flight, no abstraction; they are not a losing of the objective world begotten by man-of man's essential powers given over to the realm of objectivity; they are not a returning in poverty to unnatural, primitive simplicity. On the contrary, they are but the first real coming-to-be, the realization become real for man, of man's essence-of the essence of man as something real.&#xA;&#xA;     Thus, by grasping the positive meaning of self-referred negation (if even again in estranged fashion) Hegel grasps man's self¬estrangement, the alienation of man's essence, man's loss of objectivity and his loss of realness as finding of self, change of his nature, his objectification and realization. In short, within the sphere of abstraction, Hegel conceives labour as man's act of self¬genesis-conceives man's relation to himself as an alien being and the manifesting of h imself as an alien being to be the coming-to-be of species-consciousness and species-life.&#xA;&#xA;      (b) However, apart from, or rather in consequence of, the perverseness already described, this act appears in Hegel:&#xA;&#xA;     First of all as a merely formal, because abstract, act, because the human essence itself is taken to be only an abstract, thinking&#xA;essence, conceived merely as. self-consciousness. And,&#xA;     secondly, because the conception is formal and abstract, the annulment of the alienation becomes a confirmation of the alienation; or again, for Hegel this movement of self-genesis and self¬objectification in the form of self-alienation and self-estrangement is the absolute, and hence final, expression of human life-of life with itself as its aim, of life at rest in itself, of life that has attained oneness with its essence.&#xA;&#xA;     This movement, in its abstract form as dialectic, is therefore regarded as truly human life, and because it is nevertheless an abstraction-an estrangement of human life-it is regarded as a divine process, but as the divine process of man, a process traversed by man's abstract, pure, absolute essence that is distinct from him.&#xA;&#xA;     Thirdly, this process must have a bearer, a subject. But the subject first emerges as a result. This result-the subject knowing itself as absolute self-consciousness-is therefore God-absolute Spirit-the self-knowing and self-manifesting Idea. Real man and real nature become mere predicates-symbols of this esoteric, unreal man and of this unreal nature. Subject and predicate are therefore related to each other in absolute inversion-a mystical subject¬object or a subjectivity reaching beyond the object-the absolute subject as a process, as subject alienating itself and returning from alienation into itself, but at the same time retracting this alienationinto itself, and the subject as this process; a pure, restless revolving within itself.&#xA;&#xA;     First, the formal and abstract conception of man's act of self¬genesis or self-objectification.&#xA;&#xA;     Hegel having posited man as equivalent to self-consciousness, the estranged object-the estranged essential reality of man-is nothing but consciousness, the thought of estrangement merely¬estrangement's abstract and therefore empty and unreal expression, negation. The annulment of the alienation is therefore likewise nothing but an abstract, empty annulment of that empty abstraction-the negation of the negation. The rich, living, sensuous, concrete activity of self-objectification is therefore reduced to its mere abstraction, absolute negativity-an abstraction which is again fixed as such and thought of as an independent activity-as sheer activity. Because this so-called negativity is nothing but the abstract, empty form of that real living act, its content can in consequence be merely a formal content begotten by abstraction from all content. As a result there are general, abstract forms of abstraction pertaining to every content and on that account indifferent to, and, consequently, valid for, all content-the thought-forms or logical categories torn from real mind and from real nature. (We shall unfold the logical content of absolute negativity further on.)&#xA;&#xA;     Hegel's positive achievement here, in his speculative logic, is that the determinate concepts, the universal fixed thought-forms in their independence vis-à-vis nature and mind are a necessary result of the general estrangement of the human essence and therefore also of human thought, and that Hegel has there-fore brought these together and presented them as moments of the abstraction¬process. For example, superseded Being is Essence, superseded Essence is Concept, the Concept superseded is ... the Absolute Idea. But what, then, is the Absolute Idea? It supersedes its own self again, if it does not want to traverse once more from the beginning the whole act of abstraction, and to acquiesce in being a totality of abstractions or in being the self-comprehending abstraction. But abstraction comprehending itself as abstraction knows itself to be nothing: it must abandon itself-abandon abstraction-and so it arrives at an entity which is its exact contrary -at nature. Thus, the entire Logic is the demonstration that abstract thought is nothing in itself; that the Absolute Idea is nothing in itself; that only Nature is something.&#xA;&#xA;     The absolute idea, the abstract idea, which &amp;quot;considered with regard to its unity with itself is intuiting,&amp;quot;4 ( Hegel's Encyclopaedia, 3rd edition, p. 222 ) , and which &amp;quot;in its own absolute truth resolves to let the moment of its particularity or of initial characterization and other-being-the immediate idea, as its reflection, go forth freely from itself as nature&amp;quot; (l.c.)-this whole idea which behaves in such a strange and singular way, and which has given the Hegelians such terrible headaches, is from beginning to end nothing else but abstraction ( i.e., the abstract thinker)¬abstraction which, made wise by experience and enlightened concerning its truth, resolves under various (false and themselves still abstract) conditions to abandon itself and to replace its self¬absorption, nothingness, generality and indeterminateness by its other-being, the particular, and the determinate; resolves to let nature, which it held hidden in itself only as an abstraction, as a thought-entity, go forth freely from itself: that is to say, abstraction resolves to forsake abstraction and to have a look at nature free of abstraction. The abstract idea, which without mediation becomes intuiting, is nothing else through-and-through but abstract thinking that gives itself up and resolves on intuition. This entire transition from Logic to Natural Philosophy is nothing else but the transition-so difficult to effect for the abstract thinker and therefore so queer in his description of it-from abstracting to intuiting. The mystical feeling which drives the philosopher forward from abstract thinking to intuiting is boredom-the longing for a content.&#xA;      ( The man estranged from himself is also the thinker estranged from his essence-that is, from the natural and human essence. His thoughts are therefore fixed mental shapes or ghosts dwelling outside nature and man. Hegel has locked up all these fixed mental forms together in his Logic, laying hold of each of them first as negation-that is, as an alienation of human thought-and then as negation of the negation-that is, as a superseding of this alienation, as a real expression of human thought. But as even this still takes place within the confines of the estrangement, this negation of the negation is in part the restoring of these fixed forms in their estrangement; in part a stopping-short at the last act-the act of self-reference in alienation-as the true mode of being of these fixed mental forms;5 and in part, to the extent that this abstraction apprehends itself and experiences an infinite weariness with itself, there makes its appearance in Hegel, in the formof the resolution to recognize nature as the essential being and to go over to intuition, the abandonment of abstract thought-the abandonment of thought revolving solely within the orbit of thought, of thought devoid of eyes, of teeth, of ears, of everything.)&#xA;&#xA;     But nature too, taken abstractly, for itself-nature fixed in isolation from man-is nothing for man. It goes without saying that the abstract thinker who has committed himself to intuiting, intuits nature abstractly. Just as nature lay enclosed in the thinker in the form of the absolute idea, in the form of a thought-entity-in a shape which is his and yet is esoteric and mysterious even to him-so what he has let go forth from himself in truth is only this abstract nature, only nature as a thought-entity-but with the significance now of being the other-being of thought, of being real, intuited nature-of being nature distinguished from abstract thought. Or, to talk a human language, the abstract thinker learns in his intuition of nature that the entities which he thought to create from nothing, from pure abstraction-the entities he believed he was producing in the divine dialectic as pure products of the labour of thought forever weaving in itself and never looking outward-are nothing else but abstractions from characteristics of nature. To him, therefore, the whole of nature merely repeats the logical abstractions in a sensuous, external form . He analyses it and these abstractions over again. Thus, his intuition of nature is only the act of confirming his abstraction from the intuition of nature-is only the conscious repetition by him of the process of begetting his abstraction. Thus, for example, Time equals Negativity referred to itself (l.c., p. 238): to the superseded Becoming as Being there corresponds, in natural form, superseded Movement as Matter. Light is Reflection-in-Itself, in natural form. Body as Moon and Comet is the natural form of the antithesis which according to the Logic is on the one side the Positive resting on itself and on the other side the Negative resting on itself. The Earth is the natural form of the logical Ground, as the negative unity of the anti thesis, etc.&#xA;&#xA;     Nature as nature-that is to say, in so far as it is still sensuously distinguished from that secret sense hidden within it-nature isolated, distinguished from these abstractions, is nothing-a nothing proving itself to be nothing-is devoid of sense, or has only the sense of being an externality which has to be annulled.&#xA;&#xA;        &amp;amp;nb   &amp;quot;In the finite-teleological position is to be found the correct&#xA;     premise that nature does not contain within itself the absolute purpose&amp;quot; (p. 225 )&#xA;     Its purpose is the confirmation of abstraction.&#xA;            &amp;quot;Nature has shown itself to be the Idea in the form of&#xA;      other-being. Since the Idea is in this form the negative of itself&#xA;      or external to itself, nature is not just relatively external vis-à-vis&#xA;      this idea, but externality constitutes the form in which it exists as nature&amp;quot; (p. 227 ) .&#xA;&#xA;      Externality here is not to be understood as the self-externalizing world of sense open to the light, open to the man endowed with senses. It is to be taken here in the sense of alienation-a mistake, a defect, which ought not to be. For what is true is still the Idea. Nature is only the form of the Idea's other-being. And since abstract thought is the essence, that which is external to it is by its essence something merely external. The abstract thinker recognizes at the same time that sensuousness-externality in contrast to thought weaving within itself-is the essence of nature. But he expresses his contrast in such a way as to make this externality of nature, its contrast to thought, its defect, so that inasmuch as it is distinguished from abstraction, nature is something defective. Something which is defective not merely for me or in my eyes but in itself-intrinsically-has something outside itself which it lacks. That is, its being is something other than it itself. Nature has therefore to supersede itself for the abstract thinker, for it is already posited by him as a potentially superseded being.&#xA;&#xA;            &amp;quot;For us, Mind has nature, for its premise, being nature's truth&#xA;     and for that reason its absolute prius. In this truth nature has vanished, and mind has resulted as the Idea arrived at being-&#xA;      for-itself, the object of which, as well as the subject, is the con-&#xA;      cept. This identity is absolute negativity, for whereas in nature&#xA;      the concept has its perfect external objectivity, this its alienation&#xA;      has been superseded, and in this alienation the concept has&#xA;      become identical with itself. But it is this identity, therefore,&#xA;      in being a return out of nature&amp;quot; (p. 392 ).&#xA;            &amp;quot;As the abstract idea, revelation is unmediated transition to,&#xA;      the coming-to-be of, nature; as the revelation of the mind, which&#xA;      is free, it is the establishing of nature as the mind's world-an&#xA;      establishing which at the same time, being reflection, is a presup-&#xA;    posing of the world as independently-existing nature. Revelation&#xA;      in conception is the creation of nature as the mind's being, in&#xA;      which the mind procures the affirmation and the truth of its&#xA;      freedom.&amp;quot;7 &amp;quot;The absolute is mind. This is the highest definition&#xA;      of the absolute.&amp;quot;&#xA;&#xA;&#xA;                               Critical Marginal Notes on the Article&#xA;                             &amp;quot;The King of Prussia and Social Reform&amp;quot;&#xA;                                                   KARL MARX&#xA;&#xA;Apart from showing Marx's pride in being the socialist spokesman of a revolutionarily &amp;quot;philosophical people,&amp;quot; the Germans, and his sense of the theoretical preeminence of German socialist thought because of its philosophical depth, this early article is especially notable for its discussion of the relation between social and political revolution. The &amp;quot;Prussian&amp;quot; who wrote the article Marx attacks was Arnold Ruge. The event under discussion was the Silesian weavers' uprising of June 1844. The essay was written in July 1844 and published the following month in the newspaper Vorwarts.&#xA;&#xA;   No. 60 of Vorwarts contains an article headed &amp;quot;Der Konig von Preussen und die Sozialreform,&amp;quot; signed &amp;quot;A Prussian.&amp;quot;&#xA;   First of all this alleged Prussian sets out the content of the royal Prussian Cabinet order on the uprising of the Silesian workers and the opinion of the French newspaper La Reforme on the Prussian Cabinet order. The Reforme, he writes, considers that the King's &amp;quot;alarm and religious feeling&amp;quot; are the source of the Cabinet order. It even sees in this document a presentiment of the great reforms which are in prospect for bourgeois society. The &amp;quot;Prussian&amp;quot; lectures the Réforme as follows :&#xA;&#xA;         The King and German society has not yet arrived at the ‘pre-sentiment of&#xA;     their reform,&amp;quot; even the Silesian and Bohemian uprisings have not aroused&#xA;     this feeling. It is impossible to makesuch an unpolitical&#xA;     country as Gemany regard the partial distressof the factory districts&#xA;     as a matter of general concern, let alone as an affliction of the whole civilised&#xA;      world. The Germans regard this event as if it were of the same nature as&#xA;     any local distress due to flood or famine. Hence the King regards it as due&#xA;     to deficiencies in the administration or in charitable activity. For this&#xA;     reason, and because a few soldiers sufficed to cope with the feeble weavers,&#xA;     the destruction of factories and machinery, too, did not inspire any &amp;quot;alarm&amp;quot;&#xA;     either in the King or the authorities.Indeed, the Cabinet order was not&#xA;      prompted even by religious feeling: it is a very sober&#xA;     expression of the Christian art of statesmanship and of a doctrine which&#xA;     considers that no difficulties can withstand its sole medicine-&amp;quot;the well&#xA;     -disposed Christian  hearts.&amp;quot; Poverty and crime are two great evils; who can&#xA;     cure them? The state and the authorities? No, but the union of all Christian&#xA;     hearts can.&#xA;&#xA;   The alleged Prussian denies the King's &amp;quot;alarm&amp;quot; on the grounds, among others, that a few soldiers sufficed to cope with the feeble weavers.&#xA;&#xA;   Therefore, in a country where ceremonial dinners with liberal toasts and liberally foaming champagne-recall the Dusseldorf festival inspired a royal Cabinet order;1where not a single soldier was needed to shatter the desires of the entire liberal bourgeoisie for freedom of the press and a constitution; in a country where passive obedience is the order of the day-&amp;lt;:an it be that in such a country the necessity to employ armed force against feeble weavers is not an event, and not an alarming event? Moreover, at the first encounter the feeble weavers were victorious. They were suppressed only by subsequent troop reinforcements. Is the uprising of a body of workers less dangerous because it did not require a whole army to suppress it? Let the wise Prussian compare the uprising of the Silesian weavers with the revolts of the English workers, and the Silesian weavers will be seen by him to be strong weavers.&#xA;&#xA;   Starting out from the general relation of politics to social ills, we shall show why the uprising of the weavers could not cause the King any special &amp;quot;alarm.&amp;quot; For the time being we shall say only the following: the uprising was not aimed directly against the King of Prussia, but against the bourgeoisie. As an aristocrat and absolute monarch, the King of Prussia cannot love the bourgeoisie; still less can he be alarmed if the submissiveness and impotence of the bourgeoisie is increased because of a tense and difficult relationship between it and the proletariat. Further: the orthodox Catholic is more hostile to the orthodox Protestant than to the atheist, just as the Legitimist is more hostile to the liberal than to the Communist. This is not because the atheist and the Communist are more akin to the Catholic or Legitimist, but because they are more foreign to him than are the Protestant and the liberal, being outside his circle. In the sphere of politics, the King of Prussia, as a politician, has his direct opposite in liberalism. For the King, the proletariat is as little an antithesis as the King is for the proletariat. The proletariat would have to have already attained considerable power for it to stifle the other antipathies and political antitheses and to divert to itself all political enmity. Finally: in view of the well-known charac¬ter of the King, avid for anything interesting and significant, it must have been a joyful surprise for him to discover this &amp;quot;interesting&amp;quot; and &amp;quot;much discussed&amp;quot; pauperism in his own territory and con-sequently a new opportunity for making people talk about him. How pleasant for him must have been the news that henceforth he posseses his &amp;quot;own,&amp;quot; royal Prussian pauperism! Let us suppose * * * that the &amp;quot;Prussian's&amp;quot; remarks about the German Government and the German bourgeoisie-after all, the latter is included in &amp;quot; German society&amp;quot;-are entirely well founded. Is this section of society more at a loss in Germany than in England and France? Can one be more at a loss than, for example, in England, where perplexity has been made into a system? When today workers' revolts break out throughout England, the bourgeoisie and government there know no better what to do than in the last third of the eighteenth century. Their sole expedient is material force, and since this material force diminishes in the same proportion as the spread of pauperism and the understanding of the proletariat increase, England's perplexity inevitably grows in geometrical progression.&#xA;   Finally, it is untrue, actually untrue, that the German bourgeoisie totally fails to understand the general significance of the Silesian uprising. In several towns the masters are trying to act jointly with the apprentices. All the liberal German newspapers, the organs of the liberal bourgeoisie, teem with articles about the organisation of labour, the reform of society, criticism of monopolies and competition, etc. All this is the result of the movements among the workers.* * *&#xA;&#xA;                                                   * * *&#xA;&#xA;   Let us pass now to the oracular pronouncements of the &amp;quot;Prussian&amp;quot; on the German workers. &amp;quot;The German poor,&amp;quot; he says wittily, &amp;quot;are no wiser than the poor Germans, i.e., nowhere do they see beyond their own hearth and home, their own factory, their own district; the whole question has so far still been ignored by the all-penetrating political soul.&amp;quot;&#xA;&#xA;   In order to be able to compare the condition of the German workers with the condition of the French and English workers, the &amp;quot;Prussian&amp;quot; would have had to compare the first form, the start, of the English and French workers' movement with the Germanmovement that is just beginning. He failed to do so. Consequently, his arguments lead to trivialities, such as that industry in Germany is not yet so developed as in England, or that a movement at its start looks different from the movement in its subsequent progress. He wanted to speak about the specific character of the German workers' movement, but he has not a word to say on this subject of his.&#xA;&#xA;   On the other hand, suppose the &amp;quot;Prussian&amp;quot; were to adopt the correct standpoint. He will find that not one of the French and English workers' uprisings had such a theoretical and consciouscharacter as the uprising of the Silesian weavers.&#xA;&#xA;   First of all, recall the song of the weavers,2 that bold call to struggle, in which there is not even a mention of hearth and home, factory or district, but in which the proletariat at once, in a striking, sharp, unrestrained and powerful manner, proclaims its opposition to the society of private property. The Silesian uprising begins precisely with what the French and English workers' uprisings end, with consciousness of the nature of the proletariat. The action itself bears the stamp of this superior character. Not only machines, these rivals of the workers, are destroyed, but also ledgers, the titles to property. And while all other movements were aimed primarily only against the owner of the industrial enterprise, the visible enemy, this movement is at the same time directed against the banker, the hidden enemy. Finally, not a single English workers' uprising was carried out with such courage, thought and endurance.&#xA;&#xA;   As for the educational level or capacity for education of the German workers in general, I call to mind Weitling's brilliant writings, which as regards theory are often superior even to those of Proudhon, however much they are inferior to the latter in their exe¬cution. Where among the bourgeoisie including its philosophers and learned writers is to be found a book about the emancipation of the bourgeoisie-political emancipation similar to Weitling's work: Garantien der Harmonie und Freiheit? It is enough to compare the petty, faint-hearted mediocrity of German political literature with this vehement and briliant literary debut of the German workers, it is enough to compare these gigantic infant shoes of the proletariat with the dwarfish, worn-out political shoes of the German bourgeoisie, and one is bound to prophesy that the German Cinderella will one day have the figure of an athlete. It has to be admitted that the German proletariat is the theoretician of the European proletariat, just as the English proletariat is its econo¬mist, and the French proletariat its politician. It has to be admitted that Germany is just as much classically destined for a social revolution as it is incapable of a political one. For, just as the impotence of the German bourgeoisie is the political impotence of Germany cial capability of Germany. The disparity between the philosophical and the political development of Germany is not an anomaly. It is an inevitable disparity. A philosophical people can find its corresponding practice only in socialism, hence it is only in the proletariat that it can find the dynamic elements of its emancipation.&#xA;&#xA;                                                 * *  *&#xA;&#xA;   Why does the &amp;quot;Prussian&amp;quot; judge the German workers so contemptuously? Because he finds that the &amp;quot;whole question&amp;quot;-namely, the question of the distressed state of the workers-has &amp;quot;so far still&amp;quot; been ignored by the &amp;quot;all-penetrating politicalsoul&amp;quot; He expounds his platonic love for the political soul in more detail as follows : &amp;quot;Alluprisings which break out in this disastrous isolation of people from the community, and of their thoughts from social principles, will be smothered in blood and incomprehension; but when distress pro¬duces understanding, and the political understanding of the Germans discovers the roots of social distress, then in Germany too these events will be appreciated as symptoms of a great revolution.&amp;quot;&#xA;&#xA;                                                 * *  *&#xA;&#xA;   Thatsocial distress produces political understanding is so incorrect . that, on the contrary, what is correct is the opposite : social well-being produces political understanding. Political understanding is a spiritualist, and is given to him who already has, to him who is already comfortably situated. Let our &amp;quot;Prussian&amp;quot; listen to a French economist, M. Michel Chevalier, on this subject: &amp;quot;'When the bourgeoisie rose up in 1789, it lacked in order to be free only participation in governing the country. Emancipation consisted for it in wresting the control of public affairs, the principal civil, military and religious functions, from the hands of the privileged who had the monopoly of these functions. Rich and enlightened, capable of being self-sufficient and of managing its own affairs, it wanted to escape from the system of arbitrary rule.&amp;quot;3&#xA;&#xA;   We have already shown the &amp;quot;Prussian&amp;quot; how incapable politicalunderstanding is of discovering the source of social distress. Just oneword more on this view of his. The more developed and universal the political understanding of a people, the more does the proletariat-at any rate at the beginning of the movement-squander its forces in senseless, useless revolts, which are drowned in blood. Because it thinks in the framework of politics, the proletariat sees the cause of all evils in the will, and all means of remedy in violence and in the overthrow of a particular form of state. The proof: the first uprisings of the French proletariat.4 The Lyons workers believed that they were pursuing only political aims, that they were only soldiers of the republic, whereas actually they were soldiers of socialism. Thus their political understanding concealed from them the roots of social distress, thus it falsified their insight into their real aim, thus their political understanding deceived their social instinct.&#xA;&#xA;   But if the &amp;quot;Prussian&amp;quot; expects understanding to be produced by distress, why does he lump together &amp;quot;smothering in blood&amp;quot; and &amp;quot;smothering in incomprehension&amp;quot;? If distress is in general a means of producing understanding, then bloody distress is even a very acute means to this end. The &amp;quot;Prussian&amp;quot; therefore should have said: smothering in blood will smother incomprehension and procure a proper current of air for the understanding.&#xA;&#xA;    The &amp;quot;Prussian&amp;quot; prophesies the smothering of uprisings which break out in &amp;quot;disastrous isolation of people from the community, and in the separation of their thoughts from social principles.&amp;quot;&#xA;&#xA;   We have shown that the Silesian uprising occurred by no means in circumstances of the separation of thoughts from social principles. It only remains for us to deal with the &amp;quot;disastrous isolation of people from the community.&amp;quot; By community here is meant the political community, the state. This is the old story about unpolitical Germany.&#xA;&#xA;   But do not all uprisings, without exception, break out in a disas-trous isolation of man from the community? Does not every uprising necessarily presuppose isolation? Would the 1789 revolution have taken place without the disastrous isolation of French citizens from the community? It was intended precisely to abolish this isolation.&#xA;&#xA;   But the community from which the worker is isolated is a community the real character and scope of which is quite different from that of the political community . The community from which the worker is isolated by his own labour is life itself, physical and mental life, human morality, human activity, human enjoyment, human nature. Human nature is the true community of men. The disastrous isolation from this essential nature is incomparably more universal, more intolerable, more dreadful, and more contradictory, than isolation from the political community. Hence, too, the abolition of this isolation and even a partial reaction to it, an uprisingagainst it-is just as much more infinite as man is more infinite than the citizen, and human life more infinite than political life. Therefore, however partial the uprising of the industrial workersmay be, it contains within itself a universal soul; however universal a political uprising may be, it conceals even in its most grandioseform a narrow-minded spirit.&#xA;&#xA;   The &amp;quot;Prussian&amp;quot; worthily concludes his article with the following sentence: &amp;quot;A social revolution without a political soul (i.e., without an organising idea from the point of view of the whole ) is im¬possible.&amp;quot;&#xA;&#xA;   We have already seen that a social revolution is found to have the point of view of the whole because even if it were to occur in only one factory district it represents man's protest against a de- humanised life, because it starts out from the point of view of a separate real individual, because the community, against the separation of which from himself the individual reacts, is man's true community, human nature. The politicalsoul of revolution, on the other hand, consists in the tendency of classes having no political influence to abolish their isolation from statehood and rule. Its point of view is that of the state, of an abstractwhole, which exists only through separation from real life, and which is inconceivablewithout the organized contradiction between the universal idea of man and the individual existence of man. Hence, too, a revolution with a political soul, in accordance with the limited and dichotomous nature of this soul, organises a ruling stratum in society at the expense of society itself.&#xA;&#xA;   We want to divulge to the &amp;quot;Prussian&amp;quot; what a &amp;quot;social revolutionwith a political soul&amp;quot; actually is; we shall thereby at the same time confide the secret to him that he himself is unable, even in words, to rise above the narrow-minded political point of view.&#xA;&#xA;   A &amp;quot;social&amp;quot; revolution with a political soul is either a nonsensical concoction, if by &amp;quot;social&amp;quot; revolution the &amp;quot;Prussian&amp;quot; means a &amp;quot;social&amp;quot; as opposed to a political revolution, and nevertheless endows the social revolution with a political soul instead of a social one; or else a &amp;quot;social revolution with a political soul&amp;quot; is only a paraphrase for what was usually called a &amp;quot;political revolution,&amp;quot; or &amp;quot;simply a revolution.&amp;quot; Every revolution dissolves the old society!' and to that extent it is social. Every revolution overthrows the old powerand to that extent it is political.&#xA;&#xA;   Let the &amp;quot;Prussian&amp;quot; choose between theparaphrase and the nonsense! But whereas a social revolution with a political soul is a para-phrase or nonsense, a political revolution with a social soul has a rational meaning. Revolution in general-the overthrow of the existing power and dissolution of the old relationships is a politi¬cal act. But socialism cannot be realised without revolution. It needs this political act insofar as it needs destruction and dissolution. But where its organizing activity!' begins, where its proper object, its soul, comes to the fore-there socialism throws off the&#xA;political cloak.&#xA;&#xA;                                                 * *  *&#xA;&#xA;                                     Alienation and Social Classes&#xA;&#xA;                                               KARL MARX&#xA;&#xA;A meeting between Marx and Engels in Paris at the end of August, 1844, inaugurated their lifelong collaboration. Their first jointly written work, published in 1845, was The Holy Family: A Critique of Critical Criticism, a heavily satirical polemic against Bruno Bauer and the Young Hegelians. The following passage, probably written by Marx, shows the alienation doctrine of the 1844 manuscripts merging into the class struggle doctrine as we encounter it in The German Ideology and later Marxist writings. It is also of value as a revelation of Marx's special way of conceiving and ex¬plaining historical necessity.&#xA;&#xA;   The translation for this edition is by R. C. Tucker&#xA;&#xA;   * * *The proletariat and wealth are opposites. As such they form a whole. They are both products of the world of private property. The whole question is what position each of these two ele¬ments occupies within the opposition. It does not suffice to pro-claim them two sides of one whole.&#xA;&#xA;   Private property as private property, as wealth, is compelled to preserve its own existence and thereby the existence of its opposite, the proletariat. This is the positive side of the antagonism, private property satisfied with itself.&#xA;&#xA;   The proletariat, on the other hand, is compelled to abolish itself and thereby its conditioning opposite private property which makes it a proletariat. This is the negative side of the antagonism, its disturbance within itself, private property abolished and in the process of abolishing itself.&#xA;&#xA;   The possessing class and the proletarian class represent one and the same human self-alienation.2 But the former feels satisfied and affirmed in this self-alienation, experiences the alienation as a sign of its own power, and possesses in it the appearance of a human existence. The latter, however, feels destroyed in this alienation, seeing in it its own impotence and the reality of an inhuman existence. To use Hegel's expression, this class is, within depravity, anIndignation against this depravity, an indignation necessarily aroused in this class by the contradiction between its human natureand its life-situation, which is a blatant, outright and all-embracing denial of that very nature.&#xA;&#xA;   Within the antagonism as a whole, therefore, private property represents the conservative side and the proletariat the destructiveside. From the former comes action aimed at preserving the antago¬nism; from the latter, action aimed at its destruction.&#xA;&#xA;   In its economic movement, it is true, private property presses towards its own dissolution, but it does this only by means of a developmental course that is unconscious and takes place independently of it and against its will, a course determined by the nature of the thing itself. It does this only by giving rise to the proletariat as proletariat this poverty conscious of its own spiritual and physical poverty, this dehumanization which is conscious of itself as a dehumanization and hence abolishes itself.3 The proletariat executes the sentence that proletariat producing private property passes upon itself, just as it executes the sentence that wage labour passes upon itself by producing others' wealth and its own poverty. When the proletariat wins victory, it by no means becomes the absolute side of society, for it wins victory only by abolishing itself and its opposite. Both the proletariat itself and its conditioning opposite-private property disappear with the victory of the proletariat.&#xA;&#xA;   If socialist writers attribute this world historical role to the proletariat, this is by no means, as critical criticism assures us, because they regard the proletarians as gods. On the contrary. Since the fully formed proletariat represents, practically speaking, the completed abstraction from everything human, even from the appearance of being human; since all the living conditions of contemporary society have reached the acme of inhumanity in the living conditions of the proletariat; since in the proletariat man has lost himself, although at the same time he has both acquired a theoretical consciousness of this loss and has been directly forced into indigna¬tion against this inhumanity by virtue of an inexorable, utterly unembellishable, absolutely imperious need, that practical expression of necessity-because of all this the proletariat itself can and must liberate itself. But it cannot liberate itself without destroying its own living conditions. It cannot do so without destroying all the inhuman living conditions of contemporary society which are concentrated in its own situation. Not in vain does it go through the harsh but hardening school of labour. It is not a matter of what this or that proletarian or even the proletariat as a whole pictures at present as its goal . It is a matter of what the proletariat is in actuality and what, in accordance with this being, it will historically becompelled t o d o . Its goal and its historical action are prefigured in the most clear and ineluctable way in its own life-situation as well as in the whole organization of contemporary bourgeois society. There is no need to harp on the fact that a large part of the English and French proletariat is already conscious of its historic task and is continually working to bring this consciousness to full clar¬ity.&#xA;&#xA;                                    Society and Economy in History&#xA;&#xA;                                                   KARL MARX&#xA;&#xA;This selection comes from Marx's letter of December 28, 1846, to P. V. Annenkov, who had asked for his opinion of Pierre• Joseph Proudhon's new book The Philosophy of Poverty. Marx subsequently expanded his critique of the book into a book-length polemic, The Poverty of Philosophy( themeat of which is succinctly stated in this letter).&#xA;&#xA;    The material here presented is of interest as a trenchant statement of the materialist conception of history, Marx's enlarged understanding of the division of labor as a ubiquitous fact of human historical development, his view on the evolution of machinery, and his notion of dialectics as a process that finds final resolution in a social condition beyond conflict (&amp;quot;contradictions&amp;quot;) . Since this document appeared at the close of Marx's early period, it conclusively disproves the notion of a hiatus between a Hegelian-Feuer- bachian philosophical early Marx who hadn't reached historical materialism, and a scientific mature Marx who had.*  It was in and through the early writings represented in this section of our reader that Marx created historical materialism.&#xA;&#xA;                                                    * * *&#xA;&#xA;* * *M. Proudhon sees in history a series of social developments; he finds progress realised in history; finally he finds that men, as individuals, did not know what they were doing and were mistaken about their own movement, that is to say, their social development seems at the first glance to be distinct, separate and independent of their individual development. He cannot explain these facts, and so the hypothesis of universal reason manifesting itself comes in very handy. Nothing is easier than to invent mystical causes, that is to say, phrases which lack common sense.&#xA;&#xA;     But when M. Proudhon admits that he understands nothing about the historical development of humanity-he admits this by using such high-sounding words as : Universal Reason, God, etc.¬is he not implicitly and necessarily admitting that he is incapable of understanding economic development?&#xA;&#xA;     What is society, whatever its form may be? The product of men's reciprocal action. Are men free to choose this or that form of society? By no means. Assume a particular state of development in the productive faculties of man and you will get a particular form of commerce and consumption. Assume particular stages of development in production, commerce and consumption and you will have a corresponding social constitution, a corresponding organisation of the family, of orders or of classes, in a word, a corresponding civil society. Assume a particular civil society and you will get particular political conditions which are only the official expression of civil society. M. Proudhon will never understand this because he thinks he is doing something great by appealing from the state to civil society that is to say, from the official resume of society to official society.&#xA;&#xA;   It is superfluous to add that men are not free to choose their productive forces-which are the basis of all their history for every productive force is an acquired force, the product of former activity. The productive forces are therefore the result of practical human energy; but this energy is itself conditioned by the circumstances in which men find themselves, by the productive forces already acquired, by the social form which exists before they do, which they do not create, which is the product of the preceding generation. Because of this simple fact that every succeeding generation finds itself in possession of the productive forces acquired by the previous generation, which serve it as the raw material for new production, a coherence arises in human history, a history of humanity takes shape which is all the more a history of humanity as the productive forces of man and therefore his social relations have been more developed. Hence it necessarily follows that the social history of men is never anything but the history of their individual development, whether they are conscious of it or not. Their material relations are the basis of all their relations. These material relations are only the necessary forms in which their material and individual activity is realised.&#xA;&#xA;   M. Proudhon mixes up ideas and things. Men never relinquish what they have won, but this does not mean that they never relinquish the social form in which they have acquired certain productive forces. On the contrary, in order that they may not be deprived of the result attained and forfeit the fruits of civilisation, they are obliged, from the moment when their mode of carrying on commerce no longer corresponds to the productive forces acquired, to change all their traditional social forms. I am using the word &amp;quot;commerce&amp;quot; here in its widest sense, as we use Verkehr in German. For example: the privileges, the institution of guilds and corporations, the regulatory regime of the Middle Ages, were social relations that alone corresponded to the acquired productive forces and to the social condition which had previously existed and from which these institutions had arisen. Under the protection of the regime of cor-porations and regulations, capital was accumulated, overseas trade was developed, colonies were founded. But the fruits of this menwould have forfeited if they had tried to retain the forms under whose shelter these fruits had ripened. Hence burst two thunder¬claps-the Revolutions of 1640 and 1688. All the old economic forms, the social relations corresponding to them, the political conditions which were the official expression of the old civil society, were destroyed in England. Thus the economic forms in which men produce, consume, and exchange, are transitory and historical. With the acquisition of new productive faculties, men change their mode of production and with the mode of production all the economic relations which are merely the necessary relations of this particular mode of production.&#xA;&#xA;   This is what M. Proudhon has not understood and still less demonstrated. M. Proudhon, incapable of following the real movement of history, produces a phantasmagoria which presumptuously claims to be dialectical. He does not feel it necessary to speak of .the seven teenth, the eighteenth or the nineteenth century, for his history proceeds in the misty realm of imagination and rises far above space and time. In short, it is not history but old Hegelian junk, it is not profane history-a history of man-but sacred history-a history of ideas. From his point of view man is only the instrument of which the idea or the eternal reason makes use in order to unfold itself. The evolutions of which M. Proudhon speaks are understood to be evolutions such as are accomplished within the mystic womb of the absolute idea. If you tear the veil from thisaP1ystical language, what it comes to is that M. Proudhon is offering you the order in which economic categories arrange themselves inside his own mind. It wi1l not require great exertion on my part to prove to you that it is the order of a very disorderly mind.&#xA;&#xA;   The series of economic evolutions of the eternal reason begins with divisionof labour. To M. Proudhon division of labour is a perfectly simple thing. But was not the caste regime also a particular division of labour? Was not the regime of the corporations another division of labour? And is not the division of labour under the system of manufacture, which in England begins in the middle of the seventeenth century and comes to an end in the last part of the eighteenth, also totally different from the division of labour in large-scale, modern industry?&#xA;&#xA;   M. Proudhon is so far from the truth that he neglects what even the profane economists attend to. When he talks about division of labour he does not feel it necessary to mention the world market. Good. Yet must not the division of labour in the fourteenth and fifteenth century, when there were still no colonies, when America did not as yet exist for Europe, and Eastern Asia only existed for her through the medium of Constantinople, have been fundamentally different from what it was in the seventeenth century when colonies were already developed.&#xA;&#xA;   And that is not all. Is the whole inner organisation of nations, areall their international relations anything else than the expression of a particular division of labour? And must not these change when the division of labour changes?&#xA;&#xA;   M. Proudhon has so little understood the problem of the division of labour that he never even mentions the separation of town and country, which took place in Germany, for instance, from the ninth to the twelfth century. Thus, to M. Proudhon, this separation is an eternal law since he knows neither its origin nor its development. All through his book he speaks as if this creation of a particular mode of production would endure until the end of time. All that M. Proudhon says about the division of labour is only a summary, and moreover a very superficial and incomplete summary, ofwhat Adam Smith and a thousand others have said before him .&#xA;&#xA;   The second evolution is machinery. The connection between the division of labour and machinery is entirely mystical to M. Proud¬hon. Each kind of division of labour had its specific instruments of production. Between the middle of the seventeenth and themiddle of the eighteenth century, for instance, people did not make everything by hand. They had instruments, and very complicated ones at that, such as looms, ships, levers, etc.&#xA;&#xA;   Thus there is nothing more absurd than to derive machinery from division of labour in general.&#xA;&#xA;   I may also remark, by the way, that M. Proudhon has understood very little the historical origin of machinery, but has still less understood its development. One can say that up to the year 1825-the period of the first general crisis-the demands of consumption in general increased more rapidly than production, and the development of machinery was a necessary consequence of the needs of the market. Since 1825, the invention and application of machinery has been simply the result of the war between workers and employers. But this is only true of England. As for the European nations, they were driven to adopt machinery owing to English competition both in their home markets and on the world market. Finally, in North America the introduction of machinery was due both to competition with other countries and to lack of hands, that is, to the disproportion between the population of North America and its industrial needs. From these facts you can see what sagacity Monsieur Proudhon develops when he conjures up the spectre of competition as the third evolution, the antithesis to machinery!&#xA;&#xA;   Lastly and in general, it is altogether absurd to make machineryan economic category alongside with division of labour, competition, credit, etc.&#xA;&#xA;   Machinery is no more an economic category than the ox which draws the plough. The application of machinery in the present day is one of the relations of our present economic system, but the wayin which machinery is utilised is totally distinct from the machinery itself. Powder is powder whether used to wound a man or to dress his wounds.&#xA;&#xA;                                                    * * *&#xA;&#xA;   M. Proudhon, mainly because he lacks the historical knowledge, has not perceived that as men develop their productive faculties, that is, as they live, they develop certain relations with one another and that the nature of these relations must necessarily change with the change and growth of the productive faculties. He has not perceived that economic categories are only abstract expressions of these actual relations and only remain true while these relations exist. He therefore falls into the error of the bourgeois economists, who regard these economic categories as eternal and not as historical laws which are only laws for a particular historical development, for a definite development of the productive forces. Instead, therefore, of regarding the political-economic categories as abstract expressions of the real, transitory, historic social relations, Monsieur Proudhon, thanks to a mystic inversion, sees in the real relations only embodiments of these abstractions. These abstractions themselves are formulas which have been slumbering in the heart of God the Father since the beginning of the world.&#xA;&#xA;                                                    * * *&#xA;&#xA;   Monsieur Proudhon has very well grasped the fact that men produce cloth, linen, silks, and it is a great merit on his part to have grasped this small amount! What he has not grasped is that these men, according to their abilities, also produce the social relationsamid which they prepare cloth and linen. Still less has he understood that men, who produce their social relations in accordance with their material productivity, also produce ideas, categories, that is to say the abstract ideal expressions of these same social relations. Thus the categories are no more eternal than the relations they express. They are historical and transitory products. To M. Proud¬hon, on the contrary, abstractions, categories are the primordial cause. According to him they, and not men, make history. Theabstraction, the category taken as such, i.e., apart from men and their material activities, is of course immortal, unchangeable, unmoved; it is only one form of the being of pure reason; which is only another way of saying that the abstraction as such is abstract. An admirable tautology!&#xA;&#xA;   Thus, regarded as categories, economic re1'ations for M. Proudhon are eternal formulas without origin or progress.&#xA;&#xA;                                                    * * *&#xA;&#xA;M. Proudhon is therefore necessarily doctrinaire. To him the historical movement, which is turning the present-day world upside down, reduces itself to the problem of discovering the correct equilibrium, the synthesis, of two bourgeois thoughts. And so the clever fellow by virtue of his subtlety discovers the hidden thought of God, the unity of two isolated thoughts which are only isolated because M. Proudhon has isolated them from practical life, from present-day production, which is the combination of the realities which they express. In place of the great historical movement arising from the conflict between the productive forces already acquired by men and their social relations, which no longer correspond to these productive forces; in place of the terrible wars which are being prepared between the different classes within each nation and between different nations; in place of the practical and violent action of the masses by which alone these conflicts can be resolved in place of this vast, prolonged and complicated movement, Monsieur Proudhon supplies the whimsical motion of his own head. So it is the men of learning that make history, the men who know how to purloin God's secret thoughts. The common people have only to apply their revelations. You will now understand why M. Proudhon is the declared enemy of every political movement. The solution of present problems does not lie for him in public action but in the dialectical rotations of his own head. Since to him the categories are the motive force, it is not necessary to change practical life in order to change the categories. Quite the contrary. One must change the categories and the consequence will be a change in the existing society.&#xA;&#xA;   In his desire to reconcile the contradictions Monsieur Proudhon does not even ask if the very basis of those contradictions must not be overthrown. He is exactly like the political doctrinaire who wants to have the king and the chamber of deputies and the chamber of peers as integral parts of social life, as eternal categories . All he is looking for is a new formula by which to establish an equilibriumbetween these powers whose equilibrium consists precisely in the actual movement in which one power is now the conqueror and now the slave of the other. Thus in the eighteenth century a number of mediocre minds were busy finding the true formula which would bring the social estates, nobility, king, parliament, etc., into equilibrium, and they woke up one morning to find that there was in fact no longer any king, parliament or nobility. The true equilibrium in this antagonism was the overthrow of all the social relations which served as a basis for these feudal existences and for the antagonisms of these feudal existences.&#xA;&#xA;   Because M. Proudhon places eternal ideas, the categories of pure reason, on the one side and h uman beings and their practical life, which, according to him is the application of these categories, on the other, one finds with him from the beginning a dualism between life and ideas, between soul and body, a dualism which recurs in many forms. You can see now that this antagonism is nothing butthe incapacity of M. Proudhon to understand the profane origin and the profane history of the categories which he deifies.&#xA;&#xA;   My letter is already too long for me to speak of the absurd case which M. Proudhon puts up against communism. For the moment you will grant me that a man who has not understood the present state of society may be expected to understand still less the movement which is tending to overthrow it, and the literary expressions of this revolutionary movement.&#xA;&#xA;   Thesole point on which I am in complete agreement with Monsieur Proudhon is in his dislike for sentimental socialistic day¬dreams. I had already, before him, drawn much enmity upon myself by ridiculing this sentimental, utopian, mutton-headed socialism. But is not M. Proudhon strangely deluding himself when he sets up his petty-bourgeois sentimentality-I am referring to his declamations about home, conjugal love and all such banalities-in opposition to socialist sentimentality, which in Fourier, for example goes much deeper than the pretentious platitudes of our worthy Proudhon? * * *&#xA;&#xA;                                         Theses on Feuer bach&#xA;&#xA;                                                KARL MARX&#xA;&#xA;Marx wrote the &amp;quot;Theses 'on Feuerbach&amp;quot; in the spring of 1845 as he and Engels were starting their collaborative work The German Ideology. More than forty years later, Engels found them in one of the notebooks that had come into his possession after his friend died. He published them as an appendix to his essay of 1888 on Ludwig Feuerbachand the End of Classical German Philosophy, and described them in the foreword to this essay as &amp;quot; the brilliant germ of the new world outlook,&amp;quot; They have fascinated Marx scholars ever since, and an extensive literature of exegesis of the &amp;quot;Theses&amp;quot; has accumulated. The eleventh thesis, in which Marx proclaims it the task of philosophy not simply to interpret but to change the world, is one of his most frequently quoted statements.&#xA;&#xA;   Before resorting to commentaries, however, the reader' should apply himself to Marx's own amplification of the &amp;quot;Theses&amp;quot; in Part I of The German Ideology, which follows this selection.&#xA;&#xA;   Engels made a few small changes in the &amp;quot;Theses&amp;quot; when he published them in 1888: he added the phrase &amp;quot;in Robert Owen, for example,&amp;quot; in parentheses, at the end of the first paragraph of Thesis ' III; italicized &amp;quot;social product&amp;quot; in Thesis VII; italicized &amp;quot;contemplative&amp;quot; and placed quotation marks around &amp;quot;civil society&amp;quot; in Thesis IX, The version presented below is Marx's.&#xA;&#xA;                                                          I&#xA;&#xA;   The chief defect of all hitherto existing materialism that of Feuerbach includedis that the thing, reality, sensuousness, is conceived only in the form of the object or of contemplation, but not as human sensuous activity, practice, not subjectively. Hence it happened that the active side, in contradistinction to materialism, was developed by idealism-but only abstractly, since, of course, idealism does not know real, sensuous activity as such. Feuerbach wants sensuous objects, really distinct from the thought objects, but he does not conceive human activity itself as objective activity. Hence, in Das Wesen des Christentums, he regards the theoretical attitude as the only genuinely human attitude, while practice is conceived and fixed only in its dirty-judaical manifestation. Hence he does not grasp the significance of &amp;quot;revolutionary,&amp;quot; of practicalcritical, activity.&#xA;&#xA;                                                         II&#xA;   The question whether objective truth can be attributed to human thinking is not a question of theory but is a practical question. Man must prove the truth, that is, the reality and power, the this-sided ness of his thinking in practice. The dispute over the reality or non-reality of thinking which is isolated from practice is a purely scholastic question.&#xA;&#xA;                                                         III&#xA;&#xA;   The materialist doctrine that men are products of circumstances and upbringing, and that, therefore, changed men are products of other circumstances and changed upbringing, forgets that it is men who change circumstances and that it is essential to educate the educator himself. Hence, this doctrine necessarily arrives at dividing society into two parts, one of which is superior to society .&#xA;&#xA;   The coincidence of the changing of circumstances and of human activity can be conceived and rationally understood only as revolutionising practice.&#xA;&#xA;                                                         IV&#xA;&#xA;     Feuerbach starts out from the fact of religious self-alienation, of the duplication of the world into a religious, imaginary world and a real one. His work consists in resolving the religious world into its secular basis. He overlooks the fact that after completing this work, the chief thing still remains to be done. For the fact that the secular basis detaches itself from itself and establishes itself in the clouds as an independent realm can only be explained by the cleavage and self-contradictions within this secular basis. The latter must itself, therefore, first be understood in its contradiction and then, by the removal of the contradiction, revolutionised in practice. Thus, for instance, after the earthly family is discovered to be the secret of the holy family, the former must then itself be criticised in theory and revolutionised in practice.&#xA;&#xA;                                                         V&#xA;&#xA; Feuerbach, not satisfied with abstract thinking, appeals to sensuous contemplation; but he does not conceive sensuousness as practical, human sensuous activity.&#xA;&#xA;                                                         VI&#xA;&#xA;   Feuerbach resolves the religious essence into the human essence. But the human essence is no abstraction inherent in each single individual. In its reality it is the ensemble of the social relations.&#xA;&#xA;   Feuerbach, who does not enter upon a criticism of this real essence, is consequently compelled:&#xA;&#xA;    (1) To abstract from the historical process and to fix the religious sentiment as something by itself and to presuppose an abstract -isolated-human individual.&#xA;&#xA;    (2) The human essence, therefore, can with him be comprehended only as &amp;quot;genus,&amp;quot; as an internal, dumb generality which merely naturally unites the many individuals.&#xA;&#xA;&#xA;                                                         VII&#xA;&#xA;   Feuerbach, consequently, does not see that the &amp;quot;religious sentiment&amp;quot; is itself a social product, and that the abstract individual whom he analyses belongs in reality to a particular form of society.&#xA;&#xA;&#xA;                                                         VIII&#xA;&#xA; Social life is essentially practical. All mysteries which mislead theory into mysticism find their rational solution in human practice and in the comprehension of this practice.&#xA;&#xA;&#xA;                                                         IX&#xA;&#xA;   The highest point attained by contemplative materialism, that is, materialism which does not comprehend sensuousness as practical activity, is the contemplation of single individuals in civil society.&#xA;&#xA;                                                         X&#xA;&#xA;The standpoint of the old materialism is &amp;quot;civil&amp;quot; society; the standpoint of the new is human society, or socialised humanity.&#xA;&#xA;                                                         XI&#xA;&#xA;The philosophers have only interpreted the world, in various ways; the point, however, is to change it.&#xA;&#xA;                                      The German Ideology : Part I&#xA;&#xA;                                                  KARL MARX&#xA;&#xA;Marx and Engels wrote The German Ideology in 1845-46 in order (as Marx later recalled) &amp;quot;to settle accounts with our erstwhile philosophical conscience.&amp;quot; He further explained: &amp;quot;The manuscript, two large octavo volumes, had long reached its place of publication in Westphalia when we received the news that altered circumstances did not allow of its being printed. Vie abandoned the manuscript to the gnawing criticism of the mice, all the more willingly as we had achieved our main purpose self-clarification.&amp;quot;* The work was first published in 1932 by the Marx¬Engels Institute in Moscow.&#xA;&#xA;   The original difficulty of publication was very probably connected with the fact that most of this very bulky work consisted of satirically written, rather arid polemics against Bruno Bauer, Max Stirner, Karl Grun, and others. But Part I (here presented in full) is a different matter. Although polemical at various points, it is basically a work of exposition. It gives every appearance of being the work for which the &amp;quot;Theses on Feuerbach&amp;quot; served as an outline; hence we may infer that it was written by Marx. It is, in essence, a restatement, minus much of the German philosophical terminology, of the theory of history adumbrated in the manuscripts of 1 844. Marx now calls it the materialist conception of history.&amp;quot; It is particularly valuable and important to the student of Marxist thought because Marx never again set down a comprehensive statement of his theory of history at such length and in such detail. This point is not contradicted by Engels' remark in the 1888 foreword that the exposihon of the materialist conception of history in The German Ideology &amp;quot;proves only how incomplete our knowledge of economic history still was at that time.&amp;quot;&#xA;&#xA;   The German Ideology has recently appeared in a re-edited version containing several previously unknown pages of the manuscript that were discovered in the International Institute of Social History in Amsterdam, where the original manuscript is kept. Part I appears here in this new and fuller version as translated from the German and edited by S. Ryazanskaya, and published in English by the Foreign Languages Publishing House, Moscow, in 1964. In preparing this new translation, the translator made use of an earlier English translation made by VI. Lough and edited by R. Pascal.&#xA;&#xA;                            Feuerbach : Opposition of the Materialistic&#xA;                                              and Idealistic Outlook&#xA;&#xA;      As we hear from German ideologists, Germany has in the last few years gone through an unparalleled revolution. The decomposition of the Hegelian philosophy, which began with Strauss, has developed into a universal ferment into which all the &amp;quot;powers of the past&amp;quot; are swept. In the general chaos mighty empires have arisen only to meet with immediate doom, heroes have emerged momentarily only to be hurled back into obscurity by bolder and stronger rivals. It was a revolution beside which the French Revolution was child's play, a world struggle beside which the struggles of the Diadochi appear insignificant. Principles ousted one another, heroes of the mind overthrew each other with unheard-of rapidity, and in the three years 1842-45 more of the past was swept away in Germany than at other times inthree centuries.&#xA;&#xA;     All this is supposed to have taken place in the realm of pure thought.&#xA;&#xA;     Certainly it is an interesting event we are dealing with: the putrescepc.e of the absolute spirit. When the last spark of its life had failed, the various components of this caput mortuum1 began to decompose, entered into new combinations and formed new substances. The industrialists of philosophy, who till then had lived on the exploitation of the absolute spirit, now seized upon the new combinations. Each with all possible zeal set about retailing h is apportioned share. This naturally gave rise to competition, which, to start with, was carried on in moderately staid bourgeois fashion. Later when the German market was glutted, and the commodity in spite of all efforts found no response in the world market, the business was spoiled in the usual German manner by fabricated and fictitious production, deterioration in quality, adulteration of the raw materials, falsification of labels, fictitious purchases, bill-jobbing and a credit system devoid of any real basis. The competition turned into a bitter struggle, which is now being extolled and interpreted to us as a revolution of world significance, the begetter of the most prodigious results and achievements.&#xA;&#xA;   If we wish to rate at its true value this philosophic charlatanry, which awakens even in the breast of the honest German citizen a glow of national pride, if we wish to bring out clearly the pettiness, the parochial narrowness of this whole Young-Hegelian movementand in particular the tragicomic contrast between the illusions of these heroes about their achievements and the actual achievements themselves, we must look at the whole spectacle from a standpoint beyond the frontiers of Germany.&#xA;&#xA;                       A. IDEOLOGY IN GENERAL, GERMAN IDEOLOGY&#xA;                                                 IN PARTICULAR&#xA;&#xA;     German criticism has, right up to its latest efforts, never quitted the realm of philosophy. Far from examining its general philosophic premises, the whole body of its inquiries has actually sprung from the soil of a definite philosophical system, that of Hegel. Not only in their answers but in their very questions there was a mystification. This dependence on Hegel is the reason why not one of these modern critics has even attempted a comprehensive criticism of the Hegelian system, however much each professes to have advanced beyond Hegel. Their polemics against Hegel and against one another are confined to this-each extracts one side of the Hegelian system and turns this against the whole system as well as against the sides extracted by the others. To begin with they extracted pure unfalsified Hegelian categories such as &amp;quot;substance&amp;quot; and &amp;quot;self-consciousness,&amp;quot; later they desecrated these categories with more secular names such as &amp;quot;species,&amp;quot; &amp;quot;the Unique,&amp;quot; &amp;quot;Man,&amp;quot; etc.&#xA;&#xA;     The entire body of German philosophical criticism from Strauss to Stirner is confined to criticism of religious conceptions. The critics started from real religion and actual theology. What religious consciousness and a religious conception really meant was determined variously as they went along. Their advance consisted in subsuming the allegedly dominant metaphysical, political, juridical, moral and other conceptions under the class of religious or theological, conceptions; and similarly in pronouncing political, juridical, moral consciousness as religious or theological, and the political, juridical, moral man-&amp;quot;man&amp;quot; in the last resort as religious. The dominance of religion was taken for granted. Gradually every dominant relationship was pronounced a religious relationship and transformed into a cult, a cult of law, a cult of the State, etc. On all sides it was only a question of dogmas and belief in dogmas. The world was sanctified to an ever• increasing extent till at last our venerable Saint Max was able to canonise it en bloc and thus dispose of it once for all.&#xA;&#xA;     The Old Hegelians had comprehended everything as soon as it was reduced to an Hegelian logical category. The Young Hegelians criticized everything by attributing to it religious conceptions or by pronouncing it a theological matter. The Young Hegelians are in agreement with the Old Hegelians in their belief in the rule of religion, of concepts, of a universal principle in the existing world. Only, the one party attacks this dominion as usurpation, while the other extols it as legitimate.&#xA;&#xA;   Since the Young Hegelians consider conceptions, thoughts, ideas, in fact all the products of consciousness, to which they attribute an independent existence, as the real chains of men (just as the Old Hegelians declared them the true bonds of human society) it is evident that the Young Hegelians have to fight only against these illusions of the consciousness. Since, according to their fantasy, the relationships of men, all their doings, their chains and their limitations are products of their consciousness, the Young Hegelians logically put to men the moral postulate of exchanging their present consciousness for human, critical or egoistic consciousness, and thus of removing their limitations. This demand to change consciousness amounts to a demand to interpret reality in another way, i.e., to recognise it by means of another interpretation. The Young Hegelian ideologists, in spite of their allegedly &amp;quot;world-shattering&amp;quot; statements, are the staunchest conservatives. The most recent of them have found the correct expression for their activity when they declare they are only fighting against &amp;quot;phrases.&amp;quot; They forget, however, that to these phrases they themselves are only opposing other phrases, and that they are in no way combating the real existing world when they are merely combating the phrases of this world. The only results which this philosophic criticism could achieve were a few ( and at that thoroughly one-sided) elucidations of Christianity from the point of view of religious history; all the rest of their assertions are only further embellishments of their claim to have furnished, in these unimportant elucidations, discoveries of universal importance.&#xA;&#xA;   It has not occurred to any one of these philosophers to inquire into the connection of German philosophy with German reality, the relation of their criticism to their ownmaterial surroundings.&#xA;&#xA;   The premises from which we begin are not arbitrary ones, notdogmas, but real premises from which abstraction can only be made in the imagination. They are the realindividuals, their activity and the material conditions under which they live, both thosewhich they find already existing and those produced by their active-ity. These premises can thus be verified in a purely empirical way.&#xA;&#xA;   The first premise of all human history is, of course, the existence of living human individuals. Thus the first fact to be established isthe physical organisation of these individuals and their consequent relation to the rest of nature. Of course, we cannot here go either into the actual physical nature of man, or into the natural conditions in which man finds himself geological, orohydrographical,climatic and so on. The writing of history must always set out from these natural bases and their modification in the course of history through the action of men.&#xA;&#xA;   Men can be distinguished from animals by consciousness, by religion or anything else you like. They themselves begin to distinguish themselves from animals as soon as they begin to produce their means of subsistence, a step which is conditioned by their physical organization. By producing their means of subsistence men are indirectly producing their actual material life.&#xA;&#xA;   The way in which men produce their means of subsistence depends first of all on the nature of the actual means of subsistence they find in existence and have to reproduce. This mode of production must not be considered simply as being the reproduction of the physical existence of the individuals. Rather it is a definite form of activity of these individuals, a definite form of expressing their life, a definite mode of life on their part. As individuals express their life, so they are. What they are, therefore, coincides with their production, both with what they produce and with howthey produce. The nature of individuals thus depends on the material conditions determining their production.&#xA;&#xA;   This production only makes its appearance with  the increase of population. In its turn this presupposes the intercourse of individuals with one another. The form of this intercourse is again determined by production.&#xA;&#xA;   The relations ofdifferent nations among themselves depend upon the extent to which each has developed its productive forces, the division of labour and internal intercourse. This statement is generally recognised. But not onlythe relation of one nation to others, but also the whole internal structure of the nation itself depends on the stage of development reached by its production and its internal and external intercourse. How far the productive forces of a nation are developed is shown most manifestly by the degree to which the division of labour has been carried. Each new productice force, insofar as it is not merely a quantitive extension of productive forces already known ( for instance the bringing into cultivation of fresh land ), causes a further development of the divisionof labour.&#xA;&#xA;   The division of labour inside a nation leads at first to the separation of industrial and commercial fromagricultural labour, and hence to the separationof town and country and to  the conflict of their interests. Its further development leads to the separation ofcommercial from industrial labour. At the same time through the division of labour inside these various branches there develop various divisions among the individuals co-operating in definite kinds of labour. The relative position of these individual groups is determined by the methods employed in agriculture, industry and commerce ( patriarchalism, slavery, estates, classes ). These same conditions are to be seen (given a more developed intercourse) in the relations of different nations to one another.&#xA;&#xA;   The various stages of development in the division of labour are just so many different forms of ownership, i.e., the existing stage in the division of labour determines also the relations of individuals to one another with reference to the material, instrument, and product of labour.&#xA;&#xA;   The first form of ownership is tribal  ownership. It corresponds to the undeveloped stage of  production, at which a people lives by hunting and fishing, by the rearing of beasts or, in the highest stage, agriculture. In the latter case it pre-supposes a great mass of uncultivated stretches of land. The division of labour is at this stage still very elementary and is confined to a further extension of the natural division of labour existing in the family. The social structure is, therefore, limited to an extension of the family; patriarchal family chieftains, below them the members of the tribe; finally slaves. The slavery latent in the family only develops gradually with the increase of population, the growth of wants, and with the extension of external relations, both of war and of barter.&#xA;&#xA;   The second form is the ancient communal and State ownership which  proceeds especially from the union of several tribes into a city by agreement or by conquest, and which is still accompanied by slavery. Beside communal ownership we already find movable,and later also immovable, private property developing, but as an abnormal form subordinate to communal ownership. The citizens hold power over their labouring slaves only in their community, and on this account alone, therefore, they are bound to the form of communal ownership. It is the communal private property which compels the active citizens to remain in this spontaneously derived form of association over against their slaves. For this reason the whole structure of society based on this communal ownership, and with it the power of the people, decays in the same measure as; in particular, immovable private property evolves. The division of labour is already more developed. We already find the antagonismof town and country; later the antagonism between those states which represent town interests and those which represent country interests, and inside the towns themselves the antagonism between industry and maritime commerce. The class relation between citizens and slaves is now completely developed.&#xA;&#xA;   This whole interpretation of history appears to be contradicted by the fact of conquest. Up till now violence, war, pillage, murder and robbery, etc., have been accepted as the driving force of history. Here we must limit ourselves to the chief points and take, therefore, only the most striking example--:the destruction of an old civilisation by a barbarous people and the resulting formation of an entirely new organisation of society. ( Rome and the barbarians; feudalism and Gaul; the Byzantine Empire and the Turks.) With the conquering barbarian people war itself is still, as indicated above, a regular form of intercourse; which is the more eagerly exploited as the increase in population together with the traditional and, for it, the only possible, crude mode of production gives rise to the need for new means of production. In Italy, on the other hand, the concentration of landed property (caused not only by buying-up and indebtedness but also by inheritance, since loose living being rife and marriage rare, the old families gradually died out and their possessions fell into the hands of a few) and its conversion into grazing land (caused not only by the usual economic forces still operative today but by the importation of plundered and tribute corn and the resultant lack of demand for Italian corn) brought about the almost total disappearance of the free population. The very slaves died out again and again, and had constantly to be replaced by new ones. Slavery remained the basis of the whole productive system. The plebeians, midway between freemen and slaves, never succeeded in becoming more than a proletarian rabble. Rome indeed never became more than a city; its connection with the provinces was almost exclusively political and could, therefore, easily be broken again by political events.&#xA;&#xA;   With the development of private property, we find here for the first time the same conditions which we shall find again, only on a more extensive scale, with modern private property. On the one hand, the concentration of private property, which began very early in Rome ( as the Licinian agrarian law proves ) and proceeded very rapidly 'from the time of the civil wars and especially under the Emperors; on the other hand, coupled with this, the transformation of the plebejan small peasantry into a proletariat, which, however, owing To its intermediate position between propertied citizens and slaves, never achieved an independent development.&#xA;&#xA;   The third form of ownership is feudal or estate property. If antiquity started out from the town and its little territory, the Middle Ages started out from the country. This different starting point was determined by the sparseness of the population at that time, which was scattered over a large area and which received no large increase from the conquerors. In contrast to Greece and Rome, feudal development at the outset, therefore, extends over a much wider territory, prepared by the Roman conquests and the spread of agriculture at first associated with them. The last centuries of the declining Roman Empire and its conquest by the bar barbar-ians destroyed a number of productive forces; agriculture had declined, industry had decayed for want of a market, trade had died out or been violently suspended, the rural and urban population had decreased. From these conditions and the mode of organisation of the conquest determined by them, feudal property developed under the infiluence of the Germanic military constitution. Like tribal and communal ownership, it is based again on a community; but the directlyproducing class standing over against it is not, as in the case of the ancient community, the slaves, but theenserfed small peasantry. As soon as feudalism is fully developed, there also arises antagonism to the towns. The hierarchical structure oflandownership, and the armed bodies of retainers associated with it, gave the nobility power over the serfs. This feudal organisation was, just as much as the ancient communal ownership, an association against a subjected producing class; but the form of associtation and the relation to the direct producers were differentbecause of the different conditions of production. This feudal system of landownership had its counterpart in thetowns in the shape of corporative property, the feudal organisationof trades.Here property consisted chIefly in the Ia hour of each •individual person. The necessity for association against the organised robber nobility, the need for communal covered markets in an age when the industrialist was at the same time a merchant, the growing competition of the escaped serfs swarming into the rising towns, the feudal structure of the whole country: these combined to bring about the  guilds. The gradually accumulated small capital of individual craftsmen and their stable numbers, as against the growing population, evolved the relation of journeyman and apprentice, which brought into being in the towns a hierarchy similar to that in the country.&#xA;&#xA;   Thus the chief form of  property during the feudal epoch consisted on the one hand of landed property with serf labour chainedto it, and on the other of the labour of the individual with small capital commanding the labour of journeymen. The organization ofboth was determined by the restricted conditions of production the small-scale and primitive cultivation of the land, alld-Ihe craft type of industry. There was little division of labour in the heyday of feudalism. Each country bore in itself the antithesis of town and country; the division into estates was certainly strongly marked; but apart from the differentiation of princes, nobility, clergy and peasants in the country, and masters, journeymen, apprentices and soon also the rabble of casual labourers in the towns, no division of importance took place. In agriculture it was rendered difficult by the strip-system, beside which the cottage industry of the peasants themselves emerged. In industry there wasno division of labour at all in the individual trades themselves, and very little between them. The separation of industry and commerce was found already in existence in older towns; in the newer it only developed later, when the towns entered into mutual relations.&#xA;&#xA;   The grouping of larger territories into feudal kingdoms was a necessity for the landed nobility as for the towns. The organisation of the ruling class, the nobility, had, therefore, everywhere a monarch at its head.&#xA;&#xA;   The fact is, therefore, that definite individuals who are productively active in a definite way enter into these definite social and political relations. Empirical observation must in each separate instance bring out empirically, and without any mystification and speculation, the connection of the social and political structure with production. The social structure and the State are continually evolving out of the life process of definite individuals, but of individuals, not as they may appear in their own or other people's imagination, but as they really are; i.e., as they operate, produce materially, and hence as they work under definite material limits, presuppositions and conditions independent of their will.&#xA;&#xA;   The production of ideas, of conceptions, of consciousness, is at first directly interwoven with the material activity and the material intercourse of men, the language of real life. Conceiving, thinking, the mental intercourse of men, appear at this stage as the direct efflux of their material behaviour. The same applies to mental production as expressed in the language of politics, laws, morality, religion, metaphysics, etc., of a people. Men are the producers of their conceptions, ideas:Is, etc-real, active men, as they are conditioned by a definite deve1opment of their productlve forces  and of the intercourse corresponding to these, up to its furthest forms. Consciousness can never be anything else than conscious existence andthe existence of men is their actual life-process. If in all ideology men and their circumstances appear upside-down as in a camera obscura, this phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from their physical life-process.&#xA;&#xA;   In direct contrast to German philosophy which descends from Hayen to earth, here we ascend from earth to heaven. That is to say, we do not set out from .what men say, imagine, conceive, nor from men as narrated, thought of, imagined, conceived, in order to arrive at men in the flesh. We set out from real, active men, and on the basis of their real life-process we demonstrate the develop¬ment of the ideological reflexes and echoes of this life-process. The phantoms formed in the human brain are also, necessarily, sublimates of their material life-process, which is empirically verifiable and bound to material premises. Morality, religion, metaphysics, all the rest of ideology and their corresponding forms of consciousness,thus no longer retain the semblance of independence. They have no history, no development but men, developing their material production and their material intercourse, alter, along with this their real existence, their thinking and the products of their thinking. Life is not determined by consciousness, but consciousness by life. In the first method of approach the starting point is consciousness taken as the living individual; in the second method, which conforms to real life, it is the real living individuals themselves, and consciousness is considered solely as their consciousness.&#xA;&#xA;   This method of approach is not devoid of premises. It starts out from the real premises and does not abandon them for a moment. Its premises are men, not in any fantastic isolation and rigidity, but in their actual, empirically perceptible process of development under definite conditions. As soon as this active life-process is described, history ceases to be a collection of dead facts as it is with the empiricists ( themselves still abstract), or an imagined activity of imagined subject, as with the idealists.&#xA;&#xA;   Where speculation ends-in real life-there real, positive science begins : the representation of the practical activity, of the practical, process of development of men. Empty talk about consciousness ceases, and real knowledge has to take its place. When reality is depicted, philosophy as an independent branch of knowledge loses its medium of existence. At the best its place can only be taken by summing up of the most general results, abstractions which arise from the observation of the historical development of men. Viewed apart from real history, these' abstractions have in themselves no value whatsoever. They can only serve to facilitate the arrangement of historical material, to indicate the sequence of its separate strata.But they by no means afford a recipe or schema, as does philosophy, for neatly trimming the epoch of history. On the contrary,our difficulties begin only when we set about the observation and the arrangement the real depiction of our historical material,whether of a past epoch or of the present. The removal of these difficulties is governed by premises which it is quite impossible to state here, but which only the study of the actual life-process arid the activity of the individuals of each epoch will make evident. We shall select here some of these abstractions, which we use in contradistioncion to the ideologists, and shall iilustrate them by historical examples.&#xA;&#xA;                                                1. History&#xA;&#xA;   Since we are dealing with the Germans, who are devoid of premises, we must begin by stating the first premise of all human existence and, therefore, of all history, the premise, namely, that men,must be in a position to live in order to be able to &amp;quot;makehistory.’’2 But life involves before everything else eating and drinking, a habitation, clothing and many other things. Tne first historical act is thus the production of the means to satisfy these needs, the production of material life itself. And indeed this is an histori¬cal act, a fundamental condition of all history, which today, as thousands of years ago, must daily and hourly be fulfilled merely in order to sustain human life. Even when the sensuous world is reduced to a minimum, to a stick as with Saint Bruno, it presup¬poses the action of producing the stick. Therefore in any interpretation of history one has first of all to observe this fundamental fact in all its significance and all its implications and to accord it its due importance. It is well known that the Germans have never done this, and they have never, therefore, had an earthly basis for history and consequently never a historian.The French and the English, even if they have conceived the relation of this fact with so-calledhistory only in an extremely one-sided fashion, particularly as long as they remained in the toils of political ideology, have nevertheless made the first attempts to give the writing of history a materialistic basis by being the first to write histories of civil society, of commerce and industry.&#xA;&#xA;   The second point is that the satisfaction of the first need ( theaction of satisfying, and the instrument of satisfaction which has been acquired) leads to new needs; and this production of newneeds is the first historical act. Here we recognise immediately the spiritual ancestry of the great historical wisdom of the Germans who, when they run out of positive material and when they can serve up neither theological nor political nor literary rubbish, assert that this is not history at all, but the &amp;quot;prehistoric era.&amp;quot; They do not, however, enlighten us as to how we proceed from this nonsensical &amp;quot;prehistory&amp;quot; to history proper; although, on the other hand, in their historical speculation they seize upon this &amp;quot;prehistory&amp;quot; with especial eagerness because they imagine themselves safe there from interference on the part of &amp;quot;crude facts,&amp;quot; and, at the same time, because there they can give full rein to their speculative impulse and set up and knock down hypotheses by the thousand.The third circumstance which, from the very outset, enters into historical development, is that men, who daily remake their own life, begin to make other men, to propagate their kind: the relation between man and woman, parents and children, the family. The family, which to begin with is the .only social relationship, becomes later, when increased needs create new social relatIons and the increased population new needs, a subordinate one ( except in Germany), and must then be  treated and analysed according to the existing empirical data, not according to &amp;quot;the concept of the family,&amp;quot; as is the custom in Germany.3 These three aspects of social activity are not of course to be taken as three different stages, but just as three aspects or, to make it clear to the Germans, three &amp;quot;moments,&amp;quot; which have existed simultaneously since the dan ofhistory and the first men, and which still assert themselves in history today.&#xA;&#xA;   The production of life, both of one's own in labour and of fresh  life in procreation, now appears as a double relationship: on the one hand as a natural, on the other as a social relationship. By social we understand the co-operation of several individuals, no matter under what conditions, in what manner and to what end. It follows from this that a certain mode, of production, or industrial stage, is always combined with a certain mode of co-operation, or social stage, and this mode of co-operation ' is itself a &amp;quot;productive force.&amp;quot; Further, that the multitude of productive forces accessible to men determines the nature of society, hence, that the ‘’history humanity’’ must always be studied and treated in relation to thehistory of industry and exchange. But it is also clear how in Germany it is impossible to write this sort of history, because the Germans lack not only the necessary power of comprehension and the material but also the &amp;quot;evidence of their senses,&amp;quot; for across the Rhine you cannot have any experience of these things since history has stopped happening. Thus it is quite obvious from the start that there exists a materialistic connection of men with one another, which is determined by their needs and their mode of production, and which is as old as men themselves. This connection is evertaking on new forms, and thus presents a ‘’history’’ independentlyof the existence of any political or religious nonsense which would especially hold men together.&#xA;&#xA;   Only now, after having considered four moments, four aspects ofthe primary historical relationships, do we find that man also possesses “consciousness”;4 but, even so, not inherent, not &amp;quot;pure&amp;quot; consciousness. From the start the &amp;quot;spirit&amp;quot; is afflicted with the curse of being &amp;quot;burdened&amp;quot; with matter, which here makes its appearance in the form of agitated layers of air, sounds, in short, of language. Language is as old as consciousness, language is practical conscious¬ness that exists also for other men, and for that reason alone it really exists for me personally as well; language, like consciousness, only arises from the need, the necessity, of intercourse with other men. Where there exists a relationship, it exists for me : the animal does not enter into &amp;quot;relations&amp;quot; with anything, it does not enter into any relation at all. For the animal, its relation to others does not exist as a relation. Consciousness is, therefore, from the very beginning a social product, and remains so as long as men exist at all. Consiousness is at first, of course, merely consciousness concerning the immediate sensous environment and consciousness of the limited connection with other persons and things outside the individual who&amp;quot; is growing self-conscious. At the same time it is consciousness of nature, which first appears to men as a completely alien, all-powerful and unassailable force, with which men's relations are purely animal and by which they are overawed like beasts; it is thus a purely animal consciousnessof nature (natural religion).&#xA;&#xA;   We see here immediately: this natural religion or this particular relation of men to nature is determined by the form of society and vice versa. Here, as everywhere, the identity of nature and man appears in such a way that the restricted relation of men to nature determines their restricted relation to one another, and their restricted relation to one another determines men's restricted relation to nature, just because nature is as yet hardly modified historically; and, on the other hand, man's consciousness of the necessity of associating with the individuals around him is the beginning of he consciousness that he is living in society at all. This beginning is as animal as social life itself at this stage. It is mere herd-consciousness, and at this point man is only distinguished from sheep by the fact that with him consciousness takes the place of instinct or that his instinct is a conscious one. This sheep-like or tribal consciousness receives its further development and extension through increasedprodyctivity, the increase of needs, and, what isfundamental to both of these, the increase of population. With these there develops the division of labour, which was originally nothing but the division of labour in the sexual act, then that division of labour which develops spontaneously or &amp;quot;naturally&amp;quot; by virtue of natural predisposition (e.g., physical strength), needs, accidents, etc., etc. Division of labour only becomes truly such from the moment when a division of material and mental labour appears.5 Fromt this moment onwards consciousness can really Ratler&amp;quot;Itself that it is something other than consciousness of existing practice, that it really represents something without represent- ing something real; from now on consciousness is in a position to emancipate itself from the world and to proceed to the formation of &amp;quot;pure&amp;quot; theory, theology, philosophy, ethics, etc. But even if this theory, theology, philosophy, ethics, etc., comes into contrawith the existing relations, this c    only occur because existing social relations have come into contradiction with existing forces of production; this, moreover, can also occur in a particular national sphere of'relations through the appearance of the contradiction, not within the national orbit, but between this national consciousness and the practice of other nations,6 i.e., between the national and the general consciousness of a nation (as we see it now in Germany).&#xA;&#xA;   Moreover, it is quite immaterial what consciousness starts to do on its own: out of all such muck we get only the one inference that these threeoments, the forces of production, the state of society, and consciousness, can and must come into contradicfion with one another, because the division of labour implies the possibility,naythe fact that intellectual and material activity-enjoyment and labour, production and consumption devolve on different individuals, and that the only possibility of their not coming into contradiction lies in the negation in its turn of the division of labour. It is self-evident, moreover, that &amp;quot;spectres,&amp;quot; &amp;quot;bonds,&amp;quot; &amp;quot;the higherbeing,&amp;quot; &amp;quot;concept,&amp;quot; &amp;quot;scruple,&amp;quot; are merely the idealistic, spiritual expression, the conception apparently of the isolated individual, the image of very empirical fetters and limitations, within which the mode of production of life and the form of intercourse coupled with it move.&#xA;&#xA;   With the division of labour, in which all these contradictions are implicit, and which in its turn is based on the natural division of labour in the family and the separation of society into individual. families opposed to one another, is given simultaneously thedistri-bution, and indeed the unequal distribution, both quantitive and qualitative, of labour and its products, hence property: the nucleus, the first form, of which lies in the family, where wife and children are the slaves of the husband. This latent slavely in the family, though still very crude, is the first property, but even at this early stage it corresponds perfectly to the definition of modern economists who call it the power of disposing of the labour-power of others. Division of labour and private property are, moreover, identical expressions: in the one the same thing is affirmed with reference to activity as is affirmed in the other with reference to the product of the activity.&#xA;&#xA;   Further, the division of labour implies the contradiction between the interest of the separate individual or the individual family and the communal interest of all individuals who have intercourse with one another. And indeed, this communal interest does not exist merely in the imagination, as the &amp;quot;general interest,&amp;quot; but first of all in reality, as the mutual interdependence of the individuals among whom the labour is divided. And finally, the division of labour offers us the first example of how, as long as man remains in natural society, that is, as long as a cleavage exists between the particu¬voluntarily, but naturally, divided, man’s own deed becomes an alien power opposed to him, which enslaves him instead of being controlled by him. For as soon as the distribution of labour comes into being each man has a particular, exclusive sphere of activity, which is forced upon him and from which he cannot escape. He is a hunter, a fisherman, a shepherd, or a critical critic, and must remain so if he does not want to lose his means of livelihood; while in communist society, where nobody has one exclusive sphere of activity but each can become accomplished in any branch he wishes, society regulates the general production and thus makes it possible for me to do one thing today and another tomorrow, to hunt in the morning, fish in the afternoon, rear cattle in the evening, criticise after dinner, just as I have a mind, without ever becoming hunter, fisherman, shepherd or critic. This fixation of social activity, this consolidation of what we ourselves produce intoan objective power above us, growing out of control, thwarting our expectations, bringing to naught our calculations, is one of the chief factors in historical development up till now.&#xA;&#xA;   And out of this very contradiction between the interest of the individual and that of the community the latter takes an independent form as theState, divorced from the real interests of individual and community, and at the same time as an illusory communal life, always based, however, on the real ties existing in every family and tribal conglomeration-such as flesh and blood, language, division of labour on a larger scale, and other interests and especial1y, as we shall enlarge upon later, on the classes, already determined by the division of labour, which in every such mass of men separate out, and of which one dominates all the others. It follows from this that all struggles within the State, the struggle between democracy, aristocracy, and monarchy, the struggle for the franchise, etc., etc.,are merely the illusory forms in which the real struggles of the different classes are fought out among one another (of this the German theoreticians have nof the fainest inkling, although they have received a sufficient introduction to the subject in the Deutsch-Franzosische Jahrbucher and Die heilige Familie). Further, it follows that every class which is struggling for mastery, even when its domination, as is the case with the proletariat, postulates the abolition of the old form of society in its entirety and of domination itself, must first conquer for itself political power in order to represent its interest in turn as the general interest, which in the first moment it is forced to do. Just because individuals seek only their particular interest, which for them does not coincide with their communal interest (in fact the general is the illusory form of communal life), the latter will be imposed on them as an interest &amp;quot;alien&amp;quot; to them, and &amp;quot;independent&amp;quot; of them, as in its turn a particular, peculiar &amp;quot;general&amp;quot; interest; or they themselves must remain within this discord, as in democracy. On the other hand, too, the practicalstruggle of these particular interests, which constantly really run counter to the communal and illusory communal interests, makes practical intervention and control necessary through the illusory ‘’general’’ interest in the form of the State, The social power, i.e., the multiplied productive force, which arises through the the co-operation of different  individuals as it is determined by the division of labour, appears to these individuals, since their co-operation is not voluntary but has come about naturally, not as their own united power, but as an alien forceexisting outside them, of the origin and goal of which they are ignorant, which they thus cannot control, which on the contrary passes through a peculiar series of phases and stages independent of the will and the action of man, nay even being the prime governor of these.&#xA;&#xA;   This’’estrangement’’ (to use a term which will be comprehensible to the philosophers) can, of course, only be abolished given two&#xA;practical premises. For it to become an &amp;quot;intolerable&amp;quot; power, i.e., a power against which men make a revolution, it must necessarily have rendered the great mass of humanity &amp;quot;propertyless,&amp;quot; and produced, at the same time, the contradiction of an existing world of wealth and culture, both of which conditions presuppose a great increase in productive power, a high degree of its development. And, on the other hand, this development of productive forces (which itself implies the actual empirical existence of men in their world-historical, instead of local, being) is an absolutely necessary practical premise because without it want is merely made general, and with destitution the struggle for necessities and all the old filthy business would necessarily be reproduced; and furthermore, because only with this universal development of productive forces isa universal intercourse between men established, which produces in all nations simultaneously the phenomenon of the &amp;quot;propertyless&amp;quot; mass (universal competition), makes each nation dependent on the revolutions of the others, and finally has put world-historical,  empirically universal individuals in place of local ones. Without this, ( 1)communism could only exist as a local event; (2) the forces of intercourse themselves could not have developed as universal, hence intolerable powers: they would have remained home-bred conditions surrounded by superstition; and (3) each extension of intercourse would abolish local communism. Empirically, communism is only possible as the act of the dominant peoples &amp;quot;all at once&amp;quot; and simultaneously, which presupposes the universaldevelopment of productive forces and the world intercourse bound up with communism. How otherwise ccould for instance property have had a history at all, have taken on different forms, and landed property, for example, according to the different premises given, have proceeded in France from parcellation to centralisation in the hands of a few, in England from centralisation in the hands of a few to parcellation, as is actually the case today? Or how does it happen that trade, which after all is nothing more than the exchange of products of various individuals and countries, rules the whole world through the relation of supply and demand-a relation which, as an English economist says, hovers over the earth like the fate of the ancients, and with invisible hand allots fortune and misfortune to men, sets up empires and overthrows empires, causes nations to rise and to disappear while with the abolition of the basis of private property, with the communistic regulation of production (and, implicit in this, the destruction of the alien relation between men and what they themselves produce), the power of the relation of supply and demand is dissolved into nothing, and men get exchange, production, the mode of their mutual relation, under their own control again?&#xA;   Communism is for us not a state of affairs which is to b established, an ideal to which reality  have to adjust itself.We call communism the real movement which abolishes the present state of things. The conditions of this movement result from the premises now in existence. Moreover, the mass of propertylessworkers-the utterly precarious position of labour-power on a mass scale cut off from capital or from even a limited satisfaction and, therefore, no longer merely temporarily deprived of work itself as a secure source of life-presupposes the world market through competition. The proletariat can thus only exist world-historically, just as communism, its activity, can only have a &amp;quot;world-historical&amp;quot; existence. World-historical existence of individuals, i.e., existenceof individuals which is directly linked up with world history.&#xA;&#xA;   The form of intercourse determined by the existing productive forces af all previous historical stages, and in its turn determingthese, is civil society. The latter, as is clear from what we have said above, has as its premises and basis the simple family and the multiple, the so-called tribe, and the more precise determinants of this society are enumerated in our remarks above. Already here we see how this civil society is the true source and theatre of all history, and how absurd is the conception of history held hitherto, which neglects the real relationships and confines itself to high-sounding dramas of princes and states.&#xA;&#xA;   Civil society embraces the whole material intercourse of individuals within a definite stage of the development of productive forces.It embraces the whole commercial and industrial life of a given stage and, insofar, transcends the State and the nation, though on the other hand again, it must assert itself in its foreign relations as nationality, and inwardly must organise itseld as State. The term ‘’civil society’’ 7 emerged in the eighteenth century, when property relationships had already extricated themselves from the ancient and medieval communal society. Civil society as such only develops with the bourgeoisie; the social organisation evolving directly out of production and commerce, which in all ages forms the basis of the State and of the rest of the idealistic superstructure, has, however, always been designated by the same name.&#xA;&#xA;                           2. Concerning the Production of Consciousness&#xA;&#xA;   In history up to the present it is certainly an empirical fact that separate individuals have, with the broadening of their activity into world historical activity, become more and more enslaved under a power alien to them (a pressure which they have conceived of as a dirty trick on the part of the so-called universal spirit, etc.), a power which has become more and more enormous and, in the last instance, turns out to be the world market. But it is just as empirically established that, by the overthrow of the existing state of society by the communist revolution (of which more below) and the abolition of private property which is identical with it, this power, which so baffles the German theoreticians, will be dissolved; and that then the liberation of each single individual will be accomplished in the measure in which history becomes transformed into world history. From the above it is clear that the real intellectual wealth of the individual depends entirely on the wealth of his real connections. Only then will the separate individuals be liberated from the various national and local barriers, be brought into practical connection with the material and intellectual production of the whole world and be put in a position to acquire the capacity to enjoy this all-sided production of the whole earth (the creations of man). All-round dependence, this natural form of the world¬historical co-operation of individuals, will be transformed by this communist revolution into the control and conscious mastery of these powers, which, born of the action of men on one another, have till now overawed and governed men as powers completely alien to them. Now this view can be expressed again in speculative-idealistic, i.e., fantastic, terms as &amp;quot;self-generation of the species&amp;quot; (&amp;quot;society as the subject&amp;quot;), and thereby the consecutive series of interrelated individuals connected with each other can be conceived as a single individual, which accomplishes the mystery of generating itself, It is clear here that individuals certainly make one another, physically and mentally, but do not make themselves either in the nonsense of Saint Bruno, or in the sense of the &amp;quot;Unique,&amp;quot; of the &amp;quot;made&amp;quot; man.&#xA;&#xA;   This conception of history depends on our ability to .expound the real process of production, starting out from the material production of life itself, and to comprehend the form of intercourse connected with this and created by this mode of production (i.e., civil society in its various stages), as the basis of all history; and to show it in its action as State, to explain all the different theoretical products and forms of consciousness, religion, philosophy, ethics, etc., etc., and trace their origins and growth from that basis; by which means, of course, the whole thing can be depicted in its totality (and therefore, too, the reciprocal action of these various sides on one another). It has not, like the idealistic view of  history, in every period to look for a category, but remains constantly on the real ground of history; it does not explain practice from the idea but explains the formation of ideas from material practice; and accordingly it comes to the conclusion that all forms and products of consciousness cannot be dissolved by mental criticism, by resolution into &amp;quot;self-consciousness&amp;quot; or transformation into &amp;quot;apparitions,&amp;quot; &amp;quot;spectres,&amp;quot; &amp;quot;fancies,&amp;quot; etc., but only by the practical overthrow of the actual social relations which gave rise to this idealistic humbug; that not criticism but revolution is the driving force of history, also of religion, of philosophy and all other types of theory. It shows that history does not end by being resolved into &amp;quot;self¬consciousness&amp;quot; as &amp;quot;spirit of the spirit,&amp;quot; but that in it at each stage there is found a material result: a sum of productive forces, a historically created relation of individuals to nature and to one another, which is handed down to each generation from its predecessor; a mass of productive forces, capital funds and conditions, which, on the one hand, is indeed modified by the new generation,but also on the other prescribes for it its conditions of life and gives it a definite development, a special character. It shows that circumstances make men just as m uch as men make circumstances. This sum of productive forces, capital funds and social forms of intercourse, which every individual and generation finds in existence as something given, is the real basis of what the philosophers have conceived as &amp;quot;substance&amp;quot; and &amp;quot;essence of man,&amp;quot; and what they have deified and attacked: a real basis which is not in the least disturbed, in its effect and influence on the development of men, by the fact that these philosophers revolt against it as &amp;quot;self¬consciousness&amp;quot; and the &amp;quot;Unique.&amp;quot; These conditions of life, which different generations find in existence, decide also whether or not the periodically recurring revolutionary convulsion will be strong enough to overthrow the basis of the entire existing system. And if these material elements of a complete revolution are not present&#xA;( namely, on the one hand the existing productive forces, on the other the formation of a revolutionary mass, which revolts not only against separate conditions of society up till then, but against the very &amp;quot;production of life&amp;quot; till then, the &amp;quot;total activity&amp;quot; on which it was based), then, as far as practical development is concerned, it is absolutely immaterial whether the idea of this revolution has been expressed a hundred times already, as the history of communism proves.&#xA;&#xA;   In the whole conception of history up to the present this real basis of history has either been totally neglected or else considered as a minor matter quite irrelevant to the course of history. History must, therefore, always be written according to an extraneous standard; the real production of life seems to be primeval history, while the truly historical appears to be separated from ordinary life, something extra-superterrestrial. With this the relation of man to nature is excluded from history and hence the antithesis of nature and history is created. The exponents of this conception of history have consequently only been able to see in history the political actions of princes and States, religious and all sorts of theoretical struggles, and in particular in each historical epoch have had to share the illusion of that epoch. For instance, if an epoch imagines itself to be actuated by purely &amp;quot;political&amp;quot; or &amp;quot;religious&amp;quot; motives, although &amp;quot;religion&amp;quot; and &amp;quot;politics&amp;quot; are only forms of its true motives, the historian accepts this opinion. The &amp;quot;idea,&amp;quot; the &amp;quot;conception&amp;quot; of the people in question about their real practice, is transformed into the sole determining, active force, which controls and determines their practice. When the crude form in which the division of labour appears with the Indians and Egyptians calls forth the caste-system in their State and religion, the historian believes that the caste-system is the power which has produced this crude social form . While the French and the English at least hold by the political illusion, which is moderately close to reality, the Germans move in the realm of the &amp;quot;pure spirit,&amp;quot; and make religious illusion the driving force of history. The Hegelian philosophy of history is the last consequence, reduced to its &amp;quot;finest expression,&amp;quot; of all this German historiography, for which it is not a question of real, nor even of political, interests, but of pure thoughts, which consequently must appear to Saint Bruno, as a series of &amp;quot;thoughts&amp;quot; that devour one another and are finally swallowed up in &amp;quot;self¬consciousness&amp;quot;;8 and even more consistently the course of history appears to the Blessed Max Stirner, who knows not a thing about real history, as a mere tale of &amp;quot;knights,&amp;quot; robbers and ghosts, from whose visions he can, of course, only save himself by &amp;quot;unholiness.&amp;quot; This conception is truly religious: it postulates religious man as the primitive man, the starting point of history; and in its imagination puts the religious production of fancies in the place of the real production of the means of subsistence and of life itself. This whole conception of history, together with its dissolution and the scruples and qualms resulting from it, is a purely national affair of the Germans and has only local interest for the Germans, as for instance the important question treated several times of late: how really we &amp;quot;pass from the realm of God to the realm of Man&amp;quot; -as if this &amp;quot;realm of God&amp;quot; had ever existed anywhere save in the imagination, and the learned gentlemen, without being aware of it, were not constantly living in the &amp;quot;realm of Man&amp;quot; to which they are now seeking the way; and as if the learned pastime ( for it is nothing more) of explaining the mystery of this theoretical bubble-blowing did not on the contrary lie in demonstrating its origin in actual earthly conditions. Always, for these Germans, it is simply a matter of resolving the nonsense of earlier writers into some other freak, i.e., of presupposing that all this nonsense has a special sense which can be discovered; while really it is only a question of explaining this theoretical talk from the actual existing conditions. The real, practical dissolution of these phrases, the removal of these notions from the consciousness of men, will, as we have already said, be effected by altered circumstances, not by theoretical deductions. For the mass of men, i.e., the proletariat, these theoretical notions do not exist and hence do not require to be dissolved, and if this mass ever had any theoretical notions, e .g., religion, etc., these have now long been dissolved by circumstances.&#xA;&#xA;   The purely national character of these questions and solutions is shown again in the way these theorists believe in all seriousness that chimeras like &amp;quot;the God-Man,&amp;quot; &amp;quot;Man,&amp;quot; etc., have presided overindividual epochs of history (Saint Bruno even goes so far as to assert that &amp;quot;only criticism and critics have made history&amp;quot;) and when they themselves construct historical systems, they skip over all earlier periods in the greatest haste and pass immediately from &amp;quot;Mongolism&amp;quot; to history &amp;quot;with meaningful content,&amp;quot; that is to say, to the history of the Hallische and Deutsche Jahrbucher and the dis¬solution of the Hegelian school into a general squabble. They forget all other nations, all real events, and the theatrum mundi is confined to the Leipzig Book Fair and the mutual quarrels of &amp;quot;Criticism,&amp;quot; &amp;quot;Man,&amp;quot; and &amp;quot;the Unique.&amp;quot; If these theorists treat really historical subjects, as for instance the eighteenth centrry, they merely give a history of the i deas of the times, torn away from the facts and the practical development fundamental to them; and even that merely in order to represent that period as an imperfect preliminary stage, the as yet limited predecessor of the real historical age, i.e., the period of the German philosophic struggle from 1840 to 1844. As might be expected when the history of an earlier period is written with the aim of accentuating the brilliance of anun historic person and his fantasies, all the really historic events, even the really historic invasion of politics into history, receive no mention. Instead we get a narrative based not on research but on arbitrary constructions and literary gossip, such as Saint Bruno provided in his now forgotten history of the eighteenth century. These high-falutin and haughty hucksters of ideas, who imagine themselves infinitely exalted above all national prejudices, are thus in practice far more national than the beer-quaffing philistines who dream of a united Germany. They do not recognise the deeds of other nations as historical: they live in Germany, to Germany, and for Germany; they turn the Rhine-song into a religious hymn and conquer Alsace and Lorraine by robbing French philosophy instead of the French State, by Germanising French ideas instead of French provinces. Herr Venedey is a cosmopolitan compared with the Saints B runo and Max, who, in the universal dominance of theory, proclaim the universal dominance of Germany.&#xA;&#xA;   It is also clear from these arguments how grossly Feuerbach is deceiving himself when (Wigand's Vierteljahrsschrift, 1845, Volume 2) by virtue of the qualification &amp;quot;common man&amp;quot; he declares himself a communist, transforms the latter into a predicate of &amp;quot;man,&amp;quot; and thereby thinks it possible to change the word &amp;quot;communist,&amp;quot; which in the real world means the follower of a definite revolutionary party, into a mere category. Feuerbach's whole deduction with regard to the relation of men to one another goes only so far as to prove that men need and alwayshave needed each other. He wants to est a blish consciousness of this fact, that is to say, like the other theorists, merely to produce a correct consciousness aboutan existing fact; whereas for the real communist it is a question of overthrowing the existing state of things. We thoroughly appreciate, moreover, that Feuerbach, in endeavouring to produce consciousness of just this fact, is going as far as a theorist possibly can, without ceasing to be a theorist and philosopher. It is characteristic, however, that Saint Bruno and Saint Max seize on Feuerbach's conception of the communist and put it in place of the real communist which occurs, partly, in order that they can combat communism too as &amp;quot;spirit of the spirit,&amp;quot; as a philosophical category, as an equal opponent and, in the case of Saint Bruno, partly also for pragmatic reason. As an example of Feuerbach's acceptance and at the same time misunderstanding of existing reality, which he still shares with our opponents, we recall the passage in the Philosophie der Zukunft where he develops the view that the existence of a thing or a man is at the same time its or his essence, that the conditions of existence, the mode of life and activity of an animal or human individual are those in which its &amp;quot;essence&amp;quot; feels itself satisfied. Here every exception is expressly conceived as an unhappy chance, as an abnormality which cannot be altered. Thus if millions of proletarians feel by no means contented with their living conditions, if their &amp;quot;existence&amp;quot; does not in the least correspond to their &amp;quot;essence,&amp;quot; then, according to the passage quoted, this is an unavoidable misfortune, which must be borne quietly. The millions of proletarians and communists, however, think differently and will prove this in time, when they bring their &amp;quot;existence&amp;quot; into harmony with their &amp;quot;essence&amp;quot; in a practical way, by means of a revolution. Feuerbach, therefore, never speaks of the world of man in such cases, but always takes refuge in external nature, and moreover in nature which has not yet been subdued by men. But every new invention, every advance made by industry, detaches another piece from this domain, so that the ground which produces examples illustrating such Feuerbachian propositions is steadily shrinking. The &amp;quot;essence&amp;quot; of the fish is its &amp;quot;existence,&amp;quot; water to go no further than this one proposition. The &amp;quot;essence&amp;quot; of the freshwater fish is the water of a river. But the latter ceases to be the &amp;quot;essence&amp;quot; of the fish and is no longer a suitable medium of existence as soon as the river is made to serve industry, as soon as it is polluted by dyes and other waste products and navigated by steamboats, or as soon as its water is diverted into canals where simple drainage can deprive the fish of its medium of existence. The explanation that all such contradictions are inevitable abnormalities does not essentially differ from the consolation which the Blessed Max Stirner offers to the discontented, saying that this contradiction is their own contradiction and this predicament their own predicament,whereupon they should either set their minds at ease, keep their disgust to themselves, or revolt against it in some fantastic way. It differs just as little from Saint Bruno's allegation that these unfortunate circumstances are due to the fact that those concerned are stuck in the muck of &amp;quot;substance,&amp;quot; have not advanced to &amp;quot;absolute self-consciousness,&amp;quot; and do not realise that these adverse conditions are spirit of their spirit.&#xA;&#xA;   We shall, of course, not take the trouble9 to enlighten our wise philosophers by explaining to them that the &amp;quot;liberation&amp;quot; of &amp;quot;man&amp;quot; is not advanced a single stepl by reducing philosophy, theology, substance and all the trash to &amp;quot;self-consciousness&amp;quot;2 and by liberating man from the domination of these phrases,3 which have never held him in thrall.4 Nor will we explain to them that it is only possible to achieve real liberation in the real world and by employing. real means, that slavery cannot be abolished without the steam¬engine and the mule and spinning-jenny, serfdom cannot be abolished without improved agriculture, and that, in general, people cannot be liberated as long as they are unable to obtain food and drink, housing and clothing in adequate quality and quantity. &amp;quot;Liberation&amp;quot; is a historical and not a mental act, and it is brought about by historical conditions, the  of industry, commerce, culture, the  * * * 5&#xA;&#xA;   In Germany,6a country where only a trivial historical development is taking place, these mental developments, these glorified and ineffective trivialities, naturally serve as a substitute for the lack of historical development, and they take root and have to be combated. But this fight is of local importance.7&#xA;&#xA;   * * * 8in reality and for the practical materialist, i.e., the communist, it is a question of revolutionising the existing world, of practically attacking and changing existing things . When occasionally we find such views with Feuerbach, they are never more than isolated surmises and have much too little influence on his general outlook to be considered here as anything else than embryos capable of development. Feuerbach's &amp;quot;conception&amp;quot; of the sensuous world is confined on the one hand to mere contemplation of it, and on the other to mere feeling; he says &amp;quot;Man&amp;quot; instead of &amp;quot;real historical man.&amp;quot; &amp;quot;Man&amp;quot; is really &amp;quot;the German.&amp;quot; In the first case, the contemplation of the sensuous world, he necessarily lights on things whichcontradict his consciousness and feeling, which disturb the harmony he presupposes, the harmony of all parts of the sensuous world and especially of man and nature.9 To remove this disturbance, he must take refuge in a double perception, a profane one which only perceives the &amp;quot;flatly obvious&amp;quot; and a higher, philosophical, one which perceives the &amp;quot;true essence&amp;quot; of things. He does not see how the sensuous world around him is, not a thing given direct from all eternity, remaining ever the same, but the product of industry and of the state of society; and, indeed, in the sense that it is an historical product, the result of the activity of a whole succession of generations, each standing on the shoulders of the preceding one, developing its industry and its intercourse, modifying its social system according to the changed needs. Even the objects of the simplest &amp;quot;sensuous certainty&amp;quot; are only given him through social development, industry and commercial intercourse. The cherry-tree, like almost all fruit-trees, was, as is well known, only a few centuries ago transplanted by commerce into our zone, and therefore only by this action of a definite society in a definite age it has become &amp;quot;sensuous certainty&amp;quot; for Feuerbach.&#xA;&#xA;   Incidentally, when we conceive things thus, as they really are and happened, every profound philosophical problem is resolved, as will be seen even more clearly later, quite simply into an empirical fact. For instance, the important question of the relation of man to nature (Bruno goes so far as to speak of &amp;quot;the antitheses in nature and history&amp;quot; (p. 110), as though these were two separate &amp;quot;things&amp;quot; and man did not always have before him an historical nature and a natural history) out of which all the &amp;quot;unfathomably lofty works&amp;quot; on &amp;quot;substance&amp;quot; and &amp;quot;self-consciousness&amp;quot; were born, crumbles of itself when we understand that the celebrated &amp;quot;unity of man with nature&amp;quot; has always existed in industry and has existed in varying forms in every epoch according to the lesser or greater development of industry, just like the &amp;quot;struggle&amp;quot; of man with nature, right up to the development of his productive powers on a corresponding basis. Industry and commerce, production and the exchange of the necessities of life, themselves determine distribution, the structure of the different social classes and are, in turn, determined by it as to the mode in which they are carried on; and so it happens that in Manchester, for instance, Feuerbach sees only factories and machines, where a hundred years ago only spinning-wheels and weaving-looms were to be seen, or in the Campagna of Rome he finds only pasture lands and swamps, where in the time of Augustus he would have found nothing but the vineyards and villas of Roman capitalists. Feuerbach speaks in particular of the perception of natural science; he mentions secrets which are disclosed only to the eye of the physicist and chemist; but where would natural science be without industry and commerce? Even this &amp;quot;pure&amp;quot; natural science is provided with an aim, as with its material, only through trade and industry, through the sensuous activity of men. So much is this activity, this unceasing sensuous labour and creation, this production, the basis of the whole sensuous world as it now exists, that, were it interrupted only for a year, Feuerbach would not only find an enormous change in the natural world, but would very soon find that the whole world of men and his own perceptive faculty, nay his own existence, were missing. Of course, in all this the priority of external nature remains unassailed, and all this has no application to the original men produced by generatio aequivoca; 1 but this differentiation has meaning only insofar as man is considered to be distinct from n ature. For that matter, nature, the nature that preceded human history, is not by any means the nature in which Feuerbach lives, it is nature which today no longer exists anywhere (except perhaps on a few Australian coral-islands of recent origin) and which, therefore, does not exist for Feuerbach.&#xA;&#xA;   Certainly Feuerbach has a great advantage over the &amp;quot;pure&amp;quot; materialists in that he realises how man too is an &amp;quot;object of the senses.&amp;quot; But apart from the fact that he only conceives him as an &amp;quot;object of the senses,&amp;quot; not as &amp;quot;sensuous activity,&amp;quot; because he still remains in the realm of theory and conceives of men not in their given social connection, not under their existing conditions of life, which have made them what they are, he never arrives at the really existing active men, but stops at the abstraction &amp;quot;man,&amp;quot; and gets no further than recognising &amp;quot;the true, individual, corporeal man&amp;quot; emotionally, i.e., he knows no other &amp;quot;human relationships&amp;quot; &amp;quot;of man to man&amp;quot; than love and friendship, and even then idealised. He gives no criticism of the present conditions of life. Thus he never manages to conceive the sensuous world as the total living sensuous activity of the individuals composing it; and therefore when, for example, he sees instead of healthy men a crowd of scrofulous, overworked and consumptive starvelings, he is compelled to take refuge in the &amp;quot;higher perception&amp;quot; and in the ideal &amp;quot;compensation in the species,&amp;quot; and thus to relapse into idealism at the very p oint where the communist materialist sees the necessity, and at the same time the condition, of a transformation both of industry and of the social structure.    As far as Feuerbach is a materialist he does not deal with history, and as far as he considers history he is not a materialist. With him materialism and history diverge completely, a fact which inciden¬tally is already obvious from what has been said.&#xA;&#xA;   History is nothing but the succession of the separate generations, each of which exploits the materials, the capital funds, the productive forces handed down to it by all preceding generations, and thus, on the one hand, continues the traditional activity in completely changed circumstances and, on the other, modifies the old circumstances with a completely changed activity. This can be speculatively distorted so that later history is made the goal of earlier history, e.g., the goal ascribed to the discovery of America is to further the eruption of the French Revolution. Thereby history receives its own special aims and becomes &amp;quot;a person ranking with other persons&amp;quot; (to wit: &amp;quot;Self-Consciousness, Criticism, the Unique,&amp;quot; etc.), while what is designated with the words &amp;quot;destiny,&amp;quot; &amp;quot;goal,&amp;quot; &amp;quot;germ,&amp;quot; or &amp;quot;ideal&amp;quot; of earlier history is nothing more than an abstraction formed from later history, from the active influence which earlier history exercises on later history.&#xA;&#xA;   The further the separate spheres, which act on one another, extend in the course of this development, the more the original isolation of the separate nationalities is destroyed by the developed mode of production and intercourse and the division of labour between various nations naturally brought forth by these, the more history becomes world history. Thus, for instance, if in England a machine is invented, which deprives countless workers of bread in India and China, and overturns the whole form of existence of these empires, this invention becomes a world-historical fact. Or again, take the case of sugar and coffee which have proved their world-historical importance in the nineteenth century by the fact that the lack of these products, occasioned by the Napoleonic Continental System, caused the Germans to rise against Napoleon, and thus became the real basis of the glorious &amp;quot;Vars of Liberation of 1813. From this it follows that this transformation of history into world history is not indeed a mere abstract act on the part of the &amp;quot;self-consciousness,&amp;quot; the world spirit, or of any other metaphysical spectre, but a quite material, empirically verifiable act, an act the proof of which every individual furnishes as he comes and goes, eats, drinks and clothes himself .&#xA;&#xA;   The ideas of the ruling class are in every epoch the ruling ideas: i.e., the class which is the ruling material force of society, is at the same time its ruling intellectualforce. The class which has the means of material production at its disposal, has control at the same time over the means of mental production, so that thereby, generally speaking, the ideas of those who lack the means of mental production are subject to it. The ruling ideas are nothing more than the ideal expression of the dominant material relationships, the dominant material relationships grasped as ideas; hence of the relationships which make the one class the ruling one, therefore, the ideas of its dominance. The individuals composing the ruling class possess among other things consciousness, and therefore think. Insofar, therefore, as they rule as a class and determine the extent and compass of an epoch, it is self-evident that they do this in its whole range, hence among other things rule also as thinkers, as producers of ideas, and regulate the production and distribution of the ideas of their age: thus their ideas are the ruling ideas of the epoch. For instance, in an age and in a country where royal power, aristocracy and bourgeoisie are contending for mastery and where, therefore, mastery is shared, the doctrine of the separation of powers proves to be the dominant idea and is expressed as an &amp;quot;eternal law.&amp;quot;&#xA;&#xA;   The division of labour, which we have already seen above as one of the chief forces of history up till now, manifests itself also in the ruling class as the division of mental and material labour, so that inside this class one part appears as the thinkers of the class (its active, conceptive ideologists, who make the perfecting of the illusion of the class about itself their chief source of livelihood), while the others' attitude to these ideas and illusions is more passive and receptive, because they are in reality the active members of this class and have less time to make up illusions and ideas about themselves. Within this class this cleavage can even develop into a certain opposition and hostility between the two parts, which, how¬ever, in the case of a practical collision, in which the class itself is endangered, automatically comes to nothing, in which case there also vanishes the semblance that the ruling ideas were not the ideas of the ruling class and had a power distinct from the power of this class. The existence of revolutionary ideas in a particular period pre¬supposes the existence of a revolutionary class; about the premises for the latter sufficient has already been said above.&#xA;&#xA;   If now in considering the course of history we detach the ideas of the ruling class from the ruling class itself and attribute to therp an independent existence, if we confine ourselves to saying that these or those ideas were dominant at a given time, without bothering ourselves about the conditions of production and the producers of these ideas, if we thus ignore the individuals and world conditions which are the source of the ideas, we can say, for instance, that during the time that the aristocracy was dominant, the concepts honour, loyalty, etc., were dominant, during the dominance of the bourgeoisie the concepts freedom, equality, etc. The ruling class itself on the whole imagines this to be so. This conception of history, which is common to all historians, particularly since the eighteenth century, will necessarily come up against the phenomenon that increasingly abstract ideas hold sway, i.e., ideas whichincreasingly take on the form of universality. For each new class which puts itself in the place of one ruling before it, is compelled, merely in order to carry through its aim, to represent its interest as the common interest of all the members of society, that is, expressed in ideal form: it has to give its ideas the form of univer¬sality, and represent them as the only rational, universally valid ones. The class making a revolution appears from the very start, if only because it is opposed to a class, not as a class but as the representative of the whole of society; it appears as thewhole mass of society confronting the one ruling class.2 It can do this because, to start with, its interest really is more connected with the common interest of all other non-ruling classes, because under the pressure of hitherto existing conditions its interest has not yet been able to develop as the particular interest of a particular class. Its victory, therefore, benefits also many individuals of the other classes which are not winning a dominant position, but only insofar as it now puts these individuals in a position to raise themselves into the ruling class. When the French bourgeoisie overthrew the power of the aristocracy, it thereby made it possible for many proletarians to raise themselves above the proletariat, but only insofar as they became bourgeois. Every new class, therefore, achieves its hegemony only on a broader basis than that of the class ruling previously, whereas the opposition of the non-ruling class against the new ruling class later develops all the more sharply and profoundly. Both these things determine the fact that the struggle to be waged against this new ruling class, in its turn, aims at a more decided and radical negation of the previous conditions of society than could all previous classes which sought to rule.&#xA;&#xA;   This whole semblance, that the rule of a certain class is only the rule of certain ideas, comes to a natural end, of course, as soon as class rule in general ceases to be the form in which society is organised, that is to say, as soon as it is no longer necessary to represent a particular interest as general or the &amp;quot;general interest&amp;quot; as ruling.&#xA;&#xA;   Once the ruling ideas have been separated from the ruling individuals and, above all, from the relationships which result from a given stage of the mode of production, and in this way the conclusion has been reached that history is always under the sway of ideas, it is very easy to abstract from these various ideas &amp;quot; the idea,&amp;quot; the notion, etc., as the dominant force in history, and thus to understand all these separate ideas and concepts as &amp;quot;forms of self-determination&amp;quot; on the part of the concept developing in history. Itfollows then naturally, too, that all the relationships of men can be derived from the concept of man, man as conceived, the essence of man, Man. This has been done by the speculative philosophers. Hegel himself confesses at the end of the Geschichtsphilosophiethat he &amp;quot;has considered the progress of the concept only&amp;quot; and has represented in history the &amp;quot;true theodicy.&amp;quot; Now one can go back again to the producers of the &amp;quot;concept,&amp;quot; to the theorists, ideologists and philosophers, and one comes then to&amp;quot; the conclusion that the philosophers, the thinkers as such, have at all times been dominant in history : a conclusion, as we see, already expressed by Hegel. The whole trick of proving the hegemony of the spirit in history ( hierarchy Stirner calls it) is thus confined to the following three efforts.&#xA;&#xA;   No. 1. One must separate the ideas of those ruling for empirical reasons, under empirical conditions and as empirical individuals, from these actual rulers, and thus recognise the rule of ideas or illusions in history.&#xA;&#xA;   No. 2. One must bring an order into this rule of ideas, prove a mystical connection among the successive ruling ideas, which is managed by understanding them as &amp;quot;acts of self-determination on the part of the concept&amp;quot; ( this is possible because by virtue of their empirical basis these ideas are really connected with one another and because, conceived asmere ideas, they become self-distinctions, distinctions made by thought) .&#xA;&#xA;   No. 3. To remove the mystical appearance of this &amp;quot;self-determining concept&amp;quot; it is changed into a person-&amp;quot;Self-Consciousness&amp;quot;¬or, to appear thoroughly materialistic, into a series of persons, who represent the &amp;quot;concept&amp;quot; in history, into the &amp;quot;thinkers,&amp;quot; the &amp;quot;philosophers,&amp;quot; the ideologists, who again are understood as the manufacturers of history, as the &amp;quot;council of guardians,&amp;quot; as the rulers.3Thus the whole body of materialistic elements has been removed from history and now full rein can be given to the speculative steed.&#xA;&#xA;   Whilst in ordinary life every shopkeeper is very well able to distinguish between what somebody professes to be and what he really is, our historians have not yet won even this trivial insight. They take every epoch at its word and believe that everything it says and imagines about itself is true.&#xA;&#xA;   This historical method which reigned in Germany and especially the reason why, must be understood from its connection with the illusion of ideologists in general, e.g., the illusions of the jurists, politicians (of the practical statesmen among them, too ), from the dogmatic dreamings and distortions of these fellows; this is explained perfectly easily from their practical position in life, their job, and the division of labour.&#xA;&#xA;                               4&#xA;&#xA;                                1. Intercourse and Productive Forces&#xA;&#xA;   The greatest division of material and mental labour is the separation of town and country. The antagonism between town and country begins with the transition from barbarism to civilisation, from tribe to State, from locality to nation, and runs through the whole history of civilisation to the present day ( the Anti-Corn Law League) .&#xA;&#xA;   The existence of the town implies, at the same time, the necessity of administration, police, taxes, etc., in short, of the municipality, and thus of politics in general. Here first became manifest the division of the population into two great classes, which is directly based on the division of labour and on the instruments of production. The town already is in actual fact the concentration of the population, of the instruments of production, of capital, of pleasures, of needs, while the country demonstrates just the opposite fact, isolation and separation. The antagonism between town and country can only exist within the framework of private property. It is the most crass expression of the subjection of the individual under the division of labour, under a definite activity forced upon him a subjection which makes one man into a restricted town¬animal, the other into a restricted country-animal, and daily creates anew the conflict between their interests. Labour is here again the chief thing, power over individuals, and as long as the latter exists, private property must exist. The abolition of the antagonism between town and country is one of the first conditions of communal life, a condition which again depends on a mass of material premises and which cannot be fulfilled by the mere will, as anyone can see at the first glance. (These conditions have still to be enumerated.) The separation of town and country can also be understood as the separation of capital and landed property, as the beginning of the existence and development of capital independent of landed property-the beginning of property having its basis only in labour and exchange.&#xA;&#xA;   In the towns which, in the Middle Ages, did not derive ready¬made from an earlier period but were formed anew by the serfs who had become free, each man's own particular labour was his only property apart from the small capital he brought with him, consisting almost solely of the most necessary tools of his craft. The competition of serfs constantly escaping into the town, the constant war of the country against the towns and thus the necessity of an organised municipal military force, the bond of common ownership in a particular kind of labour, the necessity of common buildings for sale of their wares at a time when craftsmen were also traders, and the consequent exclusion of the unauthorised from these buildings, the conflict among the interests of the various crafts, the necessity of protecting their laboriously acquired skill, and the feudal organisation of the whole of the country: these were the causes of the union of the workers of each craft in guilds. We have not at this point to go further into the manifold modifications of the guild-system, which arise through later historical developments. The flight of the serfs into the towns went on without interruption right through the Middle Ages. These serfs, persecuted by their lords in the country, came separately into the towns, where they found an organised community, against which they were powerless and in which they had to subject themselves to the station assigned to them by the demand for their labour and the interest of their organised urban competitors. These workers, entering separately, were never able to attain to any power, since, if their labour was of the guild type which had to be learned, the guild-masters bent them to their will and organised them according to their interest; or if their labour was not such as had to be learned, and therefore not of the guild type, they became day-labourers and never managed to organise, remaining an unorganised rabble. The need for day-labourers in the towns created the rabble.&#xA;&#xA;   These towns were true &amp;quot;associations,&amp;quot; called forth by the direct need, the care of providing for the protection of property, and of multiplying the means of production and defence of the separate members. The rabble of these towns was devoid of any power, composed as it was of individuals strange to one another who had entered separately, and who stood un organised over against an organised power, armed for war, and jealously watching over them. The journeymen and apprentices were organised in each craft as it best suited the interest of the masters. The patriarchal relationship existing between them and their masters gave the latter a double power-on the one hand because of their influence on the whole life of the journeymen, and on the other because, for the journeymen who worked with the same master, it was a real bond which held them together against the journeymen of other masters and separated them from these. And finally, the journeymen were bound to the existing order by their simple interest in becoming masters themselves. While, therefore, the rabble at least carried out revolts against the whole municipal order, revolts which remained completely ineffective because of their powerlessness, the journeymen never got further than small acts of insubordination within sepa-rate guilds, such as belong to the very nature of the guild system. The great risings of the Middle Ages all radiated from the country, but equally remained totally ineffective because of the isolation and consequent crudity of the peasants.&#xA;&#xA;   In the towns, the division of labour between the individual guilds was as yet  and, in the guilds themselves, not at all developed between the individual workers. Every workman had to be versed in a whole round of tasks, had to be able to make everything that was to be made with his tools. The limited commerce and the scanty communication between the individual towns, the lack of population and the narrow needs did not allow of a higher division of labour, and therefore every man who wished to become a master had to be proficient in the whole of his craft. Thus there is found with medieval craftsmen an interest in their special work and in proficiency in it, which was capable of rising to a narrow artistic sense. For this very reason, however, every medieval craftsman was completely absorbed in his work, to which he had a contented, slavish relationship, and to which he was subjected to a far greater extent than the modern worker, whose work is a matter of indifference to him.&#xA;&#xA;   Capital in these towns was a naturally derived capital, consisting of a house, the tools of the craft, and the natural, hereditary customers; and not being realisable, on account of the backwardness of commerce and the lack of circulation, it descended from father to son. Unlike modern capital, which can be assessed in money and which may be indifferently invested in this thing or that, this capital was directly connected with the particular work of the owner, inseparable from it and to this extent estate capital.&#xA;&#xA;   The next extension of the division of labour was the separation of production and commerce, the formation of a special class of merchants; a separation which, in the towns bequeathed by a former period, had been handed down ( among other things with the Jews ) and which very soon appeared in the newly formed ones. With this there was given the possibility of commercial communications transcending the immediate neighbourhood, a possibility, the realisation of which depended on the existing means of communication, the state of public safety in the countryside, which was determined by political conditions ( during the whole of the Middle Ages, as is well known, the merchants travelled in armed caravans ), and on the cruder or more advanced needs ( determined by the stage of culture attained) of the region accessible to intercourse.&#xA;&#xA;   With commerce the prerogative of a particular class, with the extension of trade through the merchants beyond the immediate surroundings of the town, there immediately appears a reciprocal action between production and commerce. The towns enter intorelations with one another, new tools are brought from one town into the other, and the separation between production and commerce soon calls forth a new division of production between the individual towns, each of which is soon exploiting a predominant branch of industry. The local restrictions of earlier times begin gradually to be broken down.&#xA;&#xA;   In the Middle Ages the citizens in each town were compelled to unite against the landed nobility to save their skins. The extension of trade, the establishment of communications, led the separate towns to get to know other towns, which had asserted the same interests in the struggle with the same antagonist. Out of the many local corporations of burghers there arose only gradually the burgher class. The conditions of life of the individual burghers became, on account of their contradiction to the existing relationships and of the mode of labour determined by these, conditions which were common to them all and independent of each individual. The burghers had created the conditions insofar as they had torn themselves free from feudal ties, and were created by them insofar as they were determined by their antagonism to the feudal system which they found in existence. When the individual towns began to enter into associations, these common conditions developed into class conditions. The same conditions, the same contradiction, the same interests necessarily called forth on the whole similar customs everywhere. The bourgeoisie itself, with its conditions, develops only gradually, splits according to the division of labour into various fractions and finally absorbs all propertied classes it finds in existence5( while it develops the majority of the earlier propertyless and a part of the hitherto propertied classes into a new class, the proletariat) in the measure to which all property found in existence is transformed into industrial or commercial capital. The separate individuals form a class only insofar as they have to carry on a common battle against another class; otherwise they are on hostile terms with each other as competitors. On the other hand, the class in its turn achieves an independent existence  overagainst the individuals, so that the latter find their conditions of existence predestined, and hence have their position in life and their personal development assigned to them by their class, become subsumed under it. This is the same phenomenon as thlre subjection of the separate individuals to the division of labour and can only be removed by the abolition of private property and of labour itself. We have already indicated several times how this subsuming of individuals under the class brings with it their subjection to all kinds of ideas, etc.&#xA;&#xA;    It depends purely on the extension of commerce whether the productive forces achieved in a locality, especially inventions, are lost for later development or not. As long as there exists no commerce transcending the immediate neighborhood, every invention must be made separately in each locality, and mere chances such as irruptions of barbaric peoples, even ordinary wars, are sufficient to cause a country with advanced productive forces and needs to have to start right over again from the beginning. In primitive history every invention had to be made daily anew and in each locality independently. How little highly developed productive forces are safe from complete destruction, given even a relatively very extensive commerce, is proved by the Phoenicians,6 whose inventions were for the most part lost for a long time to come through the ousting of this nation from commerce, its conquest by Alexander and its consequent decline. Likewise, for instance, glass-painting in the Middle Ages. Only when commerce has become world commerce and has as its basis large-scale industry, when all nations are drawn into the competitive struggle, is the permanence of the acquired productive forces assured.&#xA;&#xA;   The immediate consequence of the division of labour between the various towns was the rise of manufactures, branches of produc¬tion which had outgrown the guild-system. Manufactures first flour¬ished, in Italy and later in Flanders, under the historical premise of commerce with foreign nations. In other countries, England and France for example, manufactures were at first confined to the home market. Besides the premises already mentioned manufactures depend on an already advanced concentration of population, particularly in the countryside, and of capital, which began to accumulate in the hands of individuals, partly in the guilds in spite of the guild regulations, partly among the merchants.&#xA;   That labour which from the first presupposed a machine, even of the crudest sort, soon showed itself the most capable of development. Weaving, earlier carried on in the country by the peasants as a secondary occupation to procure their clothing, was the first labour to receive an impetus and a further development through the extension of commerce. Weaving was the first and remained the principal manufacture. The rising demand for clothing materials, consequent on the growth of population, the growing accumulation and mobilisation of natural capital through accelerated circulation, the demand for luxuries called forth by the latter and favoured generally by the gradual extension of commerce, gave weaving a quantitative and qualitative stimulus, which wrenched it out of the form of production hitherto existing. Alongside the peasants weaving for their own use, whocontinued, and still continue, with this sort of work, there emerged a new class of weavers in the towns, whose fabrics were destined for the whole home market and usually for foreign markets too:&#xA;&#xA;   Weaving, an occupation demanding in most cases little skill and soon splitting up into countless branches, by its whole nature resisted the trammels of the guild. Weaving was, therefore, carried on mostly in villages and market centres without guild organisation, which gradually became towns, and indeed the most flourishing towns in each land.&#xA;&#xA;   With guild-free manufacture, property relations also quickly changed. The first advance beyond naturally derived estate capital was provided by the rise of merchants whose capital was from the beginning movable, capital in the modern sense as far as one can speak of it, given the circumstances of those times. The second advance came with manufacture, which again made mobile a mass of natural capital, and altogether increased the mass of movable capital as against that of natural capital.&#xA;   At the same time, manufacture became a refuge of the peasants from the guilds which excluded them or paid them badly, just as earlier the guild-towns had  as a refuge for the peasants from  .&#xA;&#xA;   Simultaneously with the beginning of manufactures there was a period of vagabondage caused by the abolition of the feudal bodies of retainers, the disbanding of the swollen armies which had flocked to serve the kings against their vassals, the improvement of agriculture, and the transformation of great strips of tillage into pasture land. From this alone it is clear how this vagabondage is strictly connected with the disintergration of the feudal system. As early as the thirteenth century we find isolated epochs of this kind, but only at the end of the fifteenth and beginning of the sixteenth does this vagabondage make a general and permanent appearance. These vagabonds, who were so numerous that, for instance, Henry VIlI of England had 72,000 of them hanged, were only prevailed upon to work with the greatest difficulty and through the most extreme necessity, and then only after long resistance. The rapid rise of manufactures, particularly in England, absorbed them gradually.&#xA;&#xA;   With the advent of manufactures, the various nations entered into a competitive relationship, the struggle for trade, which was fought out in wars, protective duties and prohibitions, whereas earlier the nations, insofar as they were connected at all, had carried on an inoffensive exchange with each other. Trade had from now on a political significance.&#xA;&#xA;   With the advent of manufacture the relationship between worker and employer changed. In the guilds the patriarchal relationship between journeyman and master continued to exist; in manufacture its place was taken by the monetary relation between worker aad capitalist-a relationship which in the countryside and in small towns retained a patriarchal tinge, but in the larger, the real manufacturing towns, quite early lost almost all patriarchal complexion.&#xA;   Manufacture and the movement of production in general received an enormous impetus through the extension of commerce which came with the discovery of America and the sea-route to the East Indies. The new products imported thence, particularly the masses of gold and silver which came into circulation and totally changed the position of the classes towards one another, dealing a hard blow to feudal landed property and to the workers; the expeditions of adventurers, colonisation; and above all the extension of markets into a world market, which had now become possible and was daily becoming more and more a fact, called forth a new phase of historical development, into which in general we cannot here enter further. Through the colonisation of the newly discovered countries the commercial struggle of the nations amongst one another was given new fuel and accordingly greater extension and animosity.&#xA;&#xA;   The expansion of trade and manufacture accelerated the accumulation of movable capital, while in the guilds, which were not stimulated to extend their production, natural capital remained stationary or even declined. Trade and manufacture created the big bourgeoisie; in the guilds was concentrated the petty bourgeoisie, which no longer was dominant in the towns as formerly, but had to bow to the might of the great merchants and manufacturers.7Hence the decline of the guilds, as soon as they came into contact with manufacture.&#xA;   The intercourse of nations took on, in the epoch of which we have been speaking, two different forms. At first the small quantity of gold and silver in circulation involved the ban on the export of these metals; and industry, for the most part imported from a broad and made necessary by the need for employing the growing urban population, could not do without those privileges which could be granted not only, of course, against home competition, but chiefly against foreign. The local guild privilege was in these original prohibitions extended over the whole nation. Customs duties originated from the tributes which the feudal lords exacted as protective levies against robbery from merchants passing through their territories; tributes later imposed likewise by the towns, and which, with therise of the modem states, were the Treasury's most obvious means of raising money.&#xA;&#xA;   The appearance of American gold and silver on the European markets, the gradual development of industry, the rapid expansion of trade and the consequent rise of the non-guild bourgeoisie and of money, gave these measures another significance. The State, which was daily less and less able to do without money, now retained the ban on the export of gold and silver out of fiscal considerations; the bourgeois, for whom these masses of money which were hurled on to the market became the chief object of speculative buying, were thoroughly content with this; privileges established earlier became a source of income for the government and were sold for money; in the customs legislation there appeared the export duty, which, since it only  a hindrance in the way of industry, had a purely fiscal aim.&#xA;&#xA;   The second period began in the middle of the seventeenth century and lasted almost to the end of the eighteenth. Commerce and navigation had expanded more rapidly than manufacture, which played a secondary role; the colonies were becoming considerable consumers; and after long struggles the separate nations shared out the opening world market among themselves. This period begins with the Navigation Laws and colonial monopolies. The competition of the nations among themselves was excluded as far as possible by tariffs, prohibitions and treaties; and in the last resort the competitive struggle was carried on and decided by wars (especially naval wars). The mightiest maritime nation, the English, retained preponderance in trade and manufacture. Here, already, we find concentration in one country.&#xA;&#xA;   Manufacture was all the time sheltered by protective duties in the home market, by monopolies in the colonial market, and abroad as much as possible by differential duties . The working-up of home-produced material was encouraged ( wool and linen in England, silk in France ), the export of home-produced raw material forbidden (wool in England), and the  of imported material neglected or suppressed (cotton in England ). The nation dominant in sea trade and colonial power naturally secured for itself also the greatest quantitative and qualitative expansion of manufacture. Manufacture could not be carried on without protection , since, if the slightest change takes place inother countries, it can lose its market and be ruined; under reasonably favourable conditions it may easily be introduced into a country, but for this very reason can easily be destroyed. At the same time through the mode in which it is carried on, particularly in the eighteenth century, in the countryside, it is to such an extent inter-woven with the vital relationships of a great mass of individuals, that no country dare jeopardise its existence by permitting free competition. Insofar as it manages to export, it therefore depends entirely on the extension or restriction of commerce, and exercises a relatively very small reaction  . Hence its secondary  and the influence of  in the eighteenth century. It was the merchants and especially the shippers who more than anybody else pressed for State protection and monopolies; the manufacturers also demanded and indeed received protection, but all the time were inferior in political importance to the merchants. The commercial towns, particularly the maritime towns, became to some extent civilised and acquired the outlook of the big bourgeoisie, but in the factory towns an extreme petty bourgeois outlook persisted. Cf. Aiken, etc. The eighteenth centurywas the century of trade. Pinto says this expressly: &amp;quot;Le commerce fait la marotte du siècle&amp;quot;;8 and: &amp;quot;Depuis quelque temps il n'est plus question que de commerce, de navigation et de marine. &amp;quot;9&#xA;&#xA;   This period is also characterised by the cessation of the bans on the export of gold and silver and the beginning of the trade in money; by banks, national debts, paper money; by speculation in stocks and shares and stockjobbing in all articles; by the development of finance in general. Again capital lost a great part of the natural character which had still clung to it.&#xA;&#xA;   The concentration of trade and manufacture in one country, England, developing irresistibly in the seventeenth century, gradually created for this country a relative world market, and thus a demand for the manufactured products of this country, which could no longer be met by the industrial productive forces hitherto existing. This deinand, outgrowing the productive forces, was the motive power which, by producing big industry the application of elemental forces to industrial ends, machinery and the most complex division of labour called into existence the third period of private ownership since the Middle Ages. There already existed in England the other pre-conditions of this new phase: freedom of competition inside the nation, the development of theoretical mechanics, etc. ( Indeed, the science of mechanics perfected by Newton was altogether the most popular science in France and England in the eighteenth century. )( Free competition inside the nation itself had everywhere to be conquered by a revolution-1640 and 1688 in England, 1789 in France. ) Competition soon compelled every country that wished to retain its historical role to protect its manufactures by renewed customs regulations ( the old duties were no longer any good against big industry) and soon after to introduce big industry under protective duties. Big industry universalised competition in spite of these protective measures ( it is practical free trade; the protective duty is only a palliative, a measure of defence within free trade ), established means of communication and the modern world market, subordinated trade to itself, transformed all capital into industrial capital, and thus produced the rapid circulation ( development of the financial system ) and the centralisation of capital. By universal competition it forced all individuals to strain their energy to the utmost. It destroyed as far as possible ideology, religion, morality, etc., and where it could not do this, made them into a palpable lie. It produced world history for the first time, insofar as it made all civilised nations and every individual member of them dependent for the satisfaction of their wants on the whole world, thus destroying the former natural exclusiveness of separate nations. It made natural science subservient to capital and took from the division of labour the last semblance of its natural character. It destroyed natural growth in general, as far as this is possible while labour exists, and resolved all natural relationships into money relationships. In the place of naturally grown towns it created the modern, large industrial cities which have sprung up overnight. Wherever it penetrated, it destroyed the crafts and all earlier stages of industry. It completed the victory of the commercial town over the countryside.  was the automatic system.  produced a mass of productive forces, for which private  became just as much a fetter as the guild had been for manufacture and the small, rural workshop for the developing craft. These productive forces received under the system of private property a one¬sided development only, and became for the majority destructive forces; moreover, a great multitude of such forces could find no application at all within this system. Generally speaking, big industry created everywhere the same relations between the classes of society, and thus destroyed the peculiar individuality of the various nationalities. And finally, while the bourgeoisie of each nation still retained separate national interests, big industry created a class, which in all nations has the same interest and with which nationality is already dead; a class which is really rid of all the old worldand at the same time stands pitted against it. Big industry makes for the worker not only the relation to the capitalist, but labouritself, unbearable.&#xA;&#xA;   It is evident that big industry does not reach the same level ofdevelopment in all districts of a country. This does not, however, retard the class movement of the proletariat, because the proletarians created by big industry assume leadership of this movement and carry the whole mass along with them, and because the workers excluded from big industry are placed by it in a still worse situation than the workers in big industry itself. The countries in which big industry is developed act in a similar manner upon the more or less non-industrial countries, insofar as the latter are swept by universal commerce into the universal competitive struggle.l&#xA;&#xA;   These different forms are just so many forms of the organisation of labour, and hence of property. In each period a unification of the existing - productive forces takes place, insofar as this has been rendered necessary by needs.&#xA;&#xA;                            2. The Relation of State and Law to Property&#xA;&#xA;   The first form of property, in the ancient world as in the Middle Ages, is tribal property, determined with the Romans chiefly by war, with the Germans by the rearing of cattle. In the case of the ancient peoples, since several tribes live together in one town, thetribal property appears as State property, and the right of the individual to it as mere ‘’possession’’ which, however, like tribal property as a whole, is confined to landed property only. Real private property began with the ancienfs, as with modern nationll, with movable property.(Slavery and community) ( dominium ex jure Quiritum2 ). In the case of the nations which grew out of the Middle Ages, tribal property evolved through various stages-feudal landed property, corporative movable property, capital invested in manufacture-to modern capital, determined by big industry and universal competition, i.e., pure private property, which has cast off all semblance of a communal institution and has shut out the State from any influence on the development of property. To thismodern private property corresponds the modern State, which, purchased gradually by the owners of property by means of taxation, has fallen entirely into their hands through the national debt, and its existence has become wholly dependent on the commercial credit which the owners of property, the bourgeois, extend to it, as reflected in the rise and fall of State funds on the stock exchange. By the mere fact that it is a class and no longer an estate, the bour Geoisie is forced to organize itself no longer locally, but nationally, and to give a general form to its mean average interest. Through the emancipation of private property from the community, the State has become a separate entity, beside and outside Civil society; but it is nothing more than the form of organisation which  the bourgeois necessarily adopt both for internal and external purposes, forthe mutual guarantee of their property and interests. The independence of the State is only found nowadays  in those countries where the estates have not yet completely developed into classes, where the estates, done away with in more advanced countries, still have a part to play, and where there exists a mixture; countries, that is to say, in which no one section of the population can achieve dominance over the others. This is the case particularly in Germany. The most perfect example of the modern State is North America. The modern French, English and American writers all express the opinion that the State exists only for the sake of private property, so that this fact has penetrated into the consciousness of the normal man.&#xA;&#xA;   Since the State is the form in which the individuals of a ruling class assert their common interests, and in which the whole civil society of an epoch is epitomised, it follows that the State mediates in the formation of all common institutions and that the institutions receive a political form. Hence the illusion that law is based on the will, and indeed on the will divorced from its real basis on free will. Similarly, justice is in its turn reduced to the actual laws.&#xA;&#xA;   Civil law develops simultaneously with private property out of the disintegration of the natural community . With the Romans the development of private property and civil law had no further' industrial and commercial consequences, because their whole mode of production did not alter.3 With modern peoples, where the feudal community was disintegrated by industry and trade, there began with the rise of private property and civil law a new phase, which was capable of  further development. The very first town which carried on an extensive maritime trade in the Middle Ages, Amalfi, also developed maritime law. As soon as industry and trade developed private property further, first in Italy and later in other countries, the highly developed Roman civil law was immediately adopted again and raised to authority. When later the bourgeoisie had acquired so much power that the princes took up its interests in order to overthrow the feudal nobility by means of the bourgeoisie, there began in all countries-in France in the sixteenth century-the real development of law, which in all countries except Eng-land proceeded on the basis of the Roman Codex. In England, too, Roman legal principles had to be introduced to further the development of civil law (especially in the case of movable property). (It must not be forgotten that law has just as little an independent cc history as religion.)&#xA;&#xA;     In civil law the existing property relationships are declared to be the result of the general will. The jus utendi et abutendi4 itself asserts on the one hand the fact that private property has become entirely independent of the community, and on the other the illu¬sion that private property itself is based solely on the private will, the arbitrary disposal of the thing. In practice, the abuti5 has very definite economic limitations for the owner of private property, if he does not wish to see his property and hence his jus abutendi pass into other hands, since actually the thing, considered merely with reference to his will, is not a thing at all, but only becomes a thing, true property in intercourse, and independently of the law (a relationship, which the philosophers call an idea 5 ). This juridical illusion, which reduces law to the mere will, necessarily leads, in the further development of property relationships, to the position that a man may have a legal title to a thing without really having the thing. If, for instance, the income from a piece of land is lost owing to competition, then the proprietor has certainly his legal title to it along with the jus utendi et abutendi. But he can do nothing with it: he owns nothing as a landed proprietor if in addi¬tion he has not enough capital to cultivate his ground. This illusion of the jurists also explains the fact that for them, as for every code, it is altogether fortuitous that individuals enter into relationships among themselves (e.g., contracts); it explains why they consider that these relationships  be entered into or not at will, and that their content rests purely on the individual  will of the contracting parties.&#xA;&#xA;     Whenever, through the development of industry and commerce, new forms of intercourse have been evolved (e.g., ensurance companies, etc.), the law has always been compelled to admit them among the modes of acquiring property.&#xA;&#xA;             [3. Natural and Civilised Instruments of Production and Forms&#xA;                                                 of Property ]&#xA;&#xA;     * * * 7 From the first, there follows the premise of a highly developed division of labour and an extensive commerce; from the second, the locality. In the first case the individuals must be brought together, in the second they find themselves alongside the given instrument of production as instruments of production themselves. Here, therefore, arises the difference between natural instruments of production and those created by civilisation. The field (water, etc.) can be regarded as a natural instrument of production. In the first case, that of the natural instrument of production, individuals are subservient to nature; in the second, to a product of labour. In the first case, therefore, property (landed property) appears as direct natural domination in the second, as domination of labour, particularly of accumulated labour, capital. The first case presupposes that the individuals are united by some bond: family, tribe, the land itself, etc.; the second that they are independent of one another and are only held together by exchange. In the first case, what is involved is chiefly an exchange between men and nature in which the labour of the former is exchanged for the products of the latter; in the second, it is predominantly an exchange of men among themselves. In the first case, average, human commonsense is adequate-physical activity is as yet not separated from mental activity; in the second, the division between physical and mental labour must already be practically completed. In the first case, the domination of the proprietor over the property less may be based on a personal relationship, on a kind of community; in the second, it must have taken on a material shape in a third party¬money. In the first case, small industry exists, but determined by the utilisation of the natural instrument of production and therefore without the distribution of labour among various individuals; in the second, industry exists only in and through the division of labour.&#xA;&#xA;     Our investigation hitherto started from the instruments of production, and it has already shown that private property was a necessity for certain industrial stages. In industrie extractive private property still coincides with labour; in small industry and all agriculture up till now property is the necessary consequence of the existing instruments of production; in big industry the contradiction between the instrument of production and private property appears for the first time and is the product of big industry; moreover, big industry must be highly developed to produce this contradiction. And thus only with big industry does the abolition of private property become possible.&#xA;&#xA;     In big industry and competition the whole mass of conditions of existence, limitations, biases of individuals, are fused together into the two simplest forms : private property and labour. With money every form of intercourse, and intercourse itself, is considered for¬tuitous for the individuals. Thus money implies that all previous intercourse was only intercourse of individuals under particular conditions, not of individuals as individuals. These conditions are reduced to two: accumulated labour or private property, and actual labour. If both or one of these ceases, then intercourse comes to a standstill. The modern economists themselves, e.g., Sismondi, Cherbuliez, etc., oppose &amp;quot;association of individuals&amp;quot; to &amp;quot;association of capital.&amp;quot; On the other hand, the individuals themselves are entirely subordinated to the division of labour and hence are brought into the most complete dependence on one another. Private property, insofar as within labour itself it is opposed to labour, evolves out of the necessity of accumulation, and has still, to begin with, rather the form of the communality; but in its further development it approaches more and more the modern form of private property. The division of labour implies from the outset the division of the conditions of labour, of tools and materials, and thus the splitting-up of accumulated capital among different owners, and thus, also, the division between capital and labour, and the different forms of property itself. The more the division of labour develops and accumulation grows, the sharper are the forms that this process of differentiation assumes. Labour itself can only exist on the premise of this fragmentation.&#xA;&#xA;     Thus two facts are here revealed.8  First the productive forces appear as a world for themselves, quite independent of and divorced from the individuals, alongside the individuals: the reason for this is that the individuals, whose forces they are, exist split up and in opposition to one another, whilst, on the other hand, these forces are only real forces in the intercourse and association of these individuals. Thus, on the one hand, we have a totality of productive forces, which have, as it were, taken on a material form and are for the individuals no longer the forces of the individuals but of private property, and hence of the individuals only insofar as they are owners of private property themselves. Never, in any earlier period, have the productive forces taken on a form so indifferent to the intercourse of individuals as individuals, because the.ir inter¬course itself was formerly a restricted one. On the other hand, standing over against these productive forces, we have the majority of the individuals from whom these forces have been wrested away, and who, robbed thus of all real life-content, have become abstract individuals, but who are, however, only by this fact put into a position to enter into relation with one another as individuals.&#xA;&#xA;     The only connection which still links them with the productive forces and with their own existence-labour has lost all sem¬blance of self-activity and only sustains their life by stunting it. While in the earlier periods self-activity and the production of material life were separated, in that they devolved on different persons, and while, on account of the narrowness of the individuals themselves, the production of material life was considered as a subordinate mode of self-activity, they now diverge to such an extent that altogether material life appears as the end, and what produces this material life, labour ( which is now the only possible but, as we see, negative form of self-activity ), as the means.&#xA;&#xA;     Thus things have now come to such a pass, that the individuals must appropriate the existing totality of productive forces, not only to achieve self-activity, but, also, merely to safeguard their very existence. This appropriation is first determined by the object to be appropriated, the productive forces, which have been developed to a totality and which only exist within a universal intercourse. From this aspect alone, therefore, this appropriation must have a universal character corresponding to the productive forces and the intercourse. The appropriation of these forces is itself nothing more than the development of the individual capacities corresponding to the material instruments of production. The appropriation of a totality of instruments of production is, for this very reason, the development of a totality of capacities in the individuals themselves. This appropriation is further determined by the persons appropriating. Only the proletarians of the present day, who are completely shut off from all self-activity, are in a position to achieve a complete and no longer restricted self-activity, which consists in the appropriation of a totality of productive forces and in the thus postulated development of a totality of capacities. All earlier revolutionary appropriations were restricted; individuals, whose self-activity was restricted by a crude instrument of production and a limited intercourse, appropriated this crude instrument of production, and hence merely achieved a new state of limitation. Their instrument of production became their property, but they themselves remained subordinate to the division of labour and their own instrument of production. In all expropriations up to now, a mass of individuals remained subservient to a single instrument of production; in the appropriation by the proletarians, a mass of instruments of production must be made subject to each individual and property to all. Modern universal intercourse can be controlled by individuals, therefore, only when controlled by all.&#xA;&#xA;     This appropriation is further determined by the manner in which it must be effected. It can only be effected through a union, which by the character of the proletariat itself can again only be a universal one, and through a revolution, in which, on the one hand, the power of the earlier mode of production and intercourse and social organisation is overthrown, and, on the other hand, there develops the universal character and the energy of the proletariat, without which the revolution cannot be accomplished; and in which, further, the proletariat rids itself of everything that still clings to it from its previous position in society.&#xA;&#xA;     Only at this stage does self-activity coincide with material life, which corresponds to the development of individuals into complete individuals and the casting-off of all natural limitations. The transformation of labour into self-activity corresponds to the transformation of the earlier limited intercourse into the intercourse of individuals as such. With the appropriation of the total productive forces through united individuals, private property comes to an end. Whilst previously in history a particular condition always appeared as accidental, now the isolation of individuals and the particular private gain of each man have themselves become accidental.&#xA;&#xA;     The individuals, who a re no longer subject to the division of labour, have been conceived by the philosophers as an ideal, under the name &amp;quot;Man.&amp;quot; They have conceived the whole process which we have outlined as the evolutionary process of &amp;quot;Man,&amp;quot; so that at every historical stage &amp;quot;Man&amp;quot; was substituted for the individuals and shown as the motive force of history. The whole process was thus conceived as a process of the self-estrangement of &amp;quot;Man,&amp;quot; and this was essentially due to the fact that the average individual of the later stage was always foisted on to the earlier stage, and the consciousness of a later age on to the individuals of an earlier. Through this inversion, which from the first is an abstract image of the actual conditions, it was possible to transform the whole of history into an evolutionary process of consciousness.&#xA;&#xA;     Finally, from the conception of history we have sketched we obtain these further conclusions: (1) In the development of productive forces there comes a stage  when productive forces and means of intercourse are brought into being, which, under the existing relationships, only cause mischief, and are no longer productive but destructive forces ( machinery and money); and connected with this a class is called forth, which has to bear all the burdens of society without enjoying its advantages, which, ousted from society, is forced into the most decided antagonism to all other classes; a class which forms the majority of all members of society, and from which emanates the consciousness of the necessity of a fundamental revolution, the communist consciousness, which may, of course, arise among the other classes too through the contemplation of the situation of this class. (2) The conditions under which definite productive forces can be applied, are the conditions of the rule C?f a definite class of society, whose social power, deriving from its property, has its practical-idealistic expression in each case in the form of the State; and, therefore, every revolutionary struggle is directed against a class, which till then has been in power.9 (3) In all revolutions up till now the mode of activity always remained unscathed and it was only a question of a different distribution of this activity, a new distribution of labour to other persons, whilst the communist revolution is directed against the preceding mode of activity, does away with labour, and abolishes the rule of all classes with the classes themselves, because it is carried through by the class which no longer counts as a class in society, is not recognised as a class, and is in itself the expression of the dissolution of all classes, nationalities, etc., within present society; and (4) Both for the production on a mass scale of this communist consciousness, and for the success of the cause itself, the alteration of men on a mass scale is necessary, an alteration which can only take place in a practical movement, a revolution; this revolution is necessary, therefore, not only because the ruling class cannot be overthrown in  any other way, but also because the class overthrowing it can only in a revolution succeed in ridding itself of all the muck of ages and become fitted to found society anew.&#xA;&#xA;                     C. COMMUNISM. THE PRODUCTION OF THE FORM&#xA;                                       OF INTERCOURSE  ITSELF&#xA;&#xA;     Communism differs from all previous movements in that it over¬turns the basis of all earlier relations of production and intercourse, and for the first time consciously treats all natural premises as the creatures of hitherto existing men, strips them of their natural character and subjugates them to the power of the united individuals. Its organisation is, therefore, essentially economic, the material' production of the conditions of this unity; it turns existing conditions into conditions of unity. The reality, which communism is creating, is precisely the true basis for rendering it impossible that anything should exist independently of individuals, in so far, as reality is only a product of the preceding intercourse of individuals themselves. Thus the communists in practice treat the conditions created up to now by production and intercourse as inorganic conditions, without, however, imagining that it was the plan or the destiny of previous generations to give them material, and without believing that these conditions were inorganic for the individuals creating them. The difference between the individual as a person and what is accidental to him is not a conceptual difference but a historical fact. This distinction has a different significance at different times-e.g., the estate as something accidental to the individual in the eighteenth century, the family more or less too. It is not a distinction that we have to make for each age, but one which each age makes itself from among the different elements which it finds in existence, and indeed not according to any theory, but compelled by material collisions in life. What appears accidental to the later age as opposed to the earlier-and this applies also to the elements handed down by an earlier age-is a form of intercourse which corresponded to a definite stage of development of the productive forces. The relation of the productive forces to the form of intercourse is the relation of the form of intercourse to the occupation or activity of the individuals. (The fundamental form of this activity is, of course, material, on which depend all other forms-mental, political, religious, etc. The various shaping of material life is, of course, in every case dependent on the needs which are already developed, and the production, as well as the satisfaction, of these needs is an historical process, which is not found in the case of a sheep or a dog. (Stirner's refractory principal argument adversus hominem), although sheep and dogs in their present form certainly, but malgre eux, are products of an historical process.) The conditions under which individuals have intercourse with each other, so long as the above-mentioned contradiction is absent, are conditions appertaining to their individuality, in no way external to them; conditions under which these definite individuals, living under definite relations, can alone produce their material life and what is connected with it, are thus the conditions of their self-activity and are produced by this self-activity.1 The definite condition under which they produce, thus corresponds, as long as the contradiction has not yet appeared, to the reality of their condi¬tioned nature, their one-sided existence, the one-sidedness of which only becomes evident when the contradiction enters on the scene and thus exists for the later individuals. Then this condition appears as an accidental fetter, and the consciousness that it is a fetter is imputed to the earlier age as well.&#xA;&#xA;     These various conditions, which appear first as conditions of self-activity, later as fetters upon it, form in the whole evolution of history a coherent series of forms of intercourse, the coherence of which consists in this: in the place of an earlier form of inter¬course, which has become a fetter, a new one is put, corresponding to the more developed productive forces and, hence, to the advanced mode of the self-activity of individuals-a form which in its turn becomes a fetter and is then replaced by another. Since these conditions correspond at every stage to the simultaneous development of the productive forces, their history is at the same time the history of the evolving productive forces taken over by each new generation, and is, therefore, the history of the development of the forces of the individuals themselves.&#xA;&#xA;     Since this evolution takes place naturally, i.e., is not subordinated to a general plan of freely combined individuals, it proceeds from various localities, tribes, nations, branches of labour, etc., each of which to start with develops independently of the others and only gradually enters into relation with the others. Furthermore, it takes place only very slowly; the various stages and interests are never completely overcome, but only subordinated to the prevailing interest and trail along beside the latter for centuries afterwards. It follows from this that within a nation itself the individuals, even apart from their pecuniary circumstances, have quite different developments, and that an earlier interest, the peculiar form of intercourse of which has already been ousted by that belonging to a later interest, remains for a long time afterwards in possession of a traditional power in the illusory community ( State, law), which has won an existence independent of the individuals; a power which in the last resort can only be broken by a revolution. This explains why, with reference to individual points which allow of a more general summing-up, consciousness can sometimes appear further advanced than the contemporary empirical relationships, so that in the struggles of a latter epoch one can refer to earlier theoreticians as authorities.&#xA;&#xA;     On the other hand, in countries which, like North America begin in an already advanced historical epoch, the development proceeds very rapidly. Such countries have no other natural premises than the individuals, who settled there and were led to do so because the forms of intercourse of the old countries did not correspond to their wants. Thus they begin with the most advanced individuals of the old countries, and, therefore, with the correspondingly most advanced form of intercourse, before this form of intercourse has been able to establish itself in the old countries.2 This is the case with all colonies, insofar as they are not mere military or trading stations. Carthage, the Greek colonies, and Iceland in the eleventh and twelfth centuries, provide examples of this. A similar relationship issues from conquest, when a form of intercourse which has evolved on another soil is brought over complete to the conquered country: whereas in its home it was still encumbered with interests and relationships left over from earlier periods, here it can and must be established completely and without hindrance, if only to assure the conquerors' lasting power. (England and Naples after the Norman conquest, when they received the most perfect form of feudal organisation.)&#xA;&#xA;     Nothing is more common than the notion that in history up till now it has only been a question of taking. The barbarians take the Roman Empire, and this fact of taking is made to explain the transition from the old world to the feudal system. In this taking by barbarians, however, the question is, whether the nation which is conquered has evolved industrial productive forces, as is the case with modern peoples, or whether their productive forces are based for the most part merely on their association and on the community. Taking is further determined by the object taken. A banker's fortune, consisting of paper, cannot be taken at all, without the taker's submitting to the conditions of production and intercourse of the country taken. Similarly the total industrial capital of a modern industrial country, and finally, everywhere there is very soon an end to taking, and when there is nothing more to take, you have to set about producing. From this necessity of producing, which very soon asserts itself, it follows that the form of community adopted by the settling conquerors must correspond to the stage of development of the productive forces they find in existence; or, if this is not the case from the start, it must change according to the productive forces. By this, too, is explained the fact, which people profess to have noticed everywhere in the period following the migration of the peoples, namely, that the servant was master, and that the conquerors very soon took over language, culture and manners from the conquered. The feudal system was by no means brought complete from Germany, but had its origin, as far as the conquerors were concerned, in the martial organisation of the army during the actual conquest, and this only evolved after the conquest into the feudal system proper through the action of the productive forces found in the conquered countries. To what an extent this form was determined by the productive forces is shown by the abortive attempts to realise other forms derived from reminiscences of ancient Rome (Charlemagne, etc.).&#xA;&#xA;     Thus all collisions in history have their origin, according to our view, in the contradiction between the productive forces and the form of intercourse. Incidentally, to lead to collisions in a country, this contradiction need not necessarily have reached its extremelimit in this particular country. The competition with industrially more advanced countries, brought about by the expansion of international intercourse, is sufficient to produce a similar contradiction in countries with a backward industry (e.g., the latent proletariat in Germany brought into view by the competition of English indus¬try) .&#xA;&#xA;     This contradiction between the productive forces and the form of intercourse, which, as we saw, has occurred several times in past history, without, however, endangering the basis, necessarily on each occasion burst out in a revolution, taking on at the same time various subsidiary forms, such as all-embracing collisions, collisions of various classes, contradiction of consciousness, battle of ideas, etc., political conflict, etc. From a narrow point of view one may isolate one of these subsidiary forms and consider it as the basis of these revolutions; and this is all the more easy as the individuals who started the revolutions had illusions about their own activity according to their degree of culture and the stage of historical development.&#xA;&#xA;     The transformation, through the division of labour, of personal powers (relationships ) into material powers, cannot be dispelled by dismissing the general idea of it from one's mind, but can only be abolished by the individuals again subjecting these material powers to themselves and abolishing the division of labour.3 This is not possible without the community. Only in community  individual the means of cultivating his gifts in all directions; only in the community, therefore, is personal freedom possible. In the previous substitutes for the community, in the State, etc., personal freedom has existed only for the individuals who developed within the relationships of the ruling class, and only insofar as they were individuals of this class. The illusory community, in which individuals have up till now combined, always took on an independent existence in relation to them, and was at the same time, since it was the combination of one class over against another, not only a completely illusory community, but a new fetter as well. In the real community the individuals obtain their freedom in and through their association.&#xA;&#xA;     It follows from all we have been saying up till now that the communal relationship into which the individuals of a class entered, and which was determined by their common interests over against a third party, was always a community to which these individuals belonged only as average individuals, only insofar as they lived within the conditions of existence of their class-a relationship in which they participated not as individuals but as members of a class. With the community of revolutionary proletarians, on the other hand, who take their conditions of existence and those of all members of society under their control, it is just the reverse; it is as individuals that the individuals participate in it. It is just this combination of individuals (assuming the advanced stage of modern productive forces, of course) which puts the conditions of the free development and movement of individuals under their control conditions which were previously abandoned to chance and had won an independent existence over against the separate individuals just because of their separation as individuals, and because of the necessity of their combination which had been determined by the division of labour, and through their separation had become a bond alien to them. Combination up till now (by no means an arbitrary one, such as is expounded for example in the Contrat social, but a necessary one) was an agreement upon these conditions, within which the individuals were free to enjoy the freaks of fortune (compare, e.g., the formation of the North American State and the South American republics). This right to the undisturbed enjoyment, within certain conditions, of fortuity and chance has up till now been called personal freedom. These conditions of existence are, of course, only the productive forces and forms of intercourse at any particular time.&#xA;&#xA;     If from a philosophical point of view one considers this evolution of individuals in the common conditions of existence of estates and classes, which followed on one another, and in the accompanying general conceptions forced upon them, it is certainly very easy to imagine that in these individuals the species, or &amp;quot;Man,&amp;quot; has evolved, or that they evolved &amp;quot;Man&amp;quot;-and in this way one can give history some hard clouts on the ear.4 One can conceive these various estates and classes to be specific terms of the general expression, subordinate varieties of the species, or evolutionary phases of  &amp;quot;Man.&amp;quot;&#xA;&#xA;     This subsuming of individuals under definite classes cannot be abolished until a class has taken shape, which has no longer any particular class interest to assert against the ruling class.&#xA;&#xA;     Individuals have always built on themselves, but naturally on themselves within their given historical conditions and relationships, not on the &amp;quot;pure&amp;quot; individual in the sense of the ideologists. But in the course of historical evolution, and precisely through the inevitable fact that within the division of labour social relationships take on an independent existence, there appears a division within the life of each individual, insofar as it is personal and insofar as it is determined by some branch of labour and the conditions pertaining to it. (We do not mean it to be understood from this that, for example, the rentier, the capitalist, etc., cease to be persons; but their personality is conditioned and determined by quite definite class relationships, and the division appears only in their opposition to another class and, for themselves, only when they go bankrupt.) In the estate (and even more in the tribe) this is as yet concealed: for instance, a nobleman always remains a nobleman, a commoner always a commoner, apart from his other relationships, a quality inseparable from his individuality. The division between the personal and the class individual, the accidental nature of the conditions of life for the individual, appears only with the emergence of the class, which is itself a product of the bourgeoisie. This accidental character is only engendered and developed by competition and the struggle of individuals among themselves. Thus, in imagination, individuals seem freer under the dominance of the bourgeoisie than before, because their conditions of life seem accidental; in reality, of course, they are less free, because they are more subjected to the violence of things. The difference from the estate comes out particularly in the antagonism between the bourgeoisie and the proletariat. When the estate of the urban burghers, the corporations, etc., emerged in opposition to the landed nobility, their condition of existence-movable property and craft labour, which had already existed latently before their separation from the feudal ties appeared as something positive, which was asserted against feudal landed property, and, therefore, in its own way at first took on a feudal form. Certainly the refugee serfs treated their previous servitude as something accidental to their personality. But here they only were doing what every class that is freeing itself from a fetter does; and they did not free themselves as a class but separately. Moreover, they did not rise above the system of estates, but only formed a new estate, retaining their previous mode of labour even in their new situation, and developing it further by freeing it from its earlier fetters, which no longer corresponded to the development already attained.5&#xA;&#xA;     For the proletarians, on the other hand, the condition of their existence, labour, and with it all the conditions of existence governing modern society, have become something accidental, something over which they, as separate individuals, have no control, and over which no social organisation can give them control. The contradiction between the individuality of each separate proletarian and labour, the condition of life forced upon him, becomes evident to him himself, for he is sacrificed from youth upwards and, within his own class,)has no chance of arriving at the conditions which would place him in the other class.&#xA;&#xA;     Thus, while the refugee serfs only wished to be free to develop and assert those conditions of existence which were already there, and hence, in the end, only arrived at free labour, the proletarians, if they are to assert themselves as individuals, will have to abolish the very condition of their existence hitherto (which has, moreover, been that of all society up to the present) , namely, labour. Thus they find themselves directly opposed to the form in which, hith¬erto, the individuals, of which society consists, have given themselves collective expression, that is, the State. In order, therefore, to assert themselves as individuals, they must overthrow the State.&#xA;&#xA;&#xA;Footnotes:&#xA;&#xA;* The cross-outs are indicated by pointed brackets in the complete text of the 1844 manuscripts as published in Karl Marx and Frederick Engels, Collected Works, vol. 3 (Marx and Engels: 1843-44) (London: Lawrence Wishart, 1975), pp. 249-346. I am indebted to Thomas Ferguson for bringing the crossed-out material to my attention.&#xA;&#xA;1. Particularly.&#xA;&#xA;2. Marx refers here to the Young Hegelian Bruno Bauer, who had published in Allgemeine Literatur-Zeitung two long reviews dealing with books, articles and pamphlets on the Jewish question. Most of the quoted phrases are taken from these reviews in Allgemeine Literatur-Zeitung, vol.1, December, 1843; vol. 4, March, 1844. The expressions &amp;quot;utopian phrase&amp;quot; and &amp;quot;compact mass&amp;quot; can be found in Bauer's article &amp;quot;Was ist jetzt der Gegenstand del' Kritik?&amp;quot; published in Allgemeine Literatur-Zeitung, vol. 8, July, 1844. Allgemeine Literatuf-Zeitung (General Literary Gazette), a German monthly, was published by Bauer in Charlottenburg from December, 1843,to October, 1844.&#xA;&#xA;3. Passages enclosed in brackets were crossed out by Marx in his manuscript.&#xA;&#xA;4. The full title of this collection of articles is Einundzwanzig Bogen aus der Schweiz (Twenty-One Sheets from Switzerland), Erster Teil, Ziirich and Winterthur, 1843.&#xA;&#xA;5. Engels' &amp;quot;Outlines of a Critique of Political Economy.&amp;quot;&#xA;&#xA;6. Ludwig Feuerbach, Grundsatze der Philosophie der Zukunft (Principles of the Philosophy of the Future), Zurich and Winterthur, 1843.&#xA;&#xA;7. Ludwig Feuerbach, Vorliiufige Thesen zur Reformation der Philosophie (Preliminary Theses on the Reformation of Philosophy) published in Anek­dota, vol. II.&#xA;&#xA;8. Marx's abbreviation for Anekdota zur neuesten deutschen Philosophie und Publicistik (Unpublished Materials Related to Modern German Philosophy and Writing), a two-volume collection published by Arnold Ruge in 'Switzerland. It included Marx's Notes on the Latest Prussian Instruction to Censors and Luther-the Arbiter Between Strauss and Feuerbach, and articles by Bruno Bauer, Ludwig Feuerbach, Friedrich Koppen, Arnold Ruge, etc.&#xA;&#xA;9. Marx has in mind Hauer and his followers, who were associated with the&#xA;Allgemeine Lite,atur-Zeitung.&#xA;&#xA;1. &amp;quot;Moment&amp;quot; is a technical term in Hegelian philosophy meaning a vital element of thought. The term is used to stress that thought is a process, and thus that elements in a system of thought are also phases in a movement.&#xA;&#xA;2. In Hegel, &amp;quot;feeling&amp;quot; (Empfindung) denotes a relatively low form of mental life in which the subjective and the objective are still confused together &amp;quot;Consciousness&amp;quot; (Bewusstein)-the name given by Hegel to the first major section of his Phenomenology of Mind-denotes those forms of mental activity where a subject first seeks to comprehend an object. &amp;quot;Self-consciousness&amp;quot; and &amp;quot;mind&amp;quot; denote subsequent, higher phases in the evolution of &amp;quot;absolute knowledge&amp;quot; or &amp;quot;the absolute.&amp;quot;&#xA;&#xA;3. Die Entjremdete Arbeit. See the Note on Texts and Terminology. p. xli. above. for a discussion of this term. &#xA;&#xA;4. &amp;quot;Alienation&amp;quot;-  EntiiusseTung&#xA;&#xA;5. &amp;quot;Species nature&amp;quot; (and, earlier, &amp;quot;species being&amp;quot;)- Gattungswesen; &amp;quot;man's essential nature&amp;quot;- menschlichen Wesen.&#xA;&#xA;6. At this point the first manuscript breaks off unfinished.&#xA;&#xA;7. Prostitution is only a specific expression of the general prostitution of the labourer, and since it is a relationship in which falls not the prostitute alone, but also the one who prostitutes-and the latter's abomination is still greater-the capitalist, etc., also comes under this head. &#xA;&#xA;8. For this reason it is just as highly priced as the determinations of human essence and activities. &#xA;&#xA;9. In practice I can relate myself to a thing humanly only if the thing relates itself to the human being humanly. &#xA;&#xA;1. &amp;quot;Essential powers&amp;quot;-Wesenskrcijte: i.e., powers belonging to me as part of my essential nature, my very being.&#xA;&#xA;2. Spontaneous generation.&#xA;&#xA;3. Forces of human nature: menschlichen Wesenkraft; human nature: menschlichell Wesens.&#xA;&#xA;4. James Mill, Elements of Political Economy.&#xA;&#xA;5. In the manuscript the lower left corner of the page is torn off. Just the right-hand endings of the last six lines remain, making restorations of the text impossible. It is possible to surmise, however, that Marx here criticizes Hegel's idealistic &amp;quot;transcending&amp;quot; of estrangement ( the words that have survived are cited in the next footnote ) .&#xA;&#xA;6. In &amp;quot;transcending&amp;quot; estrangement &amp;quot;in the old German manner-the manner of the Hegelian phenomenology,&amp;quot; i.e., in transcending it exclusively in the &amp;quot;consciousness&amp;quot; of the subject.&#xA;&#xA;7. The bottom of the page is torn. Three or four lines are missing.&#xA;&#xA;8. This word is illegible.&#xA;&#xA;9. Goethe, Faust, ( Part I-Faust's (Penguin, 1949 ) , p.91. Study, III), translated by Philip Wayne&#xA;&#xA;1. Shakespeare, Timon of Athens, Act 4, Scene 3. Marx quotes the Schlegel-Tieck German translation. ( Marx's emphasis .)&#xA;&#xA;2. Ibid.&#xA;&#xA;3. 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<INFO BITRATE="885423" KEY_LYRICS="7 ContributorsIt’s a Love Thing LyricsIt's a love thing, it's a love thing&#xA;(It's a love thing, thing)&#xA;&#xA;The look in your eyes is more than enough&#xA;To make my poor heart burst into flames&#xA;Before the moment we met&#xA;That there was no doubt&#xA;That my life would never be the same&#xA;&#xA;And I could never hide this feelin'&#xA;That comes over me&#xA;When you're near me&#xA;I know that's how it's supposed to be&#xA;My heart is tellin' me&#xA;&#xA;It's a love thing, yeah&#xA;And the talkin' in my sleep&#xA;About the love we made&#xA;It's a love thing&#xA;(It's a love thing)&#xA;Love thing&#xA;(Thing)&#xA;&#xA;Such a feeling I get whenever we touch&#xA;Girl, like no other I felt before&#xA;It's still so new and yet I need you so much&#xA;Got to make you mine forever more&#xA;You're the kinda woman&#xA;That can turn my world around&#xA;'Cause you showed me what&#xA;Unselfish love is all about&#xA;Without a doubt&#xA;&#xA;It's a love thing, yeah&#xA;I feel that pounding in my heart&#xA;When you call my name&#xA;It's a love thing&#xA;(It's a love thing)&#xA;Love thing&#xA;(Thing)&#xA;It's a love thing&#xA;&#xA;Every time that you're near&#xA;It becomes so clear&#xA;It's a love thing&#xA;(It's a love thing)&#xA;Love thing&#xA;(Thing)&#xA;Yeah, it's a love thing&#xA;&#xA;I feel that pounding in my heart&#xA;When you call my name&#xA;It's a love thing&#xA;(It's a love thing)&#xA;It's a love thing&#xA;I could never hide this feeling&#xA;That comes over me&#xA;When you're near me&#xA;I know that's how it's supposed to be&#xA;My heart is tellin' me&#xA;&#xA;It's a love thing, yeah&#xA;Got me talkin' in my sleep&#xA;About the love we made&#xA;It's a love thing&#xA;(It's a love thing)&#xA;Ooh, it's a love thing&#xA;(Thing)&#xA;&#xA;It's a love thing, yeah&#xA;I feel that pounding in my heart&#xA;Every time you call my name, yeah&#xA;It's a love thing&#xA;(It's a love thing)&#xA;Love thing&#xA;(Thing)&#xA;Love thing&#xA;&#xA;It's a love thing&#xA;It's a love thing&#xA;It's a love thing" PRODUCER="℗ 1980 Sanctuary Records Group Ltd." COVERARTID="109/N1PC1SD0S0U5IAPLGNJ5CYWJSGAA" PLAYTIME="228" PLAYTIME_FLOAT="227.720001" IMPORT_DATE="2025/4/14" RELEASE_DATE="1981/1/1" FLAGS="12" FILESIZE="25069"></INFO>
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<INFO BITRATE="1000662" KEY_LYRICS="12 ContributorsTurn the Beat Around Lyrics&#xA;(Turn the beat around)&#xA;(Love to hear percussion)&#xA;(Turn it upside down)&#xA;(Love to hear percussion)&#xA;(Love to hear it)&#xA;&#xA;&#xA;Blow horns, you sure sound pretty&#xA;Your violins keep moving to the nitty gritty&#xA;But when you hear the scratch of the guitars scratchin'&#xA;Then you'll know that rhythm carries all the action&#xA;Whoa&#xA;&#xA;&#xA;(Turn the beat around) Turn it around, yeah&#xA;(Love to hear percussion) Yeah-yeah, hey, hey&#xA;(Turn it upside down) Hey-ey, hey, yeah&#xA;(Love to hear percussion) My, my, my-my-my&#xA;(Love to hear it) Got to hear it!&#xA;&#xA;(Turn the beat around) Go on, go on, go on, girl!&#xA;(Love to hear the percussion) Move your feet when you feel the beat, yeah&#xA;(Turn it upside down) Hey, yeah, yeah!&#xA;(Love to hear percussion) Whoa!&#xA;(Love to hear it)&#xA;&#xA;Flute player, play your flute, 'cause I know&#xA;That you want to get your thing off&#xA;But you see I've made up my mind about it&#xA;It's got to be the rhythm, no doubt about it, whoa-oh&#xA;Cause when the guitar player start playing&#xA;With the syncopated rhythm, with the scratch, scratch, scratch&#xA;Makes me wanna move my body, yeah, yeah, yeah&#xA;And when the drummer starts beating that beat&#xA;He nails that beat with the syncopated rhythm&#xA;With the rat-tat-tat-tat-tat-tat on the drums, hey!&#xA;&#xA;&#xA;(Turn the beat around) Ooh, I'm talkin' 'bout the beat&#xA;(Love to hear percussion) Ah, my, my, my, my&#xA;(Turn it upside down) Oh-oh-oh, oh, yeah&#xA;(Love to hear the percussion) Love the hear the beat, nah, nah&#xA;(Love to hear it)&#xA;(Love to hear it) Whoa!&#xA;(Love to hear it)&#xA;(Love to hear it) Hey!&#xA;&#xA;(Turn the beat around) Whoa, turn it around&#xA;Love to hear percussion&#xA;Yeah&#xA;(Turn it upside down) Turn it upside down, ah&#xA;(Love to hear percussion) Whoa&#xA;(Love to hear it) Yeah&#xA;(Turn the beat around) Ooh-ooh, ooh&#xA;(Love to hear percussion) Love to hear it&#xA;(Turn it upside down) Yeah, yeah-ah&#xA;(Love to hear percussion) My, my, my, my&#xA;(Turn the beat around) Turn it around, yeah&#xA;(Love to hear percussion) Love to hear it&#xA;(Turn it upside down) Hey, hey&#xA;(Love to hear percussion) Got to, got to, got to hear it&#xA;(Turn the beat around...)" PRODUCER="(P) 1976 RCA Records, a division of Sony Music Entertainment" COVERARTID="054/WNQRQNAGVPVRSDM3DJQQDRM2I0PA" PLAYTIME="205" PLAYTIME_FLOAT="204.653336" IMPORT_DATE="2025/4/14" RELEASE_DATE="1976/1/1" FLAGS="12" FILESIZE="25366"></INFO>
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<INFO BITRATE="946569" KEY_LYRICS="15 ContributorsFresh Lyrics&#xA;Conversation is going 'round&#xA;People talking 'bout the girl who's come to town&#xA;Lovely lady, pretty as can be&#xA;No one knows her name, she's just a mystery&#xA;I have seen her maybe once or twice&#xA;One thing I can say, ooh, she's very nice&#xA;She's a lady, one I really want to know&#xA;Somehow I've got to let my feelings show&#xA;&#xA;&#xA;She's fresh (fresh), exciting&#xA;She's so exciting to me&#xA;She's fresh (fresh), exciting&#xA;She's so inviting to me, yeah&#xA;&#xA;&#xA;I've been thinking about the way you walk&#xA;Baby, ooh, I like the way you talk&#xA;Tell you something I really can't hide&#xA;Heaven must have sent you to be by my side&#xA;Fresh and lovely (fresh), like a dream come true&#xA;I'll give anything to spend the night with you&#xA;What a feeling and I can't stop it, baby&#xA;Miss frisky lady, take me away&#xA;&#xA;She's fresh (fresh), exciting&#xA;She's so exciting to me, yeah&#xA;She's fresh (fresh), exciting&#xA;She's so inviting to me, yeah&#xA;&#xA;&#xA;Fresh as a summer breeze (a summer breeze)&#xA;She'll take you by surprise&#xA;She means so much to me&#xA;I'll do whatever to make her mine, baby&#xA;&#xA;Oh yeah&#xA;Ooh, la, la, la, la, la, la, ooh-wee&#xA;She's fresh&#xA;She's fresh, she's so fresh&#xA;She's fresh, she's so fresh&#xA;&#xA;&#xA;She's fresh (she's so fresh)&#xA;Fresh as a summer breeze&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;&#xA;She's fresh (she's so fresh)&#xA;She means so much to me&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;She's fresh (she's so fresh)&#xA;I want to take her by the hand&#xA;(she's so fresh)&#xA;And pray she'll understand&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;&#xA;She's fresh (she's so fresh)&#xA;Cause I love the way she walks&#xA;(she's so fresh)&#xA;And ooh baby I love the way she talks&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;&#xA;She's fresh (she's so fresh)&#xA;I've got something and I hope she'll understand&#xA;(she's so fresh)&#xA;Miss frisky lady&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;&#xA;She's fresh (she's so fresh)&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;She's fresh (she's so fresh)&#xA;She's so fresh and I love that lady&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;&#xA;She's fresh (she's so fresh)&#xA;Oh how I love her so&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;&#xA;She's fresh (she's so fresh)&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;&#xA;She's fresh (she's so fresh)&#xA;(she's so fresh)&#xA;(she's so fresh)&#xA;(she's so fresh)" PRODUCER="℗ 1984 UMG Recordings, Inc." COVERARTID="113/RP4AR4APRXCNCBJWBWHAB4HAPXLB" PLAYTIME="230" PLAYTIME_FLOAT="229.733337" IMPORT_DATE="2025/4/14" RELEASE_DATE="2004/1/1" FLAGS="12" FILESIZE="26948"></INFO>
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<INFO BITRATE="1008813" KEY_LYRICS="22 ContributorsTranslationsSuomiIn the Navy Lyrics&#xA;Where can you find pleasure, search the world for treasure&#xA;Learn science technology?&#xA;Where can you begin to make your dreams all come true&#xA;On the land, or on the sea?&#xA;Where can you learn to fly, play in sports and skin dive&#xA;Study oceanography?&#xA;Sign up for the big band, or sit in the grandstand&#xA;When your team and others meet&#xA;&#xA;&#xA;In the navy&#xA;Yes, you can sail the seven seas&#xA;In the navy&#xA;Yes, you can put your mind at ease&#xA;In the navy&#xA;Come on now, people, make a stand&#xA;In the navy, in the navy&#xA;Can't you see we need a hand?&#xA;In the navy&#xA;Come on, protect the motherland&#xA;In the navy&#xA;Come on and join your fellow men&#xA;In the navy&#xA;Come on people, and make a stand&#xA;In the navy (In the navy), in the navy (Oh)&#xA;&#xA;They want you, they want you&#xA;They want you as a new recruit&#xA;&#xA;&#xA;If you like adventure, don't you wait to enter&#xA;The recruiting office fast&#xA;Don't you hesitate, there is no need to wait&#xA;They're signing up new seamen fast&#xA;Maybe you are too young to join up today&#xA;But don't you worry 'bout a thing&#xA;For I'm sure there will be always a good navy&#xA;Protecting the land and sea&#xA;&#xA;&#xA;In the navy&#xA;Yes, you can sail the seven seas&#xA;In the navy&#xA;Yes, you can put your mind at ease&#xA;In the navy&#xA;Come on, be bold and make a stand&#xA;In the navy, in the navy&#xA;Can't you see we need a hand?&#xA;In the navy&#xA;Come on, protect the motherland&#xA;In the navy&#xA;Come on and join your fellow men&#xA;In the navy&#xA;Come on, be bold and make a stand&#xA;In the navy (In the navy), in the navy (In the navy)&#xA;&#xA;They want you, they want you&#xA;They want you as a new recruit (Who, me?)&#xA;They want you, they want you&#xA;They want you as a new recruit&#xA;&#xA;&#xA;But, but, but, I'm afraid of water&#xA;Hey, hey, look, man&#xA;I get seasick even watchin' it on the TV&#xA;They want you (Oh my goodness)&#xA;They want you in the navy (What am I gonna do in a submarine?)&#xA;They want you&#xA;They want you in the navy&#xA;&#xA;&#xA;In the navy&#xA;Yes, you can sail the seven seas&#xA;In the navy&#xA;Yes, you can put your mind at ease&#xA;In the navy&#xA;Come on, be bold and make a stand&#xA;In the navy, in the navy&#xA;Can't you see we need a hand?&#xA;In the navy&#xA;Come protect the motherland&#xA;In the navy&#xA;Come on and join your fellow men&#xA;In the navy&#xA;Come on, be bold and make a stand" PRODUCER="Can't Stop Productions NYC 1979" COVERARTID="120/YDJXRED3LM0N0A3OKY01CZ4MYWRA" PLAYTIME="340" PLAYTIME_FLOAT="339.946655" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="42365"></INFO>
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<INFO BITRATE="1017992" KEY_LYRICS="15 ContributorsBorn to Be Alive Lyrics&#xA;We were born to be—&#xA;Alive!&#xA;We were born to be—&#xA;Alive!&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;&#xA;&#xA;People asked me why I never&#xA;Find a place to stop and settle&#xA;Down, down, down&#xA;But I never wanted all those things&#xA;People need to justify their&#xA;Lives, lives, lives&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;&#xA;Time was on my side when I was&#xA;Running down the street, it was no&#xA;Bind, bind, bind&#xA;A suitcase and an old guitar and&#xA;Something new to occupy my&#xA;Mind, mind, mind&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive" PRODUCER="Van Loo Music" COVERARTID="048/QJ1F0TCXWDOLOAKOYCZBA11BWHMA" PLAYTIME="267" PLAYTIME_FLOAT="266.250153" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="33640"></INFO>
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<INFO BITRATE="945665" KEY_LYRICS="70 ContributorsTranslationsEspañolPortuguêsΕλληνικάDeutschGirls Just Want To Have Fun Lyrics&#xA;I come home in the mornin' light&#xA;My mother says, &amp;quot;When you gonna live your life right?&amp;quot;&#xA;Oh, mama dear, we're not the fortunate ones&#xA;And girls, they wanna have fun&#xA;Oh, girls just wanna have fun&#xA;&#xA;&#xA;The phone rings in the middle of the night&#xA;My father yells, &amp;quot;What you gonna do with your life?&amp;quot;&#xA;Oh, daddy dear, you know you're still number one&#xA;But girls, they wanna have fun&#xA;Oh, girls just wanna have&#xA;&#xA;&#xA;That's all they really want&#xA;Some fun&#xA;When the workin' day is done&#xA;Oh, girls, they wanna have fun&#xA;Oh, girls just wanna have fun&#xA;&#xA;&#xA;Girls, they want, wanna have fun&#xA;Girls, wanna have&#xA;&#xA;&#xA;Some boys take a beautiful girl&#xA;And hide her away from the rest of the world&#xA;I wanna be the one to walk in the sun&#xA;Oh, girls, they wanna have fun&#xA;Oh, girls just wanna have&#xA;&#xA;That's all they really want&#xA;Is some fun&#xA;When the workin' day is done&#xA;Oh, girls, they wanna have fun&#xA;Oh, girls just wanna have fun&#xA;&#xA;&#xA;Girls, they want, wanna have fun&#xA;Girls, wanna have&#xA;&#xA;&#xA;They just wanna, they just wanna&#xA;(Girls)&#xA;They just wanna, they just wanna&#xA;(Girls just wanna have fun)&#xA;(Girls just wanna have fun)&#xA;Girls just wanna have fun&#xA;They just wanna, they just wanna&#xA;They just wanna, they just wanna&#xA;(Girls)&#xA;They just wanna, they just wanna&#xA;(Girls just wanna have fun)&#xA;Girls, girls just wanna have fun&#xA;When the workin'&#xA;When the workin' day is done&#xA;Oh, when the workin' day is done&#xA;Oh, girls, girls just wanna have fun&#xA;(Everyone)&#xA;They just wanna, they just wanna&#xA;(Girls)&#xA;They just wanna, they just wanna&#xA;(Girls just wanna have fun)&#xA;Girls, girls just wanna have fun&#xA;They just wanna, they just wanna&#xA;When the workin'&#xA;When the workin' day is done&#xA;They just wanna, they just wanna&#xA;(Girls)&#xA;Oh, when the workin' day is done&#xA;Oh, girls, girls just wanna have fun&#xA;Girls just wanna have fun&#xA;They just wanna, they just wanna&#xA;They just wanna" PRODUCER="(P) 1983 Epic Records, a division of Sony Music Entertainment" COVERARTID="104/ILN4VFATYDZA5DLBSLGABD2BU5XD" PLAYTIME="235" PLAYTIME_FLOAT="234.600006" IMPORT_DATE="2025/4/14" RELEASE_DATE="1995/1/1" FLAGS="12" FILESIZE="27329"></INFO>
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<INFO BITRATE="966992" KEY_LYRICS="18 ContributorsAll Around the World Lyrics&#xA;I don't know where my baby is&#xA;But I'll find him, somewhere, somehow&#xA;I've got to let him know how much I care&#xA;I'll never give up looking for my baby&#xA;&#xA;&#xA;Been around the world and I, I, I&#xA;I can't find my baby&#xA;I don't know when, I don't know why&#xA;Why he's gone away&#xA;And I don't know where he can be, my baby&#xA;But I'm gonna find him&#xA;&#xA;&#xA;We had a quarrel and I let myself go&#xA;I said so many things, things he didn't know&#xA;And I was oh oh so bad&#xA;And I don't think he's comin' back, mm mm&#xA;He gave the reason, the reasons he should go&#xA;And he said things he hadn't said before&#xA;And he was oh oh so mad&#xA;And I don't think he's comin', comin' back&#xA;&#xA;&#xA;I did too much lyin', wasted too much time&#xA;Now I'm here and cryin', I, I, I&#xA;&#xA;Been around the world and I, I, I&#xA;I can't find my baby&#xA;I don't know when, I don't know why&#xA;Why he's gone away&#xA;And I don't know where he can be, my baby&#xA;But I'm gonna find him&#xA;&#xA;&#xA;So open hearted&#xA;He never did me wrong&#xA;I was the one, the weakest one of all&#xA;And now I'm oh oh so sad&#xA;And I don't think he's comin' back, comin' back&#xA;&#xA;&#xA;I did too much lyin', wasted too much time&#xA;Now I'm here and cryin', I, I, I&#xA;&#xA;&#xA;Been around the world and I, I, I&#xA;I can't find my baby&#xA;I don't know when, I don't know why&#xA;Why he's gone away&#xA;And I don't know where he can be, my baby&#xA;But I'm gonna find him&#xA;Been around the world and I, I, I&#xA;I can't find my baby&#xA;I don't know when, I don't know why&#xA;Why he's gone away&#xA;And I don't know where he can be, my baby&#xA;But I'm gonna find him&#xA;&#xA;I'm going to find him, my baby&#xA;&#xA;&#xA;I did too much lyin', wasted too much time&#xA;Now I'm here and cryin', I, I, I&#xA;&#xA;&#xA;Been around the world and I, I, I&#xA;I can't find my baby&#xA;I don't know when, I don't know why&#xA;Why he's gone away&#xA;And I don't know where he can be, my baby&#xA;But I'm gonna find him&#xA;&#xA;&#xA;I've been around the world, lookin' for my baby&#xA;Been around the world&#xA;And I'm gonna, I'm gonna find him&#xA;&#xA;Been around the world and I, I, I&#xA;I can't find my baby&#xA;I don't know when, I don't know why&#xA;Why he's gone away&#xA;And I don't know where he can be, my baby&#xA;But I'm gonna find him" PRODUCER="(P) 1989 Sony Music Entertainment UK Limited" COVERARTID="089/Z4SAP1CUHF1EEBVR4QFGAPULQRHB" PLAYTIME="262" PLAYTIME_FLOAT="261.839996" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="31041"></INFO>
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<INFO BITRATE="987973" KEY_LYRICS="9 ContributorsMagic (Single Version) Lyrics&#xA;I feel like anything could happen&#xA;The stars look different tonight&#xA;They're glowing all around me&#xA;It's flowing through my body&#xA;I can feel it I can feel it&#xA;&#xA;&#xA;You got me started&#xA;Ain't nothing on earth can stop it&#xA;It's crazy, I'm falling&#xA;I don't know what else to call it&#xA;Ooh, do you believe in magic?&#xA;Do you, do you, do you?&#xA;Do you believe in magic?&#xA;Ooh-ooh&#xA;Dancing together&#xA;Ain't nothing that could be better&#xA;Tomorrow don't matter&#xA;We'll make the night last forever&#xA;So do you believe in magic?&#xA;Do you, do you, do you&#xA;Do you believe in magic?&#xA;Ooh-ooh&#xA;&#xA;&#xA;You make me wanna do these wild things&#xA;Your touch is supernatural&#xA;Ooh, I can't fight this feeling&#xA;I'm floating through the ceiling&#xA;Can you feel it?&#xA;I can feel it&#xA;Oh-oh&#xA;&#xA;You got me started&#xA;Ain't nothing on earth can stop it&#xA;It's crazy, I'm falling&#xA;I don't know what else to call it&#xA;Ooh, do you believe in magic?&#xA;Do you, do you, do you&#xA;Do you believe in magic?&#xA;Ooh-ooh&#xA;Dancing together&#xA;Ain't nothing that could be better&#xA;Tomorrow don't matter&#xA;We'll make the night last forever&#xA;So do you believe in magic?&#xA;Do you, do you, do you?&#xA;Do you believe in magic?&#xA;Ooh-ooh&#xA;&#xA;&#xA;(Magic, magic, magic, magic)&#xA;Do you believe in?&#xA;Do you believe in?&#xA;(Magic, magic, magic, magic)&#xA;Do you believe in magic?&#xA;&#xA;&#xA;You got me started&#xA;Ain't nothing on earth can stop it&#xA;It's crazy, I'm falling&#xA;I don't know what else to call it&#xA;Ooh, do you believe in magic?&#xA;Do you, do you, do you?&#xA;Do you believe in magic?&#xA;Ooh-ooh&#xA;Dancing together&#xA;Ain't nothing that could be better&#xA;Tomorrow don't matter&#xA;We'll make the night last forever&#xA;So do you believe in magic?&#xA;Do you, do you, do you?&#xA;Do you believe in magic?&#xA;Ooh-ooh" PRODUCER="℗ 2020 Kylie Minogue/Darenote Limited under exclusive license to BMG Rights Management (UK) Limited" COVERARTID="067/D4GPPRDF0WL0RBH2BZQTAU02MVOD" PLAYTIME="215" PLAYTIME_FLOAT="214.013336" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="26292"></INFO>
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<INFO BITRATE="1048446" KEY_LYRICS="3 Contributors2024 Nominees LyricsGeneral FieldRecord Of The YearAward to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.&#xA;&#xA;• “Worship”&#xA;Jon Batiste&#xA;• “Not Strong Enough”&#xA;boygenius&#xA;• “Flowers”&#xA;Miley Cyrus&#xA;• “What Was I Made For?” &#xA;Billie Eilish&#xA;• “On My Mama”&#xA;Victoria Monét&#xA;• “Vampire”&#xA;Olivia Rodrigo&#xA;• “Anti-Hero”&#xA;Taylor Swift&#xA;• “Kill Bill”&#xA;SZAAlbum Of The YearAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.&#xA;&#xA;• World Music Radio&#xA;Jon Batistе&#xA;• the record&#xA;boygenius&#xA;• Endlеss Summer Vacation&#xA;Miley Cyrus&#xA;• Did You Know That There's A Tunnel Under Ocean Blvd&#xA;Lana Del Rey&#xA;• The Age Of Pleasure&#xA;Janelle Monáe&#xA;• GUTS&#xA;Olivia Rodrigo&#xA;• Midnights&#xA;Taylor Swift&#xA;• SOS&#xA;SZASong Of The YearA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.&#xA;• “A&amp;amp;W”&#xA;Jack Antonoff, Lana Del Rey &amp;amp; Sam Dew&#xA;• “Anti-Hero”&#xA;Jack Antonoff &amp;amp; Taylor Swift&#xA;• “Butterfly”&#xA;Jon Batiste &amp;amp; Dan Wilson&#xA;• “Dance The Night” (From Barbie The Album)&#xA;Caroline Ailin, Dua Lipa, Mark Ronson &amp;amp; Andrew Wyatt&#xA;• “Flowers”&#xA;Miley Cyrus, Gregory Aldae Hein &amp;amp; Michael Pollack&#xA;• “Kill Bill”&#xA;Rob Bisel, Carter Lang &amp;amp; Solána Rowe&#xA;• “Vampire”&#xA;Daniel Nigro &amp;amp; Olivia Rodrigo&#xA;• “What Was I Made For?” &#xA;Billie Eilish O'Connell &amp;amp; Finneas O'ConnellBest New ArtistThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.&#xA;&#xA;• Gracie Abrams&#xA;• Fred again..&#xA;• Ice Spice&#xA;• Jelly Roll&#xA;• Coco Jones&#xA;• Noah Kahan&#xA;• Victoria Monét&#xA;• The War And TreatyProducer Of The Year, Non-ClassicalA Producer's Award. (Artists names appear in parentheses.)&#xA;• Jack Antonoff&#xA;• Dernst &amp;quot;D'Mile&amp;quot; Emile II&#xA;• Hit-Boy&#xA;• Metro Boomin&#xA;• Daniel NigroSongwriter of the Year, Non-ClassicalA Songwriter's Award. (Artists names appear in parentheses.)&#xA;&#xA;• Edgar Barrera&#xA;• Jessie Jo Dillon&#xA;• Shane McAnally&#xA;• Theron Thomas&#xA;• Justin TranterField 1: Pop &amp;amp; Dance/Electronic MusicBest Pop Solo PerformanceFor new vocal or instrumental pop recordings. Singles or Tracks only.&#xA;&#xA;• “Flowers”&#xA;Miley Cyrus&#xA;• “Paint The Town Red”&#xA;Doja Cat&#xA;• “What Was I Made For?” &#xA;Billie Eilish&#xA;• “Vampire”&#xA;Olivia Rodrigo&#xA;• “Anti-Hero”&#xA;Taylor SwiftBest Pop Duo/Group PerformanceFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.&#xA;&#xA;• “Thousand Miles”&#xA;Miley Cyrus ft. Brandi Carlile&#xA;• “Candy Necklace”&#xA;Lana Del Rey ft. Jon Batiste&#xA;• “Never Felt So Alone”&#xA;Labrinth ft. Billie Eilish&#xA;• “Karma”&#xA;Taylor Swift ft. Ice Spice&#xA;• “Ghost In The Machine”&#xA;SZA ft. Phoebe BridgersBest Pop Vocal AlbumFor albums containing greater than 75% playing time of new pop vocal recordings.&#xA;• Chemistry&#xA;Kelly Clarkson&#xA;• Endless Summer Vacation&#xA;Miley Cyrus&#xA;• GUTS&#xA;Olivia Rodrigo&#xA;• - (Subtract)&#xA;Ed Sheeran&#xA;• Midnights&#xA;Taylor SwiftBest Dance/Electronic RecordingFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.&#xA;&#xA;• “Blackbox Life Recorder 21F”&#xA;Aphex Twin&#xA;• “Loading”&#xA;James Blake&#xA;• “Higher Than Ever Before”&#xA;Disclosure&#xA;• “Strong”&#xA;Romy &amp;amp; Fred again..&#xA;• “Rumble”&#xA;Skrillex, Fred again.. &amp;amp; FlowdanBest Pop Dance RecordingFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.&#xA;&#xA;• “Baby Don't Hurt Me”&#xA;David Guetta, Anne-Marie &amp;amp; Coi Leray&#xA;• “Miracle”&#xA;Calvin Harris ft. Ellie Goulding&#xA;• “Padam Padam”&#xA;Kylie Minogue&#xA;• “One In A Million”&#xA;Bebe Rexha &amp;amp; David Guetta&#xA;• “Rush”&#xA;Troye SivanBest Dance/Electronic Music AlbumFor vocal or instrumental albums. Albums only.&#xA;&#xA;• Playing Robots Into Heaven&#xA;James Blake&#xA;• For That Beautiful Feeling&#xA;The Chemical Brothers&#xA;• Actual Life 3 (January 1 - September 9 2022)&#xA;Fred again..&#xA;• Kx5&#xA;Kx5&#xA;• Quest For Fire&#xA;SkrillexBest Rock Performance• Lux Æterna&#xA;Metallica&#xA;• Not Strong Enough&#xA;boygenius&#xA;• Rescued&#xA;Foo Fighters&#xA;• More Than A Love Song&#xA;Black Pumas&#xA;• Sculptures Of Anything Goes&#xA;Arctic MonkeysBest Metal Performance• 72 Seasons&#xA;Metallica&#xA;• Jaded&#xA;Spiritbox&#xA;• Hive Mind&#xA;Slipknot&#xA;• Phantom Of The Opera&#xA;Ghost&#xA;• Bad Man&#xA;DisturbedBest Rock Song• Not Strong Enough&#xA;boygenius&#xA;• Rescued&#xA;Foo Fighters&#xA;• Emotion Sickness&#xA;Queens Of The Stone Age&#xA;• Ballad Of A Homeschooled Girl&#xA;Olivia Rodrigo&#xA;• Angry&#xA;The Rolling StonesBest Rock Album• This Is Why&#xA;Paramore&#xA;• In Times New Roman...&#xA;Queens Of The Stone Age&#xA;• 72 Seasons&#xA;Metallica&#xA;• Starcatcher&#xA;Greta Van Fleet&#xA;• But Here We Are&#xA;Foo FightersBest Alternative Music Performance• This Is Why&#xA;Paramore&#xA;• A&amp;amp;W&#xA;Lana Del Rey&#xA;• Cool About It&#xA;boygenius&#xA;• Body Paint&#xA;Arctic Monkeys&#xA;• Belinda Says&#xA;AlvvaysBest Alternative Music Album• The Record&#xA;boygenius&#xA;• I Inside The Old Year Dying&#xA;PJ Harvey&#xA;• Cracker Island&#xA;Gorillaz&#xA;• Did You Know That There's A Tunnel Under Ocean Blvd&#xA;Lana Del Rey&#xA;• The Car&#xA;Arctic MonkeysBest R&amp;amp;B Performance• ICU&#xA;Coco Jones&#xA;• Kill Bill&#xA;SZA&#xA;• How Does It Make You Feel&#xA;Victoria Monét&#xA;• Back To Love&#xA;Robert Glasper ft. SiR &amp;amp; Alex Isley&#xA;• Summer Too Hot&#xA;Chris BrownBest Traditional R&amp;amp;B Performance• Good Morning&#xA;PJ Morton ft. Susan Carol&#xA;• Love Language&#xA;SZA&#xA;• Hollywood&#xA;Victoria Monét ft. Earth, Wind &amp;amp; Fire &amp;amp; Hazel Monét&#xA;• Lucky&#xA;Kenyon Dixon&#xA;• Simple&#xA;Babyface ft. Coco JonesBest R&amp;amp;B Song• Snooze&#xA;SZA&#xA;• On My Mama&#xA;Victoria Monét&#xA;• ICU&#xA;Coco Jones&#xA;• Back To Love&#xA;Robert Glasper ft. SiR &amp;amp; Alex Isley&#xA;• Angel&#xA;Halle" PRODUCER="℗ 2023 Atlantic Recording Corporation, Warner Bros. Entertainment, Inc. &amp; Mattel, Inc." COVERARTID="058/0FCLNKC3O2KSFDQXPRB2BAQPLLYA" PLAYTIME="177" PLAYTIME_FLOAT="176.579315" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="22736"></INFO>
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<INFO BITRATE="958262" KEY_LYRICS="237 ContributorsTranslationsEspañolPortuguêsPolskiFrançaisDeutschGet Lucky Lyrics&#xA;Like the legend of the phoenix, huh&#xA;All ends with beginnings&#xA;What keeps the planet spinning, uh-huh&#xA;The force from the beginning&#xA;Look&#xA;&#xA;&#xA;We've come too far&#xA;To give up who we are&#xA;So let's raise the bar&#xA;And our cups to the stars&#xA;&#xA;&#xA;She's up all night 'til the sun&#xA;I'm up all night to get some&#xA;She's up all night for good fun&#xA;I'm up all night to get lucky&#xA;We're up all night 'til the sun&#xA;We're up all night to get some&#xA;We're up all night for good fun&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;&#xA;The present has no ribbon&#xA;Your gift keeps on giving&#xA;What is this I'm feeling?&#xA;If you wanna leave, I'm with it, uh-huh&#xA;&#xA;&#xA;We've come too far&#xA;To give up who we are&#xA;So let's raise the bar&#xA;And our cups to the stars&#xA;&#xA;&#xA;She's up all night 'til the sun&#xA;I'm up all night to get some&#xA;She's up all night for good fun&#xA;I'm up all night to get lucky&#xA;We're up all night 'til the sun&#xA;We're up all night to get some&#xA;We're up all night for good fun&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;&#xA;She's up all night 'til the sun&#xA;I'm up all night to get some&#xA;She's up all night for good fun&#xA;I'm up all night to get lucky&#xA;We're up all night 'til the sun&#xA;We're up all night to get some&#xA;We're up all night for good fun&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;&#xA;&#xA;She's up all night 'til the sun&#xA;I'm up all night to get some&#xA;She's up all night for good fun&#xA;I'm up all night to get lucky&#xA;We're up all night 'til the sun&#xA;We're up all night to get some&#xA;We're up all night for good fun&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;&#xA;We're up all night to get&#xA;We're up all night to get&#xA;We're up all night to get&#xA;We're up all night to get&#xA;We're up all night to get&#xA;We're up all night to get&#xA;We're up all night to get&#xA;We're up all night to get&#xA;We're up all night to get back together&#xA;We're up all night to get (Let's get funked again)&#xA;We're up all night to get (Funky)&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;&#xA;&#xA;We've come too far&#xA;To give up who we are&#xA;So let's raise the bar&#xA;And our cups to the stars&#xA;&#xA;&#xA;She's up all night 'til the sun&#xA;I'm up all night to get some&#xA;She's up all night for good fun&#xA;I'm up all night to get lucky&#xA;We're up all night 'til the sun&#xA;We're up all night to get some&#xA;We're up all night for good fun&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;&#xA;&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky&#xA;We're up all night to get lucky" PRODUCER="(P) 2013 Daft Life Limited under exclusive license to Columbia Records, a Division of Sony Music Entertainment" COVERARTID="125/3X0POTDH1GHKVB0VQJBBCGHVNNJB" PLAYTIME="248" PLAYTIME_FLOAT="247.632919" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="29094"></INFO>
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<INFO BITRATE="995617" KEY_LYRICS="27 ContributorsSuperstar Lyrics&#xA;Hey hey, yeah&#xA;Uh huh, superstar, ah ah&#xA;No matter where you are, ooh no&#xA;Uh huh&#xA;&#xA;&#xA;People always talk about&#xA;Ey-o, ey-o, ey-o&#xA;All the things they're on about&#xA;Ey-o, ey-o, ey-o&#xA;Write it on a piece of paper (Paper)&#xA;Got a feeling I'll see you later (Later)&#xA;&#xA;&#xA;There's something 'bout this&#xA;Let's keep it moving&#xA;And if it's good let's just get something cooking&#xA;'Cause I really wanna rock with you&#xA;I'm feeling some connection to the things you do&#xA;You do, you do&#xA;&#xA;&#xA;I don't know what it is&#xA;That makes me feel like this&#xA;I don't know who you are&#xA;But you must be some kind of superstar&#xA;'Cause you got all eyes on you&#xA;No matter where you are&#xA;You just make me wanna play&#xA;&#xA;Baby, take a look around&#xA;Ey-o, ey-o, ey-o&#xA;Everybody's getting down&#xA;Ey-o, ey-o, ey-o&#xA;Deal with all the problems later (Later)&#xA;Bad boys on their best behavior&#xA;&#xA;&#xA;There's something 'bout you&#xA;Let's keep it moving&#xA;And if it's good let's just get something cooking&#xA;'Cause I really wanna rock with you (With you)&#xA;I'm feeling some connection to the things you do&#xA;You do, you do&#xA;&#xA;&#xA;I don't know what it is&#xA;That makes me feel like this&#xA;I don't know who you are&#xA;But you must be some kind of superstar&#xA;'Cause you got all eyes on you&#xA;No matter where you are (No matter where you are)&#xA;You just make me wanna play&#xA;&#xA;&#xA;I like the way you're moving&#xA;Ey-o, ey-o, ey-o&#xA;I'm just gettin' to the groove and then&#xA;You just make me wanna play&#xA;If you just put pen to paper&#xA;Ey-o, ey-o, ey-o&#xA;Got that feeling I'll see you later&#xA;Ey-o, ey-o, ey-o&#xA;&#xA;Make your move&#xA;Can't we get a little closer?&#xA;You, rock it just like you're supposed to&#xA;Hey! Boy I ain't got nothing more to say&#xA;'Cause you just make me wanna play&#xA;&#xA;&#xA;I don't know what it is&#xA;That makes me feel like this&#xA;Don't know&#xA;Gotta be, gotta be a superstar&#xA;All eyes on you, all eyes on you&#xA;('Cause you just make me wanna play) You make me wanna play, yeah&#xA;&#xA;&#xA;I don't know what it is (I don't know)&#xA;That makes me feel like this (I don't know)&#xA;I don't know who you are (I don't know)&#xA;But you must be some kind of superstar (you gotta be a superstar)&#xA;'Cause you got all eyes on you (No matter)&#xA;No matter where you are (No matter, no matter where you are)&#xA;You just make me wanna play (Superstar)&#xA;&#xA;&#xA;I don't know what it is (I don't know what it is)&#xA;That makes me feel like this (that makes me feel like this)&#xA;I don't know who you are (I don't know who you are)&#xA;But you must be some kind of superstar (Gotta be a superstar)&#xA;'Cause you got all eyes on you (All)&#xA;No matter where you are (No matter where you are)&#xA;You just make me wanna play (All eyes on you, yeah)" PRODUCER="(P) 2002 Round Hill Records LLC" COVERARTID="041/J3DACWA24FC5AB51QTIUA23WIOYD" PLAYTIME="216" PLAYTIME_FLOAT="215.479996" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="26482"></INFO>
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<INFO BITRATE="1043877" KEY_LYRICS="8 ContributorsEasy Lady Lyrics&#xA;'Cau-, 'cause I'm&#xA;'Cau-, 'cau-, 'cause I'm&#xA;'Cau-, 'cause I'm&#xA;'Cau-, 'cau-, 'cause I'm&#xA;&#xA;'Cau-, 'cause I'm&#xA;'Cau-, 'cau-, 'cause I'm&#xA;'Cau-, 'cause I'm&#xA;'Cau-, 'cau-, 'cause I'm&#xA;&#xA;&#xA;&#xA;&#xA;Move on up&#xA;You're such a sexy groover&#xA;When you get on down&#xA;You're better than another&#xA;Move on up ('cau-, 'cause I'm)&#xA;It's such a hot sensation&#xA;When you get along, get along, get along&#xA;Oh, I could rule this nation&#xA;Get on down&#xA;You tie me up now, baby&#xA;You just tie me up&#xA;There's no time for maybe&#xA;&#xA;'cause I'm a lady, lady, lady, easy lady&#xA;Lady playing passion through the night&#xA;'cause I'm a lady, lady, lady, easy lady&#xA;Playing with emotions, move on up&#xA;&#xA;&#xA;Move on up&#xA;I'm gonna tease you, lover ('cau-, 'cause I'm)&#xA;Gonna work on you&#xA;My love you will discover&#xA;Move on up&#xA;You really gotta please me&#xA;Try, try harder now&#xA;You know you must appease me&#xA;&#xA;&#xA;'Cause I'm a lady, lady, lady, easy lady&#xA;Lady playing passion through the night&#xA;'Cause I'm a lady, lady, lady, easy lady&#xA;Playing with emotions&#xA;'Cause I'm a lady, lady, hot and easy lady&#xA;Keep on playing passion through the night&#xA;'Cause I'm a lady, lady, lady, easy lady&#xA;Playing with emotions, move on up&#xA;&#xA;&#xA;&#xA;You're living inside me&#xA;You're moving on by me&#xA;You're love and passion&#xA;Groove it and move it&#xA;Show me you can use it&#xA;&#xA;&#xA;&#xA;&#xA;'Cause I'm a lady, lady, lady, easy lady&#xA;Lady playing passion through the night&#xA;'Cause I'm a lady, lady, lady, easy lady&#xA;Playing with emotions&#xA;'Cause I'm a lady, lady, hot and easy lady&#xA;Keep on playing passion through the night&#xA;'Cause I'm a lady, lady, lady, easy lady&#xA;Playing with emotions move on up" PRODUCER="(P) 1987 Sony Music Entertainment Italy S.p.A. under exclusive license to BMG Rights Management S.R.L." COVERARTID="113/RXF3QED34125UDVBT5LHCJ1JZP4B" PLAYTIME="291" PLAYTIME_FLOAT="290.253326" IMPORT_DATE="2025/4/14" RELEASE_DATE="2006/1/1" FLAGS="12" FILESIZE="37388"></INFO>
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<INFO BITRATE="1054040" KEY_LYRICS="29 ContributorsTranslationsPortuguêsItalianoLucky Star Lyrics&#xA;You must be my Lucky Star&#xA;'Cause you shine on me wherever you are&#xA;I just think of you, and I start to glow&#xA;And I need your light and baby, you know&#xA;&#xA;&#xA;Starlight, starbright&#xA;First star I see tonight&#xA;Starlight (Starbright)&#xA;Make everything all right&#xA;Starlight, starbright&#xA;First star I see tonight&#xA;Starlight (Starbright), yeah&#xA;&#xA;&#xA;You must be my Lucky Star&#xA;'Cause you make the darkness seem so far&#xA;And when I'm lost, you'll be my guide&#xA;I just turn around, and you're by my side&#xA;&#xA;&#xA;Starlight, starbright&#xA;First star I see tonight&#xA;Starlight (Starbright)&#xA;Make everything all right&#xA;Starlight, starbright&#xA;First star I see tonight&#xA;Starlight (Starbright), yeah&#xA;&#xA;C'mon, shine your heavenly body tonight&#xA;'Cause I know you're gonna make everything all right&#xA;Mmm, c'mon, shine your heavenly body tonight&#xA;'Cause I know you're gonna make everything all right&#xA;&#xA;&#xA;You may be my Lucky Star, but I'm the luckiest by far&#xA;You may be my Lucky Star, but I'm the luckiest by far&#xA;&#xA;&#xA;Starlight, starbright&#xA;First star I see tonight&#xA;Starlight (Starbright)&#xA;Make everything all right&#xA;Starlight, starbright&#xA;First star I see tonight&#xA;Starlight (Starbright), yeah&#xA;&#xA;&#xA;C'mon, shine your heavenly body tonight&#xA;'Cause I know you're gonna make everything all right&#xA;Mmm, c'mon, shine your heavenly body tonight&#xA;'Cause I know you're gonna make everything all right&#xA;&#xA;&#xA;(You may be my Lucky Star, but I'm the luckiest by far)&#xA;(You may be my Lucky Star, but I'm the luckiest by far)&#xA;(You may be my Lucky Star, but I'm the luckiest by far)&#xA;You may be my Lucky Star&#xA;What you do to me, baby&#xA;(You may be my Lucky Star, but I'm the luckiest by far)&#xA;You know, I'm the luckiest by far&#xA;&#xA;Starlight, starbright&#xA;First star I see tonight&#xA;Starlight (Starbright)&#xA;Make everything all right&#xA;Starlight, starbright&#xA;First star I see tonight&#xA;Starlight (Starbright), yeah&#xA;&#xA;&#xA;Starlight, starbright&#xA;You make everything all right&#xA;What you do to me, baby&#xA;You got to stay by my side tonight&#xA;&#xA;&#xA;(Starlight, starbright)&#xA;(Starlight, starbright)&#xA;(Starlight, starbright)&#xA;(Starlight, starbright)&#xA;&#xA;&#xA;Starlight, starbright, baby&#xA;Starlight, starbright, stay by my side tonight&#xA;What you do to me, baby&#xA;What you do, what you do to me, baby&#xA;You got to stay by my side tonight&#xA;You may be my Lucky Star" PRODUCER="℗ 2009 Warner Records Inc." COVERARTID="100/EDA2EECRUPHVQAP3RABUAWPWMZUB" PLAYTIME="219" PLAYTIME_FLOAT="218.960007" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="28691"></INFO>
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<INFO BITRATE="903548" KEY_LYRICS="3 ContributorsBabe, We’re Gonna Love Tonight Lyrics&#xA;Oh-oh, babe, we're gonna love tonight&#xA;Oh-oh, babe, we're gonna love tonight&#xA;&#xA;&#xA;They said I was a loser&#xA;They said that I've been untrue&#xA;But I don't care what the others say&#xA;Babe, I'm gonna be with you&#xA;Yeah, yeah&#xA;&#xA;&#xA;Oh-oh, babe, we're gonna love tonight&#xA;(Babe, we're gonna love tonight)&#xA;Oh-oh, babe, we're gonna love tonight&#xA;&#xA;&#xA;All I wanna do&#xA;Babe, it's true&#xA;Is give me love to you, just you&#xA;When I close my eyes&#xA;All I see&#xA;Is a place for you and me&#xA;Oh yes, there is&#xA;&#xA;&#xA;Oh-oh, babe, we're gonna love tonight&#xA;(Just the thought of you, babe)&#xA;Oh-oh, babe, we're gonna love tonight&#xA;(Making love to you, babe)&#xA;&#xA;Oh-oh, babe, we're gonna love tonight&#xA;&#xA;&#xA;You're a woman like no other&#xA;You lift me when I'm down and blue&#xA;You make me care for you every day&#xA;There's no other in my life but you&#xA;Yeah, yeah&#xA;&#xA;&#xA;Oh-oh, babe, we're gonna love tonight&#xA;(Babe, we're gonna love tonight)&#xA;Oh-oh, babe, we're gonna love tonight&#xA;(Yeah, yeah)&#xA;&#xA;&#xA;Just the thought of you&#xA;Late at night&#xA;Holding on to me real tight&#xA;Knowing how it feels&#xA;The first time&#xA;Holds a place deep in my mind&#xA;Ooh-hoo&#xA;&#xA;&#xA;Oh-oh, babe, we're gonna love tonight&#xA;(Just the thought of you, baby)&#xA;Oh-oh, babe, we're gonna love tonight&#xA;(All I wanna do)&#xA;&#xA;Oh-oh, babe, we're gonna love tonite&#xA;Oh-oh, babe, we're gonna love tonite&#xA;&#xA;&#xA;We were meant for one another&#xA;Even though they say we've been untrue&#xA;The way we kiss just the other day&#xA;There could be no other love but you&#xA;&#xA;&#xA;We can make it right&#xA;To the night&#xA;Hold each other tight, real tight&#xA;Baby, don't you go&#xA;I need you&#xA;Stay here by my side, please do&#xA;&#xA;&#xA;Oh-oh, babe, we're gonna love tonite&#xA;(Just the thought of you, baby)&#xA;Oh-oh, babe, we're gonna love tonite&#xA;(Yeah, we're gonna love tonite)" PRODUCER="1982 Unidisc Music Inc." COVERARTID="114/S54F02DG4ZZGMB3MFILGBEFVRCHD" PLAYTIME="235" PLAYTIME_FLOAT="234.199997" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="26392"></INFO>
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<INFO BITRATE="1025242" KEY_LYRICS="4 ContributorsHow Many Wanna LyricsTrack 11 from the album 9 Lives released on June 12, 2001.&#xA;How many chicks wanna fuck tonight? (Tonight)&#xA;How many chicks wanna suck tonight? (Tonight)&#xA;How many chicks wanna fuck and suck and suck?&#xA;Get fucked and bust tonight?&#xA;&#xA;&#xA;Lex GS, Wide body, Remy VS&#xA;Militants niggas see less, chrome spinnin'&#xA;Got a lust for them grown women&#xA;Classy skirt, work-type chicks that own linen and&#xA;Hate sneakers, only accept cellies, won't chase beepers&#xA;Understand space when needed they relate deeper&#xA;Respect hustle, pretty wit' they lewie duffle&#xA;Via Spigga wit' the stacks over they Huey Russle&#xA;I style wit' 'em, smile, sit 'em down, child wit' 'em&#xA;Lay it down if it's love then I'm outa town wit' 'em&#xA;Show 'em some new shit, then give 'em some new dick&#xA;Help 'em really confront on who they fucking wit'&#xA;Feel a nigga? I'm made for this, remain flawless&#xA;I'm like the same song never change chorus&#xA;It's real, from the hood, but fortune and still&#xA;Lost in the hills, niggas soft in the grill&#xA;It's on&#xA;&#xA;&#xA;How many chicks wanna fuck tonight? (Tonight)&#xA;How many chicks wanna suck tonight? (Tonight)&#xA;How many chicks wanna fuck and suck and suck?&#xA;Get fucked and bust tonight?&#xA;How many niggas wanna stick tonight? (Tonight)&#xA;How many niggas wanna lick tonight? (Tonight)&#xA;How many niggas wanna stick and lick?&#xA;And stick and lick and trick tonight?&#xA;&#xA;Eight wonder, poker face, aces under&#xA;Embrace the mink weather but relate to summer&#xA;New wardrobe, chicks wit' they waistes younger&#xA;Big coupes kitted up, you can taste the hunger&#xA;Hang wit' me, watch how the ladies exchange wit' me&#xA;Leavin' the club laughing like them came wit' me&#xA;Cop heavy, feel rhythmatic I rock steady&#xA;Regardless of the pussy you can have it I'm not petty&#xA;It's plain, never meant for the heart but the brain&#xA;Depart from the pain, that's the art of the game&#xA;Forgive if I ever did, involve your wiz'&#xA;That's no reason for niggas, not to father they kids&#xA;I'm don, New Guinea born, city calm, with the Russian varn&#xA;Looking pretty, all fitted strong, could see it's me&#xA;Who else get head in a Vee?, rock red in the Pee?&#xA;Spread hash in the streets?&#xA;I'm gone&#xA;&#xA;&#xA;How many chicks wanna fuck tonight? (Tonight)&#xA;How many chicks wanna suck tonight? (Tonight)&#xA;How many chicks wanna fuck and suck and suck?&#xA;Get fucked and bust tonight?&#xA;How many niggas wanna stick tonight? (Tonight)&#xA;How many niggas wanna lick tonight? (Tonight)&#xA;How many niggas wanna stick and lick?&#xA;And stick and lick and trick tonight?&#xA;&#xA;Nothing new, understand this is something we do&#xA;Party night, play the dance floor, once in a blue&#xA;Me and the crew, prank jewelers, we somethin' to view&#xA;Beyond live, we leave all that stuntin' to you&#xA;Did the swish shit, and all the mistress&#xA;Niggas wives wit' they wrist slit and still a nigga never did kiss&#xA;I'm cold, cris bottles, six bottles&#xA;Spit it like and Iceberg novel and chicks follow&#xA;Finesse, I move off the love of the sex&#xA;And if it's over you can bet my hands is huggin her neck&#xA;All the respect never one to try and spoil her rep&#xA;But if she stress gotta play the chick more to the left&#xA;Money or hoes? can take those from under your nose&#xA;Eyes shut like them pros, wit' both of them closed&#xA;So niggas what? I'm here to take back, every buck&#xA;Every chick, ever fucked, time to stick niggas up&#xA;Let's go&#xA;&#xA;&#xA;How many chicks wanna fuck tonight? (Tonight)&#xA;How many chicks wanna suck tonight? (Tonight)&#xA;How many chicks wanna fuck and suck and suck?&#xA;Get fucked and bust tonight?&#xA;How many niggas wanna stick tonight? (Tonight)&#xA;How many niggas wanna lick tonight? (Tonight)&#xA;How many niggas wanna stick and lick?&#xA;And stick and lick and trick tonight?&#xA;How many chicks wanna fuck tonight? (Tonight)&#xA;How many chicks wanna suck tonight? (Tonight)&#xA;How many chicks wanna fuck and suck and suck?&#xA;Get fucked and bust tonight?&#xA;How many niggas wanna stick tonight? (Tonight)&#xA;How many niggas wanna lick tonight? (Tonight)&#xA;How many niggas wanna stick and lick?&#xA;And stick and lick and trick tonight?" PRODUCER="Corduroy / ToCo Europe / AFI Holland" COVERARTID="052/UR1PUSBRBFBF2DKRXNONAGPG30XC" PLAYCOUNT="1" PLAYTIME="226" PLAYTIME_FLOAT="225.651520" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/9/12" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="28586"></INFO>
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<INFO BITRATE="990783" KEY_LYRICS="11 ContributorsTranslationsEnglishMa quale idea Lyrics&#xA;&#xA;&#xA;L'ho beccata in discoteca con lo sguardo da serpente&#xA;Io mi sono avvicinato, lei già non capiva niente&#xA;L'ho guardata, m'ha guardato e mi sono scatenato&#xA;Fred Astaire al mio confronto era statico e imbranato&#xA;Le ho sparato un bacio in bocca, uno di quelli che schiocca&#xA;Sulla pista indiavolata, lì per lì l'ho strapazzata&#xA;L'ho lanciata, riafferrata, senza fiato l'ho lasciata&#xA;Tre le braccia mi è cascata, era cotta e innamorata&#xA;Per i fianchi l'ho bloccata e ne ho fatto marmellata&#xA;Oh yeah, si dice così, no? E poi, e poi&#xA;&#xA;&#xA;Che idea&#xA;Ma quale idea, non vedi che lei non ci sta?&#xA;Che idea&#xA;Ma quale idea, è maliziosa, ma saprà tenere a bada un super bullo buffo come te&#xA;E poi che avresti di speciale che in un altro, no, non c'è?&#xA;Che idea&#xA;Ma quale idea, non vedi che lei non ci sta?&#xA;Che idea&#xA;Ma quale idea, attento, lei lunga la sa&#xA;Lei ti farà girare in tondo senza avere mai&#xA;Le cose che pretendi e scusa, in fondo scusa, tu che dai?&#xA;&#xA;M'è venuta una pensata, nella tana I'ho portata&#xA;Le ho versato un'aranciata, lei s'e fatta una risata&#xA;Al mio whisky si è aggrappata e cinque litri s'è scolata&#xA;Mi sembrava bella e andata, m'ha baciato, I'ho baciata&#xA;Ad un tratto I'ho agganciata, dalle braccia m'e sgusciata&#xA;M'ha guardato, I'ho guardata, l'ho bloccata, accarezzata&#xA;Sul visino suo di fata, ma sembrava una patata&#xA;L'ho acchiappata, I'ho frullata e ne ho fatto una frittata&#xA;Oh yeah, si dice così, no? E poi&#xA;&#xA;&#xA;Che idea&#xA;Ma quale idea, non vedi che lei non ci sta?&#xA;Che idea&#xA;Ma quale idea, è maliziosa, ma saprà tenere a bada un super bullo buffo come te&#xA;E poi che avresti di speciale che in un altro, no, non c'è?&#xA;Che idea&#xA;Ma quale idea, non vedi che lei non ci sta?&#xA;Che idea&#xA;Ma quale idea, attento, lei lunga la sa&#xA;Lei ti farà girare in tondo senza avere mai&#xA;Le cose che pretendi e in fondo, scusa, in cambio tu che dai?&#xA;&#xA;&#xA;Che idea&#xA;Ma quale idea&#xA;Balla, dai, balla&#xA;Mhm, balla&#xA;Che idea, che idea, che idea&#xA;Ma quale idea&#xA;Balla&#xA;Uè, oh, balla&#xA;Ma quale idea&#xA;Che idea&#xA;Ma quale idea, non vedi che lei non ci sta?&#xA;Balla&#xA;Che idea" PRODUCER="Peer-Southern Productions srl" COVERARTID="042/KFCNH5ACHLYMTD5EIIAFB055BKAD" PLAYTIME="263" PLAYTIME_FLOAT="262.456604" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="31989"></INFO>
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<INFO BITRATE="1013331" KEY_LYRICS="2 ContributorsHe’s The Greatest Dancer (Edit Version) LyricsOh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;That I've ever seen&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;One night in a disco on the outskirts of Frisco&#xA;I was cruisin' with my favorite gang&#xA;The place was so borin', filled with out-of-towners tourin'&#xA;I knew that it wasn't my thing&#xA;I really wasn't carin' but I felt my eyes starin'&#xA;At a guy who stuck out in the crowd&#xA;He had the kind of body that would shame Adonis&#xA;And a face that would make any man proud&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;That I've ever seen&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;The champion of dance, his moves would put you in a trance&#xA;And he never leaves the disco alone&#xA;Arrogance but not conceit as a man he is complete&#xA;My crme de la crme, please take me home&#xA;He wears the finest clothes, the best designers, heaven knows&#xA;Ooo, from his head down to his toes&#xA;Halston, Gucci, Fiorucci, he looks like a still&#xA;That man is dressed to kill&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;That I've ever seen&#xA;(I've ever seen)&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;That I've ever seen&#xA;(I love your moves)&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;That I've ever seen&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;That I've ever seen&#xA;(I've ever seen)&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;That I've ever seen&#xA;(I love your moves)&#xA;Oh what, wow&#xA;He's the greatest dancer&#xA;Oh what, wow&#xA;That I've ever seen" PRODUCER="℗ 1979 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States." COVERARTID="016/QAFKTJAGYPWUZDVVIMLBBT3OWKHA" PLAYTIME="215" PLAYTIME_FLOAT="214.866669" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="26827"></INFO>
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<INFO BITRATE="953953" KEY_LYRICS="22 ContributorsShe Works Hard For The Money Lyrics&#xA;She works hard for the money&#xA;So hard for it, honey&#xA;She works hard for the money&#xA;So you better treat her right&#xA;She works hard for the money&#xA;So hard for it, honey&#xA;She works hard for the money&#xA;So you better treat her right&#xA;&#xA;&#xA;I met her there in the corner stands&#xA;And she wonders where she is&#xA;And it's strange to her&#xA;Some people seem to have everything&#xA;Nine A.M. on the hour hand&#xA;And she's waiting for the bell&#xA;And she's looking real pretty&#xA;Just waitin' for her clientèle&#xA;&#xA;&#xA;She works hard for the money&#xA;So hard for it, honey&#xA;She works hard for the money&#xA;So you better treat her right&#xA;She works hard for the money&#xA;So hard for it, honey&#xA;She works hard for the money&#xA;So you better treat her right&#xA;&#xA;Twenty-eight years have come and gone&#xA;And she's seen a lot of tears&#xA;Of the ones who come in&#xA;They really seem to need her there&#xA;It's a sacrifice, working day to day&#xA;For little money, just tips for pay&#xA;But it's worth it all&#xA;To hear them say that they care&#xA;&#xA;&#xA;She works hard for the money&#xA;So hard for it, honey&#xA;She works hard for the money&#xA;So you better treat her right&#xA;&#xA;&#xA;She already knows&#xA;She's seen her bad times&#xA;She already knows&#xA;These are the good times&#xA;She'll never sell out&#xA;She never will&#xA;Not for a dollar bill&#xA;She works hard&#xA;&#xA;She works hard for the money&#xA;So hard for it, honey&#xA;She works hard for the money&#xA;So you better treat her right&#xA;Hard for the money&#xA;So hard for it, honey&#xA;She works hard for the money&#xA;So you better treat her right (All right)&#xA;She works hard for the money (Hard, hard, hard for the money)&#xA;So hard for it, honey (Hard, hard, hard for it, honey)&#xA;She works hard for the money&#xA;So you better treat her right&#xA;She works hard for the money (Hard, hard, hard for the money)&#xA;So hard for it, honey (Hard, hard, hard for it, honey)&#xA;Works so hard for the money..." PRODUCER="℗ 1983 UMG Recordings, Inc." COVERARTID="066/C4PZW4AJNIHXQDPCPHEJBMFC4CHD" PLAYTIME="274" PLAYTIME_FLOAT="273.906677" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="32179"></INFO>
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<INFO BITRATE="1011078" KEY_LYRICS="51 ContributorsTranslationsPortuguêsItalianoMaterial Girl Lyrics&#xA;Some boys kiss me, some boys hug me&#xA;I think they're okay&#xA;If they don't give me proper credit&#xA;I just walk away&#xA;They can beg and they can plead&#xA;But they can't see the light (That's right)&#xA;'Cause the boy with the cold hard cash&#xA;Is always Mister Right&#xA;&#xA;&#xA;'Cause we are living in a material world&#xA;And I am a material girl&#xA;You know that we are living in a material world&#xA;And I am a material girl&#xA;&#xA;&#xA;Some boys romance, some boys slow dance&#xA;That's all right with me&#xA;If they can't raise my interest&#xA;Then I have to let them be&#xA;Some boys try and some boys lie&#xA;But I don't let them play (No way)&#xA;Only boys that save their pennies&#xA;Make my rainy day&#xA;&#xA;'Cause we are living in a material world&#xA;And I am a material girl&#xA;You know that we are living in a material world&#xA;And I am a material girl&#xA;Living in a material world&#xA;And I am a material girl&#xA;You know that we are living in a material world&#xA;And I am a material girl&#xA;&#xA;&#xA;Living in a material world (Material)&#xA;Living in a material world&#xA;Living in a material world (Material)&#xA;Living in a material world&#xA;&#xA;&#xA;Boys may come and boys may go&#xA;And that's all right, you see&#xA;Experience has made me rich&#xA;And now they're after me&#xA;&#xA;&#xA;'Cause everybody's living in a material world&#xA;And I am a material girl&#xA;You know that we are living in a material world&#xA;And I am a material girl&#xA;Living in a material world&#xA;And I am a material girl&#xA;You know that we are living in a material world&#xA;And I am a material girl&#xA;&#xA;A material, a material, a material, a material world&#xA;Living in a material world (Material)&#xA;Living in a material world&#xA;Living in a material world (Material-al)&#xA;Living in a material world&#xA;Living in a material world (Material)&#xA;Living in a material world&#xA;Living in a material world (Material-al)&#xA;Living in a material world" PRODUCER="℗ 2009 Warner Records Inc." COVERARTID="100/EDA2EECRUPHVQAP3RABUAWPWMZUB" PLAYTIME="241" PLAYTIME_FLOAT="240.279999" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="30174"></INFO>
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<INFO BITRATE="802971" KEY_LYRICS="73 ContributorsVideo Killed the Radio Star Lyrics&#xA;I heard you on the wireless back in '52&#xA;Lying awake, intently tuning in on you&#xA;If I was young, it didn't stop you coming through&#xA;Oh-a oh-a&#xA;They took the credit for your second symphony&#xA;Rewritten by machine on new technology&#xA;And now I understand the problems you could see&#xA;&#xA;&#xA;Oh-a oh-a&#xA;I met your children&#xA;Oh-a oh-a&#xA;What did you tell them?&#xA;&#xA;&#xA;Video killed the radio star&#xA;Video killed the radio star&#xA;Pictures came and broke your heart&#xA;Oh-a-a-a-oh&#xA;&#xA;&#xA;And now we meet in an abandoned studio (Oh-a)&#xA;We hear the playback and it seems so long ago (Oh-oh-oh-oh-a)&#xA;And you remember the jingles used to go&#xA;&#xA;Oh-a oh-a&#xA;You were the first one&#xA;Oh-a oh-a&#xA;You were the last one&#xA;&#xA;&#xA;Video killed the radio star&#xA;Video killed the radio star&#xA;In my mind and in my car&#xA;We can't rewind, we've gone too far&#xA;Oh-a-a-a-oh&#xA;Oh-a-a-a-oh&#xA;&#xA;&#xA;Video killed the radio star&#xA;Video killed the radio star&#xA;In my mind and in my car&#xA;We can't rewind, we've gone too far&#xA;Pictures came and broke your heart&#xA;Put the blame on VCR&#xA;&#xA;&#xA;You are a radio star&#xA;You are a radio star&#xA;(You are) Video killed the radio star (A, a radio star)&#xA;(A radio star) Video killed the radio star&#xA;(You are) Video killed the radio star (A, a radio star)&#xA;(A radio star) Video killed the radio star&#xA;(You are) Video killed the radio star (A, a radio star)&#xA;(A radio star) Video killed the radio star&#xA;(You are) Video killed the radio star (A, a radio star)&#xA;(A radio star) Video killed the radio star&#xA;(You are) Video killed the radio star (A, a radio star)&#xA;(A radio star) Video killed the radio star&#xA;(You are) Video killed the radio star (A, a radio star)&#xA;(A radio star) Video killed the radio star&#xA;(You are) Video killed the radio star" PRODUCER="℗ 1979 Island Records, a division of Universal Music Operations Limited" COVERARTID="108/MXW3P2DVNYHZEC2W0V1UAT3DRHVD" PLAYTIME="198" PLAYTIME_FLOAT="197.906662" IMPORT_DATE="2025/4/14" RELEASE_DATE="1999/1/1" FLAGS="12" FILESIZE="19684"></INFO>
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<INFO BITRATE="832609" KEY_LYRICS="27 ContributorsFade to Grey Lyrics&#xA;Devenir gris&#xA;Devenir gris&#xA;&#xA;&#xA;One man on a lonely platform&#xA;One case sitting by his side&#xA;Two eyes staring cold and silent&#xA;Shows fear as he turns to hide&#xA;&#xA;&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;&#xA;&#xA;Un homme dans une gare isolée&#xA;Une valise à ses côtés&#xA;Deux yeux fixes et froids&#xA;Montre de la peur lorsqu'il&#xA;Se tourne pour se cacher&#xA;&#xA;&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;&#xA;Sent la pluie comme un été Anglais&#xA;Entends les notes d'une chanson lointaine&#xA;Sortant de derrière d'un poster&#xA;Espérant que la vie ne fut aussi longue&#xA;&#xA;&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;&#xA;&#xA;Feel the rain like an English summer&#xA;Hear the notes from a distant song&#xA;Stepping out from a backdrop poster&#xA;Wishing life wouldn't be so long&#xA;&#xA;&#xA;Devenir gris&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;Devenir gris&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;&#xA;Devenir gris&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;&#xA;Devenir gris&#xA;Aaah&#xA;We fade to grey (Fade to grey)&#xA;Aaah&#xA;We fade to grey (Fade to grey)" PRODUCER="℗ 1980 Universal Records, a Division of UMG Recordings, Inc." COVERARTID="078/OSJJPBBIZZQVDDSTRD1PCTSKZFBD" PLAYTIME="230" PLAYTIME_FLOAT="229.293335" IMPORT_DATE="2025/4/14" RELEASE_DATE="2001/1/1" FLAGS="12" FILESIZE="23564"></INFO>
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<INFO BITRATE="1063955" KEY_LYRICS="1 Contributor23:59 LyricsIntro: YUNGADONiS]&#xA;Yeah! Oh shit I can hear myself but its cool, haisi nyaya&#xA;Yo mfana wangu T Ross, mfana wangu Rosazh urikuita sei mfana wangu ?&#xA;Yeah, timborova track, ey TeQ NiQ bra ey, you know we doing an album together bro, ndombopa vafanha chance, vafanha vangu ava bro, they are doing well trust me&#xA;Ndiregererewo haa, ndaisada kukutsveta pama Adonis Fridays but&#xA;Ey, tichaita album tiri two&#xA;Ndirimufanha wako chaiye, satye handisi kutombokutsveta&#xA;You know what it is, I know we discussed about this but well, handei&#xA;&#xA;Uh, fuck social media that shit ain't cool&#xA;Often ridiculed cause I got a hundred views ?&#xA;Young pilot nigga, bitch I got the better views&#xA;Penning theses bars, penitentiary&#xA;Respect, ipai kuna Kesari&#xA;Handiitwe clown by sons of bitches vakabaya Uni when I have better tertiary, fuseg&#xA;Work of art, Young Warhol&#xA;Bitches say they're chaste wozoona riri borehole&#xA;I don't like to Pick n Pay&#xA;For these bitches, Jongwe Corner, well if they're OK well here I slay&#xA;Special meat for my special needs&#xA;Underground dick inodzika midzi&#xA;Good visage, good graphics, Nvidia&#xA;Get the this Polo dick bitch giddy up&#xA;Never get a lady cause of low esteem&#xA;Thats something I'll never do again&#xA;Panodiwa mababes mazi Wodumo&#xA;Unoita plan man you gon' do more yeah&#xA;I'm tired of living nigga'ish&#xA;Every weekend acting nigga rich&#xA;Stupid rappers ain't about the bread&#xA;Nxa, only want their egos fed&#xA;Need a sugar mommy like my EP&#xA;Basically, rine mazi good features&#xA;Mu indanda mune vanhu vakasviba moyo&#xA;Lemme introduce you to some bleachers&#xA;Vanozviiita ma celebrity, sell a Brit tea huh&#xA;Fuck your Tanganda propaganda I'm a caffeine fiend, and I stay woke&#xA;A thousand likes but you stay broke, fuck outta here nigga&#xA;&#xA;11:59 I grab a pen&#xA;I write whats going on up in my head&#xA;They talk a lot of shit about the man&#xA;Well keep on talking coz I am the man&#xA;Am tryna make a way for the younger generation&#xA;So that they get to be the best in the whole nation&#xA;So that they go home and put food up on the table&#xA;My generation full of talent, Let it be exposed&#xA;Yah Let it be Exposed&#xA;Let the whole world know wat we came to do&#xA;Let them understand this is our time to shine&#xA;We ain't stopping no We ain't stopping no&#xA;Yah am not leaving the game&#xA;Am doing things that they can't&#xA;Am making people say wait&#xA;Is this kid from Zimbabwe ?&#xA;I work too hard just to stop&#xA;I wanna make mamma proud&#xA;Am basic but I am loud&#xA;Am young Kanye with the style&#xA;Yungadonis making a difference in the game&#xA;Yungadonis is working hard paving way&#xA;Yungadonis showed me the true meaning of rap&#xA;T Ross you better follow and make it right&#xA;Just keep on praying your niggas to rise&#xA;Show no remorse to those that want to see u cry&#xA;Coz when the paper coming dats when they hate&#xA;Before all of that they was saying you is great&#xA;I don't get these rappers of our days&#xA;They ain't pushing ,they just sounding the same&#xA;They need to go to church and pray and pray&#xA;Maybe God might actually show them a way&#xA;Focus focus this shit takes a lot of time&#xA;Focus focus this shit takes a lot of time&#xA;But one thing that you gotta do&#xA;Keep praying to the Lord our God&#xA;Amen" PRODUCER="Lamcoz" COVERARTID="080/QW4K5GDFOJHQNDXMUON5CUBX2NWB" PLAYTIME="282" PLAYTIME_FLOAT="281.038696" IMPORT_DATE="2025/4/14" RELEASE_DATE="1986/1/1" FLAGS="12" FILESIZE="36620"></INFO>
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<INFO BITRATE="933067" KEY_LYRICS="5 ContributorsBlue Monday ’88 (7&amp;quot; Version) Lyrics&#xA;(Tell me now, how should I fee-ee-ee-ee-ee-ee-ee)&#xA;&#xA;&#xA;How does it feel&#xA;To treat me like you do?&#xA;When you've laid your hands upon me&#xA;And told me who you are&#xA;I thought I was mistaken&#xA;I thought I heard your words&#xA;Tell me how do I feel?&#xA;Tell me now, how do I feel?&#xA;Those who came before me&#xA;Lived through their vocations&#xA;From the past until completion&#xA;They'll turn away no more&#xA;And I still find it so hard&#xA;To say what I need to say&#xA;But I'm quite sure that you'll tell me&#xA;Just how I should feel today&#xA;&#xA;&#xA;I see a ship in the harbour&#xA;I can and shall obey&#xA;But if it wasn't for your misfortune&#xA;I'd be a heavenly person today&#xA;And I thought I was mistaken&#xA;And I thought I heard you speak&#xA;Tеll me, how do I feel?&#xA;Tell me now, how should I feel?&#xA;Now I stand hеre waiting&#xA;&#xA;Now I stand here waiting&#xA;(Fire!)&#xA;(Fire!)&#xA;(Fire!)&#xA;(Fire!)&#xA;(Fire!)&#xA;(Geisha!)&#xA;(Geisha!)&#xA;&#xA;&#xA;I thought I told you to leave me&#xA;When I walked down to the beach&#xA;Tell me, how does it feel&#xA;When your heart grows cold?" PRODUCER="℗ 1988 Warner Music UK Ltd" COVERARTID="037/FR40XLDODK0GKCMNJQ2JAXNADZBA" PLAYTIME="245" PLAYTIME_FLOAT="244.720001" IMPORT_DATE="2025/4/14" RELEASE_DATE="1994/1/1" FLAGS="12" FILESIZE="27939"></INFO>
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<INFO BITRATE="856746" KEY_LYRICS="5 ContributorsMIT and the Prosecution of Aaron Swartz LyricsReport to the President&#xA;MIT and the Prosecution of Aaron Swartz&#xA;Review Panel&#xA;Harold Abelson&#xA;Peter A. Diamond Andrew Grosso Douglas W. Pfeiffer (support)&#xA;July 26, 2013&#xA;© Copyright 2013, Massachusetts Institute of Technology&#xA;This work is licensed under a Creative Commons Attribution 3.0 Unported License.&#xA;￼&#xA;L. Rafael Reif, President&#xA;77 Massachusetts Avenue, Building 3-208 Cambridge, MA 02139-4307 U.S.A. Phone 1-617-253-0148&#xA;&#xA;This work is licensed under a Creative Commons Attribution 3.0 Unported License. (http://creativecommons.org/licenses/by/3.0/deed.en_US)&#xA;&#xA;PRESIDENT REIF’S CHARGE TO HAL ABELSON | iii&#xA;￼￼￼&#xA;TABLE OF CONTENTS&#xA;PRESIDENT REIF’S CHARGE TO HAL ABELSON (LETTER) ............................................................... iii INTRODUCTION ............................................................................................................................ 11 PART I: EVENTS LEADING TO THE ARREST ................................................................................ 16&#xA;I.A Downloading of JSTOR Articles .......................................................................... 16&#xA;I.B Discovery of the Laptop...................................................................................... 20&#xA;I.C Events of January 6, 2011: The Arrest................................................................ 24&#xA;I.D Events of January 6, 2011: Seizure of the Laptop .............................................. 25&#xA;I.E Access to the MIT Network ................................................................................ 26&#xA;I.E.1 Connecting to the MIT network ............................................................... 26&#xA;I.E.2 JSTOR and eControl.................................................................................. 27&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS&#xA;FOLLOWING THE ARREST.............................................................................................. 29&#xA;II.A Background on Aaron Swartz ............................................................................. 29&#xA;II.A.1 Aaron Swartz in Cambridge .................................................................... 30&#xA;II.A.2 Possible motives for downloading.......................................................... 31&#xA;II.B The Prosecutions and the Legal Defense: An Overview .................................... 34&#xA;II.B.1 The state prosecution ............................................................................. 35&#xA;II.B.2 The federal prosecution.......................................................................... 36&#xA;II.B.3 Plea discussions during the federal prosecution .................................... 38&#xA;II.B.4 Motions to suppress ............................................................................... 41&#xA;II.C Aaron Swartz’s Settlement with JSTOR ............................................................. 41 PART III: MIT’S RESPONSE TO THE PROSECUTION (JANUARY 2011–JANUARY 2013) ............... 44&#xA;III.A Events between the Arrest and the Indictment (January 2011–July 2011) ...... 48&#xA;III.A.1 MIT provides information to the USAO (January 2011–April 2011)....... 49&#xA;III.A.2 MIT is informed about the prosecution (March 2011–June 2011) ........ 51&#xA;III.A.3 MIT adopts and maintains a posture of neutrality................................. 52&#xA;III.A.4 MIT discusses possible public statements with JSTOR (June 2011) ....... 56&#xA;iv&#xA;III.B Events around the Time of the Indictment (April 2011–September 2011)....... 58&#xA;III.B.1 Early overtures to MIT in support of Aaron Swartz&#xA;(April 2011–June 2011) .......................................................................... 59&#xA;III.B.2 The indictment: Unauthorized access .................................................... 60&#xA;III.B.3 MIT as “victim” ....................................................................................... 62&#xA;III.B.4 Robert Swartz meets with MIT’s Chancellor .......................................... 62&#xA;III.C MIT’s Contacts with Prosecution and Defense&#xA;(October 2011–September 2012)....................................................................... 64&#xA;III.C.1 Responses to defense inquiries are slow (May 2012–August 2012) ...... 64&#xA;III.C.2 Robert Swartz writes to MIT’s President................................................ 66&#xA;III.C.3 MIT’s outside counsel speaks with the lead prosecutor&#xA;(August 9, 2012) ..................................................................................... 67&#xA;III.C.4 Robert Swartz meets again with MIT (September 2012) ....................... 69&#xA;III.C.5 Other contacts on behalf of Aaron Swartz ............................................. 70&#xA;III.D Events in Anticipation of Trial (August 2012–October 2012) ............................ 72&#xA;III.D.1 The defense asks MIT to oppose jail time&#xA;(September 2012–October 2012) .......................................................... 73&#xA;III.D.2 The defense moves to suppress evidence (October 2012) .................... 74&#xA;III.D.3 Effect of the suppression motions (October 2012–December 2012) .... 76&#xA;III.D.4 Final weeks (December 2012–January 2013) ......................................... 77&#xA;PART IV: DECISION POINTS FOR MIT ........................................................................................... 80&#xA;IV.A The Investigation and the Immediate Post-­‐arrest Period ................................. 81&#xA;IV.A.1 Locating the laptop and performing a packet scan ................................ 81&#xA;IV.A.2 Informing the MIT Police and notifying the Cambridge Police............... 82&#xA;IV.A.3 Providing information to law enforcement pre-­‐subpoena .................... 82&#xA;IV.B Neutrality: Issuing Statements; Providing Information to&#xA;Prosecution and Defense ................................................................................... 83&#xA;IV.B.1 Issuing public statements about whether to prosecute......................... 84&#xA;IV.B.2 Issuing public statements about the criminal charges ........................... 85&#xA;IV.B.3 Making private statements to the prosecution about the&#xA;criminal charges ..................................................................................... 85&#xA;IV.B.4 Providing prosecution and defense with documents and&#xA;access to MIT employees ....................................................................... 86&#xA;IV.B.5 Taking non-­‐neutral positions for people with MIT associations ............ 87&#xA;CONTENTS | v&#xA;PART V:&#xA;IV.B.6 IV.B.7&#xA;QUESTIONS Question 1:&#xA;Question 2: Question 3: Question 4:&#xA;Question 5: Question 6: Question 7: Question 8:&#xA;Becoming more informed about the charges ........................................ 87&#xA;Engaging more deeply with issues around the Computer Fraud&#xA;and Abuse Act ........................................................................................ 88&#xA;FOR THE MIT COMMUNITY ...................................................................... 89&#xA;Should MIT develop additional on-­‐campus expertise&#xA;for handling potential computer crime incidents, thus&#xA;giving the Institute more flexibility in formulating its&#xA;responses? ............................................................................................90&#xA;Should MIT policies on the collection, provision, and&#xA;retention of electronic records be reviewed? ...................................... 92&#xA;Should an MIT education address the personal ethics&#xA;and legal obligations of technology empowerment? ........................... 92&#xA;Should MIT increase its efforts to bring its considerable&#xA;technical expertise and leadership to bear on the study&#xA;of legal, policy, and societal impact of information and communications technology? ............................................................... 93&#xA;What are MIT’s institutional interests in the debate over&#xA;reforming the Computer Fraud and Abuse Act?................................... 94&#xA;Should MIT strengthen its activities in support of open&#xA;access to scholarly publications? .......................................................... 95&#xA;What are MIT’s obligations to members of our&#xA;extended community?........................................................................... 96&#xA;How can MIT draw lessons for its hacker culture from&#xA;this experience?..................................................................................... 97&#xA;CONCLUSION .............................................................................................................................. 100 APPENDICES ................................................................................................................................ 102&#xA;Appendix 1: Appendix 2: Appendix 3: Appendix 4:&#xA;4.A 4.B 4.C&#xA;Letter to the MIT Community from President Reif............................. 103 Letter from Hal Abelson to the MIT Community ................................ 104 Review Panel Members ....................................................................... 106 Processes Followed in Preparing This Report ..................................... 108&#xA;Criterion for Naming Individuals .......................................................... 108 Documents Examined .......................................................................... 109 Process for MIT Privileged Documents ................................................ 109&#xA;CONTENTS | vi&#xA;4.D&#xA;4.E&#xA;Appendix 5: Appendix 6: Appendix 7:&#xA;7.A 7.B 7.C 7.D 7.E&#xA;Appendix 8:&#xA;8.A 8.B 8.C 8.D&#xA;Appendix 9:&#xA;9.A 9.B 9.C&#xA;Appendix 10:&#xA;10.A&#xA;10.B&#xA;10.C&#xA;Appendix 11:&#xA;11.A 11.B 11.C&#xA;People Interviewed .............................................................................. 109 Review Process for Publishing This Report .......................................... 111 Timeline of Events ............................................................................... 112&#xA;JSTOR and the MIT Libraries................................................................ 116 Records Produced by MIT to Law Enforcement.................................. 118&#xA;Network Flow Data Logs ...................................................................... 118 Dynamic Host Configuration Protocol (DHCP) Server Logs .................. 118 RADIUS Server Logs .............................................................................. 120 Network Registration Database ........................................................... 120 Packet Stream ...................................................................................... 121 MIT and Open Access Publishing ........................................................ 122&#xA;Open Educational Resources: OpenCourseWare ................................. 122 Open Repository Software: DSpace ..................................................... 122 Open Access to MIT Scholarly Publications.......................................... 123 Massive Open Online Courses: MITx and edX ...................................... 123 Some Prior Relevant Incidents at MIT ................................................ 124&#xA;David LaMacchia (1994) ....................................................................... 124 Andrew Huang (2002) .......................................................................... 126 Star Simpson (2007) ............................................................................. 127 Legal Analysis of MIT’s Provision of Documents&#xA;and Packet Capture ............................................................................. 129&#xA;The Federal Laws Protecting Electronic Communications ................... 129&#xA;10.A.1 The electronic communications were lawfully disclosed ........ 130&#xA;10.A.2 The metadata was lawfully disclosed ...................................... 132&#xA;Massachusetts Law Regarding Electronic Communications ................ 132 Document Production .......................................................................... 133 Comments on the Computer Fraud and Abuse Act&#xA;Charges against Aaron Swartz ............................................................. 135&#xA;Exceeding Authorized Access ............................................................... 135 Unauthorized Access ............................................................................ 137 Losses Exceeding Five Thousand Dollars .............................................. 139&#xA;Appendix 12: Letter from JSTOR to Its Publishers..................................................... 141&#xA;CONTENTS | vii&#xA;Appendix 13:&#xA;13.A 13.B 13.C 13.D 13.E&#xA;13.F 13.G 13.H&#xA;Appendix 14: Appendix 15:&#xA;ILLUSTRATIONS&#xA;Legal Procedure and Practice in Criminal&#xA;Investigations and Prosecutions ......................................................... 142&#xA;The U.S. Department of Justice and the United States Attorneys ....... 142&#xA;The Investigative Agencies ................................................................... 143&#xA;The Federal Criminal Investigation: Pre-­‐indictment............................. 144&#xA;The Arrest ............................................................................................. 146&#xA;Investigations, Discovery, and the Asymmetric Nature of Criminal Litigation............................................................................................... 147&#xA;Interviews and Compliance with Subpoenas ....................................... 149 Pretrial Motions and Hearings ............................................................. 150 The Status of “Victims” in Federal Prosecutions .................................. 151 Questions from the MIT Community .................................................. 153&#xA;Glossary ............................................................................................... 162&#xA;Map 1. The MIT Central Campus ....................................................................................ix Map 2. The Central Square Area of Cambridge.............................................................. x&#xA;CONTENTS | viii&#xA;ILLUSTRATIONS | ix&#xA;￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼The person who was seen on video entering Building 16 network closet is noticed and followed&#xA;by MIT Police (1/6/11)&#xA;￼￼Albany Street&#xA;￼￼￼￼￼￼￼￼Vassar Street Vassar Street&#xA;￼￼￼￼￼￼￼Stratton Bldg Student Center W20&#xA;Laptop connected to a switch in a network closet is discovered by MIT IS&amp;amp;T (1/4/11)&#xA;16&#xA;￼￼￼￼￼￼￼￼￼￼Laptop first discovered in Building 16 is found connected to network port&#xA;in SIPB offices and taken as evidence by MIT Police (1/6/11)&#xA;￼￼￼￼Killian Court&#xA;￼M&#xA;￼a&#xA;￼￼s&#xA;s&#xA;a&#xA;c&#xA;￼h&#xA;u&#xA;s&#xA;e&#xA;t&#xA;t&#xA;s&#xA;￼￼Memorial Drive&#xA;A&#xA;v&#xA;e&#xA;n&#xA;u&#xA;e&#xA;Map 1. The MIT Central Campus&#xA;￼ILLUSTRATIONS | x&#xA;Aaron Swartz arrested near Central Square, Cambridge (1/6/11)&#xA;Massachusetts Avenue Massachusetts Avenue&#xA;The person who was seen on video entering Building 16 network closet is noticed and followed&#xA;by MIT Police (1/6/11)&#xA;W20&#xA;16&#xA;Massachusetts Institute of Technology&#xA;Map 2. The Central Square Area of Cambridge&#xA;Lee Street&#xA;Vassar Street&#xA;INTRODUCTION&#xA;On January 6, 2011, Aaron Swartz was arrested by the MIT Police and an agent of the U.S. Secret Service, accused of breaking and entering for events that occurred on the MIT campus. In July 2011 he was charged in a federal indictment with multiple felony offenses, specifically violations of the Wire Fraud Act and the Computer Fraud and Abuse Act. On January 11, 2013, Aaron Swartz’s partner found him dead in their New York apartment, a victim of suicide.&#xA;At the time of his death, Aaron Swartz was a 26-year-old computer programmer and an Internet celebrity—a former child prodigy who as a young teenager had worked alongside the leaders of the World Wide Web to create some of its basic technology for sharing information; an entrepreneur whose startup company became a key piece in a major news and entertainment service; an activist who co-founded an advocacy organization with more than a million members that organized petition drives for civil liberties and against censorship; and a Fellow at Harvard University’s Safra Research Lab on Institutional Corruption.&#xA;Only Swartz knows why he committed suicide. However, for the final 24 months of his life, he was the subject of a vigorous investigation and prosecution by the U.S. Department of Justice, with an indictment and then a superseding indictment that could have resulted in years in prison. The charges stemmed from his actions, starting in fall 2010, when he surreptitiously downloaded massive quantities of scholarly journal articles from the JSTOR digital library through MIT’s computer network.&#xA;Two days after the suicide, MIT President Rafael Reif asked Computer Science Professor Hal Abelson to lead the present review of MIT’s involvement in the events, beginning with those in September 2010, when MIT first became aware of unusual download activity on its network, and continuing until Swartz’s death in January 2013. The purpose of this review is to describe MIT’s actions and consider what can be learned from them. In conducting the review, Abelson has been joined by MIT Economics Professor and Institute Professor Emeritus Peter Diamond; and Andrew Grosso, a Washington, D.C., attorney and former Assistant U.S. Attorney, with special expertise in computer law. When this report refers below to “we,” “the reviewers,” or the “Review Panel,” it is referring to the three of us. MIT Assistant Provost for Administration Douglas Pfeiffer provided staff assistance. The process we used to gather information for this report is detailed in Appendix 4.1&#xA;1 The Review Panel realizes that there has been significant controversy surrounding the events described in this report. We appreciate that many of the people involved have legitimate concerns about their privacy&#xA;11&#xA;￼&#xA;Other than the announcement of the review on January 13, MIT has issued no statements before this report, in the interest of providing an account that is full, accurate, and fair. Since that time, we have received no further instruction from the MIT administration other than several public indicators that we should take as much time as we needed.&#xA;News of Aaron Swartz’s death ignited a firestorm on the Internet. In the six months since our review began, there have been memorial services honoring Aaron Swartz in several cities, including one on Capitol Hill. The American Library Association posthumously awarded him its 2013 James Madison Award, and the Internet Society posthumously inducted him into the Internet Hall of Fame. A bill was introduced in Congress (“Aaron’s Law”) to revise the Computer Fraud and Abuse Act under which he was indicted. There has been a Congressional investigation and a petition to the White House demanding the firing of the prosecutors involved. There have also been several anonymous cyber- attacks—three of them against MIT—in protest of Swartz’s prosecution, hate mail directed towards MIT employees and federal prosecutors involved in his case, and a hoax report of a shooter on campus that shut down MIT for a morning.&#xA;There have also been thousands of news articles and commentaries, many of them roundly critical of MIT. Reactions range from puzzlement, to headshaking disappointment, to anger, to dark hints of conspiracies. We hope this report, by laying out a full history of MIT’s involvement, will put people in a better position to judge for themselves the plausibility of the various comments and positions taken, and to evaluate MIT’s conduct.&#xA;Both the writing and the reading inevitably involve hindsight: how does one maintain a perspective uncolored by the shock and tragedy of Aaron Swartz’s suicide, or—knowing of him and his accomplishments—by the realization that he was the person who did the downloading and who was then arrested? Just as we have tried to limit the effects of hindsight in the writing, we hope readers will do the same when interpreting our report.&#xA;and their security, and we know that some have even been personally threatened. Consequently, our report generally does not identify individuals by name. Many of these individuals have already been identified in court filings and other public documents, and we are fully aware that their names are readily discoverable on the Internet. Even so, we see no need to further erode their personal privacy. So as a rule, people in this report are identified by their role or position rather than by name. There are a few exceptions. In cases where including their names makes the narrative more understandable, we’ve named public officials—such as prosecutors, detectives, federal agents, judges, or police officers whose role in the events has already been described in public court filings. For some people actively involved in the events described, such as defense counsels for Aaron Swartz, we have used their names with their permission to do so. We have also named some people whose connections are only tangential to the events described in the report without having sought permission.&#xA;INTRODUCTION | 12&#xA;￼&#xA;In brief, among our more significant findings are the following:&#xA;1. Until the arrest in January 2011, MIT was unaware that the person who engaged in the downloading of JSTOR’s data beginning in September 2010 was Aaron Swartz. Until the arrest, MIT’s concern was to stop the use of its network, by an unknown person, to download massive numbers of articles from the JSTOR database, which was in violation of MIT’s licensing agreement with JSTOR and whose scale threatened the operation of the JSTOR network to the extent that JSTOR blocked MIT’s access to JSTOR for three days. When, on the morning of January 4, 2011, MIT’s network personnel located a laptop—covered by a cardboard box and plugged into a router in a basement data closet in a campus building—they were not sure with whom or with what kind of situation they were dealing, and they contacted the MIT Police. For the same reasons, the MIT Police sought forensic assistance from a detective in the Cambridge Police Department who had expertise in computer crime and with whom they had worked repeatedly in the past. The Cambridge detective, who was a member of the New England Electronic Crimes Task Force, responded to the call, accompanied by an agent of the U.S. Secret Service. While the inclusion of the Secret Service agent was not the intention of MIT, it was a recognized possibility. It was not until a few days later, when Aaron Swartz was arrested, that MIT learned the identity of the person involved in the JSTOR downloading. Thus, we find that MIT did not focus on Aaron Swartz at any time during its own investigation of the events that led to his arrest, and that MIT did not intentionally “call in the feds” to take over the investigation.&#xA;2. MIT never requested that a criminal prosecution be brought against Aaron Swartz. Early in the prosecution by the U.S. Attorney’s Office in Boston (the “USAO”), MIT adopted a position of remaining neutral, with limited involvement. MIT hired outside counsel who had experience in criminal law and in the functioning of the Boston U.S. Attorney’s Office; and MIT requested and received subpoenas for the production of documents. Some documents were turned over to the USAO prior to receiving a subpoena, but, for the reasons discussed in this report, this production did not violate federal laws.&#xA;3. In keeping with its stance of neutrality, MIT never issued a public statement about Swartz’s prosecution or advocated publicly on his behalf, even though doing this was urged by Aaron Swartz’s family and legal team and by two members of the faculty. One of the reasons for MIT’s silence was the good- faith belief, based on private conversations with the lead prosecutor, that the Institute’s opinion would have no effect on the prosecution, and that public&#xA;INTRODUCTION | 13&#xA;statements might make circumstances worse for Aaron Swartz. MIT did inform the prosecution that it was not seeking punishment for Swartz, and it did inform the defense that it was not seeking any civil remedy from him.&#xA;4. Before Aaron Swartz’s suicide, the MIT community paid scant attention to the matter, other than during the period immediately following his arrest. Few students, faculty, or alumni expressed concerns to the administration. In preserving MIT’s stance of neutrality and limited involvement, MIT decision- makers did not inquire into the details of the charges until a year after the indictment, and did not form an opinion about their merits. MIT took the position that U.S. v. Swartz was simply a lawsuit to which it was not a party, although it did inform the U.S. Attorney’s Office that the prosecution should not be under the impression that MIT wanted jail time for Aaron Swartz. (MIT did not say it was actually opposed to jail time.) Among the factors not considered were that the defendant was an accomplished and well-known contributor to Internet technology; that the Computer Fraud and Abuse Act is a poorly drafted and questionable criminal law as applied to modern computing, one that affects the Internet community as a whole and is widely criticized; and that the United States government was pursuing an overtly aggressive prosecution. MIT’s position may have been prudent, but it did not duly take into account the wider background of information policy against which the prosecution played out and in which MIT people have traditionally been passionate leaders.&#xA;Part I of this review recounts the actions MIT took from the first discovery of the downloading up to the time of Aaron Swartz’s arrest. Part II reviews actions after the arrest by those involved other than MIT, in order to set the context for Part III, which describes MIT’s own decisions and conduct between the arrest and the death of Aaron Swartz. Part IV highlights some of the options that MIT faced throughout this history. Part V provides some questions for the MIT community that the review panel believes should be starting points for discussion within MIT.&#xA;It was not part of our charge in this review to draw conclusions, but rather to determine facts and to consider what can be learned from this tragedy. Part V accordingly poses questions, not answers. These questions are for everyone at MIT, not just the Institute’s leadership. They concern the kind of community that MIT is and the kind of community it could become. The questions reflect not only the particular events of the Aaron Swartz&#xA;INTRODUCTION | 14&#xA;case, but also the overall Institute circumstances and climate in which the events occurred. The most difficult questions challenge us to become better at negotiating the tension between prudence and passion, as great institutions must.&#xA;Cambridge, MA July 26, 2013&#xA;Harold Abelson Peter A. Diamond Andrew Grosso Douglas W. Pfeiffer&#xA;INTRODUCTION | 15&#xA;16&#xA;￼PART I:&#xA;EVENTS LEADING TO THE ARREST&#xA;I.A Downloading of JSTOR Articles&#xA;I.B Discovery of the Laptop&#xA;I.C Events of January 6, 2011: The Arrest&#xA;I.D Events of January 6, 2011: Seizure of the Laptop&#xA;I.E Access to the MIT Network&#xA;I.E.1 Connecting to the MIT network&#xA;I.E.2 JSTOR and eControl&#xA;EVENTS LEADING TO THE ARREST&#xA;￼Part I:&#xA;I.A Downloading of JSTOR Articles&#xA;The history of the events leading to the arrest of Aaron Swartz in January 2011 begins the&#xA;previous fall with the JSTOR (Journal Storage) digital library, a service that licenses scholarly journals to numerous academic and research organizations, including MIT.1&#xA;On the evening of Saturday, September 25, 2010, JSTOR engineers noticed an extremely large number of requests for downloads originating from MIT. Overall, more than 450,000 articles spanning 560 journals were downloaded between 5:00 p.m. Saturday and 4:00 a.m. Sunday.2 The volume of data transferred was enough to overload the affected JSTOR server. In response, JSTOR engineers temporarily blocked further downloads directed to the MIT Internet Protocol (IP) address issuing the requests.3 But the downloading continued from a different IP address.&#xA;1 See Appendix 6 for more information on JSTOR and the MIT Libraries.&#xA;&#xA;2 Ordinarily, when someone requests a download from JSTOR, the system pops up a window that refers to JSTOR’s terms of use, and requires the user to click to confirm before the download can proceed. This not only notifies the user of JSTOR’s terms, but also limits the rate at which automated downloads can be requested. In this case, however, the download script included a flag (acceptTC=true) that bypassed the acceptance step.&#xA;3 In an effort to warn the person causing these downloads to stop, JSTOR’s engineers caused a web page to be presented to the computer engaged in the downloading, reading:&#xA;Access Suspended—We noticed content downloading activity from your IP address (18.55.6.215) that appears to be in excess of what is allowed under our Terms &amp;amp; Conditions of Use. Please review our terms for more information about allowable uses. If you have additional questions or need other information, please contact JSTOR Support.&#xA;￼&#xA;The next day, Sunday, September 26, 2010, JSTOR shut off access for the entire range of addresses (Class C network) containing the two addresses.4 It sent an email to the MIT Libraries5 (“the Libraries”) notifying them of this fact, and explaining that JSTOR “rarely takes this level of response to abusive activity, but felt it necessary to maintain the stability of the Web site for other institutions and users.” JSTOR further noted in that email that the manner in which the download requests came into its system “clearly indicates robotic harvesting of PDFs  which violates our Terms &amp;amp; Conditions of Use.” Reflecting its contractual agreement with JSTOR, the Libraries began to work with JSTOR in an effort to determine the source of the downloading and stop it from continuing.&#xA;JSTOR sought MIT’s assistance to prevent the incident’s recurrence. The Libraries responded: “We’re investigating this case and, because the origin of the activity was a guest visiting MIT, we believe that it will not recur. We hope that you will be able to restore the Class C range that has been suspended on this information.” In response, JSTOR turned all of MIT’s IP addresses back on, and decided to watch.&#xA;To provide some context for this event, we note that the Libraries handled 65 excessive use incidents during the 2010–2011 academic year. Typically, when an excessive use case is reported that is determined to originate from within MIT’s network, the Libraries report this to either the MIT Information Services and Technology (IS&amp;amp;T) network security team6 or MIT’s “Stopit” group, which deals with inappropriate behavior that occurs electronically. The Stopit group’s general response is to send the offender a warning email message. This is almost always all that is needed to get people’s attention and have them stop whatever it was they were doing that caused the problem. In this case, however, the computer was registered to a visitor, and the registrant used an anonymous&#xA;4 The first IP address was 18.55.6.215, and the second address was 18.55.6.216. The blocked range consisted of all IP addresses beginning with 18.55.6 followed by a number from 0 through 255. Such a range (four numbers, with the first three fixed, and the last one taking on any value from 0 to 255) is called a Class C network.&#xA;IP (Internet Protocol) addresses specify the network port where the device is attached. They are typically automatically assigned, when the device is attached, by a network service called a DHCP (Dynamic Host Configuration Protocol) server, although people with sufficient computer skills can change the IP address (as was done here). In addition to the IP address, each device has a MAC (Media Access Control) address, which uniquely identifies the device’s hardware network interface itself (essentially, the device itself, as opposed to where it is attached to the network). MAC addresses are typically assigned by the device manufacturer, although these, too, can be changed under program control. The network DHCP server maintains a log, called a DHCP log, which records the IP address assigned to a MAC address, as part of the DHCP process. At MIT, an IP address will often identify the building where network device is located.&#xA;5 Email sent Sunday, September 26, 2010, at 12:31 p.m.&#xA;6 Most cases of excessive downloading are due to misappropriation of MIT credentials, in which case the true MIT user is asked to change his/her password.&#xA;PART I: EVENTS LEADING TO THE ARREST | 17&#xA;￼&#xA;email address that could not be contacted.7 (As described in section I.E.1, guests may register to use the MIT network by supplying a name and an email address as contact information, and they obtain a registration that is valid for a limited time period.) IS&amp;amp;T therefore disabled the registration of the MAC address used by the offending computer, expecting that this would be a sufficient deterrent to further activity.&#xA;Two weeks later, on Saturday, October 9, 2010, during the Columbus Day weekend, a second, similar incident occurred: a visitor downloaded more JSTOR articles, using a slightly modified MAC address.8&#xA;This time, the requests and downloads stimulated a cascade of failures that brought down multiple JSTOR servers. Half the servers in one data center failed, and JSTOR engineers feared that the entire service might go down worldwide. Moreover, the requests seemed to be coming from thousands of machines.9&#xA;JSTOR’s response was to shut down service, at approximately 11:15 p.m. on October 9, 2010, to all MIT’s IP addresses, that is, the entire Class A network,10 doing so quickly enough that only about 8,000 articles were downloaded during this incident. JSTOR observed that the downloaded articles were not limited to a specific discipline, but were sequential across JSTOR’s entire database. To JSTOR, this indicated “a concerted effort is being made to download the entirety of the JSTOR archive.” JSTOR notified MIT Libraries of its findings by email, and spoke directly with personnel at the Libraries about its concerns.&#xA;7 The addresses supplied with the registrations were generated by Mailinator (), a service that creates on-the-fly temporary email addresses.&#xA;8 (See footnote 4 for an explanation of MAC addresses.) The initial MAC address was 00:23:5a:73:5f:fb, registered on September 24, 2010, to a “person” named “Gary Host.” The second (slightly modified) MAC address was 00:23:5a:73:5f:fc, registered on October 2, to “Gary Host.” These were the same machine, as evidenced by the similarity of MAC addresses and the fact that they presented the same DCHP client ID, “ghost-laptop,” to the DHCP server. The MAC address provided is consistent with this being an Acer laptop. (See Appendix 7 for information on DHCP.) In addition, there was a second machine registered, on October 8, 2010, to “Grace Host” with the MAC address 00:17:f2:2c:b0:74. This machine had the client ID “ghost-macbook,” and the MAC address is consistent with this being an Apple MacBook. There was also a third registration, on October 22, 2010, with user name “Grace Host” and client ID “ghost-laptop,” with MAC address 00:4c:e5:a0:c7:55, and again a registration on November 28, 2010, with MAC address 00:4c:e5:a0:c7:56. These registrations are for the Acer laptop that was discovered in the closet. (See section I.B below.) The MAC addresses used here are invalid: they do not correspond to any manufacturer ID. This is apparently the same “ghost-laptop” machine as was registered on September 24. One can conjecture that the owner, having seen the first MAC address blocked, and the second, slightly modified address also blocked, set the machine to a radically different MAC address.&#xA;9 In actuality, there was only one machine. It deleted its JSTOR cookie after each download, disconnected, and then re-accessed JSTOR, resulting in a new cookie being placed on the machine each time this occurred and making it appear that this was a new machine for each access.&#xA;10 That is, the range of IP addresses starting with 18 and followed by three numbers (i.e., 18.x.x.x).&#xA;PART I: EVENTS LEADING TO THE ARREST | 18&#xA;￼&#xA;Both MIT and JSTOR were anxious for service to MIT to be restored. JSTOR believed that it could monitor the system and stop further incidents because it had been able to notice and stop the latest one after only 8,000 articles had been downloaded. Based on this, JSTOR agreed to restore service to MIT and did so on Tuesday, October 12, 2010, after three days of the entire campus being blocked. At the same time, IS&amp;amp;T blocked access from the individual MAC address most recently associated with the downloading. Meanwhile, IS&amp;amp;T staff were able to determine that the downloading activity had originated from the Dorrance Building (Building 16), an academic building in the central campus.11&#xA;Also on October 12, the Director of the MIT Libraries reported to MIT’s Academic Council12 that a cyber-attack of the JSTOR database had caused a weekend shutdown of JSTOR to the entire campus.&#xA;Following the suspension of service to the entire MIT campus during October 9 through 12, JSTOR decided to monitor closely for additional downloading activity and be prepared to suspend access as necessary.&#xA;On the evening of December 26, 2010, JSTOR again noticed excessive downloading from MIT, originating from a new IP address. Significantly, this most recent downloading had been going on for some time, beginning in late November, but JSTOR did not realize this fact until much later. The manner of accessing downloads had been slowed and altered in such a way that JSTOR’s monitoring systems did not identify that the robotic harvesting had resumed.13 This time, JSTOR noted that the downloading activity originated from the same Class C network that IS&amp;amp;T had identified earlier as being in Building 16.14 JSTOR promptly notified the MIT Libraries about the new incident, by email, on the same evening, identifying Building 16 as the apparent location of the IP address. In this email, JSTOR also made the following request to MIT: “We are&#xA;11 The September 25, 2010, downloading was also from a wired connection in Building 16. IS&amp;amp;T did not pinpoint the exact location in either September or October 2010.&#xA;12 MIT’s Academic Council consists of the Institute’s senior leadership plus the elected Chair of the Faculty. It is chaired by the President and meets weekly during the academic year to confer on matters of Institute policy.&#xA;13There were over 4.3 million downloads during the period from late November through Swartz’s eventual arrest on January 6.&#xA;&#xA;14 Beginning December 26, 2010, JSTOR took several actions to stop or at least impede the downloading. First, it blocked an entire Class C range of addresses for Building 16. JSTOR also kept open the one IP address that it observed the machine using, 18.55.6.240, and moved access for this address to a server separate from the rest of its network. Through this server, JSTOR responded to the machine’s requests by downloading strings of zeros and meaningless articles, in the expectation that: (1) the machine would not notice and would continue to download worthless material; and (2) this would slow any remaining downloading that might take place. However, the machine had also been registered with an IP address of 18.55.7.240, that is, with a 7.xxx instead of 6.xxx and entirely outside of the Class C range of IP address that JSTOR had blocked. The downloading continued unimpeded, without JSTOR realizing it.&#xA;PART I: EVENTS LEADING TO THE ARREST | 19&#xA;￼&#xA;requesting that every effort be made to identify the individuals responsible and to ensure that the content taken in this incident and those previously mentioned is secured and deleted.” An email sent the following day from JSTOR to the Libraries re-emphasized the urgency of the situation: “Once again, we are seeing extreme unauthorized activity from MIT. We really need to find out who is doing this; it is malicious and intentional and as best we can tell is coming from inside of MIT.”&#xA;Employees of the MIT Libraries had been furloughed for the winter holidays, and thus they did not see the messages JSTOR sent on December 26 and 27, 2010, until Monday, January 3, 2011.15 On the morning of January 4, the Libraries informed JSTOR that MIT did not expect to be able to identify the individual involved in these incidents based on the information available at that point.16&#xA;I.B Discovery of the Laptop&#xA;At approximately 3:00 a.m. on January 4, 2011, IS&amp;amp;T staff sent an email to its network engineers requesting that they trace the exact location in Building 16 of the computer using the IP address. An IS&amp;amp;T network engineer began to search when he arrived for work in the morning, going to Building 16 and checking the basement closet containing the building’s network switches.17 Around 8:00 a.m., he entered the closet and saw a cable connected to a network switch and leading to a cardboard box on the floor. He lifted the box and saw a laptop computer. He telephoned an IS&amp;amp;T network manager, who quickly joined him at the closet.&#xA;&#xA;15 The MIT Libraries were closed for business from 6:00 p.m. Wednesday, December 22, 2010, through Sunday, January 2, 2011. The majority of these days were regular or special Institute holidays. However, December 27, 28, and 29, 2010 were furlough days, during which time the staff were required by the Libraries’ administration to take involuntary, unpaid leave as a cost-saving measure to meet budget reductions. Furloughed staff were explicitly prohibited from working during furlough days. Two technical staff members were asked to defer their furlough days to another time, so that basic technical support to the Libraries’ networked resources could be provided. Their directives included that (a) access to licensed resources was to be kept available, both on and off campus, to the degree possible; and (b) any outages caused by problems at MIT’s end were to be resolved promptly. In the unlikely event that a major aggregator or database should cut off service to MIT during this time, one of the two staff members was responsible for making best efforts to work with the vendor to resolve the outage. This staff member was copied on JSTOR’s email of December 26, 2010, to the Libraries but did not respond. The Libraries wrote to JSTOR on January 3, explaining that people had been on furlough and had not seen the JSTOR’s prior messages. This January 3 message was the Libraries’ first response to JSTOR’s December 26 and 27 emails.&#xA;16 The January 4 email also suggested to JSTOR that it block the entire 18.55.xxx.xxx Class B network, since the downloading was coming from two different Class C networks. (See footnote 14.) At the time the email was sent, the Libraries did not know that that laptop had been discovered a few hours before.&#xA;&#xA;17 The closet had two doors connected in the middle by a common lock, with both doors swinging outward when opened. He used his key to enter the basement closet; however, he does not remember whether the doors were actually locked. According to this network engineer, even when locked, the closet could be opened by pulling on both doors simultaneously because the locking mechanism had been damaged.&#xA;PART I: EVENTS LEADING TO THE ARREST | 20&#xA;￼&#xA;Over the next hour, the two engineers contacted IS&amp;amp;T management and the IS&amp;amp;T Security Team. The Security Team also consulted MIT’s Office of the General Counsel (OGC). At 9:45 a.m. IS&amp;amp;T management notified the MIT Police that a laptop connected to a network switch had been found in an electrical closet in Building 16. Two additional IS&amp;amp;T staff members arrived. Minutes later, uniformed MIT Police officers arrived in Building 16 and were posted in the basement hallway. A network engineer then used an MIT laptop to connect to the network switch, in order to monitor the traffic (packet stream) to and from the suspect laptop.18 Through this monitoring, the Security Team observed the downloading of data.&#xA;Another member of the MIT Police arrived, accompanied by a photographer. They took photographs of the closet, including the box, the laptop, and a hard drive sitting under the laptop. The MIT Police decided that the situation required expertise in computer crime and forensics, which they did not have. They therefore telephoned the Cambridge Police Department detective who is their normal contact for assistance with computer-related crime activity.19&#xA;The Cambridge detective they contacted was a member of the New England Electronic Crimes Task Force.20 When he received the call for assistance from the MIT Police, the detective was working at the Task Force field office in a federal building in Boston, together with other law enforcement officers whose agencies participate in the Task Force. He responded to the call, accompanied by two other Task Force members: a special agent21 of the U.S. Secret Service; and a detective from the Boston Police Department. They arrived at the Building 16 closet around 11:00 a.m.&#xA;We note that no one from MIT called the Secret Service. The MIT Police contacted the Cambridge detective by calling him on his individual cell phone. The special agent became involved because he accompanied the Cambridge detective. As a Task Force member, the detective would sometimes respond to calls alone, and sometimes respond in&#xA;&#xA;18 This monitoring of the switch was accomplished by one of the engineers plugging a cable (connected to his MIT laptop) into a port on the switch. At no time did he or anyone else from MIT in any way connect to the suspect laptop itself or to its cable. With very small exceptions, the only communications observed were those to and from the suspect laptop. (See Appendix 7.) The packet stream was preserved on the MIT laptop and later made available to the Secret Service special agent who became involved in the investigation.&#xA;19 The MIT Police typically make calls to the Cambridge Police for assistance in computer-related matters about six times a year. In none of these incidents were federal agents part of the response.&#xA;20 The New England Electronic Crimes Task Force () is a Boston-based alliance organized by the Secret Service with participants from federal, state, and local law enforcement, as well as private industry and academia, to investigate electronic crimes, including computer system intrusion.&#xA;21 All federal agents who are authorized to carry firearms in the course of their normal duties are referred to as “special agents.” Agents of the Secret Service, as well as most federal law enforcement agents, have the title of “special agent.”&#xA;PART I: EVENTS LEADING TO THE ARREST | 21&#xA;￼&#xA;the company of other members of the Task Force. The MIT Police were aware that other members of the Task Force might accompany the detective, and that Task Force members included Secret Service agents.&#xA;When they arrived, the suspect laptop was still downloading data. Also, during the monitoring, the MIT network engineers had observed that the laptop was being queried from several sources, including on one occasion an IP address located in China. This information was communicated to the law enforcement officials. The fact that someone or some entity in China could be involved initially raised concerns that this might have been part of an international matter.22&#xA;The special agent attached a USB device to the suspect laptop in an attempt to copy the hard drive, but this attempt was unsuccessful. Crime scene investigators from the Cambridge Police Department arrived and took fingerprints from the laptop and hard drive.23 The agencies and personnel worked together in a cooperative fashion, with no law enforcement group taking orders from any other.&#xA;The law enforcement group decided to leave the laptop and hard drive in place to see if the person who had set it up would return. Because it was not feasible to continuously post MIT Police officers in the basement corridor for an indefinite period of time, and doing so would reveal the surveillance of the closet, the decision was made to install a video camera in the closet that could be monitored from elsewhere within MIT. IS&amp;amp;T installed the camera at the request of the MIT Police. At around 3:00 p.m., the basement closet was restored to the way it was found, with the exception of the camera having been installed. IS&amp;amp;T engineers relocated the MIT laptop they were using to another room and reconnected it to the MIT network to continue monitoring the network traffic to and from the suspect laptop, and everyone left the closet area.&#xA;Half an hour later, an individual was seen on the video camera entering the basement closet. He changed the hard drive attached to the laptop, and put the old one into a backpack. Some of the law enforcement officers went to the closet to try to apprehend him, but he had left before they could arrive. No one recognized the person in the video. Still photos showing the suspect were taken from the video and provided to the MIT Police.&#xA;During the morning’s activities in the basement closet, the special agent had asked for whatever electronic records MIT might have on the matter. As it is IS&amp;amp;T’s protocol to obtain approval from MIT’s Office of the General Counsel (OGC) before releasing&#xA;22 Ultimately, MIT concluded that the communication from the IP address located in China was a—not unusual—“pinging” attempt by someone or some entity in China to determine what computer systems at MIT were available and accessible, and unrelated to the activity of this laptop.&#xA;23 MIT Police regularly rely on Cambridge Police for latent fingerprint collection.&#xA;PART I: EVENTS LEADING TO THE ARREST | 22&#xA;￼&#xA;information or materials to outside law enforcement agencies, IS&amp;amp;T contacted the OGC, which responded that it was appropriate to comply with the agent’s request in view of the fact that law enforcement was conducting an investigation into what was potentially ongoing criminal activity of unknown scope, and it did not appear to OGC that such information would disclose personally identifiable information.24&#xA;IS&amp;amp;T turned over the following information to the Secret Service, at its request, on the afternoon of January 4, 2011:&#xA;1. Network flow data, which is made up of logs showing which IP addresses communicated with which IP addresses; when the communication took place; and how much data was transferred.&#xA;2. DHCP (Dynamic Host Configuration Protocol) logs, which are records of requests from computer clients for the DHCP service to assign IP addresses. These records contain MAC addresses, IP addresses, and when clients acknowledge the receipt of addresses.&#xA;3. RADIUS (Remote Authentication Dial In User Service) logs, which record requests to use various network services.&#xA;In addition, the following was made available to the Secret Service, at its request, and was provided to the special agent on January 25, 2011:&#xA;4. The packet stream captured by the MIT network engineer using his laptop, as described above; this consisted of copies of the JSTOR downloads and associated control information—some 87 gigabytes in all.&#xA;These categories of items, Nos. 1 through 4, were provided by MIT to the Secret Service without a subpoena having been issued to MIT. Thereafter MIT provided additional documents to the Office of the U.S. Attorney in response to grand jury subpoenas.25 A more detailed description of these items is available in Appendix 7. (Appendix 10 addresses legal issues concerning production of the records.)&#xA;24 At this time, IS&amp;amp;T knew about the JSTOR downloading, but they also were concerned that the laptop might be performing other actions.&#xA;&#xA;25 One such item—consisting of six records from the network registration database showing registration for Gary Host and Grace Host in September and October 2010—was provided by MIT in September 2011, under the impression that it was doing so in response to a grand jury subpoena. However, at the time those records were produced, this subpoena (issued on January 27, 2011) was apparently no longer valid.&#xA;PART I: EVENTS LEADING TO THE ARREST | 23&#xA;￼&#xA;I.C Events of January 6, 2011: The Arrest&#xA;At about 12:30 p.m. on Tuesday, January 6, someone entered the closet, as was recorded by the video camera. As he entered, he covered his face with a bicycle helmet, removing it after he entered and the doors had closed. The individual removed the laptop and hard drive and then left the closet. 26 When the laptop was disconnected, the port status of the switch changed, and a monitoring script sent an email to the phone of one of the IS&amp;amp;T engineers, who was not on campus at the time. The IS&amp;amp;T engineer notified the MIT Police and other network engineers, but no one was able to reach Building 16 in time to stop or intercept the person who had entered the closet. Later the same afternoon, the suspect computer’s MAC address reappeared in MIT’s network logs, showing that it was connected, first in MIT Building 4, then subsequently in the Stratton Student Center (Building W2027), in the offices of MIT’s Student Information Processing Board (SIPB— MIT’s student computing group).28&#xA;At approximately 2:00 p.m. an MIT Police officer was driving to the Stata garage after his shift in an unmarked police cruiser. He was familiar with the investigation and had been informed by radio that the laptop had been removed from the basement closet. He had seen the January 4 video of the suspect, as well as stills made from the video, and he had a still with him in his cruiser. On Vassar Street, near Massachusetts Avenue, he saw a cyclist pass him heading in the opposite direction. Based upon the stills and video, and given the backpack and clothes the cyclist was wearing, the officer observed that the cyclist matched the description of the suspect from the basement closet. He made a U-turn to follow the cyclist, who turned onto Massachusetts Avenue and proceeded north towards Harvard Square. When the officer reached the cyclist and pulled alongside, he rechecked the still photos that he had in his car and concluded that the cyclist was in fact the person in the photos. He immediately called his department for backup. A second&#xA;26 A few minutes before this person entered the closet, two MIT employees were seen on camera, standing in the opening of the closet doorway and then leaving. It is possible that the person utilizing the laptop saw these persons leaving the closet and, for that reason, decided to obscure his face while he was in the hallway, still walking to the closet, to avoid being identified by them. It is also possible that his observation of these employees is why he decided to move the laptop out of the closet and to another location. We note that this is speculation on the part of the Review Panel.&#xA;27 See the maps in the front matter.&#xA;&#xA;28 When the laptop was disconnected from the network and removed from the closet, the IP address that it had been using was released by the network. The DHCP server network reassigned this address to another user, in another part of the building. Since the IP address was being monitored by IS&amp;amp;T, this initially led to some confusion as to where the suspect initially went, and where he initially reconnected his laptop.&#xA;PART I: EVENTS LEADING TO THE ARREST | 24&#xA;￼&#xA;MIT Police officer, accompanied by the special agent, responded by car from the MIT Police station.29&#xA;When the cyclist reached the north side of Central Square, the officer who was following him decided to pull ahead of him and stop him to ascertain his identity.30 While exiting his car, the officer held his credentials so that they could be seen and motioned for the bicyclist to stop. The bicyclist complied. The officer explained that he was an MIT Police officer and wanted to speak with him. The cyclist first said that he didn���t speak with strangers. The officer again displayed his badge, as well as his photo ID. The cyclist then said that MIT Police were not “real cops” and refused to talk to the officer. At that point the cyclist dropped the bicycle to the ground and started running back toward Central Square, on Massachusetts Avenue. The officer chased him briefly, but the individual was outrunning him, and the officer returned to his car, made a U-turn, and followed, maintaining visual contact. The suspect slowed to a walk, and the officer, still in his car, watched and followed him.&#xA;The first MIT Police officer radioed the second and told him where the suspect was located. Once near the suspect, both MIT Police officers and the special agent left their vehicles and chased the suspect around parked cars. They apprehended and handcuffed him.31&#xA;At this time, the officers still did not know the suspect’s identity. One of the officers called the Cambridge Police, who arrived and took the suspect to the Cambridge Police Department for booking. There, he was identified as Aaron Swartz. Aaron Swartz refused to talk to the police. He made a phone call to his friend Quinn Norton, who arranged for another friend to rush to the police station with bail money. Shortly thereafter an attorney from the firm of Good &amp;amp; Cormier arrived at the Cambridge Police Department, completed the paperwork for Aaron Swartz’s bail, and departed with him.&#xA;I.D Events of January 6, 2011: Seizure of the Laptop&#xA;Later on January 6, 2011, after Aaron Swartz was apprehended, members of IS&amp;amp;T, accompanied by MIT Police and the special agent, went to the SIPB offices in the Stratton Student Center to look for the laptop. Together, they found the laptop with an external hard drive, plugged into a network jack. The special agent examined the laptop and the participants decided that there was no feasible way to collect evidence from the&#xA;29 When the backup call was received, the special agent was reviewing the relevant video at the MIT Police station. He joined the MIT backup officer.&#xA;30 The MIT Police are deputized under the Middlesex County Police Department.&#xA;31 Aaron Swartz was arrested in connection with an alleged violation of state law, not federal law. The special agent participated in the arrest.&#xA;PART I: EVENTS LEADING TO THE ARREST | 25&#xA;￼&#xA;laptop while it was operating. It was disconnected and turned off. An MIT detective took the laptop and the external hard drive as evidence. On February 3, 2011, custody of the laptop and hard drive was transferred from the MIT Police to the Cambridge Police.&#xA;I.E Access to the MIT Network&#xA;As it is relevant for the post-arrest narrative, we briefly describe MIT’s procedures for network access and review how Aaron Swartz obtained access to the MIT network and to JSTOR.&#xA;I.E.1 Connecting to the MIT network&#xA;MIT community members who want to use the wired network register by presenting an MIT user name and password that were issued to them when they began employment, or first registered as students, or were given a formal appointment at MIT, and they obtain permanent registrations for their computers. All other individuals—“guests”—who want to connect to MIT’s wired network supply a personal name and an email address as contact information, and they obtain a registration that is valid for up to 14 days a year of cumulative use, as explained on IS&amp;amp;T’s information page:32&#xA;IS&amp;amp;T offers short-term network service to campus guests. Guests are allowed up to fourteen days of network service when they register on the wired MIT network (MITnet) . . . .&#xA;For wired connections, plug the Ethernet cable into the computer and to an MITnet network drop . . . .&#xA;The machine needs to be configured for DHCP (obtaining an IP address automatically) . . . .&#xA;Once the equipment is ready to connect, open a web browser and point it to any web page. A page will appear, prompting to select your registration option. After selecting Visitor registration, the returned page will display the MITnet Rules of Use, followed by a screen requesting the visitor's contact information, number of days of connectivity, and the event for which they are on campus.&#xA;Visitors can register between one and five (consecutive) days at a time, up to fourteen days per year.&#xA;32 See Network Connectivity for MIT Guests, .&#xA;PART I: EVENTS LEADING TO THE ARREST | 26&#xA;￼&#xA;More precisely, the requirement to register is triggered when the computer asks MIT’s DHCP server to issue it an IP address. It is also possible to configure a computer to use a self-assigned “static IP address,” in which case there will be no registration request (provided that the static IP address is in an appropriate range, and does not conflict with an address that has already been assigned). MIT’s procedure is that static IP addresses should be requested through IS&amp;amp;T, so as to avoid conflicting address assignments, which would result in disruption of service.33&#xA;As noted above (footnote 8), Aaron Swartz registered five times in 2010: September 24, October 2, 8, and 22, and November 28. When the laptop was located in January 2011, it had a static IP address. At some point,34 Swartz had switched from using DHCP-provided IP addresses to using a static self-assigned IP address.35&#xA;I.E.2 JSTOR and eControl&#xA;MIT operates a very open network. Anyone can come onto campus and plug their computer into an MIT network port, or connect to the wireless network.36 Connecting to the wired network, and getting connected automatically, requires registering the computer the first time it is plugged in. Connecting to MIT’s wireless network does not require registration.&#xA;Prior to January 2011, any computer connected to the MIT network could access JSTOR. In the wake of the October 2010 downloading incident, and as a direct result of that incident, the Libraries and IS&amp;amp;T decided to deploy an authorization system for JSTOR called “eControl” that had been designed by the MIT Libraries to more narrowly restrict access by the MIT community to certain electronic databases. Under eControl, requests to access JSTOR would require a valid MIT certificate and be verified against MIT’s Human Resources directory, and only MIT faculty, students, or staff—not guests—would be granted access to JSTOR. Guests seeking access to JSTOR would now have to come to the MIT Libraries and use a library computer there.&#xA;MIT was prepared to implement eControl as early as October 2010. JSTOR and MIT were mindful that an abrupt change would diminish user convenience for the MIT community. JSTOR asked MIT to delay deployment of eControl to allow JSTOR to add an explanatory message to the JSTOR web page that would advise MIT users of the change, and redirect them through the eControl process. JSTOR informed MIT that this&#xA;33 See “Request an IP Address/Host Name,” .&#xA;34 MIT is not sure when, as there is no MIT system of record that would have indicated this.&#xA;35 He used two different addresses, 18.55.6.240 and 18.55.7.240.&#xA;36 MIT’s framework for network security follows the general principle that, while access to individual&#xA;resources on the network could be restricted, access to the underlying network should be as open as possible. This reflects a general computer system design methodology called the End-to-End Principle.&#xA;PART I: EVENTS LEADING TO THE ARREST | 27&#xA;￼&#xA;change would not be ready to implement until after December 18, effectively putting off the planned activation of eControl until after MIT’s winter holiday break.&#xA;On the morning of January 3, MIT and JSTOR agreed to expedite the implementation of eControl, and the system was activated on January 10, 2011. Since then, guests at MIT can access JSTOR only from certain workstations located in the libraries.&#xA;PART I: EVENTS LEADING TO THE ARREST | 28&#xA;29&#xA;￼PART II:&#xA;BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST&#xA;II.A Background on Aaron Swartz&#xA;II.A.1 Aaron Swartz in Cambridge&#xA;II.A.2 Possible motives for downloading&#xA;II.B The Prosecutions and the Legal Defense: An Overview&#xA;II.B.1 The state prosecution&#xA;II.B.2 The federal prosecution&#xA;II.B.3 Plea discussions during the federal prosecution&#xA;II.B.4 Motions to suppress&#xA;II.C Aaron Swartz’s Settlement with JSTOR&#xA;BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST&#xA;￼Part II:&#xA;Part I of this review covered events from the start of the JSTOR downloading in September 2010 through the arrest of Aaron Swartz in January 2011. Part III will take up a discussion of MIT’s actions after the arrest. Here, in Part II, we describe the background against which MIT’s actions played out. Apart from providing information, MIT had little role in the events described in this part of the report. But these events add important context for understanding MIT’s decisions and actions described in Part III.&#xA;We first provide some perspective on Aaron Swartz and his interactions with the MIT and Harvard communities. We then review the legal proceedings in which he was involved as a result of his arrest, which included multiple prosecutions, multiple indictments, and several different attorneys. Finally, we describe the settlement agreement between Aaron Swartz and JSTOR negotiated and executed during the period leading up to the indictment handed up in July 2011.&#xA;II.A Background on Aaron Swartz&#xA;Aaron Swartz was a computer programmer and activist, well known in the Internet, civil liberties, and technological–academic communities. He was 24 at the time of his arrest. By the age of 14, he had played an instrumental role in the development of the web publishing format RSS, the metadata schemes for Creative Commons, and several other&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 30&#xA;cutting-edge Internet technologies. By the age of 19 he had started and sold a successful web-publishing company.1 He was also the cofounder of Demand Progress, an Internet blog and activist group self-described as focusing on civil liberties, civil rights, and government reform.2&#xA;II.A.1 Aaron Swartz in Cambridge&#xA;Aaron Swartz was neither a member of the MIT staff, nor an enrolled student nor alumnus, nor a member of the faculty. He was a regular visitor to the MIT campus and interacted with MIT people and groups both on campus and off. His web-publishing startup was developed with the help of an entrepreneurship accelerator company “boot camp” that arranged for him to be housed on the MIT campus for the summer of 2005.3 After a short period in San Francisco, he returned to Cambridge in 2006 and lived in an apartment on Massachusetts Avenue in Central Square, between Harvard and MIT. He was a member of MIT’s Free Culture Group,4 a regular visitor at MIT’s Student Information Processing Board (SIPB), and an active participant in the annual MIT International Puzzle Mystery Hunt Competition.5 Aaron Swartz’s father, Robert Swartz, was (and is) a consultant at the MIT Media Lab. Aaron frequently visited his father there, and his two younger brothers had been Media Lab interns.&#xA;Aaron Swartz was a respected contributor to the World Wide Web Consortium’s Semantic Web, HTML, and TAG (Technical Architecture Group) activities. He attended gatherings of the Semantic Web working group that met at the MIT Computer Science and Artificial Intelligence Laboratory, and he was an invited speaker at one of the gatherings in 2008.&#xA;In 2010, Aaron Swartz became a research fellow at Harvard University’s Edmond J. Safra Center for Ethics,6 invited to conduct experimental and ethnographic studies of the political system and to prepare a monograph on the mechanisms of political corruption.&#xA;1 The company was Infogami, which was used to support the Internet Archive’s Open Library Project. Infogami later merged with Reddit, which was subsequently acquired by Condé Nast.&#xA;&#xA;2 Since the suicide, there has been an enormous amount of information published about Aaron Swartz, and speculation about why he downloaded the JSTOR material and about factors contributing to the suicide. See for example, Larissa McFarquhar, “Requiem for a Dream,” in the New Yorker, March 11, 2013, ; Wesley Yang, “The Life and Afterlife of Aaron Swartz,” New York Magazine, February 8, 2013, ; Quinn Norton, “Life Inside the Aaron Swartz Investigation,” The Atlantic, March 3, 2013, ; and many others.&#xA;3 The accelerator company was Y-Combinator (). Aaron Swartz was housed in Simmons Hall. See Swartz’s web log of June 11, 2005, for his comments about arriving in Cambridge.&#xA;4 , now inactive.&#xA;5 MIT Mystery Hunt, 6&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 31&#xA;He had an office at the Center, and he was a regular contributor to discussions and activities there.&#xA;After Aaron Swartz’s arrest, Harvard suspended his fellowship and banned him from the Harvard campus, pending the outcome of an investigation into whether he had also used Harvard’s computers or network for similar activities.7 MIT took no action itself, but at Aaron Swartz’s arraignment on January 7, 2011, Cambridge District Court Judge Thomas ordered him to stay away from MIT property as part of the conditions of release.8 U.S. Magistrate Judge Dein imposed the same ban as a condition of Aaron Swartz’s release at his initial appearance and arraignment for the federal indictment on July 19, 2011.9 At the time of the federal arraignment, Aaron Swartz was residing at two locations: one in Brooklyn, New York, near his employment as an independent contractor in New York City; and the other in Cambridge, Massachusetts.10&#xA;II.A.2 Possible motives for downloading&#xA;As far as the Review Panel knows, Aaron Swartz made no statement after his arrest regarding what he had planned to do with the downloaded documents. The Review Panel views the question of what he intended to do with the information that he was downloading from JSTOR as remaining open.11 Speculations about his motives reference a statement about free information to which he contributed, as well as two previous, large download experiences.&#xA;The federal indictment states that the downloading was “with the purpose of distributing a significant proportion of JSTOR’s archive through one or more file-sharing sites.” That is, the alleged motive is that Aaron Swartz intended to place the material on the Internet so that it could be freely distributed around the entire globe. In support of this&#xA;7 Although the investigation apparently did not find that he did this, his fellowship expired before this finding was made, and before the ban was lifted. Harvard’s OGC declined to comment for this review.&#xA;8 Recall from Part I that Aaron Swartz was arrested under Massachusetts Law.&#xA;&#xA;9 The Federal District Court conditions of release are at . As far as the Review Panel has been able to determine, the Cambridge District Court and Federal Court bans were imposed at the recommendations of the District Attorney and the federal prosecutor, respectively, and no one in the MIT administration asked for them or knew about them. The federal conditions of release also included the requirement that Aaron Swartz “undergo medical or psychiatric treatment as directed.”&#xA;10 Defendant’s Motion for Leave to Change Residential Address, Doc. 15 (filed September 8, 2011), United States v. Swartz, Case No. 1:11-cr-10260-NMG.&#xA;&#xA;11 Also open is the question as to why Aaron Swartz used the MIT network for the downloading, as opposed to the Harvard network, to which he already had registered access. Lawrence Lessig, Director of the Safra Center and Professor of Law, Harvard Law School, suggests that Aaron Swartz did the downloading at MIT so as not to create trouble for Lessig and the Safra Center. (Lawrence Lessig on “Aaron’s Laws—Law and Justice in a Digital Age,” .)&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST&#xA;| 32&#xA;interpretation of his purpose, the government pointed12 to a “Guerilla Manifesto” he posted on the Internet in 2008. This “manifesto” included the following:&#xA;We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that’s out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks. We need to fight for Guerilla Open Access.13&#xA;Federal law enforcement apparently took the first sentence, “We need to take information, wherever it is stored, make our copies and share them with the world,” as the motive and purpose behind his extensive downloading—some 4.8 million articles, or 80% of JSTOR’s database of journals. (“It is alleged that Swartz avoided MIT’s and JSTOR’s security efforts in order to distribute a significant proportion of JSTOR’s archive through one or more file-sharing sites.”)14&#xA;Collecting the JSTOR articles through the MIT network was not the first time Aaron Swartz had engaged in large-scale downloading, although it was the first time he was charged with a crime. In 2008, he downloaded about 20 million pages of documents from the government-run PACER (Public Access to Court Electronic Records) system. Unlike the JSTOR documents, these were all in the public domain.15 “He donated the 19,856,160 pages to http://public.resource.org, an open government initiative spearheaded by Carl Malamud as part of a broader project to make public as many government databases as Malamud can find.”16 The FBI opened an investigation, but apparently concluded that no laws were violated, and thus no charges were filed.17&#xA;12 Government’s consolidated Response to Defendant’s Motions to Suppress at 3, Doc. No. 81 (filed November 11, 2012), United States v. Swartz, Case No. 1:11-cr-10260-NMG.&#xA;13 . Aaron Swartz was not the sole author of the memo, and it is unknown whether he authored the sentences that were quoted. Quinn Norton told the Review Panel that she did the final editing of the piece, and that she does not know who the other authors were, or who contributed which part.&#xA;14 Supra at 4 n.15; see also USAO Press Release July 19, 2011,&#xA;15 John Schwartz, “An Effort to Upgrade a Court Archive System to Free and Easy,” February 12, 2009, New York Times, .&#xA;16&#xA;&#xA;17 Aaron Swartz, together with public-domain advocate Carl Malamud, identified numerous instances of personal identifying information that was supposed to be redacted or hidden in these public documents that had been left available for viewing: “names of minor children, names of informants, medical records, mental health records, financial records, tens of thousands of social security numbers.” They then sent their results to 31 district courts. The federal Judicial Conference eventually changed its privacy rules. See the comments by Public.Resource.Org Director Carl Malamud, in his January 23, 2013, memorial “Aaron’s Army.”&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 33&#xA;Aaron Swartz also participated in a study of downloaded articles concerning the payment by interested organizations to experts, including law professors, to publish papers in academic journals. He wrote a script that downloaded articles from Westlaw, and a second script that extracted the relevant information about the funding sources from the footnotes of each article.18 This has been cited as support for a different possible motive for his actions: an intention to cross-reference the entire JSTOR database by author, publisher, and funding source, so as to demonstrate the extent to which JSTOR’s service, and thus the fees it charged, was enabled and funded by public money.19 In support of this interpretation is Aaron Swartz’s self-description on the first page of his blog: “He  is a frequent television commentator and the author of numerous articles on a variety of topics, especially the corrupting influence of big money on institutions including nonprofits, the media, politics, and public opinion. From 2010–2011, he researched these topics as a Fellow at the Harvard Ethics Center Lab on Institutional Corruption.”20&#xA;One can also speculate that Aaron Swartz had not decided what he would eventually do with the articles at the time of the downloading.21&#xA;&#xA;18 S. Barday, Punitive Damages, Remunerated Research, and the Legal Profession, 61 Stanford L.R. 711 (2008). Aaron Swartz’s name does not appear in this publication, but Professor Lawrence Lessig, now the Roy L. Furman Professor of Law and Leadership at Harvard Law School, and who at the relevant time was a Professor of Law at Stanford University, told the Review Panel that Ms. Barday did this study for a seminar he was teaching at Stanford Law School, and that he suggested that she and Swartz work together. Aaron Swartz and Ms. Barday collaborated on research for the piece, downloading the articles using Ms. Barday’s user ID. “The database was compiled using Python source code extracting all entries contained in the Westlaw “Journals and Law Reviews” database, including full-text articles. The first three footnotes and the Westlaw “cite as” field were then extracted from the articles. Articles receiving outside funding were identified using . . . search terms as they appear in one of the first three footnotes in each article.” We note that one of the articles cited in this study was authored by Review Panel member Peter A. Diamond.&#xA;19 Lawrence Lessig in “Aaron’s Laws—Law and Justice in a Digital Age,” ; Quinn Norton, “Life Inside the Aaron Swartz Investigation,” The Atlantic, March 3, 2013, . On the other hand, the Review Panel notes that JSTOR provides a service, JSTOR Data for Research , that researchers can access (including for downloading) to obtain some of the information for such a study.&#xA;20 .&#xA;&#xA;21 Carl Malamud, in his memorial to Aaron Swartz, writes, “I’m convinced that Aaron had not made a decision to release those articles, and I am certain he would not have released them without a great deal of post-download analysis.” (Aaron’s Army: On Crime and Access to Knowledge,” ). Or, as his friend Quinn Norton told the Review Panel, “He liked to collect data sets.” Norton also told the Review Panel that Swartz was shocked by the arrest: he didn’t regard what he’d done as a big deal and was surprised that people were making so much of it. His (third) attorney Elliot Peters also told the Review Panel that Swartz had been shocked by the arrest.&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 34&#xA;II.B The Prosecutions and the Legal Defense: An Overview&#xA;There were two criminal prosecutions of Aaron Swartz. The federal prosecution by the U.S. Attorney’s Office (USAO) in Boston began with an indictment in July 2011, and there was a superseding indictment in September 2012. The state prosecution by the District Attorney’s Office for Middlesex County (“the DA’s Office”) began in November 2011, and was dismissed in March 2012 by motion of the DA’s Office. We discuss the state prosecution first, in section II.B.1, before turning to the federal prosecution in section II.B.2.&#xA;An overview chronology of the key legal events described in this section is as follows:&#xA;January 5, 2011 January 6, 2011 June 3, 2011 July 14, 2011 July 19, 2011&#xA;November 6, 2011 September 12, 2012 October 5, 2012 November 16, 2012 March 8, 2012&#xA;Federal criminal investigation opened&#xA;Aaron Swartz arrested&#xA;Aaron Swartz signs settlement agreement with JSTOR&#xA;Federal indictment returned by grand jury&#xA;Indictment unsealed; Aaron Swartz arraigned in federal court&#xA;State indictment issued&#xA;Superseding federal indictment returned&#xA;Defense files motions to suppress evidence Government files opposition to motions to suppress State charges dismissed&#xA;During the time between his arrest on January 6, 2011, and his death on January 11, 2013, Aaron Swartz was represented in these criminal matters, at separate times, by three sets of attorneys, as well as a fourth attorney who overlapped the first two. Aaron Swartz’s father, Robert Swartz, was also active in the defense.&#xA;The first law firm representing Aaron Swartz was Good &amp;amp; Cormier, in Boston.22 Mr. Andrew Good was Aaron Swartz’s lead counsel. The firm represented Swartz in the&#xA;&#xA;22 This firm had previously represented Aaron Swartz during a criminal investigation conducted by the FBI, in Boston, regarding the downloading of court documents from the Public Access to Court Electronic Records (PACER) system. There are no copyrights in court records, and the downloading took place during a period of time when, and at a location where, PACER was not charging for downloading. The FBI investigation concluded with no prosecution of Aaron Swartz or of anyone else.&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 35&#xA;federal case and was involved from the day of Swartz’s arrest until the fall of 2011, after the first federal indictment was handed up but before the state indictment was issued and subsequently dismissed.&#xA;The second firm was that of Martin G. Weinberg, Esq., also in Boston. Mr. Weinberg assumed the representation from Good &amp;amp; Cormier beginning in the fall of 2011, and continued until the end of October 2012, after the federal superseding indictment was handed up. It was during this time period that the state case was indicted and then dismissed.&#xA;The third firm was Keker &amp;amp; Van Nest LLP, in San Francisco. Mr. Elliot Peters was Aaron Swartz’s lead counsel. This firm took over the representation from Martin Weinberg and continued until Aaron Swartz’s death on January 11, 2013.&#xA;William Kettlewell of Collora LLP (in Boston) was also involved in the defense, during a period overlapping the involvement of Good &amp;amp; Cormier and Martin Weinberg. Neither Mr. Kettlewell nor his law firm appeared in court in either the federal or state case.23&#xA;II.B.1 The state prosecution&#xA;Upon his arrest, Aaron Swartz was charged in Cambridge District Court with two felonies of breaking and entering in the daytime: one count each for January 4 and January 6, 2011.&#xA;On November 6, 2011, after the initial federal indictment was handed up, the DA’s Office obtained a state indictment against Aaron Swartz charging him with six felony counts: two counts of breaking and entering a building (at MIT) with the intent to commit a felony; three counts of accessing a computer without authorization; and one count of larceny—stealing the electronically processed or stored data of JSTOR—in an amount over $250 . This indictment was handed up not in Cambridge District Court but rather in a different court: the Superior Court for Middlesex County.24&#xA;MIT was not involved in the state prosecution. It first learned of the prosecution on November 17, 2011, through a Cambridge DA’s Office press release.25 MIT was not&#xA;23 Throughout the relevant period, MIT’s Office of the General Counsel was under the impression that Mr. Kettlewell represented Robert Swartz rather than Aaron Swartz. However, Mr. Kettlewell clarified this during his interview with the Review Panel.&#xA;24 According to attorneys for Aaron Swartz, prosecutions in Superior Court are normally used for more serious cases; the sentences handed down in this court are typically harsher than those handed down in District Court; and it is more difficult to resolve a case in Superior Court without an adjudication or without jail time than in District Court.&#xA;25 “Cambridge Man Indicted On Breaking &amp;amp; Entering Charges, Larceny Charges in Connection With Data Theft”, .&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 36&#xA;asked to provide documents, to produce witnesses to be interviewed, or to testify. MIT did not seek to press charges, and did not intervene or lobby to have the charges dismissed.&#xA;After the state indictment, Martin Weinberg filed demands for discovery. In state prosecutions that involve joint investigations with outside law enforcement agencies or foreign jurisdictions, Massachusetts state law governing criminal discovery requires that the District Attorney obtain from those agencies and jurisdictions certain evidence that may be relevant to the case. Some of this evidence was in the sole possession of the Boston U.S. Attorney’s Office and the U.S. Secret Service. Mr. Weinberg demanded this material as discovery from the DA’s Office, and the USAO refused to produce it to that office. As a result, the DA’s Office could not comply with the Massachusetts discovery laws so as to continue its prosecution, and it dismissed its charges.&#xA;II.B.2 The federal prosecution&#xA;The U.S. Attorney’s Office opened its criminal investigation on January 5, 2011.26 Assistant U.S. Attorney (AUSA) Stephen Heymann, head of the Internet and Computer Crimes Unit within the USAO, directed the investigation and eventual prosecution. (Stephen Heymann is referred to as “the lead prosecutor” throughout the rest of this report.) Shortly after Aaron Swartz’s arrest, the lead prosecutor and the special agent who had been at MIT on January 4 spoke with and interviewed personnel from IS&amp;amp;T and the MIT Police. Eventually two grand jury subpoenas for documents were served upon MIT.27 More will be said about these subpoenas, and MIT’s response to them, in Part III.&#xA;The initial indictment was handed up by a federal grand jury, sitting in Boston, on July 14, 2011. It charged Aaron Swartz on four felony counts, these being one count of wire fraud and three counts of violating the Computer Fraud and Abuse Act (CFAA).28 Each&#xA;&#xA;26 On this day the Secret Service special agent sent an email to an Assistant U.S. Attorney in Boston inquiring about the statutes that might be used to prosecute the person involved. The U.S. Department of Justice can begin a criminal investigation without knowing the identity of the perpetrator who engaged in the conduct under investigation. In such circumstances, the matter is opened for an “UNSUB,” indicating an unknown subject.&#xA;27 An initial and then a superseding indictment were returned by grand juries sitting in Boston, separated in time by about fourteen months. They were signed by different foremen. For these reasons we assume that the indictments were considered and returned by different grand juries. Both subpoenas appear to have been issued by the first of these grand juries.&#xA;&#xA;28 18 U.S.C. §1030 criminalizes various forms of conduct pertaining to “protected computers,” which include computers used in or affecting interstate commerce, among these, any computer connected to the Internet. The forms of conduct that are made illegal by this Act include those involving: accessing a computer without authorization or exceeding authorized access; accessing a computer with intent to defraud; and transmitting information that results in damage. The first indictment charged Aaron Swartz (count three) with both (a) accessing protected computers (the MIT network and JSTOR’s computer system) without authorization and (b) exceeding authorized access. The superseding indictment, although&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 37&#xA;of the three latter counts is based upon a different legal theory.29 At no time had the U.S. Attorney’s Office sought the permission, opinion, or support of MIT for this prosecution before the indictment was handed up. MIT learned of the indictment for the first time on the day it was unsealed (July 19) through a phone call from the prosecutor to an attorney in OGC.&#xA;Andrew Good was notified by the U.S. Attorney’s Office on July 18 (Monday) about the indictment, and he arranged to have Aaron Swartz voluntarily appear for his initial court appearance on the early morning of July 19. Following the normal procedures of the U.S. Marshal’s Service, Aaron Swartz was arrested on the federal charges.30 He was held in lockup pending his being interviewed by Pretrial Services and was otherwise processed (including the taking of biographical information and fingerprints by the U.S. Marshals Service).&#xA;On the day of his arrest, Aaron Swartz issued 11 tweets from his Twitter account, most referencing the website of Demand Progress, which published an article about Aaron Swartz’s indictment and arrest and solicited statements of support for him.31 Demand&#xA;increasing the number of counts from four to 13, removed the accusation that Aaron Swartz exceeded authorized access, while keeping the charge that he accessed the computers without authorization. More detail as to the legal theories for each count in the initial complaint is provided in the next footnote.&#xA;&#xA;29 Count one charged Aaron Swartz with defrauding JSTOR of property, that is, “journal articles digitized and distributed by JSTOR, and copies thereof,” by use of a wire transmission, in violation of 18 U.S.C. § 1343. Count two charged Aaron Swartz with accessing a protected computer (on the MIT and the JSTOR networks) without authorization and also in excess of authorized access, with the intent to defraud and obtain things of value, these being “digitized journal articles from JSTOR’s archives.” This was in violation of 18 U.S.C. § 1030(a)(4). Count three charged him with intentionally accessing a computer (on the MIT and the JSTOR network) without authorization and in excess of authorized access, and thereby obtaining information having a value in excess of $5,000. This was in violation of 18 U.S.C. § 1030(a)(2), (c)(2)(B)(iii). Count four charged Aaron Swartz with intentionally accessing, without authorization, a protected computer (on the MIT and the JSTOR network), in a manner affecting at least 10 computers, and as a result of such conduct causing damage in excess of $5,000. This was in violation of 18 U.S.C. § 1030(a)(5)(B), (c)(4)(A)(i)(I) and (VI). All counts were felony charges.&#xA;The indictments also alleged that Aaron Swartz aided and abetted someone else in committing these criminal offenses; however, nowhere in the indictments is such other person identified, described, or otherwise alluded to, and the Review Panel has learned of no basis for this allegation.&#xA;30 The prior arrest in Cambridge on January 6 was on the state charges.&#xA;31 “Federal Government Indicts Former Demand Progress Executive Director for Downloading Too Many Journal Articles,” . The Director of Demand Progress, together with Aaron Swartz’s friend Quinn Norton, wrote the article while Swartz was in custody.&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 38&#xA;Progress also embarked on a petition drive in his support. The Demand Progress website later indicated that more than 35,000 people  had signed the petition.32&#xA;A superseding indictment was returned by a second grand jury, also sitting in Boston, on September 12, 2012 (14 months after the initial indictment). It charged Aaron Swartz with 13 felony counts, these being two counts of wire fraud and 11 counts of violating the CFAA. Essentially, the superseding indictment took the four counts from the initial indictment and broke each of them into multiple counts, by charging Aaron Swartz’s alleged conduct (as related to each of the four legal theories of liability) as discrete events in place of being merged into single allegations of liability. Also, the theory of liability for the final count, alleging damage to a protected computer, was expanded.33&#xA;II.B.3 Plea discussions during the federal prosecution&#xA;The USAO and Aaron Swartz’s defense team held plea discussions during 2011 and 2012. The key issues discussed were: (a) whether Aaron Swartz would have to plead guilty to a felony; (b) whether he would need to serve jail time, and if so, how much.&#xA;32 “More than 35,000 Sign Petition In Support of Aaron Swartz,” .&#xA;&#xA;33 One effect of these charging decisions was to—theoretically—increase the maximum penalties to which Aaron Swartz might be subject from 35 years to 95 years imprisonment; and from $1 million  to $3 million  in fines. We note that, as a practical matter, the U.S. Sentencing Commission Guidelines take into account the relevant conduct of a person convicted of a crime, giving little regard to the number of counts for which that person is convicted. A judge is not obligated to follow the sentencing guidelines—but must explain on a sentencing form—that is, on the record—why the court has “departed” from the guidelines.&#xA;It is legally proper to include (or “bundle”) two or more events as part of a single count in an initial indictment, even where each event is chargeable as a separate crime as defined by a single criminal statute. It is also proper to treat such separate events as separate crimes or counts in such an indictment. Thus, while not legally required, it is appropriate to charge multiple events in one count; similarly, although not legally required, it is appropriate to charge such multiple events in multiple counts.&#xA;We also note that the U.S. Attorneys’ Manual (USAM), published by the U.S. Department of Justice and establishing policy for all U.S. Attorneys’ Offices, contains the following comment regarding charging decisions:&#xA;Comment: It is important to the fair and efficient administration of justice in the Federal system that the government bring as few charges as are necessary to ensure that justice is done. The bringing of unnecessary charges not only complicates and prolongs trials, it constitutes an excessive—and potentially unfair—exercise of power. To ensure appropriately limited exercises of the charging power, USAM 9- 27.320 outlines three general situations in which additional charges may be brought: (1) when necessary adequately to reflect the nature and extent of the criminal conduct involved; (2) when necessary to provide the basis for an appropriate sentence under all the circumstances of the case; and (3) when an additional charge or charges would significantly strengthen the case against the defendant or a codefendant. “Additional Charges,” USAM 9-27.320 B.&#xA;See also United States v. Goodwin, 457 U.S. 368 (1982) (discussing appropriateness of seeking additional charges in a superseding indictment prior to trial).&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 39&#xA;According to the USAO, the earliest plea offer made to Aaron Swartz was the following: “a plea of guilty to a single felony count with a recommended sentence of three months imprisonment, to be followed by a period of supervised release the conditions of which included a period in a halfway house, a period of home confinement, and—as is common in computer crime cases—restrictions on his use of computers during the period” of supervision.34&#xA;According to Andrew Good, the first plea offer made by the U.S. Attorney’s Office came from the lead prosecutor before the initial indictment was returned. It included the following: Aaron Swartz would plead guilty to a felony; he would serve 13 months imprisonment; a period of supervisory release would follow the incarceration;35 and restrictions would be placed on Aaron Swartz’s computer use during the supervisory release. Aaron Swartz rejected this plea offer. According to Mr. Kettlewell, during a pre- indictment meeting with at the USAO, a plea offer of six months imprisonment was made. It was rejected.&#xA;During the negotiations that followed this rejection, the USAO offered periods of jail time of up to six months, which included additional restrictions similar to the ones already discussed. That is, offers involved a “split sentence” (under which a defendant serves a term of imprisonment followed by a period of community confinement or home detention).&#xA;According to the U.S. Attorney’s Office, there was a period of time after the indictment when the government offered a plea along the following lines: Aaron Swartz would plead guilty; the government would retain the option to ask for jail time of up to six months; and the defense would be free to argue for a no-jail, probationary sentence. Martin Weinberg and Robert Swartz offered the following clarification of this offer for the Review Panel: Aaron Swartz would have to plead guilty to all four felony counts of the initial indictment; and a period of supervised release would follow any period of incarceration.&#xA;According to Mr. Weinberg, an alternative plea offer, extended about the same time, would have required Aaron Swartz to waive his right to argue for no jail time, but would have reduced the time sought by the government to four months or less. Both plea offers could have been subject to further negotiations;36 however, they were rejected by the&#xA;34 Letter from the USAO to the Review Panel.&#xA;35 Supervisory release is a form of probation that follows incarceration.&#xA;36 According to Mr. Weinberg, items that might have been open to further negotiations included the&#xA;number of counts of the initial indictment to which Aaron Swartz would have been required to plead guilty.&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 40&#xA;defense because—under the scope for such negotiations permitted by the USAO—under no circumstances could Aaron Swartz obtain a guarantee of no jail time.37&#xA;According to Aaron Swartz’s attorneys, at no time did federal prosecutors entertain a plea agreement for him that assured him no jail time,38 and the prosecutors always insisted on a plea to a felony as opposed to a lesser charge, that is, to a misdemeanor.39 It was during these discussions, according to Andrew Good, that he informed the lead prosecutor that Aaron Swartz was suicide risk, and the prosecutor responded that the office could have him locked up (presumably to prevent such an occurrence).&#xA;All of these negotiations occurred against the backdrop of the U.S. Sentencing Commission Guidelines, which—although not binding upon federal judges—provide a calculus for a judge to use in determining the appropriate sentence for a defendant. Among the more significant factors under the guidelines is the value of property sought to be taken by the perpetrator of a crime, including crimes defined by the Computer Fraud and Abuse Act. We note that this is the value of the property sought to be taken, and not of property actually taken. Given the allegations in each of the two indictments, and the evidence the government intended to introduce at trial concerning the value of the JSTOR articles Aaron Swartz sought to download, he was realistically facing a sentence calculated under the guidelines of some seven years incarceration plus supervisory release and fines in the event of conviction at trial and in the absence of any plea agreement.40&#xA;MIT was never involved in any plea negotiation, and was never asked—by either the prosecution or the defense—to approve or disapprove any plea agreement.&#xA;￼37 Rule 11(c)(1)(C) of the Federal Rules of Criminal Procedure provides that where the government and a defendant agree that a specific sentence or sentencing range is the appropriate disposition of the case, such recommendation or request binds the court once the court accepts the plea agreement. As the government never agreed to a guarantee of a disposition of this case with no jail time, this rule was not available to Aaron Swartz for the purpose of withdrawing his plea of guilty in the event that the sentencing judge chose to impose jail time as part of the sentence.&#xA;38 Confirmation was provided by JSTOR’s outside counsel at Debevoise &amp;amp; Plimpton LLP, by Robert Swartz, and by Quinn Norton.&#xA;39 Confirmation provided by Robert Swartz and Quinn Norton.&#xA;40 At the time of Aaron Swartz’s indictment, the USAO stated: “If convicted on these charges, Swartz faces up to 35 years in prison, to be followed by three years of supervised release, restitution, forfeiture and a fine of up to $1 million .” See USAO Press Release July 19, 2011,&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 41&#xA;II.B.4 Motions to suppress&#xA;On October 5, 2012, Attorney Weinberg, on behalf of Aaron Swartz, filed five motions to suppress evidence and one motion to dismiss the indictment.41 Among the arguments made in these motions to suppress was that the government and MIT had violated the Stored Electronic Communications Act; violated Swartz’s Constitutional right under the Fourth Amendment against unreasonable search and seizure; and violated his expectation of privacy under MIT’s policy concerning the maintenance and routine destruction of computer records (specifically, the DHCP logs). The government filed its opposition on November 16, 2012.&#xA;II.C Aaron Swartz’s Settlement with JSTOR&#xA;Early in 2011, shortly after the arrest of Aaron Swartz, attorneys at Good &amp;amp; Cormier engaged in a strategy of trying to convince the USAO that no prosecution should be pursued; and, failing this goal, to convince it that an agreement with no felony conviction and no jail time was appropriate for resolving the matter. As part of this strategy, the firm sought to obtain JSTOR’s support for such a resolution.&#xA;JSTOR had an inside general counsel. It also used outside counsel from the New York law firm Debevoise &amp;amp; Plimpton, LLP. When the USAO began asking for information from JSTOR as part of the grand jury’s investigation, JSTOR asked the USAO to issue a subpoena for the information, and the USAO complied. While collecting information necessary for complying with the subpoena, it examined its internal records and determined the following: the “third” episode of downloading, which it discovered on December 26, 2010, had actually begun in late November. The stream of requests that instigated these downloads was structured in such a way that none of the triggers JSTOR had inserted into its systems to warn it of any such renewed downloading had reacted. JSTOR finally determined that Aaron Swartz had obtained some 4.3 million articles (these were in addition to the 450,000 articles downloaded in the September and October incidents).&#xA;JSTOR was extremely concerned about the status of the data that Aaron Swartz had downloaded: the material might be placed on the Internet and widely disseminated from there. JSTOR felt that this might even damage its viability, because the publishers and copyright holders of the articles it stored might no longer trust the organization.42&#xA;41 Under the Court’s scheduling order, this was the last permissible day for the filing of such motions. Of the five motions to suppress, four referred to MIT.&#xA;42 This information was provided to the Review Panel by the president of JSTOR.&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 42&#xA;Good &amp;amp; Cormier spoke with JSTOR’s outside counsel, seeking a civil settlement that would resolve any civil liability that Swartz might have with the company.43 It also asked that JSTOR tell the USAO directly that it was not interested in Aaron Swartz being prosecuted or jailed. At this time, JSTOR had not filed, nor had it threated to file a civil lawsuit—although in theory it could have done so.&#xA;A civil settlement agreement with JSTOR was achieved on June 3, 2011. Aaron Swartz certified that he had not made any copies of the data that he had downloaded, and Good &amp;amp; Cormier delivered the only disk containing this data to the USAO. This satisfied JSTOR, as it now knew where the data was kept and that it was secure. In addition, Aaron Swartz paid over $26,500  to JSTOR, composed of $1,500  for damages and $25,000  in attorneys’ fees and costs.44&#xA;Once this settlement agreement was signed, two outside counsel for JSTOR spoke on several occasions with the lead prosecutor, a second line prosecutor in Boston involved in the case, and a supervisory prosecutor in Boston (not the U.S. Attorney). They told these prosecutors that, although JSTOR recognized that any charging decision was entirely up to the government, JSTOR was not pressing for criminal charges and preferred, from its perspective, that no charges be brought.45&#xA;On July 19, 2011, the day that the federal indictment was unsealed, JSTOR issued a press release that included the following:46&#xA;e have been subpoenaed by the United States Attorney’s Office in this case and are fully cooperating . . . .&#xA;The criminal investigation and today’s indictment of Mr. Swartz has been directed by the United States Attorney’s Office. It was the government’s decision whether to prosecute, not JSTOR’s. As noted previously, our interest was in securing the content. Once this was achieved, we had no interest in this becoming an ongoing legal matter . . .&#xA;43 In addition to its criminal penalties, the Computer Fraud and Abuse Act allows victims to seek compensation from persons who cause them harm through violations of the Act by bringing civil actions against such persons. See 18 U.S.C. § 1030(g).&#xA;&#xA;44 We note that this $1,500  of negotiated damages, by itself, is less than the $5,000 minimum in damages required to escalate CFAA charges in the two indictments from misdemeanors to felonies. More about the measurement of damages and its effect on the seriousness of the charges is discussed in Appendix 11, Comments on the Computer Fraud and Abuse Act Charges against Aaron Swartz, section II.C, Losses Exceeding Five Thousand Dollars.&#xA;45 This information was provided to the Review Panel by JSTOR.&#xA;46&#xA;￼&#xA;PART II: BACKGROUND ON AARON SWARTZ AND LEGAL EVENTS FOLLOWING THE ARREST | 43&#xA;With regard to JSTOR’s involvement in the criminal prosecution, we note the following. When, on January 11, the Secret Service asked JSTOR about the value of its database, JSTOR declined to answer. Later, when the USAO contacted JSTOR for information, JSTOR insisted on being served with a subpoena. Multiple subpoenas were served, and JSTOR tried to limit the information it provided to answering subpoenas. The government did not ask JSTOR’s management whether there was unauthorized access, fraud, deception, or damage.47 Its inquiries of JSTOR prior to the indictment were “superficial.”48 No JSTOR employees were interviewed prior to the indictment49 (although the prosecution had access to JSTOR’s documents through subpoenas.)50&#xA;￼47 This comment was provided to the Review Panel by the president of JSTOR.&#xA;48 This comment was provided to the Review Panel by JSTOR’s outside counsel.&#xA;49 This comment was provided to the Review Panel by JSTOR’s outside counsel.&#xA;50 According to the UAO, four JSTOR employees participated in a conference call with “members of the&#xA;United States’ investigatory team,” where one employee said that the JSTOR terms and conditions “clearly prohibited the kind of downloading” engaged in by Aaron Swartz; and a JSTOR employee was in “regular contact” with the prosecution from the beginning of the investigation and “provided information prior to the indictment.” According to JSTOR’s outside counsel, the indictment was returned without benefit of interviews with JSTOR personnel; the USAO began to interview JSTOR employees in December 2012, and the questioning focused on the nature of Swartz’s access of JSTOR’s network but it did not ask explicitly about gaining unauthorized access or exceeding authorized access..&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION (JANUARY 2011–JANUARY 2013)&#xA;III.A Events between the Arrest and the Indictment (January 2011–July 2011)&#xA;III.A.1 MIT provides information to the USAO (January 2011–April 2011)&#xA;III.A.2 MIT is informed about the prosecution (March 2011–June 2011)&#xA;III.A.3 MIT adopts and maintains a posture of neutrality&#xA;III.A.4 MIT discusses possible public statements with JSTOR (June 2011)&#xA;III.B Events around the Time of the Indictment (April 2011–September 2011)&#xA;III.B.1 Early overtures to MIT in support of Aaron Swartz (April 2011–June 2011)&#xA;III.B.2 The indictment: Unauthorized access&#xA;III.B.3 MIT as “victim”&#xA;III.B.4 Robert Swartz meets with MIT's Chancellor&#xA;III.C MIT’s Contacts with Prosecution and Defense (October 2011–September 2012)&#xA;III.C.1 Responses to defense inquiries are slow (May 2012–August 2012)&#xA;III.C.2 Robert Swartz writes to MIT’s President&#xA;III.C.3 MIT’s outside counsel speaks with the lead prosecutor (August 9, 2012)&#xA;III.C.4 Robert Swartz meets again with MIT (September 2012)&#xA;III.C.5 Other contacts on behalf of Aaron Swartz&#xA;III.D Events in Anticipation of Trial (August 2012–October 2012)&#xA;III.D.1 The defense asks MIT to oppose jail time (September 2012–October 2012)&#xA;III.D.2 The defense moves to suppress evidence (October 2012)&#xA;III.D.3 Effect of the suppression motions (October 2012–December 2012)&#xA;III.D.4 Final weeks (December 2012–January 2013)&#xA;Part III: MIT’S RESPONSE TO THE PROSECUTION (January 2011–January 2013)&#xA;The prosecution of Aaron Swartz lasted just over two years and ended at the time of his suicide on January 11, 2013. During this time MIT’s administration and its Office of the General Counsel (OGC) interacted with (among others) the Boston U.S. Attorney’s Office, JSTOR, Aaron Swartz’s defense attorneys, and Aaron Swartz’s father, Robert Swartz. OGC hired outside counsel to provide it with advice regarding the criminal prosecution and to interact on its behalf with the U.S. Attorney’s Office and the defense.&#xA;44&#xA;￼￼&#xA;It produced documents and made MIT employees available for discussions and interviews with both the USAO and the defense.&#xA;MIT’s Office of General Counsel was a principal participant in handling and otherwise making decisions regarding MIT’s conduct as to the Swartz prosecution. OGC made its decisions in consultation with and with approval from the administration, and in consultation with some members of the faculty, including leaders of MIT’s Faculty Policy Committee.1 OGC took guidance from MIT’s senior officers, and also kept MIT’s Academic Council informed.&#xA;A timeline of significant events covered in this part of the Report2 is as follows:&#xA;No. Date&#xA;&#xA;1 January 4, 2011&#xA;&#xA;2 January 5, 2011&#xA;&#xA;3 January 6, 2011&#xA;&#xA;4 January 27, 2011&#xA;&#xA;5 May 6, 2011&#xA;&#xA;6 June 3, 2011&#xA;&#xA;7 June 6, 2011&#xA;Event&#xA;Laptop doing the JSTOR downloading is found.&#xA;U.S. Attorney’s Office opens criminal investigation of the accessing of MIT’s network.3&#xA;Aaron Swartz is arrested.&#xA;First grand jury subpoena is served on MIT.&#xA;The lead prosecutor tells OGC that Aaron Swartz rejected a plea offer and the case would likely move forward as a felony charge.&#xA;JSTOR settles its possible civil claims with Aaron Swartz.&#xA;MIT retains outside counsel experienced in criminal law.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 45&#xA;￼1 MIT’s senior officers include the President, Provost, Chancellor, Executive Vice President, and Vice President and Secretary of the Corporation. Over the period covered by this section of the Report, OGC dealt with two presidents, two provosts, two executive vice presidents, and two chancellors. MIT’s Academic Council includes the senior officers, deans, vice presidents, and the Director of Libraries.&#xA;2 See Appendix 5 for a more comprehensive timeline.&#xA;3 A criminal investigation of possible criminal conduct may be opened by a U.S. Attorney’s Office upon request of a federal law enforcement agency without the identity of the perceived perpetrator or any suspect being known. In such circumstances the file is opened under the name of an “Unknown Suspect,” or an “UNSUB.” Also, federal law enforcement agencies, such as the U.S. Secret Service, can open their own criminal investigations. These may be separate from although not necessarily independent from those of a U.S. Attorney’s Office.&#xA;&#xA;8 June 13, 2011&#xA;&#xA;9 June 13, 2011&#xA;&#xA;10 June 21, 2011&#xA;&#xA;11 June 24, 2011&#xA;&#xA;12 July 14, 2011&#xA;&#xA;13 July 19, 2011&#xA;&#xA;14 July 19, 2011&#xA;&#xA;15 July 19, 2011&#xA;&#xA;16 July 19, 2011&#xA;17 September 14, 2011&#xA;&#xA;18 October 25, 2011&#xA;&#xA;19 October 27, 2011&#xA;&#xA;20 April 25, 2012&#xA;Robert Swartz reaches out to the incoming Director of the MIT Media Lab, where he is a consultant, for assistance in dealing with MIT’s administration and its Office of the General Counsel on behalf of his son.&#xA;OGC sends email to defense attorney William Kettlewell, informing him that MIT is not taking a position on whether Swartz should be prosecuted.&#xA;A conversation with the lead prosecutor leads OGC to infer that MIT’s views on the case will have little impact on the prosecution going forward.&#xA;Second grand jury subpoena is served on MIT. Federal indictment is returned and sealed.&#xA;Aaron Swartz voluntarily appears at the federal courthouse and is arrested.&#xA;The federal indictment is unsealed.&#xA;JSTOR issues a public statement disclaiming interest in further prosecution.&#xA;Demand Progress publishes article on Internet and solicits statements and signatures in support of Aaron Swartz.&#xA;Robert Swartz meets with MIT’s Chancellor and an attorney from the OGC, and is told MIT’s position is that of “neutrality.”&#xA;Martin Weinberg takes over as Aaron Swartz’s new defense attorney.&#xA;Andrew Good withdraws as defense attorney for Aaron Swartz.&#xA;William Kettlewell and Martin Weinberg meet with MIT’s outside counsel.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 46&#xA;&#xA;21 August 9, 2012&#xA;22 September 12, 2012&#xA;23 September 12, 2012&#xA;24 September 18, 2012&#xA;25 September 28, 2012&#xA;&#xA;26 October 5, 2012&#xA;&#xA;27 October 16, 2012&#xA;&#xA;28 October 26, 2012&#xA;&#xA;29 October 31, 2012&#xA;&#xA;30 November 6, 2012&#xA;MIT’s outside counsel speaks with the lead prosecutor, communicating MIT’s positions on various issues concerning the prosecution of Aaron Swartz.&#xA;Robert Swartz again meets with MIT’s Chancellor and an attorney from the OGC.&#xA;Superseding indictment is returned by a federal grand jury.&#xA;Two Assistant U.S. Attorneys, the U.S. Secret Service Special agent, and the detective from the Cambridge Police Department meet with and interview several MIT employees.&#xA;Martin Weinberg and William Kettlewell meet with MIT’s Chancellor, General Counsel, and outside counsel, asking MIT to meet with the USAO in support of Aaron Swartz, and describing the motions they will file to suppress evidence, including that the motions will allege that MIT collected or produced information unlawfully.&#xA;Martin Weinberg files five motions to suppress evidence and one motion to dismiss the indictment.&#xA;Two MIT employees from IS&amp;amp;T are interviewed by two Assistant U.S. Attorneys and a Cambridge Police detective.&#xA;MIT’s outside counsel notifies Martin Weinberg that MIT is willing to accompany the defense to a meeting with the U.S. Attorney’s Office and of what MIT is willing to say, and not willing to say.&#xA;Martin Weinberg withdraws as Aaron Swartz’s defense attorney.&#xA;Elliot Peters notifies MIT’s outside counsel that Aaron Swartz’s defense no longer seeks its participation in a meeting with the U.S. Attorney’s Office.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 47&#xA;&#xA;31 November 8, 2012&#xA;&#xA;32 November 30, 2012&#xA;&#xA;33 December 11, 2012&#xA;&#xA;34 December 14, 2012&#xA;&#xA;35 January 11, 2013&#xA;Elliot Peters and Michael J. Pineault assume representation of Aaron Swartz in federal court.&#xA;MIT receives a subpoena from Aaron Swartz’s attorneys seeking documents.&#xA;Two MIT employees, one from MIT Libraries and one from IS&amp;amp;T, are interviewed by an attorney and an expert witness for Aaron Swartz.&#xA;A hearing on the previously filed motions to dismiss and suppress is scheduled for January 25, 2013.&#xA;Aaron Swartz, age 26, commits suicide in Brooklyn, New York.&#xA;III.A Events between the Arrest and the Indictment (January 2011–July 2011)&#xA;Apart from providing information to the prosecution and responding to grand jury subpoenas, matters remained quiet for MIT during the period between the January 6 arrest of Aaron Swartz and mid-June, a month or so before his indictment. Initially, MIT’s Office of the General Counsel did not know the background of Aaron Swartz. A few days after the arrest OGC did a search on his name on the Internet and learned about him and his background.&#xA;During the early post-arrest period, MIT was involved in three matters concerning Aaron Swartz: (1) responding to requests by the prosecution for documents and information about Swartz’s conduct on the MIT network; (2) developing and implementing a position of neutrality; and (3) discussing with JSTOR the possibility of making a joint public statement on the Swartz matter. Significant communications between MIT and Aaron Swartz’s attorneys and his father, Robert Swartz, did not begin until June 2011.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 48&#xA;III.A.1 MITprovidesinformationtotheUSAO(January2011–April2011)&#xA;In the time between the discovery of the laptop in the basement closet on January 4 and the arrest of Aaron Swartz on January 6, IS&amp;amp;T, after consultation with OGC, provided documents to the Secret Service, doing so without MIT having been served with a subpoena, as noted in section I.B.4 During this period, OGC was primarily concerned with avoiding disclosure of “personal identifying information,” rather than the requirements of wiretap laws that might be applicable to the investigation.&#xA;MIT cooperated with law enforcement beginning with their arrival on campus. Specifically, there were interactions with a federal prosecutor, a Secret Service special agent, and a detective from the Cambridge Police Department.5 These officials acted as a team for the purposes of seeking information from MIT and otherwise conducting the post-arrest investigation. The USAO asked for the preservation of relevant evidence, and consistent with its general practice in other cases OGC agreed to preserve it. OGC helped to schedule interviews, which took place in the OGC offices, with employees from IS&amp;amp;T and the MIT Libraries. Brought to these meetings were additional relevant documents for the purpose of refreshing the memories of the persons interviewed. OGC set ground rules stipulating that the investigators could continue to talk directly to the witnesses they had already interviewed, without OGC involvement, but for new witnesses or new areas of inquiry, OGC would want to participate.&#xA;On January 24, 2011, the Secret Service Agent asked IS&amp;amp;T for a copy of the packet data capture and the video surveillance file. IS&amp;amp;T duplicated the hard drive it had used to capture the packet stream (see section I.B), and the special agent picked up the copy at MIT on January 26.6&#xA;As of January 25, the USAO and the Secret Service continued to seek yet more information. On January 27, MIT was served with the first of two grand jury subpoenas: the OGC would not have agreed to provide additional material without such a subpoena. The first subpoena called for the following:&#xA;With respect to actual and attempted excessive downloads from JSTOR between September 25, 2010, and January 6, 2011, from IP addresses assigned to buildings 16, 4, and W20, provide the following:&#xA;4 These documents are the network flow data, the DHCP logs, and the RADIUS server logs, listed as items (1)-(3) of section I.B. Appendix 7 presents a more complete technical description. Appendix 10 gives the Review Panel’s legal analysis of their having been turned over without subpoena.&#xA;5 The first post-arrest email between the lead prosecutor and an attorney in the Office of MIT’s General Counsel occurred on January 7, 2011. It asked for the preservation of certain evidence, essentially the same evidence that was commanded by the first grand jury subpoena served on MIT on January 27.&#xA;6 The packet capture data is listed in section I.B item (4), and described more fully in Appendix 7. Appendix 10 comments on the legality of MIT having turned over this data.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 49&#xA;￼&#xA;(1) All electronic logs and records MIT has and can recover concerning the events;&#xA;(2) All non-privileged electronic mail, notes, reports, records, documents, correspondence and other materials regarding or referring to the events;&#xA;(3) All photographs, videos and other images taken by surveillance camera(s) in the utility closet in Building 16 utilized during the events;&#xA;(4) Screen shots of MIT’s guest login process and any associated terms of use; and&#xA;(5) All records of expenditures of time and money to respond to the events.&#xA;In response to this subpoena, MIT made four separate productions of documents over the course of three months. The first three productions, on February 4, 18, and 28, dealt with items 1 through 4.7 In addition to this document production, an IS&amp;amp;T network engineer answered, by email, questions posed by the lead prosecutor concerning MIT’s network and Swartz’s conduct. This began immediately after the arrest and continued throughout the prosecution.8&#xA;With regard to item 5, requesting records of expenditures of time and money, OGC informed the lead prosecutor shortly after receiving the subpoena that MIT normally does not keep records related to time spent by individual staff on specific tasks, and it did not believe that MIT had incurred any out-of-pocket expenses, with several trivial exceptions. When asked by the USAO, MIT provided (by letter dated April 13) an estimate of the time spent by IS&amp;amp;T and Libraries staff members on MIT’s response to the downloading events, both before Aaron Swartz’s arrest and afterwards, as well as an&#xA;&#xA;7 The requested items (1) through (4) were produced on the following dates: (a) February 4, 2011: collections of documents maintained by one employee, each, from IS&amp;amp;T and the MIT Libraries; (b) February 18, 2011: collections of documents maintained by three additional employees of IS&amp;amp;T, and printouts of various screen shots relating to MIT’s guest login process; and (c) February 28, 2011: a collection of documents maintained by yet another employee of IS&amp;amp;T.&#xA;&#xA;8 In addition, in mid-February, the lead prosecutor wrote to OGC inquiring whether OGC could accept a subpoena demanding logs from a computer belonging to the Student Information Processing Board (SIPB), a student organization. OGC consulted with a student official of SIPB, and concluded that the logs were not likely to provide the information that the prosecutor desired. In response to the written inquiry, OGC and SIPB provided some basic information about the machine. No other additional information was provided, and the subpoena was never served.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 50&#xA;￼&#xA;estimated hourly dollar figure for each employee.9 The salary payments to the employees would have been incurred regardless of the Swartz incident.&#xA;III.A.2 MITisinformedabouttheprosecution(March2011–June2011)&#xA;Sometime in mid-March, the lead prosecutor informed OGC by telephone that the USAO had taken investigative steps that would serve to put the primary suspect on notice that an investigation was ongoing. This was how MIT learned that the government was actively moving to prosecute Aaron Swartz.10 During this conversation, the lead prosecutor also said that proving the required “jurisdictional amount” for prosecution ($5,000 or more) would not be difficult because of what had been done to JSTOR.&#xA;On May 6, the lead prosecutor asked OGC for all of the data so far provided by MIT in paper format to be reproduced in native digital format.11 OGC refused because of the time and expense that would be required to comply. Instead, as a compromise, MIT scanned all the documents and placed them on a CD.&#xA;During the same conversation, the lead prosecutor gave an update on the prosecution: He stated that discussions with Swartz had gone nowhere, and that Swartz was not interested in any deals. He also stated that the prosecution was likely moving forward with seeking an indictment. Finally, he communicated the terms of the plea deal he had offered: If the JSTOR documents were not disseminated by Swartz, and Swartz provided an affidavit to that effect, then the prosecution would allow him to plead guilty to one felony count and “recommend a sentence below the guidelines.”&#xA;On June 21, 2011, the lead prosecutor called MIT to request information on the journals and databases to which the MIT Libraries subscribed. OGC did not consider the first subpoena to cover this material, and requested a second subpoena.12 MIT received this second subpoena by facsimile on June 24, 2011, asking for: “Documents sufficient to&#xA;&#xA;9 MIT applied hourly rates as follows: (a) for the IS&amp;amp;T personnel, it applied rates used to estimate software development costs; and (b) for the personnel with MIT Libraries, it used actual salary and benefits to calculate an hourly rate. In this letter, MIT informed the prosecutor that for some of the individuals listed, identified by name, the relevant time expended by them occurred after law enforcement became involved. Although this calculation was not made in the letter, applying the estimated hours to the hourly rates would have resulted in a figure of $10,104.75 . The portion of this amount incurred before the arrest was under $3,500 . The remaining time, and its estimated value, was incurred responding to the prosecution’s requests for documents and information after the arrest of Aaron Swartz.&#xA;10 About this time, the U.S. Secret Service executed several search warrants at locations frequented by Aaron Swartz, seeking computer equipment and downloaded data.&#xA;11 “Native” format means the format used to encode data by a program or application. Without access to that program or application data may not be readable.&#xA;&#xA;12 The lead prosecutor called to ask for the journal and database information, using the initial subpoena as the legal grounds for doing so. The initial subpoena was very broad, and the information sought by the lead prosecutor in this phone call could be read to fall within its scope. OGC, however, read the subpoena conservatively and would not produce the additional material without the second subpoena.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 51&#xA;￼&#xA;show all journals and databases to which the MIT libraries subscribed between September 1, 2010 and July 6, 2011.” MIT responded on July 6, 2011.13&#xA;During the June 21 conversation, the lead prosecutor also told OGC that, essentially, his work was done, that the final decision about the prosecution was now in the hands of his supervisors, and that a decision would be made soon. The OGC attorney took the opportunity to suggest that some people at MIT would be likely to view the prosecution negatively. The lead prosecutor replied that he understood the complex dynamics at MIT. He said that he had also been in touch with JSTOR and understood their perspective, and had taken both into account in moving forward with the prosecution and he would let MIT know when the indictment came down. From this, OGC inferred that further presentations of MIT’s opinions were unlikely to have an effect on the prosecution: the views of both potential victims had already been taken into account. JSTOR (at that point) was regarded as the primary victim, and if JSTOR’s view didn’t have an impact, then neither would MIT’s view.&#xA;III.A.3 MITadoptsandmaintainsapostureofneutrality&#xA;Very early in this post-arrest period, MIT decided to “remain neutral,” as between the government and Aaron Swartz, in the investigation and eventual prosecution. Initially this meant simply that MIT would not take a public position on the prosecution. Throughout the following (almost) two years, MIT’s decisions were mostly guided by this posture of neutrality. To help readers better understand the reasons for MIT’s actions and decisions, we here describe the neutrality position and its evolution, before returning to the chronology of events.&#xA;In coming to assume the stance of neutrality, OGC considered that Aaron Swartz was not, and had never been, an MIT enrolled student; nor was he ever a faculty member or employee. If he had been a student, there could have been involvement of additional MIT personnel, such as faculty advisers and deans, and a possible referral to the MIT Committee on Discipline. The involvement of the disciplinary committee could have opened the way for MIT to lobby against a prosecution, in favor of its own internal resolution of an “internal” matter.14&#xA;&#xA;13 On December 12, 2012, the lead prosecutor sought yet additional documentary information from MIT, indicating that he would follow up these requests with subpoenas. At this stage of the prosecution, such subpoenas could not be issued by a grand jury but only by the Court (essentially by the prosecutor, as attorney for one of the parties and therefore as an officer of the court) pursuant to Federal Rule of Criminal Procedure 17(c), seeking documents for use at trial or another evidentiary hearing ancillary to trial, such as a suppression hearing.&#xA;14 MIT might have adopted a neutral position even if Swartz had been a member of the MIT community. The cases of David LaMacchia and Andrew Huang, described in Appendix 9, show MIT adopting a neutral position with respect to the legal troubles of enrolled students.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 52&#xA;￼&#xA;MIT’s neutrality position had two dimensions:&#xA;1. With regard to substance, MIT would make no statements, whether in support or in opposition, about the government’s decision to prosecute Aaron Swartz, the government’s decisions about charges in an indictment, or any possible plea bargain stances of the prosecution or the defense.15&#xA;2. With regard to legal procedure, MIT would treat both federal law enforcement and Aaron Swartz’s defense team similarly for the purpose of providing documents and making employees available for interviews.&#xA;In adhering to neutrality with regard to substance, MIT made no public statements about the decision to prosecute, about the charges in the federal indictments, or about the state prosecution. MIT did make private statements, conveying its “neutrality” position to both prosecution and defense. These statements were meant to convey that MIT took no stand on whether there should be prosecution. Similarly, while MIT was not seeking a felony charge, neither was it opposing one. And MIT took no position on any proposed plea bargains. MIT maintained this neutrality position in its response to requests to make public statements or to intercede with the prosecution on behalf of Aaron Swartz (see sections III.B.1, III.B.4, III.C.4, III.C.5, III.D.1). In each case, MIT was willing to say that it was not advocating prosecution or jail.&#xA;Neutrality with regard to substance can be readily satisfied by making no statements. Neutrality with regard to legal procedure is more complex, and the term may be interpreted in different ways by different observers.16 The complexity arises substantially from the differences in legal powers of the prosecution and the defense at different stages of the investigation and prosecution (see Appendix 13 on the criminal process). For example, one can respond similarly to requests for information from prosecution and defense. But in a situation where the prosecution has subpoena power and the defense does not, responding similarly does not ensure similar outcomes in the information each side actually obtains. OGC interpreted “neutrality” primarily in terms of similar responses to requests. While MIT did not conform precisely to this rule, in this sense of similar responses MIT—broadly speaking—did not side with the prosecution, nor did it side with the defense. In consequence of the differences in the powers, timing, and goals of the two parties in the case, neutrality in responses was not consistent with neutrality in outcomes, and MIT was not neutral in outcomes.&#xA;15 This position of neutrality would not have necessarily extended to the sentencing phase of the prosecution, where MIT might have been prepared to advocate on behalf of Aaron Swartz had he been convicted.&#xA;16 Such a difference in interpretation figured in Robert Swartz’s disagreement with MIT’s Chancellor and General Counsel over whether MIT was being “neutral.” (See section III.C.4.)&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 53&#xA;￼&#xA;In addition to adopting a position of neutrality, MIT limited its involvement, being involved only to the extent needed to respond to prosecution and defense in accord with its neutrality position. MIT had not pressed for criminal charges against Aaron Swartz; the USAO had in fact not asked MIT whether it wanted him to be prosecuted. In the words of MIT’s General Counsel, “MIT viewed U.S. v. Swartz as exactly what the case name implies: a legal proceeding between the government and Swartz . . . . Swartz was not an MIT student, alumnus, or staff member. MIT was not a party to the case.”17&#xA;Limited involvement went beyond just avoiding public statements or being impartial with regard to the prosecution and the defense. MIT did not form an opinion about the nature of the charges against Aaron Swartz or the merits of the case brought against him. MIT first focused in August 2012 upon what the actual charges were. (See section III.D.) Until the suicide of Aaron Swartz, the MIT administration treated the case as one of many issues it was addressing, not as an issue of central importance. Similarly, the MIT community did little to draw the administration more deeply into the case.&#xA;The OGC raised the issue of neutrality with administration and faculty personnel on several occasions, each time receiving support. Specifically, OGC advised MIT’s Chancellor and raised the matter at meetings with the senior administration of MIT, with members of the Faculty Policy Committee, and with selected faculty. All indicated that they were in accord with this approach. A few members of the faculty expressed the view that Aaron Swartz had harmed MIT, and a few members asked the administration to advocate for Aaron Swartz.&#xA;Viewing the initial choice of neutrality, we note that this position was chosen despite the fact that Aaron Swartz had engaged in an activity that had inconvenienced MIT, both from the interruptions of JSTOR availability and from the efforts to limit and then end the downloading. MIT revisited the basic neutrality decision several times over the course of the prosecution, each time considering being more supportive of Aaron Swartz rather than maintaining neutrality, and coming to reaffirm neutrality. Part IV discusses some of the options that were available.&#xA;There were several reasons communicated to the Review Panel for maintaining neutrality, beyond the basic fact that Aaron Swartz was not formally affiliated with MIT. Here are some of the reasons the Review Panel heard during our interviews with members of the OGC and the administration:&#xA;17 Transmittal from MIT’s General Counsel.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 54&#xA;￼&#xA;• Aaron Swartz had used MIT’s premises and network to allegedly commit crimes, he had adversely affected MIT’s relationship with JSTOR, and he had seriously inconvenienced MIT’s Libraries, MIT researchers, and students seeking to use JSTOR, and MIT’s IS&amp;amp;T personnel who repeatedly tried to stop his misuse of MIT’s network. MIT felt no sense of obligation toward someone who had abused the open access privileges it had provided for the convenience of guests, even if that abuse was carried out in the name of open access.&#xA;• There seemed to be little interest in the case from students or faculty or the larger MIT community.18&#xA;• Unlike JSTOR, which wanted the return of the downloaded articles, MIT was not seeking anything from Aaron Swartz. MIT never filed a civil suit against him for any damages, or sought restitution for the result of his actions using the MIT network.&#xA;• The criminal prosecution was a legal dispute between the United States and Aaron Swartz. Swartz had extremely competent defense counsel, and “MIT should not take any action unless Swartz’s defense counsel asked us to do so . . . . We did not presume to know what would benefit Swartz’s defense.”19&#xA;• MIT faculty members had previously admonished the MIT administration for a statement it had issued on a previous criminal matter (that of Star Simpson), and some faculty members had urged the administration not to make “public statements that characterize . . . the behavior and motives of members of the MIT community whose actions are the subject . . . of pending criminal investigation.”20&#xA;• While individual members of the MIT community are encouraged to express their opinions on controversial topics, MIT itself as an institution only rarely takes a position in a lawsuit to which it is not a party. “For MIT to express a single opinion on behalf of the entire institution, the subject must have significant bearing on MIT’s institutional interests, have been subject to discussion and debate within the MIT community over time, and have inspired the personal engagement of MIT’s senior leadership . . . . U.S. v. Swartz did not fit that description.”21&#xA;18 In all, there were only a few approaches by faculty to OGC or the administration, as described in section III.C.5, and no approaches by students.&#xA;19 Transmittal from MIT’s General Counsel.&#xA;20 This refers to one of the resolutions advanced during the Star Simpson matter. It had failed on a close vote. See Appendix 9.&#xA;21 Transmittal from MIT’s General Counsel.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 55&#xA;￼&#xA;• The OGC considered how its position might affect future interactions with the U.S. Attorney’s Office concerning the prosecution of students and others in the MIT community.&#xA;• Although the indictment asserted that Aaron Swartz intended to distribute the downloaded articles globally, doing so though the Internet, this was not a view shared by everyone. OGC commented that it did not know—and still does not know—what Aaron Swartz might have been planning to do with the articles, and this lack of knowledge was another reason why it believed the posture of neutrality was correct.&#xA;On June 6, 2011, MIT retained outside counsel with criminal law experience to advise and assist it in dealing with the USAO and Swartz’s attorneys. By this time, MIT’s neutrality policy had been established and was not significantly affected by outside counsel. But there was an additional factor concerning preserving neutrality where outside counsel did play a role: MIT’s outside counsel had conversations with the lead prosecutor on August 9, 2012, and with Swartz’s defense counsel, William Kettlewell, on August 10, 2012. Both conversations confirmed the view held by OGC (since at least June 2011) that MIT’s opinions were unlikely to have an effect on the prosecution. The August 9 conversation (discussed in detail below, in section III.C.3) confirmed OGC’s concern that a public statement might backfire, and could do harm to Swartz compared with saying nothing publicly.&#xA;In summary, MIT adopted its neutrality position soon after the arrest and maintained it basically unchanged until the fall of 2012, when the defense filed motions seeking to suppress evidence, claiming illegal actions by MIT. MIT decided that it would not be fully neutral with regard to defending anticipated possible attacks on MIT’s employees or the Institute’s integrity. Despite differences in alignment of the defense’s interests with MIT’s interests, MIT continued some aspects of its neutrality toward prosecution and defense.&#xA;III.A.4 MITdiscussespossiblepublicstatementswithJSTOR(June2011)&#xA;In the months after the arrest, MIT and JSTOR continued their discussions about the events that had led to the arrest. MIT’s side of this conversation was communicated mostly through the MIT Libraries. On January 31, 2011, JSTOR asked MIT whether “e can have a conversation about the situation . . .  has taken on increasing importance.” The reply from the Libraries was, “aw enforcement has taken over the situation . . . I am strictly enjoined from discussing it with anyone other than counsel.”&#xA;Over the next months, JSTOR engaged in negotiating a civil settlement with Aaron Swartz for the return of the materials, which culminated in a settlement on June 3, 2011&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 56&#xA;(as described in section II.C). MIT was not involved in these discussions. On June 8, 2011, OGC informed the Libraries that MIT’s outside counsel had just been contacted by Aaron Swartz’s attorney (this was William Kettlewell), who told the counsel that Swartz had reached an agreement with JSTOR and asked whether MIT “was looking for anything” from Swartz (e.g., restitution). OGC said that MIT was not seeking anything from Aaron Swartz and that its view was that MIT should not take a position on the prosecution and should generally not comment to Swartz’s attorney or to the press.&#xA;Also on June 8, 2011, JSTOR notified the MIT Libraries that “the suspect in the case has surrendered the stolen records to the authorities.” JSTOR felt that it had an obligation to send a letter to the publishers who provided content, to reassure them that the records had been returned with no apparent harm. JSTOR’s message to the Libraries included a draft letter, which did not name MIT and which it was sending along for MIT’s comment.&#xA;The Libraries reviewed the draft with OGC and the MIT News Office. MIT suggested two changes to the letter: (1) that the statement should clarify that the responsible individual was not affiliated with the university where the incident occurred,22 and (2) to eliminate a statement that it was the school that identified the suspect (in fact it was law enforcement). JSTOR’s final letter was released on June 10. The letter read in part:23&#xA;I am writing to make you aware that JSTOR experienced a significant misuse of its database in which a substantial portion of the content was downloaded in an unauthorized fashion using the network at one of our participating universities. The situation has been remedied and the data are secure, though I wanted to alert you given the scale of the incident and to share additional steps we are taking to prevent these occurrences in the future.&#xA;The content that was taken was systematically downloaded using an approach designed to avoid detection by our monitoring systems. Fortunately, we were able to uncover the activity and worked with the institution to isolate the source on campus and to stop it. An individual believed to be responsible for this activity was later identified. We understand this person was not affiliated with the school.&#xA;While preparing this letter, JSTOR was also exploring possible “scenarios” for issuing a statement in the event Aaron Swartz was indicted. One scenario was to issue a statement to academic libraries jointly with MIT, issued the day of the indictment. On June 15, 2011, JSTOR sent a proposed draft to MIT clarifying in its transmittal email, that “we are&#xA;22 As an OGC attorney commented to the Libraries, “If and when it comes out that this occurred at MIT, I don’t want people to think that this was an MIT community member.”&#xA;23 The complete letter is included in Appendix 12.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 57&#xA;￼&#xA;currently NOT planning to send out a message such as this, we are trying to prepare in case we need to move quickly in various circumstances, and I want to be in close communication with you to be prepared.” The proposed draft gave a summary description of the downloading, and it concluded:&#xA;Finally, we believe it is important to emphasize that we have no specific interest in the criminal case announced today. We have taken the steps we believed necessary to resolve the incident. The current investigation is led by the United States Department of Justice, and while we are cooperating in response to the subpoenas we have received, we cannot comment on it.&#xA;MIT expressed concerns about the text of the letter and whether such a letter was advisable at all. The Libraries told JSTOR that “they  believe in general that the less MIT says, the better. We can’t really discuss the details of the ongoing criminal investigation and possible indictment, nor do we want to interfere with the processes and duties of the USAO,” and “in my opinion neither JSTOR nor MIT should under any circumstances comment publicly on the details of the incident until the criminal justice system had completed its work and a formal determination of the facts had been made.”24&#xA;This statement was never issued, nor was it further discussed with MIT, but JSTOR did issue a press release on July 19, the day that the indictment naming Swartz was unsealed.25 (See section II.C.) MIT was not notified of that statement in advance, and did not issue a statement of its own.26&#xA;III.B Events around the Time of the Indictment (April 2011–September 2011)&#xA;At about the time of the JSTOR settlement, the Swartz defense team began to realize that getting JSTOR to settle would not be sufficient to “call off” or soften the prosecution. Early in June, William Kettlewell made attempts to talk to MIT through its newly retained outside counsel, wanting to know MIT’s position. On June 7, Kettlewell sent an email to the outside counsel asking, “What’s up on your front?” Outside counsel informed OGC of this inquiry, and OGC responded by email explaining that “MIT cooperates with law enforcement and it will do so as it concerns Mr. Swartz. However, MIT is not taking a position concerning whether he should be prosecuted.”27&#xA;24 Email from MIT Libraries to JSTOR, June 15, 2011, and June 16, 2011, respectively.&#xA;25&#xA;26 JSTOR told the Review Panel that one reason it did not give MIT advance notice of its July 19&#xA;statement was its inference drawn from the June communications that MIT did not want to be involved. 27 OGC informed the MIT Libraries about the conversation, as noted in section III.A.4. The OGC email&#xA;to Kettlewell was the first time that MIT had publicly expressed that it would not take a position on the indictment.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 58&#xA;￼&#xA;III.B.1 Early overtures to MIT in support of Aaron Swartz (April 2011–June 2011)&#xA;Prior to mid-2011, the Aaron Swartz defense team focused its attention on persuading JSTOR to lobby the USAO to forgo a prosecution, beginning with negotiating with JSTOR for return of the downloaded documents. (See section II.C.) MIT had no involvement in this activity. As early as June 6, 2011, William Kettlewell had spoken with MIT’s outside counsel, telling him that Swartz had reached an agreement with JSTOR and asking whether MIT “was looking for anything” from Swartz. This was taken by MIT as Kettlewell wanting to report back to the prosecutors that the “victims” named in the indictment were not seeking anything from Swartz and were generally satisfied with his efforts to make amends.&#xA;During these same weeks, Aaron Swartz’s father, Robert Swartz, undertook to directly interact with the Institute, independently from his son’s lawyers. Robert Swartz had done his undergraduate work at MIT, and attended MIT both as a graduate student and a special student. He had been a consultant at the MIT Media Lab since 2000. He expressed frustration that the “human side of the story” was not getting through to MIT, and felt that he would be more productive at getting help for his son by appealing directly to MIT leaders rather than working through attorneys.&#xA;On June 13, Robert Swartz wrote to the incoming Director of the Media Lab (“the Director”) explaining that his son had been arrested by the MIT Police in January and was now under the threat of a federal indictment. “I wondered if we could speak about how we could enter into a dialog with MIT to help resolve this,” he asked. The Director was new to MIT and to the United States, and thus his own contacts within MIT and his knowledge of the American criminal justice system were limited. Nevertheless, he made several efforts on Robert Swartz’s behalf to engage the Institute.&#xA;Over the next week, the Director sent emails to several people at MIT. One, sent to OGC on June 21, included:&#xA;I’m not sure if you're aware of this incident, but last year and into this year, there was an incident where a computer was put into the basement of one of the MIT buildings and was used to download the database of JSTOR. This was investigated by the MIT Police and a young man named Aaron Swartz was arrested in January. He is now on trial for a Federal felony for unauthorized access to a computer system. This is a prison sentence I gather. . . .&#xA;The family have settled with JSTOR and returned all of the stolen materials and JSTOR has decided not to press charges. . . .&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 59&#xA;Aaron's brother Noah is a student in the Media Lab and his father works for me in the IP department. Aaron himself works at Harvard. I wonder if there is any way that MIT might consider this a “family matter” and consider helping to try to limit the extent of the punishment and at least prevent Aaron from going to prison on a felony charge. Obviously it was a stupid thing to do, but the weight of the possible sentence seems quite harsh in my personal opinion.&#xA;Apparently a grand jury is meeting to render an indictment on Wednesday and there is really only one more day to provide any input into the process. Since it is a criminal case and the prosecutor needs to prove beyond reasonable doubt that it was unauthorized, I think MIT is in the position to “cast doubt” if it desires.&#xA;OGC sent a short response to the Director that it was generally aware of the situation with Aaron Swartz, and in a follow-up phone conversation explained that MIT was not pursuing criminal charges, was not making a claim, and had nothing to settle with Swartz; and that MIT would possibly handle the matter differently if Swartz had been an MIT student. No action resulted from these communications.28&#xA;Among Robert Swartz’s approaches was to try to get his son an appointment at MIT, so as to formally bring him in as part of the MIT community. However, the Director could not find a legitimate reason to bring him into the Media Lab, and that approach did not succeed in generating an appointment. Another approach was to have MIT “settle” with Swartz, similarly to how JSTOR had settled: if MIT thereafter would say that it suffered no harm, then the prosecution’s case might be undermined. This approach did not generate a settlement agreement (see section III.B.4).&#xA;III.B.2 The indictment: Unauthorized access&#xA;The indictment against Aaron Swartz was returned on July 14, 2011, and unsealed on July 19. The lead prosecutor sent a copy to MIT’s OGC on July 19. Section II.B.2 (footnote 29) lists the charges in detail. MIT was not given advance notice of the indictment or the charges, nor was MIT involved in formulating the charges. As discussed in the next section, MIT was expressly named as one of two victims of Aaron Swartz’s conduct, the other victim being JSTOR. Among the charges was that Aaron Swartz had violated Section 18 of the United States Code §1030 (the Computer Fraud and Abuse Act, or CFAA) by “accessing the MIT network without authorization” or by&#xA;28 OGC told the Review Panel that it had attached no particular significance to the Director’s use of the phrase “unauthorized access” or considered that this might be referring to the Computer Fraud and Abuse Act. Nor did it consider that MIT might, in the Director’s words, be in a position to cast doubt on the charges.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 60&#xA;￼&#xA;“exceeding authorized access”; and that the damages to MIT and JSTOR exceeded $5,000. For the CFAA, authorization of access to the MIT network is based on the rules of access set down by MIT (just as authorization of access to JSTOR documents is based on the rules set down by JSTOR). Thus MIT might be expected to play an important role in the interpretation of its access rules. Should there be a trial, MIT employees would likely be witnesses called to explain the rules. Moreover, during the plea bargain process, MIT might be asked to comment on the rules and could take the opportunity to come forward with a statement about the rules.&#xA;Despite the importance to the legal proceedings of MIT’s interpretation of its own rules, the initial investigation paid little attention to how these rules applied to the authorization of people attempting to access the network. According to the Cambridge Detective involved in the prosecution, he asked repeatedly whether the laptop found in the closet was authorized to be there and to do what it was doing: he was told “no.” On the other hand, the Review Panel spoke with personnel from IS&amp;amp;T and OGC, and with MIT’s outside counsel, about their interviews and discussions with federal law enforcement during the entire period of the government’s prosecution, from the date of Swartz’s arrest until his suicide. They reported uniformly that no one from the government’s investigatory team asked specifically whether Swartz—the person, as opposed to his laptop—was allowed to use MIT’s network, nor were they specifically asked whether this use constituted access without authorization or access that exceeded authorization. (This distinction between the person and the laptop and its significance for the CFAA is discussed in Appendix 11.) Similarly, until very late 2012, Aaron Swartz’s defense team did not raise any questions about this issue in their interviews with MIT personnel or their discussions with OGC or with MIT’s outside counsel. Nor did Swartz’s defense raise this issue with MIT prior to filing its motions to suppress (see section II.B.2), which referenced the allegations of unauthorized access and MIT’s policies with regard to those allegations.&#xA;Consistent with its neutrality posture (see section III.A.3), MIT paid little attention to the details of the charges. MIT did not undertake its own analysis of whether the crime of gaining unauthorized access or exceeding authorized access of MIT’s network had occurred.29 Nor did it bring to the attention of the USAO or the defense the possibility that MIT’s policies and practices cast doubt on this allegation in the indictment, as the Media Lab Director had noted that MIT could consider doing (see section III.B.1).30&#xA;29 Advising MIT on the appropriateness of the prosecution’s conduct during the criminal case was within the scope of MIT’s outside counsel’s function. Both OGC and outside counsel agree on this.&#xA;30 This is in contrast to the case of United States v. LaMacchia, a prosecution brought in 1994 by the same USAO against an MIT student, where MIT informed the USAO during the pre-indictment investigation that David LaMacchia’s use of the MIT network was not unauthorized, which led the USAO&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 61&#xA;￼&#xA;III.B.3 MIT as “victim”&#xA;MIT was named in the indictment as a victim of Aaron Swartz’s alleged crime (see Appendix 13 on legal procedure). Consistent with the naming in the indictment, the USAO notified MIT that it was a victim in 11 routine emails sent in late 2011 and throughout 2012.31&#xA;As a victim, MIT had standing to state a position about the prosecution and sentencing of Swartz, which was discussed within OGC and with outside counsel. MIT recognized that Aaron Swartz had harmed the Institute with his downloading. Despite that, with MIT’s stance of neutrality, this concept of “MIT as victim” meant little to MIT: the Institute simply did not view itself as a victim in anything other than the most technical sense.32 Indeed, as noted in section III.A.2, above, and section III.B.3, below, MIT had conveyed to the USAO its lack of interest in prosecution (neutrality) well before the arrival of the first victim letter in December 2011. It placed no significance on getting the routine victim notification emails; it sought nothing directly from Aaron Swartz, and it did not initiate a civil suit.&#xA;MIT, whether as a “victim” or otherwise, hoped to avoid the expenditure of time and resources that it would incur if a trial took place, and it wanted to protect its employees from having to testify and thus be exposed to cross-examinations designed to challenge their credibility for the purpose of advancing the interests of the defense. Thus, it would be advantageous to MIT if the parties achieved a resolution that would avoid trial, although MIT did not express a view on what that resolution should be. MIT explained to the lead prosecutor that it was not interested in the prosecution; conversely, MIT sought to make clear to the defense that they should not anticipate that it would lobby the prosecution on behalf of Aaron Swartz.&#xA;III.B.4 Robert Swartz meets with MIT’s Chancellor (September 2011)&#xA;After the indictment, Robert Swartz continued his efforts to persuade MIT to influence the prosecution. His primary thrust was to arrange a meeting with someone in MIT’s senior administration in order to achieve a JSTOR-type civil settlement with MIT that&#xA;to pursue other charges, but not to pursue a charge of unauthorized access. Appendix 9 provides details of the case. As LaMacchia was a student and Swartz was a “guest,” analysis of the rules for access would differ between the two cases.&#xA;&#xA;31 MIT received routine Victim Notification Statements from the Department of Justice by email on the following dates: December 27, 2011, January 23, 2012, March 20, 2012, April 30, 2012, May 29, 2012, August 13, 2012, August 20, 2012, September 21, 2012, December 5, 2012, December 17, 2012, December 21, 2012. These statements notified MIT about scheduled status conferences and other court hearings.&#xA;32 Notably, at least one senior-level person within MIT Libraries felt that Swartz’s conduct had seriously interfered with the Libraries’ operations.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 62&#xA;￼&#xA;could then be used to lobby the USAO on his son’s behalf. He first asked for such a meeting on August 20, 2011.&#xA;A meeting was arranged between Robert Swartz and MIT’s Chancellor for September 14, 2011. Robert Swartz met with the Chancellor, who was accompanied by an attorney from OGC.33 During the meeting, the Chancellor told Robert Swartz that MIT was not pressing charges, that it was being neutral, that the USAO was prosecuting Aaron Swartz, and that MIT was providing information as required by the legal process.34&#xA;Robert Swartz wanted MIT to help his son. To that end, he proposed that MIT make a “settlement” with his son, similar to that with JSTOR, for the defense to use to try to influence the USAO. However, unlike JSTOR (which wanted the download secured), MIT did not want anything from Aaron Swartz and had no intention of filing any lawsuit against him, and saw no point in a settlement.&#xA;The meeting was extremely disappointing to Robert Swartz. It seemed to him that MIT was not only denying his request, it was denying the very basis of the help he was seeking, in a manner that seemed to afford no way forward. Given his background at MIT, this seemed to him a shocking failure of compassion. At one point in the meeting, he reportedly asked, “Why are you destroying my son?” The Chancellor replied that this was not MIT’s intention or desire.&#xA;Robert Swartz also disputed the assertion that MIT was acting in a neutral manner, asserting that the defense could not get any assistance from MIT, particularly access to persons, documents, or answers to questions about the network or logs.35 Robert Swartz&#xA;&#xA;33 There is some confusion and dispute regarding why MIT’s Chancellor had an attorney present while Robert Swartz did not. The Chancellor wanted this particular OGC attorney present because this attorney had been actively involved in the oversight of the matter for MIT. The Chancellor informed Robert Swartz of this when arranging the meeting and suggested that he “also invite a legal representative so we are on equal footing.” When the meeting was scheduled by the Chancellor’s assistant, Robert Swartz responded, “I have confirmed this with Bill Kettlewell Aaron’s attorney and look forward to the meeting.” As the meeting approached, MIT learned that Kettlewell did not want to participate because he thought that the meeting would accomplish more if it occurred among principals rather than with attorneys present. On September 12, the OGC attorney spoke with Kettlewell and received express permission for him—an attorney—to participate in the meeting and speak directly with Robert Swartz despite Robert Swartz not being represented by counsel during the meeting. (At this time OGC was unclear whether Kettlewell represented Robert Swartz or Aaron Swartz; the rules of professional responsibility place significant restrictions on attorneys communicating with non-represented persons, or persons who are represented by counsel when such counsel are not present.)&#xA;&#xA;34 During this conversation, the OGC attorney said that MIT had not turned over anything to the government without a subpoena. In fact, this was not true, as the attorney offered during his interviews with the Review Panel. MIT had turned over material prior to subpoena, as explained in section I.B. Given the time that had elapsed, the attorney had not remembered the material produced during this period.&#xA;35 At this point in time, Swartz’s defense counsel had not requested from MIT any documents or interviews, either informally or by subpoena. Also, at this point in the prosecution, the defense did not have the ability to issue a Rule 17(c) subpoena, whereas MIT had produced, and continued to produce,&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 63&#xA;￼&#xA;also accused MIT of breaking its own rules and breaking the law by turning over various items to the government in violation of the rights of his son.&#xA;The meeting did not change MIT’s policies with regard to the Swartz prosecution. Shortly thereafter, due to a life-threatening illness experienced by his wife (Aaron’s mother), Robert Swartz was forced to curtail some of his lobbying efforts on behalf of his son.&#xA;III.C MIT’s Contacts with Prosecution and Defense (October 2011–September 2012)&#xA;Little happened from MIT’s perspective in the months following September 2011. There were few communications between the prosecution and MIT after the indictment, except for occasional emails from the government seeking bits and pieces of information relevant to the government’s case.36 MIT’s outside counsel had no communications at all with the USAO throughout 2011. With the exception of five routine victim status notifications sent between December 27, 2011, and May 29, 2012, there were no prosecution communications with OGC or its outside counsel after Oct. 5, 2011, until they resumed with a phone call on August 9, 2012 (see section III.C.3).&#xA;Contact with the defense was also limited. William Kettlewell made several phone calls to MIT’s outside counsel during September 2011, both before and after MIT’s meeting with Robert Swartz in September 2011.37 Kettlewell also forwarded to MIT’s outside counsel a copy of the JSTOR agreement that Aaron Swartz had signed. Andrew Good withdrew as Aaron Swartz’s attorney in late October and was replaced by Martin Weinberg. Robert Swartz was dealing with his wife’s illness. For all practical purposes, communications between Swartz’s defense team and MIT remained dormant until the spring of 2012.&#xA;III.C.1 Responses to defense inquiries are slow (May 2012–August 2012)&#xA;In late April 2012 and then again in May, William Kettlewell and Martin Weinberg met with MIT’s outside counsel seeking to enlist MIT’s support in lobbying the USAO to&#xA;documents and information to the government pursuant to the pre-indictment grand jury subpoenas with which it had been served. See Appendix 10.&#xA;According to an email that William Kettlewell sent to Robert Swartz before the meeting, OGC had told Kettlewell that MIT “would feel bound to inform  that they were meeting with us as well as what transpired at the meeting.” When questioned about Kettlewell’s email, OGC explained that it did not in fact discuss the substance of this meeting with the prosecution.&#xA;36 This information was provided by MIT under what it believed to be the umbrella of the two previously served grand jury subpoenas. MIT’s outside counsel was not involved in these communications.&#xA;37 Some of these concerned a draft protective order then being considered by the USAO and the defense to protect the confidentially of MIT’s documents and the privacy of its employees during the discovery phase of the prosecution.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 64&#xA;￼&#xA;drop its demand for jail time. They also suggested that the packet stream capture (see section I.B, item 4) might have been a privacy violation. They asked that MIT make a decision to take a position favorable to the defense with the USAO concerning the prosecution, and they asked for a meeting with MIT to discuss this.&#xA;The defense attorneys did not get a timely response to these requests. Kettlewell called and spoke with MIT’s outside counsel five times during May seeking a meeting with MIT; in each of June and July, he called twice; in August, he called four times; and in September he called once more, before finally obtaining a confirmatory email for such a meeting from MIT’s outside counsel. Robert Swartz and defense counsel for Aaron Swartz were uniform in their complaints to the Review Panel that MIT failed to respond in a timely manner, although varying in where they placed the blame among MIT’s OGC, its administration, and/or its outside counsel.&#xA;For its part, MIT points to a variety of reasons why its responses were slow, without denying that they were, in fact, slow. Some explanations are mundane: during the period in question, activities such as commencement, corporation board meetings, and vacations for senior officials took place. Also, there is some uncertainty as to how many of Kettlewell’s individual telephone calls to MIT’s outside counsel were passed on to the OGC, although the thrust of Kettlewell’s continuing desire for a response was definitely transmitted. OGC knew that it needed to get back to the defense in spring and mid- summer 2012, but it wanted to get some information first on the status of the case. Most important, OGC’s attorneys felt that they did not know what Swartz’s defense team wanted. From their perspective, MIT had already made clear that the Institute would remain neutral. They did not realize that the defense team was seeking a meeting about a specific proposal, as opposed to continuing general discussions regarding Aaron Swartz (perhaps in the hope that MIT’s position might change).&#xA;Martin Weinberg has provided for the Review Panel, in writing, his description of what the defense team sought from MIT:&#xA;For over 6 months Bill Kettlewell and myself had engaged in a joint effort which Bill had begun in June of 2011 through telephone conversations with  and a meeting between Bob Swartz, , and . The joint initiative that I participated in with Bill began in April of 2012 and included meetings and telephone conversations with  followed by a meeting with , the Chancellor, and . The single focus of our initiative was to actively seek MITs affirmative assistance in supporting a plea initiative with the USAO that would resolve Aaron’s federal case without a trial (and without evidentiary hearings on contested pretrial issues involving the warrantless&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 65&#xA;interceptions of electronic communications) and which would spare Aaron the risk of a prison sentence.&#xA;III.C.2 Robert Swartz writes to MIT’s President&#xA;Towards the end of July 2012, Robert Swartz again contacted the Media Lab Director, asking him to help arrange a meeting with MIT’s senior administration. The Director asked Swartz to draft a letter, which he then forwarded to MIT’s President,38 Chancellor, and General Counsel. The Director forwarded the letter on August 10 under the following cover:&#xA;I’m not sure if you’ve been tracking Aaron’s case, but this is an email from his father who works for us part-time at the Media Lab as an IP consultant. Would someone at MIT be willing to meet with him? I think you’ve met with him once in the past near the beginning of this process.&#xA;Robert Swartz’s letter follows:&#xA;As you know my son Aaron is under federal indictment for alleged acts that occurred at MIT. Although he settled with JSTOR the aggrieved party, and they indicated that they did not want the prosecution to go forward the case has not been resolved. We think there are both legal and non-legal issues that you are not aware of and urgently ask for a meeting with  and .&#xA;It is the non-legal issues in the context of the MIT community and a possible trial that most urgently need to be considered in the meeting. The urgency of the meeting is due to fact that the prosecutor has given us a deadline of Wednesday to resolve the case or go to trial and we have a meeting Monday with the head of the criminal division that requires hard decisions.&#xA;I am willing to meet at any time even over the weekend. Please let me know the earliest time that we can meet.&#xA;Thanks in advance for all of your help.&#xA;The President forwarded this letter to the Provost, the Chancellor, and the General Counsel with a note saying that that they should contact him (the President) if necessary.&#xA;On August 12, 2012, the Director informed Robert Swartz that he had heard from the Chancellor and “they are now reaching out to you.” This eventually resulted in Swartz’s&#xA;38 MIT’s current President assumed office in July 2012. Prior to that, he was MIT’s Provost.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 66&#xA;￼&#xA;(second) meeting with the Chancellor on September 12, described below (see section III.C.4).&#xA;III.C.3 MIT’s outside counsel speaks with the lead prosecutor (August 9, 2012)&#xA;OGC knew that it needed to get back to the defense in spring and mid-summer 2012, but it wanted to get some information first on the status of the case. It also wanted to “deliver a message” to the USAO that it was not advocating a jail sentence. OGC asked its outside counsel to speak with the USAO.&#xA;On August 9, 2012, MIT’s outside counsel had a 45-minute telephone conversation with the lead prosecutor. They covered the following points:39&#xA;• The prosecutor praised MIT’s conduct before and after Aaron Swartz’s arrest. He described MIT’s approach in tracking down Swartz and intercepting his communications as “reasoned” and “nowhere near cowboy conduct,” and said that he had “the deepest of respect for their approach to the case.”&#xA;• The prosecutor expected Weinberg to file motions challenging the government’s and MIT’s collection of electronic evidence. He expected that hearings would be held, and numerous MIT witnesses, some six to 10, would have to testify.&#xA;• The prosecutor said that the government had been extremely reasonable in this case, and has made its best offer. The government believed that jail time was appropriate. If this case had involved solely hacking into MIT’s system, the government might feel differently, but the case also involves the unauthorized downloading of intellectual property that cost millions of dollars to create.&#xA;• The government was willing to agree to a “very strong downward departure” from the sentencing guidelines, but there were some lines below which the USAO would not go.&#xA;• MIT’s counsel noted that no one at the Institute was looking forward to the time, disruption and stress involved in testifying at hearings and trial. The prosecutor’s response was that it disturbed him whenever a defendant “systematically re- victimized” the victim, and that was what Swartz was doing by dragging MIT through hearings and a trial. He analogized attacking MIT’s conduct in the case to attacking a rape victim based on sleeping with other men.&#xA;39 This material is taken from a memorandum provided by MIT’s outside counsel to OGC, dated August 10, 2012. Where phrases appear in quotes in this material, the same phrases appear, also in quotes, in the memorandum.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 67&#xA;￼&#xA;• MIT’s counsel stated that, while the government might believe that jail time was appropriate in this case, the government should not be under the impression that MIT wanted a jail sentence for Aaron Swartz. The prosecutor responded that the government believed that some custody was appropriate. He said the government had to consider not only the views of the immediate victims, but also general deterrence of others.&#xA;• MIT’s counsel mentioned that MIT viewed itself as an educational institution, and that consistent with its overall mission it did not focus on punishment or retribution, but rather education.&#xA;• MIT did not want to act as an intermediary between the parties.&#xA;• The prosecutor said that, pre-indictment, he had wanted to approach the case on a human level, not punitively. To this extent he made an extremely reasonable proposal, and was “dumb-founded” by Swartz’s response.&#xA;• The prosecutor said that the straw that broke the camel’s back was that when he indicted the case, and allowed Swartz to come to the courthouse as opposed to being arrested, Swartz used the time to post a “wild Internet campaign” in an effort to drum up support. This was a “foolish” move that moved the case “from a human one-on-one level to an institutional level.” The lead prosecutor said that on the institutional level cases are harder to manage both internally and externally.40&#xA;This conversation supported the following conclusions, consistent with OGC’s earlier views:&#xA;First, the lead prosecutor and the USAO did not care what MIT thought or said about the case, and its ability to influence a resolution was slim to none.&#xA;Second, the lead prosecutor’s comment about a “wild Internet campaign” orchestrated by Swartz to drum up support made MIT concerned that any public statements that MIT might make on Swartz’s behalf could backfire.&#xA;Third, it might be in Aaron Swartz’s interests to accept the government’s offer, now, before it became worse, and OGC should make it clear to Swartz’s attorneys that MIT was remaining neutral, i.e., that it would not advocate in his favor, so as&#xA;&#xA;40 The only Internet campaign occurring during this period that has been identified by the Review Panel is the statement and petition drive conducted by Demand Progress, referenced in section II.B.2. As noted there, the statement was co-drafted by the Director of Demand Progress and Quinn Norton. We do not know what the lead prosecutor meant by “institutionalizing” a prosecution, and we do not comment on the implications of doing so based upon a public lobbying effort undertaken by or on behalf of a criminal defendant.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 68&#xA;￼&#xA;to not mislead the defense into delay that might result in a less favorable plea offer being available at a later date.&#xA;III.C.4 Robert Swartz meets again with MIT (September 2012)&#xA;On September 12, 2012, Robert Swartz had another meeting at MIT with MIT’s Chancellor and its General Counsel. Robert Swartz made four points:&#xA;First, he wanted MIT to make a public statement. This, the Chancellor and General Counsel explained, MIT would not do, although they did not explain about the outside counsel’s August 9 meeting with the lead prosecutor (see section III.C.3) or the conclusions MIT drew from it.41&#xA;Second, Robert Swartz connected the matter of his son to that of Star Simpson,42 arguing that the Star Simpson matter was a precedent that would allow MIT to make a statement. The Chancellor and the General Counsel took a different view, explaining that after MIT had made those statements its administration had been (justly) reprimanded.&#xA;Third, he argued that MIT was assisting the government more than it was assisting his son. The General Counsel reiterated that MIT’s policy was “neutrality.” Mr. Swartz disputed whether that was in fact the case, citing, among other examples, that MIT had turned material over to the Secret Service without subpoena.43&#xA;Fourth, Robert Swartz claimed that, in the past, MIT’s policy had been to turn off troublesome email connections rather than to call in the police. The General Counsel explained that MIT had tried to terminate Aaron’s access to MIT’s network several times, but he had managed to evade these attempts.&#xA;Robert Swartz also accused MIT of violating wiretap laws and its internal policies in its collection of electronic communications of his son and providing them to the prosecution, and of violating his son’s privacy rights in doing so.&#xA;41 As a general matter, for a third party to convey information from one party to a lawsuit to the opposing party without permission would be very likely to cut off the flow of information if that conveyance of information were to be perceived.&#xA;42 See Appendix 9 for a discussion of the Star Simpson matter.&#xA;&#xA;43 MIT did turn over material without subpoena in the first few days after the arrest. (See section I.B and Appendix 7.) Appendix 10 gives the Review Panel’s perspective on the legality of MIT’s provision of this information. After January 27, 2011, there was no document provision to the prosecution without a subpoena. But even had the material been turned over pursuant to subpoena, it is likely there would have been disagreement about whether MIT had acted “neutrally.” As noted in section III.A.3, OGC interpreted neutrality of legal process in terms of similar responses to similar requests, rather than similar outcomes.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 69&#xA;￼&#xA;Overall, the meeting produced the same result as the September 2011 meeting (see section III.B.4).&#xA;III.C.5 Other contacts on behalf of Aaron Swartz&#xA;As discussed above (and below), Aaron Swartz’s father and defense team approached MIT several times to ask that MIT move away from its neutrality stance and advocate for Aaron Swartz. As discussed in section III.B.1, the MIT Media Lab incoming director did so on June 21, 2011, as part of supporting a request that MIT meet with Robert Swartz: “I wonder if there is any way that MIT might consider this a ‘family matter’ and consider helping to try to limit the extent of the punishment and at least prevent Aaron from going to prison on a felony charge. Obviously it was a stupid thing to do, but the weight of the possible sentence seems quite harsh in my personal opinion.”&#xA;Otherwise, there were very few direct contacts made with the MIT administration to encourage a change on the part of MIT from neutrality to advocacy. MIT’s student newspaper, The Tech, reported regularly on the progress of the case, but this did not prompt any editorials or opinion pieces before Aaron Swartz’s suicide. Nor did people who later criticized MIT for not advocating for Aaron Swartz approach the MIT administration making the case for MIT to advocate for him before the suicide.&#xA;The Review Panel is aware of only three further contacts requesting advocacy for Aaron Swartz. One senior faculty member, who had worked with Aaron Swartz, tried to solicit MIT’s support on Swartz’s behalf. From the last week in August through mid-September, 2012, he met (separately) with MIT’s Chancellor, Provost, General Counsel, and another OGC attorney. He advocated for active MIT support for Aaron Swartz, raising several possible options, including making a public statement of the kind JSTOR had made.44 He told the Review Panel that he had sought support because he believed that an incredible miscarriage of justice was in the works; that while Aaron Swartz was a tireless fighter for right, he was also vulnerable; that a felony could affect Aaron Swartz’s career; that he liked and respected Aaron Swartz in many ways; and that the law was being seriously abused. He told the Review Panel that Aaron Swartz’s action was the sort of thing that historically would have prompted a certain pride, not criticism, at MIT.&#xA;&#xA;44 There are differing recollections as to whether any of the discussions included phoning the prosecutor in support of Aaron Swartz. According to the recollection of the faculty member, his meeting with OGC included the suggestion that MIT phone the prosecutor to say that MIT would prefer them to drop the charge, or that MIT did not have any issue with Aaron. OGC reports that the overwhelming focus of this meeting was on a public statement and does not recall any mention of a private statement. The faculty member later told the Review Panel that he left these meetings with the impression that MIT would not make a public statement, but that OGC would phone the prosecutor.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 70&#xA;￼&#xA;The meetings with this faculty member did not result in a movement to advocacy. MIT’s responses included multiple reasons for supporting neutrality (see section III.A.3 for a full list of reasons the Review Panel heard). OGC and other senior MIT administrators said that they felt MIT should not take any action on Aaron Swartz’s behalf unless Swartz’s defense counsel asked it to do so. Members of the administration and OGC with whom this faculty member spoke did not tell him about the recent conversation between MIT’s outside counsel and the lead prosecutor. The outcome of that conversation supported OGC’s belief that making any statement to the USAO would likely not help, and making a public statement could actually harm, Aaron Swartz’s defense.45&#xA;In October 2012, a faculty member who was active in MIT’s Open Access activities spoke with Robert Swartz and later contacted the Director of Libraries, an OGC attorney and the Chancellor, asking if MIT could do more for Aaron Swartz. He told the Review Panel that his main contention was just that the response of the prosecutor was utterly disproportionate, and MIT should do whatever it could.46&#xA;While the faculty members were reminded that they were free to make public statements or private statements to the prosecutors, they did not do so.&#xA;Considerably earlier, on November 13, 2011, a leader in the global movement for open access to scientific publications (not affiliated with MIT) emailed MIT’s then President on behalf of Aaron Swartz, whom he had known well for some time. He wrote:&#xA;I know that the case is in the hands of the public prosecutors, that MIT is not in the position—even if it wanted to—to halt the fearful procedure. . . . For a person , time in prison would surely be fateful, unbearable, in the worst case, deadly.&#xA;I do not know the American legal system well enough, but I think that the stand of your University—which has done so much with its Open Courseware for advancing access to the finest academic works—would have an impact on the outcome of the legal process. A term in prison&#xA;&#xA;45 The private statement MIT had made to the lead prosecutor was similar to JSTOR’s pubic statement. JSTOR wrote: “Once this  was achieved, we had no interest in this becoming an ongoing legal matter.” (See .) MIT’s outside counsel did inform the lead prosecutor that MIT, as an educational institution, did not focus on punishment for Aaron Swartz, and that the government should not be under the impression that MIT wanted a jail sentence for him. (See section III.C.3.) But note that JSTOR’s private statement to the USAO was stronger (and not neutral). Not only was JSTOR not pressing for prosecution: it preferred that no charges be brought. (See section II.C.)&#xA;&#xA;46 Another approach to the administration was by the lead author of this report, who phoned an OGC attorney in April 2011 to ask if OGC was handling the case, without advocating any particular action for MIT. Robert Swartz also spoke with this report’s lead author in August 2012, and told him of the defense’s contention that MIT had violated the Stored Communications Act as later alleged by Martin Weinberg (see section III.D.2), and the report’s lead author advised OGC of this.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 71&#xA;￼&#xA;would not only deeply and perhaps irrecoverably harm Aaron Swartz, but would be irrational, compared to the possible public benefit of community work that Aaron Swartz would be capable of doing by using his unique and brilliant technical skills and surprising knowledge.&#xA;In the hope of your understanding and with thanks for having read my letter,”47&#xA;The President referred the email to the Chancellor, who consulted OGC and wrote back: “Thank you for expressing your concern about Aaron's future, and sharing your perspective, which we will certainly take into account.” In response was written: “Thank you for your frank response. Despite the complexities of the situation, allow me to hope that your University will try to make use  all available means and fora not to ruin the life of this extremely talented, vulnerable, naive, and incautious, unique young man.”&#xA;III.D Events in Anticipation of Trial (August 2012–October 2012)&#xA;Toward the end of August 2012, the USAO began asking for MIT employees to be made available for witness interviews and preparation. MIT’s General Counsel informed the senior administration at the end of August that there would likely be a trial and reminded them of MIT’s neutrality position. At the President’s request, the General Counsel consulted with selected faculty members, including the Chair of the Faculty, about whether a discussion of the Swartz matter at MIT’s Faculty Policy Council might be appropriate. The Faculty Chair consulted with the Associate Chair and the Secretary of the Faculty, and they told the General Counsel that such a discussion would not be necessary, and that there was general support for MIT’s neutrality posture.&#xA;With talk of witness preparation, it became clear that the Swartz matter was probably not going to be resolved without a trial, and that it would require a significant amount of time from some MIT personnel. This prompted OGC to make an inquiry into the government’s theory of the criminal prosecution. In late August 2012, OGC asked MIT’s outside counsel to brief them on laws alleged to have been violated and the facts pertaining specifically to MIT upon which the criminal aspect of the Swartz’s conduct might turn, and outside counsel conducted what he characterized as a “thumbnail analysis” of the indictment.&#xA;Discussions among MIT lawyers included recognizing that the government had the burden of proof in the prosecution, and therefore would want to interview more personnel&#xA;47 The letter also reported that Aaron Swartz had attended a meeting that included a discussion of how much it would cost to get JSTOR to open up its archive for the public and how that exceeded the funds available to the group at the meeting. He wrote: “My fear is that our conversation at that meeting played a role in Aaron Swartz’s unfortunate decision.”&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 72&#xA;￼&#xA;than would the defense; nonetheless, OGC’s view here was that MIT should give the defense some of the same assistance as was given to the government (making witnesses available and recommending personnel who could educate the defense attorneys as to MIT’s networks and its Library policies and practices). The guiding policy was to accommodate “reasonable requests” by the defense, taking into account such things as where the interviews would take place and how long they would take.&#xA;In mid-September, the lead prosecutor asked to interview 11 MIT employees, who were made available. Both MIT’s outside counsel and an OGC attorney were present for the interviews.&#xA;On September 12, 2012, the USAO obtained a superseding indictment (described in section II.B.2). MIT’s OGC perceived this as an escalation by the USAO in the prosecution. It served to reinforce the view, already well developed as a result of the August 9 conversation between MIT’s outside counsel and the lead prosecutor (see section III.C.3), that MIT had no influence over the USAO in the matter.&#xA;III.D.1 ThedefenseasksMITtoopposejailtime(September2012–October2012)&#xA;Aaron Swartz’s defense team met with MIT on September 28, 2012. Present on behalf of Swartz were Martin Weinberg and William Kettlewell. MIT’s representatives were MIT’s Chancellor, its General Counsel, and its outside counsel. Weinberg asked if MIT representatives would accompany the defense to a meeting with the federal prosecutors and support their plea for no jail time as a condition of any guilty plea by Swartz. MIT’s representatives responded that they would consider this.&#xA;After this meeting, OGC and MIT’s outside counsel had several concerns about the defense’s request that they join a meeting with the federal prosecutors. They discussed who should go, and whether any faculty should be among those attending, if such a meeting occurred. There was serious concern that, given MITs neutrality position, whatever MIT was prepared to contribute would be of no value to Aaron Swartz. And there was skepticism about whether the lead prosecutor would be interested in hearing MIT’s position: he had already made it clear that he would not be influenced by it. Weinberg told the Review Panel that he in fact agreed with this assessment of the lead prosecutor’s stance. But his plan was not to hold the meeting with just the lead prosecutor or with other higher-ranking Assistant U.S. Attorneys, but instead to meet with the U.S. Attorney herself.48&#xA;48 Weinberg told the Review Panel that he informed MIT of this plan, but neither the two OGC attorneys who were involved, nor the Chancellor, recall him explaining this.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 73&#xA;￼&#xA;Ultimately, MIT decided that it would be willing to participate in such a meeting. The decision was made that the Chancellor and the General Counsel would attend the meeting, and no other faculty would accompany them. It was decided that MIT would maintain the position of neutrality at such a meeting.&#xA;MIT’s outside counsel informed Weinberg that MIT representatives would be willing to attend a meeting at the USAO if he (Weinberg) arranged it, and that MIT would make the following points:49&#xA;1. MIT is not seeking any particular outcome, such as Aaron Swartz’s conviction or, if convicted, that he receive any particular sentence.&#xA;2. Members of the MIT community knew and admired Aaron Swartz and would consider it a great loss if he were deprived of the opportunity to continue his work.&#xA;3. If asked by the USAO, the Chancellor and General Council would have to admit that some members of the MIT community held views critical of Aaron Swartz’s conduct.&#xA;This was communicated to Weinberg on October 26. When it was received, the defense team felt that MIT’s stance would be of no value in advocating with the U.S. Attorney and decided not to go forward with such a meeting. Elliot Peters, who had replaced Weinberg as Swartz’s lead defense counsel at the end of October, informed MIT’s outside counsel of this decision in early November.&#xA;III.D.2 The defense moves to suppress evidence (October 2012)&#xA;At the time of the September 28 meeting, the Swartz legal team was facing an October 5 deadline for the filing of motions to dismiss and to suppress evidence. During the meeting, Weinberg explained that he would soon have to file those motions, and they would accuse MIT of violating federal law, the constitutional rights of Aaron Swartz, and MIT’s own internal policies as those policies would affect the privacy of Swartz; and they would accuse MIT of acting in concert with federal law enforcement in furtherance of these violations.&#xA;The Review Panel found that the views of those who attended this meeting differ on the nature of Weinberg’s description of these motions. Some saw it as a threat that MIT would be embarrassed if the case went to trial, and so MIT should act to resolve things in Aaron Swartz’s favor; others saw it as a matter-of-fact discussion of what the legal defense had to do in order to zealously represent its client, as required by the rules of&#xA;49 Transmittal from MIT’s General Counsel.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 74&#xA;￼&#xA;professional responsibility for attorneys.50 Ultimately, OGC decided to ignore the possibility that Weinberg might have wanted to pressure MIT with his presentation, and instead focus on what to do about the request to meet with the U.S. Attorney’s prosecutors.&#xA;On October 5, Martin Weinberg filed six motions: a motion to dismiss the indictment, and five motions to suppress evidence that the government might otherwise use at trial. These are the motions that Mr. Weinberg described in his September 28 meeting at MIT, and to which Robert Swartz had referred during his September 12 meeting at MIT (section III.C.4). Four of these motions (numbers 1, 2, 3, and 5) directly addressed conduct of MIT and its employees:51&#xA;Motion to Suppress No. 1: Motion to Suppress All Fruits of Interceptions and&#xA;Disclosures of Electronic Communications and Other Information by MIT&#xA;Personnel in Violation of the Fourth Amendment and the Stored Communications Act52&#xA;Motion to Suppress No. 2: Motion to Suppress All Fruits of Warrantless Searches Conducted from January 4, 2011 to January 6, 201153&#xA;Motion to Suppress No. 3: Motion to Suppress All Fruits of Unlawful Arrests Without Probable Cause and Search of HP USB Drive54&#xA;Motion to Suppress No. 5: Motion to Suppress All Fruits of Searches of Acer Laptop, HP USB Drive, and Western Digital Hard Drive55&#xA;Taken together, these motions accused MIT and its employees of violating the Fourth Amendment rights of Aaron Swartz, the Electronic Communications Privacy Act, the Stored Communications Act, and MIT’s internal policies as they applied to Swartz’s expectations of privacy.56&#xA;&#xA;50 In the criminal context particularly, it is appropriate to warn a third party of what is coming, when what is coming is considered by all to be “unpleasant” but must be done to advance the cause of one’s client, and where the continued cooperation of the third party is desired despite the filing or other conduct. From the perspective of a defense counsel, the purpose of this discussion was to put MIT on notice as to what was coming so as to not surprise or unnecessarily offend MIT.&#xA;51 Motion to Suppress No. 4 concerned the Secret Service’s search of Aaron Swartz’s home. 52 Doc. 59 (filed October 5, 2012), United States v. Swartz, Case No. 1:11-cr-10260-NMG. 53 Doc. 60 (filed October 5, 2012), id.&#xA;54 Doc. 61 (filed October 5, 2012), id.&#xA;55 Doc. 63 (filed October 5, 2012), id.&#xA;56 This review does not address the merits of any these motions. Appendix 10 gives the Review Panel’s view of legal issues around MIT’s provision of the data. And the Review Panel has not analyzed, and provides no views on, claims that Aaron Swartz’s expectations of privacy were violated.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 75&#xA;￼￼￼￼￼&#xA;III.D.3 Effectofthesuppressionmotions(October2012–December2012)&#xA;With the admissibility of the evidence against Aaron Swartz in dispute, the suppression motions had the effect of aligning MIT’s interests more with the prosecution than with the defense: the government wanted to establish that MIT’s conduct was entirely lawful and proper, so as to defeat the various motions to suppress. The defense wanted to show otherwise, and thus achieve the suppression of evidence that the government had obtained from or through MIT. Similarly, the government would advance the conduct, integrity, and credibility of those MIT employees who testified, while it appeared to OGC that the defense would do the opposite, attacking MIT personnel in open court. MIT decided that it would not be neutral with regard to defending MIT’s employees or attacks made on the Institute’s integrity.&#xA;That concern played out in the months that followed. For example, when the government’s investigation had begun, in January 2011, OGC made the decision that the lead prosecutor, the Secret Service Agent, and the Cambridge Police detective could directly telephone and email previously interviewed IS&amp;amp;T employees without first going through an MIT attorney for follow-up questions, provided no new topics were covered (see section III.A.1). In early September 2012, after consultation with outside counsel, OGC decided to allow this direct conduct to continue during the government’s preparation for the suppression hearings and trial. However, this did not occur for the defense: the defense was never given permission to interview or consult with any MIT employee without the presence of an MIT attorney, nor did it ever ask for such permission.&#xA;Another example is that MIT’s outside counsel conveyed to the government what MIT wanted the government to consider in its arguments that MIT had not violated law in gathering evidence.&#xA;A third example concerns document production. When MIT provided documents in December 2012 to the defense (pursuant to subpoena), MIT’s outside counsel later provided—without being asked—the same documents to the government. (This occurred in early January 2013.) However, MIT did not, reciprocally, voluntarily provide to the defense the same documents that it provided to the government. Similarly, MIT did not produce to the defense, even though requested by subpoena, documents that the defense sought from MIT but that MIT had already provided to the government. The explanation for this as offered by MIT’s outside counsel is that, under the Local Rules57 for the&#xA;57 All federal district courts are bound by the Federal Rules of Criminal Procedure in criminal matters and by the Federal Rules of Civil procedure in civil matters. Although detailed, these rules might be considered “broad brush” rules. Each district court in the nation also adopts its own local rules, which may&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 76&#xA;￼&#xA;United States District Court for the District of Massachusetts, a defendant is entitled to obtain from the prosecution broad categories of documents in criminal discovery.58 Thus, MIT’s outside counsel operated under the assumption that if the government obtained discovery from MIT, then the defense could get it from the government, and counsel did not want MIT to engage in duplication of effort regarding document production.&#xA;OGC’s explanation for not providing these documents is similar, in that it did not want to engage in a duplication of effort, but adds that OGC was always willing to produce to the defense documents already provided to the government if, for whatever reason, the government would not produce them to the defense. As discussed above, on May 6, 2011, OGC spoke with the lead prosecutor (see section III.A.2), and during this conversation the prosecutor asked for copies, in electronic format, of the documents that had already been provided by MIT. The prosecutor explained this request by saying that he wanted these documents in such format in anticipation of providing them to the defense. For this reason, OGC operated under the assumption that whatever documents it had given to the government had been turned over to the defense.59 As discussed below, this was apparently not the case (see section III.D.4). OGC notes that, as of January 10, 2013 (the day before Aaron Swartz took his life), MIT was in ongoing discussions with Swartz’s defense counsel on this very topic.&#xA;III.D.4 Finalweeks(December2012–January2013)&#xA;Elliot Peters replaced Martin Weinberg as counsel for Aaron Swartz at the end of October 2012. With this change, William Kettlewell’s involvement in the case essentially came to an end. With the change in counsel, the focus of the defense shifted somewhat, from seeking to establish that MIT’s conduct was in violation of law or policy, to placing more emphasis on the specific allegation in the superseding indictment that Swartz had accessed MIT’s and JSTOR’s networks without authorization. In the view of the defense, MIT’s policy of open access to its network provided a weak basis for charging violations of the Computer Fraud and Abuse Act.&#xA;address gaps appearing in the federal rules, or may expand or reduce the applicability of specific federal rules to the extent doing so is permitted.&#xA;58 The Applicable Local Rules of the District of Massachusetts are L.R. 116.1 and 116.2. As an example, L.R. 116.1(a)(1) provides:&#xA;In all felony cases . . . unless a defendant waives automatic discovery . . . all discoverable material and information in the possession, custody, or control of the government and the defendant, the existence of which is known, or by the exercise of due diligence may become known, to the attorneys for those parties, must be disclosed to the opposing party without formal motion practice at the times and under the automatic procedures specified in these Local Rules.&#xA;59 Also, the negotiations surrounding the protective order concerning documents produced to the defense, which occurred in September 2011, led OGC to understand that all of the documents it produced to the government would be turned over to the defense.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 77&#xA;￼&#xA;This shift in emphasis was noted by MIT’s outside counsel.&#xA;In December, the lead prosecutor asked to “prep” MIT witnesses for the suppression hearings. He began to inquire about MIT’s trespass signs posted on its campus, and he asked (“to be followed with a subpoena”) for all material pertaining to “the Swartz intrusion and data theft” prepared since MIT’s last production of such information. He notified MIT’s outside counsel that the suppression hearings would be held on January 25, 2013, and would include the following issues: (1) the delay on the part of the government in obtaining search warrants; (2) whether Swartz was trespassing on the MIT campus; and (3) whether Swartz had abandoned his computer on MIT property. He also indicated that he was concerned with the MIT “open campus” concept, and would issue a new subpoena for all pertinent policies and practices.&#xA;When Elliot Peters entered the case, discussions had been ongoing with MIT concerning a meeting with the USAO. He learned from MIT’s outside counsel that MIT would be essentially neutral, and he did not think that this would help. Thus, he decided against having such a meeting, as had Martin Weinberg.&#xA;At this point, the focus by the defense was to deal some setbacks to the prosecution at the suppression hearing, scheduled for late January 2013. It believed that only after suffering such setbacks would the government be willing to be more lenient in its plea offers.60 Thus, the defense plan during this period did not include trying to get MIT to support or lobby for Aaron Swartz with the USAO.&#xA;Mr. Peters says he held several discussions with MIT’s outside counsel about (1) interviewing MIT personnel, to which he got no response; and (2) getting documents, to which he was told that he should get them from the government. On November 23, 2012, the defense subpoenaed MIT for production of documents. The scope of the subpoena as drafted by the defense was extremely broad: they wanted to use its scope as leverage to obtain discovery from MIT.61&#xA;&#xA;60 Mr. Peters confirms Mr. Weinberg’s description of the latter plea offers made by the prosecution to Aaron Swartz: (1) he would have to plead guilty to all 13 felonies; (2) he would have to agree to four months incarceration; or (3) the government would be free to seek up to six months incarceration and the defense would be free to seek no jail time. In addition, Aaron Swartz would not be allowed to use a computer for some period of time after his conviction. This latter condition was a problem for Aaron Swartz when considering the offer. According to Mr. Peters, he advised the lead prosecutor that Aaron Swartz was “vulnerable”; that this was a reason to resolve the matter without a trial; and that he couldn’t see Aaron Swartz in federal prison.&#xA;61 As explained by Mr. Peters, he disagreed with the view that the federal rules governing the production of discovery by the government to the defense in a criminal case meant that all documents produced by a third party to the government would subsequently be turned over by the government to the defense. Rather, in his opinion, the government would turn over only some of these materials.&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 78&#xA;￼&#xA;We noted above (see section III.D) that OGC had formed the view early in the fall that MIT should give the defense some of the same assistance as was given to the government (including making witnesses available and recommending personnel who could educate the defense attorneys as to MIT’s networks and its Library policies and practices). The guiding policy was to accommodate “reasonable requests” by the defense, taking into account such things as where the interviews would take place and how long they would take. As explained by Mr. Peters, after this subpoena was served, MIT’s outside counsel and the defense negotiated a more limited document production, plus the making available of two MIT employees: one from IS&amp;amp;T and one from MIT Libraries.&#xA;The interviews of these two MIT witnesses took place on December 11, 2012. They were conducted by one of Aaron Swartz’s defense attorneys and an expert in network operations. The defense found the witnesses to be very cooperative and helpful on the issue of what comprised authorized access at MIT.62 At the request of the defense, the identity of the expert was kept confidential from the government.63&#xA;MIT’s initial response to the defense subpoena of November 23, 2012, was made on December 21. MIT’s initial response excluded material that it had already produced to the government, due to the time-consuming and burdensome nature of document production, and MIT’s expectation that the defense had or could receive from the prosecution everything that MIT had provided to them.&#xA;An email sent on January 9, 2013, from a defense attorney to MIT’s outside counsel indicates that there remained open questions about the scope and adequacy of MIT’s response to the subpoena. This email was forwarded to OGC. Included among the topics discussed is the defense’s request that MIT provide all materials called for in the subpoena that it had previously provided to the government. OGC has explained to the Review Panel that it was willing to provide any such documents that the defense had not obtained from the prosecution.&#xA;These discussions were still under way when Robert Swartz notified MIT by email on January 11, 2013, that Aaron Swartz had taken his own life.&#xA;&#xA;62 Mr. Peters confirmed that the defense—similar to the prosecution—did not focus on the specific question of whether Mr. Swartz’s access to the MIT network was or was not authorized. The decision to not address this question directly was a result of the defense’s perception that the prosecution’s theory—as to why Aaron Swartz’s access to the network was unauthorized—was scattershot, ranging from Aaron Swartz’s changing his computer names to his opening of locked doors. Thus, a direct answer to this question, even if favorable to the defense, would be unlikely to change the prosecution’s determination to continue with the case.&#xA;63 The witness later revealed his identity and wrote about his findings. See Alex Stamos, The Truth about Aaron Swartz’s “Crime,” January 13, 2013, .&#xA;PART III: MIT’S RESPONSE TO THE PROSECUTION | 79&#xA;￼&#xA;80&#xA;￼PART IV: DECISION POINTS FOR MIT&#xA;IV.A The Investigation and the Immediate Post-­‐arrest Period&#xA;￼Part IV:&#xA;IV.A.1 Locating the laptop and performing a packet scan&#xA;IV.A.2 Informing the MIT Police and notifying the Cambridge Police&#xA;IV.A.3 Providing information to law enforcement pre-­‐subpoena&#xA;IV.B Neutrality: Issuing Statements; Providing Information to Prosecution and Defense&#xA;IV.B.1 Issuing public statements about whether to prosecute&#xA;IV.B.2 Issuing public statements about the criminal charges&#xA;IV.B.3 Making private statements to the prosecution about the criminal charges&#xA;IV.B.4 Providing prosecution and defense with documents and access to MIT employees&#xA;IV.B.5 Taking non-­‐neutral positions for people with MIT associations&#xA;IV.B.6 Becoming more informed about the charges&#xA;IV.B.7 Engaging more deeply with issues around the Computer Fraud and Abuse Act&#xA;DECISION POINTS FOR MIT&#xA;Our charge in preparing this report is to “describe the options MIT had and the decisions MIT made, in order to understand and to learn from the actions MIT took.”&#xA;In Parts I through III we have sought to describe MIT’s actions and to place them in the context of events occurring outside of MIT. In Part V we will present some questions for the MIT community to consider, which might help with learning from this experience. This part, Part IV, responds to that portion of our charge asking us to describe options available to MIT during the investigation and prosecution of Aaron Swartz. It serves as a bridge from the facts of Parts I, II, and III to the discussion questions in Part V.&#xA;We start with the following words of caution. The act of “describing options” potentially embarks upon a sea of “might-have-beens.” And considering alternatives inevitably involves hindsight: how does one maintain a perspective uncolored by the shock and tragedy of Aaron Swartz’s suicide, or—knowing of him and his accomplishments—by the realization that he was the person who did the downloading and who was then arrested? We are also cognizant of a wide variety of assertions and conjectures that have appeared in public discussions of the events.&#xA;In the sections below, we identify some of the key decision points for MIT, for the purpose of understanding and learning, and of helping to frame the questions raised in Part V. Some options were available at specific times. Others were available at many times throughout the period of MIT’s involvement. To provide a context for examples widely available, we have selected one or more specific times for considering such options, choosing based on the salience of the particular moment for illustrating the issues involved.&#xA;We have chosen to interpret the reference in our charge to “MIT” as referring to actions by members of the community, including actions by students and faculty, as well as the decisions taken by MIT officials. We highlight some of MIT’s actions at various points in Parts I, II, and III, and we note alternatives that might have been taken, but we do not attempt to judge whether some alternatives might have been preferable. We also indicate the questions in Part V that arise from the options we have identified.&#xA;IV.A The Investigation and the Immediate Post-­‐arrest Period&#xA;MIT’s involvement began with the observed September and October 2010 downloading events, of which it learned through emails from JSTOR asking the Institute to identify the perpetrator and stop the excessive downloading. JSTOR initially approached this downloading by blocking IP addresses, hoping that—as had been its previous experience—the incident would not recur. MIT was unable to use its “Stopit” procedure, as the perpetrator or perpetrators had registered with an anonymous email address. Shortly thereafter, MIT designed eControl to prevent future anonymous downloading, but—at the request of JSTOR—the mechanism was not implemented until January 2011—which, as matters developed, was too late.&#xA;IV.A.1 Locating the laptop and performing a packet scan&#xA;Given the scale of the downloading, its recurrence, the impact on JSTOR servers, and the concern that a significant portion of the JSTOR library was being copied (possibly for redistribution), identifying the downloader became imperative both to MIT and to JSTOR in order to stop the excessive downloading. The fact that the laptop registration was anonymous—and thus the owner could not be contacted—made it necessary to physically locate the laptop in order to identify what was happening.&#xA;IS&amp;amp;T could have simply unplugged the laptop and waited for someone to claim it, rather than performing a packet scan, which is an intrusive operation. In this case, the laptop was attached to the network in a nonstandard way, hidden from view in a closet, and performing possibly unknown operations for an unknown purpose. It thus seems prudent for IS&amp;amp;T to have attempted to capture and identify the network traffic. IS&amp;amp;T, as a network provider, is permitted to engage in such monitoring, but IS&amp;amp;T policies do not&#xA;PART IV: DECISION POINTS FOR MIT | 81&#xA;seem clear about when such monitoring can be done, or how to treat the information that is collected. Part V, Question 2, suggests that these policies may be in need of review.&#xA;In light of the potentially serious consequences of the downloading to JSTOR, and thus to MIT, its licensee, and the persistent means whereby the perpetrator avoided the September and October attempts to terminate the activity, we find no other options to analyze that would enhance MIT’s understanding and learning with regard to this stage of the investigation.&#xA;IV.A.2 Informing the MIT Police and notifying the Cambridge Police&#xA;IS&amp;amp;T could have attempted to deal with the discovery of the laptop on its own, without choosing to inform the MIT Police. However, a laptop attached to the network has the potential to perform a wide range of activities, and the MIT network has access to many services and databases that are critical for MIT research and education, some that involve sensitive information and government applications. Where an unknown individual or group has been actively engaged in accessing the network for several months, evading MIT’s attempts to stop their observed downloading activities, and possibly engaging in other, unobserved conduct, it appears appropriate for IS&amp;amp;T to have asked for the MIT Police to become engaged immediately upon discovery of the foreign laptop attached to the network in a basement closet.&#xA;The MIT Police do not have expertise in computer or Internet crimes, nor do they have the ability to collect fingerprints or engage in the detailed analysis of evidence. It is standard practice for police departments to rely on other police departments when expertise is needed and not available; and it is standard practice for the MIT Police to contact the Cambridge Police under such circumstances. The fact that the MIT Police lacked the resources—and therefore lacked the option to conduct a more thorough investigation on its own—is an issue we raise in Part V, Question 1.&#xA;IV.A.3 Providing information to law enforcement pre-­‐subpoena&#xA;As detailed in Appendix 7, some information generated during the downloading episodes was held beyond the length of time that MIT’s internal policies permitted (absent specific authorization from OGC), and some information was provided to the USAO before a subpoena was issued. Initially, OGC approved the production of information to law enforcement, without a subpoena, as part of a continuing investigation of an ongoing intrusion into MIT’s network as well as of a possible crime being committed on the MIT campus. IS&amp;amp;T continued to provide information to the investigators, pursuant to this initial approval, until OGC was eventually served with a subpoena on January 27, 2011.&#xA;PART IV: DECISION POINTS FOR MIT | 82&#xA;In motions filed to suppress evidence, the defense claimed that some of MIT’s actions in the gathering of information and its production to law enforcement violated federal law. As discussed in Appendix 10, our findings do not support such allegations.&#xA;A cursory examination of the statement of MIT policies on data retention and production indicates that they do not seem to be as clear or complete as they might be. Moreover, the interpretation of these policies could even be the subject of legal disputes, as was the case here in the motions to suppress evidence (see section III.D.2). Thus, a review of the Institute’s data retention and provision policies seems desirable, as we suggest in Part V, Question 2. Increased MIT community awareness of these policies, and an understanding of the challenges of balancing the preservation of privacy and the need to maintain appropriate use of MIT’s network, would serve as a learning opportunity for MIT more broadly.&#xA;With regard to the production of electronic data without a subpoena, IS&amp;amp;T consulted with OGC before providing any information to law enforcement; however, this request was made on January 4, 2011, when the laptop was first discovered and law enforcement was first called in. Thereafter, IS&amp;amp;T continued to follow OGC’s initial guidance, despite a change in circumstances. This change was the result of law enforcement’s commencement of a post-arrest investigation into Swartz’s activities, an investigation no longer focused on what an unknown perpetrator was doing on the MIT network and what risk his conduct posed to that network, but focused instead on collecting sufficient evidence to prosecute and convict him. The laws concerning monitoring, capturing, and disclosing electronic communications for these two types of investigations are different. MIT’s choice of actions during the post-arrest period complied with these laws (in the Review Panel’s judgment—see Appendix 10), but compliance appears to have occurred only incidentally, as actions chosen without the benefit of expert advice to either IS&amp;amp;T or OGC. Early in the process, OGC had not yet arranged for an outside counsel with expertise in criminal law, and it never arranged for expertise regarding computer crime or electronic communications.&#xA;Part V, Question 1, asks whether, and how, that kind of legal and forensic expertise should be more readily available to OGC and to IS&amp;amp;T.&#xA;IV.B Neutrality: Issuing Statements; Providing Information to Prosecution and Defense&#xA;MIT chose to be neutral on the substance of the prosecution—it was neither in favor nor opposed as to whether Aaron Swartz should be prosecuted or whether, if charged, the charges should be felonies or misdemeanors. It conveyed that stance privately to both prosecution and defense. It chose not to issue public statements about the arrest, the prosecution, or the indictments. Overall, MIT sought to maintain the stance of a neutral&#xA;PART IV: DECISION POINTS FOR MIT | 83&#xA;third party in a suit—U.S. v. Swartz—in which it was not involved. MIT had the options of stating its position publicly, of communicating different views either publicly or privately, and of communicating its views more strongly and persistently. The choice of substance and of method of its communications reflected multiple considerations, including: the fact that Aaron Swartz was not formally associated with MIT; MIT’s appreciation of the significance of the allegations raised in its name against Aaron Swartz; and the extent of consultation between and among OGC, the Institute’s administration, and the Institute’s faculty.&#xA;MIT’s stance on whether or not to issue statements, and, more generally, its choice of limited involvement, was reviewed on multiple occasions, and could have been changed at any of several points in time. For our discussion in this section, we select occasions when the possibility of change was particularly salient.&#xA;IV.B.1 Issuingpublicstatementsaboutwhethertoprosecute&#xA;On July 19, 2011, when the indictment was unsealed, and after JSTOR had settled its civil suit with Aaron Swartz, JSTOR issued a statement that included:&#xA;The criminal investigation and today’s indictment of Mr. Swartz has been directed by the United States Attorney’s Office. It was the government’s decision whether to prosecute, not JSTOR’s. As noted previously, our interest was in securing the content. Once this was achieved, we had no interest in this becoming an ongoing legal matter.&#xA;The wording, “no interest in” is a little ambiguous, interpretable as “not in favor of” but also as “being neither in favor of nor opposed to.” MIT did not issue a similar statement, neither one expressing the neutrality that was its policy, nor one opposing a prosecution. Nor was a statement issued clarifying that MIT was not involved in the decision to prosecute. The time of JSTOR’s statement was a particular opportunity for MIT to issue its own statement.&#xA;Earlier, in June 2011, MIT had commented to JSTOR on earlier drafts of JSTOR statements, including a possible joint statement (see section III.A.4). Ultimately there was neither a joint statement nor a separate MIT statement. The time during which discussions with JSTOR about such statements were ongoing was also a time when it was apt for MIT to consider in depth its limited involvement. In addition to trying to influence the prosecutors (which might have helped or hurt Aaron Swartz), a public statement could have clarified MIT’s position for both the MIT community and the public at large, even if it just presented the neutrality stance.&#xA;Public statements opposed to prosecution could have been issued at any time, and not just institutionally but by individual members of the MIT community. As noted in the&#xA;PART IV: DECISION POINTS FOR MIT | 84&#xA;discussion of previous events (Appendix 9), the actions of individual members of the MIT community have made a difference in the past. Considerations that went into MIT’s decisions to remain neutral relative to whether there should be a prosecution included a judgment of whether such statements would be helpful to Aaron Swartz, or whether they risked making matters worse for him. There was also a wide range of attitudes within the MIT community toward Aaron Swartz’s actions on the MIT network. Even among MIT’s proponents of open access (and among Aaron Swartz’s friends), there was a general agreement that he had done something wrong. A blanket statement opposing prosecution could have been perceived as extreme by many in the MIT community. Beyond that, a position opposed to any prosecution at all could have been interpreted by many people as saying that MIT was uninterested in respecting its contractual agreements with licensors and was not serious about maintaining the integrity of its network.&#xA;IV.B.2 Issuingpublicstatementsaboutthecriminalcharges&#xA;Separate from neutrality toward whether there should be a prosecution at all is the role of neutrality toward the particular charges. Aaron Swartz was charged with felonies, not misdemeanors. Plea bargains offered by the prosecution included admitting guilt to felonies and risking jail time. An alternative option to a statement opposing prosecution per se (see section IV.B.1) was one that opposed specifically felony prosecution. As the felonies related to MIT’s rules about access, MIT was intimately involved in the definition of the alleged crime and would eventually have been drawn into the discussion had there been a trial. As with section IV.B.1, public statements could have been issued at any time, and not just institutionally. Beyond the issues raised in section IV.B.1, this links also to the issue raised in Question 5 in Part V of MIT’s institutional interests in the debate over reforming the Computer Fraud and Abuse Act.&#xA;IV.B.3 Makingprivatestatementstotheprosecutionaboutthecriminalcharges&#xA;MIT communicated its view on the prosecution and punishment to the USAO through OGC in the spring of 2011 and again through its outside counsel in August 2012. (See section III.C.3.) The questions of further pursuing private statements to the USAO and of altering the message being delivered arose particularly when two MIT faculty lobbied for more support for Aaron Swartz (see section III.C.5) and when defense counsel approached MIT about a joint meeting with USAO (see section III.D.1). OGC was willing to participate in such a meeting, but was not willing to significantly change its message to USAO—a message that remained in substance essentially neutral.&#xA;Central to this option would be abandoning neutrality and choosing to argue that it would be better to pursue misdemeanor charges rather than felony charges (and argue for dropping the demand for jail time and a felony record from plea negotiations). The&#xA;PART IV: DECISION POINTS FOR MIT | 85&#xA;statements the Review Panel solicited from the two faculty members who argued for change from neutrality provide some reasons for taking such a stance.&#xA;We note that JSTOR made public statements and also private communications to the USAO regarding its attitude toward the prosecution (see Part II.C). The private communication appears to have been worded more strongly in support of Aaron Swartz than was its public statement. OGC was not aware of this private communication to the USAO.&#xA;As with the possibility of a public statement on the charges, considerations that went into the decisions to remain neutral in private statements at these times included judgments about whether such statements would be helpful to Aaron Swartz. Given the lead prosecutor’s comments to MIT’s outside counsel (see section III.C.3), MIT statements would seemingly have had little impact, and even risk making matters worse—although this information was not shared with Swartz’s advocates.&#xA;IV.B.4 ProvidingprosecutionanddefensewithdocumentsandaccesstoMIT employees&#xA;Section III.A.3 pointed out that “neutrality” can be viewed differently by different observers. A complication comes from the lack of symmetry in the abilities of prosecution and defense to obtain information for litigation purposes, as spelled out in Appendix 13, which reviews the legal structure of preparing for and proceeding with a trial. Thus, neutrality in the discovery context can be thought of in terms of acting similarly in responses to requests from prosecution and defense, or neutrality can be thought of in terms of acting to ensure equality of outcomes by offsetting the asymmetries in legal structure. As mentioned, at a time when the prosecution can produce a subpoena but the defense as yet cannot, responding similarly to subpoenas from each side is not the same as giving both sides equal access to information.&#xA;In the main, MIT acted neutrally in response to procedure, rather than to outcome. It could have done more for the defense. For example, it could have automatically supplied the defense with a copy of every document supplied to the prosecution, rather than waiting for a defense subpoena. Similarly, it could have offered a defense interview with every employee interviewed by the prosecution. The choice not to do this was based on a judgment that the criminal process was sufficiently fair, without the need for it to provide equality of outcome.&#xA;With the filing of the motions to suppress, in October 2012 the defense had placed itself in the position of alleging wrongdoing and illegal conduct on the part of MIT; and the role of the prosecution included rebutting any such allegations. This further asymmetry&#xA;PART IV: DECISION POINTS FOR MIT | 86&#xA;between the roles of the prosecution and the defense led to an alteration of MIT’s general stance toward true procedural neutrality, as described in section III.D.3.&#xA;Questions 7 and 8 in Part V situate these considerations on neutrality in making statements and providing information within a context of wider awareness of issues and attitudes. As these issues affect much of the MIT community, there is reason for a wide- ranging discussion.&#xA;IV.B.5 Takingnon-­‐neutralpositionsforpeoplewithMITassociations&#xA;When the Media Lab Director wrote to the administration in June 2011 (see section III.B.1), he asked whether MIT could consider this a “family matter.” Others have suggested that Aaron Swartz could have been regarded as a member of the MIT community, based on the fact that he was a regular visitor to the MIT campus, interacted with MIT people and groups both on campus and off, and had made technical contributions to the World Wide Web Consortium, an organization hosted by MIT. The suggestion was that MIT should mitigate its neutral stance and advocate that the prosecution should reduce the severity of the threatened punishment.&#xA;In considering whether to maintain MIT’s neutrality position, OGC, and the faculty members and others it questioned about this, began by asking whether Aaron Swartz was an MIT student. Upon learning that he was not, most of the people consulted agreed that staying neutral was appropriate. Similarly, Aaron Swartz’s arrest and prosecution sparked little reaction from the MIT community, including students, which stands in marked contrast to previous incidents where students have gotten into legal trouble.&#xA;The limited extent to which the “core” MIT community engaged in discussion with the administration about the ongoing case, and the range of perceptions of the MIT community as to who is part of it for various purposes, concern two of the questions in Part V: whether to hold a community-wide discussion of the role of hacking as a legitimate part of MIT culture (Question 8); the nature of the obligation of MIT to its “greater” community (Question 7); and the extent to which MIT should intervene with law enforcement, even in the case of registered students accused of illegal activity. While we do not expect a consensus to arise from such discussions, it should lead to greater awareness of the views held across the community.&#xA;IV.B.6 Becomingmoreinformedaboutthecharges&#xA;OGC asked MIT’s outside counsel for background understanding of the details of the indictment (and so of the role of the Computer Fraud and Abuse Act) late in the summer of 2012 and received a brief sketch of issues. Members of the MIT community who have been active in considering the CFAA did not draw the attention of OGC or the&#xA;PART IV: DECISION POINTS FOR MIT | 87&#xA;administration to issues around CFAA during the prosecution. MIT had the option of exploring the charges earlier and considering the CFAA more broadly as part of formulating its responses to requests about statements. One particularly pertinent moment was in June 2011 when the Media Lab Director informed the administration that Aaron Swartz was charged with “unauthorized access” and suggested that MIT would be in a position to cast doubt on this charge if so desired (see section III.B.1). Other pertinent times were when the two federal indictments were issued, although the Review Panel does not suggest that it was MIT’s role to offer lines of argument for the defense or to point out issues with the indictment. Similarly, members of the MIT community who were following the prosecution could have explored and discussed this issue in more detail.&#xA;A charge of “accessing  without authorization or in excess of authorized access” deeply involves MIT, since MIT provides the authorization and sets the rules of authorization. Thus MIT set rules that played a key role in determining what constituted a felony in the Aaron Swartz case. In the 1994 prosecution of David LaMacchia, MIT communicated to the USAO that, as a student, LaMacchia was authorized to access the computer as he had done. There was no reflection on the LaMacchia case during Swartz’s prosecution: institutional memory had been lost. Part V, Question 1, in considering the need for greater expertise at MIT relating to computer crime, also asks about ways to help preserve institutional memory.&#xA;IV.B.7 EngagingmoredeeplywithissuesaroundtheComputerFraudandAbuseAct&#xA;As we are finishing this report, a bill has been filed in Congress to reform the CFAA, and dubbed “Aaron’s Law.” No doubt there will be extensive discussion before there is any legislation. MIT’s roles, both in having chosen the rules and in interpreting their applicability to Aaron Swartz, make it clear that MIT has a real interest in contributing to the discussion. As MIT is a leading institution concerned with computers and network technology, MIT scholars and MIT institutionally have a role to play in encouraging reform. Thus, beyond the issue of exploring the charges against Aaron Swartz (based on wire fraud as well as access rules) earlier and in more detail, Question 5 in Part V raises the issue of MIT’s general institutional concern with the CFAA.&#xA;PART IV: DECISION POINTS FOR MIT | 88&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY&#xA;Question 1: Should MIT develop additional on-­‐campus expertise for handling potential computer crime incidents, thus giving the Institute more flexibility in formulating its responses?&#xA;Question 2: Should MIT policies on the collection, provision, and retention of electronic records be reviewed?&#xA;Question 3: Should an MIT education address the personal ethics and legal obligations of technology empowerment?&#xA;Question 4: Should MIT increase its efforts to bring its considerable technical expertise and leadership to bear on the study of legal, policy, and societal impact of information and communications technology?&#xA;Question 5: What are MIT’s institutional interests in the debate over reforming the Computer Fraud and Abuse Act?&#xA;Question 6: Should MIT strengthen its activities in support of open access to scholarly publications?&#xA;Question 7: What are MIT’s obligations to members of our extended community?&#xA;Question 8: How can MIT draw lessons for its hacker culture from this experience?&#xA;Part V: QUESTIONS FOR THE MIT COMMUNITY&#xA;We have described the events concerning Aaron Swartz and his prosecution and MIT’s involvement in those events. We now reach the portion of President Reif’s charge that is, perhaps, the most important: discussing how we might learn.&#xA;Here in Part V we pose questions for the MIT community, and offer suggestions for how to address some of them, in the hope that doing so will aid the process of learning from this heartbreaking history. In selecting our questions, we draw on past incidents at MIT as well as the immediate one, and focus on structural issues raised by these experiences.&#xA;MIT’s response to Aaron Swartz’s arrest and prosecution reflected the MIT community’s overall sentiment—a limited interest, as demonstrated by virtually the entire MIT&#xA;89&#xA;￼￼&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 90&#xA;community. Before Aaron Swartz’s suicide, the community paid scant attention to the matter, other than during the period immediately following his arrest. Few students, faculty, or alumni expressed concerns to the administration. Those most familiar with Aaron Swartz and the issues that greatly concerned him were divided in their views of the propriety of his action downloading JSTOR files, and fearful of harming his situation by taking public or private stands.1 As strongly as we now wish, in hindsight, that events had turned out differently, and as we reflect on how MIT might have behaved differently— how we might have behaved differently—we recognize that we cannot and never will know whether any different actions on the part of MIT would have averted this tragedy. However, what we can do constructively now is to translate this tragedy into awareness and learning, procedures and actions that will help MIT become more like the community we strive to be.&#xA;The Review Panel was not asked to make recommendations in our report, but rather to suggest how MIT might learn from this history. In response, we offer several questions for the community to reflect upon, and some suggestions for a learning process. Some relate directly to the events described earlier in the report. Others are prompted by more general concerns that emerged in our interviews with faculty, administration, students, alumni, and knowledgeable outsiders, and reflections on MIT’s responses to previous analogous events.2 Some are mundane—significant although technical in nature; others are more philosophical, based on the morality a great institution must express and aspire to. We pose these as questions for deliberation by the entire community, not only by the administration and not only by the faculty, because it is as a community that MIT must answer them.&#xA;Question 1: Should MIT develop additional on-­‐campus expertise for handling potential computer crime incidents, thus giving the Institute more flexibility in formulating its responses?&#xA;We raise this question relative to two areas of expertise: police expertise in computer issues and legal expertise in computer crime matters. When outside law enforcement (city, state, or federal) is involved on campus, MIT may have a diminished flexibility in choosing actions and approaches. The narrative in Part I shows how a decision to seek help from local law enforcement can, without any intent to do so, summon federal investigators and invite federal prosecution. In the Swartz case, had the downloader been found to be an MIT student, MIT might well have wished to handle the incident internally, as a disciplinary matter and not a criminal one. Here, the Secret Service became involved before Swartz’s identity and his student-nonstudent status were known.&#xA;1 This is based on private communications from some of Aaron Swartz’s friends. 2 See Appendix 9.&#xA;￼&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 91&#xA;One question is whether MIT Police capabilities should expand to include expertise in dealing with cybercrime. There are many law-enforcement situations where the MIT Police must turn outside for help. Yet, given MIT’s exposure in the online world, the wealth of technical expertise available within the MIT community, and the growth of cybercrime as a national concern, it is arguable that law enforcement involving cybercrime incidents should be an area where MIT has its own special capabilities. If so, where should those capabilities reside?&#xA;There is also the question of legal expertise regarding cybercrime and related criminal matters. The Office of the General Counsel addresses many legal issues that arise in the functioning of MIT, helping members of the MIT community as well as MIT itself. Complex criminal issues arise infrequently, and issues involving computer crime, the privacy of electronic data, and requirements for the disclosure of electronic communications arise still less frequently. In the Aaron Swartz case, MIT employed outside counsel with some of the relevant expertise to help with planning and managing interactions with USAO and defense counsels. However, this did not occur until almost the time of the first indictment, and the initial cooperation with law enforcement, including the collection and production of electronic evidence, took place well before such outside counsel was retained. There was apparently no ready access to outside computer criminal law expertise in the rush of events the day the laptop was discovered. Would having outside counsel on retainer, rather than employed on a case-by-case basis, be worthwhile in responding more quickly?&#xA;Another observation is that, perhaps due to the passage of time, there was no awareness within OGC of MIT’s experience with the David LaMacchia case in 1994, described briefly in Appendix 9, with which the Swartz case has important parallels. Would MIT’s understanding of the significance of the charges filed be better served with the construction of an ongoing history of significant cases in which MIT has been involved, rather than relying solely on the institutional memory of its lawyers and administration officials? Could outside counsel on retainer, rather than employed on a case-by-case basis, help preserve institutional memory?&#xA;The Review Panel’s charge was to examine this particular case, but we are well aware that some of the same issues could arise in other realms. For example, many MIT people work at the intersection of computers and biology. Complex laws frame biological and medical care research, and there are edges where researchers, including students, may be drawn to do things that may end badly. While we do not attempt to extend our inferences for computer issues to other areas, other people should address this as MIT goes forward.&#xA;Continuing beyond the specific case of Aaron Swartz, a discussion of the potential interactions between internal policing and external police is germane for other areas, for example, illegal drug use. While the specific issues are very different, perhaps MIT can&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 92&#xA;review its experience in that realm and look for lessons that may help with other areas. This includes considering the extent to which students ought to be protected from prosecution, both with regard to fairness and with regard to the experience, education, and development of the students. It also includes the feasibility of employing legal counsel as a “legal ombudsman,” to advise students on issues concerning their research projects—both those authorized by their academic instructors and those “not.”&#xA;Question 2: Should MIT policies on the collection, provision, and retention of electronic records be reviewed?&#xA;MIT’s provision of records as recounted above reveals some gaps in its policies and practices around electronic records. Records were given to the Secret Service and the USAO with the approval of OGC, but there seems to have been incomplete clarity between OGC and IS&amp;amp;T over exactly what had been approved, and how long that approval lasted. Some records were turned over prior to subpoenas being issued. Some records were retained longer than MIT’s retention policy called for, and for some kinds of records there seems to be no explicit retention policy at all. In addition, Aaron Swartz’s attorneys, in a motion to suppress evidence involving the electronic records, claimed that some of MIT’s actions in information gathering and provision violated applicable law (see section III.D.3). Given the issues and ambiguities, a review of MIT’s data retention and production policies for electronic records seems appropriate. This is not only to improve the policies, but also to make the community more aware of these rules and the tensions inherent in trying to set appropriate rules.&#xA;Question 3: Should an MIT education address the personal ethics and legal obligations of technology empowerment? Should it include understanding of the legal frameworks that govern technology innovation and exploratory behavior? Should it include awareness of the interest in policy questions that will arise in future work of many graduates?&#xA;Aaron Swartz was not an MIT student. But he was like many MIT students in that he was brilliant, technologically empowered, impassioned, and willing to work at the frontier: the very qualities that we celebrate in the MIT culture and value as engendering innovation and entrepreneurship. Gifted young people can readily exploit the power of the Internet to accomplish world-class good—and also to get themselves into world-class trouble. Aaron Swartz did both. As with Question 1, these issues arise in a variety of settings, not just computers and the Internet.&#xA;Should an MIT education include the opportunity to reflect on the personal choices to be made in exercising such technological brilliance and power? Does MIT have a responsibility to better prepare our students to grapple with the ethics of the decisions they will face as they go on to design new technologies to be used in the world? Should&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 93&#xA;MIT provide opportunities for students to better understand how to deal with the consequences of their decisions, as part of their technology education? Should students learn about legal restrictions on and societal debates about conduct “at the edges”? Could this be another way for MIT to demonstrate leadership as an educational institution? How might MIT make progress on realizing this opportunity?&#xA;Question 4: Should MIT increase its efforts to bring its considerable technical expertise and leadership to bear on the study of legal, policy, and societal impact of information and communications technology?&#xA;The director of a leading computer research center commented to a member of the Review Panel that if MIT had had a stronger academic program in Internet policy, then the Institute might have addressed the Aaron Swartz case from a broader perspective. Be that as it may, Aaron Swartz’s suicide has embroiled MIT in an Internet uproar that the Institute did not anticipate and with which it is not well prepared to grapple as a legal, policy, or social phenomenon.&#xA;As one faculty member commented:&#xA;MIT prides itself on innovation and orientation to the future, but in defending a culture of rule-defiance, it can sound highly traditionalist: “this is the way we have always done it.” But as society at large evolves, traditionalist cultures have to adapt sooner or later. In this case the complication is that MIT itself has been the source of so many of the changes now washing back on it.&#xA;A similar narrative applies here with regard to complex legal systems that attempt to regulate theft and misuse of information. There may be a lot of libertarian types at MIT and beyond who do not want these controls imposed by the politically and economically powerful, but they are fantasizing if they think the world at large can operate indefinitely on the traditional cultural principles of the Institute.&#xA;We should create an MIT Law Center, resembling Harvard’s Berkman Center or the Oxford Internet Institute. The lack of such a center at MIT, which prides itself on leadership in all things technological, is astounding. MIT has no choice but to develop a much more robust capacity to study and teach such issues, for its own good as well as for the greater good.&#xA;If MIT had had a locus of scholarly activity around issues of information access during Swartz’s arrest and prosecution, one can imagine that there would have been more active participation by the community as events were transpiring, more appetite for engaging the larger issues the prosecution brought to light, and more recognition of MIT’s opportunity and responsibility to play a leadership role. There are a number of options for&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 94&#xA;expanding such scholarly activity to be considered, beyond the law center mentioned in the quote above. Emphasizing leadership positions might not itself have made a difference in MIT’s specific actions involving Aaron Swartz, but it very well might have highlighted the opportunity to make public statements about our position, or encouraged individual members of the community to speak out.&#xA;Question 5: What are MIT’s institutional interests in the debate over reforming the Computer Fraud and Abuse Act?&#xA;Aaron Swartz’s death has stoked the flames of widespread criticism of the Computer Fraud and Abuse Act (18 USC §1030), one of two criminal laws under which he was prosecuted. There has been increased publicity about CFAA prosecutions in many parts of the U.S., together with calls for reform and a bill introduced in Congress.3 MIT—and indeed many universities—have at least two institutional and educational interests in this debate.&#xA;MIT’s first interest flows from the CFAA’s “exceeds authorized access” clause. Under this clause, accessing MIT’s computer network beyond the bounds set by MIT for such access can be a felony. However, MIT is not a legislature: it does not hold open debates about how its Terms of Service (TOS) should be crafted, defined, provided with “safe harbors,” and otherwise applied; and it cannot foresee how rapid advances in technology and social uses of technology may make its TOS obsolete, unclear, or a dangerous and unintended trap for the unwary. Does MIT want to be in the position of determining what is and is not a felony? The application of this clause can criminalize even minor violations of TOS, and expose violators to civil and criminal penalties. In an intensive environment of exploration, it is not uncommon for researchers to conduct experiments that arguably violate the broad terms of service often associated today with websites and services. As one example, research involving collection and analysis of data about Internet services is vital to scholarly understanding of this medium.4 Moreover, the CFAA has the effect of transforming minor violations of very broad service terms from a contractual issue (often never intended to preclude research) into a potential federal felony. This creates a chilling effect on important research and puts MIT in the awkward position of determining what is a felony based on its choice of the terms in its TOS.&#xA;3 Grant Gross, “Aaron's Law would revamp computer fraud penalties,” IDG News Service, June 20, 2013, .&#xA;&#xA;4 Examples of such experiments are data mining investigations that collect information by scraping websites. One particular example (among many) was seminal research in online privacy performed by two undergraduates, demonstrating that information about a person’s Facebook “friends” can reveal that person’s sexual preference (“Privacy Vanishes Online,” New York Times, March 16, 2009 . Data to support this hypothesis was collected by scraping Facebook pages, which arguably violated Facebook’s terms of service.&#xA;￼&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 95&#xA;A second MIT interest is the CFAA’s prohibition against “unauthorized access,” which can be hard to apply clearly in the context of MIT’s open network environment. There, the question of who is “authorized” can rest on details of MIT’s internal policies, such as the 14-day limit on “guest registrations.” Aaron Swartz’s attorney claimed that his access was in fact authorized as a consequence of MIT’s guest policy, an issue that presumably would have been argued at trial had the case reached there.5 Assuming, for the sake of argument, that Swartz did violate MIT’s guest policy by, for example, remaining on the system for 15 days rather than the “authorized” 14: is such a “violation” material, and should such a violation turn acceptable conduct into a felony? A similar issue arose in the David LaMacchia case (Appendix 9), where the USAO initially planned to charge Mr. LaMacchia with unauthorized access under the CFAA, but decided against that when MIT refused to support the unauthorized access interpretation applied to its student. University rules of access are not designed for the purpose of defining the predicates for criminal prosecutions. Forcing them into this role impedes the university’s ability to support open access and innovation.&#xA;There are many voices currently weighing in on the debate over CFAA reform, and MIT’s role as a technology leader gives it special status to explain the impacts of the CFAA on research and academic exploration. MIT can press for change without necessarily taking sides in all facets of the debate on alternative ways to do reform.&#xA;Question 6: Should MIT strengthen its activities in support of open access to scholarly publications?&#xA;Aaron Swartz’s downloading of the JSTOR database may have been motivated by the ideal of open access to scholarly works. Many commentators on the Swartz case have criticized MIT for not taking this into account in responding to his prosecution, given that MIT is itself a leader in advocating for open access. Should MIT be doing even more in support of open access to scholarly publications? At present, the MIT Open Access Working Group6 is considering possible proactive initiatives in light of recent push- backs, by some publishers, against open-access policies. These include publicly advocating pro–open access positions with professional societies, increasing MIT’s support for open-access journals, and strengthening MIT’s commitment to the Faculty Open Access Policy.&#xA;5 “Defendant’s Reply in Support of Motions to Suppress and Motions to Dismiss Counts 1 and 2 of Superseding Indictment,” Case 1:11-cr-10260-NMG Document 87 Filed 12/03/12, available at http://ia600504.us.archive.org/29/items/gov.uscourts.mad.137971/gov.uscourts.mad.137971.87.0.pdf.&#xA;6 New Open Access Working Group Formed, MIT Faculty Newsletter, March/April 2012, .&#xA;￼&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 96&#xA;Another role MIT might play is to lend its institutional support to the FASTR (Fair Access to Science and Technology Research) Act currently before Congress, and to similar legislation. MIT could play a special role in demonstrating the value of FASTR’s call for computational analysis, by state-of-the-art technologies, of the results of government-funded research.7 Such an initiative would align well with some of the “Big Data” activities now springing up on campus.&#xA;MIT might also assume a leadership role among research universities in responding to the White House Office of Science and Technology Policy directive of February 22, 2013, directing major federal agencies that sponsor research to develop plans to make the published results of government-funded research freely available to the public.8 Given our expertise in scholarly publishing, repository development, and digital preservation, MIT could offer, perhaps in conjunction with others, to assist agencies in creating such plans. Going beyond this, MIT could seek to mobilize the Association of American Universities (AAU) and the Association of Public and Land-grant Universities (APLU) around an initiative (such as SHARE9) whereby providing public access to the results of university scholarly research becomes the responsibility of the university research community itself—thereby strengthening the partnership between those who create knowledge and the public that benefits from it. And MIT could use its prestige and influence to actively advocate for strengthening copyright law’s exceptions and limitations in support of scholarly pursuits, including fair use for the purposes of teaching, scholarship, and research.10&#xA;Question 7: What are MIT’s obligations to members of our extended community?&#xA;MIT maintains an open campus and an open network and benefits from both. In that context, how should MIT treat people who actively participate in the life of MIT but do not have a formal, official connection, i.e., people with different relationships to MIT than those of students, faculty, and staff? Several people we interviewed for this report were emphatic that Aaron Swartz was a member of the MIT community, citing his involvement with the World Wide Web Consortium and his participation in technical forums. Others said that he was not a member of the community, pointing to the fact that&#xA;7 “FASTR Aims to Speed Open Access to Government-Funded Research,” Library Journal, February 21, 2013, . See also Fair Access to Science and Technology Research Act of 2013, .&#xA;8 John Holdren, Office of Science and Technology Policy, Memorandum for the heads of executive departments and agencies, February 22, 2013, .&#xA;9 SHared Access Research Ecosystem (SHARE) Proposal, Assoc. of Research Libraries, .&#xA;&#xA;10 17 USC 107&#xA;￼&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 97&#xA;he was not a student. Others were not sure, but said that he was at least a member of an “extended community.”&#xA;Aaron Swartz’s father noted that, in his discussions with some MIT administrators, he was asked if his son was a member of the MIT community. When he explained that his son was not a student or staff member, he felt that these administrators assured themselves that MIT had no responsibilities to Aaron and gave no consideration to the idea that Aaron was part of MIT’s larger community of scholars and scientists.&#xA;Do we need to broaden our understanding of what it means to be part of the MIT community? In the words of one faculty member interviewed:&#xA;Besides its faculty, students, staff, and employees, MIT has through the course of its history welcomed into its midst many who have only peripheral connections to the Institute and a number who have no affiliation whatsoever. These “guests” come via various informal routes as observers in laboratories, visitors in hallways, auditors in classrooms, readers in libraries, and overnight lodgers. Not all are integral to what goes on here, and some have little more than nuisance value, but many are tolerated because as a group they form part of a rich subculture that makes this community unique in its receptiveness to intellectual content regardless of credentials, points of origin, or other conventional standards. It is a relatively loose, undocumented subculture, but almost everyone here recognizes its prevalence, and values it as part of the fabric of this great institution.&#xA;What institutional obligations does MIT have to members of its larger community? What is the nature and scope of those obligations? If Aaron Swartz had been an MIT student, MIT might very well have reacted differently to his prosecution, if only because the Committee on Discipline could be available as an alternative mechanism for handling transgressions and the Dean for Students might have entered, and possibly altered, the trajectory of events. Should MIT develop a formal recognition of “guests,” contributors, and other participants in the academic life of MIT? Should such possible recognition be captured in policy, or should it be left to informal channels and community awareness? While differences will always exist, there remains a basic issue of how MIT should think about responses to members of a wider community—as the underlying mindset will affect actions, whether it is codified or not.11&#xA;11 While this question can be considered part of Question 8, we think it useful to recognize the issues in this question, without having them overwhelmed by the related questions for full members of the MIT community.&#xA;￼&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 98&#xA;Question 8: How can MIT draw lessons for its hacker culture from this experience?&#xA;MIT celebrates hacker culture. Our admissions tours and first-year orientation salute a culture of creative disobedience where students are encouraged to explore secret corners of the campus, commit good-spirited acts of vandalism within informal but broadly— although not fully—understood rules, and resist restrictions that seem arbitrary or capricious. We attract students who are driven not just to be creative, but also to explore in ways that test boundaries and challenge positions of power.&#xA;There are multiple times in the narrative of our review where one might wonder whether some earlier process of discussion and education might have had a positive impact on actions and decisions. A similar thought comes when considering earlier experiences involving students detailed in Appendix 9. In particular, students, faculty, staff, and administration might all benefit from a discussion of the nature of a desirable hacker culture, recognizing both advantages and risks.&#xA;This raises the question of whether the MIT community is sufficiently aware of what the hacker culture is meant to be about, of the risks inherent in crossing lines as part of hacking, and the roles of faculty, staff and administration in responding to what might or might not be a hack. And we note that there has been a persistent undercurrent of concern over the past several years that MIT’s hacking tradition is being vitiated by a perceived increasing tendency to interpret hacking as a criminal activity. Some of the concern stems from incidents in 2006–2008 where students engaging in “unauthorized access” to various areas of campus ended up in Cambridge District Court, charged with breaking and entering with intent to commit a felony (as Swartz initially was).12&#xA;Yet in the computer context, unlike as in the physical world, “unauthorized access”—ill defined as it may be—can be grounds for a major federal felony prosecution. For Swartz the end result was calamitous. The entire episode may create a chilling effect for those students contemplating exploits that may push the bounds of their and society’s knowledge, but will also take them to places where conventional rules say they are not supposed to be—“coloring outside the lines” so to speak, punishable by criminal records rather than mere forfeiture of crayons.&#xA;How can we prevent a robust hacking tradition from becoming a casualty of the Aaron Swartz tragedy? Is MIT doing enough to help students when their investigations lead them into confrontations with powerful authorities or existing law? Do we distinguish adequately the different sorts of ways students get into trouble and respond&#xA;12 See “Hacking Tradition Under Fire?,” The Tech, February 5, 2008, ; “Lawyer: Student in NW16 Basement Was ‘Hacking’,” The Tech, July 9, 2008, ; and “DiFava, Pierce Discuss Hacking at EC,” The Tech, November 4, 2008, .&#xA;￼&#xA;PART V: QUESTIONS FOR THE MIT COMMUNITY | 99&#xA;appropriately? Are we misleading students and community members by advertising one kind of community and enforcing rules more appropriate to a different kind of community? Are faculty, staff, and administrators on similar wavelengths about the responses that are most appropriate? While an extended discussion will not lead to uniform views, it would be good to expand awareness of the range of views in the community.&#xA;More generally, has MIT become overly conservative in its institutional decision-making around these incidents? More than once in our interviews, the Review Panel heard members of the MIT community express a feeling that there has been a change in the institutional climate over recent years, where decisions have become driven more by a concern for minimizing risk than by strong affirmation of MIT values. Several people interpreted the Institute’s response in the Swartz case in that light. And some critics have chided MIT for playing such a passive role when Swartz’s actions were motivated by principles that MIT itself champions. Yet we think it is important to view this tragedy in light of a history that may not conform with a myth of a golden past. For this reason we have referred repeatedly to some prior experiences.&#xA;One distinguished alumnus said to us, “MIT seemed to be operating according to the letter of the law, but not according to the letter of the heart,” even while he expressed his enormous respect for the MIT leaders who had to grapple with these decisions. Is his concern on target? MIT aspires to be passionate about its principles, but we must also behave prudently as an institution. Of all the decisions MIT’s leadership must make, those that require negotiating a balance between prudence and passion are some of the most wrenching. How can we make those choices easier to confront?&#xA;A possible way to move forward would be to charge a committee, composed of students, faculty, staff, and policy-administrators, to organize a series of campus-wide deliberations around issues raised by this report. These issues might include (but should not be limited to): What is the MIT community, and who is in it? What responsibility does MIT have to advise and, at times, oppose laws and government when it sees implications adverse to MIT’s purpose and scope of leadership? What lines must MIT’s students be made aware that they should not cross, or at least be sternly warned that “there be dragons” beyond? Where does MIT draw the line between risk-avoidance, so as to protect its more parochial interests, and risk-assumption, to promote those things in which it is interested?&#xA;CONCLUSION&#xA;As the length of this report demonstrates, the narrative of MIT’s involvement in the events around Aaron Swartz’s arrest and prosecution is extensive and intricate. This Review Panel hopes that we have set out the history of events with sufficient detail, clarity, and objectivity so that readers can consider the range of options that MIT faced, recognize MIT’s actual choices as made in the context of events, and draw their own conclusions. We have also suggested areas where the Institute might learn from these events, including through community discussion and self-examination. Some of the issues that MIT faces transcend the particular events involving Aaron Swartz, and reflect broader concerns that emerged during our investigations. These include:&#xA;• The challenges of preserving open environments and open access in a digitally connected world that is increasingly apprehensive about computer crime and information misuse&#xA;• The dilemmas that arise in responding to members of our community—and our extended community—whose exploits land them in legal trouble&#xA;• The responsibility to help brilliant and innovative students navigate the ethical choices that accompany their technical empowerment&#xA;• The opportunity to reinforce MIT’s institutional leadership in information technology by increasing scholarship and expertise in information law and policy&#xA;The Review Panel encourages MIT’s administration to take the occasion of this report to stimulate discussions across the MIT community about these issues and the others described in Part V.&#xA;In concluding this review, we recognize the desire for a simple take-away, a conclusion that “if MIT had only done this rather than that, things would have turned out OK.” We can’t offer one. There were too many choices, too many might-have-beens, too great an emotional shock, and a public response that has been supercharged by the power of the Internet, the same power that Aaron Swartz epitomized and that he helped to create. Even today, with the benefit of hindsight, we have not found a silver bullet with which MIT could have simply prevented the tragedy.&#xA;If the Review Panel is forced to highlight just one issue for reflection, we would choose to look to the MIT administration’s maintenance of a “neutral” hands-off attitude that regarded the prosecution as a legal dispute to which it was not a party. This attitude was complemented by the MIT community’s apparent lack of attention to the ruinous collision of hacker ethics, open-source ideals, questionable laws, and aggressive&#xA;100&#xA;prosecutions that was playing out in its midst. As a case study, this is a textbook example of the very controversies where the world seeks MIT’s insight and leadership.&#xA;A friend of Aaron Swartz stressed in one of our interviews that MIT will continue to be at the cutting edge in information technology and, in today’s world, challenges like those presented in Aaron Swartz’s case will arise again and again. With that realization, “Neutrality on these cases is an incoherent stance. It’s not the right choice for a tough leader or a moral leader.”&#xA;In closing, our review can suggest this lesson: MIT is respected for world-class work in information technology, for promoting open access to online information, and for dealing wisely with the risks of computer abuse. The world looks to MIT to be at the forefront of these areas. Looking back on the Aaron Swartz case, the world didn’t see leadership. As one person involved in the decisions put it: “MIT didn’t do anything wrong; but we didn’t do ourselves proud.”&#xA;It has not been the Panel’s charge for this review to make judgments, rather only to learn and help others learn. In doing so, let us all recognize that, by responding as we did, MIT missed an opportunity to demonstrate the leadership that we pride ourselves on. Not meeting, accepting, and embracing the responsibility of leadership can bring disappointment. In the world at large, disappointment can easily progress to disillusionment and even outrage, as the Aaron Swartz tragedy has demonstrated with terrible clarity.&#xA;CONCLUSION | 101&#xA;Appendix 1: Appendix 2: Appendix 3: Appendix 4: Appendix 5: Appendix 6: Appendix 7: Appendix 8: Appendix 9: Appendix 10: Appendix 11:&#xA;Appendix 12: Appendix 13:&#xA;Appendix 14: Appendix 15:&#xA;APPENDICES&#xA;LETTER TO THE MIT COMMUNITY FROM PRESIDENT REIF LETTER FROM HAL ABELSON TO THE MIT COMMUNITY REVIEW PANEL MEMBERS&#xA;PROCESSES FOLLOWED IN PREPARING THIS REPORT TIMELINE OF EVENTS&#xA;JSTOR AND THE MIT LIBRARIES&#xA;RECORDS PRODUCED BY MIT TO LAW ENFORCEMENT&#xA;MIT AND OPEN ACCESS PUBLISHING&#xA;SOME PRIOR RELEVANT INCIDENTS AT MIT&#xA;LEGAL ANALYSIS OF MIT’S PROVISION OF DOCUMENTS AND PACKET CAPTURE&#xA;COMMENTS ON THE COMPUTER FRAUD AND ABUSE ACT CHARGES AGAINST AARON SWARTZ&#xA;LETTER FROM JSTOR TO ITS PUBLISHERS&#xA;LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS&#xA;QUESTIONS FROM THE MIT COMMUNITY GLOSSARY&#xA;102&#xA;Appendix 1: LETTER TO THE MIT COMMUNITY FROM PRESIDENT REIF&#xA;January 13, 2013&#xA;To the members of the MIT community:&#xA;Yesterday we received the shocking and terrible news that on Friday in New York, Aaron Swartz, a gifted young man well known and admired by many in the MIT community, took his own life. With this tragedy, his family and his friends suffered an inexpressible loss, and we offer our most profound condolences. Even for those of us who did not know Aaron, the trail of his brief life shines with his brilliant creativity and idealism.&#xA;Although Aaron had no formal affiliation with MIT, I am writing to you now because he was beloved by many members of our community and because MIT played a role in the legal struggles that began for him in 2011.&#xA;I want to express very clearly that I and all of us at MIT are extremely saddened by the death of this promising young man who touched the lives of so many. It pains me to think that MIT played any role in a series of events that have ended in tragedy.&#xA;I will not attempt to summarize here the complex events of the past two years. Now is a time for everyone involved to reflect on their actions, and that includes all of us at MIT. I have asked Professor Hal Abelson to lead a thorough analysis of MIT's involvement from the time that we first perceived unusual activity on our network in fall 2010 up to the present. I have asked that this analysis describe the options MIT had and the decisions MIT made, in order to understand and to learn from the actions MIT took. I will share the report with the MIT community when I receive it.&#xA;I hope we will all reach out to those members of our community we know who may have been affected by Aaron's death. As always, MIT Medical is available to provide expert counseling, but there is no substitute for personal understanding and support.&#xA;With sorrow and deep sympathy, L. Rafael Reif&#xA;103&#xA;￼&#xA;Appendix 2: LETTER FROM HAL ABELSON TO THE MIT COMMUNITY&#xA;January 22, 2013&#xA;To the MIT community,&#xA;President Reif has asked me to lead a review of our involvement in the events that began in fall 2010, when the library system learned that large numbers of articles were being downloaded from JSTOR, up through Aaron Swartz’s shocking suicide on January 11. Among the thousands of news articles and postings over the past week— many strongly critical of MIT—there was at least one comment that saw a glimmer of encouragement that the administration has assigned this task to a faculty member strongly identified with the ideals of free and open access to information on the Net, the same ideals that Aaron championed so passionately. I’m grateful and humbled by President Reif’s expression of confidence, and I’ll try to approach this review with fairness and with respect to Aaron’s memory, to his family, and to our community.&#xA;This matter is urgently serious for MIT. The world respects us not only for our scholarship and our science, but because we are an institution whose actions are and always have been guided by the highest ideals and the most thoughtful judgment. Our commitment to those ideals is now coming into question. At last Saturday’s memorial, Aaron’s partner Taren Stinebrickner-Kauffman described his mental state: “He faced indifference from MIT, an institution that could have protected him with a single public statement and refused to do so, in defiance of all of its own most cherished principles.”&#xA;I don’t know—we don’t know—if that’s accurate or fair. But it demands our response. I hope this review can provide some insight into what MIT did or didn’t do, and why.&#xA;The review will not be a witch-hunt or an attempt to lay blame on individuals. We don’t know what we’ll find as the answers unfold, but I expect to find that every person acted in accordance with MIT policy. More than that: they acted in the belief that their actions were legally and ethically proper.&#xA;In last Sunday’s Boston Globe, distinguished MIT alumnus and former US Senator John E. Sununu writes:&#xA;For its part, MIT is conducting the inevitable soul-searching internal investigation. New administrative policies and campus rules will be written in the soft tones of academic boilerplate. But a new policy handbook will not suffice. This is a crisis of values and judgment, and it requires a change in attitude, starting at the top.&#xA;To this point, MIT’s administration has refrained from speaking about this matter publicly, out of its expressed desire to first have a full record of events via our report. But when the record is clear, we will all need to ask if Sununu’s criticism is on target. Are we becoming a place that, in the words of legal scholar James Boyle, “confuses order with rectitude”? That’s a question not only for MIT’s leadership, but something we will all need to ask of one another—and of ourselves.&#xA;104&#xA;￼&#xA;APPENDIX 2: LETTER FROM HAL ABELSON TO THE MIT COMMUNITY | 105&#xA;This is for later in the spring. For now we will start with a review that gives us a clear record of what happened; that’s the review that President Reif has asked us to conduct. I hope the report can be ready in a few weeks.&#xA;There have been dozens of questions in the press and on the Net over the past week. But the most important questions are the ones that will come from the MIT community, because we are the ones who will be held to account. IS&amp;amp;T has created a web site at http://swartz-review.mit.edu where you can suggest questions and issues to guide this review and you can comment on the questions of others. Please remember that this is about the first phase only—questions about what happened and why. A second phase, where we all deliberate over implications, will follow.&#xA;Hal Abelson&#xA;Class of 1922 Professor of Computer Science and Engineering&#xA;Comment from Review Panel (July 26, 2013): As this letter shows, the Review Panel had expected that producing this report would take only “a few weeks,” when it actually required six months. When we began our review, we severely underestimated the number of witnesses to interview and the number of documents to collect and study, as well as the complexity of assembling a coherent history from the multiple (and sometimes divergent) perspectives of the many people who were involved in these events over a period of more than two years.&#xA;Appendix 3: REVIEW PANEL MEMBERS&#xA;Professor Hal Abelson&#xA;Class of 1922 Professor of Computer Science and Engineering, Department of Electrical Engineering and Computer Science, MIT&#xA;Professor Abelson is Class of 1922 Professor of Electrical Engineering and Computer Science at MIT and a Fellow of the IEEE. He holds an A.B. degree from Princeton University and a Ph.D. degree in mathematics from MIT. He was winner of the 1995 IEEE Computer Society’s Taylor L. Booth Education Award, the 2011 ACM Karl Karlstrom Outstanding Educator Award, and the 2012 ACM Special Interest Group on Computer Science Education Award for Outstanding Contribution to Computer Science Education. Abelson is co-chair of the MIT Council on Educational Technology, which oversees MIT’s strategic educational technology activities and investments. In this capacity, he played key roles in fostering MIT institutional educational technology initiatives such MIT OpenCourseWare and DSpace. He co-authored the 2008 book Blown to Bits, which describes, in non-technical terms, the cultural and political disruptions caused by the information explosion. A leader in the worldwide movement towards openness and democratization of culture and intellectual resources, he is a founding director of Creative Commons, Public Knowledge, and the Free Software Foundation, and a former director of the Center for Democracy and Technology— organizations that are devoted to strengthening the global intellectual commons.&#xA;Professor Peter Diamond&#xA;Institute Professor and Professor of Economics, Emeritus, MIT&#xA;Professor Diamond joined the MIT faculty in 1966, shortly after receiving his Ph.D. from MIT in 1963. He has been President of the American Economic Association, of the Econometric Society, and of the National Academy of Social Insurance. He is a Fellow of the American Academy of Arts and Sciences and a Member of the National Academy of Sciences. He has written on public finance, social insurance, uncertainty and search theories, behavioral economics, and macroeconomics. In the area of social security, he has been a member of a number of panels for the U.S. government since 1974. He has consulted about social security to the World Bank and has written about social security in China, Chile, Germany, Italy, the Netherlands, Spain, and Sweden as well as the U.S. His recent books include Saving Social Security: A Balanced Approach (with Peter R. Orszag), Reforming Pensions: Principles and Policy Choices and Pension Reform: A Short Guide (both with Nicholas Barr), and Behavioral Economics and Its Applications&#xA;106&#xA;(edited with Hannu Vartiainen). In 2010, he was a co-winner of the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel for analysis of markets with search frictions.&#xA;Mr. Andrew Grosso, Esq.&#xA;Andrew Grosso and Associates, Washington, D.C.&#xA;Mr. Grosso is the principal attorney of the law firm of Andrew Grosso &amp;amp; Associates in Washington, D.C. From 1983 to 1994, he served as an Assistant U.S. Attorney in the Middle District of Florida and the District of Massachusetts, and, in addition to his law degree, holds master of science degrees in both physics and computer science. He has served on the Criminal Justice Section Council of the American Bar Association (ABA), has chaired that Section’s Committee on Science, Technology and Forensics, and has twice chaired the ABA’s National Institute on CyberLaw. He has served on the Committee for the International Freedom for Scientists of the American Physical Society, and is the current chair of the Law Committee for the Association for Computing Machinery (ACM) and serves on the U.S. National Policy Committee of the ACM.&#xA;Staff to the Review Panel:&#xA;Mr. Douglas Pfeiffer&#xA;Assistant Provost for Administration, MIT&#xA;Mr. Pfeiffer served in various administrative positions at MIT before joining the Provost’s Office in 2007.&#xA;APPENDIX 3: REVIEW PANEL MEMBERS | 107&#xA;Appendix 4: PROCESSES FOLLOWED IN PREPARING THIS REPORT&#xA;The Review Panel faced several complexities in preparing this report. One is the intense public interest and controversy surrounding the prosecution of Aaron Swartz. Another is that we were charged with reviewing MIT actions that included those of the senior administration and the Office of the General Counsel. Yet another is that some of the documents relevant to the report are covered by attorney-client privilege. This appendix documents the processes we followed in addressing these issues. We also provide information on the documents we examined and the people we interviewed.&#xA;4.A Criterion for Naming Individuals&#xA;The Review Panel realizes that there has been significant controversy surrounding the events described. We appreciate that many of the people involved have legitimate concerns about their privacy and their security, and we know that some have even been personally threatened. Consequently, our report generally does not identify individuals by name. Many of these individuals have already been identified in court filings and other public documents, and we are fully aware that their names are readily discoverable on the Internet. Even so, we see no need to further erode their personal privacy. So as a rule, people in this report are identified by their role or position rather than by name. There are a few exceptions:&#xA;• In cases where including their names makes the narrative more understandable, we’ve named public officials—such as prosecutors, detectives, federal agents, judges, or police officers whose role in the events has already been described in public court filings.&#xA;• For some people actively involved in the events described, such as defense counsels for Aaron Swartz, we have used their names with their permission to do so.&#xA;• We named some people, whose connections are only tangential to the events described in the report, without having sought permission.&#xA;108&#xA;APPENDIX 4: PROCESSES FOLLOWED IN PREPARING THIS REPORT | 109&#xA;4.B Documents Examined&#xA;We examined about 10,000 pages of documents in preparing this review. These include legal productions; electronic messages among individuals at MIT; and correspondence with JSTOR, Aaron Swartz’s attorneys, and the USAO.1&#xA;4.C Process for MIT Privileged Documents&#xA;Some of the documents pertinent to our review were covered by MIT’s attorney-client privilege, such as specific legal advice provided to MIT employees by the OGC, and advice provided to MIT by its outside counsel. Some are protected by the work product privilege, such as where MIT anticipated that it would be involved in litigation concerning the production documents and other matters pertaining to these events. In order to protect MIT’s privileges, and to avoid the chilling effect a full disclosure of these communications might have for future deliberations on other matters, between and among MIT attorneys, employees, and officials, even the Review Panel members were not given unrestricted access to this information. Instead, MIT engaged the outside firm of Wilmer Cutler Pickering Hale and Dorr LLP to manage a disclosure process. The Review Panel provided a list of potentially pertinent documents to attorneys from Wilmer Hale, who worked with the Panel’s attorney Grosso, who was also engaged by MIT to ensure that all necessary information was evaluated for the report and to determine which privileged documents should be disclosed to the rest of the Review Panel.&#xA;4.D People Interviewed&#xA;The authors interviewed approximately 50 people in preparing this report. We’re grateful for their time and their willingness to participate. Interviewees included:&#xA;• Samuel Allen&#xA;• Tim Berners-Lee&#xA;• William Bowen&#xA;• Jeremy Feigelson&#xA;• Andrew Good&#xA;• Eric Grimson&#xA;• Kevin Guthrie&#xA;1 There are other potentially relevant documents that we have not seen. For example, we did not have access to the communications between the USAO and the Secret Service special agents during the course of their investigation.&#xA;￼&#xA;APPENDIX 4: PROCESSES FOLLOWED IN PREPARING THIS REPORT&#xA;| 110&#xA;• Susan Hockfield&#xA;• Richard Holton&#xA;• Andrew Huang&#xA;• Joi Ito&#xA;• Chris Kaiser&#xA;• William Kettlewell&#xA;• Brian LaMacchia&#xA;• Lawrence Lessig&#xA;• Quinn Norton&#xA;• Elliot Peters&#xA;• Rafael Reif&#xA;• Israel Ruiz&#xA;• Harvey Silverglate&#xA;• Star Simpson&#xA;• Taren Stinebrickner-Kauffman&#xA;• Robert Swartz&#xA;• Robert Ullman&#xA;• Martin Weinberg&#xA;• Susan Whitehead&#xA;• Members of the MIT Office of the General Counsel, the MIT Libraries, MIT Information Services and Technology, and the MIT Police who were involved in the events around Aaron Swartz&#xA;• A few MIT alumni, selected by the Alumni Office&#xA;• Student representatives chosen by the MIT Undergraduate Association and the&#xA;Graduate Student Council&#xA;• Unnamed friends of Aaron Swartz&#xA;APPENDIX 4: PROCESSES FOLLOWED IN PREPARING THIS REPORT | 111&#xA;4.E Review Process for Publishing This Report&#xA;As the report neared completion, the authors prepared confidential controlled drafts of the various parts. Controlled draft meant that any further proposals for changes were recorded. All decisions about accepting changes were at the sole discretion of the Review Panel.&#xA;The following people and groups were given access to the controlled drafts, and allowed to propose changes:&#xA;• Factual reviewers: MIT library staff, network staff, members of the OGC and MIT Police officers who were interviewed for the report. They saw only the sections for which they provided information. The purpose of their review was to check for factual correctness only, and proposed changes were allowed only for factual correctness.&#xA;• General reviewers: The entire controlled draft was given to a group of 10 General Reviewers, who were selected by the Review Panel. The purpose of their review was to check that the report was readable and responsive to the President’s charge. They were able to suggest any changes they deemed appropriate, but all decisions about accepting changes were at the sole discretion of the Review Panel.&#xA;After receiving comments from the General Reviewers, the authors prepared the final report and delivered it to MIT’s President, for release to the public. The document given to the President was digitally fingerprinted to ensure that the published report would be identical to what the Review Panel produced.&#xA;Appendix 5: TIMELINE OF EVENTS&#xA;September 24/25, 2010 September 26, 2010 September 27, 2010 October 9, 2010 October 12, 2010 October 12, 2010 December 26, 2010 January 4, 2011&#xA;January 5, 2011&#xA;January 6, 2011 January 14, 2011&#xA;January 27, 2011 February 4, 2011&#xA;February 18, 2011&#xA;Unknown guest obtains access to MIT’s network and begins excessive downloading of JSTOR articles.&#xA;MIT Class C network access to JSTOR blocked due to excessive downloading.&#xA;MIT’s access to JSTOR restored, although source of downloading was not determined.&#xA;All MIT access to JSTOR fully blocked due to excessive downloading.&#xA;MIT’s access to JSTOR restored; still no determination of downloading source.&#xA;MIT Academic Council members informed of the downloading incidents at their regular weekly meeting.&#xA;JSTOR informs MIT that it has detected additional excessive downloading.&#xA;IS&amp;amp;T staff find a laptop wired to a network server located in a network closet in Building 16. Laptop is identified as the source of JSTOR downloading.&#xA;U.S. Attorney’s Office (USAO) opens criminal investigation of the accessing of MIT’s network.&#xA;Aaron Swartz is arrested in Cambridge.&#xA;Three MIT employees (two from IS&amp;amp;T, one from Libraries) are interviewed by an Assistant U.S. Attorney, a special agent of the U.S. Secret Service, and a Cambridge Police detective.&#xA;First grand jury subpoena is served on MIT.&#xA;MIT’s first production of documents in response to the January 27, 2011, subpoena.&#xA;MIT’s second production of documents in response to the January 27, 2011, subpoena.&#xA;112&#xA;February 28, 2011 April 13, 2011 May 6, 2011&#xA;June 3, 2011 June 6, 2011 June 13, 2011&#xA;June 13, 2011&#xA;June 21, 2011&#xA;June 24, 2011 July 6, 2011&#xA;July 14, 2011 July 19, 2011&#xA;July 19, 2011 July 19, 2011&#xA;July 19, 2011&#xA;MIT’s third production of documents in response to the January 27, 2011, subpoena.&#xA;MIT’s final production of records in response to the January 27, 2011, subpoena.&#xA;The lead prosecutor tells MIT’s Office of the General Counsel (OGC) that Aaron Swartz rejected a plea offer, and the case would likely move forward as a felony charge.&#xA;JSTOR settles its potential civil claims with Aaron Swartz. MIT retains outside counsel experienced in criminal law.&#xA;Robert Swartz reaches out to the incoming Director of the MIT Media Lab, where he is a consultant, for assistance in dealing with MIT’s administration and OGC on behalf of his son.&#xA;OGC responds via email to defense attorney William Kettlewell, informing him that MIT is not taking a position on whether Swartz should be prosecuted.&#xA;A conversation with the lead prosecutor leads OGC to infer that MIT’s views on the case will have little impact on the prosecution going forward.&#xA;Second grand jury subpoena is served on MIT.&#xA;MIT’s production of records in response to June 24, 2011, subpoena.&#xA;Federal indictment is returned and sealed.&#xA;Aaron Swartz voluntarily appears at the federal courthouse and is arrested.&#xA;The federal indictment is unsealed.&#xA;JSTOR issues a public statement disclaiming interest in further prosecution.&#xA;Demand Progress publishes article on Internet and solicits statements and signatures in support of Aaron Swartz.&#xA;APPENDIX 5: TIMELINE OF EVENTS | 113&#xA;September 14, 2011&#xA;October 25, 2011&#xA;October 27, 2011 November 6, 2011 March 8, 2012 April 25, 2012&#xA;August 9, 2012&#xA;September 12, 2012&#xA;September 12, 2012 September 18, 2012&#xA;September 28, 2012&#xA;October 5, 2012 October 16, 2012 October 26, 2012&#xA;Robert Swartz meets with MIT’s Chancellor and an attorney from the OGC, and is told MIT’s position is that of “neutrality.”&#xA;Martin Weinberg takes over as Aaron Swartz’s new defense attorney.&#xA;Andrew Good withdraws as defense attorney for Aaron Swartz.&#xA;State indictment issued.&#xA;State charges dismissed.&#xA;William Kettlewell and Martin Weinberg meet with MIT’s outside counsel.&#xA;MIT’s outside counsel speaks with the lead prosecutor, communicating MIT’s positions on various issues concerning the prosecution of Aaron Swartz.&#xA;Robert Swartz again meets with MIT’s Chancellor and an attorney from the OGC.&#xA;Superseding indictment is returned by a federal grand jury.&#xA;Eleven MIT employees (nine from IS&amp;amp;T, one from Libraries, and one from MIT Police) are interviewed by two Assistant U.S. Attorneys, a special agent of the U.S. Secret Service, and a Cambridge Police detective.&#xA;Martin Weinberg and William Kettlewell meet with MIT’s Chancellor, General Counsel, and outside counsel, asking MIT to meet with the USAO in support of Aaron Swartz, and describing the motions they will file to suppress evidence, including that the motions will allege that MIT collected or produced information unlawfully.&#xA;Martin Weinberg files five motions to suppress evidence and one motion to dismiss the indictment.&#xA;Two MIT employees from IS&amp;amp;T are interviewed by two Assistant U.S. Attorneys and a Cambridge Police detective.&#xA;MIT’s outside counsel notifies Martin Weinberg that MIT is willing to attend a meeting with the U.S. Attorney’s Office, and of what MIT is willing to say, and not willing to say.&#xA;APPENDIX 5: TIMELINE OF EVENTS | 114&#xA;October 31, 2012 November 6, 2012&#xA;November 8, 2012&#xA;November 16, 2012 November 30, 2012&#xA;December 11, 2012&#xA;December 14, 2012 January 3, 2013&#xA;January 4, 2013&#xA;January 11, 2013&#xA;Martin Weinberg withdraws as Aaron Swartz’s defense counsel.&#xA;Elliot Peters notifies MIT’s outside counsel that Aaron Swartz’s defense no longer seeks its participation in a meeting with the U.S. Attorney’s Office.&#xA;Elliot Peters and Michael J. Pineault assume representation of Aaron Swartz in federal court.&#xA;Government files opposition to motions to suppress.&#xA;MIT receives a subpoena from Aaron Swartz’s attorneys seeking documents.&#xA;Two MIT employees, one from MIT Libraries and one from IS&amp;amp;T, are interviewed by an attorney and an expert witness for Aaron Swartz.&#xA;A hearing on the previously filed motions to dismiss and suppress is scheduled for January 25, 2013.&#xA;Five MIT employees (three from IS&amp;amp;T, one from MIT Police, and one from Human Resources) are interviewed by two Assistant U.S. Attorneys and a Cambridge Police detective.&#xA;Four MIT employees (three from IS&amp;amp;T and one from Libraries) are interviewed by two Assistant U.S. Attorneys and a Cambridge Police detective.&#xA;Aaron Swartz, age 26, commits suicide in Brooklyn, New York.&#xA;APPENDIX 5: TIMELINE OF EVENTS | 115&#xA;Appendix 6: JSTOR AND THE MIT LIBRARIES&#xA;JSTOR (Journal Storage) is a not-for-profit organization that leases subscription-based access to digitized and digital versions of scholarly journals that span more than 50 disciplines in the arts and sciences. JSTOR’s database currently contains over 1,400 journal titles from 800 publishers, and it has more than 10,000 institutional subscribers around the world. JSTOR’s Scholarly Journal Archive provides nearly the entire run for each journal title, starting with its earliest issue. As an archive, JSTOR does not typically offer access to the most recent three to five years of a journal. JSTOR provides its journals under agreements with the original publishers, and copyright rests with the publishers, not with JSTOR. JSTOR was launched in 1995 with funding from the Andrew W. Mellon Foundation and with MIT as one of five charter institutional subscribers. JSTOR collections first became available in 1997.&#xA;MIT subscribes to nearly all of JSTOR’s major journal collections. These journals are critical resources at MIT and at other research libraries. For MIT scholars, JSTOR is a main way to gain online access to the archival back runs of key scholarly journals such as the American Journal of Mathematics, American Mathematical Monthly, and British Medical Journal, and from key scholarly societies, including Philosophical Transactions of the Royal Society of London, Science, and journals published by the American Economic Association, the American Statistical Association, and the Society for In Vitro Biology. The MIT community uses JSTOR titles heavily. In 2012, about 130,000 articles were downloaded from the archive.&#xA;MIT’s cumulative cost for JSTOR access since 1997 is approximately $620,000. This total includes an initial membership fee of approximately $30,000 , followed by one-time (approximately $90,000) and ongoing leasing fees for each purchase of access to a collection, totaling approximately $60,000 per year. To put these numbers in perspective, purchasing subscriptions to hundreds of journals from a commercial publisher can cost more each year than the cumulative payments made to JSTOR since 1997.&#xA;Access to JSTOR’s content, like most of the content MIT purchases for access through the MIT network, is offered under a license agreement between MIT and the content provider, and access is controlled through IP address recognition.&#xA;The access mechanism was changed in January 2011 in reaction to Aaron Swartz’s downloading activities, as explained above in section I.E.2, JSTOR and eControl. Before January 2011, any computer on the MIT network could access JSTOR by simply going to http://www.jstor.org. Visitors to MIT could establish a guest account on the MIT network and access JSTOR by connecting their computer to the MIT network, as Swartz did.&#xA;116&#xA;From off-campus, members of the MIT community could obtain JSTOR articles by presenting their MIT-issued computer credentials, which let them connect to the MIT network via a VPN (virtual private network) or use the MIT Libraries’ shortcut URLs to gain access through a proxy server.&#xA;Since early January 2011, access to JSTOR, regardless of the user’s location, requires both the same MIT credentials that allowed off-campus access in the past, and an additional authentication check with MIT’s human resources database. People using guest accounts can no longer access JSTOR articles, although visitors can still gain access through certain workstations located in the Libraries.&#xA;JSTOR’s license agreement with MIT requires that MIT “shall use reasonable efforts to protect the Database from any use that is not permitted under this Agreement, and shall notify JSTOR of any such use of which it learns or is notified.” It stipulates that the following activities are not permitted: using “Materials in a manner that would infringe the copyright therein” or “copy, download, or attempt to download an entire issue or issues of a journal from the Database.”&#xA;As noted above, the MIT community downloaded about 130,000 articles in 2012. In 2010 and 2011, the respective download numbers were 5,329,326 and 567,488; the MIT Libraries’ analysis indicates that the elevated numbers result from Aaron Swartz’s download activity. Omitting the months when Swartz was downloading (and substituting average data for those months), the adjusted numbers are 228,919 for 2010 and 126,000 for 2011. It seems plausible that the drop in “actual” downloads between 2010 and 2011– 2012 is due to the more stringent access controls that deny access to anyone not identified in MIT’s human resources database as faculty, staff, or student.&#xA;APPENDIX 6: JSTOR AND THE MIT LIBRARIES | 117&#xA;Appendix 7: RECORDS PRODUCED BY MIT TO LAW ENFORCEMENT&#xA;During the morning of January 4, 2011, before the owner of the laptop had been identified, the U.S. Secret Service special agent asked MIT IS&amp;amp;T for whatever electronic records MIT might have that would be useful to the ongoing investigation. (See section I.B.) IS&amp;amp;T, after consulting with the Office of the General Counsel, turned over some records that same afternoon. These records were in the following categories: network flow data logs; DHCP server logs; RADIUS server logs; portions of the network registration database; and packet stream data. No subpoena had been issued to MIT at this point in time.1 This appendix gives details and technical background on the electronic records provided and the relevant MIT policies. Appendix 10 provides a legal analysis of MIT’s provision of these records.&#xA;7.A Network Flow Data Logs&#xA;Network flow data is collected by IS&amp;amp;T as part of routine network management, and the logs are retained. These logs show which IP addresses communicated with which other IP addresses; when the communication took place; how many bytes were transmitted; how many data packets were transmitted; and the network ports used. The logs do not contain the substance of the communications transmitted between IP addresses.&#xA;MIT IS&amp;amp;T’s policy is to retain network flow data for as long as its storage capacity allows, up to a maximum of 30 days. In the case of the request by the special agent made on January 4, 2011, network flow data going back only to December 14, 2010, was available, and it was this data that was provided by MIT to the Secret Service on January 4, 2011.&#xA;7.B Dynamic Host Configuration Protocol (DHCP) Server Logs&#xA;Every computer is attached or connected to a network through a network interface. The network interface is identified by name or label, which is known as its MAC address (see Part I, footnote 4 for an explanation). MAC addresses are typically denoted by sequences of six two-digit hexadecimal numbers separated by colons. An example is 00:23:5a:73:5f:fb.&#xA;A computer attached to a network also needs an IP address, which the network uses to route data to and from the computer. IP addresses are typically denoted by a sequence of four numbers between 0 and 255, separated by dots, as in 18.25.132.16.&#xA;1 MIT was first presented with a subpoena on January 27, 2011.&#xA;118&#xA;￼&#xA;APPENDIX 7: RECORDS PRODUCED BY MIT TO LAW ENFORCEMENT | 119&#xA;While MAC addresses are determined by the physical hardware of the computer and assigned at the time of manufacture, IP addresses identify the port on the network where the computer is connected, and they are determined by the network to which it is attached. An IP address can be periodically changed by the network, and IP addresses can be reassigned as computers are removed or relocated on a network.2&#xA;Assigning an IP address to a computer can be accomplished in different ways. One is for the computer and the network to agree on a fixed or permanent address. This is called a static IP address. Alternatively, the computer can request the network to assign it a dynamic IP address, that is, an address that is subject to change, using the network’s Dynamic Host Configuration Protocol (DHCP) service. This is a service that finds available IP addresses and assigns them as needed. Unlike a static IP address, the dynamic address can be different each time the computer reconnects to the network (such as when it is turned off and then on)—and can change as a computer moves from location to location. To obtain the dynamic address, the computer contacts the network’s DHCP Server and presents its MAC address together with a human-readable name, called a DHCP client ID. DHCP requests and assignments are recorded in the server’s DHCP log.&#xA;When the special agent asked IS&amp;amp;T for information on January 4, IS&amp;amp;T took selected portions of the DHCP logs going back to the original September incidents, and extracted all entries containing the word “ghost.” Here is a typical entry:&#xA;Sep 25 16:42:42 wall-street dhcpd: DHCPREQUEST for 18.55.6.215 from 00:23:5a:73:5f:fb (ghost-laptop) via 18.55.0.1&#xA;It shows the “ghost-laptop” machine with MAC address 00:23:5a:73:5f:fb connecting on September 25, with the assigned IP address 18.55.6.215.&#xA;There were no records in the extracted DHCP logs for late October 2010 through January 2011, which includes the period of the most downloading activity in December 2010. This is because Swartz had assigned the ghost-laptop machine a static IP address for those downloading episodes. Static addresses are not recorded in the DHCP log.&#xA;IS&amp;amp;T’s policy is to retain DHCP logs for at most 30 days, so a record from September 25, 2010, should not have been available on January 4, 2011. Exceptions for longer retention periods can be made with the approval of the Office of the General Counsel. In this case, the relevant DHCP log excerpts were retained because of the activity being investigated in September and October, but approval from the OGC was not sought at the&#xA;2 MAC addresses and IP addresses can also both be changed by the computer’s user, as Aaron Swartz did. (See section I.A.)&#xA;￼&#xA;APPENDIX 7: RECORDS PRODUCED BY MIT TO LAW ENFORCEMENT | 120&#xA;time. Noting this, the Review Panel recommends that IS&amp;amp;T revisit MIT’s records retention policies and practices to ensure that practice aligns with policy.&#xA;7.C RADIUS Server Logs&#xA;MIT’s Remote Authentication Dial In User Service (RADIUS) controls access to various network services, like wireless (mobile) services or printing. The RADIUS server log records this activity. The RADIUS log has little information beyond the MAC address and IP address of the requesting computer (not even showing what service was requested). Here is a sample entry:&#xA;Thu Jan 6 13:26:52 2011 : Auth: Login OK:  (from client 18.6.187.14 port 7 cli 00-4C-E5-A0-C7-56)&#xA;RADIUS logs were not used by IS&amp;amp;T in its fall 2010 investigation of the downloading episodes. However, the logs in principle could have provided useful information. IS&amp;amp;T therefore supplied RADIUS entries in response to the request of the Secret Service for relevant electronic records. While the request was made on January 4, 2011, the information was provided on January 25, 2011. The logs that were produced covered the day of January 6, 2011.&#xA;MIT does not have a formal policy covering the RADIUS logs. In practice they are treated the same as DHCP logs with 30-day retention, since the information they contain is similar.&#xA;7.D Network Registration Database&#xA;The network registration database contains the computer registration information provided by guests and others. After the first grand jury indictment on July 14, 2011, MIT received a request for the registration information pertaining to Gary Host and Grace Host, and MIT provided six registration records to the lead prosecutor on September 28, 2011. Here for example is one of the six records provided:&#xA;'00235a735ffb',0,'visitor',NULL,NULL,0,0,'Gary Host','ghost@mailinator.com','','',&#xA;NULL,NULL,5,'29-Sep-2010','','24-Sep-2010','22:46:19',0,'30-Sep- 2010','12:57:46',182635&#xA;The record shows the registration system, on September 29, 2010, reprocessing a registration for the Gary Host computer with MAC address 00:23:5a:73:5f:fb that was made on September 24, 2010, with a registration to expire on September 30, 2010.&#xA;MIT has no specific policy governing registration database records.&#xA;APPENDIX 7: RECORDS PRODUCED BY MIT TO LAW ENFORCEMENT | 121&#xA;7.E Packet Stream&#xA;The stream of data packets to and from the suspect computer was captured by the MIT network engineer and recorded on an MIT laptop. This was accomplished within the network, as mentioned in Part 1, without making physical connection to the laptop or to the cable connecting the laptop to the MIT network. The recorded streams consisted only of the data packets directed to, and originating from, that specific suspect machine. There were about 87 GB in all, consisting almost entirely of JSTOR articles in PDF format. The exception was a small amount of control information that would be visible to all machines connected to the same subnet.&#xA;A hard drive with the captured packets was given to the Secret Service special agent on January 25, 2011, in response to a request made by the Agent on January 24, 2011.&#xA;There is no explicit IS&amp;amp;T policy governing packet streams. Capturing them is a very rare occurrence: it had been done fewer than five times in the previous five years. Streams are never captured as part of routine maintenance, but only for investigation.&#xA;Appendix 8: MIT AND OPEN ACCESS PUBLISHING&#xA;MIT has a history of being an early innovator in support of open access to scholarship, research, and educational materials. These efforts are a direct outgrowth of MIT’s mission to “advance knowledge and educate students in science, technology, and other areas of scholarship that will best serve the nation and the world in the 21st century,” and to “working with others to bring this knowledge to bear on the world’s greatest challenges.” MIT’s researchers were instrumental in the origin and development of the free software and open-source software movements, and in recent years, MIT has taken the lead with groundbreaking projects in four major areas related to open access publishing. Many of these efforts are described on the MIT Libraries Scholarly Publishing website (http://libraries.mit.edu/scholarly/), which emphasizes how authors can retain and use their rights so that work produced at MIT can be openly shared.&#xA;The four major areas include open educational resources, open institutional repositories, open access to scholarly publications, and massive open online courses.&#xA;8.A Open Educational Resources: OpenCourseWare&#xA;In 2000, when many universities were exploring how they could profit from selling their course material for distance learning, MIT faculty proposed making MIT’s courses openly available on the web for free viewing and reuse from anywhere in the world, in order to advance knowledge and education worldwide. MIT’s unprecedented launch of OpenCourseWare, or OCW, began with a first proof-of-concept in 2002 with funding by the Hewlett and the Mellon Foundations. Ten years later, 2,150 courses had been published at the (http://ocw.mit.edu/). Following MIT’s launch, OpenCourseWare has been adopted so extensively that in 2008 a nonprofit organization called the OpenCourseWare Consortium was created to coordinate the efforts of over 250 universities and associated organizations, who collectively share more than 13,000 open courses. Course content is made available under an open Creative Commons license, to maximize the possibility for remixing and reuse.&#xA;8.B Open Repository Software: DSpace&#xA;In 2002, MIT Libraries partnered with Hewlett-Packard to release the first public version of DSpace (http://dspace.mit.edu) open-source repository software, which is used for storing, accessing, and preserving scholarly and educational digital content and making it openly accessible. DSpace software has become one of the main platforms for universities to provide open access to their dissertations, research reports, research data, and faculty articles. Approximately 1,400 universities and other organizations have adopted the DSpace software and are offering live repositories using it. MIT’s version of&#xA;122&#xA;DSpace contains approximately 60,000 items authored at MIT, all openly available around the world. MIT consistently ranks at or near the top of repository rankings, which assess impact and openness through a variety of measures.&#xA;8.C Open Access to MIT Scholarly Publications&#xA;In 2009, the MIT faculty voted to make their scholarly articles openly available on the web through MIT’s open access repository DSpace@MIT. In the first such all-institution faculty-wide vote in the U.S., the faculty established an Open Access Policy because they are “committed to disseminating the fruits of  research and scholarship as widely as possible.” The policy followed a model first adopted at Harvard’s Faculty of Arts and Sciences, which has subsequently been taken up at more than 20 other universities in the United States. Through their Open Access Policy, the MIT faculty have made over 8,800 articles—one-third of the research articles they have published since the Policy’s inception—openly available to the world. These articles have been downloaded over 900,000 times and have been met with gratitude from a wide range of readers, including students and researchers in developing nations, journalists, independent scholars, patient advocates, and job seekers.&#xA;8.D Massive Open Online Courses: MITx and edX&#xA;In late 2011, MIT launched MITx, a not-for-profit online learning initiative that offers complete MIT courses in an interactive online learning platform, through open-source software. In the spring of 2012, MIT and Harvard jointly launched a broader initiative as an outgrowth of MITx, called edX, to offer free online courses to students around the world, as well as those on their own campuses. Since that announcement, more than 28 other colleges and universities have joined the edX consortium, and hundreds of institutions around the world have expressed interest in collaborating. About 50 courses are available to the world, with hundreds of thousands of individuals already participating.&#xA;MIT’s and its faculty’s efforts to launch and nurture programs that make MIT’s research and teaching openly available have not emerged by accident. These programs reflect MIT’s core mission and most deeply held values.&#xA;APPENDIX 8: MIT AND OPEN ACCESS PUBLISHING | 123&#xA;Appendix 9: SOME PRIOR RELEVANT INCIDENTS AT MIT&#xA;This appendix describes three prior incidents where the MIT community became embroiled in controversy related to hacking or other use of electronics. Unlike the situation with Aaron Swartz, these incidents involved registered MIT students. They provide relevant background, and they may hold lessons to consider when looking ahead.&#xA;9.A David LaMacchia (1994)&#xA;The first incident reaches back two decades. Like the Aaron Swartz case, it shows how easily events can escalate with Internet-related misdeeds when federal law enforcement becomes involved. It also offers an example of prompt attention by MIT to the issue of authorized access.&#xA;The LaMacchia incident began in November 1993, at a time when MIT Information Systems was cooperating with the FBI to investigate a case of individuals based in Denmark who were accessing MIT workstations to stage penetrations of U.S. government computers. During the course of the investigation, the FBI asked MIT if they knew anything about two particular workstations in the Student Center. MIT did not notice anything suspicious about them, but about a week later, some students reported that these supposedly idle workstations were running with a large amount of disk activity. Information Systems and Technology (IS&amp;amp;T) investigated, and discovered that MIT sophomore David LaMacchia had set up an open File Service Protocol (FSP) server, which was being used as a transfer bulletin board for computer games and other copyrighted software. At that point, IS&amp;amp;T responded to the FBI’s earlier question.&#xA;LaMacchia might have been charged with criminal copyright infringement, but in 1994, copyright infringement was not a criminal act if there was no profit motive involved, and LaMacchia was not engaged in any for-profit activity. The Boston U.S. Attorney’s Office initially wanted to charge him with exceeding authorized access under the Computer Fraud and Abuse Act,1 the same act that Swartz was indicted under. But MIT refused to affirm that LaMacchia had exceeded authorized access: according to MIT policy, MIT students had full access to these workstations (including root access) and were authorized to make any legal nondestructive use of them. The relationship of Aaron Swartz’s actions and a legal interpretation of his access to MIT’s network is more complex.&#xA;LaMacchia was indicted by a federal grand jury in April 1994 for conspiracy to commit wire fraud. He brought a motion to dismiss. The case was decided in U.S. Federal District&#xA;&#xA;1 18 U.S.C. §1030.&#xA;124&#xA;￼&#xA;APPENDIX 9: SOME PRIOR RELEVANT INCIDENTS AT MIT | 125&#xA;Court in December 1994,2 with District Judge Stearns referencing the Supreme Court decision in U.S. v. Dowling to effectively rule that the wire fraud statute could not be used to prosecute copyright infringement, and the case was dismissed.&#xA;Subsequently, the fact that LaMacchia could not be prosecuted for criminal copyright infringement became referred to as the “LaMacchia loophole.” Congress closed this loophole in 1997 with passage of the No Electronic Theft Act,3 which modifies copyright law to include some forms of noncommercial infringement within the scope of criminal infringement4.&#xA;Despite the 20-year gap, some of the same people were involved in the Swartz and LaMacchia incidents. The lead prosecutor in the Aaron Swartz case was Deputy Chief of the Criminal Division of the Boston U.S. Attorney's Office during the LaMacchia case, and he met at one point with LaMacchia’s defense counsel. Also, Andrew Good, Aaron Swartz’s initial defense attorney, was a member of the LaMacchia defense team.&#xA;The LaMacchia case attained national notoriety. It was not on the same scale as the Aaron Swartz case, but it did gain attention from Congress, and it prompted a change in U.S. law.5&#xA;The charges of unauthorized access that the USAO initially contemplated filing against David LaMacchia, and the actual charges of wire fraud filed against him, were similar to the charges filed against Aaron Swartz.6 This observation was not made by MIT during the Swartz prosecution, and not brought to the attention of the USAO.&#xA;The Swartz and LaMacchia cases were separated by 20 years. Insofar as the Review Team has been able to determine, despite the similarities in the two cases, there was no institutional memory inside of MIT spanning these 20 years, and so no mention of David LaMacchia as a precedent in any deliberations around Aaron Swartz by the MIT administration or the Office of the General Counsel, and no discussion of MIT’s attitude towards a charge of unauthorized access.7 Part V of this report poses the question of what&#xA;2 United States v. LaMacchia, 871 F. Supp. 535 (1994)&#xA;3 See “NET Act,” .&#xA;4 The No Electronic Theft Act (the “NET Act”) amended the Copyright Act, making it applicable to the&#xA;conduct in which LaMacchia engaged. It did not amend the Wire Fraud Act. The Review Panel has not examined the reasons as to why the prosecution chose to not pursue a charge against Aaron Swartz under the NET Act.&#xA;5 “Student Accused of Running Network for Pirated Software,” New York Times, April 9, 1994; “Judge Rejects Computer-Crime Indictment,” New York Times, December 1, 1994,&#xA;6 For the initial Aaron Swartz indictment, the wire fraud charge was Count One; for the superseding indictment, it was Counts One and Two.&#xA;7 OGC was established at MIT on January 15, 2007.&#xA;￼&#xA;APPENDIX 9: SOME PRIOR RELEVANT INCIDENTS AT MIT | 126&#xA;MIT might do to better preserve its institutional memory, in the hope of being better prepared for future challenges.&#xA;9.B Andrew Huang (2002)&#xA;The Microsoft Xbox was a video game console introduced in 2001. It was designed to run only particular software licensed by Microsoft, using cryptographic methods to implement this restriction. Microsoft’s licensing revenue for the software subsidized the cost of the machine, thus making it a powerful computer at a low price. In 2002, Andrew “Bunnie” Huang, a graduate student working in computer design at the MIT Artificial Intelligence Laboratory (AI Lab), discovered how to bypass this restriction, and thereby make Xboxes usable as general-purpose computers, with potentially serious consequences for Microsoft’s product plans.8 Huang posted a description of the method in his blog.&#xA;Soon afterward, an engineer with the Microsoft Xbox team contacted Huang and asked him to remove the posting. Huang informed his advisor, who cautioned him that the posting might be a violation of the Digital Millennium Copyright Act,9 and suggested asking MIT lawyers for help.10 Huang asked, and the response he received was a letter stating:&#xA;. . . the article is your personal work, and not part of your studies, research or other activities at MIT. . . . as an MIT lawyer, I am not able to provide you with any legal advice concerning it. . . .&#xA;Huang described the predicament to his advisor and some other faculty members at the MIT Artificial Intelligence Laboratory. One of them arranged for Huang to get pro bono assistance from the Electronic Frontier Foundation (EFF). The EFF attorney advised that, as a precautionary measure, Huang should emphasize the academic aspects of his work by rewriting it as a scholarly paper and sending this to Microsoft for approval (following DMCA guidelines) for publication. Huang wrote the paper, and the faculty who were advising him arranged to publish it as an Artificial Intelligence Laboratory Memorandum.11 At the same time, they informally contacted Microsoft executives,&#xA;8 Huang’s method involved connecting a hardware probe to the Xbox board to read out the secret keys that needed to be presented by the licensed software to the Xbox processor. The fact that he was able to do this demonstrated an important security vulnerability in the Xbox.&#xA;9 The Digital Millennium Copyright Act (DMCA), 18 U.S.C. §1201(a) criminalizes the production or distribution of technology designed to circumvent access control mechanisms.&#xA;10 At this time, MIT did not have a General Counsel’s Office. The lawyer contacted was one of MITs intellectual property counsels—a group that was part of the MIT Technology Licensing Office.&#xA;11 A . Huang, “Keeping Secrets in Hardware: the Microsoft Xbox(TM) Case Study,” MIT Artificial Intelligence Laboratory Memo 2002-008. See also “MIT student hacks into Xbox,” CNET News, June 3, 2002.&#xA;￼&#xA;APPENDIX 9: SOME PRIOR RELEVANT INCIDENTS AT MIT | 127&#xA;alerting them to what was being planned and advocating that Microsoft approve publication as a demonstration of its support for scholarly research. Microsoft agreed, and the memo was published and presented at an academic conference. Huang later expanded his work into a book.12&#xA;In 2013, Huang released a free reprinting of his book in honor of Aaron Swartz. He also wrote in his blog:&#xA;Aaron’s treatment by MIT is not unfamiliar to me . . . . I still remember the crushing disappointment of receiving a letter from MIT legal repudiating any association with my work, effectively leaving me on my own to face Microsoft. However, in my case, the faculty of my then-lab, the AI lab, were outraged by this treatment. They openly defied MIT legal by publishing my work as an official AI Lab Memo, thereby granting me greater negotiating leverage with Microsoft. Microsoft, mindful of the potential backlash from the court of public opinion over suing an openly legitimized academic researcher, came to a civil understanding with me over the issue.13&#xA;This example points to the flexibility available without the presence of outside law enforcement. It also illustrates the point that when it is a student who has a situation like this, it naturally brings in additional members of the MIT community.&#xA;9.C Star Simpson (2007)&#xA;On September 21, 2007, MIT sophomore Star Simpson was arrested at gunpoint at Boston’s Logan Airport. Simpson, who had gone to the airport to meet her boyfriend, entered Terminal C wearing homemade electronic jewelry: a lapel pin consisting of circuit board with flashing LEDs, which she had built in her free time, at the MIT Electronic Research Society club. Airport employees mistook this for a bomb and called airport security and the police. Simpson was accused of disorderly conduct and possession of a hoax device: a charge that could have resulted in up to five years in state prison.14 Simpson was sentenced to pretrial probation and ordered to perform community service. The charges were eventually dropped.&#xA;On the same day as the arrest, before anyone in the MIT administration had spoken with Simpson, the MIT News Office issued a press release saying that “As reported to us by&#xA;12 A. Huang, Hacking the Xbox: An Introduction to Reverse Engineering, No Starch Press (2003). See also J. Zhang, “XBox Security Key Finder To Publish Hacking Book,” The Tech, May 9, 2003.&#xA;13 A. Huang, “A moment of silence for Aaron Swartz,” . 14 “MIT sophomore arrested for innocuous LED device,” The Tech, September 25, 2007; also&#xA;“MIT student arrested at Logan in bomb scare,” Boston Globe, September 21, 2007.&#xA;￼&#xA;APPENDIX 9: SOME PRIOR RELEVANT INCIDENTS AT MIT | 128&#xA;authorities, Ms. Simpson’s actions were reckless and understandably created alarm at the airport.” Many members of the MIT community did not view Simpson’s behavior as reckless. They were upset at what they regarded to be an unwarranted and prejudicial public statement by the Institute to the detriment of one of its members.&#xA;At the October 17, 2007, faculty meeting, several faculty members introduced for discussion a resolution proposing that “the MIT faculty request that the MIT administration refrain from making public statements that characterize . . . the behavior and motives of members of the MIT community whose actions are the subject . . . of pending criminal investigation.” The resolution was taken up at the following December 19 faculty meeting. It was eventually voted down (31-36) after two hours of vehement debate, which included the offering and defeat of several alternative resolutions. In the end, none of the resolutions were adopted, but the intensity of the meeting made a lasting impression on the administration. At the May 2008 faculty meeting, President Susan Hockfield expressed regret over her administration’s handling of the case. She stated that the administration regretted its public statement, that the decision to make the statement was rushed, and that it included a poor choice of words.15&#xA;These October and December faculty meetings, and the proposed resolution, were cited by the administration as part of the reasoning for not making a statement about Aaron Swartz. (See section III.A.3.)&#xA;￼15 Record of the Meeting of the Institute Faculty of Wednesday, May 21, 2008, https://web.mit.edu/dept/libdata/libdepts/d/archives/facmin/071219/071219-minutes.pdf.&#xA;Appendix 10: LEGAL ANALYSIS OF MIT’S PROVISION OF DOCUMENTS AND PACKET CAPTURE&#xA;MIT engaged in its own investigation of the JSTOR downloading events, beginning in September 2010. MIT cooperated with law enforcement once it became involved, starting January 4, 2011. The purpose of this appendix is to provide some legal framework and analysis for the actions of MIT, regarding the capture and disclosure of electronic data.&#xA;On four separate occasions MIT produced electronic data to law enforcement regarding Aaron Swartz’s use of the MIT network: (1) on January 5, 2011, prior to his arrest, it produced records concerning the downloading engaged in by Aaron Swartz, that is, “metadata”; (2) on January 25, 2011, it produced packet data, that is, electronic communications, including the articles downloaded by Aaron Swartz; (3) on May 6, 2011, it produced a CD with copies of the data already produced; and (4) in September 2011, it produced additional metadata. See the Report, I.B; Appendix 7. The third set of data was produced pursuant to grand jury subpoena; and the fourth was produced by MIT under the belief that it was responding to a valid subpoena (a belief that may not have been true). The analysis below indicates that all four sets of data were properly produced by MIT, although for different reasons.&#xA;10.A TheFederalLawsProtectingElectronicCommunications&#xA;The two federal laws governing the interception and disclosure of electronic communications are (1) the Electronic Communications Protections Act (ECPA), 18 U.S.C. § 2510 et seq.; and (2) the Stored Electronic Communications Act (SECA), 18 U.S.C. § 2701 et seq. As their names imply, they address, primarily, electronic communications in transit and electronic communications when they are stored.&#xA;10.A.1 The electronic communications were lawfully disclosed&#xA;ECPA defines an electronic communication very broadly.1 It is:&#xA;ny transfer of signs, signals, writing, images, sounds, data, or intelligence of any nature transmitted in whole or in part by a wire, radio, electromagnetic, photoelectronic or photooptical system that affects interstate or foreign commerce . . . .&#xA;1 18 U.S.C. § 2510(12). This definition includes several exceptions, which are left out of the quoted portion and do not concern this Report.&#xA;129&#xA;￼&#xA;APPENDIX 10: LEGAL ANALYSIS OF MIT’S PROVISION OF DOCUMENTS AND PACKET CAPTURE | 130&#xA;The JSTOR articles downloaded by Aaron Swartz were electronic communications. Arguably, the instructions communicated by his laptop to JSTOR’s servers asking for these articles also fell within the scope of this definition.&#xA;ECPA prohibits both the “interception” of electronic communications and the disclosure of such intercepted communications, except under certain delineated circumstances. The prohibition against interception provides2:&#xA;Except as otherwise specifically provided in this chapter any person who—&#xA;(a) Intentionally intercepts, endeavors to intercept, or procures any other person to intercept or endeavor to intercept, any wire, oral, or electronic communication . . . .&#xA;The prohibition against disclosure reads3:&#xA; intentionally discloses, or endeavors to disclose, to any other person the contents of any wire, oral, or electronic communication, knowing or having reason to know that the information was obtained through the interception of a wire, oral, or electronic communication in violation of this subsection ;&#xA;A careful reading of both of these provisions reveals that their application depends upon the meaning of the words “intercept” and “interceptions.” The term “intercept” is defined by ECPA as the “aural or other acquisition of the contents of any wire, electronic, or oral communication through the use of any electronic, mechanical, or other device.”4 On the surface, this is a very broad definition of “intercept.” However, two provisions appearing elsewhere in ECPA limit the applicable scope of this definition.&#xA;The first of these5 allows the provider of an “electronic communications service” (such as MIT’s network services) “whose facilities are used in the transmission of  electronic communication” to:&#xA;intercept, disclose, or use that communication in the normal course of his employment while engaged in any activity which is a necessary incident to the rendition of his service or to the protection of the rights or property of the provider of that service . . . .&#xA;2 18 U.S.C. § 2511(1)(a).&#xA;3 18 U.S.C. § 2511(1)(c).&#xA;4 18 U.S.C. § 2510(4).&#xA;5 18 U.S.C. § 2511(2)(a)(i).&#xA;￼&#xA;APPENDIX 10: LEGAL ANALYSIS OF MIT’S PROVISION OF DOCUMENTS AND PACKET CAPTURE | 131&#xA;Under this provision, the conduct of MIT’s IS&amp;amp;T personnel during the period between the discovery on January 4, 2011, of the laptop in the network closet in the Dorrance Building and Aaron Swartz’s arrest on January 6 comprised activity that was necessary to the “protection of the rights and property” of MIT’s network. Thus, the monitoring and capture of communications flowing over the MIT network during this period, while in transit between Swartz’s laptop and JSTOR’s servers, was lawful.6&#xA;The second exception concerns the doctrine of one-party consent. ECPA permits a person, whether a law enforcement officer or otherwise, to intercept an electronic communication where one of the parties to the communication “has given prior consent to such interception.”7 Here, the discussions between MIT Libraries and JSTOR in the months leading up to the arrest of Aaron Swartz indicate that MIT had JSTOR’s permission to intercept the articles being downloaded, and the accompanying electronic signals, in an effort to identify the perpetrator and to stop him.8&#xA;Since the interception of these communications was lawful, the prohibition against disclosure of intercepted communications did not apply: that prohibition only applies to the disclosure of communications obtained through an interception that is in violation of ECPA.9 Electronic communications were produced by MIT to law enforcement on two occasions: packet data on January 25, 2011; and a copy of the packet data, on May 6, 2011. For the reasons here discussed, these productions were permissible under ECPA.&#xA;10.A.2 The metadata was lawfully disclosed&#xA;We now turn to SECA, specifically its provisions regarding metadata.&#xA;In substantial part, SECA protects electronic communications that have been stored.10 These provisions are not at issue here, as the electronic communications produced by MIT to the government were not taken from electronic storage but were monitored and captured in real time on the MIT network.&#xA;6 We take note of the fact that at no time did MIT “tap” into the cable connecting Swartz’s laptop computer to MIT’s network. Thus, all of the communications at issue were captured while flowing through the MIT network, and the exceptions to the prohibition found in ECPA as here noted apply.&#xA;7 18 U.S.C. § 2511(2)(d).&#xA;8 As we noted above, JSTOR asked MIT to stop the downloading and instructed MIT as follows: “We are requesting that every effort be made to identify the individuals responsible and to ensure that the content taken in this incident and those previously mentioned is secured and deleted.” See section I.A.&#xA;9 18 U.S.C. § 2511(1)(c).&#xA;&#xA;10 SECA is sometimes interpreted as applying to only communications being stored pending transmittal to the intended recipient and, once that transmission is accomplished, its protections no longer apply—even where a copy of the communication remains in electronic storage. Jennings v. Jennings, 401 S.C. 1 (2011), cert. denied, Jennings v. Broom, __ U.S. __, 2013 U.S. LEXIS 1301 (April 15, 2013).&#xA;￼&#xA;APPENDIX 10: LEGAL ANALYSIS OF MIT’S PROVISION OF DOCUMENTS AND PACKET CAPTURE | 132&#xA;SECA also addresses metadata concerning electronic communications, e.g., records of session times and durations, dates of commencement of communications, and network addresses. Similar to ECPA, SECA contains an exception to the prohibition regarding disclosure of the information that it covers, this being where the disclosure is necessary to protect the rights and property of the communications service provider.11 The metadata produced to the prosecution before the arrest of Aaron Swartz falls into this scenario.&#xA;SECA also provides that records of electronic communications can be produced pursuant to a grand jury subpoena (and certain other administrative or judicial orders).12 The copy of the metadata data reproduced in May 2011 falls under this provision, as MIT turned it over pursuant to the grand jury subpoena served on January 27, 2011.&#xA;However, as noted above, in September 2011, IS&amp;amp;T turned over additional network flow data concerning Aaron Swartz’s downloads. This was done under the (possibly) mistaken belief that the January 27 subpoena was still valid and effective. Assuming for the sake of argument that this belief was wrong and the subpoena was no longer valid (see section 10.C below), MIT was nonetheless legally justified in disclosing these materials to the prosecution: a good faith reliance on the validity of a subpoena demanding records of electronic communications legally protects the service provider from a claim that it acted in violation of SECA.13&#xA;We also note that ECPA (18 U.S.C. § 2511(2)(h)) expressly allows a provider of electronic communication services to:&#xA;ecord the fact that a wire or electronic communication was initiated or completed in order to protect such provider, another provider furnishing service toward the completion of the wire or electronic communication, or a user of that service, from fraudulent, unlawful or abusive use of such service.&#xA;For these reasons, MIT was not prohibited by either SECA or ECPA from disclosing to law enforcement the metadata it collected.&#xA;10.B MassachusettsLawRegardingElectronicCommunications&#xA;The Massachusetts Wiretap Act is worded somewhat differently than ECPA. It too allows a communications provider to intercept communications to protect the rights or property&#xA;11 18 U.S.C. § 2702(c)(3).&#xA;12 18 U.S.C. § 2703(c)(2).&#xA;13 Sams v. Yahoo!, 713 F.3d 1175 (9th Cir. 2013). The Review Panel expresses no opinion as to whether&#xA;the prosecution could introduce such material at trial if the January 27 subpoena was no longer valid at the time that the prosecution asked MIT for this information.&#xA;￼&#xA;APPENDIX 10: LEGAL ANALYSIS OF MIT’S PROVISION OF DOCUMENTS AND PACKET CAPTURE | 133&#xA;of such provider.14 With regard to subsequent disclosure of a communication that has been intercepted—whether lawfully or unlawfully—such disclosure is a violation of the Act,15 unless either: (1) it is “a necessary incident to the rendition of service or to the protection of the rights or property of the carrier of such communication . . .”; or (2) it is pursuant to a judicially issued warrant.16 However, during the joint federal-state investigation of Aaron Swartz’s activities concerning the MIT network, federal law—and not the Massachusetts Wiretap Act—applied to MIT, the Secret Service, and the Cambridge Police Department.&#xA;Where an investigation is primarily federal in nature, regardless of whether there is involvement by state or local law enforcement, the federal ECPA supersedes the Massachusetts Wiretap Act.17 Where the investigation is joint in nature, but is primarily “state-oriented,” then the Massachusetts Wiretap Act applies.18 The critical fact that determines the nature of the investigation is not where the case is ultimately prosecuted (e.g., in the federal or state court), but rather the nature and direction of the investigation at the time the conduct at issue occurs.19&#xA;Given the circumstances of the Aaron Swartz investigation, and the nature of the joint federal-state investigation and subsequent prosecution, federal and not state law applied to the interception and disclosure of Aaron Swartz’s communications across the MIT network.&#xA;10.C Document Production&#xA;During the course of the investigation and prosecution of Aaron Swartz, MIT produced numerous documents, as well as electronic copies of the articles downloaded by Aaron Swartz from JSTOR. We take the opportunity to examine MIT’s decisions regarding such production and law enforcement’s use of its subpoena power.&#xA;Beginning on January 4, 2011, MIT’s IS&amp;amp;T produced information to law enforcement. This was part of IS&amp;amp;T’s own attempt to protect its network, and to assist law enforcement in doing the same. MIT’s OGC was consulted by IS&amp;amp;T about the propriety of producing these materials, and OGC gave its approval. OGC’s focus was on the following issues: (1) there was no personal identifying information in the material to be produced; (2) the perpetrator was misusing MIT’s network, possibly committing a crime and injuring JSTOR, and MIT wished to cooperate with law enforcement.&#xA;14 Mass. Gen Law. ch. 272 § 99(D)(1)(a).&#xA;15 Mass. Gen Law. ch. 272 §99(C)(3)(a).&#xA;16 Mass. Gen Law. ch. 272 § 99(D)(1)(a).&#xA;17 Commonwealth v. Gonzalez, 426 Mass. 313 (1997). 18 Commonwealth v. Jarabek, 384 Mass. 293 (1983). 19 See Gonzalez, above.&#xA;￼&#xA;APPENDIX 10: LEGAL ANALYSIS OF MIT’S PROVISION OF DOCUMENTS AND PACKET CAPTURE | 134&#xA;After the arrest of Aaron Swartz, IS&amp;amp;T continued to produce documents to law enforcement without (initially) further consultation with OGC. Apparently, IS&amp;amp;T considered the initial advice provided by OGC to still govern, despite the fact that the situation had changed: MIT was no longer disclosing communications in an effort to protect its network, but to assist law enforcement in a possible criminal prosecution. Had MIT continued to intercept communications between JSTOR and the laptop of Aaron Swartz for more than an incidental period of time after his arrest, then this exception to ECPA20 would not apply. However, the interceptions essentially stopped at this point as the laptop was removed from its connection in the SIPB office. Thus, all of these interceptions were lawfully obtained and disclosed.&#xA;In late January 2011, the prosecution served a grand jury subpoena on MIT seeking a large number of documents, and MIT produced documents and information pursuant to this subpoena. Thereafter, MIT insisted upon being served with a subpoena before agreeing to produce additional matter that it considered to be outside the scope of the initial subpoena.&#xA;Two grand juries appear to have been involved in the investigation and prosecution of Aaron Swartz: the first of which issued the two subpoenas and returned the initial indictment, and a second, which returned the superseding indictment.21&#xA;In September 2011, the prosecution asked for and received additional information from IS&amp;amp;T. This was produced by MIT under the belief that it was covered by the initial subpoena, served in January 2011. However, it is unlikely that this initial subpoena was still valid, in that the first grand jury had completed its work: it had returned its indictment and no evidence appears that it was continuing its investigation into additional crimes, additional defendants, or an expanded scope of the offenses already charged.22 The prosecution did not notify MIT of this (apparent) fact. Thus, MIT, unknowingly and unintentionally, may have produced documents to the prosecution without benefit of a court order, that is, without benefit of a subpoena. As noted above, MIT’s conduct in this regard was proper.23&#xA;20 18 U.S.C. § 2511(2)(a)(i); see also one-party consent doctrine discussed above.&#xA;&#xA;21 The Review Panel concludes that two grand juries were used from the following facts. First, the names of the foremen who signed the two indictments are different. Second, grand juries (usually) sit for only 18 months, and the time period between the issuance of the first subpoena from the (presumed) first grand jury, in January 2011, and the return of the superseding indictment, in September 2012, is some 20 months.&#xA;22 As noted in Appendix 13, the prosecution may not use a grand jury to conduct additional investigation the purpose of which is to prepare for trial.&#xA;23 Sams v. Yahoo!, 713 F.3d 1175 (9th Cir. 2013).&#xA;￼&#xA;Appendix 11: COMMENTS ON THE COMPUTER FRAUD AND ABUSE ACT CHARGES AGAINST AARON SWARTZ&#xA;The way in which MIT’s rules of access to its network interact with possible charges under the Computer Fraud and Abuse Act (CFAA) is an important lesson for MIT and is discussed in Part V of the Report. Here, we discuss the interaction of MIT’s Rules of Use with the charges brought against Aaron Swartz, an interaction that would have been sorted out in the hearings or the trial, had they occurred.&#xA;The initial indictment against Aaron Swartz contained four counts, each alleging a different violation of law, i.e., a different legal theory. The superseding indictment took these four counts and the events described in them, “unbundled” these counts, and created 13 counts out of the initial four. Also, the theory of criminality in the last count was expanded.&#xA;We briefly examine those counts alleging violations of the CFAA as they involve MIT.&#xA;Count 3 of the initial indictment and counts 8 through 12 of the superseding indictment allege that Aaron Swartz “unlawfully obtained information from a protected computer.” In this instance, the computers at issue are the servers at JSTOR and the network servers and routers at MIT, which are included as protected computers under the Act, inasmuch as they affect interstate commerce since they are connected to the Internet. In the superseding indictment, only counts 9 and 12 directly address MIT’s computers, with counts 8, 10, and 11 addressing JSTOR’s computers.&#xA;The initial indictment alleged that Aaron Swartz used two unlawful means of accessing these protected computers: through “unauthorized access,” and by “exceeding authorized access.” The superseding indictment abandoned the second legal theory. We take the time to examine both theories as they might have been applied to MIT.&#xA;The authorizing of “access” to a computer is made by the owner or administrator of the computer. Here, that would be MIT. The terms and conditions of that access are found in MIT’s terms of service, known at MIT as “MITNet Rules of Use.”&#xA;11.A ExceedingAuthorizedAccess&#xA;The first request made by the government for the MITNet Rules of Use that were in effect during the period of excessive downloading was made by the lead prosecutor, by email, on July 28, 2011. This was almost two weeks after the first indictment had been returned. MIT produced them the same day. On August 4, the lead prosecutor asked MIT,&#xA;135&#xA;APPENDIX 11: COMMENTS ON THE CFAA CHARGES AGAINST AARON SWARTZ | 136&#xA;again by email, whether a link to the rules appeared on a guest user’s registration page.&#xA;MIT again 1.&#xA;2. 3. 4. 5. 6. 7.&#xA;responded the same day. The Rules of Use were:&#xA;Don’t let anyone know your password(s).&#xA;Don’t violate the privacy of other users.&#xA;Don’t interfere with the integrity of the system.&#xA;Don’t copy or misuse copyrighted material (including software). Don’t use the network to harass anyone in any way.&#xA;Don’t restrict or deny access to the network by legitimate users.&#xA;Don’t use the network for private financial gain.&#xA;The only&#xA;However, inasmuch as MIT had held license from JSTOR for authorized users to copy JSTOR’s articles, it appears open to dispute whether Swartz’s conduct exceeded authorized access on the MIT network. (This analysis does not address issues of authorized access to JSTOR’s network.) This was not a question raised or discussed by MIT, or brought to the attention of the USAO.1&#xA;Several other terms may appear applicable, such as:&#xA;No. 3: “Don’t interfere with the integrity of the system”; however, although Aaron Swartz clearly interfered with the integrity of the JSTOR system, he never interfered with the integrity of the MIT system, to which this term seems directed;2&#xA;No. 5: “Do not harass”; however, harassment has an element of intent, and there is little indication that Aaron Swartz had as his purpose the goal to harass anyone; and&#xA;No. 6: “Do not deny the system to other users”; however, although it is true that for two brief periods of time JSTOR cut off the MIT campus from its services in response to the massive downloading, here Aaron Swartz did not himself deny or intend to deny the system to other users.&#xA;1 We again note that the superseding indictment, returned in September 2012, eliminated “exceeding unauthorized access” as the basis for any of its counts. In view of JSTOR’s terms of service, the Review Panel makes no findings as to whether Swartz’s conduct exceeded authorized access on JSTOR’s network.&#xA;2 We note the Doctrine of Lenity, discussed in Appendix 13, which requires the application and interpretation of criminal laws to be narrowly drawn and, where ambiguous, in favor of the defendant.&#xA;Term of Use rule clearly applicable to Swartz’s conduct was the fourth.&#xA;￼&#xA;APPENDIX 11: COMMENTS ON THE CFAA CHARGES AGAINST AARON SWARTZ | 137&#xA;The Review Panel draws no conclusion as to whether Aaron Swartz did or did not exceed authorized access on the MIT network. We also remark that, consistent with its posture of neutrality, MIT made no effort to clarify whether the conduct alleged violated its Rules of Use.&#xA;11.B UnauthorizedAccess&#xA;The superseding indictment abandoned the theory of “exceeding authorized access,” and counts 9 and 12 (applicable to MIT) relied instead on “unauthorized access.” The allegations in the indictment focus on numerous means whereby Aaron Swartz obtained access to the computer through unauthorized means, such as repeatedly taking steps to change his computer’s apparent identities and to conceal his computer’s real identity. Clearly, these are means whereby Aaron Swartz obtained access to the computer in order to engage in unauthorized conduct, that is, to do something that MIT did not want him to do through its network: engage in massive downloading of JSTOR articles.&#xA;The question posed by this charge in the indictment is, however, different: it is whether— given MIT’s guest policy—Aaron Swartz accessed the MIT network without authorization. Put differently, it is whether Aaron Swartz was authorized to access the network, regardless of whether he used improper means to do so. To illustrate this distinction, the Review Panel has asked itself the following question: had Swartz, intending to engage in the conduct for which he was indicted, walked into an MIT library, shown his personal identification to the desk, and asked to log on to the MIT system as a guest—would he then have been given access? If the answer to this question is “yes,” then it seems possible that Aaron Swartz’s access to the MIT network was authorized, notwithstanding his inappropriate means of implementing access, or of then abusing such access (which may themselves have been violations of different criminal or civil prohibitions).&#xA;The Cambridge Detective involved in the prosecution explained to the Review panel that he repeatedly asked, in various ways, whether the laptop was authorized to be in closet; whether the cable from the laptop to the network switch was authorized to be there; whether the manner of downloading the articles was authorized; and, overall, whether the method of accessing and using MIT’s network in this manner was authorized. He was told “no,” and told that MIT had tried to prevent the downloading by disconnecting the computer of the (then) unknown suspect.&#xA;The Review Panel questioned five employees of MIT’s IS&amp;amp;T who were involved in the identification and monitoring of Aaron Swartz’s laptop found in the network closet of Building 16 and who provided information to the prosecution during its preparation of the criminal case. According to them, and also according to OGC and MIT’s outside counsel, at no time, either before or after the arrest of Aaron Swartz, did anyone from the&#xA;APPENDIX 11: COMMENTS ON THE CFAA CHARGES AGAINST AARON SWARTZ | 138&#xA;prosecution inquire as to whether Aaron Swartz had authorized access to the MIT network.3 Given MIT’s open guest policy, it might be argued that Aaron Swartz accessed the MIT network with authorization. 4 Put differently, there is apparently an issue as to whether Aaron Swartz was authorized to access the network, regardless of the considerations that (1) he might have used improper means to implement such access; and (2) once he was on the network, he might have used such access for an improper purpose.&#xA;The relevance of this distinction can be seen in the Department of Justice’s computer crime manual, Prosecuting Computer Crime (2nd ed.)5, published by the Office of Legal Education, Executive Office for United States Attorneys:&#xA;A more difficult question is whether a person with some authorization to access a computer can ever act “without authorization” with respect to that computer. The case law on this issue is muddy, but, as discussed below, there is growing consensus that such “insiders” cannot act “without authorization” unless and until their authorization to access the computer is rescinded.6&#xA;As far as the Review Panel could determine, MIT was never asked by either the prosecution or the defense whether Aaron Swartz’s access to the MIT network was authorized or unauthorized—nor did MIT ask this of itself.7 Given that (1) MIT was the&#xA;&#xA;3 The Cambridge Detective also told the Review Panel that, in the later stages of the prosecution, he asked IS&amp;amp;T personnel whether Aaron Swartz was authorized to access the network and was told that he did not. None of the IS&amp;amp;T personnel questioned by the prosecution recall such a question being asked, and the Review Panel has found no indication that the Secret Service Agent or the federal prosecutors made such an inquiry.&#xA;4 See Wentworth-Douglass Hosp. v. Young &amp;amp; Novis Prof’l Ass’n, No. 10-cv-120-SM, 2012 U.S.Dist. LEXIS 90446 (D.N.H. June 29, 2012) (distinguishing between a violation of a computer use policy and a violation of computer access restrictions).&#xA;5 http://www.justice.gov/criminal/cybercrime/docs/ccmanual.pdf.&#xA;6 There is also complexity and ambiguity in the definition of exceeding authorized access. The manual states:&#xA;The CFAA defines “exceeds authorized access” as “to access a computer with authorization and to use such access to obtain or alter information in the computer that the accesser is not entitled so to obtain or alter.”&#xA;...&#xA;Accordingly, to prove that someone has “exceeded authorized access,” prosecutors should be prepared to present evidence showing (a) how the person’s authority to obtain or alter information on the computer was limited, rather than absolute, and (b) how the person exceeded those limitations in obtaining or altering information.&#xA;7 The Review Panel asked the following question of five IS&amp;amp;T employees who were involved in the events around discovery of the laptop: “Was Aaron Swartz authorized to access the MIT network?” It received the following answers:&#xA;(1) Probably yes.&#xA;(2) After MIT began trying to disconnect the laptop from the MIT network, no.&#xA;￼&#xA;APPENDIX 11: COMMENTS ON THE CFAA CHARGES AGAINST AARON SWARTZ | 139&#xA;alleged victim of counts 9 and 12, (2) the MIT access policy, its Rules of Use, and its own interpretation of those Rules of Use (including the significance or “materiality” of any violation of those terms) were at the heart of the government’s CFAA allegations in counts in both indictments, and (3) this policy and these rules were written, interpreted, and applied by MIT for MIT’s own mission and goals—not those of the Government— the Review Panel wonders why.&#xA;11.C Losses Exceeding Five Thousand Dollars&#xA;The indictments alleged that MIT suffered more than $5,000 in losses due to Aaron Swartz’s conduct. Under the CFAA, the term “loss” is defined8 as:&#xA;ny reasonable cost to any victim, including the cost of responding to an offense, conducting a damage assessment, and restoring the data, program, system, or information to its condition prior to the offense, and any revenue lost, cost incurred, or other consequential damages incurred because of interruption of service.&#xA;The only “loss” as defined above—here being “out of pocket costs” incurred by MIT resulting from Swartz’s conduct—was the cost of copying documents and the cost of the surveillance camera placed in the basement closet of the Dorrance Building on January 4, 2011. These totaled less than $5,000.9 All other expenses were attributable to salaried personnel who would have been paid their full salary whether these events had or had not occurred. Thus, from MIT’s perspective, the Review Panel does not find that MIT suffered losses relevant for CFAA exceeding $5,000 resulting from the conduct of Aaron Swartz.10&#xA;(3) His means of access was not authorized, but he, personally, was authorized as a guest.&#xA;(4) It is unclear.&#xA;(5) There is no black and white or yes or no answer. Since 1987, the MIT policies regarding its network&#xA;have been implemented with the intent to educate and guide, never to litigate. As a guest, he had authorization to access the MIT network, but he was not authorized to get on the system the way he did.&#xA;The Review panel did not request of MIT a formal answer to this question, inasmuch as the purpose of this review was not to assess the government’s allegations in this case, but rather to study how MIT responded to events. Similarly, the Review Panel draws no conclusions as to whether the other counts in the indictment did or did not have merit as they might pertain to MIT, or whether Swartz’s access of the JSTOR system was or was not lawful.&#xA;8 18 U.S.C. § 1030(e)(11).&#xA;9 Alternatively, one might argue that the few days that JSTOR severed MIT from its service was a “loss” suffered by MIT that could be determined by prorating MIT’s yearly payment of service fees to JSTOR. However, to the knowledge of the Review Panel, this calculation was never made or sought.&#xA;&#xA;10 The Review Panel’s finding would be different if MIT had hired outside personnel to conduct the necessary investigation, or had paid its own personnel overtime to do so. See Del Monte Fresh Produce, N.A., Inc. v. Chiquita Brands Int’l Inc., 616 F. Supp. 2d 805, 811 (N.D. Ill. 2009) (“The CFAA states that a company that pays for damage assessment may satisfy the loss requirement.”). We note that in United&#xA;￼&#xA;APPENDIX 11: COMMENTS ON THE CFAA CHARGES AGAINST AARON SWARTZ | 140&#xA;Whether or not this $5,000 jurisdictional amount was met by the actual losses incurred by MIT appears to be relevant to only count 4 of the initial indictment and count 13 of the superseding indictment, pertaining to damages caused by intentional or reckless conduct. The remaining counts brought under the CFAA (counts 2 and 3 and counts 3 through 12, of the initial and superseding indictments respectively) include for their jurisdictional amounts the value sought or obtained by the conduct, and not merely the actual loss caused by the conduct. Thus the number and value of the JSTOR articles downloaded by Aaron Swartz would be included when calculating the jurisdictional amount for these other counts.&#xA;￼States v. Middleton, 231 F.3d 1207 (9th Cir. 2000), the Court found that where a computer had been damaged and its problems needed to be fixed, it was appropriate to use the prorated time spent by employees to fix those problems as the value of the damage. Here, however, no damage was caused to the MIT computer, no problems were fixed, and the Review Panel concludes that Middleton is not applicable.&#xA;Appendix 12: LETTER FROM JSTOR TO ITS PUBLISHERS&#xA;This is the full text of the June 10, 2011, letter from JSTOR to its publishers, as discussed in report section III.A.4.&#xA;Dear Colleagues–&#xA;I am writing to make you aware that JSTOR experienced a significant misuse of its database in which a substantial portion of the content was downloaded in an unauthorized fashion using the network at one of our participating universities. The situation has been remedied and the data are secure, though I wanted to alert you given the scale of the incident and to share additional steps we are taking to prevent these occurrences in the future.&#xA;The content that was taken was systematically downloaded using an approach designed to avoid detection by our monitoring systems. Fortunately, we were able to uncover the activity and worked with the institution to isolate the source on campus and to stop it. An individual believed to be responsible for this activity was later identified. We understand this person was not affiliated with the school.&#xA;Our highest priority has been to secure the content and ensure that it not be distributed. I am pleased to report that the data have been turned over and we have received a signed agreement from the individual identified in which this person confirmed that the downloaded content has not and will not be used, copied, transferred, or disseminated.&#xA;We have also undertaken a review of our monitoring systems to guard against future efforts of this kind. Stroz Friedberg, a firm specializing in this area, has been retained to help us enhance the security of our systems as well as our monitoring techniques. Additionally, we have contracted with Attributor, experts in antipiracy solutions used by many publishers, to monitor the Internet for content that might have been inappropriately downloaded from JSTOR.&#xA;This is a matter that we take very seriously. Over the years, JSTOR has had practices in place to monitor for excessive usage as well as to locate and remove copies of materials online that people may have inadvertently or inappropriately taken from JSTOR and subsequently posted elsewhere. We will continue to develop and improve our systems to be responsible stewards of your content.&#xA;I invite you to call or email me with any questions you may have about this situation. Sincerely,&#xA;Laura Brown&#xA;EVP and JSTOR Managing Director&#xA;141&#xA;Appendix 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS&#xA;The investigation and prosecution of Aaron Swartz was in many ways a straightforward matter, and in other ways very complex. However, both categories of the relevant activity are outside the experience of most laypersons, as well as that of many attorneys who do not practice criminal law or who are not familiar with the laws governing computer crime and electronic communications.&#xA;13.A TheU.S.DepartmentofJusticeandtheUnitedStatesAttorneys&#xA;The United States Department of Justice (DOJ) is the primary law enforcement agency of the United States, although its role inside the federal government is not limited to the handling of criminal matters. A more thorough understanding of the DOJ and its multiple functions may be found on its website: http://www.usdoj.gov.&#xA;The head of the Department of Justice is the Attorney General, who is a cabinet-level official, appointed by the President and confirmed by the U.S. Senate. Under him are a Deputy Attorney General and an Associate Attorney General, and various Assistant Attorneys General (AAGs), all of whom are similarly appointed by the President and confirmed by the Senate.&#xA;The DOJ is divided into numerous divisions including, for example, the Criminal, Civil, Civil Rights, and Environmental Crimes Divisions, each of which is headed by an Assistant Attorney General. The DOJ also includes multiple agencies that have their own administrative structures. Among those agencies are the Federal Bureau of Investigation (FBI), the Marshals Service, and the U.S. Bureau of Prisons.1 To various extents these agencies and their heads report to the Attorney General and those under him.&#xA;Federal prosecutors fall into two categories: (1) Trial Attorneys and their supervisors, these being the Assistant Attorneys General and their deputies; and (2) United States Attorneys and their assistants, called Assistant U.S. Attorneys (AUSAs).&#xA;Trial attorneys are employed as part of the government’s civil service, and are primarily stationed within Washington, D.C. They are assigned to various divisions within the DOJ that have responsibility for prosecuting federal crimes, such as (but not limited to) the Criminal Division. The Criminal Division itself is divided into various sections and units, each of which has a particular area of expertise. One of these is the Computer and Intellectual Property Section.&#xA;1 The Secret Service reports to the Department of Homeland Security.&#xA;142&#xA;￼&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 143&#xA;The United States Attorneys are appointed by the President and confirmed by the Senate.2 Their terms are for four years. Each is assigned responsibility for one of the 94 judicial districts into which the United States is divided, although one United States Attorney has responsibility for two districts, those of Guam and the Northern Mariana Islands. Thus, there are 93 United States Attorneys. The authority of a United States Attorney does not extend outside of his or her district.&#xA;Under the U.S. Attorney for each district are a number of Assistant United States Attorneys, known as AUSAs. They are not civil servants, but are appointed by the Attorney General upon the recommendation of the U.S. Attorney for a district.&#xA;To a significant extent, the U.S. Attorneys and their AUSAs function autonomously from the DOJ. The interaction between the U.S. Attorneys’ Offices and the DOJ is complex. For example, for most matters, Trial Attorneys from DOJ must be invited by the U.S. Attorney in order to prosecute or assist in the prosecution of a crime in his district, otherwise they will not be allowed by the district court to participate in the court proceedings. Also, the use of some criminal statutes to prosecute a defendant, such as the Racketeer Influenced and Corrupt Organizations (RICO) Act, and the use of some prosecution and investigative techniques, such as grants of immunity or wiretaps, by a U.S. Attorney or AUSA must be approved by the appropriate Assistant Attorney General or Division within the DOJ. However, as a general matter, the following can be said: U.S. Attorneys and their AUSAs have primary responsibility for enforcing the federal criminal statutes within their districts, and do so without direct supervision or permission from the Attorney General or the DOJ.&#xA;Because the DOJ has responsibility for the entire United States, it sees similar types of criminal cases on a more regular basis than does a typical U.S. Attorney’s Office. That is one of the reasons why its divisions are themselves divided into sections and units: each of these smaller subdivisions has an expertise in a particular area of the law. In addition to being available to prosecute cases across the country that are within their particular specialties, the attorneys within these subdivisions are available for consultation with AUSAs in the various districts.&#xA;13.B TheInvestigativeAgencies&#xA;Although the DOJ and some U.S. Attorneys’ Offices have their own investigators and auditors who assist prosecutors in preparing and pursuing a case, the investigation of a criminal matter is usually done by a specific agency having independent law enforcement&#xA;2 In addition to a presidential appointment, an interim U.S. Attorney may be appointed by the Attorney General. 28 U.S.C. § 546.&#xA;￼&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 144&#xA;authority. Some of these are administratively within the DOJ, such as the FBI, the Drug Enforcement Administration, and the Marshals Service. Others are outside of the DOJ, and are within other departments of the executive branch of the government. One such example is the U.S. Secret Service, which is administratively part of the United States Department of Homeland Security. Others are the various Offices of the Inspector General (OIG) of various departments and agencies, such as the OIG for the Department of Health and Human Services. Under all of these scenarios, the investigators within these law enforcement agencies do not report to and are not supervised by the prosecutors with whom they work when a case is under investigation or prosecution.&#xA;Federal law enforcement investigators are referred to as “agents,” and most agents are categorized and referred to as “special agents.” Among other powers, special agents are authorized to carry and use firearms.&#xA;13.C The Federal Criminal Investigation: Pre-­‐indictment&#xA;Criminal investigations conducted by the federal government are opened, and may be conducted separately, by a prosecutor and by a law enforcement agency. Typically, a law enforcement agency, such as the Secret Service, will start an investigation and may proceed with it for a significant time before deciding that it wishes to pursue a prosecution. At that point, the agent handling it (or, less often, his supervisor) will meet with a prosecutor, such as an AUSA, and ask that his office also open a criminal investigation. At this stage, such open investigations are referred to as “matters.” How such matters are opened, and who is assigned to a matter once opened, varies from office to office among the U.S. Attorneys’ Offices. Several additional points are worth noting.&#xA;A prospective defendant does not have to be identified at the time that an investigation or criminal matter is opened. Similarly, it is not necessary to establish that, in fact, a crime has occurred in order for a criminal matter to be opened. It is not uncommon for a matter, once opened, to be closed when it becomes apparent, for example, that no crime has occurred; that the perpetrator of a crime cannot be found or is outside the reach of the law; that the proof necessary to obtain a conviction is not available; or that a particular criminal incident is not worth the time and resources needed to successfully prosecute the perpetrator.&#xA;The arrest of a person who is under investigation is normally accomplished after the issuance of a warrant by a federal judge. The application for a warrant is called a “complaint,” which describes the evidence known to the prosecution that justifies issuance of the warrant. A complaint charges a person with having committed a specified crime. The burden that must be carried by the prosecution, when seeking an arrest warrant on a complaint, is that the evidence show “probable cause” that a crime was committed and that the named defendant committed the crime. Exculpatory evidence or&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 145&#xA;possible defenses do not have to be included in the complaint. Alternatively, a law enforcement agent can arrest someone without a warrant if he or she directly observes a suspect commit a serious crime, usually a felony. In the federal system, once such an arrest is made, the suspect is promptly brought before a federal judge, where the agent explains the evidence that provoked the arrest. This is done under oath. The judge then decides whether probable cause existed to justify the arrest, and, if such a ruling is made, the suspect—now the “defendant”—is held in custody pending a determination of any terms for his release on bail.&#xA;For serious crimes, i.e., felonies, a defendant has the right to be charged by way of grand jury indictment before being subject to trial, conviction, and punishment.3&#xA;A grand jury is composed of 23 persons, and conducts its proceedings in secret. The grand jurors are selected from a panel of potential jurors, much as is a trial jury. However, for the grand jury, the selection process occurs in closed session with a judge and a prosecutor, and no defense attorney is present (as there is no defendant or potential defendant at this point). Grand juries usually sit for a period of 18 months, and consider a wide-ranging and continually changing collection of criminal investigations, although it is not uncommon for a grand jury to focus upon just one, complex investigation. In such instances, the court may extend a grand jury’s term beyond 18 months if the grand jury is investigating a complex matter and cannot complete the investigation without the extension.&#xA;Quorum for a grand jury is 16 persons, and it takes 12 persons to approve or return an indictment. The votes occur in secret, with no one present but the grand jurors. The foreman of the grand jury is one of their members whom they have voted to serve in that role. It is this foreman who will sign all of the indictments approved by the grand jury, and who will return and “hand up” the indictments to the judge when approved.&#xA;A grand jury has enormous leeway for conducting investigations. It is free to engage in “fishing expeditions,” and it can compel witnesses to appear to testify and can compel the production of documents. The Assistant U.S. Attorney serves as counsel to the grand jury, giving it legal advice, guiding its investigations, issuing its subpoenas for witnesses and documents, and doing most of the questioning of the witnesses who appear. It is the Assistant U.S. Attorney who drafts the proposed indictments presented for the grand jury’s consideration (although in theory the grand jury can propose and draft its indictments, as well as issue its own subpoenas and call its own witnesses). All of the grand jury’s proceedings are secret, to protect the grand jurors from outside influence and&#xA;3 The Fifth Amendment to the Constitution provides that “No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a Grand Jury, except in cases arising in the land or naval forces, or in the Militia when in actual service in time of War or public danger.”&#xA;￼&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 146&#xA;to prevent potential defendants from learning what the grand jury is investigating and what the prosecutors may have learned about their activities. Although it is rare that a grand jury refuses to approve a proposed indictment presented to it by an AUSA, such refusals do occur, and the resulting declination is known as a “No Bill.”&#xA;Once an indictment has been voted on and approved, it is handed up to a judge (sitting “above,” on a bench) by the foreman in what is a straightforward session, usually with a prosecutor accompanying the foreman. At that time the indictment, with the names of the defendants and the facts alleged that set forth the crimes with which they are charged, becomes a public document. Occasionally, the prosecutor may ask the judge receiving the indictment to seal it, that is, to keep out of the public’s view. This is usually done in one of two situations: where there is concern that the defendants will flee upon learning that they have been charged with criminal offenses before they can be taken into custody; and where the grand jury is continuing its investigation and the prosecutor does not want the returned indictment to “tip off” those still under investigation about what the grand jury is investigating and what it knows.&#xA;The burden that must be met before an indictment may be returned is that 12 grand jurors must find that “probable cause” existed to conclude that the proposed defendant committed the crime or crimes to be charged. Put simply, probable cause means that the facts asserted are probably true, and that a crime was probably committed by the defendant. Once such a finding has been made, a warrant for the arrest of the defendant may issue from the court.&#xA;13.D The Arrest&#xA;As already discussed, an arrest can take place upon a warrant issued upon an indictment or a complaint, or if a law enforcement officer observes the defendant committing the crime charged.&#xA;Once arrested, the defendant must be brought promptly before a judge. This is known as the “initial appearance.” If no warrant had been issued, the judge will hold a hearing to decide whether or not the arrest is justified. Also, bail may be set, and counsel may be appointed (if the defendant is indigent and cannot afford to retain counsel from his own resources). If no indictment is returned within 20 days of an arrest (with or without a warrant), an additional proceeding, known as a “preliminary hearing,” may be held, where the government will be put to its proof—that is, the prosecution will have to introduce evidence before the court, subject to cross examination and rebuttal by the defendant, demonstrating that probable cause exists that the defendant committed the crime charged. If the court concludes that the government has not carried its burden, then the charges must be dismissed and the defendant is released from custody or from the terms and conditions of his bond. However, such a dismissal is usually without prejudice,&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 147&#xA;meaning that the prosecution is able to “try again” after it accumulates more evidence. Generally, prosecutors try to avoid preliminary hearings, which can serve as early discovery opportunities for defendants to learn the strengths and weaknesses in the government’s case, and try to obtain an indictment either before an arrest is made or within the 20-day window before the preliminary hearing must be held.&#xA;At some point, an arraignment will take place. An arraignment is where the defendant is advised by the court of the charges in the indictment and their penalties (sometimes the court requires the defendant’s attorney to do this), and the defendant is asked to enter his plea: guilty or not guilty.4&#xA;At some point, sometimes at the arraignment, and sometimes at a status conference held afterwards, a plan for scheduling and determining the scope of discovery is agreed upon by the parties or ordered by the court. Sometimes the terms of this discovery plan are largely predetermined by the rules of the local court. Discovery in criminal cases is very different than that used in civil cases. The prosecution and the defense each have advantages and disadvantages relative to the opposing party.&#xA;13.E Investigations, Discovery, and the Asymmetric Nature of Criminal Litigation&#xA;Criminal litigation is very adversarial. It is also very asymmetric. The prosecution has the advantages of: the use of the grand jury to investigate the case before indictment; one or more federal agents to continue the investigation pending trial; the use of search warrants; and powers to compel testimony from reluctant witnesses through grants of immunity obtained from a court. On the other hand, the defense can raise the shield of the Fifth Amendment privilege against self-incrimination, to avoid disclosing information known to the defendant, and perhaps only to the defendant; and it can force the government to prove the defendant’s guilt—beyond a reasonable doubt and to the unanimous satisfaction of 12 petit jurors—without having to put on a shred of evidence or cross examine a single government witness. The burden to convict rests solely with the prosecution, and the defense need do nothing if it so wishes.&#xA;The prosecution’s investigation typically begins with a grand jury. As stated above, a grand jury can, if it so wishes, go on a “fishing expedition.” It can issue subpoenas for the production of documents from third parties and the testimony of witnesses.&#xA;A grand jury subpoena can be very broad (although courts will often modify or entirely “quash” such a subpoena if it appears unduly or unnecessarily burdensome to a third&#xA;4 Other types of pleas exist, such as nolo contendere, which means the defendant does not admit guilt but will not contest the government’s case and the court’s sentence. Such additional pleas are rarely entered and almost never at arraignment.&#xA;￼&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 148&#xA;party). The scope and timing of production by the party receiving the subpoena is often the subject of negotiation between the producing party and the grand jury’s counsel, that is, the AUSA. However, the length of time that a subpoena is valid is subject to two constraints. The first is the term limit of the grand jury itself. Once a grand jury expires (say at the end of its normal 18-month term), the validity of the subpoena itself expires whether or not the grand jury’s investigation was completed.&#xA;The second constraint is a bit more complex. The purpose of a grand jury is to investigate the possible commission of a crime and decide whether or not to return an indictment naming the perpetrators of that crime. Once it has done that, its job is done: a prosecutor is not permitted to use the subpoena power of a grand jury in order to continue to investigate a case for the purpose of amassing additional evidence for use at trial. However, a grand jury is allowed to continue to investigate a matter if it is exploring additional charges other than the ones it initially returned, or wishes to consider indicting additional defendants. Also, sometimes a second grand jury may revisit an indictment returned by a previous grand jury, for the same purposes, or to correct a mistake made in the initial indictment. Under these circumstances, the second grand jury may conduct its own investigations and issue its own subpoenas to accomplish these purposes.&#xA;Once the indictment has been returned, the defendant has been arrested and arraigned, and the court’s discovery plan has been entered, true discovery begins. Instead of broad, grand jury subpoenas available only to the prosecution, both sides now have the use of much more limited trial subpoenas available under Rule 17(c) of the Federal Rules of Criminal Procedure. They are colloquially known as “17(c) subpoenas.” These subpoenas may be served on any third parties who have evidence relevant to the issues to be argued at trial, but are subject to the following limitations: (1) they are limited to demanding the production only of documents calculated to produce evidence relevant for trial (rather than to investigate the case); and (2) absent a court order to the contrary, the deadline for compliance with their terms is the date of trial or a specific pretrial hearing. Thus, the defense, which never had the advantage of the broader grand jury subpoenas, is limited in what it can obtain, and as to the timing of when it can obtain it.&#xA;Criminal discovery between the parties, that is, the information that one side must turn over to the other, is governed primarily by Rule 16 of the Rules of Criminal Procedure and by several important Supreme Court rulings. In a very broad-brush summary:&#xA;1. The prosecution must produce to the defense any exculpatory information that it might possess, that is, anything that might show that the defendant did not commit the crimes charged (this is known as Brady material, after the Supreme Court case announcing this rule).&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 149&#xA;2. The prosecution must also produce any information that might be used to impeach government witnesses, that is, information that might cast doubt on the veracity of the government’s witnesses, such as prior crimes of dishonesty, plea deals or immunity agreements with the government, etc. (this is known as Giglio material, after the Supreme Court case that announced this rule).&#xA;3. The prosecution must surrender any statements of the defendant that it might seek to introduce at trial, recorded or otherwise.&#xA;4. The prosecution must identify any expert witnesses that it might introduce.&#xA;Also, at the request of the defense, the prosecution must turn over the exhibits that it intends to introduce at trial; however, if it does this, then the defense is obligated to do the same.&#xA;The defendant has a Fifth Amendment privilege against self-incrimination: he does not have to tell the government anything, and for the same reason the ability of the government to compel him to produce documents and tangible items is limited. Also, he has the right to force the government to prove his guilt without having to disprove anything in the government’s case. For this reason, the rules governing discovery are weighted in the defendant’s favor: he can choose to give the government nothing, but will still be entitled to obtain items as listed above.&#xA;13.F Interviews and Compliance with Subpoenas&#xA;The defense is severely limited in that it cannot compel a third-party witness to talk to it prior to trial, to learn what he or she might say, in contrast to the prosecution, which had the opportunity to seek such a witness’s testimony during a grand jury proceeding.&#xA;Third parties must comply with subpoenas (grand jury or otherwise), and must be truthful during any testimony they give or interviews with government investigators to which they consent—if they mislead the government, they can themselves be subject to prosecution for perjury, the making of false statements, or obstruction of justice. However, absent a subpoena or a court order, a third-party witness is not obligated to tell or give the prosecution or the defense anything, no matter how important might be what he knows or the evidence that he has.5&#xA;5 A  caveat is 18 U.S.C. § 4, which makes it a felony to knowingly fail to disclose actual knowledge of a felony offense; however, the Supreme Court has added the requirement that to violate this statute, one must engage in some additional conduct serving to cover up the offense.&#xA;￼&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 150&#xA;13.G Pretrial Motions and Hearings&#xA;The parties have the opportunity to file motions in order to limit the issues that will be presented at trial. This is usually done by the defense in an effort to narrow the charges brought, and the evidence introduced against the defendant by the prosecution. Two of these motions are the motion to dismiss and the motion to suppress.&#xA;A motion to dismiss is what its name implies: a request by the defense to the court asking that an indictment, a count in the indictment, or a particular legal theory within a particular count be removed from the jury’s consideration. Depending upon when the motion is filed and ruled upon, an advantageous ruling—a dismissal—may be with or without prejudice. That is, the prosecution may or may not be able to seek an amendment to its indictment6 and correct the flaw identified by the defense and adopted by the court. The primary issue will be whether the ruling comes down before or after the trial jury that is to hear the case is sworn.&#xA;The Fifth Amendment of the Constitution prohibits any defendant from being “subject for the same offense to be twice put in jeopardy of life or limb.” The manner in which this prohibition is applied is that, once a trial jury is sworn, the government cannot appeal or seek a superseding indictment if a charge is dismissed by the court. Thus, if a dismissal is ordered by the court before the jury is sworn, the government has the opportunity to “try again.” If it is ordered after the jury is sworn, the defendant is forever acquitted of that charge.&#xA;A motion to dismiss is usually brought on the grounds that, even if the facts alleged in a count are correct, those facts do not set forth a violation of the law that is charged. Thus, it may be argued—as it was in the LaMacchia case discussed in Appendix 9—that even if the defendant, David LaMacchia, did what the government alleged he did, what he did was not a crime.&#xA;Closely allied with this concept is the criminal doctrine of “lenity.” This doctrine applies to the language used in a criminal statute and to the extent to which such language is ambiguous. Put simply, if a statute can be read in two different ways, one exonerating the&#xA;￼6 An “amended” indictment is referred to as a “superseding indictment.”&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 151&#xA;defendant, and the other convicting him, the benefit of the doubt must be given to the defendant and he must be acquitted of the charge. This doctrine arises from the Due Process Clause of the Fifth Amendment, which provides that no person “shall be deprived of life, liberty, or property without due process of law . . . .” A pedestrian definition of “due process” is this: notice and an opportunity to be heard. “Notice” means adequate notice, such that a reasonable person can understand the conduct that the statute proscribes. Thus, if a criminal statute is so ambiguous as to be read in two contradictory ways, one of which exonerated a defendant charged with its violation, then it is the more lenient of the two readings which the courts will apply to the considerations of the defendant’s guilt or innocence.&#xA;A motion to suppress is different in that it does not directly attack a charge brought by the prosecution, but instead attacks the evidence the prosecution intends to introduce in order to prove that the defendant committed the crime as charged. For example, if a police officer entered a person’s home without a warrant and without any judicially acknowledged exception to the requirement for a warrant, and he found and seized contraband such as drugs, counterfeit currency, or bombs, that contraband would, on a motion to suppress, be held to be excluded from introduction, and from the consideration of the jury, at trial. Put simply, evidence illegally found and seized is not admissible against a defendant whose rights have been violated by the illegal search and seizure.&#xA;A motion to suppress, if successful, is a very powerful blow against the prosecution, given the heavy burden it bears of having to prove guilt in a case “beyond a reasonable doubt.” Often, after a motion to suppress is granted, the prosecution will choose to forego pursuing a trial rather than expend its resources in an attempt to obtain a conviction in much weakened circumstances.&#xA;13.H The Status of “Victims” in Federal Prosecutions&#xA;The federal Crime Victims’ Rights Act was enacted in 2004. It provides for a number of procedural rights that must be accorded to victims of a crime that is the subject of a criminal prosecution. These are:&#xA;1. The right to protection from the accused&#xA;2. The right to notification&#xA;3. The right not to be excluded from proceedings&#xA;4. The right to speak at criminal justice proceedings&#xA;5. The right to consult with the prosecuting attorney&#xA;6. The right to restitution&#xA;APPENDIX 13: LEGAL PROCEDURE AND PRACTICE IN CRIMINAL INVESTIGATIONS AND PROSECUTIONS | 152&#xA;7. The right to a proceeding free from unreasonable delay&#xA;8. The right to be treated with fairness, and respect for the victims’ dignity and privacy&#xA;In the federal system of criminal justice, a victim of a crime does not have the right to “press charges,” that is, to authorize the prosecuting officials to pursue criminal charges against a suspected perpetrator; nor does he or she have the right to refuse officials permission to pursue such charges. The power and discretion as to whether or not to prosecute a person who is suspected of committing a crime is vested entirely with Department of Justice, subject only to the limiting powers of the grand jury and the courts.&#xA;Appendix 14: QUESTIONS FROM THE MIT COMMUNITY&#xA;At the outset of this review, the Review Panel set up a website where MIT community members could post questions about the Swartz incident. This appendix lists the questions, together with our answers.&#xA;1. What support, if any, does MIT offer for students undergoing federal investigations or criminal charges? If none, why not?&#xA;Answer: MIT students facing criminal investigation or prosecution have several MIT resources available to them for guidance and support, including Student Support Services and, if needed, MIT Medical. The Office of the General Counsel cannot provide legal advice or representation to students—nor to faculty or other members of the MIT community—on their personal legal issues. Professional responsibilities governing lawyers prohibit the OGC from representing individuals in their personal issues because the OGC represents only MIT. The OGC refers individuals needing personal advice to sources of legal assistance, and when asked, OGC will provide general guidance and assistance to community members as to finding counsel.&#xA;2. It appears that Swartz was not intending to sell any JSTOR content. Does this mean the main charge was trespassing?&#xA;Answer: The initial indictment by a federal grand jury on July 14, 2011, charged Aaron Swartz on four felony counts: one count of wire fraud and three counts of violating the Computer Fraud and Abuse Act (CFAA). A superseding indictment was returned by a second grand jury on September 12, 2012, and charged Aaron Swartz with 13 felony counts, these being two counts of wire fraud and 11 counts of violating the CFAA. The CFAA can be violated regardless of whether the accused individual makes any commercial use of content obtained. For a full description of the charges please see the Report, section II.B.1 The state prosecution, and section II.B.2 The federal prosecution.&#xA;3. Is the MIT Office of Legal  Counsel comfortable supporting MIT hacker culture, even (or especially) in legal gray areas?&#xA;Answer: This is an issue for serious discussion by the MIT community as a whole, not only the Office of the General Counsel. Please see the Report, Part V, Questions for the MIT Community, Question 7.&#xA;153&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 154&#xA;4. Why did MIT continue to support the charges against Aaron after JSTOR dropped their case?&#xA;Answer: MIT took no position on the criminal charges against Aaron Swartz, either before or after the JSTOR settlement. The report section III.A.4 MIT discusses possible public statements with JSTOR addresses in detail the history of MIT’s interaction with JSTOR about possible statements, in anticipation of the indictment in July 2011. After the indictment, MIT did not issue any statements. It did not support the charges, nor did it advocate that they be dropped. Report section IV.B Neutrality: Issuing Statements; Providing Information to Prosecution and Defense discusses some of the options MIT had here.&#xA;5. Why is it that you  get to review yourself?&#xA;Answer: MIT typically assigns the responsibility of internal reviews to members of its community who were not directly involved with the events under review and who MIT believes will make a thorough and impartial review. The Review Panel for the Aaron Swartz matter also included one individual who has no MIT affiliation.&#xA;6. Doesn't MIT have the right to monitor (including w/ video) its own property, and hand that evidence over to the police if it feels there is a trespasser?&#xA;Answer: MIT has the right to use video to monitor its own property. Regarding the handing over of evidence, please see the Report, section I.B Discovery of the Laptop; section IV.A.3 Providing information to law enforcement pre-subpoena; and Appendix 10 Legal Analysis of MIT’s Provision of Documents and Packet Capture.&#xA;7. What options did MIT have in terms of issuing a public statement in support of Swartz? At what points would it have been legally possible to issue a statement? Possible under MIT policy? Was this option considered at these junctures?&#xA;Answer: Making a public statement was indeed an option considered by MIT at various stages of the events related to Aaron’s prosecution. It would have been legally possible to do so at any time, and no formal MIT policy would have prevented it. Please see the Report, Part III MIT’s Response to the Prosecution; and section IV.B Neutrality: Issuing Statements; Providing Information to Prosecution and Defense.&#xA;8. Is there any record of Aaron attempting more straightforward/cooperative ways of downloading articles?&#xA;Answer: The report notes two of Aaron Swartz’s previous experiences with downloading large numbers of articles, both of which appear to have been done in a straightforward&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 155&#xA;manner. (See the Report, section II.A.2 Possible motives for downloading.) We have no evidence that he attempted to download the JSTOR files at MIT in a more straightforward or cooperative way, nor of his seeking permission from JSTOR for research on its database through his Harvard appointment, which provided access to JSTOR through Harvard’s network.&#xA;9. Does MIT believe that copying the wrong bits warrants prison time?&#xA;Answer: MIT as an institution has been a leader in promoting open access and strongly supports fair use for academic and research purposes. While there are a lot of different opinions about copyright law within the MIT community, the general stance of MIT towards open access is something to be explored. Please see the Report, Part V Questions for the MIT Community, Question 6.&#xA;10. What is the record of prosecutor Carmen Ortiz arranging any plea bargain, either favorable or draconian, weeks before a trial?&#xA;Answer: The Review Panel’s charge was to review the actions of MIT’s offices and individuals, not those of the U.S. Attorney, so we did not explore the record of U.S. Attorney Ortiz or the Boston Office, beyond the Aaron Swartz case.&#xA;11. What MIT officials are in charge of protecting privacy of electronic records (logs)?&#xA;Answer: The Office of the General Counsel with Information Services and Technology together determine the Institute’s policy on the privacy of electronic records. The Report suggests that these policies be reviewed. See Part V Questions for the MIT Community, Question 2.&#xA;12. Were MIT's data retention and collection policies appropriate here? You cannot disseminate what you do not have.&#xA;Answer: Please see the Report, Appendix 7 Records Produced by MIT to Law Enforcement; and Part V Questions for the MIT Community, Question 2, which suggests a review of MIT’s electronic record collection and retention policies.&#xA;13. What are MIT's policies on investigating and prosecuting abuse of network resources? Were those policies followed in this case? Are those policies appropriate to our institutional culture?&#xA;Answer: MIT’s first response to abuse of network resources is to contact the Stopit Group. Please see the Report, section I.A Downloading of JSTOR Articles for a description of MIT’s response to the Swartz downloading; and the questions for the MIT&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 156&#xA;community raised in Part V of the Report, which address some of the issues related to network resources and the MIT culture.&#xA;14. Were MIT's actions in this case consistent with MIT policy and with actions taken in prior situations when an individual was caught “misusing” the MIT network and network resources? If not, then why?&#xA;Answer: MIT’s actions in the Swartz matter appear consistent with actions taken by the Institute in prior situations, although the initial response was to a situation that was unique in the magnitude of the downloading and the fact that the owner of the laptop was unknown. Please see the Report, section I.A Downloading of JSTOR Articles. For MIT’s actions after that, and the considerations of whether they were consistent (or should be), see Part V Questions for the MIT Community, Questions 1 and 5; and Appendix 9 Some Prior Relevant Incidents at MIT.&#xA;15. Given MIT's tradition of student “hacks,” MIT officials should ask: How would we have responded if Aaron Swartz had been an MIT student and had performed his actions by hacking into Harvard's network? And how would we have wanted Harvard to respond?&#xA;Answer: These are important questions for the MIT community to address. For a discussion of these issues, please see the Report, Part V Questions for the MIT Community, Question 7.&#xA;16. So why was he arrested, after all?&#xA;Answer: The initial state charge at the time of Aaron Swartz’s arrest was breaking and entering. For the federal indictment, he was accused of violating the Computer Fraud and Abuse Act and committing wire fraud. For a full description of the charges, please see the Report, section II.B.1 The state prosecution; and section II.B.2 The federal prosecution.&#xA;17. What view did MIT take of the &amp;quot;superseding indictment&amp;quot; (additional charges) against Swartz and did it play a role in influencing (or trying to influence) the indictment one way or another? Who from MIT testified at the grand jury and what did they say?&#xA;Answer: MIT had no advance knowledge of the superseding indictment and played no role in influencing the indictment either before or after it was issued. No one from MIT testified at the grand jury for the second indictment.&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 157&#xA;18. Who told MIT Police to say Swartz had “no known address”?&#xA;Answer: The report in part describes the actions of the MIT Police in the course of the downloading investigation and the arrest of Aaron Swartz. Aaron Swartz refused to speak to the police at the time of his arrest. The Incident Report completed by the MIT Police after the arrest indicts that his residence was “IL,” that is, Illinois. The Review Panel speculates that the arresting officers saw Mr. Swartz’s driver’s license or other identification card from his hometown, in Illinois, and, not knowing his Massachusetts address, simply listed “IL” for Mr. Swartz’s residence.&#xA;19. What can MIT do to hasten reform of the academic publishing industry?&#xA;Answer: MIT has an ongoing interest in promoting open access of scholarly publications. For details of this activity and ideas for doing more, please see the Report, Part V Questions for the MIT Community, Question 6; and Appendix 8 MIT and Open Access Publishing.&#xA;20. At one point did the secret service become involved in this investigation?&#xA;Answer: The Secret Service became involved when MIT asked the Cambridge Police for assistance when the laptop was found on campus in a restricted network closet, automatically downloading JSTOR articles. A special agent of the U.S. Secret Service accompanied the Cambridge Police detective who came to the MIT campus in response to the call for assistance. Please see the Report, section I.B Discovery of the Laptop.&#xA;21. To what extent did the larger context influence MIT's actions in this matter, particularly MIT's evident willingness to throw students to the dogs, even before all of the facts are in?&#xA;Answer: A small number of past incidents involving MIT students who became involved in legal disputes are discussed in the Report, Appendix 9 Some Prior Relevant Incidents at MIT. Also, section III.A.3 MIT adopts and maintains a posture of neutrality describes the extent to which the experience with one of these prior incidents may have influenced MIT’s actions on the Aaron Swartz matter. See also Part V Questions for the MIT Community, especially Questions 1, 7, and 8.&#xA;22. Harvard’s general counsel (Bob Iuliano) told a  Law School professor not to advise Swartz. What did he tell MIT to do?&#xA;Answer: The Review Panel has no knowledge of Harvard’s General Counsel providing any advice to MIT (or to Harvard professors).&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 158&#xA;23. Reaching out to the family?&#xA;Answer: The Review Panel communicated with Aaron Swartz’s father several times, and met with him twice. The Panel also spoke and met with Taren Stinebrickner-Kauffman, Aaron Swartz’s partner. The MIT Media Lab hosted a memorial for Aaron Swartz, and the Review Panel arranged a brief impromptu meeting for Robert Swartz with MIT’s President. We are unaware of any other attempts by the administration to reach out to the family.&#xA;24. Did MIT contact the Justice Dept. on the JSTOR case or did the Justice Dept. contact MIT? Was MIT aware then or at any time that Swartz was being  investigated by the US gov't. on matters other than the JSTOR business?&#xA;Answer: The U.S. Attorney’s Office chose to become involved in response to reports from a Secret Service agent accompanying the Cambridge Police detective who came to the MIT campus in response to the call to the Cambridge Police for assistance when the unidentified laptop was found in a network closet. Please see the Report, section I.B Discovery of the Laptop. MIT had no awareness of any of Aaron Swartz’s past activities (including his having been investigated by the FBI) until a few days after the arrest. And the only matter the Review Panel is aware of that involved a government investigation of Aaron Swartz occurred in 2008, when Mr. Swartz downloaded about 20 million pages of documents from the government-run PACER (Public Access to Court Electronic Records) system. For details of this incident, please see the Report, section II.A.2 Possible motives for downloading.&#xA;25. What, if anything, did MIT learn from its involvement in the federal prosecution of its student David LaMacchia back in 1994?&#xA;Answer: As far as the Review Panel could determine, the MIT personnel and officers who handled the Swartz matter did not relate this to the LaMacchia case. Please see the Report, Part V Questions for the MIT Community, Question 1; and Appendix 9 Some Prior Relevant Incidents at MIT.&#xA;26. Is this the best an MIT 6.3  Professor can do to create and facilitate a discussion about MIT policy and its relationship to the Justice system? Or is this a way to make it as difficult as possible to post and discuss these issues?&#xA;Answer: This website was designed for posting questions, not for hosting discussions. Discussions of the issues in this Review are important, and we recommend that the MIT administration create an appropriate forum for that.&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 159&#xA;27. Is MIT's reaction in the Swartz case symptomatic of a longer-­‐term cultural drift?&#xA;Answer: The report raises this issue for discussion in Part V Questions for the MIT Community, especially Question 8.&#xA;28. Which powerful parties have an interest in this report being written a certain way, perhaps to cover up wrongdoing or protect MIT's reputation? How were they allowed to directly or indirectly influence the report?&#xA;Answer: The Review Panel has tried to write a thorough report, based on an accurate representation of the facts as we determined them, and free of bias and of influence from any individuals or groups regardless of whether they were connected to the events being investigated. See Appendix 4 on the processes that the Review Panel followed.&#xA;29. Who within MIT was not forthcoming in providing information that could have been helpful to this report?&#xA;Answer: The Review Panel believes that it received complete and accurate information from all parties, both within and outside MIT, who were asked to provide information that contributed to the content of the report.&#xA;30. In general, how long does MIT keep logs? Does it need to keep them for that long? Are there processes in place such that formulated log policies will always be as minimal as possible?&#xA;Answer: Because there are many different types of computer and network logs, it is difficult to provide a general answer regarding MIT’s retention policies and practices in this area. For a discussion of these issues, please see the Report, Part V Questions for the MIT Community, Question 2; and Appendix 7 Records Produced by MIT to Law Enforcement.&#xA;31. What role did JSTOR play in the prosecution? What interaction occurred between JSTOR and MIT, and is there any historical precedent for such interaction?&#xA;Answer: JSTOR settled potential civil claims that it could have brought against Aaron Swartz. His defense counsel used this settlement agreement in an effort to convince the U.S. Attorney’s Office to forgo a prosecution or drop the demand for jail time. For a description of this, please see the Report, section II.C Aaron Swartz’s Settlement with JSTOR. For a description of interactions between JSTOR and MIT prior to Aaron Swartz’s arrest, please see the Report, Part I Events Leading to the Arrest; for interactions after the arrest, please see section III.A.4 MIT discusses possible public statements with JSTOR. The Review Panel is not aware of any historical precedent for these interactions.&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 160&#xA;32. Should MIT policies favor freedom of Information vs. the right of authors to a fair compensation?&#xA;Answer: MIT has an active interest in open access to scholarly publications. For a discussion of MIT’s activities in this area, please see the Report, Part V Questions for the MIT Community, Question 6.&#xA;33. Were MIT faculty/staff even informed of the Swartz break-­‐in incidents?&#xA;Answer: Staff in the MIT Libraries and in Information Services and Technology knew of the downloading of JSTOR articles when it was discovered in September 2010. MIT’s Director of Libraries briefed the Academic Council on these incidents shortly afterwards.&#xA;34. What were the reasons to hand over network usage data without a subpoena?&#xA;Answer: MIT provided logs and captured packets to the federal law enforcement officers when they requested it. MIT judged that in this situation it was appropriate to provide that information without a subpoena. Please see the Report, section I.B Discovery of the Laptop; and Appendix 7 Records Produced by MIT to Law Enforcement.&#xA;35. What influence, if any, did MIT exercise or could it have exercised in the plea negotiations? Did MIT really scuttle a plea bargain with no prison time?&#xA;Answer: MIT played no role in any plea negotiations related to the Aaron Swartz case. For a description of these negotiations, please see the Report, section II.B.2 The federal prosecution. For a description of MIT’s position regarding the government’s prosecution, please see Part III MIT’s Response to the Prosecution. It is unclear whether MIT could have exercised influence on the plea bargain. Please see in particular section III.A.2 MIT is informed about the prosecution; and section III.C.3 MIT’s outside counsel speaks with the lead prosecutor.&#xA;36. Did anyone at MIT involved with any matter involving Aaron Swartz, violate an MIT policy in ignorance?&#xA;Answer: The Review Panel did identify areas of policy that might be reviewed and clarified going forward. For example, MIT’s provision of records as described in the report reveals some gaps in its policies and practices around electronic records. Records were given to the Secret Service and the USAO with the approval of OGC, but there seems to have been lack of clarity between OGC and IS&amp;amp;T over exactly what had been approved, and how long that approval lasted. Some records were turned over prior to subpoenas being issued. Some records were retained longer than MIT’s retention policy called for, and for some of kinds of records there seems to be no explicit retention policy&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 161&#xA;at all. For a discussion of these issues, please see the Report, Part IV Decision Points for MIT and Part V Questions for the MIT Community.&#xA;37. Did anyone at MIT put an obligation or consideration outside MIT policies, ahead of MIT policies?&#xA;Answer: The Review Panel did not find instances where anyone at MIT acted outside the boundaries of specific policies but it did identify areas of policy that might be reviewed and clarified going forward. Please see the Report, Part IV Decision Points for MIT and Part V Questions for the MIT Community.&#xA;38. Did anyone at MIT have to choose between conflicting MIT policies in dealing with Aaron Swartz's actions and their aftermath? What were those policies? How can these conflicts be resolved?&#xA;Answer: The report provides discussion on MIT policies related to the Aaron Swartz matter that might benefit from review and clarification going forward. Please see the Report, Part IV Decision Points for MIT and Part V Questions for the MIT Community.&#xA;39. At what point, and why, was the US Secret Service called in to investigate?&#xA;Answer: The Secret Service became involved when MIT asked the Cambridge Police for assistance when the laptop was found on campus in a restricted network closet, automatically downloading JSTOR articles. A Secret Service agent accompanied the Cambridge Police detective who came to the MIT campus in response to the call for assistance. Please see the Report, section I.B Discovery of the Laptop.&#xA;40. Why did MIT personnel hand over data about Aaron (including DHCP logs and other intercepted network information) to the Secret Service, without a warrant, court order, or subpoena?&#xA;Answer: MIT believed it was appropriate to provide information without a subpoena to law enforcement officers about the network usage of the unidentified laptop that was found in a network closet. It did so in view of the fact that law enforcement was conducting an investigation into what was potentially ongoing criminal activity of unknown scope.&#xA;For a description of these events, please see the Report, section I.B Discovery of the Laptop; and Appendix 7 Records Produced by MIT to Law Enforcement. For a discussion of the issues related to providing such information, please see section IV.A.3 Providing information to law enforcement pre-subpoena; Part V Questions for the MIT Community, Questions 1 and 2; and Appendix 10 Legal Analysis of MIT’s Provision of Documents and Packet Capture.&#xA;￼￼&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 162&#xA;41. Why did MIT hand over evidence to the government? Why didn't MIT just shut down the computer and instead set up a video camera? Were these actions illegal, under wiretapping laws?&#xA;Answer: MIT provided information to law enforcement officers both before and after being issued subpoenas for information. MIT also set up a video camera to help identify the operator of the laptop. MIT judged these actions to be legal, and the Review Panel concurs. For a description of these events, please see the Report, section I.B Discovery of the Laptop. For a discussion of the legal issues related to providing such information, please see section IV.A.3 Providing information to law enforcement pre-subpoena; Part V Questions for the MIT Community, Questions 1 and 2; and Appendix 10 Legal Analysis of MIT’s Provision of Documents and Packet Capture.&#xA;42. It would have been clear to anyone following the case that the government was treating Swartz unfairly. Why didn't MIT issue a public statement saying that they did not support the government charges against Swartz?&#xA;Answer: MIT decided against issuing a public statement of any kind with regard to the government’s charges against Aaron Swartz. For a detailed discussion of MIT’s position in this matter, please see the Report, Part III MIT’s Response to the Prosecution; and Part V Questions for the MIT Community, Question 8.&#xA;43. Swartz's family has alleged in the press that MIT promised not to release more data to law enforcement than it had to, and not to do so without a warrant. Yet it seems to have done so. How can this be?&#xA;Answer: We are not aware of this claimed allegation from Aaron Swartz’s family, but in any case MIT made no such promise. MIT did tell the family that it had not turned over any information without a court order. This claim was mistaken. In any case, MIT provided information to law enforcement officers both before and after being issued subpoenas for information. See the Report, section I.B Discovery of the Laptop; and section IV.A.3 Providing information to law enforcement pre-subpoena.&#xA;44. Assuming that everyone did their jobs correctly, what were the point(s) at which MIT staff could have known or SHOULD HAVE KNOWN that Swartz would be faced with federal charges with penalties of decades in jail? Who had the option to stop this?&#xA;Answer: The federal investigation was opened on January 5, 2011, before the arrest, and MIT learned of the investigation at the time of the arrest. In March 2011, the lead prosecutor informed MIT that the prosecution was going forward. (See report section III.A.2 MIT is informed about the prosecution.) MIT first learned of the actual federal&#xA;APPENDIX 14: QUESTIONS FROM THE MIT COMMUNITY | 163&#xA;charges against Aaron Swartz, and the possible penalty, only when this information was first made public in the indictment in July 2011. MIT judged that it did not have the option to stop the prosecution. For perspective on this judgment, see report section III.C.3 MIT’s outside counsel speaks with the lead prosecutor. For a discussion of MIT’s position in this matter, see the Report, Part III MIT’s Response to the Prosecution.&#xA;45. Why isn't students' work free/open by default?&#xA;Answer: According to MIT Policies and Procedures, students generally own their own work. So it’s up to students whether to make their work free/open. The exception is that MIT owns the work if it was developed under sponsored research funds or if it makes significant use of MIT resources. For more information, see MIT Policies and Procedures1 section 13.1, and the MIT Technology Office’s Guide to the Ownership, Distribution and Commercial Development of MIT Technology.2&#xA;46. I'm an alum. I'm withholding contributions until this is adequately addressed. Anyone with me?&#xA;Answer: As the Review Panel, we’ve presented the facts as well as we could, and we’ve raised issues to help MIT learn from this experience. The next steps are up to the entire MIT community—alumni included.&#xA;￼1&#xA;2&#xA;Appendix 15: GLOSSARY&#xA;The following is a list of words used in the report that the lay reader to a particular discipline (e.g., computer science, law, etc.) may wish to refer to in order to more completely understand the language of the report1:&#xA;Accelerator Company: A business entity that, in return for a partial ownership interest in a new company, provides investment and other assistance to the startup company’s founders to assist rapid growth.&#xA;Access Controls: Restrictions placed on the access to a place or resource. As used in this report, they are computer software or hardware that limits access to a network, computer, or computer resource to a particular user, or to a particular form, or in some other manner.&#xA;Address or Addresses: An “address” is a number assigned, or a numerical label given, to a device connected to a computer network. Such devices include computer workstations, laptops, printers, scanners, etc. An address is used both to identify the particular interface on the device (MAC “Media Access Control” address), and to specify where on the network the device is connected (IP “Internet Protocol” address).&#xA;Aggregator: A computer program, a computer application, or an entity that collects and organizes a specific type of information from multiple sources, and provides the results to third parties, often for a fee.&#xA;Aided and Abetted: A legal term that means a person either assisted in or facilitated a criminal act, or was himself assisted or otherwise aided in the performance of a criminal act. Under federal criminal law, a person who “aids, abets, counsels, commands, induces or procures” the commission of a criminal act is punishable as if he or she performed such act himself or herself. See 18 U.S.C. § 2.&#xA;Archival Back Runs: Prior issues of a publication going back in time from the current issue.&#xA;Arraignment: A court proceeding at which a defendant is informed of the criminal charges against him and offers his plea of guilty or not guilty. This is not the same as an initial appearance, held immediately after an arrest, where bail may be determined but no plea is required.&#xA;1 Some of the definitions contained in this Glossary are based in part on explanations found in Wikipedia.&#xA;164&#xA;￼&#xA;Arrest: The taking into custody of a person, under lawful authority.&#xA;Assistant U.S. Attorney: An attorney who, working under the authority of a United States Attorney, represents the United States of America in criminal or civil cases in which the United States of America is a party. The term is frequency abbreviated as “AUSA.” An AUSA is appointed, by the Attorney General of the United States, to serve in a particular judicial district and under the direction of a particular U.S. Attorney. As part of their responsibilities, AUSAs serve as counsel to the grand juries seeking and considering evidence that may lead to an indictment of a criminal defendant.&#xA;Attorney-­‐Client Privilege: A legal doctrine, recognized by the courts, that protects communications between a person and his or her attorney pertaining to communications intended to be confidential and made for the purpose of seeking or transmitting legal advice. It applies in both the criminal and civil settings, and there need not be the threat of litigation for it to be applicable. The attorney-client privilege as to particular communications survives the death of a client.&#xA;Attorneys’ Fees and Costs: The collective sum of monies paid by a party to its attorneys in a legal proceeding, for both the fees charged by the attorneys and for the expenses incurred by the attorneys. It does not include expenses incurred by the party.&#xA;Backup: In the context of this report, the term “backup” means the provision, or appearance, of one or more additional law enforcement personnel at the scene of an incident to provide support to officers already present.&#xA;Blog: A discussion site on the World Wide Web, comprised of distinct posts. The word “blog” is a contraction of the words “web” and “log.”&#xA;Boot Camp: As used in this report, a business boot camp is a workshop focused on giving an individual with an entrepreneurial idea a set of skills and information that will help the individual more rapidly and successfully convert the idea into an active business.&#xA;Byte: A unit of data, consisting of 8 bits, where each bit is either 0 or 1.&#xA;Cambridge District Court: The District Court located in Cambridge. District Courts are Massachusetts Trial Courts that have limited jurisdiction. They preside over criminal matters with a potential sentence of up to five years imprisonment and civil matters in which the damages sought do not exceed $25,000 , and other miscellaneous matters.&#xA;Capture: As used in the context of computer communications, the term “capture” means to make a copy of electronic data being transferred between and among computers and networks.&#xA;APPENDIX 15: GLOSSARY | 165&#xA;Captured Packets: Data packets that have been received or recorded after or during transmission. See Data Packets.&#xA;Certified Copy: A copy of a document attested to by the holder or issuer of the original as being identical to the original.&#xA;Civil Action: A civil lawsuit. That is, legal proceedings initiated by one party, the plaintiff, claiming that another party, the defendant, has violated the law in a manner that causes the defendant to be liable for injuries suffered by the plaintiff.&#xA;Civil Liability: An obligation imposed by law to pay money, whether in the form of compensation, punitive damages, or fees and costs, to a party, arising from injuries suffered by that party.&#xA;Class A Network: Devices located on the Internet are allocated IP addresses, which are in the form of a sequence of four separate numbers (each ranging from 0 to 255) separated by dots, i.e., 12.234.056.11, or generally, www.xxx.yyy.zzz.2 These numbers form a hierarchy, similar to a residential address being described by state, city, street name, and street number. For IP addresses, the highest level in the hierarchy, i.e., the state, is identified by a number that is referred to as the “Class A.” This is the first of the four numbers in the sequence. As one gets closer to the location of the actual device, one moves lower in the hierarchy, to the second number (Class B), then to the third (Class C), and finally to the device itself (the last number). Since the numbers used to denote the higher levels in the hierarchy can be viewed as groups of addresses located on networks and subnetworks, the classes are themselves referred to as networks, e.g., the Class A network, the Class B network, and the Class C network.&#xA;Class C Network: See Class A Network.&#xA;Computer Crime and Forensics: Computer crime is criminal activity committed by means of computers, networks, or the Internet. Computer forensics is the detection and investigation of potential computer crimes, or the use of computers in criminal activity, where such investigation is conducted for the purpose of obtaining information in a manner suitable for use in a court of law.&#xA;Computer Fraud and Abuse Act: Known as “CFAA,” a wide-ranging criminal statute that prohibits a person from engaging in various activities involving computers or networks. It has both criminal and civil penalties, including forfeiture provisions, and its violation may result in either felony or misdemeanor punishments. See 18 U.S.C. § 1030. It&#xA;2 This description is for Internet Protocol version 4 (IPv4), which is what the MIT network used in 2010 and uses today.&#xA;APPENDIX 15: GLOSSARY | 166&#xA;￼&#xA;focuses, among other matters, on “protected computers,” which is defined as including any computer or computing device that affects interstate or foreign commerce; thus, any computer used to connect to or communicate on the Internet qualifies as a protected computer. Among its various criminal provisions are gaining unauthorized access to a computer, and exceeding authorized access. Determining whether or not an individual has violated these provisions often requires the interpretation of the Terms of Services of the owner or operator of a computer, system, or network, and the materiality of various terms. The Act also contains provisions prohibiting the fraudulent use of a computer, and recklessly causing damage to a computer.&#xA;Conspiracy: In the criminal context, an express or tacit agreement by two or more individuals to act in concert to commit a crime.&#xA;Content Downloading: The act of accessing a device or website and requesting it to transmit files so that they can be viewed or stored, where the files may be articles, videos, photographs, programs, data, etc.&#xA;Cookie: A file or segment of code placed or stored on a user’s web browser. While the user browses the Internet, websites will add or modify such files to add or monitor information placed on the user’s computer. Such information may include prior visits to various websites, and may be used to track a user’s browsing history. It may also be referred to as an HTTP cookie, a web cookie, or a browser cookie.&#xA;Copyright: A legal doctrine granting the creator of an original, creative work certain exclusive rights in the use and publication of the work. In the United States, the power to specify and grant this right is assigned by the Constitution to Congress, and the laws that have been enacted concerning copyrights provide both civil and criminal prohibitions against their infringement. Copyrights automatically apply once an applicable work is created. The United States Copyright Office, a part of the Library of Congress, maintains a registry of copyrights that creators may use to document their ownership of a work.&#xA;Copyright Infringement: Interference with the rights of a copyright holder, such as by making or distributing copies of a copyrighted work, or making changes to a copyrighted work, without the permission of the copyright holder.&#xA;Count: The compilation of the specific language in a civil complaint or criminal indictment alleging that one or more defendants violated a particular legal prohibition. In the criminal context, a count is the charging language in an indictment alleging that one or more defendants violated a specific criminal statute. Each count must identify the criminal statute by citation, and must allege sufficient facts so as to put each defendant on notice as to (1) the specific conduct in which the government accuses them of having&#xA;APPENDIX 15: GLOSSARY | 167&#xA;engaged and (2) the basis on which the government asserts that such conduct is a violation of the statute cited.&#xA;Crash: A situation in which a computer device or software program ceases to function properly.&#xA;Creative Commons: This is a nonprofit organization devoted to expanding the range of creative works available for others to legally share, use, and improve upon. It was founded in 2001 by Lawrence Lessig of Harvard University, Hal Abelson of MIT, and Eric Eldred of Eldritch Press with support of the Center for the Public Domain. The organization has released several free copyright licenses to the public. They allow the creators of works to specify which rights they reserve, and which rights they waive for the benefit of the general public.&#xA;Cryptography: A method or technique of hiding communications from third parties. In the field of computing, it is the electronic encoding of communications, requiring a predetermined procedure or key in order to convert the encoded communication into a readable or otherwise understandable format.&#xA;Damages: The sum of monies claimed by a plaintiff as legal compensation for injury or other loss suffered by the plaintiff.&#xA;Data Packet: Information is transmitted on computer networks as sequences of separate units called “data packets.” These are reassembled upon reaching their destination.&#xA;Data Stream: Data packets while in transmission on a network or between computing devices.&#xA;Demand for Discovery: The making of a formal request for discovery from an opposing party or a third person. See Discovery.&#xA;Deputized: An appointment as a substitute with the power to act on behalf of the person who made the appointment. As used in this report, the MIT Campus Police officers were deputized to act with the power of Middlesex County Police officers near the MIT Campus.&#xA;DHCP: Dynamic Host Configuration Protocol is a protocol used on a network to assign IP addresses to devices so that they can communicate through the network.&#xA;DHCP Client ID: An address or identification label assigned to a device by the DHCP Server.&#xA;DHCP Server: A device used to implement the Dynamic Host Configuration Protocol on a particular network.&#xA;APPENDIX 15: GLOSSARY | 168&#xA;DHCP Server Logs: Listings of requests from computers for the DHCP server to assign IP addresses. These records contain MAC addresses, IP addresses, and the date and time that the computers acknowledge the receipt of addresses.&#xA;Digital Information: Information represented by strings of bits, that is, zeros and ones. Digital Content: Text, articles, photographs, video, sound, and other media maintained in&#xA;a digital format.&#xA;Digital Library: An information retrieval system where collections are stored in digital formats and available for downloading via computers and networks.&#xA;Digital Millennium Copyright Act: Known as the “DMCA,” a federal law with both civil and criminal penalties that prohibits the production and distribution of devices and software intended to circumvent measures used to prevent copying or other infringement of copyrighted works. 17 U.S.C. § 1201 et seq.&#xA;Digitized: Converted into a digital format.&#xA;Discipline: As used in this report, a field of academic study.&#xA;Discovery: In a lawsuit, information obtained by a party through formal means specified in court rules, or from another person for use as evidence at trial or to continue to investigate the issues in the case. In civil cases, such information may include answers to written questions, testimony obtained in a deposition, production of documents and other things, and admissions made in response to particular requests. In criminal cases, such information is usually, but not always, limited to production of documents.&#xA;Disk Activity: The writing of digital information to, or the reading of such information from, a hard drive by a computing device. See Hard Drive.&#xA;Dismissed: In the context of a court proceeding, being terminated without further hearing.&#xA;District Attorney: A public official who has responsibility for representing counties within the Commonwealth of Massachusetts in civil and criminal cases. The District Attorney’s Office consists of the District Attorney; prosecutors and other attorneys who work under the authority and supervision of the District Attorney, formally known as Assistant District Attorneys; and support personnel. There are 11 districts established by law in Massachusetts.&#xA;Downloading: The act of accessing a device or website and requesting it to transmit data so that it can be viewed or stored.&#xA;APPENDIX 15: GLOSSARY | 169&#xA;Electronic Communication: Information composed of electronic signals, often but not necessarily in a digital format, intended to be a communication between parties.&#xA;Electronic Message: See Electronic Communication.&#xA;Electronic Records: A digital form of data files, readily able to be stored on a computer&#xA;and accessed through a network.&#xA;Excessive Use Incident: An incident where a user significantly exceeds the use or requests for use of resources made available to or anticipated being sought by users on a network.&#xA;Expert Witness: A witness who offers testimony in the form of an opinion based on his or her having specialized knowledge applicable to an issue in a case; this is in contrast to a fact witness, who offers testimony based on personal knowledge as to facts at issue in a case. Expert witnesses are usually paid for their time learning about the case, drafting a written report about their opinions, and giving a deposition (i.e., providing a sworn statement) or testifying at trial.&#xA;External Hard Drive: A Hard Drive connected to a device in a manner that is external to the device.&#xA;Felony: A serious criminal offense, for which the penalty for conviction is more than one year of imprisonment and the forfeiture of some civil rights.&#xA;File Transfer Protocol: A protocol used on the Internet for the transfer of files from a source computer to a requesting computer.&#xA;Foreman: The member of a grand jury who presides over, speaks for, and signs for the grand jury, usually appointed by election of the grand jury.&#xA;Fraud: A doctrine of common law whereby one person induces a second to do something, or refrain from doing something, as a result of false, misleading, or deceptive statements, representations, promises, or conduct. The goal of fraudulent conduct is usually to obtain something of value, or to prevent the defrauded party from obtaining something of value. See also Wire Fraud Act.&#xA;Free and Open Source Software Movement: A movement launched in 1983 within the computer professional community, the goal of which is to establish the right of all users to freely use, study, modify, and redistribute software.&#xA;Free Culture Group: An MIT student group that promotes freedom on the Internet and in the digital world. According to the MIT website, its projects educate the MIT community “and sometimes the world” about fair use, free software, and open access.&#xA;APPENDIX 15: GLOSSARY | 170&#xA;GB: An abbreviation for gigabyte. See Gigabyte.&#xA;General Counsel: An attorney who functions as an entity’s legal advisor and representative attorney and provides general legal advice to the entity. Usually the term refers to an attorney who is an employee of the entity, and this person is referred to as “inside counsel.” Such inside counsel may have one or more assistants who are also attorneys. Sometimes, the functions of a general counsel are provided by outside, retained attorneys.&#xA;Gigabyte: A unit of measurement for an amount of electronic data. A byte is a unit of data, consisting of 8 bits, where each bit is either 0 or 1. The term “giga,” when used as a prefix, means 10 to the ninth power. Thus, the term “gigabyte” means 1,000,000,000 bytes.&#xA;Grand Jury: An official body empaneled by a court to hear evidence of possible crimes and empowered to vote on and return indictments regarding such crimes and naming persons as defendants. The grand jury is composed of citizens who meet in secret at periodic, regularly scheduled sessions, usually over the course of 18 months, and who hear multiple matters concerning different investigations and potential defendants. In the federal system, a grand jury is composed of 23 people; a quorum consists of 16 individuals; and an indictment may be returned only upon the affirmative vote of 12 individuals. A person who is facing federal felony charges has a right for those charges to be considered by a grand jury, as opposed to solely by a prosecutor, and can be brought to trial only upon the vote and return of an indictment by a grand jury identifying the criminal charges he or she may face at trial. A grand jury may return an indictment upon a finding that probable cause exists that the person committed the offense under consideration.&#xA;Grand Jury Subpoena: A subpoena issued by a grand jury. It may call for the production of documents or other tangible evidence, or for testimony under oath of a person called before it. Such a subpoena has the force of an order from the court, and a failure to comply with it—absent court consent—can subject the recipient to an order of contempt, which may include jail time.&#xA;Guest Account: As used in this report, a courtesy account provided by MIT Libraries to persons who wish to use MIT’s network and the resources available on that network but are not MIT students, faculty, or staff.&#xA;Hack: In the field of computing professionals, initially a term applied to a particularly creative, clever, or resourceful creation or use of programming or hardware. Also used by the general public to refer to accessing a computer system by circumventing its security structure.&#xA;APPENDIX 15: GLOSSARY | 171&#xA;Hacker: Someone who hacks. In the computer subculture, a hacker is “a person who enjoys exploring the details of programmable systems and stretching their capabilities.”3 Also used by the general public to refer to someone who exploits weaknesses in computer security.&#xA;Handed Down: In the context of a criminal proceeding, delivered by the court, such as an order or opinion being “handed down” from the bench after a ruling on a disputed issue. Contrast with Handed Up.&#xA;Handed Up: In the context of a court proceeding, delivered to the court, such as an indictment being “handed up” to the bench after being approved by the grand jury. Contrast with Handed Down.&#xA;Hard Drive: A data storage device used for storing and retrieving digital information, using one or more rapidly rotating rigid discs or platters coated with a magnetic material that retains the data even when the device is turned off. Also known as a “Hard Disk Drive” or an “HDD.”&#xA;Hardware Probe: A physical device used to connect to an electronic device to test or otherwise investigate the content, functioning, operation, or design of such device.&#xA;Hexadecimal: As used in the computing fields, a base sixteen number, or a numbering system where each digit has a value from zero to fifteen. Characters and instructions used in computer languages are often written in codes based on such a format.&#xA;HTML: Hypertext Markup Language is the primary computer language used for the creation of web pages and other formats that can be displayed in a web browser.&#xA;Indictment: In the criminal justice system, a formal written accusation returned by a grand jury charging a defendant with having committed one or more specified crimes. In the federal system, a person who is accused of committing a felony has a right to require the government to obtain an indictment in order to maintain the prosecution and obtain a conviction. The burden carried by the government when seeking an indictment from a grand jury is to establish probable cause to the satisfaction of at least 12 grand jurors (out of a possible 23), in contrast to the burden at a criminal trial, which is proof beyond a reasonable doubt established to the unanimous satisfaction of 12 petit jurors. The right to indictment by a grand jury during a felony prosecution is found in the Fifth Amendment of the U.S. Constitution. Misdemeanors may be prosecuted without the return of an indictment, and upon the filing with the court of an “information,” which is an alternative charging document drafted and signed by a prosecutor.&#xA;&#xA;3 See .&#xA;APPENDIX 15: GLOSSARY | 172&#xA;￼&#xA;Initial Appearance: In the federal criminal system, the first appearance of a criminal defendant before a court after the defendant has been formally arrested or charged with a crime though a criminal complaint or, in some cases, citation. At this hearing, bail may be set. Contrast with Arraignment. In some state systems, an examination of the evidence may also occur to determine whether there is sufficient evidence to permit the prosecution to go forward.&#xA;Internet Archive: A nonprofit digital library providing permanent storage of digitized information, and free access to the public of such material. The materials include websites, video, and books.&#xA;Internet Protocol: A protocol whereby servers and other devices on the Internet communicate and transmit data and requests for services; and whereby networks comprising the Internet do the same.&#xA;IP Address: “Internet Protocol Address,” which is a number that identifies and locates a device on the Internet. See Address.&#xA;IP Address Range: A range or group of IP addresses. See IP Address. The term is usually used in the context of a group of IP addresses that may be available for a particular use, or within which a particular device may be found.&#xA;IS&amp;amp;T: MIT’s Information Services and Technology, the organization within MIT responsible for computer network maintenance and security.&#xA;Latent Fingerprint: A fingerprint of a person, normally not visible to the naked eye, left on the surface of an object that has been handled by that person. A latent fingerprint is the result of perspiration or other materials that emanate from the skin’s surface ridges. These are detected and made visible by dusting or another process, at which point they can be compared to known fingerprints on file.&#xA;LED: Light emitting diode, a semiconductor source of light.&#xA;License: A legal grant, by a person who controls the rights over something, that permits the receiver to use or gain access to that item under circumstances where the receiver’s use or access would otherwise be unlawful.&#xA;Log: A listing or catalogue of metadata maintained by a computer or network server. A typical log might identify a history of the devices a particular computer connected to; when that computer was active on a network; and the source and volume of data downloaded to the computer.&#xA;APPENDIX 15: GLOSSARY | 173&#xA;MAC Address: Media Access Control address, which is a unique identifier assigned to devices that can connect to a network. MAC addresses are usually assigned by the device manufacturer, but may be changed by a user.&#xA;Magistrate Judge: In the federal judicial system, a judicial officer of a district court, whose authority comes from statute and not the Constitution. In criminal matters, magistrate judges often hear and decide preliminary issues, such as bail or discovery disputes, but cannot make final or conclusive rulings directly addressing the guilt or innocence of a defendant. Upon the request of a district judge, however, a magistrate judge may issue a report and recommendation on such issues, which the district judge is then free to adopt, reject, or amend as he or she decides is appropriate.&#xA;Metadata: As used in this report, information about data, specifically, information about data that was transmitted, stored, or used, without identifying the data itself. Examples might be the dates and times on which electronic transmissions occurred; the size of or number of bytes in those transmissions; the IP addresses to and from which the transmissions occurred; and the MAC address of the origin or recipient of the transmissions. However, the content of the actual transmission is not included.&#xA;Misdemeanor: A criminal offense, considered less serious than a felony. The penalty for conviction thereof is one year of imprisonment or less.&#xA;MIT Police: The Massachusetts Institute of Technology’s Police Department, which consists of a chief and a varying number of police officers. These are deputized by the Sheriff of Middlesex County to act as law enforcement officers within the area of the MIT campus. The MIT Police consists of a Patrol Division, within which there is the Crime Prevention Unit; and a Special Services Division, within which is an Investigations Unit.&#xA;MIT Libraries: The library system of the Massachusetts Institute of Technology, which includes the libraries of the five academic schools comprising the Institute, and their holdings, which include over three million printed volumes, over 55,000 databases and electronic journals, and a number of digital collections that increases yearly.&#xA;Monitoring: In the context of this report, the term “monitoring” means the real-time observation of a data stream across a network.&#xA;Motion to Dismiss: In the criminal justice system, a motion made by a party to dismiss one or more counts in an indictment, asking the court to find that, as a matter of law, the pertinent counts do not allege a violation of a criminal statute, or that the defendant is not liable for any such violation for other reasons. Such a dismissal, if granted by the court, may be with or without prejudice; that is, the prosecution may (i.e., without prejudice) or&#xA;APPENDIX 15: GLOSSARY | 174&#xA;may not (i.e., with prejudice) be allowed to correct the defect alleged by the motion and thus may or may not be allowed to continue the prosecution as to the affected counts.&#xA;Motion to Suppress: A formal request by a party to a judge presiding over a criminal matter to examine the means by which certain evidence in the possession of the prosecution was obtained; rule that such means was unconstitutional or otherwise unlawful; and rule that such evidence may not be introduced at trial or otherwise considered with regard to the guilt or innocence of the defendant.&#xA;Network: A “network” or a “computer network” is a system that allows computers to exchange data. The physical connection may be by cable or a wireless means, and multiple networks may themselves be interconnected.&#xA;Network Flow Data Logs: Logs created and maintained by a server located on a network comprising a history of the metadata of users on the network and the resources they requested. See Metadata.&#xA;Network Interface: A hardware or software system that lies between devices, or between a device and a network, and provides standardized functions that enable the devices and networks to communicate with each other.&#xA;Network Registration Database: As used in this report, a log maintained by the MIT network of the history of computers and users who have registered with MIT: the email address of the user, the date on which the user registered and signed on to use the network, whether the user was a guest, and the MAC address of the user’s device.&#xA;Network Switch: A device that links segments of a network or devices on a network.&#xA;Notice of Appearance: A filing with a court made by an attorney providing notice that the attorney is now representing one of the parties in the case. The term “Entry of Appearance” is also used for the same purpose.&#xA;Office of the General Counsel: As used in this report, the term “Office of the General Counsel,” or “OGC,” is the internal law office of the Massachusetts Institute of Technology. It provides legal advice, counseling, and service to MIT and represents the Institute in its legal matters. Its client is the Institute, not any individual or segment of the Institute, and currently the OGC consists of the General Counsel, 11 attorneys, and support staff. The OGC may engage private law firms or attorneys—termed “outside counsel”—to advise or represent MIT in particular matters.&#xA;Open Access: The practice of allowing unrestricted access through the Internet to scholarly journals. “Unrestricted” comes in varying degrees, but the Berlin Open Access Declaration stipulates that any open access publication must give all users an irrevocable&#xA;APPENDIX 15: GLOSSARY | 175&#xA;worldwide right of access to, and a license to copy, use, distribute, transmit and display the work publicly and to make and distribute derivative works, in any digital medium and for any responsible purpose.4&#xA;Open Access Publishing: Publishing under Open Access conditions.&#xA;Open File Transfer Protocol: A File Transfer Protocol made available without restriction.&#xA;PACER: Public Access to Court Electronic Records, an electronic database maintained by the federal courts of the United States through which registered users may search for entries in the court’s docket and filings in judicial cases as maintained by the clerks of the federal courts. Parties to a case and their attorneys may access one copy of each filing for free; otherwise, access to all filings requires the payment of a set per-page charge.&#xA;Packet Stream: A transmission of data packets. See Data Stream.&#xA;PDF: Portable Document Format, a file format used to represent documents in a manner independent of the hardware, software, operating system, and application used for its display.&#xA;Penetration: As used in this report, a “penetration” is an unwanted or unauthorized access to a computer or network.&#xA;Plea: A defendant’s response to a criminal charge. It might be “guilty,” “not guilty,” or in certain courts, “no contest” (or the equivalent).&#xA;Port: As used in this report, a port is a hardware interface between a computer or a network and other computers or peripheral devices. The interface could be a physical connection or a wireless connection.&#xA;Post-­‐Mortem: A Latin phrase for “after death,” meaning the investigation and analysis of a matter after it has ended.&#xA;Private Network: A private network is a physical network connected to the Internet that uses a dedicated or private IP address range (or “address space”) unavailable to outside users.&#xA;Privilege: A legal doctrine by which the courts recognize that a person may withhold information from judicial and other proceedings on the basis of some public policy recognized as having a significant societal value. Examples of judicially recognized&#xA;4 Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities, .&#xA;APPENDIX 15: GLOSSARY | 176&#xA;￼&#xA;privileges are the attorney-client privilege, the marital privilege, and the Fifth Amendment privilege against self-incrimination.&#xA;Privileged Documents: Documents that are protected from disclosure because they contain information that is subject to a privilege, or because the act of producing them might itself constitute a statement that is privileged. An example of the latter might be where the act of producing a document would establish that the person has possession of the documents, where this might tend to show that the person obtained them in an illegal manner.&#xA;Pro Bono: A Latin phrase meaning “for the public good,” commonly used by attorneys to refer to a matter in which an attorney represents a client without compensation or at a reduced fee rate because the client’s matter is one that the attorney and client deem to bear on the good of the public.&#xA;Proof of Concept: A demonstration of the feasibility of a design, idea, or principle.&#xA;Proxy Server: A computer device or software application that serves as an intermediary for requests for data or services, satisfying some of those requests with limited or no forwarded access to the server to which the requests were directed.&#xA;RADIUS: Remote Authentication Dial In User Service, a service that controls access to various MIT network services, like wireless (mobile) services or printing.&#xA;RADIUS Server Logs: Logs created and maintained by the RADIUS server, which record requests by computers to use various network services. See RADIUS.&#xA;Recorded Streams: Data transmissions that have been copied.&#xA;Redact: The act of removing specific portions of text or other information from a document or file (often by blacking it out and so making it unreadable, while allowing the reader to recognize that the removal occurred) before the document or file is provided to readers.&#xA;Registered: With regard to MIT students, formally enrolled in a program of study. Robotic Harvesting: The use of a software application or script to search for and extract&#xA;information from websites and servers on the Internet in an automated fashion.&#xA;Root Access: Authority by a user for full access to a computer, workstation, or server on a network.&#xA;RSS: Rich Site Summary, a collection of formats used by web feeds to publish frequently updated works, such as blogs, news sites, and audio and video feeds. An RSS&#xA;APPENDIX 15: GLOSSARY | 177&#xA;“document” or page, known as a “web feed” or “feed,” includes full or summarized texts, plus supporting information about publishing dates, authors, etc.&#xA;Script: A small computer program to automate and mimic tasks used with an application that would otherwise be done by a human operator.&#xA;Seal: In the judicial system, keeping a document, filing, ruling, or other thing secret from the public and sometimes from one or more parties. Enforcement of the seal is implemented through the contempt power of the court, where a judge may punish someone by incarceration or fine for breaking the seal.&#xA;Secret Keys: A series of numbers or characters composing a code or password necessary to access a device or software application.&#xA;Secret Service: The U.S. Secret Service is a federal law enforcement agency with two responsibilities mandated by law: (1) to protect national leaders, visiting heads of state and government, designated sites, and events involving national security; and (2) to safeguard the payment and financial systems of the United States. This has been historically accomplished through the enforcement of counterfeiting statutes to preserve both the integrity of U.S. currency and also coin and financial obligations. However, since 1984, the Secret Service's investigative responsibilities have expanded to include crimes that involve financial-institution fraud, computer and telecommunications fraud, false identification documents, access-device fraud, advance-fee fraud, electronic funds transfers, and money laundering as they relate to the agency's core violations.&#xA;Semantic Web: A movement led by the World Wide Web Consortium to promote standard formats for data used on the web.&#xA;Sentencing Guidelines: In the federal criminal justice system, a formal set of factors and procedures that are considered by a judge to determine the fine and period of incarceration to sentence a defendant to after a criminal conviction. These are established and contained in a publication issued by the U.S. Sentencing Commission, and they are very complex and frequently amended. Among the factors that they take into account are a defendant’s criminal history, the nature of the criminal offense, the amount of harm caused by the crime, whether the defendant accepts responsibility for his conduct, whether he violated a position of trust in committing the crime, and whether he has cooperated with law enforcement in any criminal investigations. The guidelines are not binding upon the sentencing judge, but in the event that the judge does not follow them in determining a sentence, she must justify on the record her reason for not doing so.&#xA;Server: As used in this report, a device that responds to requests made across a network from other devices for specific services or data.&#xA;APPENDIX 15: GLOSSARY | 178&#xA;Shortcut URL: A shortened version of a URL.&#xA;Special Agent: Colloquially, the term “special agent” refers broadly to a federal law enforcement official who works in the field as opposed to solely in an office setting. Formally, special agents are criminal investigators employed by a United States government department or agency where the investigative position is classified by the U.S. Office of Personnel Management as Criminal Investigation Series, 1811, which includes FBI special agents and U.S. Secret Service special agents and others so designated. Special agents have the power to investigate potential violations of those federal laws whose enforcement is the responsibility of the law enforcement organization for which they work, and are generally armed with a gun when in the field.&#xA;Still: A static image taken from a video or movie.&#xA;Stopit Group: A group within the MIT IS&amp;amp;T network security team that deals with inappropriate behavior occurring on the MIT network. A typical tactic used by the groups is to send an email to the offender, asking the person to stop the conduct in question.&#xA;Student Information Processing Board: A longstanding MIT student group, known as “SIPB,” that focuses on helping students access computing resources and use them effectively.&#xA;Subpoena: An order commanding a person to appear before a court or other official body to testify, or to produce specified documents or other tangible items. A subpoena is often issued upon application of an attorney, as an officer of the court, who is representing a party in a civil or criminal case. Under such conditions, an attorney many sign and serve a subpoena without prior approval by a court. Grand jury subpoenas are typically issued by an AUSA on behalf of the jury. One exception is “Rule 17(c) subpoenas,” which can be issued by the prosecution or defense in a trial. They are limited to demanding the production of documents calculated to produce evidence relevant for trial (rather than to investigate the case).&#xA;Superseding Indictment: An indictment returned by a grand jury that supersedes or replaces an earlier indictment. It may be returned by the initial grand jury that produced the earlier indictment, or it may be returned by a new grand jury that has reviewed the same evidence as the initial grand jury plus new evidence. Reasons for the prosecution seeking a superseding indictment include correcting an error in the earlier indictment; adding new defendants or new charges; and expanding the scope in terms of time or range of the criminal activity relative to that charged in the initial indictment.&#xA;Supervised Release: In the federal criminal justice system, a specified period of time that begins after a convicted felon is released from imprisonment, during which the person, as&#xA;APPENDIX 15: GLOSSARY | 179&#xA;a further part of his sentence, is monitored by a probation officer for the purpose of ensuring that he complies with restrictions imposed by law on his behavior.&#xA;Surrender: To voluntarily allow a law enforcement official to take the surrendering individual into physical and legal custody. This is typically done by the surrendering individual by appearing at the law enforcement office or at a courthouse after charges have been filed.&#xA;TAG: The Technical Architecture Group of the World Wide Web Consortium (W3C). (See World Wide Web Consortium.) The W3C “created the TAG to document and build consensus around principles of web architecture and to interpret and clarify those principles when necessary.”5&#xA;Terms &amp;amp; Conditions of Use: As used with regard to the Internet or to computing services, a written set of rules to which a person wishing to use computing resources must agree in order to obtain permission to access or use those resources. It is typically in the nature of a contract or a license.&#xA;Terms of Release: Specified conditions of behavior to which a defendant must adhere during the period before trial subsequent to being charged with a crime. The setting of these conditions usually accompanies the setting of bail. They are imposed by order of the court when a defendant is allowed to remain free during this period (as opposed to being detained during the time period, which amounts to forced confinement in a detention center or equivalent).&#xA;Terms of Service: Also known as “TOS.” See Terms &amp;amp; Conditions of Use.&#xA;Theory of Criminality: A theory or basis asserted by the prosecution as to why or how a defendant violated a particular criminal law. It is often apparent from the allegations of fact contained in the count of an indictment alleging the particular violation.&#xA;Tweet: A text messages of up to 140 characters broadcast by an individual using the Internet to that person’s “followers” on Twitter. See Twitter.&#xA;Twitter: A microblogging service that allows a user with an account to broadcast text- based messages of 140 characters or less. These are known as “tweets.” To receive such “tweets” of a particular user, one must register to “follow” that user. See Tweet.&#xA;United States Attorney: A federal official, normally appointed by the President and confirmed by the Senate, who is charged with three responsibilities: the prosecution of&#xA;&#xA;5 See .&#xA;APPENDIX 15: GLOSSARY | 180&#xA;￼&#xA;criminal cases brought by the United States; the prosecution and defense of civil cases in which the United States is a party; and the collection of debts. (See 28 U.S.C. § 547.) The official title is abbreviated “U.S. Attorney.” A U.S. Attorney has a staff of anywhere from several to several hundred Assistant U.S. Attorneys, who are each appointed by the Attorney General of the United States. There are 93 U.S. Attorneys. Each U. S. Attorney is appointed to be responsible for one United States federal district (with the exception of one, who is appointed to oversee two districts—those of Guam and the Northern Mariana Islands). In Massachusetts, the Office of the United States Attorney is divided into three divisions, with physical offices located, one each, in Boston, Springfield, and Worcester.&#xA;URL: Uniform Resource Locator, an address on the web where a particular web page, file, or other resource can be located. It is in the form of a character string, such as: www.mit.edu.&#xA;USB: Universal Serial Bus is an industry standard for cables, connectors, and communication protocols used by computers and electronic devices to communicate with each other.&#xA;USB Device: As used in this report, a USB device is a hardware device that can connect to a computer or other electronic device to download and store data. See USB.&#xA;Virtual Private Network: A Virtual Private Network, or “VPN,” is based on the concept of a private network. It extends the address space, that is, the devices accessible within the private network, across the Internet (or other network) by treating outside addresses as if they are within the private network. See Private Network.&#xA;VPN: See Virtual Private Network. Web: See World Wide Web.&#xA;Westlaw: A corporation that offers an extensive range of legal databases to subscribers or on a pay-for-access basis. The term is often used to refer to the service itself.&#xA;Wire Fraud Act: The Wire Fraud Act is a federal criminal statute, 18 U.S.C. § 1343, that prohibits the use of wire or wireless communications to engage in fraud. Specifically, the Act provides that:&#xA;hoever, having devised or intending to devise any scheme or artifice to defraud, or for obtaining money or property by means of false or fraudulent pretenses, representations, or promises, transmits or causes to be transmitted by means of wire, radio, or television communication in interstate or foreign commerce, any writings, signs, signals, pictures, or&#xA;APPENDIX 15: GLOSSARY | 181&#xA;sounds for the purpose of executing such scheme or artifice .&#xA;The penalty for violating the Act is a fine of $250,000 , or imprisonment of not more than 20 years, or both.&#xA;Wireless: As used in this report, the term “wireless” means a method whereby a device connects to a network using radio signals, with no physical connection between the device and the network.&#xA;Workstation: A high-end desktop computer designed for resource-intensive technical or scientific applications. They are commonly connected to a local area network, that is, a network of limited size and usually not integrated into the Internet. The term “workstation” also refers to a personal computer (PC) connected to a network.&#xA;Wired Network: A network whose devices are connected by cables or similar physical linking mechanisms.&#xA;Wireless Network: A network whose devices are connected by radio or other electromagnetic communications (i.e., infrared transmissions).&#xA;World Wide Web: Also known as the “web,” “WWW,” or “W3,” a system of links that connect files and documents maintained on the Internet. The text in these documents composing the links is known as “hypertext,” and a user can navigate from document to document, across servers and networks.&#xA;World Wide Web Consortium: Also known as the “W3C,” the primary organization for establishing standards for the World Wide Web." 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<INFO BITRATE="933071" KEY_LYRICS="51 ContributorsTranslationsDeutschSuomiKung Fu Fighting Lyrics&#xA;Oh-ho-ho-ho&#xA;Oh-ho-ho-ho&#xA;Oh-ho-ho-ho&#xA;Oh-ho-ho-ho&#xA;&#xA;&#xA;Everybody was kung fu fighting&#xA;Those cats were fast as lightning&#xA;In fact, it was a little bit frightening&#xA;But they fought with expert timing&#xA;&#xA;&#xA;There were funky China men from funky Chinatown&#xA;They were chopping them up, they were chopping them down&#xA;It's an ancient Chinese art and everybody knew their part&#xA;From a feint into a slip and a kicking from the hip&#xA;&#xA;&#xA;Everybody was kung fu fighting, huh&#xA;Those cats were fast as lightning&#xA;In fact, it was a little bit frightening, hey, yeah&#xA;But they fought with expert timing&#xA;&#xA;&#xA;There was funky Billy Chin and little Sammy Chung&#xA;He said, &amp;quot;Here comes the big boss, let's get it on&amp;quot;&#xA;We took a bow and made a stand, started swaying with the hand&#xA;A sudden motion made me skip, now we're into a brand new trip&#xA;&#xA;Everybody was kung fu fighting (Huh)&#xA;Those cats were fast as lightning (Ha)&#xA;In fact, it was a little bit frightening (Huh)&#xA;But they did it with expert timing (Ha)&#xA;&#xA;&#xA;Oh yeah&#xA;(Oh-ho-ho-ho, ha)&#xA;(Oh-ho-ho-ho, ha)&#xA;(Oh-ho-ho-ho, ha)&#xA;(Oh-ho-ho-ho, ha)&#xA;Keep on, keep on, keep on, keep on&#xA;Sure enough&#xA;&#xA;&#xA;Everybody was kung fu fighting (Huh)&#xA;Those cats were fast as lightning (Ha)&#xA;In fact, it was a little bit frightening (Huh)&#xA;Make sure you have expert timing (Ha)&#xA;&#xA;&#xA;(Oh-ho-ho-ho) Kung fu fighting&#xA;(Oh-ho-ho-ho) Hands and feet fast as lightning&#xA;(Oh-ho-ho-ho) Huh, ha&#xA;(Oh-ho-ho-ho) Huh, ha&#xA;(Oh-ho-ho-ho) Huh, ha&#xA;Keep on, keep on, keep on&#xA;(Oh-ho-ho-ho) Huh, ha&#xA;Yeah, yeah&#xA;(Oh-ho-ho-ho) Huh, ha&#xA;Everybody was kung fu fighting&#xA;Hands and feet fast as lightning&#xA;(Oh-ho-ho-ho) Huh, ha&#xA;(Oh-ho-ho-ho)" PRODUCER="℗ 1974 Sanctuary Records Group Ltd., a BMG Company" COVERARTID="032/AJY5WTD4DCMT0DEIU0E0CLSKT4YD" PLAYTIME="198" PLAYTIME_FLOAT="197.935944" IMPORT_DATE="2025/4/14" RELEASE_DATE="1974/1/1" FLAGS="12" FILESIZE="22736"></INFO>
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<INFO BITRATE="1040256" KEY_LYRICS="7 ContributorsAngela’s Ashes LyricsAngela's Ashes&#xA;&#xA;A Memoir of a Childhood&#xA;&#xA;By Frank McCourt&#xA;&#xA;This book is dedicated to my brothers, Malachy, Michael, Alphonsus. I learn from you, I admire you and I love you.&#xA;&#xA;Acknowledgments&#xA;&#xA;This is a small hymn to an exaltation of women.&#xA;R'lene Dahlberg fanned the embers.&#xA;Lisa Schwarzbaum read early pages and encouraged me.&#xA;Mary Breasted Smyth, elegant novelist herself, read the first third&#xA;and passed it on to Molly Friedrich, who became my agent and thought that Nan Graham, Editor-in-Chief at Scribner, would be just the right person to put the book on the road.&#xA;And Molly was right.&#xA;My daughter, Maggie, has shown me how life can be a grand adventure, while exquisite moments with my granddaughter, Chiara, have helped me recall a small child's wonder.&#xA;My wife, Ellen, listened while I read and cheered me to the final&#xA;page.&#xA;I am blessed among men.&#xA;&#xA;&#xA;I&#xA;My father and mother should have stayed in New York where they met and married and where I was born. Instead, they returned to Ireland when I was four, my brother, Malachy, three, the twins, Oliver and Eugene, barely one, and my sister, Margaret, dead and gone.&#xA;When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.&#xA;People everywhere brag and whimper about the woes of their early years, but nothing can compare with the Irish version: the poverty; the shiftless loquacious alcoholic father; the pious defeated mother moaning by the fire; pompous priests; bullying schoolmasters; the English and the terrible things they did to us for eight hundred long years.&#xA;Above all-we were wet.&#xA;Out in the Atlantic Ocean great sheets of rain gathered to drift slowly up the River Shannon and settle forever in Limerick. The rain dampened the city from the Feast of the Circumcision to New Year's Eve.&#xA;It created a cacophony of hacking coughs, bronchial rattles, asthmatic wheezes, consumptive croaks. It turned noses into fountains, lungs into bacterial sponges. It provoked cures galore; to ease the catarrh you boiled onions in milk blackened with pepper; for the congested passages you made a paste of boiled flour and nettles, wrapped it in a rag, and slapped it, sizzling, on the chest.&#xA;From October to April the walls of Limerick glistened with the damp. Clothes never dried: tweed and woolen coats housed living things, sometimes sprouted mysterious vegetations. In pubs, steam rose from damp bodies and garments to be inhaled with cigarette and pipe smoke laced with the stale fumes of spilled stout and whiskey and tinged with the odor of piss wafting in from the outdoor jakes where many a man puked up his week's wages.&#xA;The rain drove us into the church-our refuge, our strength, our only dry place. At Mass, Benediction, novenas, we huddled in great damp clumps, dozing through priest drone, while steam rose again from our clothes to mingle with the sweetness of incense, flowers and candles.&#xA;Limerick gained a reputation for piety, but we knew it was only the&#xA;rain.&#xA;My father, Malachy McCourt, was born on a farm in Toome, County&#xA;Antrim. Like his father before, he grew up wild, in trouble with the English, or the Irish, or both. He fought with the Old IRA and for some desperate act he wound up a fugitive with a price on his head.&#xA;When I was a child I would look at my father, the thinning hair, the collapsing teeth, and wonder why anyone would give money for a head like that. When I was thirteen my father's mother told me a secret: as a wee lad your poor father was dropped on his head. It was an accident, he was never the same after, and you must remember that people dropped on their heads can be a bit peculiar.&#xA;Because of the price on the head he had been dropped on, he had to be spirited out of Ireland via cargo ship from Galway. In New York, with Prohibition in full swing, he thought he had died and gone to hell for his sins. Then he discovered speakeasies and he rejoiced.&#xA;After wandering and drinking in America and England he yearned for peace in his declining years. He returned to Belfast, which erupted all around him. He said, A pox on all their houses, and chatted with the ladies of Andersontown. They tempted him with delicacies but he waved them away and drank his tea. He no longer smoked or touched alcohol, so what was the use? It was time to go and he died in the Royal Victoria Hospital.&#xA;My mother, the former Angela Sheehan, grew up in a Limerick slum with her mother, two brothers, Thomas and Patrick, and a sister, Agnes. She never saw her father, who had run off to Australia weeks before her birth.&#xA;After a night of drinking porter in the pubs of Limerick he staggers down the lane singing his favorite song, Who threw the overalls in Mrs. Murphy's chowder?&#xA;Nobody spoke so he said it all the louder It's a dirty Irish trick and I can lick the Mick Who threw the overalls in Murphy's chowder.&#xA;He's in great form altogether and he thinks he'll play a while with little Patrick, one year old. Lovely little fella. Loves his daddy. Laughs when Daddy throws him up in the air. Upsy daisy, little Paddy, upsy daisy, up in the air in the dark, so dark, oh, Jasus, you miss the child on the way down and poor little Patrick lands on his head, gurgles&#xA;a bit, whimpers, goes quiet. Grandma heaves herself from the bed, heavy with the child in her belly, my mother. She's barely able to lift little Patrick from the floor. She moans a long moan over the child and turns on Grandpa. Get out of it. Out. If you stay here a minute longer I'll take the hatchet to you, you drunken lunatic. By Jesus, I'll swing at the end of a rope for you. Get out.&#xA;Grandpa stands his ground like a man. I have a right, he says, to stay in me own house.&#xA;She runs at him and he melts before this whirling dervish with a damaged child in her arms and a healthy one stirring inside. He stumbles from the house, up the lane, and doesn't stop till he reaches Melbourne in Australia.&#xA;Little Pat, my uncle, was never the same after. He grew up soft in the head with a left leg that went one way, his body the other. He never learned to read or write but God blessed him in another way. When he started to sell newspapers at the age of eight he could count money better than the Chancellor of the Exchequer himself. No one knew why he was called Ab Sheehan, The Abbot, but all Limerick loved him.&#xA;My mother's troubles began the night she was born. There is my grandmother in the bed heaving and gasping with the labor pains, praying to St. Gerard Majella, patron saint of expectant mothers. There is Nurse O'Halloran, the midwife, all dressed up in her finery. It's New Year's Eve and Mrs. O'Halloran is anxious for this child to be born so that she can rush off to the parties and celebrations. She tells my grandmother: Will you push, will you, push. Jesus, Mary and holy St. Joseph, if you don't hurry with this child it won't be born till the New Year and what good is that to me with me new dress? Never mind St. Gerard Majella. What can a man do for a woman at a time like this even if he is a saint? St. Gerard Majella my arse.&#xA;My grandmother switches her prayers to St. Ann, patron saint of difficult labor. But the child won't come. Nurse O'Halloran tells my grandmother, Pray to St. Jude, patron saint of desperate cases.&#xA;St. Jude, patron of desperate cases, help me. I'm desperate. She grunts and pushes and the infant's head appears, only the head, my mother, and it's the stroke of midnight, the New Year. Limerick City erupts with whistles, horns, sirens, brass bands, people calling and singing, Happy New Year. Should auld acquaintance be forgot, and church bells all over ring out the Angelus and Nurse O'Halloran weeps for the waste of a dress, that child still in there and me in me finery. Will you come out, child, will you? Grandma gives a great push and the child is in the world, a lovely girl with black curly hair and sad blue eyes.&#xA;Ah, Lord above, says Nurse O'Halloran, this child is a time straddler, born with her head in the New Year and her arse in the Old or was it her head in the Old Year and her arse in the New. You'll have to write to the Pope, missus, to find out what year this child was born in and I'll save this dress for next year.&#xA;And the child was named Angela for the Angelus which rang the midnight hour, the New Year, the minute of her coming and because she was a little angel anyway.&#xA;Love her as in childhood&#xA;Though feeble, old and grey.&#xA;For you'll never miss a mother's love&#xA;Till she's buried beneath the clay.&#xA;At the St. Vincent de Paul School, Angela learned to read, write, and calculate and by her ninth year her schooling was done. She tried her hand at being a charwoman, a skivvy, a maid with a little white hat opening doors, but she could not manage the little curtsy that is required and her mother said, You don't have the knack of it. You're pure useless. Why don't you go to America where there's room for all sorts of uselessness? I'll give you the fare.&#xA;She arrived in New York just in time for the first Thanksgiving Day of the Great Depression. She met Malachy at a party given by Dan MacAdorey and his wife, Minnie, on Classon Avenue in Brooklyn. Malachy liked Angela and she liked him. He had a hangdog look, which came from the three months he had just spent in jail for hijacking a truck. He and his friend John McErlaine believed what they were told in the speakeasy, that the truck was packed to the roof with cases of canned pork and beans. Neither knew how to drive and when the police saw the truck lurch and jerk along Myrtle Avenue they pulled it over. The police searched the truck and wondered why anyone would hijack a truck containing, not pork and beans, but cases of buttons.&#xA;With Angela drawn to the hangdog look and Malachy lonely after three months in jail, there was bound to be a knee-trembler.&#xA;A knee-trembler is the act itself done up against a wall, man and woman up on their toes, straining so hard their knees tremble with the excitement that's in it.&#xA;That knee-trembler put Angela in an interesting condition and, of course, there was talk. Angela had cousins, the MacNamara sisters, Delia and Philomena, married, respectively, to Jimmy Fortune of County Mayo, and Tommy Flynn, of Brooklyn itself.&#xA;Delia and Philomena were large women, great-breasted and fierce. When they sailed along the sidewalks of Brooklyn lesser creatures stepped aside, respect was shown. The sisters knew what was right and they knew what was wrong and any doubts could be resolved by the One, Holy, Roman, Catholic and Apostolic Church. They knew that Angela, unmarried, had no right to be in an interesting condition and they would take steps.&#xA;Steps they took. With Jimmy and Tommy in tow they marched to the speakeasy on Atlantic Avenue where Malachy could be found on Friday, payday when he had a job. The man in the speak, Joey Cacciamani, did not want to admit the sisters but Philomena told him that if he wanted to keep the nose on his face and that door on its hinges he'd better open up for they were there on God's business. Joey said, Awright, awright, you Irish. Jeezoz! Trouble, trouble.&#xA;Malachy, at the far end of the bar, turned pale, gave the great breasted ones a sickly smile, offered them a drink. They resisted the smile and spurned the offer. Delia said, We don't know what class of a tribe you come from in the North of Ireland.&#xA;Philomena said, There is a suspicion you might have Presbyterians in your family, which would explain what you did to our cousin.&#xA;Jimmy said, Ah, now, ah, now. 'Tisn't his fault if there's Presbyterians in his family.&#xA;Delia said, You shuddup.&#xA;Tommy had to join in. What you did to that poor unfortunate girl is a disgrace to the Irish race and you should be ashamed of yourself.&#xA;Och, I am, said Malachy. I am.&#xA;Nobody asked you to talk, said Philomena. You done enough damage with your blather, so shut your yap.&#xA;And while your yap is shut, said Delia, we're here to see you do the right thing by our poor cousin, Angela Sheehan.&#xA;Malachy said, Och, indeed, indeed. The right thing is the right thing and I'd be glad to buy you all a drink while we have this little&#xA;talk.&#xA;Take the drink, said Tommy, and shove it up your ass.&#xA;Philomena said, Our little cousin no sooner gets off the boat than&#xA;you are at her. We have morals in Limerick, you know, morals. We're not like jackrabbits from Antrim, a place crawling with Presbyterians.&#xA;Jimmy said, He don't look like a Presbyterian.&#xA;You shuddup, said Delia.&#xA;Another thing we noticed, said Philomena. You have a very odd&#xA;manner.&#xA;Malachy smiled. I do?&#xA;about&#xA;You do, says Delia. I think 'tis one of the first things we noticed you, that odd manner, and it gives us a very uneasy feeling.&#xA;'Tis that sneaky little Presbyterian smile, said Philomena.&#xA;Och, said Malachy, it's just the trouble I have with my teeth. Teeth or no teeth, odd manner or no odd manner, you're gonna marry&#xA;that girl, said Tommy. Up the middle aisle you're going.&#xA;Och, said Malachy, I wasn't planning to get married, you know.&#xA;There's no work and I wouldn't be able to support... Married is what you're going to be, said Delia. Up the middle aisle, said Jimmy.&#xA;You shuddup, said Delia.&#xA;Malachy watched them leave. I'm in a desperate pickle, he told Joey Cacciamani.&#xA;Bet your ass, said Joey. I see them babes comin' at me I jump inna Hudson River.&#xA;Malachy considered the pickle he was in. He had a few dollars in his pocket from the last job and he had an uncle in San Francisco or one of the other California Sans. Wouldn't he be better off in California, far from the great breasted MacNamara sisters and their grim husbands? He would, indeed, and he'd have a drop of the Irish to celebrate his decision and departure. Joey poured and the drink nearly took the lining off Malachy's gullet. Irish, indeed! He told Joey it was a Prohibition concoction from the devil's own still. Joey shrugged. I don't know nothing. I only pour. Still, it was better than nothing and Malachy would have another and one for yourself, Joey, and ask them two decent Italians what they'd like and what are you talking about, of course, I have the money to pay for it.&#xA;He awoke on a bench in the Long Island Railroad Station, a cop rapping on his boots with a nightstick, his escape money gone, the MacNamara sisters ready to eat him alive in Brooklyn.&#xA;On the feast of St. Joseph, a bitter day in March, four months after the knee-trembler, Malachy married Angela and in August the child was born. In November Malachy got drunk and decided it was time to register the child's birth. He thought he might name the child Malachy, after himself, but his North of Ireland accent and the alcoholic mumble confused the clerk so much he simply entered the name Male on the certificate.&#xA;Not until late December did they take Male to St. Paul's Church to be baptized and named Francis after his father's father and the lovely saint of Assisi. Angela wanted to give him a middle name, Munchin, after the patron saint of Limerick but Malachy said over his dead body. No son of his would have a Limerick name. It's hard enough going through life with one name. Sticking on middle names was an atrocious American habit and there was no need for a second name when you're christened after the man from Assisi.&#xA;There was a delay the day of the baptism when the chosen godfather, John McErlaine, got drunk at the speakeasy and forgot his responsibilities. Philomena told her husband, Tommy, he'd have to be godfather. Child's soul is in danger, she said. Tommy put his head down and grumbled. All right. I'll be godfather but I'm not goin' to be responsible if he grows up like his father causin' trouble and goin' through life with the odd manner for if he does he can go to John McErlaine at the speakeasy. The priest said, True for you, Tom, decent man that you are, fine man that never set foot inside a speakeasy. Malachy, fresh from the speakeasy himself, felt insulted and wanted to argue with the priest, one sacrilege on top of another. Take off that collar and we'll see who's the man. He had to be held back by the great breasted ones and their husbands grim. Angela, new mother, agitated, forgot she was holding the child and let him slip into the baptismal font, a total immersion of the Protestant type. The altar boy assisting the priest plucked the infant from the font and restored him to Angela, who sobbed and clutched him, dripping, to her bosom. The priest laughed, said he had never seen the likes, that the child was a regular little Baptist now and hardly needed a priest. This maddened Malachy again and he wanted to jump at the priest for calling the child some class of a Protestant. The priest said, Quiet, man, you're in God's house, and when Malachy said, God's house, my arse, he was thrown out on Court Street because you can't say arse in God's house.&#xA;After baptism Philomena said she had tea and ham and cakes in her house around the corner. Malachy said, Tea? and she said, Yes, tea, or is it whiskey you want? He said tea was grand but first he'd have to go and deal with John McErlaine, who didn't have the decency to carry out his duties as godfather. Angela said, You're only looking for an excuse to run to the speakeasy, and he said, As God is my witness, the drink is the last thing on my mind. Angela started to cry. Your son's christening day and you have to go drinking. Delia told him he was a disgusting specimen but what could you expect from the North of Ireland.&#xA;Malachy looked from one to the other, shifted on his feet, pulled his cap down over his eyes, shoved his hands deep in his trouser pockets, said, Och, aye, the way they do in the far reaches of County Antrim, turned, hurried up Court Street to the speakeasy on Atlantic Avenue where he was sure they'd ply him with free drink in honor of his son's baptism.&#xA;At Philomena's house the sisters and their husbands ate and drank while Angela sat in a corner nursing the baby and crying. Philomena stuffed her mouth with bread and ham and rumbled at Angela, That's what you get for being such a fool. Hardly off the boat and you fall for that lunatic. You shoulda stayed single, put the child up for adoption, and you'd be a free woman today. Angela cried harder and Delia took up the attack, Oh, stop it, Angela, stop it. You have nobody to blame but yourself for gettin' into trouble with a drunkard from the North, a man that doesn't even look like a Catholic, him with his odd manner. I'd say&#xA;that... that... Malachy has a streak of the Presbyterian in him right enough. You shuddup, Jimmy.&#xA;If I was you, said Philomena, I'd make sure there's no more children. He don't have a job, so he don't, an' never will the way he drinks. So... no more children, Angela. Are you listenin' to me?&#xA;I am, Philomena.&#xA;A year later another child was born. Angela called him Malachy after his father and gave him a middle name, Gerard, after his father's brother.&#xA;The MacNamara sisters said Angela was nothing but a rabbit and they wanted nothing to do with her till she came to her senses.&#xA;Their husbands agreed.&#xA;I'm in a playground on Classon Avenue in Brooklyn with my brother, Malachy. He's two, I'm three. We're on the seesaw.&#xA;Up, down, up, down.&#xA;Malachy goes up.&#xA;I get off.&#xA;Malachy goes down. Seesaw hits the ground. He screams. His hand is&#xA;on his mouth and there's blood.&#xA;Oh, God. Blood is bad. My mother will kill me.&#xA;And here she is, trying to run across the playground. Her big belly&#xA;slows her.&#xA;She says, What did you do? What did you do to I don't know what to say. I don't know what I She pulls my ear. Go home. Go to bed. Bed?&#xA;In the middle of the day?&#xA;She pushes me toward the playground gate. Go. She picks up Malachy and waddles off.&#xA;My father's friend, Mr. MacAdorey, is outside&#xA;the child?&#xA;did.&#xA;our building. He's standing at the edge of the sidewalk with his wife, Minnie, looking at a&#xA;dog lying in the gutter. There is blood all around the dog's head. It's the color of the blood from Malachy's mouth.&#xA;Malachy has dog blood and the dog has Malachy blood.&#xA;I pull Mr. MacAdorey's hand. I tell him Malachy has blood like the&#xA;dog.&#xA;Oh, he does, indeed, Francis. Cats have it, too. And Eskimos. All&#xA;the same blood.&#xA;Minnie says, Stop that, Dan. Stop confusing the wee fellow. She&#xA;tells me the poor wee dog was hit by a car and he crawled all the way from the middle of the street before he died. Wanted to come home, the poor wee creature.&#xA;Mr. MacAdorey says, You'd better go home, Francis. I don't know what you did to your wee brother, but your mother took him off to the hospital. Go home, child.&#xA;Will Malachy die like the dog, Mr. MacAdorey? Minnie says, He bit his tongue. He won't die. Why did the dog die?&#xA;It was his time, Francis.&#xA;The apartment is empty and I wander between the two rooms, the bedroom and the kitchen. My father is out looking for a job and my mother is at the hospital with Malachy. I wish I had something to eat but there's nothing in the icebox but cabbage leaves floating in the melted ice. My father said never eat anything floating in water for the rot that might be in it. I fall asleep on my parents' bed and when my mother&#xA;shakes me it's nearly dark. Your little brother is going to sleep a while. Nearly bit his tongue off. Stitches galore. Go into the other&#xA;room.&#xA;My father is in the kitchen sipping black tea from his big white&#xA;enamel mug. He lifts me to his lap.&#xA;Dad, will you tell me the story about Coo Coo?&#xA;Cuchulain. Say it after me, Coo-hoo-lin. I'll tell you the story&#xA;when you say the name right. Coo-hoo-lin.&#xA;I say it right and he tells me the story of Cuchulain, who had a&#xA;different name when he was a boy, Setanta. He grew up in Ireland where Dad lived when he was a boy in County Antrim. Setanta had a stick and ball and one day he hit the ball and it went into the mouth of a big dog that belonged to Culain and choked him. Oh, Culain was angry and he said, What am I to do now without my big dog to guard my house and my wife and my ten small children as well as numerous pigs, hens, sheep?&#xA;Setanta said, I'm sorry. I'll guard your house with my stick and ball and I'll change my name to Cuchulain, the Hound of Culain. He did. He guarded the house and regions beyond and became a great hero, the Hound of Ulster itself. Dad said he was a greater hero than Hercules or Achilles that the Greeks were always bragging about and he could take on King Arthur and all his knights in a fair fight which, of course, you could never get with an Englishman anyway.&#xA;That's my story. Dad can't tell that story to Malachy or any other children down the hall.&#xA;He finishes the story and lets me sip his tea. It's bitter, but I'm happy there on his lap.&#xA;For days Malachy's tongue is swollen and he can hardly make a sound never mind talk. But even if he could no one is paying any attention to him because we have two new babies who were brought by an angel in the middle of the night. The neighbors say, Ooh, Ah, they're lovely boys, look at those big eyes.&#xA;Malachy stands in the middle of the room, looking up at everyone, pointing to his tongue and saying, Uck, uck. When the neighbors say, Can't you see we're looking at your little brothers? he cries, till Dad pats him on the head. Put in your tongue, son, and go out and play with Frankie. Go on.&#xA;In the playground I tell Malachy about the dog who died in the street because someone drove a ball into his mouth. Malachy shakes his head. No uck ball. Car uck kill dog. He cries because his tongue hurts and he can hardly talk and it's terrible when you can't talk. He won't let me push him on the swing. He says, You uck kill me uck on seesaw. He gets Freddie Leibowitz to push him and he's happy, laughing when he swings to the sky. Freddie is big, he's seven, and I ask him to push me. He says, No, you tried to kill your brother.&#xA;I try to get the swing going myself but all I can do is move it back and forth and I'm angry because Freddie and Malachy are laughing at the way I can't swing. They're great pals now, Freddie, seven, Malachy, two. They laugh every day and Malachy's tongue gets better with all the laughing.&#xA;When he laughs you can see how white and small and pretty his teeth are and you can see his eyes shine. He has blue eyes like my mother. He has golden hair and pink cheeks. I have brown eyes like Dad. I have black hair and my cheeks are white in the mirror. My mother tells Mrs. Leibowitz down the hall that Malachy is the happiest child in the world.&#xA;She tells Mrs. Leibowitz down the hall, Frankie has the odd manner like his father. I wonder what the odd manner is but I can't ask because I'm not supposed to be listening.&#xA;I wish I could swing up into the sky, up into the clouds. I might be able to fly around the whole world and not hear my brothers, Oliver and Eugene, cry in the middle of the night anymore. My mother says they're always hungry. She cries in the middle of the night, too. She says she's worn out nursing and feeding and changing and four boys is too much for her. She wishes she had one little girl all for herself. She'd give anything for one little girl.&#xA;I'm in the playground with Malachy. I'm four, he's three. He lets me push him on the swing because he's no good at swinging himself and Freddie Leibowitz is in school. We have to stay in the playground because the twins are sleeping and my mother says she's worn out. Go out and play, she says, and give me some rest. Dad is out looking for a job again and sometimes he comes home with the smell of whiskey, singing all the songs about suffering Ireland. Mam gets angry and says Ireland can kiss her arse. He says that's nice language to be using in front of the children and she says never mind the language, food on the table is what she wants, not suffering Ireland. She says it was a sad day Prohibition ended because Dad gets the drink going around to saloons offering to sweep out the bars and lift barrels for a whiskey or a beer. Sometimes he brings home bits of the free lunch, rye bread, corned beef, pickles. He puts the food on the table and drinks tea himself. He says food is a shock to the system and he doesn't know where we get our appetites. Mam&#xA;says,&#xA;They get their appetites because they're starving half the time.&#xA;When Dad gets a job Mam is cheerful and she sings, Anyone can see why I wanted your kiss,&#xA;It had to be and the reason is this&#xA;Could it be true, someone like you&#xA;Could love me, love me?&#xA;When Dad brings home the first week's wages Mam is delighted she can pay the lovely Italian man in the grocery shop and she can hold her head up again because there's nothing worse in the world than to owe and be beholden to anyone. She cleans the kitchen, washes the mugs and plates, brushes crumbs and bits of food from the table, cleans out the icebox and orders a fresh block of ice from another Italian. She buys toilet paper that we can take down the hall to the lavatory and that, she says, is better than having the headlines from the Daily News blackening your arse. She boils water on the stove and spends a day at a great tin tub washing our shirts and socks, diapers for the twins, our two sheets, our three towels. She hangs everything out on the clotheslines behind the apartment house and we can watch the clothes dance in wind and sun. She says you wouldn't want the neighbors to know what you have in the way of a wash but there's nothing like the sweetness of clothes dried by the sun.&#xA;When Dad brings home the first week's wages on a Friday night we know the weekend will be wonderful. On Saturday night Mam will boil water on the stove and wash us in the great tin tub and Dad will dry us. Malachy will turn around and show his behind. Dad will pretend to be shocked and we'll all laugh. Mam will make hot cocoa and we'll be able to stay up while Dad tells us a story out of his head. All we have to do is&#xA;say a name, Mr. MacAdorey or Mr. Leibowitz down the hall, and Dad will have the two of them rowing up a river in Brazil chased by Indians with green noses and puce shoulders. On nights like that we can drift off to sleep knowing there will be a breakfast of eggs, fried tomatoes and fried bread, tea with lashings of sugar and milk and, later in the day, a big dinner of mashed potatoes, peas and ham, and a trifle Mam makes, layers of fruit and warm delicious custard on a cake soaked in sherry.&#xA;When Dad brings home the first week's wages and the weather is fine Mam takes us to the playground. She sits on a bench and talks to Minnie MacAdorey. She tells Minnie stories about characters in Limerick and Minnie tells her about characters in Belfast and they laugh because there are funny people in Ireland, North and South. Then they teach each other sad songs and Malachy and I leave the swings and see-saws to sit with them on the bench and sing, A group of young soldiers one night in a camp Were talking of sweethearts they had.&#xA;All seemed so merry except one young lad, And he was downhearted and sad.&#xA;Come and join us, said one of the boys, Surely there's someone for you.&#xA;But Ned shook his head and proudly he said I am in love with two, Each like a mother to me,&#xA;From neither of them shall I part.&#xA;For one is my mother,&#xA;God bless her and love her,&#xA;The other is my sweetheart.&#xA;Malachy and I sing that song and Mam and Minnie laugh till they cry at the way Malachy takes a deep bow and holds his arms out to Mam at the end. Dan MacAdorey comes along on his way home from work and says Rudy Vallee better start worrying about the competition.&#xA;When we go home Mam makes tea and bread and jam or mashed potatoes with butter and salt. Dad drinks the tea and eats nothing. Mam says, God above, How can you work all day and not eat? He says, The tea is enough. She says, You'll ruin your health, and he tells her again that food is a shock to the system. He drinks his tea and tells us stories and shows us letters and words in the Daily News or he smokes a cigarette, stares at the wall, runs his tongue over his lips.&#xA;When Dad's job goes into the third week he does not bring home the wages. On Friday night we wait for him and Mam gives us bread and tea. The darkness comes down and the lights come on along Classon Avenue. Other men with jobs are home already and having eggs for dinner because you can't have meat on a Friday. You can hear the families talking upstairs and downstairs and down the hall and Bing Crosby is singing on the radio, Brother, can you spare a dime?&#xA;Malachy and I play with the twins. We know Mam won't sing Anyone can see why I wanted your kiss. She sits at the kitchen table talking to herself, What am I going to do? till it's late and Dad rolls up the stairs singing Roddy McCorley. He pushes in the door and calls for us, Where are my troops? Where are my four warriors?&#xA;Mam says, Leave those boys alone. They're gone to bed half hungry because you have to fill your belly with whiskey.&#xA;He comes to the bedroom door. Up, boys, up. A nickel for everyone who promises to die for Ireland.&#xA;Deep in Canadian woods we met&#xA;From one bright island flown.&#xA;Great is the land we tread, but yet&#xA;Our hearts are with our own.&#xA;Up, boys, up. Francis, Malachy, Oliver, Eugene. The Red Branch Knights, the Fenian Men, the IRA. Up, up.&#xA;Mam is at the kitchen table, shaking, her hair hanging damp, her face wet. Can't you leave them alone? she says. Jesus, Mary and Joseph,&#xA;isn't it enough that you come home without making fools of the children on top of it? She comes to us. Go back to bed, she&#xA;I want them up, he says. I want them&#xA;be free from the center to the sea.&#xA;Don't cross me, she says, for if you your mother's house.&#xA;a penny in your pocket without&#xA;says.&#xA;ready for the day Ireland will&#xA;do it'll be a sorry day in&#xA;He pulls his cap down over his face and cries, My poor mother. Poor Ireland. Och, what are we going to do?&#xA;Mam says, You're pure stone mad, and she tells us again to go to bed.&#xA;On the morning of the fourth Friday of Dad's job Mam asks him if he'll be home tonight with his wages or will he drink everything again? He looks at us and shakes his head at Mam as if to say, Och, you shouldn't talk like that in front of the children.&#xA;Mam keeps at him. I'm asking you, Are you coming home so that we can have a bit of supper or will it be midnight with no money in your pocket and you singing Kevin Barry and the rest of the sad songs?&#xA;He puts on his cap, shoves his hands into his trouser pockets, sighs and looks up at the ceiling. I told you before I'll be home, he&#xA;says.&#xA;Later in the day Mam dresses us. She puts the twins into the pram&#xA;and off we go through the long streets of Brooklyn. Sometimes she lets Malachy sit in the pram when he's tired of trotting along beside her. She tells me I'm too big for the pram. I could tell her I have pains in my legs from trying to keep up with her but she's not singing and I know this is not the day to be talking about my pains.&#xA;We come to a big gate where there's a man standing in a box with windows all around. Mam talks to the man. She wants to know if she can go inside to where the men are paid and maybe they'd give her some of Dad's wages so he wouldn't spend it in the bars. The man shakes his head. I'm sorry, lady, but if we did that we'd have half the wives in Brooklyn storming the place. Lotta men have the drinking problem but there's nothing we can do long as they show up sober and do their work.&#xA;We wait across the street. Mam lets me sit on the sidewalk with my back against the wall. She gives the twins their bottles of water and sugar but Malachy and I have to wait till she gets money from Dad and we can go to the Italian for tea and bread and eggs.&#xA;When the whistle blows at half five men in caps and overalls swarm through the gate, their faces and hands black from the work. Mam tells us watch carefully for Dad because she can hardly see across the street&#xA;herself, her eyes are that bad. There are dozens of men, then a few, then none. Mam is crying, Why couldn't ye see him? Are ye blind or what?&#xA;She goes back to the man in the box. Are you sure there wouldn't be one man left inside?&#xA;No, lady, he says. They're out. I don't know how he got past you.&#xA;We go back through the long streets of Brooklyn. The twins hold up their bottles and cry for more water and sugar. Malachy says he's hungry and Mam tells him wait a little, we'll get money from Dad and we'll all have a nice supper. We'll go to the Italian and get eggs and make toast with the flames on the stove and we'll have jam on it. Oh, we will, and we'll all be nice and warm.&#xA;It's dark on Atlantic Avenue and all the bars around the Long Island Railroad Station are bright and noisy. We go from bar to bar looking for Dad. Mam leaves us outside with the pram while she goes in or she sends me. There are crowds of noisy men and stale smells that remind me of Dad when he comes home with the smell of the whiskey on him.&#xA;The man behind the bar says, Yeah, sonny, whaddya want? You're not supposeta be in here, y'know.&#xA;I'm looking for my father. Is my father here?&#xA;Naw, sonny, how'd I know dat? Who's your fawdah?&#xA;His name is Malachy and he sings Kevin Barry.&#xA;Malarkey?&#xA;No, Malachy.&#xA;Malachy? And he sings Kevin Barry?&#xA;He calls out to the men in the bar, Youse guys, youse know guy&#xA;Malachy what sings Kevin Barry?&#xA;Men shake their heads. One says he knew a guy Michael sang Kevin&#xA;Barry but he died of the drink which he had because of his war wounds. The barman says, Jeez, Pete, I didn't ax ya to tell me history o'&#xA;da woild, did I? Naw, kid. We don't let people sing in here. Causes trouble. Specially the Irish. Let 'em sing, next the fists are flying. Besides, I never hoid a name like dat Malachy. Naw, kid, no Malachy here.&#xA;The man called Pete holds his glass toward me. Here, kid, have a sip, but the barman says, Whaddya doin', Pete? Tryina get the kid drunk? Do that again, Pete, an' I'll come out an' break y'ass.&#xA;Mam tries all the bars around the station before she gives up. She leans against a wall and cries. Jesus, we still have to walk all the way to Classon Avenue and I have four starving children. She sends me back into the bar where Pete offered me the sip to see if the barman would fill the twins' bottles with water and maybe a little sugar in each. The men in the bar think it's very funny that the barman should be filling baby bottles but he's big and he tells them shut their lip. He tells me babies should be drinking milk not water and when I tell him Mam doesn't have the money he empties the baby bottles and fills them with milk. He says, Tell ya mom they need that for the teeth an' bones. Ya drink water an' sugar an' all ya get is rickets. Tell ya Mom.&#xA;Mam is happy with the milk. She says she knows all about teeth and bones and rickets but beggars can't be choosers.&#xA;When we reach Classon Avenue she goes straight to the Italian grocery shop. She tells the man her husband is late tonight, that he's probably working overtime, and would it be at all possible to get a few things and she'll be sure to see him tomorrow?&#xA;The Italian says, Missus, you always pay your bill sooner or later and you can have anything you like in this store.&#xA;Oh, she says, I don't want much.&#xA;Anything you like, missus, because I know you're an honest woman and you got a bunch o' nice kids there.&#xA;We have eggs and toast and jam though we're so weary walking the long streets of Brooklyn we can barely move our jaws to chew. The twins fall asleep after eating and Mam lays them on the bed to change their diapers. She sends me down the hall to rinse the dirty diapers in the lavatory so that they can be hung up to dry and used the next day. Malachy helps her wash the twins' bottoms though he's ready to fall asleep himself.&#xA;I crawl into bed with Malachy and the twins. I look out at Mam at the kitchen table, smoking a cigarette, drinking tea, and crying. I want to get up and tell her I'll be a man soon and I'll get a job in the place with the big gate and I'll come home every Friday night with money for eggs and toast and jam and she can sing again Anyone can see why I wanted your kiss.&#xA;The next week Dad loses the job. He comes home that Friday night, throws his wages on the table and says to Mam, Are you happy now? You hang around the gate complaining and accusing and they sack me. They were looking for an excuse and you gave it to them.&#xA;He takes a few dollars from his wages and goes out. He comes home late roaring and singing. The twins cry and Mam shushes them and cries a long time herself.&#xA;We spend hours in the playground when the twins are sleeping, when Mam is tired, and when Dad comes home with the whiskey smell on him, roaring about Kevin Barry getting hanged on a Monday morning or the Roddy McCorley song, Up the narrow street he stepped Smiling and proud and young About the hemp rope on his neck The golden ringlets clung, There's never a tear in the blue eyes Both glad and bright are they, As Roddy McCorley goes to die On the bridge of Toome today.&#xA;When he sings he marches around the table, Mam cries and the twins howl with her. She says, Go out, Frankie, go out, Malachy. You shouldn't see your father like this. Stay in the playground. We don't mind going to the playground.&#xA;We can play with the leaves piling up on the ground and we can push each other on the swings but then winter comes to Classon Avenue and the swings are frozen and won't even move. Minnie MacAdorey says, God help these poor wee boys.&#xA;They don't have a glove between them. That makes me laugh because I know Malachy and I have four hands between us and one glove would be silly. Malachy doesn't know what I'm laughing at: He won't know anything till he's four going on five.&#xA;Minnie brings us in and gives us tea and porridge with jam in it. Mr. MacAdorey sits in an armchair with their new baby, Maisie. He holds her bottle and sings, Clap hands, clap hands, Till Daddy comes home, With buns in his pocket For Maisie alone.&#xA;Clap hands, clap hands,&#xA;Till Daddy comes home,&#xA;For Daddy has money&#xA;And Mammy has none.&#xA;Malachy tries to sing that song but I tell him stop, it's Maisie's song. He starts to cry and Minnie says, There, there. You can sing the&#xA;song.&#xA;and I&#xA;song.&#xA;That's a song for all the children. Mr. MacAdorey smiles at Malachy wonder what kind of world is it where anyone can sing anyone else's&#xA;Minnie says, Don't frown, Frankie. It makes your face dark and God it's dark enough. Some day you'll have a little sister and you can&#xA;knows&#xA;sing that song to her. Och, aye. You'll have a little sister, surely.&#xA;Minnie is right and Mam gets her wish. There's a new baby soon, a little girl, and they call her Margaret. We all love Margaret. She has black curly hair and blue eyes like Mam and she waves her little hands and chirps like any little bird in the trees along Classon Avenue. Minnie says there was a holiday in heaven the day this child was made. Mrs. Leibowitz says the world never saw such eyes, such a smile, such happiness. She makes me dance, says Mrs. Leibowitz.&#xA;sings&#xA;When Dad comes home from looking for a job he holds Margaret and to her: In a shady nook one moonlit night A leprechaun I spied.&#xA;With scarlet cap and coat of green&#xA;A cruiskeen by his side.&#xA;'Twas tick tock tick his hammer went Upon a tiny shoe.&#xA;Oh, I laugh to think he was caught at last, But the fairy was laughing, too.&#xA;He walks around the kitchen with her and talks to her. He tells her how lovely she is with her curly black hair and the blue eyes of her mother. He tells her he'll take her to Ireland and they'll walk the Glens of Antrim and swim in Lough Neagh. He'll get a job soon, so he will, and she'll have dresses of silk and shoes with silver buckles.&#xA;The more Dad sings to Margaret the less she cries and as the days pass she even begins to laugh. Mam says, Look at him trying to dance with that child in his arms, him with his two left feet. She laughs and we all laugh.&#xA;The twins cried when they were small and Dad and Mam would say Whisht and Hush and feed them and they'd go back to sleep. But when Margaret cries there's a high lonely feeling in the air and Dad is out of bed in a second, holding her to him, doing a slow dance around the table, singing to her, making sounds like a mother. When he passes the window where the streetlight shines in you can see tears on his cheeks and that's strange because he never cries for anyone unless he has the drink taken and he sings the Kevin Barry song and the Roddy McCorley song. Now he cries over Margaret and he has no smell of drink on him.&#xA;Mam tells Minnie MacAdorey, He's in heaven over that child. He hasn't touched a drop since she was born. I should've had a little girl a long time ago.&#xA;Och, they're lovely, aren't they? says Minnie. The little boys are grand, too, but you need a little girl for yourself.&#xA;My mother laughs, For myself? Lord above, if I didn't nurse her I wouldn't be able to get near her the way he wants to be holding her day and night.&#xA;Minnie says it's lovely, all the same, to see a man so charmed with his little girl for isn't everyone charmed with her?&#xA;Everyone.&#xA;The twins are able to stand and walk and they have accidents all the time. Their bottoms are sore because they're always wet and shitty. They put dirty things in their mouths, bits of paper, feathers, shoelaces, and they get sick. Mam says we're all driving her crazy. She dresses the twins, puts them in the pram, and Malachy and I take them to the playground. The cold weather is gone and the trees have green leaves up and down Classon Avenue.&#xA;We race the pram around the playground and the twins laugh and make goo-goo sounds till they get hungry and start to cry. There are two bottles in the pram filled with water and sugar and that keeps them quiet for awhile till they're hungry again and they cry so hard I don't know what to do because they're so small and I wish I could give them all kinds of food so that they'd laugh and make the baby sounds. They love the mushy food Mam makes in a pot, bread mashed up in milk and water and sugar. Mam calls it bread and goody.&#xA;If I take the twins home now Mam will yell at me for giving her no rest or for waking Margaret. We are to stay in the playground till she sticks her head out the window and calls for us. I make funny faces for the twins to stop their crying. I put a piece of paper on my head and let it fall and they laugh and laugh. I push the pram over to Malachy playing on the swings with Freddie Leibowitz. Malachy is trying to tell Freddie all about the way Setanta became Cuchulain. I tell him stop telling that story, it's my story. He won't stop. I push him and he cries, Waah, waah, I'll tell Mam. Freddie pushes me and everything turns dark in my head and I run at him with fists and knees and feet till he yells, Hey, stop, stop, and I won't because I can't, I don't know how, and if I stop Malachy will go on taking my story from me. Freddie pushes me away and runs off, yelling, Frankie tried to kill me. Frankie tried to kill me. I don't know what to do because I never tried to kill anyone before and now Malachy, on the swing, cries, Don't kill me, Frankie, and he looks so helpless I put my arms around him and help him off the swing. He hugs me. I won't tell your story anymore. I won't tell Freddie about Coo, Coo. I want to laugh but I can't because the twins are crying in the pram and it's dark in the playground and what's the use of trying to make funny faces and letting things fall off your head when they can't see you in the dark?&#xA;The Italian grocery shop is across the street and I see bananas, apples, oranges. I know the twins can eat bananas. Malachy loves bananas and I like them myself. But you need money, Italians are not known for giving away bananas especially to the McCourts who owe them money already for groceries.&#xA;My mother tells me all the time, Never, never leave that playground except to come home. But what am I to do with the twins bawling with the hunger in the pram? I tell Malachy I'll be back in a minute. I make sure no one is looking, grab a bunch of bananas outside the Italian grocery shop and run down Myrtle Avenue, away from the playground, around the block and back to the other end where there's a hole in the fence. We push the pram to a dark corner and peel the bananas for the twins. There are five bananas in the bunch and we feast on them in the dark corner. The twins slobber and chew and spread banana over their faces, their hair, their clothes. I realize then that questions will be asked. Mam will want to know why the twins are smothered in bananas, where did you get them? I can't tell her about the Italian shop on the corner. I will have to say, A man.&#xA;That's what I'll say. A man.&#xA;Then the strange thing happens. There's a man at the gate of the playground. He's calling me. Oh, God, it's the Italian. Hey, sonny, come 'ere. Hey, talkin' to ya. Come 'ere.&#xA;I go to him.&#xA;You the kid wid the little bruddas, right? Twins?&#xA;Yes, sir.&#xA;Heah. Gotta bag o' fruit. I don' give it to you I trow id out.&#xA;Right? So, heah, take the bag. Ya got apples, oranges, bananas. Ya like bananas, right? I think ya like bananas, eh? Ha, ha. I know ya like the bananas. Heah, take the bag. Ya gotta nice mother there. Ya father? Well, ya know, he's got the problem, the Irish thing. Give them twins a banana. Shud 'em up. I hear 'em all the way cross the street.&#xA;Thank you, sir.&#xA;Jeez. Polite kid, eh? Where ja loin dat?&#xA;My father told me to say thanks, sir.&#xA;Your father? Oh, well.&#xA;Dad sits at the table reading the paper. He says that President&#xA;Roosevelt is a good man and everyone in America will soon have a job. Mam is on the other side of the table feeding Margaret with a bottle. She has the hard look that frightens me.&#xA;Where did you get that fruit?&#xA;The man.&#xA;What man?&#xA;The Italian man gave it to me.&#xA;Did you steal that fruit?&#xA;Malachy says, The man. The man&#xA;And what did you do to Freddie&#xA;Lovely woman. I don't know what we'd&#xA;And you had to attack poor Freddie.&#xA;gave Frankie the bag.&#xA;Leibowitz? His mother was here.&#xA;do without her and Minnie MacAdorey.&#xA;Malachy jumps up and down. He din't. He din't. Din't try to kill Freddie. Din't try to kill me.&#xA;Dad says, Whisht, Malachy, whisht. Come over here. And he takes Malachy on his lap.&#xA;My mother says, Go down the hall and tell Freddie you're sorry.&#xA;But Dad says, Do you want to tell Freddie you're sorry?&#xA;I don't.&#xA;My parents look at one another. Dad says, Freddie is a good boy. He&#xA;was only pushing your little brother on the swing. Isn't that right? He was trying to steal my Cuchulain story.&#xA;Och, now. Freddie doesn't care about the Cuchulain story. He has&#xA;his own story. Hundreds of stories. He's Jewish. What's Jewish?&#xA;Dad laughs. Jewish is, Jewish is people with their own stories. They don't need Cuchulain. They have Moses. They have Samson.&#xA;What's Samson?&#xA;If you go down and talk to Freddie I'll tell you about Samson later. You can tell Freddie you're sorry and you'll never do it again and you can even ask him about Samson. Anything you like as long as you talk to Freddie. Will you?&#xA;The baby gives a little cry in my mother's arms and Dad jumps up, dropping Malachy to the floor. Is she all right? My mother says, Of course she's all right. She's feeding. God above, you're a bundle of nerves.&#xA;They're talking about Margaret now and I'm forgotten. I don't care. I'm going down the hall to ask Freddie about Samson, to see if Samson is as good as Cuchulain, to see if Freddie has his own story or if he still wants to steal Cuchulain. Malachy wants to go with me now that my father is standing and doesn't have a lap anymore.&#xA;Mrs. Leibowitz says, Oh, Frankie, Frankie, come in, come in. And little Malachy. And tell me, Frankie, what did you do to Freddie? Tried to kill him? Freddie is a good boy, Frankie. Reads his book. Listens to radio with his papa. He swinks you brother on swink. And you try to kill him. Oh, Frankie, Frankie. And you poor mother and her sick baby.&#xA;She's not sick, Mrs. Leibowitz.&#xA;Sick she is. Zat is one sick baby. I know from sick babies. I work in hoztipal. Don't tell me, Frankie. Come in, come in. Freddie, Freddie, Frankie is here. Come out. Frankie won't kill you no more. You and little Malachy. Nice Chewish name, have piece cake, eh? Why they give you a Chewish name, eh? So, glass milk, piece cake. You boys so thin, Irish don't eat.&#xA;We sit at the table with Freddie, eating cake, drinking milk. Mr. Leibowitz sits in an armchair reading the paper, listening to the radio. Sometimes he speaks to Mrs. Leibowitz and I don't understand because strange sounds come from his mouth. Freddie understands. When Mr. Leibowitz makes the strange sounds Freddie gets up and takes him a piece of cake. Mr. Leibowitz smiles at Freddie and pats his head and Freddie smiles back and makes the strange sounds.&#xA;Mrs. Leibowitz shakes her head at Malachy and me. Oy, so thin. She says Oy so much Malachy laughs and says Oy and the Leibowitzes laugh and Mr. Leibowitz says words we can understand, When Irish oyes are smiling. Mrs. Leibowitz laughs so hard her body shakes and she holds her stomach and Malachy says Oy again because he knows that makes everyone laugh. I say Oy but no one laughs and I know Oy belongs to Malachy the way Cuchulain belongs to me and Malachy can have his Oy.&#xA;Mrs. Leibowitz, my father said Freddie has a favorite story.&#xA;Malachy says, Sam, Sam, Oy. Everyone laughs again but I don't because I can't remember what comes after Sam. Freddie mumbles through his cake, Samson, and Mrs. Leibowitz tells him, Don't talk wiz you mouse full, and I laugh because she's grown-up and she says mouse instead of mouth. Malachy laughs because I laugh and the Leibowitzes look at each other and smile. Freddie says, Not Samson. My favorite story is David and the giant, Goliath. David killed him dead with a slingshot, a stone in his head. His brains was on the ground.&#xA;Were on the ground, says Mr. Leibowitz.&#xA;Yes, Papa. Papa.&#xA;That's what Freddie calls his father and Dad is what I call my&#xA;father.&#xA;My mother's whisper wakes me. What's up with the child? It's still&#xA;early and there isn't much morning in the room but you can see Dad over by the window with Margaret in his arms. He's rocking her and sighing,&#xA;Och.&#xA;Mam says, Is she, is she sick?&#xA;Och, she's very quiet and she's a wee bit cold.&#xA;My mother is out of the bed, taking the child. Go for the doctor.&#xA;Go for God's sake, and my father is pulling on his trousers over his shirt, no jacket, shoes, no socks on this bitter day.&#xA;We wait in the room, the twins asleep at the bottom of the bed, Malachy stirring beside me. Frankie, I want a drink of water. Mam rocks in her bed with the baby in her arms. Oh, Margaret, Margaret, my own little love. Open your lovely blue eyes, my little leanv.&#xA;I fill a cup of water for Malachy and me and my mother wails, Water for you and your brother. Oh, indeed, Water, is it? And nothing for your sister. Your poor little sister. Did you ask if she had a mouth in her head? Did you ask if she'd like a drop of water? Oh, no. Go on and drink your water, you and your brother, as if nothing happened. A regular day for the two of you, isn't it? And the twins sleeping away as if they didn't have a care and their poor little sister sick here in my arms. Sick in my arms. Oh, sweet Jesus in heaven.&#xA;Why is she talking like this? She's not talking like my mother today. I want my father. Where is my father?&#xA;I get back into bed and start to cry. Malachy says, Why you cry? Why you cry? till Mam is at me again. Your sister is sick in my arms and you're there whining and whinging. If I go over to that bed I'll give you something to whinge about.&#xA;Dad is back with the doctor. Dad has the whiskey smell. The doctor examines the baby, prods her, raises her eyelids, feels her neck, arms, legs. He straightens up and shakes his head. She's gone. Mam reaches for the baby, hugs her, turns to the wall. The doctor wants to know, Was there any kind of accident? Did anyone drop the baby? Did the boys play too hard with her? Anything?&#xA;My father shakes his head. Doctor says he'll have to take her to examine her and Dad signs a paper. My mother begs for another few minutes with her baby but the doctor says he doesn't have all day. When Dad reaches for Margaret my mother pulls away against the wall. She has the wild look, her black curly hair is damp on her forehead and there is sweat all over her face, her eyes are wide open and her face is shiny with tears, she keeps shaking her head and moaning, Ah, no, ah, no, till Dad eases the baby from her arms. The doctor wraps Margaret completely in a blanket and my mother cries, Oh, Jesus, you'll smother her. Jesus, Mary and Joseph, help me. The doctor leaves. My mother turns to the wall and doesn't make a move or sound. The twins are awake, crying with the hunger, but Dad stands in the middle of the room, staring at the ceiling. His face is white and he beats on his thighs with his fists. He comes to the bed, puts his hand on my head. His hand is shaking. Francis, I'm going out for cigarettes.&#xA;Mam stays in the bed all day, hardly moving. Malachy and I fill the twins' bottles with water and sugar. In the kitchen we find a half loaf of stale bread and two cold sausages. We can't have tea because the milk is sour in the icebox where the ice is melted again and everyone knows you can't drink tea without milk unless your father gives it to you out of his mug while he's telling you about Cuchulain.&#xA;The twins are hungry again but I know I can't give them water and sugar all day and night. I boil sour milk in a pot, mash in some of the stale bread, and try to feed them from a cup, bread and goody. They make faces and run to Mam's bed, crying. She keeps her face to the wall and they run back to me, still crying. They won't eat the bread and goody till I kill the taste of the sour milk with sugar. Now they eat and smile and rub the goody over their faces. Malachy wants some and if he can eat it, so can I. We all sit on the floor eating the goody and chewing on the&#xA;cold sausage and drinking water my mother keeps in a milk bottle in the icebox.&#xA;After we eat and drink we have to go to the lavatory down the hall but we can't get in because Mrs. Leibowitz is inside, humming and singing. She says, Wait, chiltren, wait, darlinks. Won't be two seconds. Malachy claps his hands and dances around, singing, Wait, chiltren, wait, darlinks. Mrs. Leibowitz opens the lavatory door. Look at him. Little actor awready. So, chiltren, how's you mother?&#xA;She's in bed, Mrs. Leibowitz. The doctor took Margaret and my father went for cigarettes.&#xA;Oh, Frankie, Frankie. I said that was one sick child.&#xA;Malachy is clutching himself. Have to pee. Have to pee.&#xA;So, pee awready. You boys pee and we see you mother.&#xA;After we pee Mrs. Leibowitz comes to see Mam. Oh, Mrs. McCourt. Oy&#xA;vey, darlink. Look at this. Look at these twins. Naked. Mrs. McCourt, what is mazzer, eh? The baby she is sick? So talk to me. Poor woman. Here turn around, missus. Talk to me. Oy, this is one mess. Talk to me, Mrs. McCourt.&#xA;She helps my mother sit up against the wall. Mam seems smaller. Mrs. Leibowitz says she'll bring some soup and tells me get some water to wash my mother's face. I dip a towel in cold water and pat her forehead. She presses my hand against her cheeks. Oh, Jesus, Frankie. Oh, Jesus. She won't let my hand go and I'm frightened because I've never seen her like this before. She's saying Frankie only because it's my hand she's holding and it's Margaret she's thinking about, not me. Your lovely little sister is dead, Frankie. Dead. And where is your father? She lets my hand drop. I said where is your father? Drinking. That's where he is. There isn't a penny in the house. He can't get a job but he finds money for the drink, money for the drink, money for the drink, money for the drink. She rears back, knocks her head on the wall and screams, Where is she? Where is she? Where is my little girl? Oh, Jesus, Mary and Joseph, help me this night. I'll go mad, so I will, I'll go pure mad.&#xA;Mrs. Leibowitz rushes in. Missus, missus, what is it? The little girl. Where is she?&#xA;My mother screams again, Dead, Mrs. Leibowitz. Dead. Her head drops and she rocks back and forth. Middle of the night, Mrs. Leibowitz. In her pram. I should have been watching her. Seven weeks she had in this world and died in the middle of the night, alone, Mrs. Leibowitz, all alone in that pram.&#xA;Mrs. Leibowitz holds my mother in her arms. Shush, now, shush. Babies go like that. It happens, missus. God takes them.&#xA;In the pram, Mrs. Leibowitz. Near my bed. I could have picked her up and she didn't have to die, did she? God doesn't want little babies. What is God going to do with little babies?&#xA;I don't know, missus. I don't know from God. Have soup. Good soup. Make you strong. You boys. Get bowls. I give you soup.&#xA;What's bowls, Mrs. Leibowitz?&#xA;Oh, Frankie. You don't know bowl? For the soup, darlink. You don' have a bowl? So get cups for the soup. I mix pea soup and lentil soup. No ham. Irish like the ham. No ham, Frankie. Drink, missus. Drink you soup.&#xA;She spoons the soup into my mother's mouth, wipes the dribble from her chin. Malachy and I sit on the floor drinking from mugs. We spoon the soup into the twins' mouths. It is lovely and hot and tasty. My mother never makes soup like this and I wonder if there's any chance Mrs.&#xA;Leibowitz could ever be my mother. Freddie could be me and have my mother and my father, too, and he could have Malachy and the twins for brothers. He can't have Margaret anymore because she's like the dog in the street that was taken away. I don't know why she was taken away. My mother said she died in her pram and that must be like getting hit by a car because they take you away.&#xA;I wish little Margaret could be here for the soup. I could give it to her with a spoon the way Mrs. Leibowitz is giving it to my mother and she'd gurgle and laugh the way she did with Dad. She wouldn't cry anymore and my mother wouldn't be in the bed day and night and Dad would be telling me Cuchulain stories and I wouldn't want Mrs. Leibowitz to be my mother anymore. Mrs. Leibowitz is nice but I'd rather have my father telling me Cuchulain stories and Margaret chirping and Mam laughing when Dad dances with two left feet.&#xA;Minnie MacAdorey comes in to help. Mother o' God, Mrs. Leibowitz, these twins smell to the high heavens.&#xA;I don't know about Mother o' God, Minnie, but these twins need a wash. They need clean diapers. Frankie, where are the clean diapers?&#xA;I don't know.&#xA;Minnie says, They're just wearing rags for diapers. I'll get some of Maisie's. Frankie, you take off those rags and throw them out.&#xA;Malachy removes Oliver's rag and I struggle with Eugene. The safety pin is stuck and when he wriggles it comes loose, sticks him in the hip, and starts him screaming for Mam. But Minnie is back with a towel and soap and hot water. I help her wash away the caked shit and she lets me shake talcum powder on the twins' raw sore skin. She says they're good little boys and she has a big surprise for them. She goes down the hall and brings back a pot of mashed potatoes for all of us. There is plenty of salt and butter in the potatoes and I wonder if there's any chance Minnie could be my mother so that I could eat like this all the time. If I could have Mrs. Leibowitz and Minnie for mothers at the same time I'd have no end of soup and mashed potatoes.&#xA;Minnie and Mrs. Leibowitz sit at the table. Mrs. Leibowitz says something has to be done. These children are running wild and where is the father? I hear Minnie whisper he's out for the drink. Mrs. Leibowitz says terrible, terrible, the way the Irish drink. Minnie says her Dan doesn't drink. Never touches the stuff and Dan told her that when the baby died that poor man, Malachy McCourt, went mad all over Flatbush Avenue and Atlantic Avenue, that he was thrown out of all the bars around the Long Island Railroad Station, that the cops would have thrown him in jail if it was anything else but the death of that lovely little baby.&#xA;Here he has four lovely little boys, says Minnie, but it's no comfort to him. That little girl brought out something in him. You know he didn't even drink after she was born and that was a miracle.&#xA;Mrs. Leibowitz wants to know where Mam's cousins are, the big women with the quiet husbands. Minnie will find them and tell them the children are neglected, running wild, sore arses and everything.&#xA;Two days later Dad returns from his cigarette hunt. It's the middle of the night but he gets Malachy and me out of the bed. He has the smell of the drink on him. He has us stand at attention in the kitchen. We are soldiers. He tells us we must promise to die for Ireland.&#xA;We will, Dad, we will.&#xA;All together we sing Kevin Barry,&#xA;On Mountjoy one Monday morning,&#xA;High upon the gallows tree,&#xA;Kevin Barry gave his young life&#xA;For the cause of liberty.&#xA;Just a lad of eighteen summers&#xA;Sure there's no one can deny&#xA;As he marched to death that morning&#xA;How he held his head on high.&#xA;There's a knock at the door, Mr. MacAdorey. Och, Malachy, for God's sake, it's three in the morning. You have the whole house woke with the singing.&#xA;Och, Dan, I'm only teaching the boys to die for Ireland.&#xA;You can teach them to die for Ireland in the daytime, Malachy. 'Tis urgent, Dan, 'tis urgent.&#xA;I know, Malachy, but they're only children. Babies. You go to bed&#xA;now like a dacent man.&#xA;Bed, Dan! What am I to do in bed? Her little face is there day and&#xA;night, her curly black hair and her lovely blue eyes. Oh, Jesus, Dan, what will I do? Was it the hunger that killed her, Dan?&#xA;Of course not. Your missus was nursing her. God took her. He has his reasons.&#xA;One more song, Dan, before we go to bed. Good night, Malachy.&#xA;Come on, boys. Sing.&#xA;Because he loved the motherland, Because he loved the green&#xA;He goes to meet a martyr's fate With proud and joyous mien;&#xA;True to the last, oh! true to the last He treads the upward way;&#xA;Young Roddy McCorley goes to die&#xA;On the bridge at Toome today.&#xA;You'll die for Ireland, won't you, boys?&#xA;We will, Dad.&#xA;And we'll all meet your little sister in heaven, won't we, boys? We will, Dad.&#xA;My brother is standing with his face pressed against a leg of the&#xA;table and he's asleep. Dad lifts him, staggers across the room, places him in the bed by my mother. I climb into bed and my father, still in his clothes, lies beside me. I'm hoping he'll put his arms around me but he goes on singing about Roddy McCorley and talking to Margaret, Oh, my little curly-haired, blue-eyed love, I would dress you in silks and take you to Lough Neagh, till day is at the window and I fall asleep.&#xA;That night Cuchulain comes to me. There's a big green bird on his shoulder that keeps singing about Kevin Barry and Roddy McCorley and I don't like that bird because there's blood dripping from his mouth when he sings. In one hand Cuchulain carries the gae bolga, the spear that is so mighty only he can throw it. In the other hand he carries a banana, which he keeps offering to the bird, who just squawks and spits blood at&#xA;him. You'd wonder why Cuchulain puts up with a bird like that. If the twins ever spat blood at me when I offered them a banana I think I'd hit them on the head with it.&#xA;In the morning my father is at the kitchen table and I tell him my dream. He says there were no bananas in Ireland in the old times and even if there were Cuchulain would never offer one to that bird because that was the one that came over from England for the summer and perched on his shoulder when he was dying and propped up against a stone and when the men of Erin which is Ireland wanted to kill him they were afraid till they saw the bird drinking Cuchulain's blood and then they knew it was safe to attack him, the dirty bloody cowards. So you have to be wary of birds, Francis, birds and Englishmen.&#xA;Most of the day Mam lies in bed with her face to the wall. If she drinks tea or eats anything she throws up in the bucket under the bed and I have to empty it and rinse it in the lavatory down the hall. Mrs. Leibowitz brings her soup and funny bread that is twisted. Mam tries to slice it but Mrs. Leibowitz laughs and tells her just pull. Malachy calls it pull bread but Mrs. Leibowitz says, No, it's challah, and teaches us how to say it. She shakes her head. Oy, you Irish. You'll live forever but you'll never say challah like a Chew.&#xA;Minnie MacAdorey brings potatoes and cabbage and sometimes a piece of meat. Och, times are hard, Angela, but that lovely man, Mr. Roosevelt, will find a job for everyone and your husband will have work. Poor man, it's not his fault there's a Depression. He looks for work day and night. My Dan is lucky, four years with the city and he don't drink. He grew up in Toome with your husband. Some drink. Some don't. Curse of the Irish. Now eat, Angela. Build yourself up after your loss.&#xA;Mr. MacAdorey tells Dad there's work with the WPA and when he gets the work there's money for food and Mam leaves the bed to clean the twins and to feed us. When Dad comes home with the drink smell there's no money and Mam screams at him till the twins cry, and Malachy and I run out to the playground. On those nights Mam crawls back into bed and Dad sings the sad songs about Ireland. Why doesn't he hold her and help her sleep the way he did with my little sister who died? Why doesn't he sing a Margaret song or a song that will dry Mam's tears? He still gets Malachy and me out of bed to stand in our shirts promising to die for Ireland. One night he wanted to make the twins promise to die for Ireland but they can't even talk and Mam screamed at him, You mad oul' bastard, can't you leave the children alone?&#xA;He'll give us a nickel for ice cream if we promise to die for Ireland and we promise but we never get the nickel.&#xA;We get soup from Mrs. Leibowitz and mashed potatoes from Minnie MacAdorey and they show us how to take care of the twins, how to wash their bottoms and how to wash diaper rags after they get them all shitty. Mrs. Leibowitz calls them diapers and Minnie calls them nappies but it doesn't matter what they call them because the twins get them shitty anyway. If Mam stays in the bed and Dad goes out looking for a job we can do what we like all day. We can put the twins in the small swings in the park and swing them till they get hungry and cry. The Italian man calls to me from across the street, Hey, Frankie, c'mere. Watch out crossing da street. Dem twins hungry again? He gives us bits of cheese and ham and bananas but I can't eat bananas anymore after the way the bird spat blood at Cuchulain.&#xA;The man says his name is Mr. Dimino and that's his wife, Angela, behind the counter. I tell him that's my mother's name. No kiddin', kid. Your mother is Angela? I didn't know the Irish had any Angelas. Hey, Angela, his mother's name is Angela. She smiles. She says, Thatsa nice.&#xA;Mr. Dimino asks me about Mam and Dad and who cooks for us. I tell him we get food from Mrs. Leibowitz and Minnie MacAdorey. I tell him all about the diapers and the nappies and how they get shitty anyway and he laughs. Angela, you listenin' to this? Thank God you're Italian, Angela. He says, Kid, I gotta talk to Mrs. Leibowitz. Ya gotta have relations can take care of you. Ya see Minnie MacAdorey, tell her come in see me. You kids runnin' wild.&#xA;Two big women are at the door. They say, Who are you? I'm Frank. Frank! How old are you?&#xA;I'm four going on five.&#xA;You're not very big for your age, are you?&#xA;I don't know.&#xA;Is your mother here?&#xA;She's in the bed.&#xA;What is she doing in the bed on a fine day in the middle of the&#xA;day?&#xA;She's sleeping. Well, we'll come in. We have to talk to your&#xA;mother.&#xA;They brush past me into the room. Jesus, Mary and Joseph, the smell&#xA;of this place. And who are these children?&#xA;Malachy runs smiling to the big women. When he smiles you can see&#xA;how white and straight and pretty his teeth are and you can see the shiny blue of his eyes, the pink of his cheeks. All that makes the big women smile and I wonder why they didn't smile when they talked to me.&#xA;Malachy says, I'm Malachy and this is Oliver and this is Eugene, they're twins, and that's Frankie over there.&#xA;The big woman with the brown hair says, Well, you're not a bit shy, are you? I'm your mother's cousin, Philomena, and this is your mother's cousin, Delia. I'm Mrs. Flynn and she's Mrs. Fortune and that's what you call us.&#xA;Good God, says Philomena. Those twins are naked. Don't you have clothes for them?&#xA;Malachy says, They're all shitty.&#xA;Delia barks. See. That's what happens. A mouth like a sewer, and no wonder with a father from the North. Don't use that word. That's a bad word, a curse word. You could go to hell using a word like that.&#xA;What's hell? says Malachy. You'll know soon enough, says Delia.&#xA;The big women sit at the table with Mrs. Leibowitz and Minnie MacAdorey. Philomena says it's terrible what happened to Angela's little baby. They heard all about it and you'd wonder, wouldn't you, what they did with the little body. You might wonder and I might wonder but Tommy Flynn didn't wonder. Tommy said that Malachy from the North got money for that baby. Money? says Mrs. Leibowitz. That's right, says Philomena. Money. They take bodies any age and do experiments on them and there's not much left to give back nor would you want back bits of baby when they can't be buried in consecrated ground in that condition.&#xA;That's terrible, says Mrs. Leibowitz. A father or mother would never give the baby for something like that.&#xA;They would, says Delia, when they have the craving for the drink. They'd give their own mothers when they have the craving so what's a baby that's dead and gone in the first place?&#xA;Mrs. Leibowitz shakes her head and rocks in her chair. Oy, she says, oy, oy, oy. The poor baby. The poor mother. I thank God my husband don'have no what you call it? Craving? Right, craving. It's the Irish have the craving.&#xA;Not my husband, says Philomena. I'd break his face if he came home with the craving. Of course, Delia's Jimmy has the craving. Every Friday night you see him slipping into the saloon.&#xA;You needn't start insulting my Jimmy, says Delia. He works. He brings home his wages.&#xA;You'd want to keep an eye on him, says Philomena. The craving could get the better of him and you'd have another Malachy from the North on your hands.&#xA;Mind your own bloody business, says Delia. At least Jimmy is Irish, not born in Brooklyn like your Tommy.&#xA;And Philomena has no answer for that.&#xA;Minnie is holding her baby and the big women say she's a lovely baby, clean, not like this pack of Angela's running around this place. Philomena says she doesn't know where Angela got her dirty habits because Angela's mother was spotless, so clean you could eat your dinner off her floor.&#xA;I wonder why you'd want to eat your dinner off the floor when you had a table and a chair.&#xA;Delia says something has to be done about Angela and these children for they are a disgrace, so they are, enough to make you ashamed to be related. A letter has to be written to Angela's mother. Philomena will write it because a teacher in Limerick told her once she had a fine fist. Delia has to tell Mrs. Leibowitz that a fine fist means good handwriting.&#xA;Mrs. Leibowitz goes down the hall to borrow her husband's fountain pen, paper and an envelope. The four women sit at the table and make up a letter to send to my mother's mother: Dear Aunt Margaret, I take pen in hand to write you this letter and hope this finds you as it leaves us in the best of health. My husband Tommy is in fine form working away and Delia's husband Jimmy is in fine form working away and we hope this finds you in fine form. I am very sorry to tell you that Angela is not in fine form as the baby died, the little girl that was called Margaret after yourself, and Angela has not been the same since lying in the bed with her face to the wall. To make matters worser we think she's expecting again and that's too much altogether. The minute she losses one child there is another one on the way. We don't know how she does it. She's married four years, five children and another on the way. That shows you what can happen when you marry someone from the North for they have no control over themselves up there a bunch of Protestands that they are. He goes out for work every day but we know he spends all his time in the saloons and gets a few dollars for sweeping floors and lifting barrels and spends the money right back on the drink. It's terrible, Aunt Margaret, and we all think Angela and the children would be better off in her native land. We don't have the money to buy the tickets ourselves for times is hard but you might be able to see your way. Hopping this finds you in fine form as it leaves us thank God and His Blessed Mother.&#xA;I remain your loving neice&#xA;Philomena Flynn (what was MacNamara) and last but not least your neice Delia Fortune (what was MacNamara, too, ha ha ha)&#xA;Grandma Sheehan sent money to Philomena and Delia. They bought the tickets, found a steamer trunk at the St. Vincent de Paul Society, hired a van to take us to the pier in Manhattan, put us on the ship, said Good- bye and good riddance, and went away.&#xA;The ship pulled away from the dock. Mam said, That's the Statue of Liberty and that's Ellis Island where all the immigrants came in. Then she leaned over the side and vomited and the wind from the Atlantic blew it all over us and other happy people admiring the view. Passengers cursed and ran, seagulls came from all over the harbor and Mam hung limp and pale on the ship's rail.&#xA;II&#xA;In a week we arrived at Moville, County Donegal, where we took a bus to Belfast and from there another bus to Toome in County Antrim. We left the trunk in a shop and set out to walk the two miles up the road to Grandpa McCourt's house. It was dark on the road, the dawn barely stirring on the hills beyond.&#xA;Dad carried the twins in his arms and they took turns crying with the hunger. Mam stopped every few minutes to sit and rest on the stone wall along the road. We sat with her and watched the sky turn red and then blue. Birds started to chirp and sing in the trees and as the dawn came up we saw strange creatures in the fields, standing, looking at us. Malachy said, What are they, Dad?&#xA;Cows, son.&#xA;What are cows, Dad?&#xA;Cows are cows, son.&#xA;We walked farther along the brightening road and there were other&#xA;creatures in the fields, white furry creatures. Malachy said, What are they, Dad?&#xA;Sheep, son.&#xA;What are sheep, Dad?&#xA;My father barked at him, Is there any end to your questions? Sheep are sheep, cows are cows, and that over there is a goat. A goat is a goat. The goat gives milk, the sheep gives wool, the cow gives everything. What else in God's name do you want to know?&#xA;And Malachy yelped with fright because Dad never talked like that, never spoke sharply to us. He might get us up in the middle of the night and make us promise to die for Ireland but he never barked like this. Malachy ran to Mam and she said, There, there, love, don't cry. Your father is just worn out carrying the twins and 'tis hard answering all those questions when you're carting twins through the world.&#xA;Dad set the twins on the road and held out his arms to Malachy. Now the twins started to cry and Malachy clung to Mam, sobbing. The cows mooed, the sheep maaed, the goat ehehed, the birds twittered in the trees, and the beep beep of a motor car cut through everything. A man called from the motor car, Good Lord, what are you people doing on this road at this hour of an Easter Sunday morning?&#xA;Dad said, Good morning, Father.&#xA;Father? I said. Dad, is that your father?&#xA;Mam said, Don't ask him any questions.&#xA;Dad said, No, no, this is a priest.&#xA;Malachy said, What's a-? but Mam put her hand over his mouth. The priest had white hair and a white collar. He said, Where are&#xA;you going?&#xA;Dad said, Up the road to McCourts of Moneyglass, and the priest&#xA;took us in his motor car. He said he knew the McCourts, a fine family, good Catholics, some daily communicants, and he hoped he'd see us all at Mass, especially the little Yankees who didn't know what a priest was, God help us.&#xA;At the house my mother reaches for the gate latch. Dad says, No, no, not that way. Not the front gate. They use the front door only for visits from the priest or funerals.&#xA;We make our way around the house to the kitchen door. Dad pushes in the door and there's Grandpa McCourt drinking tea from a big mug and Grandma McCourt frying something.&#xA;Och, says Grandpa, you're here.&#xA;Och, we are, says Dad. He points to my mother. This is Angela, he says. Grandpa says, Och, you must be worn out, Angela. Grandma says nothing, she turns back to the frying pan. Grandpa leads us through the kitchen to a large room with a long table and chairs. He says, Sit down and have some tea. Would you like boxty?&#xA;Malachy says, What's boxty?&#xA;Dad laughs. Pancakes, son. Pancakes made with potatoes.&#xA;Grandpa says, We have eggs. It's Easter Sunday and you can have all&#xA;the eggs you can hold.&#xA;We have tea and boxty and boiled eggs and we all fall asleep. I&#xA;wake up in a bed with Malachy and the twins. My parents are in another bed over by the window. Where am I? It's getting dark. This is not the ship. Mam snores hink, Dad snores honk. I get up and poke at Dad. I have to pee. He says, Use the chamber pot.&#xA;What?&#xA;Under the bed, son. The chamber pot. It has roses on it and maidens cavorting in the glen. Pee in that, son.&#xA;I want to ask him what he's talking about for even if I'm bursting I feel strange peeing into a pot with roses and maidens cavorting, whatever they are. We had nothing like this in Classon Avenue where Mrs. Leibowitz sang in the lavatory while we clutched ourselves in the hall.&#xA;Now Malachy has to use the chamber pot but he wants to sit on it. Dad says, No, you can't do that, son. You have to go outside. When he says that I have to go, too, to sit. He leads us downstairs and through the big room where Grandpa is sitting reading by the fire and Grandma is dozing in her chair. It's dark outside, though the moon is bright enough for us to see where we're going. Dad opens the door of a little house that has a seat with a hole in it. He shows Malachy and me how to sit on the hole and how to wipe ourselves with squares of newspaper stuck on a nail. Then he tells us wait while he goes inside, closes the door and grunts. The moon is so bright I can look down the field and see the things called cows and sheep and I wonder why they don't go home.&#xA;In the house there are other people in the room with my grandparents. Dad says, These are your aunts: Emily, Nora, Maggie, Vera. Your aunt Eva is in Ballymena with children like you. My aunts are not like Mrs. Leibowitz and Minnie MacAdorey, they nod their heads but they don't hug us or smile. Mam comes into the room with the twins and when&#xA;Dad tells his sisters, This is Angela and these are the twins, they just nod again.&#xA;Grandma goes to the kitchen and soon we have bread and sausages and tea. The only one who speaks at the table is Malachy. He points his spoon at the aunts and asks their names again. When Mam tells him eat his sausage and be quiet his eyes fill with tears and Aunt Nora reaches over to comfort him. She says, There, there, and I wonder why everyone says there there when Malachy cries. I wonder what there there means.&#xA;It's quiet at the table till Dad says, Things are terrible in America. Grandma says, Och, aye. I read it in the paper. But they say Mr. Roosevelt is a good man and if you stayed you might have work by now.&#xA;Dad shakes his head and Grandma says, I don't know what you're going to do, Malachy. Things are worse here than they are in America. No work here and, God knows, we don't have room in this house for six more people.&#xA;Dad says, I thought I might get work on some of the farms. We could get a small place.&#xA;Where would you stay in the meantime? says Grandma. And how would you support yourself and your family?&#xA;Och, I could go on the dole, I suppose.&#xA;You can't get off a ship from America and go on the dole, says Grandpa. They make you wait a while and what would you do while you're waiting?&#xA;Dad says nothing and Mam looks straight ahead at the wall.&#xA;You'd be better off in the Free State, says Grandma. Dublin is big and surely there's work there or in the farms around.&#xA;You're entitled to money from the IRA, too, says Grandpa. You did your bit and they've been handing out money to men all over the Free State. You could go to Dublin and ask for help. We can loan you the bus fare to Dublin. The twins can sit on your lap and you won't have to pay for them.&#xA;Dad says, Och, aye, and Mam stares at the wall with tears in her eyes.&#xA;After we ate we went back to bed and next morning, all the grown- ups sat around looking sad. Soon a man came in a motor car and took us back down the road to the shop which had our trunk. They lifted the trunk up on the roof of a bus and we got into the bus. Dad said we were going to Dublin. Malachy said, What's Dublin? but no one answered him. Dad held Eugene on his lap and Mam held Oliver. Dad looked out at the fields and told me this is where Cuchulain liked to go for a walk. I asked him where Cuchulain hit the ball into the dog's mouth and he said a few miles away.&#xA;Malachy said, Look, look, and we looked. It was a great silvery sheet of water and Dad said it was Lough Neagh, the largest lake in Ireland, the lake where Cuchulain used to swim after his great battles. Cuchulain would get so hot that when he jumped into Lough Neagh it boiled over and warmed the surrounding countryside for days. Some day we'd all come back and go swimming like Cuchulain himself. We'd fish for eels and fry them in a pan not like Cuchulain, who would pluck them from the lough and swallow them, wriggling, because there's great power in an eel.&#xA;Is that right, Dad?&#xA;'Tis.&#xA;Mam didn't look out the window at Lough Neagh. Her cheek rested on&#xA;top of Oliver's head and she stared at the floor of the bus.&#xA;Soon the bus is rolling into a place where there are big houses, motor cars, horses pulling carts, people on bicycles and hundreds walking. Malachy is excited. Dad, Dad, where's the playground, the swings? I want to see Freddie Leibowitz.&#xA;Och, son, you're in Dublin now, far from Classon Avenue. You're in Ireland, a long way from New York.&#xA;When the bus stops the trunk is lifted down and set on the floor of the bus station. Dad tells Mam she can sit on a bench in the station while he goes to see the IRA man in a place called Terenure. He says there are lavatories in the station for the boys, he won't be long, he'll have money when he returns and we'll all have food. He tells me go with him and Mam says, No, I need him to help. But when Dad says, I'll need help carrying all that money, she laughs and says, All right, go with your Pop.&#xA;Your Pop. That means she's in a good mood. If she says your father it means she's in a bad mood.&#xA;Dad holds my hand as I trot along beside him. He's a fast walker, it's a long way to Terenure and I'm hoping he'll stop and carry me the way he did with the twins in Toome. But he lopes along and says nothing except to ask people where Terenure is. In awhile he says we're in Terenure and now we have to find Mr. Charles Heggarty of the IRA. A man with a pink patch on his eye tells us we're on the right street, Charlie Heggarty lives at number fourteen, God blast him. The man tells Dad, I can see you're a man that did his bit. Dad says, Och, I did my bit, and the man says, I did me bit, too, and what did it get me but one eye less and a pension that wouldn't feed a canary.&#xA;But Ireland is free, says Dad, and that's a grand thing.&#xA;Free, my arse, the man says. I think we were better off under the English. Good luck to you anyway, mister, for I think I know what you're here for.&#xA;A woman opens the door at number fourteen. I'm afraid, she says, that Mr. Heggarty is busy. Dad tells her he just walked all the way from the middle of Dublin with his small son, that he left wife and three children waiting for him at the bus place, and if Mr. Heggarty is that busy then we'll wait for him on the doorstep.&#xA;The woman is back in a minute to say Mr. Heggarty has a little time to spare and would you come this way. Mr. Heggarty is sitting at a desk near a glowing fire. He says, What can I do for you? Dad stands before the desk and says, I have just returned from America with wife and four children. We have nothing. I fought with a Flying Column during the Troubles and I'm hoping you can help me now in the time of need.&#xA;Mr. Heggarty takes Dad's name and turns the pages of a big book on his desk. He shakes his head, No, no record of your service here. Dad makes a long speech. He tells Mr. Heggarty how he fought, where, when, how he had to be smuggled out of Ireland because of the price on his head, how he was raising his sons to love Ireland.&#xA;Mr. Heggarty says he's sorry but he can't be handing out money to every man who wanders in claiming he did his bit. Dad says to me, Remember this, Francis. This is the new Ireland. Little men in little chairs with little bits of paper. This is the Ireland men died for. Mr. Heggarty says he'll look into Dad's claim and he'll be sure to let him know what turns up. He'll let us have money to take the bus back into the city. Dad looks at the coins in Mr. Heggarty's hand and says, You could add to that and make the price of a pint.&#xA;Oh, it's the drink you want, is it?&#xA;One pint is hardly drink.&#xA;You'd walk the miles back and make the boy walk because you want a&#xA;pint, wouldn't you?&#xA;Walking never killed anyone.&#xA;I want you to leave this house, says Mr. Heggarty, or I'll call a&#xA;guard, and you can be sure you'll never hear from me again. We're not handing out money to support the Guinness family.&#xA;Night falls along the streets of Dublin. Children laugh and play under streetlights, mothers call from doorways, smells of cooking come at us all the way, through windows we see people around tables, eating. I'm tired and hungry and I want Dad to carry me but I know there's no use asking him now the way his face is tight and set. I let him hold my hand and I run to keep up with him till we reach the bus place where Mam is waiting with my brothers.&#xA;They're all asleep on the bench, my mother and three brothers. When Dad tells Mam there's no money she shakes her head and sobs, Oh, Jesus, what are we going to do? A man in a blue uniform comes over and asks her, What's up, missus? Dad tells him we're stranded there at the bus station, we have no money and no place to stay and the children are hungry. The man says he's going off duty now, he'll take us to the police barracks where he has to report anyway, and they'll see what can be done.&#xA;The man in uniform tells us we can call him guard. That's what you call policemen in Ireland. He asks us what you call policemen in America and Malachy says, cop. The guard pats him on the head and tells him he's a clever little Yankee.&#xA;At the police barracks the sergeant tells us we can spend the night. He's sorry but all he can offer is the floor. It's Thursday and the cells are filled with men who drank their dole money and wouldn't leave the pubs.&#xA;The guards give us hot sweet tea and thick slices of bread slathered with butter and jam and we're so happy we run around the barracks, playing. The guards say we're a great bunch of little Yanks and they'd like to take us home but I say, No, Malachy says, No, the twins say, No, No, and all the guards laugh. Men in cells reach out and pat our heads, they smell like Dad when he comes home singing about Kevin Barry and Roddy McCorley going to die. The men say, Jasus, will ye listen to them. They sound like bloody fillum stars. Did yez fall outa the sky or what? Women in cells at the other end tell Malachy he's gorgeous and the twins are dotes. One woman talks to me. C'mere, love, would you like a sweet? I nod, and she says, All right, put your hand out. She takes something sticky from her mouth and puts it on my hand. There you are now, she says, a nice bit of butterscotch. Put that in your mouth. I don't want to put it in my mouth because it's sticky and wet from her mouth but I don't know what you're supposed to do when a woman in a cell offers you sticky butterscotch and I'm about to put it in my mouth when a guard comes, takes the butterscotch and throws it back at the woman. You drunken hoor, he says, leave the child alone, and all the women laugh.&#xA;The sergeant gives my mother a blanket and she sleeps stretched out on a bench. The rest of us lie on the floor. Dad sits with his back to the wall, his eyes open under the peak of his cap, and he smokes when the guards give him cigarettes. The guard who threw the butterscotch at the woman says he's from Ballymena in the north and he talks with Dad about people they know there and in other places like Cushendall and Toome. The&#xA;guard says he'll have a pension some day and he'll live on the shores of Lough Neagh and fish his days away. Eels, he says, eels galore. Jasus, I love a fried eel. I ask Dad, Is this Cuchulain? and the guard laughs till his face turns red. Ah, Mother o' God, did yez hear this? The lad wants to know if I'm Cuchulain. A little Yank and he knows all about Cuchulain.&#xA;Dad says, No, he's not Cuchulain but he's a fine man who will live on the shores of Lough Neagh and fish his days away.&#xA;****&#xA;Dad is shaking me. Up, Francis, up. It is noisy in the barracks. A boy mopping the floor is singing, Anyone can see why I wanted your kiss, It had to be and the reason is this, Could it be true, someone like you Could love me, love me?&#xA;I tell him that's my mother's song and he's to stop singing it but he just puffs on his cigarette and walks away and I wonder why people have to sing other people's songs. Men and women coming out of the cells are yawning and grunting. The woman who offered me the butterscotch stops and says, I had a drop taken, child. I'm sorry I made a fool of you, but the guard from Ballymena tells her, Move on, you oul' hoor, before I lock you up again.&#xA;Oh, lock me up, she says. In, out. What does it matter, you blue arsed bastard.&#xA;Mam is sitting up on the bench, the blanket wrapped around her. A woman with gray hair brings her a mug of tea and tells her, Sure, I'm the sergeant's wife and he said you might need help. Would you like a nice soft-boiled egg, missus?&#xA;Mam shakes her head, no.&#xA;Ah, now, missus, surely you should have a nice egg in your condition.&#xA;But Mam shakes her head and I wonder how she can say no to a soft- boiled egg when there's nothing in the world like it.&#xA;All right, ma'am, says the sergeant's wife, a bit of toast, then, and something for the children and your poor husband.&#xA;She goes back to another room and soon there's tea and bread. Dad drinks his tea but gives us his bread and Mam says, Will you eat your bread, for God's sake. You won't be much use to us falling down with the hunger. He shakes his head and asks the sergeant's wife is there any chance of a cigarette. She brings him the cigarette and tells Mam the guards in the barracks have taken up a collection to pay our train fares to Limerick. There will be a motor car to pick up our trunk and leave us at Kingsbridge Railway Station and, You'll be in Limerick in three or four hours.&#xA;Mam puts up her arms and hugs the sergeant's wife. God bless you and your husband and all the guards, Mam says. I don't know what we'd do without you. God knows 'tis a lovely thing to be back among our own.&#xA;'Tis the least we could do, says the sergeant's wife. These are lovely children you have and I'm from Cork meself and I know what 'tis to be in Dublin without two pennies to rub together.&#xA;Dad sits at the other end of the bench, smoking his cigarette, drinking his tea. He stays that way till the motor car comes to take us through the streets of Dublin. Dad asks the driver if he'd mind going by way of the G. P. O. and the driver says, Is it a stamp you want or what? No, says Dad. I hear they put up a new statue of Cuchulain to honor the men who died in 1916 and I'd like to show it to my son here who has a great admiration for Cuchulain.&#xA;The driver says he has no notion of who this Cuchulain was but he wouldn't mind stopping one bit. He might come in himself and see what the commotion is all about for he hasn't been in the G. P. O. since he was a boy and the English nearly wrecked it with their big guns firing up from the Liffey River. He says you'll see the bullet holes all over the front and they should be left there to remind the Irish of English perfidy. I ask the man what's perfidy and he says ask your father and I would but we're stopping outside a big building with columns and that's the G. P. O.&#xA;Mam stays in the motor car while we follow the driver into the G. P. O. There he is, he says, there's your man Cuchulain.&#xA;And I feel tears coming because I'm looking at him at last, Cuchulain, there on his pedestal in the G. P. O. He's golden and he has long hair, his head is hanging and there's a big bird perched on his shoulder.&#xA;The driver says, Now what in God's name is this all about? What's this fellow doin' with the long hair and the bird on his shoulder? And will you kindly tell me, mister, what this has to do with the men of 1916?&#xA;Dad says, Cuchulain fought to the end like the men of Easter Week. His enemies were afraid to go near him till they were sure he was dead and when the bird landed on him and drank his blood they knew.&#xA;Well, says the driver, 'tis a sad day for the men of Ireland when they need a bird to tell them a man is dead. I think we better go now or we'll be missing that train to Limerick.&#xA;The sergeant's wife said she'd send a telegram to Grandma to meet us in Limerick and there she was on the platform, Grandma, with white hair, sour eyes, a black shawl, and no smile for my mother or any of us, even my brother, Malachy, who had the big smile and the sweet white teeth. Mam pointed to Dad. This is Malachy, she said, and Grandma nodded and looked away. She called two boys who were hanging around the railway station and paid them to carry the trunk. The boys had shaved heads, snotty noses, and no shoes and we followed them through the streets of Limerick. I asked Mam why they had no hair and she said their heads were shaved so that the lice would have no place to hide. Malachy said, What's a lice? and Mam said, Not lice. One of them is a louse. Grandma said, Will ye stop it! What kind o' talk is this? The boys whistled and laughed and trotted along as if they had shoes and Grandma told them, Stop that laughin' or 'tis droppin' an' breakin' that trunk ye'll be. They stopped the whistling and laughing and we followed them into a park with a tall pillar and a statue in the middle and grass so green it dazzled you.&#xA;Dad carried the twins, Mam carried a bag in one hand and held Malachy's hand with the other. When she stopped every few minutes to catch her breath, Grandma said, Are you still smokin' them fags? Them fags will be the death of you. There's enough consumption in Limerick without people smokin' fags on top of it an'&#xA;'tis a rich man's foolishness.&#xA;Along the path through the park there were hundreds of flowers of different colors that excited the twins. They pointed and made squeaky noises and we laughed, everyone except Grandma, who pulled her shawl over her head. Dad stopped and put the twins down so that they could be closer to the flowers. He said, Flowers, and they ran back and forth, pointing, trying to say Flowers. One of the boys with the trunk said, God, are they Americans? and Mam said, They are. They were born in New York. All the&#xA;boys were born in New York. The boy said to the other boy, God, they're Americans. They put the trunk down and stared at us and we stared back at them till Grandma said, Are ye goin' to stand here all day lookin' at flowers an' gawkin' at each other? And we all moved on again, out of the park, down a narrow lane and into another lane to Grandma's house.&#xA;There is a row of small houses on each side of the lane and Grandma lives in one of the small houses. Her kitchen has a shiny polished black iron range with a fire glowing in the grate. There is a table along the wall under the window and a press opposite with cups and saucers and vases. This press is always locked and she keeps the key in her purse because you're not supposed to use anything in there unless someone dies or returns from foreign parts or there's a visit by a priest.&#xA;There is a picture on the wall by the range of a man with long brown hair and sad eyes. He is pointing to his chest where there is a big heart with flames coming out of it. Mam tells us, That's the Sacred Heart of Jesus, and I want to know why the man's heart is on fire and why doesn't He throw water on it? Grandma says, Don't these children know anything about their religion? and Mam tells her it's different in America. Grandma says the Sacred Heart is everywhere and there's no excuse for that kind of ignorance.&#xA;Under the picture of the man with the burning heart there is a shelf with a red glass holding a flickering candle and next to it a small statue. Mam tells us, That's the Baby Jesus, the Infant of Prague, and if ye ever need anything pray to Him.&#xA;Malachy says, Mam, could I tell Him I'm hungry, and Mam puts her finger to her lips.&#xA;Grandma grumbles around the kitchen making tea and telling Mam to cut the loaf of bread and don't make the cuts too thick. Mam sits by the table with her breath coming hard and says she'll cut the bread in a minute. Dad takes the knife and starts slicing the bread and you can see Grandma doesn't like that. She frowns at him but says nothing even though he makes thick slices.&#xA;There aren't enough chairs for everyone so I sit on the stairs with my brothers to have bread and tea. Dad and Mam sit at the table and Grandma sits under the Sacred Heart with her mug of tea. She says, I don't know under God what I'm goin' to do with ye. There is no room in this house. There isn't room for even one of ye.&#xA;Malachy says, Ye, ye, and starts to giggle and I say, Ye, ye, and the twins say, Ye, ye, and we're laughing so hard we can hardly eat our bread.&#xA;Grandma glares at us. What are ye laughin' at? There's nothin' to laugh at in this house. Ye better behave yeerselves before I go over to&#xA;ye.&#xA;She won't stop saying Ye, and now Malachy is helpless with&#xA;laughter, spewing out his bread and tea, his face turning red.&#xA;Dad says, Malachy and the rest of you, stop it. But Malachy can't, he goes on laughing till Dad says, Come over here. He rolls up Malachy's&#xA;sleeve and raises his hand to slap his arm.&#xA;Are you going to behave yourself?&#xA;Malachy's eyes fill with tears and he nods, I will, because Dad&#xA;never raised his hand like that before. Dad says, Be a good boy and go sit with your brothers, and he pulls down the sleeve and pats Malachy on the head.&#xA;That night Mam's sister, Aunt Aggie, came home from her job in the clothing factory. She was big like the MacNamara sisters, and she had flaming red hair. She wheeled a large bicycle into the little room behind the kitchen and came out to her supper. She was living in Grandma's because she had a fight with her husband, Pa Keating, who told her, when he had drink taken, You're a great fat cow, go home to your mother. That's what Grandma told Mam and that's why there was no room for us in Grandma's house. She had herself, Aunt Aggie, and her son Pat, who was my uncle and who was out selling newspapers.&#xA;Aunt Aggie complained when Grandma told her Mam would have to sleep with her that night. Grandma said, Oh, will you shut your gob. 'Tis only for one night an' that won't kill you an' if you don't like it you can go back to your husband where you belong anyway instead of runnin' home to me. Jesus, Mary an' Holy St. Joseph, look at this house- you an' Pat an' Angela and her clatther of Americans. Will I have any peace in the latter end of my life?&#xA;She spread coats and rags on the floor of the little back room and we slept there with the bicycle. Dad stayed on a chair in the kitchen, took us to the lavatory in the backyard when we needed it, and in the night hushed the twins when they cried from the cold.&#xA;In the morning, Aunt Aggie came for her bicycle telling us, Will ye mind yeerselves, will ye? Will ye get out of my way?&#xA;When she left, Malachy kept saying, Will ye mind yeerselves, will ye? Will ye get out of the way, will ye? and I could hear Dad laughing out in the kitchen till Grandma came down the stairs and he had to tell Malachy be quiet.&#xA;That day Grandma and Mam went out and found a furnished room on Windmill Street where Aunt Aggie had a flat with her husband, Pa Keating. Grandma paid the rent, ten shillings for two weeks. She gave Mam money for food, loaned us a kettle, a pot, a frying pan, knives and spoons, jam jars to be used for mugs, a blanket and a pillow. She said that was all she could afford anymore, that Dad would have to get up off his arse, get a job, go on the dole, go for the charity at the St. Vincent de Paul Society or go on the relief.&#xA;The room had a fireplace where we could boil water for our tea or an egg in case we ever came into money. We had a table and three chairs and a bed, which Mam said was the biggest she had ever seen. We were glad of the bed that night, worn out after nights on floors in Dublin and in Grandma's. It didn't matter that there were six of us in the bed, we were together, away from grandmothers and guards, Malachy could say ye ye ye and we could laugh as much as we liked.&#xA;Dad and Mam lay at the head of the bed, Malachy and I at the bottom, the twins wherever they could find comfort. Malachy made us laugh again. Ye, ye, ye, he said, and oy oy oy, and then fell asleep. Mam made the little hink hink snore sound that told us she was sleeping. In the moonlight I could look up the length of the bed and see Dad still awake and when Oliver cried in his sleep Dad reached for him and held him. Whisht, he said. Whisht.&#xA;Then Eugene sat up, screaming, tearing at himself. Ah, ah, Mommy, Mommy. Dad sat up. What? What's up, son? Eugene went on crying and when Dad leaped from the bed and turned on the gaslight we saw the fleas, leaping, jumping, fastened to our flesh. We slapped at them and slapped but they hopped from body to body, hopping, biting. We tore at the bites till they bled. We jumped from the bed, the twins crying, Mam moaning,&#xA;Oh, Jesus, will we have no rest! Dad poured water and salt into a jam jar and dabbed at our bites. The salt burned but he said we'd feel better&#xA;soon.&#xA;Mam sat by the fireplace with the twins on her lap. Dad pulled on&#xA;his trousers and dragged the mattress off the bed and out to the street. He filled the kettle and the pot with water, stood the mattress against the wall, pounded it with a shoe, told me to keep pouring water on the ground to drown the fleas dropping there. The Limerick moon was so bright I could see bits of it shimmering in the water and I wanted to scoop up moon bits but how could I with the fleas leaping on my legs. Dad kept pounding with the shoe and I had to run back through the house to the backyard tap for more water in the kettle and the pot. Mam said, Look at you. Your shoes are drenched and you'll catch your death and your father will surely get the pneumonia without a shoe to his foot.&#xA;A man on a bicycle stopped and wanted to know why Dad was beating that mattress. Mother o' God, he said, I never heard such a cure for fleas. Do you know that if a man could jump like a flea one lep would take him halfway to the moon? The thing to do is this, when you go back inside with that mattress stick it on the bed upside down and that will confuse the little buggers. They won't know where they are and they'll be biting the mattress or each other, which is the best cure of all. After they bite the human being they have the frenzy, you know, for there are other fleas around them that also bit the human being and the smell of the blood is too much for them and they go out of their minds. They're a right bloody torment an' I should know for didn't I grow up in Limerick, down in the Irishtown, an' the fleas there were so plentiful an' forward they'd sit on the toe of your boot an' discuss Ireland's woeful history with you. It is said there were no fleas in ancient Ireland, that they were brought in be the English to drive us out of our wits entirely, an'I wouldn't put it past the English. An'isn't it a very curious thing that St. Patrick drove the snakes out of Ireland an' the English brought in the fleas. For centuries Ireland was a lovely peaceful place, snakes gone, not a flea to be found. You could stroll the four green fields of Ireland without fear of snakes an' have a good night's sleep with no fleas to bother you. Them snakes were doin' no harm, they wouldn't bother you unless you cornered them an' they lived off other creatures that move under bushes an'such places, whereas the flea sucks the blood from you mornin' noon an' night for that's his nature an' he can't help himself. I hear for a fact that places that have snakes galore have no fleas. Arizona, for instance. You're forever hearing about the snakes of Arizona but when did you ever hear of fleas in Arizona? Good luck to you. I have to be careful standin' here for if one of them gets on my clothes I might as well invite his whole family home. They multiply faster than Hindus.&#xA;Dad said, You wouldn't by any chance have a cigarette, would you?&#xA;A cigarette? Oh, sure, of course. Here you are. Aren't I nearly destroyed from the fags myself. The oul' hacking cough, you know. So powerful it nearly knocks me off the bicycle. I can feel that cough stirring in me solar plexus an' workin' its way up through me entrails till the next thing it takes off the top o' me head.&#xA;He struck a match on a box, lit a cigarette for himself and held out the match for Dad. Of course, he said, you're bound to have the cough when you live in Limerick because this is the capital city of the weak chest and the weak chest leads to the consumption. If all the people that has consumption in Limerick were to die this would be a ghost town,&#xA;though I don't have consumption meself. No, this cough was a present from the Germans. He paused, puffed on his cigarette, and struggled with a cough. Bejesus, excuse the language, but the fags'll get me in the end. Well, I'll leave you now to the mattress an' remember what I told you, confuse the little buggers.&#xA;He wobbled away on his bicycle, the cigarette dangling from his mouth, the cough racking his body. Dad said, Limerickmen talk too much. Come on, we'll put this mattress back and see if there's any sleep in this night.&#xA;Mam sat by the fireplace with the twins asleep on her lap, and Malachy lay curled up on the floor by her feet. She said, Who was that you were talking to? It sounded very like Pa Keating, Aggie's husband. I could tell by the cough. He got that cough in France in the war when he swallowed the gas.&#xA;We slept the rest of that night, and in the morning we saw where the fleas had feasted, our flesh pink with flea welts and bright with the blood of our scratches.&#xA;Mam made tea and fried bread, and once more Dad dabbed at our bites with the salty water. He hauled the mattress outside again to the backyard. On a cold day like this the fleas would surely freeze to death and we'd all have a good night's sleep.&#xA;A few days later when we're settled into the room Dad is shaking me out of my dreams. Up, Francis, up. Put on your clothes and run over for your aunt Aggie. Your mother needs her. Hurry.&#xA;Mam is moaning in the bed, her face pure white. Dad has Malachy and the twins out of the bed and sitting on the floor by the dead fire. I run across the street and knock on Aunt Aggie's door till Uncle Pat Keating comes coughing and grumbling, What's up? What's up?&#xA;My mother is moaning in the bed. I think she's sick.&#xA;Now Aunt Aggie comes grumbling. Ye are nothing but trouble since ye came from America.&#xA;Leave him alone, Aggie, he's only a child that's doing what he's told.&#xA;She tells Uncle Pa go back to bed, that he has to go to work in the morning not like some from the North that she won't mention. He says, No, no, I'm coming. There's something wrong with Angela.&#xA;Dad tells me sit over there with my brothers. I don't know what's up with Mam because everyone is whispering and I can barely hear Aunt&#xA;Aggie&#xA;Pa is&#xA;about&#xA;never looks at him.&#xA;telling Uncle Pa the child is lost run for the ambulance and Uncle out the door, Aunt Aggie telling Mam you can say what you like Limerick but the ambulance is fast. She doesn't talk to my father,&#xA;Malachy says, Dad, is Mammy sick?&#xA;Och, she'll be all right, son. She has to see the doctor.&#xA;I wonder what child is lost because we're all here, one two three&#xA;four of us, not a lost child anywhere and why can't they tell me what's wrong with my mother. Uncle Pa comes back and the ambulance is right behind him. A man comes in with a stretcher and after they carry Mam away there are blood spots on the floor by the bed. Malachy bit his tongue and there was blood and the dog on the street had blood and he died. I want to ask Dad to tell me if Mam will be gone forever like my sister Margaret but he's going with Mam and there's no use asking Aunt Aggie anything for fear she'd bite your head off. She wipes away the blood spots and tells us get back into bed and stay there till Dad comes home.&#xA;It's the middle of the night and the four of us are warm in the bed and we fall asleep till Dad comes home and tells us Mam is nice and comfortable in the hospital and she'll be home in no time.&#xA;Later, Dad goes to the Labour Exchange for the dole. There is no hope of a laboring man with a North of Ireland accent getting a job in Limerick.&#xA;When he returns, he tells Mam we'll be getting nineteen shillings a week. She says that's just enough for all of us to starve on. Nineteen shillings for six of us? That's less than four dollars in American money and how are we supposed to live on that? What are we to do when we have to pay rent in a fortnight? If the rent for this room is five shillings a week we'll have fourteen shillings for food and clothes and coal to boil the water for the tea.&#xA;Dad shakes his head, sips his tea from a jam jar, stares out the window and whistles &amp;quot;The Boys of Wexford. &amp;quot; Malachy and Oliver clap their hands and dance around the room and Dad doesn't know whether to whistle or smile because you can't do both and he can't help himself. He has to stop and smile and pat Oliver's head and then go back to the whistling. Mam smiles, too, but it's a very quick smile and when she looks into the ashes you can see the worry where the corners of her mouth turn down.&#xA;Next day she tells Dad to mind the twins and takes Malachy and me with her to the St. Vincent de Paul Society. We stand in a queue with women wearing black shawls. They ask our names and smile when we talk. They say, Lord above, would you listen to the little Yankees, and they wonder why Mam in her American coat would be looking for charity since there's hardly enough for the poor people of Limerick without Yanks coming over and taking the bread out of their mouths.&#xA;Mam tells them a cousin gave her that coat in Brooklyn, that her husband has no work, that she has other children at home, twin boys. The women sniff and pull their shawls about them, they have their own troubles. Mam tells them she had to leave America because she couldn't stand it after her baby girl died. The women sniff again but now it's because Mam is crying. Some say they lost little ones, too, and there's nothing worse in the world, you could live as long as Methuselem's wife but you never get over it. No man can ever know what it is to be a mother that has lost a child, not if the man lived longer than two Methuselems.&#xA;They all have a good cry till a red-haired woman passes a little box around. The women pick something from the box between their fingers and stuff it up their noses. A young woman sneezes and the red-haired woman laughs. Ah, sure, Biddy, you're not able for that snuff. Come here, little Yankee boys, have a pinch. She plants the brown stuff in our nostrils and we sneeze so hard the women stop crying and laugh till they have to wipe their eyes with their shawls. Mam tells us, That's good for ye, 'twill clear yeer heads.&#xA;The young woman, Biddy, tells Mam we're two lovely boys. She points at Malachy. That little fella with the goldy ringlet, isn't he gorgeous? He could be a film star with Shirley Temple. And Malachy smiles and warms up the queue.&#xA;The woman with the snuff says to Mam, Missus, I don't want to be forward but I think you should be sitting down for we heard about your&#xA;loss.&#xA;Another woman worries, Ah, no, they don't like that. Who don't like what?&#xA;Ah, sure, Nora Molloy, the Society don't like us sittin' on the steps. They want us to be standin' respectful against the wall.&#xA;They can kiss my arse, says Nora, the red-haired woman. Sit down there, missus, on that step an' I'll sit next to you an' if there's one word out of the St. Vincent de Paul Society I'll take the face off 'em, so I will. Do you smoke, missus?&#xA;I do, says Mam, but I don't have them.&#xA;Nora takes a cigarette from a pocket in her apron, breaks it, and offers half to Mam.&#xA;The worried woman says, They don't like that either. They say every fag you smoke is taking food from the mouth of your child. Mr. Quinlivan inside is dead against it. He says if you have money for the fags you have money for food.&#xA;Quinlivan can kiss my arse, too, the grinny oul' bastard. Is he going to begrudge us a puff of a fag, the only comfort we have in the world?&#xA;A door opens at the end of the hall and a man appears. Are any of ye waiting for children's boots?&#xA;Women raise their hands, I am. I am.&#xA;Well, the boots are all gone. Ye'll have to come back next month. But my Mikey needs boots for school.&#xA;They're all gone, I told you.&#xA;But 'tis freezin' abroad, Mr. Quinlivan.&#xA;The boots are all gone. Nothing I can do. What's this? Who's&#xA;smoking?&#xA;Nora waves her cigarette. I am, she says, and enjoying it down to&#xA;the last ash.&#xA;Every puff you take, he starts.&#xA;I know, she says, I'm taking food out of the mouths of my children. You're insolent, woman. You'll get no charity here.&#xA;Is that a fact? Well, Mr. Quinlivan, if I don't get it here I know&#xA;where I will.&#xA;What are you talking about?&#xA;I'll go to the Quakers. They'll give me the charity.&#xA;Mr. Quinlivan steps toward Nora and points a finger. Do you know&#xA;what we have here? We have a souper in our midst. We had the soupers in the Famine. The Protestants went round telling good Catholics that if they gave up their faith and turned Protestant they'd get more soup than their bellies could hold and, God help us, some Catholics took the soup, and were ever after known as soupers and lost their immortal souls doomed to the deepest part of hell. And you, woman, if you go to the Quakers you'll lose your immortal soul and the souls of your children.&#xA;other&#xA;Then, Mr. Quinlivan, you'll have to save us, won't you?&#xA;He stares at her and she stares back at him. His eyes wander to the&#xA;women. One puts her hand to her mouth to smother a laugh.&#xA;What are you tittering about? he barks.&#xA;Oh, nothing, Mr. Quinlivan. Honest to God.&#xA;I'm telling ye once more, no boots. And he slams the door behind&#xA;him.&#xA;One by one the women are called into the room. When Nora comes out&#xA;she's smiling and waving a piece of paper. Boots, she says. Three pairs I'm gettin' for my children. Threaten the men in there with the Quakers and they'll give you the drawers off their arses.&#xA;When Mam is called she brings Malachy and me in with her. We stand before a table where three men are sitting asking questions. Mr. Quinlivan starts to say something but the man in the middle says, Enough out of you, Quinlivan. If we left it up to you we'd have the poor people of Limerick jumping into the arms of the Protestants.&#xA;He turns to Mam, he wants to know where she got that fine red coat. She tells him what she told the women outside and when she comes to the death of Margaret she shakes and sobs. She tells the men she's very sorry for crying like that but it was only a few months ago and she's not over it yet, not even knowing where her baby was buried if she was buried at all, not knowing even if she was baptized itself because she was so weak from having the four boys she didn't have the energy to be going to the church for the baptism and it's a heart scald to think Margaret might be in Limbo forever with no hope of her ever seeing the rest of us whether we're in heaven, hell, or Purgatory itself.&#xA;Mr. Quinlivan brings her his chair. Ah, now, missus. Ah, now. Sit down, will you. Ah, now.&#xA;The other men look at the table, the ceiling. The man in the middle says he's giving Mam a docket to get a week's groceries at McGrath's shop on Parnell Street. There will be tea, sugar, flour, milk, butter and a separate docket for a bag of coal from Sutton's coal yard on the Dock Road.&#xA;The third man says, Of course you won't be getting this every week, missus. We will be visiting your house to see if there's a real need. We have to do that, missus, so we can review your claim.&#xA;Mam wipes her face on the back of her sleeve and takes the docket. She tells the men, God bless you for your kindness. They nod and look at the table, the ceiling, the walls and tell her send in the next woman.&#xA;The women outside tell Mam, When you go to McGrath's, keep an eye on the oul' bitch for she'll cheat you on the weight. She'll put stuff on a paper on the scale with the paper hanging down on her side behind the counter where she thinks you can't see it. She'll pull on that paper so that you're lucky if you get half of what you're supposed to get. And she has pictures of the Virgin Mary and the Sacred Heart of Jesus all over the shop, and she's forever on her knees abroad in St. Joseph's chapel clackin' her rosary beads an' breathing like a virgin martyr, the oul' bitch.&#xA;Nora says, I'll go with you, missus. I'm on to the same Mrs. McGrath and I'll know if she's cheating you.&#xA;She leads the way to the shop in Parnell Street. The woman behind the counter is pleasant to Mam in her American coat till Mam shows the St. Vincent de Paul docket. The woman says, I don't know what you're doing here at this hour of the day. I never serve the charity cases before six in the evening. But this is your first time and I'll make an exception.&#xA;She says to Nora, Do you have a docket, too?&#xA;No. I'm a friend helping this poor family with their first docket from the St. Vincent de Paul.&#xA;The woman lays a sheet of newspaper on the scale and pours on flour from a large bag. When she finishes pouring, she says, There's a pound of flour.&#xA;I don't think so, says Nora. That's a very small pound of flour. The woman flushes and glares, Are you accusin' me?&#xA;Ah, no, Mrs. McGrath, says Nora. I think there was a little accident there the way your hip was pressed against that paper and you didn't even know the paper was pulled down a bit. Oh, God, no. A woman like you that's forever on her knees before the Virgin Mary is an inspiration to us all and is that your money I see on the floor there?&#xA;Mrs. McGrath steps back quickly and the needle on the scale jumps and quivers. What money? she says, till she looks at Nora, and knows. Nora smiles. Must be a trick of the shadows, she says, and smiles at the scale. There was a mistake right enough for that shows barely half a pound of flour.&#xA;That scale gives me more trouble, says Mrs. McGrath.&#xA;I'm sure it does, says Nora.&#xA;But my conscience is clear before God, says Mrs. McGrath.&#xA;I'm sure it is, says Nora, and you're admired by one and all at the&#xA;St. Vincent de Paul Society and the Legion of Mary.&#xA;I try to be a good Catholic.&#xA;Try? God knows 'tis little trying you'd have for you're well known&#xA;for having a kind heart and I was wondering if you could spare a couple of sweets for the little boys here.&#xA;Well, now, I'm not a millionaire, but here...&#xA;God bless you, Mrs. McGrath, and I know it's asking a lot but could you possibly lend me a couple of cigarettes?&#xA;Well, now, they're not on the docket. I'm not here to supply luxuries.&#xA;If you could see your way, missus, I'd be sure to mention your kindness to the St. Vincent de Paul.&#xA;All right, all right, says Mrs. McGrath. Here. One time for the cigarettes and one time only.&#xA;God bless you, says Nora, and I'm sorry you had so much trouble with that scale.&#xA;On the way home we stopped in the People's Park and sat on a bench while Malachy and I sucked on our sweets and Mam and Nora smoked their cigarettes. The smoking brought on Nora's cough and she told Mam the fags would kill her in the end, that there was a touch of consumption in her family and no one lived to a ripe old age, though who would want to in Limerick, a place where you could look around and the first thing you noticed was a scarcity of gray hairs, all the gray hairs either in the graveyard or across the Atlantic working on railroads or sauntering around in police uniforms.&#xA;You're lucky, missus, that you saw a bit of the world. Oh, God, I'd give anything to see New York, people dancing up and down Broadway without a care. No, I had to go and fall for a boozer with the charm, Peter Molloy, a champion pint drinker that had me up the pole and up the aisle when I was barely seventeen. I was ignorant, missus. We grew up ignorant in Limerick, so we did, knowing feck all about anything and signs on, we're mothers before we're women. And there's nothing here but rain and oul' biddies saying the rosary. I'd give me teeth to get out, go to America or even England itself. The champion pint drinker is always on the dole and sometimes he even drinks that and drives me so demented I wind up in the lunatic asylum.&#xA;She drew on her cigarette and gagged, coughing till her body rocked back and forth, and in between the coughs she whimpered, Jesus, Jesus. When the cough died away she said she had to go home and take her medicine. She said, I'll see you next week, missus, at the St. Vincent de&#xA;Paul. If you're stuck for anything send a message to me at Vize's Field. Ask anyone for the wife of Peter Molloy, champion pint drinker.&#xA;Eugene is sleeping under a coat on the bed. Dad sits by the fireplace with Oliver on his lap. I wonder why Dad is telling Oliver a Cuchulain story. He knows the Cuchulain stories are mine, but when I look at Oliver I don't mind. His cheeks are bright red, he's staring into the dead fire, and you can see he has no interest in Cuchulain. Mam puts her hand on his forehead. I think he has a fever, she says. I wish I had an onion and I'd boil it in milk and pepper. That's good for the fever. But even if I had what would I boil the milk on? We need coal for that fire.&#xA;She gives Dad the docket for the coal down the Dock Road. He takes me with him but it's dark and all the coal yards are closed.&#xA;What are we going to do now, Dad?&#xA;I don't know, son.&#xA;Ahead of us women in shawls and small children are picking up coal&#xA;along the road.&#xA;There, Dad, there's coal.&#xA;Och, no, son. We won't pick coal off the road. We're not beggars. He tells Mam the coal yards are closed and we'll have to drink milk&#xA;and eat bread tonight, but when I tell her about the women on the road she passes Eugene to him.&#xA;If you're too grand to pick coal off the road I'll put on my coat and go down the Dock Road.&#xA;She gets a bag and takes Malachy and me with her. Beyond the Dock Road there is something wide and dark with lights glinting in it. Mam says that's the River Shannon. She says that's what she missed most of all in America, the River Shannon. The Hudson was lovely but the Shannon sings. I can't hear the song but my mother does and that makes her happy. The other women are gone from the Dock Road and we search for the bits of coal that drop from lorries. Mam tells us gather anything that burns, coal, wood, cardboard, paper. She says, There are them that burn the horse droppings but we're not gone that low yet. When her bag is nearly full she says, Now we have to find an onion for Oliver. Malachy says he'll find one but she tells him, No, you don't find onions on the road, you get them in shops.&#xA;The minute he sees a shop he cries out, There's a shop, and runs&#xA;in.&#xA;Oonyen, he says. Oonyen for Oliver.&#xA;Mam runs into the shop and tells the women behind the counter, I'm&#xA;sorry. The woman says, Lord, he's a dote. Is he an American or what? Mam says he is. The woman smiles and shows two teeth, one on each&#xA;side of her upper gum. A dote, she says, and look at them gorgeous goldy curls. And what is it he wants now? A sweet?&#xA;Ah, no, says Mam. An onion.&#xA;The woman laughs, An onion? I never heard a child wanting an onion before. Is that what they like in America?&#xA;Mam says, I just mentioned I wanted to get an onion for my other child that's sick. Boil the onion in milk, you know.&#xA;True for you, missus. You can't beat the onion boiled in milk. And look, little boy, here's a sweet for yourself and one for the other little boy, the brother, I suppose.&#xA;Mam says, Ah, sure, you shouldn't. Say thank you, boys.&#xA;The woman says, Here's a nice onion for the sick child, missus.&#xA;Mam says, Oh, I can't buy the onion now, missus. I don't have a penny on me.&#xA;I'm giving you the onion, missus. Let it never be said a child went sick in Limerick for want of an onion. And don't forget to sprinkle in a little pepper. Do you have pepper, missus?&#xA;Ah, no, I don't but I should be getting it any day now.&#xA;Well, here, missus. Pepper and a little salt. Do the child all the good in the world.&#xA;Mam says, God bless you, ma'am, and her eyes are watery.&#xA;Dad is walking back and forth with Oliver in his arms and Eugene is playing on the floor with a pot and a spoon. Dad says, Did you get the onion?&#xA;I did, says Mam, and more. I got coal and the way of lighting it. I knew you would. I said a prayer to St. Jude. He's my favorite saint, patron of desperate cases.&#xA;I got the coal. I got the onion, no help from St. Jude.&#xA;Dad says, You shouldn't be picking up coal off the road like a common beggar. It isn't right. Bad example for the boys.&#xA;Then you should have sent St. Jude down the Dock Road.&#xA;Malachy says, I'm hungry, and I'm hungry, too, but Mam says, Ye'll wait till Oliver has his onion boiled in milk.&#xA;She gets the fire going, cuts the onion in half, drops it in the boiling milk with a little butter and sprinkles the milk with pepper. She takes Oliver on her lap and tries to feed him but he turns away and looks into the fire.&#xA;Ah, come on, love, she says. Good for you. Make you big and strong.&#xA;He tightens his mouth against the spoon. She puts the pot down, rocks him till he's asleep, lays him on the bed and tells the rest of us be quiet or she'll demolish us. She slices the other half of the onion and fries it in butter with slices of bread. She lets us sit on the floor around the fire where we eat the fried bread and sip at the scalding sweet tea in jam jars. She says, That fire is good and bright so we can turn off that gaslight till we get money for the meter.&#xA;The fire makes the room warm and with the flames dancing in the coal you can see faces and mountains and valleys and animals leaping. Eugene falls asleep on the floor and Dad lifts him to the bed beside Oliver. Mam puts the boiled onion pot up on the mantelpiece for fear a mouse or rat might be at it. She says she's tired out from the day, the Vincent de Paul Society, Mrs. McGrath's shop, the search for coal down the Dock Road, the worry over Oliver not wanting the boiled onion, and if he's like this tomorrow she's taking him to the doctor, and now she's going to bed.&#xA;Soon we're all in bed and if there's the odd flea I don't mind because it's warm in the bed with the six of us and I love the glow of the fire the way it dances on the walls and ceiling and makes the room go red and black, red and black, till it dims to white and black and all you can hear is a little cry from Oliver turning in my mother's arms.&#xA;In the morning Dad is lighting the fire, making tea, cutting the bread. He's already dressed and he's telling Mam hurry up and get dressed. He says to me, Francis, your little brother Oliver is sick and we're taking him to the hospital. You are to be a good boy and take care of your two brothers. We'll be back soon.&#xA;Mam says, When we're out go easy with that sugar. We're not millionaires.&#xA;When Mam picks up Oliver and wraps him in a coat Eugene stands on the bed. I want Ollie, he says. Ollie play.&#xA;Ollie will be back soon, she says, and you can play with him. Now you can play with Malachy and Frank.&#xA;Ollie, Ollie, I want Ollie.&#xA;He follows Oliver with his eyes and when they're gone he sits on the bed looking out the window. Malachy says, Genie, Genie, we have bread, we have tea. Sugar on your bread, Genie. He shakes his head and pushes away the bread Malachy is offering. He crawls to the place where Oliver slept with Mam, puts his head down and stares out the window.&#xA;Grandma is at the door. I heard your father and mother were running down Henry Street with the child in their arms. Now where are they gone to?&#xA;Oliver is sick, I said. He wouldn't eat the boiled onion in milk. What are you blatherin' about?&#xA;Wouldn't eat the boiled onion and got sick.&#xA;And who's minding ye?&#xA;I am.&#xA;And what's up with the child in the bed? What's That's Eugene. He misses Oliver. They're twins. I know they're twins. That child looks starved.&#xA;his name?&#xA;Have ye any&#xA;porridge here?&#xA;What's porridge? says Malachy.&#xA;Jesus, Mary and Holy St. Joseph! What's porridge! Porridge is&#xA;porridge. That's what porridge is. Ye are the most ignorant bunch o' Yanks I ever seen. Come on, put on yeer clothes and we'll go across the street to your aunt Aggie. She's there with the husband, Pa Keating, and she'll give ye some porridge.&#xA;She picks up Eugene, wraps him in her shawl and we cross the street to Aunt Aggie's. She's living with Uncle Pa again because he said she wasn't a fat cow after all.&#xA;Do you have any porridge? Grandma says to Aunt Aggie.&#xA;Porridge? Am I supposed to be feeding porridge to a crowd of Yanks? Pity about you, says Grandma. It won't kill you to give them a&#xA;little porridge.&#xA;And I suppose they'll be wanting sugar and milk on top of&#xA;everything or they might be banging on my door looking for an egg if you don't mind. I don't know why we have to pay for Angela's mistakes.&#xA;Jesus, says Grandma, 'tis a good thing you didn't own that stable in Bethlehem or the Holy Family would still be wanderin' the world crumblin' with the hunger.&#xA;Grandma pushes her way past Aunt Aggie, puts Eugene on a chair near the fire and makes the porridge. A man comes in from another room. He has black curly hair and his skin is black and I like his eyes because they're very blue and ready to smile. He's Aunt Aggie's husband, the man who stopped the night we were attacking the fleas and told us all about fleas and snakes, the man with the cough he got from swallowing gas in the war.&#xA;Malachy says, Why are you all black? and Uncle Pa Keating laughs and coughs so hard he has to ease himself with a cigarette. Oh, the little Yanks, he says. They're not a bit shy. I'm black because I work at the Limerick Gas Works shoveling coal and coke into the furnaces. Gassed in France and back to Limerick to work in the gas works. When you grow up you'll laugh.&#xA;Malachy and I have to leave the table so the big people can sit and have tea. They have their tea but Uncle Pa Keating, who is my uncle because he's married to my aunt Aggie, picks up Eugene and takes him on his lap. He says, This is a sad little fella, and makes funny faces and silly sounds. Malachy and I laugh but Eugene only reaches up to touch the blackness of Pa Keating's skin, and then when Pa pretends to bite his little hand, Eugene laughs and everyone in the room laughs. Malachy goes to Eugene and tries to make him laugh even more but Eugene turns away and hides his face in Pa Keating's shirt.&#xA;I think he likes me, says Pa, and that's when Aunt Aggie puts down her teacup and starts to bawl, Waah, waah, waah, big teardrops tumbling down her fat red face.&#xA;Aw, Jesus, says Grandma, there she is again. What's up with you this time?&#xA;And Aunt Aggie blubbers, To see Pa there with a child on his lap an' me with no hope of having my own.&#xA;Grandma barks at her, Stop talkin' like that in front of the children. Have you no shame? When God is good and ready He'll send you your family.&#xA;Aunt Aggie sobs, Angela with five born an' one just gone an' her so useless she couldn't scrub a floor an' me with none an' I can scrub an' clean with the best and make any class of a stew or a fry.&#xA;Pa Keating laughs, I think I'll keep this little fella.&#xA;Malachy runs to him. No, no, no. That's my brother, that's Eugene. And I say, No, no, no, that's our brother. Aunt Aggie pats the tears on her cheeks. She says, I don't want nothing of Angela's. I don't want nothing that's half Limerick and half North of Ireland, so I don't, so ye can take him home. I'll have me own someday if I have to do a hundred novenas to the Virgin Mary and her mother, St. Ann, or if I have to crawl from here to Lourdes on me two bended knees.&#xA;Grandma says, That's enough. Ye have had yeer porridge and 'tis time to go home and see if yeer father and mother are back from the hospital.&#xA;She puts on her shawl and goes to pick up Eugene but he clutches so hard at Pa Keating's shirt she has to pull him away though he keeps looking back at Pa till we're out the door.&#xA;***&#xA;We followed Grandma back to our room. She put Eugene in the bed and gave him a drink of water. She told him to be a good boy and go to sleep for his little brother, Oliver, would be home soon and they'd be playing again there on the floor.&#xA;But he kept looking out the window.&#xA;She told Malachy and me we could sit on the floor and play but to be quiet because she was going to say her prayers. Malachy went to the bed and sat by Eugene and I sat on a chair at the table making out words on the newspaper that was our tablecloth. All you could hear in the room was Malachy whispering to make Eugene happy and Grandma mumbling to the click of her rosary beads. It was so quiet I put my head on the table and fell asleep.&#xA;Dad is touching my shoulder. Come on, Francis, you have to take care of your little brothers.&#xA;Mam is slumped on the edge of the bed, making small crying sounds like a bird. Grandma is pulling on her shawl. She says, I'll go down to&#xA;Thompson the undertaker about the coffin and the carriage. The St. Vincent de Paul Society will surely pay for that, God knows.&#xA;She goes out the door. Dad stands facing the wall over the fire, beating on his thighs with his fists, sighing, Och, och, och.&#xA;Dad frightens me with his och, och, och, and Mam frightens me with her small bird sounds and I don't know what to do though I wonder if anyone will light the fire in the grate so that we can have tea and bread because it's a long time since we had the porridge. If Dad would move away from the fireplace I could light the fire myself. All you need is paper, a few bits of coal or turf, and a match. He won't move so I try to go around his legs while he's beating on his thighs but he notices me and wants to know why I'm trying to light the fire. I tell him we're all hungry and he lets out a crazy laugh. Hungry? he says. Och, Francis, your wee brother Oliver is dead. Your wee sister is dead and your wee brother is dead.&#xA;He picks me up and hugs me so hard I cry out. Then Malachy cries, my mother cries, Dad cries, I cry, but Eugene stays quiet. Then Dad sniffles, We'll have a feast. Come on, Francis.&#xA;He tells my mother we'll be back in awhile but she has Malachy and Eugene on her lap in the bed and she doesn't look up. He carries me through the streets of Limerick and we go from shop to shop with him asking for food or anything they can give to a family that has two children dead in a year, one in America, one in Limerick, and in danger of losing three more for the want of food and drink. Most shopkeepers shake their heads. Sorry for your troubles but you could go to the St. Vincent de Paul Society or get the public assistance.&#xA;Dad says he's glad to see the spirit of Christ alive in Limerick and they tell him they don't need the likes of him with his northern accent to be telling them about Christ and he should be ashamed of himself dragging a child around like that like a common beggar, a tinker, a knacker.&#xA;A few shopkeepers give bread, potatoes, tins of beans and Dad says, We'll go home now and you boys can eat something, but we meet Uncle Pa Keating and he tells Dad he's very sorry for his troubles and would Dad like to have a pint in this pub here?&#xA;There are men sitting in this pub with great glasses of black stuff before them. Uncle Pa Keating and Dad have the black stuff, too. They lift their glasses carefully and slowly drink. There is creamy white stuff on their lips, which they lick with little sighs. Uncle Pa gets me a bottle of lemonade and Dad gives me a piece of bread and I don't feel hungry anymore. Still, I wonder how long we'll sit here with Malachy and Eugene hungry at home, hours from the porridge, which Eugene didn't eat anyway.&#xA;Dad and Uncle Pa drink their glass of black stuff and have another. Uncle Pa says, Frankie, this is the pint. This is the staff of life. This is the best thing for nursing mothers and for those who are long weaned.&#xA;He laughs and Dad smiles and I laugh because I think that's what you're supposed to do when Uncle Pa says something. He doesn't laugh when he tells the other men about Oliver dying. The other men tip their hats to Dad. Sorry for your troubles, mister, and surely you'll have a pint.&#xA;Dad says yes to the pints and soon he's singing Roddy McCorley and Kevin Barry and song after song I never heard before and crying over his lovely little girl, Margaret, that died in America and his little boy, Oliver, dead beyond in the City Home Hospital. It frightens me the way he&#xA;yells and cries and sings and I wish I could be at home with my three brothers, no, my two brothers, and my mother.&#xA;The man behind the bar says to Dad, I think now, mister, you've had enough. We're sorry for your troubles but you have to take that child home to his mother that must be heartbroken by the fire.&#xA;Dad says, One, one more pint, just one, eh? and the man says no. Dad shakes his fist. I did me bit for Ireland, and when the man comes out and takes Dad's arm, Dad tries to push him away.&#xA;Uncle Pa says, Come on now, Malachy, stop the blaguarding. You have to go home to Angela. You have a funeral tomorrow and the lovely children waiting for you.&#xA;But Dad struggles till a few men push him out into the darkness. Uncle Pa stumbles out with the bag of food. Come on, he says. We'll go back to your room.&#xA;Dad wants to go to another place for a pint but Uncle Pa says he has no more money. Dad says he'll tell everyone his sorrows and they'll give him pints. Uncle Pa says that's a disgraceful thing to do and Dad cries on his shoulder. You're a good friend, he tells Uncle Pa. He cries again till Uncle Pa pats him on the back. It's terrible, terrible, says Uncle Pa, but you'll get over this in time.&#xA;Dad straightens up and looks at him. Never, he says. Never.&#xA;Next day we rode to the hospital in a carriage with a horse. They put Oliver in a white box that came with us in the carriage and we took him to the graveyard. They put the white box into a hole in the ground and covered it with earth. My mother and Aunt Aggie cried, Grandma looked angry, Dad, Uncle Pa Keating, and Uncle Pat Sheehan looked sad but did not cry and I thought that if you're a man you can cry only when you have the black stuff that is called the pint.&#xA;I did not like the jackdaws that perched on trees and gravestones and I did not want to leave Oliver with them. I threw a rock at a jackdaw that waddled over toward Oliver's grave. Dad said I shouldn't throw rocks at jackdaws, they might be somebody's soul. I didn't know what a soul was but I didn't ask him because I didn't care. Oliver was dead and I hated jackdaws. I'd be a man someday and I'd come back with a bag of rocks and I'd leave the graveyard littered with dead jackdaws.&#xA;The morning after Oliver's burial Dad went to the Labour Exchange to sign and collect the week's dole, nineteen shillings and sixpence. He said he'd be home by noon, that he'd get coal and make a fire, that we'd have rashers and eggs and tea in honor of Oliver, that we might even have a sweet or two.&#xA;He wasn't home by noon, or one, or two, and we boiled and ate the few potatoes the shopkeepers had given the day before. He wasn't home anytime before the sun went down that day in May. There was no sign of him till we heard him, long after the pubs closed, rolling along Windmill Street, singing, When all around a vigil keep, The West's asleep, the West's asleep- Alas, and well may Erin weep When Connacht lies in slumber deep.&#xA;There lake and plain smile fair and free, 'Mid rocks their guardian chivalry.&#xA;Sing, Oh, let man learn liberty&#xA;From crashing wind and lashing sea.&#xA;He stumbled into the room, hanging on to the wall. A snot oozed from his nose and he wiped it away with the back of his hand. He tried to speak. Zeeze shildren should be in bed. Lishen to me. Shildren go to bed.&#xA;Mam faced him. These children are hungry. Where's the dole money? We'll get fish and chips so they'll have something in their bellies when they go to sleep.&#xA;She tried to stick her hands into his pockets but he pushed her away. Have respheck, he said. Reshpeck in front of shildren.&#xA;She struggled to get at his pockets. Where's the money? The children are hungry. You mad oul' bastard, did you drink all the money again? Just what you did in Brooklyn.&#xA;He blubbered, Och, poor Angela. And poor wee Margaret and poor wee Oliver.&#xA;He staggered to me and hugged me and I smelled the drink I used to smell in America. My face was wet from his tears and his spit and his snot and I was hungry and I didn't know what to say when he cried all over my head.&#xA;Then he let me go and hugged Malachy, still going on about the wee sister and the wee brother cold in the ground, and how we all have to pray and be good, how we have to be obedient and do what our mother tells us. He said we have our troubles but it's time for Malachy and me to start school because there's nothing like an education, it will stand to you in the end, and you have to get ready to do your bit for Ireland.&#xA;***&#xA;Mam says she can't spend another minute in that room on Windmill Street. She can't sleep with the memory of Oliver in that room, Oliver in the bed, Oliver playing on the floor, Oliver sitting on Dad's lap by the fire. She says it's not good for Eugene to be in that place, that a twin will suffer more over the loss of his brother than even a mother can understand. There's a room going on Hartstonge Street with two beds instead of the one we have here for the six of us, no, the five of us. We're getting that room and to make sure she's going to the Labour Exchange on Thursday to stand in the queue to take the dole money the minute it's handed to Dad. He says she can't do that, he'd be disgraced with the other men. The Labour Exchange is a place for men not for women taking the money from under their noses. She says, Pity about you. If you didn't squander the money in the pubs I wouldn't have to follow you the way I did in Brooklyn.&#xA;He tells her he'll be shamed forever. She says she doesn't care. She wants that room on Hartstonge Street, a nice warm comfortable room with a lavatory down the hall like the one in Brooklyn, a room without fleas and the dampness that kills. She wants that room because it's on the same street as Leamy's National School and Malachy and I can come home at the dinner hour, which is noon, for a cup of tea and a cut of fried bread.&#xA;On Thursday Mam follows Dad to the Labour Exchange. She marches in behind him and when the man pushes the money toward Dad she takes it. The other men on the dole nudge each other and grin and Dad is disgraced because a woman is never supposed to interfere with a man's dole money. He might want to put sixpence on a horse or have a pint and if all the women start acting like Mam the horses will stop running and Guinness will go broke. But she has the money now and we move to Hartstonge Street. Then she carries Eugene in her arms and we go up the street to Leamy's National School. The headmaster, Mr. Scallan, says we are to&#xA;return on Monday with a composition book, a pencil, and a pen with a good nib on it. We are not to come to school with ringworm or lice and our noses are to be blown at all times, not on the floor, that spreads the consumption, or on our sleeves, but in a handkerchief or a clean rag. He asks us if we are good boys and when we say we are, he says, Good Lord, what's this? Are they Yanks or what?&#xA;Mam tells him about Margaret and Oliver and he says, Lord above, Lord above, there's great suffering in the world. Anyway, we'll put the little fellow, Malachy, in the infants' class and his brother in first class. They're in the same room with one master. Monday morning, then, nine o'clock prompt.&#xA;The boys in Leamy's want to know why we talk like that. Are ye Yanks or what? And when we tell them we came from America they want to know, Are ye gangsters or cowboys?&#xA;A big boy sticks his face up to mine. I'm asking ye a question, he says. Are ye gangsters or cowboys?&#xA;I tell him I don't know and when he pokes his finger into my chest Malachy says, I'm a gangster, Frank's a cowboy. The big boy says, Your little brother is smart and you're a stupid Yank.&#xA;The boys around him are excited. Fight, they yell, fight, and he pushes me so hard I fall. I want to cry but the blackness comes over me the way it did with Freddie Leibowitz and I rush at him, kicking and punching. I knock him down and try to grab his hair to bang his head on the ground but there's a sharp sting across the backs of my legs and I'm pulled away from him.&#xA;Mr. Benson, the master, has me by the ear and he's whacking me across the legs. You little hooligan, he says. Is that the kind of behavior you brought from America? Well, by God, you'll behave yourself before I'm done with you.&#xA;He tells me hold out one hand and then the other and hits me with his stick once on each hand. Go home now, he says, and tell your mother what a bad boy you were. You're a bad Yank. Say after me, I'm a bad boy.&#xA;I'm a bad boy.&#xA;Now say, I'm a bad Yank.&#xA;I'm a bad Yank.&#xA;Malachy says, He's not a bad boy. It's that big boy. He said we&#xA;were cowboys and gangsters.&#xA;Is that what you did, Heffernan?&#xA;I was only jokin', sir.&#xA;No more joking, Heffernan. It's not their fault that they're Yanks. 'Tisn't, sir.&#xA;And you, Heffernan, should get down on your two knees every night&#xA;and thank God you're not a Yank for if you were, Heffernan, you'd be the greatest gangster on two sides of the Atlantic. Al Capone would be coming to you for lessons. You're not to be bothering these two Yanks anymore, Heffernan.&#xA;I won't, sir.&#xA;And if you do, Heffernan, I'll hang your pelt on the wall. Now go home, all of ye.&#xA;There are seven masters in Leamy's National School and they all have leather straps, canes, blackthorn sticks. They hit you with the sticks on the shoulders, the back, the legs, and, especially, the hands. If they hit you on the hands it's called a slap. They hit you if you're&#xA;late, if you have a leaky nib on your pen, if you laugh, if you talk, and if you don't know things.&#xA;They hit you if you don't know why God made the world, if you don't know the patron saint of Limerick, if you can't recite the Apostles' Creed, if you can't add nineteen to forty-seven, if you can't subtract nineteen from forty-seven, if you don't know the chief towns and products of the thirty-two counties of Ireland, if you can't find Bulgaria on the wall map of the world that's blotted with spit, snot, and blobs of ink thrown by angry pupils expelled forever.&#xA;They hit you if you can't say your name in Irish, if you can't say the Hail Mary in Irish, if you can't ask for the lavatory pass in Irish. It helps to listen to the big boys ahead of you. They can tell you&#xA;about the master you have now, what he likes and what he hates.&#xA;One master will hit you if you don't know that Eamon De Valera is&#xA;the greatest man that ever lived. Another master will hit you if you don't know that Michael Collins was the greatest man that ever lived.&#xA;Mr. Benson hates America and you have to remember to hate America or he'll hit you.&#xA;Mr. O'Dea hates England and you have to remember to hate England or he'll hit you.&#xA;If you ever say anything good about Oliver Cromwell they'll all hit&#xA;you.&#xA;Even if they slap you six times on each hand with the ash plant or&#xA;the blackthorn with the knobs you must not cry. You'll be a sissy. There are boys who might jeer at you and mock you on the street but even they have to be careful because the day will come when the master hits and slaps them and they have to keep the tears behind their eyes or be disgraced forever. Some boys say it is better to cry because that pleases the masters. If you don't cry the masters hate you because you've made them look weak before the class and they promise themselves the next time they have you up they'll draw tears or blood or both.&#xA;Big boys in fifth class tell us Mr. O'Dea likes to get you in front of the class so that he can stand behind you, pinch your sideburns, which are called cossicks, pull up on them. Up, up, he says, till you're on tiptoe and the tears are filling your eyes. You don't want the boys in the class to see you cry but pulling on the cossicks makes the tears come whether you like it or not and the master likes that. Mr. O'Dea is the one master who can always bring the tears and the shame.&#xA;It is better not to cry because you have to stick with the boys in the school and you never want to give the masters any satisfaction.&#xA;If the master hits you there's no use complaining to your father or mother. They always say, You deserve it. Don't be a baby.&#xA;I know Oliver is dead and Malachy knows Oliver is dead but Eugene is too small to know anything. When he wakes in the morning he says, Ollie, Ollie, and toddles around the room looking under the beds or he climbs up on the bed by the window and points to children on the street, especially children with fair hair like him and Oliver. Ollie, Ollie, he says, and Mam picks him up, sobs, hugs him. He struggles to get down because he doesn't want to be picked up and hugged. He wants to find Oliver.&#xA;Dad and Mam tell him Oliver is in heaven playing with angels and we'll all see him again someday but he doesn't understand because he's only two and doesn't have the words and that's the worst thing in the whole world.&#xA;Malachy and I play with him. We try to make him laugh. We make funny faces. We put pots on our heads and pretend to let them fall off. We run across the room and pretend to fall down. We take him to the People's Park to see the lovely flowers, play with dogs, roll in the grass.&#xA;He sees small children with fair hair like Oliver. He doesn't say Ollie anymore. He only points.&#xA;Dad says Eugene is lucky to have brothers like Malachy and me because we help him forget and soon, with God's help, he'll have no memory of Oliver at all.&#xA;***&#xA;He died anyway.&#xA;Six months after Oliver went, we woke on a mean November morning&#xA;and there was Eugene, cold in the bed beside us. Dr. Troy came and said that child died of pneumonia and why wasn't he in the hospital long ago? Dad said he didn't know and Mam said she didn't know and Dr. Troy said that's why children die. People don't know. He said if Malachy or I showed the slightest sign of a cough or the faintest rattle in the throat we were to be brought to him no matter what time of day or night. We were to be kept dry at all times because there seemed to be a bit of a weakness in the chest in this family. He told Mam he was very sorry for her troubles and he'd give her a prescription for something to ease the pain of the days to come. He said God was asking too much, too damn much.&#xA;Grandma came over to our room with Aunt Aggie. She washed Eugene, and Aunt Aggie went to a shop for a little white gown and a set of rosary beads. They dressed him in a white gown and laid him on the bed by the window where he used to look out for Oliver. They placed his hands on his chest, one hand on top of the other, bound in the little white rosary beads. Grandma brushed the hair back from his eyes and forehead and she said, Doesn't he have lovely soft silky hair? Mam went to the bed and pulled a blanket over his legs to keep him warm. Grandma and Aunt Aggie looked at each other and said nothing. Dad stood at the end of the bed beating his fists against his thighs, talking to Eugene, telling him, Och, it was the River Shannon that harmed you, the dampness from that river that came and took you and Oliver. Grandma said, Will you stop that? You're making the whole house nervous. She took Dr. Troy's prescription and told me run over to O'Connor the chemist for the pills, that there would be no charge due to the kindness of Dr. Troy. Dad said he'd come with me, that we'd go to the Jesuit church and say a prayer for Margaret and Oliver and Eugene, all happy in heaven. The chemist gave us the pills, we stopped to say the prayers, and when we returned to the room, Grandma gave Dad money to bring a few bottles of stout from the pub. Mam said, No, no, but Grandma said, He doesn't have the pills to ease him, God help us, and a bottle of stout will be some small comfort. Then she told him he'd have to go to the undertaker tomorrow to bring the coffin back in a carriage. She told me to go with my father and make sure he didn't stay in the pub all night and drink all the money. Dad said, Och, Frankie shouldn't be in pubs, and she said, Then don't stay there. He put on his cap and we went to South's pub and he told me at the door I could go home now, that he'd be home after one pint. I said, No, and he said, Don't be disobedient. Go home to your poor mother. I said, No, and he said I was a bad boy and God would be displeased. I said I wasn't going home without him and he said, Och, what is the world coming to? He had one quick pint of porter in the pub and we went home with the bottles&#xA;of stout. Pa Keating was in our room with a small bottle of whiskey and bottles of stout and Uncle Pat Sheehan brought two bottles of stout for himself. Uncle Pat sat on the floor with his arms around his bottles and he kept saying, They're mine, they're mine, for fear they'd be taken from him. People who were dropped on their heads always worry someone will steal their stout. Grandma said, All right, Pat, drink your stout yourself. No one will bother you. She and Aunt Aggie sat on the bed by Eugene. Pa Keating sat at the kitchen table drinking his stout and offering everyone a sip of his whiskey. Mam took her pills and sat by the fire with Malachy on her lap. She kept saying Malachy had hair like Eugene and Aunt Aggie said no he did not till Grandma drove her elbow into Aunt Aggie's chest and told her shut up. Dad stood against the wall drinking his stout between the fireplace and the bed with Eugene. Pa Keating told stories and the big people laughed even though they didn't want to laugh or they weren't supposed to laugh in the presence of a dead child. He said when he was in the English army in France the Germans sent gas over which made him so sick they had to take him to the hospital. They kept him in the hospital a while and then sent him back to the trenches. English soldiers were sent home but they didn't give a fiddler's fart about the Irish soldiers, whether they lived or died. Instead of dying Pa made a vast fortune. He said he solved one of the great problems of trench warfare. In the trenches it was so wet and muddy they had no way of boiling the water for the tea. He said to himself, Jasus, I have all this gas in my system and 'tis a great pity to waste it. So he shoved a pipe up his arse, lit a match to it, and there in a second he had a fine flame ready to boil water in any billycan. Tommies came running from trenches all around when they heard the news and they gave him any amount of money if he'd let them boil water. He made so much money he was able to bribe the generals to let him out of the army and off he went to Paris where he had a fine time drinking wine with artists and models. He had such a high time of it he spent all his money and when he came back to Limerick the only job he could get was in the gas works shoveling coal into the furnaces. He said there was so much gas in his system now he could supply light to a small town for a year. Aunt Aggie sniffed and said that was not a proper story to be telling in the presence of a dead child and Grandma said it was better to have a story like that than to be sitting around with the long face. Uncle Pat Sheehan, sitting on the floor with his stout, said he was going to sing a song. More power to you, said Pa Keating, and Uncle Pat sang &amp;quot;The Road to Rasheen. &amp;quot; He kept saying, Rasheen, Rasheen, mavourneen mean, and the song made no sense because his father dropped him on his head long ago and every time he sang that song he had different words. Grandma said that was a fine song and Pa Keating said Caruso better look over his shoulder. Dad went over to the bed in the corner where he slept with Mam. He sat on the edge, put his bottle on the floor, covered his face with his hands and cried. He said, Frank, Frank, come here, and I had to go to him so that he could hug me the way Mam was hugging Malachy. Grandma said, We better go now and sleep a bit before the funeral tomorrow. They each knelt by the bed and said a prayer and kissed Eugene's forehead. Dad put me down, stood up and nodded to them as they left. When they were gone he lifted each of the stout bottles to his mouth and drained it. He ran his finger inside the whiskey bottle and licked it. He turned down the flame in the paraffin oil lamp on the table and said it was time for Malachy and me to be in bed. We'd have to sleep with him and Mam that&#xA;night as little Eugene would be needing the bed for himself. It was dark in the room now except for the sliver of streetlight that fell on Eugene's lovely soft silky hair.&#xA;Dad lights the fire in the morning, makes the tea, toasts the bread in the fire. He brings Mam's toast and tea but she waves it away and turns to the wall. He brings Malachy and me to Eugene to kneel and say a prayer. He says the prayers of one child like us are worth more in heaven than the prayers of ten cardinals and forty bishops. He shows us how to bless ourselves, In the name of the Father, and of the Son, and of the Holy Ghost. Amen, and he says, Dear God, this is what you want, isn't it? You want my son, Eugene. You took his brother, Oliver, You took his sister, Margaret. I'm not supposed to question that, am I? Dear God above, I don't know why children have to die but that is Your will. You told the river to kill and the Shannon killed. Could You at last be merciful? Could You leave us the children we have? That is all we ask. Amen.&#xA;He helps Malachy and me wash our heads and feet so that we'll be clean for Eugene's funeral. We have to be very quiet even when he hurts us cleaning our ears with the corner of the towel we brought from America. We have to be quiet because Eugene is there with his eyes closed and we don't want him to be waking up and looking out the window for Oliver.&#xA;Grandma comes and tells Mam she has to get up. There are children dead, she says, but there are children alive and they need their mother. She brings Mam a little tea in a mug to wash down the pills that ease the pain. Dad tells Grandma it's Thursday and he has to go to the Labour Exchange for the dole and then down to the undertaker to bring the mourning carriage and the coffin. Grandma tells him to take me with him but he says it's better for me to stay with Malachy so that I can pray for my little brother dead in the bed. Grandma says, Is it coddin' me you are? Pray for a little child that's barely two and already playing with his little brother in heaven? You'll take your son with you and he'll remind you this is no day for the pubs. She looks at him and he looks at her and he puts on his cap.&#xA;At the Labour Exchange we stand at the end of the queue till a man comes from behind the counter and tells Dad he's very sorry for his troubles and he should go ahead of everyone else on this sorrowful day. Men touch their caps and say they're sorry for his troubles and some pat my head and give me pennies, twenty-four pennies, two shillings. Dad tells me I'm rich now and I should buy myself a sweet while he goes into this place for a minute. I know this place is a pub and I know he wants to get the black stuff that is called a pint but I don't say anything because I want to go to the shop next door for a piece of toffee. I chew my toffee till it melts and leaves my mouth all sweet and sticky. Dad is still in the pub and I wonder if I should get another piece of toffee as long as he's in there with the pint. I'm about to give the money to the woman in the shop when my hand is slapped down and there's Aunt Aggie, raging. Is this what you do, she says, on the day of your brother's funeral? Gorgin' yourself on sweets. And where's that father of yours?&#xA;He's, he's, in the pub.&#xA;Of course he's in the pub. You out here stuffin' yourself with sweets and him in there gettin' himself into a staggerin' condition the day your poor little brother goes to the graveyard.&#xA;She tells the shop woman, Just like his father, the same odd manner, the same oul' northern jaw. She tells me get into that pub and tell my father to stop the drinking and get the coffin and the carriage. She will not set foot inside the pub for the drink is the curse of this poor godforsaken country.&#xA;Dad is sitting at the back of the pub with a man who has a dirty face and hair growing out of his nose. They're not talking but staring straight ahead and their black pints are resting on a small white coffin on the seat between them. I know that's Eugene's coffin because Oliver had one like it and I want to cry when I see the black pints on top of it. I'm sorry now I ever ate that toffee and I wish I could take it out of my stomach and give it back to the woman in the shop because it's not right to be eating toffee when Eugene is dead in the bed and I'm frightened by the two black pints on his white coffin. The man with Dad is saying, No, mister, you can't leave a child's coffin in a carriage no more. I did that once, went in for a pint and they robbed that little coffin out of the bloody carriage. Can you credit that? It was empty, thank God, but there you are. Desperate times we live in, desperate. The man with Dad lifts his pint and takes a long swallow and when he puts his glass down there's a hollow sound in the coffin. Dad nods at me. We'll be going in a minute, son, but when he goes to put his glass on the coffin after the long swallow I push it away.&#xA;That's Eugene's coffin. I'll tell Mam you put your glass on Eugene's coffin.&#xA;Now, son. Now, son.&#xA;Dad, that's Eugene's coffin. The other man says, Will we have another pint, mister?&#xA;Dad says to me, Wait outside another few minutes, Francis. No.&#xA;Don't be a bad boy.&#xA;No.&#xA;The other man says, By Jesus, if that was my son I'd kick his arse from here to the County Kerry. He have no right to be talkin' to his father in that manner on a sorrowful day. If a man can't have a pint the day of a funeral what's the use of livin' at all, at all.&#xA;Dad says, All right. We'll go.&#xA;They finish their pints and wipe the wet brown stains off the coffin with their sleeves. The man climbs up to the driver's seat of the carriage and Dad and I ride inside. He has the coffin on his lap and he presses it against his chest. At home our room is filled with big people, Mam, Grandma, Aunt Aggie, her husband, Pa Keating, Uncle Pat Sheehan, Uncle Tom Sheehan, who is Mam's oldest brother and who never came near us before because he hates people from the North of Ireland. Uncle Tom has his wife, Jane, with him. She's from Galway and people say she has the look of a Spaniard and that's why no one in the family talks to her.&#xA;The man takes the coffin from Dad and when he brings it into the room Mam moans, Oh, no, oh, God, no. The man tells Grandma he'll be back in awhile to take us to the graveyard. Grandma tells him he'd better not come back to this house in a drunken state because this child that's going to the graveyard suffered greatly and deserves a bit of dignity and she won't put up with a driver that's drunk and ready to fall out of the high seat.&#xA;The man says, Missus, I drove dozens o' children to the graveyard an' never once fell out of any seat, high or low.&#xA;The men are drinking stout from bottles again and the women are sipping sherry from jam jars. Uncle Pat Sheehan tells everyone, This is my stout, this is my stout, and Grandma says, 'Tis all right, Pat. No one will take your stout. Then he says he wants to sing &amp;quot;The Road to Rasheen&amp;quot; till Pa Keating says, No, Pat, you can't sing on the day of a funeral. You can sing the night before. But Uncle Pat keeps saying, This is my stout and I want to sing &amp;quot;The Road to Rasheen, &amp;quot; and everyone knows he talks like that because he was dropped on his head. He starts to sing his song but stops when Grandma takes the lid off the coffin and Mam sobs, Oh, Jesus, oh, Jesus, will it ever stop? Will I be left with one child?&#xA;Mam is sitting on a chair at the head of the bed. She's stroking Eugene's hair and face and hands. She tells him that of all the children in the world he was the sweetest and the most delicate and loving. She tells him 'tis a terrible thing to lose him but isn't he in heaven now with his brother and his sister and isn't that a comfort to us, knowing Oliver is no longer lonesome for his twin. Still, she puts her head down next to Eugene and cries so hard all the women in the room cry with her. She cries till Pa Keating tells her we have to go before the darkness falls, that we can't be in graveyards in the dark.&#xA;Grandma whispers to Aunt Aggie, Who'll put the child in the coffin? and Aunt Aggie whispers, I won't. That's the job for the mother.&#xA;Uncle Pat hears them. I'll put the child in the coffin, he says. He limps to the bed and places his arms around Mam's shoulders. She looks up at him and her face is drenched. He says, I'll put the child in the coffin, Angela.&#xA;Oh, Pat, she says. Pat.&#xA;I can do it, he says. Sure he's only a small child an' I never lifted a small child before in my life. I never had a small child in me arms. I won't drop him, Angela. I won't. Honest to God, I won't.&#xA;I know you won't, Pat. I know you won't.&#xA;I'll lift him an' I won't be singin'&amp;quot;The Road to Rasheen.&amp;quot;&#xA;I know you won't, Pat, Mam says.&#xA;Pat pulls down the blanket Mam put there to keep Eugene warm.&#xA;Eugene's feet are white and bright with little blue veins. Pat bends over, picks up Eugene and holds him against his chest. He kisses Eugene's forehead and then everyone in the room kisses Eugene. He places Eugene in the coffin and steps back. We are all gathered around looking at Eugene for the last time.&#xA;Uncle Pat says, See, I didn't drop him, Angela, and she touches his&#xA;face.&#xA;Aunt Aggie goes to the pub for the driver. He puts the lid on the&#xA;coffin and screws it down. He says, Who's comin' in the carriage? and takes the coffin to the carriage. There's room only for Mam and Dad, Malachy and me. Grandma says, Ye go ahead to the graveyard and we'll wait here.&#xA;I don't know why we can't keep Eugene. I don't know why they have to send him away with that man who puts his pint on the white coffin. I don't know why they had to send Margaret away and Oliver. It is a bad thing to put my sister and my brothers in a box and I wish I could say something to someone.&#xA;The horse clop-clopped through the streets of Limerick. Malachy said, Are we going to see Oliver? and Dad said, No, Oliver is in heaven and don't ask me what heaven is because I don't know.&#xA;Mam said, Heaven is a place where Oliver and Eugene and Margaret are happy and warm and we'll see them there some day.&#xA;Malachy said, The horse did his doodoo on the street and there was a smell, and Mam and Dad had to smile.&#xA;At the graveyard the driver climbs down and opens the door of the carriage. Gimme that coffin, he says, an' I'll carry it up to the grave. He yanks at the coffin and stumbles. Mam says, You're not carrying my child in the condition you're in. She turns to Dad. You carry him, she says. Do what you like, says the driver.&#xA;Do what you bloody well like, and he climbs up to his seat.&#xA;It's getting dark now and the coffin seems whiter than ever in Dad's arms. Mam takes our hands and we follow Dad through the graves. The jackdaws are quiet in the trees because their day is nearly over and they have to rest so that they can get up early in the morning and feed their babies.&#xA;Two men with shovels are waiting by a small open grave. One man says, Ye are very late. Good thing this is a small job or we'd be gone. He climbs into the grave. Hand it to me, he says, and Dad hands him the coffin.&#xA;The man sprinkles some straw and grass on the coffin and as he climbs out the other man shovels in the earth. Mam lets out a long cry, Oh, Jesus, Jesus, and a jackdaw croaks in a tree. I wish I had a rock to hit that jackdaw. When the men finish shoveling in the earth they wipe their foreheads and wait. One says, Ah, well, now, there's usually a little something for the thirst that's in it.&#xA;Dad says, Oh, yes, yes, and gives them money. They say, Sorry for your troubles, and they leave.&#xA;We make our way back to the carriage at the graveyard gate but the carriage is gone. Dad looks around in the darkness and comes back shaking his head. Mam says, That driver is nothing but a dirty old drunkard, God forgive me.&#xA;It's a long walk from the graveyard to our room. Mam tells Dad, These children need some nourishment and you have money left from the dole this morning. If you're thinking of going to the pubs tonight you can forget it. We're taking them to Naughton's and they can have fish and chips and lemonade for 'tisn't every day they bury a brother.&#xA;The fish and chips are delicious with vinegar and salt and the lemonade is tart in our throats.&#xA;When we get home the room is empty. There are empty stout bottles on the table and the fire is out. Dad lights the paraffin oil lamp and you can see the hollow left in the pillow by Eugene's head. You expect to hear him and see him toddling across the room, climbing up on the bed to look out the window for Oliver.&#xA;Dad tells Mam he's going out for a walk. She says no. She knows what he's up to, that he can't wait to spend his last few shillings in the pubs. All right, he says. He lights the fire and Mam makes tea and soon we're in bed.&#xA;Malachy and I are back in the bed where Eugene died. I hope he's not cold in that white coffin in the graveyard though I know he's not there anymore because angels come to the graveyard and open the coffin and he's far from the Shannon dampness that kills, up in the sky in heaven with Oliver and Margaret where they have plenty of fish and chips and toffee and no aunts to bother you, where all the fathers bring home&#xA;the money from the Labour Exchange and you don't have to be running around to pubs to find them.&#xA;III&#xA;Mam says she can't spend another minute in that room on Hartstonge Street. She sees Eugene morning, noon and night. She sees him climbing the bed to look out at the street for Oliver and sometimes she sees Oliver outside and Eugene inside, the two of them chatting away. She's happy they're chatting like that but she doesn't want to be seeing and hearing them the rest of her life. It's a shame to move when we're so near Leamy's National School but if she doesn't move soon she'll go out of her mind and wind up in the lunatic asylum.&#xA;We move to Roden Lane on top of a place called Barrack Hill. There are six houses on one side of the lane, one on the opposite side. The houses are called two up, two down, two rooms on top, two on the bottom. Our house is at the end of the lane, the last of the six. Next to our door is a small shed, a lavatory, and next to that a stable.&#xA;Mam goes to the St. Vincent de Paul Society to see if there's any chance of getting furniture. The man says he'll give us a docket for a table, two chairs, and two beds. He says we'll have to go to a second- hand furniture shop down in the Irishtown and haul the furniture home ourselves. Mam says we can use the pram she had for the twins and when she says that she cries. She wipes her eyes on her sleeves and asks the man if the beds we're getting are secondhand. He says of course they are, and she says she's very worried about sleeping in beds someone might have died in, especially if they had the consumption. The man says, I'm very sorry, but beggars can't be choosers.&#xA;It takes us all day to haul the furniture on the pram from one end of Limerick to the other. There are four wheels on the pram but one is bockety, it wants to go in a different direction. We have two beds, one sideboard with a mirror, a table and two chairs. We're happy with the house. We can walk from room to room and up and down the stairs. You feel very rich when you can go up and down the stairs all day as much as you please. Dad lights the fire and Mam makes the tea. He sits at the table on one chair, she sits on the other and Malachy and I sit on the trunk we brought from America. While we're drinking our tea an old man passes our door with a bucket in his hand. He empties the bucket into the lavatory and flushes and there's a powerful stink in our kitchen. Mam goes to the door and says, Why are you emptying your bucket in our lavatory? He raises his cap to her. Your lavatory, missus? Ah, no. You're making a bit of a mistake there, ha, ha. This is not your lavatory. Sure, isn't this the lavatory for the whole lane. You'll see passing your door here the buckets of eleven families and I can tell you it gets very powerful here in the warm weather, very powerful altogether. 'Tis December now, thank God, with a chill in the air and Christmas around the corner and the lavatory isn't that bad, but the day will come when you'll be calling for a gas mask. So, good night to you, missus, and I hope you'll be happy in your house.&#xA;Mam says, Wait a minute, sir. Could you tell me who cleans this lavatory?&#xA;Cleans? Ah, Jasus, that's a good one. Cleans, she says. Is it joking you are? These houses were built in the time of Queen Victoria herself and if this lavatory was ever cleaned it must have been done by someone in the middle of the night when no one was lookin'.&#xA;And he shuffles up the lane laughing away to himself.&#xA;Mam comes back to her chair and her tea. We can't stay here, she says. That lavatory will kill us with all diseases.&#xA;Dad says, We can't move again. Where will we get a house for six shillings a week? We'll keep the lavatory clean ourselves. We'll boil buckets of water and throw them in there.&#xA;Oh, will we? says Mam, and where will we get the coal or turf or blocks to be boiling water?&#xA;Dad says nothing. He finishes his tea and looks for a nail to hang our one picture. The man in the picture has a thin face. He wears a yellow skullcap and a black robe with a cross on his chest. Dad says he was a Pope, Leo the Thirteenth, a great friend of the workingman. He brought this picture all the way from America where he found it thrown out by someone who had no time for the workingman. Mam says he's talking a lot of bloody nonsense and he says she shouldn't say bloody in front of the children. Dad finds a nail but wonders how he's going to get it into the wall without a hammer. Mam says he could go borrow one from the people next door but he says you don't go around borrowing from people you don't know. He leans the picture against the wall and drives the nail with the bottom of a jam jar. The jam jar breaks and cuts his hand and a blob of blood falls on the Pope's head. He wraps his hand in the dish rag and tells Mam, Quick, quick, wipe the blood off the Pope before it dries. She tries to wipe the blood away with her sleeve but it's wool and spreads the blood till the whole side of the Pope's face is smeared. Dad says, Lord above, Angela, you've destroyed the Pope entirely, and she says, Arrah, stop your whining, we'll get some paint and go over his face some day, and Dad says, He's the only Pope that was ever a friend to the workingman and what are we to say if someone from the St. Vincent de Paul Society comes in and sees blood all over him? Mam says, I don't know. It's your blood and 'tis a sad thing when a man can't even drive a nail straight. It just goes to show how useless you are. You'd be better off digging fields and anyway I don't care. I have pain in my back and I'm going to bed.&#xA;Och, what am I going to do? Dad says.&#xA;Take down the Pope and hide him in the coal hole under the stairs where he won't be seen and he'll be out of harm's way.&#xA;I can't, says Dad. It would be bad luck. Coal hole is no place for a Pope. When the Pope is up, he's up.&#xA;Suit yourself, says Mam.&#xA;I will, says Dad.&#xA;This is our first Christmas in Limerick and the girls are out in&#xA;the lane, skipping rope and singing, Christmas is coming And the goose is getting fat, Please put a penny In the old man's hat.&#xA;If you haven't a penny&#xA;A ha'penny will do&#xA;And if you haven't a ha'penny&#xA;God bless you.&#xA;Boys tease the girls and call out,&#xA;May your mother have an accident&#xA;Abroad in the loo.&#xA;Mam says she'd like to have a nice Christmas dinner but what can you do when the Labour Exchange reduces the dole to sixteen shillings after Oliver and Eugene died? You pay the rent of six shillings, you have ten shillings left, and what use is that to four people?&#xA;Dad can't get any work. He gets up early on weekdays, lights the fire, boils water for the tea and his shaving mug. He puts on a shirt and attaches a collar with studs. He puts on his tie and his cap and goes to the Labour Exchange to sign for the dole. He will never leave the house without collar and tie. A man without collar and tie is a man with no respect for himself. You never know when the clerk at the Labour Exchange might tell you there's a job going at Rank's Flour Mills or the Limerick Cement Company, and even if it's a laboring job what will they think if you appear without collar and tie?&#xA;Bosses and foremen always show him respect and say they're ready to hire him, but when he opens his mouth and they hear the North of Ireland accent, they take a Limerickman instead. That's what he tells Mam by the fire and when she says, Why don't you dress like a proper workingman? he says he'll never give an inch, never let them know, and when she says, Why can't you try to talk like a Limerickman? he says he'll never sink that low and the greatest sorrow of his life is that his sons are now afflicted with the Limerick accent. She says, Sorry for your troubles and I hope that's all you'll ever have, and he says that some day, with God's help, we'll get out of Limerick and far from the Shannon that kills.&#xA;I ask Dad what afflicted means and he says, Sickness, son, and things that don't fit.&#xA;When he's not looking for work Dad goes for long walks, miles into the country. He asks farmers if they need any help, that he grew up on a farm and can do anything. If they hire him he goes to work right away with his cap on and his collar and tie. He works so hard and long the farmers have to tell him to stop. They wonder how a man can work through a long hot day with no thought of food or drink. Dad smiles. He never brings home the money he earns on farms. That money seems to be different from the dole, which is supposed to be brought home. He takes the farm money to the pub and drinks it. If he's not home when the Angelus rings at six o'clock Mam knows he had a day of work. She hopes he might think of his family and pass the pub even once, but he never does. She hopes he might bring home something from the farm, potatoes, cabbage, turnips, carrots, but he'll never bring home anything because he'd never stoop so low as to ask a farmer for anything. Mam says 'tis all right for her to be begging at the St. Vincent de Paul Society for a docket for food but he can't stick a few spuds in his pocket. He says it's different for a man. You have to keep the dignity. Wear your collar and tie, keep up the appearance, and never ask for anything. Mam says, I hope it keeps fine for you.&#xA;When the farm money is gone he rolls home singing and crying over Ireland and his dead children, mostly about Ireland. If he sings Roddy McCorley, it means he had only the price of a pint or two. If he sings Kevin Barry, it means he had a good day, that he is now falling down drunk and ready to get us out of bed, line us up and make us promise to die for Ireland, unless Mam tells him leave us alone or she'll brain him with the poker.&#xA;You wouldn't do that, Angela.&#xA;I would and more. You better stop the nonsense and go to bed.&#xA;Bed, bed, bed. What's the use of going to bed? If I go to bed I'll&#xA;only have to get up again and I can't sleep in a place where there's a river sending poison to us in mist and fog.&#xA;He goes to bed, pounds the wall with his fist, sings a woeful song, falls asleep. He's up at daylight because no one should sleep beyond the dawn. He wakes Malachy and me and we're tired from being kept up the night before with his talking and singing. We complain and say we're sick, we're tired, but he pulls back the overcoats that cover us and forces us out on the floor. It's December and it's freezing and we can see our breath. We pee into the bucket by the bedroom door and run down stairs for the warmth of the fire Dad has already started. We wash our faces and hands in a basin that sits under the water tap by the door. The pipe that leads to the tap has to be held to the wall by a piece of twine looped around a nail. Everything around the tap is damp, the floor, the wall, the chair the basin sits on. The water from the tap is icy and our fingers turn numb. Dad says this is good for us, it will make men of us. He throws the icy water on his face and neck and chest to show there's nothing to fear. We hold our hands to the fire for the heat that's in it but we can't stay there long because we have to drink our tea and eat our bread and go to school. Dad makes us say grace before meals and grace after meals and he tells us be good boys at school because God is watching every move and the slightest disobedience will send us straight to hell where we'll never have to worry about the cold again.&#xA;And he smiles.&#xA;Two weeks before Christmas Malachy and I come home from school in a heavy rain and when we push in the door we find the kitchen empty. The table and chairs and trunk are gone and the fire is dead in the grate. The Pope is still there and that means we haven't moved again. Dad would never move without the Pope. The kitchen floor is wet, little pools of water all around, and the walls are twinkling with the damp. There's a noise upstairs and when we go up we find Dad and Mam and the missing furniture. It's nice and warm there with a fire blazing in the grate, Mam sitting in the bed, and Dad reading The Irish Press and smoking a cigarette by the fire. Mam tells us there was a terrible flood, that the rain came down the lane and poured in under our door. They tried to stop it with rags but they only turned sopping wet and let the rain in. People emptying their buckets made it worse and there was a sickening stink in the kitchen. She thinks we should stay upstairs as long as there is rain. We'll be warm through the winter months and then we can go downstairs in the springtime if there is any sign of a dryness in the walls or the floor. Dad says it's like going away on our holidays to a warm foreign place like Italy. That's what we'll call the upstairs from now on, Italy. Malachy says the Pope is still on the wall downstairs and he's going to be all cold and couldn't we bring him up? but Mam says, No, he's going to stay where he is because I don't want him on the wall glaring at me in the bed. Isn't it enough that we dragged him all the way from Brooklyn to Belfast to Dublin to Limerick? All I want now is a little peace, ease and comfort....&#xA;Mam takes Malachy and me to the St. Vincent de Paul Society to stand in the queue and see if there's any chance of getting something for the Christmas dinner-a goose or a ham, but the man says everyone in&#xA;Limerick is desperate this Christmas. He gives her a docket for groceries at McGrath's shop and another one for the butcher.&#xA;No goose, says the butcher, no ham. No fancy items when you bring the docket from the St. Vincent de Paul. What you can have now, missus, is black pudding and tripe or a sheep's head or a nice pig's head. No harm in a pig's head, missus, plenty of meat and children love it, slice that cheek, slather it with mustard and you're in heaven, though I suppose they wouldn't have the likes of that in America where they're mad for the steak and all classes of poultry, flying, walking or swimming itself.&#xA;He tells Mam, no, she can't have boiled bacon or sausages and if she has any sense she'll take the pig's head before they're all gone the way the poor people of Limerick are clamoring for them.&#xA;Mam says the pig's head isn't right for Christmas and he says 'tis more than the Holy Family had in that cold stable in Bethlehem long ago. You wouldn't find them complaining if someone offered them a nice fat pig's head.&#xA;No, they wouldn't complain, says Mam, but they'd never eat the pig's head. They were Jewish.&#xA;And what does that have to do with it? A pig's head is a pig's head.&#xA;And a Jew is a Jew and 'tis against their religion and I don't blame them.&#xA;The butcher says, Are you a bit of an expert, missus, on the Jews and the pig.&#xA;I am not, says Mam, but there was a Jewish woman, Mrs. Leibowitz, in New York, and I don't know what we would have done without her.&#xA;The butcher takes the pig's head off a shelf and when Malachy says, Ooh, look at the dead dog, the butcher and Mam burst out laughing. He wraps the head in newspaper, hands it to Mam and says, Happy Christmas. Then he wraps up some sausages and tells her, Take these sausages for your breakfast on Christmas Day. Mam says, Oh, I can't afford sausages, and he says, Am I asking you for money? Am I? Take these sausages. They might help make up for the lack of a goose or a ham.&#xA;Sure, you don't have to do that, says Mam.&#xA;I know that, missus. If I had to do it, I wouldn't.&#xA;Mam says she has a pain in her back, that I'll have to carry the&#xA;pig's head. I hold it against my chest but it's damp and when the newspaper begins to fall away everyone can see the head. Mam says, I'm ashamed of me life that the world should know we're having pig's head for Christmas. Boys from Leamy's National School see me and they point and laugh. Aw, Gawd, look at Frankie McCourt an'his pig's snout. Is that what the Yanks ate for Christmas dinner, Frankie?&#xA;One calls to another, Hey, Christy, do you know how to ate a pig's&#xA;head?&#xA;No, I don't, Paddy.&#xA;Grab him by the ears an' chew the face offa him.&#xA;And Christy says, Hey, Paddy, do you know the only part of the pig the McCourts don't ate?&#xA;No, I don't, Christy.&#xA;The only part they don't ate is the oink.&#xA;After a few streets the newspaper is gone altogether and everyone&#xA;can see the pig's head. His nose is flat against my chest and pointing up at my chin and I feel sorry for him because he's dead and the world is&#xA;laughing at him. My sister and two brothers are dead, too, but if anyone laughed at them I'd hit them with a rock.&#xA;I wish Dad would come and help us because Mam has to stop every few steps and lean against a wall. She's holding her back and telling us she'll never be able to climb Barrack Hill. Even if Dad came he wouldn't be much use because he never carries anything, parcels, bags, packages. If you carry such things you lose your dignity. That's what he says. He carried the twins when they were tired and he carried the Pope, but that was not the same as carrying ordinary things like a pig's head. He tells Malachy and me that when you grow up you have to wear a collar and tie and never let people see you carry things.&#xA;He's upstairs sitting by the fire, smoking a cigarette, reading The Irish Press, which he loves because it's De Valera's paper and he thinks De Valera is the greatest man in the world. He looks at me and the pig's head and tells Mam it's a disgraceful thing to let a boy carry an object like that through the streets of Limerick. She takes off her coat and eases herself into the bed and tells him that next Christmas he can go out and find the dinner. She's worn out and gasping for a cup of tea so would he drop his grand airs, boil the water for the tea and fry some bread before his two small sons starve to death.&#xA;On Christmas morning he lights the fire early so that we can have sausages and bread and tea. Mam sends me to Grandma to see if we can borrow a pot for the pig's head. Grandma says, What are ye having for yeer dinner? Pig's head! Jesus, Mary an' Joseph, that's goin' beyond the beyonds. Couldn't your father get out and find a ham or a goose at least? What kind of man is he at all, at all?&#xA;Mam puts the head in the pot, just covered with water, and while the pig is boiling away Dad takes Malachy and me to Mass at the Redemptorist church. It's warm in the church and sweet with flowers and incense and candles. He takes us to see the Baby Jesus in the crib. He's a big fat baby with fair curls like Malachy. Dad tells us that's Jesus' mother there, Mary, in the blue dress, and his father, St. Joseph, the old man with the beard. He says they're sad because they know Jesus will grow up and be killed so that we can all go to heaven. I ask why the Baby Jesus has to die and Dad says you can't ask questions like that. Malachy says, Why? and Dad tells him be quiet.&#xA;Mam is in a terrible state at home. There isn't enough coal to cook the dinner, the water isn't boiling anymore and she says she's demented with worry. We'll have to go down the Dock Road again to see if there's any coal or turf lying around from the lorries. Surely we'll find something on the road this day of all days. Even the poorest of the poor don't go out on Christmas Day picking coal off the road. There's no use asking Dad to go because he will never stoop that low and even if he did he won't carry things through the streets. It's a rule he has. Mam can't go because of the pain in her back.&#xA;She says, You'll have to go, Frank, and take Malachy with you.&#xA;It's a long way to the Dock Road but we don't mind because our bellies are filled with sausages and bread and it's not raining. We carry a canvas bag Mam borrowed from Mrs. Hannon next door and Mam is right, there is no one on the Dock Road. The poor are all at home having pig's head or maybe a goose and we have the Dock Road to ourselves. We find bits of coal and turf stuck in cracks on the road and in the walls of the coal yards. We find bits of paper and cardboard that will be useful in starting the fire again. We're wandering around trying to fill the bag&#xA;when Pa Keating comes along. He must have washed himself for Christmas because he's not as black as he was when Eugene died. He wants to know what we're doing with that bag and when Malachy tells him he says, Jesus, Mary and Holy St. Joseph! Christmas Day and ye don't have a fire for yeer pig's head. That's a bloody disgrace.&#xA;He takes us to South's pub, which is not supposed to be open, but he's a regular customer and there's a back door for men who want their pint to celebrate the birthday of the Baby Jesus above in the crib. He orders his pint and lemonade for us and asks the man if there's any chance of getting a few lumps of coal. The man says he's been serving drink for twenty-seven years and nobody ever asked him for coal before. Pa says it would be a favor and the man says if Pa asked for the moon he'd fly up and bring it back. The man leads us to the coal hole under the stairs and tells us take what we can carry. It's real coal and not bits from the Dock Road and if we can't carry it we can drag it along the ground.&#xA;It takes us a long time to go from South's pub to Barrack Hill because of a hole in the bag. I pull the bag and it's Malachy's job to pick up the lumps that fall through the hole and put them back again. Then it starts to rain and we can't stand in a doorway till it passes because we have that coal and it's leaving a black trail along the pavement and Malachy is turning black from picking up the lumps, pushing them into the bag and wiping the rain from his face with his wet black hands. I tell him he's black, he tells me I'm black, and a woman in a shop tells us get away from that door, 'tis Christmas Day and she doesn't want to be looking at Africa.&#xA;We have to keep dragging the bag or we'll never have our Christmas dinner. It will take ages to get a fire going and ages more to get our dinner because the water has to be boiling when Mam puts in the head of cabbage and the potatoes to keep the pig company in the pot. We drag the bag up O'Connell Avenue and we see people in their houses sitting around tables with all kinds of decorations and bright lights. At one house they push up the window and the children point and laugh and call to us, Look at the Zulus. Where are yeer spears?&#xA;Malachy makes faces at them and wants to throw coal at them but I tell him if he throws coal there's less for the pig and we'll never get our dinner.&#xA;The downstairs in our house is a lake again from the rain pouring under the door but it doesn't matter because we're drenched anyway and we can wade through the water. Dad comes down and drags the bag upstairs to Italy. He says we're good boys for getting so much coal, that the Dock Road must have been covered with it. When Mam sees us she starts to laugh, and then she cries. She's laughing because we're so black and crying because we're sopping wet. She tells us take off all our clothes and she washes the coal off our hands and faces. She tells Dad the pig's head can wait a while so that we can have a jam jar of hot tea.&#xA;It's raining outside and there's a lake downstairs in our kitchen but up here in Italy the fire is going again and the room is so dry and warm that, after our tea, Malachy and I doze off in the bed and we don't wake till Dad tells us the dinner is ready. Our clothes are still wet, so Malachy sits on the trunk at the table wrapped in Mam's red American overcoat and I'm wrapped in an old coat that Mam's father left behind when he went to Australia.&#xA;There are delicious smells in the room, cabbage, potatoes, and the pig's head, but when Dad lifts the head from the pot to a plate Malachy says, Oh, the poor pig. I don't want to eat the poor pig.&#xA;Mam says, If you were hungry you'd eat it. Now stop the nonsense and eat your dinner.&#xA;Dad says, Wait a minute. He takes slices from the two cheeks, places them on our plates and smears them with mustard. He takes the plate that holds the pig's head and puts it on the floor under the table. Now, he says to Malachy, that's ham, and Malachy eats it because he's not looking at what it came from and it isn't pig's head anymore. The cabbage is soft and hot and there are plenty of potatoes with butter and salt. Mam peels our potatoes but Dad eats his skin and all. He says all the nourishment of a potato is in the skin and Mam says it's a good thing he's not eating eggs, he'd be chewing the shells and all.&#xA;He says he would, and it's a disgrace that the Irish throw out millions of potato skins every day and that's why thousands are dying of consumption and surely there's nourishment in the shell of an egg since waste is the eighth deadly sin. If he had his way, and Mam says, Never mind your way. Eat your dinner.&#xA;He eats half a potato with its skin on and puts the other half back in the pot. He eats a small slice of the pig's cheek and a leaf of cabbage and leaves the rest on his plate for Malachy and me. He makes more tea and we have that with bread and jam so that no one can say we didn't have a sweet on Christmas Day.&#xA;It's dark now and still raining outside and the coal is glowing in the grate where Mam and Dad sit and smoke their cigarettes. There's nothing to do when your clothes are wet but get back into bed where it's cozy and your father can tell you a story about how Cuchulain became a Catholic and you fall asleep and dream about the pig standing in the crib at the Redemptorist church crying because he and the Baby Jesus and Cuchulain all have to grow up and die.&#xA;The angel that brought Margaret and the twins comes again and brings us another brother, Michael. Dad says he found Michael on the seventh step of the stairs to Italy. He says that's what you have to watch for when you ask for a new baby, the Angel on the Seventh Step.&#xA;Malachy wants to know how you can get a new brother from the Angel on the Seventh Step if you don't have any stairs in your house and Dad tells him that asking too many questions is an affliction.&#xA;Malachy wants to know what an affliction is.&#xA;Affliction. I'd like to know what that word means. Affliction, but Dad says, Och, child, the world is an affliction and everything in it, puts on his cap and goes to the Bedford Row Hospital to see Mam and Michael. She's in the hospital with the pain in her back and she has the baby with her to make sure he was healthy when he was left on the seventh step. I don't understand this because I'm sure angels would never leave a sick baby on the seventh step. There's no use asking Dad or Mam about this. They say, You're getting as bad as your brother for asking questions. Go play.&#xA;I know that big people don't like questions from children. They can ask all the questions they like, How's school? Are you a good boy? Did you say your prayers? but if you ask them did they say their prayers you might be hit on the head.&#xA;Dad brings Mam home with the new baby and she has to stay in bed for a few days with the pain in her back. She says this baby is the&#xA;spitting image of our sister who died, with his wavy black hair, his lovely blue eyes, and the gorgeous eyebrows. That's what Mam says.&#xA;I want to know if the baby will be spitting. I also want to know which is the seventh step because there are nine steps on the stairs and I'd like to know if you count from the bottom or the top. Dad doesn't mind answering this question. Angels come down from above, he says, and not up from kitchens like ours which are lakes from October till April.&#xA;So I find the seventh step by counting from the top.&#xA;The baby Michael has a cold. His head is stuffed and he can barely breathe. Mam worries because it's Sunday and the Dispensary for the poor is closed. If you go to the doctor's house and the maid sees you're from the lower classes she tells you go to the Dispensary where you belong. If you tell her the child is dying in your arms she'll say the doctor is in the country riding his horse.&#xA;Mam cries because the baby is struggling to get air through his mouth. She tries to clear his nostrils with a bit of rolled up paper but she's afraid to push it too far up. Dad says, There's no need for that. You're not supposed to be pushing things inside a child's head. It looks like he's going to kiss the baby. Instead, he has his mouth on the little nose and he's sucking sucking the bad stuff out of Michael's head. He spits it into the fire, Michael gives out a loud cry and you can see him drawing the air into his head and kicking his legs and laughing. Mam looks at Dad as if he just came down from heaven and Dad says, That's what we did in Antrim long before there were doctors riding their horses.&#xA;Michael entitles us to a few extra shillings on the dole but Mam says it isn't enough and now she has to go to the St. Vincent de Paul Society for food. One night there is a knock on the door and Mam sends me down to see who it is. There are two men from the St. Vincent de Paul and they want to see my mother and father. I tell them my parents are upstairs in Italy and they say, What?&#xA;Upstairs where 'tis dry. I'll tell them.&#xA;They want to know what that little shed is beside our front door. I tell them it's the lavatory. They want to know why it isn't in the back of the house and I tell them it's the lavatory for the whole lane and it's a good thing it's not in the back of our house or we'd have people traipsing through our kitchen with buckets that would make you sick.&#xA;They say, Are you sure there's one lavatory for the whole lane? I am.&#xA;They say, Mother of God.&#xA;Mam calls down from Italy. Who's down there?&#xA;The men.&#xA;What men? From the St. Vincent de Paul.&#xA;They're careful the way they step into the lake in the kitchen and&#xA;they make tsk tsk and tut tut noises and they tell one another, Isn't this a disgrace? till they get upstairs to Italy. They tell Mam and Dad they're sorry to disturb them but the Society has to be sure they're helping deserving cases. Mam offers them a cup of tea but they look around and say, No, thank you. They want to know why we're living upstairs. They want to know about the lavatory. They ask questions because big people can ask all the questions they like and write in notebooks, especially when they're wearing collars and ties and suits. They ask how old Michael is, how much Dad gets at the Labour Exchange, when did he last have a job, why doesn't he have a job now and what class of an accent is that he has?&#xA;Dad tells them the lavatory could kill us with every class of disease, that the kitchen floods in the winter and we have to move upstairs to stay dry. He says the River Shannon is responsible for all the dampness in the world and killing us one by one.&#xA;Malachy tells them we're living in Italy and they smile.&#xA;Mam asks if there's any chance of getting boots for Malachy and me and they say she'll have to come down to Ozanam House and apply. She says she hasn't been feeling well since the baby came and she wouldn't be able to stand long in a queue, but they say everyone has to be treated the same, even a woman down in the Irishtown that had triplets and, thank you, we'll make our report to the Society.&#xA;When they're leaving Malachy wants to show them where the angel left Michael on the seventh step but Dad tells him, Not now, not now. Malachy cries and one of the men gives him a piece of toffee from his pocket and I wish I had something to cry about so that I'd get a piece, too.&#xA;I have to go downstairs again and show the men where to step to keep their feet dry. They keep shaking their heads and saying, God Almighty and Mother of God, this is desperate. That's not Italy they have upstairs, that's Calcutta.&#xA;Dad is telling Mam up in Italy she should never beg like that. What do you mean, beg?&#xA;Don't you have any pride, begging for boots like that?&#xA;And what would you do, Mr. Grand Manner? Would you let them go&#xA;barefoot?&#xA;I'd rather fix the shoes they have.&#xA;The shoes they have are falling to pieces.&#xA;I can fix them, he says.&#xA;You can't fix anything. You're useless, she says.&#xA;He comes home the next day with an old bicycle tire. He sends me to&#xA;Mr. Hannon next door for the loan of a last and a hammer. He takes Mam's sharp knife and he hacks at the tire till he has pieces to fit on the soles and heels of our shoes. Mam tells him he's going to destroy the shoes altogether but he pounds away with the hammer, driving the nails through the rubber pieces and into the shoes. Mam says, God above, if you left the shoes alone they'd last till Easter, at least, and we might get the boots from the St. Vincent de Paul. But he won't stop till the soles and heels are covered with squares of rubber tire which stick out on each side of the shoe and flop before and behind. He makes us put on the shoes and tells us our feet will be good and warm but we don't want to wear them anymore because the tire pieces are so lumpy we stumble when we walk around Italy. He sends me back to Mr. Hannon with the last and hammer and Mrs. Hannon says, God above, what's up with your shoes? She laughs and Mr. Hannon shakes his head and I feel ashamed. I don't want to go to school next day and I pretend to be sick but Dad gets us up and gives us our fried bread and tea and tells us we should be grateful we have any shoes at all, that there are boys in Leamy's National School who go to school barefoot on bitter days. On our way to school Leamy's boys laugh at us because the tire pieces are so thick they add a few inches to our height and the boys say, How's the air up there? There are six or seven barefoot boys in my class and they don't say anything and I wonder if it's better to have shoes with rubber tires that make you trip and stumble or to go barefoot. If you have no shoes at all you'll have all the barefoot boys on your side. If you have rubber tires on your shoes&#xA;you're all alone with your brother and you have to fight your own battles. I sit on a bench in the schoolyard shed and take off my shoes and stockings but when I go into the class the master wants to know where my shoes are. He knows I'm not one of the barefoot boys and he makes me go back to the yard, bring in the shoes and put them on. Then he says to the class, There is sneering here. There is jeering at the misfortunes of others. Is there anyone in this class that thinks he's perfect? Raise your hands.&#xA;There are no hands. Is there anyone in this class that comes from a rich family with money galore to spend on shoes? Raise your hands.&#xA;There are no hands.&#xA;He says, There are boys here who have to mend their shoes whatever way they can. There are boys in this class with no shoes at all. It's not their fault and it's no shame. Our Lord had no shoes. He died shoeless. Do you see Him hanging on the cross sporting shoes? Do you, boys?&#xA;No, sir.&#xA;What is it you don't see Our Lord doing?&#xA;Hanging on the cross and sporting shoes, sir.&#xA;Now if I hear of one boy in this class jeering and sneering at&#xA;McCourt or his brother over their&#xA;will come out, boys?&#xA;The stick, sir.&#xA;The stick will sting, boys.&#xA;air, it will land on the backside&#xA;sneers. Where will it land, boys?&#xA;shoes the stick will come out. What&#xA;The ash plant will whistle through the&#xA;of the boy that jeers, the boy that&#xA;On the boy that jeers, sir.&#xA;And?&#xA;The boy that sneers, sir.&#xA;The boys bother us no more and we wear our shoes with the rubber&#xA;tires the few weeks to Easter when the St. Vincent de Paul Society gives us the gift of boots.&#xA;If I have to get up in the middle of the night to pee in the bucket I go to the top of the stairs and look down to see if the angel might be on the seventh step. Sometimes I'm sure there's a light there and if everyone's asleep I sit on the step in case the angel might be bringing another baby or just coming for a visit. I ask Mam if the angel just brings the babies and then forgets about them. She says, Of course not. The angel never forgets the babies and comes back to make sure the baby is happy.&#xA;I could ask the angel all kinds of questions and I'm sure he'd answer, unless it's a girl angel. But I'm sure a girl angel would answer questions, too. I never heard anyone say they didn't.&#xA;I sit on the seventh step a long time and I'm sure the angel is there. I tell him all the things you can't tell your mother or father for fear of being hit on the head or told go out and play. I tell him all about school and how I'm afraid of the master and his stick when he roars at us in Irish and I still don't know what he's talking about because I came from America and the other boys were learning Irish a year before me.&#xA;I stay on the seventh step till it gets too cold or Dad gets up and tells me go back to bed. He's the one who told me the angel comes to the seventh step in the first place and you'd think he'd know why I'm sitting there. I told him one night that I was waiting for the angel, and he said, Och, now, Francis, you're a bit of a dreamer.&#xA;I get back into bed but I can hear him whisper to my mother. The poor wee lad was sitting on the stairs talking away to an angel.&#xA;He laughs and my mother laughs and I think, Isn't it curious the way big people laugh over the angel who brought them a new child.&#xA;Before Easter we move back downstairs to Ireland. Easter is better than Christmas because the air is warmer, the walls are not dripping with the damp, and the kitchen isn't a lake anymore, and if we're up early we might catch the sun slanting for a minute through the kitchen window.&#xA;In fine weather men sit outside smoking their cigarettes if they have them, looking at the world and watching us play. Women stand with their arms folded, chatting. They don't sit because all they do is stay at home, take care of the children, clean the house and cook a bit and the men need the chairs. The men sit because they're worn out from walking to the Labour Exchange every morning to sign for the dole, discussing the world's problems and wondering what to do with the rest of the day. Some stop at the bookie to study the form and place a shilling or two on a sure thing. Some spend hours in the Carnegie Library reading English and Irish newspapers. A man on the dole needs to keep up with things because all the other men on the dole are experts on what's going on in the world. A man on the dole must be ready in case another man on the dole brings up Hitler or Mussolini or the terrible state of the Chinese millions. A man on the dole goes home after a day with the bookie or the newspaper and his wife will not begrudge him a few minutes with the ease and peace of his cigarette and his tea and time to sit in his chair and think of the world.&#xA;Easter is better than Christmas because Dad takes us to the Redemptorist church where all the priests wear white and sing. They're happy because Our Lord is in heaven. I ask Dad if the baby in the crib is dead and he says, No, He was thirty-three when He died and there He is, hanging on the cross. I don't understand how He grew up so fast that He's hanging there with a hat made of thorns and blood everywhere, dripping from His head, His hands, His feet, and a big hole near His belly.&#xA;Dad says I'll understand when I grow up. He tells me that all the time now and I want to be big like him so that I can understand everything. It must be lovely to wake up in the morning and understand everything. I wish I could be like all the big people in the church, standing and kneeling and praying and understanding everything.&#xA;At the Mass people go up to the altar and the priest puts something into their mouths. They come back to their seats with their heads down, their mouths moving. Malachy says he's hungry and he wants some, too. Dad says, Shush, that's Holy Communion, the body and blood of Our Lord.&#xA;But, Dad.&#xA;Shush, it's a mystery.&#xA;There's no use asking more questions. If you ask a question they&#xA;tell you it's a mystery, you'll understand when you grow up, be a good boy, ask your mother, ask your father, for the love o' Jesus leave me alone, go out and play.&#xA;Dad gets his first job in Limerick at the cement factory and Mam is happy. She won't have to stand in the queue at the St. Vincent de Paul Society asking for clothes and boots for Malachy and me. She says it's not begging, it's charity, but Dad says it's begging and shameful. Mam says she can now pay off the few pounds she owes at Kathleen O'Connell's shop and she can pay back what she owes her own mother. She hates to be under obligation to anyone, especially her own mother.&#xA;The cement factory is miles outside Limerick and that means Dad has to be out of the house by six in the morning. He doesn't mind because he's used to the long walks. The night before Mam makes him a flask of tea, a sandwich, a hard-boiled egg. She feels sorry for him the way he has to walk three miles out and three miles back. A bicycle would be handy but you'd have to be working a year for the price of it.&#xA;Friday is payday and Mam is out of the bed early, cleaning the house and singing.&#xA;Anyone can see why I wanted your kiss, It had to be and the reason is this...&#xA;There isn't much to clean in the house. She sweeps the kitchen floor and the floor of Italy upstairs. She washes the four jam jars we use for mugs. She says if Dad's job lasts we'll get proper cups and maybe saucers and some day, with the help of God and His Blessed Mother, we'll have sheets on the bed and if we save a long time a blanket or two instead of those old coats which people must have left behind during the Great Famine. She boils water and washes the rags that keep Michael from shitting all over the pram and the house itself. Oh, she says, we'll have a lovely tea when your Pop brings home the wages tonight.&#xA;Pop. She's in a good mood.&#xA;Sirens and whistles go off all over the city when the men finish work at half-past five. Malachy and I are excited because we know that when your father works and brings home the wages you get the Friday Penny. We know this from other boys whose fathers work and we know that after your tea you can go to Kathleen O'Connell's shop and buy sweets. If your mother is in a good mood she might even give you tuppence to go to the Lyric Cinema the next day to see a film with James Cagney.&#xA;The men who work in factories and shops in the city are coming into the lanes to have their supper, wash themselves and go to the pub. The women go to the films at the Coliseum or the Lyric Cinema. They buy sweets and Wild Woodbine cigarettes and if their husbands are working a long time they treat themselves to boxes of Black Magic chocolates. They love the romance films and they have a great time crying their eyes out when there's an unhappy ending or a handsome lover goes away to be shot by Hindus and other non-Catholics.&#xA;We have to wait a long time for Dad to walk the miles from the cement factory. We can't have our tea till he's home and that's very hard because you smell the cooking of other families in the lane. Mam says it's a good thing payday is Friday when you can't eat meat because the smell of bacon or sausages in other houses would drive her out of her mind. We can still have bread and cheese and a nice jam jar of tea with lashings of milk and sugar and what more do you want?&#xA;The women are gone to the cinemas, the men are in the pubs, and still Dad isn't home. Mam says it's a long way to the cement factory even if he's a fast walker. She says that but her eyes are watery and she's not singing anymore. She's sitting by the fire smoking a Wild Woodbine she got on credit from Kathleen O'Connell. The fag is the only luxury she has and she'll never forget Kathleen for her goodness. She doesn't know how long she can keep the water boiling in this kettle. There's no use making the tea till Dad gets home because it will be stewed, coddled, boiled and unfit to drink. Malachy says he's hungry and she gives him a piece of bread and cheese to keep him going. She says, This job could be&#xA;the saving of us. 'Tis hard enough for him to get a job with his northern accent and if he loses this one I don't know what we're going to do.&#xA;The darkness is in the lane and we have to light a candle. She has to give us our tea and bread and cheese because we're so hungry we can't wait another minute. She sits at the table, eats a bit of bread and cheese, smokes her Wild Woodbine. She goes to the door to see if Dad is coming down the lane and she talks about the paydays when we searched for him all over Brooklyn. She says, Some day we'll all go back to America and we'll have a nice warm place to live and a lavatory down the hall like the one in Classon Avenue and not this filthy thing outside our door.&#xA;The women are coming home from the cinemas, laughing, and the men, singing, from the pubs. Mam says there's no use waiting up any longer. If Dad stays in the pubs till closing time there will be nothing left from his wages and we might as well go to bed. She lies in her bed with Michael in her arms. It's quiet in the lane and I can hear her crying even though she pulls an old coat over her face and I can hear in the distance, my father.&#xA;I know it's my father because he's the only one in Limerick who sings that song from the North, Roddy McCorley goes to die on the bridge of Toome today. He comes round the corner at the top of the lane and starts Kevin Barry. He sings a verse, stops, holds on to a wall, cries over Kevin Barry. People stick their heads out windows and doors and tell him, For Jasus' sake, put a sock in it. Some of us have to get up in the morning for work. Go home and sing your feckin' patriotic songs.&#xA;He stands in the middle of the lane and tells the world to step outside, he's ready to fight, ready to fight and die for Ireland, which is more than he can say for the men of Limerick, who are known the length and breadth of the world for collaborating with the perfidious Saxons.&#xA;He's pushing in our door and singing,&#xA;And if, when all a vigil keep,&#xA;The West's asleep, the West's asleep! Alas! and well my Erin weep,&#xA;That Connacht lies in slumber deep,&#xA;But hark! a voice like thunder spake 'The West's awake! the West's awake! Sing, Oh, hurrah, let England quake, We'll watch till death for Erin's sake!'&#xA;He calls from the bottom of the stairs, Angela, Angela, is there a drop of tea in this house?&#xA;She doesn't answer and he calls again, Francis, Malachy, come down here, boys. I have the Friday Penny for you.&#xA;I want to go down and get the Friday Penny but Mam is sobbing with the coat over her mouth and Malachy says, I don't want his old Friday Penny. He can keep it.&#xA;Dad is stumbling up the stairs, making a speech about how we all have to die for Ireland. He lights a match and touches it to the candle by Mam's bed. He holds the candle over his head and marches around the room, singing, See who comes over the red-blossomed heather, Their green banners kissing the pure mountain air, Heads erect, eyes to front,&#xA;stepping proudly together, Sure freedom sits throned on each proud spirit there.&#xA;Michael wakes and lets out a loud cry, the Hannons are banging on the wall next door, Mam is telling Dad he's a disgrace and why doesn't he get out of the house altogether.&#xA;He stands in the middle of the floor with the candle over his head. He pulls a penny from his pocket and waves it to Malachy and me. Your Friday Penny, boys, he says. I want you to jump out of that bed and line up here like two soldiers and promise to die for Ireland and I'll give the two of you the Friday Penny.&#xA;Malachy sits up in the bed. I don't want it, he says.&#xA;And I tell him I don't want it, either.&#xA;Dad stands for a minute, swaying, and puts the penny back in his&#xA;pocket. He turns toward Mam and she says, You're not sleeping in this bed tonight. He makes his way downstairs with the candle, sleeps on a chair, misses work in the morning, loses the job at the cement factory, and we're back on the dole again.&#xA;IV&#xA;The master says it's time to prepare for First Confession and First Communion, to know and remember all the questions and answers in the catechism, to become good Catholics, to know the difference between right and wrong, to die for the Faith if called on.&#xA;The master says it's a glorious thing to die for the Faith and Dad says it's a glorious thing to die for Ireland and I wonder if there's anyone in the world who would like us to live. My brothers are dead and my sister is dead and I wonder if they died for Ireland or the Faith. Dad says they were too young to die for anything. Mam says it was disease and starvation and him never having a job. Dad says, Och, Angela, puts on his cap and goes for a long walk.&#xA;The master says we're each to bring threepence for the First Communion catechism with the green cover. The catechism has all the questions and answers we have to know by heart before we can receive First Communion. Older boys in the fifth class have the thick Confirmation catechism with the red cover and that costs sixpence. I'd love to be big and important and parade around with the red Confirmation catechism but I don't think I'll live that long the way I'm expected to die for this or that. I want to ask why there are so many big people who haven't died for Ireland or the Faith but I know if you ask a question like that you get you the thump on the head or you're told go out and play.&#xA;It's very handy to have Mikey Molloy living around the corner from me. He's eleven, he has fits and behind his back we call him Molloy the Fit. People in the lane say the fit is an affliction and now I know what affliction means. Mikey knows everything because he has visions in his fits and he reads books. He's the expert in the lane on Girls' Bodies and Dirty Things in General and he promises, I'll tell you everything, Frankie, when you're eleven like me and you're not so thick and ignorant.&#xA;It's a good thing he says Frankie so I'll know he's talking to me because he has crossed eyes and you never know who he's looking at. If he's talking to Malachy and I think he's talking to me he might go into a&#xA;rage and have a fit that will carry him off. He says it's a gift to have crossed eyes because you're like a god looking two ways at once and if you had crossed eyes in the ancient Roman times you had no problem getting a good job. If you look at pictures of Roman emperors you'll see there's always a great hint of crossed eyes. When he's not having the fit he sits on the ground at the top of the lane reading the books his father brings home from the Carnegie Library. His mother says books books books, he's ruining his eyes with the reading, he needs an operation to straighten them but who'll pay for it. She tells him if he keeps on straining his eyes they'll float together till he has one eye in the middle of his head. Ever after his father calls him Cyclops, who is in a Greek story.&#xA;Nora Molloy knows my mother from the queues at the St. Vincent de Paul Society. She tells Mam that Mikey has more sense than twelve men drinking pints in a pub. He knows the names of all the Popes from St. Peter to Pius the Eleventh. He's only eleven but he's a man, oh, a man indeed. Many a week he saves the family from pure starvation. He borrows a handcart from Aidan Farrell and knocks on doors all over Limerick to see if there are people who want coal or turf delivered, and down the Dock Road he'll go to haul back great bags a hundredweight or more. He'll run messages for old people who can't walk and if they don't have a penny to give him a prayer will do.&#xA;If he earns a little money he hands it over to his mother, who loves her Mikey. He is her world, her heart's blood, her pulse, and if anything ever happened to him they might as well stick her in the lunatic asylum and throw away the key.&#xA;Mikey's father, Peter, is a great champion. He wins bets in the pubs by drinking more pints than anyone. All he has to do is go out to the jakes, stick his finger down his throat and bring it all up so that he can start another round. Peter is such a champion he can stand in the jakes and throw up without using his finger. He's such a champion they could chop off his fingers and he'd carry on regardless. He wins all that money but doesn't bring it home. Sometimes he's like my father and drinks the dole itself and that's why Nora Molloy is often carted off to the lunatic asylum demented with worry over her hungry famishing family. She knows as long as you're in the asylum you're safe from the world and its torments, there's nothing you can do, you're protected, and what's the use of worrying. It's well known that all the lunatics in the asylum have to be dragged in but she's the only one that has to be dragged out, back to her five children and the champion of all pint drinkers.&#xA;You can tell when Nora Molloy is ready for the asylum when you see her children running around white with flour from poll to toe. That happens when Peter drinks the dole money and leaves her desperate and she knows the men will come to take her away. You know she's inside frantic with the baking. She wants to make sure the children won't starve while she's gone and she roams Limerick begging for flour. She goes to priests, nuns, Protestants, Quakers. She goes to Rank's Flour Mills and begs for the sweepings from the floor. She bakes day and night. Peter begs her to stop but she screams, This is what comes of drinking the dole. He tells her the bread will only go stale. There's no use talking to her. Bake bake bake. If she had the money she'd bake all the flour in Limerick and regions beyond. If the men didn't come from the lunatic asylum to take her away she'd bake till she fell to the floor.&#xA;The children stuff themselves with so much bread people in the lane say they're looking like loaves. Still the bread goes stale and Mikey is so bothered by the waste he talks to a rich woman with a cookbook and she tells him make bread pudding. He boils the hard bread in water and sour milk and throws in a cup of sugar and his brother loves it even if that's all they have the fortnight their mother is in the lunatic asylum.&#xA;My father says, Do they take her away because she's gone mad baking bread or does she go mad baking bread because they're taking her away?&#xA;Nora comes home calm as if she had been at the seaside. She always says, Where's Mikey? Is he alive? She worries over Mikey because he's not a proper Catholic and if he had a fit and died who knows where he might wind up in the next life. He's not a proper Catholic because he could never receive his First Communion for fear of getting anything on his tongue that might cause a fit and choke him. The master tried over and over with bits of the Limerick Leader but Mikey kept spitting them out till the master got into a state and sent him to the priest, who wrote to the bishop, who said, Don't bother me, handle it yourself. The master sent a note home saying Mikey was to practice receiving Communion with his father or mother but even they couldn't get him to swallow a piece of the Limerick Leader in the shape of a wafer. They even tried a piece of bread shaped like the wafer with bread and jam and it was no use. The priest tells Mrs. Molloy not to worry. God moves in mysterious ways His wonders to perform and surely He has a special purpose for Mikey, fits and all. She says, Isn't it remarkable he can swally all kinds of sweets and buns but if he has to swally the body of Our Lord he goes into a fit? Isn't that remarkable? She worries Mikey might have the fit and die and go to hell if he has any class of a sin on his soul though everyone knows he's an angel out of heaven. Mikey tells her God is not going to afflict you with the fit and then boot you into hell on top of it. What kind of a God would do a thing like that?&#xA;Are you sure, Mikey?&#xA;I am. I read it in a book.&#xA;He sits under the lamppost at the top of the lane and laughs over&#xA;his First Communion day, which was all a cod. He couldn't swallow the wafer but did that stop his mother from parading him around Limerick in his little black suit for The Collection? She said to Mikey, Well, I'm not lying so I'm not. I'm only saying to the neighbors, Here's Mikey in his First Communion suit. That's all I'm saying, mind you. Here's Mikey. If they think you swallied your First Communion who am I to contradict them and disappoint them? Mikey's father said, Don't worry, Cyclops. You have loads of time. Jesus didn't become a proper Catholic till he took the bread and wine at the Last Supper and He was thirty-three years of age. Nora Molloy said, Will you stop calling him Cyclops? He has two eyes in his head and he's not a Greek. But Mikey's father, champion of all pint drinkers, is like my uncle Pa Keating, he doesn't give a fiddler's fart what the world says and that's the way I'd like to be myself.&#xA;Mikey tells me the best thing about First Communion is The Collection. Your mother has to get you a new suit somehow so she can show you off to the neighbors and relations and they give you sweets and money and you can go to the Lyric Cinema to see Charlie Chaplin.&#xA;What about James Cagney?&#xA;Never mind James Cagney. Lots of blather. Charlie Chaplin is your only man. But you have to be with your mother on The Collection. The grown-up people of Limerick are not going to be handing out money to&#xA;every little Tom Dick and Mick with a First Communion suit that doesn't have his mother with him.&#xA;Mikey got over five shillings on his First Communion day and ate so many sweets and buns he threw up in the Lyric Cinema and Frank Goggin, the ticket man, kicked him out. He says he didn't care because he had money left over and went to the Savoy Cinema the same day for a pirate film and ate Cadbury chocolate and drank lemonade till his stomach stuck out a mile. He can't wait for Confirmation day because you're older, there's another collection and that brings more money than First Communion. He'll go to the cinema the rest of his life, sit next to girls from lanes and do dirty things like an expert. He loves his mother but he'll never get married for fear he might have a wife in and out of the lunatic asylum. What's the use of getting married when you can sit in cinemas and do dirty things with girls from lanes who don't care what they do because they already did it with their brothers. If you don't get married you won't have any children at home bawling for tea and bread and gasping with the fit and looking in every direction with their eyes. When he's older he'll go to the pub like his father, drink pints galore, stick the finger down the throat to bring it all up, drink more pints, win the bets and bring the money home to his mother to keep her from going demented.&#xA;He says he's not a proper Catholic which means he's doomed so he can do anything he bloody well likes. He says, I'll tell you more when you grow up, Frankie. You're too young now and you don't know your arse from your elbow.&#xA;The master, Mr. Benson, is very old. He roars and spits all over us every day. The boys in the front row hope he has no diseases for it's the spit that carries all the diseases and he might be spreading consumption right and left. He tells us we have to know the catechism backwards, forwards and sideways. We have to know the Ten Commandments, the Seven Virtues, Divine and Moral, the Seven Sacraments, the Seven Deadly Sins. We have to know by heart all the prayers, the Hail Mary, the Our Father, the Confiteor, the Apostles' Creed, the Act of Contrition, the Litany of the Blessed Virgin Mary. We have to know them in Irish and English and if we forget an Irish word and use English he goes into a rage and goes at us with the stick. If he had his way we'd be learning our religion in Latin, the language of the saints who communed intimately with God and His Holy Mother, the language of the early Christians, who huddled in the catacombs and went forth to die on rack and sword, who expired in the foaming jaws of the ravenous lion. Irish is fine for patriots, English for traitors and informers, but it's the Latin that gains us entrance to heaven itself. It's the Latin the martyrs prayed in when the barbarians pulled out their nails and cut their skin off inch by inch. He tells us we're a disgrace to Ireland and her long sad history, that we'd be better off in Africa praying to bush or tree. He tells us we're hopeless, the worst class he ever had for First Communion but as sure as God made little apples he'll make Catholics of us, he'll beat the idler out of us and the Sanctifying Grace into us.&#xA;Brendan Quigley raises his hand. We call him Question Quigley because he's always asking questions. He can't help himself. Sir, he says, what's Sanctifying Grace?&#xA;The master rolls his eyes to heaven. He's going to kill Quigley. Instead he barks at him, Never mind what's Sanctifying Grace, Quigley. That's none of your business. You're here to learn the catechism and do&#xA;what you're told. You're not here to be asking questions. There are too many people wandering the world asking questions and that's what has us in the state we're in and if I find any boy in this class asking questions I won't be responsible for what happens. Do you hear me, Quigley?&#xA;I do.&#xA;I do what?&#xA;I do, sir.&#xA;He goes on with his speech, There are boys in this class who will&#xA;never know the Sanctifying Grace. And why? Because of the greed. I have heard them abroad in the schoolyard talking about First Communion day, the happiest day of your life. Are they talking about receiving the body and blood of Our Lord? Oh, no. Those greedy little blaguards are talking about the money they'll get, The Collection. They'll go from house to house in their little suits like beggars for The Collection. And will they take any of that money and send it to the little black babies in Africa? Will they think of those little pagans doomed forever for lack of baptism and knowledge of the True Faith? Little black babies denied knowledge of the Mystical Body of Christ? Limbo is packed with little black babies flying around and crying for their mothers because they'll never be admitted to the ineffable presence of Our Lord and the glorious company of saints, martyrs, virgins. Oh, no. It's off to the cinemas, our First Communion boys run to wallow in the filth spewed across the world by the devil's henchmen in Hollywood. Isn't that right, McCourt?&#xA;'Tis, sir.&#xA;Question Quigley raises his hand again. There are looks around the room and we wonder if it's suicide he's after.&#xA;What's henchmen, sir?&#xA;The master's face goes white, then red. His mouth tightens and opens and spit flies everywhere. He walks to Question and drags him from his seat. He snorts and stutters and his spit flies around the room. He flogs Question across the shoulders, the bottom, the legs. He grabs him by the collar and drags him to the front of the room.&#xA;Look at this specimen, he roars.&#xA;Question is shaking and crying. I'm sorry, sir.&#xA;The master mocks him. I'm sorry, sir. What are you sorry for? I'm sorry I asked the question. I'll never ask a question again,&#xA;sir.&#xA;The day you do, Quigley, will be the day you wish God would take&#xA;you to His bosom. What will you wish, Quigley?&#xA;That God will take me to His bosom, sir.&#xA;Go back to your seat, you omadhaun, you poltroon, you thing from&#xA;the far dark corner of a bog.&#xA;He sits down with the stick before him on the desk. He tells&#xA;Question to stop the whimpering and be a man. If he hears a single boy in this class asking foolish questions or talking about The Collection again he'll flog that boy till the blood spurts.&#xA;what?&#xA;What will I do, boys?&#xA;Flog the boy, sir.&#xA;Till?&#xA;Till the blood spurts, sir.&#xA;Now, Clohessy, what is the Sixth Commandment?&#xA;Thou shalt not commit adultery. Thou shalt not commit adultery&#xA;Thou shalt not commit adultery, sir.&#xA;And what is adultery, Clohessy?&#xA;Impure thoughts, impure words, impure deeds, sir.&#xA;Good, Clohessy. You're a good boy. You may be slow and forgetful in&#xA;the sir department and you may not have a shoe to your foot but you're powerful with the Sixth Commandment and that will keep you pure.&#xA;Paddy Clohessy has no shoe to his foot, his mother shaves his head to keep the lice away, his eyes are red, his nose always snotty. The sores on his kneecaps never heal because he picks at the scabs and puts them in his mouth. His clothes are rags he has to share with his six brothers and a sister and when he comes to school with a bloody nose or a black eye you know he had a fight over the clothes that morning. He hates school. He's seven going on eight, the biggest and oldest boy in the class, and he can't wait to grow up and be fourteen so that he can run away and pass for seventeen and join the English army and go to India where it's nice and warm and he'll live in a tent with a dark girl with the red dot on her forehead and he'll be lying there eating figs, that's what they eat in India, figs, and she'll cook the curry day and night and plonk on a ukulele and when he has enough money he'll send for the whole family and they'll all live in the tent especially his poor father who's at home coughing up great gobs of blood because of the consumption. When my mother sees Paddy on the street she says, Wisha, look at that poor child. He's a skeleton with rags and if they were making a film about the famine he'd surely be put in the middle of it.&#xA;I think Paddy likes me because of the raisin and I feel a bit guilty because I wasn't that generous in the first place. The master, Mr. Benson, said the government was going to give us the free lunch so we wouldn't have to be going home in the freezing weather. He led us down to a cold room in the dungeons of Leamy's School where the charwoman, Nellie Ahearn, was handing out the half pint of milk and the raisin bun. The milk was frozen in the bottles and we had to melt it between our thighs. The boys joked and said the bottles would freeze our things off and the master roared, Any more of that talk and I'll warm the bottles on the backs of yeer heads. We all searched our raisin buns for a raisin but Nellie said they must have forgotten to put them in and she'd inquire from the man who delivered. We searched again every day till at last I found a raisin in my bun and held it up. The boys started grousing and said they wanted a raisin and Nellie said it wasn't her fault. She'd ask the man again. Now the boys were begging me for the raisin and offering me everything, a slug of their milk, a pencil, a comic book. Toby Mackey said I could have his sister and Mr. Benson heard him and took him out to the hallway and knocked him around till he howled. I wanted the raisin for myself but I saw Paddy Clohessy standing in the corner with no shoes and the room was freezing and he was shivering like a dog that had been kicked and I always felt sad over kicked dogs so I walked over and gave Paddy the raisin because I didn't know what else to do and all the boys yelled that I was a fool and a feckin' eejit and I'd regret the day and after I handed the raisin to Paddy I longed for it but it was too late now because he pushed it right into his mouth and gulped it and looked at me and said nothing and I said in my head what kind of an eejit are you to be giving away your raisin.&#xA;Mr. Benson gave me a look and said nothing and Nellie Ahearn said, You're a great oul'Yankee, Frankie.&#xA;The priest will come soon to examine us on the catechism and everything else. The master himself has to show us how to receive Holy&#xA;Communion. He tells us gather round him. He fills his hat with the Limerick Leader torn into little bits. He gives Paddy Clohessy the hat, kneels on the floor, tells Paddy to take one bit of paper and place it on his tongue. He shows us how to stick out the tongue, receive the bit of paper, hold it a moment, draw in the tongue, fold your hands in prayer, look toward heaven, close your eyes in adoration, wait for the paper to melt in your mouth, swallow it, and thank God for the gift, the Sanctifying Grace wafting in on the odor of sanctity. When he sticks out his tongue we have to hold in the laugh because we never saw a big purple tongue before. He opens his eyes to catch the boys who are giggling but he can't say anything because he still has God on his tongue and it's a holy moment. He gets off his knees and tells us kneel around the classroom for the Holy Communion practice. He goes around the room placing bits of paper on our tongues and mumbling in Latin. Some boys giggle and he roars at them that if the giggling doesn't stop it's not Holy Communion they'll be getting but the Last Rites and what is that sacrament called, McCourt?&#xA;Extreme Unction, sir.&#xA;That's right, McCourt. Not bad for a Yank from the sinful shores of Amerikay.&#xA;He tells us we have to be careful to stick out our tongues far enough so that the Communion wafer won't fall to the floor. He says, That's the worst thing that can happen to a priest. If the wafer slides off your tongue that poor priest has to get down on his two knees, pick it up with his own tongue and lick the floor around it in case it bounced from one spot to another. The priest could get a splinter that would make his tongue swell to the size of a turnip and that's enough to choke you and kill you entirely.&#xA;He tells us that next to a relic of the True Cross the Communion wafer is the holiest thing in the world and our First Communion is the holiest moment in our lives. Talking about First Communion makes the master all excited. He paces back and forth, waves his stick, tells us we must never forget that the moment the Holy Communion is placed on our tongues we become members of that most glorious congregation, the One, Holy, Roman, Catholic and Apostolic Church, that for two thousand years men, women and children have died for the Faith, that the Irish have nothing to be ashamed of in the martyr department. Haven't we provided martyrs galore? Haven't we bared our necks to the Protestant ax? Haven't we mounted the scaffold, singing, as if embarking on a picnic, haven't we, boys?&#xA;We have, sir.&#xA;What have we done, boys?&#xA;Bared our necks to the Protestant ax, sir.&#xA;And?&#xA;Mounted the scaffold singing, sir.&#xA;As if?&#xA;Embarking on a picnic, sir.&#xA;He says that, perhaps, in this class there is a future priest or a&#xA;martyr for the Faith, though he doubts it very much for we are the laziest gang of ignoramuses it has ever been his misfortune to teach.&#xA;But it takes all kinds, he says, and surely God had some purpose when He sent the likes of ye to infest this earth. Surely God had a purpose when among us He sent Clohessy with no shoes, Quigley with his damnable questions and McCourt heavy with sin from America. And remember&#xA;this, boys, God did not send His only begotten Son to hang on the cross so that ye can go around on yeer First Communion day with the paws clutching for The Collection. Our Lord died so that ye might be redeemed. It is enough to receive the gift of Faith. Are ye listening to me?&#xA;We are, sir.&#xA;And what's enough?&#xA;The gift of Faith, sir.&#xA;Good. Go home.&#xA;At night three of us sit under the light pole at the top of the&#xA;lane reading, Mikey, Malachy and I. The Molloys are like us with their father drinking the dole money or the wages and leaving no money for candles or paraffin oil for the lamp. Mikey reads books and the rest of us read comic books. His father, Peter, brings books from the Carnegie Library so that he'll have something to do when he's not drinking pints or when he's looking after the family anytime Mrs. Molloy is in the lunatic asylum. He lets Mikey read any book he likes and now Mikey is reading this book about Cuchulain and talking as if he knows everything about him. I want to tell him I knew all about Cuchulain when I was three going on four, that I saw Cuchulain in Dublin, that Cuchulain thinks nothing of dropping into my dreams. I want to tell him stop talking about Cuchulain, he's mine, he was mine years ago when I was young, but I can't because Mikey reads us a story I never heard of before, a dirty story about Cuchulain which I can never tell my father or mother, the story of how Emer became Cuchulain's wife.&#xA;Cuchulain was getting to be an old man of twenty-one. He was lonely and wanted to get married, which made him weak, says Mikey, and got him killed in the end. All the women in Ireland were mad about Cuchulain and they wanted to marry him. He said that would be grand, he wouldn't mind marrying all the women of Ireland. If he could fight all the men of Ireland why couldn't he marry all the women? But the King, Conor MacNessa, said, That's all very well for you, Cu, but the men of Ireland don't want to be lonely in the far reaches of the night. The King decided there would have to be a contest to see who would marry Cuchulain and it would be a pissing contest. All the women of Ireland assembled on the plains of Muirthemne to see who could piss the longest and it was Emer. She was the champion woman pisser of Ireland and married Cuchulain and that's why to this day she is called Great Bladdered Emer.&#xA;Mikey and Malachy laugh over this story though I don't think Malachy understands it. He's young and far from his First Communion and he's only laughing over the piss word. Then Mikey tells me I've committed a sin by listening to a story that has that word in it and when I go to my First Confession I'll have to tell the priest. Malachy says, That's right. Piss is a bad word and you have to tell the priest because 'tis a sin word.&#xA;I don't know what to do. How can I go to the priest and tell him this terrible thing in my First Confession? All the boys know what sins they're going to tell so that they'll get the First Communion and make The Collection and go to see James Cagney and eat sweets and cakes at the Lyric Cinema. The master helped us with our sins and everyone has the same sins. I hit my brother. I told a lie. I stole a penny from my mother's purse. I disobeyed my parents, I ate a sausage on Friday.&#xA;But now I have a sin no one else has and the priest is going to be shocked and drag me out of the confession box into the aisle and out into the street where everyone will know I listened to a story about&#xA;Cuchulain's wife being the champion woman pisser in all Ireland. I'll never be able to make my First Communion and mothers will hold their small children up and point at me and say, Look at him. He's like Mikey Molloy, never made his First Communion, wandering around in a state of sin, never made The Collection, never saw James Cagney.&#xA;I'm sorry I ever heard of First Communion and The Collection. I'm sick and I don't want any tea or bread or anything. Mam tells Dad it's a strange thing when a child won't have his bread and tea and Dad says, Och, he's just nervous over the First Communion. I want to go over to him and sit on his lap and tell him what Mikey Molloy did to me but I'm too big to be sitting on laps and if I did Malachy would go out in the lane and tell everyone I was a big baby. I'd like to tell my troubles to the Angel on the Seventh Step but he's busy bringing babies to mothers all over the world. Still, I'll ask Dad.&#xA;Dad, does the Angel on the Seventh Step have other jobs besides bringing babies?&#xA;He does.&#xA;Would the Angel on the Seventh Step tell you what to do if you didn't know what to do?&#xA;Och, he would, son, he would. That's the job of an angel, even the one on the seventh step.&#xA;Dad goes for a long walk, Mam takes Michael and goes to see Grandma, Malachy plays in the lane, and I have the house to myself so that I can sit on the seventh step and talk to the angel. I know he's there because the seventh step feels warmer than the other steps and there's a light in my head. I tell him my troubles and I hear a voice. Fear not, says the voice.&#xA;He's talking backward and I tell him I don't know what he's talking about.&#xA;Do not fear, says the voice. Tell the priest your sin and you'll be forgiven.&#xA;Next morning I'm up early and drinking tea with Dad and telling him about the Angel on the Seventh Step. He places his hand on my forehead to see if I'm feeling all right. He asks if I'm sure I had a light in my head and heard a voice and what did the voice say?&#xA;I tell him the voice said Fear not and that means Do not fear.&#xA;Dad tells me the angel is right, I shouldn't be afraid, and I tell him what Mikey Molloy did to me. I tell him all about Great Bladdered Emer and I even use the piss word because the angel said, Fear not. Dad puts down his jam jar of tea and pats the back of my hand. Och, och, och, he says, and I wonder if he's going demented like Mrs. Molloy, in and out of the lunatic asylum, but he says, Is that what you were worried about last night?&#xA;I tell him it is and he says it's not a sin and I don't have to tell the priest.&#xA;But the Angel on the Seventh Step said I should.&#xA;All right. Tell the priest if you like but the Angel on the Seventh Step said that only because you didn't tell me first. Isn't it better to be able to tell your father your troubles rather than an angel who is a light and a voice in your head?&#xA;'Tis, Dad.&#xA;The day before First Communion the master leads us to St. Joseph's Church for First Confession. We march in pairs and if we so much as move a lip on the streets of Limerick he'll kill us on the spot and send us to&#xA;hell bloated with sin. That doesn't stop the bragging about the big sins. Willie Harold is whispering about his big sin, that he looked at his sister's naked body. Paddy Hartigan says he stole ten shillings from his aunt's purse and made himself sick with ice cream and chips. Question Quigley says he ran away from home and spent half the night in a ditch with four goats. I try to tell them about Cuchulain and Emer but the master catches me talking and gives me a thump on the head.&#xA;We kneel in the pews by the confession box and I wonder if my Emer sin is as bad as looking at your sister's naked body because I know now that some things in the world are worse than others. That's why they have different sins, the sacrilege, the mortal sin, the venial sin. Then the masters and grown-up people in general talk about the unforgivable sin, which is a great mystery. No one knows what it is and you wonder how you can know if you've committed it if you don't know what it is. If I tell a priest about Great Bladdered Emer and the pissing contest he might say that's the unforgivable sin and kick me out of the confession box and I'll be disgraced all over Limerick and doomed to hell tormented forever by devils who have nothing else to do but stab me with hot pitchforks till I'm worn out.&#xA;I try to listen to Willie's confession when he goes in but all I can hear is a hissing from the priest and when Willie comes out he's crying.&#xA;It's my turn. The confession box is dark and there's a big crucifix hanging over my head. I can hear a boy mumbling his confession on the other side. I wonder if there's any use trying to talk to the Angel on the Seventh Step. I know he's not supposed to be hanging around confession boxes but I feel the light in my head and the voice is telling me, Fear not.&#xA;The panel slides back before my face and the priest says, Yes, my child?&#xA;Bless me, Father, for I have sinned. This is my First Confession. Yes, my child, and what sins have you committed?&#xA;I told a lie. I hit my brother. I took a penny from my mother's&#xA;purse. I said a curse.&#xA;Yes, my child. Anything else?&#xA;I, I listened to a story about Cuchulain and Emer.&#xA;Surely that's not a sin, my child. After all we are assured by&#xA;certain writers that Cuchulain turned Catholic in his last moments as did his King, Conor MacNessa.&#xA;'Tis about Emer, Father, and how she married him.&#xA;How was that, my child?&#xA;She won him in a pissing contest.&#xA;There is heavy breathing. The priest has his hand over his mouth&#xA;and he's making choking sounds and talking to himself, Mother o' God. Who, who told you that story, my child?&#xA;Mikey Molloy, Father.&#xA;And where did he hear it?&#xA;He read it in a book, Father.&#xA;Ah, a book. Books can be dangerous for children, my child. Turn your mind from those silly stories and think of the lives of the saints. Think of St. Joseph, the Little Flower, the sweet and gentle St. Francis of Assisi, who loved the birds of the air and the beasts of the field. Will you do that, my child?&#xA;I will, Father.&#xA;Are there any other sins, my child?&#xA;No, Father.&#xA;For your penance say three Hail Marys, three Our Fathers, and say a&#xA;special prayer for me.&#xA;I will. Father, was that the worst sin?&#xA;What do you mean?&#xA;Am I the worst of all the boys, Father?&#xA;No, my child, you have a long way to go. Now say an Act of&#xA;Contrition and remember Our Lord watches you every minute. God bless you, my child.&#xA;First Communion day is the happiest day of your life because of The Collection and James Cagney at the Lyric Cinema. The night before I was so excited I couldn't sleep till dawn. I'd still be sleeping if my grandmother hadn't come banging at the door.&#xA;Get up! Get up! Get that child outa the bed. Happiest day of his life an' him snorin' above in the bed.&#xA;I ran to the kitchen. Take off that shirt, she said. I took off the shirt and she pushed me into a tin tub of icy cold water. My mother scrubbed me, my grandmother scrubbed me. I was raw, I was red.&#xA;They dried me. They dressed me in my black velvet First Communion suit with the white frilly shirt, the short pants, the white stockings, the black patent leather shoes. Around my arm they tied a white satin bow and on my lapel they pinned the Sacred Heart of Jesus, a picture of the Sacred Heart, with blood dripping from it, flames erupting all around it and on top a nasty looking crown of thorns.&#xA;Come here till I comb your hair, said Grandma. Look at that mop, it won't lie down. You didn't get that hair from my side of the family. That's that North of Ireland hair you got from your father. That's the kind of hair you see on Presbyterians. If your mother had married a proper decent Limerickman you wouldn't have this standing up, North of Ireland, Presbyterian hair.&#xA;She spat twice on my head.&#xA;Grandma, will you please stop spitting on my head. If you have anything to say, shut up. A little spit won't kill you. Come on, we'll be late for the Mass.&#xA;We ran to the church. My mother panted along behind with Michael in her arms. We arrived at the church just in time to see the last of the boys leaving the altar rail where the priest stood with the chalice and the host, glaring at me. Then he placed on my tongue the wafer, the body and blood of Jesus. At last, at last.&#xA;It's on my tongue. I draw it back.&#xA;It stuck.&#xA;I had God glued to the roof of my mouth. I could hear the master's&#xA;voice, Don't let that host touch your teeth for if you bite God in two you'll roast in hell for eternity.&#xA;I tried to get God down with my tongue but the priest hissed at me, Stop that clucking and get back to your seat.&#xA;God was good. He melted and I swallowed Him and now, at last, I was a member of the True Church, an official sinner.&#xA;When the Mass ended there they were at the door of the church, my mother with Michael in her arms, my grandmother. They each hugged me to their bosoms. They each told me it was the happiest day of my life. They each cried all over my head and after my grandmother's contribution that morning my head was a swamp.&#xA;Mam, can I go now and make The Collection?&#xA;She said, After you have a little breakfast.&#xA;No, said Grandma. You're not making no collection till you've had a&#xA;proper First Communion breakfast at my house. Come on.&#xA;We followed her. She banged pots and rattled pans and complained&#xA;that the whole world expected her to be at their beck and call. I ate the egg, I ate the sausage, and when I reached for more sugar for my tea she slapped my hand away.&#xA;Go aisy with that sugar. Is it a millionaire you think I am? An American? Is it bedecked in glitterin' jewelry you think I am? Smothered in fancy furs?&#xA;The food churned in my stomach. I gagged. I ran to her backyard and threw it all up. Out she came.&#xA;Look at what he did. Thrun up his First Communion breakfast. Thrun up the body and blood of Jesus. I have God in me backyard. What am I goin' to do? I'll take him to the Jesuits for they know the sins of the Pope himself.&#xA;She dragged me through the streets of Limerick. She told the neighbors and passing strangers about God in her backyard. She pushed me into the confession box.&#xA;In the name of the Father, the Son, the Holy Ghost. Bless me, Father, for I have sinned. It's a day since my last confession.&#xA;A day? And what sins have you committed in a day, my child?&#xA;I overslept. I nearly missed my First Communion. My grandmother said I have standing up, North of Ireland, Presbyterian hair. I threw up my First Communion breakfast. Now Grandma says she has God in her backyard and what should she do.&#xA;The priest is like the First Confession priest. He has the heavy breathing and the choking sounds.&#xA;Ah... ah... tell your grandmother to wash God away with a little water and for your penance say one Hail Mary and one Our Father. Say a prayer for me and God bless you, my child.&#xA;Grandma and Mam were waiting close to the confession box. Grandma said, Were you telling jokes to that priest in the confession box? If 'tis a thing I ever find out you were telling jokes to Jesuits I'll tear the bloody kidneys outa you. Now what did he say about God in me backyard?&#xA;He said wash Him away with a little water, Grandma. Holy water or ordinary water?&#xA;He didn't say, Grandma.&#xA;Well, go back and ask him.&#xA;But, Grandma...&#xA;She pushed me back into the confessional.&#xA;Bless me, Father, for I have sinned, it's a minute since my last&#xA;confession.&#xA;A minute! Are you the boy that was just here?&#xA;I am, Father.&#xA;What is it now?&#xA;My grandma says, Holy water or ordinary water? Ordinary water, and&#xA;tell your grandmother not to be bothering me again.&#xA;I told her, Ordinary water, Grandma, and he said don't be bothering&#xA;him again.&#xA;Don't be bothering him again. That bloody ignorant bogtrotter.&#xA;I asked Mam, Can I go now and make The Collection? I want to see James Cagney.&#xA;Grandma said, You can forget about The Collection and James Cagney because you're not a proper Catholic the way you left God on the ground. Come on, go home.&#xA;Mam said, Wait a minute. That's my son. That's my son on his First Communion day. He's going to see James Cagney.&#xA;No he's not.&#xA;Yes he is.&#xA;Grandma said, Take him then to James Cagney and see if that will&#xA;save his Presbyterian North of Ireland American soul. Go ahead.&#xA;She pulled her shawl around her and walked away.&#xA;Mam said, God, it's getting very late for The Collection and you'll&#xA;never see James Cagney. We'll go to the Lyric Cinema and see if they'll let you in anyway in your First Communion suit.&#xA;We met Mikey Molloy on Barrington Street. He asked if I was going to the Lyric and I said I was trying. Trying? he said. You don't have money?&#xA;I was ashamed to say no but I had to and he said, That's all right. I'll get you in. I'll create a diversion.&#xA;What's a diversion?&#xA;I have the money to go and when I get in I'll pretend to have the fit and the ticket man will be out of his mind and you can slip in when I let out the big scream. I'll be watching the door and when I see you in I'll have a miraculous recovery. That's a diversion. That's what I do to get my brothers in all the time.&#xA;Mam said, Oh, I don't know about that, Mikey. Wouldn't that be a sin and surely you wouldn't want Frank to commit a sin on his First Communion day.&#xA;Mikey said if there was a sin it would be on his soul and he wasn't a proper Catholic anyway so it didn't matter. He let out his scream and I slipped in and sat next to Question Quigley and the ticket man, Frank Goggin, was so worried over Mikey he never noticed. It was a thrilling film but sad in the end because James Cagney was a public enemy and when they shot him they wrapped him in bandages and threw him in the door, shocking his poor old Irish mother, and that was the end of my First Communion day.&#xA;V&#xA;Grandma won't talk to Mam anymore because of what I did with God in her backyard. Mam doesn't talk to her sister, Aunt Aggie, or her brother Uncle Tom. Dad doesn't talk to anyone in Mam's family and they don't talk to him because he's from the North and he has the odd manner. No one talks to Uncle Tom's wife, Jane, because she's from Galway and she has the look of a Spaniard. Everyone talks to Mam's brother Uncle Pat, because he was dropped on his head, he's simple, and he sells newspapers. Everyone calls him The Abbot or Ab Sheehan and no one knows why. Everyone talks to Uncle Pa Keating because he was gassed in the war and married Aunt Aggie and if they didn't talk to him he wouldn't give a fiddler's fart anyway and that's why the men in South's pub call him a gas man.&#xA;That's the way I'd like to be in the world, a gas man, not giving a fiddler's fart, and that's what I tell the Angel on the Seventh Step till I remember you're not supposed to say fart in the presence of an angel.&#xA;Uncle Tom and Galway Jane have children but we're not supposed to talk to them because our parents are not talking. They have a son and daughter, Gerry and Peggy, and Mam will yell at us for talking to them but we don't know how not to talk to our cousins.&#xA;People in families in the lanes of Limerick have their ways of not talking to each other and it takes years of practice. There are people who don't talk to each other because their fathers were on opposite sides in the Civil War in 1922. If a man goes off and joins the English army his family might as well move to another part of Limerick where there are families with men in the English army. If anyone in your family was the least way friendly to the English in the last eight hundred years it will be brought up and thrown in your face and you might as well move to Dublin where no one cares. There are families that are ashamed of themselves because their forefathers gave up their religion for the sake of a bowl of Protestant soup during the Famine and those families are known ever after as soupers. It's a terrible thing to be a souper because you're doomed forever to the souper part of hell. It's even worse to be an informer. The master at school said that everytime the Irish were about to demolish the English in a fair fight a filthy informer betrayed them. A man who's discovered to be an informer deserves to be hanged or, even worse, to have no one talk to him for if no one talks to you you're better off hanging at the end of a rope.&#xA;In every lane there's always someone not talking to someone or everyone not talking to someone or someone not talking to everyone. You can always tell when people are not talking by the way they pass each other. The women hoist their noses, tighten their mouths and turn their faces away. If the woman is wearing a shawl she takes a corner and flings it over her shoulder as if to say, One word or look from you, you ma faced bitch, and I'll tear the countenance from the front of your head.&#xA;It's bad when Grandma won't talk to us because we can't run to her when we need to borrow sugar or tea or milk. There's no use going to Aunt Aggie. She'll only bite your head off. Go home, she'll say, and tell your father to get off his northern arse and get a job like the decent men of Limerick.&#xA;They say she's always angry because she has red hair or she has red hair because she's always angry.&#xA;Mam is friendly with Bridey Hannon, who lives next door with her mother and father. Mam and Bridey talk all the time. When my father goes for his long walk Bridey comes in and she and Mam sit by the fire drinking tea and smoking cigarettes. If Mam has nothing in the house Bridey brings tea, sugar and milk. Sometimes they use the same tea leaves over and over and Mam says the tea is stewed, coddled and boiled.&#xA;Mam and Bridey sit so close to the fire their shins turn red and purple and blue. They talk for hours and they whisper and laugh over secret things. We're not supposed to hear the secret things so we're told go out and play. I often sit on the seventh step listening and they have no notion I'm there. It might be lashing rain out but Mam says, Rain or no, out you go, and she'll tell us, If you see your father coming, run in and tell me. Mam says to Bridey, Did you ever hear that poem that someone must have made up about me and him?&#xA;What poem, Angela?&#xA;'Tis called &amp;quot;The Man from the North. &amp;quot; I got this poem from Minnie MacAdorey in America.&#xA;I never heard that poem. Say it for me.&#xA;Mam says the poem but she laughs all through it and I don't know why, He came from the North so his words were few But his voice was kind and his heart was true.&#xA;And I knew by his eyes that no guile had he, So I married my man from the North Country.&#xA;Oh, Garryowen may be more gay&#xA;Than this quiet man from beside Lough Neagh And I know that the sun shines softly down&#xA;On the river that runs through my native town.&#xA;But there's not-and I say it with joy and with pride A better man in all Munster wide&#xA;And Limerick town has no happier hearth&#xA;Than mine has been with my man from the North.&#xA;I wish that in Limerick they only knew The kind kind neighbors I came unto. Small hate or scorn would there ever be Between the South and the North Country.&#xA;She always repeats the third verse and laughs so hard she's crying and I don't know why. She goes into hysterics when she says, And Limerick town has no happier hearth Than mine has been with my man from the North.&#xA;If he comes back early and sees Bridey in the kitchen the man from the North says, Gossip, gossip, gossip, and stands there with his cap on till she leaves.&#xA;Bridey's mother and other people in our lane and lanes beyond will come to the door to ask Dad if he'll write a letter to the government or a relation in a distant place. He sits at the table with his pen and bottle of ink and when the people tell him what to write he says, Och, no, that's not what you want to say, and he writes what he feels like writing. The people tell him that's what they wanted to say in the first place, that he has a lovely way with the English language and a fine fist for the writing. They offer him sixpence for his trouble but he waves it away and they hand it to Mam because he's too grand to be taking sixpence. When the people leave he takes the sixpence and sends me to Kathleen O'Connell's shop for cigarettes.&#xA;Grandma sleeps in a big bed upstairs with a picture of the Sacred Heart of Jesus over her head and a statue of the Sacred Heart on the mantel piece. She wants to switch from gaslight to electric light someday so that she'll have a little red light under the statue forever. Her devotion to the Sacred Heart is known up and down the lane and in lanes beyond.&#xA;Uncle Pat sleeps in a small bed in a corner of the same room where Grandma can make sure he comes in at a proper hour and kneels by the bed to say his prayers. He might have been dropped on his head, he may not know how to read and write, he may drink one pint too many, but there's no excuse for not saying his prayers before he goes to sleep.&#xA;Uncle Pat tells Grandma he met a man who is looking for a place to stay that will let him wash himself morning and night and give him two&#xA;meals a day, dinner and tea. His name is Bill Galvin and he has a good job down at the lime kiln. He's covered all the time with white lime dust but surely that's better than coal dust.&#xA;Grandma will have to give up her bed and move into the small room. She'll take the Sacred Heart picture and leave the statue to watch over the two men. Besides, she has no place for a statue in her little room.&#xA;Bill Galvin comes after work to see the place. He's small, all white, and he snuffles like a dog. He asks Grandma if she'd mind taking down that statue because he's a Protestant and he wouldn't be able to sleep. Grandma barks at Uncle Pat for not telling her he was dragging a Protestant into the house. Jesus, she says, there will be gossip up and down the lane and beyond.&#xA;Uncle Pat says he didn't know Bill Galvin was a Protestant. You could never tell by looking at him especially the way he's covered with lime. He looks like an ordinary Catholic and you'd never imagine a Protestant would be shoveling lime.&#xA;Bill Galvin says his poor wife that just died was a Catholic and she had the walls covered with pictures of the Sacred Heart and the Virgin Mary showing their hearts. He's not against the Sacred Heart himself, it's just that seeing the statue will remind him of his poor wife and give him the heartache.&#xA;Grandma says, Ah, God help us, why didn't you tell me that in the first place? Sure I can put the statue on the windowsill in my room and your heart won't be tormented at the sight of it.&#xA;Every morning Grandma cooks Bill's dinner and takes it to him at the lime kiln. Mam wonders why he can't take it with him in the morning and Grandma says, Do you expect me to get up at dawn and boil cabbage and pig's toes for his lordship to take in his dinner can?&#xA;Mam tells her, In another week school will be over and if you give Frank sixpence a week he'll surely be glad to take Bill Galvin his dinner.&#xA;I don't want to go to Grandma's every day. I don't want to take Bill Galvin his dinner all the way down the Dock Road, but Mam says that's sixpence we could use and if I don't do it I'm going nowhere else.&#xA;You're staying in the house, she says. You're not playing with your&#xA;pals.&#xA;Grandma warns me to take the dinner can directly and not be&#xA;meandering, looking this way and that, kicking canisters and ruining the toes of my shoes. This dinner is hot and that's the way Bill Galvin wants&#xA;it.&#xA;There's a lovely smell from the dinner can, boiled bacon and&#xA;cabbage and two big floury white potatoes. Surely he won't notice if I try half a potato. He won't complain to Grandma because he hardly ever talks outside of a snuffle or two.&#xA;It's better if I eat the other half potato so that he won't be asking why he got a half. I might as well try the bacon and cabbage too and if I eat the other potato he'll surely think she didn't send one at all.&#xA;The second potato melts in my mouth and I'll have to try another bit of cabbage, another morsel of bacon. There isn't much left now and he'll be very suspicious so I might as well finish off the rest.&#xA;What am I going to do now? Grandma will destroy me, Mam will keep me in for a year. Bill Galvin will bury me in lime. I'll tell him I was&#xA;attacked by a dog on the Dock Road and he ate the whole dinner and I'm lucky I escaped without being eaten myself.&#xA;Oh, is that so? says Bill Galvin. And what's that bit of cabbage hanging on your gansey? Did the dog lick you wit his cabbagey gob? Go home and tell your grandmother you ate me whole dinner and I'm falling down with the hunger here in this lime kiln.&#xA;She'll kill me.&#xA;Tell her don't kill you till she sends me some class of a dinner and if you don't go to her now and get me a dinner I'll kill you and throw your body into the lime there and there won't be much left for your mother to moan over.&#xA;Grandma says, What are you doin' back with that can? He could bring that back by himself.&#xA;He wants more dinner.&#xA;What do you mean more dinner? Jesus above, is it a hole he has in his leg?&#xA;He's falling down with the hunger below in the lime kiln. Is it coddin' me you are?&#xA;He says send him any class of a dinner.&#xA;I will not. I sent him his dinner.&#xA;He didn't get it.&#xA;He didn't? Why not?&#xA;I ate it.&#xA;What?&#xA;I was hungry and I tasted it and I couldn't stop.&#xA;Jesus, Mary and holy St. Joseph.&#xA;She gives me a clout on the head that brings tears to my eyes. She&#xA;screams at me like a banshee and jumps around the kitchen and threatens to drag me to the priest, the bishop, the Pope himself if he lived around the corner. She cuts bread and waves the knife at me and makes sandwiches of brawn and cold potatoes.&#xA;Take these sandwiches to Bill Galvin and if you even look cross- eyed at them I'll skin your hide.&#xA;Of course she runs to Mam and they agree the only way I can make up for my terrible sin is to deliver Bill Galvin's dinner for a fortnight without pay. I'm to bring back the can every day and that means I have to sit watching him stuff the food into his gob and he's not one that would ever ask you if you had a mouth in your head.&#xA;Every day I take the can back Grandma makes me kneel to the statue of the Sacred Heart and tell Him I'm sorry and all this over Bill Galvin, a Protestant.&#xA;Mam says, I'm a martyr for the fags and so is your father.&#xA;There may be a lack of tea or bread in the house but Mam and Dad always manage to get the fags, the Wild Woodbines. They have to have the Woodbines in the morning and anytime they drink tea. They tell us every day we should never smoke, it's bad for your lungs, it's bad for your chest, it stunts your growth, and they sit by the fire puffing away. Mam says, If 'tis a thing I ever see you with a fag in your gob I'll break your face. They tell us the cigarettes rot your teeth and you can see they're not lying. The teeth turn brown and black in their heads and fall out one by one. Dad says he has holes in his teeth big enough for a sparrow to raise a family. He has a few left but he gets them pulled at the clinic and applies for a false set. When he comes home with the new teeth he shows his big new white smile that makes him look like an&#xA;American and whenever he tells us a ghost story by the fire he pushes the lower teeth up beyond his lip to his nose and frightens the life out of us. Mam's teeth are so bad she has to go to Barrington's Hospital to have them all pulled at the same time and when she comes home she's holding at her mouth a rag bright with blood. She has to sit up all night by the fire because you can't lie down when your gums are pumping blood or you'll choke in your sleep. She says she'll give up smoking entirely when this bleeding stops but she needs one puff of a fag this minute for the comfort that's in it. She tells Malachy go to Kathleen O'Connell's shop and ask her would she ever let her have five Woodbines till Dad collects the dole on Thursday. If anyone can get the fags out of Kathleen, Malachy can. Mam says he has the charm, and she tells me, There's no use sending you with your long puss and your father's odd manner.&#xA;When the bleeding stops and Mam's gums heal she goes to the clinic for her false teeth. She says she'll give up the smoking when her new teeth are in but she never does. The new teeth rub on her gums and make them sore and the smoke of the Woodbines eases them. She and Dad sit by the fire when we have one and smoke their cigarettes and when they talk their teeth clack. They try to stop the clacking by moving their jaws back and forth but that only makes it worse and they curse the dentists and the people above in Dublin who made the teeth and while they curse they clack. Dad claims these teeth were made for rich people in Dublin and didn't fit so they were passed on to the poor of Limerick who don't care because you don't have much to chew when you're poor anyway and you're grateful you have any class of a tooth in your head. If they talk too long their gums get sore and the teeth have to come out. Then they sit talking by the fire with their faces collapsed. Every night they leave the teeth in the kitchen in jam jars filled with water. Malachy wants to know why and Dad tells him it cleans them. Mam says, No, you can't have teeth in your head while you're sleeping for they'll slip and choke you to death entirely.&#xA;The teeth are the cause of Malachy going to Barrington's Hospital and me having an operation. Malachy whispers to me in the middle of the night, Do you want to go downstairs and see if we can wear the teeth?&#xA;The teeth are so big we have trouble getting them into our mouths but Malachy won't give up. He forces Dad's upper teeth into his mouth and can't get them out again. His lips are drawn back and the teeth make a big grin. He looks like a monster in a film and it makes me laugh but he pulls at them and grunts, Uck, uck, and tears come to his eyes. The more he goes Uck, uck, the harder I laugh till Dad calls from upstairs, What are you boys doing? Malachy runs from me, up the stairs, and now I hear Dad and Mam laughing till they see he can choke on the teeth. They both stick their fingers in to pull out the teeth but Malachy gets frightened and makes desperate uck uck sounds. Mam says, We'll have to take him to the hospital, and Dad says he'll take him. He makes me go in case the doctor has questions because I'm older than Malachy and that means I must have started all the trouble. Dad rushes through the streets with Malachy in his arms and I try to keep up. I feel sorry for Malachy up there on Dad's shoulder, looking back at me, tears on his cheeks and Dad's teeth bulging in his mouth. The doctor at Barrington's Hospital says, No bother. He pours oil into Malachy's mouth and has the teeth out in a minute. Then he looks at me and says to Dad, Why is that child standing there with his mouth hanging open?&#xA;Dad says, That's a habit he has, standing with his mouth open.&#xA;The doctor says, Come here to me. He looks up my nose, in my ears, down my throat, and feels my neck.&#xA;The tonsils, he says. The adenoids. They have to come out. The sooner the better or he'll look like an idiot when he grows up with that gob wide as a boot.&#xA;Next day Malachy gets a big piece of toffee as a reward for sticking in teeth he can't get out and I have to go to the hospital to have an operation that will close my mouth.&#xA;On a Saturday morning Mam finishes her tea and says, You're going to dance.&#xA;Dance? Why?&#xA;You're seven years old, you made your First Communion, and now 'tis time for the dancing. I'm taking you down to Catherine Street to Mrs. O'Connor's Irish dancing classes. You'll go there every Saturday morning and that'll keep you off the streets. That'll keep you from wandering around Limerick with hooligans.&#xA;She tells me wash my face not forgetting ears and neck, comb my hair, blow my nose, take the look off my face, what look? never mind, just take it off, put on my stockings and my First Communion shoes which, she says, are destroyed because I can't pass a canister or a rock without kicking it. She's worn out standing in the queue at the St. Vincent de Paul Society begging for boots for me and Malachy so that we can wear out the toes with the kicking. Your father says it's never too early to learn the songs and dances of your ancestors.&#xA;What's ancestors?&#xA;Never mind, she says, you're going to dance.&#xA;I wonder how I can die for Ireland if I have to sing and dance for&#xA;Ireland, too. I wonder why they never say, You can eat sweets and stay home from school and go swimming for Ireland.&#xA;Mam says, Don't get smart or I'll warm your ear.&#xA;Cyril Benson dances. He has medals hanging from his shoulders to his kneecaps. He wins contests all over Ireland and he looks lovely in his saffron kilt. He's a credit to his mother and he gets his name in the paper all the time and you can be sure he brings home the odd few pounds. You don't see him roaming the streets kicking everything in sight till the toes hang out of his boots, oh, no, he's a good boy, dancing for his poor mother.&#xA;Mam wets an old towel and scrubs my face till it stings, she wraps the towel around her finger and sticks it in my ears and claims there's enough wax there to grow potatoes, she wets my hair to make it lie down, she tells me shut up and stop the whinging, that these dancing lessons will cost her sixpence every Saturday, which I could have earned bringing Bill Galvin his dinner and God knows she can barely afford it. I try to tell her, Ah, Mam, sure you don't have to send me to dancing school when you could be smoking a nice Woodbine and having a cup of tea, but she says, Oh, aren't you clever. You're going to dance if I have to give up the fags forever.&#xA;If my pals see my mother dragging me through the streets to an Irish dancing class I'll be disgraced entirely. They think it's all right to dance and pretend you're Fred Astaire because you can jump all over the screen with Ginger Rogers. There is no Ginger Rogers in Irish dancing and you can't jump all over. You stand straight up and down and keep your arms against yourself and kick your legs up and around and never smile.&#xA;My uncle Pa Keating said Irish dancers look like they have steel rods up their arses, but I can't say that to Mam, she'd kill me.&#xA;There's a gramophone in Mrs. O'Connor's playing an Irish jig or a reel and boys and girls are dancing around kicking their legs out and keeping their hands to their sides. Mrs. O'Connor is a great fat woman and when she stops the record to show the steps all the fat from her chin to her ankles jiggles and I wonder how she can teach the dancing. She comes over to my mother and says, So, this is little Frankie? I think we have the makings of a dancer here. Boys and girls, do we have the makings of a dancer here?&#xA;We do, Mrs. O'Connor.&#xA;Mam says, I have the sixpence, Mrs. O'Connor.&#xA;Ah, yes, Mrs. McCourt, hold on a minute.&#xA;She waddles to a table and brings back the head of a black boy with&#xA;kinky hair, big eyes, huge red lips and an open mouth. She tells me put the sixpence in the mouth and take my hand out before the black boy bites me. All the boys and girls watch and they have little smiles. I drop in the sixpence and pull my hand back before the mouth snaps shut. Everyone laughs and I know they wanted to see my hand caught in the mouth. Mrs. O'Connor gasps and laughs and says to my mother, Isn't that a howl, now? Mam says it's a howl. She tells me behave myself and come home dancing. I don't want to stay in this place where Mrs. O'Connor can't take the sixpence herself instead of letting me nearly lose my hand in the black boy's mouth.&#xA;I don't want to stay in this place where you have to stand in line with boys and girls, straighten your back, hands by your sides, look ahead, don't look down, move your feet, move your feet, look at Cyril, look at Cyril, and there goes Cyril, all dressed up in his saffron kilt and the medals jingling, medals for this and medals for that and the girls love Cyril and Mrs. O'Connor loves Cyril for didn't he bring her fame and didn't she teach him every step he knows, oh, dance, Cyril, dance, oh, Jesus, he floats around the room, he's an angel out of heaven and stop the frowning, Frankie McCourt, or you'll have a puss on you like a pound of tripe, dance, Frankie, dance, pick up your feet for the love o' Jesus, onetwothreefourfivesixseven onetwothree and a onetwothree, Maura, will you help that Frankie McCourt before he ties his two feet around his poll entirely, help him, Maura.&#xA;Maura is a big girl about ten. She dances up to me with her white teeth and her dancer's dress with all the gold and yellow and green figures that are supposed to come from olden times and she says, Give me your hand, little boy, and she wheels me around the room till I'm dizzy and making a pure eejit of myself and blushing and foolish till I want to cry but I'm saved when the record stops and the gramophone goes hoosh hoosh.&#xA;Mrs. O'Connor says, Oh, thank you, Maura, and next week, Cyril, you can show Frankie a few of the steps that made you famous. Next week, boys and girls, and don't forget the sixpence for the little black boy.&#xA;Boys and girls leave together. I make my own way down the stairs and out the door hoping my pals won't see me with boys who wear kilts and girls with white teeth and fancy dresses from olden times.&#xA;Mam is having tea with Bridey Hannon, her friend from next door. Mam says, What did you learn? and makes me dance around the kitchen, onetwothreefourfivesixseven onetwothree and a onetwothree. She has a good&#xA;laugh with Bridey. That's not too bad for your first time. In a month you'll be like a regular Cyril Benson.&#xA;I don't want to be Cyril Benson. I want to be Fred Astaire.&#xA;They turn hysterical, laughing and squirting tea out of their mouths, Jesus love him, says Bridey. Doesn't he have a great notion of himself. Fred Astaire how are you.&#xA;Mam says Fred Astaire went to his lessons every Saturday and didn't go around kicking the toes out of his boots and if I wanted to be like him I'd have to go to Mrs. O'Connor's every week.&#xA;The fourth Saturday morning Billy Campbell knocks at our door. Mrs. McCourt, can Frankie come out and play? Mam tells him, No, Billy. Frankie is going to his dancing lesson.&#xA;He waits for me at the bottom of Barrack Hill. He wants to know why I'm dancing, that everyone knows dancing is a sissy thing and I'll wind up like Cyril Benson wearing a kilt and medals and dancing all over with girls. He says next thing I'll be sitting in the kitchen knitting socks. He says dancing will destroy me and I won't be fit to play any kind of football, soccer, rugby or Gaelic football itself because the dancing teaches you to run like a sissy and everyone will laugh.&#xA;I tell him I'm finished with the dancing, that I have sixpence in my pocket for Mrs. O'Connor that's supposed to go into the black boy's mouth, that I'm going to the Lyric Cinema instead. Sixpence will get the two of us in with tuppence left over for two squares of Cleeves' toffee, and we have a great time looking at Riders of the Purple Sage.&#xA;Dad is sitting by the fire with Mam and they want to know what steps I learned today and what they're called. I already did &amp;quot;The Siege of Ennis&amp;quot; and &amp;quot;The Walls of Limerick, &amp;quot; which are real dances. Now I have to make up names and dances. Mam says she never heard of a dance called &amp;quot;The Siege of Dingle&amp;quot;but if that's what I learned go ahead, dance it, and I dance around the kitchen with my hands down by my sides making my own music, diddley eye di eye di eye diddley eye do you do you, Dad and Mam clapping in time with my feet. Dad says, Och, that's a fine dance and you'll be a powerful Irish dancer and a credit to the men who died for their country. Mam says, That wasn't much for a sixpence.&#xA;Next week it's a George Raft film and the week after that a cowboy film with George O'Brien. Then it's James Cagney and I can't take Billy because I want to get a bar of chocolate to go with my Cleeves' toffee and I'm having a great time till there's a terrible pain in my jaw and it's a tooth out of my gum stuck in my toffee and the pain is killing me. Still, I can't waste the toffee so I pull out the tooth and put it in my pocket and chew the toffee on the other side of my mouth blood and all. There's pain on one side and delicious toffee on the other and I remember what my uncle Pa Keating would say, There are times when you wouldn't know whether to shit or go blind.&#xA;I have to go home now and worry because you can't go through the world short a tooth without your mother knowing. Mothers know everything and she's always looking into our mouths to see if there's any class of disease. She's there by the fire and Dad is there and they're asking me the same old questions, the dance and the name of the dance. I tell them I learned &amp;quot;The Walls of Cork&amp;quot; and I dance around the kitchen trying to hum a made up tune and dying with the pain of my tooth. Mam says, &amp;quot;Walls o' Cork, &amp;quot; my eye, there's no such dance, and Dad says, Come over here. Stand there before me. Tell us the truth, Did you go to your dancing classes today?&#xA;I can't tell a lie anymore because my gum is killing me and there's blood in my mouth. Besides, I know they know everything and that's what they're telling me now. Some snake of a boy from the dancing school saw me going to the Lyric Cinema and told and Mrs. O'Connor sent a note to say she hadn't seen me in ages and was I all right because I had great promise and could follow in the footsteps of the great Cyril Benson.&#xA;Dad doesn't care about my tooth or anything. He says I'm going to confession and drags me over to the Redemptorist church because it's Saturday and confessions go on all day. He tells me I'm a bad boy, he's ashamed of me that I went to the pictures instead of learning Ireland's national dances, the jig, the reel, the dances that men and women fought and died for down those sad centuries. He says there's many a young man that was hanged and now moldering in a lime pit that would be glad to rise up and dance the Irish dance.&#xA;The priest is old and I have to yell my sins at him and he tells me I'm a hooligan for going to the pictures instead of my dancing lessons although he thinks himself that dancing is a dangerous thing almost as bad as the films, that it stirs up thoughts sinful in themselves, but even if dancing is an abomination I sinned by taking my mother's sixpence and lying and there's a hot place in hell for the likes of me, say a decade of the rosary and ask God's forgiveness for you're dancing at the gates of hell itself, child.&#xA;I'm seven, eight, nine going on ten and still Dad has no work. He drinks his tea in the morning, signs for the dole at the Labour Exchange, reads the papers at the Carnegie Library, goes for his long walks far into the country. If he gets a job at the Limerick Cement Company or Rank's Flour Mills he loses it in the third week. He loses it because he goes to the pubs on the third Friday of the job, drinks all his wages and misses the half day of work on Saturday morning.&#xA;Mam says, Why can't he be like the other men from the lanes of Limerick? They're home before the Angelus rings at six o'clock, they hand over their wages, change their shirts, have their tea, get a few shillings from the wife and they're off to the pub for a pint or two.&#xA;Mam tells Bridey Hannon that Dad can't be like that and won't be like that. She says he's a right bloody fool the way he goes to pubs and stands pints to other men while his own children are home with their bellies stuck to their backbones for the want of a decent dinner. He'll brag to the world he did his bit for Ireland when it was neither popular nor profitable, that he'll gladly die for Ireland when the call comes, that he regrets he has only one life to give for his poor misfortunate country and if anyone disagrees they're invited to step outside and settle this for once and for all.&#xA;Oh, no, says Mam, they won't disagree and they won't step outside, that bunch of tinkers and knackers and begrudgers that hang around the pubs. They tell him he's a grand man, even if he's from the North, and 'twould be an honor to accept a pint from such a patriot.&#xA;Mam tells Bridey, I don't know under God what I'm going to do. The dole is nineteen shillings and sixpence a week, the rent is six and six, and that leaves thirteen shillings to feed and clothe five people and keep us warm in the winter.&#xA;Bridey drags on her Woodbine, drinks her tea and declares that God is good. Mam says she's sure God is good for someone somewhere but He hasn't been seen lately in the lanes of Limerick.&#xA;Bridey laughs. Oh, Angela, you could go to hell for that, and Mam says, Aren't I there already, Bridey?&#xA;And they laugh and drink their tea and smoke their Woodbines and tell one another the fag is the only comfort they have.&#xA;'Tis.&#xA;Question Quigley tells me I have to go to the Redemptorist church on Friday and join the boys' division of the Arch Confraternity. You have to join. You can't say no. All the boys in the lanes and back streets that have fathers on the dole or working in laboring jobs have to join.&#xA;Question says, Your father is a foreigner from the North and he don't matter but you still have to join.&#xA;Everyone knows Limerick is the holiest city in Ireland because it has the Arch Confraternity of the Holy Family, the biggest sodality in the world. Any city can have a Confraternity, only Limerick has the Arch.&#xA;Our Confraternity fills the Redemptorist church five nights a week, three for the men, one for the women, one for the boys. There is Benediction and hymn singing in English, Irish and Latin and best of all the big powerful sermon Redemptorist priests are famous for. It's the sermon that saves millions of Chinese and other heathens from winding up in hell with the Protestants.&#xA;The Question says you have to join the Confraternity so that your mother can tell the St. Vincent de Paul Society and they'll know you're a good Catholic. He says his father is a loyal member and that's how he got a good pensionable job cleaning lavatories at the railway station and when he grows up himself he'll get a good job too unless he runs away and joins the Royal Canadian Mounted Police so that he can sing &amp;quot;I'll Be Calling You Ooo Ooo Ooo, &amp;quot; like Nelson Eddy singing to Jeanette MacDonald expiring with consumption there on the sofa. If he brings me to the Confraternity the man in the office will write his name in a big book and some day he might be promoted to prefect of a section, which is all he wants in life next to wearing the Mountie uniform.&#xA;The prefect is head of a section which is thirty boys from the same lanes and streets. Every section has the name of a saint whose picture is painted on a shield stuck on top of a pole by the prefect's seat. The prefect and his assistant take the attendance and keep an eye on us so that they can give us a thump on the head in case we laugh during Benediction or commit any other sacrileges. If you miss one night the man in the office wants to know why, wants to know if you're slipping away from the Confraternity or he might say to the other man in the office, I think our little friend here has taken the soup. That's the worst thing you can say to any Catholic in Limerick or Ireland itself because of what happened in the Great Famine. If you're absent twice the man in the office sends you a yellow summons to appear and explain yourself and if you're absent three times he sends The Posse, which is five or six big boys from your section who search the streets to make sure you're not out enjoying yourself when you should be on your knees at the Confraternity praying for the Chinese and other lost souls. The Posse will go to your house and tell your mother your immortal soul is in danger. Some mothers worry but others will say, Get away from my door or I'll come out and give every one o' ye a good fong in the hole of yeer arse. These are not good Confraternity mothers and the director will say we should pray for them that they'll see the error of their ways.&#xA;The worst thing of all is a visit from the director of the Confraternity himself, Father Gorey. He'll stand at the top of the lane&#xA;and roar in the voice that converted the Chinese millions, Where is the house of Frank McCourt? He roars even though he has your address in his pocket and knows very well where you live. He roars because he wants the world to know you're slipping away from the Confraternity and putting your immortal soul in danger. The mothers are terrified and the fathers will whisper, I'm not here, I'm not here, and they'll make sure you go to the Confraternity from this on out so they won't be disgraced and shamed entirely with the neighbors muttering behind their hands.&#xA;The Question takes me to the section St. Finbar's, and the prefect tells me sit over there and shut up. His name is Declan Collopy, he's fourteen and he has lumps on his forehead that look like horns. He has thick ginger eyebrows that meet in the middle and hang over his eyes and his arms hang down to his kneecaps. He tells me he's making this the best section in the Confraternity and if I'm ever absent he'll break my arse and send the bits to my mother. There's no excuse for absence because there was a boy in another section that was dying and still they brought him in on a stretcher. He says, If you're ever absent it better be a death, not a death in the family but your own death. Do you hear me?&#xA;I do, Declan.&#xA;Boys in my section tell me that prefects get rewards if there is perfect attendance. Declan wants to get out of school as soon as he can and get a job selling linoleum at Cannock's big shop on Patrick Street. His uncle, Foncey, sold linoleum there for years and made enough money to start his own shop in Dublin, where he has his three sons selling linoleum. Father Gorey, the director, can easily get Declan the reward of a job at Cannock's if he's a good prefect and has perfect attendance in his section and that's why Declan will destroy us if we're absent. He tells us, No one will stand between me and the linoleum.&#xA;Declan likes Question Quigley and lets him miss an occasional Friday night because the Question said, Declan, when I grow up and get married I'm going to cover my house in linoleum and I'll buy it all from you.&#xA;Other boys in the section try this trick with Declan but he says, Bugger off, ye'll be lucky enough to have a pot to piss in never mind yards of linoleum.&#xA;Dad says when he was my age in Toome he served Mass for years and it's time for me to be an altar boy. Mam says, What's the use? The child doesn't have proper clothes for school never mind the altar. Dad says the altar boy robes will cover the clothes and she says we don't have the money for robes and the wash they need every week.&#xA;He says God will provide and makes me kneel on the kitchen floor. He takes the part of the priest for he has the whole Mass in his head and I have to know the responses. He says, Introibo ad altare Dei, and I have to say, Ad Deum qui laetificat juventutem meam.&#xA;Every evening after tea I kneel for the Latin and he won't let me move till I'm perfect. Mam says he could at least let me sit but he says Latin is sacred and it is to be learned and recited on the knees. You won't find the Pope sitting around drinking tea while he speaks the Latin.&#xA;The Latin is hard and my knees are sore and scabby and I'd like to be out in the lane playing though still I'd like to be an altar boy helping the priest vest in the sacristy, up there on the altar all decked out in my red and white robes like my pal Jimmy Clark, answering the priest in Latin, moving the big book from one side of the tabernacle to&#xA;the other, pouring water and wine into the chalice, pouring water over the priest's hands, ringing the bell at Consecration, kneeling, bowing, swinging the censer at Benediction, sitting off to the side with the palms of my hands on my knees all serious while he gives his sermon, everyone in St. Joseph's looking at me and admiring my ways.&#xA;In a fortnight I have the Mass in my head and it's time to go to St. Joseph's to see the sacristan, Stephen Carey, who is in charge of altar boys. Dad polishes my boots. Mam darns my socks and throws an extra coal on the fire to heat up the iron to press my shirt. She boils water to scrub my head, neck, hands and knees and any inch of skin that shows. She scrubs till my skin burns and tells Dad she wouldn't give it to the world to say her son went on the altar dirty. She wishes I didn't have scabby knees from running around kicking canisters and falling down pretending I was the greatest footballer in the world. She wishes we had a drop of hair oil in the house but water and spit will keep my hair from sticking up like black straw in a mattress. She warns me speak up when I go to St. Joseph's and don't be mumbling in English or Latin. She says, 'Tis a great pity you grew out of your First Communion suit but you have nothing to be ashamed of, you come from good blood, McCourts, Sheehans, or my mother's family the Guilfoyles that owned acre after acre in County Limerick before the English took it away and gave it to footpads from London.&#xA;Dad holds my hand going through the streets and people look at us because of the way we're saying Latin back and forth. He knocks at the sacristy door and tells Stephen Carey, This is my son, Frank, who knows the Latin and is ready to be an altar boy.&#xA;Stephen Carey looks at him, then me. He says, We don't have room for him, and closes the door.&#xA;Dad is still holding my hand and squeezes till it hurts and I want to cry out. He says nothing on the way home. He takes off his cap, sits by the fire and lights a Woodbine. Mam is smoking, too. Well, she says, is he going to be an altar boy?&#xA;There's no room for him.&#xA;Oh. She puffs on her Woodbine. I'll tell you what it is, she says. 'Tis class distinction. They don't want boys from lanes on the altar. They don't want the ones with scabby knees and hair sticking up. Oh, no, they want the nice boys with hair oil and new shoes that have fathers with suits and ties and steady jobs. That's what it is and 'tis hard to hold on to the Faith with the snobbery that's in it.&#xA;Och, aye.&#xA;Oh, och aye my arse. That's all you ever say. You could go to the priest and tell him you have a son that has a head stuffed with Latin and why can't he be an altar boy and what is he going to do with all that Latin?&#xA;Och, he might grow up to be a priest.&#xA;I ask him if I can go out and play. Yes, he says, go out and play. Mam says, You might as well.&#xA;VI&#xA;Mr. O'Neill is the master in the fourth class at school. We call him Dotty because he's small like a dot. He teaches in the one classroom with&#xA;a platform so that he can stand above us and threaten us with his ash plant and peel his apple for all to see. The first day of school in September he writes on the blackboard three words which are to stay there the rest of the year, Euclid, geometry, idiot. He says if he catches any boy interfering with these words that boy will go through the rest of his life with one hand. He says anyone who doesn't understand the theorems of Euclid is an idiot. Now, repeat after me, Anyone who doesn't understand the theorems of Euclid is an idiot. Of course we all know what an idiot is because that's what the masters keep telling us we are.&#xA;Brendan Quigley raises his hand. Sir, what's a theorem and what's a Euclid?&#xA;We expect Dotty to lash at Brendan the way all the masters do when you ask them a question but he looks at Brendan with a little smile. Ah, now, here's a boy with not one but two questions. What is your name, boy?&#xA;Brendan Quigley, sir.&#xA;This is a boy who will go far. Where will he go, boys?&#xA;Far, sir.&#xA;Indeed and he will. The boy who wants to know something about the&#xA;grace, elegance and beauty of Euclid can go nowhere but up. In what direction and no other can this boy go, boys?&#xA;Up, sir.&#xA;Without Euclid, boys, mathematics would be a poor doddering thing. Without Euclid we wouldn't be able to go from here to there. Without Euclid the bicycle would have no wheel. Without Euclid St. Joseph could not have been a carpenter for carpentry is geometry and geometry is carpentry. Without Euclid this very school could never have been built.&#xA;Paddy Clohessy mutters behind me, Feckin' Euclid.&#xA;Dotty barks at him. You, boy, what is your name?&#xA;Clohessy, sir.&#xA;Ah, the boy flies on one wing. What is your Christian name? Paddy.&#xA;Paddy what?&#xA;Paddy, sir.&#xA;And what, Paddy, were you saying to McCourt? I said we&#xA;down on our two knees and thank God for Euclid.&#xA;I'm sure you did, Clohessy. I see the lie festering in&#xA;What do I see, boys?&#xA;The lie, sir.&#xA;And what is the lie doing, boys?&#xA;Festering, sir.&#xA;Where, boys, where?&#xA;In his teeth, sir.&#xA;Euclid, boys, was a Greek. What, Clohessy, is a Greek? Some class of a foreigner, sir.&#xA;Clohessy, you are a half-wit. Now, Brendan, surely you&#xA;should get&#xA;your teeth.&#xA;know what a&#xA;Greek is?&#xA;Yes, sir. Euclid was a Greek.&#xA;Dotty gives him the little smile. He tells Clohessy he should model&#xA;himself on Quigley, who knows what a Greek is. He draws two lines side by side and tells us these are parallel lines and the magical and mysterious thing is that they never meet, not if they were to be extended to infinity, not if they were extended to God's shoulders and that, boys, is a long way though there is a German Jew who is upsetting the whole world with his ideas on parallel lines.&#xA;We listen to Dotty and wonder what all this has to do with the state of the world with the Germans marching everywhere and bombing everything that stands. We can't ask him ourselves but we can get Brendan Quigley to do it. Anyone can see Brendan is the master's pet and that means he can ask any question he likes. After school we tell Brendan he has to ask the question tomorrow, What use is Euclid and all those lines that go on forever when the Germans are bombing everything? Brendan says he doesn't want to be the master's pet, he didn't ask for it, and he doesn't want to ask the question. He's afraid if he asks that question Dotty will attack him. We tell him if he doesn't ask the question we'll attack him.&#xA;Next day Brendan raises his hand. Dotty gives him the little smile. Sir, what use is Euclid and all the lines when the Germans are bombing everything that stands?&#xA;The little smile is gone. Ah, Brendan. Ah, Quigley. Oh, boys, oh, boys.&#xA;He lays his stick on the desk and stands on the platform with his eyes closed. What use is Euclid? he says. Use? Without Euclid the Messerschmitt could never have taken to the sky. Without Euclid the Spitfire could not dart from cloud to cloud. Euclid brings us grace and beauty and elegance. What does he bring us, boys?&#xA;Grace, sir.&#xA;And?&#xA;Beauty, sir.&#xA;And?&#xA;Elegance, sir.&#xA;Euclid is complete in himself and divine in application. Do you&#xA;understand that, boys?&#xA;We do, sir.&#xA;I doubt it, boys, I doubt it. To love Euclid is to be alone in this world.&#xA;He opens his eyes and sighs and you can see the eyes are a little watery.&#xA;Paddy Clohessy is leaving the school that day and he's stopped by Mr. O'Dea, who teaches the fifth class. Mr. O'Dea says, You, what's your&#xA;name?&#xA;Clohessy, sir.&#xA;What class are you in?&#xA;Fourth class, sir.&#xA;Now tell me, Clohessy, is that master of yours talking to you about&#xA;Euclid?&#xA;He is, sir.&#xA;And what is he saying?&#xA;He's saying he's a Greek.&#xA;Of course he is, you diddering omadhaun. What else is he saying? He's saying there would be no school without Euclid.&#xA;Ah. Now is he drawing anything on the board?&#xA;He's drawing lines side by side that will never meet even if they&#xA;land on God's shoulders.&#xA;Mother o' God.&#xA;No, sir. God's shoulders.&#xA;I know, you idiot. Go home.&#xA;The next day there's a great noise at our classroom door and Mr. O'Dea is yelling, Come out, O'Neill, you chancer, you poltroon. We can hear everything he's saying because of the broken glass over the door.&#xA;The new headmaster, Mr. O'Halloran, is saying, Now, now, Mr. O'Dea. Control yourself. No quarreling in front of our pupils.&#xA;Well, then, Mr. O'Halloran, tell him stop teaching the geometry. The geometry is for the fifth form and not the fourth. The geometry is mine. Tell him to teach the long division and leave Euclid to me. Long division will stretch his intellect such as it is, God help us. I don't want the minds of these boys destroyed by that chancer up there on the platform, him handing out apple skins and causing diarrhea right and left. Tell him Euclid is mine, Mr. O'Halloran, or I'll put a stop to his gallop.&#xA;Mr. O'Halloran tells Mr. O'Dea to return to his classroom and asks Mr. O'Neill to step into the hall. Mr. O'Halloran says, Now, Mr. O'Neill, I have asked you before to stay away from Euclid.&#xA;You have, Mr. O'Halloran, but you might as well ask me to stop eating my daily apple.&#xA;I'll have to insist, Mr. O'Neill. No more Euclid.&#xA;Mr. O'Neill comes back to the room and his eyes are watery again. He says little has changed since the time of the Greeks for the barbarians are within the gates and their names are legion. What has changed since the time of the Greeks, boys?&#xA;It is torture to watch Mr. O'Neill peel the apple every day, to see the length of it, red or green, and if you're up near him to catch the freshness of it in your nose. If you're the good boy for that day and you answer the questions he gives it to you and lets you eat it there at your desk so that you can eat it in peace with no one to bother you the way they would if you took it into the yard. Then they'd torment you, Gimme a piece, gimme a piece, and you'd be lucky to have an inch left for yourself.&#xA;There are days when the questions are too hard and he torments us by dropping the apple peel into the wastebasket. Then he borrows a boy from another class to take the wastebasket down to the furnace to burn papers and apple peel or he'll leave it for the charwoman, Nellie Ahearn, to take it all away in her big canvas sack. We'd like to ask Nellie to keep the peel for us before the rats get it but she's weary from cleaning the whole school by herself and she snaps at us, I have other things to be doin' with me life besides watchin' a scabby bunch rootin' around for the skin of an apple. Go 'way.&#xA;He peels the apple slowly. He looks around the room with the little smile. He teases us, Do you think, boys, I should give this to the pigeons on the windowsill? We say, No, sir, pigeons don't eat apples. Paddy Clohessy calls out, 'Twill give them the runs, sir, and we'll have it on our heads abroad in the yard.&#xA;Clohessy, you are an omadhaun. Do you know what an omadhaun is?&#xA;I don't, sir.&#xA;It's the Irish, Clohessy, your native tongue, Clohessy. An omadhaun&#xA;is a fool, Clohessy. You are an omadhaun. What is he, boys? An omadhaun, sir.&#xA;Clohessy says, That's what Mr. O'Dea called me, sir, a diddering omadhaun.&#xA;He pauses in his peeling to ask us questions about everything in the world and the boy with the best answers wins. Hands up, he says, who is the President of the United States of America?&#xA;Every hand in the class goes up and we're all disgusted when he asks a question that any omadhaun would know. We call out, Roosevelt.&#xA;Then he says, You, Mulcahy, who stood at the foot of the cross when Our Lord was crucified?&#xA;Mulcahy is slow. The Twelve Apostles, sir. Mulcahy, what is the Irish word for fool? Omadhaun, sir.&#xA;And what are you, Mulcahy?&#xA;An omadhaun, sir.&#xA;Fintan Slattery raises his hand. I know who stood at the foot of the cross, sir.&#xA;Of course Fintan knows who stood at the foot of the cross. Why wouldn't he? He's always running off to Mass with his mother, who is known for her holiness. She's so holy her husband ran off to Canada to cut down trees, glad to be gone and never to be heard from again. She and Fintan say the rosary every night on their knees in the kitchen and read all kinds of religious magazines: The Little Messenger of the Sacred Heart, The Lantern, The Far East, as well as every little book printed by the Catholic Truth Society. They go to Mass and Communion rain or shine and every Saturday they confess to the Jesuits who are known for their interest in intelligent sins not the usual sins you hear from people in lanes who are known for getting drunk and sometimes eating meat on Fridays before it goes bad and cursing on top of it. Fintan and his mother live on Catherine Street and Mrs. Slattery's neighbors call her Mrs. Offer-It-Up because no matter what happens, a broken leg, a spilled cup of tea, a disappeared husband, she says, Well, now, I'll offer that up and I'll have no end of Indulgences to get me into heaven. Fintan is just as bad. If you push him in the schoolyard or call him names he'll smile and tell you he'll pray for you and he'll offer it up for his soul and yours. The boys in Leamy's don't want Fintan praying for them and they threaten to give him a good fong in the arse if they catch him praying for them. He says he wants to be a saint when he grows up, which is ridiculous because you can't be a saint till you're dead. He says our grandchildren will be praying to his picture. One big boy says, My grandchildren will piss on your picture, and Fintan just smiles. His sister ran away to England when she was seventeen and everyone knows he wears her blouse at home and curls his hair with hot iron tongs every Saturday night so that he'll look gorgeous at Mass on Sunday. If he meets you going to Mass he'll say, Isn't my hair gorgeous, Frankie? He loves that word, gorgeous, and no other boy will ever use it.&#xA;Of course he knows who stood at the foot of the cross. He probably knows what they were wearing and what they had for breakfast and now he's telling Dotty O'Neill it was the three Marys. Dotty says, Come up here, Fintan, and take your reward. He takes his time going to the platform and we can't believe our eyes when he takes out a pocketknife to cut the apple peel into little bits so that he can eat them one by one and not be stuffing the whole thing into his mouth like the rest of us when we win. He raises his hand, Sir, I'd like to give some of my apple away.&#xA;The apple, Fintan? No, indeed. You do not have the apple, Fintan. You have the peel, the mere skin. You have not nor will you ever achieve&#xA;heights so dizzy you'll be feasting on the apple itself. Not my apple, Fintan. Now did I hear you say you want to give away your reward?&#xA;You did, sir. I'd like to give three pieces, to Quigley, Clohessy and McCourt.&#xA;Why, Fintan?&#xA;They're my friends, sir.&#xA;The boys around the room are sneering and nudging each other and I&#xA;feel ashamed because they'll say I curl my hair and I'll be tormented in the schoolyard and why does he think I'm his friend? If they say I wear my sister's blouse there's no use telling them I don't have a sister because they'll say, You'd wear it if you had a sister. There's no use saying anything in the schoolyard because there's always someone with an answer and there's nothing you can do but punch them in the nose and if you were to punch everyone who has an answer you'd be punching morning noon and night.&#xA;Quigley takes the bit of peel from Fintan. Thanks, Fintan.&#xA;The whole class is looking at Clohessy because he's the biggest and the toughest and if he says thanks I'll say thanks. He says, Thanks very much, Fintan, and blushes and I say, Thanks very much, Fintan, and I try to stop myself from blushing but I can't and all the boys sneer again and I'd like to hit them.&#xA;After school the boys call to Fintan, Hoi, Fintan, are you goin'home to curl your gorgeous hair? Fintan smiles and climbs the steps of the schoolyard. A big boy from seventh class says to Paddy Clohessy, I suppose you'd be curlin' your hair too if you wasn't a baldy with a shaved head.&#xA;Paddy says, Shurrup, and the boy says, Oh, an' who's goin' to make me? Paddy tries a punch but the big boy hits his nose and knocks him down and there's blood. I try to hit the big boy but he grabs me by the throat and bangs my head against the wall till I see lights and black dots. Paddy walks away holding his nose and crying and the big boy pushes me after him. Fintan is outside on the street and he says, Oh, Francis, Francis, oh, Patrick, Patrick, what's up? Why are you crying, Patrick? and Paddy says, I'm hungry. I can't fight nobody because I'm starving with the hunger an' fallin' down an' I'm ashamed of meself.&#xA;Fintan says, Come with me, Patrick. My mother will give us something, and Paddy says, Ah, no, me nose is bleedin'.&#xA;Don't worry. She'll put something on your nose or a key on the back of your neck. Francis, you must come, too. You always look hungry.&#xA;Ah, no, Fintan.&#xA;Ah, do, Francis.&#xA;All right, Fintan.&#xA;Fintan's flat is like a chapel. There are two pictures, the Sacred&#xA;Heart of Jesus and the Immaculate Heart of Mary. Jesus is showing His heart with the crown of thorns, the fire, the blood. His head is tilted to the left to show His great sorrow. The Virgin Mary is showing her heart and it would be a pleasant heart if it didn't have that crown of thorns. Her head is tilted to the right to show her sorrow because she knows her Son will come to a sad end.&#xA;There's a picture on another wall of a man with a brown robe and birds sitting all over him. Fintan says, Do you know who that is, Francis? No? That's your patron, St. Francis of Assisi, and do you know what today is?&#xA;The fourth of October.&#xA;That's right and it's his feast day and special for you because you can ask St. Francis for anything and he'll surely give it to you. That's why I wanted you to come here today. Sit down, Patrick, sit down, Francis.&#xA;Mrs. Slattery comes in with her rosary beads in her hand. She's happy to meet Fintan's new friends and would we like a cheese sandwich? And look at your poor nose, Patrick. She touches his nose with the cross on her rosary beads and says a little prayer. She tells us these rosary beads were blessed by the Pope himself and would stop the flow of a river if requested never mind Patrick's poor nose.&#xA;Fintan says he won't have a sandwich because he's fasting and praying for the boy who hit Paddy and me. Mrs. Slattery gives him a kiss on the head and tells him he's a saint out of heaven and asks if we'd like mustard on our sandwiches and I tell her I never heard of mustard on cheese and I'd love it. Paddy says, I dunno. I never had a sangwidge in me life, and we all laugh and I wonder how you could live ten years like Paddy and never have a sandwich. Paddy laughs, too, and you can see his teeth are white and black and green.&#xA;We eat the sandwich and drink tea and Paddy wants to know where the lavatory is. Fintan takes him through the bedroom to the backyard and when they come back Paddy says, I have to go home. Me mother'll kill me. I'll wait for you outside, Frankie.&#xA;Now I have to go to the lavatory and Fintan leads me to the backyard. He says, I have to go, too, and when I unbutton my fly I can't pee because he's looking at me and he says, You were fooling. You don't have to go at all. I like to look at you, Francis. That's all. I wouldn't want to commit any class of a sin with our Confirmation coming next year.&#xA;Paddy and I leave together. I'm bursting and run behind a garage to pee. Paddy is waiting for me and as we walk along Hartstonge Street he says, That was a powerful sangwidge, Frankie, an' him an' his mother is very holy but I wouldn't want to go to Fintan's flat anymore because he's very odd, isn't he, Frankie?&#xA;He is, Paddy.&#xA;The way he looks at it when you take it out, that's odd, isn't it, Frankie?&#xA;'Tis, Paddy.&#xA;A few days later Paddy whispers, Fintan Slattery said we could come to his flat at lunchtime. His mother won't be there and she leaves his lunch for him. He might give us some too and he has lovely milk. Will we go?&#xA;Fintan sits two rows from us. He knows what Paddy is saying to me and he moves his eyebrows up and down as if to say, Will you come? I whisper yes to Paddy and he nods to Fintan and the master barks at us to stop waggling our eyebrows and our lips or the ash plant will sing across our backsides.&#xA;Boys in the schoolyard see the three of us walk out and they pass remarks. Oh, Gawd, look at Fintan and his ingles. Paddy says, Fintan, what's an ingle? and Fintan says it's just a boy from olden times who sits in a corner, that's all. He tells us sit at the table in his kitchen and we can read his comic books if we like, Film Fun, the Beano, the Dandy, or the religious magazines or his mother's romance magazines, the Miracle and the Oracle, which always have stories about factory girls who are poor but beautiful in love with sons of earls and vice versa and the factory girl ends up throwing herself into the Thames with the&#xA;hopelessness only to be rescued by a passing carpenter who is poor but honest and will love the factory girl for her own humble self though it turns out the passing carpenter is really the son of a duke, which is much higher than an earl, so that now the poor factory girl is a duchess and can look down her nose at the earl who spurned her because she's happy tending her roses on her twelve-thousand-acre estate in Shropshire and being kind to her poor old mother, who refuses to leave her humble little cottage for all the money in the world.&#xA;Paddy says, I don't want to read nothing, it's all a cod, all them stories. Fintan removes the cloth covering his sandwich and glass of milk. The milk looks creamy and cool and delicious and the sandwich bread is almost as white. Paddy says, Is that a ham sangwidge? and Fintan says, 'Tis. Paddy says, That's a lovely looking sangwidge and is there mustard on it? Fintan nods and slices the sandwich in two. Mustard seeps out. He licks it off his fingers and takes a nice mouthful of milk. He cuts the sandwich again into quarters, eighths, sixteenths, takes The Little Messenger of the Sacred Heart from the pile of magazines and reads while he eats his sandwich bits and drinks his milk and Paddy and I look at him and I know Paddy is wondering what we're doing here at all, at all, because that's what I'm wondering myself hoping Fintan will pass over the plate to us but he doesn't, he finishes the milk, leaves bits of sandwich on the plate, covers it with the cloth and wipes his lips in his dainty way, lowers his head, blesses himself and says grace after meals and, God, we'll be late for school, and blesses himself again on the way out with holy water from the little china font hanging by the door with the little image of the Virgin Mary showing her heart and pointing at it with two fingers as if we couldn't make it out for ourselves.&#xA;It's too late for Paddy and me to run and get the bun and milk from Nellie Ahearn and I don't know how I'm going to last from now till I can run home after school and get a piece of bread. Paddy stops at the school gate. He says, I can't go in there starving with the hunger. I'd fall asleep and Dotty'd kill me.&#xA;Fintan is anxious. Come on, come on, we'll be late. Come on, Francis, hurry up.&#xA;I'm not going in, Fintan. You had your lunch. We had nothing.&#xA;Paddy explodes. You're a feckin' chancer, Fintan. That's what you are an' a feckin' begrudger too with your feckin' sangwidge an' your feckin' Sacred Heart of Jesus on the wall an' your feckin' holy water. You can kiss my arse, Fintan.&#xA;Oh, Patrick.&#xA;Oh, Patrick my feckin' arse, Fintan. Come on, Frankie.&#xA;Fintan runs into school and Paddy and I make our way to an orchard&#xA;in Ballinacurra. We climb a wall and a fierce dog comes at us till Paddy talks to him and tells him he's a good dog and we're hungry and go home to your mother. The dog licks Paddy's face and trots away waving his tail and Paddy is delighted with himself. We stuff apples into our shirts till we can barely get back over the wall to run into a long field and sit under a hedge eating the apples till we can't swallow another bit and we stick our faces into a stream for the lovely cool water. Then we run to opposite ends of a ditch to shit and wipe ourselves with grass and thick leaves. Paddy is squatting and saying, There's nothing in the world like a good feed of apples, a drink of water and a good shit, better than any sangwidge of cheese and mustard and Dotty O'Neill can shove his apple up his arse.&#xA;There are three cows in a field with their heads over a stone wall and they say moo to us. Paddy says, Bejasus, 'tis milkin' time, and he's over the wall, stretched on his back under a cow with her big udder hanging into his face. He pulls on a teat and squirts milk into his mouth. He stops squirting and says, Come on, Frankie, fresh milk. 'Tis lovely. Get that other cow, they're all ready for the milkin'.&#xA;I get under the cow and pull on a teat but she kicks and moves and I'm sure she's going to kill me. Paddy comes over and shows me how to do it, pull hard and straight and the milk comes out in a powerful stream. The two of us lie under the one cow and we're having a great time filling ourselves with milk when there's a roar and there's a man with a stick charging across the field. We're over the wall in a minute and he can't follow us because of his rubber boots. He stands at the wall and shakes his stick and shouts that if he ever catches us we'll have the length of his boot up our arses and we laugh because we're out of harm's way and I'm wondering why anyone should be hungry in a world full of milk and apples.&#xA;It's all right for Paddy to say Dotty can shove the apple up his arse but I don't want to rob orchards and milk cows forever and I'll always try to win Dotty's apple peel so that I can go home and tell Dad how I answered the hard questions.&#xA;We're walking back through Ballinacurra. There's rain and lightning and we run but it's hard for me with the sole of my shoe flapping and threatening to trip me. Paddy can run all he wants in his long bare feet and you hear them slapping on the pavement. My shoes and stockings are soaked and they make their own sound, squish, squish. Paddy notices that and we make a song from our two sounds, slap slap, squish, squish, slap squish, squish slap. We laugh so hard over our song we have to hold on to one another. The rain gets heavier and we know we can't stand under a tree or we'll be fried entirely so we stand by a door which is opened in a minute by a big fat maid in a little white hat and a black dress with a little white apron who tells us get away from this door we're a disgrace. We run from the door and Paddy calls back, Mullingar heifer, beef to the heels, and he laughs till he chokes and has to lean against a wall with the weakness. There's no sense in standing in from the rain anymore, we're soaked to the skin, so we take our time down O'Connell Avenue. Paddy says he learned that Mullingar heifer thing from his uncle Peter, the one that was in India in the English army and they have a photo of him standing with a group of soldiers with their helmets and guns and bandoliers around their chests and there are dark men in uniform who are Indians and loyal to the King. Uncle Peter had a great time for himself in a place called Kashmir, which is lovelier than Killarney that they're always bragging about and singing. Paddy goes on again about running away and winding up in India in a silken tent with the girl with the red dot and the curry and the figs and he's making me hungry even if I'm stuffed with apples and milk.&#xA;The rain is clearing and there are birds honking over our heads. Paddy says they're ducks or geese or something on their way to Africa where it's nice and warm. The birds have more sense than the Irish. They come to the Shannon for their holidays and then they go back to the warm places, maybe even India. He says he'll write me a letter when he's over there and I can come to India and have my own girl with a red dot.&#xA;What's that dot for, Paddy?&#xA;It shows they're high class, the quality.&#xA;But, Paddy, would the quality in India talk to you if they knew you were from a lane in Limerick and had no shoes?&#xA;Course they would, but the English quality wouldn't. The English quality wouldn't give you the steam of their piss.&#xA;Steam of their piss? God, Paddy, did you think of that yourself?&#xA;Naw, naw, that's what my father says below in the bed when he's coughin' up the gobs and blamin' the English for everything.&#xA;And I think, Steam of their piss. I'll keep that for myself. I'll go around Limerick saying it, Steam of their piss, Steam of their piss, and when I go to America some day I'll be the only one who knows it.&#xA;Question Quigley is wobbling toward us on a big woman's bicycle and calls to me, Hoi, Frankie McCourt, you're going to be killed. Dotty O'Neill sent a note to your house and said you didn't come back to school after lunch, that you went on the mooch with Paddy Clohessy. Your mother is going to kill you. Your father is out looking for you and he's going to kill you, too.&#xA;Oh, God, I feel cold and empty and I wish I could be in India where it's nice and warm and there's no school and my father could never find me to kill me. Paddy tells the Question, He didn't go on the mooch and I didn't either. Fintan Slattery starved us to death and we were too late for the bun and the milk. Then Paddy says to me, Don't mind 'em, Frankie, 'tis all a cod. They're always sendin' notes to our house and we wipe our arses with them.&#xA;My mother and father would never wipe their arses with a note from the master and I'm afraid now to go home. The Question rides off on the bicycle, laughing, and I don't know why because he once ran away from home and slept in a ditch with four goats and that's worse than mooching from school half a day anytime.&#xA;I could turn up the Barrack Road now and go home and tell my parents I'm sorry I went on the mooch and I did it because of the hunger but Paddy says, Come on, we'll go down the Dock Road and throw rocks in the Shannon.&#xA;We throw rocks in the river and we swing on the iron chains along the bank. It's getting dark and I don't know where I'm going to sleep. I might have to stay there by the Shannon or find a door or I might have to go back out the country and find a ditch like Brendan Quigley with four goats. Paddy says I can go home with him, I can sleep on the floor and I'll dry out.&#xA;Paddy lives in one of the tall houses on Arthur's Quay looking at the river. Everyone in Limerick knows these houses are old and might fall down at any minute. Mam often says, I don't want any of ye going down to Arthur's Quay and if I find ye there I'll break yeer faces. The people down there are wild and ye could get robbed and killed.&#xA;It's raining again and small children are playing in the hallway and up the stairs. Paddy says, Mind yourself, because some of the steps are missing and there is shit on the ones that are still there. He says that's because there's only one privy and it's in the backyard and children don't get down the stairs in time to put their little arses on the bowl, God help us.&#xA;There's a woman with a shawl sitting on the fourth flight smoking a cigarette. She says, Is that you, Paddy?&#xA;'Tis, Mammy.&#xA;I'm fagged out, Paddy. Them steps is killin' me. Did you have your tea?&#xA;I didn't.&#xA;Well, I don't know if there's any bread left. Go up an' see. Paddy's family live in one big room with a high ceiling and a small&#xA;fireplace. There are two tall windows and you can see out to the Shannon. His father is in a bed in the corner, groaning and spitting into a bucket. Paddy's brothers and sisters are on mattresses on the floor, sleeping, talking, looking at the ceiling. There's a baby with no clothes crawling over to Paddy's father's bucket and Paddy pulls him away. His mother comes in, gasping, from the stairs. Jesus, I'm dead, she says.&#xA;She finds some bread and makes weak tea for Paddy and me. I don't know what I'm supposed to do. They don't say anything. They don't say what are you doing here or go home or anything till Mr. Clohessy says, Who's that? and Paddy tells him, 'Tis Frankie McCourt.&#xA;Mr. Clohessy says, McCourt? What class of a name is that? My father is from the North, Mr. Clohessy.&#xA;And what's your mother's name?&#xA;Angela, Mr. Clohessy.&#xA;Ah, Jaysus, 'twouldn't be Angela Sheehan, would it?&#xA;'Twould, Mr. Clohessy. Ah, Jaysus, he says, and he has a coughing fit which brings up all kinds of stuff from his insides and has him hanging over the bucket. When the cough passes he falls back on the pillow. Ah, Frankie, I knew your mother well. Danced with her, Mother o' Christ, I'm dying inside, danced with her I did below in the Wembley Hall and a champion dancer she was too.&#xA;He hangs over the bucket again. He gasps for air and reaches his arms out to get it. He suffers but he won't stop talking.&#xA;Champion dancer she was, Frankie. Not skinny mind you but a feather in my arms and there was many a sorry man when she left Limerick. Can you dance, Frankie?&#xA;Ah, no, Mr. Clohessy.&#xA;Paddy says, He can, Dada. He had the lessons from Mrs. O'Connor and Cyril Benson.&#xA;Well, dance, Frankie. Round the house an' mind the dresser, Frankie. Lift the foot, lad.&#xA;I can't, Mr. Clohessy. I'm no good.&#xA;No good? Angela's Sheehan's son? Dance, Frankie, or I'll get outa this bed an' wheel you round the house.&#xA;My shoe is broken, Mr. Clohessy.&#xA;Frankie, Frankie, you're bringin' the cough on me. Will you dance for the love o' Jesus so I can remember me youth with your mother in the Wembley Hall. Take off the feckin' shoe, Frankie, an' dance.&#xA;I have to make up dances and tunes to go with them the way I did a long time ago when I was young. I dance around the room with one shoe because I forgot to take it off. I try to make up words, Oh, The Walls of Limerick are falling down, falling down, falling down, The Walls of Limerick falling down and the River Shannon kills us.&#xA;Mr. Clohessy is laughing in the bed. Oh, Jaysus, I never heard likes o' that on land or sea. That's a great leg for the dancing you have there, Frankie. Oh, Jaysus. He coughs and brings up ropes of green and yellow stuff. It makes me sick to look at it and I wonder if I should go home from all this sickness and this bucket and let my parents kill me if they want to.&#xA;Paddy lies down on a mattress by the window and I lie beside him. I keep my clothes on like everybody else and I even forget to take off my&#xA;other shoe, which is wet and squishy and stinks. Paddy falls asleep right away and I look at his mother sitting by the bit of a fire smoking another cigarette. Paddy's father groans and coughs and spits into the bucket. He says, Feckin' blood, and she says, You'll have to go into the sanatorium sooner or later.&#xA;I will not. The day they put you in there is the end of you.&#xA;You could be givin'the consumption to the children. I could get the guards to take you away you're that much of a danger to the children.&#xA;If they were to get it they'd have it be now.&#xA;The fire dies and Mrs. Clohessy climbs over him into the bed. In a minute she's snoring even if he's still coughing and laughing about the days of his youth when he danced with Angela Sheehan light as a feather in the Wembley Hall.&#xA;It's cold in the room and I'm shivering in my wet clothes. Paddy is shivering too but he's asleep and he doesn't know he's cold. I don't know if I should stay here or get up and go home but who wants to be wandering the streets when a guard might ask you what you're doing out. It's my first time away from my family and I know I'd rather be in my own house with the smelly lavatory and stable next door. It's bad when our kitchen is a lake and we have to go up to Italy but it's worse in the Clohessys' when you have to go down four flights to the lavatory and slip on shit all the way down. I'd be better off with four goats in a ditch.&#xA;I drift in and out of sleep but I have to wake up for good when Mrs. Clohessy goes around pulling at her family to get them up. They all went to bed with their clothes on so they don't have to get dressed and there's no fighting. They grumble and run out the door to get downstairs to the backyard lavatory. I have to go too and I run down with Paddy but his sister Peggy is on the bowl and we have to piss against a wall. She says, I'll tell Ma what ye did, and Paddy says, Shurrup or I'll push you down into that feckin' lavatory. She jumps off the lavatory, pulls her drawers up and runs up the stairs crying, I'll tell, I'll tell, and when we get back to the room Mrs. Clohessy gives Paddy a belt on the head for what he did to his poor little sister. Paddy says nothing because Mrs. Clohessy is spooning porridge into mugs and jam jars and one bowl and telling us to eat up and go to school. She sits at the table eating her porridge. Her hair is gray black and dirty. It dangles in the bowl and picks up bits of porridge and drops of milk. The children slurp the porridge and complain they didn't get enough, they're starving with the hunger. They have snotty noses and sore eyes and scabby knees. Mr. Clohessy coughs and squirms on the bed and brings up the great gobs of blood and I run out of the room and puke on the stairs where there's a step missing and there's a shower of porridge and bits of apple to the floor below where people go back and forth to the lavatory in the yard. Paddy comes down and says, Sure that's all right. Everywan gets sick an' shits on them stairs an' the whole feckin' place is falling down anyway.&#xA;I don't know what I'm supposed to do now. If I go back to school I'll be killed and why should I go back to school or go home to get killed when I can go out the road and live on milk and apples the rest of my life till I go to America. Paddy says, Come on. School is all a cod anyway an' the masters is all madmen.&#xA;There's a knock at the Clohessys' door and it's Mam holding my little brother, Michael, by the hand, and Guard Dennehy, who is in charge of school attendance. Mam sees me and says, What are you doing with one shoe on? and Guard Dennehy says, Ah, now, missus, I think a more&#xA;important question would be, What are you doing with one shoe off, ha,&#xA;ha.&#xA;Michael runs to me. Mammy was crying. Mammy was crying for you,&#xA;Frankie.&#xA;She says, Where were you all night?&#xA;I was here.&#xA;You had me demented. Your father walked every street in Limerick&#xA;looking for you.&#xA;Mr. Clohessy says, Who's at the door?&#xA;It's my mother, Mr. Clohessy.&#xA;God above, is that Angela?&#xA;'Tis, Mr. Clohessy.&#xA;He struggles up on his elbows. Well, for the love of God, will you&#xA;come in, Angela. Don't you know me?&#xA;Mam looks puzzled. It's dark in the room and she tries to make out&#xA;who is in the bed. He says, 'Tis me, Dennis Clohessy, Angela. Ah, no.&#xA;'Tis, Angela.&#xA;Ah, no.&#xA;I know, Angela. I'm changed. The cough is killin' me. But I&#xA;remember the nights at the Wembley Hall. Aw, Jaysus, you were a great dancer. Nights at the Wembley Hall, Angela, and the fish and chips after. Oh, boys, oh, boys, Angela.&#xA;My mother has tears running down her face. She says, You were a great dancer yourself, Dennis Clohessy.&#xA;We could have won competitions, Angela. Fred and Ginger would have been lookin' over their shoulders but you had to run off to America. Aw, Jaysus.&#xA;He has another coughing fit and we have to stand and watch him hang over the bucket again and bring up the bad stuff from his insides. Guard Dennehy says, I think, missus, we found the by an' I'll be going. He says to me, If you ever go on the mooch again, by, we'll have you in the jail above. Are you listenin' to me, by?&#xA;I am, Guard.&#xA;Don't be tormentin' your mother, by. That's wan thing the guards won't put up with, the tormentin' of mothers.&#xA;I won't, Guard. I won't torment her.&#xA;He leaves and Mam goes to the bed to take Mr. Clohessy's hand. His face is caved in all around his eyes and his hair is shiny black with the sweat running from the top of his head. His children stand around the bed looking at him and looking at Mam. Mrs. Clohessy sits by the fire rattling the poker in the grate and pushing the baby away from the fire. She says, 'Tis his own bloody fault for not goin' into hospital, so 'tis.&#xA;Mr. Clohessy gasps, I'd be all right if I could live in a dry place. Angela, is America a dry place?&#xA;'Tis, Dennis.&#xA;The doctor told me go to Arizona. A funny man that doctor. Arizona how are you. I don't have the money to go around the corner for a pint.&#xA;Mam says, You'll be all right, Dennis. I'll light a candle for you. Save your money, Angela. My dancin' days are done.&#xA;I have to go now, Dennis. My son has to go to school.&#xA;Before you go, Angela, will you do one thing for me?&#xA;I will, Dennis, if 'tis in my power.&#xA;Would you ever give us a verse of that song you sang the night before you went to America?&#xA;That's a hard song, Dennis. I wouldn't have the wind for it.&#xA;Ah, come on, Angela. I never hear a song anymore. There isn't a song in this house. The wife there doesn't have a note in her head an' no step in her foot.&#xA;Mam says, All right. I'll try.&#xA;Oh, the nights of the Kerry dancing, Oh, the ring of the piper's tune, Oh, for one of those hours of gladness, gone, alas, like our youth too soon.&#xA;When the boys began to gather in the glen of a Summer night, And the Kerry piper's tuning made us long with wild delight.&#xA;She stops and presses her hand to her chest, Oh, God, my wind is gone. Help me, Frank, with the song, and I sing along, Oh, to think of it, Oh, to dream of it, fills my heart with tears.&#xA;Oh, the nights of the Kerry dancing, Oh, the ring of the piper's tune Oh, for one of those hours of gladness, gone, alas, like our youth too soon.&#xA;Mr. Clohessy tries to sing with us, gone, alas, like our youth too soon, but it brings on the cough. He shakes his head and cries, I wouldn't doubt you, Angela. It takes me back. God bless you.&#xA;God bless you, too, Dennis, and thanks, Mrs. Clohessy, for having Frankie here off the streets.&#xA;'Twas no trouble, Mrs. McCourt. He's quiet enough.&#xA;Quiet enough, says Mr. Clohessy, but he's not the dancer his mother&#xA;was.&#xA;Mam says, 'Tis hard to dance with one shoe, Dennis.&#xA;I know, Angela, but you'd wonder why he didn't take it off. Is he a&#xA;bit strange?&#xA;Ah, sometimes he has the odd manner like his father. Oh, yes. The&#xA;father is from the North, Angela, and that would account for it. They'd think nothing of dancing with one shoe in the North.&#xA;We walk up Patrick Street and O'Connell Street, Paddy Clohessy and Mam and Michael and myself, and Mam sobs all the way. Michael says, Don't cry, Mammy. Frankie won't run away.&#xA;She lifts him up and hugs him. Oh, no, Michael, 'tisn't Frankie I'm crying about. 'Tis Dennis Clohessy and the dancing nights at the Wembley Hall and the fish and chips after.&#xA;She comes into the school with us. Mr. O'Neill looks cross and tells us sit down he'll be with us in a minute. He talks a long time at the door with my mother and when she leaves he walks between the seats and pats Paddy Clohessy on the head.&#xA;I'm very sorry for the Clohessys and all their troubles but I think they saved me from getting into trouble with my mother.&#xA;VII&#xA;There are Thursdays when Dad gets his dole money at the Labour Exchange and a man might say, Will we go for a pint, Malachy? and Dad will say, One, only one, and the man will say, Oh, God, yes, one, and before the night is over all the money is gone and Dad comes home singing and getting us out of bed to line up and promise to die for Ireland when the&#xA;call comes. He even gets Michael up and he's only three but there he is singing and promising to die for Ireland at the first opportunity. That's what Dad calls it, the first opportunity. I'm nine and Malachy is eight and we know all the songs. We sing all the verses of Kevin Barry and Roddy McCorley, &amp;quot;The West's Asleep, &amp;quot;&#xA;&amp;quot;O'Donnell Abu, &amp;quot;&#xA;&amp;quot;The Boys of Wexford. &amp;quot; We sing and promise to die because you never know when Dad might have a penny or two left over from the drinking and if he gives it to us we can run to Kathleen O'Connell's next day for toffee. Some nights he says Michael is the best singer of all and he gives him the penny. Malachy and I wonder what's the use of being eight and nine and knowing all the songs and ready to die when Michael gets the penny so that he can go to the shop next day and stuff his gob with toffee galore. No one can ask him to die for Ireland at the age of three, not even Padraig Pearse, who was shot by the English in Dublin in 1916 and expected the whole world to die with him. Besides, Mikey Molloy's father said anyone who wants to die for Ireland is a donkey's arse. Men have been dying for Ireland since the beginning of time and look at the state of the country.&#xA;It's bad enough that Dad loses jobs in the third week but now he drinks all the dole money once a month. Mam gets desperate and in the morning she has the bitter face and she won't talk to him. He has his tea and leaves the house early for the long walk into the country. When he returns in the evening she still won't talk to him and she won't make his tea. If the fire is dead for the want of coal or turf and there's no way of boiling water for the tea, he says, Och, aye, and drinks water out of a jam jar and smacks his lips the way he would with a pint of porter. He says good water is all a man needs and Mam makes a snorting sound. When she's not talking to him the house is heavy and cold and we know we're not supposed to talk to him either for fear she'll give us the bitter look. We know Dad has done the bad thing and we know you can make anyone suffer by not talking to him. Even little Michael knows that when Dad does the bad thing you don't talk to him from Friday to Monday and when he tries to lift you to his lap you run to Mam.&#xA;I'm nine years old and I have a pal, Mickey Spellacy, whose relations are dropping one by one of the galloping consumption. I envy Mickey because every time someone dies in his family he gets a week off from school and his mother stitches a black diamond patch on his sleeve so that he can wander from lane to lane and street to street and people will know he has the grief and pat his head and give him money and sweets for his sorrow.&#xA;But this summer Mickey is worried. His sister, Brenda, is wasting away with the consumption and it's only August and if she dies before September he won't get his week off from school because you can't get a week off from school when there's no school. He comes to Billy Campbell and me to ask if we'll go around the corner to St. Joseph's Church and pray for Brenda to hang on till September.&#xA;What's in it for us, Mickey, if we go around the corner praying?&#xA;Well, if Brenda hangs on and I get me week off ye can come to the wake and have ham and cheese and cake and sherry and lemonade and everything and ye can listen to the songs and stories all night.&#xA;Who could say no to that? There's nothing like a wake for having a good time. We trot around to the church where they have statues of St. Joseph himself as well as the Sacred Heart of Jesus, the Virgin Mary and&#xA;St. Thérèse of Lisieux, the Little Flower. I pray to the Little Flower because she died of the consumption herself and she'd understand.&#xA;One of our prayers must have been powerful because Brenda stays alive and doesn't die till the second day of school. We tell Mickey we're sorry for his troubles but he's delighted with his week off and he gets the black diamond patch which will bring the money and sweets.&#xA;My mouth is watering at the thought of the feast at Brenda's wake. Billy knocks on the door and there's Mickey's aunt. Well?&#xA;We came to say a prayer for Brenda and Mickey said we could come to the wake.&#xA;She yells, Mickey! What? Come here. Did you tell this gang they could come to your sister's wake?&#xA;No.&#xA;But, Mickey, you promised...&#xA;She slams the door in our faces. We don't know what to do till&#xA;Billy Campbell says, We'll go back to St. Joseph's and pray that from now on everyone in Mickey Spellacy's family will die in the middle of the summer and he'll never get a day off from school for the rest of his life.&#xA;One of our prayers is surely powerful because next summer Mickey himself is carried off by the galloping consumption and he doesn't get a day off from school and that will surely teach him a lesson.&#xA;Proddy Woddy ring the bell,&#xA;Not for heaven but for hell.&#xA;On Sunday mornings in Limerick I watch them go to church, the Protestants, and I feel sorry for them, especially the girls, who are so lovely, they have such beautiful white teeth. I feel sorry for the beautiful Protestant girls, they're doomed. That's what the priests tell us. Outside the Catholic Church there is no salvation. Outside the Catholic Church there is nothing but doom. And I want to save them. Protestant girl, come with me to the True Church. You'll be saved and you won't have the doom. After Mass on Sunday I go with my friend Billy Campbell to watch them play croquet on the lovely lawn beside their church on Barrington Street. Croquet is a Protestant game. They hit the ball with the mallet, pock and pock again, and laugh. I wonder how they can laugh or don't they even know they're doomed? I feel sorry for them and I say, Billy, what's the use of playing croquet when you're doomed?&#xA;He says, Frankie, what's the use of not playing croquet when you're doomed?&#xA;Grandma says to Mam, Your brother Pat, bad leg an' all, was selling papers all over Limerick by the time he was eight and that Frank of yours is big and ugly enough to work.&#xA;But he's only nine and still in school.&#xA;School. 'Tis school that has him the way he is talkin' back an' goin' around with the sour puss an' the odd manner like his father. He could get out an' help poor Pat of a Friday night when the Limerick Leader is a ton weight. He could run up the long garden paths of the quality an' save Pat's poor legs an' earn a few pennies into the bargain.&#xA;He has to go to the Confraternity on Friday nights.&#xA;Never mind the Confraternity. There's nothin' in the catechism about confraternities.&#xA;I meet Uncle Pat at the Limerick Leader on Friday evening at five. The man handing out the papers says my arms are that skinny I'd be lucky to carry two stamps but Uncle Pat sticks eight papers under each arm. He tells me, I'll kill you if you drop 'em for 'tis raining abroad, pelting out of the heavens. He tells me hug the walls going up O'Connell Street to keep the papers dry. I'm to run in where there's a delivery, climb the outside steps, in the door, up the stairs, yell Paper, get the money they owe him for the week, down the stairs, give him the money and on to the next stop. Customers give him tips for his troubles and he keeps them for himself.&#xA;We make our way up O'Connell Avenue, out Ballinacurra, in by the South Circular Road, down Henry Street and back to the office for more papers. Uncle Pat wears a cap and a thing like a cowboy poncho to keep his papers dry but he complains his feet are killing him and we stop in a pub for a pint for his poor feet. Uncle Pa Keating is there all black and having a pint and he says to Uncle Pat, Ab, are you going to let that boy stand there with his face hanging out for the want of a lemonade?&#xA;Uncle Pat says, Wha? and Uncle Pa Keating gets impatient. Christ, he's dragging your feckin' papers all over Limerick and you can't-Oh, never mind. Timmy, give the child a lemonade. Frankie, don't you have a raincoat at home?&#xA;No, Uncle Pa.&#xA;You're not supposed to be out in this weather. You're drenched entirely. Who sent you out in this muck?&#xA;Grandma said I had to help Uncle Pat because of his bad leg. Course she did, the oul' bitch, but don't tell them I said that. Uncle Pat is struggling off the seat and gathering up his papers.&#xA;Come on, 'tis gettin' dark.&#xA;He hobbles along the streets calling, Anna Lie Sweets Lie, which&#xA;doesn't sound a bit like Limerick Leader and it doesn't matter because everyone knows this is Ab Sheehan that was dropped on his head. Here, Ab, give us a Leader, how's your poor leg, keep the change an' get yourself a fag for 'tis an awful feckin' night to be out sellin' the feckin' papers.&#xA;Tanks, says Ab, my uncle. Tanks, tanks, tanks, and it's hard to keep up with him on the streets bad as his leg is. He says, How many Leaders have you under your oxter?&#xA;One, Uncle Pat.&#xA;Take that Leader in to Mr. Timoney. He owes me for a fortnight now. Get that money an' there's a tip. He's a good man for the tip an' don't be shovin' it in your pocket like your cousin Gerry. Shoved it in his pocket, the little bugger.&#xA;I bang on the door with the knocker and there's a great howl from a dog so big he makes the door shake. A man's voice says, Macushla, quit the bloody racket or I'll give you a good fong in the arse for yourself. The racket stops, the door opens and the man is there, white hair, thick glasses, white sweater, a stick in his hand. He says, Who is it? Who do we have?&#xA;The paper, Mr. Timoney.&#xA;We don't have Ab Sheehan here, do we?&#xA;I'm his nephew, sir.&#xA;Is it Gerry Sheehan we have here?&#xA;No, sir. I'm Frank McCourt.&#xA;Another nephew? Does he make them? Is there a little nephew factory&#xA;in the backyard? Here's the money for the fortnight and give me the paper&#xA;or keep it. What's the use? I can't read anymore and Mrs. Minihan that's supposed to read to me didn't come. Legless with the sherry, that's what she is. What's your name?&#xA;Frank, sir.&#xA;Can you read?&#xA;I can, sir.&#xA;Do you want to earn a sixpence?&#xA;I do, sir.&#xA;Come here tomorrow. Your name is Francis, isn't it? Frank, sir.&#xA;Your name is Francis. There was never a St. Frank. That's a name for gangsters and politicians. Come here tomorrow at eleven and read to me.&#xA;I will, sir.&#xA;Are you sure you can read?&#xA;I am, sir.&#xA;You can call me Mr. Timoney.&#xA;I will, Mr. Timoney.&#xA;Uncle Pat is mumbling at the gate, rubbing his leg. Where's me&#xA;money an' you're not supposed to be chattin' with the customers an' me here with the leg destroyed be the rain. He has to stop at the pub at Punch's Cross to have a pint for the destroyed leg. After the pint he says he can't walk another inch and we get on a bus. The conductor says, Fares, please, fares, but Uncle Pat says, Go 'way an' don't be botherin' me, can't you see the state o' me leg?&#xA;Oh, all right, Ab, all right.&#xA;The bus stops at the O'Connell Monument and Uncle Pat goes to the Monument Fish and Chip Café where the smells are so delicious my stomach beats with the hunger. He gets a shilling's worth of fish and chips and my mouth is watering but when we get to Grandma's door he gives me a threepenny bit, tells me meet him again next Friday and go home now to my mother.&#xA;The dog Macushla is lying outside Mr. Timoney's door and when I open the little garden gate to go up the path she rushes at me and knocks me back out on the pavement and she'd eat my face if Mr. Timoney didn't come out and flail at her with his stick and yell, Come in out of it, ye hoor, ye overgrown man eatin' bitch. Didn't you have your breakfast, you hoor? Are you all right, Francis? Come in. That dog is a right Hindu, so she is, and that's where I found her mother wandering around Bangalore. If ever you're getting a dog, Francis, make sure it's a Buddhist. Good natured dogs, the Buddhists. Never, never get a Mahommedan. They'll eat you sleeping. Never a Catholic dog. They'll eat you every day including Fridays. Sit down and read to me.&#xA;The Limerick Leader, Mr. Timoney?&#xA;No, not the bloody Limerick Leader. I wouldn't wipe the hole of my arse with the Limerick Leader. There's a book over there on the table, Gulliver's Travels. That's not what I want you to read. Look in the back for another thing, A Modest Proposal. Read that to me. It begins, It is a melancholy object to those who walk... Do you have that? I have the whole bloody thing in my head but I still want you to read to me.&#xA;He stops me after two or three pages. You're a good reader. And what do you think of that, Francis, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled, eh? Macushla would love a dinner of a nice plump Irish infant, wouldn't you, you oul' hoor?&#xA;He gives me sixpence, and tells me return next Saturday.&#xA;Mam is delighted I earned sixpence for reading to Mr. Timoney and what was it he wanted read, the Limerick Leader? I tell her I had to read A Modest Proposal from the back of Gulliver's Travels and she says, That's all right, 'tis only a children's book. You'd expect him to want something strange for he's a little off in the head after years in the sun in the English army in India and they say he was married to one of them Indian women and she was accidentally shot by a soldier during some class of a disturbance. That's the kind of thing that would drive you to children's books. She knows this Mrs. Minihan who lives next door to Mr. Timoney and used to clean house but couldn't stand it anymore the way he laughed at the Catholic Church and said one man's sin was another man's romp. Mrs. Minihan didn't mind the odd drop of sherry of a Saturday morning but then he tried to turn her into a Buddhist, which he said he was himself and the Irish would be much better off in general if they sat under a tree and watched the Ten Commandments and the Seven Deadly Sins float down the Shannon and far out to sea.&#xA;The next Friday Declan Collopy from the Confraternity sees me on the street delivering the papers with my uncle Pat Sheehan. Hoi, Frankie McCourt, what are you doin' with Ab Sheehan?&#xA;He's my uncle.&#xA;You're supposed to be at the Confraternity.&#xA;I'm working, Declan.&#xA;You're not supposed to be working. You're not even ten and you're&#xA;destroyin' the perfect attendance in our section. If you're not there next Friday I'll give you a good thump in the gob, do you hear me?&#xA;Uncle Pat says, Go 'way, go 'way, or I'll walk on you.&#xA;Ah, shut up, Mr. Stupid that was dropped on your head. He pushes Uncle Pat on the shoulder and knocks him back against the wall. I drop the papers and run at him but he steps aside and punches me on the back of the neck and my forehead is rammed into the wall and it puts me in such a rage I can't see him anymore. I go at him with arms and legs and if I could tear his face off with my teeth I would but he has long arms like a gorilla and he just keeps pushing me away so that I can't touch him. He says, You mad feckin' eejit. I'll destroy you in the Confraternity, and he runs away.&#xA;Uncle Pat says, You shouldn't be fightin' like that an' you dropped all me papers an' some o' them is wet an' how am I supposed to sell wet papers, and I wanted to jump on him too and hit him for talking about papers after I stood up to Declan Collopy.&#xA;At the end of the night he gives me three chips from his bag and sixpence instead of threepence. He complains it's too much money and it's all my mother's fault for going on to Grandma about the low pay.&#xA;Mam is delighted I'm getting sixpence on Fridays from Uncle Pat and sixpence on Saturdays from Mr. Timoney. A shilling a week makes a big difference and she gives me tuppence to see the Dead End Kids at the Lyric after I'm finished the reading.&#xA;Next morning Mr. Timoney says, Wait till we get to Gulliver, Francis. You'll know Jonathan Swift is the greatest Irish writer that ever lived, no, the greatest man to put pen to parchment. A giant of a man, Francis. He laughs all through A Modest Proposal and you'd wonder what he's laughing at when it's all about cooking Irish babies. He says, You'll laugh when you grow up, Francis.&#xA;You're not supposed to talk back to grown-ups but Mr. Timoney is different and he doesn't mind when I say, Mr. Timoney, big people are&#xA;always telling us that. Oh, you'll laugh when you grow up. You'll understand when you grow up. Everything will come when you grow up.&#xA;He lets out such a roar of a laugh I think he's going to collapse. Oh, Mother o' God, Francis. You're a treasure. What's up with you? Do you have a bee up your arse? Tell me what's up.&#xA;Nothing, Mr. Timoney.&#xA;I think you have the long puss, Francis, and I wish I could Go over to the mirror on the wall, Snow White, and tell me if you the long puss. Never mind. Just tell me what's up.&#xA;Declan Collopy was at me last night and I got into a fight.&#xA;He makes me tell him about the Confraternity and Declan and&#xA;uncle Pat Sheehan, who was dropped on his head, and then he tells&#xA;knows my uncle Pa Keating, who was gassed in the war and works in&#xA;works. He says, Pa Keating is a jewel of a man. And I'll tell you&#xA;I'll do, Francis. I'll talk to Pa Keating and we'll go to the crawthumpers at the Confraternity. I'm a Buddhist myself and I don't hold with fighting but I haven't lost it. They're not going to interfere with my little reader, oh, by Jesus, no.&#xA;Mr. Timoney is an old man but he talks like a friend and I can say what I feel. Dad would never talk to me like Mr. Timoney. He'd say, Och, aye, and go for a long walk.&#xA;Uncle Pat Sheehan tells Grandma he doesn't want me to help with the papers anymore, he can get another boy much cheaper and he thinks I should be giving him some of my Saturday morning sixpence anyway since I'd never have the reading job without him.&#xA;A woman next door to Mr. Timoney tells me I'm wasting my time knocking on the door, Macushla bit the postman, the milkman and a passing nun on the same day and Mr. Timoney couldn't stop laughing though he cried when the dog was taken away to be put down. You can bite postmen and milkmen all you like but the case of the passing nun goes all the way to the bishop and he takes steps especially if the owner of the dog is a known Buddhist and a danger to good Catholics around him. Mr. Timoney was told this and cried and laughed so hard the doctor came and said he was gone beyond recall so they carted him off to the City Home, where they keep old people who are helpless or demented.&#xA;That's the end of my Saturday sixpence but I'll read to Mr. Timoney money or no money. I wait down the street till the woman next door goes in, I climb in Mr. Timoney's window for Gulliver'sTravels and walk miles to the City Home so that he won't miss his reading. The man at the gate says, What? You want to come in an' read to an oul' man? Is it coddin' me you are? Get outa here before I call the guards.&#xA;Could I leave the book for someone else to read to Mr. Timoney? Leave it. Leave it for Jaysus sake an' don't be botherin' me. I'll send it up to him.&#xA;And he laughs.&#xA;Mam says, What's up with you? Why are you moping? And I tell her how Uncle Pat doesn't want me anymore and how they put Mr. Timoney in the City Home for laughing just because Macushla bit the postman, the milkman and a passing nun. She laughs too and I'm sure the world is gone mad. Then she says, Ah, I'm sorry and it's a pity you lost two jobs. You might as well start going to the Confraternity again to keep The Posse away and, worse, the director, Father Gorey.&#xA;Declan tells me sit in front of him and if there's any blaguarding he'll break my feckin' neck for he'll be watching me as long as he's&#xA;see it. have&#xA;my&#xA;me he&#xA;the gas&#xA;what&#xA;prefect and no little shit like me is going to keep him from a life in linoleum.&#xA;Mam says she has trouble climbing the stairs and she's moving her bed to the kitchen. She laughs, I'll come back up to Sorrento when the walls are damp and the rain runs under the door. School is over and she can stay in bed in the kitchen as long as she likes because she doesn't have to get up for us. Dad lights the fire, makes the tea, cuts the bread, makes sure we wash our faces and tells us go out and play. He lets us stay in bed if we like but you never want to stay in bed when there's no school. We're ready to run out and play in the lane the minute we wake.&#xA;Then one day in July he says we can't go downstairs. We have to stay up here and play.&#xA;Why, Dad?&#xA;Never mind. Play here with Malachy and Michael and you can go down later when I tell you.&#xA;He stands at the door in case we might get a notion to wander down the stairs. We push our blanket up in the air with our feet and pretend we're in a tent, Robin Hood and his Merry Men. We hunt fleas and squash them between our thumbnails.&#xA;Then there's a baby's cry and Malachy says, Dad, did Mam get a new&#xA;baby?&#xA;Och, aye, son.&#xA;I'm older so I tell Malachy the bed is in the kitchen so that the angel can fly down and leave the baby on the seventh step but Malachy doesn't understand because he's only eight going on nine and I'll be ten next month.&#xA;Mam is in the bed with the new baby. He has a big fat face and he's red all over. There's a woman in the kitchen in a nurse's uniform and we know she's there to wash new babies who are always dirty from the long journey with the angel. We want to tickle the baby but she says, No, no, ye can look at him but don't lay a finger.&#xA;Don't lay a finger. That's the way nurses talk.&#xA;We sit at the table with our tea and bread looking at our new brother but he won't even open his eyes to look back at us so we go out and play.&#xA;In a few days Mam is out of the bed holding the baby on her lap by the fire. His eyes are open and when we tickle him he makes a gurgling sound, his belly shakes and that makes us laugh. Dad tickles him and sings a Scottish song, Oh, oh, stop your ticklin', Jock, Stop your ticklin', Jock.&#xA;Stop your ticklin',&#xA;Ickle ickle icklin&#xA;Stop your ticklin', Jock.&#xA;Dad has a job so Bridey Hannon is able to visit Mam and the baby any time she likes and for once Mam doesn't tell us go out and play so they can talk about secret things. They sit by the fire smoking and talking about names. Mam says she likes the names Kevin and Sean but Bridey says, Ah, no, there's too many of them in Limerick. Jesus, Angela, if you stuck your head out the door and called, Kevin or Sean, come in for your tea, you'd have half o' Limerick running to your door.&#xA;Bridey says if she had a son which please God she will some day she'll call him Ronald because she's mad about Ronald Colman that you see in the Coliseum Cinema. Or Errol, now that's another lovely name, Errol Flynn.&#xA;Mam says, Will you go way outa that, Bridey. I'd never be able to stick my head out the door and say, Errol, Errol, come in for your tea. Sure the poor child would be a laughingstock.&#xA;Ronald, says Bridey, Ronald. He's gorgeous.&#xA;No, says Mam, it has to be Irish. Isn't that what we fought for all these years? What's the use of fighting the English for centuries if we're going to call our children Ronald?&#xA;Jesus, Angela, you're starting to talk like himself with his Irish this and his English that.&#xA;Still an' all, Bridey, he's right.&#xA;Suddenly Bridey is gasping, Jesus, Angela, there's something wrong with that child. Mam is out of the chair, hugging the child, moaning. Oh, Jesus, Bridey, he's choking.&#xA;Bridey says, I'll run for my mother, and she's back in a minute with Mrs. Hannon. Castor oil, says Mrs. Hannon. Do you have it? Any oil. Cod liver oil? That'll do.&#xA;She pours the oil into the baby's mouth, turns him over, presses on his back, turns him back over, sticks a spoon down his throat and brings up a white ball. That's it now, she says. The milk. It collects and gets hard in their little throats so you have to ease it with any class of an oil.&#xA;Mam is crying, Jesus, I nearly lost him. Oh, I'd die so I would.&#xA;She's clutching the baby and crying and trying to thank Mrs. Hannon.&#xA;Yerra, don't mention it, missus. Take the child and get back into that bed for the two o' ye had a great shock.&#xA;While Bridey and Mrs. Hannon are helping Mam to the bed I notice spots of blood on her chair. Is my mother bleeding to death? Is it all right to say, Look, there's blood on Mam's chair? No, you can't say anything because they always have secrets. I know if you say anything the grown-up people will tell you, Never mind, you're always gawking, none of your business, go out and play.&#xA;I have to keep it inside or I can talk to the angel. Mrs. Hannon and Bridey leave and I sit on the seventh step. I try to tell the angel Mam is bleeding to death. I want him to tell me, Fear not, but the step is cold and there's no light, no voice. I'm sure he's gone forever and I wonder if that happens when you go from nine to ten.&#xA;Mam doesn't bleed to death. She's out of the bed next day getting the baby ready for baptism, telling Bridey she could never forgive herself if the baby died and went to Limbo, a place for unbaptized babies, where it may be nice and warm but, still, dark forever and no hope of escape even on the Judgment Day.&#xA;Grandma is there to help and she says, That's right, no hope in heaven for the infant that's not baptized.&#xA;Bridey says it would be a hard God that would do the likes of that.&#xA;He has to be hard, says Grandma, otherwise you'd have all kinds of babies clamorin' to get into heaven, Protestants an' everything, an' why should they get in after what they did to us for eight hundred years?&#xA;The babies didn't do it, says Bridey. They're too small.&#xA;They would if they got the chance, says Grandma. They're trained for it.&#xA;They dress the baby in the Limerick lace dress we were all baptized in. Mam says we can all go to St. Joseph's and we're excited because there will be lemonade and buns after.&#xA;Malachy says, Mam, what's the baby's name?&#xA;Alphonsus Joseph.&#xA;The words fly out of my mouth, That's a stupid name. It's not even&#xA;Irish.&#xA;Grandma glares at me with her old red eyes. She says, That fella&#xA;needs a good clitther on the gob. Mam slaps me across the face and sends me flying across the kitchen. My heart is pounding and I want to cry but I can't because my father isn't there and I'm the man of the family. Mam says, You go upstairs with your big mouth and don't move from that room.&#xA;I stop at the seventh step but it's still cold, no light, no voice.&#xA;The house is quiet with everyone gone to the chapel. I sit and wait upstairs, knocking the fleas off my arms and legs, wishing I had Dad here, thinking of my little brother and his foreign name, Alphonsus, an affliction of a name.&#xA;In awhile there are voices downstairs and there is talk of tea, sherry, lemonade, buns, and isn't that child the loveliest little fella in the world, little Alphie, foreign name but still an' all still an' all not a sound outa him the whole time he's that good-natured God bless him sure he'll live forever with the sweetness that's in him the little dote spittin' image of his mother his father his grandma his little brothers dead an' gone.&#xA;Mam calls from the bottom of the stairs, Frank, come down and have lemonade and a bun.&#xA;I don't want it. You can keep it.&#xA;I said come down this minute for if I have to climb these stairs I'll warm your behind and you'll rue the day.&#xA;Rue? What's rue?&#xA;Never mind what's rue. Come down here at once.&#xA;Her voice is sharp and rue sounds dangerous. I'll go down.&#xA;In the kitchen Grandma says, Look at the long puss on him. You'd&#xA;think he'd be happy for his little brother except that a boy that's going from nine to ten is always a right pain in the arse an' I know for didn't I have two of 'em.&#xA;The lemonade and bun are delicious and Alphie the new baby is chirping away enjoying his baptism day too innocent to know his name is an affliction.&#xA;Grandpa in the North sends a telegram money order for five pounds for the baby Alphie. Mam wants to cash it but she can't go far from the bed. Dad says he'll cash it at the post office. She tells Malachy and me to go with him. He cashes it and tells us, All right, boys, go home and tell your mother I'll be home in a few minutes.&#xA;Malachy says, Dad, you're not to go to the pub. Mam said you're to bring home the money. You're not to drink the pint.&#xA;Now, now, son. Go home to your mother. Dad, give us the money. That money is for the baby.&#xA;Now, Francis, don't be a bad boy. Do what your father tells you.&#xA;He walks away from us and into South's pub. Mam is sitting by the fireplace with Alphie in her arms. She shakes her head. He went to the pub, didn't he? He did. I want ye to go back down to that pub and read&#xA;him out of it. I want ye to stand in the middle of the pub and tell every man your father is drinking the money for the baby. Ye are to tell the world there isn't a scrap of food in this house, not a lump of coal to start the fire, not a drop of milk for the baby's bottle.&#xA;We walk through the streets and Malachy practices his speech at the top of his voice, Dad, Dad, that five pounds is for the new baby. That's not for the drink. The child is above in the bed bawling and roaring for his milk and you're drinking the pint.&#xA;He's gone from South's pub. Malachy still wants to stand and make his speech but I tell him we have to hurry and look in other pubs before Dad drinks the whole five pounds. We can't find him in other pubs either. He knows Mam would come for him or send us and there are so many pubs at this end of Limerick and beyond we could be looking for a month. We have to tell Mam there's no sign of him and she tells us we're pure useless. Oh, Jesus, I wish I had my strength and I'd search every pub in Limerick. I'd tear the mouth out of his head, so I would. Go on, go back down and try all the pubs around the railway station and try Naughton's fish and chip shop.&#xA;I have to go by myself because Malachy has the runs and can't stray far from the bucket. I search all the pubs on Parnell Street and around. I look into the snugs where the women drink and in all the men's lavatories. I'm hungry but I'm afraid to go home till I find my father. He's not in Naughton's fish and chip shop but there's a drunken man asleep at a table in the corner and his fish and chips are on the floor in their Limerick Leader wrapping and if I don't get them the cat will so I shove them under my jersey and I'm out the door and up the street to sit on the steps at the railway station eat my fish and chips watch the drunken soldiers pass by with the girls that giggle thank the drunken man in my mind for drowning the fish and chips in vinegar and smothering them in salt and then remember that if I die tonight I'm in a state of sin for stealing and I could go straight to hell stuffed with fish and chips but it's Saturday and if the priests are still in the confession boxes I can clear my soul after my feed.&#xA;The Dominican church is just up Glentworth Street.&#xA;Bless me, Father, for I have sinned, it's a fortnight since my last confession. I tell him the usual sins and then, I stole fish and chips from a drunken man.&#xA;Why, my child?&#xA;I was hungry, Father.&#xA;And why were you hungry?&#xA;There was nothing in my belly, Father.&#xA;He says nothing and even though it's dark I know he's shaking his&#xA;head. My dear child, why can't you go home and ask your mother for something? Because she sent me out looking for my father in the pubs, Father, and I couldn't find him and she hasn't a scrap in the house because he's drinking the five pounds Grandpa sent from the North for the new baby and she's raging by the fire because I can't find my father.&#xA;I wonder if this priest is asleep because he's very quiet till he says, My child, I sit here. I hear the sins of the poor. I assign the penance. I bestow absolution. I should be on my knees washing their feet. Do you understand me, my child?&#xA;I tell him I do but I don't.&#xA;Go home, child. Pray for me.&#xA;No penance, Father?&#xA;No, my child.&#xA;I stole the fish and chips. I'm doomed.&#xA;You're forgiven. Go. Pray for me. He blesses me in Latin, talks to&#xA;himself in English and I wonder what I did to him. I wish I could find my father so I could say to Mam, Here he is and he has three pounds left in his pocket. I'm not hungry now so I can go up one side of O'Connell Street and down the other and search pubs on the side streets and there he is in Gleeson's, how could I miss him with his singing, 'Tis alone my concern if the grandest surprise Would be shining at me out of somebody's eyes.&#xA;'Tis my private affair what my feelings would be While the Green Glens of Antrim were welcoming me.&#xA;My heart is banging away in my chest and I don't know what to do because I know I'm raging inside like my mother by the fire and all I can think of doing is running in and giving him a good kick in the leg and running out again but I don't because we have the mornings by the fire when he tells me about Cuchulain and De Valera and Roosevelt and if he's there drunk and buying pints with the baby's money he has that look in his eyes Eugene had when he searched for Oliver and I might as well go home and tell my mother a lie that I never saw him couldn't find him.&#xA;She's in the bed with the baby. Malachy and Michael are up in Italy asleep. I know I don't have to tell Mam anything, that soon when the pubs close he'll be home singing and offering us a penny to die for Ireland and it will be different now because it's bad enough to drink the dole or the wages but a man that drinks the money for a new baby is gone beyond the beyonds as my mother would say.&#xA;VIII&#xA;I'm ten years old and ready to go to St. Joseph's Church for my Confirmation. In school the master, Mr. O'Dea, prepares us. We have to know all about Sanctifying Grace, a pearl of great price, bought for us by Jesus in His dying. Mr. O'Dea's eyes roll in his head when he tells us that with Confirmation we will become part of Divinity. We will have the Gifts of the Holy Ghost: Wisdom, Understanding, Counsel, Fortitude, Knowledge, Piety, the Fear of the Lord. Priests and masters tell us Confirmation means you're a true soldier of the Church and that entitles you to die and be a martyr in case we're invaded by Protestants or Mahommedans or any other class of a heathen. More dying. I want to tell them I won't be able to die for the Faith because I'm already booked to die for Ireland.&#xA;Mikey Molloy says, Is it jokin' you are? That thing about dying for the Faith is all a cod. 'Tis only a saying they made up to frighten you. Ireland too. No one dies for anything anymore. All the dying is done. I wouldn't die for Ireland or the Faith. I might die for my mother but that's all.&#xA;Mikey knows everything. He's going on fourteen. He gets the fits. He has visions.&#xA;The grown-ups tell us it's a glorious thing to die for the Faith, only we're not ready for that yet because Confirmation day is like First Communion day, you make the rounds of lanes and back streets and you get cakes and sweets and money, The Collection.&#xA;That's where poor Peter Dooley comes in. We call him Quasimodo because he has a hump on his back like the one on the hunchback of Notre Dame, whose real name we know is Charles Laughton.&#xA;Quasimodo has nine sisters and it is said his mother never wanted him but that was what the angel brought her and it's a sin to question what's sent. Quasimodo is old, he's fifteen. His red hair sticks up in all directions. He has green eyes and one rolls around in his head so much he's constantly tapping his temple to keep it where it's supposed to be. His right leg is short and twisted and when he walks he does a little twirly dance and you never know when he'll fall. That's when you're surprised. He curses his leg, he curses the world, but he curses in a lovely English accent which he got from the radio, the BBC. Before he leaves his house he always sticks his head out the door and tells the lane, Here's me head, me arse is coming. When he was twelve Quasimodo decided that with the way he looked and the way the world looked at him the best thing would be to prepare for a job where he could be heard and not seen and what better than sitting behind a microphone at the BBC in London reading the news?&#xA;But you can't get to London without money and that's why he hobbles up to us that Friday, the day before Confirmation. He has an idea for Billy and me. He knows the next day we'll be getting Confirmation money and if we promise to pay him a shilling each he'll let us climb up the rainspout behind his house this very night to look in the window and see his sisters' naked bodies when they take their weekly wash. I sign right away. Billy says, I have my own sister. Why should I pay to see your naked sisters?&#xA;Quasimodo says that looking at your own sister's naked body is the worst sin of all and he's not sure if there's a priest in the world can forgive you, that you might have to go to the bishop, who everyone knows is a holy terror.&#xA;Billy signs.&#xA;Friday night we climb the wall of Quasimodo's backyard. It's a lovely night with the June moon floating high over Limerick and you can feel a warm breeze off the Shannon River. Quasimodo is about to let Billy up the spout and who comes clambering over the wall but Mikey Molloy the Fit himself hissing at Quasimodo, Here's a shilling, Quasimodo. Let me up the spout. Mikey is fourteen now, bigger than any of us and strong from his job delivering coal. He's black from the coal like Uncle Pa Keating and all you can see are the whites of his eyes and the white froth on his lower lip, which means he could have the fit anytime.&#xA;Quasimodo says, Wait, Mikey. They're first. Wait, my arse, says Mikey, and he's away up the spout. Billy complains but Quasimodo shakes his head, I can't help it. He comes every week with the shilling. I have to let him up the spout or he'll beat me up and tell my mother and the next thing she locks me in the coal hole all day with the rats. The Fit is up hanging on to the spout with one hand. The other hand is in his pocket moving, moving and when the spout itself starts to move and creak Quasimodo hisses, Molloy, there's to be no whankin' up the spout. He hops around the yard cackling. His BBC accent is gone and he's pure Limerick. Jaysus, Molloy, come down off that spout or I'll tell me mother. Mikey's hand goes faster in his pocket, so fast the spout gives a lurch and collapses and Mikey is rolling on the ground yelping, I'm dead. I'm destroyed. Oh, God. You can see the froth on his lips and the blood that comes from biting his tongue.&#xA;Quasimodo's mother comes screaming through the door, What in the name of Jesus! and the kitchen light fills the yard. The sisters are squawking from the window above. Billy tries to escape and she drags him off the wall. She tells him run to O'Connor the chemist around the corner to ring up an ambulance or a doctor or something for Mikey. She screams at us to get into the kitchen. She kicks Quasimodo into the hall. He's on his hands and knees and she drags him to the coal hole under the stairs and locks him in. Stay there till you come to your senses.&#xA;He's crying and calling to her in a pure Limerick accent. Ah, Mamma, Mamma, let me out. The rats is here. I only want to go to the BBC, Mamma. Aw, Jasus, Mamma, Jasus. I'll never let anyone up the spout again. I'll send money from London, Mamma. Mamma!&#xA;Mikey is still on his back, jerking and twisting around the yard. The ambulance takes him off to the hospital with a broken shoulder and his tongue in ribbons.&#xA;Our mothers are there in no time. Mrs. Dooley says, I'm disgraced, so I am, disgraced. My daughters can't wash theirselves of a Friday night without the whole world gawking in the window and them boys there are in a state of sin and should be taken to the priest for confession before their Confirmation tomorrow.&#xA;But Mam says, I don't know about the rest of the world but I saved a whole year for Frank's Confirmation suit and I'm not going to the priest to have him tell me my son is not fit for Confirmation so that I'll have to wait another year when he grows out of this suit and all because he climbed a spout for an innocent gawk at the scrawny arse of Mona Dooley.&#xA;She drags me home by the ear and makes me kneel before the Pope. Swear, she says, swear to that Pope that you didn't look at Mona Dooley in her pelt.&#xA;I swear.&#xA;If you're lying you won't be in a state of grace for Confirmation tomorrow and that's the worst kind of sacrilege.&#xA;I swear.&#xA;Only the bishop himself could forgive a sacrilege like that.&#xA;I swear.&#xA;All right. Go to bed and from this day out stay far away from that&#xA;misfortunate Quasimodo Dooley.&#xA;We are all confirmed the next day. The bishop asks me a catechism&#xA;question, What is the Fourth Commandment? and I tell him, Honor thy father and thy mother. He pats my cheek and that makes me a soldier of the True Church. I kneel in the pew and think of Quasimodo locked in the coal hole under the stairs and I wonder, Should I give him the shilling anyway for his career at the BBC?&#xA;But I forget all about Quasimodo because my nose starts bleeding and I feel dizzy. Confirmation boys and girls are outside St. Joseph's with their parents and there is hugging and kissing in the bright sun and I don't care. My father is working and I don't care. My mother kisses me and I don't care. The boys talk about The Collection and I don't care. My nose won't stop and Mam is worried I'll ruin my suit. She runs into the church to see if Stephen Carey, the sacristan, would spare her a rag and he gives her some kind of canvas cloth that makes my nose sore. She says, Do you want to make your collection? and I tell her I don't care. Malachy says, Do, do, Frankie, and he's sad because I promised I'd take him to the Lyric Cinema to see the film and stuff ourselves with sweets. I want&#xA;to lie down. I could lie down there on the steps of St. Joseph's and sleep forever. Mam says, Grandma is making a nice breakfast, and the mention of food makes me so sick I run to the edge of the pavement to throw up and the whole world is looking at me and I don't care. Mam says she'd better take me home and put me to bed and my pals look surprised that anyone can go to bed when there's a collection to be made.&#xA;She helps me take off my Confirmation suit and puts me to bed. She wets a rag and places it under my neck and after awhile the bleeding stops. She brings tea but the look of it makes me sick and I have to throw up in the bucket. Mrs. Hannon comes in from next door and I can hear her say that's a very sick child and he should have a doctor. Mam says it's Saturday, the Dispensary is closed and where would you get a doctor?&#xA;Dad comes home from his job at Rank's Flour Mills and tells Mam I'm going through a stage, growing pains. Grandma comes up and says the same thing. She says when boys go from the one number year, which is nine, to the two number year, which is ten, they're changing and prone to the nosebleed. She says I might have too much blood in me anyway and a good cleaning out wouldn't do me one bit of harm.&#xA;The day passes and I'm in and out of sleep. Malachy and Michael come into the bed at night and I can hear Malachy say, Frankie is very hot. Michael says, He's bleeding on my leg. Mam puts the wet rag on my nose and a key on my neck but it won't stop the bleeding. On Sunday morning there's blood on my chest and all around me. Mam tells Dad I'm bleeding through my bottom and he says I might have a case of the runs, which is common with the growing pains.&#xA;Dr. Troy is our doctor but he's away on holiday and the man that comes to see me on Monday has a smell of whiskey on him. He examines me and tells my mother I have a bad cold and keep me in bed. Days pass and I sleep and bleed. Mam makes tea and beef tea and I don't want it. She even brings ice cream and the look of it makes me sick. Mrs. Hannon comes in again and says that doctor doesn't know what he's talking about, see if Dr. Troy is back.&#xA;Mam comes with Dr. Troy. He feels my forehead, rolls up my eyelids, turns me over to see my back, picks me up and runs to his motor car. Mam runs after him and he tells her I have typhoid fever. Mam cries, Oh, God, oh, God, am I to lose the whole family? Will it ever end? She gets into the car, holds me in her lap and moans all the way to the Fever Hospital at the City Home.&#xA;The bed has cool white sheets. The nurses have clean white uniforms and the nun, Sister Rita, is all in white. Dr. Humphrey and Dr. Campbell have white coats and things hanging from their necks which they stick against my chest and all over. I sleep and sleep but I'm awake when they bring in jars of bright red stuff that hang from tall poles above my bed and they stick tubes into my ankles and the back of my right hand. Sister Rita says, You're getting blood, Francis. Soldier's blood from the Sarsfield Barracks.&#xA;Mam is sitting by the bed and the nurse is saying, You know, missus, this is very unusual. No one is ever allowed into the Fever Hospital for fear they'd catch something but they made an exception for you with his crisis coming. If he gets over this he'll surely recover.&#xA;I fall asleep. Mam is gone when I wake but there's movement in the room and it's the priest, Father Gorey, from the Confraternity saying Mass at a table in the corner. I drift off again and now they're waking&#xA;me and pulling down the bedclothes. Father Gorey is touching me with oil and praying in Latin. I know it's Extreme Unction and that means I'm going to die and I don't care. They wake me again to receive Communion. I don't want it, I'm afraid I might get sick. I keep the wafer on my tongue and fall asleep and when I wake up again it's gone.&#xA;It's dark and Dr. Campbell is sitting by my bed. He's holding my wrist and looking at his watch. He has red hair and glasses and he always smiles when he talks to me. He sits now and hums and looks out the window. His eyes close and he snores a little. He tilts over on the chair and farts and smiles to himself and I know now I'm going to get better because a doctor would never fart in the presence of a dying boy.&#xA;Sister Rita's white habit is bright in the sun that comes in the window. She's holding my wrist, looking at her watch, smiling. Oh, she says, we're awake, are we? Well, Francis, I think we've come through the worst. Our prayers are answered and all the prayers of those hundreds of little boys at the Confraternity. Can you imagine that? Hundreds of boys saying the rosary for you and offering up their communion.&#xA;My ankles and the back of my hand are throbbing from the tubes bringing in the blood and I don't care about boys praying for me. I can hear the swish of Sister Rita's habit and the click of her rosary beads when she leaves the room. I fall asleep and when I wake it's dark and Dad is sitting by the bed with his hand on mine.&#xA;Son, are you awake?&#xA;I try to talk but I'm dry, nothing will come out and I point to my mouth. He holds a glass of water to my lips and it's sweet and cool. He presses my hand and says I'm a great old soldier and why wouldn't I? Don't I have the soldier's blood in me?&#xA;The tubes are not in me anymore and the glass jars are gone.&#xA;Sister Rita comes in and tells Dad he has to go. I don't want him to go because he looks sad. He's like Paddy Clohessy the day I gave him the raisin. When he looks sad it's the worst thing in the world and I start crying. Now what's this? says Sister Rita. Crying with all that soldier blood in you? There's a big surprise for you tomorrow, Francis. You'll never guess. Well, I'll tell you, we're bringing you a nice biscuit with your tea in the morning. Isn't that a treat? And your father will be back in a day or two, won't you, Mr. McCourt?&#xA;Dad nods and puts his hand on mine again. He looks at me, steps away, stops, comes back, kisses me on the forehead for the first time in my life and I'm so happy I feel like floating out of the bed.&#xA;The other two beds in my room are empty. The nurse says I'm the only typhoid patient and I'm a miracle for getting over the crisis.&#xA;The room next to me is empty till one morning a girl's voice says, Yoo hoo, who's there?&#xA;I'm not sure if she's talking to me or someone in the room beyond. Yoo hoo, boy with the typhoid, are you awake?&#xA;I am.&#xA;Are you better?&#xA;I am.&#xA;Well, why are you here?&#xA;I don't know. I'm still in the bed. They stick needles in me and&#xA;give me medicine.&#xA;What do you look like?&#xA;I wonder, What kind of a question is that? I don't know what to tell her.&#xA;Yoo hoo, are you there, typhoid boy?&#xA;I am.&#xA;What's your name?&#xA;Frank.&#xA;That's a good name. My name is Patricia Madigan. How old are you? Ten. Oh. She sounds disappointed.&#xA;But I'll be eleven in August, next month.&#xA;Well, that's better than ten. I'll be fourteen in September. Do you&#xA;want to know why I'm in the Fever Hospital? I do.&#xA;I have diphtheria and something else.&#xA;What's something else?&#xA;They don't know. They think I have a disease from foreign parts&#xA;because my father used to be in Africa. I nearly died. Are you going to tell me what you look like?&#xA;I have black hair.&#xA;You and millions.&#xA;I have brown eyes with bits of green that's called hazel.&#xA;You and thousands.&#xA;I have stitches on the back of my right hand and my two feet where&#xA;they put in the soldier's blood.&#xA;Oh, God, did they?&#xA;They did.&#xA;You won't be able to stop marching and saluting.&#xA;There's a swish of habit and click of beads and then Sister Rita's&#xA;voice. Now, now, what's this? There's to be no talking between two rooms especially when it's a boy and a girl. Do you hear me, Patricia?&#xA;I do, Sister.&#xA;Do you hear me, Francis?&#xA;I do, Sister.&#xA;You could be giving thanks for your two remarkable recoveries. You&#xA;could be saying the rosary. You could be reading The Little Messenger of the Sacred Heart that's beside your beds. Don't let me come back and find you talking.&#xA;She comes into my room and wags her finger at me. Especially you, Francis, after thousands of boys prayed for you at the Confraternity. Give thanks, Francis, give thanks.&#xA;She leaves and there's silence for awhile. Then Patricia whispers, Give thanks, Francis, give thanks, and say your rosary, Francis, and I laugh so hard a nurse runs in to see if I'm all right. She's a very stern nurse from the County Kerry and she frightens me. What's this, Francis? Laughing? What is there to laugh about? Are you and that Madigan girl talking? I'll report you to Sister Rita. There's to be no laughing for you could be doing serious damage to your internal apparatus.&#xA;She plods out and Patricia whispers again in a heavy Kerry accent, No laughing, Francis, you could be doin' serious damage to your internal apparatus. Say your rosary, Francis, and pray for your internal apparatus.&#xA;Mam visits me on Thursdays. I'd like to see my father, too, but I'm out of danger, crisis time is over, and I'm allowed only one visitor. Besides, she says, he's back at work at Rank's Flour Mills and please God this job will last a while with the war on and the English desperate for flour. She brings me a chocolate bar and that proves Dad is working. She could never afford it on the dole. He sends me notes. He tells me my&#xA;brothers are all praying for me, that I should be a good boy, obey the doctors, the nuns, the nurses, and don't forget to say my prayers. He's sure St. Jude pulled me through the crisis because he's the patron saint of desperate cases and I was indeed a desperate case.&#xA;Patricia says she has two books by her bed. One is a poetry book and that's the one she loves. The other is a short history of England and do I want it? She gives it to Seamus, the man who mops the floors every day, and he brings it to me. He says, I'm not supposed to be bringing anything from a dipteria room to a typhoid room with all the germs flying around and hiding between the pages and if you ever catch dipteria on top of the typhoid they'll know and I'll lose my good job and be out on the street singing patriotic songs with a tin cup in my hand, which I could easily do because there isn't a song ever written about Ireland's sufferings I don't know and a few songs about the joy of whiskey too.&#xA;Oh, yes, he knows Roddy McCorley. He'll sing it for me right enough but he's barely into the first verse when the Kerry nurse rushes in. What's this, Seamus? Singing? Of all the people in this hospital you should know the rules against singing. I have a good mind to report you to Sister Rita.&#xA;Ah, God, don't do that, nurse.&#xA;Very well, Seamus. I'll let it go this one time. You know the singing could lead to a relapse in these patients.&#xA;When she leaves he whispers he'll teach me a few songs because singing is good for passing the time when you're by yourself in a typhoid room. He says Patricia is a lovely girl the way she often gives him sweets from the parcel her mother sends every fortnight. He stops mopping the floor and calls to Patricia in the next room, I was telling Frankie you're a lovely girl, Patricia, and she says, You're a lovely man, Seamus. He smiles because he's an old man of forty and he never had children but the ones he can talk to here in the Fever Hospital. He says, Here's the book, Frankie. Isn't it a great pity you have to be reading all about England after all they did to us, that there isn't a history of Ireland to be had in this hospital.&#xA;The book tells me all about King Alfred and William the Conqueror and all the kings and queens down to Edward, who had to wait forever for his mother, Victoria, to die before he could be king. The book has the first bit of Shakespeare I ever read.&#xA;I do believe, induced by potent circumstances That thou art mine enemy.&#xA;The history writer says this is what Catherine, who is a wife of Henry the Eighth, says to Cardinal Wolsey, who is trying to have her head cut off. I don't know what it means and I don't care because it's Shakespeare and it's like having jewels in my mouth when I say the words. If I had a whole book of Shakespeare they could keep me in the hospital for a year.&#xA;Patricia says she doesn't know what induced means or potent circumstances and she doesn't care about Shakespeare, she has her poetry book and she reads to me from beyond the wall a poem about an owl and a pussycat that went to sea in a green boat with honey and money and it makes no sense and when I say that Patricia gets huffy and says that's the last poem she'll ever read to me. She says I'm always reciting the lines from Shakespeare and they make no sense either. Seamus stops mopping again and tells us we shouldn't be fighting over poetry because we'll have enough to fight about when we grow up and get married.&#xA;Patricia says she's sorry and I'm sorry too so she reads me part of another poem which I have to remember so I can say it back to her early in the morning or late at night when there are no nuns or nurses about, The wind was a torrent of darkness among the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight over the purple moor, And the highwayman came riding Riding riding The highwayman came riding, up to the old inn door.&#xA;He'd a French cocked hat on his forehead, a bunch of lace at his chin,&#xA;A coat of the claret velvet,&#xA;and breeches of brown doe skin,&#xA;They fitted with never a wrinkle,&#xA;his boots were up to the thigh.&#xA;And he rode with a jewelled twinkle,&#xA;His pistol butts a-twinkle,&#xA;His rapier hilt a-twinkle,&#xA;under the jewelled sky.&#xA;Every day I can't wait for the doctors and nurses to leave me alone so I can learn a new verse from Patricia and find out what's happening to the highwayman and the landlord's red lipped daughter. I love the poem because it's exciting and almost as good as my two lines of Shakespeare. The redcoats are after the highwayman because they know he told her, I'll come to thee by moonlight, though hell should bar the way.&#xA;I'd love to do that myself, come by moonlight for Patricia in the next room not giving a fiddler's fart though hell should bar the way. She's ready to read the last few verses when in comes the nurse from Kerry shouting at her, shouting at me, I told ye there was to be no talking between rooms. Dipthteria is never allowed to talk to typhoid and visa versa. I warned ye. And she calls out, Seamus, take this one. Take the by. Sister Rita said one more word out of him and upstairs with him. We gave ye a warning to stop the blathering but ye wouldn't. Take the by, Seamus, take him.&#xA;Ah, now, nurse, sure isn't he harmless. 'Tis only a bit o' poetry. Take that by, Seamus, take him at once.&#xA;He bends over me and whispers, Ah, God, I'm sorry, Frankie. Here's&#xA;your English history book. He slips the book under my shirt and lifts me from the bed. He whispers that I'm a feather. I try to see Patricia when we pass through her room but all I can make out is a blur of dark head on a pillow.&#xA;Sister Rita stops us in the hall to tell me I'm a great disappointment to her, that she expected me to be a good boy after what God had done for me, after all the prayers said by hundreds of boys at the Confraternity, after all the care from the nuns and nurses of the Fever Hospital, after the way they let my mother and father in to see me, a thing rarely allowed, and this is how I repaid them lying in the bed reciting silly poetry back and forth with Patricia Madigan knowing very well there was a ban on all talk between typhoid and diphtheria. She says I'll have plenty of time to reflect on my sins in the big ward upstairs and I should beg God's forgiveness for my disobedience reciting a pagan English poem about a thief on a horse and a maiden with red lips who commits a terrible sin when I could have been praying or reading the life&#xA;of a saint. She made it her business to read that poem so she did and I'd be well advised to tell the priest in confession.&#xA;The Kerry nurse follows us upstairs gasping and holding on to the banister. She tells me I better not get the notion she'll be running up to this part of the world every time I have a little pain or a twinge.&#xA;There are twenty beds in the ward, all white, all empty. The nurse tells Seamus put me at the far end of the ward against the wall to make sure I don't talk to anyone who might be passing the door, which is very unlikely since there isn't another soul on this whole floor. She tells Seamus this was the fever ward during the Great Famine long ago and only God knows how many died here brought in too late for anything but a wash before they were buried and there are stories of cries and moans in the far reaches of the night. She says 'twould break your heart to think of what the English did to us, that if they didn't put the blight on the potato they didn't do much to take it off. No pity. No feeling at all for the people that died in this very ward, children suffering and dying here while the English feasted on roast beef and guzzled the best of wine in their big houses, little children with their mouths all green from trying to eat the grass in the fields beyond, God bless us and save us and guard us from future famines.&#xA;Seamus says 'twas a terrible thing indeed and he wouldn't want to be walking these halls in the dark with all the little green mouths gaping at him. The nurse takes my temperature, 'Tis up a bit, have a good sleep for yourself now that you're away from the chatter with Patricia Madigan below who will never know a gray hair.&#xA;She shakes her head at Seamus and he gives her a sad shake back.&#xA;Nurses and nuns never think you know what they're talking about. If you're ten going on eleven you're supposed to be simple like my uncle Pat Sheehan who was dropped on his head. You can't ask questions. You can't show you understand what the nurse said about Patricia Madigan, that she's going to die, and you can't show you want to cry over this girl who taught you a lovely poem which the nun says is bad.&#xA;The nurse tells Seamus she has to go and he's to sweep the lint from under my bed and mop up a bit around the ward. Seamus tells me she's a right oul' bitch for running to Sister Rita and complaining about the poem going between the two rooms, that you can't catch a disease from a poem unless it's love ha ha and that's not bloody likely when you're what? ten going on eleven? He never heard the likes of it, a little fella shifted upstairs for saying a poem and he has a good mind to go to the Limerick Leader and tell them print the whole thing except he has this job and he'd lose it if ever Sister Rita found out. Anyway, Frankie, you'll be outa here one of these fine days and you can read all the poetry you want though I don't know about Patricia below, I don't know about Patricia, God help us.&#xA;He knows about Patricia in two days because she got out of the bed to go to the lavatory when she was supposed to use a bedpan and collapsed and died in the lavatory. Seamus is mopping the floor and there are tears on his cheeks and he's saying, 'Tis a dirty rotten thing to die in a lavatory when you're lovely in yourself. She told me she was sorry she had you reciting that poem and getting you shifted from the room, Frankie. She said 'twas all her fault.&#xA;It wasn't, Seamus.&#xA;I know and didn't I tell her that.&#xA;Patricia is gone and I'll never know what happened to the highwayman and Bess, the landlord's daughter. I ask Seamus but he doesn't know any poetry at all especially English poetry. He knew an Irish poem once but it was about fairies and had no sign of a highwayman in it. Still he'll ask the men in his local pub where there's always someone reciting something and he'll bring it back to me. Won't I be busy meanwhile reading my short history of England and finding out all&#xA;their perfidy. That's what Seamus says, perfidy, and I don't know&#xA;means and he doesn't know what it means but if it's something the&#xA;do it must be terrible.&#xA;He comes three times a week to mop the floor and the nurse is there every morning to take my temperature and pulse. The doctor listens to my chest with the thing hanging from his neck. They all say, And how's our little soldier today? A girl with a blue dress brings meals three times a day and never talks to me. Seamus says she's not right in the head so don't say a word to her.&#xA;The July days are long and I fear the dark. There are only two ceiling lights in the ward and they're switched off when the tea tray is taken away and the nurse gives me pills. The nurse tells me go to sleep but I can't because I see people in the nineteen beds in the ward all dying and green around their mouths where they tried to eat grass and moaning for soup Protestant soup any soup and I cover my face with the pillow hoping they won't come and stand around the bed clawing at me and howling for bits of the chocolate bar my mother brought last week.&#xA;No, she didn't bring it. She had to send it in because I can't have any more visitors. Sister Rita tells me a visit to the Fever Hospital is a privilege and after my bad behavior with Patricia Madigan and that poem I can't have the privilege anymore. She says I'll be going home in a few weeks and my job is to concentrate on getting better and learn to walk again after being in bed for six weeks and I can get out of bed tomorrow after breakfast. I don't know why she says I have to learn how to walk when I've been walking since I was a baby but when the nurse stands me by the side of the bed I fall to the floor and the nurse laughs, See, you're a baby again.&#xA;I practice walking from bed to bed back and forth back and forth. I don't want to be a baby. I don't want to be in this empty ward with no Patricia and no highwayman and no red lipped landlord's daughter. I don't want the ghosts of children with green mouths pointing bony fingers at me and clamoring for bits of my chocolate bar.&#xA;Seamus says a man in his pub knew all the verses of the highwayman poem and it has a very sad end. Would I like him to say it because he never learned how to read and he had to carry the poem in his head? He stands in the middle of the ward leaning on his mop and recites, Tlot- tlot, in the frosty silence! Tlot-tlot in the echoing night!&#xA;Nearer he came and nearer! Her face was like a light!&#xA;Her eyes grew wide for a moment, she drew one last deep breath, Then her finger moved in the moonlight, Her musket shattered the moonlight, Shattered her breast in the moonlight and warned him-with her death.&#xA;He hears the shot and escapes but when he learns at dawn how Bess died he goes into a rage and returns for revenge only to be shot down by the redcoats.&#xA;Blood red were his spurs in the golden noon; wine red was his velvet coat, When they shot him down on the highway, Down like a dog on&#xA;about&#xA;what it&#xA;English&#xA;the highway, And he lay in his blood on the highway, with a bunch of lace at his throat.&#xA;Seamus wipes his sleeve across his face and sniffles. He says, There was no call at all to shift you up here away from Patricia when you didn't even know what happened to the highwayman and Bess. 'Tis a very sad story and when I said it to my wife she wouldn't stop crying the whole night till we went to bed. She said there was no call for them redcoats to shoot that highwayman, they are responsible for half the troubles of the world and they never had any pity on the Irish, either. Now if you want to know any more poems, Frankie, tell me and I'll get them from the pub and bring 'em back in my head.&#xA;The girl with the blue dress who's not right in the head suddenly says one day, Would you like a book for to read? and she brings me The Amazing Quest of Mr. Ernest Bliss by E. Phillips Oppenheim, which is all about an Englishman who is fed up and doesn't know what to do with himself every day even though he's so rich he can't count his money. His manservant brings him the morning paper the tea the egg the toast and marmalade and he says, Take it away, life is empty. He can't read his paper, he can't eat his egg, and he pines away. His doctor tells him go and live among the poor in the East End of London and he'll learn to love life, which he does and falls in love with a girl who is poor but honest and very intelligent and they get married and move into his house in the West End which is the rich part because it's easier to help the poor and not be fed up when you're nice and comfortable.&#xA;Seamus likes me to tell him what I'm reading. He says that story about Mr. Ernest Bliss is a made-up story because no one in his right mind would have to go to a doctor over having too much money and not eating his egg though you never know. It might be like that in England. You'd never find the likes of that in Ireland. If you didn't eat your egg here you'd be carted off to the lunatic asylum or reported to the bishop.&#xA;I can't wait to go home and tell Malachy about this man who won't eat his egg. Malachy will fall down on the floor laughing because such a thing could never happen. He'll say I'm making it up but when I tell him this story is about an Englishman he'll understand.&#xA;I can't tell the girl in the blue dress that this story was silly because she might have a fit. She says if you're finished with that book I'll bring you another one because there's a whole box of books left behind by patients from the old days. She brings me a book called Tom Brown's School-Days, which is hard to read, and no end of books by P. G. Wodehouse, who makes me laugh over Ukridge and Bertie Wooster and Jeeves and all the Mulliners. Bertie Wooster is rich but he eats his egg every morning for fear of what Jeeves might say. I wish I could talk to the girl in the blue dress or anyone about the books but I'm afraid the Kerry nurse or Sister Rita might find out and they'd move me to a bigger ward upstairs with fifty empty beds and Famine ghosts galore with green mouths and bony fingers pointing. At night I lie in bed thinking about Tom Brown and his adventures at Rugby School and all the characters in P. G. Wodehouse. I can dream about the red lipped landlord's daughter and the highwayman, and the nurses and nuns can do nothing about it. It's lovely to know the world can't interfere with the inside of your head.&#xA;It's August and I'm eleven. I've been in this hospital for two months and I wonder if they'll let me out for Christmas. The Kerry nurse tells me I should get down on my two knees and thank God I'm alive at all at all and not be complaining.&#xA;I'm not complaining, nurse, I'm only wondering if I'll be home for Christmas.&#xA;She won't answer me. She tells me behave myself or she'll send Sister Rita up to me and then I'll behave myself.&#xA;Mam comes to the hospital on my birthday and sends up a package with two chocolate bars and a note with names of people in the lane telling me get better and come home and you're a great soldier, Frankie. The nurse lets me talk to her through the window and it's hard because the windows are high and I have to stand on Seamus's shoulders. I tell Mam I want to go home but she says I'm a bit too weak and surely I'll be out in no time. Seamus says, 'Tis a grand thing to be eleven because any day now you'll be a man shaving and all and ready to get out and get a job and drink your pint good as any man.&#xA;After fourteen weeks Sister Rita tells me I can go home and aren't I a lucky boy that the day will be the feast of St. Francis of Assisi. She tells me I was a very good patient, except for that little problem with the poem and Patricia Madigan, God rest her, and I'm invited to come back and have a big Christmas dinner in the hospital. Mam comes for me and with my weak legs it takes us a long time to walk to the bus at Union Cross. She says, Take your time. After three and a half months we can spare an hour.&#xA;People are at their doors on Barrack Road and Roden Lane telling me it's grand to see me back, that I'm a great soldier, a credit to my father and mother. Malachy and Michael run up to me in the lane and say, God, you're walking very slow. Can't you run anymore?&#xA;It's a bright day and I'm happy till I see Dad sitting in the kitchen with Alphie on his lap and there's an empty feeling in my heart because I know he's out of work again. All along I was sure he had a job, Mam told me he did, and I thought there would be no shortage of food and shoes. He smiles at me and tells Alphie, Och, there's your big brother home from the hospital.&#xA;Mam tells him what the doctor said, that I'm to have plenty of nourishing food and rest. The doctor said beef would be the right thing for building me up again. Dad nods. Mam makes beef tea from a cube and Malachy and Mike watch me drink it. They say they'd like some too but Mam says go away, ye didn't have the typhoid. She says the doctor wants me to go to bed early. She tried to get rid of the fleas but they're worse than ever with the warm weather we're having. Besides, she says, they won't get much out of you all bones and little skin.&#xA;I lie in bed and think of the hospital where the white sheets were changed every day and there wasn't a sign of a flea. There was a lavatory where you could sit and read your book till someone asked if you were dead. There was a bath where you could sit in hot water as long as you liked and say, I do believe, Induced by potent circumstances That thou art mine enemy, And saying that helps me fall asleep.&#xA;When Malachy and Michael get up for school in the morning Mam tells me I can stay in bed. Malachy is in fifth class now with Mr. O'Dea and he likes to tell everyone he's learning the big red catechism for Confirmation and Mr. O'Dea is telling them all about state of grace and Euclid and how the English tormented the Irish for eight hundred long years.&#xA;I don't want to stay in bed anymore. The October days are lovely and I want to sit outside looking up the lane at the way the sun slants along the wall opposite our house. Mikey Moloney brings me P. G.&#xA;Wodehouse books his father gets from the library and I have great days with Ukridge and Bertie Wooster and all the Mulliners. Dad lets me read his favorite book, John Mitchel's Jail Journal, which is all about a great Irish rebel the English condemned to exile in Van Diemen's land in Australia. The English tell John Mitchel he's free to come and go as he pleases all over Van Diemen's land if he gives his word of honor as a gentleman he won't try to escape. He gives his word till a ship comes to help him escape and he goes to the office of the English magistrate and says, I'm escaping, jumps on his horse and winds up in New York. Dad says he doesn't mind if I read silly English books by P. G. Wodehouse as long as I don't forget the men who did their bit and gave their lives for Ireland.&#xA;I can't stay at home forever and Mam takes me back to Leamy's School in November. The new headmaster, Mr. O'Halloran, says he's sorry, I've missed over two months of school and I have to be put back in fifth class. Mam says surely I'm ready for sixth class. After all, she says, he's missed only a few weeks. Mr. O'Halloran says he's sorry, take the boy next door to Mr. O'Dea.&#xA;We walk along the hallway and I tell Mam I don't want to be in fifth class. Malachy is in that class and I don't want to be in a class with my brother who is a year younger. I made my Confirmation last year. He didn't. I'm older. I'm not bigger anymore because of the typhoid but I'm older.&#xA;Mam says, It won't kill you.&#xA;She doesn't care and I'm put into that class with Malachy and I know all his friends are there sneering at me because I was put back. Mr. O'Dea makes me sit in the front and tells me get that sour look off my puss or I'll feel the end of his ash plant.&#xA;Then a miracle happens and it's all because of St. Francis of Assisi, my favorite saint, and Our Lord Himself. I find a penny in the street that first day back at school and I want to run to Kathleen O'Connell's for a big square of Cleeves' toffee but I can't run because my legs are still weak from the typhoid and sometimes I have to hold on to a wall. I'm desperate for the Cleeves'toffee but I'm also desperate to get out of fifth class.&#xA;I know I have to go to the statue of St. Francis of Assisi. He's the only one who will listen but he's at the other end of Limerick and it takes me an hour to walk there, sitting on steps, holding on to walls. It's a penny to light a candle and I wonder if I should just light the candle and keep the penny. No, St. Francis would know. He loves the bird in the air and the fish in the stream but he's not a fool. I light the candle, I kneel at his statue and beg him to get me out of fifth class where I'm stuck with my brother, who is probably going around the lane now bragging that his big brother was kept back. St. Francis doesn't say a word but I know he's listening and I know he'll get me out of that class. It's the least he could do after all my trouble coming to his statue, sitting on steps, holding on to walls, when I could have gone to St. Joseph's Church and lit a candle to the Little Flower or the Sacred Heart of Jesus Himself. What's the use of being named after him if he's going to desert me in my hour of need?&#xA;I have to sit in Mr. O'Dea's class listening to the catechism and all the other stuff he taught last year. I'd like to raise my hand and give the answers but he says, Be quiet, let your brother answer. He gives them tests in arithmetic and makes me sit there and correct them. He&#xA;dictates to them in Irish and makes me correct what they've written. Then he gives me special compositions to write and makes me read them to the class because of all I learned from him last year. He tells the class, Frank McCourt is going to show you how well he learned to write in this class last year. He's going to write a composition on Our Lord, aren't you, McCourt? He's going to tell us what it would be like if Our Lord had grown up in Limerick which has the Arch Confraternity of the Holy Family and is the holiest city in Ireland. We know that if Our Lord had grown up in Limerick He would never have been crucified because the people of Limerick were always good Catholics and not given to crucifixion. So, McCourt, you are to go home and write that composition and bring it in tomorrow.&#xA;Dad says Mr. O'Dea has a great imagination but didn't Our Lord suffer enough on the cross without sticking Him in Limerick on top of it with the damp from the River Shannon. He puts on his cap and goes for a long walk and I have to think about Our Lord by myself and wonder what I'm going to write tomorrow.&#xA;The next day Mr. O'Dea says, All right, McCourt, read your composition to the class.&#xA;The name of my composition is-&#xA;The title, McCourt, the title.&#xA;The title of my composition is, &amp;quot;Jesus and the Weather. &amp;quot;&#xA;What?&#xA;&amp;quot;Jesus and the Weather. &amp;quot;&#xA;All right, read it.&#xA;This is my composition. I don't think Jesus Who is Our Lord would&#xA;have liked the weather in Limerick because it's always raining and the Shannon keeps the whole city damp. My father says the Shannon is a killer river because it killed my two brothers. When you look at pictures of Jesus He's always wandering around ancient Israel in a sheet. It never rains there and you never hear of anyone coughing or getting consumption or anything like that and no one has a job there because all they do is stand around and eat manna and shake their fists and go to crucifixions.&#xA;Anytime Jesus got hungry all He had to do was walk up the road to a fig tree or an orange tree and have His fill. If He wanted a pint He could wave His hand over a big glass and there was the pint. Or He could visit Mary Magdalene and her sister, Martha, and they'd give Him His dinner no questions asked and He'd get his feet washed and dried with Mary Magdalene's hair while Martha washed the dishes, which I don't think is fair. Why should she have to wash the dishes while her sister sits out there chatting away with Our Lord? It's a good thing Jesus decided to be born Jewish in that warm place because if he was born in Limerick he'd catch the consumption and be dead in a month and there wouldn't be any Catholic Church and there wouldn't be any Communion or Confirmation and we wouldn't have to learn the catechism and write compositions about Him. The End.&#xA;Mr. O'Dea is quiet and gives me a strange look and I'm worried because when he's quiet like that it means someone is going to suffer. He says, McCourt, who wrote that composition?&#xA;I did, sir.&#xA;Did your father write that composition? He didn't, sir.&#xA;Come here, McCourt.&#xA;I follow him out the door, along the hall to the headmaster's room. Mr. O'Dea shows him my composition and Mr. O'Halloran gives me the strange look, too. Did you write this composition?&#xA;I did, sir.&#xA;I'm taken out of the fifth class and put into Mr. O'Halloran's sixth class with all the boys I know, Paddy Clohessy, Fintan Slattery, The Question Quigley, and when school is over that day I have to go back down to the statue of St. Francis of Assisi to thank him even if my legs are still weak from the typhoid and I have to sit on steps and hold on to walls and I wonder was it something good I said in that composition or something bad.&#xA;Mr. Thomas L. O'Halloran teaches three classes in one room, sixth, seventh, eighth. He has a head like President Roosevelt and he wears gold glasses. He wears suits, navy blue or gray, and there's a gold watch chain that hangs across his belly from pocket to pocket in his waistcoat. We call him Hoppy because he has a short leg and hops when he walks. He knows what we call him and he says, Yes, I'm Hoppy and I'll hop on you. He carries a long stick, a pointer, and if you don't pay attention or give a stupid answer he gives you three slaps on each hand or whacks you across the backs of your legs. He makes you learn everything by heart, everything, and that makes him the hardest master in the school. He loves America and makes us know all the American states in alphabetical order. He makes charts of Irish grammar, Irish history and algebra at home, hangs them on an easel and we have to chant our way through the cases, conjugations and declensions of Irish, famous names and battles, proportions, ratios, equations. We have to know all the important dates in Irish history. He tells us what is important and why. No master ever told us why before. If you asked why you'd be hit on the head. Hoppy doesn't call us idiots and if you ask a question he doesn't go into a rage. He's the only master who stops and says, Do ye understand what I'm talking about? Do ye want to ask a question?&#xA;It's a shock to everyone when he says, the Battle of Kinsale in sixteen nought one was the saddest moment in Irish history, a close battle with cruelty and atrocities on both sides.&#xA;Cruelty on both sides? The Irish side? How could that be? All the other masters told us the Irish always fought nobly, they always fought the fair fight. He recites and makes us remember, They went forth to battle, but they always fell, Their eyes were fixed above the sullen shields.&#xA;Nobly they fought and bravely, but not well, And sank heart wounded by a subtle spell.&#xA;If they lost it was because of traitors and informers. But I want to know about these Irish atrocities.&#xA;Sir, did the Irish commit atrocities at the Battle of Kinsale?&#xA;They did, indeed. It is recorded that they killed prisoners but they were no better nor worse than the English.&#xA;Mr. O'Halloran can't lie. He's the headmaster. All these years we were told the Irish were always noble and they made brave speeches before the English hanged them. Now Hoppy O'Halloran is saying the Irish did bad things. Next thing he'll be saying the English did good things. He says, You have to study and learn so that you can make up your own mind about history and everything else but you can't make up an empty mind. Stock your mind, stock your mind. It is your house of treasure and no one in the world can interfere with it. If you won the Irish Sweepstakes and&#xA;bought a house that needed furniture would you fill it with bits and pieces of rubbish? Your mind is your house and if you fill it with rubbish from the cinemas it will rot in your head. You might be poor, your shoes might be broken, but your mind is a palace.&#xA;He calls us one by one to the front of the room and looks at our shoes. He wants to know why they're broken or why we have no shoes at all. He tells us this is a disgrace and he's going to have a raffle to raise money so that we can have strong warm boots for the winter. He gives us books of tickets and we swarm all over Limerick for Leamy's School boot fund, first prize five pounds, five prizes of a pound each. Eleven boys with no boots get new boots. Malachy and I don't get any because we have shoes on our feet even if the soles are worn away and we wonder why we ran all over Limerick selling tickets so that other boys could get boots. Fintan Slattery says we gain plenary Indulgences for works of charity and Paddy Clohessy says, Fintan, would you ever go and have a good shit for yourself.&#xA;I know when Dad does the bad thing. I know when he drinks the dole money and Mam is desperate and has to beg at the St. Vincent de Paul Society and ask for credit at Kathleen O'Connell's shop but I don't want to back away from him and run to Mam. How can I do that when I'm up with him early every morning with the whole world asleep? He lights the fire and makes the tea and sings to himself or reads the paper to me in a whisper that won't wake up the rest of the family. Mikey Molloy stole Cuchulain, the Angel on the Seventh Step is gone someplace else, but my father in the morning is still mine. He gets the Irish Press early and tells me about the world, Hitler, Mussolini, Franco. He says this war is none of our business because the English are up to their tricks again. He tells me about the great Roosevelt in Washington and the great De Valera in Dublin. In the morning we have the world to ourselves and he never tells me I should die for Ireland. He tells me about the old days in Ireland when the English wouldn't let the Catholics have schools because they wanted to keep the people ignorant, that the Catholic children met in hedge schools in the depths of the country and learned English, Irish, Latin and Greek. The people loved learning. They loved stories and poetry even if none of this was any good for getting a job. Men, women and children would gather in ditches to hear those great masters and everyone wondered at how much a man could carry in his head. The masters risked their lives going from ditch to ditch and hedge to hedge because if the English caught them teaching they might be transported to foreign parts or worse. He tells me school is easy now, you don't have to sit in a ditch learning your sums or the glorious history of Ireland. I should be good in school and some day I'll go back to America and get an inside job where I'll be sitting at a desk with two fountain pens in my pocket, one red and one blue, making decisions. I'll be in out of the rain and I'll have a suit and shoes and a warm place to live and what more could a man want? He says you can do anything in America, it's the land of opportunity. You can be a fisherman in Maine or a farmer in California. America is not like Limerick, a gray place with a river that kills.&#xA;When you have your father to yourself by the fire in the morning you don't need Cuchulain or the Angel on the Seventh Step or anything.&#xA;At night he helps us with our exercises. Mam says they call it homework in America but here it's exercises, the sums, the English, the Irish, the history. He can't help us with Irish because he's from the North and lacking in the native tongue. Malachy offers to teach him all&#xA;the Irish words he knows but Dad says it's too late, you can't teach an old dog a new bark. Before bed we sit around the fire and if we say, Dad, tell us a story, he makes up one about someone in the lane and the story will take us all over the world, up in the air, under the sea and back to the lane. Everyone in the story is a different color and everything is upside down and backward. Motor cars and planes go under water and submarines fly through the air. Sharks sit in trees and giant salmon sport with kangaroos on the moon. Polar bears wrestle with elephants in Australia and penguins teach Zulus how to play bagpipes. After the story he takes us upstairs and kneels with us while we say our prayers. We say the Our Father, three Hail Marys, God bless the Pope. God bless Mam, God bless our dead sister and brothers, God bless Ireland, God bless De Valera, and God bless anyone who gives Dad a job. He says, Go to sleep, boys, because holy God is watching you and He always knows if you're not good.&#xA;I think my father is like the Holy Trinity with three people in him, the one in the morning with the paper, the one at night with the stories and the prayers, and then the one who does the bad thing and comes home with the smell of whiskey and wants us to die for Ireland.&#xA;I feel sad over the bad thing but I can't back away from him because the one in the morning is my real father and if I were in America I could say, I love you, Dad, the way they do in the films, but you can't say that in Limerick for fear you might be laughed at. You're allowed to say you love God and babies and horses that win but anything else is a softness in the head.&#xA;Day and night we're tormented in that kitchen with people emptying their buckets. Mam says it's not the River Shannon that will kill us but the stink from that lavatory outside our door. It's bad enough in the winter when everything flows over and seeps under our door but worse in the warm weather when there are flies and bluebottles and rats.&#xA;There is a stable next to the lavatory where they keep the big horse from Gabbett's coal yard. His name is Finn the Horse and we all love him but the stable man from the coal yard doesn't take proper care of the stable and the stink travels to our house. The stink from the lavatory and the stable attracts rats and we have to chase them with our new dog, Lucky. He loves to corner the rats and then we smash them to bits with rocks or sticks or stab them with the hay fork in the stable. The horse himself is frightened by the rats and we have to be careful when he rears up. He knows we're not rats because we bring him apples when we rob an orchard out the country.&#xA;Sometimes the rats escape and run into our house and into the coal hole under the stairs where it's pitch dark and you can't see them. Even when we bring in a candle we can't find them because they dig holes everywhere and we don't know where to look. If we have a fire we can boil water and pour it slowly in from the kettle spot and that will drive them out of the hole between our legs and out the door again unless Lucky is there to catch them in his teeth and shake the life out of them. We expect him to eat the rats but he'll leave them in the lane with their guts hanging out and run to my father for a piece of bread dipped in tea. People in the lane say that's a peculiar way for a dog to behave but then what would you expect from a dog of the McCourts.&#xA;The minute there's a sign of a rat or a mention of one Mam is out the door and up the lane. She'd rather walk the streets of Limerick forever than stay one minute in a house that has a rat in it and she can&#xA;never rest because she knows that with the stable and the lavatory there's always a rat nearby with his family waiting for their dinner.&#xA;We fight the rats and we fight the stink from that lavatory. We'd like to keep our door open in the warm weather but you can't when people are trotting down the lane to empty their brimming buckets. Some families are worse than others and Dad hates all of them even though Mam tells him it's not their fault if the builders a hundred years ago put up houses with no lavatories but this one outside our door. Dad says the people should empty their buckets in the middle of the night when we are asleep so that we won't be disturbed by the stink.&#xA;The flies are nearly as bad as the rats. On warm days they swarm to the stable and when a bucket is emptied they swarm to the lavatory. If Mam cooks anything they swarm into the kitchen and Dad says it's disgusting to think the fly sitting there on the sugar bowl was on the toilet bowl, or what's left of it, a minute ago. If you have an open sore they find it and torment you. By day you have the flies, by night you have the fleas. Mam says there's one good thing about fleas, they're clean, but flies are filthy, you never know where they came from and they carry diseases galore. We can chase the rats and kill them.&#xA;We can slap at the flies and the fleas and kill them but there's nothing we can do about the neighbors and their buckets. If we're out in the lane playing and we see someone with a bucket we call to our own house, Bucket coming, close the door, close the door, and whoever is inside runs to the door. In warm weather we run to close the door all day because we know which families have the worst buckets. There are families whose fathers have jobs and if they get into the habit of cooking with curry we know their buckets will stink to the heavens and make us sick. Now with the war on and men sending money from England more and more families are cooking with curry and our house is filled with the stink day and night. We know the families with the curry, we know the ones with the cabbage. Mam is sick all the time, Dad takes longer and longer walks into the country, and we play outside as much as we can and far from the lavatory. Dad doesn't complain about the River Shannon anymore. He knows now the lavatory is worse and he takes me with him to the Town Hall to complain. The man there says, Mister, all I can tell you is you can move. Dad says we can't afford to move and the man says there's nothing he can do. Dad says, This is not India. This is a Christian country. The lane needs more lavatories. The man says, Do you expect Limerick to start building lavatories in houses that are falling down anyway, that will be demolished after the war? Dad says that lavatory could kill us all. The man says we live in dangerous times.&#xA;Mam says it's hard enough keeping a fire going to cook the Christmas dinner but if I'm going to Christmas dinner at the hospital I'll have to wash myself from top to bottom. She wouldn't give it to Sister Rita to say I was neglected or ripe for another disease. She boils a pot of water early in the morning before Mass and nearly scalds the scalp off me. She scours my ears and scrubs my skin so hard it tingles. She can afford tuppence for the bus out to the hospital but I'll have to walk back and that will be good for me because I'll be stuffed with food and now she has to get the fire going again for the pig's head and cabbage and floury white potatoes which she got once again through the kindness of the St. Vincent de Paul Society and she's determined this will be the last time we celebrate the birth of Our Lord with pig's head.&#xA;Next year we'll have a goose or a nice ham and why wouldn't we, isn't Limerick famous the world over for the ham?&#xA;Sister Rita says, Now would you look at this, our little soldier looking so healthy. No meat on the bones but still. Now tell me, did you go to Mass this morning?&#xA;I did, Sister.&#xA;And did you receive?&#xA;I did, Sister.&#xA;She takes me into an empty ward and tells me sit there on that&#xA;chair it won't be long now till I get my dinner. She leaves and I wonder if I'll be eating with nuns and nurses or will I be in a ward with children having their Christmas dinner. In awhile my dinner is brought in by the girl in the blue dress who brought me the books. She places the tray on the side of a bed and I pull up a chair. She frowns at me and screws up her face. You, she says, that's your dinner an' I'm not bringin' you any books.&#xA;The dinner is delicious, turkey, mashed potatoes, peas, jelly and custard, and a pot of tea. The jelly and custard dish looks delicious and I can't resist it so I'll have it first there's no one there to notice but when I'm eating it the girl in the blue dress comes in with bread and says, What are you doin'?&#xA;Nothing.&#xA;Yes, you are. You're atin' the sweet before the dinner, and she runs out calling, Sister Rita, Sister Rita, come in quick, and the nun rushes in, Francis, are you all right?&#xA;I am, Sister.&#xA;He's not all right, Sister. He do be atin' his jelly an custard before his dinner. That's a sin, Sister.&#xA;Ah, now, dear, you run along and I'll talk to Francis about that.&#xA;Do, Sister, talk to him or all the childer in the hospital will be atin' their sweet before their dinner an' then where will we be?&#xA;Indeed, indeed, where will we be? Run along now.&#xA;The girl leaves and Sister Rita smiles at me. God love her, she doesn't miss a thing even in her confusion. We have to be patient with her, Francis, the way she's touched.&#xA;She leaves and it's quiet in that empty ward and when I'm finished I don't know what to do because you're not supposed to do anything till they tell you. Hospitals and schools always tell you what to do. I wait a long time till the girl in the blue dress comes in for the tray. Are you finished? she says.&#xA;and I tells&#xA;I am.&#xA;Well, that's all you're gettin' an' now you can go home.&#xA;Surely girls who are not right in the head can't tell you go home&#xA;wonder if I should wait for Sister Rita. A nurse in the hallway&#xA;me Sister Rita is having her dinner and is not to be bothered. It's a long walk from Union Cross to Barrack Hill and when I get&#xA;home my family are up in Italy and well into their pig's head and cabbage and floury white potatoes. I tell them about my Christmas dinner. Mam wants to know if I had it with the nurses and nuns and she gets a bit angry when I tell her I ate alone in a ward and that's no way to treat a child. She tells me sit down and have some pig's head and I force it into my mouth and I'm so stuffed I have to lie on the bed with my belly sticking out a mile.&#xA;It's early in the morning and there's a motor car outside our door, the first one we've ever seen in the lane. There are men in suits looking in the door of the stable of Finn the Horse and there must be something wrong because you never see men with suits in the lane.&#xA;It's Finn the Horse. He's lying on the floor of the stable looking up the lane and there's white stuff like milk around his mouth. The stable man who takes care of Finn the Horse says he found him like that this morning and it's strange because he's always up and ready for his feed. The men are shaking their heads. My brother Michael says to one of the men, Mister, what's up with Finn?&#xA;Sick horse, son. Go home.&#xA;The stable man who takes care of Finn has the whiskey smell on him. He says to Michael, That horse is a goner. We have to shoot him.&#xA;Michael pulls at my hand. Frank, they're not to shoot him. Tell them. You're big.&#xA;The stable man says, Go home, boy. Go home.&#xA;Michael attacks him, kicks him, scrawbs the back of his hand, and the man sends Michael flying. Hould that brother of yours, he tells me, hould him.&#xA;One of the other men takes something yellow and brown from a bag, goes to Finn, puts it to his head and there's a sharp crack. Finn shivers. Michael screams at the man and attacks him too but the man says, The horse was sick, son. He's better off.&#xA;The men in suits drive away and the stable man says he has to wait for the lorry to take Finn away, he can't leave him alone or the rats will be at him. He wants to know if we'd keep an eye on the horse with our dog Lucky while he goes to the pub, he's blue mouldy for a pint.&#xA;No rat has a chance to get near Finn the Horse the way Michael is there with a stick small as he is. The man comes back smelling of porter and then there's the big lorry to take the horse away, a big lorry with three men and two great planks that slope from the back of the lorry to Finn's head. The three men and the stable man tie ropes around Finn and pull him up the planks and the people in the lane yell at the men because of the nails and broken wood in the planks that catch at Finn and tear out bits of his hide and streak the planks with bright pink horse blood.&#xA;Ye are destroyin' that horse.&#xA;Can't ye have respect for the dead?&#xA;Go easy with that poor horse.&#xA;The stable man says, For the love o' Jaysus what are ye squawkin'&#xA;about? 'Tis only a dead horse, and Michael runs at him again with his head down and his small fists flying till the stable man gives him a shove that sends him on his back and Mam goes at the stable man in such a rage he runs up the planks and over Finn's body to escape. He comes back drunk in the evening to sleep it off and after he leaves there's a smoldering in the hay and the stable burns down the rats running up the lane with every boy and dog chasing them till they escape into the streets of respectable people.&#xA;IX&#xA;Mam says, Alphie is enough. I'm worn out. That's the end of it. No more children.&#xA;Dad says, The good Catholic woman must perform her wifely duties and submit to her husband or face eternal damnation.&#xA;Mam says, As long as there are no more children eternal damnation sounds attractive enough to me.&#xA;What is Dad to do? There's a war on. English agents are recruiting Irishmen to work in their munitions factories, the pay is good, there are no jobs in Ireland, and if the wife turns her back to you there's no shortage of women in England where the able men are off fighting Hitler and Mussolini and you can do anything you like as long as you remember you're Irish and lower class and don't try to rise above your station.&#xA;Families up and down the lane are getting telegram money orders from their fathers in England. They rush to the post office to cash the money orders so they can shop and show the world their good fortune on Saturday night and Sunday morning. The boys get their hair cut on Saturdays, the women curl their hair with iron tongs hot from the fire. They're very grand now the way they pay sixpence or even a shilling for seats at the Savoy Cinema where you'll meet a better class of people than the lower classes who fill the tuppenny seats in the gods at the Lyric Cinema and are never done shouting at the screen, the kind of people if you don't mind who are liable to cheer on the Africans when they throw spears at Tarzan or the Indians when they're scalping the United States Cavalry. The new rich people go home after Mass on Sundays all airs and stuff themselves with meat and potatoes, sweets and cakes galore, and they think nothing of drinking their tea from delicate little cups which stand in saucers to catch the tea that overflows and when they lift the cups they stick out their little fingers to show how refined they are. Some stop going to fish and chip shops altogether because you see nothing in those places but drunken soldiers and night girls and men that drank their dole and their wives screeching at them to come home. The brave new rich will be seen at the Savoy Restaurant or the Stella drinking tea, eating little buns, patting their lips with serviettes if you don't mind, coming home on the bus and complaining the service is not what it used to be. They have electricity now so they can see things they never saw before and when darkness falls they turn on the new wireless to hear how the war is going. They thank God for Hitler because if he hadn't marched all over Europe the men of Ireland would still be at home scratching their arses on the queue at the Labour Exchange.&#xA;Some families sing,&#xA;Yip aye aidy aye ay aye oh&#xA;Yip aye aidy aye ay,&#xA;We don't care about England or France, All we want is the German advance.&#xA;If there's a chill in the air they'll turn on the electric fire for the comfort that's in it and sit in their kitchens listening to the news declaring how sorry they are for the English women and children dying under the German bombs but look what England did to us for eight hundred years.&#xA;The families with fathers in England are able to lord it over the families that don't. At dinnertime and teatime the new rich mothers stand at their doors and call to their children, Mikey, Kathleen, Paddy, come in for yeer dinner. Come in for the lovely leg o'lamb and the gorgeous green peas and the floury white potatoes.&#xA;Sean, Josie, Peggy, come in for yeer tea, come in at wanst for the fresh bread and butter and the gorgeous blue duck egg what no one else in the lane have.&#xA;Brendan, Annie, Patsy, come in for the fried black puddin', the sizzlin' sausages and the lovely trifle soaked in the best of Spanish sherry.&#xA;At times like this Mam tells us to stay inside. We have nothing but bread and tea and she doesn't want the tormenting neighbors to see us with our tongues hanging out, suffering over the lovely smells floating up and down the lane. She says 'tis easy to see they're not used to having anything the way they brag about everything. 'Tis a real low-class mind that will call out the door and tell the world what they're having for the supper. She says 'tis their way of getting a rise out of us because Dad is a foreigner from the North and he won't have anything to do with any of them. Dad says all that food comes from English money and no luck will come to those who took it but what could you expect from Limerick anyway, people who profit from Hitler's war, people who will work and fight for the English. He says he'll never go over there and help England win a war. Mam says, No, you'll stay here where there's no work and hardly a lump of coal to boil water for the tea. No, you'll stay here and drink the dole when the humor is on you. You'll watch your sons going around with broken shoes and their arses hanging out of their trousers. Every house in the lane has electricity and we're lucky if we have a candle. God above, if I had the fare I'd be off to England myself for I'm sure they need women in the factories.&#xA;Dad says a factory is no place for a woman.&#xA;Mam says, Sitting on your arse by the fire is no place for a man. I say to him, Why can't you go to England, Dad, so we can have&#xA;electricity and a wireless and Mam can stand at the door and tell the world what we're having at dinnertime?&#xA;He says, Don't you want to have your father here at home with you?&#xA;I do but you can come back at the end of the war and we can all go to America.&#xA;He sighs, Och, aye, och, aye. All right he'll go to England after Christmas because America is in the war now and the cause must be just. He'd never go if the Americans hadn't gone in. He tells me I'll have to be the man of the house, and he signs up with an agent to work in a factory in Coventry which, everyone says, is the most bombed city in England. The agent says, There's plenty of work for willing men. You can work overtime till you drop and if you save it up, mate, you'll be Rockefeller at the end of the war.&#xA;We're up early to see Dad off at the railway station. Kathleen O'Connell at the shop knows Dad is off to England and money will be flowing back so she's happy to let Mam have credit for tea, milk, sugar, bread, butter and an egg.&#xA;An egg.&#xA;Mam says, This egg is for your father. He needs the nourishment for the long journey before him.&#xA;It's a hard-boiled egg and Dad peels off the shell. He slices the egg five ways and gives each of us a bit to put on our bread. Mam says, Don't be such a fool. Dad says, What would a man be doing with a whole egg to himself? Mam has tears on her eyelashes. She pulls her chair over to the fireplace. We all eat our bread and egg and watch her cry till she says, What are ye gawkin' at? and turns away to look into the ashes. Her&#xA;bread and egg are still on the table and I wonder if she has any plans for them. They look delicious and I'm still hungry but Dad gets up and brings them to her with the tea. She shakes her head but he presses them on her and she eats and drinks, snuffling and crying. He sits opposite her a while, silent, till she looks up at the clock and says, 'Tis time to go. He puts on his cap and picks up his bag. Mam wraps Alphie in an old blanket and we set off through the streets of Limerick.&#xA;There are other families in the streets. The going away fathers walk ahead, the mothers carry babies or push prams. A mother with a pram will say to other mothers, God above, missus, you must be fagged out carrying that child. Sure, why don't you stick him into the pram here and rest your poor arms.&#xA;Prams might be packed with four or five babies squalling away because the prams are old and the wheels bockety and the babies are rocked till they get sick and throw up their goody.&#xA;The men call to each other. Grand day, Mick. Lovely day for the journey, Joe. 'Tis, indeed, Mick. Arrah, we might as well have a pint before we go, Joe. We might as well, Mick. Might as well be drunk as the way we are, Joe.&#xA;They laugh and the women behind them are teary eyed and red nosed.&#xA;In the pubs around the railway station the men are packed in drinking the money the agents gave them for travel food. They're having the last pint, the last drop of whiskey on Irish soil, For God knows it might be the last we'll ever have, Mick, the way the Jerries are bombing the bejesus outa England and not a minute too soon after what they did to us and isn't it a tragic thing entirely the way we have to go over there and save the arse of the ancient foe.&#xA;The women stay outside the pubs talking. Mam tells Mrs. Meehan, The first telegram money order I get I'll be in the shop buying a big breakfast so that we can all have our own egg of a Sunday morning.&#xA;I look at my brother Malachy. Did you hear that? Our own egg of a Sunday morning. Oh, God, I already had plans for my egg. Tap it around the top, gently crack the shell, lift with a spoon, a dab of butter down into the yolk, salt, take my time, a dip of the spoon, scoop, more salt, more butter, into the mouth, oh, God above, if heaven has a taste it must be an egg with butter and salt, and after the egg is there anything in the world lovelier than fresh warm bread and a mug of sweet golden tea?&#xA;Some men are already too drunk to walk and the English agents are paying sober men to drag them out of the pubs and throw them on a great horse drawn float to be hauled to the station and dumped into the train. The agents are desperate to get everyone out of the pubs. Come on, men. Miss this train and you'll miss a good job. Come on, men, we have the Guinness in England. We have the Jameson. Now, men, please, men. You're drinking your food money and you'll get no more.&#xA;The men tell the agents to kiss their Irish arses, that the agents are lucky they're alive, lucky they're not hanging from the nearest lamppost after what they did to Ireland. And the men sing, On Mountjoy one Monday morning High upon the gallows tree, Kevin Barry gave his young life For the cause of liberty.&#xA;The train wails in the station and the agents beg the women to get their men out of the pubs and the men stumble out singing and crying and hugging their wives and children and promising to send so much money Limerick will be turned into another New York. The men climb the station&#xA;steps and the women and children call after them, Kevin, love, mind yourself and don't be wearing damp shirts.&#xA;Dry your socks, Michael, or the bunions will destroy you entirely. Paddy, go easy on the drink, are you listenin', Paddy?&#xA;Dad, Dad, don't go, Dad.&#xA;Tommy, don't forget to send the money. The children are skin and&#xA;bones.&#xA;Peter, don't forget to be takin' the medicine for your weak chest,&#xA;God help us.&#xA;Larry, mind them bloody bombs.&#xA;Christy, don't be talkin' to them Englishwomen. They're full of&#xA;diseases.&#xA;Jackie, come back. Sure we'll manage somehow. Don't go, Jack-e-e,&#xA;Jack-e-e, oh, Jesus, don't go.&#xA;Dad pats our heads. He tells us remember our religious duties but,&#xA;above all, obey our mother. He stands before her. She has the baby Alphie in her arms. She says, Mind yourself. He drops the bag and puts his arms around her. They stay that way a moment till the baby yelps between them. He nods, picks up his bag, climbs the steps to the station, turns to wave and he's gone.&#xA;Back at home Mam says, I don't care. I know it sounds extravagant but I'm going to light the fire and make more tea for it isn't every day your father goes to England.&#xA;We sit around the fire and drink our tea and cry because we have no father, till Mam says, Don't cry, don't cry. Now that your father is gone to England surely our troubles will be over.&#xA;Surely.&#xA;Mam and Bridey Hannon sit by the fire upstairs in Italy smoking Woodbines, drinking tea, and I sit on the stairs listening. We have a father in England so that we can get all we want from Kathleen O'Connell's shop and pay when he starts sending the money in a fortnight. Mam tells Bridey she can't wait to get out of this bloody lane to a place with a decent lavatory that we don't have to share with half the world. We'll all have new boots and coats to keep off the rain so we won't be coming home from school famished. We'll have eggs and rashers on Sunday for breakfast and ham and cabbage and potatoes for dinner. We'll have electric light and why shouldn't we? Weren't Frank and Malachy born to it in America where everyone has it?&#xA;All we have to do now is wait for two weeks till the telegram boy knocks at the door. Dad will have to settle into his job in England, buy work clothes and get a place to stay, so the first money order won't be big, three pounds or three pounds ten, but soon we'll be like other families in the lane, five pounds a week, paying off debts, buying new clothes, putting something in the savings against the time we'll pack up and move to England entirely and save there to go to America. Mam herself could get a job in an English factory making bombs or something and God knows we wouldn't know ourselves with the money pouring in. She wouldn't be happy if we grew up with English accents but better an English accent than an empty belly.&#xA;Bridey says it doesn't matter what class of an accent an Irishman has for he'll never forget what the English did to us for eight hundred long years.&#xA;We know what Saturdays are in the lane. We know some families like the Downeses across from us get their telegram early because Mr. Downes&#xA;is a steady man who knows how to have a pint or two on a Friday and go home to his bed. We know men like him run to the post office the minute they're paid so their families won't know a minute of waiting or worry. Men like Mr. Downes send their sons RAF wings to wear on their coats. That's what we want and that's what we told Dad before he left, Don't forget the RAF badges, Dad.&#xA;We see the telegram boys on their bicycles swing into the lane. They're happy telegram boys because the tips they get in the lanes are bigger than anything they get in the grand streets and avenues where rich people will begrudge you the steam of their piss.&#xA;The families that get the early telegrams have that contented look. They'll have all day Saturday to enjoy the money. They'll shop, they'll eat, they'll have all day to think about what they'll do that night and that's almost as good as the thing itself because Saturday night when you have a few shillings in your pocket is the most delicious night of the week.&#xA;There are families don't get the telegram every week and you know them by the anxious look. Mrs. Meagher has waited at her door every Saturday for two months. My mother says she'd be ashamed of her life to wait at the door like that. All the children play in the lane and keep an eye out for the telegram boy. Hoi, telegram boy, do you have anything for Meagher? and when he says no they say, Are you sure? and he'll say, Course I'm sure. I know what I have in my feckin' pouch.&#xA;Everyone knows the telegram boys stop coming when the Angelus rings at six and darkness brings desperation to the women and children.&#xA;Telegram boy, will you look in your pouch again? Please. Aw, God. I did. I have nothing for ye.&#xA;Aw, God, please look. Our name is Meagher. Will you look?&#xA;I know bloody well yeer name is Meagher and I looked.&#xA;The children claw at him up on his bicycle and he kicks at them, Jesus, will ye get away from me.&#xA;Once the Angelus rings at six in the evening the day is over. The ones with the telegrams are having their supper with the electric light blazing away and the ones that didn't get the telegrams have to light candles and see if Kathleen O'Connell might let them have tea and bread till this time next week when surely with the help of God and His Blessed Mother the telegram will come.&#xA;Mr. Meehan at the top of the lane went to England with Dad and when the telegram boy stops at Meehan's we know we'll be next. Mam has her coat ready to go to the post office but she won't leave the chair by the fire in Italy till she has the telegram in her hand. The telegram boy rides down the lane and swings over to Downeses'. He hands them their telegram, takes the tip and turns his bicycle around to head back up the lane. Malachy calls, Telegram boy, do you have something for McCourt? Ours is coming today. The telegram boy shakes his head and rides away.&#xA;Mam puffs on her Woodbine. Well, we have all day though I'd like to do a bit of shopping early before the best hams are gone at Barry the butcher. She can't leave the fire and we can't leave the lane for fear the telegram boy might come and find no one at home. Then we'd have to wait till Monday to cash the money order and that would destroy the weekend entirely. We'd have to watch the Meehans and everyone else parading around in their new clothes and staggering home with eggs and potatoes and sausages for Sunday and sailing off to the films on Saturday night. No, we can't move an inch till that telegram boy comes. Mam says&#xA;don't be too worried between noon and two because so many telegram boys go for their dinner and there will surely be a big rush between two and the Angelus. We don't have a thing to worry about till six. We stop every telegram boy. We tell them our name is McCourt, that this is our first telegram, it should be three pounds or more, they might have forgotten to put our name on it or our address, is he sure? is he sure? One boy tells us he'll inquire at the post office. He says he knows what 'tis like to wait for the telegram because his own father is a drunken oul' shit over in England that never sent a penny. Mam hears him inside and tells us you should never talk about your father like that. The same telegram boy comes back just before the Angelus at six and tells us he asked Mrs. O'Connell at the post office if they had anything for McCourt all day and they didn't. Mam turns toward the dead ashes in the fire and sucks at the last bit of goodness in the Woodbine butt caught between the brown thumb and the burnt middle finger. Michael who is only five and won't understand anything till he's eleven like me wants to know if we're having fish and chips tonight because he's hungry. Mam says, Next week, love, and he goes back out to play in the lane.&#xA;You don't know what to do with yourself when the first telegram doesn't come. You can't stay out in the lane playing with your brothers all night because everyone else is gone in and you'd be ashamed to stay out in the lane to be tormented with smells of sausages and rashers and fried bread. You don't want to look at electric light coming through the windows after dark and you don't want to hear the news from the BBC or Radio Eireann from other people's wirelesses. Mrs. Meagher and her children are gone in and there's only the dim light of a candle from their kitchen. They're ashamed too. They stay inside on Saturday nights and they don't even go to Mass on Sunday mornings. Bridey Hannon told Mam that Mrs. Meagher is in a constant state of shame over the rags they wear and so desperate she goes down to the Dispensary for the public assistance. Mam says that's the worst thing that could happen to any family. It's worse than going on the dole, it's worse than going to the St. Vincent de Paul Society, it's worse than begging on the streets with the tinkers and the knackers. It's the last thing you'd do to keep yourself out of the poor house and the children from the orphanage.&#xA;There's a sore at the top of my nose between my eyebrows, gray and red and itching. Grandma says, Don't touch that sore and don't put water near it or it'll spread. If you broke your arm she'd say don't touch that with water it'll spread. The sore spreads into my eyes anyway and now they're red and yellow from the stuff that oozes and makes them stick in the morning. They stick so hard I have to force my eyelids open with my fingers and Mam has to scrub off that yellow stuff with a damp rag and boric powder. The eyelashes fall off and every bit of dust in Limerick blows into my eyes on windy days. Grandma tells me I have naked eyes and she says it's my own fault, all that eye trouble comes from sitting up there at the top of the lane under the light pole in all kinds of weather with my nose stuck in books and the same thing will happen to Malachy if he doesn't give over with the reading. You can see little Michael is getting just as bad sticking his nose in books when he should be out playing like a healthy child. Books, books, books, says Grandma, ye will ruin yeer eyes entirely.&#xA;She's having tea with Mam and I hear her whisper, The thing to do is give him St. Anthony's spit.&#xA;What's that? says Mam.&#xA;Your fasting spit in the morning. Go to him before he wakes and spit on his eyes for the spit of a fasting mother has powerful cures in&#xA;it.&#xA;But I'm always awake before Mam. I force my eyes open long before&#xA;she stirs. I can hear her coming across the floor and when she stands over me for the spit I open my eyes. God, she says, your eyes are open.&#xA;I think they're getting better.&#xA;That's good, and she goes back to bed.&#xA;The eyes don't heal and she takes me to the Dispensary where the&#xA;poor people see doctors and get their medicines. It's the place to apply for public assistance when a father is dead or disappeared and there's no dole money, no wages.&#xA;There are benches along the walls by the doctors' offices. The benches are always packed with people talking about their ailments. Old men and women sit and groan and babies scream and mothers say hush, love, hush. There's a high platform in the middle of the Dispensary with a counter circling it chest high. When you want anything you stand in a queue before that platform to see Mr. Coffey or Mr. Kane. The women in the queue are like the women at the St. Vincent de Paul Society. They wear shawls and they're respectful to Mr. Coffey and Mr. Kane because if they're not they might be told go away and come back next week when it's this minute you need the public assistance or a docket to see the doctor. Mr. Coffey and Mr. Kane love to have a good laugh with the women. They'll decide if you're desperate enough for the public assistance or if you're sick enough to see a doctor. You have to tell them in front of everyone what's wrong with you and they often have a good laugh with that. They'll say, And what is it you want, Mrs. O'Shea? A docket for the doctor, is it? And what is your trouble, Mrs. O'Shea? A pain, is it? A touch of the wind, maybe. Or maybe too much cabbage. Oh, the cabbage will do it right enough. They laugh and Mrs. O'Shea laughs and all the women laugh and say Mr. Coffey and Mr. Kane are funny men, they'd give Laurel and Hardy a run for their money.&#xA;Mr. Coffey says, Now, woman, what's your name? Angela McCourt, sir.&#xA;And what's up with you?&#xA;'Tis my son, sir. He has two bad eyes.&#xA;Oh, by God, he does, woman. They're desperate looking eyes altogether. They look like two rising suns. The Japs could use him on their flag, ha ha ha. Did he pour acid on his face or what?&#xA;'Tis some class of infection, sir. He had the typhoid last year and then this came.&#xA;All right, all right, we don't need the life story. Here's your docket to Dr. Troy.&#xA;Two long benches are filled with patients for Dr. Troy. Mam sits next to a woman who has a big sore on her nose that won't go away. I tried everything, missus, every known cure on God's lovely earth. I'm eighty-three years of age and I'd like to go to my grave healthy. Is it too much to ask that I meet my Redeemer with a healthy nose? And what's up with yourself, missus?&#xA;My son. The eyes.&#xA;Ah, God bless us and save us, look at them eyes. They're the sorest two eyes I ever seen in me life. I never seen that color red before.&#xA;'Tis an infection, missus.&#xA;Sure there's a cure for that. You need the caul.&#xA;What's that now?&#xA;Babies are born with this thing on their heads, a class of a hood, rare and magical. Get a caul and put that on his head any day that has a three in it, make him hold his breath for three minutes even if you have to clap your hand over his face, sprinkle him with holy water three times head to toenail and his two eyes will shine in the dawn.&#xA;And where would I get a caul?&#xA;Don't all the midwives have cauls, missus. What's a midwife without a caul? It cures all classes of disease and keeps off more.&#xA;Mam says she'll talk to Nurse O'Halloran and see if she has a spare caul.&#xA;Dr. Troy looks at my eyes. Into the hospital with this boy at once. Take him to the eye ward at the City Home. Here's the docket to get him&#xA;in.&#xA;What does he have, Doctor?&#xA;The worst case of conjunctivitis I've ever seen in my life and&#xA;something else in there I can't make out. He needs the eye man.&#xA;How long will he be in, Doctor?&#xA;Only God knows that. I should have seen this child weeks ago. There are twenty beds in the ward and there are men and boys with&#xA;bandages around their heads, black patches on their eyes, thick glasses. Some walk around tapping at beds with sticks. A man cries all the time that he'll never see again, he's too young, his children are babies, he'll never see them again. Jesus Christ, oh, Jesus Christ, and the nuns are shocked at the way he takes the name of the Lord in vain. Stop that, Maurice, stop the blasphemy. You have your health. You're alive. We all have our problems. Offer it up and think of the sufferings of Our Lord on the cross, the crown of thorns, the nails in His poor hands and feet, the wound in His side. Maurice says, Oh, Jesus, look down and have pity on me. Sister Bernadette warns him if he doesn't mind his language they'll put him in a ward alone and he says, Heavenly God, and that isn't as bad as Jesus Christ so she's satisfied.&#xA;In the morning I have to go downstairs for drops. The nurse says, Sit in this high chair and here's a nice sweet. The doctor has a bottle with brown stuff in it. He tells me put my head back, that's right, now open up, open your eyes and he pours the stuff into my right eye and it's a flame going through my skull. The nurse says, Open the other eye, come on be a good boy, and she has to force the eyelids open so the doctor can set fire to the other side of my skull. She wipes my cheeks and tells me run along upstairs but I can barely see and I want to stick my face into an icy stream. The doctor says, Run along, be a man, be a good trooper.&#xA;The whole world is brown and blurry on the stairs. The other patients are sitting by their beds with dinner trays and mine is there too but I don't want it with the way my skull is raging. I sit by my bed and a boy across the way says, Hoi, don't you want your dinner? I'll take it, and he comes for it.&#xA;I try to lie on the bed but a nurse says, Now, now, no lying on the bed in the middle of the day. Your case isn't that serious.&#xA;I have to sit with my eyes closed and everything going brown and black, black and brown and I'm sure I must be having a dream because Lord God above, is that the little fella with the typhoid, little Frankie, the moon was a ghostly galleon tossed upon cloudy seas, is that yourself, Frankie, for wasn't I promoted out of the Fever Hospital, thank God, where there's every class of disease and you never know what germs you&#xA;might be bringing home to the wife in your clothes and what's up with you, Frankie, and the two eyes in your head all gone brown?&#xA;I have an infection, Seamus.&#xA;Yerra, you'll be over that before you're married, Frankie. The eyes need exercise. The blink is great value for the eyes. I had an uncle with bad eyes and the blink saved him. He sat an hour ever day and blinked and it stood to him in the end. Wound up with powerful eyes, so he did.&#xA;I want to ask him more about the blink and the powerful eyes but he says, Now do you remember the poem, Frankie, the lovely poem of Patricia? He stands in the aisle between the beds with his mop and his bucket&#xA;and says the highwayman poem and all the patients stop their moaning and the nuns and nurses stand and listen and on and on goes Seamus till he comes to the end and everyone goes mad clapping and cheering him and he tells the world he loves that poem he'll have it in his head forever no matter where he goes and if it wasn't for Frankie McCourt and his typhoid there and poor Patricia Madigan with the dipteria that's gone God rest her he'd never know the poem and there I am famous in the eye ward of the City Home Hospital and all because of Seamus.&#xA;Mam can't come to visit every day, it's a long way out, she doesn't always have the money for the bus and the walk is hard on her corns. She thinks my eyes look better though you can't tell with all that brown stuff, which looks and smells like iodine and if it's anything like iodine it must burn. Still, they say the bitterer the medicine the quicker the cure. She gets permission to take me for a walk around the grounds when the weather clears and there's a strange sight, Mr. Timoney standing against the wall where the old people are with his eyes raised to the sky. I want to talk to him and I have to ask Mam because you never know what's right or wrong in a hospital.&#xA;Mr. Timoney.&#xA;Who is it? Who do we have?&#xA;Frank McCourt, sir.&#xA;Francis, ah, Francis.&#xA;Mam says, I'm his mother, Mr. Timoney.&#xA;Well, then, the two of ye are blessed. I have neither kith nor kin&#xA;nor Macushla my dog. And what are you doing in this place, Francis?&#xA;I have an infection in my eyes.&#xA;Ah, Jesus, Francis, not the eyes, not the eyes. Mother of Christ,&#xA;you're too young for that.&#xA;Mr. Timoney, would you like me to read to you?&#xA;With them eyes, Francis? Ah, no, son, Save the eyes. I'm beyond&#xA;reading. In my head I have everything I need. I was smart enough to put things in my head in my youth and now I have a library in my head. The English shot my wife. The Irish put down my poor innocent Macushla. Isn't it a joke of a world?&#xA;Mam says, Terrible world but God is good.&#xA;Indeed, missus. God made the world, it's a terrible world, but God is good. Good-bye, Francis. Rest your eyes and then read till they fall out of your head. We had good times with old Jonathan Swift, didn't we, Francis?&#xA;We did, Mr. Timoney.&#xA;Mam takes me back to the eye ward. She tells me, Don't be crying over Mr. Timoney, he's not even your father. Besides you'll be ruining your eyes.&#xA;Seamus comes to the ward three times a week and brings new poems in his head. He says, You made Patricia sad, Frankie, when you didn't like the one about the owl and the pussycat.&#xA;I'm sorry, Seamus.&#xA;I have it in my head, Frankie, and I'll say it for you if you don't say 'tis foolish.&#xA;I won't, Seamus.&#xA;He says the poem and everyone in the ward loves it. They want the words and he says it three more times till the whole ward is saying, The Owl and the Pussy cat went to sea In a beautiful pea-green boat.&#xA;They took some honey, and plenty of money Wrapped up in a five-pound note.&#xA;The Owl looked up to the stars above,&#xA;And sang to a small guitar,&#xA;O lovely Pussy, O Pussy, my love,&#xA;What a beautiful Pussy you are,&#xA;You are,&#xA;You are.&#xA;What a beautiful Pussy you are.&#xA;They say it along with Seamus now and when it's finished they cheer and clap and Seamus laughs, delighted with himself. When he's gone with his mop and bucket you can hear them at all hours of the day and night O lovely Pussy, O Pussy, my love, What a beautiful Pussy you are, You are, You are.&#xA;What a beautiful Pussy you are.&#xA;Then Seamus comes with no mop and no bucket and I'm afraid he's sacked over the poetry but he's smiling and telling me he's off to England to work in a factory and earn decent wages for a change. He'll work for two months and bring the wife over and God might be pleased to send them children for he has to do something with all the poems in his head and what better than saying them to small ones in memory of that sweet Patricia Madigan dead of the dipteria.&#xA;Good-bye, Francis. If I had the right fist I'd write to you but I'll get the wife to write when she comes over. I might even learn to read and write myself so that the child that comes won't have a fool for a father.&#xA;I want to cry but you can't cry in the eye ward with brown stuff in your eyes and nurses saying, What's this what's this be a man, and nuns going on, Offer it up, think of the sufferings of Our Lord on the cross, the crown of thorns, the lance in the side, the hands and feet torn to bits with nails.&#xA;I'm a month in the hospital and the doctor says I can go home even if there's still a bit of infection but if I keep the eyes clean with soap and clean towels and build up my health with nourishing food plenty of beef and eggs I'll have a pair of sparkling eyes in no time ha ha.&#xA;Mr. Downes across the way comes back from England for his mother's funeral. He tells Mrs. Downes about my father. She tells Bridey Hannon and Bridey tells my mother. Mr. Downes says that Malachy McCourt is gone pure mad with the drink, that he squanders his wages in pubs all over Coventry, that he sings Irish rebel songs which the English don't mind because they're used to the way the Irish carry on about the hundreds of years of suffering, but they won't put up with any man that stands up in&#xA;a pub and insults the King and Queen of England, their two lovely daughters and the Queen Mother herself. Insulting the Queen Mother is going beyond the beyonds. What did she ever do to anyone, that poor old lady? Time after time Malachy drinks away his rent money and winds up sleeping in parks when the landlord throws him out. He's a regular disgrace, so he is, and Mr. Downes is glad McCourt is not a Limerickman bringing shame to this ancient city. The magistrates in Coventry are losing their patience and if Malachy McCourt doesn't stop the bloody nonsense he'll be kicked out of the country entirely.&#xA;Mam tells Bridey she doesn't know what she's going to do with these stories from England, she never felt so desperate in her life. She can see Kathleen O'Connell doesn't want to give any more credit at the shop and her own mother barks at her if she asks for the loan of a shilling and the St. Vincent de Paul Society want to know when she'll stop asking for charity especially with a husband in England. She's ashamed of the way we look with the dirty old torn shirts, raggedy ganseys, broken shoes, holes in our stockings. She lies awake at night thinking the most merciful thing of all would be to put the four boys in an orphanage so that she could go to England herself and find some type of work where she could bring us all over in a year for the better life. There might be bombs but she'd prefer bombs anytime to the shame of begging from this one and that one.&#xA;No, no matter what she can't bear the thought of putting us in the orphanage. That might be all right if you had the likes of Boys' Town in America with a nice priest like Spencer Tracy but you could never trust the Christian Brothers out in Glin who get their exercise beating boys and starving the life out of them.&#xA;Mam says there's nothing left but the Dispensary and the public assistance, the relief, and she's ashamed of her life to go and ask for it. It means you're at the end of your rope and maybe one level above tinkers, knackers and street beggars in general. It means you have to crawl before Mr. Coffey and Mr. Kane and thank God the Dispensary is at the other end of Limerick so that people in our lane won't know we're getting the relief.&#xA;She knows from other women it's wise to be there early in the morning when Mr. Coffey and Mr. Kane might be in a good mood. If you go late in the morning they're liable to be cranky after seeing hundreds of men women and children sick and asking for help. She will take us with her to prove she has four children to feed. She gets us up early and tells us for once in our lives don't wash our faces, don't comb our hair, dress in any old rag. She tells me give my sore eyes a good rub and make them as red as I can for the worse you look at the Dispensary the more pity you get and the better your chances of getting the public assistance. She complains that Malachy Michael and Alphie look too healthy and you'd wonder why on this day of days they couldn't have their usual scabby knees or the odd cut bruise or black eye. If we meet anyone in the lane or the streets of Limerick we are not to tell them where we're going. She feels ashamed enough without telling the whole world and wait till her own mother hears.&#xA;There is a queue already outside the Dispensary. There are women like Mam with children in their arms, babies like Alphie, and children playing on the pavement. The women comfort the babies against the cold and scream at the ones playing in case they run into the street and get hit by a motor car or a bicycle. There are old men and women huddled&#xA;against the wall talking to themselves or not talking at all. Mam warns us not to wander from her and we wait half an hour for the big door to open. A man tells us move inside in proper order and queue up before the platform, that Mr. Coffey and Mr. Kane will be there in a minute when they finish their tea in the room beyond. A woman complains her children are freezing with the cold and couldn't Coffey and Kane bloody well hurry up with their tea. The man says she's a troublemaker but he won't take her name this time with the cold that's in the morning but if there's another word she'll be a sorry woman.&#xA;Mr. Coffey and Mr. Kane get up on the platform and pay no attention to the people. Mr. Kane puts on his glasses, takes them off, polishes them, puts them on, looks at the ceiling. Mr. Coffey reads papers, writes something, passes papers to Mr. Kane. They whisper to each other. They take their time. They don't look at us.&#xA;Then Mr. Kane calls the first old man to the platform. What's your&#xA;name?&#xA;Timothy Creagh, sir.&#xA;Creagh, hah? A fine old Limerick name you have there.&#xA;I do, sir. Indeed I do.&#xA;And what do you want, Creagh?&#xA;Ah, sure, I do be havin' them pains in me stomach again an' I'd&#xA;like to see Dr. Feeley.&#xA;Well, now, Creagh, are you sure it's not the pints of porter that&#xA;are going against your stomach.&#xA;Ah, no, indeed, sir. Sure I hardly touch the pint at all with the&#xA;pains. My wife is home in the bed and I have to take care of her too. There's great laziness in the world, Creagh. And Mr. Kane says to&#xA;the people on the queue, Did ye hear that, ladies? Great laziness, isn't there?&#xA;And the women say, Oh, there is, indeed, Mr. Kane, great laziness. Mr. Creagh gets his docket to see the doctor, the queue moves ahead&#xA;and Mr. Kane is ready for Mam.&#xA;The public assistance, is&#xA;'Tis, Mr. Kane.&#xA;And where's your husband?&#xA;Oh, he's in England, but-&#xA;England, is it? And where&#xA;that what you want, woman, the relief?&#xA;is the weekly telegram, the big five&#xA;pounds?&#xA;He didn't send us a penny in months, Mr. Kane.&#xA;Is that a fact? Well, we know why, don't we? We know what the men&#xA;of Ireland are up to in England. We know there's the occasional Limerickman seen trotting around with a Piccadilly tart, don't we?&#xA;He looks out at the people on the queue and they know they're supposed to say, We do, Mr. Kane, and they know they're supposed to smile and laugh or things will go hard with them when they reach the platform. They know he might turn them over to Mr. Coffey and he's notorious for saying no to everything.&#xA;Mam tells Mr. Kane that Dad is in Coventry and nowhere near Piccadilly and Mr. Kane takes off his glasses and stares at her. What's this? Are we having a little contradiction here?&#xA;Oh, no, Mr. Kane, God no.&#xA;I want you to know, woman, that it is the policy here to give no relief to women with husbands in England. I want you to know you're&#xA;taking the bread from the mouths of more deserving people who stayed in this country to do their bit.&#xA;Oh, yes, Mr. Kane.&#xA;And what's your name?&#xA;McCourt, sir.&#xA;That's not a Limerick name. Where did you get a name like that? My husband, sir. He's from the North.&#xA;He's from the North and he leaves you here to get the relief from&#xA;the Irish Free State. Is this what we fought for, is it? I don't know, sir.&#xA;Why don't you go up to Belfast and see what the Orangemen will do for you, ah?&#xA;I don't know, sir.&#xA;You don't know. Of course you don't know. There's great ignorance in the world.&#xA;He looks out at the people, I said there's great ignorance in the world, and the people nod their heads and agree there's great ignorance in the world.&#xA;He whispers to Mr. Coffey and they look at Mam, they look at us. He tells Mam at last that she can have the public assistance but if she gets a single penny from her husband she's to drop all claims and give the money back to the Dispensary. She promises she will and we leave.&#xA;We follow her to Kathleen O'Connell's shop to get tea and bread and a few sods of turf for the fire. We climb the stairs to Italy and get the fire going and it's cozy when we have our tea. We're all very quiet, even the baby Alphie, because we know what Mr. Kane did to our mother.&#xA;X&#xA;It's cold and wet down in Ireland but we're up in Italy. Mam says we should bring the poor Pope up to hang on the wall opposite the window. After all he's a friend of the workingman, he's Italian, and they're a warm weather people. Mam sits by the fire, shivering, and we know something is wrong when she makes no move for a cigarette. She says she feels a cold coming and she'd love to have a tarty drink, a lemonade. But there's no money in the house, not even for bread in the morning. She drinks tea and goes to bed.&#xA;The bed creaks all night with her twistings and turnings and she keeps us awake with her moaning for water. In the morning, she stays in bed, still shivering, and we keep quiet. If she sleeps long enough Malachy and I will be too late for school. Hours pass and still she makes no move and when I know it's well past school time I start the fire for the kettle. She stirs and calls for lemonade but I give her a jam jar of water. I ask her if she'd like some tea and she acts like a woman gone deaf. She looks flushed and it's odd she doesn't even mention cigarettes.&#xA;We sit quietly by the fire, Malachy, Michael, Alphie, myself. We drink our tea while Alphie chews the last bit of bread covered with sugar. He makes us laugh the way he smears the sugar all over his face and grins at us with his fat sticky cheeks. But we can't laugh too much or Mam will jump out of the bed and order Malachy and me off to school where we'll be killed for being late. We don't laugh long, there is no more bread and we're hungry, the four of us. We can get no more credit at&#xA;O'Connell's shop. We can't go near Grandma, either. She yells at us all the time because Dad is from the North and he never sends money home from England where he is working in a munitions factory. Grandma says we could starve to death for all he cares. That would teach Mam a lesson for marrying a man from the North with sallow skin, an odd manner and a look of the Presbyterian about him.&#xA;Still, I'll have to try Kathleen O'Connell once more. I'll tell her my mother is sick above in the bed, my brothers are starving and we'll all be dead for the want of bread.&#xA;I put on my shoes and run quickly through the streets of Limerick to keep myself warm against the February frost. You can look in people's windows and see how cozy it is in their kitchens with fires glowing or ranges black and hot everything bright in the electric light cups and saucers on the tables with plates of sliced bread pounds of butter jars of jam smells of fried eggs and rashers coming through the windows enough to make the water run in your mouth and families sitting there digging in all smiling the mother crisp and clean in her apron everyone washed and the Sacred Heart of Jesus looking down on them from the wall suffering and sad but still happy with all that food and light and good Catholics at their breakfast.&#xA;I try to find music in my own head but all I can find is my mother moaning for lemonade.&#xA;Lemonade. There's a van pulling away from South's pub leaving crates of beer and lemonade outside and there isn't a soul on the street. In a second I have two bottles of lemonade up under my jersey and I saunter away trying to look innocent.&#xA;There's a bread van outside Kathleen O'Connell's shop. The back door is open on shelves of steaming newly baked bread. The van driver is inside the shop having tea and a bun with Kathleen and it's no trouble for me to help myself to a loaf of bread. It's wrong to steal from Kathleen with the way she's always good to us but if I go in and ask her for bread she'll be annoyed and tell me I'm ruining her morning cup of tea, which she'd like to have in peace ease and comfort thank you. It's easier to stick the bread up under my jersey with the lemonade and promise to tell everything in confession.&#xA;My brothers are back in bed playing games under the overcoats but they jump when they see the bread. We tear at the loaf because we're too hungry to slice it and we make tea from this morning's leaves. When my mother stirs Malachy holds the lemonade bottle to her lips and she gasps till she finishes it. If she likes it that much I'll have to find more lemonade.&#xA;We put the last of the coal on the fire and sit around telling stories which we make up the way Dad did. I tell my brothers about my adventures with the lemonade and bread and I make up stories about how I was chased by pub owners and shopkeepers and how I ran into St. Joseph's Church where no one can follow you if you're a criminal, not even if you killed your own mother. Malachy and Michael look shocked over the way I got the bread and lemonade but then Malachy says it was only what Robin Hood would have done, rob the rich and give to the poor. Michael says I'm an outlaw and if they catch me they'll hang me from the highest tree in the People's Park the way outlaws are hanged in films at the Lyric Cinema. Malachy says I should make sure I'm in a state of grace because it might be hard to find a priest to come to my hanging. I tell him a priest would have to come to the hanging. That's what priests are for.&#xA;Roddy McCorley had a priest and so did Kevin Barry. Malachy says there were no priests at the hanging of Roddy McCorley and Kevin Barry because they're not mentioned in the songs and he starts singing the songs to prove it till my mother groans in the bed and says shut up.&#xA;Alphie the baby is asleep on the floor by the fire. We put him into the bed with Mam so that he'll be warm though we don't want him to catch her disease and die. If she wakes up and finds him dead in the bed beside her there will be no end to the lamentations and she'll blame me on top of it.&#xA;The three of us get back into our own bed, huddling under the overcoats and trying not to roll into the hole in the mattress. It's pleasant there till Michael starts to worry over Alphie getting Mam's disease and me getting hanged for an outlaw. He says it isn't fair because that would leave him with only one brother and everyone in the world has brothers galore. He falls asleep from the worry and soon Malachy drifts off and I lie there thinking of jam. Wouldn't it be lovely to have another loaf of bread and a jar of strawberry jam or any kind of jam. I can't remember ever seeing a jam van making a delivery and I wouldn't want to be like Jesse James blasting my way into a shop demanding jam. That would surely lead to a hanging.&#xA;There's a cold sun coming through the window and I'm sure it must be warmer outside and wouldn't my brothers be surprised if they woke and found me there with more bread and jam. They'd gobble everything and then go on about my sins and the hanging.&#xA;Mam is still asleep though her face is red and there's a strangling sound when she snores.&#xA;I have to be careful going through the street because it's a school day and if Guard Dennehy sees me he'll drag me off to school and Mr. O'Halloran will knock me all over the classroom. The guard is in charge of school attendance and he loves chasing you on his bicycle and dragging you off to school by the ear.&#xA;There's a box sitting outside the door of one of the big houses on Barrington Street. I pretend to knock on the door so that I can see what's in the box, a bottle of milk, a loaf of bread, cheese, tomatoes and, oh, God, a jar of marmalade. I can't shove all that under my jersey. Oh, God. Should I take the whole box? The people passing by pay me no attention. I might as well take the whole box. My mother would say you might as well be hung for a sheep as a lamb. I lift the box and try to look like a messenger boy making a delivery and no one says a word.&#xA;Malachy and Michael are beside themselves when they see what's in the box and they're soon gobbling thick cuts of bread slathered with golden marmalade. Alphie has the marmalade all over his face and hair and a good bit on his legs and belly. We wash down the food with cold tea because we have no fire to heat it.&#xA;Mam mumbles again for lemonade and I give her half the second bottle to keep her quiet. She calls for more and I mix it with water to stretch it because I can't be spending my life running around lifting lemonade from pubs. We're having a fine time of it till Mam begins to rave in the bed about her lovely little daughter taken from her and her twin boys gone before they were three and why couldn't God take the rich for a change and is there any lemonade in the house? Michael wants to know if Mam will die and Malachy tells him you can't die till a priest comes. Then Michael wonders if we'll ever have a fire and hot tea again because he's freezing in the bed even with the overcoats left over from&#xA;olden times. Malachy says we should go from house to house asking for turf and coal and wood and we could use Alphie's pram to carry the load. We should take Alphie with us because he's small and he smiles and people will see him and feel sorry for him and us. We try to wash all the dirt and lint and feathers and sticky marmalade but when we touch him with water he howls. Michael says he'll only get dirty again in the pram so what's the use of washing him. Michael is small but he's always saying remarkable things like that.&#xA;We push the pram out to the rich avenues and roads but when we knock on the doors the maids tell us go away or they'll call the proper authorities and it's a disgrace to be dragging a baby around in a wreck of a pram that smells to the heavens a filthy contraption that you wouldn't use to haul a pig to the slaughterhouse and this is a Catholic country where babies should be cherished and kept alive to hand down the faith from generation to generation. Malachy tells one maid to kiss his arse and she gives him such a clout the tears leap to his eyes and he says he'll never in his life ask the rich for anything again. He says there's no use asking anymore, that we should go around the backs of the houses and climb over the walls and take what we want. Michael can ring the front doorbells to keep the maids busy and Malachy and I can throw coal and turf over the walls and fill the pram all around Alphie.&#xA;We collect that way from three houses but then Malachy throws a piece of coal over a wall and hits Alphie and he starts screaming and we have to run forgetting Michael, still ringing doorbells and getting abuse from maids. Malachy says we should take the pram home first and then go back for Michael. We can't stop now with Alphie bawling and people giving us dirty looks and telling us we're a disgrace to our mother and Ireland in general.&#xA;When we're back home it takes a while to dig Alphie out from under the load of coal and turf and he won't stop screaming till I give him bread and marmalade. I'm afraid Mam will leap from her bed but she only mumbles on about Dad and drink and babies dead.&#xA;Malachy is back with Michael, with stories of his adventures ringing doorbells. One rich woman answered the door herself and invited him into the kitchen for cake and milk and bread and jam. She asked him all about his family and he told her his father had a big job in England but his mother is in the bed with a desperate disease and calling for lemonade morning noon and night. The rich woman wanted to know who was taking care of us and Michael bragged we were taking care of ourselves, that there was no shortage of bread and marmalade. The rich woman wrote down Michael's name and address and told him be a good boy and go home to his brothers and his mother in the bed.&#xA;Malachy barks at Michael for being such a fool as to tell a rich woman anything. She'll go now and tell on us and before we know it we'll have the priests of the world banging on the door and disturbing us.&#xA;There's the banging on the door already. But it isn't a priest, it's Guard Dennehy. He calls up, Hello, hello, is anybody home? Are you there, Mrs. McCourt?&#xA;Michael knocks on the window and waves at the guard. I give him a good kick for himself and Malachy thumps him on the head and he yells, I'll tell the guard. I'll tell the guard. They're killing me, guard. They're thumping and kicking.&#xA;He won't shut up and Guard Dennehy shouts at us to open the door. I call out the window and tell him I can't open the door because my mother is in bed with a terrible disease.&#xA;Where's your father?&#xA;He's in England.&#xA;Well, I'm coming in to talk to your mother.&#xA;You can't. You can't. She has the disease. We all have the disease.&#xA;It might be the typhoid. It might be the galloping consumption. We're getting spots already. The baby has a lump. It could kill.&#xA;He pushes in the door and climbs the stairs to Italy just as Alphie crawls out from under the bed covered with marmalade and dirt. He looks at him and my mother and us, takes off his cap and scratches his head. He says, Jesus, Mary and Joseph, this is a desperate situation. How did your mother get sick like that?&#xA;I tell him he shouldn't go near her and when Malachy says we might not be able to go to school for ages the guard says we'll go to school no matter what, that we're on the earth to go to school the way he's on the earth to make sure we go to school. He wants to know if we have any relations and he sends me off to tell Grandma and Aunt Aggie to come to our house.&#xA;They scream at me and tell me I'm filthy. I try to explain that Mam has the disease and I'm worn out trying to make ends meet, keeping the home fires burning, getting lemonade for Mam and bread for my brothers. There's no use telling them about the marmalade for they'll only scream again. There's no use telling them about the nastiness of rich people and their maids.&#xA;They push me all the way back to the lane, barking at me and disgracing me on the streets of Limerick. Guard Dennehy is still scratching his poll. He says, Look at this, a disgrace. You wouldn't see the likes of this in Bombay or the Bowery of New York itself.&#xA;Grandma is wailing at my mother, Mother o' God, Angela, what's up with you in the bed? What did they do to you?&#xA;My mother runs her tongue over her dry lips and gasps for more lemonade.&#xA;She wants lemonade, says Michael, and we got it for her and bread and marmalade and we're all outlaws now. Frankie was the first outlaw till we went raiding for coal all over Limerick.&#xA;Guard Dennehy looks interested and takes Michael downstairs by the hand and in a few minutes we hear him laughing. Aunt Aggie says that's a disgraceful way to behave with my mother sick in the bed. The guard comes back and tells her go for a doctor. He keeps covering his face with his cap whenever he looks at me or my brothers. Desperadoes, he says, desperadoes.&#xA;The doctor comes with Aunt Aggie in his motor car and he has to rush my mother to the hospital with her pneumonia. We'd all like to go riding in the doctor's car but Aunt Aggie says, No, ye are all coming to my house till yeer mother comes home from the hospital.&#xA;I tell her not to bother. I'm eleven and I can easily look after my brothers. I'd be glad to stay at home from school and make sure everyone is fed and washed. But Grandma screams I will do no such a thing and Aunt Aggie gives me a thump for myself. Guard Dennehy says I'm too young yet to be an outlaw and a father but I have a promising future in both departments.&#xA;Get your clothes, says Aunt Aggie, ye are coming to my house till yeer mother is out of the hospital. Jesus above, that baby is a disgrace.&#xA;She finds a rag and ties it around Alphie's bottom for fear he might shit all over the pram. Then she looks at us and wants to know why we're standing there with our faces hanging out after she told us get our clothes. I'm afraid she'll hit me or yell at me when I tell her it's all right, we have our clothes, they're on us. She stares at me and shakes her head. Here, she says, put some sugar and water in the child's bottle. She tells me I have to push Alphie through the streets, she can't manage the pram with that bockety wheel that makes it rock back and forth and besides 'tis a disgraceful looking object she'd be ashamed to put a mangy dog in. She takes the three old coats from our bed and piles them on the pram till you can hardly see Alphie at all.&#xA;Grandma comes with us and barks at me all the way from Roden Lane to Aunt Aggie's flat in Windmill Street. Can't you push that pram properly? Jesus, you're going to kill that child. Stop goin' from side to side or I'll give you a good clitther on the gob. She won't come into Aunt Aggie's flat. She can't stand the sight of us one more minute. She's fed up with the whole McCourt clan from the days when she had to send six fares to bring us all back from America, dishing out more money for funerals for dead children, giving us food every time our father drank the dole or the wages, helping Angela carry on while that blaguard from the North drinks his wages all over England. Oh, she's fed up, so she is, and off she goes across Henry Street with her black shawl pulled up around her white head, limping along in her black high laced boots.&#xA;When you're eleven and your brothers are ten, five and one, you don't know what to do when you go to someone's house even if she's your mother's sister. You're told to leave the pram in the hall and bring the baby into the kitchen but if it's not your house you don't know what to do once you get into the kitchen for fear the aunt will yell at you or hit you on the skull. She takes off her coat and takes it to the bedroom and you stand with the baby in your arms waiting to be told. If you take one step forward or one step to the side she might come out and say where are you going and you don't know what to answer because you don't know yourself. If you say anything to your brothers she might say who do you think you're talking to in my kitchen? We have to stand and be quiet and that's hard when there's a tinkling sound from the bedroom and we know she's on the chamber pot peeing away. I don't want to look at Malachy. If I do I'll smile and he'll smile and Michael will smile and there's danger we'll start laughing and if we do we won't be able to stop for days at the picture in our heads of Aunt Aggie's big white bum perched on a flowery little chamber pot. I'm able to control myself. I won't laugh. Malachy and Michael won't laugh and it's easy to see we're all proud of ourselves for not laughing and getting into trouble with Aunt Aggie till Alphie in my arms smiles and says Goo goo and that sets us off. The three of us burst out laughing and Alphie grins with his dirty face and says Goo goo again till we're helpless and Aunt Aggie roars out of the room pulling her dress down and gives me a thump on the head that sends me against the wall baby and all. She hits Malachy too and she tries to hit Michael but he runs to the other side of her round table and she can't get at him. Come over here, she says, and I'll wipe that grin off your puss, but Michael keeps running around the table and she's too fat to catch him. I'll get you later, she says, I'll warm your arse, and you, Lord Muck, she says to me, put that child down on the floor over there by&#xA;the range. She puts the old coats from the pram on the floor and Alphie lies there with his sugary water and says Goo goo and smiles. She tells us take off every scrap of our clothes, get out to the tap in the backyard and scrub every inch of our bodies. We are not to come back into this house till we're spotless. I want to tell her it's the middle of February, it's freezing outside, we could all die, but I know if I open my mouth I might die right here on the kitchen floor.&#xA;We're out in the yard naked dousing ourselves with icy water from the tap. She opens the kitchen window and throws out a scrub brush and a big bar of brown soap like the one they used on Finn the Horse. She orders us to scrub each other's backs and don't stop till she tells us. Michael says his hands and feet are falling off with the cold but she doesn't care. She keeps telling us we're still dirty and if she has to come out to scrub us we'll rue the day. Another rue. I scrub myself harder. We all scrub till we're pink and our jaws chatter. It's not enough for Aunt Aggie. She comes out with a bucket and sloshes cold water all over us. Now, she says, get inside and dry yeerselves. We stand in the little shed next to her kitchen drying ourselves with one towel. We stand and shiver and wait because you can't go marching into her kitchen till she tells you. We hear her inside starting the fire, rattling the poker in the range, then yelling at us, Are ye goin' to stand in there all day? Come in here and put on yeer clothes.&#xA;She gives us mugs of tea and cuts of fried bread and we sit at the table eating quietly because you're not supposed to say a word unless she tells you. Michael asks her for a second cut of fried bread and we expect her to knock him off the chair for his cheek but she just grumbles, 'Tis far from two cuts of fried bread ye were brought up, and gives each of us another cut. She tries to feed Alphie bread soaked in tea but he won't eat it till she sprinkles it with sugar and when he's finished he smiles and pees all over her lap and we're delighted. She runs out to the shed to dab at herself with a towel and we're able to grin at each other at the table and tell Alphie he's the champion baby in the world. Uncle Pa Keating comes in the door all black from his job at the gas works. Oh, bejay, he says, what's this?&#xA;Michael says, My mother is in the hospital, Uncle Pa. Is that so? What's up with her?&#xA;Pneumonia, says Malachy.&#xA;Well, now, that's better than oldmonia.&#xA;We don't know what he's laughing at and Aunt Aggie comes in from the shed and tells him how Mam is in the hospital and we're to stay with them till she gets out. He says, Grand, grand, and goes to the shed to wash himself though when he comes back you'd never know he touched himself with water at all he's that black.&#xA;He sits at the table and Aunt Aggie gives him his supper, which is fried bread and ham and sliced tomatoes. She tells us get away from the table and stop gawking at him having his tea and tells him to stop giving us bits of ham and tomato. He says, Arrah, for Jaysus sake, Aggie, the children are hungry, and she says, 'Tis none of your business. They're not yours. She tells us go out and play and be home for bed by half-past eight. We know it's freezing outside and we'd like to stay in by that warm range but it's easier to be in the streets playing than inside with Aunt Aggie and her nagging.&#xA;She calls me in later and sends me upstairs to borrow a rubber sheet from a woman who had a child that died. The woman says tell your&#xA;aunt I'd like that rubber sheet back for the next child. Aunt Aggie says, Twelve years ago that child died and she still keeps the rubber sheet. Forty-five she is now and if there's another child we'll have to look for a star in the East. Malachy says, What's that? and she tells him mind his own business, he's too young.&#xA;Aunt Aggie places the rubber sheet on her bed and puts Alphie on it between herself and Uncle Pa. She sleeps inside against the wall and Uncle Pa outside because he has to get up in the morning for work. We are to sleep on the floor against the opposite wall with one coat under us and two over. She says if she hears a word out of us during the night she'll warm our arses and we're to be up early in the morning because it's Ash Wednesday and it wouldn't do us any harm to go to Mass and pray for our poor mother and her pneumonia.&#xA;The alarm clock shocks us out of our sleep. Aunt Aggie calls from her bed, The three of ye are to get up and go to Mass. Do ye hear me? Up. Wash yeer faces and go to the Jesuits.&#xA;Her backyard is all frost and ice and our hands sting from the tap water. We throw a little on our faces and dry with the towel that's still damp from yesterday. Malachy whispers our wash was a lick and a promise, that's what Mam would say.&#xA;The streets are frosty and icy, too, but the Jesuit church is warm. It must be grand to be a Jesuit, sleeping in a bed with sheets blankets pillows and getting up to a nice warm house and a warm church with nothing to do but say Mass hear confessions and yell at people for their sins have your meals served up to you and read your Latin office before you go to sleep. I'd like to be a Jesuit some day but there's no hope of that when you grow up in a lane. Jesuits are very particular. They don't like poor people. They like people with motor cars who stick out their little fingers when they pick up their teacups.&#xA;The church is crowded with people at seven o'clock Mass getting the ashes on their foreheads. Malachy whispers that Michael shouldn't get the ashes because he won't be making his First Communion till May and it would be a sin. Michael starts to cry, I want the ashes, I want the ashes. An old woman behind us says, What are ye doin' to that lovely child? Malachy explains the lovely child never made his First Communion and he's not in a state of grace. Malachy is getting ready for Confirmation himself, always showing off his knowledge of the catechism, always going on about state of grace. He won't admit I knew all about the state of grace a year ago, so long ago I'm starting to forget it. The old woman says you don't have to be in a state of grace to get a few ashes on your forehead and tells Malachy stop tormenting his poor little brother. She pats Michael on the head and tells him he's a lovely child and go up there and get your ashes. He runs to the altar and when he comes back the woman gives him a penny to go with his ashes.&#xA;Aunt Aggie is still in the bed with Alphie. She tells Malachy to fill Alphie's bottle with milk and bring it to him. She tells me to start the fire in the range, that there's paper and wood in a box and coal in the coal scuttle. If the fire won't start sprinkle it with a little paraffin oil. The fire is slow and smoky and I sprinkle it with the paraffin oil, it flares up, whoosh, and nearly takes my eyebrows off. There is smoke everywhere and Aunt Aggie rushes into the kitchen. She shoves me away from the range. Jesus above, can't you do anything right? You're supposed to open the damper, you eejit.&#xA;I don't know anything about dampers. In our house we have a fireplace in Ireland downstairs and a fireplace in Italy upstairs and no sign of a damper. Then you go to your aunt's house and you're supposed to know all about dampers. There's no use telling her this is the first time you ever lit a fire in a range. She'll just give you another thump on the skull and send you flying. It's hard to know why grown people get so angry over little things like dampers. When I'm a man I won't go around thumping small children over dampers or anything else. Now she yells at me, Look at Lord Muck standing there. Would you ever think of opening the window and letting out the smoke? Of course you wouldn't. You have a puss on you like your father from the North. Do you think now you can boil the water for the tea without burning the house down?&#xA;She cuts three slices from a loaf, smears them with margarine for us and goes back to bed. We have the tea and bread and it's one morning we're glad to go to school where it's warm and there are no yelling aunts.&#xA;After school she tells me sit at the table and write my father a letter about Mam in the hospital and how we're all at Aunt Aggie's till Mam comes home. I'm to tell him we're all happy and in the best of health, send money, food is very dear, growing boys eat a lot, ha ha, Alphie the baby needs clothes and nappies.&#xA;I don't know why she's always angry. Her flat is warm and dry. She has electric light in the house and her own lavatory in the backyard. Uncle Pa has a steady job and he brings home his wages every Friday. He drinks his pints at South's pub but never comes home singing songs of Ireland's long woeful history. He says, A pox on all their houses, and he says the funniest thing in the world is that we all have arses that have to be wiped and no man escapes that. The minute a politician or a Pope starts his blather Uncle Pa thinks of him wiping his arse. Hitler and Roosevelt and Churchill all wipe their arses. De Valera, too. He says the only people you can trust in that department are the Mahommedans for they eat with one hand and wipe with the other. The human hand itself is a sneaky bugger and you never know what it's been up to.&#xA;There are good times with Uncle Pa when Aunt Aggie goes to the Mechanics' Institute to play cards, forty-five. He says, To hell with the begrudgers. He gets himself two bottles of stout from South's, six buns and a half pound of ham from the shop on the corner. He makes tea and we sit by the range drinking it, eating our ham sandwiches and buns and laughing over Uncle Pa and the way he goes on about the world. He says, I swallowed the gas, I drink the pint, I don't give a fiddler's fart about the world and its cousin. If little Alphie gets tired and cranky and cries Uncle Pa pulls his shirt back from his chest and tells him, Here, have a suck of diddy momma. The sight of that flat chest and the nipple shocks Alphie and makes him good again.&#xA;Before Aunt Aggie comes home we have to wash the mugs and clean up so she won't know we were stuffing ourselves with buns and ham sandwiches. She'd nag Uncle Pa for a month if she ever found out and that's what I don't understand. Why does he let her nag him like that? He went to the Great War, he was gassed, he's big, he has a job, he makes the world laugh. It's a mystery. That's what the priests and the masters tell you, everything is a mystery and you have to believe what you're told.&#xA;I could easily have Uncle Pa for a father. We'd have great times sitting by the fire in the range drinking tea and laughing over the way he farts and says, Light a match. That's a present from the Germans.&#xA;Aunt Aggie torments me all the time. She calls me scabby eyes. She says I'm the spitting image of my father, I have the odd manner, I have the sneaky air of a northern Presbyterian, I'll probably grow up and build an altar to Oliver Cromwell himself, I'll run off and marry an English tart and cover my house with pictures of the royal family.&#xA;I want to get away from her and I can think of only one way, to make myself sick and go to the hospital. I get up in the middle of the night and go to her backyard. I can pretend I'm going to the lavatory. I stand out in the open in the freezing weather and hope I'll catch pneumonia or the galloping consumption so that I'll go to the hospital with the nice clean sheets and the meals in the bed and books brought by the girl in the blue dress. I might meet another Patricia Madigan and learn a long poem. I stand in the backyard for ages in my shirt and bare feet looking up at the moon which is a ghostly galleon riding upon cloudy seas and go back to bed shivering hoping I'll wake up in the morning with a terrible cough and flushed cheeks. But I don't. I feel fresh and lively and I'd be in great form if I could be at home with my mother and brothers.&#xA;There are days when Aunt Aggie tells us she can't stand the sight of us another minute, Get away from me. Here, scabby eyes, take Alphie out in his pram, take your brothers, go to the park and play, do anything ye like and don't come back till teatime when the Angelus is ringing, not a minute later, do ye hear me, not a minute later. It's cold but we don't care. We push the pram up O'Connell Avenue out to Ballinacurra or the Rosbrien Road. We let Alphie crawl around in fields to look at cows and sheep and we laugh when the cows nuzzle him. I get under the cows and squirt the milk into Alphie's mouth till he's full and throws it up. Farmers chase us till they see how small Michael and Alphie are. Malachy laughs at the farmers. He says, Hit me now with the child in me arms. Then he has a great notion, Why can't we go to our own house and play a while? We find twigs and bits of wood in the fields and rush to Roden Lane. There are matches by the fireplace in Italy and we have a good fire going in no time. Alphie falls asleep and soon the rest of us drift off till the Angelus booms out of the Redemptorist church and we know we're in trouble with Aunt Aggie for being late.&#xA;We don't care. She can yell at us all she wants but we had a grand time out the country with the cows and the sheep and then the lovely fire above in Italy.&#xA;You can tell she never has grand times like that. Electric light and a lavatory but no grand times.&#xA;Grandma comes for her on Thursdays and Sundays and they take the bus to the hospital to see Mam. We can't go because children are not allowed and if we say, How's Mam? they look cranky and tell us she's all right, she'll live. We'd like to know when she's getting out of hospital so that we can all go back home but we're afraid to open our mouths.&#xA;Malachy tells Aunt Aggie one day he's hungry and could he have a piece of bread. She hits him with a rolled up Little Messenger of the Sacred Heart and there are tears on his eyelashes. He doesn't come home from school the next day and he's still gone at bedtime. Aunt Aggie says, Well, I suppose he ran away. Good riddance. If he was hungry he'd be here. Let him find comfort in a ditch.&#xA;Next day Michael runs in from the street, Dad's here, Dad's here, and runs back out and there's Dad sitting on the hall floor hugging Michael, crying, Your poor mother, your poor mother, and there's a smell of drink on him. Aunt Aggie is smiling, Oh, you're here, and she makes tea and eggs and sausages. She sends me out for a bottle of stout for Dad and I wonder why she's so pleasant and generous all of a sudden. Michael says, Are we going to our own house, Dad?&#xA;We are, son.&#xA;Alphie is back in the pram with the three old coats and coal and wood for the fire. Aunt Aggie stands at her door and tells us be good boys, come back for tea anytime, and there's a bad word for her in my head, Oul' bitch. It's in my head and I can't help it and I'll have to tell the priest in confession.&#xA;Malachy isn't in a ditch, he's there in our own house eating fish and chips a drunken soldier dropped at the gate of the Sarsfield Barracks.&#xA;Mam comes home in two days. She's weak and white and walks slowly. She says, The doctor told me keep warm, have plenty of rest and nourishing food, meat and eggs three times a week. God help us, those poor doctors don't have a notion of not having. Dad makes tea and toasts bread for her on the fire. He fries bread for the rest of us and we have a lovely night up in Italy where it's warm. He says he can't stay forever, he has to go back to work in Coventry. Mam wonders how he'll get to Coventry without a penny in his pocket. He's up early on Holy Saturday and I have tea with him by the fire. He fries four cuts of bread and wraps them in pages of the Limerick Chronicle, two cuts in each coat pocket. Mam is still in bed and he calls to her from the bottom of the stairs, I'm going now. She says, All right. Write when you land. My father is going to England and she won't even get out of the bed. I ask if I can go with him to the railway station. No, he's not going there. He's going to the Dublin road to see if he can get a lift. He pats my head, tells me take care of my mother and brothers and goes out the door. I watch him go up the lane till he turns the corner. I run up the lane to see him go down Barrack Hill and down St. Joseph's Street. I run down the hill and follow him as far as I can. He must know I'm following him because he turns and calls to me, Go home, Francis. Go home to your mother.&#xA;In a week there's a letter to say he arrived safely, that we are to be good boys, attend to our religious duties and above all obey our mother. In another week there's a telegram money order for three pounds and we're in heaven. We'll be rich, there will be fish and chips, jelly and custard, films every Saturday at the Lyric, the Coliseum, the Carlton, the Atheneum, the Central and the fanciest of all, the Savoy. We might even wind up having tea and cakes at the Savoy Café with the nobs and toffs of Limerick. We'll be sure to hold our teacups with our little fingers sticking out.&#xA;The next Saturday there's no telegram nor the Saturday after nor any Saturday forever. Mam begs again at the St. Vincent de Paul Society and smiles at the Dispensary when Mr. Coffey and Mr. Kane have their bit of a joke about Dad having a tart in Piccadilly. Michael wants to know what a tart is and she tells him it's something you have with tea. She spends most of the day by the fire with Bridey Hannon puffing on her Woodlbines, drinking weak tea. The bread crumbs from the morning are always on the table when we come home from school. She never washes the&#xA;jam jars or mugs and there are flies in the sugar and wherever there is sweetness.&#xA;She says Malachy and I have to take turns looking after Alphie, taking him out in the pram for a bit of fresh air. The child can't be kept in Italy from October to April. If we tell her we want to play with our pals she might let fly with a right cross to the head that stings the ears.&#xA;We play games with Alphie and the pram. I stand at the top of Barrack Hill and Malachy is at the bottom. When I give the pram a push down the hill Malachy is supposed to stop it but he's looking at a pal on roller skates and it speeds by him across the street and through the doors of Leniston's pub where men are having a peaceful pint and not expecting a pram with a dirty faced child saying Goo goo goo goo. The barman shouts this is a disgrace, there must be a law against this class of behavior, babies roaring through the door in bockety prams, he'll call the guards on us, and Alphie waves at him and smiles and he says, all right, all right, the child can have a sweet and a lemonade, the brothers can have lemonade too, that raggedy pair, and God above, 'tis a hard world, the minute you think you're getting ahead a pram comes crashing through the door and you're dishing out sweets and lemonade right and left, the two of ye take that child and go home to yeer mother.&#xA;Malachy has another powerful idea, that we could go around Limerick like tinkers pushing Alphie in his pram into pubs for the sweets and lemonade, but I don't want Mam finding out and hitting me with her right cross. Malachy says I'm not a sport and runs off. I push the pram over to Henry Street and up by the Redemptorist church. It's a gray day, the church is gray and the small crowd of people outside the door of the priests' house is gray. They're waiting to beg for any food left over from the priests' dinner.&#xA;There in the middle of the crowd in her dirty gray coat is my mother.&#xA;This is my own mother, begging. This is worse than the dole, the St. Vincent de Paul Society, the Dispensary. It's the worst kind of shame, almost as bad as begging on the streets where the tinkers hold up their scabby children, Give us a penny for the poor child, mister, the poor child is hungry, missus.&#xA;My mother is a beggar now and if anyone from the lane or my school sees her the family will be disgraced entirely. My pals will make up new names and torment me in the schoolyard and I know what they'll say, Frankie McCourt beggar woman's boy scabby-eyed dancing blubber-gob Jap.&#xA;The door of the priests' house swings open and the people rush with their hands out. I can hear them, Brother, brother, here, brother, ah, for the love o' God, brother. Five children at home, brother. I can see my own mother pushed along. I can see the tightness of her mouth when she snatches at a bag and turns from the door and I push the pram up the street before she can see me.&#xA;I don't want to go home anymore. I push the pram down to the Dock Road, out to Corkanree where all the dust and garbage of Limerick is dumped and burned. I stand a while and look at boys chase rats. I don't know why they have to torture rats that are not in their houses. I'd keep going on into the country forever if I didn't have Alphie bawling with the hunger, kicking his chubby legs, waving his empty bottle.&#xA;Mam has the fire going and something boiling in a pot. Malachy smiles and says she brought home corned beef and a few spuds from&#xA;Kathleen O'Connell's shop. He wouldn't be so happy if he knew he was the son of a beggar. She calls us in from the lane and when we sit at the table it's hard for me to look at my mother the beggar. She lifts the pot to the table, spoons out the potatoes one each and uses a fork to lift out the corned beef.&#xA;It isn't corned beef at all. It's a great lump of quivering gray fat and the only sign of corned beef is a little nipple of red meat on top. We stare at that bit of meat and wonder who will get it. Mam says, That's for Alphie. He's a baby, he's growing fast, he needs it. She puts it on a saucer in front of him. He pushes it away with his finger, then pulls it back. He lifts it to his mouth, looks around the kitchen, sees Lucky the dog and throws it to him.&#xA;There's no use saying anything. The meat is gone. We eat our potatoes with plenty of salt and I eat my fat and pretend it's that nipple of red meat.&#xA;XI&#xA;Mam warns us, Ye are to keep yeer paws out of that trunk for there's nothing in there that's of the slightest interest or any of yeer business.&#xA;All she has in that trunk is a lot of papers, certificates of birth and baptism, her Irish passport, Dad's English passport from Belfast, our American passports and her bright red flapper dress with spangles and black frills she brought all the way from America. She wants to keep that dress forever to remind herself she was young and dancing.&#xA;I don't care what she has in the trunk till I start a football team with Billy Campbell and Malachy. We can't afford uniforms or boots and Billy says, How will the world know who we are? We don't even have a name.&#xA;I remember the red dress and a name comes to me, The Red Hearts of Limerick. Mam never opens the trunk so what does it matter if I cut off a piece of the dress to make seven red hearts we can stick on our chests? What you don't know won't bother you, she always says herself.&#xA;The dress is buried under the papers. I look at my passport picture when I was small and I can see why they call me Jap. There's a paper that says Marriage Certificate, that Malachy McCourt and Angela Sheehan were joined in Holy Matrimony on the twenty-eighth of March, 1930. How could that be? I was born on the nineteenth of August and Billy Campbell told me the father and mother have to be married nine months before there's a sign of a child. Here I am born into the world in half the time. That means I must be a miracle and I might grow up to be a saint with people celebrating the feast of St. Francis of Limerick.&#xA;I'll have to ask Mikey Molloy, still the expert on Girls' Bodies and Dirty Things in General.&#xA;Billy says if we're to be great soccer players we have to practice and we're to meet over in the park. The boys complain when I hand out the hearts and I tell them if they don't like it they can go home and cut up their own mother's dresses and blouses.&#xA;We have no money for a proper ball so one of the boys brings a sheep's bladder stuffed with rags. We kick the bladder up and down the meadow till there are holes and rags start falling out and we get fed up&#xA;kicking a bladder that's hardly there anymore. Billy says we're to meet tomorrow morning which is Saturday and go out Ballinacurra to see if we can challenge rich Crescent College boys to a proper game, seven a side. He says we're to pin our red hearts to our shirts even if they're red rags.&#xA;Malachy is going home for tea but I can't go because I have to see Mikey Molloy and find out why I was born in half the time. Mikey is coming out of his house with his father, Peter. It's Mikey's sixteenth birthday and his father is taking him to Bowles's pub for his first pint. Nora Molloy is inside screeching after Peter that if they go they can stay gone, she's done baking bread, she's never going to the lunatic asylum again, if he brings that child home drunk she'll go to Scotland and disappear from the face of the earth.&#xA;Peter tells Mikey, Pay no attention to her, Cyclops. The mothers of Ireland are always enemies of the first pint. My own mother tried to kill my father with a frying pan when he took me for the first pint.&#xA;Mikey asks Peter if I can come with them and have a lemonade.&#xA;Peter tells everyone in the pub that Mikey is there for his first pint and when all the men want to stand Mikey a pint Peter says, Ah, no, 'twould be a terrible thing if he had too much and turned against it entirely.&#xA;The pints are drawn and we sit against the wall, the Molloys with their pints and I with my lemonade. The men wish Mikey all the best in the life to come and wasn't it a gift from God that he fell off that spout years ago and never had the fit since and wasn't it a great pity about that poor little bugger, Quasimodo Dooley, carried off with the consumption after all his trouble talking for years like an Englishman so he could be on the BBC which is no fit place for an Irishman anyway.&#xA;Peter is talking to the men and Mikey, sipping his first pint, whispers to me, I don't think I like it, but don't tell my father. Then he tells me how he practices the English accent in secret so that he can be a BBC announcer, Quasimodo's dream. He tells me I can have Cuchulain back, that he's no use to you when you're reading the news on the BBC. Now that he's sixteen he wants to go to England and if ever I get a wireless that will be him on the BBC Home Service.&#xA;I tell him about the marriage certificate, how Billy Campbell said it has to be nine months but I was born in half the time and would he know if I was some class of a miracle.&#xA;Naw, he says, naw. You're a bastard. You're doomed.&#xA;You don't have to be cursing me, Mikey.&#xA;I'm not. That's what they call people who aren't born inside the&#xA;nine months of the marriage, people conceived beyond the blanket. What's that?&#xA;What's what?&#xA;Conceived.&#xA;That's when the sperm hits the egg and it grows and there you are&#xA;nine months later.&#xA;I don't know what you're talking about.&#xA;He whispers, The thing between your legs is the excitement. I don't&#xA;like the other names, the dong, the prick, the dick, the langer. So your father shoves his excitement into your mother and there's a spurt and these little germs go up into your mother where there's an egg and that grows into you.&#xA;I'm not an egg.&#xA;You are an egg. Everyone was an egg once.&#xA;Why am I doomed? 'Tisn't my fault I'm a bastard.&#xA;All bastards are doomed. They're like babies that weren't baptized.&#xA;They're sent to Limbo for eternity and there's no way out and it's not their fault. It makes you wonder about God up there on His throne with no mercy for the little unbaptized babies. That's why I don't go near the chapel anymore. Anyway, you're doomed. Your father and mother had the excitement and they weren't married so you're not in a state of grace.&#xA;What am I going to do?&#xA;Nothing. You're doomed.&#xA;Can't I light a candle or something.&#xA;You could try the Blessed Virgin. She's in charge of the doom.&#xA;But I don't have a penny for the candle.&#xA;All right, all right, here's a penny. You can give it back when you&#xA;get a job a million years from now. 'Tis costing me a fortune to be the expert on Girls' Bodies and Dirty Things in General.&#xA;The barman is doing a crossword puzzle and he says to Peter, What's the opposite of advance?&#xA;Retreat, says Peter.&#xA;That's it, says the barman. Everything has an opposite. Mother o' God, says Peter.&#xA;What's up with you, Peter? says the barman.&#xA;What was that you said before, Tommy?&#xA;Everything has an opposite.&#xA;Mother o' God.&#xA;Are you all right, Peter? Is the pint all right?&#xA;The pint is grand, Tommy, and I'm the champion of all pint&#xA;drinkers, amn't I?&#xA;Begod an' you are, Peter. No denyin' that to you.&#xA;That means I could be the champion in the opposite department. What are you talking about, Peter?&#xA;I could be the champion of no pints at all.&#xA;Ah, now, Peter, I think you're going a bit far. Is the wife all&#xA;right at home?&#xA;Tommy, take this pint away from me. I'm the champion of no pints at&#xA;all.&#xA;Peter turns and takes the glass from Mikey. We're going home to&#xA;your mother, Mikey.&#xA;You didn't call me Cyclops, Dad.&#xA;You're Mikey. You're Michael. We're going to England. No more pints&#xA;for me, no pints for you, no more bread baking for your mother. Come on. We're leaving the pub and Tommy the barman calls after us, You know&#xA;what 'tis, Peter. 'Tis all them bloody books you're reading. They have your head destroyed.&#xA;Peter and Mikey turn to go home. I have to go to St. Joseph's to light the candle that will save me from the doom but I look in the window of Counihan's shop and there in the middle is a great slab of Cleeves' toffee and a sign, TWO PIECES FOR A PENNY. I know I'm doomed but the water is running along the sides of my tongue and when I put my penny on the counter for Miss Counihan I promise the Virgin Mary the next penny I get I'll be lighting a candle and would she please talk to her Son and delay the doom for awhile.&#xA;A penn'orth of Cleeves' toffee doesn't last forever and when it's gone I have to think of going home to a mother who let my father push his&#xA;excitement into her so that I could be born in half the time and grow up to be a bastard. If she ever says a word about the red dress or anything I'll tell her I know all about the excitement and she'll be shocked.&#xA;Saturday morning I meet The Red Hearts of Limerick and we wander out the road looking for a football challenge. The boys are still grousing that the bits of red dress don't look like hearts till Billy tells them if they don't want to play football go home and play with their sisters' dolls.&#xA;There are boys playing football in a field in Ballinacurra and Billy challenges them. They have eight players and we have only seven but we don't mind because one of them has one eye and Billy tells us stay on his blind side. Besides, he says, Frankie McCourt is nearly blind with his two bad eyes and that's worse. They're all togged out in blue and white jerseys and white shorts and proper football boots. One of them says we look like something the cat brought in and Malachy has to be held back from fighting them. We agree to play half an hour because the Ballinacurra boys say they have to go to lunch. Lunch. The whole world has dinner in the middle of the day but they have lunch. If no one scores in half an hour it's a draw. We play back and forth till Billy gets the ball and goes speeding and dancing up the sideline so fast no one can catch him and in goes the ball for a goal. The half hour is nearly up but the Ballinacurra boys want another half hour and they manage to score well into the second half hour. Then the ball goes over the line for touch. It's our ball. Billy stands on the touch line with the ball over his head. He pretends to look at Malachy but throws the ball to me. It comes to me as if it's the only thing that exists in the whole world. It comes straight to my foot and all I have to do is swivel to the left and swing that ball straight into the goal. There's a whiteness in my head and I feel like a boy in heaven. I'm floating over the whole field till The Red Hearts of Limerick clap me on the back and tell me that was a great goal, Frankie, you too, Billy.&#xA;We walk back along O'Connell Avenue and I keep thinking of the way the ball came to my foot and surely it was sent by God or the Blessed Virgin Mary who would never send such a blessing to one doomed for being born in half the time and I know as long as I live I'll never forget that ball coming from Billy Campbell, that goal.&#xA;Mam meets Bridey Hannon and her mother going up the lane and they tell her about Mr. Hannon's poor legs. Poor John, it's a trial for him to cycle home every night after delivering coal and turf all day on the great float for the coal merchants on the Dock Road. He's paid from eight in the morning till half five in the evening though he has to get the horse ready well before eight and settle him for the night well after half five. He's up and down on that float all day hoisting bags of coal and turf, desperate to keep the bandages in place on his legs so the dirt won't get into the open sores. The bandages are forever sticking and have to be ripped away and when he comes home she washes the sores with warm water and soap, covers them with ointment and wraps them in clean bandages. They can't afford new bandages every day so she keeps washing the old ones over and over till they're gray.&#xA;Mam says Mr. Hannon should see the doctor and Mrs. Hannon says, Sure, he seen the doctor a dozen times and the doctor says he has to stay off them legs. That's all. Stay off them legs. Sure how can he stay off them legs? He has to work. What would we live on if he didn't work?&#xA;Mam says maybe Bridey could get some kind of a job herself and Bridey is offended. Don't you know I have a weak chest, Angela? Don't you know I had rheumatic fever an' I could go at any time? I have to be careful.&#xA;Mam often talks about Bridey and her rheumatic fever and weak chest. She says, That one is able to sit here by the hour and complain about her ailments but it doesn't stop her from puffing away on the Woodbines.&#xA;Mam tells Bridey she's very sorry over the weak chest and it's terrible the way her father suffers. Mrs. Hannon tells my mother that John is getting worse every day, And what would you think, Mrs. McCourt, if your boy Frankie went on the float with him a few hours a week and helped him with the bags? We can barely afford it but Frankie could earn a shilling or two and John could rest his poor legs.&#xA;Mam says, I don't know, he's only eleven and he had that typhoid and the coal dust wouldn't be good for his eyes.&#xA;Bridey says, He'd be out in the air and there's nothing like fresh air for someone with bad eyes or getting over the typhoid, isn't that right, Frankie?&#xA;'Tis, Bridey.&#xA;I'm dying to go around with Mr. Hannon on the great float like a real workingman. If I'm good at it they might let me stay at home from school forever but Mam says, He can do it as long as it doesn't interfere with school and he can start on a Saturday morning.&#xA;I'm a man now so I light the fire early on Saturday morning and make my own tea and fried bread. I wait next door for Mr. Hannon to come out with his bicycle and there's a lovely smell of rashers and eggs coming through the window. Mam says Mr. Hannon gets the best of food because Mrs. Hannon is as mad about him as she was the day she married him. They're like two lovers out of an American film the way they go on. Here he is pushing the bicycle and puffing away on the pipe in his mouth. He tells me climb up on the bar of his bike and off we go to my first job as a man. His head is over mine on the bike and the smell of the pipe is lovely. There's a coal smell on his clothes and that makes me sneeze.&#xA;Men are walking or cycling toward the coal yards and Rank's Flour Mills and the Limerick Steamship Company on the Dock Road. Mr. Hannon takes his pipe from his mouth and tells me this is the best morning of all, Saturday, half day. We'll start at eight and be finished by the time the Angelus rings at twelve.&#xA;First we get the horse ready, give him a bit of a rub, fill the wooden tub with oats and the bucket with water. Mr. Hannon shows me how to put on the harness and lets me back the horse into the shafts of the float. He says, Jaysus, Frankie, you have the knack of it.&#xA;That makes me so happy I want to jump up and down and drive a float the rest of my life.&#xA;There are two men filling bags with coal and turf and weighing them on the great iron scale, a hundredweight in each bag. It's their job to stack the bags on the float while Mr. Hannon goes to the office for the delivery dockets. The bag men are fast and we're ready for our rounds. Mr. Hannon sits up on the left side of the float and flicks the whip to show where I'm to sit on the right side. It's hard to climb up the way the float is so high and packed with bags and I try to get up by climbing the wheel. Mr. Hannon says I should never do the likes of that again. Never put your leg or hand near a wheel when the horse is harnessed in&#xA;the shafts. A horse might take a notion to go for a walk for himself and there you are with the leg or the arm caught in the wheel and twisted off your body and you looking at it. He says to the horse, G'up ower that, and the horse shakes his head and rattles the harness and Mr. Hannon laughs. That fool of a horse loves to work, he says. He won't be rattling his harness in a few hours.&#xA;When the rain starts we cover ourselves with old coal bags and Mr. Hannon turns his pipe upside down in his mouth to keep the tobacco dry. He says the rain makes everything heavier but what's the use of complaining. You might as well complain about the sun in Africa.&#xA;We cross the Sarsfield Bridge for deliveries to the Ennis Road and the North Circular Road. Rich people, says Mr. Hannon, and very slow to put their hands in their pockets for a tip.&#xA;We have sixteen bags to deliver. Mr. Hannon says we're lucky today because some houses get more than one and he doesn't have to be climbing on and off that float destroying his legs. When we stop he gets down and I pull the bag to the edge and lay it on his shoulders. Some houses have areas outside where you pull up a trap door and tip the bag till it empties and that's easy. There are other houses with long backyards and you can see Mr. Hannon suffering with his legs when he has to carry the bags from the float to the sheds near the back doors. Ah, Jaysus, Frankie, ah, Jaysus, is the only complaint out of him and he asks me to give him a hand to climb back on the float. He says if he had a handcart he could wheel the bags from float to house and that would be a blessing but a handcart would cost two weeks' wages and who could afford that?&#xA;The bags are delivered and the sun is out, the float is empty, and the horse knows his workday is over. It's lovely to sit on the float looking along the length of the horse from his tail to his head rocking along the Ennis Road over the Shannon and up the Dock Road. Mr. Hannon says the man who delivered sixteen hundredweights of coal and turf deserves a pint and the boy who helped him deserves a lemonade. He tells me I should go to school and not be like him working away with the two legs rotting under him. Go to school, Frankie, and get out of Limerick and Ireland itself. This war will be over some day and you can go to America or Australia or any big open country where you can look up and see no end to the land. The world is wide and you can have great adventures. If I didn't have these two legs I'd be over in England making a fortune in the factories like the rest of the Irishmen, like your father. No, not like your father. I hear he left you high and dry, eh? I don't know how a man in his right mind can go off and leave a wife and family to starve and shiver in a Limerick winter. School, Frankie, school. The books, the books, the books. Get out of Limerick before your legs rot and your mind collapses entirely.&#xA;The horse clops along and when we get to the coal yard we feed and water him and give him a rubdown. Mr. Hannon talks to him all the time and calls him Me oul' segosha, and the horse snuffles and pushes his nose against Mr. Hannon's chest. I'd love to bring this horse home and let him stay downstairs when we're up in Italy but even if I could get him in the door my mother would yell at me that the last thing we need in this house is a horse.&#xA;The streets going up from the Dock Road are too hilly for Mr. Hannon to ride the bicycle and carry me, so we walk. His legs are sore from the day and it takes a long time to get up to Henry Street. He leans&#xA;on the bicycle or sits on the steps outside houses, grinding down on the pipe in his mouth.&#xA;I'm wondering when I'll get the money for the day's work because Mam might let me go to the Lyric Cinema if I get home in time with my shilling or whatever Mr. Hannon gives me. Now we're at the door of South's pub and he tells me come in, didn't he promise me a lemonade?&#xA;Uncle Pa Keating is sitting in the pub. He's all black as usual and he's sitting next to Bill Galvin, all white as usual, snuffling and taking great slugs out of his black pint. Mr. Hannon says, How're you? and sits on the other side of Bill Galvin and everyone in the pub laughs. Jaysus, says the barman, look at that, two lumps of coal and a snowball. Men come in from other parts of the pub to see the two coal black men with the lime white man in the middle and they want to send down to the Limerick Leader for a man with a camera.&#xA;Uncle Pa says, What are you doing all black yourself, Frankie? Did you fall down a coal mine?&#xA;I was helping Mr. Hannon on the float.&#xA;Your eyes look atrocious, Frankie. Piss holes in the snow. 'Tis the coal dust, Uncle Pa.&#xA;Wash them when you go home.&#xA;I will, Uncle Pa.&#xA;Mr. Hannon buys me a lemonade, gives me the shilling for my&#xA;morning's work and tells me I can go home now, I'm a great worker and I can help him again next week after school.&#xA;On the way home I see myself in the glass of a shop window all black from the coal, and I feel like a man, a man with a shilling in his pocket, a man who had a lemonade in a pub with two coal men and a lime man. I'm not a child anymore and I could easily leave Leamy's School forever. I could work with Mr. Hannon every day and when his legs got too bad I could take over the float and deliver coal to the rich people the rest of my life and my mother wouldn't have to be a beggar at the Redemptorist priests' house.&#xA;People on the streets and lanes give me curious looks. Boys and girls laugh and call out, Here's the chimney sweep. How much do you want for cleaning our chimney? Did you fall into a coal hole? Were you burned by the darkness?&#xA;They're ignorant. They don't know I spent the day delivering hundredweights of coal and turf. They don't know I'm a man.&#xA;Mam is sleeping up in Italy with Alphie and there's a coat over the window to keep the room dark. I tell her I earned a shilling and she says I can go to the Lyric, I deserve it. Take tuppence and leave the rest of the shilling on the mantelpiece downstairs so that she can send out for a loaf of bread for the tea. The coat suddenly drops from the window and the room is bright. Mam looks at me, God above, look at your eyes. Go downstairs and I'll be down in a minute to wash them.&#xA;She heats water in the kettle and dabs at my eyes with boric acid powder and tells me I can't go to the Lyric Cinema today or any day till my eyes clear up though God knows when that will be. She says, You can't be delivering coal with the state of your eyes. The dust will surely destroy them.&#xA;I want the job. I want to bring home the shilling. I want to be a man.&#xA;You can be a man without bringing home a shilling. Go upstairs and lie down and rest your two eyes or it's a blind man you'll be.&#xA;I want that job. I wash my eyes three times a day with the boric acid powder. I remember Seamus in the hospital and how his uncle's eyes were cured with the blink exercise and I make sure to sit and blink for an hour every day. You can't beat the blink for the strong eye, he said. And now I blink and blink till Malachy runs to my mother, talking out in the lane with Mrs. Hannon, Mam, something is up with Frankie, he's upstairs blinking and blinking.&#xA;She comes running up. What's wrong with you? I'm making my eyes strong with the exercise. What exercise?&#xA;The blinking.&#xA;Blinking is not exercise.&#xA;Seamus in the hospital says you can't beat the blink for the strong eye. His uncle had powerful eyes from the blinking. She says I'm getting odd and goes back to the lane and her chat with Mrs. Hannon and I blink and bathe my eyes with the boric acid powder in warm water. I can hear Mrs. Hannon through the window, Your little Frankie is a godsend to John for 'tis the climbing up and down on that float that was ruining his legs entirely.&#xA;Mam doesn't say anything and that means she feels so sorry for Mr. Hannon she'll let me help him again on his heavy delivery day, Thursday. I wash my eyes three times a day and I blink till I get a pain in my eyebrows. I blink in school when the master isn't looking and all the boys in my class are calling me Blinky and adding that to the list of names.&#xA;Blinky McCourt beggar woman's son scabby-eyed blubber gob dancing&#xA;Jap.&#xA;I don't care what they call me anymore as long as my eyes are&#xA;clearing up and I have a regular job lifting hundredweights of coal on a float. I wish they could see me on Thursday after school when I'm on the float and Mr. Hannon hands me the reins so that he can smoke his pipe in comfort. Here you are, Frankie, nice and gentle for this is a good horse and he doesn't need to be pulled at.&#xA;He hands me the whip too but you never need the whip with this horse. It's all for show and I just flick it at the air like Mr. Hannon or I might knock a fly off the horse's great golden rump swinging between the shafts.&#xA;Surely the world is looking at me and admiring the way I rock with the float, the cool way I have with the reins and the whip. I wish I had a pipe like Mr. Hannon and a tweed cap. I wish I could be a real coal man with black skin like Mr. Hannon and Uncle Pa Keating so that people would say, There goes Frankie McCourt that delivers all the coal in Limerick and drinks his pint in South's pub. I'd never wash my face. I'd be black every day of the year even Christmas when you're supposed to give yourself a good wash for the coming of the Infant Jesus. I know He wouldn't mind because I saw the Three Wise Men in the Christmas crib at the Redemptorist church and one of them was blacker than Uncle Pa Keating, the blackest man in Limerick, and if a Wise Man is black it means that everywhere you go in the world someone is delivering coal.&#xA;The horse lifts his tail and great lumps of steaming yellow shit drop from his behind. I start to pull on the reins so that he can stop and have a bit of comfort for himself but Mr. Hannon says, No, Frankie, let him trot. They always shit on the trot. That's one of the blessings horses have, they shit on the trot, and they're not dirty and stinking&#xA;like the human race, not at all, Frankie. The worst thing in the world is to go into a lavatory after a man that had a feed of pig's feet and a night of pints. The stink from that could twist the nostrils of a strong man. Horses are different. All they have is oats and hay and what they drop is clean and natural.&#xA;I work with Mr. Hannon after school on Tuesdays and Thursdays and the half day on Saturday morning and that means three shillings for my mother though she worries all the time over my eyes. The minute I get home she washes them and makes me rest them for half an hour.&#xA;Mr. Hannon says he'll wait near Leamy's School for me on Thursdays after his deliveries on Barrington Street. Now the boys will see me. Now they'll know I'm a workingman and more than a scabby-eyed blubber gob dancing Jap. Mr. Hannon says, Up you get, and I climb up on the float like any workingman. I look at the boys gawking at me. Gawking. I tell Mr. Hannon if he wants to smoke his pipe in comfort I'll take the reins and when he hands them over I'm sure I hear the boys gasping. I tell the horse, G'up ower that, like Mr. Hannon. We trot away and I know dozens of Leamy's boys are committing the deadly sin of envy. I tell the horse again, G'up ower that, to make sure everyone heard, to make sure they know I'm driving that float and no one else, to make sure they'll never forget it was me they saw on that float with the reins and the whip. It's the best day of my life, better than my First Communion day, which Grandma ruined, better than my Confirmation day when I had the typhoid.&#xA;They don't call me names anymore. They don't laugh at my scabby eyes. They want to know how I got such a good job at eleven years of age and what I'm paid and if I'll have that job forever. They want to know if there are any other good jobs going in the coal yards and would I put in a good word for them.&#xA;Then there are big boys of thirteen who stick their faces in mine and say they should have that job because they're bigger and I'm nothing but a scrawny little runt with no shoulders. They can talk as much as they like. I have the job and Mr. Hannon tells me I'm powerful.&#xA;There are days his legs are so bad he can hardly walk at all and you can see Mrs. Hannon worries. She gives me a mug of tea and I watch her roll up his trouser legs and peel away the dirty bandages. The sores are red and yellow and clogged with coal dust. She washes them with soapy water and smears them with a yellow ointment. She props the legs up on a chair and that's where he stays the rest of the night reading the paper or a book from the shelf above his head.&#xA;The legs are getting so bad he has to get up an hour earlier in the morning to get the stiffness out, to put on another dressing. It's still dark one Saturday morning when Mrs. Hannon knocks at our door and asks me if I'd go to a neighbor and borrow their handcart to take on the float for Mr. Hannon will never be able to carry the bags today and maybe I'd just roll them on the handcart for him. He won't be able to carry me on his bicycle so I can meet him at the yard with the handcart.&#xA;The neighbor says, Anything for Mr. Hannon, God bless him.&#xA;I wait at the gate of the coal yard and watch him cycle toward me, slower than ever. He's so stiff he can hardly get off the bike and he says, You're a great man, Frankie. He lets me get the horse ready though I still have trouble getting on the harness. He lets me handle the float out of the yard and into the frosty streets and I wish I could drive forever and never go home. Mr. Hannon shows me how to pull the bags to the edge of the float and drop them on the ground so that I can pull them&#xA;on to the handcart and push them to the houses. He tells me how to lift and push the bags without straining myself and we have the sixteen bags delivered by noon.&#xA;I wish the boys at Leamy's could see me now, the way I drive the horse and handle the bags, the way I do everything while Mr. Hannon rests his legs. I wish they could see me pushing the handcart to South's pub and having my lemonade with Mr. Hannon and Uncle Pa and me all black and Bill Galvin all white. I'd like to show the world the tips Mr. Hannon lets me keep, four shillings, and the shilling he gives me for the morning's work, five shillings altogether.&#xA;Mam is sitting by the fire and when I hand her the money she looks at me, drops it in her lap and cries. I'm puzzled because money is supposed to make you happy. Look at your eyes, she says. Go to that glass and look at your eyes.&#xA;My face is black and the eyes are worse than ever. The whites and the eyelids are red, and the yellow stuff oozes to the corners and out over the lower lids. If the ooze sits a while it forms a crust that has to be picked off or washed away.&#xA;Mam says that's the end of it. No more Mr. Hannon. I try to explain that Mr. Hannon needs me. He can barely walk anymore. I had to do everything this morning, drive the float, wheel the handcart with the bags, sit in the pub, drink lemonade, listen to the men discussing who is the best, Rommel or Montgomery.&#xA;She says she's sorry for Mr. Hannon's troubles but we have troubles of our own and the last thing she needs now is a blind son stumbling through the streets of Limerick. Bad enough you nearly died of typhoid, now you want to go blind on top of it.&#xA;And I can't stop crying now because this was my one chance to be a man and bring home the money the telegram boy never brought from my father. I can't stop crying because I don't know what Mr. Hannon is going to do on Monday morning when he has no one to help him pull the bags to the edge of the float, to push the bags into the houses. I can't stop crying because of the way he is with that horse he calls sweet because he's so gentle himself and what will the horse do if Mr. Hannon isn't there to take him out, if I'm not there to take him out? Will that horse fall down hungry for the want of oats and hay and the odd apple?&#xA;Mam says I shouldn't be crying, it's bad for the eyes. She says, We'll see. That's all I can tell you now. We'll see.&#xA;She washes my eyes and gives me sixpence to take Malachy to the Lyric to see Boris Karloff in The Man They Could Not Hang and have two pieces of Cleeves' toffee. It's hard to see the screen with the yellow stuff oozing from my eyes and Malachy has to tell me what's happening. People around us tell him shut up, they'd like to hear what Boris Karloff is saying, and when Malachy talks back to them and tells them he's only helping his blind brother they call the man in charge, Frank Goggin, and he says if he hears another word out of Malachy he'll throw the two of us out.&#xA;I don't mind. I have a way of squeezing the stuff out of one eye and clearing it so that I can see the screen while the other eye fills up and I go back and forth, squeeze, look, squeeze, look, and everything I see is yellow.&#xA;Monday morning Mrs. Hannon is knocking on our door again. She asks Mam if Frank would ever go down to the coal yard and tell the man in the office that Mr. Hannon can't come in today, that he has to see a doctor&#xA;about his legs, that he'll surely be in tomorrow and what he can't deliver today he will tomorrow. Mrs. Hannon always calls me Frank now. Anyone that delivers hundredweights of coal is not a Frankie.&#xA;The man in the office says, Humph. I think we're very tolerant with Hannon. You, what's your name?&#xA;McCourt, sir.&#xA;Tell Hannon we'll need a note from the doctor. Do you understand&#xA;that?&#xA;I do, sir.&#xA;The doctor tells Mr. Hannon he has to go to the hospital or it's a case of gangrene he'll have and the doctor won't be responsible. The ambulance takes Mr. Hannon away and my big job is gone. Now I'll be white like everyone else in Leamy's, no float, no horse, no shillings to bring home to my mother.&#xA;In a few days Bridey Hannon comes to our door. She says her mother would like me to come and see her, have a cup of tea with her. Mrs. Hannon is sitting by the fire with her hand on the seat of Mr. Hannon's chair. Sit down, Frank, she says, and when I go to sit on one of the ordinary kitchen chairs she says, No, sit here. Sit here on the chair of himself. Do you know how old he is, Frank?&#xA;Oh, he must be very old, Mrs. Hannon. He must be thirty-five.&#xA;She smiles. She has lovely teeth. He's forty-nine, Frank, and a man that age shouldn't have legs like that.&#xA;He shouldn't, Mrs. Hannon.&#xA;Did you know you were a joy to him going around on that float?&#xA;I didn't, Mrs. Hannon.&#xA;You were. We had two daughters, Bridey that you know, and Kathleen,&#xA;the nurse above in Dublin. But no son and he said you gave him the feeling of a son.&#xA;I feel my eyes burning and I don't want her to see me crying especially when I don't know why I'm crying. That's all I do lately. Is it the job? Is it Mr. Hannon? My mother says, Oh, your bladder is near your eye.&#xA;I think I'm crying because of the quiet way Mrs. Hannon is talking and she's talking like that because of Mr. Hannon.&#xA;Like a son, she says, and I'm glad he had that feeling. His working days are over, you know. He has to stay at home from this out. There might be a cure and if there is sure he might be able to get a job as a watchman where he doesn't have to be lifting and hauling.&#xA;I won't have a job anymore, Mrs. Hannon.&#xA;You have a job, Frank. School. That's your job.&#xA;That's not a job, Mrs. Hannon.&#xA;You'll never have another job like it, Frank. It breaks Mr.&#xA;Hannon's heart to think of you dragging bags of coal off a float and it breaks your mother's heart and 'twill destroy your eyes. God knows I'm sorry I ever got you into this for it had your poor mother caught between your eyes and Mr. Hannon's legs.&#xA;Can I go to the hospital to see Mr. Hannon?&#xA;They might not let you in but surely you can come here to see him. God knows he won't be doing much but reading and looking out the window.&#xA;Mam tells me at home, You shouldn't cry but then again tears are salty and they'll wash the bad stuff from your eyes.&#xA;XII&#xA;There's a letter from Dad. He's coming home two days before Christmas. He says everything will be different, he's a new man, he hopes we're good boys, obeying our mother, attending to our religious duties, and he's bringing us all something for Christmas.&#xA;Mam takes me to the railway station to meet him. The station is always exciting with all the coming and going, people leaning from carriages, crying, smiling, waving good-bye, the train hooting and calling, chugging away in clouds of steam, people sniffling on the platform, the railway tracks silvering into the distance, on to Dublin and the world beyond.&#xA;Now it's near midnight and cold on the empty platform. A man in a railway cap asks us if we'd like to wait in a warm place. Mam says, Thank you very much, and laughs when he leads us to the end of the platform where we have to climb a ladder to the signal tower. It takes her a while because she's heavy and she keeps saying, Oh, God, oh, God.&#xA;We're above the world and it's dark in the signal tower except for the lights that blink red and green and yellow when the man bends over the board. He says, I'm just having a bit of supper and you're welcome.&#xA;Mam says, Ah, no, thanks, we couldn't take your supper from you.&#xA;He says, The wife always makes too much for me and if I was up in this tower for a week I wouldn't be able to eat it. Sure it's not hard work looking at lights and pulling on the odd lever.&#xA;He takes the top off a flask and pours cocoa into a mug. Here, he says to me, put yourself outside that cocoa.&#xA;He hands Mam half a sandwich. Ah, no, she says, surely you could take that home to your children.&#xA;I have two sons, missus, and they're off there fighting in the forces of His Majesty, the King of England. One did his bit with Montgomery in Africa and the other is over in Burma or some other bloody place, excuse the language. We get our freedom from England and then we fight her wars. So here, missus, take the bit of sandwich.&#xA;Lights on the board are clicking and the man says, Your train is coming, missus.&#xA;Thank you very much and Happy Christmas.&#xA;Happy Christmas to yourself, missus, and a Happy New Year, too. Mind yourself on that ladder, young fella. Help your mother.&#xA;Thank you very much, sir.&#xA;We wait again on the platform while the train rumbles into the station. Carriage doors open and a few men with suitcases step to the platform and hurry toward the gate. There is a clanking of milk cans dropped to the platform. A man and two boys are unloading newspapers and magazines.&#xA;There is no sign of my father. Mam says he might be asleep in one of the carriages but we know he hardly sleeps even in his own bed. She says the boat from Holyhead might have been late and that would make him miss the train. The Irish Sea is desperate at this time of the year.&#xA;He's not coming, Mam. He doesn't care about us. He's just drunk over there in England.&#xA;Don't talk about your father like that.&#xA;I say no more to her. I don't tell her I wish I had a father like the man in the signal tower who gives you sandwiches and cocoa.&#xA;Next day Dad walks in the door. His top teeth are missing and there's a bruise under his left eye. He says the Irish Sea was rough and when he leaned over the side his teeth dropped out. Mam says, It wouldn't be the drink, would it? It wouldn't be a fight?&#xA;Och, no, Angela.&#xA;Michael says, You said you'd have something for us, Dad.&#xA;Oh, I do.&#xA;He takes a box of chocolates from his suitcase and hands it to Mam.&#xA;She opens the box and shows us the inside where half the chocolates are&#xA;gone.&#xA;Could you spare it? she says.&#xA;She shuts the box and puts it on the mantelpiece. We'll have&#xA;chocolates after our Christmas dinner tomorrow.&#xA;Mam asks him if he brought any money. He tells her times are hard,&#xA;jobs are scarce, and she says, Is it coddin' me you are? There's a war on and there's nothing but jobs in England. You drank the money, didn't you?&#xA;You drank the money, Dad.&#xA;You drank the money, Dad.&#xA;You drank the money, Dad.&#xA;We're shouting so loud Alphie begins to cry. Dad says, Och, boys,&#xA;now boys. Respect for your father.&#xA;He puts on his cap. He has to see a man. Mam says, Go see your man&#xA;but don't come drunk to this house tonight singing Roddy McCorley or anything else.&#xA;He comes home drunk but he's quiet and passes out on the floor next to Mam's bed.&#xA;We have a Christmas dinner next day because of the food voucher Mam got from the St. Vincent de Paul Society. We have sheep's head, cabbage, floury white potatoes, and a bottle of cider because it's Christmas.&#xA;Dad says he's not hungry, he'll have tea, borrows a cigarette from Mam. She says, Eat something. It's Christmas.&#xA;He tells her again he's not hungry but if no one else wants them he'll eat the sheep's eyes. He says there's great nourishment in the eye and we all make sounds of disgust. He washes them down with his tea and smokes the rest of his Woodbine. He puts on his cap and goes upstairs for his suitcase.&#xA;Mam says, Where are you going?&#xA;London.&#xA;On this day of Our Lord? Christmas Day?&#xA;It's the best day for travel. People in motor cars will always give&#xA;the workingman a lift to Dublin. They think of the hard times of the Holy Family.&#xA;And how will you get on the boat to Holyhead without a penny in your pocket?&#xA;The way I came. There's always a time when they're not looking.&#xA;He kisses each of us on the forehead, tells us be good boys, obey Mam, say our prayers. He tells Mam he'll write and she says, Oh, yes, the way you always did. He stands before her with his suitcase. She gets up, takes down the box of chocolates and hands them around. She puts a chocolate in her mouth and takes it out again because it's too hard and she can't chew it. I have a soft one and I offer it for the hard one, which will last longer. It's creamy and rich and there's a nut in the middle. Malachy and Michael complain they didn't get a nut and why is it&#xA;Frank always gets the nut? Mam says, What do you mean, always? This is the first time we ever had a box of chocolates.&#xA;Malachy says, He got the raisin in the bun at school and all the boys said he gave it to Paddy Clohessy, so why couldn't he give us the nut?&#xA;Mam says, Because 'tis Christmas and he has sore eyes and the nut is good for the sore eyes.&#xA;Michael says, Will the nut make his eyes better?&#xA;'Twill.&#xA;Will it make one eye better or will it make two eyes better?&#xA;The two eyes, I think.&#xA;Malachy says, If I had another nut I'd give it to him for his eyes. Mam says, I know you would.&#xA;Dad watches us a moment eating our chocolates. He lifts the latch,&#xA;goes out the door and pulls it shut.&#xA;Mam tells Bridey Hannon, Days are bad but nights are worse and will&#xA;this rain ever stop? She tries to ease the bad days by staying in bed and letting Malachy and me light the fire in the morning while she sits up in the bed passing Alphie bits of bread and holding the mug to his mouth for the tea that's in it. We have to go downstairs to Ireland to wash our faces in the basin under the tap and try to dry ourselves in the old damp shirt that hangs over the back of a chair. She makes us stand by the bed to see if we left rings of dirt around our necks and if we did it's back down to the tap and the damp shirt. When there's a hole in a pair of pants she sits up and patches it with any rag she can find. We wear short pants till we're thirteen or fourteen and our long stockings always have holes to be darned. If she has no wool for the darning and the stockings are dark we can blacken our ankles with shoe polish for the respectability that's in it. It's a terrible thing to walk the world with skin showing through the holes of our stockings. When we wear them week after week the holes grow so big we have to pull the stocking forward under the toes so that the hole in the back is hidden in the shoe. On rainy days the stockings are soggy and we have to hang them before the fire at night and hope they'll dry by morning. Then they're hard with dirt cake and we're afraid to pull them on our feet for fear they'll fall on the floor in bits before our eyes. We might be lucky enough to get our stockings on but then we have to block the holes in our shoes and I fight with my brother, Malachy, over any scrap of cardboard or paper in the house. Michael is only six and he has to wait for anything left over unless Mam threatens us from the bed that we're to help our small brother. She says, If ye don't fix yeer brother's shoes an' I have to get out of this bed there will be wigs on the green. You'd have to feel sorry for Michael because he's too old to play with Alphie and too young to play with us and he can't fight with anyone for the same reasons.&#xA;The rest of the dressing is easy, the shirt I wore to bed is the shirt I wear to school. I wear it day in day out. It's the shirt for football, for climbing walls, for robbings orchards. I go to Mass and the Confraternity in that shirt and people sniff the air and move away. If Mam gets a docket for a new one at the St. Vincent de Paul the old shirt is promoted to towel and hangs damp on the chair for months or Mam might use bits of it to patch other shirts. She might even cut it up and let Alphie wear it a while before it winds up on the floor pushed against the bottom of the door to block the rain from the lane.&#xA;We go to school through lanes and back streets so that we won't meet the respectable boys who go to the Christian Brothers'School or the rich ones who go to the Jesuit school, Crescent College. The Christian Brothers' boys wear tweed jackets, warm woolen sweaters, shirts, ties and shiny new boots. We know they're the ones who will get jobs in the civil service and help the people who run the world. The Crescent College boys wear blazers and school scarves tossed around their necks and over their shoulders to show they're cock o' the walk. They have long hair which falls across their foreheads and over their eyes so that they can toss their quiffs like Englishmen. We know they're the ones who will go to university, take over the family business, run the government, run the world. We'll be the messenger boys on bicycles who deliver their groceries or we'll go to England to work on the building sites. Our sisters will mind their children and scrub their floors unless they go off to England, too. We know that. We're ashamed of the way we look and if boys from the rich schools pass remarks we'll get into a fight and wind up with bloody noses or torn clothes. Our masters will have no patience with us and our fights because their sons go to the rich schools and, Ye have no right to raise your hands to a better class of people so ye don't.&#xA;You never know when you might come home and find Mam sitting by the fire chatting with a woman and a child, strangers. Always a woman and child. Mam finds them wandering the streets and if they ask, Could you spare a few pennies, miss? her heart breaks. She never has money so she invites them home for tea and a bit of fried bread and if it's a bad night she'll let them sleep by the fire on a pile of rags in the corner. The bread she gives them always means less for us and if we complain she says there are always people worse off and we can surely spare a little from what we have.&#xA;Michael is just as bad. He brings home stray dogs and old men. You never know when you'll find a dog in the bed with him. There are dogs with sores, dogs with no ears, no tails. There's a blind greyhound he found in the park tormented by children. Michael fought off the children, picked up the greyhound that was bigger than himself and told Mam the dog could have his supper. Mam says, What supper? We're lucky if there's a cut of bread in the house. Michael tells her the dog can have his bread. Mam says that dog has to go tomorrow and Michael cries all night and cries worse in the morning when he finds the dog dead in the bed beside him. He won't go to school because he has to dig a grave outside where the stable was and he wants all of us to dig with him and say the rosary. Malachy says it's useless saying prayers for a dog, how do you know he was even a Catholic? Michael says, Of course he was a Catholic dog. Didn't I have him in my arms? He cries so hard over the dog Mam lets us all stay at home from school. We're so delighted we don't mind helping Michael with the grave and we say three Hail Marys. We're not going to stand there wasting a good day off from school saying the rosary for a dead greyhound. Michael is only six but when he brings old men home he manages to get the fire going and give them tea. Mam says it's driving her crazy to come home and find these old men drinking out of her favorite mug and mumbling and scratching by the fire. She tells Bridey Hannon that Michael has a habit of bringing home old men all a bit gone in the head and if he doesn't have a bit of bread for them he knocks on neighbors' doors and has no shame begging for it. In the end she tells&#xA;Michael, No more old men. One of them left us with lice and we're plagued.&#xA;The lice are disgusting, worse than rats. They're in our heads and ears and they sit in the hollows of our collarbones. They dig into our skin. They get into the seams of our clothes and they're everywhere in the coats we use as blankets. We have to search every inch of Alphie's body because he's a baby and helpless.&#xA;The lice are worse than the fleas. Lice squat and suck and we can see our blood through their skins. Fleas jump and bite and they're clean and we prefer them. Things that jump are cleaner than things that squat.&#xA;We all agree there will be no more stray women and children, dogs and old men. We don't want any more diseases and infections.&#xA;Michael cries.&#xA;Grandma's next-door neighbor, Mrs. Purcell, has the only wireless in her lane. The government gave it to her because she's old and blind. I want a radio. My grandmother is old but she's not blind and what's the use of having a grandmother who won't go blind and get a government radio?&#xA;Sunday nights I sit outside on the pavement under Mrs. Purcell's window listening to plays on the BBC and Radio Eireann, the Irish station. You can hear plays by O'Casey, Shaw, Ibsen and Shakespeare himself, the best of all, even if he is English. Shakespeare is like mashed potatoes, you can never get enough of him. And you can hear strange plays about Greeks plucking out their eyes because they married their mothers by mistake.&#xA;One night I'm sitting under Mrs. Purcell's window listening to Macbeth. Her daughter, Kathleen, sticks her head out the door. Come in, Frankie. My mother says you'll catch the consumption sitting on the ground in this weather.&#xA;Ah, no, Kathleen. It's all right.&#xA;No. Come in.&#xA;They give me tea and a grand cut of bread slathered with blackberry&#xA;jam. Mrs. Purcell says, Do you like the Shakespeare, Frankie?&#xA;I love the Shakespeare, Mrs. Purcell.&#xA;Oh, he's music, Frankie, and he has the best stories in the world.&#xA;I don't know what I'd do with meself of a Sunday night if I didn't have the Shakespeare.&#xA;When the play finishes she lets me fiddle with the knob on the radio and I roam the dial for distant sounds on the shortwave band, strange whispering and hissing, the whoosh of the ocean coming and going and the Morse Code dit dit dit dot. I hear mandolins, guitars, Spanish bagpipes, the drums of Africa, boatmen wailing on the Nile. I see sailors on watch sipping mugs of hot cocoa. I see cathedrals, skyscrapers, cottages. I see Bedouins in the Sahara and the French Foreign Legion, cowboys on the American prairie. I see goats skipping along the rocky coast of Greece where the shepherds are blind because they married their mothers by mistake. I see people chatting in cafés, sipping wine, strolling on boulevards and avenues. I see night women in doorways, monks chanting vespers, and here is the great boom of Big Ben, This is the BBC Overseas Service and here is the news.&#xA;Mrs. Purcell says, Leave that on, Frankie, so we'll know the state of the world.&#xA;After the news there is the American Armed Forces Network and it's lovely to hear the American voices easy and cool and here is the music,&#xA;oh, man, the music of Duke Ellington himself telling me take the A train to where Billie Holiday sings only to me, I can't give you anything but love, baby.&#xA;That's the only thing I've plenty of, baby.&#xA;Oh, Billie, Billie, I want to be in America with you and all that music, where no one has bad teeth, people leave food on their plates, every family has a lavatory, and everyone lives happily ever after.&#xA;And Mrs. Purcell says, Do you know what, Frankie?&#xA;What, Mrs. Purcell?&#xA;That Shakespeare is that good he must have been an Irishman. The rent man is losing his patience. He tells Mam, Four weeks&#xA;behind you are, missus. That's one pound two shillings. This has to stop for I have to go back to the office and report to Sir Vincent Nash that the McCourts are a month behind. Where am I then, missus? Out on my arse jobless and a mother to support that's ninety-two and a daily communicant in the Franciscan church. The rent man collects the rents, missus, or he loses the job. I'll be back next week and if you don't have the money, one pound eight shillings and sixpence total, 'tis out on the pavement you'll be with the skies dripping on your furniture.&#xA;Mam comes back up to Italy and sits by the fire wondering where in God's name she'll get the money for a week's rent never mind the arrears. She'd love a cup of tea but there's no way of boiling the water till Malachy pulls a loose board off the wall between the two upstairs rooms. Mam says, Well, 'tis off now and we might as well chop it up for the fire. We boil the water and use the rest of the wood for the morning tea but what about tonight and tomorrow and ever after? Mam says, One more board from that wall, one more and not another one. She says that for two weeks till there's nothing left but the beam frame. She warns us we are not to touch the beams for they hold up the ceiling and the house itself.&#xA;Oh, we'd never touch the beams.&#xA;She goes to see Grandma and it's so cold in the house I take the hatchet to one of the beams. Malachy cheers me on and Michael claps his hands with excitement. I pull on the beam, the ceiling groans and down on Mam's bed there's a shower of plaster, slates, rain. Malachy says, Oh, God, we'll all be killed, and Michael dances around singing, Frankie broke the house, Frankie broke the house.&#xA;We run through the rain to tell Mam the news. She looks puzzled with Michael chanting, Frankie broke the house, till I explain there's a hole in the house and it's falling down. She says, Jesus, and runs through the streets with Grandma trying to keep up.&#xA;Mam sees her bed buried under plaster and slates and pulls at her hair, What'll we do at all, at all? and screams at me for interfering with the beams. Grandma says, I'll go to the landlord's office and tell them fix this before ye are all drowned entirely.&#xA;She's back in no time with the rent man. He says, Great God in heaven, where's the other room?&#xA;Grandma says, What room?&#xA;I rented ye two rooms up here and one is gone. Where is that room? Mam says, What room?&#xA;There were two rooms up here and now there's one. And what happened&#xA;to the wall? There was a wall. Now there's no wall. I distinctly remember a wall because I distinctly remember a room. Now where is that wall? Where is that room?&#xA;Grandma says, I don't remember a wall and if I don't remember a wall how can I remember a room?&#xA;Ye don't remember? Well, I remember. Forty years a landlord's agent and I never seen the likes of this. By God, 'tis a desperate situation altogether when you can't turn your back but tenants are not paying their rent and making walls and rooms disappear on top of it. I want to know where that wall is and what ye did with the room, so I do.&#xA;Mam turns to us. Do any of ye remember a wall?&#xA;Michael pulls at her hand. Is that the wall we burned in the fire? The rent man says, Dear God in heaven, this beats Banagher, this&#xA;takes the bloody biscuit, this is goin' beyond the beyonds. No rent and what am I to tell Sir Vincent below in the office? Out, missus, I'm puttin' ye out. One week from today I'll knock on this door and I want to find nobody at home, everybody out never to return. Do you have me, missus?&#xA;Mam's face is tight. 'Tis a pity you weren't alive in the times when the English were evicting us and leaving us on the side of the road.&#xA;No lip, missus, or I'll send the men to put ye out tomorrow.&#xA;He goes out the door and leaves it open to show what he thinks of us. Mam says, I don't know in God's name what I'm going to do. Grandma says, Well, I don't have room for ye but your cousin, Gerard Griffin, is living out the Rosbrien Road in that little house of his mother's and he'd surely be able to take ye in till better times come. 'Tis all hours of the night but I'll go up and see what he says and Frank can come with me.&#xA;She tells me put on a coat but I don't have one and she says, I suppose there's no use in asking if ye have an umbrella either. Come on.&#xA;She pulls the shawl over her head and I follow her out the door, up the lane, through the rain to Rosbrien Road nearly two miles away. She knocks on the door of a little cottage in a long row of little cottages. Are you there, Laman? I know you're in there. Open the door.&#xA;Grandma, why are you calling him Laman? Isn't his name Gerard?&#xA;How would I know? Do I know why the world calls your uncle Pat Ab? Everyone calls this fella Laman. Open the door. We'll go in. He might be working overtime.&#xA;She pushes the door. It's dark and there's a damp sweet smell in the room. This room looks like the kitchen and there's a smaller room next to it. There's a little loft above the bedroom with a skylight where the rain is beating. There are boxes everywhere, newspapers, magazines, bits of food, mugs, empty tins. We can see two beds taking up all the space in the bedroom, a great acre of a bed and a smaller one near the window. Grandma pokes at a lump in the big bed. Laman, is that you? Get up, will you, get up.&#xA;What? What? What? What?&#xA;There's trouble. Angela is gettin' evicted with the children an' 'tis delvin'out of the heavens. They need a bit of shelter till&#xA;they get on their feet an' I have no room for them. You can put them up in the loft if you like but that wouldn't do because the small ones wouldn't be able to climb and they'd fall down an' get killed so you go up there an' they can move in here.&#xA;All right, all right, all right, all right.&#xA;He hoists himself from the bed and there's a whiskey smell. He goes to the kitchen and pulls the table to the wall for his climb to the loft.&#xA;Grandma says, That's fine now. Ye can move up here tonight an' ye won't have the eviction men coming after ye.&#xA;Grandma tells Mam she's going home. She's tired and drenched and she's not twenty-five anymore. She says there's no need to be taking beds or furniture with all the stuff that's up in Laman Griffin's. We put Alphie in the pram and pile around him the pot, the pan, the kettle, the jam jars and mugs, the Pope, two bolsters and the coats from the beds. We drape the coats over our heads and push the pram through the streets. Mam tells us be quiet going up the lane or the neighbors will know we got the eviction and there will be shame. The pram has a bockety wheel which tilts it and makes it go in different directions. We try to keep it straight and we're having a great time because it must be after midnight and surely Mam won't make us go to school tomorrow. We're moving so far from Leamy's School now maybe we'll never have to go again. Once we get away from the lane Alphie bangs on the pot with the spoon and Michael sings a song he heard in a film with Al Jolson, Swanee, how I love ya, how I love ya, my dear ol'Swanee. He makes us laugh the way he tries to sing in a deep voice like Al Jolson.&#xA;Mam says she's glad it's late and there's no one on the streets to see our shame.&#xA;Once we get to the house we take Alphie and everything else from the pram so that Malachy and I can run back down to Roden Lane for the trunk. Mam says she'd die if she lost that trunk and everything in it.&#xA;Malachy and I sleep at opposite ends of the small bed. Mam takes the big bed with Alphie beside her and Michael at the bottom. Everything is damp and musty and Laman Griffin snores over our heads. There are no stairs in this house and that means no angel ever on the seventh step.&#xA;But I'm twelve going on thirteen and I might be too old for angels.&#xA;It's still dark when the alarm goes off in the morning and Laman Griffin snorts and blows his nose and hawks the stuff from his chest. The floor creaks under him and when he pisses for ages into the chamber pot we have to stuff our mouths with coats to stop the laughing and Mam hisses at us to be quiet. He grumbles away above us before he climbs down to get his bicycle and bang his way out the door. Mam whispers, The coast is clear, go back to sleep. Ye can stay at home today.&#xA;We can't sleep. We're in a new house, we have to pee and we want to explore. The lavatory is outside, about ten steps from the back door, our own lavatory, with a door you can close and a proper seat where you can sit and read squares of the Limerick Leader Laman Griffin left behind for wiping himself. There is a long backyard, a garden with tall grass and weeds, an old bicycle that must have belonged to a giant, tin cans galore, old papers and magazines rotting into the earth, a rusted sewing machine, a dead cat with a rope around his neck that somebody must have thrown over the fence.&#xA;Michael gets a notion in his head that this is Africa and keeps asking, Where's Tarzan? Where's Tarzan? He runs up and down the backyard with no pants on trying to imitate Tarzan yodeling from tree to tree. Malachy looks over the fences into the other yards and tells us, They have gardens. They're growing things. We can grow things. We can have our own spuds and everything.&#xA;Mam calls from the back door, See if ye can find anything to start the fire in here.&#xA;There's a wooden shed built against the back of the house. It's collapsing and surely we could use some of the wood for the fire. Mam is&#xA;disgusted with the wood we bring in. She says it's rotten and full of white maggots but beggars can't be choosers. The wood sizzles above the burning paper and we watch the white maggots try to escape. Michael says he feels sorry for the white maggots but we know he's sorry for everything in the world.&#xA;Mam tells us this house used to be a shop, that Laman Griffin's mother sold groceries through the little window and that's how she was able to send Laman away to Rockwell College so that he could wind up as an officer in the Royal Navy. Oh, he was, indeed. An officer in the Royal Navy, and here's a picture of him with other officers all having dinner with a famous American film star Jean Harlow. He was never the same after he met Jean Harlow. He fell madly in love with her but what was the use? She was Jean Harlow and he was nothing but an officer in the Royal Navy and it drove him to drink and they threw him out of the Navy. Now look at him, a common laborer for the Electricity Supply Board and a house that's a disgrace. You'd look at this house and never know there was a human being living in it. You can see Laman never moved a thing since his mother died and now we have to clean up so that we can live in this place.&#xA;There are boxes packed with bottles of purple hair oil. While Mam is out in the lavatory we open a bottle and smear it on our heads. Malachy says the smell is gorgeous but when Mam comes back she says, What's that horrible stink? and wants to know why our heads are suddenly greasy. She makes us stick our heads under the tap outside and dry ourselves with an old towel pulled out from under a pile of magazines called The Illustrated London News so old they have pictures of Queen Victoria and Prince Edward waving. There are bars of Pear's soap and a thick book called Pear's Encyclopedia, which keeps me up day and night because it tells you everything about everything and that's all I want to know.&#xA;There are bottles of Sloan's Liniment, which Mam says will come in handy when we get cramps and pains from the damp. The bottles say, Here's the pain, Where's the Sloan's? There are boxes of safety pins and bags packed with women's hats that crumble when you touch them. There are bags with corsets, garters, women's high button shoes and different laxatives that promise glowing cheeks, bright eyes and a curl in your hair. There are letters from General Eoin O'Duffy to Gerard Griffin, Esq., saying welcome to the ranks of the National Front, the Irish Blueshirts, that it is a privilege to know a man like Gerard Griffin is interested in the movement with his excellent education, his Royal Navy training, his reputation as a great rugby player on the Young Munster team that won the national championship, the Bateman Cup. General O'Duffy is forming an Irish Brigade that will soon sail off to Spain to fight with that great Catholic Generalissimo Franco himself, and Mr. Griffin would be a powerful addition to the Brigade.&#xA;Mam says Laman's mother wouldn't let him go. She didn't spend all those years slaving away in a little shop to send him to college so that he could go gallivanting off to Spain for Franco so he stayed at home and got that job digging holes for the poles of the Electricity Supply Board along country roads and his mother was happy to have him home to herself every night but Friday when he drank his pint and moaned over Jean Harlow.&#xA;Mam is happy we'll have loads of paper for lighting the fire though the wood we burn from that collapsing shed leaves a sickening smell and she worries the white maggots will escape and breed.&#xA;We work all day moving boxes and bags to the shed outside. Mam opens all the windows to air the house and let out the smell of the hair oil and the years of no air. She says it's a relief to be able to see the floor again and now we can sit down and have a nice cup of tea in peace, ease and comfort, and won't it be lovely when the warm weather comes and we might be able to have a garden and sit outside with our tea the way the English do.&#xA;Laman Griffin comes home at six every night but Friday, has his tea and goes to bed till next morning. Saturdays he goes to bed at one in the afternoon and stays there till Monday morning. He pulls the kitchen table over to the wall under the loft, climbs up on a chair, pulls the chair up to the table, climbs up on the chair again, catches a leg of the bed, pulls himself up. If he's too drunk on Fridays he makes me climb up for his pillow and blankets and sleeps on the kitchen floor by the fire or falls into bed with me and my brothers and snores and farts all night.&#xA;When we first moved in he complained over how he gave up his room downstairs for the loft and he's worn out climbing up and down to go to the lavatory in the backyard. He calls down, Bring the table, the chair, I'm coming down, and we have to clear off the table and pull it to the wall. He's fed up, he's finished with the climbing, he's going to use his mother's lovely chamber pot. He lies in bed all day reading books from the library, smoking Gold Flake cigarettes and throwing Mam a few shillings to send one of us to the shop so that he can have scones with his tea or a nice bit of ham and sliced tomato. Then he calls to Mam, Angela, this chamber pot is full, and she drags chair and table to climb for the chamber pot, empty it in the lavatory outside, rinse it and climb back to the loft. Her face gets tight and she says, Is there anything else your lordship would like this day? and he laughs, Woman's work, Angela, woman's work and free rent.&#xA;Laman throws down his library card from the loft and tells me get him two books, one on angling, one on gardening. He writes a note to the librarian to say his legs are killing him from digging holes for the Electricity Supply Board and from now on Frank McCourt will be getting his books. He knows the boy is only thirteen going on fourteen and he knows the rules are strict about allowing children into the adult part of the library but the boy will wash his hands and behave himself and do what he's told, thank you.&#xA;The librarian reads the note and says 'tis an awful pity about Mr. Griffin, he's a true gentleman and a man of great learning, you wouldn't believe the books he reads, sometimes four a week, that one day he took home a book in French, French, if you don't mind, on the history of the rudder, the rudder, if you don't mind, she'd give anything for a look inside his head for it must be packed with all sorts of learning, packed, if you don't mind.&#xA;She picks out a gorgeous book with colored pictures about English gardens. She says, I know what he likes in the fishing department, and chooses a book called In Search of the Irish Salmon by Brigadier General Hugh Colton. Oh, says the librarian, he reads hundreds of books about English officers fishing in Ireland. I've read some myself out of pure curiosity and you can see why those officers are glad to be in Ireland after all they put up with in India and Africa and other desperate&#xA;places. At least the people here are polite. We're known for that, the politeness, not running around throwing spears at people.&#xA;Laman lies in the bed, reads his books, talks down from the loft about the day his legs will heal and he'll be out there in the back planting a garden which will be famous far and wide for color and beauty and when he's not gardening he'll be roaming the rivers around Limerick and bringing home salmon that will make your mouth water. His mother left a recipe for salmon that's a family secret and if he had the time and his legs weren't killing him he'd find it someplace in this house. He says now that I'm reliable I can get a book for myself every week but don't be bringing home filth. I want to know what the filth is but he won't tell me so I'll have to find out for myself.&#xA;Mam says she wants to join the library too but it's a long walk from Laman's house, two miles, and would I mind getting her a book every week, a romance by Charlotte M. Brame or any other nice writer. She doesn't want any books about English officers looking for salmon or books about people shooting each other. There's enough trouble in the world without reading about people bothering fish and each other.&#xA;Grandma caught a chill the night we had the trouble in the house in Roden Lane and the chill turned into pneumonia. They shifted her to the City Home Hospital and now she's dead.&#xA;Her oldest son, my uncle Tom, thought he'd go to England to work like other men in the lanes of Limerick but his consumption got worse and he came back to Limerick and now he's dead.&#xA;His wife, Galway Jane, followed him, and four of their six children had to be put into orphanages. The oldest boy, Gerry, ran away and joined the Irish army, deserted and crossed to the English army. The oldest girl, Peggy, went to Aunt Aggie and lives in misery.&#xA;The Irish army is looking for boys who are musical and would like to train in the Army School of Music. They accept my brother, Malachy, and he goes off to Dublin to be a soldier and play the trumpet.&#xA;Now I have only two brothers at home and Mam says her family is disappearing before her very eyes.&#xA;XIII&#xA;Boys from my class at Leamy's School are going on a weekend cycling trip to Killaloe. They tell me I should borrow a bicycle and come. All I need is a blanket, a few spoons of tea and sugar and a few cuts of bread to keep me going. I'll learn to cycle on Laman Griffin's bicycle every night after he goes to bed and he'll surely let me borrow it for the two days in Killaloe.&#xA;The best time to ask him for anything is Friday night when he's in a good mood after his night of drinking and his dinner. He brings home the same dinner in his overcoat pockets, a big steak dripping blood, four potatoes, an onion, a bottle of stout. Mam boils the potatoes and fries the steak with sliced onion. He keeps his overcoat on, sits at the table and eats the steak out of his hands. The grease and blood roll down his chin and on to the overcoat where he wipes his hands. He drinks his stout and laughs that there's nothing like a great bloody steak of a Friday night and if that's the worst sin he ever commits he'll float to heaven body and soul, ha ha ha.&#xA;Of course you can have my bike, he says. Boy should be able to get out and see the countryside. Of course. But you have to earn it. You can't be getting something for nothing, isn't that right?&#xA;'Tis.&#xA;And I have a job for you. You don't mind doing a bit of a job, do&#xA;you?&#xA;I don't.&#xA;And you'd like to help your mother?&#xA;I would.&#xA;Well, now, that very chamber pot is full since this morning. I want&#xA;you to climb up and get it and take it to the lavatory and rinse it under the tap abroad and climb back up with it.&#xA;I don't want to empty his chamber pot but I dream of cycling miles on the road to Killaloe, fields and sky far from this house, a swim in the Shannon, a night sleeping in a barn. I pull the table and chair to the wall. I climb up and under the bed there's the plain white chamber pot streaked brown and yellow, brimming with piss and shit. I lay it gently at the edge of the loft so that it won't spill, climb down to the chair, reach for the chamber pot, bring it down, turn my face away, hold it while I step down to the table, place it on the chair, step to the floor, take the chamber pot to the lavatory, empty it, and get sick behind the lavatory till I get used to this job.&#xA;Laman says I'm a good boy and the bike is mine anytime I want it as long as the chamber pot is empty and I'm there to run to the shop for his cigarettes, go to the library for books and do whatever else he wants. He says, You have a great way with a chamber pot. He laughs and Mam stares into the dead ashes in the fireplace.&#xA;It's raining so hard one day, Miss O'Riordan the librarian says, Don't go out in that or you'll ruin the books you're carrying. Sit down over there and behave yourself. You can read all about the saints while you're waiting.&#xA;There are four big books, Butler's Lives of the Saints. I don't want to spend my life reading about saints but when I start I wish the rain would last forever. Whenever you see pictures of saints, men or women, they're always looking up to heaven where there are clouds filled with little fat angels carrying flowers or harps giving praise. Uncle Pa Keating says he can't think of a single saint in heaven he'd want to sit down and have a pint with. The saints in these books are different. There are stories about virgins, martyrs, virgin martyrs and they're worse than any horror film at the Lyric Cinema.&#xA;I have to look in the dictionary to find out what a virgin is. I know the Mother of God is the Virgin Mary and they call her that because she didn't have a proper husband, only poor old St. Joseph. In the Lives of the Saints the virgins are always getting into trouble and I don't know why. The dictionary says, Virgin, woman (usually a young woman) who is and remains in a state of inviolate chastity.&#xA;Now I have to look up inviolate and chastity and all I can find here is that inviolate means not violated and chastity means chaste and that means pure from unlawful sexual intercourse. Now I have to look up intercourse and that leads to intromission, which leads to intromittent, the copulatory organ of any male animal. Copulatory leads to copulation, the union of the sexes in the art of generation and I don't know what that means and I'm too weary going from one word to another in this heavy dictionary which leads me on a wild goose chase from this word to that&#xA;word and all because the people who wrote the dictionary don't want the likes of me to know anything.&#xA;All I want to know is where I came from but if you ask anyone they tell you ask someone else or send you from word to word.&#xA;All these virgin martyrs are told by Roman judges they have to give up their faith and accept the Roman gods but they say, Nay, and the judges have them tortured and killed. My favorite is St. Christina the Astonishing who takes ages to die. The judge says, Cut off her breast, and when they do she throws it at him and he goes deaf dumb and blind. Another judge is brought on the case and he says, Cut off the other breast, and the same thing happens. They try to kill her with arrows but they just bounce off her and kill the soldiers who shot them. They try to boil her in oil but she rocks in the vat and takes a nap for herself. Then the judges get fed up and have her head cut off and that does the job. The feast of St. Christina the Astonishing is the twenty-fourth of July and I think I'll keep that for myself along with the feast of St. Francis of Assisi on the fourth of October. The librarian says, You have to go home now, the rain is stopped, and when I'm going out the door she calls me back. She wants to write a note to my mother and she doesn't mind one bit if I read it. The note says, Dear Mrs. McCourt, Just when you think Ireland is gone to the dogs altogether you find a boy sitting in the library so absorbed in the Lives of the Saints he doesn't realize the rain has stopped and you have to drag him away from the aforesaid Lives. I think, Mrs. McCourt, you might have a future priest on your hands and I will light a candle in hopes it comes true. I remain, Yours truly, Catherine O'Riordan, Asst. Librarian.&#xA;Hoppy O'Halloran is the only master in Leamy's National School who ever sits. That's because he's the headmaster or because he has to rest himself from the twisting walk that comes from the short leg. The other masters walk back and forth in the front of the room or up and down the aisles and you never know when you'll get a whack of a cane or a slap of a strap for giving the wrong answer or writing something sloppy. If Hoppy wants to do anything to you he calls you to the front of the room to punish you before three classes.&#xA;There are good days when he sits at the desk and talks about America. He says, My boys, from the frozen wastes of North Dakota to the fragrant orange groves of Florida, Americans enjoy all climates. He talks about American history, If the American farmer, with flintlock and musket, could wrest from the English a continent, surely we, warriors ever, can recover our island.&#xA;If we don't want him tormenting us with algebra or Irish grammar all we have to do is ask him a question about America and that gets him so excited he might go on for the whole day.&#xA;He sits at his desk and recites the tribes and chiefs he loves. Arapaho, Cheyenne, Chippewa, Sioux, Apache, Iroquois. Poetry, my boys, poetry. And listen to the chiefs, Kicking Bear, Rain-in-the-Face, Sitting Bull, Crazy Horse, and the genius, Geronimo.&#xA;In seventh class he hands out a small book, a poem that goes on for pages and pages, The Deserted Village, by Oliver Goldsmith. He says that this seems to be a poem about England but it is a lament for the poet's native land, our own native land, Ireland. We are to get this poem by heart, twenty lines a night to be recited every morning. Six boys are called to the front of the room for reciting and if you miss a line you are slapped twice on each hand. He tells us put the books under the desks&#xA;and the whole class chants the passage on the schoolmaster in the village.&#xA;Beside yon straggling fence that skirts the way, With blossomed furze unprofitably gay,&#xA;There, in his noisy mansion, skilled to rule&#xA;The village master taught his little school.&#xA;A man severe he was and stern to view, I knew him well, and every truant knew.&#xA;Full well the boding tremblers learned to trace The day's disaster in his morning face.&#xA;Full well they laughed with counterfeited glee At all his jokes for many a joke had he.&#xA;Full well the busy whisper circling round Conveyed the dismal tidings when he frowned.&#xA;He always closes his eyes and smiles when we reach the last lines of the passage, Yet he was kind, or, if severe in aught, The love he bore to learning was in fault.&#xA;The village all declared how much he knew.&#xA;'Twas certain he could write, and cipher too. Lands he could measure, terms and tides presage, And even the story ran that he could gauge.&#xA;In arguing, too, the parson owned his skill, For, even though vanquished, he could argue still, While words of learned length and thundering sound Amazed the gazing rustics ranged around.&#xA;And still they gazed, and still the wonder grew, That one small head could carry all he knew.&#xA;We know he loves these lines because they're about a schoolmaster, about him, and he's right because we wonder how one small head could carry all he knows and we will remember him in these lines. He says, Ah, boys, boys, You can make up your own minds but first stock them. Are you listening to me? Stock your minds and you can move through the world resplendent. Clarke, define resplendent.&#xA;I think it's shining, sir.&#xA;Pithy, Clarke, but adequate. McCourt, give us a sentence with pithy.&#xA;Clarke is pithy but adequate, sir.&#xA;Adroit, McCourt. You have a mind for the priesthood, my boy, or politics. Think of that.&#xA;I will, sir.&#xA;Tell your mother come and see me.&#xA;I will, sir.&#xA;Mam says, No, I could never go near Mr. O'Halloran. I don't have a&#xA;decent dress or a proper coat. What does he want to see me for? I don't know.&#xA;Well, ask him.&#xA;I can't. He'll kill me. If he says bring your mother you have to bring your mother or out comes the stick.&#xA;She comes to see him and he talks to her in the hallway. He tells her that her son Frank must continue school. He must not fall into the&#xA;messenger boy trap. That leads nowhere. Take him up to the Christian Brothers, tell them I sent you, tell them he is a bright boy and ought to be going to secondary school and beyond that, university.&#xA;He tells her he did not become headmaster of Leamy's National School to preside over an academy of messenger boys.&#xA;Mam says, Thank you, Mr. O'Halloran.&#xA;I wish Mr. O'Halloran would mind his own business. I don't want to go to the Christian Brothers. I want to quit school forever and get a job, get my wages every Friday, go to the pictures on Saturday nights like everyone.&#xA;A few days later Mam tells me give my face and hands a good wash, we're going to the Christian Brothers. I tell her I don't want to go, I want to work, I want to be a man. She tells me stop the whining, I'm going to secondary school and we'll all manage somehow. I'm going to school if she has to scrub floors and she'll practice on my face.&#xA;She knocks on the door at the Christian Brothers and says she wants to see the superior, Brother Murray. He comes to the door, looks at my mother and me and says, What?&#xA;Mam says, This is my son, Frank. Mr. O'Halloran at Leamy's says he's bright and would there be any chance of getting him in here for secondary school?&#xA;We don't have room for him, says Brother Murray and closes the door in our faces.&#xA;Mam turns away from the door and it's a long silent walk home. She takes off her coat, makes tea, sits by the fire. Listen to me, she says. Are you listening?&#xA;I am.&#xA;That's the second time a door was slammed in your face by the Church.&#xA;Is it? I don't remember.&#xA;Stephen Carey told you and your father you couldn't and closed the door in your face. Do you remember that?&#xA;I do.&#xA;And now Brother Murray slams the door in your face. I don't mind. I want to get a job.&#xA;Her face tightens and she's angry. You are never to&#xA;be an altar boy&#xA;let anybody&#xA;slam the door in your face again. Do you hear me?&#xA;She starts to cry by the fire, Oh, God, I didn't bring ye into the&#xA;world to be a family of messenger boys.&#xA;I don't know what to do or say, I'm so relieved I don't have to&#xA;stay in school for five or six more years. I'm free.&#xA;I'm thirteen going on fourteen and it's June, the last month of school forever. Mam takes me to see the priest, Dr. Cowpar, about getting a job as telegram boy. The supervisor in the post office, Mrs. O'Connell, says, Do you know how to cycle, and I lie that I do. She says I can't start till I'm fourteen so come back in August.&#xA;Mr. O'Halloran tells the class it's a disgrace that boys like McCourt, Clarke, Kennedy, have to hew wood and draw water. He is disgusted by this free and independent Ireland that keeps a class system foisted on us by the English, that we are throwing our talented children on the dungheap.&#xA;You must get out of this country, boys. Go to America, McCourt. Do you hear me?&#xA;I do, sir.&#xA;Priests come to the school to recruit us for the foreign missions, Redemptorists, Franciscans, Holy Ghost Fathers, all converting the distant heathen. I ignore them. I'm going to America till one priest catches my attention. He says he comes from the order of the White Fathers, missionaries to the nomadic Bedouin tribes and chaplains to the French Foreign Legion.&#xA;I ask for the application.&#xA;I will need a letter from the parish priest and a physical examination by my family doctor. The parish priest writes the letter on the spot. He would have been glad to see me go last year. The doctor says, What's this?&#xA;That's an application to join the White Fathers, missionaries to the nomadic tribes of the Sahara and chaplains to the French Foreign Legion.&#xA;Oh, yeh? French Foreign Legion, is it? Do you know the preferred form of transportation in the Sahara Desert?&#xA;Trains?&#xA;No. It's the camel. Do you know what a camel is?&#xA;It has a hump. It has more than a hump. It has a nasty, mean&#xA;disposition and its teeth are green with gangrene and it bites. Do you know where it bites?&#xA;In the Sahara?&#xA;No, you omadhaun. It bites your shoulder, rips it right off. Leaves you standing there tilted in the Sahara. How would you like that, eh? And what class of a spectacle you'd be strolling down the street, lopsided in Limerick. What girl in her right mind will look at an ex-White Father with one miserable scrawny shoulder? And look at your eyes. They're bad enough here in Limerick. In the Sahara they'll fester and rot and fall out of your head. How old are you?&#xA;Thirteen.&#xA;Go home to your mother.&#xA;It's not our house and we don't feel free in it the way we did in&#xA;Roden Lane, up in Italy or down in Ireland. When Laman comes home he wants to read in his bed or sleep and we have to be quiet. We stay in the streets till after dark and when we come inside there's nothing to do but go to bed and read a book if we have a candle or paraffin oil for the lamp.&#xA;Mam tells us go to bed, she'll be after us in a minute as soon as she climbs to the loft with Laman's last mug of tea. We often fall asleep before she goes up but there are nights we hear them talking, grunting, moaning. There are nights when she never comes down and Michael and Alphie have the big bed to themselves. Malachy says she stays up there because it's too hard for her to climb down in the dark.&#xA;He's only twelve and he doesn't understand.&#xA;I'm thirteen and I think they're at the excitement up there.&#xA;I know about the excitement and I know it's a sin but how can it be&#xA;a sin if it comes to me in a dream where American girls pose in swimming suits on the screen at the Lyric Cinema and I wake up pushing and pumping? It's a sin when you're wide awake and going at yourself the way the boys talked about it in Leamy's schoolyard after Mr. O'Dea roared the Sixth Commandment at us, Thou Shalt Not Commit Adultery, which means impure thoughts, impure words, impure deeds, and that's what adultery is, Dirty Things in General.&#xA;One Redemptorist priest barks at us all the time about the Sixth Commandment. He says impurity is so grave a sin the Virgin Mary turns her face away and weeps.&#xA;And why does she weep, boys? She weeps because of you and what you are doing to her Beloved Son. She weeps when she looks down the long dreary vista of time and beholds in horror the spectacle of Limerick boys defiling themselves, polluting themselves, interfering with themselves, abusing themselves, soiling their young bodies, which are the temples of the Holy Ghost. Our Lady weeps over these abominations knowing that every time you interfere with yourself you nail to the cross her Beloved Son, that once more you hammer into His dear head the crown of thorns, that you reopen those ghastly wounds. In an agony of thirst He hangs on the cross and what is He offered by those perfidious Romans? A lavatory sponge plunged into vinegar and gall and thrust into His poor mouth, a mouth that moves rarely except to pray, to pray even for you, boys, even for you who nailed Him to that cross. Consider Our Lord's suffering. Consider the crown of thorns. Consider a small pin driven into your skull, the agony of the piercing. Consider then twenty thorns driven into your head. Reflect, meditate on the nails tearing His hands, His feet. Could you endure a fraction of that agony? Take that pin again, that mere pin. Force it into your side. Enlarge that sensation a hundredfold and you are penetrated by that awful lance. Oh, boys, the devil wants your souls. He wants you with him in hell and know this, that every time you interfere with yourself, every time you succumb to the vile sin of self- abuse you not only nail Christ to the cross you take another step closer to hell itself. Retreat from the abyss, boys. Resist the devil and keep your hands to yourself.&#xA;I can't stop interfering with myself. I pray to the Virgin Mary and tell her I'm sorry I put her Son back on the cross and I'll never do it again but I can't help myself and swear I'll go to confession and after that, surely after that, I'll never never do it again. I don't want to go to hell with devils chasing me for eternity jabbing me with hot pitchforks.&#xA;The priests of Limerick have no patience with the likes of me. I go to confession and they hiss that I'm not in a proper spirit of repentance, that if I were I'd give up this hideous sin. I go from church to church looking for an easy priest till Paddy Clohessy tells me there's one in the Dominican church who's ninety years old and deaf as a turnip. Every few weeks the old priest hears my confession and mumbles that I should pray for him. Sometimes he falls asleep and I don't have the heart to wake him up so I go to Communion the next day without penance or absolution. It's not my fault if priests fall asleep on me and surely I'm in a state of grace just for going to confession. Then one day the little panel in the confession box slides back and it's not my man at all, it's a young priest with a big ear like a seashell. He'll surely hear everything.&#xA;Bless me, Father, for I have sinned, it's a fortnight since my last confession.&#xA;And what have you done since then, my child?&#xA;I hit my brother, I went on the mooch from school, I lied to my mother.&#xA;Yes, my child, and what else?&#xA;I – I - I did dirty things, Father.&#xA;Ah, my child, was that with yourself or with another or with some class of beast?&#xA;Some class of beast. I never heard of a sin like that before. This priest must be from the country and if he is he's opening up new worlds to me.&#xA;The night before I'm to go to Killaloe Laman Griffin comes home drunk and eats a great bag of fish and chips at the table. He tells Mam boil water for tea and when she says she has no coal or turf he yells at her and calls her a great lump living free under his roof with her pack of brats. He throws money at me to go to the shop for a few sods of turf and wood for kindling. I don't want to go. I want to hit him for the way he treats my mother but if I say anything he won't let me have the bicycle tomorrow after I've waited three weeks.&#xA;When Mam gets the fire going and boils the water I remind him of his promise to loan me the bike.&#xA;Did you empty the chamber pot today?&#xA;Oh, I forgot. I'll do it this minute.&#xA;He shouts, You didn't empty my damn chamber pot. I promise you the&#xA;bike. I give you tuppence a week to run messages for me and empty the chamber pot and you stand there with your thick gob hanging out and tell me you didn't do it.&#xA;I'm sorry. I forgot. I'll do it now.&#xA;You will, will you? And how do you think you'll get up to the loft? Are you going to pull the table out from under my fish and chips?&#xA;Mam says, Sure, he was at school all day and he had to go to the doctor for his eyes.&#xA;Well, you can bloody well forget about the bicycle. You didn't live up to the bargain.&#xA;But he couldn't do it, says Mam.&#xA;He tells her shut up and mind her own business and she goes quiet by the fire. He goes back to his fish and chips but I tell him again, You promised me. I emptied that chamber pot and did your messages for three weeks.&#xA;Shut up and go to bed.&#xA;You can't tell me go to bed. You're not my father, and you promised&#xA;me.&#xA;I'm telling you, as sure as God made little apples, that if I get&#xA;up from this table you'll be calling for your patron saint. You promised me.&#xA;He pushes the chair back from the table. He stumbles toward me and sticks his finger between my eyes. I'm telling you shut your gob, scabby&#xA;eyes.&#xA;I won't. You promised me.&#xA;He punches my shoulders and when I won't stop moves to my head. My&#xA;mother jumps up, crying, and tries to pull him away. He punches and kicks me into the bedroom but I keep saying, You promised me. He knocks me to my mother's bed and punches till I cover my face and head with my arms.&#xA;I'll kill you, you little shit.&#xA;Mam is screaming and pulling at him till he falls backward into the kitchen. She says, Come on, oh, come on. Eat your fish and chips. He's only a child. He'll get over it. I hear him go back to his chair and pull it to the table.&#xA;I hear him snuffle and slurp when he eats and drinks. Hand me the matches, he says. By Jesus, I need a fag after that. There's a put-put sound when he puffs on the cigarette and a whimper from my mother.&#xA;He says, I'm going to bed, and with the drink in him it takes him a while to climb the chair to the table, pull up the chair, climb to the loft. The bed squeaks under him and he grunts when he pulls off his boots and drops them to the floor.&#xA;I can hear Mam crying when she blows into the globe of the paraffin oil lamp and everything goes dark. After what happened she'll surely want to get into her own bed and I'm ready to go to the small one against the wall. Instead, there's the sound of her climbing the chair, the table, the chair, crying up into the loft and telling Laman Griffin, He's only a boy, tormented with his eyes, and when Laman says, He's a little shit and I want him out of the house, she cries and begs till there's whispering and grunting and moaning and nothing.&#xA;In awhile they're snoring in the loft and my brothers are asleep around me. I can't stay in this house for if Laman Griffin comes at me again I'll take a knife to his neck. I don't know what to do or where to go.&#xA;I leave the house and follow the streets from the Sarsfield Barracks to the Monument Café. I dream of how I'll get back at Laman some day. I'll go to America and see Joe Louis. I'll tell him my troubles and he'll understand because he comes from a poor family. He'll show me how to build up my muscles, how to hold my hands and use my feet. He'll show me how to dig my chin into my shoulder the way he does and how to let go with a right uppercut that will send Laman flying. I'll drag Laman to the graveyard at Mungret where his family and Mam's family are buried and I'll cover him with earth all the way to his chin so that he won't be able to move and he'll beg for his life and I'll say, End of the road, Laman, you're going to meet your Maker, and he'll beg and beg while I trickle dirt on his face till it's covered completely and he's gasping and asking God for forgiveness for not giving me the bike and punching me all over the house and doing the excitement with my mother and I'll be laughing away because he's not in a state of grace after the excitement and he's going to hell as sure as God made little apples as he used to say himself.&#xA;The streets are dark and I have to keep an eye out in case I might be lucky like Malachy long ago and find fish and chips dropped by drunken soldiers. There's nothing on the ground. If I find my uncle, Ab Sheehan, he might give me some of his Friday night fish and chips, but they tell me in the café he came and went already. I'm thirteen now so I don't call him Uncle Pat anymore. I call him Ab or The Abbot like everybody else. Surely if I go to Grandma's house he'll give me a piece of bread or something and maybe he'll let me stay the night. I can tell him I'll be working in a few weeks delivering telegrams and getting big tips at the post office and ready to pay my own way.&#xA;He's sitting up in bed finishing his fish and chips, dropping to the floor the Limerick Leader they were wrapped in, wiping his mouth and hands with the blanket. He looks at me, That face is all swole. Did you fall on that face?&#xA;I tell him I did because there's no use telling him anything else. He wouldn't understand. He says, You can stay in me mother's bed tonight. You can't walk the streets with that face and them two red eyes in your head.&#xA;He says there's no food in the house, not a scrap of bread, and when he falls asleep I take the greasy newspaper from the floor. I lick the front page, which is all advertisements for films and dances in the city. I lick the headlines. I lick the great attacks of Patton and Montgomery in France and Germany. I lick the war in the Pacific. I lick the obituaries and the sad memorial poems, the sports pages, the market prices of eggs butter and bacon. I suck the paper till there isn't a smidgen of grease.&#xA;I wonder what I'll do tomorrow.&#xA;XIV&#xA;In the morning The Abbot gives me the money to go to Kathleen O'Connell's for bread, margarine, tea, milk. He boils water on the gas ring and tells me I can have a mug of tea and, Go aisy with the sugar, I'm not a millionaire. You can have a cut o' bread but don't make it too thick.&#xA;It's July and school is over forever. In a few weeks I'll be delivering telegrams at the post office, working like a man. In the weeks I'm idle I can do anything I like, get up in the morning, stay in bed, take long walks out the country like my father, wander around Limerick. If I had the money I'd go over to the Lyric Cinema, eat sweets, see Errol Flynn conquering everyone in sight. I can read the English and Irish papers The Abbot brings home or I can use the library cards of Laman Griffin and my mother till I'm found out.&#xA;Mam sends Michael with a milk bottle of warm tea, a few cuts of bread smeared with dripping, a note to say Laman Griffin isn't angry anymore and I can come back. Michael says, Are you coming home, Frankie?&#xA;No.&#xA;Ah, do, Frankie. Come on.&#xA;I live here now. I'm never going back.&#xA;But Malachy is gone to the army and you're here and I have no big&#xA;brother. All the boys have big brothers and I only have Alphie. He's not even four and can't talk right.&#xA;I can't go back. I'm never going back. You can come here any time you like.&#xA;His eyes glint with tears and that gives me such a pain in my heart I want to say, All right, I'll come with you. I'm only saying that. I know I'll never be able to face Laman Griffin again and I don't know if I can look at my mother. I watch Michael go up the lane with the sole of his shoe broken and clacking along the pavement. When I start that job at the post office I'll buy him shoes so I will. I'll give him an egg and take him to the Lyric Cinema for the film and the sweets and then we'll go to Naughton's and eat fish and chips till our bellies are sticking out a mile. I'll get money some day for a house or a flat with electric light and a lavatory and beds with sheets blankets pillows like the rest of the world. We'll have breakfast in a bright kitchen with flowers dancing in a garden beyond, delicate cups and saucers, eggcups, eggs soft in the yolk and ready to melt the rich creamery butter, a teapot with a cozy on it, toast with butter and marmalade galore. We'll take our time and listen to music from the BBC or the American Armed Forces Network. I'll buy proper clothes for the whole family so our arses won't be hanging out of our pants and we won't have the shame. The thought of the shame brings a pain&#xA;in my heart and starts me sniffling. The Abbot says, What's up with you? Didn't you have your bread? Didn't you have your tay? What more do you want? 'Tis an egg you'll be lookin' for next.&#xA;There's no use talking to someone who was dropped on his head and sells papers for a living.&#xA;He complains he can't be feeding me forever and I'll have to get my own bread and tea. He doesn't want to come home and find me reading in the kitchen with the electric lightbulb blazing away. He can read numbers so he can and when he goes out to sell papers he reads the electric meter so he'll know how much I used and if I don't stop turning on that light he'll take the fuse out and carry it in his pocket and if I put another fuse in he'll have the electricity pulled out altogether and go back to gas, which was good enough for his poor dead mother and will surely suit him for all he does is sit up in the bed to eat his fish and chips and count his money before he goes to sleep.&#xA;I get up early like Dad and go on long walks into the country. I walk around the graveyard in the old abbey at Mungret where my mother's relations are buried and I go up the boreen to the Norman castle at Carrigogunnell where Dad brought me twice. I climb to the top and Ireland is spread out before me, the Shannon shining its way to the Atlantic. Dad told me this castle was built hundreds of years ago and if you wait for the larks to stop their singing over there you can hear the Normans below hammering and talking and getting ready for battle. Once he brought me here in the dark so that we could hear Norman and Irish voices down through the centuries and I heard them. I did.&#xA;Sometimes I'm up there alone on the heights of Carrigogunnell and there are voices of Norman girls from olden times laughing and singing in French and when I see them in my mind I'm tempted and I climb to the very top of the castle where once there was a tower and there in full view of Ireland I interfere with myself and spurt all over Carrigogunnell and fields beyond.&#xA;That's a sin I could never tell a priest. Climbing to great heights and going at yourself before all of Ireland is surely worse than doing it in a private place with yourself or with another or with some class of a beast. Somewhere down there in the fields or along the banks of the Shannon a boy or a milkmaid might have looked up and seen me in my sin and if they did I'm doomed because the priests are always saying that anyone who exposes a child to sin will have a millstone tied around his neck and be cast into the sea.&#xA;Still, the thought of someone watching me brings on the excitement again. I wouldn't want a small boy to be watching me. No, no, that would surely lead to the millstone, but if there was a milkmaid gawking up she'd surely get excited and go at herself though I don't know if girls can go at themselves when they don't have anything to go at. No equipment, as Mikey Molloy used to say.&#xA;I wish that old deaf Dominican priest would come back so that I could tell him my troubles with the excitement but he's dead now and I'll have to face a priest who'll go on about the millstone and the doom.&#xA;Doom. That's the favorite word of every priest in Limerick.&#xA;I walk back along O'Connell Avenue and Ballinacurra where people have their bread and milk delivered early to their doorsteps and surely there's no harm if I borrow a loaf or a bottle with every intention of giving it back when I get my job at the post office. I'm not stealing, I'm borrowing, and that's not a mortal sin. Besides, I stood on top of a&#xA;castle this morning and committed a sin far worse than stealing bread and milk and if you commit one sin you might as well commit a few more because you get the same sentence in hell. One sin, eternity. A dozen sins, eternity.&#xA;Might as well be hung for a sheep as a lamb, as my mother would say. I drink the odd pint of milk and leave the bottle so that the milkman won't be blamed for not delivering. I like milkmen because one of them gave me two broken eggs which I swallowed raw with bits of shells and all. He said I'd grow up powerful if I had nothing else but two eggs in a pint of porter every day. Everything you need is in the egg and everything you want is in the pint.&#xA;Some houses get better bread than others. It costs more and that's what I take. I feel sorry for the rich people who will get up in the morning and go to the door and find their bread missing but I can't let myself starve to death. If I starve I'll never have the strength for my telegram boy job at the post office, which means I'll have no money to put back all that bread and milk and no way of saving to go to America and if I can't go to America I might as well jump into the River Shannon. It's only a few weeks till I get my first wages in the post office and surely these rich people won't collapse with the hunger till then. They can always send the maid out for more. That's the difference between the poor and the rich. The poor can't send out for more because there's no money to send out for more and if there was they wouldn't have a maid to send. It's the maids I have to worry about. I have to be careful when I borrow the milk and the bread and they're at the front doors polishing knobs, knockers and letter boxes. If they see me they'll be running to the woman of the house, Oh, madam, madam, there's an urchin beyant that's makin' off with all the milk and bread.&#xA;Beyant. Maids talk like that because they're all from the country, Mullingar heifers, says Paddy Clohessy's uncle, beef to the heels, and they wouldn't give you the steam of their piss.&#xA;I bring home the bread and even if The Abbot is surprised he doesn't say, Where did you get it? because he was dropped on his head and that knocks the curiosity out of you. He just looks at me with his big eyes that are blue in the middle and yellow all around and slurps his tea from the great cracked mug his mother left behind. He tells me, That's me mug and don't be drinkin' your tay oush of ish.&#xA;Oush of ish. That's the Limerick slum talk that always worried Dad. He said, I don't want my sons growing up in a Limerick lane saying, Oush of ish. It's common and low-class. Say out of it properly.&#xA;And Mam said, I hope it keeps fine for you but you're not doing much to get us oush of ish.&#xA;Out beyond Ballinacurra I climb orchard walls for apples. If there's a dog I move on because I don't have Paddy Clohessy's way of talking to them. Farmers come at me but they're always slow in their rubber boots and even if they jump on a bicycle to chase me I jump over walls where they can't take a bike.&#xA;The Abbot knows where I got the apples. If you grow up in the lanes of Limerick you're bound to rob the odd orchard sooner or later. Even if you hate apples you have to rob orchards or your pals will say you're a sissy.&#xA;I always offer The Abbot an apple but he won't eat it because of the scarcity of teeth in his head. He has five left and he won't risk leaving them in an apple. If I cut the apple into slices he still won't&#xA;eat it because that's not the proper way to eat an apple. That's what he says and if I say, You slice bread before you eat it, don't you? he says, Apples is apples and bread is bread.&#xA;That's how you talk when you're dropped on your head.&#xA;Michael comes again with warm tea in a milk bottle and two cuts of fried bread. I tell him I don't need it anymore. Tell Mam I'm taking care of myself and I don't need her tea and fried bread, thank you very much. Michael is delighted when I give him an apple and I tell him come every second day and he can have more. That stops him from asking me to go back to Laman Griffin's and I'm glad it stops his tears.&#xA;There's a market down in Irishtown where the farmers come on Saturdays with their vegetables, hens, eggs, butter. If I'm there early they'll give me a few pennies for helping unload their carts or motor cars. At the end of the day they'll give me vegetables they can't sell, anything crushed, bruised or rotten in parts. One farmer's wife always gives me cracked eggs and tells me, Fry them eggs tomorrow when you come back from Mass in a state of grace for if you ate them eggs with a sin on your sowl they'll stick in your gullet, so they will.&#xA;She's a farmer's wife and that's how they talk.&#xA;I'm not much better than a beggar now myself the way I stand at the doors of fish and chip shops when they're closing in hopes they might have burnt chips left over or bits of fish floating around in the grease. If they're in a hurry the shop owners will give me the chips and a sheet of paper for wrapping.&#xA;The paper I like is the News of the World. It's banned in Ireland but people sneak it in from England for the shocking pictures of girls in swimming suits that are almost not there. Then there are stories of people committing all kinds of sins you wouldn't find in Limerick, getting divorces, committing adultery.&#xA;Adultery. I still have to find out what that word means, look it up in the library. I'm sure it's worse than what the masters taught us, bad thoughts, bad words, bad deeds. I take my chips home and get into bed like The Abbot. If he has a few pints taken he sits up eating his chips from the Limerick Leader and singing &amp;quot;The Road to Rasheen. &amp;quot; I eat my chips. I lick the News of the World. I lick the stories about people doing shocking things. I lick the girls in their bathing suits and when there's nothing left to lick I look at the girls till The Abbot blows out the light and I'm committing a mortal sin under the blanket.&#xA;I can go to the library any time with Mam's card or Laman Griffin's. I'll never be caught because Laman is too lazy to get out of bed on a Saturday and Mam will never go near a library with the shame of her clothes.&#xA;Miss O'Riordan smiles. The Lives of the Saints are waiting for you, Frank. Volumes and volumes. Butler, O'Hanlon, Baring Gould. I've told the head librarian all about you and she's so pleased she's ready to give you your own grown-up card. Isn't that wonderful?&#xA;Thanks, Miss O'Riordan.&#xA;I'm reading all about St. Brigid, virgin, February first. She was so beautiful that men from all over Ireland panted to marry her and her father wanted her to marry someone important. She didn't want to marry anyone so she prayed to God for help and He caused her eye to melt in her head so that it dribbled down her cheek and left such a great welt the men of Ireland lost interest.&#xA;Then there's St. Wilgefortis, virgin martyr, July twentieth. Her mother had nine children, all at the same time, four sets of twins and Wilgefortis the odd one, all winding up martyrs for the faith. Wilgefortis was beautiful and her father wanted to marry her off to the King of Sicily. Wilgefortis was desperate and God helped her by allowing a beard and a mustache to grow on her face, which made the King of Sicily think twice but sent her father into such a rage he had her crucified beard and all.&#xA;St. Wilgefortis is the one you pray to if you're an Englishwoman with a troublesome husband.&#xA;The priests never tell us about virgin martyrs like St. Agatha, February fifth. February is a powerful month for virgin martyrs. Sicilian pagans ordered Agatha to give up her faith in Jesus and like all the virgin martyrs she said, Nay. They tortured her, stretched her on the rack, tore her sides with iron hooks, burned her with blazing torches, and she said, Nay, I will not deny Our Lord. They crushed her breasts and cut them off but when they rolled her over hot coals it was more than she could bear so she expired, giving praise.&#xA;Virgin martyrs always died singing hymns and giving praise not minding one bit if lions tore big chunks from their sides and gobbled them on the spot.&#xA;How is it the priests never told us about St. Ursula and her eleven thousand maiden martyrs, October twenty-first? Her father wanted her to marry a pagan king but she said, I'll go away for awhile, three years, and think about it. So off she goes with her thousand noble ladies-in- waiting and their companions, ten thousand. They sailed around for awhile and traipsed through various countries till they stopped in Cologne where the chief of the Huns asked Ursula to marry him. Nay, she said, and the Huns killed her and the maidens with her. Why couldn't she say yes and save the lives of eleven thousand virgins? Why did virgin martyrs have to be so stubborn?&#xA;I like St. Moling, an Irish bishop. He didn't live in a palace like the bishop of Limerick. He lived in a tree and when other saints visited him for dinner they would sit around on branches like birds having a grand time with their water and dry bread. He was walking along one day and a leper said, Hoy, St. Moling, where are you going? I'm going to Mass, says St. Moling. Well, I'd like to go to Mass too, so why don't you hoist me up on your back and carry me? St. Moling did but he no sooner had the leper up on his back than the leper started to complain. Your hair shirt, he said, is hard on my sores, take it off. St. Moling took off the shirt and off they went again. Then the leper says, I need to blow my nose. St. Moling says, I don't have any class of a handkerchief, use your hand. The leper says, I can't hold on to you and blow my nose at the same time. All right, says St. Moling, you can blow into my hand. That won't do, says the leper, I barely have a hand left with the leprosy and I can't hold on and blow into your hand. If you were a proper saint you'd twist around here and suck the stuff out of my head. St. Moling didn't want to suck the leper's snot but he did and offered it up and praised God for the privilege.&#xA;I could understand my father sucking the bad stuff out of Michael's head when he was a baby and desperate but I don't understand why God wanted St. Moling to go around sucking the snot out of lepers' heads. I don't understand God at all and even if I'd like to be a saint and have&#xA;everyone adore me I'd never suck the snot of a leper. I'd like to be a saint but if that's what you have to do I think I'll stay the way I am.&#xA;Still, I'm ready to spend my life in this library reading about virgins and virgin martyrs till I get into trouble with Miss O'Riordan over a book someone left on the table. The author is Lin Yütang. Anyone can tell this is a Chinese name and I'm curious to know what the Chinese talk about. It's a book of essays about love and the body and one of his words sends me to the dictionary. Turgid. He says, The male organ of copulation becomes turgid and is inserted into the receptive female orifice.&#xA;Turgid. The dictionary says swollen and that's what I am, standing there looking at the dictionary because I know now what Mikey Molloy was talking about all along, that we're no different from the dogs that get stuck in each other in the streets and it's shocking to think of all the mothers and fathers doing the likes of this.&#xA;My father lied to me for years about the Angel on the Seventh Step.&#xA;Miss O'Riordan wants to know what word I'm looking for. She always looks worried when I'm at the dictionary so I tell her I'm looking for canonize or beatific or any class of a religious word.&#xA;And what's this? she says. This is not the Lives of the Saints.&#xA;She picks up Lin Yütang and starts reading the page where I left the book face down on the table.&#xA;Mother o' God. Is this what you were reading? I saw this in your hand.&#xA;Well, I-I-only wanted to see if the Chinese, if the Chinese, ah, had any saints.&#xA;Oh, indeed, you did. This is disgraceful. Filth. No wonder the Chinese are the way they are. But what could you expect of slanty eyes and yellow skin and you, now that I look at you, have a bit of the slanty eye yourself. You are to leave this library at once.&#xA;But I'm reading the Lives of the Saints.&#xA;Out or I'll call the head librarian and she'll have the guards on you. Out. You should be running to the priest and confessing your sins. Out, and before you go hand me the library cards of your poor mother and Mr. Griffin. I have a good mind to write to your poor mother and I would if I thought it wouldn't destroy her entirely. Lin Yütang, indeed. Out.&#xA;There's no use trying to talk to librarians when they're in that state. You could stand there for an hour telling them all you've read about Brigid and Wilgefortis and Agatha and Ursula and the maiden martyrs but all they think about is one word on one page of Lin Yütang.&#xA;The People's Park is behind the library. It's a sunny day, the grass is dry, and I'm worn out begging for chips and putting up with librarians who get into a state over turgid and I'm looking at the clouds drifting above the monument and drifting off myself all turgid till I'm having a dream about virgin martyrs in bathing suits in the News of the World pelting Chinese writers with sheeps' bladders and I wake up in a state of excitement with something hot and sticky pumping out of me oh God my male organ of copulation sticking out a mile people in the park giving me curious looks and mothers telling their children come over here love come away from that fella someone should call the guards on him.&#xA;The day before my fourteenth birthday I see myself in the glass in Grandma's sideboard. The way I look how can I ever start my job at the post office. Everything is torn, shirt, gansey, short pants, stockings, and my shoes are ready to fall off my feet entirely. Relics of oul'&#xA;decency, my mother would call them. If my clothes are bad I'm worse. No matter how I drench my hair under the tap it sticks out in all directions. The best cure for standing up hair is spit, only it's hard to spit on your own head. You have to let go with a good one up in the air and duck to catch it on your poll. My eyes are red and oozing yellow, there are matching red and yellow pimples all over my face and my front teeth are so black with rot I'll never be able to smile in my life.&#xA;I have no shoulders and I know the whole world admires shoulders. When a man dies in Limerick the women always say, Grand man he was, shoulders that big and wide he wouldn't come in the door for you, had to come in sideways. When I die they'll say, Poor little divil, died without a sign of a shoulder. I wish I had some sign of a shoulder so that people would know I was at least fourteen years of age. All the boys in Leamy's had shoulders except for Fintan Slattery and I don't want to be like him with no shoulders and knees worn away from prayer. If I had any money left I'd light a candle to St. Francis and ask him if there's any chance God could be persuaded to perform a miracle on my shoulders. Or if I had a stamp I could write to Joe Louis and say, Dear Joe, Is there any chance you could tell me where you got your powerful shoulders even though you were poor?&#xA;I have to look decent for my job so I take off all my clothes and stand naked in the backyard washing them under the tap with a bar of carbolic soap. I hang them on Grandma's clothesline, shirt, gansey, pants, stockings, and pray to God it won't rain, pray they'll be dry for tomorrow, which is the start of my life.&#xA;I can't go anywhere in my pelt so I stay in bed all day reading old newspapers, getting excited with the girls in the News of the World and thanking God for the drying sun. The Abbot comes home at five and makes tea downstairs and even though I'm hungry I know he'll grumble if I ask him for anything. He knows the one thing that worries me is he might go to Aunt Aggie and complain I'm staying in Grandma's house and sleeping in her bed and if Aunt Aggie hears that she'll come over and throw me into the street.&#xA;He hides the bread when he's finished and I can never find it. You would think that one who was never dropped on his head would be able to find the hidden bread of one who was dropped on his head. Then I realize if the bread is not in the house he must take it with him in the pocket of the overcoat he wears winter and summer. The minute I hear him clumping from the kitchen to the backyard lavatory I run downstairs, pull the loaf from the pocket, cut off a thick slice, back into the pocket, up the stairs and into bed. He can never say a word, never accuse me. You'd have to be a thief of the worst class to steal one slice of bread and no one would ever believe him, not even Aunt Aggie. Besides, she'd bark at him and say, What are you doing anyway going around with a loaf of bread in your pocket? That's no place for a loaf of bread.&#xA;I chew the bread slowly. One mouthful every fifteen minutes will make it last and if I wash it down with water the bread will swell in my belly and give me the full feeling.&#xA;I look out the back window to make sure the evening sun is drying my clothes. Other backyards have lines with clothes that are bright and colorful and dance in the wind. Mine hang from the line like dead dogs.&#xA;The sun is bright but it's cold and damp in the house and I wish I had something to wear in the bed. I have no other clothes and if I touch anything of The Abbot's he'll surely run to Aunt Aggie. All I can find in&#xA;the wardrobe is Grandma's old black woolen dress. You're not supposed to wear your Grandmother's old dress when she's dead and you're a boy but what does it matter if it keeps you warm and you're in bed under the blankets where no one will ever know. The dress has the smell of old dead grandmother and I worry she might rise from the grave and curse me before the whole family and all assembled. I pray to St. Francis, ask him to keep her in the grave where she belongs, promise him a candle when I start my job, remind him the robe he wore himself wasn't too far from a dress and no one ever tormented him over it and fall asleep with the image of his face in my dream.&#xA;The worst thing in the world is to be sleeping in your dead grandmother's bed wearing her black dress when your uncle The Abbot falls on his arse outside South's pub after a night of drinking pints and people who can't mind their own business rush to Aunt Aggie's house to tell her so that she gets Uncle Pa Keating to help her carry The Abbot home and upstairs to where you're sleeping and she barks at you, What are you doin' in this house, in that bed? Get up and put on the kettle for tea for your poor uncle Pat that fell down, and when you don't move she pulls the blankets and falls backward like one seeing a ghost and yelling Mother o' God what are you doin' in me dead mother's dress?&#xA;That's the worst thing of all because it's hard to explain that you're getting ready for the big job in your life, that you washed your clothes, they're drying abroad on the line, and it was so cold you had to wear the only thing you could find in the house, and it's even harder to talk to Aunt Aggie when The Abbot is groaning in the bed, Me feet is like a fire, put water on me feet, and Uncle Pa Keating is covering his mouth with his hand and collapsing against the wall laughing and telling you that you look gorgeous and black suits you and would you ever straighten your hem. You don't know what to do when Aunt Aggie tells you, Get out of that bed and put the kettle on downstairs for tea for your poor uncle. Should you take off the dress and put on a blanket or should you go as you are? One minute she's screaming, What are you doin' in me poor mother's dress? the next she's telling you put on that bloody kettle. I tell her I washed my clothes for the big job.&#xA;What big job?&#xA;Telegram boy at the post office.&#xA;She says if the post office is hiring the likes of you they must be&#xA;in a desperate way altogether, go down and put on that kettle.&#xA;The next worse thing is to be out in the backyard filling the&#xA;kettle from the tap with the moon beaming away and Kathleen Purcell from next door perched up on the wall looking for her cat. God, Frankie McCourt, what are you doin' in your grandmother's dress? and you have to stand there in the dress with the kettle in your hand and explain how you washed your clothes which are hanging there on the line for all to see and you were so cold in the bed you put on your grandmother's dress and your uncle Pat, The Abbot, fell down and was brought home by Aunt Aggie and her husband, Pa Keating, and she drove you into the backyard to fill this kettle and you'll take off this dress as soon as ever your clothes are dry because you never had any desire to go through life in your dead grandmother's dress.&#xA;Now Kathleen Purcell lets out a scream, falls off the wall, forgets the cat, and you can hear her giggling into her blind mother, Mammy, Mammy, wait till I tell you about Frankie McCourt abroad in the backyard in his dead grandmother's dress. You know that once Kathleen Purcell gets&#xA;a bit of scandal the whole lane will know it before morning and you might as well stick your head out the window and make a general announcement about yourself and the dress problem.&#xA;By the time the kettle boils The Abbot is asleep from the drink and Aunt Aggie says she and Uncle Pa will have a drop of tea themselves and she doesn't mind if I have a drop myself. Uncle Pa says on second thought the black dress could be the cassock of a Dominican priest and he goes down on his knees and says, Bless me, Father, for I have sinned. Aunt Aggie says, Get up, you oul' eejit, and stop makin' a feck of religion. Then she says, And you what are you doin' in this house?&#xA;I can't tell her about Mam and Laman Griffin and the excitement in the loft. I tell her I was thinking of staying here a while because of the great distance from Laman Griffin's house to the post office and as soon as I get on my feet we'll surely find a decent place and we'll all move on, my mother and brothers and all.&#xA;Well, she says, that's more than your father would do.&#xA;XV&#xA;It's hard to sleep when you know the next day you're fourteen and starting your first job as a man. The Abbot wakes at dawn moaning. Would I ever make him some tay and if I do I can have a big cut of bread from the half loaf in his pocket which he was keeping there out of the way of the odd rat and if I look in Grandma's gramophone where she used to keep the records I'll find a jar of jam.&#xA;He can't read, he can't write, but he knows where to hide the jam.&#xA;I bring The Abbot his tea and bread and make some for myself. I put on my damp clothes and get into the bed hoping that if I stay there the clothes will dry from my own heat before I go to work. Mam always says it's the damp clothes that give you the consumption and an early grave. The Abbot is sitting up telling me he has a terrible pain in his head from a dream where I was wearing his poor mother's black dress and she flying around screaming, Sin, sin, 'tis a sin. He finishes his tea and falls into a snore sleep and I wait for his clock to say half-past eight, time to get up and be at the post office at nine even if the clothes are still damp on my skin.&#xA;On my way out I wonder why Aunt Aggie is coming down the lane. She must be coming to see if The Abbot is dead or needing a doctor. She says, What time do you have to be at that job?&#xA;Nine.&#xA;All right.&#xA;She turns and walks with me to the post office on Henry Street. She&#xA;doesn't say a word and I wonder if she's going to the post office to denounce me for sleeping in my grandmother's bed and wearing her black dress. She says, Go up and tell them your aunt is down here waiting for you and you'll be an hour late. If they want to argue I'll go up and argue.&#xA;Why do I have to be an hour late?&#xA;Do what you're bloody well told.&#xA;There are telegram boys sitting on a bench along a wall. There are&#xA;two women at a desk, one fat, one thin. The thin one says, Yes? My name is Frank McCourt, miss, and I'm here to start work.&#xA;What kind of work would that be now?&#xA;Telegram boy, miss.&#xA;The thin one cackles, Oh, God, I thought you were here to clean the&#xA;lavatories.&#xA;No, miss. My mother brought a note from the priest, Dr. Cowpar, and&#xA;there's supposed to be a job.&#xA;Oh, there is, is there? And do you know what day this is?&#xA;I do, miss. 'Tis my birthday. I'm fourteen.&#xA;Isn't that grand, says the fat woman. Today is Thursday, says the&#xA;thin woman.&#xA;Your job starts on Monday. Go away and wash yourself and come back then.&#xA;The telegram boys along the wall are laughing. I don't know why but I feel my face turning hot. I tell the women, Thank you, and on the way out I hear the thin one, Jesus above, Maureen, who dragged in that specimen? and they laugh along with the telegram boys.&#xA;Aunt Aggie says, Well? and I tell her I don't start till Monday. She says my clothes are a disgrace and what did I wash them in.&#xA;Carbolic soap.&#xA;They smell like dead pigeons and you're making a laughingstock of the whole family.&#xA;She takes me to Roche's Stores and buys me a shirt, a gansey, a pair of short pants, two pairs of stockings and a pair of summer shoes on sale. She gives me two shillings to have tea and a bun for my birthday. She gets on the bus to go back up O'Connell Street too fat and lazy to walk. Fat and lazy, no son of her own, and still she buys me the clothes for my new job.&#xA;I turn toward Arthur's Quay with the package of new clothes under my arm and I have to stand at the edge of the River Shannon so that the whole world won't see the tears of a man the day he's fourteen.&#xA;Monday morning I'm up early to wash my face and flatten my hair with water and spit. The Abbot sees me in my new clothes. Jaysus, he says, is it gettin' married you are? and goes back to sleep.&#xA;Mrs. O'Connell, the fat woman, says, Well, well, aren't we the height of fashion, and the thin one, Miss Barry, says, Did you rob a bank on the weekend? and there's a great laugh from the telegram boys sitting on the bench along the wall.&#xA;I'm told to sit at the end of the bench and wait for my turn to go out with telegrams. Some telegram boys in uniforms are the permanent ones who took the exam. They can stay in the post office forever if they like, take the next exam for postman and then the one for clerk that lets them work inside selling stamps and money orders behind the counter downstairs. The post office gives permanent boys big waterproof capes for the bad weather and they get two weeks holiday every year. Everyone says these are good jobs, steady and pensionable and respectable, and if you get a job like this you never have to worry again in your whole life, so you don't.&#xA;Temporary telegram boys are not allowed to stay in the job beyond the age of sixteen. There are no uniforms, no holidays, the pay is less, and if you stay out sick a day you can be fired. No excuses. There are no waterproof capes. Bring your own raincoat or dodge the raindrops.&#xA;Mrs. O'Connell calls me to her desk to give me a black leather belt and pouch. She says there's a great shortage of bicycles so I'll have to walk my first batch of telegrams. I'm to go to the farthest address&#xA;first, work my way back, and don't take all day. She's long enough in the post office to know how long it takes to deliver six telegrams even by foot. I'm not to be stopping in pubs or bookies or even home for a cup of tea and if I do I'll be found out. I'm not to be stopping in chapels to say a prayer. If I have to pray do it on the hoof or on the bicycle. If it rains pay no attention. Deliver the telegrams and don't be a sissy.&#xA;One telegram is addressed to Mrs. Clohessy of Arthur's Quay and that couldn't be anyone but Paddy's mother.&#xA;Is that you, Frankie McCourt? she says. God, I wouldn't know you you're that big. Come in, will you.&#xA;She's wearing a bright frock with flowers all over and shiny new shoes. There are two children on the floor playing with a toy train. On the table there is a teapot, cups with saucers, a bottle of milk, a loaf of bread, butter, jam. There are two beds over by the window where there were none before. The big bed in the corner is empty and she must know what I'm wondering. He's gone, she says, but he's not dead. Gone t' England with Paddy. Have a cup o' tay an' a bit o' bread. You need it, God help us. You look like one left over from the Famine itself. Ate that bread an' jam an' build yourself up. Paddy always talked about you and Dennis, my poor husband that was in the bed, never got over the day your mother came an' sang the song about the Kerry dancing. He's over in England now making sandwiches in a canteen and sending me a few bob every week. You'd wonder what the English are thinking about when they take a man that has the consumption and give him a job making sandwiches. Paddy has a grand job in a pub in Cricklewood, which is in England. Dennis would still be here if it wasn't for Paddy climbin' the wall for the tongue.&#xA;Tongue?&#xA;Dennis had the craving, so he did, for a nice sheep's head with a bit of cabbage and a spud so up with me to Barry the butcher with the last few shillings I had. I boiled that head an' sick an' all as he was Dennis couldn't wait for it to be done. He was a demon there in the bed callin' for the head an' when I gave it to him on the plate he was delighted with himself suckin' the marrow outa every inch of that head. Then he finishes an' he says, Mary, where is the tongue?&#xA;What tongue? says I.&#xA;The tongue of this sheep. Every sheep is born with a tongue that lets him go ba ba ba and there's a great lack of tongue in this head. Go up to Barry the butcher and demand it.&#xA;So up with me to Barry the butcher and he said, That bloody sheep came in here bleatin'an'cryin'so much we cut the tongue from her and thrun it to the dog who gobbled it up and ever since ba bas like a sheep and if he doesn't quit I'll cut his tongue and throw it to the cat.&#xA;Back I go to Dennis and he gets frantic in the bed. I want that tongue, he says. All the nourishment is in the tongue. And what do you think happens next but my Paddy, that was your friend, goes up to Barry the butcher after dark, climbs the wall, cuts the tongue of a sheep's head that's on a hook on the wall and brings it back to his poor father in the bed. Of course I have to boil that tongue with salt galore and Dennis, God love him, ates it, lies back in the bed a minute, throws back the blanket and stands out on his two feet announcing to the world that consumption or no consumption, he's not going to die in that bed, if he's going to die at all it might as well be under a German bomb with him&#xA;making a few pounds for his family instead of whining in the bed there beyond.&#xA;She shows me a letter from Paddy. He's working in his uncle Anthony's pub twelve hours a day, twenty-five shillings a week and every day soup and a sandwich. He's delighted when the Germans come over with the bombs so that he can sleep while the pub is closed. At night he sleeps on the floor of the hallway upstairs. He will send his mother two pounds every month and he's saving the rest to bring her and the family to England where they'll be much better off in one room in Cricklewood than ten rooms in Arthur's Quay. She'll be able to get a job no bother. You'd have to be a sad case not to be able to get a job in a country that's at war especially with Yanks pouring in and spending money right and left. Paddy himself is planning to get a job in the middle of London where Yanks leave tips big enough to feed an Irish family of six for a week.&#xA;Mrs. Clohessy says, We have enough money for food and shoes at last, thanks be to God and His Blessed Mother. You'll never guess who Paddy met over there in England fourteen years of age an' workin' like a man. Brendan Kiely, the one ye used to call Question. Workin' he is an' savin' so he can go an' join the Mounties an' ride all over Canada like Nelson Eddy singin' I'll be callin' you ooh ooh ooh ooh ooh ooh. If it wasn't for Hitler we'd all be dead an' isn't that a terrible thing to say. And how's your poor mother, Frankie?&#xA;She's grand, Mrs. Clohessy.&#xA;No, she's not. I seen her in the Dispensary and she looks worse than my Dennis did in the bed. You have to mind your poor mother. You look desperate too, Frankie, with them two red eyes starin' outa your head. Here's a little tip for you. Thruppence. Buy yourself a sweet.&#xA;I will, Mrs. Clohessy.&#xA;Do.&#xA;***&#xA;At the end of the week Mrs. O'Connell hands me the first wages of&#xA;my life, a pound, my first pound. I run down the stairs and up to O'Connell Street, the main street, where the lights are on and people are going home from work, people like me with wages in their pockets. I want them to know I'm like them, I'm a man, I have a pound. I walk up one side of O'Connell Street and down the other and hope they'll notice me. They don't. I want to wave my pound note at the world so they'll say, There he goes, Frankie McCourt the workingman, with a pound in his pocket.&#xA;It's Friday night and I can do anything I like. I can have fish and chips and go to the Lyric Cinema. No, no more Lyric. I don't have to sit up in the gods anymore with people all around me cheering on the Indians killing General Custer and the Africans chasing Tarzan all over the jungle. I can go to the Savoy Cinema now, pay sixpence for a seat down front where there's a better class of people eating boxes of chocolates and covering their mouths when they laugh. After the film I can have tea and buns in the restaurant upstairs.&#xA;Michael is across the street calling me. He's hungry and wonders if there's any chance he could go to The Abbot's for a bit of bread and stay there for the night instead of going all the way to Laman Griffin's. I tell him he doesn't have to worry about a bit of bread. We'll go to the Coliseum Café and have fish and chips, all he wants, lemonade galore, and then we'll go to see Yankee Doodle Dandy with James Cagney and eat two big bars of chocolate. After the film we have tea and buns and we sing&#xA;and dance like Cagney all the way to The Abbot's. Michael says it must be great to be in America where people have nothing else to do but sing and dance. He's half asleep but he says he's going there some day to sing and dance and would I help him go and when he's asleep I start thinking about America and how I have to save money for my fare instead of squandering it on fish and chips and tea and buns. I'll have to save a few shillings from my pound because if I don't I'll be in Limerick forever. I'm fourteen now and if I save something every week surely I should be able to go to America by the time I'm twenty. There are telegrams for offices, shops, factories where there's no hope of a tip. Clerks take the telegrams without a look at you or a thank you. There are telegrams for the respectable people with maids along the Ennis Road and the North Circular Road where there's no hope of a tip. Maids are like clerks, they don't look at you or say thank you. There are telegrams for the houses of priests and nuns and they have maids, too, even if they say poverty is noble. If you waited for tips from priests or nuns you'd die on their doorstep.&#xA;There are telegrams for people miles outside the city, farmers with muddy yards and dogs who want to eat your legs. There are telegrams for rich people in big houses with gate lodges and miles of land surrounded by walls. The gatekeeper waves you in and you have to cycle for miles up long drives past lawns, flower beds, fountains to reach the big house. If the weather is fine people are playing croquet, the Protestant game, or strolling around, talking and laughing, all decked out in flowery dresses and blazers with crests and golden buttons and you'd never know there was a war on. There are Bentleys and Rolls-Royces parked outside the great front door where a maid tells you go around to the servants' entrance don't you know any better.&#xA;People in the big houses have English accents and they don't tip telegram boys.&#xA;The best people for tips are widows, Protestant ministers' wives and the poor in general. Widows know when the telegram money order is due from the English government and they wait by the window. You have to be careful if they ask you in for a cup of tea because one of the temporary boys, Scrawby Luby, said an old widow of thirty-five had him in for tea and tried to take down his pants and he had to run out of the house though he was really tempted and had to go to confession the next Saturday. He said it was very awkward hopping up on the bike with his thing sticking out but if you cycle very fast and think of the sufferings of the Virgin Mary you'll go soft in no time.&#xA;Protestant ministers' wives would never carry on like Scrawby Luby's old widow unless they're widows themselves. Christy Wallace, who is a permanent telegram boy and ready to be a postman any day, says Protestants don't care what they do even if they're ministers' wives. They're doomed anyway, so what does it matter if they have a bit of a romp with a telegram boy. All the telegram boys like Protestant ministers' wives. They might have maids but they answer doors themselves and say, One moment, please, and give you sixpence. I'd like to talk to them and ask them how it feels to be doomed but they might get offended and take back the sixpence.&#xA;The Irishmen working in England send their telegram money orders on Friday nights and all day Saturday and that's when we get the good tips. The minute we deliver one batch we're out with another.&#xA;The worst lanes are in the Irishtown, off High Street or Mungret Street, worse than Roden Lane or O'Keeffe's Lane or any lane I lived in. There are lanes with channels running down the middle. Mothers stand at doors and yell gardyloo when they empty their slop buckets. Children make paper boats or float matchboxes with little sails on the greasy water.&#xA;When you ride into a lane the children call out, Here's the telegram boy, here's the telegram boy. They run to you and the women wait at the door. If you give a small child a telegram for his mother he's the hero of the family. Little girls know they're supposed to wait till the boys get their chance though they can get the telegram if they have no brothers. Women at the door will call to you that they have no money now but if you're in this lane tomorrow knock on the door for your tip, God bless you an' all belongin' to you.&#xA;Mrs. O'Connell and Miss Barry at the post office tell us every day our job is to deliver telegrams and nothing else. We are not to be doing things for people, going to the shop for groceries or any other kind of message. They don't care if people are dying in the bed. They don't care if people are legless, lunatic or crawling on the floor. We are to deliver the telegram and that's all. Mrs. O'Connell says, I know everything ye do, everything, for the people of Limerick have their eye on ye and there are reports which I have here in my drawers.&#xA;A fine place to keep reports, says Toby Mackey under his breath.&#xA;But Mrs. O'Connell and Miss Barry don't know what it's like in the lane when you knock on a door and someone says come in and you go in and there's no light and there's a pile of rags on a bed in a corner the pile saying who is it and you say telegram and the pile of rags tells you would you ever go to the shop for me I'm starving with the hunger and I'd give me two eyes for a cup of tea and what are you going to do say I'm busy and ride off on your bike and leave the pile of rags there with a telegram money order that's pure useless because the pile of rags is helpless to get out of the bed to go to the post office to cash the bloody money order.&#xA;What are you supposed to do?&#xA;You're told never never go to the post office to cash one of those money orders for anyone or you'll lose your job forever. But what are you supposed to do when an old man that was in the Boer War hundreds of years ago says his legs are gone and he'd be forever grateful if you'd go to Paddy Considine in the post office and tell him the situation and Paddy will surely cash the money order and keep two shillings for yourself grand boy that you are. Paddy Considine says no bother but don't tell anyone or I'd be out on my arse and so would you, son. The old man from the Boer War says he knows you have telegrams to deliver now but would you ever come back tonight and maybe go to the shop for him for he doesn't have a thing in the house and he's freezing on top of it. He sits in an old armchair in the corner covered with bits of blankets and a bucket behind the chair that stinks enough to make you sick and when you look at that old man in the dark corner you want to get a hose with hot water and strip him and wash him down and give him a big feed of rashers and eggs and mashed potatoes with loads of butter salt and onions.&#xA;I want to take the man from the Boer War and the pile of rags in the bed and put them in a big sunny house in the country with birds chirping away outside the window and a stream gurgling.&#xA;Mrs. Spillane in Pump Lane off Carey's Road has two crippled twin children with big blond heads, small bodies, and bits of legs that dangle&#xA;over the edges of the chairs. They look into the fire all day and say, Where's Daddy? They speak English like everybody else but they babble away to one another in a language they made up, Hung sup tea tea sup hung. Mrs. Spillane says that means, When are we getting our supper? She tells me she's lucky if her husband sends four pounds a month and she's beside herself with the abuse she gets from the Dispensary over him being in England. The children are only four and they're very bright even if they can't walk or take care of themselves. If they could walk, if they were any way normal, she'd pack up and move to England out of this godforsaken country that fought so long for freedom and look at the state of us, De Valera in his mansion above in Dublin the dirty oul' bastard and the rest of the politicians that can all go to hell, God forgive me. The priests can go to hell too and I won't ask God to forgive me for saying the likes of that. There they are, the priests and the nuns telling us Jesus was poor and 'tis no shame, lorries driving up to their houses with crates and barrels of whiskey and wine, eggs galore and legs of ham and they telling us what we should give up for Lent. Lent, my arse. What are we to give up when we have Lent all year long?&#xA;I want to take Mrs. Spillane and her two blond crippled children and put them in that house in the country with the pile of rags and the man from the Boer War and wash everyone and let them all sit in the sun with the birds singing and the streams gurgling.&#xA;I can't leave the pile of rags alone with a useless money order because the pile is an old woman, Mrs. Gertrude Daly, all twisted with every class of disease you can get in a Limerick lane, arthritis, rheumatism, falling hair, a nostril half gone from her jabbing at it with her finger, and you wonder what kind of a world is it when this old woman sits up from the rags and smiles at you with teeth that gleam white in the dark, her own teeth and perfect.&#xA;That's right, she says, me own teeth, and when I rot in the grave they'll find me teeth a hundred years from now all white an' shiny an' I'll be declared a saint.&#xA;The telegram money order, three pounds, is from her son. It has a message, Happy Birthday, Mammy, Your fond son, Teddy. She says, A wonder he can spare it, the little shit, trottin' around with every tart in Piccadilly. She asks if I'd ever do her a favor and cash the money order and get her a little Baby Powers whiskey at the pub, a loaf of bread, a pound of lard, seven potatoes, one for each day of the week. Would I boil&#xA;a potato for&#xA;bread, bring&#xA;O'Connor the&#xA;some soap so&#xA;grateful and&#xA;my troubles.&#xA;her, mash it up with a lump of lard, give her a cut of&#xA;her a drop of water to go with the whiskey? Would I go to chemist for ointment for her sores and while I'm at it bring she can give her body a good scrub and she'll be forever&#xA;say a prayer for me and here's a couple of shillings for all&#xA;Ah, no thanks, ma'am.&#xA;Take the money. Little tip. You did me great favors.&#xA;I couldn't, ma'am, the way you are.&#xA;Take the money or I'll tell the post office you're not to deliver&#xA;my telegram anymore.&#xA;Oh, all right, ma'am. Thanks very much.&#xA;Good night, son. Be good to your mother.&#xA;Good night, Mrs. Daly.&#xA;School starts in September and some days Michael stops at The&#xA;Abbot's before the walk home to Laman Griffin's. On rainy days he says,&#xA;Can I stay here tonight? and soon he doesn't want to go back to Laman Griffin's at all. He's worn out and hungry with two miles out and two miles back.&#xA;When Mam comes looking for him I don't know what to say to her. I don't know how to look at her and I keep my eyes off to one side. She says, How's the job? as if nothing ever happened in Laman Griffin's and I say, Grand, as if nothing ever happened in Laman Griffin's. If the rain is too heavy for her to go home she stays in the small room upstairs with Alphie. She goes back to Laman's the next day but Michael stays and soon she's moving in herself bit by bit till she stops going to Laman's altogether.&#xA;The Abbot pays the rent every week. Mam gets the relief and the food dockets till someone informs on her and she's cut off from the Dispensary. She's told that if her son is bringing in a pound a week that's more than some families get on the dole and she should be grateful he has a job. Now I have to hand over my wages. Mam says, A pound? Is that all you get for riding around in all kinds of weather? This would be four dollars in America. Four dollars. And you couldn't feed a cat for four dollars in New York. If you were delivering telegrams for Western Union in New York you'd be earning twenty-five dollars a week and living in luxury. She always translates Irish money into American so that she won't forget and tries to convince everyone times were better over there. Some weeks she lets me keep two shillings but if I go to a film or buy a secondhand book there's nothing left, I won't be able to save for my fare, and I'll be stuck in Limerick till I'm an old man of twenty-five.&#xA;Malachy writes from Dublin to say he's fed up and doesn't want to spend the rest of his life blowing a trumpet in the army band. He's home in a week and complains when he has to share the big bed with Michael, Alphie and me. He had his own army cot up there in Dublin with sheets and blankets and a pillow. Now he's back to overcoats and a bolster that sends up a cloud of feathers when you touch it. Mam says, Pity about you. I'm sorry for your troubles. The Abbot has his own bed, and my mother has the small room. We're all together again, no Laman tormenting us. We make tea and fried bread and sit on the kitchen floor. The Abbot says you're not supposed to be sitting on kitchen floors, what are tables and chairs for? He tells Mam that Frankie is not right in the head and Mam says we'll all catch our death from the damp of the floor. We sit on the floor and sing and Mam and The Abbot sit on chairs. She sings &amp;quot;Are You Lonesome Tonight?&amp;quot; and the Abbot sings &amp;quot;The Road to Rasheen&amp;quot; and we still don't know what his song is about. We sit on the floor and tell stories about things that happened, things that never happened and things that will happen when we all go to America.&#xA;There are slow days at the post office and we sit on the bench and talk. We can talk but we are not to laugh. Miss Barry says we should be grateful we're getting paid to sit there, bunch of idlers and streetboys that we are, and that there is to be no laughing. Getting paid for sitting and chatting is no laughing matter and the first titter out of any of us and out we go till we come to our senses and if the tittering continues we'll be reported to the proper authorities.&#xA;The boys talk about her under their breath. Toby Mackey says, What that oul' bitch needs is a good rub o' the relic, a good rub o' the brush. Her mother was a streetwalking flaghopper and her father escaped from a lunatic asylum with bunions on his balls and warts on his wank.&#xA;There is laughing along the bench and Miss Barry calls to us, I warned ye against the laughing. Mackey, what is it you're prattling about over there?&#xA;I said we'd all be better off out in the fresh air on this fine day delivering telegrams, Miss Barry.&#xA;I'm sure you did, Mackey. Your mouth is a lavatory. Did you hear&#xA;me?&#xA;I did, Miss Barry.&#xA;You have been heard on the stairs, Mackey. Yes, Miss Barry.&#xA;Shut up, Mackey.&#xA;I will, Miss Barry.&#xA;Not another word, Mackey.&#xA;No, Miss Barry.&#xA;I said shut up, Mackey.&#xA;All right, Miss Barry.&#xA;That's the end of it, Mackey. Don't try me. I won't, Miss Barry.&#xA;Mother o' God give me patience.&#xA;Yes, Miss Barry.&#xA;Take the last word, Mackey. Take it, take it, take it.&#xA;I will, Miss Barry.&#xA;Toby Mackey is a temporary telegram boy like me. He saw a film&#xA;called The Front Page and now he wants to go to America some day and be a tough newspaper reporter with a hat and a cigarette. He keeps a notebook in his pocket because a good reporter has to write down what happens. Facts. He has to write down facts not a lot of bloody poetry, which is all you hear in Limerick with men in pubs going on about our great sufferings under the English. Facts, Frankie. He writes down the number of telegrams he delivers and how far he travels. We sit on the bench making sure we don't laugh and he tells me that if we deliver forty telegrams a day that's two hundred a week and that's ten thousand a year and twenty thousand in our two years at the job. If we cycle one hundred and twenty-five miles in a week that's thirteen thousand miles in two years and that's halfway around the world, Frankie, and no wonder there isn't a scrap of flesh on our arses.&#xA;Toby says nobody knows Limerick like the telegram boy. We know every avenue, road, street, terrace, mews, place, close, lane. Jasus, says Toby, there isn't a door in Limerick we don't know. We knock on all kinds of doors, iron, oak, plywood. Twenty thousand doors, Frankie. We rap, kick, push. We ring and buzz bells. We shout and whistle, Telegram boy, telegram boy. We drop telegrams in letter boxes, shove them under doors, throw them over the transom. We climb in windows where people are bedridden. We fight off every dog who wants to turn us into dinner. You never know what's going to happen when you hand people their telegrams. They laugh and sing and dance and cry and scream and fall down in a weakness and you wonder if they'll wake up at all and give you the tip. It's not a bit like delivering telegrams in America where Mickey Rooney rides around in a film called The Human Comedy and people are pleasant and falling over themselves to give you a tip, inviting you in, giving you a cup of tea and a bun.&#xA;Toby Mackey says he has facts galore in his notebook and he doesn't give a fiddler's fart about anything and that's the way I'd like to be myself.&#xA;Mrs. O'Connell knows I like the country telegrams and if a day is sunny she gives me a batch of ten that will keep me away all morning and I don't have to return till after the dinner hour at noon. There are fine autumn days when the Shannon sparkles and the fields are green and glinting with silver morning dew. Smoke blows across fields and there's the sweet smell of turf fires. Cows and sheep graze in the fields and I wonder if these are the beasts the priest was talking about. I wouldn't be surprised because there's no end to the bulls climbing on cows, rams on sheep, stallions on mares, and they all have such big things it makes me break out in a sweat to look at them and I feel sorry for all the female creatures in the world who have to suffer like that though I wouldn't mind being a bull myself because they can do what they like and it's never a sin for an animal. I wouldn't mind going at myself here but you never know when a farmer might come along the road driving cows and sheep to a fair or to another field raising his stick and bidding you, Good day, young fella, grand morning, thank God and His Blessed Mother. A farmer that religious might be offended if he saw you breaking the Sixth Commandment forninst his field. Horses like to stick their heads over fences and hedges to see what's passing by and I stop and talk to them because they have big eyes and long noses that show how intelligent they are. Sometimes two birds will be singing to each other across a field and I have to stop and listen to them and if I stay long enough more birds will join till every tree and bush is alive with birdsong. If there's a stream gurgling under a bridge on the road, birds singing and cows mooing and lambs baaing, that's better than any band in a film. The smell of dinner bacon and cabbage wafting from a farmhouse makes me so weak with the hunger I climb into a field and stuff myself with blackberries for half an hour. I stick my face into the stream and drink icy water that's better than the lemonade in any fish and chip shop.&#xA;When I'm finished delivering the telegrams there's enough time to go to the ancient monastery graveyard where my mother's relations are buried, the Guilfoyles and the Sheehans, where my mother wants to be buried. I can see from here the high ruins of Carrigogunnell Castle and there's plenty of time to cycle there, sit up on the highest wall, look at the Shannon flowing out to the Atlantic on its way to America and dream of the day I'll be sailing off myself.&#xA;The boys at the post office tell me I'm lucky to get the Carmody family telegram, a shilling tip, one of the biggest tips you'll ever get in Limerick. So why am I getting it? I'm the junior boy. They say, Well, sometimes Theresa Carmody answers the door. She has the consumption and they're afraid of catching it from her. She's seventeen, in and out of the sanatorium, and she'll never see eighteen. The boys at the post office say sick people like Theresa know there's little time left and that makes them mad for love and romance and everything. Everything. That's what the consumption does to you, say the boys at the post office.&#xA;I cycle through wet November streets thinking of that shilling tip, and as I turn into the Carmody street the bicycle slides out from under me and I skid along the ground scraping my face and tearing open the back of my hand. Theresa Carmody opens the door. She has red hair. She had green eyes like the fields beyond Limerick. Her cheeks are bright pink and her skin is a fierce white. She says, Oh, you're all wet and bleeding.&#xA;I skidded on my bike.&#xA;Come in and I'll put something on your cuts.&#xA;I wonder, Should I go in? I might get the consumption and that will be the end of me. I want to be alive when I'm fifteen and I want the shilling tip. Come in. You'll perish standing there.&#xA;She puts on the kettle for the tea. Then she dabs iodine on my cuts and I try to be a man and not whimper. She says, Oh, you're a great bit of a man. Go into the parlor and dry yourself before the fire. Look, why don't you take off your pants and dry them on the screen of the fire?&#xA;Ah, no.&#xA;Ah, do.&#xA;I will.&#xA;I drape my pants over the screen. I sit there watching the steam&#xA;rise and I watch myself rise and I worry she might come in and see me in my excitement.&#xA;There she is with a plate of bread and jam and two cups of tea. Lord, she says, you might be a scrawny bit of a fellow but that's a fine boyo you have there.&#xA;She puts the plate and the cups on a table by the fire and there they stay. With her thumb and forefinger she takes the tip of my excitement and leads me across the room to a green sofa against the wall and all the time my head is filled with sin and iodine and fear of consumption and the shilling tip and her green eyes and she's on the sofa don't stop or I'll die and she's crying and I'm crying for I don't know what's happening to me if I'm killing myself catching consumption from her mouth I'm riding to heaven I'm falling off a cliff and if this is a sin I don't give a fiddler's fart.&#xA;We take our ease on the sofa a while till she says, Don't you have more telegrams to deliver? and when we sit up she gives a little cry, Oh, I'm bleeding.&#xA;What's up with you?&#xA;I think it's because it's the first time.&#xA;I tell her, Wait a minute. I bring the bottle from the kitchen and&#xA;splash the iodine on her injury. She leaps from the sofa, dances around the parlor like a wild one and runs into the kitchen to douse herself with water. After she dries herself she says, Lord, you're very innocent. You're not supposed to be pouring iodine on girls like that.&#xA;I thought you were cut.&#xA;For weeks after that I deliver the telegram. Sometimes we have the excitement on the sofa but there are other days she has the cough and you can see the weakness on her. She never tells me she has the weakness. She never tells me she has the consumption. The boys at the post office say I must have been having a great time with the shilling tip and Theresa Carmody. I never tell them I stopped taking the shilling tip. I never tell them about the green sofa and the excitement. I never tell them of the pain that comes when she opens the door and I can see the weakness on her and all I want to do then is make tea for her and sit with my arms around her on the green sofa.&#xA;One Saturday I'm told to deliver the telegram to Theresa's mother at her job in Woolworth's. I try to be casual. Mrs. Carmody, I always deliver the telegram to your, I think your daughter, Theresa?&#xA;Yes, she's in the hospital.&#xA;Is she in the sanatorium?&#xA;I said she's in the hospital.&#xA;She's like everyone else in Limerick, ashamed of the TB, and she&#xA;doesn't give me a shilling or any kind of tip. I cycle out to the&#xA;sanatorium to see Theresa. They say you have to be a relation and you have to be adult. I tell them I'm her cousin and I'll be fifteen in August. They tell me go away. I cycle to the Franciscan church to pray for Theresa. St. Francis, would you please talk to God. Tell Him it wasn't Theresa's fault. I could have refused that telegram Saturday after Saturday. Tell God Theresa was not responsible for the excitement on the sofa because that's what the consumption does to you. It doesn't matter anyway, St. Francis, because I love Theresa. I love her as much as you love any bird or beast or fish and will you tell God take the consumption away and I promise I'll never go near her again.&#xA;The next Saturday they give me the Carmody telegram. From halfway up the street I can see the blinds are drawn. I can see the black crepe wreath on the door. I can see the white purple-lined mourning card. I can see beyond the door and walls where Theresa and I tumbled naked and wild on the green sofa and I know now she is in hell and all because of me.&#xA;I slip the telegram under the door and cycle back down to the Franciscan church to beg for the repose of Theresa's soul. I pray to every statue, to the stained glass windows, the Stations of the Cross. I swear I'll lead a life of faith, hope and charity, poverty, chastity and obedience.&#xA;Next day, Sunday, I go to four Masses. I do the Stations of the Cross three times. I say rosaries all day. I go without food and drink and wherever I find a quiet place I cry and beg God and the Virgin Mary to have mercy on the soul of Theresa Carmody.&#xA;On Monday I follow the funeral to the graveyard on my post office bicycle. I stand behind a tree a distance from the grave. Mrs. Carmody weeps and moans. Mr. Carmody snuffles and looks puzzled. The priest recites the Latin prayers and sprinkles the coffin with holy water.&#xA;I want to go to the priest, to Mr. and Mrs. Carmody. I want to tell them how I'm the one who sent Theresa to hell. They can do whatever they like with me. Abuse me. Revile me. Throw grave dirt at me. But I stay behind the tree till the mourners leave and the grave diggers fill in the grave.&#xA;Frost is already whitening the fresh earth on the grave and I think of Theresa cold in the coffin, the red hair, the green eyes. I can't understand the feelings going through me but I know that with all the people who died in my family and all the people who died in the lanes around me and all the people who left I never had a pain like this in my heart and I hope I never will again.&#xA;It's getting dark. I walk my bicycle out of the graveyard. I have telegrams to deliver.&#xA;XVI&#xA;Mrs. O'Connell gives me telegrams to deliver to Mr. Harrington, the Englishman with the dead wife that was born and bred in Limerick. The boys at the post office say sympathy telegrams are a waste of time. People just cry and moan with the grief and they think they're excused from the tip. They'll ask you if you'd like to come in for a look at the departed and a prayer by the bed. That wouldn't be so bad if they offered you a drop of sherry and a ham sandwich. Oh, no, they're happy to get your prayer but you're only a telegram boy and you're lucky if you get a&#xA;dry biscuit. Older boys at the post office say you have to play your cards right to get the grief tip. If you're asked in to say a prayer you have to kneel by the corpse, give a powerful sigh, bless yourself, drop your forehead to the bedclothes so they won't see your face, let your shoulders shake like one collapsing with sorrow, hold on to the bed with your two hands as if they're going to have to tear you away to deliver the rest of your telegrams, make sure your cheeks are glinting with tears or the spit you dabbed on, and if you don't get a tip after all that push the next batch of telegrams under the door or fire them over the transom and leave them to their grief.&#xA;This isn't my first time delivering telegrams to the Harrington house. Mr. Harrington is always away on business for the insurance company and Mrs. Harrington is generous with the tip. But she's gone and Mr. Harrington answers the doorbell. His eyes are red and he sniffles. He says, Are you Irish?&#xA;Irish? What else would I be standing there on his doorstep in Limerick with a batch of telegrams in my hand? I am, sir. He says, Come in. Put the telegrams on the hall stand. He shuts the hall door, locks it, puts the key in his pocket and I think, Aren't Englishmen very peculiar.&#xA;You'll want to see her, of course. You'll want to see what you people have done to her with your damn tuberculosis. Race of ghouls. Follow me.&#xA;He leads me first to the kitchen where he picks up a plate of ham sandwiches and two bottles, and then upstairs. Mrs. Harrington looks lovely in the bed, blond, pink, peaceful.&#xA;This is my wife. She may be Irish but she doesn't look it, thank God. Like you. Irish. You'll need a drink, of course. You Irish quaff at every turn. Barely weaned before you clamor for the whiskey bottle, the pint of stout. You'll have what, whiskey, sherry?&#xA;Ah, a lemonade will be lovely.&#xA;I am mourning my wife not celebrating the bloody citrus. You'll have a sherry. Swill from bloody Catholic fascist Spain.&#xA;I gulp the sherry. He refills my glass and goes to refill his own with whiskey. Damn. Whiskey all gone. Stay here. Do you hear me? I'm going to the pub for another bottle of whiskey. Stay till I come back. Don't move.&#xA;I'm confused, dizzy from the sherry. I don't know what you're supposed to do with grieving Englishmen. Mrs. Harrington, you look lovely in the bed. But you're a Protestant, already doomed, in hell, like Theresa. Priest said, Outside the Church there is no salvation. Wait, I might be able to save your soul. Baptize you Catholic. Make up for what I did to Theresa. I'll get some water. Oh, God, the door is locked. Why? Maybe you're not dead at all? Watching me. Are you dead, Mrs. Harrington? I'm not afraid. Your face is icy. Oh, you're dead all right. I'll baptize you with sherry from bloody Catholic fascist Spain. I baptize thee in the name of the Father, the Son, the- What the bloody hell are you doing? Get off my wife, you wretched Papist twit. What primitive Paddy ritual is this? Did you touch her? Did you? I'll wring your scrawny neck.&#xA;I - I, -&#xA;Oi, Oi, speak English, you scrap.&#xA;I was just, a little sherry to get her into heaven.&#xA;Heaven? We had heaven, Ann, I, our daughter, Emily. You'll never lay your pink piggy eyes on her. Oh, Christ, I can't stand it. Here, more sherry.&#xA;Ah, no, thanks.&#xA;Ah, no thanks. That puny Celtic whine. You people love your alcohol. Helps you crawl and whine better. Of course you want food. You have the collapsed look of a starving Paddy. Here. Ham. Eat.&#xA;Ah, no thanks.&#xA;Ah, no thanks. Say that again and I'll ram the ham up your arse. He waves a ham sandwich at me, with the heel of his hand pushes it&#xA;into my mouth.&#xA;He collapses into a chair. Oh, God, God, what am I to do? Must rest&#xA;a moment.&#xA;My stomach heaves. I rush to the window, stick my head out and&#xA;throw up. He leaps from the chair and charges me.&#xA;You, you, God blast you to hell, you vomited on my wife's rosebush. He lunges at me, misses, falls to the floor. I climb out the&#xA;window, hang on to the ledge. He's at the window, grabbing at my hands. I let go, drop to the rosebush, into the ham sandwich and sherry I've just thrown up. I'm pricked by rose thorns, stung, my ankle is twisted. He's at the window, barking, Come back here, you Irish runt. He'll report me to the post office. He hits me in the back with the whiskey bottle, pleads, Will you not watch one hour with me?&#xA;He pelts me with sherry glasses, whiskey glasses, assorted ham sandwiches, items from his wife's dressing table, powders, creams, brushes.&#xA;I climb on my bike and wobble through the streets of Limerick, dizzy with sherry and pain. Mrs. O'Connell attacks me, Seven telegrams, one address, and you're gone all day.&#xA;I was, I was,&#xA;You was. You was. Drunk is what you was. Drunk is what you are. Reeking. Oh, we heard. That nice man rang, Mr. Harrington, lovely Englishman that sounds like James Mason. Lets you in to say a prayer for his poor wife and next thing you're out the window with the sherry and the ham. Your poor mother. What she brought into the world.&#xA;He made me eat the ham, drink the sherry.&#xA;Made you? Jesus, that's a good one. Made you. Mr. Harrington is a refined Englishman and there is no reason for him to lie and we don't want your kind in this post office, people that can't keep their hands off the ham and sherry, so hand in your telegram pouch and bicycle for your days are done in this post office.&#xA;But I need the job. I have to save and go to America.&#xA;America. Sad day when America lets in the likes of you.&#xA;I hobble through the streets of Limerick. I'd like to go back and&#xA;throw a brick through Mr. Harrington's window. No. Respect for the dead. I'll go across the Sarsfield Bridge and out the riverbank where I can lie down somewhere in the bushes. I don't know how I can go home and tell my mother I lost my job. Have to go home. Have to tell her. Can't stay out the riverbank all night. She'd be frantic.&#xA;Mam begs the post office to take me back. They say no. They never heard the likes. Telegram boy mauling corpse. Telegram boy fleeing scene with ham and sherry. He will never set foot in the post office again. No.&#xA;She gets a letter from the parish priest. Take the boy back, says the parish priest. Oh, yes, Father, indeed, says the post office. They'll&#xA;let me stay till my sixteenth birthday, not a minute longer. Besides, says Mrs. O'Connell, when you think of what the English did to us for eight hundred years that man had no right to complain over a little ham and sherry. Compare a little ham and sherry to the Great Famine and where are you? If my poor husband was alive and I told him what you did he'd say you struck a blow, Frank McCourt, struck a blow.&#xA;Every Saturday morning I swear I'll go to confession and tell the priest of my impure acts at home, on lonely boreens around Limerick with cows and sheep gawking, on the heights of Carrigogunnell with the world looking up.&#xA;I'll tell him about Theresa Carmody and how I sent her to hell, and that will be the end of me, driven from the Church.&#xA;Theresa is a torment to me. Every time I deliver a telegram to her street, every time I pass the graveyard I feel the sin growing in me like an abscess and if I don't go to confession soon I'll be nothing but an abscess riding around on a bicycle with people pointing and telling each other, There he is, there's Frankie McCourt, the dirty thing that sent Theresa Carmody to hell.&#xA;I look at people going to Communion on Sundays, everyone in a state of grace, returning to their seats with God in their mouths, peaceful, easy, ready to die at any moment and go straight to heaven or go home to their rashers and eggs without a worry in the world.&#xA;I'm worn out from being the worst sinner in Limerick. I want to get rid of this sin and have rashers and eggs and no guilt, no torment. I want to be ordinary.&#xA;The priests tell us all the time that God's mercy is infinite but how can any priest give absolution to someone like me who delivers telegrams and winds up in a state of excitement on a green sofa with a girl dying of the galloping consumption.&#xA;I cycle all around Limerick with telegrams and stop at every church. I ride from Redemptorists to Jesuits to Augustinians to Dominicans to Franciscans. I kneel before the statue of St. Francis of Assisi and beg him to help me but I think he's too disgusted with me. I kneel with people in the pews next to confessionals but when my turn comes I can't breathe, my heart pounds, my forehead turns cold and clammy and I run from the church.&#xA;I swear I'll go to confession at Christmas. I can't. Easter. I can't. Weeks and months pass and it's a year since Theresa died. I'll go on her anniversary but I can't. I'm fifteen now and I pass churches without stopping. I'll have to wait till I go to America where there are priests like Bing Crosby in Going My Way who won't kick me out of the confessional like Limerick priests.&#xA;I still have the sin in me, the abscess, and I hope it doesn't kill me entirely before I see the American priest.&#xA;There's a telegram for an old woman, Mrs. Brigid Finucane. She says, How old are you, by?&#xA;Fifteen and a half, Mrs. Finucane.&#xA;Young enough to make a fool of yourself and ould enough to know better. Are you shmart, by? Are you anyway intelligent?&#xA;I can read and write, Mrs. Finucane.&#xA;Arrah, there are people above in the lunatic asylum can read and write. Can you write a letter?&#xA;I can.&#xA;She wants me to write letters to her customers. If you need a suit or dress for your child you can go to her. She gives you a ticket to a shop and they give you the clothes. She gets a discount and charges you the full price and interest on top. You pay her back weekly. Some of her customers fall behind in their payments and they need threatening letters. She says, I'll give you threepence for every letter you write and another threepence if it brings a payment. If you want the job come here on Thursday and Friday nights, and bring your own paper and envelopes.&#xA;I'm desperate for that job. I want to go to America. But I have no money for paper and envelopes. Next day I'm delivering a telegram to Woolworth's and there is the answer, a whole section packed with paper and envelopes. I have no money so I have to help myself. But how? Two dogs save the day for me, two dogs at the door of Woolworth's stuck together after the excitement. They yelp and run in circles. Customers and sales clerks giggle and pretend to be looking someplace else and while they're busy pretending I slip paper and envelopes under my sweater, out the door and off on my bike far from stuck dogs.&#xA;Mrs. Finucane looks suspicious. That's very fancy stationery you have there, by. Is that your mother's? You'll give that back when you get the money, won't you, by?&#xA;Oh, I will.&#xA;From now on I'm never to come to her front door. There's a lane behind her house and I'm to come in the back door for fear someone might see me.&#xA;In a large ledger she gives me the names and addresses of six customers behind in their payments. Threaten 'em, by. Frighten the life out of 'em.&#xA;My first letter,&#xA;Dear Mrs. O'Brien,&#xA;Inasmuch as you have not seen fit to pay me what you owe me I may be forced to resort to legal action. There's your son, Michael, parading around the world in his new suit which I paid for while I myself have barely a crust to keep body and soul together. I am sure you don't want to languish in the dungeons of Limerick jail far from friends and family.&#xA;I remain, yours in litigious anticipation, Mrs. Brigid Finucane She tells me, That's a powerful letter, by, better than anything you'd read in the Limerick Leader. That word, inasmuch, that's a holy terror of a word. What does it mean?&#xA;I think it means this is your last chance.&#xA;I write five more letters and she gives me money for stamps. On my way to the post office I think, Why should I squander money on stamps when I have two legs to deliver the letters myself in the dead of night? When you're poor a threatening letter is a threatening letter no matter how it comes in the door.&#xA;I run through the lanes of Limerick shoving letters under doors, praying no one will see me.&#xA;The next week Mrs. Finucane is squealing with joy. Four of 'em paid. Oh, sit down now and write more, by. Put the fear of God in 'em.&#xA;Week after week my threatening letters grow sharper and sharper. I begin to throw in words I hardly understand myself.&#xA;Dear Mrs. O'Brien,&#xA;Inasmuch as you have not succumbed to the imminence of litigation in our previous epistle be advised that we are in consultation with our barrister above in Dublin.&#xA;Next week Mrs. O'Brien pays. She came in tremblin' with tears in her eyes, by, and she promised she'd never miss another payment.&#xA;On Friday nights Mrs. Finucane sends me to a pub for a bottle of sherry. You're too young for sherry, by. You can make yourself a nice cup of tea but you have to use the tea leaves left over from this morning. No, you can't have a piece of bread with the prices they're charging. Bread is it? Next thing you'll be asking for an egg.&#xA;She rocks by the fire, sipping her sherry, counting the money in the purse on her lap, entering payments in her ledger before she locks everything in the trunk under her bed upstairs. After a few sherries she tells me what a lovely thing it is to have a little money so you can leave it to the Church for Masses to be said for the repose of your soul. It makes her so happy to think of priests saying Masses for her years and years after she's dead and buried.&#xA;Sometimes she falls asleep and if the purse drops to the floor I help myself to an extra few shillings for the overtime and the use of all the big new words. There will be less money for the priests and their Masses but how many Masses does a soul need and surely I'm entitled to a few pounds after the way the Church slammed doors in my face? They wouldn't let me be an altar boy, a secondary school pupil, a missionary with the White Fathers. I don't care. I have a post office savings account and if I keep writing successful threatening letters, helping myself to the odd few shillings from her purse and keeping the stamp money, I'll have my escape money to America. If my whole family dropped from the hunger I wouldn't touch this money in the post office.&#xA;Often I have to write threatening letters to neighbors and friends of my mother and I worry they might discover me. They complain to Mam, That oul' bitch, Finucane, below in Irishtown, sent me a threatening letter. What kind of a demon outa hell would torment her own kind with a class of a letter that I can't make head nor tail of anyway with words never heard on land or sea. The person that would write that letter is worse than Judas or any informer for the English.&#xA;My mother says anyone that writes such letters should be boiled in oil and have his fingernails pulled out by blind people.&#xA;I'm sorry for their troubles but there's no other way for me to save the money for America. I know that someday I'll be a rich Yank and send home hundreds of dollars and my family will never have to worry about threatening letters again.&#xA;***&#xA;Some of the temporary telegram boys are taking the permanent exam in August. Mrs. O'Connell says, You should take that exam, Frank McCourt. You have a bit of a brain in your head and you'd pass it no bother. You'd be a postman in no time and a great help to your poor mother.&#xA;Mam says I should take it, too, become a postman, save up, go to America and be a postman over there and wouldn't that be a lovely life.&#xA;I'm delivering a telegram to South's pub on a Saturday and Uncle Pa Keating is sitting there, all black as usual. He says, Have a lemonade there, Frankie, or is it a pint you want now that you're near sixteen?&#xA;Lemonade, Uncle Pa, thanks.&#xA;You'll want your first pint the day you're sixteen, won't you? I will but my father won't be here to get it for me.&#xA;Don't worry about that. I know 'tis not the same without your&#xA;father but I'll get you the first pint. 'Tis what I'd do if I had a son. Come here the night before you're sixteen.&#xA;I will, Uncle Pa.&#xA;I hear you're taking that exam for the post office?&#xA;I am.&#xA;Why would you do a thing like that? 'Tis a good job and I'd be a&#xA;postman in no time and it has the pension.&#xA;Ah, pension my arse. Sixteen years of age an' talking about the&#xA;pension. Is it coddin' me you are? Do you hear what I said, Frankie? Pension my arse. If you pass the exam you'll stay in the post office nice and secure the rest of your life. You'll marry a Brigid and have five little Catholics and grow little roses in your garden. You'll be dead in your head before you're thirty and dried in your ballocks the year before. Make up your own bloody mind and to hell with the safeshots and the begrudgers. Do you hear me, Frankie McCourt?&#xA;I do, Uncle Pa. That's what Mr. O'Halloran said.&#xA;What did he say?&#xA;Make up your own mind.&#xA;True for Mr. O'Halloran. 'Tis your life, make your own decisions&#xA;and to hell with the begrudgers, Frankie. In the heel o' the hunt you'll be going to America anyway, won't you?&#xA;I will, Uncle Pa.&#xA;The day of the exam I'm excused from work. There's a sign in an office window on O'Connell Street, SMART BOY WANTED, NEAT HANDWRITING, GOOD AT SUMS, APPLY HERE TO MANAGER, MR. MCCAFFREY, EASONS LTD.&#xA;I stand outside the place of the exam, the house of the Limerick Protestant Young Men's Association. There are boys from all over Limerick climbing the steps to take the exam and a man at the door is handing them sheets of paper and pencils and barking at them to hurry up, hurry up. I look at the man at the door, I think of Uncle Pa Keating and what he said, I think of the sign in Easons' office, SMART BOY WANTED. I don't want to go in that door and pass that exam for if I do I'll be a permanent telegram boy with a uniform, then a postman, then a clerk selling stamps for the rest of my life. I'll be in Limerick forever, growing roses with my head dead and my ballocks all dried up.&#xA;The man at the door says, You, are you coming in here or are you goin' to stand there with your face hanging out?&#xA;I want to say to the man, Kiss my arse, but I still have a few weeks left in the post office and he might report me. I shake my head and walk up the street where a smart boy is wanted.&#xA;The manager, Mr. McCaffrey, says, I would like to see a specimen of your handwriting, to see, in short, if you have a decent fist. Sit down there at that table. Write your name and address and write me a paragraph explaining why you came here for this job and how you propose to rise in the ranks of Eason and Son, Ltd., by dint of perseverance and assiduity where there is great opportunity in this company for a boy that will keep his eye on the guidon ahead and guard his flanks from the siren call of sin.&#xA;I write,&#xA;Frank McCourt,&#xA;4 Little Barrington Street,&#xA;Limerick City,&#xA;County Limerick,&#xA;Ireland&#xA;I am applying for this job so that I can rise to the highest ranks of Easons Ltd., by dint of perseverance and assadooty knowing that if I keep my eyes ahead and protect my flanks I'll be safe from all temptation and a credit to Easons and Ireland in general.&#xA;What's this? says Mr. McCaffrey. Do we have here a twisting of the truth?&#xA;I don't know, Mr. McCaffrey.&#xA;Little Barrington Street. That's a lane. Why are you calling it a street? You live in a lane, not a street.&#xA;They call it a street, Mr. McCaffrey.&#xA;Don't be getting above yourself, boy.&#xA;Oh, I wouldn't, Mr. McCaffrey.&#xA;You live in a lane and that means you have nowhere to go but up. Do&#xA;you understand that, McCourt?&#xA;I do, sir.&#xA;You have to work your way out of the lane, McCourt. I do, Mr. McCaffrey.&#xA;You have the cut and jib of a lane boy, McCourt. Yes, Mr. McCaffrey.&#xA;You have the look of the lane all over you. All over you from poll to toe cap. Don't try to fool the populace, McCourt. You'd have to rise early in the morning to fool the likes of me.&#xA;Oh, I wouldn't, Mr. McCaffrey.&#xA;Then there's the eyes. Very sore eyes you have there. Can you see? I can, Mr. McCaffrey.&#xA;You can read and write but can you do addition and subtraction?&#xA;I can, Mr. McCaffrey.&#xA;Well, I don't know what the policy is on sore eyes. I would have to&#xA;ring Dublin and see where they stand on sore eyes. But your writing is clear, McCourt. A good fist. We'll take you on pending the decision on the sore eyes. Monday morning. Half six at the railway station.&#xA;In the morning? In the morning. We don't give out the bloody morning papers at night, do we?&#xA;No, Mr. McCaffrey.&#xA;Another thing. We distribute The Irish Times, a Protestant paper, run by the freemasons in Dublin. We pick it up at the railway station. We count it. We take it to the newsagents. But we don't read it. I don't want to see you reading it. You could lose the Faith and by the look of those eyes you could lose your sight. Do you hear me, McCourt?&#xA;I do, Mr. McCaffrey.&#xA;No IrishTimes, and when you come in next week I'll tell you about all the English filth you're not to read in this office. Do you hear me?&#xA;I do, Mr. McCaffrey.&#xA;Mrs. O'Connell has the tight mouth and she won't look at me. She says to Miss Barry, I hear a certain upstart from the lanes walked away from the post office exam. Too good for it, I suppose.&#xA;True for you, says Miss Barry.&#xA;Too good for us, I suppose.&#xA;True for you.&#xA;Do you think he'd ever tell us why he didn't take the exam?&#xA;Oh, he might, says Miss Barry, if we went down on our two knees. I tell her, I want to go to America, Mrs. O'Connell.&#xA;Did you hear that, Miss Barry?&#xA;I did, indeed, Mrs. O'Connell.&#xA;He spoke.&#xA;He did, indeed.&#xA;He will rue the day, Miss Barry.&#xA;Rue he will, Mrs. O'Connell.&#xA;Mrs. O'Connell talks past me to the boys waiting on the bench for&#xA;their telegrams, This is Frankie McCourt who thinks he's too good for the post office.&#xA;I don't think that, Mrs. O'Connell.&#xA;And who asked you to open your gob, Mr. High and Mighty? Too grand for us, isn't he, boys?&#xA;He is, Mrs. O'Connell.&#xA;And after all we did for him, giving him the telegrams with the good tips, sending him to the country on fine days, taking him back after his disgraceful behavior with Mr. Harrington, the Englishman, disrespecting the body of poor Mrs. Harrington, stuffing himself with ham sandwiches, getting fluthered drunk on sherry, jumping out the window and destroying every rosebush in sight, coming in here three sheets to the wind, and who knows what else he did delivering telegrams for two years, who knows indeed, though we have a good idea, don't we, Miss Barry?&#xA;We do, Mrs. O'Connell, though 'twouldn't be a fit subject to be talking about.&#xA;She whispers to Miss Barry and they look at me and shake their heads.&#xA;A disgrace he is to Ireland and his poor mother. I hope she never finds out. But what would you expect of one born in America and his father from the North. We put up with all that and still took him back.&#xA;She keeps talking past me again to the boys on the bench.&#xA;Going to work for Easons he is, working for that pack of freemasons and Protestants above in Dublin. Too good for the post office but ready and willing to deliver all kinds of filthy English magazines all over Limerick. Every magazine he touches will be a mortal sin. But he's leaving now, so he is, and a sorry day it is for his poor mother that prayed for a son with a pension to take care of her in her latter days. So here, take your wages and go from the sight of us.&#xA;Miss Barry says, He's a bad boy, isn't he, boys?&#xA;He is, Miss Barry.&#xA;I don't know what to say. I don't know what I did wrong. Should I&#xA;say I'm sorry? Good-bye?&#xA;I lay my belt and pouch on Mrs. O'Connell's desk. She glares at me,&#xA;Go on. Go to your job at Easons. Go from us. Next boy, come up for your telegrams.&#xA;They're back at work and I'm down the stairs to the next part of my life.&#xA;XVII&#xA;I don't know why Mrs. O'Connell had to shame me before the whole world, and I don't think I'm too good for the post office or anything else. How could I with my hair sticking up, pimples dotting my face, my eyes red and oozing yellow, my teeth crumbling with the rot, no shoulders, no flesh on my arse after cycling thirteen thousand miles to deliver twenty thousand telegrams to every door in Limerick and regions beyond?&#xA;Mrs. O'Connell said a long time ago she knew everything about every telegram boy. She must know about the times I went at myself on top of Carrigogunnell, milkmaids gawking, little boys looking up.&#xA;She must know about Theresa Carmody and the green sofa, how I got her into a state of sin and sent her to hell, the worst sin of all, worse than Carrigogunnell a thousand times. She must know I never went to confession after Theresa, that I'm doomed to hell myself.&#xA;A person that commits a sin like that is never too good for the post office or anything else.&#xA;The barman at South's remembers me from the time I sat with Mr. Hannon, Bill Galvin, Uncle Pa Keating, black white black. He remembers my father, how he spent his wages and his dole while singing patriotic songs and making speeches from the dock like a condemned rebel.&#xA;And what is it you'd like? says the barman.&#xA;I'm here to meet Uncle Pa Keating and have my first pint.&#xA;Oh, begod, is that a fact? He'll be here in a minute and sure&#xA;there's no reason why I shouldn't draw his pint and maybe draw your first pint, is there now?&#xA;There isn't, sir.&#xA;Uncle Pa comes in and tells me sit next to him against the wall. The barman brings the pints, Uncle Pa pays, lifts his glass, tells the men in the pub, This is my nephew, Frankie McCourt, son of Angela Sheehan, the sister of my wife, having his first pint, here's to your health and long life, Frankie, may you live to enjoy the pint but not too much.&#xA;The men lift their pints, nod, drink, and there are creamy lines on their lips and mustaches. I take a great gulp of my pint and Uncle Pa tells me, Slow down for the love o' Jasus, don't drink it all, there's more where that came from as long as the Guinness family stays strong and healthy.&#xA;I tell him I want to stand him a pint with my last wages from the post office but he says, No, take the money home to your mother and you can stand me a pint when you come home from America flushed with success and the heat from a blonde hanging on your arm.&#xA;The men in the pub are talking about the terrible state of the world and how in God's name Hermann Goering escaped the hangman an hour before the hanging. The Yanks are over there in Nuremberg declaring they don't know how the Nazi bastard hid that pill. Was it in his ear? Up his nostril? Up his arse? Surely the Yanks looked in every hole and cranny of every Nazi they captured and still Hermann wiped their eye. There you are. It shows you can sail across the Atlantic, land in Normandy, bomb Germany off the face of the earth, but when all's said and done they can't find a little pill planted in the far reaches of Goering's fat arse.&#xA;Uncle Pa buys me another pint. It's harder to drink because it fills me and makes my belly bulge. The men are talking about&#xA;concentration camps and the poor Jews that never harmed a soul, men, women, children crammed into ovens, children, mind you, what harm could they do, little shoes scattered everywhere, crammed in, and the pub is misty and the voices fading in and out. Uncle Pa says, Are you all right? You're as white as a sheet. He takes me to the lavatory and the two of us have a good long piss against the wall which keeps moving back and forth. I can't go into the pub again, cigarette smoke, stale Guinness, Goering's fat arse, small shoes scattered, can't go in again, good night, Uncle Pa, thanks, and he tells me go straight home to my mother, straight home, oh, he doesn't know about the excitement in the loft or the excitement on the green sofa or me in such a state of doom that if I died now I'd be in hell in a wink.&#xA;Uncle Pa goes back to his pint. I'm out on O'Connell Street and why shouldn't I take the few steps to the Jesuits and tell all my sins this last night I'll be fifteen. I ring the bell at the priests'house and a big man answers, Yes? I tell him, I want to go to confession, Father. He says, I'm not a priest. Don't call me father. I'm a brother.&#xA;All right, Brother. I want to go to confession before I'm sixteen tomorrow. State o' grace on my birthday.&#xA;He says, Go away. You're drunk. Child like you drunk as a lord ringing for a priest at this hour. Go away or I'll call the guards.&#xA;Ah, don't. Ah, don't. I only want to go to confession. I'm doomed. You're drunk and you're not in a proper spirit of repentance.&#xA;He closes the door in my face. Another door closed in the face, but&#xA;I'm sixteen tomorrow and I ring again. The brother opens the door, swings me around, kicks my arse and sends me tripping down the steps.&#xA;He says, Ring this bell again and I'll break your hand.&#xA;Jesuit brothers are not supposed to talk like that. They're supposed to be like Our Lord, not walking the world threatening people's hands.&#xA;I'm dizzy. I'll go home to bed. I hold on to railings along Barrington Street and keep to the wall going down the lane. Mam is by the fire smoking a Woodbine, my brothers upstairs in the bed. She says, That's a nice state to come home in.&#xA;It's hard to talk but I tell her I had my first pint with Uncle Pa. No father to get me the first pint.&#xA;Your Uncle Pa should know better.&#xA;I stagger to a chair and she says, Just like your father. I try to control the way my tongue moves in my mouth. I'd rather be, I'd rather, rather be like my father than Laman Griffin.&#xA;She turns away from me and looks into the ashes in the range but I won't leave her alone because I had my pint, two pints, and I'm sixteen tomorrow, a man.&#xA;Did you hear me? I'd rather be like my father than Laman Griffin. She stands up and faces me. Mind your tongue, she says.&#xA;Mind your own bloody tongue.&#xA;Don't talk to me like that. I'm your mother.&#xA;I'll talk to you any bloody way I like.&#xA;You have a mouth like a messenger boy.&#xA;Do I? Do I? Well, I'd rather be a messenger boy than the likes of&#xA;Laman Griffin oul' drunkard with the snotty nose and his loft and people climbing up there with him.&#xA;She walks away from me and I follow her upstairs to the small room. She turns, Leave me alone, leave me alone, and I keep barking at her,&#xA;Laman Griffin, Laman Griffin, till she pushes me, Get out of this room, and I slap her on the cheek so that tears jump in her eyes and there's a small whimpering sound from her, You'll never have the chance to do that again, and I back away from her because there's another sin on my long list and I'm ashamed of myself.&#xA;I fall into my bed, clothes and all, and wake up in the middle of the night puking on my pillow, my brothers complaining of the stink, telling me clean up, I'm a disgrace. I hear my mother crying and I want to tell her I'm sorry but why should I after what she did with Laman Griffin.&#xA;In the morning my small brothers are gone to school, Malachy is out looking for a job, Mam is at the fire drinking tea. I place my wages on the table by her elbow and turn to go. She says, Do you want a cup of tea?&#xA;No.&#xA;'Tis your birthday.&#xA;I don't care.&#xA;She calls up the lane after me, You should have something in your&#xA;stomach, but I give her my back and turn the corner without answering. I still want to tell her I'm sorry but if I do I'll want to tell her she's the cause of it all, that she should not have climbed to the loft that night and I don't give a fiddler's fart anyway because I'm still writing threatening letters for Mrs. Finucane and saving to go to America.&#xA;I have the whole day before I go to Mrs. Finucane to write the threatening letters and I wander down Henry Street till the rain drives me into the Franciscan church where St. Francis stands with his birds and lambs. I look at him and wonder why I ever prayed to him. No, I didn't pray, I begged.&#xA;I begged him to intercede for Theresa Carmody but he never did a thing, stood up there on his pedestal with the little smile, the birds, the lambs, and didn't give a fiddler's fart about Theresa or me.&#xA;I'm finished with you, St. Francis. Moving on. Francis. I don't know why they ever gave me that name. I'd be better off if they called me Malachy, one a king, the other a great saint. Why didn't you heal Theresa? Why did you let her go to hell? You let my mother climb to the loft. You let me get into a state of doom. Little children's shoes scattered in concentration camps. I have the abscess again. It's in my chest and I'm hungry.&#xA;St. Francis is no help, he won't stop the tears bursting out of my two eyes, the sniffling and choking and the God oh Gods that have me on my knees with my head on the back of the pew before me and I'm so weak with the hunger and the crying I could fall on the floor and would you please help me God or St. Francis because I'm sixteen today and I hit my mother and sent Theresa to hell and wanked all over Limerick and the county beyond and I dread the millstone around my neck.&#xA;There is an arm around my shoulders, a brown robe, click of black rosary beads, a Franciscan priest.&#xA;My child, my child, my child.&#xA;I'm a child and I lean against him, little Frankie on his father's lap, tell me all about Cuchulain, Dad, my story that Malachy can't have or Freddie Leibowitz on the swings.&#xA;My child, sit here with me. Tell me what troubles you. Only if you want to. I am Father Gregory.&#xA;I'm sixteen today, Father.&#xA;Oh, lovely, lovely, and why should that be a trouble to you?&#xA;I drank my first pint last night.&#xA;Yes? I hit my mother.&#xA;God help us, my child. But He will forgive you. Is there anything&#xA;else?&#xA;I can't tell you, Father.&#xA;Would you like to go to confession?&#xA;I can't, Father. I did terrible things.&#xA;God forgives all who repent. He sent His only Beloved Son to die&#xA;for us.&#xA;I can't tell, Father. I can't.&#xA;But you could tell St. Francis, couldn't you?&#xA;He doesn't help me anymore.&#xA;But you love him, don't you?&#xA;I do. My name is Francis.&#xA;Then tell him. We'll sit here and you'll tell him the things that&#xA;trouble you. If I sit and listen it will only be a pair of ears for St. Francis and Our Lord. Won't that help?&#xA;I talk to St. Francis and tell him about Margaret, Oliver, Eugene, my father singing Roddy McCorley and bringing home no money, my father sending no money from England, Theresa and the green sofa, my terrible sins on Carrigogunnell, why couldn't they hang Hermann Goering for what he did to the little children with shoes scattered around concentration camps, the Christian Brother who closed the door in my face, the time they wouldn't let me be an altar boy, my small brother Michael walking up the lane with the broken shoe clacking, my bad eyes that I'm ashamed of, the Jesuit brother who closed the door in my face, the tears in Mam's eyes when I slapped her.&#xA;Father Gregory says, Would you like to sit and be silent, perhaps pray a few minutes?&#xA;His brown robe is rough against my cheek and there's a smell of soap. He looks at St. Francis and the tabernacle and nods and I suppose he's talking to God. Then he tells me kneel, gives me absolution, tells me say three Hail Marys, three Our Fathers, three Glory Bes. He tells me God forgives me and I must forgive myself, that God loves me and I must love myself for only when you love God in yourself can you love all God's creatures.&#xA;But I want to know about Theresa Carmody in hell, Father.&#xA;No, my child. She is surely in heaven. She suffered like the martyrs in olden times and God knows that's penance enough. You can be sure the sisters in the hospital didn't let her die without a priest.&#xA;Are you sure, Father?&#xA;I am, my child.&#xA;He blesses me again, asks me to pray for him, and I'm happy&#xA;trotting through the rainy streets of Limerick knowing Theresa is in heaven with the cough gone.&#xA;Monday morning and it's dawn in the railway station. Newspapers and magazines are piled in bundles along the platform wall. Mr. McCaffrey is there with another boy, Willie Harold, cutting the twine on the bundles, counting, entering the count in a ledger. English newspapers and The Irish Times have to be delivered early, magazines later in the morning. We count out the papers and label them for delivery to shops around the city.&#xA;Mr. McCaffrey drives the van and stays at the wheel while Willie and I run into shops with bundles and take orders for the next day, add or drop in the ledger. After the papers are delivered we unload the magazines at the office and go home to breakfast for fifty minutes.&#xA;When I return to the office there are two other boys, Eamon and Peter, already sorting magazines, counting and stuffing them into news agents' boxes along the wall. Small orders are delivered by Gerry Halvey on his messenger bicycle, big orders in the van. Mr. McCaffrey tells me stay in the office so that I can learn to count magazines and enter them in the ledger. The minute Mr. McCaffrey leaves Eamon and Peter pull out a drawer where they hide cigarette butts and light up. They can't believe I don't smoke. They want to know if there's something wrong with me, the bad eyes or the consumption maybe. How can you go out with a girl if you don't smoke? Peter says, Wouldn't you be a right eejit if you were going out the road with the girl and she asked you for a fag and you said you didn't smoke, wouldn't you be a right eejit then? How would you ever get her into a field for a bit of a feel? Eamon says, 'Tis what my father says about men who don't drink, they're not to be trusted. Peter says if you find a man that won't drink or smoke that's a man that's not even interested in girls and you'd want to keep your hand over the hole of your arse, that's what you'd want to be doing.&#xA;They laugh and that brings on the cough and the more they laugh the more they cough till they're holding on to one another banging one another between the shoulder blades and wiping tears from their cheeks. When the fit passes we pick out English and American magazines and look at the advertisements for women's underwear, brassieres and panties and long nylon stockings. Eamon is looking at an American magazine called See with pictures of Japanese girls who keep the soldiers happy so far away from home and Eamon says he has to go to the lavatory and when he does Peter gives me a wink, You know what he's up to in there, don't you? and sometimes Mr. McCaffrey gets into a state when boys linger in the lavatory interfering with themselves and wasting the valuable time for which Easons is paying them and on top of it putting their immortal souls in danger. Mr. McCaffrey won't come right out and say, Stop that wanking, because you can't accuse someone of a mortal sin unless you have proof. Sometimes he goes snooping in the lavatory when a boy comes out. He comes back himself with the threatening look and tells the boys, Ye are not to be looking at those dirty magazines from foreign parts. Ye are to count them and put them in the boxes and that's all.&#xA;Eamon comes back from the lavatory and Peter goes in with an American magazine, Collier's, that has pictures of girls in a beauty contest. Eamon says, Do you know what he's doing in there? At himself. Five times a day he goes in. Every time a new American magazine comes in with the women's underwear he goes in. Never done going at himself. Borrows magazines to take home unbeknownst to Mr. McCaffrey and God knows what he does with himself and the magazines all night. If he fell dead in there the jaws of hell would open wide.&#xA;I'd like to get into the lavatory myself when Peter comes out but I don't want them saying, There he goes, new boy, first day on the job, already at himself. Won't light up a fag oh no but wanks away like an oul' billygoat.&#xA;Mr. McCaffrey returns from van delivery and wants to know why all the magazines aren't counted out, bundled and ready to go. Peter tells him, We were busy teaching the new boy, McCourt. God help us, he was a&#xA;bit slow with the bad eyes you know but we kept at him and now he's getting faster.&#xA;Gerry Halvey, the messenger boy, won't be in for a week because he's entitled to his holidays and he wants to spend the time with his girlfriend, Rose, who's coming back from England. I'm the new boy and I have to be messenger boy while he's gone, cycling around Limerick on the bicycle with the big metal basket in front. He shows me how to balance papers and magazines so that the bicycle won't tip over with me in the saddle and a lorry passing by that will run over me and leave me like a piece of salmon in the road. He saw a soldier once that was run over by an army lorry and that's what he looked like, salmon.&#xA;Gerry is making a last delivery at Easons kiosk at the railway station at noon on Saturday and that's handy because I can meet him there to get the bicycle and he can meet Rose off the train. We stand at the gate waiting and he tells me he hasn't seen Rose in a year. She's over there working in a pub in Bristol and he doesn't like that one bit because the English are forever pawing the Irish girls, hands up under the skirts and worse, and the Irish girls are afraid to say anything for fear of losing their jobs. Everyone knows Irish girls keep themselves pure especially Limerick girls known the world over for their purity who have a man to come back to like Gerry Halvey himself. He'll be able to tell if she was true to him by her walk. If a girl comes back after a year with a certain class of a walk that's different from the one she went away with then you know she was up to no good with the Englishmen dirty horny bastards that they are.&#xA;The train hoots into the station and Gerry waves and points to Rose coming toward us from the far end of the train, Rose smiling away with her white teeth and lovely in a green dress. Gerry stops waving and mutters under his breath, Look at the walk on her, bitch, hoor, street walker, flaghopper, trollop, and runs from the station. Rose walks up to me, Was that Gerry Halvey you were standing with?&#xA;'Twas.&#xA;Where is he?&#xA;Oh, he went out.&#xA;I know he went out. Where did he go?&#xA;I don't know. He didn't tell me. He just ran out.&#xA;Didn't say anything?&#xA;I didn't hear him say anything.&#xA;Do you work with him?&#xA;I do. I'm taking over the bike.&#xA;What bike?&#xA;The messenger bike.&#xA;Is he on a messenger bike?&#xA;He is.&#xA;He told me he worked in Easons office, clerk, inside job?&#xA;I feel desperate. I don't want to make a liar of Gerry Halvey, to&#xA;get him into trouble with the lovely Rose. Oh, we all take turns on the messenger bike. An hour in the office, an hour on the bike. The manager says 'tis good to get out in the fresh air.&#xA;Well, I'll just go home and put my suitcase down and go to his house. I thought he'd carry this for me.&#xA;I have the bike here and you can stick the case in the basket and I'll walk you home.&#xA;We walk up to her house in Carey's Road and she tells me she's so excited about Gerry. She saved her money in England and now she wants to go back with him and get married even if he's only nineteen and she's only seventeen. What matter when you're in love. I lived like a nun in England and dreamt of him every night and thank you very much for carrying my case.&#xA;I turn away to jump on the bike and cycle back to Easons when Gerry comes at me from behind. His face is red and he's snorting like a bull. What were you doing with my girl, you little shite? Eh? What? If 'tis a thing I ever find out you did anything with my girl I'll kill you.&#xA;I didn't do anything. Carried her case because 'twas heavy. Don't look at her again or you're dead.&#xA;I won't, Gerry. I don't want to look at her.&#xA;Oh, is that a fact? Is she ugly or what?&#xA;No, no, Gerry, she's yours and she loves you. How do you know?&#xA;She told me.&#xA;She did?&#xA;She did, honest to God.&#xA;Jasus.&#xA;He bangs on her door, Rose, Rose, are you there? and she comes out,&#xA;Of course, I'm here, and I ride away on the messenger bicycle with the sign on the basket that says Easons wondering about the way he's kissing her now and the terrible things he said about her in the station and wondering how Peter in the office could tell Mr. McCaffrey a barefaced lie about me and my eyes when all the time he and Eamon were looking at girls in their underwear and then going at themselves in the lavatory.&#xA;Mr. McCaffrey is in a terrible state in the office. Where were you? Great God above in heaven, does it take you all day to cycle from the railway station? We have an emergency here and we should have Halvey but he's gone off on his friggin' holidays, God forgive the language, and you'll have to cycle around as fast as you can, good thing you were a telegram boy that knows every inch of Limerick, and go to every bloody shop that's a customer and walk right in grab whatever copies you see of John O'London's Weekly tear out page sixteen and if anyone bothers you tell them 'tis government orders and they're not to interfere in government business and if they lay a finger on you they're liable to arrest, imprisonment and a large fine now go for God's sake and bring back every page sixteen you tear out so that we can burn them here in the fire.&#xA;Every shop, Mr. McCaffrey?&#xA;I'll do the big ones, you do the small ones all the way to Ballinacurra and out the Ennis Road and beyond, God help us. Go on, go.&#xA;I'm jumping on the bike and Eamon runs down the steps. Hey, McCourt, wait. Listen. Don't give him all the page sixteens when you come back.&#xA;Why?&#xA;We can sell 'em, me an' Peter.&#xA;Why?&#xA;'Tis all about birth control and that's banned in Ireland.&#xA;What's birth control?&#xA;Aw, Christ above, don't you know anything? 'Tis condoms, you know,&#xA;rubbers, French letters, things like that to stop the girls from getting up the pole.&#xA;Up the pole?&#xA;Pregnant. Sixteen years of age an' you're pure ignorant. Hurry up an' get the pages before everybody starts runnin' to the shop for John O'London's Weekly.&#xA;I'm about to push away on the bike when Mr. McCaffrey runs down the steps. Hold on, McCourt, we'll go in the van. Eamon, you come with us.&#xA;What about Peter?&#xA;Leave him. He'll wind up with a magazine in the lavatory anyway. Mr. McCaffrey talks to himself in the van. Nice bloody how do you&#xA;do ringing down here from Dublin on a fine Saturday to send us tearing around Limerick ripping pages out of an English magazine when I could be at home with a cup of tea and a nice bun and a read of The Irish Press with my feet up on a box under the picture of the Sacred Heart nice bloody how do you do entirely.&#xA;Mr. McCaffrey runs into every shop with us behind him. He grabs the magazines, hands each of us a pile and tells us start tearing. Shop owners scream at him, What are ye doing? Jesus, Mary and Holy St. Joseph, is it pure mad ye are? Put back them magazines or I'll call the guards.&#xA;Mr. McCaffrey tells them, Government orders, ma'am. There is filth in John O'London this week that's not fit for any Irish eyes and we are here to do God's work. What filth?&#xA;What filth? Show me the filth before ye go mutilatin' the magazines. I won't pay Easons for these magazines, so I won't.&#xA;Ma'am, we don't care at Easons. We'd rather lose large amounts than have the people of Limerick and Ireland corrupted by this filth.&#xA;What filth?&#xA;Can't tell you. Come on, boys.&#xA;We throw the pages on the floor of the van and when Mr. McCaffrey&#xA;is in a shop arguing we stuff some into our shirts. There are old magazines in the van and we tear and scatter them so that Mr. McCaffrey will think they're all page sixteen from John O'London.&#xA;The biggest customer for the magazine, Mr. Hutchinson, tells Mr. McCaffrey get to hell out of his shop or he'll brain him, get away from them magazines, and when Mr. McCaffrey keeps on tearing out pages Mr. Hutchinson throws him into the street, Mr. McCaffrey yelling that this is a Catholic country and just because Hutchinson is a Protestant that doesn't give him the right to sell filth in the holiest city in Ireland. Mr. Hutchinson says, Ah, kiss my arse, and Mr. McCaffrey says, See, boys? See what happens when you're not a member of the True Church?&#xA;Some shops says they've already sold all their copies of John O'London and Mr. McCaffrey says, Oh, Mother o'God, what's going to become of us all? Who did ye sell them to?&#xA;He demands the names and address of the customers who are in danger of losing their immortal souls from reading articles on birth control. He will go to their houses and rip out that filthy page but the shopkeepers say, 'Tis Saturday night, McCaffrey, and getting dark and would you ever take a good running jump for yourself.&#xA;On the way back to the office Eamon whispers to me in the back of the van, I have twenty-one pages. How many do you have? I tell him fourteen but I have over forty and I'm not telling him because you never have to tell the truth to people who lie about your bad eyes. Mr. McCaffrey tells us bring in the pages from the van. We scoop up everything on the floor and he's happy sitting at his desk at the other end of the office ringing Dublin to tell them how he stormed through&#xA;shops like God's avenger and saved Limerick from the horrors of birth control while he watches a dancing fire of pages that have nothing to do with John O'London's Weekly.&#xA;Monday morning I cycle through the streets delivering magazines and people see the Easons sign on the bike and stop me to see if there's any chance they could get their hands on a copy of John O'London's Weekly. They're all rich looking people, some in motor cars, men with hats, collars and ties, and two fountain pens in their pockets, women with hats and little bits of fur dangling from their shoulders, people who have tea at the Savoy or the Stella and stick out their little fingers to show how well bred they are and now want to read this page about birth control.&#xA;Eamon told me early in the day, Don't sell the bloody page for less than five shillings. I asked him if he was joking. No, he wasn't. Everyone in Limerick is talking about this page and they're dying to get their hands on it.&#xA;Five shillings or nothing, Frankie. If they're rich charge more but that's what I'm charging so don't be going around on your bicycle and puttin' me out of business with low prices. We have to give Peter something or he'll be running to McCaffrey and spilling the beans.&#xA;Some people are willing to pay seven shillings and sixpence and I'm rich in two days with over ten pounds in my pocket minus one for Peter the snake, who would betray us to McCaffrey. I put eight pounds in the post office for my fare to America and that night we have a big supper of ham, tomatoes, bread, butter, jam. Mam wants to know if I won the sweepstakes and I tell her people give me tips. She's not happy I'm a messenger boy because that's the lowest you can drop in Limerick but if it brings in ham like this we should light a candle in gratitude. She doesn't know the money for my fare is growing in the post office and she'd die if she knew what I was earning from writing threatening letters.&#xA;Malachy has a new job in the stockroom of a garage handing out parts to mechanics and Mam herself is taking care of an old man, Mr. Sliney, out in the South Circular Road while his two daughters go off to work every day. She tells me if I'm delivering papers out there to come to the house for tea and a sandwich. The daughters will never know and the old man won't mind because he's only half conscious most of the time worn out from all his years in the English army in India.&#xA;She looks peaceful in the kitchen of this house in her spotless apron, everything clean and polished around her, flowers bobbing in the garden beyond, birds chirping away, music from Radio Eireann on the wireless. She sits at the table with a pot of tea, cups and saucers, plenty of bread, butter, cold meats of all kinds. I can have any class of a sandwich but all I know is ham and brawn. She doesn't have any brawn because that's the kind of thing you'd find people eating in lanes not in a house on the South Circular Road. She says the rich won't eat brawn because it's what they scoop off floors and counters in bacon factories and you never know what you're getting. The rich are very particular about what they stick between two slices of bread. Over in America brawn is called head cheese and she doesn't know why.&#xA;She gives me a ham sandwich with juicy slices of tomato and tea in a cup with little pink angels flying around shooting arrows at other little flying angels who are blue and I wonder why they can't make teacups and chamber pots without all kinds of angels and maidens cavorting in the glen. Mam says that's the way the rich are, they love&#xA;the bit of decoration and wouldn't we if we had the money. She'd give her two eyes to have a house like this with flowers and birds abroad in the garden and the wireless playing that lovely Warsaw Concerto or the Dream of Olwyn and no end of cups and saucers with angels shooting arrows.&#xA;She says she has to look in on Mr. Sliney he's so old and feeble he forgets to call for the chamber pot.&#xA;Chamber pot? You have to empty his chamber pot?&#xA;Of course I do. There's a silence here because I think we're remembering the cause of all our troubles, Laman Griffin's chamber pot. But that was a long time ago and now it's Mr. Sliney's chamber pot, which is no harm because she's paid for this and he's harmless. When she comes back she tells me Mr. Sliney would like to see me, so come in while he's awake.&#xA;He's lying in a bed in the front parlor, the window blocked with a black sheet, no sign of light. He tells my mother, Lift me up a bit, missus, and pull back that bloody thing off the window so I can see the boy. He has long white hair down to his shoulders. Mam whispers he won't let anyone cut it. He says, I have me own teeth, son. Would you credit that? Do you have your own teeth, son?&#xA;I do, Mr. Sliney.&#xA;Ah. I was in India you know. Me and Timoney up the road. Bunch of Limerick men in India. Do you know Timoney, son?&#xA;I did, Mr. Sliney.&#xA;He's dead, you know. Poor bugger went blind. I have me sight. I have me teeth. Keep your teeth, son.&#xA;I will, Mr. Sliney.&#xA;I'm getting tired, son, but there's one thing I want to tell you. Are you listening to me?&#xA;I am, Mr. Sliney.&#xA;Is he listening to me, missus?&#xA;Oh, he is, Mr. Sliney.&#xA;Good. Now here's what I want to tell you. Lean over here so I can&#xA;whisper in your ear. What I want to tell you is, Never smoke another man's pipe.&#xA;***&#xA;Halvey goes off to England with Rose and I have to stay on the messenger bike all through the winter. It's a bitter winter, ice everywhere, and I never know when the bike will go out from under me and send me flying into the street or onto the pavement, magazines and papers scattered. Shops complain to Mr. McCaffrey that The Irish Times is coming in decorated with bits of ice and dog shit and he mutters to us that's the way that paper should be delivered, Protestant rag that it is.&#xA;Every day after my deliveries I take The Irish Times home and read it to see where the danger is. Mam says it's a good thing Dad isn't here. He'd say, Is this what the men of Ireland fought and died for that my own son is sitting there at the kitchen table reading the freemason paper?&#xA;There are letters to the editor from people all over Ireland claiming they heard the first cuckoo of the year and you can read between the lines that people are calling each other liars. There are reports about Protestant weddings and pictures and the women always look lovelier than the ones we know in the lanes. You can see Protestant women have perfect teeth although Halvey's Rose had lovely teeth.&#xA;I keep reading The Irish Times and wondering if it's an occasion of sin though I don't care. As long as Theresa Carmody is in heaven not&#xA;coughing I don't go to confession anymore. I read The Irish Times and TheTimes of London because that tells me what the King is up to every day and what Elizabeth and Margaret are doing.&#xA;I read English women's magazines for all the food articles and the answers to women's questions. Peter and Eamon put on English accents and pretend they're reading from English women's magazines.&#xA;Peter says, Dear Miss Hope, I'm going out with a fellow from Ireland named McCaffrey and he has his hands all over me and his thing pushing against my belly button and I'm demented not knowing what to do. I remain, yours anxiously, Miss Lulu Smith, Yorkshire.&#xA;Eamon says, Dear Lulu, If this McCaffrey is that tall that he's pushing his yoke against your belly button I suggest you find a smaller man who will slip it between your thighs. Surely you can find a decent short man in Yorkshire.&#xA;Dear Miss Hope, I am thirteen years old with black hair and something terrible is happening and I can't tell anyone not even my mother. I'm bleeding every few weeks you know where and I'm afraid I'll be found out. Miss Agnes Tripple, Little Biddle-on-the-Twiddle, Devon.&#xA;Dear Agnes, You are to be congratulated. You are now a woman and you can get your hair permed because you are having your monthlies. Do not fear your monthlies for all Englishwomen have them. They are a gift of God to purify us so that we can have stronger children for the empire, soldiers to keep the Irish in their place. In some parts of the world a woman with a monthly is unclean but we British cherish our women with the monthlies, oh we do indeed.&#xA;In the springtime there's a new messenger boy and I'm back in the office. Peter and Eamon drift off to England. Peter is fed up with Limerick, no girls, and you're driven to yourself, wank wank wank, that's all we ever do in Limerick. There are new boys. I'm senior boy and the job is easier because I'm fast and when Mr. McCaffrey is out in the van and my work is done I read the English, Irish, American magazines and papers. Day and night I dream of America.&#xA;Malachy goes to England to work in a rich Catholic boys' boarding school and he walks around cheerful and smiling as if he's the equal of any boy in the school and everyone knows when you work in an English boarding school you're supposed to hang your head and shuffle like a proper Irish servant. They fire him for his ways and Malachy tells them they can kiss his royal Irish arse and they say that's the kind of foul language and behavior you'd expect. He gets a job in the gas works in Coventry shoveling coal into the furnaces like Uncle Pa Keating, shoveling coal and waiting for the day he can go to America after me.&#xA;XVIII&#xA;I'm seventeen, eighteen, going on nineteen, working away at Easons, writing threatening letters for Mrs. Finucane, who says she's not long for this world and the more Masses said for her soul the better she'll feel. She puts money in envelopes and sends me to churches around the city to knock on priests' doors, hand in the envelopes with the request for Masses. She wants prayers from all the priests but the Jesuits. She says, They're useless, all head and no heart. That's what they should&#xA;have over their door in Latin and I won't give them a penny because every penny you give a Jesuit goes to a fancy book or a bottle of wine.&#xA;She sends the money, she hopes the Masses are said, but she's never sure and if she's not sure why should I be handing out all that money to priests when I need the money to go to America and if I keep back a few pounds for myself and put it in the post office who will ever know the difference and if I say a prayer for Mrs. Finucane and light candles for her soul when she dies won't God listen even if I'm a sinner long past my last confession.&#xA;I'll be nineteen in a month. All I need is a few pounds to make up the fare and a few pounds in my pocket when I land in America.&#xA;The Friday night before my nineteenth birthday Mrs. Finucane sends me for the sherry. When I return she is dead in the chair, her eyes wide open, and her purse on the floor wide open. I can't look at her but I help myself to a roll of money. Seventeen pounds. I take the key to the trunk upstairs. I take forty of the hundred pounds in the trunk and the ledger. I'll add this to what I have in the post office and I have enough to go to America. On my way out I take the sherry bottle to save it from being wasted.&#xA;I sit by the River Shannon near the dry docks sipping Mrs. Finucane's sherry. Aunt Aggie's name is in the ledger. She owes nine pounds. It might have been the money she spent on my clothes a long time ago but now she'll never have to pay it because I heave the ledger into the river. I'm sorry I'll never be able to tell Aunt Aggie I saved her nine pounds. I'm sorry I wrote threatening letters to the poor people in the lanes of Limerick, my own people, but the ledger is gone, no one will ever know what they owe and they won't have to pay their balances. I wish I could tell them, I'm your Robin Hood.&#xA;Another sip of the sherry. I'll spare a pound or two for a Mass for Mrs. Finucane's soul. Her ledger is well on its way down the Shannon and out to the Atlantic and I know I'll follow it someday soon.&#xA;The man at O'Riordan's Travel Agency says he can't get me to America by air unless I travel to London first, which would cost a fortune. He can put me on a ship called the Irish Oak, which will be leaving Cork in a few weeks. He says, Nine days at sea, September October, best time of the year, your own cabin, thirteen passengers, best of food, bit of a holiday for yourself and that will cost fifty-five pounds, do you have it?&#xA;I do.&#xA;I tell Mam I'm going in a few weeks and she cries. Michael says, Will we all go some day?&#xA;We will.&#xA;Alphie says, Will you send me a cowboy hat and a thing you throw that comes back to you?&#xA;Michael tells him that's a boomerang and you'd have to go all the way to Australia to get the likes of that, you can't get it in America.&#xA;Alphie says you can get it in America yes you can and they argue about America and Australia and boomerangs till Mam says, For the love o' Jesus, yeer brother is leaving us and the two of ye are there squabbling over boomerangs. Will ye give over?&#xA;Mam says we'll have to have a bit of party the night before I go. They used to have parties in the old days when anyone would go to America, which was so far away the parties were called American wakes because the family never expected to see the departing one again in this&#xA;life. She says 'tis a great pity Malachy can't come back from England but we'll be together in America someday with the help of God and His Blessed Mother.&#xA;On my days off from work I walk around Limerick and look at all the places we lived, the Windmill Street, Hartstonge Street, Roden Lane, Rosbrien Road, Little Barrington Street, which is really a lane. I stand looking at Theresa Carmody's house till her mother comes out and says, What do you want? I sit at the graves of Oliver and Eugene in the old St. Patrick's Burying Ground and cross the road to St. Lawrence's Cemetery where Theresa is buried. Wherever I go I hear voices of the dead and I wonder if they can follow you across the Atlantic Ocean.&#xA;I want to get pictures of Limerick stuck in my head in case I never come back. I sit in St. Joseph's Church and the Redemptorist church and tell myself take a good look because I might never see this again. I walk down Henry Street to say good-bye to St. Francis though I'm sure I'll be able to talk to him in America.&#xA;Now there are days I don't want to go to America. I'd like to go to O'Riordan's Travel Agency and get back my fifty-five pounds. I could wait till I'm twenty-one and Malachy can go with me so that I'll know at least one person in New York. I have strange feelings and sometimes when I'm sitting by the fire with Mam and my brothers I feel tears coming and I'm ashamed of myself for being weak. At first Mam laughs and tells me, Your bladder must be near your eye, but then Michael says, We'll all go to America, Dad will be there, Malachy will be there and we'll all be together, and she gets the tears herself and we sit there, the four of us, like weeping eejits.&#xA;Mam says this is the first time we ever had a party and isn't it a sad thing altogether that you have it when your children are slipping away one by one, Malachy to England, Frank to America. She saves a few shillings from her wages taking care of Mr. Sliney to buy bread, ham, brawn, cheese, lemonade and a few bottles of stout. Uncle Pa Keating brings stout, whiskey and a little sherry for Aunt Aggie's delicate stomach and she brings a cake loaded with currants and raisins she baked herself. The Abbot brings six bottles of stout and says, That's all right, Frankie, ye can all drink it as long as I have a bottle or two for meself to help me sing me song.&#xA;He sings &amp;quot;The Road to Rasheen. &amp;quot; He holds his stout, closes his eyes, and song comes out in a high whine. The words make no sense and everyone wonders why tears are seeping from his shut eyes. Alphie whispers to me, Why is he crying over a song that makes no sense?&#xA;I don't know.&#xA;The Abbot ends his song, opens his eyes, wipes his cheeks and tells us that was a sad song about an Irish boy that went to America and got shot by gangsters and died before a priest could reach his side and he tells me don't be gettin' shot if you're not near a priest.&#xA;Uncle Pa says that's the saddest song he ever heard and is there any chance we could have something lively. He calls on Mam and she says, Ah, no, Pa, sure I don't have the wind.&#xA;Come on, Angela, come on. One voice now, one voice and one voice&#xA;only.&#xA;All right. I'll try.&#xA;We all join in the chorus of her sad song,&#xA;A mother's love is a blessing No matter where you roam. Keep her while you have her,&#xA;You'll miss her when she's gone.&#xA;Uncle Pa says one song is worse than the one before and are we turning this night into a wake altogether, is there any chance someone would sing a song to liven up the proceedings or will he be driven to drink with the sadness.&#xA;Oh, God, says Aunt Aggie, I forgot. The moon is having an eclipse abroad this minute.&#xA;We stand out in the lane watching the moon disappear behind a round black shadow. Uncle Pa says, That's a very good sign for you going to America, Frankie.&#xA;No, says Aunt Aggie, 'tis a bad sign. I read in the paper that the moon is practicing for the end of the world.&#xA;Oh, end of the world my arse, says Uncle Pa. 'Tis the beginning for Frankie McCourt. He'll come back in a few years with a new suit and fat on his bones like any Yank and a lovely girl with white teeth hangin' from his arm.&#xA;Mam says, Ah, no, Pa, ah, no, and they take her inside and comfort her with a drop of sherry from Spain.&#xA;It's late in the day when the Irish Oak sails from Cork, past Kinsale and Cape Clear, and dark when lights twinkle on Mizen Head, the last of Ireland I'll see for God knows how long.&#xA;Surely I should have stayed, taken the post office examination, climbed in the world. I could have brought in enough money for Michael and Alphie to go to school with proper shoes and bellies well filled. We could have moved from the lane to a street or even an avenue where houses have gardens. I should have taken that examination and Mam would never again have to empty the chamber pots of Mr. Sliney or anyone else.&#xA;It's too late now. I'm on the ship and there goes Ireland into the night and it's foolish to be standing on this deck looking back and thinking of my family and Limerick and Malachy and my father in England and even more foolish that songs are going through my head Roddy McCorley goes to die and Mam gasping Oh the days of the Kerry dancing with poor Mr. Clohessy hacking away in the bed and now I want Ireland back at least I had Mam and my brothers and Aunt Aggie bad as she was and Uncle Pa, standing me my first pint, and my bladder is near my eye and here's a priest standing by me on the deck and you can see he's curious.&#xA;He's a Limerickman but he has an American accent from his years in Los Angeles. He knows how it is to leave Ireland, did it himself and never got over it. You live in Los Angeles with sun and palm trees day in day out and you ask God if there's any chance He could give you one soft rainy Limerick day.&#xA;The priest sits beside me at the table of the First Officer, who tells us ship's orders have been changed and instead of sailing to New York we're bound for Montreal.&#xA;Three days out and orders are changed again. We are going to New York after all.&#xA;Three American passengers complain, Goddam Irish. Can't they get it straight?&#xA;The day before we sail into New York orders are changed again. We are going to a place up the Hudson River called Albany.&#xA;The Americans say, Albany? Goddam Albany? Why the hell did we have to sail on a goddam Irish tub? Goddam.&#xA;The priest tells me pay no attention. All Americans are not like that.&#xA;I'm on deck the dawn we sail into New York. I'm sure I'm in a film, that it will end and lights will come up in the Lyric Cinema. The priest wants to point out things but he doesn't have to. I can pick out the Statue of Liberty, Ellis Island, the Empire State Building, the Chrysler Building, the Brooklyn Bridge. There are thousands of cars speeding along the roads and the sun turns everything to gold. Rich Americans in top hats white ties and tails must be going home to bed with the gorgeous women with white teeth. The rest are going to work in warm comfortable offices and no one has a care in the world.&#xA;The Americans are arguing with the captain and a man who climbed aboard from a tugboat. Why can't we get off here? Why do we have to sail all the goddam way to goddam Albany?&#xA;The man says, Because you're passengers on the vessel and the captain is the captain and we have no procedures for taking you ashore.&#xA;Oh, yeah. Well, this is a free country and we're American citizens.&#xA;Is that a fact? Well, you're on an Irish ship with an Irish captain and you'll do what he goddam tells you or swim ashore.&#xA;He climbs down the ladder, tugboat chugs away, and we sail up the Hudson past Manhattan, under the George Washington Bridge, past hundreds of Liberty ships that did their bit in the war, moored now and ready to rot.&#xA;The captain announces the tide will force us to drop anchor overnight opposite a place called, the priest spells it for me, Poughkeepsie. The priest says that's an Indian name and the Americans say goddam Poughkeepsie.&#xA;After dark a small boat put-puts to the ship and an Irish voice calls up, Hello, there. Bejasus, I saw the Irish flag, so I did. Couldn't believe me two eyes. Hello, there.&#xA;He invites the First Officer to go ashore for a drink and bring a friend and, You, too, Father. Bring a friend.&#xA;The priest invites me and we climb down a ladder to the small boat with the First Officer and the Wireless Officer. The man in the boat says his name is Tim Boyle from Mayo God help us and we docked there at the right time because there's a bit of a party and we're all invited. He takes us to a house with a lawn, a fountain and three pink birds standing on one leg. There are five women in a room called a living room. The women have stiff hair, spotless frocks. They have glasses in their hands and they're friendly and smile with perfect teeth. One says, Come right in. Just in time for the pawty.&#xA;Pawty. That's the way they talk and I suppose I'll be talking like that in a few years.&#xA;Tim Boyle tells us the girls are having a bit of a time while their husbands are away overnight hunting deer, and one woman, Betty, says, Yeah. Buddies from the war. That war is over nearly five years and they can't get over it so they shoot animals every weekend and drink Rheingold till they can't see. Goddam war, excuse the language, Fawder.&#xA;The priest whispers to me, These are bad women. We won't stay here long.&#xA;The bad women say, Whatcha like to drink? We got everything. What's your name, honey?&#xA;Frank McCourt.&#xA;Nice name. So you take a little drink. All the Irish take a little drink. You like a beer?&#xA;Yes, please. Gee, so polite. I like the Irish. My grandmother was half Irish so that makes me half, quarter? I dunno. My name is Frieda. So here's your beer, honey.&#xA;The priest sits at the end of a sofa which they call a couch and two women talk to him. Betty asks the First Officer if he'd like to see the house and he says, Oh, I would, because we don't have houses like this in Ireland. Another woman tells the Wireless Officer he should see what they have growing in the garden, you wouldn't believe the flowers. Frieda asks me if I'm okay and I tell her yes but would she mind telling me where the lavatory is.&#xA;The what?&#xA;Lavatory.&#xA;Oh, you mean the bathroom. Right this way, honey, down the hall. Thanks.&#xA;She pushes in the door, turns on the light, kisses my cheek and&#xA;whispers she'll be right outside if I need anything.&#xA;I stand at the toilet bowl firing away and wonder what I'd need at&#xA;a time like this and if this is a common thing in America, women waiting outside while you take a splash.&#xA;I finish, flush and go outside. She takes my hand and leads me into a bedroom, puts down her glass, locks the door, pushes me down on the bed. She's fumbling at my fly. Damn buttons. Don't you have zippers in Ireland? She pulls out my excitement climbs up on me slides up and down up and down Jesus I'm in heaven and there's a knock on the door the priest Frank are you in there Frieda putting her finger to her lips and her eyes rolling to heaven Frank are you in there Father would you ever take a good running jump for yourself and oh God oh Theresa do you see what's happening to me at long last I don't give a fiddler's fart if the Pope himself knocked on this door and the College of Cardinals gathered gawking at the windows oh God the whole inside of me is gone into her and she collapses on me and tells me I'm wonderful and would I ever consider settling in Poughkeepsie.&#xA;Frieda tells the priest I had a bit of a dizziness after going to the bathroom, that's what happens when you travel and you're drinking a strange beer like Rheingold, which she believes they don't have in Ireland. I can see the priest doesn't believe her and I can't stop the way the heat is coming and going in my face. He already wrote down my mother's name and address and now I'm afraid he'll write and say your fine son spent his first night in America in a bedroom in Poughkeepsie romping with a woman whose husband was away shooting deer for a bit of relaxation after doing his bit for America in the war and isn't this a fine way to treat the men who fought for their country.&#xA;The First Officer and the Wireless Officer return from their tours of the house and the garden and they don't look at the priest. The women tell us we must be starving and they go into the kitchen. We sit in the living room saying nothing to each other and listening to the women whispering and laughing in the kitchen. The priest whispers to me again, Bad women, bad women, occasion of sin, and I don't know what to say to him.&#xA;The bad women bring out sandwiches and pour more beer and when we finish eating they put on Frank Sinatra records and ask if anyone would like to dance. No one says yes because you'd never get up and dance with bad women in the presence of a priest, so the women dance with each other and laugh as if they all had little secrets. Tim Boyle drinks whiskey and&#xA;falls asleep in a corner till Frieda wakes him and tells him take us back to the ship. When we're leaving Frieda leans toward me as if she might kiss my cheek but the priest says good night in a very sharp way and no one shakes hands. As we walk down the street to the river we hear the women laughing, tinkling and bright in the night air.&#xA;We climb the ladder and Tim calls to us from his little boat, Mind yourselves going up that ladder. Oh, boys, oh, boys, wasn't that a grand night? Good night, boys, and good night, Father.&#xA;We watch his little boat till it disappears into the dark of the Pough- keepsie riverbank. 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<INFO BITRATE="1004092" KEY_LYRICS="32 ContributorsUNIverse at War Lyrics&#xA;When you and I verse at war, motherfucker&#xA;We gonna do this Chi-town style (verse at war)&#xA;Illadelph, you know how we get down&#xA;You know the business&#xA;Illadelph, Illinois&#xA;Bringin' it straight to your chest&#xA;Comin' thru with the ill convoy&#xA;Yes, sir, hah!&#xA;Lieutenant with the Com'&#xA;Yeah, break it down, one-two&#xA;We about to drop the bomb, check it!&#xA;&#xA;&#xA;When you &amp;amp; I verse at war&#xA;And your verse at core for what you thought before&#xA;Steppin' up into a zone you should never explore&#xA;The next step or level of the whole concept or&#xA;&#xA;&#xA;Rappers.. get on the mic talkin' 'bout cars and clothes, soundin' like hoes&#xA;Ain't been exposed to the foes, the most disciples&#xA;I'm from the state that is Ill&#xA;The rap son of man rotated down to Phil'&#xA;To say what I feel, get it off my bird chest, my word becomes flesh&#xA;War, goin' on between the West and the East&#xA;Of the lands, niggas don't own a piece&#xA;Grease is the word, Murray slides some pimp oil to me&#xA;My lady friend sneaks my beer in the movie&#xA;Throw your hands in the air, if you the true and livin'&#xA;Beware the New World Order, the devil's new religion&#xA;Sent my homie to the number two division&#xA;Sellin' bootlegged movies, got my VCR on a oove' smoove'&#xA;Be at Fat Tuesday's, drinkin' tropical and just sittin'&#xA;At a table with sophisticated bitches&#xA;Nah, that ain't nothin' I would call my mother&#xA;Nor do I call every nigga my brother&#xA;Gotta have Black Thought, it sorta B like Malik&#xA;So don't ?uestion a Brother, to The Roots, I get deep&#xA;&#xA;Yo! Enter the last era&#xA;Your scholarship into the world of politics and mascara&#xA;We operate within this artificial op-era&#xA;I bring hip-hop terror like the Führer&#xA;The Ace Ventura into the horror&#xA;Laboratory labor-er, venture beyond the border&#xA;I'll struc-ture a style, destroy your whole aura&#xA;Plus, your a-drenalin'll rise before your eyes&#xA;Immortalize my image in the skies&#xA;Deceive the devil in disguise&#xA;My music I parenthesize, represent the wise&#xA;Through this be how we enterprise&#xA;Kid, no compromise (Yeah, yeah)&#xA;I'm thinkin' fast like Rama-dan, I wear your mind away like Alzheimer&#xA;I pull a mic up out my bomber, big up to Bahama-dia&#xA;A-yo, this year we leavin' 'em in trauma&#xA;Then after me, I plan to leave behind the legacy&#xA;Or history of the family — the Fifth Dynasty&#xA;For humanity to bear witness to this Del-Val' sylla-ble stylist&#xA;&#xA;You know the time, kid&#xA;&#xA;&#xA;When you &amp;amp; I verse at war&#xA;And your verse at core for what you thought before&#xA;Steppin' up into a zone you should never explore&#xA;The next step or level of the whole concept or&#xA;&#xA;Yo, the general flows, kids compose on tablets&#xA;Expose how they was average and they thoughts not rapid&#xA;Here comes the hot package through your block like traffic&#xA;The rock was type graphic, now watch the mic blast it&#xA;Shootin' at the stars with emphatic rap static&#xA;See the mirror shatter from thoughts, I'm bustin' back at it&#xA;The Lieuten-ant, the eleph-ant, sippin' automatic&#xA;Mic rippin' Asiatic, architects out to have it&#xA;The turn of the century&#xA;The planet's like a penitentiary exaggerated&#xA;Niggas is livin' highly medicated&#xA;I Used To Love H.E.R., now she violated&#xA;Hip-hop holocausts and camps, old champs are concentrated&#xA;They outdated and incarcerated&#xA;Loved and appreciated, hated and very debated&#xA;For every career created, one's eliminated&#xA;And that's the way the balance of Yin and Yang is related, for real!&#xA;&#xA;&#xA;Every block is divine, niggas swing on in a safari&#xA;Wild niggas, like I'm high on latari&#xA;Some let the block block they mind, if they could see what I see&#xA;Get out the city for a sec, be at the places I be&#xA;Hey! 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<INFO BITRATE="881775" KEY_LYRICS="23 ContributorsCan’t Get Enough of Your Love, Babe Lyrics&#xA;I've heard people say that&#xA;Too much of anything is not good for you, baby (Oh, oh)&#xA;But I don't know about that&#xA;As many times as we've loved and&#xA;We've shared love and made love, it's (Well, well)&#xA;It doesn't seem to me like it's enough (Ah, yeah yeah)&#xA;It's just not enough of it&#xA;Uh, it's just not enough&#xA;Oh, oh, babe&#xA;Oh, babe&#xA;&#xA;&#xA;My darling, I can't get enough of your love, babe&#xA;Girl, I don't know, I don't know why, can't get enough of your love, babe&#xA;&#xA;&#xA;Oh, some things I can't get used to, no matter how I try&#xA;It's like the more you give, the more I want and, baby, that's no lie&#xA;Oh no, babe, tell me, what can I say? What am I gonna do?&#xA;How should I feel when everything is you?&#xA;What kind of love is this that you're givin' me?&#xA;Is it in your kiss or just because you're sweet?&#xA;&#xA;&#xA;Girl, all I know&#xA;Is every time you're here, I feel the change, huh&#xA;Somethin' moves, I scream your name&#xA;Look what you got me doin'&#xA;&#xA;Darling, I, I can't get enough of your love, babe&#xA;Girl, I don't know, I don't know, I don't know why, I can't get enough of your love, babe&#xA;Oh, no, babe&#xA;&#xA;&#xA;Girl, if I could only make you see and make you understand&#xA;Girl, your love for me is all I need and more than I can stand&#xA;Oh, well, babe&#xA;How can I explain all the things I feel?&#xA;You've given me so much, girl, you're so unreal still&#xA;I keep loving you more and more each time&#xA;Girl, what am I gonna do? Because you're blowin' my mind&#xA;&#xA;&#xA;I get the same old feelin'&#xA;Every time you're here, I feel the change&#xA;Somethin' moves, I scream your name&#xA;Look what you got me doin'&#xA;&#xA;&#xA;Darling, I can't get enough of your love, babe&#xA;Oh no, babe&#xA;&#xA;&#xA;Baby, it didn't take all of my life to find you&#xA;But you can believe it's gonna take the rest of my life to keep you&#xA;Oh, oh, babe&#xA;Ah&#xA;&#xA;My darling, I can't get enough of your love, babe&#xA;Girl, I don't know, I don't know, I don't know why, can't get enough of your love, babe&#xA;Oh, my darling, I can't get enough of your love, babe&#xA;Oh, babe, girl, I don't know, I don't know why, I can't get enough of your love, babe&#xA;Oh, darling, I can't get enough of your love, babe" PRODUCER="℗ 1974 UMG Recordings, Inc." COVERARTID="035/DJXWYRBU4NFWHATJGJJIDHKYVQSD" PLAYTIME="202" PLAYTIME_FLOAT="201.346664" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="21895"></INFO>
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<INFO BITRATE="939555" KEY_LYRICS="11 ContributorsYou to Me Are Everything Lyrics&#xA;Mm, I would take the stars out of the sky for you&#xA;Stop the rain from falling if you asked me to&#xA;I'd do anything for you, your wish is my command&#xA;I could move a mountain when your hand is in my hand, mm&#xA;Words cannot express how much you mean to me&#xA;There must be some other way to make you see&#xA;If it takes my heart and soul, you know I'd pay the price&#xA;Everything that I possess I'd gladly sacrifice&#xA;&#xA;&#xA;Oh, you to me are everything&#xA;The sweetest song that I could sing&#xA;Oh baby, oh baby&#xA;To you, I guess I'm just a clown&#xA;Who picks you up each time you're down&#xA;Oh baby, oh baby&#xA;&#xA;&#xA;You give me just a taste of love&#xA;To build my hopes upon&#xA;You know you've got the power, girl&#xA;To keep me holding on&#xA;So now you've got the best of me&#xA;Come on and take the rest of me&#xA;Oh baby&#xA;&#xA;Mmh, though you're close to me, we seem so far apart&#xA;Maybe given time, you'll have a change of heart&#xA;If it takes forever, girl, then I'm prepared to wait&#xA;The day you give your love to me won't be a day too late&#xA;&#xA;&#xA;Oh, you to me are everything&#xA;The sweetest song that I could sing&#xA;Oh baby, oh baby&#xA;To you, I guess I'm just a clown&#xA;Who picks you up each time you're down&#xA;Oh baby, oh baby&#xA;&#xA;&#xA;You give me just a taste of love&#xA;To build my hopes upon&#xA;You know you've got the power, girl&#xA;To keep me holding on&#xA;So now you've got the best of me&#xA;Come on and take the rest of me&#xA;Oh baby&#xA;&#xA;&#xA;Oh, you to me are everything&#xA;The sweetest song that I could sing (You're the sweetest song that I could sing)&#xA;Oh baby, oh baby (Oh baby, yes, I need you, baby)&#xA;You to me are everything&#xA;The sweetest song that I could sing&#xA;Oh baby, oh baby (You are everything to me, can't you see?)&#xA;You to me are everything&#xA;The sweetest song that I could sing (You're the sweetest song that I could sing)&#xA;Oh baby, oh baby (You're everything)&#xA;You to me are everything&#xA;The sweetest song that I could sing (You're the sweetest thing to me)&#xA;Oh baby, oh baby (You're the sweetest thing to me, yeah, yeah)&#xA;You to me are everything&#xA;The sweetest song that I could sing (You're the sweetest song that I could sing)&#xA;Oh baby, oh baby (Oh baby)" PRODUCER="℗ 1976 Sanctuary Records Group Ltd., a BMG Company" COVERARTID="036/EFPYM4BRVMF4HBW2JVP5CFQI0G1D" PLAYTIME="210" PLAYTIME_FLOAT="209.733337" IMPORT_DATE="2025/4/14" RELEASE_DATE="2000/1/1" FLAGS="12" FILESIZE="24543"></INFO>
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<INFO BITRATE="1001483" KEY_LYRICS="10 ContributorsIt’s My House Lyrics&#xA;It's my house and I live here&#xA;It's my house and I live here&#xA;&#xA;&#xA;There's a welcome mat at the door&#xA;And if you come on in&#xA;You're gonna get much more&#xA;There's my chair&#xA;I put it there&#xA;Everything you see&#xA;Is with love and care&#xA;&#xA;&#xA;It's my house and I live here&#xA;I wanna tell you&#xA;It's my house and I live here&#xA;&#xA;&#xA;On the table, there sits a rose&#xA;Through every window&#xA;A little light flows&#xA;Books of feeling on the shelf above&#xA;'Cause it was built for love&#xA;It was built for love&#xA;&#xA;It's my house and I live here&#xA;It's my house and I live here&#xA;&#xA;&#xA;There's a candle to light the stairs&#xA;Where my dreams await someone to share&#xA;Ooh, there's music on the radio&#xA;And good vibrations won't let you go&#xA;I put my name on the ceilin' above&#xA;'Cause it was built for love&#xA;It was built for love, ooh&#xA;&#xA;&#xA;You say you wanna move in with me&#xA;You say you wanna move in with me&#xA;Got to follow the rules to get me&#xA;Got to follow the rules to get me&#xA;You wanna visit my house&#xA;Say you wanna drop by&#xA;You wanna visit my house&#xA;You wanna drop by&#xA;Wanna visit my house, yeah&#xA;To see me sometimes&#xA;&#xA;&#xA;There's a welcome mat at the door&#xA;And if you come on in&#xA;You're gonna get much more&#xA;I put my name in the ceilin' above&#xA;'Cause it was built for love&#xA;It was built for love&#xA;&#xA;It's my house and I live here&#xA;I wanna tell you&#xA;It's my house and I live here&#xA;It's my house and I live here&#xA;It's my house and I live here (Come on in)&#xA;It's my house and I live here (If love's on your mind)&#xA;It's my house and I live here (Drop by anytime)&#xA;It's my house and I live here (Yeah, my house)&#xA;It's my house and I live here ('Cause it was)&#xA;It's my house and I live here (Built for love)&#xA;It's my house and I live here (Built for love)&#xA;It's my house and I live here (My house)&#xA;It's my house and I live here (Anytime)&#xA;It's my house and I live here (If love's on your mind)&#xA;It's my house and I live here (If love's on your mind, come on, come on, come on by)&#xA;It's my house and I live here (Come on, come on, come on by)&#xA;It's my house and I live here (Come on, come on, come on by)&#xA;It's my house and I live here (Come on, come on)" PRODUCER="℗ 1979 Motown Records, a Division of UMG Recordings, Inc." COVERARTID="084/U4XWWGAA34BUPBQS5WHLD5VGSJCC" PLAYTIME="273" PLAYTIME_FLOAT="272.933319" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="33659"></INFO>
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<INFO BITRATE="882641" KEY_LYRICS="3 ContributorsMillion Man March Speech LyricsIn the name of Allah, the beneficent, the merciful. We thank Him for his prophets, and the scriptures which they brought. We thank him for Moses and the Torah. We thank him for Jesus and the Gospel. We thank him for Muhammad aoran. Peace be upon these worthy servants of Allah.&#xA;&#xA;I am so grateful to Allah for his intervention in our affairs in the person of Master Farad Muhammad the Great Madi, who came among us and raised from among us a divine leader, teacher and guide, his messenger to us the Most Honorable Elijah Muhammad. I greet all of you, my dear and wonderful brothers, with the greeting words of peace. We say it in the Arabic language, Asalam Eleecum.&#xA;&#xA;I would like to thank all of those known and unknown persons who worked to make this day of atonement and reconciliation a reality. My thanks and my extreme gratitude to the Reverend Benjamin Chavis and to all of the members of the national organizing committees.&#xA;&#xA;To all of the local organizing committees, to Dr. Dorothy Height in the National Council of Negro Women, and all of the sisters who were involved in the planning of the Million Man March. Of course, if I named all those persons whom I know helped to make this event a reality, it would take a tremendous amount of time. But suffice it to say that we are grateful to all who made this day possible.&#xA;&#xA;I'm looking at the Washington Monument and beyond it to the Lincoln Memorial. And, beyond that, to the left, to your right, the Jefferson Memorial. Abraham Lincoln was the 16th President of these United States and he was the man who allegedly freed us.&#xA;&#xA;Abraham Lincoln saw in his day, what President Clinton sees in this day. He saw the great divide between black and white. Abraham Lincoln and Bill Clinton see what the Kerner Commission saw 30 years ago when they said that this nation was moving toward two Americas -- one Black, one White, separate and unequal. And the Kerner Commission revisited their findings 25 years later and saw that America was worse today than it was in the time of Martin Luther King, Jr. There's still two Americas, one Black, one White, separate and unequal.&#xA;&#xA;Abraham Lincoln, when he saw this great divide, he pondered a solution of separation. Abraham Lincoln said he never was in favor of our being jurors or having equal status with the Whites of this nation. Abraham Lincoln said that if there were to be a superior or inferior, he would rather the superior position be assigned to the White race. There, in the middle of this mall is the Washington Monument, 555 feet high. But if we put a one in front of that 555 feet, we get 1555, the year that our first fathers landed on the shores of Jamestown, Virginia as slaves.&#xA;&#xA;In the background is the Jefferson and Lincoln Memorial, each one of these monuments is 19 feet high.&#xA;&#xA;Abraham Lincoln, the sixteenth president. Thomas Jefferson, the third president, and 16 and three make 19 again. What is so deep about this number 19? Why are we standing on the Capitol steps today? That number 19 -- when you have a nine you have a womb that is pregnant. And when you have a one standing by the nine, it means that there's something secret that has to be unfolded.&#xA;&#xA;Right here on this mall where we are standing, according to books written on Washington, D.C., slaves used to be brought right here on this Mall in chains to be sold up and down the eastern seaboard. Right along this mall, going over to the White House, our fathers were sold into slavery. But, George Washington, the first president of the United States, said he feared that before too many years passed over his head, this slave would prove to become a most troublesome species of property.&#xA;&#xA;Thomas Jefferson said, he trembled for this country when he reflected that God was just and that his justice could not sleep forever. Well, the day that these presidents feared has now come to pass, for on this mall, here we stand in the capital of America. and the layout of this great city, laid out by a Black man, Benjamin Banneker. This is all placed and based in a secret Masonic ritual. And at the core of the secret of that ritual is the Black man, not far from here is the White House.&#xA;&#xA;And the first president of this land, George Washington, who was a grand master of the Masonic order laid the foundation, the cornerstone of this capitol building where we stand. George was a slave owner. George was a slave owner. Now, the President spoke today and he wanted to heal the great divide. But I respectfully suggest to the President, you did not dig deep enough at the malady that divides Black and White in order affect a solution to the problem.&#xA;&#xA;And so, today, we have to deal with the root so that perhaps a healing can take place.&#xA;Now, this obelisk at the Washington Monument is Egyptian and this whole layout is reminiscent of our great historic past, Egypt. And, if you look at the original Seal of the United States, published by the Department of State in 1909. Gaylord Hunt wrote that late in the afternoon of July 4, 1776, the Continental Congress resolved that Dr. Benjamin Franklin, Mr. John Adams, and Mr. Thomas Jefferson be a committee to prepare a device for a Seal of the United States of America.&#xA;&#xA;In the design proposed by the first committee, the face of the Seal was a coat of arms measured in six quarters. That number is significant. Six quarters, with emblems representing England, Scotland, Ireland, France, Germany and Holland, the countries from which the new nation had been peopled. The eye of providence in a radiant triangle and the motto, &amp;quot;E Pluribus Unum&amp;quot; were also proposed for the face of the Seal. Even the country was populated by so-called Indians and Black Slaves were brought to build the country, the official Seal of the country was never designed to reflect our presence, only that of the European immigrants. The Seal and the Constitution reflect the thinking of the founding fathers, that this was to be a nation by White people and for White people. Native Americans, Blacks, and all other non-White people were to be the burden bearers for the real citizens of this nation.&#xA;&#xA;For the back of the Seal the committee suggested a picture of Pharoah sitting in an open chariot with a crown on his head and a sword in his hand, passing through the divided waters of the Red Sea, in pursuit of the Israelites. And, hovering over the sea was to be shown a pillar of fire in a cloud, expressive of the divine presence and command.&#xA;&#xA;And raised from this pillar of fire were to be shown, beaming down on Moses standing on the shore, extending his hand over the sea, causing it to overwhelm Pharoah.&#xA;&#xA;The motto for the reverse was, &amp;quot;Rebellion To Tyrants Is Obedience To God.&amp;quot; Let me say it again. Rebellion is obedience to God. Now, why did they mention Pharaoh? I heard the President say to today E Pluribus Unum -- out of many, one.&#xA;&#xA;But in the past, out of many comes one meant out of many Europeans come one people. The question today is, out of the many Asians, the many Arabs, the many Native Americans, the many Blacks, the many people of color who populate this country. Do you mean for them to be made into the one?&#xA;&#xA;If so, truth has to be spoken to justice. We can't cover things up. Cover them over. Give it a pretty sound to make people feel good. We have to go to the root of the problem. Now, why have you come today?&#xA;&#xA;You came not at the call of Louis Farrakhan, but you have gathered here at the call of God. For it is only the call of Almighty God, no matter through whom that call came, that could generate this kind of outpouring. God called us here to this place. At this time. For a very specific reason.&#xA;&#xA;And now, I want to say, my brothers -- this is a very pregnant moment. Pregnant with the possibility of tremendous change in our status in America and in the world. And although the call was made through me, many have tried to distance the beauty of this idea from the person through whom the idea and the call was made.&#xA;&#xA;Some have done it mistakenly. And others have done it in a malicious and vicious manner. Brothers and sisters, there is no human being through whom God brings an idea that history doesn't marry the idea with that human being no matter what defect was that human being's character.&#xA;&#xA;You can't separate Newton from the law that Newton discovered, nor can you separate Einstein from the theory of relativity. It would be silly to try to separate Moses from the Torah or Jesus from the Gospel or Muhammad from the Koran.&#xA;&#xA;When you say Farrakhan, you ain't no Moses, you ain't no Jesus, and you're not no Muhammad. You have a defect in your character.&#xA;&#xA;Well, that certainly may be so, however, according to the way the Bible reads, there is no profit of God written of in the Bible that did not have a defect in his character. But, I have never heard any member of the faith of Judaism separate David from the Psalms, because of what happened in David's life and you're never separated Solomon from the building of the Temple because they say he had a thousand concubines, and you never separated any of the Great Servants of God.&#xA;So today, whether you like it or not, God brought the idea through me and he didn't bring it through me because my heart was dark with hatred and anti-semitism, he didn't bring it through me because my heart was dark and I'm filled with hatred for White people and for the human family of the planet. If my heart were that dark, how is the message so bright, the message so clear, the response so magnificent?&#xA;&#xA;(APPLAUSE)&#xA;&#xA;So, we stand here today at this historic moment. We are standing in the place of those who couldn't make it here today. We are standing on the blood of our ancestors. We are standing on the blood of those who died in the middle passage, who died in the fields and swamps of America, who died hanging from trees in the South, who died in the cells of their jailers, who died on the highways and who died in the fratricidal conflict that rages within our community. We are standing on the sacrifice of the lives of those heroes, our great men and women that we today may accept the responsibility that life imposes upon each traveler who comes this way.&#xA;&#xA;We must accept the responsibility that God has put upon us, not only to be good husbands and fathers and builders of our community, but God is now calling upon the despised and the rejected to become the cornerstone and the builders of a new world.&#xA;&#xA;And so, our brief subject today is taken from the American Constitution. In these words, Toward a more union. Toward a more perfect union.&#xA;&#xA;Now, when you use the word more with perfect, that which is perfect is that which has been brought to completion. So, when you use more perfect, you're either saying that what you call perfect is perfect for that stage of its development but not yet complete. When Jefferson said, &amp;quot;toward a more perfect union,&amp;quot; he was admitting that the union was not perfect, that it was not finished, that work had to be done. And so we are gathered here today not to bash somebody else.&#xA;&#xA;We're not gathered here to say, all of the evils of this nation. But we are gathered here to collect ourselves for a responsibility that God is placing on our shoulders to move this nation toward a more perfect union. Now, when you look at the word toward, toward, it means in the direction of, in furtherance or partial fulfillment of, with the view to obtaining or having shortly before coming soon, eminent, going on in progress. Well, that's right. We're in progress toward a perfect union. Union means bringing elements or components into unity.&#xA;&#xA;It is something formed by uniting two or more things. It is a number of persons, states, etcetera, which are joined or associated together for some common purpose. We're not here to tear down America. America is tearing itself down. We are here to rebuild the wasted cities. What we have in the word toward is motion. The honorable Elijah Muhammad taught us that motion is the first law of the universe. This motion which takes us from one point to another shows that we are evolving and we are a part of a universe that is ever evolving.&#xA;&#xA;We are on an evolutionary course that will bring us to perfect or completion of the process toward a perfect union with God. In the word toward there is a law and that law is everything that is crated is in harmony with the law of evolution, change. Nothing is standing still.&#xA;&#xA;It is either moving toward perfection or moving toward disintegration. Or under certain circumstances doing both things at the same time. The word for this evolutionary changing affecting stage after stage until we reach perfection. In Arabic it is called Rhab. And from the word Rhab you get the Rhaby, or teacher, one who nourishes a people from one stage and brings them to another stage. Well, if we are in motion and we are, motion toward perfection and we are, there can be no motion toward perfection without the Lord, who created the law of evolution.&#xA;&#xA;And is the master of the changes. Our first motion then must be toward the God, who created the law of the evolution of our being. And if our motion toward him is right and proper, then our motion toward a perfect union with each other and government and with the peoples of the world will be perfected. So, let us start with a process leading to that perfect union must first be seen. Now, brothers and sisters, the day of atonement is established by God to help us achieve a closer tie with the source of wisdom, knowledge, understanding and power.&#xA;&#xA;For it is only through a closer union or tie with him, who created us all, with him who has power over all things that we can draw power, knowledge, wisdom and understanding from him, that we maybe enable to change the realities of our life. A perfect union with God is the idea at the base of atonement. Now, atonement demands of us eight steps, in fact, atonement is the fifth step in an eight stage process.&#xA;&#xA;Look at our division, not here, out there. We are a people, who have been fractured, divided and destroyed because of our division now must move toward a perfect union. But let's look at a speech delivered by a White slave holder on the banks of the James River in 1712.&#xA;Sixty-eight years before our former slave masters permitted us to join the Christian faith. Listen to what he said. He said, &amp;quot;In my bag I have a fool proof method of controlling black slaves. I guarantee everyone of you, if installed correctly, it will control the slaves for at least 300 years. My method is simple. Any member of your family or your overseer can use it. I have outlined a number of differences among the slaves and I take these differences and I make them bigger. I use fear, distrust, and envy for control purposes.&amp;quot;&#xA;&#xA;I want you to listen. What are those three things? Fear, envy, distrust. For what purpose? Control. To control who? The slave. Who is the slave? Us. Listen, he said, &amp;quot;These methods have worked on my modest plantation in the West Indies and they will work throughout the south.&#xA;&#xA;Now, take this simple little list and think about it. On the top of my list is age. But it's only there because it starts with an A. And the second is color or shade. There's intelligence, sex, size of plantation, status of plantation, attitude of owners, whether the slaves live in the valley or on a hill, north, east, south or west, have fine hair or course hair, or is tall or short.&#xA;&#xA;Now that you have a list of differences I shall give you an outline of action. But before that, I shall assure you that distrust is stronger than trust. And envy is stronger than adulation, respect, or admiration.&#xA;&#xA;The black slave after receiving this indoctrination shall carry it on and will become self-refueling and self-generating for hundreds of years. Maybe thousands of years. Now don't forget, you must pitch the old black male against the young black male. And the young black male against the old black male.&#xA;&#xA;You must use the female against the male. And you must use the male against the female. You must use the dark skinned slave against the light skinned slave. And the light skinned slave against the dark skinned slave.&#xA;&#xA;You must also have your white servants and overseers distrust all blacks. But it is necessary that your slaves trust and depend on us. They must love, respect, and trust only us.&#xA;&#xA;&amp;quot;Gentlemen, these keys are your keys to control. Use them. Never miss an opportunity. And if used intensely for one year, the slaves themselves will remain perpetually distrustful. Thank you, gentlemen.&amp;quot; End of quote. So spoke Willie Lynch 283 years ago.&#xA;&#xA;And so, as a consequence, we as a people now have been fractured, divided and destroyed, filled with fear, distrust and envy. Therefore, because of fear, envy and distrust of one another, many of us as leaders, teachers, educators, pastors and persons are still under the control mechanism of our former slave masters and their children.&#xA;&#xA;And now, in spite of all that division, in spite of all that divisiveness. we responded to a call and look at what is present here today. We have here those brothers with means and those who have no means. Those who are light and those who are dark. Those who are educated, those who are uneducated. Those who are business people, those who don't know anything about business. Those who are young, those who are old. Those who are scientific, those who know nothing of science. Those who are religious and those who are irreligious. Those who are Christian, those who are Muslim, those who are Baptist, those who are Methodist, those who are Episcopalian, those of traditional African religion. We've got them all here today.&#xA;&#xA;And why did we come? We came because we want to move toward a more perfect union. And if you notice, the press triggered every one of those divisions. You shouldn't come, you're a Christian. That's a Muslim thing. You shouldn't come, you're too intelligent to follow Hate! You shouldn't come, look at what they did, they excluded women, you see? They played all the cards, they pulled all the strings.&#xA;&#xA;Oh, but you better look again, Willie. There's a new Black man in America today. A new Black woman in America today. Now Brothers, there's a social benefit of our gathering here today. That is, that from this day forward, we can never again see ourselves through the narrow eyes of the limitation of the boundaries of our own fraternal, civic, political, religious, street organization or professional organization. We are forced by the magnitude of what we see here today, that whenever you return to your cities and you see a Black man, a Black woman, don't ask him what is your social, political or religious affiliation, or what is your status? Know that he is your brother.&#xA;&#xA;You must live beyond the narrow restrictions of the divisions that have been imposed upon us. Well, some of us are here because it's history making. Some of us are here because it's a march through which we ca express anger and rage with America for what she has and is doing to us. So, we're here for many reasons but the basic reason while this was called was for atonement and reconciliation. So, it is necessary for me in as short of time as possible to give as full an explanation of atonement as possible.&#xA;&#xA;As I said earlier, atonement is the fifth stage in an eight stage process. So, let's go back to the first stage of the process that brings us into perfect union with God. And the first stage is the most difficult of all because when we are wrong, and we are not aware of it, someone has to point out the wrong. I want to, I want to say this again, but I want to say it slowly. And I really want each one of these points to sink in. How many of us in this audience, at some time or another have been wrong? Would we just raise our hands?&#xA;&#xA;OK. Now, when we are wrong, Lord knows we want to be right. The most difficult thing is when somebody points it out do we accept it, do we reject it, do we hate the person who pointed out our wrong. How do we treat the person who points out our wrong? Now, I want you to follow me. When you go to a doctor, you're not feeling well, the doctor says, what's wrong? Well, I don't know, doc. Well, where is the pain? Tell me something about the symptoms. You want the doctor to make a correct diagnosis. You don't smack the doctor when he points out what's wrong.&#xA;&#xA;You don't hate the doctor when he points out what's wrong. You say, thank you, doctor. What's my prescription for healing? We all right? Now, look, whoever is entrusted with the task of pointing out wrong, depending on the nature of the circumstances is not always loved.&#xA;&#xA;In fact, more than likely, that person is going to be hated and misunderstood. Such persons are generally hated because no one wants to be shown as being wrong. Particularly when you're dealing with governments, with principalities, with powers, with rulers, with administrations. When you're dealing with forces which have become entrenched in their evil, intractable and unyielding their power produces an arrogance. And their arrogance produces a blindness. And out of that evil state of mind, they will do all manner of evil to the person who points out their wrong. Even though you're doing good for them by pointing out where America went wrong.&#xA;&#xA;Now, Martin Luther King, Jr. was probably the most patriotic Americans. More patriotic George Washington. More patriotic than Thomas Jefferson. More patriotic than many of the presidents because he had the courage to point out what was wrong in the society. And because he pointed out what was wrong, he was ill spoken of, vilified, maligned, hated and eventually, murdered.&#xA;&#xA;Brother Malcolm had that same road to travel. He pointed out what was wrong in the society and he had to suffer for pointing out what was wrong and he ultimately died on the altar for pointing out what was wrong. Inside the Nation, outside the Nation, to the greater nation and to the smaller nation.&#xA;&#xA;We talking about moving toward a perfect union. Well, pointing out fault, pointing out our wrongs is the first step.&#xA;&#xA;The second step is to acknowledge. Oh, thank you. Oh, man, I'm wrong. To acknowledge means to admit the existence, the reality or the truth of some reality. It is to recognize as being valid. Or having force and power. It is to express thanks, appreciation, or gratitude. So in this context, the word acknowledgement to be in a state of recognition of the truth of the fact that we have been wrong. This is the second step.&#xA;&#xA;Well, the third step is that after you know you're wrong and you acknowledge it to yourself, who else knows it except you confess it. You say, well, yeah, all right. But who should I confess to? And why should I confess?&#xA;&#xA;And why should I confess? The Bible says confession is good for the soul. Now, brothers I know, I don't have a lot of time, but the soul is the essence of a person's being. And when the soul is covered with guilt from sin and wrongdoing, the mind and the actions of the person reflect the condition of the soul. So, to free the soul or the essence of man from its burden, one must acknowledge one's wrong, but then one must confess.&#xA;&#xA;The Holy Koran says it like this: I've been greatly unjust to myself, and I confess my faults. So grant me protection against all my faults, for none grants protection against faults but Thee. It is only through confession that we can be granted protection from the consequences of our faults.&#xA;&#xA;For every deed has a consequence. And we can never be granted protection against the faults that we refuse to acknowledge or that we are unwilling to confess. So, look. Who should you confess to? I don't want to confess. Who should you confess to? Who should I confess to? Who should we confess to? First, you confess to God. And everyone of us that are here today, that knows that we have done wrong. We have to go to God and speak to Him in the privacy of our rooms and confess. He already knows, but when you confess, you're relieving your soul of the burden that it bears.&#xA;&#xA;But, then, the hardest part is to go to the person or persons whom your faults have ill-affected and confess to them. That's hard. That's hard. But, if we want a perfect union, we have to confess the fault. Well, what happens after confession? There must be repentance. When you repent, you feel remorse or contrition or shame for the past conduct which was and is wrong and sinful. It means to feel contrition or self-reproach for what one has done or failed to do.&#xA;&#xA;And, it is the experiencing of such regret for past conduct that involves the changing of our mind toward that sin. So, until we repent and feel sick, sorry over what we have done, we can never, never change our minds toward that thing. And if you don't repent, you'll do it over and over and over again. But to stop it where it is, and Black men, we got to stop what we're doing where it is. We cannot continue the destruction of our lives and the destruction of our community. But that change can't come until we feel sorry.&#xA;&#xA;I heard my brother from the West Coast say today, I atone to the mothers for the death of the babies caused by our senseless slaughter of one another. See, when he feels sorry deep down inside, he's going to make a change.&#xA;&#xA;That man has a change in his mind. That man has a change in his heart. His soul has been unburdened and released from the pain of that sin, but you got to go one step further, because after you've acknowledged it, confessed it, repented, you've come to the fifth stage. Now, you've got to do something about it.&#xA;&#xA;Now, look brother, sisters. Some people don't mind confessing. Some people don't mind making some slight repentance. But, when it comes to doing something about the evil that we've done we fall short.&#xA;&#xA;But, atonement means satisfaction or reparation for a wrong or injury. It means to make amends. It means penance, expiation, compensation and recompense made or done for an injury or wrong.&#xA;&#xA;So, atonement means we must be willing to do something in expiation of our sins so we can't just have a good time today, and say we made history in Washington. We've got to resolve today that we're going back home to do something about what's going on in our lives and in our families and in our communities.&#xA;&#xA;Now, we all right? Can you hang with me a few more? Now, brothers and sisters, if we make atonement it leads to the sixth stage. And the sixth stage is forgiveness. Now, so many of us want forgiveness, but we don't want to go through the process that leads to it. And so, when we say we forgive, we forgive from our lips, but we have never pardoned in the heart.&#xA;&#xA;So, the injury still remains. My dear family. My dear brothers. We need forgiveness. God is always ready to forgive us for our sins. Forgiveness means to grant pardon for, or remission of, an offense or sin. It is to absolve, to clear, to exonerate and to liberate. Boy, that's something!&#xA;&#xA;See, you're not liberated until you can forgive. You're not liberated from the evil effect of our own sin until we can ask God for forgiveness and then forgive others, and this is why in the Lord's Prayer you say, forgive us our trespasses as we forgive those who trespass against us.&#xA;&#xA;So, it means to cease, to feel offense and resentment against another for the harm done by an offender. It means to wipe the slate clean. And then, that leads to the seventh stage. You know, I like to liken this to music. Because in music, the seventh note is called a leading tone. Do, re, me, fa, so, la, te..You can't stop there. Te.&#xA;&#xA;It leaves you hung up, te. What you got to get back to? Doe. So, whatever you started with when you reach the eight note, you're back to where you started only at a higher vibration. Now, look, at this. The seventh tone, the leading tone that leads to the perfect union with God is reconciliation and restoration because after forgiveness, now, we are going to be restored to what? To our original position. To restore, to reconcile means to become friendly, peaceable again, to put hostile persons into a state of agreement or harmony, to make compatible or to compose or settle what it was that made for division.&#xA;&#xA;It means to resolve differences. It can mean to establish or re- establish a close relationship between previously hostile persons. So, restoration means the act of returning something to an original or un-impaired condition. Now, when you're backed to an impaired position, you have reached the eighth stage, which is perfect union. And when we go through all these steps, there is no difference between us, that we can't heal. There's a bomb in Gilead to heal the sin sick soul. There is a bomb in Gilead to make the wounded whole.&#xA;&#xA;We are a wounded people but we're being healed, but President Clinton, America is also wounded. And there's hostility now in the great divide between the people. Socially the fabric of America is being torn a part and it's black against black, black against white, white against white, white against black, yellow against brown, brown against yellow. We are being torn a part. And we can't gloss it over with nice speeches, my dear, Mr. President.&#xA;&#xA;Sir, with all due respect, that was a great speech you made today. And you praised the marchers and they're worthy of praise. You honored the marchers and they are worthy of honor. But of course, you spoke ill indirectly of me, as a purveyor of malice and hatred.&#xA;&#xA;I must hasten to tell you, Mr. President, that I'm not a malicious person, and I'm not filled with malice. But, I must tell you that I come in the tradition of the doctor who has to point out, with truth, what's wrong. And the pain is that power has made America arrogant. Power and wealth has made America spiritually blind and the power and the arrogance of America makes you refuse to hear a child of your slaves pointing out the wrong in your society.&#xA;&#xA;But, I think if you could clear the scales from your eyes, sir, and give ear to what we say, perhaps, oh perhaps, what these great speakers who spoke before me said, and my great and wonderful brother, the Reverend Jesse Jackson said, and perhaps, just perhaps from the children of slaves might come a solution to this Pharaoh and this Egypt as it was with Joseph when they had to get him out of prison and wash him up and clean him up because Pharaoh had some troubling dreams that he didn't have any answer to. And he called his soothsayers and he called the people that read the stars and he called all his advisors, but nobody could help him to solve the problem. But he had to go to the children of slaves, because he heard that there was one in prison who knew the interpretation of dreams. And he said bring him, bring him and let me hear what he has to say.&#xA;&#xA;God has put it for you in the scriptures, Mr. President. Balshasar and Nebuchadnezer couldn't read the handwriting on the wall. But, Daniel had to read the handwriting for him. Manne, manne, tek elauhu phossen (PH) (your kingdom has been weighed in the balance and has been found wanting).&#xA;&#xA;Do you want a solution to the dilemma that America faces? Then, don't look at our skin color, because racism will cause you to reject salvation if it comes in the skin of a black person. Don't look at the kinkiness of our hair and the broadness of our nose and the thickness of our lips, but listen to the beat of our hearts and the pulsating rhythm of the truth. Perhaps, perhaps, you might be as wise as that Pharaoh and save this great nation.&#xA;&#xA;And so, the eighth stage is perfect union with god. And in the Koran, it reads. &amp;quot;Oh soul that is at rest, well pleased with thy lord and well pleasing.&amp;quot; Oh, brothers, brothers, brothers, you don't know what its like to be free. Freedom can't come from white folks. Freedom can't come from staying here and petitioning this great government. We're here to make a statement to the great government, but not to beg them. Freedom cannot come from no one but the god who can liberate the soul from the burden of sin. And this is why Jesus said &amp;quot;come unto me&amp;quot;, not some who are heavy laden, &amp;quot;but all that are heavy laden, and I will give you rest&amp;quot;.&#xA;&#xA;But listen, all of these eight steps take place in a process called time. And whenever a nation is involved in sin to the point that god intends to judge and destroy that nation, he always sends someone to make that nation or people know their sins, to reflect on it, to acknowledge, to confess, to repent and to atone that they might find forgiveness with god. America, oh America. This great city of Washington is like Jerusalem. And the Bible says &amp;quot;Jerusalem, oh Jerusalem, you that stoneth and killith the prophets of God.&amp;quot;&#xA;&#xA;Right from this beautiful Capitol and from the beautiful White House have come commands to kill the prophets. David's trouble came from this house. Martin Luther King's trouble came from this house. Malcolm's trouble came from this house. W. E. B. Dubois' trouble came from this house. And from this house, you stoned and killed the prophets of God that would have liberated Black people, liberated America. But I stand here today knowing, knowing that you are angry. That have my people have validated me. I don't need you to validate me.&#xA;&#xA;I don't need to be in any mainstream.&#xA;&#xA;I want to wash in the river of Jordan and the river that you see and the sea that is before us and behind us and around us.&#xA;&#xA;It's validation. That's the mainstream. You're out of touch with reality. A few of you in a few smoke-filled rooms, calling that the mainstream while the masses of the people, white and black, red, yellow, and brown, poor and vulnerable are suffering in this nation.&#xA;&#xA;Well, America, great America. Like Jerusalem that stoned and killed the prophets of God. That a work has been done in you today unlike any work that's ever been done in this great city. I wonder what you'll say tomorrow?&#xA;&#xA;I wonder what you'll write in your newspapers and magazines, tomorrow. Will you give God the glory? Will you give God the glory? Will you respect the beauty of this day? All of these black men that the world sees as savage, maniacal, and bestial. Look at them. A sea of peace. A sea of tranquility. A sea of men ready to come back to God. Settle their differences and go back home to turn our communities into decent and safe places to live.&#xA;&#xA;America. America, the beautiful. There's no country like this on the earth. And certainly if I lived in another country, I might never have had the opportunity to speak as I speak today. I probably would have been shot outright and so would my brother, Jesse, and so would Molani Karenga (PH) and so would Dr. Ben Chavis and Reverend Al Sampson and the wonderful people that are here.&#xA;&#xA;But because this is America you allow me to speak even though you don't like what I may say. Because this is America, that provision in the constitution for freedom of speech and freedom of assembly and freedom of religion, that is your saving grace.&#xA;&#xA;Because what you're under right now is grace. And grace is the expression of divine love and protection which God bestows freely on people.&#xA;&#xA;God is angry, America. He's angry, but His mercy is still present. Brothers and sisters look at the inflictions that have come upon us in the black community. Do you know why we're being afflicted? God wants us to humble ourselves to the message that will make us atone and come back to Him and make ourselves whole again. But why is God afflicting America? Why is God afflicting the world? Why did Jesus say there would be wars and rumors of wars, and earthquakes in diverse places and pestilence and famine, and why did He say that these were just the beginning of sorrows?&#xA;&#xA;In the last ten years America has experienced more calamities than at any other time period in American history. Why America? God is angry. He's not angry because you're right. He's angry because you're wrong and you want to stone and kill the people who want to make you see you're wrong. And so, the Bible says Elijah must first come. Why should Elijah come? Elijah has the job of turning the hearts of the children back to their fathers, and the father's heart back to the children. Elijah becomes an axis upon which people turn back to God and God turns back to the people. And that's why it said Elijah must first come. And so, here we are, 400 years, fulfilling Abraham's prophecy.&#xA;&#xA;Some of our friends in the religious community have said, why should you take atonement? That was for the children of Israel. I say yes, it was. But atonement for the children of Israel prefigured our suffering here in America. Israel was in bondage to Pharaoh 400 years. We've been in America 440 years. They were under affliction. We're under affliction. They're under oppression. We're under oppression. God said that nation which they shall serve, I will judge. Judgment means God is making a decision against systems, against institutions, against principalities and powers. And that's why Paul said, we war not against flesh and blood, but against principalities and powers, and the rulers of the darkness of this world and spiritual wickedness in high places.&#xA;&#xA;God is sending his decision. I can't help it. If I've got to make the decision known. You don't understand me. My people love me.&#xA;&#xA;And yet, I point out the evils of Black people like no other leader does, but my people don't call me anti-Black, because they know I must love them in order to point out what's wrong so we can get it right to come back into the favor of God!&#xA;&#xA;But, let me say in truth, you can't point out wrong with malice. You can't point out wrong with hatred. Because, if we point out wrong with bitterness and hatred, then the bitterness and the hatred becomes a barrier between you and the person whom you hope to get right, that they might come into the favor of God.&#xA;&#xA;So, we ask Muslims who, in our first stage, yeah, we pointed out the wrong of America, but we didn't point it out with no love, we point it out with the pain of our hurt. The pain of our suffering. The bitterness of our life story. But, we have grown beyond our bitterness. We have transcended beyond our pain. Why? It's easy for us to say, the White man did this, the White man that, the White man did the other, he deprived us of that. He killed the Indians. He did this. Yes, he did all of that.&#xA;&#xA;But, why did God let him do that? That's the bigger question. And since we are not man enough to question God, we start beating up on the agent who is fulfilling prophesy. But, if we can transcend our pain to get up into God's mind, and ask God, God, why did you let our fathers come into bondage? God, why did you let us die in the Middle Passage? God, why did you suffer us to be in the hull of ships? God, why did you let him lash us, why did you let him beat us, why did you let him castrate us? Why did you let him hang us? Why did you let him burn us? Why, God, why, why, why?&#xA;&#xA;We got a right to question God. That's the only way we can become wise. And if we question him like Job did, God may bring you up into his own thinking.&#xA;&#xA;And if God were to answer us today he would say to Black people, yes, I allowed this to happen. And I know you suffered, but Martin King, my servant, said it, undeserved suffering is redemptive.&#xA;&#xA;A whole world is lost, not just you Black people. A whole world has gone out of the way, not just you Black people. You the lost sheep, but the whole world is lost. You the bottom rail, but the one that put the you on the bottom is in the bottom with you holding you down. He's in the bottomless pit himself.&#xA;&#xA;He said, Black Man, I love you. He said, but God, I mean, that's a heck of a way to show me you love me. He said, but I love my son. I love Jesus more than I love any of our servants. But I had a cross for him. I had nails for him. I had him to be rejected and despised. I had him falsely accused and brought before the courts of men. I had them spit on him. I had them to pierce his side. But, I loved him more than anybody else. Why, God?! Why did you do it? Why?&#xA;&#xA;He said, I did it that I might be glorified, because like Jew, no matter what I did to him, he never cursed me, he never said My God ain't no good. He said whatever your will is, that's what I want to do and that's why, even though he descended into Hell, I have raised him to the limitless heights of Heaven, because only those who know the depths of Hell can appreciate the limitless heights of Heaven.&#xA;&#xA;And so, my children, I caused you to suffer in the furnace of affliction so that I might purify you and resurrect you from a grave of death and ignorance. I, God, put in your soul, not a law written on stone, but I have written the law on the tablets of your heart.&#xA;&#xA;So, I'm going to make a new covenant with you. Oh, Black Man. The secret of the Masonic Order is the secret of Hirem Obid (ph). The secret of the Masonic Order is a master builder that was hit in the head. The secret of the Masonic Order is a master that ruffians roughed up.&#xA;&#xA;I think one of the ruffians was named Jubilo (ph) Furhman (ph). And another was named Jubilah (ph) Bilbow (ph). And another one was named Juilum (ph) Jesse Helms. These racists hit him in his head and carried him on a westerly course and buried him in the north country, in a shallow grave. Many tried to raise him up but they didn't have the master grip. It would take a master to come after him.&#xA;&#xA;And this is why Matthew said, &amp;quot;as lightening shines from the east, even unto the west, so shall the coming of the son of man be for whatsoever, the eagles are gathered together, there shall the carcass be.&amp;quot; Here's the carcass, the remains of a once mighty people, dry bones in the valley, a people slain from the foundation of the world. But God has sent the winds to blow on the bones. One of those winds is named Gingrich. And the companion wind is named Dole.&#xA;&#xA;And the other is called Supreme Court decision. The other is fratracidal conflict, drugs and dope and violence and crime. But we've had enough now. This is why you're in Washington today. We've had enough. We've had enough distress, enough affliction. We're ready to bow down now. If my people, who are called by my name would just humble themselves and pray, and seek my face, and turn from their wicked ways, then will I hear from heaven, forgive their sins, heal their land.&#xA;&#xA;You are ready now to crime out of your furnace of affliction. You are ready now to accept the responsibility, oh, not just of the ghetto. God wants to purify you and lift you up, that you may call America and the world to repentance. Black man, you are a master builder, but you got hit in the head.&#xA;&#xA;Black men, you're the descendants of the builders of the pyramids. But you have amnesia now. You can't remember how you did it. But the Master has come. You know, pastors, I love that scripture where Jesus told his disciples, go there and you'll see an ass and a colt tied with her. Untie them and bring them to me. If anybody ask you what you're doing, because it may look like you're stealing and you know they are going to accuse you of stealing, tell them the Master got need of these. And Jesus rode into Jerusalem on an ass.&#xA;&#xA;The Democratic Party has for its symbol, a donkey. The donkey stands for the unlearned masses of the people. But the Democratic Party can't call them asses no more. You got them all tied up, but you're not using. The donkey is tied up. But can you get off today? No, I can't get off, I'm tied up. Somebody on your donkey? Well, yeah. I got a master. He rides me like the Master rode Balem's (ph) ass, you know. But, hail, the ass is now talking with a man's voice. And the ass wants to throw the rider off, because he got a new rider today.&#xA;&#xA;If anybody ask you, tell them the Master has need. Look at you. Oh, I don't know what the number is. It's too much for me to count. But I think they said it's a million and a half, or two. I don't know how many. But you know, I called for a million. When I saw the word go out my mouth, I looked at it. I said oh my God! It just came out of my mouth. I didn't know. And after it came out, I said well I got to go with it. And, I'm so glad I did. People told me you better change that figure to one more realistic. And I should have changed it to the Three Million Man March.&#xA;&#xA;Now, we're almost finished. I want to take one last look at the word atonement.&#xA;&#xA;The first four letters of the word form the foundation; &amp;quot;a-t-o-n&amp;quot;. . . &amp;quot;a-ton&amp;quot;, &amp;quot;a-ton&amp;quot;. Since this obelisk in front of us is representative of Egypt. In the 18th dynasty, a Pharaoh named Akhenaton, was the first man of this history period to destroy the pantheon of many gods and bring the people to the worship of one god. And that one god was symboled by a sun disk with 19 rays coming out of that sun with hands holding the Egyptian Ankh - the cross of life. A-ton. The name for the one god in ancient Egypt. A- ton, the one god. 19 rays. Look at your scripture.&#xA;&#xA;A woman, remember the nine, means somebody pregnant, with an idea. But, in this case, its a woman pregnant with a male child destined to rule the nations with a rod of iron. God is standing over her womb, and this child will be like the day sun, and he will say &amp;quot;I am the light of the world.&amp;quot; Hands coming out of that sun, come unto me all ye that are heavy laden. I'm gonna give you rest, but I'm gonna give you life, because I am the resurrection and the life and if you believe in me, though you are dead, yet shall you live again.&#xA;&#xA;You're dead, Black man. But if you believe in the god who created this sun of truth and of light with 19 rays, meaning he's pregnant with God's spirit, God's life, God's wisdom. Abraham Lincoln's statue, 19 feet high, 19 feet wide. Jefferson, 19 feet high, 16 (OFF-MIKE) and the third president, 19. Standing on the steps of the Capitol, in the light of the sun. Offering life to a people who are dead.&#xA;&#xA;Black man, the a-ton represents the one God. In the Koran, Muhammad is called a light giving son. So if you look at the aton, add an &amp;quot;e&amp;quot; to it, and separate the &amp;quot;a&amp;quot; from the next four letters and you get the word a tone.&#xA;&#xA;Atone means sound. And &amp;quot;a&amp;quot;, the first letter of the alphabet and the first letter of the numerical system is one. So &amp;quot;a&amp;quot; equals one. So &amp;quot;a&amp;quot; sound means when you hear the &amp;quot;a&amp;quot; tone, you will hear the right sound. And when you hear the right sound from the one God calling you to divine life, you will respond. So what is the &amp;quot;a&amp;quot; tone? In music, a equals 440 vibrations. How long have we been in America? Four hundred and forty years.&#xA;&#xA;Well, in the 440th year, from the one God, the aton will come the a tone and all of us got to tune up our lives by the sound of the a tone. Because we've got to atone for all that we have done wrong. And when you atone, if you take the &amp;quot;t&amp;quot; and couple it with the &amp;quot;a&amp;quot; and hyphenate it, you get at one. So when you atone you become at one. At one with who? The aton or the one God. Because you heard the a tone and you tuned up your life and now you're ready to make a new beginning.&#xA;&#xA;So when you get at one, you get the next two letters. It is &amp;quot;m&amp;quot; &amp;quot;e&amp;quot;. Me. Who is it that has to atone?&#xA;&#xA;(AUDIENCE): Me.&#xA;&#xA;Who went wrong?&#xA;&#xA;(AUDIENCE): Me.&#xA;&#xA;Who got to fix it?&#xA;&#xA;(AUDIENCE): Me.&#xA;&#xA;Who should we look to?&#xA;&#xA;(AUDIENCE): Me.&#xA;&#xA;Yes! And then if you add, if you add another letter to &amp;quot;me&amp;quot; you get an &amp;quot;n&amp;quot;. What does that say?&#xA;&#xA;(AUDIENCE): Men.&#xA;&#xA;So Farrakhan called men. Why did you call men? Because in the beginning, God made man. And if we are at a new beginning, we got to make a man all over again, but make him in the image and the likeness of God.&#xA;&#xA;Now, if you add the &amp;quot;t&amp;quot; on, you get the suffix &amp;quot;ment.&amp;quot; Ment means action, process. The instrument or agent of an action or process. So when you say I'm atoning, you got to act on it. You got get in the process. You got to acknowledge your wrong, confess your wrong. Repent of your wrong. Atone for your wrong.&#xA;&#xA;Then you'll get forgiveness, then reconciliation, and restoration. And then you're back to the aton. Oh, Lord.&#xA;&#xA;Now brothers, let's close it out. Don't move. Don't move. Don't move. Now you know the Bible says in the 430th year of this sojourn they went out.&#xA;&#xA;That's in a book called Exodus. Now the word exodus means departure -- a going out. A way out. What did we come to Washington for? We didn't come to Washington to petition the government for a way out of her. But to find a way out of our affliction. But a way out from something bigger than our affliction. Oh, man. When you say come out, what do you mean? You've got to come out from under the mind of a slave. We've got to come out from a mind that is self-afflicted with the evil of black inferiority. We've got to come into a new way of thinking.&#xA;&#xA;Now brothers, sisters, I want to close this lecture with a special message to our President and to the Congress. There is a great divide, but the real evil in America is not white flesh, or black flesh. The real evil in America is the idea that undergirds the set up of the western world. And that idea is called white supremacy.&#xA;&#xA;Now wait, wait, wait. Before you get angry. Those of you listening by television. You don't even know why you behave the way you behave.&#xA;&#xA;I'm not telling you I'm a psychiatrist, but I do want to operate on your head. White supremacy is the enemy of both White people and Black people because the idea of White supremacy means you should rule because you're White, that makes you sick. And you've produced a sick society and a sick world. The founding fathers meant well, but they said, &amp;quot;toward a more perfect union&amp;quot;. So, the Bible says, we know in part, we prophesy in part, but when that which is perfect is come, that which is in part shall be done away with.&#xA;&#xA;So either, Mr. Clinton, we're going to do away with the mind-set of the founding fathers. You don't have to repudiate them like you've asked my brothers to do me. You don't have to say they were malicious, hate filled people. But you must evolve out of their mind- set. You see their minds was limited to those six European nations out of which this country was founded. But you've got Asians here. How are you going to handle that? You've got children of Africa here. How are you going to handle that?&#xA;&#xA;You've got Arabs here. You've got Hispanics here. I know you call them illegal aliens, but hell, you took Texas from them by flooding Texas with people that got your mind. And now they're coming back across the border to what is Northern Mexico, Texas, Arizona, New Mexico, and California. They don't see themselves as illegal aliens. I think they might see you as an illegal alien. You have to be careful how you talk to people. You have to be careful how you deal with people. The Native American is suffering today. He's suffering almost complete extinction. Now, he learned about bingo. You taught him. He learned about black jack. You taught him. He learned about playing roulette. You taught him. Now, he's making a lot of money. You're upset with him because he's adopted your ways. What makes you like this? See, you're like this because you're not well. You're not well. And in the light of today's global village, you can never harmonize with the Asians. You can't harmonize with the islands of the Pacific.&#xA;&#xA;You can't harmonize with the dark people of the world who out number you 11 to one, if you're going to stand in the mind of white supremacy. White supremacy has to die in order for humanity to live.&#xA;&#xA;(APPLAUSE)&#xA;&#xA;Now, oh, I know. I know. I know it's painful, but we have to operate now, just, just take a little of this morphine and you won't feel the pain as much. You just need to bite down on something, as I stop this last few minutes, just bite down on your finger. Listen, listen, listen, listen, white supremacy caused you all, not you all, some White folk to try to rewrite history and write us out. White supremacy caused Napoleon to blow the nose off of the Sphinx because it reminded you too much of the Black man's majesty.&#xA;&#xA;White supremacy caused you to take Jesus, a man with hair like lambs wool and feet like burnished brass and make him White. So that you could worship him because you could never see yourself honoring somebody Black because of the state of your mind. You see, you, you really need help. You'll be all right. You'll be all right. You will be all right. Now, now, now, you painted the Last Supper, everybody there White.&#xA;&#xA;My mother asked the man that came to bring her the Bible. He said, look there, the pictures in the Bible. You see, Jesus and all his disciples are at the Last Supper -- my mother in her West Indian accent said, you mean ain't nobody Black was at the Last Supper?&#xA;&#xA;(LAUGHTER)&#xA;&#xA;And the man said, yes, but they was in the kitchen. So now you've whitened up everything.&#xA;&#xA;Any great invention we made you put white on it, because you didn't want to admit that a Black person had that intelligence, that genius. You try to color everything to make it satisfactory to the sickness of our mind.&#xA;&#xA;So you whitened up religion, Farrakhan didn't do that. You locked the bible from us, Farrakhan didn't do that. Your sick mind wouldn't even let you bury us in the same ground that both of us came out of. We had to be buried somewhere else, that's sick. Some of us died just to drink water out of a fountain marked White. That's sick. Isn't it sick?&#xA;&#xA;You poisoned religion. And in all the churches, until recently, the master was painted white. So, you had us bowing down to your image. Which ill-effected our minds. You gave us your version of history. And you whitened that up. Yes, you did. Yes, you did.&#xA;&#xA;You are a white Shriner. The black Shriner don't integrate the shrine. Why don't you black Shriners integrate the shrine? Because in the shrine, you are the essence of the secret. They don't want you there. They'll have to tell the world, it's you we been thinking about all along.&#xA;&#xA;Now, white folks see the reason you could look at the O.J. Simpson trial, in horror, and the reason blacks folk rejoiced, had nothing to do with the horror of the tragedy. Black folk would never rejoice over the slaughter of Ron Goldman and Nicole Brown Simpson.&#xA;&#xA;Black folk saw that with compassion. Many black folk grieve over that reality. You say, &amp;quot;O.J. sold out.&amp;quot; No, he didn't sell out. He was drawn out.&#xA;&#xA;Black folk that got talent, they all grow up in the &amp;quot;hood.&amp;quot; When we first sing, we sing in these old raunchy night clubs in the &amp;quot;hood.&amp;quot;&#xA;&#xA;When we play sandlot ball, we play it in the &amp;quot;hood.&amp;quot; But when you spot us, you draw us out. You say &amp;quot;that Negro can run. Look at how high he jumps.&amp;quot; So you give us a scholarship to your university. But the blacks who are in college, who play basketball for you, who play football for you, who run track for you, you disallow them to get involved with black students and the suffering of black students on all white campuses. You hide them away. Give them privileges. Then they find themselves with your daughter.&#xA;&#xA;Then you take them into the NBA, the NFL, and they become megastars. Or in the entertainment field and when they become megastars, their association is no longer black. They may not have a black manager, a black agent, a black accountant. They meet in parties, in posh neighborhoods that black folk don't come into. So their association becomes white women, white men, and association breeds assimilation. And if you have a slave mentality, you feel you have arrived now because you can jump over cars, running in airports, playing in films.&#xA;&#xA;I'm not degrading, my brother, I love him. But he was drawn out. He didn't sell out, he was drawn out. Michael Jackson is drawn out. Most of our top stars are drawn out. And then, when you get them, you imprison them with fear and distrust. You don't want them to speak out on the issues that are political, that are social. They must shut their mouths or you threaten to take away their fame, take away their fortune because you're sick. And the president is not gonna point this out. He's trying to get well. But he's a physician that can't heal himself.&#xA;&#xA;I'm almost finished. White supremacy has poisoned the bloodstream of religion, education, politics, jurisprudence, economics, social ethics and morality.&#xA;&#xA;And there is no way that we can integrate into white supremacy and hold our dignity as human being because if we integrate into that, we become subservient to that. And to become subservient to that is to make the slave master comfortable with his slave. So, we got to come out of her my people. Come out of a system and a world that is built on the wrong idea. An idea that never can create a perfect union with God.&#xA;&#xA;The false idea of white supremacy prevents anyone from becoming one with God. White people have to come out of that idea, which has poisoned them into a false attitude of superiority based on the color of their skins. The doctrine of white supremacy disallows whites to grow to their full potential. It forces White people to see themselves as the law or above the law. And that's why Furhman could say that he is like a god. See, he thinks like that, but that idea is pervasive in police departments across the country. And it's getting worse and not better because white supremacy is not being challenged.&#xA;&#xA;And I say to all of us who are leaders, all of us who are preachers, we must not shrink from the responsibility of pointing our wrong, so that we can be comfortable and keep White people comfortable in their alienation from God. And so, white folks are having heart attacks today because their world is coming down. And if you look at the Asians, the Asians have the fastest growing economies in the world. The Asians are not saying, bashing white people. You don't find the Asians saying the white man is this, the white man is that, the white man is the other.&#xA;&#xA;He don't talk like that. You know what he does? He just relocates the top banks from Wall Streets to Tokyo. He don't say, I'm better than the white man. He just starts building his world and building his economy and challenging white supremacy. I saw a young 14 year old Chinese girl the other day play the violin.&#xA;&#xA;Sarah Chang is her name. She was magnificent. I saw a young Japanese girl, Midori, play the violin. She was magnificent. They don't have to say to white people, I'm better than you. They just do their thing. And white folk have to readjust their thinking, because they thought that they could master all of these instruments and nobody else could, but the Chinese are mastering it, the Japanese are mastering it. All these things are breaking up the mind of White supremacy.&#xA;&#xA;Black man, you don't have to bash white people, all we gotta do is go back home and turn our communities into productive places. All we gotta do is go back home and make our communities a decent and safe place to live. And if we start dotting the Black community with businesses, opening up factories, challenging ourselves to be better than we are, White folk, instead of driving by, using the &amp;quot;N&amp;quot; word, they'll say, look, look at them. Oh, my God. They're marvelous. They're wonderful. We can't, we can't say they're inferior anymore. But, every time we drive by shoot, every time we carjack, every time we use foul, filthy language, every time we produce culturally degenerate films and tapes, putting a string in our women's backside and parading them before the world, every time we do things like this we are feeding the degenerate mind of white supremacy and I want us to stop feeding that mind and let that mind die a natural death.&#xA;&#xA;And so, to all the artists that are present, you wonderful gifted artists, remember that your gift comes from God. And David the Psalmist said, praise him on the tumbrel, praise him on the lute, praise him on the harp, praise him in the sultry, praise in the song, praise him in the dance, let everything be a praise of God.&#xA;&#xA;So, when you sing, you don't have to get naked to sing. Demonstrate your gift, not your breast. Demonstrate your gift, not what is between your legs. Clean up, Black man, and the world will respect and honor you. But, you have fallen down like the prodigal son and you're husking corn and feeding swine.&#xA;&#xA;Filthy jokes. We can't bring our children to the television.&#xA;&#xA;We can't bring our families to the movies because the American people have an appetite like a swine. And you are feeding the swine with the filth of degenerate culture. We got to stop it.&#xA;&#xA;We're not putting you down, brothers, we want to pick you up so with your wrap, you can pick up the world. With your song, you can pick up the world. With your dance, with your music, you can pick up the world.&#xA;&#xA;And so America, if your conscience is afflicted because God is lashing you, don't just start with the constitution, Mr. President. Start with the evil of slavery because that's the root of the problem.&#xA;&#xA;And you can't solve the problem, Mr. President, unless we expose the root. For when you expose the root to the light, then the root will die. The tree will die. And something new can come to birth. And so to the whites of this nation, accept you be born again, you can not see the kingdom of God. But can I return back into my mother's womb for the second time? No. You can't do that. But this old mind of white supremacy has to die in order that a new mind might come to birth.&#xA;&#xA;Black man. You can't see the kingdom of God unless we be born again. Must I enter back into my mother's womb for a second time? No. You can't do that black man. But the mind of white supremacy is repulsive to God. And the mind of black inferiority is repulsive to God. And any mind of black supremacy is repulsive to God. But the only mind that God will accept is a mind stayed on him and on righteousness.&#xA;&#xA;Black had to be taught to give us root in loving ourselves again. But that was a medicine, a prescription. But after health is restored we can't keep taking the medicine. We've got to move onto something else. Higher and better.&#xA;&#xA;So, my beloved brothers and sisters, here's what we would like you to do. Everyone of you, my dear brothers, when you go home, here's what I want you to do. We must belong to some organization that is working for and in the interest of the uplift and the liberation of our people.&#xA;&#xA;Go back, join the NAACP if you want to, join the Urban league, join the All African People's Revolutionary Party, join us, join the Nation of Islam, join PUSH, join the Congress of Racial Equality, join SCLC - the Southern Christian Leadership Conference, but we must become a totally organized people and the only way we can do that is to become a part of some organization that is working for the uplift of our people.&#xA;&#xA;We must keep the local organizing committees that made this event possible, we must keep them together. And then all of us, as leaders, must stay together and make the National African American Leadership Summit inclusive of all of us.&#xA;&#xA;I know that the NAACP did not officially endorse this march. Neither did the Urban League. But, so what? So what? Many of the members are here anyway. I know that Dr. Lyons, of the National Baptist Association USA did not endorse the march, nor did the Reverend Dr. B.W. Smith, nor did Bishop Chandler Owens, but so what? These are our brothers and we're not going to stop reaching out for them simply because we feel there was a misunderstanding. We still want to talk to our brothers because we cannot let artificial barriers divide us. Remember the letter of Willie Lynch and let's not let Willie Lynch, lynch our new spirit and our new attitude and our new mind.&#xA;&#xA;No, we must continue to reach out for those that have condemned this, and make them to see that this was not evil, it was not intended for evil, it intended for good. Now, brothers, moral and spiritual renewal is a necessity. Every one of you must go back home and join some church, synagogue or temple or mosque that is teaching spiritual and moral uplift. I want you, brothers, there's no men in the church, in the mosque.&#xA;&#xA;The men are in the streets and we got to get back to the houses of God. But preachers we have to revive religion in America.&#xA;&#xA;He have to revive the houses of God that they're not personal thiefdoms of those of us who are their preachers and pastors. But we got to be more like Jesus, more like Mohammed, more like Moses and become servants of the people in fulfilling their needs.&#xA;&#xA;Brothers, when you go home, we've got to register eight million, eligible but unregistered brothers, sisters. So you go home and find eight more like yourself. You register and get them to register. I register as Democrat? Should I register as a Republican? Should I register as independent?&#xA;&#xA;If you're an independent, that's fine. If you're a Democrat, that's fine. If you're a Republican, that's OK. Because in local elections you have to do that which is in the best interest of your local community. But what we want is not necessarily a third party, but a third force.&#xA;&#xA;Which means that we're going to collect Democrats, Republicans and independents around an agenda that is in the best interest of our people. And then all of us can stand on that agenda and in 1996, whoever the standard bearer is for the Democratic, the Republican, or the independent party should one come into existence. They've got to speak to our agenda.&#xA;&#xA;We're no longer going to vote for somebody just because they're black. We tried that. We wish we could. But we got to vote for you, if you are compatible with our agenda.&#xA;&#xA;Now many of the people that's in this House right here are put there by the margin of the black vote. So in the next election, we want to see who's in here do we want to stay and who in here do we want to go.&#xA;&#xA;And we want to show them that never again will they every disrespect the Black community. We must make them afraid to do evil to us and think they can get away with it.&#xA;&#xA;We must be prepared to help them if they are with us or to punish them if they're against us. And when they are against us, I'm not talking about color. I'm talking about an agenda that's in the best interest of the Black, the poor and the vulnerable in this society.&#xA;&#xA;Now atonement goes beyond us. I don't like this squabble with the members of the Jewish community. I don't like it. The honorable Elijah Muhammad said in one of his writing that he believed that we would work out some kind of an accord. Maybe so. Reverend Jackson has talked to the 12 presidents of Jewish organizations and perhaps in the light of what we see today, maybe it's time to sit down and talk. Not with any preconditions. You got pain. Well, we've got pain, too. You hurt. We hurt, too.&#xA;&#xA;The question is: if the dialogue is proper then we might be able to end the pain. And ending the pain may be good for both and ultimately good for the nation. We're not opposed to sitting down. And I guess if you can sit down with Arafat where there are rivers of blood between you -- why can't you sit down with us and there's no blood between us. You don't make sense not to dialogue. It doesn't make sense.&#xA;&#xA;Well, brothers, I hope Father Clemons spoke today. Is Father Clemons here? Do you know Father Clemons? He is one of the great pastors. Father Clemons, I wanted him to speak today because he has a program that he wants everyone of us when we leave here to go to some jail or prison and adapt one inmate for the rest of his and your life to make them your personal friend -- to help them through their incarceration, to be encouragement for them. The brothers who are locked down inside the walls need us on the outside and we need them on the inside. So if everyone of us will pick out one inmate, Father Clemons will do the work of guiding this development, because it is his idea, and it is a good idea and the national African-American leadership summit adapts that idea.&#xA;&#xA;Thank you, Father Clemons. Will you do that, brothers?&#xA;&#xA;How many of you will adopt one black man in prison and make him your pal, your brother for life. Help him through the incarceration. Well, go to the chaplain of that jail and say, you want to adopt one inmate. Start writing to that person, visiting that person, helping that person. And since so many of us have been there already, we know what they suffer. Let's help our brothers and sisters who are locked down.&#xA;&#xA;Did anybody mention the political prisons? Brother Conrad Worrel mentioned our political prisoners, never forget them. And now, brothers, there are 25,000 black children in need of adoption. This is out brother Eason (ph) who is the President of Blacks in Government. I'm sorry, brother Dunston, the president of the black social workers. He has 25,000 children in need of adoption. Out of this vast audience, there must be 25,000 men who will take one of these children and take them through life and make life worth living for those children. In this vast audience, is there anyone one, two, ten, twenty-five, hundred, a thousand, 25 thousand who would be willing to adopt a black brother or sister, bring them into your home and rear them properly. How many of you think you would like to do that, would you just raise your hand, let me take a look. Raise them high. That's a wonderful expression. Where should they do, what should they do, who should they see.&#xA;&#xA;UNKNOWN (FROM THE PODIUM): They should see booth 26 north.&#xA;&#xA;Booth 26 north is where you should go. It is to my right, your left. Or you should call 1-800-419-1999. Now brothers, the last thing we want to say, we want to develop an economic development fund. Suppose, the nearly 2 million here, and 10 million more back home that support us gave ten dollars a month to a national economic development fund.&#xA;&#xA;Inside of one month, we would have over $100 million. And in one year, we would have $1 billion, $200 million. What will we do with that? I would love for the leadership up here to form a board and call in Myrley Evers Williams and ask here, what is the budget of the NAACP for this year? It's $13 million. It's $15 million, write a check. Now, next year you have to become accountable to the board, and the members of the NAACP will be on the board too, which means that no Black organization will be accountable to anybody outside of us.&#xA;&#xA;But accountable to us and we will free the NAACP, the Urban League and all Black organizations to work in the best interest of our people. How many of you would like to see all our Black organizations free? Now, look brothers, an economic development fund for $10 a month is not a big price to ask to begin to build an economic infrastructure to nurture businesses within the Black community. Soon the leadership is going to meet and work out the details of an Exodus, Exodus Economic Fund.&#xA;&#xA;And we're going to get back to you. This is not a one day thing. A task force will be formed right out of this leadership to make sure that the things that we say today will be implemented so that next year of the day of atonement, which this will take place each and every year from now on until God says, well done. Now, you saw the money that was taken up today, didn't you? How many of you gave some money today? I see some hands that wanted to give, but didn't get that box to them.&#xA;&#xA;Well, let me tell you something brothers, we want an outside accounting firm to come in and scrutinize every dollar that was raised from your pockets to make the Million Man March a success. And if there is any overage, it will not be spent. We will come back to this board of leadership and we will account for every nickel, every dime every dollar.&#xA;&#xA;Do you know why? We want Willie Lynch to die a natural death. And the only way we can kill the idea of Willie Lynch, we have to build trust in each other.&#xA;&#xA;And the only way we can build trust is to open up the coat and show that you don't have a hidden agenda. All of us will be looking at the same thing, for the same purpose.&#xA;&#xA;And then we'll come back to you and make a full accounting for every nickel, every dime, and every dollar so that you can trust. I put my life on this. To rob you is a sin. To use you and abuse you is a sin. To make mockery of your love and your trust is a sin. And we repent of all sin and we refuse to do sin anymore.&#xA;&#xA;Is that agreeable, black man. Now, brothers, I want you to take this pledge. When I say I, I want you to say I, and I'll say your name. I know that there's so many names, but I want you to shout your name out so that the ancestors can hear it.&#xA;&#xA;Take this pledge with me. Say with me please, I, say your name, pledge that from this day forward I will strive to love my brother as I love myself. I, say your name, from this day forward will strive to improve myself spiritually, morally, mentally, socially, politically, and economically for the benefit of myself, my family, and my people. I, say your name, pledge that I will strive to build business, build houses, build hospitals, build factories, and then to enter international trade for the good of myself, my family, and my people. I, say your name, pledge that from this day forward I will never raise my hand with a knife or a gun to beat, cut, or shoot any member of my family or any human being, except in self-defense.&#xA;&#xA;I, say your name, pledge from this day forward I will never abuse my wife by striking here, disrespecting her for she is the mother of my children and the producer of my future. I, say your name, pledge that from this day forward I will never engage in the abuse of children, little boys, or little girls for sexual gratification. But I will let them grow in peace to be strong men and women for the future of our people. I, say your name, will never again use the B word to describe my female, but particularly my own Black sister.&#xA;&#xA;I, say your name, pledge from this day forward that I will not poison my body with drugs or that which is destructive to my health and my well being. I, say your name, pledge from this day forward, I will support Black newspapers, Black radio, Black television. I will support Black artists, who clean up their acts to show respect for themselves and respect for their people, and respect for the ears of the human family.&#xA;&#xA;I, say your name, will do all of this so help me God. Well, I think we all should hold hands now. And I want somebody to sing &amp;quot;To God be the Glory&amp;quot;.  And the reason I want this song sung is because I don't want anybody to take the credit for a day like this. I didn't do it. Reverend Chavis didn't do it. Reverend Jackson didn't do it. Reverend Sharpton didn't do it. Conrad Rawell in Manarana Karinga (ph) didn't do it. Dr. Cornell West didn't do it. But all of us worked together to do the best that we could but it's bigger than all of us.&#xA;&#xA;So since we can't take the praise, then we have to give all the glory, all the honor, all the praise to him to whom it rightfully belongs. So in closing, we want to thank Mayor Barry and Mrs. Barry for opening this great city to us. And out of every dollar that was collected, ten percent of it we're going to leave here in Washington that Mayor Barry may aid some institution, some good cause in the city. We want to set a good example.&#xA;&#xA;This was a beautiful and peaceful meeting. Probably one of the best that ever was held in Washington held by Black men who want to atone to God and clear our slate. Beautiful Black brothers. Beautiful brothers, I'm going to say a prayer and I want to thank Phi Beta Sigma and its wonderful, wonderful president and all the Greek letter organizations but Phi Beta Sigma especially because they opened their door to the Million Man March and made it possible. I want to thank the Reverend Dr. Benjamin Chavis who did a wonderful, wonderful job. I thank his wife for her sacrifice and my wife for hers. I thank Dorothy Height and the National Council of Negro Women. I thank Dr. Betty Shabazz who came in the name of her husband and I thank God for allowing the negative thing to be turned into a positive that she and I might start a process of reconciling 30 year old differences. Lord knows if we could do it with blood between us, God knows that Bloods and Crips have done it and whatever we have done to one another, don't let the sun set before saying to your brother, I love you and I'm sorry. And after the prayer is said and the song is sung, I want you all to just embrace each other and say to each other, I love you my brother and thank you for making this holy day of atonement real in my life.&#xA;&#xA;Don't do it now, wait til after prayer and the song. Will you bow your heads, please? Oh, before we say that prayer, the brother of my leader and teacher, the honorable Elijah Muhammad, is here with me and with us. He's like my father in the absence of my father. He knows this history of the Nation of Islam better than any man in America and I thank God that he lived long enough to see the day that he suffered and worked for, for now 65 years. The brother of the honorable Elijah Muhammad, brother John Muhammad.&#xA;&#xA;(APPLAUSE)&#xA;&#xA;And so now ...&#xA;&#xA;MUHAMMAD: Dar Selim Eloahim! (PH)&#xA;&#xA;Dar Eloahim Salaam (PH). He looks just like my daddy! And oh, Reverend Jackson, where is that great man? He had to go! Didn't he preach today? And now, with your heads bowed, (SINGS IN ARABIC)&#xA;&#xA;In the name of Allah the beneficent, the merciful, praise be to Allah the Lord of the world, the beneficent, the merciful master of the day of requital.&#xA;&#xA;Thee do we worship. Thine aid we seek. Guide us on the right path. The path of those upon whom you have bestowed favors, not the path of those upon whom wrath is brought down. Nor those who go astray. Oh, Allah. We thank you for this holy day of Atonement and Reconciliation.&#xA;&#xA;We thank you for putting your spirit and your calm in Washington, D.C. and over the heads of this nearly two million of your servants. We thank you for letting us set a new example, not only for our people but for America and the world.&#xA;&#xA;We thank you, oh, Allah, for bringing us safely over the highways and we beg you to bring us safely back to our wives and our children and our loved ones, who saw us off earlier or a few days ago.&#xA;&#xA;And as we leave this place, let us be resolved to go home to work out this Atonement and make our communities a decent, whole, and safe place to live. And oh, Allah, we beg your blessings on all who participated, all who came that presented their bodies as a living sacrifice, wholly and acceptable as their reasonable service.&#xA;&#xA;Now, let us not be conformed to this world, but let us go home transformed by the renewing of our minds and let the idea of atonement ring throughout America.&#xA;&#xA;That America may see that the slave has come up with power. The slave is been restored, delivered, and redeemed. And now call this&#xA;&#xA;nation to repentance. To acknowledge her wrongs. To confess, not in secret documents, called classified, but to come before the world and the American people as the Japanese prime minister did and confess her faults before the world because her sins have affected the whole world. And perhaps, she may do some act of atonement, that you may forgive and those ill-affected may forgive, that reconciliation and restoration may lead us to the perfect union with thee and with each other. We ask all of this in your Holy and Righteous Name, Allah, akbar (PRAYER IN ARABIC). Allah, akbar. Allah, akbar. That means God is great.&#xA;And now Gregory Hopkins to sing To God Be the Glory. Keep holding each other's hands, brothers. And after the song is sung, let us embrace each other.&#xA;&#xA;(PERFORMANCE OF SONG)&#xA;&#xA;Turn to your brother and hug your brother and tell your brother you love him and let's carry this love all the way back to our cities and towns and never let it die, brothers. Never let it die." PRODUCER="℗ 1979 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States." COVERARTID="120/YXPE04AFJ0LPHDCUJ0ZYAKLT5VAB" PLAYTIME="267" PLAYTIME_FLOAT="266.826660" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="29056"></INFO>
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<INFO BITRATE="937746" KEY_LYRICS="16 ContributorsAin’t No Stoppin’ Us Now Lyrics&#xA;Ain't no stoppin' us now&#xA;We're on the move&#xA;Ain't no stoppin' us now&#xA;We've got the groove&#xA;Ain't no stoppin' us now&#xA;We're on the move&#xA;Ain't no stoppin' us now&#xA;We've got the groove&#xA;&#xA;&#xA;There's been so many things that's held us down&#xA;But now it looks like things are finally comin' around&#xA;I know we've got a long, long way to go&#xA;And where we'll end up&#xA;I don't know&#xA;But we won't let nothing hold us back&#xA;We're puttin' ourselves together&#xA;We're polishing up our act, well&#xA;And if you've ever been held down before&#xA;I know you refuse to be held down any more, well&#xA;&#xA;&#xA;Don't you let nothing, nothing&#xA;Nothing stand in your way&#xA;I want you to listen, listen&#xA;To every word I say&#xA;Every word I say&#xA;&#xA;Ain't no stoppin' us now (No)&#xA;We're on the move (Huh)&#xA;Ain't no stoppin' us now&#xA;We've got the groove (Huh)&#xA;Ain't no stoppin' us now&#xA;We're on the move (I know, I know)&#xA;Ain't no stoppin' us now&#xA;We've got the groove (We got it)&#xA;&#xA;&#xA;I know you know someone that has a negative vibe&#xA;And if you tryin' to make it, they only push you aside&#xA;They really don't have nowhere to go&#xA;Ask 'em where they're going&#xA;They don't know&#xA;But we won't let nothing hold us back&#xA;We gonna get ourselves together, come on&#xA;We gonna polish up our act, well&#xA;And if you've ever been held down before&#xA;I know you refuse to be held down any more, well&#xA;&#xA;&#xA;Don't you let nothing, nothing&#xA;Stand in your way&#xA;I want y'all to listen, listen&#xA;To every word I say&#xA;Every word I say&#xA;&#xA;Ain't no stoppin' us now (No, no, no)&#xA;We're on the move (The movin', the groovin')&#xA;Ain't no stoppin' us now (The movin, yeah, yeah)&#xA;We've got the groove (The groovin', movin', movin', movin', move)&#xA;Ain't no stoppin' us now&#xA;We're on the move (I know I love groove)&#xA;Ain't no stoppin' us now&#xA;We've got the groove (We've got the groove)&#xA;Ain't no stoppin' us now (Oh, no, no)&#xA;We're on the move (I'm on the move, I really, really got that groove)&#xA;Ain't no stoppin' us now (I know, I know)&#xA;We've got the groove (Makes you wanna really move)&#xA;Ain't no stoppin' us now (No need in tryin')&#xA;We're on the move ('Cause I ain't buyin')&#xA;Ain't no stoppin' us now (No, no, don't try to stop)&#xA;We've got the groove (No, no, no, I've got to groove, got to groove, got to groove)&#xA;Ain't no stoppin' us now&#xA;We're on the move (I really, really got that groove)&#xA;Ain't no stoppin' us now (No need in denying, well)&#xA;We've got the groove (I ain't lying, oh)&#xA;Ain't no stoppin' us now (I know, I know)&#xA;We're on the move (It's been far too long, well, I know)&#xA;Ain't no stoppin' us now (Ain't no stoppin' us)&#xA;We've got the groove (We've got the groove, ain't no stoppin' us, It's been far too long, y'all)&#xA;Ain't no stoppin' us now (Oh)&#xA;We're on the move (Just doin' me while I get in line)&#xA;Ain't no stoppin' us now (Yeah, yeah)&#xA;We've got the groove (When even the negative people wait behind)&#xA;&#xA;'Cause there ain't no&#xA;Don't wanna stop&#xA;Please don't make me stop (Please, please, please)&#xA;Don't wanna stop&#xA;Please don't make me stop (Don't make me stop it)&#xA;Don't wanna stop&#xA;Please don't make me stop (See, I don't know where we're goin')&#xA;Don't wanna stop&#xA;Please don't make me stop (Or where we're goin' in down, well)&#xA;&#xA;&#xA;I'm movin' on (No, no)&#xA;I'm movin' on (But see, we're gonna keep tryin')&#xA;I'm movin' on (Well)&#xA;I'm movin' on (We're gonna keep tryin')&#xA;I'm movin' on (Over and over)&#xA;I'm movin' on (Yeah)&#xA;No stoppin' us (Huh, I said it ain't no)&#xA;No stoppin' us (No, see it ain't no, no way, no way)&#xA;No stoppin' us (We're gonna put our show together)&#xA;We will (Gonna polish up our act)&#xA;Keep us there 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<INFO BITRATE="982785" KEY_LYRICS="3 ContributorsMiracle megamix Lyrics&#xA;J’ai demandé un bolide&#xA;Une Lamborghini, merci&#xA;Sans pour autant être impoli&#xA;Negro nous on aime les pussy&#xA;Serait on addict? hmmm possible?!&#xA;I like the pussy, pussy&#xA;I love you cherie, cherie!&#xA;You like to move it, move it!&#xA;Il faut conclure au plus vite&#xA;Laisse les dans leur jalousie&#xA;Et à nous le jacuzzi&#xA;Pour moi la vie est facile&#xA;Je crois que je suis béni&#xA;Mais partout le mal sévit&#xA;J’ai besoin de ton sourire&#xA;Me donne de l’énergie&#xA;Non je ne sais pas si tu vois l’image&#xA;Quand je dis que j’suis noir, que ma bite est large&#xA;Vie paisiblement dans mon village&#xA;Pas trop de folie, je resterai sage&#xA;Je profite de la vie, j’apporte de l’amour&#xA;J’en ai pour tout le monde, pour tout ceux qui m’entoure&#xA;N’exagérons rien; toujours no new friends&#xA;Alors j’en ai surtout pour les vrais&#xA;&#xA;Balance balance les dix&#xA;Balance balance les cents&#xA;Balance balance les milles&#xA;Balance les billets sur les gens&#xA;&#xA;Balance balance les dix&#xA;Balance balance les cents&#xA;Balance balance les milles&#xA;Balance les billets sur les gens&#xA;&#xA;Le royaume des cieux comme la mula&#xA;Crée un paradis autour de moi&#xA;Remercie le ciel pour la mula&#xA;Crée un paradis autour de moi&#xA;&#xA;Le royaume des cieux comme la mula&#xA;Crée un paradis autour de moi&#xA;Remercie le ciel pour la mula&#xA;Crée un paradis autour de moi&#xA;&#xA;&#xA;C’est tellement bien d’être moi&#xA;Que j’cherche plus à rentrer dans ta tête&#xA;Ouai, j’ai du sang de roi&#xA;Pas d’esclave, c’est pas que je m’la pète&#xA;Je suis mon intuition&#xA;On croit que j’ai le contact d’un oracle&#xA;Le fruit de mes inventions sont un don pas issu d’un miracle&#xA;Duc du Grand Ge&#xA;Quand j’serai père elle sera fille d’un chef&#xA;Fou comme aux échecs&#xA;Pas comme le type qui s’bat pour&#xA;Une paire de ssefes!!   Hiiii!!!&#xA;En fait osef!   Hiii!!!&#xA;On soulève des mères mieux que les polygames&#xA;T’es entouré de femmes de rêves mais que pour la came&#xA;Ici c’est Geneve&#xA;C’est mieux que l’oncle Sam&#xA;Sisi ouai!&#xA;Elle a toujours du charme&#xA;Gros t’es flingué&#xA;Pourquoi tu t’acharnes?&#xA;Tu vas m’brider?&#xA;J’vais te Jackie Chan&#xA;J’le fais pour la mula&#xA;Je le fais pour mes fans, ouai&#xA;‘Nev juice c’est Coca-Cola ouai&#xA;T’es fraîche comme My Van, yeah&#xA;&#xA;(Bang bang bang bang&#xA;Brrrr!&#xA;Sorti du vaisseau&#xA;&#xA;Yeah)&#xA;&#xA;Balance le fric&#xA;Balance le biff&#xA;Balance les sse-lias, balance khaliss&#xA;Faut d’la mula&#xA;Faut d’la money&#xA;Et pour circuler avec tout ça faut un permis&#xA;J’balance une liasse sur ta pute mais elle twerk mal donc j’reprends mes sous&#xA;J’balance une liasse sur la table et une beurette passe en dessous&#xA;Mais j’reste focus, comme un tatouage&#xA;Toujours dans le coup&#xA;Faudra bien plus que 2, 3 putas pour que j’dépense beaucoup&#xA;Jä- Jägermeister&#xA;Coke, coca&#xA;T’as l’seum&#xA;Mike Miky&#xA;Master&#xA;24 carats&#xA;(T’as l’seum)&#xA;Balance les dix, balance les cents&#xA;Balance les milles&#xA;Argent sale, connais la city&#xA;C’est le million&#xA;&#xA;Le royaume des cieux comme la mula&#xA;Crée un paradis autour de moi&#xA;Remercie le ciel pour la mula&#xA;Crée un paradis autour de moi&#xA;&#xA;Le royaume des cieux comme la mula&#xA;Crée un paradis autour de moi&#xA;Remercie le ciel pour la mula&#xA;Crée un paradis autour de moi&#xA;&#xA;&#xA;C’est l’inconnu qui me fait marcher&#xA;À moi d’voir si j’le devine&#xA;Mon cœur bat donc tout est bon&#xA;Range ton seum ou tape une ligne&#xA;Bien trop d’femmes sont délaissées&#xA;Pourquoi n’croyons plus en elles?&#xA;Car les hommes se sont vexés&#xA;Et qu’c’est devenu personnel&#xA;En chacun j’vois un bel atout&#xA;Pas d’hasard, que des rendez-vous&#xA;J’préfère rester éloigné&#xA;D’ces tapettes que l’on vois partout&#xA;Le prix des choses je sais à jamais&#xA;Ne feront qu’augmenter&#xA;Et qu’on gagne pas une guerre juste en sachant bien l’argumenter&#xA;Hun!&#xA;Quand tu comprends&#xA;La vraie vie&#xA;Chaque pensée est minutée&#xA;Même ton verre de Minuty&#xA;Y’a qu’ma femme qui me verra galant&#xA;Car je sais qu’elle en sera ravie&#xA;Une pute me parles&#xA;(Va t’faire foutre!)&#xA;J’t’avoue, j’ai pas tout compris&#xA;&#xA;&#xA;(Mila mbola ha&#xA;Tema la dance de la mula&#xA;Mila mbola ha&#xA;Tema la dance de la mula)&#xA;&#xA;Notre dieu n’est pas le dollar&#xA;Mais sans argent tu veux faire quoi?&#xA;Et tant que tu vis ici bas&#xA;Negro tu n’y échappes pas&#xA;Certains veulent devenir millionaire&#xA;Le devenir en brassant de l’air&#xA;Mais que serions nous donc prêt à faire&#xA;Vendrait on notre âme à Lucifer?&#xA;-Ne serais-tu pas prête à sacrifier&#xA;Un inconnu&#xA;Dans la rue&#xA;Sur l’autel de la célébrité?-&#xA;Je ne pourrai plus me regarder&#xA;Dans le miroir&#xA;Sans savoir&#xA;Ce que jai fait pour y arriver&#xA;-Balance, balance les disques&#xA;Balance, balance les sons-&#xA;Anna Nasse assassine&#xA;Bientôt je suis diamant&#xA;Diamant dans les oreilles&#xA;Mon flow est sans  pareil&#xA;&#xA;&#xA;Aspirant à contrôler, toujours regarde&#xA;D’un air hautain d’au-dessus du triangle&#xA;J’vois pas où sont les catins&#xA;J’suis comme cette aveugle qui regarde la vie sous un autre angle&#xA;Des punchlines aussi glauques qu’un Glock&#xA;T’as pas la cote&#xA;De toute façon chez toi y’a jamais rien qui s’passe&#xA;De la SingSangBang à la tsunami squad&#xA;Rien que ça gringue, répond donc tu bois la tasse&#xA;Le respect non j’le connais pas&#xA;J’graille trop d’MC, j’grignote entre les repas&#xA;Dans le mug je ne mets que des idées noires&#xA;Nègres sur nègres y’a de l’espoir&#xA;On passe de délire à délire pour exercer mon art&#xA;Aimez ces vibes, Aimé Césaire, j’finis par voler Cesar&#xA;&#xA;Le pommier ne s’peaume jamais loin du fou&#xA;T’as croquer la pomme, on t’a mis du coup&#xA;L’arnaque ne s’perd jamais loin du fourbe&#xA;T’es chaud, t’es en forme t’as pécho d’la heuh&#xA;Sache qu’il n’y a qu’en enfer où tu feras long feu&#xA;Nous sommes la death du classissisme&#xA;Les nouveaux partisans du néo&#xA;SingSang peut retoucher le Sky&#xA;Fly est la generation 2.0&#xA;&#xA;&#xA;Balance, balance les dix&#xA;Balance, balance les cents&#xA;Balance, balance les milles&#xA;(Pull up!!!)&#xA;&#xA;&#xA;Les loups dorment le matin&#xA;Attaquent les moutons la nuit&#xA;J’reste en vie aujourd’hui&#xA;Terrasse les ennemis demain&#xA;Les ténèbres couvrent le soleil&#xA;L’Eternel garde mon sommeil&#xA;C’est l’bien et l’mal se font la guerre&#xA;J’suis dans ma sphère en mode solitaire&#xA;(Mouf!)&#xA;Subalterne, main d’œuvre africaine&#xA;Lève la frappe, la résine est marocaine&#xA;Blanche est la colombe pourtant mexicaine&#xA;Rouge est l’encre au bout du shuriken&#xA;10ans&#xA;Ils ont ces low fat encombrés d’inepties&#xA;La bouche qui fait des crises d’épilepsie&#xA;Écris au scalpel, je suis le légiste&#xA;Et bouge la tête, je suis le pigiste&#xA;Elles ont des vues sur mon portefeuille&#xA;Vois les choses du mauvais angle&#xA;J’dois esquiver le mauvais œil&#xA;Calcule plus les mauvaises langues&#xA;La jupe part à la joie de vivre, elle veut sûrement  l’avoir entre les jambes&#xA;Rien à foutre, donne lui la paie, €, $&#xA;Je les prends et les baise tout en PLS&#xA;&#xA;&#xA;Balance, balance les dix&#xA;Balance, balance les cents&#xA;Balance, balance les milles&#xA;Balance les billets sur les gens&#xA;&#xA;Balance, balance les dix&#xA;Balance, balance les cents&#xA;Balance, balance les milles&#xA;Balance les billets sur les gens&#xA;&#xA;Le royaume des cieux comme la mula&#xA;Crée un paradis autour de moi&#xA;Remercie le ciel pour la mula&#xA;Crée un paradis autour de moi&#xA;&#xA;Le royaume des cieux comme la mula&#xA;Crée un paradis autour de moi&#xA;Remercie le ciel pour la mula&#xA;Autour de moi fait des miracles&#xA;&#xA;&#xA;Je suis comme Hermès&#xA;Messager des dieux&#xA;Chaussures 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<INFO BITRATE="937016" KEY_LYRICS="19 ContributorsTranslationsDeutschForget Me Nots Lyrics&#xA;Sending you forget me nots&#xA;To help you to remember&#xA;Baby, please forget me not&#xA;I want you to remember&#xA;Sending you forget me nots&#xA;To help you to remember&#xA;Baby, please forget me not&#xA;I want you to remember&#xA;&#xA;&#xA;Those were the times we had&#xA;Sharing a joy that we thought would last&#xA;Memories of love and affection&#xA;Never really was just like a dream&#xA;Was it the simple things&#xA;That made me so crazy about you&#xA;Was it your charm or your passion&#xA;It's not hard to believe&#xA;I love you and I need you so I'm&#xA;&#xA;&#xA;Sending you forget me nots&#xA;To help you to remember&#xA;Baby, please forget me not&#xA;I want you to remember&#xA;Sending you forget me nots&#xA;To help you to remember&#xA;Baby, please forget me not&#xA;I want you to remember&#xA;&#xA;Did we give up too soon?&#xA;Maybe we needed just a little room&#xA;Wondering how it all happened&#xA;Maybe we just need a little time&#xA;Though we did end as friends&#xA;Given the chance, we could love again&#xA;She'll always love you forever&#xA;It's not hard to believe&#xA;I want you and I need you so I'm&#xA;&#xA;&#xA;Sending you forget me nots&#xA;To help you to remember&#xA;Baby, please forget me not&#xA;I want you to remember&#xA;Sending you forget me nots (Forget me nots)&#xA;To help you to remember&#xA;Baby, please forget me not (Forget me not)&#xA;I want you to remember&#xA;&#xA;&#xA;&#xA;&#xA;Sending you forget me nots&#xA;Baby, please forget me not&#xA;Good times we had (Sending you forget me nots)&#xA;They weren't so bad&#xA;What a life we shared (Baby, please forget me not)&#xA;Pretty baby, I still care&#xA;&#xA;Sending you forget me nots&#xA;To help you to remember&#xA;Baby, please forget me not&#xA;I want you to remember&#xA;Sending you forget me nots&#xA;To help you to remember (Help you to remember)" PRODUCER="Strut Records - a division of K7 Music GmbH" COVERARTID="115/TPU4VHBSEEMKAAC24PL3C0IXPPMB" PLAYTIME="285" PLAYTIME_FLOAT="284.506653" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="32861"></INFO>
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<INFO BITRATE="883682" KEY_LYRICS="22 Contributorsこの世代のサイコロ (Dice of a Generation) Lyrics&#xA;I don't have to tell you things are bad, everybody knows things are bad&#xA;Everybody's out of work or scared of losing their job&#xA;The dollar buys a nickel's worth; banks are going bust; shopkeepers keep a gun under the counter&#xA;We know the air is unfit to breathe; our food is unfit to eat&#xA;We sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes&#xA;As if that's the way it's supposed to be, we know things are bad, worse than bad: they're crazy!&#xA;&#xA;&#xA;Caught in a mental dystopia and it's got no end in sight (No end in sight)&#xA;And just in case you're wondering, no, the kids are not alright (You got it)&#xA;Giving love to my art but it's unrequited&#xA;Quite a few hearts who'd rather die than fight it (Woah-oh)&#xA;Despite it all we're holdin' on but for how long (Oh, yeah)&#xA;&#xA;&#xA;Yo, just another night in a heartbreak city&#xA;Watchin' all the lights flicker out, what a pity&#xA;It's a cut-throat, come-and-go time that we're livin' in&#xA;Ridin' on a slow boat to dippin' out n' giving in&#xA;Quittin' time, maybe it's a new-age, crazy ain't it?&#xA;History repeated with a fresh new coat of paint, it's&#xA;Time and time I hear the same sung tragedy&#xA;Target the young minds and tell 'em what they have to be&#xA;Somethin' to be said about the shit we're told&#xA;When you're in your early twenties and you feel like you're gettin' old&#xA;Plenty of proof that, yeah, the world is cold&#xA;But we forget about it, drowning in the stuff we're sold&#xA;A band made to own overblown expectations&#xA;Struggling just to make conversation&#xA;Dark room, light head, vision turning black and red&#xA;What do they they want from me? I guess we better play dead&#xA;Stifle the heartache, I'm not asleep, not awake&#xA;Not a real, not a fake, all I know is give and take&#xA;Workin' hard, no breaks, keep it together&#xA;If I close my eyes then I could sleep forever&#xA;In a world set in motion by avarice and greed&#xA;Ain't no wonder we go under if we can't succeed&#xA;'Cause though I tend to bleed, I beg and plead with myself&#xA;And no, I'm not the first fallin' victim to mental health&#xA;Callin' on somebody, anybody, save me!&#xA;All in all, even my devotion's kinda wavy&#xA;Generation made emotions, still they say we're lazy&#xA;Navigate the maze, though they're lookin' at us crazy&#xA;But part of getting older I suppose with time&#xA;If your make and your model is a different kind, like mine&#xA;Outside, the weather's been perfectly fine&#xA;But the storm rages on in my mind&#xA;&#xA;Caught in a mental dystopia and it's got no end in sight (No end in sight)&#xA;And just in case you're wondering, no, the kids are not alright (You got it)&#xA;Giving love to my art but it's unrequited&#xA;Quite a few hearts who'd rather die than fight it (Woah-oh)&#xA;Despite it all we're holdin' on but for how long (Oh, yeah)&#xA;So wish I may and wish I might&#xA;I know there won't be sleep tonight&#xA;We're all aboard the same train rolling towards a brighter life&#xA;Careful who you trust in a world of facades and fraudulent promises of hopes and dreams&#xA;Some cannot cope in a world that won't stay true to what it, true to what it seems&#xA;&#xA;&#xA;Just another day here in pseudo-utopia&#xA;Sooner or later, the devil takes hold of ya&#xA;Big money schemes keepin' everyone suspicious&#xA;Nobody wants to fall behind, everyone's ambitious&#xA;Kinda sad, no one really wants to be a mom and dad&#xA;Ya sit 'em real still with medication and iPads&#xA;And everybody needs a pill 'cause everybody feels bad&#xA;Really feelin' down without the gadgets we wish we had&#xA;Someone's got a new car, someone's got a new wife&#xA;Someone's got it made, man he's gotta have a good life&#xA;Maybe it's a masquerade, you ever thought about it?&#xA;You don't see the strife on the inside, your vision's clouded&#xA;No doubt about it, that no matter how you slice it&#xA;The way ya livin' life is never gonna be the right fit&#xA;And you can try to fight it, but you might get your mind split&#xA;Tryna to get straight to the bottom of it&#xA;And there's a lot of 'em who quit and get their hats hung&#xA;Never did I ever think I'd see 'em kick it so young&#xA;Gears in your head might turn a different direction&#xA;It doesn't mean you're broken, embrace imperfection&#xA;It's hardly ever spoken, 'cause the pharm' needs protection&#xA;But a closer inspection yields a corporate infection&#xA;Correction: maybe I'm just outta my mind&#xA;I've heard a million times that overthinking's a crime&#xA;&amp;quot;I'm making good art, from the heart, startin' today&amp;quot; I said&#xA;Sounded real easy when I heard it inside my head&#xA;Let it spread, all our existential dread&#xA;Like, does music even matter once you're buried and dead?&#xA;A younger me who believed in the strength of humanity&#xA;Learned the profanity, accepted insanity&#xA;Thousands of miles away, believin' a plan to be&#xA;Doesn't make it any less depressing and sad to see&#xA;&#xA;Caught in a mental dystopia and it's got no end in sight (No end in sight)&#xA;And just in case you're wondering, no, the kids are not alright (You got it)&#xA;Giving love to my art but it's unrequited&#xA;Quite a few hearts who'd rather die than fight it (Woah-oh)&#xA;Despite it all we're holdin' on but for how long (Oh, yeah)&#xA;So wish I may and wish I might&#xA;I know there won't be sleep tonight&#xA;We're all aboard the same train rolling towards a brighter life&#xA;Careful who you trust in a world of facades and fraudulent promises of hopes and dreams&#xA;Some cannot cope in a world that won't stay true to what it, true to what it seems&#xA;&#xA;&#xA;Caught in a mental dystopia and it's got no end in sight&#xA;And just in case you're wondering, no&#xA;The kids are not alright&#xA;Giving love to my art but it's unrequited&#xA;Quite a few hearts who'd rather die than fight it&#xA;Despite it all we're holdin' on but for how long&#xA;Just another night in a heartbreak city" PRODUCER="Cadeau Company / L.S.B. / Plateforme 2000" COVERARTID="091/1OIORWDRFPHBDAN3OOBGDPZMMEMC" PLAYTIME="213" PLAYTIME_FLOAT="212.665054" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="23126"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="63860" AUDIO_ID="ANoAAyIRImZUNGRDRDMzIlV3Z3dEeIZlZUaLqIeJiIdndnaZmZiJl4qZiImHqod2eGiGV2iXZ3iIZoinZmZoiJiIiYeId3ZomYd5h3eJiaqqqqzPyIqpusyZmqm7upi7rczZmbnMvKeKmZzaibvLq+///dyWiImJdpqZqHiaiJmJipmYiIibq5mYmJmHeKqId4maiKm7inmZuqrM3/6Juqq9yYiampuYiZrKy3iJionImIiJzImZm6m4mLiJmZiIiId4h3h4eIiIiKqZeYiIqpibqazLm7vP7d7t3f7t7qma3cisyb7Nmry6ypm6qpuqy6urzNuquGZmU0MhEAAAAA==" TITLE="Don't Leave Me This Way" ARTIST="Thelma Houston"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Disco Hits 80 90/:" FILE="256 - Thelma Houston - Don't Leave Me This Way.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="897583" KEY_LYRICS="18 ContributorsDon’t Leave Me This Way Lyrics“Don’t Leave Me This Way” is a single released by Motown artist Thelma Houston. It is notable for being an unofficial anthem for the AIDS epidemic for the gay male community in the United States.&#xA;&#xA;The song… Read More &#xA;Don't leave me this way&#xA;I can't survive, I can't stay alive&#xA;Without your love, oh baby&#xA;Don't leave me this way, no, I can't exist&#xA;I'll surely miss your tender kiss&#xA;Don't leave me this way&#xA;&#xA;&#xA;(Ahh) Baby, my heart is full of love and desire for you&#xA;Now come on down and do what you got to do&#xA;You started this fire down in my soul&#xA;Now can't you see it's burning out of control?&#xA;Come on, satisfy the need in me&#xA;'Cause only your good loving can set me free&#xA;(Set me free, set me free)&#xA;&#xA;&#xA;Don't, don't you leave me this way, no&#xA;Don't you understand, I'm at your command?&#xA;Oh baby, please, please don't leave me this way, no, baby&#xA;Don't leave me this way, no&#xA;I can't survive, I can't stay alive&#xA;Without your love&#xA;Baby, don't leave me this way&#xA;&#xA;(Ahh) Baby, my heart is full of love and desire for you&#xA;So come on down and do what you've got to do&#xA;You started this fire down in my soul&#xA;Now can't you see it's burning out of control?&#xA;So come on, satisfy the need in me&#xA;'Cause only your good loving can set me free&#xA;(Set me free, set me free) Aye, aye&#xA;I need your loving, baby, I need, I need&#xA;&#xA;&#xA;Satisfy the need in me&#xA;Satisfy the need in me&#xA;Hey, hey, baby&#xA;Come and satisfy the need in me&#xA;Oh, woah, baby&#xA;Come and satisfy the need in me&#xA;Oh, baby, don't leave me this way&#xA;Don't leave me this way&#xA;No, don't leave me this way&#xA;No, don't leave me this way, baby&#xA;Don't leave me" PRODUCER="℗ 1976 UMG Recordings, Inc." COVERARTID="038/GRD5EGCAVJNNRCQQZRE2AOSYFHPA" PLAYTIME="218" PLAYTIME_FLOAT="217.733337" IMPORT_DATE="2025/4/14" RELEASE_DATE="1991/1/1" FLAGS="12" FILESIZE="24100"></INFO>
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<INFO BITRATE="866119" KEY_LYRICS="30 ContributorsMoney, Money, Money Lyrics&#xA;I work all night, I work all day to pay the bills I have to pay&#xA;Ain't it sad?&#xA;And still, there never seems to be a single penny left for me&#xA;That's too bad&#xA;&#xA;&#xA;In my dreams, I have a plan&#xA;If I got me a wealthy man&#xA;I wouldn't have to work at all&#xA;I'd fool around and have a ball&#xA;&#xA;&#xA;Money, money, money&#xA;Must be funny, in the rich man's world&#xA;Money, money, money&#xA;Always sunny in the rich man's world&#xA;Ah-ha, all the things I could do&#xA;If I had a little money, it's a rich man's world&#xA;It's a rich man's world&#xA;&#xA;&#xA;A man like that is hard to find, but I can't get him off my mind&#xA;Ain't it sad?&#xA;And if he happens to be free, I bet he wouldn't fancy me&#xA;That's too bad&#xA;&#xA;So I must leave, I'll have to go&#xA;To Las Vegas or Monaco&#xA;And win a fortune in a game&#xA;My life will never be the same&#xA;&#xA;&#xA;Money, money, money&#xA;Must be funny, in the rich man's world&#xA;Money, money, money&#xA;Always sunny in the rich man's world&#xA;Ah-ha, all the things I could do&#xA;If I had a little money, it's a rich man's world&#xA;Money, money, money&#xA;Must be funny, in the rich man's world&#xA;Money, money, money&#xA;Always sunny in the rich man's world&#xA;Ah-ha, all the things I could do&#xA;If I had a little money, it's a rich man's world&#xA;It's a rich man's world" PRODUCER="℗ 1976 Polar Music International AB" COVERARTID="085/VSB2OPDS3ZRCOA3L4NJFCJXSJW4A" PLAYCOUNT="1" PLAYTIME="187" PLAYTIME_FLOAT="186.426666" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="1977/1/1" FLAGS="12" FILESIZE="20016"></INFO>
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<INFO BITRATE="959191" KEY_LYRICS="1 ContributorLa mise en rayon Lyrics&#xA;&#xA;&#xA;J'fais la mise en rayon&#xA;Malgré l'odeur des clochards, j'suis pas d'ces chômeurs des Beaux-Arts&#xA;J'ai mon moteur et d'l'audace, j'passe les saisons, j'coupe le film au cutter&#xA;S'ils trouvent que tu vas trop loin, un coup de fil et tu meurs&#xA;J'gueule comme Holeindre&#xA;Un coup de bite et tu pleures, connasse, j'te paye pas pour geindre&#xA;J'ai passé la porte c'était soudain, j'ai décidé de plus céder pour rien&#xA;Mes putains d'dents sont si soudées ouais, tous des deps qui s'cachent sous des airs&#xA;Ils s'demandent tous c'qu'ils pourraient faire, d'mon côté j'ai trouvé&#xA;J'manquais d'jà d'souffle quand mon frère malaxait mon cou comme un bourrin&#xA;Sans rancune ; quand j'prends cinq droites j'en rends une&#xA;J'en rends qu'une et j'sais qu'c'est jamais sans embûche&#xA;Un gamin lèche les vitres dans l'bus&#xA;Sa mère regarde, p't-être qu'elle hésite à les lécher aussi&#xA;J'ai des théories hétéroclites au sujet d'ces autistes&#xA;Là j'reste de marbre, faut refaire le plein&#xA;Délit d'sale gueule, observe bien, j'ai mes &amp;quot;moi je, moi je&amp;quot; comme marge de manœuvre&#xA;Oui je sais que je peux faire vomir ta meuf, j'ai pris en compte tous les facteurs&#xA;Je les connais, j'dirais par cœur, toutes ces putes et ces lâcheurs&#xA;Farfouille-les comme un extracteur de pensées, tu vas pas trouver d'valeurs à recenser&#xA;Mes détracteurs pensent me détester plus fort que j'me déteste&#xA;J'fais tout pour m'améliorer mais je vois peu ou pas les progrès, j'crois même que je régresse&#xA;J'suis preneur de son j'leur tends que des perches, en retour il faut que j'me démerde&#xA;Honnête à propos de mes faiblesses, faut qu'j'arrête, y a que de quoi regretter d'l'être (c'est vrai)&#xA;J'ai ma goguenardise, j'fous pas les pieds dans les zones d'artistes&#xA;J'crois que j'm'enfonce quand je cause de ma vie, j'crois que j'vais juste partir&#xA;J'ai des mauvais souvenirs dans toutes les rues d'la ville, déjà des rhumatismes&#xA;Encore des trucs à dire mais j'écris que d'la merde ; ils sont unanimes, ils ont vu l'avenir&#xA;Ça s'rait pas trop tôt pour un changement d'ambiance&#xA;Personne veut m'entendre, à propos, des bouts ou d'l'ensemble&#xA;J'suis le fils d'un mendiant, j'm'en branle des tours, ramenez-vous en bande ou en gang&#xA;Pour m'apprendre à prendre des coups mais j'le faisais d'jà dans l'enfance&#xA;Tant mieux, y a qu'pour tenir qu'j'ai d'la force, qui peut me fréquenter ?&#xA;Regarde-les, quoiqu'ils fassent dans la fosse, est-ce qu'on peut les différencier ?&#xA;J'pense pas, m'tente pas, j'vais à l'essentiel, je n'm'exprime qu'au sens large&#xA;J'fais pas qu'passer quand même, même si j'crois pas trop en moi&#xA;&#xA;Mon patron m'a dit d'me faire aider par un psy&#xA;Pourtant j'me sens mieux qu'avant, bien mieux qu'il y a deux trois ans&#xA;C'est flou et j'm'amoindris, sous les charges j'insiste&#xA;J'suis pas peureux, c'est chaleureux qu'y ait Dieu partout dans le cadran&#xA;J'suis contagieux on m'l'a dit&#xA;J'm'épanche comme à l'accoutumé, j'répands des ondes malignes&#xA;J'en vois pas l'bout tu sais, toujours pas d'goût d'succès&#xA;J'suis malade, pour m'buter j'pourrais forcer un peu d'compagnie&#xA;Ok ok ok ok" PRODUCER="℗ 1979 J.P.L.L. Productions / Jean-Pierre Lowf Legoff" COVERARTID="033/BVE2OADMSJGKOAE2BVULC2VF5IAD" PLAYTIME="175" PLAYTIME_FLOAT="174.614059" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="20817"></INFO>
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<INFO BITRATE="946098" KEY_LYRICS="1 ContributorBeliever - Single Version Lyrics&#xA;(I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go)&#xA;(I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go)&#xA;&#xA;&#xA;I'm a little bit sheltered&#xA;I'm a little bit scared&#xA;I'm a little bit nervous&#xA;I'm goin' nowhere&#xA;I'm a little bit jealous&#xA;I'm a little bit slow&#xA;I'm a little bit hurtful&#xA;And I don't wanna let it go&#xA;No&#xA;And I don't wanna let it go&#xA;I'm a little bit angry&#xA;When everyone's around&#xA;But I get a little lonely&#xA;When no one's out&#xA;I feel my demons misleading me&#xA;&#xA;&#xA;I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go&#xA;I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go&#xA;&#xA;Maybe when I get older&#xA;And I'm in the ground&#xA;Weights off my shoulders&#xA;It was bringin' me down (Down)&#xA;I've never been that lucky&#xA;I've never tasted fame (Fame)&#xA;I'm always lookin' for somethin'&#xA;But I hate changing&#xA;Time fades&#xA;There's no space&#xA;As life breaks new ground&#xA;&#xA;&#xA;I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go&#xA;I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go&#xA;&#xA;&#xA;It doesn't matter what is out there&#xA;My head is spinnin' and I won't bail out&#xA;It doesn't matter what is out there&#xA;'Cause time fades&#xA;There's no space&#xA;As life breaks new ground&#xA;&#xA;(I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go)&#xA;I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go&#xA;I'm just a believer that things will get better&#xA;Some can take it or leave it&#xA;But I don't wanna let it go&#xA;&#xA;&#xA;(Na na na na na, nana na na na na na na na na)&#xA;(Na na na na na, nana na na na na na na na na)&#xA;I don't wanna let it go!" PRODUCER="℗ 1979, 2006 Warner Music France" COVERARTID="107/L5OSERDWYE2ZHC02B10VCT4W2PJC" PLAYTIME="220" PLAYTIME_FLOAT="219.279755" IMPORT_DATE="2025/4/14" RELEASE_DATE="2006/1/1" FLAGS="12" FILESIZE="25462"></INFO>
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<INFO BITRATE="1004174" KEY_LYRICS="3 ContributorsI Love America Lyrics“I Love America” is 1978 disco hit by Swiss-born performer Patrick Juvet. Along with the tracks, “Where Is My Woman” and “Got A Feeling”, it peaked at number five on the disco chart in the United States.… Read More &#xA;When I first came to Manhattan&#xA;I was not surprised&#xA;The stories people had told me&#xA;Turned out to be no lies&#xA;All the different people&#xA;From all over the world, they're living&#xA;And magic fills the air&#xA;There's music everywhere&#xA;&#xA;&#xA;I love America&#xA;I love America&#xA;I love America, America&#xA;&#xA;&#xA;When I first heard funky music&#xA;It just blew my mind&#xA;The funky music was so good&#xA;I'd play it all the time&#xA;All the funky rhythms&#xA;Going all through my mind and body&#xA;They make me have to move&#xA;You can't escape the groove&#xA;&#xA;&#xA;I love America&#xA;I love America&#xA;I love America, America&#xA;&#xA;Everywhere funky music fills the air&#xA;You can go to the disco and you'll find it there&#xA;Funky music is music with so much to share&#xA;I love America, I love America&#xA;&#xA;&#xA;I love America&#xA;(I love, I love, I love America)&#xA;I love America&#xA;(I love, I love, I love America)&#xA;I love America&#xA;(New York City, funky music)&#xA;I love America&#xA;(I love, I love, I love America)&#xA;I love America&#xA;(I love, I love, I love America)&#xA;I love America&#xA;(San Francisco, California)&#xA;&#xA;" PRODUCER="℗ 1978 Barclay" COVERARTID="096/ATJHQ0C015U0PCOFETSJDE15P1OD" PLAYTIME="228" PLAYTIME_FLOAT="227.906662" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="28177"></INFO>
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<INFO BITRATE="1029298" KEY_LYRICS="1 ContributorSnoe Fall LyricsIntro:&#xA;Can't wait 'till I see Nter&#xA;My neck his blade gon' -&#xA;&amp;quot;Can't wait 'till I run into -&#xA;His neck my blade gon' enter&amp;quot;&#xA;Oi&#xA;Ay&#xA;&#xA;Verse:&#xA;Lad fuck all your rap beef&#xA;Your crew do not clap heat&#xA;Hold tight in back seats&#xA;And dropped off on back streets&#xA;Leave you to crack fiends&#xA;I really fuck with gang chiefs&#xA;Two brand new handguns&#xA;I really wanna bang these&#xA;Snoee Snoee Badman&#xA;Please come out to play&#xA;I got that .38 special that will blow you away&#xA;This back-and-forth shit like who gets the last laugh&#xA;I'll leave a hole in your head the same size as your ass&#xA;You grew up out in Bondi&#xA;My plug was a Jew&#xA;Stashing kegs up in Synagogues&#xA;And shooters in the boot&#xA;I wouldn't diss baby girl, baby girl kinda cutе&#xA;Got the cherry red lips, with thеm knee-high boots&#xA;The same colour as my whip&#xA;The same colour as a polish&#xA;I'm 21 Savage put a blade to your forehead&#xA;Now you're talking on my mother&#xA;And dissing on the dead&#xA;You had a dick in your ass with nuts banging on your legs&#xA;The whole 10 years, wasn't down from the jump&#xA;Only bangin' in the last year of it cuz&#xA;You ain't S2F then you ain't S2F&#xA;How you talking gang with some semen on your breath?&#xA;See I was in the dark cuz, watching from the shadows&#xA;You wanna get gutter?&#xA;Take a walk down these gallows&#xA;Yeah my Mum's a junkie and she died from shooting up&#xA;You see I grew up in the trenches and you ain't from the slums&#xA;Now lets tell the truth about all your little lies&#xA;'Coz you might've done a brick but that was for sex-crimes&#xA;I kept my mouth shut cuz&#xA;I never said nothing&#xA;And now you call for war cuz so fuck I pushed the button&#xA;That night you got jumped cuz I wasn't in the state&#xA;I was in Burn-City trap weighing plates&#xA;Going interstate with a bag full of weight&#xA;I mix the powder with the dough cuz I'm tryna flip the cakes&#xA;I seen you at the station and we had the little talk about the drama it will bring and the beef that was brought&#xA;And then we shook hands cuz the beef was all sort&#xA;You must've smoked the ice cuz&#xA;You must've been distraught&#xA;But don't shoot the messenger you know I come correct&#xA;Stand-up man like your bloke when he's erect&#xA;Dad walked out to a step-mum who's white&#xA;You went to live there and had that private school life&#xA;Grew up down the beaches cuz you ain't from the block&#xA;Only time you went down there was to score the rock&#xA;I'm two minutes in, I'm thinking should I stop?&#xA;Apply a bit of pressure, put a collar on this dog&#xA;Lying to your fans about the crimes that you did lad&#xA;You never robbed no pubs cuz your stories all shit&#xA;Blood juice on your pants like my girl won't know&#xA;Well you must've missed the live about you homo&#xA;See I grew up in the street cuz I'm really from the trenches&#xA;Walk in any hood cuz and that's without question&#xA;I'm tryna make it out and you're tryna make it into a place you're not from&#xA;What's a peasant to a King&#xA;I let the blam ah bling&#xA;I put the blickie's on your block&#xA;Dirty desert with the eagles keep some rounds in my flock&#xA;You flopped from the start, you never had no heart&#xA;Been a bum since a kid, scabbin' smokes in the park&#xA;You can't go to war lad you ain't about that&#xA;Strap all black with the red beam attached&#xA;Little gay boy cried tears in the closet&#xA;Your girl flew to Melbourne that night and you lost it&#xA;Leaving voicemails like &amp;quot;I'ma kill myself, I swear I'm not gay babe, I might kill myself&amp;quot;&#xA;In your film clip, you're with a well-known snitch&#xA;30 dollars for your watch, like your shit got bling&#xA;A hundred grand from this rap invest it back through the trap&#xA;Congratulate yourself, the first fag in Aus rap&#xA;You're on a podcast, you're tryna justify your lies&#xA;You took a dick in your ass for a few points of ice&#xA;Next time you wanna step cuz you better come correct&#xA;There's no dirt on my name, there's no marks on my rep&#xA;23 years lad my Mum's long gone, and now I pray for death on your first newborn&#xA;At war with your words, I'm at war with the turf&#xA;Like everything I say cuzzy hits you where it hurts&#xA;Like I'ma sit back cuz and let you run your mouth&#xA;You must have forgot how we do it down south&#xA;Pull up to your house, let off a couple rounds&#xA;Wait for you to come out and put you in the ground&#xA;Mob ties cuz, I ain't talking 'bout the Koori's&#xA;I'm talking 'bout black suits, the ones you see in movies&#xA;Dog" PRODUCER="℗ 1977 Productions Jean Kluger / Musiques &amp; Solutions" COVERARTID="043/LJZ0YGAHCEHXLCWPGOTDCDAHF5CC" PLAYTIME="160" PLAYTIME_FLOAT="159.133331" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="20171"></INFO>
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<INFO BITRATE="1015653" KEY_LYRICS="9 ContributorsInstant Replay Lyrics10&#xA;9&#xA;8&#xA;7&#xA;6&#xA;5&#xA;4&#xA;3&#xA;2&#xA;1&#xA;Aaah&#xA;&#xA;&#xA;You set my lips on fire&#xA;You won the key to my heart&#xA;You've got a special way to move me&#xA;Can't stop now&#xA;Let's do it again&#xA;&#xA;You keep me dancing through the moonlight&#xA;I feel the pleasure in your touch&#xA;And everything you are is heaven&#xA;Oh I can't get enough&#xA;No, I can't get enough&#xA;&#xA;&#xA;Instant replay&#xA;Got to have it&#xA;Instant replay&#xA;Ooh, whoa, ooh-ooh&#xA;Instant replay&#xA;Got to have your love again&#xA;&#xA;I feel so good about us&#xA;I found a shining star&#xA;And when I look into your eyes&#xA;It's magic&#xA;&#xA;Well, I just know this can't be a dream&#xA;I'm so happy must be real&#xA;In every way its getting stronger&#xA;Now you know it&#xA;Let me show it&#xA;&#xA;&#xA;Instant replay&#xA;Oh, got to have it now&#xA;Instant replay&#xA;Woo, woo, woo, ooh&#xA;Instant replay&#xA;Got me floating on a cloud&#xA;Got me dancing all around&#xA;All around&#xA;All around&#xA;&#xA;Ooh ooh ooh ooh&#xA;Eeya, eeya, eeya, eeya, eeya&#xA;Doo&#xA;Doo, doo-ooh&#xA;Ooh, ooh, ooh, ooh&#xA;Ah, ah, ah&#xA;&#xA;&#xA;Instant replay&#xA;Instant replay&#xA;&#xA;Instant replay&#xA;Instant replay&#xA;Instant replay&#xA;Woo, ooh, ooh, ah&#xA;&#xA;I can't stand it&#xA;I can't stand it&#xA;Got to have it&#xA;Cause I need it&#xA;&#xA;Don't you know?&#xA;Don't you know?&#xA;Don't you know?&#xA;&#xA;I need your love&#xA;Ooh, ooh, baby&#xA;Ooh, ooh, baby&#xA;I say it one more more time&#xA;&#xA;You know I need love&#xA;I need love, love&#xA;Love, love&#xA;You know I need love" PRODUCER="(P) 1978 Sony Music Entertainment" COVERARTID="053/VRU0JVCTH1KGFCZG1K0GA3V2ZHEA" PLAYTIME="207" PLAYTIME_FLOAT="206.226685" IMPORT_DATE="2025/4/14" RELEASE_DATE="2007/1/1" FLAGS="12" FILESIZE="25745"></INFO>
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<INFO BITRATE="978824" KEY_LYRICS="1 ContributorInstrument Of Praise LyricsChorus&#xA;Lord, make me an instrument of praise&#xA;Lord, make me an instrument of praise&#xA;With my mind, body, and soul&#xA;Lord, You take full control;&#xA;Lord, make me an instrument of praise&#xA;&#xA;Verse 1&#xA;With every breath that I take&#xA;(I'm gonna magnify Your Holy name)&#xA;With every song that I sing&#xA;(I'm gonna let Your praises ring)&#xA;With every stomp of my feet&#xA;(I'm gonna stomp my feet because I've got the victory);&#xA;Lord, make me an instrument of praise&#xA;&#xA;Chorus&#xA;&#xA;Verse 2&#xA;With every step that I take&#xA;(order my steps in Your word dear Lord)&#xA;With every move that I make&#xA;(lead me and guide me in all of my ways)&#xA;With every note of my voice&#xA;(sing unto the Lord a new song)&#xA;I'll praise and bless Him forever more&#xA;(let everything that hath breath praise His name);&#xA;Lord, make me an instrument of praise&#xA;Chorus&#xA;&#xA;Vamp&#xA;&#xA;Altos&#xA;Use me Lord&#xA;&#xA;Tenors&#xA;I just want to be an instrument of praise&#xA;&#xA;Sopranos&#xA;Wholly exceptable, ready for praise&#xA;&#xA;Vamp 2&#xA;Wholly exceptable, ready for praise&#xA;&#xA;Ending&#xA;(Here I am, all of me)&#xA;(make me an instrument of praise)" PRODUCER="Léo Carrier" COVERARTID="109/NPJIMTDFJYKTFBICHHTYB3ROYU3D" PLAYTIME="209" PLAYTIME_FLOAT="208.747391" IMPORT_DATE="2025/4/14" RELEASE_DATE="1978/1/1" FLAGS="12" FILESIZE="25170"></INFO>
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<INFO BITRATE="931939" KEY_LYRICS="5 ContributorsAlbum History LyricsDon't hesitate and leave EP/album suggestions&#xA;Last update: Apr 13 '25; entries count: ≈2.3k&#xA;(+339 entries YTD) (target: 500)&#xA;(2023: +273, 2024: +531, 2025...)Rating system (avg. 55.41, upd. Dec 25)&#xA;🖤 10: Would recommend not to listen to (2)&#xA;🤎 20: Didn't enjoy or wasn't my type (18)&#xA;🧡 30: Meh, expected more or sth different (69)&#xA;🤍 40: Decent background project and/or too situational (280)&#xA;💜 50: Good background project / Interesting concept (657)&#xA;💛 60: Decent project / Good ideas/musicality (533)&#xA;💚 70: Good project, was worth the listen (262)&#xA;💙 80: A-tier project, splendid; would recommend (113)&#xA;❤️ 90: S-tier project, splendid on repeat; should listen (30)&#xA;💎 100: Goatesque, superb on repeat; must listen (6)Listen Later&#xA;Discographies: will.i.am, Kekra, Eason Chan, Spacetime Continuum, Brennan Savage, Lana Del Rey, BTS, Laurent Voulzy, Billie Eilish, Aether, Georgio (FRA), Alcest, The Game, Nas, Mobb Deep, Suprême NTM, Booba, Jay-Z, Kanye West, Prince, WILLOW, Jaden, Usher, Yoko Shimomura, Travis Scott, Aerosmith, Radiohead, Coldplay, Andrea Bocelli, chopmonk., 2814, Chynna, Enrico Intra, Jok'air, wuf, Laylow, Supper Moment, JaneBeeby, thaHomey, Isaiah Rashad, Playboi Carti, Anderson .Paak, Xavier Dang, Népal, Black Eyes Peas, borealism, emune, 6ix9ine, Björk, Snoop Dogg, Nirvana, Кино, Danny Brown, Griff, fka twigs, Death Grips, Kendrick Lamar, Xiu Xiu, The Caretaker, The Carebear, Lady Gaga, Jimi Hendrix, Led Zeppelin, Ray Charles, Iron Maiden, Franz Zappa, Black Atlass, Rihanna, Gorillaz, Oneohtrix Point Never, Mac Miller, Yves Tumor, Jack Stauber, Machine Girl, goreshit, Aphex Twin, Starmoon, Acidgvrl, JAY-Z, Lacrim, Wu-Tang Clan, MF Doom, The Beach Boys, The Beatles ((((&#xA;EDM genres to explore: complextro, darkstop, disco house, drillstep, future funk, hard bass, jackin' house, jersey club, neurofunk, nu disco, riddim, tech houseListened Already&#xA;💛 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ・✧๑ඕัළ*.。 * ̈°。&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - .·.·* ́ ̈.·*:・✧๑ඕั ҉ ⊀❍|◗щ&#xA;💛 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - )✧⃛*&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ʅ͡͡͡͡͡͡͡͡͡͡͡ƟӨʃ͡͡͡͡͡͡͡͡͡͡ ꐑཀ ඊູ ఠీੂ೧ູ࿃ूੂ✧ළඕั࿃ूੂ࿃ूੂੂ࿃ूੂළඕั✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑʅ͡͡͡͡͡͡͡͡͡͡͡ƟӨʃ͡͡͡͡͡͡͡͡͡͡ ༈೧ູ≢ꐑʅƟↂↂ. l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡.̸̸̨̨ ఠీੂ༼ू༈೧ູ࿃ूੂ༽ଳծູ l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡ ɵੂ≢_̴ı ̡͌ ̲|̡̡̡ ̡ ̴̡ı̴̡̡ ̡͌l̡̡̡ꐑ*:･✧๑ඕัළඕัꐑʅƟↂ๑✧*:･ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡.̸̸̨̨ ఠీੂ༼ू༈೧ູʅƟӨʃ ꐑཀ ඊູ ఠీੂ༼ू༈೧ູ࿃ूੂ༽&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ooo ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥̤̣̠҈͈͇͉͍͎͓͔͕͖͙͚͜͢͢͢͢͢͢͢͢͢͢͢͢͢͢ͅ oʅ͡͡͡͡͡͡͡͡͡͡͡ ؞ৢ؞ؙؖ˜ัิีึื์๎้็๋๊⦁0 ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥̤̣̠҈͈͇͉͍͎͓͔͕͖͙͚͜͢͢͢͢͢͢͢͢͢͢͢͢͢͢ͅ ఠీੂ೧ູ࿃ूੂ&#xA;💜 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ʅ() ʅ()ʃ ꐑ(ఠీੂ೧ູȯ)vȯ)࿃ूੂ✧⃛✧⃛) ():::() ̴̤̚&#xA;💚 2003 Toyota Corolla - 2003 Toyota Corolla&#xA;💛 2003 Toyota Corolla - 2013 Toyota Corolla&#xA;💜 2003 Toyota Corolla - bsides&#xA;💛 2012 - 2012&#xA;🤍 23wa - 3&#xA;💚 23wa - GALION &#xA;💜 23wa - Magenta&#xA;💛 23wa - ULTRA&#xA;🤍 ２８１４ - 新しい日の誕生&#xA;💜 2​xxx - Life&#xA;🤍 4ria - imstillhere&#xA;🧡 667 - 33ème Degré&#xA;🧡 667 - 67ème Degré&#xA;💜 6LACK - 6pc Hot EP&#xA;💛 6LACK - East Atlanta Love Letter&#xA;💜 6LACK - FREE 6LACK&#xA;💛 6LACK - Since I Have A Lover&#xA;🤎 6​xat!c, Killstation &amp;amp; 1oneam - im so gone (director cut)&#xA;🤍 88rising - Head in the Clouds&#xA;🤍 8d8beats - LA:te&#xA;💚 90sFlav - Collection&#xA;💜 9lives - #exclusives&#xA;💛 AB4 - Toxic&#xA;🤍 A€E - The Heavist Sound&#xA;💜 ʞ|açe|wœ|k - Sæcula Condita&#xA;💜 Adam Bosarge - Structures Without Rooms&#xA;💚 Ada Milea - Aberații sonore&#xA;🤍 Adolf Nomura - shut up.&#xA;💛 AdVenture Capitalist Soundtrack&#xA;💛 Aero Chord - New Breed Part 1&#xA;💛 Aesthesys - I&#xA;💛 Aftertheparty - Good Boy&#xA;💜 AgonyOST - Variations Of Hell&#xA;💜 Ahmad Jamal - One&#xA;💜 Ajna - SHERPA&#xA;💛 AKIBA - im lost in a neverending dream&#xA;💜 AL-90 - Murmansk-60&#xA;💜 Alaina Pamela - Depth Of My Heart&#xA;💚 Alain Goraguer - La Planète Sauvage (Original Motion Picture Soundtrack)&#xA;🧡 AlbertNbn - OTEB&#xA;💜 aldn - good grief&#xA;💛 aldn - greenhouse&#xA;🤍 alex - DEPEND.ENT!&#xA;💜 A L E X - Flow&#xA;💜 Alexandru Andrieș - Interioare&#xA;🧡 Alex Velea - Yamasha&#xA;🤍 Alex și Tugay &amp;amp; Tugay și Alex - De Lux&#xA;💜 Alice Gas - Sorry 4 Being Famous&#xA;💛 Alina Eremia - Antifragil&#xA;💜 Alina Eremia &amp;amp; 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Nu se poate&#xA;🤍 Aminé - Good For You&#xA;🤍 Aminé - Limbo&#xA;💜 Anda Adam - Confidențial&#xA;💜 Andra Andriucă - Liniștea nu se împarte&#xA;💛 Andrea Botez - DARK TECHNO&#xA;💛 Andrike$ Black - Projet 1&#xA;💜 Angèle - Nonante-Cinq&#xA;💜 AnNie.Adaa - QU'AUJOURD'HUI NE MEURE JAMAIS&#xA;💛 An Thoes - Spre Cer&#xA;💜 Anthony, Exodia &amp;amp; Sienna Sleep - Ateriavia&#xA;🤍 Antoine Daniel - ALBUM 100% LIBRE DE DROIT POUR TWITCH&#xA;💜 aNTOJE - Booyung&#xA;💛 .anxious. - 3am EP&#xA;💛 Anna von Hausswolff - All Thoughts Fly&#xA;💜 Anna von Hausswolff - Källan (Betatype)&#xA;🤍 Anna von Hausswolff - Track of Time&#xA;🤍 Anonim - Hai să vorbim&#xA;❤️ Arata Iiyoshi, Hideki Sakamoto, Keisuke Ito, Ryoma Nakamura &amp;amp; Kenichi Saito - Pokémon Mystery Dungeon: Explorers of Time and Explorers of Darkness Soundtrack&#xA;💜 Arapu - Tribal Nation&#xA;💜 architecture in tokyo - Summer Paradise&#xA;💛 Ariana Grande - Christmas &amp;amp; Chill&#xA;💚 Ariana Grande - Dangerous Woman&#xA;💚 Ariana Grande - My Everything&#xA;🧡 Ariana Grande - Positions&#xA;💚 Ariana Grande - Sweetener&#xA;💛 Ariana Grande - thank u, next&#xA;💜 Ariana Grande - Yours Truly&#xA;💙 arizcorpアリズコープ - Yesterday Mall昨日&#xA;💜 Arsaphe - PATIENCE&amp;amp;BLOOD&#xA;💛 Arsaphe &amp;amp; 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Mafia - După blocuri&#xA;💛 Burial - Untrue&#xA;💛 BU$HI - Bushi&#xA;💜 BU$HI - Bushi 1.5&#xA;💜 BU$HI - Bushi Tape 2&#xA;🧡 byron - Forbidden Drama&#xA;💜 C418 - 148&#xA;💜 C418 - 72 Minutes of Fame&#xA;💜 C418 - Cookie Clicker&#xA;💜 C418 - Dief&#xA;💛 C418 - Excursions&#xA;💛 C418 - Life Changing Moments Seem Minor in Pictures&#xA;❤️ C418 - Minecraft - Volume Alpha&#xA;💚 C418 - Minecraft - Volume Beta&#xA;💛 C418 - One&#xA;💜 c678924 - 678924&#xA;💜 Caballero - OSITO&#xA;💛 Caballero &amp;amp; JeanJass - High &amp;amp; Fines Herbes - La Saison 5&#xA;💜 Caleb Belkin - Summer Nights&#xA;💜 Calinacho - într-o bună zi o să fim bine&#xA;🤍 かめりあ Camellia - ふぉーす！&#xA;💛 かめりあ Camellia - Blackmagik Blazing&#xA;💛 かめりあ Camellia - Cyphisonia&#xA;💚 かめりあ Camellia - Crystallized&#xA;💚 かめりあ Camellia - &#xA;💚 かめりあ Camellia - dreamless wanderer&#xA;💜 かめりあ Camellia - GALAXY BURST&#xA;💙 かめりあ Camellia - heart of android&#xA;🤍 かめりあ Camellia - INSANE INFLAME&#xA;💜 かめりあ Camellia - INVAIDAS FROM DA JUNGLE&#xA;🤍 かめりあ Camellia - MEGANTO METEOR&#xA;💜 かめりあ Camellia - paroxysm&#xA;💙 かめりあ Camellia - PLANET//SHAPER&#xA;🤍 かめりあ Camellia - Reality Distortion&#xA;💜 かめりあ Camellia - sudden shower&#xA;🧡 かめりあ Camellia - Thanks Twitter Followers 40K&#xA;🤍 Cargo - Ziua vrăjitoarelor&#xA;💜 Carla's Dreams - Antiexemplu&#xA;💜 Carla's Dreams - Ngoc&#xA;💛 Carla's Dreams - Nocturn&#xA;💜 カシオペア Casiopea - Casiopea&#xA;💛 Catnapp - Break&#xA;🤎 cat soup - eutaxy&#xA;💜  Cedry2k - Alchimia veninului&#xA;💜 Celelalte Cuvinte - Armaghedon&#xA;🤍 Celelalte Cuvinte - Celelalte cuvinte&#xA;🤍 CFC - Secretul din atom&#xA;💛 Charli xcx - BRAT&#xA;💜 Charli xcx - True Romance&#xA;💜 Charly Puth - Voicenotes&#xA;💜 charmort - Viewfinder&#xA;🧡 Cheloo - Sindromul Tourette&#xA;💜 Chief Rugged - Sounds from Outerspace&#xA;💜 Childish Gambino - Because the Internet&#xA;💜 Childish Gambino - Camp&#xA;🤍 Chilla - EGO&#xA;💜 Chillhop Music - Chillhop Raw Cuts&#xA;🤍 Chimie - BioChimie, Vol. 1&#xA;💛 chopmonk. - autumn ep&#xA;💜 chorrol - artists&#xA;🧡 Christophe - Les vestiges du chaos&#xA;💜 Chuli4n - Night Walk&#xA;💛 Church of Cthulu &amp;amp; Doomnezeu - Atotțiitorul&#xA;💜 Ciano - 4 soundcloud beats&#xA;💛 C!erra My$t - Witness of Another World&#xA;💙 Cigarettes After Sex - Cigarettes After Sex&#xA;💛 Cigarettes After Sex - Cry&#xA;💛 Cigarettes After Sex - I.&#xA;💛 Cigarettes After Sex - X's&#xA;💛 CIGHT - Architecture&#xA;🤎 City Morgue - CITY MORGUE VOL 1: HELL OR HIGH WATER &#xA;💜 Clairo - diary 001&#xA;💛 Clams Casino - Instrumental Relics&#xA;🤍 Coconuts - Coconuts&#xA;💛 Coldplay - Ghost Stories &#xA;💜 Coldplay - Mylo Xyloto &#xA;🤍 COMA - Nerostitele&#xA;💛 Compact - Fata din vis&#xA;💛 Connaisseur Ticaso - Normal de l'Est &#xA;🤍 Connaisseur Ticaso - Rap Life&#xA;💛 Constrobuz - Rain and Dust&#xA;💜 cormac - Nobscot.&#xA;💙 CoryaYo - Songs in the key of Earth vol. 1&#xA;💛 Costi - Constantin 1.0&#xA;🤍 Cowbell Cult - Cowbell Cult, Vol. 1&#xA;💜 Cozmetic - Prehistoric&#xA;💜 Crimena - Ep.1: The rage factor&#xA;🧡 Crumble - We Will CRUMBLE The System&#xA;🧡 Crize - Refulări&#xA;🧡 CTC - Dificultăți tehnice&#xA;💜 Cult Member - Stockholm&#xA;🤍 Curtis Heron - The Answer&#xA;💜 cxltgod - The Freakshow of the Century, Pt 1&#xA;💛 Cynthoni - DLSITEOC&#xA;💜 Cynthoni - Sewerslvt Presents: Cynthoni, Pt. 1&#xA;💚 Cynthoni - Sewerslvt Presents: Cynthoni, Pt. 2&#xA;💜 Cynthoni - SMOKE IT TO THE BUTT&#xA;💛 Daft Punk - Discovery&#xA;💛 Daft Punk - Homework&#xA;💜 Daft Punk - Human After All&#xA;💛 Daft Punk - Random Access Memories&#xA;🤍 Daft Punk - TRON: Legacy&#xA;🤍 Damian &amp;amp; Brothers - Gypsy Rock: Change or Die&#xA;💛 Damso - Batterie faible&#xA;❤️ Damso - Ipséité&#xA;💛 Damso - J'AI MENTI&#xA;💙 Damso - Lithopédion&#xA;💙 Damso - QALF infinity&#xA;🧡 Damso - Vieux sons&#xA;🤍 Danger - 9/14/2007&#xA;🧡 Dani Mocano - Nu dau înapoi&#xA;💜 Dan Mason ダン·メイソン - Hypnagogia&#xA;💚 Danny Baronowsky - Super Meat Boy! - Official Special Edition Soundtrack&#xA;🧡 Danny Towers - Tarantula&#xA;💛 Danton Eeprom - Yes Is More&#xA;💛 DARK DESIRE ダークデザイア - 頑張って Vol. 1&#xA;💚 DΛRKNΣSS - magician whisper&#xA;💙 DΛRKNΣSS - wear flowers in your hair&#xA;🤍 Dated - The Cold Dark Somewhere&#xA;💛 datfootdive - aLone&#xA;🧡 Dawidh - Omul Purpuriu&#xA;💜 Days of Confusion - Yin &amp;amp; Out&#xA;🤍 DeadManea &amp;amp; 6txxn - HORROR EXPRESS&#xA;💛 death's dynamic sound - I'll Try Living Like This&#xA;💛 Deceneu - Operațiunea Monstru&#xA;🤍 Deftones - Adrenaline&#xA;💜 Deko - Iridescent&#xA;🤍 Deko - Moonkid Mondays, Vol. 1&#xA;🤍 Deko &amp;amp; Yameii Online - Oddysey1&#xA;💛 Delia - 7&#xA;💜 Delia - Deliria&#xA;💚 Delia - FLEX&#xA;💛 Delia - Listen Up&#xA;🤍 Delia - Parfum de fericire&#xA;💜 Delicasteez - Deli &#xA;🤍 Delikt - Fără număr&#xA;🧡 Deliric - Inspecția tehnică periodică&#xA;🧡 Deliric &amp;amp; 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days of blue - Perli tal-Passat&#xA;💜 desert sand feels warm at night &amp;amp; IndyAdvant - ア​ス​ト​ラ​ル&#xA;💙 desert sand feels warm at night &amp;amp; Kagoshima Tangerine - 鹿児島 砂漠&#xA;💜 desert sand feels warm at night &amp;amp; Mindspring Memories - Desert Memories&#xA;💜 desert sand feels warm at night &amp;amp; VirtualRealityDeluxe - Midnight Mansions&#xA;💜 沙漠鱿鱼 Desert Squid - 上​海​／​香​港&#xA;💙 desktop junk - Cosmic Outerludes&#xA;🤍 Devaloop &amp;amp; Zaïd - Hier &amp;amp; Jetzt!?&#xA;💚 Dez - business as usual.&#xA;💚 Dez - future features&#xA;💛 Dez - past descriptions&#xA;💛 Dida Drăgan - Deschideți poarta soarelui!&#xA;💜 diedxd - soldier&#xA;💜 Dioscures - Ciela&#xA;💚 direcția 5 - Cântece noi&#xA;💛 direcția 5 - Senzitiv&#xA;💛 Dirty River - Train Station&#xA;💛 Dirty River - VILLAGE&#xA;🧡 Dirty Shirt - Dirtylicious&#xA;💛 disvstxr - Yagmur&#xA;💜 discarded - discarded&#xA;💚 Disiz - Pacifique&#xA;💜 Django - Anthracite&#xA;💛 Django - ATHANOR&#xA;💜 Django - S/o le Flem&#xA;💜 Django - Troisième terme&#xA;💜 Django - Tue-moi, mon amour, s'il te plait&#xA;🤍 Dj Billybooi - My Fantasy World&#xA;💛 DJ Blyatman - Hardkvas&#xA;💚 DJ Kuroneko - kuroneko&#xA;💛 DJ Kuroneko - neko breaks&#xA;💜 DJ Kuroneko - neko garage 2&#xA;💜 DJ Kuroneko - shadows collide&#xA;🤍 DJ Okawari - Kaleidoscope&#xA;💛 DJ Phantom - Altceva!&#xA;💜 DJ Smokey - Evil Wayz&#xA;💜 DJ Yung Vamp - Night of the Thrill, Vol. 2&#xA;💜 Dl Goe - Tineri, Sâmbătă, Duminică&#xA;💜 DOC - Eu&#xA;💚 Doja Cat - Amala (Deluxe Version)&#xA;🧡 Doja Cat - Hot Pink&#xA;💚 Doja Cat - Planet Her&#xA;💛 Doja Cat - Purrr!&#xA;🧡 Doja Cat - Scarlet&#xA;💛 Doja Cat - Scarlet 2 CLAUDE&#xA;🤍 Doo - Trackmania² Canyon Soundtrack&#xA;💜 Doo - TrackMania DS Soundtrack&#xA;❤️ Doo - TrackMania Forever Soundtrack&#xA;💛 Doo - TrackMania Nations ESWC Soundtrack&#xA;💛 Doo - TrackMania Turbo: Build to Race Soundtrack&#xA;💛 Doo - TrackMania United Soundtrack&#xA;💙 Doo - TrackMania Wii Soundtrack&#xA;💛 DOOM DOOM - DOOM 1&#xA;💜 Dora Gaitanovici - Descântec&#xA;🤍 dordeduh - dar de duh&#xA;💜 dordeduh - Har&#xA;💙 Dragon Ball Z: Supersonic Warriors 2 Music&#xA;💜 Dragonu AKA 47 - HITMAN&#xA;💜 Drake &amp;amp; 21 Savage - Her Loss&#xA;🤎 Drake - Certified Lover Boy&#xA;💜 Dragonu AKA 47 - HITMAN&#xA;🤎 Drăgușanu &amp;amp; Sorin Milea - Private Barbeque&#xA;💜 Dream.Corp - Online&#xA;🤍 Dream.Corp - T3XTVRE GR1D&#xA;💜 DR. GABBA - Planet Piano&#xA;💛 Drew The Architect - Lèiyll&#xA;💜 drift-133 - Takeafter&#xA;💜 drip-133 - Becomes a Pattern&#xA;💜 drift-133 &amp;amp; BONES - HateToBreakItToYou&#xA;💜 drwn. - glow slow&#xA;💜 DUCKBOY - tragic love songs to study to &#xA;💜 DUCKBOY - existential hymns for the average sigma &#xA;💜 Dundy - Acarde&#xA;💜 Dundy - NO!MASTER&#xA;💜 Dundy - RETRO&#xA;🤍 Dundy - SPIRIT&#xA;🤍 Dundy - STACKS&#xA;💛 dwyer - Lanterns&#xA;💜 dwyer - Olivino&#xA;💛 dwyer - Raspberry Teeth&#xA;💜 dwyer - Thursday Mornings&#xA;💜 DZWS &amp;amp; andrei - YOUNGSTA/R&#xA;🤍 Eagle Eyed Tiger - Future or Past&#xA;💜 E-An-Na - Jiana&#xA;🤍 Earl Sweatshirt - Some Rap Songs&#xA;💜 陳奕迅 Eason Chan - Eason Chan 陳奕迅&#xA;💜 陳奕迅 Eason Chan - Eason &amp;amp; Friends 903 ID Club 拉闊音樂會&#xA;💚 陳奕迅 Eason Chan - God Bless Lover 天佑愛人&#xA;💛 陳奕迅 Eason Chan - It's Me 反正是我&#xA;💛 陳奕迅 Eason Chan - My Happy Time 我的快樂時代&#xA;💙 陳奕迅 Eason Chan - Preparation 醞釀&#xA;💜 陳奕迅 Eason Chan - Shall We Dance? 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II&#xA;💜 Frank Ocean - blonde&#xA;🤍 Frank Ocean - channel ORANGE&#xA;💛 Fraoula - Neon Drive OST&#xA;💜 Franz Liszt - Eine Faust-Symphonie in drei Charakterbildern&#xA;💛 Franz Liszt - Eine Symphonie zu Dantes Divina Commedia&#xA;💜 Fratelenord - Morfină&#xA;🤍 Freddie Dredd - Freddie's Inferno&#xA;💜 Freeze Corleone - ADC&#xA;🤍 Freeze Corleone - À la recherche de la daillance&#xA;💜 Freeze Corleone - F.D.T&#xA;❤️ Freeze Corleone - LMF&#xA;💙 Freeze Corleone - Projet Blue Beam&#xA;🧡 Freeze Corleone - THC&#xA;🤎 Freeze Corleone - Vieilles merdes&#xA;🤍 Freeze Corleone - Vieilles merdes vol.II&#xA;🤍 Freeze Corleone &amp;amp; Ashe 22 - RIYAD SADIO&#xA;💚 Frums - Metacontinues&#xA;💜 Frums - vignette&#xA;💙 fujitsu - forests e.p&#xA;💜 fushou. - essentials&#xA;💜 gabby start - luca&#xA;🤍 Gambi - LA VIE EST BELLE&#xA;🤍 Gândul Mâței - Cu gândul la ea&#xA;🤍 Gao the Arsonist - OUR BONES ARE ARTIFACTS&#xA;🤍 gawdlee &amp;amp; Bryson McGee - COLOSSAL&#xA;💛 gawdlee - DENISE&#xA;💎 gawdlee - fragilelawsofwordstructure&#xA;💜 gawdlee - hopeyouhadabadsummer&#xA;💛 gawdlee - I Know&#xA;💜 Gaz120 - Gaz120&#xA;💜 Gazo - APOCALYPSE&#xA;💛 Gazo - DRILL FR&#xA;💜 Gazo - KMT&#xA;💛 GENDEMA - sassy things&#xA;💜 Geoxor - Irreversible&#xA;💜 Gerrar - Renaștere (Deluxe Edition)&#xA;🤍 Getter - Some Creature&#xA;💛 Getto Daci - Daciada&#xA;🤍 Ghostemane - Hexada&#xA;🤍 Giovanni &amp;amp; RAVA - UNTOUCHABLE&#xA;💜 GIVĒON - Give Or Take&#xA;💚 GIVĒON - TAKE TIME&#xA;💚 GIVĒON - When It's All Said And Done&#xA;💜 GLOBAL CHILL - midnight smoker ミ​​​​​​​ク​​​​​​​ス​​​​​​​テ​​​​​​​ー​​​​​​​プ&#xA;💛 Gods Of Something - Inner Void&#xA;💛 Gods Of Something - The Edge of Reality&#xA;🤍 Godspeed You! Black Emperor - Allelujah! Don't Bend! Ascend!&#xA;🤍 Godspeed You! Black Emperor - Asunder, Sweet and Other Distress&#xA;💛 Godspeed You! Black Emperor - F♯ A♯ ∞&#xA;💛 Godspeed You! Black Emperor - G_d's Pee AT STATE'S END!&#xA;💛 Godspeed You! Black Emperor - Lift Your Skinny Fists Like Antennas to Heaven&#xA;💛 Godspeed You! Black Emperor - Luciferian Towers&#xA;💜 Godspeed You! Black Emperor - Slow Riot for New Zero Kanada&#xA;💜 Godspeed You! Black Emperor - Yanqui U.X.O.&#xA;💙 Go Ichinose, Junichi Masuda &amp;amp; Hitomi Sato - Pokémon Diamond Soundtrack&#xA;💙 Go Ichinose, Junichi Masuda, Hitomi Sato &amp;amp; Satoshi Nohara - Pokémon Platinum Soundtrack&#xA;💚 Go Ichinose, Junichi Masuda, Morikazu Aoki &amp;amp; Hitomi Sato - Pokémon Emerald Soundtrack&#xA;💙 Go Ichinose, Shota Kageyama, Hitomi Sato, Junichi Masuda &amp;amp; Takuto Kitsuta - Pokémon HeartGold and SoulSilver Soundtrack&#xA;💜 Gojnea76 - Level UP&#xA;💚 GOLDWATER - discography&#xA;💜 GOLDWATER - GOLDWATER EP&#xA;💜 GONE.Fludd - BOYS DON'T CRY&#xA;🤎 Goodbye to Gravity - Mantras Of War&#xA;💜 𝐺𝑂𝑅𝐸 - プロアクティブシューター&#xA;💜 𝐺𝑂𝑅𝐸 - 不可避の破壊&#xA;💛 𝐺𝑂𝑅𝐸 - 内臓&#xA;💜 𝐺𝑂𝑅𝐸 - 人生の重荷&#xA;💙 goreshit - Semantic Compositions on Death and Its Meaning&#xA;🤍 Gradur - Where Is l'album de Gradur&#xA;💜 graves - tomorrow tape&#xA;💛 grayera - It Feels Like I'm Wilting Away&#xA;💜 GRËJ - ANTIPASTI&#xA;🤍 GRËJ - CUISINE&#xA;🤍 GRËJ - ÉTOILES MICHELIN&#xA;💚 GRËJ - L'album gris&#xA;💙 GRËJ - PIXELTAPE&#xA;💜 GRËJ - PIXELTAPE2&#xA;💜 GRËJ - RESTAURANT&#xA;💚 GRËJ - RINASCIMENTO&#xA;💛 GRËJ - TAKE AWAY EP&#xA;🤍 Gridan &amp;amp; Killa Fonic - OPUS MAGNUM&#xA;🤍 Grinder - New Steel&#xA;🤎 Grohot - Hrănind gurile înfometate&#xA;💜 GRXGVR - 020&#xA;🤍 guardin - ＡＴＡＲＡＸＹ&#xA;💜 guardin - Astral Agenda&#xA;💜 guardin - creature pt. 1&#xA;💜 guardin - creature pt. 2&#xA;💛 guardin - &#xA;💛 guardin - lacuna&#xA;💜 guardin - LOST &amp;amp; FOUND&#xA;💜 guardin - Lost In A Fantasy&#xA;💛 guardin - outsider&#xA;💛 guardin - take me home&#xA;💜 Guess Who - Locul Potrivit / Probe Audio&#xA;💜 GUILD MERCHANT - 比喩的な意味&#xA;💜 GUILD MERCHANT - 血​の​争​い (blood feud)&#xA;💛 GUILD MERCHANT - Heartless&#xA;🤍 Guizmo - Amicalement vôtre&#xA;💜 Guizmo - C'est tout.&#xA;🤍 Guizmo - Dans ma ruche&#xA;🧡 Guizmo - #GPG&#xA;💜 Guizmo - #GPG 2&#xA;💛 Guizmo - La banquise&#xA;🧡 Guizmo - Normal&#xA;💜 Guizmo - Renard&#xA;💛 Guns N' Roses - Appetite For Destruction&#xA;💛 Guns N' Roses - G N' R Lies&#xA;💜 Guns N' Roses - Use Your Illusion I&#xA;🤍 Haarp Cord - Dragoste sau frică&#xA;🧡 Haarper - Naga&#xA;💜 haircuts for men - 1989&#xA;💜 haircuts for men - a path&#xA;💚 haircuts for men - 地下カラオケ ep&#xA;💜 Halicalf - Gunner &amp;amp; The Prophet&#xA;💛 Hamza - 140 BPM 2&#xA;💜 Hamza - Paradise&#xA;💜 Hamza - Sincèrement&#xA;❤️ Hans Zimmer - Inception (Music from the Motion Picture)&#xA;💙 Hans Zimmer - Interstellar (Original Motion Picture Soundtrack)&#xA;🤍 Harmasar - Din Pământ&#xA;💜 Harmful Logic - SOULGEMCOLLECTION&#xA;💜 Harris Cole - Colors&#xA;💜 Harry Styles - Harry Styles&#xA;💚 Haux - All We've Known&#xA;🤍 Hector Berlioz - Te Deum&#xA;Helytube - Din canale&#xA;💜 hentai boys - 4EVER&#xA;🤍 Heuss L'enfoiré &amp;amp; Vald - Horizon vertical&#xA;💜 Hide春 - Dead End Adventure&#xA;💛 菊池ひみこ Himiko Kikuchi - Flying Beagle&#xA;💜 hhsweater - fly sumwere&#xA;🧡 H JeuneCrack - 2ème Cycle&#xA;🤍 HKK - Dreamwalker&#xA;💛 けｍ SURF - Waterbed&#xA;💛 Holder - Undertale Remixed by Holder&#xA;🧡 Hollow Flag - Beware of Moshing&#xA;🤍 Holograf - banii vorbesc&#xA;💛 Home - Hold&#xA;🧡 Hong Kong Express - I Am Here, In Love.​.​.​.​.​.​.​.​.​.​.​. (Exist​.​.​. Exist​.​.​.​. Exist​!​!​!​)&#xA;💚 HÖR BERLIN 2019 - Tham&#xA;💜 HÖR BERLIN 2022 - Mia Lily&#xA;💙 HÖR BERLIN 2022 - ¥ØU$UK€ ¥UK1MAT$U&#xA;💛 HÖR BERLIN 2023 - Esther Urioste&#xA;💜 HÖR BERLIN 2023 - MØRK&#xA;💜 HÖR BERLIN 2023 - Spacer Woman&#xA;🤍 HÖR BERLIN 2023 - THC&#xA;💜 HÖR BERLIN 2023 - ¥ØU$UK€ ¥UK1MAT$U&#xA;💛 HÖR BERLIN 2024 - EVE&#xA;💜 HÖR BERLIN 2024 - Jane&#xA;🧡 HÖR BERLIN 2024 - Kameliia&#xA;💜 HÖR BERLIN 2024 - Lucinee&#xA;💛 HÖR BERLIN 2024 - Ludmila Di Pasquale&#xA;💜 HÖR BERLIN 2024 - MILENA ADAMIS&#xA;💜 HÖR BERLIN 2025 - BRENN.&#xA;💜 HÖR BERLIN 2025 - Deas&#xA;💛 HÖR BERLIN 2025 - Diossa&#xA;💛 HÖR BERLIN 2025 - Felinah&#xA;💛 HÖR BERLIN 2025 - Jelena&#xA;💚 HÖR BERLIN 2025 - madwoman&#xA;💛 How to Disappear Completely - Seraphim&#xA;💚 How to Disappear Completely - Seraphim II&#xA;💛 Hozokauh - time, unraveling&#xA;❤️ H-Pi - Trackmania (Original Video Game Soundtrack)&#xA;💜 Hyd - CLEARING&#xA;💜 i61 - ANGELWAVE&#xA;💜 Ian - Slayer&#xA;💛 IC3PEAK - Coming Home&#xA;🧡 IC3PEAK - Dead But Pretty&#xA;💚 IC3PEAK - До Свидания&#xA;💛 IC3PEAK - Сказка&#xA;💙 IC3PEAK - Сладкая Жизнь&#xA;🤍 IC3PEAK - より多くの愛&#xA;💚 IC3PEAK - FALLAL&#xA;💚 IC3PEAK - IC3PEAK&#xA;💜 IC3PEAK - Substances EP&#xA;💜 IC3PEAK - VACUUM&#xA;💜 ICYTWAT - 4 tha Troopz&#xA;💛 ICYTWAT - Dior Junts&#xA;💛 ICYTWAT - Dream Bwoy&#xA;💜 ICYTWAT - G4ost&#xA;💜 ICYTWAT - Good Pussy&#xA;🤍 ICYTWAT - Have Mercy on Us&#xA;💚 ICYTWAT - ICYTWAT&#xA;💙 ICYTWAT - ICYTWAT Radio&#xA;🧡 ICYTWAT - Magic as Usual&#xA;💙 ICYTWAT - Milk&#xA;💜 ICYTWAT - Siddhi&#xA;💜 ICYTWAT - Siddhi World&#xA;💛 ICYTWAT - Throwaway EP&#xA;💛 ICYTWAT &amp;amp; LORDFUBU - Fubu vs. Twat&#xA;🤎 Igorrr - Nostril&#xA;💜 Ikaz Boi - Paradise&#xA;🤍 Implant Pentru Refuz - Monolith&#xA;💜 Inclasick - Space&#xA;💛 INDOOR CIGARETTES - VOLUME 1&#xA;💚 INDOOR CIGARETTES - VOLUME 2&#xA;🤎 Inhavite - Raptilian&#xA;💜 INNA - Body and the Sun&#xA;💛 INNA - Champagne Problems #DQH1&#xA;💜 INNA - Champagne Problems #DQH2&#xA;💜 INNA - Everything Or Nothing #DQH1&#xA;🤍 INNA - Everything Or Nothing #DQH2&#xA;💛 INNA - Heartbreaker&#xA;💛 INNA - Hot&#xA;💛 INNA - I Am the Club Rocker&#xA;💜 INNA - Just Dance #DQH1&#xA;🤍 INNA - Just Dance #DQH2&#xA;💛 INNA - Party Never Ends, Pt. 1 (Deluxe Edition)&#xA;💜 INNA - Party Never Ends, Pt. 2 (Deluxe Edition)&#xA;💛 insaneintherainmusic - Sinnohvation&#xA;💚 instupendo - Friend of a Friend&#xA;💛 INSULINE &amp;amp; NICOTINE - Le retour&#xA;💛 INSULINE &amp;amp; NICOTINE - ZEvent 2023&#xA;💜 internetBoi - A Bird Needs Two Wings To Fly&#xA;💚 IOANA - I mare de la Ioana&#xA;💛 Ioana Ignat - Ioana Ignat&#xA;💛 Ioana Radu - Ioana Radu, Vol. 1&#xA;💜 Ioana Radu - Ioana Radu, Vol. 2&#xA;💜 Ioana Radu - Ioana Radu, Vol. 3&#xA;💜 Ioana Radu - Ioana Radu, Vol. 4&#xA;💚 Irina Rimes - Acasă&#xA;💛 Irina Rimes - Cosmos&#xA;💛 Irina Rimes - Despre el&#xA;💜 Irina Rimes - Origini&#xA;💛 Irina Rimes - Pastila&#xA;💜 IRIS - IRIS, Vol. 1&#xA;💜 Irko - Ghillie in the Mist&#xA;🧡 IShowSpeed - Trip 2 Brazil&#xA;💛 itimar - leaf.ep&#xA;💛 Ivan Dorn - RANDORN&#xA;💛 Iwakura - ​&#xA;💚 Iwakura - ⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻&#xA;💛 Iwakura - The Backrooms Original Soundtrack&#xA;💜 Iwakura - The Backrooms Original Soundtrack 2&#xA;💛 Iwakura - The Backrooms Original Soundtrack 3&#xA;💜 Iwakura - ░Wires░&#xA;💜 Iwakura &amp;amp; frontooms - ⎎☊⌾⏙&#xA;💜 Iwakura &amp;amp; frontooms - ✙✙✙✙✙Limit✙✙✙✙✙&#xA;💙 Jacksonifyer - a glitch in the head&#xA;💜 Jacksonifyer - Bittersweet Abandonment&#xA;🤍 Jacksonifyer - Distorted Rememberance&#xA;💚 Jacksonifyer - Hope Lost&#xA;💜 Jacques Brel - Au printemps&#xA;💜 Jacques Brel - Ces gens-là&#xA;🤍 Jacques Brel - Jacques Brel 67&#xA;🤍 Jacques Brel - Jacques Brel et ses chansons&#xA;💛 Jacques Brel - J'arrive&#xA;💛 Jacques Brel - La Valse à mille temps&#xA;🤍 Jacques Brel - Les Bonbons&#xA;💛 Jacques Brel - Les Marquises&#xA;🤍 Jacques Brel - L'homme de la Mancha&#xA;💚 Jacques Brel - Marieke&#xA;💛 Jacques Brel - Olympia 1964&#xA;💜 Jacques Brel - Quand on n'a que l'amour&#xA;💜 Jaden - CTV3: Cool Tape Vol. 3&#xA;💜 James Grant, Jody Wisternoff &amp;amp; Silver Mt. Zion - Anjunadeep 12 Sampler: Part 1&#xA;💙 Janice Quatlane - The Eternal Diva (Layton Kyouju to Eien no Utahime)&#xA;💜 japansaur - RENAISSANCE MIX&#xA;💜 japansaur - sese flick&#xA;💛 jarjarjr - Fallen Angel&#xA;💛 Jasper Byrne - Hotline Miami EP&#xA;💜 Jax (02.14) - Asian Taste&#xA;💚 Jazzybit - Horizon&#xA;💛 Jeff Kaale x Engelwood ep&#xA;💛 Jeff Kaale x spencer - weekdays&#xA;💛 Jeff Kaale - Lagoon&#xA;💛 Jeff Kaale - Summer in the 50's&#xA;💛 jenny nuo - bound by expectations&#xA;💚 jenny nuo - the exhibit&#xA;💙 Jeremiah Chiu &amp;amp; Marta Sofia Honer - Recordings from the Åland Islands&#xA;💚 Jeremy Soule - The Elder Scrolls V: Skyrim: OST&#xA;💛 Jetson - Culture&#xA;💜 Jeune sachet - FOREIGN&#xA;💜 Jhené Aiko - Sail Out&#xA;💜 Jiin - Cult Hymns&#xA;💜 Johnny Răducanu - Jazz made in Romania&#xA;❤️ Joji - BALLADS 1&#xA;💜 Joji - Chloe Burbank Volume 1&#xA;💙 Joji - In Tongues (Deluxe)&#xA;💛 Joji - LOST BALLADS&#xA;💜 Joji - Lost Instruments&#xA;💙 Joji - Nectar&#xA;💛 Joji - SMITHEREENS&#xA;🧡 Jok'Air - Big Daddy Jok&#xA;🤎 jonatan leandoer96 - Katla&#xA;🧡 jonatan leandoer96 - Psycopath Ballads&#xA;💜 JOY. - JOY TO THE WORLD MIXTAPE&#xA;💜 Joy Division - Closer&#xA;🤍 Joy Division - Love Will Tear Us Apart&#xA;💜 Joy Division - Still&#xA;🤍 Joy Division - Substance&#xA;💜 Joy Division - Unknown Pleasures&#xA;🤍 JPEGMAFIA - All My Heroes Are Cornballs&#xA;💜 JPEGMAFIA - black ben carson&#xA;💜 JPEGMAFIA - EP!&#xA;💜 JPEGMAFIA - EP2!&#xA;💜 JPEGMAFIA - LP!&#xA;🤍 JPEGMAFIA - Veteran&#xA;💜 JrDenil - DAS ALOTTA STRESS&#xA;💛 Juice WRLD - Affliction&#xA;💜 Juice WRLD - BINGEDRINKINGMUSIC&#xA;💚 Juice WRLD - Goodbye &amp;amp; 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Specii - Imperiul lianelor&#xA;💛 KC Shore - solstice&#xA;🤍 Keed - DAVID&#xA;💙 Keisuke Ito &amp;amp; Yasuhiro Kawagoe - Pokémon Mystery Dungeon: Gates to Infinity Soundtrack&#xA;🤍 Kekra - Vréel 2&#xA;💛 Kendrick Lamar - DAMN.&#xA;💛 Kendrick Lamar - gnx&#xA;🧡 Kendrick Lamar - Overly Dedicated&#xA;🤍 Kendrick Lamar - Section.80&#xA;🤍 Keri &amp;amp; Vali Umbră - Sonor&#xA;💜 Kero Kero Bonito - Bonito Generation&#xA;🧡 Kero Kero Bonito - Intro Bonito&#xA;🤍 Kero Kero Bonito - Why Aren't You Dancing?&#xA;💜 KevGee - Sedated Tape&#xA;💜 Kevin MacLeod - PsychoKiller&#xA;💚 KFM - \​\​\​fail&#xA;💛 Khali - Palmer wild story&#xA;💜 Khali - IL ME RESSEMBLE PAS NON PLUS&#xA;💙 Killa Fonic - 2089&#xA;💜 Killa Fonic - BeetleJuice&#xA;💜 Killa Fonic - III&#xA;💜 Killa Fonic - Emotiv Munteana&#xA;💜 Killa Fonic - Lamă Crimă&#xA;🤍 Killa Fonic - MAT-STHĀNI SARVA-BHŪTĀNI&#xA;💛 Killa Fonic - Osvaldo (Deluxe)&#xA;💜 Killa Fonic - Ramses 1989&#xA;🤍 Killa Fonic - Radio Fonic&#xA;💜 Killa Fonic - Taxi Driver&#xA;🤍 Killa Fonic - Terra Vista&#xA;💜 Killa Fonic - Trendsetter&#xA;🤍 Killa Fonic - SS1000&#xA;💜 kiLLa Laharl - Digital Shrine&#xA;💜 killedmyself - backyard cemetery: revisited&#xA;💜 killedmyself - stay where it's safest&#xA;🤍 killedmyself - the next time you see me, you won't&#xA;🤍 killedmyself - that kindled look in her eyes&#xA;💚 Killer Bee - Venus EP&#xA;💚 Killers Legion - Ad Infinitum&#xA;💜 Killstation - Days After Dying&#xA;🤍 KingFsorrow - Color Code&#xA;💜 濱田 金吾 Kingo Hamada - midnight cruisin&#xA;💜 K.I. the Roi - If I'm Yours&#xA;💛 K.I. the Roi - To the Moon&#xA;💜 kizaru - Mas Fuerte&#xA;💜 kkami - The Adventures of Purple &amp;amp; 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Soundtrack&#xA;💛 Koji Kondo - Super Mario 3D Land Soundtrack&#xA;❤️ Koji Kondo - Super Mario 64 Soundtrack&#xA;💙 Koji Kondo - Super Mario Galaxy Soundtrack&#xA;🤍 Kordhell &amp;amp; Scarlxrd - PSYCHX&#xA;💜 Korn - Follow The Leader&#xA;💜 Korn - Issues&#xA;💛 Korn - Korn&#xA;💜 Korn - Korn III: Remember Who You Are (Special Edition)&#xA;💛 Korn - Life Is Peachy&#xA;💛 Korn - Live &amp;amp; Rare&#xA;💛 Korn - See You On the Other Side&#xA;💚 Korn - Take A Look In The Mirror&#xA;💛 Korn - The Nothing&#xA;💜 Korn - The Paradigm Shift (Deluxe)&#xA;💜 Korn - The Path of Totality (Special Edition)&#xA;💚 Korn - The Serenity of Suffering (Deluxe)&#xA;🤍 Korn - Untitled&#xA;💜 Korn - Untouchables&#xA;💚 KRAAKSTOF - KRAAKSTOF RADIO 001&#xA;💜 KRAAKSTOF - KRAAKSTOF VOL.1&#xA;💜 KRAAKSTOF - KRAAKSTOF VOL.2&#xA;💛 KRAAKSTOF - KRAAKSTOF VOL.3&#xA;💛 Krewella - Get Wet&#xA;💛 Krewella - Play Hard&#xA;💜 Krewella - Play Harder&#xA;💜 Kristian Florea - Glasna Intima&#xA;💚 Krisy - Paradis d'amour&#xA;💜 KronoMuzik - Free Krono&#xA;💜 KronoMuzik, Pandrezz &amp;amp; Ronare - zzccmxtp&#xA;🧡 Kumm - Far From Telescopes&#xA;💜 KyonPalm - CYBERIA&#xA;💜 Lady Gaga - ARTPOP&#xA;💜 Lady Gaga - Born This Way&#xA;🤍 Lady Gaga - Joanne (Deluxe)&#xA;💛 Lady Gaga - MAYHEM&#xA;💜 Lady Gaga - The Fame Monster (Deluxe Edition)&#xA;🤍 Lady Gaga &amp;amp; Bradley Cooper - A Star Is Born Soundtrack&#xA;💜 La Familia - Bine ai venit în Paradis&#xA;💜 La Femme - La Femme ressort&#xA;💜 La Femme - Mystère&#xA;💛 La Femme - Paradigme : suppléments&#xA;💛 La Femme - Paris-Hawaï&#xA;💜 La Femme - Psycho Tropical Berlin (Bonus Track Version)&#xA;🧡 La Femme - Teatro Lúcido&#xA;🤍 La Fève - ERRR&#xA;💛 Lafleyne - GOLD DIGGER&#xA;🧡 Lancey Foux - FIRST DEGREE&#xA;🧡 Lancey Foux - FRIEND OR FOUX&#xA;🤍 Lancey Foux - LIVE.EVIL&#xA;🤍 Lancey Foux - Pink&#xA;🤍 Lancey Foux - Pink II&#xA;🤍 Lancey Foux &amp;amp; Nyge - First Day At Nursery&#xA;💛 Laura Pausini - From the Inside&#xA;🤍 Laura Pausini - Fatti sentire&#xA;🤍 Laura Pausini - Inedito&#xA;💜 Laura Pausini - Io canto&#xA;🤍 Laura Pausini - La mia resposta&#xA;💚 Laura Pausini - Laura Pausini&#xA;💛 Laura Pausini - Le cose che vivi&#xA;💛 Laura Pausini - Tra te e il mare&#xA;💜 Laura Pausini - Primavera in anticipo&#xA;💛 Laura Pausini - Resta in ascolto&#xA;🤍 Laura Pausini - Simili&#xA;💙 Laura Shigihara - Plants vs. Zombies Soundtrack&#xA;💛 Laura Stoica - Focul&#xA;🤍 Laylow - L'Étrange Histoire de Mr. Anderson&#xA;🤍 Lazuli - TOKETA &#xA;🤍 Learic Spellman - Maturation&#xA;💜 Le Dé - Delta Plane&#xA;💜 Le Dé - Napalm&#xA;🤍 L'Entourage - Jeunes Entrepreneurs&#xA;🤍 Les Alchimistes - Antisocial&#xA;💜 LEX - Ταπεινοί Και Πεινασμένοι&#xA;💜 Lightex - Rusty Nail Candy&#xA;🤍 Lil Alex - SUPERSTAR&#xA;💜 Lil Bo Weep - ILLUSIONS&#xA;💜 LILDRUGHILL - All Babies Fly&#xA;💜 lil kaine - No Mercy&#xA;💜 Lil Mariko - Lil Mariko&#xA;💙 Lil Peep - California Girls&#xA;💛 Lil Peep - Changes&#xA;💙 Lil Peep - Come Over When You're Sober, Pt. 1&#xA;💜 Lil Peep - Come Over When You're Sober, Pt. 2&#xA;💙 Lil Peep - Crybaby&#xA;💛 Lil Peep - Everybody's Everything&#xA;💛 Lil Peep - feelz&#xA;💚 Lil Peep - Hellboy&#xA;💚 Lil Peep - Lil Peep; Part One&#xA;💛 Lil Peep - Live Forever&#xA;💚 Lil Peep - Teen Romance&#xA;💛 Lil Peep - Vertigo&#xA;🤍 Lil Peep &amp;amp; Death+ - Garden&#xA;💜 Lil Peep &amp;amp; Fish Narc - Goth Angel Sinner&#xA;💜 Lil Peep &amp;amp; Lil Tracy - castles&#xA;💚 Lil Peep &amp;amp; Lil Tracy - CÅSTLES II&#xA;💜 Lil Peep, Jgrxxn &amp;amp; Ghostemane - Elemental&#xA;💛 Lil Sheitan - Sur Mon Bateau Pirate&#xA;🤍 Lil Xan - TOTAL XANARCHY&#xA;💜 L'Impératrice - L'impératrice&#xA;💜 L'Impératrice - Matahari&#xA;💜 L'Impératrice - Odyssée&#xA;💜 L'Impératrice - Pulsar&#xA;🤍 L'Impératrice - Séquences&#xA;🤍 L'Impératrice - Sonate Pacifique&#xA;💚 L'Impératrice - Tako Tsubo&#xA;💜 Lingua Ignota - AGNUS DEI&#xA;💚 Lingua Ignota - All Bitches Die&#xA;💚 Lingua Ignota - CALIGULA&#xA;💛 Lingua Ignota - LET THE EVIL OF HIS OWN LIPS COVER HIM&#xA;💜 Lingua Ignota - SINNER GET READY&#xA;💛 Little Big - Antipositive, Pt. 1&#xA;💛 Little Big - Antipositive, Pt. 2&#xA;🤍 Little Big - COVERS&#xA;💛 Little Big - Funeral Rave&#xA;💜 Little Big - GO BANANAS&#xA;💜 Little Big - Lobster Popstar&#xA;🧡 Little Simz - Sometimes I Might Be Introvert&#xA;💚 lofi.hiphop - 1 yr&#xA;💜 lofi.hiphop - lofi.hiphop &#xA;💜 lofi.samurai - oldies&#xA;💜 Lolo Zouaï - Beautiful Lies&#xA;💛 Lolo Zouaï - High Highs to Low Lows (Deluxe)&#xA;💜 Lolo Zouaï - Ocean Beach&#xA;💚 Lolo Zouaï - Playgirl&#xA;💜 Lolo Zouaï - Please Hold&#xA;💛 Lonepsi - Danger de mot&#xA;💚 loose tha kid (as geerad) - brainwater&#xA;💛 loose tha kid (as geerad) - waves&#xA;🤍 Loqiemean - Повестка&#xA;💛 Lord Apex - INTERPLANETARY FUNK LP&#xA;🧡 Lord Esperanza - Drapeau Noir&#xA;🤍 Lorenzo - Légende vivante&#xA;🧡 Lorenzo - Sex In The City&#xA;💜 Lorn - Nothing Else&#xA;🤍 Lorn - RARITIES&#xA;💜 Lorn - The Maze To Nowhere&#xA;💛 Lost Colossus - PATH OF LUST VOL.1&#xA;🤍 Louane - Chambre 12&#xA;💜 Love Renaissance - Home From The Holidays&#xA;🤍 Luchè - L1&#xA;🧡 Luchè - L2&#xA;💜 Lucid Monday - LM013&#xA;🤍 Lucid Monday - LM019&#xA;🤍 Lucid Monday - LM020&#xA;🤍 Lucid Monday - LM021&#xA;💛 Lucid Monday - Lucid Monday Presents: DJ Yung Vamp, Soudiere &amp;amp; Dilip&#xA;💜 Ludwig van Beethoven - Piano Sonata No. 14&#xA;💛 Luidji - Boscolo Exedra&#xA;💜 Luidji - Mécanique des fluides&#xA;💜 Luidji - Saison 00&#xA;💙 Luidji - Tristesse Business : Saison 1&#xA;🧡 Luna Amara - Asfalt&#xA;💜 ℒund - BlkBird&#xA;💚 ℒund - Gold&#xA;🤍 Luni - Orange&#xA;🤍 Luther - GARÇON&#xA;💚 Luther (TB) - Alpha&#xA;💛 Luther (TB) - Love Pack&#xA;💛 Luther (TB) - Starter Pack&#xA;💜 Luv Resval &amp;amp; Alkpote - Mariah&#xA;💜 Mabisyo - Beatmaking Sessions V.1&#xA;💜 Mabisyo - Beauty Is Something Simple&#xA;💜 Mabisyo - Clouds Under Nicotine Extended Edition&#xA;💜 Mabisyo - Echoes Of The Subconscious&#xA;💛 Mabisyo - Everything Is Under Control&#xA;💛 Mabisyo - Light Up Your Heart&#xA;💚 Mabisyo - The Theory Of Premonitions&#xA;💜 Mabisyo &amp;amp; Majestic 12 - Velvet Notes&#xA;💛 Macanache - Interzis&#xA;💚 Mac Quayle - Mr. Robot, Vol. 1 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 2 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 3 (Original Television Series Soundtrack)&#xA;💙 Mac Quayle - Mr. Robot, Vol. 4 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 5 (Original Television Series Soundtrack)&#xA;💚 Mac Quayle - Mr. Robot, Vol. 6 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 7 (Original Television Series Soundtrack)&#xA;💛 Mac Miller - Balloonerism&#xA;🤍 Mac Miller - Blue Slide Park&#xA;💜 Mac Miller - K.I.D.S. (Deluxe)&#xA;💚 Mac Miller - Macadelic&#xA;🤍 Mac Miller - On And On And Beyond&#xA;💜 Mac Miller - Watching Movies with the Sound Off&#xA;💚 Macroblank - 痛みの永遠&#xA;💜 Macroblank - 色​あ​せ​た​エ​コ​ー&#xA;💜 Macroblank - 至福を通じた平和&#xA;💚 Macroblank - 肉と魂&#xA;💚 Macroblank - 行方不明&#xA;💙 Macroblank - ラストチャンス&#xA;💛 Macroblank - 絶望に負けた&#xA;💛 Macroblank - エコーチャンバーパーティー&#xA;💛 Macroblank - ダウンウィズザキング&#xA;💜 Macroblank - 保持&#xA;💚 Macroblank - ボイドを超える&#xA;💜 Macroblank - 没頭する&#xA;💚 Macroblank - dungeon of lust&#xA;💜 Macroblank - entropy&#xA;💛 Macroblank - FETISH*&#xA;💛 Macroblank - HOSTILE&#xA;💛 Macroblank - ibis valley&#xA;💜 Macroblank - keygen 決定的&#xA;💛 Macroblank - RARE PSALMS COLLECTION VOL​.​1&#xA;💜 Macroblank - RARE PSALMS COLLECTION VOL​.​2&#xA;💛 Macroblank - serpent lp&#xA;💜 Macroblank - Solstice&#xA;❤️ Macroblank - Tales of the Cypher&#xA;💛 Macroblank - The Exiled Lords&#xA;💛 Macroblank &amp;amp; GODSPEED 音 - IMPERIAL&#xA;💛 Macroblank &amp;amp; Oblique Occasions - elegiac blasphemy&#xA;💙 Macroblank &amp;amp; Oblique Occasions - verdant halcyon&#xA;💛 Macross 82-99 - SAILORWAVE&#xA;💛 Madvillain - Madvillainy&#xA;💜 MAGDALENE - GODSLAYER&#xA;🤍 Mag.Lo - Never&#xA;💛 Magnetic The Shaman X leaf beach - Façade&#xA;💛 Mai Lan - Autopilote&#xA;🤍 Mai Lan - Mai Lan&#xA;💚 Mai Lan - Vampire EP&#xA;🧡 Makala - Radio Suicide&#xA;💚 Male Alchemy - 1984&#xA;💛 Male Alchemy - オセアニックガーデン ep&#xA;💚 Male Alchemy - 秘密の真実&#xA;💛 Male Alchemy - aristocracy&#xA;💛 Male Alchemy - Chamonix&#xA;💙 Male Alchemy - Melancholy Of An Angel&#xA;💛 Male Alchemy - you are afraid of me&#xA;💜 Mall Greb - How The Dogs Chill, Vol.1&#xA;💛 Måneskin - Il ballo della vita&#xA;💚 Måneskin - Rush!&#xA;🤍 Måneskin - Teatro d'ira - Vol.I&#xA;💛 Manicurés - 心の中のナイフ EP&#xA;💚 m a n n y . - Calm ep.&#xA;💜 m a n n y . - Fallen ep .&#xA;💜 m a n n y . - Frequence Ep.&#xA;💜 m a n n y . - genesis ep.&#xA;💜 m a n n y . - mai tai . ep&#xA;💜 m a n n y . - wave ep.&#xA;💜 Manu Militari - Nouvelle vague&#xA;💛 Marie Therese - Space Chill&#xA;💜 Mario Fresh - red.&#xA;💛 Marius Popp - Panoramic Jazz-Rock&#xA;💜 Marko Glass - Covid Vibes&#xA;💜 Marko Glass - Markat&#xA;💛 Marko Glass - Mixed Feelings&#xA;💜 Marko Glass - Sainted?&#xA;💜 Marko Glass - Versalingo&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando 2&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando 3&#xA;💛 Marracash - Persona &#xA;🤍 Martalogii - Toți cuidații&#xA;🤎 Martha Logue - Am dat o besină și pute vol. 1&#xA;🤍 Marțolea - Noaptea dihăniilor&#xA;💛 木村雅彦 Masahiko Kimura - Spectrobes Soundtrack&#xA;💙 高中正義 Masayoshi Takanaka - All Of Me&#xA;💚 高中正義 Masayoshi Takanaka - An Insatiable High&#xA;💚 高中正義 Masayoshi Takanaka - Brasilian Skies&#xA;💛 高中正義 Masayoshi Takanaka - On Guitar&#xA;💜 高中正義 Masayoshi Takanaka - Seychelles&#xA;💙 高中正義 Masayoshi Takanaka - T-Wave&#xA;💜 масло черного тмина maslo chernogo tmina - Плохой джаз&#xA;💛 Mathematical Records - Lupin&#xA;💜 Matt Martians - The Drum Chord Theory &#xA;💜 Maxence - @+&#xA;💚 Maykretch - 街を歩く&#xA;💜 meat computer - social distancing from reality&#xA;💜 Meep - Stardust&#xA;💜 meganeko - Eclipse&#xA;💛 Mekhane - Grains&#xA;💚 Mekhane - Medjed&#xA;🤎 Melo &amp;amp; Lobe - Humble Minds&#xA;💙 Members Only - Members Only Vol.1!&#xA;💛 Members Only - Members Only, Vol. 2&#xA;💜 menace Santana - !&#xA;💛 menace Santana - Freestyle covid Part. 1&#xA;💜 menace Santana - Freestyle covid Part. 2&#xA;💙 Men I Trust - Equus Asinus&#xA;💜 Men I Trust - Headroom&#xA;💛 Men I Trust - Oncle Jazz&#xA;🤍 Men I Trust - Men I Trust&#xA;💜 Men I Trust - Untourable Album&#xA;💜 Merge! &amp;amp; Yameii Online - Merge! Vs. Yameii&#xA;💚 Methadon 3000 - Veriga lipsă&#xA;🤎 Metronext - Metronext&#xA;🧡 MGK666 - Turbo Orange&#xA;🤍 MHD - 19&#xA;💜 MHD - Mansa&#xA;💛 MHD - MHD&#xA;💙 Michael Jackson - Bad&#xA;💛 Michael Jackson - Ben&#xA;💚 Michael Jackson - Dangerous&#xA;💛 Michael Jackson - Farewell My Summer Love&#xA;💜 Michael Jackson - Forever Michael&#xA;💜 Michael Jackson - Got To Be There&#xA;💚 Michael Jackson - HIStory&#xA;💜 Michael Jackson - Invincible&#xA;🤍 Michael Jackson - Looking Back To Yesterday&#xA;💜 Michael Jackson - Michael&#xA;💜 Michael Jackson - Music &amp;amp; Me&#xA;💙 Michael Jackson - Off The Wall&#xA;❤️ Michael Jackson - Thriller&#xA;💛 Michael Jackson - XSCAPE&#xA;💙 Michael McCann - Deus Ex: Human Revolution (Original Soundtrack)&#xA;💛 Michele Morrone - Dark Room (Bonus Edition)&#xA;💛 Midi보이즈 v3.0 - Ebb &amp;amp; Flow&#xA;🤍 midwxst - better luck next time.&#xA;💛 Migos - Culture III&#xA;🤍 Mihai Mărgineanu - Gore din Chitila&#xA;🤍 MIKE DEAN - 4:23&#xA;💚 Miki - graou&#xA;💜 Milian - Personal&#xA;🤍 Миллер - Затмение&#xA;💛 Mircea Baniciu - Mircea Baniciu&#xA;🤍 MISOGI - OCCULT&#xA;💚 Mister V - Double V&#xA;💛 Mister V - MVP&#xA;🤍 Mixed Matches - all we are/all i need&#xA;💜 Mlodyskiny - Zęby&#xA;💜 Mnogoznaal - Гостиница Космос&#xA;💜 Mnogoznaal - Ночной Ловец Солнца&#xA;💛 Mobtrap - MOB PACK&#xA;💚 modest by default - Admissible Vol. I&#xA;💚 modest by default - Permaculture (组织胜过时间)&#xA;💛 modest by default - RAW PRACTICES VOL. I (حساس)&#xA;💛 modest by default - RAW PRACTICES VOL. II (استراتيجي)&#xA;💚 modest by default - RAW PRACTICES VOL. III (لا يرتشي)&#xA;💛 modest by default - THE CURSE OF COLONIALISM I&#xA;💙 modest by default - THE CURSE OF COLONIALISM II&#xA;💚 modest by default - THE CURSE OF COLONIALISM III&#xA;💚 modest by default - The Rojava Documents (ثورة مستمرة)&#xA;💜 Молчат Дома - Belaya Polosa&#xA;💙 Молчат Дома - С крыш наших домов&#xA;💜 Молчат Дома - Monument&#xA;💚 Молчат Дома - Этажи&#xA;💜 mol$ - QUIT MUSIC&#xA;💛 Monodrone - 街で夜を過ごす&#xA;💚 Monodrone - Customer Service&#xA;💚 Monodrone - Faded Memories&#xA;💙 Monodrone - Forbidden Fruit&#xA;💙 Monodrone - metempsychosis&#xA;💜 Monsieur Nov - Love Therapy&#xA;🤍 Montell Fish - Her Love Still Haunts Me Like a Ghost&#xA;🤍 MSyn - BEFORE : Atalante&#xA;💛 MSyn - NWR&#xA;💜 MSyn - Victoria Molina &amp;amp; MSyn present : XXXTENTACION, A Tribute&#xA;💛 mt. marcy - naked lunch&#xA;🤍 Muha - Identitet&#xA;💜 Muddyoush - Orchards&#xA;💜 mulchprize - 神秘的&#xA;💜 Mussy - Jig&#xA;🤍 my!lane - Sakura's Shadows&#xA;💜 M y s t e r yミステリー &amp;amp; desert sand feels warm at night - 人​生​は​幻​想​で​す&#xA;🤍 Na-Kel Smith - +&#xA;🤍 NAMCO SOUNDS - Tekken 4 (Original Game Soundtrack)&#xA;💙 NANE - &amp;quot;bo@b3&amp;quot;&#xA;💜 NANE - Șmecherescu&#xA;💜 NANE &amp;amp; NOSFE - 10h&#xA;🤍 Nanku - Nanku Sharma&#xA;🤍 Nasty Nate - Nasty Beats, Vol. 1&#xA;💜 Nation &amp;amp; Ecco2K - Ça Va&#xA;💚 Native Tapes - Native Tapes, Vol. 1: Botanical&#xA;💜 NAV - NAV&#xA;💛 NAV - Perfect Timing&#xA;💜 Navie D - Post&#xA;🧡 Necrotum - Defleshed Exhumation&#xA;💜 nedaj - Alter Ego&#xA;💛 nedaj - BERSERK&#xA;💚 nedaj - Era9&#xA;💛 nedaj - Genesis&#xA;🤍 nedaj - NO MERCY&#xA;🤍 nedaj - NO MERCY II&#xA;💜 nedaj - NO MERCY III&#xA;💛 nedaj - STATE OF MIND&#xA;💜 nedaj - The Abyss&#xA;❤️ nedaj - THE PARADOX EP MIX&#xA;🤍 Nedelko - Rhéologie &#xA;💜 Negură Bunget - OM&#xA;💙 Nekfeu - Cyborg&#xA;💚 Nekfeu - Feu (Réédition) &#xA;❤️ Nekfeu - Les étoiles vagabondes : expansion&#xA;🤍 Nemzzz - NEMZZZ TYPE BEAT&#xA;🤍  Records - Sleep Vol. 2&#xA;💜  Records - Sleep Vol. 4&#xA;💛 Neovaii - Aurora&#xA;💜 Neovaii - Closure&#xA;💜 Neovaii - Dawn&#xA;💚 Neovaii - Dusk&#xA;💜 Neovaii - Horizon&#xA;💛 Neovaii - In Time&#xA;💚 Neovaii - Onward&#xA;💜 Neovaii - Twilight&#xA;💛 NeS - POUR DE VRAI&#xA;💜 NEVER GET USED TO PEOPLE - Ненавижу&#xA;🤍 nvrmore - Irregular Shapes&#xA;🤍 nfract - Emo Girl&#xA;💜 nfract - Love In Fragments&#xA;💛 nfract - mass:/ps2/music/nightcore&#xA;❤️ Niccolò Paganini - 24 Caprices for Solo Violin&#xA;💛 Nightlosers - Rhythm &amp;amp; Bulz&#xA;🤎 Nihil - Declaration Of Anger&#xA;🤍 Nimeni altu' - Nopți prea lungi&#xA;💛 Niki Istrefi - EUROMANTIC001&#xA;💜 NMW Yanni - Junior&#xA;💜 No_4mat - 2016&#xA;🤍 No_4mat - Console Mentality&#xA;💜 No_4mat - City Boy&#xA;🤍 No_4mat - No Fear&#xA;💜 NoGht - A World Without Time (2020 Edition)&#xA;💛 nohidea - blank space&#xA;💜 nohidea - origami&#xA;💛 nohidea &amp;amp; Sleepdealer - Nowhere&#xA;💜 NØISE$ - Songs I've released&#xA;💜 Nonst0pp - PARADIS OU ENFER&#xA;💜 NOSFE - Brasil&#xA;💜 ＮＯＳＴＲＡＤＡＭＵＳ - Paradise Falls&#xA;💜 Nothing But Thieves - Broken Machine (Deluxe)&#xA;💜 notYero - Animal Crossing x Dancehall&#xA;🤍 notYero - Animal Crossing x Everyone Vol I&#xA;💜 notYero - Animal Crossing x Everyone Vol II&#xA;💜 notYero - Animal Crossing x Everyone Vol III&#xA;💜 notYero - Animal Crossing x Everyone Vol IV&#xA;💜 notYero - Animal Crossing x Everyone Vol V&#xA;🤍 notYero - Kaytraminé x Everyone&#xA;🤍 notYero - lil 3 piece&#xA;💜 notYero - Valentine's Pack&#xA;💜 notYero - Xmas Pack&#xA;💛 notYero - zouk x everyone&#xA;🤍 Nusky &amp;amp; Vaati - Bluh&#xA;💚 Nu Zau - Take Me In Space&#xA;💜 NxxxxxS - Special Intervention&#xA;💜 Nyluu - uu&#xA;💜 Oatmello - Memory&#xA;💛 Oblique Occasions - 原点&#xA;💛 Oblique Occasions - 危険な心痛 LP&#xA;💙 Oblique Occasions - Anathema&#xA;💛 Oblique Occasions - Animus&#xA;💚 Oblique Occasions - don't look at me&#xA;💛 Oblique Occasions - parhelion lp&#xA;💜 Oblique Occasions - Perfect Storm&#xA;💛 Oblique Occasions - Punishment&#xA;💛 Oblique Occasions - Remnants&#xA;💛 Oblique Occasions - Sable Covenant&#xA;💛 Oblique Occasions - Silent Despair&#xA;💚 Oblique Occasions - Slaves to Status&#xA;💚 Oblique Occasions - Solipsism&#xA;💛  - Live at Fresh Produce&#xA;💜 OG Bev - Original Form&#xA;🤍 Oliverishiding - How Could You Love Someone Like Me?&#xA;🤍 Ombladon - Condoleanțe&#xA;💛 Om la lună - În caz de om la lună, strigați &amp;quot;om la lună stânga/dreapta&amp;quot;, după caz (Deluxe Edition)&#xA;💜 Omu Gnom - Muzică de pus pe gânduri&#xA;💜 Omul cu sobolani - Ne punem în cap&#xA;💜 ooxygen - Friends&#xA;💜 ooxygen - light&#xA;💙 opium - idiom / 2 am.&#xA;💛 optic core - save room&#xA;💛 Orelsan - Civilisation (Édition ultime)&#xA;💙 Orelsan - Le chant des sirènes&#xA;💚 Orelsan - La fête est finie&#xA;💜 Orelsan - La fête est finie - Épilogue&#xA;🤍 Orelsan - Perdu d'avance&#xA;💜 Oregz &amp;amp; Lil Sheitan - Blessures&#xA;💛 Oryse - Maximum Velocity&#xA;🤍 Oscar - Ștefan III&#xA;💛 oscarfrompanama - lonely heart&#xA;💜 OSHUN - ASASE YAA &#xA;🤍 Osirus Jack - Nibiru&#xA;💛 Ours Samplus - Bepolar&#xA;🧡 OverBurn - Night Of Horror&#xA;💛 Overpade - HYPNOTIK&#xA;🤍 Owl Vision - Downlord&#xA;🤍 Oxmo Puccino - LAFIYA SESSIONS&#xA;💜 Oxmo Puccino - L'Amour est mort&#xA;💚 Oxmo Puccino - La nuit du réveil&#xA;🤍 Oxmo Puccino - La Réconciliation&#xA;💚 Oxmo Puccino - L'arme de paix&#xA;💛 Oxmo Puccino - La Voix Lactée&#xA;💜 Oxmo Puccino - Le Cactus de Sibérie&#xA;🤍 Oxmo Puccino - L'enfant seul&#xA;🧡 Oxmo Puccino - Lipopette bar&#xA;💛 Oxmo Puccino - Opéra Puccino&#xA;💛 Oxmo Puccino - Roi sans carrosse&#xA;💛 Pallet Tunes - Pallet Tunes Volume 1&#xA;💚 Pallet Tunes - Pallet Tunes Volume 2&#xA;💛 Pallet Tunes - Pallet Tunes Volume 3&#xA;💚 Panchiko - D&amp;gt;E&amp;gt;A&amp;gt;T&amp;gt;H&amp;gt;M&amp;gt;E&amp;gt;T&amp;gt;A&amp;gt;L&#xA;💜 Panchiko - Failed At Math(s)&#xA;💛 Panchiko - Ferric Oxide&#xA;💛 Panchiko - Ginkgo&#xA;🤍 Pan Pan - Φαντασμαγορία Τρία&#xA;🤍 Paraziții - Irefutabil&#xA;💛 Partizan - București&#xA;💛 PARTYNEXTDOOR - PARTYNEXTDOOR 4&#xA;💛  - fullmetal&#xA;💛 Pasărea Colibri - Cântece de bivuac&#xA;🤍 Pasărea Colibri - În căutarea cuibului pierdut&#xA;💛 PĂSĂRILE NU EXISTĂ! - PSALMII&#xA;🤍 Pastel Ghost - Abyss&#xA;💜 Patron - Shotron&#xA;💜 Patsy Moore - Regarding The Human Condition&#xA;🤍 Paulie Leparik - Neon Daydream&#xA;💜 P Bitt - MUSIC TO CRASH YOUR WHIP TO&#xA;🧡 Pedro LaDroga - Hologram&#xA;💜 Pegboard Nerds - Nerds by Nature&#xA;🤍 Pegboard Nerds - Pink Cloud&#xA;💜 Pengus - Neon Drive Game Soundtrack&#xA;🤍 Pepe - Aruncă-mi o privire&#xA;💜 Pepe - Cine te iubește?...&#xA;💜 Pepe - Fericire și tristețe&#xA;💜 Pepe - Îmi place&#xA;💜 Pepe - Inimă nebună&#xA;💜 PΣRMANΣNT//ZΣIMP - 更好的一年&#xA;💜 PΣRMANΣNT//ZΣIMP - GIVE ME A RAZÓN&#xA;💚 PERMSKY KRAY - Дорогой человек&#xA;💜 Petre Inspirescu - Într-o seară organică...&#xA;🤍 P-Funk - Bonfire&#xA;💜 PHARAOH - Boulevard Depo&#xA;💜 Phasm &amp;amp; Absolem - Gucci Sushi&#xA;💛 Philanthrope - Cloudfiles&#xA;🖤 Philip Glass Ensemble - Einstein on the Beach &#xA;💛 Phloem. - Only Love EP&#xA;💜 Phoenix - Cantafabule&#xA;🤍 Phoenix - Mugur de fluier&#xA;🤍 Pink Sweat$ - PINK PLANET&#xA;💚 P I Z Z A H O T L I N E - L E V E L S E L E C T // レベル選択&#xA;💜 Plagger - Wavy Scenes&#xA;🤍 Planeta Moldova - Planeta Moldova&#xA;🤍 PlanetGrim - PlanetGrim&#xA;💜 PLANT - BAU!&#xA;🤍 Playboi Carti - MUSIC&#xA;🤍 Playboi Carti - Whole Lotta Red &#xA;💜 plenka - Pt. One&#xA;💜 plusma - gamma ep&#xA;💛 plusma - seesaw ep&#xA;🤍 plusma - shape ep&#xA;💚 plusma - waver LP&#xA;💚 PNL - Dans la légende&#xA;💚 PNL - Deux frères&#xA;💛 PNL - Le Monde Chico&#xA;💜 PNL - Que la famille&#xA;💜 POiSON GiRL FRiEND - das Gift&#xA;💜 POiSON GiRL FRiEND - Love Me&#xA;💚 POiSON GiRL FRiEND - MELTING MOMENT&#xA;💜 POiSON GiRL FRiEND - POiSON GiRL FRiENDS&#xA;🤍 POiSON GiRL FRiEND - rondoElectro&#xA;💜 POiSON GiRL FRiEND - Shyness&#xA;💜 Pokelawls - WaterBreak&#xA;💚 Polyphia - Remember That You Will Die&#xA;💛 Pop Smoke - Meet The Woo&#xA;🤍 Post-Scriptum - O altă supradoză&#xA;💛 potsu - ivy league&#xA;💜 potsu - just friends&#xA;💛 Pouya - The South Got Something to Say&#xA;💜 Pouya - Underground Underdog&#xA;💙 PRIME - Caca Boud1&#xA;💜 PRIME - MONTADA&#xA;❤️ PRIME - RE.&#xA;💚 PRIME - U.S.S.O&#xA;💛 PRIME - Xander&#xA;🤍 Private Venganza - Private Venganza&#xA;💜 Progresiv TM - Puterea muzicii&#xA;🤍 Projections - Between Here And Now&#xA;💜 Pro Musica - Rockul baroc&#xA;💜 Psycada - Hiking Lung&#xA;🧡 Psychiatry - Ready for War&#xA;💜 PURPLE POSSE - ISSUE 05 (Full Stream)&#xA;💜 PURPLE POSSE - ISSUE 06 (Full Stream)&#xA;🤍 Puya - Românisme, Pt. 2&#xA;💛 Пётр Ильи́ч Чайко́вский - Щелкунчик&#xA;🤍 Quadra - Fără filtru&#xA;💚 Quavo - Quavo Huncho &#xA;💜 Quicdraw - Brunch Beats&#xA;💜 КУОК - DECADANCE&#xA;💛 КУОК - Genesis&#xA;💛 КУОК - QTOPIA&#xA;💜 قريش Quraishi - Mountain Melodies&#xA;🤎 R.A.C.L.A. - Rime de bine&#xA;💛 Radiohead - Amnesiac&#xA;💚 Radiohead - A Moon Shaped Pool&#xA;💜 Radiohead - creep&#xA;💚 Radiohead - drill&#xA;🤍 Radiohead - Hail To the Thief&#xA;💛 Radiohead - In Rainbows&#xA;💚 Radiohead - Kid A&#xA;💚 Radiohead - OK Computer&#xA;💛 Radiohead - Pablo Honey&#xA;💛 Radiohead - The Bends&#xA;💛 Radiohead - The King Of Limbs&#xA;💛 raku - În mediu vitreg&#xA;🤍 Ralph Castelli - Lover Girl&#xA;💜 Ralph Castelli - Ralph Castelli&#xA;💛 Raluka - Amângoi&#xA;💙 Ramova - Trackmania (Original Game Soundtrack)&#xA;🤍 Rana - Noi doi (versus restul lumii)&#xA;🤍 Raphael - Acohen&#xA;💜 RARE AKUMA - AKUMA SEASON&#xA;🤎 Rashid - Saga O.G.&#xA;🧡 Raul Ws - ELWS&#xA;🧡 RAYE - My 21st Centry Blues&#xA;💜 Razegod - Multilinear&#xA;💛 Rebecca Black - Let Her Burn&#xA;💛 Rebecca Black - Rebecca Black Was Here&#xA;💜 Rebecca Black - RE/BL&#xA;💜 Rebecca Black - SALVATION&#xA;💛 Recycled J - SAD SUMMER &#xA;💜 REI AMI - Foil&#xA;💛 Renaud - Renaud&#xA;💛 René Schier - Failed&#xA;💜 REPULSIVE - Eurydice&#xA;💛 REPULSIVE - homesick&#xA;💜 REPULSIVE - The Black Mirror&#xA;💛 REPULSIVE - what have you seen in my eyes&#xA;💚 REPULSIVE - Wings&#xA;🤍 Retro X - Le ciel&#xA;🤍 Retro X - SKL&#xA;💜 reverie - ˚₊‧꒰ა ☆ ໒꒱ ‧₊˚&#xA;💚 RINI - After the Sun&#xA;💚 RINI - Constellations&#xA;💜 RINI - Lucky 7&#xA;💛 RITCHRD - Tape Cinco&#xA;💛 ROA - System of Sound&#xA;🧡 ROBERTO - REAL&#xA;🧡 Robin and the Backstabbers - Bacovia Overdrive Vol. 1 Stalingrad&#xA;💚 rob smyles - babymakers EP&#xA;🤍 Rodion G.A. - The Lost Tapes&#xA;🧡 Roi Heenok - Gangster &amp;amp; Gentleman&#xA;💛 Roland Prince - Color Visions&#xA;💚 Romain Gauthier - Asphalt: Urban GT OST&#xA;💛 Ronare - Radiance&#xA;🤍 Rombreaker - sweet lies sour truths&#xA;🤍 Roseboy666 - Soleil Noir&#xA;💜 r o s e˙t i n t - faded colors&#xA;💛 Roșu și Negru - Roșu și Negru&#xA;💜 Rounhaa - Yeratik&#xA;🤍 Rowjay - Free Cdf2&#xA;💛 Roxen - Alternative Dreams&#xA;🤍 RWMNCS - Raw&#xA;💎 Ryan Roth - The Beginner's Guide Soundtrack&#xA;💛 福居良 Ryo Fukui - シーナリィ Scenery&#xA;💛 SACROSANCT - Electrophonique&#xA;💜 SACROSANCT - 非物理的なコンテキスト&#xA;💛 Sadboy Sheldon - A†ROCI   Y EXHIBI†ION&#xA;💜 Sadboy Sheldon - Niggerz&#xA;🤍 Saddayah - LILA&#xA;💛 saddyowner - the minecraft soundtrack but it's midwest emo&#xA;🤍 Sadworldbeats - Sadworld Beat Tape #4&#xA;💛 saik - Breezin'&#xA;💜 Saint Levant - DEIRA&#xA;💛 Saint Levant - From Gaza, With Love&#xA;💛 Saint Levant - Love Letters / رسائل حب&#xA;💜 SALUKI - Властелин калек&#xA;💛 salvia palth - melanchole&#xA;💜 samashi - Oldschool Memories&#xA;🤍 Sam Gellaitry - IV&#xA;💜 Sami G - Hustler&#xA;💜 Sarah Kinsley - The King&#xA;💛 Sarmalele Reci - Țara te vrea prost&#xA;🤍 sashadidntwakeup - сам себе враг&#xA;🤎 Satra B.E.N.Z. - O.$.O.D. 2&#xA;💚 Saturn Citizen - Saturn Tape, Vol. 1 &#xA;💚 savant shadow - 480i LP&#xA;💚 savant shadow - abandon all hope&#xA;💛 savant shadow - Camera Obscura&#xA;💛 sayk_ - 霊気&#xA;💜 S'bortè - Knowledge.Love.Awareness&#xA;🤍 Scarlet Aura - Rock-Stravaganza&#xA;💜 Scarlxrd - スカー藩主&#xA;💜 Scarlxrd - Acquired Taste: Vxl. 1&#xA; Scarlxrd - Acquired Taste: Vxl. 2&#xA;💛 Scarlxrd - Annx Dxmini&#xA;💛 Scarlxrd - Cabin Fever&#xA;💚 Scarlxrd - chaxsthexry&#xA;🤍 Scarlxrd - DeadRising&#xA;💛 Scarlxrd - DXXM&#xA;💛 Scarlxrd - DXXM II&#xA;🤍 Scarlxrd - FANTASY VXID&#xA;💜 Scarlxrd - IMMXRTALISATIXN&#xA;💜 Scarlxrd - INFINITY&#xA;💜 Scarlxrd - Lxlwut?&#xA;💚 Scarlxrd - Rxse&#xA;🤍 Scarlxrd - SCARHXURS&#xA;💚 SCH - A7&#xA;💛 SCH - Anarchie&#xA;💛 SCH - Autobahn&#xA;💜 SCH - Deo Favente&#xA;💛 SCH - JVLIVS&#xA;💛 SCH - JVLIVS II&#xA;💚 SCH - JVLIVS Prequel : Giulio&#xA;💜 SCH - JVLIVS III : Ad Finem&#xA;💜 SCH - Rooftop&#xA;💜 schafter - FUTURA&#xA;🤍 Scott James - Un&#xA;💛 Scythe - Boiled Alive&#xA;💛 SDM - ALVALM&#xA;💜 SDST - Mecanismul de modificare al minții umane&#xA;💙 SEATBELTS シートベルツ - COWBOY BEBOP (Original Motion Picture Soundtrack)&#xA;💛 SEATBELTS シートベルツ - Cowboy Bebop (Original Soundtrack 3) Blue&#xA;💚 SEATBELTS シートベルツ - Cowboy Bebop Vitaminless&#xA;💜 SEB - Crash Test&#xA;💚 Seiryu - Blue Dragon&#xA;💚 Sega Digital Studio - Mario &amp;amp; Sonic at the Olympic Winter Games DS Soundtrack&#xA;💜 Sely - Connecté 2&#xA;🤍 Sen 09 - Feign&#xA;🧡 Serane - EL(L)E&#xA;🧡 Serane - Prise Musique&#xA;💛 Serotone - folie à deux&#xA;💙 Seth Gueko - Barlou&#xA;💚 Seth Gueko - Destroy&#xA;💛 Seth Gueko - La Chevalière&#xA;💛 Seth Gueko - Professeur Punchline&#xA;💛 Seth Gueko, Alkpote &amp;amp; Zekwe Ramos - Néochrome Hall Stars Game&#xA;💜 Sevdaliza - Ison&#xA;💚 Sewerslvt - Don't Be Afraid of Dying&#xA;❤️ Sewerslvt - Draining Love Story&#xA;❤️ Sewerslvt - Drowning in the Sewer&#xA;💚 Sewerslvt - if you're out there i miss you ｡ﾟ･ (﹥﹏﹤) ･ﾟ｡&#xA;💚 Sewerslvt - infatuation&#xA;💛 Sewerslvt - Interdimensional Snuff Films&#xA;💚 Sewerslvt - IRLY&#xA;💚 Sewerslvt - It Just Gets Worse&#xA;💛 Sewerslvt - Selected Sewer Works&#xA;💛 Sewerslvt - Sewer Idol Project&#xA;💙 Sewerslvt - Sewer//slvt&#xA;💛 Sewerslvt - Skitzofrenia Simulation&#xA;🧡 Sewerslvt - Starving Slvts Always Get Their Fix&#xA;💚 Sewerslvt - suffering from melancholia&#xA;💚 Sewerslvt - The World Is Fvcked&#xA;💛 Sewerslvt - Tortvred Lesbians Ripped Apart&#xA;💚 Sewerslvt - we had good times together, don't forget that&#xA;💜 Sewerslvt - Worthlessness Selected&#xA;💛 Sexion d'Assaut - L'Apogée&#xA;🤍 Sex Pula Pistol - Capodopere&#xA;💛 Sfinx - Zalmoxe&#xA;💜 Shakira - Laundry Service&#xA;🤍 Shakira - ¿Dónde están los ladrones?&#xA;🤍 Shakira - Pies descalzos&#xA;💚 Sheldon - Fétiche&#xA;💛 Sheldon - Fréquences Sombres&#xA;💜 Sheldon - Innsmouth&#xA;💛 Sheldon - Lune Noire&#xA;🤍 Sheldon - Mauvaise Humeur&#xA;💜 Sheldon - RPG&#xA;🧡 Sidewalks and Skeletons - White Light&#xA;💚 Shift - Fragil&#xA;💛 Shift - Minciuna&#xA;❤️ Shinobu Tanaka - Mario Kart DS Soundtrack&#xA;💛 Shota Kageyama, Go Ichinose, Hitomi Sato, Junichi Masuda &amp;amp; Minako Adachi - Pokémon Black and White Soundtrack&#xA;💛 Shrimpnose - Good Grief&#xA;💜 Sienna Sleep - 20201022&#xA;💛 Sienna Sleep - 20220715&#xA;💛 Sienna Sleep - Tranquility Tape&#xA;💛 Silly Fools - Candyman&#xA;🧡 singeboy.Mp4 - A Couvert !!&#xA;💜 Sixto Rodriguez - Cold Fact&#xA;💜 Sixto Rodriguez - Coming From Reality&#xA;🧡 Ska-nk - Pe acorduri de vară&#xA;💜 $KEER&amp;amp;BOO$ &amp;amp; YUNG UMBRO - DE POLO OP MIJN BODY ZIT VOL MED BLOED VAN STERVELINGEN TERWIJL IK 8.6 DRINK, VOL. 2&#xA;🤍 Ski Mask The Slump God - 11th Dimension&#xA;💜 Ski Mask The Slump God - BEWARE THE BOOK OF ELI&#xA;🤍 Ski Mask The Slump God - Cruel World&#xA;💜 Ski Mask The Slump God - DROWN IN DESIGNER&#xA;💛 Ski Mask The Slump God - Sin City The Mixtape&#xA;🤍 Ski Mask The Slump God - SLAPS FOR MY DROP-TOP MINI-VAN&#xA;💚 Ski Mask The Slump God - STOKELEY&#xA;💛 Ski Mask The Slump God - YouWillRegret (Reloaded)&#xA;💚 Skrillex - Bangarang&#xA;💛 Skrillex - Leaving EP&#xA;💜 Skrillex - Make It Bun Dem After Hours&#xA;💛 Skrillex - More Monsters and Sprites&#xA;💜 Skrillex - My Name Is Skrillex&#xA;💛 Skrillex - Recess&#xA;💚 Skrillex - Scary Monsters and Nice Sprites&#xA;🧡 Skryptonite - Уроборос: Улица 36&#xA;💜 Sky.High - sleepy.&#xA;🤍 slowbowz - slwbwz&#xA;💛 slowerpace 音楽 - APLOMB 機転&#xA;💛 slowerpace 音楽 - Barbershop Simulator™&#xA;💛 slowerpace 音楽 - GUILT 罪​悪​感&#xA;💚 slowerpace 音楽 – SPACE COWBOYS&#xA;💚 slowerpace 音楽 - The Great Escape&#xA;💜 Smiley - În lipsa mea&#xA;💚 Smoke Trees - Into The Deep&#xA;🤍 snafu - ​⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻&#xA;💛 snafu - allure of darkness&#xA;💜 snafu - songs about self hatred&#xA;💛 snorunt - glalie&#xA;💜 snorunt - no arnak, no noob&#xA;💜 ​snorunt &amp;amp; dj33needler - arva offmode&#xA;🤍 ​snorunt &amp;amp; Miaooss!! - adventure&#xA;💙 S O A R E R - 外的存在&#xA;🤍 Solomand &amp;amp; GRËJ - Jeune Basquiat&#xA;🤍 Solomon - Bando SZN&#xA;🧡 Solomon - Bando SZN Reloaded&#xA;🧡 Solomon - Valabil&#xA;💛 SONBEST - Lotus&#xA;💛 sophie meiers (as little bug) - ACCIDENTAL POETRY EP&#xA;💙 sophie meiers - Broken Clinic&#xA;💚 sophie meiers - Candle Glow&#xA;💚 sophie meiers - 𝐜𝐡𝐫𝐲𝐬𝐚𝐥𝐢𝐬&#xA;💛 sophie meiers - come ovr/skype calls&#xA;💜 sophie meiers - crawl__space&#xA;💛 sophie meiers - shine__space&#xA;💛 sophie meiers - spark__space&#xA;💚 sophie meiers - throwaway files&#xA;💛 sophie meiers - wingspan (Demos)&#xA;💚 sophie meiers - you and me again&#xA;💙 SOPHY 王嘉儀 - 留念 CONNECTIVE MEMORIES&#xA;💛 SOPHY 王嘉儀 - 水性揚花&#xA;💙 SOPHY 王嘉儀 - 殘 HARSH&#xA;💚 SOPHY 王嘉儀 - QUARTER&#xA;💛 SOPHY 王嘉儀 - Sophrology&#xA;💛 So sama - DRAMA&#xA;🤍 Sosi - This Is the Thing&#xA;💜 $OUDIERE - AFTERLIFE EP&#xA;💙 Spacetime Continuum - Sea Biscuit&#xA;🤍 Spacetime Continuum &amp;amp; Terence McKenna - Alien Dreamtime&#xA;💜 Specii - Ușile, Vol. 1&#xA;🧡 Spectral - Neural Correlates of Hate&#xA;🤍 Spike - Rămânem prieteni&#xA;🤍 spill tab - Bonnie&#xA;💜 spill tab - KLEPTO&#xA;💛 spill tab - Oatmilk&#xA;💛 spirited. - FREE SPIRITS Vol.4&#xA;💛 SPURME - Anguished Love&#xA;💛 SPURME - Breaking Painful Peace&#xA;💜 SPURME - Cyberiacore&#xA;💜 SPURME - Fade&#xA;💜 SPURME - Neliulotteisuus&#xA;💜 SPURME - Void before Mogius (2020-2021)&#xA;💛 Squall p - STR&#xA;💜 Squeezie - Oxyz&#xA;💜 SSOLOGOD - DOCTEUR FOULAMOUR&#xA;💜 SSOLOGOD - FREE FOULAMOUR&#xA;💜 $T - $T/hard&#xA;💚 Steel Monkeys - Master Rallye Soundtrack&#xA;💜 Steezyasfuck - #1995&#xA;💛 Ștefan Costea &amp;amp; Pitariu - LAST CALL&#xA;🤍 Stensy - Rotations&#xA;🤍 St. Jimmy - Boulevard des Rêves Brisés&#xA;💜 St. Jimmy - MW2&#xA;🤍 Stolearenco - HUMBLE &amp;amp; GIFTED&#xA;💛 strxberrymilk - Music for Awkward Dates&#xA;💛 strxberrymilk &amp;amp; Andy pls - Andymilk&#xA;💛 Stromae - Multitude&#xA;💙 Stromae - racine carrée&#xA;💚 Subcarpaţi - Zori și Asfințit&#xA;💛 $uicideboy$ - 7th or St. Tammany&#xA;💚 $uicideboy$ - Dark Side of the Clouds&#xA;💚 $uicideboy$ - Eternal Grey&#xA;💛 $uicideboy$ - Gray/Grey&#xA;💛 $uicideboy$ - Grey Sheep&#xA;💚 $uicideboy$ - Grey Sheep II&#xA;❤️ $uicideboy$ - High Tide in the Snake's Nest&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (II)&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (III)&#xA;💛 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (IV)&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (V)&#xA;❤️ $uicideboy$ - I Want to Die in New Orleans&#xA;💚 $uicideboy$ - KILL YOUR$ELF $agas: I - V&#xA;💛 $uicideboy$ - KILL YOUR$ELF $agas: VI - X&#xA;💚 $uicideboy$ - KILL YOUR$ELF Sagas: XI - XV&#xA;💚 $uicideboy$ - KILL YOUR$ELF Sagas: XVI - XX&#xA;💎 $uicideboy$ - Long Term Effects of SUFFERING&#xA;💚 $uicideboy$ - My Liver Will Handle What My Heart Can't&#xA;💛 $uicideboy$ - New World Depression&#xA;💚 $uicideboy$ - Now the Moon's Rising&#xA;💛 $uicideboy$ - Radical $uicide&#xA;❤️ $uicideboy$ - Sing Me a Lullaby, My Sweet Temptation&#xA;💚 $uicideboy$ - Stop Staring at the Shadows&#xA;💜 $uicideboy$ - YING YANG TAPES: Fall Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Spring Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Summer Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Winter Season (1989-1990)&#xA;💙 $uicideboy$ - YUNGDEATHLILLIFE&#xA;💛 $uicideboy$ &amp;amp; Black Smurf - Black $uicide&#xA;🤍 $uicideboy$ &amp;amp; Black Smurf - Black $uicide Side B: $uicide Hustle&#xA;💜 $uicideboy$ &amp;amp; Black Smurf - Black $uicide Side C: The Seventh Seal&#xA;🧡 $uicideboy$ &amp;amp; Germ - DIRTIESTNASTIEST$UICIDE&#xA;🧡 $uicideboy$ &amp;amp; Shakewell - SHAMELESS $UICIDE&#xA;💛 $uicidjego$ &amp;amp; Sudokku - Clanul Mistic&#xA;💛 Șuie Paparude - urban&#xA;💜 sundiver ca - Superstar Baby&#xA;💜 Supper Moment - 等等&#xA;💜 Supper Moment - 旅程&#xA;💜 surrenderdorothy - BreathingExercise&#xA;💜 surrenderdorothy - ItsTheLeastWeCanDo&#xA;💛 surrenderdorothy - ItsTheThoughtThatCounts&#xA;💜 surrenderdorothy - JustWhatTheDoctorOrdered&#xA;💜 surrenderdorothy - NobodyWantsMe&#xA;💜 surrenderdorothy - NoPlaceLikeHome&#xA;💜 surrenderdorothy - thishouseisnotahome&#xA;💛 surrenderdorothy - WeNeverAskedForThis&#xA;💚 Survolaj - Survolaj&#xA;🤍 Suzuya - Condamné&#xA;🤎 Suzuya - L'amour c'est la guerre&#xA;💛 Suzuya - Là où les cœurs se pendent&#xA;💛 Swayed Ways - One Time&#xA;💙 Swono - B-EE 008&#xA;💙 Swono - lille&#xA;💛 Swono - Ｓｐｉｒａｌｓ&#xA;💜 SwuM &amp;amp; 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<INFO BITRATE="871598" KEY_LYRICS="38 ContributorsUlysses (Chap. 15 - Circe) LyricsThe Mabbot street entrance of nighttown, before which stretches an uncobbled transiding set with skeleton tracks, red and green will-o'-the-wisps and danger signals. Rows of flimsy houses with gaping doors. Rare lamps with faint rainbow fans. Round Rabaiotti's halted ice gondola stunted men and women squabble. They grab wafers between which are wedged lumps of coal and copper snow. Sucking, they scatter slowly. Children. The swancomb of the gondola, highreared, forges on through the murk, white and blue under a lighthouse. Whistles call and answer.&#xA;&#xA;THE CALLS Wait, my love, and I'll be with you.&#xA;&#xA;&#xA;THE ANSWERS Round behind the stable.&#xA;&#xA;(A deaf mute idiot with goggle eyes, his shapeless mouth dribbling, jerks past, shaken in Saint Vitus' dance. A chain of children's hands imprisons him.)&#xA;&#xA;THE CHILDREN Kithoguel Salute.&#xA;&#xA;THE IDIOT (Lifts a palsied left arm and gurgles.) Grhahute!&#xA;&#xA;THE CHILDREN Where's the great light?&#xA;&#xA;THE IDIOT (Gobbing.) Ghaghahest.&#xA;&#xA;(They release him. He jerks on. A pygmy woman swings on a rope slung between the railings, counting. A form sprawled against a dustbin and muffled by its arm and hat moves, groans, grinding growling teeth, and snores again. On a step a gnome totting among a rubbish tip crouches to shoulder a sack of rags and bones. A crone standing by with a smoky oil lamp rams the last bottle in the maw of his sack. He heaves his booty, tugs askew his peaked cap and hobbles off mutely. The crone makes back for her lair swaying her lamp. A bandy child, asquat on the doorstep with a papershuttlecock, crawls sidling after her in spurts, clutches her skirt, scrambles up. A drunken navvy ups with both hands the railings of an area, lurching heavily. At a corner two night watch in shoulder capes, their hands upon their staffholsters, loom tall. A plate crashes; a woman screams; a child wails. Oaths of a man roar, mutter, cease. Figures wander, lurk, peer from warrens. In a room lit by a candle stuck in a bottleneck a slut combs out the tatts from the hair of a scrofulous child. Cissy Caffrey's voice, still young, sings shrill from a lane.)&#xA;&#xA;CISSY CAFFREY&#xA;&#xA;&#xA;&#xA;I gave it to Molly&#xA;Because she was jolly,&#xA;The leg of the duck&#xA;The leg of the duck.&#xA;&#xA;(Private Cart and Private Compton, swaggersticks tight in their oxters, as they march unsteadily rightaboutface and burst together from their mouths a volleyed fart. Laughter of men from the lane. A hoarse virago retorts.)&#xA;&#xA;THE VIRAGO Signs on you, hairy arse. More power the Cavan girl.&#xA;&#xA;CISSY CAFFREY More luck to me. Cavan, Cootehill and Belturbet.&#xA;&#xA;(She sings.)&#xA;&#xA;I gave it to Nelly&#xA;To stick in her belly&#xA;The leg of the duck&#xA;The leg of the duck.&#xA;&#xA;&#xA;(Private Cart and Private Compton turn and counterretort, their tunics bloodbright in a lampglow, black sockets of caps on their blond copper polls. Stephen Dedalus and Lynch pass through the crowd close to the redcoats.)&#xA;&#xA;PRIVATE COMPTON (Jerks his finger.) Way for the parson.&#xA;&#xA;PRIVATE CARR (Turns and calls.) What ho, parson!&#xA;&#xA;CISSY CAFFREY (Her voice soaring higher.)&#xA;&#xA;She has it, she got it,&#xA;Wherever she put it&#xA;The leg of the duck.&#xA;&#xA;(Stephen, flourishing the ashplant in his left hand, chants with joy the introit for paschal time. Lynch, his jockey cap low on his brow, attends him, a sneer of discontent wrinkling his face.)&#xA;&#xA;STEPHEN Vidi aquam egredientem de templo a latere dextro. Alleluia.&#xA;&#xA;(The famished snaggletusks of an elderly bawd protrude from a doorway.)&#xA;&#xA;THE BAWD (Her voice whispering huskily.) Sst! Come here till I tell you. Maidenhead inside. Sst.&#xA;&#xA;STEPHEN (Altius aliqantulum) Et omnes ad quos pervenit acqua ista.&#xA;&#xA;THE BAWD (Spits in their trail her jet of venom.) Trinity medicals. Fallopian tube. All prick and no pence.&#xA;&#xA;(Edy Boardman, sniffling, crouched with Bertha Supple, draws her shawl across her nostrils.)&#xA;&#xA;EDY BOARDMAN (Bickering.) And say the one: I seen you up Faithful place with your squarepusher, the greaser off the railway, in his cometobed hat. Did you, says I. That's not for you to say, says I. You never seen me in the mantrap with a married highlander, says I. The likes of her! Stag that one is. Stubborn as a mule! And her walking with two fellows the one time, Kildbride the enginedriver and lancecorporal Oliphant.&#xA;&#xA;STEPHEN (Triumphaliter.) Salvi facti i sunt.&#xA;&#xA;(He flourishes his ashplant shivering the lamp image, shattering light over the world. A liver and white spaniel on the prowl slinks after him, growling. Lynch scar's it with a kick.)&#xA;&#xA;LYNCH So that?&#xA;&#xA;STEPHEN (Looks behind.) So that gesture, not music, not odours, would be a universal language, the gift of tongues rendering visible not the lay sense but the first entelechy, the structural rhythm.&#xA;&#xA;LYNCH Pornosophical philotheology. Metaphysics in Mecklenburg street!&#xA;STEPHEN We have shrewridden Shakespeare and henpecked Socrates. Even the allwisest stagyrite was bitted, bridled and mounted by a light of love.&#xA;&#xA;LYNCH Ba!&#xA;&#xA;STEPHEN Anyway, who wants two gestures to illustrate a loaf and a jug? This movement illustrates the loaf and jug of bread and wine in Omar. Hold my stick.&#xA;&#xA;LYNCH Damn your yellow stick. Where are we going?&#xA;&#xA;STEPHEN Lecherous lynx, to la belle dame sans merci, Georgina Johnson, ad deam qui laetificat juventutem meam.&#xA;&#xA;(Stephen thrusts the ashplant on him and slowly holds out his hands, his head going back till both hands are a span from his breast, down turned in planes intersecting, the fingers about to part, the left being higher.)&#xA;&#xA;LYNCH Which is the jug of bread? It skills not. That or the customhouse. Illustrate thou. Here take your crutch and walk.&#xA;&#xA;(They pass. Tommy Caffrey scrambles to a gaslamp and, clasping, climbs in spasms. From the top spur he slides down. Jacky Caffrey clasps to climb. The navvy lurches against the lamp. The twins scuttle off in the dark. The navvy, swaying, presses a forefinger against a wing of his nose and ejects from the farther nostril a long liquid jet of snot. Shouldering the lamp he staggers away through the crowd with his flaring cresset.&#xA;&#xA;Snakes of river fog creep slowly. From drains, clefts, cesspools, middens arise on all sides stagnant fumes. A glow leaps in the south beyond the seaward reaches of the river. The navvy staggering forward cleaves the crowd and lurches towards the tramsiding. On the farther side under the railway bridge Bloom appears flushed, panting, cramming bread and chocolate into a side pocket. From Gillens hairdressers window a composite portrait shows him gallant Nelson's image. A concave mirror at the side presents to him lovelorn longlost lugubru Booloohoom. Grave Gladstone sees him level Bloom for Bloom. He passes, struck by the stare of truculent Wellington but in the con vex mirror grin unstruck the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.&#xA;&#xA;At Antonio Babaiotti's door Bloom halts, sweated under the bright arclamps. He disappears. In a moment he reappears and hurries on.)&#xA;&#xA;BLOOM Fish and taters. N. g. Ah!&#xA;&#xA;(He disappears into Olhousen's, the pork butcher's, under the downcoming rollshutter. A few moments later he emerges from under the shutter puffing Poldy, blowing Bloohoom. In each hand he holds a parcel, one containing a lukewarm pig's crubeen, the other a cold sheep's trotter sprinkled with wholepepper He gasps, standing upright. Then bending to one side he presses a parcel against his rib and groans.)&#xA;&#xA;BLOOM Stitch in my side. Why did I run?&#xA;&#xA;(He takes breath with care and goes forward slowly towards the lampset siding. The glow leaps again.)&#xA;&#xA;BLOOM What is that? A flasher? Searchlight.&#xA;&#xA;(He stands at Cormack's corner watching.)&#xA;&#xA;BLOOM Aurora borealis or a steel foundry? Ah, the brigade, of course. South side anyhow. Big blaze. Might be his house. Beggar's bush. We're safe. (He hums cheerfully.) London's burning, London's burning! On fire, on fire! (He catches sight of the navvy lurching through the crowd at the farther side of Talbot street.) I'll miss him. Run. Quick. Better cross here.&#xA;&#xA;(He darts to cross the road. Urchins shout.)&#xA;&#xA;THE URCHINS Mind out, mister! (Two cyclists, with lighted paper lanterns aswing, swim by him, grazing him, their bells rattling.)&#xA;&#xA;THE BELLS Haltyaltyaltyall.&#xA;&#xA;BLOOM (Halts erect stung by a spasm.) Ow.&#xA;&#xA;(He looks round, darts forward suddenly. Through rising fog a dragon sandstrewer, travelling at caution, slews heavily down upon him, its huge red headlight winking, its trolley hissing on the wire. The motorman bangs his footgong.)&#xA;&#xA;THE GONG Bang Bang Bla Bak Blud Bugg Bloo.&#xA;&#xA;(The brake cracks violently. Bloom, raising a policeman's whitegloved hand, blunders stifflegged, out of the track. The motorman thrown forward, pugnosed, on the guidewheel, yells as he slides past over chains and keys.)&#xA;&#xA;THE MOTORMAN Hey, shitbreeches, are you doing the hattrick?&#xA;&#xA;BLOOM (Bloom trickleaps to the curbstone and halts again. He brushes a mudflake from his cheek with a parcelled hand.) No thoroughfare. Close shave that but cured the stitch. Must take up Sandow's exercises again. On the hands down. Insure against street accident too. The Providential. (He feels his trouser pocket.) Poor mamma's panacea. Heel easily catch in tracks or bootlace in a cog. Day the wheel of the black Maria peeled off my shoe at Leonard's corner. Third time is the charm. Shoe trick. Insolent driver. I ought to report him. Tension makes them nervous. Might be the fellow balked me this morning with that horsey woman. Same style of beauty. Quick of him all the same. The stiff walk. True word spoken in jest. That awful cramp in Lad lane. Something poisonous I ate. Emblem of luck. Why? Probably lost cattle. Mark of the beast. (He closes his eyes an instant.) Bit light in the head. Monthly or effect of the other. Brainfogfag. That tired feeling. Too much for me now. Ow!&#xA;&#xA;(A sinister figure leans on plaited legs against O'Beirnes wall, a visage unknown, injected with dark mercury. From under a wideleaved sombrero the figure regards him with evil eye.)&#xA;&#xA;BLOOM Buenos noches, señorita Blanca, que calle es esta?&#xA;&#xA;THE FIGURE (Impassive, raises a signal arm.) Password. Sraid Mabbot.&#xA;&#xA;BLOOM Haha. Merci. Esperanto. Slan leath. (He mutters.) Gaelic league spy, sent by that fireeater.&#xA;&#xA;(He steps forward. A sackshouldered ragman bars his path. He steps left, ragsackman left.)&#xA;&#xA;BLOOM I beg. (He swerves, sidles, stepsaside, slips past and on.)&#xA;&#xA;BLOOM Keep to the right, right, right. If there is a fingerpost planted by the Touring Club at Stepaside who procured that public boon? I who lost my way and contributed to the columns of the Irish Cyclist the letter headed, In darkest Stepaside. Keep, keep, keep to the right. Rags and bones, at midnight. A fence more likely. First place murderer makes for. Wash off his sins of the world.&#xA;&#xA;(Jacky Caffrey, hunted by Tommy Caffrey, runs full tilt against Bloom.)&#xA;&#xA;BLOOM O!&#xA;&#xA;(Shocked, on weak hams, he halts. Tommy and Jacky vanish there, there. Bloom pats with parcelled hands watch, fobpocket, bookpocket, pursepocket, sweets of sin, potato soap.)&#xA;&#xA;BLOOM Beware of pickpockets. Old thieves' dodge. Collide. Then snatch your purse.&#xA;&#xA;(The retriever approaches sniffling, nose to the ground. A sprawled form sneezes. A stooped bearded figure appears garbed in the long caftan of an elder in Zion and a smoking cap with magenta tassels. Horned spectacles hang down at the wings of the nose. Yellow poison streaks are on the drawn face.)&#xA;&#xA;RUDOLPH Second halfcrown waste money today. I told you not go with drunken goy ever. So. You catch no money.&#xA;&#xA;BLOOM (Hides the crubeen and trotter behind his back and, crestfallen, feels warm and cold feetmeat) Ja, ich weiss, papachi.&#xA;&#xA;RUDOLPH What you making down this place? Have you no soul? (With feeble vulture talons he feels the silent face of Bloom) Are you not my son Leopold, the grandson of Leopold? Are you not my dear son Leopold who left the house of his father and left the god of his fathers Abraham and Jacob?&#xA;&#xA;BLOOM (With precaution.) I suppose so, father. Mosenthal. All that's left of him.&#xA;&#xA;RUDOLPH (Severely.) One night they bring you home drunk as dog after spend your good money. What you call them running chaps?&#xA;&#xA;BLOOM (In youth's smart blue Oxford suit with white vestslips, narrowshouldered, in brown Alpine hat, wearing gent's sterling silver waterbury keyless watch and double curb Albert with seal attached, one side of him coated with stiffening mud.) Harriers, father. Only that once.&#xA;&#xA;RUDOLPH Once! Mud head to foot. Cut your hand open. Lockjaw. They make you kaput, Leopoldleben. You watch them chaps.&#xA;&#xA;BLOOM (Weakly.) They challenged me to a sprint. It was muddy. I slipped.&#xA;&#xA;RUDOLPH (With contempt) Ooim nachez. Nice spectacles for your poor mother!&#xA;&#xA;BLOOM Mamma!&#xA;&#xA;ELLEN BLOOM (In pantomime dame's stringed mobcap, crinoline and bustle, widow Twankey's blouse with muttonleg sleeves buttoned behind, grey mittens and cameo brooch, her hairplaited in a crisping net, appears over the staircase banisters, a slanted candlestick in her hand and cries out in shrill alarm.) O blessed Redeemer, what have they done to him! My smelling salts! (She hauls up a reef of skirt and ransacks the pouch of her striped blay petticoat. A phial, an Agnus Dei, a shrivelled potato and a celluloid doll fall out.) Sacred Heart of Mary, where were you at all, at all?&#xA;&#xA;(Bloom, mumbling, his eyes downcast, begins to bestow his parcels in his filled pockets but desists, muttering.)&#xA;&#xA;A VOICE (Sharply.) Poldy!&#xA;&#xA;BLOOM Who? (He ducks and wards off a blow clumsily.) At your service.&#xA;&#xA;(He looks up. Beside her mirage of datepalms a handsome woman in Turkish costume stands before him. Opulent curves fill out her scarlet trousers and jacket slashed with gold. A wide yells cummerbund girdles her. A white yashmak violet in the night, covers her face, leaving free only her lace dark eyes and raven hair.)&#xA;&#xA;BLOOM Molly!&#xA;&#xA;MARION Welly? Mrs Marion from this out, my dear man, when you speak to me. (Satirically.) Has poor little hubby cold feet waiting so long?&#xA;&#xA;BLOOM (Shifts from foot to foot.) No, no. Not the least little bit.&#xA;&#xA;(He breathes in deep agitation, swallowing gulps of air questions, hopes, crubeens for her supper things to tell her excuses, desire, spellbound. A coin gleams on her forehead. On her feet are jewelled toerings. Her ankles are linked by a slender fetterchain. Beside her a camel, hooded with a turreting turban, waits. A silk ladder of innumerable rungs climbs to his bobbing howdah. He ambles near with disgruntled hindquarters. Fiercely she slaps his haunch, her goldcurb wristbangles angriling, scolding him in Moorish.)&#xA;&#xA;MARION Nebrakada! Feminimum.&#xA;&#xA;(The camel, lifting a foreleg, plucks from a tree a lace mango fruit, offers it to his mistress, blinking, in his cloven hoof then droops his head and, grunting, with uplifted neck, fumbles to kneel. Bloom stoops his back for leapfrog.)&#xA;&#xA;BLOOM I can give you... I mean as your business menagerer Mrs Marion... if you...&#xA;&#xA;MARION So you notice some change? (Her hands passing slowly over her trinketed stomacher. A slow friendly mockery in her eyes.) O Poldy, Poldy, you are a poor old stick in the mud! Go and see life. See the wide world.&#xA;&#xA;BLOOM I was just going back for that lotion whitewax, orangeflower water. Shop closes early on Thursday. But the first thing in the morning. (He pats divers pockets.) This moving kidney. Ah!&#xA;&#xA;(He points to the south, then to the east. A cake of new clean lemon soap arises, diffusing light and perfume.)&#xA;&#xA;THE SOAP&#xA;&#xA;We're a capital couple are Bloom and I;&#xA;He brightens the earth, I polish the sky.&#xA;&#xA;&#xA;(The freckled face of Sweny, the druggist, appears in the disc of the soapsun.)&#xA;&#xA;SWENY Three and a penny, please.&#xA;&#xA;BLOOM Yes. For my wife, Mrs Marion. Special recipe.&#xA;&#xA;MARION (Softly.) Poldy!&#xA;&#xA;BLOOM Yes, ma'am?&#xA;&#xA;MARION Ti trema un poco il cuore?&#xA;&#xA;(In disdain she saunters away, plump as a pampered pouter pigeon, humming the duet from Don Giovanni)&#xA;&#xA;BLOOM Are you sure about that Voglio? I mean the pronunciati...&#xA;&#xA;(He follows, followed by the sniffing terrier. The elderly bawd seizes his sleeve, the bristles of her chinmole glittering.)&#xA;&#xA;THE BAWD Ten shillings a maidenhead. Fresh thing was never touched. Fifteen. There's no-one in it only her old father that's dead drunk.&#xA;&#xA;(She points. In the gap of her dark den furtive, rainbedraggled Bridie Kelly stands.)&#xA;&#xA;BRIDIE Hatch street. Any good in your mind?&#xA;&#xA;(With a squeak she flaps her bat shawl and runs. A burly rough pursues with booted strides. He stumbles on the steps, recovers, plunges into gloom. Weak squeaks of laughter are heard, weaker.)&#xA;&#xA;THE BAWD (Her wolfeyes shining.) He's getting his pleasure. You won't get a virgin in the flash houses. Ten shillings. Don't be all night before the polis in plain clothes sees us. Sixtyseven is a bitch.&#xA;&#xA;(Leering Gerty MacDowell limps forward. She draws from behind ogling, and shows coyly her bloodied clout.)&#xA;&#xA;GERTY With all my worldly goods I thee and thou. (She murmurs.) You did that. I hate you.&#xA;&#xA;BLOOM I? When? You're dreaming. I never saw you.&#xA;&#xA;THE BAWD Leave the gentleman alone, you cheat. Writing the gentleman false letters. Streetwalking and soliciting. Better for your mother take the strap to you at the bedpost, hussy like you.&#xA;&#xA;GERTY (To Bloom.) When you saw all the secrets of my bottom drawer. (She paws his sleeve, slobbering.) Dirty married man! I love you for doing that to me.&#xA;&#xA;(She slides away crookedly. Mrs Breen in man's frieze overcoat with loose bellows pockets, stands in the causeway, her roguish eyes wideopen, smiling in all her herbivorous buckteeth.)&#xA;&#xA;MRS BREEN Mr.&#xA;&#xA;BLOOM (Coughs gravely.) Madam, when we last had this pleasure by letter dated the sixteenth instant .&#xA;&#xA;MRS BREEN Mr Bloom! You down here in the haunts of sin! I caught you nicely! Scamp!&#xA;&#xA;BLOOM (Hurriedly.) Not so loud my name. Whatever do you think me? Don't give me away. Walls have hears. How do you do? It's ages since I. You're looking splendid. Absolutely it. Seasonable weather we are having this time of year. Black refracts heat. Short cut home here. Interesting quarter. Rescue of fallen women Magdalen asylum. I am the secretary...&#xA;&#xA;MRS BREEN (Holds up a finger.) Now don't tell a big fib! I know somebody won't like that. O just wait till I see Molly! (Slily.) Account for yourself this very minute or woe betide you!&#xA;&#xA;BLOOM (Looks behind.) She often said she'd like to visit. Slumming. The exotic, you see. Negro servants too in livery if she had money. Othello black brute. Eugene Stratton. Even the bones and cornerman at the Livermore christies. Bohee brothers. Sweep for that matter.&#xA;&#xA;(Tom and Sam Bohee, coloured coons in white duck suits, scarlet socks, upstarched Sambo chokers and lace scarlet asters in their buttonholes leap out. Each has his banjo slung. Their paler smaller negroid hands jingle the twingtwang wires. Flashing white Kaffir eyes and tusks they rattle through a breakdown in clumsy clogs, twinging, singing, back to back, toe heel, heel toe, with smackfatclacking nigger lips.)&#xA;&#xA;There's someone in the house with Dina&#xA;There's someone in the house, I know,&#xA;There's someone in the house with Dina&#xA;Playing on the old banjo.&#xA;&#xA;&#xA;(They whisk black masks from raw babby faces: then, chuckling, chortling, trumming, twanging they diddle diddle cakewalk dance away.)&#xA;&#xA;BLOOM (With a sour tenderish smile.) A little frivol, shall we, if you are so inclined? Would you like me perhaps to embrace you just for a fraction of a second?&#xA;&#xA;MRS BREEN (Screams gaily.) O, you ruck! You ought to see yourself!&#xA;&#xA;BLOOM For old sake'sake. I only meant a square party, a mixed marriage mingling of our different little conjugials. You know I had a soft corner for you. (Gloomily.) 'Twas I sent you that valentine of the dear gazelle.&#xA;&#xA;MRS BREEN Glory Alice, you do look a holy show! Killing simply. (She puts out her hand inquisitively.) What are you hiding behind your back? Tell us, there's a dear.&#xA;&#xA;BLOOM (Seizes her wrist with his free hand.) Josie Powell that was, prettiest deb in Dublin. How time flies by! Do you remember, harking back in a retrospective arrangement, Old Christmas night Georgina Simpson's housewarming while they were playing the Irving Bishop game, finding the pin blindfold and thoughtreading? Subject, what is in this snuff box?&#xA;&#xA;MRS BREEN You were the lion of the night with your seriocomic recitation and you looked the part. You were always a favourite with the ladies.&#xA;&#xA;BLOOM (Squire of dames, in dinner jacket, with watered-silk facings, blue masonic badge in his buttonhole, black bow and mother-of-pearl studs, a prismatic champagne glass tilted in his hand.) Ladies and gentlemen, I give you Ireland, home and beauty.&#xA;&#xA;MRS BREEN The dear dead days beyond recall. Love's old sweet song.&#xA;&#xA;BLOOM (Meaningfully dropping his voice.) I confess I'm teapot with curiosity to find out whether some person's something is a little teapot at present.&#xA;&#xA;MRS BREEN (Gushingly.) Tremendously teapot! London's tea pot and I'm simply teapot all over me. (She rubs sides with him.) After the parlour mystery games and the crackers from the tree we sat on the staircase ottoman. Under the mistletoe. Two is company.&#xA;&#xA;BLOOM (Wearing a purple Napoleon hat with an amber halfmoon, his fingers and thumbs passing slowly down to her soft moist meaty palm which she surrenders gently.) The witching hour of night. I took the splinter out of this hand, carefully, slowly. (Tenderly, as he slips on her finger a ruby ring.) Là ci darem la mano.&#xA;&#xA;MRS BREEN (In a onepiece eveningfrock executed in moonlight blue, a tinsel sylph's diadem on her brow with her dancecard fallen beside her moonblue satin slipper curves her palm softly, breathing quickly.) Voglio e non. You're hot! You're scalding! The left hand nearest the heart.&#xA;&#xA;BLOOM When you made your present choice they said it was beauty and the beast. I can never forgive you for that. (His clenched fist at his brow.) Think what it means. All you meant to me then. (Hoarsely.) Woman, it's breaking me! (Dennis Breen, whitetallhatted, with Wisdom Hely's sandwich board, shuffles past them in cadet slippers, his dull beard thrust out, muttering to right and left. Little Alf Bergan, cloaked in the pall of the ace of spaces, dogs him to left and right, doubled in laughter.)&#xA;&#xA;ALF BERGAN (Points jeering at the sandwich boards.) U.p.: Up.&#xA;&#xA;MRS BREEN (To Bloom.) High jinks below stairs. (She gives him the glad eye.) Why didn't you kiss the spot to make it well? You wanted to.&#xA;&#xA;BLOOM (Shocked.) Molly's best friend! Could you?&#xA;&#xA;MRS BREEN (Her pulpy tongue between her lips, offers a pigeon kiss.) Hnhn. The answer is a lemon. Have you a little present for me there?&#xA;&#xA;BLOOM (Off handedly.) Kosher. A snack for supper. The home without potted meat is incomplete. I was at Leah. Mrs Bandman Palmer. Trenchant exponent of Shakespeare. Unfortunately threw away the programme. Rattling good place round there for pig's feet. Feel.&#xA;&#xA;(Richie Goulding, three ladies' hats pinned on his head, appears weighted to one side by the black legal bag of Collis and Ward on which a skull and crossbones are painted in white limewash. He ins it and shows it full of polonies, kippered, herrings, Findon haddies and tightpacked pills.)&#xA;&#xA;RICHIE Best value in Dub.&#xA;&#xA;(Bald Pat, bothered beetle, stands on the curbstone, folding his napkin, waiting to wait.)&#xA;&#xA;PAT (Advances with a tilted dish of spillspilling gravy.) Steak and kidney. Bottle of lager. Hee hee hee. Wait till I wait.&#xA;&#xA;RICHIE Goodgod. Inev erate inall...&#xA;&#xA;(With hanging head he marches doggedly forward. The navvy, lurching by, gores him with his flaming pronghorn.)&#xA;&#xA;RICHIE (With a cry of pain, his hand to his back) Ah! Bright's! Lights!&#xA;&#xA;BLOOM (Points to the navvy.) A spy. Don't attract attention. I hate stupid crowds. I am not on pleasure bent. I am in a grave predicament.&#xA;&#xA;MRS BREEN Humbugging and delutbering as per usual with your cock and bull story.&#xA;&#xA;BLOOM I want to tell you a little secret about how I came to be here. But you must never tell. Not even Molly. I have a most particular reason.&#xA;&#xA;MRS BREEN (All agog.) O, not for worlds.&#xA;&#xA;BLOOM Let's walk on. Shall us?&#xA;&#xA;MRS BREEN Let's.&#xA;&#xA;(The bawd makes an unheeded sign. Bloom walks on with Mrs Breen. The terrier follows, whining piteously, wagging his tail.)&#xA;&#xA;THE BAWD Jewman's melt!&#xA;&#xA;BLOOM (In an oatmeal sporting suit, a sprig of woodbine in the lapel, tony buff shirt, shepherd's plaid Saint Andrew's cross scarftie, white spats, fawn dustcoat on his arm, tawny red brogues, fieldglasses in bandolier and a grey billycock hat.) Do you remember a long long time, years and years ago, just after Milly, Marionette we called her, was weaned when we all went together to Fairyhouse races, was it?&#xA;&#xA;MRS BREEN (In smart Saxe tailormade, white velours hat and spider veil.) Leopardstown.&#xA;&#xA;BLOOM I mean, Leopardstown. And Molly won seven shillings on a three year old named Nevertell and coming home along by Foxrock in that old fiveseater shanderadan of a waggonette you were in your heyday then and you had on that new hat of white velours with a surround of molefur that Mrs Hayes advised you to buy because it was marked down to nineteen and eleven, a bit of wire and an old rag of velveteen, and I'll lay you what you like she did it on purpose...&#xA;&#xA;MRS BREEN She did, of course, the cat! Don't tell me! Nice adviser!&#xA;&#xA;BLOOM Because it didn't suit you one quarter as well as the other ducky little tammy toque with the bird of paradise wing in it that I admired on you and you honestly looked just too fetching in it though it was a pity to kill it, you cruel creature, little mite of a thing with a heart the size of a fullstop.&#xA;&#xA;MRS BREEN (Squeezes his arm, simpers.) Naughty cruel I was.&#xA;&#xA;BLOOM (Low, secretly, ever more rapidly.) And Molly was eating a sandwich of spiced beef out of Mrs Joe Gallaher's lunch basket. Frankly, though she had her advisers or admirers, I never cared much for her style. She was .&#xA;&#xA;MRS BREEN Too.&#xA;&#xA;BLOOM Yes. And Molly was laughing because Rogers and Maggot O'Reilly were mimicking a cock as we passed a farmhouse and Marcus Tertius Moses, the tea merchant, drove past us in a gig with his daughter, Dancer Moses was her name, and the poodle in her lap bridled up and you asked me if I ever heard or read or knew or came across .&#xA;&#xA;MRS BREEN (Eagerly.) Yes, yes, yes, yes, yes, yes, yes.&#xA;&#xA;(She fades from his side. Followed by the whining dog he walks on towards hellsgates. In an archway a standing woman, bent forward, her feet apart, pisses cowily. Outside a shuttered pub a bunch of loiterers listen to a tale which their broken snouted gaffer rasps out with raucous humour. An armless pair of them flop wrestling, growling, in maimed sodden playfight.)&#xA;&#xA;THE GAFFER (Crouches, his voice twisted in his snout.) And when Cairns came down from the scaffolding in Beaver Street what was he after doing it into only into the bucket of porter that was there waiting on the shavings for Derwan's plasterers.&#xA;&#xA;THE LOITERERS (Guffaw with cleft palates.) O jays!&#xA;&#xA;(Their paintspeckled hats wag. Spattered with size and lime of their lodges they frisk limblessly about him.)&#xA;&#xA;BLOOM Coincidence too. They think it funny. Anything but that. Broad daylight. Trying to walk. Lucky no woman.&#xA;&#xA;THE LOITERERS Jays, that's a good one. Glauber salts. O jays, into the men's porter.&#xA;&#xA;(Bloom passes. Cheap whores, singly, coupled, shawled, dishevelled, call from lanes, doors, corners.)&#xA;&#xA;THE WHORES Are you going far, queer fellow? How's your middle leg? Got a match on you? Eh, come here till I stiffen it for you.&#xA;&#xA;(He plodges through their sump towards the lighted street beyond. From a bulge of window curtains a gramophone rears a battered brazen trunk. In the shadow a shebeenkeeper haggles with the navvy and the two redcoats.)&#xA;&#xA;THE NAVVY (Belching.) Where's the bloody house?&#xA;&#xA;THE SHEBEENKEEPER Purdon street. Shilling a bottle of stout. Respectable woman.&#xA;&#xA;THE NAVVY (Gripping the two redcoats, staggers forward with them.) Come on, you British army!&#xA;&#xA;PRIVATE CARR (Behind his back.) He aint half balmy.&#xA;&#xA;PRIVATE COMPTON (LAughs.) What ho!&#xA;&#xA;PRIVATE CARR (To the navvy.) Portobello barracks canteen. You ask for Carr. Just Carr.&#xA;&#xA;THE NAVVY (Shouts.)&#xA;&#xA;We are the boys. Of Wexford.&#xA;&#xA;PRIVATE COMPTON Say! What price the sergeantmajor?&#xA;&#xA;PRIVATE CARR Bennett? He's my pal. I love old Bennett.&#xA;&#xA;THENAVVY (Shouts.)&#xA;&#xA;The galling chain.&#xA;And free our native land.&#xA;&#xA;&#xA;(He staggers forward, dragging them with him. Bloom stops, at fault. The dog approaches, his tongue outlolling, panting.)&#xA;&#xA;BLOOM Wildgoose chase this. Disorderly houses. Lord knows where they are gone. Drunks cover distance double quick. Nice mixup. Scene at Westland row. Then jump in first class with third ticket. Then too far. Train with engine behind. Might have taken me to Malahide or a siding for the night or collision. Second drink does it. Once is a dose. What am I following him for? Still, he's the best of that lot. If I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have gone and wouldn't have met. Kismet. He'll lose that cash. Relieving office here. Good biz for cheapjacks, organs. What do ye lack? Soon got, soon gone. Might have lost my life too with that mangongwheeltracktrolleyglarejuggernaut only for presence of mind. Can't always save you, though. If I had passed Truelock's window that day two minutes later would have been shot. Absence of body. Still if bullet only went through my coat get damages for shock, five hundred pounds. What was he? Kildare street club toff. God help his gamekeeper.&#xA;&#xA;(He gazes ahead reading on the wall a scrawled chalk legend Wet Dream and a phallic design.)&#xA;&#xA;Odd! Molly drawing on the frosted carriagepane at Kingstown. What's that like? (Gaudy dollwomen loll in the lighted doorways, in window embrasures, smoking birdseye cigarettes. The odour of the sicksweet weed floats towards him in slow round ovalling wreaths.)&#xA;&#xA;THE WREATHS Sweet are the sweets. Sweets of sin.&#xA;&#xA;BLOOM My spine's a bit limp. Go or turn? And this food? Eat it and get all pigsticky. Absurd I am. Waste of money. One and eightpence too much. (The retriever drives a cold snivelling muzzle against his hand, wagging his tail.) Strange how they take to me. Even that brute today. Better speak to him first. Like women they like rencontres. Stinks like a polecat. Chacun son goût. He might be mad. Fido. Uncertain in his movements. Good fellow! Garryowen! (The wolfdog sprawls on his back, wriggling obscenely with begging paws, his long black tongue lolling out.) Influence of his surroundings. Give and have done with it. Provided nobody. (Calling encouraging words he shambles back with a furtive poacher's tread, dogged by the setter into a dark stalestunk corner. He unrolls one parcel and goes to dump the crubeen softly but holds back and feels the trotter.) Sizeable for threepence. But then I have it in my left hand. Calls for more effort. Why? Smaller from want of use. O, let it slide. Two and six.&#xA;&#xA;(With regret he lets unrolled crubeen and trotter slide. The mastiff mauls the bundle clumsily and gluts himself with growling greed, crunching the bones. Two raincaped watch approach, silent, vigilant. They murmur together.)&#xA;&#xA;THE WATCH Bloom. Of Bloom. For Bloom. Bloom.&#xA;&#xA;(Each lays a hand on Blooms shoulder.)&#xA;&#xA;FIRST WATCH Caught in the act. Commit no nuisance.&#xA;&#xA;BLOOM (Stammers.) I am doing good to others.&#xA;&#xA;(A covey of gulls, storm petrels, rises hungrily from Liffey slime with Banbury cakes in their beaks.)&#xA;&#xA;THE GULLS Kaw kave kankury kake.&#xA;&#xA;BLOOM The friend of man. Trained by kindness.&#xA;&#xA;(He points. Bob Doran, toppling from a high bars tool, sways over the munching spaniel.)&#xA;&#xA;BOB DORAN Towser. Give us the paw. Give the paw.&#xA;&#xA;(The bulldog growls, his scruff standing, a gobbet of pigs knuckle between his molars through which rabid scrumspittle dribbles. Bob Doran falls silently into an area.)&#xA;&#xA;SECOND WATCH Prevention of cruelty to animals.&#xA;&#xA;BLOOM (Enthusiastically.) A noble work! I scolded that tramdriver on Harold's cross bridge for illusing the poor horse with his harness scab. Bad French I got for my pains. Of course it was frosty and the last tram. All tales of circus life are highly demoralising.&#xA;&#xA;(Signor Maffei, passion pale, in liontamer's costume with diamond studs in his shirtfront, steps forward, holding a circus paper hoop, a curling carriagewhip and a revolver with which he covers the going boarhound.)&#xA;&#xA;SIGNOR MAFFEI (With a sinister smile.) Ladies and gentlemen, my educated greyhound. It was I broke in the bucking broncho Ajax with my patent spiked saddle for carnivores. Lash under the belly with a knotted thong. Block tackle and a strangling pully will bring your lion to heel, no matter how fractious, even Leo ferox there, the Libyan maneater. A redhot crowbar and some liniment rubbing on the burning part produced Fritz of Amsterdam, the thinking hyena. (He glares.) I possess the Indian sign. The glint of my eye does it with these breastsparklers. (With a bewitching smile.) I now introduce Mademoiselle Ruby, the pride of the ring.&#xA;&#xA;FIRST WATCH Come. Name and address.&#xA;&#xA;BLOOM I have forgotten for the moment. Ah, yes! (He takes off his high grade hat, saluting.) Dr Bloom, Leopold, dental surgeon. You have heard of von Bloom Pasha. Umpteen mil lions. Donnerwetter! Owns half Austria. Egypt. Cousin.&#xA;&#xA;FIRST WATCH Proof.&#xA;&#xA;(A card falls from inside the leather headband of Bloom's hat.)&#xA;&#xA;BLOOM (In red fez, cadi's dress coat with broad green sash, wearing a false badge of the Legion of Honour, picks up the card hastily and offers it.) Allow me. My club is the Junior Army and Navy. Solicitors: Messrs John Henry Menton, 27 Bachelor's Walk.&#xA;&#xA;FIRST WATCH (Reads.) Henry Flower. No fixed abode. Un lawfully watching and besetting.&#xA;&#xA;SECOND WATCH An alibi. You are cautioned.&#xA;&#xA;BLOOM (Produces from his heartpocket a crumpled yellow flower.) This is the flower in question. It was given me by a man I don't know his name. (Plausibly.) You know that old joke, rose of Castille. Bloom. The change of name Virag. (He murmurs privately and confidentially.) We are engaged you see, sergeant. Lady in the case. Love entanglement. (He shoulders the second watch gently.) Dash it all. It's a way we gallants have in the navy. Uniform that does it. (He turns gravely to the first watch.) Still, of course, you do get your Waterloo sometimes. Drop in some evening and have a glass of old Burgundy. (To the second watch gaily.) I'll introduce you, inspector. She's game. Do it in shake of a lamb's tail.&#xA;&#xA;(A dark mercurialised face appears, leading a veiled figure.)&#xA;&#xA;THE DARK MERCURY The Castle is looking for him. He was drummed out of the army.&#xA;&#xA;MARTHA (Thickveiled, a crimson halter round her neck, a copy of the Irish Times in her hand, in tone of reproach, pointing.) Henry! Leopold! Leopold! Lionel, thou lost one! Clear my name.&#xA;&#xA;FIRST WATCH (Sternly.) Come to the station.&#xA;&#xA;BLOOM (Scared, hats himself steps back, then, plucking at his heart and lifting his right forearm on the square, he gives the sign and dueguard of fellowcraft.) No, no, worshipful master, light of love. Mistaken identity. The Lyons mail. Lesurques and Dubosc. You remember the Childs fratricide case. We medical men. By striking him dead with a hatchet. I am wrongfully accused. Better one guilty escape than ninetynine wrongfully condemned.&#xA;&#xA;MARTHA (Sobbing behind her veil.) Breach of promise. My real name is Peggy Griffin. He wrote to me that he was miserable. I'll tell my brother, the Bective rugger fullback, on you, heartless flirt.&#xA;&#xA;BLOOM (Behind his hand.) She's drunk. The woman is inebriated. (He murmurs vaguely the past of Ephraim.) Shitbroleeth.&#xA;&#xA;SECOND WATCH (Tears in his eyes, to Bloom.) You ought to be thoroughly well ashamed of yourself.&#xA;&#xA;BLOOM Gentleman of the jury, let me explain. A pure mare's nest. I am a man misunderstood. I am being made a scapegoat of. I am a respectable married man, without a stain on my character. I live in Eccles street. My wife, I am the daughter of a most distinguished commander, a gallant upstanding gentleman, who do you call him, Majorgeneral Brian Tweedy, one of Britain's fighting men who helped to win our battles. Got his majority for the heroic defence of Rorke's Drift.&#xA;&#xA;FIRST WATCH Regiment.&#xA;&#xA;BLOOM (Turns to the gallery.) The royal Dublins, boys, the salt of the earth, known the world over. I think I see some old comrades in arms up there among you. The R. D. F. With our own Metropolitan police, guardians of our homes, the pluckiest lads and the finest body of men, as physique, in the service of our sovereign.&#xA;&#xA;A VOICE Turncoat! Up the Boers! Who booed Joe Chamberlain?&#xA;&#xA;BLOOM (His hand on the shoulder of the first watch.) My old dad too was a J.P. I'm as staunch a Britisher as you are, sir. I fought with the colours for king and country in the absentminded war under General Gough in the park and was disabled at Spion Kop and Bloemfontein, was mentioned in dispatches. I did all a white man could. (With quiet feeling.) Jim Bludso. Hold her nozzle again the bank.&#xA;&#xA;FIRST WATCH Profession or trade.&#xA;&#xA;BLOOM Well, I follow a literary occupation. Author-journalist. In fact we are just bringing out a collection of prize stories of which I am the inventor, something that is an entirely new departure. I am connected with the British and Irish press. If you ring up...&#xA;&#xA;(Myles Crawford strides out jerkily, a quill between his teeth. His scarlet beak blazes within the aureole of his straw hat. He dangles a hank of Spanish onions in one hand and holds with the other hand a telephone receiver nozzle to his ear.)&#xA;&#xA;MYLES CRAWFORD (His cock's wattles wagging.) Hello, seventyseven eightfour. Hello. Freeman's Urinal and Weekly Arse wiper here. Paralyse Europe. You which? Bluebags? Who writes? Is it Bloom?&#xA;&#xA;(Mr Philip Beaufoy, palefaced, stands in the witnessbox, in accurate morning dress, outbreast pocket with peak of handkerchief showing, creased lavender trousers and patent boots. He cames a lace portfolio labelled Matcham's Masterstrokes.)&#xA;&#xA;BEAUFOY (Drawls.) No, you aren't, not by a long shot if I know it. I don't see it, that's all. No born gentleman, no one with the most rudimentary promptings of a gentleman would stoop to such particularly loathsome conduct. One of those, my lord. A plagiarist. A soapy sneak masquerading as a literateur. It's perfectly obvious that with the most inherent baseness he has cribbed some of my bestselling books, really gorgeous stuff, a perfect gem, the love passages in which are beneath suspicion. The Beaufoy books of love and great possessions with which your lordship is doubtless familiar, are a household word throughout the kingdom.&#xA;&#xA;BLOOM (Murmurs with hangdog meekness.) That bit about the laughing witch hand in hand I take exception to, if I may... ?&#xA;&#xA;BEAUFOY (His lip upcurled, smiles superciliously on the court.) You funny ass, you! You're too beastly awfully weird for words! I don't think you need over excessively disincommodate yourself in that regard. My literary agent Mr J. B. Pinker is in attendance. I presume, my lord, we shall receive the usual witnesses' fees, shan't we? We are considerably out of pocket over this bally pressman johnny, this jackdaw of Rheims, who has not even been to a university.&#xA;&#xA;BLOOM (Indistinctly.) University of life. Bad art.&#xA;&#xA;BEAUFOY (Shouts.) It's a damnably foul lie showing the moral rottenness of the man! (He extends his portfolio.) We have here damning evidence, the corpus delicti, my lord, a specimen of my maturer work disfigured by the hallmark of the beast.&#xA;&#xA;A VOICE FROM THE GALLERY&#xA;&#xA;Moses, Moses, king of the jews,&#xA;Wiped his arse in the Daily News.&#xA;&#xA;&#xA;BLOOM (Bravely.) Overdrawn.&#xA;&#xA;BEAUFOY You low cad! You ought to be ducked in the horsepond, you rotter! (To the court.) Why, look at the man's private life! Leading a quadruple existence! Street angel and house devil. Not fit to be mentioned in mixed society. The arch conspirator of the age.&#xA;&#xA;BLOOM (To the court.) And he, a bachelor, how.&#xA;&#xA;FIRST WATCH The King versus Bloom. Call the woman Driscoll.&#xA;&#xA;THE CRIER Mary Driscoll, scullerymaid!&#xA;&#xA;(Mary Driscoll, a slipshod servant girl, approaches. She has a bucket on the crook of her arm and a scouringbrush in her hand.)&#xA;&#xA;SECOND WATCH Another! Are you of the unfortunate class?&#xA;&#xA;MARY DRISCOLL (Indignantly.) I'm not a bad one. I bear a respectable character and was four months in my last place. I was in a situation, six pounds a year and my chances with Fridays out, and I had to leave owing to his carryings on.&#xA;&#xA;FIRST WATCH What do you tax him with?&#xA;&#xA;MARY DRISCOLL He made a certain suggestion but I thought more of myself as poor as I am.&#xA;&#xA;BLOOM (In housejacket of ripplecloth, flannel trousers, heelless slippers, unshaven, his hair rumpled softly.) I treated you white. I gave you mementoes, smart emerald garters far above your station. Incautiously I took your part when you were accused of pilfering. There's a medium in all things. Play cricket.&#xA;&#xA;MARY DRISCOLL (Excitedly.) As God is looking down on me this night if ever I laid a hand to them oysters!&#xA;&#xA;FIRST WATCH The offence complained of? Did something happen?&#xA;&#xA;MARY DRISCOLL He surprised me in the rere of the premises, your honour, when the missus was out shopping one morning with a request for a safety pin. He held me and I was discoloured in four places as a result. And he interfered twice with my clothing.&#xA;&#xA;BLOOM She counterassaulted.&#xA;&#xA;MARY DRISCOLL (Scornfully.) I had more respect for the scouringbrush, so I had. I remonstrated with him, your lord, and he remarked: Keep it quiet!&#xA;&#xA;(General laughter.)&#xA;&#xA;GEORGES FOTTRELL (Clerk of the crown and peace, resonantly.) Order in court! The accused will now make a bogus statement.&#xA;&#xA;(Bloom, pleading not guilty and holding a fullblown waterlily, begins a long unintelligible speech. They would hear what counsel had to say in his stirring address to the grand-jury. He was down and out but, though branded as a black sheep, if he might say so, he meant to reform, to retrieve the memory of the past in a purely sisterly way and return to nature as a purely domestic animal. A seven months' child, he had been carefully brought up and nurtured by an aged bedridden parent. There might have been lapses of an erring father but he wanted to turn over a new leaf and now, when at long last in sight of the whipping post, to lead a homely life in the evening of his days, permeated by the affectionate surroundings of the heaving bosom of the family. An acclimatised Britisher he had seen that summer eve from the footplate of an engine cab of the Loop line railway company while the rain refrained from falling glimpses, as it were, through the windows of loveful households in Dublin city and urban district of scenes truly rural of happiness of the better land with Dockrell's wallpaper at one and ninepence a dozen, innocent British born bairns lisping prayers to the Sacred Infant, youthful scholars grappling with their pensums, model young ladies playing on the pianoforte or anon all with fervour reciting the family rosary round the crackling Yulelog while in the boreens and green lanes the colleens with their swains strolled what times the strains of the organtoned melodeon Britannia metalbound with four acting stops and twelvefold bellows, a sacrifice, greatest bargain ever... )&#xA;&#xA;(Renewed laughter. He mumbles incoherently. Reporters complain that they cannot hear.)&#xA;&#xA;LONGHAND AND SHORTHAND (Without looking up from their notebooks.) Loosen his boots.&#xA;&#xA;PROFESSOR MACHUGH (From the presstable, coughs and calls.) Cough it up, man. Get it out in bits.&#xA;&#xA;(The crossexamination proceeds re Bloom and the bucket. A lace bucket. Bloom himself Bowel trouble. In Beaver street. Gripe, yes. Quite bad. A plasterers bucket. By walking stifflegged. Suffered untold misery. Deadly agony. About noon. Love or burgundy. Yes, some spinach. Crucial moment. He did not look in the bucket. Nobody. Rather a mess. Not completely. A Titbits back number.)&#xA;&#xA;(Uproar and catcalls. Bloom, in a torn frockcoat stained with whitewash, dinged silk hat sideways on his head, a strip of sticking-plaster across his nose, talks inaudibly.)&#xA;&#xA;J. J. O'MOLLOY (In barrister's grey wig and stuffgown, speaking with a voice of pained protest.) This is no place for indecent levity at the expense of an erring mortal disguised in liquor. We are not in a beargarden nor at an Oxford rag nor is this a travesty of justice. My client is an infant, a poor foreign immigrant who started scratch as a stowaway and is now trying to turn an honest penny. The trumped up misdemeanour was due to a momentary aberration of heredity, brought on by hallucination, such familiarities as the alleged guilty occurrence being quite permitted in my client's native place, the land of the Pharaoh. Prima facie, I put it to you that there was no attempt at carnally knowing. Intimacy did not occur and the offence complained of by Driscoll, that her virtue was solicited, was not repeated. I would deal inespecial with atavism. There have been cases of shipwreck and somnambulism in my client's family. If the accused could speak he could a tale unfold one of the strangest that have ever been narrated between the covers of a book. He himself, my lord, is a physical wreck from cobbler's weak chest. His submission is that he is of Mongolian extraction and irresponsible for his actions. Not all there, in fact.&#xA;&#xA;BLOOM (Barefoot, pigeonbreasted, in lascar's vest and trousers, apologetic toes turned in, opens his tiny mole's eyes and looks about him dazedly, passing a slow hand across his forehead. Then he hitches his belt sailor fashion and with a shrug of oriental obeisance salutes the court, pointing one thumb heavenward.) Him makee velly muchee fine night. (He begins to lilt simply.)&#xA;&#xA;Li li poo lil chile,&#xA;Blingee pigfoot evly night.&#xA;Payee two shilly...&#xA;&#xA;&#xA;(He is howled down.)&#xA;&#xA;J. J. O'MOLLOY (Hotly to the populace.) This is a lonehand fight. By Hades, I will not have any client of mine gagged and badgered in this fashion by a pack of curs and laughing hyenas. The Mosaic code has superseded the law of the jungle. I say it and I say it emphatically without wishing for one moment to defeat the ends of justice, accused was not accessory before the act and prosecutrix has not been tampered with. The young person was treated by defendant as if she were his very own daughter. (Bloom takes J. J. O'Molloy's hand and raises it to his lips.) I shall call rebutting evidence to prove up to the hilt that the hidden hand is again at its old game. When in doubt persecute Bloom. My client, an innately bashful man, would be the last man in the world to do anything ungentlemanly which injured modesty could object to or cast a stone at a girl who took the wrong turning when some dastard, responsible for her condition, had worked his own sweet will on her. He wants to go straight. I regard him as the whitest man I know. He is down on his luck at present owing to the mortgaging of his extensive property at Agendath Netaim in faraway Asia Minor, slides of which will now be shown. (To Bloom.) I suggest that you will do the handsome thing.&#xA;&#xA;BLOOM A penny in the pound.&#xA;&#xA;(The mirage of the lake of Kinnereth with blurred cattle cropping in silver haze is projected on the wall. Moses Dlugacz, ferreteyed albino, in blue dungarees, stands up in the gallery, holding in each hand an orange citron and a pork kidney.)&#xA;&#xA;DLUGACZ (Hoarsely.) Bleibtreustrasse, Berlin, W. 13.&#xA;&#xA;(J. J. O'Molloy steps on to a low plinth and holds the lapel of his coat with solemnity. His face lengthens, grows pale and bearded, with sunken eyes, the blotches of phthisis and hectic cheekbones of John F. Taylor. He applies his handkerchief to his mouth and scrutinises the galloping tide of rosepink blood.)&#xA;&#xA;J. J. O'MOLLOY (Almost voicelessly.) Excuse me, I am suffering from a severe chill, have recently come from a sickbed. A few wellchosen words. (He assumes the avine head, foxy moustache and proboscidal eloquence of Seymour Bushe.) When the angel's book comes to be opened if aught that the pensive bosom has inaugurated of soultransfigured and of soultransfiguring deserves to live I say accord the prisoner at the bar the sacred benefit of the doubt. (A paper with something written on it is handed into court.)&#xA;&#xA;BLOOM (In court dress.) Can give best references. Messrs Callan, Coleman. Mr Wisdom Hely J. P. My old chief Joe Cuffe. Mr V. B. Dillon, ex-lord mayor of Dublin. I have moved in the charmed circle of the highest . Queens of Dublin Society. (Carelessly.) I was just chatting this afternoon at the viceregal lodge to my old pals, sir Robert and lady Ball, astronomer royal, at the levee. Sir Bob, I said...&#xA;&#xA;MRS YELVERTON BARRY (In lowcorsaged opal balldress and elbowlength ivory gloves, wearing a sabletrimmed brick quilted dolman, a comb of brilliants and panache of osprey in her hair.) Arrest him constable. He wrote me an anonymous letter in prentice backhand when my husband was in the North Riding of Tipperary on the Munster circuit, signed James Lovebirch. He said that he had seen from the gods my peerless globes as I sat in a box of the Theatre Royal at a command performance of La Cigale. I deeply inflamed him, he said. He made improper overtures to me to misconduct myself at half past four p.m. on the following Thursday, Dunsink time. He offered to send me through the post a work of fiction by Monsieur Paul de Kock, entitled The Girl with the Three Pairs of Stays.&#xA;&#xA;MRS BELLINGHAM (In cap and seal coneymantle, wrapped up to the nose, steps out of her brougham and scans through tortoiseshell quizzingglasses which she takes from inside her huge opossum muff.) Also to me. Yes, I believe it is the same objectionable person. Because he closed my carriage door outside sir Thornley Stoker's one sleety day during the cold snap of February ninetythree when even the grid of the wastepipe and ballstop in my bath cistern were frozen. Subsequently he enclosed a bloom of edelweiss culled on the heights, as he said, in my honour. I had it examined by a botanical expert and elicited the information that it was a blossom of the homegrown potato plant purloined from a forcingcase of the model farm.&#xA;&#xA;MRS YELVERTON BARRY Shame on him!&#xA;&#xA;(A crowd of sluts and ragamuffins sues forward.)&#xA;&#xA;THE SLUTS AND RAGAMUFFINS (Screaming.) Stop thief! Hurrah there, Bluebeard! Three cheers for Ikey Mo!&#xA;&#xA;SECOND WATCH (Produces handcuffs.) Here are the darbies.&#xA;&#xA;MRS BELLINGHAM He addressed me in several handwritings with fulsome compliments as a Venus in furs and alleged profound pity for my frostbound coachman Balmer while in the same breath he expressed himself as envious of his earflaps and fleecy sheepskins and of his fortunate proximity to my person, when standing behind my chair wearing my livery and the armorial bearings of the Bellingham escutcheon garnished sable, a buck's head couped or. He lauded almost extravagantly my nether extremities, my swelling calves in silk hose drawn up to the limit, and eulogised glowingly my other hidden treasures in priceless lace which, he said, he could conjure up. He urged me, stating that he felt it his mission in life to urge me, to defile the marriage bed, to commit adultery at the earliest possible opportunity.&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS (In amazon costume, hard hat, jackboots cockspurred, vermilion waistcoat, fawn musketeer gauntlets with bra idea drums, long train held up and hunting crop with which she strikes her welt constantly.) Also me. Because he saw me on the polo ground of the Phoenix park at the match All Ireland versus the Rest of Ireland. My eyes, I know, shone divinely as I watched Captain Slogger Dennehy of the Inniskillings win the final chukkar on his darling cob Centaur. This plebeian Don Juan observed me from behind a hackney car and sent me in double envelopes an obscene photograph, such as are sold after dark on Paris boulevards, insulting to any lady. I have it still. It represents a partially nude senorita, frail and lovely (his wife as he solemnly assured me, taken by him from nature), practising illicit intercourse with a muscular torero, evidently a blackguard. He urged me to do likewise, to misbehave, to sin with officers of the garrison. He implored me to soil his letter in an unspeakable manner, to chastise him as he richly deserves, to bestride and ride him, to give him a most vicious horsewhipping.&#xA;&#xA;MRS BELLINGHAM Me too.&#xA;&#xA;MRS YELVERTON BARRY Me too.&#xA;&#xA;(Several highly respectable Dublin ladies hold up improper letters received from Bloom.)&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS (Stamps her jingling spurs in a sudden paroxysm of sudden fury.) I will, by the God above me. I'll scourge the pigeonlivered cur as long as I can stand over him. I'll flay him alive.&#xA;&#xA;BLOOM (His eyes closing, quails expectantly.) Here? (He squirms.) Again! (He pants cringing.) I love the danger.&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS Very much so! I'll make it hot for you. I'll make you dance Jack Latten for that.&#xA;&#xA;MRS BELLINGHAM Tan his breech well, the upstart! Write the stars and stripes on it!&#xA;&#xA;MRS YELVERTON BARRY Disgraceful! There's no excuse for him! A married man!&#xA;&#xA;BLOOM All these people. I meant only the spanking idea. A warm tingling glow without effusion. Refined birching to stimulate the circulation.&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS (Laughs derisively.) O, did you, my fine fellow? Well, by the living God, you'll get the surprise of your life now, believe me, the most unmerciful hiding a man ever bargained for. You have lashed the dormant tigress in my nature into fury.&#xA;&#xA;MRS BELLINGHAM (Shakes her muff and quizzing-glasses vindictively.) Make him smart, Hanna dear. Give him ginger. Thrash the mongrel within an inch of his life. The cat-o' nine-tails. Geld him. Vivisect him.&#xA;&#xA;BLOOM (Shuddering, shrinking, joins his hands with hangdog mien.) O cold! O shivery! It was your ambrosial beauty. Forget, forgive. Kismet. Let me off this once. (He offers the other cheek.)&#xA;&#xA;MRS YELVERTON BARRY (Severely.) Don't do so on any account, Mrs Talboys! He should be soundly trounced!&#xA;&#xA;THE HONOURABLE MRS MERVYN TALBOYS (Unbuttoning her gauntlet violently.) I'll do no such thing. Pig dog and always was ever since he was pupped! To dare address me! I'll flog him black and blue in the public streets. I'll dig my spurs in him up to the rowel. He is a wellknown cuckold. (She swishes her hunting crop savagely in the air.) Take down his trousers without loss of time. Come here, sir! Quick! Ready?&#xA;&#xA;BLOOM (Trembling, beginning to obey.) The weather has been so warm.&#xA;&#xA;(Davy Stephens, ringleted, passes with a bevy of barefoot newsboys.)&#xA;&#xA;DAVY STEPHENS Messenger of the Sacred Heart and Evening Telegraph with Saint Patrick's Day Supplement. Containing the new addresses of all the cuckolds in Dublin.&#xA;&#xA;(The very reverend Canon O'Hanlon in cloth of gold cope elevates and exposes a marble timepiece. Before him Father Conroy and the reverend John Hughes S.J. bend low.)&#xA;&#xA;THE TIMEPIECE (Unportalling.)&#xA;&#xA;Cuckoo&#xA;Cuckoo&#xA;Cuckoo&#xA;&#xA;&#xA;(The brass quoits of a bed are heard to jingle.)&#xA;&#xA;THE QUOITS Jigjag, Jigajiga. Jigjag.&#xA;&#xA;(A panel of fog rolls back rapidly, revealing rapidly in the jurybox the faces of Martin Cunningham, foreman silkhatted, Jack Power Simon Dedalus, Tom Kernan, Ned Lambert, John Henry Menton, Myles Crawford, Lenehan, Paddy Leonard Nosey Flynn, M'Coy and the featureless face of a Nameless One.)&#xA;&#xA;THE NAMELESS ONE Bareback riding. Weight for age. Gob, he organised her.&#xA;&#xA;THE JURORS (All their heads turned to his voice.) Really?&#xA;&#xA;THE NAMELESS ONE (Snarls.) Arse over tip. Hundred shillings to five.&#xA;&#xA;THE JURORS (All their heads lowered in assent.) Most of us thought as much.&#xA;&#xA;FIRST WATCH He is a marked man. Another girl's plait cut. Wanted: Jack the Ripper. A thousand pounds reward.&#xA;&#xA;SECOND WATCH (Awed, whispers.) And in black. A mormon. Anarchist.&#xA;&#xA;THE CRIER (Loudly.) Whereas Leopold Bloom of no fixed abode is a well-known dynamitard, forger, bigamist, bawd and cuckold ad a public nuisance to the citizens of Dublin and whereas at this commission of assizes the most honourable.&#xA;&#xA;(His Honour sir Frederick Falkiner recorder of Dublin, in judicial garb of grey stone rises from the bench, stonebearded. He bears in his arms an umbrella sceptre. From his forehead arise starkly the Mosaic ramshorns.)&#xA;&#xA;THE RECORDER I will put an end to this white slave traffic and rid Dublin of this odious pest. Scandalous! (He dons the black cap.) Let him be taken, Mr Subsheriff, from the dock where he now stands and detained in custody in Mountjoy prison during His Majesty's pleasure and there be hanged by the neck until he is dead and therein fail not at your peril or may the Lord have-mercy on your soul. Remove him. (A black skullcap descends upon his head.)&#xA;&#xA;(The subsheriff long John Fanning appears, smoking a pungent Henry Clay.)&#xA;&#xA;LONG JOHN FANNING (Scowls and calls with rich rolling utterance.) Who'll hang Judas Iscariot?&#xA;&#xA;(H. Rumbold, master barber in a bloodcoloured jerk in and tanner's apron, a rope coiled over his shoulder mounts the block. A life preserver and a nailstudded bludgeon are stuck in his belt. He rubs grimly his grapping hands, knobbed with knuckledusters.)&#xA;&#xA;RUMBOLD (To the recorder with sinister familiarity.) Hanging Harry, your Majesty, the Mersey terror. Five guineas a jugular. Neck or nothing.&#xA;&#xA;(The bells of George's church toll slowly, loud dark iron.)&#xA;&#xA;THE BELLS Heigho! Heigho!&#xA;&#xA;BLOOM (Desperately.) Wait. Stop. Gulls. Good heart. I saw. Innocence. Girl in the monkeyhouse. Zoo. Lewd chimpanzees. (Breathlessly.) Pelvic basin. Her artless blush unmanned me. (Overcome with emotion.) I left the precincts. (He turns to a figure in the crowd, appealing.) Hynes, may I speak to you? You know me. That three shillings you can keep. If you want a little more .&#xA;&#xA;HYNES (Coldly.) You are a perfect stranger.&#xA;&#xA;SECOND WATCH (Points to the corner.) The bomb is here. FIRST WATCH Infernal machine with a time fuse. BLOOM No, no. Pig's feet. I was at a funeral. FIRST WATCH (Draws his truncheon.) Liar!&#xA;&#xA;(The beagle lifts his snout, showing the grey scorbutic face of Paddy Dignam. He has gnawed all. He exhales a putrid carcasefed breath. He grows to human size and shape. His dachshund coat becomes a brown mortuary habit. His green eyeflashes bloodshot. Half of one ear all the nose and both thumbs are ghouleaten.)&#xA;&#xA;PADDY DIGNAM (In a hollow voice.) It is true. It was my funeral. Doctor Finucane pronounced life extinct when I succumbed to the disease from natural causes.&#xA;&#xA;(He lifts his mutilated ashen face moonwards and bays lugubriously.)&#xA;&#xA;BLOOM (In triumph.) You hear?&#xA;&#xA;PADDY DIGNAM Bloom, I am Paddy Dignam's spirit. List, list, O list!&#xA;&#xA;BLOOM The voice is the voice of Esau.&#xA;&#xA;SECOND WATCH (Blesses himself.) How is that possible?&#xA;&#xA;FIRST WATCH It is not in the penny catechism.&#xA;&#xA;PADDY DIGNAM By metempsychosis. Spooks.&#xA;&#xA;A VOICE O rocks.&#xA;&#xA;PADDY DIGNAM (Earnestly.) Once I was in the employ of Mr J. H. Menton, solicitor, commissioner for oaths and affidavits, of 27 Bachelor's Walk. Now I am defunct, the wall of the heart hypertrophied. Hard lines. The poor wife was awfully cut up. Dow is she bearing it? Keep her off that bottle of sherry. (He looks round him.) A lamp. I must satisfy an animal need. That buttermilk didn't agree with me.&#xA;&#xA;(The portly figure of John O'Connell, caretaker stands forth, holding a bunch of keys tied with crape. Beside him stands Father Coffey, chaplain, toad bellied, wrynecked, in a surplice and bandanna nightcap, holding sleepily a staff of twisted poppies.)&#xA;&#xA;FATHER COFFEY (Yawns, then chants with a hoarse croak.) Namine. Jacobs Vobiscuits. Amen.&#xA;&#xA;(Foghorns stormily through his megaphone.) Dignam, Patrick T., deceased.&#xA;&#xA;PADDY DIGNAM (With pricked up ears, winces.) Overtones.&#xA;&#xA;(He wriggles forward, places an ear to the ground.) My masters' voice!&#xA;&#xA;JOHN O'CONNELL Burial docket letter number U. P. Eightyfive thousand. Field seventeen. House of Keys. Plot, one hundred and one.&#xA;&#xA;(Paddy Dignam listens with visible effort, thinking, his tailstiffpointed, his ears cocked.)&#xA;&#xA;PADDY DIGNAM Pray for the repose of his soul.&#xA;&#xA;(He worms down through a coal hole, his brown habit trailing its tether over rattling pebbles. After him toddles an obese grandfather rat on fungus turtle paws under a grey carapace. Dignam's voice, muffled, is heard baying under ground: Dignam's dead and gone below. Tom Rochford, robinredbreasted, in cap and breeches, jumps from his two-columned machine.)&#xA;&#xA;TOM ROCHFORD (A hand to his breastbone, bows.) Reuben J. A florin I find him. (He fixes the manhole with a resolute stare.) My turn now on. Follow me up to Carlow.&#xA;&#xA;(He executes a daredevil salmon leap in the air and is engulfed in the coalhole. Two discs on the columns wobble eyes of nought. All recedes. Bloom plodges forward again. He stands before a lighted house, listening. The kisses, winging from their bowers, fly about him, twittering, warbling, cooing.)&#xA;&#xA;THE KISSES (Warbling.) Leo! (Twittering.) Icky licky micky sticky for Leo! (Cooing.) Coo coocoo! Yummyumm Wom worn! (Warbling.) Big comebig! Pirouette! Leopopold! (Twittering.) Leeolee! (Warbling.) O Leo!&#xA;&#xA;(They rustle, flutter upon his garments, alight, bright giddyflecks, silvery sequins.)&#xA;&#xA;BLOOM A man's touch. Sad music. Church music. Perhaps here.&#xA;&#xA;(Zoe Higgins, a young whore in a sapphire slip, closed with three bronze buckles, a slim black velvet fillet round her throat, nods, trips down the steps and accosts him.)&#xA;&#xA;ZOE Are you looking for someone? He's inside with his friend.&#xA;&#xA;BLOOM Is this Mrs Mack's?&#xA;&#xA;ZOE No, eightyone. Mrs Cohen's. You might go farther and fare worse. Mother Slipperslapper. (Familiarly.) She's on the job herself tonight with the vet, her tipster, that gives her all the winners and pays for her son in Oxford. Working overtime but her luck's turned today. (Suspiciously.) You're not his father, are you?&#xA;&#xA;BLOOM Not I!&#xA;&#xA;ZOE You both in black. Has little mousey any tickles tonight?&#xA;&#xA;(His skin, alert, feels her fingertips approach. A hand slides over his left thigh.)&#xA;&#xA;ZOE How's the nuts?&#xA;&#xA;BLOOM Off side. Curiously they are on the right. Heavier I suppose. One in a million my tailor, Mesias, says.&#xA;&#xA;ZOE (In sudden alarm.) You've a hard chancre.&#xA;&#xA;BLOOM Not likely.&#xA;&#xA;ZOE I feel it.&#xA;&#xA;(Her hand slides into his left trouser pocket and brings out a hard black shrivelled potato. She regards it and Bloom with dumb moist lips.)&#xA;&#xA;BLOOM A talisman. Heirloom.&#xA;&#xA;ZOE For Zoe? For keeps? For being so nice, eh?&#xA;&#xA;(She puts the potato greedily into a pocket, then links his arm, cuddling him with supple warmth. He smiles uneasily. Slowly, note by note, oriental music is played. He gazes in the tawny crystal of her eyes, ringed with kohol. His smile softens.)&#xA;&#xA;ZOE You'll know me the next time.&#xA;&#xA;BLOOM (Forlornly.) I never loved a dear gazelle but it was sure to.&#xA;&#xA;(Gazelles are leaping, feeding on the mountains. Near are lakes. Round their shores file shadows black of cedargroves. Aroma rises, a strong hairgrowth of resin. It burns, the orient, a sky of sapphire, cleft by the bronze flight of eagles. Under it lies the womancity, nude, white, still, cool, in luxury. A fountain murmurs among damask roses. Mammoth roses murmur of scarlet winegrapes. A wine of shame, lust, blood exudes, strangely murmuring.)&#xA;&#xA;ZOE (Murmuring singsong with the music, her odalisk lips lusciously smeared with salve of swinefat and rosewater.) Schorach ani wenowach, benoith Hierushaloim.&#xA;&#xA;BLOOM (Fascinated.) I thought you were of good stock by your accent.&#xA;&#xA;ZOE And you know what thought did?&#xA;&#xA;(She bites his ear gently with little goldstopped teeth sending on him a cloying breath of stale garlic. The roses draw apart, disclose a sepulchre of the gold of kings and their mouldering bones.)&#xA;&#xA;BLOOM (Draws back, mechanically caressing her right bub with a flat awkward hand.) Are you a Dublin girl?&#xA;&#xA;ZOE (Catches a stray hair deftly and twists it to her coil.) No bloody fear. I'm English. Have you a swaggerroot?&#xA;&#xA;BLOOM (As before.) Rarely smoke, dear. Cigar now and then. Childish device. (Lewdly.) The mouth can be better engaged than with a cylinder of rank weed.&#xA;&#xA;ZOE Go on. Make a stump speech out of it.&#xA;&#xA;BLOOM (In workman's corduroy overalls, black gansy with red floating tie and apache cap.) Mankind is incorrigible. Sir Walter Raleigh brought from the new world that potato and that weed, the one a killer of pestilence by absorption, the other a poisoner of the ear, eye, heart, memory, will, understanding, all. That is to say, he brought the poison a hundred years before another person whose name I forget brought the food. Suicide. Lies. All our habits. Why, look at our public life!&#xA;&#xA;(Midnight chimes from distant steeples.)&#xA;&#xA;THE CHIMES Turn again, Leopold! Lord Mayor of Dublin!&#xA;&#xA;BLOOM (In alderman's gown and chain.) Electors of Arran Quay, Inns Quay, Rotunda, Mountjoy and North Dock, better run a tramline, I say, from the cattlemarket to the river. That's the music of the future. That's my programme. Cui Bono? But our buccaneering Vanderdeckens in their phantom ship of finance...&#xA;&#xA;AN ELECTOR Three times three for our future chief magistrate!&#xA;&#xA;(The aurora borealis of the torchlight procession leaps.)&#xA;&#xA;THE TORCH BEARERS Hooray!&#xA;&#xA;(Several wellknown burgesses, city magnates and freemen of the city shake hands with Bloom and congratulate him. Timothy Harrington, late thrice Lord Mayor of Dublin, imposing in mayoral scarlet, gold chain and white silk tie, confers with councillor Lorcan Sherlock, locum tenens. They nod vigorously in agreement.)&#xA;&#xA;LATE LORD MAYOR HARRINGTON (In scarlet robe with mace, gold mayoral chain and lace white silk scarf) That alder man sir Leo Bloom's speech be printed at the expense of the ratepayers. That the house in which he was born be ornamented with a commemorative tablet and that the thoroughfare hitherto known as Cow Parlour off Cork street be henceforth designated Boulevard Bloom.&#xA;&#xA;COUNCILLOR LORCAN SHERLOCK Carried unanimously.&#xA;&#xA;BLOOM (Impassionedly.) These flying Dutchmen or lying Dutchmen as they recline in their upholstered poop, casting dice, what reck they? Machines is their cry, their chimera, their panacea. Laboursaving apparatuses, supplanters, bug-bears, manufactured monsters for mutual murder, hideous hobgoblins produced by a horde of capitalistic lusts upon our prostituted labour. The poor man starves while they are grassing their royal mountain stags or shooting peasants and phartridges in their purblind pomp of pelf and power. But their reign is rover for rever and ever and ev...&#xA;&#xA;(Prolonged applause. Venetian masts, maypoles and festal arches spring up. A streamer bearing the legends Cead Mille Failte and Mah Ttob Melek Israel spans the street. All the windows are thronged with sightseers, chiefly ladies. Along the route the regiments of the royal Dublin Fusiliers, the Kings Own Scottish Boraerers, the Cameron Highlanders and the Welsh Fusiliers, standing to attention, keep back the crowd. Boys from High school are perched on the lampposts, telegraph poles, windowsills, cornices, gutters, chimneypots, railings, rainspouts, whistling and cheering. The pillar of the cloud appears. A fife and drum band is heard in the distance playing the Kol Nidre. The beaters approach with imperial eagles hoisted, trailing banners and waving oriental palms. The chryselephantine papal standard rises high, surrounded by pennons of the civic flag. The van of the procession appears headed by John Howard Parnell, city marshal, in a chessboard tabard, the Athlone Poursuivant and Ulster King of Arms. They are followed by the Right Honourable Joseph Hutchinson, lord mayor of Dublin, the lord mayor of Cork, their worships the mayors of Limerick, Galway, Sligo and Watedord, twentyeight Irish representative peers, sirdars, grandees and maharajahs bearing the cloth of estate, the Dublin Metropolitan Fire Brigade, the chapter of the saints of finance in their plutocratic order of precedence, the bishop of Down and Connor His Eminence Michael cardinal Logue archbishop of Armagh, primate of all Ireland, His Grace, the most reverend Dr William Alexander archbishop of Armagh, primate of all Ireland, the chief rabbi, the presbyterian moderator, the heads of the baptist, anabaptist, methodist and Moravian chapels and the honorary secretary of the society of friends. her them march the guilds and trades and trainbands with flying colours: coopen, bird fanciers, millwrights, newspaper canvassers, law scriveners, masseurs, vintners, trussmakers, chimney sweeps, lard refiners, tabinet and poplin weavers, farriers, Italian warehousemen, church decorators, bootjack manufacturers, undertaken, silk mercers, lapidaries, salesmasters, corkcutters, assessors of fire losses, dyers and cleaners, export bottlers, fellmongers, ticketwriters, heraldic seal engravers, horse repository hands, bullion broken, cricket and archery outfitters, riddlemakers, egg and potato factors, hosiers and glovers, plumbing contractors. After them march gentlemen of the bed chamber Black Rod, Deputy Garter Gold Stick, the master of hone, the lord great chamberlain, the earl marshal, the high constable carrying the sword of state, saint Stephen's iron crown, the chalice and bible. Four buglers on foot blow a sennet. Beefeaten reply, winding clarions of welcome. Under an arch of triumph Bloom appears bareheaded, in a crimson velvet mantle trimmed with ermine, bearing Saint Edward's staff the orb and sceptre with the dove, the curtana. He is seated on a milkwhite hone with long flowing crimson tail, richly caparisoned, with golden heads tall. Wild excitement. The ladies from their balconies throw down rosepetals. The air is perfumed with essences. The men cheer. Bloom's boys run amid the bystanders with branches of hawthorn and wrenbushes.)&#xA;&#xA;BLOOM'S BOYS&#xA;&#xA;The wren, the wren,&#xA;The king of all birds,&#xA;Saint Stephen's his day,&#xA;Was caught in the furze.&#xA;&#xA;&#xA;A BLACKSMITH (Murmurs.) For the Honour of God! And is that Bloom? He scarcely looks thirtyone.&#xA;&#xA;A PAVIOR AND FLAGGER That's the famous Bloom now, the world's greatest reformer. Hats off!&#xA;&#xA;(All uncover their heads. Women whisper eagerly.)&#xA;&#xA;A MILLIONAIRESS (Richly.) Isn't he simply wonderful?&#xA;&#xA;A NOBLEWOMAN (Nobly.) All that man has seen!&#xA;&#xA;A FEMINIST (Masculinely.) And done!&#xA;&#xA;A BELLHANGER A classic face! He has the forehead of a thinker.&#xA;&#xA;(Bloom's weather. A sunburst appears in the northwest.)&#xA;&#xA;THE BISHOP OF DOWN AND CONNOR I here present your un doubted emperor president and king chairman, the most serene and potent and very puissant ruler of this realm. God save Leopold the First!&#xA;&#xA;ALL God save Leopold the First!&#xA;&#xA;BLOOM (In dalmatic and purple mantle, to the bishop of Down and Connor with dignity.) Thanks, somewhat eminent sir.&#xA;&#xA;WILLIAM, ARCHBISHOP OF ARMAGH (In purple stock and shovel hat.) Will you to your power cause law and mercy to be executed in all your judgments in Ireland and territories thereunto belonging?&#xA;&#xA;BLOOM (Placing his right hand on his testicles, swears.) So may the Creator deal with me. All this I promise to do.&#xA;&#xA;MICHAEL, ARCHBISHOP OF ARMAGH (Pours a cruse of hair oil over Bloom's head.) Gaudium magnum annuntio vobis. Habemus carneficem. Leopold, Patrick, Andrew, David, George, be thou anointed!&#xA;&#xA;(Bloom assumes a mantle of cloth of gold and puts on a ruby ring. He ascends and stands on the stone of destiny. The representative peers put on at the same time their twentyeight crowns. Joybells ring in Christ church, Saint Patrick's, George's and gay Malahide. Mirus bazaar fireworks go up from all sides with symbolical phallopyrotechnic designs. The peers do homage, one by one, approaching and genuflecting.)&#xA;&#xA;THE PEERS I do become your liege man of life and limb to earthly worship.&#xA;&#xA;(Bloom holds up his right hand on which sparkles the Koh-i-Noor diamond. His palfrey neighs. Immediate silence. Wireless intercontinental and interplanetary transmitters are set for reception of message.)&#xA;&#xA;BLOOM My subjects! We hereby nominate our faithful charger Copula Felix hereditary Grand Vizier and announce that we have this day repudiated our former spouse and have bestowed our royal hand upon the princess Selene, the splendour of night.&#xA;&#xA;(The former morganatic spouse of Bloom is hastily removed in the Black Maria. The princess Selene, in moon blue robes, a silver crescent on her head, descends from a Sedan chair borne by two giants. An outburst of cheering.)&#xA;&#xA;JOHN HOWARD PARNELL (Raises the royal standard.) Illustrious Bloom! Successor to my famous brother!&#xA;&#xA;BLOOM (Embraces John Howard Parnell.) We thank you from our heart, John, for this right royal welcome to green Erin, the promised land of our common ancestors.&#xA;&#xA;(The freedom of the city is presented to him embodied in a charter. The keys of Dublin, crossed on a crimson cushion, are given to him. He shows all that he is wearing green socks.)&#xA;&#xA;TOM KERNAN You deserve it, your honour.&#xA;&#xA;BLOOM On this day twenty years ago we overcame the hereditary enemy at Ladysmith. Our howitzers and camel swivel guns played on his lines with telling effect. Half a league onward! They charge! All is lost now! Do we yield? No! We drive them headlong! Lo! We charge! Deploying to the left our light horse swept across the heights of Plevna and, uttering their warcry, Bonafide Sabaoth, sabred the Saracen gunners to a man.&#xA;&#xA;THE CHAPEL OF FREEMAN TYPESETTERS Hear! Hear!&#xA;&#xA;JOHN WYSE NOLAN There's the man that got away James Stephens.&#xA;&#xA;A BLUECOAT SCHOOLBOY Bravo!&#xA;&#xA;AN OLD RESIDENT You're a credit to your country, sir, that's what you are.&#xA;&#xA;AN APPLEWOMAN He's a man like Ireland wants.&#xA;&#xA;BLOOM My beloved subjects, a new era is about to dawn. I, Bloom, tell you verily it is even now at hand. Yea, on the word of a Bloom, ye shall ere long enter into the golden city which is to be, the new Bloomusalem in the Nova Hibernia of the future.&#xA;&#xA;(Thirtytwo workmen wearing rosettes, from all the counties of Ireland, under the guidance of Derwan the builder construct the new Bloomusalem. It is a colossal edifice, with crystal roof built in the shape of a huge pork kidney, containing forty thousand rooms. In the course of its extension several buildings and monuments are demolished. Government offices are temporarily transferred to railway sheds. Numerous houses are razed to the ground. The inhabitants are lodged in barrels and boxes, all marked in red with the letters: L. B. Several paupers fall from a ladder. A part of the walls of Dublin, crowded with loyal sightseers, collapses.)&#xA;&#xA;THE SIGHTSEERS (Dying) Morituri te salutant. (They die.)&#xA;&#xA;(A man in a brown macintosh springs up through a trap-door. He points an elongated finger at Bloom.)&#xA;&#xA;THE MAN IN THE MACINTOSH Don't you believe a word he Says. That man is Leopold M'Intosh, the notorious fireraiser. His real name is Higgins.&#xA;&#xA;BLOOM Shoot him! Dog of a christian! So much for M'Intosh!&#xA;&#xA;(A cannonshot. The man in the macintosh disappears. Bloom with his sceptre strikes down poppies. The instantaneous deaths of many powerful enemies, graziers, members of parliament, members of standing committees, are reported. Bloom's bodyguard distribute Maundy money, commemoration medals, loaves and fishes, temperance badges, expensive Henry Clay cigars, free cowbones for soup, rubber preservatives, in sealed envelopes tied with gold thread, butter scotch, pineapple rock, billets doux in the form of cocked hats, readymade suits, porringers of toad in the hole, bottles of Jeyes' Fluid, purchase stamps, 40 days' indulgences, spurious coins, dairyfed pork sausages, theatre passes, season tickets available for all tram lines, coupons of the royal and privileged Hungarian lottery, penny dinner counters, cheap reprints of the World's Twelve Worst Books: Froggy and Fritz (politic), Care of the Baby (infantilic), So Meals for 7/6 (culinic), Was Jesus a Sun Myth? (historic), Expel that Pain (medic), Infant's Compendium of the Universe (cosmic), Let's All Chortle (hilaric), Canvasser's Vade Mecum (journalic), love-letters of Mother Assistant (erotic), Who's Who in Space (astric), Songs that Reached Our Heart (melodic), Pennywise's Way to Wealth (parsimonic). A general rush and scramble. Women press forward to touch the hem of Bloom's robe. The lady Gwendolen Dubedat bursts through the throng, leaps on his horse and kisses him on both cheeks amid great acclamation. A magnesium flashlight photograph is taken. Babes and sucklings are held up.)&#xA;&#xA;THE WOMEN Little father! Little father!&#xA;&#xA;THE BABES AND SUCKLINGS&#xA;&#xA;Clap clap hands till Poldy comes home,&#xA;Cakes in his pocket for Leo alone.&#xA;&#xA;&#xA;(Bloom, bending down, pokes Baby Boardman gently in the stomach.)&#xA;&#xA;&#xA;BABY BOARDMAN (Hiccups, curdled milk flowing from his mouth.) Hajajaja.&#xA;&#xA;&#xA;BLOOM (Shaking hands with a blind stripling.) My more than Brother! (Placing his arms round the shoulders of an old couple.) Dear old friends! (He plays pussy fourcorners with ragged boys and girls.) Peep! Bopeep! (He wheels twins in a perambulator.) Ticktacktwo wouldyousetashoe? (He performs juggler's tricks, draws red, orange, yellow, green, blue, indigo and violet silk handkerchiefs from his mouth.) Roygbiv. 32 feet per second. (He consoles a widow.) Absence makes the heart grow younger. (He dances the Highland fling with grotesque antics.) Leg it, ye devils! (He kisses the bedsores of a palsied veteran.) Honourable wounds! (He trips up a fat policeman.) U.p.: up. U.p.: up. (He whispers in the ear of a blushing waitress and laughs kindly.) Ah, naughty, naughty! (He eats a raw turnip offered him by Maurice Butterly, farmer.) Fine! Splendid! (He refuses to accept three shillings offered him by Joseph Hynes, journalist.) My dear fellow, not at all! (He gives his coat to a beggar.) Please accept. (He takes part in a stomach race with elderly male and female cripples.) Come on, boys! Wriggle it, girls!&#xA;&#xA;&#xA;THE CITIZEN (Choked with emotion, brushes aside a tear in his emerald muffler.) May the good God bless him!&#xA;&#xA;&#xA;(The rams' horns sound for silence. The standard of Zion is hoisted.)&#xA;&#xA;&#xA;BLOOM (Uncloaks impressively, revealing obesity, unrolls a paper and reads solemnly.) Aleph Beth Ghimel Daleth Hagadah Tephilim Kosher Yom Kippur Hanukah Ros chaschana Beni Brith Bar Mitzvah Mazzoth Askenazim Meshuggah Talith.&#xA;&#xA;&#xA;(An official translation is read by Jimmy Henry, assistant town clerk.)&#xA;&#xA;&#xA;JIMMY HENRY The Court of Conscience is now open. His Most Catholic Majesty will now administer open air justice. Free medical and legal advice, solution of doubles and other problems. All cordially invited. Given at this our loyal city of Dublin in the year I of the Paradisiacal Era.&#xA;&#xA;&#xA;PADDY LEONARD What am I to do about my rates and taxes?&#xA;&#xA;&#xA;BLOOM Pay them, my friend.&#xA;&#xA;&#xA;PADDY LEONARD Thank you.&#xA;&#xA;&#xA;NOSEY FLYNN Can I raise a mortgage on my fire insurance?&#xA;&#xA;&#xA;BLOOM (Obdurately.) Sirs, take notice that by the law of torts you are bound over in your own recognisances for six months in the sum of five pounds.&#xA;&#xA;&#xA;J.J. O'MOLLY A Daniel did I say? Nay! A Peter O'Brien!&#xA;&#xA;&#xA;NOSEY FLYNN Where do I draw the five pounds?&#xA;&#xA;&#xA;PISSER BURKE For bladder trouble?&#xA;&#xA;&#xA;BLOOM&#xA;&#xA;&#xA;Acid. nit. hydrochlor dil., 20 minims,&#xA;Tinct. mix. vom., 4 minims.&#xA;Extr. taraxel. lig., 30 minims.&#xA;Aq. dis. ter in die.&#xA;&#xA;&#xA;CHRIS CALLINAN What is the parallax of the subsolar ecliptic of Aldebaran?&#xA;&#xA;BLOOM Pleased to hear from you, Chris. K. II.&#xA;&#xA;JOE HYNES Why aren't you in uniform?&#xA;&#xA;BLOOM When my progenitor of sainted memory wore the uniform of the Austrian despot in a dank prison where was yours?&#xA;&#xA;BEN DOLLARD Pansies?&#xA;&#xA;BLOOM Embellish (beautify) suburban gardens.&#xA;&#xA;BEN DOLLARD When twins arrive?&#xA;&#xA;BLOOM Father (pater, dad) starts thinking.&#xA;&#xA;LARRY O'ROURKE An eight day licence for my new premises. You remember me, sir Leo, when you were in number seven. I'm sending around a dozen of stout for the missus.&#xA;&#xA;BLOOM (Coldly.) You have the advantage of me. Lady Bloom accepts no presents.&#xA;&#xA;CROFTON This is indeed a festivity.&#xA;&#xA;BLOOM (Solemnly.) You call it a festivity. I call it a sacrament.&#xA;&#xA;ALEXANDER KEYES When will we have our own house of keys?&#xA;&#xA;BLOOM I stand for the reform of municipal morals and the plain ten commandments. New worlds for old. Union of all, jew, moslem and gentile. Three acres and a cow for all children of nature. Saloon motor hearses. Compulsory manual labour for all. All parks open to the public day and night. Electric dishscrubbers. Tuberculosis, lunacy, war and mendicancy must now cease. General amnesty, weekly carnival, with masked licence, bonuses for all, esperanto the universal brotherhood. No more patriotism of barspongers and dropsical impostors. Free money, free love and a free lay church in a free lay state.&#xA;&#xA;O'MADDEN BURKE Free fox in a free henroost.&#xA;&#xA;DAVY BYRNE (Yawning.) Iiiiiiiiiaaaaaaach!&#xA;&#xA;BLOOM Mixed races and mixed marriage.&#xA;&#xA;LENEHAN What about mixed bathing?&#xA;&#xA;(Bloom explains to those near him his schemes for social regeneration. All agree with him. The keeper of the Kildare Street Museum appears, dragging a lorry on which are the shaking statues of several naked goddesses, Venus Callipyge, Venus Pandemos Venus Metempsychosis, and plaster figures, also naked, representing the new nine muses, Commerce, Operatic Music, Amor Publicity, Manufacture, liberty of Speech, Plural Voting, Gastronomy, Private Hygiene, Seaside Concert Entertainments, Painless Obstetrics and Astronomy for the People.)&#xA;&#xA;FATHER FARLEY He is an episcopalian, an agnostic, an any thingarian seeking to overthrow our holy faith.&#xA;&#xA;MRS RIORDAN (Tears up her will.) I'm disappointed in you! You bad man!&#xA;&#xA;MOTHER GROGAN (Removes her boot to throw it at Bloom.) You beast! You abominable person!&#xA;&#xA;NOSEY FLYNN Give us a tune, Bloom. One of the old sweet songs.&#xA;&#xA;BLOOM (With rollicking humour.)&#xA;&#xA;I vowed that I never would leave her,&#xA;She turned out a cruel deceiver.&#xA;With my tooraloom tooraloom tooralcom tooraloom.&#xA;&#xA;&#xA;HOPPY HOLOHAN Good old Bloom! There's nobody like him after all.&#xA;&#xA;PADDY LEONARD Stage Irishman!&#xA;&#xA;BLOOM What railway opera is like a tramline in Gibraltar? The Rows of Casteele. (Laughter.)&#xA;&#xA;LENEHAN Plagiarist! Down with Bloom!&#xA;&#xA;THE VEILED SIBYL (Enthusiastically.) I'm a Bloomite and I glory in it. I believe in him in spite of all. I'd give my life for him, the funniest man on earth.&#xA;&#xA;BLOOM (Winks at the bystanders.) I bet she's a bonny lassie.&#xA;&#xA;THEODORE PUREFOY (In fishing cap and oilskin jacket.) He employs a mechanical device to frustrate the sacred ends of nature.&#xA;&#xA;THE VEILED SIBYL (Stabs herself.) My hero god! (She dies.)&#xA;&#xA;(Many most attractive and enthusiastic women also commit suicide by stabbing, drowning, drinking prussic acid, aconite, arsenic, opening their veins, refusing food, casting themselves under steamrollers, from the top of Nelson's Pillar, into the great vat of Guinness's brewery, asphyxiating themselves by placing their heads in gas ovens, hanging themselves in stylish garters, leaping from windows of different storeys.)&#xA;&#xA;ALEXANDER J. DOWIE (Violently.) Fellowchristians and antiBloomites, the man called Bloom is from the roots of hell, a disgrace to christian men. A fiendish libertine from his earliest years this stinking goat of Mendes gave precocious signs of infantile debauchery recalling the cities of the plain, with a dissolute granddam. This vile hypocrite, bronzed with infamy, is the white bull mentioned in the Apocalypse. A worshipper of the Scarlet Woman, intrigue is the very breath of his nostrils. The stake faggots and the caldron of boiling oil are for him. Caliban!&#xA;&#xA;THE MOB Lynch him! Roast him! He's as bad as Parnell was. Mr Fox!&#xA;&#xA;(Mother Grogan throws her boot at Bloom. Several shopkeepers from upper and lower Dorset street throw objects of little or no commercial value, hambones, condensed milk tins, unsaleable cabbage, stale bread, sheeps' tails, odd pieces of fat.)&#xA;&#xA;BLOOM (Excitedly.) This is midsummer madness, some ghastly joke again. By heaven, I am guiltless as the unsunned snow! It was my brother Henry. He is my double. He lives in number 2 Dolphin's Barn. Slander, the viper, has wrongfully accused me. Fellowcountrymen, sgenl inn ban bata coisde gan capall. I call on my old friend, Dr Malachi Mulligan, sex specialist to give medical testimony on my behalf.&#xA;&#xA;DR MULLIGAN (In motor jerkin, green motoroggles on his brow.) Dr Bloom is bisexually abnormal. He has recently escaped from Dr Eustace's private asylum for demented gentlemen. Born out of bedlock hereditary epilepsy is present, the consequence of unbridled lust. Traces of elephantiasis have been discovered among his ascendants. There are marked symptoms of chronic exhibitionism. Ambidexterity is also latent. He is prematurely bald from selfabuse, perversely idealistic in consequence, a reformed rake, and has metal teeth. In consequence of a family complex he has temporarily lost his memory and I believe him to be more sinned against than sinning. I have made a pervaginal examination and, after application of the acid test to 5427 anal, axillary, pectoral and pubic hairs, I declare him to be virgo intacta.&#xA;&#xA;(Bloom holds his high grade hat over his genital organs.)&#xA;&#xA;DR MADDEN Hypsospadia is also marked. In the interest of coming generations I suggest that the parts affected should be preserved in spirits of wine in the national teratological museum.&#xA;&#xA;DR CROTTHERS I have examined the patient's urine. It is albuminoid. Salivation is insufficient, the patellar reflex intermittent.&#xA;&#xA;DR PUNCH COSTELLO The fetor judaicus is most perceptible.&#xA;&#xA;DR DIXON (Reads a bill of health.) Professor Bloom is a finished example of the new womanly man. His moral nature is simple and lovable. Many have found him a dear man, a dear person. He is a rather quaint fellow on the whole, coy though not feeble-minded in the medical sense. He has written a really beautiful letter, a poem in itself, to the court missionary of the Reformed Priests' Protection Society which clears up everything. He is practically a total abstainer and I can affirm that he sleeps on a straw litter and eats the most Spartan food, cold dried grocer's peas. He wears a hairshirt winter and summer and scourges himself every Saturday. He was, I understand, at one time a firstclass misdemeanant in Glencree reformatory. Another report states that he was a very posthumous child. I appeal for clemency in the name of the most sacred word our vocal organs have ever been called upon to speak. He is about to have a baby.&#xA;&#xA;(General commotion and compassion. Women faint. A wealthy American makes a street collection for Bloom. Gold and silver coins, bank cheques, banknotes, jewels, treasury bonds, maturing bills of exchange, I.O.U.s, wedding rings' watch-chains, lockets, necklaces and bracelets are rapidly collected.)&#xA;&#xA;BLOOM O, I so want to be a mother.&#xA;&#xA;MRS THORNTON (In nursetender's gown.) Embrace me tight, dear. You'll be soon over it. Tight, dear.&#xA;&#xA;(Bloom embraces her tightly and bears eight male yellow and white children. They appear on a redcarpeted staircase adorned with expensive plants. All are handsome, with valuable metallic faces, wellmade, respectably dressed and wellconducted, speaking five modern languages fluently and interested in various arts and sciences. Each has his name printed in legible letters on his shirtfront: Nasodoro, Goldfinger, Chrysostomos, Maindorée, Silversmile, Silberselber Vifargent, Panargros. They are immediately appointed to positions of high public trust in several different countries as managing directors of banks, traffic managers of railways, chairmen of limited liability companies, vice chairmen of hotel syndicates.)&#xA;&#xA;A VOICE Bloom, are you the Messiah ben Joseph or ben David?&#xA;&#xA;BLOOM (Darkly.) You have said it.&#xA;&#xA;BROTHER BUZZ Then perform a miracle.&#xA;&#xA;BANTAM LYONS Prophesy who will win the Saint Leger.&#xA;&#xA;(Bloom walks on a net, covers his left eye with his left ear, passes through several walls, climbs Nelson's Pillar, hangs from the the ledge by his eyelids, eats twelve dozen oysters (shells included), heals several sufferers from kings evil, contracts his face so as to resemble many historical personages, lord Beaconsfield, lord Byron, Wat Tyler, Moses of Egypt, Moses Maimonides, Moses Mendelssohn, Henry Irving, Rip van Winkle, Rossuth, Jean Jacques Rousseau, Baron Leopold Rothschild, Robinson Crusoe, Sherlock Holmes, Pasteur, turns each foot simultaneously in different directions, bids the tide turn back, eclipses the sun by extending his little finger.)&#xA;&#xA;BRINI, PAPAL NUNCIO (In papal zouave's uniform, steel cuirasses as breastplate, armplates, thighplates, legplates, large profane moustaches and brown paper mitre.) Leopoldi autem generatio. Moses begat Noah and Noah begat Eunuch and Eunuch begat O'Halloran and O'Halloran begat Guggenheim and Guggenheim begat Agendath and Agendath begat Netaim and Netaim begat Le Hirsch and Le Hirsch begat Jesurum and Jesurum begat MacKay and MacKay begat Ostrolopsky and Ostrolopsky begat Smerdoz and Smerdoz begat Weiss and Weiss begat Schwarz and Schwarz begat Adrianopoli and Adrianopoli began Aranjuez and Aranjuez begat Lewy Lawson and Lewy Lawson begat Ichabudonosor and Ichabudonosor begat O'Donnell Magnus and O'Donnell Magnus begat Christbaum and Christbaum begat Ben Maimun and Ben Maimun begat Dusty Rhodes and Dusty Rhodes begat Benamor and Benamor begat Jones-Smith and Jones-Smith begat Savorgnanovich and Savorgnanovich begat Jasperstone and Jasperstone begat Vingtetunieme and Vingtetunieme begat Szombathely and Szombathely begat Virag and Virag begat Bloom et vocabitur nomen eius Emmanuel.&#xA;&#xA;A DEADHAND (Writes on the wall.) Bloom is a cod. A CRAB (In bush ranger's kit.) What did you do in the cattlecreep behind Kilbarrack?&#xA;&#xA;A FEMALE INFANT (Shakes a rattle.) And under Ballybough bridge?&#xA;&#xA;A HOLLYBUSH And in the devil's glen?&#xA;&#xA;BLOOM (Blushes furiously all over from front to nates, three tears falling from his left eye.) Spare my past.&#xA;&#xA;THE IRISH EVICTED TENANTS (In bodycoats, kneebreeches, with Donnybrook fair shillelaghs.) Sjambok him!&#xA;&#xA;(Bloom with asses' ears seats himself in the pillory with crossed arms, his feet protruding. He whistles Don Giovanni, a cenar teco. Artane orphans, joining hands, caper round him. Girls of the Prison Gate Mission, joining hands, caper round in the opposite direction.)&#xA;&#xA;THE ARTANE ORPHANS&#xA;&#xA;You big, you bog, you dirty dog!&#xA;You think the ladies love you!&#xA;&#xA;&#xA;THE PRISON GATE GIRLS&#xA;&#xA;If you see kay&#xA;Tell him he may&#xA;See you in tea&#xA;Tell him from me.&#xA;&#xA;&#xA;HORNBLOWER (In ephod and huntingcap, announces.) And he shall carry the sins of the people to Azazel, the spirit which is in the wilderness, and to Lilith, the nighthag. And they shall stone him and defile him, yea, all from Agendath Netaim and from Mizraim, the land of Ham.&#xA;&#xA;(All the people cast soft pantomime stones at Bloom. Many bonafide travellers and ownerless dogs come near him and defile him. Mastiansky and Citron approach in gaberdines, wearing long earlocks. They wag their beards at Bloom.)&#xA;&#xA;MASTIANSKY AND CITRON Belial! Laemlein of Istria! the false Messiah! Abulafia!&#xA;&#xA;(George S. Mesias, Bloom's tailor, appears, a tailor's goose under his arm, presenting a bill.)&#xA;&#xA;MESIAS To alteration one pair trousers eleven shillings.&#xA;&#xA;BLOOM (Rubs his hands cheerfully.) Just like old times. Poor Bloom!&#xA;&#xA;(Reuben J. Dodd, black bearded Iscariot, bad shepherd, bearing on his shoulders the drowned corpse of his son, approaches the pillory.)&#xA;&#xA;REUBEN J. (Whispers hoarsely.) The squeak is out. A split is gone for the flatties. Nip the first rattler.&#xA;&#xA;THE FIRE BRIGADE Pflaap!&#xA;&#xA;BROTHER BUZZ (Invests Bloom in a yellow habit with embroidery of painted flames and high pointed hat. He places a bag of gunpowder round his neck and hands him over to the civil power, saying.) Forgive him his trespasses.&#xA;&#xA;(Lieutenant Myers of the Dublin Fire Brigade by general request sets fire to Bloom. Lamentations.)&#xA;&#xA;THE CITIZEN Thank heaven!&#xA;&#xA;BLOOM (In a seamless garment marked I. H. S. stands upright amid phoenix flames.) Weep not for me, O daughters of Erin.&#xA;&#xA;(He exhibits to Dublin reporters traces of burning. The daughters of Erin, in black garments with lace prayerbooks and long lighted candles in their hands, kneel down and pray.)&#xA;&#xA;THE DAUGHTERS OF ERIN Kidney of Bloom, pray for us. Flower of the Bath, pray for us. Mentor of Menton, pray for us. Canvasser for the Freeman, pray for us. Charitable Mason, pray for us. Wandering Soap, pray for us. Sweets of Sin, pray for us. Music without Words, pray for us. Reprover of the Citizen, pray for us. Friend of all Frillies, pray for us. Midwife Most Merciful, pray for us. Potato Preservative against Plague and Pestilence, pray for us.&#xA;&#xA;(A choir of six hundred voices, conducted by Mr Vincent O'Brien, sings the Alleluia chorus, accompanied on the organ by Joseph Glynn. Bloom becomes mute, shrunken, carbonised.)&#xA;&#xA;ZOE Talk away till you're black in the face.&#xA;&#xA;BLOOM (In caubeen with clay pipe stuck in the band, dusty brogues, an emigrant's red handkerchief bundle in his hand, leading a black bogoak pig by a sugaun, with a smile in his eye.) Let me be going now, woman of the house, for by all the goats in Connemara I'm after having the father and mother of a bating. (With a tear in his eye.) All insanity. Patriotism, sorrow for the dead, music, future of the race. To be or not to be. Life's dream is o'er. End it peacefully. They can live on. (He gazes far away mournfully.) I am ruined. A few pastilles of aconite. The blinds drawn. A letter. Then lie back to rest. (He breathes softly.) No more. I have lived. Fare. Farewell.&#xA;&#xA;ZOE (Stiffly, her finger in her neckfillet.) Honest? Till the next time. (She sneers.) Suppose you got up the wrong side of the bed or came too quick with your best girl. O, I can read your thoughts.&#xA;&#xA;BLOOM (Bitterly.) Man and woman, love, what is it? A cork and bottle.&#xA;&#xA;ZOE (In sudden sulks.) I hate a rotter that's insincere. Give a bleeding whore a chance.&#xA;&#xA;BLOOM (Repentantly.) I am very disagreeable. You are a necessary evil. Where are you from? London?&#xA;&#xA;ZOE (Glibly.) Hog's Norton where the pigs play the organs. I'm Yorkshire born. (She holds his hand which is feeling for her nipple.) I say, Tommy Tittlemouse. Stop that and begin worse. Have you cash for a short time? Ten shillings?&#xA;&#xA;BLOOM (Smiles, nods slowly.) More, houri, more.&#xA;&#xA;ZOE And more's mother? (She pats him offhandedly with velvet paws.) Are you coming into the musicroom to see our new pianola? Come and I'll peel off.&#xA;&#xA;BLOOM (Feeling his occiput dubiously with the unparalleled embarrassment of a harassed pedlar gauging the symmetry of her peeled pears.) Somebody would be dreadfully jealous if she knew. The greeneyed monster. (Earnestly.) You know how difficult it is. I needn't tell you.&#xA;&#xA;ZOE (Flattered.) What the eye can't see the heart can't grieve for. (She pats him.) Come.&#xA;&#xA;BLOOM Laughing witch! The hand that rocks the cradle.&#xA;&#xA;ZOE Babby!&#xA;&#xA;BLOOM (In babylinen and pelisse, bigheaded, with a caul of dark hair, fixes big eyes on her fluid slip and counts its bronze buckles with a chubby finger, his moist tongue tolling and lisping.) One two tlee: tlee tlwo tlone.&#xA;&#xA;THE BUCKLES Love me. Love me not. Love me.&#xA;&#xA;ZOE Silent means consent. (With little parted talons she captures his hand, her forefinger giving to his palm the pass touch of secret monitor, luring him to doom.) Hot hands cold gizzard.&#xA;&#xA;(He hesitates amid scents, music, temptations. She leads him towards the steps, drawing him by the odour of her armpits, the vice of her painted eyes, the rustle of her slip in whose sinuous folds lurks the lion reek of all the male brutes that have possessed her.)&#xA;&#xA;THE MALE BRUTES (Exhaling sulphur of rut and dung and ramping in their loosebox, faintly roaring, their drugged heads swaying to and fro.) Good!&#xA;&#xA;(Zoe and Bloom reach the doorway where two sister whores are seated. They examine him curiously from under their pencilled brows and smile to his hasty bow. He trips awkwardly.)&#xA;&#xA;ZOE (Her lucky hand instantly saving him.) Hoopsa! Don't fall upstairs.&#xA;&#xA;BLOOM The just man falls seven times. (He stands aside at the threshold.) After you is good manners.&#xA;&#xA;ZOE Ladies first, gentlemen after.&#xA;&#xA;(She crosses the threshold. He hesitates. She turns and, holding out her hands, draws him over. He hops. On the an tiered rack of the hall hang a man's hat and waterproof Bloom uncovers himself but, seeing them, frowns, then smiles, preoccupied. A door on the return landing is thrown open. A man in purple shirt and grey trousers, brownsocked, passes with an apes gait, his bald head and goatee beard upheld, hugging a full waterjugjar his twotailed black braces dangling at heels. Averting his face quickly Bloom bends to examine on the halltable the spaniel eyes of a running fox: then, his lifted head sniffing, follows Zoe into the musicroom. A shade of mauve tissuepaper dims the light of the chandelier. Round and round a moth flies, colliding, escaping. The floor is covered with an oilcloth mosaic of jade and azure and cinnabar rhomboids. Footmarks are stamped over it in all senses, heel to heel, heel to hollow, toe to toe, feet locked, a morris of shuffling feet without body phantoms, all in a scrimmage higgledypiggledy. The walls are tapes-tried with a paper of yewfronds and clear glades. In the grate is spread a screen of peacock feathers. Lynch squats crosslegged on the hearth rug of matted hair, his cap back to the front. With a wand he beats time slowly. Kitty Ricketts, a bony pallid whore in navy costume, doeskin gloves rolled back from a coral wristlet, a chain purse in her hand, sits perched on the edge of the table swinging her leg and glancing at herself in the gilt mirror over the mantelpiece. A tag of her corset lace hangs slightly below her jacket. Lynch indicates mockingly the couple at the piano.)&#xA;&#xA;KITTY (Coughs behind her hand.) She's a bit imbecilic. (She signs with a waggling forefinger.) Blemblem. (Lynch lifts up her skirt and white petticoat with the wand. She settles them down quickly.) Respect yourself. (She hiccups, then bends quickly her sailor hat under which her hair glows, red with henna.) O, excuse!&#xA;&#xA;ZOE More limelight, Charley. (She goes to the chandelier and turns the gas full cock.)&#xA;&#xA;KITTY (Peers at the gasjet.) What ails it tonight?&#xA;&#xA;LYNCH (Deeply.) Enter a ghost and hobgoblins.&#xA;&#xA;ZOE Clap on the back for Zoe.&#xA;&#xA;(The wand in Lynch's hand flashes: a brass poker. Stephen stands at the pianola on which sprawl his hat and ashplant. With two fingers he repeats once more the series of empty fifths. Florry Talbot, a blond feeble goosefat whore in a tatterdemalion gown of mildewed strawberry, lolls spreadeagle in the sofa corner, her limp forearm pendent over the bolster, listening. A heavy stye droops over her sleepy eyelid.)&#xA;&#xA;KITTY (Hiccups again with a kick of her horsed foot.) O, excuse!&#xA;&#xA;ZOE (Promptly.) Your boy's thinking of you. Tie a knot on your shift.&#xA;&#xA;(Kitty Ricketts bends her head. Her boa uncoils, slides, glides over her shoulder, back, arm, chair to the ground. Lynch lifts the curled caterpillar on his wand. She snakes her neck, nestling. Stephen glances behind at the squatted figure with its cap back to the front.)&#xA;&#xA;STEPHEN As a matter of fact it is of no importance whether Benedetto Marcello found it or made it. The rite is the poet's rest. It may be an old hymn to Demeter or also illustrate Coela enarrant gloriam Domini. It is susceptible of nodes or modes as far apart as hyperphrygian and mixolydian and of texts so divergent as priests haihooping round David's that is Circe's or what am I saying Ceres' altar and David's tip from the stable to his chief bassoonist about his almightiness. Mais, nom de nom, that is another pair of trousers. Jetez la gourme. Faut que jeunesse se passe. (He stops, points at Lynch's cap, smiles, laughs.) Which side is your knowledge bump?&#xA;&#xA;THE CAP (With saturnine spleen.) Bah! It is because it is. Woman's reason. Jewgreek is greekjew. Extremes meet. Death is the highest form of life. Bah!&#xA;&#xA;STEPHEN You remember fairly accurately all my errors, boasts, mistakes. How long shall I continue to close my eyes to disloyalty? Whetstone!&#xA;&#xA;THE CAP Bah!&#xA;&#xA;STEPHEN Here's another for you. (He frowns.) The reason is because the fundamental and the dominant are separated by the greatest possible interval which .&#xA;&#xA;THE CAP Which? Finish. You can't.&#xA;&#xA;STEPHEN (With on effort.) Interval which. Is the greatest possible ellipse. Consistent with. The ultimate return. The octave. Which.&#xA;&#xA;THE CAP Which? (Outside the gramophone begins to blare The Holy City.)&#xA;&#xA;STEPHEN (Abruptly.) What went forth to the ends of the world to traverse not itself. God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself, becomes that self. Wait a moment. Wait a second. Damn that fellow's noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco!&#xA;&#xA;LYNCH (With a mocking whinny of laughter grins at Bloom and Zoe Higgins.) What a learned speech, eh?&#xA;&#xA;ZOE (Briskly.) God help your head, he knows more than you have forgotten.&#xA;&#xA;(With obese stupidity Florry Talbot regards Stephen.)&#xA;&#xA;FLORRY They say the last day is coming this summer.&#xA;&#xA;KITTY No!&#xA;&#xA;ZOE (Explodes in laughter.) Great unjust God!&#xA;&#xA;FLORRY (Offended.) Well, it was in the papers about Anti christ. O, my foot's tickling.&#xA;&#xA;(Ragged barefoot newsboys, jogging a wagtail kite, patterpast, yelling.)&#xA;&#xA;THE NEWSBOYS Stop press edition. Result of the rockinghorse races. Sea serpent in the royal canal. Safe arrival of Antichrist.&#xA;&#xA;(Stephen turns and sees Bloom.)&#xA;&#xA;STEPHEN A time, times and half a time.&#xA;&#xA;(Reuben J. Antichrist, wanderingjew, a clutching hand open on his spine, stumps forward. Across his loins is slung a pilgrims wallet from which protrude promissory notes and dishonoured bills. Aloft over his shoulder he bears a long boatpole from the hook of which the sodden huddled mass of his only son, saved from Liffey waters, hangs from the slack of its breeches. A hobgoblin in the image of Punch Costello, hipshot, crookbacked, hydrocephalic, prognathic with receding forehead and Ally Sloper nose, tumbles in somersaults through the gathering darkness.)&#xA;&#xA;ALL What?&#xA;&#xA;THE HOBGOBLIN (His jaws chattering, capers to and fro, goggling his eyes, squeaking, kangaroohopping, with outstretched clutching arms, then all at once thrusts his lipless face through the fork of his thighs.) Il vient! C'est moi! L'homme qui rit! L'homme primigene! (He whirls round and round with dervish howls.) Sieurs et dames, faites vos jeux! (He crouches juggling. Tiny roulette planets fly from his hands.) Les jeux son! faits! (The planets rush together, uttering crepitant cracks.) Rien n'va plus. (The planets, buoyant balloons, sail swollen up and away. He springs off into vacuum.)&#xA;&#xA;FLORRY (Sinking into torpor, crosses herself secretly.) The end of the world!&#xA;&#xA;(A female tepid effluvium leaks out from her. Nebulous obscurity occupies space. Through the drifting fog without the gramophone blares over coughs and feetshuffling.)&#xA;&#xA;THE GRAMOPHONE Jerusalem! Open your gates and sing Hosanna...&#xA;&#xA;(A rocket rushes up the sky and bursts. A white star falls from it, proclaiming the consummation of all things and second coming of Elijah. Along an infinite invisible tight-rope taut from zenith to nadir the End of the World, a two headed octopus in gillies kilts, busby and tartan filibegs, whirls through the murk, head over heels, in the fob of the Three Lugs of Man.)&#xA;&#xA;THE END OF THE WORLD (With a Scotch accent.) Wha'll dance the keel row, the keel row, the keel row?&#xA;&#xA;(Over the passing drift and choking breathcoughs, Elijah's voice, harsh as a corncrakes, jars on high. Perspiring in a loose lawn surplice with funnel sleeves he is seen, vergefaced above a rostrum about which the banner of old glory is draped. He thumps the parapet.)&#xA;&#xA;ELIJAH No yapping, if you please, in this booth. Jake Crane, Creole Sue, Dave Campbell, Abe Kirschner, do your coughing with your mouths shut. Say, I am operating all this trunk line. Boys, do it now. God's time is 12.25. Tell mother you'll be there. Rush your order and you play a slick ace. Join on right here! Book through to eternity junction, the nonstop run. Just one word more. Are you a god or a doggone clod? If the second advent came to Coney Island are we ready? Florry Christ, Stephen Christ, Zoe Christ, Bloom Christ, Kitty Christ, Lynch Christ, it's up to you to sense that cosmic force. Have we cold feet about the cosmos? No. Be on the side of the angels. Be a prism. You have that something within, the higher self. You can rub shoulders with a Jesus, a Gautama, an Ingersoll. Are you all in this vibration? I say you are. You once nobble that, congregation, and a buck joyride to heaven becomes a back number. You got me? It's a lifebrightener, sure. The hottest stuff ever was. It's the whole pie with jam in. It's just the cutest snappiest line out. It is immense, supersumptuous. It restores. It vibrates. I know and I am some vibrator. Joking apart and getting down to bedrock, A. J. Christ Dowie and the harmonial philosophy, have you got that? O.K. Seventyseven west sixtyninth street. Got me? That's it. You call me up by sunphone any old time. Bumboosers, save your stamps. (He shouts.) Now then our glory song. All join heartily in the singing. Encore! (He sings.) Jeru...&#xA;&#xA;THE GRAMOPHONE (Drowning his voice.) Whorusalaminyour highhohhhh.&#xA;&#xA;(The disc rasps gratingly against the needle.)&#xA;&#xA;THE THREE' WHORES (Covering their ears, squawk.) Ahhkkk!&#xA;&#xA;ELIJAH (In rolledup shirtsleeves, black in the face, shouts at the top of his voice, his arms uplifted.) Big Brother up there, Mr President, you hear what I done just been saying to you. Certainly, I sort of believe strong in you, Mr President. I certainly am thinking now Miss Higgins and Miss Ricketts got religion way inside them. Certainly seems to me I don't never see no wusser scared female than the way you been, Miss Florry, just now as I done seed you. Mr President, you come long and help me save our sisters dear. (He winks at his audience.) Our Mr President, he twig the whole lot and he ain't saying nothing.&#xA;&#xA;KITTY-KATE I forgot myself. In a weak moment I erred and did what I did on Constitution hill. I was confirmed by the bishop. My mother's sister married a Montmorency. It was a working plumber was my ruination when I was pure.&#xA;&#xA;ZOE-FANNY I let him larrup it into me for the fun of it.&#xA;&#xA;FLORRY-TERESA It was in consequence of a portwine beverage on top of Hennessy's three stars I was guilty with Whelan when he slipped into the bed.&#xA;&#xA;STEPHEN In the beginning was the word, in the end the world without end. Blessed be the eight beatitudes.&#xA;&#xA;(The beatitudes, Dixon, Madden, Crotthers, Costello, Lenehan, Bannon, Mulligan and Lynch in white surgical students' gowns, four abreast, goosestepping, tramp fast past in noisy marching.)&#xA;&#xA;THE BEATITUDES (Incoherently.) Beer beef battledog buybull businum barnum buggerum bishop.&#xA;&#xA;LYSTER (In quakergrey kneebreeches and broadbrimmed hat, says discreetly.) He is our friend. I need not mention names. Seek thou the light.&#xA;&#xA;(He corantos by. Best enters in hairdresser attire, shinily laundered, his locks in curlpapers. He leads John Eglinton who wears a mandarin's kimono of Nankeen yellow, lizard-lettered, and a high pagoda hat.)&#xA;&#xA;BEST (Smiling, lifts the hat and displays a shaven poll from the crown of which bristles a pigtail toupee tied with an orange topknot.) I was just beautifying him, don't you know. A thing of beauty, don't you know. Yeats says, or I mean, Keats says. (Produces a greencapped dark lantern and flashes it towards a corner; with carping accent.) Esthetics and cosmetics are for the boudoir. I am out for truth. Plain truth for a plain man. Tanderagee wants the facts and means to get them.&#xA;&#xA;(In the cone of the search light behind the coalscuttle, ollave, holyeyed, the bearded figure of Mananaan MacLir broods, chin on knees. He rises slowly. A cold seawind blows from his druid mantle. About his head writhe eels and elvers. He is encrusted with weeds and shells. His right hand holds a bicycle pump. His left hand grasps a huge crayfish by its two talons.)&#xA;&#xA;MANANAAN MACLIR (With a voice of waves.) Aum! Hek! Wal! Ak! Lub! Mor! Ma! White yoghin of the Gods. Occult pimander of Hermes Trismegistos. (With a voice of whistling seawind.) Punarjanam patsypunjaub! I won't have my leg pulled. It has been said by one: beware the left, the cult of Shakti. (With a cry of stormbirds.) Shakti, Shiva! Dark hidden Father! (He smites with his bicycle pump the crayfish in his left hand. On its co-operative dial glow the twelve signs of the zodiac. He wails with the vehemence of the ocean.) Aum! Baum! Pyjaum! I am the light of the homestead, I am the dreamery creamery butter.&#xA;&#xA;(A skeleton judas hand strangles the light. The green light wanes to mauve. The gasjet wails whistling.)&#xA;&#xA;THE GASJET Pooah! Pfuiiiiii!&#xA;&#xA;(Zoe runs to the chandelier and, crooking her leg, adjusts the mantle.)&#xA;&#xA;ZOE Who has a fag as I'm here?&#xA;&#xA;LYNCH (Tossing a cigarette on to the table.) Here.&#xA;&#xA;ZOE (Her head perched aside in mock pride.) Is that the way to hand the pot to a lady? (She stretches up to light the cigarette over the flame, twirling it slowly, showing the brown tufts of her armpits. Lynch with his poker lifts boldly a side of her slip. Bare from her garters up her flesh appears under the sapphire a nixie's green. She puffs calmly at her cigarette.) Can you see the beauty spot of my behind?&#xA;&#xA;LYNCH I'm not looking.&#xA;&#xA;ZOE (Makes sheep's eyes.) No? You wouldn't do a less thing. Would you suck a lemon?&#xA;&#xA;(Squinting in mock shame she glances with sidelong meaning at Bloom, then twists round towards him, pulling her slip free of the poker. Blue fluid again flows over her flesh. Bloom stands, smiling desirously, twirling his thumbs. Kitty Ricketts licks her middle finger with her spittle and gazing in the mirror, smooths both eyebrows. Lipoti Virag, basilicogrammate, chutes rapidly down through the chimneyflue and struts two steps to the left on gawky pink stilts. He is sausaged into several overcoats and wears a brown macintosh under which he holds a roll of parchment. In his left eye flashes the monocle of Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell. On his head is perched an Egyptian pshent. Two quills project over his ears.)&#xA;&#xA;VIRAG (Heels together bows.) My name is Virag Lipoti, of Szombathely. (He coughs thoughtfully, drily.) Promiscuous nakedness is much in evidence hereabouts, eh? Inadvertently her backview revealed the fact that she is not wearing those rather intimate garments of which you are a particular devotee. The injection mark on the thigh I hope you perceived? Good.&#xA;&#xA;BLOOM Granpapachi. But...&#xA;&#xA;VIRAG Number two on the other hand, she of the cherry rouge and coiffeuse white, whose hair owes not a little to our tribal elixir of gopherwood, is in walking costume and tightly staysed by her sit, I should opine. Backbone in front, so to say. Correct me but I always understood that the act so performed by skittish humans with glimpses of lingerie appealed to you in virtue of its exhibitionististicicity. In a word. Hippogriff. Am I right?&#xA;&#xA;BLOOM She is rather lean.&#xA;&#xA;VIRAG (Not unpleasantly.) Absolutely! Well observed and those pannier pockets of the skirt and slightly pegtop effect are devised to suggest bunchiness of hip. A new purchase at some monster sale for which a gull has been mulcted. Meretricious finery to deceive the eye. Observe the attention to details of dustspecks. Never put on you tomorrow what you can wear today. Parallax! (With a nervous twitch of his head.) Did you hear my brain go snap? Pollysyllabax!&#xA;&#xA;BLOOM (An elbow resting in a hand, a forefinger against his cheek.) She seems sad.&#xA;&#xA;VIRAG (Cynically, his weasel teeth bared yellow, draws down his left eye with a finger and barks hoarsely.) Hoax! Beware of the flapper and bogus mournful. Lily of the alley. All possess bachelor's button discovered by Rualdus Colombus. Tumble her. Columble her. Chameleon. (More genially.) Well then, permit me to draw your attention to item number three. There is plenty of her visible to the naked eye. Observe the mass of oxygenated vegetable matter on her skull. What ho, she bumps! The ugly duckling of the party, longcasted and deep in keel.&#xA;&#xA;BLOOM (Regretfully.) When you come out without your gun.&#xA;&#xA;VIRAG We can do you all brands, mild, medium and strong. Pay your money, take your choice. How happy could you be with either...&#xA;&#xA;BLOOM With?...&#xA;&#xA;VIRAG (His tongue upcurling.) Lyum! Look. Her beam is broad. She is coated with quite a considerable layer of fat. Obviously mammal in weight of bosom you remark that she has in front well to the fore two protuberances of very respectable dimensions, inclined to fall in the noonday soupplate, while on her rere lower down are two additional protuberances, suggestive of potent rectum and tumescent for palpation which leave nothing to be desired save compactness. Such fleshy parts are the product of careful nurture. When coopfattened their livers reach an elephantine size. Pellets of new bread with fennygreek and gumbenjamin swamped down by potions of green tea endow them during their brief existence with natural pincushions of quite colossal blubber. That suits your book, eh? Fleshhotpots of Egypt to hanker after. Wallow in it. Lycopodium. (His throat twitches.) Slapbang! There he goes again.&#xA;&#xA;BLOOM The stye I dislike.&#xA;&#xA;VIRAG (Arches his eyebrows.) Contact with a goldring, they say. Argumentum ad feminam, as we said in old Rome and ancient Greece in the consulship of Diplodocus and Ichthyo saurus. For the rest Eve's sovereign remedy. Not for sale. Hire only. Huguenot. (He twitches.) It is a funny sound.&#xA;&#xA;(He coughs encouragingly.) But possibly it is only a wart. I presume you shall have remembered what I will have taught you on that head? Wheatenmeal with honey and nutmeg.&#xA;&#xA;BLOOM (Reflecting.) Wheatenmeal with lycopodium and syllabax. This searching ordeal. It has been an unusually fatiguing day, a chapter of accidents. Wait. I mean, wartsblood spreads warts, you said .&#xA;&#xA;VIRAG (Severely, his nose hardhumped, his side eye winking.) Stop twirling your thumbs and have a good old thunk. See, you have forgotten. Exercise your mnemotechnic. La causa è santa. Tara. Tara. (Aside.) He will surely remember.&#xA;&#xA;BLOOM Rosemary also did I understand you to say or will power over parasitic tissues. Then nay no I have an inkling. The touch of a deadhand cures. Mnemo?&#xA;&#xA;VIRAG (Excitedly.) I say so. I say so. E'en so. Technic. (He taps his parchmentroll energetically.) This book tells you how to act with all descriptive particulars. Consult index for agitated fear of aconite, melancholy of muriatic, priapic pulsatilla. Virag is going to talk about amputation. Our old friend caustic. They must be starved. Snip off with horsehair under the denned neck. But, to change the venue to the Bulgar and the Basque, have you made up your mind whether you like or dislike women in male habiliments? (With a dry snigger.) You intended to devote an entire year to the study of the religious problem and the summer months of 1882 to square the circle and win that million. Pomegranate! From the sublime to the ridiculous is but a step. Pyjamas, let us say? Or stockingette gusseted knickers, closed? Or, put we the case, those complicated combinations, camiknickers? (He crows derisively.) Keekeereekee!&#xA;&#xA;(Bloom surveys uncertainly the three whores, then gazes at the veiled mauve light, hearing the everflying moth.)&#xA;&#xA;BLOOM I wanted then to have now concluded. Nightdress was never. Hence this. But tomorrow is a new day will be. Past was is today. What now is will then tomorrow as now was be past yester.&#xA;&#xA;VIRAG (Prompts into his ear in a pig's whisper.) Insects of the day spend their brief existence in reiterated coition, lured by the smell of the inferiorly pulchritudinous female possessing extendified pudendal verve in dorsal region. Pretty Poll! (His yellow parrotbeak gabbles nasally.) They had a proverb in the Carpathians in or about the year five thousand five hundred and fifty of our era. One tablespoonful of honey will attract friend Bruin more than half a dozen barrels of first choice malt vinegar. Bear's buzz bothers bees. But of this apart. At another time we may resume. We were very pleased, we others. (He coughs and, bending his brow, rubs his nose thoughtfully with a scooping hand.) You shall find that these night insects follow the light. An illusion for remember their complex unadjustable eye. For all these knotty points see the seventeenth book of my Fundamentals of Sexology or the Love Passion which Doctor L. B. says is the book sensation of the year. Some, to example, there are again whose movements are automatic. Perceive. That is his appropriate sun. Nightbird nightsun nighttown. Chase me, Charley! Buzz!&#xA;&#xA;BLOOM Bee or bluebottle too other day butting shadow on wall dazed self then me wandered dazed down shirt good job I...&#xA;&#xA;VIRAG (His face impassive, laughs in a rich feminine key.) Splendid! Spanish fly in his fly or mustard plaster on his dibble. (He gobbles gluttonously with turkey wattles.) Bubbly jock! Bubbly jock! Where are we? Open Sesame! Cometh forth! (He unrolls his parchment rapidly and reads, his glowworm's nose running backwards over the letters which he claws.) Stay, good friend. I bring thee thy answer Redbank oysters will shortly be upon us. I'm the best o'cook. Those succulent bivalves may help us and the truffles of Perigord, tubers dislodged through mister omnivorous porker, were unsurpassed in cases of nervous debility or viragitis. Though they stink yet they sting. (He wags head with cackling raillery.) Jocular. With my eyeglass in my ocular.&#xA;&#xA;BLOOM (Absently.) Ocularly woman's bivalve case is worse. Always open sesame. The cloven sex. Why they fear vermin, creeping things. Yet Eve and the serpent contradict. Not a historical fact. Obvious analogy to my idea. Serpents too are gluttons for woman's milk. Wind their way through miles of omnivorous forest to sucksucculent her breast dry. Like those bubblyjocular Roman matrons one reads of in Elephantuliasis.&#xA;&#xA;VIRAG (His mouth projected in hard wrinkles, eyes stonily forlornly closed, psalms in outlandish monotone.) That the cows with their those distended udders that they have been the known...&#xA;&#xA;BLOOM I am going to scream. I beg your pardon. Ah? So. (He repeats.) Spontaneously to seek out the saurian's lair in order to entrust their teats to his avid suction. Ant milks aphis. (Profoundly.) Instinct rules the world. In life. In death.&#xA;&#xA;VIRAG (Head askew, arches his back and hunched wing- shoulders, peers at the moth out of blear bulged eyes, points a homing claw and cries.) Who's Ger Ger? Who's dear Gerald? O, I much fear he shall be most badly burned. Will some pleashe pershon not now impediment so catastrophics mit agitation of firstclass tablenumpkin? (He mews.) Luss puss puss puss! (He sighs, draws back and stares sideways down with dropping underjaw.) Well, well. He doth rest anon.&#xA;&#xA;I'm a tiny tiny thing&#xA;Ever flying in the spring&#xA;Round and round a ringaring.&#xA;Long ago I was a king,&#xA;Now I do this kind of thing&#xA;On the wing, on the wing!&#xA;Bing!&#xA;&#xA;&#xA;(He rushes against the mauve shade flapping noisily.) Pretty pretty pretty pretty pretty pretty petticoats.&#xA;&#xA;(From left upper entrance with two sliding steps Henry Flower comes forward to left front centre. He wears a dark mantle and drooping plumed sombrero. He carries a silverstringed inlaid dulcimer and a longstemmed bamboo Jacobs pipe, its clay bowl fashioned as a female head. He wears dark velvet hose and silverbuckled pumps. He has the romantic Saviour's face with flowing locks, thin beard and moustache. His spindlelegs and sparrow feet are those of the tenor Mario, prince of Candia. He settles down his goffered ruffs and moistens his lips with a passage of his amorous tongue.)&#xA;&#xA;HENRY (In a low dulcet voice, touching the strings of his guitar.) There is a flower that bloometh.&#xA;&#xA;(Virag truculent, his jowl set, stares at the lamp. Grave Bloom regards Zoe's neck. Henry gallant turns with pendent dewlap to the piano.)&#xA;&#xA;STEPHEN (To himself.) Play with your eyes shut. Imitate pa. Filling my belly with husks of swine. Too much of this. I will arise and go to my. Expect this is the. Steve, thou art in a parlous way. Must visit old Deasy or telegraph. Our interview of this morning has left on me a deep impression. Though our ages. Will write fully tomorrow. I'm partially drunk, by the way. (He touches the keys again.) Minor chord comes now. Yes. Not much however.&#xA;&#xA;(Almidano Artifoni holds out a batonroll of music with vigorous moustachework.)&#xA;&#xA;ARTIFONI Ci rifletta. Lei rovina tutto.&#xA;&#xA;FLORRY Sing us something. Love's old sweet song.&#xA;&#xA;STEPHEN No voice. I am a most finished artist. Lynch, did I show you the letter about the lute?&#xA;&#xA;FLORRY (Smirking.) The bird that can sing and won't sing.&#xA;&#xA;(The Siamese twins, Philip Drunk and Philip Sober two Oxford dons with lawnmowers, appear in the window embrasure. Both are masked with Matthew Arnold's face.)&#xA;&#xA;PHILIP SOBER Take a fool's advice. All is not well. Work it out with the buttend of a pencil, like a good young idiot. Three pounds twelve you got, two notes, one sovereign, two crowns, if youth but knew. Mooney's en ville, Mooney's sur mer, the Moira, Larchet's, Holles street hospital, Burke's. Eh? I am watching you.&#xA;&#xA;PHILIP DRUNK (Impatiently.) Ah, bosh, man. Go to hell! I paid my way. If I could only find out about octaves. Reduplication of personality. Who was it told me his name?&#xA;&#xA;(His lawnmower begins to purr.) Aha, yes. Zoe mou sas agapo. Have a notion I was here before. When was it not Atkinson his card I have somewhere? Mac somebody. Unmack I have it. He told me about, hold on, Swinburne, was it, no?&#xA;&#xA;FLORRY And the song?&#xA;&#xA;STEPHEN Spirit is willing but the flesh is weak.&#xA;&#xA;FLORRY Are you out of Maynooth? You're like someone I knew once.&#xA;&#xA;STEPHEN Out of it now. (To himself.) Clever.&#xA;&#xA;PHILIP DRUNK AND PHILIP SOBER (Their lawnmowers purring with a rigadoon of grasshalms.) Clever ever. Out of it. Out of it. By the by have you the book, the thing, the ashplant? Yes, there it, yes. Cleverever outofitnow. Keep in condition. Do like us.&#xA;&#xA;ZOE There was a priest down here two nights ago to do his bit of business with his coat buttoned up. You needn't try to hide, I says to him. I know you've a Roman collar.&#xA;&#xA;VIRAG Perfectly logical from his standpoint. Fall of man. (Harshly, his pupils waxing.) To hell with the pope! Nothing new under the sun. I am the Virag who disclosed the sex secrets of monks and maidens. Why I left the Church of Rome. Read the Priest, the Woman and the Confessional. Penrose. Flipperty Jippert. (He wriggles.) Woman, undoing with sweet pudor her belt of rushrope, offers her allmoist yoni to man's lingam. Short time after man presents woman with pieces of jungle meat. Woman shows joy and covers herself with featherskins. Man loves her yoni fiercely with big lingam, the stiff one. (He cries.) Coactus volui. Then giddy woman will run about. Strong man grasps woman's wrist. Woman squeals, bites, spucks. Man, now fierce angry, strikes woman's fat yadgana. (He chases his tail.) Piffpaff! Popo! (He stops, sneezes.) Pchp! (He worries his butt.) Prrrrrht!&#xA;&#xA;LYNCH I hope you gave the good father a penance. Nine glorias for shooting a bishop.&#xA;&#xA;ZOE (Spouts walrus smoke through her nostrils.) He couldn't get a connection. Only, you know, sensation. A dry rush.&#xA;&#xA;BLOOM Poor man!&#xA;&#xA;ZOE (Lightly.) Only for what happened him.&#xA;&#xA;BLOOM How?&#xA;&#xA;VIRAG (A diabolic rictus of black luminosity contracting his visage, cranes his scraggy neck forward. He lifts a mooncalf nozzle and howls.) Verfluchte Goim! He had a father, forty fathers. He never existed. Pig God! He had two left feet. He was Judas Iacchias, a Libyan eunuch, the pope's bastard. (He leans out on tortured forepaws, elbows bent rigid, his eye agonising in his flat skullneck and yelps over the mute world.) A son of a whore. Apocalypse.&#xA;&#xA;KITTY And Mary Shortall that was in the lock with the pox she got from Jimmy Pidgeon in the blue caps had a child off him that couldn't swallow and was smothered with the convulsions in the mattress and we all subscribed for the funeral.&#xA;&#xA;PHILIP DRUNK (Gravely.) Qui vous a mis dans cette fichue position, Philippe?&#xA;&#xA;PHILIP SOBER (Gaily.) C'était le sacré pigeon, Philippe.&#xA;&#xA;(Kitty unpins her hat and sets it down calmly, patting her henna hair. And a prettier, a daintier head of winsome curls was never seen on a whores shoulders. Lynch puts on her hat. She whips it off.)&#xA;&#xA;LYNCH (Laughs.) And to such delights has Metchnikoff inoculated anthropoid apes.&#xA;&#xA;FLORRY (Nods.) Locomotor ataxy.&#xA;&#xA;ZOE (Gaily.) O, my dictionary.&#xA;&#xA;LYNCH Three wise virgins.&#xA;&#xA;VIRAG (Agueshaken, profuse yellow spawn foaming over his bony epileptic lips.) She sold lovephiltres, whitewax, orange flower. Panther, the Roman centurion, polluted her with his genitories. (He sticks out a flickering phosphorescent scorpion tongue, his hand on his fork.) Messiah! He burst her tympanum. (With gibbering baboon's cries he jerks his hips in the cynical spasm.) Hik! Hek! Hak! Hok! Huk! Kok! Kuk!&#xA;&#xA;(Ben Jumbo Dollard, rubicund, musclebound, hairynostrilled, hugebearded, cabbageeared, shaggychested, shockmaned, fatpapped, stands forth, his loins and genitals tightened into a pair of black bathing bagslops.)&#xA;&#xA;BEN POLLARD (Nakkering castanet bones in his huge padded paws, yodels jovially in base barreltone.) When love absorbs my ardent soul.&#xA;&#xA;(The virgins, Nurse Callan and Nurse Quigley, burst through the ringkeepers and the ropes and mob him with open arms.)&#xA;&#xA;THE VIRGINS (Gushingly.) Big Ben! Ben MacChree!&#xA;&#xA;A VOICE Hold that fellow with the bad breeches.&#xA;&#xA;BEN DOLLARD (Smites his thigh in abundant laughter.) Hold him now.&#xA;&#xA;HENRY (Caressing on his breast a severed female head, murmurs.) Thine heart, mine love. (He plucks his lutestrings.) When first I saw.&#xA;&#xA;VIRAG (Sloughing his skins, his multitudinous plumage moulting.) Rats! (He yawns; showing a coalblack throat and closes his jaws by an upward push of his parchment roll.) After having said which I took my departure. Farewell. Fare thee well. Dreck!&#xA;&#xA;(Henry Flower combs his moustache and beard rapidly with a pocketcomb and gives a cows lick to his hair. Steered by his rapier, he glides to the door his wild had slung behind him. Virag reaches the door in two ungainly stilthops, his tail cocked, and deftly claps sideways on the wall a pusyellow flybill, butting it with his head.)&#xA;&#xA;THE FLYBILL K. 11. post no bills. Strictly confidential. Dr Hy Franks.&#xA;&#xA;HENRY All is lost now.&#xA;&#xA;(Virag unscrews his head in a trice and holds it under his arm.)&#xA;&#xA;VIRAG'S HEAD Quack!&#xA;&#xA;(Exeunt severally.)&#xA;&#xA;STEPHEN (Over his shoulder to Zoe.) You would have preferred the fighting parson who founded the protestant error. But beware Antisthenes, the dog sage, and the last end of Anus Heresiarchus. The agony in the closet.&#xA;&#xA;LYNCH All one and the same God to her.&#xA;&#xA;STEPHEN (Devoutly.) And Sovereign Lord of all things.&#xA;&#xA;FLORRY (To Stephen.) I'm sure you are a spoiled priest. Or a monk.&#xA;&#xA;LYNCH He is. A Cardinal's son.&#xA;&#xA;STEPHEN Cardinal sin. Monks of the screw.&#xA;&#xA;(His Eminence, Simon Stephen Cardinal Dedalus, Primate of all Ireland, appears in the doorway, dressed in red soutane, sandals and socks. Seven dwarf simian acolytes, also in red, cardinal sins, uphold his train, peeping under it. He wears a battered silk hat sideways on his head. His thumbs are stuck in his armpits and his palms outspread. Round his neck hangs a rosary of corks ending on his breast in a corkscrew cross. Releasing his thumbs, he invokes grace from on high with lace wave gestures and proclaims with bloated pomp.)&#xA;&#xA;THE CARDINAL&#xA;&#xA;Conservio lies captured.&#xA;He lies in the lowest dungeon&#xA;With manacles and chains around his limbs&#xA;Weighing upwards of three tons.&#xA;&#xA;&#xA;(He looks at all for a moment, his right eye closed tight, his left cheek puffed out. Then, unable to repress his merriment, he rocks to and fro, ads akimbo, and sings with broad rollicking humour.) O, the poor little fellow Hi-hi-hi-hi-his legs they were yellow He was plump, fat and heavy and brisk as a snake But some bloody savage To graize his white cabbage He murdered Nell Flaherty's duckloving drake.&#xA;&#xA;(A multitude of midges swarms over his robe. He scratches himself with crossed arms at his ribs, grimacing, and exclaims.) I'm suffering the agony of the damned. By the hoky fiddle, thanks be to Jesus those funny little chaps are not unanimous. If they were they'd walk me off the face of the bloody globe.&#xA;&#xA;(His head aslant, he blesses curtly with fore and middle fingers, imparts the Easter kiss and doubleshuffles off comically, swaying his hat from side to side, shrinking quickly to the size of his train bearers. The dwarf acolytes, giggling, peeping, nudging, ogling, Easterkissing, zigzag behind him. His voice is heard mellow from afar, merciful, male, melodious.) Shall carry my heart to thee, Shall carry my heart to thee, And the breath of the balmy night Shall carry my heart to thee.&#xA;&#xA;(The trick doorhandle turns.)&#xA;&#xA;THE DOORHANDLE Theeee.&#xA;&#xA;ZOE The devil is in that door.&#xA;&#xA;(A male form passes down the creaking staircase and is heard taking the waterproof and hat from the rack. Bloom starts forward involuntarily and, half closing the door as he passes, takes the chocolate from his pocket and offers it nervously to Zoe.)&#xA;&#xA;ZOE (Sniffs his hair briskly.) Hum. Thank your mother for the rabbits. I'm very fond of what I like.&#xA;&#xA;BLOOM (Hearing a male voice in talk with the whores on the doorstep, pricks his ears.) If it were he? After? Or because not? Or the double event?&#xA;&#xA;ZOE (Tears open the silverfoil.) Fingers was made before forks. (She breaks off and nibbles a piece, gives a piece to Kitty Ricketts and then turns kittenishly to Lynch.) No objection to French lozenges? (He nods. She taunts him.) Have it now or wait till you get it? (He opens his mouth, his head cocked. She whirls the prize in left circle. His head follows. She whirls it back in right circle. He eyes her.) Catch.&#xA;&#xA;(She tosses a piece. With an adroit snap he catches it and bites it through with a crack.)&#xA;&#xA;KITTY (Chewing.) The engineer I was with at the bazaar does have lovely ones. Full of the best liqueurs. And the viceroy was there with his lady. The gas we had on the Toft's hobbyhorses. I'm giddy still.&#xA;&#xA;BLOOM (In Svengali's fur overcoat, with folded arms and Napoleonic forelock, frowns in ventriloquial exorcism with piercing eagle glance towards the door. Then, rigid, with left foot advanced, he makes a swift pass with impelling fingers and gives the sign of past master, drawing his right arm downwards from his left shoulder.) Go, go, go, I conjure you, whoever you are.&#xA;&#xA;(A male cough and tread are heard passing through the mist outside. Blooms features relax. He places a hand in his waistcoat, posing calmly. Zoe offers him chocolate.)&#xA;&#xA;BLOOM (Solemnly.) Thanks.&#xA;&#xA;ZOE Do as you're bid. Here.&#xA;&#xA;(A firm heelclacking is heard on the stairs.)&#xA;&#xA;BLOOM (Takes the chocolate.) Aphrodisiac? But I thought it. Vanilla calms or? Mnemo. Confused light confuses memory. Red influences lupus. Colours affect women's characters, any they have. This black makes me sad. Eat and be merry for tomorrow. (He eats.) Influence taste too, mauve. But it is so long since I. Seems new. Aphro. That priest. Must come. Better late than never. Try truffles at Andrews.&#xA;&#xA;(The door opens. Bella Cohen, a massive whoremistress enters. She is dressed in a threequarter ivory gown, fringed round the hem with tasselled selvedge, and cools herself flirting a black horn fan like Minnie Hauck in Carmen. On her left hand are wedding and keeper rings. Her eyes are deeply carboned. She has a sprouting moustache. Her olive face is heavy, slightly sweated and fullnosed, with orangetainted nostrils. She has lace pendant beryl eardrops.)&#xA;&#xA;BELLA My word! I'm all of a mucksweat.&#xA;&#xA;(She glances around her at the couples. Then her eyes rest on Bloom with hard insistence. Her lace fan winnows wind towards her heated face, neck and embonpoint. Her falcon eyes glitter.)&#xA;&#xA;THE FAN (Flirting quickly, then slowly.) Married, I see.&#xA;&#xA;BLOOM Yes... Partly, I have mislaid .&#xA;&#xA;THE FAN (Half opening, then closing.) And the missus is master. Petticoat government.&#xA;&#xA;BLOOM (Looks down with a sheepish grin.) That is so.&#xA;&#xA;THE FAN (Folding together, rests against her eardrop.) Have you forgotten me?&#xA;&#xA;BLOOM Yes. No.&#xA;&#xA;THE FAN (Folded akimbo against her waist.) Is me her was you dreamed before? Was then she him you us since knew? Am all them and the same now we? (Bella approaches, gently tapping with the fan.)&#xA;&#xA;BLOOM (Wincing.) Powerful being. In my eyes read that slumber which women love.&#xA;&#xA;THE FAN (Tapping.) We have met. You are mine. It is fate.&#xA;&#xA;BLOOM (Cowed.) Exuberant female. Enormously I desiderate your domination. I am exhausted, abandoned, no more young. I stand, so to speak, with an unposted letter bearing the extra regulation fee before the too late box of the general postoffice of human life. The door and window open at a right angle cause a draught of thirtytwo feet per second according to the law of falling bodies. I have felt this instant a twinge of sciatica in my left glutear muscle. It runs in our family. Poor dear papa, a widower, was a regular barometer from it. He believed in animal heat. A skin of tabby lined his winter waistcoat. Near the end, remembering king David and the Sunamite, he shared his bed with Athos, faithful after death. A dog's spittle, as you probably... (He winces.) Ah!&#xA;&#xA;RICHIE GOULDING (Bagweighted, passes the door.) Mocking is catch. Best value in Dub. Fit for a prince's liver and kidney.&#xA;&#xA;THE FAN (Tapping.) All things end. Be mine. Now.&#xA;&#xA;BLOOM (Undecided.) All now? I should not have parted with my talisman. Rain, exposure at dewfall on the sea rocks, a peccadillo at my time of life. Every phenomenon has a natural cause.&#xA;&#xA;THE FAN (Points downwards slowly.) You may.&#xA;&#xA;BLOOM (Looks downwards and perceives her unfastened bootlace. ) We are observed.&#xA;&#xA;THE FAN (Points downwards quickly.) You must.&#xA;&#xA;BLOOM (With desire, with reluctance.) I can make a true black knot. Learned when I served my time and worked the mail order line for Kellet's. Experienced hand. Every knot says a lot. Let me. In courtesy. I knelt once before today. Ah!&#xA;&#xA;(Bella raises her gown slightly and, steadying her pose, lifts to the edge of a chair a plump buskined hoof and a full pastern, silksocked. Bloom, stifflegged ageing, bends over her hoof and with gentle fingers draws out and in her laces.)&#xA;&#xA;BLOOM (Murmurs lovingly.) To be a shoefitter in Mansfield's was my love's young dream, the darling joys of sweet buttonhooking, to lace up crisscrossed to kneelength the dressy kid footwear satinlined, so incredibly small, of Clyde Road ladies. Even their wax model Raymonde I visited daily to admire her cobweb hose and stick of rhubarb toe, as worn in Paris.&#xA;&#xA;THE HOOF Smell my hot goathide. Feel my royal weight.&#xA;&#xA;BLOOM (Crosslacing.) Too tight?&#xA;&#xA;THE HOOF If you bungle, Handy Andy, I'll kick your football for you.&#xA;&#xA;BLOOM Not to lace the wrong eyelet as I did the night of the bazaar dance. Bad luck. Nook in wrong tache of her... person you mentioned. That night she met... Now!&#xA;&#xA;(He knots the lace. Bella places her foot on the floor. Bloom raises his head. Her heavy face, her eyes strike him in mid-brow. His eyes grow dull, darker and pouched, his nose thickens.)&#xA;&#xA;BLOOM (Mumbles.) Awaiting your further orders, we remain, gentlemen.&#xA;&#xA;BELLO (With a hard basilisk stare, in a baritone voice.) Hound of dishonour!&#xA;&#xA;BLOOM (Infatuated.) Empress!&#xA;&#xA;BELLO (His heavy cheekchops sagging.) Adorer of the adulterous rump!&#xA;&#xA;BLOOM (Plaintively.) Hugeness!&#xA;&#xA;BELLO Dungdevourer!&#xA;&#xA;BLOOM (With sinews semiflexed.) Magnificence.&#xA;&#xA;BELLO Down! (He taps her on the shoulder with his fan.) Incline feet forward! Slide left foot one pace back. You will fall. You are falling. On the hands down!&#xA;&#xA;BLOOM (Her eyes upturned in the sign of admiration, closing.) Truffles!&#xA;&#xA;(With a piercing epileptic cry she sinks on all fours, grunting, snuffling, rooting at his feet, then lies, shamming dead with eyes shut tight, trembling eyelids, bowed upon the ground in the attitude of most excellent master.)&#xA;&#xA;BELLO (With bobbed hair purple gills, fat moustache rings round his shaven mouth, in mountaineer's puttees, green silverbuttoned coat, sport skirt and alpine hat with moor cock's feather, his hands stuck deep in his breeches pockets, places his heel on her neck and grinds it in.) Feel my entire weight. Bow, bondslave, before the throne of your despot's glorious heels, so glistening in their proud erectness.&#xA;&#xA;BLOOM (Enthralled, bleats.) I promise never to disobey.&#xA;&#xA;BELLO (Laughs loudly.) Holy smoke! You little know what's in store for you. I'm the tartar to settle your little lot and break you in! I'll bet Kentucky cocktails all round I shame it out of you, old son. Cheek me, I dare you. If you do tremble in anticipation of heel discipline to be inflicted in gym costume.&#xA;&#xA;(Bloom creeps under the sofa and peers out through the fringe.&#xA;&#xA;ZOE (Widening her slip to screen her.) She's not here.&#xA;&#xA;BLOOM (Closing her eyes.) She's not here.&#xA;&#xA;FLORRY (Hiding her with her gown.) She didn't mean it, Mr Bello. She'll be good, sir.&#xA;&#xA;KITTY Don't be too hard on her, Mr Bello. Sure you won't, ma'amsir.&#xA;&#xA;BELLO (Coaxingly.) Come, ducky dear. I want a word with you, darling, just to administer correction. Just a little heart to heart talk, sweety. (Bloom puts out her timid head.) There's a good girly now. (Bello grabs her hair violently and drags her forward.) I only want to correct you for your own good on a soft safe spot. How's that tender behind? O, ever so gently, pet. Begin to get ready.&#xA;&#xA;BLOOM (Fainting.) Don't tear my.&#xA;&#xA;BELLO (Savagely.) The nosering, the pliers, the bastinado, the hanging hook, the knout I'll make you kiss while the flutes play like the Nubian slave of old. You're in for it this time. I'll make you remember me for the balance of your natural life. (His forehead veins swollen, his face congested.) I shall sit on your ottoman saddleback every morning after my thumping good breakfast of Matterson's fat ham rashers and a bottle of Guinness's porter. (He belches.) And suck my thumping good Stock Exchange cigar while I read the Licensed Victualler's Gazette. Very possibly I shall have you slaughtered and skewered in my stables and enjoy a slice Of you with crisp crackling from the baking tin basted and baked like sucking pig with rice and lemon or currant sauce. It will hurt you.&#xA;&#xA;(He twists her arm. Bloom squeaks, turning turtle.)&#xA;&#xA;BLOOM Don't be cruel, nurse! Don't!&#xA;&#xA;BELLO (Twisting.) Another!&#xA;&#xA;BLOOM (Screams.) O, it's hell itself! Every nerve in my body aches like mad!&#xA;&#xA;BELLO (Shouts.) Good, by the rumping jumping general! That's the best bit of news I heard these six weeks. Here, don't keep me waiting, damn you. (He slaps her face.)&#xA;&#xA;BLOOM (Whimpers.) You're after hitting me. I'll tell...&#xA;&#xA;BELLO Hold him down, girls, till I squat on him.&#xA;&#xA;ZOE Yes. Walk on him! I will.&#xA;&#xA;FLORRY I will. Don't be greedy.&#xA;&#xA;KITTY No, me. Lend him to me.&#xA;&#xA;(The brothel cook, Mrs Keogh, wrinkled, greybearded, in a greasy bib, men's grey and green socks and brogues, flour-smeared, a rollingpin stuck with raw pastry in her bare red arm and hand, appears at the door.)&#xA;&#xA;MRS KEOCH (Ferociously.) Can I help? (They hold and pinion Bloom.)&#xA;&#xA;BELLO (Squats, with a grunt, on Bloom's upturned face, puffing cigar-smoke, nursing a fat leg.) I see Keating Clay is elected chairman of the Richmond Asylum and bytheby Guinness's preference shares are at sixteen three quarters. Curse me for a fool that I didn't buy that lot Craig and Gardner told me about. Just my infernal luck, curse it. And that Goddamned outsider Throwaway at twenty to one. (He quenches his cigar angrily on Bloom's ear.) Where's that Goddamned cursed ashtray?&#xA;&#xA;BLOOM (Goaded, buttocksmothered.) O! O! Monsters! Cruel one!&#xA;&#xA;BELLO Ask for that every ten minutes. Beg, pray for it as you never prayed before. (He thrusts out a figged fist and foul cigar.) Here, kiss that. Both. Kiss. (He throws a leg astride and, pressing with horseman's knees, calls in a hard voice.) Gee up! A cockhorse to Banbury cross. I'll ride him for the Eclipse stakes. (He bends sideways and squeezes his mount's testicles roughly, shouting.) Ho! off we pop! I'll nurse you in proper fashion. (He horserides cockhorse, leaping in the saddle.) The lady goes a pace a pace and the coachman goes a trot a trot and the gentleman goes a gallop a gallop a gallop a gallop.&#xA;&#xA;FLORRY (Pulls at Bello.) Let me on him now. You had enough. I asked before you.&#xA;&#xA;ZOE (Pulling at Florry.) Me. Me. Are you not finished with him yet, suckeress?&#xA;&#xA;BLOOM (Stifling.) Can't.&#xA;&#xA;BELLO Well, I'm not. Wait. (He holds in his breath.) Curse it. Here. This bung's about burst. (He uncorks himself behind: then, contorting his features, farts loudly.) Take that! (He recorks himself) Yes, by Jingo, sixteen three quarters.&#xA;&#xA;BLOOM (A sweat breaking out over him.) Not man. (He sniffs.) Woman.&#xA;&#xA;BELLO (Stands up.) No more blow hot and cold. What you longed for has come to pass. Henceforth you are unmanned and mine in earnest, a thing under the yoke. Now for your punishment frock. You will shed your male garments, you understand, Ruby Cohen? and don the shot silk luxuriously rustling over head and shoulders and quickly too.&#xA;&#xA;BLOOM (Shrinks.) Silk, mistress said! O crinkly! scrapy! Must I tip-touch it with my nails?&#xA;&#xA;BELLO (Points to his whores.) As they are now, so will you be, wigged, singed, perfumesprayed, ricepowdered, with smoothshaven armpits. Tape measurements will be taken next your skin. You will be laced with cruel force into vicelike corsets of soft dove coutille, with whalebone busk, to the diamond trimmed pelvis, the absolute outside edge, while your figure, plumper than when at large, will be restrained in nettight frocks, pretty two ounce petticoats and fringes and things stamped, of course, with my houseflag, creations of lovely lingerie for Alice and nice scent for Alice. Alice will feel the pullpull. Martha and Mary will be a little chilly at first in such delicate thighcasing but the frilly flimsiness of lace round your bare knees will remind you...&#xA;&#xA;BLOOM (A chafing soubrette with dauby cheeks, mustard hair and lace male hands and nose, leering mouth.) I tried her things on only once, a small prank, in Holles street. When we were hardup I washed them to save the laundry bill. My own shirts I turned. It was the purest thrift.&#xA;&#xA;BELLO (Jeers.) Little jobs that make mother pleased, eh! and showed off coquettishly in your domino at the mirror behind close-drawn blinds your unskirted thighs and hegoat's udders, in various poses of surrender, eh? Ho! Ho! I have to laugh! That secondhand black operatop shift and short trunk leg naughties all split up the stitches at her last rape that Mrs Miriam Dandrade sold you from the Shelbourne Hotel, eh?&#xA;&#xA;BLOOM Miriam, Black. Demimondaine.&#xA;&#xA;BELLO (Guffaws.) Christ Almighty, it's too tickling, this! You were a nicelooking Miriam when you clipped off your backgate hairs and lay swooning in the thing across the bed as Mrs Dandrade, about to be violated by Lieutenant Smythe Smythe, Mr Philip Augustus Blockwell, M.P., Signor Laci Daremo, the robust tenor, blueeyed Bert, the liftboy, Henry Fleury of Gordon Bennett fame, Sheridan, the quadroon Cr&amp;amp;Aelig;sus, the varsity wetbob eight from old Trinity, Ponto, her splendid Newfoundland and Bobs, dowager duchess of Manorhamilton. (He guffaws again.) Christ, wouldn't it make a Siamese cat laugh?&#xA;&#xA;BLOOM (Her hands and features working.) It was Gerald converted me to be a true corsetlover when I was female impersonator in the High School play Vice Versa. It was dear Gerald. He got that kink, fascinated by sister's stays. Now dearest Gerald uses pinky greasepaint and gilds his eyelids. Cult of the beautiful.&#xA;&#xA;BELLO (With wicked glee.) Beautiful! Give us a breather! When you took your seat with womanish care, lifting your billowy flounces, on the smoothworn throne.&#xA;&#xA;BLOOM Science. To compare the various joys we each enjoy. (Earnestly.) And really it's better the position... because often I used to wet.&#xA;&#xA;BELLO (Sternly.) No insubordination. The sawdust is there in the corner for you. I gave you strict instructions, didn't I? Do it standing, sir! I'll teach you to behave like a jinkleman! If I catch a trace on your swaddles. Aha! By the ass of the Dorans you'll find I'm a martinet. The sins of your past are rising against you. Many. Hundreds.&#xA;&#xA;THE SINS OF THE PAST (In a medley of voices.) He went through a form of clandestine marriage with at least one woman in the shadow of the Black Church. Unspeakable messages he telephoned mentally to Miss Dunn at an address in d'Olier Street while he presented himself indecently to the instrument in the callbox. By word and deed he encouraged a nocturnal strumpet to deposit fecal and other matter in an unsanitary outhouse attached to empty premises. In five public conveniences he wrote pencilled messages offering his nuptial partner to all strongmembered males. And by the offensively smelling vitriol works did he not pass night after night by loving courting couples to see if and what and how much he could see? Did he not lie in bed, the gross boar, gloating over a nauseous fragment of wellused toilet paper presented to him by a nasty harlot, stimulated by gingerbread and a postal order?&#xA;&#xA;BELLO (Whistles loudly.) Say! What was the most revolting piece of obscenity in all your career of crime? Go the whole hog. Puke it out. Be candid for once.&#xA;&#xA;(Mute inhuman faces throng forward, leering, vanishing, gibbering, Eooloohoom. Poldy Hock, Bootlaces a penny, cassidy's hag, blind stripling, Larry Rhinoceros, the girl, the woman, the whore, the other the... )&#xA;&#xA;BLOOM Don't ask me. Our mutual faith. Pleasants street. I only thought the half of the... I swear on my sacred oath...&#xA;&#xA;BELLO (Peremptorily.) Answer. Repugnant wretch! I insist on knowing. Tell me something to amuse me, smut or a bloody good-ghoststory or a line of poetry, quick, quick, quick! Where? How? What time? With how many? I give you just three seconds. One! Two! Thr... !&#xA;&#xA;BLOOM (Docile, gurgles.) I rererepugnosed in rerererepugnant...&#xA;&#xA;BELLO (Imperiously.) O get out, you skunk! Hold your tongue! Speak when you're spoken to.&#xA;&#xA;BLOOM (Bows.) Master! Mistress! Mantamer!&#xA;&#xA;(He lifts his arms. His bangle bracelets fall.)&#xA;&#xA;BELLO (Satirically.) By day you will souse and bat our smelling underclothes, also when we ladies are unwell, and swab out our latrines with dress pinned up and a dishclout tied to your tail. Won't that be nice? (He places a ruby ring on her finger.) And there now! With this ring I thee own. Say, thank you, mistress.&#xA;&#xA;BLOOM Thank you, mistress.&#xA;&#xA;BELLO You will make the beds, get my tub ready, empty the pisspots in the different rooms, including old Mrs Keogh's the cook's, a sandy one. Ay, and rinse the seven of them well, mind, or lap it up like champagne. Drink me piping hot. Hop! you will dance attendance or I'll lecture you on your misdeeds, Miss Ruby, and spank your bare bot right well, miss, with the hairbrush. You'll be taught the error of your ways. At night your wellcreamed braceleted hands will wear fortythreebutton gloves newpowdered with talc and having delicately scented fingertips. For such favours knights of old laid down their lives. (He chuckles.) My boys will be no end charmed to see you so ladylike, the colonel, above all. When they come here the night before the wedding to fondle my new attraction in gilded heels. First, I'll have a go at you myself. A man I know on the turf named Charles Alberta Marsh (I was in bed with him just now and another gentleman out of the Hanaper and Petty Bag office) is on the lookout for a maid of all work at a short knock. Swell the bust. Smile. Droop shoulders. What offers? (He points.) For that lot trained by owner to fetch and carry, basket in mouth. (He bares his arm and plunges it elbowdeep in Bloom's vulva.) There's fine depth for you! What, boys? That give you a hardon? (He shoves his arm in a bidder's face.) Here, wet the deck and wipe it round!&#xA;&#xA;A BIDDER A florin!&#xA;&#xA;(Dillon's lacquey rings his handbell.)&#xA;&#xA;A VOICE One and eightpence too much.&#xA;&#xA;THE LACQUEY Barang!&#xA;&#xA;CHARLES ALBERTA MARSH Must be virgin. Good breath. Clean.&#xA;&#xA;BELLO (Gives a rap with his gavel.) Two bar. Rockbottom figure and cheap at the price. Fourteen hands high. Touch and examine his points. Handle him. This downy skin, these soft muscles, this tender flesh. If I had only my gold piercer here! And quite easy to milk. Three newlaid gallons a day. A pure stock getter, due to lay within the hour. His sire's milk record was a thousand gallons of whole milk in forty weeks. Whoa, my jewel! Beg up! Whoa! (He brands his initial Con Bloom's croup.) So! Warranted Cohen! What advance on two bob, gentlemen?&#xA;&#xA;A DARKVISAGED MAN (In disguised accent.) Hoondert punt sterlink.&#xA;&#xA;VOICES (Subdued.) For the Caliph Haroun Al Raschid.&#xA;&#xA;BELLO (Gaily.) Right. Let them all come. The scanty, daringly short skirt, riding up at the knee to show a peep of white pantalette, is a potent weapon and transparent stockings, emeraldgartered, with the long straight seam trailing up beyond the knee, appeal to the better instincts of the blasé man about town. Learn the smooth mincing walk on four inch Louis XV heels, the Grecian bend with provoking croup, the thighs fluescent, knees modestly kissing. Bring all your power of fascination to bear on them. Pander to their Gomorrahan vices.&#xA;&#xA;BLOOM (Bends his blushing face into his armpit and simpers with forefinger in mouth.) O, I know what you're hinting at now.&#xA;&#xA;BELLO What else are you good for, an impotent thing like you? (He stoops and, peering, pokes with his fan rudely under the fat suetfolds of Bloom's haunches.) Up! Up! Manx cat! What have we here? Where's your curly teapot gone to or who docked it on you, cockyolly? Sing, birdy, sing. It's as limp as a boy of six's doing his pooly behind a cart. Buy a bucket or sell your pump. (Loudly.) Can you do a man's job?&#xA;&#xA;BLOOM Eccles Street.&#xA;&#xA;BELLO (Sarcastically.) I wouldn't hurt your feelings for the world but there's a man of brawn in possession there. The tables are turned, my gay young fellow! He is something like a fullgrown outdoor man. Well for you, you muff, if you had that weapon with knobs and lumps and warts all over it. He shot his bolt, I can tell you! Foot to foot, knee to knee, belly to belly, bubs to breast! He's no eunuch. A shock of red hair he has sticking out of him behind like a furzebush! Wait for nine months, my lad! Holy ginger, it's kicking and coughing up and down in her guts already! That makes you wild, don't it? Touches the spot? (He spits in contempt.) Spittoon!&#xA;&#xA;BLOOM I was indecently treated, I... inform the police. Hundred pounds. Unmentionable. I.&#xA;&#xA;BELLO Would if you could, lame duck. A downpour we want, not your drizzle.&#xA;&#xA;BLOOM To drive me mad! Moll! I forgot! Forgive! Moll!... We... Still...&#xA;&#xA;BELLO (Ruthlessly.) No, Leopold Bloom, all is changed by woman's will since you slept horizontal in Sleepy Hollow your night of twenty years. Return and see.&#xA;&#xA;(Old Sleepy Hollow calls over the wold.)&#xA;&#xA;SLEEPY HOLLOW Rip Van Winkle! Rip Van Winkle!&#xA;&#xA;BLOOM (In tattered moccasins with a rusty fowlingpiece, tip toeing, fingertipping, his haggard bony bearded face peering through the diamond panes, cries out.) I see her! It's she! The first night at Mat Dillon's! But that dress, the green! And her hair is dyed gold and he.&#xA;&#xA;BELLO (Laughs mockingly.) That's your daughter, you owl, with a Mullingar student.&#xA;&#xA;(Milly Bloom, fairhaired, greenvested, slimsandalled, her bluescab in the seawind simply swirling, breaks from the arms of her lover and calls, her young eyes wonderwide.)&#xA;&#xA;MILLY My! It's Papli! But. O Papli, how old you've grown!&#xA;&#xA;BELLO Changed, eh? Our whatnot, our writing table where we never wrote, Aunt Hegarty's armchair, our classic reprints of old masters. A man and his men friends are living there in clover. The Cuckoos' Rest! Why not? How many women had you, say? Following them up dark streets, flatfoot, exciting them by your smothered grunts. What, you male prostitute? Blameless dames with parcels of groceries. Turn about. Sauce for the goose, my gander, O.&#xA;&#xA;BLOOM They... I&#xA;&#xA;BELLO (Cuttingly.) Their heelmarks will stamp the Brusselette carpet you bought at Wren's auction. In their horseplay with Moll the romp to find the buck flea in her breeches they will deface the little statue you carried home in the rain for art for art's sake. They will violate the secrets of your bottom drawer. Pages will be torn from your handbook of astronomy to make them pipespills. And they will spit in your ten shilling brass fender from Hampton Leedom's.&#xA;&#xA;BLOOM Ten and six. The act of low scoundrels. Let me go. I will return. I will prove...&#xA;&#xA;A VOICE Swear!&#xA;&#xA;(Bloom clenches his fists and crawls forward, a bowie knife between his teeth.)&#xA;&#xA;BELLO As a paying guest or a kept man? Too late. You have made your secondbest bed and others must lie in it. Your epitaph is written. You are down and out and don't you forget it, old bean.&#xA;&#xA;BLOOM Justice! All Ireland versus one! Has nobody... ?&#xA;&#xA;(He bites his thumb.)&#xA;&#xA;BELLO Die and be damned to you if you have any sense of decency or grace about you. I can give you a rare old wine that'll send you skipping to hell and back. Sign a will and leave us any coin you have. If you have none see you damn well get it, steal it, rob it! We'll bury you in our shrubbery jakes where you'll be dead and dirty with old Cuck Cohen, my stepnephew I married, the bloody old gouty procurator and sodomite with a crick in his neck, and my other ten or eleven husbands, what ever the buggers' names were, suffocated in the one cess pool. (He explodes in a loud phlegmy laugh.) We'll manure you, Mr Flower! (He pipes scoffingly.) Byby, Poldy! Byby, Papli!&#xA;&#xA;BLOOM (Clasps his head.) My will power! Memory! I have sinned! I have suff... (He weeps tearlessly.)&#xA;&#xA;BELLO (Sneers.) Crybabby! Crocodile tears!&#xA;&#xA;(Bloom, broken, closely veiled for the sacrifice, sobs, his face to the earth. The passing bell is heard. Darkshawled figures of the circumcised, in sackcloth and ashes, stand by the wailing wall. M. Shulomowitz, Joseph Goldwater Moses Herzog, Harris Rosenberg, M. Moisel, J. Citron, Minnie Watchman, 0. Mastiansky, the Reverend Leopold Abramovitz, Chazen. With swaying arms they wail in pneuma over the recreant Bloom.)&#xA;&#xA;THE CIRCUMCISED (In a dark guttural chant as they cast dead sea fruit upon him, no flowers.) Shema Israel Adonai Elohenu Adonai Echad.&#xA;&#xA;VOICES (Sighing.) So he's gone. Ah, yes. Yes, indeed. Bloom? Never heard of him. No? Queer kind of chap. There's the widow. That so? Ah, yes.&#xA;&#xA;(From the suttee pyre the flame of gum camphire ascends. The pall of incense smoke screens and disperses. Out of her oak frame a nymph with hair unbound, lightly clad in teabrown art colours, descends from her grotto and passing under interlacing yews, stands over Bloom.)&#xA;&#xA;THE YEWS (Their leaves whispering.) Sister. Our sister. Ssh.&#xA;&#xA;THE NYMPH (Softly.) Mortal! (Kindly.) Nay, dost not weepest!&#xA;&#xA;BLOOM (Crawls jellily forward under the boughs, streaked by sunlight, with dignity.) This position. I felt it was expected of me. Force of habit.&#xA;&#xA;THE NYMPH Mortal! You found me in evil company, high kickers, coster picnic makers, pugilists, popular generals, immoral panto boys in flesh tights and the nifty shimmy dancers, La Aurora and Karini, musical act, the hit of the century. I was hidden in cheap pink paper that smelt of rock oil. I was surrounded by the stale smut of clubmen, stories to disturb callow youth, ads for transparencies, truedup dice and bustpads, proprietary articles and why wear a truss with testimonial from ruptured gentleman. Useful hints to the married.&#xA;&#xA;BLOOM (Lifts a turtle head towards her lap.) We have met before. On another star.&#xA;&#xA;THE NYMPH (Sadly.) Rubber goods. Neverrip. Brand as sup plied to the aristocracy. Corsets for men. I cure fits or money refunded. Unsolicited testimonials for Professor Waldmann's wonderful chest exuber. My bust developed four inches in three weeks, reports Mrs Gus Rublin with photo.&#xA;&#xA;BLOOM You mean Photo Bits?&#xA;&#xA;THE NYMPH I do. You bore me away, framed me in oak and tinsel, set me above your marriage couch. Unseen, one summer eve, you kissed me in four places. And with loving pencil you shaded my eyes, my bosom and my shame.&#xA;&#xA;BLOOM (Humbly kisses her long hair.) Your classic curves, beautiful immortal. I was glad to look on you, to praise you, a thing of beauty, almost to pray.&#xA;&#xA;THE NYMPH During dark nights I heard your praise.&#xA;&#xA;BLOOM (Quickly.) Yes, yes. You mean that I... Sleep reveals the worst side of everyone, children perhaps excepted. I know I fell out of my bed or rather was pushed. Steel wine is said to cure snoring. For the rest there is that English invention, pamphlet of which I received some days ago, incorrectly addressed. It claims to afford a noiseless inoffensive vent. (He sighs.) 'Twas ever thus. Frailty, thy name is marriage.&#xA;&#xA;THE NYMPH (Her fingers in her ears.) And words. They are not in my dictionary.&#xA;&#xA;BLOOM You understood them?&#xA;&#xA;THE YEWS Ssh.&#xA;&#xA;THE NYMPH (Covers her face with her hand.) What have I not seen in that chamber? What must my eyes look down on?&#xA;&#xA;BLOOM (Apologetically.) I know. Soiled personal linen, wrong side up with care. The quoits are loose. From Gibraltar by long sea, long ago.&#xA;&#xA;THE NYMPH (Bends her head.) Worse! Worse!&#xA;&#xA;BLOOM (Reflects precautiously.) That antiquated commode. It wasn't her weight. She scaled just eleven stone nine. She put on nine pounds after weaning. It was a crack and want of glue. Eh? And that absurd orangekeyed utensil which has only one handle.&#xA;&#xA;(The sound of a waterfall is heard in bright cascade.)&#xA;&#xA;THE WATERFALL&#xA;&#xA;Poulaphouca Poulaphouca&#xA;Poulaphouca Poulaphouca.&#xA;&#xA;&#xA;THE YEWS (Mingling their boughs.) Listen. Whisper. She is right, our sister. We grew by Poulaphouca waterfall. We gave shade on languorous summer days.&#xA;&#xA;JOHN WYSE NOLAN (In the background, in Irish National For ester's uniform, doffs his plumed hat.) Prosper! Give shade on languorous days, trees of Ireland!&#xA;&#xA;THE YEWS (Murmuring.) Who came to Poulaphouca with the high school excursion? Who left his nutquesting classmates to seek our shade?&#xA;&#xA;BLOOM (Pigeonbreasted, bottleshouldered, padded, in nondescript juvenile grey and black striped suit, too small for him, white tennis shoes, bordered stockings with turnover tops, and a red school cap with badge.) I was in my teens, a growing boy. A little then sufficed, a jolting car, the mingling odours of the ladies' cloakroom and lavatory, the throng penned tight on the old Royal stairs, for they love crushes, instincts of the herd, and the dark sexsmelling theatre unbridles vice. Even a pricelist of their hosiery. And then the heat. There were sunspots that summer. End of school. And tipsycake. Halcyon days.&#xA;&#xA;(Halcyon Days, high school boys in blue and white football jerseys and shorts, Master Donald Turnbull, Master Abraham Chatterton, Master Owen Goldberg, Master Jack Meredith, Master Percy Apjohn, stand in a clearing of the trees and shout to Master Leopold Bloom.)&#xA;&#xA;THE HALCYON DAYS Mackerel! Live us again. Hurray!&#xA;&#xA;(They cheer.)&#xA;&#xA;BLOOM (Hobbledehoy, warmgloved, mammamufflered, stunned with spent snowballs, struggles to rise.) Again! I feel sixteen! What a lark! Let's ring all the bells in Montague Street. (He cheers feebly.) Hurray for the High School!&#xA;&#xA;THE ECHO Fool!&#xA;&#xA;THE YEWS (Rustling.) She is right, our sister. Whisper. (Whispered kisses are heard in all the wood. Faces of hamadryads peep out from the boles and among the leaves and break blossoming into bloom.) Who profaned our silent shade?&#xA;&#xA;THE NYMPH (Coyly through parting fingers.) There! In the open air?&#xA;&#xA;THE YEWS (Sweeping downward.) Sister, yes. And on our virgin sward.&#xA;&#xA;THE WATERFALL&#xA;&#xA;Poulaphouca Poulaphouca&#xA;Phoucaphouca Phoucaphouca.&#xA;&#xA;&#xA;THE NYMPH (With wide fingers.) O! Infamy!&#xA;&#xA;BLOOM I was precocious. Youth. The fauns. I sacrificed to the god of the forest. The flowers that bloom in the spring. It was pairing time. Capillary attraction is a natural phenomenon. Lotty Clarke, flaxenhaired, I saw at her night toilette through ill-closed curtains, with poor papa's operaglasses. The wanton ate grass wildly. She rolled downhill at Rialto Bridge to tempt me with her flow of animal spirits. She climbed their crooked tree and I... A saint couldn't resist it. The demon possessed me. Besides, who saw?&#xA;&#xA;(Staggering Bob, a whitepolled calf thrusts a ruminating head with humid nostrils through the foliage.)&#xA;&#xA;STAGGERING BOB Me. Me see.&#xA;&#xA;BLOOM Simply satisfying a need. (With pathos.) No girl would when I went girling. Too ugly. They wouldn't play.&#xA;&#xA;(High on Ben Howth through rhododendrons a nannygoat passes, plumpuddered, buttytailed, dropping curvants.)&#xA;&#xA;THE NANNYGOAT (Bleats.) Megegaggegg! Nannannanny!&#xA;&#xA;BLOOM (Hatless, flushed, covered with burn of thistledown and gotrepine.) Regularly engaged. Circumstances alter cases. (He gazes intently downwards on the water.) Thirtytwo head over heels per second. Press nightmare. Giddy Elijah. Fall from cliff. Sad end of government printer's clerk. (Through silversilent summer air the dummy of Bloom, rolled in a mummy, rolls rotatingly from the Lion's Head cliff into the purple Waiting waters.)&#xA;&#xA;THE DUMMYMUMMY Bbbbblllllbbblblodschbg?&#xA;&#xA;(Far out in the bay between Bailey and Kish lights the Erin's King sails, sending a broadening plume of coalsmoke from her funnel towards the land.)&#xA;&#xA;COUNCILLOR NANNETI (Alone on deck, in dark alpaca, yellow kitefaced, his hand in his waistcoat opening, declaims.) When my country takes her place among the nations of the earth, then, and not till then let my epitaph be written. I have...&#xA;&#xA;BLOOM Done. Prff.&#xA;&#xA;THE NYMPH (Loftily.) We immortals, as you saw today, have not such a place and no hair there either. We are stonecold and pure. We eat electric light. (She arches her body in lascivious crispation, placing her forefinger in her mouth.) Spoke to me. Heard from behind. How then could you... ?&#xA;&#xA;BLOOM (Pacing the heather abjectly.) O, I have been a perfect pig. Enemas too I have administered. One third of a pint of quassia, to which add a tablespoonful of rocksalt. Up the fundament. With Hamilton Long's syringe, the ladies' friend.&#xA;&#xA;THE NYMPH In my presence. The powderpuff. (She blushes and makes a knee.) And the rest.&#xA;&#xA;BLOOM (Dejected.) Yes. Peccavi! I have paid homage on that living altar where the back changes name. (With sudden fervour.) For why should the dainty scented jewelled hand, the hand that rules... ?&#xA;&#xA;(Figures wind serpenting in slow woodland pattern around the treestems, cooeeing.)&#xA;&#xA;THE VOICE OF KITTY (In the thicket.) Show us one of them cushions.&#xA;&#xA;THE VOICE OF FLORRY Here.&#xA;&#xA;(A grouse wings clumsily through the underwood.)&#xA;&#xA;THE VOICE OF LYNCH (In the thicket.) Whew! Piping hot!&#xA;&#xA;THE VOICE OF ZOE (From the thicket.) Came from a hot place.&#xA;&#xA;THE VOICE OF VIRAG (A birdchief bluestreaked and feathered in war panoply with his assegai, striding through a crackling canebrake over beechmast and acorns.) Hot! Hot! Ware Sitting Bull!&#xA;&#xA;BLOOM It overpowers me. The warm impress of her warm form. Even to sit where a woman has sat, especially with divaricated thighs, as though to grant the last favours, most especially with previously well uplifted white sateen coatpans. So womanly full. It fills me full.&#xA;&#xA;THE WATERFALL&#xA;&#xA;Phillaphulla Poulaphouca&#xA;Poulaphouca Poulaphouca.&#xA;&#xA;&#xA;THE YEWS Ssh! Sister, speak!&#xA;&#xA;THE NYMPH (Eyeless, in nun's white habit, coif and huge winged wimple, softly, with remote eyes.) Tranquilia convent. Sister Agatha. Mount Carmel, the apparitions of Knock and Lourdes. No more desire. (She reclines her head, sighing.) Only the ethereal. Where dreamy creamy gull waves o'er the waters dull.&#xA;&#xA;(Bloom half rises. His back trousers button snaps.)&#xA;&#xA;THE BUTTON Bip!&#xA;&#xA;(Two sluts of the Coombe dance rainily by, shawled, yelling flatly.)&#xA;&#xA;THE SLUTS&#xA;&#xA;O Leopold lost the pin of his drawers&#xA;He didn't know what to do,&#xA;To keep it up,&#xA;To keep it up.&#xA;&#xA;&#xA;BLOOM (Coldly.) You have broken the spell. The last straw. If there were only ethereal where would you all be, postulants and novices? Shy but willing, like an ass pissing.&#xA;&#xA;THE YEWS (Their silverfoil of leaves precipitating, their skinny arms ageing and swaying.) Deciduously!&#xA;&#xA;THE NYMPH Sacrilege! To attempt my virtue! (A large moist stain appears on her robe.) Sully my innocence! You are not fit to touch the garment of a pure woman. (She clutches in her robe.) Wait, Satan. You'll sing no more lovesongs. Amen. Amen. Amen. Amen. (She draws a poniard and, clad in the sheathmail of an elected knight of nine, strikes at his loins.) Nekum!&#xA;&#xA;BLOOM (Starts up, seizes her hand.) Hoy! Nebrakada! Cat of nine lives! Fair play, madam. No pruning knife. The fox and the grapes, is it? What do we lack with your barbed wire? Crucifix not thick enough? (He clutches her veil.) A holy abbot you want or Brophy, the lame gardener, or the spoutless statue of the watercarrier or good Mother Alphonsus, eh Reynard?&#xA;&#xA;THE NYMPH (With a cry, flees from him unveiled, her plaster cast cracking, a cloud of stench escaping from the cracks.) Poli... !&#xA;&#xA;BLOOM (Calls after her.) As if you didn't get it on the double yourselves. No jerks and multiple mucosities all over you. I tried it. Your strength our weakness. What's our stud fee? What will you pay on the nail? You fee men dancers on the Riviera, I read. (The fleeing nymph raises a keen.) Eh! I have sixteen years of black slave labour behind me. And would a jury give me five shillings alimony tomorrow, eh? Fool someone else, not me. (He sniffs.) But. Onions. Stale. Sulphur. Grease.&#xA;&#xA;(The figure of Bella Cohen stands before him.)&#xA;&#xA;BELLA You'll know me the next time.&#xA;&#xA;BLOOM (Composed, regards her.) Passée. Mutton dressed as lamb. Lone in the tooth and superfluous hairs. A raw onion the last thing at night would benefit your complexion. And take some double chin drill. Your eyes are as vapid as the glass eyes of your stuffed fox. They have the dimensions of your other features, that's all. I'm not a triple screw propeller.&#xA;&#xA;BELLA (Contemptuously.) You're not game, in fact. (Her sowcunt barks.) Fohracht!&#xA;&#xA;BLOOM (Contemptuously.) Clean your nailless middle finger first, the cold spunk of your bully is dripping from your cockscomb. Take a handful of hay and wipe yourself.&#xA;&#xA;BELLA I know you, canvasser! Dead cod!&#xA;&#xA;BLOOM I saw him, kipkeeper! Pox and gleet vendor!&#xA;&#xA;BELLA (Turns to the piano.) Which of you was playing the dead march from Saul?&#xA;&#xA;ZOE Me. Mind your cornflowers. (She darts to the piano and bangs chords on it with crossed arms.) The cat's ramble through the slag. (She glances back.) Eh? Who's making love to my sweeties? (She darts back to the table.) What's yours is mine and what's mine is my own.&#xA;&#xA;(Kitty disconcerted coats her teeth with the silver paper. Bloom approaches Zoe.)&#xA;&#xA;BLOOM (Gently.) Give me back that potato, will you? Zoe Forfeits, a fine thing and a superfine thing.&#xA;&#xA;BLOOM (With feeling.) It is nothing, but still a relic of poor mamma.&#xA;&#xA;ZOE&#xA;&#xA;Give a thing and take it back&#xA;God'll ask you where is that&#xA;You'll say you don't know&#xA;God'll send you down below.&#xA;&#xA;&#xA;BLOOM There is a memory attached to it. I should like to have it.&#xA;&#xA;STEPHEN To have or not to have, that is the question.&#xA;&#xA;ZOE Here. (She hauls up a reef of her slip, revealing her bare thigh and unrolls the potato from the top of her stocking.) Those that hides knows where to find.&#xA;&#xA;BELLA (Frowns.) Here. This isn't a musical peepshow. And don't you smash that piano. Who's paying here?&#xA;&#xA;(She goes to the pianola. Stephen fumbles in his pocket and, taking out a banknote by its corner, hands it to her.)&#xA;&#xA;STEPHEN (With exaggerated politeness.) This silken purse I made out of the sow's ear of the public. Madam, excuse me. If you allow me. (He indicates vaguely Lynch and Bloom.) We are all in the same sweepstake, Kinch and Lynch. Dans ce bordel où tenons nostre état.&#xA;&#xA;LYNCH (Calls from the hearth.) Dedalus! Give her your blessing for me.&#xA;&#xA;STEPHEN (Hands Bella a coin.) Gold. She has it.&#xA;&#xA;BELLA (Looks at the money, then at Zoe, Florry and Kitty.) Do you want three girls? It's ten shillings here.&#xA;&#xA;STEPHEN (Delightedly.) A hundred thousand apologies. (He fumbles again and takes out and hands her two crowns.) Permit, brevi manu, my sight is somewhat troubled.&#xA;&#xA;(Bella goes to the table to count the money while Stephen talks to himself in monosyllables. Zoe bounds over to the table. Kitty leans over Zoe's neck. Lynch gets up, rights his cap and, clasping Kitty's waist, adds his head to the group.)&#xA;&#xA;FLORRY (Strives heavily to rise.) Ow! My foot's asleep. (She limps over to the table. Bloom approaches.)&#xA;&#xA;BELLA, ZOE. KITTY, LYNCH, BLOOM (Chattering and squabbling.) The gentleman... ten shillings... paying for the three allow me a moment... this gentleman pays separate who's touching it?... ow... mind who you're pinching... are you staying the night or a short time? who did?... you're a liar, excuse me... the gentle man paid down like a gentleman... drink... it's long after eleven.&#xA;&#xA;STEPHEN (At the pianola, making a gesture of abhorrence.) No bottles! What, eleven? A riddle.&#xA;&#xA;ZOE (Lifting up her pettigown and folding a half sovereign into the top of her stocking.) Hard earned on the flat of my back.&#xA;&#xA;LYNCH (Lifting Kitty from the table.) Come!&#xA;&#xA;KITTY Wait. (She clutches the two crowns.)&#xA;&#xA;FLORRY And me?&#xA;&#xA;LYNCH Hoopla! (He lifts her carries her and bumps her down on the sofa.)&#xA;&#xA;STEPHEN The fox crew, the cocks flew, The bells in heaven Were striking eleven. 'Tis time for her poor soul To get out of heaven.&#xA;&#xA;BLOOM (Quietly lays a half sovereign on the table between Bella and Florry.) So. Allow me. (He takes up the pound note.) Three times ten. We're square.&#xA;&#xA;BELLA (Admiringly.) You're such a slyboots, old cocky. I could kiss you.&#xA;&#xA;ZOE (Points.) Hum? Deep as a drawwell. (Lynch bends Kitty back over the sofa and kisses her. Bloom goes with the poundnote to Stephen.)&#xA;&#xA;BLOOM This is yours.&#xA;&#xA;STEPHEN How is that? Le distrait or absentminded beggar. (He fumbles again in his pocket and draws out a handful of coins. An object falls.) That fell.&#xA;&#xA;BLOOM (Stooping, picks up and hands a box of matches.) This.&#xA;&#xA;STEPHEN Lucifer. Thanks.&#xA;&#xA;BLOOM (Quietly.) You had better hand over that cash to me to take care of. Why pay more?&#xA;&#xA;STEPHEN (Hands him all his coins.) Be just before you are generous.&#xA;&#xA;BLOOM I will but is it wise? (He counts.) One, seven, eleven, and five. Six. Eleven. I don't answer for what you may have lost.&#xA;&#xA;STEPHEN Why striking eleven? Proparoxyton. Moment before the next Lessing says. Thirsty fox. (He laughs loudly.) Burying his grandmother. Probably he killed her.&#xA;&#xA;BLOOM That is one pound six and eleven. One pound seven, say.&#xA;&#xA;STEPHEN Doesn't matter a rambling damn.&#xA;&#xA;BLOOM No, but...&#xA;&#xA;STEPHEN (Comes to the table.) Cigarette, please. (Lynch tosses a cigarette from the sofa to the table.) And so Georgina Johnson is dead and married. (A cigarette appears on the table. Stephen looks at it.) Wonder. Parlour magic. Married. Hm. (He strikes a match and proceeds to light the cigarette with enigmatic melancholy.)&#xA;&#xA;LYNCH (Watching him.) You would have a better chance of lighting it if you held the match nearer.&#xA;&#xA;STEPHEN (Brings the match nearer his eye.) Lynx eye. Must get glasses. Broke them yesterday. Sixteen years ago. Distance. The eye sees all flat. (He draws the match away. It goes out.) Brain thinks. Near: far. Ineluctable modality of the visible. (He frowns mysteriously.) Hm. Sphinx. The beast that has two backs at midnight. Married.&#xA;&#xA;ZOE It was a commercial traveller married her and took her away with him.&#xA;&#xA;FLORRY (Nods.) Mr Lambe from London.&#xA;&#xA;STEPHEN Lamb of London, who takest away the sins of our world.&#xA;&#xA;LYNCH (Embracing Kitty on the sofa, chants deeply.) Dona nobis pacem. (The cigarette slips from Stephens fingers. Bloom picks it up and throws it into the grate.)&#xA;&#xA;BLOOM Don't smoke. You ought to eat. Cursed dog I met. (To Zoe.) You have nothing?&#xA;&#xA;ZOE Is he hungry?&#xA;&#xA;STEPHEN (Extends his hand to her smiling and chants to the air of the bloodoath in the Dusk of the Gods.)&#xA;&#xA;Hangende Hunger,&#xA;Fragende Frau,&#xA;Macht uns alle kaput.&#xA;&#xA;&#xA;ZOE (Tragically.) Hamlet, I am thy father's gimlet! (She takes his hand.) Blue eyed beauty, I'll read your hand. (She points to his forehead.) No wit, no wrinkles. (She counts.) Two, three, Mars, that's courage. (Stephen shakes his head.) No kid.&#xA;&#xA;LYNCH Sheet lightning courage. The youth who could not shiver and shake. (To Zoe.) Who taught you palmistry?&#xA;&#xA;ZOE (Turns.) Ask my ballocks that I haven't got. (To Stephen.) I see it in your face. The eye, like that. (She frowns with lowered head.)&#xA;&#xA;LYNCH (Laughing, slaps Kitty behind twice.) Like that. Pandy bat.&#xA;&#xA;(Twice loudly a pandybat cracks, the coffin of the pianola flies open, the bald little round jack-in-the-box head of Father Dolan springs up.)&#xA;&#xA;FATHER DOLAN Any boy want flogging? Broke his glasses? Lazy idle little schemer. See it in your eye.&#xA;&#xA;(Mild, benign, rectorial, reproving, the head of Don John Conmee rises from the pianola coffin.)&#xA;&#xA;DON JOHN CONMEE Now, Father Dolan! Now. I'm sure that Stephen is a very good little boy.&#xA;&#xA;ZOE (Examining Stephen's palm.) Woman's hand.&#xA;&#xA;STEPHEN (Murmurs.) Continue. Lie. Hold me. Caress. I never could read His handwriting except His criminal thumbprint on the haddock.&#xA;&#xA;ZOE What day were you born?&#xA;&#xA;STEPHEN Thursday. Today.&#xA;&#xA;ZOE Thursday's child has far to go. (She traces lines on his hand.) Line of fate. Influential friends.&#xA;&#xA;FLORRY (Pointing.) Imagination.&#xA;&#xA;ZOE Mount of the moon. You'll meet with a... (She peers at his hands abruptly.) I won't tell you what's not good for you. Or do you want to know?&#xA;&#xA;BLOOM (Detaches her fingers and offers his palm.) More harm than good. Here. Read mine.&#xA;&#xA;BELLA Show. (She turns up Bloom's hand.) I thought so. Knobby knuckles, for the women.&#xA;&#xA;ZOE (Peering at Bloom's palm.) Gridiron. Travels beyond the sea and marry money.&#xA;&#xA;BLOOM Wrong.&#xA;&#xA;ZOE (Quickly.) O, I see. Short little finger. Henpecked husband. That wrong?&#xA;&#xA;(Black Liz, a huge rooster hatching in a chalked circle, rises, stretches her wings and clucks.)&#xA;&#xA;BLACK LIZ Gara. Klook. Klook. Klook.&#xA;&#xA;(She sidles from her newlaid egg and waddles off.)&#xA;&#xA;BLOOM (Points to his hand.) That weal there is an accident. Fell and cut it twenty-two years ago. I was sixteen.&#xA;&#xA;ZOE I see, says the blind man. Tell us news.&#xA;&#xA;STEPHEN See? Moves to one great goal. I am twenty two too. Sixteen years ago I twentytwo tumbled, twentytwo years ago he sixteen fell off his hobbyhorse. (He winces.) Hurt my hand somewhere. Must see a dentist. Money?&#xA;&#xA;(Zoe whispers to Florry. They giggle. Bloom releases his hand and writes idly on the table in backhand, pencilling slow curves.)&#xA;&#xA;FLORRY What?&#xA;&#xA;(A hackneycar number three hundred and twentyfour, with a gallantbuttocked mare, driven by James Barton, Harmony Avenue, Donnybrook, trots past. Blazes Boylan and Lenehan sprawl swaying on the sideseats. The Ormond boots crouches behind on the axle. Sadly over the crossblind Lydia Douce and Mina Kennedy gaze.)&#xA;&#xA;THE BOOTS (Jogging, mocks them with thumb and wriggling wormfingers.) Haw, haw, have you the horn?&#xA;&#xA;(Bronze by gold they whisper.)&#xA;&#xA;ZOE (To Florry.) Whisper.&#xA;&#xA;(They whisper again.)&#xA;&#xA;(Over the well of the car Blazes Boylan leans, his boater straw set sideways, a red flower in his mouth. Lenehan, in a yachtsman's cap and white shoes, officiously detaches a long hair from Blazes Boylan s shoulder.)&#xA;&#xA;LENEHAN Ho! What do I here behold? Were you brushing the cobwebs off a few quims?&#xA;&#xA;BOYLAN (Seated, smiles.) Plucking a turkey.&#xA;&#xA;LENEHAN A good night's work.&#xA;&#xA;BOYLAN (Holding up four thick bluntungulated fingers, winks.) Blazes Kate! Up to sample or your money back. (He holds out a forefinger.) Smell that.&#xA;&#xA;LENEHAN (Smells gleefully.) Ah! Lobster and mayonnaise. Ah!&#xA;&#xA;ZOE AND FLORRY (Laugh together.) Ha ha ha ha.&#xA;&#xA;BOYLAN bumps surely from the car and calls loudly for all to hear. ) Hello, Bloom! Mrs Bloom up yet?&#xA;&#xA;BLOOM (In a flunkey's plum plush coat and kneebreeches, buff stockings and powdered wig.) I'm afraid not, sir, the last articles...&#xA;&#xA;BOYLAN (Tosses him sixpence.) Here, to buy yourself a gin and splash. (He hangs his hat smartly on a peg of Bloom's antlered head.) Show me in. I have a little private business with your wife. You understand?&#xA;&#xA;BLOOM Thank you, sir. Yes, sir, Madam Tweedy is in her bath, sir.&#xA;&#xA;MARION He ought to feel himself highly honoured. (She plops splashing out of the water.) Raoul, darling, come and dry me. I'm in my pelt. Only my new hat and a carriage sponge.&#xA;&#xA;BOYLAN (A merry twinkle in his eye.) Topping!&#xA;&#xA;BELLA What? What is it?&#xA;&#xA;(Zoe whispers to her.)&#xA;&#xA;MARION Let him look, the pishogue! Pimp! And scourge himself! I'll write to a powerful prostitute or Bartholomona, the bearded woman, to raise weals out on him an inch thick and make him bring me back a signed and stamped receipt.&#xA;&#xA;BELLA (Laughing.) Ho ho ho ho.&#xA;&#xA;BOYLAN (To Bloom, over his shoulder.) You can apply your eye to the keyhole and play with yourself while I just go through her a few times.&#xA;&#xA;BLOOM Thank you, sir, I will, sir. May I bring two men chums to witness the deed and take a snapshot? (He holds an ointment jar.) Vaseline, sir? Orangeflower?... Lukewarm water?...&#xA;&#xA;KITTY (From the sofa.) Tell us, Florry. Tell us. What.&#xA;&#xA;(Florry whispers to her. Whispering lovewords murmur lip-lapping loudly, poppysmic plopslop.)&#xA;&#xA;MINA KENNEDY (Her eyes upturned.) O, it must be like the scent of geraniums and lovely peaches! O, he simply idolises every bit of her! Stuck together! Covered with kisses!&#xA;&#xA;LYDIA DOUCE (Her mouth opening.) Yumyum. O, he's carrying her round the room doing it! Ride a cock horse. You could hear them in Paris and New York. Like mouthfuls of strawberries and cream.&#xA;&#xA;KITTY (Laughing.) Hee hee hee.&#xA;&#xA;BOYLAN'S VOICE (Sweetly, hoarsely, in the pit of his stomach.) Ah! Gooblazqruk brukarchkrasht!&#xA;&#xA;MARION'S VOICE (Hoarsely, sweetly rising to her throat.) O! Weeshwashtkissima, pooisthnapoohuck!&#xA;&#xA;BLOOM (His eyes wildly dilated, clasps himself) Show! Hide! Show! Plough her! More! Shoot!&#xA;&#xA;BELLA, ZOE, FLORRY. KITTY Ho ho! Ha ha! Hee hee!&#xA;&#xA;LYNCH (Points.) The mirror up to nature. (He laughs.) Hu hu hu hu hu hu.&#xA;&#xA;(Stephen and Bloom gaze in the mirror. The face of William Shakespeare, beardless, appears there, rigid in facial paralysis, crowned by the reflection of the reindeer antlered hatrack in the hall.)&#xA;&#xA;SHAKESPEARE (In dignified ventriloquy.) 'Tis the loud laugh bespeaks the vacant mind. (To Bloom.) Thou thoughtest as how thou wastest invisible. Gaze. (He crows with a black capon's laugh.) Iagogo! How my Oldfellow chokit his Thursdaymomun. Iagogogo!&#xA;&#xA;BLOOM (Smiles yellowly at the whores.) When will I hear the joke?&#xA;&#xA;ZOE Before you're twice married and once a widower.&#xA;&#xA;BLOOM Lapses are condoned. Even the great Napoleon, when measurements were taken near the skin after his death...&#xA;&#xA;(Mrs Dignam, widow woman, her snubnose and cheeks flushed with deathtalk, tears and Tunny's tawny sherry, hurries by in her weeds, her bonnet awry, rouging and powdering her cheeks, lips and nose, a pen chivvying her brood of cygnets. Beneath her skirt appear her late husband's everyday trousers and turnedup boots, lace eights. She holds a Scottish widow's insurance policy and lace marqueeumbrella under which her brood runs with her, Patsy hopping on one short foot, his collar loose, a hank of porksteaks dangling, Freddy whimpering, Susy with a crying cods mouth, Alice struggling with the baby. She cuffs them on, her streamers flaunting aloft.)&#xA;&#xA;FREDDY Ah, ma, you're dragging me along!&#xA;&#xA;SUSY Mamma, the beeftea is fizzing over!&#xA;&#xA;SHAKESPEARE (With paralytic rage.) Weda seca whokilla farst.&#xA;&#xA;(The face of Martin Cunningham, bearded, refeatures Shakespeares beardless face. The marqueeumbrella sways drunkenly, the children run aside. Under the umbrella appears Mrs Cunningham in Merry Widow hat and kimono gown. She glides sidling and bowing, twisting japanesily.)&#xA;&#xA;MRS CUNNINGHAM (Sings.) And they call me the jewel of Asia.&#xA;&#xA;MARTIN CUNNINGHAM&#xA;&#xA;(Gazes on her impassive.) Immense! Most bloody awful demirep!&#xA;&#xA;STEPHEN Et exaltabuntur cornua iusti. Queens lay with prize bulls. Remember Pasiphae for whose lust my grandoldgross father made the first confessionbox. Forget not Madam Grissel Steevens nor the suine scions of the house of Lambert. And Noah was drunk with wine. And his ark was open.&#xA;&#xA;BELLA None of that here. Come to the wrong shop.&#xA;&#xA;LYNCH Let him alone. He's back from Paris.&#xA;&#xA;ZOE (Runs to Stephen and links him.) O go on! Give us some parleyvoo.&#xA;&#xA;(Stephen claps hat on head and leaps over to the fireplace, where he stands with shrugged shoulders, finny hands outspread, a painted smile on his face.)&#xA;&#xA;LYNCH (Pommelling on the sofa.) Rmm Rmm Rmm Rrr rrrmmmmm.&#xA;&#xA;STEPHEN (Gobbles, with marionette jerks. ) Thousand places of entertainment to expenses your evenings with lovely ladies saling gloves and other things perhaps her heart beerchops perfect fashionable house very eccentric where lots cocottes beautiful dressed much about princesses like are dancing cancan and walking there parisian clowneries extra foolish for bachelors foreigns the same if talking a poor english how much smart they are on things love and sensations voluptuous. Misters very selects for is pleasure must to visit heaven and hell show with mortuary candles and they tears silver which occur every night. Perfectly shocking terrific of religion's things mockery seen in universal world. All chic womans which arrive full of modesty then disrobe and squeal loud to see vampire man debauch nun very fresh young with dessous troublants. (He clocks his tongue loudly.) Ho, la la! Ce pif qu'il a!&#xA;&#xA;LYNCH Vive le vampire!&#xA;&#xA;THE WHORES Bravo! Parleyvoo!&#xA;&#xA;STEPHEN (Grimacing with head back, laughs loudly, clapping himself) Great success of laughing. Angels much prostitutes like and holy apostles big damn ruffians. Demimondaines nicely handsome sparkling of diamonds very amiable cos turned. Or do you are fond better what belongs they moderns pleasure turpitude of old mans? (He points about him with grotesque gestures which Lynch and the whores reply to.) Caoutchouc statue woman reversible or lifesize tompeeptoms virgins nudities very lesbic the kiss five ten times. Enter gentlemen to see in mirrors every positions trapezes all that machine there besides also if desire act awfully bestial butcher's boy pollutes in warm veal liver or omelette on the belly pièce de Shakespeare.&#xA;&#xA;BELLA (Clapping her belly, sinks back on the sofa with a shout of laughter.) An omelette on the... Ho! ho! ho! ho!... Omelette on the...&#xA;&#xA;STEPHEN (Mincingly.) I love you, Sir darling. Speak you englishman tongue for double entente cordiale. O yes, mon loup. How much cost? Waterloo. Watercloset. (He ceases suddenly and holds up a forefinger.)&#xA;&#xA;BELLA (Laughing.) Omelette...&#xA;&#xA;THE WHORES (Laughing.) Encore! Encore!&#xA;&#xA;STEPHEN Mark me. I dreamt of a watermelon.&#xA;&#xA;ZOE Go abroad and love a foreign lady.&#xA;&#xA;LYNCH Across the world for a wife.&#xA;&#xA;FLORRY Dreams go by contraries.&#xA;&#xA;STEPHEN (Extending his arms.) It was here. Street of harlots. In Serpentine Avenue Beelzebub showed me her, a fubsy widow. Where's the red carpet spread?&#xA;&#xA;BLOOM (Approaching Stephen.) Look.&#xA;&#xA;STEPHEN No, I flew. My foes beneath me. And ever shall be. World without end. (He cries.) Pater! Free!&#xA;&#xA;BLOOM I say, look...&#xA;&#xA;STEPHEN Break my spirit, will he? O merde alors! (He cries, his vulture talons sharpened.) Hola! Hillyho!&#xA;&#xA;(Simon Dedalus' voice hilloes in answer, somewhat sleepy but ready.)&#xA;&#xA;SIMON That's all right. (He swoops uncertainly through the air, wheeling, uttering cries of heartening, on strong ponderous buzzard wings.) Ho, boy! Are you going to win? Hoop! Pschatt! Stable with those halfcastes. Wouldn't let them within the bawl of an ass. Head up! Keep our flag flying! An eagle gules volant in a field argent displayed. Ulster king at arms! hai hoop! (He makes the beagle's call giving tongue.) Bulbul! Burblblbrurblbl! Hai, boy!&#xA;&#xA;(The fronds and spaces of the wallpaper file rapidly across country. A stout fox drawn from covert, brush pointed, having buried his grandmother, runs swift for the open, bright-eyed, seeking badger earth, under the leaves. The pack of staghounds follows, nose to the ground, sniffing their quarry, beaglebaying, burblbrblng to be blooded. Ward Union huntsmen and huntswomen live with them, hot for a kill. From Six Mile Point, Flathouse, Nine Mile Stone follow the footpeople with knotty sticks, salmongaffs, lassos, flockmasters with stockwhips, bearbaiters with tomtoms, toreadors with bullswords, grey negroes waving torches. The crowd bowls of dicers, crown and anchor players, thimbleriggers, broadsmen. Crows and touts, hoarse bookies in high wizard hats clamour deafeningly.)&#xA;&#xA;THE CROWD&#xA;&#xA;Card of the races. Racing card!&#xA;Ten to one the field!&#xA;Tommy on the clay here!&#xA;Tommy on the clay!&#xA;Ten to one bar one.&#xA;Ten to one bar one.&#xA;Try your luck on spinning Jenny!&#xA;Ten to one bar one!&#xA;Sell the monkey, boys!&#xA;Sell the monkey!&#xA;I'll give ten to one!&#xA;Ten to one bar one!&#xA;&#xA;&#xA;(A dark horse, riderless, bolts like a phantom past the winningpost, his mane moonfoaming, his eyeballs stars. The field follows, a bunch of bucking mounts. Skeleton horses: Sceptre, Maximum the Second, Zinfandel, the Duke of Westminsters Shotover, Repulse, the Duke of Beauforts' Ceylon, prix de Paris. Dwarfs ride them, rusty armoured, leaping, leaping in their saddles. Last in a drizzle of rain, on a broken-winded isabelle nag, Cock of the North, the favourite, honey cap, green jacket, orange sleeves, Garrett Deasy up, gripping the reins, a hockey stick at the ready. His nag, stumbling on whitegaitered feet, jogs along the rocky road.)&#xA;&#xA;THE ORANGE LODGES (Jeering.) Get down and push, mister. Last lap! You'll be home the night!&#xA;&#xA;GARRETT DEASY (Bolt upright, his nailscraped face plastered with postage stamps, brandishes his hockeystick, his blue eyes flashing in the prism of the chandelier as his mount lopes by at a schooling gallop.) Per vias rectas!&#xA;&#xA;(A yoke of buckets leopards all over him and his rearing nag, a torrent of mutton broth with dancing coins of carrots, barley, onions, turnips, potatoes.)&#xA;&#xA;THE GREEN LODGES Soft day, sir John! Soft day, your honour!&#xA;&#xA;(Private Carr, Private Compton and Cissy Caffrey pass beneath the windows, singing in discord.)&#xA;&#xA;STEPHEN Hark! Our friend, noise in the street!&#xA;&#xA;ZOE (Holds up her hand.) Stop!&#xA;&#xA;PRIVATE CARR, PRIVATE COMPTON and CISSY CAFFREY&#xA;&#xA;Yet I've a sort a&#xA;Yorkshire relish for...&#xA;&#xA;&#xA;ZOE That's me. (She claps her hands.) Dance! Dance! (She runs to the pianola.) Who has twopence?&#xA;&#xA;BLOOM Who'll.&#xA;&#xA;LYNCH (Handing her coins.) Here.&#xA;&#xA;STEPHEN (Cracking his fingers impatiently.) Quick! Quick! Where's my augur's rod? (He runs to the piano and takes his ashplant, beating his foot in tripudium.)&#xA;&#xA;ZOE (Turns the drumhandle.) There.&#xA;&#xA;(She drops two pennies in the slot. Glow pink and violet lights start forth. The drum turns purring in low hesitation waltz. Professor Goodwin, in a bowknotted periwig, in court dress, wearing a stained inverness cape, bent in two from incredible age, totters across the room, his hands fluttering. He sits tinily on the piano stool and lifts and beats handless sticks of arms on the keyboard, nodding with damsels grace, his bowknot bobbing.)&#xA;&#xA;ZOE (Twirls around herself heeltapping.) Dance. Anybody here for there? Who'll dance?&#xA;&#xA;(The pianola, with changing lights, plays in waltz time the prelude to My Girl's a Yorkshire Girl. Stephen throws his ashplant on the table and seizes Zoe around the waist. Florry and Bella push the table towards the fireplace. Stephen, aiming Zoe with exaggerated grace, begins to waltz her around the room. Her sleeve, falling from gracing arms, reveals a white fleshflower of vaccination. Bloom stands aside. Between the curtains, Professor Maginni inserts a leg on the toepoint of which spins a silk hat. With a deft kick, he sends it spinning to his crown and jauntyhatted skates in. He wears a slate frockcoat with claret silk lapels, a go-et of cream tulle, a green lowcut waistcoat, stock collar with white kerchief tight lavender trousers, patent pumps and canary gloves. In his buttonhole is a dahlia. He twirls in reversed directions a clouded cane, then wedges it tight in his oxter. He places a hand limply on his breastbone, bows and fondles his flower and buttons.)&#xA;&#xA;MAGINNI The poetry of motion, art of callisthenics. No connection with Madam Legget Byrne's or Levinstone's. Fancy dress balls arranged. Deportment. The Katty Lanner steps. So. Watch me! My terpsichorean abilities. (He minuets forward three paces on tripping bee's feet.) Tout le monde an avant! Révérence! Tout le monde en place!&#xA;&#xA;(The prelude ceases. Professor Goodwin, beating vague arms,shrivels, shrinks, his live cape falling about the stool. The air, in firmer waltz time, pounds. Stephen and Zoe circle freely. The lights change, glow, fade, gold, rose, violet.)&#xA;&#xA;THE PIANOLA Two young fellows were talking about their girls, girls, girls, Sweethearts they'd left behind.&#xA;&#xA;(From a corner the morning hours run out, goldhaired, slim, in girlish blue, waspwaisted, with innocent hands. Nimbly they dance, twirling their skipping ropes. The hours of noon follow in amber gold. Laughing linked, high haircombs flashing, they catch the sun in mocking mirrors, lifting their arms.)&#xA;&#xA;MAGINNI (Clipclaps glovesilent hands.) Carré! Avant deux! Breathe evenly! Balance!&#xA;&#xA;(The morning and noon hours waltz in their places, turning, advancing to each other, shaping their curves, bowing vis a vis. Cavaliers behind them arch and suspend their arms, with hands descending to, touching, rising from their shoulders.)&#xA;&#xA;HOURS You may touch my.&#xA;&#xA;CAVALIERS May I touch your?&#xA;&#xA;HOURS O, but lightly!&#xA;&#xA;CAVALIERS O, so lightly!&#xA;&#xA;THE PIANOLA My little shy little lass has a waist.&#xA;&#xA;(Zoe and Stephen turn boldly with looser swing. The twilight hours advance, from long landshadows, dispersed, lagging, languideyed, their cheeks delicate with cipria and false faint bloom. They are in grey gauze with dark bat sleeves that flutter in the land breeze.)&#xA;&#xA;MAGINNI Avant! huit! Traversé! Salut! Cours de mains! Croisé!&#xA;&#xA;(The eight hours steal to the last place. Morning, noon and twilight hours retreat before them. They are masked, with daggered hair and bracelets of dull bells. Weary, they curchycurchy under veils.)&#xA;&#xA;THE BRACELETS Heigho! Heigho!&#xA;&#xA;ZOE (Twisting, her hand to her brow.) O!&#xA;&#xA;MAGINNI Los tiroirs! Chaîne de dames! La corbeille! Dos à dos!&#xA;&#xA;(Arabesquing wearily, they weave a pattern on the floor, weaving, unweaving, curtseying, twisting, simply swirling.)&#xA;&#xA;ZOE I'm giddy.&#xA;&#xA;(She frees herself droops on a chair, Stephen seizes Florry and turns with her.)&#xA;&#xA;MAGINNI Boulangère! Los ronds! Los ponts! Chevaux de bois! Escargots!&#xA;&#xA;(Twining, receding, with interchanging hands, the night hours link, each with arching arms, in a mosaic of movements. Stephen and Florry turn cumbrously.)&#xA;&#xA;MAGINNI Dansez avec vos dames! Changes de dames! Donnes le petit bouquet a votre dame! Remerciez!&#xA;&#xA;THE PIANOLA&#xA;&#xA;Best, best of all,&#xA;Baraabum!&#xA;&#xA;&#xA;KITTY (Jumps up.) O, they played that on the hobbyhorses at the Mirus bazaar!&#xA;&#xA;(She runs to Stephen. He leaves Florry brusquely and seizes Kitty. A screaming bit tern's harsh high whistle shrieks. Groangrousegurgling Toft's cumbersome whirligig turns slowly the room right roundabout the room.)&#xA;&#xA;THE PIANOLA My girl's a Yorkshire girl.&#xA;&#xA;ZOE Yorkshire through and through. Come on all!&#xA;&#xA;(She seizes Florry and waltzes her.)&#xA;&#xA;STEPHEN Pas seul!&#xA;&#xA;(He wheels Kitty into Lynch's arm's, snatches up his ashplant from the table and takes the floor. All wheel, whirl, waltz, twirl. Bloombella, Kittylynch, Florryzoe, jujuby women. Stephen with hat ashplant frogsplits in middle highkicks with skykicking mouth shut hand clasp part under thigh, with clang tinkle boomhammer tallyho horn blower blue green yellow flashes. Toft's cumbersome turns with hobbyhorse riders from gilded snakes dangled, bowels fandango leaping spurn soil foot and fall again.)&#xA;&#xA;THE PIANOLA&#xA;&#xA;Though she's a factory lass&#xA;And wears no fancy clothes.&#xA;&#xA;&#xA;(Closeclutched swift swifter with glareblareflare scudding they scotlootshoot lumbering by. Baraabum!)&#xA;&#xA;TUTTI Encore! Bis! Bravo! Encore!&#xA;&#xA;SIMON Think of your mother's people!&#xA;&#xA;STEPHEN Dance of death.&#xA;&#xA;(Bang fresh barang bang of lacquey's bell, horse, nag, steer piglings, Conmee on Christass lame crutch and leg sailor in cockboat armfolded ropepulling hitching stamp hornpipe' through and through, Baraabum! On nags, hogs, bellhorses, Gadarene swine, Corny in coffin. Steel shark stone one handled Nelson, two trickies Frauenzimmer plumstained from pram falling bawling. Gum, he's a champion. Fuseblue peer from barrel rev. evensong love on hackney jaunt Blazes blind coddoubled bicyclers Dilly with snowcake no fancy clothes. Then in last wiswitchback lumbering up and down bump mash tub sort of viceroy and reine relish for tublumber bumpshire rose. Baraabum!)&#xA;&#xA;(The couples fall aside. Stephen whirls giddily. Room whirls back. Eyes closed, he totters. Red rails fly spacewards. Stars all around suns turn roundabout. Bright midges dance on wall. He stops dead.)&#xA;&#xA;STEPHEN Ho!&#xA;&#xA;(Stephen's mother, emaciated, rises stark through the floor in leper grey with a wreath of faded orange blossoms and a torn bridal veil, her face worn and noseless, green with grave mould. Her hair is scant and lank. She fixes her bluecircled hollow eyesockets on Stephen and opens her toothless mouth uttering a silent word. A choir of virgins and confessors sing voicelessly.)&#xA;&#xA;THE CHOIR&#xA;&#xA;Liliata rutilantium te confessorum...&#xA;Iubilantium te virginum...&#xA;&#xA;&#xA;(From the top of a tower Buck Mulligan, in particoloured jester's dress of puce and yellow and clown's cap with curling bell, stands gaping at her, a smoking buttered split scone in his hand.)&#xA;&#xA;&#xA;BUCK MULLIGAN She's beastly dead. The pity of it! Mulligan meets the afflicted mother. (He upturns his eyes.) Mercurial Malachi.&#xA;&#xA;&#xA;THE MOTHER (With the subtle smile of death's madness.) I was once the beautiful May Goulding. I am dead.&#xA;&#xA;&#xA;STEPHEN (Horrorstruck.) Lemur, who are you? What bogey man's trick is this?&#xA;&#xA;&#xA;BUCK MULLIGAN (Shakes his curling capbell.) The mockery of it! Kinch killed her dogsbody bitchbody. She kicked the bucket. (Tears of molten butter fall from his eyes into the scone.) Our great sweet mother! Epi oinopa ponton.&#xA;&#xA;&#xA;THE MOTHER (Comes nearer, breathing upon him softly her breath of wetted ashes.) All must go through it, Stephen. More women than men in the world. You too. Time will come.&#xA;&#xA;&#xA;STEPHEN (Choking with fright, remorse and horror.) They said I killed you, mother. He offended your memory. Cancer did it, not I. Destiny.&#xA;&#xA;&#xA;THE MOTHER (A green rill of bile trickling from a side of her mouth.) You sang that song to me. Love's bitter mystery.&#xA;&#xA;&#xA;STEPHEN (Eagerly.) Tell me the word, mother, if you know now. The word known to all men.&#xA;&#xA;&#xA;THE MOTHER Who saved you the night you jumped into the train at Dalkey with Paddy Lee? Who had pity for you when you were sad among the strangers? Prayer is all powerful. Prayer for the suffering souls in the Ursuline manual, and forty days' indulgence. Repent, Stephen.&#xA;&#xA;&#xA;STEPHEN The ghoul! Hyena!&#xA;&#xA;&#xA;THE MOTHER I pray for you in my other world. Get Dilly to make you that boiled rice every night after your brain work. Years and years I loved you, O my son, my firstborn, when you lay in my womb.&#xA;&#xA;&#xA;ZOE (Fanning herself with the grate fan.) I'm melting!&#xA;&#xA;&#xA;FLORRY (Points to Stephen) Look! He's white.&#xA;&#xA;&#xA;BLOOM (Goes to the window to open it more.) Giddy.&#xA;&#xA;&#xA;THE MOTHER (With smouldering eyes.) Repent! O, the fire of hell!&#xA;&#xA;&#xA;STEPHEN (Panting.) The corpsechewer! Raw head and bloody bones!&#xA;&#xA;&#xA;THE MOTHER (Her face drawing near and nearer, sending out an ashen breath.) Beware! (She raises her blackened, withered right arm slowly towards Stephen's breast with outstretched fingers.) Beware! God's hand! (A green crab with malignant red eyes sticks deep its grinning claws in Stephen's heart.)&#xA;&#xA;&#xA;STEPHEN (Strangled with rage.) Shite! (His features grow drawn and grey and old.)&#xA;&#xA;&#xA;BLOOM (At the window.) What?&#xA;&#xA;&#xA;STEPHEN Ah non, par exemple! The intellectual imagination! With me all or not at all. Non serviam!&#xA;&#xA;&#xA;FLORRY Give him some cold water. Wait. (She rushes out.)&#xA;&#xA;&#xA;THE MOTHER (Wrings her hands slowly, moaning desperately.) O Sacred Heart of Jesus, have mercy on him! Save him from hell, O divine Sacred Heart!&#xA;&#xA;&#xA;STEPHEN No! No! No! Break my spirit all of you if you can! I'll bring you all to heel!&#xA;&#xA;&#xA;THE MOTHER (In the agony of her deathrattle.) Have mercy on Stephen, Lord, for my sake! Inexpressible was my anguish when expiring with love, grief and agony on Mount Calvary.&#xA;&#xA;&#xA;STEPHEN Nothung!&#xA;&#xA;&#xA;(He hits his ashplant high with both hands and smashes the chandelier. Time's livid final flame leaps and, in the following darkness, ruin of all space, shattered glass and toppling masonry.)&#xA;&#xA;&#xA;THE GASJET Pwfungg!&#xA;&#xA;&#xA;BLOOM Stop!&#xA;&#xA;&#xA;LYNCH (Rushes forward and seizes Stephen's hand.) Here! Hold on! Don't run amok!&#xA;&#xA;&#xA;BELLA Police!&#xA;&#xA;&#xA;(Stephen, abandoning his ashplant, his head and arms thrown back stark, beats the ground and flees from the room past the whores at the door.)&#xA;BELLA (Screams.) After him!&#xA;&#xA;&#xA;(The two whores rush to the halldoors. Lynch and Kitty and Zoe stampede from the room. They talk excitedly. Bloom follows, returns.)&#xA;&#xA;&#xA;THE WHORES (Jammed in the doorway, pointing.) Down there.&#xA;&#xA;&#xA;ZOE (Pointing.) There. There's something up.&#xA;&#xA;&#xA;BELLA Who pays for the lamp? (She seizes Bloom's coattail.) There. You were with him. The lamp's broken.&#xA;&#xA;&#xA;BLOOM (Rushes to the hall, rushes back.) What lamp, woman?&#xA;&#xA;&#xA;A WHORE He tore his coat.&#xA;&#xA;&#xA;BELLA (Her eyes hard with anger and cupidity, points.) Who's to pay for that? Ten Shillings. You're a witness.&#xA;&#xA;&#xA;BLOOM (Snatches up Stephen's ashplant.) Me? Ten shillings? Haven't you lifted enough off him? Didn't he...&#xA;&#xA;&#xA;BELLA (Loudly.) Here, none of your tall talk. This isn't a brothel. A ten shilling house.&#xA;&#xA;&#xA;BLOOM (His hand under the lamp, pulls the chain. Pulling, the gasjet lights up a crushed mauve purple shade. He raises the ashplant.) Only the chimney's broken. Here is all he...&#xA;&#xA;&#xA;BELLA (Shrinks back and screams.) Jesus! Don't!&#xA;&#xA;&#xA;BLOOM (Warding off a blow.) To show you how he hit the paper. There's not a sixpenceworth of damage done. Ten shillings!&#xA;&#xA;&#xA;FLORRY (With a glass of water enters.) Where is he?&#xA;&#xA;&#xA;BELLA Do you want me to call the police?&#xA;&#xA;&#xA;BLOOM O, I know. Bulldog on the premises. But he's a Trinity student. Patrons of your establishment. Gentlemen that pay the rent. (He makes a masonic sign.) Know what I mean? Nephew of the vice-chancellor. You don't want a scandal.&#xA;&#xA;&#xA;BELLA (Angrily.) Trinity! Coming down here ragging after the boat races and paying nothing. Are you my commander here? Where is he? I'll charge him. Disgrace him, I will. (She shouts.) Zoe! Zoe!&#xA;&#xA;&#xA;BLOOM (Urgently.) And if it were your own son in Oxford! (Warningly.) I know.&#xA;&#xA;&#xA;BELLA (Almost speechless.) Who are you incog?&#xA;&#xA;&#xA;ZOE (In the doorway.) There's a row on.&#xA;&#xA;&#xA;BLOOM What? Where? (He throws a shilling on the table and shouts.) That's for the chimney. Where? I need mountain air. (He hurries out through the hall. The whores point. Florry follows, spilling water from her tilted tumbler. On the doorstep all the whores clustered talk volubly, pointing to the right where the fog has cleared off From the left arrives a jingling hackney car. It slows to in front of the house. Bloom at the halldoor perceives Corny Kelleher who is about to dismount from the car with two silent lechers. He averts his face. Bella from within the hall uses on her whores. They blow ickylickysticky yumyum kisses. Corny Kelleher replies with a ghostly lewd smile. The silent lechers turn to pay the jarvey. Zoe and Kitty still point right. Bloom, parting them swiftly, draws his caliph's hood and poncho and hurries down the steps with sideways face. Incog Haroun al Baschid, he flits behind the silent lechers and hastens on by the railings with fleet step of a pard strewing the drag behind him, torn envelopes drenched in aniseed. The ashplant marks his stride. A pack of bloodhounds, led by Hornblower of Trinity brandishing a dogwhip in tallyho cap and an old pair of grey trousers, follows from far, picking up the scent, nearer, baying, panting, at fault, breaking away, throwing their tongues, biting his heels, leaping at his tail. He walks, runs, zigzags, gallops, lugs laid back. He is pelted with gravel, cabbagestumps, biscuitboxes, eggs, potatoes, dead codfish, womans slipperslappers. After him, freshfound, the hue and cry zigzag gallops in hot pursuit of follow my leader: 65 C 66 C night watch, John Henry Menton, Wisdom Hely, V.B. Dillon, Councillor Nannetti, Alexander Keyes, Larry O'Rourke, Joe Cuffe, Mrs O'Dowd Pisser Burke, The Nameless One, Mrs Riordan, The Citizen, Garryowen, Whatdoyoucallhim, Strangeface, Fellowthatslike, Sawhimbefore, Chapwith, Chris Callinan, sir Charles Cameron, Benjamin Dollard, Lenehan, Bartell d'Arcy, Joe Hynes, red Murray, editor Brayden, T.M. Healy, Mr Justice Fitzgibbon, John Howard Parnell, the reverend Tinned Salmon, Professor Joly, Mrs Breen, Denis Breen, Theodore Purefoy, Mina Purefoy, the Westland Row postmistress, C.P. M'Coy, friend of Lyons, Hoppy Holohan, man in the street, other man in the street, Footballboots, pugnosed driver rich protestant lady, Davy Byrne, Mrs Ellen M'Guinness, Mrs Joe Gallaher George Lidwell, Jimmy Henry on corns, Superintendent Laracy, Father Cowley, Crofton out of the Collector Generals, Dan Dawson, dental surgeon Bloom with tweezers, Mrs Bob Doran, Mrs Kennefick, Mrs Wyse Nolan, John Wyse Nolan, handsomemamedwomanrubbed againstwidebehindinClonskeatram, the bookseller of Sweets of Sin, Miss Dubedatandshedidbedad, Mesdames Gerald and Stanislaus Moran of Roebuck, the managing clerk of Drimmies colonel Hayes, Mastiansky, Citron, Penrose, Aaron Figatner, Moses Herzog, Michael E. Geraghty, Inspector Troy, Mrs Galbraith, the constable off Eccles Street corner old doctor Brady with stethoscope, the mystery man on the beach, a retriever Mrs Miriam Dandrade and all her lovers.&#xA;&#xA;&#xA;THE HUE AND CRY (Helterskelterelterwelter) He's Bloom! Stop Bloom! Stopabloom! Stopperrobber! Hi! Hi! Stop him on the corner!&#xA;&#xA;&#xA;(At the corner of Beaver Street beneath the scaffolding Bloom panting stops on the fringe of the noisy quarrelling knot, a lot not knowing a jot what hi! hi! row and wrangle round the whowhat brawlaltogether.)&#xA;&#xA;&#xA;STEPHEN (With elaborate gestures, breathing deeply and slowly.) You are my guests. The uninvited. By virtue of the fifth of George and seventh of Edward. History to blame. Fabled by mothers of memory.&#xA;&#xA;&#xA;PRIVATE CARR (To Cissy Caffrey.) Was he insulting you?&#xA;&#xA;&#xA;STEPHEN Addressed her in vocative feminine. Probably neuter. Ungenitive.&#xA;VOICES No, he didn't. The girl's telling lies. He was in Mrs Cohen's. What's up? Soldiers and civilians.&#xA;&#xA;&#xA;CISSY CAFFREY I was in company with the soldiers and they left me to do - you know and the young man ran up behind me. But I'm faithful to the man that's treating me though I'm only a shilling whore.&#xA;&#xA;&#xA;STEPHEN (Catches sight of Kitty's and Lynch's heads.) Hail, Sisyphus. (He points to himself and the others.) Poetic. Neopoetic.&#xA;&#xA;&#xA;VOICES She's faithfultheman.&#xA;&#xA;&#xA;CISSY CAFFREY Yes, to go with him. And me with a soldier friend.&#xA;&#xA;&#xA;PRIVATE COMPTON He doesn't half want a thick ear, the blighter. Biff him one, Harry.&#xA;&#xA;&#xA;PRIVATE CARR (To Cissy.) Was he insulting you while me and him was having a piss?&#xA;&#xA;&#xA;LORD TENNYSON (In Union Jack blazer and cricket flannels, bareheaded, flowingbearded.) Their's not to reason why.&#xA;&#xA;&#xA;PRIVATE COMPTON Biff him, Harry.&#xA;&#xA;&#xA;STEPHEN (To Private Compton. ) I don't know your name but you are quite right. Doctor Swift says one man in armour will beat ten men in their shirts. Shirt is synechdoche. Part for the whole.&#xA;&#xA;&#xA;CISSY CAFFREY (To the crowd.) No, I was with the private.&#xA;&#xA;&#xA;STEPHEN (Amiably.) Why not? The bold soldier boy. In my opinion every lady for example...&#xA;&#xA;&#xA;PRIVATE CARR (His cap awry, advancing to Stephen.) Say, how would it be, governor, if I was to bash in your jaw?&#xA;&#xA;&#xA;STEPHEN (Looks up in the sky.) How? Very unpleasant. Noble art of self-pretence. Personally, I detest action. (He waves his hand) Hand hurts me slightly. Enfin, ce sont vos oignons.&#xA;&#xA;&#xA;(To Cissy Caffrey.) Some trouble is on here. What is it, precisely?&#xA;&#xA;&#xA;DOLLY GRAY (From her balcony waves her handkerchief giving the sign of the heroine of Jericho.) Rahab. Cook's son, goodbye. Safe home to Dolly. Dream of the girl you left behind and she will dream of you.&#xA;&#xA;&#xA;(The soldiers turn their swimming eyes.)&#xA;&#xA;&#xA;BLOOM (Elbowing through the crowd plucks Stephen's sleeve vigorously.) Come now, professor, that carman is waiting.&#xA;&#xA;&#xA;STEPHEN (Turns.) Eh? (He disengages himself) Why should I not speak to him or to any human being who walks upright upon this oblate orange? (He points his finger.) I'm not afraid of what I can talk to if I see his eye. Retaining the perpendicular.&#xA;&#xA;&#xA;(He staggers a pace back.)&#xA;&#xA;&#xA;BLOOM (Propping him.) Retain your own.&#xA;&#xA;&#xA;STEPHEN (Laughs emptily.) My centre of gravity is displaced. I have forgotten the trick. Let us sit down somewhere and discuss. Struggle for life is the law of existence but modern philirenists, notably the tsar and the king of England, have invented arbitration. (He taps his brow.) But in here it is I must kill the priest and the king.&#xA;&#xA;&#xA;BIDDY THE CLAP Did you hear what the professor said? He's a professor out of the college.&#xA;&#xA;&#xA;CUNTY KATE I did. I heard that.&#xA;&#xA;&#xA;BIDDY THE CLAP He expresses himself with much marked refinement of phraseology.&#xA;&#xA;&#xA;CUNTY KATE Indeed, yes. And at the same time with such apposite trenchancy.&#xA;&#xA;&#xA;PRIVATE CARR (Pulls himself free and comes forward.) What's that you're saying about my king?&#xA;&#xA;&#xA;(Edward the Seventh appears in an archway. He wears a white jersey on which an image of the Sacred Heart is stitched, with the insignia of Garter and Thistle, Golden Fleece, Elephant of Denmark, Skinners' and Probyns' horse, Lincoln's Inn bencher and ancient and honourable artillery company of Massachusetts. He sucks a red jujube. He is robed as a grand elect perfect and sublime mason with trowel and apron, marked made in Germany. In his left hand he holds a plasterers bucket on which is printed: Défense d'uriner. A roar of welcome greets him.)&#xA;&#xA;&#xA;EDWARD THE SEVENTH (Slowly, solemnly but indistinctly.) Peace, perfect peace. For identification bucket in my hand. Cheerio, boys. (He turns to his subjects.) We have come here to witness a clean straight fight and we heartily wish both men the best of good luck. Mahak makar a back.&#xA;&#xA;&#xA;(He shakes hands with Private Carr, Private Compton, Stephen, Bloom and Lynch. General applause. Edward the Seventh lifts the bucket graciously in acknowledgement.)&#xA;&#xA;&#xA;PRIVATE CARR (To Stephen.) Say it again.&#xA;&#xA;&#xA;STEPHEN (Nervous, friendly, pulls himself up.) I understand your point of view, though I have no king myself for the moment. This is the age of patent medicine. A discussion is difficult down here. But this is the point. You die for your country, suppose. (He places his arm on Private Carr's sleeve.) Not that I wish it for you. But I say: Let my country die for me. Up to the present it has done so. I don't want it to die. Damn death. Long live life!&#xA;&#xA;&#xA;EDWARD THE SEVENTH (Levitates over heaps of slain in the garb and with the halo of Joking Jesus, a white jujube in his phosphorescent face.)&#xA;&#xA;&#xA;My methods are new and are causing surprise.&#xA;To make the blind see I throw dust in their eyes.&#xA;&#xA;&#xA;STEPHEN Kings and unicorns! (He falls back a pace.) Come somewhere and we'll... What was that girl saying?...&#xA;&#xA;PRIVATE COMPTON Eh, Harry, give him a kick in the knackers. Stick one into Jerry.&#xA;&#xA;BLOOM (To the privates, softly.) He doesn't know what he's saying. Taking a little more than is good for him. Absinthe, the greeneyed monster. I know him. He's a gentleman, a poet. It's all right.&#xA;&#xA;STEPHEN (Nods, smiling and laughing.) Gentleman, patriot, scholar and judge of impostors.&#xA;&#xA;PRIVATE CARR I don't give a bugger who he is. PRIVATE COMPTON We don't give a bugger who he is.&#xA;&#xA;STEPHEN I seem to annoy them. Green rag to a bull.&#xA;&#xA;(Kevin Egan of Paris in black Spanish tasselled shirt and peep-o'-day boys hat signs to Stephen.)&#xA;&#xA;KEVIN EGAN H'lo. Bonjour! The vieille ogresse with the dents jaunes.&#xA;&#xA;(Patrice Egan peeps from behind, his rabbit face nibbling a quince leaf.)&#xA;&#xA;PATRICE Socialiste!&#xA;&#xA;DON EMILE PATRIZIO FRANZ RUPERT POPE HENNESSY (In medieval hauberk, two wild geese volant on his helm, with noble indignation points a mailed hand against the privates.) Were those eykes to footboden, big grand porcos of johnyellows todos covered of gravy!&#xA;&#xA;BLOOM (To Stephen.) Come home. You'll get into trouble.&#xA;&#xA;STEPHEN (Swaying.) I don't avoid it. He provokes my intelligence.&#xA;&#xA;BIDDY THE CLAP One immediately observes that he is of patrician lineage.&#xA;&#xA;THE VIRAGO Green above the red, says he. Wolfe Tone.&#xA;&#xA;THE BAWD The red's as good as the green, and better. Up the soldiers! Up King Edward!&#xA;&#xA;A ROUGH (Laughs.) Ay! Hands up to De Wet.&#xA;&#xA;THE CITIZEN (With a huge emerald muffler and shillelagh, calls.)&#xA;&#xA;May the God above&#xA;Send down a cove&#xA;With teeth as sharp as razors&#xA;To slit the throat&#xA;Of the English dogs&#xA;That hanged our Irish leaders.&#xA;&#xA;&#xA;THE CROPPY BOY (The rope noose round his neck, gripes in his issuing bowels with both hands.)&#xA;&#xA;I bear no hate to a living thing,&#xA;But love my country beyond the king.&#xA;&#xA;&#xA;RUMBOLD, DEMON BARBER (Accompanied by two blackmasked assistants, advances with a gladstone bag which he opens.) Ladies and gents, cleaver purchased by Mrs Pearcy to slay Mogg. Knife with which Voisin dismembered the wife of a compatriot and hid remains in a sheet in the cellar, the unfortunate female's throat being cut from ear to ear. Phial containing arsenic retrieved from the body of Miss Barrow which sent Seddon to the gallows.&#xA;&#xA;(He jerks the rope, the assistants leap at the victims legs and drag him downward, grunting: the croppy boys tongue protrudes violently.)&#xA;&#xA;THE CROPPY BOY Horhot ho hray ho rhother's hest.&#xA;&#xA;(He gives up the ghost. A violent erection of the hanged sends gouts of sperm spouting through his death clothes on to the cobblestones. Mrs Bellingham, Mrs Yelverton Barry and the Honourable Mrs Mervyn Talboys rush forward with their handkerchiefs to sop it up.)&#xA;&#xA;RUMBOLD I'm near it myself. (He undoes the noose.) Rope which hanged the awful rebel. Ten shillings a time as applied to His Royal Highness. (He plunges his head into the gaping belly of the hanged and draws out his head again clotted with coiled and smoking entrails.) My painful duty has now been done. God save the king!&#xA;&#xA;EDWARD THE SEVENTH (Dances slowly, solemnly, rattling his bucket and sings with soft contentment.)&#xA;&#xA;On coronation day, on coronation day,&#xA;O, Won't We have a merry time,&#xA;Drinking whisky, beer and wine!&#xA;&#xA;&#xA;PRIVATE CARR Here. What are you saying about my king?&#xA;&#xA;STEPHEN (Throws up his hands.) O, this is too monotonous! Nothing. He wants my money and my life, though want must be his master, for some brutish empire of his. Money I haven't. (He searches his pockets vaguely.) Gave it to someone.&#xA;&#xA;PRIVATE CARR Who wants your bleeding money?&#xA;&#xA;STEPHEN (Tries to move off.) Will some one tell me where I am least likely to meet these necessary evils? ça se voit aussi à Paris. Not that I... But by Saint Patrick!...&#xA;&#xA;(The women's heads coalesce. Old Gummy Granny in sugarloaf hat appears seated on a toadstool, the deathflower of the potato blight on her breast.)&#xA;&#xA;STEPHEN Aha! I know you, grammer! Hamlet, revenge! The old sow that eats her farrow!&#xA;&#xA;OLD GUMMY GRANNY (Rocking to and fro.) Ireland's sweetheart, the king of Spain's daughter, alanna. Strangers in my house, bad manners to them! (She keens with banshee woe.) Ochone! Ochone! Silk of the kine! (She wails.) You met with poor old Ireland and how does she stand?&#xA;&#xA;STEPHEN How do I stand you? The hat trick! Where's the third person of the Blessed Trinity? Soggarth Aroon? The reverend Carrion Crow.&#xA;&#xA;CISSY CAFFREY (Shrill.) Stop them from fighting!&#xA;&#xA;A ROUGH Our men retreated.&#xA;&#xA;PRIVATE CARR (Tugging at his belt.) I'll wring the neck of any bugger says a word against my fucking king.&#xA;&#xA;BLOOM (Terrified.) He said nothing. Not a word. A pure misunderstanding.&#xA;&#xA;THE CITIZEN Erin go bragh!&#xA;&#xA;(Major Tweedy and the Citizen exhibit to each other medals, decorations, trophies of war wounds. Both salute with fierce hostility.)&#xA;&#xA;PRIVATE COMPTON Go it, Harry. Do him one in the eye. He's a proboer.&#xA;&#xA;STEPHEN Did I? When?&#xA;&#xA;BLOOM (To the redcoats.) We fought for you in South Africa, Irish missile troops. Isn't that history? Royal Dublin Fusiliers. Honoured by our monarch.&#xA;&#xA;THE NAVVY (Staggering past.) O, yes. O, God, yes! O, make the kwawr a krowawr! O! Bo!&#xA;&#xA;(Casqued halberdiers in armour thrust forward a pentice of gutted spear points. Major Tweedy, moustached like Turko the terrible, in bearskin cap with hackle plume and accoutrements, with epaulette, gilt chevrons and sabretache, his breast bright with medals, toes the line. He gives the pilgrim warrior's sign of the knights templars.)&#xA;&#xA;MAJOR TWEEDY (Growls gruffly.) Rorke's Drift! Up, guards, and at them! Mahal shalal hashbaz.&#xA;&#xA;PRIVATE CARR I'll do him in.&#xA;&#xA;PRIVATE COMPTON (Waves the crowd back.) Fair play, here. Make a bleeding butcher's shop of the bugger.&#xA;&#xA;(Massed bands blare Garryowen and God save the king.)&#xA;&#xA;CISSY CAFFREY They're going to fight. For me!&#xA;&#xA;CUNTY KATE The brave and the fair.&#xA;&#xA;BIDDY THE CLAP Methinks yon sable knight will joust it with the best.&#xA;&#xA;CUNTY KATE (Blushing deeply.) Nay, Madam. The gules doublet and merry Saint George for me!&#xA;&#xA;STEPHEN The harlot's cry from street to street Shall weave old Ireland's windingsheet.&#xA;&#xA;PRIVATE CARR (Loosening his belt, shouts.) I'll wring the neck of any fucking bastard says a word against my bleeding fucking king.&#xA;&#xA;BLOOM (Shakes Cissy Caffrey's shoulders.) Speak, you! Are you struck dumb? You are the link between nations and generations. Speak, woman, sacred lifegiver.&#xA;&#xA;CISSY CAFFREY (Alarmed seizes Private Carr's sleeve.) Amn't I with you? Amn't I your girl? Cissy's your girl. (She cries.) Police!&#xA;&#xA;STEPHEN (Ecstatically, to Cissy Caffrey.)&#xA;&#xA;White thy fambles, red thy gan&#xA;And thy quarrons dainty is.&#xA;&#xA;&#xA;VOICES Police!&#xA;&#xA;DISTANT VOICES Dublin's burning! Dublin's burning! On fire, on fire!&#xA;&#xA;(Brimstone fires spring up. Dense clouds roll past. Heavy Gatling guns boom. Pandemonium. Troops deploy. Gallop of hoofs. Artillery. Hoarse commands. Bells clang. Backers shout. Drunkards bawl. Whores screech. Foghorns hoot. Cries of valour. Shrieks of dying. Pikes clash on cuirasses. Thieves rob the slain. Birds of prey, winging from the sea, rising from marsh lands, swooping from eyries, hover screaming, gannets, connorants, vultures, goshawks, climbing woodcocks, peregrines, merlin, blackgrouse, sea eagles, gulls, albatrosses, barnacle geese. The midnight sun is darkened. The earth trembles. The dead of Dublin from Prospect and Mount Jerome in white sheepskin overcoats and black goat-fell cloaks arise and appear to many. A chasm opens with a noiseless yawn. Tom Rochford, winner in athletes singlet and breeches, arrives at the head of the national hurdle handicap and leaps into the void. He is followed by a race of runners and leapers. In wild attitudes they spring from the brink. Their bodies plunge. Factory lasses with fancy clothes toss redhot Yorkshire baraabombs. Society ladies lift their skirts above their heads to protect themselves. laughing witches in red cutty sarks ride through the air on broomsticks. Quakerlyster plasters blisters. It rains dragon's teeth. Armed heroes spring up from furrows. They exchange in amity the pass of knights of the red cross and fight duels with cavalry sabres: Wolfe Tone against Henry Grattan, Smith O'Brien against Daniel O'Connell, Michael Davitt against Isaac Butt, Justin M'Carthy against Parnell, Arthur Griffith against John Redmond John O'Leary against liar O'Johnny, lord Edward Fitzgerald against lord Gerald Fitzedward, The O'Donoghue of the Glens against The Glens of The Donoghue. On an eminence, the centre of the earth, rises the field altar of Saint Barbara. Black candles rise from its gospel and epistle horns. From the high barbicans of the tower two shafts of light fall on the smokepalled altarstone. On the altarstone Mrs Mina Purefoy, goddess of unreason, lies naked, fettered, a chalice resting on her swollen belly. Father Malachi O'Flynn, in a long petticoat and reversed chasuble, his two left feet back to the front, celebrates camp mash. The Reverend Mr Hugh C. Haines love MA. in a plain cassock and mortar board, his head and collar back to the front, holds over the celebrants head an open umbrella.)&#xA;&#xA;FATHER MALACHI O'FLYNN Introibo ad altare diaboli.&#xA;&#xA;THE REVEREND MR HAINES LOVE To the devil which hath made glad my young days.&#xA;&#xA;FATHER MALACHI O'FLYNN (Takes from the chalice and elevates a blooddripping host.) Corpus Meum.&#xA;&#xA;THE REVEREND MR HAINES LOVE (Raises high behind the celebrant's petticoats, revealing his grey bare hairy buttocks between which a carrot is stuck.) My body.&#xA;&#xA;THE VOICE OF ALL THE DAMNED Htengier Tnetopinmo Dog Drol eht rot, Aiulella!&#xA;&#xA;(From on high the voice of Adonai calls.)&#xA;&#xA;ADONAI Dooooooooooog!&#xA;&#xA;THE VOICE OF ALL THE BLESSED Alleluia, for the Lord God Omnipotent reigneth!&#xA;&#xA;(From on high the voice of Adonai calls.)&#xA;&#xA;ADONAI Goooooooooood!&#xA;&#xA;(In strident discord peasants and townsmen of mange and Green factions sing Kick the Pope and Daily, daily sing to Mary.)&#xA;&#xA;PRIVATE CARR (With ferocious articulation.) I'll do him in, so help me fucking Christ! I'll wring the bastard fucker's bleeding blasted fucking windpipe!&#xA;&#xA;OLD GUMMY GRANNY (Thrusts a dagger towards Stephen's hand.) Remove him, acushla. At 8.35 a.m. you will be in heaven and Ireland will be free. (She prays.) O good God, take him!&#xA;&#xA;BLOOM (Runs to Lynch.) Can't you get him away?&#xA;&#xA;LYNCH He likes dialectic, the universal language. Kitty! (To Bloom.) Get him away, you. He won't listen to me. (He drags Kitty away.)&#xA;&#xA;STEPHEN (Points.) Exit Judas. Et laqueo se suspendit.&#xA;&#xA;BLOOM (Runs to Stephen.) Come along with me now before worse happens. Here's your stick.&#xA;&#xA;STEPHEN Stick, no. Reason. This feast of pure reason.&#xA;&#xA;CISSY CAFFREY (Pulling Private Carr.) Come on, you're boosed. He insulted me but I forgive him. (Shouting in his ear.) I forgive him for insulting me.&#xA;&#xA;BLOOM (Over Stephen's shoulder.) Yes, go. You see he's incapable.&#xA;&#xA;PRIVATE CARR (Breaks loose.) I'll insult him.&#xA;&#xA;(He rushes towards Stephen, fists outstretched, and strikes him in the face. Stephen totters, collapses, falls stunned. He lies prone, his face to the sky, his hat rolling to the wall. Bloom follows and picks it up.)&#xA;&#xA;MAJOR TWEEDY (Loudly.) Carbine in bucket! cease fire! Salute!&#xA;&#xA;THE RETRIEVER (Barking furiously.) Ute ute ute ute ute ute uteute.&#xA;&#xA;THE CROWD Let him up! Don't strike him when he's down! Air! Who? The soldier hit him. He's a professor. Is he hurted? Don't manhandle him! He's fainted!&#xA;&#xA;(The retriever, nosing on the fringe of the crowd, barks noisily.)&#xA;&#xA;What call had the redcoat to strike the gentleman and he under the influence? Let them go and fight the Boers!&#xA;&#xA;THE BAWD Listen to who's talking! Hasn't the soldier a right to go with his girl? He gave him the coward's blow.&#xA;&#xA;(They grab at each other's hair, claw at each other and spit.)&#xA;&#xA;THE RETRIEVER (Barking.) Wow wow wow.&#xA;&#xA;BLOOM (Shoves them back, loudly.) Get back, stand back!&#xA;&#xA;PRIVATE COMPTON (Tugging his comrade.) Here bugger off, Harry. There's the cops!&#xA;&#xA;(Two raincaped watch, tall, stand in the group)&#xA;&#xA;FIRST WATCH What's wrong here?&#xA;&#xA;PRIVATE COMPTON We were with this lady and he insulted us and assaulted my chum. (The retriever barks.) Who owns the bleeding tyke?&#xA;&#xA;CISSY CAFFREY (With expectation.) Is he bleeding?&#xA;&#xA;A MAN (Rising from his knees.) No. Gone off. He'll come to all right.&#xA;&#xA;BLOOM (Glances sharply at the man.) Leave him to me. I can easily...&#xA;&#xA;SECOND WATCH Who are you? Do you know him?&#xA;&#xA;PRIVATE CARR (Lurches towards the watch.) He insulted my lady friend.&#xA;&#xA;BLOOM (Angrily.) You hit him without provocation. I'm a witness. Constable, take his regimental number.&#xA;&#xA;SECOND WATCH I don't want your instructions in the discharge of my duty. PRIVATE COMPTON (Pulling his comrade.) Here, bugger off, Harry. Or Bennett'll have you in the lockup.&#xA;&#xA;PRIVATE CARR (Staggering as he is pulled away.) God fuck old Bennett! He's a whitearsed bugger. I don't give a shit for him.&#xA;&#xA;FIRST WATCH (Taking out his notebook.) What's his name?&#xA;&#xA;BLOOM (Peering over the crowd.) I just see a car there. If you give me a hand a second, sergeant.&#xA;&#xA;FIRST WATCH Name and address.&#xA;&#xA;(Corny Kelleher weepers round his hat, a death wreath in his hand, appears among the bystanders.)&#xA;&#xA;BLOOM (Quickly.) O, the very man! (He whispers.) Simon Dedalus' son. A bit sprung. Get those policemen to move those loafers back.&#xA;&#xA;SECOND WATCH Night, Mr Kelleher.&#xA;&#xA;CORNY KELLEHER (To the watch, with drawling eye.) That's all right. I know him. Won a bit on the races. Gold cup. Throwaway. (He laughs.) Twenty to one. Do you follow me?&#xA;&#xA;FIRST WATCH (Turns to the crowd.) Here, what are you all gaping at? Move on out of that.&#xA;&#xA;(The crowd disperses slowly, muttering, down the lane.)&#xA;&#xA;CORNY KELLEHER Leave it to me, sergeant. That'll be all right. (He laughs, shaking his head.) We were often as bad ourselves, ay or worse. What? Eh, what?&#xA;&#xA;FIRST WATCH (Laughs.) I suppose so.&#xA;&#xA;CORNY KELLEHER (Nudges the second watch.) Come and wipe your name off the slate. (He lilts, wagging his head.) With my tooraloom tooraloom tooraloom tooraloom. What, eh, do you follow me?&#xA;&#xA;SECOND WATCH (Genially.) Ah, sure we were too.&#xA;&#xA;CORNY KELLEHER (Winking.) Boys will be boys. I've a car round there.&#xA;&#xA;SECOND WATCH All right, Mr Kelleher. Good night.&#xA;&#xA;CORNY KELLEHER I'll see to that.&#xA;&#xA;BLOOM (Shakes hands with both of the watch in turn.) Thank you very much gentlemen, thank you. (He mumbles confidentially.) We don't want any scandal, you understand. Father is a well known, highly respected citizen. Just a little wild oats, you understand.&#xA;&#xA;FIRST WATCH O, I understand, sir.&#xA;&#xA;SECOND WATCH That's all right, Sir.&#xA;&#xA;FIRST WATCH It was only in case of corporal injuries I'd have had to report it at the station.&#xA;&#xA;BLOOM (Nods rapidly.) Naturally. Quite right. Only your bounden duty.&#xA;&#xA;SECOND WATCH It's our duty.&#xA;&#xA;CORNY KELLEHER Good night, men.&#xA;&#xA;THE WATCH (Saluting together.) Night, gentlemen. (They move off with slow heavy tread.)&#xA;&#xA;BLOOM (Blows.) Providential you came on the scene. You have a car?.&#xA;&#xA;CORNY KELLEHER (Laughs, pointing his thumb over his right shoulder to the car brought up against the scaffolding.) Two commercials that were standing fizz in Jammet's. Like princes, faith. One of them lost two quid on the race. Drowning his grief and were on for a go with the jolly girls. So I landed them up on Behan's car and down to nighttown.&#xA;&#xA;BLOOM I was just going home by Gardiner street when I happened to...&#xA;&#xA;CORNY KELLEHER (Laughs.) Sure they wanted me to join in with the mots. No, by God, says I. Not for old stagers like myself and yourself. (He laughs again and leers with lacklustre eye.) Thanks be to God we have it in the house what, eh, do you follow me? Hah! hah! hah!&#xA;&#xA;BLOOM (Tries to laugh.) He, he, he! Yes. Matter of fact I was just visiting an old friend of mine there, Virag, you don't know him (poor fellow he's laid up for the past week) and we had a liquor together and I was just making my way home...&#xA;&#xA;(The horse neighs.)&#xA;&#xA;THE HORSE Hohohohohohoh! Hohohohome!&#xA;&#xA;CORNY KELLEHER Sure it was Behan, our jarvey there, that told me after we left the two commercials in Mrs Cohen's and I told him to pull up and got off to see. (He laughs.) Sober hearsedrivers a specialty. Will I give him a lift home? Where does he hang out? Somewhere in Cabra, what?&#xA;&#xA;BLOOM No, in Sandycove, I believe, from what he let drop.&#xA;&#xA;(Stephen, prone, breathes to the stars. Corny Kelleher asquint, drawls at the horse. Bloom in gloom, looms down.)&#xA;&#xA;CORNY KELLEHER (Scratches his nape.) Sandycove! (He bends down and calls to Stephen.) Eh! (He calls again.) Eh! He's covered with shavings anyhow. Take care they didn't lift anything off him.&#xA;&#xA;BLOOM No, no, no. I have his money and his hat here and stick.&#xA;&#xA;CORNY KELLEHER Ah well, he'll get over it. No bones broken. Well, I'll shove along. (He laughs.) I've a rendezvous in the morning. Burying the dead. Safe home!&#xA;&#xA;THE HORSE (Neighs.) Hohohohohome.&#xA;&#xA;BLOOM Good night. I'll just wait and take him along in a few...&#xA;&#xA;(Corny Kelleher returns to the outside car and mounts it. The horse harness jingles.)&#xA;&#xA;CORNY KELLEHER (From the car, standing.) Night.&#xA;&#xA;BLOOM Night.&#xA;&#xA;(The jarvey chucks the reins and raises his whip encouragingly. The car and horse back slowly, awkwardly and turn. Corny Kelleher on the sideseat sways his head to and fro in sign of mirth at Blooms plight. The jarvey joins in the mute pantomimic merriment nodding from the farther seat. Bloom shakes his head in mute mirthful reply. With thumb and palm Corny Kelleher reassures that the two bobbies will allow the sleep to continue for what else is to be done. With a slow nod Bloom conveys his gratitude as that is exactly what Stephen needs. The car jingles tooraloom round the corner of the tooraloom lane. Corny Kelleher again reassuralooms with his hand. Bloom with his hand assuralooms Corny Kelleher that he is reassuraloomtay. The tinkling hoofs and jingling harness grow fainter with their tooralooloolooloo lay. Bloom, holding in his hand Stephens hat festooned with shavings and ashplant, stands irresolute. Then he bends to him and shakes him by the shoulder.)&#xA;&#xA;BLOOM Eh! Ho! (There is no answer he bends again.) Mr Dedalus! (There is no answer.) The name if you call. Somnambulist. (He bends again and, hesitating, brings his mouth near the face of the prostrate form.) Stephen! (There is no answer. He calls again.) Stephen!&#xA;&#xA;STEPHEN (Groans.) Who? Black panther vampire. (He sighs and stretches himself then murmurs thickly with prolonged vowels.) Who... drive... Fergus now. And pierce... wood's woven shade?...&#xA;&#xA;(He turns on his left side, sighing, doubling himself together.)&#xA;&#xA;BLOOM Poetry. Well educated. Pity. (He bends again and undoes the buttons of Stephen's waistcoat.) To breathe. (He brushes the wood shavings from Stephen's clothes with light hands and fingers.) One pound seven. Not hurt anyhow. (He listens.) What!&#xA;&#xA;(Murmurs.)&#xA;&#xA;... shadows... the woods&#xA;... white breast... dim...&#xA;&#xA;&#xA;(He stretches out his arms, sighs again and curls his body. Bloom holding his hat and ashplant stands erect. A dog barks in the distance. Bloom tightens and loosens his grip on the ashplant. He looks down on Stephen's face and form.)&#xA;&#xA;BLOOM (Communes with the night.) Face reminds me of his poor mother. In the shady wood. The deep white breast. Ferguson, I think I caught. A girl. Some girl. Best thing could happen him... (He murmurs.)... swear that I will always hail, ever conceal, never reveal, any part or parts, art or arts... (He murmurs.) in the rough sands of the sea. a cabletow's length from the shore... where the tide ebbs ... and flows...&#xA;&#xA;(Silent, thoughtful, alert, he stands on guard, his fingers at his lips in the attitude of secret master. Against the dark wall a figure appears slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an Eton suit with glass shoes and a little bronze helmet, holding a book in his hand. He reads from right to left inaudibly, smiling, kissing the page.)&#xA;&#xA;BLOOM (Wonderstruck, calls inaudibly.) Rudy!&#xA;&#xA;RUDY (Gazes unseeing into Bloom's eyes and goes on reading, kissing, smiling. He has a delicate mauveface. On his suit he has diamond and ruby buttons. In his free left hand he holds a slim ivory cane with a violet howknot. A white lambkin peeps out of his waistcoat pocket.)" 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<INFO BITRATE="1002118" KEY_LYRICS="15 ContributorsJanuary 2022 Singles Release Calendar Lyrics1/1&#xA;Bandmanrill - &amp;quot;Close Friends&amp;quot;&#xA;DC the Don - &amp;quot;Legend of Zelda!&amp;quot;&#xA;Erica Banks - &amp;quot;Who Want a Problem (Freestyle)&amp;quot;&#xA;Gabbie Hanna - &amp;quot;Rewired&amp;quot;&#xA;John Pollõn &amp;amp; El Virtual - &amp;quot;Llena Luna&amp;quot;&#xA;Ronny D - &amp;quot;Me Envolví&amp;quot;&#xA;Soleá Morente &amp;amp; La Casa Azul - &amp;quot;No Pensar en Ti&amp;quot;&#xA;Swedish House Mafia &amp;amp; Jacob Mühlrad - &amp;quot;One Symphony&amp;quot;&#xA;Uncle Murda - &amp;quot;Rap Up 2021&amp;quot;&#xA;&#xA;1/2&#xA;Alison Wonderland - &amp;quot;Fear of Dying&amp;quot;&#xA;Doe Boy &amp;amp; Babyface Ray - &amp;quot;Onna Hood&amp;quot;&#xA;JELEEL! - &amp;quot;July!&amp;quot;&#xA;Shenseea - &amp;quot;Dolly&amp;quot;&#xA;Underaiki - &amp;quot;talk&amp;quot;&#xA;&#xA;1/3&#xA;Bonobo - &amp;quot;From You&amp;quot; ft. Joji&#xA;Cootie - &amp;quot;Trap Out Da Spot&amp;quot; ft. Big Scarr&#xA;Feby - &amp;quot;Super Gremlin Freestyle&amp;quot;&#xA;Gucci Mane - &amp;quot;Fake Friends&amp;quot;&#xA;Let's Eat Grandma - &amp;quot;Happy New Year&amp;quot;&#xA;&#xA;1/4&#xA;Beret - &amp;quot;El día menos pеnsado&amp;quot;&#xA;Eliel MX - &amp;quot;Agua&amp;quot;&#xA;Leikeli47 - &amp;quot;Chitty Bang&amp;quot;&#xA;1/5&#xA;alt-J - &amp;quot;Hard Drivе Gold&amp;quot;&#xA;Citizen Soldier - &amp;quot;Unsaid&amp;quot;&#xA;Derivakat - &amp;quot;New Year's Eve&amp;quot;&#xA;Falling in Reverse - &amp;quot;Zombified&amp;quot;&#xA;Father John Misty - &amp;quot;Funny Girl&amp;quot;&#xA;Fredo Bang - &amp;quot;Throw It Back&amp;quot;&#xA;Hook - &amp;quot;Gameboy&amp;quot;&#xA;Jahmiel - &amp;quot;Too Far, So Close&amp;quot;&#xA;Lauren Spencer-Smith - &amp;quot;Fingers Crossed&amp;quot;&#xA;MICHELLE - &amp;quot;EXPIRATION DATE&amp;quot;&#xA;Morgan Wade - &amp;quot;Run&amp;quot;&#xA;The Smile - &amp;quot;You Will Never Work in Television Again&amp;quot;&#xA;Tiago PZK, LIT killah, María Becerra &amp;amp; Nicki Nicole - &amp;quot;Entre Nosotros (Remix)&amp;quot;&#xA;Ylona Garcia - &amp;quot;Entertain Me&amp;quot;&#xA;YoungBoy Never Broke Again - &amp;quot;Fish Scale&amp;quot;&#xA;&#xA;1/6&#xA;Central Cee - &amp;quot;Retail Therapy&amp;quot;&#xA;Cordae - &amp;quot;FABEV Freestyle&amp;quot;&#xA;Lexi Jayde - &amp;quot;drunk text me&amp;quot;&#xA;Pinegrove - &amp;quot;Respirate&amp;quot;&#xA;Sebastián Yatra - &amp;quot;Amor Pasajero&amp;quot;&#xA;Teddy - &amp;quot;Girls Rule The World&amp;quot; ft. Lil Tracy&#xA;&#xA;1/7&#xA;2 Chainz - &amp;quot;Million Dollars Worth of Game&amp;quot; ft. 42 Dugg&#xA;Amanda Jordan - &amp;quot;I Choose You&amp;quot;&#xA;Arlene MC - &amp;quot;DEMANTELE&amp;quot; ft. Kaly Ocho&#xA;AURORA - &amp;quot;A Dangerous Thing&amp;quot;&#xA;AURORA - &amp;quot;Everything Matters&amp;quot; ft. Pomme&#xA;Azizi Gibson - &amp;quot;Hate To Say It&amp;quot; ft. Freddie Gibbs&#xA;BabySantana - &amp;quot;off the leash!&amp;quot; ft. yvngxchris &amp;amp; Luisss&#xA;Battle Beast - &amp;quot;Where Angels Fear to Fly&amp;quot;&#xA;Billy Talent - &amp;quot;Judged&amp;quot;&#xA;Cannons - &amp;quot;Purple Sun&amp;quot;&#xA;Crazy Cousinz - &amp;quot;No Apologies&amp;quot; ft. Mila Falls&#xA;David Guetta &amp;amp; MORTEN - &amp;quot;Permanence&amp;quot;&#xA;Earl Sweatshirt - &amp;quot;Titanic&amp;quot;&#xA;Ella Henderson - &amp;quot;Brave&amp;quot;&#xA;薛凱琪 (Fiona Sit) - &amp;quot;月台上碰面 (Moon Over The Platform)&amp;quot;&#xA;Foxes - &amp;quot;Absolute&amp;quot;&#xA;Gang of Youths - &amp;quot;in the wake of your leave&amp;quot;&#xA;HRVY - &amp;quot;Golden Hour&amp;quot;&#xA;Jaguar Jonze - &amp;quot;CUT&amp;quot;&#xA;James Morrison - &amp;quot;Don't Mess with Love&amp;quot;&#xA;JNYBeatz - &amp;quot;靈魂出竅練習曲 (Etude Of An Out Of Body Experience)&amp;quot; ft. 林家謙 (Terence Lam)&#xA;Jonas Blue &amp;amp; Why Don't We - &amp;quot;Don't Wake Me Up&amp;quot;&#xA;Kid Ink - &amp;quot;Fenty Secrets&amp;quot;&#xA;Kill the Noise, Tasha Baxter, Bro Safari &amp;amp; Macky - &amp;quot;As Above, So Below&amp;quot;&#xA;Kota the Friend - &amp;quot;Dear Fear&amp;quot;&#xA;Lil PJ - &amp;quot;Buzz&amp;quot;&#xA;Maddie &amp;amp; Tae - &amp;quot;Strangers&amp;quot;&#xA;MAJ - &amp;quot;Bank Teller&amp;quot;&#xA;Maren Morris - &amp;quot;Circles Around This Town&amp;quot;&#xA;Matilda - &amp;quot;Finally Alone&amp;quot;&#xA;Michael Schulte - &amp;quot;Remember Me&amp;quot;&#xA;Montell Fish - &amp;quot;and i'd go a thousand miles&amp;quot;&#xA;Omar Rudberg - &amp;quot;Mi Casa Su Casa&amp;quot;&#xA;Palace - &amp;quot;Shame on You&amp;quot;&#xA;RAT BOY - &amp;quot;Ram Raid&amp;quot;&#xA;Rezz - &amp;quot;Menace&amp;quot;&#xA;Royal &amp;amp; the Serpent - &amp;quot;PHUCKBOI REJECTS&amp;quot;&#xA;ROZES - &amp;quot;Best They Ever Had&amp;quot;&#xA;Ryland James - &amp;quot;I Give Everything&amp;quot;&#xA;Sebastian Zalo - &amp;quot;Hull i mine Levis&amp;quot;&#xA;Since99 - &amp;quot;20 oz waygu&amp;quot;&#xA;Steve Aoki &amp;amp; DJ Diesel - &amp;quot;Welcome to the Playhouse&amp;quot;&#xA;Teddy Swims - &amp;quot;911&amp;quot;&#xA;TOKYO'S REVENGE - &amp;quot;IN THE MIDDLE&amp;quot;&#xA;ToNick - &amp;quot;再見止痛藥 (Fairwell Painkillers)&amp;quot;&#xA;TRXD - &amp;quot;Signal&amp;quot; ft. Fredrik Domaas&#xA;Walker Hayes - &amp;quot;Drinkin' Songs&amp;quot;&#xA;Wendigo - &amp;quot;Overflow&amp;quot; ft. Kinneret&#xA;YoungBoy Never Broke Again - &amp;quot;Emo Love&amp;quot;&#xA;Yubeili, Snow Tha Product &amp;amp; Eix - &amp;quot;Aquí Seguimos&amp;quot;&#xA;Zak Abel - &amp;quot;Good Times&amp;quot;&#xA;1/8&#xA;Soulja Boy - &amp;quot;They Call Me Draco Baby&amp;quot;&#xA;Trippie Redd - &amp;quot;Uh Uh (Hit Em With The)&amp;quot;&#xA;&#xA;1/9&#xA;Stromae - &amp;quot;L'enfer&amp;quot;&#xA;YoungBoy Never Broke Again - &amp;quot;Foolish Figure&amp;quot;&#xA;&#xA;1/10&#xA;6膠 (Plastic Family 6) - &amp;quot;膠on!&amp;quot;&#xA;Against the Current - &amp;quot;Wildfire&amp;quot;&#xA;Audri Nix - &amp;quot;Miami Beach&amp;quot;&#xA;Cochise - &amp;quot;BREAKFAST&amp;quot;&#xA;張蔓姿 (Gigi Cheung) - &amp;quot;一樣 (The Same)&amp;quot;&#xA;Kae Tempest - &amp;quot;More Pressure&amp;quot; ft. Kevin Abstract&#xA;Röyksopp - &amp;quot;(Nothing But) Ashes...&amp;quot;&#xA;The Hertz - &amp;quot;Now Here, Man!&amp;quot;&#xA;&#xA;1/11&#xA;Bad Suns - &amp;quot;Life Was Easier When I Only Cared About Me&amp;quot;&#xA;Booka600 - &amp;quot;Deep&amp;quot;&#xA;Calboy - &amp;quot;LLC Freestyle&amp;quot;&#xA;Cat Le Bon - &amp;quot;Remembering Me&amp;quot;&#xA;Ed Schrader's Music Beat - &amp;quot;Berliner&amp;quot;&#xA;Ed Schrader's Music Beat - &amp;quot;This Thirst&amp;quot;&#xA;周國賢 (Endy Chow) - &amp;quot;身後身 (The Body Behind)&amp;quot;&#xA;Fontaines D.C. - &amp;quot;Jackie Down the Line&amp;quot;&#xA;Joey Purp, KAMI &amp;amp; VIC MENSA - &amp;quot;Unified&amp;quot;&#xA;Keyshita - &amp;quot;No Tienes Break&amp;quot;&#xA;Placebo - &amp;quot;Try Better Next Time&amp;quot;&#xA;1/12&#xA;50 Cent - &amp;quot;Power Powder Respect&amp;quot; ft. 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Yesan 雪山 &amp;amp; Percii&#xA;Mariah Angeliq - &amp;quot;La Tóxica&amp;quot;&#xA;Mau y Ricky &amp;amp; Eladio Carrión - &amp;quot;No Puede Ser&amp;quot;&#xA;Mili - &amp;quot;Bento Box Bivouac&amp;quot;&#xA;Mili - &amp;quot;Dandelion Girls, Dandelion Boys&amp;quot;&#xA;minor. - &amp;quot;92&amp;quot;&#xA;Muse - &amp;quot;Won't Stand Down&amp;quot;&#xA;Röyksopp - &amp;quot;The Ladder&amp;quot;&#xA;Sebastián Yatra, L-Gante &amp;amp; Justin Quiles - &amp;quot;Regresé&amp;quot;&#xA;Soulja Boy - &amp;quot;Chain Gang&amp;quot;&#xA;Spice - &amp;quot;Different Category&amp;quot;&#xA;Tai Verdes - &amp;quot;LAst dAy oN EaRTh&amp;quot;&#xA;Tears for Fears - &amp;quot;Break the Man&amp;quot;&#xA;White Lies - &amp;quot;Am I Really Going to Die&amp;quot;&#xA;yeule - &amp;quot;Too Dead Inside&amp;quot;&#xA;&#xA;1/14&#xA;193 - &amp;quot;再次puppy love&amp;quot;&#xA;Alok, Luis Fonsi &amp;amp; Lunay - &amp;quot;Un Ratito&amp;quot; ft. Lenny Tavárez, Juliette&#xA;Aluna, Diplo &amp;amp; Durante - &amp;quot;Forget About Me&amp;quot;&#xA;Alvaro Soler &amp;amp; David Bisbal - &amp;quot;A Contracorriente&amp;quot;&#xA;Aly &amp;amp; AJ - &amp;quot;Dead on the Beach&amp;quot;&#xA;Arctic Lake - &amp;quot;Breathe&amp;quot;&#xA;AViVA - &amp;quot;THE SAINT AND THE SINNER&amp;quot;&#xA;Avril Lavigne - &amp;quot;Love It When You Hate Me&amp;quot; ft. blackbear&#xA;AZ &amp;amp; 2 Chainz - &amp;quot;Motorola Era&amp;quot;&#xA;Babyface Ray, Landstrip Chip &amp;amp; Pusha T - &amp;quot;Dancing With The Devil&amp;quot;&#xA;Bastille - &amp;quot;Shut Off the Lights&amp;quot;&#xA;BigKayBeezy &amp;amp; Big Yavo- &amp;quot;Area 51 (Remix)&amp;quot;&#xA;Billen Ted - &amp;quot;24/7&amp;quot; ft. JC Stewart&#xA;Bob Moses - &amp;quot;Love Brand New&amp;quot;&#xA;BROODS - &amp;quot;Like a Woman&amp;quot;&#xA;Call Me Loop - &amp;quot;Year of the Ex&amp;quot;&#xA;Carlie Hanson - &amp;quot;Fuck Your Labels&amp;quot;&#xA;Chi Ching Ching - &amp;quot;Look Out&amp;quot;&#xA;Chris Brown - &amp;quot;Iffy&amp;quot;&#xA;CXRPSE - &amp;quot;FUCK IT.&amp;quot;&#xA;Danielle Bradbery - &amp;quot;Break My Heart Again&amp;quot;&#xA;Dolly Parton - &amp;quot;Big Dreams and Faded Jeans&amp;quot;&#xA;Donna Missal - &amp;quot;insecure&amp;quot;&#xA;DontSleep &amp;amp; Since99 - &amp;quot;Knot On Me&amp;quot;&#xA;EARTHGANG - &amp;quot;All Eyes on Me&amp;quot;&#xA;Eix &amp;amp; Ir Sais - &amp;quot;Toco, Toco&amp;quot;&#xA;Erica Banks - &amp;quot;The Best&amp;quot;&#xA;Farina - &amp;quot;Adicta al Perreo&amp;quot;&#xA;Fatboy - &amp;quot;Dear Mama&amp;quot;&#xA;Gjon's Tears - &amp;quot;Silhouette&amp;quot;&#xA;Greta Isaac - &amp;quot;NUH UH&amp;quot;&#xA;Highasakite - &amp;quot;Mother&amp;quot;&#xA;Hudson Taylor - &amp;quot;Won't Be Too Long&amp;quot;&#xA;Isak Danielson - &amp;quot;Good Things Come To Those Who Wait&amp;quot;&#xA;iZaak &amp;amp; Jerry Di - &amp;quot;TRANQUI&amp;quot;&#xA;Jack White - &amp;quot;Love Is Selfish&amp;quot;&#xA;Jahmiel - &amp;quot;Third Eye&amp;quot;&#xA;Jason Aldean - &amp;quot;Trouble With A Heartbreak&amp;quot;&#xA;Jessica Taylor - &amp;quot;Fluent&amp;quot;&#xA;JID - &amp;quot;Surround Sound&amp;quot; ft. Baby Tate &amp;amp; 21 Savage&#xA;Joey Bada$$ - &amp;quot;THE REV3NGE&amp;quot;&#xA;John K - &amp;quot;A LOT&amp;quot;&#xA;John Newman - &amp;quot;Waiting for a Lifetime&amp;quot;&#xA;Josef Salvat - &amp;quot;Promiscuity&amp;quot;&#xA;Joywave - &amp;quot;Buy American&amp;quot;&#xA;JP Cooper - &amp;quot;Need You Tonight&amp;quot; ft. RAY BLK&#xA;Juice Armani - &amp;quot;Offended (Remix)&amp;quot; ft. A Boogie wit da Hoodie&#xA;Justin Jesso - &amp;quot;Clarity&amp;quot;&#xA;Kane Brown - &amp;quot;Whiskey Sour&amp;quot;&#xA;Kayzo &amp;amp; GHØSTKID - &amp;quot;The Sickness&amp;quot;&#xA;Kiiara - &amp;quot;Closer&amp;quot;&#xA;King Princess - &amp;quot;Little Bother&amp;quot; ft. Fousheé&#xA;lael - &amp;quot;you can't stay mad at me&amp;quot;&#xA;Leony - &amp;quot;Remedy&amp;quot;&#xA;Mannie Forbes &amp;amp; MAJ - &amp;quot;Fornever&amp;quot;&#xA;Martin Jensen, Cheat Codes &amp;amp; Theresa Rex - &amp;quot;Running&amp;quot;&#xA;Matteo Bocelli - &amp;quot;Close&amp;quot;&#xA;MOMOLAND &amp;amp; Natti Natasha - &amp;quot;Yummy Yummy Love&amp;quot;&#xA;Money Montage &amp;amp; OG Maco - &amp;quot;No Love Here&amp;quot; ft. 03 Greedo&#xA;Murda Beatz - &amp;quot;One Shot&amp;quot; ft. Blxst &amp;amp; Wale&#xA;Myra &amp;amp; Hver gang vi møtes - &amp;quot;Hold meg&amp;quot;&#xA;NERVO &amp;amp; Midnight City - &amp;quot;Flames&amp;quot;&#xA;NLE Choppa - &amp;quot;Too Hot&amp;quot; ft. Moneybagg Yo&#xA;Ovi - &amp;quot;No Creyeron&amp;quot;&#xA;Pablo Alborán - &amp;quot;Castillos de arena&amp;quot;&#xA;Peewee Longway - &amp;quot;Shit On Me&amp;quot;&#xA;Popp Hunna - &amp;quot;Back It Up&amp;quot;&#xA;Pure Shores - &amp;quot;In My Dreams&amp;quot;&#xA;Raveena - &amp;quot;Rush&amp;quot;&#xA;Russ - &amp;quot;Remember&amp;quot;&#xA;Sammy Rae - &amp;quot;Follow Me Like the Moon&amp;quot;&#xA;Scorpions - &amp;quot;Rock Believer&amp;quot;&#xA;Shontelle - &amp;quot;Be the One&amp;quot;&#xA;SIDEPIECE - &amp;quot;Sextacy&amp;quot;&#xA;Sofia Carson - &amp;quot;LOUD&amp;quot;&#xA;Softwilly - &amp;quot;GRUNK&amp;quot; ft. void, BabySantana, Yung Kage, XANAKIN SKYWOK, Sadfriendd &amp;amp; LEX PAIN&#xA;Surf - &amp;quot;Ghost&amp;quot;&#xA;S-X - &amp;quot;All Night&amp;quot; ft. Trippie Redd&#xA;Tenille Townes - &amp;quot;When's It Gonna Happen&amp;quot;&#xA;The Score - &amp;quot;Enemies&amp;quot;&#xA;T-Shyne - &amp;quot;Feed The Fam&amp;quot;&#xA;The Knocks - &amp;quot;Walking on Water&amp;quot; ft. Totally Enormous Extinct Dinosaurs&#xA;Thomas Rhett - &amp;quot;Angels&amp;quot;&#xA;Thomas Rhett - &amp;quot;Church Boots&amp;quot;&#xA;Troy Ave - &amp;quot;Why God Nadine&amp;quot; ft. Trapboy Freddy&#xA;Tyla Yaweh - &amp;quot;Do No Wrong&amp;quot; ft. Trippie Redd &amp;amp; PnB Rock&#xA;Violet Skies - &amp;quot;The Internet&amp;quot;&#xA;WeddingCake, Snoop Dogg &amp;amp; Heidi Klum - &amp;quot;Chai Tea with Heidi&amp;quot;&#xA;Wisin, Camilo &amp;amp; Los Legendarios - &amp;quot;Buenos Días&amp;quot;&#xA;​wolfacejoeyy - &amp;quot;​moncler coat&amp;quot;&#xA;Years &amp;amp; Years - &amp;quot;Sooner or Later&amp;quot;&#xA;&#xA;1/15&#xA;Soulja Boy - &amp;quot;Metaverse&amp;quot;&#xA;&#xA;1/16&#xA;DaBaby - &amp;quot;Sneaky Link Anthem&amp;quot;&#xA;Luka - &amp;quot;cry for help&amp;quot;&#xA;The Game &amp;amp; Kanye West - &amp;quot;Eazy&amp;quot;&#xA;&#xA;1/17&#xA;許廷鏗 (Alfred Hui) - &amp;quot;修羅場 (Pandemonium)&amp;quot;&#xA;Asian Doll - &amp;quot;Viral&amp;quot;&#xA;Kyla La Grange - &amp;quot;Nurture&amp;quot;&#xA;Rod Wave - &amp;quot;Cold December&amp;quot;&#xA;Since99 - &amp;quot;Riddle&amp;quot;&#xA;Skye Morales - &amp;quot;Me, Myself &amp;amp; You&amp;quot;&#xA;Tom Cardy - &amp;quot;Big Night&amp;quot;&#xA;Yung Kayo - &amp;quot;​it’s a monday&amp;quot;&#xA;&#xA;1/18&#xA;DaBaby - &amp;quot;COUPLE CUBES OF ICE&amp;quot;&#xA;薛凱琪 &amp;amp; 麥浚龍 (Fiona Sit &amp;amp; Juno Mak) - &amp;quot;月球上碰面 (Platform On The Moon)&amp;quot;&#xA;iann dior, Machine Gun Kelly &amp;amp; Travis Barker - &amp;quot;thought it was&amp;quot;&#xA;Jenny Hval - &amp;quot;Year of Love&amp;quot;&#xA;Mikey Polo - &amp;quot;Moncler Mary +++&amp;quot;&#xA;&#xA;1/19&#xA;Bear's Den - &amp;quot;Spiders&amp;quot;&#xA;Big Thief - &amp;quot;Simulation Swarm&amp;quot;&#xA;Bizarrap &amp;amp; L-Gante - &amp;quot;Pinta&amp;quot; ft. Pablo Lescano&#xA;BlocBoy JB &amp;amp; Tay Keith - &amp;quot;Home Alone&amp;quot;&#xA;Chelsea Jade - &amp;quot;Optimist&amp;quot;&#xA;DaBaby - &amp;quot;Book IT&amp;quot;&#xA;DaBaby &amp;amp; YoungBoy Never Broke Again - &amp;quot;HIT&amp;quot;&#xA;Emeli Sandé - &amp;quot;Brighter Days&amp;quot;&#xA;EMIL &amp;amp; Ir Sais - &amp;quot;Así No Vale&amp;quot;&#xA;GAYLE - &amp;quot;ur just horny&amp;quot;&#xA;Girlpool - &amp;quot;Lie Love Lullaby&amp;quot;&#xA;GRAE - &amp;quot;Room in the Desert&amp;quot;&#xA;Griff &amp;amp; Sigrid - &amp;quot;Head on Fire&amp;quot;&#xA;Hatchie - &amp;quot;Quicksand&amp;quot;&#xA;Khruangbin &amp;amp; Leon Bridges - &amp;quot;Chocolate Hills&amp;quot;&#xA;Killstation - &amp;quot;DIAGONAL&amp;quot;&#xA;Lizzy McAlpine - &amp;quot;all my ghosts&amp;quot;&#xA;Marian Hill - &amp;quot;little bit&amp;quot; ft. GASHI&#xA;NEIKED, Mae Muller &amp;amp; J Balvin - &amp;quot;Better Days&amp;quot; ft. Polo G&#xA;Nilüfer Yanya - &amp;quot;midnight sun&amp;quot;&#xA;Palace - &amp;quot;Friends Forever&amp;quot;&#xA;Sevdaliza - &amp;quot;High Alone&amp;quot;&#xA;Spider Gang - &amp;quot;​​​​d.s.g&amp;quot;&#xA;&#xA;1/20&#xA;Alex Cameron - &amp;quot;Best Life&amp;quot;&#xA;Charlie Puth - &amp;quot;Light Switch&amp;quot;&#xA;Christina Aguilera &amp;amp; Ozuna - &amp;quot;Santo&amp;quot;&#xA;Fred again.., Romy &amp;amp; HAAi - &amp;quot;Lights Out&amp;quot;&#xA;Fuego &amp;amp; Micro TDH - &amp;quot;La Original&amp;quot;&#xA;Holly Humberstone - &amp;quot;London is Lonely&amp;quot;&#xA;INNA - &amp;quot;Lalele&amp;quot;&#xA;Juhn &amp;amp; De La Ghetto - &amp;quot;Antojo&amp;quot;&#xA;Juliana - &amp;quot;Delirante&amp;quot; ft. Nico Legreti&#xA;Kany García - &amp;quot;Agüita e Coco&amp;quot;&#xA;Laura Marano &amp;amp; Wrabel - &amp;quot;Worst Kind of Hurt&amp;quot;&#xA;Laura Pausini - &amp;quot;Caja&amp;quot;&#xA;Lennon Stella - &amp;quot;Hey Beautiful&amp;quot;&#xA;LiL CaKe, Luck Ra &amp;amp; Oscu - &amp;quot;MAR&amp;quot;&#xA;Luis Fonsi &amp;amp; Manuel Turizo - &amp;quot;Vacaciones&amp;quot;&#xA;Madilyn Mei - &amp;quot;The Milk Carton&amp;quot;&#xA;Maluma - &amp;quot;Cositas de la USA&amp;quot;&#xA;泳兒 (Vincy Chan) - &amp;quot;葉落冰川 (Glacier)&amp;quot;&#xA;Rich Brian &amp;amp; Warren Hue - &amp;quot;Getcho Mans&amp;quot;&#xA;Sebastián Yatra - &amp;quot;Melancólicos Anónimos&amp;quot;&#xA;Skala Alta - &amp;quot;Muros de papel&amp;quot;&#xA;Thomas Headon - &amp;quot;How Do I Know?&amp;quot;&#xA;umru - &amp;quot;heart2&amp;quot; ft. Petal Supply &amp;amp; Rebecca Black&#xA;&#xA;1/21&#xA;2 Chainz - &amp;quot;Pop Music&amp;quot; ft. Moneybagg Yo &amp;amp; BeatKing&#xA;645AR - &amp;quot;God Chose Me&amp;quot; ft. Tyga&#xA;AKA Block &amp;amp; Kate Stewart - &amp;quot;Bedtime Poetry&amp;quot;&#xA;Alex Newell - &amp;quot;Attitude&amp;quot;&#xA;Alex the Astronaut - &amp;quot;Airport&amp;quot;&#xA;Amelia Moore - &amp;quot;vinegar&amp;quot;&#xA;Angel22 - &amp;quot;Gadejo&amp;quot;&#xA;Au/Ra - &amp;quot;plz don't waste my youth&amp;quot;&#xA;AWOLNATION - &amp;quot;Wind of Change&amp;quot; ft. Brandon Boyd &amp;amp; Portugal. The Man&#xA;Big K.R.I.T. - &amp;quot;So Cool&amp;quot;&#xA;Blood Girl - &amp;quot;Always Wrong&amp;quot;&#xA;BoyWithUke - &amp;quot;Long Drives&amp;quot;&#xA;brakence - &amp;quot;cbd&amp;quot;&#xA;Broke Carrey - &amp;quot;EL FONDO&amp;quot;&#xA;Brother Leo - &amp;quot;Living in a Zoo&amp;quot;&#xA;Buckshot &amp;amp; Oscar18 - &amp;quot;HAUNTED HAYRIDE&amp;quot;&#xA;César Pinzon - &amp;quot;Navidad&amp;quot;&#xA;CHRIST DILLINGER - &amp;quot;RATTLESNAKE&amp;quot;&#xA;Conan Gray - &amp;quot;Jigsaw&amp;quot;&#xA;Cuban Doll - &amp;quot;Don't Talk&amp;quot;&#xA;Dan Bull - &amp;quot;Hades Gonna Hate&amp;quot;&#xA;D.OZi - &amp;quot;Maleante&amp;quot;&#xA;Dotter - &amp;quot;Bon Voyage&amp;quot;&#xA;Drippin So Pretty - &amp;quot;Lets Go! Pt. 2&amp;quot;&#xA;DVBBS &amp;amp; Galantis - &amp;quot;When the Lights Go Down&amp;quot; ft. Cody Simpson&#xA;Elli Moore - &amp;quot;Romeo&amp;quot;&#xA;Gloria Trevi - &amp;quot;La Recaída&amp;quot; ft. Timo Nuñez&#xA;Guapdad 4000 - &amp;quot;I Need Bands&amp;quot;&#xA;Internet Money &amp;amp; YoungBoy Never Broke Again - &amp;quot;Flossin&amp;quot;&#xA;IShowSpeed - &amp;quot;F.U.C.&amp;quot;&#xA;Jesse &amp;amp; Joy - &amp;quot;Respirar&amp;quot;&#xA;Juliito - &amp;quot;La Sensación&amp;quot;&#xA;Khalil? - &amp;quot;Tsushima&amp;quot;&#xA;Kidd G &amp;amp; YNW BSlime - &amp;quot;Left Me&amp;quot;&#xA;Kiesza - &amp;quot;Passenger&amp;quot;&#xA;Lana Del Rey - &amp;quot;Watercolor Eyes&amp;quot;&#xA;Lennis Rodriguez &amp;amp; Chus Santana - &amp;quot;Bucle&amp;quot;&#xA;LÉON - &amp;quot;Wishful Thinking&amp;quot;&#xA;Lil Pump - &amp;quot;Mona Lisa&amp;quot; ft. Soulja Boy&#xA;Little Boots - &amp;quot;Crying on the Inside&amp;quot;&#xA;Manny Cruz, Daniel Santacruz &amp;amp; Nacho - &amp;quot;Dame Una Noche (Remix)&amp;quot;&#xA;Mary J. Blige - &amp;quot;Rent Money&amp;quot; ft. Dave East&#xA;Mehki Raine - &amp;quot;BANG&amp;quot;&#xA;吳林峰 &amp;amp; 謝芊彤 (Ng Lam Fung &amp;amp; Tse Chin Tung) - &amp;quot;我也難過的 (I’m Sad Too)&amp;quot;&#xA;Nova Miller - &amp;quot;cold feet&amp;quot;&#xA;Omar Varela, ca7riel &amp;amp; XLAB - &amp;quot;El Mal&amp;quot;&#xA;Paula Arenas - &amp;quot;Volando Bajito&amp;quot;&#xA;Peach Pit - &amp;quot;Vickie&amp;quot;&#xA;Purple Disco Machine &amp;amp; Sophie and the Giants - &amp;quot;In the Dark&amp;quot;&#xA;Russ - &amp;quot;Remember (Remix)&amp;quot; ft. Hailey Knox&#xA;Sabrina Claudio - &amp;quot;Put on Repeat&amp;quot;&#xA;Sea Girls - &amp;quot;Sleeping with You&amp;quot;&#xA;Shenseea &amp;amp; Megan Thee Stallion - &amp;quot;Lick&amp;quot;&#xA;Showtek &amp;amp; VÉRITÉ - &amp;quot;Pour It Down&amp;quot;&#xA;Sigala - &amp;quot;Melody&amp;quot;&#xA;Stefflon Don - &amp;quot;Juice&amp;quot;&#xA;Stunna 4 Vegas - &amp;quot;Suspect&amp;quot;&#xA;SypSki - &amp;quot;Instagram (Letterman)&amp;quot;&#xA;Taleban Dooda - &amp;quot;Foreigns &amp;amp; Trackhawks&amp;quot;&#xA;Tokio Hotel - &amp;quot;Bad Love&amp;quot;&#xA;Tom The Mail Man - &amp;quot;Brown Eyes and Backwoods&amp;quot;&#xA;Tove Styrke - &amp;quot;Show Me Love&amp;quot;&#xA;UnoTheActivist - &amp;quot;Not One of Dem&amp;quot;&#xA;Yung Bleu - &amp;quot;Walk Through the Fire&amp;quot; ft. Ne-Yo&#xA;&#xA;1/22&#xA;BasedNas - &amp;quot;CHILL FLOW&amp;quot;&#xA;BasedNas - &amp;quot;JAMMIN&amp;quot; ft. KA$HDAMI&#xA;BasedNas - &amp;quot;MAKE HER DANCE&amp;quot; ft. Since99&#xA;DDG - &amp;quot;​​​​pushin P freestyle&amp;quot;&#xA;Rylo Rodriguez - &amp;quot;Lie To Me&amp;quot;&#xA;&#xA;1/24&#xA;Billy Martin, Rakeem Miles, Zaia &amp;amp; boyband - &amp;quot;Heartbreakers&amp;quot;&#xA;Denzel Curry - &amp;quot;Walkin&amp;quot;&#xA;Duwap Kaine - &amp;quot;Cane &amp;amp; Dru&amp;quot;&#xA;Duwap Kaine - &amp;quot;Johnny Cinco&amp;quot;&#xA;KHEA &amp;amp; FMK - &amp;quot;Otro&amp;quot;&#xA;Lola Young - &amp;quot;So Sorry&amp;quot;&#xA;MKULTRA - &amp;quot;Abduction&amp;quot;&#xA;Ralph - &amp;quot;Gasoline&amp;quot;&#xA;Soulja Boy - &amp;quot;ROBOTIC&amp;quot;&#xA;ZapMob - &amp;quot;Vem Pra Pixta&amp;quot;&#xA;&#xA;1/25&#xA;Blossoms - &amp;quot;Ribbon Around the Bomb&amp;quot;&#xA;Bryan Adams - &amp;quot;Never Gonna Rain&amp;quot;&#xA;Chronic Law - &amp;quot;Trickster&amp;quot;&#xA;Cody Simpson - &amp;quot;Nice to Meet You&amp;quot;&#xA;Franz Ferdinand - &amp;quot;Curious&amp;quot;&#xA;Gucci Mane - &amp;quot;Rumors&amp;quot; ft. Lil Durk&#xA;JGreen - &amp;quot;Pray&amp;quot;&#xA;Mysie - &amp;quot;joyride&amp;quot;&#xA;Pollari - &amp;quot;First Things First!&amp;quot;&#xA;SOAK - &amp;quot;last july&amp;quot;&#xA;Soulja Boy - &amp;quot;Transformers&amp;quot;&#xA;Suki Waterhouse - &amp;quot;Melrose Meltdown&amp;quot;&#xA;The Weather Station - &amp;quot;Endless Time&amp;quot;&#xA;Tomberlin - &amp;quot;idkwntht&amp;quot;&#xA;Uffie - &amp;quot;dominoes&amp;quot;&#xA;YSB Tril &amp;amp; midwxst - &amp;quot;Paralyzed&amp;quot;&#xA;&#xA;1/26&#xA;BSlime - &amp;quot;Opp Top&amp;quot;&#xA;Chris Andrew - &amp;quot;Fina Pero Sata&amp;quot;&#xA;Darren Hayes - &amp;quot;Let's Try Being in Love&amp;quot;&#xA;Foxes - &amp;quot;Body Suit&amp;quot;&#xA;Grimes - &amp;quot;Shinigami Eyes&amp;quot;&#xA;Guapdad 4000 &amp;amp; Valentino Khan - &amp;quot;Fearless&amp;quot;&#xA;洪嘉豪 (Hung Kaho) - &amp;quot;及時行樂 (Missing You)&amp;quot;&#xA;HYD - &amp;quot;Into My Arms&amp;quot;&#xA;Icewear Vezzo - &amp;quot;Richer Than My Opps&amp;quot;&#xA;Japanese Breakfast - &amp;quot;Nobody Sees Me Like You Do&amp;quot;&#xA;Jer 柳應廷 - &amp;quot;MM7&amp;quot;&#xA;Juicy J &amp;amp; Wiz Khalifa - &amp;quot;Backseat&amp;quot; ft. Project Pat&#xA;Miraa May - &amp;quot;Big Woman&amp;quot; ft. Stefflon Don&#xA;Noga Erez - &amp;quot;Industry Baby&amp;quot;&#xA;Pink Noise - &amp;quot;Sky Cry&amp;quot; ft. Zack Slime Fr&#xA;Rex Orange County - &amp;quot;KEEP IT UP&amp;quot;&#xA;Selah Sue - &amp;quot;Pills (Single Version)&amp;quot;&#xA;Skunk Anansie - &amp;quot;Piggy&amp;quot;&#xA;Toro y Moi - &amp;quot;Postman&amp;quot;&#xA;Tove Lo - &amp;quot;How Long&amp;quot;&#xA;Warpaint - &amp;quot;Champion&amp;quot;&#xA;&#xA;1/27&#xA;Alex Rose - &amp;quot;Melodrama&amp;quot;&#xA;Anitta - &amp;quot;Boys Don't Cry&amp;quot;&#xA;Apel8 - &amp;quot;Rain&amp;quot; ft. SosMula&#xA;Charli XCX - &amp;quot;Beg for You&amp;quot; ft. Rina Sawayama&#xA;Confidence Man - &amp;quot;Feels Like a Different Thing&amp;quot;&#xA;FABRO, Sael &amp;amp; J Gonz - &amp;quot;No Son Horas&amp;quot;&#xA;Joel DELEŌN - &amp;quot;COCO&amp;quot;&#xA;José Madero - &amp;quot;La Herida&amp;quot;&#xA;Lali - &amp;quot;Diva&amp;quot;&#xA;Mario Bautista &amp;amp; Banda El Recodo - &amp;quot;Brindo (Remix)&amp;quot;&#xA;Mont - &amp;quot;fuck u (La Devolución)&amp;quot;&#xA;Nicky Jam - &amp;quot;Ojos Rojos&amp;quot;&#xA;Nohemy - &amp;quot;Recuérdame&amp;quot;&#xA;Ricky Martin - &amp;quot;Otra Noche en L.A.&amp;quot;&#xA;Saba - &amp;quot;Survivor's Guilt&amp;quot; ft. G Herbo&#xA;Selene - &amp;quot;Quién Diría&amp;quot;&#xA;Slimesito - &amp;quot;Rich Slime Anthem&amp;quot; ft. CountUp, Rokkstarnova, Dee Aura &amp;amp; Zelly Ocho&#xA;The Samu - &amp;quot;Parchecito&amp;quot;&#xA;XYLØ - &amp;quot;aliens&amp;quot;&#xA;Zejer - &amp;quot;Sætter Mit Tryk&amp;quot; ft. Eleck&#xA;&#xA;1/28&#xA;Alice Glass - &amp;quot;LOVE IS VIOLENCE&amp;quot;&#xA;Ally Brooke - &amp;quot;Por Ti&amp;quot;&#xA;American Authors &amp;amp; Chad Tepper - &amp;quot;Timeless&amp;quot;&#xA;Andy Grammer - &amp;quot;Joy&amp;quot;&#xA;Asmir Young - &amp;quot;Ansiedad&amp;quot;&#xA;AWA - &amp;quot;Who's Asking&amp;quot;&#xA;Bakar - &amp;quot;NW3&amp;quot;&#xA;Benny The Butcher &amp;amp; J. Cole - &amp;quot;Johnny P’s Caddy&amp;quot;&#xA;boyband - &amp;quot;SURE!&amp;quot;&#xA;bülow - &amp;quot;Don't Break His Heart&amp;quot;&#xA;Caitlyn Smith - &amp;quot;High&amp;quot;&#xA;Cheat Codes &amp;amp; Space Primates - &amp;quot;Memory&amp;quot; ft. GASHI&#xA;Chelsea Cutler - &amp;quot;the lifeboat's empty&amp;quot;&#xA;Coi Leray - &amp;quot;Anxiety&amp;quot;&#xA;COIN - &amp;quot;Cutie&amp;quot;&#xA;Comethazine - &amp;quot;LIKE DAT&amp;quot;&#xA;Dermot Kennedy - &amp;quot;Better Days (Remix)&amp;quot; ft. EARTHGANG&#xA;Disclosure &amp;amp; Zedd - &amp;quot;You've Got to Let Go If You Want to Be Free&amp;quot;&#xA;Duwap Kaine - &amp;quot;On My DanceHall&amp;quot;&#xA;EDDISON &amp;amp; ​fl.vco - &amp;quot;Gunsmoke&amp;quot;&#xA;Ella Mai - &amp;quot;DFMU&amp;quot;&#xA;Emma Steinbakken - &amp;quot;Hopelessly Hopeless&amp;quot;&#xA;EST Gee - &amp;quot;Who Hotter Than Gee&amp;quot;&#xA;ericdoa - &amp;quot;sad4whattt&amp;quot;&#xA;gavn! - &amp;quot;City of Angels&amp;quot;&#xA;George Ezra - &amp;quot;Anyone for You&amp;quot;&#xA;HYYTS - &amp;quot;Twice in a Lifetime&amp;quot;&#xA;Imanbek, Wiz Khalifa &amp;amp; KDDK - &amp;quot;Ordinary Life&amp;quot; ft. 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<INFO BITRATE="1044158" KEY_LYRICS="1 Contributor2018 haywoodindahood Listening Log LyricsPretty much the same thing as last year minus my reviews I would type up (and eventually half-ass as time went on).&#xA;&#xA;Oh, and to make things easier not only am I gonna separate by month, I’m also gonna… Read More Last updated: 10/6/2018, 5:16PM MSTOctoberOctober 6Jesse Powell — Jesse Powell (1996)October 5girl in red — chapter 1 (2018)&#xA;Blanca — Shattered (2018)&#xA;LouGotCash (feat. Trippie Redd) — &amp;quot;Too Turnt&amp;quot; (2018)October 4Terri Clark — Raising the Bar (2018)&#xA;Jess Kent — &amp;quot;Girl&amp;quot; (2018)&#xA;Joey Purp — QUARTERTHING (2018)&#xA;Cypress Hill — &amp;quot;Crazy&amp;quot; (2018)&#xA;Brooke Evers (feat. Rachel West &amp;amp; Glen Faria) — &amp;quot;Turn Around&amp;quot; (2018)&#xA;Born Dirty (feat. jstlbby) — &amp;quot;Get Up Get Out&amp;quot; (2018)&#xA;First Aid Kid — Tender Offerings (2018)&#xA;Kap G — no kap (2018)&#xA;Asiahn — &amp;quot;NOLA&amp;quot; (2018)&#xA;Young Dolph — &amp;quot;By Mistake&amp;quot; (2018)&#xA;Charlotte Lawrence — &amp;quot;Stole Your Car&amp;quot; (2018)October 3Howard — Together Alone (2018)&#xA;Joji — &amp;quot;SLOW DANCING IN THE DARK&amp;quot; (2018)&#xA;Joji — &amp;quot;YEAH RIGHT&amp;quot; (2018)&#xA;Brett Young — &amp;quot;Here Tonight&amp;quot; (2018)&#xA;Swizz Beatz (feat. Lil Wayne) — &amp;quot;Pistol on My Side (P.O.M.S)&amp;quot; (2018)&#xA;Lil Baby &amp;amp; Gunna — &amp;quot;Drip Too Hard&amp;quot; (2018)&#xA;Ciara — &amp;quot;Dose&amp;quot; (2018)&#xA;Lana Del Rey — &amp;quot;Mariners Apartment Complex&amp;quot; (2018)&#xA;Tori Kelly — Hiding Place (2018)October 2Noname — Room 25 (2018)&#xA;Wale — Free Lunch (2018)&#xA;Carrie Underwood — Cry Pretty (2018)October 1N/ASeptemberSeptember 30N/ASeptember 29N/ASeptember 28Gucci Mane, Bruno Mars &amp;amp; Kodak Black — &amp;quot;Wake Up in the Sky&amp;quot; (2018)September 27N/ASeptember 26N/ASeptember 25N/ASeptember 24teddy&amp;lt;3 — &amp;quot;Body and Soul&amp;quot; (2018)&#xA;Brynn Elliott — Time of Our Lives (2018)&#xA;Madison Cuningham — &amp;quot;Last Boat to Freedom&amp;quot; (2018)&#xA;Abby Anderson — I'm Good (2018)&#xA;Runaway June — Runaway June (2018)&#xA;Noah Cyrus &amp;amp; Gallant — &amp;quot;Mad at You&amp;quot; (2018)&#xA;Judy Blank — Morning Sun (2018)September 23N/ASeptember 22N/ASeptember 21Kilo Kish — mothe (2018)&#xA;Clairo — &amp;quot;Heaven&amp;quot; (2018)&#xA;Bri Steves — &amp;quot;Ain't Shit&amp;quot; (2018)&#xA;AlunaGeorge (feat. Cautious Clay) — &amp;quot;Superior Emotion&amp;quot; (2018)&#xA;Jessie Reyez — &amp;quot;Fuck Being Friends&amp;quot; (2018)&#xA;Robinson — &amp;quot;Medicine&amp;quot; (2018)&#xA;Waxahatchee — Great Thunder (2018)&#xA;Jillian Jacqueline — Side B (2018)&#xA;Amber Mark (feat. DRAM) — &amp;quot;Put You On&amp;quot; (2018)&#xA;Jeremy Zucker — &amp;quot;comethru&amp;quot; (2018)September 20Chelsea Cutler — &amp;quot;Cold Showers&amp;quot; (2018)&#xA;$uicideBoy$ — I Want to Die in New Orleans (2018)&#xA;T.I. &amp;amp; Yo Gotti — &amp;quot;Wraith&amp;quot; (2018)&#xA;T.I. (feat. Meek Mill) — &amp;quot;Jefe&amp;quot; (2018)&#xA;Various Artists — Sierra Burgess Is a Loser (Original Motion Picture Soundtrack) (2018)September 19Carrie Underwood — &amp;quot;End Up With Me&amp;quot; (2018)&#xA;Dua Lipa — &amp;quot;Want To&amp;quot; (2018)&#xA;Lauren Daigle — Look Up Child (2018)&#xA;Kanye West &amp;amp; Lil Pump — &amp;quot;I Love It&amp;quot; (2018)&#xA;YBN Nahmir, YBN Cordae &amp;amp; YBN Almighty Jay — YBN: The Mixtape (2018)&#xA;Silk City &amp;amp; Dua Lipa (feat. Diplo &amp;amp; Mark Ronson) — &amp;quot;Electricity&amp;quot; (2018)September 18N/ASeptember 17N/ASeptember 16N/ASeptember 15N/ASeptember 146LACK — East Atlanta Love Letter (2018)September 13Ginny Owens (feat. Resound) — Stand with Me&amp;quot; (2018)&#xA;Maddie Simpson — &amp;quot;Love Me Loud&amp;quot; (2018)&#xA;Anna Calvi — Hunter (2018)&#xA;Sage The Gemini (feat. Chris Brown) — &amp;quot;Buss It&amp;quot; (2018)&#xA;Katelyn Tarver — Kool Aid (2018)&#xA;Q Money — Ain't Shit Funny (2018)&#xA;Mick Jenkins — &amp;quot;What Am I to Do&amp;quot; (2018)&#xA;Francesca Battistelli — &amp;quot;Royalty&amp;quot; (2018)&#xA;Passenger — Runaway (2018)September 12Chief Keef (feat. Jenn Em) — &amp;quot;Chiraq&amp;quot; (2018)&#xA;The Game (feat. YG, Ty Dolla $ign &amp;amp; Jeremih) — &amp;quot;Down to Fuck&amp;quot; (2018)&#xA;HoodCelebrityy — Inna Real Life (2018)&#xA;Young Dolph (feat. Key Glock) — &amp;quot;Major&amp;quot; (2018)&#xA;Lloyd — TRU - LP (2018)&#xA;Cassie Scerbo — &amp;quot;Disaster&amp;quot; (2018)&#xA;Blac Youngsta — Fuck Everybody 2 (2018)&#xA;Jillian Jacqueline — &amp;quot;Sad Girls&amp;quot; (2018)&#xA;Terri Clark — &amp;quot;Young as We Are Tonight&amp;quot; (2018)&#xA;Nao (feat. SiR) — &amp;quot;&amp;quot;Make It Out Alive&amp;quot; (2018)&#xA;Tash Sultana — Flow State (2018)September 11Jay Rock (feat. Rich The Kid) — &amp;quot;Rotation 112th (Remix)&amp;quot; (2018)&#xA;Carrie Underwood — &amp;quot;Love Wins&amp;quot; (2018)&#xA;Why Don't We — 8 Letters (2018)&#xA;6ix9ine (feat. Nicki Minaj &amp;amp; Murda Beatz) — &amp;quot;FEFE&amp;quot; (2018)&#xA;6ix9ine &amp;amp; Anuel Aa — &amp;quot;BEBE&amp;quot; (2018)&#xA;Kanye West — &amp;quot;XTCY&amp;quot; (2018)&#xA;Lauv — &amp;quot;Superhero&amp;quot; (2018)&#xA;Eminem — Kamikaze (2018)&#xA;Troye Sivan — Bloom (2018)September 10N/ASeptember 9N/ASeptember 8Pusha T — &amp;quot;The Story of Adidon&amp;quot; (2018)&#xA;Fantasia — Back to Me (2010)&#xA;The Staple Singers — Be Altitude: Respect Yourself (1972)September 7N/ASeptember 6N/ASeptember 5N/ASeptember 4Thouxanbanfauni — The Lost Files (2018)&#xA;MoKenStef — Azz Izz (1995)&#xA;A$AP Ant (feat. A$AP Rocky) — &amp;quot;Mario Cart&amp;quot; (2018)&#xA;A$AP Ant — &amp;quot;Shanghai&amp;quot; (2018)September 3Wallows — &amp;quot;Pleaser&amp;quot; (2017)&#xA;Wallows — &amp;quot;Sun Tan&amp;quot; (2017)&#xA;Wallows — &amp;quot;Uncomfortable&amp;quot; (2017)&#xA;Wallows — &amp;quot;Pulling Leaves off Trees&amp;quot; (2017)&#xA;Wallows — &amp;quot;Underneath the Streetlights in the Winter Outside Your House&amp;quot; (2018)&#xA;Wallows — Spring EP (2018)September 2Raveena — &amp;quot;You Give Me That&amp;quot; (2016)&#xA;Raveena — &amp;quot;Johnny It's the Last Time&amp;quot; (2016)&#xA;Raveena — &amp;quot;Spell&amp;quot; (2017)&#xA;Raveena — &amp;quot;Sweet Time&amp;quot; (2017)&#xA;Raveena — Shanti (2017)&#xA;Raveena — &amp;quot;Wherever U Go&amp;quot; (2018)&#xA;Raveena — &amp;quot;I Won't Mind&amp;quot; (2018)&#xA;Raveena — &amp;quot;Honey&amp;quot; (2018)&#xA;Bandhunta Izzy — &amp;quot;Gummo Freestyle&amp;quot; (2017)&#xA;Tierra Whack — &amp;quot;Niggalodeon&amp;quot; (2015)&#xA;Tierra Whack — Whack World (2018)&#xA;Tierra Whack — &amp;quot;MUMBO JUMBO&amp;quot; (2017)&#xA;Tierra Whack — &amp;quot;Shit Happens&amp;quot; (2017)&#xA;Tierra Whack — &amp;quot;Child Please&amp;quot; (2017)&#xA;Tierra Whack — &amp;quot;Toe Jam&amp;quot; (2017)&#xA;Jungle Brothers — Straight Out the Jungle (1988)&#xA;Sabrina Carpenter — &amp;quot;Thumbs (Acoustic)&amp;quot; (2017)&#xA;Tory Lanez — &amp;quot;I Sip&amp;quot; (2017)&#xA;Maggie Lindemann — &amp;quot;Things&amp;quot; (2016)&#xA;Smooky MarGielaa (feat. Jrich Ent.) — &amp;quot;Shawty&amp;quot; (2017)&#xA;Ronny J (feat. Ski Mask The Slump God) — &amp;quot;Thriller (Forever)&amp;quot; (2017)&#xA;The Girl and the Dreamcatcher — &amp;quot;Written in the Stars&amp;quot; (2015)&#xA;Fancy Cars &amp;amp; Sophie Rose — &amp;quot;Time Machine&amp;quot; (2018)&#xA;Jaira Burns — &amp;quot;High Rollin&amp;quot; (2017)&#xA;Tana Mongeau — &amp;quot;W&amp;quot; (2018)&#xA;Astrid S — &amp;quot;Hyde&amp;quot; (2015)&#xA;Josephina — &amp;quot;Feelings&amp;quot; (2018)&#xA;Joe Moses (feat. Future) — &amp;quot;Back Goin Brazy&amp;quot; (2018)&#xA;Lou — &amp;quot;Beaten&amp;quot; (2018)&#xA;Kristina Bazan — &amp;quot;Out&amp;quot; (2016)&#xA;April + Vista — &amp;quot;How to Get By&amp;quot; (2018)&#xA;Eden Samara — &amp;quot;Upside Down&amp;quot; (2018)&#xA;The Black Eyed Peas — &amp;quot;RING THE ALARM pt.1, pt.2, pt.3&amp;quot; (2018)&#xA;KIIRA (feat. Noah North) — &amp;quot;Last Time&amp;quot; (2017)&#xA;JVZEL — &amp;quot;You Make It Easy&amp;quot; (2018)&#xA;Alyson Stoner — &amp;quot;Who Do You Love&amp;quot; (2018)&#xA;Andy Mineo, Foggieraw &amp;amp; Mannywellz — &amp;quot;Coquito&amp;quot; (2018)&#xA;Foggieraw — &amp;quot;Harry Potter&amp;quot; (2018)&#xA;Foggieraw &amp;amp; Mannywellz — &amp;quot;Different World Type Luv&amp;quot; (2018)&#xA;Carlie Hanson — &amp;quot;Mood&amp;quot; (2018)&#xA;Kero Kero Bonito — &amp;quot;Time Today&amp;quot; (2018)&#xA;Rosie Carney — &amp;quot;Winter&amp;quot; (2017)&#xA;Zilo — &amp;quot;Don't Waste My Time&amp;quot; (2018)&#xA;Confetti — &amp;quot;Right Now&amp;quot; (2018)&#xA;Phoebe Ryan &amp;amp; Quinn XCII — &amp;quot;Middle Finger&amp;quot; (2018)&#xA;Georgi Jacobs — &amp;quot;Ooooohh&amp;quot; (2018)&#xA;Eli Priess (feat. Kareem Pfeifer) — &amp;quot;Back at You&amp;quot; (2018)&#xA;Astrid S — &amp;quot;2AM&amp;quot; (2014)&#xA;Rosie Carney — &amp;quot;Awake Me&amp;quot; (2017)&#xA;ARY — &amp;quot;Already There&amp;quot; (2017)&#xA;Madison Cunningham — &amp;quot;All at Once&amp;quot; (2018)&#xA;Mickey Shiloh (feat. Rowlan) — &amp;quot;1 More Time&amp;quot; (2017)September 1N/AAugustAugust 31N/AAugust 30N/AAugust 29Kiiara — &amp;quot;Gloe&amp;quot; (2018)&#xA;NOTD (feat. Tove Styrke) — &amp;quot;Been There Done That&amp;quot; (2018)&#xA;KYLE (feat. Kehlani &amp;amp; Logic) — &amp;quot;Playinwitme (Remix)&amp;quot; (2018)&#xA;REASON — &amp;quot;Better Dayz&amp;quot; (2018)&#xA;Rosette — &amp;quot;Single for the Summer&amp;quot; (2018)&#xA;Anna Wise &amp;amp; Xavier Omar — &amp;quot;Easy&amp;quot; (2018)&#xA;Dounia — &amp;quot;How I See It&amp;quot; (2018)&#xA;T-Pain (feat. Gucci Mane) — &amp;quot;Might Be&amp;quot; (2018)&#xA;KYLE (feat. Wiz Khalifa) — &amp;quot;Moment&amp;quot; (2018)August 28E-40 — The Gift of Gab (2018)&#xA;Noah Cyrus &amp;amp; Lil Xan — &amp;quot;Live or Die&amp;quot; (2018)&#xA;Tori Kelly (feat. Kirk Franklin) — &amp;quot;Never Alone&amp;quot; (2018)&#xA;Leon Thomas — Genesis (2018)&#xA;Bas — Milky Way (2018)&#xA;Blood Orange — Negro Swan (2018)August 27K1D (feat. Woodie Smalls) — &amp;quot;Yoshi&amp;quot; (2018)&#xA;3 — &amp;quot;Watch Me&amp;quot; (2018)&#xA;Truthcity — &amp;quot;Trap Music in My Uber&amp;quot; (2018)&#xA;Tre Redeau — &amp;quot;Safe Route&amp;quot; (2018)&#xA;Freelance — &amp;quot;Pretty Please&amp;quot; (2018)&#xA;Tee Krispil — One Way Ticket (2018)&#xA;Maesu — &amp;quot;Nothing 2 Lose&amp;quot; (2018)&#xA;Trey Graves — &amp;quot;new thang&amp;quot; (2018)&#xA;Dimez — &amp;quot;New Porsche&amp;quot; (2018)&#xA;Darrein STL — &amp;quot;My Bag&amp;quot; (2018)&#xA;Madd AnarKist (feat. Troy James &amp;amp; Bank Bunz) — &amp;quot;Mxndfxkk&amp;quot; (2018)&#xA;HAWA — &amp;quot;Might Be&amp;quot; (2018)&#xA;OSIYM (feat. Filli Babii) — &amp;quot;Lookin' Like&amp;quot; (2018)&#xA;Son! — &amp;quot;LINGO&amp;quot; (2018)&#xA;Hydra — Lifeboat (2018)&#xA;Sazetrax — &amp;quot;Latency&amp;quot; (2018)&#xA;Blvc Svnd &amp;amp; One Who May Ascend — &amp;quot;Lames&amp;quot; (2018)&#xA;Cero Ismael — &amp;quot;Insane&amp;quot; (2018)&#xA;Gaika — &amp;quot;Immigrant Sons (Pesos &amp;amp; Gas)&amp;quot; (2018)&#xA;ILLYMINIACHI — &amp;quot;Ignita&amp;quot; (2018)&#xA;YTK — &amp;quot;Feel Like That&amp;quot; (2018)&#xA;Kent Loon — &amp;quot;Drone&amp;quot; (2018)&#xA;Huey Supreme — &amp;quot;Dolla Bill&amp;quot; (2018)&#xA;Love-Sadkid — &amp;quot;Control&amp;quot; (2018)&#xA;B. Aull — &amp;quot;Come Down&amp;quot; (2018)&#xA;Why Khaliq — Clearwater (2018)&#xA;chase. &amp;amp; spaceout — #CHASEXSPACEOUT (2018)August 26The O'Jays — Back Stabbers (1972)August 25N/AAugust 24Famous Dex (feat. Drax Project) — &amp;quot;LIGHT&amp;quot; (2018)&#xA;Sarah Reeves — &amp;quot;Always Been You&amp;quot; (2018)&#xA;Cousin Stizz — All Adds Up (2018)&#xA;24hrs (feat. YG) — &amp;quot;Don't Mess&amp;quot; (2018)&#xA;Camila Cabello (feat. Swae Lee) — &amp;quot;Real Friends&amp;quot; (2018)&#xA;Jess Glynne — &amp;quot;All I Am&amp;quot; (2018)&#xA;Lucie Silvas — &amp;quot;E.G.O.&amp;quot; (2018)August 23Blue October — I Hope You're Happy (2018)August 22The New Respects — Before the Sun Goes Down (2018)&#xA;Baauer &amp;amp; Miquela — &amp;quot;Hate Me&amp;quot; (2018)&#xA;SOB X RBE (feat. Shoreline Mafia) — &amp;quot;Da Move&amp;quot; (2018)&#xA;SOB X RBE — &amp;quot;Vibes&amp;quot; (2018)&#xA;Stefflon Don — SECURE (2018)&#xA;Bishop Briggs — &amp;quot;Baby&amp;quot; (2018)&#xA;The 1975 — &amp;quot;TOOTIMETOOTIMETOOTIME&amp;quot; (2018)&#xA;6LACK — &amp;quot;Nonchalant&amp;quot; (2018)August 21Tory Lanez (feat. Bryson Tiller) — &amp;quot;&amp;quot;KeeP IN tOUcH&amp;quot; (2018)&#xA;Jillian Jacqueline (feat. Keith Urban) — &amp;quot;If I Were You&amp;quot; (2018)&#xA;Mitski — Be the Cowboy (2018)&#xA;Aminé — ONEPOINTFIVE (2018)August 20Calvin Harris &amp;amp; Sam Smith (feat. Jessie Reyez) — &amp;quot;Promises&amp;quot; (2018)&#xA;Young Thug &amp;amp; Young Stoner Life Records — Slime Language (2018)&#xA;Ariana Grande — Sweetener (2018)August 19N/AAugust 18N/AAugust 17N/AAugust 16N/AAugust 15Jay Americana — &amp;quot;Burner Phones&amp;quot; (2018)&#xA;8tm — &amp;quot;711&amp;quot; (2018)&#xA;Flavia Abadía — &amp;quot;Trumpets&amp;quot; (2018)&#xA;Brooke Aulani — &amp;quot;Out Loud&amp;quot; (2018)&#xA;PRISTINE BABE — &amp;quot;Moonlight&amp;quot; (2018)&#xA;Lanna — &amp;quot;Maybe&amp;quot; (2018)&#xA;Emeryld — &amp;quot;Honey Bee&amp;quot; (2018)&#xA;Friday Night Plans — &amp;quot;Happy Birthday&amp;quot; (2018)&#xA;Finis Mundi — EVERYTHING AFTER (2018)&#xA;Assa, Esydia &amp;amp; neo — &amp;quot;don't let me fall&amp;quot; (2018)&#xA;Hailey Orion — Deadly. (2018)&#xA;SOLARSUNS &amp;amp; IOLITE — &amp;quot;Break, Burn, Crash&amp;quot; (2018)&#xA;Kwaku Asante — &amp;quot;The Way That You Move&amp;quot; (2018)&#xA;Corbin Dallas — Water (2018)&#xA;Jack Davey — &amp;quot;Undone&amp;quot; (2018)&#xA;Charlie Burg — Two, Moonlight (2018)August 14N/AAugust 13Tirzah — Devotion (2018)&#xA;Black Grapefruit — All My Relations (2018)&#xA;Stefflon Don (feat. Tiggs Da Author) — &amp;quot;Pretty Girl&amp;quot; (2018)&#xA;Elley Duhé — DRAGON MENTALITY (2018)&#xA;Elle King — &amp;quot;Shame&amp;quot; (2018)&#xA;Daniella Mason — &amp;quot;Human&amp;quot; (2018)&#xA;Red Velvet — Summer Magic - Summer Mini Album (2018)&#xA;Kiesza — &amp;quot;Phantom of the Dance Floor&amp;quot; (2018)&#xA;Wafia — &amp;quot;I'm Good&amp;quot; (2018)&#xA;Jessie Reyez — &amp;quot;Sola&amp;quot; (2018)&#xA;Ro James — &amp;quot;Excuse Me&amp;quot; (2018)&#xA;Lola Kirke — Heart Head West (2018)August 12A$AP Rocky &amp;amp; Tyler, The Creator — &amp;quot;POTATO SALAD&amp;quot; (2018)&#xA;FatBran — FatBranuary (2018)&#xA;Bandhunta Izzy — Code Blue (2018)&#xA;Mitski — &amp;quot;Two Slow Dancers&amp;quot; (2018)&#xA;Cassadee Pope — &amp;quot;One More Red Light&amp;quot; (2018)&#xA;Ciara (feat. Tekno) — &amp;quot;Freak Me&amp;quot; (2018)&#xA;Skye &amp;amp; Chris Brown — &amp;quot;Fairytale&amp;quot; (2018)&#xA;Childish Major — &amp;quot;Know Something&amp;quot; (2018)&#xA;R.LUM.R — &amp;quot;I Need to Know&amp;quot; (2018)&#xA;R.LUM.R — &amp;quot;Right Here&amp;quot; (2018)&#xA;Nina Nesbitt — &amp;quot;Loyal to You&amp;quot; (2018)&#xA;Lauren Daigle — &amp;quot;Still Rolling Stones&amp;quot; (2018)&#xA;Nicki Minaj — Queen (2018)August 11Quavo — &amp;quot;W O R K I N M E&amp;quot; (2018)&#xA;Quavo — &amp;quot;B U B B L E G U M&amp;quot; (2018)&#xA;Quavo — &amp;quot;L A M B T A L K&amp;quot; (2018)&#xA;Kirsten Collins — &amp;quot;Sugar Pop Cocaine&amp;quot; (2018)August 10IceBirds — ICEBIRDS PROJECT (2018)August 9Young Nudy — &amp;quot;Crack&amp;quot; (2016)&#xA;Kaycee Shakur — &amp;quot;Think of Something&amp;quot; (2018)&#xA;Ryahn — &amp;quot;Studio&amp;quot; (2018)&#xA;Lotushalves — &amp;quot;Raincheck&amp;quot; (2018)&#xA;The Empress — &amp;quot;Pray on It&amp;quot; (2018)&#xA;Parables of Neptune — Parables of Neptune (2018)&#xA;Tola — &amp;quot;Next to Me&amp;quot; (2018)&#xA;Karun (feat. Blinky Bill) — &amp;quot;Make Believe&amp;quot; (2018)&#xA;JoJo Nichols (feat. Regina Skeeters) — &amp;quot;Love on Repeat&amp;quot; (2018)&#xA;KingJet — &amp;quot;Lifeguard&amp;quot; (2018)&#xA;Abel — &amp;quot;Known&amp;quot; (2018)&#xA;Eli Preiss — &amp;quot;I Want You to Know&amp;quot; (2018)&#xA;Pink Sweat$ — &amp;quot;Honesty&amp;quot; (2018)&#xA;Jesse Fischer — Flipped II (2018)&#xA;Ama Lou — DDD (2018)&#xA;Shenna — &amp;quot;Conversation&amp;quot; (2018)&#xA;marcella — Chapter Two (2018)&#xA;REY — &amp;quot;Bet&amp;quot; (2018)&#xA;Lili K — &amp;quot;Best Friend&amp;quot; (2018)&#xA;Dee Mad — &amp;quot;Along with You&amp;quot; (2018)&#xA;199V — &amp;quot;187 Love&amp;quot; (2018)August 8Jacquees — 4275 (2018)&#xA;Ella Mai — &amp;quot;Trip&amp;quot; (2018)&#xA;K'ron (feat. Ty Dolla $ign) — &amp;quot;No BFs&amp;quot; (2018)&#xA;Buddy — Harlan &amp;amp; Alondra (2018)&#xA;PnB Rock — &amp;quot;ABCD (Friend Zone)&amp;quot; (2018)&#xA;Diana Gordon — Pure (2018)&#xA;The Midnight — &amp;quot;America 2&amp;quot; (2018)&#xA;DJ Holiday (feat. Quavo &amp;amp; 21 Savage) — &amp;quot;2 Seater&amp;quot; (2018)&#xA;Pi'erre Bourne — &amp;quot;Marie Curie&amp;quot; (2018)&#xA;Riley Clemmons — Riley Clemmons (2018)&#xA;CHVRCHES (feat. WEDNESDAY CAMPANELLA) — &amp;quot;Out of My Head&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;Freaking Out&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;Summer Days&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;What She Wants&amp;quot; (2018)&#xA;Kid Ink — &amp;quot;Big Deal&amp;quot; (2018)&#xA;Baka Not Nice — 4Milli (2018)August 7Young Nudy — SlimeBall 3 (2018)&#xA;Tamia — &amp;quot;Deeper&amp;quot; (2018)&#xA;Amanda Shires — To the Sunset (2018)&#xA;Danielle Bradbery &amp;amp; Thomas Rhett — &amp;quot;Goodbye Summer&amp;quot; (2018)&#xA;Silk City, GoldLink &amp;amp; Desiigner — &amp;quot;Loud&amp;quot; (2018)&#xA;H.E.R. — I Used to Know Her: The Prelude (2018)&#xA;J. Cole — &amp;quot;Album of the Year (Freestyle)&amp;quot; (2018)&#xA;Mac Miller — Swimming (2018)&#xA;Bazzi (feat. Camila Cabello) — &amp;quot;Beautiful&amp;quot; (2018)&#xA;Robyn — &amp;quot;Missing U&amp;quot; (2018)&#xA;YG — STAY DANGEROUS (2018)&#xA;Travis Scott — ASTROWORLD (2018)August 6N/AAugust 5Souls of Mischief — 93 'til Infinity (1993)&#xA;The Pharcyde — Bizarre Ride II the Pharcyde (1992)&#xA;Brandy — Brandy (1994)&#xA;OJ da Juiceman — The Otha Side of the Trap... (2009)&#xA;Maisie Peters — &amp;quot;Best I'll Ever Sing&amp;quot; (2018)&#xA;Maisie Peters — &amp;quot;Worst of You&amp;quot; (2018)&#xA;Polo Boy Shawty — Fast Lane (2018)&#xA;Ciara — Basic Instinct (2010)August 4Ne-Yo — Because of You (2007)&#xA;Joe — And Then... (2003)&#xA;Avalon Young — &amp;quot;Sweet Talk&amp;quot; (2018)&#xA;Shaqdi — Colorless (2018)&#xA;Akinyemi &amp;amp; Birocratic — &amp;quot;Time&amp;quot; (2018)&#xA;Ryan Brinnand — &amp;quot;Think of Me&amp;quot; (2018)&#xA;Teon Gibbs — These Are the Times. (2018)&#xA;Cyrax (feat. $ilkMoney) — &amp;quot;Tank&amp;quot; (2018)&#xA;Latasha — &amp;quot;Sumpn&amp;quot; (2018)&#xA;Ily Pineapple — &amp;quot;Spark the Blunt&amp;quot; (2018)&#xA;Majest Nové — &amp;quot;Southern Girl&amp;quot; (2018)&#xA;ayeeii &amp;amp; mikey 2x — &amp;quot;Never Thought&amp;quot; (2018)August 3Deezie Brown — Judith (2018)&#xA;Jaylon Ashaun — &amp;quot;I Got You&amp;quot; (2018)&#xA;B0nds &amp;amp; Fushou. — High Noon (2018)&#xA;80purppp — &amp;quot;Hex&amp;quot; (2018)&#xA;Tass Nasta — &amp;quot;Her&amp;quot; (2018)&#xA;$ly — &amp;quot;Guaponese&amp;quot; (2018)&#xA;Charlie Threads — &amp;quot;Forever and a Day&amp;quot; (2018)&#xA;DWN2EARTH — DWN2EARTH (2018)&#xA;Cakes da Killa &amp;amp; Proper Villains — &amp;quot;Don't Make Cents&amp;quot; (2018)&#xA;Elton — &amp;quot;Callin'&amp;quot; (2018)&#xA;BbyMutha &amp;amp; $hoey — BbyShoe (2018)&#xA;Rawso — &amp;quot;Afraid&amp;quot; (2018)&#xA;Jean Castel — &amp;quot;What Happened to Us&amp;quot; (2018)&#xA;Keelan Mak — &amp;quot;Weigh You Down&amp;quot; (2018)&#xA;ZenAware (feat. Evergreen) — &amp;quot;Ur Cute&amp;quot; (2018)&#xA;Aaron Childs — &amp;quot;No Hobbies&amp;quot; (2018)&#xA;Aaron Childs — &amp;quot;Tangerine&amp;quot; (2018)&#xA;Mikos Da Gawd — &amp;quot;Start Things New&amp;quot; (2018)&#xA;Kylo — &amp;quot;Sometimes&amp;quot; (2018)&#xA;Jamie Lane — &amp;quot;Sink&amp;quot; (2018)&#xA;Small Hours — &amp;quot;Shoe Box&amp;quot; (2018)&#xA;Lhuma — &amp;quot;RUN&amp;quot; (2018)&#xA;Jacob Steele — &amp;quot;Move Like Me&amp;quot; (2018)&#xA;KUNZITE — &amp;quot;MONKS&amp;quot; (2018)&#xA;Trevor Daniel — &amp;quot;Mirror&amp;quot; (2018)&#xA;Aleks Grey — &amp;quot;Let Go&amp;quot; (2018)&#xA;Dena — &amp;quot;Imaginary Friends&amp;quot; (2018)&#xA;GOLDSPACE (feat. Saint Laurant) — &amp;quot;Heavy Hitter&amp;quot; (2018)&#xA;rn — &amp;quot;Hard Hearts&amp;quot; (2018)August 2Kiiara — &amp;quot;Messy&amp;quot; (2018)&#xA;Dierks Bentley — &amp;quot;You Can't Bring Me Down&amp;quot; (2018)&#xA;Bryce Vine (feat. Wale) — &amp;quot;Drew Barrymore&amp;quot; (2018)&#xA;Jade Novah — All Blue (2018)&#xA;Frvrfriday — &amp;quot;Heaven Margiela&amp;quot; (2018)&#xA;JIL — &amp;quot;Virgin Atlantic&amp;quot; (2018)&#xA;Luhcream — Cream of the Crop (2018)&#xA;Rich Forever Music — Rich Forever 3 (2018)&#xA;Jade Bird — &amp;quot;Uh Huh&amp;quot; (2018)&#xA;Catherine McGrath — Talk of This Town (2018)&#xA;Jarren Benton — Yuck Fou (2018)&#xA;Queen Naija — Queen Naija (2018)&#xA;Derek Minor — &amp;quot;Revolution&amp;quot; (2018)&#xA;Tenille Townes — &amp;quot;Somebody's Daughter&amp;quot; (2018)&#xA;Channel Tres — Channel Tres (2018)&#xA;Raiche — &amp;quot;Money Trees&amp;quot; (2018)August 1The Coup — Sorry to Bother You: The Soundtrack (2018)JulyJuly 31Charli XCX — &amp;quot;Girls Night Out&amp;quot; (2018)&#xA;AGNEZ MO (feat. Chris Brown) — &amp;quot;Overdose&amp;quot; (2018)&#xA;Elley Duhé — &amp;quot;WAY DOWN LOW&amp;quot; (2018)July 30VanJess — Silk Canvas (2018)&#xA;Maggie Rogers — &amp;quot;Give a Little&amp;quot; (2018)&#xA;Mac Miller — &amp;quot;What's the Use?&amp;quot; (2018)&#xA;Tyga — &amp;quot;SWISH&amp;quot; (2018)&#xA;BROCKHAMPTON — &amp;quot;1997 DIANA&amp;quot; (2018)&#xA;Denzel Curry — TA13OO (2018)&#xA;The Chainsmokers (feat. Emily Warren) — &amp;quot;Side Effects&amp;quot; (2018)&#xA;Davie Guetta (feat. Anne-Marie) — &amp;quot;Don't Leave Me Alone&amp;quot; (2018)&#xA;ARTY — &amp;quot;Tim&amp;quot; (2018)&#xA;YG (feat. A$AP Rocky) — &amp;quot;HANDGUN&amp;quot; (2018)&#xA;DJ Khaled, Justin Bieber &amp;amp; Quavo (feat. Chance The Rapper) — &amp;quot;No Brainer&amp;quot; (2018)July 29N/AJuly 28Still Woozy (feat. ODIE) — &amp;quot;Lucy&amp;quot; (2018)&#xA;BLVK JVCK (feat. Jessie Reyez) — &amp;quot;Love Me Still&amp;quot; (2018)&#xA;NVDES — &amp;quot;Louì&amp;quot; (2018)&#xA;Matoma (feat. MAX) — &amp;quot;Lonely&amp;quot; (2018)&#xA;Vené &amp;amp; ATL Smook — &amp;quot;Mood&amp;quot; (2017)July 27Childish Gambino — Summer Pack (2018)&#xA;Chelsea Jade — Personal Best (2018)&#xA;Lost Kings (feat. Tove Styrke) — &amp;quot;Stuck&amp;quot; (2018)&#xA;PnB Rock — &amp;quot;Nowadays&amp;quot; (2018)&#xA;GOLDN — once upon a star, Pt. 1 (2018)&#xA;Riley Clemmons — &amp;quot;Hold On&amp;quot; (2018)&#xA;St. Lucia — &amp;quot;Walking Away&amp;quot; (2018)&#xA;The New Respects — &amp;quot;Before the Sun Goes Down&amp;quot; (2018)&#xA;Jessie Reyez — &amp;quot;Apple Juice&amp;quot; (2018)July 26Young Nudy — &amp;quot;Sherbert&amp;quot; (2018)&#xA;070 Shake — &amp;quot;Accusations&amp;quot; (2018)&#xA;Ciara — &amp;quot;Level Up&amp;quot; (2018)&#xA;The 1975 — &amp;quot;Love It If We Made It&amp;quot; (2018)&#xA;DRAM — That's a Girl's Name (2018)&#xA;RaeLynn — &amp;quot;Tailgate&amp;quot; (2018)&#xA;88rising — Head in the Clouds (2018)&#xA;Becky G (feat. French Montana &amp;amp; Farruko) — &amp;quot;Zooted&amp;quot; (2018)&#xA;Billie Eilish — &amp;quot;you should see me in a crown&amp;quot; (2018)July 25Daye Jack — &amp;quot;Heart Shaped Culdesac&amp;quot; (2018)&#xA;The New Respects — &amp;quot;We Ain't Goin' Nowhere&amp;quot; (2018)&#xA;TK Kravitz — 2.0 (2018)&#xA;Nora Van Elken — &amp;quot;I Told You&amp;quot; (2018)&#xA;Ashe — The Rabbit Hole (2018)&#xA;Daya — &amp;quot;Safe&amp;quot; (2018)&#xA;Charlotte Lawrence — Young (2018)&#xA;Buddy (feat. Ty Dolla $ign) — &amp;quot;Hey Up There&amp;quot; (2018)&#xA;Lil Skies — &amp;quot;World Rage&amp;quot; (2018)&#xA;Yazmin Lacey — When the Sun Dips 90 Degrees (2018)&#xA;Riley Clemmons — &amp;quot;Broke&amp;quot; (2018)&#xA;Priscilla Renea — Coloured (2018)July 24Vacationer — Mindset (2018)&#xA;R. Kelly — &amp;quot;I Admit&amp;quot; (2018)&#xA;Demi Lovato — &amp;quot;Sober&amp;quot; (2018)&#xA;Redman — &amp;quot;I Love Hip Hop&amp;quot; (2018)&#xA;Freddie Gibbs — Freddie (2018)&#xA;Lecrae &amp;amp; Zaytoven — Let the Trap Say Amen (2018)&#xA;Koryn Hawthorne — &amp;quot;Unstoppable&amp;quot; (2018)&#xA;Meghan Trainor — &amp;quot;ALL THE WAYS&amp;quot; (2018)&#xA;PRETTYMUCH — &amp;quot;Summer on You&amp;quot; (2018)July 23Nao — &amp;quot;Another Lifetime&amp;quot; (2018)&#xA;A Boogie Wit da Hoodie — International Artist (2018)&#xA;Rick Ross (feat. Future) — &amp;quot;Green Gucci Suit&amp;quot; (2018)&#xA;6LACK — &amp;quot;Switch&amp;quot; (2018)&#xA;Trippie Redd — &amp;quot;How You Feel&amp;quot; (2018)&#xA;Trippie Redd — &amp;quot;Me Likey&amp;quot; (2018)&#xA;Ariana Grande (feat. Nicki Minaj) — &amp;quot;the light is coming&amp;quot; (2018)&#xA;Teyana Taylor — K.T.S.E. (2018)&#xA;Jaden Smith — &amp;quot;Ghost&amp;quot; (2018)&#xA;Bebe Rexha — Expectations (2018)&#xA;Dan + Shay — Dan + Shay (2018)&#xA;Panic! At the Disco — Pray for the Wicked (2018)July 22N/AJuly 21N/AJuly 20MadeinTYO &amp;amp; MyNamePhin — I Bet U Get This All the Time (2018)&#xA;Hoodrich Pablo Juan &amp;amp; Danny Wolf — HoodWolf 2 (2018)&#xA;Rockstar Marqo — So Icey Marqo (2018)July 19The Internet — Hive Mind (2018)&#xA;RIMON — &amp;quot;Nighttime&amp;quot; (2018)&#xA;RIMON — &amp;quot;Grace&amp;quot; (2018)&#xA;Louis III — &amp;quot;Goosebumps&amp;quot; (2018)&#xA;Wolfskind &amp;amp; Yann Lauren (feat. Moli) — &amp;quot;Give It Up&amp;quot; (2018)&#xA;MOONOVERSUN — &amp;quot;GIRLS/BOYS&amp;quot; (2018)&#xA;Hamond — &amp;quot;Copacabana&amp;quot; (2018)&#xA;Catila — &amp;quot;Call Me&amp;quot; (2018)&#xA;Kiera Please — &amp;quot;Bloom&amp;quot; (2018)&#xA;Jodnyl — &amp;quot;Blood&amp;quot; (2018)&#xA;Ruben Pol — &amp;quot;Bed Sheets&amp;quot; (2018)&#xA;JORDY — &amp;quot;Be with Me&amp;quot; (2018)&#xA;Meghan Waterman — 3AM Conversations (2018)&#xA;Madison Cunningham — &amp;quot;So Long, Frank Lloyd Wright&amp;quot; (2018)&#xA;Madison Cunningham — &amp;quot;Beauty into Clichés&amp;quot; (2018)&#xA;The Score — &amp;quot;Glory&amp;quot; (2018)&#xA;lovelytheband — &amp;quot;emotion&amp;quot; (2018)&#xA;lovelytheband — &amp;quot;alone time&amp;quot; (2018)&#xA;88rising (feat. NIKI) — &amp;quot;Warpaint&amp;quot; (2018)&#xA;Shy Glizzy — &amp;quot;Free 3&amp;quot; (2018)&#xA;Casanova — COMMISSARY (2018)July 18Alessia Cara — &amp;quot;A Little More&amp;quot; (2018)&#xA;Alessia Cara — &amp;quot;Growing Pains&amp;quot; (2018)&#xA;Tyler, The Creator — &amp;quot;BRONCO&amp;quot; (2018)&#xA;Aaron Cole — &amp;quot;Off My Back&amp;quot; (2018)&#xA;The Interrupters — Fight the Good Fight (2018)&#xA;cleopatrick — &amp;quot;youth&amp;quot; (2018)&#xA;Mitski — &amp;quot;Nobody&amp;quot; (2018)&#xA;Yung Bans — Yung Bans Vol. 5 (2018)&#xA;Wiz Khalifa (feat. Problem) — &amp;quot;Gin and Drugs&amp;quot; (2018)&#xA;Charli XCX — &amp;quot;No Angel&amp;quot; (2018)&#xA;Charli XCX — &amp;quot;Focus&amp;quot; (2018)&#xA;A$AP Ferg — &amp;quot;Verified&amp;quot; (2018)&#xA;Axwell /\ Ingrosso (feat. RØMANS) — &amp;quot;Dancing Alone&amp;quot; (2018)&#xA;Gorillaz — The Now Now (2018)July 17Florence + The Machine — High as Hope (2018)&#xA;Shea Diamond — Seen It All (2018)&#xA;A$AP Ferg — &amp;quot;Not the Boy&amp;quot; (2018)&#xA;Mozzy — &amp;quot;Pure in the Pack&amp;quot; (2018)&#xA;Trae Tha Truth — 48 Hours Later (2018)&#xA;Let's Eat Grandma — I'm All Ears (2018)&#xA;AWWZ (feat. Yaw Mini &amp;amp; F. Dowell) — &amp;quot;Visa&amp;quot; (2018)&#xA;YK Osiris — &amp;quot;Timing&amp;quot; (2018)&#xA;Jay Park (feat. GASHI &amp;amp; Rich The Kid) — &amp;quot;FSU&amp;quot; (2018)&#xA;teddy&amp;lt;3 — &amp;quot;I Was in a Cult&amp;quot; (2018)&#xA;Caly Bevier — &amp;quot;Head Held High&amp;quot; (2018)&#xA;Dave East &amp;amp; Rick Ross — &amp;quot;Fresh Prince of Belaire&amp;quot; (2018)&#xA;Skooly (feat. Lil Xan) — &amp;quot;Crazy Shit&amp;quot; (2018)July 16Chris Lane — &amp;quot;Hero&amp;quot; (2018)&#xA;Why Don't We — &amp;quot;Hooked&amp;quot; (2018)&#xA;Why Don't We — &amp;quot;Talk&amp;quot; (2018)&#xA;Lil Pump — &amp;quot;Drug Addicts&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;Freaking Out&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;Summer Days&amp;quot; (2018)&#xA;Lil Yachty (feat. Cardi B &amp;amp; Offset) — &amp;quot;Who Want the Smoke?&amp;quot; (2018)&#xA;Justin Timberlake — &amp;quot;SoulMate&amp;quot; (2018)&#xA;Future &amp;amp; Zaytoven — BEASTMODE 2 (2018)&#xA;Meek Mill — Legends of the Summer (2018)&#xA;Goonew — BIG64 (2018)July 15Childish Gambino — &amp;quot;Awaken, My Love!&amp;quot; (2016)&#xA;Shoreline Mafia — ShorelineDoThatShit (2018)&#xA;Juice WRLD — JuiceWRLD 9 9 9 (2017)&#xA;Diego Money — Welcome to IceLand (2015)&#xA;The Carters — EVERYTHING IS LOVE (2018)&#xA;Nas — NASIR (2018)&#xA;Drake — Scorpion (2018)July 14N/AJuly 13N/AJuly 12rum.gold — &amp;quot;Where There’s Smoke&amp;quot; (2018)&#xA;Hamzaa — &amp;quot;Stranded Love&amp;quot; (2018)&#xA;Lexus — &amp;quot;Sounds Good&amp;quot; (2018)&#xA;MADANII — &amp;quot;Rosemvry&amp;quot; (2018)&#xA;Lndfk — &amp;quot;LOVE BOMBING” (2018)&#xA;Gian Camp — LOST IN TRANSLATION (2018)&#xA;Taylor Eve (feat. OYABUN) — &amp;quot;Like You&amp;quot; (2018)&#xA;yuzu blur — &amp;quot;Home Soon&amp;quot; (2018)&#xA;Kwaku — &amp;quot;Fake&amp;quot; (2018)&#xA;Aysha Monet — Don’t Forget (2018)&#xA;Charles Freeman — ANODYNE (2018)&#xA;Daz Rinko (feat. Rahel) — &amp;quot;Sweetie&amp;quot; (2018)&#xA;Daz Rinko — &amp;quot;Vanilla Ice&amp;quot; (2018)&#xA;HolyGxd — &amp;quot;Ugly&amp;quot; (2018)&#xA;Rey King — &amp;quot;Tijuana&amp;quot; (2018)&#xA;Nosninja — Riverside Beat Tape (2018)&#xA;Yutes — &amp;quot;Push&amp;quot; (2018)&#xA;BinoBossBricks &amp;amp; Scooter on the Beat — &amp;quot;Poppin Tags&amp;quot; (2018)&#xA;Marceon Jacobs — &amp;quot;No Losses&amp;quot; (2018)&#xA;Ben James — &amp;quot;Like Me&amp;quot; (2018)&#xA;2u4u — &amp;quot;Gurl&amp;quot; (2018)&#xA;KING JAE — &amp;quot;DRAMA&amp;quot; (2018)&#xA;Serious Klein — &amp;quot;Coochie Money&amp;quot; (2018)&#xA;The Real Ice — &amp;quot;BAG for MY BAG&amp;quot; (2018)&#xA;Aja9 — &amp;quot;Treat Yo’Self&amp;quot; (2018)&#xA;NOAAON — &amp;quot;Summer Clearance&amp;quot; (2018)&#xA;Yaffle (feat. Linying) — &amp;quot;Summer&amp;quot; (2018)&#xA;JT Soul — &amp;quot;LOUD&amp;quot; (2018)July 11All That Glitters (feat. Chaz Mason) — &amp;quot;I’ll Wait for You&amp;quot; (2018)&#xA;Elephant Heart — &amp;quot;HIYA&amp;quot; (2018)&#xA;CHAMPANE (feat. CATALI) — &amp;quot;Down Low&amp;quot; (2018)&#xA;Natalie — Shameful (2018)&#xA;Ukweli (feat. Karun) — &amp;quot;Roses&amp;quot; (2018)&#xA;Ash (feat. starRo) — &amp;quot;Lover Friend&amp;quot; (2018)&#xA;Mina &amp;amp; Kit Moro — Goodbye (2018)&#xA;ChrisLee — &amp;quot;Found Her&amp;quot; (2018)&#xA;Jae.T — &amp;quot;Yo Body&amp;quot; (2018)&#xA;Emilia Anastazja — &amp;quot;Under My Skin&amp;quot; (2018)&#xA;GREGarious (feat. Akacia) — &amp;quot;Sticks &amp;amp; Stones&amp;quot; (2018)&#xA;Lottie Jade — &amp;quot;South Side&amp;quot; (2018)&#xA;Nizzy (feat. Pvpi Strz) — &amp;quot;Rice n Peas&amp;quot; (2018)&#xA;SqueakPIVOT (feat. Xone White) — &amp;quot;Perfect for U&amp;quot; (2018)&#xA;Black Grapefruit — &amp;quot;Mind&amp;quot; (2018)&#xA;Mei Mei — &amp;quot;Livin in the Truth&amp;quot; (2018)&#xA;HALP (feat. Anthony Russo) — &amp;quot;Hurt Myself&amp;quot; (2018)&#xA;Frex — &amp;quot;History&amp;quot; (2018)&#xA;Kean Farrar — &amp;quot;Heartthrob&amp;quot; (2018)&#xA;Parisalexa — Flexa (2018)&#xA;Forrest. — &amp;quot;Your Soul&amp;quot; (2018)&#xA;Shane Reis &amp;amp; God.Damn.Chan — VEIB (2018)&#xA;Zac Ace — Testing Ground. (2018)July 10Latrell James — &amp;quot;Okay&amp;quot; (2018)&#xA;Vonathan — &amp;quot;Mac Attack&amp;quot; (2018)&#xA;FEYI — &amp;quot;F@%&amp;amp; WITH A DIME&amp;quot; (2018)&#xA;A-Reece, Ecco &amp;amp; Wordz — &amp;quot;Better Luck Next Time&amp;quot; (2018)&#xA;Kevoe West — &amp;quot;Stoner&amp;quot; (2018)&#xA;Patches (feat. Namesake.) — &amp;quot;show goes on&amp;quot; (2018)&#xA;ZER0 — &amp;quot;Orphus&amp;quot; (2018)&#xA;Clyde Guevara — &amp;quot;Higher Vibration&amp;quot; (2018)&#xA;Svlm — &amp;quot;Day Dreaming&amp;quot; (2018)&#xA;emoniFela — Day Camp for Dreamers (2018)&#xA;happytree &amp;amp; late late — CANVAS (2018)&#xA;frumhere — are you lost? (2018)&#xA;Renzo — 2359 (2018)July 9Whinnie Williams — “Violet” (2018)&#xA;John Conception — “So Bad” (2018)&#xA;yù yī (feat. Ellen) — “Peaches” (2018)&#xA;TS Graye — “MY2” (2018)&#xA;Rushes — &amp;quot;Wave” (2018)&#xA;s7erre (feat. Elysa) — “So Bad” (2018)&#xA;Haula — “Trouble” (2018)July 8Diego Money &amp;amp; StoopidXoolin — Stoopid Ice Volume One (2016)July 7Chance Peña — “Sun Goes Down” (2018)&#xA;Holow (feat. Lucile) — “Spotlight” (2018)&#xA;Ivy Rei — “Say It to My Face” (2018)&#xA;Miriam — “Off That Thing” (2018)&#xA;DJ Young &amp;amp; Krista — “Nvm (Never Mine)” (2018)&#xA;BAYLA — “Monster” (2018)&#xA;Arthur Wimble — “Miss You” (2018)&#xA;ICELANDIA — “Miracle Caught on Camera” (2018)&#xA;Amber Simone — “Loving You” (2018)&#xA;BLANKSY — “Love Won’t Save Me” (2018)&#xA;CC Clarke — “A Little More” (2018)&#xA;Spectrum &amp;amp; Ria Choony — “Home” (2018)&#xA;Korky Buchek (feat. Kymie) — “Higher” (2018)&#xA;Dominique Tey — “Heartstream” (2018)&#xA;A$AP Rocky (feat. Moby) — “A$AP Forever” (2018)&#xA;Juice WRLD — Too Soon.. (2018)&#xA;Bruno Mars — It’s Better If You Don’t Understand (2010)July 6Diego Money &amp;amp; MexikoDro — Plug Money (2015)&#xA;Louis Bordeaux — “Do What I Do” (2018)&#xA;DeathbyRomy — “DeathWish” (2018)&#xA;Vera Hotsauce — “Bottoms Up” (2018)&#xA;MĀX — “Wrong Guy” (2018)&#xA;James Blake (feat. MistaDC) — “Vegas Girl” (2018)&#xA;David Hopperman (feat. Wes Writer) — “Don’t Stop” (2018)&#xA;Lodola — “Cover It Up” (2018)&#xA;Lava La Rue — “Widdit” (2018)&#xA;A. Rell — “What If I Did It” (2018)&#xA;Pediko — “Ticket to Go” (2018)&#xA;PatricKxxLee — “So &amp;amp; So” (2018)&#xA;Caliray1k —&amp;quot; Run Up the Band” (2018)&#xA;Myke Bogan (feat. Khary) — “Pickathon” (2018)&#xA;Ozadya — Oz Life (2018)July 5YBN Cordae — “Old Niggas” (2018)&#xA;Shwiggy (feat. 198o8) — “Might Troll” (2018)&#xA;Hella Sketchy — “Losing Control” (2018)&#xA;10cellphones (feat. Swoop) — “Kicking Doors” (2018)&#xA;ppgcasper (feat. Eera) — “Headache” (2018)&#xA;Dontae (feat. Cal) — “Flipmode” (2018)&#xA;Caine Casket — “Domino” (2018)&#xA;Felixx — “Diddy” (2018)&#xA;CloutBoi TJ — CloutBoi! (2018)July 4N/AJuly 3Macca Wiles — “AWOL” (2018)&#xA;Tommy Savo — “2 ROCKS” (2018)&#xA;Frex — “y u gotta” (2018)&#xA;Laura Roy — “Temporary” (2018)&#xA;Ego Ella May — “Table for One” (2018)&#xA;Linae — “Sweet Sweat” (2018)&#xA;Ebz the Artist — “Say It” (2018)&#xA;Choc — “Same” (2018)&#xA;loftii — leaving us (2018)&#xA;Ricks Art — “Kiss N Tell” (2018)&#xA;Levine Lale — “Keep Up” (2018)&#xA;Melo-Zed — Eleven (2018)&#xA;Blossom &amp;amp; Ripley Snell (feat. Neill Von Tally) — “casting couch” (2018)&#xA;Love — “Black Coffee” (2018)&#xA;Love — “3” (2018)&#xA;Paige Bea — “Your Echo” (2018)&#xA;Brad O’Neill — “Unexpected” (2018)&#xA;Deflo &amp;amp; Lliam Taylor (feat. Awa) — “Spotlight” (2018)July 2Delaney Kai &amp;amp; Kyoto Black — “Sounds” (2018)&#xA;Taylor Reed — “Say You Won’t” (2018)&#xA;Camille Trust — “Move On” (2018)&#xA;Liv Keegan — “Just My Type” (2018)&#xA;Natasha Fisher — “If I Could I Would” (2018)&#xA;iiola — “don’t shut me up” (2018)&#xA;JONNA — “Black Tears” (2018)&#xA;TARI (feat. Lani Rose) — “Best for You” (2018)&#xA;Nodfather — “Thoughts” (2018)&#xA;Brett — “Therapy” (2018)&#xA;Ra’Shaun — “She Told Me” (2018)&#xA;S7EAZE — “Don’t Test Me” (2018)&#xA;M.R — “Calling” (2018)&#xA;Xander — “Better or Worse” (2018)&#xA;Ric Wilson — BANBA (2018)&#xA;Adamn Killa — Adamn Everlasting (In Loving Memory of Jalen) (2018)&#xA;GNGR — “Without You” (2018)&#xA;Star Martin — “Walls” (2018)&#xA;Trevor Daniel — “Wake Up” (2018)&#xA;BR3 (feat. Jacquees) — “Used to This” (2018)&#xA;p-rallel (feat. Yiigaa &amp;amp; Finn Foxell) — “Signs” (2018)&#xA;gny — Present (2018)&#xA;Sameik Moore — “Bounce” (2018)&#xA;Adreyn Cash — “Angel’s Lie” (2018)&#xA;Parker Louis — All Good Things, Pt. One (2018)&#xA;Tru — “Young &amp;amp; Reckless” (2018)&#xA;Bae Louie — “Wonderful” (2018)&#xA;Rokusho (feat. Inga &amp;amp; Stille) — “Wishing for You” (2018)&#xA;bêlla — “sorry if u misunderstood” (2018)&#xA;SVĒ — “Njne1 (Not Just Anyone)” (2018)&#xA;Shaeane — “Bag of Bones” (2018)&#xA;Shaeane — “Joker” (2018)&#xA;Olloway — “August” (2018)&#xA;Light Gun Fire (feat. Marta Carvallo) — “All on You” (2018)&#xA;Ruuth — “All About” (2018)&#xA;Lil Candy Paint — “Sleep at Night” (2018)&#xA;Lord Narf (feat. Meltycanon) — “Rent” (2018)&#xA;Luxe — “Nothing to Me” (2018)&#xA;Vuyo — “Lord Knows” (2018)July 1Student 1 — Drag (2018)&#xA;brakence — hypnagogia (2018)&#xA;Loski — “I Been” (2018)JuneJune 30Cashwaveyboiz — waves (2018)&#xA;Sudan Archives — &amp;quot;Nont for Sale&amp;quot; (2018)&#xA;NDAI — &amp;quot;Nobody's Ting&amp;quot; (2018)&#xA;Allen Ritter — &amp;quot;Never Leave&amp;quot; (2018)&#xA;Diamonique Jackson — &amp;quot;Give Me a Sign&amp;quot; (2018)&#xA;HMLT (feat. TiKA) — &amp;quot;Gary&amp;quot; (2018)&#xA;Notifi — &amp;quot;Dramamine&amp;quot; (2018)&#xA;IVYxM — &amp;quot;But You&amp;quot; (2018)&#xA;Mogillah (feat. Georgia Anne Muldrow &amp;amp; Flote) — &amp;quot;Birds Eye's View&amp;quot; (2018)&#xA;Lfalfa — &amp;quot;What It Means&amp;quot; (2018)&#xA;Irie Lee — &amp;quot;Van Gogh&amp;quot; (2018)&#xA;Kiki Ireland — &amp;quot;Timid&amp;quot; (2018)&#xA;Manana — &amp;quot;Think About You&amp;quot; (2018)&#xA;Lunadira — &amp;quot;STUCK WITH YOU&amp;quot; (2018)&#xA;LOONY — &amp;quot;A Small Flame&amp;quot; (2018)&#xA;Kaptain Jay — &amp;quot;Skittle&amp;quot; (2018)&#xA;Kaptain Jay — &amp;quot;Night Out&amp;quot; (2018)&#xA;cktrl — SAG Playlist 1 (2018)&#xA;Yakul — &amp;quot;Realigned&amp;quot; (2018)&#xA;Shakale Davis — Note to Self (2018)June 29SAFE — &amp;quot;No Answer&amp;quot; (2018)&#xA;Bobby Earth — &amp;quot;Mood&amp;quot; (2018)&#xA;Tmmrw — &amp;quot;Lowkey&amp;quot; (2018)&#xA;PROMKNGHT — &amp;quot;Like I Do&amp;quot; (2018)&#xA;Asiah — Know Me (2018)&#xA;Hugo Joe &amp;amp; MexikoDro — Hugo Dro (2018)&#xA;Pro Reese — Fresh Off a Break Up (2018)&#xA;PxRRY — &amp;quot;FaLL BacK&amp;quot; (2018)&#xA;Kaycee Shakur — Divination (2018)&#xA;Fallon Favors — Destiny (2018)June 28Diego Money — Diego World (2018)&#xA;Haley Daniels — &amp;quot;Delirious&amp;quot; (2018)&#xA;Rabino — &amp;quot;Crocodile&amp;quot; (2018)&#xA;Easton — &amp;quot;Blue Love&amp;quot; (2018)&#xA;KC.. — Bare, Vol. 1 (2018)&#xA;TeaMarrr — &amp;quot;Bent Hella&amp;quot; (2018)&#xA;Swiss Army — Paris Mountain (2018)June 27N/AJune 26PYRMDPLAZA — The Void (2018)&#xA;Nfromthewave — &amp;quot;Pashun&amp;quot; (2018)&#xA;My Friend Alan — &amp;quot;Falling&amp;quot; (2018)&#xA;MadeByKuya — Universal (2018)&#xA;Jordana — &amp;quot;Body&amp;quot; (2018)&#xA;Jordan Dennis (feat. Blasko) — &amp;quot;Crumbs&amp;quot; (2018)&#xA;falcxne — &amp;quot;Slowly&amp;quot; (2018)&#xA;Dream League Soccer — &amp;quot;So I Broke Her Heart&amp;quot; (2018)&#xA;Coco Reilly — &amp;quot;Define You&amp;quot; (2018)&#xA;Bella Boo — Fire (2018)June 25Pi'erre Bourne — &amp;quot;Planet Namek&amp;quot; (2018)&#xA;Tim Atlas — All Talk! (2018)&#xA;KILLY — Surrender Your Soul (2018)&#xA;Calum Scott — Only Human (2018)June 24B.o.B — The Upside Down (2018)&#xA;Phoelix — TEMPO (2018)June 23N/AJune 22N/AJune 21N/AJune 20Niko Khale — Free Mind Rich Thoughts (2018)&#xA;Smerz — Have fun (2018)&#xA;Jonathan McReynolds — Make Room (2018)&#xA;Lawren — Get Your Change (2018)&#xA;Pouya — FIVE FIVE (2018)&#xA;Nap Eyes — I'm Bad Now (2018)&#xA;Acid Dad — Acid Dad (2018)June 19R.LUM.R — ALTERIMAGE (2018)&#xA;Jimi Hendrix — Both Sides of the Sky (2018)&#xA;Various Artists — A Wrinkle in Time (Original Motion Picture Soundtrack) (2018)&#xA;What So Not — Not All the Beautiful Things (2018)June 18YFN Lucci — Ray Ray from Summerhill (2018)&#xA;Wale — Self Promotion EP (2018)&#xA;The Voidz — &amp;quot;Coul as a Ghoul&amp;quot; (2018)&#xA;Valee (feat. Jeremih) — &amp;quot;Womp Womp&amp;quot; (2018)&#xA;Tee Grizzley — Activated (2018)&#xA;Stalley — &amp;quot;Chains Mr. T&amp;quot; (2018)June 17Sonta — &amp;quot;Ride for You&amp;quot; (2018)&#xA;Sonta — &amp;quot;Wishes&amp;quot; (2018)&#xA;Sonta — &amp;quot;Dream Girl&amp;quot; (2018)&#xA;Sonta — &amp;quot;Lovers N Friends&amp;quot; (2018)June 16Sonta — &amp;quot;Cut It (Remix)&amp;quot; (2018)&#xA;Sonta — &amp;quot;Hopeful&amp;quot; (2015)&#xA;Sonta — &amp;quot;MMMM&amp;quot; (2015)&#xA;Sonta — &amp;quot;Medicine (Remix)&amp;quot; (2018)&#xA;Sonta — &amp;quot;Letter from Sonta&amp;quot; (2018)&#xA;Sonta — &amp;quot;Screwed Up (Boo'd Up Remix)&amp;quot; (2018)&#xA;Sonta — &amp;quot;All I Want Is You (For Christmas)&amp;quot; (2016)&#xA;Sonta — &amp;quot;Hard to Love&amp;quot; (2017)&#xA;Sonta — &amp;quot;How You Gonna Act Like That&amp;quot; (2016)June 15Sonta — In My Feelings (Re-release) (2018)&#xA;Selena Gomez — &amp;quot;Back to You&amp;quot; (2018)&#xA;Sarah Louise — Deeper Woods (2018)&#xA;Sabrina Carpenter &amp;amp; Jonas Blue — &amp;quot;Alien (Acoustic)&amp;quot; (2018)&#xA;Rita Ora (feat. Cardi B, Bebe Rexha &amp;amp; Charli XCX) — &amp;quot;Girls&amp;quot; (2018)June 14Nina Nesbitt — &amp;quot;The Sun Will Come Up, The Seasons Will Change&amp;quot; (2018)&#xA;Marian Hill — Unusual (2018)&#xA;La Luz — Floating Features (2018)&#xA;Joji — &amp;quot;Yeah Right&amp;quot; (2018)June 13Jackie Hill Perry — Crescendo (2018)&#xA;Dierks Bentley — &amp;quot;You Can't Bring Me Down&amp;quot; (2018)&#xA;City Girls — PERIOD (2018)&#xA;Charlie Puth — Voicenotes (2018)&#xA;BJ The Chicago Kid — The Opening Ceremony (2018)&#xA;Beach House — 7 (2018)June 12Marqo 2 Fresh — Live Fast Die Young (2015)&#xA;MPR Tito — Rixh Blxxd (2018)&#xA;Lil Dude — ME (2018)&#xA;Playboi Carti — &amp;quot;Been Ballin&amp;quot; (2017)&#xA;Playboi Carti — &amp;quot;Arm &amp;amp; Leg&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Tragic&amp;quot; (2016)&#xA;Playboi Carti — &amp;quot;They Go Off&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Tank&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Supersonic&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Movin' Different&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Let 'Em In&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Kick&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Drop&amp;quot; (2018)&#xA;Playboi Carti &amp;amp; SosaMann — &amp;quot;In the Lobby&amp;quot; (2018)&#xA;Ski Mask The Slump God — Get Dough Presents Ski Mask The Slump God (2018)&#xA;Polo Boy Shawty — On the Track (2017)&#xA;Redd Coldhearted — Coldhearted EP (2017)&#xA;Slim 400 — Foe Reala (2018)&#xA;Yung Mal &amp;amp; Lil Quill — Kids of the 6 (2017)&#xA;Yung Mal &amp;amp; Lil Quill — SOUF6 (2018)June 11Hoodrich Pablo Juan — &amp;quot;MONY Walk&amp;quot; (2018)&#xA;Yung Mal &amp;amp; Lil Quill — Blessed Lil Bastards (2017)&#xA;Rich Forever Music — Rich Forever 2 (2016)&#xA;Rich Forever Music — Rich Forever Music: The Mixtape (2016)&#xA;Rich The Kid — Dabbin Fever (2015)&#xA;Rich The Kid — Flexxin on Purpose (2015)&#xA;Rich The Kid — Keep Flexin (2016)&#xA;Lil B — Platinum Flame (2018)June 10Frvrfriday — WHOISFRIDAY (2018)&#xA;KIDS SEE GHOSTS — KIDS SEE GHOSTS (2018)&#xA;Youngr — &amp;quot;Lost in Translation&amp;quot; (2018)&#xA;YourWelcome Shon — &amp;quot;Summa Hood Laude&amp;quot; (2018)&#xA;SUMR CAMP — &amp;quot;24-7&amp;quot; (2018)&#xA;Tove Lo (feat. Charli XCX, Icona Pop, Elliphant &amp;amp; ALMA) — &amp;quot;bitches&amp;quot; (2018)&#xA;Dagny — &amp;quot;Used to You&amp;quot; (2018)&#xA;NEEDTOBREATHE — &amp;quot;Bullets&amp;quot; (2018)&#xA;Erin Rae — Putting on Airs (2018)&#xA;Snail Mail — Lush (2018)&#xA;Tyler, The Creator — &amp;quot;435&amp;quot; (2018)&#xA;Jeremih &amp;amp; Ty Dolla $ign — &amp;quot;The Light&amp;quot; (2018)&#xA;Chelsea Cutler — Sleeping With Roses (2018)&#xA;Kamiyah (feat. ScHoolboy Q) — &amp;quot;Addicted to Ballin'&amp;quot; (2018)&#xA;DeJ Loaf &amp;amp; Leon Bridges — &amp;quot;Liberated&amp;quot; (2018)&#xA;Rich The Kid — &amp;quot;Bring It Back&amp;quot; (2018)&#xA;Various Artists — SUPERFLY (Original Motion Picture Soundtrack) (2018)&#xA;Tory Lanez &amp;amp; Ozuna — &amp;quot;Pa Mi&amp;quot; (2018)&#xA;Lykke Li — so sad so sexy (2018)&#xA;Little Big Town — &amp;quot;Summer Fever&amp;quot; (2018)&#xA;JZVEL — &amp;quot;Tired Af&amp;quot; (2018)June 9Jorja Smith — Lost &amp;amp; Found (2018)&#xA;Ne-Yo — GOOD MAN (2018)June 8Bali Baby &amp;amp; Rockstar Marqo — Sosa &amp;amp; Tony: The Movie (2018)&#xA;CosaNostra Kidd — Wham (2018)June 7Rich The Kid — Trap Talk (2016)&#xA;André 3000 — Look Ma No Hands (2018)&#xA;Stalone — Uropa (2018)&#xA;Middle Kids — Lost Friends (2018)&#xA;Kirsten Collins — &amp;quot;Rainbows&amp;quot; (2018)&#xA;Kirsten Collins — &amp;quot;BAD&amp;quot; (2018)&#xA;Jade Novah — &amp;quot;Next to You&amp;quot; (2018)&#xA;Dan + Shay — &amp;quot;Alone Together&amp;quot; (2018)&#xA;CASS — &amp;quot;Not for Sale&amp;quot; (2018)&#xA;lil aaron — ROCK$TAR FAMOU$ (2018)&#xA;Cautious Clay — RESONANCE (2018)&#xA;YBN Almighty Jay — &amp;quot;2 Tone Drip&amp;quot; (2018)&#xA;Lil Skies (feat. Yung Pinch) — &amp;quot;I Know You&amp;quot; (2018)June 6Freedom Fry — Classic (2018)&#xA;Future (feat. Yung Bans) — &amp;quot;Bag&amp;quot; (2018)&#xA;Natalie Prass — The Future and the Past (2018)&#xA;Sarah Reeves — &amp;quot;Easy&amp;quot; (2018)&#xA;Rex Orange County &amp;amp; Randy Newman — &amp;quot;You've Got a Friend in Me&amp;quot; (2018)&#xA;Liz Vice — Save Me (2018)&#xA;MNEK (feat. Hailee Steinfeld) — &amp;quot;Colour&amp;quot; (2018)&#xA;Third Party — &amp;quot;Free&amp;quot; (2018)&#xA;Mac Miller — &amp;quot;Programs&amp;quot; (2018)&#xA;A$AP Ferg — &amp;quot;Harlem Anthem&amp;quot; (2018)&#xA;Black Thought — Streams of Thought Vol. 1 (2018)&#xA;Lauv — I met you when I was 18. (the playlist) (2018)&#xA;The 1975 — &amp;quot;Give Yourself a Try&amp;quot; (2018)&#xA;Big Freedia — 3rd Ward Bounce (2018)&#xA;Florida Georgia Line — &amp;quot;Colorado&amp;quot; (2018)&#xA;Florida Georgia Line — &amp;quot;Simple&amp;quot; (2018)June 5Sabrina Carpenter — &amp;quot;Almost Love&amp;quot; (2018)&#xA;Kanye West — ye (2018)&#xA;Jade Bird — &amp;quot;Furious&amp;quot; (2018)&#xA;Meiko — Playing Favorites (2018)&#xA;Jessie J — R.O.S.E. (Empowerment) (2018)&#xA;Riley Clemmons — &amp;quot;Better for It (2018)&#xA;DREAMERS — &amp;quot;SCREWS&amp;quot; (2018)&#xA;NIKI — Zephyr (2018)June 4Parliament — Medicaid Fraud Dogg (2018)&#xA;Zaytoven — Trapholizay (2018)&#xA;Fortunate Ones — Hold Fast (2018)&#xA;Lindsay Ell — The Continuum Project (2018)&#xA;Sudan Archives — Sink (2018)&#xA;NDAI — &amp;quot;Time Heals All Wounds&amp;quot; (2018)&#xA;Maggie Rogers — &amp;quot;Fallingwater&amp;quot; (2018)&#xA;Naji — Act I (2018)June 3Silk — Silk (1995)June 2N/AJune 1Young Nudy (feat. 21 Savage) — &amp;quot;Since When&amp;quot; (2018)&#xA;D.O.D — &amp;quot;Glow&amp;quot; (2018)&#xA;The New Respects — &amp;quot;Freedom&amp;quot; (2018)&#xA;Clairo — diary 001 (2018)&#xA;Jorja Smith — &amp;quot;February 3rd&amp;quot; (2018)&#xA;Juice WRLD — Goodbye &amp;amp; Good Riddance (2018)MayMay 31Pusha T — DAYTONA (2018)&#xA;CHVRCHES — Love Is Dead (2018)&#xA;Shawn Mendes — Shawn Mendes (2018)&#xA;Drake — &amp;quot;I'm Upset&amp;quot; (2018)May 30The Internet — &amp;quot;Roll! (Burbank Funk) (KAYTRANADA Remix)&amp;quot; (2018)&#xA;Blue October — &amp;quot;Colors Collide&amp;quot; (2018)&#xA;nobigdyl. — &amp;quot;twenty eighteen&amp;quot; (2018)&#xA;nobigdyl. — &amp;quot;psycho heart!&amp;quot; (2018)&#xA;Jay Rock — &amp;quot;WIN&amp;quot; (2018)&#xA;Chaos Chaos — Chaos Chaos (2018)&#xA;Temi Omi (feat. Tierra Whack) — &amp;quot;Pull Up on You&amp;quot; (2018)&#xA;Alex Da Kid (feat. H.E.R. &amp;amp; Rapsody) — &amp;quot;Go&amp;quot; (2018)&#xA;KYLE — Light of Mine (2018)&#xA;Christina Aguilera (feat. Demi Lovato) — &amp;quot;Fall in Line&amp;quot; (2018)&#xA;Lil Baby — Harder Than Ever (2018)&#xA;Pharrell Williams &amp;amp; Camila Cabello — &amp;quot;Sangria Wine&amp;quot; (2018)May 29NIKI — &amp;quot;I Like U&amp;quot; (2018)&#xA;NIKI — &amp;quot;See U Never&amp;quot; (2018)&#xA;NIKI — &amp;quot;Chilly&amp;quot; (2018)&#xA;NIKI — &amp;quot;Vintage&amp;quot; (2018)&#xA;ORKID — &amp;quot;So Rude&amp;quot; (2018)&#xA;TOMI — &amp;quot;Coming Around&amp;quot; (2018)&#xA;Natalie Prass — &amp;quot;Lost&amp;quot; (2018)&#xA;Now, Now — &amp;quot;MJ&amp;quot; (2018)&#xA;Jennifer Hudson — &amp;quot;I'll Fight&amp;quot; (2018)&#xA;Ashe — &amp;quot;Choirs&amp;quot; (2018)&#xA;THEY. — &amp;quot;Ain't the Same&amp;quot; (2018)&#xA;Sabrina Carpenter &amp;amp; Jonas Blue — &amp;quot;Alien (M-22 Remix)&amp;quot; (2018)&#xA;Terrance Escobar (feat. Thouxanbanfauni) — &amp;quot;*D 4 L*&amp;quot; (2018)&#xA;Mike Jones — &amp;quot;All on Me&amp;quot; (2018)&#xA;A$AP Ferg &amp;amp; Elle Fanning — &amp;quot;Moon River&amp;quot; (2018)&#xA;Jasmine Thompson — &amp;quot;Lonely Together&amp;quot; (2018)&#xA;Houndmouth — &amp;quot;This Party&amp;quot; (2018)&#xA;Ginny Owens — &amp;quot;Remind Me&amp;quot; (2018)&#xA;Jean Deaux — &amp;quot;Energy&amp;quot; (2018)&#xA;morgxn — &amp;quot;me without you&amp;quot; (2018)&#xA;Gallant — &amp;quot;Doesn't Matter&amp;quot; (2018)&#xA;Chantel Jeffries (feat. Offset &amp;amp; Vory) — &amp;quot;Wait&amp;quot; (2018)&#xA;Tee Grizzley (feat. Chris Brown) — &amp;quot;Fuck It Off&amp;quot; (2018)&#xA;Wiz Khalifa (feat. Gucci Mane) — &amp;quot;Real Rich&amp;quot; (2018)&#xA;Jessie Reyez — &amp;quot;Body Count&amp;quot; (2018)&#xA;Troye Sivan — &amp;quot;Bloom&amp;quot; (2018)&#xA;Julia Michaels (feat. Trippie Redd) — &amp;quot;Jump&amp;quot; (2018)&#xA;Jess Glynne — &amp;quot;I'll Be There&amp;quot; (2018)&#xA;Dan + Shay — &amp;quot;All to Myself&amp;quot; (2018)&#xA;Charlie Puth (feat. Kehlani) — &amp;quot;Done for Me&amp;quot; (2018)&#xA;Charlie Puth — &amp;quot;The Way I Am&amp;quot; (2018)&#xA;Florence + The Machine — &amp;quot;Hunger&amp;quot; (2018)&#xA;Travis Scott (feat. Lil Uzi Vert &amp;amp; Kanye West) — &amp;quot;Watch&amp;quot; (2018)&#xA;Shawn Mendes (feat. Khalid) — &amp;quot;Youth&amp;quot; (2018)May 28N/AMay 27N/AMay 26A$AP Rocky — TESTING (2018)May 25N/AMay 24N/AMay 23N/AMay 22N/AMay 21N/AMay 20N/AMay 19Various Artists — Boomerang Soundtrack (1992)&#xA;Foggieraw — &amp;quot;Prolly&amp;quot; (2018)&#xA;BRYN (feat. Yung Fume) — &amp;quot;Pull Up&amp;quot; (2018)May 18Desiigner — L.O.D. (2018)May 17N/AMay 16N/AMay 15N/AMay 14N/AMay 13N/AMay 12April + Vista — &amp;quot;Own2&amp;quot; (2018)&#xA;Amy Grant — &amp;quot;Say It With a Kiss&amp;quot; (2018)&#xA;Jodeci — The Show, the After-Party, the Hotel (1995)May 11Playboi Carti — Die Lit (2018)May 10Leon Bridges — Good Thing (2018)&#xA;Rob $tone — Young Rob $tone (2018)&#xA;Jeremy Zucker — glisten (2018)&#xA;Yung Gravy — Snow Cougar (2018)&#xA;Amber Mark — Conexão (2018)May 9BlocBoy JB — SIMI (2018)&#xA;6 Dogs &amp;amp; Danny Wolf — 6 Wolves (2018)&#xA;Slim Jxmmi — Jxmtro (2018)&#xA;Swae Lee — Swaecation (2018)&#xA;Rae Sremmurd — SR3MM (2018)&#xA;Tove Styrke — Sway (2018)May 8Playboi Carti — &amp;quot;Foreign&amp;quot; (2018)&#xA;L.A. Salami — The City of Bootmakers (2018)&#xA;Laura Veirs — The Lookout (2018)&#xA;Jim Jones — Wasted Talent (2018)&#xA;nothing,nowhere. — ruiner (2018)May 7Pete Rock &amp;amp; C.L. Smooth — The Main Ingredient (1994)&#xA;Childish Gambino — &amp;quot;This Is America&amp;quot; (2018)&#xA;Madeline Kenney — Night Night at the First Landing (2017)&#xA;Annmarie — Tripolar (2018)&#xA;Georgi Jacobs — &amp;quot;Hard to Love&amp;quot; (2018)&#xA;Elle Teresa — KAWAII BUBBLY LOVELY (2018)May 6702 — No Doubt (1996)&#xA;A$AP Ferg — Still Striving (2017)&#xA;Madeline Kenney — Signals (2016)&#xA;21 Savage &amp;amp; Metro Boomin — Savage Mode (2016)&#xA;Trippie Redd — A Love Letter to You (2017)&#xA;Wintertime — I Know What You Did Last Winter (2016)&#xA;Cassy London — Realm (2017)May 5Cassy London — &amp;quot;Wonderland&amp;quot; (2016)&#xA;Diego Money — Go Diego EP (2017)May 4Diego Money — Diego &amp;amp; Friends (2017)&#xA;Evangeline Joy — Verbatim (2013)&#xA;Karen Waldrup — &amp;quot;Warm in Your Sunshine&amp;quot; (2017)&#xA;Phoebe Ryan — James (2017)&#xA;Nadia — Rebel (2017)&#xA;Jxck Kelly — &amp;quot;Nancy&amp;quot; (2018)&#xA;Jxck Kelly — &amp;quot;Nothing&amp;quot; (2018)&#xA;K. Cero — Songs About You (2017)&#xA;Soduh — The Crocodile (2018)May 3Phoebe Ryan — Mine EP (2015)&#xA;Ashaya — November (2016)&#xA;Evan Diamond — &amp;quot;Intersections&amp;quot; (2018)&#xA;Vai Petri — &amp;quot;Criminal&amp;quot; (2018)&#xA;Vai Petri — &amp;quot;Let Live&amp;quot; (2017)&#xA;Analisa Corral — Sugar Pills - Pack 1 (2018)&#xA;Kara Elyse — &amp;quot;Take Control&amp;quot; (2018)&#xA;Aced Spade (feat. Lé, Kiim Bosh, D. Laflair &amp;amp; Marko Stat$) — &amp;quot;Outta Sight&amp;quot; (2018)May 2Carnage — Battered Bruised &amp;amp; Bloody (2018)&#xA;Ciaran Lavery — Sweet Decay (2018)&#xA;Robert Glasper Experiment — Robert Glasper x KAYTRANADA: The ArtScience Remixes (2018)&#xA;Robotaki — Science (2018)&#xA;Skizzy Mars — are you OK? (2018)&#xA;Bazzi — COSMIC (2018)May 1Famous Dex — Dex Meets Dexter (2018)&#xA;The Aces — When My Heart Felt Volcanic (2018)&#xA;The Longshot — The Longshot EP (2018)&#xA;Luniz — No Pressure (2018)&#xA;Ski Mask The Slump God — Beware the Book of Eli (2018)&#xA;Kanye West — &amp;quot;Lift Yourself&amp;quot; (2018)&#xA;Cardi B — Invasion of Privacy (2018)&#xA;Serayah — Addicted (2018)&#xA;Sigrid — Raw (2018)&#xA;Smokepurpp &amp;amp; Murda Beatz — Bless Yo Trap (2018)&#xA;Young Thug — Hear No Evil (2018)&#xA;isaac gracie — isaac gracie (2018)&#xA;Sofi Tukker — Treehouse (2018)&#xA;Alyson Stoner — &amp;quot;God's Plan&amp;quot; (2018)&#xA;Moon Taxi (feat. Sofi Tukker) — &amp;quot;Two High (Sofi Tukker Remix)&amp;quot; (2018)&#xA;Terri Clark &amp;amp; Dallas Smith — &amp;quot;One Drink Ago&amp;quot; (2018)&#xA;Ne-Yo, Bebe Rexha &amp;amp; Stefflon Don — &amp;quot;PUSH BACK&amp;quot; (2018)&#xA;Daryl Hall &amp;amp; John Oates (feat. Train) — &amp;quot;Philly Forget Me Not&amp;quot; (2018)&#xA;THEY. &amp;amp; DEAN — &amp;quot;Dante's Creek (deantrbl Remix)&amp;quot; (2018)&#xA;Nelly (feat. Jacquees) — &amp;quot;Freaky with You&amp;quot; (2018)&#xA;Amine (feat. Injury Reserve) — &amp;quot;Campfire&amp;quot; (2018)&#xA;Ralo &amp;amp; P.Skud — &amp;quot;Don't Worry&amp;quot; (2018)&#xA;Bebe Rexha — &amp;quot;Meant to Be (Acoustic)&amp;quot; (2018)&#xA;Jenny Hval — &amp;quot;Spells&amp;quot; (2018)&#xA;Calpurnia — &amp;quot;Louie&amp;quot; (2018)&#xA;DREAMS — &amp;quot;Silence&amp;quot; (2018)&#xA;Gang Gang Dance — &amp;quot;Lotus (edit)&amp;quot; (2018)&#xA;Royce da 5'9&amp;quot; (feat. Ashley Sorrell) — &amp;quot;Stay Woke&amp;quot; (2018)AprilApril 30Chaos Chaos — &amp;quot;Pink Politics&amp;quot; (2018)&#xA;La Luz — &amp;quot;The Creature&amp;quot; (2018)&#xA;REMMI — &amp;quot;Desperate&amp;quot; (2018)&#xA;Couros — &amp;quot;Young&amp;quot; (2018)&#xA;Highasakite — &amp;quot;Out of Order&amp;quot; (2018)&#xA;Mavi Phoenix — &amp;quot;Yellow&amp;quot; (2018)&#xA;TOMI — &amp;quot;Every Morning I Feel Like Running Away&amp;quot; (2018)&#xA;Wet — &amp;quot;Soften&amp;quot; (2018)&#xA;Asteph — &amp;quot;No One Will Smile&amp;quot; (2018)&#xA;AUGUST 08 — &amp;quot;Lately&amp;quot; (2018)&#xA;Alae — &amp;quot;Stone Cold&amp;quot; (2018)&#xA;Jackson Penn — &amp;quot;Babylon&amp;quot; (2018)&#xA;Morgan Wallen — &amp;quot;Happy Hour&amp;quot; (2018)&#xA;Allen Stone — &amp;quot;Brown Eyed Lover&amp;quot; (2018)&#xA;Higher Brothers &amp;amp; DJ Snake — &amp;quot;Made in China&amp;quot; (2018)&#xA;The Shires — &amp;quot;The Hard Way&amp;quot; (2018)&#xA;Dierks Bentley — &amp;quot;The Mountain&amp;quot; (2018)&#xA;Kideko — &amp;quot;Good Thing&amp;quot; (2018)&#xA;Marian Hill — &amp;quot;Wish You Would&amp;quot; (2018)&#xA;Powers Pleasant (feat. Joey Bada$$ &amp;amp; A$AP Ferg) — &amp;quot;Pull Up&amp;quot; (2018)&#xA;Tritonal (feat. Riley Clemmons) — &amp;quot;Out My Mind (Club Mix)&amp;quot; (2018)&#xA;Bearson (feat. Ashe) — &amp;quot;Get Lost&amp;quot; (2018)&#xA;Cole Swindell  — &amp;quot;Somebody's Been Drinkin'&amp;quot; (2018)&#xA;Ekali &amp;amp; Medasin (feat. Elohim) — &amp;quot;Forever&amp;quot; (2018)&#xA;Christopher — &amp;quot;Bad&amp;quot; (2018)&#xA;Amy Shark — &amp;quot;I Said Hi&amp;quot; (2018)&#xA;50 Cent (feat. PnB Rock) — &amp;quot;Crazy&amp;quot; (2018)&#xA;SATICA — &amp;quot;Inner Child&amp;quot; (2018)&#xA;DJ Megan Ryte (feat. Tory Lanez &amp;amp; HoodCelebrityy) — &amp;quot;On &amp;amp; On&amp;quot; (2018)&#xA;John Splithoff — &amp;quot;Raye&amp;quot; (2018)&#xA;Gavin James — &amp;quot;Always&amp;quot; (2018)&#xA;Aries — &amp;quot;SAYONARA&amp;quot; (2018)&#xA;Juice WRLD — &amp;quot;All Girls Are the Same&amp;quot; (2018)&#xA;Brandy Burnette &amp;amp; Dwilly (feat. Kayo Genesis) — &amp;quot;Hands Down&amp;quot; (2018)&#xA;BATE (feat. Blake Rose &amp;amp; Radio 3000) — &amp;quot;One I Love&amp;quot; (2018)&#xA;Florence + the Machine — &amp;quot;Sky Full of Song&amp;quot; (2018)&#xA;Cash Cash (feat. Abir) — &amp;quot;Finest Hour&amp;quot; (2018)&#xA;Louis the Child (feat. Wafia) — &amp;quot;Better Not&amp;quot; (2018)&#xA;5 Seconds of Summer — &amp;quot;Youngblood&amp;quot; (2018)&#xA;ZAYN — &amp;quot;Let Me&amp;quot; (2018)&#xA;G-Eazy (feat. Yo Gotti &amp;amp; YBN Nahmir) — &amp;quot;1942&amp;quot; (2018)&#xA;Gianna Adams — I Don't Know (2018)&#xA;Drake — &amp;quot;Nice for What&amp;quot; (2018)&#xA;Catherine McGrath — &amp;quot;Wild&amp;quot; (2018)&#xA;Trinidad Cordova — &amp;quot;Even If&amp;quot; (2018)&#xA;Youngr — &amp;quot;Drive&amp;quot; (2018)&#xA;Marshmello &amp;amp; Anne-Marie (feat. A Boogie Wit da Hoodie) — &amp;quot;FRIENDS (A Boogie Wit da Hoodie Remix)&amp;quot; (2018)April 29Empress Of — Trust Me Baby / In Dreams (2018)&#xA;Derek Minor (feat. Dre Murray, Chino Dollaz &amp;amp; Anesha Birchett) — &amp;quot;Decisions&amp;quot; (2018)&#xA;Phora — &amp;quot;Come Thru&amp;quot; (2018)&#xA;nobigdyl. — &amp;quot;enemies?&amp;quot; (2018)&#xA;Patrick Paige II (feat. Syd &amp;amp; Kari Faux) — &amp;quot;On My Mind / Charge It to the Game&amp;quot; (2018)&#xA;Nicki Minaj — &amp;quot;Chun-Li&amp;quot; (2018)&#xA;King Princess — &amp;quot;Talia&amp;quot; (2018)&#xA;Swae Lee (feat. Slim Jxmmi) — &amp;quot;Guatemala&amp;quot; (2018)&#xA;Lil Pump — &amp;quot;Esskeetit&amp;quot; (2018)&#xA;Bebe Rexha (feat. Quavo) — &amp;quot;2 Souls on Fire&amp;quot; (2018)&#xA;Bebe Rexha — &amp;quot;Ferrari&amp;quot; (2018)&#xA;Nicki Minaj — &amp;quot;Barbie Tingz&amp;quot; (2018)&#xA;Keith Urban — Graffiti U (2018)&#xA;Half Waif — Lavender (2018)&#xA;Janelle Monáe — Dirty Computer (2018)&#xA;We Are Scientists — Megaplex (2018)&#xA;Cicada Rhythm — Everywhere I Go (2018)&#xA;Twin Shadow — Caer (2018)April 28Elohim — Elohim (2018)&#xA;Sarah Reeves — Easy Never Needed You (2018)&#xA;Buzzy Lee — Facepaint (2018)&#xA;XXXTENTACION — ? (2018)&#xA;Anne-Marie — Speak Your Mind (2018)&#xA;SahBabii (feat. 21 Savage) — &amp;quot;Outstanding&amp;quot; (2018)&#xA;Peso da Mafia — &amp;quot;About Us&amp;quot; (2018)&#xA;Codes — GO DOWN / THAT CRACK (2018)April 27NEEDTOBREATHE — &amp;quot;Darling&amp;quot; (2018)&#xA;Kailee Morgue — &amp;quot;Fuck U&amp;quot; (2018)&#xA;Meg Myers — &amp;quot;Numb&amp;quot; (2018)&#xA;Shea Diamond — &amp;quot;Keisha Complexion&amp;quot; (2018)&#xA;A Boogie Wit da Hoodie — &amp;quot;Right Moves&amp;quot; (2018)&#xA;Tee Grizzley (feat. Lil Yachty) — &amp;quot;2 Vaults&amp;quot; (2018)&#xA;Aloe Blacc — &amp;quot;Brooklyn in the Summer&amp;quot; (2018)&#xA;The Internet — &amp;quot;Roll! (Burbank Funk)&amp;quot; (2018)&#xA;Clairo — &amp;quot;4EVER&amp;quot; (2018)&#xA;Jason Mraz — &amp;quot;Have It All&amp;quot; (2018)&#xA;Imagine Dragons — Evolve (2017)&#xA;Onyx — Black Rock (2018)&#xA;Young Scooter — Trippple Cross (2018)April 26Towkio — WWW. (2018)&#xA;Black Milk — FEVER (2018)&#xA;Blac Youngsta — 223 (2018)&#xA;Quinn XCII — The Story of Us (Deluxe Tracks) (2018)&#xA;Quinn XCII — The Story of Us (2017)April 25J. Cole — &amp;quot;Want You to Fly&amp;quot; (2017)&#xA;Skool Boy (Skoolie 300) — After Skool Vol. 1 (2009)April 24S. Carey — Hundred Acres (2018)&#xA;SOB X RBE — GANGIN (2018)&#xA;Kodak Black — Heart Break Kodak (HBK) (2018)&#xA;Rockstar Marqo — Fuck Rap'n (2018)&#xA;The Dopplegangaz — &amp;quot;Fajita Effect&amp;quot; (2018)&#xA;Ugly God — just a lil something before the album... (2018)April 23E-40 &amp;amp; B-Legit — Connected and Respected (2018)&#xA;ALLBLACK — Outcalls (2018)&#xA;Katelyn Tarver — &amp;quot;LY4L&amp;quot; (2018)&#xA;Jade Bird — &amp;quot;Cathedral (Acoustic)&amp;quot; (2017)&#xA;Princess Nokia — A Girl Cried Red (2018)&#xA;Tinashe — Joyride (2018)&#xA;The Paper Kites — On the Train Ride Home (2018)&#xA;Mýa — T.K.O. (The Knock Out) (2018)&#xA;Bishop Briggs — Church of Scars (2018)&#xA;Lord Huron — Vide Noir (2018)&#xA;The Chainsmokers — Sick Boy (2018)&#xA;Sasha Sloan — sad girl (2018)&#xA;Anna Leone — Wandered Away (2018)&#xA;Carrie Underwood — &amp;quot;Cry Pretty&amp;quot; (2018)&#xA;Lykke Li — deep end / hard rain (2018)&#xA;PRETTYMUCH — PRETTYMUCH an EP (2018)April 22A$AP TyY — Best Kept Secret (2016)&#xA;A$AP TyY — Troubles of the World (2018)&#xA;A$AP Rocky — &amp;quot;Herojuana Blunts&amp;quot; (2018)&#xA;Thouxanbanfauni — The EXFiles (2017)&#xA;XVL Hendrix — Blessings &amp;amp; a Curse 2 (2018)&#xA;Thouxanbanfauni — Heavy Weight Champ (2017)&#xA;Flatbush ZOMBiES — Vacation in Hell (2018)April 21Migo Domingo — Menace II Society (2018)&#xA;A$AP Ant — The Best of A$AP Ant 2017 (2018)&#xA;Off Bloom — &amp;quot;Love Actually&amp;quot; (2018)&#xA;Halsey (feat. Stefflon Don) — &amp;quot;Alone (Calvin Harris Remix)&amp;quot; (2018)&#xA;Jack &amp;amp; Jack — &amp;quot;Stay with Me&amp;quot; (2018)&#xA;JGrrey — &amp;quot;Growing&amp;quot; (2018)&#xA;FIDLAR — &amp;quot;Alcohol&amp;quot; (2018)&#xA;Mahalia — &amp;quot;No Reply&amp;quot; (2018)&#xA;AURORA — &amp;quot;Queendom&amp;quot; (2018)&#xA;Channel Tres — &amp;quot;Controller&amp;quot; (2018)&#xA;Hobo Johnson — &amp;quot;Peach Scone&amp;quot; (2018)&#xA;Calvin Harris &amp;amp; Dua Lipa — &amp;quot;One Kiss&amp;quot; (2018)&#xA;Wiz Khalifa — &amp;quot;420 Freestyle&amp;quot; (2018)&#xA;Schilly (feat. Nessly) — &amp;quot;Higher&amp;quot; (2018)&#xA;Caitie Hurst — &amp;quot;How Could I Be Silent&amp;quot; (2018)&#xA;Vacationer — &amp;quot;Being Here&amp;quot; (2018)&#xA;KB — &amp;quot;No Chains&amp;quot; (2018)&#xA;Cam — &amp;quot;Palace (Cover)&amp;quot; (2018)&#xA;L.I.F.T — &amp;quot;WANNA DIE&amp;quot; (2018)&#xA;Anik Khan (feat. Burna Boy &amp;amp; Sango) — &amp;quot;Oh My&amp;quot; (2018)&#xA;Naughty Boy, RAY BLK &amp;amp; Wyclef Jean — &amp;quot;All or Nothing&amp;quot; (2018)&#xA;Hyphen Hyphen — &amp;quot;KND&amp;quot; (2018)&#xA;Rae Sremmurd (feat. Travis Scott) — &amp;quot;CLOSE&amp;quot; (2018)&#xA;Jeremy Zucker (feat. Chelsea Cutler) — &amp;quot;better off&amp;quot; (2018)&#xA;6 Dogs (feat. Lil Skies) — &amp;quot;Off the Gas&amp;quot; (2018)&#xA;Jean Deaux — &amp;quot;SSN (They Say)&amp;quot; (2018)&#xA;CRUISR — &amp;quot;Mind Eraser&amp;quot; (2018)&#xA;Anne-Marie — &amp;quot;2002&amp;quot; (2018)&#xA;Caitie Hurst — &amp;quot;Nothing to Hide&amp;quot; (2018)&#xA;Leon Bridges — &amp;quot;Beyond&amp;quot; (2018)&#xA;iZNiiK — &amp;quot;round the world&amp;quot; (2018)&#xA;BURNS (feat. Maluma &amp;amp; Rae Sremmurd) — &amp;quot;Hands on Me&amp;quot; (2018)&#xA;A Boogie Wit da Hoodie (feat. Tory Lanez) — &amp;quot;Best Friend&amp;quot; (2018)&#xA;Khalid, 6LACK &amp;amp; Ty Dolla $ign — &amp;quot;OTW&amp;quot; (2018)&#xA;Prince — &amp;quot;Nothing Compares 2 U&amp;quot; (2018)&#xA;VHS Collection — &amp;quot;One&amp;quot; (2018)&#xA;Courtney Barnett — &amp;quot;City Looks Pretty&amp;quot; (2018)&#xA;VanJess — &amp;quot;Addicted&amp;quot; (2018)&#xA;Casey Veggies (feat. Wiz Khalifa) — &amp;quot;Show Off&amp;quot; (2018)&#xA;Bas (feat. Correy C) — &amp;quot;Pinball II&amp;quot; (2018)&#xA;Shae Jacobs — &amp;quot;Space&amp;quot; (2018)&#xA;Confetti — &amp;quot;When I Grow Up&amp;quot; (2018)&#xA;Bahari — &amp;quot;Savage&amp;quot; (2018)&#xA;Sauce Walka — &amp;quot;No Recess&amp;quot; (2018)&#xA;Warhol.SS — &amp;quot;Birds Nest&amp;quot; (2018)April 20Billie Eilish &amp;amp; Khalid — &amp;quot;lovely&amp;quot; (2018)&#xA;Russ (feat. Jessie Reyez) — &amp;quot;Basement&amp;quot; (2018)&#xA;Janelle Monáe — &amp;quot;I Like That&amp;quot; (2018)&#xA;Ariana Grande — &amp;quot;no tears left to cry&amp;quot; (2018)&#xA;J. Cole — KOD (2018)April 19Yung Bans — Yung Bans Vol. 4 (2018)&#xA;Berhana — &amp;quot;Whole Wide World&amp;quot; (2018)&#xA;RuthAnne — &amp;quot;The Vow&amp;quot; (2018)&#xA;Ray LaMontagne — &amp;quot;Such a Simple Thing&amp;quot; (2018)&#xA;Sarah Reeves — &amp;quot;Something About You&amp;quot; (2018)&#xA;BlocBoy JB (feat. 21 Savage) — &amp;quot;Rover 2.0&amp;quot; (2018)&#xA;San Holo (feat. Taska Black) — &amp;quot;Right Here, Right Now&amp;quot; (2018)&#xA;Underoath — &amp;quot;Rapture&amp;quot; (2018)&#xA;Snail Mail — &amp;quot;Pristine&amp;quot; (2018)&#xA;Mr. Popular — &amp;quot;Price Is Right&amp;quot; (2018)&#xA;Marc Scibilia — &amp;quot;Over You&amp;quot; (2018)&#xA;Eminem (feat. Kehlani) — &amp;quot;Nowhere Fast (Extended Version)&amp;quot; (2018)&#xA;Steve Angello &amp;amp; Sam Martin — &amp;quot;Nothing Scares Me Anymore&amp;quot; (2018)&#xA;Thandi Phoenix — &amp;quot;My Way&amp;quot; (2018)&#xA;Steve Aoki &amp;amp; Quintino — &amp;quot;Mayhem&amp;quot; (2018)&#xA;CVIRO &amp;amp; GXNXVS — &amp;quot;Lady&amp;quot; (2018)&#xA;Chloe x Halle — The Kids Are Alright (2018)&#xA;Alec King — &amp;quot;Keep It Real&amp;quot; (2018)&#xA;Spencer Ludwig — &amp;quot;Just Wanna Dance&amp;quot; (2018)&#xA;Goody Grace — Infinite (2018)&#xA;joan — &amp;quot;i loved you first&amp;quot; (2018)&#xA;Ernest K., Case Arnold &amp;amp; Bryant Taylorr — &amp;quot;I Love My City&amp;quot; (2018)&#xA;Jack &amp;amp; Jack — &amp;quot;I Don't Know&amp;quot; (2018)&#xA;Nightly — &amp;quot;Holding On&amp;quot; (2018)&#xA;Bazzi — &amp;quot;Honest&amp;quot; (2018)&#xA;Hiss Golden Messenger — Hiss Golden Messenger Meets Spacebomb (2018)&#xA;FINNEAS — &amp;quot;Heaven&amp;quot; (2018)&#xA;No Jumper (feat. Tay-K &amp;amp; BlocBoy JB) — &amp;quot;Hard&amp;quot; (2018)&#xA;070 Shake — Glitter (2018)&#xA;Sonta — In My Feelings (2017)&#xA;Jason Aldean — &amp;quot;Gettin' Warmed Up&amp;quot; (2018)&#xA;NONONO — &amp;quot;Friends&amp;quot; (2018)&#xA;kiLL edward — &amp;quot;Tidal Wave (just a little reference)&amp;quot; (2018)&#xA;Two Door Cinema Club — Four Words to Stand On (2018)&#xA;Kodaline — &amp;quot;Follow Your Fire&amp;quot; (2018)&#xA;David Guetta &amp;amp; Sia — &amp;quot;Flames&amp;quot; (2018)&#xA;Golden Features — &amp;quot;Falling Out&amp;quot; (2018)&#xA;Let's Eat Grandma — &amp;quot;Falling into Me&amp;quot; (2018)&#xA;Mishegas — &amp;quot;Episodes&amp;quot; (2018)&#xA;Grizfolk — &amp;quot;Endless Summer&amp;quot; (2018)April 18Trouble &amp;amp; Mike WiLL Made-It — Edgewood (2018)&#xA;CHVRCHES — &amp;quot;Miracle&amp;quot; (2018)&#xA;Ski Mask The Slump God — &amp;quot;SKIMeetsWorld&amp;quot; (2018)&#xA;ELEL — &amp;quot;Early in the Morning&amp;quot; (2018)&#xA;Snow Patrol — &amp;quot;Don't Give In&amp;quot; (2018)&#xA;Sheck Wes — &amp;quot;Do That&amp;quot; (2018)&#xA;Marian Hill — &amp;quot;Differently&amp;quot; (2018)&#xA;Ryan Hurd — &amp;quot;Diamonds or Twine&amp;quot; (2018)&#xA;Autograf (feat. Lils &amp;amp; Bonsai Mammal) — &amp;quot;Dead Soon&amp;quot; (2018)&#xA;Lil Skies (feat. Rich The Kid) — &amp;quot;Creeping&amp;quot; (2018)&#xA;Burak Yeter — &amp;quot;Crash&amp;quot; (2018)&#xA;Keith Urban (feat. Julia Michaels) — &amp;quot;Coming Home&amp;quot; (2018)&#xA;Diplo — California (2018)&#xA;NEEDTOBREATHE — &amp;quot;Bridges Burn&amp;quot; (2018)&#xA;E^ST — &amp;quot;Blowjob&amp;quot; (2018)&#xA;SHY Martin — &amp;quot;Bad in Common&amp;quot; (2018)&#xA;The Shadowboxers — Apollo (2018)&#xA;Vory — &amp;quot;9.22&amp;quot; (2018)&#xA;The Aces — &amp;quot;Waiting for You&amp;quot; (2018)&#xA;Zaytoven (feat. Yung Cakes) — &amp;quot;Time Too&amp;quot; (2018)&#xA;Mike Jones — &amp;quot;Some Show Me Love&amp;quot; (2018)&#xA;Pete Rock (feat. Amxxr) — &amp;quot;Rap Caviar&amp;quot; (2018)&#xA;RaeLynn — &amp;quot;Queens Don't&amp;quot; (2018)&#xA;SD — Pay Attention (2018)&#xA;Noname (feat. Sniperghini) — &amp;quot;Nikey&amp;quot; (2018)&#xA;The Neighbourhood — The Neighbourhood (2018)&#xA;Jose Guapo — Lingo 2: The Return (2018)&#xA;Chief Keef — The Leek Volume 4 (2018)April 17Lil Yachty — Lil Boat 2 (2018)&#xA;Migos (feat. Hoodrich Pablo Juan) — &amp;quot;Migo Pablo&amp;quot; (2018)&#xA;Foggieraw — Fogtavious Vandross (2018)&#xA;Gravediggaz — &amp;quot;Enter the Graveyard Chamber&amp;quot; (2018)&#xA;Cautious Clay — &amp;quot;Cold War (Stripped)&amp;quot; (2018)&#xA;AJR — &amp;quot;Burn the House Down&amp;quot; (2018)&#xA;Waka Flocka Flame, Zaytoven &amp;amp; Big Bank — The Brick House Boyz (2018)&#xA;Halsey (feat. Big Sean &amp;amp; Stefflon Don) — &amp;quot;Alone&amp;quot; (2018)&#xA;Mary Chapin Carpenter — Sometimes Just the Sky (2018)April 16Frank Ocean — Endless (2016)&#xA;Her — Her (2018)&#xA;Zhané — Pronounced Jah-Nay (1994)&#xA;LSG — Levert.Sweat.Gill (1997)&#xA;Cardi B — &amp;quot;Be Careful&amp;quot; (2018)April 15Tove Styrke (feat. Björn Yttling) — &amp;quot;Say My Name (Acoustic Version)&amp;quot; (2017)&#xA;Tove Styrke — &amp;quot;... Baby One More Time&amp;quot; (2015)&#xA;Tove Styrke — &amp;quot;liability (demo)&amp;quot; (2017)&#xA;Tove Styrke — &amp;quot;Mistakes&amp;quot; (2017)&#xA;Tove Styrke — &amp;quot;Changed My Mind&amp;quot; (2018)&#xA;Tove Styrke — &amp;quot;Say My Name&amp;quot; (2017)&#xA;Tove Styrke — &amp;quot;On the Low&amp;quot; (2018)&#xA;OutKast — Southernplayalisticadillacmuzik (1994)&#xA;Steffany Gretzinger — Blackout (2018)April 14N/AApril 13Doja Cat — Amala (2018)&#xA;A Tribe Called Quest — Beats, Rhymes and Life (1996)&#xA;A Tribe Called Quest — Midnight Marauders (1993)&#xA;Jean Grae &amp;amp; Quelle Chris  — Everything's Fine (2018)April 12Ashley McBryde — Girl Going Nowhere (2018)April 11Craig Mack (feat. Q-Tip) — &amp;quot;Get Down (Q-Tip Remix)&amp;quot; (1994)&#xA;Damar Jackson — Unfaithful (2018)&#xA;The Voidz — Virtue (2018)April 10DJ Esco — KOLORBLIND (2018)&#xA;Bloodboy — &amp;quot;Is Now a Good Time to Ruin Your Life?&amp;quot; (2018)&#xA;Kylie Minogue — &amp;quot;Raining Glitter&amp;quot; (2018)&#xA;Hinds — &amp;quot;Finally Floating&amp;quot; (2018)&#xA;Andra Day — &amp;quot;I Wish I Knew How It Would Feel to Be Free&amp;quot; (2018)&#xA;CHVRCHES — &amp;quot;Never Say Die&amp;quot; (2018)&#xA;Tinashe (feat. Ty Dolla $ign &amp;amp; French Montana) — &amp;quot;Me So Bad&amp;quot; (2018)&#xA;Billie Eilish — &amp;quot;bitches broken hearts&amp;quot; (2018)&#xA;Grace VanderWaal — &amp;quot;Clearly&amp;quot; (2018)&#xA;Tori Kelly (feat. The HamilTones) — &amp;quot;Help Us to Love&amp;quot; (2018)&#xA;Lizzo — &amp;quot;Fitness&amp;quot; (2018)&#xA;Cassadee Pope — &amp;quot;Take You Home&amp;quot; (2018)&#xA;Jessie Reyez (feat. Daniel Caesar) — &amp;quot;Figures, a Reprise&amp;quot; (2018)April 9Henry Green — Shift (2018)April 8N/AApril 7A$AP Rocky (feat. BlocBoy JB) — &amp;quot;Bad Company&amp;quot; (2018)&#xA;Ty Dolla $ign (feat. Gucci Mane &amp;amp; Quavo) - &amp;quot;Pineapple&amp;quot; (2018)&#xA;ARTY — &amp;quot;Rain&amp;quot; (2018)&#xA;Tyler, The Creator — &amp;quot;OKRA&amp;quot; (2018)&#xA;Lauv — &amp;quot;Chasing Fire&amp;quot; (2018)April 6Hayley Kiyoko — Expectations (2018)April 5Rich The Kid — The World Is Yours (2018)&#xA;Kacey Musgraves — Golden Hour (2018)&#xA;The Weeknd — My Dear Melancholy, (2018)&#xA;Louisa (feat. 2 Chainz) — &amp;quot;YES&amp;quot; (2018)&#xA;Alyson Stoner — &amp;quot;When It's Right&amp;quot; (2018)April 4D'Angelo — Brown Sugar (1995)&#xA;Troop — Attitude (1989)April 3Christopher Williams — Changes (1992)April 2Guy — The Future (1990)&#xA;Silk — Lose Control (1992)April 1DJ SpinKing (feat. A$AP Ferg, Tyga, Velous &amp;amp; Jeremih) — &amp;quot;Adult Swim&amp;quot; (2014)&#xA;Busta Rhymes &amp;amp; Q-Tip — The Abstract and the Dragon (2013)MarchMarch 31H-Town — Fever for da Flavor (1993)March 30The Internet — Feel Good (2013)&#xA;The Internet — Ego Death (2015)March 29N/AMarch 28N/AMarch 27N/AMarch 26N/AMarch 25N/AMarch 24Belly (feat. YG) — &amp;quot;4 Days&amp;quot; (2018)&#xA;Thirty Seconds to Mars (feat. A$AP Rocky) — &amp;quot;One Track Mind&amp;quot; (2018)&#xA;Kacey Musgraves — &amp;quot;High Horse&amp;quot; (2018)&#xA;Shawn Mendes — &amp;quot;Lost in Japan&amp;quot; (2018)&#xA;grandson — &amp;quot;thoughts &amp;amp; prayers&amp;quot; (2018)&#xA;Panic! At the Disco — Say Amen for Silver Linings (2018)&#xA;KYLE (feat. Kehlani) — &amp;quot;Playinwitme&amp;quot; (2018)&#xA;Amara La Negra — &amp;quot;Insecure&amp;quot; (2018)&#xA;Keith Urban (feat. Julia Michaels) — &amp;quot;Coming Home&amp;quot; (2018)&#xA;Shawn Mendes — &amp;quot;In My Blood&amp;quot; (2018)March 23at Wendys — We Beefin? (2018)&#xA;Tove Styrke — Kiddo (2018)&#xA;Warhol.SS — Where's Warhol? (2017)&#xA;MadeinTYO — True's World (2017)&#xA;StaRR Lyfe — &amp;quot;Fuck Tomi Lahren (Shut Up Bitch)&amp;quot; (2016)&#xA;Warhol.SS — Warhol 16' (2017)&#xA;Warhol.SS — 3200 (2017)&#xA;Jeremih — The Chocolate Box (2018)March 22Playboi Carti — &amp;quot;Shake N Bake&amp;quot; (2018)&#xA;Sammie — Series 31873.0 (2018)&#xA;Marshmello (feat. Leah Culver) — &amp;quot;Fly&amp;quot; (2018)&#xA;Steffany Gretzinger — &amp;quot;Save Me&amp;quot; (2018)&#xA;Jason Derulo — &amp;quot;Colors&amp;quot; (2018)&#xA;FLETCHER — &amp;quot;I Believe You&amp;quot; (2018)&#xA;KYLE — &amp;quot;To the Moon&amp;quot; (2018)&#xA;Vince Staples — &amp;quot;Get the Fuck Off My Dick&amp;quot; (2018)&#xA;DROELOE — &amp;quot;Many Words&amp;quot; (2018)&#xA;Buddy (feat. A$AP Ferg) — &amp;quot;Black&amp;quot; (2018)&#xA;Phora — &amp;quot;Boss Up&amp;quot; (2018)&#xA;The Knocks (feat. Foster The People) — &amp;quot;Ride or Die&amp;quot; (2018)&#xA;Neko Case — &amp;quot;Hell-On&amp;quot; (2018)&#xA;REMMI — &amp;quot;Minimum Wage&amp;quot; (2018)&#xA;morgxn — &amp;quot;translucent&amp;quot; (2018)&#xA;Ashley Monroe — &amp;quot;Paying Attention&amp;quot; (2018)&#xA;The Aces — &amp;quot;Just Like That&amp;quot; (2018)&#xA;Sauce Walka — &amp;quot;OK&amp;quot; (2018)&#xA;Trinidad James — &amp;quot;T.I.B.E. (This Is Black Excellence)&amp;quot; (2018)&#xA;Bankroll Fresh — &amp;quot;Whole 4&amp;quot; (2018)&#xA;Loote — &amp;quot;Your Side of the Bed&amp;quot; (2018)&#xA;JP Saxe — &amp;quot;The Few Things&amp;quot; (2018)&#xA;Years &amp;amp; Years — &amp;quot;Sanctify&amp;quot; (2018)&#xA;Alison Wonderland — &amp;quot;No&amp;quot; (2018)&#xA;Wifisfuneral — &amp;quot;25 Lighters&amp;quot; (2018)&#xA;Johnny Yukon — &amp;quot;Lonely&amp;quot; (2018)&#xA;Yoke Lore — &amp;quot;Fake You&amp;quot; (2018)&#xA;Sjowgren — &amp;quot;Beginners&amp;quot; (2018)&#xA;Barns Courtney — &amp;quot;Sinners&amp;quot; (2018)&#xA;Brett Castro — &amp;quot;Much About Sadness&amp;quot; (2018)&#xA;Louis The Child (feat. Joey Purp) — &amp;quot;Shake Something&amp;quot; (2018)&#xA;Jordan Hollywood — &amp;quot;Cash Out&amp;quot; (2018)&#xA;Parquet Courts — &amp;quot;Wide Awake&amp;quot; (2018)&#xA;Wet — &amp;quot;There's a Reason&amp;quot; (2018)&#xA;Liv Dawson — &amp;quot;Talk&amp;quot; (2018)&#xA;Dermot Kennedy — &amp;quot;Young &amp;amp; Free&amp;quot; (2018)&#xA;Beach House — &amp;quot;Dive&amp;quot; (2018)&#xA;Jon Hopkins — &amp;quot;Emerald Rush&amp;quot; (2018)&#xA;Sofi Tukker — &amp;quot;Baby I'm a Queen&amp;quot; (2018)&#xA;TRACES — &amp;quot;Before I Wilt&amp;quot; (2018)&#xA;Spazz Cardigan — &amp;quot;Episode&amp;quot; (2018)&#xA;CXLOE — &amp;quot;Monster&amp;quot; (2018)March 21Necklace — &amp;quot;Easy&amp;quot; (2018)&#xA;George Ezra — &amp;quot;Hold My Girl&amp;quot; (2018)&#xA;Sea Girls — &amp;quot;Eat Me Whole&amp;quot; (2018)&#xA;Shaylen — &amp;quot;Take It Back&amp;quot; (2018)&#xA;Salt Cathedral — &amp;quot;No Love&amp;quot; (2018)&#xA;Lil Jay Brown — Money Luvin Youngin: The Lick Tape (2018)&#xA;John Wic — One Gunman (2018)&#xA;Famous Dex &amp;amp; Polo Boy Shawty — When Polo Met Dexter (2018)March 20Astrid S — Party's Over (Acoustic) (2017)&#xA;Bell Biv DeVoe — Poison (1990)&#xA;Mobb Deep — The Infamous Archives (2007)&#xA;Sy Ari da Kid — After the Heartbreak (2018)March 19Jonathan Wilson — Rare Birds (2018)&#xA;Current Joys — A Different Age (2018)March 18Cape Cope — How to Socialise &amp;amp; Make Friends (2018)March 17N/AMarch 16N/AMarch 15Sabrina Carpenter &amp;amp; Jonas Blue — &amp;quot;Alien&amp;quot; (2018)&#xA;Katie Herzig — Moment of Bliss (2018)March 14Haley Heynderickx — I Need to Start a Garden (2018)March 13The Breeders — All Nerve (2018)&#xA;Waka Flocka Flame — Benjamin Flocka (2011)March 12Moby — Everything Was Beautiful, and Nothing Hurt (2018)&#xA;The Undercover Dream Lovers — In Real Time (2018)&#xA;Larry June — You're Doing Good (2018)&#xA;Moss Kena — Found You in 06 (2018)&#xA;JOY. — Six (2018)March 11N/AMarch 10Mikky Ekko — ADVANCE COPY EP (2018)&#xA;Margaret Glaspy — Born Yesterday (2018)&#xA;Valee — GOOD Job, You Found Me (2018)&#xA;Soccer Mommy — Clean (2018)March 9Nessly — Wildflower (2018)&#xA;ALMA — Heavy Rules Mixtape (2018)&#xA;Superorganism — Superorganism (2018)&#xA;Lucius — NUDES (2018)&#xA;Mt. Joy — Mt. Joy (2018)March 8Tory Lanez — MEMORIES DON'T DIE (2018)March 7B5 — B5 (2005)&#xA;Digable Planets — Blowout Comb (1994)March 6Digable Planets — Reachin' (A New Refutation of Time and Space) (1993)&#xA;B2K — B2K (2002)March 5Sophie Rose — &amp;quot;Pink Lipstick&amp;quot; (2018)&#xA;Subway — Good Times (1995)&#xA;Katelyn Tarver — &amp;quot;Never Fade&amp;quot; (2018)&#xA;Casey Veggies (feat. 03 Greedo) — &amp;quot;Broke&amp;quot; (2018)&#xA;UnoTheActivist (feat. Rich The Kid) — &amp;quot;Fabo (Remix)&amp;quot; (2018)&#xA;Madge — &amp;quot;Fight or Flight Club&amp;quot; (2018)&#xA;Frankie Simone — &amp;quot;War Paint&amp;quot; (2018)&#xA;Funky Craig &amp;amp; Tommie Sunshine — &amp;quot;Where the Drums At&amp;quot; (2018)&#xA;BOBI ANDONOV — &amp;quot;Smoke&amp;quot; (2018)&#xA;Molly Moore — &amp;quot;Tough Love&amp;quot; (2018)&#xA;Maths Time Joy (feat. Flores) — &amp;quot;Going Nowhere&amp;quot; (2018)&#xA;What So Not (feat. Winona Oak) — &amp;quot;Beautiful&amp;quot; (2018)&#xA;Saba — &amp;quot;Busy&amp;quot; (2018)&#xA;TV Noise (feat. Drew Love) — &amp;quot;Run&amp;quot; (2018)&#xA;Now, Now — &amp;quot;AZ&amp;quot; (2018)&#xA;Amber Mark — &amp;quot;Love Me Right&amp;quot; (2018)&#xA;Northern Faces — &amp;quot;Firecracker&amp;quot; (2018)&#xA;Carlos Vara — &amp;quot;Numb&amp;quot; (2018)&#xA;The Neighbourhood — &amp;quot;Nervous&amp;quot; (2018)&#xA;pronoun — &amp;quot;run&amp;quot; (2018)&#xA;XXXTENTACION — &amp;quot;changes&amp;quot; (2018)&#xA;Young Fathers — &amp;quot;Toy&amp;quot; (2018)&#xA;EBEN — &amp;quot;LAMBO&amp;quot; (2018)&#xA;Fickle Friends — &amp;quot;Wake Me Up&amp;quot; (2018)&#xA;XXXTENTACION — &amp;quot;SAD!&amp;quot; (2018)&#xA;Zaytoven (feat. Ty Dolla $ign, Jeremih &amp;amp; OJ da Juiceman) — &amp;quot;What You Think&amp;quot; (2018)&#xA;Hoodrich Pablo Juan (feat. Gucci Mane) — &amp;quot;We Don't Luv Em (Remix)&amp;quot; (2018)&#xA;Smooky MarGielaa — &amp;quot;Smooky's Story&amp;quot; (2018)&#xA;Sauce Walka — &amp;quot;Sauce Baby&amp;quot; (2018)&#xA;Lil Yachty (feat. Digital Nas) — &amp;quot;Revenge&amp;quot; (2018)&#xA;Flatbush Zombies — &amp;quot;Headstone&amp;quot; (2018)&#xA;Kap G &amp;amp; Hoodrich Pablo Juan — &amp;quot;Boss Luv&amp;quot; (2018)&#xA;Jose Guapo (feat. Young Scooter) — &amp;quot;Blame It on the Streets&amp;quot; (2018)&#xA;Miriam Bryant — &amp;quot;Black Car&amp;quot; (2018)&#xA;nothing,nowhere. — &amp;quot;hammer&amp;quot; (2018)&#xA;Coast Modern — &amp;quot;Electric Feel&amp;quot; (2018)&#xA;Godsmack — &amp;quot;Bulletproof&amp;quot; (2018)&#xA;The Moondoggies — &amp;quot;Sick in Bed&amp;quot; (2018)&#xA;Hawthorne Heights — &amp;quot;Pink Hearts&amp;quot; (2018)&#xA;Everette — &amp;quot;Slow Roll&amp;quot; (2018)&#xA;Natalie Prass — &amp;quot;Short Court Style&amp;quot; (2018)&#xA;Fedel — Gold Package (2018)&#xA;The Blaze — &amp;quot;HEAVEN&amp;quot; (2018)&#xA;The Kills — &amp;quot;Steppin' Razor&amp;quot; (2018)&#xA;The Kills — &amp;quot;List of Demands (Reparations)&amp;quot; (2018)March 4Little Dragon — &amp;quot;Best Friends&amp;quot; (2018)&#xA;Ryan Kinder — &amp;quot;Leap of Faith&amp;quot; (2018)&#xA;Smokepurpp &amp;amp; Murda Beatz — &amp;quot;123&amp;quot; (2018)&#xA;Tom Misch (feat. De La Soul) — &amp;quot;It Runs Through Me&amp;quot; (2018)&#xA;SG Lewis — &amp;quot;Coming Up&amp;quot; (2018)&#xA;Rudy Mancuso &amp;amp; Maia Mitchell — &amp;quot;Magic&amp;quot; (2018)&#xA;Jordan Davis — &amp;quot;Going 'Round&amp;quot; (2018)&#xA;LA Riots — Do Your Thing/All Good (2018)&#xA;Joyner Lucas &amp;amp; Chris Brown — &amp;quot;Stranger Things&amp;quot; (2018)&#xA;Fisher — &amp;quot;Crowd Control&amp;quot; (2018)&#xA;MVEK — &amp;quot;Tongue&amp;quot; (2018)&#xA;Flo Rida — &amp;quot;Dancer&amp;quot; (2018)&#xA;Jack White — &amp;quot;Over and Over and Over&amp;quot; (2018)&#xA;Gucci Mane (feat. Migos &amp;amp; Lil Yachty) — &amp;quot;Solitaire&amp;quot; (2018)&#xA;Meghan Trainor — &amp;quot;No Excuses&amp;quot; (2018)&#xA;CHVRCHES (feat. Matt Berninger) — &amp;quot;My Enemy&amp;quot; (2018)&#xA;DJ Khaled (feat. JAY Z, Future &amp;amp; Beyoncé) — &amp;quot;Top Off&amp;quot; (2018)&#xA;Zapp — Zapp II (1982)&#xA;Illegal — The Untold Truth (1993)&#xA;Another Bad Creation — It Ain't What U Wear, It's How U Play It (1993)&#xA;Another Bad Creation — Coolin' at the Playground Ya Know! (1991)&#xA;Zapp — Zapp (1980)&#xA;Marqo 2 Fresh — Marqo da Monster (2016)&#xA;N II U — N II U (1994)March 3Young Nudy (feat. Hoodrich Pablo Juan) — &amp;quot;Do It&amp;quot; (2016)&#xA;RX Peso — Rixh Drugs (2018)March 2Playboi Carti — &amp;quot;Shawty in Love&amp;quot; (2018)&#xA;Confetti — &amp;quot;People Suck&amp;quot; (2018)&#xA;Max Frost — &amp;quot;Good Morning&amp;quot; (2018)&#xA;Svrcina — &amp;quot;Whispers&amp;quot; (2018)&#xA;Ramz — &amp;quot;Power&amp;quot; (2018)&#xA;Jake Miller (feat. Jabbar Hakeem) — &amp;quot;The Girl That's Underneath&amp;quot; (2018)&#xA;Sigala (feat. Paloma Faith) — &amp;quot;Lullaby&amp;quot; (2018)&#xA;VanJess (feat. Berhana &amp;amp; Leikeli47) — &amp;quot;Easy&amp;quot; (2018)&#xA;Yung Fume &amp;amp; Zaytoven (feat. Young Nudy) — &amp;quot;Something Else&amp;quot; (2018)&#xA;Timeflies — &amp;quot;Are You Down&amp;quot; (2018)&#xA;Pentatonix — &amp;quot;Havana&amp;quot; (2018)&#xA;Tritonal (feat. Riley Clemmons) — &amp;quot;Out My Mind&amp;quot; (2018)&#xA;Preme — &amp;quot;No Defeat&amp;quot; (2018)&#xA;Ski Mask The Slump God — &amp;quot;DoIHaveTheSause?&amp;quot; (2018)&#xA;Sophie Simmons — &amp;quot;Black Mirror&amp;quot; (2018)&#xA;The Night Game — &amp;quot;Bad Girls Don't Cry&amp;quot; (2018)&#xA;Clara Mae — &amp;quot;I Forgot&amp;quot; (2018)&#xA;George Taylor — &amp;quot;Stay Warm&amp;quot; (2018)&#xA;KLP (feat. Milwaukee Banks) — &amp;quot;Carried Away&amp;quot; (2018)&#xA;Hembree — &amp;quot;Continents&amp;quot; (2018)&#xA;Carlie Hanson — &amp;quot;Us&amp;quot; (2018)&#xA;Vancouver Sleep Clinic — &amp;quot;Ayahuasca&amp;quot; (2018)&#xA;Alex Lustig (feat. Akacia) — &amp;quot;In the End&amp;quot; (2018)&#xA;Robinson — &amp;quot;Nothing to Regret&amp;quot; (2018)&#xA;Nessly (feat. Joji) — &amp;quot;Make It Right&amp;quot; (2018)&#xA;NoMBE (feat. Big Data) — &amp;quot;Drama&amp;quot; (2018)&#xA;RAYE, Mabel &amp;amp; Stefflon Don — &amp;quot;Cigarette&amp;quot; (2018)&#xA;Riz La Vie — &amp;quot;Napkins&amp;quot; (2018)&#xA;JOHN.k — &amp;quot;Best of Me&amp;quot; (2018)&#xA;Yuno — &amp;quot;No Going Back&amp;quot; (2018)&#xA;Emma McGrath — &amp;quot;Love You Better&amp;quot; (2018)&#xA;Superorganism — &amp;quot;Reflections on the Screen&amp;quot; (2018)&#xA;King Princess — &amp;quot;1950&amp;quot; (2018)&#xA;Mickey Shiloh (feat. Rami Beatz) — &amp;quot;Funny When&amp;quot; (2018)&#xA;Jade Bird — &amp;quot;Lottery (Acoustic)&amp;quot; (2018)&#xA;Ray J (feat. Kid Ink) — &amp;quot;Feeling Like Love&amp;quot; (2018)&#xA;Foggieraw (feat. DJ Yung Vamp) — &amp;quot;Moncler Bubble&amp;quot; (2018)&#xA;The Aces — &amp;quot;Lovin Is Bible&amp;quot; (2018)&#xA;Noel Gallagher's High Flying Birds — &amp;quot;God Help Us All (Demo Version)&amp;quot; (2018)&#xA;Nohidea &amp;amp; killedmyself — &amp;quot;and then, it swallowed me&amp;quot; (2018)&#xA;Spice 1 — &amp;quot;2 Many Movies&amp;quot; (2018)&#xA;Haux — &amp;quot;Ricochet&amp;quot; (2018)&#xA;Ashley Monroe — &amp;quot;Hands on You&amp;quot; (2018)&#xA;Zilo — &amp;quot;Keep Up Wimi&amp;quot; (2018)&#xA;24hrs (feat. Lil Pump) — &amp;quot;Lie Detector&amp;quot; (2018)&#xA;Janelle Monáe — &amp;quot;Django Jane&amp;quot; (2018)&#xA;GASHI — &amp;quot;1134&amp;quot; (2018)&#xA;CeeLo Green — &amp;quot;Brick Road&amp;quot; (2018)&#xA;Lewis Capaldi (feat. Jessie Reyez) — &amp;quot;Rush&amp;quot; (2018)&#xA;Kacey Musgraves — &amp;quot;Space Cowboy&amp;quot; (2018)&#xA;Bishop Briggs — &amp;quot;White Flag&amp;quot; (2018)&#xA;5 Seconds of Summer — &amp;quot;Want You Back&amp;quot; (2018)&#xA;Bazzi — &amp;quot;Gone&amp;quot; (2018)&#xA;David Guetta, Martin Garrix &amp;amp; Brooks — &amp;quot;Like I Do&amp;quot; (2018)&#xA;Kacey Musgraves — &amp;quot;Buterflies&amp;quot; (2018)&#xA;Janelle Monáe — &amp;quot;Make Me Feel&amp;quot; (2018)&#xA;Logic — &amp;quot;44 More&amp;quot; (2018)&#xA;Post Malone (feat. Ty Dolla $ign) — &amp;quot;Psycho&amp;quot; (2018)&#xA;Stalley — Tell the Truth Shame the Devil, Vol. 2 (2018)&#xA;Stalley — Tell the Truth Shame the Devil (2017)&#xA;Cautious Clay — Blood Type (2018)March 1Holly Miranda — Mutual Horse (2018)&#xA;Caroline Rose — LONER (2018)&#xA;Bea Miller — aurora (2018)FebruaryFebruary 28B.o.B — B.o.B Presents: The Adventures of Bobby Ray (2010)&#xA;Young Nudy — Nudy Land (2017)&#xA;Beyoncé — B'Day (2006)&#xA;DENM — Is Whatever (2018)February 27Snoop Dogg— 220 (2018)&#xA;Kendrick Lamar, The Weeknd &amp;amp; SZA — Black Panther: The Album (Music from and Inspired By) (2018)&#xA;Young Nudy — Slime Ball 2 (2017)&#xA;Young Nudy — Slime Ball (2016)February 26Tinashe — Aquarius (2014)&#xA;Fat Joe &amp;amp; Remy Ma (feat. French Montana, InfaRed, Snoop Dogg, The Game &amp;amp; E-40) — &amp;quot;All the Way Up (Westside Remix)&amp;quot; (2016)&#xA;Pale Waves  — ALL THE THINGS I NEVER SAID (2018)&#xA;Kero Kero Bonito — TOTEP (2018)&#xA;Sonder — Into (2017)&#xA;Ravyn Lenae — Crush EP (2018)&#xA;Charlotte Day Wilson — Stone Woman (2018)&#xA;Good Gas — Good Gas, Vol. 1 EP (2018)&#xA;2 Chainz — The Play Don't Care Who Makes It (2018)&#xA;BoA — ONE SHOT, TWO SHOT - The 1st Mini Album (2018)February 256ix9ine — DAY69 (2018)&#xA;Various Artists — Fifty Shades Freed (Original Motion Picture Soundtrack) (2018)&#xA;A$AP Ant — The Prelude (2018)&#xA;Hoodrich Pablo Juan &amp;amp; Brodinski — The Matrix (2018)February 24Scrape Gang Marcos (feat. Marqo 2 Fresh) — &amp;quot;Went to Sleep&amp;quot; (2017)&#xA;Timbaland &amp;amp; Magoo — Welcome to Our World (1997)&#xA;Playa — Cheers 2 U (1998)&#xA;Tha Dogg Pound — Dogg Food (1995)&#xA;Madilyn Bailey — Wiser EP (2016)&#xA;Pi'erre Bourne — &amp;quot;Hacked My Instagram, Pts. 1 &amp;amp; 2&amp;quot; (2017)February 23DrugRixh Hect (RX Hector) — Hector Vol. 1 (2017)&#xA;Flatlinerz — U.S.A. (1994)&#xA;Gravediggaz — 6 Feet Deep (1994)&#xA;Joe — All That I Am (1997)&#xA;Amil — A.M.I.L. (All Money Is Legal) (2000)February 22Wale — Summer on Sunset (2016)&#xA;Ray J — All I Feel (2008)&#xA;Valerie June — For the Loved &amp;amp; Loveless (2018)&#xA;Madison McFerrin — Finding Foundations Vol. II (2018)February 21DrugRixh Hect (RX Hector) — Ian Never Had Shit (2016)&#xA;Ugly God (feat. PnB Rock) — &amp;quot;Imma Dog&amp;quot; (2018)&#xA;Sean Paul &amp;amp; David Guetta (feat. Becky G) — &amp;quot;Mad Love&amp;quot; (2018)&#xA;Tory Lanez — &amp;quot;B.I.D&amp;quot; (2018)&#xA;Wale — &amp;quot;All Star Break Up&amp;quot; (2018)&#xA;Tinashe (feat. Future) — &amp;quot;Faded Love&amp;quot; (2018)&#xA;YG — &amp;quot;Suu Whoop&amp;quot; (2018)February 20Kim Petras — &amp;quot;Heart to Break&amp;quot; (2018)&#xA;Sammi Sanchez (feat. Reykon) — &amp;quot;Pum Pum&amp;quot; (2018)&#xA;SOPHIE — &amp;quot;Faceshopping&amp;quot; (2018)&#xA;Derek Minor — &amp;quot;It Is What It Is&amp;quot; (2018)&#xA;Madilyn Bailey — &amp;quot;Tetris&amp;quot; (2018)&#xA;Sofia Reyes (feat. Jason Derulo &amp;amp; De La Ghetto) — &amp;quot;1, 2, 3&amp;quot; (2018)&#xA;The Neighbourhood — &amp;quot;Void&amp;quot; (2018)&#xA;PRETTYMUCH — &amp;quot;10,000 Hours&amp;quot; (2018)&#xA;Lauv — &amp;quot;Getting Over You&amp;quot; (2018)&#xA;Khalid &amp;amp; Normani — &amp;quot;Love Lies&amp;quot; (2018)&#xA;Frank Ocean — &amp;quot;Moon River&amp;quot; (2018)&#xA;A$AP Rocky (feat. 21 Savage, Gucci Mane &amp;amp; London on da Track) — &amp;quot;Cocky&amp;quot; (2018)&#xA;Pi'erre Bourne — &amp;quot;Honeyberry&amp;quot; (2017)&#xA;Pi'erre Bourne — &amp;quot;Hacked My Instagram&amp;quot; (2018)February 19N/AFebruary 18N/AFebruary 17N/AFebruary 16N/AFebruary 15Alyson Stoner — &amp;quot;Someone to Call My Lover&amp;quot; (2018)February 14Rome — Rome (1997)February 13DJ Paul &amp;amp; Lord Infamous — Come With Me to Hell: Part 1 (Remastered) (2014)&#xA;6LACK — &amp;quot;Cutting Ties&amp;quot; (2018)&#xA;Mindless Behavior — All Around the World (2013)&#xA;DJ Paul &amp;amp; Lord Infamous — Come With Me to Hell 2 (1995)&#xA;Joe — Ain't Nothin' Like Me (2007)February 12DJ Paul &amp;amp; Lord Infamous — Come With Me to Hell (1994)&#xA;Marshmello &amp;amp; Anne-Marie — &amp;quot;FRIENDS&amp;quot; (2018)&#xA;Lotto Savage — Don Slaughter (2016)&#xA;Monica — After the Storm (2003)&#xA;Gianna Adams (feat. Jhen) — &amp;quot;Fallen&amp;quot; (2018)February 11Thouxanbanfauni — Heavy (2015)&#xA;Thouxanbanfauni — Untitled (2016)&#xA;Brandy — Afrodisiac (2004)&#xA;August Alsina — Testimony (2014)&#xA;Thouxanbanfauni — Heavier EP (2015)&#xA;Thouxanbanfauni — 34 EP (2016)&#xA;Keith Sweat (feat. K-Ci) — &amp;quot;How Many Ways&amp;quot; (2018)&#xA;Parliament (feat. Scarface) — &amp;quot;I'm Gon Make U Sick O'Me&amp;quot; (2018)&#xA;Trinidad James — &amp;quot;Zion&amp;quot; (2018)&#xA;K. Michelle (feat. Nathan Jain) — &amp;quot;Make This Song Cry (Nathan Jain Remix)&amp;quot; (2018)&#xA;Hoodrich Pablo Juan (feat. Lil Dude &amp;amp; Goonew) — &amp;quot;Take Down&amp;quot; (2018)&#xA;Sherwood Marty — &amp;quot;Wild'n&amp;quot; (2018)&#xA;MadeinTYO — &amp;quot;Picture Me Rollin&amp;quot; (2018)&#xA;Snoop Dogg (feat. Tye Tribbett) — &amp;quot;You&amp;quot; (2018)&#xA;Onyx (feat. Skyzoo) — &amp;quot;Ima Fuckin Rockstar&amp;quot; (2018)February 10Jennifer Lopez — &amp;quot;Us&amp;quot; (2018)&#xA;The Aces — &amp;quot;Volcanic Love&amp;quot; (2018)&#xA;Tedashii — &amp;quot;Smile&amp;quot; (2018)&#xA;Fireflight — &amp;quot;I Won't Look Back&amp;quot; (2018)&#xA;Dorothy — &amp;quot;Who Do You Love&amp;quot; (2018)&#xA;Sonder — &amp;quot;One Night Only&amp;quot; (2018)&#xA;grandson — &amp;quot;Overdose&amp;quot; (2018)&#xA;Au/Ra — &amp;quot;Panic Room&amp;quot; (2018)&#xA;King Combs (feat. Chris Brown) — &amp;quot;Love You Better&amp;quot; (2018)&#xA;Ne-Yo — &amp;quot;GOOD MAN&amp;quot; (2018)&#xA;Rich The Kid — &amp;quot;Plug Walk&amp;quot; (2018)&#xA;Noah Cyrus (feat. MØ) — &amp;quot;We Are...&amp;quot; (2018)&#xA;A-Trak &amp;amp; Falcons (feat. Young Thug &amp;amp; 24hrs) — &amp;quot;Ride for Me&amp;quot; (2018)&#xA;Brent Faiyaz — &amp;quot;Make Luv&amp;quot; (2018)&#xA;Calvin Harris (feat. PARTYNEXTDOOR) — &amp;quot;Nuh Ready Nuh Ready&amp;quot; (2018)&#xA;Billy Paul — 360 Degrees of Billy Paul (1972)&#xA;Justin Timberlake — The 20/20 Experience - 2 of 2 (2013)February 9Goonew — Goonwick (2018)&#xA;Miilkbone — da' Miilkrate (1995)February 8Justin Timberlake — The 20/20 Experience (2010)&#xA;ARY — &amp;quot;Childhood Dreams&amp;quot; (2017)&#xA;Bell Biv DeVoe — &amp;quot;Gangsta&amp;quot; (1993)&#xA;Anjali World — Brave New World (2015)&#xA;Sabrina Carpenter — &amp;quot;Smoke and Fire&amp;quot; (2016)&#xA;Hodgy — Fireplace: TheNotTheOtherSide (2016)&#xA;The Aces — I Don't Like Being Honest (2017)&#xA;69 Boyz — 199Quad (1994)&#xA;Keyshia Cole — 11:11 Reset (2017)February 7The Isley Brothers — 3+3 (1973)&#xA;Mike Jones — Who Is Mike Jones? (Screwed &amp;amp; Chopped) (2005)&#xA;Da Youngsta's — I'll Make U Famous (1995)&#xA;Twista — Adrenaline Rush (1997)February 63LW — 3LW (2000)&#xA;Beyoncé — 4 (2012)&#xA;R. Kelly — 12 Play (1993)&#xA;B.O.N.E. Enterpri$e (Bone Thugs-N-Harmony) — Faces of Death (1993)&#xA;Mindless Behavior — #1 Girl (2011)February 5Nebu Kiniza — &amp;quot;Gassed Up&amp;quot; (2016)&#xA;Charlotte Lawrence — &amp;quot;The Finish Line&amp;quot; (2014)&#xA;Charlotte Lawrence — &amp;quot;Ever After&amp;quot; (2015)&#xA;Jahi Winston — &amp;quot;Shine&amp;quot; (2017)&#xA;Teairra Marí — &amp;quot;Deserve&amp;quot; (2014)&#xA;School Gyrls (FOREVER) — A Very School Gyrls Holla-Day (2010)&#xA;A1 (feat. Chris Brown &amp;amp; Ty Dolla $ign) — &amp;quot;Always&amp;quot; (2017)&#xA;Kendrick Lamar — DAMN. (2017)&#xA;Chance The Rapper — Coloring Book (2016)&#xA;Booby Gibson (feat. Brooke Valentine) — &amp;quot;Nobody Knows&amp;quot; (2017)&#xA;Migos &amp;amp; Hoodrich Pablo Juan — &amp;quot;I Can&amp;quot; (2017)&#xA;Migos — Culture (2017)&#xA;Zoey Dollaz — M'ap Boule (2017)&#xA;Ski Mask The Slump God — YouWillRegret (Reloaded) (2018)&#xA;Brontë — &amp;quot;Salt&amp;quot; (2017)&#xA;Hailee Steinfeld &amp;amp; BloodPop® — &amp;quot;Capital Letters&amp;quot; (2018)&#xA;Brontë — &amp;quot;You've Got a Ticket&amp;quot; (2017)February 4Playboi Carti &amp;amp; Lil Uzi Vert — &amp;quot;Break the Bank&amp;quot; (2017)&#xA;Bishop Briggs — &amp;quot;Never Tear Us Apart&amp;quot; (2018)&#xA;Quinn XCII — &amp;quot;Iron &amp;amp; Steel&amp;quot; (2018)&#xA;Brandi Carlile — &amp;quot;Whatever You Do&amp;quot; (2018)&#xA;Sarah Reeves — &amp;quot;Feel the Waters&amp;quot; (2018)&#xA;Busta Rhymes (feat. Missy Elliott &amp;amp; Kelly Rowland) — &amp;quot;Get It&amp;quot; (2018)&#xA;Rick Ross (feat. T-Pain &amp;amp; Kodak Black) — &amp;quot;Florida Boy&amp;quot; (2018)&#xA;RaeLynn — &amp;quot;Festival&amp;quot; (2018)&#xA;The Weeknd &amp;amp; Kendrick Lamar — &amp;quot;Pray for Me&amp;quot; (2018)&#xA;Molly Parden — &amp;quot;Who Did You Leave for Me&amp;quot; (2018)&#xA;Caitlyn Canty — &amp;quot;Motel&amp;quot; (2018)&#xA;Caroline Rose — &amp;quot;Getting to Me&amp;quot; (2018)&#xA;Fitness — &amp;quot;Matter of Time&amp;quot; (2018)&#xA;Thunderpussy — &amp;quot;Torpedo Love&amp;quot; (2018)&#xA;Trinidad Cardona — &amp;quot;Dinero&amp;quot; (2018)&#xA;Doja Cat — &amp;quot;Roll With Us&amp;quot; (2018)&#xA;TK Kravitz (feat. Jacquees) — &amp;quot;Ocean&amp;quot; (2018)&#xA;CLOVES — &amp;quot;Bringing the House Down&amp;quot; (2018)&#xA;3LAU &amp;amp; Nevve — &amp;quot;On My Own&amp;quot; (2018)&#xA;Sasha Sloan — &amp;quot;Normal&amp;quot; (2018)&#xA;Bone Thugs-N-Harmony — Strength &amp;amp; Loyalty (2007)February 3Tay-K — &amp;quot;After You&amp;quot; (2018)&#xA;SWV — It's About Time (1992)&#xA;Sammie — Coming of Age (2017)&#xA;Mariah Carey — The Emancipation of Mimi (2005)February 2Members Only — Members Only, Vol. 3 (2017)&#xA;Jeremih &amp;amp; Chance The Rapper — Merry Christmas Lil' Mama (Re-Wrapped) (2017)&#xA;Private Club Records — ILUVTPC V1 (2017)&#xA;Sauce Walka — Holy Sauce (2016)&#xA;Chris Brown, OHB &amp;amp; Section Boyz — Attack the Block (2016)&#xA;Goonew — Certified Goon (2017)&#xA;Chris Brown &amp;amp; OHB — Before da Trap: Nights in Tarzana (2016)February 1Zoedajit — &amp;quot;Dracula&amp;quot; (2017)&#xA;24hrs — &amp;quot;RUNNIN 3X&amp;quot; (2016)&#xA;24hrs — &amp;quot;Last Man&amp;quot; (2016)&#xA;YRN Lingo — Strawberry (2017)&#xA;YRN Lingo — Coming for Your Ice (2015)&#xA;YRN Lingo — Blue Ski (2016)&#xA;Plies — The Pussy Monster (2008)&#xA;YRN Lingo — Red Ski (2015)JanuaryJanuary 31Mango Foo — Ear Hustling (2016)&#xA;Charlotte Lawrence — &amp;quot;Seventeen&amp;quot; (2017)&#xA;Moon Taxi — Let the Record Play (2018)&#xA;Emmanuel Hudson &amp;amp; Phillip Hudson — Ratchet Du Soleil (2014)&#xA;SiR — November (2018)January 30Ray J &amp;amp; Chris Brown — Burn My Name (2017)&#xA;Fall Out Boy — M A N  I  A (2018)&#xA;Noname — Telefone (2016)January 29YRN Lingo — Lingo Mufasa (2017)&#xA;Famous Dex — Read About It (2017)&#xA;UnoTheActivist — Sorry for the Wait (Brooke's Interlude) (2017)&#xA;Kailee Morgue — Medusa (2018)&#xA;Julia Michaels — &amp;quot;Heaven&amp;quot; (2018)&#xA;Charlotte Lawrence — &amp;quot;Sleep Talking&amp;quot; (2017)&#xA;LEYYA — Sauna (2018)&#xA;Caitlyn Smith — Starfire (2018)&#xA;MILCK — This Is Not the End (2018)&#xA;First Aid Kit — Ruins (2018)&#xA;For All Seasons — Clarity (2018)January 28Ivy Sole — Eden (2016)&#xA;Ivy Sole — West (2017)January 27UnoTheActivist — Gift of Gab (2015)&#xA;UnoTheActivist &amp;amp; Thouxanbanfauni — For Christ Sake (2015)&#xA;Ravyn Lenae — Moon Shoes EP (2016)&#xA;A$AP Ant — &amp;quot;Racks on Me&amp;quot; (2017)&#xA;Tory Ruperto — Ruined (2018)January 26Rayana Jay — Morning After (2017)&#xA;Charlotte Lawrence — &amp;quot;You're the One That I Want&amp;quot; (2017)&#xA;Kent Jones — &amp;quot;Merengue&amp;quot; (2018)&#xA;Ace Hood — &amp;quot;Uber&amp;quot; (2018)&#xA;Charlotte Day Wilson — &amp;quot;Nothing New&amp;quot; (2018)&#xA;The Aces — &amp;quot;Fake Nice&amp;quot; (2018)&#xA;I'm With Her — &amp;quot;Overland&amp;quot; (2018)&#xA;IDK (feat. Leo Gee) — &amp;quot;Vlone&amp;quot; (2018)&#xA;Charlotte Lawrence — &amp;quot;Just the Same&amp;quot; (2018)&#xA;Elohim — &amp;quot;Fuck Your Money&amp;quot; (2018)&#xA;Zaytoven — Trapping Made It Happen (2017)&#xA;Beyoncé — LEMONADE (2016)&#xA;Various Artists — Damn Son Where'd You F!nd Th!s: Elevate &amp;amp; Extravagant Edition (2018)&#xA;Marqo 2 Fresh — 30 Nights in LA (2018)&#xA;Bruno Mars — &amp;quot;The Lazy Song (Single Version)&amp;quot; (2011)&#xA;Bruno Mars — Doo—Wops &amp;amp; Hooligans (2010)January 25Jamila Woods — HEAVN (2017)&#xA;Tammy Rivera — &amp;quot;All These Kisses&amp;quot; (2017)&#xA;Pell — girasoul (2017)&#xA;Alina Baraz (feat. Khalid) — &amp;quot;Electric&amp;quot; (2017)&#xA;Tammy Rivera (feat. Rico Love) — &amp;quot;Only One&amp;quot; (2017)January 24Ta-ku &amp;amp; Wafia — (m)edian (2016)&#xA;Queen Naija — &amp;quot;Medicine&amp;quot; (2017)&#xA;LIVVIA (feat. Quavo) — &amp;quot;Catch a Body&amp;quot; (2018)January 23Wafia — XXIX (2015)&#xA;Casey Veggies — Customized Greatly Vol. 2 (2009)&#xA;Sandra Lynn — Fight (2018)&#xA;Lil Dude — Martin Luther Luciano (2018)January 22Casey Veggies — Customized Greatly Vol. 1 (2007)&#xA;Tinashe (feat. Iggy Azalea) — &amp;quot;All Hands on Deck (Remix)&amp;quot; (2015)January 21Taylor Swift — reputation (2017)&#xA;Jay Z — 4:44 (2017)&#xA;Sonder — Sheath (2016)&#xA;Sonder — Undone (2016)&#xA;Sonder — Victoria (2016)January 20Wafia — VIII (2018)&#xA;Fredo Santana — Fredo Kruger (2013)&#xA;AZ — Doe or Die (1995)&#xA;Eazy-E — It's On (Dr. Dre) 187um Killa (1993)&#xA;Tyler, The Creator — &amp;quot;Fuck Love&amp;quot; (2009)&#xA;TTDD (Tyler, The Creator, Taco, Domo Genesis &amp;amp; Jasper Dolphin) — &amp;quot;Love in da Mall&amp;quot; (2010)&#xA;Mac Bari — &amp;quot;Fuck Bron Bron&amp;quot; (2016)&#xA;Fredo Santana — It's a Scary Site (2012)&#xA;Toni Braxton — &amp;quot;Deadwood&amp;quot; (2017)&#xA;Earl St. Clair — &amp;quot;Christmas Without You&amp;quot; (2017)&#xA;Anderson East — &amp;quot;Girlfriend&amp;quot; (2018)&#xA;Drake — Scary Hours (2018)&#xA;Remy Ma (feat. Chris Brown) — &amp;quot;Melanin Magic (Pretty Brown)&amp;quot; (2018)&#xA;Nipsey Hussle (feat. YG) — &amp;quot;Last Time That I Checc'd&amp;quot; (2018)&#xA;Lucy Dacus — &amp;quot;Addictions&amp;quot; (2018)&#xA;Kassi Ashton — &amp;quot;California, Missouri&amp;quot; (2018)&#xA;Lolo Zouaï — &amp;quot;Blue&amp;quot; (2018)&#xA;Betty Who — &amp;quot;Ignore Me&amp;quot; (2018)&#xA;Rita Ora — &amp;quot;PROUD&amp;quot; (2018)&#xA;Bella Thorne — &amp;quot;Burn So Bright&amp;quot; (2018)&#xA;Ugly God &amp;amp; Jacin Trill — &amp;quot;lettetznow&amp;quot; (2018)&#xA;Arty (feat. April Bender) — &amp;quot;Sunrise&amp;quot; (2018)&#xA;Keith Urban — &amp;quot;Parallel Love&amp;quot; (2018)&#xA;The Chainsmokers — &amp;quot;Sick Boy&amp;quot; (2018)&#xA;Troye Sivan — &amp;quot;The Good Side&amp;quot; (2018)&#xA;Justin Timberlake — &amp;quot;Supplies&amp;quot; (2018)January 19OG Maco &amp;amp; Key! — Give Em Hell (2014)&#xA;Various Artists — Above the Rim Soundtrack (1994)&#xA;Ludacris — Battle of the Sexes (2010)&#xA;Jack Mushroom — One Up (2012)January 18MC Lyte — Ain't No Other (1993)&#xA;Heltah Skeltah — Nocturnal (1996)&#xA;Tinashe (feat. Offset) — &amp;quot;No Drama&amp;quot; (2018)January 17Tyler, The Creator — &amp;quot;Sleep Freestyle&amp;quot; (2009?)&#xA;Chris Brown — Heartbreak on a Full Moon Deluxe Edition: Cuffing Season - 12 Days of Christmas (2017)January 16Yaggfu Front — Action Packed Adventure! (1993)&#xA;Channel Live — Station Identification (1995)January 15Chris Brown — Royalty (2015)&#xA;Keith Ape &amp;amp; Ski Mask The Slump God — &amp;quot;Achoo!&amp;quot; (2017)&#xA;No Plug (feat. 21 Savage) — &amp;quot;A Savage&amp;quot; (2017)&#xA;Flatbush ZOMBiES (feat. Deadcats) — &amp;quot;Aries&amp;quot; (2016)&#xA;Miranda Cosgrove — &amp;quot;Dancing Crazy&amp;quot; (2010)&#xA;Miranda Cosgrove — &amp;quot;Raining Sunshine&amp;quot; (2009)&#xA;Katy Perry (feat. Skip Marley) — &amp;quot;Chained to the Rhythm&amp;quot; (2017)&#xA;Kap G — &amp;quot;Rings&amp;quot; (2017)&#xA;Kate Kay Es — &amp;quot;Working&amp;quot; (2017)&#xA;Nebu Kiniza (feat. Lil Yachty) — &amp;quot;Wake Up&amp;quot; (2017)&#xA;Jessie J — &amp;quot;Queen&amp;quot; (2017)&#xA;Teenage Wrist — &amp;quot;Swallow&amp;quot; (2017)&#xA;Sigrid — &amp;quot;Strangers&amp;quot; (2017)&#xA;John Legend — &amp;quot;Woodstock&amp;quot; (2017)&#xA;Pell — &amp;quot;chirpin'&amp;quot; (2017)&#xA;MILCK — &amp;quot;Quiet&amp;quot; (2017)&#xA;Nipsey Hussle (feat. Swizz Beatz) — &amp;quot;Been Down&amp;quot; (2017)&#xA;DJ Premier (feat. A$AP Ferg) — &amp;quot;Our Streets&amp;quot; (2017)&#xA;Smooky MarGielaa — &amp;quot;Hood&amp;quot; (2017)&#xA;PLAZA — &amp;quot;Pick Up&amp;quot; (2017)&#xA;Gorillaz (feat. Little Simz) — &amp;quot;Garage Palace&amp;quot; (2017)&#xA;autumn keys — &amp;quot;i can't move&amp;quot; (2016)&#xA;CLAY — &amp;quot;Forgotten How to Fly&amp;quot; (2017)&#xA;Clean Bandit (feat. Julia Michaels) — &amp;quot;I Miss You&amp;quot; (2017)&#xA;Happy Sometimes — &amp;quot;Love for the Weekend&amp;quot; (2017)&#xA;Alina Baraz — &amp;quot;Lavender and Velvet&amp;quot; (2017)&#xA;Alina Baraz — &amp;quot;Buzzin&amp;quot; (2017)&#xA;Lamb Saga (feat. Pi'erre Bourne) — &amp;quot;You Neva Know&amp;quot; (2014)&#xA;DrugRixh Scarfo da Plug (Scarfo da Plug)  — &amp;quot;Happier&amp;quot; (2017)&#xA;Hayley Kiyoko — &amp;quot;Sleepover&amp;quot; (2017)&#xA;Kate Kay Es — &amp;quot;Love Too Hard&amp;quot; (2017)&#xA;Tyga — &amp;quot;Temperature&amp;quot; (2017)&#xA;The Black Eyed Peas — &amp;quot;STREET LIVIN'&amp;quot; (2018)&#xA;K CAMP — &amp;quot;Cranberry Juice&amp;quot; (2018)&#xA;Chris Bloom — &amp;quot;Learning Curve&amp;quot; (2017)&#xA;Smooky MarGielaa — &amp;quot;Money Talk&amp;quot; (2017)&#xA;PLAZA — &amp;quot;All Mine&amp;quot; (2017)&#xA;YG (feat. DJ Mustard) — &amp;quot;Pop It, Shake It&amp;quot; (2017)&#xA;Haley Georgia — &amp;quot;Shots&amp;quot; (2017)&#xA;Katelyn Tarver — &amp;quot;Planez&amp;quot; (2016)&#xA;Rachel Platten — &amp;quot;Broken Glass&amp;quot; (2017)&#xA;Kiiara (feat. Felix Snow) — &amp;quot;Whippin&amp;quot; (2017)&#xA;Gianna Adams — &amp;quot;Dear Santa&amp;quot; (2017)&#xA;Alessia Cara — &amp;quot;How Far I'll Go&amp;quot; (2016)&#xA;24hrs — &amp;quot;You Know&amp;quot; (2016)&#xA;24hrs (feat. Gucci Mane) — &amp;quot;Not Impressed&amp;quot; (2016)&#xA;Spiffy Global (feat. Rizzoo Rizzoo &amp;amp; Sauce Walka) — &amp;quot;Spill Wit It&amp;quot; (2017)&#xA;Smooky MarGielaa — &amp;quot;The Judge&amp;quot; (2017)&#xA;Jazmine Sullivan (feat. Bryson Tiller) — &amp;quot;Insecure&amp;quot; (2017)&#xA;Willow — &amp;quot;F Q—C # 7&amp;quot; (2015)&#xA;Willow — &amp;quot;I Am Me&amp;quot; (2012)&#xA;Louisa Johnson — &amp;quot;Forever Young&amp;quot; (2015)&#xA;Alicia Eris — &amp;quot;Sweet Kill&amp;quot; (2018)&#xA;Smooky MarGielaa — &amp;quot;Vlone Flex&amp;quot; (2018)January 14Chris Brown &amp;amp; Tyga — Fan of a Fan: The Album (2015)&#xA;Camila Cabello — Camila (2018)January 13The Neighbourhood — To Imagine (2018)&#xA;The Neighbourhood — Hard (2017)&#xA;Jade Bird — Something American (2017)&#xA;Creek Boyz — &amp;quot;Trap Digits&amp;quot; (2018)&#xA;Justine Skye — &amp;quot;Heaven&amp;quot; (2018)&#xA;Hayley Kiyoko — &amp;quot;Curious&amp;quot; (2018)&#xA;Rhye — &amp;quot;Song for You&amp;quot; (2018)&#xA;GASHI — &amp;quot;Used to Be&amp;quot; (2018)&#xA;First Aid Kit — &amp;quot;Ruins&amp;quot; (2018)&#xA;Audrey Assad — &amp;quot;Drawn to You&amp;quot; (2018)&#xA;Jade Bird — &amp;quot;Lottery&amp;quot; (2018)January 12Dua Lipa — &amp;quot;IDGAF&amp;quot; (2018)&#xA;Codes — Club Meditation (2018)&#xA;Eminem (feat. 2 Chainz &amp;amp; Phresher) — &amp;quot;Chloraseptic (Remix)&amp;quot; (2018)&#xA;Kali Uchis (feat. Tyler, The Creator &amp;amp; Bootsy Collins) — &amp;quot;After the Storm&amp;quot; (2018)&#xA;Troye Sivan — &amp;quot;My My My!&amp;quot; (2018)&#xA;Jay Rock, Kendrick Lamar &amp;amp; Future — &amp;quot;King's Dead&amp;quot; (2018)&#xA;Various Artists — Christmas on Death Row (1996)&#xA;Mad Flava — From tha Ground Unda (1994)&#xA;Chris Brown — Before the Party (2015)January 11OCHO AOK — &amp;quot;Cookin'&amp;quot; (2017)&#xA;Chris Brown — X Files (2013)January 10Chris Brown — X (2014)&#xA;Chris Brown — Fortune (2012)January 9Machine Gun Kelly — bloom (2017)&#xA;Gucci Mane — El Gato: The Human Glacier (2017)&#xA;Travis Scott &amp;amp; Quavo — Huncho Jack, Jack Huncho (2017)&#xA;Nohidea &amp;amp; Sleepdealer — Nowhere (2017)&#xA;Smoke Trees — Best of Tinder-Dates (2017)&#xA;Ayo &amp;amp; Teo — &amp;quot;Like Us&amp;quot; (2017)&#xA;Swoope — &amp;quot;Never Left&amp;quot; (2017)&#xA;Cassie — &amp;quot;Don't Play It Safe&amp;quot; (2017)&#xA;Snoop Dogg &amp;amp; Boyz II Men — &amp;quot;Santa Claus Goes Straight to the Ghetto 2017&amp;quot; (2017)&#xA;Migos — &amp;quot;Stir Fry&amp;quot; (2017)&#xA;Cardi B (feat. 21 Savage) — &amp;quot;Bartier Cardi&amp;quot; (2017)January 824hrs — Open EP (2016)&#xA;Various Artists — Murder Was the Case Soundtrack (1994)&#xA;Various Artists — The Show Soundtrack (1995)&#xA;Chris Brown — F.A.M.E. (2011)&#xA;Lucy Dacus — &amp;quot;Night Shift&amp;quot; (2017)&#xA;Wafia — &amp;quot;Only Love&amp;quot; (2017)&#xA;Creek Boyz (feat. Lil Yachty) — &amp;quot;With My Team (Remix)&amp;quot; (2017)&#xA;Sylvan Esso — &amp;quot;There Are Many Ways to Say I Love You&amp;quot; (2017)&#xA;Timbaland (feat. 6LACK) — &amp;quot;Grab the Wheel&amp;quot; (2017)&#xA;Kim Petras (feat. lil aaron) — &amp;quot;Faded&amp;quot; (2017)&#xA;Charli XCX — Pop 2 (2017)&#xA;N.E.R.D — NO_ONE EVER REALLY DIES (2017)&#xA;Eminem — Revival (2017)January 7Hoodrich Pablo Juan — Master Sensei (2016)January 6Hoodrich Pablo Juan — Rich Hood (2018)&#xA;Caitlyn Smith — &amp;quot;Contact High&amp;quot; (2018)&#xA;Joan As Police Woman — &amp;quot;Tell Me&amp;quot; (2018)&#xA;MILCK — &amp;quot;This Is Not the End&amp;quot; (2018)&#xA;Darlene McCoy — &amp;quot;Even Me&amp;quot; (2018)&#xA;Rosie Carney — &amp;quot;K.&amp;quot; (2018)&#xA;Arlissa &amp;amp; Jonas Blue — &amp;quot;Hearts Ain't Gonna Lie&amp;quot; (2018)&#xA;H.E.R. — &amp;quot;My Song&amp;quot; (2018)&#xA;cupcakKe — Ephorize (2018)&#xA;Lil Pump — &amp;quot;Designer&amp;quot; (2018)&#xA;I'm With Her — &amp;quot;Game to Lose&amp;quot; (2018)&#xA;Bruno Mars (feat. 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<INFO BITRATE="1025800" KEY_LYRICS="5 ContributorsAlbum History LyricsDon't hesitate and leave EP/album suggestions&#xA;Last update: Apr 13 '25; entries count: ≈2.3k&#xA;(+339 entries YTD) (target: 500)&#xA;(2023: +273, 2024: +531, 2025...)Rating system (avg. 55.41, upd. Dec 25)&#xA;🖤 10: Would recommend not to listen to (2)&#xA;🤎 20: Didn't enjoy or wasn't my type (18)&#xA;🧡 30: Meh, expected more or sth different (69)&#xA;🤍 40: Decent background project and/or too situational (280)&#xA;💜 50: Good background project / Interesting concept (657)&#xA;💛 60: Decent project / Good ideas/musicality (533)&#xA;💚 70: Good project, was worth the listen (262)&#xA;💙 80: A-tier project, splendid; would recommend (113)&#xA;❤️ 90: S-tier project, splendid on repeat; should listen (30)&#xA;💎 100: Goatesque, superb on repeat; must listen (6)Listen Later&#xA;Discographies: will.i.am, Kekra, Eason Chan, Spacetime Continuum, Brennan Savage, Lana Del Rey, BTS, Laurent Voulzy, Billie Eilish, Aether, Georgio (FRA), Alcest, The Game, Nas, Mobb Deep, Suprême NTM, Booba, Jay-Z, Kanye West, Prince, WILLOW, Jaden, Usher, Yoko Shimomura, Travis Scott, Aerosmith, Radiohead, Coldplay, Andrea Bocelli, chopmonk., 2814, Chynna, Enrico Intra, Jok'air, wuf, Laylow, Supper Moment, JaneBeeby, thaHomey, Isaiah Rashad, Playboi Carti, Anderson .Paak, Xavier Dang, Népal, Black Eyes Peas, borealism, emune, 6ix9ine, Björk, Snoop Dogg, Nirvana, Кино, Danny Brown, Griff, fka twigs, Death Grips, Kendrick Lamar, Xiu Xiu, The Caretaker, The Carebear, Lady Gaga, Jimi Hendrix, Led Zeppelin, Ray Charles, Iron Maiden, Franz Zappa, Black Atlass, Rihanna, Gorillaz, Oneohtrix Point Never, Mac Miller, Yves Tumor, Jack Stauber, Machine Girl, goreshit, Aphex Twin, Starmoon, Acidgvrl, JAY-Z, Lacrim, Wu-Tang Clan, MF Doom, The Beach Boys, The Beatles ((((&#xA;EDM genres to explore: complextro, darkstop, disco house, drillstep, future funk, hard bass, jackin' house, jersey club, neurofunk, nu disco, riddim, tech houseListened Already&#xA;💛 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ・✧๑ඕัළ*.。 * ̈°。&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - .·.·* ́ ̈.·*:・✧๑ඕั ҉ ⊀❍|◗щ&#xA;💛 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - )✧⃛*&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ʅ͡͡͡͡͡͡͡͡͡͡͡ƟӨʃ͡͡͡͡͡͡͡͡͡͡ ꐑཀ ඊູ ఠీੂ೧ູ࿃ूੂ✧ළඕั࿃ूੂ࿃ूੂੂ࿃ूੂළඕั✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑʅ͡͡͡͡͡͡͡͡͡͡͡ƟӨʃ͡͡͡͡͡͡͡͡͡͡ ༈೧ູ≢ꐑʅƟↂↂ. l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡.̸̸̨̨ ఠీੂ༼ू༈೧ູ࿃ूੂ༽ଳծູ l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡ ɵੂ≢_̴ı ̡͌ ̲|̡̡̡ ̡ ̴̡ı̴̡̡ ̡͌l̡̡̡ꐑ*:･✧๑ඕัළඕัꐑʅƟↂ๑✧*:･ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡.̸̸̨̨ ఠీੂ༼ू༈೧ູʅƟӨʃ ꐑཀ ඊູ ఠీੂ༼ू༈೧ູ࿃ूੂ༽&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ooo ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥̤̣̠҈͈͇͉͍͎͓͔͕͖͙͚͜͢͢͢͢͢͢͢͢͢͢͢͢͢͢ͅ oʅ͡͡͡͡͡͡͡͡͡͡͡ ؞ৢ؞ؙؖ˜ัิีึื์๎้็๋๊⦁0 ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥̤̣̠҈͈͇͉͍͎͓͔͕͖͙͚͜͢͢͢͢͢͢͢͢͢͢͢͢͢͢ͅ ఠీੂ೧ູ࿃ूੂ&#xA;💜 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ʅ() ʅ()ʃ ꐑ(ఠీੂ೧ູȯ)vȯ)࿃ूੂ✧⃛✧⃛) ():::() ̴̤̚&#xA;💚 2003 Toyota Corolla - 2003 Toyota Corolla&#xA;💛 2003 Toyota Corolla - 2013 Toyota Corolla&#xA;💜 2003 Toyota Corolla - bsides&#xA;💛 2012 - 2012&#xA;🤍 23wa - 3&#xA;💚 23wa - GALION &#xA;💜 23wa - Magenta&#xA;💛 23wa - ULTRA&#xA;🤍 ２８１４ - 新しい日の誕生&#xA;💜 2​xxx - Life&#xA;🤍 4ria - imstillhere&#xA;🧡 667 - 33ème Degré&#xA;🧡 667 - 67ème Degré&#xA;💜 6LACK - 6pc Hot EP&#xA;💛 6LACK - East Atlanta Love Letter&#xA;💜 6LACK - FREE 6LACK&#xA;💛 6LACK - Since I Have A Lover&#xA;🤎 6​xat!c, Killstation &amp;amp; 1oneam - im so gone (director cut)&#xA;🤍 88rising - Head in the Clouds&#xA;🤍 8d8beats - LA:te&#xA;💚 90sFlav - Collection&#xA;💜 9lives - #exclusives&#xA;💛 AB4 - Toxic&#xA;🤍 A€E - The Heavist Sound&#xA;💜 ʞ|açe|wœ|k - Sæcula Condita&#xA;💜 Adam Bosarge - Structures Without Rooms&#xA;💚 Ada Milea - Aberații sonore&#xA;🤍 Adolf Nomura - shut up.&#xA;💛 AdVenture Capitalist Soundtrack&#xA;💛 Aero Chord - New Breed Part 1&#xA;💛 Aesthesys - I&#xA;💛 Aftertheparty - Good Boy&#xA;💜 AgonyOST - Variations Of Hell&#xA;💜 Ahmad Jamal - One&#xA;💜 Ajna - SHERPA&#xA;💛 AKIBA - im lost in a neverending dream&#xA;💜 AL-90 - Murmansk-60&#xA;💜 Alaina Pamela - Depth Of My Heart&#xA;💚 Alain Goraguer - La Planète Sauvage (Original Motion Picture Soundtrack)&#xA;🧡 AlbertNbn - OTEB&#xA;💜 aldn - good grief&#xA;💛 aldn - greenhouse&#xA;🤍 alex - DEPEND.ENT!&#xA;💜 A L E X - Flow&#xA;💜 Alexandru Andrieș - Interioare&#xA;🧡 Alex Velea - Yamasha&#xA;🤍 Alex și Tugay &amp;amp; Tugay și Alex - De Lux&#xA;💜 Alice Gas - Sorry 4 Being Famous&#xA;💛 Alina Eremia - Antifragil&#xA;💜 Alina Eremia &amp;amp; NOUĂ UNȘPE - RADICAL DIN NOI&#xA;💜 Aliks - love&#xA;🤍 Alkpote - Alkpote et la crème d'Ile 2 France&#xA;💜 Alkpote - Alkpote et la crème du 91&#xA;🤍 Alkpote - Inferno&#xA;💜 Alkpote - L'empereur&#xA;💜 Alkpote - L'orgasmixtape&#xA;💛 Alkpote - L'orgasmixtape, Vol. 2&#xA;🤍 Alkpote - Les marches de l'empereur&#xA;🤍 Alkpote - L'empereur contre-attaque&#xA;💜 Alkpote - LSDC&#xA;💛 Alkpote - Monument&#xA;💜 Alkpote - Ogre&#xA;💜 Alkpote - Sadisme et perversion&#xA;🤍 Alkpote - Sucez-moi avant l'album&#xA;💜 Alkpote - Vie rapide&#xA;🤍 Alkpote &amp;amp; Butter Bullets - Ténébreuse musique&#xA;💛 Allister Brimble - Need for Speed Underground 2 DS OST&#xA;🧡 Alpha Wann - don dada mixtape vol 1&#xA;💜 Alpha Wann - UNE MAIN LAVE L'AUTRE&#xA;🤍 Alt236 - Leviathan&#xA;🤍 ALTAR - Atitudine&#xA;💚 Алтай Хайрхан - Whistle in the Wind&#xA;🤍 Alternativ Quartet - Aripi&#xA;🤍 Alternosfera - Visători cu plumb în ochi... sau ultima scrisoare pentru femeia nordică&#xA;🤍 AMAI &amp;amp; YAYAYI - R F Y&#xA;🤍 Ambar Lucid - Garden of Lucid&#xA;💚 Ambar Lucid - Dreaming Lucid&#xA;💛 Am fost la munte și mi-a plăcut - I Went To The Mountain&#xA;🤍 Am fost la munte și mi-a plăcut - La vale&#xA;🤍 Am fost la munte și mi-a plăcut - S-a rezolvat. Nu se poate&#xA;🤍 Aminé - Good For You&#xA;🤍 Aminé - Limbo&#xA;💜 Anda Adam - Confidențial&#xA;💜 Andra Andriucă - Liniștea nu se împarte&#xA;💛 Andrea Botez - DARK TECHNO&#xA;💛 Andrike$ Black - Projet 1&#xA;💜 Angèle - Nonante-Cinq&#xA;💜 AnNie.Adaa - QU'AUJOURD'HUI NE MEURE JAMAIS&#xA;💛 An Thoes - Spre Cer&#xA;💜 Anthony, Exodia &amp;amp; Sienna Sleep - Ateriavia&#xA;🤍 Antoine Daniel - ALBUM 100% LIBRE DE DROIT POUR TWITCH&#xA;💜 aNTOJE - Booyung&#xA;💛 .anxious. - 3am EP&#xA;💛 Anna von Hausswolff - All Thoughts Fly&#xA;💜 Anna von Hausswolff - Källan (Betatype)&#xA;🤍 Anna von Hausswolff - Track of Time&#xA;🤍 Anonim - Hai să vorbim&#xA;❤️ Arata Iiyoshi, Hideki Sakamoto, Keisuke Ito, Ryoma Nakamura &amp;amp; Kenichi Saito - Pokémon Mystery Dungeon: Explorers of Time and Explorers of Darkness Soundtrack&#xA;💜 Arapu - Tribal Nation&#xA;💜 architecture in tokyo - Summer Paradise&#xA;💛 Ariana Grande - Christmas &amp;amp; Chill&#xA;💚 Ariana Grande - Dangerous Woman&#xA;💚 Ariana Grande - My Everything&#xA;🧡 Ariana Grande - Positions&#xA;💚 Ariana Grande - Sweetener&#xA;💛 Ariana Grande - thank u, next&#xA;💜 Ariana Grande - Yours Truly&#xA;💙 arizcorpアリズコープ - Yesterday Mall昨日&#xA;💜 Arsaphe - PATIENCE&amp;amp;BLOOD&#xA;💛 Arsaphe &amp;amp; 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Mafia - După blocuri&#xA;💛 Burial - Untrue&#xA;💛 BU$HI - Bushi&#xA;💜 BU$HI - Bushi 1.5&#xA;💜 BU$HI - Bushi Tape 2&#xA;🧡 byron - Forbidden Drama&#xA;💜 C418 - 148&#xA;💜 C418 - 72 Minutes of Fame&#xA;💜 C418 - Cookie Clicker&#xA;💜 C418 - Dief&#xA;💛 C418 - Excursions&#xA;💛 C418 - Life Changing Moments Seem Minor in Pictures&#xA;❤️ C418 - Minecraft - Volume Alpha&#xA;💚 C418 - Minecraft - Volume Beta&#xA;💛 C418 - One&#xA;💜 c678924 - 678924&#xA;💜 Caballero - OSITO&#xA;💛 Caballero &amp;amp; JeanJass - High &amp;amp; Fines Herbes - La Saison 5&#xA;💜 Caleb Belkin - Summer Nights&#xA;💜 Calinacho - într-o bună zi o să fim bine&#xA;🤍 かめりあ Camellia - ふぉーす！&#xA;💛 かめりあ Camellia - Blackmagik Blazing&#xA;💛 かめりあ Camellia - Cyphisonia&#xA;💚 かめりあ Camellia - Crystallized&#xA;💚 かめりあ Camellia - &#xA;💚 かめりあ Camellia - dreamless wanderer&#xA;💜 かめりあ Camellia - GALAXY BURST&#xA;💙 かめりあ Camellia - heart of android&#xA;🤍 かめりあ Camellia - INSANE INFLAME&#xA;💜 かめりあ Camellia - INVAIDAS FROM DA JUNGLE&#xA;🤍 かめりあ Camellia - MEGANTO METEOR&#xA;💜 かめりあ Camellia - paroxysm&#xA;💙 かめりあ Camellia - PLANET//SHAPER&#xA;🤍 かめりあ Camellia - Reality Distortion&#xA;💜 かめりあ Camellia - sudden shower&#xA;🧡 かめりあ Camellia - Thanks Twitter Followers 40K&#xA;🤍 Cargo - Ziua vrăjitoarelor&#xA;💜 Carla's Dreams - Antiexemplu&#xA;💜 Carla's Dreams - Ngoc&#xA;💛 Carla's Dreams - Nocturn&#xA;💜 カシオペア Casiopea - Casiopea&#xA;💛 Catnapp - Break&#xA;🤎 cat soup - eutaxy&#xA;💜  Cedry2k - Alchimia veninului&#xA;💜 Celelalte Cuvinte - Armaghedon&#xA;🤍 Celelalte Cuvinte - Celelalte cuvinte&#xA;🤍 CFC - Secretul din atom&#xA;💛 Charli xcx - BRAT&#xA;💜 Charli xcx - True Romance&#xA;💜 Charly Puth - Voicenotes&#xA;💜 charmort - Viewfinder&#xA;🧡 Cheloo - Sindromul Tourette&#xA;💜 Chief Rugged - Sounds from Outerspace&#xA;💜 Childish Gambino - Because the Internet&#xA;💜 Childish Gambino - Camp&#xA;🤍 Chilla - EGO&#xA;💜 Chillhop Music - Chillhop Raw Cuts&#xA;🤍 Chimie - BioChimie, Vol. 1&#xA;💛 chopmonk. - autumn ep&#xA;💜 chorrol - artists&#xA;🧡 Christophe - Les vestiges du chaos&#xA;💜 Chuli4n - Night Walk&#xA;💛 Church of Cthulu &amp;amp; Doomnezeu - Atotțiitorul&#xA;💜 Ciano - 4 soundcloud beats&#xA;💛 C!erra My$t - Witness of Another World&#xA;💙 Cigarettes After Sex - Cigarettes After Sex&#xA;💛 Cigarettes After Sex - Cry&#xA;💛 Cigarettes After Sex - I.&#xA;💛 Cigarettes After Sex - X's&#xA;💛 CIGHT - Architecture&#xA;🤎 City Morgue - CITY MORGUE VOL 1: HELL OR HIGH WATER &#xA;💜 Clairo - diary 001&#xA;💛 Clams Casino - Instrumental Relics&#xA;🤍 Coconuts - Coconuts&#xA;💛 Coldplay - Ghost Stories &#xA;💜 Coldplay - Mylo Xyloto &#xA;🤍 COMA - Nerostitele&#xA;💛 Compact - Fata din vis&#xA;💛 Connaisseur Ticaso - Normal de l'Est &#xA;🤍 Connaisseur Ticaso - Rap Life&#xA;💛 Constrobuz - Rain and Dust&#xA;💜 cormac - Nobscot.&#xA;💙 CoryaYo - Songs in the key of Earth vol. 1&#xA;💛 Costi - Constantin 1.0&#xA;🤍 Cowbell Cult - Cowbell Cult, Vol. 1&#xA;💜 Cozmetic - Prehistoric&#xA;💜 Crimena - Ep.1: The rage factor&#xA;🧡 Crumble - We Will CRUMBLE The System&#xA;🧡 Crize - Refulări&#xA;🧡 CTC - Dificultăți tehnice&#xA;💜 Cult Member - Stockholm&#xA;🤍 Curtis Heron - The Answer&#xA;💜 cxltgod - The Freakshow of the Century, Pt 1&#xA;💛 Cynthoni - DLSITEOC&#xA;💜 Cynthoni - Sewerslvt Presents: Cynthoni, Pt. 1&#xA;💚 Cynthoni - Sewerslvt Presents: Cynthoni, Pt. 2&#xA;💜 Cynthoni - SMOKE IT TO THE BUTT&#xA;💛 Daft Punk - Discovery&#xA;💛 Daft Punk - Homework&#xA;💜 Daft Punk - Human After All&#xA;💛 Daft Punk - Random Access Memories&#xA;🤍 Daft Punk - TRON: Legacy&#xA;🤍 Damian &amp;amp; Brothers - Gypsy Rock: Change or Die&#xA;💛 Damso - Batterie faible&#xA;❤️ Damso - Ipséité&#xA;💛 Damso - J'AI MENTI&#xA;💙 Damso - Lithopédion&#xA;💙 Damso - QALF infinity&#xA;🧡 Damso - Vieux sons&#xA;🤍 Danger - 9/14/2007&#xA;🧡 Dani Mocano - Nu dau înapoi&#xA;💜 Dan Mason ダン·メイソン - Hypnagogia&#xA;💚 Danny Baronowsky - Super Meat Boy! - Official Special Edition Soundtrack&#xA;🧡 Danny Towers - Tarantula&#xA;💛 Danton Eeprom - Yes Is More&#xA;💛 DARK DESIRE ダークデザイア - 頑張って Vol. 1&#xA;💚 DΛRKNΣSS - magician whisper&#xA;💙 DΛRKNΣSS - wear flowers in your hair&#xA;🤍 Dated - The Cold Dark Somewhere&#xA;💛 datfootdive - aLone&#xA;🧡 Dawidh - Omul Purpuriu&#xA;💜 Days of Confusion - Yin &amp;amp; Out&#xA;🤍 DeadManea &amp;amp; 6txxn - HORROR EXPRESS&#xA;💛 death's dynamic sound - I'll Try Living Like This&#xA;💛 Deceneu - Operațiunea Monstru&#xA;🤍 Deftones - Adrenaline&#xA;💜 Deko - Iridescent&#xA;🤍 Deko - Moonkid Mondays, Vol. 1&#xA;🤍 Deko &amp;amp; Yameii Online - Oddysey1&#xA;💛 Delia - 7&#xA;💜 Delia - Deliria&#xA;💚 Delia - FLEX&#xA;💛 Delia - Listen Up&#xA;🤍 Delia - Parfum de fericire&#xA;💜 Delicasteez - Deli &#xA;🤍 Delikt - Fără număr&#xA;🧡 Deliric - Inspecția tehnică periodică&#xA;🧡 Deliric &amp;amp; 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days of blue - Perli tal-Passat&#xA;💜 desert sand feels warm at night &amp;amp; IndyAdvant - ア​ス​ト​ラ​ル&#xA;💙 desert sand feels warm at night &amp;amp; Kagoshima Tangerine - 鹿児島 砂漠&#xA;💜 desert sand feels warm at night &amp;amp; Mindspring Memories - Desert Memories&#xA;💜 desert sand feels warm at night &amp;amp; VirtualRealityDeluxe - Midnight Mansions&#xA;💜 沙漠鱿鱼 Desert Squid - 上​海​／​香​港&#xA;💙 desktop junk - Cosmic Outerludes&#xA;🤍 Devaloop &amp;amp; Zaïd - Hier &amp;amp; Jetzt!?&#xA;💚 Dez - business as usual.&#xA;💚 Dez - future features&#xA;💛 Dez - past descriptions&#xA;💛 Dida Drăgan - Deschideți poarta soarelui!&#xA;💜 diedxd - soldier&#xA;💜 Dioscures - Ciela&#xA;💚 direcția 5 - Cântece noi&#xA;💛 direcția 5 - Senzitiv&#xA;💛 Dirty River - Train Station&#xA;💛 Dirty River - VILLAGE&#xA;🧡 Dirty Shirt - Dirtylicious&#xA;💛 disvstxr - Yagmur&#xA;💜 discarded - discarded&#xA;💚 Disiz - Pacifique&#xA;💜 Django - Anthracite&#xA;💛 Django - ATHANOR&#xA;💜 Django - S/o le Flem&#xA;💜 Django - Troisième terme&#xA;💜 Django - Tue-moi, mon amour, s'il te plait&#xA;🤍 Dj Billybooi - My Fantasy World&#xA;💛 DJ Blyatman - Hardkvas&#xA;💚 DJ Kuroneko - kuroneko&#xA;💛 DJ Kuroneko - neko breaks&#xA;💜 DJ Kuroneko - neko garage 2&#xA;💜 DJ Kuroneko - shadows collide&#xA;🤍 DJ Okawari - Kaleidoscope&#xA;💛 DJ Phantom - Altceva!&#xA;💜 DJ Smokey - Evil Wayz&#xA;💜 DJ Yung Vamp - Night of the Thrill, Vol. 2&#xA;💜 Dl Goe - Tineri, Sâmbătă, Duminică&#xA;💜 DOC - Eu&#xA;💚 Doja Cat - Amala (Deluxe Version)&#xA;🧡 Doja Cat - Hot Pink&#xA;💚 Doja Cat - Planet Her&#xA;💛 Doja Cat - Purrr!&#xA;🧡 Doja Cat - Scarlet&#xA;💛 Doja Cat - Scarlet 2 CLAUDE&#xA;🤍 Doo - Trackmania² Canyon Soundtrack&#xA;💜 Doo - TrackMania DS Soundtrack&#xA;❤️ Doo - TrackMania Forever Soundtrack&#xA;💛 Doo - TrackMania Nations ESWC Soundtrack&#xA;💛 Doo - TrackMania Turbo: Build to Race Soundtrack&#xA;💛 Doo - TrackMania United Soundtrack&#xA;💙 Doo - TrackMania Wii Soundtrack&#xA;💛 DOOM DOOM - DOOM 1&#xA;💜 Dora Gaitanovici - Descântec&#xA;🤍 dordeduh - dar de duh&#xA;💜 dordeduh - Har&#xA;💙 Dragon Ball Z: Supersonic Warriors 2 Music&#xA;💜 Dragonu AKA 47 - HITMAN&#xA;💜 Drake &amp;amp; 21 Savage - Her Loss&#xA;🤎 Drake - Certified Lover Boy&#xA;💜 Dragonu AKA 47 - HITMAN&#xA;🤎 Drăgușanu &amp;amp; Sorin Milea - Private Barbeque&#xA; Dream.Corp - Online&#xA;🤍 Dream.Corp - T3XTVRE GR1D&#xA;💜 DR. GABBA - Planet Piano&#xA;💛 Drew The Architect - Lèiyll&#xA;💜 drift-133 - Takeafter&#xA;💜 drip-133 - Becomes a Pattern&#xA;💜 drift-133 &amp;amp; BONES - HateToBreakItToYou&#xA;💜 drwn. - glow slow&#xA;💜 DUCKBOY - tragic love songs to study to &#xA;💜 DUCKBOY - existential hymns for the average sigma &#xA;💜 Dundy - Acarde&#xA;💜 Dundy - NO!MASTER&#xA;💜 Dundy - RETRO&#xA;🤍 Dundy - SPIRIT&#xA;🤍 Dundy - STACKS&#xA;💛 dwyer - Lanterns&#xA;💜 dwyer - Olivino&#xA;💛 dwyer - Raspberry Teeth&#xA;💜 dwyer - Thursday Mornings&#xA;💜 DZWS &amp;amp; andrei - YOUNGSTA/R&#xA;🤍 Eagle Eyed Tiger - Future or Past&#xA;💜 E-An-Na - Jiana&#xA;🤍 Earl Sweatshirt - Some Rap Songs&#xA;💜 陳奕迅 Eason Chan - Eason Chan 陳奕迅&#xA;💜 陳奕迅 Eason Chan - Eason &amp;amp; Friends 903 ID Club 拉闊音樂會&#xA;💚 陳奕迅 Eason Chan - God Bless Lover 天佑愛人&#xA;💛 陳奕迅 Eason Chan - It's Me 反正是我&#xA;💛 陳奕迅 Eason Chan - My Happy Time 我的快樂時代&#xA;💙 陳奕迅 Eason Chan - Preparation 醞釀&#xA;💜 陳奕迅 Eason Chan - Shall We Dance? 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II&#xA;💜 Frank Ocean - blonde&#xA;🤍 Frank Ocean - channel ORANGE&#xA;💛 Fraoula - Neon Drive OST&#xA;💜 Franz Liszt - Eine Faust-Symphonie in drei Charakterbildern&#xA;💛 Franz Liszt - Eine Symphonie zu Dantes Divina Commedia&#xA;💜 Fratelenord - Morfină&#xA;🤍 Freddie Dredd - Freddie's Inferno&#xA;💜 Freeze Corleone - ADC&#xA;🤍 Freeze Corleone - À la recherche de la daillance&#xA;💜 Freeze Corleone - F.D.T&#xA;❤️ Freeze Corleone - LMF&#xA;💙 Freeze Corleone - Projet Blue Beam&#xA;🧡 Freeze Corleone - THC&#xA;🤎 Freeze Corleone - Vieilles merdes&#xA;🤍 Freeze Corleone - Vieilles merdes vol.II&#xA;🤍 Freeze Corleone &amp;amp; Ashe 22 - RIYAD SADIO&#xA;💚 Frums - Metacontinues&#xA;💜 Frums - vignette&#xA;💙 fujitsu - forests e.p&#xA;💜 fushou. - essentials&#xA;💜 gabby start - luca&#xA;🤍 Gambi - LA VIE EST BELLE&#xA;🤍 Gândul Mâței - Cu gândul la ea&#xA;🤍 Gao the Arsonist - OUR BONES ARE ARTIFACTS&#xA;🤍 gawdlee &amp;amp; Bryson McGee - COLOSSAL&#xA;💛 gawdlee - DENISE&#xA;💎 gawdlee - fragilelawsofwordstructure&#xA;💜 gawdlee - hopeyouhadabadsummer&#xA;💛 gawdlee - I Know&#xA;💜 Gaz120 - Gaz120&#xA;💜 Gazo - APOCALYPSE&#xA;💛 Gazo - DRILL FR&#xA;💜 Gazo - KMT&#xA;💛 GENDEMA - sassy things&#xA;💜 Geoxor - Irreversible&#xA;💜 Gerrar - Renaștere (Deluxe Edition)&#xA;🤍 Getter - Some Creature&#xA;💛 Getto Daci - Daciada&#xA;🤍 Ghostemane - Hexada&#xA;🤍 Giovanni &amp;amp; RAVA - UNTOUCHABLE&#xA;💜 GIVĒON - Give Or Take&#xA;💚 GIVĒON - TAKE TIME&#xA;💚 GIVĒON - When It's All Said And Done&#xA;💜 GLOBAL CHILL - midnight smoker ミ​​​​​​​ク​​​​​​​ス​​​​​​​テ​​​​​​​ー​​​​​​​プ&#xA;💛 Gods Of Something - Inner Void&#xA;💛 Gods Of Something - The Edge of Reality&#xA;🤍 Godspeed You! Black Emperor - Allelujah! Don't Bend! Ascend!&#xA;🤍 Godspeed You! Black Emperor - Asunder, Sweet and Other Distress&#xA;💛 Godspeed You! Black Emperor - F♯ A♯ ∞&#xA;💛 Godspeed You! Black Emperor - G_d's Pee AT STATE'S END!&#xA;💛 Godspeed You! Black Emperor - Lift Your Skinny Fists Like Antennas to Heaven&#xA;💛 Godspeed You! Black Emperor - Luciferian Towers&#xA;💜 Godspeed You! Black Emperor - Slow Riot for New Zero Kanada&#xA;💜 Godspeed You! Black Emperor - Yanqui U.X.O.&#xA;💙 Go Ichinose, Junichi Masuda &amp;amp; Hitomi Sato - Pokémon Diamond Soundtrack&#xA;💙 Go Ichinose, Junichi Masuda, Hitomi Sato &amp;amp; Satoshi Nohara - Pokémon Platinum Soundtrack&#xA;💚 Go Ichinose, Junichi Masuda, Morikazu Aoki &amp;amp; Hitomi Sato - Pokémon Emerald Soundtrack&#xA;💙 Go Ichinose, Shota Kageyama, Hitomi Sato, Junichi Masuda &amp;amp; Takuto Kitsuta - Pokémon HeartGold and SoulSilver Soundtrack&#xA;💜 Gojnea76 - Level UP&#xA;💚 GOLDWATER - discography&#xA;💜 GOLDWATER - GOLDWATER EP&#xA;💜 GONE.Fludd - BOYS DON'T CRY&#xA;🤎 Goodbye to Gravity - Mantras Of War&#xA;💜 𝐺𝑂𝑅𝐸 - プロアクティブシューター&#xA;💜 𝐺𝑂𝑅𝐸 - 不可避の破壊&#xA;💛 𝐺𝑂𝑅𝐸 - 内臓&#xA;💜 𝐺𝑂𝑅𝐸 - 人生の重荷&#xA;💙 goreshit - Semantic Compositions on Death and Its Meaning&#xA;🤍 Gradur - Where Is l'album de Gradur&#xA;💜 graves - tomorrow tape&#xA;💛 grayera - It Feels Like I'm Wilting Away&#xA;💜 GRËJ - ANTIPASTI&#xA;🤍 GRËJ - CUISINE&#xA;🤍 GRËJ - ÉTOILES MICHELIN&#xA;💚 GRËJ - L'album gris&#xA;💙 GRËJ - PIXELTAPE&#xA;💜 GRËJ - PIXELTAPE2&#xA;💜 GRËJ - RESTAURANT&#xA;💚 GRËJ - RINASCIMENTO&#xA;💛 GRËJ - TAKE AWAY EP&#xA;🤍 Gridan &amp;amp; Killa Fonic - OPUS MAGNUM&#xA;🤍 Grinder - New Steel&#xA;🤎 Grohot - Hrănind gurile înfometate&#xA;💜 GRXGVR - 020&#xA;🤍 guardin - ＡＴＡＲＡＸＹ&#xA;💜 guardin - Astral Agenda&#xA;💜 guardin - creature pt. 1&#xA;💜 guardin - creature pt. 2&#xA;💛 guardin - &#xA;💛 guardin - lacuna&#xA;💜 guardin - LOST &amp;amp; FOUND&#xA;💜 guardin - Lost In A Fantasy&#xA;💛 guardin - outsider&#xA;💛 guardin - take me home&#xA;💜 Guess Who - Locul Potrivit / Probe Audio&#xA;💜 GUILD MERCHANT - 比喩的な意味&#xA;💜 GUILD MERCHANT - 血​の​争​い (blood feud)&#xA;💛 GUILD MERCHANT - Heartless&#xA;🤍 Guizmo - Amicalement vôtre&#xA;💜 Guizmo - C'est tout.&#xA;🤍 Guizmo - Dans ma ruche&#xA;🧡 Guizmo - #GPG&#xA;💜 Guizmo - #GPG 2&#xA;💛 Guizmo - La banquise&#xA;🧡 Guizmo - Normal&#xA;💜 Guizmo - Renard&#xA;💛 Guns N' Roses - Appetite For Destruction&#xA;💛 Guns N' Roses - G N' R Lies&#xA;💜 Guns N' Roses - Use Your Illusion I&#xA;🤍 Haarp Cord - Dragoste sau frică&#xA;🧡 Haarper - Naga&#xA;💜 haircuts for men - 1989&#xA;💜 haircuts for men - a path&#xA;💚 haircuts for men - 地下カラオケ ep&#xA;💜 Halicalf - Gunner &amp;amp; The Prophet&#xA;💛 Hamza - 140 BPM 2&#xA;💜 Hamza - Paradise&#xA;💜 Hamza - Sincèrement&#xA;❤️ Hans Zimmer - Inception (Music from the Motion Picture)&#xA;💙 Hans Zimmer - Interstellar (Original Motion Picture Soundtrack)&#xA;🤍 Harmasar - Din Pământ&#xA;💜 Harmful Logic - SOULGEMCOLLECTION&#xA;💜 Harris Cole - Colors&#xA;💜 Harry Styles - Harry Styles&#xA;💚 Haux - All We've Known&#xA;🤍 Hector Berlioz - Te Deum&#xA;Helytube - Din canale&#xA;💜 hentai boys - 4EVER&#xA;🤍 Heuss L'enfoiré &amp;amp; Vald - Horizon vertical&#xA;💜 Hide春 - Dead End Adventure&#xA;💛 菊池ひみこ Himiko Kikuchi - Flying Beagle&#xA;💜 hhsweater - fly sumwere&#xA;🧡 H JeuneCrack - 2ème Cycle&#xA;🤍 HKK - Dreamwalker&#xA;💛 けｍ SURF - Waterbed&#xA;💛 Holder - Undertale Remixed by Holder&#xA;🧡 Hollow Flag - Beware of Moshing&#xA;🤍 Holograf - banii vorbesc&#xA;💛 Home - Hold&#xA;🧡 Hong Kong Express - I Am Here, In Love.​.​.​.​.​.​.​.​.​.​.​. (Exist​.​.​. Exist​.​.​.​. Exist​!​!​!​)&#xA;💚 HÖR BERLIN 2019 - Tham&#xA;💜 HÖR BERLIN 2022 - Mia Lily&#xA;💙 HÖR BERLIN 2022 - ¥ØU$UK€ ¥UK1MAT$U&#xA;💛 HÖR BERLIN 2023 - Esther Urioste&#xA;💜 HÖR BERLIN 2023 - MØRK&#xA;💜 HÖR BERLIN 2023 - Spacer Woman&#xA;🤍 HÖR BERLIN 2023 - THC&#xA;💜 HÖR BERLIN 2023 - ¥ØU$UK€ ¥UK1MAT$U&#xA;💛 HÖR BERLIN 2024 - EVE&#xA;💜 HÖR BERLIN 2024 - Jane&#xA;🧡 HÖR BERLIN 2024 - Kameliia&#xA;💜 HÖR BERLIN 2024 - Lucinee&#xA;💛 HÖR BERLIN 2024 - Ludmila Di Pasquale&#xA;💜 HÖR BERLIN 2024 - MILENA ADAMIS&#xA;💜 HÖR BERLIN 2025 - BRENN.&#xA;💜 HÖR BERLIN 2025 - Deas&#xA;💛 HÖR BERLIN 2025 - Diossa&#xA;💛 HÖR BERLIN 2025 - Felinah&#xA;💛 HÖR BERLIN 2025 - Jelena&#xA;💚 HÖR BERLIN 2025 - madwoman&#xA;💛 How to Disappear Completely - Seraphim&#xA;💚 How to Disappear Completely - Seraphim II&#xA;💛 Hozokauh - time, unraveling&#xA;❤️ H-Pi - Trackmania (Original Video Game Soundtrack)&#xA;💜 Hyd - CLEARING&#xA;💜 i61 - ANGELWAVE&#xA;💜 Ian - Slayer&#xA;💛 IC3PEAK - Coming Home&#xA;🧡 IC3PEAK - Dead But Pretty&#xA;💚 IC3PEAK - До Свидания&#xA;💛 IC3PEAK - Сказка&#xA;💙 IC3PEAK - Сладкая Жизнь&#xA;🤍 IC3PEAK - より多くの愛&#xA;💚 IC3PEAK - FALLAL&#xA;💚 IC3PEAK - IC3PEAK&#xA;💜 IC3PEAK - Substances EP&#xA;💜 IC3PEAK - VACUUM&#xA;💜 ICYTWAT - 4 tha Troopz&#xA;💛 ICYTWAT - Dior Junts&#xA;💛 ICYTWAT - Dream Bwoy&#xA;💜 ICYTWAT - G4ost&#xA;💜 ICYTWAT - Good Pussy&#xA;🤍 ICYTWAT - Have Mercy on Us&#xA;💚 ICYTWAT - ICYTWAT&#xA;💙 ICYTWAT - ICYTWAT Radio&#xA;🧡 ICYTWAT - Magic as Usual&#xA;💙 ICYTWAT - Milk&#xA;💜 ICYTWAT - Siddhi&#xA;💜 ICYTWAT - Siddhi World&#xA;💛 ICYTWAT - Throwaway EP&#xA;💛 ICYTWAT &amp;amp; LORDFUBU - Fubu vs. Twat&#xA;🤎 Igorrr - Nostril&#xA;💜 Ikaz Boi - Paradise&#xA;🤍 Implant Pentru Refuz - Monolith&#xA;💜 Inclasick - Space&#xA;💛 INDOOR CIGARETTES - VOLUME 1&#xA;💚 INDOOR CIGARETTES - VOLUME 2&#xA;🤎 Inhavite - Raptilian&#xA;💜 INNA - Body and the Sun&#xA;💛 INNA - Champagne Problems #DQH1&#xA;💜 INNA - Champagne Problems #DQH2&#xA;💜 INNA - Everything Or Nothing #DQH1&#xA;🤍 INNA - Everything Or Nothing #DQH2&#xA;💛 INNA - Heartbreaker&#xA;💛 INNA - Hot&#xA;💛 INNA - I Am the Club Rocker&#xA;💜 INNA - Just Dance #DQH1&#xA;🤍 INNA - Just Dance #DQH2&#xA;💛 INNA - Party Never Ends, Pt. 1 (Deluxe Edition)&#xA;💜 INNA - Party Never Ends, Pt. 2 (Deluxe Edition)&#xA;💛 insaneintherainmusic - Sinnohvation&#xA;💚 instupendo - Friend of a Friend&#xA;💛 INSULINE &amp;amp; NICOTINE - Le retour&#xA;💛 INSULINE &amp;amp; NICOTINE - ZEvent 2023&#xA;💜 internetBoi - A Bird Needs Two Wings To Fly&#xA;💚 IOANA - I mare de la Ioana&#xA;💛 Ioana Ignat - Ioana Ignat&#xA;💛 Ioana Radu - Ioana Radu, Vol. 1&#xA;💜 Ioana Radu - Ioana Radu, Vol. 2&#xA;💜 Ioana Radu - Ioana Radu, Vol. 3&#xA;💜 Ioana Radu - Ioana Radu, Vol. 4&#xA;💚 Irina Rimes - Acasă&#xA;💛 Irina Rimes - Cosmos&#xA;💛 Irina Rimes - Despre el&#xA;💜 Irina Rimes - Origini&#xA;💛 Irina Rimes - Pastila&#xA;💜 IRIS - IRIS, Vol. 1&#xA;💜 Irko - Ghillie in the Mist&#xA;🧡 IShowSpeed - Trip 2 Brazil&#xA;💛 itimar - leaf.ep&#xA;💛 Ivan Dorn - RANDORN&#xA;💛 Iwakura - ​&#xA;💚 Iwakura - ⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻&#xA;💛 Iwakura - The Backrooms Original Soundtrack&#xA;💜 Iwakura - The Backrooms Original Soundtrack 2&#xA;💛 Iwakura - The Backrooms Original Soundtrack 3&#xA;💜 Iwakura - ░Wires░&#xA;💜 Iwakura &amp;amp; frontooms - ⎎☊⌾⏙&#xA;💜 Iwakura &amp;amp; frontooms - ✙✙✙✙✙Limit✙✙✙✙✙&#xA;💙 Jacksonifyer - a glitch in the head&#xA;💜 Jacksonifyer - Bittersweet Abandonment&#xA;🤍 Jacksonifyer - Distorted Rememberance&#xA;💚 Jacksonifyer - Hope Lost&#xA;💜 Jacques Brel - Au printemps&#xA;💜 Jacques Brel - Ces gens-là&#xA;🤍 Jacques Brel - Jacques Brel 67&#xA;🤍 Jacques Brel - Jacques Brel et ses chansons&#xA;💛 Jacques Brel - J'arrive&#xA;💛 Jacques Brel - La Valse à mille temps&#xA;🤍 Jacques Brel - Les Bonbons&#xA;💛 Jacques Brel - Les Marquises&#xA;🤍 Jacques Brel - L'homme de la Mancha&#xA;💚 Jacques Brel - Marieke&#xA;💛 Jacques Brel - Olympia 1964&#xA;💜 Jacques Brel - Quand on n'a que l'amour&#xA;💜 Jaden - CTV3: Cool Tape Vol. 3&#xA;💜 James Grant, Jody Wisternoff &amp;amp; Silver Mt. Zion - Anjunadeep 12 Sampler: Part 1&#xA;💙 Janice Quatlane - The Eternal Diva (Layton Kyouju to Eien no Utahime)&#xA;💜 japansaur - RENAISSANCE MIX&#xA;💜 japansaur - sese flick&#xA;💛 jarjarjr - Fallen Angel&#xA;💛 Jasper Byrne - Hotline Miami EP&#xA;💜 Jax (02.14) - Asian Taste&#xA;💚 Jazzybit - Horizon&#xA;💛 Jeff Kaale x Engelwood ep&#xA;💛 Jeff Kaale x spencer - weekdays&#xA;💛 Jeff Kaale - Lagoon&#xA;💛 Jeff Kaale - Summer in the 50's&#xA;💛 jenny nuo - bound by expectations&#xA;💚 jenny nuo - the exhibit&#xA;💙 Jeremiah Chiu &amp;amp; Marta Sofia Honer - Recordings from the Åland Islands&#xA;💚 Jeremy Soule - The Elder Scrolls V: Skyrim: OST&#xA;💛 Jetson - Culture&#xA;💜 Jeune sachet - FOREIGN&#xA;💜 Jhené Aiko - Sail Out&#xA;💜 Jiin - Cult Hymns&#xA;💜 Johnny Răducanu - Jazz made in Romania&#xA;❤️ Joji - BALLADS 1&#xA;💜 Joji - Chloe Burbank Volume 1&#xA;💙 Joji - In Tongues (Deluxe)&#xA;💛 Joji - LOST BALLADS&#xA;💜 Joji - Lost Instruments&#xA;💙 Joji - Nectar&#xA;💛 Joji - SMITHEREENS&#xA;🧡 Jok'Air - Big Daddy Jok&#xA;🤎 jonatan leandoer96 - Katla&#xA;🧡 jonatan leandoer96 - Psycopath Ballads&#xA;💜 JOY. - JOY TO THE WORLD MIXTAPE&#xA;💜 Joy Division - Closer&#xA;🤍 Joy Division - Love Will Tear Us Apart&#xA;💜 Joy Division - Still&#xA;🤍 Joy Division - Substance&#xA;💜 Joy Division - Unknown Pleasures&#xA;🤍 JPEGMAFIA - All My Heroes Are Cornballs&#xA;💜 JPEGMAFIA - black ben carson&#xA;💜 JPEGMAFIA - EP!&#xA;💜 JPEGMAFIA - EP2!&#xA;💜 JPEGMAFIA - LP!&#xA;🤍 JPEGMAFIA - Veteran&#xA;💜 JrDenil - DAS ALOTTA STRESS&#xA;💛 Juice WRLD - Affliction&#xA;💜 Juice WRLD - BINGEDRINKINGMUSIC&#xA;💚 Juice WRLD - Goodbye &amp;amp; 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Specii - Imperiul lianelor&#xA;💛 KC Shore - solstice&#xA;🤍 Keed - DAVID&#xA;💙 Keisuke Ito &amp;amp; Yasuhiro Kawagoe - Pokémon Mystery Dungeon: Gates to Infinity Soundtrack&#xA;🤍 Kekra - Vréel 2&#xA;💛 Kendrick Lamar - DAMN.&#xA;💛 Kendrick Lamar - gnx&#xA;🧡 Kendrick Lamar - Overly Dedicated&#xA;🤍 Kendrick Lamar - Section.80&#xA;🤍 Keri &amp;amp; Vali Umbră - Sonor&#xA;💜 Kero Kero Bonito - Bonito Generation&#xA;🧡 Kero Kero Bonito - Intro Bonito&#xA;🤍 Kero Kero Bonito - Why Aren't You Dancing?&#xA;💜 KevGee - Sedated Tape&#xA;💜 Kevin MacLeod - PsychoKiller&#xA;💚 KFM - \​\​\​fail&#xA;💛 Khali - Palmer wild story&#xA;💜 Khali - IL ME RESSEMBLE PAS NON PLUS&#xA;💙 Killa Fonic - 2089&#xA;💜 Killa Fonic - BeetleJuice&#xA;💜 Killa Fonic - III&#xA;💜 Killa Fonic - Emotiv Munteana&#xA;💜 Killa Fonic - Lamă Crimă&#xA;🤍 Killa Fonic - MAT-STHĀNI SARVA-BHŪTĀNI&#xA;💛 Killa Fonic - Osvaldo (Deluxe)&#xA;💜 Killa Fonic - Ramses 1989&#xA;🤍 Killa Fonic - Radio Fonic&#xA;💜 Killa Fonic - Taxi Driver&#xA;🤍 Killa Fonic - Terra Vista&#xA;💜 Killa Fonic - Trendsetter&#xA;🤍 Killa Fonic - SS1000&#xA;💜 kiLLa Laharl - Digital Shrine&#xA;💜 killedmyself - backyard cemetery: revisited&#xA;💜 killedmyself - stay where it's safest&#xA;🤍 killedmyself - the next time you see me, you won't&#xA;🤍 killedmyself - that kindled look in her eyes&#xA;💚 Killer Bee - Venus EP&#xA;💚 Killers Legion - Ad Infinitum&#xA;💜 Killstation - Days After Dying&#xA;🤍 KingFsorrow - Color Code&#xA;💜 濱田 金吾 Kingo Hamada - midnight cruisin&#xA;💜 K.I. the Roi - If I'm Yours&#xA;💛 K.I. the Roi - To the Moon&#xA;💜 kizaru - Mas Fuerte&#xA;💜 kkami - The Adventures of Purple &amp;amp; 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Soundtrack&#xA;💛 Koji Kondo - Super Mario 3D Land Soundtrack&#xA;❤️ Koji Kondo - Super Mario 64 Soundtrack&#xA;💙 Koji Kondo - Super Mario Galaxy Soundtrack&#xA;🤍 Kordhell &amp;amp; Scarlxrd - PSYCHX&#xA;💜 Korn - Follow The Leader&#xA;💜 Korn - Issues&#xA;💛 Korn - Korn&#xA;💜 Korn - Korn III: Remember Who You Are (Special Edition)&#xA;💛 Korn - Life Is Peachy&#xA;💛 Korn - Live &amp;amp; Rare&#xA;💛 Korn - See You On the Other Side&#xA;💚 Korn - Take A Look In The Mirror&#xA;💛 Korn - The Nothing&#xA;💜 Korn - The Paradigm Shift (Deluxe)&#xA;💜 Korn - The Path of Totality (Special Edition)&#xA;💚 Korn - The Serenity of Suffering (Deluxe)&#xA;🤍 Korn - Untitled&#xA;💜 Korn - Untouchables&#xA;💚 KRAAKSTOF - KRAAKSTOF RADIO 001&#xA;💜 KRAAKSTOF - KRAAKSTOF VOL.1&#xA;💜 KRAAKSTOF - KRAAKSTOF VOL.2&#xA;💛 KRAAKSTOF - KRAAKSTOF VOL.3&#xA;💛 Krewella - Get Wet&#xA;💛 Krewella - Play Hard&#xA;💜 Krewella - Play Harder&#xA;💜 Kristian Florea - Glasna Intima&#xA;💚 Krisy - Paradis d'amour&#xA;💜 KronoMuzik - Free Krono&#xA;💜 KronoMuzik, Pandrezz &amp;amp; Ronare - zzccmxtp&#xA;🧡 Kumm - Far From Telescopes&#xA; KyonPalm - CYBERIA&#xA;💜 Lady Gaga - ARTPOP&#xA;💜 Lady Gaga - Born This Way&#xA;🤍 Lady Gaga - Joanne (Deluxe)&#xA;💛 Lady Gaga - MAYHEM&#xA;💜 Lady Gaga - The Fame Monster (Deluxe Edition)&#xA;🤍 Lady Gaga &amp;amp; Bradley Cooper - A Star Is Born Soundtrack&#xA;💜 La Familia - Bine ai venit în Paradis&#xA;💜 La Femme - La Femme ressort&#xA;💜 La Femme - Mystère&#xA;💛 La Femme - Paradigme : suppléments&#xA;💛 La Femme - Paris-Hawaï&#xA;💜 La Femme - Psycho Tropical Berlin (Bonus Track Version)&#xA;🧡 La Femme - Teatro Lúcido&#xA;🤍 La Fève - ERRR&#xA;💛 Lafleyne - GOLD DIGGER&#xA;🧡 Lancey Foux - FIRST DEGREE&#xA;🧡 Lancey Foux - FRIEND OR FOUX&#xA;🤍 Lancey Foux - LIVE.EVIL&#xA;🤍 Lancey Foux - Pink&#xA;🤍 Lancey Foux - Pink II&#xA;🤍 Lancey Foux &amp;amp; Nyge - First Day At Nursery&#xA;💛 Laura Pausini - From the Inside&#xA;🤍 Laura Pausini - Fatti sentire&#xA;🤍 Laura Pausini - Inedito&#xA;💜 Laura Pausini - Io canto&#xA;🤍 Laura Pausini - La mia resposta&#xA;💚 Laura Pausini - Laura Pausini&#xA;💛 Laura Pausini - Le cose che vivi&#xA;💛 Laura Pausini - Tra te e il mare&#xA;💜 Laura Pausini - Primavera in anticipo&#xA;💛 Laura Pausini - Resta in ascolto&#xA;🤍 Laura Pausini - Simili&#xA;💙 Laura Shigihara - Plants vs. Zombies Soundtrack&#xA;💛 Laura Stoica - Focul&#xA;🤍 Laylow - L'Étrange Histoire de Mr. Anderson&#xA;🤍 Lazuli - TOKETA &#xA;🤍 Learic Spellman - Maturation&#xA;💜 Le Dé - Delta Plane&#xA;💜 Le Dé - Napalm&#xA;🤍 L'Entourage - Jeunes Entrepreneurs&#xA;🤍 Les Alchimistes - Antisocial&#xA;💜 LEX - Ταπεινοί Και Πεινασμένοι&#xA;💜 Lightex - Rusty Nail Candy&#xA;🤍 Lil Alex - SUPERSTAR&#xA;💜 Lil Bo Weep - ILLUSIONS&#xA;💜 LILDRUGHILL - All Babies Fly&#xA;💜 lil kaine - No Mercy&#xA;💜 Lil Mariko - Lil Mariko&#xA;💙 Lil Peep - California Girls&#xA;💛 Lil Peep - Changes&#xA;💙 Lil Peep - Come Over When You're Sober, Pt. 1&#xA;💜 Lil Peep - Come Over When You're Sober, Pt. 2&#xA;💙 Lil Peep - Crybaby&#xA;💛 Lil Peep - Everybody's Everything&#xA;💛 Lil Peep - feelz&#xA;💚 Lil Peep - Hellboy&#xA;💚 Lil Peep - Lil Peep; Part One&#xA;💛 Lil Peep - Live Forever&#xA;💚 Lil Peep - Teen Romance&#xA;💛 Lil Peep - Vertigo&#xA;🤍 Lil Peep &amp;amp; Death+ - Garden&#xA;💜 Lil Peep &amp;amp; Fish Narc - Goth Angel Sinner&#xA;💜 Lil Peep &amp;amp; Lil Tracy - castles&#xA;💚 Lil Peep &amp;amp; Lil Tracy - CÅSTLES II&#xA;💜 Lil Peep, Jgrxxn &amp;amp; Ghostemane - Elemental&#xA;💛 Lil Sheitan - Sur Mon Bateau Pirate&#xA;🤍 Lil Xan - TOTAL XANARCHY&#xA;💜 L'Impératrice - L'impératrice&#xA;💜 L'Impératrice - Matahari&#xA;💜 L'Impératrice - Odyssée&#xA;💜 L'Impératrice - Pulsar&#xA;🤍 L'Impératrice - Séquences&#xA;🤍 L'Impératrice - Sonate Pacifique&#xA;💚 L'Impératrice - Tako Tsubo&#xA;💜 Lingua Ignota - AGNUS DEI&#xA;💚 Lingua Ignota - All Bitches Die&#xA;💚 Lingua Ignota - CALIGULA&#xA;💛 Lingua Ignota - LET THE EVIL OF HIS OWN LIPS COVER HIM&#xA;💜 Lingua Ignota - SINNER GET READY&#xA;💛 Little Big - Antipositive, Pt. 1&#xA;💛 Little Big - Antipositive, Pt. 2&#xA;🤍 Little Big - COVERS&#xA;💛 Little Big - Funeral Rave&#xA;💜 Little Big - GO BANANAS&#xA;💜 Little Big - Lobster Popstar&#xA;🧡 Little Simz - Sometimes I Might Be Introvert&#xA;💚 lofi.hiphop - 1 yr&#xA;💜 lofi.hiphop - lofi.hiphop &#xA;💜 lofi.samurai - oldies&#xA;💜 Lolo Zouaï - Beautiful Lies&#xA;💛 Lolo Zouaï - High Highs to Low Lows (Deluxe)&#xA;💜 Lolo Zouaï - Ocean Beach&#xA;💚 Lolo Zouaï - Playgirl&#xA;💜 Lolo Zouaï - Please Hold&#xA;💛 Lonepsi - Danger de mot&#xA;💚 loose tha kid (as geerad) - brainwater&#xA;💛 loose tha kid (as geerad) - waves&#xA;🤍 Loqiemean - Повестка&#xA;💛 Lord Apex - INTERPLANETARY FUNK LP&#xA;🧡 Lord Esperanza - Drapeau Noir&#xA;🤍 Lorenzo - Légende vivante&#xA;🧡 Lorenzo - Sex In The City&#xA;💜 Lorn - Nothing Else&#xA;🤍 Lorn - RARITIES&#xA;💜 Lorn - The Maze To Nowhere&#xA;💛 Lost Colossus - PATH OF LUST VOL.1&#xA;🤍 Louane - Chambre 12&#xA;💜 Love Renaissance - Home From The Holidays&#xA;🤍 Luchè - L1&#xA;🧡 Luchè - L2&#xA;💜 Lucid Monday - LM013&#xA;🤍 Lucid Monday - LM019&#xA;🤍 Lucid Monday - LM020&#xA;🤍 Lucid Monday - LM021&#xA;💛 Lucid Monday - Lucid Monday Presents: DJ Yung Vamp, Soudiere &amp;amp; Dilip&#xA;💜 Ludwig van Beethoven - Piano Sonata No. 14&#xA;💛 Luidji - Boscolo Exedra&#xA;💜 Luidji - Mécanique des fluides&#xA;💜 Luidji - Saison 00&#xA;💙 Luidji - Tristesse Business : Saison 1&#xA;🧡 Luna Amara - Asfalt&#xA;💜 ℒund - BlkBird&#xA;💚 ℒund - Gold&#xA;🤍 Luni - Orange&#xA;🤍 Luther - GARÇON&#xA;💚 Luther (TB) - Alpha&#xA;💛 Luther (TB) - Love Pack&#xA;💛 Luther (TB) - Starter Pack&#xA;💜 Luv Resval &amp;amp; Alkpote - Mariah&#xA;💜 Mabisyo - Beatmaking Sessions V.1&#xA;💜 Mabisyo - Beauty Is Something Simple&#xA;💜 Mabisyo - Clouds Under Nicotine Extended Edition&#xA;💜 Mabisyo - Echoes Of The Subconscious&#xA;💛 Mabisyo - Everything Is Under Control&#xA;💛 Mabisyo - Light Up Your Heart&#xA;💚 Mabisyo - The Theory Of Premonitions&#xA;💜 Mabisyo &amp;amp; Majestic 12 - Velvet Notes&#xA;💛 Macanache - Interzis&#xA;💚 Mac Quayle - Mr. Robot, Vol. 1 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 2 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 3 (Original Television Series Soundtrack)&#xA;💙 Mac Quayle - Mr. Robot, Vol. 4 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 5 (Original Television Series Soundtrack)&#xA;💚 Mac Quayle - Mr. Robot, Vol. 6 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 7 (Original Television Series Soundtrack)&#xA;💛 Mac Miller - Balloonerism&#xA;🤍 Mac Miller - Blue Slide Park&#xA;💜 Mac Miller - K.I.D.S. (Deluxe)&#xA;💚 Mac Miller - Macadelic&#xA;🤍 Mac Miller - On And On And Beyond&#xA;💜 Mac Miller - Watching Movies with the Sound Off&#xA;💚 Macroblank - 痛みの永遠&#xA;💜 Macroblank - 色​あ​せ​た​エ​コ​ー&#xA;💜 Macroblank - 至福を通じた平和&#xA;💚 Macroblank - 肉と魂&#xA;💚 Macroblank - 行方不明&#xA;💙 Macroblank - ラストチャンス&#xA;💛 Macroblank - 絶望に負けた&#xA;💛 Macroblank - エコーチャンバーパーティー&#xA;💛 Macroblank - ダウンウィズザキング&#xA;💜 Macroblank - 保持&#xA;💚 Macroblank - ボイドを超える&#xA;💜 Macroblank - 没頭する&#xA;💚 Macroblank - dungeon of lust&#xA;💜 Macroblank - entropy&#xA;💛 Macroblank - FETISH*&#xA;💛 Macroblank - HOSTILE&#xA;💛 Macroblank - ibis valley&#xA;💜 Macroblank - keygen 決定的&#xA;💛 Macroblank - RARE PSALMS COLLECTION VOL​.​1&#xA;💜 Macroblank - RARE PSALMS COLLECTION VOL​.​2&#xA;💛 Macroblank - serpent lp&#xA;💜 Macroblank - Solstice&#xA;❤️ Macroblank - Tales of the Cypher&#xA;💛 Macroblank - The Exiled Lords&#xA;💛 Macroblank &amp;amp; GODSPEED 音 - IMPERIAL&#xA;💛 Macroblank &amp;amp; Oblique Occasions - elegiac blasphemy&#xA;💙 Macroblank &amp;amp; Oblique Occasions - verdant halcyon&#xA;💛 Macross 82-99 - SAILORWAVE&#xA;💛 Madvillain - Madvillainy&#xA;💜 MAGDALENE - GODSLAYER&#xA;🤍 Mag.Lo - Never&#xA;💛 Magnetic The Shaman X leaf beach - Façade&#xA;💛 Mai Lan - Autopilote&#xA;🤍 Mai Lan - Mai Lan&#xA;💚 Mai Lan - Vampire EP&#xA;🧡 Makala - Radio Suicide&#xA;💚 Male Alchemy - 1984&#xA;💛 Male Alchemy - オセアニックガーデン ep&#xA;💚 Male Alchemy - 秘密の真実&#xA;💛 Male Alchemy - aristocracy&#xA;💛 Male Alchemy - Chamonix&#xA;💙 Male Alchemy - Melancholy Of An Angel&#xA;💛 Male Alchemy - you are afraid of me&#xA;💜 Mall Greb - How The Dogs Chill, Vol.1&#xA;💛 Måneskin - Il ballo della vita&#xA;💚 Måneskin - Rush!&#xA;🤍 Måneskin - Teatro d'ira - Vol.I&#xA;💛 Manicurés - 心の中のナイフ EP&#xA;💚 m a n n y . - Calm ep.&#xA;💜 m a n n y . - Fallen ep .&#xA;💜 m a n n y . - Frequence Ep.&#xA;💜 m a n n y . - genesis ep.&#xA;💜 m a n n y . - mai tai . ep&#xA;💜 m a n n y . - wave ep.&#xA;💜 Manu Militari - Nouvelle vague&#xA;💛 Marie Therese - Space Chill&#xA;💜 Mario Fresh - red.&#xA;💛 Marius Popp - Panoramic Jazz-Rock&#xA;💜 Marko Glass - Covid Vibes&#xA;💜 Marko Glass - Markat&#xA;💛 Marko Glass - Mixed Feelings&#xA;💜 Marko Glass - Sainted?&#xA;💜 Marko Glass - Versalingo&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando 2&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando 3&#xA;💛 Marracash - Persona &#xA;🤍 Martalogii - Toți cuidații&#xA;🤎 Martha Logue - Am dat o besină și pute vol. 1&#xA;🤍 Marțolea - Noaptea dihăniilor&#xA;💛 木村雅彦 Masahiko Kimura - Spectrobes Soundtrack&#xA;💙 高中正義 Masayoshi Takanaka - All Of Me&#xA;💚 高中正義 Masayoshi Takanaka - An Insatiable High&#xA;💚 高中正義 Masayoshi Takanaka - Brasilian Skies&#xA;💛 高中正義 Masayoshi Takanaka - On Guitar&#xA;💜 高中正義 Masayoshi Takanaka - Seychelles&#xA;💙 高中正義 Masayoshi Takanaka - T-Wave&#xA;💜 масло черного тмина maslo chernogo tmina - Плохой джаз&#xA;💛 Mathematical Records - Lupin&#xA;💜 Matt Martians - The Drum Chord Theory &#xA;💜 Maxence - @+&#xA;💚 Maykretch - 街を歩く&#xA;💜 meat computer - social distancing from reality&#xA;💜 Meep - Stardust&#xA;💜 meganeko - Eclipse&#xA;💛 Mekhane - Grains&#xA;💚 Mekhane - Medjed&#xA;🤎 Melo &amp;amp; Lobe - Humble Minds&#xA;💙 Members Only - Members Only Vol.1!&#xA;💛 Members Only - Members Only, Vol. 2&#xA;💜 menace Santana - !&#xA;💛 menace Santana - Freestyle covid Part. 1&#xA;💜 menace Santana - Freestyle covid Part. 2&#xA;💙 Men I Trust - Equus Asinus&#xA;💜 Men I Trust - Headroom&#xA;💛 Men I Trust - Oncle Jazz&#xA;🤍 Men I Trust - Men I Trust&#xA;💜 Men I Trust - Untourable Album&#xA;💜 Merge! &amp;amp; Yameii Online - Merge! Vs. Yameii&#xA;💚 Methadon 3000 - Veriga lipsă&#xA;🤎 Metronext - Metronext&#xA;🧡 MGK666 - Turbo Orange&#xA;🤍 MHD - 19&#xA;💜 MHD - Mansa&#xA;💛 MHD - MHD&#xA;💙 Michael Jackson - Bad&#xA;💛 Michael Jackson - Ben&#xA;💚 Michael Jackson - Dangerous&#xA;💛 Michael Jackson - Farewell My Summer Love&#xA;💜 Michael Jackson - Forever Michael&#xA;💜 Michael Jackson - Got To Be There&#xA;💚 Michael Jackson - HIStory&#xA;💜 Michael Jackson - Invincible&#xA;🤍 Michael Jackson - Looking Back To Yesterday&#xA;💜 Michael Jackson - Michael&#xA;💜 Michael Jackson - Music &amp;amp; Me&#xA;💙 Michael Jackson - Off The Wall&#xA;❤️ Michael Jackson - Thriller&#xA;💛 Michael Jackson - XSCAPE&#xA;💙 Michael McCann - Deus Ex: Human Revolution (Original Soundtrack)&#xA;💛 Michele Morrone - Dark Room (Bonus Edition)&#xA;💛 Midi보이즈 v3.0 - Ebb &amp;amp; Flow&#xA;🤍 midwxst - better luck next time.&#xA;💛 Migos - Culture III&#xA;🤍 Mihai Mărgineanu - Gore din Chitila&#xA;🤍 MIKE DEAN - 4:23&#xA;💚 Miki - graou&#xA;💜 Milian - Personal&#xA;🤍 Миллер - Затмение&#xA;💛 Mircea Baniciu - Mircea Baniciu&#xA;🤍 MISOGI - OCCULT&#xA;💚 Mister V - Double V&#xA;💛 Mister V - MVP&#xA;🤍 Mixed Matches - all we are/all i need&#xA;💜 Mlodyskiny - Zęby&#xA;💜 Mnogoznaal - Гостиница Космос&#xA;💜 Mnogoznaal - Ночной Ловец Солнца&#xA;💛 Mobtrap - MOB PACK&#xA;💚 modest by default - Admissible Vol. I&#xA;💚 modest by default - Permaculture (组织胜过时间)&#xA;💛 modest by default - RAW PRACTICES VOL. I (حساس)&#xA;💛 modest by default - RAW PRACTICES VOL. II (استراتيجي)&#xA;💚 modest by default - RAW PRACTICES VOL. III (لا يرتشي)&#xA;💛 modest by default - THE CURSE OF COLONIALISM I&#xA;💙 modest by default - THE CURSE OF COLONIALISM II&#xA;💚 modest by default - THE CURSE OF COLONIALISM III&#xA;💚 modest by default - The Rojava Documents (ثورة مستمرة)&#xA;💜 Молчат Дома - Belaya Polosa&#xA;💙 Молчат Дома - С крыш наших домов&#xA;💜 Молчат Дома - Monument&#xA;💚 Молчат Дома - Этажи&#xA;💜 mol$ - QUIT MUSIC&#xA;💛 Monodrone - 街で夜を過ごす&#xA;💚 Monodrone - Customer Service&#xA;💚 Monodrone - Faded Memories&#xA;💙 Monodrone - Forbidden Fruit&#xA;💙 Monodrone - metempsychosis&#xA;💜 Monsieur Nov - Love Therapy&#xA;🤍 Montell Fish - Her Love Still Haunts Me Like a Ghost&#xA;🤍 MSyn - BEFORE : Atalante&#xA;💛 MSyn - NWR&#xA;💜 MSyn - Victoria Molina &amp;amp; MSyn present : XXXTENTACION, A Tribute&#xA;💛 mt. marcy - naked lunch&#xA;🤍 Muha - Identitet&#xA;💜 Muddyoush - Orchards&#xA;💜 mulchprize - 神秘的&#xA;💜 Mussy - Jig&#xA;🤍 my!lane - Sakura's Shadows&#xA;💜 M y s t e r yミステリー &amp;amp; desert sand feels warm at night - 人​生​は​幻​想​で​す&#xA;🤍 Na-Kel Smith - +&#xA;🤍 NAMCO SOUNDS - Tekken 4 (Original Game Soundtrack)&#xA;💙 NANE - &amp;quot;bo@b3&amp;quot;&#xA;💜 NANE - Șmecherescu&#xA;💜 NANE &amp;amp; NOSFE - 10h&#xA;🤍 Nanku - Nanku Sharma&#xA;🤍 Nasty Nate - Nasty Beats, Vol. 1&#xA;💜 Nation &amp;amp; Ecco2K - Ça Va&#xA;💚 Native Tapes - Native Tapes, Vol. 1: Botanical&#xA;💜 NAV - NAV&#xA;💛 NAV - Perfect Timing&#xA;💜 Navie D - Post&#xA;🧡 Necrotum - Defleshed Exhumation&#xA;💜 nedaj - Alter Ego&#xA;💛 nedaj - BERSERK&#xA;💚 nedaj - Era9&#xA;💛 nedaj - Genesis&#xA;🤍 nedaj - NO MERCY&#xA;🤍 nedaj - NO MERCY II&#xA;💜 nedaj - NO MERCY III&#xA;💛 nedaj - STATE OF MIND&#xA;💜 nedaj - The Abyss&#xA;❤️ nedaj - THE PARADOX EP MIX&#xA;🤍 Nedelko - Rhéologie &#xA;💜 Negură Bunget - OM&#xA;💙 Nekfeu - Cyborg&#xA;💚 Nekfeu - Feu (Réédition) &#xA;❤️ Nekfeu - Les étoiles vagabondes : expansion&#xA;🤍 Nemzzz - NEMZZZ TYPE BEAT&#xA;🤍  Records - Sleep Vol. 2&#xA;💜  Records - Sleep Vol. 4&#xA;💛 Neovaii - Aurora&#xA;💜 Neovaii - Closure&#xA;💜 Neovaii - Dawn&#xA;💚 Neovaii - Dusk&#xA;💜 Neovaii - Horizon&#xA;💛 Neovaii - In Time&#xA;💚 Neovaii - Onward&#xA;💜 Neovaii - Twilight&#xA;💛 NeS - POUR DE VRAI&#xA;💜 NEVER GET USED TO PEOPLE - Ненавижу&#xA;🤍 nvrmore - Irregular Shapes&#xA;🤍 nfract - Emo Girl&#xA;💜 nfract - Love In Fragments&#xA;💛 nfract - mass:/ps2/music/nightcore&#xA;❤️ Niccolò Paganini - 24 Caprices for Solo Violin&#xA;💛 Nightlosers - Rhythm &amp;amp; Bulz&#xA;🤎 Nihil - Declaration Of Anger&#xA;🤍 Nimeni altu' - Nopți prea lungi&#xA;💛 Niki Istrefi - EUROMANTIC001&#xA;💜 NMW Yanni - Junior&#xA;💜 No_4mat - 2016&#xA;🤍 No_4mat - Console Mentality&#xA;💜 No_4mat - City Boy&#xA;🤍 No_4mat - No Fear&#xA;💜 NoGht - A World Without Time (2020 Edition)&#xA;💛 nohidea - blank space&#xA;💜 nohidea - origami&#xA;💛 nohidea &amp;amp; Sleepdealer - Nowhere&#xA;💜 NØISE$ - Songs I've released&#xA;💜 Nonst0pp - PARADIS OU ENFER&#xA;💜 NOSFE - Brasil&#xA;💜 ＮＯＳＴＲＡＤＡＭＵＳ - Paradise Falls&#xA;💜 Nothing But Thieves - Broken Machine (Deluxe)&#xA;💜 notYero - Animal Crossing x Dancehall&#xA;🤍 notYero - Animal Crossing x Everyone Vol I&#xA;💜 notYero - Animal Crossing x Everyone Vol II&#xA;💜 notYero - Animal Crossing x Everyone Vol III&#xA;💜 notYero - Animal Crossing x Everyone Vol IV&#xA;💜 notYero - Animal Crossing x Everyone Vol V&#xA;🤍 notYero - Kaytraminé x Everyone&#xA;🤍 notYero - lil 3 piece&#xA;💜 notYero - Valentine's Pack&#xA;💜 notYero - Xmas Pack&#xA;💛 notYero - zouk x everyone&#xA;🤍 Nusky &amp;amp; Vaati - Bluh&#xA;💚 Nu Zau - Take Me In Space&#xA;💜 NxxxxxS - Special Intervention&#xA;💜 Nyluu - uu&#xA;💜 Oatmello - Memory&#xA;💛 Oblique Occasions - 原点&#xA;💛 Oblique Occasions - 危険な心痛 LP&#xA;💙 Oblique Occasions - Anathema&#xA;💛 Oblique Occasions - Animus&#xA;💚 Oblique Occasions - don't look at me&#xA;💛 Oblique Occasions - parhelion lp&#xA;💜 Oblique Occasions - Perfect Storm&#xA;💛 Oblique Occasions - Punishment&#xA;💛 Oblique Occasions - Remnants&#xA;💛 Oblique Occasions - Sable Covenant&#xA;💛 Oblique Occasions - Silent Despair&#xA;💚 Oblique Occasions - Slaves to Status&#xA;💚 Oblique Occasions - Solipsism&#xA;💛  - Live at Fresh Produce&#xA;💜 OG Bev - Original Form&#xA;🤍 Oliverishiding - How Could You Love Someone Like Me?&#xA;🤍 Ombladon - Condoleanțe&#xA;💛 Om la lună - În caz de om la lună, strigați &amp;quot;om la lună stânga/dreapta&amp;quot;, după caz (Deluxe Edition)&#xA;💜 Omu Gnom - Muzică de pus pe gânduri&#xA;💜 Omul cu sobolani - Ne punem în cap&#xA;💜 ooxygen - Friends&#xA;💜 ooxygen - light&#xA;💙 opium - idiom / 2 am.&#xA;💛 optic core - save room&#xA;💛 Orelsan - Civilisation (Édition ultime)&#xA;💙 Orelsan - Le chant des sirènes&#xA;💚 Orelsan - La fête est finie&#xA;💜 Orelsan - La fête est finie - Épilogue&#xA;🤍 Orelsan - Perdu d'avance&#xA;💜 Oregz &amp;amp; Lil Sheitan - Blessures&#xA;💛 Oryse - Maximum Velocity&#xA;🤍 Oscar - Ștefan III&#xA;💛 oscarfrompanama - lonely heart&#xA;💜 OSHUN - ASASE YAA &#xA;🤍 Osirus Jack - Nibiru&#xA;💛 Ours Samplus - Bepolar&#xA;🧡 OverBurn - Night Of Horror&#xA;💛 Overpade - HYPNOTIK&#xA;🤍 Owl Vision - Downlord&#xA;🤍 Oxmo Puccino - LAFIYA SESSIONS&#xA;💜 Oxmo Puccino - L'Amour est mort&#xA;💚 Oxmo Puccino - La nuit du réveil&#xA;🤍 Oxmo Puccino - La Réconciliation&#xA;💚 Oxmo Puccino - L'arme de paix&#xA;💛 Oxmo Puccino - La Voix Lactée&#xA;💜 Oxmo Puccino - Le Cactus de Sibérie&#xA;🤍 Oxmo Puccino - L'enfant seul&#xA;🧡 Oxmo Puccino - Lipopette bar&#xA;💛 Oxmo Puccino - Opéra Puccino&#xA;💛 Oxmo Puccino - Roi sans carrosse&#xA;💛 Pallet Tunes - Pallet Tunes Volume 1&#xA;💚 Pallet Tunes - Pallet Tunes Volume 2&#xA;💛 Pallet Tunes - Pallet Tunes Volume 3&#xA;💚 Panchiko - D&amp;gt;E&amp;gt;A&amp;gt;T&amp;gt;H&amp;gt;M&amp;gt;E&amp;gt;T&amp;gt;A&amp;gt;L&#xA;💜 Panchiko - Failed At Math(s)&#xA;💛 Panchiko - Ferric Oxide&#xA;💛 Panchiko - Ginkgo&#xA;🤍 Pan Pan - Φαντασμαγορία Τρία&#xA;🤍 Paraziții - Irefutabil&#xA;💛 Partizan - București&#xA;💛 PARTYNEXTDOOR - PARTYNEXTDOOR 4&#xA;💛  - fullmetal&#xA;💛 Pasărea Colibri - Cântece de bivuac&#xA;🤍 Pasărea Colibri - În căutarea cuibului pierdut&#xA;💛 PĂSĂRILE NU EXISTĂ! - PSALMII&#xA;🤍 Pastel Ghost - Abyss&#xA;💜 Patron - Shotron&#xA;💜 Patsy Moore - Regarding The Human Condition&#xA;🤍 Paulie Leparik - Neon Daydream&#xA;💜 P Bitt - MUSIC TO CRASH YOUR WHIP TO&#xA;🧡 Pedro LaDroga - Hologram&#xA;💜 Pegboard Nerds - Nerds by Nature&#xA;🤍 Pegboard Nerds - Pink Cloud&#xA;💜 Pengus - Neon Drive Game Soundtrack&#xA;🤍 Pepe - Aruncă-mi o privire&#xA;💜 Pepe - Cine te iubește?...&#xA;💜 Pepe - Fericire și tristețe&#xA;💜 Pepe - Îmi place&#xA;💜 Pepe - Inimă nebună&#xA;💜 PΣRMANΣNT//ZΣIMP - 更好的一年&#xA;💜 PΣRMANΣNT//ZΣIMP - GIVE ME A RAZÓN&#xA;💚 PERMSKY KRAY - Дорогой человек&#xA;💜 Petre Inspirescu - Într-o seară organică...&#xA;🤍 P-Funk - Bonfire&#xA;💜 PHARAOH - Boulevard Depo&#xA;💜 Phasm &amp;amp; Absolem - Gucci Sushi&#xA;💛 Philanthrope - Cloudfiles&#xA;🖤 Philip Glass Ensemble - Einstein on the Beach &#xA;💛 Phloem. - Only Love EP&#xA;💜 Phoenix - Cantafabule&#xA;🤍 Phoenix - Mugur de fluier&#xA;🤍 Pink Sweat$ - PINK PLANET&#xA;💚 P I Z Z A H O T L I N E - L E V E L S E L E C T // レベル選択&#xA;💜 Plagger - Wavy Scenes&#xA;🤍 Planeta Moldova - Planeta Moldova&#xA;🤍 PlanetGrim - PlanetGrim&#xA;💜 PLANT - BAU!&#xA;🤍 Playboi Carti - MUSIC&#xA;🤍 Playboi Carti - Whole Lotta Red &#xA;💜 plenka - Pt. One&#xA;💜 plusma - gamma ep&#xA;💛 plusma - seesaw ep&#xA;🤍 plusma - shape ep&#xA;💚 plusma - waver LP&#xA;💚 PNL - Dans la légende&#xA;💚 PNL - Deux frères&#xA;💛 PNL - Le Monde Chico&#xA;💜 PNL - Que la famille&#xA;💜 POiSON GiRL FRiEND - das Gift&#xA;💜 POiSON GiRL FRiEND - Love Me&#xA;💚 POiSON GiRL FRiEND - MELTING MOMENT&#xA;💜 POiSON GiRL FRiEND - POiSON GiRL FRiENDS&#xA;🤍 POiSON GiRL FRiEND - rondoElectro&#xA;💜 POiSON GiRL FRiEND - Shyness&#xA;💜 Pokelawls - WaterBreak&#xA;💚 Polyphia - Remember That You Will Die&#xA;💛 Pop Smoke - Meet The Woo&#xA;🤍 Post-Scriptum - O altă supradoză&#xA;💛 potsu - ivy league&#xA;💜 potsu - just friends&#xA;💛 Pouya - The South Got Something to Say&#xA;💜 Pouya - Underground Underdog&#xA;💙 PRIME - Caca Boud1&#xA;💜 PRIME - MONTADA&#xA;❤️ PRIME - RE.&#xA;💚 PRIME - U.S.S.O&#xA;💛 PRIME - Xander&#xA;🤍 Private Venganza - Private Venganza&#xA;💜 Progresiv TM - Puterea muzicii&#xA;🤍 Projections - Between Here And Now&#xA;💜 Pro Musica - Rockul baroc&#xA;💜 Psycada - Hiking Lung&#xA;🧡 Psychiatry - Ready for War&#xA;💜 PURPLE POSSE - ISSUE 05 (Full Stream)&#xA;💜 PURPLE POSSE - ISSUE 06 (Full Stream)&#xA;🤍 Puya - Românisme, Pt. 2&#xA;💛 Пётр Ильи́ч Чайко́вский - Щелкунчик&#xA;🤍 Quadra - Fără filtru&#xA;💚 Quavo - Quavo Huncho &#xA;💜 Quicdraw - Brunch Beats&#xA;💜 КУОК - DECADANCE&#xA;💛 КУОК - Genesis&#xA;💛 КУОК - QTOPIA&#xA;💜 قريش Quraishi - Mountain Melodies&#xA;🤎 R.A.C.L.A. - Rime de bine&#xA;💛 Radiohead - Amnesiac&#xA;💚 Radiohead - A Moon Shaped Pool&#xA;💜 Radiohead - creep&#xA;💚 Radiohead - drill&#xA;🤍 Radiohead - Hail To the Thief&#xA;💛 Radiohead - In Rainbows&#xA;💚 Radiohead - Kid A&#xA;💚 Radiohead - OK Computer&#xA;💛 Radiohead - Pablo Honey&#xA;💛 Radiohead - The Bends&#xA;💛 Radiohead - The King Of Limbs&#xA;💛 raku - În mediu vitreg&#xA;🤍 Ralph Castelli - Lover Girl&#xA;💜 Ralph Castelli - Ralph Castelli&#xA;💛 Raluka - Amângoi&#xA;💙 Ramova - Trackmania (Original Game Soundtrack)&#xA;🤍 Rana - Noi doi (versus restul lumii)&#xA;🤍 Raphael - Acohen&#xA;💜 RARE AKUMA - AKUMA SEASON&#xA;🤎 Rashid - Saga O.G.&#xA;🧡 Raul Ws - ELWS&#xA;🧡 RAYE - My 21st Centry Blues&#xA;💜 Razegod - Multilinear&#xA;💛 Rebecca Black - Let Her Burn&#xA;💛 Rebecca Black - Rebecca Black Was Here&#xA;💜 Rebecca Black - RE/BL&#xA;💜 Rebecca Black - SALVATION&#xA;💛 Recycled J - SAD SUMMER &#xA;💜 REI AMI - Foil&#xA;💛 Renaud - Renaud&#xA;💛 René Schier - Failed&#xA;💜 REPULSIVE - Eurydice&#xA;💛 REPULSIVE - homesick&#xA;💜 REPULSIVE - The Black Mirror&#xA;💛 REPULSIVE - what have you seen in my eyes&#xA;💚 REPULSIVE - Wings&#xA;🤍 Retro X - Le ciel&#xA;🤍 Retro X - SKL&#xA;💜 reverie - ˚₊‧꒰ა ☆ ໒꒱ ‧₊˚&#xA;💚 RINI - After the Sun&#xA;💚 RINI - Constellations&#xA;💜 RINI - Lucky 7&#xA;💛 RITCHRD - Tape Cinco&#xA;💛 ROA - System of Sound&#xA;🧡 ROBERTO - REAL&#xA;🧡 Robin and the Backstabbers - Bacovia Overdrive Vol. 1 Stalingrad&#xA;💚 rob smyles - babymakers EP&#xA;🤍 Rodion G.A. - The Lost Tapes&#xA;🧡 Roi Heenok - Gangster &amp;amp; Gentleman&#xA;💛 Roland Prince - Color Visions&#xA;💚 Romain Gauthier - Asphalt: Urban GT OST&#xA;💛 Ronare - Radiance&#xA;🤍 Rombreaker - sweet lies sour truths&#xA;🤍 Roseboy666 - Soleil Noir&#xA;💜 r o s e˙t i n t - faded colors&#xA;💛 Roșu și Negru - Roșu și Negru&#xA;💜 Rounhaa - Yeratik&#xA;🤍 Rowjay - Free Cdf2&#xA;💛 Roxen - Alternative Dreams&#xA;🤍 RWMNCS - Raw&#xA;💎 Ryan Roth - The Beginner's Guide Soundtrack&#xA;💛 福居良 Ryo Fukui - シーナリィ Scenery&#xA;💛 SACROSANCT - Electrophonique&#xA;💜 SACROSANCT - 非物理的なコンテキスト&#xA;💛 Sadboy Sheldon - A†ROCI   Y EXHIBI†ION&#xA;💜 Sadboy Sheldon - Niggerz&#xA;🤍 Saddayah - LILA&#xA;💛 saddyowner - the minecraft soundtrack but it's midwest emo&#xA;🤍 Sadworldbeats - Sadworld Beat Tape #4&#xA;💛 saik - Breezin'&#xA;💜 Saint Levant - DEIRA&#xA;💛 Saint Levant - From Gaza, With Love&#xA;💛 Saint Levant - Love Letters / رسائل حب&#xA;💜 SALUKI - Властелин калек&#xA;💛 salvia palth - melanchole&#xA;💜 samashi - Oldschool Memories&#xA;🤍 Sam Gellaitry - IV&#xA;💜 Sami G - Hustler&#xA;💜 Sarah Kinsley - The King&#xA;💛 Sarmalele Reci - Țara te vrea prost&#xA;🤍 sashadidntwakeup - сам себе враг&#xA;🤎 Satra B.E.N.Z. - O.$.O.D. 2&#xA;💚 Saturn Citizen - Saturn Tape, Vol. 1 &#xA;💚 savant shadow - 480i LP&#xA;💚 savant shadow - abandon all hope&#xA;💛 savant shadow - Camera Obscura&#xA;💛 sayk_ - 霊気&#xA;💜 S'bortè - Knowledge.Love.Awareness&#xA;🤍 Scarlet Aura - Rock-Stravaganza&#xA;💜 Scarlxrd - スカー藩主&#xA;💜 Scarlxrd - Acquired Taste: Vxl. 1&#xA;💜 Scarlxrd - Acquired Taste: Vxl. 2&#xA;💛 Scarlxrd - Annx Dxmini&#xA;💛 Scarlxrd - Cabin Fever&#xA;💚 Scarlxrd - chaxsthexry&#xA;🤍 Scarlxrd - DeadRising&#xA;💛 Scarlxrd - DXXM&#xA;💛 Scarlxrd - DXXM II&#xA;🤍 Scarlxrd - FANTASY VXID&#xA;💜 Scarlxrd - IMMXRTALISATIXN&#xA;💜 Scarlxrd - INFINITY&#xA;💜 Scarlxrd - Lxlwut?&#xA;💚 Scarlxrd - Rxse&#xA;🤍 Scarlxrd - SCARHXURS&#xA;💚 SCH - A7&#xA;💛 SCH - Anarchie&#xA;💛 SCH - Autobahn&#xA;💜 SCH - Deo Favente&#xA;💛 SCH - JVLIVS&#xA;💛 SCH - JVLIVS II&#xA;💚 SCH - JVLIVS Prequel : Giulio&#xA;💜 SCH - JVLIVS III : Ad Finem&#xA;💜 SCH - Rooftop&#xA;💜 schafter - FUTURA&#xA;🤍 Scott James - Un&#xA;💛 Scythe - Boiled Alive&#xA;💛 SDM - ALVALM&#xA;💜 SDST - Mecanismul de modificare al minții umane&#xA;💙 SEATBELTS シートベルツ - COWBOY BEBOP (Original Motion Picture Soundtrack)&#xA;💛 SEATBELTS シートベルツ - Cowboy Bebop (Original Soundtrack 3) Blue&#xA;💚 SEATBELTS シートベルツ - Cowboy Bebop Vitaminless&#xA;💜 SEB - Crash Test&#xA;💚 Seiryu - Blue Dragon&#xA;💚 Sega Digital Studio - Mario &amp;amp; Sonic at the Olympic Winter Games DS Soundtrack&#xA;💜 Sely - Connecté 2&#xA;🤍 Sen 09 - Feign&#xA;🧡 Serane - EL(L)E&#xA;🧡 Serane - Prise Musique&#xA;💛 Serotone - folie à deux&#xA;💙 Seth Gueko - Barlou&#xA;💚 Seth Gueko - Destroy&#xA;💛 Seth Gueko - La Chevalière&#xA;💛 Seth Gueko - Professeur Punchline&#xA;💛 Seth Gueko, Alkpote &amp;amp; Zekwe Ramos - Néochrome Hall Stars Game&#xA;💜 Sevdaliza - Ison&#xA;💚 Sewerslvt - Don't Be Afraid of Dying&#xA;❤️ Sewerslvt - Draining Love Story&#xA;❤️ Sewerslvt - Drowning in the Sewer&#xA;💚 Sewerslvt - if you're out there i miss you ｡ﾟ･ (﹥﹏﹤) ･ﾟ｡&#xA;💚 Sewerslvt - infatuation&#xA;💛 Sewerslvt - Interdimensional Snuff Films&#xA;💚 Sewerslvt - IRLY&#xA;💚 Sewerslvt - It Just Gets Worse&#xA;💛 Sewerslvt - Selected Sewer Works&#xA;💛 Sewerslvt - Sewer Idol Project&#xA;💙 Sewerslvt - Sewer//slvt&#xA;💛 Sewerslvt - Skitzofrenia Simulation&#xA;🧡 Sewerslvt - Starving Slvts Always Get Their Fix&#xA;💚 Sewerslvt - suffering from melancholia&#xA;💚 Sewerslvt - The World Is Fvcked&#xA;💛 Sewerslvt - Tortvred Lesbians Ripped Apart&#xA;💚 Sewerslvt - we had good times together, don't forget that&#xA;💜 Sewerslvt - Worthlessness Selected&#xA;💛 Sexion d'Assaut - L'Apogée&#xA;🤍 Sex Pula Pistol - Capodopere&#xA;💛 Sfinx - Zalmoxe&#xA;💜 Shakira - Laundry Service&#xA;🤍 Shakira - ¿Dónde están los ladrones?&#xA;🤍 Shakira - Pies descalzos&#xA;💚 Sheldon - Fétiche&#xA;💛 Sheldon - Fréquences Sombres&#xA;💜 Sheldon - Innsmouth&#xA;💛 Sheldon - Lune Noire&#xA;🤍 Sheldon - Mauvaise Humeur&#xA;💜 Sheldon - RPG&#xA;🧡 Sidewalks and Skeletons - White Light&#xA;💚 Shift - Fragil&#xA;💛 Shift - Minciuna&#xA;❤️ Shinobu Tanaka - Mario Kart DS Soundtrack&#xA;💛 Shota Kageyama, Go Ichinose, Hitomi Sato, Junichi Masuda &amp;amp; Minako Adachi - Pokémon Black and White Soundtrack&#xA;💛 Shrimpnose - Good Grief&#xA;💜 Sienna Sleep - 20201022&#xA;💛 Sienna Sleep - 20220715&#xA;💛 Sienna Sleep - Tranquility Tape&#xA;💛 Silly Fools - Candyman&#xA;🧡 singeboy.Mp4 - A Couvert !!&#xA;💜 Sixto Rodriguez - Cold Fact&#xA;💜 Sixto Rodriguez - Coming From Reality&#xA;🧡 Ska-nk - Pe acorduri de vară&#xA;💜 $KEER&amp;amp;BOO$ &amp;amp; YUNG UMBRO - DE POLO OP MIJN BODY ZIT VOL MED BLOED VAN STERVELINGEN TERWIJL IK 8.6 DRINK, VOL. 2&#xA;🤍 Ski Mask The Slump God - 11th Dimension&#xA;💜 Ski Mask The Slump God - BEWARE THE BOOK OF ELI&#xA;🤍 Ski Mask The Slump God - Cruel World&#xA;💜 Ski Mask The Slump God - DROWN IN DESIGNER&#xA;💛 Ski Mask The Slump God - Sin City The Mixtape&#xA;🤍 Ski Mask The Slump God - SLAPS FOR MY DROP-TOP MINI-VAN&#xA;💚 Ski Mask The Slump God - STOKELEY&#xA;💛 Ski Mask The Slump God - YouWillRegret (Reloaded)&#xA;💚 Skrillex - Bangarang&#xA;💛 Skrillex - Leaving EP&#xA;💜 Skrillex - Make It Bun Dem After Hours&#xA;💛 Skrillex - More Monsters and Sprites&#xA;💜 Skrillex - My Name Is Skrillex&#xA;💛 Skrillex - Recess&#xA;💚 Skrillex - Scary Monsters and Nice Sprites&#xA;🧡 Skryptonite - Уроборос: Улица 36&#xA;💜 Sky.High - sleepy.&#xA;🤍 slowbowz - slwbwz&#xA;💛 slowerpace 音楽 - APLOMB 機転&#xA;💛 slowerpace 音楽 - Barbershop Simulator™&#xA;💛 slowerpace 音楽 - GUILT 罪​悪​感&#xA;💚 slowerpace 音楽 – SPACE COWBOYS&#xA;💚 slowerpace 音楽 - The Great Escape&#xA;💜 Smiley - În lipsa mea&#xA;💚 Smoke Trees - Into The Deep&#xA;🤍 snafu - ​⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻&#xA;💛 snafu - allure of darkness&#xA;💜 snafu - songs about self hatred&#xA;💛 snorunt - glalie&#xA;💜 snorunt - no arnak, no noob&#xA;💜 ​snorunt &amp;amp; dj33needler - arva offmode&#xA;🤍 ​snorunt &amp;amp; Miaooss!! - adventure&#xA;💙 S O A R E R - 外的存在&#xA;🤍 Solomand &amp;amp; GRËJ - Jeune Basquiat&#xA;🤍 Solomon - Bando SZN&#xA;🧡 Solomon - Bando SZN Reloaded&#xA;🧡 Solomon - Valabil&#xA;💛 SONBEST - Lotus&#xA;💛 sophie meiers (as little bug) - ACCIDENTAL POETRY EP&#xA;💙 sophie meiers - Broken Clinic&#xA;💚 sophie meiers - Candle Glow&#xA;💚 sophie meiers - 𝐜𝐡𝐫𝐲𝐬𝐚𝐥𝐢𝐬&#xA;💛 sophie meiers - come ovr/skype calls&#xA;💜 sophie meiers - crawl__space&#xA;💛 sophie meiers - shine__space&#xA;💛 sophie meiers - spark__space&#xA;💚 sophie meiers - throwaway files&#xA;💛 sophie meiers - wingspan (Demos)&#xA;💚 sophie meiers - you and me again&#xA;💙 SOPHY 王嘉儀 - 留念 CONNECTIVE MEMORIES&#xA;💛 SOPHY 王嘉儀 - 水性揚花&#xA;💙 SOPHY 王嘉儀 - 殘 HARSH&#xA;💚 SOPHY 王嘉儀 - QUARTER&#xA;💛 SOPHY 王嘉儀 - Sophrology&#xA;💛 So sama - DRAMA&#xA;🤍 Sosi - This Is the Thing&#xA;💜 $OUDIERE - AFTERLIFE EP&#xA;💙 Spacetime Continuum - Sea Biscuit&#xA;🤍 Spacetime Continuum &amp;amp; Terence McKenna - Alien Dreamtime&#xA;💜 Specii - Ușile, Vol. 1&#xA;🧡 Spectral - Neural Correlates of Hate&#xA;🤍 Spike - Rămânem prieteni&#xA;🤍 spill tab - Bonnie&#xA;💜 spill tab - KLEPTO&#xA;💛 spill tab - Oatmilk&#xA;💛 spirited. - FREE SPIRITS Vol.4&#xA;💛 SPURME - Anguished Love&#xA;💛 SPURME - Breaking Painful Peace&#xA;💜 SPURME - Cyberiacore&#xA;💜 SPURME - Fade&#xA;💜 SPURME - Neliulotteisuus&#xA;💜 SPURME - Void before Mogius (2020-2021)&#xA;💛 Squall p - STR&#xA;💜 Squeezie - Oxyz&#xA;💜 SSOLOGOD - DOCTEUR FOULAMOUR&#xA;💜 SSOLOGOD - FREE FOULAMOUR&#xA;💜 $T - $T/hard&#xA;💚 Steel Monkeys - Master Rallye Soundtrack&#xA;💜 Steezyasfuck - #1995&#xA;💛 Ștefan Costea &amp;amp; Pitariu - LAST CALL&#xA;🤍 Stensy - Rotations&#xA;🤍 St. Jimmy - Boulevard des Rêves Brisés&#xA;💜 St. Jimmy - MW2&#xA;🤍 Stolearenco - HUMBLE &amp;amp; GIFTED&#xA;💛 strxberrymilk - Music for Awkward Dates&#xA;💛 strxberrymilk &amp;amp; Andy pls - Andymilk&#xA;💛 Stromae - Multitude&#xA;💙 Stromae - racine carrée&#xA;💚 Subcarpaţi - Zori și Asfințit&#xA;💛 $uicideboy$ - 7th or St. Tammany&#xA;💚 $uicideboy$ - Dark Side of the Clouds&#xA;💚 $uicideboy$ - Eternal Grey&#xA;💛 $uicideboy$ - Gray/Grey&#xA;💛 $uicideboy$ - Grey Sheep&#xA;💚 $uicideboy$ - Grey Sheep II&#xA;❤️ $uicideboy$ - High Tide in the Snake's Nest&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (II)&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (III)&#xA;💛 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (IV)&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (V)&#xA;❤️ $uicideboy$ - I Want to Die in New Orleans&#xA;💚 $uicideboy$ - KILL YOUR$ELF $agas: I - V&#xA;💛 $uicideboy$ - KILL YOUR$ELF $agas: VI - X&#xA;💚 $uicideboy$ - KILL YOUR$ELF Sagas: XI - XV&#xA;💚 $uicideboy$ - KILL YOUR$ELF Sagas: XVI - XX&#xA;💎 $uicideboy$ - Long Term Effects of SUFFERING&#xA;💚 $uicideboy$ - My Liver Will Handle What My Heart Can't&#xA;💛 $uicideboy$ - New World Depression&#xA;💚 $uicideboy$ - Now the Moon's Rising&#xA;💛 $uicideboy$ - Radical $uicide&#xA;❤️ $uicideboy$ - Sing Me a Lullaby, My Sweet Temptation&#xA;💚 $uicideboy$ - Stop Staring at the Shadows&#xA;💜 $uicideboy$ - YING YANG TAPES: Fall Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Spring Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Summer Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Winter Season (1989-1990)&#xA;💙 $uicideboy$ - YUNGDEATHLILLIFE&#xA;💛 $uicideboy$ &amp;amp; Black Smurf - Black $uicide&#xA;🤍 $uicideboy$ &amp;amp; Black Smurf - Black $uicide Side B: $uicide Hustle&#xA;💜 $uicideboy$ &amp;amp; Black Smurf - Black $uicide Side C: The Seventh Seal&#xA;🧡 $uicideboy$ &amp;amp; Germ - DIRTIESTNASTIEST$UICIDE&#xA;🧡 $uicideboy$ &amp;amp; Shakewell - SHAMELESS $UICIDE&#xA;💛 $uicidjego$ &amp;amp; Sudokku - Clanul Mistic&#xA;💛 Șuie Paparude - urban&#xA;💜 sundiver ca - Superstar Baby&#xA;💜 Supper Moment - 等等&#xA;💜 Supper Moment - 旅程&#xA;💜 surrenderdorothy - BreathingExercise&#xA;💜 surrenderdorothy - ItsTheLeastWeCanDo&#xA;💛 surrenderdorothy - ItsTheThoughtThatCounts&#xA;💜 surrenderdorothy - JustWhatTheDoctorOrdered&#xA;💜 surrenderdorothy - NobodyWantsMe&#xA;💜 surrenderdorothy - NoPlaceLikeHome&#xA;💜 surrenderdorothy - thishouseisnotahome&#xA;💛 surrenderdorothy - WeNeverAskedForThis&#xA;💚 Survolaj - Survolaj&#xA;🤍 Suzuya - Condamné&#xA;🤎 Suzuya - L'amour c'est la guerre&#xA;💛 Suzuya - Là où les cœurs se pendent&#xA;💛 Swayed Ways - One Time&#xA;💙 Swono - B-EE 008&#xA;💙 Swono - lille&#xA;💛 Swono - Ｓｐｉｒａｌｓ&#xA;💜 SwuM &amp;amp; bbno$ - Babydrip&#xA;💜 Sybyr - DEATHHEAD&#xA;💜 Sybyr - NETGEER&#xA;💜 Sybyr - RINJAGO&#xA;🤍 Sybyr - Sybyr's Single Compilation&#xA;💛 Systematic Failure - Black &amp;amp; White&#xA;💛 大貫妙子 Taeko Ōnuki - MIGNONNE ミニヨン&#xA;🤍 Taiga Dream - Orion Grove&#xA;🤍 Taine - Cealaltă parte&#xA;💜 Tantely Zafimehy - La petite mort, saison 3&#xA;💜 小久保隆 Takashi Kokubo - Oasis Of The Wind II&#xA;💚 間宮貴子 Takako Mamiya - Love Trip&#xA;💜 TAKALAY - Dissociate&#xA;🧡 Take No More - A DESPERATION FOR HUMANITY&#xA;🤍 Takky - The Perfect Chaos&#xA;💙 Takuto Kitsuta &amp;amp; Kinta Sato - Pokémon Ranger Soundtrack&#xA;💛 Tama Gucci - Out Of Order&#xA;💚 Tame Impala - Currents&#xA;🤍 Tame Impala - InnerSpeaker&#xA;💜 Tame Impala - Lonerism&#xA;🤍 Tame Impala - Tame Impala&#xA;💛 Tame Impala - The Slow Rush&#xA;💚 Taraf de Haïdouks - Honourable Brigands, Magic Horses &amp;amp; Evil Eye&#xA;🤎 Taxawal! - Beach Story / Spider&#xA;💜 Taxi - Americanofonia&#xA;💛 Taxi - C&#xA;💛 Tedax Max - Hardeur contemporain&#xA;🤍 Teebs - Ardour&#xA;🧡 Television Freak - It's All A Dream&#xA;💛 Tengo John - Hyakutake&#xA;💜 Tengo John - Métamorphoz&#xA;💜 Tengo John - Monstrueux&#xA;💙 Tengo John - Multicolore Mixtape&#xA;💚 Tengo John - N+UV&#xA;💜 Tengo John - Près qu'elle&#xA;🤍 Tengo John - Temporada&#xA;💛 Tengo John - Tortue de Jade&#xA;💛 Tengo John - Zengo Mixtape vol. 1&#xA;💜 thaHomey &amp;amp; Dirtyiceboyz - TRILLISTIK&#xA;💜 Thaiboi Digital, Bladee &amp;amp; Ecco2k - Trash Island&#xA;💜 Thaiboi Digital - S.O.S&#xA;💛 The 1975 - Being Funny In A Foreign Language&#xA;💜 THÉA - Dopamine&#xA;💜 THÉA - PANAME ŒSTROS POUBELLE&#xA;🤍 THÉA - R EP&#xA;💛 THE ANXIETY - THE ANXIETY&#xA;💙 The Caretaker - Everywhere at the end of time - Stage 1&#xA;💚 The Caretaker - Everywhere at the end of time - Stage 2&#xA;💙 The Caretaker - Everywhere at the end of time - Stage 3&#xA;💚 The Caretaker - Everywhere at the end of time - Stage 4&#xA;💛 The Caretaker - Everywhere at the end of time - Stage 5&#xA;💚 The Caretaker - Everywhere at the end of time - Stage 6&#xA;🤍 The Cure - 4:13 Dream&#xA;💜 The Cure - Bloodflowers&#xA;💚 The Cure - Disintegration&#xA;💜 The Cure - Faith&#xA;💛 The Cure - Kiss Me, Kiss Me, Kiss Me&#xA;💜 The Cure - Pornography&#xA;💜 The Cure - Seventeen Seconds&#xA;💜 The Cure - Songs Of A Lost World&#xA;🤍 The Cure - The Cure&#xA;💛 The Cure - The Head On The Door&#xA;🤍 The Cure - The Top&#xA;🤍 The Cure - Three Imaginary Boys&#xA;💜 The Cure - Wild Mood Swings&#xA;💛 The Cure - Wish&#xA;💛 The Dead Texan - The Dead Texan&#xA;💛 The Den - xfruge &amp;amp; friends Vol. 3&#xA;🤎 The Gerogerigegege - 燃​え​な​い​腹&#xA;🤍 TheHashClique - Is This Thehashclique&#xA;💜 The Kid LAROI - F*CK LOVE 3+: OVER YOU&#xA;💜 The Kryptonite Sparks - Doi // A două undă de bruiaj&#xA;💛 The Kryptonite Sparks - ERAI (Eterna reîntoarcere a identicului)&#xA;💜 The Kryptonite Sparks - The Kryptonite Sparks&#xA;💛 The Marías - Cinema&#xA;💚 The Marías - Submarine&#xA;💜 The Marías - Superclean, Vol. I&#xA;💚 The Marías - Superclean, Vol. II&#xA;💛 The Miserable Genius - BENDICIÓNES&#xA;🤍 The Miserable Genius - COULDN'T SLEEP&#xA;💚 The Miserable Genius - Melanincholy&#xA;💛 The Miserable Genius - UGLY AS SIN&#xA;🤍 The MOOoD - OOo&#xA;💜 The Motans - My Rhythm &amp;amp; Soul&#xA;🤎 The Nextmen - This Was Supposed to Be the Future&#xA;💜 TheoBabac - Album&#xA;💜 The Smiths - Meat Is Murder&#xA;💜 The Smiths - The Smiths&#xA;❤️ The Weeknd - After Hours&#xA;💙 The Weeknd - Beauty Behind The Madness&#xA;💚 The Weeknd - Dawn FM&#xA;💜 The Weeknd - Echoes Of Silence&#xA;💎 The Weeknd - House Of Balloons&#xA;❤️ The Weeknd - Hurry Up Tomorrow&#xA;💙 The Weeknd - Kiss Land&#xA;💎 The Weeknd - My Dear Melancholy,&#xA;💚 The Weeknd - Starboy&#xA;💛 The Weeknd - Thursday&#xA;💜 THE WORLD WE LIVE IN 星 - 今​の​と​こ​ろ​一​人​で&#xA;💛 THE WORLD WE LIVE IN 星 - 壊​れ​た​魂&#xA;💛 THE WORLD WE LIVE IN 星 - 恥と許し&#xA;💜 THE WORLD WE LIVE IN 星 - Lost Soul&#xA;💜 Thiago - burnt lotus&#xA;💚 Thibault Cauvin &amp;amp; -M- - L'heure miroir&#xA;💙 Tiziano Ferro - 111&#xA;💛 Time Fragment - 装甲艦&#xA;💜 Timpuri Noi - De regiune superior&#xA;💜 Timpuri Noi - Timpuri Noi&#xA;💜 Timpuri Noi - Basca abundenței&#xA;💚 Tiziano Ferro - Rosso relativo&#xA;💚 Tiziano Ferro - Nessuno è solo&#xA;💛 Toby Fox - UNDERTALE Soundtrack&#xA;💚 TOKYOPILL - A B A N D O N T H E F L E S H !&#xA;💜 TOKYOPILL - Dopamin Online&#xA;💛 TOKYOPILL - TOKYO Drift Club&#xA;💜 TOKYOPILL - VIRTUAL DEATH 9 5&#xA;💜 TOKYOPILL - Welcome To The Wired!&#xA;💜 tomcbumpz &amp;amp; Ivri - sidereal crumbs&#xA;💛 Tomi Marfă - Cartieru' Palmieri&#xA;💚 Tom Misch - Quarantine Sessions&#xA;💜 Tommy Guerrero - No Mans Land&#xA;💛 Tomohito Nishiura - Professor Layton and the Curious Village Soundtrack&#xA;💙 Tomohito Nishiura - Professor Layton and the Last Spectre's Call Soundtrack&#xA;💙 Tomohito Nishiura - Professor Layton and the Lost Future Soundtrack&#xA;💙 Tomohito Nishiura - Professor Layton and the Pandora's Box Soundtrack&#xA;💙 Tomohito Nishiura, Tsuneyoshi Saito &amp;amp; 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Le Tsiliva, Vol. 1&#xA;💛 츠미 tsumi - 신주쿠 하우스 디깅&#xA;💜 Tuerie - Bleu Gospel&#xA;💚 tusken. - borders&#xA;💛 Tyler, The Creator - CALL ME IF YOU GET LOST: The Estate Sale&#xA;🤍 Tyler, The Creator - Cherry Bomb&#xA;💚 Tyler, The Creator - CHROMAKOPIA&#xA;💙 Tyler, The Creator - Flower Boy&#xA;💛 Tyler, The Creator - Goblin&#xA;🤎 Tyler, The Creator - IGOR&#xA;💜 Tyler, The Creator - Wolf&#xA;💛 TYLIN$ - SCULPTURR&#xA;💚 TYLIN$ - THTS THE •&#xA;💜 TYLIN$ - VISIONS&#xA;💜 Ucyll - REP BEUNI&#xA;💛 Uli K - Will You Drink The Shadow of My Red Hair?&#xA;💜 Ultimu Nivel - Melodii de neuitat&#xA;🤍 UNDEAD CORPORATION - 幻想郷から超鋼鉄重低爆音&#xA;💜 UNDEAD CORPORATION - 満月の夜に超旋律的重低爆音&#xA;💜 UNDEAD CORPORATION - 極鉄&#xA;💛 UNDEAD CORPORATION - 鬼伽草子&#xA;🤍 UNDEAD CORPORATION - レアトラックス&#xA;💜 UNDEAD CORPORATION - 私はもう死んでいる？&#xA;🤍 UNDEAD CORPORATION - 一撃&#xA;💚 UNDEAD CORPORATION - 紅染の鬼が哭く&#xA;🤎 UNDEAD CORPORATION - O.D.&#xA;💚 UNDEAD CORPORATION - 暴君 (Boukun)&#xA;💜 unexotic - Finding Time&#xA;💜 unexotic - Golden Oceans&#xA;💛 unexotic - Old Stories&#xA;🤍 Unisson - LongStory001&#xA;💜 unspeak - immediate shapes&#xA;🤎 upper class - THE SMALL ROOM SESSIONS&#xA;💚 upper class x nalim - &#xA;💛 Urban Records - Proiectul verde&#xA;💛 Urban Waves - Oh Oh Oh!&#xA;💛 Urban Waves - Winter's Finest (A Holiday Special)&#xA;🧡 Urma - Anger As A Gift&#xA;💛 VACÍO - индепендент&#xA;🤍 Vague003 - Hail the Jewel at the Center of the Lotus&#xA;💙 Vald - Agartha&#xA;🧡 Vald - Ce monde est cruel&#xA;🤍 Vald - Cours de rattrapage&#xA;🤍 Vald - NQNT&#xA;💜 Vald - NQNT 2&#xA;🧡 Vald - NQNT 3&#xA;🤍 Vald - NQNTMQMQMB&#xA;💚 Vald - NQNT33&#xA;💛 Vald - PANDEMONIUM&#xA;🤍 Vald - V&#xA;💙 Vald - XEU&#xA;🤍 Vale - WSK&#xA;💛 Valeriu Sterian și Compania de Sunet ‎- Veac XX&#xA;💛 value. - 12/01/99&#xA;💛 value. - Confessions (The List Part 2)&#xA;💜 value. - The 4 Movements Of A Falling Man&#xA;💛 value. - The List.rar&#xA;🤍 value. - Tomorrow Never Knows (Or Do I?)&#xA;💜 Vama - 2012&#xA;💛 Vama Veche - Am să mă ântorc bărbat&#xA;💜 Vama Veche - Vama Veche&#xA;💛 Vannye - Appartement 13&#xA;💚 Various Artists - EA FC 24 Soundtrack&#xA;💜 Various Artists - FIFA Street 2 OST&#xA;💛 Various Artists - FIFA 13 Soundtrack&#xA;💚 Various Artists - FIFA 14 Soundtrack&#xA;💛 Various Artists - FIFA 15 Soundtrack&#xA;💙 Various Artists - FIFA 19 Soundtrack&#xA;💚 Various Artists - FIFA 22 Soundtrack&#xA;💛 Various Artists - FIFA 23 Soundtrack&#xA;💛 Various Artists - Geometry Dash OST&#xA;💛 Various Artists - Hard Attack 4&#xA;💛 Various Artists - Homicide Vol.1&#xA;💜 Various Artists - Speedcore Invasion&#xA;💜 Various Artists - Street Scene, 6th Avenue, New York City, 1956&#xA;💜 Various Artists - The Shining - The Complete British Dance Band Soundtrack&#xA;💚 Various Artists - TrackMania Sunrise Soundtrack&#xA;💜 VAW &amp;amp; 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<INFO BITRATE="1026914" KEY_LYRICS="27 ContributorsVenus Lyrics&#xA;Goddess on the mountaintop&#xA;Burning like a silver flame&#xA;The summit of beauty and love&#xA;And Venus was her name&#xA;&#xA;&#xA;She's got it&#xA;Yeah, baby, she's got it&#xA;I'm your Venus, I'm your fire&#xA;At your desire&#xA;Well, I'm your Venus, I'm your fire&#xA;At your desire&#xA;&#xA;&#xA;Her weapons were her crystal eyes&#xA;Making every man mad&#xA;Black as the dark night, she was&#xA;Got what no one else had&#xA;Wow!&#xA;&#xA;&#xA;She's got it&#xA;Yeah, baby, she's got it&#xA;I'm your Venus, I'm your fire&#xA;At your desire&#xA;Well, I'm your Venus, I'm your fire&#xA;At your desire&#xA;&#xA;(Venus)&#xA;&#xA;&#xA;She's got it&#xA;Yeah, baby, she's got it&#xA;I'm your Venus, I'm your fire&#xA;At your desire&#xA;Well, I'm your Venus, I'm your fire&#xA;At your desire&#xA;&#xA;&#xA;Goddess on the mountaintop&#xA;Burning like a silver flame&#xA;The summit of beauty and love&#xA;And Venus was her name&#xA;Wow!&#xA;&#xA;&#xA;She's got it&#xA;Yeah, baby, she's got it&#xA;I'm your Venus, I'm your fire&#xA;At your desire&#xA;Well, I'm your Venus, I'm your fire&#xA;At your desire&#xA;&#xA;(Venus was her name)&#xA;&#xA;&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it&#xA;Yeah, baby, she's got it" PRODUCER="℗ 1986 London Music Stream Ltd. LC77554" COVERARTID="064/ASIROFDGAUQG2BGQUS3BBZE4YUFA" PLAYTIME="230" PLAYTIME_FLOAT="229.164673" IMPORT_DATE="2025/4/14" RELEASE_DATE="1986/1/1" FLAGS="12" FILESIZE="29147"></INFO>
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<INFO BITRATE="985082" KEY_LYRICS="13 ContributorsGotta Go Home Lyrics&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;&#xA;&#xA;(Headin' for the islands)&#xA;We're ready, man, and packed to go&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;(When we hit those islands)&#xA;There's gonna be a big hello&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;Diggin' all the sunshine&#xA;It's easy not to say goodbye, bye, bye, bye&#xA;(Headin' for the islands)&#xA;Hey, yeah, we're really flyin' high&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;&#xA;&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;Gotta go home&#xA;&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;&#xA;&#xA;(Walkin' down the beaches)&#xA;Tomorrow morning, we'll be there&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;(Golden sandy beaches)&#xA;Say, I can smell the breezy air&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;One more celebration&#xA;And then we're ready for goodbye, bye, bye, bye&#xA;(Walkin' down the beaches)&#xA;Hey, yeah, we're really flyin' high&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;&#xA;&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;Gotta go home&#xA;&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;Ooh-ooh-hoo-ooh, hoo-ooh-hoo-ooh&#xA;&#xA;&#xA;Do-do-do, do-do-do-do-do&#xA;Do-do-do, do-do-do-do-do&#xA;Do-do-do, do-do-do-do-do&#xA;Do-do-do, do-do-do-do-do&#xA;(Going back home) Do-do-do, do-do-do-do-do&#xA;(Going back home) Do-do-do, do-do-do-do-do&#xA;(Going back home) Do-do-do, do-do-do-do-do&#xA;(Going back home) Do-do-do, do-do-do&#xA;&#xA;&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;Gotta go home, home, home&#xA;&#xA;&#xA;Gotta go home" PRODUCER="(P) 1979 BMG Berlin Musik GmbH/MCI" COVERARTID="080/QW3RNJDDHSSCOD3PZ1DDATMYQD5B" PLAYTIME="226" PLAYTIME_FLOAT="225.626694" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="27489"></INFO>
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<INFO BITRATE="1036686" KEY_LYRICS="18 ContributorsKlown Bitch Lyrics&#xA;(Ta, ta-da-da, da, ta-da-da, ta-da)&#xA;&#xA;&#xA;Get ready for the new look&#xA;New rhythm and a new hook&#xA;Not here to cuddle, more like leave you in a puddle&#xA;Little double trouble got ya boy shook (Ha-ha, here's the sitch)&#xA;&#xA;&#xA;Feed sin with ya taxes&#xA;Greedy greed wins where the cash is&#xA;Wanna sell my funny, slutty body to the masses&#xA;Feelin' lonely on a Saturday night&#xA;Well, money can't buy happiness&#xA;But it can rent you paradise&#xA;&#xA;&#xA;Give in to temptation&#xA;Take your time, I'll be patient&#xA;Be my little piggy, let me scratch your dirty itch&#xA;&#xA;&#xA;I'm a klown, bitch (Hey!)&#xA;Fix up your frown, bitch (Hey!)&#xA;Gimme the crown, bitch (Hey!)&#xA;You hear that sound?&#xA;It's goin' down&#xA;'Cause I'm a klown, bitch&#xA;&#xA;Get ready for a new world&#xA;New money, I'm your new girl&#xA;Tapped ya from your head to your red nose&#xA;Tickle on your pickle 'til your thing blows&#xA;Gotta love the way you make your toes curl (Ha-ha, here's the switch)&#xA;&#xA;&#xA;Bought me with your plastic&#xA;VIP got me enthusiastic&#xA;Body on the menu, can you handle such a bad chick?&#xA;Feelin' lonely on a Saturday night&#xA;Well, money can't buy happiness&#xA;But guaranteed I'm worth the price&#xA;&#xA;&#xA;Give in to temptation&#xA;Take your time, I'll be patient&#xA;Be my little piggy, let me scratch your dirty itch&#xA;&#xA;&#xA;I'm a klown, bitch (Hey!)&#xA;Fix up your frown, bitch (Hey!)&#xA;Gimme the crown, bitch (Hey!)&#xA;You hear that sound?&#xA;It's goin' down&#xA;'Cause I'm a klown, bitch&#xA;&#xA;Special occasions splurge on the urge to go make a mistake&#xA;Give you a birthday reward if you can afford all this cake&#xA;Dollar-by-dollar, you got me romance and lovin' is fake&#xA;Max out your expense account, you're paying for a—&#xA;&#xA;&#xA;Klown, bitch (I'm a klown, bitch) (Hey!) (I'ma klown bitch, yeah)&#xA;Fix up your frown, bitch (Fix up ya frown, bitch) (Hey!) (Fix ya frown, bitch)&#xA;Gimme the crown, bitch (Gimme the crown, bitch) (Hey!) (Gimme that)&#xA;You hear that sound? (Uh)&#xA;It's goin' down (Yeah)&#xA;'Cause I'm a klown, bitch&#xA;&#xA;&#xA;(Ta-da-da, da, ta-da-da-da) Ha-ha-ha-ha-ha-ha, oh (Yeah)&#xA;(Ta, ta-da-da, da, ta-da-da-da) Gimme the crown, bitch&#xA;(Ta, ta-da-da, da, ta-da-da-da) Mmm, ha-ha-ha-ha-ha-ha-ha-ha&#xA;(Ta, ta-da-da, da, ta-da-da-da) 'Cause I'm a klown, bitch" PRODUCER="Léo Carrier" COVERARTID="077/NWCRA1AS40ST2DUB1K1BD4AXUEHA" PLAYTIME="234" PLAYTIME_FLOAT="233.133408" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="29743"></INFO>
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<INFO BITRATE="1005954" KEY_LYRICS="5 ContributorsJump to the Beat LyricsCome on and jump to the beat.  (Jump)&#xA;Come on and dance with me&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me&#xA;&#xA;You're unsurpassed in style&#xA;The price you paid was dear&#xA;You make the moves come alive&#xA;Yet movements dance with fear&#xA;Your specialty's lonely nights as you and pride compete&#xA;Neglect the pain you hide&#xA;Come on and dance with me&#xA;&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me, yeah&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me&#xA;Won't you dance with me&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me&#xA;&#xA;You'd rather dance alone when love steps too near&#xA;Communicate with me&#xA;Your doubts will disappear&#xA;If it's love you're searching for&#xA;There's plenty of love in me&#xA;Embrace the good things in life&#xA;Come on and dance with me&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me, uh, uh, uh, uh&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me, yeah&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me&#xA;Won't you dance with me, say yeah&#xA;&#xA;Go ahead, go ahead, go ahead, go ahead&#xA;Go ahead, go ahead, go ahead, go ahead&#xA;Go ahead, go ahead, go ahead, go ahead&#xA;Go ahead, go ahead, go ahead, go ahead&#xA;&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me&#xA;Come on and jump to the beat.  (Jump)&#xA;Come on and dance with me" PRODUCER="2020 Warner Music Group - X5 Music Group" COVERARTID="044/MZRYQQCTIKL3NA5XI445DOFZ4GCB" PLAYTIME="202" PLAYTIME_FLOAT="201.679993" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="25014"></INFO>
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<INFO BITRATE="890888" KEY_LYRICS="1 Contributor(The Best Part Of) Breakin’ Up Lyrics:&#xA;Woo, ooh, woo, ooh, woo, ooh, woo, ooh&#xA;&#xA;:&#xA;Baby, when we break up from a quarrel or a fight&#xA;I can't wait to have you back and hold you, oh, so tight&#xA;Tell me why&#xA;:&#xA;Tell me why&#xA;:&#xA;I want to know&#xA;:&#xA;Is it so&#xA;:&#xA;Tell me why&#xA;:&#xA;Tell me why&#xA;:&#xA;Is it so&#xA;:&#xA;I need to know&#xA;&#xA;:&#xA;That the best part of breaking up is when you're making up&#xA;The best part of breaking up is when you're making up&#xA;But, after breaking up, be sure you're making up with me&#xA;:&#xA;Be sure you're making up with me&#xA;Be sure you're making up with me&#xA;&#xA;:&#xA;Every time you leave, I get those teardrops in my eyes&#xA;But they seem to go away when you apologize&#xA;Tell me why&#xA;:&#xA;Tell me why&#xA;:&#xA;I want to know&#xA;:&#xA;Is it so&#xA;:&#xA;Tell me why&#xA;:&#xA;Tell me why&#xA;:&#xA;Is it so&#xA;:&#xA;I need to know&#xA;&#xA;:&#xA;That the best part of breaking up is when you're making up&#xA;The best part of breaking up is when you're making up&#xA;But, after breaking up, be sure you're making up with me&#xA;:&#xA;Come on baby&#xA;:&#xA;Come on, come on, come on, come on, come on&#xA;:&#xA;Come on baby&#xA;:&#xA;Come on, come on, come on, come on, come on&#xA;:&#xA;Don't say &amp;quot;Maybe&amp;quot;&#xA;:&#xA;Come on, come on, come on, come on, come on&#xA;&#xA;Please don't break it up with me&#xA;&#xA;:&#xA;Woo, ooh, woo, ooh&#xA;(Woo, ooh) Tell me why (Woo, ooh) is it so&#xA;(Woo, ooh) Tell me why (Woo, ooh) I need to know&#xA;&#xA;That the best part of breaking up is when you're making up&#xA;The best part of breaking up is when you're making up&#xA;But, after breaking up, be sure you're making up with me&#xA;&#xA;:&#xA;Baby, I'll be lonely till you're back where you should be&#xA;But, baby, I belong to you and you belong to me&#xA;Tell me why&#xA;:&#xA;Tell me why&#xA;:&#xA;Is it so&#xA;:&#xA;Is it so&#xA;:&#xA;Tell me why&#xA;:&#xA;Tell me why&#xA;:&#xA;I want to know&#xA;:&#xA;I need to know&#xA;:&#xA;That the best part of breaking up is when you're making up&#xA;The best part of breaking up is when you're making up&#xA;But, after breaking up, be sure you're making up with me&#xA;&#xA;:&#xA;Be sure you're making up with me&#xA;:&#xA;Be sure you're making up with me (repeat till fade out)" PRODUCER="℗ 2020 Craft Recordings., Distributed by Concord." COVERARTID="095/5SXRKGBPMBYMIBCBSFG2CFBNVNRD" PLAYTIME="342" PLAYTIME_FLOAT="341.727997" IMPORT_DATE="2025/4/14" RELEASE_DATE="1994/1/1" FLAGS="12" FILESIZE="37569"></INFO>
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<INFO BITRATE="882662" KEY_LYRICS="6 ContributorsNames of People (Chapter 1) Lyrics                                        CHAPTER ONE&#xA;&#xA;NAMES OF PEOPLE: THE DUCHESSE DE GUERMANTES — SAINT-LOUP AT DONCIÈRES — MME. DE VILLEPARISIS AT HOME — MY GRANDMOTHER’S ILLNESS — BERGOTTE’S ILLNESS — THE DUKE AND THE DOCTOR — DECLINE AND DEATH OF MY GRANDMOTHER.&#xA;&#xA;   The twittering of the birds at daybreak sounded insipid to Françoise. Every word uttered by the maids upstairs made her jump; disturbed by all their running about, she kept asking herself what they could be doing. In other words, we had moved. Certainly the servants had made no less noise in the attics of our old home; but she knew them, she had made of their comings and goings familiar events. Now she faced even silence with a strained attention. And as our new neighbourhood appeared to be as quiet as the boulevard on to which we had hitherto looked had been noisy, the song (distinct at a distance, when it was still quite faint, like an orchestralmotif) of a passer-by brought tears to the eyes of a Françoise in exile. And so if I had been tempted to laugh at her in her misery at having to leave a house in which she was ‘so well respected on all sides’ and had packed her trunks with tears, according to the Use of Combray, declaring superior to all possible houses that which had been ours, on the other hand I, who found it as hard to assimilate new as I found it easy to abandon old conditions, I felt myself drawn towards our old servant when I saw that this installation of herself in a building where she had not received from the hall-porter, who did not yet know us, the marks of respect necessary to her moral wellbeing, had brought her positively to the verge of dissolution. She alone could understand what I was feeling; certainly her young footman was not the person to do so; for him, who was as unlike the Combray type as it was possible to conceive, packing up, moving, living in another district, were all like taking a holiday in which the novelty of one’s surroundings gave one the same sense of refreshment as if one had actually travelled; he thought he was in the country; and a cold in the head afforded him, as though he had been sitting in a draughty railway carriage, the delicious sensation of having seen the world; at each fresh sneeze he rejoiced that he had found so smart a place, having always longed to be with people who travelled a lot. And so, without giving him a thought, I went straight to Françoise, who, in return for my having laughed at her tears over a removal which had left me cold, now shewed an icy indifference to my sorrow, but because she shared it. The ‘sensibility’ claimed by neurotic people is matched by their egotism; they cannot abide the flaunting by others of the sufferings to which they pay an ever increasing attention in themselves. Françoise, who would not allow the least of her own ailments to pass unnoticed, if I were in pain would turn her head from me so that I should not have the satisfaction of seeing my sufferings pitied, or so much as observed. It was the same as soon as I tried to speak to her about our new house. Moreover, having been obliged, a day or two later, to return to the house we had just left, to retrieve some clothes which had been overlooked in our removal, while I, as a result of it, had still a ‘temperature,’ and like a boa constrictor that has just swallowed an ox felt myself painfully distended by the sight of a long trunk which my eyes had still to digest, Françoise, with true feminine inconstancy, came back saying that she had really thought she would stifle on our old boulevard, it was so stuffy, that she had found it quite a day’s journey to get there, that never had she seen such stairs, that she would not go back to live there for a king’s ransom, not if you were to offer her millions — a pure hypothesis — and that everything (everything, that is to say, to do with the kitchen and ‘usual offices’) was much better fitted up in the new house. Which, it is high time now that the reader should be told — and told also that we had moved into it because my grandmother, not having been at all well (though we took care to keep this reason from her), was in need of better air — was a flat forming part of the Hôtel de Guermantes.&#xA;&#xA;   At the age when a Name, offering us an image of the unknowable which we have poured into its mould, while at the same moment it connotes for us also an existing place, forces us accordingly to identify one with the other to such a point that we set out to seek in a city for a soul which it cannot embody but which we have no longer the power to expel from the sound of its name, it is not only to towns and rivers that names give an individuality, as do allegorical paintings, it is not only the physical universe which they pattern with differences, people with marvels, there is the social universe also; and so every historic house, in town or country, has its lady or its fairy, as every forest has its spirit, as there is a nymph for every stream. Sometimes, hidden in the heart of its name, the fairy is transformed to suit the life of our imagination by which she lives; thus it was that the atmosphere in which Mme. de Guermantes existed in me, after having been for years no more than the shadow cast by a magic lantern slide or the light falling through a painted window, began to let its colours fade when quite other dreams impregnated it with the bubbling coolness of her flowing streams.&#xA;&#xA;   And yet the fairy must perish if we come in contact with the real person to whom her name corresponds, for that person the name then begins to reflect, and she has in her nothing of the fairy; the fairy may revive if we remove ourself from the person, but if we remain in her presence the fairy definitely dies and with her the name, as happened to the family of Lusignan, which was fated to become extinct on the day when the fairy Mélusine should disappear. Then the Name, beneath our successive ‘restorations’ of which we may end by finding, as their original, the beautiful portrait of a strange lady whom we are never to meet, is nothing more than the mere photograph, for identification, to which we refer in order to decide whether we know, whether or not we ought to bow to a person who passes us in the street. But let a sensation from a bygone year — like those recording instruments which preserve the sound and the manner of the various artists who have sung or played into them — enable our memory to make us hear that name with the particular ring with which it then sounded in our ears, then, while the name itself has apparently not changed, we feel the distance that separates the dreams which at different times its same syllables have meant to us. For a moment, from the clear echo of its warbling in some distant spring, we can extract, as from the little tubes which we use in painting, the exact, forgotten, mysterious, fresh tint of the days which we had believed ourself to be recalling, when, like a bad painter, we were giving to the whole of our past, spread out on the same canvas, the tones, conventional and all alike, of our unprompted memory. Whereas on the contrary, each of the moments that composed it employed, for an original creation, in a matchless harmony, the colour of those days which we no longer know, and which, for that matter, will still suddenly enrapture me if by any chance the name ‘Guermantes,’ resuming for a moment, after all these years, the sound, so different from its sound to-day, which it had for me on the day of Mile. Percepied’s marriage, brings back to me that mauve — so delicate, almost too bright, too new — with which the billowy scarf of the young Duchess glowed, and, like two periwinkle flowers, growing beyond reach and blossoming now again, her two eyes, sunlit with an azure smile. And the name Guermantes of those days is also like one of those little balloons which have been filled wilh oxygen, or some such gas; when I come to explode it, to make it emit what it contains, I breathe the air of the Combray of that year, of that day, mingled with a fragrance of hawthorn blossom blown by the wind from the corner of the square, harbinger of rain, which now sent the sun packing, now let him spread himself over the red woollen carpet to the sacristy, steeping it in a bright geranium scarlet, with that, so to speak, Wagnerian harmony in its gaiety which makes the wedding service always impressive. But even apart from rare moments such as these, in which suddenly we feel the original entity quiver and resume its form, carve itself out of the syllables now soundless, dead; if, in the giddy rush of daily life, in which they serve only the most practical purposes, names have lost all their colour, like a prismatic top that spins too quickly and seems only grey, when, on the other hand, in our musings we reflect, we seek, so as to return to the past, to slacken, to suspend the perpetual motion by which we are borne alcng, gradually we see once more appear, side by side, but entirely distinct from one another, the tints which in the course of our existence have been successively presented to us by a single name.&#xA;&#xA;   What form was assumed in my mind by this name Guermantes when my first nurse — knowing no more, probably, than I know to-day in whose honour it had been composed — sang me to sleep with that old ditty, Gloire à la Marquise de Guermantes, or when, some years later, the veteran Maréchal de Guermantes, making my nursery-maid’s bosom swell with pride, stopped in the Champs-Elysées to remark: “A fine child that!” and gave me a chocolate drop from his comfit-box, I cannot, of course, now say. Those years of my earliest childhood are no longer a part of myself; they are external to me; I can learn nothing of them save as we learn things that happened before we were born — from the accounts given me by other people. But more recently I find in the period of that name’s occupation of me seven or eight different shapes which it has successively assumed; the earliest were the most beautiful; gradually my musings, forced by reality to abandon a position that was no longer tenable, established themselves anew in one slightly less advanced until they were obliged to retire still farther. And, with Mme. de Guermantes, was transformed simultaneously her dwelling, itself also the offspring of that name, fertilised from year to year by some word or other that came to my ears and modulated the tone of my musings; that dwelling of hers reflected them in its very stones, which had turned to mirrors, like the surface of a cloud or of a lake. A dungeon keep without mass, no more indeed than a band of orange light from the summit of which the lord and his lady dealt out life and death to their vassals, had given place — right at the end of that ‘Guermantes way’ along which, on so many summer afternoons, I retraced with my parents the course of the Vivonne — to that land of bubbling streams where the Duchess taught me to fish for trout and to know the names of the flowers whose red and purple clusters adorned the walls of the neighbouring gardens; then it had been the ancient heritage, famous in song and story, from which the proud race of Guermantes, like a carved and mellow tower that traverses the ages, had risen already over France when the sky was still empty at those points where, later, were to rise Notre Dame of Paris and Notre Dame of Chartres, when on the summit of the hill of Laon the nave of its cathedral had not yet been poised, like the Ark of the Deluge on the summit of Mount Ararat, crowded with Patriarchs and Judges anxiously leaning from its windows to see whether the wrath of God were yet appeased, carrying with it the types of the vegetation that was to multiply on the earth, brimming over with animals which have escaped even by the towers, where oxen grazing calmly upon the roof look down over the plains of Champagne; when the traveller who left Beauvais at the close of day did not yet see, following him and turning with his road, outspread against the gilded screen of the western sky, the black, ribbed wings of the cathedral. It was, this ‘Guermantes,’ like the scene of a novel, an imaginary landscape which I could with difficulty picture to myself and longed all the more to discover, set in the midst of real lands and roads which all of a sudden would become alive with heraldic details, within a few miles of a railway station; I recalled the names of the places round it as if they had been situated at the foot of Parnassus or of Helicon, and they seemed precious to me, as the physical conditions — in the realm of topographical science — required for the production of an unaccountable phenomenon. I saw again the escutcheons blazoned beneath the windows of Combray church; their quarters filled, century after century, with all the lordships which, by marriage or conquest, this illustrious house had brought flying to it from all the corners of Germany, Italy and France; vast territories in the North, strong cities in the South, assembled there to group themselves in Guermantes, and, losing their material quality, to inscribe allegorically their dungeon vert, or castle triple-towered argent upon its azure field. I had heard of the famous tapestries of Guermantes, I could see them, mediaeval and blue, a trifle coarse, detach themselves like a floating cloud from the legendary, amaranthine name at the foot of the ancient forest in which Childebert went so often hunting; and this delicate, mysterious background of their lands, this vista of the ages, it seemed to me that, as effectively as by journeying to see them, I might penetrate all their secrets simply by coming in contact for a moment in Paris with Mme. de Guermantes, the princess paramount of the place and lady of the lake, as if her face, her speech must possess the local charm of forest groves and streams, and the same secular peculiarities as the old customs recorded in her archives. But then I had met Saint-Loup; he had told me that the castle had borne the name of Guermantes only since the seventeenth century, when that family had acquired it. They had lived, until then, in the neighbourhood, but their title was not taken from those parts. The village of Guermantes had received its name from the castle round which it had been built, and so that it should not destroy the view from the castle, a servitude, still in force, traced the line of its streets and limited the height of its houses. As for the tapestries, they were by Boucher, bought in the nineteenth century by a Guermantes with a taste for the arts, and hung, interspersed with a number of sporting pictures of no merit which he himself had painted, in a hideous drawing-room upholstered in ‘adrianople’ and plush. By these revelations Saint-Loup had introduced into the castle elements foreign to the name of Guermantes which made it impossible for me to continue to extract solely from the resonance of the syllables the stone and mortar of its walls. And so, in the heart of the name, was effaced the castle mirrored in its lake, and what now became apparent to me, surrounding Mme. de Guermantes as her dwelling, had been her house in Paris, the Hôtel de Guermantes, limpid like its name, for no material and opaque element intervened to interrupt and blind its transparence. As the word church signifies not only the temple but the assembly of the faithful also, this Hôtel de Guermantes comprised all those who shared the life of the Duchess, but these intimates on whom I had never set eyes were for me only famous and poetic names, and knowing exclusively persons who themselves also were names only, did but enhance and protect the mystery of the Duchess by extending all round her a vast halo which at the most declined in brilliance as its circumference increased.&#xA;&#xA;   In the parties which she gave, since I could not imagine the guests as having any bodies, any moustaches, any boots, as making any utterances that were commonplace, or even original in a human and rational way, this whirlpool of names, introducing less material substance than would a phantom banquet or a spectral ball, round that statuette in Dresden china which was Madame de Guermantes, kept for her palace of glass the transparence of a showcase. Then, after Saint-Loup had told me various anecdotes about his cousin’s chaplain, her gardener, and the rest, the Hôtel de Guermantes had become — as the Louvre might have been in days gone by — a kind of castle, surrounded, in the very heart of Paris, by its own domains, acquired by inheritance, by virtue of an ancient right that had quaintly survived, over which she still enjoyed feudal privileges. But this last dwelling itself vanished when we had come to live beside Mme. de Villeparisis in one of the flats adjoining that occupied by Mme. de Guermantes in a wing of the Hôtel. It was one of those old town houses, a few of which are perhaps still to be found, in which the court of honour — whether they were alluvial deposits washed there by the rising tide of democracy, or a legacy from a more primitive time when the different trades were clustered round the overlord — is flanked by little shops and workrooms, a shoemaker’s, for instance, or a tailor’s, such as we see nestling between the buttresses of those cathedrals which the aesthetic zeal of the restorer has not swept clear of such accretions; a porter who also does cobbling, keeps hens, grows flowers, and, at the far end, in the main building, a ‘Comtesse’ who, when she drives out in her old carriage and pair, flaunting on her hat a few nasturtiums which seem to have escaped from the plot by the porter’s lodge (with, by the coachman’s side on the box, a footman who gets down to leave cards at every aristocratic mansion in the neighbourhood), scatters vague little smiles and waves her hand in greeting to the porter’s children and to such of her respectable fellow-tenants as may happen to be passing, who, to her contemptuous affability and levelling pride, seem all the same.&#xA;&#xA;   In the house in which we had now come to live, the great lady at the end of the courtyard was a Duchess, smart and still quite young. She was, in fact, Mme. de Guermantes and, thanks to Françoise, I soon came to know all about her household. For the Guermantes (to whom Françoise regularly alluded as the people ‘below,’ or ‘downstairs’) were her constant preoccupation from the first thing in the morning when, as she did Mamma’s hair, casting a forbidden, irresistible, furtive glance down into the courtyard, she would say: “Look at that, now; a pair of holy Sisters; that’ll be for downstairs, surely;” or, “Oh! just look at the fine pheasants in the kitchen window; no need to ask where they came from, the Duke will have been out with his gun!”— until the last thing at night when, if her ear, while she was putting out my night-things, caught a few notes of a song, she would conclude: “They’re having company down below; gay doings, I’ll be bound;” whereupon, in her symmetrical face, beneath the arch of her now snow-white hair, a smile from her young days, sprightly but proper, would for a moment set each of her features in its place, arranging them in an intricate and special order, as though for a country-dance.&#xA;&#xA;   But the moment in the life of the Guermantes which excited the keenest interest in Françoise, gave her the most complete satisfaction and at the same time the sharpest annoyance was that at which, the two halves of the great gate having been thrust apart, the Duchess stepped into her carriage. It was generally a little while after our servants had finished the celebration of that sort of solemn passover which none might disturb, called their midday dinner, during which they were so far taboo that my father himself was not allowed to ring for them, knowing moreover that none of them would have paid any more attention to the fifth peal than to the first, and that the discourtesy would therefore have been a pure waste of time and trouble, though not without trouble in store for himself. For Françoise (who, in her old age, lost no opportunity of standing upon her dignity) would without fail have presented him, for the rest of the day, with a face covered with the tiny red cuneiform hieroglyphs by which she made visible — though by no means legible — to the outer world the long tale of her griefs and the profound reasons for her dissatisfactions. She would enlarge upon them, too, in a running ‘aside,’ but not so that we could catch her words. She called this practice — which, she imagined, must be infuriating, ‘mortifying’ as she herself put it,‘vexing’ to us —‘saying low masses all the blessed day.’&#xA;&#xA;   The last rites accomplished, Françoise, who was at one and the same time, as in the primitive church, the celebrant and one of the faithful, helped herself to a final glass, undid the napkin from her throat, folded it after wiping from her lips a stain of watered wine and coffee, slipped it into its ring, turned a doleful eye to thank ‘her’ young footman who, to shew his zeal in her service, was saying: “Come, ma’am, a drop more of the grape; it’s d’licious to-day,” and went straight across to the window, which she flung open, protesting that it was too hot to breathe in ‘this wretched kitchen.’ Dexterously casting, as she turned the latch and let in the fresh air, a glance of studied indifference into the courtyard below, she furtively elicited the conclusion that the Duchess was not ready yet to start, brooded for a moment with contemptuous, impassioned eyes over the waiting carriage, and, this meed of attention once paid to the things of the earth, raised them towards the heavens, whose purity she had already divined from the sweetness of the air and the warmth of the sun; and let them rest on a corner of the roof, at the place where, every spring, there came and built, immediately over the chimney of my bedroom, a pair of pigeons like those she used to hear cooing from her kitchen at Combray.&#xA;&#xA;    “Ah! Combray, Combray!” she cried. And the almost singing tone in which she declaimed this invocation might, taken with the Arlesian purity of her features, have made the onlooker suspect her of a Southern origin and that the lost land which she was lamenting was no more, really, than a land of adoption. If so, he would have been wrong, for it seems that there is no province that has not its own South-country; do we not indeed constantly meet Savoyards and Bretons in whose speech we find all those pleasing transpositions of longs and shorts that are characteristic of the Southerner? “Ah, Combray, when shall I look on thee again, poor land! When shall I pass the blessed day among thy hawthorns, under our own poor lily-oaks, hearing the grasshoppers sing, and the Vivonne making a little noise like someone whispering, instead of that wretched bell from our young master, who can never stay still for half an hour on end without having me run the length of that wicked corridor. And even then he makes out I don’t come quick enough; you’d need to hear the bell ring before he has pulled it, and if you’re a minute late, away he flies into the most towering rage. Alas, poor Combray; maybe I shall see thee only in death, when they drop me like a stone into the hollow of the tomb. And so, nevermore shall I smell thy lovely hawthorns, so white and all. But in the sleep of death I dare say I shall still hear those three peals of the bell which will have driven me to damnation in this world.”&#xA;&#xA;   Her soliloquy was interrupted by the voice of the waistcoat-maker downstairs, the same who had so delighted my grandmother once, long ago, when she had gone to pay a call on Mme. de Villeparisis, and now occupied no less exalted a place in Franchise’s affections. Having raised his head when he heard our window open, he had already been trying for some time to attract his neighbour’s attention, in order to bid her good day. The coquetry of the young girl that Françoise had once been softened and refined for M. Jupien the querulous face of our old cook, dulled by age, ill-temper and the heat of the kitchen fire, and it was with a charming blend of reserve, familiarity and modesty that she bestowed a gracious salutation on the waistcoat-maker, but without making any audible response, for if she did infringe Mamma’s orders by looking into the courtyard, she would never have dared to go the length of talking from the window, which would have been quite enough (according to her) to bring down on her ‘a whole chapter’ from the Mistress. She pointed to the waiting carriage, as who should say: “A fine pair, eh!” though what she actually muttered was: “What an old rattle-trap!” but principally because she knew that he would be bound to answer, putting his hand to his lips so as to be audible without having to shout:&#xA;&#xA;    “You could have one too if you liked, as good as they have and better, I dare say, only you don’t care for that sort of thing.”&#xA;   And Franoise, after a modest, evasive signal of delight, the meaning of which was, more or less: “Tastes differ, you know; simplicity’s the rule in this house,” shut the window again in case Mamma should come in. These ‘you’ who might have had more horses than the Guermantes were ourselves, but Jupien was right in saying ‘you’ since, except for a few purely personal gratifications, such as, when she coughed all day long without ceasing and everyone in the house was afraid of catching her cold, that of pretending, with an irritating little titter, that she had not got a cold, like those plants that an animal to which they are wholly attached keeps alive with food which it catches, eats and digests for them and of which it offers them the ultimate and easily assimilable residue, Françoise lived with us in full community; it was we who, with our virtues, our wealth, our style of living, must take on ourselves the task of concocting those little sops to her vanity out of which was formed — with the addition of the recognised rights of freely practising the cult of the midday dinner according to the traditional custom, which included a mouthful of air at the window when the meal was finished, a certain amount of loitering in the street when she went out to do her marketing, and a holiday on Sundays when she paid a visit to her niece — the portion of happiness indispensable to her existence. And so it can be understood that Françoise might well have succumbed in those first days of our migration, a victim, in a house where my father’s claims to distinction were not yet known, to a malady which she herself called ‘wearying,’ wearying in the active sense in which the word ennui is employed by Corneille, or in the last letters of soldiers who end by taking their own lives because they are wearying for their girls or for their native villages. Françoise’s wearying had soon been cured by none other than Jupien, for he at once procured her a pleasure no less keen, indeed more refined than she would have felt if we had decided to keep a carriage. “Very good class, those Juliens,” (for Françoise readily assimilated new names to those with which she was already familiar) “very worthy people; you can see it written on their faces.” Jupien was in fact able to understand, and to inform the world that if we did not keep a carriage it was because we had no wish for one. This new friend of Françoise was very little at home, having obtained a post in one of the Government offices. A waistcoat-maker first of all, with the ‘chit of a girl’ whom my grandmother had taken for his daughter, he had lost all interest in the exercise of that calling after his assistant (who, when still little more than a child, had shewn great skill in darning a torn skirt, that day when my grandmother had gone to call on Mme. de Villeparisis) had turned to ladies’ fashions and become a seamstress. A prentice hand, to begin with, in a dressmaker’s workroom, set to stitch a seam, to fasten a flounce, to sew on a button or to press a crease, to fix a waistband with hooks and eyes, she had quickly risen to be second and then chief assistant, and having formed a connexion of her own among ladies of fashion now worked at home, that is to say in our courtyard, generally with one or two of her young friends from the workroom, whom she had taken on as apprentices. After this, Jupien’s presence in the place had ceased to matter. No doubt the little girl (a big girl by this time) had often to cut out waistcoats still. But with her friends to assist her she needed no one besides. And so Jupien, her uncle, had sought employment outside. He was free at first to return home at midday, then, when he had definitely succeeded the man whose substitute only he had begun by being, not before dinner-time. His appointment to the ‘regular establishment’ was, fortunately, not announced until some weeks after our arrival, so that his courtesy could be brought to bear on her long enough to help Françoise to pass through the first, most difficult phase without undue suffering. At the same time, and without underrating his value to Françoise as, so to speak, a sedative during the period of transition, I am bound to say that my first impression of Jupien had been far from favourable. At a little distance, entirely ruining the effect that his plump cheeks and vivid colouring would otherwise have produced, his eyes, brimming with a compassionate, mournful, dreamy gaze, led one to suppose that he was seriously ill or had just suffered a great bereavement. Not only was he nothing of the sort, but as soon as he opened his mouth (and his speech, by the way, was perfect) he was quite markedly cynical and cold. There resulted from this discord between eyes and lips a certain falsity which was not attractive, and by which he had himself the air of being made as uncomfortable as a guest who arrives in morning dress at a party where everyone else is in evening dress, or as a commoner who having to speak to a Royal Personage does not know exactly how he ought to address him and gets round the difficulty by cutting down his remarks to almost nothing. Jupien’s (here the comparison ends) were, on the contrary, charming. Indeed, corresponding possibly to this overflowing of his face by his eyes (which one ceased to notice when one came to know him), I soon discerned in him a rare intellect, and one of the most spontaneously literary that it has been my privilege to come across, in the sense that, probably without education, he possessed or had assimilated, with the help only of a few books skimmed in early life, the most ingenious turns of speech. The most gifted people that I had known had died young. And so I was convinced that Jupien’s life would soon be cut short. Kindness was among his qualities, and pity, the most delicate and the most generous feelings for others. But his part in the life of Françoise had soon ceased to be indispensable. She had learned to put up with understudies.&#xA;&#xA;   Indeed, when a tradesman or servant came to our door with a parcel or message, while seeming to pay no attention and merely pointing vaguely to an empty chair, Françoise so skilfully put to the best advantage the few seconds that he spent in the kitchen, while he waited for Mamma’s answer, that it was very seldom that the stranger went away without having ineradicably engraved upon his memory the conviction that, if we ‘did not have’ any particular thing, it was because we had ‘no wish’ for it. If she made such a point of other people’s knowing that we ‘had money’ (for she knew nothing of what Saint-Loup used to call partitive articles, and said simply ‘have money,’ ‘fetch water’), of their realising that we were rich, it was not because riches with nothing else besides, riches without virtue, were in her eyes the supreme good in life; but virtue without riches was not her ideal either. Riches were for her, so to speak, a necessary condition of virtue, failing which virtue itself would lack both merit and charm. She distinguished so little between them that she had come in time to invest each with the other’s attributes, to expect some material comfort from virtue, to discover something edifying in riches.&#xA;&#xA;   As soon as she had shut the window again, which she did quickly — otherwise Mamma would, it appeared, have heaped on her ‘every conceivable insult’— Françoise began with many groans and sighs to put straight the kitchen table.&#xA;&#xA;    “There are some Guermantes who stay in the Rue de la Chaise,” began my father’s valet; “I had a friend who used to be with them; he was their second coachman. And I know a fellow, not my old pal, but his brother-in-law, who did his time in the Army with one of the Baron de Guermantes’s stud grooms. Does your mother know you’re out?” added the valet, who was in the habit, just as he used to hum the popular airs of the season, of peppering his conversation with all the latest witticisms.&#xA;&#xA;   Françoise, with the tired eyes of an ageing woman, eyes which moreover saw everything from Combray, in a hazy distance, made out not the witticism that underlay the words, but that there must be something witty in them since they bore no relation to the rest of his speech and had been uttered with considerable emphasis by one whom she knew to be a joker. She smiled at him, therefore, with an air of benevolent bewilderment, as who should say: “Always the same, that Victor!” And she was genuinely pleased, knowing that listening to smart sayings of this sort was akin — if remotely — to those reputable social pleasures for which, in every class of society, people make haste to dress themselves in their best and run the risk of catching cold. Furthermore, she believed the valet to be a friend after her own heart, for he never left off denouncing, with fierce indignation, the appalling measures which the Republic was about to enforce against the clergy. Françoise had not yet learned that our cruellest adversaries are not those who contradict and try to convince us, but those who magnify or invent reports which may make us unhappy, taking care not to include any appearance of justification, which might lessen our discomfort, and perhaps give us some slight regard for a party which they make a point of displaying to us, to complete our torment, as being at once terrible and triumphant.&#xA;&#xA;   The Duchess must be connected with all that lot,” said Françoise, bringing the conversation back to the Guermantes of the Rue de la Chaise, as one plays a piece over again from the andante. “I can’t recall who it was told me that one of them had married a cousin of the Duke. It’s the same kindred, anyway. Ay, they’re a great family, the Guermantes!” she added, in a tone of respect founding the greatness of the family at once on the number of its branches and the brilliance of its connexions, as Pascal founds the truth of Religion on Reason and on the Authority of the Scriptures. For since there was but the single word ‘great’ to express both meanings, it seemed to her that they formed a single idea, her vocabulary, like cut stones sometimes, shewing thus on certain of its facets a flaw which projected a ray of darkness into the recesses of her mind. “I wonder now if it wouldn’t be them that have their castle at Guermantes, not a score of miles from Combray; then they must be kin to their cousin at Algiers, too.” My mother and I long asked ourselves who this cousin at Algiers could be until finally we discovered that Françoise meant by the name ‘Algiers’ the town of Angers. What is far off may be more familiar to us than what is quite near. Françoise, who knew the name ‘Algiers’ from some particularly unpleasant dates that used to be given us at the New Year, had never heard of Angers. Her language, like the French language itself, and especially that of place-names, was thickly strewn with errors. “I meant to talk to their butler about it. What is it again you call him?” she interrupted herself as though putting a formal question as to the correct procedure, which she went on to answer with: “Oh, of course, it’s Antoine you call him!” as though Antoine had been a title. “He’s the one who could tell me, but he’s quite the gentleman, he is, a great scholar, you’d say they’d cut his tongue out, or that he’d forgotten to learn to speak. He makes no response when you talk to him,” went on Françoise, who used ‘make response’ in the same sense as Mme. de Sévigné. “But,” she added, quite untruthfully, “so long as I know what’s boiling in my pot, I don’t bother my head about what’s in other people’s. Whatever he is, he’s not a Catholic. Besides, he’s not a courageous man.” (This criticism might have led one to suppose that Françoise had changed her mind about physical bravery which, according to her, in Combray days, lowered men to the level of wild beasts. But it was not so. ‘Courageous’ meant simply a hard worker.) “They do say, too, that he’s thievish as a magpie, but it doesn’t do to believe all one hears. The servants never stay long there because of the lodge; the porters are jealous and set the Duchess against them. But it’s safe to say that he’s a real twister, that Antoine, and his Antoinesse is no better,” concluded Françoise, who, in furnishing the name ‘Antoine’ with a feminine ending that would designate the butler’s wife, was inspired, no doubt, in her act of word-formation by an unconscious memory of the words chanoine and chanoinesse. If so, she was not far wrong. There is still a street near Notre-Dame called Rue Chanoinesse, a name which must have been given to it (since it was never inhabited by any but male Canons) by those Frenchmen of olden days of whom Françoise was, properly speaking, the contemporary. She proceeded, moreover, at once to furnish another example of this way of forming feminine endings, for she went on: “But one thing sure and certain is that it’s the Duchess that has Guermantes Castle. And it’s she that is the Lady Mayoress down in those parts. That’s always something.”&#xA;&#xA;    “I can well believe that it is something,” came with conviction from the footman, who had not detected the irony.&#xA;&#xA;    “You think so, do you, my boy, you think it’s something? Why, for folk like them to be Mayor and Mayoress, it’s just thank you for nothing. Ah, if it was mine, that Guermantes Castle, you wouldn’t see me setting foot in Paris, I can tell you. I’m sure a family who’ve got something to go on with, like Monsieur and Madame here, must have queer ideas to stay on in this wretched town rather than get away down to Combray the moment they’re free to start, and no one hindering them. Why do they put off retiring? They’ve got everything they want. Why wait till they’re dead? Ah, if I had only a crust of dry bread to eat and a faggot to keep me warm in winter, a fine time I’d have of it at home in my brother’s poor old house at Combray. Down there you do feel you’re alive; you haven’t all these houses stuck up in front of you, there is so little noise at night-time, you can hear the frogs singing five miles off and more.”&#xA;&#xA;    “That must indeed be fine!” exclaimed the young footman with enthusiasm, as though this last attraction had been as peculiar to Combray as the gondola is to Venice. A more recent arrival in the household than my father’s valet, he used to talk to Françoise about things which might interest not himself so much as her. And Françoise, whose face wrinkled up in disgust when she was treated as a mere cook, had for the young footman, who referred to her always as the ‘housekeeper,’ that peculiar tenderness which Princes not of the blood royal feel towards the well-meaning young men who dignify them with a ‘Highness.’&#xA;&#xA;    “At any rate one knows what one’s about, there, and what time of year it is. It isn’t like here where you won’t find one wretched buttercup flowering at holy Easter any more than you would at Christmas, and I can’t hear so much as the tiniest angélus ring when I lift my old bones out of bed in the morning. Down there, you can hear every hour; there’s only the one poor bell, but you say to yourself: ‘My brother will be coming in from the field now,’ and you watch the daylight fade, and the bell rings to bless the fruits of the earth, and you have time to take a turn before you light the lamp. But here it’s daytime and it’s nighttime, and you go to bed, and you can’t say any more than the dumb beasts what you’ve been about all day.”&#xA;&#xA;    “I gather Méséglise is a fine place, too, Madame,” broke in the young footman, who found that the conversation was becoming a little too abstract for his liking, and happened to remember having heard us, at table, mention Méséglise.&#xA;&#xA;    “Oh! Méséglise, is it?” said Françoise with the broad smile which one could always bring to her lips by uttering any of those names — Méséglise, Combray, Tansonville. They were so intimate a part of her life that she felt, on meeting them outside it, on hearing them used in conversation, a hilarity more or less akin to that which a professor excites in his class by making an allusion to some contemporary personage whose name the students had never supposed could possibly greet their ears from the height of the academic chair. Her pleasure arose also from the feeling that these places were something to her which they were not for the rest of the world, old companions with whom one has shared many delights; and she smiled at them as if she found in them something witty, because she did find there a great part of herself.&#xA;&#xA;    “Yes, you may well say so, son, it is a pretty enough place is Méséglise;” she went on with a tinkling laugh, “but how did you ever come to hear tell of Méséglise?”&#xA;    “How did I hear of Méséglise? But it’s a well-known place; people have told me about it — yes, over and over again,” he assured her with that criminal inexactitude of the informer who, whenever we attempt to form an impartial estimate of the importance that a thing which matters to us may have for other people, makes it impossible for us to succeed.&#xA;&#xA;    “I can tell you, it’s better down there, under the cherry trees, than standing before the fire all day.”&#xA;&#xA;   She spoke to them even of Eulalie as a good person. For since Eulalie’s death Françoise had completely forgotten that she had loved her as little in her lifetime as she loved every one whose cupboard was bare, who was dying of hunger, and after that came, like a good for nothing, thanks to the bounty of the rich, to ‘put on airs.’ It no longer pained her that Eulalie had so skilfully managed, Sunday after Sunday, to secure her ‘trifle’ from my aunt. As for the latter, Françoise never left off singing her praises.&#xA;&#xA;    “But it was at Combray, surely, that you used to be, with a cousin of Madame?” asked the young footman.&#xA;&#xA;    “Yes, with Mme. Octave — oh, a dear, good, holy woman, my poor friends, and a house where there was always enough and to spare, and all of the very best, a good woman, you may well say, who had no pity on the partridges, or the pheasants, or anything; you might turn up five to dinner or six, it was never the meat that was lacking, and of the first quality too, and white wine, and red wine, and everything you could wish.” (Françoise used the word ‘pity’ in the sense given it by Labruyère.) “It was she that paid the damages, always, even if the family stayed for months and years.” (This reflection was not really a slur upon us, for Françoise belonged to an epoch when the words ‘damages’ was not restricted to a legal use and meant simply expense.) “Ah, I can tell you, people didn’t go empty away from that house. As his reverence the Curé has told us, many’s the time, if there ever was a woman who could count on going straight before the Throne of God, it was she. Poor Madame, I can hear her saying now, in the little voice she had: ‘You know, Françoise, I can eat nothing myself, but I want it all to be just as nice for the others as if I could.’ They weren’t for her, the victuals, you may be quite sure. If you’d only seen her, she weighed no more than a bag of cherries; there wasn’t that much of her. She would never listen to a word I said, she would never send for the doctor. Ah, it wasn’t in that house that you’d have to gobble down your dinner. She liked her servants to be fed properly. Here, it’s been just the same again to-day; we haven’t had time for so much as to break a crust of bread; everything goes like ducks and drakes.”&#xA;&#xA;   What annoyed her more than anything were the rusks of pulled bread that my father used to eat. She was convinced that he had them simply to give himself airs and to keep her ‘dancing.’ “I can tell you frankly,” the young footman assured her, “that I never saw the like.” He said it as if he had seen everything, and as if in him the range of a millennial experience extended over all countries and their customs, among which was not anywhere to be found a custom of eating pulled bread. “Yes, yes,” the butler muttered, “but that will all be changed; the men are going on strike in Canada, and the Minister told Monsieur the other evening that he’s clearing two hundred thousand francs out of it.” There was no note of censure in his tone, not that he was not himself entirely honest, but since he regarded all politicians as unsound the crime of peculation seemed to him less serious than the pettiest larceny. He did not even stop to ask himself whether he had heard this historic utterance aright, and was not struck by the improbability that such a thing would have been admitted by the guilty party himself to my father without my father’s immediately turning him out of the house. But the philosophy of Combray made it impossible for Françoise to expect that the strikes in Canada could have any repercussion on the use of pulled bread. “So long as the world goes round, look, there’ll be masters to keep us on the trot, and servants to do their bidding.” In disproof of this theory of perpetual motion, for the last quarter of an hour my mother (who probably did not employ the same measures of time as Françoise in reckoning the duration of the latter’s dinner) had been saying:&#xA;&#xA;    “What on earth can they be doing? They’ve been at least two hours at their dinner.”&#xA;&#xA;   And she rang timidly three or four times. Françoise, ‘her’ footman, the butler, heard the bell ring, not as a summons to themselves, and with no thought of answering it, but rather like the first sounds of the instruments being tuned when the next part of a concert is just going to begin, and one knows that there will be only a few minutes more of interval. And so, when the peals were repeated and became more urgent, our servants began to pay attention, and, judging that they had not much time left and that the resumption of work was at hand, at a peal somewhat louder than the rest gave a collective sigh and went their several ways, the footman slipping downstairs to smoke a cigarette outside the door, Françoise, after a string of reflexions on ourselves, such as: “They’ve got the jumps to-day, surely,” going up to put her things tidy in her attic, while the butler, having supplied himself first with note-paper from my bedroom, polished off the arrears of his private correspondence.&#xA;&#xA;   Despite the apparent stiffness of their butler, Françoise had been in a position, from the first, to inform me that the Guermantes occupied their mansion by virtue not of an immemorial right but of a quite recent tenancy, and that the garden over which it looked on the side that I did not know was quite small and just like all the gardens along the street; and I realised at length that there were not to be seen there pit and gallows or fortified mill, secret chamber, pillared dovecot, manorial bakehouse or tithe-barn, dungeon or drawbridge, or fixed bridge either for that matter, any more than toll-houses or pinnacles, charters, muniments, ramparts or commemorative mounds. But just as Elstir, when the bay of Balbec, losing its mystery, had become for me simply a portion, interchangeable with any other, of the total quantity of salt water distributed over the earth’s surface, had suddenly restored to it a personality of its own by telling me that it was the gulf of opal, painted by Whistler in his ‘Harmonies in Blue and Silver,’ so the name Guermantes had seen perish under the strokes of Françoise’s hammer the last of the dwellings that had issued from its syllables when one day an old friend of my father said to us, speaking of the Duchess: “She is the first lady in the Faubourg Saint-Germain; hers is the leading house in the Faubourg Saint-Germain.” No doubt the most exclusive drawing-room, the leading house in the Faubourg Saint-Germain was little or nothing after all those other mansions of which in turn I had dreamed. And yet in this one too (and it was to be the last of the series), there was something, however humble, quite apart from its material components, a secret differentiation.&#xA;&#xA;   And it became all the more essential that I should be able to explore in the drawing-room of Mme. de Guermantes, among her friends, the mystery of her name, since I did not find it in her person when I saw her leave the house in the morning on foot, or in the afternoon in her carriage. Once before, indeed, in the church at Combray, she had appeared to me in the blinding flash of a transfiguration, with cheeks irreducible to, impenetrable by, the colour of the name Guermantes and of afternoons on the banks of the Vivonne, taking the place of my shattered dream like a swan or willow into which has been changed a god or nymph, and which henceforward, subjected to natural laws, will glide over the water or be shaken by the wind. And yet, when that radiance had vanished, hardly had I lost sight of it before it formed itself again, like the green and rosy afterglow of sunset after the sweep of the oar has broken it, and in the solitude of my thoughts the name had quickly appropriated to itself my impression of the face. But now, frequently, I saw her at her window, in the courtyard, in the street, and for myself at least if I did not succeed in integrating in her the name Guermantes, I cast the blame on the impotence of my mind to accomplish the whole act that I demanded of it; but she, our neighbour, she seemed to make the same error, nay more to make it without discomfiture, without any of my scruples, without even suspecting that it was an error. Thus Mme. de Guermantes shewed in her dresses the same anxiety to follow the fashions as if, believing herself to have become simply a woman like all the rest, she had aspired to that elegance in her attire in which other ordinary women might equal and perhaps surpass her; I had seen her in the street gaze admiringly at a well-dressed actress; and in the morning, before she sallied forth on foot, as if the opinion of the passers-by, whose vulgarity she accentuated by parading familiarly through their midst her inaccessible life, could be a tribunal competent to judge her, I would see her before the glass playing, with a conviction free from all pretence or irony, with passion, with ill-humour, with conceit, like a queen who has consented to appear as a servant-girl in theatricals at court, this part, so unworthy of her, of a fashionable woman; and in this mythological oblivion of her natural grandeur, she looked to see whether her veil was hanging properly, smoothed her cuffs, straightened her cloak, as the celestial swan performs all the movements natural to his animal species, keeps his eyes painted on either side of his beak without putting into them any glint of life, and darts suddenly after a bud or an umbrella, as a swan would, without remembering that he is a god. But as the traveller, disappointed by the first appearance of a strange town, reminds himself that he will doubtless succeed in penetrating its charm if he visits its museums and galleries, so I assured myself that, had I been given the right of entry into Mme. de Guermantes’s house, were I one of her friends, were I to penetrate into her life, I should then know what, within its glowing orange-tawny envelope, her name did really, objectively enclose for other people, since, after all, my father’s friend had said that the Guermantes set was something quite by itself in the Faubourg Saint-Germain.&#xA;&#xA;   The life which I supposed them to lead there flowed from a source so different from anything in my experience, and must, I felt, be so indissolubly associated with that particular house that I could not have imagined the presence, at the Duchess’s parties, of people in whose company I myself had already been, of people who really existed. For not being able suddenly to change their nature, they would have carried on conversations there of the sort that I knew; their partners would perhaps have stooped to reply to them in the same human speech; and, in the course of an evening spent in the leading house in the Faubourg Saint-Germain, there would have been moments identical with moments that I had already lived. Which was impossible. It was thus that my mind was embarrassed by certain difficulties, and the Presence of Our Lord’s Body in the Host seemed to me no more obscure a mystery than this leading house in the Faubourg, situated here, on the right bank of the river, and so near that from my bed, in the morning, I could hear its carpets being beaten. But the line of demarcation that separated me from the Faubourg Saint-Germain seemed to me all the more real because it was purely ideal. I felt clearly that it was already part of the Faubourg, when I saw the Guermantes doormat, spread out beyond that intangible Equator, of which my mother had made bold to say, having like myself caught a glimpse of it one day when their door stood open, that it was a shocking state. For the rest, how could their dining-room, their dim gallery upholstered in red plush, into which I could see sometimes from our kitchen window, have failed to possess in my eyes the mysterious charm of the Faubourg Saint-Germain, to form part of it in an essential fashion, to be geographically situated within it, since to have been entertained to dinner in that room was to have gone into the Faubourg Saint-Germain, to have breathed its atmosphere, since the people who, before going to table, sat down by the side of Mme. de Guermantes on the leather-covered sofa in that gallery were all of the Faubourg Saint-Germain. No doubt elsewhere than in the Faubourg, at certain parties, one might see now and then, majestically enthroned amid the vulgar herd of fashion, one of those men who were mere names and varyingly assumed, when one tried to form a picture of them, the aspect of a tournament or of a royal forest. But here, in the leading house in the Faubourg Saint-German, in the drawing-room, in the dim gallery, there were only they. They were wrought of precious materials, the columns that upheld the temple. Indeed for quiet family parties it was from among them only that Mme. de Guermantes might select her guests, and in the dinners for twelve, gathered around the dazzling napery and plate, they were like the golden statues of the Apostles in the Sainte-Chapelle, symbolic, consecrative pillars before the Holy Table. As for the tiny strip of garden that stretched between high walls at the back of the house, where on summer evenings Mme. de Guermantes had liqueurs and orangeade brought out after dinner, how could I not have felt that to sit there of an evening, between nine and eleven, on its iron chairs — endowed with a magic as potent as the leathern sofa — without inhaling the breezes peculiar to the Faubourg Saint-Germain was as impossible as to take a siesta in the oasis of Figuig without thereby being necessarily in Africa. Only imagination and belief can differentiate from the rest certain objects, certain people, and can create an atmosphere. Alas, those picturesque sites, those natural accidents, those local curiosities, those works of art of the Faubourg Saint-Germain, never probably should I be permitted to set my feet among them. And I must content myself with a shiver of excitement as I sighted, from the deep sea (and without the least hope of ever landing there) like an outstanding minaret, like the first palm, like the first signs of some exotic industry or vegetation, the well-trodden doormat of its shore.&#xA;&#xA;   But if the Hôtel de Guermantes began for me at its hall-door, its dependencies must be regarded as extending a long way farther, according to the Duke, who, looking on all the other tenants as farmers, peasants, purchasers of forfeited estates, whose opinion was of no account, shaved himself every morning in his nightshirt at the window, came down into the courtyard, according to the warmth or coldness of the day, in his shirtsleeves, in pyjamas, in a plaid coat of startling colours, with a shaggy nap, in little light-coloured coats shorter than the jackets beneath, and made one of his grooms lead past him at a trot some horse that he had just been buying. More than once, indeed, the horse broke the window of Jupien’s shop, whereupon Jupien, to the Duke’s indignation, demanded compensation. “If it were only in consideration of all the good that Madame la Duchesse does in the house, here, and in the parish,” said M. de Guermantes, “it is an outrage on this fellow’s part to claim a penny from us.” But Jupien had stuck to his point, apparently not having the faintest idea what ‘good’ the Duchess had ever done. And yet she did do good, but — since one cannot do good to everybody at once — the memory of the benefits that we have heaped on one person is a valid reason for our abstaining from helping another, whose discontent we thereby make all the stronger. From other points of view than that of charity the quarter appeared to the Duke — and this over a considerable area — to be only an extension of his courtyard, a longer track for his horses. After seeing how a new acquisition trotted by itself he would have it harnessed and taken through all the neighbouring streets, the groom running beside the carriage holding the reins, making it pass to and fro before the Duke who stood on the pavement, erect, gigantic, enormous in his vivid clothes, a cigar between his teeth, his head in the air, his eyeglass scrutinous, until the moment when he sprang on the box, drove the horse up and down for a little to try it, then set off with his new turn-out to pick up his mistress in the Champs-Elysées. M. de Guermantes bade good day, before leaving the courtyard, to two couples who belonged more or less to his world; the first, some cousins of his who, like working-class parents, were never at home to look after their children, since every morning the wife went off to the Schola to study counterpoint and fugue, and the husband to his studio to carve wood and beat leather; and after them the Baron and Baronne de Norpois, always dressed in black, she like a pew-opener and he like a mute at a funeral, who emerged several times daily on their way to church. They were the nephew and niece of the old Ambassador who was our friend, and whom my father had, in fact, met at the foot of the staircase without realising from where he came; for my father supposed that so important a personage, one who had come in contact with the most eminent men in Europe and was probably quite indifferent to the empty distinctions of rank, was hardly likely to frequent the society of these obscure, clerical and narrow-minded nobles. They had not been long in the place; Jupien, who had come out into the courtyard to say a word to the husband just as he was greeting M. de Guermantes, called him ‘M. Norpois,’ not being certain of his name.&#xA;&#xA;    “Monsieur Norpois, indeed! Oh, that really is good! Just wait a little! This individual will be calling you Comrade Norpois next!” exclaimed M. de Guermantes, turning to the Baron. He was at last able to vent his spleen against Jupien who addressed him as ‘Monsieur,’ instead of ‘Monsieur le Duc.’&#xA;   One day when M. de Guermantes required some information upon a matter of which my father had professional knowledge, he had introduced himself to him with great courtesy. After that, he had often some neighbourly service to ask of my father and, as soon as he saw him begin to come downstairs, his mind occupied with his work and anxious to avoid any interruption, the Duke, leaving his stable-boys, would come up to him in the courtyard, straighten the collar of his great-coat, with the serviceable deftness inherited from a line of royal body-servants in days gone by, take him by the hand, and, holding it in his own, patting it even to prove to my father, with a courtesan’s or courtier’s shamelessness, that he, the Duc de Guermantes, made no bargain about my father’s right to the privilege of contact with the ducal flesh, lead him, so to speak, on leash, extremely annoyed and thinking only how he might escape, through the carriage entrance out into the street. He had given us a sweeping bow one day when we had come in just as he was going out in the carriage with his wife; he was bound to have told her my name; but what likelihood was there of her remembering it, or my face either? And besides, what a feeble recommendation to be pointed out simply as being one of her tenants! Another, more valuable, would have been my meeting the Duchess in the drawing-room of Mme. de Villeparisis, who, as it happened, had just sent word by my grandmother that I was to go and see her, and, remembering that I had been intending to go in for literature, had added that I should meet several authors there. But my father felt that I was still a little young to go into society, and as the state of my health continued to give him uneasiness he did not see the use of establishing precedents that would do me no good.&#xA;&#xA;   As one of Mme. de Guermantes’s footmen was in the habit of talking to Françoise, I picked up the names of several of the houses which she frequented, but formed no impression of any of them; from the moment in which they were a part of her life, of that life which I saw only through the veil of her name, were they not inconceivable?&#xA;&#xA;    “To-night there’s a big party with a Chinese shadow show at the Princesse de Parme’s,” said the footman, “but we shan’t be going, because at five o’clock Madame is taking the train to Chantilly, to spend a few days with the Due d’Aumale; but it’ll be the lady’s maid and valet that are going with her. I’m to stay here. She won’t be at all pleased, the Princesse de Parme won’t, that’s four times already she’s written to Madame la Duchesse.”&#xA;&#xA;    “Then you won’t be going down to Guermantes Castle this year?”&#xA;&#xA;    “It’s the first time we shan’t be going there: it’s because of the Duke’s rheumatics, the doctor says he’s not to go there till the hot pipes are in, but we’ve been there every year till now, right on to January. If the hot pipes aren’t ready, perhaps Madame will go for a few days to Cannes, to the Duchesse de Guise, but nothing’s settled yet.”&#xA;&#xA;    “And to the theatre, do you go, sometimes?”&#xA;&#xA;    “We go now and then to the Opéra, usually on the evenings when the Princesse de Parme has her box, that’s once a week; it seems it’s a fine show they give there, plays, operas, everything. Madame refused to subscribe to it herself, but we go all the same to the boxes Madame’s friends take, one one night, another another, often with the Princesse de Guermantes, the Duke’s cousin’s lady. She’s sister to the Duke of Bavaria. And so you’ve got to run upstairs again now, have you?” went on the footman, who, albeit identified with the Guermantes, looked upon masters in general as a political estate, a view which allowed him to treat Françoise with as much respect as if she too were in service with a duchess. “You enjoy good health, ma’am.”&#xA;&#xA;    “Oh, if it wasn’t for these cursed legs of mine! On the plain I can still get along” (‘on the plain’ meant in the courtyard or in the streets, where Françoise had no objection to walking, in other words ‘on a plane surface’) “but it’s these stairs that do me in, devil take them. Good day to you, sir, see you again, perhaps, this evening.”&#xA;&#xA;   She was all the more anxious to continue her conversations with the footman after he mentioned to her that the sons of dukes often bore a princely title which they retained until their fathers were dead. Evidently the cult of the nobility, blended with and accommodating itself to a certain spirit of revolt against it, must, springing hereditarily from the soil of France, be very strongly implanted still in her people. For Françoise, to whom you might speak of the genius of Napoleon or of wireless telegraphy without succeeding in attracting her attention, and without her slackening for an instant the movements with which she was scraping the ashes from the grate or laying the table, if she were simply to be told these idiosyncrasies of nomenclature, and that the younger son of the Duc de Guermantes was generally called Prince d’Oléron, would at once exclaim: “That’s fine, that is!” and stand there dazed, as though in contemplation of a stained window in church.&#xA;&#xA;   Françoise learned also from the Prince d’Agrigente’s valet, who had become friends with her by coming often to the house with notes for the Duchess, that he had been hearing a great deal of talk in society about the marriage of the Marquis de Saint-Loup to Mlle. d’Ambresac, and that it was practically settled.&#xA;&#xA;   That villa, that opera-box, into which Mme. de Guermantes transfused the current of her life, must, it seemed to me, be places no less fairylike than her home. The names of Guise, of Parme, of Guermantes-Baviere, differentiated from all possible others the holiday places to which the Duchess resorted, the daily festivities which the track of her bowling wheels bound, as with ribbons, to her mansion. If they told me that in those holidays, in those festivities, consisted serially the life of Mme. de Guermantes, they brought no further light to bear on it. Each of them gave to the life of the Duchess a different determination, but succeeded only in changing the mystery of it, without allowing to escape any of its own mystery which simply floated, protected by a covering, enclosed in a bell, through the tide of the life of all the world. The Duchess might take her luncheon on the shore of the Mediterranean at Carnival time, but, in the villa of Mme. de Guise, where the queen of Parisian society was nothing more, in her white linen dress, among numberless princesses, than a guest like any of the rest, and on that account more moving still to me, more herself by being thus made new, like a star of the ballet who in the fantastic course of a figure takes the place of each of her humbler sisters in succession; she might look at Chinese shadow shows, but at a party given by the Princesse de Parme, listen to tragedy or opera, but from the box of the Princesse de Guermantes.&#xA;&#xA;   As we localise in the body of a person all the potentialities of that person’s life, our recollections of the people he knows and has just left or is on his way to meet, if, having learned from Françoise that Mme. de Guermantes was going on foot to luncheon with the Princesse de Parme, I saw her, about midday, emerge from her house in a gown of flesh-coloured satin over which her face was of the same shade, like a cloud that rises above the setting sun, it was all the pleasures of the Faubourg Saint-Germain that I saw before me, contained in that small compass, as in a shell, between its twin valves that glowed with roseate nacre.&#xA;&#xA;   My father had a friend at the Ministry, one A. J. Moreau, who, to distinguish him from the other Moreaus, took care always to prefix both initials to his name, with the result that people called him, for short, ‘A.J.’ Well, somehow or other, this A. J. found himself entitled to a stall at the Opéra-Comique on a gala night, he sent the ticket to my father, and as Berma, whom I had not been again to see since my first disappointment, was to give an act of Phèdre, my grandmother persuaded my father to pass it on to me.&#xA;&#xA;   To tell the truth, I attached no importance to this possibility of hearing Berma which, a few years earlier, had plunged me in such a state of agitation. And it was not without a sense of melancholy that I realized the fact of my indifference to what at one time I had put before health, comfort, everything. It was not that there had been any slackening of my desire for an opportunity to contemplate close at hand the precious particles of reality of which my imagination caught a broken glimpse. But my imagination no longer placed these in the diction of a great actress; since my visits to Elstir, it was on certain tapestries, certain modern paintings that I had brought to bear the inner faith I had once had in this acting, in this tragic art of Berma; my faith, my desire, no longer coming forward to pay incessant worship to the diction, the attitudes of Berma, the counterpart that I possessed of them in my heart had gradually perished, like those other counterparts of the dead in ancient Egypt which had to be fed continually in order to maintain their originals in eternal life. This art had become a feeble, tawdry thing. No deep-lying soul inhabited it any more.&#xA;&#xA;   That evening, as, armed with the ticket my father had received from his friend, I was climbing the grand staircase of the Opera, I saw in front of me a man whom I took at first for M. de Charlus, whose bearing he had; when he turned his head to ask some question of one of the staff I saw that I had been mistaken, but I had no hesitation in placing the stranger in the same class of society, from the way not only in which he was dressed but in which he spoke to the man who took the tickets and to the box-openers who were keeping him waiting. For, apart from personal details of similarity, there was still at this period between any smart and wealthy man of that section of the nobility and any smart and wealthy man of the world of finance or ‘big business’ a strongly marked difference. Where one of the latter would have thought he was giving proof of his exclusiveness by adopting a sharp, haughty tone in speaking to an inferior, the great gentleman, affable, pleasant, smiling, had the air of considering, practising an affectation of humility and patience, a pretence of being just one of the audience, as a privilege of his good breeding. It is quite likely that, on seeing him thus dissemble behind a smile overflowing with good nature the barred threshold of the little world apart which he carried in his person, more than one wealthy banker’s son, entering the theatre at that moment, would have taken this great gentleman for a person of no importance if he had not remarked in him an astonishing resemblance to the portrait that had recently appeared in the illustrated papers of a nephew of the Austrian Emperor, the Prince of Saxony, who happened to be in Paris at the time. I knew him to be a great friend of the Guermantes. As I reached the attendant I heard the Prince of Saxony (or his double) say with a smile: “I don’t know the number; it was my cousin who told me I had only to ask for her box.”&#xA;&#xA;   He may well have been the Prince of Saxony; it was perhaps of the Duchesse de Guermantes (whom, in that event, I should be able to watch in the process of living one of those moments of her unimaginable life in her cousin’s box) that his eyes formed a mental picture when he referred to ‘my cousin who told me I had only to ask for her box,’ so much so that that smiling gaze peculiar to himself, those so simple words caressed my heart (far more gently than would any abstract meditation) with the alternative feelers of a possible happiness and a vague distinction. Whatever he was, in uttering this sentence to the attendant he grafted upon a commonplace evening in my everyday life a potential outlet into a new world; the passage to which he was directed after mentioning the word ‘box’ and along which he now proceeded was moist and mildewed and seemed to lead to subaqueous grottoes, to the mythical kingdom of the water-nymphs. I had before me a gentleman in evening dress who was walking away from me, but I kept playing upon and round him, as with a badly fitting reflector on a lamp, and without ever succeeding in making it actually coincide with him, the idea that he was the Prince of Saxony and was on his way to join the Duchesse de Guermantes. And, for all that he was alone, that idea, external to himself, impalpable, immense, unstable as the shadow projected by a magic lantern, seemed to precede and guide him like that deity, invisible to the rest of mankind, who stands beside the Greek warrior in the hour of battle.&#xA;&#xA;   I took my seat, striving all the time to recapture a line from Phèdre which I could not quite remember. In the form in which I repeated it to myself it had not the right number of feet, but as I made no attempt to count them, between its unwieldiness and a classical line of poetry it seemed as though no common measure could exist. It would not have surprised me to learn that I must subtract at least half a dozen syllables from that portentous phrase to reduce it to alexandrine dimensions. But suddenly I remembered it, the irremediable asperities of an inhuman world vanished as if by magic; the syllables of the line at once filled up the requisite measure, what there was in excess floated off with the ease, the dexterity of a bubble of air that rises to burst on the water’s brink. And, after all, this excrescence with which I had been struggling consisted of but a single foot.&#xA;&#xA;   A certain number of orchestra stalls had been offered for sale at the box office and bought, out of snobbishness or curiosity, by such as wished to study the appearance of people whom they might not have another opportunity of seeing at close quarters. And it was indeed a fragment of their true social life, ordinarily kept secret, that one could examine here in public, for, the Princesse de Parme having herself distributed among her friends the seats in stalls, balconies and boxes, the house was like a drawing-room in which everyone changed his place, went to sit here or there wherever he caught sight of a woman whom he knew.&#xA;&#xA;   Next to me were some common people who, not knowing the regular subscribers, were anxious to shew that they were capable of identifying them and named them aloud. They went on to remark that these subscribers behaved there as though they were in their own drawing-rooms, meaning that they paid no attention to what was being played. Which was the exact opposite of what did happen. A budding genius who had taken a stall in order to hear Berma thinks only of not soiling his gloves, of not disturbing, of making friends with the neighbour whom chance has put beside him, of pursuing with an intermittent smile the fugitive — avoiding with apparent want of politeness the intercepted gaze of a person of his acquaintance whom he has discovered in the audience and to whom, after a thousand indecisions, he makes up his mind to go and talk just as the three hammer-blows from the stage, sounding before he has had time to reach his friend, force him to take flight, like the Hebrews in the Red Sea, through a heaving tide of spectators and spectatresses whom he has obliged to rise and whose dresses he tears as he passes, or tramples on their boots. On the other hand it was because the society people sat in their boxes (behind the general terrace of the balcony, as in so many little drawing-rooms, the fourth walls of which had been removed, or in so many little cafés, to which one might go for refreshment, without letting oneself be intimidated by the mirrors in gilt frames or the red plush seats, in the Neapolitan style, of the establishment), it was because they rested an indifferent hand on the gilded shafts of the columns which upheld this temple of the lyric art, it was because they remained unmoved by the extravagant honours which seemed to be being paid them by a pair of carved figures which held out towards the boxes branches of palm and laurel, that they and they only would have had minds free to listen to the play, if only they had had minds.&#xA;&#xA;   At first there was nothing visible but vague shadows, in which one suddenly struck — like the gleam of a precious stone which one cannot see — the phosphorescence of a pair of famous eyes, or, like a medallion of Henri IV on a dark background, the bent profile of the Due d’Aumale, to whom an invisible lady was exclaiming “Monseigneur must allow me to take his coat,” to which the Prince replied, “Oh, come, come! Really, Madame d’Ambresac.” She took it, in spite of this vague prohibition, and was envied by all the rest her being thus honoured.&#xA;&#xA;   But in the other boxes, everywhere almost, the white deities who inhabited those sombre abodes had flown for shelter against their shadowy walls and remained invisible. Gradually, however, as the performance went on, their vaguely human forms detached themselves, one by one, from the shades of night which they patterned, and, raising themselves towards the light, allowed their semi-nude bodies to emerge, and rose, and stopped at the limit of their course, at the luminous, shaded surface on which their brilliant faces appeared behind the gaily breaking foam of the feather fans they unfurled and lightly waved, beneath their hyacinthine locks begemmed with pearls, which the flow of the tide seemed to have caught and drawn with it; this side of them, began the orchestra stalls, abode of mortals for ever separated from the transparent, shadowy realm to which, at points here and there, served as boundaries, on its brimming surface, the limpid, mirroring eyes of the water-nymphs. For the folding seats on its shore, the forms of the monsters in the stalls were painted upon the surface of those eyes in simple obedience to the laws of optics and according to their angle of incidence, as happens with those two sections of external reality to which, knowing that they do not possess any soul, however rudimentary, that can be considered as analogous to our own, we should think ourselves mad if we addressed a smile or a glance of recognition: namely, minerals and people to whom we have not been introduced. Beyond this boundary, withdrawing from the limit of their domain, the radiant daughters of the sea kept turning at every moment to smile up at the bearded tritons who clung to the anfractuosities of the cliff, or towards some aquatic demi-god, whose head was a polished stone to which the tides had borne a smooth covering of seaweed, and his gaze a disc of rock crystal. They leaned towards these creatures, offering them sweetmeats; sometimes the flood parted to admit a fresh Nereid who, belated, smiling, apologetic, had just floated into blossom out of the shadowy depths; then, the act ended, having no further hope of hearing the melodious sounds of earth which had drawn them to the surface, plunging back all in a moment the several sisters vanished into the night. But of all these retreats, to the thresholds of which their mild desire to behold the works of man brought the curious goddesses who let none approach them, the most famous was the cube of semi-darkness known to the world as the stage box of the Princesse de Guermantes.&#xA;&#xA;   Like a mighty goddess who presides from far aloft over the sports of lesser deities, the Princess had deliberately remained a little way back on a sofa placed sideways in the box, red as a reef of coral, beside a big, glassy splash of reflexion which was probably a mirror and made one think of the section cut by a ray of sunlight, vertical, clear, liquid, through the flashing crystal of the sea. At once plume and blossom, like certain subaqueous growths, a great white flower, downy as the wing of a bird, fell from the brow of the Princess along one of her cheeks, the curve of which it followed with a pliancy, coquettish, amorous, alive, and seemed almost to enfold it like a rosy egg in the softness of a halcyon’s nest. Over her hair, reaching in front to her eyebrows and caught back lower down at the level of her throat, was spread a net upon which those little white shells which are gathered on some shore of the South Seas alternated with pearls, a marine mosaic barely emerging from the waves and at every moment plunged back again into a darkness in the depths of which even then a human presence was revealed by the ubiquitous flashing of the Princess’s eyes. The beauty which set her far above all the other fabulous daughters of the dusk was not altogether materially and comprehensively inscribed on her neck, her shoulders, her arms, her figure. But the exquisite, unfinished line of the last was the exact starting point, the inevitable focus of invisible lines which the eye could not help prolonging, marvellous lines, springing into life round the woman like the spectrum of an ideal form projected upon the screen of darkness.&#xA;&#xA;    “That’s the Princesse de Guermantes,” said my neighbour to the gentleman beside her, taking care to begin the word ‘Princesse’ with a string of P’s, to shew that a title like that was absurd. “She hasn’t been sparing with her pearls. I’m sure, if I had as many as that, I wouldn’t make such a display of them; it doesn’t look at all well, not to my mind.”&#xA;&#xA;   And yet, when they caught sight of the Princess, all those who were looking round to see who was in the audience felt springing up for her in their hearts the rightful throne of beauty. Indeed, with the Duchesse de Luxembourg, with Mme. de Morienval, with Mme. de Saint-Euverte, and any number of others, what enabled one to identify their faces would be the juxtaposition of a big red nose to a hare-lip, or of a pair of wrinkled cheeks to a faint moustache. These features were nevertheless sufficient in themselves to attract the eye, since having merely the conventional value of a written document they gave one to read a famous and impressive name; but also they gave one, cumulatively, the idea that ugliness had about it something aristocratic, and that it was unnecessary that the face of a great lady, provided it was distinguished, should be beautiful as well. But like certain artists who, instead of the letters of their names, set at the foot of their canvas a form that is beautiful in itself, a butterfly, a lizard, a flower, so it was the form of a delicious face and figure that the Princess had put in the corner of her box, thereby shewing that beauty can be the noblest of signatures; for the presence there of Mme. de Guermantes-Bavière, who brought to the theatre only such persons as at other times formed part of her intimate circle, was in the eyes of specialists in aristocracy the best possible certificate of the authenticity of the picture which her box presented, a sort of evocation of a scene in the ordinary private life of the Princess in her palaces in Munich and in Paris.&#xA;&#xA;   Our imagination being like a barrel organ out of order, which always plays some other tune than that shewn on its card, every time that I had heard any mention of the Princesse de Guermantes-Bavière, a recollection of certain sixteenth-century masterpieces had begun singing in my brain. I was obliged to rid myself quickly of this association, now that I saw her engaged in offering crystallised fruit to a stout gentleman in a swallowtail coat. Certainly I was very far from the conclusion that she and her guests were mere human beings like the rest of the audience. I understood that what they were doing there was all only a game, and that as a prelude to the acts of their real life (of which, presumably, this was not where they spent the important part) they had arranged, in obedience to a ritual unknown to me, they were feigning to offer and decline sweetmeats, a gesture robbed of its ordinary significance and regulated beforehand like the step of a dancer who alternately raises herself on her toes and circles about an upheld scarf. For all I knew, perhaps at the moment of offering him her sweetmeats the goddess was saying, with that note of irony in her voice (for I saw her smile): “Do have one, won’t you?” What mattered that to me? I should have found a delicious refinement in the deliberate dryness, in the style of Mérimée or Meilhac, of such words addressed by a goddess to a demi-god who, conscious himself what were the sublime thoughts which they both had in their minds, in reserve, doubtless, until the moment when they would begin again to live their true life, consenting to join in the game, was answering with the same mysterious bitterness: “Thanks; I should like a cherry.” And I should have listened to this dialogue with the same avidity as to a scene from Le Mari de la Débutante, where the absence of poetry, of lofty thoughts, things so familiar to me which, I suppose, Meilhac could easily, had he chosen, have put into it a thousand times over, seemed to me in itself a refinement, a conventional refinement and therefore all the more mysterious and instructive.&#xA;&#xA;    “That fat fellow is the Marquis de Ganançay,” came in a knowing tone from the man next to me, who had not quite caught the name whispered in the row behind.&#xA;&#xA;   The Marquis de Palancy, his face bent downwards at the end of his long neck, his round bulging eye glued to the glass of his monocle, was moving with a leisurely displacement through the transparent shade and appeared no more to see the public in the stalls than a fish that drifts past, unconscious of the press of curious gazers, behind the glass wall of an aquarium. Now and again he paused, a venerable, wheezing monument, and the audience could not have told whether he was in pain, asleep, swimming, about to spawn, or merely taking breath. No one else aroused in me so much envy as he, on account of his apparent familiarity with this box and the indifference with which he allowed the Princess to hold out to him her box of sweetmeats; throwing him, at the same time, a glance from her fine eyes, cut in a pair of diamonds which at such moments wit and friendliness seemed to liquefy, whereas, when they were at rest, reduced to their purely material beauty, to their mineral brilliance alone, if the least reflected flash disturbed them ever so slightly, they set the darkness ablaze with inhuman horizontal splendid fires. But now, because the act ofPhèdre in which Berma was playing was due to start, the Princess came to the front of the box; whereupon, as if she herself were a theatrical production, in the zone of light which she traversed, I saw not only the colour but the material of her adornments change. And in the box, dry now, emerging, a part no longer of the watery realm, the Princess, ceasing to be a Nereid, appeared turbanned in white and blue like some marvellous tragic actress dressed for the part of Zaïre, or perhaps of Orosmane; finally, when she had taken her place in the front row I saw that the soft halcyon’s nest which tenderly shielded the rosy nacre of her cheeks was — downy, dazzling, velvety, an immense bird of paradise.&#xA;&#xA;   But now my gaze was diverted from the Princesse de Guermantes’s box by a little woman who came in, ill-dressed, plain, her eyes ablaze with indignation, followed by two young men, and sat down a few places from me. At length the curtain went up. I could not help being saddened by the reflexion that there remained now no trace of my old disposition, at the period when, so as to miss nothing of the extraordinary phenomenon which I would have gone to the ends of the earth to see, I kept my mind prepared, like the sensitive plates which astronomers take out to Africa, to the West Indies, to make and record an exact observation of a comet or an eclipse; when I trembled for fear lest some cloud (a fit of ill humour on the artist’s part or an incident in the audience) should prevent the spectacle from presenting itself with the maximum of intensity; when I should not have believed that I was watching it in the most perfect conditions had I not gone to the very theatre which was consecrated to it like an altar, in which I then felt to be still a part of it, though an accessory part only, the officials with their white carnations, appointed by her, the vaulted balcony covering a pit filled with a shabbily dressed crowd, the women selling programmes that had her photograph, the chestnut trees in the square outside, all those companions, those confidants of my impressions of those days which seemed to me to be inseparable from them. Phèdre, the ‘Declaration Scene,’ Berma, had had then for me a sort of absolute existence. Standing aloof from the world of current experience they existed by themselves, I must go to meet them, I should penetrate what I could of them, and if I opened my eyes and soul to their fullest extent I should still absorb but a very little of them. But how pleasant life seemed to me: the triviality of the form of it that I myself was leading mattered nothing, no more than the time we spend on dressing, on getting ready to go out, since, transcending it, there existed in an absolute form, good and difficult to approach, impossible to possess in their entirety, those more solid realities,  Phèdre and the way in which Berma spoke her part. Steeped in these dreams of perfection in the dramatic art (a strong dose of which anyone who had at that time subjected my mind to analysis at any moment of the day or even the night would have been able to prepare from it), I was like a battery that accumulates and stores up electricity. And a time had come when, ill as I was, even if I had believed that I should die of it, I should still have been compelled to go and hear Berma. But now, like a hill which from a distance seems a patch of azure sky, but, as we draw nearer, returns to its place in our ordinary field of vision, all this had left the world of the absolute and was no more than a thing like other things, of which I took cognisance because I was there, the actors were people of the same substance as the people I knew, trying to speak in the best possible way these lines of Phèdre, which themselves no longer formed a sublime and individual essence, distinct from everything else, but were simply more or less effective lines ready to slip back into the vast corpus of French poetry, of which they were merely a part. I felt a discouragement that was all the more profound in that, if the object of my headstrong and active desire no longer existed, the same tendencies, on the other hand, to indulge in a perpetual dream, which varied from year to year but led me always to sudden impulses, regardless of danger, still persisted. The day on which I rose from my bed of sickness and set out to see, in some country house or other, a picture by Elstir or a mediaeval tapestry, was so like the day on which I ought to have started for Venice, or that on which I did go to hear Berma, or start for Balbec, that I felt before going that the immediate object of my sacrifice would, after a little while, leave me cold, that then I might pass close by the place without stopping even to look at that picture, those tapestries for which I would at this moment risk so many sleepless nights, so many hours of pain. I discerned in the instability of its object the vanity of my effort, and at the same time its vastness, which I had not before noticed, like a neurasthenic whose exhaustion we double by pointing out to him that he is exhausted. In the meantime my musings gave a distinction to everything that had any connexion with them. And even in my most carnal desires, magnetised always in a certain direction, concentrated about a single dream, I might have recognised as their primary motive an idea, an idea for which I would have laid down my life, at the innermost core of which, as in my day dreams while I sat reading all afternoon in the garden at Combray, lay the thought of perfection.&#xA;&#xA;   I no longer felt the same indulgence as on the former occasion towards the deliberate expressions of affection or anger which I had then remarked in the delivery and gestures of Aricie, Ismène and Hippolyte. It was not that the players — they were the same, by the way — did not still seek, with the same intelligent application, to impart now a caressing inflexion, or a calculated ambiguity to their voices, now a tragic amplitude, or a suppliant meekness to their movements. Their intonations bade the voice: “Be gentle, sing like a nightingale, caress and woo”; or else, “now wax furious,” and then hurled themselves upon it, trying to carry it off with them in their frenzied rush. But it, mutinous, independent of their diction, remained unalterably their natural voice with its material defects or charms, its everyday vulgarity or affectation, and thus presented a sum-total of acoustic or social phenomena which the sentiment contained in the lines they were repeating was powerless to alter.&#xA;&#xA;   Similarly the gestures of the players said to their arms, to their garments: “Be majestic.” But each of these unsubmissive members allowed to flaunt itself between shoulder and elbow a biceps which knew nothing of the part; they continued to express the triviality of everyday life and to bring into prominence, instead of fine shades of Racinian meaning, mere muscular attachments; and the draperies which they held up fell back again along vertical lines in which the natural law that governs falling bodies was challenged only by an insipid textile pliancy. At this point the little woman who was sitting near me exclaimed:&#xA;&#xA;    “Not a hand! Did you ever see such a get-up? She’s too old; she can’t play the part; she ought to have retired ages ago.”&#xA;&#xA;   Amid a sibilant protest from their neighbours the two young men with her succeeded in making her keep quiet and her fury raged now only in her eyes. This fury could, moreover, be prompted only by the thought of success, of fame, for Berma, who had earned so much money, was overwhelmed with debts. Since she was always making business or social appointments which she was prevented from keeping, she had messengers flying with apologies along every street in Paris, and what with rooms in hotels which she would never occupy engaged in advance, oceans of scent to bathe her dogs, heavy penalties for breaches of contract with all her managers, failing any more serious expense and being not so voluptuous as Cleopatra, she would have found the means of squandering on telegrams and jobmasters provinces and kingdoms. But the little woman was an actress who had never tasted success, and had vowed a deadly hatred against Berma. The latter had just corne on to the stage. And then — oh, the miracle — like those lessons which we laboured in vain to learn overnight, and find intact, got by heart, on waking up next morning, like, too, those faces of dead friends which the impassioned efforts of our memory pursue without recapturing them, and which, when we are no longer thinking of them, are there before our eyes just as they were in life — the talent of Berma, which had evaded me when I sought so greedily to seize its essential quality, now, after these years of oblivion, in this hour of indifference, imposed itself, with all the force of a thing directly seen, on my admiration. Formerly, in my attempts to isolate the talent, I deducted, so to speak, from what I heard the part itself, a part common to all the actresses who appeared as Phèdre, which I had myself studied beforehand so that I might be capable of subtracting it, of receiving in the strained residue only the talent of Mme. Berma. But this talent which I sought to discover outside the part itself was indissolubly one with it. So with a great musician (it appears that this was the case with Vinteuil when he played the piano), his playing is that of so fine a pianist that one cannot even be certain whether the performer is a pianist at all, since (not interposing all that mechanism of muscular effort, crowned here and there with brilliant effects, all that spattering shower of notes in which at least the listener who does not quite know where he is thinks that he can discern talent in its material, tangible objectivity) his playing is become so transparent, so full of what he is interpreting, that himself one no longer sees and he is nothing now but a window opening upon a great work of art. The intentions which surrounded, like a majestic or delicate border, the voice and mimicry of Aricie, Ismène or Hippolyte I had been able to distinguish, but Phèdre had taken hers into herself, and my mind had not succeeded in wresting from her diction and attitudes, in apprehending in the miserly simplicity of their unbroken surfaces those treasures, those effects of which no sign emerged, so completely had they been absorbed. Berma’s voice, in which not one atom of lifeless matter refractory to the mind remained undissolved, did not allow any sign to be discernible around it of that overflow of tears which one could feel, because they had not been able to absorb it in themselves, trickling over the marble voice of Aricie or Ismène, but had been brought to an exquisite perfection in each of its tiniest cells like the instrument of a master violinist, in whom one means, when one says that his music has a fine sound, to praise not a physical peculiarity but a superiority of soul; and, as in the classical landscape where in the place of a vanished nymph there is an inanimate waterspring, a clear and concrete intention had been transformed into a certain quality of tone, strangely, appropriately, coldly limpid. Berma’s arms, which the lines themselves, by the same dynamic force that made the words issue from her lips, seemed to raise on to her bosom like leaves disturbed by a gush oî water; her attitude, on the stage, which she had gradually built up, which she was to modify yet further, and which was based upon reasonings of a different profundity from those of which traces might be seen in the gestures of her fellow-actors, but of reasonings that had lost their original deliberation, and had melted into a sort of radiance in which they sent throbbing, round the person of the heroine, elements rich and complex, but which the fascinated spectator took not as an artistic triumph but as a natural gift; those white veils themselves, which, tenuous and clinging, seemed to be of a living substance and to have been woven by the suffering, half-pagan, half-Jansenist, around which they drew close like a frail, shrinking chrysalis; all of them, voice, attitude, gestures, veils, were nothing more, round this embodiment of an idea, which a line of poetry is (an embodiment that, unlike our human bodies, covers the soul not with an opaque screen which prevents us from seeing it, but with a purified, a quickened garment through which the soul is diffused and we discover it), than additional envelopes which instead of concealing shewed up in greater splendour the soul that had assimilated them to itself and had spread itself through them, than layers of different substances, grown translucent, the interpolation of which has the effect only of causing a richer refraction of the imprisoned, central ray that pierces through them, and of making more extensive, more precious and more fair the matter purified by fire in which it is enshrined. So Berma’s interpretation was, around Racine’s work, a second work, quickened also by the breath of genius.&#xA;&#xA;   My own impression, to tell the truth, though more pleasant than on the earlier occasion, was not really different. Only, I no longer put it to the test of a pre-existent, abstract and false idea of dramatic genius, and I understood now that dramatic genius was precisely this. It had just occurred to me that if I had not derived any pleasure from my first hearing of Berma, it was because, as earlier still when I used to meet Gilberte in the Champs-Elysées, I had come to her with too strong a desire. Between my two disappointments there was perhaps not only this resemblance, but another more profound. The impression given us by a person or a work (or a rendering, for that matter) of marked individuality is peculiar to that person or work. We have brought to it the ideas of ‘beauty,’ ‘breadth of style,’ ‘pathos’ and so forth which we might, failing anything better, have had the illusion of discovering in the commonplace show of a ‘correct’ face or talent, but our critical spirit has before it the insistent challenge of a form of which it possesses no intellectual equivalent, in which it must detect and isolate the unknown element. It hears a shrill sound, an oddly interrogative intonation. It asks itself: “Is that good? Is what I am feeling just now admiration? Is that richness of colouring, nobility, strength?” And what answers it again is a shrill voice, a curiously questioning tone, the despotic impression caused by a person whom one does not know, wholly material, in which there is no room left for ‘breadth of interpretation.’ And for this reason it is the really beautiful works that, if we listen to them with sincerity, must disappoint us most keenly, because in the storehouse of our ideas there is none that corresponds to an individual impression.&#xA;&#xA;   This was precisely what Berma’s acting shewed me. This was what was meant by nobility, by intelligence of diction. Now I could appreciate the worth of a broad, poetical, powerful interpretation, or rather it was to this that those epithets were conventionally applied, but only as we give the names of Mars, Venus, Saturn to planets which have no place in classical mythology. We feel in one world, we think, we give names to things in another; between the two we can establish a certain correspondence, but not bridge the interval. It was quite narrow, this interval, this fault that I had had to cross when, that afternoon on which I went first to bear Berma, having strained my ears to catch every word, I had found some difficulty in correlating my ideas of ‘nobility of interpretation,’ of ‘originality,’ and had broken out in applause only after a moment of unconsciousness and as if my applause sprang not from my actual impression but was connected in some way with my preconceived ideas, with the pleasure that I found in saying to myself: “At last I am listening to Berma.” And the difference that there is between a person, or a work of art which is markedly individual and the idea of beauty, exists just as much between what they make us feel and the idea of love, or of admiration. Wherefore we fail to recognise them. I had found no pleasure in listening to Berma (any more than, earlier still, in seeing Gilberte). I had said to myself: “Well, I do not admire this.” But then I was thinking only of mastering the secret of Berma’s acting, I was preoccupied with that alone, I was trying to open my mind as wide as possible to receive all that her acting contained. I understood now that all this amounted to nothing more nor less than admiration.&#xA;&#xA;   This genius of which Berma’s rendering of the part was only the revelation, was it indeed the genius of Racine and nothing more?&#xA;&#xA;   I thought so at first. I was soon to be undeceived when the curtain fell on the act from Phèdre, amid enthusiastic recalls from the audience, through which the old actress, beside herself with rage, drawing her little body up to its full height, turning sideways in her seat, stiffened the muscles of her face and folded her arms on her bosom to shew that she was not joining the others in their applause, and to make more noticeable a protest which to her appeared sensational though it passed unperceived. The piece that followed was one of those novelties which at one time I had expected, since they were not famous, to be inevitably trivial and of no general application, devoid as they were of any existence outside the performance that was being given of them at the moment. But I had not with them as with a classic the disappointment of seeing the infinity and eternity of a masterpiece occupy no more space or time than the width of the footlights and the length of a performance which would finish it as effectively as a piece written for the occasion. Besides, at every fresh passage which, I felt, had appealed to the audience and would onc day be famous, in place of the fame which it was prevented from having won in the past I added that which it would enjoy in the future, by a mental process the converse of that which consists in imagining masterpieces on the day of their first thin performance, when it seemed inconceivable that a title which no one had ever heard before could one day be set, bathed in the same mellow light, beside those of the author’s other works. And this part would be set one day in the list of her finest impersonations, next to that of Phèdre. Not that in itself it was not destitute of all literary merit. But Berma was as sublime in one as in the other. I realised then that the work of the playwright was for the actress no more than the material, the nature of which was comparatively unimportant, for the creation of her masterpiece of interpretation, just as the great painter whom I had met at Balbec, Elstir, had found the inspiration for two pictures of equal merit in a school building without any character and a cathedral which was in itself a work of art. And as the painter dissolves houses, carts, people, in some broad effect of light which makes them all alike, so Berma spread out great sheets of terror or tenderness over words that were all melted together in a common mould, lowered or raised to one level, which a lesser artist would have carefully detached from one another. No doubt each of them had an inflexion of its own, and Berma’s diction did not prevent one from catching the rhythm of the verse. Is it not already a first element of ordered complexity, of beauty, when, on hearing a rhyme, that is to say something which is at once similar to and different from the preceding rhyme, which was prompted by it, but introduces the variety of a new idea, one is conscious of two systems overlapping each other, one intellectual, the other prosodie? But Berma at the same time made her words, her lines, her whole speeches even, flow into lakes of sound vaster than themselves, at the margins of which it was a joy to see them obliged to stop, to break off; thus it is that a poet takes pleasure in making hesitate for a moment at the rhyming point the word which is about to spring forth, and a composer in merging the various words of his libretto in a single rhythm which contradicts, captures and controls them. Thus into the prose sentences of the modern playwright as into the poetry of Racine Berma managed to introduce those vast images of grief, nobility, passion, which were the masterpieces of her own personal art, and in which she could be recognised as, in the portraits which he has made of different sitters, we recognise a painter.&#xA;&#xA;   I had no longer any desire, as on the former occasion, to be able to arrest and perpetuate Berma’s attitudes, the fine colour effect which she gave for a moment only in a beam of limelight which at once faded never to reappear, nor to make her repeat a single line a hundred times over. I realised that my original desire had been more exacting than the intentions of the poet, the actress, the great decorative artist who supervised her productions, and that that charm which floated over a line as it was spoken, those unstable poses perpetually transformed into others, those successive pictures were the transient result, the momentary object, the changing masterpiece which the art of the theatre undertook to create and which would perish were an attempt made to fix it for all time by a too much enraptured listener. I did not even make a resolution to come back another day and hear Berma again. I was satisfied with her; it was when I admired too keenly not to be disappointed by the object of my admiration, whether that object were Gilberte or Berma, that I demanded in advance, of the impression to be received on the morrow, the pleasure that yesterday’s impression had refused to afford me. Without seeking to analyse the joy which I had begun now to feel, and might perhaps have been turning to some more profitable use, I said to myself, as in the old days I might have said to one of my schoolfellows: “Certainly, I put Berma first!” not without a confused feeling that Berma’s genius was not, perhaps, very accurately represented by this affirmation of my preference, or this award to her of a ‘first’ place, whatever the peace of mind that it might incidentally restore to me.&#xA;&#xA;   Just as the curtain was rising on this second play I looked up at Mme. de Guermantes’s box. The Princess was in the act — by a movement that called into being an exquisite line which my mind pursued into the void — of turning her head towards the back of the box; her party were all standing, and also turning towards the back, and between the double hedge which they thus formed, with all the assurance, the grandeur of the goddess that she was, but with a strange meekness which so late an arrival, making every one else get up in the middle of the performance, blended with the white muslin in which she was attired, just as an adroitly compounded air of simplicity, shyness and confusion tempered her triumphant smile, the Duchesse de Guermantes, who had at that moment entered the box, came towards her cousin, made a profound obeisance to a young man with fair hair who was seated in the front row, and turning again towards the amphibian monsters who were floating in the recesses of the cavern, gave to these demi-gods of the Jockey Club — who at that moment, and among them all M. de Palancy in particular, were the men whom I should most have liked to be — the familiar ‘good evening’ of an old and intimate friend, an allusion to the daily sequence of her relations with them during the last fifteen years. I felt the mystery, but could not solve the riddle of that smiling gaze which she addressed to her friends, in the azure brilliance with which it glowed while she surrendered her hand to one and then to another, a gaze which, could I have broken up its prism, analysed its crystallisation, might perhaps have revealed to me the essential quality of the unknown form of life which became apparent in it at that moment. The Duc de Guermantes followed his wife, the flash of his monocle, the gleam of his teeth, the whiteness of his carnation or of his pleated shirt-front scattering, to make room for their light, the darkness of his eyebrows, lips and coat; with a wave of his outstretched hand which he let drop on to their shoulders, vertically, without moving his head, he commanded the inferior monsters, who were making way for him, to resume their seats, and made a profound bow to the fair young man. One would have said that the Duchess had guessed that her cousin, of whom, it was rumoured, she was inclined to make fun for what she called her ‘exaggerations’ (a name which, from her own point of view, so typically French and restrained, would naturally be applied to the poetry and enthusiasm of the Teuton), would be wearing this evening one of those costumes in which the Duchess thought of her as ‘dressed up,’ and that she had decided to give her a lesson in good taste. Instead of the wonderful downy plumage which, from the crown of the Princess’s head, fell and swept her throat, instead of her net of shells and pearls, the Duchess wore in her hair only a simple aigrette, which, rising above her arched nose and level eyes, reminded one of the crest on the head of a bird. Her neck and shoulders emerged from a drift of snow-white muslin, against which fluttered a swansdown fan, but below this her gown, the bodice of which had for its sole ornament innumerable spangles (either little sticks and beads of metal, or possibly brilliants), moulded her figure with a precision that was positively British. But different as their two costumes were, after the Princess had given her cousin the chair in which she herself had previously been sitting, they could be seen turning to gaze at one another in mutual appreciation.&#xA;&#xA;   Possibly a smile would curve the lips of Mme. de Guermantes when next day she referred to the headdress, a little too complicated, which the Princess had worn, but certainly she would declare that it had been, all the same, quite lovely, and marvellously arranged; and the Princess, whose own tastes found something a little cold, a little austere, a little ‘tailor-made’ in her cousin’s way of dressing, would discover in this rigid sobriety an exquisite refinement. Moreover the harmony that existed between them, the universal and pre-established gravitation exercised by their upbringing, neutralised the contrasts not only in their apparel but in their attitude. By those invisible magnetic longitudes which the refinement of their manners traced between them the expansive nature of the Princess was stopped short, while on the other side the formal correctness of the Duchess allowed itself to be attracted and relaxed, turned to sweetness and charm. As, in the play which was now being performed, to realise how much personal poetry Berma extracted from it one had only to entrust the part which she was playing, which she alone could play, to no matter what other actress, so the spectator who should raise his eyes to the balcony might see in two smaller boxes there how an ‘arrangement’ supposed to suggest that of the Princesse de Guermantes simply made the Baronne de Morienval appear eccentric, pretentious and ill-bred, while an effort, as painstaking as it must have been costly, to imitate the clothes and style of the Duchesse de Guermantes only made Mme. de Cambremer look like some provincial schoolgirl, mounted on wires, rigid, erect, dry, angular, with a plume of raven’s feathers stuck vertically in her hair. Perhaps the proper place for this lady was not a theatre in which it was only with the brightest stars of the season that the boxes (even those in the highest tier, which from below seemed like great hampers brimming with human flowers and fastened to the gallery on which they stood by the red cords of their plush-covered partitions) composed a panorama which deaths, scandals, illnesses, quarrels would soon alter, but which this evening was held motionless by attention, heat, giddiness, dust, smartness or boredom, in that so to speak everlasting moment of unconscious waiting and calm torpor which, in retrospect, seems always to have preceded the explosion of a bomb or the first flicker of a fire.&#xA;&#xA;   The explanation of Mme. de Cambremer’s presence on this occasion was that the Princesse de Parme, devoid of snobbishness as are most truly royal personages, and to make up for this devoured by a pride in and passion for charity which held an equal place in her heart with her taste for what she believed to be the Arts, had bestowed a few boxes here and there upon women like Mme. de Cambremer who were not numbered among the highest aristocratic society but with whom she was connected in various charitable undertakings. Mme. de Cambremer never took her eyes off the Duchesse and Princesse de Guermantes, which was all the simpler for her since, not being actually acquainted with either, she could not be suspected of angling for recognition. Inclusion in the visiting lists of these two great ladies was nevertheless the goal towards which she had been marching for the last ten years with untiring patience. She had calculated that she might reach it, possibly, in five years more. But having been smitten by a relentless malady, the inexorable character of which — for she prided herself upon her medical knowledge — she thought she knew, she was afraid that she might not live so long. This evening she was happy at least in the thought that all these women whom she barely knew would see in her company a man who was one of their own set, the young Marquis de Beausergent, Mme. d’Argencourt’s brother, who moved impartially in both worlds and with whom the women of the second were greatly delighted to bedizen themselves before the eyes of those of the first. He was seated behind Mme. de Cambremer on a chair placed at an angle, so that he might rake the other boxes with his glasses. He knew everyone in the house, and, to greet his friends, with the irresistible charm of his beautifully curved figure, and fine fair head, he half rose from his seat, stiffening his body, a smile brightening his blue eyes, with a blend of deference and detachment, a picture delicately engraved, in its rectangular frame, and placed at an angle to the wall, like one of those old prints which portray a great nobleman in his courtly pride. He often accepted these invitations to go with Mme. de Cambremer to the play. In the theatre itself, and on their way out, in the lobby, he stood gallantly by her side in the thick of the throng of more brilliant friends whom he saw about him, and to whom he refrained from speaking, to avoid any awkwardness, just as though he had been in doubtful company. If at such moments there swept by him the Princesse de Guermantes, lightfoot and fair as Diana, letting trail behind her the folds of an incomparable cloak, turning after her every head and followed by every eye (and, most of all, by Mme. de Cambremer’s), M. de Beausergent would become absorbed in conversation with his companion, acknowledging the friendly and dazzling smile of the Princess only with constraint, under compulsion, and with the well-bred reserve, the considerate coldness of a person whose friendliness might at the moment have been inconvenient.&#xA;&#xA;   Had not Mme. de Cambremer known already that the box belonged to the Princess, she could still have told that the Duchesse de Guermantes was the guest from the air of keener interest with which she was surveying the spectacle of stage and stalls, out of politeness to her hostess. But simultaneously with this centrifugal force, an equal and opposite force generated by the same desire to be sociable drew her attention back to her own attire, her plume, her necklace, her bodice and also to that of the Princess, whose subject, whose slave her cousin seemed thus to proclaim herself, come thither solely to see her, ready to follow her elsewhere should it have taken the fancy of the official occupant of the box to rise and leave, and regarding as composed merely of strangers, worth looking at simply as curiosities, the rest of the house, in which, nevertheless, she numbered many friends to whose boxes she regularly repaired on other evenings and with regard to whom she never failed on those occasions to demonstrate a similar loyalism, exclusive, conditional and hebdomadary. Mme. de Cambremer was surprised to see her there that evening. She knew that the Duchess was staying on very late at Guermantes, and had supposed her to be there still. But she had been told, also, that sometimes, when there was some special function in Paris which she considered it worth her while to attend, Mme. de Guermantes would order one of her carriages to be brought round as soon as she had taken tea with the guns, and, as the sun was setting, start out at a spanking pace through the gathering darkness of the forest, then over the high road, to join the train at Combray and so be in Paris the same evening. “Perhaps she has come up from Guermantes on purpose to hear Berma,” thought Mme. de Cambremer, and marvelled at the thought. And she remembered having heard Swann say in that ambiguous jargon which he used in common with M. de Charlus: “The Duchess is one of the noblest souls in Paris, the cream of the most refined, the choicest society.” For myself, who derived from the names Guermantes, Bavaria and Condé what I imagined to be the life, the thoughts of the two cousins (I could no longer so ascribe their faces, having seen them), I would rather have had their opinion of Phèdre than that of the greatest critic in the world. For in his I should have found merely intellect, an intellect superior to my own but similar in kind. But what the Duchesse and Princesse de Guermantes might think, an opinion which would have furnished me with an invaluable clue to the nature of these two poetic creatures, I imagined with the aid of their names, I endowed with an irrational charm, and, with the thirst, the longing of a fever-stricken wretch, what I demanded that their opinion of Phèdre should yield to me was the charm of the summer afternoons that I had spent in wandering along the Guermantes way.&#xA;&#xA;   Mme. de Cambremer was trying to make out how exactly the cousins were dressed. For my own part, I never doubted that their garments were peculiar to themselves, not merely in the sense in which the livery with red collar or blue facings had belonged once exclusively to the houses of Guermantes and Condé, but rather as is peculiar to a bird the plumage which, as well as being a heightening of its beauty, is an extension of its body. The toilet of these two ladies seemed to me like a materialisation, snow-white or patterned with colour, of their internal activity, and, like the gestures which I had seen the Princesse de Guermantes make, with no doubt in my own mind that they corresponded to some idea latent in hers, the plumes which swept downward from her brow, and her cousin’s glittering spangled bodice seemed each to have a special meaning, to be to one or the other lady an attribute which was hers and hers alone, the significance of which I would eagerly have learned; the bird of paradise seemed inseparable from its wearer as her peacock is from Juno, and I did not believe that any other woman could usurp that spangled bodice, any more than the fringed and flashing aegis of Minerva. And when I turned my eyes to their box, far more than on the ceiling of the theatre, painted with cold and lifeless allegories, it was as though I had seen, thanks to a miraculous rending of the clouds that ordinarily veiled it, the Assembly of the Gods in the act of contemplating the spectacle of mankind, beneath a crimsor canopy, in a clear lighted space, between two pillars of Heaven. I gazed on this brief transfiguration with a disturbance which was partly soothed by the feeling that I myself was unknown to these Immortals; the Duchess had indeed seen me once with her husband, but could surely have kept no memory of that, and it gave me no pain that she found herself, owing to the place that she occupied in the box, in a position to gaze down upon the nameless, collective madrepores of the public in the stalls, for I had the happy sense that my own personality had been dissolved in theirs, when, at the moment in which, by the force of certain optical laws, there must, I suppose, have come to paint itself on the impassive current of those blue eyes the blurred outline of the protozoon, devoid of any individual existence, which was myself, I saw a ray illumine them; the Duchess, goddess turned woman, and appearing in that moment a thousand times more lovely, raised, pointed in my direction the white-gloved hand which had been resting on the balustrade of the box, waved it at me in token of friendship; my gaze felt itself trapped in the spontaneous incandescence of the flashing eyes of the Princess, who had unconsciously set them ablaze merely by turning her head to see who it might be that her cousin was thus greeting, while the Duchess, who had remembered me, showered upon me the sparkling and celestial torrent of her smile.&#xA;&#xA;   And now every morning, long before the hour at which she would appear, I went by a devious course to post myself at the corner of the street along which she generally came, and, when the moment of her arrival seemed imminent, strolled homewards with an air of being absorbed in something else, looking the other way and raising my eyes to her face as I drew level with her, but as though I had not in the least expected to see her. Indeed, for the first few mornings, so as to be sure of not missing her, I waited opposite the house. And every time that the carriage gate opened (letting out one after another so many people who were none of them she for whom I was waiting) its grinding rattle continued in my heart in a series of oscillations which it took me a long time to subdue. For never was devotee of a famous actress whom he did not know, posting himself and patrolling the pavement outside the stage door, never was angry or idolatrous crowd, gathered to insult or to carry in triumph through the streets the condemned assassin or the national hero whom it believes to be on the point of coming whenever a sound is heard from the inside of the prison or the palace, never were these so stirred by their emotion as I was, awaiting the emergence of this great lady who in her simple attire was able, by the grace of her movements (quite different from the gait she affected on entering a drawing-room or a box), to make of her morning walk — and for me there was no one in the world but herself out walking — a whole poem of elegant refinement and the finest ornament, the most curious flower of the season. But after the third day, so that the porter should not discover my stratagem, I betook myself much farther afield, to some point upon the Duchess’s usual route. Often before that evening at the theatre I had made similar little excursions before luncheon when the weather was fine; if it had been raining, at the first gleam of sunshine I would hasten downstairs to take a turn, and if, suddenly, coming towards me, on the still wet pavement changed by the sun into a golden lacquer, in the transformation scene of a crossroads dusty with a grey mist which the sun tanned and gilded, I caught sight of a schoolgirl followed by her governess or of a dairy-maid with her white sleeves, I stood motionless, my hand pressed to my heart which was already leaping towards an unexplored form of life; I tried to bear in mind the street, the time, the number of the door through which the girl (whom I followed sometimes) had vanished and failed to reappear. Fortunately the fleeting nature of these cherished images, which I promised myself that I would make an effort to see again, prevented them from fixing themselves with any vividness in my memory. No matter, I was less sad now at the thought of my own ill health, of my never having summoned up courage to set to work, to begin a book, the world appeared to me now a pleasanter place to live in, life a more interesting experience now that I had learned that the streets of Paris, like the roads round Balbec, were aflower with those unknown beauties whom I had so often sought to evoke from the woods of Méséglise, each one of whom aroused a sensual longing which she alone appeared capable of assuaging.&#xA;&#xA;   On coming home from the Opéra-Comique I had added for next morning to the list of those which for some days past I had been hoping to meet again the form of Mme. de Guermantes, tall, with her high-piled crown of silky, golden hair; with the kindness promised me in the smile which she had directed at me from her cousin’s box. I would follow the course which Françoise had told me that the Duchess generally took, and I would try at the same time, in the hope of meeting two girls whom I had seen a few days earlier, not to miss the break-up of their respective class and catechism. But in the mean time, ever and again, the scintillating smile of Mme. de Guermantes, the pleasant sensation it had given me, returned. And without exactly knowing what I was doing, I tried to find a place for them (as a woman studies the possible effect on her dress of some set of jewelled buttons that have just been given her) beside the romantic ideas which I had long held and which Albertine’s coldness, Gisèle’s premature departure, ana before them my deliberate and too long sustained separation from Gilberte, had set free (the idea, for instance of being loved by a woman, of having a life in common with her); next, it had been the image of one or other of the two girls seen in the street that I brought into relation with those ideas, to which immediately afterwards I was trying to adapt my memory of the Duchess. Compared with those ideas my memory of Mme. de Guermantes at the Opéra-Comique was a very little thing, a tiny star twinkling beside the long tail of a blazing comet; moreover I had been quite familiar with the ideas long before I came to know Mme. de Guermantes; my memory of her, on the contrary, I possessed but imperfectly; every now and then it escaped me; it was during the hours when, from floating vaguely in my mind in the same way as the images of various other pretty women, it passed gradually into a unique and definite association — exclusive of every other feminine form — with those romantic ideas of so much longer standing than itself, it was during those few hours in which I remembered it most clearly that I ought to have taken steps to find out exactly what it was; but I did not then know the importance which it was to assume for me; it was pleasant merely as a first private meeting with Mme. de Guermantes inside myself, it was the first, the only accurate sketch, the only one taken from life, the only one that was really Mme. de Guermantes; during the few hours in which I was fortunate enough to retain it without having the sense to pay it any attention, it must all the same have been charming, that memory, since it was always to it, and quite freely moreover, to that moment, without haste, without strain, without the slightest compulsion or anxiety, that my ideas of love returned; then, as gradually those ideas fixed it more definitely, it acquired from them a proportionately greater strength but itself became more vague; presently I could no longer recapture it; and in my dreams I probably altered it completely, for whenever I saw Mme. de Guermantes I realised the difference — never twice, as it happened, the same — between what I had imagined and what I saw. And now every morning, certainly at the moment when Mme. de Guermantes emerged from her gateway at the top of the street I saw again her tall figure, her face with its bright eyes and crown of silken hair — all the things for which I was there waiting; but, on the other hand, a minute or two later, when, having first turned my eyes away so as to appear not to be waiting for this encounter which I had come out to seek, I raised them to look at the Duchess at the moment in which we converged, what I saw then were red patches (as to which I knew not whether they were due to the fresh air or to a faulty complexion) on a sullen face which with the curtest of nods, a long way removed from the affability of the Phèdre evening, acknowledged my salute, which I addressed to her daily with an air of surprise, and which did not seem to please her. And yet, after a few days, during which the memory of the two girls fought against heavy odds for the mastery of my amorous feelings against that of Mme. de Guermantes, it was in the end the latter which, as though of its own accord, generally prevailed while its competitors withdrew; it was to it that I finally found myself, deliberately moreover, and as though by preference and for my own pleasure, to have transferred all my thoughts of love. I had ceased to dream of the little girls coming from their catechism, or of a certain dairy-maid; and yet I had also lost all hope of encountering in the street what I had come out to seek, either the affection promised to me, at the theatre, in a smile, or the profile, the bright face beneath its pile of golden hair which were so only when seen from afar. Now I should not even have been able to say what Mme. de Guermantes was like, by what I recognised her, for every day, in the picture which she presented as a whole, the face was different, as were the dress and the hat.&#xA;&#xA;   Why did I one morning, when I saw bearing down on me beneath a violet hood a sweet, smooth face whose charms were symmetrically arranged about a pair of blue eyes, a face in which the curve of the nose seemed to have been absorbed, gauge from a joyous commotion in my bosom that I was not going to return home without having caught a glimpse of Mme. de Guermantes; and on the next feel the same disturbance, affect the same indifference, turn away my eyes in the same careless manner as on the day before, on the apparition, seen in profile as she crossed from a side street and crowned by a navy-blue toque, of a beak-like nose bounding a flushed cheek chequered with a piercing eye, like some Egyptian deity? Once it was not merely a woman with a bird’s beak that I saw but almost the bird itself; the outer garments, even the toque of Mme. de Guermantes were of fur, and since she thus left no cloth visible, she seemed naturally furred, like certain vultures whose thick, smooth, dusky, downy plumage suggests rather the skin of a wild beast. From the midst of this natural plumage, the tiny head arched out its beak and the two eyes on its surface were piercing-keen and blue.&#xA;&#xA;   One day I had been pacing up and down the street for hours on end without a vestige of Mme. de Guermantes when suddenly, inside a pastrycook’s shop tucked in between two of the mansions of this aristocratic and plebeian quarter, there appeared, took shape the vague and unfamiliar face of a fashionably dressed woman who was asking to see some little cakes, and, before I had had time to make her out, there shot forth at me like a lightning flash, reaching me sooner than its accompaniment of thunder, the glance of the Duchess; another time, having failed to meet her and hearing twelve strike, I realised that it was not worth my while to wait for her any longer, I Was sorrowfully making my way homewards; and, absorbed in my own disappointment, looking absently after and not seeing a carriage that had overtaken me, I realised suddenly that the movement of her head which I saw a lady make through the carriage window was meant for me, and that this lady, whose features, relaxed and pale, or it might equally be tense and vivid, composed, beneath a round hat which nestled at the foot of a towering plume, the face of a stranger whom I had supposed that I did not know, was Mme. de Guermantes, by whom I had let myself be greeted without so much as acknowledging her bow. And sometimes I came upon her as I entered the gate, standing outside the lodge where the detestable porter whose scrutinous eye I loathed and dreaded was in the act of making her a profound obeisance and also, no doubt, his daily report. For the entire staff of the Guermantes household, hidden behind the window curtains, were trembling as they watched a conversation which they were unable to overhear, but which meant as they very well knew that one or other of them would certainly have his ‘day out’ stopped by the Duchess to whom this Cerberus was betraying him. In view of the whole series of different faces which Mme. Guermantes displayed thus one after another, faces that occupied a relative and varying extent, contracted one day, vast the next, in her person and attire as a whole, my love was not attached to any one of those changeable and ever-changing elements of flesh and fabric which replaced one another as day followed day, and which she could modify, could almost entirely reconstruct without altering my disturbance because beneath them, beneath the new collar and the strange cheek, I felt that it was still Mme. de Guermantes. What I loved was the invisible person who set all this outward show in motion, her whose hostility so distressed me, whose approach set me trembling, whose life I would fain have made my own and driven out of it her friends. She might flaunt a blue feather or shew a fiery cheek without her actions’ losing their importance for me.&#xA;&#xA;   I should not myself have felt that Mme. de Guermantes was tired of meeting me day after day, had I not learned it indirectly by reading it on the face, stiff with coldness, disapproval and pity which Françoise shewed when she was helping me to get ready for these morning walks. The moment I asked her for my outdoor things I felt a contrary wind arise in her worn and battered features. I made no attempt to win her confidence, for I knew that I should not succeed. She had, for at once discovering any unpleasant thing that might have happened to my parents or myself, a power the nature of which I have never been able to fathom. Perhaps it was not supernatural, but was to be explained by sourees of information that were open to her alone: as it may happen that the news which often reaches a savage tribe several days before the post has brought it to the European colony has really been transmitted to them not by telepathy but from hill-top to hill-top by a chain of beacon fires. So, in the particular instance of my morning walks, possibly Mme. de Guermantes’s servants had heard their mistress say how tired she was of running into me every day without fail wherever she went, and had repeated her remarks to Françoise. My parents might, it is true, have attached some servant other than Françoise to my person, still I should have been no better off. Françoise was in a sense less of a servant than the others. In her way of feeling things, of being kind and pitiful, hard and distant, superior and narrow, of combining a white skin with red hands, she was still the village maiden whose parents had had ‘a place of their own’ but having come to grief had been obliged to put her into service. Her presence in our household was the country air, the social life of a farm of fifty years ago wafted to us by a sort of reversal of the normal order of travel whereby it is the place that comes to visit the person. As the glass cases in a local museum are filled with specimens of the curious handiwork which the peasants still carve or embroider or whatever it may be in certain parts of the country, so our flat in Paris was decorated with the words of Françoise, inspired by a traditional local sentiment and governed by extremely ancient laws. And she could in Paris find her way back as though by clues of coloured thread to the songbirds and cherry trees of her childhood, to her mother’s deathbed, which she still vividly saw. But in spite of all this wealth of background, once she had come to Paris and had entered our service she had acquired — as, obviously, anyone else coming there in her place would have acquired — the ideas, the system of interpretation used by the servants on the other floors, compensating for the respect which she was obliged to shew to us by repeating the rude words that the cook on the fourth floor had used to her mistress, with a servile gratification so intense that, for the first time in our lives, feeling a sort of solidarity between ourselves and the detestable occupant of the fourth floor flat, we said to ourselves that possibly we too were ‘employers’ after all. This alteration in Françoise’» character was perhaps inevitable. Certain forms of existence are so abnormal that they are bound to produce certain characteristic faults; such was the life led by the King at Versailles among his courtiers, a life as strange as that of a Pharaoh or a Doge — and, far more even than his, the life of his courtiers. The life led by our servants is probably of an even more monstrous abnormality, which only its familiarity can prevent us from seeing. But it was actually in details more intimate still that I should have been obliged, if I had dismissed Françoise, to keep the same servant. For various others might, in years to come, enter my service; already furnished with the defects common to all servants, they underwent nevertheless a rapid transformation with me. As, in the rules of tactics, an attack in one sector compels a counter-attack in another, so as not to be hurt by the asperities of my nature, all of them effected in their own an identical resilience, always at the same points, and to make up for this took advantage of the gaps in my line to thrust out advanced posts. Of these gaps I knew nothing, any more than of the salients to which they gave rise, precisely because they were gaps. But my servants, by gradually becoming spoiled, taught me of their existence. It was from the defects which they invariably acquired that I learned what were my own natural and invariable shortcomings; their character offered me a sort of negative plate of my own. We had always laughed, my mother and I, at Mme. Sazerat, who used, in speaking of her servants, expressions like ‘the lower orders’ or ‘the servant class.’ But I am bound to admit that what made it useless to think of replacing Françoise by anyone else was that her successor would inevitably have belonged just as much to the race of servants in general and to the class of my servants in particular.&#xA;&#xA;   To return to Françoise, I never in my life experienced any humiliation without having seen beforehand on her face a store of condolences prepared and waiting; and if then in my anger at the thought of being pitied by her I tried to pretend that on the contrary I had scored a distinct success, my lies broke feebly on the wall of her respectful but obvious unbelief and the consciousness that she enjoyed of her own infallibility. For she knew the truth. She refrained from uttering it, and made only a slight movement with her lips as if she still bad her mouth full and was finishing a tasty morsel. She refrained from uttering it, or so at least I long believed, for at that time I still supposed that it was by means of words that one communicated the truth to others. Indeed the words that people used to me recorded their meaning so unalterably on the sensitive plate of my mind that I could no more believe it to be possible that anyone who had professed to love me did not love me than Françoise herself could have doubted when she had read it in a newspaper that some clergyman or gentleman was prepared, on receipt of a stamped envelope, to furnish us free of charge with an infallible remedy for every known complaint or with the means of multiplying our income an hundredfold. (If, on the other hand, our doctor were to prescribe for her the simplest ointment to cure a cold in the head, she, so stubborn to endure the keenest suffering, would complain bitterly of what she had been made to sniff, insisting that it tickled her nose and that life was not worth living.) But she was the first person to prove to me by her example (which I was not to understand until, long afterwards, when it was given me afresh and to my greater discomfort, as will be found in the later volumes of this work, by a person who was dearer to me than Françoise) that the truth has no need to be uttered to be made apparent, and that one may perhaps gather it with more certainty, without waiting for words, without even bothering one’s head about them, from a thousand outward signs, even from certain invisible phenomena, analogous in the sphere of human character to what in nature are atmospheric changes. I might perhaps have suspected this. since to myself at that time it frequently occurred that I said things in which there was no vestige of truth, while I made the real truth plain by all manner of involuntary confidences expressed by my body and in my actions (which were at once interpreted by Françoise); I ought perhaps to have suspected it, but to do so I should first have had to be conscious that I myself was occasionally untruthful and dishonest. Now untruthfulness and dishonesty were with me, as with most people; called into being in so immediate, so contingent a fashion, and in self-defence, by some particular interest, that my mind, fixed on some lofty ideal, allowed my character, in the darkness below, to set about those urgent, sordid tasks, and did net look down to observe them. When Françoise, in the evening, was polite to me, and asked my permission before sitting down in my room, it seemed as though her face became transparent and I could see the goodness and honesty that lay beneath. But Jupien, who had lapses into indiscretion of which I learned only later, revealed afterwards that she had told him that I was not worth the price of a rope to hang me, and that I had tried to insult her in every possible way. These words of Jupien set up at once before my eyes, in new and strange colours, a print of the picture of my relations with Françoise so different from that on which I used to like letting my eyes rest, and in which, without the least possibility of doubt, Françoise adored me and lost no opportunity of singing my praises, that I realised that it is not only the material world that is different from the aspect in which we see it; that all reality is perhaps equally dissimilar from what we think ourselves to be directly perceiving; that the trees, the sun and the sky would not be the same as what we see if they were apprehended by creatures having eyes differently constituted from ours, or, better still, endowed for that purpose with organs other than eyes which would furnish trees and sky and sun with equivalents, though not visual. However that might be, this sudden outlet which Jupien threw open for me upon the real world appalled me. So far it was only Françoise that was revealed, and of her I barely thought. Was it the same with all one’s social relations? And in what depths of despair might this not some day plunge me, if it were the same with love? That was the future’s secret. For the present only Françoise was concerned. Did she sincerely believe what she had said to Jupien? Had she said it to embroil Jupien with me, possibly so that we should not appoint Jupien’s girl as her successor? At any rate I realised the impossibility of obtaining any direct and certain knowledge of whether Françoise loved or lothed me. And thus it was she who first gave me the idea that a person does not (as I had imagined) stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourself exposed on his surface, like a garden at which, with all its borders spread out before us, we gaze through a railing, but is a shadow which we can never succeed in penetrating, of which there can be no such thing as direct knowledge, with respect to which we form countless beliefs, based upon his words and sometimes upon his actions, though neither words nor actions can give us anything but inadequate and as it proves contradictory information — a shadow behind which we can alternately imagine, with equal justification, that there burns the flame of hatred and of love.&#xA;&#xA;   I was genuinely in love with Mme. de Guermantes. The greatest happiness that I could have asked of God would have been that He should overwhelm her under every imaginable calamity, and that ruined, despised, stripped of all the privileges that divided her from me, having no longer any home of her own or people who would condescend to speak to her, she should come to me for refuge. I imagined her doing so. And indeed on those evenings when some change in the atmosphere or in my own condition brought to the surface of my consciousness some forgotten scroll on which were recorded impressions of other days, instead of profiting by the refreshing strength that had been generated in me, instead of employing it to decipher in my own mind thoughts which as a rule escaped me, instead of setting myself at last to work, I preferred to relate aloud, to plan out in the third person, with a flow of invention as useless as was my declamation of it, a whole novel crammed with adventure, in which the Duchess, fallen upon misfortune, came to implore assistance from me — me who had become, by a converse change of circumstances, rich and powerful. And when I had let myself thus for hours on end imagine the circumstances, rehearse the sentences with which I should welcome the Duchess beneath my roof, the situation remained unaltered; I had, alas, in reality, chosen to love the very woman who, in her own person, combined perhaps the greatest possible number of different advantages; in whose eyes, accordingly, I could not hope, myself, ever to cut any figure; for she was as rich as the richest commoner — and noble also; without reckoning that personal charm which set her at the pinnacle of fashion, made her among the rest a sort of queen.&#xA;&#xA;   I felt that I was annoying her by crossing her path in this way every morning; but even if I had had the courage to refrain, for two or three days consecutively, from doing so, perhaps that abstention, which would have represented so great a sacrifice on my part, Mme. de Guermantes would not have noticed, or would have set it down to some obstacle beyond my control. And indeed I could not have succeeded in making myself cease to track her down except by arranging that it should be impossible for me to do so, for the need incessantly reviving in me to meet her, to be for a moment the object of her attention, the person to whom her bow was addressed, was stronger than my fear of arousing her displeasure. I should have had to go away for some time; and for that I had not the heart. I did think of it more than once. I would then tell Françoise to pack my boxes, and immediately afterwards to unpack them. And as the spirit of imitation, the desire not to appear behind the times, alters the most natural and most positive form of oneself, Françoise, borrowing the expression from her daughter’s vocabulary, used to remark that I was ‘dippy.’ She did not approve of this; she said that I was always ‘balancing,’ for she made use, when she was not aspiring to rival the moderns, of the language of Saint-Simon. It is true that she liked it still less when I spoke to her as master to servant. She knew that this was not natural to me, and did not suit me, a condition which she rendered in words as ‘where there isn’t a will.’ I should never have had the heart to leave Paris except in a direction that would bring me closer to Mme. de Guermantes. This was by no means an impossibility. Should I not indeed find myself nearer to her than I was in the morning, in the street, solitary, abashed, feeling that not a single one of the thoughts which I should have liked to convey to her ever reached her, in that weary patrolling up and down of walks which might be continued, day after day, for ever without the slightest advantage to myself, if I were to go miles away from Mme. de Guermantes, but go to some one of her acquaintance, some one whom she knew to be particular in the choice of his friends and who would appreciate my good qualities, would be able to speak to her about me, and if not to obtain it from her at least to make her know what I wanted, some one by means of whom, in any event, simply because I should discuss with him whether or not it would be possible for him to convey this or that message to her, I should give to my solitary and silent meditations a new form, spoken, active, which would seem an advance, almost a realisation. What she did during the mysterious daily life of the ‘Guermantes’ that she was — this was the constant object of my thoughts; and to break through the mystery, even by indirect means, as with a lever, by employing the services of a person to whom were not forbidden the town house of the Duchess, her parties, unrestricted conversation with her, would not that be a contact more distant but at the same time more effective than my contemplation of her every morning in the street?&#xA;&#xA;   The friendship, the admiration that Saint-Loup felt for me seemed to me undeserved and had hitherto left me unmoved. All at once I attached a value to them, I would have liked him to disclose them to Mme. de Guermantes, I was quite prepared even to ask him to do so. For when we are in love, all the trifling little privileges that we enjoy we would like to be able to divulge to the woman we love, as people who have been disinherited and bores of other kinds do to us in everyday life. We are distressed by her ignorance of them; we seek consolation in the thought that just because they are never visible she has perhaps added to the opinion which she already had of us this possibility of further advantages that must remain unknown.&#xA;&#xA;   Saint-Loup had not for a long time been able to come to Paris, whether, as he himself explained, on account of his military duties, or, as was more likely, on account of the trouble that he was having with his mistress, with whom he had twice now been on the point of breaking off relations. He had often told me what a pleasure it would be to him if I came to visit him at that garrison town, the name of which, a couple of days after his leaving Balbec, had caused me so much joy when I had read it on the envelope of the first letter I received from my friend. It was (not so far from Balbec as its wholly inland surroundings might have led one to think) one of those little fortified towns, aristocratic and military, set in a broad expanse of country over which on fine days there floats so often into the distance a sort of intermittent haze of sound which — as a screen of poplars by its sinuosities outlines the course of a river which one cannot see — indicates the movements of a regiment on parade, so that the very atmosphere of its streets, avenues and squares has been gradually tuned to a sort of perpetual vibration, musical and martial, while the most ordinary note of cartwheel or tramway is prolonged in vague trumpet calls, indefinitely repeated, to the hallucinated ear, by the silence. It was not too far away from Paris for me to be able, if I took the express, to return, join my mother and grandmother and sleep in my own bed. As soon as I realised this, troubled by a painful longing, I had too little will power to decide not to return to Paris but rather to stay in this town; but also too little to prevent a porter from carrying my luggage to a cab and not to adopt, as I walked behind him, the unburdened mind of a traveller who is looking after his luggage and for whom no grandmother is waiting anywhere at home, to get into the carriage with the complete detachment of a person who, having ceased to think of what it is that he wants, has the air of knowing what he wants, and to give the driver the address of the cavalry barracks. I thought that Saint-Loup might come to sleep that night at the hotel at which I should be staying, so as to make less painful for me the first shock of contact with this strange town. One of the guard went to find him, and I waited at the barrack gate, before that huge ship of stone, booming with the November wind, out of which, every moment, for it was now six o’clock, men were emerging in pairs into the street, staggering as if they were coming ashore in some foreign port in which they found themselves temporarily anchored.&#xA;&#xA;   Saint-Loup appeared, moving like a whirlwind, his eyeglass spinning in the air before him; I had not given my name, I was eager to enjoy his surprise and delight. “Oh! What a bore!” he exclaimed, suddenly catching sight of me, and blushing to the tips of his ears. “I have just had a week’s leave, and I shan’t be off duty again for another week.”&#xA;&#xA;   And, preoccupied by the thought of my having to spend this first night alone, for he knew better than anyone my bed-time agonies, which he had often remarked and soothed at Balbec, he broke off his lamentation to turn and look at me, coax me with little smiles, with tender though unsymmetrical glances, half of them coming directly from his eye, the other half through his eyeglass, but both sorts alike an allusion to the emotion that he felt on seeing me again, an allusion also to that important matter which I did not always understand but which concerned me now vitally, our friendship.&#xA;&#xA;    “I say! Where are you going to sleep? Really, I can’t recommend the hotel where we mess; it is next to the Exhibition ground, where there’s a show just starting; you’ll find it beastly crowded. No, you’d better go to the Hôtel de Flandre; it is a little eighteenth-century palace with old tapestries. It ‘makes’ quite an ‘old-world residence.’”&#xA;&#xA;   Saint-Loup employed in every connexion the word ‘makes’ for ‘has the air of,’ because the spoken language, like the written, feels from time to time the need of these alterations in the meanings of words, these refinements of expression. And just as journalists often have not the least idea from what school of literature come the ‘turns of speech’ that they borrow, so the vocabulary, the very diction of Saint-Loup were formed in imitation of three different aesthetes, none of whom he knew personally but whose way of speaking had been indirectly instilled into him. “Besides,” he concluded, “the hotel I mean is more or less adapted to your supersensitiveness of hearing. You will have no neighbours. I quite see that it is a slender advantage, and as, after all, another visitor may arrive to-morrow, it would not be worth your while to choose that particular hotel with so precarious an object in view. No, it is for its appeal to the eye that I recommend it. The rooms are quite attractive, all the furniture is old and comfortable; there is something reassuring about that.” But to me, less of an artist than Saint-Loup, the pleasure that an attractive house could give was superficial, almost non-existent, and could not calm my growing anguish, as painful as that which I used to feel long ago at Combray when my mother did not come upstairs to say good night, or that which I felt on the evening of my arrival at Balbec in the room with the unnaturally high ceiling, which smelt of flowering grasses. Saint-Loup read all this in my fixed gaze.&#xA;&#xA;    “A lot you care, though, about this charming palace, my poor fellow; you’re quite pale; and here am I like a great brute talking to you about tapestries which you won’t have the heart to look at, even. I know the room they’ll put you in; personally I find it most enlivening, but I can quite understand that it won’t have the same effect on you with your sensitive nature. You mustn’t think I don’t understand; I don’t feel the same myself, but I can put myself in your place.”&#xA;&#xA;   At that moment a serjeant who was exercising a horse on the square, entirely absorbed in making the animal jump, disregarding the salutes of passing troopers, but hurling volleys of oaths at such as got in his way, turned with a smile to Saint-Loup and, seeing that he had a friend with him, saluted us. But his horse at once reared. Saint-Loup flung himself at its head, caught it by the bridle, succeeded in quieting it and returned to my side.&#xA;&#xA;    “Yes,” he resumed; “I assure you that I fully understand; I feel for you as keenly as you do yourself. I am wretched,” he went on, laying his hand lovingly on my shoulder, “when I think that if I could have stayed with you to-night, I might have been able, if we talked till morning, to relieve you of a little of your unhappiness. I can lend you any number of books, but you won’t want to read if you’re feeling like that. And I shan’t be able to get anyone else to take my duty here; I’ve been off now twice running because my girl came down to see me.”&#xA;&#xA;   And he knitted his brows partly with vexation and also in the effort to decide, like a doctor, what remedy he might best apply to my disease.&#xA;&#xA;    “Run along and light the fire in my quarters,” he called to a trooper who passed us. “Hurry up; get a move on!”&#xA;&#xA;   After which he turned once more to me, and his eyeglass and his peering, myopic gaze hinted an allusion to our great friendship.&#xA;&#xA;    “No! To see you here, in these barracks where I have spent so much time thinking about you, I can scarcely believe my eyes. I must be dreaming. And how are you? Better, I hope. You must tell me all about yourself presently. We’ll go up to my room; we mustn’t hang about too long on the square, there’s the devil of a draught; I don’t feel it now myself, but you aren’t accustomed to it, I’m afraid of your catching cold. And what about your work; have you started yet? No? You are a quaint fellow! If I had your talent I’m sure I should be writing morning, noon and night. It amuses you more to do nothing? What a pity it is that it’s the useless fellows like me who are always ready to work, and the ones who could if they wanted to, won’t. There, and I’ve clean forgotten to ask you how your grandmother is. Her Proudhons are in safe keeping. I never part from them.”&#xA;&#xA;   An officer, tall, handsome, majestic, emerged with slow and solemn gait from the foot of a staircase. Saint-Loup saluted him and arrested the perpetual instability of his body for the moment occupied in holding his hand against the peak of his cap. But he had flung himself into the action with so much force, straightening himself with so sharp a movement, and, the salute ended, let his hand fall with so abrupt a relaxation, altering all the positions of shoulder, leg, and eyeglass, that this moment was one not so much of immobility as of a throbbing tension in which were neutralised the excessive movements which he had just made and those on which he was about to embark. Meanwhile the officer, without coming any nearer us, calm, benevolent, dignified, imperial, representing, in short, the direct opposite of Saint-Loup, himself also, but without haste, raised his hand to the peak of his cap.&#xA;&#xA;    “I must just say a word to the Captain,” whispered Saint-Loup. “Be a good fellow, and go and wait for me in my room. It’s the second on the right, on the third floor; I’ll be with you in a minute.”&#xA;&#xA;   And setting off at the double, preceded by his eyeglass which fluttered in every direction, he made straight for the slow and stately Captain whose horse had just been brought round and who, before preparing to mount, was giving orders with a studied nobility of gesture as in some historical painting, and as though he were setting forth to take part in some battle of the First Empire, whereas he was simply going to ride home, to the house which he had taken for the period of his service at Doncières, and which stood in a Square that was named, as though in an ironical anticipation of the arrival of this Napoleonid, Place de la République. I started to climb the staircase, nearly slipping on each of its nail-studded steps, catching glimpses of barrack-rooms, their bare walls edged with a double line of beds and kits. I was shewn Saint-Loup’s room. I stood for a moment outside its closed door, for I could hear some one stirring; he moved something, let fall something else; I felt that the room was not empty, that there must be somebody there. But it was only the freshly lighted fire beginning to burn. It could not keep quiet, it kept shifting its faggots about, and very clumsily. I entered the room; it let one roll into the fender and set another smoking. And even when it was not moving, like an ill-bred person it made noises all the time, which, from the moment I saw the flames rising, revealed themselves to me as noises made by a fire, although if I had been on the other side of a wall I should have thought that they came from some one who was blowing his nose and walking about. I sat down in the room and waited. Liberty hangings and old German stuffs of the eighteenth century managed to rid it of the smell that was exhaled by the rest of the building, a coarse, insipid, mouldy smell like that of stale toast. It was here, in this banning room, that I could have dined and slept with a calm and happy mind Saint-Loup seemed almost to be present by reason of the text-books which littered his table, between his photographs, among which I could make out my own and that of the Duchesse de Guermantes, by the light of the fire which had at length grown accustomed to the grate, and, like an animal crouching in an ardent, noiseless, faithful watchfulness, let fall only now and then a smouldering log which crumbled into sparks, or licked with a tongue of flame the sides of the chimney. I heard the tick of Saint-Loup’s watch, which could not be far away. This tick changed its place every moment ‘for I could not see the watch; it seemed to come from behind, from in front of me, from my right, from my left, sometimes to die away as though at a great distance. Suddenly I caught sight of the watch on the table. Then I heard the tick in a fixed place from which it did not move again. That is to say, I thought I heard it at this place; I did not hear it there; I saw it there, for sounds have no position in space. Or rather we associate them with movements, and in that way they serve the purpose of warning us of those movements, of appearing to make them necessary and natural. Certainly it happens commonly enough that a sick man whose ears have been stopped with cotton-wool ceases to hear the noise of a fire such as was crackling at that moment in Saint-Loup’s fireplace, labouring at the formation of brands and cinders, which it then lets fall into the fender, nor would he hear the passage of the tramway-cars whose music took its flight, at regular intervals, over the Grand’place of Doncières. Let the sick man then read a book, and the pages will turn silently before him, as though they were moved by the fingers of a god. The dull thunder of a bath which is being filled becomes thin, faint and distant as the twittering of birds in the sky. The withdrawal of sound, its dilution, take from it all its power to hurt us; driven mad a moment ago by hammer-blows which seemed to be shattering the ceiling above our head, it is with a quiet delight that we now gather in their sound, light, caressing, distant, like the murmur of leaves playing by the roadside with the passing breeze. We play games of patience with cards which we do not hear, until we imagine that we have not touched them, that they are moving of their own accord, and, anticipating our desire to play with them, have begun to play with us. And in this connexion we may ask ourselves whether, in the case of love (to which indeed we may add the love of life and the love of fame, since there are, it appears, persons who are acquainted with these latter sentiments), we ought not to act like those who, when a noise disturbs them, instead of praying that it may cease, stop their ears; and, with them for our pattern, bring our attention, our defensive strength to bear on ourselves, give ourselves as an objective to capture not the ‘other person’ with whom we are in love but our capacity for suffering at that person’s hands.&#xA;&#xA;   To return to the problem of sounds, we have only to thicken the wads which close the aural passages, and they confine to a pianissimo the girl who has just been playing a boisterous tune overhead; if we go farther, and steep the wad in grease, at once the whole household must obey its despotic rule; its laws extend even beyond our portals. Pianissimo is not enough; the wad instantly orders the piano to be shut, and the music lesson is abruptly ended; the gentleman who was walking up and down in the room above breaks off in the middle of his beat; the movement of carriages and tramways is interrupted as though a Sovereign were expected to pass. And indeed this attenuation of sounds sometimes disturbs our slumbers instead of guarding them. Only yesterday the incessant noise in our ears, by describing to us in a continuous narrative all that was happening in the street and in the house, succeeded at length in making us sleep, like L boring book; to-night, through the sheet of silence that is spread over our sleep a shock, louder than the rest, manages to make itself heard, gentle as a sigh, unrelated to any other sound, mysterious; and the call for an explanation which it emits is sufficient to awaken us. Take away for a moment from the sick man the cotton-wool that has been stopping his ears and in a flash the full daylight, the sun of sound dawns afresh, dazzling him, is born again in his universe; in all haste returns the multitude of exiled sounds; we are present, as though it were the chanting of choirs of angels, at the resurrection of the voice. The empty streets are filled for a moment with the whirr of the swift, consecutive wings of the singing tramway-cars. In the bedroom itself, the sick man has created, not, like Prometheus, fire, but the sound of fire. And when we increase or reduce the wads of cottonwool, it is as though we were pressing alternately one and the other of the two pedals with which we have extended the resonant compass of the outer world.&#xA;&#xA;   Only there are also suppressions of sound which are not temporary. The man who has grown completely deaf cannot even heat a pan of milk by his bedside, but he must keep an eye open to watch, on the tilted lid, for the white, arctic reflexion, like that of a coming snowstorm, which is the warning sign which he is wise to obey, by cutting off (as Our Lord bade the waves be still) the electric current; for already the swelling, jerkily climbing egg of boiling milk-film is reaching its climax in a series of sidelong movements, has filled and set bellying the drooping sails with which the cream has skimmed its surface, sends in a sudden storm a scud of pearly substance flying overboard — sails which the cutting off of the current, if the electric storm is hushed in time, will fold back upon themselves and let fall with the ebbing tide, changed now to magnolia petals. But if the sick man should not be quick enough in taking the necessary precautions, presently, when his drowned books and watch are seen barely emerging from the milky tide, he will be obliged to call the old nurse who, though he be himself an eminent statesman or a famous writer, will tell him that he has no more sense than a child of five. At other times in the magic chamber, between us and the closed door, a person who was not there a moment ago makes his appearance; it is a visitor whom we did not hear coming in, and who merely gesticulates, like a figure in one of those little puppet theatres, so restful for those who have taken a dislike to the spoken tongue. And for this totally deaf man, since the loss of a sense adds as much beauty to the world as its acquisition, it is with ecstasy that he walks now upon an earth grown almost an Eden, in which sound has not yet been created. The highest waterfalls unfold for his eyes alone their ribbons of crystal, stiller than the glassy sea, like the cascades of Paradise. As sound was for him before his deafness the perceptible form in which the cause of a movement was draped, objects moved without sound seemed to be being moved also without cause; deprived of all resonant quality, they shew a spontaneous activity, seem to be alive. They move, halt, become alight of their own accord. Of their own accord they vanish in the air like the winged monsters of prehistoric days. In the solitary and unneighboured home of the deaf man the service which, before his infirmity was complete, was already shewing an increased discretion, was being carried on in silence, is now assured him with a sort of surreptitious deftness, by mutes, as at the court of a fairy-tale king. And, as upon the stage, the building on which the deaf man looks from his window — be it barracks, church, or town hall — is only so much scenery. If one day it should fall to the ground, it may emit a cloud of dust and leave visible ruins; but, less material even than a palace on the stage, though it has not the same exiguity, it will subside in the magic universe without letting the fall of its heavy blocks of stone tarnish, with anything so vulgar as sound, the chastity of the prevailing silence.&#xA;&#xA;   The silence, though only relative, which reigned in the little barrack-room where I sat waiting was now broken. The door opened and Saint-Loup, dropping his eyeglass, dashed in.&#xA;&#xA;    “Ah, my dear Robert, you make yourself very comfortable here,” I said to him; “how jolly it would be if one were allowed to dine and sleep here.”&#xA;&#xA;   And to be sure, had it not been against the regulations, what repose untinged by sadness I could have tasted there, guarded by that atmosphere of tranquillity, vigilance and gaiety which was maintained by a thousand wills controlled and free from care, a thousand heedless spirits, in that great community called a barracks where, time having taken the form of action, the sad bell that tolled the hours outside was replaced by the same joyous clarion of those martial calls, the ringing memory of which was kept perpetually alive in the paved streets of the town, like the dust that floats in a sunbeam; — a voice sure of being heard, and musical because it was the command not only of authority to obedience but of wisdom to happiness.&#xA;&#xA;    “So you’d rather stay with me and sleep here, would you, than to go the hotel by yourself?” Saint-Loup asked me, smiling.&#xA;&#xA;    “Oh, Robert, it is cruel of you to be sarcastic about it,” I pleaded; “you know it’s not possible, and you know how wretched I shall be over there.”&#xA;&#xA;    “Good! You flatter me!” he replied. “It occurred to me just now that you would rather stay here to-night. And that is precisely what I stopped to ask the Captain.”&#xA;&#xA;    “And he has given you leave?” I cried.&#xA;&#xA;    “He hadn’t the slightest objection.”&#xA;&#xA;    “Oh! I adore him!”&#xA;&#xA;    “No; that would be going too far. But now, let me just get hold of my batman and tell him to see about our dinner,” he went on, while I turned away so as to hide my tears.&#xA;&#xA;   We were several times interrupted by one or other of Saint-Loup’s friends’ coming in. He drove them all out again.&#xA;&#xA;    “Get out of here. Buzz off!”&#xA;&#xA;   I begged him to let them stay.&#xA;&#xA;    “No, really; they would bore you stiff; they are absolutely uncultured; all they can talk about is racing, or stables shop. Besides, I don’t want them here either; they would spoil these precious moments I’ve been looking forward to. But you mustn’t think, when I tell you that these fellows are brainless, that everything military is devoid of intellectuality. Far from it. We have a major here who is a splendid chap. He’s given us a course in which military history is treated like a demonstration, like a problem in algebra. Even from the aesthetic point of view there is a curious beauty, alternately inductive and deductive, about it which you couldn’t fail to appreciate.”&#xA;&#xA;    “That’s not the officer who’s given me leave to stay here to-night?”&#xA;&#xA;    “No; thank God! The man you ‘adore’ for so very trifling a service is the biggest fool that ever walked the face of the earth. He is perfect at looking after messing, and at kit inspections; he spends hours with the serjeant major and the master tailor. There you have his mentality. Apart from that he has a vast contempt, like everyone here, for the excellent major I was telling you about. No one will speak to him because he’s a freemason and doesn’t go to confession. The Prince de Borodino would never have an outsider like that in his house. Which is pretty fair cheek, when all’s said and done, from a man whose great-grandfather was a small farmer, and who would probably be a small farmer himself if it hadn’t been for the Napoleonic wars. Not that he hasn’t a lurking sense of his own rather ambiguous position in society, where he’s neither flesh nor fowl. He hardly ever shews his face at the Jockey, it makes him feel so deuced awkward, this so-called Prince,” added Robert, who, having been led by the same spirit of imitation to adopt the social theories of his teachers and the worldly prejudices of his relatives, had unconsciously wedded the democratic love of humanity to a contempt for the nobility of the Empire.&#xA;&#xA;   I was looking at the photograph of his aunt, and the thought that, since Saint-Loup had this photograph in his possession, he might perhaps give it to me, made me feel all the fonder of him and hope to do him a thousand services, which seemed to me a very small exchange for it. For this photograph was like one encounter more, added to all those that I had already had, with Mme. de Guermantes; better still, a prolonged encounter, as if, by some sudden stride forward in our relations, she had stopped beside me, in a garden hat, and had allowed me for the first time to gaze at my leisure at that plump cheek, that arched neck, that tapering eyebrow (veiled from me hitherto by the swiftness of her passage, the bewilderment of my impressions, the imperfection of memory); and the contemplation of them, as well as of the bare bosom and arms of a woman whom I had never seen save in a high-necked and long-sleeved bodice, was to me a voluptuous discovery, a priceless favour. Those lines, which had seemed to me almost a forbidden spectacle, I could study there, as in a text-book of the only geometry that had any value for me. Later on, when I looked at Robert, I noticed that he too was a little like the photograph of his aunt, and by a mysterious process which I found almost as moving, since, if his face had not been directly created by hers, the two had nevertheless a common origin. The features of the Duchesse de Guermantes, which were pinned to my vision of Combray, the nose like a falcon’s beak, the piercing eyes, seemed to have served also as a pattern for the cutting out — in another copy analogous and slender, with too delicate a skin — of Robert’s face, which might almost be superimposed upon his aunt’s. I saw in him, with a keen longing, those features characteristic of the Guermantes, of that race which had remained so individual in the midst of a world with which it was not confounded, in which it remained isolated in the glory of an ornithomorphic divinity, for it seemed to have been the issue, in the age of mythology, of the union of a goddess with a bird.&#xA;&#xA;   Robert, without being aware of its cause, was touched by my evident affection. This was moreover increased by the sense of comfort inspired in me by the heat of the fire and by the champagne which bedewed at the same time my brow with beads of sweat and my cheeks with tears; it washed down the partridges; I ate mine with the dumb wonder of a profane mortal of any sort when he finds in a form of life with which he is not familiar what he has supposed that form of life to exclude — the wonder, for instance, of an atheist who sits down to an exquisitely cooked dinner in a presbytery. And next morning, when I awoke, I rose and went to cast from Saint-Loup’s window, which being at a great height overlooked the whole countryside, a curious scrutiny to make the acquaintance of my new neighbour, the landscape which I had not been able to distinguish the day before, having arrived too late, at an hour when it was already sleeping beneath the outspread cloak of night. And yet, early as it had awoken from its sleep, I could see the ground, when I opened the window and looked out, only as one sees it from the window of a country house, overlooking the lake, shrouded still in its soft white morning gown of mist which scarcely allowed me to make out anything at all. But I knew that, before the troopers who were busy with their horses in the square had finished grooming them, it would have cast its gown aside. In the meantime, I could see only a meagre hill, rearing close up against the side of the barracks a back already swept clear of darkness, rough and wrinkled. Through the transparent curtain of frost I could not take my eyes from this stranger who, too, was looking at me for the first time. But when I had formed the habit of coming to the barracks, my consciousness that the hill was there, more real, consequently, even when I did not see it, than the hotel at Balbec, than our house in Paris, of which I thought as of absent — or dead — friends, that is to say without any strong belief in their existence, brought it about that, even although I was not aware of it myself, its reflected shape outlined itself on the slightest impressions that I formed at Doncières, and among them, to begin with this first morning, on the pleasing impression of warmth given me by the cup of chocolate prepared by Saint-Loup’s batman in this comfortable room, which had the effect of being an optical centre from which to look out at the hill — the idea of there being anything else to do but just gaze at it, the idea of actually climbing it, being rendered impossible by this same mist. Imbibing the shape of the hill, associated with the taste of hot chocolate and with the whole web of my fancies at that particular time, this mist, without my having thought at all about it, succeeded in moistening all my subsequent thoughts about that period, just as a massive and unmelting lump of gold had remained allied to my impressions of Balbec, or as the proximity of the outside stairs of blackish sandstone gave a grey background to my impressions of Combray. It did not, however, persist late into the day; the sun began by hurling at it, in vain, a few darts which sprinkled it with brilliants before they finally overcame it. The hill might expose its grizzled rump to the sun’s rays, which, an hour later, when I went down to the town, gave to the russet tints of the autumn leaves, to the reds and blues of the election posters pasted on the walls, an exaltation which raised my spirits also and made me stamp, singing as I went, on the pavements from which I could hardly keep myself from jumping in the air for joy.&#xA;&#xA;   But after that first night I had to sleep at the hotel. And I knew beforehand that I was doomed to find sorrow there. It was like an unbreathable aroma which all my life long had been exhaled for me by every new bedroom, that is to say by every bedroom; in the one which I usually occupied I was not present, my mind remained elsewhere, and in its place sent only the sense of familiarity. But I could not employ this servant, less sensitive than myself, to look after things for me in a new place, where I preceded him, where I arrived by myself, where I must bring into contact with its environment that ‘Self’ which I rediscovered only at year-long intervals, but always the same, having not grown at all since Combray, since my first arrival at Balbec, weeping, without any possibility of consolation, on the edge of an unpacked trunk.&#xA;&#xA;   As it happened, I was mistaken. I had no time to be sad, for I was not left alone for an instant. The fact of the matter was that there remained of the old palace a superfluous refinement of structure and decoration, out of place in a modern hotel, which, released from the service of any practical purpose, had in its long spell of leisure acquired a sort of life: passages winding about in all directions, which one was continually crossing in their aimless wanderings, lobbies as long as corridors and as ornate as drawing-rooms, which had the air rather of being dwellers there themselves than of forming part of a dwelling, which could not be induced to enter and settle down in any of the rooms but wandered about outside mine and came up at once to offer me their company — neighbours of a sort, idle but never noisy, menial ghosts of the past who had been granted the privilege of staying, provided they kept quiet, by the doors of the rooms which were let to visitors, and who, every time that I came across them, greeted me with a silent deference. In short, the idea of a lodging, of simply a case for our existence from day to day which shields us only from the cold and from being overlooked by other people, was absolutely inapplicable to this house, an assembly of rooms as real as a colony of people, living, it was true, in silence, but things which one was obliged to meet, to avoid, to appreciate, as one came in. One tried not to disturb them, and one could not look without respect at the great drawing-room which had formed, far back in the eighteenth century, the habit of stretching itself at its ease, among its hangings of old gold and beneath the clouds of its painted ceiling. And one was seized with a more personal curiosity as to the smaller rooms which, without any regard for symmetry, ran all round it, innumerable, startled, fleeing in disorder as far as the garden, to which they had so easy an access down three broken steps.&#xA;&#xA;   If I wished to go out or to come in without taking the lift or being seen from the main staircase, a smaller private staircase, no longer in use, offered me its steps so skilfully arranged, one close above another, that there seemed to exist in their gradation a perfect proportion of the same kind as those which, in colours, scents, savours, often arouse in us a peculiar, sensuous pleasure. But the pleasure to be found in going up and downstairs I had had to come here to learn, as once before to a health resort in the Alps to find that the act — as a rule not noticed — of drawing breath could be a perpetual delight. I received that dispensation from effort which is granted to us only by the things to which long use has accustomed us, when I set my feet for the first time on those steps, familiar before ever I knew them, as if they possessed, deposited on them, perhaps, embodied in them by the masters of long ago whom they used to welcome every day, the prospective charm of habits which I had not yet contracted and which indeed could only grow weaker once they had become my own. I looked into a room; the double doors closed themselves behind me, the hangings let in a silence in which I felt myself invested with a sort of exhilarating royalty; a marble mantelpiece with ornaments of wrought brass — of which one would have been wrong to think that its sole idea was to represent the art of the Directory — offered me a fire, and a little easy chair on short legs helped me to warm myself as comfortably as if I had been sitting on the hearthrug. The walls held the room in à close embrace, separating it from the rest of the world and, to let in, to enclose what made it complete, parted to make way for the bookcase, reserved a place for the bed, on either side of which a column airily upheld the raised ceiling of the alcove. And the room was prolonged in depth by two closets as large as itself, the latter of which had hanging from its wall, to scent the occasion on which one had recourse to it, a voluptuous rosary of orris-roots; the doors, if I left them open when I withdrew into this innermost retreat, were not content with tripling its dimensions without its ceasing to be well-proportioned, and not only allowed my eyes to enjoy the delights of extension after those of concentration, but added further to the pleasure of my solitude, which, while still inviolable, was no longer shut in, the sense of liberty. This closet looked out upon a courtyard, a fair solitary stranger whom I was glad to have for a neighbour when next morning my eyes fell on her, a captive between her high walls in which no other window opened, with nothing but two yellowing trees which were enough to give a pinkish softness to the pure sky above.&#xA;&#xA;   Before going to bed I decided to leave the room in order to explore the whole of my fairy kingdom. I walked down a long gallery which did me homage successively with all that it had to offer me if I could not sleep, an armchair placed waiting in a corner, a spinet, on a table against the wall, a bowl of blue crockery filled with cinerarias, and, in an old frame, the phantom of a lady of long ago whose powdered hair was starred with blue flowers, holding in her hand a bunch of carnations. When I came to the end, the bare wall in which no door opened said to me simply “Now you must turn and go back, but, you see, you are at home here, the house is yours,” while the soft carpet, not to be left out, added that if I did not sleep that night I could easily come in barefoot, and’ the unshuttered windows, looking out over the oper, country, assured me that they would hold a sleepless vigil and that, at whatever hour I chose to come in, I need not be afraid of disturbing anyone. And behind a hanging curtain I surprised only a little closet which, stopped by the wall and unable to escape any farther, had hidden itself there with a guilty conscience and gave me a frightened stare from its little round window, glowing blue in the moonlight. I went to bed, but the presence of the eiderdown quilt, of the pillars, of the neat fireplace, by straining my attention to a pitch beyond that of Paris, prevented me from letting myself go upon my habitual train of fancies. And as it is this particular state of strained attention that enfolds our slumbers, acts upon them, modifies them, brings them into line with this or that series of past impressions, the images that filled my dreams that first night were borrowed from a memory entirely distinct from that on which I was in the habit of drawing. If I had been tempted while asleep to let myself be swept back upon my ordinary current of remembrance, the bed to which I was not accustomed, the comfortable attention which I was obliged to pay to the position of my various limbs when I turned over, were sufficient to correct my error, to disentangle and to keep running the new thread of my dreams. It is the same with sleep as with our perception of the external world. It needs only a modification in our habits to make it poetic, it is enough that while undressing we should have dozed off unconsciously upon the bed, for the dimensions of our dream-world to be altered and its beauty felt. We awake, look at our watch, see ‘four o’clock’; it is only four o’clock in the morning, but we imagine that the whole day has gone by, so vividly does this nap of a few minutes, unsought by us, appear to have come down to us from the skies, by virtue of some divine right, full-bodied, vast, like an Emperor’s orb of gold. In the morning, while worrying over the thought that my grandfather was ready, and was waiting for me to start on our walk along the Méséglise way, I was awakened by the blare of a regimental band which passed every day beneath my windows. But on several occasions — and I mention these because one cannot properly describe human life unless one shews it soaked in the sleep in which it plunges, which, night after night, sweeps round it as a promontory is encircled by the sea — the intervening layer of sleep was strong enough to bear the shock of the music and I heard nothing. On the other mornings it gave way for a moment; but, still velvety with the refreshment of having slept, my consciousness (like those organs by which, after a local anaesthetic, a cauterisation, not perceived at first, is felt only at the very end and then as a faint burning smart) was touched only gently by the shrill points of the fifes which caressed it with a vague, cool, matutinal warbling; and after this brief interruption in which the silence had turned to music it relapsed into my slumber before even the dragoons had finished passing, depriving me of the latest opening buds of the sparkling clangorous nosegay. And the zone of my consciousness which its springing stems had brushed was so narrow, so circumscribed with sleep that later on, when Saint-Loup asked me whether I had heard the band, I was no longer ertain that the sound of its brasses had not been as imaginary as that which I heard during the day echo, after the slightest noise, from the paved streets of the town. Perhaps I had heard it only in a dream, prompted by my fear of being awakened, or else of not being awakened and so not seeing the regiment march past. For often, when I was still asleep at the moment when, on the contrary, I had supposed that the noise would awaken me, for the next hour I imagined that I was awake, while still drowsing, and I enacted to myself with tenuous shadow-shapes on the screen of my slumber the various scenes of which it deprived me but at which I had the illusion of looking on.&#xA;&#xA;   What one has meant to do during the day, as it turns out, sleep intervening, one accomplishes only in one’s dreams, that is to say after it has been distorted by sleep into following another line than one would have chosen when awake. The same story branches off and has a different ending. When all is said, the world in which we live when we are asleep is so different that people who have difficulty in going to sleep seek first of all to escape from the waking world. After having desperately, for hours on end, with shut eyes, revolved in their minds thoughts similar to those which they would have had with their eyes open, they take heart again on noticing that the last minute has been crawling under the weight of an argument in formal contradiction of the laws of thought, and their realisation of this, and the brief ‘absence’ to which it points, indicate that the door is now open through which they will perhaps be able, presently, to escape from the perception of the real, to advance to a resting-place more or less remote on the other side, which will mean their having a more or less ‘good’ night. But already a great stride has been made when we turn our back on the real, when we reach the cave in which ‘auto-suggestions’ prepare — like witches — the hell-broth of imaginary maladies or of the recurrence of nervous disorders, and watch for the hour at which the storm that has been gathering during our unconscious sleep will break with sufficient force to make sleep cease.&#xA;&#xA;   Not far thence is the secret garden in which grow like strange flowers the kinds of sleep, so different one from another, the sleep induced by datura, by the multiple extracts of ether, the sleep of belladonna, of opium, of valerian, flowers whose petals remain shut until the day when the predestined visitor shall come and, touching them, bid them open, and for long hours inhale the aroma of their peculiar dreams into a marvelling and bewildered being. At the end of the garden stands the convent with open windows through which we hear voices repeating the lessons learned before we went to sleep, which we shall know only at the moment of awakening; while, a presage of that moment, sounds the resonant tick of that inward alarum which our preoccupation has so effectively regulated that when our housekeeper comes in with the warning: “It is seven o’clock,” she will find us awake and ready. On the dim walls of that chamber which opens upon our dreams, within which toils without ceasing that oblivion of the sorrows of love whose task, interrupted and brought: to nought at times by a nightmare big with reminiscence, is ever speedily resumed, hang, even after we are awake, the memories of our dreams, but so overshadowed that otten we catch sight of them for the first time only in the broad light of the afternoon when the ray of a similar idea happens by chance to strike them; some of them brilliant and harmonious while we slept, but already so distorted that, having failed to recognise them, we can but hasten to lay them in the earth like dead bodies too quickly decomposed or relics so seriously damaged, so nearly crumbling into dust that the most skilful restorer could not bring them back to their true form or make anything of them. Near the gate is the quarry to which our heavier slumbers repair in search of substances which coat the brain with so unbreakable a glaze that, to awaken the sleeper, his own will is obliged, even on a golden morning, to smite him with mighty blows like a young Siegfried. Beyond this, again, are the nightmares of which the doctors foolishly assert that they tire us more than does insomnia, whereas on the contrary they enable the thinker to escape from the strain of thought; those nightmares with their fantastic picture-books in which our relatives who are dead are shewn meeting with a serious accident which at the same time does not preclude their speedy recovery. Until then we keep them in a little rat-cage, in which they are smaller than white mice and, covered with big red spots, out of each of which a feather sprouts, engage us in Ciceronian dialogues. Next to this picture-book is the revolving disc of awakening, by virtue of which we submit for a moment to the tedium of having to return at once to a house which was pulled down fifty years ago, the memory of which is gradually effaced as sleep grows more distant by a number of others, until we arrive at that memory which the disc presents only when it has ceased to revolve and which coincides with what we shall see with opened eyes.&#xA;&#xA;   Sometimes I had heard nothing, being in one of those slumbers into which we fall as into a pit from which we are heartily glad to be drawn up a little later, heavy, overfed, digesting all that has been brought to us (as by the nymphs who fed the infant Hercules) by those agile, vegetative powers whose activity is doubled while we sleep.&#xA;&#xA;   That kind of sleep is called ‘sleeping like lead,’ and it seems as though one has become, oneself, and remains for a few moments after such a sleep is ended, simply a leaden image. One is no longer a person. How then, seeking for one’s mind, one’s personality, as one seeks for a thing that is lost, does one recover one’s own self rather than any other? Why, when one begins again to think, is it not another personality than yesterday’s that is incarnate in one? One fails to see what can dictate the choice, or why, among the millions of human beings any one of whom one might be, it is on him who one was overnight that unerringly one lays one’s hand? What is it that guides us, when there has been an actual interruption — whether it be that our unconsciousness has been complete or our dreams entirely different from ourselves? There has indeed been death, as when the heart has ceased to beat and a rhythmical friction of the tongue revives us. No doubt the room, even if we have seen it only once before, awakens memories to which other, older memories cling. Or were some memories also asleep in us of which we now become conscious? The resurrection at our awakening — after that healing attack of mental alienation which is sleep — must after all be similar to what occurs when we recapture a name, a line, a refrain that we had forgotten. And perhaps the resurrection of the soul after death is to be conceived as a phenomenon of memory.&#xA;&#xA;   When I had finished sleeping, tempted by the sunlit sky — but discouraged by the chill — of those last autumn mornings, so luminous and so cold, in which winter begins, to get up and look at the trees on which the leaves were indicated now only by a few strokes, golden or rosy, which seemed to have been left in the air, on an invisible web, I raised my head from the pillow and stretched my neck, keeping my body still hidden beneath the bedclothes; like a chrysalis in the process of change I was a dual creature, with the different parts of which a single environment did not agree; for my eyes colour was sufficient, without warmth; my chest on the other hand was anxious for warmth and not for colour. I rose only after my fire had been lighted, and studied the picture, so delicate and transparent, of the pink and golden morning, to which I had now added by artificial means the element of warmth that it lacked, poking my fire which burned and smoked like a good pipe and gave me, as a pipe would have given me, a pleasure at once coarse because it was based upon a material comfort and delicate because beyond it was printed a pure vision. The walls of my dressing-room were covered with a paper on which a violent red background was patterned with black and white flowers, to which it seemed that I should have some difficulty in growing accustomed. But they succeeded only in striking me as novel, in forcing me to enter not into conflict but into contact with them, in modulating the gaiety, the songs of my morning toilet, they succeeded only in imprisoning me in the heart of a sort of poppy, out of which to look at a world which I saw quite differently from in Paris, from the gay screen which was this new dwelling-place, of a different aspect from the house of my parents, and into which flowed a purer air. On certain days, I was agitated by the desire to see my grandmother again, or by the fear that she might be ill, or else it was the memory of some undertaking which I had left half-finished in Paris, and which seemed to have made no progress; sometimes again it was some difficulty in which, even here, I had managed to become involved. One or other of these anxieties had kept me from sleeping, and I was without strength to face my sorrow which in a moment grew to fill the whole of my existence. Then from the hotel I sent a messenger to the barracks, with a line to Saint-Loup: I told him that, should it be materially possible — I knew that it was extremely difficult for him — I should be most grateful if he would look in for a minute. An hour later he arrived; and on hearing his ring at the door I felt myself liberated from my obsessions. I knew that, if they were stronger than I, he was stronger than they, and my attention was diverted from them and concentrated on him who would have to settle them. He had come into the room, and already he had enveloped me in the gust of fresh air in which from before dawn he had been displaying so much activity, a vital atmosphere very different from that of my room, to which I at once adapted myself by appropriate reactions.&#xA;&#xA;    “I hope you weren’t angry with me for bothering you; there is something that is worrying me, as you probably guessed.”&#xA;&#xA;    “Not at all; I just supposed you wanted to see me, and I thought it very nice of you. I was delighted that you should have sent for me. But what is the trouble? Things not going well? What can I do to help?”&#xA;&#xA;   He listened to my explanations, and gave careful answers; but before he had uttered a word he had transformed me to his own likeness; compared with the important occupations which kept him so busy, so alert, so happy, the worries which, a moment ago, I had been unable to endure for another instant seemed to me as to him negligible; I was like a man who, not having been able to open his eyes for some days, sends for a doctor, who neatly and gently raises his eyelid, removes from beneath it and shews him a grain of sand; the sufferer is healed and comforted. All my cares resolved themselves into a telegram which Saint-Loup undertook to dispatch. Life seemed to me so different, so delightful; I was flooded with such a surfeit of strength that I longed for action.&#xA;&#xA;    “What are you doing now?” I asked him.&#xA;&#xA;    “I must leave you, I’m afraid; we’re going on a route march in three quarters of an hour, and I have to be on parade.”&#xA;&#xA;    “Then it’s been a great bother to you, coming here?”&#xA;&#xA;    “No, no bother at all, the Captain was very good about it; he told me that if it was for you I must go at once; but you understand, I don’t like to seem to be abusing the privilege.”&#xA;&#xA;    “But if I got up and dressed quickly and went by myself to the place where you’ll be training, it would interest me immensely, and I could perhaps talk to you during the breaks.”&#xA;&#xA;    “I shouldn’t advise you to do that; you have been lying awake, racking your brains over a thing which, I assure you, is not of the slightest importance, but now that it has ceased to worry you, lay your head down on the pillow and go to sleep, which you will find an excellent antidote to the déminéralisation of your nerve-cells; only you mustn’t go to sleep too soon, because our band-boys will be coming along under your windows; but as soon as they’ve passed I think you’ll be left in peace, and we shall meet again this evening, at dinner.”&#xA;&#xA;   But soon I was constantly going to see the regiment being trained in field operations, when I began to take an interest in the military theories which Saint-Loup’s friends used to expound over the dinner-table, and when it had become the chief desire of my life to see at close quarters their various leaders, just as a person who makes music his principal study and spends his life in the concert halls finds pleasure in frequenting the cafés in which one mingles with the life of the members of the orchestra. To reach the training ground I used to have to take tremendously long walks. In the evening after dinner the longing for sleep made my head drop every now and then as in a swoon. Next morning I realised that I had no more heard the band than, at Balbec, after the evenings on which Saint-Loup had taken me to dinner at Rivebelle, I used to hear the concert on the beach. And at the moment when I wished to rise I had a delicious feeling of incapacity; I felt myself fastened to a deep, invisible ground by the articulations (of which my tiredness made me conscious) of muscular and nutritious roots. I felt myself full of strength; life seemed to extend more amply before me; this was because I had reverted to the good tiredness of my childhood at Combray on the mornings following days on which we had taken the Guermantes walk. Poets make out that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. The fixed places, contemporary with different years, it is in ourselves that we should rather seek to find them. This is where the advantage comes in, to a certain extent, of great exhaustion followed by a good night’s rest. Good nights, to make us descend into the most subterranean galleries of sleep, where no reflexion from overnight, no gleam of memory comes to lighten the inward monologue (if so be that it cease not also), turn so effectively the soil and break through the surface stone of our body that we discover there, where our muscles dive down and throw out their twisted roots and breathe the air of the new life, the garden in which as a child we used to play. There is no need to travel in order to see it again; we must dig down inwardly to discover it. What once covered the earth is no longer upon it but beneath; a mere excursion does not suffice for a visit to the dead city, excavation is necessary also. But we shall see how certain impressions, fugitive and fortuitous, carry us back even more effectively to the past, with a more delicate precision, with a flight more light-winged, more immaterial, more headlong, more unerring, more immortal than these organic dislocations.&#xA;&#xA;   Sometimes my exhaustion was greater still; I had, without any opportunity of going to bed, been following the operations for several days on end. How blessed then was my return to the hotel! As I got into bed I seemed to have escaped at last from the hands of enchanters, sorcerers like those who people the ‘romances’ beloved of our forebears in the seventeenth century. My sleep that night and the lazy morning that followed it were no more than a charming fairy tale. Charming; beneficent perhaps also. I reminded myself that the keenest sufferings have their place of sanctuary, that one can always, when all else fails, find repose. These thoughts carried me far.&#xA;&#xA;   On days when, although there was no parade, Saint-Loup had to stay in barracks, I used often to go and visit him there. It was a long way; I had to leave the town and cross the viaduct, from either side of which I had an immense view. A strong breeze blew almost always over this high ground, and filled all the buildings erected on three sides of the barrack-square, which howled incessantly like a cave of the winds. While I waited for Robert — he being engaged on some duty or other — outside the door of his room or in the mess, talking to some of his friends to whom he had introduced me (and whom later on I came now and then to see, even when he was not to be there), looking down from the window three hundred feet to the country below, bare now except where recently sown fields, often still soaked with rain and glittering in the sun, shewed a few stripes of green, of the brilliance and translucent limpidity of enamel, I could hear him discussed by the others, and I soon learned what a popular favourite he was. Among many of the volunteers, belonging to other squadrons^ sons of rich business or professional men who looked at the higher aristocratic society only from outside and without penetrating its enclosure, the attraction which they naturally felt towards what they knew of Saint-Loup’s character was reinforced by the distinction that attached in their eyes to the young man whom, on Saturday evenings, when they went on pass to Paris, they had seen supping in the Café de la Paix with the Duc d’Uzès and the Prince d’Orléans. And on that account, into his handsome face, his casual way of walking and saluting officers, the perpetual dance of his eyeglass, the affectation shewn in the cut of his service dress — the caps always too high, the breeches of too fine a cloth and too pink a shade — they had introduced the idea of a ‘tone’ which, they were positive, was lacking in the best turned-out officers in the regiment, even the majestic Captain to whom I had been indebted for the privilege of sleeping in barracks, who seemed, in comparison, too pompous and almost common.&#xA;&#xA;   One of them said that the Captain had bought a new horse. “He can buy as many horses as he likes. I passed Saint-Loup on Sunday morning in the Allée des Acacias; now he’s got some style on a horse!” replied his companion, and knew what he was talking about, for these young fellows belonged to a class which, if it does not frequent the same houses and know the same people, yet, thanks to money and leisure, does not differ from the nobility in its experience of all those refinements of life which money can procure. At any rate their refinement had, in the matter of clothes, for instance, something about it more studied, more impeccable than that free and easy negligence which had so delighted my grandmother in Saint-Loup. It gave quite a thrill to these sons of big stockbrokers or bankers, as they sat eating oysters after the theatre, to see at an adjoining table Serjeant Saint-Loup. And what a tale there was to tell in barracks on Monday night, after a week-end leave, by one of them who was in Robert’s squadron, and to whom he had said how d’ye do ‘most civilly,’ while another, who was not in the same squadron, was quite positive that, in spite of this, Saint-Loup had recognised him, for two or three times he had put up his eyeglass and stared in the speaker’s direction.&#xA;&#xA;    “Yes, my brother saw him at the Paix,” said another, who had been spending the day with his mistress; “my brother says his dress coat was cut too loose and didn’t fit him.”&#xA;&#xA;    “What was the waistcoat like?”&#xA;&#xA;    “He wasn’t wearing a white waistcoat; it was purple, with sort of palms on it; stunning!”&#xA;&#xA;   To the ‘old soldiers’ (sons of the soil who had never heard of the Jockey Club and simply put Saint-Loup in the category of ultra-rich non-commissioned officers, in which they included all those who, whether bankrupt or not, lived in a certain style, whose income or debts ran into several figures, and who were generous towards their men), the gait, the eyeglass, the breeches, the caps of Saint-Loup, even if they saw in them nothing particularly aristocratic, furnished nevertheless just as much interest and meaning. They recognised in these peculiarities the character, the style which they had assigned once and for all time to this most popular of the ‘stripes’ in the regiment, manners like no one’s else, scornful indifference to what his superior officers might think, which seemed to them the natural corollary of his goodness to his subordinates. The morning cup of coffee in the canteen, the afternoon ‘lay-down’ in the barrack-room seemed pleasanter, somehow, when some old soldier fed the hungering, lazy section with some savoury titbit as to a cap in which Saint-Loup had appeared on parade.&#xA;&#xA;    “It was the height of my pack.”&#xA;&#xA;    “Come off it, old chap, you don’t expect us to believe that; it couldn’t have been the height of your pack,” interrupted a young college graduate who hoped by using these slang terms not to appear a ‘learned beggar,’ and by venturing on this contradiction to obtain confirmation of a fact the thought of which enchanted him.&#xA;&#xA;    “Oh, so it wasn’t the height of my pack, wasn’t it? You measured it, I suppose! I tell you this much, the C. O. glared at it as if he’d have liked to put him in clink. But you needn’t think the great Saint-Loup felt squashed; no, he went and he came, and down with his head and up with his head, and that blinking glass screwed in his eye all the time. We’ll see what the ‘Capstan’ has to say when he hears. Oh, very likely he’ll say nothing, but you may be sure he won’t be pleased. But there’s nothing so wonderful about that cap. I hear he’s got thirty of ’em and more at home, at his house in town.”&#xA;&#xA;    “Where did you hear that, old man? From our blasted corporal-dog?” asked the young graduate, pedantically displaying the new forms of speech which he had only recently acquired and with which he took a pride in garnishing his conversation.&#xA;&#xA;    “Where did I hear it? From his batman; what d’you think?”&#xA;&#xA;    “Ah! Now you’re talking. That’s a chap who knows when he’s well off!”&#xA;&#xA;    “I should say so! He’s got more in his pocket than I have, certain sure! And besides he gives him all his own things, and everything. He wasn’t getting his grub properly, he says. Along comes de Saint-Loup, and gives cooky hell: ‘I want him to be properly fed, d’you hear,’ he says, ‘and I don’t care what it costs.’”&#xA;&#xA;   The old soldier made up for the triviality of the words quoted by the emphasis of his tone, in a feeble imitation of the speaker which had an immense success.&#xA;&#xA;   On leaving the barracks I would take a stroll, and then, to fill up the time before I went, as I did every evening, to dine with Saint-Loup at the hotel in which he and his friends had established their mess, I made for my own, as soon as the sun had set, so as to have a couple of hours in which to rest and read. In the square, the evening light bedecked the pepper-pot turrets of the castle with little pink clouds which matched the colour of the bricks, and completed the harmony by softening the tone of the latter where it bathed them. So strong a current of vitality coursed through my nerves that no amount of movement on my part could exhaust it; each step I took, after touching a stone of the pavement, rebounded off it. I seemed to have growing on my heels the wings of Mercury. One of the fountains was filled with a ruddy glow, while in the other the moonlight had already begun to turn the water opalescent. Between them were children at play, uttering shrill cries, wheeling in circles, obeying some necessity of the hour, like swifts or bats. Next door to the hotel, the old National Courts and the Louis XVI orangery, in which were installed now the savings-bank and the Army Corps headquarters, were lighted from within by the palely gilded globes of their gas-jets which, seen in the still clear daylight outside, suited those vast, tall, eighteenth-century windows from which the last rays of the setting sun had not yet departed, as would have suited a complexion heightened with rouge a headdress of yellow tortoise-shell, and persuaded me to seek out my fireside and the lamp which, alone in the shadowy front of my hotel, was striving to resist the gathering darkness, and for the sake of which I went indoors before it was quite dark, for pleasure, as to an appetising meal. I kept, when I was in my room, the same fulness of sensation that I had felt outside. It gave such an apparent convexity of surface to things which as a rule seem flat and empty, to the yellow flame of the fire, the coarse blue paper on the ceiling, on which the setting sun had scribbled corkscrews and whirligigs, like a schoolboy with a piece of red chalk, the curiously patterned cloth on the round table, on which a ream of essay paper and an inkpot lay in readiness for me, with one of Bergotte’s novels, that ever since then these things have continued to seem to me to be enriched with a whole form of existence which I feel that I should be able to extract from them if it were granted me to set eyes on them again. I thought with joy of the barracks that I had just left and of their weather-cock turning with every wind that blew. Like a diver breathing through a pipe which rises above the surface of the water, I felt that I was in a sense maintaining contact with a healthy, open-air life when I kept as a baiting-place those barracks, that towering observatory, dominating a country-side furrowed with canals of green enamel, into whose various buildings I esteemed as a priceless privilege, which I hoped would last, my freedom to go whenever I chose, always certain of a welcome.&#xA;&#xA;   At seven o’clock I dressed myself and went out again to dine with Saint-Loup at the hotel where he took his meals. I liked to go there on foot. It was by now pitch dark, and after the third day of my visit there began to blow, as soon as night had fallen, an icy wind which seemed a harbinger of snow. As I walked, I ought not, strictly speaking, to have ceased for a moment to think of Mme. de Guermantes; it was only in the attempt to draw nearer to her that I had come to visit Robert’s garrison. But a memory, a grief, are fleeting things. There are days when they remove so far that we are barely conscious of them, we think that they have gone for ever. Then we pay attention to other things. And the streets of this town had not yet become for me what streets are in the place where one is accustomed to live, simply means of communication between one part and another. The life led by the inhabitants of this unknown world must, it seemed to me, be a marvellous thing, and often the lighted windows of some dwelling-house kept me standing for a long while motionless in the darkness by laying before my eyes the actual and mysterious scenes of an existence into which I might not penetrate. Here the fire-spirit displayed to me in purple colouring the booth of a chestnut seller in which a couple of serjeants, their belts slung over the backs of chairs, were playing cards, never dreaming that a magician’s wand was making them emerge from the night, like a transparency on the stage, and presenting them in their true lineaments at that very moment to the eyes of an arrested passerby whom they could not see. In a little curiosity shop a candle, burned almost to its socket, projecting its warm glow over an engraving reprinted it in sanguine, while, battling against the darkness, the light of the big lamp tanned a scrap of leather, inlaid a dagger with fiery spangles, on pictures which were only bad copies spread a priceless film of gold like the patina of time or the varnish used by a master, made in fact of the whole hovel, in which there was nothing but pinchbeck rubbish, a marvellous composition by Rembrandt. Sometimes I lifted my gaze to some huge old dwelling-house on which the shutters had not been closed and in which amphibious men and women floated slowly to and fro in the rich liquid that after nightfall rose incessantly from the wells of the lamps to fill the rooms to the very brink of the outer walls of stone and glass, the movement of their bodies sending through it long unctuous golden ripples. I proceeded on my way, and often, in the dark alley that ran past the cathedral, as long ago on the road to Méséglise, the force of my desire caught and held me; it seemed that a woman must be on the point of appearing, to satisfy it; if, in the darkness, I felt suddenly brush past me a skirt, the violence of the pleasure which I then felt made it impossible for me to believe that the contact was accidental and I attempted to seize in my arms a terrified stranger. This gothic alley meant for me something so real that if I had been successful in raising and enjoying a woman there, it would have been impossible for me not to believe that it was the ancient charm of the place that was bringing us together, and even though she were no more than a common street-walker, stationed there every evening, still the wintry night, the strange place, the darkness, the mediaeval atmosphere would have lent her their mysterious glamour. I thought of what might be in store for me; to try to forget Mme. de Guermantes seemed to me a dreadful thing, but reasonable, and for the first time possible, easy perhaps even. In the absolute quiet of this neighbourhood I could hear ahead of me shouted words and laughter which must come from tipsy revellers staggering home. I waited to see them, I stood peering in the direction from which I had heard the sound. But I was obliged to wait for some time, for the surrounding silence was so intense that it allowed to travel with the utmost clearness and strength sounds that were still a long way off. Finally the revellers did appear; not, as I had supposed, in front of me, but ever so far behind. Whether the intersection of sidestreets, the interposition of buildings had, by reverberation, brought about this acoustic error, or because it is very difficult to locate a sound when the place from which it comes is not known, I had been as far wrong over direction as over distance.&#xA;&#xA;   The wind grew stronger. It was thick and bristling with coming snow. I returned to the main street and jumped on board the little tramway-car on which, from its platform, an officer, without apparently seeing them, was acknowledging the salutes of the loutish soldiers who trudged past along the pavement, their faces daubed crimson by the cold, reminding me, in this little town which the sudden leap from autumn into early winter seemed to have transported farther north, of the rubicund faces which Breughel gives to his merry, junketing, frostbound peasants.&#xA;&#xA;   And sure enough at the hotel where I was to meet Saint-Loup and his friends and to which the fair now beginning had attracted a number of people from near and far, I found, as I hurried across the courtyard with its glimpses of glowing kitchens in which chickens were turning on spits, pigs were roasting, lobsters being flung, alive, into what the landlord called the ‘everlasting fire,’ an influx (worthy of some Numbering of the People Before Bethlehem such as the old Flemish masters used to paint) of new arrivals who assembled there in groups, asking the landlord or one of his staff (who, if he did not like the look of them, would recommend lodgings elsewhere in the town) whether they could have dinner and beds, while a scullion hurried past holding a struggling fowl by the neck. And similarly, in the big dining-room which I crossed the first day before coming to the smaller room in which my friend was waiting for me, it was of some feast in the Gospels portrayed with a mediaeval simplicity and an exaggeration typically Flemish that one was reminded by the quantity of fish, pullets, grouse, woodcock, pigeons, brought in dressed and garnished and piping hot by breathless waiters who slid over the polished floor to gain speed and set them down on the huge carving table where they were at once cut up but where — for most of the people had nearly finished dinner when I arrived — they accumulated untouched, as though their profusion and the haste of those who brought them in were due not so much to the requirements of the diners as to respect for the sacred text, scrupulously followed in the letter but quaintly illustrated by real details borrowed from local custom, and to an aesthetic and religious scruple for making evident to the eye the solemnity of the feast by the profusion of the victuals and the assiduity of the servers. One of these stood lost in thought at the far end of the room by a sideboard; and to find out from him, who alone appeared calm enough to be capable of answering me, in which room our table had been laid, making my way forward among the chafing-dishes that had been lighted here and there to keep the late comers’ plates from growing cold (which did not, however, prevent the dessert, in the centre of the room, from being piled on the outstretched hands of a huge mannikin, sometimes supported on the wings of a duck, apparently of crystal, but really of ice, carved afresh every day with a hot iron by a sculptor-cook, quite in the Flemish manner), I went straight — at the risk of being knocked down by his colleagues — towards this servitor, in whom I felt that I recognised a character who is traditionally present in all these sacred subjects, for he reproduced with scrupulous accuracy the blunt features, fatuous and ill-drawn, the musing expression, already half aware of the miracle of a divine presence which the others have not yet begun to suspect. I should add that, in view probably of the coming fair, this presentation was strengthened by a celestial contingent, recruited in mass, of cherubim and seraphim. A young angel musician, whose fair hair enclosed a fourteen-year-old face, was not, it was true, playing on any instrument, but stood musing before a gong or a pile of plates, while other less infantile angels flew swiftly across the boundless expanse of the room, beating the air with the ceaseless fluttering of the napkins which fell along the lines of their bodies like the wings in ‘primitive’ paintings, with pointed ends. Fleeing those ill-defined regions, screened by a hedge of palms through which the angelic servitors looked, from a distance, as though they had floated down out of the empyrean, I explored my way to the smaller room in which Saint-Loup’s table was laid. I found there several of his friends who dined with him regularly, nobles except for one or two commoners in whom the young nobles had, in their school days, detected likely friends, and with whom they readily associated, proving thereby that they were not on principle hostile to the middle class, even though it were Republican, provided it had clean hands and went to mass. On the first of these evenings, before we sat down to dinner, I drew Saint-Loup into a corner and, in front of all the rest but so that they should not hear me, said to him:&#xA;&#xA;    “Robert, this is hardly the time or the place for what I am going to say, but I shan’t be a second. I keep on forgetting to ask you when I’m in the barracks; isn’t that Mme. de Guermantes’s photograph that you have on your table?”&#xA;&#xA;    “Why, yes; my good aunt.”&#xA;&#xA;    “Of course she is; what a fool I am; you told me before that she was; I’d forgotten all about her being your aunt. I say, your friends will be getting impatient, we must be quick, they’re looking at us; another time will do; it isn’t at all important.”&#xA;&#xA;    “That’s all right; go on as long as you like. They can wait.”&#xA;&#xA;    “No, no; I do want to be polite to them; they’re so nice; besides, it doesn’t really matter in the least, I assure you.”&#xA;&#xA;    “Do you know that worthy Oriane, then?”&#xA;&#xA;   This ‘worthy Oriane,’ as he might have said, ‘that good Oriane,’ did not imply that Saint-Loup regarded Mme. de Guermantes as especially good. In this instance the words ‘good,’ ‘excellent,’ ‘worthy’ are mere reinforcements of the demonstrative ‘that,’ indicating a person who is known to both parties and of whom the speaker does not quite know what to say to someone outside the intimate circle. The word ‘good’ does duty as a stopgap and keeps the conversation going for a moment until the speaker has hit upon “Do you see much of her?” or “I haven’t set eyes on her for months,” or “I shall be seeing her on Tuesday,” or “She must be getting on, now, you know.”&#xA;&#xA;    “I can’t tell you how funny it is that it should be her photograph, because we’re living in her house now, in Paris, and I’ve been hearing the most astounding things” (I should have been hard put to it to say what) “about her, which have made me immensely interested in her, only from a literary point of view, don’t you know, from a — how shall I put it — from a Balzacian point of view; but you’re so clever you can see what I mean; I don’t need to explain things to you; but we must hurry up; what on earth will your friends think of my manners?”&#xA;&#xA;    “They will think absolutely nothing; I have told them that you are sublime, and they are a great deal more alarmed than you are.”&#xA;&#xA;    “You are too kind. But listen, what I want to say is this: I suppose Mme. de Guermantes hasn’t any idea that I know you, has she?”&#xA;&#xA;    “I can’t say; I haven’t seen her since the summer, because I haven’t had any leave since she’s been in town.”&#xA;&#xA;    “What I was going to say is this: I’ve been told that she looks on me as an absolute idiot.”&#xA;&#xA;    “That I do not believe; Oriane is not exactly an eagle, but all the same she’s by no means stupid.”&#xA;&#xA;    “You know that, as a rule, I don’t care about your advertising the good opinion you’re kind enough to hold of me; I’m not conceited. That’s why I’m sorry you should have said flattering things about me to your friends here (we will go back to them in two seconds). But Mme. de Guermantes is different; if you could let her know — if you would even exaggerate a trifle — what you think of me, you would give me great pleasure.”&#xA;&#xA;    “Why, of course I will, if that’s all you want me to do; it’s not very difficult; but what difference can it possibly make to you what she thinks of you? I suppose you think her no end of a joke, really; anyhow, if that’s all you want we can discuss it in front of the others or when we are by ourselves; I’m afraid of your tiring yourself if you stand talking, and it’s so inconvenient too, when we have heaps of opportunities of being alone together.”&#xA;&#xA;   It was precisely this inconvenience that had given me courage to approach Robert; the presence of the others was for me a pretext that justified my giving my remarks a curt and incoherent form, under cover of which I could more easily dissemble the falsehood of my saying to my friend that I had forgotten his connexion with the Duchess, and also did not give him time to frame — with regard to my reasons for wishing that Mme. de Guermantes should know that I was his friend, was clever, and so forth — questions which would have been all the more disturbing in that I should not have been able to answer them.&#xA;&#xA;    “Robert, I’m surprised that a man of your intelligence should fail to understand that one doesn’t discuss the things that will give one’s friends pleasure; one does them. Now I, if you were to ask me no matter what, and indeed I only wish you would ask me to do something for you, I can assure you I shouldn’t want any explanations. I may ask you for more than I really want; I have no desire to know Mme. de Guermantes, but just to test you I ought to have said that I was anxious to dine with Mme. de Guermantes; I am sure you would never have done it.”&#xA;&#xA;    “Not only should I have done it, I will do it.”&#xA;&#xA;    “When?”&#xA;&#xA;    “Next time I’m in Paris, three weeks from now, I expect.”&#xA;&#xA;    “We shall see; I dare say she won’t want to see me, though. I can’t tell you how grateful I am.”&#xA;&#xA;    “Not at all; it’s nothing.”&#xA;&#xA;    “Don’t say that; it’s everything in the world, because now I can see what sort of friend you are; whether what I ask you to do is important or not, disagreeable or not, whether I am really keen about it or ask you only as a test, it makes no difference; you say you will do it, and there you shew the fmeness of your mind and heart. A stupid friend would have started a discussion.”&#xA;&#xA;   Which was exactly what he had just been doing; but perhaps I wanted to flatter his self-esteem; perhaps also I was sincere, the sole touchstone of merit seeming to me to be the extent to which a friend could be useful in respect of the one thing that seemed to me to have any importance, namely my love. Then I went on, perhaps from cunning, possibly from a genuine increase of affection inspired by gratitude, expectancy, and the copy of Mme. de Guermantes’s very features which nature had made in producing her nephew Robert: “But, I say, we mustn’t keep them waiting any longer, and I’ve mentioned only one of the two things I wanted to ask you, the less important; the other is more important to me, but I’m afraid you will never consent. Would it bore you if we were to call each other tu?”&#xA;&#xA;    “Bore me? My dear fellow! Joy! Tears of joy! Undreamed-of happiness!”&#xA;&#xA;    “Thank you — tu I mean; you begin first — ever so much. It is such a pleasure to me that you needn’t do anything about Mme. de Guermantes if you’d rather not, this is quite enough for me.”&#xA;&#xA;    “I can do both.”&#xA;&#xA;    “I say, Robert! Listen to me a minute,” I said to him later while we were at dinner. “Oh, it’s really too absurd the way our conversation is always being interrupted, I can’t think why — you remember the lady I was speaking to you about just now.”&#xA;&#xA;    “Yes.”&#xA;&#xA;    “You’re quite sure you know who’ I mean?”&#xA;&#xA;    “Why, what do you take me for, a village idiot?”&#xA;&#xA;    “You wouldn’t care to give me her photograph, I suppose?”&#xA;&#xA;   had meant to ask him only for the loan of it. But when the time came to speak I felt shy, I decided that the request was indiscreet, and in order to hide my confusion I put the question more bluntly, and increased my demand, as if it had been quite natural.&#xA;&#xA;    “No; I should have to ask her permission first,” was his answer.&#xA;&#xA;   He blushed as he spoke. I could see that he had a reservation in his mind, that he credited me also with one, that he would give only a partial service to my love, under the restraint of certain moral principles, and for this I hated him.&#xA;&#xA;   At the same time I was touched to see how differently Saint-Loup behaved towards me now that I was no longer alone with him, and that his friends formed an audience. His increased affability would have left me cold had I thought that it was deliberately assumed; but I could feel that it was spontaneous and consisted only of all that he had to say about me in my absence and refrained as a rule from saying when we were together by ourselves. In our private conversations I might certainly suspect the pleasure that he found in talking to me, but that pleasure he almost always left unexpressed. Now, at the same remarks from me which, as a rule, he enjoyed without shewing it, he watched from the corner of his eye to see whether they produced on his friends the effect on which he had counted, an effect corresponding to what he had promised them beforehand. The mother of a girl in her first season could be no more unrelaxing in her attention to her daughter’s responses and to the attitude of the public. If I had made some remark at which, alone in my company, he would merely have smiled, he was afraid that the others might not have seen the point, and put in a “What’s that?” to make me repeat what I had said, to attract attention, and turning at once to his friends and making himself automatically, by facing them with a hearty laugh, the fugleman of their laughter, presented me for the first time with the opinion that he actually held of me and must often have expressed to them. So that I caught sight of myself suddenly from without, like a person who reads his name in a newspaper or sees himself in a mirror.&#xA;&#xA;   It occurred to me, one of these evenings, to tell a mildly amusing story about Mme. Blandais, but I stopped at once, remembering that Saint-Loup knew it already, and that when I had tried to tell him it on the day following my arrival he had interrupted me with: “You told me that before, at Balbec.” I was surprised, therefore, to find him begging me to go on and assuring me that he did not know the story, and that it would amuse him immensely. “You’ve forgotten it for the moment,” I said to him, “but you’ll remember as I go on.” “No, really; I swear you’re mistaken. You’ve never told me. Do go on.” And throughout the story he fixed a feverish and enraptured gaze alternately on myself and on his friends. I realised only after I had finished, amid general laughter, that it had struck him that this story would give his friends a good idea of my wit, and that it was for this reason that he had pretended not to know it. Such is the stuff of friendship.&#xA;&#xA;   On the third evening, one of his friends, to whom I had not had an opportunity before of speaking, conversed with me at great length; and I overheard him telling Saint-Loup how much he had been enjoying himself. And indeed we sat talking together almost all evening, leaving our glasses of sauterne untouched on the table before us, isolated, sheltered from the others by the sumptuous curtains of one of those intuitive sympathies between man and man which, when they are not based upon any physical attraction, are the only kind that is altogether mysterious. Of such an enigmatic nature had seemed to me, at Balbec, that feeling which Saint-Loup had for me, which was not to be confused with the interest of our conversations, a feeling free from any material association, invisible, intangible, and yet a thing of the presence of which in himself, like a sort of inflammatory gas, he had been so far conscious as to refer to it with a smile. And yet there was perhaps something more surprising still in this sympathy born here in a single evening, like a flower that had budded and opened in a few minutes in the warmth of this little room. I could not help asking Robert when he spoke to me about Balbec whether it were really settled that he was to marry Mlle. d’Ambresac. He assured me that not only was it not settled, but there had never been any thought of such a match, he had never seen her, he did not know who she was. If at that moment I had happened to see any of the social gossipers who had told me of this coming event, they would promptly have announced the betrothal of Mlle. d’Ambresac to some one who was not Saint-Loup and that of Saint-Loup to some one who was not Mlle. d’Ambresac. I should have surprised them greatly had I reminded them of their incompatible and still so recent predictions. In order that this little game may continue, and multiply false reports by attaching the greatest possible number to every name in turn, nature has furnished those who play it with a memory as short as their credulity is long.&#xA;&#xA;   Saint-Loup had spoken to me of another of his friends who was present also one with whom he was on particularly good terms just then, since they were the only two advocates in their mess of the retrial of Dreyfus.&#xA;&#xA;   Just as a brother of this friend of Saint-Loup, who had been trained at the Schola Cantorum, thought about every new musical work not at all what his father, his mother, his cousins, his club friends thought, but exactly what the other students thought at the Schola, so this non-commissioned nobleman (of whom Bloch formed an extraordinary opinion when I told him about him, because, touched to hear that he belonged to the same party as himself, he nevertheless imagined him on account of his aristocratic birth and religious and military upbringing to be as different as possible, endowed with the same romantic attraction as a native of a distant country) had a ‘mentality,’ as people were now beginning to say, analogous to that of the whole body of Dreyfusards in general and of Bloch in particular, on which the traditions of his family and the interests of his career could retain no hold whatever. Similarly one of Saint-Loup’s cousins had married a young Eastern princess who was said to write poetry quite as fine as Victor Hugo’s or Alfred de Vigny’s, and in spite of this was supposed to have a different type of mind from what one would naturally expect, the mind of an Eastern princess immured in an Arabian Nights palace. For the writers who had the privilege of meeting her was reserved the disappointment or rather the joy of listening to conversation which gave the impression not of Scheherazade but of a person of genius of the type of Alfred de Vigny or Victor Hugo.&#xA;&#xA;    “That fellow? Oh, he’s not like Saint-Loup, he’s a regular devil,” my new friend informed me; “he’s not even straight about it. At first, he used to say: ‘Just wait a little, there’s a man I know well, a clever, kind-hearted fellow, General de Boisdeffre; you need have no hesitation in accepting his decision.’ But as soon as he heard that Boisdeffre had pronounced Dreyfus guilty, Boisdeffre ceased to count: clericalism, staff prejudices, prevented his forming a candid opinion, although there is no one in the world (or was, rather, before this Dreyfus business) half so clerical as our friend. Next he told us that now we were sure to get the truth, the case had been put in the hands of Saussier, and he, a soldier of the Republic (our friend coming of an ultra-monarchist family, if you please), was a man of bronze, a stern unyielding conscience. But when Saussier pronounced Esterhazy innocent, he found fresh reasons to account for the decision, reasons damaging not to Dreyfus but to General Saussier. It was the militarist spirit that blinded Saussier (and I must explain to you that our friend is just as much militarist as clerical, or at least he was; I don’t know what to think of him now). His family are all brokenhearted at seeing him possessed by such ideas.”&#xA;&#xA;    “Don’t you think,” I suggested, turning half towards Saint-Loup so as not to appear to be cutting myself off from him, as well as towards his friend, and so that we might all three join in the conversation, “that the influence we ascribe to environment is particularly true of intellectual environment. One is the man of one’s idea. There are far fewer ideas than men, therefore all men with similar ideas are alike. As there is nothing material in an idea, so the people who are only materially neighbours of the man with an idea can do nothing to alter it.”&#xA;&#xA;   At this point I was interrupted by Saint-Loup, because another of the young men had leaned across to him with a smile and, pointing to me, exclaimed: “Duroc! Duroc all over!” I had no idea what this might mean, but I felt the expression on the shy young face to be more than friendly. While I was speaking, the approbation of the party seemed to Saint-Loup superfluous; he insisted on silence. And just as a conductor stops his orchestra with a rap from his baton because some one in the audience has made a noise, so he rebuked the author of this disturbance: “Gibergue, you must keep your mouth shut when people are speaking. You can tell us about it afterwards.” And to me: “Please go on.”&#xA;&#xA;   I gave a sigh of relief, for I had been afraid that he was going to make me begin all over again.&#xA;&#xA;    “And as an idea,” I went on, “is a thing that cannot participate in human interests and would be incapable of deriving any benefit from them, the men who are governed by an idea are not influenced by material considerations.”&#xA;&#xA;   When I had finished, “That’s one in the eye for you, my boys,” exclaimed Saint-Loup, who had been following me with his gaze with the same anxious solicitude as if I had been walking upon a tight-rope. “What were you going to say, Gibergue?”&#xA;&#xA;    “I was just saying that your friend reminded me of Major Duroc. I seemed to hear him speaking.”&#xA;&#xA;    “Why, I’ve often thought so myself,” replied Saint-Loup; “they have several points in common, but you’ll find there are a thousand things in this fellow that Duroc hasn’t got.”&#xA;&#xA;   Saint-Loup was not satisfied with this comparison. In an ecstasy of joy, into which there no doubt entered the joy that he felt in making me shine before his friends, with extreme volubility, stroking me as though he were rubbing down a horse that had just come first past the post, he reiterated: “You’re the cleverest man I know, do you hear?” He corrected himself, and added: “You and Elstir. — You don’t mind my bracketing him with you, I hope. You understand — punctiliousness. It’s like this: I say it to you as one might have said to Balzac: ‘You are the greatest novelist of the century — you and Stendhal.’ Excessive punctiliousness, don’t you know, and at heart an immense admiration. No? You don’t admit Stendhal?” he went on, with an ingenuous confidence in my judgment which found expression in a charming, smiling, almost childish glance of interrogation from his green eyes. “Oh, good! I see you’re on my side; Bloch can’t stand Stendhal. I think it’s idiotic of him. The Chartreuse is after all an immense work, don’t you think? I am so glad you agree with me. What is it you like best in theChartreuse, answer me?” he appealed to me with a boyish impetuosity. And the menace of his physical strength made the question almost terrifying. “Mosca? Fabrice?” I answered timidly that Mosca reminded me a little of M. de Norpois. Whereupon peals of laughter from the young Siegfried Saint-Loup. And while I was going on to explain: “But Mosca is far more intelligent, not so pedantic,” I heard Robert cry: “Bravo!” actually clapping his hands, and, helpless with laughter, gasp: “Oh, perfect! Admirable! You really are astounding.”&#xA;&#xA;   I took a particular pleasure in talking to this young man, as for that matter to all Robert’s friends and to Robert himself, about their barracks, the officers of the garrison, and the army in general. Thanks to the immensely enlarged scale on which we see the things, however petty they may be, in the midst of which we eat, and talk, and lead our real life; thanks to that formidable enlargement which they undergo, and the effect of which is that the rest of the world, not being present, cannot compete with them, and assumes in comparison the unsubstantiality of a dream, I had begun to take an interest in the various personalities of the barracks, in the officers whom I saw in the square when I went to visit Saint-Loup, or, if I was awake then, when the regiment passed beneath my windows. I should have liked to know more about the major whom Saint-Loup so greatly admired, and about the course of military history which would have appealed to me “even from an aesthetic point of view.” I knew that with Robert the spoken word was, only too often, a trifle hollow, but at other times implied the assimilation of valuable ideas which he was fully capable of grasping. Unfortunately, from the military point of view Robert was exclusively preoccupied at this time with the case of Dreyfus. He spoke little about it, since he alone of the party at table was a Dreyfusard; the others were violently opposed to the idea of a fresh trial, except my other neighbour, my new friend, and his opinions appeared to be somewhat vague. A firm admirer of the colonel, who was regarded as an exceptionally competent officer and had denounced the current agitation against the Army in several of his regimental orders, which won him the reputation of being an anti-Dreyfusard, my neighbour had heard that his commanding officer had let fall certain remarks which had led to the supposition that he had his doubts as to the guilt of Dreyfus and retained his admiration for Picquart. In the latter respect, at any rate, the rumour of Dreyfusism as applied to the colonel was as ill-founded as are all the rumours, springing from none knows where, which float around any great scandal. For, shortly afterwards, this colonel having been detailed to interrogate the former Chief of the Intelligence Branch, had treated him with a brutality and contempt the like of which had never been known before. However this might be (and naturally he had not taken the liberty of going direct to the colonel for his information), my neighbour had paid Saint-Loup the compliment of telling him — in the tone in which a Catholic lady might tell a Jewish lady that her parish priest denounced the pogroms in Russia and might openly admire the generosity of certain Israelites — that their colonel was not, with regard to Dreyfusism — to a certain kind of Dreyfusism, at least — the fanatical, narrow opponent that he had been made out to be.&#xA;&#xA;    “I am not surprised,” was Saint-Loup’s comment; “for he’s a sensible man. But in spite of that he is blinded by the prejudices of his caste, and above all by his clericalism. Now,” he turned to me, “Major Duroc, the lecturer on military history I was telling you about; there’s a man who is whole-heartedly in support of our views, or so I’m told. And I should have been surprised to hear that he wasn’t, for he’s not only a brilliantly clever man, but a Radical-Socialist and a freemason.”&#xA;&#xA;   Partly out of courtesy to his friends, whom these expressions of Saint-Loup’s faith in Dreyfus made uncomfortable, and also because the subject was of more interest to myself, I asked my neighbour if it were true that this major gave a demonstration of military history which had a genuine aesthetic beauty. “It is absolutely true.”&#xA;&#xA;    “But what do you mean by that?”&#xA;&#xA;    “Well, all that you read, let us say, in the narrative of a military historian, the smallest facts, the most trivial happenings, are only the outward signs of an idea which has to be analysed, and which often brings to light other ideas, like a palimpsest. So that you have a field for study as intellectual as any science you care to name, or any art, and one that is satisfying to the mind.”&#xA;&#xA;    “Give me an example or two, if you don’t mind.”&#xA;&#xA;    “It is not very easy to explain,” Saint-Loup broke in. “You read, let us say, that this or that Corps has tried . . . but before we go any further, the serial number of the Corps, its order of battle are not without their significance. If it is not the first time that the operation has been attempted, and if for the same operation we find a different Corps being brought up, it is perhaps a sign that the previous Corps have been wiped out or have suffered heavy casualties in the said operation; that they are no longer in a fit state to carry it through successfully. Next, we must ask ourselves what was this Corps which is now out of action; if it was composed of shock troops, held in reserve for big attacks, a fresh Corps of inferior quality will have little chance of succeeding where the first has failed. Furthermore, if we are not at the start of a campaign, this fresh Corps may itself be a composite formation of odds and ends withdrawn from other Corps, which throws a light on the strength of the forces the belligerent still has at his disposal and the proximity of the moment when his forces shall be definitely inferior to the enemy’s, which gives to the operation on which this Corps is about to engage a different meaning, because, if it is no longer in a condition to make good its losses, its successes even will only help mathematically to bring it nearer to its ultimate destruction. And then, the serial number of the Corps that it has facing it is of no less significance. If, for instance, it is a much weaker unit, which has already accounted for several important units of the attacking force, the whole nature of the operation is changed, since, even if it should end in the loss of the position which the defending force has been holding, simply to have held it for any length of time may be a great success if a very small defending force has been sufficient to disable highly important forces on the other side. You can understand that if, in the analysis of the Corps engaged on both sides, there are all these points of importance, the study of the position itself, of the roads, of the railways which it commands, of the lines of communication which it protects, is of the very highest. One must study what I may call the whole geographical context,” he added with a laugh. And indeed he was so delighted with this expression that, every time he employed it, even months afterwards, it was always accompanied by the same laugh. “While the operation is being prepared by one of the belligerents, if you read that one of his patrols has been wiped out in the neighbourhood of the position by the other belligerent, one of the conclusions which you are entitled to draw is that one side was attempting to reconnoitre the defensive works with which the other intended to resist his attack. An exceptional burst of activity at a given point may indicate the desire to capture that point, but equally well the desire to hold the enemy in check there, not to retaliate at the point at which he has attacked you; or it may indeed be only a feint, intended to cover by an increased activity the relief of troops in that sector. (Which was a classic feint in Napoleon’s wars.) On the other hand, to appreciate the significance of any movement, its probable object, and, as a corollary, the other movements by which it will be accompanied or followed, it is not immaterial to consult, not so much the announcements issued by the Higher Command, which may be intended to deceive the enemy, to mask a possible check, as the manual of field operations in use in the country in question. We are always entitled to assume that the manoeuvre which an army has attempted to carry out is that prescribed by the rules that are applicable to the circumstances. If, for instance, the rule lays down that a frontal attack should be accompanied by a flank attack; if, after the flank attack has failed, the Higher Command makes out that it had no connexion with the main attack and was merely a diversion, there is a strong likelihood that the truth will be found by consulting the rules and not the reports issued from Headquarters. And there are not only the regulations governing each army to be considered, but their traditions, their habits, their doctrines; the study of diplomatic activities, with their perpetual action or reaction upon military activities, must not be neglected either. Incidents apparently insignificant, which at the time are not understood, will explain to you how the enemy, counting upon a support which these incidents shew to have been withheld, was able to carry out only a part of his strategic plan. So that, if you can read between the lines of military history, what is a confused jumble for the ordinary reader becomes a chain of reasoning as straightforward as a picture is for the picture-lover who can see what the person portrayed is wearing and has in his hands, while the visitor hurrying through the gallery is bewildered by a blur of colour which gives him a headache. But just as with certain pictures, in which it is not enough to observe that the figure is holding a chalice, but one must know why the painter chose to place a chalice in his hands, what it is intended to symbolise, so these military operations, apart from their immediate object, are quite regularly traced, in the mind of the general responsible for the campaign, from the plans of earlier battles, which we may call the past experience, the literature, the learning, the etymology, the aristocracy (whichever you like) of the battles of to-day. Observe that I am not speaking for the moment of the local, the (what shall I call it?) spatial identity of battles. That exists also. A battle-field has never been, and never will be throughout the centuries, simply the ground upon which a particular battle has been fought. If it has been a battle-field, that was because it combined certain conditions of geographical position, of geological formation, drawbacks even, of a kind that would obstruct the enemy (a river, for instance, cutting his force in two), which made it a good field of battle. And so what it has been it will continue to be. A painter doesn’t make a studio out of any old room; so you don’t make a battle-field out of any old piece of ground. There are places set apart for the purpose. But, once again, this is not what I was telling you about; it was the type of battle which one follows, in a sort of strategic tracing, a tactical imitation, if you like. Battles like Ulm, Lodi, Leipzig, Cannae. I can’t say whether there is ever going to be another war, or what nations are going to fight in it, but, if a war does come, you may be sure that it will include (and deliberately, on the commander’s part) a Cannae, an Austerlitz, a Rosbach, a Waterloo. Some of our people say quite openly that Marshal von Schieffer and General Falkenhausen have prepared a Battle of Cannae against France, in the Hannibal style, pinning their enemy down along his whole front, and advancing on both flanks, especially through Belgium, while Bernhardi prefers the oblique order of Frederick the Great, Lenthen rather than Cannae. Others expound their views less crudely, but I can tell you one thing, my boy, that Beauconseil, the squadron commander I introduced you to the other day, who is an officer with a very great future before him, has swotted up a little Pratzen attack of his own; he knows it inside out, he is keeping it up his sleeve, and if he ever has an opportunity to put it into practice he will make a clean job of it and let us have it on a big scale. The break through in the centre at Rivoli, too; that’s a thing that will crop up if there’s ever another war. It’s no more obsolete than the Iliad. I must add that we are practically condemned to make frontal attacks, because we can’t afford to repeat the mistake we made in Seventy; we must assume the offensive, and nothing else. The only thing that troubles me is that if I see only the slower, more antiquated minds among us opposing this splendid doctrine, still, one of the youngest of my masters, who is a genius, I mean Mangin, would like us to leave room, provisionally of course, for the defensive. It is not very easy to answer him when he cites the example of Austerlitz, where the defence was merely a prelude to attack and victory.”&#xA;&#xA;   The enunciation of these theories by Saint-Loup made me happy. They gave me to hope that perhaps I was not being led astray, in my life at Doncières, with regard to these officers whom I used to hear being discussed while I sat sipping a sauterne which bathed them in its charming golden glint, by the same magnifying power which had swollen to such enormous proportions in my eyes while I was at Balbec the King and Queen of the South Sea Island, the little group of the four epicures, the young gambler, Legrandin’s brother-in-law, now shrunken so in my view as to appear nonexistent. What gave me pleasure to-day would not, perhaps, leave me indifferent to-morrow, as had always happened hitherto; the creature that I still was at this moment was not, perhaps, doomed to immediate destruction since to the ardent and fugitive passion which I had felt on these few evenings for everything connected with military life, Saint-Loup, by what he had just been saying to me, touching the art of war, added an intellectual foundation, of a permanent character, capable of attaching me to itself so strongly that I might, without any attempt to deceive myself, feel assured that after I had left Doncières I should continue to take an interest in the work of my friends there, and should not be long in coming to pay them another visit. At the same time, so as to make quite sure that this art of war was indeed an art in the true sense of the word:&#xA;&#xA;    “You interest me — I beg your pardon, tu interest me enormously,” I said to Saint-Loup, “but tell me, there is one point that puzzles me. I feel that I could be keenly thrilled by the art of strategy, but if so I must first be sure that it is not so very different from the other arts, that knowing the rules is not everything. You tell me that plans of battles are copied. I do find something aesthetic, just as you said, in seeing beneath a modern battle the plan of an older one, I can’t tell you how attractive it sounds. But then, does the genius of the commander count for nothing? Does he really do no more than apply the rules? Or, in point of science, are there great generals as there are great surgeons, who, when the symptoms exhibited by two states of ill-health are identical to the outward eye, nevertheless feel, for some infinitesimal reason, founded perhaps on their experience, but interpreted afresh, that in one case they ought to do one thing, in another case another; that in one case it is better to operate, in another to wait?”&#xA;&#xA;    “I should just say so! You will find Napoleon not attacking when all the rules ordered him to attack, but some obscure divination warned him not to. For instance, look at Austerlitz, or in 1806 take his instructions to Lannes. But you will find certain generals slavishly imitating one of Napoleon’s movements and arriving at a diametrically opposite result. There are a dozen examples of that in 1870. But even for the interpretation of what the enemy may do, what he actually does is only a symptom which may mean any number of different things. Each of them has an equal chance of being the right thing, if one looks only to reasoning and science, just as in certain difficult cases all the medical science in the world will be powerless to decide whether the invisible tumour is malignant or not, whether or not the operation ought to be performed. It is his instinct, his divination — like Mme. de Thèbes (you follow me?)— which decides, in the great general as in the great doctor. Thus I’ve been telling you, to take one instance, what might be meant by a reconnaissance on the eve of a battle. But it may mean a dozen other things also, such as to make the enemy think you are going to attack him at one point whereas you intend to attack him at another, to put out a screen which will prevent him from seeing the preparations for your real operation, to force him to bring up fresh troops, to hold them, to immobilise them in a different place from where they are needed, to form an estimate of the forces at his disposal, to feel him, to force him to shew his hand. Sometimes, indeed, the fact that you employ an immense number of troops in an operation is by no means a proof that that is your true objective; for you may be justified in carrying it out, even if it is only a feint, so that your feint may have a better chance of deceiving the enemy. If I had time now to go through the Napoleonic wars from this point of view, I assure you that these simple classic movements which we study here, and which you will come and see us practising in the field, just for the pleasure of a walk, you young rascal — no, I know you’re not well, I apologise! — well, in a war, when you feel behind you the vigilance, the judgment, the profound study of the Higher Command, you are as much moved by them as by the simple lamps of a lighthouse, only a material combustion, but an emanation of the spirit, sweeping through space to warn ships of danger. I may have been wrong, perhaps, in speaking to you only of the literature of war. In reality, as the formation of the soil, the direction of wind and light tell us which way a tree will grow, so the conditions in which a campaign is fought, the features of the country through which you march, prescribe, to a certain extent, and limit the number of the plans among which the general has to choose. Which means that along a mountain range, through a system of valleys, over certain plains, it is almost with the inevitability and the tremendous beauty of an avalanche that you can forecast the line of an army on the march.”&#xA;&#xA;    “Now you deny me that freedom of choice in the commander, that power of divination in the enemy who is trying to discover his plan, which you allowed me a moment ago.”&#xA;&#xA;    “Not at all. You remember that book of philosophy we read together at Balbec, the richness of the world of possibilities compared with the real world. Very well. It is the same again with the art of strategy. In a given situation there will be four plans that offer themselves, one of which the general has to choose, as a disease may pass through various phases for which the doctor has to watch. And here again the weakness and greatness of the human elements are fresh causes of uncertainty. For of these four plans let us assume that contingent reasons (such as the attainment of minor objects, or time, which may be pressing, or the smallness of his effective strength and shortage of rations) lead the general to prefer the first, which is less perfect, but less costly also to carry out, is more rapid, and has for its terrain a richer country for feeding his troops. He may, after having begun with this plan, which the enemy, uncertain at first, will soon detect, find that success lies beyond his grasp, the difficulties being too great (that is what I call the element of human weakness), abandon it and try the second or third or fourth. But it may equally be that he has tried the first plan (and this is what I call human greatness) merely as a feint to pin down the enemy, so as to surprise him later at a point where he has not been expecting an attack. Thus at Ulm, Mack, who expected the enemy to advance from the west, was surrounded from the north where he thought he was perfectly safe. My example is not a very good one, as a matter of fact. And Ulm is a better type of enveloping battle, which the future will see reproduced, because it is not only a classic example from which generals will seek inspiration, but a form that is to some extent necessary (one of several necessities, which leaves room for choice, for variety) like a type of crystallisation. But it doesn’t much matter, really, because these conditions are after all artificial. To go back to our philosophy book; it is like the rules of logic or scientific laws, reality does conform to it more or less, but bear in mind that the great mathematician Poincaré is by no means certain that mathematics are strictly accurate. As to the rules themselves, which I mentioned to you, they are of secondary importance really, and besides they are altered from time to time. We cavalrymen, for instance, have to go by the Field Service of 1895, which, you may say, is out of date since it is based on the old and obsolete doctrine which maintains that cavalry warfare has little more than a moral effect, in the panic that the charge creates in the enemy. Whereas the more intelligent of our teachers, all the best brains in the cavalry, and particularly the major I was telling you about, anticipate on the contrary that the decisive victory will be obtained by a real hand-to-hand encounter in which our weapons will be sabre and lance and the side that can hold out longer will win, not simply morally and by creating panic, but materially.”&#xA;&#xA;    “Saint-Loup is quite right, and it is probable that the next Field Service will shew signs of this evolution,” put in my other neighbour.&#xA;&#xA;    “I am not ungrateful for your support, for your opinions seem to make more impression upon my friend than mine,” said Saint-Loup with a smile, whether because the growing attraction between his comrade and myself annoyed him slightly or because he thought it graceful to solemnise it with this official confirmation. “Perhaps I may have underestimated the importance of the rules; I don’t know. They do change, that must be admitted. But in the meantime they control the military situation, the plans of campaign and concentration. If they reflect a false conception of strategy they may be the principal cause of defeat. All this is a little too technical for you,” he remarked to me. “After all, you may say that what does most to accelerate the evolution of the art of war is wars themselves. In the course of a campaign, if it is at all long, you will see one belligerent profiting by the lessons furnished him by the successes and mistakes, perfecting the methods of the other, who will improve on him in turn. But all that is a thing of the past. With the terrible advance of artillery, the wars of the future, if there are to be any more wars, will be so short that, before we have had time to think of putting our lessons into practice, peace will have been signed.”&#xA;&#xA;    “Don’t be so touchy,” I told Saint-Loup, reverting to the first words ol this speech. “I was listening to you quite eagerly.”&#xA;&#xA;    “If you will kindly not fly into a passion, and will allow me to speak,” his friend went on, “I shall add to what you have just been saying that if battles copy and coincide with one another it is not merely due to the mind of the commander. It may happen that a mistake on his part (for instance, his failure to appreciate the strength of the enemy) will lead him to call upon his men for extravagant sacrifices, sacrifices which certain units will make with an abnegation so sublime that their part in the battle will be analogous to that played by some other unit in some other battle, and these will be quoted in history as interchangeable examples: to stick to 1870, we have the Prussian Guard at Saint-Privat, and the Turcos at Froeschviller and Wissembourg.”&#xA;&#xA;    “Ah! Interchangeable; very neat! Excellent! The lad has brains,” was Saint-Loup’s comment.&#xA;&#xA;   I was not unmoved by these last examples, as always when, beneath the particular instance, I was afforded a glimpse of the general law. Still, the genius of the commander, that was what interested me, I was anxious to discover in what it consisted, what steps, in given circumstances, when the commander who lacked genius could not withstand the enemy, the inspired leader would take to re-establish his jeopardised position, which, according to Saint-Loup, was quite possible and had been done by Napoleon more than once. And to understand what military worth meant I asked for comparisons between the various generals whom I knew by name, which of them had most markedly the character of a leader, the gifts of a tactician; at the risk of boring my new friends, who however shewed no signs of boredom, but continued to answer me with an inexhaustible good nature.&#xA;&#xA;   I felt myself isolated, not only from the great, freezing night which extended far around us and in which we heard from time to time the whistle of a train which only rendered more keen the pleasure of being where we were, or the chime of an hour which, happily, was still a long way short of that at which these young men would have to buckle on their sabres and go, but also from all my external obsessions, almost from the memory of Mme. de Guermantes, by the hospitality of Saint-Loup, to which that of his friends, reinforcing it, gave, so to speak, a greater solidity; by the warmth also of this little dining-room, by the savour of the well-chosen dishes that were set before us. They gave as much pleasure to my imagination as to my appetite; sometimes the little piece of still life from which they had been taken, the rugged holy water stoup of the oyster in which lingered a few drops of brackish water, or the knotted stem, the yellow leaves of a bunch of grapes still enveloped them, inedible, poetic and remote as a landscape, and producing, at different points in the course of the meal, the impressions of rest in the shade of a vine and of an excursion out to sea; on other evenings it was the cook alone who threw into relief these original properties of our food, which he presented in its natural setting, like a work of art; and a fish cooked in wine was brought in on a long earthenware dish, on which, as it stood out in relief on a bed of bluish herbs, unbreakable now but still contorted from having been dropped alive into boiling water, surrounded by a circle of satellite creatures in their shells, crabs, shrimps and mussels, it had the appearance of being part of a ceramic design by Bernard Palissy.&#xA;&#xA;    “I am jealous, furious,” Saint-Loup attacked me, half smiling, half in earnest, alluding to the interminable conversations aside which I had been having with his friend. “Is it because you find him more intelligent than me; do you like him better than me? Well, I suppose he’s everything now, and no one else is to have a look in!” Men who are enormously in love with a woman, who live in the society of woman-lovers, allow themselves pleasantries on which others, who would see less innocence in them, would never venture.&#xA;&#xA;   When the conversation became general, they avoided any reference to Dreyfus for fear of offending Saint-Loup. The following week, however, two of his friends were remarking what a curious thing it was that, living in so military an atmosphere, he was so keen a Dreyfusard, almost an anti-militarist. “The reason is,” I suggested, not wishing to enter into details, “that the influence of environment is not so important as people think . . . ” I intended of course to stop at this point, and not to reiterate the observations which I had made to Saint-Loup a few days earlier. Since, however, I had repeated these words almost textually, I proceeded to excuse myself by adding: “As, in fact, I was saying the other day . . . ” But I had reckoned without the reverse side of Robert’s polite admiration of myself and certain other persons. That admiration reached its fulfilment in so entire an assimilation of their ideas that, in the course of a day or two, he would have completely forgotten that those ideas were not his own. And so, in the matter of my modest theory, Saint-Loup, for all the world as though it had always dwelt in his own brain, and as though I were merely poaching on his preserves, felt it incumbent upon him to greet my discovery with warm approval.&#xA;&#xA;    “Why, yes; environment is of no importance.”&#xA;&#xA;   And with as much vehemence as if he were afraid of my interrupting, or failing to understand him:&#xA;&#xA;    “The real influence is that of one’s intellectual environment! One is the man of one’s idea!”&#xA;&#xA;   He stopped for a moment, with the satisfied smile of one who has digested his dinner, dropped his eyeglass and, fixing me with a gimlet-like stare:&#xA;&#xA;    “All men with similar ideas are alike,” he informed me, with a challenging air. Probably he had completely forgotten that I myself had said to him, only a few days earlier, what on the other hand he remembered so well.&#xA;&#xA;   I did not arrive at Saint-Loup’s restaurant every evening in the same state of mind. If a memory, a sorrow that weigh on us are able to leave us so effectively that we are no longer aware of them, they can also return and sometimes remain with us for a long time. There were evenings when, as I passed through the town on my way to the restaurant, I felt so keen a longing for Mme. de Guermantes that I could scarcely breathe; you might have said that part of my breast had been cut open by a skilled anatomist, taken out, and replaced by an equal part of immaterial suffering, by an equivalent load of longing and love. And however neatly the wound may have been stitched together, there is not much comfort in life when regret for the loss of another person is substituted for one’s entrails, it seems to be occupying more room than they, one feels it perpetually, and besides, what a contradiction in terms to be obliged to think a part of one’s body. Only it seems that we are worth more, somehow. At the whisper of a breeze we sigh, from oppression, but from weariness also. I would look up at the sky. If it were clear, I would say to myself: “Perhaps she is in the country; she is looking at the same stars; and, for all I know, when I arrive at the restaurant Robert may say to me: ‘Good news! I have just heard from my aunt; she wants to meet you; she is coming down here.’” It was not in the firmament alone that I enshrined the thought of Mme. de Guermantes, A passing breath of air, more fragrant than the rest, seemed to bring me a message from her, as, long ago, from Gilberte in the cornfields of Méséglise. We do not change; we introduce into the feeling with which we regard a person many slumbering elements which that feeling revives but which are foreign to it. Besides, with these feelings for particular people, there is always something in us that is trying to bring them nearer to the truth, that is to say, to absorb them in a more general feeling, common to the whole of humanity, with which people and the suffering that they cause us are merely a means to enable us to communicate. What brought a certain pleasure into my grief was that I knew it to be a tiny fragment of the universal love. Simply because I thought that I recognised sorrows which I had felt on Gilberte’s account, or else when in the evenings at Combray Mamma would not stay in any room, and also the memory of certain pages of Bergotte, in the agony I now felt, to which Mme. de Guermantes, her coldness, her absence, were not clearly linked, as cause is to effect in the mind of a philosopher, I did not conclude that Mme. de Guermantes was not the cause of that agony. Is there not such a thing as a diffused bodily pain, extending, radiating out into other parts, which, however, it leaves, to vanish altogether, if the practitioner lays his finger on the precise spot from which it springs? And yet, until that moment, its extension gave it for us so vague, so fatal a semblance that, powerless to explain or even to locate it, we imagined that there was no possibility of its being healed. As I made my way to the restaurant I said to myself: “A fortnight already since I last saw Mme. de Guermantes.” A fortnight which did not appear so enormous an interval save to me, who, when Mme. de Guermantes was concerned, reckoned time by minutes. For me it was no longer the stars and the breeze merely, but the arithmetical divisions of time that assumed a dolorous and poetic aspect. Each day now was like the loose crest of a crumbling mountain, down one side of which I felt that I could descend into oblivion, but down the other was borne by the necessity of seeing the Duchess again. And I was continually inclining one way or the other, having no stable equilibrium. One day I said to myself: “Perhaps there will be a letter to-night;” and on entering the dining-room I found courage to ask Saint-Loup:&#xA;&#xA;    “You don’t happen to have had any news from Paris?”&#xA;&#xA;    “Yes,” he replied gloomily; “bad news.”&#xA;&#xA;   I breathed a sigh of relief when I realised that it was only he who was unhappy, and that the news came from his mistress. But I soon saw that one of its consequences would be to prevent Robert, for ever so long, from taking me to see his aunt.&#xA;&#xA;   I learned that a quarrel had broken out between him and his mistress, through the post presumably, unless she had come down to pay him a flying visit between trains. And the quarrels, even when relatively slight, which they had previously had, had always seemed as though they must prove insoluble. For she was a girl of violent temper, who would stamp her foot and burst into tears for reasons as incomprehensible as those that make children shut themselves into dark cupboards, not come out for dinner, refuse to give any explanation, and only redouble their sobs when, our patience exhausted, we visit them with a whipping. To say that Saint-Loup suffered terribly from this estrangement would be an understatement of the truth, which would give the reader a false impression of his grief. When he found himself alone, the only picture in his mind being that of his mistress parting from him with the respect which she had felt for him at the sight of his energy, the anxieties which he had had at first gave way before the irreparable, and the cessation of an anxiety is so pleasant a thing that the rupture, once it was certain, assumed for him something of the same kind of charm as a reconciliation. What he began to suffer from, a little later, was a secondary and accidental grief, the tide of which flowed incessantly from his own heart, at the idea that perhaps she would be glad to make it up, that it was not inconceivable that she was waiting for a word from him, that in the mean time, to be avenged on him, she would perhaps on a certain evening, in a certain place, do a certain thing, and that he had only to telegraph to her that he was coming for it not to happen, that others perhaps were taking advantage of the time which he was letting slip, and that in a few days it would be too late to recapture her, for she would be already bespoke. Among all these possibilities he was certain of nothing; his mistress preserved a silence which wrought him up to such a frenzy of grief that he began to ask himself whether she might not be in hiding at Doncières, or have sailed for the Indies.&#xA;&#xA;   It has been said that silence is a force; in another and widely different sense it is a tremendous force in the hands of those who are loved. It increases the anxiety of the lover who has to wait. Nothing so tempts us to approach another person as what is keeping us apart; and what barrier is there so insurmountable as silence? It has been said also that silence is a torture, capable of goading to madness him who is condemned to it in a prison cell. But what a torture — keener than that of having to keep silence — to have to endure the silence of the person one loves! Robert asked himself: “What can she be doing, never to send me a single word, like this? She hates me, perhaps, and will always go on hating me.” And he reproached himself. Thus her silence did indeed drive him mad with jealousy and remorse. Besides, more cruel than the silence of prisons, that kind of silence is in itself a prison. An immaterial enclosure, I admit, but impenetrable, this interposed slice of empty atmosphere through which, despite its emptiness, the visual rays of the abandoned lover cannot pass. Is there a more terrible illumination than that of silence which shews us not one absent love but a thousand, and shews us each of them in the act of indulging in some fresh betrayal? Sometimes, in an abrupt relaxation of his strain, Robert would imagine that this period of silence was just coming to an end, that the long expected letter was on its way. He saw it, it arrived, he started at every sound, his thirst was already quenched, he murmured: “The letter! The letter!” After this glimpse of a phantom oasis of affection, he found himself once more toiling across the real desert of a silence without end.&#xA;&#xA;   He suffered in anticipation, without a single omission, all the griefs and pains of a rupture which at other moments he fancied he might somehow contrive to avoid, like people who put all their affairs in order with a view to a migration abroad which they never make, whose minds, no longer certain where they will find themselves living next day, flutter helplessly for the time being, detached from them, like a heart that is taken out of a dying man and continues to beat, though disjoined from the rest of his body. Anyhow, this hope that his mistress would return gave him courage to persevere in the rupture, as the belief that one will return alive from the battle helps one to face death. And inasmuch as habit is, of all the plants of human growth, the one that has least need of nutritious soil in order to live, and is the first to appear upon what is apparently the most barren rock, perhaps had he begun by effecting their rupture as a feint he would in the end have grown genuinely accustomed to it. But his uncertainty kept him in a state of emotion which, linked with the memory of the woman herself, was akin to love. He forced himself, nevertheless, not to write to her, thinking perhaps that it was a less cruel torment to live without his mistress than with her in certain conditions, or else that, after the way in which they had parted, it was necessary to wait for excuses from her, if she was to keep what he believed her to feel for him in the way, if not of love, at any rate of esteem and regard. He contented himself with going to the telephone, which had recently been installed at Doncières, and asking for news from, or giving instructions to a lady’s maid whom he had procured and placed with his friend. These communications were, as it turned out, complicated and took up much of his time, since, influenced by what her literary friends preached to her about the ugliness of the capital, but principally for the sake of her animals, her dogs, her monkey, her canaries and her parrokeet, whose incessant din her Paris landlord had declined to tolerate for another moment, Robert’s mistress had now taken a little house in the neighbourhood of Versailles. Meanwhile he, down at Doncières, no longer slept a wink all night. Once, in my room, overcome by exhaustion, he dozed off for a little. But suddenly he began to talk, tried to get up and run, to stop something from happening, said: “I hear her; you shan’t . . . you shan’t. . . . ” He awoke. He had been dreaming, he explained to me, that he was in the country with the serjeant-major. His host had tried to keep him away from a certain part of the house. Saint-Loup had discovered that the serjeant-major had staying with him a subaltern, extremely rich and extremely vicious, whom he knew to have a violent passion for his mistress. And suddenly in his dream he had distinctly heard the spasmodic, regular cries which his mistress was in the habit of uttering at the moment of gratification. He had tried to force the serjeant-major to take him to the room in which she was. And the other had held him back, to keep him from going there, with an air of annoyance at such a want of discretion in a guest which, Robert said, he would never be able to forget.&#xA;&#xA;    “It was an idiotic dream,” he concluded, still quite breathless.&#xA;&#xA;   All the same I could see that, during the hour that followed, he was more than once on the point of telephoning to his mistress to beg for a reconciliation. My father had now had the telephone for some time at home, but I doubt whether that would have been of much use to Saint-Loup. Besides, it hardly seemed to me quite proper to make my parents, or even a mechanical instrument installed in their house, play pander between Saint-Loup and his mistress, ladylike and high-minded as the latter might be. His bad dream began to fade from his memory. With a fixed and absent stare, he came to see me on each of those cruel days which traced in my mind as they followed one after the other the splendid sweep of a staircase forged in hard metal on which Robert stood asking himself what decision his friend was going to take.&#xA;&#xA;   At length she wrote to ask whether he would consent to forgive her. As soon as he realised that a definite rupture had been avoided he saw all the disadvantages of a reconciliation. Besides, he had already begun to suffer less acutely, and had almost accepted a grief the sharp tooth of which he would have, in a few months perhaps, to feel again if their intimacy were to be resumed. He did not hesitate for long. And perhaps he hesitated only because he was now certain of being able to recapture his mistress, of being able to do it and therefore of doing it. Only she asked him, so that she might have time to recover her equanimity, not to come to Paris at the New Year. Now he had not the heart to go to Paris without seeing her. On the other hand, she had declared her willingness to go abroad with him, bot for that he would need to make a formal application for leave, which Captain de Borodino was unwilling to grant.&#xA;&#xA;    “I’m sorry about it, because of your meeting with my aunt, which will have to be put off. I dare say I shall be in Paris at Easter.”&#xA;&#xA;    “We shan’t be able to call on Mme. de Guermantes then, because I shall have gone to Balbec. But, really, it doesn’t matter in the least, I assure you.”&#xA;&#xA;    “To Balbec? But you didn’t go there till August.”&#xA;&#xA;    “I know; but next year they’re making me go there earlier, for my health.”&#xA;&#xA;   All that he feared was that I might form a bad impression of his mistress, after what he had told me. “She is violent simply because she is too frank, too thorough in her feelings. But she is a sublime creature. You can’t imagine what exquisite poetry there is in her. She goes every year to spend all Souls’ Day at Bruges. ‘Nice’ of her, don’t you think? If you ever do meet her you’ll see what I mean; she has a greatness. . . . ” And, as he was infected with certain of the mannerisms used in the literary circles in which the lady moved: “There is something sidereal about her, in fact something bardic; you know what I mean, the poet merging into the priest.”&#xA;&#xA;   I was searching all through dinner for a pretext which would enable Saint-Loup to ask his aunt to see me without my having to wait until he came to Paris. Now such a pretext was furnished by the desire that I had to see some more pictures by Elstir, the famous painter whom Saint-Loup and I had met at Balbec. A pretext behind which there was, moreover, an element of truth, for if, on my visits to Elstir, what I had asked of his painting had been that it should lead me to the comprehension and love of things better than itself, a real thaw, an authentic square in a country town, live women on a beach (all the more would I have commissioned from it the portraits of the realities which I had not been able to fathom, such as a lane of hawthorn-blossoms, not so much that it might perpetuate their beauty for me as that it might reveal that beauty to me), now, on the other hand, it was the originality, the seductive attraction of those paintings that aroused my desire, and what I wanted above anything else was to look at other pictures by Elstir.&#xA;&#xA;   It seemed to me, also, that the least of his pictures were something quite different from the masterpieces even of greater painters than himself. His work was like a realm apart, whose frontiers were not to be passed, matchless in substance. Eagerly collecting the infrequent periodicals in which articles on him and his work had appeared, I had learned that it was only recently that he had begun to paint landscapes and still life, and that he had started with mythological subjects (I had seen photographs of two of these in his studio), and had then been for long under the influence of Japanese art.&#xA;&#xA;   Several of the works most characteristic of his various manners were scattered about the provinces. A certain house at les Andelys, in which there was one of his finest landscapes, seemed to me as precious, gave me as keen a desire to go there and see it as did a village in the Chartres district, among whose millstone walls was enshrined a glorious painted window; and towards the possessor of this treasure, towards the man who, inside his ugly house, on the main Street, closeted like an astrologer, sat questioning one of those mirrors of the world which Elstir’s pictures were, and who had perhaps bought it for many thousands of francs, I felt myself borne by that instinctive sympathy which joins the very hearts, the inmost natures of those who think alike upon a vital subject. Now three important works by my favourite painter were described in one of these articles as belonging to Mme. de Guermantes. So that it was, after all, quite sincerely that, on the evening on which Saint-Loup told me of his lady’s projected visit to Bruges, I was able, during dinner, in front of his friends, to let fall, as though on the spur of the moment:&#xA;&#xA;    “Listen, if you don’t mind. Just one last word on the subject of the lady we were speaking about. You remember Elstir, the painter I met at Balbec?”&#xA;&#xA;    “Why, of course I do.”&#xA;&#xA;    “You remember how much I admired his work?”&#xA;&#xA;    “I do, quite well; and the letter we sent him.”&#xA;&#xA;    “Very well, one of the reasons — not one of the chief reasons, a subordinate reason — why I should like to meet the said lady — you do know who’ I mean, don’t you?”&#xA;&#xA;    “Of course I do. How involved you’re getting.”&#xA;&#xA;    “Is that she has in her house one very fine picture, at least, by Elstir.”&#xA;&#xA;    “I say, I never knew that.”&#xA;&#xA;    “Elstir will probably be at Balbec at Easter; you know he stays down there now all the year round, practically. I should very much like to have seen this picture before I leave Paris. I don’t know whether you’re on sufficiently intimate terms with your aunt: but couldn’t you manage, somehow, to give her so good an impression of me that she won’t refuse, and then ask her if she’ll let me come and see the picture without you, since you won’t be there?”&#xA;&#xA;    “That’s all right. I’ll answer for her; I’ll make a special point of it.”&#xA;&#xA;    “Oh, Robert, you are an angel; I do love you.”&#xA;&#xA;    “It’s very nice of you to love me, but it would be equally nice if you were to call me tu, as you promised, and as you began to do.”&#xA;&#xA;    “I hope it’s not your departure that you two are plotting together,” one of Robert’s friends said to me. “You know, if Saint-Loup does go on leave, it needn’t make any difference, we shall still be here. It will be less amusing for you, perhaps, but we’ll do all we can to make you forget his absence.” As a matter of fact, just as we had decided that Robert’s mistress would have to go to Bruges by herself, the news came that Captain de Borodino, obdurate hitherto in his refusal, had given authority for Serjeant Saint-Loup to proceed on long leave to Bruges. What had happened was this. The Prince, extremely proud of his luxuriant head of hair, was an assiduous customer of the principal hairdresser in the town, who had started life as a boy under Napoleon III’s barber. Captain de Borodino was on the best of terms with the hairdresser, being, in spite of his air of majesty, quite simple in his dealings with his inferiors. But the hairdresser, through whose books the Prince’s account had been running without payment for at least five years, swollen no less by bottles of Portugal and Eau des Souverains, irons, razors, and strops, than by the ordinary charges for shampooing, haircutting and the like, had a greater respect for Saint-Loup, who always paid on the nail and kept several carriages and saddle-horses. Having learned of Saint-Loup’s vexation at not being able to go with his mistress, he had spoken strongly about it to the Prince at a moment when he was trussed up in a white surplice with his head held firmly over the back of the chair and his throat menaced by a razor. This narrative of a young man’s gallant adventures won from the princely captain a smile of Bonapartish indulgence. It is hardly probable that he thought of his unpaid bill, but the barber’s recommendation tended to put him in as good a humour as one from a duke would have put him in a bad. While his chin was still smothered in soap, the leave was promised, and the warrant was signed that evening. As for the hairdresser, who was in the habit of boasting all day long of his own exploits, and in order to do so claimed for himself, shewing an astonishing faculty for lying, distinctions that were pure fabrications, having for once rendered this signal service to Saint-Loup, not only did he refrain from publishing it broadcast, but, as if vanity were obliged to lie, and when there was no scope for lying gave place to modesty, he never mentioned the matter to Robert again.&#xA;&#xA;   All his friends assured me that, as long as I stayed at Doncières, or if I should come there again at any time, even although Robert were away, their horses, their quarters, their time would be at my disposal, and I felt that it was with the greatest cordiality that these young men put their comfort and youth and strength at the service of my weakness.&#xA;&#xA;    “Why on earth,” they went on, after insisting that I should stay, “don’t you come down here every year; you see how our quiet life appeals to you! Besides you’re so keen about everything that goes on in the regiment; quite the old soldier.”&#xA;&#xA;   For I continued my eager demands that they would classify the different officers whose names I knew according to the degree of admiration which they seemed to deserve, just as, in my schooldays, I used to make the other boys classify the actors of the Théâtre-Français. If, in the place of one of the generals whom I had always heard mentioned at the head of the list, such as Galliffet or Négrier, one of Saint-Loup’s friends, with a contemptuous: “But Négrier is one of the feeblest of our general officers,” put the new, intact, appetising name of Pau or Geslin de Bourgogne, I felt the same joyful surprise as long ago when the outworn name of Thiron or Febvre was sent flying by the sudden explosion of the unfamiliar name of Amaury. “Better even than Négrier? But in what respect; give me an example?” I should have liked there to exist profound differences even among the junior officers of the regiment, and I hoped in the reason for these differences to seize the essential quality of what constituted military superiority. The one whom I should have been most interested to hear discussed, because he was the one whom I had most often seen, was the Prince de Borodino. But neither Saint-Loup nor his friends, if they did justice to the fine officer who kept his squadron up to the supreme pitch of efficiency, liked the man. Without speaking of him, naturally, in the same tone as of certain other officers, rankers and freemasons, who did not associate much with the rest and had, in comparison, an uncouth, barrack-room manner, they seemed not to include M. de Borodino among the officers of noble birth, from whom, it must be admitted, he differed considerably in his attitude even towards Saint-Loup. The others, taking advantage of the fact that Robert was only an N.C.O., and that therefore his influential relatives might be grateful were he invited to the houses of superior officers on whom ordinarily they would have looked down, lost no opportunity of having him to dine when any bigwig was expected who might be of use to a young cavalry serjeant. Captain de Borodino alone confined himself to his official relations (which, for that matter, were always excellent) with Robert. The fact was that the Prince, whose grandfather had been made a Marshal and a Prince-Duke by the Emperor, with whose family he had subsequently allied himself by marriage, while his father had married a cousin of Napoleon III and had twice been a Minister after the Coup d’Etat, felt that in spite of all this he did not count for much with Saint-Loup and the Guermantes connexion, who in turn, since he did not look at things from the same point of view as they, counted for very little with him. He suspected that, for Saint-Loup, he himself was — he, a kinsman of the Hohenzollern — not a true noble but the grandson of a farmer, but at the same time he regarded Saint-Loup as the son of a man whose Countship had been confirmed by the Emperor — one of what were known in the Faubourg Saint-Germain as ‘touched-up’ Counts — and who had besought him first for a Prefecture, then for some other post a long way down the list of subordinates to His Highness the Prince de Borodino, Minister of State, who was styled on his letters ‘Monseigneur’ and was a nephew of the Sovereign.&#xA;&#xA;   Something more than a nephew, possibly. The first Princesse de Borodino was reputed to have bestowed her favours on Napoleon I, whom she followed to the Isle of Elba, and the second hers on Napoleon III. And if, in the Captain’s placid countenance, one caught a trace of Napoleon I— if not in his natural features, at least in the studied majesty of the mask — the officer had, particularly in his melancholy and kindly gaze, in his drooping moustache, something that reminded one also of Napoleon III; and this in so striking a fashion that, having asked leave, after Sedan, to join the Emperor in captivity, and having been sent away by Bismarck, before whom he had been brought, the latter, happening to look up at the young man who was preparing to leave the room, was at once impressed by the likeness and, reconsidering his decision, recalled him and gave him the authorisation which he, in common with every one else, had just been refused.&#xA;&#xA;   If the Prince de Borodino was not prepared to make overtures to Saint-Loup nor to the other representatives of Faubourg Saint-Germain society that there were in the regiment (while he frequently invited two subalterns of plebeian origin who were pleasant companions) it was because, looking down upon them all from the height of his Imperial grandeur, he drew between these two classes of inferiors the distinction that one set consisted of inferiors who knew themselves to be such and with whom he was delighted to spend his time, being beneath his outward majesty of a simple, jovial humour, and the other of inferiors who thought themselves his superiors, a claim which he could not allow. And so, while all the other officers of the regiment made much of Saint-Loup, the Prince de Borodino, to whose care the young man had been recommended by Marshal X— — confined himself to being obliging with regard to the military duties which Saint-Loup always performed in the most exemplary fashion, but never had him to his house except on one special occasion when he found himself practically compelled to invite him, and when, as this occurred during my stay at Doncières, he asked him to bring me to dinner also. I had no difficulty that evening, as I watched Saint-Loup sitting at his Captain’s table, in distinguishing, in their respective manners and refinements, the difference that existed between the two aristocracies: the old nobility and that of the Empire. The offspring of a caste the faults of which, even if he repudiated them with all the force of his intellect, had been absorbed into his blood, a caste which, having ceased to exert any real authority for at least a century, saw nothing more now in the protective affability which formed part of its regular course of education, than an exercise, like horsemanship or fencing, cultivated without any serious purpose, as a sport; on meeting representatives of that middle class on which the old nobility so far looked down as to believe that they were nattered by its intimacy and would be honoured by the informality of its tone, Saint-Loup would take the hand of no matter who might be introduced to him, though he had failed perhaps to catch the stranger’s name, in a friendly grip, and as he talked to him (crossing and uncrossing his legs all the time, flinging himself back in his chair in an attitude of absolute unconstraint, one foot in the palm of his hand) call him ‘my dear fellow.’ Belonging o the other hand to a nobility whose titles still preserved their original meaning, provided that their holders still possessed the splendid emoluments given in reward for glorious services and bringing to mind the record of high offices in which one is in command of numberless men and must know how to deal with men, the Prince de Borodino — not perhaps very distinctly or with any clear personal sense of superiority, but at any rate in his body, which revealed it by its attitudes and behaviour generally — regarded his own rank as a prerogative that was still effective; those same commoners whom Saint-Loup would have slapped on the shoulder and taken by the arm he addressed with a majestic affability, in which a reserve instinct with grandeur tempered the smiling good-fellowship that came naturally to him, in a tone marked at once by a genuine kindliness and a stiffness deliberately assumed. This was due, no doubt, to his being not so far removed from the great Embassies, and the Court itself, at which his father had held the highest posts, whereas the manners of Saint-Loup, the elbow on the table, the foot in the hand, would not have been well received there; but principally it was due to the fact that he looked down less upon the middle classes because they were the inexhaustible source from which the first Emperor had chosen his marshals and his nobles and in which the second had found a Rouher and a Fould.&#xA;&#xA;   Son, doubtless, or grandson of an Emperor, who had nothing more important to do than to command a squadron, the preoccupations of his putative father and grandfather could not, for want of an object on which to fasten themselves, survive in any real sense in the mind of M. de Borodino. But as the spirit of an artist continues to model, for many years after he is dead, the statue which he carved, so they had taken shape in him, were materialised, incarnate in him, it was they that his face reflected. It was with, in his voice, the vivacity of the first Emperor that he worded a reprimand to a corporal, with the dreamy melancholy of the second that he puffed out the smoke of a cigarette. When he passed in plain clothes through the streets of Doncières, a certain sparkle in his eyes escaping from under the brim of the bowler hat sent radiating round this captain of cavalry a regal incognito; people trembled when he strode into the serjeant-major’s office, followed by the adjutant and the quartermaster, as though by Berthier and Masséna. When he chose the cloth for his squadron’s breeches, he fastened on the master-tailor a gaze capable of baffling Talleyrand and deceiving Alexander; and at times, in the middle of an inspection, he would stop, let his handsome blue eyes cloud with dreams, twist his moustache, with the air of one building up a new Prussia and a new Italy. But a moment later, reverting from Napoleon III to Napoleon I, he would point out that the equipment was not properly polished, and would insist on tasting the men’s rations. And at home, in his private life, it was for the wives of middle class officers (provided that their husbands were not freemasons) that he would bring out not only a dinner service of royal blue Sèvres, fit for an Ambassador (which had been given to his father by Napoleon, and appeared even more priceless in the commonplace house on a provincial street in which he was living, like those rare porcelains which tourists admire with a special delight in the rustic china-cupboard of some old manor that has been converted into a comfortable and prosperous farmhouse), but other gifts of the Emperor also: those noble and charming manners, which too would have won admiration in some diplomatic post abroad, if, for some men, it did not mean a lifelong condemnation to the most unjust form of ostracism, merely to be well born; his easy gestures, his kindness, his grace, and, embedding beneath an enamel that was of royal blue, also glorious images, the mysterious, illuminated, living reliquary of his gaze. And, in treating of the social relations with the middle classes which the Prince had at Doncières, it may be as well to add these few words. The lieutenant-colonel played the piano beautifully; the senior medical officer’s wife sang like a Conservatoire medallist. This latter couple, as well as the lieutenant-colonel and his wife, used to dine every week with M. de Borodino. They were flattered, unquestionably, knowing that when the Prince went to Paris on leave he dined with Mme. de Pourtalès, and the Murats, and people like that. “But,” they said to themselves, “he’s just a captain, after all; he’s only too glad to get us to come. Still, he’s a real friend, you know.” But when M. de Borodino, who had long been pulling every possible wire to secure an appointment for himself nearer Paris, was posted to Beauvais, he packed up and went, and forgot as completely the two musical couples as he forgot the Doncières theatre and the little restaurant to which he used often to send out for his luncheon, and, to their great indignation, neither the lieutenant-colonel nor the senior medical officer, who had so often sat at his table, ever had so much as a single word from him for the rest of their lives. One morning, Saint-Loup confessed to me that he had written to my grandmother to give her news of me, with the suggestion that, since there was telephonic connexion between Paris and Doncières, she might make use of it to speak to me. In short, that very day she was to give me a call, and he advised me to be at the post office at about a quarter to four. The telephone was not yet at that date as commonly in use as it is to-day. And yet habit requires so short a time to divest of their mystery the sacred forces with which we are in contact, that, not having had my call at once, the only thought in my mind was that it was very slow, and badly managed, and I almost decided to lodge a complaint. Like all of us nowadays I found not rapid enough for my liking in its abrupt changes the admirable sorcery for which a few moments are enough to bring before us, invisible but present, the person to whom we have been wishing to speak, and who, while still sitting at his table, in the town in which he lives (in my grandmother’s case, Paris), under another sky than ours, in weather that is not necessarily the same, in the midst of circumstances and worries of which we know nothing, but of which he is going to inform us, finds himself suddenly transported hundreds of miles (he and all the surroundings in which he remains immured) within reach of our ear, at the precise moment which our fancy has ordained. And we are like the person in the fairy-tale to whom a sorceress, on his uttering the wish, makes appear with supernatural clearness his grandmother or his betrothed in the act of turning over a book, of shedding tears, of gathering flowers, quite close to the spectator and yet ever so remote, in the place in which she actually is at the moment. We need only, so that the miracle may be accomplished, apply our lips to the magic orifice and invoke — occasionally for rather longer than seems to us necessary, I admit — the Vigilant Virgins to whose voices we listen every day without ever coming to know their faces, and who are our Guardian Angels in the dizzy realm of darkness whose portals they so jealously keep; the All Powerful by whose intervention the absent rise up at our side, without our being permitted to set eyes on them; the Danaids of the Unseen who without ceasing empty, fill, transmit the urns of sound; the ironic Furies who, just as we were murmuring a confidence to a friend, in the hope that no one was listening, cry brutally: “I hear you!”; the ever infuriated servants of the Mystery, the umbrageous priestesses of the Invisible, the Young Ladies of the Telephone.&#xA;&#xA;   And, the moment our call has sounded, in the night filled with phantoms to which our ears alone are unsealed, a tiny sound, an abstract sound — the sound of distance overcome — and the voice of the dear one speaks to us.&#xA;&#xA;   It is she, it is her voice that is speaking, that is there. But how remote it is! How often have I been unable to listen without anguish, as though, confronted by the impossibility of seeing, except after long hours of journeying, her whose voice has been so close to my ear, I felt more clearly the sham and illusion of meetings apparently most pleasant, and at what a distance we may be from the people we love at the moment when it seems that we have only to stretch out our hand to seize and hold them. A real presence indeed that voice so near — in actual separation. But a premonition also of an eternal separation! Over and again, as I listened in this way, without seeing her who spoke to me from so far away, it has seemed to me that the voice was crying to me from depths out of which one does not rise again, and I have known the anxiety that was one day to wring my heart when a voice should thus return (alone, and attached no longer to a body which I was never more to see), to murmur, in my ear, words I would fain have kissed as they issued from lips for ever turned to dust.&#xA;&#xA;   This afternoon, alas, at Doncières, the miracle did not occur. When I reached the post office, my grandmother’s call had already been received; I stepped into the box; the line was engaged; some one was talking who probably did not realise that there was nobody to answer him, for when I raised the receiver to my ear, the lifeless block began squeaking like Punchinello; I silenced it, as one silences a puppet, by putting it back on its hook, but, like Punchinello, as soon as I took it again in my hand, it resumed its gabbling. At length, giving it up as hopeless, by hanging up the receiver once and for all, I stifled the convulsions of this vociferous stump which kept up its chatter until the last moment, and went in search of the operator, who told me to wait a little; then I spoke, and, after a few seconds of silence, suddenly I heard that voice which I supposed myself, mistakenly, to know so well; for always until then, every time that my grandmother had talked to me, I had been accustomed to follow what she was saying on the open score of her face, in which the eyes figured so largely; but her voice itself I was hearing this afternoon for the first time. And because that voice appeared to me to have altered in its proportions from the moment that it was a whole, and reached me in this way alone and without the accompaniment of her face and features, I discovered for the first time how sweet that voice was; perhaps, too, it had never oeen so sweet, for my grandmother, knowing me to be alone and unhappy, felt that she might let herself go in the outpouring of an affection which, on her principle of education, she usually restrained and kept hidden. It was sweet, but also how sad it was, first of all on account of its very sweetness, a sweetness drained almost — more than any but a few human voices can ever have been — of every element of resistance to others, of all selfishness; fragile by reason of its delicacy it seemed at every moment ready to break, to expire in a pure flow of tears; then, too, having it alone beside me, seen, without the mask of her face, I noticed for the first time the sorrows that had scarred it in the course of a lifetime.&#xA;&#xA;   Was it, however, solely the voice that, because it was alone, gave me this new impression which tore my heart? Not at all; it was rather that this isolation of the voice was like a symbol, a presentation, a direct consequence of another isolation, that of my grandmother, separated, for the first time in my life, from myself. The orders or prohibitions which she addressed to me at every moment in the ordinary course of my life, the tedium of obedience or the fire of rebellion which neutralised the affection that I felt for her were at this moment eliminated, and indeed might be eliminated for ever (since my grandmother no longer insisted on having me with her under her control, was in the act of expressing her hope that I would stay at Doncières altogether, or would at any rate extend my visit for as long as possible, seeing that both my health and my work seemed likely to benefit by the change); also, what I held compressed in this little bell that was ringing in my ear was, freed from the conflicting pressures which had, every day hitherto, given it a counterpoise, and from this moment irresistible, carrying me altogether away, our mutual affection. My grandmother, by telling me to stay, filled me with an anxious, an insensate longing to return. This freedom of action which for the future she allowed me and to which I had never dreamed that she would consent, appeared to me suddenly as sad as might be my freedom of action after her death (when I should still love her and she would for ever have abandoned me). “Granny!” I cried to her, “Granny!” and would fain have kissed her, but I had beside me only that voice, a phantom, as impalpable as that which would come perhaps to revisit me when my grandmother was dead. “Speak to me!” but then it happened that, left more solitary still, I ceased to catch the sound of her voice. My grandmother could no longer hear me; she was no longer in communication with me; we had ceased to stand face to face, to be audible to one another; I continued to call her, sounding the empty night, in which I felt that her appeals also must be straying. I was shaken by the same anguish which, in the distant past, I had felt once before, one day when, a little child, in a crowd, I had lost her, an anguish due less to my not finding her than to the thought that she must be searching for me, must be saying to herself that I was searching for her; an anguish comparable to that which I was to feel on the day when we speak to those who can no longer reply and whom we would so love to have hear all the things that we have not told them, and our assurance that we are not unhappy. It seemed as though it were already a beloved ghost that I had allowed to lose herself in the ghostly world, and, standing alone before the instrument, I went on vainly repeating: “Granny, Granny!” as Orpheus, left alone, repeats the name of his dead wife, is decided to leave the post office, to go and find Robert at his restaurant, in order to tell him that, as I was half expecting a telegram which would oblige me to return to Paris, I wished at all costs to find out at what times the trains left. And yet, before reaching this decision, I felt I must make one attempt more to invoke the Daughters of the Night, the Messengers of the Word, the Deities without form or feature; but the capricious Guardians had not deigned once again to unclose the miraculous portals, or more probably, had not been able; in vain might they untiringly appeal, as was their custom, to the venerable inventor of printing and the young prince, collector of impressionist paintings and driver of motor-cars (who was Captain de Borodino’s nephew); Gutenberg and Wagram left their supplications unanswered, and I came away, feeling that the Invisible would continue to turn a deaf ear.&#xA;&#xA;   When I came among Robert and his friends, I withheld the confession that my heart was no longer with them, that my departure was now irrevocably fixed. Saint-Loup appeared to believe me, but I learned afterwards that he had from the first moment realised that my uncertainty was feigned and that he would not see me again next day. And while, letting their plates grow cold, his friends joined him in searching through the time-table for a train which would take me to Paris, and while we heard in the cold, starry night the whistling of the engines on the line, I certainly felt no longer the same peace of mind which on all these last evenings I had derived from the friendship of the former and the latter’s distant passage. And yet they did not fail me this evening, performing the same office in a different way. My departure overpowered me less when I was no longer obliged to think of it by myself, when I felt that there was concentrated on what was to be done the more normal, more wholesome activity of my strenuous friends, Robert’s brothers in arms, and of those other strong creatures, the trains, whose going and coming, night and morning, between Doncières and Paris, broke up in retrospect what had been too compact and insupportable in my long isolation from my grandmother into daily possibilities of return.&#xA;&#xA;    “I don’t doubt the truth of what you’re saying, or that you aren’t thinking of leaving us just yet,” said Saint-Loup, smiling; “but pretend you are going, and come and say good-bye to me to-morrow morning; early, otherwise there’s a risk of my not seeing you; I’m going out to luncheon, I’ve got leave from the Captain; I shall have to be back in barracks by two, as we are to be on the march all afternoon. I suppose the man to whose house I’m going, a couple of miles out, will manage to get me back in time.”&#xA;&#xA;   Scarcely had he uttered these words when a messenger came for me from my hotel; the telephone operator had sent to find me. I ran to the post office, for it was nearly closing time. The word ‘trunks’ recurred incessantly in the answers given me by the officiais. I was in a fever of anxiety, for it was my grandmother who had asked for me. The office was closing for the night. Finally I got my connexion. “Is that you, Granny?” A woman’s voice, with a strong English accent, answered: “Yes, but I don’t know your voice.” Neither did I recognise the voice that was speaking to me; besides, my grandmother called me tu, and not vous. And then all was explained. The young man for whom his grandmother had called on the telephone had a name almost identical with my own, and was staying in an annex of my hotel. This call coming on the very day on which I had been telephoning to my grandmother, I had never for a moment doubted that it was she who was asking for me. Whereas it was by pure coincidence that the post office and the hotel had combined to make a twofold error.&#xA;&#xA;   The following morning I rose late, and failed to catch Saint-Loup, who had already started for the country house where he was invited to luncheon. About half past one, I had decided to go in any case to the barracks, so as to be there before he arrived, when, as I was crossing one of the avenues on the way there, I noticed, coming behind me in the same direction as myself, a tilbury which, as it overtook me, obliged me to jump out of its way; an N.C.O. was driving it, wearing an eyeglass; it was Saint-Loup. By his side was the friend whose guest he had been at luncheon, and whom I had met once before at the hotel where we dined. I did not dare shout to Robert since he was not alone, but, in the hope that he would stop and pick me up, I attracted his attention by a sweeping wave of my hat, which might be regarded as due to the presence of a stranger. I knew that Robert was short-sighted; still, I should have supposed that, provided he saw me at all, he could not fail to recognise me; he did indeed see my salute, and returned it, but without stopping; driving on at full speed, without a smile, without moving a muscle of his face, he confined himself to keeping his hand raised for a minute to the peak of his cap, as though he were acknowledging the salute of a trooper whom he did not know personally. I ran to the barracks, but it was a long way; when I arrived, the regiment was parading on the square, on which I was not allowed to stand, and I was heart-broken at not having been able to say good-bye to Saint-Loup; I went up to his room, but he had gone; I was reduced to questioning a group of sick details, recruits who had been excused route-marches, the young graduate, one of the ‘old soldiers,’ who were watching the regiment parade.&#xA;&#xA;    “You haven’t seen Serjeant Saint-Loup, have you, by any chance?” I asked.&#xA;&#xA;    “He’s gone on parade, sir,” said the old soldier.&#xA;&#xA;    “I never saw him,” said the graduate.&#xA;&#xA;    “You never saw him,” exclaimed the old soldier, losing all interest in me, “you never saw our famous Saint-Loup, the figure he’s cutting with his new breeches! When the Capstan sees that, officer’s cloth, my word!”&#xA;&#xA;    “Oh, you’re a wonder, you are; officer’s cloth,” replied the young graduate, who, reported ‘sick in quarters,’ was excused marching and tried, not without some misgivings, to be on easy terms with the veterans. “This officer’s cloth you speak of is cloth like that, is it?”&#xA;&#xA;    “Sir?” asked the old soldier angrily.&#xA;&#xA;   He was indignant that the young graduate should throw doubt on the breeches’ being made of officer’s cloth, but, being a Breton, coming from a village that went by the name of Penguern-Stereden, having learned French with as much difficulty as if it had been English or German, whenever he felt himself overcome by emotion he would go on saying ‘Sir?’ to give himself time to find words, then, after this preparation, let loose his eloquence, confining himself to the repetition of certain words which he knew better than others, but without haste, taking every precaution to gloss over his unfamiliarity with the pronunciation.&#xA;&#xA;    “Ah! It is cloth like that,” he broke out, with a fury the intensity of which increased as the speed of his utterance diminished. “Ah! It is cloth like that; when I tell you that it is, officer’s cloth, when-I-tell-you-a-thing, if-I-tell-you-a-thing, it’s because I know, I should think.”&#xA;&#xA;    “Very well, then;” replied the young graduate, overcome by the force of this argument. “Keep your hair on, old boy.”&#xA;&#xA;    “There, look, there’s the Capstan coming along. No, but just look at Saint-Loup; the way he throws his leg out; and his head. Would you call that a non-com? And his eyeglass; oh, he’s hot stuff, he is.”&#xA;&#xA;   I asked these troopers, who did not seem at all embarrassed by my presence, whether I too might look out of the window. They neither objected to my doing so nor moved to make room for me. I saw Captain de Borodino go majestically by, putting his horse into a trot, and apparently under the illusion that he was taking part in the Battle of Austerlitz. A few loiterers had stopped by the gate to see the regiment file out. Erect on his charger, his face inclined to plumpness, his cheeks of an Imperial fulness, his eye lucid, the Prince must have been the victim of some hallucination, as I was myself whenever, after the tramway-car had passed, the silence that followed its rumble seemed to me to throb and echo with a vaguely musical palpitation. I was wretched at not having said good-bye to Saint-Loup, but I went nevertheless, for my one anxiety was to return to my grandmother; always until then, in this little country town, when I thought of what my grandmother must be doing by herself, I had pictured her as she was when with me, suppressing my own personality but without taking into account the effects of such a suppression; now, I had to free myself, at the first possible moment, in her arms, from the phantom, hitherto unsuspected and suddenly called into being by her voice, of a grandmother really separated from me, resigned, having, what I had never yet thought of her as having, a definite age, who had just received a letter from me in an empty house, as I had once before imagined Mamma in a house by herself, when I had left her to go to Balbec.&#xA;&#xA;   Alas, this phantom was just what I did see when, entering the drawing-room before my grandmother had been told of my return, I found her there, reading. I was in the room, or rather I was not yet in the room since she was not aware of my presence, and, like a woman whom one surprises at a piece of work which she will lay aside if anyone comes in, she had abandoned herself to a train of thoughts which she had never allowed to be visible by me. Of myself — thanks to that privilege which does not last but which one enjoys during the brief moment of return, the faculty of being a spectator, so to speak, of one’s own absence — there was present only the witness, the observer, with a hat and travelling coat, the stranger who does not belong to the house, the photographer who has called to take a photograph of places which one will never see again. The process that mechanically occurred in my eyes when I caught sight of my grandmother was indeed a photograph. We never see the people who are dear to us save in the animated system, the perpetual motion of our incessant love for them, which before allowing the images that their faces present to reach us catches them in its vortex, flings them back upon the idea that we have always had of them, makes them adhere to it, coincide with it. How, since into the forehead, the cheeks of my grandmother I had been accustomed to read all the most delicate, the most permanent qualities of her mind; how, since every casual glance is an act of necromancy, each face that we love a mirror of the past, how could I have failed to overlook what in her had become dulled and changed, seeing that in the most trivial spectacles of our daily life, our eye, charged with thought, neglects, as would a classical tragedy, every image that does not assist the action of the play and retains only those that may help to make its purpose intelligible. But if, in place of our eye, it should be a purely material object, a photographic plate, that has watched the action, then what we shall see, in the courtyard of the Institute, for example, will be, instead of the dignified emergence of an Academician who is going to hail a cab, his staggering gait, his precautions to avoid tumbling upon his back, the parabola of his fall, as though he were drunk, or the ground frozen over. So is it when some casual sport of chance prevents our intelligent and pious affection from coming forward in time to hide from our eyes what they ought never to behold, when it is forestalled by our eyes, and they, arising first in the field and having it to themselves, set to work mechanically, like films, and shew us, in place of the loved friend who has long ago ceased to exist but whose death our affection has always hitherto kept concealed from us, the new person whom a hundred times daily that affection has clothed with a dear and cheating likeness. And, as a sick man who for long has not looked at his own reflexion, and has kept his memory of the face that he never sees refreshed from the ideal image of himself that he carries in his mind, recoils on catching sight in the glass, in the midst of an arid waste of cheek, of the sloping red structure of a nose as huge as one of the pyramids of Egypt, I, for whom my grandmother was still myself, I who had never seen her save in my own soul, always at the same place in the past, through the transparent sheets of contiguous, overlapping memories, suddenly in our drawing-room which formed part of a new world, that of time, that in which dwell the strangers of whom we say “He’s begun to age a good deal,” for the first time and for a moment only, since she vanished at once, I saw, sitting on the sofa, beneath the lamp, red-faced, heavy and common, sick, lost in thought, following the lines of a book with eyes that seemed hardly sane, a dejected old woman whom I did not know.&#xA;&#xA;   My request to be allowed to inspect the Elstirs in Mme. de Guermantes’s collection had been met by Saint-Loup with: “I will answer for her.” And indeed, as ill luck would have it, it was he and he alone who did answer. We answer readily enough for other people when, setting our mental stage with the little puppets that represent them, we manipulate these to suit our fancy. No doubt even then we take into account the difficulties due to another person’s nature being different from our own, and we do not fail to have recourse to some plan of action likely to influence that nature, an appeal to his material interest, persuasion, the rousing of emotion, which will neutralise contrary tendencies on his part. But these differences from our own nature, it is still our own nature that is imagining them, these difficulties, it is we that are raising them; these compelling motives, it is we that are applying them. And so with the actions which before our mind’s eye we have made the other person rehearse, and which make him act as we choose; when we wish to see him perform them in real life, the case is altered, we come up against unseen resistances which may prove insuperable. One of the strongest is doubtless that which may be developed in a woman who is not in love with him by the disgust inspired in her, a fetid, insurmountable loathing, by the man who is in love with her; during the long weeks in which Saint-Loup still did not come to Paris, his aunt, to whom I had no doubt of his having written begging her to do so, never once asked me to call at her house to see the Elstirs.&#xA;&#xA;   I perceived signs of coldness on the part of another occupant of the building. This was Jupien. Did he consider that I ought to have gone in and said how d’ye do to him, on my return from Doncières, before even going upstairs to our own flat? My mother said no, that there was nothing unusual about it. Françoise had told her that he was like that, subject to sudden fits of ill humour, without any cause. These invariably passed off after a little time.&#xA;&#xA;   Meanwhile the winter was drawing to an end. One morning, after several weeks of showers and storms, I heard in my chimney — instead of the wind, formless, elastic, sombre, which convulsed me with a longing to go to the sea — the cooing of the pigeons that were nesting in the wall outside; shimmering, unexpected, like a first hyacinth, gently tearing open its fostering heart that there might shoot forth, purple and satin-soft, its flower of sound, letting in like an opened window into my bedroom still shuttered and dark the heat, the dazzling brightness, the fatigue of a first fine day. That morning, I was surprised to find myself humming a music-hall tune which had never entered my head since the year in which I had been going to Florence and Venice. So profoundly does the atmosphere, as good days and bad recur, act on our organism and draw from dim shelves where we had forgotten them, the melodies written there which our memory rould not decipher. Presently a more conscious dreamer accompanied this musician to whom I was listening inside myself, without having recognised at first what he was playing.&#xA;&#xA;   I quite realised that it was not for any reason peculiar to Balbec that on my arrival there I had failed to find in its church the charm which it had had for me before I knew it; that at Florence or Parma or Venice my imagination could no more take the place of my eyes when I looked at the sights there. I realised this. Similarly, one New Year’s afternoon, as night fell, standing before a column of playbills, I had discovered the illusion that lies in our thinking that certain solemn holidays differ essentially from the other days in the calendar. And yet I could not prevent my memory of the time during which I had looked forward to spending Easter in Florence from continuing to make that festival the atmosphere, so to speak, of the City of Flowers, to give at once to Easter Day something Florentine and to Florence something Paschal. Easter was still a long way off; but in the range of days that stretched out before me the days of Holy Week stood out more clearly at the end of those that merely came between. Touched by a far-flung ray, like certain houses in a village which one sees from a distance when the rest are in shadow, they had caught and kept all the sun.&#xA;&#xA;   The weather had now become milder. And my parents themselves, by urging me to take more exercise, gave me an excuse for resuming my morning walks. I had meant to give them up, since they meant my meeting Mme. de Guermantes. But it was for this very reason that I kept thinking all the time of those walks, which led to my finding, every moment, a fresh reason for taking them, a reason that had no connexion with Mme. de Guermantes and no difficulty in convincing me that, had she never existed, I should still have taken a walk, without fail, at that hour every morning.&#xA;&#xA;   Alas, if to me meeting any person other than herself would not have mattered, I felt that to her meeting anyone in the world except myself would have been endurable. It happened that, in the course of her morning walks, she received the salutations of plenty of fools whom she regarded as such. But the appearance of these in her path seemed to her, if not to hold out any promise of pleasure, to be at any rate the result of mere accident. And she stopped them at times, for there are moments in which one wants to escape from oneself, to accept the hospitality offered by the soul of another person, provided always that the other, however modest and plain it may be, is a different soul, whereas in my heart she was exasperated to feel that what she would have found was herself. And so, even when I had, for taking the same way as she, another reason than my desire to see her, I trembled like a guilty man as she came past; and sometimes, so as to neutralise anything extravagant that there might seem to have been in my overtures, I would barely acknowledge her bow, or would fasten my eyes on her face without raising my hat, and succeed only in making her angrier than ever, and begin to regard me as insolent and ill-bred besides.&#xA;&#xA;   She was now wearing lighter, or at any rate brighter, clothes, and would come strolling down the street in which already, as though it were spring, in front of the narrow shops that were squeezed in between the huge fronts of the old aristocratic mansions, over the booths of the butter-woman and the fruit-woman and the vegetable-woman, awnings were spread to protect them from the sun. I said to myself that the woman whom I could see far off, walking, opening her sunshade, crossing the street, was, in the opinion of those best qualified to judge, the greatest living exponent of the art of performing those movements and of making out of them something exquisitely lovely. Meanwhile she was advancing towards me, unconscious of this widespread reputation, her narrow, stubborn body, which had absorbed none of it, was bent stiffly forward under a scarf of violet silk; her clear, sullen eyes looked absently in front of her, and had perhaps caught sight of me; she was biting her lip; I saw her straighten her muff, give alms to a beggar, buy a bunch of violets from a flower-seller, with the same curiosity that I should have felt in watching the strokes of a great painter’s brush. And when, as she reached me, she gave me a bow that was accompanied sometimes by a faint smile, it was as though she had sketched in colour for me, adding a personal inscription to myself, a drawing that was a masterpiece of art. Each of her gowns seemed to me her natural, necessary surroundings, like the projection around her of a particular aspect of her soul. On one of these Lenten mornings, when she was on her way out to luncheon, I met her wearing a gown of bright red velvet, cut slightly open at the throat. The face of Mme. de Guermantes appeared to be dreaming, beneath its pile of fair hair. I was less sad than usual because the melancholy of her expression, the sort of claustration which the startling hue of her gown set between her and the rest of the world, made her seem somehow lonely and unhappy, and this comforted me. The gown struck me as being the materialisation round about her of the scarlet rays of a heart which I did not recognise as hers and might have been able, perhaps, to console; sheltered in the mystical light of the garment with its gently flowing folds, she made me think of some Saint of the early ages of Christianity. After which I felt ashamed of afflicting with the sight of myself this holy martyr. “But, after all, the streets are public.”&#xA;&#xA;   The streets are public, I reminded myself, giving a different meaning to the words, and marvelling that indeed in the crowded thoroughfare often soaked with rain, which made it beautiful and precious as a street sometimes is in the old towns of Italy, the Duchesse de Guermantes mingled with the public life of the world moments of her own secret life, shewing herself thus to all and sundry, jostled by every passer-by, with the splendid gratuitousness of the greatest works of art. As I had been out in the morning, after staying awake all night, in the afternoon my parents would tell me to lie down for a little and try to sleep. There is no need, when one is trying to find sleep, to give much thought to the quest, but habit is very useful, and even freedom from thought. But in these afternoon hours both were lacking. Before going to sleep, I devoted so much time to thinking that I should not be able to sleep, that even after I was asleep a little of my thought remained. It was no more than a glimmer in the almost total darkness, but it was bright enough to cast a reflexion in my sleep, first of the idea that I could not sleep, and then, a reflexion of this reflexion, that it was in my sleep that I had had the idea that I was not asleep, then, by a further refraction, my awakening . . . to a fresh doze in which I was trying to tell some friends who had come into my room that, a moment earlier, when I was asleep, I had imagined that I was not asleep. These shades were barely distinguishable; it would have required a keen — and quite useless — delicacy of perception to seize them all. Similarly, in later years, at Venice, long after the sun had set, when it seemed to be quite dark, I have seen, thanks to the echo, itself imperceptible, of a last note of light, held indefinitely on the surface of the canals, as though some optical pedal were being pressed, the reflexion of the palaces unfurled, as though for all time, in a darker velvet, on the crepuscular greyness of the water. One of my dreams was the synthesis of what my imagination had often sought to depict, in my waking hours, of a certain seagirt place and its mediaeval past. In my sleep I saw a gothic fortress rising from a sea whose waves were stilled as in a painted window. An arm of the sea cut the town in two; the green water stretched to my feet; it bathed on the opposite shore the foundations of an oriental church, and beyond it houses which existed already in the fourteenth century, so that to go across to them would have been to ascend the stream of time. This dream in which nature had learned from art, in which the sea had turned gothic, this dream in which I longed to attain, in which I believed that I was attaining to the impossible, it seemed to me that I had often dreamed it before. But as it is the property of what we imagine in our sleep to multiply itself in the past, and to appear, even when novel, familiar, I supposed that I was mistaken. I noticed, however, that I did frequently have this dream.&#xA;&#xA;   The limitations, too, that are common to all sleep were reflected in mine, but in a symbolical manner; I could not in the darkness make out the faces of the friends who were in the room, for we sleep with our eyes shut. I, who could carry on endless arguments with myself while I dreamed, as soon as I tried to speak to these friends felt the words stick in my throat, for we do not speak distinctly in our sleep; I wanted to go to them, and I could not move my limbs, for we do not walk when we are asleep either; and suddenly I was ashamed to be seen by them, for we sleep without our clothes. So, my eyes blinded, my lips sealed, my limbs fettered, my body naked, the figure of sleep which my sleep itself projected had the appearance of those great allegorical figures (in one of which Giotto has portrayed Envy with a serpent in her mouth) of which Swann had given me photographs.&#xA;&#xA;   Saint-Loup came to Paris for a few hours only. He came with assurances that he had had no opportunity of mentioning me to his aunt. “She’s not being at all nice just now, Oriane isn’t,” he explained, with innocent self-betrayal. “She’s not my old Oriane any longer, they’ve gone and changed her. I assure you, it’s not worth while bothering your head about her. You pay her far too great a compliment. You wouldn’t care to meet my cousin Poictiers?” he went on, without stopping to reflect that this could not possibly give me any pleasure. “Quite an intelligent young woman, she is; you’d like her. She’s married to my cousin, the Duc de Poictiers, who is a good fellow, but a bit slow for her. I’ve told her about you. She said I was to bring you to see her. She’s much better looking than Oriane, and younger, too. Really a nice person, don’t you know, really a good sort.” These were expressions recently — and all the more ardently — taken up by Robert, which meant that the person in question had a delicate nature. “I don’t go so far as to say she’s a Dreyfusard, you must remember the sort of people she lives among; still, she did say to me: ‘If he is innocent, how ghastly for him to be shut up on the Devil’s Isle.’ You see what I mean, don’t you? And then she’s the sort of woman who does a tremendous lot for her old governesses; she’s given orders that they’re never to be sent in by the servants’ stair, when they come to the house. She’s a very good sort, I assure you. The real reason why Oriane doesn’t like her is that she feels she’s the cleverer of the two.”&#xA;&#xA;   Although completely absorbed in the pity which she felt for one of the Guermantes footmen — who had no chance of going to see his girl, even when the Duchess was out, for it would immediately have been reported to her from the lodge — Françoise was heartbroken at not having been in the house at the moment of Saint-Loup’s visit, but this was because now she herself paid visits also. She never failed to go out on the days when I most wanted her. It was always to see her brother, her niece and, more particularly, her own daughter, who had recently come to live in Paris. The intimate nature of these visits itself increased the irritation that I felt at being deprived of her services, for I had a foreboding that she would speak of them as being among those duties from which there was no dispensation, according to the laws laid down at Saint-André-des-Champs.&#xA;&#xA;   And so I never listened to her excuses without an ill humour which was highly unjust to her, and was brought to a climax by the way Françoise had of saying not: “I have been to see my brother,” or “I have been to see my niece,” but “I have been to see the brother,” “I just looked in as I passed to bid good day to the niece” (or “to my niece the butcheress”). As for her daughter, Françoise would have been glad to see her return to Combray. But this recent Parisian, making use, like a woman of fashion, of abbreviations, though hers were of a vulgar kind, protested that the week she was going shortly to spend at Combray would seem quite long enough without so much as a sight of “the Intran.” She was still less willing to go to Franchise’s sister, who lived in a mountainous country, for “mountains,” said the daughter, giving to the adjective a new and terrible meaning, “aren’t really interesting.” She could not make Up her mind to go back to Méséglise, where “the people are so stupid,” where in the market the gossips at their stalls would call cousins with her, and say “Why, it’s never poor Bazireau’s daughter?” She would sooner die than go back and bury herself down there, now that she had “tasted the life of Paris,” and Françoise, traditionalist as she was, smiled complacently nevertheless at the spirit of innovation that was incarnate in this new Parisian when she said: “Very well, mother, if you don’t get your day out, you have only to send me a pneu.”&#xA;&#xA;   The weather had turned chilly again. “Go out? What for? To catch your death?” said Françoise, who preferred to remain in the house during the week which her daughter and brother and the butcher-niece had gone to spend at Combray. Being, moreover, the last surviving adherent of the sect in whom persisted obscurely the doctrine of my aunt Léonie — a natural philosopher — Françoise would add, speaking of this unseasonable weather: “It is the remnant of the wrath of God!” But I responded to her complaints only in a languid smile; all the more indifferent to these predictions, in that whatever befell it would be fine for me; already I could see the morning sun shine on the slope of Fiesole, I warmed myself in its rays; their strength obliged me to half open, half shut my eyelids, smiling the while, and my eyelids, like alabaster lamps, were filled with a rosy glow. It was not only the bells that came from Italy, Italy had come with them. My faithful hands would not lack flowers to honour the anniversary of the pilgrimage which I ought to have made long ago, for since, here in Paris, the weather had turned cold again as in another year at the time of our preparations for departure at the end of Lent, in the liquid, freezing air which bathed the chestnuts and planes on the boulevards, the tree in the courtyard of our house, there were already opening their petals, as in a bowl of pure water, the narcissi, the jonquils, the anemones of the Ponte Vecchio.&#xA;&#xA;   My father had informed us that he now knew, from his friend A. J., where M. de Norpois was going when he met him about the place.&#xA;&#xA;    “It’s to see Mme. de Villeparisis, they are great friends; I never knew anything about it. It seems she’s a delightful person, a most superior woman. You ought to go and call on her,” he told me. “Another thing that surprised me very much. He spoke to me of M. de Guermantes as quite a distinguished man; I had always taken him for a boor. It seems, he knows an enormous amount, and has perfect taste, only he’s very proud of his name and his connexions. But for that matter, according to Norpois, he has a tremendous position, not only here but all over Europe. It appears, the Austrian Emperor and the Tsar treat him just like one of themselves. Old Norpois told me that Mme. de Villeparisis had taken quite a fancy to you, and that you would meet all sorts of interesting people in her house. He paid a great tribute to you; you will see him if you go there, and he may have some good advice for you even if you are going to be a writer. For you’re not likely to do anything else; I can see that. It might turn out quite a good career; it’s not what I should have chosen for you, myself; but you’ll be a man in no time now, we shan’t always be here to look after you, and we mustn’t prevent you from following your vocation.”&#xA;&#xA;   If only I had been able to start writing! But whatever the conditions in which I approached the task (as, too, alas, the undertakings not to touch alcohol, to go to bed early, to sleep, to keep fit), whether it were with enthusiasm, with method, with pleasure, in depriving myself of a walk, or postponing my walk and keeping it in reserve as a reward of industry, taking advantage of an hour of good health, utilising the inactivity forced on me by a day of illness, what always emerged in the end from all my effort was a virgin page, undefiled by any writing, ineluctable as that forced card which in certain tricks one invariably is made to draw, however carefully one may first have shuffled the pack. I was merely the instrument of habits of not working, of not going to bed, of not sleeping, which must find expression somehow, cost what it might; if I offered them no resistance, if I contented myself with the pretext they seized from the first opportunity that the day afforded them of acting as they chose, I escaped without serious injury, I slept for a few hours after all, towards morning, I read a little, I did not over-exert myself; but if I attempted to thwart them, if I pretended to go to bed early, to drink only water, to work, they grew restive, they adopted strong measures, they made me really ill, I was obliged to double my dose of alcohol, did not lie down in bed for two days and nights on end, could not even read, and I vowed that another time I would be more reasonable, that is to say less wise, like the victim of an assault who allows himself to be robbed for fear, should he offer resistance, of being murdered.&#xA;&#xA;   My father, in the meantime, had met M. de Guermantes once or twice, and, now that M. de Norpois had told him that the Duke was a remarkable man, had begun to pay more attention to what he said. As it happened, they met in the courtyard and discussed Mme. de Villeparisis. “He tells me, she’s his aunt; ‘Viparisi,’ he pronounces it. He tells me, too, she’s an extraordinarily able woman. In fact he said she kept a School of Wit,” my father announced to us, impressed by the vagueness of this expression, which he had indeed come across now and then in volumes of memoirs, but without attaching to it any definite meaning. My mother, so great was her respect for him, when she saw that he did not dismiss as of no importance the fact that Mme. de Villeparisis kept a School of Wit, decided that this must be of some consequence. Albeit from my grandmother she had known all the time the exact amount of the Marquise’s intellectual worth, it was immediately enhanced in her eyes. My grandmother, who was not very well just then, was not in favour at first of the suggested visit, and afterwards lost interest in the matter. Since we had moved into our new flat, Mme. de Villeparisis had several times asked my grandmother to call upon her. And invariably my grandmother had replied that she was not going out just at present, in one of those letters which, by a new habit of hers which we did not understand, she no longer sealed herself, but employed Françoise to lick the envelopes for her. As for myself, without any very clear picture in my mind of this School of Wit, I should not have been greatly surprised to find the old lady from Balbec installed behind a desk, as, for that matter, I eventually did.&#xA;&#xA;   My father would have been glad to know, into the bargain, whether the Ambassador’s support would be worth many votes to him at the Institute, for which he had thoughts of standing as an independent candidate. To tell the truth, while he did not venture to doubt that he would have M. de Norpois’s support, he was by no means certain of it. He had thought it merely malicious gossip when they assured him at the Ministry that M. de Norpois, wishing to be himself the only representative there of the Institute, would put every possible obstacle in the way of my father’s candidature, which besides would be particularly awkward for him at that moment, since he was supporting another candidate already. And yet, when M. Leroy-Beaulieu had first advised him to stand, and had reckoned up his chances, my father had been struck by the fact that, among the colleagues upon whom he could count for support, the eminent economist had not mentioned M. de Norpois. He dared not ask the Ambassador point-blank, but hoped that I should return from my call on Mme. de Villeparisis with his election as good as secured. This call was now imminent. That M. de Norpois would carry on propaganda calculated to assure my father the votes of at least two thirds of the Academy seemed to him all the more probable since the Ambassador’s willingness to oblige was proverbial, those who liked him least admitting that no one else took such pleasure in being of service. And besides, at the Ministry, his protective influence was extended over my father far more markedly than over any other official.&#xA;&#xA;   My father had also another encounter about this time, but one at which his extreme surprise ended in equal indignation. In the street one day he ran into Mme. Sazerat, whose life in Paris her comparative poverty restricted to occasional visits to a friend. There was no one who bored my father quite so intensely as did Mme. Sazerat, so much so that Mamma was obliged, once a year, to intercede with him in sweet and suppliant tones: “My dear, I really must invite Mme. Sazerat to the house, just once; she won’t stay long;” and even: “Listen, dear, I am going to ask you to make a great sacrifice; do go and call upon Mme. Sazerat. You know I hate bothering you, but it would be so nice of you.” He would laugh, raise various objections, and go to pay the call. And so, for all that Mme. Sazerat did not appeal to him, on catching sight of her in the street my father went towards her, hat in hand; but to his profound astonishment Mme. Sazerat confined her greeting to the frigid bow enforced by politeness towards a person who is guilty of some disgraceful action or has been condemned to live, for the future, in another hemisphere. My father had come home speechless with rage. Next day my mother met Mme. Sazerat in some one’s house. She did not offer my mother her hand, but only smiled at her with a vague and melancholy air as one smiles at a person with whom one used to play as a child, but with whom one has since severed all one’s relations because she has led an abandoned life, has married a convict or (what is worse still) a co-respondent. Now, from all time my parents had accorded to Mme. Sazerat, and inspired in her, the most profound respect. But (and of this my mother was ignorant) Mme. Sazerat, alone of her kind at Combray, was a Dreyfusard. My father, a friend of M. Méline, was convinced that Dreyfus was guilty. He had flatly refused to listen to some of his colleagues who had asked him to sign a petition demanding a fresh trial. He never spoke to me for a week, after learning that I had chosen to take a different line. His opinions were well known. He came near to being looked upon as a Nationalist. As for my grandmother, in whom alone of the family a generous doubt was likely to be kindled, whenever anyone spoke to her of the possible innocence of Dreyfus, she gave a shake of her head, the meaning of which we did not at the time understand, but which was like the gesture of a person who has been interrupted while thinking of more serious things. My mother, torn between her love for my father and her hope that I might turn out to have brains, preserved an impartiality which she expressed by silence. Finally my grandfather, who adored the Army (albeit his duties with the National Guard had been the bugbear of his riper years), could never, at Combray, see a regiment go by the garden railings without baring his head as the colonel and the colours passed. All this was quite enough to make Mme. Sazerat, who knew every incident of the disinterested and honourable careers of my father and grandfather, regard them as pillars of Injustice. We pardon the crimes of individuals, but not their participation in a collective crime. As soon as she knew my father to be an anti-Dreyfusard she set between him and herself continents and centuries. Which explains why, across such an interval of time and space, her bow had been imperceptible to my father, and why it had not occurred to her to hold out her hand, or to say a few words which would never have carried across the worlds that lay between.&#xA;&#xA;   Saint-Loup, who was coming anyhow to Paris, had promised to take me to Mme. de Villeparisis’s, where I hoped, though I had not said so to him, that we might meet Mme. de Guermantes. He invited me to luncheon in a restaurant with his mistress, whom we were afterwards to accompany to a rehearsal. We were to go out in the morning and call for her at her home on the outskirts of Paris.&#xA;&#xA;   I had asked Saint-Loup that the restaurant to which we went for luncheon (in the lives of young noblemen with money to spend the restaurant plays as important a part as do bales of merchandise in Arabian stories), might, if possible, be that to which Aimé had told me that he would be going as head waiter until the Balbec season started. It was a great attraction to me who dreamed of so many expeditions and made so few to see again some one who formed part not merely of my memories of Balbec but of Balbec itself, who went there year after year, who when ill health or my studies compelled me to stay in Paris would be watching, just the same, through the long July afternoons while he waited for the guests to come in to dinner, the sun creep down the sky and set in the sea, through the glass panels of the great dining-room, behind which, at the hour when the light died, the motionless wings of vessels, smoky blue in the distance, looked like exotic and nocturnal moths in a show-case. Himself magnetised by his contact with the strong lodestone of Balbec, this head waiter became in turn a magnet attracting me. I hoped by talking to him to get at once into communication with Balbec, to have realised here in Paris something of the delights of travel.&#xA;&#xA;   I left the house early, with Françoise complaining bitterly because the footman who was engaged to be married had once again been prevented, the evening before, from going to see his girl. Françoise had found him in tears; he had been itching to go and strike the porter, but had restrained himself, for he valued his place.&#xA;&#xA;   Before reaching Saint-Loup’s, where he was to be waiting for me at the door, I ran into Legrandin, of whom we had lost sight since our Combray days, and who, though now grown quite grey, had preserved his air of youthful candour. Seeing me, he stopped:&#xA;&#xA;    “Ah! So it’s you,” he exclaimed, “a man of fashion, and in a frock coat too! That is a livery in which my independent spirit would be ill at ease. It is true that you are a man of the world, I suppose, and go out paying calls! To go and dream, as I do, before some half ruined tomb, my flowing tie and jacket are not out of place. You know how I admire the charming quality of your soul; that is why I tell you how deeply I regret that you should go forth and deny it among the Gentiles. By being capable of remaining for a moment in the nauseating atmosphere — which I am unable to breathe — of a drawing-room, you pronounce on your own future the condemnation, the damnation of the Prophet. I can see it all, you frequent the ‘light hearts,’ the houses of the great, that is the vice of our middle class to-day. Ah! Those aristocrats! The Terror was greatly to blame for not cutting the heads off every one of them. They are all sinister debauchees, when they are not simply dreary idiots. Still, my poor boy, if that sort of thing amuses you! While you are on your way to your tea-party your old friend will be more fortunate than you, for alone in an outlying suburb he will be watching the pink moon rise in a violet sky. The truth is that I scarcely belong to this Earth upon which I feel myself such an exile; it takes all the force of the law of gravity to hold me here, to keep nie from escaping into another sphere. I belong to a different planet. Goodbye; do not take amiss the old-time frankness of the peasant of the Vivonne, who has also remained a peasant of the Danube. To prove to you that I am your sincere well-wisher, I am going to send you my last novel. But you will not care for it; it is not deliquescent enough, not fin de siècle enough for you; it is too frank, too honest; what you want is Bergotte, you have confessed it, high game for the jaded palates of pleasure-seeking epicures. I suppose I am looked upon, in your set, as an old campaigner; I do wrong to put my heart into what I write, that is no longer done; besides, the life of the people is not distinguished enough to interest your little snobbicules. Go, get you gone, try to recall at times the words of Christ: ‘Do this and ye shall live.’ Farewell, Friend.”&#xA;&#xA;   It was not with any particular resentment against Legrandin that I parted from him. Certain memories are like friends in common, they can bring about reconciliations; set down amid fields starred with buttercups, upon which were piled the ruins of feudal greatness, the little wooden bridge still joined us, Legrandin and me, as it joined the two banks of the Vivonne.&#xA;&#xA;   After coming out of a Paris in which, although spring had begun, the trees on the boulevards had hardly put on their first leaves, it was a marvel to Saint-Loup and myself, when the circle train had set us down at the suburban village in which his mistress was living, to see every cottage garden gay with huge festal altars of fruit trees in blossom. It was like one of those peculiar, poetical, ephemeral, local festivals which people travel long distances to attend on certain fixed occasions, only this one was held by Nature. The bloom of the cherry tree is stuck so close to its branches, like a white sheath, that from a distance, among the other trees that shewed as yet scarcely a flower or leaf, one might have taken it, on this day of sunshine that was still so cold, for snow, melted everywhere else, which still clung to the bushes. But the tall pear trees enveloped each house, each modest courtyard in a whiteness more vast, more uniform, more dazzling, as if all the dwellings, all the enclosed spaces in the village were on their way to make, on one solemn date, their first communion.&#xA;&#xA;   It had been a country village, and had kept its old mayor’s office sunburned and brown, in front of which, in the place of maypoles and streamers, three tall pear trees were, as though for some civic and local festival, gallantly beflagged with white satin. These villages in the environs of Paris still have at their gates parks of the seventeenth and eighteenth centuries which were the ‘follies’ of the stewards and favourites of the great. A fruit-grower had utilised one of these which was sunk below the road for his trees, or had simply, perhaps, preserved the plan of an immense orchard of former days. Laid out in quincunxes, these pear trees, less crowded and not so far on as those that I had seen, formed great quadrilaterals — separated by low walls — of snowy blossom, on each side of which the light fell differently, so that all these airy roofless chambers seemed to belong to a Palace of the Sun, such as one might unearth in Crete or somewhere; and made one think also of the different ponds of a reservoir, or of those parts of the sea which man, for some fishery, or to plant oyster-beds, has subdivided, when one saw, varying with the orientation of the boughs, the light fall and play upon their trained arms as upon water warm with spring, and coax into unfolding here and there, gleaming amid the open, azure-panelled trellis of the branches, the foaming whiteness of a creamy, sunlit flower.&#xA;&#xA;   Never had Robert spoken to me so tenderly of his friend as he did during this walk. She alone had taken root in his heart; his future career in the Army, his position in society, his family, he was not, of course, indifferent altogether to these, but they were of no account compared with the veriest trifle that concerned his mistress. That alone had any importance in his eyes, infinitely more importance than the Guermantes and all the kings of the earth put together. I do not know whether he had formulated the doctrine that she was of a superior quality to anyone else, but I do know that he considered, took trouble only about what affected her. Through her and for her he was capable of suffering, of being happy, perhaps of doing murder. There was really nothing that interested, that could excite him except what his mistress wished, was going to do, what was going on, discernible at most in fleeting changes of expression, in the narrow expanse of her face and behind her privileged brow. So nice-minded in all else, he looked forward to the prospect of a brilliant marriage, solely in order to be able to continue to maintain her, to keep her always. If one had asked oneself what was the value that he set on her, I doubt whether one could ever have imagined a figure high enough. If he did not marry her, it was because a practical instinct warned him that as soon as she had nothing more to expect from him she would leave him, or would at least live as she chose, and that he must retain his hold on her by keeping her in suspense from day to day. For he admitted the possibility that she did not love him. No doubt the general affection called love must have forced him — as it forces all men — to believe at times that she did. But in his heart of hearts he felt that this love which she felt for him did not exhaust the possibility of her remaining with him only on account of his money, and that on the day when she had nothing more to expect from him she would make haste (the dupe of her friends and their literary theories, and loving him all the time, really — he thought) to leave him. “If she is nice to me to-day,” he confided to me, “I am going to give her something that she’ll like. It’s a necklace she saw at Boucheron’s. It’s rather too much for me just at present — thirty thousand francs. But, poor puss, she gets so little pleasure out of life. She will be jolly pleased with it, I know. She mentioned it to me and told me she knew somebody who would perhaps give it to her. I don t believe that is true, really, but I wasn’t taking any risks, so I’ve arranged with Boucheron, who is our family jeweller, to keep it for me. I am glad to think that you’re going to meet her; she’s nothing so very wonderful to look at, you know,” (I could see that he thought just the opposite and had said this only so as to make me, when I did see her, admire her all the more) “what she has got is a marvellous judgment; she’ll perhaps be afraid to talk much before you, but, by Jove! the things she’ll say to me about you afterwards, you know she says things one can go on thinking about for hours; there’s really something about her that’s quite Pythian.”&#xA;&#xA;   On our way to her house we passed by a row of little gardens, and I was obliged to stop, for they were all aflower with pear and cherry blossoms; as empty, no doubt, and lifeless only yesterday as a house that no tenant has taken, they were suddenly peopled and adorned by these newcomers, arrived during the night, whose lovely white garments we could see through the railings along the garden paths.&#xA;&#xA;    “Listen; I can see you’d rather stop and look at that stuff, and grow poetical about it,” said Robert, “so just wait for me here, will you; my friend’s house is quite close, I will go and fetch her.”&#xA;&#xA;   While I waited I strolled up and down the road, past these modest gardens. If I raised my head I could see, now and then, girls sitting in the windows, but outside, in the open air, and at the height of a half-landing, here and there, light and pliant, in their fresh pink gowns, hanging among the leaves, young lilac-clusters were letting themselves be swung by the breeze without heeding the passer-by who was turning his eyes towards their green mansions. I recognised in them the platoons in violet uniform posted at the entrance to M. Swann’s park, past the little white fence, in the warm afternoons of spring, like an enchanting rustic tapestry. I took a path which led me into a meadow. A cold wind blew keenly along it, as at Combray, but from the midst of the rich, moist, country soil, which might have been on the bank of the Vivonne, there had nevertheless arisen, punctual at the trysting place like all its band of brothers, a great white pear tree which waved smilingly in the sun’s face, like a curtain of light materialised and made palpable, its flowers shaken by the breeze but polished and frosted with silver by the sun’s rays.&#xA;&#xA;   Suddenly Saint-Loup appeared, accompanied by his mistress, and then, in this woman who was for him all the love, every possible delight in life, whose personality, mysteriously enshrined in a body as in a Tabernacle, was the object that still occupied incessantly the toiling imagination of my friend, whom he felt that he would never really know, as to whom he was perpetually asking himself what could be her secret self, behind the veil of eyes and flesh, in this woman I recognised at once ‘Rachel when from the Lord,’ her who, but a few years since — women change their position so rapidly in that world, when they do change — used to say to the procuress: “To-morrow evening, then, if you want me for anyone, you will send round, won’t you?”&#xA;&#xA;   And when they had ‘come round’ for her, and she found herself alone in the room with the ‘anyone,’ she had known so well what was required of her that after locking the door, as a prudent woman’s precaution or a ritual gesture, she would begin to take off all her things, as one does before the doctor who is going to sound one’s chest, never stopping in the process unless the ‘some one,’ not caring for nudity, told her that she might keep on her shift, as specialists do sometimes who, having an extremely fine ear and being afraid of their patient’s catching a chill, are satisfied with listening to his breathing and the beating of his heart through his shirt. On this woman whose whole life, all her thoughts, all her past, all the men who at one time or another had had her were to me so utterly unimportant that if she had begun to tell me about them I should have listened to her only out of politeness, and should barely have heard what she said, I felt that the anxiety, the torment, the love of Saint-Loup had been concentrated in such a way as to make — out of what was for me a mechanical toy, nothing more — the cause of endless suffering, the very object and reward of existence. Seeing these two elements separately (because I had known ‘Rachel when from the Lord’ in a house of ill fame), I realised that many women for the sake of whom men live, suffer, take their lives, may be in themselves or for other people what Rachel was for me. The idea that any one could be tormented by curiosity with regard to her life stupefied me. I could have told Robert of any number of her unchastities, which seemed to me the most uninteresting things in the world. And how they would have pained him! And what had he not given to learn them, without avail!&#xA;&#xA;   I realised also then all that the human imagination can put behind a little scrap of face, such as this girl’s face was, if it is the imagination that was the first to know it; and conversely into what wretched elements, crudely material and utterly without value, might be decomposed what had been the inspiration of countless dreams if, on the contrary, it should be so to speak controverted by the slightest actual acquaintance. I saw that what had appeared to me to be not worth twenty francs when it had been offered to me for twenty francs in the house of ill fame, where it was then for me simply a woman desirous of earning twenty francs, might be worth more than a million, more than one’s family, more than all the most coveted positions in life if one had begun by imagining her to embody a strange creature, interesting to know, difficult to seize and to hold. No doubt it was the same thin and narrow face that we saw, Robert and I. But we had arrived at it by two opposite ways, between which there was no communication, and we should never both see it from the same side. That face, with its stares, its smiles, the movements of its lips, I had known from outside as being simply that of a woman of the sort who for twenty francs would do anything that I asked. And so her stares, her smiles, the movements of her lips had seemed to me significant merely of the general actions of a class without any distinctive quality. And beneath them I should not have had the curiosity to look for a person. But what to me had in a sense been offered at the start, that consenting face, had been for Robert an ultimate goal towards which he had made his way through endless hopes and doubts, suspicions, dreams. He gave more than a million francs in order to have for himself, in order that there might not be offered to others what had been offered to me, as to all and sundry, for a score. That he too should not have enjoyed it at the lower price may have been due to the chance of a moment, the instant in which she who seemed ready to yield herself makes off, having perhaps an assignation elsewhere, some reason which makes her more difficult of access that day. Should the man be a sentimentalist, then, even if she has not observed it, but infinitely more if she has, the direst game begins. Unable to swallow his disappointment, to make himself forget about the woman, he starts afresh in pursuit, she flies him, until a mere smile for which he no longer ventured to hope is bought at a thousand times what should have been the price of the last, the most intimate favours. It happens even at times in such a case, when one has been led by a mixture of simplicity in one’s judgment and cowardice in the face of suffering to commit the crowning folly of making an inaccessible idol of a girl, that these last favours, or even the first kiss one is fated never to obtain, one no longer even ventures to ask for them for fear of destroying one’s chances of Platonic love. And it is then a bitter anguish to leave the world without having ever known what were the embraces of the woman one has most passionately loved. As for Rachel’s favours, however, Saint-Loup had by mere accident succeeded in winning them all. Certainly if he had now learned that they had been offered to all the world for a louis, he would have suffered, of course, acutely, but would still have given a million francs for the right to keep them, for nothing that he might have learned could have made him emerge — since that is beyond human control and can be brought to pass only in spite of it by the action of some great natural law — from the path he was treading, from which that face could appear to him only through the web of the dreams that he had already spun. The immobility of that thin face, like that of a sheet of paper subjected to the colossal pressure of two atmospheres, seemed to me to be being maintained by two infinities which abutted on her without meeting, for she held them apart. And indeed, when Robert and I were both looking at her we did not both see her from the same side of the mystery.&#xA;&#xA;   It was not ‘Rachel when from the Lord’— who seemed to me a small matter — it was the power of the human imagination, the illusion on which were based the pains of love; these I felt to be vast. Robert noticed that I appeared moved. I turned my eyes to the pear and cherry trees of the garden opposite, so that he might think that it was their beauty that had touched me. And it did touch me in somewhat the same way; it also brought close to me things of the kind which we not only see with our eyes but feel also in our hearts. These trees that I had seen in the garden, likening them in my mind to strange deities, had not my mistake been like the Magdalene’s when, in another garden, she saw a human form and ‘thought it was the gardener.’ Treasurers of our memories of the age of gold, keepers of the promise that reality is not what we suppose, that the splendour of Poetry, the wonderful radiance of innocence may shine in it and may be the recompense which we strive to earn, these great white creatures, bowed in a marvellous fashion above the shade propitious for rest, for angling or for reading, were they not rather angels? I exchanged a few words with Saint-Loup’s mistress. We cut across the village. Its houses were sordid. But by each of the most wretched, of those that looked as though they had been scorched and branded by a rain of brimstone, a mysterious traveller, halting for a day in the accursed city, a resplendent angel stood erect, extending broadly over it the dazzling protection of the wings of flowering innocence: it was a pear tree. Saint-Loup drew me a little way in front to explain.&#xA;&#xA;    “I should have liked it if you and I could have been alone together, in fact I would much rather have had luncheon just with you, and stayed with you until it was time to go to my aunt’s. But this poor girl of mine here, it is such a pleasure to her, and she is so decent to me, don’t you know, I hadn’t the heart to refuse her. You’ll like her, however, she’s literary, you know, a most sensitive nature, and besides it’s such a pleasure to be with her in a restaurant, she is so charming, so simple, always delighted with every, thing.”&#xA;&#xA;   I fancy nevertheless that, on this same morning, and then probably for the first and last time, Robert did detach himself for a moment from the woman whom out of successive layers of affection he had gradually created, and beheld suddenly at some distance from himself another Rachel, outwardly the double of his but entirely different, who was nothing more or less than a little light of love. We had left the blossoming orchard and were making for the train which was to take us to Paris when, at the station, Rachel, who was walking by herself, was recognised and accosted by a pair of common little ‘tarts’ like herself, who first of all, thinking that she was alone, called out: “Hello, Rachel, you come with us; Lucienne and Germaine are in the train, and there’s room for one more. Come on. We’re all going to the rink,” and were just going to introduce to her two counter-jumpers, their lovers, who were escorting them, when, noticing that she seemed a little uneasy, they looked up and beyond her, caught sight of us, and with apologies bade her a good-bye to which she responded in a somewhat embarrassed, but still friendly tone. They were two poor little ‘tarts’ with collars of sham otter skin, looking more or less as Rachel must have looked when Saint-Loup first met her. He did not know them, or their names even, and seeing that they appeared to be extremely intimate with his mistress he could not help wondering whether she too might not once have had, had not still perhaps her place in a life of which he had never dreamed, utterly different from the life she led with him, a life in which one had women for a louis apiece, whereas he was giving more than a hundred thousand francs a year to Rachel, He caught only a fleeting glimpse of that life, but saw also in the thick of it a Rachel other than her whom he knew, a Rachel like the two little ‘tarts’ in the train, a twenty-franc Rachel. In short, Rachel had for the moment duplicated herself in his eyes, he had seen, at some distance from his own Rachel, the little ‘tart’ Rachel, the real Rachel, assuming that Rachel the ‘tart’ was more real than the other. It may then have occurred to Robert that from the hell in which he was living, with the prospect of a rich marriage, of the sale of his name, to enable him to go on giving Rachel a hundred thousand francs every year, he might easily perhaps have escaped, and have enjoyed the favours of his mistress, as the two counter-jumpers enjoyed those of their girls, for next to nothing. But how was it to be done? She had done nothing to forfeit his regard. Less generously rewarded she would be less kind to him, would stop saying and writing the things that so deeply moved him&amp;gt; things which he would quote, with a touch of ostentation, to his friends, taking care to point out how nice it was of her to say them, but omitting to mention that he was maintaining her in the most lavish fashion, or even that he ever gave her anything at all, that these inscriptions on photographs, or greetings at the end of telegrams were but the conversion into the most exiguous, the most precious of currencies of a hundred thousand francs. If he took care not to admit that these rare kindnesses on Rachel’s part were handsomely paid for by himself, it would be wrong to say — and yet, by a crude piece of reasoning, we do say it, absurdly, of every lover who pays in cash for his pleasure, and of a great many husbands — that this was from self-esteem or vanity. Saint-Loup had enough sense to perceive that all the pleasures which appeal to vanity he could have found easily and without cost to himself in society, on the strength of his historic name and handsome face, and that his connexion with Rachel had rather, if anything, tended to ostracise him, led to his being less sought after. No; this self-esteem which seeks to appear to be receiving gratuitously the outward signs of the affection of her whom one loves is simply a consequence of love, the need to figure in one’s own eyes and in other people’s as loved in return by the person whom one loves so well. Rachel rejoined us, leaving the two ‘tarts’ to get into their compartment; but, no less than their sham otter skins and the self-conscious appearance of their young men, the names Lucienne and Germaine kept the new Rachel alive for a moment longer. For a moment Robert imagined a Place Pigalle existence with unknown associates, sordid love affairs, afternoons spent in simple amusements, excursions or pleasure-parties, in that Paris in which the sunny brightness of the streets from the Boulevard de Clichy onwards did not seem the same as the solar radiance in which he himself strolled with his mistress, but must be something different, for love, and suffering which is one with love, have, like intoxication, the power to alter for us inanimate things. It was almost an unknown Paris in the heart of Paris itself that he suspected, his connexion appeared to him like the exploration of a strange form of life, for if when with him Rachel was somewhat similar to himself, it was nevertheless a part of her real life that she lived with him, indeed the most precious part, in view of his reckless expenditure on her, the part that made her so greatly envied by her friends and would enable her one day to retire to the country or to establish herself in the leading theatres, when she had made her pile. Robert longed to ask her who Lucienne and Germaine were, what they would have said to her if she had joined them in their compartment, how they would all have spent a day which would have perhaps ended, as a supreme diversion, after the pleasures of the rink, at the Olympia Tavern, if Robert and I had not been there. For a moment the purlieus of the Olympia, which until then had seemed to him merely deadly dull, aroused curiosity in him and pain, and the sunshine of this spring day beating upon the Rue Caumartin where, possibly, if she had not known Robert, Rachel might have gone in the course of the evening and nave earned a louis, filled him with a vague longing. But what use was it to ply Rachel with questions when he already knew that her answer would be merely silence, or a lie, or something extremely painful for him to hear, which would yet explain nothing. The porters were shutting the doors; we jumped into a first-class carriage; Rachel’s magnificent pearls reminded Robert that she was a woman of great price, he caressed her, restored her to her place in his heart where he could contemplate her, internalised, as he had always done hitherto — save during this brief instant in which he had seen her in the Place Pigalle of an impressionist painter — and the train began to move.&#xA;&#xA;   It was, by the way, quite true that she was ‘literary.’ She never stopped talking to me about books, new art and Tolstoyism except to rebuke Saint-Loup for drinking so much wine:&#xA;&#xA;    “Ah! If you could live with me for a year, we’d see a fine change. I should keep you on water and you’d be ever so much better.”&#xA;&#xA;    “Right you are. Let’s begin now.”&#xA;&#xA;    “But you know quite well I have to work all day!” For she took her art very seriously. “Besides, what would your people say?”&#xA;&#xA;   And she began to abuse his family to me in terms which for that matter seemed to me highly reasonable, and with which Saint-Loup, while disobeying her orders in the matter of champagne, entirely concurred. I, who was so much afraid of the effect of wine on him, and felt the good influence of his mistress, was quite prepared to advise him to let his family go hang. Tears sprang to the young woman’s eyes; I had been rash enough to refer to Dreyfus.&#xA;&#xA;    “The poor martyr!” she almost sobbed; “it will be the death of him in that dreadful place.”&#xA;&#xA;    “Don’t upset yourself, Zézette, he will come back, he will be acquitted all right, they will admit they’ve made a mistake.”&#xA;&#xA;    “But long before then he’ll be dead! Oh, well at any rate his children will bear a stainless name. But just think of the agony he must be going through; that’s what makes my heart bleed. And would you believe that Robert’s mother, a pious woman, says that he ought to be left on the Devil’s Isle, even if he is innocent; isn’t it appalling?”&#xA;&#xA;    “Yes, it’s absolutely true, she does say that,” Robert assured me. “She’s my mother, I’ve no fault to find with her, but it’s quite clear she hasn’t got a sensitive nature, like Zézette.”&#xA;&#xA;   As a matter of fact these luncheons which were said to be ‘such a pleasure’ always ended in trouble. For as soon as Saint-Loup found himself in a public place with his mistress, he would imagine that she was looking at every other man in the room, and his brow would darken; she would remark his ill-humour, which she may have thought it amusing to encourage, or, as was more probable, by a foolish piece of conceit preferred, feeling wounded by his tone, not to appear to be seeking to disarm; and would make a show of being unable to take her eyes off some man or other, not that this was always a mere pretence. In fact, the gentleman who, in theatre or café, happened to sit next to them, or, to go no farther, the driver of the cab they had engaged need only have something attractive about him, no matter what, and Robert, his perception quickened by jealousy, would have noticed it before his mistress; he would see in him immediately one of those foul creatures whom he had denounced to me at Balbec, who corrupted and dishonoured women for their own amusement, would beg his mistress to take her eyes off the man, thereby drawing her attention to him. And sometimes she found that Robert had shewn such good judgment in his suspicion that after a little she even left off teasing him in order that he might calm down and consent to go off by himself on some errand which would give her time to begin conversation with the stranger, often to make an assignation, sometimes even to bring matters quickly to a head. I could see as soon as we entered the restaurant that Robert was looking troubled. The fact of the matter was that he had at once remarked, what had escaped our notice at Balbec, namely that, standing among his coarser colleagues, Aimé, with a modest brilliance, emitted, quite unconsciously of course, that air of romance which emanates until a certain period in life from fine hair and a Grecian nose, features thanks to which he was distinguishable among the crowd of waiters. The others, almost all of them well on in years, presented a series of types, extraordinarily ugly and criminal, of hypocritical priests, sanctimonious confessors, more numerously of comic actors of the old school, whose sugar-loaf foreheads are scarcely to be seen nowadays outside the collections of portraits that hang in the humbly historic green-rooms of little, out of date theatres, where they are represented in the parts of servants or high priests, though this restaurant seemed, thanks to a selective method of recruiting and perhaps to some system of hereditary nomination, to have preserved their solemn type in a sort of College of Augurs. As ill luck would have it, Aimé having recognised us, it was he who came to take our order, while the procession of operatic high priests swept past us to other tables. Aimé inquired after my grandmother’s health; I asked for news of his wife and children. He gave it with emotion, being a family man. He had an intelligent, vigorous, but respectful air. Robert’s mistress began to gaze at him with a strange attentiveness. But Aimé‘s sunken eyes, in which a slight short-sightedness gave one the impression of veiled depths, shewed no sign of consciousness in his still face. In the provincial hotel in which he had served for many years before coming to Balbec, the charming sketch, now a trifle discoloured and faded, which was his face, and which, for all those years, like some engraved portrait of Prince Eugène, had been visible always at the same place, at the far end of a dining-room that was almost always empty, could not have attracted any very curious gaze. He had thus for long remained, doubtless for want of sympathetic admirers, in ignorance of the artistic value of his face, and but little inclined for that matter to draw attention to it, for he was temperamentally cold. At the most, some passing Parisian, stopping for some reason in the town, had raised her eyes to his, had asked him perhaps to bring something to her in her room before she left for the station, and in the pellucid, Monotonous, deep void of this existence of a faithful husband and servant in a country town had hidden the secret of a caprice without sequel which no one would ever bring to light. And yet Aimé must have been conscious of the insistent emphasis with which the eyes of the young actress were fastened upon him now. Anyhow, it did not escape Robert beneath whose skin I saw gathering a flush, not vivid like that which burned his cheeks when he felt any sudden emotion, but faint, diffused.&#xA;&#xA;    “Anything specially interesting about that waiter, Zézette?” he inquired, after sharply dismissing Aimé. “One would think you were studying the part.”&#xA;&#xA;    “There you are, beginning again; I knew it was coming.”&#xA;&#xA;    “Beginning what again, my dear girl? I may have been mistaken; I haven’t said anything, I’m sure. But I have at least the right to warn you against the fellow, seeing that I knew him at Balbec (otherwise I shouldn’t give a damn), and a bigger scoundrel doesn’t walk the face of the earth.”&#xA;&#xA;   She seemed anxious to pacify Robert and began to engage me in a literary conversation in which he joined. I found that it did not bore me to talk to her, for she had a thorough knowledge of the books that I most admired, and her opinion of them agreed more or less with my own; but as I had heard Mme. de Villeparisis declare that she had no talent, I attached but little importance to this evidence of culture. She discoursed wittily on all manner of topics, and would have been genuinely entertaining had she not affected to an irritating extent the jargon of the sets and studios. She applied this, moreover, to everything under the sun; for instance, having acquired the habit of saying of a picture, if it were impressionist, or an opera, if Wagnerian, “Ah! That is good!” one day when a young man had kissed her on the ear, and, touched by her pretence of being thrilled, had affected modesty, she said: “Yes, as a sensation I call it distinctly good.” But what more surprised me was that the expressions peculiar to Robert (which, moreover, had come to him, perhaps, from literary men whom she knew) were used by her to him and by him to her as though they had been a necessary form of speech, and without any conception of the pointlessness of an originality that is universal.&#xA;&#xA;   In eating, she managed her hands so clumsily that one assumed that she must appear extremely awkward upon the stage. She recovered her dexterity only when making love, with that touching prescience latent in women who love the male body so intensely that they immediately guess what will give most pleasure to that body, which is yet so different from their own.&#xA;&#xA;   I ceased to take part in the conversation when it turned upon the theatre, for on that topic Rachel was too malicious for my liking. She did, it was true, take up in a tone of commiseration — against Saint-Loup, which proved that he was accustomed to hearing Rachel attack her — the defence of Berma, saying: “Oh, no, she’s a wonderful person, really. Of course, the things she does no longer appeal to us, they don’t correspond quite to what we are looking for, but one must think of her at the period to which she belongs; we owe her a great deal. She has done good work, you know. And besides she’s such a fine woman, she has such a good heart; naturally she doesn’t care about the things that interest us, but she has had in her time, with a rather impressive face, a charming quality of mind.” (Our ringers, by the way, do not play the same accompaniment to all our aesthetic judgments. If it is a picture that is under discussion, to shew that it is a fine work with plenty of paint, it is enough to stick out one’s thumb. But the ‘charming quality of mind’ is more exacting. It requires two fingers, or rather two fingernails, as though one were trying to flick off a particle of dust.) But, with this single exception, Saint-Loup’s mistress referred to the best-known actresses in a tone of ironical superiority which annoyed me because I believed — quite mistakenly, as it happened — that it was she who was inferior to them. She was clearly aware that I must regard her as an indifferent actress, and on the other hand have a great regard for those she despised. But she shewed no resentment, because there is in all great talent while it is still, as hers was then, unrecognised, however sure it may be of itself, a vein of humility, and because we make the consideration that we expect from others proportionate not to our latent powers but to the position to which we have attained. (I was, an hour or so later, at the theatre, to see Saint-Loup’s mistress shew great deference towards those very artists against whom she was now bringing so harsh a judgment to bear.) And so, in however little doubt my silence may have left her, she insisted nevertheless on our dining together that evening, assuring me that never had anyone’s conversation delighted her so much as mine. If we were not yet in the theatre, to which we were to go after luncheon, we had the sense of being in a green-room hung with portraits of old members of the company, so markedly were the waiters’ faces those which, one thought, had perished with a whole generation of obscure actors of the Palais-Royal; they had a look, also, of Academicians; stopping before a side table one of them was examining a dish of pears with the expression of detached curiosity that M. de Jussieu might have worn. Others, on either side of him, were casting about the room that gaze instinct with curiosity and coldness which Members of the Institute, who have arrived early, throw at the public, while they exchange a few murmured words which one fails to catch. They were faces well known to all the regular guests. One of them, however, was being pointed out, a newcomer with distended nostrils and a smug upper lip, who looked like a cleric; he was entering upon his duties there for the first time, and everyone gazed with interest at this newly elected candidate. But presently, perhaps to drive Robert away so that she might be alone with Aimé, Rachel began to make eyes at a young student, who was feeding with another man at a neighbouring table.&#xA;&#xA;    “Zézette, let me beg you not to look at that young man like that,” said Saint-Loup, on whose face the hesitating flush of a moment ago had been gathered now into a scarlet tide which dilated and darkened his swollen features, “if you must make a scene here, I shall simply finish eating by myself and join you at the theatre afterwards.”&#xA;&#xA;   At this point a messenger came up to tell Aimé that he was wanted to speak to a gentleman in a carriage outside. Saint-Loup, ever uneasy, and afraid now that it might be some message of an amorous nature that was to be conveyed to his mistress, looked out of the window and saw there, sitting up in his brougham, his hands tightly buttoned in white gloves with black seams, a flower in his buttonhole, M. de Charlus.&#xA;&#xA;    “There; you see!” he said to me in a low voice, “my family hunt me down even here. Will you, please — I can’t very well do it myself, but you can, as you know the head waiter so well and he’s certain to give us away — ask him not to go to the carriage. He can ahvays send some other waiter who doesn’t know me. I know my uncle; if they tell him that I’m not known here, he’ll never come inside to look for me, he loathes this sort of place. Really, it’s pretty disgusting that an old petticoat-chaser like him, who is still at it, too, should be perpetually lecturing me and coming to spy on me!”&#xA;&#xA;   Aimé on receiving my instructions sent one of his underlings to explain that he was busy and could not come out at the moment, and (should the gentleman ask for the Marquis de Saint-Loup) that they did not know any such person. But Saint-Loup’s mistress, who had failed to catch our whispered conversation and thought that it was still about the young man at whom Robert had been finding fault with her for making eyes, broke out in a torrent of rage.&#xA;&#xA;    “Oh, indeed! So it’s the young man over there, now, is it? Thank you for telling me; it’s a real pleasure to have this sort of thing with one’s meals! Don’t listen to him, please; he’s rather cross to-day, and, you know,” she went on, turning to me, “he just says it because he thinks it smart, that it’s the gentlemanly thing to appear jealous always.”&#xA;&#xA;   And she began with feet and fingers to shew signs of nervous irritation.&#xA;&#xA;    “But, Zézette, it is I who find it unpleasant. You are making us all ridiculous before that gentleman, who will begin to imagine you’re making overtures to him, and an impossible bounder he looks, too.”&#xA;&#xA;    “Oh, no, I think he’s charming; for one thing, he’s got the most adorable eyes, and a way of looking at women — you can feel he must love them.”&#xA;&#xA;    “You can at least keep quiet until I’ve left the room, if you have lost your senses,” cried Robert. “Waiter, my things.”&#xA;&#xA;   I did not know whether I was expected to follow him.&#xA;&#xA;    “No, I want to be alone,” he told me in the same tone in which he had just been addressing his mistress, and as if he were quite furious with me. His anger was like a single musical phrase to which in an opera several lines are sung which are entirely different from one another, if one studies the words, in meaning and character, but which the music assimilates by a common sentiment. When Robert had gone, his mistress called Aimé and asked him various questions. She then wanted to know what I thought of him.&#xA;&#xA;    “An amusing expression, hasn’t he? Do you know what I should like; it would be to know what he really thinks about things, to have him wait on me often, to take him travelling. But that would be all. If we were expected to love all the people who attract us, life would be pretty ghastly, wouldn’t it? It’s silly of Robert to get ideas like that. All that sort of thing, it’s only just what comes into my head, that’s all; Robert has nothing to worry about.” She was still gazing at Aimé. “Do look, what dark eyes he has. I should love to know what there is behind them.”&#xA;&#xA;   Presently came a message that Robert was waiting for her in a private room, to which he had gone to finish his luncheon, by another door, without having to pass through the restaurant again. I thus found myself alone, until I too was summoned by Robert. I found his mistress stretched out on a sofa laughing under the kisses and caresses that he was showering on her. They were drinking champagne. “Hallo, you!” she cried to him, having recently picked up this formula which seemed to her the last word in playfulness and wit. I had fed badly, I was extremely uncomfortable, and albeit Legrandin’s words had had no effect on me I was sorry to think that I was beginning in a back room of a restaurant and should be finishing in the wings of a theatre this first afternoon of spring. Looking first at the time to see that she was not making herself late, she offered me a glass of champagne, handed me one of her Turkish cigarettes and unpinned a rose for me from her bodice. Whereupon I said to myself: “I have nothing much to regret, after all; these hours spent in this young woman’s company are not wasted, since I have had from her, charming gifts which could not be bought too dear, a rose, a scented cigarette and a glass of champagne.” I told myself this because I felt that it endowed with an aesthetic character and thereby justified, saved these hours of boredom. I ought perhaps to have reflected that the very need which I felt of a reason that would console me for my boredom was sufficient to prove that I was experiencing no aesthetic sensation. As for Robert and his mistress, they appeared to have no recollection of the quarrel which had been raging between them a few minutes earlier, or of my having been a witness to it. They made no allusion to it, sought no excuse for it any more than for the contrast with it which their present conduct formed. By dint of drinking champagne with them, I began to feel a little of the intoxication that used to come over me at Rivebelle, though probably not quite the same. Not only every kind of intoxication, from that which the sun or travelling gives us to that which we get from exhaustion or wine, but every degree of intoxication — and each must have a different figure, like the numbers of fathoms on a chart — lays bare in us exactly at the depth to which it reaches a different kind of man. The room which Saint-Loup had taken was small, but the mirror which was its sole ornament was of such a kind that it seemed to reflect thirty others in an endless vista; and the electric bulb placed at the top of the frame must at night, when the light was on, followed by the procession of thirty flashes similar to its own, give to the drinker, even when alone, the idea that the surrounding space was multiplying itself simultaneously with his sensations heightened by intoxication, and that, shut up by himself in this little cell, he was reigning nevertheless over something far more extensive in its indefinite luminous curve than a passage in the Jardin de Paris. Being then myself at this moment the said drinker, suddenly, looking for him in the glass, I caught sight of him, hideous, a stranger, who was staring at me. The joy of intoxication was stronger than my disgust; from gaiety or bravado I smiled at him, and simultaneously ne smiled back at me. And I felt myself so much under the ephemeral and Potent sway of the minute in which our sensations are so strong, that I am not sure whether my sole regret was not at the thought that this hideous self of whom I had just caught sight in the glass was perhaps there for the last time on earth, and that I should never meet the stranger again in the whole course of my life.&#xA;&#xA;   Robert was annoyed only because I was not being more brilliant before his mistress.&#xA;&#xA;    “What about that fellow you met this morning, who combines snobbery with astronomy; tell her about him, I’ve forgotten the story,” and he watched her furtively.&#xA;&#xA;    “But, my dear boy, there’s nothing more than what you’ve just said.”&#xA;&#xA;    “What a bore you are. Then tell her about Françoise in the Champs-Elysées. She’ll enjoy that.”&#xA;&#xA;    “Oh, do! Bobby is always talking about Françoise.” And taking Saint-Loup by the chin, she repeated, for want of anything more original, drawing the said chin nearer to the light: “Hallo, you!”&#xA;&#xA;   Since actors had ceased to be for me exclusively the depositaries, in their diction and playing, of an artistic truth, they had begun to interest me in themselves; I amused myself, pretending that what I saw before me were the characters in some old humorous novel, by watching, struck by the fresh face of the young man who had just come into the stalls, the heroine listen distractedly to the declaration of love which the juvenile lead in the piece was addressing to her, while he, through the fiery torrent of his impassioned speech, still kept a burning gaze fixed on an old lady seated in a stage box, whose magnificent pearls had caught his eye; and thus, thanks especially to the information that Saint-Loup gave me as to the private lives of the players, I saw another drama, mute but expressive, enacted beneath the words of the spoken drama which in itself, although of no merit, interested me also; for I could feel in it that there were budding and opening for an hour in the glare of the footlights, created out of the agglutination on the face of an actor of another face of grease paint and pasteboard, on his own human soul the words of a part.&#xA;&#xA;   These ephemeral vivid personalities which the characters are in a play that is entertaining also, whom one loves, admires, pities, whom one would like to see again after one has left the theatre, but who by that time are already disintegrated into a comedian who is no longer in the position which he occupied in the play, a text which no longer shews one the comedian’s face, a coloured powder which a handkerchief wipes off, who have returned in short to elements that contain nothing of them, since their dissolution, effected so soon after the end of the show, make us — like the dissolution of a dear friend — begin to doubt the reality of our ego and meditate on the mystery of death.&#xA;&#xA;   One number in the programme I found extremely trying. A young woman whom Rachel and some of her friends disliked was, with a set of old songs, to make a first appearance on which she had based all her hopes for the future of herself and her family. This young woman was blessed with unduly, almost grotesquely prominent hips and a pretty but too slight voice, weakened still farther by her excitement and in marked contrast to her muscular development. Rachel had posted among the audience a certain number of friends, male and female, whose business it was by their sarcastic comments to put the novice, who was known to be timid, out of countenance, to make her lose her head so that her turn should prove a complete failure, after which the manager would refuse to give her a contract. At the first notes uttered by the wretched woman, several of the male audience, recruited for that purpose, began pointing to her backward profile with jocular comments, several of the women, also in the plot, laughed out loud, each flute-like note from the stage increased the deliberate hilarity, which grew to a public scandal. The unhappy woman, sweating with anguish through her grease-paint, tried for a little longer to hold out then stopped and looked round the audience with an appealing gaze of misery and anger which succeeded only in increasing the uproar. The instinct to imitate others, the desire to shew their own wit and daring added to the party several pretty actresses who had not been forewarned but now threw at the others glances charged with malicious connivance, and sat convulsed with laughter which rang out in such violent peals that at the end of the second song, although there were still five more on the programme, the stage manager rang down the curtain. I tried to make myself pay no more heed to the incident than I had paid to my grandmother’s sufferings when my great-aunt, to tease her, used to give my grandfather brandy, the idea of deliberate wickedness being too painful for me to bear. And yet, just as our pity for misfortune is perhaps not very exact since in our imagination we recreate a whole world of grief by which the unfortunate who has to struggle against it has no time to think of being moved to self-pity, so wickedness has probably not in the mind of the wicked man that pure and voluptuous cruelty which it so pains us to imagine. Hatred inspires him, anger gives him an ardour, an activity in which there is no great joy; he must be a sadist to extract any pleasure from it; ordinarily, the wicked man supposes himself to be punishing the wickedness of his victim; Rachel imagined certainly that the actress whom she was making suffer was far from being of interest to any one, and that anyhow, in having her hissed off the stage, she was herself avenging an outrage on good taste and teaching an unworthy comrade a lesson. Nevertheless, I preferred not to speak of this incident since I had had neither the courage nor the power to prevent it, and it would have been too painful for me, by saying any good of their victim, to approximate to a gratification of the lust for cruelty the sentiments which animated the tormentors who had strangled this career in its infancy.&#xA;&#xA;   But the opening scene of this afternoon’s performance interested me in quite another way. It made me realise in part the nature of the illusion of which Saint-Loup was a victim with regard to Rachel, and which had set a gulf between the images that he and I respectively had in mind of his mistress, when we beheld her that morning among the blossoming pear trees. Rachel was playing a part which involved barely more than her walking on in the little play. But seen thus, she was another woman. She had one of those faces to which distance — and not necessarily that between stalls and stage, the world being in this respect only a larger theatre — gives form and outline and which, seen close at hand, dissolve back into dust. Standing beside her one saw only a nebula, a milky way of freckles, of tiny spots, nothing more. At a proper distance, all this ceased to be visible and, from cheeks that withdrew, were reabsorbed into her face, rose like a crescent moon a nose so fine, so pure that one would have liked to be object of Rachel’s attention, to see her again as often as one chose, to her close to one, provided that one had not already seen her differently and at close range. This was not my case but it had been Saint-Loup’s when he first saw her on the stage. Then he had asked himself how he might approach her, how come to know her, there had opened in him a whole fairy realm — that in which she lived — from which emanated an exquisite radiance but into which he might not penetrate. He had left the theatre telling himself that it would be madness to write to her, that she would not answer his letter, quite prepared to give his fortune and his name for the creature who was living in him in a world so vastly superior to those too familiar realities, a world made beautiful by desire and dreams of happiness, when at the back of the theatre, a little old building which had itself the air of being a piece of scenery, from the stage door he saw debouch the gay and daintily hatted band of actresses who had just been playing. Young men who knew them were waiting for them outside. The number of pawns on the human chessboard being less than the number of combinations that they are capable of forming, in a theatre from which are absent all the people we know and might have expected to find, there turns up one whom we never imagined that we should see again and who appears so opportunely that the coincidence seems to us providential, although no doubt some other coincidence would have occurred in its stead had we been not in that place but in some other, where other desires would have been aroused and we should have met some other old acquaintance to help us to satisfy them. The golden portals of the world of dreams had closed again upon Rachel before Saint-Loup saw her emerge from the theatre, so that the freckles and spots were of little importance. They vexed him nevertheless, especially as, being no longer alone, he had not now the same opportunity to dream as in the theatre. But she, for all that he could no longer see her, continued to dictate his actions, like those stars which govern us by their attraction even during the hours in which they are not visible to our eyes. And so his desire for the actress with the fine features which had no place now even in Robert’s memory had the result that, dashing towards the old friend whom chance had brought to the spot, he insisted upon an introduction to the person with no features and with freckles, since she was the same person, telling himself that later on he would take care to find out which of the two this same person really was. She was in a hurry, she did not on this occasion say a single word to Saint-Loup, and it was only some days later that he finally contrived, by inducing her to leave her companions, to escort her home. He loved her already. The need for dreams, the desire to be made happy by her of whom one has dreamed, bring it about that not much time is required before one entrusts all one’s chances of happiness to her who a few days since was but a fortuitous apparition, unknown, unmeaning, upon the boards of the theatre.&#xA;&#xA;   When, the curtain having fallen, we moved on to the stage, alarmed at finding myself there for the first time, I felt the need to begin a spirited conversation with Saint-Loup. In this way my attitude, as I did not know what one ought to adopt in a setting that was strange to me, would be entirely dominated by our talk, and people would think that I was so absorbed in it, so unobservant of my surroundings, that it was quite natural that I should not shew the facial expressions proper to a place in which, to judge by what I appeared to be saying, I was barely conscious of standing; and seizing, to make a beginning, upon the first topic that came to my mind:&#xA;&#xA;    “You know,” I said, “I did come to say good-bye to you the day I left Doncières; I’ve not had an opportunity to mention it. I waved to you in the street.”&#xA;&#xA;    “Don’t speak about it,” he replied, “I was so sorry. I passed you just outside the barracks, but I couldn’t stop because I was late already. I assure you, I felt quite wretched about it.”&#xA;&#xA;   So he had recognised me! I saw again in my mind the wholly impersonal salute which he had given me, raising his hand to his cap, without a glance to indicate that he knew me, without a gesture to shew that he was sorry he could not stop. Evidently this fiction, which he had adopted at that moment, of not knowing me must have simplified matters for him greatly. But I was amazed to find that he had been able to compose himself to it so swiftly and without any instinctive movement to betray his original impression. I had already observed at Balbec that, side by side with that childlike sincerity of his face, the skin of which by its transparence rendered visible the sudden tide of certain emotions, his body had been admirably trained to perform a certain number of well-bred dissimulations, and that, like a consummate actor, he could, in his regimental and in his social life, play alternately quite different parts. In one of his parts he loved me tenderly, he acted towards me almost as if he had been my brother; my brother he had been, he was now again, but for a moment that day he had been another person who did not know me and who, holding the reins, his glass screwed to his eye, without a look or a smile had lifted his disengaged hand to the peak of his cap to give me correctly the military salute.&#xA;&#xA;   The stage scenery, still in its place, among which I was passing, seen thus at close range and without the advantage of any of those effects of lighting and distance on which the eminent artist whose brush had painted it had calculated, was a depressing sight, and Rachel, when I came near her, was subjected to a no less destructive force. The curves of her charming nose had stood out in perspective, between stalls and stage, like the relief of the scenery. It was no longer herself, I recognised her only thanks to her eyes, in which her identity had taken refuge. The form, the radiance of this young star, so brilliant a moment ago, had vanished. On the other hand — as though we came close to the moon and it ceased to present the appearance of a disk of rosy gold — on this face, so smooth a surface until now, I could distinguish only protuberances, discolourations, cavities. Despite the incoherence into which were resolved at close range not only the feminine features but the painted canvas, I was glad to be there to wander among the scenery, all that setting which at one time my love of nature had prompted me to dismiss as tedious and artificial until the description of it by Goethe in Wilhelm Meister had given it a sort of beauty in my eyes; and I had already observed with delight, in the thick of a crowd of journalists or men of friends of the actresses, who were greeting one another, talking, smoking, as though in a public thoroughfare, a young man in a black velvet cap and hortensia-coloured skirt, his cheeks chalked in red like a page from a Watteau album, who with his smiling lips, his eyes raised to the ceiling, as he sprang lightly into the air, seemed so entirely of another species than the rational folk in everyday clothes, in the midst of whom he was pursuing like a madman the course of his ecstatic dream, so alien to the preoccupations of their life, so anterior to the habits of their civilisation, so enfranchised from all the laws of nature, that it was as restful and as fresh a spectacle as watching a butterfly straying along a crowded street to follow with one’s eyes, between the strips of canvas, the natural arabesques traced by his winged capricious painted oscillations. But at that moment Saint-Loup conceived the idea that his mistress was paying undue attention to this dancer, who was engaged now in practising for the last time the figure of fun with which he was going to take the stage, and his face darkened.&#xA;&#xA;    “You might look the other way,” he warned her gloomily. “You know that none of those dancer-fellows is worth the rope they can at least fall off and break their necks, and they’re the sort of people who go about afterwards boasting that you’ve taken notice of them. Besides, you know very well you’ve been told to go to your dressing-room and change. You’ll be missing your call again.”&#xA;&#xA;   A group of men — journalists — noticing the look of fury on Saint-Loup’s face, came nearer, amused, to listen to what we were saying. And as the stage-hands had just set up some scenery on our other side we were forced into close contact with them.&#xA;&#xA;    “Oh, but I know him; he’s a friend of mine,” cried Saint-Loup’s mistress, her eyes still fixed on the dancer. “Look how well made he is, do watch those little hands of his dancing away by themselves like his whole body!”&#xA;&#xA;   The dancer turned his head towards her, and his human person appeared beneath the sylph that he was endeavouring to be, the clear grey jelly of his eyes trembled and sparkled between eyelids stiff with paint, and a smile extended the corners of his mouth into cheeks plastered with rouge; then, to amuse the girl, like a singer who hums to oblige us the air of the song in which we have told her that we admired her singing, he began to repeat the movement of his hands, counterfeiting himself with the fineness of a parodist and the good humour of a child.&#xA;&#xA;    “Oh, that’s too lovely, the way he copies himself,” she cried, clapping her hands.&#xA;&#xA;    “I implore you, my dearest girl,” Saint-Loup broke in, in a tone of utter misery, “do not make a scene here, I can’t stand it; I swear, if you say another word I won’t go with you to your room, I shall walk straight out; come, don’t be so naughty. . . . You oughtn’t to stand about in the cigar smoke like that, it’ll make you ill,” he went on, to me, with the solicitude he had shewn for me in our Balbec days.&#xA;&#xA;    “Oh! What a good thing it would be if you did go.”&#xA;&#xA;    “I warn you, if I do I shan’t come back.”&#xA;&#xA;    “That’s more than I should venture to hope.”&#xA;&#xA;    “Listen; you know, I promised you the necklace if you behaved nicely to me, but the moment you treat me like this. . . . ”&#xA;&#xA;    “Ah! Well, that doesn’t surprise me in the least. You gave me your promise; I ought to have known you’d never keep it. You want the whole world to know you’re made of money, but I’m not a money-grubber like you. You can keep your blasted necklace; I know some one else who’ll give it to me.”&#xA;&#xA;    “No one else can possibly give it to you; I’ve told Boucheron he’s to keep it for me, and I have his promise not to let anyone else have it.”&#xA;&#xA;    “There you are, trying to blackmail me, you’ve arranged everything, I see. That’s what they mean by Marsantes, Mater Semita, it smells of the race,” retorted Rachel quoting an etymology which was founded on a wild misinterpretation, for Semita means ‘path’ and not ‘Semite,’ but one which the Nationalists applied to Saint-Loup on account of the Dreyfusard views for which, so far as that went, he was indebted to the actress. She was less entitled than anyone to apply the word ‘Jew’ to Mme. de Marsantes, in whom the ethnologists of society could succeed in finding no trace of Judaism apart from her connexion with the Lévy-Mirepoix family. “But this isn’t the last of it, I can tell you. An agreement like that isn’t binding. You have acted treacherously towards me. Boucheron shall be told of it and he’ll be paid twice as much for his necklace. You’ll hear from me before long; don’t you worry.”&#xA;&#xA;   Robert was in the right a hundred times over. But circumstances are always so entangled that the man who is in the right a hundred times may have been once in the wrong. And I could not help recalling that unpleasant and yet quite innocent expression which he had used at Balbec: “In that way I keep a hold over her.”&#xA;&#xA;    “You don’t understand what I mean about the necklace. I made no formal promise: once you start doing everything you possibly can to make me leave you, it’s only natural, surely, that I shouldn’t give it to you; I fail to understand what treachery you can see in that, or what my ulterior motive is supposed to be. You can’t seriously maintain that I brag about my money, I’m always telling you that I’m only a poor devil without a cent to my name. It’s foolish of you take it in that way, my dear. What possible interest can I have in hurting you? You know very well that my one interest in life is yourself.”&#xA;&#xA;    “Oh, yes, yes, please go on,” she retorted ironically, with the sweeping gesture of a barber wielding his razor. And turning to watch the dancer:&#xA;&#xA;    “Isn’t he too wonderful with his hands. A woman like me couldn’t do the things he’s doing now.” She went closer to him and, pointing to Robert’s furious face: “Look, he’s hurt,” she murmured, in the momentary elation of a sadic impulse to cruelty totally out of keeping with the genuine feelings of affection for Saint-Loup.&#xA;&#xA;    “Listen, for the last time, I swear to you it doesn’t matter what you do — in a week you’ll be giving anything to get me back — I shan’t come; it’s a clean cut, do you hear, it’s irrevocable; you will be sorry one day, when it’s too late.”&#xA;&#xA;   Perhaps he was sincere in saying this, and the torture of leaving his mistress may have seemed to him less cruel than that of remaining with her in certain circumstances.&#xA;&#xA;    “But, my dear boy,” he went on, to me, “you oughtn’t to stand about here, I tell you, it will make you cough.”&#xA;&#xA;   I pointed to the scenery which barred my way. He touched his hat and said to one of the journalists:&#xA;&#xA;    “Would you mind, sir, throwing away your cigar; the smoke is bad for my friend.”&#xA;&#xA;   His mistress had not waited for him to accompany her; on her way to her dressing-room she turned round and:&#xA;&#xA;    “Do they do those tricks with women too, those nice little hands?” she flung to the dancer from the back of the stage, in an artificially melodious tone of girlish innocence. “You look just like one yourself, I’m sure I could have a wonderful time with you and a girl I know.”&#xA;&#xA;    “There’s no rule against smoking that I know of; if people aren’t well, they have only to stay at home,” said the journalist.&#xA;&#xA;   The dancer smiled mysteriously back at the actress.&#xA;&#xA;    “Oh! Do stop! You’ll make me quite mad,” she cried to him. “Then there will be trouble.”&#xA;&#xA;    “In any case, sir, you are not very civil,” observed Saint-Loup to the journalist, still with a courteous suavity, in the deliberate manner of a man judging retrospectively the rights and wrongs of an incident that is already closed.&#xA;&#xA;   At that moment I saw Saint-Loup raise his arm vertically above his head as if he had been making a signal to some one whom I could not see, or like the conductor of an orchestra, and indeed — without any greater transition than when, at a simple wave of the baton, in a symphony or a ballet, violent rhythms succeed a graceful andante — after the courteous words that he had just uttered he brought down his hand with a resounding smack upon the journalist’s cheek.&#xA;&#xA;   Now that to the measured conversations of the diplomats, to the smiling arts of peace had succeeded the furious onthrust of war, since blows lead to blows, I should not have been surprised to see the combatants swimming in one another’s blood. But what I could not understand (like people who feel that it is not according to the rules when a war breaks out between two countries after some question merely of the rectification of a frontier, or when a sick man dies after nothing more serious than a swelling of the liver) was how Saint-Loup had contrived to follow up those words, which implied a distinct shade of friendliness, with an action which in no way arose out of them, which they had not, so to speak, announced, that action of an arm raised in defiance not only of the rights of man but of the law of cause and effect, that action created ex nihilo. Fortunately the journalist who, staggering back from the violence of the blow, had turned pale and hesitated for a moment, did not retaliate. As for his friends, one of them had promptly turned away his head and was looking fixedly into the wings for some one who evidently was not there; the second pretended that a speck of dust had got into his eye, and began rubbing and squeezing his eyelid with every sign of being in pain; while the third had rushed off, exclaiming: “Good heavens, I believe the curtain’s going up; we shan’t get into our seats.”&#xA;&#xA;   I wanted to speak to Saint-Loup, but he was so full of his indignation with the dancer that it adhered exactly to the surface of his eyeballs; like a subcutaneous structure it distended his cheeks with the result that, his internal agitation expressing itself externally in an entire immobility, he had not even the power of relaxation, the ‘play’ necessary to take in a word from me and to answer it. The journalist’s friends, seeing that the incident was at an end, gathered round him again, still trembling. But, ashamed of having deserted him, they were absolutely determined that be should be made to suppose that they had noticed nothing. And so they dilated, one upon the speck of dust in his eye, one upon his false alarm when he had thought that the curtain was going up, the third upon the astonishing resemblance between a man who had just gone by and the speaker’s brother. Indeed they seemed quite to resent their friend’s not having shared their several emotions.&#xA;&#xA;    “What, didn’t it strike you? You must be going blind.”&#xA;&#xA;    “What I say is that you’re a pack of curs,” growled the journalist whom Saint-Loup had punished.&#xA;&#xA;   Forgetting the poses they had adopted, to be consistent with which they ought — but they did not think of it — to have pretended not to understand what he meant, they fell back on certain expressions traditional in the circumstances: “What’s all the excitement? Keep your hair on, old chap. Don’t take the bit in your teeth.”&#xA;&#xA;   I had realised that morning beneath the pear blossom how illusory were the grounds upon which Robert’s love for ‘Rachel when from the Lord’ was based; I was bound now to admit how very real were the sufferings to which that love gave rise. Gradually the feeling that had obsessed him for the last hour, without a break, began to diminish, receded into him, an unoccupied pliable zone appeared in his eyes. I had stopped for a moment at a corner of the Avenue Gabriel from which I had often in the past seen Gilberte appear. I tried for a few seconds to recall those distant impressions, and was hurrying at a ‘gymnastic’ pace to overtake Saint-Loup when I saw that a gentleman, somewhat shabbily attired, appeared to be talking to him confidentially. I concluded that this was a personal friend of Robert; at the same time they seemed to be drawing even closer to one another; suddenly, as a meteor flashes through the sky, I saw a number of ovoid bodies assume with a giddy swiftness all the positions necessary for them to form, before Saint-Loup’s face and body, a flickering constellation. Flung out like stones from a catapult, they seemed to me to be at the very least seven in number. They were merely, however, Saint-Loup’s pair of fists, multiplied by the speed with which they were changing their places in this — to all appearance ideal and decorative — arrangement. But this elaborate display was nothing more than a pummelling which Saint-Loup was administering, the true character of which, aggressive rather than aesthetic, was first revealed to me by the aspect of the shabbily dressed gentleman who appeared to be losing at once his self-possession, his lower jaw and a quantity of blood. He gave fictitious explanations to the people who came up to question him, turned his head and, seeing that Saint-Loup had made off and was hastening to rejoin me, stood gazing after him with an offended, crushed, but by no means furious expression on his face. Saint-Loup, on the other hand, was furious, although he himself had received no blow, and his eyes were still blazing with anger when he reached me. The incident was in no way connected (as I had supposed) with the assault in the theatre. It was an impassioned loiterer who, seeing the fine looking young soldier that Saint-Loup was, had made overtures to him. My friend could not get over the audacity of this ‘clique’ who no longer even waited for the shades of night to cover their operations, and spoke of the suggestion that had been made to him with the same indignation as the newspapers use in reporting an armed assault and robbery, in broad daylight, in the centre of Paris. And yet the recipient of his blow was excusable in one respect, for the trend of the downward slope brings desire so rapidly to the point of enjoyment that beauty by itself appears to imply consent. Now, that Saint-Loup was beautiful was beyond dispute. Castigation such as he had just administered has this value, for men of the type that had accosted him, that it makes them think seriously of their conduct, though never for long enough to enable them to amend their ways and thus escape correction at the hands of the law. And so, although Saint-Loup’s arm had shot out instinctively, without any preliminary thought, all such punishments, even when they reinforce the law, are powerless to bring about any uniformity in morals.&#xA;&#xA;   These incidents, particularly the one that was weighing most on his mind, seemed to have prompted in Robert a desire to be left alone for a while. After a moment’s silence he asked me to leave him, and to go by myself to call on Mme. de Villeparisis. He would join me there, but preferred that we should not enter the room together, so that he might appear to have only just arrived in Paris, instead of having spent half the day already with me.&#xA;&#xA;   As I had supposed before making the acquaintance of Mme. de Villeparisis at Balbec, there was a vast difference between the world in which she lived and that of Mme. de Guermantes. Mme. de Villeparisis was one of those women who, born of a famous house, entering by marriage into another no less famous, do not for all that enjoy any great position in the social world, and, apart from a few duchesses who are their nieces or sisters-in-law, perhaps even a crowned head or two, old family friends, see their drawing-rooms filled only by third-rate people, drawn from the middle classes or from a nobility either provincial or tainted in some way, whose presence there has long since driven away all such smart and snobbish folk as are not obliged to come to the house by ties of blood or the claims of a friendship too old to be ignored. Certainly I had no difficulty after the first few minutes in understanding how Mme. de Villeparisis, at Balbec, had come to be so well informed, better than ourselves even, as to the smallest details of the tour through Spain which my father was then making with M. de Norpois. Even this, however, did not make it possible to rest content with the theory that the intimacy — of more than twenty years’ standing — between Mme. de Villeparisis and the Ambassador could have been responsible for the lady’s loss of caste in a world where the smartest women boasted the attachment of lovers far less respectable than he not to mention that it was probably years since he had been anything more to the Marquise than just an old friend. Had Mme. de Villeparisis then had other adventures in days gone by? Being then of a more passionate temperament than now, in a calm and religious old age which nevertheless owed some of its mellow colouring to those ardent, vanished years, had she somehow failed, in the country neighbourhood where she had lived for so long, to avoid certain scandals unknown to the younger generation who simply took note of their effect in the unequal and defective composition of a visiting list bound, otherwise, to have been among the purest of any taint of mediocrity? That ‘sharp tongue’ which her nephew ascribed to her, had it in those far-off days made her enemies? Had it driven her into taking advantage of certain successes with men so as to avenge herself upon women? All this was possible; nor could the exquisitely sensitive way in which — giving so delicate a shade not merely to her words but to her intonation — Mme. de Villeparisis spoke of modesty or generosity be held to invalidate this supposition; for the people who not only speak with approval of certain virtues but actually feel their charm and shew a marvellous comprehension of them (people in fact who will, when they come to write their memoirs, present a worthy picture of those virtues) are often sprung from but not actually part of the silent, simple, artless generation which practised them. That generation is reflected in them but is not continued. Instead of the character which it possessed we find a sensibility, an intelligence which are not conducive to action. And whether or not there had been in the life of Mme. de Villeparisis any of those scandals, which (if there had) the lustre of her name would have blotted out, it was this intellect, resembling rather that of a writer of the second order than that of a woman of position, that was undoubtedly the cause of her social degradation.&#xA;&#xA;   It is true that they were not specially elevating, the qualities, such as balance and restraint, which Mme. de Villeparisis chiefly extolled; but to speak of restraint in a manner that shall be entirely adequate, the word ‘restraint’ is not enough, we require some of the qualities of authorship which presuppose a quite unrestrained exaltation; I had remarked at Balbec that the genius of certain great artists was completely unintelligible to Mme. de Villeparisis; and that all she could do was to make delicate fun of them and to express her incomprehension in a graceful and witty form. But this wit and grace, at the point to which she carried them, became themselves — on another plane, and even although they were employed to belittle the noblest masterpieces — true artistic qualities. Now the effect of such qualities on any social position is a morbid activity of the kind which doctors call elective, and so disintegrating that the most firmly established pillars of society are hard put to it to hold out for any length of time. What artists call intellect seems pure presumption to the fashionable world which, unable to place itself at the sole point of view from which they, the artists, look at and judge things, incapable of understanding the particular attraction to which they yield when they choose an ex-Pression or start a friendship, feel in their company an exhaustion, an irritation, from which antipathy very shortly springs. And yet in her conversation, and the same may be said of the Memoirs which she afterwards published, Mme. de Villeparisis shewed nothing but a sort of grace that was eminently social. Having passed by great works without mastering sometimes without even noticing them, she had preserved from the period in which she had lived and which, moreover, she described with great aptness and charm, little more than the most frivolous of the gifts that they had had to offer her. But a narrative of this sort, even when it treats exclusively of subjects that are not intellectual, is still a work of the intellect, and to give in a book or in conversation, which is almost the same thing, a deliberate impression of frivolity, a serious touch is required which a purely frivolous person would be incapable of supplying. In a certain book of reminiscences written by a woman and regarded as a masterpiece, the phrase that people quote as a model of airy grace has always made me suspect that, in order to arrive at such a pitch of lightness, the author must originally have had a rather stodgy education, a boring culture, and that as a girl she probably appeared to her friends an insufferable prig. And between certain literary qualities and social failure the connexion is so inevitable that when we open Mme. de Villeparisis’s Memoirs to-day, on any page a fitting epithet, a sequence of metaphors will suffice to enable the reader to reconstruct the deep but icy bow which must have been bestowed on the old Marquise on the staircases of the Embassies by a snob like Mme. Leroi, who perhaps may have left a card on her when she went to call on the Guermantes, but never set foot in her house for fear of losing caste among all the doctors’ or solicitors’ wives whom she would find there. A bluestocking Mme. de Villeparisis had perhaps been in her earliest youth, and, intoxicated with the ferment of her own knowledge, had perhaps failed to realise the. importance of not applying to people in society, less intelligent and less educated than herself, those cutting strokes which the injured party never forgets.&#xA;&#xA;   Moreover, talent is not a separate appendage which one artificially attaches to those qualities which make for social success, in order to create from the whole what people in society call a ‘complete woman.’ It is the living product of a certain moral complexion, from which as a rule many moral qualities are lacking and in which there predominates a sensibility of which other manifestations such as we do not notice in a book may make themselves quite distinctly felt in the course of a life, certain curiosities for instance, certain whims, the desire to go to this place or that for one’s own amusement and not with a view to the extension, the maintenance or even the mere exercise of one’s social relations. I had seen at Balbec Mme. de Villeparisis hemmed in by a bodyguard of her own servants without even a glance, as she passed, at the people sitting in the hall of the hotel. But I had had a presentiment that this abstention was due not to indifference, and it seemed that she had not always confined herself to it. She would get a sudden craze to know some one or other because she had seen him and thought him good-looking, or merely because she had been told that he was amusing, or because he had struck her as different from the people she knew, who at this period, when she had not yet begun to appreciate them because she imagined that they would never fail her, belonged, all of them, to the purest cream of the Faubourg Saint-Germain. To the bohemian, the humble middle-class gentleman whom she had marked out with her favour she was obliged to address invitations the importance of which he was unable to appreciate, with an insistence which began gradually to depreciate her in the eyes of the snobs who were in the habit of estimating the smartness of a house by the people whom its mistress excluded rather than by those whom she entertained. Certainly, if at a given moment in her youth Mme. de Villeparisis, surfeited with the satisfaction of belonging to the fine flower of the aristocracy, had found a sort of amusement in scandalising the people among whom she lived, and in deliberately impairing her own position in society, she had begun to attach its full importance to that position once it was definitely lost. She had wished to shew the Duchesses that she was better than they, by saying and doing all the things that they dared not say or do. But now that they all, save such as were closely related to her, had ceased to call, she felt herself diminished, and sought once more to reign, but with another sceptre than that of wit. She would have liked to attract to her house all those women whom she had taken such pains to drive away. How many women’s lives, lives of which little enough is known (for we all live in different worlds according to our ages, and the discretion of their elders prevents the young from forming any clear idea of the past and so completing the cycle), have been divided in this way into contrasted periods, the last being entirely devoted to the reconquest of what in the second has been so light-heartedly flung on the wind. Flung on the wind in what way? The young people are all the less capable of imagining it, since they see before them an elderly and respectable Marquise de Villeparisis and have no idea that the grave diarist of the present day, so dignified beneath her pile of snowy hair, can ever have been a gay midnight-reveller who was perhaps the delight in those days, devoured the fortunes perhaps of men now sleeping in their graves; that she should also have set to work, with a persevering and natural industry, to destroy the position which she owed to her high birth does not in the least imply that even at that remote period Mme. de Villeparisis did not attach great importance to her position. In the same way the web of isolation, of inactivity in which a neurasthenic lives may be woven by him from morning to night without therefore seeming endurable, and while he is hastening to add another mesh to the net which holds him captive, it is possible that he is dreaming only of dancing, sport and travel. We are at work every moment upon giving its form to our life, but we do so by copying unintentionally, like the example in a book, the features of the person that we are and not of him who we should like to be. The disdainful bow of Mme. Leroi might to some extent be expressive of the true nature of Mme. de Villeparisis; it in no way corresponded to her ambition.&#xA;&#xA;   No doubt at the same moment at which Mme. Leroi was — to use an expression beloved of Mme. Swann —‘cutting’ the Marquise, the latter could seek consolation in remembering how Queen Marie-Amélie had once said to her: “You are just like a daughter to me.” But such marks of royal friendship, secret and unknown to the world, existed for the Marquise alone, dusty as the diploma of an old Conservatoire medalist. The only true social advantages are those that create life, that can disappear without the person who has benefited by them needing to try to keep them or to make them public, because on the same day a hundred others will take their place. And for all that she could remember the Queen’s using those words to her, she would nevertheless have bartered them gladly for the permanent faculty of being asked everywhere which Mme. Leroi possessed as in a restaurant a great but unknown artist whose genius is written neither in the lines of his bashful face nor in the antiquated cut of his threadbare coat, would willingly be even the young stock-jobber, of the lowest grade of society, who is sitting with a couple of actresses at a neighbouring table to which in an obsequious and incessant chain come hurrying manager, head waiter, pages and even the scullions who file out of the kitchen to salute him, as in the fairy-tales, while the wine waiter advances, dust-covered like his bottles, limping and dazed, as if on his way up from the cellar he had twisted his foot before emerging into the light of day.&#xA;&#xA;   It must be remarked, however, that in Mme. de Villeparisis’s drawing-room the absence of Mme. Leroi, if it distressed the lady of the house, passed unperceived by the majority of her guests. They were entirely ignorant of the peculiar position which Mme. Leroi occupied, a: position known only to the fashionable world, and never doubted that Mme. de Villeparisis’s receptions were, as the readers of her Memoirs to-day are convinced that they must have been, the most brilliant in Paris.&#xA;&#xA;   On the occasion of this first call which, after leaving Saint-Loup, I went to pay on Mme. Villeparisis, following the advice given by M. de Norpois to my father, I found her in her drawing-room hung with yellow silk, against which the sofas and the admirable armchairs upholstered in Beauvais tapestry stood out with the almost purple redness of ripe raspberries. Side by side with the Guermantes and Villeparisis portraits one saw those — gifts from the sitters themselves — of Queen Marie-Amélie, the Queen of the Belgians, the Prince de Joinville and the Empress of Austria. Mme. de Villeparisis herself, capped with an old-fashioned bonnet of black lace (which she preserved with the same instinctive sense of local or historical colour as a Breton inn-keeper who, however Parisian his customers may have become, feels it more in keeping to make his maids dress in coifs and wide sleeves), was seated at a little desk on which in front of her, as well as her brushes, her palette and an unfinished flower-piece in water-colours, were arranged in glasses, in saucers, in cups, moss-roses, zinnias, maidenhair ferns, which on account of the sudden influx of callers she had just left off painting, and which had the effect of being piled on a florist’s counter in some eighteenth-century mezzotint. In this drawing-room, which had been slightly heated on purpose because the Marquise had caught cold on the journey from her house in the country, there were already when I arrived a librarian with whom Mme. de Villeparisis had spent the morning in selecting the autograph letters to herself from various historical personages which were to figure in facsimile as documentary evidence in the Memoirs which she was preparing for the press, and a historian, solemn and tongue-tied, who hearing that she had inherited and still possessed a portrait of the Duchesse de Montmorency, had come to ask her permission to reproduce it as a plate in his work on the Fronde; a party strengthened presently by the addition of my old friend Bloch, now a rising dramatist, upon whom she counted to secure the gratuitous services of actors and actresses at her next series of afternoon parties. It was true that the social kaleidoscope was in the act of turning and that the Dreyfus case was shortly to hurl the Jews down to the lowest rung of the social ladder. But, for one thing, the anti-Dreyfus cyclone might rage as it would, it is not in the first hour of a storm that the waves are highest. In the second place, Mme. de Villeparisis, leaving a whole section of her family to fulminate against the Jews, had hitherto kept herself entirely aloof from the Case and never gave it a thought. Lastly, a young man like Bloch, whom no one knew, might pass unperceived, whereas leading Jews, representatives of their party, were already threatened. He had his chin pointed now by a goat-beard, wore double glasses and a long frock coat, and carried a glove like a roll of papyrus in his hand. The Rumanians, the Egyptians, the Turks may hate the Jews. But in a French drawing-room the differences between those peoples are not so apparent, and an Israelite making his entry as though he were emerging from the heart of the desert, his body crouching like a hyaena’s, his neck thrust obliquely forward, spreading himself in profound ‘salaams,’ completely satisfies a certain taste for the oriental. Only it is essential that the Jew should not be actually ‘in’ society, otherwise he will readily assume the aspect of a lord and his manners become so Gallicised that on his face a rebellious nose, growing like a nasturtium in any but the right direction, will make one think rather of Mascarille’s nose than of Solomon’s. But Bloch, not having been rendered supple by the gymnastics of the Faubourg, nor ennobled by a crossing with England or Spain, remained for a lover of the exotic as strange and savoury a spectacle, in spite of his European costume, as one of Decamps’s Jews. Marvellous racial power which from the dawn of time thrusts to the surface, even in modern Paris, on the stage of our theatres, behind the pigeonholes of our public offices, at a funeral, in the street, a solid phalanx, setting their mark upon our modern ways of hairdressing, absorbing, making us forget, disciplining the frock coat which on them remains not at all unlike the garment in which Assyrian scribes are depicted in ceremonial attire on the frieze of a monument at Susa before the gates of the Palace of Darius. (Later in the afternoon Bloch might have imagined that it was out of anti-semitic malice that M. de Charlus inquired whether his first name was Jewish, whereas it was simply from aesthetic interest and love of local colour.) But, to revert for a moment, when we speak of racial persistence we do not accurately convey the impression we receive from Jews, Greeks, Persians, all those peoples whom it is better to leave with their differences. We know from classical paintings the faces of the ancient Greeks, we have seen Assyrians on the walls of a palace at Susa. And so we feel, on encountering in a Paris drawing-room Orientals belonging to one or another group, that we are in the presence of creatures whom the forces of necromancy must have called to life. We knew hitherto only a superficial image; behold it has gained depth, it extends into three dimensions, it moves. The young Greek lady, daughter of a rich banker and the latest favourite of society, looks exactly like one of those dancers who in the chorus of a ballet at once historical and aesthetic symbolise in flesh and blood the art of Hellas; and yet in the theatre the setting makes these images somehow trite; the spectacle, on the other hand, to which the entry into a drawing-room of a Turkish lady or a Jewish gentleman admits us, by animating their features makes them appear stranger still, as if they really were creatures evoked by the effort of a medium. It is the soul (or rather the pigmy thing to which — up to the present, at any rate — the soul is reduced in this sort of materialisation), it is the soul of which we have caught glimpses hitherto in museums alone, the soul of the ancient Greeks, of the ancient Hebrews, torn from a life at once insignificant and transcendental, which seems to be enacting before our eyes this disconcerting pantomime. In the young Greek lady who is leaving the room what we seek in vain to embrace is the figure admired long ago on the side of a vase. I felt that if I had in the light of Mme. de Villeparisis’s drawing-room taken photographs of Bloch, they would have furnished of Israel the same image — so disturbing because it does not appear to emanate from humanity, so deceiving because all the same it is so strangely like humanity — which we find in spirit photographs. There is nothing, to speak more generally, not even the insignificance of the remarks made by the people among whom we spend our lives, that does not give us a sense of the supernatural, in our everyday world where even a man of genius from whom we expect, gathered as though around a turning-table, to learn the secret of the Infinite utters only these words — the same that had just issued from the lips of Bloch: “Take care of my top hat.”&#xA;&#xA;    “Oh, Ministers, my dear sir,” Mme. de Villeparisis was saying, addressing herself specially to my friend, and picking up the thread of a conversation which had been broken by my arrival: “nobody ever wanted to see them. I was only a child at the time, but I can remember so well the King begging my grandfather to invite M. Decazes to a rout at which my father was to dance with the Duchesse de Berry. ‘It will give me pleasure, Florimond,’ said the King. My grandfather, who was a little deaf, thought he had said M. de Castries, which seemed a perfectly natural thing to ask. When he understood that it was M. Decazes, he was furious at first, but he gave in, and wrote a note the same evening to M. Decazes, begging him to pay my grandfather the compliment and give him the honour of his presence at the ball which he was giving the following week. For we were polite, sir, in those days, and no hostess would have dreamed of simply sending her card and writing on it ‘Tea’ or ‘Dancing’ or ‘Music.’ But if we understood politeness we were not incapable of impertinence either. M. Decazes accepted, but the day before the ball it was given out that my grandfather felt indisposed and had cancelled his invitations. He had obeyed the King, but he had not had M. Decazes at his ball. . . . Yes, sir, I remember M. Mole very well, he was a clever man — he shewed that in his reception of M. de Vigny at the Academy — but he was very pompous, and I can see him now coming downstairs to dinner in his own house with his tall hat in his hand.”&#xA;&#xA;    “Ah! that is typically suggestive of what must have been a pretty perniciously philistine epoch, for it was no doubt a universal habit to carry one’s hat in one’s hand in one’s own house,” observed Bloch, anxious to make the most of so rare an opportunity of learning from an eyewitness details of the aristocratic life of another day, while the librarian, who was a sort of intermittent secretary to the Marquise, gazed at her tenderly as though he were saying to the rest of us: “There, you see what she’s like, she knows everything, she has met everybody, you can ask her anything you like, she’s quite amazing.”&#xA;&#xA;    “Oh, dear, no,” replied Mme. de Villeparisis, drawing nearer to her as she spoke the glass containing the maidenhair which presently she would begin again to paint, “it was a habit M. Mole had; that was all. I never saw my father carry his hat in the house, except of course when the King came, because the King being at home wherever he is the master of the house is only a visitor then in his own drawing-room.”&#xA;&#xA;    “Aristotle tells us in the second chapter of . . . ” ventured M. Pierre, the historian of the Fronde, but so timidly that no one paid any attention. Having been suffering for some weeks from a nervous insomnia which resisted every attempt at treatment, he had given up going to bed, and, half-dead with exhaustion, went out only whenever his work made it imperative. Incapable of repeating at all often these expeditions which, simple enough for other people, cost him as much effort as if, to make them, he was obliged to come down from the moon, he was surprised to be brought up so frequently against the fact that other people’s lives were not organised on a constant and permanent basis so as to furnish the maximum utility to the sudden outbursts of his own. He sometimes found the doors shut of a library which he had reached only after setting himself artificially on his feet and in a frock coat like some automaton in a story by Mr. Wells. Fortunately he had found Mme. de Villeparisis at home and was going to be shewn the portrait.&#xA;&#xA;   Meanwhile he was cut short by Bloch. “Indeed,” the latter remarked, referring to what Mme. de Villeparisis had said as to the etiquette for royal visits. “Do you know, I never knew that,” as though it were strange that he should not have known it always.&#xA;&#xA;    “Talking of that sort of visit, you heard the stupid joke my nephew Basin played on me yesterday morning?” Mme. de Villeparisis asked the librarian. “He told my people, instead of announcing him, to say that it was the Queen of Sweden who had called to see me.”&#xA;&#xA;    “What! He made them tell you just like that! I say, he must have a nerve,” exclaimed Bloch with a shout of laughter, while the historian smiled with a stately timidity.&#xA;&#xA;    “I was quite surprised, because I had only been back from the country a few days; I had specially arranged, just to be left in peace for a little, that no one was to be told that I was in Paris, and I asked myself how the Queen of Sweden could have heard so soon,” went on Mme. de Villeparisis, leaving her guests amazed to find that a visit from the Queen of Sweden was in itself nothing out of the common to their hostess.&#xA;&#xA;   Earlier in the day Mme. de Villeparisis might have been collaborating with the librarian in arranging the illustrations to her Memoirs; now she was, quite unconsciously, trying their effect on an average public typical of that from which she would eventually have to enlist her readers. Hers might be different in many ways from a really fashionable drawing-room in which you would have been struck by the absence of a number of middle dass ladies to whom Mme. de Villeparisis was ‘at home,’ and would have noticed instead such brilliant leaders of fashion as Mme. Leroi had in course of time managed to secure, but this distinction is not perceptible in her Memoirs, from which certain unimportant friendships of the author have disappeared because there is never any occasion to refer to them; while the absence of those who did not come to see her leaves no gap because, in the necessarily restricted space at the author’s disposal, only a few persons can appear, and if these persons are royal personages, historic personalities, then the utmost impression of distinction which any volume of memoirs can convey to the public is achieved. In the opinion of Mme. Leroi, Mme. de Villeparisis’s parties were third-rate; and Mme. de Villeparisis felt the sting of Mme. Leroi’s opinion. But hardly anyone to-day remembers who Mme. Leroi was, her opinions have vanished into thin air, and it is the drawing-room of Mme. de Villeparisis, frequented as it was by the Queen of Sweden, and as it had been by the Due d’Aumale, the Duc de Broglie, Thiers, Montalembert, Mgr. Dupanloup, which will be looked upon as one of the most brilliant of the nineteenth century by that posterity which has not changed since the days of Homer and Pindar, and for which the enviable things are exalted birth, royal or quasi-royal, and the friendship of kings, the leaders of the people and other eminent men.&#xA;&#xA;   Now of all this Mme. de Villeparisis had her share in the people who still came to her house and in the memories — sometimes slightly ‘touched up’— by means of which she extended her social activity into the past. And then there was M. de Norpois who, while unable to restore his friend to any substantial position in society, did indeed bring to her house such foreign or French statesmen as might have need of his services and knew that the only effective method of securing them was to pay court to Mme. de Villeparisis. Possibly Mme. Leroi also knew these European celebrities. But, as a well-mannered woman who avoids anything that suggests the bluestocking, she would as little have thought of mentioning the Eastern question to her Prime Ministers as of discussing the nature of love with her novelists and philosophers. “Love?” she had once replied to a pushing lady who had asked her: “What are your views on love?”—“Love? I make it, constantly, but I never talk about it.” When she had any of these literary or political lions in her house she contented herself, as did the Duchesse de Guermantes, with setting them down to play poker. They often preferred this to the serious conversations on general ideas in which Mme. de Villeparisis forced them to engage. But these conversations, ridiculous as in the social sense they may have been, have furnished the Memoirs of Mme. de Villeparisis with those admirable passages, those dissertations on politics which read so well in volumes of autobiography, as they do in Corneille’s tragedies. Furthermore, the parties of the Villeparisis of this world are alone destined to be handed down to posterity, because the rerois of this world cannot write, and, if they could, would not have the time. And if the literary bent of the Villeparisis is the cause of the Lerois’ disdain, the disdain of the Lerois does, in its turn, a singular service to the literary bent of the Villeparisis by affording the bluestockings that leisure which the career of letters requires. God, Whose Will it is that there should be a few books in the world well written, breathes with that purpose such disdain into the hearts of the Lerois, for He knows that if these should invite the Villeparisis to dinner the latter would at once rise from their writing tables and order their carriages to be round at eight.&#xA;&#xA;   Presently there came into the room, with slow and solemn step, an oid lady of tall stature who, beneath the raised brim of her straw hat, revealed a monumental pile of snowy hair in the style of Marie-Antoinette. I did not then know that she was one of three women who were still to be seen in Parisian society and who, like Mme. de Villeparisis, while all of the noblest birth, had been reduced, for reasons which were IKJW lost in the night of time and could have been told us only by some old gallant of their period, to entertaining only certain of the dregs of society who were not sought after elsewhere. Each of these ladies had her own ‘Duchesse de Guermantes,’ the brilliant niece who came regularly to pay her respects, but none of them could have succeeded in attracting to her house the ‘Duchesse de Guermantes’ of either of the others. Mme. de Villeparisis was on the best of terms with these three ladies, but she did not like them. Perhaps the similarity between their social position and her own gave her an impression of them which was not pleasing. Besides, soured bluestockings as they were, seeking by the number and frequency of the drawing-room comedies which they arranged in their houses to give themselves the illusion of a regular salon, there had grown up among them a rivalry which the decay of her fortune in the course of a somewhat tempestuous existence reduced for each of them, when it was a question of securing the kind assistance of a professional actor or actress, into a sort of struggle for life. Furthermore, the lady with the Mark-Antoinette hair, whenever she set eyes on Mme. de Villeparisis, could not help being reminded of the fact that the Duchesse de Guermantes did not come to her Fridays. Her consolation was that at these same Fridays she could always count on having, blood being thicker than water, the Princesse de Poix, who was her own personal Guermantes, and who never went near Mme. de Villeparisis, albeit Mme. de Poix was an intimate friend of the Duchess.&#xA;&#xA;   Nevertheless from the mansion on the Quai Malaquais to the drawing-rooms of the Rue de Tournon, the Rue de la Chaise and the Faubourg Saint-Honoré, a bond as compelling as it was hateful united the three fallen goddesses, as to whom I would fain have learned by searching in some dictionary of social mythology through what gallant adventure, what sacrilegious presumption, they had incurred their punishment. Their common brilliance of origin, the common decay of their present state entered largely, no doubt, into the necessity which compelled them, while hating one another, to frequent one another’s society. Besides, each of them found in the others a convenient way of being polite to her own guests. How should these fail to suppose that they had scaled the most inaccessible peak of the Faubourg when they were introduced to a lady with a string of titles whose sister was married to a Duc de Sagan or a Prince de Ligne? Especially as there was infinitely more in the newspapers about these sham salons than about the genuine ones. Indeed these old ladies’ ‘men about town’ nephews — and Saint-Loup the foremost of them — when asked by a friend to introduce him to people, would answer at once “I will take you to see my aunt Villeparisis,” (or whichever it was) “you meet interesting people there.” They knew very well that this would mean less trouble for themselves than trying to get the said friends invited by the smart nieces or sisters-in-law of these ladies. Certain very old men and young women who had heard it from those men, told me that if these ladies were no longer received in society it was because of the extraordinary irregularity of their conduct, which, when I objected that irregular conduct was not necessarily a barrier to social success, was represented to me as having gone far beyond anything that we know to-day. The misconduct of these solemn dames who held themselves so erect assumed on the lips of those who hinted at it something that I was incapable of imagining, proportionate to the magnitude of prehistoric days, to the age of the mammoth. In a word, these three Parcae with their white or blue or red locks had spun the fatal threads of an incalculable number of gentlemen. I felt that the people of to-day exaggerated the vices of those fabulous times, like the Greeks who created Icarus, Theseus, Heracles out of men who had been but little different from those who long afterwards deified them. But one does not tabulate the sum of a person’s vices until he has almost ceased to be in a fit state to practise them, when from the magnitude of his social punishment, which is then nearing the completion of its term and which alone one can estimate, one measures, one imagines, one exaggerates that of the crime that has been committed. In that gallery of symbolical figures which is ‘society,’ the really light women, the true Messalinas, invariably present the solemn aspect of a lady of at least seventy, with an air of lofty distinction, who entertains everyone she can but not everyone she would like to have, to whose house women will never consent to go whose own conduct falls in any way short of perfection, to whom the Pope regularly sends his Golden Rose, and who as often as not has written — on the early days of Lamartine — an essay that has been crowned by the French Academy. “How d’ye do, Alix?” Mme. de Villeparisis greeted the Marie-Antoinette lady, which lady cast a searching glance round the assembly to see whether there was not in this drawing-room any item that might be a valuable addition to her own, in which case she would have to discover it for herself, for Mme. de Villeparisis, she was sure, would be spiteful enough to try to keep it from her. Thus Mme. de Villeparisis took good care not to introduce Bloch to the old lady for fear of his being asked to produce the same play that he was arranging for her in the drawing-room of the Quai Malaquais. Besides it was only tit for tat. For, the evening before, the old lady had had Mme. Ristori, who had recited, and had taken care that Mme. de Villeparisis, from whom she had filched the Italian artist, should not hear of this function until it was over. So that she should not read it first in the newspapers and feel annoyed, the old lady had come ill nerson to tell her about it, shewing no sense of guilt. Mme. de Villeparisis, considering that an introduction of myself was not likely to have the same awkward results as that of Bloch, made me known to the Marie-Antoinette of the Quai Malaquais. The latter, who sought, by making the fewest possible movements, to preserve in her old age those lines, as of a Coysevox goddess, which had years ago charmed the young men of fashion and which spurious poets still celebrated in rhymed charades — and had acquired the habit of a lofty and compensating stiffness common to all those whom a personal degradation obliges to be continually making advances — just perceptibly lowered her head with a frigid majesty, and, turning the other way, took no more notice of me than if I had not existed. By this crafty attitude she seemed to be assuring Mme. de Villeparisis: “You see, I’m nowhere near him; please understand that I’m not interested — in any sense of the word, you old cat — in little boys.” But when, twenty minutes later, she left the room, taking advantage of the general conversation, she slipped into my ear an invitation to come to her box the following Friday with another of the three, whose high-sounding name — she had been born a Choiseul, moreover — had a prodigious effect on me.&#xA;&#xA;    “I understand, sir, that you are thinkin’ of writin’ somethin’ about Mme. la Duchesse de Montmorency,” said Mme. de Villeparisis to the historian of the Fronde in that grudging tone which she allowed, quite unconsciously, to spoil the effect of her great and genuine kindness, a tone due to the shrivelling crossness, the sense of grievance that is a physiological accompaniment of age, as well as to the affectation of imitating the almost rustic speech of the old nobility: “I’m goin’ to let you see her portrait, the original of the copy they have in the Louvre.”&#xA;&#xA;   She rose, laying down her brushes beside the flowers, and the little apron which then came into sight at her waist, and which she wore so as not to stain her dress with paints, added still further to the impression of an old peasant given by her bonnet and her big spectacles, and offered a sharp contrast to the luxury of her appointments, the butler who had brought in the tea and cakes, the liveried footman for whom she now rang to light up the portrait of the Duchesse de Montmorency, Abbess of one of the most famous Chapters in the East of France. Everyone had risen. “What is rather amusin’,” said our hostess, “is that in these Chapters where our great-aunts were so often made Abbesses, the daughters of the King of France would not have been admitted. They were very close corporations.” “Not admit the King’s daughters,” cried Bloch in amazement, “why ever not?” “Why, because the House of France had not enough quartering after that low marriage.” Bloch’s bewilderment increased. “A low marriage? The House of France? When was that?” “Why, when they married into the Medicis,” replied Mme. de Villeparisis in the most natural manner. “It’s a fine picture, ain’t it, and in a perfect state of preservation,” she added.&#xA;&#xA;    ‘My dear,” put in the Marie-Antoinette lady, “surely you remember that when I brought Liszt to see you he said that it was this one that was the copy.”&#xA;&#xA;    “I should bow to any opinion of Liszt on music, but not on painthe Besides, he was quite off his head then, and I don’t remember his ever saying anything of the sort. But it wasn’t you that brought him here. I had met him any number of times at dinner at Princess Sayn-Wittgenstein’s.”&#xA;&#xA;   Alix’s shot had missed fire; she stood silent, erect and motionless. Plastered with layers of powder, her face had the appearance of a face of stone. And, as the profile was noble, she seemed, on a triangular and moss-grown pedestal hidden by her cape, the time-worn stucco goddess of a park.&#xA;&#xA;    “Ah, I see another fine portrait,” began the historian.&#xA;&#xA;   The door opened and the Duchesse de Guermantes entered the room.&#xA;&#xA;    “Well, how are you?” Mme. de Villeparisis greeted her without moving her head, taking from her apron-pocket a hand which she held out to the newcomer; and then ceasing at once to take any notice of her niece, in order to return to the historian: “That is the portrait of the Duchesse de La Rochefoucauld. . . . ”&#xA;&#xA;   A young servant with a bold manner and a charming face (but so finely chiselled, to ensure its perfection, that the nose was a little red and the rest of the skin slightly flushed as though they were still smarting from the recent and sculptural incision) came in bearing a card on a salver.&#xA;&#xA;    “It is that gentleman who has been several times to see Mme. la Marquise.”&#xA;&#xA;    “Did you tell him I was at home?”&#xA;&#xA;    “He heard the voices.”&#xA;&#xA;    “Oh, very well then, shew him in. It’s a man who was introduced to me,” she explained. “He told me he was very anxious to come to the house. I certainly never said he might. But here he’s taken the trouble to call five times now; it doesn’t do to hurt people’s feelings. Sir,” she went on to me, “and you, Sir,” to the historian of the Fronde, “let me introduce my niece, the Duchesse de Guermantes.”&#xA;&#xA;   The historian made a low bow, as I did also, and since he seemed to suppose that some friendly remark ought to follow this salute, his eyes brightened and he was preparing to open his mouth when he was once more frozen by the sight of Mme. de Guermantes who had taken advantage of the independence of her torso to throw it forward with an exaggerated politeness and bring it neatly back to a position of rest without letting face or eyes appear to have noticed that anyone was standing before them; after breathing a gentle sigh she contented herself with manifesting the nullity of the impression that had been made on her by the sight of the historian and myself by performing certain movements of her nostrils with a precision that testified to the absolute inertia of her unoccupied attention.&#xA;&#xA;   The importunate visitor entered the room, making straight for Mme. de Villeparisis with an ingenuous, fervent air: it was Legrandin.&#xA;&#xA;    “Thank you so very much for letting me come and see you,” he began, laying stress on the word ‘very.’ “It is a pleasure of a quality altogether rare and subtle that you confer on an old solitary; I assure you that its repercussion . . . ” He stopped short on catching sight of me.&#xA;&#xA;    “I was just shewing this gentleman a fine portrait of the Duchesse de La Rochefoucauld, the wife of the author of the Maxims; it’s a family picture.”&#xA;&#xA;   Mme. de Guermantes meanwhile had greeted Alix, with apologies for not having been able, that year as in every previous year, to go and see her. “I hear all about you from Madeleine,” she added.&#xA;&#xA;    “She was at luncheon with me to-day,” said the Marquise of the Quai Malaquais, with the satisfying reflexion that Mme. de Villeparisis could never say that.&#xA;&#xA;   Meanwhile I had been talking to Bloch, and fearing, from what I had been told of his father’s change of attitude towards him, that he might be envying my life, I said to him that his must be the happier of the two. My remark was prompted solely by my desire to be friendly. But such friendliness readily convinces those who cherish a high opinion of themselves of their own good fortune, or gives them a desire to convince other people. “Yes, I do lead a delightful existence,” Bloch assured me with a beatified smile. “I have three great friends; I do not wish for one more; an adorable mistress; I am infinitely happy. Rare is the mortal to whom Father Zeus accords so much felicity.” I fancy that he was anxious principally to extol himself and to make me envious. Perhaps too there was some desire to shew originality in his optimism. It was evident that he did not wish to reply in the commonplace phraseology that everybody uses: “Oh, it was nothing, really,” and so forth, when, to my question: “Was it a good show?” put with regard to an afternoon dance at his house to which I had been prevented from going, he replied in a level, careless tone, as if the dance had been given by some one else: “Why, yes, it was quite a good show, couldn’t have been better. It was really charming!”&#xA;&#xA;    “What you have just told us interests me enormously,” said Legrandin to Mme. de Villeparisis, “for I was saying to myself only the other day that you shewed a marked likeness to him in the clear-cut turn of your speech, in a quality which I will venture to describe by two contradictory terms, monumental rapidity and immortal instantaneousness. I should have liked this afternoon to take down all the things you say; but I shall remember them. They are, in a phrase which comes, I think, from Joubert, friends of the memery. You have never read Joubert? Oh! he would have admired you so! I will take the liberty this evening of sending you a set of him, it is a privilege to make you a present of his mind. He had not your strength. But he had a great deal of charm all the same.”&#xA;&#xA;   I would have gone up to Legrandin at once and spoken to him, but he kept as far away from me as he could, no doubt in the hope that I might not overhear the stream of flattery which, with a remarkable felicity of expression, he kept pouring out, whatever the topic, to Mme. de Villeparisis.&#xA;&#xA;   She shrugged her shoulders, smiling, as though he had been trying to make fun of her, and turned to the historian.&#xA;&#xA;    “And this is the famous Marie de Rohan, Duchesse de Chevreuse, who was married first of all to M. de Luynes.”&#xA;&#xA;    “My dear, speaking of Mme. de Luynes reminds me of Yolande; she came to me yesterday evening, and if I had known that you weren’t engaged I’d have sent round to ask you to come. Mme. Ristori turned up quite by chance, and recited some poems by Queen Carmen Sylva in the author’s presence. It was too beautiful!”&#xA;&#xA;    “What treachery!” thought Mme. de Villeparisis. “Of course that was what she was whispering about the other day to Mme. de Beaulaincourt and Mme. de Chaponay. I had no engagement,” she replied, “but I should not have come. I heard Ristori in her great days, she’s a mere wreck now. Besides I detest Carmen Sylva’s poetry. Ristori came here once, the Duchess of Aosta brought her, to recite a canto of the Inferno, by Dante. In that sort of thing she’s incomparable.”&#xA;&#xA;   Alix bore the blow without flinching. She remained marble. Her gaze was piercing and blank, her nose proudly arched. But the surface of one cheek was scaling. A faint, strange vegetation, green and pink, was invading her chin. Perhaps another winter would level her with the dust.&#xA;&#xA;    “Now, sir, if you are fond of painting, look at the portrait of Mme, de Montmorency,” Mme. de Villeparisis said to Legrandin, to stop the flow of compliments which was beginning again.&#xA;&#xA;   Seizing her opportunity, while his back was turned, Mme. de Guermantes pointed to him, with an ironical, questioning look at her aunt.&#xA;&#xA;    “It’s M. Legrandin,” murmured Mme. de Villeparisis, “he has a sister called Mme. de Cambremer, not that that conveys any more to you than it does to me.”&#xA;&#xA;    “What! Oh, but I know her quite well!” exclaimed Mme. de Guermantes, and put her hand over her lips. “That is to say, I don’t know her, but for some reason or other Basin, who meets the husband heaven knows where, took it into his head to tell the wretched woman she might call on me. And she did. I can’t tell you what it was like. She informed me that she had been to London, and gave me a complete catalogue of all the things in the British Museum. And this very day, the moment I leave your house, I’m going, just as you see me now, to drop a card on the monster. And don’t for a moment suppose that it’s an easy thing to do. On the pretence that she’s dying of some disease she’s always at home, it doesn’t matter whether you arrive at seven at night or nine in the morning, she’s ready for you with a dish of strawberry tarts.&#xA;&#xA;    “No, but seriously, you know, she is a monstrosity,” Mme. de Guermantes replied to a questioning glance from her aunt. “She’s an impossible person, she talks about ‘plumitives’ and things like that.” “What does ‘plumitive’ mean?” asked Mme. de Villeparisis. “I haven’t the slightest idea!” cried the Duchess in mock indignation. “I don’t want to know. I don’t speak that sort of language.” And seeing that her aunt really did not know what a plumitive was, to give herself the satisfaction of shewing that she was a scholar as well as a purist, and to make fun of her aunt, now, after making fun of Mme. de Cambremer: “Why, of course,” she said, with a half-laugh which the last traces of her pretended ill humour kept in check, “everybody knows what it means; a plumitive is a writer, a person who holds a pen. But it’s a dreadful word. It’s enough to make your wisdom teeth drop out. Nothing will ever make me use words like that.&#xA;&#xA;    “And so that’s the brother, is it? I hadn’t realized that yet. But after all it’s not inconceivable. She has the same doormat docility and the same mass of information like a circulating library. She’s just as much of a flatterer as he is, and just as boring. Yes, I’m beginning to see the family likeness now quite plainly.”&#xA;&#xA;    “Sit down, we’re just going to take a dish of tea,” said Mme. de Villeparisis to her niece. “Help yourself; you don’t want to look at the pictures of your great-grandmothers, you know them as well as I do.”&#xA;&#xA;   Presently Mme. de Villeparisis sat down again at her desk and went on with her painting. The rest of the party gathered round her, and I took the opportunity to go up to Legrandin and, seeing no harm myself in his presence in Mme. de Villeparisis’s drawing-room and never dreaming how much my words would at once hurt him and make him believe that I had deliberately intended to hurt him, say: “Well, sir, I am almost excused for coming to a tea-party when I find you here too.” M. Legrandin concluded from this speech (at least this was the opinion which he expressed of me a few days later) that I was a thoroughly spiteful little wretch who delighted only in doing mischief.&#xA;&#xA;    “You might at least have the civility to begin by saying how d’ye do to me,” he replied, without offering me his hand and in a coarse and angry voice which I had never suspected him of possessing, a voice which bearing no traceable relation to what he ordinarily said did bear another more immediate and striking relation to something that he was feeling at the moment. What happens is that since we are determined always to keep our feelings to ourselves, we have never given any thought to the manner in which we should express them. And suddenly there is within us a strange and obscene animal making its voice heard, the tones of which may inspire as much terror in the listener who receives the involuntary elliptical irresistible communication of our defect or vice as would the sudden avowal indirectly and uncouthly proffered by a criminal who can no longer refrain from confessing a murder of which one had never imagined him to be guilty. I knew, of course, that idealism, even subjective idealism, did not prevent great philosophers from still having hearty appetites or from presenting themselves with untiring perseverance for election to the Academy. But really Legrandin had no occasion to remind people so often that he belonged to another planet when all his convulsive movements of anger or affability were governed by the desire to occupy a good position on this.&#xA;&#xA;    “Naturally, when people pester me twenty times on end to go anywhere,” he went on in lower tones, “although I am perfectly free to do what I choose, still I can’t behave like an absolute boor.”&#xA;&#xA;   Mme. de Guermantes had sat down. Her name, accompanied as it was by her title, added to her corporeal dimensions the duchy which projected itself round about her and brought the shadowy, sun-splashed coolness of the woods of Guermantes into this drawing-room, to surround the tuffet on which she was sitting. I felt surprised only that the likeness of those woods was not more discernible on the face of the Duchess, about which there was nothing suggestive of vegetation, and at the most the ruddy discolouration of her cheeks — which ought rather, surely, to have been emblazoned with the name Guermantes — was the effect, but did not furnish a picture of long gallops in the open air. Later on, when she had ceased to interest me, I came to know many of the Duchess’s peculiarities, notably (to speak for the moment only of that one of which I already at this time felt the charm though without yet being able to discover what it was) her eyes, in which was held captive as in a picture the blue sky of an afternoon in France, broadly expansive, bathed in light even when no sun shone; and a voice which one would have thought, from its first hoarse sounds, to be almost plebeian, through which there trailed, as over the steps of the church at Combray or the pastry-cook’s in the square, the rich and lazy gold of a country sun. But on this first day I discerned nothing, the warmth of my attention volatilised at once the little that I might otherwise have been able to extract from her, in which I should have found some indication of the name Guermantes. In any case, I told myself that it was indeed she who was designated for all the world by the title Duchesse de Guermantes: the inconceivable life which that name signified, this body did indeed contain; it had just introduced that life into a crowd of different creatures, in this room which enclosed it on every side and on which it produced so violent a reaction that I thought I could see, where the extent of that mysterious life ceased, a fringe of effervescence outline its frontiers: round the circumference of the circle traced on the carpet by the balloon of her blue pekin skirt, and in the bright eyes of the Duchess at the point of intersection of the preoccupations, the memories, the incomprehensible, scornful, amused and curious thoughts which filled them from within and the outside images that were reflected on their surface. Perhaps I should have been not quite so deeply stirred had I met her at Mme. de Villeparisis’s at an evening party, instead of seeing her thus on one of the Marquise’s ‘days,’ at one of those tea-parties which are for women no more than a brief halt in the course of their afternoon’s outing, when, keeping on the hats in which they have been driving through the streets, they waft into the close atmosphere of a drawing-room the quality of the fresh air outside, and give one a better view of Paris in the late afternoon than do the tall, open windows through which one can hear the bowling wheels of their victorias: Mme. de Guermantes wore a boating-hat trimmed with cornflowers, and what they recalled to me was not, among the tilled fields round Combray where I had so often gathered those flowers, on the slope adjoining the Tansonville hedge, the suns of bygone years; it was the scent and dust of twilight as they had been an hour ago, when Mme. de Guermantes drove through them, in the Rue de la Paix. With a smiling, disdainful, vague air, and a grimace on her pursed lips, with the point of her sunshade, as with the extreme tip of an antenna of her mysterious life, she was tracing circles on the carpet; then, with that indifferent attention which begins by eliminating every point of contact with what one is actually studying, her gaze fastened upon each of us in turn; then inspected the sofas and armchairs, but softened this time by that human sympathy which is aroused by the presence, however insignificant, of a thing one knows, a thing that is almost a person; these pieces of furniture were not like us, they belonged vaguely to her world, they were bound up with the life of her aunt; then from the Beauvais furniture her gaze was carried back to the person sitting on it, and resumed then the same air of perspicacity and that same disapproval which the respect that Mme. de Guermantes felt for her aunt would have prevented her from expressing in words, but which she would obviously have felt had she discovered on the chairs, instead of our presence, that of a spot of grease or a layer of dust.&#xA;&#xA;   That admirable writer G——-entered the room; he had come to pay a call on Mme. de Villeparisis which he regarded as a tiresome duty. The Duchess, although delighted to see him again, gave him no sign of welcome, but instinctively he made straight for her, the charm that she possessed, her tact, her simplicity making him look upon her as a woman of exceptional intelligence. He was bound, moreover, in common politeness to go and talk to her, for, since he was a pleasant and a distinguished man, Mme. de Guermantes frequently invited him to luncheon even when there were only her husband and herself besides, or in the autumn to Guermantes, making use of this intimacy to have him to dinner occasionally with Royalties who were curious to meet him. For the Duchess liked to entertain certain eminent men, on condition always that they were bachelors, a condition which, even when married, they invariably fulfilled for her, for, as their wives, who were bound to be more or less common, would have been a blot on a drawing-room in which there were never any but the most fashionable beauties in Paris, it was always without them that their husbands were invited; and the Duke, to avoid hurting any possible susceptibility, used to explain to these involuntary widowers that the Duchess never had women in the house, could not endure feminine society, almost as though this had been under doctor’s orders, and as be might have said that she could not stay in a room in which there were smells, or eat salt food, or travel with her back to the engine, or wear stays. It was true that these eminent men used to see at the Guermantes’ the Princesse de Parme, the Princesse de Sagan (whom Françoise, hearing her constantly mentioned, had taken to calling, in the belief that this feminine, ending was required by the laws of accidence, ‘the Sagante’), and plenty more, but their presence was accounted for by the explanation that they were relatives, or such very old friends that it was impossible to exclude them. Whether or not they were convinced by the explanations which the Due de Guermantes had given of the singular malady that made it impossible for the Duchess to associate with other women, the great men duly transmitted them to their wives. Some of these thought that this malady was only an excuse to cloak her jealousy, because the Duchess wished to reign alone over a court of worshippers. Others more simple still thought that perhaps the Duchess had some peculiar habit, a scandalous past it might be, that women did not care to go to her house and that she gave the name of a whim to what was stern necessity. The better among them, hearing their husbands expatiate on the Duchess’s marvellous brain, assumed that She must be so far superior to the rest of womankind that she found their Society boring since they could not talk intelligently about anything. And it was true that the Duchess was bored by other women, if their princely rank did not render them specially interesting. But the excluded wives were mistaken when they imagined that she chose to entertain men alone in order to be free to discuss with them literature, science and philosophy. For she never referred to these, at least with the great intellectuals. If, by virtue of a family tradition such as makes the daughters of great soldiers preserve, in the midst of their most frivolous distractions a respect for military matters, she, the granddaughter of women who had been on terms of friendship with Thiers, Mérimée and Augier, felt that a place must always be kept in her drawing-room for men of intellect, she had on the other hand derived from the manner, at once condescending and intimate, in which those famous men had been received at Guermantes the foible of looking on men of talent as family friends whose talent does not dazzle one, to whom one does not speak of their work, and who would not be at all interested if one did. Moreover the type of mind illustrated by Mérimée and Meilhac and Halévy, which was hers also, led her by reaction from the verbal sentimentality of an earlier generation to a style in conversation that rejects everything to do with fine language and the expression of lofty thoughts, so that she made it a sort of element of good breeding when she was with a poet or a musician to talk only of the food that they were eating or the game of cards to which they would afterwards sit down. This abstention had, on a third person not conversant with her ways, a disturbing effect which amounted to mystification. Mme. de Guermantes having asked him whether it would amuse him to come to luncheon to meet this or that famous poet, devoured by curiosity he would arrive at the appointed hour. The Duchess was talking to the poet about the weather. They sat down to luncheon. “Do you like this way of doing eggs?” she asked the poet. On hearing his approval, which she shared, for everything in her own house appeared to her exquisite, including a horrible cider which she imported from Guermantes: “Give Monsieur some more eggs,” she would tell the butler, while the anxious fellow-guest sat waiting for what must surely have been the object of the party, since they had arranged to meet, in spite of every sort of difficulty, before the Duchess, the poet and he himself left Paris. But the meal went on, one after another the courses were cleared away, not without having first provided Mme. de Guermantes with opportunities for clever witticisms or apt stories. Meanwhile the poet went on eating, and neither Duke nor Duchess shewed any sign of remembering that he was a poet. And presently the luncheon came to an end and the party broke up, without a word having been said about the poetry which, for all that, everyone admired but to which, by a reserve analogous to that of which Swann had given me a foretaste, no one might refer. This reserve was simply a matter of good form. But for the fellow-guest, if he thought at all about the matter, there was something strangely melancholy about it all, and these meals in the Guermantes household made him think of the hours which timid lovers often spend together in talking trivialities until it is time to part, without — whether from shyness, from audacity or from awkwardness — the great secret which they would have been happier had they confessed ever succeeding in passing from their hearts to their lips. It must, however, be added that this silence with regard to the serious matters which one was always waiting in vain to see approached, if it might pass as characteristic of the Duchess, was by no means constant with her. Mme. de Guermantes had spent her girlhood in a society somewhat different, equally aristocratic but less brilliant and above all less futile than that in which she now lived, and one of wide culture. It had left beneath her present frivolity a sort of bed-rock of greater solidity, invisibly nutritious, to which indeed the Duchess would repair in search (very rarely, though, for she detested pedantry) of some quotation from Victor Hugo or Lamartine which, extremely appropriate, uttered with a look of true feeling from her fine eyes, never failed to surprise and charm her audience. Sometimes, even, without any pretence of authority, pertinently and quite simply, she would give some dramatist and Academician a piece of sage advice, would make him modify a situation or alter an ending.&#xA;&#xA;   If, in the drawing-room of Mme. de Villeparisis, just as in the church at Combray, on the day of Mlle. Percepied’s wedding, I had difficulty in discovering, in the handsome, too human face of Mme. de Guermantes the unknown element of her name, I at least thought that, when she spoke, her conversation, profound, mysterious, would have a strangeness as of a mediaeval tapestry or a gothic window. But in order that I should not be disappointed by the words which I should hear uttered by a person who called herself Mme. de Guermantes, even if I had not been in love with her, it would not have sufficed that those words were fine, beautiful and profound, they would have had to reflect that amaranthine colour of the closing syllable of her name, that colour which I had on my first sight of her been disappointed not to find in her person and had driven to take refuge in her mind. Of course I had already heard Mme. de Villeparisis, Saint-Loup, people whose intelligence was in no way extraordinary, pronounce without any precaution this name Guermantes, simply as that of a person who was coming to see them or with whom they had promised to dine, without seeming to feel that there were latent in her name the glow of yellowing woods in autumn and a whole mysterious tract of country. But this must have been an affectation on their part, as when the classic poets give us no warning of the profound purpose which they had, all the same, in writing, an affectation which I myself also strove to imitate, saying in the most natural tone: “The Duchesse de Guermantes,” as though it were a name that was just like other names. And then everybody assured me that she was a highly intelligent woman, a clever talker, that she was one of a little group of most interesting people: words which became accomplices of my dream. For when they spoke of an intelligent group, of clever talk, it was not at all the sort of intelligence that I knew that I imagined, not even that of the greatest minds, it was not at all with men like Bergotte that I peopled this group. No, by intelligence I understood an ineffable faculty gilded by the sun, impregnated with a sylvan coolness. Indeed, had she made the most intelligent remarks (in the sense in which I understood the word when it was used of a philosopher or critic), Mme. de Guermantes would perhaps have disappointed even more keenly my expectation of so special a faculty than if, in the course of a trivial conversation, she had confined herself to discussing kitchen recipes or the furnishing of a country house, to mentioning the names of neighbours and relatives of her own, which would have given me a picture of her life.&#xA;&#xA;    “I thought I should find Basin here, he was meaning to come and see you to-day,” said Mme. de Guermantes to her aunt.&#xA;&#xA;    “I haven’t set eyes on your husband for some days,” replied Mme. de Villeparisis in a somewhat nettled tone. “In fact, I haven’t seen him.’ well, I have seen him once, perhaps — since that charming joke he played on me of making my servants announce him as the Queen of Sweden.”&#xA;&#xA;   Mme. de Guermantes formed a smile by contracting the corners of her mouth as though she were biting her veil,&#xA;&#xA;    “We met her at dinner last night at Blanche Leroi’s. You wouldn’t know her now, she’s positively enormous; I’m sure she must have something the matter with her.”&#xA;&#xA;    “I was just telling these gentlemen that you said she looked like a frog,”&#xA;&#xA;   Mme. de Guermantes uttered a sort of raucous sound intended to signify that she acknowledged the compliment.&#xA;&#xA;    “I don’t remember making such a charming comparison, but if she was one before, now she’s the frog that has succeeded in swelling to the size of the ox. Or rather, it isn’t quite that, because all her swelling is concentrated in front of her waist, she’s more like a frog in an interesting condition.”&#xA;&#xA;    “Ah, that is quite clever,” said Mme. de Villeparisis, secretly proud that her guests should be witnessing this display of her niece’s wit.&#xA;&#xA;    “It is purely arbitrary, though,” answered Mme. de Guermantes, ironically detaching this selected epithet, as Swann would have done, “for I must admit I never saw a frog in the family way. Anyhow, the frog in question, who, by the way, is not asking for a king, for I never saw her so skittish as she’s been since her husband died, is coming to dine with us one day next week. I promised I’d let you know in good time.”&#xA;&#xA;   Mme. de Villeparisis gave vent to a confused growl, from which emerged: “I know she was dining with the Mecklenburgs the night before last. Hannibal de Bréauté was there. He came and told me about it, and was quite amusing, I must say.”&#xA;&#xA;    “There was a man there who’s a great deal wittier than Babal,” said Mme. de Guermantes who, in view of her close friendship wih M. de Bréàuté-Consalvi, felt that she must advertise their intimacy by the use of this abbreviation. “I mean M. Bergotte.”&#xA;&#xA;   I had never imagined that Bergotte could be regarded as witty; in fact, I thought of him always as mingling with the intellectual section of humanity, that is to say infinitely remote from that mysterious realm of which I had caught a glimpse through the purple hangings of a theatre box, behind which, making the Duchess smile, M. de Bréauté was holding with her, in the language of the gods, that unimaginable thing, a conversation between people of the Faubourg Saint-Germain. I was stupefied to see the balance upset, and Bergotte rise above M. de Bréauté. But above all I was dismayed to think that I had avoided Bergotte on the evening of Phèdre, that I had not gone up and spoken to him, when I heard Mme. de Guermantes say to Mme. de Villeparisis:&#xA;&#xA;    “He is the only person I have any wish to know,” went on the Duchess, in whom one could always, as at the turn of a mental tide, see the flow of curiosity with regard to well-known intellectuals sweep over the ebb of her aristocratic snobbishness. “It would be such a pleasure.”&#xA;&#xA;   The presence of Bergotte by my side, which it would have been so easy for we to secure but which I had thought liable to give Mme. de Guermantes a bad impression of myself, would no doubt, on the contrary, have had the result that she would have signalled to me to join her in her box, and would have invited me to bring the eminent writer, one day, to luncheon.&#xA;&#xA;    “I gather that he didn’t behave very well, he was presented to M. de Cobourg, and never uttered a word to him,” said Mme. de Guermantes, dwelling on this odd characteristic as she might have recounted that a Chinaman had blown his nose on a sheet of paper. “He never once said ‘Monseigneur’ to him,” she added, with an air of amusement at this detail, as important to her mind as the refusal of a Protestant, during an audience with the Pope, to go on his knees before his Holiness.&#xA;&#xA;   Interested by these idiosyncrasies of Bergotte, she did not, however, appear to consider them reprehensible, and seemed rather to find a certain merit in them, though she would have been put to it to say of what sort. Despite this unusual mode of appreciating Bergotte’s originality, it was a fact which I was later oh not to regard as wholly negligible that Mme. de Guermantes, greatly to the surprise of many of her friends, did consider Bergotte more witty than M. de Bréauté. Thus it is that such judgments, subversive, isolated, and yet after all just, are delivered in the world of fashion by those rare minds that are superior to the rest. And they sketch then the first rough outlines of the hierarchy of values as the next generation will establish it, instead of abiding eternally by the old standards.&#xA;&#xA;   The Comte d’Argencourt, Chargé d’Affaires at the Belgian Legation and a remote connexion of Mme. de Villeparisis, came limping in, followed presently by two young men, the Baron de Guermantes and H. H. the Due de Châtellerault, whom Mme. de Guermantes greeted with: “How d’ye do, young Châtellerault,” in a careless tone and without moving from her tuffet, for she was a great friend of the young Duke’s mother, which had given him a deep and lifelong respect for her. Tall, slender, with golden hair and sunny complexions, thoroughly of the Guermantes type, these two young men looked like a condensation of the light of the spring evening which was flooding the spacious room. Following a custom which was the fashion at that time they laid their silk hats on the floor, by their feet. The historian of the Fronde thought that they were embarrassed, like a peasant coming into the mayor’s office and not knowing what to do with his hat. Feeling that he ought in charity to come to the rescue of the awkwardness and timidity which he ascribed to them:&#xA;&#xA;    “No, no,” he said, “don’t leave them on the floor, they’ll be trodden on.”&#xA;&#xA;   A glance from the Baron de Guermantes, tilting the plane of his pupils, shot suddenly from them a wave of pure and piercing azure which froze the well-meaning historian.&#xA;&#xA;    “What is that person’s name?” I was asked by the Baron, who had just been introduced to me by Mme. de Villeparisis.&#xA;&#xA;    “M. Pierre,” I whispered.&#xA;&#xA;    “Pierre what?”&#xA;&#xA;    “Pierre: it’s his name, he’s a historian, a most distinguished man.”&#xA;&#xA;    “Really? You don’t say so.”&#xA;&#xA;    “No, it’s a new fashion with these young men to put their hats on the floor,” Mme. de Villeparisis explained. “I’m like you, I can never get used to it. Still, it’s better than my nephew Robert, who always leaves his in the hall. I tell him when I see him come in that he looks just like a clock-maker, and I ask him if he’s come to wind the clocks.”&#xA;&#xA;    “You were speaking just now, Madame la Marquise, of M. Mole’s hat; we shall soon be able, like Aristotle, to compile a chapter on hats,” said the historian of the Fronde, somewhat reassured by Mme. de Villeparisis’s intervention, but in so faint a voice that no one but myself overheard him.&#xA;&#xA;    “She really is astonishing, the little Duchess,” said M. d’Argencourt, pointing to Mme. de Guermantes who was talking to G——. “Whenever there’s a famous man in the room you’re sure to find him sitting with her. Evidently that must be the lion of the party over there. It can’t always be M. de Borelli, of course, or M. Schlumberger or M. d’Avenel. But then it’s bound to be M. Pierre Loti or M. Edmond Rostand. Yesterday evening at the Doudeauvilles’, where by the way she was looking splendid in her emerald tiara and a pink dress with a long train, she had M. Deschanel on one side and the German Ambassador on the other: she was holding forth to them about China; the general public, at a respectful distance where they couldn’t hear what was being said, were wondering whether there wasn’t going to be war. Really, you’d have said she was a Queen, holding her circle.”&#xA;&#xA;   Everyone had gathered round Mme. de Villeparisis to watch her painting.&#xA;&#xA;    “Those flowers are a truly celestial pink,” said Legrandin, “I should say sky-pink. For there is such a thing as sky-pink just as there is sky-blue. But,” he lowered his voice in the hope that he would not be heard by anyone but the Marquise, “I think I shall still give my vote to the silky, living flesh tint of your rendering of them. You leave Pisanello and Van Huysun a long way behind, with their laborious, dead herbals.”&#xA;&#xA;   An artist, however modest, is always willing to hear himself preferred to his rivals, and tries only to see that justice is done them.&#xA;&#xA;    “What makes you think that is that they painted the flowers of their period, which we don’t have now, but they did it with great skill.”&#xA;&#xA;    “Ah! The flowers of their period! That is a most ingenious theory,” exclaimed Legrandin.&#xA;&#xA;    “I see you’re painting some fine cherry blossoms — or are they may-flowers?” began the historian of the Fronde, not without hesitation as to the flower, but with a note of confidence in his voice, for he was beginning to forget the incident of the hats.&#xA;&#xA;    “No; they’re apple blossom,” said the Duchesse de Guermantes, addressing her aunt.&#xA;&#xA;    “Ah! I see you’re a good countrywoman like me; you can tell one flower from another.”&#xA;&#xA;    “Why yes, so they are! But I thought the season for apple blossom was over now,” said the historian, seeking wildly to cover his mistake.&#xA;&#xA;    “Oh dear, no; far from it, it’s not out yet; the trees won’t be in blossom for another fortnight, not for three weeks perhaps,” said the librarian who, since he helped with the management of Mme. de Villeparisis’s estates, was better informed upon country matters.&#xA;&#xA;    “At least three weeks,” put in the Duchess; “even round Paris, where they’re very far forward. Down in Normandy, don’t you know, at his father’s place,” she went on, pointing to the young Duc de Châtellerault, “where they have some splendid apple trees close to the seashore, like a Japanese screen, they’re never really pink until after the twentieth of May.”&#xA;&#xA;    “I never see them,” said the young Duke, “because they give me hay fever. Such a bore.”&#xA;&#xA;    “Hay fever? I never heard of that before,” said the historian.&#xA;&#xA;    “It’s the fashionable complaint just now,” the librarian informed him.&#xA;&#xA;    “That all depends, you won’t get it at all, probably, if it’s a good year for apples. You know Le Normand’s saying: ‘When it’s a good year for apples . . . ’,” put in M. d’Argencourt who, not being really French, was always trying to give himself a Parisian air.&#xA;&#xA;    “You’re quite right,” Mme. de Villeparisis told her niece, “these are from the South. It was a florist who sent them round and asked me to accept them as a present. You’re surprised, I dare say, Monsieur Valmère,” she turned to the librarian, “that a florist should make me a present of apple blossom. Well, I may be an old woman, but I’m not quite on the shelf yet, I have still a few friends,” she went on with a smile that might have been taken as a sign of her simple nature but meant rather, I could not help feeling, that she thought it effective to pride herself on the friendship of a mere florist when she moved in such distinguished circles.&#xA;&#xA;   Bloch rose and went over to look at the flowers which Mme. de Villeparisis was painting.&#xA;&#xA;    “Never mind, Marquise,” said the historian, sitting down again, “even though we should have another of those Revolutions which have stained so many pages of our history with blood — and, upon my soul, in these days one can never tell,” he added, with a circular and circumspect glance, as though to make sure that there was no ‘disaffected’ person in the room, though he had not the least suspicion that there actually was, “with a talent like yours and your five languages you would be certain to get on all right.” The historian of the Fronde was feeling quite refreshed, for he had forgotten his insomnia. But he suddenly remembered that he had not slept for the last six nights, whereupon a crushing weariness, born of his mind, paralysed his limbs, made him bow his shoulders, and his melancholy face began to droop like an old man’s.&#xA;&#xA;   Bloch tried to express his admiration in an appropriate gesture, but only succeeded in knocking over with his elbow the glass containing the spray of apple blossom, and all the water was spilled on the carpet.&#xA;&#xA;    “Really, you have the fingers of a fairy,” went on (to the Marquise) the historian who, having his back turned to me at that moment, had not noticed Bloch’s clumsiness.&#xA;&#xA;   But Bloch took this for a sneer at himself, and to cover his shame in insolence retorted: “It’s not of the slightest importance; I’m not wet.”&#xA;&#xA;   Mme. de Villeparisis rang the bell and a footman came to wipe the carpet and pick up the fragments of glass. She invited the two young men to her theatricals, and also Mme. de Guermantes, with the injunction:&#xA;&#xA;    “Remember to tell Gisèle and Berthe” (the Duchesses d’Auberjon and de Portefin) “to be here a little before two to help me,” as she might have told the hired waiters to come early to arrange the tables.&#xA;&#xA;   She treated her princely relatives, as she treated M. de Norpois, without any of the little courtesies which she shewed to the historian, Cottard, Bloch and myself, and they seemed to have no interest for her beyond the possibility of serving them up as food for our social curiosity. This was because she knew that she need not put herself out to entertain people for whom she was not a more or less brilliant woman but the touchy old sister — who needed and received tactful handling — of their father or uncle. There would have been no object in her trying to shine before them, she could never have deceived them as to the strength and weakness of her position, for they knew (none so well) her whole history and respected the illustrious race from which she sprang. But, above all, they had ceased to be anything more for her than a dead stock which would not bear fruit again, they would not let her know their new friends, or share their pleasures. She could obtain from them only their occasional presence, or the possibility of speaking of them, at her five o’clock tea-parties as, later on, in her Memoirs, of which these parties were only a sort of rehearsal, a preliminary reading aloud of the manuscript before a selected audience. And the society which all these noble kinsmen and kinswomen served to interest, to dazzle, to enthral, the society of the Cottards, of the Blochs, of the dramatists who were in the public eye at the moment, of the historians of the Fronde and such matters; it was in this society that there existed for Mme. de Villeparisis — failing that section of the fashionable world which did not call upon her — the movement, the novelty, all the entertainment of life, it was from people like these that she was able to derive social benefits (which made it well worth her while to let them meet, now and then, though without ever coming to know her, the Duchesse de Guermantes), dinners with remarkable men whose work had interested her, a light opera or a pantomime staged complete by its author in her drawing-room, boxes for interesting shows. Bloch got up to go. He had said aloud that the incident of the broken flower-glass was of no importance, but what he said to himself was different, more different still what he thought: “If people can’t train their servants to put flowers where they won’t be knocked over and wet their guests and probably cut their hands, it’s much better not to go in for such luxuries,” he muttered angrily. He was one of those susceptible, highly strung persons who cannot bear to think of themselves as having made a blunder which, though they do not admit even to themselves that they have made it, is enough to spoil their whole day. In a black rage, he was just making up his mind never to go into society again. He had reached the point at which some distraction was imperative. Fortunately in another minute Mme. de Villeparisis was to press him to stay. Either because she was aware of the general feeling among her friends, and had noticed the tide of anti-semitism that was beginning to rise, or simply from carelessness, she had not introduced him to any of the people in the room. He, however, being little used to society, felt bound before leaving the room to take leave of them all, to shew his manners, but without any friendliness; he lowered his head several times, buried his bearded chin in his collar, scrutinised each of the party in turn through his glasses with a cold, dissatisfied glare. But Mme. de Villeparisis stopped him; she had still to discuss with him the little play which was to be performed in her house, and also she did not wish him to leave before he had had the pleasure of meeting M. de Norpois (whose failure to appear puzzled her), although as an inducement to Bloch this introduction was quite superfluous, he having already decided to persuade the two actresses whose names he had mentioned to her to come and sing for nothing in the Marquise’s drawing-room, to enhance their own reputations, at one of those parties to which all that was best and noblest in Europe thronged. He had even offered her, in addition, a tragic actress ‘with pure eyes, fair as Hera,’ who would recite lyrical prose with a sense of plastic beauty. But On hearing this lady’s name Mme. de Villeparisis had declined, for it was that of Saint-Loup’s mistress.&#xA;&#xA;    “I have better news,” she murmured in my ear. “I really believe he’s quite cooled off now, and that before very long they’ll be parted — in spite of an officer who has played an abominable part in the whole business,” she added. For Robert’s family were beginning to look with a deadly hatred on M. de Borodino, who had given him leave, at the hairdresser’s instance, to go to Bruges, and accused him of giving countenance to an infamous intrigue. “It’s really too bad of him,” said Mme. de Villeparisis with that virtuous accent common to all the Guermantes, even the most depraved. “Too, too bad,” she repeated, giving the word a trio of t’s. One felt that she had no doubt of the Prince’s being present at all their orgies. But, as kindness of heart was the old lady’s dominant quality, her expression of frowning severity towards the horrible captain, whose name she articulated with an ironical emphasis: “The Prince de Borodino!”— speaking as a woman for whom the Empire simply did not count, melted into a gentle smile at myself with a mechanical twitch of the eyelid indicating a vague understanding between us.&#xA;&#xA;    “I have a great admiration for de Saint-Loup-en-Bray,” said Bloch, “dirty dog as he is, because he’s so extremely well-bred. I have a great admiration, not for him but for well-bred people, they’re so rare,” he went on, without thinking, since he was himself so extremely ill-bred, what offence his words were giving. “I will give you an example which I consider most striking of his perfect breeding. I met him once with a young gentleman just as he was about to spring into his wheeled chariot, after he himself had buckled their splendid harness on a pair of steeds, whose mangers were heaped with oats and barley, who had no need of the flashing whip to urge them on. He introduced us, but I did not catch the gentleman’s name; one never does catch people’s names when one’s introduced to them,” he explained with a laugh, this being one of his father’s witticisms. “De Saint-Loup-en-Bray was perfectly calm, made no fuss about the young gentleman, seemed absolutely at his ease. Well, I found out, by pure chance, a day or two later, that the young gentleman was the son of Sir Rufus Israels!”&#xA;&#xA;   The end of this story sounded less shocking than its preface, for it remained quite incomprehensible to everyone in the room. The fact was that Sir Rufus Israels, who seemed to Bloch and his father an almost royal personage before whom Saint-Loup ought to tremble, was in the eyes of the Guermantes world a foreign upstart, tolerated in society, on whose friendship nobody would ever have dreamed of priding himself, far from it.&#xA;&#xA;    “I learned this,” Bloch informed us, “from the person who holds Sir Rufus’s power of attorney; he is a friend of my father, and quite an extraordinary man. Oh, an absolutely wonderful individual,” he assured us with that affirmative energy, that note of enthusiasm which one puts only into those convictions that did not originate with oneself.&#xA;&#xA;    “Tell me,” Bloch went on, lowering his voice, to myself, “how much do you suppose Saint-Loup has? Not that it matters to me in the least, you quite understand, don’t you. I’m interested from the Balzacian point of view. You don’t happen to know what it’s in, French stocks, foreign stocks, or land or what?”&#xA;&#xA;   I could give him no information whatsoever. Suddenly raising his voice, Bloch asked if he might open the windows, and without waiting for an answer, went across the room to do so. Mme. de Villeparisis protested that he must not, that she had a cold. “Of course, if it’s bad for you!” Bloch was downcast. “But you can’t say it’s not hot in here.” And breaking into a laugh he put into the gaze with which he swept the room an appeal for support against Mme. de Villeparisis. He received none, from these well-bred people. His blazing eyes, having failed to seduce any of the guests from their allegiance, faded with resignation to their normal gravity of expression; he acknowledged his defeat with: “What’s the temperature? Seventy-two, at least, I should say. I’m not surprised. I’m simply dripping. And I have not, like the sage Antenor, son of the river Aipheus, the power to plunge myself in the paternal wave to stanch my sweat before laying my body in a bath of polished marble and anointing my limbs with fragrant oils.” And with that need which people feel to outline for the use of others medical theories the application of which would be beneficial to their own health: “Well, if you believe it’s good for you! I must say, I think you’re quite wrong. It’s exactly what gives you your cold.”&#xA;&#xA;   Bloch was overjoyed at the idea of meeting M. de Norpois. He would like, he told us, to get him to talk about the Dreyfus case. “There’s a mentality at work there which I don’t altogether understand, and it would be quite sensational to get an interview out of this eminent diplomat,” he said in a tone of sarcasm, so as not to appear to be rating himself below the Ambassador.&#xA;&#xA;   Mme. de Villeparisis was sorry that he had said this so loud, but minded less when she saw that the librarian, whose strong Nationalist views kept her, so to speak, on leash, was too far off to have overheard. She was more shocked to hear Bloch, led on by that demon of ill-breeding which made him permanently blind to the consequences of what he said, inquiring, with a laugh at the paternal pleasantry: “Haven’t I read a learned treatise by him in which he sets forth a string of irrefutable arguments to prove that the Japanese war was bound to end in a Russian victory and a Japanese defeat? He’s fairly paralytic now, isn’t he? I’m sure he’s the old boy I’ve seen taking aim at his chair before sliding across the room to it, as if he was on wheels.”&#xA;&#xA;    “Oh, dear, no! Not in the least like that! Just wait a minute,” the Marquise went on, “I don’t know what he can be doing.”&#xA;&#xA;   She rang the bell and, when the servant had appeared, as she made no secret, and indeed liked to advertise the fact that her old friend spent the greater part of his time in her house: “Go and tell M. de Norpois to come in” she ordered him, “he is sorting some papers in my library; he said he would be twenty minutes, and I’ve been waiting now for an hour and three-quarters. He will tell you about the Dreyfus case, anything you want to know,” she said gruffly to Bloch. “He doesn’t approve much of the way things are going.”&#xA;&#xA;   For M. de Norpois was not on good terms with the Government of the day, and Mme. de Villeparisis, although he had never taken the liberty of bringing any actual Ministers to her house (she still preserved all the unapproachable dignity of a great lady, and remained outside and above the political relations which he was obliged to cultivate), was kept well informed by him of everything that went on. Then, too, the politicians of the day would never have dared to ask M. de Norpois to introduce them to Mme. de Villeparisis. But several of them had gone down to see him at her house in the country when they needed his advice or help at critical conjectures. One knew the address. One went to the house. One did not see its mistress. But at dinner that evening she would say:&#xA;&#xA;    “I hear they’ve been down here bothering you. I trust things are going better.”&#xA;&#xA;    “You are not in a hurry?” she now asked Bloch.&#xA;&#xA;    “No, not at all. I wanted to go because I am not very well; in fact there is some talk of my taking a cure at Vichy for my biliary ducts,” he explained, articulating the last words with a fiendish irony.&#xA;&#xA;    “Why, that’s where my nephew Châtellerault’s got to go, you must fix it up together. Is he still in the room? He’s a nice boy, you know,” said Mme. de Villeparisis, and may quite well have meant what she said, feeling that two people whom she knew had no reason not to be friends with each other.&#xA;&#xA;    “Oh, I dare say he wouldn’t care about that — I don’t really know him — at least I barely know him. He is sitting over there,” stammered Bloch in ecstasy of confusion.&#xA;&#xA;   The butler could not have delivered his mistress’s message properly, for M. de Norpois, to make believe that he had just come in from the street, and had not yet seen his hostess, had picked up the first hat that he had found in the hall, and came forward to kiss Mme. de Villeparisis’s hand with great ceremony, asking after her health with all the interest that people shew after a long separation. He was not aware that the Marquise had already destroyed any semblance of reality in this charade, which she cut short by taking M. de Norpois and Bloch into an adjoining room. Bloch, who had observed all the courtesy that was being shewn to a person whom he had not yet discovered to be M. de Norpois, had said to me, trying to seem at his ease: “Who is that old idiot?” Perhaps, too, all this bowing and scraping by M. de Norpois had really shocked the better element in Bloch’s nature, the freer and more straightforward manners of a younger generation, and he was partly sincere in condemning it as absurd. However that might be, it ceased to appear absurd, and indeed delighted him the moment it was himself, Bloch, to whom the salutations were addressed.&#xA;&#xA;    “Monsieur l’Ambassadeur,” said Mme. de Villeparisis, “I should like you to know this gentleman. Monsieur Bloch, Monsieur le Marquis de Norpois.” She made a point, despite her casual usage of M. de Norpois, of addressing him always as “Monsieur l’Ambassadeur,” as a social convention as well as from an exaggerated respect for his Ambassadorial rank, a respect which the Marquis had inculcated in her, and also with an instinctive application to him of the special manner, less familiar and more ceremonious, in relation to one particular man — which, in the house of a distinguished woman, in contrast to the liberties that she takes with her other guests, marks that man out instantly as her lover.&#xA;&#xA;   M. de Norpois drowned his azure gaze in his white beard, bent his tall body deep down as though he were bowing before all the famous and (to him) imposing connotations of the name Bloch, and murmured: “I am delighted . . . ” whereat his young listener, moved, but feeling that the illustrious diplomat was going too far, hastened to correct him, saying: “Not at all! On the contrary, it is I who am delighted.” But this ceremony, which M. de Norpois, in his friendship for Mme. de Villeparisis, repeated for the benefit of every fresh person that his old friend introduced to him, did not seem to her adequate to the deserts of Bloch, to whom she said:&#xA;&#xA;    “Just ask him anything you want to know; take him into the other room if it’s more convenient; he will be delighted to talk to you. I think you wished to speak to him about the Dreyfus case,” she went on, no more considering whether this would suit M. de Norpois than she would have thought of asking leave of the Duchesse de Montmorency’s portrait before having it lighted up for the historian, or of the tea before pouring it into a cup.&#xA;&#xA;    “You must speak loud,” she warned Bloch, “he’s a little deaf, but he will tell you anything you want to know; he knew Bismarck very well, and Cavour. That is so, isn’t it;” she raised her voice, “you knew Bismarck well?”&#xA;&#xA;    “Have you got anything on the stocks?” M. de Norpois asked me with a knowing air as he shook my hand warmly. I took the opportunity to relieve him politely of the hat which he had felt obliged to bring ceremonially into the room, for I saw that it was my own which he had inadvertently taken. “You shewed me a somewhat laboured little thing in which you went in for a good deal of hair-splitting. I gave you my opinion quite frankly; what you had written was literally not worth the trouble of putting it on paper. Are you thinking of letting us have anything else? You were greatly smitten with Bergotte, if I remember rightly.” “You’re not to say anything against Bergotte,” put in the Duchess. “I don’t dispute his talent as a painter; no one would, Duchess. He understands all about etching, if not brush-work on a large scale like M. Cherbuliez. But it seems to me that in these days we have a tendency to confuse the arts, and forget that the novelist’s business is rather to weave a plot and edify his readers than to fiddle away at producing a frontispiece or tailpiece in drypoint. I shall be seeing your father on Sunday at our good friend A. J.‘s,” he went on, turning again to myself.&#xA;&#xA;   I had hoped for a moment, when I saw him talking to Mme. de Guermantes, that he would perhaps afford me, for getting myself asked to her house, the help he had refused me for getting to Mme. Swann’s. “Another of my great favourites,” I told him, “is Elstir. It seems the Duchesse de Guermantes has some wonderful examples of his work, particularly that admirable Bunch of Radishes which I remember at the Exhibition and should so much like to see again; what a masterpiece that is!” And indeed, if I had been a prominent person and had been asked to state what picture I liked best, I should have named this Bunch of Radishes. “A masterpiece?” cried M. de Norpois with a surprised and reproachful air. “It makes no pretence of being even a picture, it is merely a sketch.” (He was right.) “If you label a clever little thing of that sort ‘masterpiece,’ what have you got to say about Hébert’s Virgin or Dagnan-Bouveret?”&#xA;&#xA;    “I heard you refusing to let him bring Robert’s woman,” said Mme. de Guermantes to her aunt, after Bloch had taken the Ambassador aside. “I don’t think you’ll miss much, she’s a perfect horror, as you know, without a vestige of talent, and besides she’s grotesquely ugly.”&#xA;&#xA;    “Do you mean to say, you know her, Duchess?” asked M. d’Argencourt.&#xA;&#xA;    “Yes, didn’t you know that she performed in my house before the whole of Paris, not that that’s anything for me to be proud of,” explained Mme. de Guermantes with a laugh, glad nevertheless, since the actress was under discussion, to let it be known that she herself had had the first fruits of her foolishness. “Hallo, I suppose I ought to be going now,” she added, without moving.&#xA;&#xA;   She had just seen her husband enter the room, and these words were an allusion to the absurdity of their appearing to be paying a call together, like a newly married couple, rather than to the often strained relations that existed between her and the enormous fellow she had married, who, despite his increasing years, still led the life of a gay bachelor. Ranging over the considerable party that was gathered round the tea-table the genial, cynical gaze — dazzled a little by the brightness of the setting sun — of the little round pupils lodged in the exact centre of his eyes, like the ‘bulls’ which ‘the excellent marksman that he was could always hit with such perfect aim and precision, the Duke came forward with a bewildered cautious slowness as though, alarmed by so brilliant a gathering, he was afraid of treading on ladies’ skirts and interrupting conversations. A permanent smile — suggesting a ‘Good King of Yvetot’— slightly pompous, a half-open hand floating like a shark’s fin by his side, which he allowed to be vaguely clasped by his old friends and by the strangers who were introduced to him, enabled him, without his having to make a single movement, or to interrupt his genial, lazy, royal progress, to reward the assiduity of them all by simply murmuring: “How do, my boy; how do, my dear friend; charmed, Monsieur Bloch; how do, Argencourt;” and, on coming to myself, who was the most highly favoured, when he had been told my name: “How do, my young neighbour, how’s your father? What a splendid fellow he is!” He made no great demonstration except to Mme. de Villeparisis, who gave him good-day with a nod of her head, drawing one hand from a pocket of her little apron.&#xA;&#xA;   Being formidably rich in a world where everyone was steadily growing poorer, and having secured the permanent attachment to his person of the idea of this enormous fortune, he displayed all the vanity of the great nobleman reinforced by that of the man of means, the refinement and breeding of the former just managing to control the latter’s self-sufficiency. One could understand, moreover, that his success with women, which made his wife so unhappy, was not due merely to his name and fortune, for he was still extremely good looking, and his profile retained the purity, the firmness of outline of a Greek god’s.&#xA;&#xA;    “Do you mean to tell me she performed in your house?” M. d’Argencourt asked the Duchess.&#xA;&#xA;    “Well, don’t you see, she came to recite, with a bunch of lilies in her hand, and more lilies on her dress.” Mme. de Guermantes shared her aunt’s affectation of pronouncing certain words in an exceedingly rustic fashion, but never rolled her r’s like Mme. de Villeparisis.&#xA;&#xA;   Before M. de Norpois, under constraint from his hostess, had taken Bloch into the little recess where they could talk more freely, I went up to the old diplomat for a moment and put in a word about my father’s Academic chair. He tried first of all to postpone the conversation to another day. I pointed out that I was going to Balbec. “What? Going again to Balbec? Why, you’re a regular globe-trotter.” He listened to what I had to say. At the name of Leroy-Beaulieu, he looked at me suspiciously. I conjectured that he had perhaps said something disparaging to M. Leroy-Beaulieu about my father and was afraid of the economist’s having repeated it to him. All at once he seemed animated by a positive affection for my father. And after one of those opening hesitations out of which suddenly a word explodes as though in spite of the speaker, whose irresistible conviction prevails over his half-hearted efforts at silence: “No, no,” he said to me with emotion, “your father must not stand. In his own interest he must not; it is not fair to himself; he owes a certain respect to his own really great merits, which would be compromised by such an adventure. He is too big a man for that. If he should be elected, he will have everything to lose and nothing to gain. He is not an orator, thank heaven. And that is the one thing that counts with my dear colleagues, even if you only talk platitudes. Your father has an important goal in life; he should march straight ahead towards it, and not allow himself to turn aside to beat bushes, even the bushes (more thorny for that matter than flowery) of the grove of Academe. Besides, he would not get many votes. The Academy likes to keep a postulant waiting for some time before taking him to its bosom. For the present, there is nothing to be done. Later on, I don’t say. But he must wait until the Society itself comes in quest of him. It makes a practice; not a very fortunate practice, a fetish rather, of the farà da sè of our friends across the Alps. Leroy-Beaulieu spoke to me about all this in a way I did not at all like. I pointed out to him, a little sharply perhaps, that a man accustomed as he is to dealing with colonial imports and metals could not be expected to understand the part played by the imponderables, as Bismarck used to say. But, whatever happens, your father must on no account put himself forward as a candidate, Principis obsta. His friends would find themselves placed in a delicate position if he suddenly called upon them for their votes. Indeed,” he broke forth, with an air of candour, fixing his blue eyes on my face, “I am going to say a thing that you will be surprised to hear coming from me, who am so fond of your father. Well, simply because I am fond of him (we are known as the inseparables —Arcades ambo), simply because I know the immense service that he can still render to his country, the reefs from which he can steer her if he remains at the helm; out of affection, out of high regard for him, out of patriotism, I should not vote for him. I fancy, moreover, that I have given him to understand that I should not.” (I seemed to discern in his eyes the stern Assyrian profile of Leroy-Beaulieu.) “So that to give him my vote now would be a sort of recantation on my part.” M. de Norpois repeatedly dismissed his brpther Academicians as old fossils. Other reasons apart, every member of a club or academy likes to ascribe to his fellow members the type of character that is the direct converse of his own, less for the advantage of being able to say: “Ah! If it only rested with me!” than for the satisfaction of making the election which he himself has managed to secure seem more difficult, a greater distinction. “I may tell you,” he concluded, “that in the best interests of you all, I should prefer to see your father triumphantly elected in ten or fifteen years’ time.” Words which I assumed to have been dictated if not by jealousy, at any rate by an utter lack of any willingness to oblige, and which later on I was to recall when the course of events had given them a different meaning.&#xA;&#xA;    “You haven’t thought of giving the Institute an address on the price of bread during the Fronde, I suppose,” the historian of that movement timidly inquired of M. de Norpois. “You could make a considerable success of a subject like that,” (which was to say, “you would give me a colossal advertisement,”) he added, smiling at the Ambassador pusillanimously, but with a warmth of feeling which made him raise his eyelids and expose a double horizon of eye. I seemed to have seen this look before, and yet I had met the historian for the first time this afternoon. Suddenly I remembered having seen the same expression in the eyes of a Brazilian doctor who claimed to be able to cure choking fits of the kind from which I suffered by some absurd inhalation of the essential oils of plants. When, in the hope that he would pay more attention to my case, I had told him that I knew Professor Cottard, he had replied, as though speaking in Cotterd’s interest: “Now this treatment of mine, if you were to tell him about it, would give him the material for a most sensational paper for the Academy of Medicine!” He had not ventured to press the matter but had stood gazing at me with the same air of interrogation, timid, anxious, appealing, which it had just puzzled me to see on the face of the historian of the Fronde. Obviously the two men were not acquainted and had little nothing in common, but psychological like physical laws have a more or less general application. And the requisite conditions are the same; an identical expression lights the eyes of different human animals, as a single sunrise lights different places, a long way apart, which have no connexion with one another. I did not hear the Ambassador’s reply, for the whole party, with a good deal of noise, had again gathered round Mme. de Villeparisis to watch her at work.&#xA;&#xA;    “You know who’ we’re talking about, Basin?” the Duchess asked her husband.&#xA;&#xA;    “I can make a pretty good guess,” said the Duke.&#xA;&#xA;    “Ah! As an actress she’s not, I’m afraid, in what one would call the great tradition.”&#xA;&#xA;    “You can’t imagine,” went on Mme. de Guermantes to M. d’Argencourt “anything more ridiculous.”&#xA;&#xA;    “In fact, it was drolatic,” put in M. de Guermantes, whose odd vocabulary enabled people in society to declare that he was no fool and literary people, at the same time, to regard him as a complete imbecile.&#xA;&#xA;    “What I fail to understand,” resumed the Duchess, “is how in the world Robert ever came to fall in love with her. Oh, of course I know one mustn’t discuss that sort of thing,” she added, with the charming pout of a philosopher and sentimentalist whose last illusion had long been shattered. “I know that anybody may fall in love with anybody else. And,” she went on, for, though she might still laugh at modern literature, it, either by its dissemination through the popular press or else in the course of conversation, had begun to percolate into her mind, “that is the really nice thing about love, because it’s what makes it so ‘mysterious.’”&#xA;&#xA;    “Mysterious! Oh, I must confess, cousin, that’s a bit beyond me,” said the Comte d’Argencourt.&#xA;&#xA;    “Oh dear, yes, it’s a very mysterious thing, love,” declared the Duchess, with the sweet smile of a good-natured woman of the world, but also with the rooted conviction with which a Wagnerian assures a bored gentleman from the Club that there is something more than just noise in the Walküre. “After all, one never does know what makes one person fall in love with another; it may not be at all what we think,” she added with a smile, repudiating at once by this interpretation the idea she had just suggested. “After all, one never knows anything, does one?” she concluded with an air of weary scepticism. “Besides, one understands, doesn’t one; one simply can’t explain other people’s choices in love.”&#xA;&#xA;   But having laid down this principle she proceeded at once to abandon it and to criticise Saint-Loup’s choice.&#xA;&#xA;    “All the same, don’t you know, it is amazing to me that a man can find any attraction in a person who’s simply silly.”&#xA;&#xA;   Bloch, hearing Saint-Loup’s name mentioned and gathering that he was in Paris, promptly made a remark about him so outrageous that everybody was shocked. He was beginning to nourish hatreds, and one felt that he would stop at nothing to gratify them. Once he had established the principle that he himself was of great moral worth and that the sort of people who frequented La Boulie (an athletic club which he supposed to be highly fashionable) deserved penal servitude, every blow he could get against them seemed to him praiseworthy. He went so far once as to speak of a lawsuit which he was anxious to bring against one of his La poulie friends. In the course of the trial he proposed to give certain evidence which would be entirely untrue, though the defendant would be unable to impugn his veracity. In this way Bloch (who, incidentally, never put his plan into action) counted on baffling and infuriating his antagonist. What harm could there be in that, since he whom he sought to injure was a man who thought only of doing the ‘right thing,’ a La Boulie man, and against people like that any weapon was justified, especially in the hands of a Saint, such as Bloch himself?&#xA;&#xA;    “I say, though, what about Swann?” objected M. d’Argencourt, who having at last succeeded in understanding the point of his cousin’s speech, was impressed by her accuracy of observation, and was racking his brains for instances of men who had fallen in love with women in whom he himself had seen no attraction.&#xA;&#xA;    “Oh, but Swann’s case was quite different,” the Duchess protested. “It was a great surprise, I admit, because she’s just a well-meaning idiot, but she was never silly, and she was at one time good looking.”&#xA;&#xA;    “Oh, oh!” muttered Mme. de Villeparisis.&#xA;&#xA;    “You never thought so? Surely, she had some charming points, very fine eyes, good hair, she used to dress, and does still dress, wonderfully. Nowadays, I quite agree, she’s horrible, but she has been a lovely woman in her time. Not that that made me any less sorry when Charles married her, because it was so unnecessary.” The Duchess had not intended to say anything out of the common, but as M. d’Argencourt began to laugh she repeated these last words — either because she thought them amusing or because she thought it nice of him to laugh — and looked up at him with a coaxing smile, to add the enchantment of her femininity to that of her wit. She went on: “Yes, really, it wasn’t worth the trouble, was it; still, after all, she did have some charm and I can quite understand anybody’s falling in love with her, but if you saw Robert’s girl, I assure you, you’d simply die of laughter. Oh, I know somebody’s going to quote Augier at me: ‘What matters the bottle so long as one gets drunk?’ Well, Robert may have got drunk, all right, but he certaintly hasn’t shewn much taste in his choice of a bottle! First of all, would you believe that she actually expected me to fit up a staircase right in the middle of my drawing-room. Oh, a mere nothing — what? — and she announced that she was going to lie flat on her stomach on the steps. And then, if you’d heard the things she recited, I only remember one scene, but I’m sure nobody could imagine anything like it; it was called the Seven Princesses.”&#xA;&#xA;    “Seven Princesses! Dear, dear, what a snob she must be!” cried M. d’Argencourt. “But, wait a minute, why, I know the whole play. The author sent a copy to the King, who couldn’t understand a word of it and called on me to explain it to him.”&#xA;&#xA;    “It isn’t by any chance, from the Sar Peladan?” asked the historian of the Fronde, meaning to make a subtle and topical allusion, but in so low a tone that his question passed unnoticed.&#xA;&#xA;    “So you know the Seven Princesses, do you?” replied the Duchess, “I congratulate you! I only know one, but she’s quite enough; I have no wish to make the acquaintance of the other six. If they are all like the one I’ve seen!”&#xA;&#xA;    “What a goose!” I thought to myself. Irritated by the coldness of her greeting, I found a sort of bitter satisfaction in this proof of her complete inability to understand Maeterlinck. “To think that’s the woman I walk miles every morning to see. Really, I’m too kind. Well, it’s my turn now not to want to see her.” Thus I reasoned with myself; but my words ran counter to my thoughts; they were purely conversational words such as we say to ourselves at those moments when, too much excited to remain quietly alone, we feel the need, for want of another listener, to talk to ourselves, without meaning what we say, as we talk to a stranger.&#xA;&#xA;    “I can’t tell you what it was like,” the Duchess went on; “you simply couldn’t help laughing. Not that anyone tried; rather the other way, I’m sorry to say, for the young person was not at all pleased and Robert has never really forgiven me. Though I can’t say I’m sorry, actually, because if it had been a success the lady would perhaps have come again, and I don’t quite see Marie-Aynard approving of that.”&#xA;&#xA;   This was the name given in the family to Robert’s mother, Mme. de Marsantes, the widow of Aynard de Saint-Loup, to distinguish her from her cousin, the Princesse de Guermantes-Bavière, also a Marie, to whose Christian name her nephews and cousins and brothers-in-law added, to avoid confusion, either that of her husband or another of her own, making her Marie-Gilbert or Marie-Hedwige.&#xA;&#xA;    “To begin with, there was a sort of rehearsal the night before, which was a wonderful affair!” went on Mme. de Guermantes in ironical pursuit of her theme. “Just imagine, she uttered a sentence, no, not so much, not a quarter of a sentence, and then she stopped; she didn’t open her mouth — I’m not exaggerating — for a good five minutes.”&#xA;&#xA;    “Oh, I say,” cried M. d’Argencourt.&#xA;&#xA;    “With the utmost politeness I took the liberty of hinting to her that this might seem a little unusual. And she said — I give you her actual words —‘One ought always to repeat a thing as though one were just composing it oneself.’ When you think of it, that really is monumental.”&#xA;&#xA;    “But I understood she wasn’t at all bad at reciting poetry,” said one of the two young men.&#xA;&#xA;    “She hasn’t the ghost of a notion what poetry is,” replied Mme. de Guermantes. “However, I didn’t need to listen to her to tell that. It was quite enough to see her come in with her lilies. I knew at once that she couldn’t have any talent when I saw those lilies!”&#xA;&#xA;   Everybody laughed.&#xA;&#xA;    “I hope, my dear aunt, you aren’t angry with me, over my little joke the other day about the Queen of Sweden. I’ve come to ask your forgiveness.’&#xA;&#xA;    “Oh, no, I’m not at all angry, I even give you leave to eat at my table, if you’re hungry. — Come along, M. Valmère, you’re the daughter of the house,” Mme. de Villeparisis went on to the librarian, repeating a time-honoured pleasantry.&#xA;&#xA;   M de Guermantes sat upright in the armchair in which he had come to anchor his hat on the carpet by his side, and examined with a satisfied smile the plate of little cakes that was being held out to him.&#xA;&#xA;    “This gentleman makes you an admirable daughter,” commented M. d’Argencourt, whom the spirit of imitation prompted to keep Mme. de Villeparisis’s little joke in circulation.&#xA;&#xA;   The librarian handed the plate of cakes to the historian of the Fronde.&#xA;&#xA;    “You perform your functions admirably,” said the latter, startled into speech, and hoping also to win the sympathy of the crowd. At the same time he cast a covert glance of connivance at those who had anticipated him.&#xA;&#xA;    “Tell me, my dear aunt,” M. de Guermantes inquired of Mme. de Villeparisis, “who was that rather good-looking man who was going out just now as I came in? I must know him, because he gave me a sweeping bow, but I couldn’t place him at all; you know I never can remember names, it’s such a nuisance,” he added, in a tone of satisfaction.&#xA;&#xA;    “M. Legrandin.”&#xA;&#xA;    “Oh, but Oriane has a cousin whose mother, if I’m not mistaken, was a Grandin. Yes, I remember quite well, she was a Grandin de l’Epervier.”&#xA;&#xA;    “No,” replied Mme. de Villeparisis, “no relation at all. These are plain Grandins. Grandins of nothing at all. But they’d be only too glad to be Grandins of anything you chose to name. This one has a sister called Mme. de Cambremer.”&#xA;&#xA;    “Why, Basin, you know quite well who’ my aunt means,” cried the Duchess indignantly. “He’s the brother of that great graminivorous creature you had the weird idea of sending to call on me the other day. She stayed a solid hour; I thought I should go mad. But I began by thinking it was she who was mad when I saw a person I didn’t know come browsing into the room looking exactly like a cow.”&#xA;&#xA;    “Listen, Oriane; she asked me what afternoon you were at home; I couldn’t very well be rude to her; and besides, you do exaggerate so, she’s not in the least like a cow,” he added in a plaintive tone, though not without a quick smiling glance at the audience.&#xA;&#xA;   He knew that his wife’s lively wit needed the stimulus of contradiction, the contradiction of common sense which protests that one cannot (for instance) mistake a woman seriously for a cow; by this process Mme. de Guermantes, enlarging upon her original idea, had been inspired to produce many of her most brilliant sayings. And the Duke in his innocent fashion helped her, without seeming to do so, to bring off her effects like, in a railway carriage, the unacknowledged partner of the three-card player.&#xA;&#xA;    “I admit she doesn’t look like a cow, she looks like a dozen,” exclaimed Mme. de Guermantes. “I assure you, I didn’t know what to do when I saw a herd of cattle come marching into my drawing-room in a hat and heard them ask me how I was. I had half a mind to say: ‘Please, herd of cattle, you must be making a mistake, you can’t possibly know me, because you’re a herd of cattle,’ but after racking my brains over her I came to the conclusion that your Cambremer woman must be the Infanta Dorothea who had said she was coming to see me one day, and is rather bovine also, so that I was just on the point of saying: ‘Your Royal Highness’ and using the third person to a herd of cattle. The cut of her dewlap reminded me rather, too, of the Queen of Sweden. But this massed attack had been prepared for by long range artillery fire, according to all the rules of war. For I don’t know how long before, I was bombarded with her cards; I used to find them lying about all over the house, on all the tables and chairs like prospectuses. I couldn’t think what they were supposed to be advertising. You saw nothing in the house but ‘Marquis et Marquise de Cambremer’ with some address or other which I’ve forgotten; you may be quite sure nothing will ever take me there.”&#xA;&#xA;    “But it’s a great distinction to look like a Queen,” said the historian of the Fronde.&#xA;&#xA;    “Gad, sir, Kings and Queens, in these days, don’t amount to much,” said M. de Guermantes, partly because he liked to be thought broad-minded and modern, and also so as not to seem to attach any importance to his own royal friendships, which he valued highly.&#xA;&#xA;   Bloch and M. de Norpois had returned from the other room and came towards us.&#xA;&#xA;    “Well, sir,” asked Mme. de Villeparisis, “have you been talking to him about the Dreyfus case?”&#xA;&#xA;   M. de Norpois raised his eyes to the ceiling, but with a smile, as though calling on heaven to witness the monstrosity of the caprices to which his Dulcinea compelled him to submit. Nevertheless he spoke to Bloch with great affability of the terrible, perhaps fatal period through which France was passing. As this presumably meant that M. de Norpois (to whom Bloch had confessed his belief in the innocence of Dreyfus) was an ardent anti-Dreyfusard, the Ambassador’s geniality, his air of tacit admission that his listener was in the right, of never doubting that they were both of the same opinion, of being prepared to join forces with him to overthrow the Government, flattered Bloch’s vanity and aroused his curiosity. What were the important points which M. de Norpois never specified but on which he seemed implicitly to affirm that he was in agreement with Bloch; what opinion, then, did he hold of the case, that could bring them together? Bloch was all the more astonished at the mysterious unanimity which seemed to exist between him and M. de Norpois, in that it was not confined to politics, Mme. de Villeparisis having spoken at some length to M. de Norpois of Bloch’s literary work.&#xA;&#xA;    “You are not of your age,” the former Ambassador told him, “and I congratulate you upon that. You are not of this age in which disinterested work no longer exists, in which writers offer the public nothing but obscenities or ineptitudes. Efforts such as yours ought to be encouraged, and would be, if we had a Government.”&#xA;&#xA;   Bloch was flattered by this picture of himself swimming alone amid a universal shipwreck. But here again he would have been glad of details, would have liked to know what were the ineptitudes to which M. de Norpois referred. Bloch had the feeling that he was working along the same lines as plenty of others; he had never supposed himself to be so exceptional. He returned to the Dreyfus case, but did not succeed in elucidating M. de Norpois’s own views. He tried to induce him to speak of the officers whose names were appearing constantly in the newspapers at that time; they aroused more curiosity than the politicians who were involved also, because they were not, like the politicians, well known already, but, wearing a special garb, emerging from the obscurity of a different kind of life and a religiously guarded silence, simply stood up and spoke and disappeared again, like Lohengrin landing from a skiff drawn by a swan. Bloch had been able, thanks to a Nationalist lawyer of his acquaintance, to secure admission to several hearings of the Zola trial. He would arrive there in the morning and stay until the court rose, with a packet of sandwiches and a flask of coffee, as though for the final examination for a degree, and this change of routine stimulating a nervous excitement which the coffee and the emotional interest of the trial worked up to a climax, he would come out so enamoured of everything that had happened in court that, in the evening, as he sat at home, he would long to immerse himself again in that beautiful dream and would hurry out, to a restaurant frequented by both parties, in search of friends with whom he would go over interminably the whole of the day’s proceedings, and make up, by a supper ordered in an imperious tone which gave him the illusion of power, for the hunger and exhaustion of a day begun so early and unbroken by any interval for luncheon. The human mind, hovering perpetually between the two planes of experience and imagination, seeks to fathom the ideal life of the people it knows and to know the people whose life it has had to imagine. To Bloch’s questions M. de Norpois replied:&#xA;&#xA;    “There are two officers involved in the case now being tried of whom I remember hearing some time ago from a man in whose judgment I felt great confidence, and who praised them both highly — I mean M. de Miribel. They are Lieutenant-Colonel Henry and Lieutenant-Colonel Picquart.”&#xA;&#xA;    “But,” exclaimed Bloch, “the divine Athena, daughter of Zeus, has put in the mind of one the opposite of what is in the mind of the other. And they are fighting against one another like two lions. Colonel Picquart had a splendid position in the Army, but his Moira has led him to the side that was not rightly his. The sword of the Nationalists will carve his tender flesh, and he will be cast out as food for the beasts of prey and the birds that wax fat upon the bodies of men.”&#xA;&#xA;   M. de Norpois made no reply.&#xA;&#xA;    “What are those two palavering about over there?” M. de Guermantes asked Mme. de Villeparisis, indicating M. de Norpois and Bloch.&#xA;&#xA;    “The Dreyfus case.”&#xA;&#xA;    “The devil they are. By the way, do you know who is a red-hot supporter of Dreyfus? I give you a thousand guesses. My nephew Robert! I can tell you that, at the Jockey, when they heard of his goings on, there was a fine gathering of the clans, a regular hue and cry. And as he’s coming up for election next week . . . ”&#xA;&#xA;    “Of course,” broke in the Duchess, “if they’re all like Gilbert, who keeps on saying that all the Jews ought to be sent back to Jerusalem.”&#xA;&#xA;    “Indeed; then the Prince de Guermantes is quite of my way of thinking,” put in M. d’Argencourt.&#xA;&#xA;   The Duke made a show of his wife, but did not love her. Extremely self-centred, he hated to be interrupted, besides he was in the habit, at home of treating her brutally. Convulsed with the twofold rage of a bad husband when his wife speaks to him, and a good talker wher he is not listened to, he stopped short and transfixed the Duchess with a glare which made everyone feel uncomfortable.&#xA;&#xA;    “What makes you think we want to hear about Gilbert and Jerusalem? It’s nothing to do with that. But,” he went on in a gentler tone, “you will agree that if one of our family were to be pilled at the Jockey, especially Robert, whose father was chairman for ten years, it would be a pretty serious matter. What can you expect, my dear, it’s got ’em on the raw, those fellows; they’re all over it. I don’t blame them, either; personally, you know that I have no racial prejudice, all that sort of thing seems to me out of date, and I do claim to move with the times; but damn it all, when one goes by the name of ‘Marquis de Saint-Loup’ one isn’t a Dreyfusard; what more can I say?”&#xA;&#xA;   M. de Guermantes uttered the words: “When one goes by the name of Marquis de Saint-Loup,” with some emphasis. He knew very well that it was a far greater thing to go by that of Duc de Guermantes. But if his self-esteem had a tendency to exaggerate if anything the superiority of the title Duc de Guermantes over all others, it was perhaps not so much the rules of good taste as the laws of imagination that urged him thus to attenuate it. Each of us sees in the brightest colours what he sees at a distance, what he sees in other people. For the general laws which govern perspective in imagination apply just as much to dukes as to ordinary mortals. And not only the laws of imagination, but those of speech. Now, either of two laws of speech may apply here, one being that which makes us express ourselves like others of our mental category and not of our caste. Under this law M. de Guermantes might be, in his choice of expressions, even when he wished to talk about the nobility, indebted to the humblest little tradesman, who would have said: “When one goes by the name of Duc de Guermantes,” whereas an educated man, a Swann, a Legrandin would not have said it. A duke may write novels worthy of a grocer, even about life in high society, titles and pedigrees being of no help to him there, and the epithet ‘aristocratic’ be earned by the writings of a plebeian. Who had been, in this instance, the inferior from whom M. de Guermantes had picked up ‘when one goes by the name,’ he had probably not the least idea. But another law of speech is that, from time to time, as there appear and then vanish diseases of which nothing more is ever heard, there come into being, no one knows how, spontaneously perhaps or by an accident like that which introduced into France a certain weed from America, the seeds of which, caught in the wool of a travelling rug, fell on a railway embankment, forms of speech which one hears in the same decade on the lips of people who have not in any way combined together to use them. So, just as in a certain year I heard Bloch say, referring to himself, that “the most charming people, the most brilliant, the best known, the most exclusive had discovered that there was only one man in Paris whom they felt to be intelligent, pleasant, whom they could not do without — namely Bloch,” and heard the same phrase used by countless other young men who did not know him and varied it only by substituting their own names for his, so I was often to hear this ‘when one goes by the name.’&#xA;&#xA;    “What can one expect,” the Duke went on, “with the influence he’s come under; it’s easy to understand.”&#xA;&#xA;    “Still it is rather comic,” suggested the Duchess, “when you think of his mother’s attitude, how she bores us to tears with her Patrie Française, morning, noon and night.”&#xA;&#xA;    “Yes, but there’s not only his mother to be thought of, you can’t humbug us like that. There’s a damsel, too, a fly-by-night of the worst type; she has far more influence over him than his mother, and she happens to be a compatriot of Master Dreyfus. She has passed on her state of mind to Robert.”&#xA;&#xA;    “You may not have heard, Duke, that there is a new word to describe that sort of mind,” said the librarian, who was Secretary to the Anti-revisionist Committee. “They say ‘mentality.’ It means exactly the same thing, but it has this advantage that nobody knows what you’re talking about. It is the very latest expression just now, the ‘last word’ as people say.” Meanwhile, having heard Bloch’s name, he was watching him question M. de Norpois with misgivings which aroused others as strong though of a different order in the Marquise. Trembling before the librarian, and always acting the anti-Dreyfusard in his presence, she dreaded what he would say were he to find out that she had asked to her house a Jew more or less affiliated to the ‘Syndicate.’&#xA;&#xA;    “Indeed,” said the Duke, “‘mentality,’ you say; I must make a note of that; I shall use it some day.” This was no figure of speech, the Duke having a little pocketbook filled with such ‘references’ which he used to consult before dinner-parties. “I like ‘mentality.’ There are a lot of new words like that which people suddenly start using, but they never last. I read somewhere the other day that some writer was ‘talentuous.’ You may perhaps know what it means; I don’t. And since then I’ve never come across the word again.”&#xA;&#xA;    “But ‘mentality’ is more widely used than ‘talentuous,’” the historian of the Fronde made his way into the conversation. “I am on a Committee at the Ministry of Education at which I have heard it used several times, as well as at my Club, the Volney, and indeed at dinner at M. Emile Ollivier’s.”&#xA;&#xA;    “I, who have not the honour to belong to the Ministry of Education,” replied the Duke with a feigned humility but with a vanity so intense that his lips could not refrain from curving in a smile, nor his eyes from casting round his audience a glance sparkling with joy, the ironical scorn in which made the poor historian blush, “I who have not the honour to belong to the Ministry of Education,” he repeated, relishing the sound of his words, “nor to the Volney Club (my only clubs are the Union and the Jockey — you aren’t in the Jockey, I think, sir?” he asked the historian, who, blushing a still deeper red, scenting an insult and failing to understand it, began to tremble in every limb), “I, who am not even invited to dine with M. Emile Ollivier, I must confess that I had never heard ‘mentality.’ I’m sure you’re in the same boat, Argencourt.&#xA;&#xA;    “You know,” he went on, “why they can’t produce the proofs of Dreyfus’s guilt. Apparently it’s because the War Minister’s wife was his mistress, that’s what people are saying.”&#xA;&#xA;    “Ah! I thought it was the Prime Minister’s wife,” said M. d’Argencourt.&#xA;&#xA;    “I think you’re all equally tiresome about this wretched case,” said the Duchesse de Guermantes, who, in the social sphere, was always anxious to shew that she did not allow herself to be led by anyone. “It can’t make any difference to me, so far as the Jews are concerned, for the simple reason that I don’t know any of them, and I intend to remain in that state of blissful ignorance. But on the other hand I do think it perfectly intolerable that just because they’re supposed to hold ‘sound’ views and don’t deal with Jewish tradesmen, or have ‘Down with the Jews’ printed on their sunshades, we should have a swarm of Durands and Dubois and so forth, women we should never have known but for this business, forced down our throats by Marie-Aynard or Victurnienne. I went to see Marie-Aynard a couple of days ago. It used to be so nice there. Nowadays one finds all the people one has spent one’s life trying to avoid, on the pretext that they’re against Dreyfus, and others of whom you have no idea who they can be.”&#xA;&#xA;    “No; it was the War Minister’s wife; at least, that’s the bedside rumour,” went on the Duke, who liked to flavour his conversation with certain expressions which he imagined to be of the old school. “Personally, of course, as everyone knows, I take just the opposite view to my cousin Gilbert. I am not feudal like him. I would go about with a Negro if he was a friend of mine, and I shouldn’t care two straws what anybody thought; still after all you will agree with me that when one goes by the name of Saint-Loup one doesn’t amuse oneself by running clean against the rails of public opinion, which has more sense than Voltaire or even my nephew. Nor does one go in for what I may be allowed to call these acrobatics of conscience a week before one comes up for a club. It is a bit stiff, really! No, it is probably that little wench of his that has put him on his high horse. I expect she told him that he would be classed among the ‘intellectuals.’ The intellectuals, they’re the very cream of those gentry. It’s given rise, by the way, to a rather amusing pun, though a very naughty one.”&#xA;&#xA;   And the Duke murmured, lowering his voice, for his wife’s and M. d’Argencourt’s benefit, “Mater Semita,” which had already made its way into the Jockey Club, for, of all the flying seeds in the world, that to which are attached the most solid wings, enabling it to be disseminated at the greatest distance from its parent branch, is still a joke.&#xA;&#xA;    “We might ask this gentleman, who has a nerudite air, to explain it to us,” he went on, indicating the historian. “But it is better not to repeat it, especially as there’s not a vestige of truth in the suggestion. I am not so ambitious as my cousin Mirepoix, who claims that she can trace the descent of her family before Christ to the Tribe of Levi, and I will undertake to prove that there has never been a drop of Jewish blood in our family. Still there is no good in our shutting our eyes to the fact, you may be sure that my dear nephew’s highly original views are liable to make a considerable stir at Landerneau. Especially as Fezensac is ill just now, and Duras will be running the election; you know how he likes to make nuisances,” concluded the Duke, who had never succeeded in learning the exact meaning of certain phrases, and supposed ‘making nuisances’ to mean ‘making difficulties.’&#xA;&#xA;   Bloch tried to pin M. de Norpois down on Colonel Picquart.&#xA;&#xA;    “There can be no two opinions;” replied M. de Norpois, “his evidence had to be taken. I am well aware that, by maintaining this attitude, I have drawn screams of protest from more than one of my colleagues, but to my mind the Government were bound to let the Colonel speak. One can’t dance lightly out of a blind alley like that, or if one does there’s always the risk of falling into a ditch. As for the officer himself, his statement gave one, at the first hearing, a most excellent impression. When one saw him, looking so well in that smart Chasseur uniform, come into court and relate in a perfectly simple and frank tone what he had seen and what he had deduced, and say: ‘On my honour as a soldier’” (here M. de Norpois’s voice shook with a faint patriotic throb) “‘such is my conviction,’ it is impossible to deny that the impression he made was profound.”&#xA;&#xA;    “There; he is a Dreyfusard, there’s not the least doubt of it,” thought Bloch.&#xA;&#xA;    “But where he entirely forfeited all the sympathy that he had managed to attract was when he was confronted with the registrar, Gribelin. When one heard that old public servant, a man who had only one answer to make,” (here M. de Norpois began to accentuate his words with the energy of his sincere convictions) “when one listened to him, when one saw him look his superior officer in the face, not afraid to hold his head up to him, and say to him in a tone that admitted of no response: ‘Colonel, sir, you know very well that I have never told a lie, you know that at this moment, as always, I am speaking the truth,’ the wind changed; M. Picquart might move heaven and earth at the subsequent hearings; he made a complete fiasco.”&#xA;&#xA;    “No; evidently he’s an anti-Dreyfusard; it’s quite obvious,” said Bloch to himself. “But if he considers Picquart a traitor and a liar, how can he take his revelations seriously, and quote them as if he found them charming and believed them to be sincere. And if, on the other hand, he sees in him an honest man easing his conscience, how can he suppose him to have been lying when he was confronted with Gribelin?”&#xA;&#xA;    “In any case, if this man Dreyfus is innocent,” the Duchess broke in, “he hasn’t done much to prove it. What idiotic, raving letters he writes from that island. I don’t know whether M. Esterhazy is any better, but he does shew some skill in his choice of words, a different tone altogether. That can’t be very pleasant for the supporters of M. Dreyfus. What a pity for them there’s no way of exchanging innocents.” Everybody laughed. “You heard what Oriane said?” the Duc de Guermantes inquired eagerly of e. de Villeparisis. “Yes; I think it most amusing.” This was not enough for the Duke. “Well, I don’t know, I can’t say that I thought it amusing; or rather it doesn’t make the slightest difference to me whether a thing is amusing or not. I don’t care about wit.” M. d’Argencourt protested. “It is probably because I’ve been a Member of Parliament, where I have listened to brilliant speeches that meant absolutely nothing. I learned there to value, more than anything, logic. That’s probably why they didn’t elect me again. Amusing things leave me cold.” “Basin, don’t play the heavy father like that, my child, you know quite well that no one admires wit more than you do.” “Please let me finish. It is just because I am unmoved by a certain type of humour, that I am often struck by my wife’s wit. For you will find it based, as a rule, upon sound observation. She reasons like a man; she states her case like a writer.”&#xA;&#xA;   Possibly the explanation of M. de Norpois’s speaking in this way to Bloch, as though they had been in agreement, may have lain in the fact that he himself was so keen an anti-Dreyfusard that, finding the Government not anti-Dreyfusard enough, he was its enemy just as much as the Dreyfusards. Perhaps because the object to which he devoted himself in politics was something more profound, situated on another plane, from which Dreyfusism appeared as an unimportant modality which did not deserve the attention of a patriot interested in large questions of foreign policy. Perhaps, rather, because the maxims of his political wisdom being applicable only to questions of form, of procedure, of expediency, they were as powerless to solve questions of fact as in philosophy pure logic is powerless to tackle the problems of existence; or else because that very wisdom made him see danger in handling such subjects and so, in his caution, he preferred to speak only of minor incidents. But where Bloch made a mistake was in thinking that M. de Norpois, even had he been less cautious by nature and of a less exclusively formal cast of mind, could (supposing he would) have told him the truth as to the part played by Henry, Picquart or du Paty de Clam, or as to any of the different aspects of the case. The truth, indeed, as to all these matters Bloch could not doubt that M. de Norpois knew. How could he fail to know it seeing that he was a friend of all the Ministers? Naturally, Bloch thought that the truth in politics could be approximately reconstructed by the most luminous minds, but he imagined, like the man in the street, that it resided permanently, beyond the reach of argument and in a material form, in the secret files of the President of the Republic and the Prime Minister, who imparted it to their Cabinet. Now, even when a political truth does take the form of written documents, it is seldom that these have any more value than a radiographic plate on which the layman imagines that the patient’s disease is inscribed in so many words, when, as a matter of fact, the plate furnishes simply one piece of material for study, to be combined with a number of others, which the doctor’s reasoning powers will take into consideration as a whole and upon them found his diagnosis. So, too, the truth in politics, when one goes to well-informed men and imagines that one is about to grasp it, eludes one. Indeed, later on (to confine ourselves to the Dreyfus case), when so startling an event occurred as Henry’s confession, followed by his suicide, this fact was at once interpreted in opposite ways by the Dreyfusard Ministers, and by Cavaignac and Cuignet who had themselves made the discovery of the forgery and conducted the examination; still more so among the Dreyfusard Ministers themselves, men of the same shade of Dreyfusism, judging not only from the same documents but in the same spirit, the part played by Henry was explained in two entirely different ways, one set seeing in him an accomplice of Esterhazy, the others assigning that part to du Paty de Clam, thus rallying in support of a theory of their opponent Cuignet and in complete opposition to their supporter Reinach. All that Bloch could elicit from M. de Norpois was that if it were true that the Chief of Staff, M. de Boisdeffre, had had a secret communication sent to M. Rochefort, it was evident that a singularly regrettable irregularity had occurred.&#xA;&#xA;    “You may be quite sure that the War Minister must (in petto at any rate) be consigning his Chief of Staff to the infernal powers. An official disclaimer would not have been (to my mind) a work of supererogation. But the War Minister expresses himself very bluntly on the matter inter pocula. There are certain subjects, moreover, about which it is highly imprudent to create an agitation over which one cannot retain control afterwards.”&#xA;&#xA;    “But those documents are obviously forged,” put in Bloch.&#xA;&#xA;   M. de Norpois made no reply to this, but announced that he did not approve of the manifestations that were being made by Prince Henri d’Orléans.&#xA;&#xA;    “Besides, they can only ruffle the calm of the pretorium, and encourage agitations which, looked at from either point of view, would be deplorable. Certainly we must put a stop to the anti-militarist conspiracy, but we cannot possibly tolerate, either, a brawl encouraged by those elements on the Right who instead of serving the patriotic ideal themselves are hoping to make it serve them. Heaven be praised, France is not a South American Republic, and the need has not yet been felt here for a military pronunciamento.”&#xA;&#xA;   Bioch could not get him to speak on the question of Dreyfus’s guilt, nor would he utter any forecast as to the judgment in the civil trial then proceeding. On the other hand, M. de Norpois seemed only too ready to indicate the consequences of this judgment.&#xA;&#xA;    “If it is a conviction,” he said, “it will probably be quashed, for it is seldom that, in a case where there has been such a number of witnesses, there is not some flaw in the procedure which counsel can raise on appeal. To return to Prince Henri’s outburst, I greatly doubt whether it has met with his father’s approval.”&#xA;&#xA;    “You think Chartres is for Dreyfus?” asked the Duchess with a smile, her eyes rounded, her cheeks bright, her nose buried in her plate, her whole manner deliciously scandalised.&#xA;&#xA;    “Not at all; I meant only that there runs through the whole family, on that side, a political sense which we have seen, in the admirable Princesse Clémentine, carried to its highest power, and which her son, Prince Ferdinand, has kept as a priceless inheritance. You would never have found the Prince of Bulgaria clasping Major Esterhazy to his bosom.”&#xA;&#xA;    “He would have preferred a private soldier,” murmured Mme. de Guermantes, who often met the Bulgarian monarch at dinner at the Prince de Joinville’s, and had said to him once, when he asked if she was not envious: “Yes, Sir, of your bracelets.”&#xA;&#xA;    “You aren’t going to Mme. de Sagan’s ball this evening?” M. de Norpois asked Mme. de Villeparisis, to cut short his conversation with Bloch. My friend had not failed to interest the Ambassador, who told us afterwards, not without a quaint simplicity, thinking no doubt of the traces that survived in Bloch’s speech of the neo-Homeric manner which he had on the whole outgrown: “He is rather amusing, with that way of speaking, a trifle old fashioned, a trifle solemn. You expect him to come out with ‘The Learned Sisters,’ like Lamartine or Jean-Baptiste Rousseau. It has become quite uncommon in the youth of the present day, as it was indeed in the generation before them. We ourselves were inclined to be romantic.” But however exceptional his companion may have seemed to him, M. de Norpois decided that the conversation had lasted long enough.&#xA;&#xA;    “No, sir, I don’t go to balls any more,” she replied with a charming grandmotherly smile. “You’re going, all of you, I suppose? You’re the right age for that sort of thing,” she added, embracing in a comprehensive glance M. de Châtellerault, his friend and Bloch. “Still, I was asked,” she went on, pretending, just for fun, to be flattered by the distinction. “In fact, they came specially to ask me.” (‘They’ being the Princesse de Sagan.)&#xA;&#xA;    “I haven’t had a card,” said Bloch, thinking that Mme. de Villeparisis would at once offer to procure him one, and that Mme. de Sagan would be glad to see at her ball the friend of a woman whom she had called in person to invite.&#xA;&#xA;   The Marquise made no reply, and Bloch did not press the point, for he had another, more serious matter to discuss with her, and, with that in view, had already asked her whether he might call again in a couple of days. Having heard the two young men say that they had both just resigned from the Rue Royale Club, which was letting in every Tom, Dick and Harry, he wished to ask Mme. de Villeparisis to arrange for his election there.&#xA;&#xA;    “Aren’t they rather bad form, rather stuck-up snobs, these Sagans?” he inquired in a tone of sarcasm.&#xA;&#xA;    “Not at all, they’re the best we can do for you in that line,” M. d’Argencourt, who adopted all the catch-words of Parisian society, assured him.&#xA;&#xA;    “Then,” said Bloch, still half in irony, “I suppose it’s one of the solemnities, the great social fixtures of the season.”&#xA;&#xA;   Mme. de Villeparisis turned merrily to Mme. de Guermantes.&#xA;&#xA;    “Tell us, is it a great social solemnity, Mme. de Sagan’s ball?”&#xA;&#xA;    “It’s no good asking me,” answered the Duchess, “I have never yet succeeded in finding out what a social solemnity is. Besides, society isn’t my strong point.”&#xA;&#xA;    “Indeed; I thought it was just the other way,” said Bloch, who supposed Mme. de Guermantes to be speaking seriously.&#xA;&#xA;   He continued, to the desperation of M. de Norpois, to ply him with questions about the Dreyfus case. The Ambassador declared that, looking at it from outside, he got the impression from du Paty de Clam of a somewhat cloudy brain, which had perhaps not been very happily chosen to conduct that delicate operation, which required so much coolness and discernment, a judicial inquiry.&#xA;&#xA;    “I know that the Socialist Party are crying aloud for his head on a charger, as well as for the immediate release of the prisoner from the Devil’s Isle. But I think that we are not yet reduced to the necessity of passing the Caudine Forks of MM. Gérault-Richard and Company. So far, the whole case has been an utter mystery, I don’t say that on one side just as much as on the other there has not been some pretty dirty work to be hushed up. That certain of your client’s more or less disinterested protectors may have the best intentions I will not attempt to deny, but you know that heaven is paved with such things,” he added, with a look of great subtlety. “It is essential that the Government should give the impression that they are not in the hands of the factions of the Left, and that they are not going to surrender themselves, bound hand and foot, at the demand of some pretorian guard or other, which, believe me, is not the same thing as the Army. It stands to reason that, should any fresh evidence come to light, a new trial would be ordered. And what follows from that? Obviously, that to demand a new trial is to force an open door. When the day comes, the Government will speak with no uncertain voice or will let fall into abeyance what is their essential prerogative. Cock and bull stories will no longer be enough. We must appoint judges to try Dreyfus. And that will be an easy matter because, although we have acquired the habit, in our sweet France, where we love to belittle ourselves, of thinking or letting it be thought that, in order to hear the words Truth and Justice, it is necessary to cross the Channel, which is very often only a roundabout way of reaching the Spree, there are judges to be found outside Berlin. But once the machinery of Government has been set in motion, will you have ears for the voice of authority? When it bids you perform your duty as a citizen will you have ears for its voice, will you take your stand in the ranks of law and order? When its patriotic appeal sounds, will you have the wisdom not to turn a deaf ear but to answer: ‘Present!’?”&#xA;&#xA;   M. de Norpois put these questions to Bloch with a vehemence which, while it alarmed my friend, flattered him also; for the Ambassador spoke to him with the air of one addressing a whole party, questioned him as though he had been in the confidence of that party and might be held responsible for the decisions which it would adopt. “Should you fail to disarm,” M. de Norpois went on, without waiting for Bloch’s collective answer, “should you, before even the ink had dried on the decree ordering the fresh trial of the case, obeying it matters not what insidious word of command, fail, I say, to disarm, and band yourselves, rather, in a sterile opposition which seems to some minds the ultima ratio of policy, should you retire to your tents and burn your boats, you would be doing so to your own, damnation. Are you the prisoners of those who foment disorder? Have you given them pledges?” Bloch was in doubt how to answer. M. de Norpois gave him no time. “If the negative be true, as I should like to think, and if you have a little of what seems to me to be lamentably lacking in certain of your leaders and your friends, namely political sense, then, on the day when the Criminal Court assembles, if you do not allow yourselves to be dragooned by the fishers in troubled waters, you will have won your battle. I do not guarantee that the whole of the General Staff is going to get away unscathed, but it will be so much to the good if some of them at least can save their faces without setting the heather on fire.&#xA;&#xA;    “It stands to reason, moreover, that it is with the Government that it rests to pronounce judgment, and to close the list — already too long — of unpunished crimes, not certainly at the bidding of Socialist agitators, nor yet of any obscure military mouthpiece,” he added, looking Bloch boldly in the face, perhaps with the instinct that leads all Conservatives to establish support for themselves in the enemy’s camp. “Government action is not to be dictated by the highest bidder, from wherever the bid may come. The Government are not, thank heaven, under the orders of Colonel Driant, nor, at the other end of the scale, under M. Clemenceau’s. We must curb the professional agitators and prevent them from raising their heads again. France, the vast majority here in France, desires only to be allowed to work in orderly conditions. As to that, there can be no question whatever. But we must not be afraid to enlighten public opinion; and if a few sheep, of the kind our friend Rabelais knew so well, should dash headlong into the water, it would be as well to point out to them that the water in question was troubled, that it had been troubled deliberately by an agency not within our borders, in order to conceal the dangers lurking in its depths. And the Government ought not to give the impression that they are emerging from their passivity in self-defence when they exercise the right which is essentially their own, I mean that of setting the wheels of justice in motion. The Government will accept all your suggestions. If it is proved that there has been a judicial error, they can be sure of an overwhelming majority which would give them room to act with freedom.”&#xA;&#xA;    “You, sir,” said Bloch, turning to M. d’Argencourt, to whom he had been made known, with the rest of the party, on that gentleman’s arrival, “you are a Dreyfusard, of course; they all are, abroad.”&#xA;&#xA;    “It is a question that concerns only the French themselves, don’t you think?” replied M. d’Argencourt with that peculiar form of insolence which consists in ascribing to the other person an opinion which one must, obviously, know that he does not hold since he has just expressed one directly its opposite.&#xA;&#xA;   Bloch coloured; M. d’Argencourt smiled, looking round the room, and if this smile, so long as it was directed at the rest of the company, was charged with malice at Bloch’s expense, it became tempered with cordiality when finally it came to rest on the face of my friend, so as to deprive him of any excuse for annoyance at the words which he had heard uttered, though those words remained just as cruel. Mme. de Guermantes murmured something to M. d’Argencourt which I could not hear, but which must have referred to Bloch’s religion, for there flitted at that moment over the face of the Duchess that expression to which one’s fear of being noticed by the person of whom one is speaking gives a certain hesitancy and unreality, while there is blended with it the inquisitive, malicious amusement inspired in one by a group of human beings to which one feels oneself to be fundamentally alien. To retrieve himself, Bloch turned to the Duc de Châtellerault. “You, sir, as a Frenchman, you must be aware that people abroad are all Dreyfusards, although everyone pretends that in prance we never know what is going on abroad. Anyhow, I know Ï can talk freely to you; Saint-Loup told me so.” But the young Duke, who felt that every one was turning against Bloch, and was a coward as people often are in society, employing a mordant and precious form of wit which he seemed, by a sort of collateral atavism, to have inherited from M. de Charlus, replied: “You must not ask me, sir, to discuss the Dreyfus case with you; it is a subject which, on principle, I never mention except to Japhetics.” Everyone smiled, except Bloch, not that he was not himself in the habit of making scathing references to his Jewish origin, to that side of his ancestry which came from somewhere near Sinai. But instead of one of these epigrams (doubtless because he had not one ready) the operation of the internal machine brought to Bloch’s lips something quite different. And we caught only: “But how on earth did you know? Who told you?” as though he had been the son of a convict. Whereas, given his name, which had not exactly a Christian sound, and his face, his surprise argued a certain simplicity of mind.&#xA;&#xA;   What M. de Norpois had said not having completely satisfied him, he went up to the librarian and asked him whether Mme. de Villeparisis did not sometimes have in her house M. du Paty de Clam or M. Joseph Reinach. The librarian made no reply; he was a Nationalist, and never ceased preaching to the Marquise that the social revolution might break out at any moment, and that she ought to shew more caution in the choice of her friends. He asked himself whether Bloch might not be a secret emissary of the Syndicate, come to collect information, and went off at once to repeat to Mme. de Villeparisis the questions that Bloch had put to him. She decided that, at the best, he was ill-bred and might be in a position to compromise M. de Norpois. Also, she wished to give satisfaction to the librarian, the only person of whom she went in fear, by whom she was being indoctrinated, though without any marked success (every morning he read her M. Judet’s article in the Petit Journal). She decided, therefore, to make it plain to Bloch that he need not come to the house again, and had no difficulty in finding, among her social repertory, the scene by which a great lady shows anyone her door, a scene which does not in any way involve the raised finger and blazing eyes that people imagine. As Bloch came up to her to say good-bye, buried in her deep armchair, she seemed only half-awakened from a vague somnolence. Her sunken eyes gleamed with only the feeble though charming light of a pair of pearls. Bloch’s farewell, barely pencilling on the Marquise’s face a languid smile, drew from her not a word, nor did she offer him her hand. This scene left Bloch in utter bewilderment, but as he was surrounded by a circle of spectators he felt that it could not be prolonged without disadvantage to himself, and, to force the Marquise, the hand which she had made no effort to take he himself thrust out at her. Mme. de Villeparisis was startled. But doubtless, while still bent upon giving an immediate satisfaction to the librarian and the anti-Dreyfusard clan, she wished at the same time to provide for the future, and so contented herself with letting her eyelids droop over her closing eyes.&#xA;&#xA;    “I believe she’s asleep,” said Bloch to the librarian who, feeling that he had the support of the Marquise, assumed an indignant air. “Good-bye madame,” snouted Bloch.&#xA;&#xA;   The old lady made the slight movement with her lips of a dying woman who wants to open her mouth but whose eye can no longer recognise people. Then she turned, overflowing with a restored vitality, to M. d’Argencourt, while Bloch left the room, convinced that she must be ‘soft’ in the head. Full of curiosity and anxious to have more light thrown upon so strange an incident, he came to see lier again a few days later. She received him in the most friendly fashion, because she was a good-natured woman, because the librarian was not there, because she had in mind the little play which Bloch was going to produce for her, and finally because she had acted once and for all the little scene of the indignant lady that she had wished to act, a scene that had been universally admired and discussed the same evening in various drawing-rooms, but in a version which had already ceased to bear any resemblance to the truth.&#xA;&#xA;    “You were speaking just now of the Seven Princesses, Duchess; you know (not that it’s anything to be proud of) that the author of that — what shall I call it? — that production is a compatriot of mine,” said M. d’Argencourt with a fine scorn blended with satisfaction at knowing more than anyone else in the room about the author of a work which had been under discussion. “Yes, he’s a Belgian, by nationality,” he went on.&#xA;&#xA;    “Indeed! No, we don’t accuse you of any responsibility for the Seven Princesses. Fortunately for yourself and your compatriots you are not like the author of that absurdity. I know several charming Belgians, yourself, your King, who is inclined to be shy, but full of wit, my Ligne cousins, and heaps of others, but you, I am thankful to say, do not speak the same language as the author of the Seven Princesses. Besides, if you want to know, it’s not worth talking about, because really there is absolutely nothing in it. You know the sort of people who are always trying to seem obscure, and even plan to make themselves ridiculous to conceal the fact that they have not an idea in their heads. If there was anything behind it all, I may tell you that I’m not in the least afraid of a little daring,” she added in a serious tone, “provided that there is some idea in it. I don’t know if you’ve seen Borelli’s piece. Some people seem to have been shocked by it, but I must say, even if they stone me through the streets for saying it,” she went on, without stopping to think that she ran no very great risk of such a punishment, “I found it immensely interesting. But theSeven Princesses! It’s all very well, one of them having a fondness for my nephew, I cannot carry family feeling quite . . . ”&#xA;&#xA;   The Duchess broke off abruptly, for a lady came in who was the Comtesse de Marsantes, Robert’s mother. Mme. de Marsantes was regarded in the Faubourg Saint-Germain as a superior being, of a goodness, a resignation that were positively angelic. So I had been told, and had had no particular reason to feel surprised, not knowing at the same time that she was the sister of the Duc de Guermantes. Later, I have always been taken aback, whenever I have learned that such women, melancholy, pure, victimised, venerated like the ideal forms of saints in church windows, had flowered from the same genealogical stem as brothers brutal, debauched and vile. Brothers and sisters, when they are closely alike in features as were the pue de Guermantes and Mme. de Marsantes, ought (I felt) to have a single intellect in common, the same heart, as a person would have who might vary between good and evil moods but in whom one could not, for all that, expect to find a vast breadth of outlook if he had a narrow mind, or a sublime abnegation if his heart was hard.&#xA;&#xA;   Mme. de Marsantes attended Brunetière’s lectures. She fascinated the Faubourg Saint-Germain and, by her saintly life, edified it as well. But the morphological link of handsome nose and piercing gaze led one, nevertheless, to classify Mme. de Marsantes in the same intellectual and moral family as her brother the Duke. I could not believe that the mere fact of her being a woman, and perhaps those of her having had an unhappy life and won everyone’s sympathy, could make a person be so different from the rest of her family, as in the old romances, where all the virtues and graces are combined in the sister of wild and lawless brothers. It seemed to me that nature, less unconventional than the old poets, must make use almost exclusively of the elements common to the family, and I was unable to credit her with enough power of invention to construct, out of materials analogous to those that composed a fool and clod, a lofty mind without the least strain of clownishness, a saint unsoiled by any brutality. Mme. de Marsantes was wearing a gown of white surah embroidered with large palms, on which stood out flowers of a different material, these being black. This was because, three weeks earlier, she had lost her cousin, M. de Montmorency, a bereavement which did not prevent her from paying calls or even from going to small dinners, but always in mourning. She was a great lady. Atavism had filled her with the frivolity of generations of life at court, with all the superficial, rigorous duties that that implies. Mme. de Marsantes had not had the strength of character to regret for any length of time the death of her father and mother, but she would not for anything in the world have appeared in colours in the month following that of a cousin. She was more than pleasant to me, both because I was Robert’s friend and because I did not move in the same world as he. This pleasantness was accompanied by a pretence of shyness, by that sort of intermittent withdrawal of the voice, the eyes, the mind which a woman draws back to her like a skirt that has indiscreetly spread, so as not to take up too much room, to remain stiff and erect even in her suppleness, as a good upbringing teaches. A good upbringing which must not, however, be taken too literally, many of these ladies passing very swiftly into a complete dissolution of morals without ever losing the almost childlike correctness of their manners. Mme. de Marsantes was a trifle irritating in conversation since, whenever she had occasion to speak of a plebeian, as for instance Bergotte or Elstir, she would say, isolating the word, giving it its full value, intoning it on two different notes with a modulation peculiar to the Guermantes: “I have had the honour, the great hon-our of meeting Monsieur Bergotte,” or “of making the acquaintance of Monsieur Elstir” whether that her hearers might marvel at her humility or from the sam tendency that Mme. de Guermantes shewed to revert to the use of obsolete forms, as a protest against the slovenly usages of the present day, in which people never professed themselves sufficiently ‘honoured.’ Whichever Of these was the true reason, one felt that when Mme. de Marsantes said: “I have had the honour, the great hon-our,” she felt she was playing an important part and shewing that she could take in the names of distinguished men as she would have welcomed the men themselves at her home in the country, had they happened to be in the neighbourhood. On the other hand as her family connexion was numerous, as she was devoted to all her relatives, as, slow in speech and fond of explaining things at length, she was always trying to make clear the exact degree of kinship, she found herself (without any desire to create an effect and without really caring to talk about anyone except touching peasants and sublime gamekeepers) referring incessantly to all the mediatised houses in Europe, a failing which people less brilliantly connected than herself could not forgive, and, if they were at all intellectual, derided as a sign of stupidity.&#xA;&#xA;   In the country, Mme. de Marsantes was adored for the good that she did, but principally because the purity of a strain of blood into which for many generations there had flowed only what was greatest in the history of France had taken from her manner everything that the lower orders call ‘manners,’ and had given her a perfect simplicity. She never shrank from kissing a poor woman who was in trouble, and would tell her to come up to the castle for a cartload of wood. She was, people said, the perfect Christian. She was determined to find an immensely rich wife for Robert. Being a great lady means playing the great lady, that is to say, to a certain extent, playing at simplicity. It is a pastime which costs an extremely high price, all the more because simplicity charms people only on condition that they know that you are not bound to live simply, that is to say that you are very rich. Some one said to me afterwards, when I had told him of my meeting her: “You saw of course that she must have been lovely as a young woman.” But true beauty is so individual, so novel always, that one does not recognise it as beauty. I said to myself this afternoon only that she had a tiny nose, very blue eyes, a long neck and a sad expression.&#xA;&#xA;    “Listen,” said Mme. de Villeparisis to the Duchesse de Guermantes, “I’m expecting a woman at any moment whom you don’t wish to know. I thought I’d better warn you, to avoid any unpleasantness. But you needn’t be afraid, I shall never have her here again, only I was obliged to let her come to-day. It’s Swann’s wife.”&#xA;&#xA;   Mme. Swann, seeing the dimensions that the Dreyfus case had begun to assume, and fearing that her husband’s racial origin might be used against herself, had besought him never again to allude to the prisoner’s innocence. When he was not present she went farther and used to profess the most ardent Nationalism; in doing which she was only following the example of Mme. Verdurin, in whom a middle-class anti-semitism, latent hitherto, had awakened and grown to a positive fury. Mme. Swann had won by this attitude the privilege of membership in several of the women’s leagues that were beginning to be formed in anti-semitic society, and had succeeded in making friends with various members of the aristocracy. It may seem strange that, so far from following their example, the Duchesse de Guermantes, so close a friend of Swann, had on the contrary always resisted his desire, which he had not concealed from her, to introduce to her his wife. But we shall see in due course that this arose from the peculiar nature of the Duchess, who held that she was not ‘bound to’ do things, and laid down with despotic force what had been decided by her social ‘free will,’ which was extremely arbitrary.&#xA;&#xA;    “Thank you for telling me,” said the Duchess. “It would indeed be most unpleasant. But as I know her by sight I shall be able to get away in time.”&#xA;&#xA;    “I assure you, Oriane, she is really quite nice; an excellent woman,” said Mme. de Marsantes.&#xA;&#xA;    “I have no doubt she is, but I feel no need to assure myself of it.”&#xA;&#xA;    “Have you been invited to Lady Israels’s?” Mme. de Villeparisis asked the Duchess, to change the conversation.&#xA;&#xA;    “Why, thank heaven, I don’t know the woman,” replied Mme. de Guermantes. “You must ask Marie-Aynard. She knows her. I never could make out why.”&#xA;&#xA;    “I did indeed know her at one time,” said Mme. de Marsantes. “I confess my faults. But I have decided not to know her any more. It seems she’s one of the very worst of them, and makes no attempt to conceal it. Besides, we have all been too trusting, too hospitable. I shall never go near anyone of that race again. While we had old friends, country cousins, people of our own flesh and blood on whom we shut our doors, we threw them open to Jews. And now we see what thanks we get from them. But I’ve no right to speak; I have an adorable son, and, like a young fool, he says and does all the maddest things you can imagine,” she went on, having caught some allusion by M. d’Argencourt to Robert. “But, talking of Robert, haven’t you seen him?” she asked Mme. de Villeparisis; “being Saturday, I thought he’d be coming to Paris on leave, and in that case he would be sure to pay you a visit.”&#xA;&#xA;   As a matter of fact Mme. de Marsantes thought that her son would not obtain leave that week; but knowing that, even if he did, he would never dream of coming to see Mme. de Villeparisis, she hoped, by making herself appear to have expected to find him in the room, to procure his forgiveness from her susceptible aunt for all the visits that he had failed to pay her.&#xA;&#xA;    “Robert here! But I have never had a single word from him; I don’t think I’ve seen him since Balbec.”&#xA;&#xA;    “He is so busy; he has so much to do,” pleaded Mme. de Marsantes.&#xA;&#xA;   A faint smile made Mme. de Guermantes’s eyelashes quiver as she studied the circle which, with the point of her sunshade, she was tracing on the carpet. Whenever the Duke had been too openly unfaithful to his wife, Mme. de Marsantes had always taken up the cudgels against her own brother on her sister-in-law’s behalf. The latter had a grateful and bitter memory of this protection, and was not herself seriously shocked by Robert’s pranks. At this point the door opened again and Robert himself entered the room.&#xA;&#xA;    “Well, talk of the Saint!” said Mme. de Guermantes.&#xA;&#xA;   Mme. de Marsantes, who had her back to the door, had not seen her son come in. When she did catch sight of him, her motherly bosom was convulsed with joy, as by the beating of a wing, her body half rose her seat, her face quivered and she fastened on Robert eyes big astonishment.&#xA;&#xA;    “What! You’ve come! How delightful! What a surprise!”&#xA;&#xA;    “Ah! Talk of the Saint! — I see,” cried the Belgian diplomat, with a shout of laughter.&#xA;&#xA;    “Delicious, ain’t it?” came tartly from the Duchess, who hated puns and had ventured on this one only with a pretence of making fun of herself.&#xA;&#xA;    “Good afternoon, Robert,” she said, “I believe he’s forgotten his aunt.”&#xA;&#xA;   They talked for a moment, probably about myself, for as Saint-Loup was leaving her to join his mother Mme. de Guermantes turned to me:&#xA;&#xA;    “Good afternoon; how are you?” was her greeting.&#xA;&#xA;   She allowed to rain on me the light of her azure gaze, hesitated for a moment, unfolded and stretched towards me the stem of her arm, leaned forward her body which sprang rapidly backwards like a bush that has been pulled down to the ground and, on being released, returns to its natural position. Thus she acted under the fire of Saint-Loup’s eyes, which kept her under observation and were making frantic efforts to obtain some further concession still from his aunt. Fearing that our conversation might fail altogether, he joined in, to stimulate it, and answered for me:&#xA;&#xA;    “He’s not very well just now, he gets rather tired; I think he would be a great deal better, by the way, if he saw you more often, for I can’t help telling you that he admires you immensely.”&#xA;&#xA;    “Oh, but that’s very nice of him,” said Mme. de Guermantes in a deliberately casual tone, as if I had brought her her cloak. “I am most flattered.”&#xA;&#xA;    “Look, I must go and talk to my mother for a minute; take my chair,” said Saint-Loup, thus forcing me to sit down next to his aunt.&#xA;&#xA;   We were both silent.&#xA;&#xA;    “I see you sometimes in the morning,” she said, as though she were telling me something that I did not know, and I for my part had never seen her. “It’s so good for one, a walk.”&#xA;&#xA;    “Oriane,” began Mme. de Marsantes in a low tone, “you said you were going on to Mme. de Saint-Ferréol’s; would you be so very kind as to tell her not to expect me to dinner, I shall stay at home now that I’ve got Robert. And one other thing, but I hardly like to ask you, if you would leave word as you pass to tell them to send out at once for a box of the cigars Robert likes. ‘Corona,’ they’re called. I’ve none in the house.”&#xA;&#xA;   Robert came up to us; he had caught only the name of Mme. de Saint-Ferréol.&#xA;&#xA;    “Who in the world is Mme. de Saint-Ferréol?” he inquired, in a sur — prised but decisive tone, for he affected a studied ignorance of everything to do with society.&#xA;&#xA;    “But, my dear boy, you know quite well,” said his mother. “She’s Vermandois’s sister. It was she gave you that nice billiard table you liked so much.”&#xA;&#xA;    “What, she’s Vermandois’s sister, I had no idea of that. Really, my family are amazing,” he went on, turning so as to include me in the conversation and adopting unconsciously Bloch’s intonation just as he borrowed his ideas, “they know the most unheard-of people, people called Saint-Ferréol” (emphasising the final consonant of each word) “and names like that; they go to balls, they drive in victorias, they lead a fabulous existence. It’s prodigious.”&#xA;&#xA;   Mme. de Guermantes made in her throat a slight, short, sharp sound, as of an involuntary laugh which one chokes back, meaning thereby to shew that she paid just as much tribute as the laws of kinship imposed on her to her nephew’s wit. A servant came in to say that the Prince von Faffenheim-Munsterburg-Weinigen had sent word to M. de Norpois that he was waiting.&#xA;&#xA;    “Bring him in, sir,” said Mme. de Villeparisis to the old Ambassador, who started in quest of the German Minister.&#xA;&#xA;    “Stop, sir; do you think I ought to shew him the miniature of the Empress Charlotte?”&#xA;&#xA;    “Why, I’m sure he’ll be delighted,” said the Ambassador in a tone of conviction, and as though he were envying the fortunate Minister the favour that was in store for him.&#xA;&#xA;    “Oh, I know he’s very sound,” said Mme. de Marsantes, “and that is so rare among foreigners. But I’ve found out all about him. He is anti-semitism personified.”&#xA;&#xA;   The Prince’s name preserved in the boldness with which its opening syllables were — to borrow an expression from music — attacked, and in the stammering repetition that scanned them, the impulse, the mannered simplicity, the heavy delicacies of the Teutonic race, projected like green boughs over the ‘heim’ of dark blue enamel which glowed with the mystic light of a Rhenish window behind the pale and finely wrought gildings of the German eighteenth century. This name included, among the several names of which it was composed, that of a little German watering-place to which as a child I had gone with my grandmother, at the foot of a mountain honoured by the feet of Goethe, from the vineyards of which we used to drink, at the Kurhof, their illustrious vintages with elaborate and sonorous names, like the epithets which Homer applies to his heroes. And so, scarcely had I heard the Prince’s name spoken than, before I had recalled the watering-place, the name itself seemed to shrink, to grow rich with humanity, to find large enough a little place in my memory to which it clung, familiar, earth to earth, picturesque, savoury, light, with something about it, too, that was authorised, prescribed. And then, M. de Guermantes, in explaining who the Prince was, quoted a number of his titles, and I recognised the name of a village threaded by the river on which, every evening, my cure finished for the day, I used to go in a boat amid the mosquitoes, and that of a forest so far away that the doctor would not allow me to make the excursion to it. And indeed it was comprehensible that the suzerainty of the lord extended to the surrounding places and associated afresh in the enumeration of his titles the names which one could read, close together, upon a map. Thus beneath the visor of the Prince of the Holy Roman Empire and Knight of Franconia it was the face of a dear and smiling land, on which had often lingered for me the light of the six-o’clock sun, that I saw, at any rate before the Prince, Rheingraf and Elector Palatine had entered the room. For I speedily learned that the revenues which he drew from the forest and river, peopled with gnomes and undines, and from the enchanted mountain on which rose the ancient Burg that cherished memories of Luther and Lewis the Germanic, he employed in keeping five Charron motor-cars, a house in Paris and one in London, a box on Mondays at the Opera and another for the ‘Tuesdays’ at the ‘Français.’ He did not seem to me, nor did he seem to regard himself as different from other men of similar fortune and age who had a less poetic origin. He had their culture, their ideals, he was proud of his rank, but purely on account of the advantages it conferred on him, and had now only one ambition in life, to be elected a Corresponding Member of the Academy of Moral and Political Sciences, which was the reason of his coming to see Mme. de Villeparisis. If he, whose wife was a leader of the most exclusive set in Berlin, had begged to be introduced to the Marquise, it was not the result of any desire on his part for her acquaintance. Devoured for years past by this ambition to be elected to the Institute, he had unfortunately never been in a position to reckon above five the number of Academicians who seemed prepared to vote for him. He knew that M. de Norpois could by himself dispose of at least ten others, a number which he was capable, by skilful negotiations, of increasing still further. And so the Prince, who had known him in Russia when they were both there as Ambassadors, had gone to see him and had done everything in his power to win him over. But in vain might he multiply his friendly overtures, procure for the Marquis Russian decorations, quote him in articles on foreign politics; he had had before him an ingrate, a man in whose eyes all these attentions appeared to count as nothing, who had not advanced the prospects of his candidature one inch, had not even promised him his own vote. No doubt M. de Norpois received him with extreme politeness, indeed begged that he would not put himself out and “take the trouble to come so far out of his way,” went himself to the Prince’s residence, and when the Teutonic Knight had launched his: “I should like immensely to be your colleague,” replied in a tone of deep emotion: “Ah! I should be most happy!” And no doubt a simpleton, a Dr. Cottard would have said to himself: “Well, here he is in my house; it was he who insisted on coming, because he regards me as a more important person than himself; he tells me that he would be happy to see me in the Academy; words do have some meaning after all, damn it, probably if he doesn’t offer to vote for me it is because it hasn’t occurred to him. He lays so much stress on my great influence; presumably he imagines that larks drop into my mouth ready roasted, that I have all the support I want, and that is why he doesn’t offer me his; but I have only got to get him with his back to the wall, and just say to him quietly: ‘Very well, vote for me, will you?’ and he will be obliged to do it.”&#xA;&#xA;   But Prince von Faffenheim was no simpleton. He was what Dr. Cottard would have called ‘a fine diplomat’ and he knew that M. de Norpois was no less fine a one than himself, nor a man who would have failed to realise without needing to be told that he could confer a favour on a candidate by voting for him. The Prince, in his Embassies and as Foreign Minister, had conducted, on his country’s behalf instead of, as in the present instance, his own, many of those conversations in which one knows beforehand just bow far one is prepared to go and at what point one will decline to commit oneself. He was not unaware that, in this diplomatic language, to talk meant to offer. And it was for this reason that he had arranged for M. de Norpois to receive the Cordon of Saint Andrew. But if he had had to report to his Government the conversation which he had subsequently had with M. de Norpois, he would have stated in his dispatch: “I realised that I had gone the wrong way to work.” For as soon as he had returned to the subject of the Institute, M. de Norpois had repeated:&#xA;&#xA;    “I should like nothing better; nothing could be better, for my colleagues. They ought, I consider, to feel genuinely honoured that you should have thought of them. It is a really interesting candidature, a little outside our ordinary course. As you know, the Academy is very conventional, it takes fright at everything which has at all a novel sound. Personally, I deplore this. How often have I had occasion to say as much to my colleagues! I cannot be sure, God forgive me, that I did not even once let the word ‘hidebound’ escape me,” he added, in an undertone, with a scandalised smile, almost aside, as in a scene on the stage, casting at the Prince a rapid, sidelong glance from his blue eyes, like a veteran actor studying the effect on his audience. “You understand, Prince, that I should not care to allow a personality so eminent as yourself to embark on a venture which was hopeless from the start. So long as my colleagues’ ideas linger so far behind the times, I consider that the wiser course will be to abstain. But you may rest assured that if I were ever to discern a mind that was a little more modern, a little more alive, shewing itself in that college, which is tending to become a mausoleum, if I could reckon upon any possible chance of your success, I should be the first to inform you of it.”&#xA;&#xA;    “The Cordon was a mistake,” thought the Prince; “the negotiations have not advanced in the least; that is not what he wanted. I have not yet laid my hand on the right key.”&#xA;&#xA;   This was a kind of reasoning of which M. de Norpois, formed in the same school as the Prince, would also have been capable. One may mock at the Pedantic silliness with which diplomats of the Norpois type go into ecstasies over some piece of official wording which is, for all practical purposes, meaningless. But their childishness has this compensation; diplomats know that, in the loaded scales which assure that European or other equilibrium which we call peace, good feeling, sounding speeches, earnest entreaties weigh very little; and that the heavy weight, the true determinant consists in something else, in the possibility which the adversary does (if he is strong enough) or does not enjoy of satisfying, in exchange for what one oneself wants, a desire. With this order of truths, which an entirely disinterested person, such as my grandmother for instance, would not have understood M. de Norpois and Prince von Faffenheim had frequently had to deal. Chargé d’Affaires in countries with which we had been within an ace of going to war, M. de Norpois, in his anxiety as to the turn which events were about to take, knew very well that it was not by the word ‘Peace,’ nor by the word ‘War’ that it would be revealed to him, but by some other, apparently commonplace word, a word of terror or blessing, which the diplomat, by the aid of his cipher, would immediately read and to which, to safeguard the honour of France, he would respond in another word, quite as commonplace, but one beneath which the Minister of the enemy nation would at once see written: ‘War.’ Moreover, in accordance with a time-honoured custom, analogous to that which gave to the first meeting between two young people promised to one another in marriage the form of a chance encounter at a performance in the Théâtre du Gymnase, the dialogue in the course of which destiny was to dictate the word ‘War’ or the word ‘Peace’ was held, as a rule, not in the ministerial sanctum but on a bench in a Kurgarten where the Minister and M. de Norpois went independently to a thermal spring to drink at its source their little tumblers of some curative water. By a sort of tacit convention they met at the hour appointed for their cure, began by taking together a short stroll which, beneath its innocent appearance, each of the speakers knew to be as tragic as an order for mobilisation. And so, in a private matter like this nomination for election to the Institute, the Prince had employed the same system of induction which had served him in his public career, the same method of reading beneath superimposed symbols.&#xA;&#xA;   And certainly it would be wrong to pretend that my grandmother and the few who resembled her would have been alone in their failure to understand this kind of calculation. For one thing, the average human being, practising a profession the lines of which have been laid down for him from the start, comes near, by his want of intuition, to the ignorance which my grandmother owed to her lofty disinterestedness. Often one has to come down to ‘kept’ persons, male or female, before one finds the hidden spring of actions or words apparently of the most innocent nature in self-interest, in the bare necessity to keep alive. What man does not know that when a woman whom he is going to pay says to him: “Don’t let’s talk about money,” the speech must be regarded as what is called in music ‘a silent beat’ and that if, later on, she declares: “You are far too much trouble; you are always keeping things from me; I’ve done with you,” he must interpret this as: “Some one else has been offering me more.” And yet this is only the language of a lady of easy virtue, not so far removed from the ladies in society. The apache furnishes more striking examples. But M. as Norpois and the German Prince, if apaches and their ways were unknown to them, had been accustomed to living on the same plane as nations, which are also, despite their greatness, creatures of selfishness and cunning, kept in order only by force, by consideration of their material interests which may drive them to murder, a murder that is often symbolic also, since its mere hesitation or refusal to fight may spell for a nation the word ‘Perish. But inasmuch as all this is not set forth in Yellow and otherwise coloured Books, the people as a whole are naturally pacific; should they be warlike, it is instinctively, from hatred, from a sense of injury, not for the reasons which have made up the mind of their ruler, on the advice of his Norpois.&#xA;&#xA;   The following winter the Prince was seriously ill; he recovered, but his heart was permanently affected.&#xA;&#xA;    “The devil!” he said to himself, “I can’t afford to lose any time over the Institute. If I wait too long, I may be dead before they elect me. That really would be unpleasant.”&#xA;&#xA;   He composed, on the foreign politics of the last twenty years, an essay for the Revue des Deux Mondes, in which he referred more than once, and in the most flattering terms, to M. de Norpois. The French diplomat called upon him to thank him. He added that he did not know how to express his gratitude. The Prince said to himself, like a man who has been trying to fit various keys into a stubborn lock: “Still not the right one!” and, feeling somewhat out of breath as he shewed M. de Norpois to the door, thought: “Damn it, these fellows will see me in my grave before letting me in. We must hurry up.”&#xA;&#xA;   That evening, he met M. de Norpois again at the Opera.&#xA;&#xA;    “My dear Ambassador,” he began to him, “you told me to-day that you did not know what you could do to prove your gratitude; it was a great exaggeration, for you owe me none, but I am going to be so indelicate as to take you at your word.”&#xA;&#xA;   M. de Norpois had no less high an esteem for the Prince’s tact than the Prince had for his. He understood at once that it was not a request that Prince von Faffenheim was about to present to him, but an offer, and with a radiant affability made ready to hear it.&#xA;&#xA;    “Well now, you will think me highly indiscreet. There are two people to whom I am greatly attached — in quite different ways, as you will understand in a moment — two people both of whom have recently settled in Paris, where they intend to remain for the future: my wife, and the Grand Duchess John. They are thinking of giving a few dinners, chiefly in honour of the King and Queen of England, and what they would have liked more than anything in the world would have been to be able to offer their guests the company of a person for whom, without knowing her, they both of them feel a great admiration. I confess that I did not know how I was going to gratify their wish when I learned just now, by the most extraordinary accident, that you were a friend of this person. I know that she lives a most retired life, and sees only a very few people —‘happy few,’ as Stendhal would say — but if you were to give me your backing, with the generosity that you have always shewn me, I am sure that she would allow you to present me to her and to convey to her the wishes of both the Grand Duchess and the Princess. Perhaps she would consent to dine with us, when the Queen of England comes, and then (one never knows) if we don’t bore her too much, to spend the Easter holidays with us at Beaulieu, at the Grand Duchess John’s. The person I allude to is called the Marquise de Villeparisis. I confess that the hope of becoming one of the frequenters of such a school of wit would console me, would make me contemplate without regret the abandoning of my attempt at the Institute. For in her house, too, I understand, there is a regular flow of intellect and brilliant talk.”&#xA;&#xA;   With an inexpressible sense of pleasure the Prince felt that the lock no longer resisted, and that at last the key was turning.&#xA;&#xA;    “Such an alternative is wholly unnecessary, my dear Prince,” replied M. de Norpois; “nothing is more in harmony with the Institute than the house you speak of, which is a regular hotbed of Academicians. I shall convey your request to Mme. la Marquise de Villeparisis: she will undoubtedly be flattered. As for her dining with you, she goes out very little and that will perhaps be more difficult to arrange. But I shall present you to her and you can plead your cause in person. You must on no account give up the Academy; to-morrow fortnight, as it happens, I shall be having luncheon, before going on with him to an important meeting, at Leroy-Beaulieu’s, without whom nobody can be elected; I had already allowed myself in conversation with him to let fall your name, with which, naturally, he was perfectly familiar. He raised certain objections. But it so happens that he requires the support of my group at the next election, and I fully intend to return to the charge; I shall tell him quite openly of the wholly cordial ties that unite us, I shall not conceal from him that, if you were to stand, I should ask all my friends to vote for you,” (here the Prince breathed a deep sigh of relief) “and he knows that I have friends. I consider that if I were to succeed in obtaining his assistance your chances would become very strong. Come that evening, at six, to Mme. de Villeparisis’s; I will introduce you to her and I can give you an account then of my conversation with him.”&#xA;&#xA;   Thus it was that Prince von Faffenheim had been led to call upon Mme. de Villeparisis. My profound disillusionment occurred when he spoke. It had never struck me that, if an epoch in history has features both particular and general which are stronger than those of a nationality, so that in a biographical dictionary with illustrations, which go so far as to include an authentic portrait of Minerva, Leibniz with his wig and ruff differs little from Marivaux or Samuel Bernard, a nationality has particular features stronger than those of a caste. In the present instance these were rendered before me not by a discourse in which I had expected, before I saw him, to hear the rustling of the elves and the dance of the kobolds, but by a transposition which certified no less plainly that poetic origin: the fact that, as he bowed, short, red, corpulent, over the hand of Mme. de Villeparisis, the Rheingraf said to her: “Aow to you too, Matame la Marquise,” in the accent of an Alsatian porter.&#xA;&#xA;    “Won’t you let me give you a cup of tea or a little of this cake; it is so good?” Mme. de Guermantes asked me, anxious to have shewn herself as friendly as possible. “I do the honours in this house just as if it was mine,” she explained in an ironical tone which gave a slightly guttural sound to her voice, as though she were trying to stifle a hoarse laugh.&#xA;&#xA;    “Sir,” said Mme. de Villeparisis to M. de Norpois, “you won’t forget that you have something to say to the Prince about the Academy?”&#xA;&#xA;   Mme. de Guermantes lowered her eyes and gave a semicircular turn to her wrist to look at the time.&#xA;&#xA;    “Gracious! I must fly at once if I’m to get to Mme. de Saint-Ferréol’s, and I’m dining with Mme. Leroi.”&#xA;&#xA;   And she rose without bidding me good-bye. She had just caught sight of Mme. Swann, who appeared considerably embarrassed at finding me in the room. She remembered, doubtless, that she had been the first to assure me that she was convinced of Dreyfus’s innocence.&#xA;&#xA;    “I don’t want my mother to introduce me to Mme. Swann,” Saint-Loup said to me. “She’s an ex-whore. Her husband’s a Jew, and she comes here to pose as a Nationalist. Hallo, here’s Uncle Palamède.”&#xA;&#xA;   The arrival of Mme. Swann had a special interest for me, due to an incident which had occurred a few days earlier and which I am obliged to record on account of the consequences which it was to have at a much later date, as the reader will learn in due course. Well, a few days before this visit to Mme. de Villeparisis, I had myself received a visitor whom I little expected, namely Charles Morel, the son (though I had never heard of his existence) of my great-uncle’s old servant. This great-uncle (he in whose house I had met the lady in pink) had died the year before. His servant had more than once expressed his intention of coming to see me; I had no idea of the object of his visit, but should have been glad to see him for I had learned from Françoise that he had a genuine veneration for my uncle’s memory and made a pilgrimage regularly to the cemetery in which he was buried. But, being obliged, for reasons of health, to retire to his home in the country, where he expected to remain for some time, he delegated the duty to his son. I was surprised to see come into my room a handsome young fellow of eighteen, dressed with expensive rather than good taste, but looking, all the same, like anything in the world except the son of a gentleman’s servant. He made a point, moreover, at the start of our conversation, of severing all connexion with the domestic class from which he sprang, by informing me, with a smile of satisfaction, that he had won the first prize at the Conservatoire. The object of his visit to me was as follows: his father, when going through the effects of my uncle Adolphe, had set aside some which, he felt, could not very well be sent to my parents but were at the same time of a nature likely to interest a young man of my age. These were the photographs of the famous actresses, the notorious courtesans whom my uncle had known, the last fading pictures of that gay life of a man about town which he divided by a watertight compartment from his family life. While young Morel was shewing them to me, I noticed that he addressed me as though he were speaking to an equal. He derived from saying ‘you’ to me as often, and ‘sir’ as seldom, as possible the pleasure natural in one whose father had never ventured, when addressing my parents, upon anything but the third person. Almost all these photographs bore an inscription such as: “To my best friend.” One actress, less grateful and more circumspect than the rest, had written: “To the best of friends,” which enabled her (so I was assured) to say afterwards that my uncle was in no sense and had never been her best friend but was merely the friend who had done the most little services for her, the friend she made use of, a good, kind man, in other words an old fool. In vain might young Morel seek to divest himself of his lowly origin, one felt that the shade of my uncle Adolphe, venerable and gigantic in the eyes of the old servant, had never ceased to hover, almost a holy vision, over the childhood and boyhood of the son. While I was turning over the photographs Charles Morel examined my room. And as I was looking for some place in which I might keep them, “How is it,” he asked me (in a tone in which the reproach had no need to find expression, so im, plicit was it in the words themselves), “that I don’t see a single photograph of your uncle in your room?” I felt the blood rise to my cheeks and stammered: “Why, I don’t believe I have such a thing.” “What, you haven’t one photograph of your uncle Adolphe, who was so devoted to you! I— will send you one of my governor’s — he has quantities of them — and I hope you will set it up in the place of honour above that chest of drawers, which came to you from your uncle.” It is true that, as I had not even a photograph of my father or mother in my room, there was nothing so very shocking in there not being one of my uncle Adolphe. But it was easy enough to see that for old Morel, who had trained his son in the same way of thinking, my uncle was the important person in the family, my parents only reflecting a diminished light from his. I was in higher favour, because my uncle used constantly to say that I was going to turn out a sort of Racine, or Vaulabelle, and Morel regarded me almost as an adopted son, as a child by election of my uncle. I soon discovered that this young man was extremely ‘pushing.’ Thus at this first meeting he asked me, being something of a composer as well and capable of setting short poems to music, whether I knew any poet who had a good position in society. I mentioned one. He did not know the work of this poet and had never heard his name, of which he made a note. Well, I found out that shortly afterwards he wrote to the poet telling him that, a fanatical admirer of his work, he, Morel, had composed a musical setting for one of his sonnets and would be grateful if the author would arrange for its performance at the Comtesse So-and-So’s. This was going a little too fast, and exposing his hand. The poet, taking offence, made no reply.&#xA;&#xA;   For the rest, Charles Morel seemed to have, besides his ambition, a strong leaning towards more concrete realities. He had noticed, as he came through the courtyard, Jupien’s niece at work upon a waistcoat, and although he explained to me only that he happened to want a fancy waistcoat at that very moment, I felt that the girl had made a vivid impression on him. He had no hesitation about asking me to come downstairs and introduce him to her, “but not as a connexion of your family, you follow me, I rely on your discretion not to drag in my father, say just a distinguished artist of your acquaintance, you know how important it is to make a good impression on tradespeople.” Albeit he had suggested to me that, not knowing him well enough to call him, he quite realised,‘dear friend,’ I might address him, before the girl, in some such terms as “not dear master, of course,.. although . . . well, if you like, dear distinguished artist,” once in the shop, I avoided ‘qualifying’ him, as Saint-Simon would have expressed it, and contented myself with reiterating his ‘you.’ He picked out from several patterns of velvet one of the brightest red imaginable and so loud that, for all his bad taste, he was never able to wear the waistcoat when it was made. The girl settled down to work again with her two ‘apprentices,’ but it struck me that the impression had been mutual, and that Charles Morel, whom she regarded as of her own ‘station’ (only smarter and richer), had proved singularly attractive to her. As I had been greatly surprised to find among the photographs which his father had sent me one of the portrait of Miss Sacripant (otherwise Odette) by Elstir, I said to Charles Morel as I went with him to the outer gate: “I don’t suppose you can tell me, but did my uncle know this lady well? I don’t see at what stage in his life I can fit her in exactly; and it interests me, because of M. Swann . . . ” “Why, if I wasn’t forgetting to tell you that my father asked me specially to draw your attention to that lady’s picture. As a matter of fact, she was ‘lunching’ with your uncle the last time you ever saw him. My father was in two minds whether to let you in. It seems you made a great impression on the wench, and she hoped to see more of you. But just at that time there was some trouble in the family, by what my father tells me, and you never set eyes on your uncle again.” He broke off with a smile of farewell, across the courtyard, at Jupien’s niece. She was watching him and admiring, no doubt, his thin face and regular features, his fair hair and sparkling eyes. I, as I gave him my hand, was thinking of Mme. Swann and saying to myself with amazement, so far apart, so different were they in my memory, that I should have henceforth to identify her with the ‘Lady in pink.’&#xA;&#xA;   M. de Charlus was not long in taking his place by the side of Mme. Swann. At every social gathering at which he appeared and, contemptuous towards the men, courted by the women, promptly attached himself to the smartest of the latter, whose garments he seemed almost to put on as an ornament to his own, the Baron’s frock coat or swallowtails made one think of a portrait by some great painter of a man dressed in black but having by his side, thrown over a chair, the brilliantly coloured cloak which he is about to wear at some costume ball. This partnership, generally with some royal lady, secured for M. de Charlus various privileges which he liked to enjoy. For instance, one result of it was that his hostesses, at theatricals or concerts, allowed the Baron alone to have a front seat, in a row of ladies, while the rest of the men were crowded together at the back of the room. And then besides, completely absorbed, it seemed, in repeating, at the top of his voice, amusing stories to the enraptured lady, M. de Charlus was dispensed from the necessity of going to shake hands with any of the others, was set free, in other words, from all social duties. Behind the scented barrier in which the beauty of his choice enclosed him, he was isolated amid a crowded drawing-room, as, in a crowded theatre or concert-hall, behind the rampart of a box; and when anyone came up to greet him, through, so to speak, the beauty of his companion, it was permissible for him to reply quite curtly and without interrupting his business of conversation with a lady. Certainly Mme. Swann was scarcely of the rank of the people with whom he liked thus to flaunt himself. But he professed admiration for her, friendship for Swann, he knew that she would be flattered by his attentions and was himself flattered at being compromised by the prettiest woman in the room.&#xA;&#xA;   Mme. de Villeparisis meanwhile was not too well pleased to receive a visit from M. de Charlus. He, while admitting serious defects in his aunt’s character, was genuinely fond of her. But every now and then, carried away by anger, by an imaginary grievance, he would sit down and write to her without making any attempt to resist his impulse, letters full of the most violent abuse, in which in made the most of trifling incidents which until then he seemed never even to have noticed. Among other examples I may instance the following, which my stay at Balbec brought to my knowledge-Mme. de Villeparisis, fearing that she had not brought enough money with her to Balbec to enable her to prolong her holiday there, and not caring since she was of a thrifty disposition and shrank from unnecessary expenditure, to have money sent to her from Paris, had borrowed three thousand francs from M. de Charlus. A month later, annoyed, for some trivial reason, with his aunt, he asked her to repay him this sum by telegraph. He received two thousand nine hundred and ninety-odd francs. Meeting his aunt a few days later in Paris, in the course of a friendly conversation, he drew her attention, with the utmost politeness, to the mistake that her banker had made when sending the money. “But there was no mistake,” replied Mme. de Villeparisis, “the money order cost six francs seventy-five.” “Oh, of course, if it was intentional, it is all right,” said M. de Charlus, “I mentioned it only in case you didn’t know, because in that case, if the bank had done the same thing with anyone who didn’t know you as well as I do, it might have led to unpleasantness.” “No, no, there was no mistake.” “After all, you were quite right,” M. de Charlus concluded easily, stooping to kiss his aunt’s hand. And in fact he bore no resentment and was only amused at this little instance of her thrift. But some time afterwards, imagining that, in a family matter, his aunt had been trying to get the better of him and had ‘worked up a regular conspiracy’ against him, as she took shelter, foolishly enough, behind the lawyers with whom he suspected her of having plotted to undo him, he had written her a letter boiling over with insolence and rage. “I shall not be satisfied with having my revenge,” he added as a postscript; “I shall take care to make you a laughing-stock. Tomorrow I shall tell everyone the story of the money order and the six francs seventy-five you kept back from me out of the three thousand I lent you; I shall disgrace you publicly.” Instead of so doing, he had gone to his aunt the next day to beg her pardon, having already regretted a letter in which he had used some really terrible language. But apart from this, to whom could he have told the story of the money order? Seeking no longer vengeance but a sincere reconciliation, now was the time for him to keep silence. But already he had repeated the story everywhere, while still on the best of terms with his aunt; he had told it without any malice, as a joke, and because he was the soul of indiscretion. He had repeated the story, but without Mme. de Villeparisis’s knowledge. With the result that, having learned from his letter that he intended to disgrace her by making public a transaction in which he had told her with his own lips that she had acted rightly, she concluded that he had been deceiving her from the first, and had lied when he pretended to be fond of her. This storm had now died down, but neither of them knew what opinion exactly the other had of her or him. This sort of intermittent quarrel is of course somewhat exceptional. Of a different order were the quarrels of Bloch and his friends. Of a dif — ferent order again were those of M. de Charlus, as we shall presently see, with people wholly unlike Mme. de Villeparisis. In spite of which we must bear in mind that the opinions which we hold of one another, our relations with friends and kinsfolk, are in no sense permanent, save in appearance, but are as eternally fluid as the sea itself. Whence all the rumours of divorce between couples who have always seemed so perfectly united and will soon afterwards speak of one another with affection, hence all the terrible things said by one friend of another from whom we supposed him to be inseparable and with whom we shall find him once more reconciled before we have had time to recover from our surprise; all the ruptures of alliances, after so short a time, between nations.&#xA;&#xA;    “I say, my uncle and Mme. Swann are getting warm over there!” remarked Saint-Loup. “And look at Mamma in the innocence of her heart going across to disturb them. To the pure all things are pure, I suppose!”&#xA;&#xA;   I studied M. de Charlus. The tuft of his grey hair, his eye, the brow of which was raised by his monocle to emit a smile, the red flowers in his buttonhole formed, so to speak, the three mobile apices of a convulsive and striking triangle. I had not ventured to bow to him, for he had given me no sign of recognition. And yet, albeit he had not turned his head in my direction, I was convinced that he had seen me; while he repeated some story to Mme. Swann, whose sumptuous, pansy-coloured cloak floated actually over the Baron’s knee, his roving eye, like that of a street hawker who is watching all the time for the ‘tecs’ to appear, had certainly explored every corner of the room and taken note of all the people who were in it. M. de Châtellerault came up to bid him good day without any indication on M. de Charlus’s face that he had seen the young Duke until he was actually standing in front of him. In this way, in fairly numerous gatherings such as this, M. de Charlus kept almost continuously on show a smile without any definite direction or particular object, which, pre-existing before the greetings of new arrivals, found itself, when these entered its zone, devoid of any indication of friendliness towards them. Nevertheless, it was obviously my duty to go across and speak to Mme. Swann. But as she was not certain whether I already knew Mme. de Marsantes and M. de Charlus, she was distinctly cold, fearing no doubt that I might ask her to introduce me to them. I then made my way to M. de Charlus, and at once regretted it, for though he could not have helped seeing me he shewed no sign whatsoever. As I stood before him and bowed I found standing out from his body, which it prevented me from approaching by the full length of his outstretched arm, a finger widowed, one would have said, of an episcopal ring, of which he appeared to be offering, for the kiss of the faithful, the consecrated site, and I was made to appear to have penetrated, without leave from the Baron and by an act of trespass for which he would hold me permanently responsible, the anonymous and vacant dispersion of his smile. This coldness was hardly of a kind to encourage Mme. Swann to melt from hers.&#xA;&#xA;    “How tired and worried you look,” said Mme. de Marsantes to her son who had come up to greet M. de Charlus.&#xA;&#xA;   And indeed the expression in Robert’s eyes seemed every minute to reach a depth from which it rose at once like a diver who has touched bottom This bottom which hurt Robert so when he touched it that he left it at once, to return to it a moment later, was the thought that he had quarrelled with his mistress.&#xA;&#xA;    “Never mind,” his mother went on, stroking his cheek, “never mind; it’s good to see my little boy again.”&#xA;&#xA;   But this show of affection seeming to irritate Robert, Mme. de Marsantes led her son away to the other end of the room where in an alcove hung with yellow silk a group of Beauvais armchairs massed their violet-hued tapestries like purple irises in a field of buttercups. Mme. Swann, finding herself alone and having realised that I was a friend of Saint-Loup, beckoned to me to come and sit beside her. Not having seen her for so long I did not know what to talk to her about. I was keeping an eye on my hat, among the crowd of hats that littered the carpet, and I asked myself with a vague curiosity to whom one of them could belong which was not that of the Duc de Guermantes and yet in the lining of which a capital ‘G’ was surmounted by a ducal coronet. I knew who everyone in the room was, and could not think of anyone whose hat this could possibly be.&#xA;&#xA;    “What a pleasant man M. de Norpois is,” I said to Mme. Swann, looking at the Ambassador. “It is true, Robert de Saint-Loup says he’s a pest, but . . . ”&#xA;&#xA;    “He is quite right,” she replied.&#xA;&#xA;   Seeing from her face that she was thinking of something which she was keeping from me, I plied her with questions. For the satisfaction of appearing to be greatly taken up by some one in this room where she knew hardly anyone, she took me into a corner.&#xA;&#xA;    “I am sure this is what M. de Saint-Loup meant,” she began, “but you must never tell him I said so, for he would think me indiscreet, and I value his esteem very highly; I am an ‘honest Injun,’ don’t you know. The other day, Charlus was dining at the Princesse de Guermantes’s; I don’t know how it was, but your name was mentioned. M. de Norpois seems to have told them — it’s all too silly for words, don’t go and worry yourself to death over it, nobody paid any attention, they all knew only too well the mischievous tongue that said it — that you were a hypocritical little flatterer.”&#xA;&#xA;   I have recorded a long way back my stupefaction at the discovery that a friend of my father, such as M. de Norpois was, could have expressed himself thus in speaking of me. I was even more astonished to learn that my emotion on that evening long ago when I had asked him about Mme. Swann and Gilberte was known to the Princesse de Guermantes, whom I imagined never to have heard of my existence. Each of our actions, our words, our attitudes is cut off from the ‘world,’ from the people who have not directly perceived it, by a medium the permeability of which is of infinite variation and remains unknown to ourselves; having learned by experience that some important utterance which we eagerly hoped would be disseminated (such as those so enthusiastic speeches which I used at one time to make to all comers and on every occasion on the subject of Mme. Swann) has found itself, often simply on account of our anxiety, immediately hidden under a bushel, how immeasurably less do we suppose that some tiny word, which we ourselves have forgotten, or else a word never ottered by us but formed on its course by the imperfect refraction of a different word, can be transported without ever halting for any obstacle to infinite distances — in the present instance to the Princesse de Guermantes — and succeed in diverting at our expense the banquet of the gods. What we actually recall of our conduct remains unknown to our nearest neighbour; what we have forgotten that we ever said, or indeed what we never did say, flies to provoke hilarity even in another planet, and the image that other people form of our actions and behaviour is no more like that which we form of them ourselves, than is like an original drawing a spoiled copy in which, at one point, for a black line, we find an empty gap, and for a blank space an unaccountable contour. It may be, all the same, that what has not been transcribed is some non-existent feature which we behold merely in our purblind self-esteem, and that what seems to us added is indeed a part of ourselves, but so essential a part as to have escaped our notice. So that this strange print which seems to us to have so little resemblance to ourselves bears sometimes the same stamp of truth, scarcely flattering, indeed, but profound and useful, as a photograph taken by X-rays. Not that that is any reason why we should recognise ourselves in it. A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you shew him their radiograph, will have, face to face with that rosary of bones, labelled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: “Dromedary resting.” Later on, this discrepancy between our portraits, according as it was our own hand that drew them or another, I was to register in the case of others than myself, living placidly in the midst of a collection of photographs which they themselves had taken while round about them grinned frightful faces, invisible to them as a rule, but plunging them in stupor if an accident were to reveal them with the warning: “This is you.”&#xA;&#xA;   A few years earlier I should have been only too glad to tell Mme. Swann in what connexion I had fawned upon M. de Norpois, since the connexion had been my desire to know her. But I no longer felt this desire, I was no longer in love with Gilberte. On the other hand I had not succeeded in identifying Mme. Swann with the lady in pink of my childhood. Accordingly I spoke of the woman who was on my mind at the moment.&#xA;&#xA;    “Did you see the Duchesse de Guermantes just now?” I asked Mme. Swann.&#xA;&#xA;   But since the Duchess did not bow to Mme. Swann when they met, the latter chose to appear to regard her as a person of no importance, whose presence in a room one did not even remark.&#xA;&#xA;    “I don’t know; I didn’t realise her,” she replied sourly, using an expression borrowed from England.&#xA;&#xA;   I was anxious nevertheless for information with regard not only to Mme. de Guermantes but to all the people who came in contact with her, and (for all the world like Bloch), with the tactlessness of people who seek in their conversation not to give pleasure to others but to elucidate, from sheer egoism, facts that are interesting to themselves, in my effort to form an exact idea of the life of Mme. de Guermantes I questioned Mme de Villeparisis about Mme. Leroi.&#xA;&#xA;    “Oh, yes, I know who’ you mean,” she replied with an affectation of contempt, “the daughter of those rich timber people. I’ve heard that she’s begun to go about quite a lot lately, but I must explain to you that I am rather old now to make new acquaintances. I have known such interesting such delightful people in my time that really I do not believe Mme. Lerol would be any addition to what I already have.” Mme. de Marsantes, who was playing lady in waiting to the Marquise, presented me to the Prince and, while she was still doing so, M. de Norpois also presented me in the most glowing terms. Perhaps he found it convenient to do me a courtesy which could in no way damage his credit since I had just been presented, perhaps it was because he thought that a foreigner, even so distinguished a foreigner, was unfamiliar with French society and might think that he was having introduced to him a young man of fashion, perhaps to exercise one of his prerogatives, that of adding the weight of his personal recommendation as an Ambassador, or in his taste for the archaic to revive in the Prince’s honour the old custom, flattering to his rank, that two sponsors were necessary if one wished to be presented.&#xA;&#xA;   Mme. de Villeparisis appealed to M. de Norpois, feeling it imperative that I should have his assurance that she had nothing to regret in not knowing Mme. Leroi.&#xA;&#xA;    “Am I not right, M. l’Ambassadeur, Mme. Leroi is quite uninteresting, isn’t she, quite out of keeping with the people who come here; I was quite right not to make friends with her, wasn’t I?”&#xA;&#xA;   Whether from independence or because he was tired, M. de Norpois replied merely in a bow full of respect but devoid of meaning.&#xA;&#xA;    “Sir,” went on Mme. de Villeparisis with a laugh, “there are some absurd people in the world. Would you believe that I had a visit this afternoon from a gentleman who tried to persuade me that he found more pleasure in kissing my hand than a young woman’s?”&#xA;&#xA;   I guessed at once that this was Legrandin. M. de Norpois smiled with a slight quiver of the eyelid, as though such a remark had been prompted by a concupiscence so natural that one could not find fault with the person who had uttered it, almost as though it were the beginning of a romance which he was prepared to forgive, if not to encourage, with the perverse indulgence of a Voisenon or the younger Crébillon.&#xA;&#xA;    “Many young women’s hands would be incapable of doing what I see there,” said the Prince, pointing to Mme. de Villeparisis’s unfinished water-colours. And he asked her whether she had seen the flower paintings by Fantin-Latour which had recently been exhibited.&#xA;&#xA;    “They are of the first order, and indicate, as people say nowadays, a fine painter, one of the masters of the palette,” declared M. de Norpois; “I consider, all the same, that they stand no comparison with these, in which I find it easier to recognise the colouring of the flower.”&#xA;&#xA;   Even supposing that the partiality of an old lover, the habit of flattering people, the critical standard admissible in a small circle, had dictated this speech to the ex-Ambassador, it proved upon what an absolute vacuum of true taste the judgment of people in society is based, so arbitrary that the smallest trifle can make it rush to the wildest absurdities, on the way to which it is stopped, held up by no genuinely felt impression.&#xA;&#xA;    “I claim no credit for knowing about flowers, I’ve lived all my life among the fields,” replied Mme. de Villeparisis modestly. “But,” she added graciously, turning to the Prince, “if I did, when I was quite a girl, form a rather more serious idea of them than children generally do in the country, I owe that to a distinguished fellow-countryman of yours, Herr von Schlegel. I met him at Broglie, when I was staying there once with my aunt Cordelia (Marshal de Castellane’s wife, don’t you know?). I remember so well M. Lebrun, M. de Salvandy, M. Doudan, getting him to talk about flowers. I was only a little girl, I wasn’t able to follow all he said. But he liked playing with me, and when he went back to your country he sent me a beautiful botany book to remind me of a drive we took together in a phaeton to the Val Richer, when I fell asleep on his knee. I have got the book still, and it taught me to observe many things about flowers which I should not have noticed otherwise. When Mme. de Barante published some of Mme. de Broglie’s letters, charming and affected like herself, I hoped to find among them some record of those conversations with Herr von Schlegel. But she was a woman who looked for nothing from nature but arguments in support of religion.”&#xA;&#xA;   Robert called me away to the far end of the room where he and his mother were.&#xA;&#xA;    “You have been good to me,” I said, “how can I thank you? Can we dine together to-morrow?”&#xA;&#xA;    “To-morrow? Yes, if you like, but it will have to be with Bloch. I met him just now on the doorstep; he was rather stiff with me at first because I had quite forgotten to answer his last two letters. (At least, he didn’t tell me that that was what had annoyed him, but I guessed it.) But after that he was so friendly to me that I simply can’t disappoint him. Between ourselves, on his side at least, I can feel it’s a life and death friendship.” Nor do I consider that Robert was altogether mistaken. Furious detraction was often, with Bloch, the effect of a keen affection which he had supposed to be unreturned. And as he had little power of imagining the lives of other people, and never dreamed that one might have been ill, or away from home, or otherwise occupied, a week’s silence was at once interpreted by him as meaning a deliberate coldness. And so I have never believed that his most violent outbursts as a friend, or in later years as a writer, went very deep. They rose to a paroxysm if one replied to them with an icy dignity, or by a platitude which encouraged him to redouble his onslaught, but yielded often to a warmly sympathetic attitude. “As for being good,” went on Saint-Loup, “you say I have been to you, but I haven’t been good at all, my aunt tells me that it’s you who avoid her, that you never said a word to her. She wondered whether you had anything against her.”&#xA;&#xA;   Fortunately for myself, if I had been taken in by this speech, our departure, which I believed to be imminent, for Balbec would have prevented my making any attempt to see Mme. Guermantes again, to assure her that I had nothing against her, and so to put her under the necessity of proving that it was she who had something against me. But I had only to remind myself that she had not even offered to let me see her Elstirs. Besides, this was not a disappointment; I had never expected her to begin talking to me about them; I knew that I did not appeal to her, that I need have no hope of ever making her like me; the most that I had been able to look forward to was that, thanks to her kindness, I might there and then receive, since I should not be seeing her again before I left Paris, an entirely pleasing impression, which I could take with me to Balbec indefinitely prolonged, intact, instead of a memory broken by anxiety and sorrow.&#xA;&#xA;   Mme. de Marsantes kept on interrupting her conversation with Robert to tell me how often he had spoken to her about me, how fond he was of me; she treated me with a deference which almost hurt me because I felt it to be prompted by her fear of being embroiled, on my account, with this son whom she had not seen all day, with whom she was eager to be alone, and over whom she must accordingly have supposed that the influence which she wielded was not equal to and must conciliate mine. Having heard me, earlier in the afternoon, make some reference to Bloch’s uncle, M. Nissim Bernard, Mme. de Marsantes inquired whether it was he who had at one time lived at Nice.&#xA;&#xA;    “In that case, he knew M. de Marsantes there before our marriage,” she told me. “My husband used often to speak of him as an excellent man, with such a delicate, generous nature.”&#xA;&#xA;    “To think that for once in his life he wasn’t lying! It’s incredible,” would have been Bloch’s comment.&#xA;&#xA;   All this time I should have liked to explain to Mme. de Marsantes that Robert felt infinitely more affection for her than for myself, and that had she shewn any hostility towards me it was not in my nature to attempt to set him against her, to detach him from her. But now that Mme. de Guermantes had left the room, I had more leisure to observe Robert, and I noticed then for the first time that, once again, a sort of flood of anger seemed to be coursing through him, rising to the surface of his stern and sombre features. I was afraid lest, remembering the scene in the theatre that afternoon, he might be feeling humiliated in my presence at having allowed himself to be treated so harshly by his mistress without making any rejoinder.&#xA;&#xA;   Suddenly he broke away from his mother, who had put her arm round his neck, and, coming towards me, led me behind the little flower-strewn counter at which Mme. de Villeparisis had resumed her seat, making a sign to me to follow him into the smaller room. I was hurrying after him when M. de Charlus, who must have supposed that I was leaving the house, turned abruptly from Prince von Faffenheim, to whom he had been talking, and made a rapid circuit which brought him face to face with me. I saw with alarm that he had taken the hat in the lining of which were a capital ‘G’ and a ducal coronet. In the doorway into the little room he said, without looking at me:&#xA;&#xA;    “As I see that you have taken to going into society, you must do me the pleasure of coming to see me. But it’s a little complicated,” he went on with a distracted, calculating air, as if the pleasure had been one that he was afraid of not securing again once he had let slip the opportunity of arranging with me the means by which it might be realised. “I am very seldom at home; you will have to write to me. But I should prefer to explain things to you more quietly. I am just going. Will you walk a short way with me? I shall only keep you a moment.”&#xA;&#xA;    “You’d better take care, sir,” I warned him; “you have picked up the wrong hat by mistake.”&#xA;&#xA;    “Do you want to stop me taking my own hat?” I assumed, a similar mishap having recently occurred to myself, that someone else having taken his hat he had seized upon one at random, so as not to go home bare-headed, and that I had placed him in a difficulty by exposing his stratagem. I told him that I must say a few words to Saint-Loup. “He is still talking to that idiot the Duc de Guermantes,” I added. “That really is charming; I shall tell my brother.” “Oh! you think that would interest M. de Charlus?” (I imagined that, if he had a brother, that brother must be called Charlus also. Saint-Loup had indeed explained his family tree to me at Balbec, but I had forgotten the details.) “Who has been talking to you about M. de Charlus?” replied the Baron in an arrogant tone. “Go to Robert.”&#xA;&#xA;    “I hear,” he went on, “that you took part this morning in one of those orgies that he has with a woman who is disgracing him. You would do well to use your influence with him to make him realise the pain he is causing his poor mother, and all of us, by dragging our name in the dirt.”&#xA;&#xA;   I should have liked to reply that at this degrading luncheon the conversation had been entirely about Emerson, Ibsen and Tolstoy, and that the young woman had lectured Robert to make him drink nothing but water. In the hope of bringing some balm to Robert, whose pride had, I felt, been wounded, I sought to find an excuse for his mistress. I did not know that at that moment, in spite of his anger with her, it was on himself that he was heaping reproaches. But it always happens, even in quarrels between a good man and a worthless woman, and when the right is all on one side, that some trifle crops up which enables the woman to appear not to have been in the wrong on one point. And as she ignores all the other points, the moment the man begins to feel the need of her company, or is demoralised by separation from her, his weakness will make his conscience more exacting, he will remember the absurd reproaches that have been flung at him and will ask himself whether they have not some foundation in fact.&#xA;&#xA;    “I’ve come to the conclusion I was wrong about that matter of the necklace,” Robert said to me. “Of course, I never meant for a moment to do anything wrong, but, I know very well, other people don’t look at things in the same way as oneself. She had a very hard time when she was young. In her eyes, I was bound to appear just the rich man who thinks he can get anything he wants with his money, and with whom a poor person cannot compete, whether in trying to influence Boucheron or in a lawsuit. Of course she has been horribly cruel to me, when I have never thought of anything but her good. But I do see clearly, she believes that I wanted to make her feel that one could keep a hold on her with money, and that’s not true. And she’s so fond of me; what must she be thinking of me? Poor darling, if you only knew, she has such charming ways, I simply can’t tell you, she has often done the most adorable things for me. How wretched she must be feeling now! In any case, whatever happens in the long run, I don’t want to let her think me a cad; I shall dash off to Boucheron’s and get the necklace. You never know; very likely when she sees me with it, she will admit that she’s been in the wrong. Don’t you see, it’s the idea that she is suffering at this moment that I can’t bear. What one suffers oneself one knows; that’s nothing. But with her — to say to oneself that she’s suffering and not to be able to form any idea of what she feels — I think I shall go mad in a minute — I’d much rather never see her again than let her suffer. She can be happy without me, if she must; that’s all I ask. Listen; you know, to me everything that concerns her is enormously important, it becomes something cosmic; I shall run to the jeweller’s and then go and ask her to forgive me. But until I get down there what will she be thinking of me? If she could only know that I was on my way! What about your going down there and telling her? For all we know, that might settle the whole business. Perhaps,” he went on with a smile, as though he hardly ventured to believe in so idyllic a possibility, “we can all three dine together in the country. But we can’t tell yet. I never know how to handle her. Poor child. I shall perhaps only hurt her more than ever. Besides, her decision may be irrevocable.”&#xA;&#xA;   Robert swept me back to his mother.&#xA;&#xA;    “Good-bye,” he said to her. “I’ve got to go now. I don’t know when I shall get leave again. Probably not for a month. I shall write as soon as I know myself.”&#xA;&#xA;   Certainly Robert was not in the least of the type of son who, when he goes out with his mother, feels that an attitude of exasperation towards her ought to balance the smiles and bows which he bestows on strangers. Nothing is more common than this odious form of vengeance on the part of those who appear to believe that rudeness to one’s own family is the natural complement to one’s ceremonial behaviour. Whatever the wretched mother may say, her son, as though he had been taken to the house against his will and wished to make her pay dearly for his presence, refutes immediately, with an ironical, precise, cruel contradiction, the timidly ventured assertion; the mother at once conforms, though without thereby disarming him, to the opinion of this superior being of whom she will continue to boast to everyone, when he is not present, as having a charming nature, and who all the same spares her none of his keenest thrusts. Saint-Loup was not at all like this; but the anguish which Rachel’s absence provoked in him brought it about that, for different reasons, he was no less harsh with his mother than the sons I have been describing are with theirs. And as she listened to him I saw the same throb, like that of a mighty wing, which Mme. de Marsantes had been unable to repress when her son first entered the room, convulse her whole body once again; but this time it was an anxious face, eyes wide with grief that she fastened on him.&#xA;&#xA;    “What, Robert, you’re going away? Seriously? My little son! The one day I’ve seen anything of you!”&#xA;&#xA;   And then quite softly, in the most natural tone, in a voice from which she strove to banish all sadness so as not to inspire her son with a pity which would perhaps have been painful to him, or else useless and might serve only to irritate him, like an argument prompted by plain common sense she added:&#xA;&#xA;    “You know, it’s not at all nice of you.”&#xA;&#xA;   But to this simplicity she added so much timidity, to shew him that she was not trespassing on his freedom, so much affection, so that he should not reproach her with spoiling his pleasures, that Saint-Loup could not fail to observe in himself as it were the possibility of a similar wave of affection, that was to say an obstacle to his spending the evening with his lady. And so he grew angry.&#xA;&#xA;    “It’s unfortunate, but, nice or not, that’s how it is.”&#xA;&#xA;   And he heaped on his mother the reproaches which no doubt he felt that he himself perhaps deserved; thus it is that egoists have always the last word; having laid down at the start that their determination is unshakeable, the more the sentiment in them to which one appeals to make them abandon it is touched, the more fault they find, not with themselves who resist the appeal but with those persons who put them under the necessity of resisting it, with the result that their own firmness may be carried to the utmost degree of cruelty, which only aggravates all the more in their eyes the culpability of the person who is so indelicate as to be hurt, to be in the right, and to cause them thus treacherously the pain of acting against their natural instinct of pity. But of her own accord Mme. de Marsantes ceased to insist, for she felt that she would not be able to keep him.&#xA;&#xA;    “I shall leave you here,” he said to me, “but you’re not to keep him long, Mamma, because he’s got to go somewhere else in a minute.”&#xA;&#xA;   I was fully aware that my company could not afford any pleasure to Mme. de Marsantes, but I preferred, by not going with Robert, not to let her suppose that I was involved in these pleasures which deprived her of him. I should have liked to find some excuse for her son’s conduct, less from affection for him than from pity tor her. But it was she who spoke first.&#xA;&#xA;    “Poor boy,” she began, “I am sure I must have hurt him dreadfully. You see, Sir, mothers are such selfish creatures, after all he hasn’t many pleasures, he comes so little to Paris. Oh, dear, if he hadn’t gone already I should have liked to stop him, not to keep him of course, but just to tell him that I’m not vexed with him, that I think he was quite right. Will you excuse me if I go and look over the staircase?”&#xA;&#xA;   I accompanied her there.&#xA;&#xA;    “Robert! Robert!” she called. “No; he’s gone; we are too late.”&#xA;&#xA;   At that moment I would as gladly have undertaken a mission to make Robert break with his mistress as, a few hours earlier, to make him go and live with her altogether. In one case Saint-Loup would have regarded me as a false friend, in the other his family would have called me his evil genius. Yet I was the same man, at an interval of a few hours.&#xA;&#xA;   We returned to the drawing-room. Seeing that Saint-Loup was not with us, Mme. de Villeparisis exchanged with M. de Norpois that dubious, derisive and not too pitying glance with which people point out to one another an over-jealous wife or an over-loving mother (spectacles which to outsiders are amusing), as much as to say: “There now, there’s been trouble.”&#xA;&#xA;   Robert went to his mistress, taking with him the splendid ornament which, after what had been said on both sides, he ought not to have given her. But it came to the same thing, for she would not look at it, and even after their reconciliation he could never persuade her to accept it. Certain of Robert’s friends thought that these proofs of disinterestedness which she furnished were deliberately planned to draw him closer to her. And yet she was not greedy about money, except perhaps to be able to spend it without thought. I have seen her bestow recklessly on people whom she believed to be in need the most insensate charity. “At this moment,” Robert’s friends would say to him, seeking to balance by their malicious words a disinterested action on Rachel’s part, “at this moment she will be in the promenade at the Folies-Bergères. She’s an enigma, that girl is, a regular sphinx.” After all, how many women who are not disinterested, since they are kept by men, have we not seen, with a delicacy that flowers from their sordid existence, set with their own hands a thousand little limits to the generosity of their lovers?&#xA;&#xA;   Robert knew of scarcely any of the infidelities of his mistress, and tortured his mind over what were mere nothings compared with the real life of Rachel, a life which began every day only after he had left her. He knew of scarcely any of these infidelities. One could have told him of them without shaking his confidence in Rachel. For it is a charming law of nature which manifests itself in the heart of the most complex social organisms, that we live in perfect ignorance of those we love. On one side of the mirror the lover says to himself: “She is an angel, she will never yield herself to me, I may as well die — and yet she does care for me; she cares so much that perhaps — but no, it can never possibly happen.” And in the exaltation of his desire, in the anguish of waiting, what jewels he flings at the feet of this woman, how he runs to borrow money to save her from inconvenience; meanwhile, on the other side of the screen, through which their conversation will no more carry than that which visitors exchange outside the glass wall of an aquarium, the public are saying: “You don’t know her? I congratulate you, she has robbed, in fact ruined I don’t know how many men. There isn’t a worse girl in Paris. She’s a common swindler. And cunning isn’t the word!” And perhaps the public are not entirely wrong in their use of the last epithet, for indeed the sceptical man who is not really in love with the woman and whom she merely attracts says to his friends: “No, no, my dear fellow, she is not in the least a prostitute; I don’t say she hasn’t had an adventure or two in her time, but she’s not a woman one pays, she’d be a damned sight too expensive if she was. With her it’s fifty thousand francs or nothing.” Well, he has spent fifty thousand francs on her, he has had her once, but she (finding, moreover, a willing accomplice in the man himself) has managed to persuade him that he is one of those who have had her for nothing. Such is society, in which every one of us has two aspects, in which the most obvious, the most notorious faults will never be known by a certain other person save embedded in, under the protection of a shell, a smooth cocoon, a delicious curiosity of nature. There were in Paris two thoroughly respectable men to whom Saint-Loup no longer bowed, and could not refer without a tremor in his voice, calling them exploiters of women: this was because they had both been ruined by Rachel.&#xA;&#xA;    “I blame myself for one thing only,” Mme. de Marsantes murmured in my ear, “and that was my telling him that he wasn’t nice to me. He, such an adorable, unique son, there’s no one else like him in the world, the only time I see him, to have told him he wasn’t nice to me, I would far rather he’d beaten me, because I am sure that whatever pleasure he may be having this evening, and he hasn’t many, will be spoiled for him by that unfair word. But, Sir, I mustn’t keep you, since you’re in a hurry.”&#xA;&#xA;   Anxiously, Mme. de Marsantes bade me good-bye. These sentiments bore upon Robert; she was sincere. But she ceased to be, to become a great lady once more.&#xA;&#xA;    “I have been so interested, so glad to have this little talk with you. Thank you! Thank you!”&#xA;&#xA;   And with a humble air she fastened on me a look of gratitude, of exhilaration, as though my conversation were one of the keenest pleasures that she had experienced in her life. These charming glances went very well with the black flowers on her white skirt; they were those of a great lady who knew her business.&#xA;&#xA;    “But I am in no hurry,” I replied; “besides, I must wait for M. de Charlus; I am going with him.”&#xA;&#xA;   Mme. de Villeparisis overheard these last words. They appeared to vex her. Had the matter in question not been one which could not possibly give rise to such a sentiment, it might have struck me that what seemed to be at that moment alarmed in Mme. de Villeparisis was her modesty. But this hypothesis never even entered my mind. I was delighted with Mme. de Guermantes, with Saint-Loup, with Mme. de Marsantes, with M. de Charlus, with Mme. de Villeparisis; I did not stop to reflect, and I spoke light-heartedly and at random.&#xA;&#xA;    “You’re going from here with my nephew Palamède?” she asked me.&#xA;&#xA;   Thinking that it might produce a highly favourable impression on Mme. de Villeparisis if she learned that I was on intimate terms with a nephew whom she esteemed so greatly, “He has asked me to go home with him,” I answered blithely. “I am so glad. Besides, we are greater friends than you think, and I’ve quite made up my mind that we’re going to be better friends still.”&#xA;&#xA;   From being vexed, Mme. de Villeparisis seemed to have grown anxious. “Don’t wait for him,” she said to me, with a preoccupied air. “He is talking to M. de Faffenheim. He’s certain to have forgotten what he said to you. You’d much better go, now, quickly, while his back is turned.”&#xA;&#xA;   The first emotion shewn by Mme. de Villeparisis would have suggested, but for the circumstances, offended modesty. Her insistence, her opposition might well, if one had studied her face alone, have appeared to be dictated by virtue. I was not, myself, in any hurry to join Robert and his mistress. But Mme. de Villeparisis seemed to make such a point of my going that, thinking perhaps that she had some important business to discuss with her nephew, I bade her good-bye. Next to her M. de Guermantes, superb and Olympian, was ponderously seated. One would have said that the notion omnipresent in all his members, of his vast riches gave him a particular high density, as though they had been melted in a crucible into a single human ingot to form this man whose value was so immense. At the moment of my saying good-bye to him he rose politely from his seat, and I could feel the dead weight of thirty millions which his old-fashioned French breeding set in motion, raised, until it stood before me. I seemed to be looking at that statue of Olympian Zeus which Phidias is said to have cast in solid gold. Such was the power that good breeding had over M. de Guermantes over the body of M. de Guermantes at least, for it had not an equal mastery over the ducal mind. M. de Guermantes laughed at his own jokes, but did not unbend to other people’s.&#xA;&#xA;   As I went downstairs I heard behind me a voice calling out to me:&#xA;&#xA;    “So this is how you wait for me, is it?”&#xA;&#xA;   It was M. de Charlus.&#xA;&#xA;    “You don’t mind if we go a little way on foot?” he asked dryly, when we were in the courtyard. “We can walk until I find a cab that suits me.”&#xA;&#xA;    “You wished to speak to me about something, Sir?”&#xA;&#xA;    “Oh yes, as a matter of fact there were some things I wished to say to you, but I am not so sure now whether I shall. As far as you are concerned, I am sure that they might be the starting-point which would lead you to inestimable benefits. But I can see also that they would bring into my existence, at an age when one begins to value tranquillity, a great loss of time, great inconvenience. I ask myself whether you are worth all the pains that I should have to take with you, and I have not the pleasure of knowing you well enough to be able to say. Perhaps also to you yourself what I could do for you does not appear sufficiently attractive for me to give, myself so much trouble, for I repeat quite frankly that for me it can only be trouble.”&#xA;&#xA;   I protested that, in that case, he must not dream of it. This summary end to the discussion did not seem to be to his liking.&#xA;&#xA;    “That sort of politeness means nothing,” he rebuked me coldly. “There is nothing so pleasant as to give oneself trouble for a person who is worth one’s while. For the best of us, the study of the arts, a taste for old things, collections, gardens are all mere ersatz, succedanea, alibis. In the heart of our tub, like Diogenes, we cry out for a man. We cultivate begonias, we trim yews, as a last resort, because yews and begonias submit to treatment. But we should like to give our time to a plant of human growth, if we were sure that he was worth the trouble. That is the whole question: you must know something about yourself. Are you worth my trouble or not?”&#xA;&#xA;    “I would not for anything in the world, Sir, be a cause of anxiety to you,” I said to him, “but so far as I am concerned you may be sure that everything which comes to me from you will be a very great pleasure to me. I am deeply touched that you should be so kind as to take notice of me in this way and try to help me.”&#xA;&#xA;   Greatly to my surprise, it was almost with effusion that he thanked me for this speech, slipping his arm through mine with that intermittent familiarity which had already struck me at Balbec, and was in such contrast to the coldness of his tone.&#xA;&#xA;    “With the want of consideration common at your age,” he told me, “you are liable to say things at times which would open an unbridgeable gulf between us. What you have said just now, on the other hand, is exactly the sort of thing that touches me, and makes me want to do a great deal for you.”&#xA;&#xA;   As he walked arm in arm with me and uttered these words, which, albeit tinged with contempt, were so affectionate, M. de Charlus now fastened his gaze on me with that intense fixity which had struck me the first morning, when I saw him outside the casino at Balbec, and indeed many years before that, through the pink hawthorns, standing beside Mme. Swann, whom I supposed then to be his mistress, in the park at Tansonville; now let it stray around him and examine the cabs which at this time of the day were passing in considerable numbers on the way to their stables, looking so determinedly at them that several stopped, the drivers supposing that he wished to engage them. But M. de Charlus immediately dismissed them.&#xA;&#xA;    “They’re not what I want,” he explained to me, “it’s all a question of the colour of their lamps, and the direction they’re going in. I hope, Sir,” he went on, “that you will not in any way misinterpret the purely disinterested and charitable nature of the proposal which I am going to make to you.”&#xA;&#xA;   I was struck by the similarity of his diction to Swann’s, closer now than at Balbec.&#xA;&#xA;    “You have enough intelligence, I suppose, not to imagine that it is from want of society, from any fear of solitude and boredom that I have recourse to you. I do not, as a rule, care to talk about myself, but you may possibly have heard — it was alluded to in a leading article in The Times, which made a considerable impression — that the Emperor of Austria, who has always honoured me with his friendship, and is good enough to insist on keeping up terms of cousinship with me, declared the other day in an interview which was made public that if the Comte de Chambord had had by his side a man as thoroughly conversant with the undercurrents of European politics as myself he would be King of France to-day. I have often thought, Sir, that there was in me, thanks not to my own humble talents but to circumstances which you may one day have occasion to learn, a sort of secret record of incalculable value, of which I have not felt myself at liberty to make use, personally, but which would be a priceless acquisition to a young man to whom I would hand over in a few months what it has taken me more than thirty years to collect, what I am perhaps alone in possessing. I do not speak of the intellectual enjoyment which you would find in learning certain secrets which a Michelet of our day would give years of his life to know, and in the light of which certain events would assume for him an entirely different aspect. And I do not speak only of events that have already occurred, but of the chain of circumstances.” (This was a favourite expression with M. de Charlus, and often, when he used it, he joined his hands as if in prayer, but with his fingers stiffened, as though to illustrate by their complexity the said circumstances, which he did not specify, and the chain that linked them.) “I could give you an explanation that no one has dreamed of, not only of the past but of the future.” M. de Charlus broke off to question me about Bloch, whom he had heard discussed, though without appearing to be listening, in his aunt’s drawing-room. And with that ironical accent he so skilfully detached what he was saying that he seemed to be thinking of something else altogether and to be speaking mechanically, simply out of politeness. He asked if my friend was young, good looking and so forth. Bloch, if he had heard him would have been more puzzled even than with M. de Norpois, but for very different reasons, to know whether M. de Charlus was for or against Drey, fus. “It is not a bad idea, if you wish to learn about life,” went on M. de Charlus when he had finished questioning me, “to include among your friends an occasional foreigner.” I replied that Bloch was French. “Indeed,” said M. de Charlus, “I took him to be a Jew.” His assertion of this incompatibility made me suppose that M. de Charlus was more anti-Dreyfusard than anyone I had met. He protested, however, against the charge of treason levelled against Dreyfus. But his protest took this form: “I understand the newspapers to say that Dreyfus has committed a crime against his country — so I understand, I pay no attention to the newspapers, I read them as I wash my hands, without finding that it is worth my while to take any interest in what I am doing. In any case, the crime is non-existent, your friend’s compatriot would have committed a crime if he had betrayed Judaea, but what has he to do with France?” I pointed out that if there should be a war the Jews would be mobilised just as much as anyone else. “Perhaps so, and I am not sure that it would not be an imprudence. If we bring over Senegalese and Malagasies, I hardly suppose that their hearts will be in the task of defending France, which is only natural. Your Dreyfus might rather be convicted of a breach of the laws of hospitality. But we need not discuss that. Perhaps you could ask your friend to allow me to be present at some great festival in the Temple, at a circumcision, with Jewish chants. He might perhaps take a hall, and give me some biblical entertainment, as the young ladies of Saint-Cyr performed scenes taken from the Psalms by Racine, to amuse Louis XIV. You might even arrange parties to give us a good laugh. For instance a battle between your friend and his father, in which he would smite him as David smote Goliath. That would make quite an amusing farce. He might even, while he was about it, deal some stout blows at his hag (or, as my old nurse would say, his ‘haggart’) of a mother. That would be an excellent show, and would not be unpleasing to us, eh, my young friend, since we like exotic spectacles, and to thrash that non-European creature would be giving a well-earned punishment to an old camel.” As he poured out this terrible, almost insane language, M. de Charlus squeezed my arm until it ached. I reminded myself of all that his family had told me of his wonderful kindness to this old nurse, whose Molièresque vocabulary he had just quoted, and thought to myself that the connexions, hitherto, I felt, little studied, between goodness and wickedness in the same heart, various as they might be, would be an interesting subject for research.&#xA;&#xA;   I warned him that, anyhow, Mme. Bloch no longer existed, while as for M. Bloch, I questioned to what extent he would enjoy a sport which might easily result in his being blinded. M. de Charlus seemed annoyed. “That,” he said, “is a woman who made a great mistake in dying. As for blinding him, surely the Synagogue is blind, it does not perceive the truth of the Gospel. In any case, think, at this moment, when all these unhappy Jews are trembling before the stupid fury of the Christians, what an honour it would be for him to see a man like myself condescend to be amused by their sports.” At this point I caught sight of M. Bloch senior, who was coming towards us, probably on his way to meet his son. He did not see us but I offered to introduce him to M. de Charlus. I had no conception of the torrent of rage which my words were to let loose. “Introduce him to me! But you must have singularly little idea of social values! People do not get to know me as easily as that. In the present instance, the awkwardness would be twofold, on account of the youth of the introducer and the unworthiness of the person introduced. At the most, if I am ever permitted to enjoy the Asiatic spectacle which I suggested to you, I might address to the horrible creature a few words indicative of generous feeling. But on condition that he allows himself to be thoroughly thrashed by his son, I might go so far as to express my satisfaction.” As it happened, M. Bloch paid no attention to us. He was occupied in greeting Mme. Sazerat with a series of sweeping bows, which were very favourably received. I was surprised at this, for in the old days at Combray she had been indignant at my parents for having young Bloch in the house, so anti-semitic was she then. But Dreyfusism, like a strong gust of wind, had, a few days before this, wafted M. Bloch to her feet. My father’s friend had found Mme. Sazerat charming and was particularly gratified by the anti-semitism of the lady, which he regarded as a proof of the sincerity of her faith and the soundness of her Dreyfusard opinions, and also as enhancing the value of the call which she had authorised him to pay her. He had not even been offended when she had said to him stolidly: “M. Drumont has the impudence to put the Revisionists in the same bag as the Protestants and the Jews. A delightful promiscuity!” “Bernard,” he had said with pride, on reaching home, to M. Nissim Bernard, “you know, she has that prejudice!” But M. Nissim Bernard had said nothing, only raising his eyes to heaven in an angelic gaze. Saddened by the misfortunes of the Jews, remembering his old friendships with Christians, grown mannered and precious with increasing years, for reasons which the reader will learn in due course, he had now the air of a pre-Raphaelite ghost on to which hair had been incongruously grafted, like threads in the heart of an opal. “All this Dreyfus business,” went on the Baron, still clasping me by the arm, “has only one drawback. It destroys society (I do not say polite society; society has long ceased to deserve that laudatory epithet) by the influx of Mr. and Mrs. Camels and Camelfies and Camelyards, astonishing creatures whom I find even in the houses of my own cousins, because they belong to the Patrie Française, or the Anti-Jewish, or some such league, as if a political opinion entitled one to any social qualification.” This frivolity in M. de Charlus brought out his family likeness to the Duchesse de Guermantes.&#xA;&#xA;   I remarked to him on the resemblance. As he appeared to think that I did not know her, I reminded him of the evening at the Opera when he had seemed to be trying to avoid me. He assured me with such insistence that he had never even seen me there that I should have begun to believe him, if presently a trifling incident had not led me to think that M. de Charlus, in his excessive pride perhaps, did not care to be seen with me.&#xA;&#xA;    “Let us return to yourself,” he said, “and my plans for you. There exists among certain men, Sir, a freemasonry of which I cannot now say more than that it numbers in its ranks four of the reigning sovereigns of Europe Now, the courtiers of one of these are trying to cure him of his fancy. That is a very serious matter, and may bring us to war. Yes, Sir, that is a fact You remember the story of the man who believed that he had the Princess of China shut up in a bottle. It was a form of insanity. He was cured of it, But as soon as he ceased to be mad he became merely stupid. There are maladies which we must not seek to cure because they alone protect us from others that are more serious. A cousin of mine had trouble with his stomach; he could not digest anything. The most learned specialists on the stomach treated him, with no effect. I took him to a certain doctor (another highly interesting man, by the way, of whom I could tell you a great deal). He guessed at once that the trouble was nervousness; he persuaded his patient, ordered him to eat whatever he liked quite boldly and assured him that his digestion would stand it. But my cousin had nephritis also. What the stomach can digest perfectly well the kidneys cease, after a time, to eliminate, and my cousin, instead of living to a good old age with an imaginary disease of the stomach which obliged him to keep to a diet, died at forty with his stomach cured but his kidneys ruined. Given a very considerable advantage over people of your age, for all one knows, you will perhaps become what some eminent man of the past might have been if a good angel had revealed to him, in the midst of a humanity that knew nothing of them, the secrets of steam and electricity. Do not be foolish, do not refuse from discretion. Understand that, if I do you a great service, I expect my reward from you to be no less great. It is many years now since people in society ceased to interest me. I have but one passion left, to seek to redeem the mistakes of my life by conferring the benefit of my knowledge on a soul that is still virgin and capable of being inflamed by virtue. I have had great sorrows, Sir, of which I may tell you perhaps some day; I have lost my wife, who was the loveliest, the noblest, the most perfect creature that one could dream of seeing. I have young relatives who are not — I do not say worthy, but who are not capable of accepting the moral heritage of which I have been speaking. For all I know, you may be he into whose hands it is to pass, he whose life I shall be able to direct and to raise to so lofty a plane. My own would gain in return. Perhaps in teaching you the great secrets of diplomacy I might recover a taste for them myself, and begin at last to do things of real interest in which you would have an equal share. But before I can tell I must see you often, very often, every day.”&#xA;&#xA;   I was thinking of taking advantage of this unexpected kindness on M. de Charlus’s part to ask him whether he could not arrange for me to meet his sister-in-law when, suddenly, I felt my arm violently jerked, as though by an electric shock. It was M. de Charlus who had hurriedly withdrawn his arm from mine. Although as he talked he had allowed his eyes to wander in all directions he had only just caught sight of M. d’Argencourt, who was coming towards us from a side street. On seeing us, M. d’Argencourt appeared worried, cast at me a look of distrust, almost that look intended for a creature of another race than one’s own with which Mme. de Guermantes had quizzed Bloch, and tried to avoid us. But one would have said that M. de Charlus was determined to shew him that he was not at all anxious not to be seen by him, for he called to him, simply to tell him something that was of no importance. And fearing perhaps that M. d’Argencourt had not recognised me, M. de Charlus informed him that I was a great friend of Mme. de Villeparisis, of the Duchesse de Guermantes, of Robert de Saint-Loup, and that he himself, Charlus, was an old friend of my grandmother, and glad to be able to shew her grandson a little of the affection that he felt for her. Nevertheless I observed that M. d’Argencourt, albeit I had barely been introduced to him at Mme. de Villeparisis’s, and M. de Charlus had now spoken to him at great length about my family, was distinctly colder to me than he had been in the afternoon; and for a long time he shewed the same aloofness whenever we met. He watched me now with a curiosity in which there was no sign of friendliness, and seemed even to have to overcome an instinctive repulsion when, on leaving us, after a moment’s hesitation, he held out a hand to me which he at once withdrew.&#xA;&#xA;    “I am sorry about that,” said M. de Charlus. “That fellow Argencourt, well born but ill bred, more than feeble as a diplomat, an impossible husband, always running after women like a person in a play, is one of those men who are incapable of understanding but perfectly capable of destroying the things in life that are really great. I hope that our friendship will be one of them, if it is ever to be formed, and I hope also that you will honour me by keeping it — as I shall — well clear of the heels of any of those donkeys who, from idleness or clumsiness or deliberate wickedness trample upon what would seem to have been made to endure. Unfortunately, that is the mould in which most of the men one meets have been cast.”&#xA;&#xA;    “The Duchesse de Guermantes seems to be very clever. We were talking this afternoon about the possibility of war. It appears that she is specially well informed on that subject.”&#xA;&#xA;    “She is nothing of the sort,” replied M. de Charlus tartly. “Women, and most men, for that matter, understand nothing of what I was going to tell you. My sister-in-law is a charming woman who imagines that we are still living in the days of Balzac’s novels, when women had an influence on Politics. Going to her house could at present have only a bad effect on you, as for that matter going anywhere. That was one of the very things I was just going to tell you when that fool interrupted me. The first sacrifice that you must make for me — I shall claim them from you in proportion to the gifts I bestow on you — is to give up going into society. It distressed me this afternoon to see you at that idiotic tea-party. You may remind me that I Was there myself, but for me it was not a social gathering, it was simply a family visit. Later on, when you have established your position, if it amuses you to step down for a little into that sort of thing, it may perhaps, do no harm. And then, I need not point out how invaluable I can be to you. The ‘Open Sesame’ to the Guermantes house and any others that it is worth while throwing open the doors of to you, rests with me I shall be the judge, and intend to remain master of the situation.”&#xA;&#xA;   I thought I would take advantage of what M. de Charlus had said about my call on Mme. de Villeparisis to try to find out what position exactly she occupied in society, but the question took another form on my lips than I had intended, and I asked him instead what the Villeparisis family was.&#xA;&#xA;    “That is absolutely as though you had asked me what the Nobody family was,” replied M. de Charlus. “My aunt married, for love, a M Thirion, who was extremely rich, for that matter, and whose sisters had married surprisingly well; and from that day onwards he called himself Marquis de Villeparisis. It did no harm to anyone, at the most a little to himself, and very little! What his reason was I cannot tell; I suppose he was actually a ‘Monsieur de Villeparisis,’ a gentleman born at Villeparisis, which as you know is the name of a little place outside Paris. My aunt tried to make out that there was such a Marquisate in the family, she wanted to put things on a proper footing; I can’t tell you why. When one takes a name to which one has no right it is better not to copy the regular forms.”&#xA;&#xA;   Mme. de Villeparisis being merely Mme. Thirion completed the fall which had begun in my estimation of her when I had seen the composite nature of her party. I felt it to be unfair that a woman whose title and name were of quite recent origin should be able thus to impose upon her contemporaries, with the prospect of similarly imposing upon posterity, by virtue of her friendships with royal personages. Now that she had become once again what I had supposed her to be in my childhood, a person who had nothing aristocratic about her, these distinguished kinsfolk who gathered round her seemed to remain alien to her. She did not cease to be charming to us all. I went occasionally to see her and she sent me little presents from time to time. But I had never any impression that she belonged to the Faubourg Saint-Germain, and if I had wanted any information about it she would have been one of the last people to whom I should have applied.&#xA;&#xA;    “At present,” went on M. de Charlus, “by going into society, you will only damage your position, warp your intellect and character. Also, you must be particularly careful in choosing your friends. Keep mistresses, if your family have no objection, that doesn’t concern me, indeed I can only advise it, you young rascal, young rascal who will soon have to start shaving,” he rallied me, passing his fingers over my chin. “But the choice of your men friends is more important. Eight out of ten young men are little scoundrels, little wretches capable of doing you an injury which you will never be able to repair. Wait, now, my nephew Saint-Loup is quite a suitable companion for you, at a pinch. As far as your future is concerned, he can be of no possible use to you, but for that I am sufficient. And really when all’s said and done, as a person to go about with, at times when you have had enough of me, he does not seem to present any serious drawback that I know of. At any rate he is a man, not one of those effeminate creatures one sees so many of nowadays, who look like little renters, and at any moment may bring their innocent victims to the gallows.” I did not know the meaning of this slang word ‘renter’; anyone who had known it would have been as greatly surprised by his use of it as myself. People in society always like talking slang, and people against whom certain things may be hinted like to shew that they are not afraid to mention them. A proof of innocence in their eyes. But they have lost their sense of proportion, they are no longer capable of realising the point at which a certain pleasantry will become too technical, too shocking, will be a proof rather of corruption than of simplicity. “He is not like the rest of them; he has nice manners; he is really serious.”&#xA;&#xA;   I could not help smiling at this epithet ‘serious,’ to which the intonation that M. de Charlus gave to it seemed to impart the sense of ‘virtuous,’ of ‘steady,’ as one says of a little shop-girl that she is ‘serious.’ At this moment a cab passed, zigzagging along the street; a young cabman, who had deserted his box, was driving it from inside, where he lay sprawling upon the cushions, apparently half drunk. M. de Charlus instantly stopped him. The driver began to argue.&#xA;&#xA;    “Which way are you going?”&#xA;&#xA;    “Yours.” This surprised me, for M. de Charlus had already refused several cabs with similarly coloured lamps.&#xA;&#xA;    “Well, I don’t want to get up on the box. D’you mind if I stay down here?”&#xA;&#xA;    “No; but you must put down the hood. Well, think over my proposal,” said M. de Charlus, preparing to leave me, “I give you a few days to consider my offer; write to me. I repeat, I shall need to see you every day, and to receive from you guarantees of loyalty, of discretion which, for that matter, you do appear, I must say, to furnish. But in the course of my life I have been so often taken in by appearances that I never wish to trust them again. Damn it, it’s the least you can expect that before giving up a treasure I should know into what hands it is going to pass. Very well, bear in mind what I’m offering you; you are like Hercules’ (though, unfortunately for yourself, you do not appear to me to have quite his muscular development) at the parting of the ways. Try not to have to regret all your life not having chosen the way that leads to virtue. Hallo!” he turned to the cabman, “haven’t you put the hood down? I’ll do it myself. I think, too, I’d better drive, seeing the state you appear to be in.”&#xA;&#xA;   He jumped in beside the cabman, took the reins, and the horse trotted off.&#xA;&#xA;   As for myself, no sooner had I turned in at our gate than I found the pendant to the conversation which I had heard exchanged that afternoon between Bloch and M. de Norpois, but in another form, brief, inverted and cruel. This was a dispute between our butler, who believed in Dreyfus, and the Guermantes’, who was an anti-Dreyfusard. The truths and counter-truths which came in conflict above ground, among the intellectuals of the rival Leagues, the Patrie Française and the Droits de l’Homme, were fast spreading downwards into the subsoil of popular opinion. M. Reinach was manipulating, by appeals to sentiment, people whom he had never seen, while for himself the Dreyfus case simply presented itself to his reason as an incontrovertible theory which he proved in the sequel by the most astonishing victory for rational policy (a victory against France, according to some) that the world has ever seen. In two years he replaced a Billot by a Clemenceau Ministry, revolutionised public opinion from top to bottom, took Picquart from his prison to install him, ungrateful, in the Ministry of War. Perhaps this rationalist manipulator of crowds was himself the puppet of his ancestry. When we find that the systems of philosophy which contain the most truths were dictated to their authors, in the last analysis, by reasons of sentiment, how are we to suppose that in a simple affair of politics like the Dreyfus case reasons of this order may not, unknown to the reasoner, have controlled his reason. Bloch believed himself to have been led by a logical sequence to choose Dreyfusism, yet he knew that his nose, skin and hair had been imposed on him by his race. Doubtless the reason enjoys more freedom; yet it obeys certain laws which it has not prescribed for itself. The case of the Guermantes’ butler and our own was peculiar. The waves of the two currents of Dreyfusism and anti-Dreyfusism which now divided France from end to end were, on the whole, silent, but the occasional echoes which they emitted were sincere. When you heard anyone in the middle of a conversation which was being deliberately kept off the Case announce furtively some piece of political news, generally false, but always with a hopefulness of its truth, you could induce from the nature of his predictions where his heart lay. Thus there came into conflict on certain points, on one side a timid apostolate, on the other a righteous indignation. The two butlers whom I heard arguing as I came in furnished an exception to the rule. Ours let it be understood that Dreyfus was guilty, the Guermantes’ butler that he was innocent. This was done not to conceal their personal convictions, but from cunning, and in the keenness of their rivalry. Our butler, being uncertain whether the fresh trial would be ordered, wished beforehand, in the event of failure, to deprive the Duke’s butler of the joy of seeing a just cause vanquished. The Duke’s butler thought that, in the event of a refusal, ours would be more indignant at the detention on the Devil’s Isle of an innocent man. The porter looked on. I had the impression that it was not he who was the cause of dissension in the Guermantes household.&#xA;&#xA;   I went upstairs, and found my grandmother not so well. For some time past, without knowing exactly what was wrong, she had been complaining of her health. It is in moments of illness that we are compelled to recognise that we live not alone but chained to a creature of a different kingdom, whole worlds apart, who has no knowledge of us and by whom it is impossible to make ourselves understood: our body. Say that we met a brigand by the way; we might yet convince him by an appeal to his personal interest, if not to our own plight. But to ask pity of our body is like discoursing before an octopus, for which our words can have no more meaning than the sound of the tides, and with which we should be appalled to find ourselves condemned to live. My grandmother’s attacks passed, often enough-unnoticed by the attention which she kept always diverted to ourselves. When the pain was severe, in the hope of curing it, she would try in vain to understand what the trouble was. If the morbid phenomena of which her body was the theatre remained obscure and beyond the reach of her mind, they were clear and intelligible to certain creatures belonging to the same natural kingdom as themselves, creatures to which the human mind has learned gradually to have recourse in order to understand what the body is saying to it, as when a foreigner accosts us we try to find some one belonging to his country who will act as interpreter. These can talk to our body, and tell us if its anger is serious or will soon be appeased. Cottard, whom we had called in to see my grandmother, and who had infuriated us by asking with a dry smile, the moment we told him that she was ill: “Ill? You’re sure it’s not what they call a diplomatic illness?” He tried to soothe his patient’s restlessness by a milk diet. But incessant bowls of milk soup gave her no relief, because my grandmother sprinkled them liberally with salt (the toxic effects of which were as yet, Widal not having made his discoveries, unknown). For, medicine being a compendium of the successive and contradictory mistakes of medical practioners, when we summon the wisest of them to our aid, the chances are that we may be relying on a scientific truth the error of which will be recognised in a few years’ time. So that to believe in medicine would be the height of folly, if not to believe in it were not greater folly still, for from this mass of errors there have emerged in the course of time many truths. Cottard had told us to take her temperature. A thermometer was fetched. Throughout almost all its length it was clear of mercury. Scarcely could one make out, crouching at the foot of the tube, in its little cell, the silver salamander. It seemed dead. The glass reed was slipped into my grandmother’s mouth. We had no need to leave it there for long; the little sorceress had not been slow in casting her horoscope. We found her motionless, perched half-way up her tower, and declining to move, shewing us with precision the figure that we had asked of her, a figure with which all the most careful examination that my grandmother’s mind could have devoted to herself would have been incapable of furnishing her: 101 degrees. For the first time we felt some anxiety. We shook the thermometer well, to erase the ominous line, as though we were able thus to reduce the patient’s fever simultaneously with the figure shewn on the scale. Alas, it was only too clear that the little sibyl, unreasoning as she was, had not pronounced judgment arbitrarily, for the next day, scarcely had the thermometer been inserted between my grandmother’s lips when almost at once, as though with a single bound, exulting in her certainty and in her intuition of a fact that to us was imperceptible, the little prophetess had come to a halt at the same point, in an implacable immobility, and pointed once again to that figure 101 with the tip of her gleaming wand. Nothing more did she tell us; in vain might we long, seek, pray, she was deaf to our entreaties; it seemed as though this were her final utterance, a warning and a menace. Then, in an attempt to constrain her to modify her response, we had recourse to another creature of the same kingdom, but more potent, which is not content with questioning the body but can command it, a febrifuge of the same order as the modern aspirin, which had not then come into use. We had not shaken the thermometer down below 99.5, and hoped that it would not have to rise from there. We made my grandmother swallow this drug and then replaced the thermometer in her mouth. Like an implacable warder to whom one presents a permit signed by a higher authority whose protecting influence one has sought and who, finding it to be in order, replies: “Very well; I have nothing to say; if it’s like that you may pass,” this time the watcher in the tower dirt not move. But sullenly she seemed to be saying: “What use will that be to you? Since you are friends with quinine, she may give me the order not to go up, once, ten times, twenty times. And then she will grow tired of telling me, I know her; get along with you. This won’t last for ever. And then you’ll be a lot better off.” Thereupon my grandmother felt the presence within her of a creature which knew the human body better than herself, the presence of a contemporary of the races that have vanished from the earth, the presence of earth’s first inhabitant — long anterior to the creation of thinking man — she felt that aeonial ally who was sounding her, a little roughly even, in the head, the heart, the elbow; he found out the weak places, organised everything for the prehistoric combat which began at once to be fought. In a moment a trampled Python, the fever, was vanquished by the potent chemical substance to which my grandmother, across the series of kingdoms, reaching out beyond all animal and vegetable life, would fain have been able to give thanks. And she remained moved by this glimpse which she had caught, through the mists of so many centuries, of a climate anterior to the creation even of plants. Meanwhile the thermometer, like a Weird Sister momentarily vanquished by some more ancient god, held motionless her silver spindle. Alas! other inferior creatures which man has trained to the chase of the mysterious quarry which he cannot pursue within the pathless forest of himself, reported cruelly to us every day a certain quantity of albumen, not large, but constant enough for it also to appear to bear relation to some persistent malady which we could not detect. Bergotte had shocked that scrupulous instinct in me which made me subordinate my intellect when he spoke to me of Dr. du Boulbon as of a physician who would not bore me, who would discover methods of treatment which, however strange they might appear, would adapt themselves to the singularity of my mind. But ideas transform themselves in us, they overcome the resistance with which we at first meet them, and feed upon rich intellectual reserves which we did not know to have been prepared for them. So, as happens whenever anything we have heard said about some one whom we do not know has had the faculty of awakening in us the idea of great talent, of a sort of genius, in my inmost mind I gave Dr. du Boulbon the benefit of that unlimited confidence which he inspires in us who with an eye more penetrating than other men’s perceives the truth. I knew indeed that he was more of a specialist in nervous diseases, the man to whom Charcot before his death had predicted that he would reign supreme in neurology and psychiatry. “Ah! I don’t know about that. It’s quite possible,” put in Françoise, who was in the room and heard Charcot’s name, as she heard du Boulbon’s, for the first time But this in no way prevented her from saying “It’s possible.” Her ‘possibles,’ her ‘perhapses,’ her ‘I don’t knows’ were peculiarly irritating at such a moment. One wanted to say to her: “Naturally you don’t know, since you haven’t the faintest idea of what we are talking about, how can you even say whether it’s possible or not; you know nothing about it. Anyhow, you can’t say now that you don’t know what Charcot said to du Boulbon. You do know because we have just told you, and your ‘perhapses’ and ‘possibles’ don’t come in, because it’s a fact.”&#xA;&#xA;   In spite of this more special competence in cerebral and nervous matters, as I knew that du Boulbon was a great physician, a superior man, of a profound and inventive intellect, I begged my mother to send for him, and the hope that, by a clear perception of the malady, he might perhaps cure it, carried the day finally over the fear that we had of (if we called in a specialist) alarming my grandmother. What decided my mother was the fact that, encouraged unconsciously by Cottard, my grandmother no longer went out of doors, and scarcely rose from her bed. In vain might she answer us in the words of Mme. de Sévigné‘s letter on Mme. de la Fayette: “Everyone said she was mad not to wish to go out. I said to these persons, so headstrong in their judgment: ‘Mme. de la Fayette is not mad!’ and I stuck to that. It has taken her death to prove that she was quite right not to go out.” Du Boulbon when he came decided against — if not Mme. de Sévigné, whom we did not quote to him — my grandmother, at any rate. Instead of sounding her chest, fixing on her steadily his wonderful eyes, in which there was perhaps the illusion that he was making a profound scrutiny of his patient, or the desire to give her that illusion, which seemed spontaneous but must be mechanically produced, or else not to let her see that he was thinking of something quite different, or simply to obtain the mastery over her, he began talking about Bergotte.&#xA;&#xA;    “I should think so, indeed, he’s magnificent, you are quite right to admire him. But which of his books do you prefer? Indeed! Well, perhaps that is the best after all. In any case it is the best composed of his novels. Claire is quite charming in it; of his male characters which appeals to you most?”&#xA;&#xA;   I supposed at first that he was making her talk like this about literature because he himself found medicine boring, perhaps also to display his breadth of mind and even, with a more therapeutic aim, to restore confidence to his patient, to shew her that he was not alarmed, to take her mind from the state of her health. But afterwards I realised that, being distinguished particularly as an alienist and by his work on the brain, he had been seeking to ascertain by these questions whether my grandmother’s memory was in good order. As though reluctantly he began to inquire about her past life, fixing a stern and sombre eye on her. Then suddenly, as though catching sight of the truth and determined to reach it at all costs, with a preliminary rubbing of his hands, which he seemed to have some difficulty in wiping dry of the final hesitations which he himself might feel and of all the objections which we might have raised, looking down at my grandmother with a lucid eye, boldly and as though he were at last upon solid ground, punctuating his words in a quiet, impressive tone, every inflexion of which bore the mark of intellect, he began. (His voice, for that matter, throughout this visit remained what it naturally was, caressing. And under his bushy brows his ironical eyes were full of kindness.)&#xA;&#xA;    “You will be quite well, Madame, on the day — when it comes, and it rests entirely with you whether it comes to-day — on which you realise that there is nothing wrong with you, and resume your ordinary life. You tell me that you have not been taking your food, not going out?”&#xA;&#xA;    “But, Sir, I have a temperature.”&#xA;&#xA;   He laid a finger on her wrist.&#xA;&#xA;    “Not just now, at any rate. Besides, what an excuse! Don’t you know that we keep out in the open air and overfeed tuberculous patients with temperatures of 102?”&#xA;&#xA;    “But I have a little albumen as well.”&#xA;&#xA;    “You ought not to know anything about that. You have what I have had occasion to call ‘mental albumen.’ We have all of us had, when we have not been very well, little albuminous phases which our doctor has done his best to make permanent by calling our attention to them. For one disorder that doctors cure with drugs (as I am told that they do occasionally succeed in doing) they produce a dozen others in healthy subjects by inoculating them with that pathogenic agent a thousand times more virulent than all the microbes in the world, the idea that one is ill. A belief of that sort, which has a disturbing effect on any temperament, acts with special force on neurotic people. Tell them that a shut window is open behind their back, they will begin to sneeze; make them believe that you have put magnesia in their soup, they will be seized with colic; that their coffee is stronger than usual, they will not sleep a wink all night. Do you imagine, Madame, that I needed to do any more than look into your eyes, listen to the way in which you express yourself, look, if I may say so, at this lady, your daughter, and at your grandson, who takes so much after you, to learn what was the matter with you?” “Your grandmother might perhaps go and sit, if the Doctor allows it, in some quiet path in the Champs-Elysées, near that laurel shrubbery where you used to play when you were little,” said my mother to me, thus indirectly consulting Dr. du Boulbon, her voice for that reason assuming a tone of timid deference which it would not have had if she had been addressing me alone. The Doctor turned to my grandmother and, being apparently as well-read in literature as in science, adjured her as follows: “Go to the Champs-Elysées, Madame, to the laurel shrubbery which your grandson loves. The laurel you will find health-giving. It purifies. After he had exterminated the serpent Python, it was with a bough of laurel in his hand that Apollo made his entry into Delphi. He sought thus to guard himself from the deadly germs of the venomous monster. So you see that the laurel is the most ancient, the most venerable and, I will add — what is of therapeutic as well as of prophylactic value — the most beautiful of antiseptics.”&#xA;&#xA;   In as much as a great part of what doctors know is taught them by the sick, they are easily led to believe that this knowledge which patients exhibit is common to them all, and they pride themselves on taking the patient of the moment by surprise with some remark picked up at a previous bedside. Thus it was with the superior smile of a Parisian who, in conversation with a peasant, might hope to surprise him by using suddenly a word of the local dialect that Dr. du Boulbon said to my grandmother: “Probably a windy night will make you sleep when the strongest soporifics would have no effect.” “On the contrary, Sir, when the wind blows I can never sleep at all.” But doctors are touchy people. “Ach!” muttered du Boulbon, knitting his brows, as if some one had trodden on his toe, or as if my grandmother’s sleeplessness on stormy nights were a personal insult to himself. He had not, however, an undue opinion of himself, and since, in his character as a ‘superior’ person, he felt himself bound not to put any faith in medicine, he quickly recovered his philosophic serenity.&#xA;&#xA;   My mother, in her passionate longing for reassurance from Bergotte’S friend, added in support of his verdict that a first cousin of my grandmother, who suffered from a nervous complaint, had lain for seven years cloistered in her bedroom at Combray, without leaving her bed more than once or twice a week.&#xA;&#xA;    “You see, Madame, I didn’t know that, and yet I could have told you.”&#xA;&#xA;    “But, Sir, I am not in the least like her; on the contrary, my doctor complains that he cannot get me to stay in bed,” said my grandmother, whether because she was a little annoyed by the doctor’s theories, or was anxious to submit to him any objections that might be raised to them, in the hope that he would refute these and that, after he had gone, she would no longer find any doubt lurking in her own mind as to the accuracy of his encouraging diagnosis.&#xA;&#xA;    “Why, naturally, Madame, you cannot have all the forms of — if you’ll excuse my saying so — mania at once; you have others, but not that particular one. Yesterday I visited a home for neurasthenics. In the garden, I saw a man standing on a seat, motionless as a fakir, his neck bent in a position which must have been highly uncomfortable. On my asking him what he was doing there, he replied, without turning his head, or moving a muscle: ‘You see, Doctor, I am extremely rheumatic and catch cold very easily; I have just been taking a lot of exercise, and while I was getting hot, like a fool, my neck was touching my flannels. If I move it away from my flannels now before letting myself cool down, I am certain to get a stiff neck, and possibly bronchitis.’ Which he would, in fact, have done. ‘You’re a fine specimen of neurasthenia, that’s what you are,’ I told him. And do you know what argument he advanced to prove that I was mistaken? It was this; that while all the other patients in the place had a mania for testing their weight, so much so that the weighing machine had to be padlocked so that they should not spend the whole day on it, he had to be lifted on to it bodily, so little did he care to be weighed. He prided himself on not sharing the mania of the others without thinking that he had also one of his own, and that it was this which saved him from the other. You must not be offended by the comparison, Madame, for the man who dared not turn his neck for fear of catching a chill is the greatest poet of our day. That poor maniac is the most lofty intellect that I know. Submit to being called a neurotic. You belong to that splendid and pitiable family which is the salt of the earth. All the greatest things We know have come to us from neurotics. It is they and they only who have founded religions and created great works of art. Never will the world be conscious of how much it owes to them, nor above all of what they have suffered in order to bestow their gifts on it. We enjoy fine music, beautiful pictures, a thousand exquisite things, but we do not know what they cost those who wrought them in sleeplessness, tears, spasmodic laughter, rashes, asthma, epilepsy a terror of death which is worse than any of these, and which you perhaps have felt, Madame,” he added with a smile at my grandmother, “for confess now, when I came into the room, you were not feeling very confident You thought that you were ill; dangerously ill, perhaps. Heaven only knows what the disease was of which you thought you had detected the symptoms. And you were not mistaken; they were there. Neurosis has an absolute genius for malingering. There is no illness which it cannot counterfeit perfectly. It will produce life-like imitations of the dilatations of dyspepsia, the sicknesses of pregnancy, the broken rhythm of the cardiac, the feverishness of the consumptive. If it is capable of deceiving the doctor how should it fail to deceive the patient? No, no; you mustn’t think I’m making fun of your sufferings. I should not undertake to heal them unless I understood them thoroughly. And, well, they say there’s no good confession unless it’s mutual. I have told you that without nervous trouble there can be no great artist. What is more,” he added, raising a solemn forefinger, “there can be no great scientist either. I will go further, and say that, unless he himself is subject to nervous trouble, he is not, I won’t say a good doctor, but I do say the right doctor to treat nervous troubles. In nervous pathology a doctor who doesn’t say too many foolish things is a patient half-cured, just as a critic is a poet who has stopped writing verse and a policeman a burglar who has retired from practice. I, Madame, I do not, like you, fancy myself to be suffering from albuminuria, I have not your nervous fear of food, nor of fresh air, but I can never go to sleep without getting out of bed at least twenty times to see if my door is shut. And in that home where I found the poet yesterday who would not move his neck, I had gone to secure a room, for — this is between ourselves — I spend my holidays there looking after myself when I have increased my own trouble by wearing myself out in the attempt to cure other people.”&#xA;&#xA;    “But do you want me to take a cure like that, Sir?” came to a frightened voice from my grandmother.&#xA;&#xA;    “It is not necessary, Madame. The symptoms which you describe will vanish at my bidding. Besides, you have with you a very efficient person whom I appoint as your doctor from now onwards. That is your trouble itself, the super-activity of your nerves. Even if I knew how to cure you of that, I should take good care not to. All I need do is to control it. I see on your table there one of Bergotte’s books. Cured of your neurosis you would no longer care for it. Well, I might feel it my duty to substitute for the joys that it procures for you a nervous stability which would be quite incapable of giving you those joys. But those joys themselves are a strong remedy, the strongest of all perhaps. No; I have nothing to say against your nervous energy. All I ask is that it should listen to me; I leave you in its charge. It must reverse its engines. The force which it is now using to prevent you from getting up, from taking sufficient food, let it employ in making you eat, in making you read, in making you go out, and in distracting you in every possible way. You needn’t tell me that you are fatigued. Fatigue is the organic realisation of a preconceived idea. Begin by not thinking it. And if ever you have a slight indisposition, which is a thing that may happen to anyone, it will be just as if you hadn’t it, for your nervous energy will have endowed you with what M. de Talleyrand, in an expression full of meaning, called ‘imaginary health.’ See, it has begun to cure you already, you have been sitting up in bed listening to me without once leaning back on your pillows; your eye is bright, your complexion is good, I have been talking to you for half an hour by the clock and you have never noticed the time. Well, Madame, I shall now bid you good-day.”&#xA;&#xA;   When, after seeing Dr. du Boulbon to the door, I returned to the room in which my mother was by herself, the oppression that had been weighing on me for the last few weeks lifted, I felt that my mother was going to break out with a cry of joy and would see my joy, I felt that inability to endure the suspense of the coming moment at which a person is going to be overcome with emotion in our presence, which in another category is a little like the thrill of fear that goes through one when one knows that somebody is going to come in and startle one by a door that is still closed; I tried to speak to Mamma but my voice broke, and, bursting into tears, I stayed for a long time, my head on her shoulder, crying, tasting, accepting, relishing my grief, now that I knew that it had departed from my life, as we like to exalt ourselves by forming virtuous plans which circumstances do not permit us to put into execution. Françoise annoyed me by her refusal to share in our joy. She was quite overcome because there had just been a terrible scene between the lovesick footman and the tale-bearing porter. It had required the Duchess herself, in her unfailing benevolence, to intervene, restore an apparent calm to the household and forgive the footman. For she was a good mistress, and that would have been the ideal ‘place’ if only she didn’t listen to ‘stories.’&#xA;&#xA;   During the last few days people had begun to hear of my grandmother’s illness and to inquire for news of her. Saint-Loup had written to me: “I do not wish to take advantage of a time when your dear grandmother is unwell to convey to you what is far more than mere reproaches, on a matter with which she has no concern. But I should not be speaking the truth were I to say to you, even out of politeness, that I shall ever forget the perfidy of your conduct, or that there can ever be any forgiveness for so scoundrelly a betrayal.” But some other friends, supposing that my grandmother was not seriously ill (they may not even have known that she was ill at all), had asked me to meet them next day in the Champs-Elysées, to go with them from there to pay a call together, ending up with a dinner in the country, the thought of which appealed to me. I had no longer any reason to forego these two pleasures. When my grandmother had been told that it was now imperative, if she was to obey Dr. du Boulbon’s orders, that she should go out as much as possible, she had herself at once suggested the Champs-Elysées. It would be easy for me to escort her there; and, while she sat reading, to arrange with my friends where I should meet them later; and I should still be in time, if I made haste, to take the train with them to Ville d’Avray. When the time came, my grandmother did not want to go out; she felt tired. But my mother, acting on du Boulbon’s instructions, had the strength of mind to be firm and to insist on obedience. She was almost in tears at the thought that my grandmother was going to relapse again into her nervous weakness, which she might never be able to shake off. Never again would there be such a fine, warm day for an outing. The sun as it moved through the sky interspersed here and there in the broken solidity of the balcony its unsubstantial muslins, and gave to the freestone ledge a warm epidermis, an indefinite halo of gold. As Françoise had not had time to send a ‘tube’ to her daughter, she left us immediately after luncheon. She very kindly consented, however, to call first at Jupien’s, to get a stitch put in the cloak which my grandmother was going to wear. Returning at that moment from my morning walk I accompanied her into the shop. “Is it your young master who brings you here,” Jupien asked Françoise, “is it you who are bringing him to see me or is it some good wind and fortune that bring you both?” For all his want of education, Jupien respected the laws of grammar as instinctively as M. de Guermantes, in spite of every effort, broke them. With Françoise gone and the cloak mended, it was time for my grandmother to get ready. Having obstinately refused to let Mamma stay in the room with her, she took, left to herself, an endless time over her dressing, and now that I knew her to be quite well, with that strange indifference which we feel towards our relatives so long as they are alive, which makes us put everyone else before them, I felt it to be very selfish of her to take so long, to risk making me late when she knew that I had an appointment with my friends and was dining at Ville d’Avray. In my impatience I finally went downstairs without waiting for her, after I had twice been told that she was just ready. At last she joined me, without apologising to me, as she generally did, for having kept me waiting, flushed and bothered like a person who has come to a place in a hurry and has forgotten half her belongings, just as I was reaching the half-opened glass door which, without warming them with it in the least, let in the liquid, throbbing, tepid air from the street (as though the sluices of a reservoir had been opened) between the frigid walls of the passage.&#xA;&#xA;    “Oh, dear, if you’re going to meet your friends I ought to have put on another cloak. I look rather poverty-stricken in this one.”&#xA;&#xA;   I was startled to see her so flushed, and supposed that having begun by making herself late she had had to hurry over her dressing. When we left the cab at the end of the Avenue Gabriel, in the Champs-Elysées, I saw my grandmother, without a word to me, turn aside and make her way to the little old pavilion with its green trellis, at the door of which I had once waited for Françoise. The same park-keeper who had been standing there then was still talking to Françoise’s ‘Marquise’ when, following my grandmother who, doubtless because she was feeling sick, had her hand in front of her mouth, I climbed the steps of that little rustic theatre, erected there among the gardens. At the entrance, as in those circus booths where the clown, dressed for the ring and smothered in flour, stands at the door and takes the money himself for the seats, the ‘Marquise,’ at the receipt of custom, was still there in her place with her huge, uneven face smeared with a coarse plaster and her little bonnet of red flowers and black lace surmounting her auburn wig. But I do not suppose that she recognised me. The park-keeper, abandoning his watch over the greenery, with the colour of which his uniform had been designed to harmonise, was talking to her, on a chair by her side.&#xA;&#xA;    “So you’re still here?” he was saying. “You don’t think of retiring?”&#xA;&#xA;    “And what have I to retire for, Sir? Will you kindly tell me where I shall be better off than here, where I should live more at my ease, and with every comfort? And then there’s all the coming and going, plenty of distraction; my little Paris, I call it; my customers keep me in touch with everything that’s going on. Just to give you an example, there’s one of them who went out not more than five minutes ago; he’s a magistrate, in the very highest position there is. Very well, Sir,” she cried with ardour, as though prepared to maintain the truth of this assertion by violence, should the agent of civic authority shew any sign of challenging its accuracy, “for the last eight years, do you follow me, every day God has made, regularly on the stroke of three he’s been here, always polite, never saying one word louder than another, never making any mess; and he stays half an hour and more to read his papers and do his little jobs. There was one day he didn’t come. I never noticed it at the time, but that evening, all of a sudden I said to myself: ‘Why, that gentleman never came to-day; perhaps he’s dead!’ And that gave me a regular turn, you know, because, of course, I get quite fond of people when they behave nicely. And so I was very glad when I saw him come in again next day, and I said to him, I did: ‘I hope there was nothing wrong yesterday, Sir?’ Then he told me that it was his wife that had died, and he’d been so put out, poor gentleman, what with one thing and another, he hadn’t been able to come. He had that really sad look, you know, people have when they’ve been married five-and-twenty years, and then the parting, but he seemed pleased, all the same, to be back here. You could see that all his little habits had been quite upset. I did what I could to make him feel at home. I said to him: ‘Y’ mustn’t let go of things, Sir. Just come here the same as before, it will be a little distraction for you in your sorrow.’”&#xA;&#xA;   The ‘Marquise’ resumed a gentler tone, for she had observed that the guardian of groves and lawns was listening to her complacently and with no thought of contradiction, keeping harmlessly in its scabbard a sword which looked more like a horticultural implement or some symbol of a garden-god.&#xA;&#xA;    “And besides,” she went on, “I choose my customers, I don’t let everyone into my little parlours, as I call them. And doesn’t the place just look like a parlour with all my flowers? Such friendly customers I have; there’s always some one or other brings me a spray of nice lilac, or jessamine or roses; my favourite flowers, roses are.”&#xA;&#xA;   The thought that we were perhaps despised by this lady because we never brought any sprays of lilac or fine roses to her bower made me redden, and in the hope of making a bodily escape — or of being condemned only by default — from an adverse judgment, I moved towards the exit. But it is not always in this world the people who bring us fine roses to whom we are most friendly, for the ‘Marquise,’ thinking that I was bored, turned to me.&#xA;&#xA;    “You wouldn’t like me to open a little place for you?”&#xA;&#xA;   And, on my declining:&#xA;&#xA;    “No? You’re sure you won’t?” she persisted, smiling. “Well, just as you please. You’re welcome to it, but I know quite well, not having to pay for a thing won’t make you want to do it if you don’t want to.”&#xA;&#xA;   At this moment a shabbily dressed woman hurried into the place who seemed to be feeling precisely the want in question. But she did not belong to the ‘Marquise’s’ world, for the latter, with the ferocity of a snob, flung at her:&#xA;&#xA;    “I’ve nothing disengaged, Ma’am.”&#xA;&#xA;    “Will they be long?” asked the poor lady, reddening beneath the yellow flowers in her hat.&#xA;&#xA;    “Well, Ma’am, if you’ll take my advice, you’ll try somewhere else; you see, there are still these two gentlemen waiting, and I’ve only one closet; the others are out of order.”&#xA;&#xA;    “Not much money there,” she explained when the other had gone. “It’s not the sort we want here, either; they’re not clean, don’t treat the place with respect, it would be your humble here that would have to spend the next hour cleaning up after her ladyship. I’m not sorry to lose her penny.”&#xA;&#xA;   Finally my grandmother emerged, and feeling that she probably would not seek to atone by a lavish gratuity for the indiscretion that she had shewn by remaining so long inside, I beat a retreat, so as not to have to share in the scorn which the ‘Marquise’ would no doubt heap on her, and began strolling along a path, but slowly, so that my grandmother should not have to hurry to overtake me; as presently she did. I expected her to begin: “I am afraid I’ve kept you waiting; I hope you’ll still be in time for your friends,” but she did not utter a single word, so much so that, feeling a little hurt, I was disinclined to speak first; until looking up at her I noticed that as she walked beside me she kept her face turned the other way. I was afraid that her heart might be troubling her again. I studied her more carefully and was struck by the disjointedness of her gait. Her hat was crooked, her cloak stained; she had the confused and worried look, the flushed, slightly dazed face of a person who has just been knocked down by a carriage or pulled out of a ditch.&#xA;&#xA;    “I was afraid you were feeling sick, Grandmamma; are you feeling better now?” I asked her.&#xA;&#xA;   Probably she thought that it would be impossible for her, without alarming me, not to make some answer.&#xA;&#xA;    “I heard the whole of her conversation with the keeper,” she told me. “Could anything have been more typical of the Guermantes, or the Verdurins and their little circle? Heavens, what fine language she put it all in!” And she quoted, with deliberate application, this sentence from her own special Marquise, Mme. de Sévigné: “As I listened to them I thought that they were preparing for me the pleasures of a farewell.”&#xA;&#xA;   Such was the speech that she made me, a speech into which she had put all her critical delicacy, her love of quotations, her memory of the classics more thoroughly even than she would naturally have done, and as though to prove that she retained possession of all these faculties. But I guessed rather than heard what she said, so inaudible was the voice in which she muttered her sentences, clenching her teeth more than could be accounted for by the fear of being sick again.&#xA;&#xA;    “Come!” I said lightly, so as not to seem to be taking her illness too seriously, “since your heart is bothering you, shall we go home now? I don’t want to trundle a grandmother with indigestion about the Champs-Elysées.”&#xA;&#xA;    “I didn’t like to suggest it, because of your friends,” she replied. “Poor boy! But if you don’t mind, I think it would be wiser.”&#xA;&#xA;   I was afraid of her noticing the strange way in which she uttered these words.&#xA;&#xA;    “Come!” I said to her sharply, “you mustn’t tire yourself talking; if your heart is bad, it’s silly; wait till we get home.”&#xA;&#xA;   She smiled at me sorrowfully and gripped my hand. She had realised that there was no need to hide from me what I had at once guessed, that she had had a slight stroke.&#xA;&#xA;   We made our way back along the Avenue Gabriel, through the strolling crowd. I left my grandmother to rest on a seat and went in search of a cab. She, in whose heart I always placed myself when I had to form an opinion of the most unimportant person, she was now closed to me, had become part of the world outside, and, more than from any casual passerby, I was obliged to keep from her what I thought of her condition, to say no word of my uneasiness. I could not have spoken of it to her in greater confidence than to a stranger. She had suddenly handed back to me the thoughts, the griefs which, from the days of my infancy, I had entrusted for all time to her keeping. She was not yet dead. I was already alone. And even those allusions which she had made to the Guermantes, to Mme. de Sévigné, to our conversations about the little clan, assumed an air of being without point or occasion, fantastic, because they sprang from the nullity of this very being who to-morrow possibly would have ceased to exist, for whom they would no longer have any meaning, from that nullity, incapable of conceiving them, which my grandmother would shortly be.&#xA;&#xA;    “Well, Sir, I don’t like to say no, but you have not made an appointment, you have no time fixed. Besides, this is not my day for seeing patients. You surely have a doctor of your own. I cannot interfere with his practice, unless he were to call me in for a consultation. It’s a question of professional etiquette . . . ”&#xA;&#xA;   Just as I was signalling to a cabman, I had caught sight of the famous Professor E— — almost a friend of my father and grandfather, acquainted at any rate with them both, who lived in the Avenue Gabriel, and, with a sudden inspiration, had stopped him just as he was entering his house, thinking that he would perhaps be the very person to advise my grandmother. But he was evidently in a hurry and, after calling for his letters, seemed anxious to get rid of me, so that my only chance of speaking to him lay in going up with him in the lift, of which he begged me to allow him to work the switches himself, this being a mania with him.&#xA;&#xA;    “But, Sir, I am not asking you to see my grandmother here; you will realise from what I am trying to tell you that she is not in a fit state to come; what I am asking is that you should call at our house in half an hour’s time, when I have taken her home.”&#xA;&#xA;    “Call at your house! Really, Sir, you must not expect me to do that. I am dining with the Minister of Commerce. I have a call to pay first. I must change at once, and to make matters worse I have torn my coat and my’ other one has no buttonholes for my. decorations. I beg you, please, to oblige me by not touching the switches. You don’t know how the lift works; one can’t be too careful. Getting that buttonhole made means more delay. Well, as I am a friend of your people, if your grandmother comes here at once I will see her. But I warn you that I shall be able to give her exactly a quarter of an hour, nor a moment more.”&#xA;&#xA;   I had started off at once, without even getting out of the lift which Professor E——-had himself set in motion to take me down again, casting a suspicious glance at me as he did so.&#xA;&#xA;   We may, indeed, say that the hour of death is uncertain, but when we say so we represent that hour to ourselves as situated in a vague and remote expanse of time, it never occurs to us that it can have any connexion with the day that has already dawned, or may signify that death — or its first assault and partial possession of us, after which it will never leave hold of us again — may occur this very afternoon, so far from uncertain, this afternoon every hour of which has already been allotted to some occupation. You make a point of taking your drive every day so that in a month’s time you will have had the full benefit of the fresh air; you have hesitated over which cloak you will take, which cabman to call, you are in the cab, the whole day lies before you, short because you have to be at home early, as a friend is coming to see you; you hope that it will be as fine again to-morrow; and you have no suspicion that death, which has been making its way towards you along another plane, shrouded in an impenetrable darkness, has chosen precisely this day of all days to make its appearance, in a few minutes’ time, more or less, at the moment when the carriage has reached the Champs-Elysées. Perhaps those who are haunted as a rule by the fear of the utter strangeness of death will find something reassuring in this kind of death — in this kind of first contact with death — because death thus assumes a known, familiar guise of everyday life. A good luncheon has preceded it, and the same outing that people take who are in perfect health. A drive home in an open carriage comes on top of its first onslaught; ill as my grandmother was, there were, after all, several people who could testify that at six o’clock, as we came home from the Champs-Elysées, they had bowed to her as she drove past in an open carriage, in perfect weather. Legrandin, making his way towards the Place de la Concorde, raised his hat to us, stopping to look after us with an air of surprise. I, who was not yet detached from life, asked my grandmother if she had acknowledged his greeting, reminding her of his readiness to take offence. My grandmother, thinking me no doubt very frivolous, raised her hand in the air as though to say: “What does it matter? It is not of the least importance.”&#xA;&#xA;   Yes, one might have said that, a few minutes earlier, when I was looking for a cab, my grandmother was resting on a seat in the Avenue Gabriel, and that a little later she had driven past in an open carriage. But would that have been really true? The seat, for instance, to maintain its position at the side of an avenue — for all that it may be subjected also to certain conditions of equilibrium — has no need of energy. But in order that a living person may be stable, even when supported by a seat or in a carriage, there is required a tension of forces which we do not ordinarily perceive any more than we perceive (because its action is universal) atmospheric pressure. Possibly if we were to be hollowed out and then left to support the pressure of the air we might feel, in the moment that preceded our extinction, that terrible weight which there was nothing left in us to neutralise. Similarly when the abyss of sickness and death opens within us and we have no longer any resistance to offer to the tumult with which the world and our own body rush upon us, then to endure even the tension of our own muscles, the shudder that freezes us to the marrow, then even to keep ourselves motionless in what we ordinarily regard as nothing but the simple negative position of a lifeless thing requires, if we wish our head to remain erect and our eyes calm, an expense of vital energy and becomes the object of an exhausting struggle.&#xA;&#xA;   And if Legrandin had looked back at us with that astonished air, it was because to him, as to the other people who passed us then, in the cab in which my grandmother was apparently seated she had seemed to be foundering, sliding into the abyss, clinging desperately to the cushions which could barely arrest the downward plunge of her body, her hair in disorder, her eye wild, unable any longer to face the assault of the images which its pupil was not strong enough now to bear. She had appeared to them, although I was still by her side, submerged in that unknown world somewhere in which she had already received the blows, traces of which she still bore when I looked up at her a few minutes earlier in the Champs-Elysées, her hat, her face, her cloak left in disorder by the hand of the invisible angel with whom she had wrestled. I have thought, since, that this moment of her stroke cannot have altogether surprised my grandmother, that indeed she had perhaps foreseen it a long time back, had lived in expectation of it. She had not known, naturally, when this fatal moment would come, had never been certain, any more than those lovers whom a similar doubt leads alternately to found unreasonable hopes and unjustified suspicions on the fidelity of their mistresses. But it is rarely that these grave maladies, like that which now at last had struck her full in the face, do not take up their abode in the sick man for a long time before killing him, during which time they make haste, like a ‘sociable’ neighbour or tenant, to introduce themselves to him. A terrible acquaintance, not so much from the sufferings that it causes as from the strange novelty of the definite restriction which it imposes upon life. A woman sees herself dying, in these cases not at the actual moment of death but months, sometimes years before, when death has hideously come to dwell in her. The sufferer makes the acquaintance of the stranger whom she hears coming and going in her brain. She does not know him by sight, it is true, but from the sounds which she hears him regularly make she can form an idea of his habits. Is he a criminal? One morning, she can no longer hear him. He has gone. Ah! If it were only for ever! In the evening he has returned. What are his plans? Her specialist, put to the question, like an adored mistress, replies with avowals that one day are believed, another day fail to convince her. Or rather it is not the mistress’s part but that of the servants one interrogates that the doctor plays. They are only third parties. The person whom we press for an answer, whom we suspect of being about to play us false, is life itself, and although we feel her to be no longer the same we believe in her still or at least remain undecided until the day on which she finally abandons us.&#xA;&#xA;   I helped my grandmother into Professor E——‘s lift and a moment later he came to us and took us into his consulting room. But there, busy as he was, his bombastic manner changed, such is the force of habit; for his habit was to be friendly, that is to say lively with his patients. Since he knew that my grandmother was a great reader, and was himself one also, he devoted the first few minutes to quoting various favourite passages of poetry appropriate to the glorious summer weather. He had placed her in an armchair and himself with his back to the light so as to have a good view of her. His examination was minute and thorough, even obliging me at one moment to leave the room. He continued it after my return, then, having finished, went on, although the quarter of an hour was almost at an end, repeating various quotations to my grandmother. He even made a few jokes, which were witty enough, though I should have preferred to hear them on some other occasion, but which completely reassured me by the tone of amusement in which he uttered them. I then remembered that M. Fallières, the President of the Senate, had, many years earlier, had a false seizure, and that to the consternation of his political rivals he had returned a few days later to his duties and had begun, it was said, his preparations for a more or less remote succession to the Presidency of the Republic. My confidence in my grandmother’s prompt recovery was all the more complete in that, just as I was recalling the example of M. Fallières, I was distracted from following up the similarity by a shout of laughter, which served as conclusion to one of the Professor’s jokes. After which he took out his watch, wrinkled his brows petulantly on seeing that he was five minutes late, and while he bade us good-bye rang for his other coat to be brought to him at once. I waited until my grandmother had left the room, closed the door and asked him to tell me the truth.&#xA;&#xA;    “There is not the slightest hope,” he informed me. “It is a stroke brought on by uraemia. In itself, uraemia is not necessarily fatal, but this case seems to me desperate. I need not tell you that I hope I am mistaken. Anyhow, you have Cottard, you’re in excellent hands. Excuse me,” he broke off as a maid came into the room with his coat over her arm. “I told you, I’m dining with the Minister of Commerce, and I have a call to pay first. Ah! Life is not all a bed of roses, as one is apt to think at your age.”&#xA;&#xA;   And he graciously offered me his hand. I had shut the door behind me, and a footman was shewing us into the hall when we heard a loud shout of rage. The maid had forgotten to cut and hem the buttonhole for the decorations. This would take another ten minutes. The Professor continued to storm while I stood on the landing gazing at a grandmother for whom there was not the slightest hope. Each of us is indeed alone. We started for home.&#xA;&#xA;   The sun was sinking, it burnished an interminable wall along which our cab had to pass before reaching the street in which we lived, a wall against which the shadow cast by the setting sun of horse and carriage stood out in black on a ruddy background, like a funeral car on some Pompeian terra-cotta. At length we arrived at the house. I made the invalid sit at the foot of the staircase in the hall, and went up to warn my mother. I told her that my grandmother had come home feeling slightly unwell, after an attack of giddiness. As soon as I began to speak, my mother’s face was convulsed by the paroxysm of a despair which was yet already so resigned that I realised that for many years she had been holding herself quietly in readiness for an uncalendared but final day. She asked me no question; it seemed that, just as malevolence likes to exaggerate the sufferings of other people, so in her devotion she would not admit that her mother was seriously ill, especially with a disease which might affect the brain. Mamma shuddered, her eyes wept without tears, she ran to give orders for the doctor to be fetched at once; but when Françoise asked who was ill she could not reply, her voice stuck in her throat. She came running downstairs with me struggling to banish from her face the sob that contracted it. My grandmother was waiting below on the sofa in the hall, but, as soon as she heard us coming, drew herself together, stood up, and waved her hand cheerfully at Mamma. I had partially wrapped her head in a white lace shawl, telling her that it was so that she should not catch cold on the stairs. I had hoped that my mother would not notice the change in her face, the distortion of her mouth; my precaution proved unnecessary; my mother went up to my grandmother, kissed her hand as though it were that of her God, raised her up, carried her to the lift with infinite precautions in which there was, with the fear of hurting her by any clumsy movement, the humility of one who felt herself unworthy to touch the most precious thing, to her, in the world, but never once did she raise her eyes, nor look at the sufferer’s face. Perhaps this was in order that my grandmother might not be saddened by the thought that the sight of her could alarm her daughter. Perhaps from fear of a grief so piercing that she dared not face it. Perhaps from reverence, because she did not feel it permissible to herself, without impiety, to remark the trace of any mental weakening on those venerated features. Perhaps to be better able to preserve intact in her memory the image of the true face of my grandmother, radiant with wisdom and goodness. So they went up side by side, my grandmother half hidden by her shawl, my mother turning away her eyes.&#xA;&#xA;   Meanwhile there was one person who never took hers from what could be made out of my grandmother’s altered features, at which her daughter dared not look, a person who fastened on them a gaze wondering, indiscreet and of evil omen: this was Françoise. Not that she was not sincerely attached to my grandmother (indeed she had been disappointed and almost scandalised by the coldness shewn by Mamma, whom she would have liked to see fling herself weeping into her mother’s arms), but she had a certain tendency always to look at the worse side of things, she had retained from her childhood two peculiarities which would seem to be mutually exclusive, but which when combined strengthened one another: the want of restraint common among people of humble origin who make no attempt to conceal the impression, in other words the painful alarm, aroused in them by the sight of a physical change which it would be in better taste to appear not to notice, and the unfeeling coarseness of the peasant who begins by tearing the wings off dragon-flies until she is allowed to wring the necks of chickens, and lacks that modesty which would make her conceal the interest that she feels in the sight of suffering flesh.&#xA;&#xA;   When, thanks to the faultless ministrations of Françoise, my grandmother had been put to bed, she discovered that she could speak much more easily, the little rupture or obstruction of a blood-vessel which had produced the uraemia having apparently been quite slight. And at once she was anxious not to fail Mamma in her hour of need, to assist her in the most cruel moments through which she had yet had to pass.&#xA;&#xA;    “Well, my child,” she began, taking my mother’s hand in one of her own, and keeping the other in front of her lips, so as to account for the slight difficulty which she still found in uttering certain words. “So this is all the pity you shew your mother! You look as if you thought that indigestion was quite a pleasant thing!”&#xA;&#xA;   Then for the first time my mother’s eyes gazed passionately into those of my grandmother, not wishing to see the rest of her face, and she replied, beginning the list of those false promises which we swear but are unable to fulfil:&#xA;&#xA;    “Mamma, you will soon be quite well again, your daughter will see to that.”&#xA;&#xA;   And embodying all her dearest love, all her determination that her mother should recover, in a kiss to which she entrusted them, and which she followed with her mind, with her whole being until it flowered upon her lips, she bent down to lay it humbly, reverently upon the precious brow. My grandmother complained of a sort of alluvial deposit of bedclothes which kept gathering all the time in the same place, over her left leg, and from which she could never manage to free herself. But she did not realise that she was herself the cause of this (so that day after day she accused Françoise unjustly of not ‘doing’ her bed properly). By a convulsive movement she kept flinging to that side the whole flood of those billowing blankets of fine wool, which gathered there like the sand in a bay which is very soon transformed into a beach (unless the inhabitants construct a breakwater) by the successive deposits of the tide.&#xA;&#xA;   My mother and I (whose falsehood was exposed before we spoke by the obnoxious perspicacity of Françoise) would not even admit that my grandmother was seriously ill, as though such an admission might give pleasure to her enemies (not that she had any) and it was more loving to feel that she was not so bad as all that, in short from the same instinctive sentiment which had led me to suppose that Andrée was too sorry for Al-bertine to be really fond of her. The same individual phenomena are reproduced in the mass, in great crises. In a war, the man who does not love his country says nothing against it, but regards it as lost, commiserates it, sees everything in the darkest colours.&#xA;&#xA;   Françoise was of infinite value to us owing to her faculty of doing without sleep, of performing the most arduous tasks. And if, when she had gone to bed after several nights spent in the sick-room, we were obliged to call her a quarter of an hour after she had fallen asleep, she was so happy to be able to do the most tiring duties as if they had been the simplest things in the world that, so far from looking cross, her face would light up with a satisfaction tinged with modesty. Only when the time came for mass, or for breakfast, then, had my grandmother been in her death agony, still Françoise would have quietly slipped away so as not to make herself late. She neither could nor would let her place be taken by her young footman. It was true that she had brought from Combray an extremely exalted idea of everyone’s duty towards ourselves; she would not have tolerated that any of our servants should ‘fail’ us. This doctrine had made her so noble, so imperious, so efficient an instructor that there had never come to our house any servants, however corrupted who had not speedily modified, purified their conception of life so far as to refuse to touch the usual commissions from tradesmen and to come rushing — however little they might previously have sought to oblige — to take from my hands and not let me tire myself by carrying the smallest package. But at Combray Françoise had contracted also — and had brought with her to Paris — the habit of not being able to put up with any assistance in her work. The sight of anyone coming to help her seemed to her like receiving a deadly insult, and servants had remained for weeks in the house without receiving from her any response to their morning greeting, had even gone off on their holidays without her bidding them good-bye or their guessing her reason, which was simply and solely that they had offered to do a share of her work on some day when she had not been well. And at this moment when my grandmother was so ill Françoise’s duties seemed to her peculiarly her own. She would not allow herself, she, the official incumbent, to be done out of her part in the ritual of these festal days. And so her young footman, sent packing by her, did not know what to do with himself, and not content with having copied the butler’s example and supplied himself with note-paper from my desk had begun as well to borrow volumes of poetry from my bookshelves. He sat reading them for a good half of the day, out of admiration for the poets who had written them, but also so as, during the rest of his time, to begem with quotations the letters which he wrote to his friends in his native village. Naturally he expected these to dazzle them. But as there was little sequence in his ideas he had formed the notion that these poems, picked out at random from my shelves, were matters of common knowledge, to which it was customary to refer. So much so that in writing to these peasants, whose stupefaction he discounted, he interspersed his own reflexions with lines from Lamartine, just as he might have said “Who laughs last, laughs longest!” or merely “How are you keeping?”&#xA;&#xA;   To ease her pain my grandmother was given morphine. Unfortunately, if this relieved her in other ways, it increased the quantity of albumen. The blows which we aimed at the wicked ogre who had taken up his abode in my grandmother were always wide of the mark, and it was she, her poor interposed body that had to bear them, without her ever uttering more than a faint groan by way of complaint. And the pain that we caused her found no compensation in a benefit which we were unable to give her. The savage ogre whom we were anxious to exterminate we barely succeeded in touching, and all we did was to enrage him still further, and possibly hasten the moment at which he would devour his luckless captive. On certain days when the discharge of albumen had been excessive Cottard, after some hesitation, stopped the morphine. In this man, so insignificant, so common, there was, in these brief moments in which he deliberated, in which the relative dangers of one and another course of treatment presented themselves alternately to his mind until he arrived at a decision, the same sort of greatness as in a general who, vulgar in all the rest of his life, is a great strategist, and in an hour of peril, after a moment’s reflexion, decides upon what is from the military point of view the wisest course, and gives the order: “Advance eastwards.” Medically, however little hope there might be of setting any limit to this attack of uraemia, it did not do to tire the kidneys. But, on the other hand, when my grandmother did not have morphine, her pain became unbearable; she perpetually attempted a certain movement which it was difficult for her to perform without groaning. To a great extent, suffering is a sort of need felt by the organism to make itself familiar with a new state, which makes it uneasy, to adapt its sensibility to that state. We can discern this origin of pain in the case of certain inconveniences which are not such for everyone. Into a room filled with a pungent smoke two men of a coarse fibre will come and attend to their business; a third, more highly strung, will betray an incessant discomfort. His nostrils will continue to sniff anxiously the odour he ought, one would say, to try not to notice but will keep on attempting to attach, by a more exact apprehension of it, to his troubled sense of smell. One consequence of which may well be that his intense preoccupation will prevent him from complaining of a toothache. When my grandmother was in pain the sweat trickled over the pink expanse of her brow, glueing to it her white locks, and if she thought that none of us was in the room she would cry out: “Oh, it’s dreadful!” but if she caught sight of my mother, at once she employed all her energy in banishing from her face every sign of pain, or — an alternative stratagem — repeated the same plaints, accompanying them with explanations which gave a different sense, retrospectively, to those which my mother might have overheard.&#xA;&#xA;    “Oh! My dear, it’s dreadful to have to stay in bed on a beautiful sunny day like this when one wants to be out in the air; I am crying with rage at your orders.”&#xA;&#xA;   But she could not get rid of the look of anguish in her eyes, the sweat on her brow, the convulsive start, checked at once, of her limbs.&#xA;&#xA;    “There is nothing wrong. I’m complaining because I’m not lying very comfortably. I feel my hair is untidy, my heart is bad, I knocked myself against the wall.”&#xA;&#xA;   And my mother, at the foot of the bed, riveted to that suffering form, as though, by dint of piercing with her gaze that pain-bedewed brow, that body which hid the evil thing within it, she could have succeeded in reaching that evil thing and carrying it away, my mother said:&#xA;&#xA;    “No, no, Mamma dear, we won’t let you suffer like that, we will find something to take it away, have patience just for a moment; let me give you a kiss, darling — no, you’re not to move.”&#xA;&#xA;   And stooping over the bed, with bended knees, almost kneeling on the ground, as though by an exercise of humility she would have a better chance of making acceptable the impassioned gift of herself, she lowered towards my grandmother her whole life contained in her face as in a ciborium which she extended over her, adorned in relief with dimples and folds so passionate, so sorrowful, so sweet that one knew not whether they had been carved by the chisel of a kiss, a sob or a smile. My grandmother also, tried to lift up her face to Mamma’s. It was so altered that probably’ had she been strong enough to go out, she would have been recognised only by the feather in her hat. Her features, like the clay in a sculptor’s hands seemed to be straining, with an effort which distracted her from everything else, to conform to some particular model which we failed to identify. This business of modelling was now almost finished, and if my grandmother’s face had shrunk in the process it had at the same time hardened. The veins that ran beneath its surface seemed those not of a piece of marble but of some more rugged stone. Constantly thrust forwards by the difficulty that she found in breathing and as constantly forced back on to her pillow by exhaustion, her face, worn, diminished, terribly expressive, seemed like, in a primitive, almost prehistoric carving, the rude, flushed, purplish, desperate face of some savage guardian of a tomb. But the whole task was not yet accomplished. Next, her resistance must be overcome, and that tomb, the entrance to which she had so painfully guarded, with that tense contraction, entered.&#xA;&#xA;   In one of those moments in which, as the saying goes, one does not know what saint to invoke, as my grandmother was coughing and sneezing a good deal, we took the advice of a relative who assured us that if we sent for the specialist X ——-he would get rid of all that in a couple of days. People say that sort of thing about their own doctors, and their friends believe them just as Françoise always believed the advertisements in the newspapers. The specialist came with his bag packed with all the colds and coughs of his other patients, like Aeolus’s bottle. My grandmother refused point-blank to let herself be examined. And we, out of consideration for the doctor, who had had his trouble for nothing, deferred to the desire that he expressed to inspect each of our noses in turn, albeit there was nothing the matter with any of them. According to him, however, there was; everything, whether headache or colic, heart-disease or diabetes, was a disease of the nose that had been wrongly diagnosed. To each of us he said: “I should like to have another look at that little cornea. Don’t put it off too long. I can soon get rid of it for you with a hot needle.” We were, of course, thinking of something quite different. And yet we asked ourselves: “Get rid of what?” In a word, every one of our noses was diseased; his mistake lay only in his use of the present tense. For by the following day his examination and provisional treatment had taken effect. Each of us had his or her catarrh. And when in the street he ran into my father doubled up with a cough, he smiled to think that an ignorant layman might suppose the attack to be due to his intervention. He had examined us at a moment when we were already ill.&#xA;&#xA;   My grandmother’s illness gave occasion to various people to manifest an excess or deficiency of sympathy which surprised us quite as much as the sort of chance which led one or another of them to reveal to us connecting links of circumstances, or of friendship for that matter, which we had never suspected. And the signs of interest shewn by the people who called incessantly at the house to inquire revealed to us the gravity of an illness which, until then, we had not sufficiently detached from the countless painful impressions that we received in my grandmother’s room. Summoned by telegram, her sisters declined to leave Combray. They had discovered a musician there who gave them excellent chamber concerts, in listening to which they thought that they could find, better than by the invalid’s bedside, food for thought, a melancholy exaltation the form of which was, to say the least of it, unusual. Mme. Sazerat wrote to Mamma, but in the tone of a person whom the sudden breaking off of a betrothal (the cause of the rupture being her Dreyfusism) has parted from one for ever. Bergotte, on the other hand, came every day and spent several hours with me.&#xA;&#xA;   He had always made a habit of going regularly for some time to the same house, where, accordingly, he need not stand on ceremony. But formerly it had been in order that he might talk without being interrupted; now it was so that he might sit for as long as he chose in silence, without being expected to talk. For he was very ill, some people said with albuminuria, like my grandmother. According to another version, he had a tumour. He grew steadily weaker; it was with difficulty that he came up our staircase, with greater difficulty still that he went down it. Even though he held on to the banisters he often stumbled, and he would, I believe, have stayed at home had he not been afraid of losing altogether the habit of going out, the capacity to go out, he, the ‘man with the little beard’ whom I had seen so alert, not very long since. He was now quite blind and even his speech was frequently obstructed.&#xA;&#xA;   But at the same time, by a directly opposite process, the body of his work, known only to a few literary people at the period when Mme. Swann used to patronise their timid efforts to disseminate it, now grown in stature and strength before the eyes of all, had acquired an extraordinary power of expansion among the general public. The general rule is, no doubt, that only after his death does a writer become famous. But it was while he still lived, and during his slow progress towards a death that he had not yet reached that this writer was able to watch the progress of his works towards Renown. A dead writer can at least be illustrious without any strain on himself. The effulgence of his name is stopped short by the stone upon his grave. In the deafness of the eternal sleep he is not importuned by Glory. But for Bergotte the antithesis was still incomplete. He existed still sufficiently to suffer from the tumult. He was moving still, though with difficulty, while his books, bounding about him, like daughters whom one loves but whose impetuous youthfulness and noisy pleasures tire one, brought day after day, to his very bedside, a crowd of fresh admirers.&#xA;&#xA;   The visits which he now began to pay us came for me several years too late, for I had no longer the same admiration for him as of old. Which is not in any sense incompatible with the growth of his reputation. A man’s work seldom becomes completely understood and successful before that of another writer, still obscure, has begun in the minds of certain people more difficult to please to substitute a fresh cult for one that has almost ceased to command observance. In the books of Bergotte which I constantly reread, his sentences stood out as clearly before my eyes as my own thoughts the furniture in my room and the carriages in the street. All the details were quite easily seen, not perhaps precisely as one had always seen them but at any rate as one was accustomed to see them now. But a new writer had recently begun to publish work in which the relations between things were so different from those that connected them for me that I could understand hardly anything of what he wrote. He would say, for instance: “The hose-pipes admired the smart upkeep of the roads” (and so far it was simple, I followed him smoothly along those roads) “which started every five minutes from Briand and Claudel.” At that point I ceased to understand, because I had expected the name of a place and was given that of a person instead. Only I felt that it was not the sentence that was badly constructed but I myself that lacked the strength and ability necessary to reach the end. I would start afresh striving tooth and nail to climb to the pinnacle from which I would see things in their novel relations. And each time, after I had got about halfway through the sentence, I would fall back again, as later on, when I joined the Army, in my attempts at the exercise known as the ‘bridge-ladder.’ I felt nevertheless for the new writer the admiration which an awkward boy who never receives any marks for gymnastics feels when he watches another more nimble. And from then onwards I felt less admiration for Bergotte, whose limpidity began to strike me as insufficient. There was a time at which people recognised things quite easily in pictures when it was Fromentin who had painted them, and could not recognise them at all when it was Renoir.&#xA;&#xA;   People of taste and refinement tell us nowadays that Renoir is one of the great painters of the last century. But in so saying they forget the element of Time, and that it took a great deal of time, well into the present century, before Renoir was hailed as a great artist. To succeed thus in gaining recognition, the original painter, the original writer proceeds on the lines adopted by oculists. The course of treatment they give us by their painting or by their prose is not always agreeable to us. When it is at an end the operator says to us: “Now look!” And, lo and behold, the world around us (which was not created once and for all, but is created afresh as often as an original artist is born) appears to us entirely different from the; old world, but perfectly clear. Women pass in the street, different from what they used to be, because they are Renoirs, those Renoir types which we persistently refused to see as women. The carriages, too, are Renoirs, and the water, and the sky: we feel tempted to go for a walk in the forest which reminds us of that other which when we first saw it looked like anything in the world except a forest, like for instance a tapestry of innumerable shades but lacking precisely the shades proper to forests. Such is the new and perishable universe which has just been created. It will last until the next geological catastrophe is precipitated by a new painter or writer of original talent.&#xA;&#xA;   This writer who had taken Bergotte’s place in my affections wearied me not by the incoherence but by the novelty of associations — perfectly coherent — which my mind was not trained to follow. The fact that it was always at the same point that I felt myself relinquish my grasp pointed to a common character in the efforts that I had always to make. Moreover, when once in a thousand times I did succeed in following the writer to the end of his sentence, what I saw there was always of a humour, a truth, a charm similar to those which I had found long ago in reading Bergotte, only more delightful. I reflected that it was not so many years since a similar reconstruction of the world, like that which I was waiting now for his successor to produce, had been wrought for me by Bergotte himself. Until I was led to ask myself whether there was indeed any truth in the distinction which we are always making between art, which is no more advanced now than in Homer’s day, and science with its continuous progress. Perhaps, on the contrary, art was in this respect like science; each new writer seemed to me to have advanced beyond the stage of his immediate predecessor; and how was I to know that in twenty years’ time, when I should be able to accompany without strain or effort the newcomer of to-day, another might not appear at whose approach he in turn would be packed off to the limbo to which his own coming would have consigned Bergotte?&#xA;&#xA;   I spoke to the latter of the new writer. He gave me a distaste for him not so much when he said that his art was uncouth, easy and vacuous, as when he told me that he had seen him, and had almost mistaken him (so strong was the likeness) for Bloch. From that moment my friend’s features outlined themselves on the printed pages, and I no longer felt any obligation to make the effort necessary to understand them. If Bergotte had decried him to me it was less, I fancy, out of jealousy for a success that was yet to come than out of ignorance of his work. He read scarcely anything. The bulk of his thought had long since passed from his brain into his books. He had grown thin, as though they had been extracted from him by surgical operations. His reproductive instinct no longer impelled him to any activity, now that he had given an independent existence to almost all his thoughts. He led the vegetative life of a convalescent, of a woman after childbirth; his fine eyes remained motionless, vaguely dazed, like the eyes of a man who lies on the seashore and in a vague daydream sees only each little breaking wave. However, if it was less interesting to talk to him now than I should once have found it, I felt no compunction for that. He was so far a creature of habit that the simplest habits, like the most elaborate, once he had formed them, became indispensable to him for a certain length of time. I do not know what made him come to our house first of all, but after that every day it was simply because he had been there the day before. He would come to the house as he might have gone to a café, so that no one should talk to him, so that he might — very rarely — talk himself; one might in short have found in his conduct a sign that he was moved to sympathise with us in our anxiety, or that he enjoyed my company, had one sought to draw any conclusion from such an assiduity in calling. It did not fail to impress my mother, sensitive to everything that might be regarded as an act of homage to her invalid. And every day she reminded me: “See that you don’t forget to thank him nicely.”&#xA;&#xA;   We had also — a discreet feminine attention like the refreshments that are brought to us in the studio, between sittings, by a painter’s mistress — a courteous supplement to those which her husband paid us professionally, a visit from Mme. Cottard. She came to offer us her ‘waiting-woman,’ or, if we preferred the services of a man, she would ‘scour the country’ for one, and, best of all, on our declining, said that she did hope this was not just a ‘put-off on our part, a word which in her world signifies a false pretext for not accepting an invitation. She assured us that the Professor, who never referred to his patients when he was at home, was as sad about it as if it had been she herself who was ill. We shall see in due course that even if this had been true it would have been at once a very small and a considerable admission on the part of the most faithless and the most attentive of husbands.&#xA;&#xA;   Offers as helpful and infinitely more touching owing to the form in which they were couched (which was a blend of the highest intelligence, the warmest sympathy, and a rare felicity of expression) were addressed to me by the Hereditary Grand Duke of Luxembourg. I had met him at Balbec where he had come on a visit to one of his aunts, the Princesse de Luxembourg, being himself at that time merely Comte de Nassau. He had married, some months later, the charming daughter of another Luxembourg Princess, extremely rich, because she was the only daughter of a Prince who was the proprietor of an immense flour-mill. Whereupon the Grand Duke of Luxembourg, who had no children of his own and was devoted to his nephew Nassau, had obtained the approval of his Chamber to his declaring the young man his heir. As with all marriages of this nature, the origin of the bride’s fortune was the obstacle as it was also the deciding factor. I remembered this Comte de Nassau as one of the most striking young men I had ever met, already devoured, at that time, by a dark and blazing passion for his betrothed. I was deeply touched by the letters which he wrote me, day after day, during my grandmother’s illness, and Mamma herself, in her emotion, quoted sadly one of her mother’s expressions: “Sévigné would not have put it better.”&#xA;&#xA;   On the sixth day Mamma, yielding to my grandmother’s entreaties, left her for a little and pretended to go and lie down. I should have liked (so that my grandmother might go to sleep) Françoise to sit quite still and not disturb her by moving. In spite of my supplications, she got up and left the room; she was genuinely devoted to my grandmother; with her uncanny insight and her natural pessimism she regarded her as doomed. She would therefore have liked to pay her every possible attention. But word had just come that an electrician was in the house, one of the oldest servants of his firm, the head of which was his brother-in-law, highly esteemed throughout the building, where he had worked for many years, and especially by Jupien. This man had been ordered to come before my grandmother’s illness. It seemed to me that he might have been sent away again, or told to wait. But Franchise’s code of manners would not permit of this; it would have been a want of courtesy towards this worthy man; my grandmother’s condition ceased at once to matter. When, after waiting a quarter of an hour, I lost my patience and went to look for her in the kitchen, I found her talking to him on the landing of the back staircase, the door of which stood open, a device which had the advantage, should any of us come on the scene, of letting it be thought that they were just saying goodbye, but had also the drawback of sending a terrible draught through the house. Françoise tore herself from the workman, not without turning to shout down after him various greetings, forgotten in her haste, to his wife and brother-in-law. A typical Combray scruple, not to be found wanting in politeness, which Françoise extended even to foreign politics. People foolishly imagine that the vast dimensions of social phenomena afford them an excellent opportunity to penetrate farther into the human soul; they ought, on the contrary, to realise that it is by plumbing the depths of a single personality that they might have a chance of understanding those phenomena. A thousand times over Françoise told the gardener at Combray that war was the most senseless of crimes, that life was the only thing that mattered. Yet, when the Russo-Japanese war broke out, she was quite ashamed, when she thought of the Tsar, that we had not gone to war also to help the ‘poor Russians,’ “since,” she reminded us, “we’re allianced to them.” She felt this abstention to be not quite polite to Nicholas II, who had always “said such nice things about us”; it was a corollary of the same code which would have prevented her from refusing a glass of brandy from Jupien, knowing that it would ‘upset’ her digestion, and which brought it about that now, with my grandmother lying at death’s door, the same meanness of which she considered France guilty in remaining neutral with regard to Japan she would have had to admit in herself, had she not gone in person to make her apologies to this good electrician who had been put to so much trouble.&#xA;&#xA;   Luckily for ourselves, we were soon rid of Françoise’s daughter, who was obliged to be away for some weeks. To the regular stock of advice which people at Combray gave to the family of an invalid: “You haven’t tried taking him away for a little . . . the change of air, you know . . . pick up an appetite . . . etc?” she had added the almost unique idea, which she had specially created in her own imagination, and repeated accordingly whenever we saw her, without fail, as though hoping by dint of reiteration to force it through the thickness of people’s heads: “She ought to have taken herself in hand radically from the first.” She did not recommend any one cure rather than another, provided that it were ‘radical.’ As for Françoise herself, she noticed that we were not giving my grandmother many medicines. Since, according to her, they only destroyed the stomach, she was quite glad of this, but at the same time even more humiliated. She had, in the South of France, some cousins — relatively well-to-do — whose daughter, after falling ill just as she was growing up, had died at twenty-three; for several years the father and mother had ruined themselves on drugs, on different doctors, on pilgrimages from one watering-place to another, until her decease. Now all this seemed to Françoise, for the parents in question, a kind of luxury, as though they had owned racehorses, or a Place in the country. They themselves, in the midst of their affliction, derived a certain gratification from the thought of such lavish expenditure. They had now nothing left, least of all their most precious possession, their child, but they did enjoy telling people how they had done as much for her and more than the richest in the land. The ultra-violet rays to the action of which, several times a day for months on end, the poor girl had been subjected, delighted them more than anything. The father, elated in his grief by the glory of it all, was led to speak of his daughter at times as of an operatic star for whose sake he had ruined himself. Françoise was not unmoved by this wealth of scenic effect; that which framed my grandmother’s sickbed seemed to her a trifle meagre, suited rather to an illness on the stage of a small provincial theatre.&#xA;&#xA;   There came a time when her uraemic trouble affected my grandmother’s eyes. For some days she could not see at all. Her eyes were not at all like those of a blind person, but remained just the same as before. And I gathered that she could see nothing only from the strangeness of a certain smile of welcome which she assumed the moment one opened the door, until one had come up to her and taken her hand, a smile which began too soon and remained stereotyped on her lips, fixed, but always full-faced, and endeavouring to be visible from all points, because she could no longer rely upon her sight to regulate it, to indicate the right moment, the proper direction, to bring it to the point, to make it vary according to the change of position or of facial expression of the person who had come in; because it was left isolated, without the accompanying smile in her eyes which would have distracted a little from it the attention of the visitor, it assumed in its awkwardness an undue importance, giving one the impression of an exaggerated friendliness. Then her sight was completely restored; from her eyes the wandering affliction passed to her ears. For several days my grandmother was deaf. And as she was afraid of being taken by surprise by the sudden entry of some one whom she would not have heard come in, all day long, albeit she was lying with her face to the wall, she kept turning her head sharply towards the door. But the movement of her neck was clumsy, for one cannot adapt oneself in a few days to this transposition of faculties, so as, if not actually to see sounds, to listen with one’s eyes. Finally her pain grew less, but the impediment of her speech increased. We were obliged to ask her to repeat almost everything that she said.&#xA;&#xA;   And now my grandmother, realising that we could no longer understand her, gave up altogether the attempt to speak and lay perfectly still. When she caught sight of me she gave a sort of convulsive start like a person who suddenly finds himself unable to breathe, but could make no intelligible sound. Then, overcome by her sheer powerlessness, she let her head drop on to the pillows, stretched herself out flat in her bed, her face grave, like a face of marble, her hands motionless on the sheet or occupied in some purely physical action such as that of wiping her fingers with her handkerchief. She made no effort to think. Then came a state of perpetual agitation. She was incessantly trying to get up. But we restrained her so far as we could from doing so, for fear of her discovering how paralysed she was. One day when she had been left alone for a moment I found her standing on the floor in her nightgown trying to open the window.&#xA;&#xA;   At Balbec, once, when a widow who had jumped into the sea had been rescued against her will, my grandmother had told me (moved perhaps by one of those presentiments which we discern at times in the mystery — so obscure, for all that — of the organic life around us, in which nevertheless it seems that our own future is foreshadowed) that she could think of nothing so cruel as to tear a poor wretch from the death that she had deliberately sought and restore her to her living martyrdom.&#xA;&#xA;   We were just in time to catch my grandmother, she put up an almost violent resistance to my mother, then, overpowered, seated forcibly in an armchair, she ceased to wish for death, to regret being alive, her face resumed its impassivity and she began laboriously to pick off the hairs that had been left on her nightgown by a fur cloak which somebody had thrown over her shoulders.&#xA;&#xA;   The look in her eyes changed completely; often uneasy, plaintive, haggard, it was no longer the look we knew, it was the sullen expression of a doddering old woman. . . .&#xA;&#xA;   By dint of repeatedly asking her whether she would not like her hair done, Françoise managed to persuade herself that the request had come from my grandmother. She armed herself with brushes, combs, eau de Cologne, a wrapper. “It can’t hurt Madame Amédée,” she said to herself, “if I just comb her; nobody’s ever too ill for a good combing.” In other words, one was never too weak for another person to be able, for her own satisfaction, to comb one. But when I came into the room I saw between the cruel hands of Françoise, as blissfully happy as though she were in the act of restoring my grandmother to health, beneath a thin rain of aged tresses which had not the strength to resist the action of the comb, a head which, incapable of maintaining the position into which it had been forced, was rolling to and fro with a ceaseless swirling motion in which sheer debility alternated with spasms of pain. I felt that the moment at which Françoise would have finished her task was approaching, and I dared not hasten it by suggesting to her: “That is enough,” for fear of her disobeying me. But I did forcibly intervene when, in order that my grandmother might see whether her hair had been done to her liking, Françoise, with innocent savagery, brought her a glass. I was glad for the moment that I had managed to snatch it from her in time, before my grandmother, whom we had carefully kept without a mirror, could catch even a stray glimpse of a face unlike anything she could have imagined. But, alas, when, a moment later, I leaned over her to kiss that dear forehead which had been so harshly treated, she looked up at me with a puzzled, distrustful, shocked expression: she did not know me.&#xA;&#xA;   According to our doctor, this was a symptom that the congestion of her brain was increasing. It must be relieved in some way.&#xA;&#xA;   Cottard was in two minds. Françoise hoped at first that they were going to apply ‘clarified cups.’ She looked for the effects of this treatment in my dictionary, but could find no reference to it. Even if she had said ‘scarified’ instead of ‘clarified’ she still would not have found any reference to this adjective, since she did not look any more for it under ‘S’ than under ‘C’; she did indeed say ‘clarified’ but she wrote (and consequently assumed that the printed word was) ‘esclarified.’ Cottard, to her disappointment, gave the preference, though without much hope, to leeches. When, a few hours later, I went into my grandmother’s room, fastened to her neck, her temples, her ears, the tiny black serpents were writhing among her bloodstained locks, as on the head of Medusa. But in her pale and peaceful entirely motionless face I saw wide open, luminous and calm, her own beautiful eyes, as in days gone by (perhaps even more charged with the light of intelligence than they had been before her illness, since, as she could not speak and must not move, it was to her eyes alone that she entrusted her thought, that thought which at one time occupies an immense place in us, offering us undreamed-of treasures, at another time seems reduced to nothing, then may be reborn, as though by spontaneous generation, by the withdrawal of a few drops of blood), her eyes, soft and liquid like two pools of oil in which the rekindled fire that was now burning lighted before the face of the invalid a reconquered universe. Her calm was no longer the wisdom of despair, but that of hope. She realised that she was better, wished to be careful, not to move, and made me the present only of a charming smile so that I should know that she was feeling better, as she gently pressed my hand.&#xA;&#xA;   I knew the disgust that my grandmother felt at the sight of certain animals, let alone being touched by them. I knew that it was in consideration of a higher utility that she was enduring the leeches. And so it infuriated me to hear Françoise repeating to her with that laugh which people use to a baby, to make it crow: “Oh, look at the little beasties running about on Madame.” This was, moreover, treating our patient with a want of respect, as though she were in her second childhood. But my grandmother, whose face had assumed the calm fortitude of a stoic, did not seem even to hear her.&#xA;&#xA;   Alas! No sooner had the leeches been taken off than the congestion returned and grew steadily worse. I was surprised to find that at this stage, when my grandmother was so ill, Françoise was constantly disappearing. The fact was that she had ordered herself a mourning dress, and did not wish to keep her dressmaker waiting. In the lives of most women, everything, even the greatest sorrow, resolves itself into a question of ‘trying-on.’&#xA;&#xA;   A few days later, when I was in bed and sleeping, my mother came to call me in the early hours of the morning. With that tender consideration which, in great crises, people who are crushed by grief shew even for the slightest discomfort of others:&#xA;&#xA;    “Forgive me for disturbing your sleep,” she said to me.&#xA;&#xA;    “I was not asleep,” I answered as I awoke.&#xA;&#xA;   I said this in good faith. The great modification which the act of awakening effects in us is not so much that of introducing us to the clear life of consciousness, as that of making us lose all memory of that other, rather more diffused light in which our mind has been resting, as in the opaline depths of the sea. The tide of thought, half veiled from our perception, over which we were drifting still a moment ago, kept us in a state of motion perfectly sufficient to enable us to refer to it by the name of wakefulness. But then our actual awakenings produce an interruption of memory. A little later we describe these states as sleep because we no longer remember them. And when shines that bright star which at the moment of waking illuminates behind the sleeper the whole expanse of his sleep, it makes him imagine for a few moments that this was not a sleeping but a waking state; a shooting star, it must be added, which blots out with the fading of its light not only the false existence but the very appearance of our dream, and merely enables him who has awoken to say to himself: “I was asleep.”&#xA;&#xA;   In a voice so gentle that she seemed to be afraid of hurting me, my mother asked whether it would tire me too much to get out of bed, and, stroking my hands, went on:&#xA;&#xA;    “My poor boy, you have only your Papa and Mamma to help you now.”&#xA;&#xA;   We went into the sickroom. Bent in a semicircle on the bed a creature other than my grandmother, a sort of wild beast which was coated with her hair and couched amid her bedclothes lay panting, groaning, making the blankets heave with its convulsions. The eyelids were closed, and it was because the one nearer me did not shut properly, rather than because it opened at all that it left visible a chink of eye, misty, filmed, reflecting the dimness both of an organic sense of vision and of a hidden, internal pain. All this agitation was not addressed to us, whom she neither saw nor knew. But if this was only a beast that was stirring there, where coulel my grandmother be? Yes, I could recognise the shape of her nose, which bore no relation now to the rest of her face, but to the corner of which a beauty spot still adhered, and the hand that kept thrusting the blankets aside with a gesture which formerly would have meant that those blankets were pressing upon her, but now meant nothing.&#xA;&#xA;   Mamma asked me to go for a little vinegar and water with which to sponge my grandmother’s forehead. It was the only thing that refreshed her, thought Mamma, who saw that she was trying to push back her hair. But now one of the servants was signalling to me from the doorway. The news that my grandmother was in the last throes had spread like wildfire through the house. One of those ‘extra helps’ whom people engage at exceptional times to relieve the strain on their servants (a practice which gives deathbeds an air of being social functions) had just opened the front door to the Duc de Guermantes, who was now waiting in the hall and had asked for me: I could not escape him.&#xA;&#xA;    “I have just, my dear Sir, heard your tragic news. I should like, as a mark of sympathy, to shake hands with your father.” I made the excuse that I could not very well disturb him at the moment. M. de Guermantes was like a caller who turns up just as one is about to start on a journey. But he felt so intensely the importance of the courtesy he was shewing us that it blinded him to all else, and he insisted upon being taken into the drawing-room. As a general rule, he made a point of going resolutely through the formalities with which he had decided to honour anyone, and took little heed that the trunks were packed or the coffin ready.&#xA;&#xA;    “Have you sent for Dieulafoy? No? That was a great mistake. And if you had only asked me, I would have got him to come, he never refuses me anything, although he has refused the Duchesse de Chartres before now. You see, I set myself above a Princess of the Blood. However, in the presence of death we are all equal,” he added, not that he meant to suggest that my grandmother was becoming his equal, but probably because he felt that a prolonged discussion of his power over Dieulafoy and his pre-eminence over the Duchesse de Chartres would not be in very good taste.&#xA;&#xA;   This advice did not in the least surprise me. I knew that, in the Guermantes set, the name of Dieulafoy was regularly quoted (only with slightly more respect) among those of other tradesmen who were ‘quite the best’ in their respective lines. And the old Duchesse de Mortemart néeGuermantes (I never could understand, by the way, why, the moment one speaks of a Duchess, one almost invariably says: “The old Duchess of So-and-so” or, alternatively, in a delicate Watteau tone, if she is still young: “The little Duchess of So-and-so,”) would prescribe almost automatically, with a droop of the eyelid, in serious cases: “Dieulafoy, Dieulafoy!” as, if one wanted a place for ices, she would advise: ‘Poiré Blanche,’ or for small pastry ‘Rebattet, Rebattet.’ But I was not aware that my father had, as a matter of fact, just sent for Dieulafoy.&#xA;&#xA;   At this point my mother, who was waiting impatiently for some cylinders of oxygen which would help my grandmother to breathe more easily, came out herself to the hall where she little expected to find M. de Guermantes. I should have liked to conceal him, had that been possible. But convinced in his own mind that nothing was more essential, could be more gratifying to her or more indispensable to the maintenance of his reputation as a perfect gentleman, he seized me violently by the arm and, although I defended myself as against an assault with repeated protestations of “Sir, Sir, Sir,” dragged me across to Mamma, saying: “Will you do me the great honour of presenting me to your mother?” letting go a little as he came to the last word. And it was so plain to him that the honour was hers that he could not help smiling at her even while he was composing a grave face. There was nothing for it but to mention his name, the sound of which at once started him bowing and scraping, and he was just going to begin the complete ritual of salutation. He apparently proposed to enter into conversation, but my mother, overwhelmed by her grief, told me to come at once and did not reply to the speeches of M. de Guermantes who, expecting to be received as a visitor and finding himself instead left alone in the hall, would have been obliged to retire had he not at that moment caught sight of Saint-Loup who had arrived in Paris that morning and had come to us in haste to inquire for news. “I say, this is a piece of luck!” cried the Duke joyfully, catching his nephew by the sleeve, which he nearly tore off, regardless of the presence of my mother who was again crossing the hall. Saint-Loup was not sorry, I fancy, despite his genuine sympathy, at having missed seeing me, considering his attitude towards myself. He left the house, carried off by his uncle who — having had something very important to say to him and having very nearly gone down to Doncières on purpose to say it, was beside himself with joy at being able to save himself so much exertion. “Upon my soul, if anybody had told me I had only to cross the courtyard and I should find you here, I should have thought it a huge joke; as your friend M. Bloch would say, it’s a regular farce.” And as he disappeared down the stairs with Robert whom he held by the shoulder: “All the same,” he went on, “it’s quite clear I must have touched the hangman’s rope or something; I do have the most astounding luck.” Not that the Duc de Guermantes was ill-bred; far from it. But he was one of those men who are incapable of putting themselves in the place of other people, who resemble in that respect undertakers and the majority of doctors, and who, after composing their faces and saying: “This is a very painful occasion,” after, if need be, embracing you and advising you to rest, cease to regard a deathbed or a funeral as anything but a social gathering of a more or less restricted kind at which, with a joviality that has been checked for a moment only, they scan the room in search of the person whom they can tell about their own little affairs, or ask to introduce them to some one else, or offer a ‘lift’ in their carriage when it is time to go home. The Duc de Guermantes, while congratulating himself on the ‘good wind’ that had blown him into the arms of his nephew, was still so surprised at the reception — natural as it was — that had been given him by my mother, that he declared later on that she was as disagreeable as my father was civil, that she had ‘absent fits’ during which she seemed literally not to hear a word you said to her, and that in his opinion she had no self-possession and perhaps even was not quite ‘all there.’ At the same time he had been quite prepared (according to what I was told) to put this state of mind down, in part at any rate, to the circumstances, and declared that my mother had seemed to him greatly ‘affected’ by the sad event. But he had still stored up in his limbs all the residue of bows and reverences which he had been prevented from using up, and had so little idea of the real nature of Mamma’s sorrow that he asked me, the day before the funeral, if I was not doing anything to distract her.&#xA;&#xA;   A half-brother of my grandmother, who was in religion, and whom I had never seen, had telegraphed to Austria, where the head of his Order was, and having as a special privilege obtained leave, arrived that day. Bowed down with grief, he sat by the bedside reading prayers and meditations from a book, without, however, taking his gimlet eyes from the invalid’s face. At one point, when my grandmother was unconscious, the sight of this cleric’s grief began to upset me, and I looked at him tenderly. He appeared surprised by my pity, and then an odd thing happened. He joined his hands in front of his face, like a man absorbed in painful meditation, but, on the assumption that I would then cease to watch him, left, as I observed, a tiny chink between his fingers. And at the moment when my gaze left his face, I saw his sharp eye, which had been making use of its vantage-point behind his hands to observe whether my sympathy were sincere. He was hidden there as in the darkness of a confessional. He saw that I was still looking and at once shut tight the lattice which he had left ajar. I have met him again since then, but never has any reference been made by either of us to that minute. It was tacitly agreed that I had not noticed that he was spying on me. In the priest as in the alienist, there is always an element of the examining magistrate. Besides, what friend is there, however cherished, in whose and our common past there has not been some such episode which we find it convenient to believe that he must have forgotten?&#xA;&#xA;   The doctor gave my grandmother an injection of morphine, and to make her breathing less troublesome ordered cylinders of oxygen. My mother, the doctor, the nursing sister held these in their hands; as soon as one was exhausted another was put in its place. I had left the room for a few minutes. When I returned I found myself face to face with a miracle. Accompanied on a muted instrument by an incessant murmur, my grandmother seemed to be greeting us with a long and blissful chant, which filled the room, rapid and musical. I soon realized that this was scarcely less unconscious, that it was as purely mechanical as the hoarse rattle that I had heard before leaving the room. Perhaps to a slight extent it reflected some improvement brought about by the morphine. Principally it was the result (the air not passing quite in the same way through the bronchial tubes) of a change in the register of her breathing. Released by the twofold action of the oxygen and the morphine, my grandmother’s breath no longer laboured, panted, groaned, but, swift and light, shot like a skater along the delicious stream. Perhaps with her breath, unconscious like that of the wind in the hollow stem of a reed, there were blended in this chant some of those more human sighs which, liberated at the approach of death, make us imagine impressions of suffering or happiness in minds which already have ceased to feel, and these sighs came now to add a more melodious accent, but without changing its rhythm, to that long phrase which rose, mounted still higher, then declined, to start forth afresh, from her unburdened bosom in quest of the oxygen. Then, having risen to so high a pitch, having been sustained with so much vigour, the chant, mingled with a murmur of supplication from the midst of her ecstasy, seemed at times to stop altogether like a spring that has ceased to flow.&#xA;&#xA;   Françoise, in any great sorrow, felt the need but did not possess the art — as simple as that need was futile — of giving it expression. Regarding my grandmother’s case as quite hopeless, it was her own personal impressions that she was impelled to communicate to us. And all that she could do was to repeat: “It makes me feel all queer,” in the same tone in which she would say, when she had taken too large a plateful of cabbage broth: “It’s like a load on my stomach,” sensations both of which were more natural than she seemed to think. Though so feebly expressed, her grief was nevertheless very great, and was aggravated moreover by her annoyance that her daughter, detained at Combray (to which this young Parisian now referred as ‘the Cambrousse’ and where she felt herself growing ‘pétrousse,’ in other words fossilised), would not, presumably, be able to return in time for the funeral ceremony, which was certain, Françoise felt, to be a superb spectacle. Knowing that we were not inclined to be expansive, she made Jupien promise at all costs to keep every evening in the week free. She knew that he would be engaged elsewhere at the hour of the funeral. She was determined at least to ‘go over it all’ with him on his return.&#xA;&#xA;   For several nights now my father, my grandfather and one of our cousins had been sitting up, and never left the house during the day. Their continuous devotion ended by assuming a mask of indifference, and their interminable leisure round the deathbed made them indulge in that small talk which is an inseparable accompaniment of prolonged confinement in a railway carriage. Anyhow this cousin (a nephew of my great-aunt) aroused in me an antipathy as strong as the esteem which he deserved and generally enjoyed. He was always ‘sent for’ in times of great trouble, and was so assiduous in his attentions to the dying that their mourning families, on the pretext that he was in delicate health, despite his robust appearance, his bass voice and bristling beard, invariably besought him, with the customary euphemisms, not to come to the cemetery. I could tell already that Mamma, who thought of others in the midst of the most crushing grief, would soon be saying to him, in a very different form of words, what he was in the habit of hearing said on all such occasions:&#xA;&#xA;    “Promise me that you won’t come ‘to-morrow.’ Please, for ‘her sake.’ At any rate, you won’t go ‘all the way.’ It’s what she would have wished.”&#xA;&#xA;   But there was nothing for it; he was always the first to arrive ‘at the house,’ by reason of which he had been given, among another set, the nickname (unknown to us) of ‘No flowers by request.’ And before attending everything he had always ‘attended to everything,’ which entitled him to the formula: “We don’t know how to thank you.”&#xA;&#xA;    “What’s that?” came in a loud voice from my grandfather, who had grown rather deaf and had failed to catch something which our cousin had just said to my father.&#xA;&#xA;    “Nothing,” answered the cousin. “I was just saying that I’d heard from Combray this morning. The weather is appalling down there, and here we’ve got too much sun.”&#xA;&#xA;    “Yet the barometer is very low,” put in my father.&#xA;&#xA;    “Where did you say the weather was bad?” asked my grandfather.&#xA;&#xA;    “At Combray.”&#xA;&#xA;    “Ah! I’m not surprised; whenever it’s bad here it’s fine at Combray, and vice versa. Good gracious! Talking of Combray, has anyone remembered to tell Legrandin?”&#xA;&#xA;    “Yes, don’t worry about that, it’s been done,” said my cousin, whose cheeks, bronzed by an irrepressible growth of beard, dimpled faintly with the satisfaction of having ‘remembered’ it.&#xA;&#xA;   At this point my father hurried from the room. I supposed that a sudden change, for better or worse, had occurred. It was simply that Dr. Dieulafoy had just arrived. My father went to receive him in the drawing-room, like the actor who is to come next on the stage. We had sent for him not to cure but to certify, in almost a legal capacity. Dr. Dieulafoy might indeed be a great physician, a marvellous professor; to these several parts, in which he excelled, he added a third, in which he remained for forty years without a rival, a part as original as that of the arguer, the scaramouch or the noble father, which consisted in coming to certify an agony or a death. The mere sound of his name foreshadowed the dignity with which he would sustain the part, and when the servant announced: “M. Dieulafoy,” one imagined oneself at a play by Molière. To the dignity of his attitude was added, without being conspicuous, the suppleness of a perfect figure. A face in itself too good-looking was toned down by the convention due to distressing circumstances. In the sable majesty of his frock coat the Professor entered the room, melancholy without affectation, uttered not the least word of condolence, which might have been thought insincere, nor was he guilty of the slightest infringement of the rules of tact. At the foot of a deathbed it was he and not the Duc de Guermantes who was the great gentleman Having examined my grandmother, but not so as to tire her, and with ari excess of reserve which was an act of courtesy to the doctor who was treating the case, he murmured a few words to my father, bowed respectfully to my mother to whom I felt that my father had positively to restrain himself from saying: “Professor Dieulafoy.” But already our visitor had turned away, not wishing to seem to be soliciting an introduction, and left the room in the most polished manner conceivable, simply taking with him the sealed envelope that was slipped into his hand. He had not appeared to see it, and we ourselves were left wondering for a moment whether we had really given it to him, such a conjurer’s nimbleness had he put into the act of making it vanish without thereby losing anything of the gravity — which was increased rather — of the great consultant in his long frock coat with its silken lapels, and his handsome head full of a noble commiseration. The slowness and vivacity of his movements shewed that, even if he had a hundred other visits to pay and patients waiting, he refused to appear hurried. For he was the embodiment of tact, intelligence and kindness. That eminent man is no longer with us. Other physicians, other professors may have rivalled, may indeed have surpassed him. But the ‘capacity’ in which his knowledge, his physical endowments, his distinguished manners made him triumph exists no longer for want of any successor capable of taking his place. Mamma had not even noticed M. Dieulafoy, everything that was not my grandmother having no existence for her. I remember (and here I anticipate) that at the cemetery, where we saw her, like a supernatural apparition, go up timidly to the grave and seem to be gazing in the wake of a flying form that was already far away, my father having remarked to her: “Old Norpois came to the house and to the church and on here; he gave up a most important committee meeting to come; you ought really to say a word to him, he’ll be so gratified if you do,” my mother, when the Ambassador stood before her and bowed, could do no more than gently incline a face that shewed no tears. A couple of days earlier — to anticipate once again before returning to where we were just now by the bed on which my grandmother lay dying — while they were watching by the body, Françoise, who, not disbelieving entirely in ghosts, was terrified by the least sound, had said: “I believe that’s her.” But in place of fear it was an ineffable sweetness that her words aroused in my mother, who would have been so glad that the dead should return, to have her mother with her sometimes still.&#xA;&#xA;   To return now to those last hours, “You heard about the telegram her sisters sent us?” my grandfather asked the cousin.&#xA;&#xA;    “Yes, Beethoven, they told me about it, it’s worth framing; still, I’m not surprised.”&#xA;&#xA;    “My poor wife, who was so fond of them, too,” said my grandfather, wiping away a tear. “We mustn’t blame them. They’re stark mad, both of them, as I’ve always said. What’s the matter now; aren’t you going on with the oxygen?”&#xA;&#xA;   My mother spoke: “Oh, but then Mamma will be having more trouble with her breathing.”&#xA;&#xA;   The doctor reassured her: “Oh, no! The effect of the oxygen will last a good while yet; we can begin it again presently.”&#xA;&#xA;   It seemed to me that he would not have said this of a dying woman, that if this good effect were to last it meant that we could still do something to keep her alive. The hiss of the oxygen ceased for a few moments, But the happy plaint of her breathing poured out steadily, light, troubled, unfinished, without end, beginning afresh. Now and then it seemed that all was over, her breath stopped, whether owing to one of those transpositions to another octave that occur in the breathing of a sleeper, or else from a natural interruption, an effect of unconsciousness, the progress of asphyxia, some failure of the heart. The doctor stooped to feel my grandmother’s pulse, but already, as if a tributary were pouring its current into the dried river-bed, a fresh chant broke out from the interrupted measure. And the first was resumed in another pitch with the same inexhaustible force. Who knows whether, without indeed my grandmother’s being conscious of them, a countless throng of happy and tender memories compressed by suffering were not escaping from her now, like those lighter gases which had long been compressed in the cylinders? One would have said that everything thai she had to tell us was pouring out, that it was to us that she was addressing herself with this prolixity, this earnestness, this effusion. At the foot of the bed, convulsed by every gasp of this agony, not weeping but now and then drenched with tears, my mother presented the unreasoning desolation of a leaf which the rain lashes and the wind twirls on its stem. They made me dry my eyes before I went up to kiss my grandmother.&#xA;&#xA;    “But I thought she couldn’t see anything now?” said my father.&#xA;&#xA;    “One can never be sure,” replied the doctor.&#xA;&#xA;   When my lips touched her face, my grandmother’s hands quivered, a long shudder ran through her whole body, reflex perhaps, perhaps because certain affections have their hyperaesthesia which recognises through the veil of unconsciousness what they barely need senses to enable them to love. Suddenly my grandmother half rose, made a violent effort, as though struggling to resist an attempt on her life. Françoise could not endure this sight and burst out sobbing. Remembering what the doctor had just said I tried to make her leave the room. At that moment my grandmother opened her eyes. I thrust myself hurriedly in front of Françoise to hide her tears, while my parents were speaking to the sufferer. The sound of the oxygen had ceased; the doctor moved away from the bedside. My grandmother was dead.&#xA;&#xA;   An hour or two later Françoise was able for the last time, and without causing them any pain, to comb those beautiful tresses which had only begun to turn grey and hitherto had seemed not so old as my grandmother herself. But now on the contrary it was they alone that set the crown of age on a face grown young again, from which had vanished the wrinkles, the contractions, the swellings, the strains, the hollows which in the long course of years had been carved on it by suffering. As at the far-off time when her parents had chosen for her a bridegroom, she had the features delicately traced by purity and submission, the cheeks glowing with a chaste expectation, with a vision of happiness, with an innocent gaiety even which the years had gradually destroyed. Life in withdrawing from her had taken with it the disillusionments of life. A smile seemed to be hovering on my grandmother’s lips. 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<INFO BITRATE="1013517" KEY_LYRICS="3 ContributorsYour Love Lyrics(Denis LePage, Denyse LePage)&#xA;&#xA;(Chorus 1)&#xA;Your love&#xA;Your love is never changing&#xA;(Your love is never changing)&#xA;Your love&#xA;Your love is always lasting&#xA;&#xA;Babe, I wanna be with you&#xA;You know that I wanna be true&#xA;'Cause tonight, tonight, tonight is the night&#xA;You know, you know, I wanna make it right&#xA;&#xA;I'll always remember that night&#xA;You were so outta sight&#xA;We hold each other, ooh, so tight&#xA;We hold each other all through the night&#xA;&#xA;Babe, you are the only one&#xA;And I wanna be with you&#xA;'Cause I know, you know the time is right&#xA;You touch me bay when you hold me tight&#xA;&#xA;Let's keep making on all through&#xA;Baby, never, naver let me go&#xA;For as long as I live&#xA;Touch me hard and I'm ready to give&#xA;(Chorus 2)&#xA;Your love&#xA;Your love is never changing&#xA;(Your love is never changing)&#xA;Your love&#xA;Your love is always lasting&#xA;(Your love is always lasting&#xA;Your love&#xA;&#xA;Your love is never changing&#xA;(Your love is never changing)&#xA;Your love&#xA;Your love is always lasting&#xA;&#xA;(Instrumental Break)&#xA;&#xA;(Repeat Chorus 1)&#xA;The day that I'll be without you&#xA;And that you will make me blue&#xA;I know, I know, I know it isn't right&#xA;'Cause tonight, tonight, tonight is the night&#xA;&#xA;Oh, baby, it feels so good&#xA;I know, I'm understood&#xA;I love you, I'll hold you tight&#xA;Hold me, baby, 'til the morning light&#xA;Babe, I wanna be with you&#xA;You know that I wanna be true&#xA;'Cause tonight, tonight, tonight is the night&#xA;You know, you know I wanna make it right&#xA;&#xA;(Instrumental Break)&#xA;&#xA;Your love&#xA;Your love is never changing&#xA;&#xA;Oh-oh-oh-oh-oh-oh-oh&#xA;&#xA;Ah-ah-ah-ah-ah-ah-ah-ah&#xA;&#xA;(Repeat Chorus 1 and Fade)" PRODUCER="1994 Unidisc Music Inc." COVERARTID="100/EDV3VVBCKB4FQARPH2UMDVJRBYKB" PLAYTIME="243" PLAYTIME_FLOAT="242.733337" IMPORT_DATE="2025/4/14" RELEASE_DATE="1981/1/1" FLAGS="12" FILESIZE="30355"></INFO>
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<INFO BITRATE="1036789" KEY_LYRICS="3 ContributorsDo You Wanna Funk? LyricsThere is something I wanna ask you&#xA;There is something that I want to know&#xA;And to this question, you have the answer&#xA;So tell me what I want to know&#xA;Do ya wanna funk ? Won't ya tell me now?&#xA;If ya wanna funk, let me show ya how&#xA;Do ya wanna funk with me ? Do ya wanna funk with me ?&#xA;So if I tell you that you're really something, baby&#xA;Will you stay or will you go away ?&#xA;And when I lay my good lovin' on ya&#xA;What will it cost me, baby ? What will you make me pay ?&#xA;Do ya wanna funk ? Won't ya tell me now?&#xA;If ya wanna funk, let me show ya how&#xA;Do ya wanna funk with me ? Do ya wanna funk with me ?&#xA;&#xA;(Solo)&#xA;Do ya wanna funk ? Won't ya tell me now?&#xA;If ya wanna funk, let me show ya how&#xA;Do ya wanna funk with me ? Do ya wanna funk with me ?" PRODUCER="Unidisc Music Inc." COVERARTID="105/J54MIIB31BIGLA30J0GHAXRK2W3B" PLAYTIME="213" PLAYTIME_FLOAT="212.346664" IMPORT_DATE="2025/4/14" RELEASE_DATE="1982/1/1" FLAGS="12" FILESIZE="27245"></INFO>
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<INFO BITRATE="1039370" KEY_LYRICS="10 ContributorsWhen the Rain Begins to Fall Lyrics&#xA;Like the sand can seep right through your fingers&#xA;So can all your days&#xA;As those days go by&#xA;You'll have me there to help you find the way&#xA;I feel with you, I know it's got to last forever&#xA;&#xA;&#xA;And when the rain begins to fall&#xA;You'll ride my rainbow in the sky&#xA;And I will catch you if you fall&#xA;You'll never have to ask me why&#xA;And when the rain begins to fall&#xA;I'll be the sunshine in your life&#xA;You know that we can have it all&#xA;And everything will be alright&#xA;&#xA;&#xA;Time goes by so fast&#xA;You've got to have a dream to just hold on&#xA;All my dreams of love began with the reality of&#xA;You and I believe that all our dreams will last forever&#xA;&#xA;&#xA;And when the rain begins to fall&#xA;You'll ride my rainbow in the sky&#xA;And I will catch you if you fall&#xA;You'll never have to ask me why&#xA;And when the rain begins to fall&#xA;I'll be the sunshine in your life&#xA;You know that we can have it all&#xA;And everything will be alright&#xA;&#xA;Though the sun may hide&#xA;We still can see&#xA;The light that shines for you and me&#xA;We'll be together&#xA;All that we can be&#xA;&#xA;&#xA;And when the rain begins to fall&#xA;You'll ride my rainbow in the sky&#xA;And I will catch you if you fall&#xA;You'll never have to ask me why&#xA;And when the rain begins to fall&#xA;I'll be the sunshine in your life&#xA;You know that we can have it all&#xA;And everything will be alright&#xA;And when the rain begins to fall&#xA;You'll ride my rainbow in the sky&#xA;And I will catch you if you fall&#xA;You'll never have to ask me why&#xA;And when the rain begins to fall&#xA;I'll be the sunshine in your life&#xA;You know that we can have it all&#xA;And everything will be alright" PRODUCER="(P) 1984 RCA Records, a division of Sony Music Entertainment" COVERARTID="036/ENK23MA4FL2UWAYNZ3BBA21AA3ZB" PLAYTIME="250" PLAYTIME_FLOAT="250.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="1984/1/1" FLAGS="12" FILESIZE="31965"></INFO>
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<INFO BITRATE="835828" KEY_LYRICS="8 ContributorsSunset People Lyrics&#xA;Late night flight, L.A.X&#xA;Limousine and you're all set&#xA;For sunset, for sunset&#xA;Riot house a penthouse suite&#xA;The street's alive below your feet&#xA;On sunset, on sunset&#xA;Rainbow girl, whiskey man&#xA;Spotting every star they can&#xA;On sunset, on sunset&#xA;Rock an' roll every night&#xA;Underneath them neon signs&#xA;On sunset, on sunset&#xA;&#xA;&#xA;Sunset people, doin' it right - night after night&#xA;Sunset people, night after night - doin' it right&#xA;Sunset people, doin' it right - night after night&#xA;Sunset people, doin' it right - night after night&#xA;Holdin' on to the last breath of life&#xA;On sunset, on sunset&#xA;&#xA;&#xA;Smooth haired guys thumbing rides&#xA;Linin' up from side to side&#xA;On sunset, on sunset&#xA;In between pretty girls&#xA;Still sixteen but know the world&#xA;On sunset, on sunset&#xA;Foreign cars full of stars&#xA;Tinted glass to hide the scars&#xA;From sunset, from sunset&#xA;Billboard signs on the strip&#xA;Glamorize the latest hits&#xA;On sunset, on sunset&#xA;&#xA;Sunset people, doin' it right - night after night&#xA;Sunset people, night after night - doin' it right&#xA;Sunset people, doin' it right - night after night&#xA;Sunset people, night after night - doin' it right&#xA;Sunset people, doin' it right - night after night&#xA;&#xA;&#xA;Friday night the weekend crowd&#xA;Moves on in to get on down&#xA;On sunset, on sunset&#xA;Life is hot life is fast&#xA;People try to make it last&#xA;On sunset, on sunset&#xA;&#xA;&#xA;Sunset people, doin' it right - night after night&#xA;Sunset people, night after night - doin' it right&#xA;Sunset people, doin' it right - night after night&#xA;Sunset people, night after night - doin' it right&#xA;Sunset people, doin' it right - night after night" PRODUCER="℗ 1979 The Island Def Jam Music Group" COVERARTID="093/341KYXCU5QCE5B0HVMCRATKMZNZC" PLAYTIME="239" PLAYTIME_FLOAT="238.493332" IMPORT_DATE="2025/4/14" RELEASE_DATE="1980/1/1" FLAGS="12" FILESIZE="24529"></INFO>
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<INFO BITRATE="1071917" KEY_LYRICS="2 ContributorsNew Music Friday 01/14/22 LyricsGunna - P power (feat. Drake)&#xA;Cordae - Chronicles (feat. H.E.R. &amp;amp; Lil Durk)&#xA;FKA twigs - jealousy (feat. rema)&#xA;Kane Brown - Whiskey Sour&#xA;Chris Brown - Iffy&#xA;Avril Lavigne Love It When You Hate Me (feat. blackbear)&#xA;Oliver Tree - Cowboys Don’t Cry&#xA;YoungBoy Never Broke Again - Foolish Figure&#xA;NLE Choppa - Too Hot (feat. Moneybagg Yo)&#xA;Mitski - Love Me More&#xA;Aluna - Forget About Me&#xA;Stromae - L’enfer&#xA;Lil Wayne - Anti-Hero (feat. Lil Tecca)&#xA;Tai Verdes - LAst dAy oN EaRTh&#xA;Peter McPoland - String Lights&#xA;The Lumineers - WHERE WE ARE&#xA;Kota thе Friend - Bitter&#xA;Murda Beatz - Onе Shot (feat. Blxst &amp;amp; Wale)&#xA;King Princess - Little Bother (feat. Fousheé)&#xA;Muse - Won’t Stand Down&#xA;Bastille - Shut Off The Lights&#xA;Anson Seabra - Come Close&#xA;Charlieonnafriday - On My Own&#xA;Tyla Yaweh - Do No Wrong (feat. Trippie Redd &amp;amp; PnB Rock)&#xA;JID - Surround Sound (feat. 21 Savage &amp;amp; Baby Tate)&#xA;Joey Bada$$ - THE REV3NGE&#xA;Mau y Ricky - No Puede Ser&#xA;Years &amp;amp; Years - Sooner Or Later&#xA;Cautious Clay - Rapture In Blue&#xA;Oscar Scheller - Hard Being Alive (feat. Chloe Moriondo)&#xA;Earl Sweatshirt - Lye&#xA;Ant Clemons - Come With Me&#xA;Jason Aldean - Trouble With A Heartbreak&#xA;Brett Eldredge - Want That Back&#xA;John K - A LOT&#xA;Hippo Campus - Ride or Die&#xA;Sebastian Yatra - Regresé&#xA;Russ - Remember&#xA;Saba - Come My Way (feat. Krayzie Bone)&#xA;EARTHGANG - All Eyes On Me&#xA;BEAM - WIN&#xA;Vaultboy - i think i wanna text u&#xA;Sofia Carson - LOUD&#xA;Haley Joelle - Memory Lane&#xA;Bonobo - Age of Phase&#xA;Lucius - Next to Normal&#xA;Eddie Vedder - Brother the Cloud&#xA;Thomas Rhett - Angels&#xA;Conner Smith - Somewhere In A Small Town&#xA;CNCO - Party, Humo y Alcohol&#xA;Bob Moses - Love Brand New&#xA;ENHYPEN - Blessed-Cursed&#xA;Stephanie Poetri - Picture Myself&#xA;Barrie - Quarry&#xA;Cavetown - squares&#xA;Yot Club - It's Easy&#xA;Jacques Greene - Taurus&#xA;Babyface Ray - Dancing With The Devil&#xA;Popp Hunna - Back It Up&#xA;Token - Boom (ft. JID)&#xA;AZ - Motorola Era&#xA;Stand Atlantic - pity party (feat. Royal &amp;amp; The Serpent)&#xA;Valley - Last Birthday&#xA;Ai Bendr - I Never Learn&#xA;BAYNK - Naked&#xA;Frank Walker - Day By Day&#xA;Kojey Radical - Payback (feat. Knucks)&#xA;Johan Lenox - No One Gets Me (feat. RMR)&#xA;BUZZ - Liberation&#xA;Niko Rubio - Hold Me Down&#xA;Hailey Whitters - Everything She Ain’t&#xA;Danielle Bradbery - Break My Heart Again&#xA;The Wombats - This Car Drives All by Itself&#xA;LAUNDRY DAY - Did You Sleep Last Night?&#xA;The Simps - Tesla&#xA;Yeule - Too Dead Inside&#xA;The Knocks - Walking On Water&#xA;SIDEPIECE - Sextacy&#xA;Erica Banks - The Best&#xA;KDVSGOLIATH - BANTER&#xA;Wintr - Consequences&#xA;Matisyahu - Keep Coming Back for More (feat. Salt Cathedral)&#xA;Amanda Reifer - Bag&#xA;Abby Roberts - Paramaniac&#xA;Natalie Jane - Kind of Love&#xA;Against The Current - Wildfire&#xA;Skillet - Destiny&#xA;Elvis Costello - The Boy Named If&#xA;Henry Jamison - Make It Out (feat. Maisie Peters)&#xA;Aldous Harding - Lawn&#xA;Lael - you can't stay mad at me&#xA;Dexter - Different&#xA;HAZEY - Packs and Potions&#xA;Keedron Bryant - Passing Thru&#xA;Wisin - Buenos Días&#xA;Tenille Townes - When's It Gonna Happen&#xA;Ben Kessler - April" PRODUCER="1979 New Fresh Records" COVERARTID="100/E5EO55BP5AQDIBHY32UFC4TZAOEB" PLAYTIME="227" PLAYTIME_FLOAT="226.293335" IMPORT_DATE="2025/4/14" RELEASE_DATE="1979/1/1" FLAGS="12" FILESIZE="29795"></INFO>
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<INFO BITRATE="906453" KEY_LYRICS="13 ContributorsTranslationsРусскийOne Way Ticket Lyrics&#xA;One way ticket, one way ticket&#xA;One way ticket, one way ticket&#xA;One way ticket, one way ticket to the blues&#xA;&#xA;&#xA;Choo, choo train truckin' down the track&#xA;Gotta travel on, ain't never comin' back&#xA;Oh, oh got a one way ticket to the blues&#xA;Bye, bye love my baby's leavin' me&#xA;Now lonely teardrops are all that I can see&#xA;Oh, oh got a one way ticket to the blues&#xA;&#xA;&#xA;Gonna take a trip to lonesome town&#xA;Gonna stay at heartbreak hotel&#xA;A fool such as I that never learns&#xA;I cry a tear so well&#xA;&#xA;&#xA;One way ticket, one way ticket&#xA;One way ticket, one way ticket&#xA;One way ticket, one way ticket to the blues&#xA;&#xA;&#xA;Choo, choo train truckin' down the track&#xA;Gotta travel on, ain't never comin' back&#xA;Oh, oh got a one way ticket to the blues&#xA;&#xA;Oh, oh got a one way ticket to the blues&#xA;&#xA;&#xA;Gonna take a trip to lonesome town&#xA;Gonna stay at heartbreak hotel&#xA;A fool such as I that never learns&#xA;I cry a tear so well&#xA;&#xA;&#xA;One way ticket, one way ticket&#xA;One way ticket, one way ticket&#xA;One way ticket, one way ticket to the blues&#xA;&#xA;&#xA;Choo, choo train truckin' down the track&#xA;Gotta travel on, ain't never comin' back&#xA;Oh, oh got a one way ticket to the blues&#xA;&#xA;&#xA;Oh, oh got a one way ticket to the blues&#xA;Oh, oh got a one way ticket to the blues&#xA;Oh, oh got a one way ticket to the blues&#xA;Oh, oh got a one way ticket to the blues" PRODUCER="(P) 1979 BMG Berlin Musik GmbH/MCI" COVERARTID="004/EQLIFRCPD15IXBJUREKACRBD3ZEA" PLAYTIME="214" PLAYTIME_FLOAT="213.199997" IMPORT_DATE="2025/4/14" RELEASE_DATE="2011/1/1" FLAGS="12" FILESIZE="23721"></INFO>
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<INFO BITRATE="967142" KEY_LYRICS="7 ContributorsLet’s All Chant LyricsLet's All Chant&#xA;&#xA;(Ooh ooh)&#xA;&#xA;(Ooh ooh)&#xA;&#xA;(Ooh ooh)&#xA;&#xA;(Ooh ooh)&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody move your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody work your body&#xA;Your body, my body&#xA;&#xA;Everybody move your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody work your body&#xA;&#xA;Ah ah eh eh let's all chant&#xA;&#xA;Ah ah eh eh let's all chant&#xA;&#xA;(Ooh ooh) your body, your body&#xA;&#xA;(Ooh ooh) oh work your body&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;Your body, my body&#xA;Everybody move your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody work your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody move your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody jack your body!&#xA;&#xA;(Ooh ooh) le-le-le-le-le-le-le-let's (ooh)&#xA;&#xA;(Ooh ooh) le-le-le-le-le-le-le-let's (ooh ooh)&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;&#xA;(Ooh ooh) let's all chant&#xA;Ah ah eh eh let's all chant&#xA;&#xA;Ah ah eh eh let's all chant&#xA;&#xA;(Ooh ooh) your body, your body&#xA;&#xA;(Ooh ooh) oh work your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody move your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody work your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody move your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody work your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody move your body&#xA;&#xA;Your body, my body&#xA;&#xA;Everybody work your body&#xA;&#xA;(Ooh ooh) jack your body!&#xA;&#xA;(Ooh ooh) jack your body!&#xA;&#xA;(Ooh ooh) jack your body!&#xA;&#xA;(Ooh ooh) jack, jack, jack your body!" PRODUCER="(P) 1977 © Private Stock Records Ltd™ a division of 43 North Broadway, LLC. WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws." COVERARTID="045/NVXHQHBB4RS4KCZDMMVWC2MUG3KB" PLAYTIME="185" PLAYTIME_FLOAT="184.453339" IMPORT_DATE="2025/4/14" RELEASE_DATE="1978/1/1" FLAGS="12" FILESIZE="22105"></INFO>
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<INFO BITRATE="954167" KEY_LYRICS="1 ContributorArabian Nights, Vol. 3 (Chap. 13) LyricsTale Of Kamar Al Zaman&#xA;&#xA;That there was in times of yore and in ages long gone before a King called Shahrimán, who was lord of many troops and guards, and officers, and who reigned over certain islands, known as the Khálidán Islands, on the borders of the land of the Persians. But he was stricken in years and his bones were wasted, without having been blessed with a son, albeit he had four wives, daughters of Kings, and threescore concubines, with each of whom he was wont to lie one night in turn. This preyed upon his mind and disquieted him, so that he complained thereof to one of his Wazirs, saying, &amp;quot;Verily I fear lest my kingdom be lost when I die, for that I have no son to succeed me.&amp;quot; The Minister answered, &amp;quot;O King, peradventure Allah shall yet bring something to pass; so rely upon the Almighty and be instant in prayer. It is also my counsel that thou spread a banquet and invite to it the poor and needy, and let them eat of thy food; and supplicate the Lord to vouchsafe thee a son; for perchance there may be among thy guests a righteous soul whose prayers find acceptance; and thereby thou shalt win thy wish.&amp;quot; So the King rose, made the lesser ablution, and prayed a two-bow prayer, then he cried upon Allah with pure intention; after which he called his chief wife to bed and lay with her forthright. By grace of God she conceived and, when her months were accomplished, she bore a male child, like the moon on the night of fulness. The King named him Kamar al-Zamán, and rejoiced in him with extreme joy and bade the city be dressed out in his honour; so they decorated the streets seven days, whilst the drums beat and the messengers bore the glad tidings abroad. Then wet and dry nurses were provided for the boy and he was reared in splendour and delight, until he reached the age of fifteen. He grew up of surpassing beauty and seemlihead and symmetry, and his father loved him so dear that he could not brook to be parted from him day or night. One day he complained to a certain of his Ministers anent the excess of his love for his only child, saying, &amp;quot;O thou the Wazir, of a truth I fear for my son, Kamar al-Zaman, the shifts and accidents which befal man and fain would I marry him in my life-time.&amp;quot; Answered the Wazir, &amp;quot;O King, know thou that marriage is one of the most honourable of moral actions, and thou wouldst indeed do well and right to marry thy son in thy lifetime, ere thou make him Sultan.&amp;quot; On this quoth the King, &amp;quot;Hither with my son Kamar al-Zaman;&amp;quot; so he came and bowed his head to the ground in modesty before his sire. &amp;quot;O Kamar al Zaman,&amp;quot; said King Shahriman, &amp;quot;of a truth I desire to marry thee and rejoice in thee during my lifetime.&amp;quot; Replied he, &amp;quot;O my father, know that I have no lust to marry nor cloth my soul incline to women; for that concerning their craft and perfidy I have read many books and heard much talk, even as saith the poet,&#xA;&#xA;'Now, an of women ask ye, I reply:—*&#xA;             In their affairs I'm versed a doctor rare!&#xA;When man's head grizzles and his money dwindles, *&#xA;             In their affections he hath naught for share.'&#xA;&#xA;And another said:—&#xA;&#xA;'Rebel against women and so shalt thou serve Allah the more; *&#xA;             The youth who gives women the rein must forfeit all hope to&#xA;             soar.&#xA;They'll baulk him when seeking the strange device, Excelsior, *&#xA;             Tho' waste he a thousand of years in the study of science&#xA;             and lore.' &amp;quot;&#xA;&#xA;And when he had ended his verses he continued, &amp;quot;O my father, wedlock is a thing whereto I will never consent; no, not though I drink the cup of death.&amp;quot; When Sultan Shahriman heard these words from his son, light became darkness in his sight and he grieved thereat with great grief.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Seventy-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Shahriman heard these words from his son, the light became darkness in his sight and he grieved over his son's lack of obedience to his directions in the matter of marriage; yet, for the great love he bore him, he was unwilling to repeat his wishes and was not wroth with him, but caressed him and spake him fair and showed him all manner of kindness such as tendeth to induce affection. All this, and Kamar al-Zaman increased daily in beauty and loveliness and amorous grace; and the King bore with him for a whole year till he became perfect in eloquence and elegant wit. All men were ravished with his charms; and every breeze that blew bore the tidings of his gracious favour; his fair sight was a seduction to the loving and a garden of delight to the longing, for he was honey-sweet of speech and the sheen of his face shamed the full moon; he was a model of symmetry and blandishment and engaging ways; his shape was as the willow-wand or the rattan- cane and his cheeks might take the place of rose or red anemone. He was, in fine the pink of perfection, even as the poet hath said of him,&#xA;&#xA;&amp;quot;He came and cried they, 'Now be Allah blest! *&#xA;             Praise Him that clad that soul in so fair vest!'&#xA;He's King of Beauty where the beauteous be; *&#xA;             All are his Ryots, all obey his hest:&#xA;His lip-dew's sweeter than the virgin honey; *&#xA;             His teeth are pearls in double row close press:&#xA;All charms are congregate in him alone, *&#xA;             And deals his loveliness to man unrest.&#xA;Beauty wrote on those cheeks for worlds to see *&#xA;             'I testify there is none good but He.'&amp;quot;&#xA;When the year came to an end, the King called his son to him and said, &amp;quot;O my son, wilt thou not hearken to me?&amp;quot; Whereupon Kamar al-Zaman fell down for respect and shame before his sire and replied, &amp;quot;O my father, how should I not hearken to thee, seeing that Allah commandeth me to obey thee and not gain-say thee?&amp;quot; Rejoined King Shahriman, &amp;quot;O my son, know that I desire to marry thee and rejoice in thee whilst yet I live, and make thee King over my realm, before my death.&amp;quot; When the Prince heard his sire pronounce these words he bowed his head awhile, then raised it and said, &amp;quot;O my father, this is a thing which I will never do; no, not though I drink the cup of death! I know of a surety that the Almighty hath made obedience to thee a duty in religion; but, Allah upon thee! press me not in this matter of marriage, nor fancy that I will ever marry my life long; for that I have read the books both of the ancients and the moderns, and have come to know all the mischiefs and miseries which have befallen them through women and their endless artifices. And how excellent is the saying of the poet,&#xA;&#xA;'He whom the randy motts entrap *&#xA;             Shall never see deliverance!&#xA;Though build he forts a thousand-fold, *&#xA;             Whose mighty strength lead-plates enhance,&#xA;Their force shall be of no avail; *&#xA;             These fortresses have not a chance!&#xA;Women aye deal in treachery *&#xA;             To far and near o'er earth's expanse&#xA;With fingers dipt in Henna-blood *&#xA;             And locks in braids that mad the glance;&#xA;And eyelids painted o'er with Kohl *&#xA;          They gar us drink of dire mischance.'&#xA;&#xA;And how excellently saith another,&#xA;&#xA;'Women, for all the chastity they claim, *&#xA;             Are offal cast by kites where'er they list:&#xA;This night their talk and secret charms are shine, *&#xA;             That night another joyeth calf and wrist:&#xA;Like inn, whence after night thou far'st at dawn, *&#xA;             And lodges other wight thou hast not wist.'&amp;quot;&#xA;&#xA;Now when King Shahriman heard these his son's words and learnt the import of his verses and poetical quotations, he made no answer, of his excessive love for him, but redoubled in graciousness and kindness to him. He at once broke up the audience and, as soon as the seance was over, he summoned his Minister and taking him apart, said to him, &amp;quot;O thou the Wazir! tell me how I shall deal with my son in the matter of marriage.&amp;quot;- -And Shahrazad perceived the dawn of day and ceased saying her permitted stay.&#xA;When it was the One Hundred and Seventy-second Night,&#xA;She said, It hath reached me, O auspicious King, that the King summoned his Minister; and, taking him apart, said to him, &amp;quot;O thou the Wazir, tell me what I shall do with my son in the matter of marriage. Of a truth I took counsel with thee thereon and thou didst counsel me to marry him, before making him King. I have spoken with him of wedlock time after time and he still gainsaid me; so do thou, O Wazir, forthright advise me what to do.&amp;quot; Answered the Minister, &amp;quot;O King, wait another year and, if after that thou be minded to speak to him on the matter of marriage, speak not to him privily, but address him on a day of state, when all the Emirs and Wazirs are present with the whole of the army standing before thee. And when all are in crowd then send for thy son, Kamar al-Zaman, and summon him; and, when he cometh, broach to him the matter of marriage before the Wazirs and Grandees and Officers of state and Captains; for he will surely be bashful and daunted by their presence and will not dare to oppose thy will.&amp;quot; Now when King Shahriman heard his Wazir's words, he rejoiced with exceeding joy, seeing success in the project, and bestowed on him a splendid robe of honour. Then he took patience with his son another year, whilst, with every day that passed over him, Kamar al-Zaman increased in beauty and loveliness, and elegance and perfect grace, till he was nigh twenty years old. Indeed Allah had clad him in the cloak of comeliness and had crowned him with the crown of completion: his eye-glance was more bewitching than Hárút and Marút and the play of his luring looks more misleading than Tághút; and his cheeks shone like the dawn rosy-red and his eyelashes stormed the keen-edged blade: the whiteness of his brow resembled the moon shining bright, and the blackness of his locks was as the murky night; and his waist was more slender than the gossamer and his back parts than two sand heaps bulkier, making a Babel of the heart with their softness; but his waist complained of the weight of his hips and loins; and his charms ravished all mankind, even as one of the poets saith in these couplets,&#xA;&amp;quot;By his eyelash tendril curled, by his slender waist I swear,&#xA;By the dart his witchery feathers, fatal hurtling through the&#xA;           air;&#xA;By the just roundness of his shape, by his glances bright and&#xA;           keen&#xA;By the swart limping of his locks, and his fair forehead shining&#xA;            sheen;&#xA;By his eyebrows which deny that she who looks on them should&#xA;            sleep,&#xA;Which now commanding, now forbidding, o'er me high dominion keep;&#xA;By the roses of his cheek, his face as fresh as myrtle wreath&#xA;His tulip lips, and those pure pearls that hold the places of his&#xA;             teeth;&#xA;By his noble form, which rises featly turned in even swell&#xA;To where upon his jutting chest two young pomegranates seem to&#xA;           dwell&#xA;By his supple moving hips, his taper waist, the silky skin,&#xA;By all he robbed Perfection of, and holds enchained his form&#xA;             within;&#xA;By his tongue of steadfastness, his nature true, and excellent,&#xA;By the greatness of his rank, his noble birth, and high descent,&#xA;Musk from my love her savour steals, who musk exhales from every&#xA;             limb&#xA;And all the airs ambergris breathes are but the Zephyr's blow&#xA;             o'er him.&#xA;The sun, methinks, the broad bright sun, as low before my love&#xA;             should quail&#xA;As would my love himself transcend the paltry paring of his&#xA;             nail!&amp;quot;&#xA;So King Shahriman, having accepted the counsel of his Wazir, waited for another year and a great festival,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Seventy-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Shahriman having accepted the counsel of his Wazir, waited for another year and a great festival, a day of state when the audience hall was filled with his Emirs and Wazirs and Grandees of his reign and Officers of State and Captains of might and main. Thereupon he sent for his son Kamar al-Zaman who came, and kissing the ground before him three times, stood in presence of his sire with his hands behind his back the right grasping the left. Then said the King to him, &amp;quot;Know O my son, that I have not sent for thee on this occasion and summoned thee to appear before this assembly and all these officers of estate here awaiting our orders save and except that I may lay a commandment on thee, wherein do thou not disobey me; and my commandment is that thou marry, for I am minded to wed thee to a King's daughter and rejoice in thee ere I die.&amp;quot; When the Prince heard this much from his royal sire, he bowed his head groundwards awhile, then raising it towards his father and being moved thereto at that time by youthful folly and boyish ignorance, replied, &amp;quot;But for myself I will never marry; no, not though I drink the cup of death! As for thee, thou art great in age and small of wit: hast thou not, twice ere this day and before this occasion, questioned me of the matter of marriage and I refused my consent? Indeed thou dotest and are not fit to govern a flock of sheep!&amp;quot; So saying Kamar al-Zaman unclasped his hands from behind his back and tucked up his sleeves above his elbows before his father, being in a fit of fury; moreover, he added many words to his sire, knowing not what he said in the trouble of his spirits. The King was confounded and ashamed, for that this befel in the presence of his grandees and soldier-officers assembled on a high festival and a state occasion; but presently the majesty of Kingship took him, and he cried out at his son and made him tremble. Then he called to the guards standing before him and said, &amp;quot;Seize him!' So they came forward and laid hands on him and, binding him, brought him before his sire, who bade them pinion his elbows behind his back and in this guise make him stand before the presence. And the Prince bowed down his head for fear and apprehension, and his brow and face were beaded and spangled with sweat; and shame and confusion troubled him sorely. Thereupon his father abused him and reviled him and cried, &amp;quot;Woe to thee, thou son of adultery and nursling of abomination! How durst thou answer me on this wise before my captains and soldiers? But hitherto none hath chastised thee,&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;&#xA;When it was the One Hundred and Seventy-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Shahriman cried out to his son Kamar al-Zaman, &amp;quot;How durst thou answer me on this wise before my captains and soldiers? But hitherto none hath chastised thee. Knowest thou not that this deed thou hast done were a disgrace to him had it been done by the meanest of my subjects?&amp;quot; And the King commanded his Mamelukes to loose his elbow bonds and imprison him in one of the bastions of the citadel. So they took the Prince and thrust him into an old tower, wherein there was a dilapidated saloon and in its middle a ruined well, after having first swept it and cleansed its floor-flags and set therein a couch on which they laid a mattress, a leathern rug and a cushion; and then they brought a great lanthorn and a wax candle, for that place was dark, even by day. And lastly the Mamelukes led Kamar al-Zaman thither, and stationed an eunuch at the door. And when all this was done, the Prince threw himself on the couch, sad-spirited, and heavy- hearted; blaming himself and repenting of his injurious conduct to his father, whenas repentance availed him naught, and saying, &amp;quot;Allah curse marriage and marriageable and married women, the traitresses all! Would I had hearkened to my father and accepted a wife! Had I so done it had been better for me than this jail.&amp;quot; This is how it fared with him; but as regards King Shahri man, he remained seated on his throne all through the day until sundown; then he took the Minister apart and said to him &amp;quot;Know thou, O Wazir, that thou and thou only west the cause of all this that hath come to pass between me and my son by the advice thou west pleased to devise; and so what dost thou counsel me to do now?&amp;quot; Answered he, &amp;quot;O King, leave thy son in limbo for the space of fifteen days: then summon him to thy presence and bid him wed; and assuredly he shall not gainsay thee again.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Seventy-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir, said to King Shahriman, &amp;quot;Leave thy son in limbo for the space of fifteen days; then summon him to thy presence and bid him wed; and assuredly he shall not gainsay thee again.&amp;quot; The King accepted the Wazir's opinion and lay down to sleep that night troubled at heart concerning his son; for he loved him with dearest love because he had no other child but this; and it was his wont every night not to sleep, save after placing his arm under his son's neck. So he passed that night in trouble and unease on the Prince 's account, tossing from side to side, as he were laid on coals of Artemisia-wood: for he was overcome with doubts and fears and sleep visited him not all that livelong night; but his eyes ran over with tears and he began repeating, ;&#xA;&#xA;&amp;quot;While slanderers slumber, longsome is my night; *&#xA;             Suffice thee a heart so sad in parting-plight;&#xA;I say, while night in care slow moments by, *&#xA;             'What! no return for thee, fair morning light?'&amp;quot;&#xA;&#xA;And the saying of another,&#xA;&#xA;&amp;quot;When saw I Pleiad-stars his glance escape *&#xA;             And Pole star draught of sleep upon him pour;&#xA;And the Bier-daughters wend in mourning dight, *&#xA;             I knew that morning was for him no more!&amp;quot;&#xA;&#xA;Such was the case with King Shahriman; but as regards Kamar al- Zaman, when the night came upon him the eunuch set the lanthorn before him and lighting the wax-candle, placed it in the candlestick; then brought him somewhat of food. The Prince ate a little and continually reproached himself for his unseemly treatment of his father, saying to himself, &amp;quot;O my soul, knowest thou not that a son of Adam is the hostage of his tongue, and that a man's tongue is what casteth him into deadly perils?&amp;quot; Then his eyes ran over with tears and he bewailed that which he had done, from anguished vitals and aching heart, repenting him with exceeding repentance of the wrong wherewith he had wronged his father and repeating,&#xA;&#xA;&amp;quot;Fair youth shall die by stumbling of the tongue: *&#xA;             Stumble of foot works not man's life such wrong:&#xA;The slip of lip shall oft smite off the head, *&#xA;             While slip of foot shall never harm one long.&amp;quot;&#xA;&#xA;Now when he had made an end of eating, he asked for the wherewithal to wash his hands and when the Mameluke had washed them clean of the remnants of food, he arose and made the Wuzu-ablution and prayed the prayers of sundown and nightfall, conjoining them in one; after which he sat down.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Hundred and Seventy-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Prince Kamar al-Zaman had prayed (conjoining them in one) the prayers of sundown and nightfall, he sat down on the well and began reciting the Koran, and he repeated &amp;quot;The Cow,&amp;quot; the &amp;quot;House of Imrán,&amp;quot; and &amp;quot;Y. S.;&amp;quot; &amp;quot;The Compassionate,&amp;quot; &amp;quot;Blessed be the King,&amp;quot; &amp;quot;Unity&amp;quot; and &amp;quot;The two Talismans''; and he ended with blessing and supplication and with saying, &amp;quot;I seek refuge with Allah from Satan the stoned.&amp;quot; Then he lay down upon his couch which was covered with a mattress of satin from al- Ma'adin town, the same on both sides and stuffed with the raw silk of Irak; and under his head was a pillow filled with ostrich-down And when ready for sleep, he doffed his outer clothes and drew off his bag-trousers and lay down in a shirt of delicate stuff smooth as wax; and he donned a head-kerchief of azure Marázi cloth; and at such time and on this guise Kamar al-Zaman was like the full-orbed moon, when it riseth on its fourteenth night. Then, drawing over his head a coverlet of silk, he fell asleep with the lanthorn burning at his feet and the wax-candle over his head, and he ceased not sleeping through the first third of the night, not knowing what lurked for him in the womb of the Future, and what the Omniscient had decreed for him. Now, as Fate and Fortune would have it, both tower and saloon were old and had been many years deserted; and there was therein a Roman well inhabited by a Jinniyah of the seed of Iblis the Accursed, by name Maymúnah, daughter of Al- Dimiryát, a renowned King of the Jánn.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Seventy-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the name of the Jinniyah in question was Maymunah, daughter of Al-Dimiryat; a renowned King of the Jann. And as Kamar al-Zaman continued sleeping till the first third of the night, Maymunah came up out of the Roman well and made for the firmament, thinking to listen by stealth to the converse of the angels; but when she reached the mouth of the well, she saw a light shining in the tower, contrary to custom; and having dwelt there many years without seeing the like, she said to herself, &amp;quot;Never have I witnessed aught like this&amp;quot;; and, marvelling much at the matter, determined that there must be some cause therefor. So she made for the light and found the eunuch sleeping within the door; and inside she saw a couch spread, whereon was a human form with the wax-candle burning at his head and the lanthorn at his feet, and she wondered to see the light and stole towards it little by little. Then she folded her wings and stood by the bed and, drawing back the coverlid, discovered Kamar al-Zaman's face. She was motionless for a full hour in admiration and wonderment; for the lustre of his visage outshone that of the candle; his face beamed like a pearl with light; his eyelids were languorous like those of the gazelle; the pupils of his eyes were intensely black and brilliant; his cheeks were rosy red; his eye-brows were arched like bows and his breath exhaled a scent of musk, even as saith of him the poet,&#xA;&#xA;&amp;quot;I kissed him: darker grew those pupils, which *&#xA;             Seduce my soul, and cheeks flushed rosier hue;&#xA;O heart, if slanderers dare to deem there be *&#xA;             His like in chasms, Say 'Bring him hither, you!' &amp;quot;&#xA;&#xA;Now when Maymunah saw him, she pronounced the formula of praise, and said, &amp;quot;Blessed be Allah, the best of Creators!&amp;quot;; for she was of the true-believing Jinn; and she stood awhile gazing on his face, exclaiming and envying the youth his beauty and loveliness. And she said in herself, &amp;quot;By Allah! I will do no hurt to him nor let any harm him; nay, from all of evil will I ransom him, for this fair face deserveth not but that folk should gaze upon it and for it praise the Lord. Yet how could his family find it in their hearts to leave him in such desert place where, if one of our Márids came upon him at this hour, he would assuredly slay him.&amp;quot; Then the Ifritah Maymunah bent over him and kissed him between the eyes, and presently drew back the sheet over his face which she covered up; and after this she spread her wings and soaring into the air, flew upwards. And after rising high from the circle of the saloon she ceased not winging her way through air and ascending skywards till she drew near the heaven of this world, the lowest of the heavens. And behold, she heard the noisy flapping of wings cleaving the welkin and, directing herself by the sound, she found when she drew near it that the noise came from an Ifrit called Dahnash. So she swooped down on him like a sparrow-hawk and, when he was aware of her and knew her to be Maymunah, the daughter of the King of the Jinn, he feared her and his side-muscles quivered; and he implored her forbearance, saying, I conjure thee by the Most Great and August Name and by the most noble talisman graven upon the seal-ring of Solomon, entreat me kindly and harm me not!&amp;quot; When she heard these words her heart inclined to him and she said, &amp;quot;Verily, thou conjurest me, O accursed, with a mighty conjuration. Nevertheless, I will not let thee go, till thou tell me whence thou comest at this hour.&amp;quot; He replied, &amp;quot;O Princess, Know that I come from the uttermost end of China-land and from among the Islands, and I will tell thee of a wonderful thing I have seen this night. If thou kind my words true, let me wend my way and write me a patent under thy hand and with thy sign manual that I am thy freedman, so none of the Jinn-hosts, whether of the upper who fly or of the lower who walk the earth or of those who dive beneath the waters, do me let or hindrance.&amp;quot; Rejoined Maymunah, &amp;quot;And what is it thou hast seen this night, O liar, O accursed! Tell me without leasing and think not to escape from my hand with falses, for I swear to thee by the letters graven upon the bezel of the seal-ring of Solomon David son (on both of whom be peace!), except thy speech be true, I will pluck out thy feathers with mine own hand and strip off thy skin and break thy bones!&amp;quot; Quoth the Ifrit Dahnash son of Shamhúrish the Flyer, &amp;quot;I accept, O my lady, these conditions.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Seventy-eight Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Dahnash spoke thus to Maymunah, &amp;quot;I accept, O my lady, these conditions.&amp;quot; Then he resumed, &amp;quot;Know, O my mistress, that I come to-night from the Islands of the Inland Sea in the parts of China, which are the realms of King Ghayúr, lord of the Islands and the Seas and the Seven Palaces. There I saw a daughter of his, than whom Allah hath made none fairer in her time: I cannot picture her to thee, for my tongue would fail to describe her with her due of praise; but I will name to thee a somewhat of her charms by way of approach. Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; and right well hath the poet said when picturing her,&#xA;&#xA;'She dispread the locks from her head one night, *&#xA;             Showing four fold nights into one night run&#xA;And she turned her visage towards the moon, *&#xA;             And two moons showed at moment one.'&#xA;&#xA;She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; even as saith of her the poet Al-Walahán,&#xA;&#xA;'She hath wrists which, did her bangles not contain, *&#xA;             Would run from out her sleeves in silvern rain.'&#xA;&#xA;She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, even as saith of her and describeth her the poet,&#xA;&#xA;&#xA;'She hath those hips conjoined by thread of waist, *&#xA;             Hips that o'er me and her too tyrannise&#xA;My thoughts they daze whene'er I think of them, *&#xA;             And weigh her down whene'er she would uprise.'&#xA;&#xA;And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them. But I cut short my praises of her charms fearing lest I be tedious.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Seventy-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Ifrit Dahnash bin Shamhurish said to the Ifritah Maymunah, &amp;quot;Of a truth I cut short my praises fearing lest I be tedious.&amp;quot; Now when Maymunah heard the description of that Princess and her beauty and loveliness, she stood silent in astonishment; whereupon Dahnash resumed, &amp;quot;The father of this fair maiden is a mighty King, a fierce knight, immersed night and day in fray and fight; for whom death hath no fright and the escape of his foe no dread, for that he is a tyrant masterful and a conqueror irresistible, lord of troops and armies and continents and islands, and cities and villages, and his name is King Ghayur, Lord of the Islands and of the Seas and of the Seven Palaces. Now he loveth his daughter, the young maiden whom I have described to thee, with dearest love and, for affection of her, he hath heaped together the treasures of all the kings and built her therewith seven palaces, each of a different fashion; the first of crystal, the second of marble, the third of China steel, the fourth of precious stones and gems of price, the fifth of porcelain and many-hued onyxes and ring bezels, the sixth of silver and the seventh of gold. And he hath filled the seven palaces with all sorts of sumptuous furniture, rich silken carpets and hangings and vessels of gold and silver and all manner of gear that kings require; and hath bidden his daughter to abide in each by turns for a certain season of the year; and her name is the Princess Budur. Now when her beauty became known and her name and fame were bruited abroad in the neighbouring countries, all the kings sent to her father to demand her of him in marriage, and he consulted her on the matter, but she disliked the very word wedlock with a manner of abhorrence and said, O my father, I have no mind to marry; no, not at all; for I am a sovereign Lady and a Queen suzerain ruling over men, and I have no desire for a man who shall rule over me. And the more suits she refused, the more her suitors' eagerness increased and all the Royalties of the Inner Islands of China sent presents and rarities to her father with letters asking her in marriage. So he pressed her again and again with advice on the matter of espousals; but she ever opposed to him refusals, till at last she turned upon him angrily and cried, 'O my father, if thou name matrimony to me once more, I will go into my chamber and take a sword and, fixing its hilt in the ground, will set its point to my waist; then will I press upon it, till it come forth from my back, and so slay myself.' Now when the King heard these her words, the light became darkness in his sight and his heart burned for her as with a flame of fire, because he feared lest she should kill herself; and he was filled with perplexity concerning her affair and the kings her suitors. So he said to her 'If thou be determined not to marry and there be no help for it abstain from going and coming in and out.' Then he placed her in a house and shut her up in a chamber, appointing ten old women as duennas to guard her, and forbade her to go forth to the Seven Palaces; moreover, he made it appear that he was incensed against her, and sent letters to all the kings, giving them to know that she had been stricken with madness by the Jinns; and it is now a year since she hath thus been secluded.&amp;quot; Then continued the Ifrit Dahnash, addressing the Ifritah Maymunah, &amp;quot;And I, O my lady go to her every night and take my fill of feeding my sight on her face and I kiss her between the eyes: yet, of my love to her, I do her no hurt neither mount her, for that her youth is fair and her grace surpassing: every one who seeth her jealouseth himself for her. I conjure thee, therefore, O my lady, to go back with me and look on her beauty and loveliness and stature and perfection of proportion; and after, if thou wilt, chastise me or enslave me; and win to thy will, for it is shine to bid and to forbid.&amp;quot; So saying, the Ifrit Dahnash bowed his head towards the earth and drooped his wings downward; but Maymunah laughed at his words and spat in his face and answered, &amp;quot;What is this girl of whom thou pratest but a potsherd wherewith to wipe after making water? Faugh! Faugh! By Allah, O accursed, I thought thou hadst some wondrous tale to tell me or some marvellous news to give me. How would it be if thou were to sight my beloved? Verily, this night I have seen a young man, whom if thou saw though but in a dream, thou wouldst be palsied with admiration and spittle would flow from thy mouth.&amp;quot; Asked the Ifrit, &amp;quot;And who and what is this youth?&amp;quot;; and she answered, &amp;quot;Know, O Dahnash, that there hath befallen the young man the like of what thou tellest me befel thy mistress; for his father pressed him again and again to marry, but he refused, till at length his sire waxed wroth at being opposed and imprisoned him in the tower where I dwell: and I came up to-night and saw him.&amp;quot; Said Dahnash, &amp;quot;O my lady, shew me this youth, that I may see if he be indeed handsomer than my mistress, the Princess Budur, or not; for I cannot believe that the like of her liveth in this our age.&amp;quot; Rejoined Maymunah, &amp;quot;Thou liest, O accursed, O most ill-omened of Marids and vilest of Satans! Sure am I that the like of my beloved is not in this world.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When It was the One Hundred and Eightieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Ifritah Maymunah spake thus to the Ifrit Dahnash, &amp;quot;Sure am I that the like of my beloved is not in this world! Art thou mad to fellow thy beloved with my beloved?&amp;quot; He said, &amp;quot;Allah upon thee, O my lady, go back with me and look upon my mistress, and after I will with thee and look upon thy beloved.&amp;quot; She answered, &amp;quot;It must needs be so, O accursed, for thou art a knavish devil; but I will not go with thee nor shalt thou come with me, save upon condition of a wager which is this. If the lover thou lovest and of whom thou boastest so bravely, prove handsomer than mine whom I mentioned and whom I love and of whom I boast, the bet shall be shine against me; but if my beloved prove the handsomer the bet shall be mine against thee.&amp;quot; Quoth Dahnash the Ifrit, &amp;quot;O my lady, I accept this thy wager and am satisfied thereat; so come with me to the Islands.&amp;quot; Quoth Maymunah; &amp;quot;No! for the abode of my beloved is nearer than the abode of shine: here it is under us; so come down with me to see my beloved and after we will go look upon thy mistress.&amp;quot; &amp;quot;I hear and I obey,&amp;quot; said Dahnash. So they descended to earth and alighted in the saloon which the tower contained; then Maymunah stationed Dahnash beside the bed and, putting out her hand, drew back the silken coverlet from Kamar al-Zaman's face, when it glittered and glistened and shimmered and shone like the rising sun. She gazed at him for a moment, then turning sharply round upon Dahnash said, &amp;quot;Look, O accursed, and be not the basest of madmen; I am a maid, yet my heart he hath waylaid.&amp;quot; So Dahnash looked at the Prince and long continued gazing steadfastly on him then, shaking his head, said to Maymunah, &amp;quot;By Allah, O my lady, thou art excusable; but there is yet another thing to be considered, and this is, that the estate female differeth from the male. By Allah's might, this thy beloved is the likest of all created things to my mistress in beauty and loveliness and grace and perfection; and it is as though they were both cast alike in the mould of seemlihead.&amp;quot; Now when Maymunah heard these words, the light became darkness in her sight and she dealt him with her wing so fierce a buffet on the head as well-nigh made an end of him. Then quoth she to him, &amp;quot;I conjure thee, by the light of his glorious countenance, go at once, O accursed, and bring hither thy mistress whom thou lovest so fondly and foolishly, and return in haste that we may lay the twain together and look on them both as they lie asleep side by side; so shall it appear to us which be the goodlier and more beautiful of the two. Except thou obey me this very moment, O accursed, I will dart my sparks at thee with my fire and consume thee; yea, in pieces I will rend thee and into the deserts cast thee, that to stay at home and wayfarer an example thou be!&amp;quot; Quoth Dahnash, &amp;quot;O my lady, I will do thy behests, for I know forsure that my mistress is the fairer and the sweeter.&amp;quot; So saying the If rit flew away and Maymunah flew with him to guard him. They were absent awhile and presently returned, bearing the young lady, who was clad in a shift of fine Venetian silk, with a double edging of gold and purfled with the most exquisite of embroidery having these couplets worked upon the ends of the sleeves,&#xA;&#xA;&amp;quot;Three matters hinder her from visiting us, in fear *&#xA;            Of hate-full, slandering envier and his hired spies:&#xA;The shining light of brow, the trinkets' tinkling voice, *&#xA;            And scent of essences that tell whene'er she tries:&#xA;Gi'en that she hide her brow with edge of sleeve, and leave *&#xA;             At home her trinketry, how shall her scent&#xA;             disguise?''&#xA;&#xA;And Dahnash and Maymunah stinted not bearing that young lady till they had carried her into the saloon and had laid her beside the youth Kamar al-Zaman.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Eighty-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Ifrit Dahnash and the Ifritah Maymunah stinted not bearing Princess Budur till they descended and laid her on the couch beside Kamar al- Zaman. Then they uncovered both their faces, and they were the likest of all folk, each to other, as they were twins or an only brother and sister; and indeed they were a seduction to the pious, even as saith of them the poet Al-Mubín,&#xA;&#xA;&amp;quot;O heart! be not thy love confined to one, *&#xA;Lest thou by doting or disdain be undone:&#xA;Love all the fair, and thou shalt find with them *&#xA;If this be lost, to thee that shall be won.&amp;quot;&#xA;&#xA;And quoth another,&#xA;&#xA;&amp;quot;Mine eyes beheld two lying on the ground; *&#xA;            Both had I loved if on these eyne they lay!&amp;quot;&#xA;&#xA;So Dahnash and Maymunah gazed on them awhile, and he said, &amp;quot;By Allah, O my lady, it is good! My mistress is assuredly the fairer.&amp;quot; She replied, &amp;quot;Not so, my beloved is the fairer; woe to thee, O Dahnash! Art blind of eye and heart that lean from fat thou canst not depart? Wilt thou hide the truth? Dost thou not see his beauty and loveliness and fine stature and symmetry? Out on thee, hear what I purpose to say in praise of my beloved and, if thou be a lover true to her thou dost love, do thou the like for her thou Lovest.&amp;quot; Then she kissed Kamar al-Zaman again and again between the eyes and improvised this ode,&#xA;&#xA;&amp;quot;How is this? Why should the blamer abuse thee in his pride?&#xA;What shall console my heart for thee, that art but slender bough?&#xA;&#xA;A Nature Kohl'd eye thou hast that witcheth far and wide;&#xA;From pure platonic love of it deliverance none I trow!&#xA;&#xA;Those glances, fell as plundering Turk, to heart such havoc deal&#xA;As never havocked scymitar made keenest at the curve.&#xA;&#xA;On me thou layest load of love the heaviest while I feel&#xA;So feeble grown that under weight of chemisette I swerve.&#xA;&#xA;My love for thee as wottest well is habit, and my lowe&#xA;Is nature; to all others false is all the love I tender:&#xA;&#xA;Now were my heart but like to shine I never would say No;&#xA;Only my wasted form is like thy waist so gracious slender:&#xA;&#xA;Out on him who in Beauty's robe for moon like charms hath fame,&#xA;And who is claimed by mouth of men as marvel of his tribe!&#xA;&#xA;'Of man what manner may he be' (ask they who flyte and blame)&#xA;'For whom thy heart is so distressed?' I only cry 'Describe!'&#xA;&#xA;Oh stone-entempered heart of him! learn of his yielding grace&#xA;And bending form to show me grace and yielding to consent.&#xA;Oh my Prince Beautiful, thou hast an Overseer in place&#xA;Who irketh me, and eke a Groom whose wrong cloth ne'er relent.&#xA;&#xA;Indeed he lieth who hath said that all of loveliness&#xA;Was pent in Joseph: in thy charms there's many and many a Joe!&#xA;&#xA;The Genii dread me when I stand and face to face address;&#xA;But meeting thee my fluttering heart its shame and terror show.&#xA;&#xA;I take aversion semblance and I turn from thee in fright,&#xA;But more aversion I assume, more love from me dost claim;&#xA;&#xA;That hair of jetty black! That brow e'er raying radiant light! Those eyne wherein white jostles black! That dearling dainty frame!&amp;quot;&#xA;&#xA;When Dahnash heard the poesy which Maymunah spake in praise of her beloved, he joyed with exceeding joy and marvelled with excessive wonderment.—And Shahrazad perceived the dawn of day and ceased to say her permitted say&#xA;&#xA;When it was the One Hundred and Eighty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Ifrit Dahnash heard the poesy which Maymunah spake in praise of her beloved, he shook for exceeding joy and said, &amp;quot;Thou hast celebrated thy beloved in song and thou hast indeed done well in praise of him whom thou lovest! And there is no help for it but that I also in my turn do my best to enfame my mistress, and recite somewhat in her honour.&amp;quot; Then the Ifrit went up to the Lady Budur; and' kissing her between the eyes, looked at Maymunah and at his beloved Princess and recited the following verses, albeit he had no skill in poesy,&#xA;&#xA;&amp;quot;Love for my fair they chide in angry way; *&#xA;             Unjust for ignorance, yea unjustest they!&#xA;Ah lavish favours on the love mad, whom *&#xA;             Taste of thy wrath and parting woe shall slay:&#xA;In sooth for love I'm wet with railing tears, *&#xA;             That rail mine eyelids blood thou mightest say:&#xA;No marvel what I bear for love, 'tis marvel *&#xA;             That any know my &amp;quot;me&amp;quot; while thou'rt away:&#xA;Unlawful were our union did I doubt *&#xA;             Thy love, or heart incline to other May.&amp;quot;&#xA;&#xA;And eke these words:—&#xA;&#xA;&amp;quot;I feed eyes on their stead by the valley's side, *&#xA;             And I'm slain and my slaver aside hath tried:&#xA;Grief-wine have I drunken, and down my cheeks *&#xA;             Dance tears to the song of the camel-guide:&#xA;For union-blessing I strive though sure, *&#xA;             In Budur and Su'ad all my bliss shall bide:&#xA;Wot I not which of three gave me most to 'plain, *&#xA;             So hear them numbered ere thou decide:&#xA;Those Sworders her eyne, that Lancer her fig- *&#xA;             -ure, or ring-mail'd Locks which her forehead hide.&#xA;Quoth she (and I ask of her what so wights *&#xA;             Or abide in towns or in desert ride )&#xA;To me, 'In thy heart I dwell, look there!' *&#xA;             Quoth I, 'Where's my heart ah where? ah where?'&amp;quot;&#xA;&#xA;When Maymunah heard these lines from the Ifrit, she said, &amp;quot;Thou hast done well, O Dahnash! But say thou which of the two is the handsomer?&amp;quot; And he answered, &amp;quot;My mistress Budur is handsomer than thy beloved!&amp;quot; Cried Maymunah, &amp;quot;Thou liest, O accursed. Nay, my beloved is more beautiful than shine!&amp;quot; But Dahnash persisted, &amp;quot;Mine is the fairer.&amp;quot; And they ceased not to wrangle and challenge each other's words till Maymunah cried out at Dahnash and would have laid violent hands on him, but he humbled himself to her and, softening his speech, said, &amp;quot;Let not the truth be a grief to thee, and cease we this talk, for all we say is to testify in favour of our lovers; rather let each of us withdraw the claim and seek we one who shall judge fairly between us which of the two be fairer; and by his sentence we will abide.&amp;quot; &amp;quot;I agree to this,&amp;quot; answered she and smote the earth with her foot, whereupon there came out of it an Ifrit blind of an eye, humpbacked and scurvy-skinned, with eye-orbits slit up and down his face. On his head were seven horns and four locks of hair fell to his heels; his hands were pitchfork-like and his legs mast-like and he had nails as the claws of a lion, and feet as the hoofs of the wild ass. When that If rit rose out of the earth and sighted Maymunah, he kissed the ground before her and, standing with his hands clasped behind him, said, &amp;quot;What is thy will, O my mistress, O daughter of my King?&amp;quot; She replied, &amp;quot;O Kashkash, I would have thee judge between me and this accursed Dahnash.&amp;quot; And she made known to him the matter, from first to last, whereupon the Ifrit Kashkash looked at the face of the youth and then at the face of the girl; and saw them lying asleep, embraced, each with an arm under the other's neck, alike in beauty and loveliness and equal in grace and goodliness. The Marid gazed long upon them, marvelling at their seemlihead; and, after carefully observing the twain, he turned to Maymunah and Dahnash, and reseated these couplets.&#xA;&#xA;&amp;quot;Go, visit her thou lovest, and regard not&#xA;The words detractors utter, envious churls&#xA;Can never favour love. Oh! sure the Merciful&#xA;Ne'er made a thing more fair to look upon,&#xA;Than two fond lovers in each others' arms,&#xA;Speaking their passion in a mute embrace.&#xA;When heart has turned to heart, the fools would part them&#xA;Strike idly on cold steel. So when thou'st found&#xA;One purely, wholly shine, accept her true heart,&#xA;And live for her alone. Oh! thou that blamest&#xA;The love-struck for their love, give o'er thy talk,&#xA;How canst thou minister to a mind diseased?&amp;quot;&#xA;&#xA;Then he turned again to Maymunah and Dahnash and said to them, &amp;quot;By Allah, if you will have the truth, I tell you fairly the twain be equal in beauty, and loveliness and perfect grace and goodliness, nor can I make any difference between them on account of their being man and woman. But I have another thought which is that we wake each of them in turn, without the knowledge of the other, and whichever is the more enamoured shall be held inferior in seemlihead and comeliness.&amp;quot; Quoth Maymunah, &amp;quot;Right is this recking,&amp;quot; and quoth Dahnash, &amp;quot;I consent to this.&amp;quot; Then Dahnash changed himself to the form of a flea and bit Kamar al-Zaman, whereupon he started from sleep in a fright.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Eighty-third Night,&#xA;She said, It hath reached me, O auspicious King, that Dahnash changed himself to the form of a flea and bit Kamar al-Zaman who started from sleep in a fright and rubbed the bitten part, his neck, and scratched it hard because of the smart. Then turning sideways, he found lying by him something whose breath was sweeter than musk and whose skin was softer than cream. Hereat marvelled he with great marvel and he sat up and looked at what lay beside him; when he saw it to be a young lady like an union pearl, or a shining sun, or a dome seen from afar on a well built wall; for she was five feet tall, with a shape like the letter Alif, bosomed high and rosy checked; even as saith of her the poet,&#xA;&#xA;&amp;quot;Four things which ne'er conjoin, unless it be *&#xA;             To storm my vitals and to shed my blood:&#xA;Brow white as day and tresses black as night *&#xA;             Cheeks rosy red and lips which smiles o'erflood.&amp;quot;&#xA;&#xA;And also quoth another,&#xA;&#xA;&amp;quot;A Moon she rises, Willow wand she waves, *&#xA;             Breathes Ambergris, and gazes, a Gazelle:&#xA;Meseems that sorrow woes my heart and wins *&#xA;             And, when she wendeth hastes therein to dwell!&amp;quot;&#xA;&#xA;And when Kamar al-Zaman saw the Lady Budur, daughter of King Ghayur, and her beauty and comeliness, she was sleeping clad in a shift of Venetian silk, without her petticoat-trousers, and wore on her head a kerchief embroidered with gold and set with stones of price: her ears were hung with twin earrings which shone like constellations and round her neck was a collar of union pearls, of size unique, past the competence of any King. When he saw this, his reason was confounded and natural heat began to stir in him; Allah awoke in him the desire of coition and he said to himself, &amp;quot;Whatso Allah willeth, that shall be, and what He willeth not shall never be!&amp;quot; So saying, he put out his hand and, turning her over, loosed the collar of her chemise; then arose before his sight her bosom, with its breasts like double globes of ivory; whereat his inclination for her redoubled and he desired her with exceeding hot desire, He would have awakened her but she would not awake, for Dahnash had made her sleep heavy; so he shook her and moved her, saying, &amp;quot;O my beloved, awake and look on me; I am Kamar al-Zaman.&amp;quot; But she awoke not, neither moved her head; where-upon he considered her case for a long hour and said to himself, &amp;quot;If I guess aright, this is the damsel to whom my father would have married me and these three years past I have refused her; but Inshallah!—God willing—as soon as it is dawn, I will say to him, 'Marry me to her, that I may enjoy her.'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Eighty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al- Zaman said to himself, &amp;quot;By Allah, when I see dawn I will say to my sire, 'Marry me to her that I may enjoy her'; nor will I let half the day pass ere I possess her and take my fill of her beauty and loveliness.&amp;quot; Then he bent over Budur to buss her, whereat the Jinniyah Maymunah trembled and was abashed and Dahnash, the Ifrit, was like to fly for joy. But, as Kamar al- Zaman was about to kiss her upon the mouth, he was ashamed before Allah and turned away his head and averted his face, saying to his heart, &amp;quot;Have patience.&amp;quot; Then he took thought awhile and said, &amp;quot;I will be patient; haply my father when he was wroth with me and sent me to this jail, may have brought my young lady and made her lie by my side to try me with her, and may have charged her not to be readily awakened when I would arouse her, and may have said to her, 'Whatever thing Kamar al-Zaman do to thee, make me ware thereof'; or belike my sire standeth hidden in some stead whence (being himself unseen) he can see all I do with this young lady; and to morrow he will scold me and cry, 'How cometh it that thou sayest, I have no mind to marry; and yet thou didst kiss and embrace yonder damsel?' So I will withhold myself lest I be ashamed before my sire; and the right and proper thing to do is not to touch her at this present, nor even to look upon her, except to take from her somewhat which shall serve as a token to me and a memorial of her; that some sign endure between me and her.&amp;quot; Then Kamar al-Zaman raised the young lady's hand and took from her little finger a seal-ring worth an immense amount of money, for that its bezel was a precious jewel and around it were graven these couplets,&#xA;&#xA;&amp;quot;Count not that I your promises forgot, *&#xA;             Despite the length of your delinquencies&#xA;Be generous, O my lord, to me inclining; *&#xA;             Haply your mouth and cheeks these lips may kiss:&#xA;By Allah, ne'er will I relinquish you *&#xA;             Albe you will transgress love's boundaries.&amp;quot;&#xA;&#xA;Then Kamar al-Zaman took the seal-ring from the little finger of Queen Budur and set it on his own; then, turning his back to her, went to sleep. When Maymunah the Jinniyah saw this, she was glad and said to Dahnash and Kashkash, &amp;quot;Saw ye how my beloved Kamar al-Zaman bore himself chastely towards this young lady? Verily, this was of the perfection of his good gifts; for observe you twain how he looked on her and noted her beauty and loveliness, and yet embraced her not neither kissed her nor put his hand to her, but turned his back and slept.&amp;quot; Answered they, &amp;quot;Even so!&amp;quot; Thereupon Maymunah changed herself into a flea and entering into the raiment of Budur, the loved of Dahnash, crept up her calf and came upon her thigh and, reaching a place some four carats below her navel, there bit her. Thereupon she opened her eyes and sitting up in bed, saw a youth lying beside her and breathing heavily in his sleep, the loveliest of Almighty Allah's creatures, with eyes that put to shame the fairest Houris of Heaven; and a mouth like Solomon's seal, whose water was sweeter to the taste and more efficacious than a theriack, and lips the colour of coral-stone, and cheeks like the blood red anemone, even as saith one, describing him in these couplets,&#xA;&#xA;&amp;quot;My mind's withdrawn from Zaynab and Nawár *&#xA;             By rosy cheeks that growth of myrtle bear;&#xA;I love a fawn, a tunic-vested boy, *&#xA;             And leave the love of bracelet-wearing Fair:&#xA;My mate in hall and closet is unlike *&#xA;             Her that I play with, as at home we pair.&#xA;Oh thou, who blam'st my flight from Hind and Zaynab, *&#xA;             The cause is clear as dawn uplighting air!&#xA;Would'st have me fare a slave, the thrall of thrall, *&#xA;             Cribbed, pent, confined behind the bar and wall?&amp;quot;&#xA;&#xA;Now when Princess Budur saw him, she was seized by a transport of passion and yearning and love-longing,—And Shahrazad per ceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Eighty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Princess Budur saw Kamar al-Zaman she was forthwith seized with a transport of passion and yearning and love longing, and she said to herself, &amp;quot;Alas, my shame! This is a strange youth and I know him not. How cometh he to be lying by my side on one bed?&amp;quot; Then she looked at him a second time and, noting his beauty and loveliness, said, &amp;quot;By Allah, he is indeed a comely youth and my heart is well-nigh torn in sunder with longing for him! But alas, how am I shamed by him! By the Almighty, had I known it was this youth who sought me in marriage of my father, I had not rejected him, but had wived with him and enjoyed his loveliness!&amp;quot; Then she gazed in his face and said, &amp;quot;O my lord and light of mine eyes, awake from sleep and take thy pleasure in my beauty and grace.&amp;quot; And she moved him with her hand; but Maymunah the Jinniyah let down sleep upon him as it were a curtain, and pressed heavily on his head with her wings so that Kamar al-Zaman awoke not. Then Princess Budur shook him with her hands and said, &amp;quot;My life on thee, hearken to me; awake and up from thy sleep and look on the narcissus and the tender down thereon, and enjoy the sight of naked waist and navel; and touzle me and tumble me from this moment till break of day! Allah upon thee, O my lord, sit up and prop thee against the pillow and slumber not!&amp;quot; Still Kamar al-Zaman made her no reply but breathed hard in his sleep. Continued she, &amp;quot;Alas! Alas! thou art insolent in thy beauty and comeliness and grace and loving looks! But if thou art handsome, so am I handsome; what then is this thou dost? Have they taught thee to flout me or hath my father, the wretched old fellow, made thee swear not to speak to me to-night?&amp;quot; But Kamar al-Zaman opened not his mouth neither awoke, whereat her passion for him redoubled and Allah inflamed her heart with love of him. She stole one glance of eyes that cost her a thousand sighs: her heart fluttered, and her vitals throbbed and her hands and feet quivered; and she said to Kamar al-Zaman &amp;quot;Talk to me, O my lord! Speak to me, O my friend! Answer me, O my beloved, and tell me thy name, for indeed thou hast ravished my wit!&amp;quot; And during all this time he abode drowned in sleep and answered her not a word, and Princess Budur sighed and said, &amp;quot;Alas! Alas! why art thou so proud and self satisfied?&amp;quot; Then she shook him and turning his hand over, saw her seal-ring on his little finger, whereat she cried a loud cry, and followed it with a sigh of passion and said, &amp;quot;Alack! Alack! By Allah, thou art my beloved and thou lovest me! Yet thou seemest to turn thee away from me out of coquetry, for all, O my darling, thou camest to me, whilst I was asleep and knew not what thou didst with me, and tookest my seal-ring; and yet I will not pull it off thy finger.&amp;quot; So saying, she opened the bosom of his shirt and bent over him and kissed him and put forth her hand to him, seeking somewhat that she might take as a token, but found nothing. Then she thrust her hand into his breast and, because of the smoothness of his body, it slipped down to his waist and thence to his navel and thence to his yard, whereupon her heart ached and her vitals quivered and lust was sore upon her, for that the desire of women is fiercer than the desire of men, and she was ashamed of her own shamelessness. Then she plucked his seal-ring from his finger, and put it on her own instead of the ring he had taken, and bussed his inner lips and hands, nor did she leave any part of him unkissed; after which she took him to her breast and embraced him and, laying one of her hands under his neck and the other under his arm-pit, nestled close to him and fell asleep by his side.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One hundred and Eighty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Princess Budur fell asleep by the side of Kamar al-Zaman, after doing that which she did, quoth Maymunah to Dahnash, Night thou, O accursed, how proudly and coquettishly my beloved bore himself, and how hotly and passionately thy mistress showed herself to my dearling? There can be no doubt that my beloved is handsomer than shine; nevertheless I pardon thee.&amp;quot; Then she wrote him a document of manumission and turned to Kashkash and said, &amp;quot;Go, help Dahnash to take up his mistress and aid him to carry her back to her own place, for the night waneth apace and there is but little left of it.&amp;quot; &amp;quot;I hear and I obey;&amp;quot; answered Kashkash. So the two Ifrits went forward to Princess Budur and upraising her flew away with her; then, bearing her back to her own place, they laid her on her bed, whilst Maymunah abode alone with Kamar al-Zaman, gazing upon him as he slept, till the night was all but spent, when she went her way. As soon as morning morrowed, the Prince awoke from sleep and turned right and left, but found not the maiden by him and said in his mind, &amp;quot;What is this business? It is as if my father would incline me to marriage with the damsel who was with me and have now taken her away by stealth, to the intent that my desire for wedlock may redouble.&amp;quot; Then he called out to the eunuch who slept at the door, saying, &amp;quot;Woe to thee, O damned one, arise at once!&amp;quot; So the eunuch rose, bemused with sleep, and brought him basin and ewer, whereupon Kamar al-Zaman entered the water closet and did his need; then, coming out made the Wuzu-ablution and prayed the dawn-prayer, after which he sat telling on his beads the ninety-and-nine names of Almighty Allah. Then he looked up and, seeing the eunuch standing in service upon him, said, &amp;quot;Out on thee, O Sawáb! Who was it came hither and took away the young lady from my side and I still sleeping?&amp;quot; Asked the eunuch, 'O my lord, what manner of young lady?&amp;quot; &amp;quot;The young lady who lay with me last night,&amp;quot; replied Kamar al-Zaman. The eunuch was startled at his words and said to him, &amp;quot;By Allah, there hath been with thee neither young lady nor other! How should young lady have come in to thee, when I was sleeping in the doorway and the door was locked? By Allah, O my lord, neither male nor female hath come in to thee!&amp;quot; Exclaimed the Prince, &amp;quot;Thou liest, O pestilent slave!: is it of thy competence also to hoodwink me and refuse to tell me what is become of the young lady who lay with me last night and decline to inform me who took her away?&amp;quot; Replied the eunuch (and he was affrighted at him), &amp;quot;By Allah, O my lord, I have seen neither young lady nor young lord!&amp;quot; His words only angered Kamar al-Zaman the more and he said to him, &amp;quot;O accursed one, my father hath indeed taught thee deceit! Come hither.&amp;quot; So the eunuch came up to him, and the Prince took him by the collar and dashed him to the ground; whereupon he let fly a loud fart and Kamar al-Zaman, kneeling upon him, kicked him and throttled him till he fainted away. Then he dragged him forth and tied him to the well-rope, and let him down like a bucket into the well and plunged him into the water, then drew him up and lowered him down again. Now it was hard winter weather, and Kamar al-Zaman ceased not to plunge the eunuch into the water and pull him up again and douse him and haul him whilst he screamed and called for help; and the Prince kept on saying &amp;quot;By Allah, O damned one, I will not draw thee up out of this well till thou tell me and fully acquaint me with the story of the young lady and who it was took her away, whilst I slept.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One and Eighty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al- Zaman said to the eunuch, &amp;quot;By Allah! I will not draw thee up out of this well until thou tell me the story of the young lady and who it was took her away whilst I slept.&amp;quot; Answered the eunuch, after he had seen death staring him in the face; &amp;quot;O my lord, let me go and I will relate to thee the truth and the whole tale.&amp;quot; So Kamar al-Zaman pulled him up out of the well, all but dead for suffering, what with cold and the pain of dipping and dousing, drubbing and dread of drowning. He shook like cane in hurricane, his teeth were clenched as by cramp and his clothes were drenched and his body befouled and torn by the rough sides of the well: briefly he was in a sad pickle. Now when Kamar al-Zaman saw him in this sorry plight, he was concerned for him; but, as soon as the eunuch found himself on the floor, he said to him, &amp;quot;O my lord, let me go and doff my clothes and wring them out and spread them in the sun to dry, and don others; after which I will return to thee forthwith and tell thee the truth of the matter.&amp;quot; Answered the Prince, &amp;quot;O rascal slave! hadst thou not seen death face to face, never hadst thou confessed to fact nor told me a word; but go now and do thy will, and then come back to me at once and tell me the truth.&amp;quot; Thereupon the eunuch went out, hardly crediting his escape, and ceased not running, stumbling and rising in his haste, till he came in to King Shahriman, whom he found sitting at talk with his Wazir of Kamar al-Zaman's case. The King was saying to the Minister, &amp;quot;I slept not last night, for anxiety concerning my son, Kamar al-Zaman and indeed I fear lest some harm befal him in that old tower. What good was there in imprisoning him?&amp;quot; Answered the Wazir, &amp;quot;Have no care for him. By Allah, no harm will befal him! None at all! Leave him in prison for a month till his temper yield and his spirit be broken and he return to his senses.&amp;quot; As the two spoke behold, up rushed the eunuch, in the aforesaid plight, making to the King who was troubled at sight of him; and he cried &amp;quot;O our lord the Sultan! Verily, thy son's wits are fled and he hath gone mad, he hath dealt with me thus and thus, so that I am become as thou seest me, and he kept saying, 'A young lady lay with me this night and stole away secretly whilst I slept. Where is she?' And he insisteth on my letting him know where she is and on my telling him who took her away. But I have seen neither girl nor boy: the door was locked all through the night, for I slept before it with the key under my head, and I opened to him in the morning with my own hand. When King Shahriman heard this, he cried out, saying, &amp;quot;Alas, my son!;&amp;quot; and he was enraged with sore rage against the Wazir, who had been the cause of all this case and said to him, &amp;quot;Go up, bring me news of my son and see what hath befallen his mind.&amp;quot; So the Wazir rose and, stumbling over his long skirts, in his fear of the King's wrath, hastened with the slave to the tower. Now the sun had risen and when the Minister came in to Kamar al-Zaman, he found him sitting on the couch reciting the Koran; so he saluted him and seated himself by his side, and said to him, &amp;quot;O my lord, this wretched eunuch brought us tidings which troubled and alarmed us and which incensed the King.&amp;quot; Asked Kamar al-Zaman, &amp;quot;And what hath he told you of me to trouble my father? In good sooth he hath troubled none but me.&amp;quot; Answered the Wazir, &amp;quot;He came to us in fulsome state and told us of thee a thing which Heaven forfend; and the slave added a lie which it befitteth not to repeat, Allah preserve thy youth and sound sense and tongue of eloquence, and forbid to come from thee aught of offense!&amp;quot; Quoth the Prince, &amp;quot;O Wazir, and what thing did this pestilent slave say of me?&amp;quot; The Minister replied, &amp;quot;He told us that thy wits had taken leave of thee and thou wouldst have it that a young lady lay with thee last night, and thou west instant with him to tell thee whither she went and thou diddest torture him to that end.&amp;quot; But when Kamar al-Zaman heard these words, he was enraged with sore rage and he said to the Wazir, &amp;quot;'Tis manifest to me in very deed that you people taught the eunuch to do as he did.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her per misted say.&#xA;&#xA;When it was the One Hundred and Eighty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Kamar al-Zaman heard the words of the Wazir he was enraged with sore rage and said to him, &amp;quot;'Tis manifest to me in very deed that you people taught the eunuch to do as he did and forbade him to tell me what became of the young lady who lay with me last night. But thou, O Wazir, art cleverer than the eunuch, so do thou tell me without stay or delay, whither went the young lady who slept on my bosom last night; for it was you who sent her and bade her steep in my embrace and we lay together till dawn; but, when I awoke, I found her not. So where is she now?&amp;quot; Said the Wazir, &amp;quot;O my lord Kamar al-Zaman, Allah's name encompass thee about! By the Almighty, we sent none to thee last night, but thou layest alone, with the door locked on thee and the eunuch sleeping behind it, nor did there come to thee young lady or any other. Regain thy reason, O my lord, and stablish thy senses and occupy not thy mind with vanities.&amp;quot; Rejoined Kamar al-Zaman who was incensed at his words, &amp;quot;O Wazir, the young lady in question is my beloved, the fair one with the black eyes and rosy cheeks, whom I held in my arms all last night.&amp;quot; So the Minister wondered at his words and asked him, &amp;quot;Didst thou see this damsel last night with shine own eyes on wake or in sleep?&amp;quot; Answered Kamar al-Zaman, &amp;quot;O ill- omened old man, dost thou fancy I saw her with my ears? Indeed, I saw her with my very eyes and awake, and I touched her with my hand, and I watched by her full half the night, feeding my vision on her beauty and loveliness and grace and tempting looks. But you had schooled her and charged her to speak no word to me; so she feigned sleep and I lay by her side till dawn, when I awoke and found her gone.&amp;quot; Rejoined the Wazir, &amp;quot;O my lord Kamar al- Zaman, haply thou sawest this in thy sleep; it must have been a delusion of dreams or a deception caused by eating various kinds of food, or a suggestion of the accursed devils.&amp;quot; Cried the Prince, &amp;quot;O pestilent old man! wilt thou too make a mock of me and tell me this was haply a delusion of dreams, when that eunuch confessed to the young lady, saying, 'At once I will return to thee and tell thee all about her?'&amp;quot; With these words, he sprang up and rushed at the Wazir and gripped hold of his beard (which was long) and, after gripping it, he twisted his hand in it and haling him off the couch, threw him on the floor. It seemed to the Minister as though his soul departed his body for the violent plucking at his beard; and Kamar al-Zaman ceased not kicking the Wazir and basting his breast and ribs and cuffing him with open hand on the nape of his neck till he had well-nigh beaten him to death. Then said the old man in his mind, &amp;quot;Just as the eunuch-slave saved his life from this lunatic youth by telling him a lie, thus it is even fitter that I do likewise; else he will destroy me. So now for my lie to save myself, he being mad beyond a doubt.&amp;quot; Then he turned to Kamar al-Zaman and said, &amp;quot;O my lord, pardon me; for indeed thy father charged me to conceal from thee this affair of the young lady; but now I am weak and weary and wounded with funding; for I am an old man and lack strength and bottom to endure blows. Have, therefore, a little patience with me and I will tell thee all and acquaint thee with the story of the young woman.&amp;quot; When the Prince heard this, he left off drubbing him and said, &amp;quot;Wherefore couldst thou not tell me the tale until after shame and blows? Rise now, unlucky old man that thou art, and tell me her story.&amp;quot; Quoth the Wazir, &amp;quot;Say, dost thou ask of the young lady with the fair face and perfect form?&amp;quot; Quoth Kamar al-Zaman, &amp;quot;Even so! Tell me, O Wazir, who it was that led her to me and laid her by my side, and who was it that took her away from me by night; and let me know forthright whither she is gone, that I myself may go to her at once. If my father did this deed to me that he might try me by means of that beautiful girl, with a view to our marriage, I consent to wed her and free myself of this trouble; for he did all these dealings with me only because I refused wedlock. But now I consent and I say again, I consent to matrimony: so tell this to my father, O Wazir, and advise him to marry me to that young lady; for I will have none other and my heart loveth none save her alone. Now rise up at once and haste thee to my father and counsel him to hurry on our wedding and bring me his answer within this very hour.&amp;quot; Rejoined the Wazir, &amp;quot;'Tis well!&amp;quot; and went forth from him, hardly believing himself out of his hands. Then he set off from the tower, walking and tripping up as he went, for excess of fright and agitation, and he ceased not hurrying till he came in to King Shahriman.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Eighty-nineth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir, fared forth from the tower, and ceased not running till he came in to King Shahriman, who said to him as he sighted him, &amp;quot;O thou Wazir, what man hath brought thee to grief and whose mischief hath treated thee in way unlief; how happeneth it that I see thee dumb foundered and coming to me thus astounded?&amp;quot; Replied the Wazir, &amp;quot;O King! I bring thee good news.&amp;quot; &amp;quot;And what is it?&amp;quot; quoth Shahriman, and quoth the Wazir, &amp;quot;Know that thy son Kamar al- Zaman's wits are clean gone and that he hath become stark mad.&amp;quot; Now when the King heard these words of the Minister, light became darkness in his sight and he said, &amp;quot;O Wazir, make clear to me the nature of his madness.&amp;quot; Answered the Wazir, &amp;quot;O my lord, I hear and I obey.&amp;quot; Then he told him that such and such had passed and acquainted him with all that his son had done; whereupon the King said to him, &amp;quot;Hear, O Wazir, the good tidings which I give thee in return for this thy fair news of my son's insanity; and it shall be the cutting off of thy head and the forfeiture of my favour, O most ill-omened of Wazirs and foulest of Emirs! for I feel that thou hast caused my son's disorder by the wicked advice and the sinister counsel thou hast given me first and last. By Allah, if aught of mischief or madness have befallen my son I will most assuredly nail thee upon the palace dome and make thee drain the bitterest draught of death!'' Then he sprang up and, taking the Wazir, with him, fared straight for the tower and entered it. And when Kamar al-Zaman saw the two, he rose to his father in haste from the couch whereon he sat and kissing his hands drew back and hung down his head and stood before him with his arms behind him, and thus remained for a full hour. Then he raised his head towards his sire; the tears gushed from his eyes and streamed down his cheeks and he began repeating,&#xA;&#xA;&amp;quot;Forgive the sin 'neath which my limbs are trembling,&#xA;For the slave seeks for mercy from his master;&#xA;I've done a fault, which calls for free confession,&#xA;Where shall it call for mercy, and forgiveness?''&#xA;&#xA;When the King heard this, he arose and embraced his son, and kissing him between the eyes, made him sit by his side on the couch; then he turned to the Wazir, and, looking on him with eyes of wrath, said, &amp;quot;O dog of Wazirs, how didst thou say of my son such and such things and make my heart quake for him?&amp;quot; Then he turned to the Prince and said, &amp;quot;O my son, what is to-day called?&amp;quot; He answered, &amp;quot;O my father, this day is the Sabbath, and to morrow is First day: then come Second day, Third, Fourth, Fifth day and lastly Friday.&amp;quot; Exclaimed the King, &amp;quot;O my son, O Kamar al-Zaman, praised be Allah for the preservation of thy reason! What is the present month called in our Arabic?&amp;quot; &amp;quot;Zú'l Ka'adah,&amp;quot; answered Kamar al-Zaman, &amp;quot;and it is followed by Zú'l hijjah; then cometh Muharram, then Safar, then Rabí'a the First and Rabí'a the Second, the two Jamádás, Rajab, Sha'aban, Ramazán and Shawwál.&amp;quot; At this the King rejoiced exceedingly and spat in the Wazir's face, saying, &amp;quot;O wicked old man, how canst thou say that my son is mad? And now none is mad but thou.&amp;quot; Hereupon the Minister shook his head and would have spoken, but bethought himself to wait awhile and see what might next befal. Then the King said to his child, &amp;quot;O my son, what words be these thou saddest to the eunuch and the Wazir, declaring, 'I was sleeping with a fair damsel this night?' What damsel is this of whom thou speakest?&amp;quot; Then Kamar al-Zaman laughed at his father's words and replied, &amp;quot;O my father, know that I can bear no more jesting; so add me not another mock or even a single word on the matter, for my temper hath waxed short by that you have done with me. And know, O my father, with assured knowledge, that I consent to marry, but on condition that thou give me to wife her who lay by my side this night; for I am certain it was thou sentest her to me and madest me in love with her and then despatchedst a message to her before the dawn and tookest her away from beside me.&amp;quot; Rejoined the King, &amp;quot;The name of Allah encompass thee about, O my son, and be thy wit preserved from witlessness!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Ninetieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that quoth King Shahriman to his son Kamar al-Zaman, &amp;quot;The name of Allah encompass thee about, O my son, and be thy wit preserved from witlessness! What thing be this young lady whom thou fanciest I sent to thee last night and then again that I sent to withdraw her from thee before dawn? By the Lord, O my son, I know nothing of this affair, and Allah upon thee, tell me if it be a delusion of dreaming or a deception caused by indisposition. For verily thou layest down to sleep last night with thy mind occupied anent marriage and troubled with the talk of it (Allah damn marriage and the hour when I spake of it and curse him who counselled it!); and without doubt or diffidence I can say that being moved in mind by the mention of wedlock thou dreamedst that a handsome young lady embraced thee and didst fancy thou sawest her when awake. But all this, O my son, is but an imbroglio of dreams.&amp;quot; Replied Kamar al-Zaman, &amp;quot;Leave this talk and swear to me by Allah, the All creator, the Omniscient; the Humbler of the tyrant Caesars and the Destroyer of the Chosroes, that thou knowest naught of the young lady nor of her woning-place.&amp;quot; Quoth the King, &amp;quot;By the Might of Allah Almighty, the God of Moses and Abraham, I know naught of all this and never even heard of it; it is assuredly a delusion of dreams thou hast seen in sleep.' Then the Prince replied to his sire, &amp;quot;I will give thee a self evident proof that it happened to me when on wake.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al Zamar said to his sire, &amp;quot;I will give thee a self-evident proof that this happened to me when on wake. Now let me ask thee, did it ever befal any man to dream that he was battling a sore battle and after to awake from sleep and find in his hand a sword-blade besmeared with blood? Answered the King, &amp;quot;No, by Allah, O my son, this hath never been.&amp;quot; Rejoined Kamar al-Zaman, &amp;quot;I will tell thee what happened to me and it was this. Meseemed I awoke from sleep in the middle of the past night and found a girl lying by my side, whose form was like mine and whose favour was as mine. I embraced her and turned her about with my hand and took her seal- ring, which I put on my finger, and she pulled off my ring and put it on hers. Then I went to sleep by her side, but refrained from her for shame of thee, deeming that thou hadst sent her to me, intending to tempt me with her and incline me to marriage, and suspecting thee to be hidden somewhere whence thou couldst see what I did with her. And I was ashamed even to kiss her on the mouth for thy account, thinking over this temptation to wedlock; and, when I awoke at point of day, I found no trace of her, nor could I come at any news of her, and there befel me what thou knowest of with the eunuch and with the Wazir. How then can this case have been a dream and a delusion, when the ring is a reality? Save for her ring on my finger I should indeed have deemed it a dream; but here is the ring on my little finger: look at it, O King, and see what is its worth.&amp;quot; So saying he handed the ring to his father, who examined it and turned it over, then looked to his son and said, &amp;quot;Verily, there is in this ring some mighty mystery and some strange secret. What befel thee last night with the girl is indeed a hard nut to crack, and I know not how intruded upon us this intruder. None is the cause of all this posher save the Wazir; but, Allah upon thee, O my son, take patience, so haply the Lord may turn to gladness this thy grief and to thy sadness bring complete relief: as quoth one of the poets,&#xA;&#xA;'Haply shall Fortune draw her rein, and bring *&#xA;             Fair chance, for she is changeful, jealous, vain:&#xA;Still I may woo my want and wishes win, *&#xA;           And see on heels of care unfair, the fain.'&#xA;&#xA;And now, O my son, I am certified at this hour that thou art not mad; but thy case is a strange one which none can clear up for thee save the Almighty.&amp;quot; Cried the Prince, &amp;quot;By Allah, O my father, deal kindly with me and seek out this young lady and hasten her coming to me; else I shall die of woe and of my death shall no one know.&amp;quot; Then he betrayed the ardour of his passion; and turned towards his father and repeated these two couplets,&#xA;&#xA;&amp;quot;If your promise of personal call prove untrue, *&#xA;             Deign in vision to grant me an interview:&#xA;Quoth they, 'How can phantom appear to the sight *&#xA;             Of a youth, whose sight is fordone, perdue?'&amp;quot;&#xA;&#xA;Then, after ending his poetry, Kamar al-Zaman again turned to his father, with submission and despondency, and shedding tears in flood, began repeating these lines.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Kamar al-Zaman had repeated to his father these verses, he wept and complained and groaned from a wounded heart; and added these lines,&#xA;&#xA;&amp;quot;Beware that eye glance which hath magic might; *&#xA;            Wherever turn those orbs it bars our flight:&#xA;Nor be deceived by low sweet voice, that breeds *&#xA;            A fever festering in the heart and sprite:&#xA;So soft that silky skin, were rose to touch it *&#xA;             She'd cry and tear-drops rain for pain and fright:&#xA;Did Zephyr e'en in sleep pass o'er her land, *&#xA;             Scented he'd choose to dwell in scented site:&#xA;Her necklets vie with tinkling of her belt; *&#xA;             Her wrists strike either wristlet dumb with spite:&#xA;When would her bangles buss those rings in ear, *&#xA;             Upon the lover's eyne high mysteries 'light:&#xA;I'm blamed for love of her, nor pardon claim; *&#xA;             Eyes are not profiting which lack foresight:&#xA;Heaven strip thee, blamer mine! unjust art thou; *&#xA;             Before this fawn must every eye low bow.&amp;quot;&#xA;&#xA;After which he said, &amp;quot;By Allah, O my father, I cannot endure to be parted from her even for an hour.&amp;quot; The King smote hand upon hand and exclaimed, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! No cunning contrivance can profit us in this affair.&amp;quot; Then he took his son by the hand and carried him to the palace, where Kamar al-Zaman lay down on the bed of languor and the King sat at his head, weeping and mourning over him and leaving him not, night or day, till at last the Wazir came in to him and said, &amp;quot;O King of the age and the time, how long wilt thou remain shut up with thy son and hide thyself from thy troops. Haply, the order of thy realm may be deranged, by reason of shine absence from thy Grandees and Officers of State. It behoveth the man of understanding, if he have various wounds in his body, to apply him first to medicine the most dangerous; so it is my counsel to thee that thou remove thy son from this place to the pavilion which is in the palace overlooking the sea; and shut thyself up with him there, setting apart in every week two days, Thursday and Monday, for state receptions and progresses and reviews. On these days let shine Emirs and Wazirs and Chamberlains and Viceroys and high Officials and Grandees of the realm and the rest of the levies and the lieges have access to thee and submit their affairs to thee; and do thou their needs and judge among them and give and take with them and bid and forbid. And the rest of the week thou shalt pass with thy son, Kamar al-Zaman, and cease not thus doing till Allah shall vouchsafe relief to you twain. Think not, O King, that thou art safe from the shifts of Time and the strokes of Change which come like a traveller in the night; for the wise man is ever on his guard and how well saith the poet,&#xA;&#xA;'Thou deemedst well of Time when days went well, *&#xA;             And fearedst not what ills might bring thee Fate:&#xA;The Nights so fair and restful cozened thee, *&#xA;             For peaceful Nights bring woes of heavy weight.&#xA;Oh children of mankind whom Time befriends, *&#xA;             Beware of Time's deceits or soon or late!'''&#xA;&#xA;When the Sultan heard his Wazir's words he saw that they were right and deemed his counsel wise, and it had effect upon him for he feared lest the order of the state be deranged; so he rose at once and bade transport his son from his sick room to the pavilion in the palace overlooking the sea. Now this palace was girt round by the waters and was approached by a causeway twenty cubits wide. It had windows on all sides commanding an ocean- view; its floor was paved with parti-coloured marbles and its ceiling was painted in the richest pigments and figured with gold and lapis-lazuli. They furnished it for Kamar al-Zaman with splendid upholstery, embroidered rugs and carpets of the richest silk; and they clothed the walls with choice brocades and hung curtains bespangled with gems of price. In the midst they set him a couch of juniper-wood inlaid with pearls and jewels, and Kamar al-Zaman sat down thereon, but the excess of his concern and passion for the young lady had wasted his charms and emaciated his body; he could neither eat nor drink nor sleep; and he was like a man who had been sick twenty years of sore sickness. His father seated himself at his head, grieving for him with the deepest grief, and every Monday and Thursday he gave his Wazirs and Emirs and Chamberlains and Viceroys and Lords of the realm and levies and the rest of his lieges leave to come up to him in that pavilion. So they entered and did their several service and duties and abode with him till the end of the day, when they went their ways and the King returned to his son in the pavilion whom he left not night nor day; and he ceased not doing on this wise for many days and nights. Such was the case with Kamar al-Zaman, son of King Shahriman; but as regards Princess Budur, daughter of King Ghayur, Lord of the Isles and the Seven Palaces, when the two Jinns bore her up and laid her on her bed, she slept till daybreak, when she awoke and sitting upright looked right and left, but saw not the youth who had lain in her bosom. At this her vitals fluttered, her reason fled and she shrieked a loud shriek which awoke all her slave girls and nurses and duennas. They flocked in to her; and the chief of them came forward and asked, &amp;quot;What aileth thee, O my lady?&amp;quot; Answered the Princess, &amp;quot;O wretched old woman, where is my beloved, the handsome youth who lay last night in my bosom? Tell me whither he is gone.&amp;quot; Now when the duenna heard this, the light starkened in her sight and she feared from her mischief with sore affright, and said to her, &amp;quot;O my Lady Budur, what unseemly words are these?&amp;quot; Cried the Princess, &amp;quot;Woe to thee pestilent crone that thou art! I ask thee again where is my beloved, the goodly youth with the shining face and the slender form, the jetty eyes and the joined eyebrows, who lay with me last night from supper-tide until near daybreak?&amp;quot; She rejoined &amp;quot;By Allah, O my lady, I have seen no young man nor any other. I conjure thee, carry not this unseemly jest too far lest we all lose our lives; for perhaps the joke may come to thy father's ears and who shall then deliver us from his hand?&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the duenna bespake the Lady Budur in these words, &amp;quot;Allah upon thee, O my lady! carry not this unseemly jest too far; for perhaps it may come to thy father's ears, and who shall then deliver us from his hand?&amp;quot; The Princess rejoined, &amp;quot;In very sooth a youth lay with me last night, one of the fairest-faced of men.&amp;quot; Exclaimed the duenna, &amp;quot;Heaven preserve thy reason! indeed no one lay with thee last night.&amp;quot; Thereupon the Princess looked at her hand and, finding Kamar al-Zaman's seal-ring on her finger in stead of her own, said to her, &amp;quot;Woe to thee, thou accursed! thou traitress! wilt thou lie to me and tell me that none lay with me last night and swear to me a falsehood in the name of the Lord?&amp;quot; Replied the duenna, &amp;quot;By Allah, I do not lie to thee nor have I sworn falsely.&amp;quot; Then the Princess was incensed by her words and, drawing a sword she had by her, she smote the old woman with it and slew her; whereupon the eunuch and the waiting-women and the concubines cried out at her, and ran to her father and, without stay or delay, acquainted him with her case. So the King went to her, and asked her, &amp;quot;O my daughter, what aileth thee?&amp;quot;; and she answered, &amp;quot;O my father, where is the youth who lay with me last night?&amp;quot; Then her reason fled from her head and she cast her eyes right and left and rent her raiment even to the skirt. When her sire saw this, he bade the women lay hands on her; so they seized her and manacled her, then putting a chain of iron about her neck, made her fast to one of the palace-windows and there left her. Thus far concerning Princess Budur; but as regards her father, King Ghayur, the world was straitened upon him when he saw what had befallen his daughter, for that he loved her and her case was not a little grievous to him. So he summoned on it the doctors and astrologers and men skilled in talisman- writing and said to them, &amp;quot;Whoso healeth my daughter of what ill she hath, I will marry him to her and give him half of my kingdom; but whoso cometh to her and cureth her not, I will strike off his head and hang it over her palace-gate.&amp;quot; Accordingly, all who went in to her, but failed to heal her, he beheaded and hung their heads over the palace-gates, till he had beheaded on her account forty doctors and crucified forty astrologers; wherefor the general held aloof from her, all the physicians having failed to medicine her malady; and her case was a puzzle to the men of science and the adepts in cabalistic characters. And as her longing and passion redoubled and love and distraction were sore upon her, she poured forth tears and repeated these couplets,&#xA;&#xA;&amp;quot;My fondness, O my moon, for thee my foeman is, *&#xA;             And to thy comradeship the nights my thought compel:&#xA;In gloom I bide with fire that flames below my ribs, *&#xA;             Whose lowe I make comparison with heat of Hell:&#xA;I'm plagued with sorest stress of pine and ecstasy; *&#xA;             Nor clearest noon tide can that horrid pain dispel.&amp;quot;&#xA;&#xA;Then she sighed and repeated these also,&#xA;&#xA;&amp;quot;Salams fro' me to friends in every stead; *&#xA;             Indeed to all dear friends do I incline:&#xA;Salams, but not salams that bid adieu; *&#xA;             Salams that growth of good for you design:&#xA;I love you dear, indeed, nor less your land, *&#xA;             But bide I far from every need of mine!&amp;quot;&#xA;&#xA;And when the Lady Budur ceased repeating her poetry, she wept till her eyes waxed sore and her cheeks changed form and hue, and in this condition she continued three years. Now she had a foster-brother, by name Marzawán, who was travelling in far lands and absent from her the whole of this time. He loved her with an exceeding love, passing the love of brothers; so when he came back he went in to his mother and asked for his sister, the Princess Budur. She answered him, &amp;quot;O my son, thy sister hath been smitten with madness and hath passed these three years with a chain of iron about her neck; and all the physicians and men of science have failed of healing her.&amp;quot; When Marzawan heard these words he said, &amp;quot;I must needs go in to her; peradventure I may discover what she hath, and be able to medicine her;&amp;quot; and his mother replied, &amp;quot;Needs must thou visit her, but wait till to morrow, that I may contrive some thing to suit thy case.&amp;quot; Then she went a-foot to the palace of the Lady Budur and, accosting the eunuch in charge of the gates, made him a present and said to him, &amp;quot;I have a daughter, who was brought up with thy mistress and since then I married her; and, when that befel the Princess which befel her, she became troubled and sore concerned, and I desire of thy favour that my daughter may go in to her for an hour and look on her; and then return whence she came, so shall none know of it.&amp;quot; Quoth the eunuch, &amp;quot;This may not be except by night, after the King hath visited his child and gone away; then come thou and thy daughter.&amp;quot; So she kissed the eunuch's hand and, returning home, waited till the morrow at nightfall; and when it was time she arose and sought her son Marzawan and attired him in woman's apparel; then, taking his hand in hers, led him towards the palace, and ceased not walking with him till she came upon the eunuch after the Sultan had ended his visit to the Princess. Now when the eunuch saw her, he rose to her, and said, &amp;quot;Enter, but do not prolong thy stay!&amp;quot; So they went in and when Marzawan beheld the Lady Budur in the aforesaid plight, he saluted her, after his mother had doffed his woman's garb: then he took out of their satchel books he had brought with him; and, lighting a wax- candle, he began to recite certain conjurations Thereupon the Princess looked at him and recognising him, said, &amp;quot;O my brother, thou hast been absent on thy travels' and thy news have been cut off from us.&amp;quot; He replied, &amp;quot;True! but Allah hath brought me back safe and sound, I am now minded to set out again nor hath aught delayed me but the news I hear of thee; wherefore my heart burned for thee and I came to thee, so haply I may free thee of thy malady.&amp;quot; She rejoined, O my brother, thinkest thou it is madness aileth me?&amp;quot; &amp;quot;Yes.&amp;quot; answered he, and she said, &amp;quot;Not so, by Allah! 'tis even as saith the poet,&#xA;&#xA;'Quoth they 'Thou rav'st on him thou lov'st': quoth I, *&#xA;             'The sweets of love are only for th' insane!'&#xA;Love never maketh Time his friend befriend; *&#xA;             Only the Jinn-struck wight such boon can gain:&#xA;Well! yes, I'm mad: bring him who madded me *&#xA;             And, if he cure m: madness, blame restrain!'&amp;quot;&#xA;&#xA;Then she let Marzawan know that she was love-daft and he said &amp;quot;Tell me concerning thy tale and what befel thee: haply there may be in my hand something which shall be a means of deliverance for thee.&amp;quot;—And Shahrazad perceived the dawn of da, and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Marzawar thus addressed Princess Budur, &amp;quot;Tell me concerning thy tale and what befel thee: haply Allah may inspire me with a means of deliverance for thee.&amp;quot; Quoth she, &amp;quot;O my brother, hear my story which is this. One night I awoke from sleep, in the last third of the night and, sitting up, saw by my side the handsomest of youths that be, and tongue faileth to describe him, for he was as a willow-wand or an Indian rattan-cane. So methought it was my father who had done on this wise in order thereby to try me, for that he had consulted me concerning wedlock, when the Kings sought me of him to wife, and I had refused. It was this though withheld me from arousing him, for I feared that, if I did aught of embraced him, he would peradventure inform my father of m, doings. But in the morning, I found on my finger his seal-ring, in place of my own which he had taken. And, O my brother, m, heart was seized with love of him at first sight; and, for the violence of my passion and longing, I have never savoured the taste of sleep and have no occupation save weeping alway and repeating verses night and day. And this, O my brother, is my story and the cause of my madness.&amp;quot; Then she poured forth tears and repeated these couplets,&#xA;&#xA;&amp;quot;Now Love hast banished all that bred delight; *&#xA;             With that heart-nibbling fawn my joys took flight:&#xA;Lightest of trifles lover's blood to him *&#xA;             Who wastes the vitals of the hapless wight!&#xA;For him I'm jealous of my sight and thought; *&#xA;             My heart acts spy upon my thought and sight:&#xA;Those long-lashed eyelids rain on me their shafts *&#xA;             Guileful, destroying hearts where'er they light:&#xA;Now, while my portion in the world endures, *&#xA;             Shall I behold him ere I quit world-site?&#xA;What bear I for his sake I'd hide, but tears *&#xA;             Betray my feelings to the spy's despight.&#xA;When near, our union seemeth ever far; *&#xA;             When far, my thoughts to him aye nearest are.&amp;quot;&#xA;&#xA;And presently she continued, &amp;quot;See then, O my brother, how thou mayest aid me in mine affliction.&amp;quot; So Marzawan bowed his head ground-wards awhile, wondering and not knowing what to do, then he raised it and said to her, &amp;quot;All thou hast spoken to me I hold to be true, though the case of the young man pass my understanding: but I will go round about all lands and will seek for what may heal thee; haply Allah shall appoint thy healing to be at my hand. Meanwhile, take patience and be not disquieted.&amp;quot; Thereupon Marzawan farewelled her, praying that she might be constant and left her repeating these couplets,&#xA;&#xA;&amp;quot;Thine image ever companies my sprite, *&#xA;            For all thou'rt distant from the pilgrim's sight:&#xA;But my heart-wishes e'er attract thee near: *&#xA;            What is the lightning's speed to Thought's swift flight?&#xA;Then go not thou, my very light of eyes *&#xA;             Which, when thou'rt gone, lack all the Kohl of light.&amp;quot;&#xA;&#xA;Then Marzawan returned to his mother's house, where he passed the night. And when the morrow dawned, having equipped himself for his journey, he fared forth and ceased not faring from city to city and from island to island for a whole month, till he came to a town named Al-Tayrab. Here he went about scenting news of the townsfolk, so haply he might light on a cure for the Princess's malady, for in every capital he entered or passed by, it was reported that Queen Budur, daughter of King Ghayur, had lost her wits. But arriving at Al-Tayrab city, he heard that Kamar al-Zaman, son of King Shahriman, was fallen sick and afflicted with melancholy madness. So Marzawan asked the name of the Prince's capital and they said to him, &amp;quot;It is on the Islands of Khalidan and it lieth distant from our city a whole month's journey by sea, but by land it is six months' march.&amp;quot; So he went down to the sea in a ship which was bound for the Khalidan Isles, and she sailed with a favouring breeze for a whole month, till they came in sight of the capital; and there remained for them but to make the land when, behold, there came out on them a tempestuous wind which carried away the masts and rent the canvas, so that the sails fell into the sea and the ship capsized, with all on board,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the ship capsized with all on board, each sought his own safety; and as for Marzawan the set of the sea carried him under the King's palace, wherein was Kamar al-Zaman. And by the decree of destiny it so happened that this was the day on which King Shahriman gave audience to his Grandees and high officers, and he was sitting, with his son's head on his lap, whilst an eunuch fanned away the flies; and the Prince had not spoken neither had he eaten nor drunk for two days, and he was grown thinner than a spindle. Now the Wazir was standing respectfully a-foot near the latticed window giving on the sea and, raising his eyes, saw Marzawan being beaten by the billows and at his last gasp; whereupon his heart was moved to pity for him, so he drew near to the King and moving his head towards him said, &amp;quot;I crave thy leave, O King, to go down to the court of the pavilion and open the water-gate that I may rescue a man who is at the point of drowning in the sea and bring him forth of danger into deliverance; peradventure, on this account Allah may free thy son from what he hath!&amp;quot; The King replied, &amp;quot;O thou Wazir, enough is that which hath befallen my son through thee and on shine account. Haply, if thou rescue this drowning man, he will come to know our affairs, and look on my son who is in this state and exult over me; but I swear by Allah, that if this half-drowned wretch come hither and learn our condition and look upon my son and then fare forth and speak of our secrets to any, I will assuredly strike off thy head before his; for thou, O my Minister art the cause of all that hath betided us, first and last. Now do as thou wilt.&amp;quot; Thereupon the Wazir sprang up and, opening the private pastern which gave upon the sea, descended to the causeway; then walked on twenty steps and came to the water where he saw Marzawan nigh unto death. So he put out his hand to him and, catching him by his hair, drew him ashore in a state of insensibility, with belly full of water and eyes half out of his head. The Wazir waited till he came to himself, when he pulled off his wet clothes and clad him in a fresh suit, covering his head with one of his servants' turbands; after which he said to him, Know that I have been the means of saving thee from drowning: do not thou requite me by causing my death and shine own.&amp;quot;ÄAnd Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Wazir did to Marzawan what he did, he thus addressed him Know that I have been the cause of saving thee from drowning so requite me not by causing my death and shine own.&amp;quot; Asked Marzawan, And how so?&amp;quot;; and the Wazir answered, &amp;quot;Thou art at this hour about to go up and pass among Emirs and Wazirs all of them silent and none speaking, because of Kamar al-Zaman the son of the Sultan.&amp;quot; Now when Marzawan heard the name of Kamar al-Zaman, he knew that this was he whom he had heard spoken of in sundry cities and of whom he came in search, but he feigned ignorance and asked the Wazir, &amp;quot;And who is Kamar al-Zaman? Answered the Minister, &amp;quot;He is the son of Sultan Shahriman and he is sore sick and lieth strown on his couch restless alway, eating not nor drinking neither sleeping night or day; indeed he is nigh upon death and we have lost hope of his living and are certain that he is dying. Beware lest thou look too long on him, or thou look on any other than that where thou settest thy feet: else thou art a lost man, and I also.&amp;quot; He replied, &amp;quot;Allah upon thee, O Wazir, I implore thee, of thy favour, acquaint me touching this youth thou describest, what is the cause of the condition in which he is.&amp;quot; The Wazir replied, &amp;quot;I know none, save that, three years ago, his father required him to wed, but he refused; whereat the King was wroth and imprisoned him. And when he awoke on the morrow, he fancied that during the night he had been roused from sleep and had seen by his side a young lady of passing loveliness, whose charms tongue can never express; and he assured us that he had plucked off her seal-ring from her finger and had put it on his own and that she had done likewise; but we know not the secret of all this business. So by Allah, O my son, when thou comest up with me into the palace, look not on the Prince, but go thy way; for the Sultan's heart is full of wrath against me.&amp;quot; So said Marzawan to himself, &amp;quot;By Allah; this is the one I sought!&amp;quot; Then he followed the Wazir up to the palace, where the Minister seated himself at the Prince's feet; but Marzawan found forsooth nothing to do but go up to Kamar al-Zaman and stand before him at gaze. Upon this the Wazir, died of affright in his skin, and kept looking at Marzawan and signalling him to wend his way; but he feigned not to see him and gave not over gazing upon Kamar al- Zaman, till he was well assured that it was indeed he whom he was seeking,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Marzawan looked upon Kamar al-Zaman and knew that it was indeed he whom he was seeking, he cried, &amp;quot;Exalted be Allah, Who hath made his shape even as her shape and his complexion as her complexion and his cheek as her cheek!'' Upon this Kamar al-Zaman opened his eyes and gave earnest ear to his speech; and, when Marzawan saw him inclining to hear, he repeated these couplets,&#xA;&#xA;&amp;quot;I see thee full of song and plaint and love's own ecstasy;&#xA;Delighting in describing all the charms of loveliness:&#xA;&#xA;Art smit by stroke of Love or hath shaft-shot wounded thee?&#xA;None save the wounded ever show such signals of distress!&#xA;Ho thou! crown the wine cup and sing me singular&#xA;Praises to Sulaymá, Al-Rabáb, Tan'oum addrest;&#xA;&#xA;Go round the grape-vine sun which for mansion hath a jar;&#xA;Whose East the cup boy is, and here my mouth that opes for West.&#xA;&#xA;I'm jealous of the very clothes that dare her sides enroll&#xA;When she veils her dainty body of the delicatest grace:&#xA;&#xA;I envy every goblet of her lips that taketh toll&#xA;When she sets the kissing cup on that sweetest kissing-place.&#xA;&#xA;But deem not by the keen-edged scymitar I'm slain—&#xA;The hurts and harms I dree are from arrows of her eyes.&#xA;&#xA;I found her finger tips, as I met her once again,&#xA;Deep-reddened with the juice of the wood that ruddy dyes;&#xA;&#xA;And cried, 'Thy palms thou stainedst when far away was I&#xA;And this is how thou payest one distracted by his pine!'&#xA;&#xA;Quoth she (enkindling in my heart a flame that burned high&#xA;Speaking as one who cannot hide of longing love the sign),&#xA;&#xA;'By thy life, this is no dye used for dyeing; so forbear&#xA;Thy blame, nor in charging me with falsing Love persist!&#xA;&#xA;But when upon our parting-day I saw thee haste to fare,&#xA;&#xA;The while were bared my hand and my elbow and my wrist;&#xA;&#xA;'I shed a flood of blood-red tears and with fingers brushed away; Hence blood-reddened were the tips and still blood-red they remain.'&#xA;&#xA;Had I wept before she wept, to my longing-love a prey,&#xA;Before repentance came, I had quit my soul of pain;&#xA;&#xA;But she wept before I wept and I wept to see her care&#xA;And I said, 'All the merit to precedent;'&#xA;&#xA;Blame me not for loving her, now on self of Love I swear&#xA;For her sake, for her only, these pains my soul torment.&#xA;&#xA;She hath all the lere of Lukmán and Yúsuf's beauty lief;&#xA;Sweet singer David's voice and Maryam's chastity:&#xA;&#xA;While I've all Jacob's mourning and Jonah's prison-grief,&#xA;And the sufferings of Job and old Adam's history:&#xA;&#xA;Yet kill her not, albeit of my love for her I die;&#xA;But ask her why my blood to her was lawful. ask her why?&amp;quot;&#xA;&#xA;When Marzawan recited this ode, the words fell upon Kamar al- Zaman's heart as freshness after fever and returning health; and he sighed and, turning his tongue in his mouth, said to his sire, &amp;quot;O my father, let this youth come and sit by my side.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al- Zaman said to his sire, &amp;quot;O my father, allow this youth to come and sit by my side.&amp;quot; Now when the King heard these words from his son, he rejoiced with exceeding joy, though at the first his heart had been set against Marzawan and he had determined that the stranger's head needs must be stricken off: but when he heard Kamar al-Zaman speak, his anger left him and he arose and drawing Marzawan to him, seated him by his son and turning to him said, &amp;quot;Praised be Allah for thy safety!&amp;quot; He replied, &amp;quot;Allah preserve thee! and preserve thy son to thee!&amp;quot; and called down blessings on the King. Then the King asked, &amp;quot;From what country art thou?&amp;quot;; and he answered, &amp;quot;From the Islands of the Inland Sea, the kingdom of King Ghayur, Lord of the Isles and the Seas and the Seven Palaces.&amp;quot; Quoth King Shahriman, &amp;quot;Maybe thy coming shall be blessed to my son and Allah vouchsafe to heal what is in him.&amp;quot; Quoth Marzawan, &amp;quot;Inshallah, naught shall be save what shall be well!&amp;quot; Then turning to Kamar al-Zaman, he said to him in his ear unheard of the King and his court, 'O my lord! be of good cheer, and hearten thy heart and let shine eyes be cool and clear and, with respect to her for whose sake thou art thus, ask not of her case on shine account. But thou keptest thy secret and fellest sick, while she told her secret and they said she had gone mad; so she is now in prison, with an iron chain about her neck, in most piteous plight; but, Allah willing, the healing of both of you shall come from my hand.&amp;quot; Now when Kamar al-Zaman heard these words, his life returned to him and he took heart and felt a thrill of joy and signed to his father to help him sit up; and the King was like to fly for gladness and rose hastily and lifted him up. Presently, of his fear for his son, he shook the kerchief of dismissal; and all the Emirs and Wazirs withdrew; then he set two pillows for his son to lean upon, after which he bade them perfume the palace with saffron and decorate the city, saying to Marzawan, &amp;quot;By Allah, O my son, of a truth shine aspect be a lucky and a blessed!&amp;quot; And he made as much of him as he might and called for food, and when they brought it, Marzawan came up to the Prince and said, &amp;quot;Rise, eat with me.&amp;quot; So he obeyed him and ate with him, and all the while the King invoked blessings on Marzawan and said, &amp;quot;How auspicious is thy coming, O my son!&amp;quot; And when the father saw his boy eat, his joy and gladness redoubled, and he went out and told the Prince's mother and all the household. Then he spread throughout the palace the good news of the Prince's recovery and the King commanded the decoration of the city and it was a day of high festival. Marzawan passed that night with Kamar al-Zaman, and the King also slept with them in joy and delight for his son's recovery.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Ninety-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Shahriman also passed that night with them in the excess of his joy for his son's recovery. And when the next morning dawned, and the King had gone away and the two young men were left alone, Kamar al-Zaman told his story from beginning to end to Marzawan who said, &amp;quot;In very sooth I know her with whom thou didst foregather; her name is the Princess Budur and she is daughter to King Ghayur.&amp;quot; Then he related to him all that had passed with the Princess from first to last and acquainted him with the excessive love she bore him, saying, &amp;quot;All that befel thee with thy father hath befallen her with hers, and thou art without doubt her beloved, even as she is shine; so brace up thy resolution and take heart, for I will bring thee to her and unite you both anon and deal with you even as saith the poet,&#xA;&#xA;&amp;quot;Albe to lover adverse be his love, *&#xA;             And show aversion howso may he care;&#xA;Yet will I manage that their persons meet, *&#xA;             E'en as the pivot of a scissor pair.&amp;quot;&#xA;&#xA;And he ceased not to comfort and solace and encourage Kamar al- Zaman and urged him to eat and drink till he ate food and drank wine, and life returned to him and he was saved from his ill case; and Marzawan cheered him and diverted him with talk and songs and stories, and in good time he became free of his disorder and stood up and sought to go to the Hammam. So Marzawan took him by the hand and both went to the bath, where they washed their bodies and made them clean.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundredth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Kamar al-Zaman, son of King Shahriman, went to the Hammam, his father in his joy at this event freed the prisoners, and presented splendid dresses to his grandees and bestowed large alm-gifts upon the poor and bade decorate the city seven days. Then quoth Marzawan to Kamar al-Zaman, &amp;quot;Know, O my lord, that I came not from the Lady Budur save for this purpose, and the object of my journey was to deliver her from her present case; and it remaineth for us only to devise how we may get to her, since thy father cannot brook the thought of parting from thee. So it is my counsel that to-morrow thou ask his leave to go abroad hunting. Then do thou take with thee a pair of saddle-bags full of money and mount a swift steed, and lead a spare horse, and I will do the like, and say to thy sire, 'I have a mind to divert myself with hunting the desert and to see the open country and there to pass one night.' Suffer not any servant to follow us, for as soon as we reach the open country, we will go our ways.&amp;quot; Kamar al- Zaman rejoiced in this plan with great joy and cried, &amp;quot;It is good.&amp;quot; Then he stiffened his back and, going in to his father, sought his leave and spoke as he had been taught, and the King consented to his going forth a-hunting and said, &amp;quot;O my son, blessed be the day that restoreth thee to health! I will not gainsay thee in this; but pass not more than one night in the desert and return to me on the morrow; for thou knowest that life is not good to me without thee, and indeed I can hardly believe thee to be wholly recovered from what thou hadst, because thou art to me as he of whom quoth the poet,&#xA;&#xA;'Albe by me I had through day and night *&#xA;             Solomon's carpet and the Chosroes' might,&#xA;Both were in value less than wing of gnat, *&#xA;             Unless these eyne could hold thee aye in sight.'&amp;quot;&#xA;&#xA;Then the King equipped his son Kamar al-Zaman and Marzawan for the excursion, bidding make ready for them four horses, together with a dromedary to carry the money and a camel to bear the water and belly timber; and Kamar al-Zaman forbade any of his attendants to follow him. His father farewelled him and pressed him to his breast and kissed him, saying, &amp;quot;I ask thee in the name of Allah, be not absent from me more than one night, wherein sleep will be unlawful to me, for I am even as saith the poet,&#xA;&#xA;'Thou present, in the Heaven of heavens I dwell; *&#xA;             Bearing shine absence is of hells my Hell:&#xA;Pledged be for thee my soul! If love for thee *&#xA;             Be crime, my crime is of the fellest fell.&#xA;Does love-lowe burn thy heart as burns it mine, *&#xA;             Doomed night and day Gehenna-fire to smell?'&amp;quot;&#xA;&#xA;Answered Kamar al-Zaman, &amp;quot;O my father, Inshallah, I will lie abroad but one night!&amp;quot; Then he took leave of him, and he and Marzawan mounted and leading the spare horses, the dromedary with the money and the camel with the water and victual, turned their faces towards the open country;—And Shahrazad perceived the dawning day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and First Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al- Zaman and Marzawan fared forth and turned their faces towards the open country; and they travelled from the first of the day till nightfall, when they halted and ate and drank and fed their beasts and rested awhile; after which they again took horse and ceased not journeying for three days, and on the fourth they came to a spacious tract wherein was a thicket. They alighted in it and Marzawan, taking the camel and one of the horses, slaughtered them and cut off their flesh and stripped their bones. Then he doffed from Kamar al-Zaman his shirt and trousers which he smeared with the horse's blood and he took the Prince's coat which he tore to shreds and befouled with gore; and he cast them down in the fork of the road. Then they ate and drank and mounting set forward again; and, when Kamar al- Zaman asked why this was done, and said, &amp;quot;What is this O my brother, and how shall it profit us?&amp;quot;; Marzawan replied, &amp;quot;Know that thy father, when we have outstayed the second night after the night for which we had his leave, and yet we return not, will mount and follow in our track till he come hither; and, when he happeneth upon this blood which I have spilt and he seeth thy shirt and trousers rent and gore-fouled, he will fancy that some accident befel thee from bandits or wild-beasts, so he will give up hope of thee and return to his city, and by this device we shall win our wishes.&amp;quot; Quoth Kamar al-Zaman, &amp;quot;By Allah, this be indeed a rare device! Thou hast done right well.'' Then the two fared on days and nights and all that while Kamar al-Zaman did naught but complain when he found himself alone, and he ceased not weeping till they drew near their journeys end, when he rejoiced and repeated these verses,&#xA;&#xA;&amp;quot;Wilt tyrant play with truest friend who thinks of thee each&#xA;             hour, * And after showing love-desire betray indifference?&#xA;May I forfeit every favour if in love I falsed thee, *&#xA;             If thee I left, abandon me by way of recompense:&#xA;But I've been guilty of no crime such harshness to deserve, *&#xA;             And if I aught offended thee I bring my penitence;&#xA;Of Fortune's wonders one it is thou hast abandoned me, *&#xA;             But Fortune never wearieth of showing wonderments.&amp;quot;&#xA;&#xA;When he had made an end of his verses, Marzawan said to him, &amp;quot;Look! these be King Ghayur's Islands;&amp;quot; whereat Kamar al-Zaman joyed with exceeding joy and thanked him for what he had done, and kissed him between the eyes and strained him—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Marzawan said &amp;quot;Look! these be the Islands of King Ghayur;&amp;quot; Kamar al-Zaman joyed with exceeding joy and thanked him for what he had done and kissed him between the eyes and strained him to his bosom. And after reaching the Islands and entering the city they took up their lodging in a khan, where they rested three days from the fatigues of their wayfare; after which Marzawan carried Kamar al-Zaman to the bath and, clothing him in merchant's gear, provided him with a geomantic tablet of gold, with a set of astrological instruments and with an astrolabe of silver, plated with gold. Then he said to him, &amp;quot;Arise, O my lord, and take thy stand under the walls of the King's palace and cry out, 'I am the ready Reckoner; I am the Scrivener; I am he who weeteth the Sought and the Seeker; I am the finished man of Science; I am the Astrologer accomplished in experience! Where then is he that seeketh?' As soon as the King heareth this, he will send after thee and carry thee in to his daughter the Princess Budur, thy lover; but when about going in to her do thou say to him, 'Grant me three days' delay, and if she recover, give her to me to wife; and if not, deal with me as thou dealest with those who forewent me.' He will assuredly agree to this, so as soon as thou art alone with her, discover thyself to her; and when she seeth thee, she will recover strength and her madness will cease from her and she will be made whole in one night. Then do thou give her to eat and drink. and her father, rejoicing in her recovery, will marry thee to her and share his kingdom with thee; for he hath imposed on himself this condition and so peace be upon thee.&amp;quot; Now when Kamar al-Zaman heard these words he exclaimed, &amp;quot;May I never lack thy benefits!&amp;quot;, and, taking the set of instruments aforesaid, sallied forth from the caravanserai in the dress of his order. He walked on till he stood under the walls of King Ghayur's palace, where he began to cry out, saying, &amp;quot;I am the Scribe, I am the ready Reckoner, I am he who knoweth the Sought and the Seeker; I am he who openeth the Volume and summeth up the Sums; who Dreams can expound whereby the sought is found! Where then is the seeker?&amp;quot; Now when the city people heard this, they flocked to him, for it was long since they had seen Scribe or Astrologer, and they stood round him and, looking upon him, they saw one in the prime of beauty and grace and perfect elegance, and they marvelled at his loveliness, and his fine stature and symmetry. Presently one of them accosted him and said, &amp;quot;Allah upon thee, O thou fair and young, with the eloquent tongue! incur not this affray; nor throw thy life away in thine ambition to marry the Princess Budur. Only cast shine eyes upon yonder heads hung up; all their owners have lost their lives in this same venture.&amp;quot; Yet Kamar al-Zaman paid no heed to them, but cried out at the top of his voice, saying, &amp;quot;I am the Doctor, the Scrivener! I am the Astrologer, the Calculator!&amp;quot; And all the townsfolk forbade him from this, but he regarded them not at all, saying in his mind, &amp;quot;None knoweth desire save whoso suffereth it.&amp;quot; Then he began again to cry his loudest, shouting, &amp;quot;I am the Scrivener, I am the Astrologer!&amp;quot;—And Shahrazad per ceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al- Zaman in no wise heeded the words of the citizens, but continued to cry out, &amp;quot;I am the Calculator! I am the Astrologer!&amp;quot; Thereupon all the townsfolk were wroth with him and said to him, &amp;quot;Thou art nothing but an imbecile, silly, self-willed lad! Have pity on shine own youth and tender years and beauty and loveliness.&amp;quot; But he cried all the more, &amp;quot;I am the Astrologer, I am the Calculator! Is there any one that seeketh?&amp;quot; As he was thus crying and the people forbidding him, behold, King Ghayur heard his voice and the clamour of the lieges and said to his Wazir, &amp;quot;Go down and bring me yon Astrologer.&amp;quot; So the Wazir, went down in haste, and taking Kamar al-Zaman from the midst of the crowd led him up to the King; and when in the presence he kissed the ground and began versifying,&#xA;&#xA;&amp;quot;Eight glories meet, all, all conjoined in thee, *&#xA;             Whereby may Fortune aye thy servant be:&#xA;Lere, lordliness, grace, generosity; *&#xA;             Plain words, deep meaning, honour, victory!&amp;quot;&#xA;&#xA;When the King looked upon him, he seated him by his side and said to him, &amp;quot;By Allah, O my son, an thou be not an astrologer, venture not thy life nor comply with my condition; for I have bound myself that whoso goeth in to my daughter and healeth her not of that which hath befallen her I will strike off his head; but whoso healeth her him I will marry to her. So let not thy beauty and loveliness delude thee: for, by Allah! and again, by Allah! If thou cure her not, I will assuredly cut off thy head.&amp;quot; And Kamar al-Zaman replied, &amp;quot;This is thy right; and I consent, for I wot of this ere came I hither.&amp;quot; Then King Ghayur took the Kazis to witness against him and delivered him to the eunuch, saying, &amp;quot;Carry this one to the Lady Budur.&amp;quot; So the eunuch took him by the hand and led him along the passage; but Kamar al-Zaman outstripped him and pushed on before, whilst the eunuch ran after him, saying, &amp;quot;Woe to thee! Hasten not to shine own ruin: never yet saw I astrologer so eager for his proper destruction; but thou weetest not what calamities are before thee.&amp;quot; Thereupon Kamar al-Zaman turned away his face from the eunuch,—And Shah razed perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the eunuch thus addressed Kamar al-Zaman, &amp;quot;Patience, and no indecent hurry!&amp;quot;; the Prince turned away his face and began repeating these couplets,&#xA;&#xA;&amp;quot;A Sage, I feel a fool before thy charms; *&#xA;             Distraught, I wot not what the words I say:&#xA;If say I 'Sun,' away thou dost not pass *&#xA;             From eyes of me, while suns go down with day:&#xA;Thou hast completed Beauty, in whose praise *&#xA;             Speech-makers fail, and talkers lose their way.&amp;quot;&#xA;&#xA;Then the eunuch stationed Kamar al-Zaman behind the curtain of the Princess's door and the Prince said to him, &amp;quot;Which of the two ways will please thee more, treat and cure thy lady from here or go in and heal her within the curtain?&amp;quot; The eunuch marvelled at his words and answered, &amp;quot;An thou heal her from here it were better proof of thy skill.&amp;quot; Upon this Kamar al-Zaman sat down behind the curtain and, taking out ink case, pen and paper, wrote the following: &amp;quot;This is the writ of one whom passion swayeth,* and whom longing waylayeth * and wakeful misery slayeth * one who despaireth of living * and looketh for naught but dying * with whose mourning heart * nor comforter nor helper taketh part * One whose sleepless eyes * none succoureth from anxieties * whose day is passed in fire * and his night in torturing desire * whose body is wasted for much emaciation * and no messenger from his beloved bringeth him consolation.&amp;quot; And after this he indited the following couplets,&#xA;&#xA;&amp;quot;I write with heart devoted to thy thought, *&#xA;             And eyelids chafed by tears of blood they bled;&#xA;And body clad, by loving pine and pain, *&#xA;             In shirt of leanness, and worn down to thread,&#xA;To thee complain I of Love's tormentry, *&#xA;             Which ousted hapless Patience from her stead:&#xA;A toi! show favour and some mercy deign, *&#xA;             For Passion's cruel hands my vitals shred.&amp;quot;&#xA;&#xA;And beneath his lines he wrote these cadenced sentences, &amp;quot;The heart's pain is removed * by union with the beloved * and whomso his lover paineth * only Allah assaineth! * If we or you have wrought deceit * may the deceiver win defeat! * There is naught goodlier than a lover who keeps faith * with the beloved who works him scathe.&amp;quot; Then, by way of subscription, he wrote, &amp;quot;From the distracted and despairing man * whom love and longing trepan * from the lover under passion's ban * the prisoner of transport and distraction * from this Kamar al-Zaman * son of Shahriman * to the peerless one * of the fair Houris the pearl-union * to the Lady Budur * daughter of King Al Ghayur * Know thou that by night I am sleepless * and by day in distress * consumed with increasing wasting and pain * and longing and love unfain * abounding in sighs * with tear flooded eyes * by passion captive ta'en * of Desire the slain * with heart seared by the parting of us twain * the debtor of longing bane, of sickness cup-companion * I am the sleepless one, who never closeth eye * the slave of love, whose tears run never dry * for the fire of my heart is still burning * and never hidden is the flame of my yearning.&amp;quot; Then on the margin Kamar al-Zaman wrote this admired verse,&#xA;&#xA;&amp;quot;Salem from graces hoarded by my Lord *&#xA;             To her, who holds my heart and soul in hoard!&amp;quot;&#xA;&#xA;And also these,&#xA;&#xA;&amp;quot;Pray'ee grant me some words from your lips, belike *&#xA;           Such mercy may comfort and cool these eyne:&#xA;From the stress of my love and my pine for you, *&#xA;             I make light of what makes me despised, indign:&#xA;Allah guard a folk whose abode was far, *&#xA;             And whose secret I kept in the holiest shrine:&#xA;Now Fortune in kindness hath favoured me *&#xA;             Thrown on threshold dust of this love o' mine:&#xA;By me bedded I looked on Budúr, whose sun *&#xA;             The moon of my fortunes hath made to shine.&amp;quot;&#xA;&#xA;Then, having affixed his seal-ring to the missive, he wrote these couplets in the place of address,&#xA;&#xA;&amp;quot;Ask of my writ what wrote my pen in dole, *&#xA;             And hear my tale of misery from this scroll;&#xA;My hand is writing while my tears down flow, *&#xA;             And to the paper 'plains my longing soul:&#xA;My tears cease not to roll upon this sheet, *&#xA;             And if they stopped I'd cause blood-gouts to roll.&amp;quot;&#xA;&#xA;And at the end he added this other verse,&#xA;&#xA;&amp;quot;I've sent the ring from off thy finger bore *&#xA;           I when we met, now deign my ring restore!&amp;quot;&#xA;&#xA;Then Kamar al-Zaman set the Lady Budur's ring inside the letter and sealed it and gave it to the eunuch, who took it and went in with it to his mistress.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al- Zaman, after setting the seal-ring inside the epistle, gave it to the eunuch who took it and went in with it to his mistress; and, when the Lady Budur opened it, she found therein her own very ring. Then she read the paper and when she understood its purport and knew that it was from her beloved, and that he in person stood behind the curtain, her reason began to fly and her breast swelled for joy and rose high; and she repeated these couplets,&#xA;&#xA;&amp;quot;Long, long have I bewailed the sev'rance of our loves, *&#xA;             With tears that from my lids streamed down like burning&#xA;             rain;&#xA;And vowed that, if the days deign reunite us two, *&#xA;            My lips should never speak of severance again:&#xA;Joy hath o'erwhelmed me so that, for the very stress *&#xA;             Of that which gladdens me to weeping I am fain.&#xA;Tears are become to you a habit, O my eyes, *&#xA;             So that ye weep as well for gladness as for pain.''&#xA;&#xA;And having finished her verse, the Lady Budur stood up forthwith and, firmly setting her feet to the wall, strained with all her might upon the collar of iron, till she brake it from her neck and snapped the chains. Then going forth from behind the curtain she threw herself on Kamar al-Zaman and kissed him on the mouth, like a pigeon feeding its young. And she embraced him with all the stress of her love and longing and said to him, &amp;quot;O my lord do I wake or sleep and hath the Almighty indeed vouchsafe] us reunion after disunion? Laud be to Allah who hath our loves repaired, even after we despaired!&amp;quot; Now when the eunuch saw her in this case, he went off running to King Ghayur and, kissing the ground before him, said, &amp;quot;O my lord, know that this Astrologer is indeed the Shaykh of all astrologers, who are fools to him, all of them; for verily he hath cured thy daughter while standing behind the curtain and without going in to her.&amp;quot; Quoth the King, &amp;quot;Look well to it, is this news true?&amp;quot; Answered the eunuch, &amp;quot;O my lord, rise and come and see for thyself how she hath found strength to break the iron chains and is come forth to the Astrologer, kissing and embracing him.&amp;quot; Thereupon the King arose and went in to his daughter who, when she saw him, stood up in haste and covered her head, and recited these two couplets,&#xA;&#xA;&amp;quot;The toothstick love I not; for when I say, *&#xA;             'Siwák,' I miss thee, for it sounds 'Siwá-ka'.&#xA;The caper-tree I love; for when I say, *&#xA;             'Arák' it sounds I look on thee, 'Ará-ka.'&amp;quot;&#xA;&#xA;Thereupon the King was so transported for joy at her recovery that he felt like to fly and kissed her between the eyes, for he loved her with dearest love; then, turning to Kamar al-Zaman, he asked him who he was, and said, &amp;quot;What countryman art thou?&amp;quot; So the Prince told him his name and rank, and informed him that he was the son of King Shahriman, and presently related to him the whole story from beginning to end; and acquainted him with what happened between himself and the Lady Budur; and how he had taken her seal-ring from her finger and had placed it on his own; whereat Ghayur marvelled and said, &amp;quot;Verily your story deserveth in books to be chronicled, and when you are dead and gone age after age be read.&amp;quot; Then he summoned Kazis and witnesses forthright and married the Lady Budur to Prince Kamar al-Zaman; after which he bade decorate the city seven days long. So they spread the tables with all manner of meats, whilst the drums beat and the criers anounced the glad tidings, and all the troops donned their richest clothes; and they illuminated the city and held high festival. Then Kamar al-Zaman went in to the Lady Budur and the King rejoiced in her recovery and in her marriage; and praised Allah for that He had made her to fall in love with a goodly youth of the sons of Kings. So they unveiled her and displayed the bride before the bridegroom; and both were the living likeness of each other in beauty and comeliness and grace and love-allurement. Then Kamar al-Zaman lay with her that night and took his will of her, whilst she in like manner fulfilled her desire of him and enjoyed his charms and grace; and they slept in each other's arms till the morning. On the morrow, the King made a wedding-feast to which he gathered all comers from the Islands of the Inner and Outer Seas, and he spread the tables with choicest viands nor ceased the banquetting for a whole month. Now when Kamar al-Zaman had thus fulfilled his will and attained his inmost desire, and whenas he had tarried awhile with the Princess Budur, he bethought him of his father, King Shahriman, and saw him in a dream, saying, &amp;quot;O my son, is it thus thou dealest with me?&amp;quot; and recited in the vision these two couplets,&#xA;&#xA;&amp;quot;Indeed to watch the darkness-moon he blighted me, *&#xA;             And to star-gaze through longsome night he plighted me:&#xA;Easy, my heart! for haply he'll unite with thee; *&#xA;             And patience, Sprite! with whatso ills he dight to thee.&amp;quot;&#xA;&#xA;Now after seeing his father in the dream and hearing his re preaches, Kamar al-Zaman awoke in the morning, afflicted and troubled, whereupon the Lady Budur questioned him and he told her what he had seen.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Kamar al-Zaman acquainted the Lady Budur with what he had seen in his dream, she and he went in to her sire and, telling him what had passed, besought his leave to travel. He gave the Prince the permission he sought; but the Princess said, &amp;quot;O my father, I cannot bear to be parted from him.&amp;quot; Quoth Ghayur, her sire, &amp;quot;Then go thou with him,&amp;quot; and gave her leave to be absent a whole twelvemonth and afterwards to visit him in every year once; so she kissed his hand and Kamar al-Zaman did the like. Thereupon King Ghayur proceeded to equip his daughter and her bridegroom for the journey, and furnished them with outfit and appointments for the march; and brought out of his stables horses marked with his own brand, blood-dromedaries which can journey ten days without water, and prepared a litter for his daughter, besides loading mules and camels with victual; moreover, he gave them slaves and eunuchs to serve them and all manner of travellinggear; and on the day of departure, when King Ghayur took leave of Kamar al-Zaman, he bestowed on him ten splendid suits of cloth of gold embroidered with stones of price, together with ten riding horses and ten she-camels, and a treasury of money; and he charged him to love and cherish his daughter the Lady Budur. Then the King accompanied them to the farthest limits of his Islands where, going in to his daughter Budur in the litter, he kissed her and strained her to his bosom, weeping and repeating,&#xA;&#xA;&amp;quot;O thou who wooest Severance, easy fare! *&#xA;             For love-embrace belongs to lover-friend:&#xA;Fare softly! Fortune's nature falsehood is, *&#xA;             And parting shall love's every meeting end.&amp;quot;&#xA;&#xA;Then leaving his daughter, he went to her husband and bade him farewell and kissed him; after which he parted from them and, giving the order for the march he returned to his capital with his troops. The Prince and Princess and their suite fared on without stopping through the first day and the second and the third and the fourth, nor did they cease faring for a whole month till they came to a spacious champaign, abounding in pasturage, where they pitched their tents; and they ate and drank and rested, and the Princess Budur lay down to sleep. Presently, Kamar al-Zaman went in to her and found her lying asleep clad in a shift of apricot-coloured silk that showed all and everything; and on her head was a coif of gold-cloth embroidered with pearls and jewels. The breeze raised her shift which laid bare her navel and showed her breasts and displayed a stomach whiter than snow, each one of whose dimples would contain an ounce of benzoin- ointment. At this sight, his love and longing redoubled, and he began reating,&#xA;&#xA;&amp;quot;An were it asked me when by hell-fire burnt, *&#xA;             When flames of heart my vitals hold and hem,&#xA;'Which wouldst thou chose, say wouldst thou rather them, *&#xA;             Or drink sweet cooling draught?' I'd answer, 'Them!' &amp;quot;&#xA;&#xA;Then he put his hand to the band of her petticoat-trousers and drew it and loosed it, for his soul lusted after her, when he saw a jewel, red as dye-wood, made fast to the band. He untied it and examined it and, seeing two lines of writing graven thereon, in a character not to be read, marvelled and said in his mind, &amp;quot;Were not this bezel something to her very dear she had not bound it to her trousers-band nor hidden it in the most privy and precious place about her person, that she might not be parted from it. Would I knew what she cloth with this and what is the secret that is in it.&amp;quot; So saying, he took it and went outside the tent to look at it in the light,—And Shahrazad perceived the dawn of day, and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when he took the bezel to look at it in the light, the while he was holding it behold, a bird swooped down on him and, snatching the same from his hand, flew off with it and then lighted on the ground. There-upon Kamar al-Zaman fearing to lose the jewel, ran after the bird; but it flew on before him, keeping just out of his reach, and ceased not to draw him on from dale to dale and from hill to hill, till the night starkened and the firmament darkened, when it roosted on a high tree. So Kamar al-Zaman stopped under the tree confounded in thought and faint for famine and fatigue, and giving himself up for lost, would have turned back, but knew not the way whereby he came, for that darkness had overtaken him. Then he exclaimed, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious the Great!&amp;quot;; and laying him down under the tree (whereon was the bird) slept till the morning, when he awoke and saw the bird also wake up and fly away. He arose and walked after it, and it flew on little by little before him, after the measure of his faring; at which he smiled and said, &amp;quot;By Allah, a strange thing! Yesterday, this bird flew before me as fast as I could run, and to-day, knowing that I have awoke tired and cannot run, he flieth after the measure of my faring. By Allah, this is wonderful! But I must needs follow this bird whether it lead me to death or to life; and I will go wherever it goeth, for at all events it will not abide save in some inhabited land. So he continued to follow the bird which roosted every night upon a tree; and he ceased not pursuing it for a space of ten days, feeding on the fruits of the earth and drinking of its waters. At the end of this time, he came in sight of an inhabited city, whereupon the bird darted off like the glance of the eye and, entering the town, disappeared from Kamar al-Zaman, who knew not what it meant or whither it was gone; so he marvelled at this and exclaimed, &amp;quot;Praise be to Allah who hath brought me in safety to this city!&amp;quot; Then he sat down by a stream and washed his hands and feet and face and rested awhile; and, recalling his late easy and pleasant life of union with his beloved and contrasting it with his present plight of trouble and fatigue and distress and strangerhood and famine and severance, the tears streamed from his eyes and he began repeating these cinquains,&#xA;&#xA;&amp;quot;Pain had I hid thy handwork, but it showed, *&#xA;             Changed sleep for wake, and wake with me abode:&#xA;When thou didst spurn my heart I cried aloud *&#xA;             Pate, hold thy hand and cease to gird and goad:&#xA;                          In dole and danger aye my sprite I spy!&#xA;An but the Lord of Love were just to me, *&#xA;             Sleep fro' my eyelids ne'er were forced to flee.&#xA;Pity, my lady, one for love o' thee *&#xA;             Prom his tribes darling brought to low degree:&#xA;                          Love came and doomed Wealth beggar-death to die.&#xA;The railers chide at thee: I ne'er gainsay, *&#xA;             But stop my ears and dumbly sign them Nay:&#xA;'Thou lov'st a slender may,' say they; I say, *&#xA;             'I've picked her out and cast the rest away:'&#xA;                          Enough; when Fate descends she blinds man's&#xA;                          eye!&amp;quot;&#xA;&#xA;And as soon as he had finished his poetry and had taken his rest, he rose and walked on little by little, till he entered the city.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that as soon as Kamar al-Zaman had finished his poetry and had taken his rest, he arose and entered the city-gate not knowing whither he should wend. He crossed the city from end to end, entering by the land-gate, and ceased not faring on till he came out at the sea- gate, for the city stood on the sea-shore. Yet he met not a single one of its citizens. And after issuing from the land-gate he fared forwards and ceased not faring till he found himself among the orchards and gardens of the place; and, passing among the trees presently came to a garden and stopped before its door; where-upon the keeper came out to him and saluted him. The Prince returned his greeting and the gardener bade him welcome, saying, &amp;quot;Praised be Allah that thou hast come off safe from the dwellers of this city! Quick, come into the garth, ere any of the townfolk see thee.&amp;quot; Thereupon Kamar al-Zaman entered that garden, wondering in mind, and asked the keeper, &amp;quot;What may be the history of the people of this city and who may they be?&amp;quot; The other answered, &amp;quot;Know that the people of this city are all Magians: but Allah upon thee, tell me how thou camest to this city and what caused thy coming to our capital.&amp;quot; Accordingly Kamar al-Zaman told the gardener all that had befallen him from beginning to end, whereat he marvelled with great marvel and said, &amp;quot;Know, O my son, that the cities of Al-Islam lie far from us; and between us and them is a four months' voyage by sea and a whole twelve months' journey by land. We have a ship which saileth every year with merchandise to the nearest Moslem country and which entereth the seas of the Ebony Islands and thence maketh the Khalidan Islands, the dominions of King Shahriman.&amp;quot; Thereupon Kamar al- Zaman considered awhile and concluded that he could not do better than abide in the garden with the gardener and become his assistant, receiving for pay one fourth of the produce. So he said to him, &amp;quot;Wilt thou take me into thy service, to help thee in this garden?&amp;quot; Answered the gardener, &amp;quot;To hear is to consent;&amp;quot; and began teaching him to lead the water to the roots of the trees. So Kamar al-Zaman abode with him, watering the trees and hoeing up the weeds and wearing a short blue frock which reached to his knees. And he wept floods of tears; for he had no rest day or night, by reason of his strangerhood and he ceased not to repeat verses upon his beloved, amongst others the following couplets,&#xA;&#xA;&#xA;&amp;quot;Ye promised us and will ye not keep plight? *&#xA;             Ye said a say and shall not deed be dight?&#xA;We wake for passion while ye slumber and sleep; *&#xA;             Watchers and wakers claim not equal right:&#xA;We vowed to keep our loves in secrecy, *&#xA;             But spake the meddler and you spoke forthright:&#xA;O friend in pain and pleasure, joy and grief, *&#xA;             In all case you, you only, claim my sprite!&#xA;Mid folk is one who holds my prisoned heart; *&#xA;             Would he but show some ruth for me to sight.&#xA;Not every eye like mine is wounded sore, *&#xA;             Not every heart like mine love-pipings blight:&#xA;Ye wronged me saying, Love is wrongous aye *&#xA;             Yea! ye were right, events have proved that quite.&#xA;Forget they one love-thralled, whose faith the world *&#xA;             Robs not, though burn the fires in heart alight:&#xA;If an my foeman shall become my judge, *&#xA;             Whom shall I sue to remedy his despight?&#xA;Had not I need of love nor love had sought, *&#xA;             My heart forsure were not thus love-distraught.&amp;quot;&#xA;&#xA;Such was the case with Kamar al-Zaman; but as regards his wife, the Lady Budur, when she awoke she sought her husband and found him not: then she saw her petticoat-trousers undone, for the band had been loosed and the bezel lost, whereupon she said to herself, &amp;quot;By Allah, this is strange! Where is my husband? It would seem as if he had taken the talisman and gone away, knowing not the secret which is in it. Would to Heaven I knew whither can he have wended! But it must needs have been some extraordinary matter that drew him away, for he cannot brook to leave me a moment. Allah curse the stone and damn its hour!&amp;quot; Then she considered awhile and said in her mind, &amp;quot;If I go out and tell the varlets and let them learn that my husband is lost they will lust after me: there is no help for it but that I use stratagem. So she rose and donned some of her husband's clothes and riding- boots, and a turband like his, drawing one corner of it across her face for a mouth-veil. Then, setting a slave-girl in her litter, she went forth from the tent and called to the pages who brought her Kamar al-Zaman's steed; and she mounted and bade them load the beasts and resume the march. So they bound on the burdens and departed; and she concealed her trick, none doubting but she was Kamar al-Zaman, for she favoured him in face and form; nor did she cease journeying, she and her suite, days and nights, till they came in sight of a city overlooking the Salt Sea, where they pitched their tents without the walls and halted to rest. The Princess asked the name of the town and was told, &amp;quot;It is called the City of Ebony; its King is named Armanús, and he hath a daughter Hayát al-Nufús hight,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Lady Budur halted within sight of the Ebony City to take her rest, King Armanus sent a messenger, to learn what King it was who had encamped without his capital; so the messenger, coming to the tents, made inquiry anent their King, and was told that she was a King's son who had lost the way being bound for the Khalidan Islands; whereupon he returned to King Armanus with the tidings; and, when the King heard them, he straightway rode out with the lords of his land to greet the stranger on arrival. As he drew near the tents the Lady Budur came to meet him on foot, whereupon the King alighted and they saluted each other. Then he took her to the city and, bringing her up to the palace, bade them spread the tables and trays of food and commanded them to transport her company and baggage to the guess house. So they abode there three days; at the end of which time the King came in to the Lady Budur. Now she had that day gone to the Hammam and her face shone as the moon at its full, a seduction to the world and a rending of the veil of shame to mankind; and Armanus found her clad in a -suit of silk, embroidered with gold and jewels; so he said to her, 'O my son, know that I am a very old man, decrepit withal, and Allah hath blessed me with no child save one daughter, who resembleth thee in beauty and grace; and I am now waxed unfit for the conduct of the state. She is shine, O my son; and, if this my land please thee and thou be willing to abide and make thy home here, I will marry thee to her and give thee my kingdom and so be at rest.&amp;quot; When Princess Budur heard this, she bowed her head and her forehead sweated for shame, and she said to herself. &amp;quot;How shall I do, and I a woman? If I refuse and depart from him, I cannot be safe but that haply send after me troops to slay me; and if I consent, belike I shall be put to shame. I have lost my beloved Kamar al-Zaman and know not what is become of him; nor can I escape from this scrape save by holding my peace and consenting and abiding here, till Allah bring about what is to be.&amp;quot; So she raised her head and made submission to King Armanus, saying, &amp;quot;Hearkening and obedience!&amp;quot;; whereat he rejoiced and bade the herald make proclamation throughout the Ebony Islands to hold high festival and decorate the houses. Then he assembled his Chamberlains and Nabobs, and Emirs and Wazirs and his officers of state and the Kazis of the city; and, formally abdicating his Sultanate, endowed Budur therewith and invested her in all the vestments of royalty. The Emirs and Grandees went in to her and did her homage, nothing doubting but that she was a young man, and all who looked on her bepissed their bag-trousers, for the excess of her beauty and loveliness. Then, after the Lady Budur had been made Sultan and the drums had been beaten in announcement of the glad event, and she had been ceremoniously enthroned, King Armanus proceeded to equip his daughter Hayat al-Nufus for marriage, and in a few days, they brought the Lady Budur in to her, when they seemed as it were two moons risen at one time or two suns in conjunction. So they entered the bridal-chamber and the doors were shut and the curtains let down upon them, after the attendants had lighted the wax-candles and spread for them the carpet-bed. When Budur found herself alone with the Princess Hayat al-Nufus, she called to mind her beloved Kamar al-Zaman and grief was sore upon her. So she wept for his absence, and estrangement and she began repeating,&#xA;&#xA;&amp;quot;O ye who fled and left my heart in pain low li'en, *&#xA;             No breath of life if found within this frame of mine:&#xA;I have an eye which e'er complains of wake, but lo! *&#xA;             Tears occupy it would that wake content these eyne!&#xA;After ye marched forth the lover 'bode behind; *&#xA;             Question of him what pains your absence could design!&#xA;But for the foods of tears mine eyelids rail and rain, *&#xA;             My fires would flame on high and every land calcine.&#xA;To Allah make I moan of loved ones lost for aye, *&#xA;             Who for my pine and pain no more shall pain and pine:&#xA;I never wronged them save that over love I nurst: *&#xA;             But Love departs us lovers into blest and curst.&amp;quot;&#xA;&#xA;And when she had finished her repeating, the Lady Budur sat down beside the Princess Hayat al-Nufus and kissed her on the mouth; after which rising abruptly, she made the minor ablution and betook herself to her devotions; nor did she leave praying till Hayat al-Nufus fell asleep, when she slips into bed and lay with her back to her till morning. And when day had broke the King and Queen came in to their daughter and asked her how she did. whereupon she told them what she had seen, and repeated to them the verses she had heard. Thus far concerning Hayat al-Nufus and her father; but as regards Queen Budur she went forth and seated herself upon the royal throne and all the Emirs and Captains and Officers of state came up to her and wished her joy of the kingship, kissing the earth before her and calling down blessings upon her. And she accosted them with smiling face and clad them in robes of honour, augmenting the fiefs of the high officials and giving largesse to the levies; wherefore all the people loved her and offered up prayers for the long endurance of her reign, doubting not but that she was a man. And she ceased not sitting all day in the hall of audience, bidding and forbidding; dispensing justice, releasing prisoners and remitting the customs-dues, till nightfall, when she withdrew to the apartment prepared for her. Here she found Hayat al-Nufus seated, so she sat down by her side and, clapping her on the back, coaxed and caressed her and kissed her between the eyes, and fell to versifying in these couplets,&#xA;&#xA;&amp;quot;What secret kept I these my tears have told, *&#xA;             And my waste body must my love unfold:&#xA;Though hid my pine, my plight on parting day *&#xA;             To every envious eye my secret sold:&#xA;O ye who broke up camp, you've left behind *&#xA;            My spirit wearied and my heart a-cold:&#xA;In my hearts core ye dwell, and now these eyne *&#xA;             Roll blood-drops with the tears they whilome rolled:&#xA;The absent will I ransom with my soul; *&#xA;             All can my yearning for their sight behold:&#xA;I have an eye whose babe, for love of thee, *&#xA;             Rejected sleep nor hath its tears controlled.&#xA;The foeman bids me patient bear his loss, *&#xA;             Ne'er may mine ears accept the ruth he doled!&#xA;I tricks their deme of me, and won my wish *&#xA;             Of Kamar al-Zaman's joys manifold:&#xA;He joins all perfect gifts like none before, *&#xA;             Boasted such might and main no King of old:&#xA;Seeing his gifts, Bin Zá'idah's largesse *&#xA;             Forget we, and Mu'áwiyah mildest-soul'd:&#xA;Were verse not feeble and o'er short the time *&#xA;             I had in laud of him used all of rhyme.&amp;quot;&#xA;&#xA;Then Queen Budur stood up and wiped away her tears and, making the lesser ablution, applied her to pray: nor did she give over praying till drowsiness overcame the Lady Hayat al- Nufus and she slept, whereupon the Lady Budur came and lay by her till the morning. At daybreak, she arose and prayed the dawn- prayer; and presently seated herself on the royal throne and passed the day in ordering and counter ordering and giving laws and administering justice. This is how it fared with her; but as regards King Armanus he went in to his daughter and asked her how she did; so she told him all that had befallen her and repeated to him the verses which Queen Budur had recited, adding, &amp;quot;O my father, never saw I one more abounding in sound sense and modesty than my husband, save that he cloth nothing but weep and sigh.&amp;quot; He answered, &amp;quot;O my daughter, have patience with him yet this third night, and if he go not in unto thee and do away thy maidenhead, we shall know how to proceed with him and oust him from the throne and banish him the country.&amp;quot; And on this wise he agreed with his daughter what course he would take.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Tenth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Armanus had agreed with his daughter on this wise and had determined what course he would take and night came on, Queen Budur arose from the throne of her kingdom and betaking herself to the palace, entered the apartment prepared for her. There she found the wax-candles lighted and the Princess Hayat al-Nufus seated and awaiting her; whereupon she bethought her of her husband and what had betided them both of sorrow and severance in so short a space; she wept and sighed and groaned groan upon groan, and began improvising these couplets,&#xA;&#xA;&amp;quot;News of my love fill all the land, I swear, *&#xA;             As suns on Ghazá-wold rain heat and glare:&#xA;Speaketh his geste but hard its sense to say; *&#xA;             Thus never cease to grow my cark and care:&#xA;I hate fair Patience since I loved thee; *&#xA;             E'er sawest lover hate for love to bear?&#xA;A glance that dealt love-sickness dealt me death, *&#xA;             Glances are deadliest things with torments rare:&#xA;He shook his love locks down and bared his chin, *&#xA;             Whereby I spied his beauties dark and fair:&#xA;My care, my cure are in his hands; and he *&#xA;             Who caused their dolour can their dole repair:&#xA;His belt went daft for softness of his waist; *&#xA;             His hips, for envy, to uprise forbear:&#xA;His brow curl-diademed is murky night; *&#xA;             Unveil 't and lo! bright Morn shows brightest light.&amp;quot;&#xA;&#xA;When she had finished her versifying, she would have risen to pray, but, lo and behold! Hayat al-Nufus caught her by the skirt and clung to her saying, &amp;quot;O my lord, art thou not ashamed before my father, after all his favour, to neglect me at such a time as this?&amp;quot; When Queen Budur heard her words, she sat down in the same place and said, &amp;quot;O my beloved, what is this thou sayest?&amp;quot; She replied, &amp;quot;What I say is that I never saw any so proud of himself as thou. Is every fair one so disdainful? I say not this to incline thee to me; I say it only of my fear for thee from King Armanus; because he purposeth, unless thou go in unto me this very night, and do away my maidenhead, to strip thee of the kingship on the morrow and banish thee his kingdom; and peradventure his excessive anger may lead him to slay thee. But I, O my lord, have ruth on thee and give thee fair warning; and it is thy right to reck.&amp;quot; Now when Queen Budur heard her speak these words, she bowed her head ground-wards awhile in sore perplexity and said in herself, &amp;quot;If I refuse I'm lost; and if I obey I'm shamed. But I am now Queen of all the Ebony Islands and they are under my rule, nor shall I ever again meet my Kamar al- Zaman save in this place; for there is no way for him to his native land but through the Ebony Islands. Verily, I know not what to do in my present case, but I commit my care to Allah who directeth all for the best, for I am no man that I should arise and open this virgin girl.&amp;quot; Then quoth Queen Budur to Hayat al- Nufus, &amp;quot;O my beloved, that I have neglected thee and abstained from thee is in my own despite.&amp;quot; And she told her her whole story from beginning to end and showed her person to her, saying, &amp;quot;I conjure thee by Allah to keep my counsel, for I have concealed my case only that Allah may reunite me with my beloved Kamar al- Zaman and then come what may.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Eleventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Lady Budur acquainted Hayat al-Nufus with her history and bade her keep it secret, the Princess heard her with extreme wonderment and was moved to pity and prayed Allah to reunite her with her beloved, saying, &amp;quot;Fear nothing, O my sister; but have patience till Allah bring to pass that which must come to pass:&amp;quot; and she began repeating,&#xA;&#xA;&amp;quot;None but the men of worth a secret keep;&#xA;With worthy men a secret's hidden deep;&#xA;As in a room, so secrets lie with me,&#xA;Whose door is sealed, lock shot and lost the key.&amp;quot;&#xA;&#xA;And when Hayat al-Nufus had ended her verses, she said, &amp;quot;O my sister, verily the breasts of the noble and brave are of secrets the grave; and I will not discover shine.&amp;quot; Then they toyed and embraced and kissed and slept till near the Mu'ezzin's call to dawn prayer, when Hayat al-Nufus arose and took a pigeon-poult, and cut its throat over her smock and besmeared herself with its blood. Then she pulled off her petticoat-trousers and cried aloud, where-upon her people hastened to her and raised the usual lullilooing and outcries of joy and gladness. Presently her mother came in to her and asked her how she did and busied herself about her and abode with her till evening; whilst the Lady Budur arose with the dawn, and repaired to the bath and, after washing herself pure, proceeded to the hall of audience, where she sat down on her throne and dispensed justice among the folk. Now when King Armanus heard the loud cries of joy, he asked what was the matter and was informed of the consummation of his daughter's marriage; whereat he rejoiced and his breast swelled with gladness and he made a great marriage-feast whereof the merry-making lasted a long time. Such was their case: but as regards King Shahriman it was on this wise. After his son had fared forth to the chase accompanied by Marzawan, as before related, he tarried patiently awaiting their return at nightfall; but when his son did not appear he passed a sleepless night and the dark hours were longsome upon him; his restlessness was excessive, his excitement grew upon him and he thought the morning would never dawn. Anc when day broke he sat expecting his son and waited till noon, but he came not; whereat his heart forebode separation and was fired with fears for Kamar al-Zaman; and he cried, &amp;quot;Alas! my son!&amp;quot; and he wept till his clothes were drenched with tears, and repeated with a beating heart,&#xA;&#xA;&#xA;&amp;quot;Love's votaries I ceased not to oppose, *&#xA;             Till doomed to taste Love's bitter and Love's sweet:&#xA;I drained his rigour-cup to very dregs, *&#xA;             Self humbled at its slaves' and freemen's feet:&#xA;Fortune had sworn to part the loves of us; *&#xA;             She kept her word how truly, well I weet!&amp;quot;&#xA;&#xA;And when he ended his verse, he wiped away his tears and bade his troops make ready for a march and prepare for a long expedition. So they all mounted and set forth, headed by the Sultan, whose heart burnt with grief and was fired with anxiety for his son Kamar al-Zaman; and they advanced by forced marches. Now the King divided his host into six divisions, a right wing and a left wing, a vanguard and a rear guard; and bade them rendezvous for the morrow at the cross-roads. Accordingly they separated and scoured the country all the rest of that day till night, and they marched through the night and at noon of the ensuing day they joined company at the place where four roads met. But they knew not which the Prince followed, till they saw the sign of torn clothes and sighted shreds of flesh and beheld blood still sprinkled by the way and they noted every piece of the clothes and fragment of mangled flesh scattered on all sides. Now when King Shahriman saw this, he cried from his heart-core a loud cry, saying, &amp;quot;Alas, my son!&amp;quot;; and buffeted his face and plucks his beard and rent his raiment, doubting not but his son was dead. Then he gave himself up to excessive weeping and wailing, and the troops also wept for his weeping, all being assured that Prince Kamar al-Zaman had perished. They threw dust on their heads, and the night surprised them shedding tears and lamenting till they were like to die. Then the King with a heart on fire and with burning sighs spake these couplets,&#xA;&#xA;&amp;quot;Chide not the mourner for bemourning woe; *&#xA;             Enough is yearning every Ill to show:&#xA;He weeps for stress of sorrow and of pain, *&#xA;             And these to thee best evidence his lowe:&#xA;Happy! of whom Love sickness swore that ne'er *&#xA;             Should cease his eye lids loving tears to flow:&#xA;He mourns the loss of fairest, fullest Moon, *&#xA;             Shining o'er all his peers in glorious glow:&#xA;But death made drink a brimming cup, what day *&#xA;             He fared from natal country fain to go:&#xA;His home left he and went from us to grief; *&#xA;             Nor to his brethren could he say adieu:&#xA;Yea, his loss wounded me with parting pangs, *&#xA;             And separation cost me many a throe:&#xA;He fared farewelling, as he fared, our eyes; *&#xA;            Whenas his Lord vouch-safed him Paradise.&amp;quot;&#xA;&#xA;And when King Shahriman had ended his verses, he returned with the troops to his capital,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Twelfth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Shahriman had ended his verses, he returned with the troops to his capital, giving up his son for lost, and deeming that wild beasts or banditti had set upon him and torn him to pieces; and made proclamation that all in the Khalidan Islands should don black in mourning for him. Moreover, he built, in his memory, a pavilion, naming it House of Lamentations; and on Mondays and Thursdays he devoted himself to the business of the state and ordering the affairs of his levies and lieges; and the rest of the week he was wont to spend in the House of Lamentations, mourning for his son and bewailing him with elegiac verses, of which the following are some:—&#xA;&#xA;&amp;quot;My day of bliss is that when thou appearest; *&#xA;             My day of bale is that whereon thou farest:&#xA;Though through the night I quake in dread of death; *&#xA;            Union wi' thee is of all bliss the dearest.&amp;quot;&#xA;&#xA;And again he said,&#xA;&#xA;&amp;quot;My soul be sacrifice for one, whose going *&#xA;             Afflicted hearts with sufferings sore and dread:&#xA;Let joy her widowed term fulfil, for I *&#xA;             Divorced joy with the divorce thrice-said.&amp;quot;&#xA;&#xA;Such was the case with King Shahriman; but as regards Queen Budur daughter of King Ghayur, she abode as ruler in the Ebony Islands, whilst the folk would point to her with their fingers, and say, &amp;quot;Yonder is the son-in-law of King Armanus.&amp;quot; And every night she lay with Hayat al-Nufus, to whom she lamented her desolate state and longing for her husband Kamar al-Zaman; weeping and describing to her his beauty and loveliness, and yearning to enjoy him though but in a dream: And at times she would repeat,&#xA;&#xA;&amp;quot;Well Allah wots that since my severance from thee, *&#xA;             I wept till forced to borrow tears at usury:&#xA;'Patience!' my blamer cried, 'Heartsease right soon shalt see!' *&#xA;             Quoth I, 'Say, blamer, where may home of Patience be?'&amp;quot;&#xA;&#xA;This is how it fared with Queen Budur; but as regards Kamar al- Zaman, he abode with the gardener in the garden for no short time, weeping night and day and repeating verses bewailing the past time of enjoyment and delight; whilst the gardener kept comforting him and assuring him that the ship would set sail for the land of the Moslems at the end of the year. And in this condition he continued till one day he saw the folk crowding together and wondered at this; but the gardener came in to him and said, &amp;quot;O my son, give over work for this day nor lead water to the trees; for it is a festival day, whereon folk visit one another. So take thy rest and only keep shine eye on the garden, whilst I go look after the ship for thee; for yet but a little while and I send thee to the land of the Moslems.&amp;quot; Upon this, he went forth from the garden leaving to himself Kamar al-Zaman, who fell to musing upon his case till his heart was like to break and the tears streamed from his eyes. So he wept with excessive weeping till he swooned away and, when he recovered, he rose and walked about the garden, pondering what Time had done with him and bewailing the long endurance of his estrangement and separation from those he loved. As he was thus absorbed in melancholy thought, his foot stumbled and he fell on his face, his forehead striking against the projecting root of a tree; and the blow cut it open and his blood ran down and mingled with his tears Then he rose and, wiping away the blood, dried his tears and bound his brow with a piece of rag; then continued his walk about the garden engrossed by sad reverie. Presently, he looked up at a tree and saw two birds quarrelling thereon, and one of them rose up and smote the other with its beak on the neck and severed from its body its head, wherewith it flew away, whilst the slain bird fell to the ground before Kamar al-Zaman. As it lay, behold, two great birds swooped down upon it alighting, one at the head and the other at the tail, and both drooped their wings and bowed their bills over it and, extending their necks towards it, wept. Kamar al-Zaman also wept when seeing the birds thus bewail their mate, and called to mind his wife and father, And Shahrazed perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Thirteenth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al- Zaman wept and lamented his separation from spouse and sire, when he beheld those two birds weeping over their mate. Then he looked at the twain and saw them dig a grave and therein bury the slain bird; after which they flew away far into the firmament and disappeared for a while; but presently they returned with the murtherer-bird and, alighting on the grave of the murthered, stamped on the slayer till they had done him to death. Then they rent his belly and tearing out his entrails, poured the blood on the grave of the slain: moreover, they stripped off his skin and tare his flesh in pieces and, pulling out the rest of the bowels, scattered them hither and thither. All this while Kamar al-Zaman was watching them wonderingly; but presently, chancing to look at the place where the two birds had slain the third, he saw therein something gleaming. So he drew near to it and noted that it was the crop of the dead bird. Whereupon he took it and opened it and found the talisman which had been the cause of his separation from his wife. But when he saw it and knew it, he fell to the ground a-fainting for joy; and, when he revived, he said, &amp;quot;Praised be Allah! This is a foretaste of good and a presage of reunion with my beloved.&amp;quot; Then he examined the jewel and passed it over his eyes; after which he bound it to his forearm, rejoicing in coming weal, and walked about till nightfall awaiting the gardener's return; and when he came not, he lay down and slept in his wonted place. At daybreak he rose to his work and, girding his middle with a cord of palm- fibre, took hatchet and basket and walked down the length of the garden, till he came to a carob-tree and struck the axe into its roots. The blow rang and resounded; so he cleared away the soil from the place and discovered a trap-door and raised it.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When It was the Two Hundred and Fourteenth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Kamar al-Zaman raised the trap-door, he found a winding stair, which he descended and came to an ancient vault of the time of Ad and Thamúd, hewn out of the rock. Round the vault stood many brazen vessels of the bigness of a great oil-jar which he found full of gleaming red gold: whereupon he said to himself, &amp;quot;Verily sorrow is gone and solace is come!&amp;quot; Then he mounted from the souterrain to the garden and, replacing the trap-door as it was before, busied himself in conducting water to the trees till the last of the day, when the gardener came back and said to him, &amp;quot;O my son, rejoice at the good tidings of a speedy return to thy native land: the merchants are ready equipped for the voyage and the ship in three days' time will set sail for the City of Ebony, which is the first of the cities of the Moslems, and after making it, thou must travel by land a six months' march till thou come to the Islands of Khalidan, the dominions of King Shahriman.&amp;quot; At this Kamar al-Zaman rejoiced and began repeating,&#xA;&#xA;&amp;quot;Part not from one whose wont is not to part from you; *&#xA;             Nor with your cruel taunts an innocent mortify:&#xA;Another so long parted had ta'en heart from you, *&#xA;             And had his whole condition changed,—but not so I.&amp;quot;&#xA;&#xA;Then he kissed the gardener's hand and said, &amp;quot;O my father, even as thou hast brought me glad tidings, so I also have great good news for thee,' and told him anent his discovery of the vault; whereat the gardener rejoiced and said, &amp;quot;O my son, fourscore years have I dwelt in this garden and have never hit on aught whilst thou, who hast not sojourned with me a year, hast discovered this thing; wherefore it is Heaven's gift to thee, which shall end thy crosses and aid thee to rejoin thy folk and foregather with her thou lovest.&amp;quot; Quoth Kamar al-Zaman, &amp;quot;There is no help but it must be shared between me and thee.&amp;quot; Then he carried him to the underground-chamber and showed him the gold, which was in twenty jars: he took ten and the gardener ten, and the old man said to him, &amp;quot;O my son, fill thyself leather bottles with the sparrow-olives which grow in this garden, for they are not found except in our land; and the merchants carry them to all parts. Lay the gold in the bottles and strew it over with olives: then stop them and cover them and take them with thee in the ship.&amp;quot; So Kamar al-Zaman arose without stay or delay and took fifty leather bottles and stored in each somewhat of the gold, and closed each one after placing a layer of olives over the gold; and at the bottom of one of the bottles he laid the talisman. Then sat he down to talk with the gardener, confident of speedy reunion with his own people and saying to himself, &amp;quot;When I come to the Ebony Islands I will journey thence to my father's country and enquire for my beloved Budur. Would to Heaven I knew whether she returned to her own land or journeyed on to my father's country or whether there befel her any accident by the way.&amp;quot; And he began versifying,&#xA;&#xA;&amp;quot;Love in my breast they lit and fared away, *&#xA;           And far the land wherein my love is pent:&#xA;Far lies the camp and those who camp therein; *&#xA;            Par is her tent-shrine, where I ne'er shall tent.&#xA;Patience far deaf me when from me they fled; *&#xA;             Sleep failed mine eyes, endurance was forspent:&#xA;They left and with them left my every joy, *&#xA;             Wending with them, nor find I peace that went:&#xA;They made these eyes roll down love tears in flood, *&#xA;             And lacking them these eyne with tears are drent.&#xA;When my taste spins once again would see them, *&#xA;             When pine and expectation but augment,&#xA;In my heart's core their counterfeits I trace, *&#xA;             With love and yearning to behold their grace.&amp;quot;&#xA;&#xA;Then, while he awaited the end of the term of days, he told the gardener the tale of the birds and what had passed between them; whereat the hearer wondered; and they both lay down and slept till the morning. The gardener awoke sick and abode thus two days; but on the third day, his sickness increased on him, till they despaired of his life and Kamar al-Zaman grieved with sore grief for him. Meanwhile behold, the Master and his crew came and enquired for the gardener; and, when Kamar al-Zaman told them that he was sick, they asked, &amp;quot;Where be the youth who is minded to go with us to the Ebony Islands?&amp;quot; &amp;quot;He is your servent and he standeth before you!&amp;quot; answered the Prince and bade them carry the bottles of olives to the ship; so they transported them, saying, &amp;quot;Make haste, thou, for the wind is fair;&amp;quot; and he replied, &amp;quot;I hear and obey.&amp;quot; Then he carried his provaunt on board and, returning to bid the gardener farewell, found him in the agonies of death; so he sat down at his head and closed his eyes, and his soul departed his body; whereupon he laid him out and committed him to the earth unto the mercy of Allah Almighty. Then he made for the ship but found that she had already weighed anchor and set sail; nor did she cease to cleave the seas till she disappeared from his sight. So he went back to whence he came heavy-hearted with whirling head; and neither would he address a soul nor return a reply; and reaching the garden and sitting down in cark and care he threw dust on his head and buffeted his cheeks.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Fifteenth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the ship sped on her course, Kamar al-Zaman returned to the garden in cark and care; but- anon he rented the place of its owner and hired a man to help him in irrigating the trees. Moreover, he repaired the trap-door and he went to the underground chamber and bringing the rest of the gold to grass, stowed it in other fifty bottles which he filled up with a layer of olives. Then he enquired of the ship and they told him that it sailed but once a year, at which his trouble of mind redoubled and he cried sore for that which had betided him, above all for the loss of the Princess Budur's talisman, and spent his nights and days weeping and repealing verses. Such was his case; but as regards the ship she sailed with a favouring wind till she reached the Ebony Islands. Now by decree of destiny, Queen Budur was sitting at a lattice-window overlooking the sea and saw the galley cast anchor upon the strand. At this sight, her heart throbbed and she took horse with the Chamberlains and Nabobs and, riding down to the shore, halted by the ship, whilst the sailors broke bulk and bore the bales to the storehouses; after which she called the captain to her presence and asked what he had with him. He answered &amp;quot;O King, I have with me in this ship aromatic drugs and cosmetics and healing powders and ointments and plasters and precious metals and rich stuffs and rugs of Yemen leather, not to be borne of mule or camel, and all manner of otters and spices and perfumes, civet and ambergris and camphor and Sumatra aloes-wood, and tamerinds and sparrow-olives to boot, such as are rare to find in this country.&amp;quot; When she heard talk of sparrow- olives her heart longed for them and she said to the ship-master, &amp;quot;How much of olives hast thou?&amp;quot; He replied, &amp;quot;Fifty bottles full, but their owner is not with us, so the King shall take what he will of them.&amp;quot; Quoth she, &amp;quot;Bring them ashore, that I may see them.'' Thereupon he called to the sailors, who brought her the fifty bottles; and she opened one and, looking at the olives, said to the captain, &amp;quot;I will take the whole fifty and pay you their value, whatso it be.&amp;quot; He answered, &amp;quot;By Allah, O my lord, they have no value in our country; moreover their shipper tarried behind us, and he is a poor man.&amp;quot; Asked she, &amp;quot;And what are they worth here?&amp;quot; and he answered &amp;quot;A thousand dirhams.&amp;quot; &amp;quot;I will take them at a thousand,&amp;quot; she said and bade them carry the fifty bottles to the palace. When it was night, she called for a bottle of olives and opened it, there being none in the room but herself and the Princess Hayat al-Nufus. Then, placing a dish before her she turned into it the contents of the jar, when there fell out into the dish with the olives a heap of red gold; and she said to the Lady Hayat al-Nufus, &amp;quot;This is naught but gold!&amp;quot; So she sent for the rest of the bottles and found them all full of precious metal and scarce enough olives to fill a single jar. Moreover, she sought among the gold and found therein the talisman, which she took and examined and behold, it was that which Kamar al- Zaman had taken from off the band of her petticoat trousers. Thereupon she cried out for joy and slipped down in a swoon;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Sixteenth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Budur saw the talisman she cried out for joy and slipped down in a swoon; and when she recovered she said to herself, &amp;quot;Verily, this talisman was the cause of my separation from my beloved Kamar al-Zaman; but now it is an omen of good.&amp;quot; Then she showed it to Hayat al-Nufus and said to her, &amp;quot;This was the cause of disunion and now, please Allah, it shall be the cause of reunion.&amp;quot; As soon as day dawned she seated herself on the royal throne and sent for the ship-master, who came into the presence and kissed the ground before her. Quoth she, &amp;quot;Where didst thou leave the owner of these olives?&amp;quot; Quoth he, &amp;quot;O King of the age, we left him in the land of the Magians and he is a gardener there.&amp;quot; She rejoined, &amp;quot;Except thou bring him to me, thou knowest not the harm which awaiteth thee and thy ship.&amp;quot; Then she bade them seal up the magazines of the merchants and said to them, &amp;quot;Verily the owner of these olives hath borrowed of me and I have a claim upon him for debt and, unless ye bring him to me, I will without fail do you all die and seize your goods.&amp;quot; So they went to the captain and promised him the hire of the ship, if he would go and return a second time, saying, &amp;quot;Deliver us from this masterful tyrant.&amp;quot; Accordingly the skipper embarked and set sail and Allah decreed him a prosperous voyage, till he came to the Island of the Magians and, landing by night, went up to the garden. Now the night was long upon Kamar al-Zaman, and he sat, bethinking him of his beloved, and bewailing what had befallen him and versifying,&#xA;&#xA;&amp;quot;A night whose stars refused to run their course, *&#xA;             A night of those which never seem outworn:&#xA;Like Resurrection-day, of longsome length *&#xA;             To him that watched and waited for the morn.&amp;quot;&#xA;&#xA;Now at this moment, the captain knocked at the garden-gate, and Kamar al-Zaman opened and went out to him, whereupon the crew seized him and went down with him on board the ship and set sail forthright; and they ceased not voyaging days and nights, whilst Kamar al-Zaman knew not why they dealt thus with him; but when he questioned them they replied, &amp;quot;Thou hast offended against the Lord of the Ebony Islands, the son-in-law of King Armanus, and thou hast stolen his monies, miserable that thou art!&amp;quot; Said he, &amp;quot;By Allah! I never entered that country nor do I know where it is!&amp;quot; However, they fared on with him, till they made the Ebony Islands and landing, carried him up to the Lady Budur, who knew him at sight and said, &amp;quot;Leave him with the eunuchs, that they may take him to the bath.&amp;quot; Then she relieved the merchants of the embargo and gave the captain a robe of honour worth ten thousand pieces of gold; and, after returning to the palace, she went in that night to the Princess Hayat al-Nufus and told her what had passed, saying, &amp;quot;Keep thou my counsel, till I accomplish my purpose, and do a deed which shall be recorded and shall be read by Kings and commoners after we be dead and gone.&amp;quot; And when she gave orders that they bear Kamar al-Zaman to the bath, they did so and clad him in a royal habit so that, when he came forth, he resembled a willow-bough or a star which shamed the greater and lesser light and its glow, and his life and soul returned to his frame. Then he repaired to the palace and went in to the Princess Budur; and when she saw him she schooled her heart to patience, till she should have accomplished her purpose; and she bestowed on him Mamelukes and eunuchs, camels and mules. Moreover, she gave him a treasury of money and she ceased not advancing him from dignity to dignity, till she made him Lord High Treasurer and committed to his charge all the treasures of the state; and she admitted him to familiar favour and acquainted the Emirs with his rank and dignity. And all loved him, for Queen Budur did not cease day by day to increase his allowances. As for Kamar al-Zaman, he was at a loss anent the reason of her thus honouring him; and he gave gifts and largesse out of the abundance of the wealth; and he devoted himself to the service of King Armanus; so that the King and all the Emirs and people, great and small, adored him and were wont to swear by his life. Nevertheless, he ever marvelled at the honour and favour shown him by Queen Budur and said to himself, &amp;quot;By Allah, there needs must be a reason for this affection! Peradventure, this King favoureth me not with these immoderate favours save for some ill purpose and, therefore, there is no help but that I crave leave of him to depart his realm.&amp;quot; So he went in to Queen Budur and said to her, &amp;quot;O King, thou hast overwhelmed me with favours, but it will fulfil the measure of thy bounties if thou take from me all thou hast been pleased to bestow upon me, and permit me to depart.&amp;quot; She smiled and asked, &amp;quot;What maketh thee seek to depart and plunge into new perils, whenas thou art in the enjoyment of the highest favour and greatest prosperity?&amp;quot; Answered Kamar al- Zaman, &amp;quot;O King, verily this favour, if there be no reason for it, is indeed a wonder of wonders, more by token that thou hast advanced me to dignities such as befit men of age and experience, albeit I am as it were a young child.&amp;quot; And Queen Budur rejoined, &amp;quot;The reason is that I love thee for shine exceeding loveliness and thy surpassing beauty; and if thou wilt but grant me my desire of thy body, I will advance thee yet farther in honour and favour and largesse; and I will make thee Wazir, for all thy tender age even as the folk made me Sultan over them and I no older than thou; so that nowadays there is nothing strange when children take the head and by Allah, he was a gifted man who said,&#xA;&#xA;'It seems as though of Lot's tribe were our days, *&#xA;             And crave with love to advance the young in years.'&amp;quot;&#xA;&#xA;When Kamar al-Zaman heard these words, he was abashed and his cheeks flushed till they seemed a-flame; and he said, &amp;quot;I need not these favours which lead to the commission of sin; I will live poor in wealth but wealthy in virtue and honour.&amp;quot; Quoth she, &amp;quot;I am not to be duped by thy scruples, arising from prudery and coquettish ways; and Allah bless him who saith,&#xA;&#xA;'To him I spake of coupling, but he said to me, *&#xA;            How long this noyous long persistency?'&#xA;But when gold piece I showed him, he cried, *&#xA;           'Who from the Almighty Sovereign e'er shall flee?'&amp;quot;&#xA;&#xA;Now when Kamar al-Zaman, heard these words and understood her verses and their import, he said, &amp;quot;O King, I have not the habit of these doings, nor have I strength to bear these heavy burthens for which elder than I have proved unable; then how will it be with my tender age?&amp;quot; But she smiled at his speech and retorted, &amp;quot;Indeed, it is a matter right marvellous how error springeth from the disorder of man's intendiment!! Since thou art a boy, why standest thou in fear of sin or the doing of things forbidden, seeing that thou art not yet come to years of canonical responsibility; and the offences of a child incur neither punishment nor reproof? Verily, thou hast committed thyself to a quibble for the sake of contention, and it is thy duty to bow before a proposal of fruition, so henceforward cease from denial and coyness, for the commandment of Allah is a decree foreordained: indeed, I have more reason than thou to fear falling and by sin to be misled; and well inspired was he who said,&#xA;&#xA;'My prickle is big and the little one said, *&#xA;             'Thrust boldly in vitals with lion-like stroke!&#xA;Then I, ' 'Tis a sin!; and he, 'No sin to me! *&#xA;           So I had him at once with a counterfeit poke.&amp;quot;&#xA;&#xA;When Kamar al-Zaman heard these words, the light became darkness in his sight and he said, &amp;quot;O King, thou hast in thy household fair women and female slaves, who have not their like in this age: shall not these suffice thee without me? Do thy will with them and let me go!&amp;quot; She replied, &amp;quot;Thou sayest sooth, but it is not with them that one who loveth thee can heal himself of torment and can abate his fever; for, when tastes and inclinations are corrupted by vice, they hear and obey other than good advice. So leave arguing and listen to what the poet saith,&#xA;&#xA;'Seest not the bazar with its fruit in rows? *&#xA;             These men are for figs and for sycamore those!'&#xA;&#xA;And what another saith,&#xA;&#xA;'Many whose anklet rings are dumb have tinkling belts, *&#xA;             And this hath all content while that for want must wail:&#xA;Thou bidd'st me be a fool and quit thee for her charms; *&#xA;             Allah forfend I leave The Faith, turn Infidel!&#xA;Nay, by thy rights of side-beard mocking all her curls, *&#xA;             Nor mott nor maid from thee my heart shall spell.'&#xA;&#xA;And yet another,&#xA;&#xA;'O beauty's Union! love for thee's my creed, *&#xA;             Free choice of Faith and eke my best desire:&#xA;Women I have forsworn for thee; so may *&#xA;             Deem me all men this day a shaveling friar.'&#xA;&#xA;And yet another,&#xA;&#xA;'Even not beardless one with girl, nor heed *&#xA;             The spy who saith to thee ''Tis an amiss!'&#xA;Far different is the girl whose feet one kisses *&#xA;             And that gazelle whose feet the earth must kiss.'&#xA;&#xA;And yet another,&#xA;&#xA;'A boy of twice ten is fit for a King!'&#xA;&#xA;And yet another,&#xA;&#xA;'The penis smooth and round was made with anus best to match it, * Had it been made for cunnus' sake it had been formed like hatchet!'&#xA;&#xA;And yet another said,&#xA;&#xA;'My soul thy sacrifice! I chose thee out *&#xA;             Who art not menstruous nor oviparous:&#xA;Did I with woman mell, I should beget *&#xA;             Brats till the wide wide world grew strait for us.'&#xA;&#xA;And yet another,&#xA;&#xA;'She saith (sore hurt in sense the most acute *&#xA;             For she had proffered what did not besuit),&#xA;'Unless thou stroke as man should swive his wife *&#xA;             Blame not when horns thy brow shall incornùte!&#xA;Thy wand seems waxen, to a limpo grown, *&#xA;             And more I palm it, softer grows the brute!'&#xA;&#xA;And yet another,&#xA;&#xA;'Quoth she (for I to lie with her forbore), *&#xA;             'O folly-following fool, O fool to core:&#xA;If thou my coynte for Kiblah to thy coigne *&#xA;             Reject, we'll shall please thee more.'&#xA;&#xA;And yet another,&#xA;&#xA;'She proffered me a tender coynte *&#xA;             Quoth I 'I will not roger thee!'&#xA;She drew back, saying, 'From the Faith *&#xA;             He turns, who's turned by Heaven's decree!&#xA;And front wise fluttering, in one day, *&#xA;             Is obsolete persistency!'&#xA;Then swung she round and shining rump *&#xA;             Like silvern lump she showed me!&#xA;I cried: 'Well done, O mistress mine! *&#xA;             No more am I in pain for thee;&#xA;O thou of all that Allah oped *&#xA;             Showest me fairest victory!'&#xA;&#xA;And yet another,&#xA;&#xA;'Men craving pardon will uplift their hands; *&#xA;             Women pray pardon with their legs on high:&#xA;Out on it for a pious, prayerful work! *&#xA;             The Lord shall raise it in the depths to lie.'&amp;quot;&#xA;&#xA;When Kamar al-Zaman heard her quote this poetry, and was certified that there was no escaping compliance with what willed she, he said, &amp;quot;O King of the age, if thou must needs have it so, make covenant with me that thou wilt do this thing with me but once, though it avail not to correct thy depraved appetite, and that thou wilt never again require this thing of me to the end of time; so perchance shall Allah purge me of the sin.&amp;quot; She replied &amp;quot;I promise thee this thing, hoping that Allah of His favour will relent towards us and blot out our mortal offence; for the girdle of heaven's forgiveness is not indeed so strait, but it may compass us around and absolve us of the excess of our heinous sins and bring us to the light of salvation out of the darkness of error; and indeed excellently well saith the poet,&#xA;&#xA;'Of evil thing the folk suspect us twain; *&#xA;             And to this thought their hearts and souls are bent:&#xA;Come, dear! let's justify and free their souls *&#xA;             That wrong us; one good bout and then—repent!'''&#xA;&#xA;Thereupon she made him an agreement and a covenant and swore a solemn oath by Him who is Self-existent, that this thing should befal betwixt them but once and never again for all time, and that the desire of him was driving her to death and perdition. So he rose up with her, on this condition, and went with her to her own boudoir, that she might quench the lowe of her lust, saying, &amp;quot;There is no Majesty, and there is no Might save in Allah, the Glorious, the Great! This is the fated decree of the All- powerful, the All-wise!&amp;quot;; and he doffed his bag-trousers, shamefull and abashed, with the tears running from his eyes for stress of affright. Thereat she smiled and making him mount upon a couch with her, said to him, &amp;quot;After this night, thou shalt see naught that will offend thee.&amp;quot; Then she turned to him bussing and bosoming him and bending calf over calf, and said to him, &amp;quot;Put thy hand between my thighs to the accustomed place; so haply it may stand up to prayer after prostration.&amp;quot; He wept and cried, &amp;quot;I am not good at aught of this,&amp;quot; but she said, &amp;quot;By my life, an thou do as I bid thee, it shall profit thee!&amp;quot; So he put out his hand, with vitals a-fire for confusion, and found her thighs cooler than cream and softer than silk. The touching of them pleasured him and he moved his hand hither and thither, till it came to a dome abounding in good gifts and movements and shifts, and said in himself, &amp;quot;Perhaps this King is a hermaphrodite, neither man nor woman quite;&amp;quot; so he said to her, &amp;quot;O King, I cannot find that thou hast a tool like the tools of men; what then moved thee to do this deed?&amp;quot; Then loudly laughed Queen Budur till she fell on her back, and said, &amp;quot;O my dearling, how quickly thou hast forgotten the nights we have lain together!&amp;quot; Then she made herself known to him, and he knew her for his wife, the Lady Budur, daughter of King al-Ghayur, Lord of the Isles and the Seas. So he embraced her and she embraced him, and he kissed her and she kissed him; then they lay down on the bed of pleasure voluptuous, repeating the words of the poet,&#xA;&#xA;&amp;quot;When his softly bending shape bid him close to my embrace *&#xA;             Which clips him all about like the tendrils of the vine&#xA;And shed a flood of softness on the hardness of his heart, *&#xA;             He yielded though at first he was minded to decline;&#xA;And dreading lest the railer's eye should light upon his form, *&#xA;             Came armoured with caution to baffle his design:&#xA;His waist makes moan of hinder cheeks that weigh upon his feet *&#xA;             Like heavy load of merchandise upon young camel li'en;&#xA;Girt with his glances scymitar which seemed athirst for blood, *&#xA;             And clad in mail of dusky curls that show the sheeniest&#xA;             shine,&#xA;His fragrance wafted happy news of footstep coming nigh, *&#xA;             And to him like a bird uncaged I flew in straightest line:&#xA;I spread my cheek upon his path, beneath his sandal-shoon, *&#xA;             And lo! the stibium of their dust healed all my hurt&#xA;             of eyne.&#xA;With one embrace again I bound the banner of our loves *&#xA;            And loosed the knot of my delight that bound in bonds&#xA;            malign:&#xA;Then bade I make high festival, and straight came flocking in *&#xA;             Pure joys that know not grizzled age nor aught of&#xA;             pain and pine:&#xA;The full moon dotted with the stars the lips and pearly teeth *&#xA;             That dance right joyously upon the bubbling face of wine:&#xA;So in the prayer-niche of their joys I yielded me to what *&#xA;             Would make the humblest penitent of sinner most indign.&#xA;I swear by all the signs of those glories in his face *&#xA;             I'll ne'er forget the Chapter entituled Al-Ikhlas.&amp;quot;&#xA;&#xA;Then Queen Budur told Kamar al-Zaman all that had befallen her from beginning to end and he did likewise; after which he began to upbraid her, saying, &amp;quot;What moved thee to deal with me as thou hast done this night?&amp;quot; She replied, &amp;quot;Pardon me! for I did this by way of jest, and that pleasure and gladness might be increased.&amp;quot; And when dawned the morn and day arose with its sheen and shone, she sent to King Armanus, sire of the Lady Hayat al-Nufus, and acquainted him with the truth of the case and that she was wife to Kamar al-Zaman. Moreover, she told him their tale and the cause of their separation, and how his daughter was a virgin, pure as when she was born. He marvelled at their story with exceeding marvel and bade them chronicle it in letters of gold. Then he turned to Kamar al-Zaman and said, &amp;quot;O King's son, art thou minded to become my son-in-law by marrying my daughter?&amp;quot; Replied he, &amp;quot;I must consult the Queen Budur, as she hath a claim upon me for benefits without stint.&amp;quot; And when he took counsel with her, she said, &amp;quot;Right is thy recking; marry her and I will be her handmaid; for I am her debtor for kindness and favour and good offices, and obligations manifold, especially as we are here in her place and as the King her father hath whelmed us with benefits.&amp;quot; Now when he saw that she inclined to this and was not jealous of Hayat al-Nufus, he agreed with her upon this matter.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Seventeenth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Kamar al- Zaman agreed with his wife, Queen Budur, upon this matter and told King Armanus what she had said; whereat he rejoiced with great joy. Then he went out and, seating himself upon his chair of estate, assembled all the Wazirs, Emirs, Chamberlains and Grandees, to whom he related the whole story of Kamar al-Zaman and his wife, Queen Budur, from first to last; and acquainted them with his desire to marry his daughter Hayat al-Nufus to the Prince and make him King in the stead of Queen Budur. Whereupon said they all, &amp;quot;Since he is the husband of Queen Budur, who hath been our King till now, whilst we deemed her son-in-law to King Armanus, we are all content to have him to Sultan over us; and we will be his servants, nor will we swerve from his allegiance.&amp;quot; So Armanus rejoiced hereat and, summoning Kazis and witnesses and the chief officers of state, bade draw up the contract of marriage between Kamar al-Zaman and his daughter, the Princess Hayat al-Nufus. Then he held high festival, giving sumptuous marriage-feasts and bestowing costly dresses of honour upon all the Emirs and Captains of the host; moreover he distributed alms to the poor and needy and set free all the prisoners. The whole world rejoiced in the coming of Kamar al-Zaman to the throne, blessing him and wishing him endurance of glory and prosperity, renown and felicity; and, as soon as he became King, he remitted the customs-dues and released all men who remained in gaol. Thus he abode a long while, ordering himself worthily towards his lieges; and he lived with his two wives in peace, happiness, constancy and content, lying the night with each of them in turn. He ceased not after this fashion during many years, for indeed all his troubles and afflictions were blotted out from him and he forgot his father King Shahriman and his former estate of honour and favour with him. After a while Almighty Allah blessed him with two boy children, as they were two shining moons, through his two wives; the elder whose name was Prince Amjad, by Queen Budur, and the younger whose name was Prince As'ad by Queen Hayat al-Nufus; and this one was comelier than his brother. They were reared in splendour and tender affection, in respectful bearing and in the perfection of training; and they were instructed in penmanship and science and the arts of government and horsemanship, till they attained the extreme accomplishments and the utmost limit of beauty and loveliness; both men and women being ravished by their charms. They grew up side by side till they reached the age of seventeen, eating and drinking together and sleeping in one bed, nor ever parting at any time or tide; wherefore all the people envied them. Now when they came to man's estate and were endowed with every perfection, their father was wont, as often as he went on a journey, to make them sit in his stead by turns in the hall of judgement; and each did justice among the folk one day at a time. But it came to pass, by confirmed fate and determined lot, that love for As'ad (son of Queen Hayat al-Nufus) rose in the heart of Queen Budur, and that affection for Amjad (son of Queen Budur) rose in the heart of Queen Hayat al-Nufus. Hence it was that each of the women used to sport and play with the son of her sister-wife, kissing him and straining him to her bosom, whilst each mother thought that the other's behaviour arose but from maternal affection. On this wise passion got the mastery of the two women's hearts and they became madly in love with the two youths, so that when the other's son came in to either of them, she would press him to her breast and long for him never to be parted from her; till, at last, when waiting grew longsome to them and they found no path to enjoyment, they refused meat and drink and banished the solace of sleep. Presently, the King fared forth to course and chase, bidding his two sons sit to do justice in his stead, each one day in turn as was their wont.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Eighteenth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the King fared forth to sport and hunt, bidding his two sons sit to do justice in his stead, each one day by turn, as was their wont. Now Prince Amjad sat in judgement the first day, bidding and forbidding, appointing and deposing, giving and refusing; and Queen Hayat al-Nufus, mother of As'ad, wrote to him a letter suing for his favour and discovering to him her passion and devotion; altogether put tiny off the mask and giving him to know that she desired to enjoy him. So she took a scroll and thereon indited these cadences, &amp;quot;From the love deranged * the sorrowful and estranged * whose torment is prolonged for the longing of thee! * Were I to recount to thee the extent of my care * and what of sadness I bear * the passion which my heart cloth tear * and all that I endure for weeping and unrest * and the rending of my sorrowful breast * my unremitting grief * and my woe without relief * and all my suffering for severance of thee * and sadness and love's ardency * no letter could contain it; nor calculation could compass it * Indeed earth and heaven upon me are strait; and I have no hope and no trust but what from thee I await * Upon death I am come nigh * and the horrors of dissolution I aby * Burning upon me is sore * with parting pangs and estrangement galore * Were I to set forth the yearnings that possess me more and more * no scrolls would suffice to hold such store * and of the excess of my pain and pine, I have made the following lines:- -&#xA;&#xA;Were I to dwell on heart-consuming heat, *&#xA;             Unease and transports in my spins meet,&#xA;Nothing were left of ink and reeden pen *&#xA;             Nor aught of paper; no, not e'en a sheet.&#xA;&#xA;Then Queen Hayat al-Nufus wrapped up her letter in a niece of costly silk scented with musk and ambergris; and folded it up with her silken hair-strings whose cost swallowed down treasures laid it in a handkerchief and gave it to a eunuch bidding him bear it to Prince Amjad.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Nineteenth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that she gave her missive to the eunuch in waiting and bade him bear it to Prince Amjad. And that eunuch went forth ignoring what the future hid for him (for the Omniscient ordereth events even as He willeth); and, going in to the Prince, kissed the ground between his hands and handed to him the letter. On receiving the kerchief he opened it and, reading the epistle and recognizing its gist he was ware that his father's wife was essentially an adulteress and a traitress at heart to her husband, King Kamar al-Zaman. So he waxed wroth with exceeding wrath and railed at women and their works, saying, &amp;quot;Allah curse women, the traitresses, the imperfect in reason and religion!&amp;quot; Then he drew his sword and said to the eunuch, &amp;quot;Out on thee, thou wicked slave! Dost thou carry messages of disloyalty for thy lord's wife? By Allah, there is no good in thee, O black of hue and heart, O foul of face and Nature's forming!&amp;quot; So he smote him on the neck and severed his head from his body; then, folding the kerchief over its contents he thrust it into his breast pocket and went in to his own mother and told her what had passed, reviling and reproaching her, and saying, &amp;quot;Each one of you is viler than the other; and, by Allah the Great and Glorious, did I not fear ill-manneredly to transgress against the rights of my father, Kamar al-Zaman, and my brother, Prince As'ad, I would assuredly go in to her and cut off her head, even as I cut off that of her eunuch!&amp;quot; Then he went forth from his mother in a mighty rage; and when the news reached Queen Hayat al-Nufus of what he had done with her eunuch, she abused him and cursed him and plotted perfidy against him. He passed the night, sick with rage, wrath and concern; nor found he pleasure in meat, drink or sleep. And when the next morning dawned Prince As'ad fared forth in his turn to rule the folk in his father's stead, whilst his mother, Hayat al-Nufus, awoke in feeble plight because of what she had heard from Prince Amjad concerning the slaughter of her eunuch. So Prince As'ad sat in the audience-chamber that day, judging and administering justice, appointing and deposing, bidding and forbidding, giving and bestowing. And he ceased not thus till near the time of afternoon-prayer, when Queen Budur sent for a crafty old woman and, discovering to her what was in her heart, wrote a letter to Prince As'ad, complaining of the excess of her affection and desire for him in these cadenced lines, &amp;quot;From her who perisheth for passion and love-forlorn * to him who in nature and culture is goodliest born * to him who is conceited of his own loveliness * and glories in his amorous grace * who from those that seek to enjoy him averteth his face * and refuseth to show favour unto the self abasing and base * him who is cruel and of disdainful mood * from the lover despairing of good * to Prince As'ad * with passing beauty endowed * and of excelling grace proud * of the face moon bright * and the brow flower-white * and dazzling splendid light * This is my letter to him whose love melteth my body * and rendeth my skin and bones! * Know that my patience faileth me quite * and I am perplexed in my plight * longing and restlessness weary me * and sleep and patience deny themselves to me * but mourning and watching stick fast to me * and desire and passion torment me * and the extremes of languor and sickness have sheet me * Yet may my life be a ransom for thee * albeit thy pleasure be to slay her who loveth thee * and Allah prolong the life of thee * and preserve thee from all infirmity!&amp;quot; And after these cadences she wrote these couplets,&#xA;&#xA;&amp;quot;Fate hath commanded I become thy fere, *&#xA;             O shining like full moon when clearest clear!&#xA;All beauty dost embrace, all eloquence; *&#xA;             Brighter than aught within our worldly sphere:&#xA;Content am I my torturer thou be: *&#xA;             Haply shalt alms me with one lovely leer!&#xA;Happy her death who dieth for thy love! *&#xA;             No good in her who holdeth thee unclear!&amp;quot;&#xA;&#xA;And also the following couplets,&#xA;&#xA;&amp;quot;Unto thee, As'ad! I of passion-pangs complain; *&#xA;             Have ruth on slave of love so burnt with flaming pain:&#xA;How long, I ask, shall hands of Love disport with me, *&#xA;             With longings, dolour, sleepliness and bale and bane?&#xA;Anon I 'plain of sea in heart, anon of fire *&#xA;             In vitals, O strange case, dear wish, my fairest fain!&#xA;O blamer, cease thy blame, and seek thyself to fly *&#xA;             From love, which makes these eyne a rill of tears to rain.&#xA;How oft I cry for absence and desire, Ah grief! *&#xA;             But all my crying naught of gain for me shall gain:&#xA;Thy rigours dealt me sickness passing power to bear, *&#xA;             Thou art my only leach, assain me an thou deign!&#xA;O chider, chide me not in caution, for I doubt *&#xA;             That plaguey Love to thee shall also deal a bout.&amp;quot;&#xA;&#xA;Then Queen Budur perfumed the letter-paper with a profusion of odoriferous musk and, winding it in her hairstrings which were of Iraki silk, with pendants of oblong emeralds, set with pearls and stones of price, delivered it to the old woman, bidding her carry it to Prince As'ad. She did so in order to pleasure her, and going in to the Prince, straightway and without stay, found him in his own rooms and delivered to him the letter in privacy; after which she stood waiting an hour or so for the answer. When As'ad had read the paper and knew its purport, he wrapped it up again in the ribbons and put it in his bosom-pocket: then (for he was wrath beyond all measure of wrath) he cursed false women and sprang up and drawing his sword, smote the old trot on the neck and cut off her pate. Thereupon he went in to his mother, Queen Hayat al-Nufus, whom he found lying on her bed in feeble case, for that which had betided her with Prince Amjad, and railed at her and cursed her; after which he left her and fore-gathered with his brother, to whom he related all that had befallen him with Queen Budur, adding, &amp;quot;By Allah, O my brother, but that I was ashamed before thee, I had gone in to her forthright and had smitten her head off her shoulders!&amp;quot; Replied Prince Amjad, &amp;quot;By Allah, O my brother, yesterday when I was sitting upon the seat of judgement, the like of what hath befallen thee this day befel me also with thy mother who sent me a letter of similar purport.&amp;quot; And he told him all that had passed, adding, &amp;quot;By Allah, O my brother, naught but respect for thee withheld me from going in to her and dealing with her even as I dealt with the eunuch!&amp;quot; They passed the rest of the night conversing and cursing womankind, and agreed to keep the matter secret, lest their father should hear of it and kill the two women. Yet they ceased not to suffer trouble and foresee affliction. And when the morrow dawned, the King returned with his suite from hunting and sat awhile in his chair of estate; after which he sent the Emirs about their business and went up to his palace, where he found his two wives lying a-bed and both exceeding sick and weak. Now they had made a plot against their two sons and concerted to do away their lives, for that they had exposed themselves before them and feared to be at their mercy and dependent upon their forbearance. When Kamar al-Zaman saw them on this wise, he said to them, &amp;quot;What aileth you?&amp;quot; Whereupon they rose to him and kissing his hands answered, perverting the case and saying &amp;quot;Know, O King, that thy two sons, who have been reared in thy bounty, have played thee false and have dishonoured thee in the persons of thy wives.&amp;quot; Now when he heard this, the light became darkness in his sight, and he raged with such wrath that his reason fled: then said he to them, &amp;quot;Explain me this matter.&amp;quot; Replied Queen Budur, &amp;quot;O King of the age, know that these many days past thy son As'ad hath been in the persistent habit of sending me letters and messages to solicit me to lewdness and adultery while I still forbade him from this, but he would not be forbidden; and, when thou wentest forth to hunt, he rushed in on me, drunk and with a drawn sword in his hand, and smiting my eunuch, slew him. Then he mounted on my breast, still holding the sword, and I feared lest he should slay me, if I gainsaid him, even as he had slain my eunuch; so he took his wicked will of me by force. And now if thou do me not justice on him, O King, I will slay myself with my own hand, for I have no need of life in the world after this foul deed.&amp;quot; And Queen Hayat al-Nufus, choking with tears, told him respecting Prince Amjad a story like that of her sister-wife.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Twentieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Queen Hayat al-Nufus told her husband, King Kamar al-Zaman, a story like that of her sister in wedlock, Budur, and, quoth she, &amp;quot;The same thing befel me with thy son Amjad;&amp;quot; after which she took to weeping and wailing and said, &amp;quot;Except thou do me justice on him I will tell my father, King Armanus.&amp;quot; Then both women wept with sore weeping before King Kamar al-Zaman who, when he saw their tears and heard their words, concluded that their story was true and, waxing wroth beyond measure of wrath, went forth thinking to fall upon his two sons and put them to death. On his way he met his father- in-law, King Armanus who, hearing of his return from the chase, had come to salute him at that very hour and, seeing him with naked brand in hand and blood dripping from his nostrils, for excess of rage, asked what ailed him. So Kamar al-Zaman told him all that his sons Amjad and As'ad had done and added, &amp;quot;And here I am now going in to them to slay them in the foulest way and make of them the most shameful of examples.&amp;quot; Quoth King Armanus (and indeed he too was wroth with them), &amp;quot;Thou dost well, O my son, and may Allah not bless them nor any sons that do such deed against their father's honour. But, O my son, the sayer of the old saw saith, 'Whoso looketh not to the end hath not Fortune to friend.' In any case, they are thy sons, and it befitteth not that thou kill them with shine own hand, lest thou drink of their death-agony, and anon repent of having slain them whenas repentance availeth thee naught. Rather do thou send them with one of thy Mamelukes into the desert and let him kill them there out of thy sight, for, as saith the adage, 'Out of sight of my friend is better and pleasanter.' And when Kamar al-Zaman heard his father-in-law's words, he knew them to be just; so he sheathed his sword and turning back, sat down upon the throne of his realm. There he summoned his treasurer, a very old man, versed in affairs and in fortune's vicissitudes, to whom he said, &amp;quot;Go in to my sons, Amjad and As'ad; bind their hands behind them with strong bonds, lay them in two chests and load them upon a mule. Then take horse thou and carry them into mid desert, where do thou kill them both and fill two vials with their blood and bring the same to me in haste.&amp;quot; Replied the treasurer, &amp;quot;I hear and I obey,&amp;quot; and he rose up hurriedly and went out forthright to seek the Princes; and, on his road, he met them coming out of the palace-vestibule, for they had donned their best clothes and their richest; and they were on their way to salute their sire and give him joy of his safe return from his going forth to hunt. Now when he saw them, he laid hands on them, saying, &amp;quot;Omy sons, know ye that I am but a slave commanded, and that your father hath laid a commandment on me; will ye obey his commandment?&amp;quot; They said, &amp;quot;Yes&amp;quot;; whereupon he went up to them and, after pinioning their arms, laid them in the chests which he loaded on the back of a mule he had taken from the city. And he ceased not carrying them into the open country till near noon, when he halted in a waste and desolate place and, dismounting from his mare, let down the two chests from the mule's back. Then he opened them and took out Amjad and As'ad; and when he looked upon them he wept sore for their beauty and loveliness; then drawing his sword he said to them, &amp;quot;By Allah, O my lords, indeed it is hard for me to deal so evilly by you; but I am to be excused in this matter, being but a slave commanded, for that your father King Kamar al-Zaman hath bidden me strike off your heads.&amp;quot; They replied, &amp;quot;O Emir, do the King's bidding, for we bear with patience that which Allah (to Whom be Honour, Might and Glory!) hath decreed to us; and thou art quit of our blood.&amp;quot; Then they embraced and bade each other farewell, and As'ad said to the treasurer, &amp;quot;Allah upon thee, O uncle, spare me the sight of my brother's death-agony and make me not drink of his anguish, but kill me first, for that were the easier for me.&amp;quot; And Amjad said the like and entreated the treasurer to kill him before As'ad, saying, &amp;quot;My brother is younger than I; so make me not taste of his anguish. And they both wept bitter tears whilst the treasurer wept for their weeping;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Twenty-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the treasurer wept for their weeping; then the two brothers embraced and bade farewell and one said to the other, &amp;quot;All this cometh of the malice of those traitresses, my mother and thy mother; and this is the reward of my forbearance towards thy mother and of thy for bearance towards my mother! But there is no Might and there is no Majesty save in Allah, the Glorious, the Great! Verily, we are Allah's and unto Him we are returning.&amp;quot; And As'ad em braced his brother, sobbing and repeating these couplets,&#xA;&#xA;&amp;quot;O Thou to whom sad trembling wights in fear complain! *&#xA;           O ever ready whatso cometh to sustain!&#xA;The sole resource for me is at Thy door to knock, *&#xA;           At whose door knock an Thou to open wilt not deign?&#xA;O Thou whose grace is treasured in the one word, Be! *&#xA;            Favour me, I beseech, in Thee all weals contain.&amp;quot;&#xA;&#xA;Now when Amjad heard his brother's weeping he wept also and pressing him to his bosom repeated these two couplets,&#xA;&#xA;&amp;quot;O Thou whose boons to me are more than one! *&#xA;             Whose gifts and favours have nor count nor bound!&#xA;No stroke of all Fate's strokes e'er fell on me, *&#xA;             But Thee to take me by the hand I found.&amp;quot;&#xA;Then said Amjad to the treasurer, &amp;quot;I conjure thee by the One, Omnipotent, the Lord of Mercy, the Beneficent! slay me before my brother As'ad, so haply shall the fire be quencht in my heart's core and in this life burn no more.&amp;quot; But As'ad wept and exclaimed, &amp;quot;Not so: I will die first;&amp;quot; whereupon quoth Amjad, &amp;quot;It were best that I embrace thee and thou embrace me, so the sword may fall upon us and slay us both at a single stroke.&amp;quot; Thereupon they embraced, face to face and clung to each other straitly, whilst the treasurer tied up the twain and bound them fast with cords, weeping the while. Then he drew his blade and said to them, &amp;quot;By Allah, O my lords, it is indeed hard to me to slay you! But have ye no last wishes that I may fulfil or charges which I may carry out, or message which I may deliver?&amp;quot; Replied Amjad, &amp;quot;We have no wish; and my only charge to thee is that thou set my brother below and me above him, that the blow may fall on me first, and when thou hast killed us and returnest to the King and he asketh thee, 'What heardest thou from them before their death?'; do thou answer, 'Verily thy sons salute thee and say to thee, Thou knewest not if we were innocent or guilty, yet hast thou put us to death and hast not certified thyself of our sin nor looked into our case.' Then do thou repeat to him these two couplets,&#xA;&#xA;'Women are Satans made for woe o' men; *&#xA;             I fly to Allah from their devilish scathe:&#xA;Source of whatever bale befel our kind, *&#xA;            In wordly matters and in things of Faith.'&amp;quot;&#xA;&#xA;Continued Amjad, &amp;quot;We desire of thee naught but that thou repeat to our sire these two couplets.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was ad the Two Hundred and Twenty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Amjad added, speaking to the treasurer, &amp;quot;We desire of thee naught but that thou repeat to our sire these two couplets which thou hast just now heard; and I conjure thee by Allah to have patience with us, whilst I cite to my brother this other pair of couplets.&amp;quot; Then he wept with sore weeping and began,&#xA;&#xA;&amp;quot;The Kings who fared before us showed *&#xA;            Of instances full many a show:&#xA;Of great and small and high and low *&#xA;             How many this one road have trod!&amp;quot;&#xA;&#xA;Now when the treasurer heard these words from Amjad, he wept till his beard was wet, whilst As'ad's eyes brimmed with tears and he in turn repeated these couplets,&#xA;&#xA;&amp;quot;Fate frights us when the thing is past and gone; *&#xA;           Weeping is not for form or face alone:&#xA;What ails the Nights? Allah blot out our sin, *&#xA;            And be the Nights by other hand undone!&#xA;Ere this Zubayr-son felt their spiteful hate, *&#xA;             Who fled for refuge to the House and Stone:&#xA;Would that when Khárijah was for Amru slain *&#xA;             They had ransomed Ali with all men they own.&amp;quot;&#xA;&#xA;Then, with cheeks stained by tears down railing he recited also these verses,&#xA;&#xA;&amp;quot;In sooth the Nights and Days are charactered *&#xA;            By traitor falsehood and as knaves they lie;&#xA;The Desert-reek recalls their teeth that shine; *&#xA;            All horrid blackness is their K of eye:&#xA;My sin anent the world which I abhor *&#xA;            Is sin of sword when sworders fighting hie.&amp;quot;&#xA;&#xA;Then his sobs waxed louder and he said,&#xA;&#xA;&amp;quot;O thou who woo'st a World unworthy, learn *&#xA;            'Tis house of evils, 'tis Perdition's net:&#xA;A house where whoso laughs this day shall weep *&#xA;            The next: then perish house of fume and fret!&#xA;Endless its frays and forays, and its thralls *&#xA;            Are ne'er redeemed, while endless risks beset.&#xA;How many gloried in its pomps and pride, *&#xA;            Till proud and pompous did all bounds forget,&#xA;Then showing back of shield she made them swill *&#xA;            Full draught, and claimed all her vengeance debt.&#xA;For know her strokes fall swift and sure, altho' *&#xA;             Long bide she and forslow the course of Fate:&#xA;So look thou to thy days lest life go by *&#xA;             Idly, and meet thou more than thou hast met;&#xA;And cut all chains of world-love and desire *&#xA;           And save thy soul and rise to secrets higher.&amp;quot;&#xA;&#xA;Now when As'ad made an end of these verses, he strained his brother Amjad in his arms, till they twain were one body, and the treasurer, drawing his sword, was about to strike them, when behold, his steed took fright at the wind of his upraised hand, and breaking its tether, fled into the desert. Now the horse had cost a thousand gold pieces and on its back was a splendid saddle worth much money; so the treasurer threw down his sword, and ran after his beast.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Twenty-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when his horse ran away, the treasurer ran after it in huge concern, and ceased not running to catch the runaway till it entered a thicket. He followed it whilst it dashed through the wood, smiting the earth with its hoofs till it raised a dust-cloud which towered high in air; and snorting and puffing and neighing and waxing fierce and furious. Now there happened to be in this thicket a lion of terrible might; hideous to sight, with eyes sparkling light: his look was grim and his aspect struck fright into man's sprite. Presentry the treasurer turned and saw the lion making towards him; but found no way of escape nor had he his sword with him. So he said in himself, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! This strait is come upon me for no other cause but because of Amjad and As'ad; and indeed this journey was unblest from the first!&amp;quot; Meanwhile the two Princes were grievously oppressed by the heat and grew sore athirst, so that their tongues hung out and they cried for succour, but none came to their relief and they said, &amp;quot;Would to Heaven we had been slain and were at peace from this pain! But we know not whither the horse hath fled, that the treasurer is gone and hath left us thus pinioned. If he would but come back and do us die, it were easier to us than this torture to aby.&amp;quot; Said As'ad, &amp;quot;O my brother, be patient, and the relief of Allah (extolled and exalted be He!) shall assuredly come to us; for the horse started not away save of His favour towards us, and naught irketh us but this thirst.&amp;quot; Upon this he stretched and shook himself and strained right and left, till he burst his pinion-bonds; then he rose and unbound his brother and catching up the Emir's sword, said, &amp;quot;By Allah, we will not go hence, till we look after him and learn what is become of him.&amp;quot; Then they took to following on the trail till it led them to the thicket and they said to each other, &amp;quot;Of a surety, the horse and the treasurer have not passed out of this wood.&amp;quot; Quoth As'ad, &amp;quot;Stay thou here, whilst I enter the thicket and search it;&amp;quot; and Amjad replied, &amp;quot;I will not let thee go in alone: nor will we enter it but together; so if we escape, we shall escape together and if we perish, we shall perish together.&amp;quot; Accordingly both entered and found that the lion had sprang upon the treasurer, who lay like a sparrow in his grip, calling upon Allah for aid and signing with his hands to Heaven. Now when Amjad saw this, he took the sword and, rushing upon the lion, smote him between the eyes and laid him dead on the ground. The Emir sprang up, marvelling at this escape and seeing Amjad and As'ad, his master's sons, standing there, cast himself at their feet and exclaimed, &amp;quot;By Allah, O my lords, it were intolerable wrong in me to do you to death. May the man never be who would kill you! Indeed, with my very life, I will ransom you.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Twenty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that quoth the treasurer to Amjad and As'ad, &amp;quot;With my life will I ransom you both!&amp;quot; Then he hastily rose and, at once embracing them, enquired how they had loosed their bonds and come thither; whereupon they told him how the bonds of one of them had fallen loose and he had unbound the other, whereto they were helped by the purity of their intentions, and how they had tracked his trail till they came upon him. So he thanked them for their deed and went with them forth of the thicket; and, when they were in the open country, they said to him, &amp;quot;O uncle, do our father's bidding.&amp;quot; He replied, &amp;quot;Allah forbid that I should draw near to you with hurt! But know ye that I mean to take your clothes and clothe you with mine; then will I fill two vials with the lion's blood and go back to the King and tell him I have out vou to death. But as for you two, fare ye forth into the lands, for Allah's earth is wide; and know, O my lords, that it paineth me to part from you.&amp;quot; At this, they all fell a-weeping; then the two youths put off their clothes and the treasurer habited them with his own. Moreover he made two parcels of their dress and, filling two vials with the lion's blood, set the parcels before him on his horse's back. Presently he took leave of them and, making his way to the city, ceased not faring till he went in to King Kamar al-Zaman and kissed the ground between his hands. The King saw him changed in face and troubled (which arose from his adventure with the lion) and, deeming this came of the slaughter of his two sons, rejoiced and said to him, &amp;quot;Hast thou done the work?&amp;quot; &amp;quot;Yes, O our lord,&amp;quot; replied the treasurer and gave him the two parcels of clothes and the two vials full of blood. Asked the King, &amp;quot;What didst thou observe in them; and did they give thee any charge?&amp;quot; Answered the treasurer, &amp;quot;I found them patient and resigned to what came down upon them and they said to me, 'Verily, our father is excusable; bear him our salutation and say to him, 'Thou art quit of our killing. But we charge thee repeat to him these couplets,&#xA;&#xA;'Verily women are devils created for us. We seek refuge with God from the artifice of the devils. They are the source of all the misfortunes that have appeared among mankind in the affairs of the world and of religion.'''&#xA;&#xA;When the King heard these words of the treasurer, he bowed his head earthwards, a long while and knew his sons' words to mean that they had been wrongfully put to death. Then he bethought himself of the perfidy of women and the calamities brought about by them; and he took the two parcels and opened them and fell to turning over his sons' clothes and weeping,—And Shahrazed perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Twenty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Kamar la-Zaman opened the two bundles and fell to turning over his sons' clothes and weeping, it so came to pass that he found, in the pocket of his son As'ad's raiment, a letter in the hand of his wife enclosing her hair strings; so he opened and read it and understanding the contents knew that the Prince had been falsely accused and wrongously. Then he searched Amjad's parcel of dress and found in his pocket a letter in the handwriting of Queen Hayat al-Nufus enclosing also her hair-strings; so he opened and read it and knew that Amjad too had been wronged; whereupon he beat hand upon hand and exclaimed, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! I have slain my sons unjustly.&amp;quot; And he buffeted his face, crying out, &amp;quot;Alas, my sons! Alas, my long grief!&amp;quot; Then he bade them build two tombs in one house, which he styled &amp;quot;House of Lamentations,&amp;quot; and had graved thereon his sons' names; and he threw himself on Amjad's tomb, weeping and groaning and lamenting, and improvised these couplets,&#xA;&#xA;&amp;quot;O moon for ever set this earth below, *&#xA;             Whose loss bewail the stars which stud the sky!&#xA;O wand, which broken, ne'er with bend and wave *&#xA;            Shall fascinate the ravisht gazer's eye;&#xA;These eyne for jealousy I 'reft of thee, *&#xA;            Nor shall they till next life thy sight descry:&#xA;I'm drowned in sea of tears for insomny *&#xA;            Wherefore, indeed in Sáhirah-stead I lie.&amp;quot;&#xA;Then he threw himself on As'ad's tomb, groaning and weeping and lamenting and versifying with these couplets,&#xA;&amp;quot;Indeed I longed to share unweal with thee, *&#xA;            But Allah than my will willed otherwise:&#xA;My grief all blackens 'twixt mine eyes and space, *&#xA;             Yet whitens all the blackness from mine eyes:&#xA;Of tears they weep these eyne run never dry, *&#xA;             And ulcerous flow in vitals never dries:&#xA;Right sore it irks me seeing thee in stead *&#xA;             Where slave with sovran for once levelled lies.&amp;quot;&#xA;&#xA;And his weeping and wailing redoubled; and, after he had ended his lamentations and his verse, he forsook his friends and intimates, and denying himself to his women and his family, cut himself off from the world in the House of Lamentations, where he passed his time in weeping for his sons. Such was his case; but as regards Amjad and As'ad they fared on into the desert eating of the fruits of the earth and drinking of the remnants of the rain for a full month, till their travel brought them to a mountain of black flint whose further end was unknown; and here the road forked, one line lying along the midway height and the other leading to its head. They took the way trending to the top and gave not over following it five days, but saw no end to it and were overcome with weariness, being unused to walking upon the mountains or elsewhere. At last, despairing of coming to the last of the road, they retraced their steps and, taking the other, that led over the midway heights,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Twenty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Princes Amjad and As'ad returned from the path leading to the Mountain- head and took that which ran along the midway heights, and walked through all that day till nightfall, when As'ad, weary with much travel, said to Amjad, &amp;quot;O my brother, I can walk no farther, for I am exceeding weak.&amp;quot; Replied Amjad, &amp;quot;O my brother, take courage! May be Allah will send us relief.&amp;quot; So they walked on part of the night, till the darkness closed in upon them, when As'ad became weary beyond measure of weariness and cried out, &amp;quot;O my brother, I am worn out and spent with walking,&amp;quot; and threw himself upon the ground and wept. Amjad took him in his arms and walked on with him, bytimes sitting down to rest till break of day, when they came to the mountain-top and found there a stream of running water and by it a pomegranate-tree and a prayer-niche. They could hardly believe their eyes when they saw it; but, sitting down by that spring, drank of its water and ate of the fruit of that granado-tree; after which they lay on the ground and slept till sunrise, when they washed and bathed in the spring and, eating of the pomegranates, slept again till the time of mid-afternoon prayer. Then they thought to continue their journey, but As'ad could not walk, for both his feet were swollen. So they abode there three days till they were rested, after which they set out again and fared on over the mountain days and nights, tortured by and like to die of thirst, till they sighted a city gleaming afar off, at which they rejoiced and made towards it. When they drew near it, they thanked Allah (be His Name exalted!) and Amjad said to As'ad, &amp;quot;O my brother, sit here, whilst I go to yonder city and see what it is and whose it is and where we are in Allah's wide world, that we may know through what lands we have passed in crossing this mountain, whose skirts had we followed, we had not reached this city in a whole year. So praised be Allah for safety!&amp;quot; Replied As'ad, &amp;quot;By Allah, O my brother, none shall go down into that city save myself, and may I be thy ransom! If thou leave me alone, be it only for an hour, I shall imagine a thousand things and be drowned in a torrent of anxiety on shine account, for I cannot brook shine absence from me.&amp;quot; Amjad rejoined, &amp;quot;Go then and tarry not. So As'ad took some gold pieces, and leaving his brother to await him, descended the mountain and ceased not faring on till he entered the city. As he threaded the streets he was met by an old man age-decrepit, whose beard flowed down upon his breast and forked in twain; he bore a walking-staff in his hand and was richly clad, with a great red turband on his head. When As'ad saw him, he wondered at his dress and his mien; nevertheless, he went up to him and saluting him said, &amp;quot;Where be the way to the market, O my master?&amp;quot; Hearing these words the Shaykh smiled in his face and replied, &amp;quot;O my son, meseemeth thou art a stranger?&amp;quot; As'ad rejoined, &amp;quot;Yes, I am a stranger.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Twenty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Shaykh who met As'ad smiled in his face and said to him, &amp;quot;O my son, meseemeth thou art a stranger?&amp;quot; and As'ad replied, &amp;quot;Yes, I am a stranger.&amp;quot; Then rejoined the old man, &amp;quot;Verily, thou gladdenest our country with thy presence, O my son, and thou desolatest shine own land by reason of shine absence. What wantest thou of the market?&amp;quot; Quoth As'ad, &amp;quot;O uncle, I have a brother, with whom I have come from a far land and with whom I have journeyed these three months; and, when we sighted this city, I left him, who is my elder brother, upon the mountain and came hither, purposing to buy victual and what else, and return therewith to him, that we might feed thereon.&amp;quot; Said the old man, &amp;quot;Rejoice in all good, O my son, and know thou that to-day I give a marriage-feast, to which I have bidden many guests, and I have made ready plenty of meats, the best and most delicious that heart can desire. So if thou wilt come with me to my place, I will give thee freely all thou lackest without asking thee a price or aught else. Moreover I will teach thee the ways of this city; and, praised be Allah, O my son, that I, and none other have happened upon thee.&amp;quot; &amp;quot;As thou wilt,&amp;quot; answered As'ad, &amp;quot;do as thou art disposed, but make haste, for indeed my brother awaiteth me and his whole heart is with me.&amp;quot; The old man took As'ad by the hand and carried him to a narrow lane, smiling in his face and saying, &amp;quot;Glory be to Him who hath delivered thee from the people of this city!&amp;quot; And he ceased not walking till he entered a spacious house, wherein was a saloon and behold, in the middle of it were forty old men, well stricken in years, collected together and forming a single ring as they sat round about a lighted fire, to which they were doing worship and prostrating themselves. When As'ad saw this, he was confounded and the hair of his body stood on end though he knew not what they were; and the Shaykh said to them, &amp;quot;O Elders of the Fire, how blessed is this day!&amp;quot; Then he called aloud, saying, &amp;quot;Hello, Ghazbán!&amp;quot; Whereupon there came out to him a tall black slave of frightful aspect, grim-visaged and flat nosed as an ape who, when the old man made a sign to him, bent As'ad's arms behind his back and pinioned them; after which the Shaykh said to him, &amp;quot;Let him down into the vault under the earth and there leave him and say to my slave girl Such-an-one, 'Torture him night and day and give him a cake of bread to eat morning and evening against the time come of the voyage to the Blue Sea and the Mountain of Fire, whereon we will slaughter him as a sacrifice.'&amp;quot; So the black carried him out at another door and, raising a flag in the floor, discovered a flight of twenty steps leading to a chamber under the earth, into which he descended with him and, laying his feet in irons, gave him over to the slave girl and went away. Meanwhile, the old men said to one another, &amp;quot;When the day of the Festival of the Fire cometh, we will sacrifice him on the mountain, as a propitiatory offering whereby we shall pleasure the Fire.&amp;quot; Presently the damsel went down to him and beat him a grievous beating, till streams of blood flowed from his sides and he fainted; after which she set at his head a scone of bread and a cruse of brackish water and went away and left him. In the middle of the night, he revived and found himself bound and beaten and sore with beating: so he wept bitter tears; and recalling his former condition of honour and prosperity, lordship and dominion, and his separation from his sire and his exile from his native land.—And Shahrazad perceived the dawn of day and ceased to say her permitted say,&#xA;&#xA;When it was the Two Hundred and Twenty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when As'ad found himself bound and beaten and sore with beating he recalled his whilome condition of honour and prosperity and dominion and lordship, and he wept and groaned aloud and recited these couplets,&#xA;&#xA;&amp;quot;Stand by the ruined stead and ask of us; *&#xA;             Nor deem we dwell there as was state of us:&#xA;The World, that parter, hath departed us; *&#xA;             Yet soothes not hate-full hearts the fate of us:&#xA;With whips a cursed slave girl scourges us, *&#xA;             And teems her breast with rancorous hate of us:&#xA;Allah shall haply deign to unpart our lives, *&#xA;             Chastise our foes, and end this strait of us.&amp;quot;&#xA;&#xA;And when As'ad had spoken his poetry, he put out his hand towards his head and finding there the crust and the cruse full of brackish water he ate a bittock, just enough to keep life in him, and drank a little water, but could get no sleep till morning for the swarms of bugs and lice. As soon as it was day, the slave girl came down to him and changed his clothes, which were drenched with blood and stuck to him, so that his skin came off with the shirt; wherefor he shrieked aloud and cried, &amp;quot;Alas!&amp;quot; and said, &amp;quot;O my God, if this be Thy pleasure, increase it upon me! O Lord, verily Thou art not unmindful of him that oppresseth me; do Thou then avenge me upon him!&amp;quot; And he groaned and repeated the following verses,&#xA;&#xA;&#xA;&amp;quot;Patient, O Allah! to Thy destiny *&#xA;             I bow, suffice me what Thou deign decree:&#xA;Patient to bear Thy will, O Lord of me, *&#xA;             Patient to burn on coals of Ghazá-tree:&#xA;They wrong me, visit me with hurt and harm; *&#xA;             Haply Thy grace from them shall set me free:&#xA;Far be's, O Lord, from thee to spare the wronger *&#xA;             O Lord of Destiny my hope's in Thee!&amp;quot;&#xA;&#xA;And what another saith,&#xA;&#xA;&amp;quot;Bethink thee not of worldly state, *&#xA;             Leave everything to course of Fate;&#xA;For oft a thing that irketh thee *&#xA;             Shall in content eventuate;&#xA;And oft what strait is shall expand, *&#xA;             And what expanded is wax strait.&#xA;Allah will do what wills His will *&#xA;             So be not thou importunate!&#xA;But 'joy the view of coming weal *&#xA;            Shall make forget past bale and bate.&amp;quot;&#xA;&#xA;And when he had ended his verse, the slave-girl came down upon him with blows till he fainted again; and, throwing him a flap of bread and a gugglet of saltish water, went away and left him sad and lonely, bound in chains of iron, with the blood streaming from his sides and far from those he loved. So he wept and called to mind his brother and the honours he erst enjoyed.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Twenty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that As'ad called to mind his brother and the honours he erst enjoyed; so he wept and groaned and complained and poured forth tears in floods and improvised these couplets,&#xA;&#xA;&amp;quot;Easy, O Fate! how long this wrong, this injury, *&#xA;           Robbing each morn and eve my brotherhood fro' me?&#xA;Is't not time now thou deem this length sufficiency *&#xA;           Of woes and, O thou Heart of Rock, show clemency?&#xA;My friends thou wrongedst when thou madst each enemy *&#xA;            Mock and exult me for thy wrongs, thy tyranny:&#xA;My foeman's heart is solaced by the things he saw *&#xA;           In me, of strangerhood and lonely misery:&#xA;Suffice thee not what came upon my head of dole, *&#xA;           Friends lost for evermore, eyes wan and pale of blee?&#xA;But must in prison cast so narrow there is naught *&#xA;            Save hand to bite, with bitten hand for company;&#xA;And tears that tempest down like goodly gift of cloud, *&#xA;           And longing thirst whose fires weet no satiety.&#xA;Regretful yearnings, singulfs and unceasing sighs, *&#xA;           Repine, remembrance and pain's very ecstacy:&#xA;Desire I suffer sore and melancholy deep, *&#xA;           And I must bide a prey to endless phrenesy:&#xA;I find me ne'er a friend who looks with piteous eye, *&#xA;          And seeks my presence to allay my misery:&#xA;Say, liveth any intimate with trusty love *&#xA;           Who for mine ills will groan, my sleepless malady?&#xA;To whom moan I can make and, peradventure, he *&#xA;             Shall pity eyes that sight of sleep can never see?&#xA;The flea and bug suck up my blood, as wight that drinks *&#xA;             Wine from the proffering hand of fair virginity:&#xA;Amid the lice my body aye remindeth me *&#xA;             Of orphan's good in Kázi's claw of villainy:&#xA;My home's a sepulchre that measures cubits three, *&#xA;             Where pass I morn and eve in chained agony:&#xA;My wines are tears, my clank of chains takes music's stead, *&#xA;             Cares my dessert of fruit and sorrows are my bed.&amp;quot;&#xA;&#xA;And when he had versed his verse and had prosed his prose, he again groaned and complained and remembered he had been and how he had been parted from his brother. Thus far concerning him; but as regards his brother Amjad, he awaited As'ad till mid-day yet he returned not to him: whereupon Amjad's vitals fluttered, the pangs of parting were sore upon him and he poured forth abundant tears,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Thirtieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Amjad awaited his brother As'ad till mid-day and he returned not to him, Amjad's vitals fluttered; the pangs of parting were sore upon him and he poured forth abundant tears, exclaiming, &amp;quot;Alas, my brother! Alas, my friend! Alas my grief! How I feared me we should be separated!&amp;quot; Then he descended from the mountain-top with the tears running down his cheeks; and, entering the city, ceased not walking till he made the market. He asked the folk the name of the place and concerning its people and they said, &amp;quot;This is called the City of the Magians, and its citizens are mostly given to Fire-worshipping in lieu of the Omnipotent King.&amp;quot; Then he enquired of the City of Ebony and they answered, &amp;quot;Of a truth it is a year's journey thither by land and six months by sea: it was governed erst by a King called Armanus; but he took to son- in-law and made King in his stead a Prince called Kamar al-Zaman distinguished for justice and munificence, equity and benevolence.&amp;quot; When Amjad heard tell of his father, he groaned and wept and lamented and knew not whither to go. However, he bought a something of food and carried it to a retired spot where he sat down thinking to eat; but, recalling his brother, he fell a- weeping and swallowed but a morsel to keep breath and body together, and that against his will. Then he rose and walked about the city, seeking news of his brother, till he saw a Moslem tailor sitting in his shop so he sat down by him and told him his story; whereupon quoth the tailor, &amp;quot;If he have fallen into the hands of the Magians, thou shalt hardly see him again: yet it may be Allah will reunite you twain. But thou, O my brother,&amp;quot; he continued wilt thou lodge with me?&amp;quot; Amjad answered, &amp;quot;Yes&amp;quot;; and the tailor rejoiced at this. So he abode with him many days, what while the tailor comforted him and exhorted him to patience and taught him tailoring, till he became expert in the craft. Now one day he went forth to the sea-shore and washed his clothes; after which he entered the bath and put on clean raiment; then he walked about the city, to divert himself with its sights and presently there met him on the way a woman of passing beauty and loveliness, without peer for grace and comeliness. When she saw him she raised her face-veil and signed to him by moving her eyebrows and her eyes with luring glances, and versified these couplets,&#xA;&#xA;&amp;quot;I drooped my glance when seen thee on the way *&#xA;            As though, O slim-waist! felled by Sol's hot ray:&#xA;Thou art the fairest fair that e'er appeared, *&#xA;             Fairer to-day than fair of yesterday:&#xA;Were Beauty parted, a fifth part of it *&#xA;             With Joseph or a part of fifth would stay;&#xA;The rest would fly to thee, shine ownest own; *&#xA;             Be every soul thy sacrifice, I pray!&amp;quot;&#xA;&#xA;When Amjad heard these her words, they gladdened his heart which inclined to her and his bowels yearned towards her and the hands of love sported with him; so he sighed to her in reply and spoke these couplets,&#xA;&#xA;&amp;quot;Above the rose of cheek is thorn of lance; *&#xA;             Who dareth pluck it, rashest chevisance?&#xA;Stretch not thy hand towards it, for night long *&#xA;             Those lances marred because we snatched a glance!&#xA;Say her, who tyrant is and tempter too *&#xA;             (Though justice might her tempting power enhance):—&#xA;Thy face would add to errors were it veiled; *&#xA;             Unveiled I see its guard hath best of chance!&#xA;Eye cannot look upon Sol's naked face; *&#xA;             But can, when mist-cloud dims his countenance:&#xA;The honey-hive is held by honey-bee; *&#xA;             Ask the tribe-guards what wants their vigilance?&#xA;An they would slay me, let them end their ire *&#xA;             Rancorous, and grant us freely to advance:&#xA;They're not more murderous, an charge the whole *&#xA;             Than charging glance of her who wears the mole.&amp;quot;&#xA;&#xA;And hearing these lines from Amjad she sighed with the deepest sighs and, signing to him again, repeated these couplets,&#xA;&#xA;&amp;quot;'Tis thou hast trodden coyness path not I: *&#xA;             Grant me thy favours for the time draws nigh:&#xA;O thou who makest morn with light of brow, *&#xA;             And with loosed brow-locks night in lift to stye!&#xA;Thine idol-aspect made of me thy slave, *&#xA;             Tempting as temptedst me in days gone by:&#xA;'Tis just my liver fry with hottest love: *&#xA;             Who worship fire for God must fire aby:&#xA;Thou sellest like of me for worthless price; *&#xA;             If thou must sell, ask high of those who buy.&amp;quot;&#xA;When Amjad heard these her words he said to her, &amp;quot;Wilt thou come to my lodging or shall I go with thee to shine?&amp;quot; So she hung her head in shame to the ground and repeated the words of Him whose Name be exalted, &amp;quot;Men shall have the pre-eminence above women, because of those advantages wherein Allah hath caused the one of them to excel the other.&amp;quot; Upon this, Amjad took the hint.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Thirty-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Amjad took the woman's hint and understood that she wished to go with him whither he was going; he felt himself bounder to find a place wherein to receive her, but was ashamed to carry her to the house of his host, the tailor. So he walked on and she walked after him, and the two ceased not walking from street to street and place to place, till she was tired and said to him, &amp;quot;O my lord, where is thy house?&amp;quot; Answered he, &amp;quot;Before us a little way.&amp;quot; Then he turned aside into a handsome by-street, followed by the young woman, and walked on till he came to the end, when he found it was no thoroughfare and exclaimed, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great!&amp;quot; Then raising his eyes, he saw, at the upper end of the lane a great doer with two stone benches; but it was locked. So Amjad sat down on one of the benches and she on the other; and she said to him, &amp;quot;O my lord, wherefore waitest thou?&amp;quot; He bowed his head awhile to the ground then raised it and answered, &amp;quot;I am awaiting my Mameluke who hath the key; for I bade him make me ready meat and drink and flowers, to deck the wine-service against my return from the bath.&amp;quot; But he said to himself, &amp;quot;Haply the time will be tedious to her and she will go about her business, leaving me here, when I will wend my own way.&amp;quot; However, as soon as she was weary of long waiting, she said, &amp;quot;O my lord, thy Mameluke delayeth; and here are we sitting in the street;&amp;quot; and she arose and took a stone and went up to the lock. Said Amjad, &amp;quot;Be not in haste, but have patience till the servant come.&amp;quot; However, she hearkened not to him, but smote the wooden bolt with the stone and broke it in half, whereupon the door opened. Quoth he, &amp;quot;What possessed thee to do this deed?&amp;quot; Quoth she, &amp;quot;Pooh, pooh, my lord! what matter it? Is not the house thy house and thy place?&amp;quot; He said, &amp;quot;There was no need to break the bolt.&amp;quot; Then the damsel entered, to the confusion of Amjad, who knew not what to do for fear of the people of the house; but she said to him, &amp;quot;Why dost thou not enter, O light of mine eyes and core of my heart?&amp;quot; Replied he, &amp;quot;I hear and obey; but my servant tarrieth long and I know not if he have done aught of what I bade him and specially enjoined upon him, or not.&amp;quot; Hereupon he entered, sore in fear of the people of the house, and found himself in a handsome saloon with four dais'd recesses, each facing other, and containing closets and raised seats, all bespread with stuffs of silk and brocade; and in the midst was a jetting fountain of costly fashion, on whose margin rested a covered tray of meats, with a leather tablecloth hanging up and gem-encrusted dishes, full of fruits and sweet- scented flowers. Hard by stood drinking vessels and a candlestick with a single wax-candle therein; and the place was full of precious stuffs and was ranged with chests and stools, and on each seat lay a parcel of clothes upon which was a purse full of monies, gold and silver. The floor was paved with marble and the house bore witness in every part to its owner's fortune. When Amjad saw all this, he was confounded at his case and said to himself, &amp;quot;I am a lost man! Verily we are Allah's and to Allah we are returning!&amp;quot; As for the damsel, when she sighted the place she rejoiced indeed with a joy nothing could exceed, and said to him, &amp;quot;By Allah, O my lord, thy servant hath not failed of his duty; for see, he hath swept the place and cooked the meat and set on the fruit; and indeed I come at the best of times.&amp;quot; But he paid no heed to her, his heart being taken up with fear of the house- folk; and she said, &amp;quot;Fie, O my lord, O my heart! What aileth thee to stand thus?&amp;quot; Then she sighed and, giving him a buss which sounded like the cracking of a walnut, said, &amp;quot;O my lord, an thou have made an appointment with other than with me, I will gird my middle and serve her and thee. Amjad laughed from a heart full of rage and wrath and came forwards and sat down, panting and saying to himself, &amp;quot;Alack, mine ill death and doom when the owner of the place shall return!&amp;quot; Then she seated herself by him and fell to toying and laughing, whilst Amjad sat careful and frowning, thinking a thousand thoughts and communing with himself, &amp;quot;Assuredly the master of the house cannot but come, and then what shall I say to him? he needs must kill me and my life will be lost thus foolishly.&amp;quot; Presently she rose and, tucking up her sleeves, took a tray of food on which she laid the cloth and then set it before Amjad and began to eat, saying, &amp;quot;Eat, O my lord.&amp;quot; So he came forward and ate; but the food was not pleasant to him; on the contrary he ceased not to look towards the door, till the damsel had eaten her fill, when she took away the tray of the meats and, setting on the dessert, fell to eating of the dried fruits. Then she brought the wine service and opening the jar, filled a cup and handed it to Amjad, who took it from her hand saying to him self, ' Ah, ah! and well away, when the master of the house cometh and seeth me!&amp;quot;; and he kept his eyes fixed on the threshold, even with cup in hand. While he was in this case, lo! in came the master of the house, who was a white slave, one of the chief men of the city, being Master of the Horse to the King. He had fitted up this saloon for his pleasures, that he might make merry therein and be private with whom he would, and he had that day bidden a youth whom he loved and had made this entertainment for him. Now the name of this slave was Bahádur, and he was open of hand, generous, munificent and fain of alms-giving and charitable works.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it wad the Two Hundred and Thirty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Bahadur, the Master of the Horse and the owner of the house, came to the door of the saloon and found it open, he entered slowly and softly and looking in, with head advanced and out stretched neck, saw Amjad and the girl sitting before the dish of fruit and the wine-jar in front of them. Now Amjad at that moment had the cup in his hand and his face turned to the door; and when his glance met Bahadur's eyes his hue turned pale yellow and his side-muscles quivered, so seeing his trouble Bahadur signed to him with his finger on his lips, as much as to say, &amp;quot;Be silent and come hither to me.&amp;quot; Whereupon he set down the cup and rose and the damsel cried, &amp;quot;Whither away?&amp;quot; He shook his head and, signing to her that he wished to make water, went out into the passage barefoot. Now when he saw Bahadur he knew him for the master of the house; so he hastened to him and, kissing his hands, said to him, &amp;quot;Allah upon thee, O my lord, ere thou do me a hurt, hear what I have to say.&amp;quot; Then he told him who he was from first to last and acquainted him with what caused him to quit his native land and royal state, and how he had not entered his house of his free will, but that it was the girl who had broken the lock-bolt and done all this. When Bahadur heard his story and knew that he was a King's son, he felt for him and, taking compassion on him, said, &amp;quot;Hearken to me, O Amjad, and do what I bid thee and I will guarantee thy safety from that thou fearest; but, if thou cross me, I will kill thee.&amp;quot; Amjad replied, &amp;quot;Command me as thou wilt: I will not gainsay thee in aught; no, never, for I am the freedman of thy bounty.&amp;quot; Rejoined Bahadur, &amp;quot;Then go back forthwith into the saloon, sit down in thy place and be at peace and at shine ease; I will presently come in to thee, and when thou seest me (remember my name is Bahadur) do thou revile me and rail at me, saying, 'What made thee tarry till so late?' And accept no excuse from me; nay, so far from it, rise and beat me; and, if thou spare me, I will do away thy life. Enter now and make merry and whatsoever thou seekest of me at this time I will bring thee forthwith; and do thou spend this night as thou wilt and on the morrow wend thy way. This I do in honour of thy strangerhood, for I love the stranger and hold myself bounder to do him devoir.&amp;quot; So Amjad kissed his hand, and, returning to the saloon with his face clad in its natural white and red, at once said to the damsel, &amp;quot;O my mistress, thy presence hath gladdened this shine own place and ours is indeed a blessed night.&amp;quot; Quoth the girl, &amp;quot;Verily I see a wonderful change in thee, that thou now welcomest me so cordially!&amp;quot; So Amjad answered, &amp;quot;By Allah, O my lady, methought my servant Bahadur had robbed me of some necklaces of jewels, worth ten thousand diners each; however, when I went out but now in concern for this, I sought for them and found them in their place. I know not why the slave tarrieth so long and needs must I punish him for it.&amp;quot; She was satisfied with his answer, and they sported and drank and made merry and ceased not to be so till near sundown, when Bahadur came in to them, having changed his clothes and girt his middle and put on shoes, such as are worn of Mamelukes. He saluted and kissed the ground; then held his hands behind him and stood, with his head hanging down, as one who confesseth to a fault. So Amjad looked at him with angry eyes and asked, &amp;quot;Why hast thou tarried till now, O most pestilent of slaves?&amp;quot; Answered Bahadur, &amp;quot;O my lord, I was busy washing my clothes and knew not of thy being here; for our appointed time was nightfall and not day-tide.&amp;quot; But Amjad cried out at him, saying, &amp;quot;Thou liest, O vilest of slaves! By Allah, I must needs beat thee.&amp;quot; So he rose and, throwing Bahadur prone on the ground, took a stick and beat him gently; but the damsel sprang up and, snatching the stick from his hand, came down upon Bahadur so lustily, that in extreme pain the tears ran from his eyes and he ground his teeth together and called out for succour; whilst Amjad cried out to the girl &amp;quot;Don't&amp;quot;; and she cried out, &amp;quot;Let me satisfy my anger upon him!&amp;quot; till at last he pulled the stick out of her hand and pushed her away. So Bahadur rose and, wiping away his tears from his cheeks, waited upon them the while, after which he swept the hall and lighted the lamps; but as often as he went in and out, the lady abused him and cursed him till Amjad was wroth with her and said, &amp;quot;For Almighty Allah's sake leave my Mameluke; he is not used to this.&amp;quot; Then they sat and ceased not eating and drinking (and Bahadur waiting upon them) till midnight when, being weary with service and beating, he fell asleep in the midst of the hall and snored and snorted; whereupon the damsel, who was drunken with wine, said to Amjad, &amp;quot;Arise, take the sword hanging yonder and cut me off this slave's head; and, if thou do it not, I will be the death of thee!&amp;quot; &amp;quot;What possesseth thee to slay my slave?&amp;quot; asked Amjad; and she answered, &amp;quot;Our joyaunce will not be complete but by his death. If thou wilt not kill him, I will do it myself.&amp;quot; Quoth Amjad, &amp;quot;By Allah's rights to thee, do not this thing!&amp;quot; Quoth she, &amp;quot;It must perforce be;&amp;quot; and, taking down the sword, drew it and made at Bahadur to kill him; but Amjad said in his mind, &amp;quot;This man hath entreated us courteously and sheltered us and done us kindness and made himself my slave: shall we requite him by slaughtering him? This shall never be!&amp;quot; Then he said to the woman, &amp;quot;If my Mameluke must be killed, better I should kill him than thou.&amp;quot; So saying, he took the sword from her and, raising his hand, smote her on the neck and made her head fly from her body. It fell upon Bahadur who awoke and sat up and opened his eyes, when he saw Amjad standing by him and in his hand the sword dyed with blood, and the damsel lying dead. He enquired what had passed, and Amjad told him all she had said, adding, &amp;quot;Nothing would satisfy her but she must slay thee; and this is her reward.&amp;quot; Then Bahadur rose and, kissing the Prince's hand, said to him, &amp;quot;Would to Heaven thou hadst spared her! but now there is nothing for it but to rid us of her without stay or delay, before the day-break.&amp;quot; Then he girded his loins and took the body, wrapped it in an Abá-cloak and, laying it in a large basket of palm-leaves, he shouldered it saying, &amp;quot;Thou art a stranger here and knowest no one: so sit thou in this place and await my return till day-break. If I come back to thee, I will assuredly do thee great good service and use my endeavours to have news of thy brother; but if by sunrise I return not, know that all is over with me; and peace be on thee, and the house and all it containeth of stuffs and money are shine.&amp;quot; Then he fared forth from the saloon bearing the basket; and, threading the streets, he made for the salt sea, thinking to throw it therein: but as he drew near the shore, he turned and saw that the Chief of Police and his officers had ranged themselves around him; and, on recognising him, they wondered and opened the basket, wherein they found the slain woman. So they seized him and laid him in bilboes all that night till the morning, when they carried him and the basket, as it was, to the King and reported the case. The King was sore enraged when he looked upon the slain and said to Bahadur, &amp;quot;Woe to thee! Thou art always so doing; thou killest folk and castest them into the sea and takest their goods. How many murders hast thou done ere this?&amp;quot; Thereupon Bahadur hung his head.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Thirty-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Bahadur hung down his head groundwards before the King, who cried out at him, saying, &amp;quot;Woe to thee! Who killed this girl?&amp;quot; He replied, &amp;quot;O my lord! I killed her, and there is no Majesty and there is no Might save in Allah, the Glorious, the Great!&amp;quot; So the King in his anger, commanded to hang him; and the hangman went down with him by the King's commandment, and the Chief of Police accompanied him with a crier who called upon all the folk to witness the execution of Bahadur, the King's Master of the Horse; and on this wise they paraded him through the main streets and the market-streets. This is how it fared with Bahadur; but as regards Amjad, he awaited his host's return till the day broke and the sun rose, and when he saw that he came not, he exclaimed, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! Would I knew what is become of him?&amp;quot; And, as he sat musing behold, he heard the crier proclaiming Bahadur's sentence and bidding the people to see the spectacle of his hanging at midday; whereat he wept and exclaimed, &amp;quot;Verily, we are Allah's and to Him we are returning! He meaneth to sacrifice himself unjustly for my sake, when I it was who slew her. By Allah, this shall never be!&amp;quot; Then he went from the saloon and, shutting the door after him, hurriedly threaded the streets till he overtook Bahadur, when he stood before the Chief of Police and said to him, &amp;quot;O my lord, put not Bahadur to death, for he is innocent. By Allah, none killed her but I.&amp;quot; Now when the Captain of Police heard these words, he took them both and, carrying them before the King, acquainted him with what Amjad had said; whereupon he looked at the Prince and asked him, &amp;quot;Didst thou kill the damsel?&amp;quot; He answered, &amp;quot;Yes&amp;quot; and the King said, &amp;quot;Tell me why thou killedst her, and speak the truth.&amp;quot; Replied Amjad, &amp;quot;O King, it is indeed a marvellous event and a wondrous matter that hath befallen me: were it graven with needles on the eye-corners, it would serve as a warner to whoso would be warned!&amp;quot; Then he told him his whole story and informed him of all that had befallen him and his brother, first and last; whereat the King was much startled and surprised and said to him, &amp;quot;Know that now I find thee to be excusable; but list, O youth! Wilt thou be my Wazír?&amp;quot; &amp;quot;Hearkening and obedience,&amp;quot; answered Amjad whereupon the King bestowed magnificent dresses of honour on him and Bahadur and gave him a handsome house, with eunuchs and officers and all things needful, appointing him stipends and allowances and bidding him make search for his brother As'ad. So Amjad sat down in the seat of the Wazirate and governed and did justice and invested and deposed and took and gave. Moreover, he sent out a crier to cry his brother throughout the city, and for many days made proclamation in the main streets and market-streets, but heard no news of As'ad nor happened on any trace of him. Such was his case; but as regards his brother, the Magi ceased not to torture As'ad night and day and eve and morn for a whole year's space, till their festival drew near, when the old man Bahram made ready for the voyage and fitted out a ship for himself.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Two Hundred and Thirty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Bahram, the Magian, having fitted out a ship for the voyage, took As'ad and put him in a chest which he locked and had it transported on board. Now it so came to pass that, at the very time of shipping it, Amjad was standing to divert himself by looking upon the sea; and when he saw the men carrying the gear and shipping it, his heart throbbed and he called to his pages to bring him his beast. Then, mounting with a company of his officers, he rode down to the sea-side and halted before the Magian's ship, which he commended his men to board and search. They did his bidding, and boarded the vessel and rummaged in every part, but found nothing; so they returned and told Amjad, who mounted again and rode back. But he felt troubled in mind; and when he reached his place and entered his palace, he cast his eyes on the wall and saw written thereon two lines which were these couplets,&#xA;&#xA;&amp;quot;My friends! if ye are banisht from mine eyes, *&#xA;             From heart and mind ye ne'er go wandering:&#xA;But ye have left me in my woe, and rob *&#xA;             Rest from my eyelids while ye are slumbering.&amp;quot;&#xA;&#xA;And seeing them Amjad thought of his brother and wept. Such was his case; but as for Bahram, the Magian, he embarked and shouted and bawled to his crew to make sail in all haste. So they shook out the sails and departed and ceased not to fare on many days and nights; and, every other day, Bahram took out As'ad and gave him a bit of bread and made him drink a sup of water, till they drew near the Mountain of Fire. Then there came out on them a storm-wind and the sea rose against them, so that the ship was driven out of her course till she took a wrong line and fell into strange waters; and, at last they came in sight of a city builded upon the shore, with a castle whose windows overlooked the main. Now the ruler of this city was a Queen called Marjánah, and the captain said to Bahram, &amp;quot;O my lord, we have strayed from our course and come to the island of Queen Marjanah, who is a devout Moslemah; and, if she know that we are Magians, she will take our ship and slay us to the last man. Yet needs must we put in here to rest and refit.&amp;quot; Quoth Bahram, &amp;quot;Right is thy recking, and whatso thou seest fit that will I do!&amp;quot; Said the ship master, &amp;quot;If the Queen summon us and question us, how shall we answer her?&amp;quot;; and Bahram replied, &amp;quot;Let us clothe this Moslem we have with us in a Mameluke's habit and carry him ashore with us, so that when the Queen sees him, she will suppose and say, 'This is a slave.' As for me I will tell her that I am a slave-dealer who buys and sells white slaves, and that I had with me many but have sold all save this one, whom I retained to keep my accounts, for he can read and write.&amp;quot; And the captain said &amp;quot;This device should serve.&amp;quot; Presently they reached the city and slackened sail and cast the anchors; and the ship lay still, when behold, Queen Marjanah came down to them, attended by her guards and, halting before the vessel, called out to the captain, who landed and kissed the ground before her. Quoth she, &amp;quot;What is the lading of this thy ship and whom hast thou with thee?&amp;quot;&amp;quot; Quoth he, &amp;quot;O Queen of the Age, I have with me a merchant who dealeth in slaves.&amp;quot; And she said, &amp;quot;Hither with him to me&amp;quot;; whereupon Bahram came ashore to her, with As'ad walking behind him in a slave's habit, and kissed the earth before her. She asked, &amp;quot;What is thy condition?&amp;quot;; and he answered, &amp;quot;I am a dealer in chattels.&amp;quot; Then she looked at As'ad and, taking him for a Mameluke, asked him, &amp;quot;What is thy name, O youth?&amp;quot; He answered, &amp;quot;Dost thou ask my present or my former name?&amp;quot; &amp;quot;Hast thou then two names?&amp;quot; enquired she, and he replied (and indeed his voice was choked with tears), &amp;quot;Yes; my name aforetime was Al-As'ad, the most happy, but now it is Al- Mu'tarr—Miserrimus.&amp;quot; Her heart inclined to him and she said, &amp;quot;Canst thou write?&amp;quot; &amp;quot;Yes,'' answered he, and she gave him ink- case and reed-pen and paper and said to him, &amp;quot;Write somewhat that I may see it.&amp;quot; So he wrote these two couplets,&#xA;&#xA;&amp;quot;What can the slave do when pursued by Fate, *&#xA;             O justest Judge! whatever be his state?&#xA;Whom God throws hand bound in the depths and says, *&#xA;             Beware lest water should thy body wet?&amp;quot;&#xA;&#xA;Now when she read these lines, she had ruth upon him and said to Bahram, &amp;quot;Sell me this slave.&amp;quot; He replied, &amp;quot;O my lady, I cannot sell him, for I have parted with all the rest and none is left with me but he.&amp;quot; Quoth the Queen, &amp;quot;I must need have him of thee, either by sale or way of gift.&amp;quot; But quoth Bahram, &amp;quot;I will neither sell him nor give him.&amp;quot; Whereat she was wroth and, taking As'ad by the hand, carried him up to the castle and sent to Bahram, saying, &amp;quot;Except thou set sail and depart our city this very night, I will seize all thy goods and break up thy ship.&amp;quot; Now when the message reached the Magian, he grieved with sore grief and cried, &amp;quot;Verily this voyage is on no wise to be commended.&amp;quot; Then he arose and made ready and took all he needed and awaited the coming of the night to resume his voyage, saying to the sailors, &amp;quot;Provide yourselves with your things and fill your water-skins, that we may set sail at the last of the night.&amp;quot; So the sailors did their business and awaited the coming of darkness. Such was their case; but as regards Queen Marjanah, when she had brought As'ad into the castle, she opened the casements overlooking the sea and bade her handmaids bring food. They set food before As'ad and herself and both ate, after which the Queen called for wine.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Thirty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Queen Marjanah bade her handmaids bring wine and they set it before her, she fell to drinking with As'ad. Now, Allah (be He extolled and exalted!) filled her heart with love for the Prince and she kept filling his cup and handing it to him till his reason fled; and presently he rose and left the hall to satisfy a call of nature. As he passed out of the saloon he saw an open door through which he went and walked on till his walk brought him to a vast garden full of all manner fruits and flowers; and, sitting down under a tree, he did his occasion. Then he rose and went up to a jetting fountain in the garden and made the lesser ablution and washed his hands and face, after which he would have risen to go away; but the air smote him and he fell back, with his clothes undone and slept, and night overcame him thus. So far concerning him; but as concerns Bahram, the night being come, he cried out to his crew, saying, &amp;quot;Set sail and let us away!&amp;quot;; and the' answered, &amp;quot;We hear and obey, but wait till we fill our water- skins and then we will set sail.&amp;quot; So they landed with their water skins and went round about the castle, and found nothing but garden-walls: whereupon they climbed over into the garden and followed the track of feet, which led them to the fountain; and there they found As'ad lying on his back. They knew him and were glad to find him; and, after filling their water-skins, they bore him off and climbed the wall again with him and carried him back in haste to Bahram to whom they said, &amp;quot;Hear the good tidings of thy winning thy wish; and gladden thy heart and beat thy drums and sound thy pipes; for thy prisoner, whom Queen Marjanah took from thee by force, we have found and brought back to thee&amp;quot;; and they threw As'ad down before him. When Bahram saw him, his heart leapt for joy and his breast swelled with gladness. Then he bestowed largesse on the sailors and bade them set sail in haste. So they sailed forthright, intending to make the Mountain of Fire and stayed not their course till the morning. This is how it fared with them; but as regards Queen Marjanah, she abode awhile, after As'ad went down from her, awaiting his return in vain for he came not; thereupon she rose and sought him, yet found no trace of him. Then she bade her women light flambeaux and look for him, whilst she went forth in person and, seeing the garden- door open, knew that he had gone thither. So she went out into the garden and finding his sandals lying by the fountain, searched the place in every part, but came upon no sign of him; and yet she gave not over the search till morning. Then she enquired for the ship and they told her, &amp;quot;The vessel set sail in the first watch of the night&amp;quot;; wherefor she knew that they had taken As'ad with them, and this was grievous to her and she was sore an-angered. She bade equip ten great ships forthwith and, making ready for fight, embarked in one of the ten with her Mamelukes and slave-women and men-at-arms, all splendidly accoutred and weaponed for war. They spread the sails and she said to the captains, &amp;quot;If you overtake the Magian's ship, ye shall have of me dresses of honour and largesse of money; but if you fail so to do, I will slay you to the last man.&amp;quot; Whereat fear and great hope animated the crews and they sailed all that day and the night and the second day and the third day till, on the fourth they sighted the ship of Bahram, the Magian, and before evening fell the Queen's squadron had surrounded it on all sides, just as Bahram had taken As'ad forth of the chest and was beating and torturing him, whilst the Prince cried out for help and deliverance, but found neither helper nor deliverer: and the grievous bastinado sorely tormented him. Now while so occupied, Bahram chanced to look up and, seeing himself encompassed by the Queen's ships, as the white of the eye encompasseth the black, he gave himself up for lost and groaned and said, &amp;quot;Woe to thee, O As'ad! This is all out of thy head.&amp;quot; Then taking him by the hand he bade his men throw him overboard and cried, &amp;quot;By Allah I will slay thee before I die myself!&amp;quot; So they carried him along by the hands and feet and cast him into the sea and he sank; but Allah (be He extolled and exalted!) willed that his life be saved and that his doom be deferred; so He caused him to sink and rise again and he struck out with his hands and feet, till the Almighty gave him relief, and sent him deliverance; and the waves bore him far from the Magian's ship and threw him ashore. He landed, scarce crediting his escape, and once more on land he doffed his clothes and wrung them and spread them out to dry; whilst he sat naked and weeping over his condition, and bewailing his calamities and mortal dangers, and captivity and stranger hood. And presently he repeated these two couplets,&#xA;&#xA;&amp;quot;Allah, my patience fails: I have no ward; *&#xA;             My breast is straitened and clean cut my cord;&#xA;To whom shall wretched slave of case complain *&#xA;             Save to his Lord? O thou of lords the Lord!&amp;quot;&#xA;&#xA;Then, having ended his verse, he rose and donned his clothes but he knew not whither to go or whence to come; so he fed on the herbs of the earth and the fruits of the trees and he drank of the streams, and fared on night and day till he came in sight of a city; whereupon he rejoiced and hastened his pace; but when he reached it,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it Was the Two Hundred and Thirty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when he reached the city the shades of evening closed around him and the gates were shut. Now by the decrees of Pate and man's lot this was the very city wherein he had been a prisoner and to whose King his brother Amjad was Minister. When As'ad saw the gate was locked, he turned back and made for the burial-ground, where finding a tomb without a door, he entered therein and lay down and fell asleep, with his face covered by his long sleeve. Meanwhile, Queen Marjanah, coming up with Bahram's ship, questioned him of As'ad. Now the Magian, when Queen Marjanah overtook him with her ships, baffled her by his artifice and gramarye; swearing to her that he was not with him and that he knew nothing of him. She searched the ship, but found no trace of her friend, so she took Bahram and, carrying him back to her castle, would have put him to death, but he ransomed himself from her with all his good and his ship; and she released him and his men. They went forth from her hardly believing in their deliverance, and fared on ten days' journey till they came to their own city and found the gate shut, it being eventide. So they made for the burial-ground, thinking to lie the night there and, going round about the tombs, as Fate and Fortune would have it, saw the building wherein As'ad lay wide open; whereat Bahram marvelled and said, &amp;quot;I must look into this sepulchre.&amp;quot; Then he entered and found As'ad lying in a corner fast asleep, with his head covered by his sleeve; so he raised his head, and looking in his face, knew him for the man on whose account he had lost his good and his ship, and cried, &amp;quot;What! art thou yet alive?&amp;quot; Then he bound him and gagged him without further parley, and carried him to his house, where he clapped heavy shackles on his feet and lowered him into the underground dungeon aforesaid prepared for the tormenting of Moslems, and he bade his daughter by name Bostán, torture him night and day, till the next year, when they would again visit the Mountain of Fire and there offer him up as a sacrifice. Then he beat him grievously and locking the dungeon door upon him, gave the keys to his daughter. By and by, Bostan opened the door and went down to beat him, but finding him a comely youth and a sweet-faced with arched brows and eyes black with nature's Kohl, she fell in love with him and asked him, &amp;quot;What is thy name?&amp;quot; &amp;quot;My name is As'ad,&amp;quot; answered he; whereat she cried, &amp;quot;Mayst thou indeed be happy as thy name, and happy be thy days! Thou deservest not torture and blows, and I see thou hast been injuriously entreated.&amp;quot; And she comforted him with kind words and loosed his bonds. Then she questioned him of the religion of Al-Islam and he told her that it was the true and right Faith and that our lord Mohammed had approved himself by surpassing miracles and signs manifest, and that fire-worship is harmful and not profitable; and he went on to expound to her the tenets of Al-Islam till she was persuaded and the love of the True Faith entered her heart. Then, as Almighty Allah had mixed up with her being a fond affection for As'ad, she pronounced the Two Testimonies of the Faith and became of the people of felicity. After this, she brought him meat and drink and talked with him and they prayed together: moreover, she made him chicken stews and fed him therewith, till he regained strength and his sickness left him and he was restored to his former health. Such things befel him with the daughter of Bahram, the Magian; and so it happened that one day she left him and stood at the house-door when behold, she heard the crier crying aloud and saying, &amp;quot;Whoso hath with him a handsome young man, whose favour is thus and thus, and bringeth him forth, shall have all he seeketh of money; but if any have him and deny it, he shall be hanged over his own door and his property shall be plundered and his blood go for naught.&amp;quot; Now As'ad had acquainted Bostan bint Bahram with his whole history: so, when she heard the crier, she knew that it was he who was sought for and, going down to him, told him the news. Then he fared forth and made for the mansion of the Wazir, whom, when As'ad saw, exclaimed, &amp;quot;By Allah, this Minister is my brother Amjad!&amp;quot; Then he went up (and the damsel walking behind him) to the Palace, where he again saw his brother, and threw himself upon him; whereupon Amjad also knew him and fell upon his neck and they embraced each other, whilst the Wazir's Mamelukes dismounted and stood round them. They lay awhile insensible and, when they came to themselves, Amjad took his brother and carried him to the Sultan, to whom he related the whole story, and the Sultan charged him to plunder Bahram's house.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Two Hundred and Thirty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Sultan ordered Amjad to plunder Bahram's house and to hang its owner. So Amjad despatched thither for that purpose a company of men, who sacked the house and took Bahram and brought his daughter to the Wazir by whom she was received with all honour, for As'ad had told his brother the torments he had suffered and the kindness she had done him. Thereupon Amjad related in his turn to As'ad all that had passed between himself and the damsel; and how he had escaped hanging and had become Wazir; and they made moan, each to other, of the anguish they had suffered for separation. Then the Sultan summoned Bahram and bade strike off his head; but he said, &amp;quot;O most mighty King, art thou indeed resolved to put me to death?&amp;quot; Replied the King, &amp;quot;Yes, except thou save thyself by becoming a Moslem.&amp;quot; Quoth Bahram, &amp;quot;O King, bear with me a little while!&amp;quot; Then he bowed his head groundwards and presently raising it again, made pro fession of The Faith and islamised at the hands of the Sultan. They all rejoiced at his conversion and Amjad and As'ad told him all that had befallen them, whereat he wondered and said, &amp;quot;O my lords, make ready for the journey and I will depart with you and carry you back to your father's court in a ship.&amp;quot; At this they rejoiced and wept with sore weeping but he said, &amp;quot;O my lords, weep not for your departure, for it shall reunite you with those you love, even as were Ni'amah and Naomi.&amp;quot; &amp;quot;And what befel Ni'amah and Naomi?&amp;quot; asked they. &amp;quot;They tell,&amp;quot; replied Bahram, &amp;quot;(but Allah alone is All knowing) the following tale of&#xA;&#xA;&#xA;Footnotes:&#xA;&#xA;&#xA;&#xA;&#xA; The &amp;quot;topothesia&amp;quot; is worthy of Shakespeare's day. &amp;quot;Khálidán&amp;quot; is evidently a corruption of &amp;quot;Khálidatáni&amp;quot; (for Khálidát), the Eternal, as Ibn Wardi calls the Fortunate Islands, or Canaries, which owe both their modern names to the classics of Europe. Their present history dates from A.D. 1385, unless we accept the Dieppe-Rouen legend of Labat which would place the discovery in A.D. 1326. I for one thoroughly believe in the priority on the West African Coast, of the gallant descendants of the Northmen.&#xA;&#xA; Four wives are allowed by Moslem law and for this reason. If you marry one wife she holds herself your equal, answers you and &amp;quot;gives herself airs&amp;quot;; two are always quarrelling and making a hell of the house; three are &amp;quot;no company&amp;quot; and two of them always combine against the nicest to make her hours bitter. Four are company, they can quarrel and &amp;quot;make it up&amp;quot; amongst themselves, and the husband enjoys comparative peace. But the Moslem is bound by his law to deal equally with the four, each must have her dresses her establishment and her night, like her sister wives. The number is taken from the Jews (Arbah Turim Ev. Hazaer, i.) &amp;quot;the wise men have given good advice that a man should not marry more than four wives.&amp;quot; Europeans, knowing that Moslem women are cloistered and appear veiled in public, begin with believing them to be mere articles of luxury, and only after long residence they find out that nowhere has the sex so much real liberty and power as in the Moslem East. They can possess property and will it away without the husband's leave: they can absent themselves from the house for a month without his having a right to complain; and they assist in all his counsels for the best of reasons: a man can rely only on his wives and children, being surrounded by rivals who hope to rise by his ruin. As regards political matters the Circassian women of Constantinople really rule the Sultanate and there soignez la femme! is the first lesson of getting on in the official world.&#xA;&#xA; This two-bow prayer is common on the bride-night; and at all times when issue is desired.&#xA;&#xA; The older Camaralzaman=&amp;quot;Moon of the age.&amp;quot; Kamar is the moon between her third and twenty-sixth day: Hilál during the rest of the month: Badr (plur. Budúr whence the name of the Princess) is the full moon.&#xA;&#xA; Arab &amp;quot;Ra'áyá&amp;quot; plur. of 'Ra'íyat&amp;quot; our Anglo-Indian Ryot, lit. a liege, a subject; secondarily a peasant, a Fellah.&#xA;&#xA; Another audacious parody of the Moslem &amp;quot;testification&amp;quot; to the one God, and to Mohammed the Apostle.&#xA;&#xA; Showing how long ago forts were armed with metal plates which we have applied to war-ships only of late years.&#xA;&#xA; The comparison is abominably true—in the East.&#xA;&#xA; Two fallen angels who taught men the art of magic. They are mentioned in the Koran (chaps. ii.), and the commentators have extensively embroidered the simple text. Popularly they are supposed to be hanging by their feet in a well in the territory of Babel, hence the frequent allusions to &amp;quot;Babylonian sorcery&amp;quot; in Moslem writings; and those who would study the black art at head-quarters are supposed to go there. They are counterparts of the Egyptian Jamnes and Mambres, the Jannes and Jambres of St. Paul (2 Tim. iii. 8).&#xA;&#xA; An idol or idols of the Arabs (Allat and Ozza) before Mohammed (Koran chaps. ii. 256). Etymologically the word means &amp;quot;error&amp;quot; and the termination is rather Hebraic than Arabic.&#xA;&#xA; Arab. &amp;quot;Khayt hamayán&amp;quot; (wandering threads of vanity), or&#xA;Mukhát al-Shaytan (Satan's snivel),=our &amp;quot;gossamer&amp;quot;=God's summer&#xA;(Mutter Gottes Sommer) or God's cymar (?).&#xA;&#xA; These lines occur in Night xvii.; so I borrow from&#xA;Torrens (p. 163) by way of variety.&#xA;&#xA; A posture of peculiar submission; contrasting strongly with the attitude afterwards assumed by Prince Charming.&#xA;&#xA; A mere term of vulgar abuse not reflecting on either parent: I have heard a mother call her own son, &amp;quot;Child of adultery.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Ghazá,&amp;quot; the Artemisia (Euphorbia ?) before noticed. If the word be a misprint for Ghadá it means a kind of Euphorbia which, with the Arák (wild caper-tree) and the Daum palm (Crucifera thebiaca), is one of the three normal growths of the Arabian desert (Pilgrimage iii. 22).&#xA;&#xA; Arab. &amp;quot;Banát al-Na'ash,&amp;quot; usually translated daughters of the bier, the three stars which represent the horses in either Bear, &amp;quot;Charles' Wain,&amp;quot; or Ursa Minor, the waggon being supposed to be a bier. &amp;quot;Banát&amp;quot; may be also sons, plur. of Ibn, as the word points to irrational objects. So Job (ix. 9 and xxxviii. 32) refers to U. Major as &amp;quot;Ash&amp;quot; or &amp;quot;Aysh&amp;quot; in the words, &amp;quot;Canst thou guide the bier with its sons?&amp;quot; (erroneously rendered &amp;quot;Arcturus with his sons&amp;quot;) In the text the lines are enigmatical, but apparently refer to a death parting.&#xA;&#xA; The Chapters are: 2, 3, 36, 55, 67 and the two last (&amp;quot;Daybreak&amp;quot; cxiii. and &amp;quot;Men&amp;quot; cxiv.), which are called Al-Mu'izzatáni (vulgar Al-Mu'izzatayn), the &amp;quot;Two Refuge-takings or Preventives,&amp;quot; because they obviate enchantment. I have translated the two latter as follows:—&#xA;&#xA;&amp;quot;Say:—Refuge I take with the Lord of the Day-break *&#xA;from mischief of what He did make *&#xA;from mischief of moon eclipse-showing *&#xA;and from mischief of witches on cord-knots blowing *&#xA;and from mischief of envier when envying.&amp;quot;&#xA;&#xA;&amp;quot;Say:—Refuge I take with the Lord of men *&#xA;the sovran of men *&#xA;the God of men *&#xA;from the Tempter, the Demon *&#xA;who tempteth in whisper the breasts of men *&#xA;and from Jinnis and (evil) men.&amp;quot;&#xA;&#xA; The recitations were Náfilah, or superogatory, two short chapters only being required and the taking refuge was because he slept in a ruin, a noted place in the East for Ghuls as in the West for ghosts.&#xA;&#xA; Lane (ii. 222) first read &amp;quot;Múroozee&amp;quot; and referred it to the Murúz tribe near Herat he afterwards (iii. 748) corrected it to &amp;quot;Marwazee,&amp;quot; of the fabric of Marw (Margiana) the place now famed for &amp;quot;Mervousness.&amp;quot; As a man of Rayy (Rhages) becomes Rází (e.g. Ibn Fáris al-Razí), so a man of Marw is Marázi, not Murúzi nor Márwazi. The &amp;quot;Mikna' &amp;quot; was a veil forming a kind of &amp;quot;respirator,&amp;quot; defending from flies by day and from mosquitos, dews and draughts by night. Easterns are too sensible to sleep with bodies kept warm by bedding, and heads bared to catch every blast. Our grandfathers and grandmothers did well to wear bonnets-de-nuit, however ridiculous they may have looked.&#xA;&#xA; Iblis, meaning the Despairer, is called in the Koran (chaps. xviii. 48) &amp;quot;One of the genii (Jinnis) who departed from the command of his Lord.&amp;quot; Mr. Rodwell (in loco) notes that the Satans and Jinnis represent in the Koran (ii. 32, etc.) the evil-principle and finds an admixture of the Semitic Satans and demons with the &amp;quot;Genii from the Persian (Babylonian ?) and Indian (Egyptian ?) mythologies.&amp;quot;&#xA;&#xA; Of course she could not see his eyes when they were shut; nor is this mere Eastern inconsequence. The writer means, &amp;quot;had she seen them, they would have showed,&amp;quot; etc.&#xA;&#xA; The eyes are supposed to grow darker under the influence of wine and sexual passion.&#xA;&#xA; To keep off the evil eye.&#xA; Like Dahnash this is a fanciful P. N., fit only for a Jinni. As a rule the appellatives of Moslem &amp;quot;genii&amp;quot; end inús (oos), as Tarnús, Huliyánus, the Jewish in—nas, as Jattunas; those of the Tarsá (the &amp;quot;funkers&amp;quot; i.e. Christians) in—dús, as Sidús, and the Hindus in—tús, as Naktús (who entered the service of the Prophet Shays, or Seth, and was converted to the Faith). The King of the Genii is Malik Katshán who inhabits Mount Kaf; and to the west of him lives his son-in-law, Abd al-Rahman with 33,000 domestics: these names were given by the Apostle Mohammed. &amp;quot;Baktanús&amp;quot; is lord of three Moslem troops of the wandering Jinns, which number a total of twelve bands and extend from Sind to Europe. The Jinns, Divs, Peris (&amp;quot;fairies&amp;quot;) and other pre-Adamitic creatures were governed by seventy-two Sultans all known as Sulayman and the last I have said was Ján bin Ján. The angel Háris was sent from Heaven to chastise him, but in the pride of victory he also revolted with his followers the Jinns whilst the Peris held aloof. When he refused to bow down before Adam he and his chiefs were eternally imprisoned but the other Jinns are allowed to range over earth as a security for man's obedience. The text gives the three orders. flyers. walkers and divers.&#xA;&#xA; i.e. distracted (with love); the Lakab, or poetical name, of apparently a Spanish poet.&#xA;&#xA; Nothing is more &amp;quot;anti-pathetic&amp;quot; to Easterns than lean hips and flat hinder-cheeks in women and they are right in insisting upon the characteristic difference of the male and female figure. Our modern sculptors and painters, whose study of the nude is usually most perfunctory, have often scandalised me by the lank and greyhound-like fining off of the frame, which thus becomes rather simian than human.&#xA;&#xA; The small fine foot is a favourite with Easterns as well as Westerns. Ovid (A.A.) is not ashamed &amp;quot;ad teneros Oscula (not basia or suavia) ferre pedes.&amp;quot; Ariosto ends the august person in&#xA;&#xA;                  Il breve, asciutto, e ritondetto piece,&#xA;         (The short-sized, clean-cut, roundly-moulded foot).&#xA;&#xA;And all the world over it is a sign of &amp;quot;blood,&amp;quot; i.e. the fine nervous temperament.&#xA;&#xA; i.e. &amp;quot;full moons&amp;quot;: the French have corrupted it to&#xA;&amp;quot;Badoure&amp;quot;; we to &amp;quot;Badoura.&amp;quot; winch is worse.&#xA;&#xA; As has been said a single drop of urine renders the clothes ceremoniously impure, hence a Stone or a handful of earth must be used after the manner of the torche-cul. Scrupulous Moslems, when squatting to make water, will prod the ground before them with the point o f stick or umbrella, so as to loosen it and prevent the spraying of the urine.&#xA;&#xA; It is not generally known to Christians that Satan has a wife called Awwá (&amp;quot;Hawwá&amp;quot; being the Moslem Eve) and, as Adam had three sons, the Tempter has nine, viz., Zu 'l-baysun who rules in bazars. Wassin who prevails in times of trouble. Awan who counsels kings; Haffan patron of wine-bibbers; Marrah of musicians and dancers; Masbut of news-spreaders (and newspapers ?); Dulhán who frequents places of worship and interferes with devotion. Dasim, lord of mansions and dinner tables, who prevents the Faithful saying &amp;quot;Bismillah&amp;quot; and &amp;quot;Inshallah,&amp;quot; as commanded in the Koran (xviii. 23), and Lakís, lord of Fire worshippers (Herklots, chap. xxix. sect. 4).&#xA;&#xA; Strong perfumes, such as musk (which we Europeans dislike and suspect), are always insisted upon in Eastern poetry, and Mohammed's predilection for them is well known. Moreover the young and the beautiful are held (justly enough) to exhale a natural fragrance which is compared with that of the blessed in Paradise. Hence in the Mu'allakah of Imr al-Keys:—&#xA;&#xA;Breathes the scent of musk when they rise to rove, *&#xA;            As the Zephyr's breath with the flavour o'clove.&#xA;&#xA;It is made evident by dogs and other fine-nosed animals that every human being has his, or her, peculiar scent which varies according to age and health. Hence animals often detect the approach of death.&#xA;&#xA; Arab. &amp;quot;Kahlá.&amp;quot; This has been explained. Mohammed is said to have been born with &amp;quot;Kohl'd eyes.&amp;quot;&#xA;&#xA; Hawá al-'uzrí, before noticed (Night cxiv.).&#xA;&#xA; These lines, with the Názir (eye or steward), the Hájib (Groom of the Chambers or Chamberlain) and Joseph, are also repeated from Night cxiv. For the Nazir see Al-Hariri (Nos. xiii. and xxii.)&#xA;&#xA; The usual allusion to the Húr (Houris) from &amp;quot;Hangar,&amp;quot; the white and black of the eye shining in contrast. The Persian Magi also placed in their Heaven (Bihisht or Minu) &amp;quot;Huran,&amp;quot; or black-eyed nymphs, under the charge of the angel Zamiyád.&#xA;&#xA; In the first hemistich, &amp;quot;bi-shitt 'it wády&amp;quot; (by the wady-bank): in the second, &amp;quot;wa shatta 'l wády&amp;quot; (&amp;quot;and my slayer&amp;quot;— i.e. wády act. part. of wady, killing—&amp;quot;hath paced away&amp;quot;).&#xA;&#xA; The double entendre is from the proper names Budúr and Su'ád (Beatrice) also meaning &amp;quot;auspicious (or blessed) full moons.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Házir&amp;quot; (also Ahl al-hazer, townsmen) and Bádi, a Badawi, also called &amp;quot;Ahl al-Wabar,&amp;quot; people of the camel's hair (tent) and A'aráb (Nomadic) as opposed to Arab (Arab settled or not). They still boast with Ibn Abbas, cousin of Mohammed, that they have kerchiefs (not turbands) for crowns, tents for houses, loops for walls, swords for scarves and poems for registers or written laws.&#xA;&#xA; This is a peculiarity of the Jinn tribe when wearing hideous forms. It is also found in the Hindu Rakshasa.&#xA;&#xA; Which, by the by, are small and beautifully shaped. The animal is very handy with them, as I learnt by experience when trying to &amp;quot;Rareyfy&amp;quot; one at Bayrut.&#xA;&#xA; She being daughter of Al-Dimiryát, King of the Jinns.&#xA;Mr. W. F. Kirby has made him the subject of a pretty poem.&#xA;&#xA; These lines have occurred in Night xxii. I give&#xA;Torrens's version (p. 223) by way of variety.&#xA;&#xA; Arab. &amp;quot;Kámat Alfiyyah,&amp;quot; like an Alif, the first of the Arabic alphabet, the Heb. Aleph. The Arabs, I have said, took the flag or water leaf form and departed very far from the Egyptian original (we know from Plutarch that the hieroglyphic abecedarium began with &amp;quot;a&amp;quot;), which was chosen by other imitators, namely the bull's head, and which in the cursive form, especially the Phnician, became a yoke. In numerals &amp;quot;Alif&amp;quot; denotes one or one thousand. It inherits the traditional honours of Alpha (as opposed to Omega) and in books, letters and writings generally it is placed as a monogram over the &amp;quot;Bismillah,&amp;quot; an additional testimony to the Unity. (See vol. i. p. 1.) In mediæval Christianity this place of honour was occupied by the cross: none save the wildest countries have preserved it, but our vocabulary still retains Criss' (Christ-)cross Row, for horn-book, on account of the old alphabet and nine digits disposed in the form of a Latin cross. Hence Tickell (&amp;quot;The Horn-book&amp;quot;):&#xA;&#xA;                ——Mortals ne'er shall know&#xA;                More than contained of old the Chris'-cross Row.&#xA;&#xA; The young man must have been a demon of chastity.&#xA;&#xA; Arab. &amp;quot;Kirát&amp;quot; from i.e. bean, the seed of the Abrus precatorius, in weight=two to three (English) grains; and in length=one finger-breadth here; 24 being the total. The Moslem system is evidently borrowed from the Roman &amp;quot;as&amp;quot; and &amp;quot;uncia.&amp;quot;&#xA;&#xA; Names of women.&#xA;&#xA; Arab. &amp;quot;Amsa&amp;quot; (lit. he passed the evening) like &amp;quot;asbaha&amp;quot; (he rose in the morning) &amp;quot;Azhá&amp;quot; (he spent the forenoon) and &amp;quot;bata&amp;quot; (he spent the night), are idiomatically used for &amp;quot;to be in any state, to continue&amp;quot; without specification of time or season.&#xA;&#xA; Lit. &amp;quot;my liver ;&amp;quot; which viscus, and not the heart, is held the seat of passion, a fancy dating from the oldest days. Theocritus says of Hercules, &amp;quot;In his liver Love had fixed a wound&amp;quot; (Idyl. xiii.). In the Anthologia &amp;quot;Cease, Love, to wound my liver and my heart&amp;quot; (lib. vii.). So Horace (Odes, i. 2); his Latin Jecur and the Persian &amp;quot;Jigar&amp;quot; being evident congeners. The idea was long prevalent and we find in Shakespeare:—&#xA;&#xA;                 Alas, then Love may be called appetite,&#xA;                 No motion of the liver but the palate.&#xA;&#xA; A marvellous touch of nature, love ousting affection; the same trait will appear in the lover and both illustrate the deep Italian saying, &amp;quot;Amor discende, non ascende.&amp;quot; The further it goes down the stronger it becomes as of grand-parent for grand-child and vice versa.&#xA;&#xA; This tenet of the universal East is at once fact and unfact. As a generalism asserting that women's passion is ten times greater than man's (Pilgrimage, ii. 282), it is unfact. The world shows that while women have more philoprogenitiveness, men have more amativeness; otherwise the latter would not propose and would nurse the doll and baby. Pact, however, in low-lying lands, like Persian Mazanderan versus the Plateau; Indian Malabar compared with Marátha-land; California as opposed to Utah and especially Egypt contrasted with Arabia. In these hot damp climates the venereal requirements and reproductive powers of the female greatly exceed those of the male; and hence the dissoluteness of morals would be phenomenal, were it not obviated by seclusion, the sabre and the revolver. In cold-dry or hot-dry mountainous lands the reverse is the case; hence polygamy there prevails whilst the low countries require polyandry in either form, legal or illegal (i,e. prostitution) I have discussed this curious point of &amp;quot;geographical morality&amp;quot; (for all morality is, like conscience, both geographical and chronological), a subject so interesting to the lawgiver, the student of ethics and the anthropologist, in &amp;quot;The City of the Saints &amp;quot; But strange and unpleasant truths progress slowly, especially in England.&#xA;&#xA; This morning evacuation is considered, in the East, a sine quâ non of health; and old Anglo-Indians are unanimous in their opinion of the &amp;quot;bard fajar&amp;quot; (as they mispronounce the dawn-clearance). The natives of India, Hindús (pagans) and Hindís (Moslems), unlike Europeans, accustom themselves to evacuate twice a day, evening as well as morning. This may, perhaps, partly account for their mildness and effeminacy; for:—&#xA;&#xA;C'est la constipation qui rend l'homme rigoureux.&#xA;&#xA;The English, since the first invasion of cholera, in October, 1831, are a different race from their costive grandparents who could not dine without a &amp;quot;dinner-pill.&amp;quot; Curious to say the clyster is almost unknown to the people of Hindostan although the barbarous West Africans use it daily to &amp;quot;wash 'um belly,&amp;quot; as the Bonney-men say. And, as Sonnini notes to propose the process in Egypt under the Beys might have cost a Frankish medico his life.&#xA;&#xA; The Egyptian author cannot refrain from this characteristic polissonnerie; and reading it out is always followed by a roar of laughter. Even serious writers like Al- Hariri do not, as I have noted, despise the indecency.&#xA;&#xA; &amp;quot;'Long beard and little wits,&amp;quot; is a saying throughout the East where the Kausaj (= man with thin, short beard) is looked upon as cunning and tricksy. There is a venerable Joe Miller about a schoolmaster who, wishing to singe his long beard short, burnt it off and his face to boot:—which reminded him of the saying. A thick beard is defined as one which wholly conceals the skin; and in ceremonial ablution it must be combed out with the fingers till the water reach the roots. The Sunnat, or practice of the Prophet, was to wear the beard not longer than one hand and two fingers' breadth. In Persian &amp;quot;Kúseh&amp;quot; (thin beard) is an insulting term opposed to &amp;quot;Khush-rísh,&amp;quot; a well-bearded man. The Iranian growth is perhaps the finest in the world, often extending to the waist; but it gives infinite trouble, requiring, for instance, a bag when travelling. The Arab beard is often composed of two tufts on the chin-sides and straggling hairs upon the cheeks; and this is a severe mortification, especially to Shaykhs and elders, who not only look upon the beard as one of man's characteristics, but attach a religious importance to the appendage. Hence the enormity of Kamar al-Zaman's behaviour. The Persian festival of the vernal equinox was called Kusehnishín (Thin-beard sitting). An old man with one eye paraded the streets on an ass with a crow in one hand and a scourge and fan in the other, cooling himself, flogging the bystanders and crying heat! heat! (garmá! garmá!). For other particulars see Richardson (Dissertation, p. Iii.). This is the Italian Giorno delle Vecchie, Thursday in Mid Lent, March 12 (1885), celebrating the death of Winter and the birth of Spring.&#xA;&#xA; I quote Torrens (p. 400) as these lines have occurred in&#xA;Night xxxviii.&#xA;&#xA; Moslems have only two names for week days, Friday,&#xA;Al-Jum'ah or meeting-day, and Al-Sabt, Sabbath day, that is&#xA;Saturday. The others are known by numbers after Quaker fashion&#xA;with us, the usage of Portugal and Scandinavia.&#xA;&#xA; Our last night.&#xA;&#xA; Arab. &amp;quot;Tayf&amp;quot;=phantom, the nearest approach to our &amp;quot;ghost,&amp;quot; that queer remnant of Fetishism imbedded in Christianity; the phantasma, the shade (not the soul) of tile dead. Hence the accurate Niebuhr declares, &amp;quot;apparitions (i.e., of the departed) are unknown in Arabia.&amp;quot; Haunted houses are there tenanted by Ghuls, Jinns and a host of supernatural creatures; but not by ghosts proper; and a man may live years in Arabia before he ever hears of the &amp;quot;Tayf.&amp;quot; With the Hindus it is otherwise (Pilgrimage iii. 144). Yet the ghost, the embodied fear of the dead and of death is common, in a greater or less degree, to all peoples; and, as modern Spiritualism proves, that ghost is not yet laid.&#xA;&#xA; Mr. Payne (iii. 133) omits the lines which are àpropos de rein and read much like &amp;quot;nonsense verses.&amp;quot; I retain them simply because they are in the text.&#xA;&#xA; The first two couplets are the quatrain (or octave) in&#xA;Night xxxv.&#xA;&#xA; Arab. &amp;quot;Ar'ar,&amp;quot; the Heb. &amp;quot;Aroer,&amp;quot; which Luther and the A.&#xA;V. translate &amp;quot;heath.&amp;quot; The modern Aramaic name is &amp;quot;Lizzáb&amp;quot;&#xA;(Unexplored Syria. i. 68).&#xA;&#xA; In the old version and the Bresl. Edit. (iii. 220) the&#xA;Princess beats the &amp;quot;Kahramánah,&amp;quot; but does not kill her.&#xA;&#xA; 'This is still the popular Eastern treatment of the insane.&#xA;&#xA; Pers. &amp;quot;Marz-bán&amp;quot; = Warden of the Marches, Margrave. The foster-brother in the East is held dear as, and often dearer than, kith and kin.&#xA;&#xA; The moderns believe most in the dawn-dream.&#xA;                —Quirinus&#xA;&#xA;Post mediam noctem visus, quum somnia vera.&#xA;                  (Horace Sat. i. 10, 33,)&#xA;&#xA; The Bresl. Edit. (iii. 223) and Galland have &amp;quot;Torf:&amp;quot;&#xA;Lane (ii. 115) &amp;quot;El-Tarf.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Maghzal ;&amp;quot; a more favourite comparison is with a tooth pick. Both are used by Nizami and Al-Hariri, the most &amp;quot;elegant&amp;quot; of Arab writers.&#xA;&#xA; These form a Kasídah, Ode or Elegy= rhymed couplets numbering more than thirteen: If shorter it is called a &amp;quot;Ghazal.&amp;quot; I have not thought it necessary to preserve the monorhyme.&#xA;&#xA; Sulaymá dim. of Salmá= any beautiful woman Rabáb = the viol mostly single stringed: Tan'oum=she who is soft and gentle. These fictitious names are for his old flames.&#xA;&#xA; i.e. wine. The distich is highly fanciful and the conceits would hardly occur to a&#xA;&#xA; Arab. &amp;quot;Andam,&amp;quot; a term applied to Brazil-wood (also called &amp;quot;Bakkam&amp;quot;) and to &amp;quot;dragon's blood,&amp;quot; but not, I think, to tragacanth, the &amp;quot;goat's thorn,&amp;quot; which does not dye. Andam is often mentioned in The Nights.&#xA;&#xA; The superior merit of the first (explorer, etc.) is a lieu commun with Arabs. So Al-Hariri in Preface quotes his predecessor:—&#xA;&#xA;                  Justly of praise the price I pay;&#xA;                  The praise is his who leads the way.&#xA;&#xA; There were two Lukmans, of whom more in a future page.&#xA;&#xA; This symbolic action is repeatedly mentioned in The&#xA;Nights.&#xA;&#xA; Arab. &amp;quot;Shakhs&amp;quot;=a person, primarily a dark spot. So &amp;quot;Sawád&amp;quot;=blackness, in Al-Hariri means a group of people who darken the ground by their shade.&#xA;&#xA; The first bath after sickness, I have said, is called&#xA;&amp;quot;Ghusl al-Sihhah,&amp;quot;—the Washing of Health.&#xA;&#xA; The words &amp;quot;malady&amp;quot; and &amp;quot;disease&amp;quot; are mostly avoided during these dialogues as ill-omened words which may bring on a relapse.&#xA;&#xA; Solomon's carpet of green silk which carried him and all his host through the air is a Talmudic legend generally accepted in Al-Islam though not countenanced by the Koran. chaps xxvii. When the &amp;quot;gnat's wing&amp;quot; is mentioned, the reference is to Nimrod who, for boasting that he was lord of all, was tortured during four hundred years by a gnat sent by Allah up his ear or nostril.&#xA;&#xA; The absolute want of morality and filial affection in the chaste young man is supposed to be caused by the violence of his passion, and he would be pardoned because he &amp;quot;loved much.&amp;quot;&#xA;&#xA; I have noticed the geomantic process in my &amp;quot;History of Sindh&amp;quot; (chaps. vii.). It is called &amp;quot;Zarb al-Ram!&amp;quot; (strike the sand, the French say &amp;quot;frapper le sable&amp;quot;) because the rudest form is to make on the ground dots at haphazard, usually in four lines one above the other: these are counted and, if even-numbered, two are taken ( ** ); if odd one ( * ); and thus the four lines will form a scheme say * * * * * * This is repeated three times, producing the same number of figures; and then the combination is sought in an explanatory table or, if the practitioner be expert, he pronounces off-hand. The Nights speak of a &amp;quot;Takht Raml&amp;quot; or a board, like a schoolboy's slate, upon which the dots are inked instead of points in sand. The moderns use a &amp;quot;Kura'h,&amp;quot; or oblong die, upon whose sides the dots, odd and even, are marked; and these dice are hand-thrown to form the e figure. By way of complication Geomancy is mixed up with astrology and then it becomes a most complicated kind of ariolation and an endless study. &amp;quot;Napoleon's Book of Fate,&amp;quot; a chap-book which appeared some years ago, was Geomancy in its simplest and most ignorant shape. For the rude African form see my Mission to Dahome, i. 332, and for that of Darfour, pp. 360-69 of Shaykh Mohammed's Voyage before quoted.&#xA;&#xA; Translators understand this of writing marriage contracts; I take it in a more general sense.&#xA;&#xA; These lines are repeated from Night Ixxv.: with Mr. Payne's permission I give his rendering (iii. 153) by way of variety.&#xA;&#xA; The comparison is characteristically Arab.&#xA;&#xA; Not her &amp;quot;face&amp;quot;: the head, and especially the back of the head, must always be kept covered, even before the father.&#xA;&#xA; Arab. &amp;quot;Siwák&amp;quot;=a tooth-stick; &amp;quot;Siwá-ka&amp;quot;=lit. other than thou.&#xA;&#xA; Arab. &amp;quot;Arák&amp;quot;=tooth stick of the wild caper-tree; &amp;quot;Ará-ka&amp;quot; lit.=I see thee. The capparis spinosa is a common desert-growth and the sticks about a span long (usually called Miswák), are sold in quantities at Meccah after being dipped in Zemzem water. In India many other woods are used, date-tree, Salvadora, Achyrantes, phyllanthus, etc. Amongst Arabs peculiar efficacy accompanies the tooth-stick of olive, &amp;quot;the tree springing from Mount Sinai&amp;quot; (Koran xxiii. 20); and Mohammed would use no other, because it prevents decay and scents the mouth. Hence Koran, chaps. xcv. 1. The &amp;quot;Miswák&amp;quot; is held with the unused end between the ring-finger and minimus, the two others grasp the middle and the thumb is pressed against the back close to the lips. These articles have long been sold at the Medical Hall near the &amp;quot;Egyptian Hall,&amp;quot; Piccadilly. They are better than our unclean tooth-brushes because each tooth gets its own especial rubbing' not a general sweep; at the same time the operation is longer and more troublesome. In parts of Africa as well as Asia many men walk about with the tooth-stick hanging by a string from the neck.&#xA;&#xA; The &amp;quot;Mehari,&amp;quot; of which the Algerine-French speak, are the dromedaries bred by the Mahrah tribe of Al-Yaman, the descendants of Mahrat ibn Haydan. They are covered by small wild camels (?) called Al-Húsh, found between Oman and Al-Shihr: others explain the word to mean &amp;quot;stallions of the Jinns &amp;quot; and term those savage and supernatural animals, &amp;quot;Najáib al-Mahriyah&amp;quot;nobles of the Mahrah.&#xA;&#xA; Arab. &amp;quot;Khaznah&amp;quot;=a thousand purses; now about £5000. It denotes a large sum of money, like the &amp;quot;Badrah,&amp;quot; a purse containing 10,000 dirhams of silver (Al-Hariri), or 80,000 (Burckhardt Prov. 380); whereas the &amp;quot;Nisáb&amp;quot; is a moderate sum of money, gen. 20 gold dinars=200 silver dirhams.&#xA;&#xA; As The Nights show, Arabs admire slender forms; but the hips and hinder cheeks must be highly developed and the stomach fleshy rather than lean. The reasons are obvious. The Persians who exaggerate everything say e.g. (Husayn Váiz in the Anvár-i-Suhayli):—&#xA;&#xA;                  How paint her hips and waist ? Who saw&#xA;                  A mountain (Koh) dangling to a straw (káh)?&#xA;&#xA;In Antar his beloved Abla is a tamarisk (T. Orientalis). Others compare with the palm-tree (Solomon), the Cypress (Persian, esp. Hafiz and Firdausi) and the Arák or wild Capparis (Arab.).&#xA;&#xA; Ubi aves ibi angel). All African travellers know that a few birds flying about the bush, and a few palm-trees waving in the wind, denote the neighbourhood of a village or a camp (where angels are scarce). The reason is not any friendship for man but because food, animal and vegetable, is more plentiful Hence Albatrosses, Mother Carey's (Mater Cara, the Virgin) chickens, and Cape pigeons follow ships.&#xA;&#xA; The stanza is called Al-Mukhammas=cinquains; the quatrains and the &amp;quot;bob,&amp;quot; or &amp;quot;burden&amp;quot; always preserve the same consonance. It ends with a Koranic lieu commun of Moslem morality.&#xA;&#xA; Moslem port towns usually have (or had) only two gates. Such was the case with Bayrut, Tyre, Sidon and a host of others; the faubourg-growth of modern days has made these obsolete. The portals much resemble the entrances of old Norman castles—Arques for instance. (Pilgrimage i. 185.)&#xA;&#xA; Arab. &amp;quot;Lisám&amp;quot;; before explained.&#xA;&#xA; i.e. Life of Souls (persons, etc.).&#xA;&#xA; Arab. &amp;quot;Insánu-há&amp;quot;=her (i.e. their) man: i.e. the babes of the eyes: the Assyrian Ishon, dim. of Ish=Man; which the Hebrews call &amp;quot;Bábat&amp;quot; or &amp;quot;Bit&amp;quot; (the daughter) the Arabs &amp;quot;Bubu (or Hadakat) al-Aye&amp;quot;; the Persians &amp;quot;Mardumak-i-chashm&amp;quot; (mannikin of the eye); the Greeks and the Latins pupa, pupula, pupilla. I have noted this in the Lyricks of Camoens (p. 449).&#xA;&#xA; Ma'an bin Zá'idah, a soldier and statesman of the eighth century.&#xA;&#xA; The mildness of the Caliph Mu'áwiyah, the founder of the Ommiades, proverbial among the Arabs, much resembles the &amp;quot;meekness&amp;quot; of Moses the Law-giver, which commentators seem to think has been foisted into Numbers xii. 3.&#xA;&#xA; Showing that there had been no consummation of the marriage which would have demanded &amp;quot;Ghusl,&amp;quot; or total ablution, at home or in the Hammam.&#xA;&#xA; I have noticed this notable desert-growth.&#xA;&#xA; 'The &amp;quot;situation&amp;quot; is admirable, solution appearing so difficult and catastrophe imminent.&#xA;&#xA; This quatrain occurs in Night ix.: I have borrowed from&#xA;Torrens (p. 79) by way of variety.&#xA;&#xA; The belief that young pigeon's blood resembles the virginal discharge is universal; but the blood most resembling man's is that of the pig which in other points is so very human. In our day Arabs and Hindus rarely submit to inspection the nuptial sheet as practiced by the Israelites and Persians. The bride takes to bed a white kerchief with which she staunches the blood and next morning the stains are displayed in the Harem. In Darfour this is done by the bridegroom. &amp;quot;Prima Venus debet esse cruenta,&amp;quot; say the Easterns with much truth, and they have no faith in our complaisant creed which allows the hymen-membrane to disappear by any but one accident.&#xA;&#xA; Not meaning the two central divisions commanded by the&#xA;King and his Wazir.&#xA;&#xA; Ironicè.&#xA;&#xA; Arab. &amp;quot;Rasy&amp;quot;=praising in a funeral sermon.&#xA;&#xA; Arab. &amp;quot;Manáyá,&amp;quot; plur. of &amp;quot;Maniyat&amp;quot; = death. Mr. R. S. Poole (the Academy, April 26, 1879) reproaches Mr. Payne for confounding &amp;quot;Muniyat&amp;quot; (desire) with &amp;quot;Maniyat&amp;quot; (death) but both are written the same except when vowel-points are used.&#xA;&#xA; Arab. &amp;quot;Iddat,&amp;quot; alluding to the months of celibacy which, according to Moslem law, must be passed by a divorced woman before she can re-marry.&#xA;&#xA; Arab. &amp;quot;Talák bi'l-Salásah&amp;quot;=a triple divorce which cannot be revoked; nor can the divorcer re-marry the same woman till after consummation with another husband. This subject will continually recur.&#xA;&#xA; An allusion to a custom of the pagan Arabs in the days of ignorant Heathenism The blood or brain, soul or personality of the murdered man formed a bird called Sady or Hámah (not the Humá or Humái, usually translated &amp;quot;phnix&amp;quot;) which sprang from the head, where four of the five senses have their seat, and haunted his tomb, crying continually, &amp;quot;Uskúni!&amp;quot;=Give me drink (of the slayer's blood) ! and which disappeared only when the vendetta was accomplished. Mohammed forbade the belief. Amongst the Southern Slavs the cuckoo is supposed to be the sister of a murdered man ever calling or vengeance.&#xA;&#xA; To obtain a blessing and show how he valued it.&#xA;&#xA; Well-known tribes of proto-historic Arabs who flourished before the time of Abraham: see Koran (chaps. xxvi. et passim). They will be repeatedly mentioned in The Nights and notes.&#xA;&#xA; Arab. &amp;quot;Amtár&amp;quot;; plur. of &amp;quot;Matr,&amp;quot; a large vessel of leather or wood for water, etc.&#xA;&#xA; Arab. &amp;quot;Asáfírí,&amp;quot; so called because they attract sparrows (asáfír) a bird very fond of the ripe oily fruit. In the Romance of &amp;quot;Antar&amp;quot; Asáfír camels are beasts that fly like birds in fleetness. The reader must not confound the olives of the text with the hard unripe berries (&amp;quot;little plums pickled in stale&amp;quot;) which appear at English tables, nor wonder that bread and olives are the beef-steak and potatoes of many Mediterranean peoples It is an excellent diet, the highly oleaginous fruit supplying the necessary carbon,&#xA;&#xA; Arab. &amp;quot;Tamer al-Hindi&amp;quot;=the &amp;quot;Indian-date,&amp;quot; whence our word &amp;quot;Tamarind.&amp;quot; A sherbet of the pods, being slightly laxative, is much drunk during the great heats; and the dried fruit, made into small round cakes, is sold in the bazars. The traveller is advised not to sleep under the tamarind's shade, which is infamous for causing ague and fever. In Sind I derided the &amp;quot;native nonsense,&amp;quot; passed the night under an &amp;quot;Indian date-tree&amp;quot; and awoke with a fine specimen of ague which lasted me a week.&#xA;&#xA; Moslems are not agreed upon the length of the Day of Doom when all created things, marshalled by the angels, await final judgment; the different periods named are 40 years, 70, 300 and 50,000. Yet the trial itself will last no longer than while one may milk an ewe, or than &amp;quot;the space between two milkings of a she-camel.&amp;quot; This is bringing down Heaven to Earth with a witness; but, after all, the Heaven of all faiths, including &amp;quot;Spiritualism,&amp;quot; the latest development, is only an earth more or less glorified even as the Deity is humanity more or less perfected.&#xA;&#xA; Arab. &amp;quot;Al-Kamaráni,&amp;quot; lit. &amp;quot;the two moons.&amp;quot; Arab rhetoric prefers it to &amp;quot;Shamsáni,&amp;quot; or {`two suns,&amp;quot; because lighter (akhaff), to pronounce. So, albeit Omar was less worthy than Abu-Bakr the two are called &amp;quot;Al-Omaráni,&amp;quot; in vulgar parlance, Omarayn.&#xA;&#xA; Alluding to the angels who appeared to the Sodomites in the shape of beautiful youths (Koran xi.).&#xA;&#xA; Koran xxxiii. 38.&#xA;&#xA; &amp;quot;Niktu-hu taklidan&amp;quot; i.e. not the real thing (with a woman). It may also mean &amp;quot;by his incitement of me.&amp;quot; All this scene is written in the worst form of Persian-Egyptian blackguardism, and forms a curious anthropological study. The &amp;quot;black joke&amp;quot; of the true and modest wife is inimitable.&#xA;&#xA; Arab. &amp;quot;Jamíz&amp;quot; (in Egypt &amp;quot;Jammayz&amp;quot;) = the fruit of the true sycomore (F. Sycomorus) a magnificent tree which produces a small tasteless fig, eaten by the poorer classes in Egypt and by monkeys. The &amp;quot;Tín&amp;quot; or real fig here is the woman's parts; the &amp;quot;mulberry- fig,&amp;quot; the anus. Martial (i. 65) makes the following distinction:—&#xA;&#xA;                  Dicemus ficus, quas scimus in arbore nasci,&#xA;                  Dicemus ficos, Caeciliane, tuos.&#xA;&#xA;And Modern Italian preserves a difference between fico and fica.&#xA;&#xA; Arab. &amp;quot;Ghániyat Azárá&amp;quot; (plur. of Azrá = virgin): the former is properly a woman who despises ornaments and relies on &amp;quot;beauty unadorned&amp;quot; (i.e. in bed).&#xA;&#xA; &amp;quot;Nihil usitatius apud monachos, cardinales, sacrificulos,&amp;quot; says Johannes de la Casa Beneventius Episcopus, quoted by Burton Anat. of Mel. lib. iii. Sect. 2; and the famous epitaph on the Jesuit,&#xA;&#xA;                  Ci-git un Jesuite:&#xA;                  Passant, serre les fesses et passe vite!&#xA;&#xA; Arab. &amp;quot;Kiblah&amp;quot;=the fronting-place of prayer, Meccah for Moslems, Jerusalem for Jews and early Christians. See Pilgrimage (ii. 321) for the Moslem change from Jerusalem to Meccah and ibid. (ii. 213) for the way in which the direction was shown.&#xA;&#xA; The Koran says (chaps. ii.): &amp;quot;Your wives are your tillage: go in therefore unto your tillage in what manner so ever ye will.&amp;quot; Usually this is understood as meaning in any posture, standing or sitting, lying, backwards or forwards. Yet there is a popular saying about the man whom the woman rides (vulg. St. George, in France, le Postillon); &amp;quot;Cursed be who maketh woman Heaven and himself earth!&amp;quot; Some hold the Koranic passage to have been revealed in confutation of the Jews, who pretended that if a man lay with his wife backwards, he would beget a cleverer child. Others again understand it of preposterous venery, which is absurd: every ancient law-giver framed his code to increase the true wealth of the people—population—and severely punished all processes, like onanism, which impeded it. The Persians utilise the hatred of women for such misuse when they would force a wive to demand a divorce and thus forfeit her claim to Mahr (dowry); they convert them into catamites till, after a month or so, they lose all patience and leave the house.&#xA;&#xA; Koran lit 9: &amp;quot;He will be turned aside from the Faith (or Truth) who shall be turned aside by the Divine decree;&amp;quot; alluding, in the text, to the preposterous venery her lover demands.&#xA; Arab. &amp;quot;Futúh&amp;quot; meaning openings, and also victories, benefits. The lover congratulates her on her mortifying self in order to please him.&#xA;&#xA; &amp;quot;And the righteous work will be exalt&amp;quot;: (Koran xxxv. 11) applied ironically.&#xA;&#xA; A prolepsis of Tommy Moore:—&#xA;&#xA;                 Your mother says, my little Venus,&#xA;                 There's something not quite right between us,&#xA;                               And you're in fault as much as I,&#xA;                  Now, on my soul, my little Venus,&#xA;                  I swear 'twould not be right between us,&#xA;                               To let your mother tell a lie.&#xA;&#xA;But the Arab is more moral than Mr. Little. as he purposes to repent.&#xA;&#xA; Arab. &amp;quot;Khunsa&amp;quot; flexible or flaccid, from Khans=bending inwards, i.e. the mouth of a water-skin before drinking. Like Mukhannas, it is also used for an effeminate man, a passive sodomite and even for a eunuch. Easterns still believe in what Westerns know to be an impossibility, human beings with the parts and proportions of both sexes equally developed and capable of reproduction; and Al-Islam even provides special rules for them (Pilgrimage iii. 237). We hold them to be Buffon's fourth class of (duplicate) monsters belonging essentially to one or the other sex, and related to its opposite only by some few characteristics. The old Greeks dreamed, after their fashion, a beautiful poetic dream of a human animal uniting the contradictory beauties of man and woman. The duality of the generative organs seems an old Egyptian tradition, at least we find it in Genesis (i. 27) where the image of the Deity is created male and female, before man was formed out of the dust of the ground (ii. 7). The old tradition found its way to India (if the Hindus did not borrow the idea from the Greeks); and one of the forms of Mahadeva, the third person of their triad, is entitled &amp;quot;Ardhanárí&amp;quot;=the Half-woman, which has suggested to them some charming pictures. Europeans, seeing the left breast conspicuously feminine, have indulged in silly surmises about the &amp;quot;Amazons.&amp;quot;&#xA;&#xA; This is a mere phrase for our &amp;quot;dying of laughter&amp;quot;: the queen was on her back. And as Easterns sit on carpets, their falling back is very different from the same movement off a chair.&#xA;&#xA; Arab. &amp;quot;Ismid,&amp;quot; the eye-powder before noticed.&#xA;&#xA; When the Caliph (e.g. Al-Tá'i li'llah) bound a banner to a spear and handed it to an officer, he thereby appointed him Sultan or Viceregent.&#xA;&#xA; Arab. &amp;quot;Sháib al-ingház&amp;quot;=lit. a gray beard who shakes head in disapproval.&#xA;&#xA; Arab. &amp;quot;Ayát&amp;quot; = the Hebr. &amp;quot;Ototh,&amp;quot; signs, wonders or&#xA;Koranic verses.&#xA;&#xA; The Chapter &amp;quot;Al-Ikhlás&amp;quot; i.e. clearing (oneself from any faith but that of Unity) is No. cxii. and runs thus:—&#xA;&#xA;                  Say, He is the One God!&#xA;                                The sempiternal God,&#xA;                   He begetteth not, nor is He begot,&#xA;                              And unto Him the like is not.&#xA;&#xA;It is held to be equal in value to one-third of the Koran, and is daily used in prayer. Mr. Rodwell makes it the tenth.&#xA;&#xA; The Lady Budur shows her noble blood by not objecting to her friend becoming her Zarrat (sister-wife). This word is popularly derived from &amp;quot;Zarar&amp;quot;=injury; and is vulgarly pronounced in Egypt &amp;quot;Durrah&amp;quot; sounding like Durrah = a parrot (see Burckhardt's mistake in Prov. 314). The native proverb says, &amp;quot;Ayshat al-durrah murrah,&amp;quot; the sister-wife hath a bitter life. We have no English equivalent; so I translate indifferently co-wife, co-consort, sister-wife or sister in wedlock.&#xA;&#xA; Lane preserves the article &amp;quot;El-Amjad&amp;quot; and &amp;quot;El-As'ad;&amp;quot; which is as necessary as to say &amp;quot;the John&amp;quot; or &amp;quot;the James,&amp;quot; because neo-Latins have &amp;quot;il Giovanni&amp;quot; or &amp;quot;il Giacomo.&amp;quot; In this matter of the article, however, it is impossible to lay down a universal rule: in some cases it must be preserved and only practice in the language can teach its use. For instance, it is always present in Al-Bahrayn and al-Yaman; but not necessarily so with Irak and Najd.&#xA;&#xA; It is hard to say why this ugly episode was introduced.&#xA;It is a mere false note in a tune pretty enough.&#xA;&#xA; The significance of this action will presently appear.&#xA;&#xA; An &amp;quot;Hadís.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Sabb&amp;quot; = using the lowest language of abuse. chiefly concerning women-relatives and their reproductive parts.&#xA;&#xA; The reader will note in the narration concerning the two Queens the parallelism of the Arab's style which recalls that of the Hebrew poets. Strings of black silk are plaited into the long locks (an &amp;quot;idiot-fringe&amp;quot; being worn over the brow) because a woman is cursed &amp;quot;who joineth her own hair to the hair of another&amp;quot; (especially human hair). Sending the bands is a sign of affectionate submission; and, in extremes&amp;quot; cases the hair itself is sent.&#xA;&#xA; i.e., suffer similar pain at the spectacle, a phrase often occurring.&#xA;&#xA; i.e., when the eye sees not, the heart grieves not.&#xA;&#xA; i.e., unto Him we shall return, a sentence recurring in almost every longer chapter of the Koran.&#xA;&#xA; Arab. &amp;quot;Kun,&amp;quot; the creative Word (which, by the by, proves the Koran to be an uncreated Logos); the full sentence being &amp;quot;Kun fa kána&amp;quot; = Be! and it became. The origin is evidently, &amp;quot;And God said, Let there be light: and there was light&amp;quot; (Gen. i. 3); a line grand in its simplicity and evidently borrowed from the Egyptians, even as Yahveh (Jehovah) from &amp;quot;Ankh&amp;quot;=He who lives (Brugsch Hist. ii. 34).&#xA;&#xA; i.e. but also for the life and the so-called &amp;quot;soul.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Layáli&amp;quot;=lit. nights which, I have said, is often applied to the whole twenty-four hours. Here it is used in the sense of &amp;quot;fortune&amp;quot; or &amp;quot;fate ;&amp;quot; like &amp;quot;days&amp;quot; and &amp;quot;days and nights.&amp;quot;&#xA;&#xA; Abdullah ibn al-Zubayr a nephew of Ayishah, who had rebuilt the Ka'abah in A.H. 64 (A.D. 683), revolted (A.D. 680) against Yezid and was proclaimed Caliph at Meccah. He was afterwards killed (A.D. 692) by the famous or infamous Hajjáj general of Abd al-Malik bin Marwan, the fifth Ommiade, surnamed &amp;quot;Sweat of a stone&amp;quot; (skin-flint) and &amp;quot;Father of Flies,&amp;quot; from his foul breath. See my Pilgrimage, etc. (iii. 192-194), where are explained the allusions to the Ka'abah and the holy Black Stone.&#xA;&#xA; These lines are part of an elegy on the downfall of one of the Moslem dynasties in Spain, composed in the twelfth century by Ibn Abdun al-Andalúsi. The allusion is to the famous conspiracy of the Khárijites (the first sectarians in Mohammedanism) to kill Ah, Mu'awiyah and Amru (so written but pronounced &amp;quot;Amr&amp;quot;) al-As, in order to abate intestine feuds m Al-Islam. Ali was slain with a sword-cut by Ibn Muljam a name ever damnable amongst the Persians; Mu'awiyah escaped with a wound and Kharijah, the Chief of Police at Fustat or old Cairo was murdered by mistake for Amru. After this the sectarian wars began.&#xA;&#xA; Arab. &amp;quot;Saráb&amp;quot;= (Koran, chaps. xxiv.) the reek of the Desert, before explained. It is called &amp;quot;Lama,&amp;quot; the shine, the loom, in Al-Hariri. The world is compared with the mirage, the painted eye and the sword that breaks in the sworder's hand.&#xA;&#xA; Arab. &amp;quot;Dunyá,&amp;quot; with the common alliteration &amp;quot;dániyah&amp;quot; (=Pers. &amp;quot;dún&amp;quot;), in prose as well as poetry means the things or fortune of this life opp. to &amp;quot;Akhirah&amp;quot;=future life.&#xA;&#xA; Arab. &amp;quot;Walgh,&amp;quot; a strong expression primarily denoting the lapping of dogs; here and elsewhere &amp;quot;to swill, saufen.&amp;quot;&#xA;&#xA; The lines are repeated from Night ccxxi. I give Lane's version (ii. 162) by way of contrast and—warning.&#xA;&#xA; &amp;quot;Sáhirah&amp;quot; is the place where human souls will be gathered on Doom-day: some understand by it the Hell Sa'ír (No. iv.) intended for the Sabians or the Devils generally.&#xA;&#xA; His eyes are faded like Jacob's which, after weeping for Joseph, &amp;quot;became white with mourning&amp;quot; (Koran, chaps. xxi.). It is a stock comparison.&#xA;&#xA; The grave.&#xA;&#xA; Arab. &amp;quot;Sawwán&amp;quot; (popularly pronounced Suwán) =&amp;quot;Syenite&amp;quot; from Syrene; generally applied to silex, granite or any hard stone.&#xA;&#xA; A proceeding fit only for thieves and paupers: &amp;quot;Alpinism&amp;quot; was then unknown. &amp;quot;You come from the mountain&amp;quot; (al-Jabal) means, &amp;quot;You are a clod-hopper&amp;quot;; and &amp;quot;I will sit upon the mountain&amp;quot;=turn anchorite or magician. (Pilgrimage i. 106.)&#xA;&#xA; Corresponding with wayside chapels in Catholic countries. The Moslem form would be either a wall with a prayer niche (Mibráb) fronting Meccah-wards or a small domed room. These little oratories are often found near fountains, streams or tree-clumps where travellers would be likely to alight. I have described one in Sind (&amp;quot;Scinde or the Unhappy Valley&amp;quot; i. 79), and have noted that scrawling on the walls is even more common in the East than in the West; witness the monuments of old Egypt bescribbled by the Greeks and Romans. Even the paws of the Sphinx are covered with such graffiti; and those of Ipsambul or Abu Símbal have proved treasures to epigraphists.&#xA;&#xA; In tales this characterises a Persian; and Hero Rustam is always so pictured.&#xA;&#xA; The Parsis, who are the representatives of the old Guebres, turn towards the sun and the fire as their Kiblah or point of prayer; all deny that they worship it. But, as in the case of saints' images, while the educated would pray before them for edification (Labia) the ignorant would adore them (Dulia); and would make scanty difference between the &amp;quot;reverence of a servant&amp;quot; and the &amp;quot;reverence of a slave.&amp;quot; The human sacrifice was quite contrary to Guebre, although not to Hindu, custom; although hate and vengeance might prompt an occasional murder.&#xA;&#xA; These oubliettes are common in old eastern houses as in the medieval Castles of Europe, and many a stranger has met his death in them. They are often so well concealed that even the modern inmates are not aware of their existence.&#xA;&#xA; Arab. &amp;quot;Bakk&amp;quot;; hence our &amp;quot;bug&amp;quot; whose derivation (like that of &amp;quot;cat&amp;quot; &amp;quot;dog&amp;quot; and &amp;quot;hog&amp;quot;) is apparently unknown to the dictionaries, always excepting M. Littré's.&#xA;&#xA; i.e. thy beauty is ever increasing.&#xA;&#xA; Alluding, as usual, to the eye-lashes, e.g.&#xA;An eyelash arrow from an eyebrow bow.&#xA;&#xA; Lane (ii. 168) reads:—&amp;quot;The niggardly female is protected by her niggardness;&amp;quot; a change of &amp;quot;Nahílah&amp;quot; (bee-hive) into &amp;quot;Bakhílah&amp;quot; (she skin flint).&#xA;&#xA; Koran iv. 38. The advantages are bodily strength, understanding and the high privilege of Holy War. Thus far, and thus far only, woman amongst Moslems is &amp;quot;lesser&#xA;&#xA; Arab. &amp;quot;Amir Yákhúr,&amp;quot; a corruption of &amp;quot;Akhor&amp;quot;=stable&#xA;(Persian).&#xA;&#xA; A servile name in Persian, meaning &amp;quot;the brave,&amp;quot; and a title of honour at the Court of Delhi when following the name. Many English officers have made themselves ridiculous (myself amongst the number) by having it engraved on their seal-rings, e.g. Brown Sáhib Bahádur. To write the word &amp;quot;Behadir&amp;quot; or &amp;quot;Bahádir&amp;quot; is to adopt the wretched Turkish corruption.&#xA;&#xA; &amp;quot;Jerry Sneak&amp;quot; would be the English reader's comment; but in the East all charges are laid upon women.&#xA;&#xA; Here the formula means &amp;quot;I am sorry for it, but I couldn't help it.&amp;quot;&#xA;&#xA; A noble name of the Persian Kings (meaning the planet&#xA;Mars) corrupted in Europe to Varanes.&#xA;&#xA; Arab. &amp;quot;Jalláb,&amp;quot; one of the three muharramát or forbiddens, the Hárik al-hajar (burner of stone) the Káti' al-shajar (cutter of trees, without reference to Hawarden N. B.) and the Báyi' al-bashar (seller of men, vulg. Jalláb). The two former worked, like the Italian Carbonari, in desert places where they had especial opportunities for crime. (Pilgrimage iii. 140.) None of these things must be practiced during Pilgrimage on the holy soil of Al-Hijaz—not including Jeddah.&#xA;&#xA; The verses contain the tenets of the Murjiy sect which attaches infinite importance to faith and little or none to works. Sale (sect. viii.) derives his &amp;quot;Morgians&amp;quot; from the &amp;quot;Jabrians&amp;quot; (Jabari), who are the direct opponents of the &amp;quot;Kadarians&amp;quot; (Kadari), denying free will and free agency to man and ascribing his actions wholly to Allah. Lane (ii. 243) gives the orthodox answer to the heretical question:—&#xA;&#xA;Water could wet him not if God please guard His own; *&#xA;Nor need man care though bound of hands in sea he's thrown:&#xA;But if His Lord decree that he in sea be drowned; *&#xA;He'll drown albeit in the wild and wold he wone.&#xA;&#xA;It is the old quarrel between Predestination and Freewill which cannot be solved except by assuming a Law without a Lawgiver.&#xA;&#xA; Our proverb says: Give a man luck and throw him into the sea.&#xA;&#xA; As a rule Easterns, I repeat, cover head and face when sleeping especially in the open air and moonlight. Europeans find the practice difficult, and can learn it only by long habit.&#xA;&#xA; Pers. = a flower-garden. In Galland, Bahram has two daughters, Bostama and Cavam a. In the Bres. Edit. the daughter is &amp;quot;Bostan&amp;quot; and the slave-girl &amp;quot;Kawám.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Kahíl&amp;quot;=eyes which look as if darkened with antimony: hence the name of the noble Arab breed of horses &amp;quot;Kuhaylat&amp;quot; (Al-Ajuz, etc.).&#xA;&#xA; &amp;quot;As'ad&amp;quot;=more (or most) fortunate.&#xA;&#xA; This is the vulgar belief, although Mohammed expressly disclaimed the power in the Koran (chaps. xiii. 8), &amp;quot;Thou art commissioned to be a preacher only and not a worker of miracles.&amp;quot; &amp;quot;Signs&amp;quot; (Arab. Ayát) may here also mean verses of the Koran, which the Apostle of Allah held to be his standing miracles. He despised the common miracula which in the East are of everyday occurrence and are held to be easy for any holy man. Hume does not believe in miracles because he never saw one. Had he travelled in the East he would have seen (and heard of) so many that his scepticism (more likely that testimony should be false than miracles be true) would have been based on a firmer foundation. It is one of the marvels of our age that whilst two-thirds of Christendom (the Catholics and the &amp;quot;Orthodox&amp;quot; Greeks) believe in &amp;quot;miracles&amp;quot; occurring not only in ancient but even in our present days, the influential and intelligent third (Protestant) absolutely &amp;quot;denies the fact.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Al-Shahádatáni&amp;quot;; testifying the Unity and the&#xA;Apostleship." PRODUCER="℗ 2016 Sanctuary Records Group Ltd., a BMG Company" COVERARTID="051/TNRPSJDOTJEBVAU4ALONATARH0FD" PLAYTIME="228" PLAYTIME_FLOAT="227.733337" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="27031"></INFO>
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<INFO BITRATE="864192" KEY_LYRICS="33 ContributorsTranslationsItalianoDeutschAll That She Wants Lyrics&#xA;She leads a lonely life&#xA;Oh, she leads a lonely life&#xA;&#xA;&#xA;When she woke up late in the morning light&#xA;And the day had just begun&#xA;She opened up her eyes and thought&#xA;&amp;quot;Oh, what a morning&amp;quot;&#xA;It's not a day for work&#xA;It's a day for catching tan&#xA;Just lying on the beach and having fun&#xA;She's going to get ya&#xA;&#xA;&#xA;All that she wants is another baby&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah&#xA;All that she wants is another baby&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah&#xA;&#xA;&#xA;(All that she wants)&#xA;(All that she wants)&#xA;&#xA;So, if you are in sight and the day is right&#xA;She's the hunter, you're the fox&#xA;The gentle voice that talks to you&#xA;Won't talk forever&#xA;It is a night for passion&#xA;But the morning means goodbye&#xA;Beware of what is flashing in her eyes&#xA;She's going to get ya&#xA;&#xA;&#xA;All that she wants is another baby&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah&#xA;All that she wants is another baby&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah (Is another baby, yeah)&#xA;&#xA;&#xA;Ah&#xA;Ah&#xA;&#xA;&#xA;All that she wants is another baby (Is another baby, yeah)&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah (Is another baby, yeah)&#xA;All that she wants is another baby (Is another baby)&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah (Is another baby, yeah)&#xA;&#xA;All that she wants&#xA;All that she wants" PRODUCER="Mega Records, a Division of Playground Music Scandinavia AB" COVERARTID="090/0K1DRNAL1EI3GAQBD43ABDHYEUMD" PLAYTIME="212" PLAYTIME_FLOAT="211.213333" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="22454"></INFO>
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<INFO BITRATE="1003902" KEY_LYRICS="78 ContributorsTranslationsEspañolU Can’t Touch This Lyrics&#xA;You can't touch this&#xA;You can't touch this&#xA;You can't touch this&#xA;You can't touch this&#xA;&#xA;&#xA;My, my, my, my music hits me so hard&#xA;Makes me say &amp;quot;Oh my Lord&amp;quot;&#xA;Thank you for blessin' me with a mind to rhyme and two hype feet&#xA;It feels good, when you know you're down&#xA;A super dope homeboy from the Oaktown&#xA;And I'm known as such&#xA;And this is a beat, uh, you can't touch&#xA;&#xA;&#xA;I told you, homeboy (You can't touch this)&#xA;Yeah, that's how we livin' and ya know (You can't touch this)&#xA;Look in my eyes, man (You can't touch this)&#xA;Yo, let me bust the funky lyrics (You can't touch this)&#xA;&#xA;&#xA;Fresh new kicks and pants&#xA;You gotta like that, now you know you wanna dance&#xA;So move out of your seat&#xA;And get a fly girl and catch this beat&#xA;While it's rollin', hold on&#xA;Pump a little bit and let 'em know it's goin' on&#xA;Like that, like that&#xA;Cold on a mission, so fall on back&#xA;Let 'em know that you're too much&#xA;And this is a beat, uh, they can't touch&#xA;&#xA;Yo, I told you (You can't touch this)&#xA;Why you standin' there, man? (You can't touch this)&#xA;Yo, sound the bell, school's in, sucker (You can't touch this)&#xA;&#xA;&#xA;Give me a song or rhythm&#xA;Makin' 'em sweat, that's what I'm givin' 'em&#xA;Now, they know&#xA;You talkin' 'bout the Hammer, you're talkin' 'bout a show&#xA;That's hyped and tight&#xA;Singers are sweatin', so pass them a wipe&#xA;Or a tape to learn&#xA;What's it gonna take in the 90's to burn&#xA;The charts? Legit&#xA;Either work hard or you might as well quit&#xA;&#xA;&#xA;That's word because you know (You can't touch this)&#xA;You can't touch this&#xA;Break it down!&#xA;&#xA;&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh—&#xA;Stop, Hammer time!&#xA;&#xA;Go with the flow, it is said&#xA;That if you can't groove to this then you probably are dead&#xA;So wave yo' hands in the air&#xA;Bust a few moves, run your fingers through your hair&#xA;This is it, for a winner&#xA;Dance to this and you're gonna get thinner&#xA;Move, slide your rump&#xA;Just for a minute let's all do the bump&#xA;(Bump, bump, bump)&#xA;&#xA;&#xA;Yeah (You can't touch this)&#xA;Look, man (You can't touch this)&#xA;You better get hype, boy, because you know you can't (You can't touch this)&#xA;Ring the bell, school's back in&#xA;Break it down!&#xA;&#xA;&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh—&#xA;Stop, Hammer time!&#xA;&#xA;&#xA;(Woah, woah)&#xA;(Woah, woah)&#xA;Oh, woah&#xA;Oh, woah&#xA;Oooh&#xA;Woah, woah, woah, woah&#xA;&#xA;(Woah, woah, woah, woah)&#xA;You can't touch this&#xA;(Woah, woah, woah, woah)&#xA;You can't touch this&#xA;(Woah, woah, woah, woah)&#xA;You can't touch this&#xA;(Woah, woah, woah, woah)&#xA;You can't touch this&#xA;Break it down!&#xA;&#xA;&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh, oh&#xA;Oh, oh, oh, oh—&#xA;Stop, Hammer time!&#xA;&#xA;&#xA;Every time you see me, the Hammer's just so hyped&#xA;I'm dope on the floor and I'm magic on the mic&#xA;Now why would I ever stop doin' this?&#xA;With others makin' records that just don't hit&#xA;I've toured around the world, from London to the Bay&#xA;&amp;quot;It's Hammer!&amp;quot; &amp;quot;Go Hammer!&amp;quot; &amp;quot;MC Hammer!&amp;quot; &amp;quot;Yo Hammer!&amp;quot;&#xA;And the rest can go and play&#xA;You can't touch this&#xA;&#xA;&#xA;You can't touch this&#xA;You can't touch this&#xA;Yeah (You can't touch this)&#xA;I told you (Can't touch this)&#xA;Too hot (Can't touch this)&#xA;Yo, we outta here (Can't touch this)" PRODUCER="℗ 1990 Capitol Records, LLC" COVERARTID="051/T3PEYHBEAHCLFCWBNAOACDYSLPNB" PLAYTIME="257" PLAYTIME_FLOAT="256.336517" IMPORT_DATE="2025/4/14" RELEASE_DATE="1990/1/1" FLAGS="12" FILESIZE="31708"></INFO>
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<INFO BITRATE="988562" KEY_LYRICS="48 ContributorsPump Up the Jam Lyrics&#xA;Pump up the jam, pump it up&#xA;While your feet are stomping&#xA;And the jam is pumping&#xA;Look ahead, the crowd is jumpin'&#xA;Pump it up a little more&#xA;Get the party goin' on the dance floor&#xA;See, 'cause that's where the party's at&#xA;And you'd find out if you do that&#xA;&#xA;&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;&#xA;&#xA;Make my day&#xA;Make my day&#xA;Make my day&#xA;Make my day&#xA;&#xA;&#xA;Yo, pump up the jam, pump it up&#xA;While your feet are stomping&#xA;And the jam is pumping&#xA;Look ahead, the crowd is jumpin'&#xA;Pump it up a little more&#xA;Get the party goin' on the dance floor&#xA;See, 'cause that's where the party's at&#xA;And you'd find out if you do that&#xA;&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;&#xA;&#xA;Make my day&#xA;Make my, make my day&#xA;Make my day&#xA;Make my day&#xA;Make my, make my make my day&#xA;&#xA;&#xA;Yo! Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump it!&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump it&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump it&#xA;Pump up the jam&#xA;Pump it&#xA;Pump up the jam&#xA;Pump up the jam&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it&#xA;Pump it&#xA;Pump it&#xA;Pump up the jam&#xA;Pump up the jam&#xA;Pump up the jam&#xA;Pump it&#xA;&#xA;Pump up the jam&#xA;Pump it up&#xA;While your feet are stomping&#xA;And the jam is pumping&#xA;Look at here the crowd is jumpin'&#xA;Pump it up a little more&#xA;Get the party goin' on the dance floor&#xA;See, 'cause that's where the party's at&#xA;And you'll find out if you're too bad&#xA;&#xA;&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;&#xA;&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up Yo! Pump it!&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump up the jam&#xA;Pump it up&#xA;Pump it up Yo! Pump it!&#xA;Pump up the jam Pump it&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up Yo! Pump it!&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump up the jam&#xA;Pump it up&#xA;Pump it up Yo! Pump it!&#xA;Pump up the jam Pump it&#xA;Pump it up&#xA;Pump it up&#xA;&#xA;Make my day&#xA;Make my day&#xA;Make my, make my, make&#xA;Make my day&#xA;Make my day&#xA;Make my day&#xA;Make my, make my, make&#xA;Make my day, yo&#xA;&#xA;&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day" PRODUCER="℗ 1989 ARS Entertainment Belgium (A Division Of Universal Music Belgium)" COVERARTID="104/ITSAQTBTXW50QCBZNPFCDG0A2CZC" PLAYTIME="216" PLAYTIME_FLOAT="215.039993" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="26186"></INFO>
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<INFO BITRATE="946151" KEY_LYRICS="7 ContributorsPlease Don’t Go LyricsPlease don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;&#xA;Babe, I love you so&#xA;I, I want you to know&#xA;That I'm gonna miss your love&#xA;The minute you walk out that door&#xA;&#xA;Please don't go, please don't go&#xA;&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;&#xA;Babe, I love you so&#xA;I want you to know&#xA;That I'm gonna miss your love&#xA;The minute you walk out that door&#xA;Please don't go&#xA;Don't go&#xA;Don't go away&#xA;&#xA;Please don't go&#xA;Don't go&#xA;I'm beggin' you to stay&#xA;&#xA;If you leave at least in my lifetime&#xA;I've had one dream come true&#xA;I was blessed to be loved&#xA;By someone as wonderful as you&#xA;&#xA;Please don't go&#xA;Don't go&#xA;Don't go away&#xA;&#xA;Please don't go&#xA;Don't go&#xA;I'm beggin' you to stay, hey, hey, hey&#xA;&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go, please don't go&#xA;Please don't go&#xA;Babe, I love you so&#xA;I, I want you to know&#xA;That I'm gonna miss your love&#xA;The minute you walk out that door&#xA;&#xA;So, please don't go&#xA;Don't go&#xA;Don't go away, hey, hey, hey&#xA;&#xA;I need your love&#xA;I'm down on my knees&#xA;Beggin' you please&#xA;Please, please, don't go&#xA;&#xA;Don't you hear me, baby?&#xA;Don't you leave me now&#xA;Oh, no&#xA;No, don't go&#xA;&#xA;Please don't go&#xA;I want you to know&#xA;That I, I, I love you so" PRODUCER="Extravaganza Publishing Srl" COVERARTID="030/4QL00VDUVSPBBBE1V021DOTAHXED" PLAYTIME="200" PLAYTIME_FLOAT="200.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="23320"></INFO>
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<INFO BITRATE="926204" KEY_LYRICS="17 ContributorsGo Crazy Lyrics&#xA;Yeah (gang), squad, gang, yeah&#xA;&#xA;&#xA;Middle fingers to my old homies, I'm a opp to an opp, so I gotta keep a pole on me&#xA;All these new niggas, who the fuck is you? I don't know homie, smokin' dead niggas, you can fuck around and smell the souls on me&#xA;You'll die if you put your nose on me&#xA;Only fuck with real niggas, talkin' 'bout real killers who'll never ever, ever fold on me&#xA;Niggas actin' like they real, fuckin' gangster on social media, but we already know you told, homie&#xA;I'm a Day-Day Boy, so I got a roll on me&#xA;See your bitch and I know she gon' go for me&#xA;Shooters in the cut and they'll blow for me&#xA;If you disrespect bro, we'll smoke buddy&#xA;Pull up with a nick' and now we tryna smoke buddy&#xA;Pour a eight in the lean and it's so muddy&#xA;Head shot, face shot, leave your face bloody&#xA;Can't see him, closed casket 'cause his face chubby&#xA;My niggas, they savage, won't say nothin'&#xA;My niggas, they hungry, we ain't nothin'&#xA;Call Neezy up, yeah, he'll shake somethin'&#xA;Opps say they gon' kill me, but they stay stuntin'&#xA;Every time we hit their block, man, they stay runnin'&#xA;Every time we hit their block, man, they stay runnin'&#xA;&#xA;&#xA;Ain't no lackin' in the field, keep a pole on me (no lackin')&#xA;He a pussy, he a bitch, I'll expose homie&#xA;Got a 30 in the MAC with a roll on me&#xA;And this 30 that I got, it'll fold homie&#xA;I'll smoke a nigga ass like BP&#xA;See a lot of opp niggas wanna be me&#xA;In the trap with the guys, smokin' Hi-C&#xA;Or I might be smokin' on Pappy&#xA;Fuck Dirt, fuck Redd, fuck Timo&#xA;Opp niggas, they be givin' out info&#xA;2 Cups got stretched like a limo&#xA;Sneak dissin', get you gone like Heno&#xA;Pull up, do a hit out the veno&#xA;Head shot, get you gone like Keyo&#xA;G-.40 drop a nigga like a PO&#xA;Opp niggas catchin' bullets like Te'o&#xA;&#xA;Got shooters in the field like KD&#xA;I'm from the Pole, where it's cold like an AC&#xA;Know a lot of opp niggas wanna kill me&#xA;Ain't no lackin' in the field, keep a 30&#xA;Head shots get 'em gone in a hurry&#xA;Renegade, we ain't got no worries&#xA;Catch a opp, hit a block, we lurkin'&#xA;Head shot put his brain on his jersey&#xA;You can get the whole clip, we ain't stingy&#xA;Lil Duke gon' squeeze 'til it's empty&#xA;Gino off the flats and the Remy&#xA;We be wildin', doin' hits with the semi&#xA;Got a 30 shots stuffed in the Fendi&#xA;Catch a fuck nigga tryna come end me&#xA;Why you mad 'cause I'm Day-Day World, bitch?&#xA;That's Thorndale and Winthrop: Renegade City (gang)" PRODUCER="Re Re Music" COVERARTID="004/EQPJ0HDUUVGODBBUQXEBC3P4OJIB" PLAYTIME="209" PLAYTIME_FLOAT="208.848114" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="23706"></INFO>
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<INFO BITRATE="861897" KEY_LYRICS="1 ContributorThe Top 4 Remixes of All Time LyricsThe idea of remixing, taking a popular song and playing with its constituent parts in order to create something new and original, has been popular for quite some time. Remixes are an excellent way of making a song that we’ve all heard before sound fresh and original, as well as breathing new life into classic tracks that we otherwise might have forgotten about altogether. Below are four of the greatest remixes of all time from across a variety of different genres&#xA;Everything But The Girl – ‘Missing’, Todd Terry Remix&#xA;This is one of those remixes which proved to be so successful that many people incorrectly think that it is the original. In actual fact, the original is a folksy pop tune, whereas Todd Terry’s remix uses a percussion loop sampled from ‘Love &amp;amp; Happiness’ by River Ocean. By combining this loop with the original guitar parts, and cutting them up into a much more rhythmical pattern, Todd Terry created a new version which is much more catchy and memorable than the, already excellent, original&#xA;Robin S. – ‘Show Me Love’, Stonebridge Remix&#xA;This track has become something of a classic, and even the tale of how it came to be is memorable, Stonebridge asked their record label, Champion Records, if they had any demos lying around that could be used as the basis for a remix. This version has little in common with the original, which had a heavy Euro-pop vibe to it and was notable for the absence of any hooks. The remix on the other hand incorporates a Korg Organ hook that has become one of the most instantly recognizable samples in music. Since its inception, this record has been remixed, sampled, and covered in a number of different genres&#xA;Nightcrawlers – ‘Push the Feeling On’, MKDub of Doom Remix&#xA;This one is a serious contender for the title of ‘most remixed song of all time’. The original track was a wonderful, disco-infused club track that sounds very different from this remix. MKDub of Doom employed his signature style and techniques, cutting up the vocals and splicing them together to create something completely new and original. He is an artist who, over the last few decades, has built a well-deserved reputation for producing some of the best remixes that the world has ever seen&#xA;Sneaker Pimps – ‘Spin Spin Sugar’, Armand’s Dark Garage Mix&#xA;Armand Van Helden was one of the biggest dancefloor artists of the 90s. His remixes were a common sound on dancefloors and in clubs across the world. Listening to his remix of this Sneaker Pimps classic it isn’t difficult to see why, it contains everything that a great remix should, an excellent percussive beat, good hooks, and an excellent intuition when it comes to vocal arrangements. 20 years after its release, this remix is still a guaranteed crowd pleaser&#xA;&#xA;If you are someone who likes producing their own remixes and wants to take their skills to the next level, you should familiarize yourself with Copycat Media’s easy song licensing, this can help you out when you need licensing quickly&#xA;&#xA;Remixes give new life to old tracks, and are also an excellent way for DJs to show off their abilities. Aspiring musicians can use remixes as a way of practicing their arrangements using pre-existing samples" PRODUCER="Sony / ATV" COVERARTID="126/4DT0PFDDO3LQSC01PTUPBFHYRRBB" PLAYTIME="194" PLAYTIME_FLOAT="193.596695" IMPORT_DATE="2025/4/14" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="20589"></INFO>
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<INFO BITRATE="996863" KEY_LYRICS="7 ContributorsWhat Is Love (7&amp;quot; Mix) Lyrics&#xA;What is love?&#xA;Baby, don't hurt me&#xA;Don't hurt me, no more&#xA;Baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love? Yeah-yeah&#xA;(Ooh, ooh)&#xA;&#xA;&#xA;No, I don't know why you're not there&#xA;I give you my love, but you don't care&#xA;So what is right and what is wrong?&#xA;Give me a sign&#xA;&#xA;&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;&#xA;&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;&#xA;Oh, I don't know, what can I do?&#xA;What else can I say? It's up to you&#xA;I know we're one, just me and you&#xA;I can't go on&#xA;&#xA;&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;&#xA;&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;&#xA;&#xA;What is love?&#xA;(Ooh-ooh, ooh-ooh, ooh-ooh)&#xA;What is love?&#xA;(Ooh-ooh, ooh-ooh, ooh-ooh)&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;&#xA;Don't hurt me&#xA;Don't hurt me&#xA;&#xA;&#xA;I want no other, no other lover&#xA;This is our life, our time&#xA;When we are together, I need you forever&#xA;Is it love?&#xA;&#xA;&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;Yeah-yeah&#xA;&#xA;&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;&#xA;&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;&#xA;(Uh-huh, uh-huh)&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me no more&#xA;(Uh-huh, uh-huh)&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?" PRODUCER="℗ 1992 Coconut Music" COVERARTID="009/JUIGHADCAQOYZAWYR2NUAUHXW4GA" PLAYTIME="271" PLAYTIME_FLOAT="270.373322" IMPORT_DATE="2025/4/14" RELEASE_DATE="1999/1/1" FLAGS="12" FILESIZE="33165"></INFO>
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<INFO BITRATE="1096258" KEY_LYRICS="9 ContributorsSweet Dreams Lyrics&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night&#xA;&#xA;&#xA;I wanna get into motion, a better devotion&#xA;So I can make it through the night&#xA;So the music is playin', you know what I'm sayin'&#xA;Now everything will be alright&#xA;&#xA;&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night (Oh-oh, oh)&#xA;&#xA;&#xA;Ola ola eh, ola ola eh&#xA;Ola ola eh, ola ola eh&#xA;&#xA;&#xA;Rhythm is a creation, a better sensation&#xA;That will lead you through the night&#xA;When your body is movin', the music is groovin'&#xA;I wanna take you home tonight&#xA;&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night (Oh-oh, oh)&#xA;&#xA;&#xA;Ola ola eh, ola ola eh&#xA;Ola ola eh, ola ola eh&#xA;&#xA;&#xA;Keep dancin' hard&#xA;Give this groove more feeling&#xA;Dance, trance, dance, more dealing&#xA;In, out, up, down, all around&#xA;On the dance floor gettin' down&#xA;Take time just to show them who&#xA;We can make your body move&#xA;Totally, yes, the party's started&#xA;Sweet dreams keep comin' harder&#xA;&#xA;&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night (Oh-oh, oh)&#xA;&#xA;Ola ola eh, ola ola eh&#xA;Ola ola eh, ola ola eh..." PRODUCER="(P) 2002 BMG Berlin Musik GmbH/MCI" COVERARTID="020/UQVQZYD05TQZNAFTCIA5BCDIFFFC" PLAYTIME="205" PLAYTIME_FLOAT="204.586670" IMPORT_DATE="2025/4/14" RELEASE_DATE="2007/1/1" FLAGS="12" FILESIZE="27503"></INFO>
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<INFO BITRATE="958949" KEY_LYRICS="67 ContributorsTranslationsDeutschScatman (Ski-Ba-Bop-Ba-Dop-Bop) Lyrics&#xA;Ska-badabadabadoo-belidabbelydabbladabbladabblabab-belibabbelibabbelibabbelabbelo-doobelidoo&#xA;I'm the Scatman&#xA;&#xA;&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;I'm the Scatman&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;&#xA;&#xA;Ba-da-ba-da-ba-be bop-bop-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;Ba-da-ba-da-ba-be bop-ba-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda-bope&#xA;&#xA;&#xA;Ska-badabadabadoo-belidabbelydabbladabbladabblabab-belibabbelibabbelibabbelabbelo-doobelidoo&#xA;&#xA;&#xA;Everybody stutters one way or the other&#xA;So check out my message to you&#xA;As a matter of fact, I don't let nothing hold you back&#xA;If the Scatman can do it, so can you&#xA;&#xA;Everybody's saying that the Scatman stutters&#xA;But doesn't ever stutter when he sings&#xA;But what you don't know, I'm gonna tell you right now&#xA;That the stutter and the scat is the same thing, yo&#xA;&#xA;&#xA;I'm the Scatman&#xA;Where's the Scatman?&#xA;I'm the Scatman&#xA;&#xA;&#xA;Why should we be pleasing in the politician heathens&#xA;Who would try to change the seasons if they could?&#xA;The state of the condition insults my intuitions&#xA;And it only makes me crazy and a heart like wood&#xA;Everybody stutters one way or the other&#xA;So check out my message to you&#xA;As a matter of fact, I'm letting nothing hold you back&#xA;If the Scatman can do it, brother, so can you&#xA;I'm the Scatman&#xA;&#xA;&#xA;Ba-da-ba-da-ba-be bop-bop-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;Ba-da-ba-da-ba-be bop-ba-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda-bope&#xA;&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;&#xA;&#xA;Everybody stutters one way or the other&#xA;So check out my message to you&#xA;As a matter of fact, I don't let nothing hold you back&#xA;If the Scatman can do it, so can you&#xA;&#xA;&#xA;I hear y'all ask 'bout the meaning of scat&#xA;Well, I'm the professor and all I can tell you is&#xA;While you're still sleeping, the saints are still weeping 'cause&#xA;Things you called dead haven't yet had the chance to be born&#xA;I'm the Scatman&#xA;&#xA;&#xA;Ba-da-ba-da-ba-be bop-bop-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;Ba-da-ba-da-ba-be bop-ba-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;&#xA;&#xA;Yeah, I'm the Scatman&#xA;Dong dong dong, ding ding dong dong&#xA;Wo-go-ez-ze-ze-za-de-ya-de-za-de-ya-ze-ze-zee&#xA;Dong-ding-dong-dong-dong, do-dong-ding&#xA;Where's the Scatman?&#xA;Ska-badabadabadoo-belidabbelydabbladabbladabblabab-belibabbelibabbelibabbelabbelo-doobelidoo&#xA;I'm the Scatman, repeat after me&#xA;It's a scoobie-oobie-doobie, scoobie-doobie melody&#xA;I'm the Scatman, sing along with me&#xA;It's a scoobie-oobie-doobie, scoobie-doobie melody&#xA;Yeah, I'm the Scatman (I'm the Scatman)&#xA;&#xA;&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;I'm the Scatman (I'm the Scatman)&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope&#xA;Ska-badabadabadoo-belidabbelydabbladabbladabblabab-belibabbelibabbelibabbelabbelo-doobelidoo&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;Ba-da-ba-da-ba-be bop-ba-bodda-bope&#xA;Yeah, I'm the Scatman, sing along with me&#xA;Bop-ba-bodda&#xA;It's a scoobie-oobie-doobie, scoobie-doobie melody&#xA;Be-bop-ba-bodda-bope" PRODUCER="Iceberg Records A/S" COVERARTID="098/C50GLBDW3BQTWBASCD5CALO40WAC" PLAYTIME="216" PLAYTIME_FLOAT="215.973328" IMPORT_DATE="2025/4/14" RELEASE_DATE="1995/1/1" FLAGS="12" FILESIZE="25421"></INFO>
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<INFO BITRATE="930746" KEY_LYRICS="1 ContributorChange - Edit LyricsIf I could change the way I live my life today&#xA;I wouldn't change a single thing&#xA;'Cos if I change my world into another place&#xA;I wouldn't see your smiling face&#xA;&#xA;Honey don't you worry, there's nothin' to worry for&#xA;'Cos if I didn't love you I wouldn't be here now&#xA;And if I didn't want you I would have turned around by now&#xA;&#xA;You've got to believe me babe, believe that I love you so&#xA;'Cos if I didn't love you I would have turned around&#xA;And if I didn't want you, then I would want you out&#xA;&#xA;This love, this love has filled me up&#xA;Ooh my love I'll never give you up&#xA;'Cos I'll always want your love&#xA;&#xA;If I could change the way I live my life today&#xA;I wouldn't change a single thing&#xA;'Cos if I change my world into another place&#xA;I wouldn't see your smiling face&#xA;&#xA;Believing is the answer, the answer to all your fears&#xA;When I first said I loved you, I went in for the kill&#xA;Now when I say I love you, I mean I always will&#xA;This love, this love has filled me up&#xA;Ooh my love I'll never give you up&#xA;'Cos I'll always want your love&#xA;&#xA;If I could change the way I live my life today&#xA;I wouldn't change a single thing&#xA;'Cos if I change my world into another place&#xA;I wouldn't see your smiling face&#xA;&#xA;This love, this love has filled me up&#xA;Ooh my love I'll never give you up&#xA;'Cos I'll always want your love&#xA;&#xA;If I could change the way I live my life today&#xA;I wouldn't change a single thing&#xA;'Cos if I change my world into another place&#xA;I wouldn't see your smiling face" PRODUCER="(P) 1991 Sony Music Entertainment UK Limited" COVERARTID="049/RVQOQ1BTQ1P3KAHOEFTKBXVCN0LB" PLAYTIME="274" PLAYTIME_FLOAT="273.626678" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="31205"></INFO>
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<INFO BITRATE="966808" KEY_LYRICS="4 ContributorsRock DJ (XXV) Lyrics&#xA;Me with the floor show kickin' with your torso&#xA;Boys getting high and the girls even more so&#xA;Wave your hands if you’re not with the man&#xA;Can I kick it? (Yes you can)&#xA;I got (Funk), you got (Soul)&#xA;We got everybody&#xA;I've got the gift, gonna stick it in the goal&#xA;It's time to move your body&#xA;&#xA;&#xA;Babylon back in business&#xA;Can I get a witness?&#xA;Every girl, every man&#xA;Houston, do you hear me?&#xA;Ground control, can you feel me?&#xA;Need permission to land&#xA;&#xA;&#xA;I don't wanna rock, DJ&#xA;But you're making me feel so nice&#xA;When's it gonna stop, DJ?&#xA;'Cause you're keepin' me up all night&#xA;&#xA;&#xA;Singin' in the classes, music for your masses&#xA;Give no head, no backstage passes&#xA;Have a proper giggle, I'll be quite polite&#xA;But when I rock the mic, I rock the mic (Right)&#xA;You got no love then you're with the wrong man&#xA;It's time to move your body&#xA;If you can't get a girl but your best friend can&#xA;It's time to move your body&#xA;&#xA;I don't wanna be sleazy&#xA;Baby just tease me&#xA;Got no family planned&#xA;Houston, do you hear me?&#xA;Ground control, can you feel me?&#xA;Need permission to land&#xA;&#xA;&#xA;I don't wanna rock, DJ&#xA;But you're making me feel so nice&#xA;When's it gonna stop, DJ?&#xA;'Cause you're keepin' me up all night&#xA;I don't wanna rock, DJ&#xA;But you're making me feel so nice&#xA;When's it gonna stop, DJ?&#xA;'Cause you're keepin' me up all night&#xA;&#xA;&#xA;Pimpin' ain't easy&#xA;Most of them fleece me&#xA;Every night&#xA;Pimpin' ain't easy&#xA;But if you're sellin' it&#xA;It's alright&#xA;Come on&#xA;&#xA;I don't wanna rock, DJ&#xA;But you're making me feel so nice&#xA;When's it gonna stop, DJ?&#xA;'Cause you're keepin' me up all night&#xA;I don't wanna rock, DJ&#xA;But you're making me feel so nice&#xA;When's it gonna stop, DJ?&#xA;'Cause you're keepin' me up all night&#xA;I don't wanna rock, DJ&#xA;But you're making me feel so nice&#xA;When's it gonna stop, DJ?&#xA;'Cause you're keepin' me up all night" PRODUCER="(P) 2022 Robert Williams / Farrell Music Limited" COVERARTID="074/KWN03XDXT5JJZDAVB0WNCHGNLGMC" PLAYTIME="294" PLAYTIME_FLOAT="293.333344" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="34765"></INFO>
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<INFO BITRATE="1023173" KEY_LYRICS="171 ContributorsTranslationsPortuguêsEspañolTürkçeDeutsch24K Magic Lyrics&#xA;Tonight&#xA;I just wanna take you higher&#xA;Throw your hands up in the sky&#xA;Let's set this party off right&#xA;Players&#xA;&#xA;&#xA;Put your pinky rings up to the moon&#xA;Girls, what y'all tryna do?&#xA;24-karat magic in the air&#xA;Head to toe so player&#xA;Look out, uh&#xA;&#xA;&#xA;Pop-pop, it's show time (Show time), show time (Show time)&#xA;Guess who's back again? (Brrah)&#xA;Oh, they don't know? (Go on, tell 'em) Oh, they don't know? (Go on, tell 'em)&#xA;I bet they know as soon as we walk in (Showin' up)&#xA;Wearin' Cuban links (Yeah), designer minks (Yeah)&#xA;Inglewood's finest shoes (Woop, woop)&#xA;Don't look too hard, might hurt yourself&#xA;Known to give the color red the blues&#xA;Woo, shit&#xA;&#xA;&#xA;I'm a dangerous man with some money in my pocket (Keep up)&#xA;So many pretty girls around me and they wakin' up the rocket (Keep up)&#xA;Why you mad? Fix your face, ain't my fault they all be jockin' (Keep up)&#xA;Players only, come on&#xA;&#xA;Put your pinky rings up to the moon&#xA;Girls, what y'all tryna do?&#xA;24-karat magic in the air&#xA;Head to toe so player&#xA;Look out, uh&#xA;&#xA;&#xA;Second verse for the hustlers (Hustlers), gangsters (Gangsters)&#xA;Bad bitches and your ugly ass friends (Haha)&#xA;Can I preach? (Uh-oh) Can I preach? (Uh-oh)&#xA;I gotta show 'em how a pimp get it in&#xA;First, take your sip (Sip), do your dip (Dip)&#xA;Spend your money like money ain't shit&#xA;Ooh-ooh (We too fresh)&#xA;Got to blame it on Jesus (Hashtag blessed)&#xA;They ain't ready for me, uh&#xA;&#xA;&#xA;I'm a dangerous man with some money in my pocket (Keep up)&#xA;So many pretty girls around me and they wakin' up the rocket (Keep up)&#xA;Why you mad? Fix your face, ain't my fault they all be jockin' (Keep up)&#xA;Players only, come on&#xA;&#xA;&#xA;Put your pinky rings up to the moon (Woo, hey, girls)&#xA;What y'all tryna do? (What you tryna do?)&#xA;24-karat magic in the air (Air, air)&#xA;Head to toe so player (Ooh)&#xA;Look out, uh&#xA;&#xA;(Woo) Everywhere I go, they be like (Ooh, so player)&#xA;(Woo) Everywhere I go, they be like (Ooh, so player; ah)&#xA;(Woo) Everywhere I go, they be like (Ooh, so player, ooh)&#xA;Now, now, now&#xA;Now watch me break it down like, ugh&#xA;24-karat (Woo), 24-karat magic (What's that sound?)&#xA;24-karat, 24-karat magic (Come on now)&#xA;24-karat, 24-karat magic&#xA;Don't fight the feelin', invite the feelin', just&#xA;&#xA;&#xA;Put your pinky rings up to the moon (Ooh)&#xA;Girls, what y'all tryna do? (Tell me what you're tryna do)&#xA;24-karat magic in the air (Yeah, get up)&#xA;Head to toe so player (Hands up)&#xA;Put your pinky rings up to the moon (24-karat, 24-karat magic)&#xA;Girls, what y'all tryna do? (24-karat, 24-karat magic; do)&#xA;24-karat magic in the air (24-karat, 24-karat magic)&#xA;Head to toe so player (24-karat)&#xA;Look out, uh (24-karat magic)" PRODUCER="℗ 2016 Atlantic Recording Corporation" COVERARTID="110/OXMOHXCGHU5PZC3LAPPFCJSPYAZB" PLAYTIME="226" PLAYTIME_FLOAT="225.983109" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="28415"></INFO>
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<INFO BITRATE="802503" KEY_LYRICS="3 ContributorsGallery Piece (Long Version) LyricsI wanna be your love&#xA;I wanna make you cry&#xA;And sweep you off your feet&#xA;&#xA;I wanna hurt your pride&#xA;I wanna slap your face&#xA;I wanna paint your nails&#xA;&#xA;I wanna make you scream&#xA;I wanna braid your hair&#xA;I wanna kiss your friends&#xA;&#xA;I wanna make you laugh&#xA;I wanna dress the same&#xA;I wanna defend you&#xA;&#xA;I wanna squeeze your thighs&#xA;I wanna kiss your eyelids&#xA;And corrupt your dreams&#xA;&#xA;I wanna crash your car&#xA;I wanna scratch your cheeks&#xA;I wanna make you sick&#xA;&#xA;I wanna sell you out&#xA;Want to expose your flaws&#xA;I wanna steal your things&#xA;I wanna show you off&#xA;I wanna tell you lies&#xA;I wanna write you books&#xA;&#xA;I wanna turn you on&#xA;I wanna make you come&#xA;Two hundred times a day&#xA;&#xA;I wanna dry your tears&#xA;Every time you're sad&#xA;I wanna be your what's happening&#xA;I wanna be your only friend&#xA;&#xA;I only go all the way&#xA;This time I'm not pretending&#xA;I can't take the trash&#xA;Your trashy friends are spreading about us&#xA;They got like fifty personalities&#xA;Oh girl, that's so messed up&#xA;&#xA;You see that sculpture on the hill&#xA;That's where she cleared me out forever&#xA;They're monitoring my self conscious massacres&#xA;I know, bringing it closer to the surface&#xA;So it's easily pervertable&#xA;I wanna be a beast&#xA;I wanna make you proud&#xA;And play with your head&#xA;&#xA;I wanna take you out&#xA;Make you feel adored&#xA;And buy you everything&#xA;&#xA;I wanna hurt you bad&#xA;Make you paranoid&#xA;And say the sweetest things&#xA;&#xA;I wanna help you grow&#xA;And for eternity&#xA;I wanna be your what's happening&#xA;What's happening&#xA;&#xA;I see car bombs in your eyes&#xA;Can you clap your hands? Clap clap&#xA;Can you clap your hands? Clap clap&#xA;Ooooh. Can you sing it?&#xA;I hear angels apologize" PRODUCER="℗ 1979 NPG Records, Inc. under exclusive license to Warner Records Inc." COVERARTID="070/G4NECDD5TB0HADB4QNTFBADBYZ5B" PLAYTIME="181" PLAYTIME_FLOAT="180.080002" IMPORT_DATE="2025/4/14" RELEASE_DATE="2001/1/1" FLAGS="12" FILESIZE="17849"></INFO>
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<INFO BITRATE="1046946" KEY_LYRICS="311 ContributorsTranslationsفارسیالعربيةУкраїнськаTürkçeEspañolРусскийPortuguês日本語한국어हिन्दीDeutschFrançaisDansk中文ShqipRomânăItalianoAzərbaycanca / آذربايجانDynamite Lyrics“Dynamite” is an upbeat disco-pop song that sings of joy and confidence, bringing a new surge of ‘energy’ to reinvigorate the community during these difficult times. The song finds global superstars searching… Read More &#xA;'Cause I, I, I'm in the stars tonight&#xA;So watch me bring the fire and set the night alight&#xA;&#xA;&#xA;Shoes on, get up in the morn'&#xA;Cup of milk, let's rock and roll&#xA;King Kong, kick the drum&#xA;Rolling on like a Rolling Stone&#xA;Sing-song when I'm walkin' home&#xA;Jump up to the top, LeBron&#xA;Ding-dong, call me on my phone&#xA;Ice tea and a game of ping pong&#xA;&#xA;&#xA;This is gettin' heavy, can you hear the bass boom? I'm ready (Woo-hoo)&#xA;Life is sweet as honey, yeah, this beat cha-ching like money, huh&#xA;Disco overload, I'm into that, I'm good to go&#xA;I'm diamond, you know I glow up&#xA;Hey, so let's go&#xA;&#xA;&#xA;'Cause I, I, I'm in the stars tonight&#xA;So watch me bring the fire and set the night alight (Hey)&#xA;Shinin' through the city with a little funk and soul&#xA;So I'ma light it up like dynamite, woah-oh-oh&#xA;&#xA;Bring a friend, join the crowd, whoever wanna come along&#xA;Word up, talk the talk, just move like we off the wall&#xA;Day or night, the sky's alight, so we dance to the break of dawn (Hey)&#xA;Ladies and gentlemen, I got the medicine, so you should keep ya eyes on the ball (Huh)&#xA;&#xA;&#xA;This is gettin' heavy, can you hear the bass boom? I'm ready (Woo-hoo)&#xA;Life is sweet as honey, yeah, this beat cha-ching like money, huh&#xA;Disco overload, I'm into that, I'm good to go&#xA;I'm diamond, you know I glow up&#xA;Let's go&#xA;&#xA;&#xA;'Cause I, I, I'm in the stars tonight&#xA;So watch me bring the fire and set the night alight (Hey)&#xA;Shinin' through the city with a little funk and soul&#xA;So I'ma light it up like dynamite, woah-oh-oh&#xA;&#xA;&#xA;Dyn-na-na-na, na-na-na-na-na, na-na-na, life is dynamite&#xA;Dyn-na-na-na, na-na-na-na-na, na-na-na, life is dynamite&#xA;Shinin' through the city with a little funk and soul&#xA;So I'ma light it up like dynamite, woah-oh-oh&#xA;&#xA;&#xA;Dyn-na-na-na, na-na, na-na, ayy&#xA;Dyn-na-na-na, na-na, na-na, ayy&#xA;Dyn-na-na-na, na-na, na-na, ayy&#xA;Light it up like dynamite&#xA;Dyn-na-na-na, na-na, na-na, ayy&#xA;Dyn-na-na-na, na-na, na-na, ayy&#xA;Dyn-na-na-na, na-na, na-na, ayy&#xA;Light it up like dynamite&#xA;&#xA;'Cause I, I, I'm in the stars tonight&#xA;So watch me bring the fire and set the night alight&#xA;Shinin' through the city with a little funk and soul&#xA;So I'ma light it up like dynamite&#xA;(This is ah) 'Cause I, I, I'm in the stars tonight&#xA;So watch me bring the fire and set the night alight (Alight, oh)&#xA;Shinin' through the city with a little funk and soul&#xA;So I'ma light (Light) it (It) up (Up) like (Like) dynamite (Dynamite), woah-oh-oh&#xA;&#xA;&#xA;Dyn-na-na-na, na-na-na-na-na, na-na-na, life is dynamite (Life is dynamite)&#xA;Dyn-na-na-na, na-na-na-na-na, na-na-na, life is dynamite (Oh)&#xA;Shinin' through the city with a little funk and soul&#xA;So I'ma light it up like dynamite, woah-oh-oh" PRODUCER="© 2020 BIGHIT MUSIC" COVERARTID="063/53ELEFC425CXED0VFXCYDLXRIXNC" PLAYTIME="200" PLAYTIME_FLOAT="199.053741" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="25535"></INFO>
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<INFO BITRATE="943195" KEY_LYRICS="177 ContributorsTranslationsРусскийFrançaisThe Message Lyrics&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;&#xA;&#xA;Broken glass everywhere&#xA;People pissing on the stairs, you know they just don't care&#xA;I can't take the smell, can't take the noise&#xA;Got no money to move out, I guess I got no choice&#xA;Rats in the front room, roaches in the back&#xA;Junkies in the alley with a baseball bat&#xA;I tried to get away, but I couldn't get far&#xA;'Cause a man with a tow truck repossessed my car&#xA;&#xA;&#xA;Don't push me 'cause I'm close to the edge&#xA;I'm trying not to lose my head&#xA;Ah-huh-huh-huh-huh&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;&#xA;&#xA;Standing on the front stoop, hanging out the window&#xA;Watching all the cars go by, roaring as the breezes blow&#xA;A crazy lady livin' in a bag&#xA;Eating out of garbage pails, used to be a fag hag&#xA;Said she'll dance the tango, skip the light fandango&#xA;A zircon princess, seemed to lost her senses&#xA;Down at the peep show watching all the creeps&#xA;So she can tell her stories to the girls back home&#xA;She went to the city and got so, so saditty&#xA;She had to get a pimp, she couldn't make it on her own&#xA;&#xA;Don't push me 'cause I'm close to the edge&#xA;I'm trying not to lose my head&#xA;Ah-huh-huh-huh-huh&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;&#xA;&#xA;My brother's doing bad, stole my mother's TV&#xA;Says she watches too much, it's just not healthy&#xA;All My Children in the daytime, Dallas at night&#xA;Can't even see the game or the Sugar Ray fight&#xA;The bill collectors, they ring my phone&#xA;And scare my wife when I'm not home&#xA;Got a bum education, double-digit inflation&#xA;Can't take the train to the job, there's a strike at the station&#xA;Neon King Kong standing on my back&#xA;Can't stop to turn around, broke my sacroiliac&#xA;A mid-range migraine, cancered membrane&#xA;Sometimes I think I'm going insane, I swear I might hijack a plane&#xA;&#xA;&#xA;Don't push me 'cause I'm close to the edge&#xA;I'm trying not to lose my head&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;&#xA;My son said, &amp;quot;Daddy, I don't wanna go to school&#xA;'Cause the teacher's a jerk, he must think I'm a fool&#xA;And all the kids smoke reefer, I think it'd be cheaper&#xA;If I just got a job, learned to be a street sweeper&#xA;Or dance to the beat, shuffle my feet&#xA;Wear a shirt and tie and run with the creeps&#xA;'Cause it's all about money, ain't a damn thing funny&#xA;You got to have a con in this land of milk and honey&#xA;They pushed that girl in front of the train&#xA;Took her to the doctor, sewed her arm on again&#xA;Stabbed that man right in his heart&#xA;Gave him a transplant for a brand new start&#xA;I can't walk through the park 'cause it's crazy after dark&#xA;Keep my hand on my gun 'cause they got me on the run&#xA;I feel like a outlaw, broke my last glass jaw&#xA;Hear them say, 'You want some more?' Livin' on a see-saw&amp;quot;&#xA;&#xA;&#xA;Don't push me 'cause I'm close to the edge&#xA;I'm trying not to lose my head (Say what?)&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from goin' under&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from goin' under&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from goin' under&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from goin' under&#xA;&#xA;A child is born with no state of mind&#xA;Blind to the ways of mankind&#xA;God is smiling on you, but he's frowning too&#xA;Because only God knows what you'll go through&#xA;You'll grow in the ghetto living second-rate&#xA;And your eyes will sing a song of deep hate&#xA;The places you play and where you stay&#xA;Looks like one great big alleyway&#xA;You'll admire all the number-book takers&#xA;Thugs, pimps and pushers and the big money-makers&#xA;Driving big cars, spending twenties and tens&#xA;And you wanna grow up to be just like them, huh&#xA;Smugglers, scramblers, burglars, gamblers&#xA;Pickpocket peddlers, even panhandlers&#xA;You say, &amp;quot;I'm cool, huh, I'm no fool&amp;quot;&#xA;But then you wind up droppin' out of high school&#xA;Now you're unemployed, all null and void&#xA;Walking 'round like you're Pretty Boy Floyd&#xA;Turned stick-up kid, but look what you done did&#xA;Got sent up for a eight-year bid&#xA;Now your manhood is took and you're a maytag&#xA;Spend the next two years as a undercover fag&#xA;Being used and abused to serve like hell&#xA;'Til one day you was found hung dead in the cell&#xA;It was plain to see that your life was lost&#xA;You was cold and your body swung back and forth&#xA;But now your eyes sing the sad, sad song&#xA;Of how you lived so fast and died so young, so&#xA;&#xA;&#xA;Don't push me cause I'm close to the edge&#xA;I'm trying not to lose my head&#xA;Ah-huh-huh-huh-huh&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;Huh, ah-huh-huh-huh-huh&#xA;It's like a jungle sometimes&#xA;It makes me wonder how I keep from going under&#xA;Huh, ah-huh-huh-huh-huh&#xA;&#xA;&#xA;Yo, Mel, you see that girl there?&#xA;Yeah, man (Ooh-ooh)&#xA;Yo, that sound like Cowboy, man&#xA;Cool&#xA;Yo, what's up, Money?&#xA;Yo&#xA;Hey, where's Creole and Rahiem at, man?&#xA;I think they upstairs cooling out&#xA;So what's up for tonight, y'all?&#xA;Yo, we could go down to Fever, man&#xA;Let's go check out Junebug, man&#xA;Ayo, you know that girl Betty?&#xA;Yeah, man&#xA;Her moms got robbed, man&#xA;Not again, man (What?)&#xA;She got hurt bad&#xA;When did this happen? When did it happen?&#xA;What's goin' on?&#xA;Freeze, don't nobody move nothin', y'all know what this is&#xA;What's up?&#xA;Get 'em up, get 'em up, man&#xA;We down with Grandmaster Flash and the Furious Five, man&#xA;Grandmaster Five?&#xA;What is that, a gang?&#xA;No, man&#xA;Just shut—ayy, shut up, I don't wanna hear your mouth&#xA;Shut up&#xA;Excuse me, officer, officer, what's the problem?&#xA;Ain't no—you the problem, you the problem&#xA;Yo, yo, you ain't gotta push me, man&#xA;Get in the car, get in the car&#xA;Get in the God—&#xA;I said, &amp;quot;Get in the car&amp;quot;&#xA;Why is he doggin' us, man?" PRODUCER="℗ 1982 Sanctuary Records Group Ltd., a BMG Company" COVERARTID="090/0KT0DFBSJGHNVDKIC4LEDN3Z1DNA" PLAYTIME="195" PLAYTIME_FLOAT="194.240005" IMPORT_DATE="2025/4/14" RELEASE_DATE="2006/1/1" FLAGS="12" FILESIZE="22666"></INFO>
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<INFO BITRATE="972441" KEY_LYRICS="18 ContributorsFly Again Lyrics&#xA;Back against the wall, what do you hold onto? (Yung Lan on the track)&#xA;I know it's something that we all go through&#xA;Just aim for yours&#xA;When it rains, it pours&#xA;I'll learn how to fly again&#xA;&#xA;&#xA;Painful game, I made mistakes, but I ain't never tell on nobody&#xA;They called me names, I fell on my face, I started sellin' narcotics&#xA;Thrown in crosses, took some losses, never complained, I went got it&#xA;I thought I would be Muhammad Ali, but I didn't make it with boxing&#xA;Defied the odds, went got me a job, but they wasn't paying me proper&#xA;Rap game passed me lots of times, I never hate on nobody&#xA;I'm a gangster, my heart colder than Chicago&#xA;This black Impala just put bullets in my car door&#xA;&#xA;&#xA;Lord know my heart and I got so much l love to give&#xA;He who tries gotta die, put on murder gloves for him, yeah&#xA;Lord know my heart and I got so much l love to give&#xA;He who tries gotta die, put on murder gloves for him, yeah&#xA;&#xA;&#xA;Back against the wall, what do you hold onto?&#xA;I know it's something that we all go through&#xA;Just aim for yours&#xA;When it rains, it pours&#xA;I'll learn how to fly again&#xA;&#xA;I was born a prince&#xA;The supreme council had advised against this&#xA;But I was in love, and I followed my heart&#xA;&#xA;&#xA;No getting used to living a human life (Uh-uh)&#xA;May sound stupid, I'm not human, but I'm human-like (Right)&#xA;My skin glow in the dark, it's only safe for me to move at night&#xA;Sometimes my eyes turn black while in the pale moonlight (I got you)&#xA;I'm your guardian angel (Who?), and it translates into Kevin (Kevin)&#xA;No love like mine, another lifetime, we used to be together (We used to be together)&#xA;It hurt my heart to see you hurt, in desperate need of affection&#xA;Gave up my wings and fell in love, was 'posed to be your protector&#xA;Love somebody else, you broke my heart and it's just not getting better&#xA;The angels telling me that God won't let me back into Heaven&#xA;Bae, I'm tired of playing games with you&#xA;I know inside, you feel the same way I do&#xA;We the reciprocal of one another, come from the same star&#xA;We got the same moles under our nose and we got the same scars&#xA;LA Fitness, wasn't surprised at all, we driving the same car&#xA;Same mall, shopping on impulse, I don't find it odd&#xA;Breadwinner, moving them kilos 'round, I'ma supply the raw&#xA;Great pretenders, we on the Instagram actin' like we not involved&#xA;&#xA;&#xA;Back against the wall, what do you hold onto?&#xA;I know it's something that we all go through&#xA;Just aim for yours&#xA;When it rains, it pours&#xA;I'll learn how to fly again&#xA;I'll learn how to fly again&#xA;I'll learn how to fly again&#xA;I'll learn how to fly again&#xA;I'll learn how to fly again&#xA;&#xA;Your majesty&#xA;The royal court's decision is respected and it's entirely part of Breadwinner world court and executive style&#xA;But we both know our exercise of passionate speech by fluctuation of tone and pitch&#xA;May have aroused unwanted recollections of negative occurrences&#xA;But no harm would've ever come to one possessing royal blood from dying on hand&#xA;For as we move in the signs of love, true peace, freedom, and justice&#xA;Only he that draws his sword shall be met with brute force&#xA;If you would've decreed that matter saying we were cleared for departure&#xA;I would've threw it all away and accepted whatever ridicule or consequence behind my actions&#xA;For I believe in our love&#xA;And one day maybe in this eternity or another&#xA;You'll see yourself for what I know you to be&#xA;A queen&#xA;If you ever need me for anything, this line never changes&#xA;Such is my love for you&#xA;For you are me, and I am you&#xA;I'm in love with you&#xA;The short moments we shared will forever be appreciated&#xA;I never withheld anything from you because my heart rests securely with you&#xA;I know you'd never do me a bitch ass thing&#xA;My heart will forever hurt to be in your arms&#xA;But at least we both know I'm willing to die for my beliefs&#xA;'Cause I've died for you before&#xA;And regret it not&#xA;For I did it all for the glory of love&#xA;In closing&#xA;I remain the same, I come as I leave&#xA;Upright, independent, and fearless&#xA;We just both good at pretending&#xA;I love you forever&#xA;Prince Salahudin&#xA;Prince Salahudin (Yeah)&#xA;Prince Salahudin" PRODUCER="℗ 1980 J.P.L.L. Productions / Jean-Pierre Lowf Legoff" COVERARTID="035/D3D0FHCT3HDGNCDJADNVD05EAEUC" PLAYTIME="183" PLAYTIME_FLOAT="182.577759" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="22229"></INFO>
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<INFO BITRATE="984834" KEY_LYRICS="17 Contributors19 Lyrics19 was the third single from Paul Hardcastle’s self-titled third album. With a strong anti-war message hammered home by the stuttering chorus, it features samples speech throughout. Those samples include… Read More In 1965, Vietnam seemed like&#xA;Just another foreign war&#xA;But it wasn't, it was&#xA;Different in many ways&#xA;&#xA;As so were those&#xA;Who did the fighting&#xA;In World War II&#xA;The average age of the&#xA;Combat soldier was twenty-six&#xA;&#xA;&#xA;In Vietnam, he was nineteen&#xA;In Vietnam, he was nineteen&#xA;In Vietnam, he was nineteen&#xA;In Vietnam, he was nineteen&#xA;N-n-n-n-nineteen&#xA;&#xA;The heaviest fighting&#xA;Of the past two weeks&#xA;Continued today twenty-five&#xA;Miles northwest of Saigon&#xA;&#xA;I really wasn't sure&#xA;What was going on&#xA;&#xA;N-n-n-n-nineteen, nineteen&#xA;N-nineteen, nineteen&#xA;&#xA;In Vietnam, the combat soldier&#xA;Typically served a twelve month tour of duty&#xA;But was exposed to hostile fire almost everyday&#xA;&#xA;&#xA;N-n-n-n-nineteen&#xA;N-n-n-n-nineteen&#xA;N-n-n-n-nineteen&#xA;N-n-n-n-nineteen&#xA;&#xA;In Saigon, a US miltary spokesman&#xA;Said today, more than 720 troops&#xA;Were killed last week in&#xA;That sensitive border area&#xA;In all of South Vietnam&#xA;The enemy lost a total of&#xA;2,689 soldiers&#xA;&#xA;&#xA;All those who remember the war&#xA;They won't forget what they've seen&#xA;Destruction of men in their prime&#xA;Whose average age was nineteen&#xA;D-d-d-d-d-destruction&#xA;D-d-d-d-d-destruction&#xA;&#xA;According to a Veteran's Administration study&#xA;Half of the Vietnam combat veterans suffered&#xA;From what psychiatrists call&#xA;Post-traumatic stress disorder&#xA;Many vets complain of alienation, rage, or guilt&#xA;Some succumb to suicidal thoughts&#xA;Eight to ten years after coming home&#xA;Almost eight-hundred-thousand men&#xA;Are still fighting the Vietnam War&#xA;&#xA;None of them received&#xA;A hero's welcome&#xA;&#xA;Saigon, Saigon&#xA;S-s-s-s-s-Saigon&#xA;S-s-s-s-s-Saigon&#xA;Nineteen, s-s-s-s-Saigon&#xA;N-n-n-n-n-nineteen&#xA;N-n-n-n-n-nineteen&#xA;N-n-n-n-n-nineteen&#xA;N-n-n-n-n-nineteen&#xA;Vietnam, S-s-saigon&#xA;Vietnam, S-s-saigon&#xA;Vietnam, S-s-saigon&#xA;Vietnam, S-s-saigon" PRODUCER="Chrysalis Records Limited" COVERARTID="054/WZRAX4B2SOY0VDJWZDA5D1LQTFTB" PLAYTIME="211" PLAYTIME_FLOAT="210.853333" IMPORT_DATE="2025/4/14" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="25629"></INFO>
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<INFO BITRATE="914151" KEY_LYRICS="4 ContributorsThe Place to Be Lyrics&#xA;One-two, one-two, I'm the MC-dominating Kool Rock Ski&#xA;And I'm known to be the prince of rap, the Prince Markie Dee&#xA;Finesse and skill and you know he's able&#xA;Cutting up the beat on the two turntables&#xA;From his left hand, his right, and back to the left&#xA; 'cause it sounds so def&#xA;He's strong as a bull and I'm hard as a rock&#xA;I'm the Prince Markie Dee and he's the DJ Doc&#xA;With Kool Rock on the side, always on the go&#xA;So c'mon Kool Rock, let's start the show!&#xA;&#xA;&#xA;Well I'm Kool Rock Ski, I live in Brooklyn&#xA;Love catching girls when their guys ain't looking&#xA;Too hot to handle, too cold to squeeze&#xA;Guaranteed to please all the jazzy ladies&#xA;Too hot to handle, too cold to hold&#xA;Don't wear silver boy, I do wear gold!&#xA;I'll be rappin' on the mic takin' complete control&#xA;So Markie Dee, ha ha, my throat is weak&#xA;Why don't you get on the mic and let me hear you speak&#xA;&#xA;&#xA;A full year on the list, reachin' for the top&#xA;And if you let me keep rockin', I rock nonstop&#xA;'Cause I'm pushing the pound, and claiming to be&#xA;The best mo' sucker on the M-I-C&#xA;Five foot eight, Pisces is my sign&#xA;And to keep a party jumpin' I'll persist to rhyme&#xA;The PMD, I be known as a layer&#xA;With a mic and rhyme I'll be tight as a slayer&#xA;I'll be shakin' and breakin' like a ragin' beast&#xA;'Cause I'm the Puerto Rican prince and I live in the East&#xA;And bust that y'all (that y'all), bust this y'all (this y'all)&#xA;And when I fire my revolver, I never miss&#xA;So Kool Rock (What up?), my throat is weak&#xA;Homeboy, get on the mic and let me hear you speak&#xA;&#xA;Well I'm the MC killer, the MC thriller&#xA;And when it comes to rappin' I'm the cool-chiller&#xA;I'm too hot to handle when it's time to learn&#xA;Kool Rock on the mic, I never get burned&#xA;By any MC in the place to be&#xA;I'm the microphone magician and the chief of the East&#xA;I'm just too hot to handle well it's time to see&#xA;That Kool Rock, is the chief of the East&#xA;Take that y'all (that y'all), take this y'all (this y'all)&#xA;And when I fire my revolver, I never miss&#xA;So Markie Dee ha! (That's me!) my throat is gettin' sore (c'mon!)&#xA;Why don't you get on the mic and use your rhymes galore&#xA;&#xA;&#xA;Now this is the story, I'ma tell it as I can&#xA;About Peter Parker, known as Spiderman&#xA;Swung from building to building, from tree to tree&#xA;And sometimes mingle with the young ladies&#xA;He could stick to the wall like a piece of Scotch tape&#xA;Couldn't use the door, used the fire escape&#xA;Now Spidey was chillin', on the loose one night&#xA;Just looking for a freak with his super sight&#xA;Heard a sound, or two, three or it was it four?&#xA;Then two big dudes ran out the door&#xA;Front judo flips, goddamn they mad&#xA;One had the gold, the other trey in hand&#xA;Spidey put on pursuit, they shot once or twice&#xA;But Spidey was on 'em like white on rice&#xA;Spidey trap went off, bust his butt&#xA;Took the gold right back with a hero's grunt&#xA;Gettin' ready to leave, found a gun to his head&#xA;Was the dude with the gun that Spidey said&#xA;The dude pulled the trigger, but nothing came out&#xA;Because the gun was empty, he began to shout&#xA;Spidey beat 'em down, gave the girl back her gold&#xA;He looked at her, she didn't look so old&#xA;Everything went smoothly, and very good&#xA;And Spidey's still swinging in your neighborhood&#xA;So (DJ Doc!) Doctor Nice, ha, come on, DJ Doc&#xA;Get on the mic and rock the whole block!&#xA;&#xA;Well, you come to the East, you got to be mad&#xA;Because the get-down Doc do it all damn night&#xA;You could bring your homeboy, your whole damn crew&#xA;Don't make no sense 'cause I ain't you&#xA;It's a, a ladies choice, the master voice&#xA;Don't even need no bad Rolls-Royce&#xA;Just let me get a 98&#xA;With a super freak then I'll be straight&#xA;When I freak the party you won't go home&#xA;Homeboys and girls in the Twilight Zone&#xA;You just rocket in the pocket like it's out of style&#xA;I came to do for a little while&#xA;So come on, little child, if you wanna dance&#xA;And I can show you Smurf on your first attempt&#xA;So come on, babydoll, this ain't no thing&#xA;Just get on the floor, shake your sexy thing&#xA;Yes yes y'all, yes yes y'all (yes y'all)&#xA;'Cause the beat is so, so fresh y'all (fresh y'all)&#xA;&#xA;&#xA;Human Beatbox, Kool Rock Ski, Prince Markie Dee, uh huh!&#xA;The Capital K!&#xA;Dedicated to the &#xA;K-B&#xA;K-B is in the place to be!&#xA;Kurt, Kurt, Kurtis Blow now!&#xA;Hey Kurt, ha ha&#xA;Hey Kurt, bust this!&#xA;Hit me, hit me, uh!" PRODUCER="1984 Catherine Sznajder / Musiques &amp; Solutions" COVERARTID="016/QAI20DBOWLRERBYSMU2GAL4SX10B" PLAYTIME="203" PLAYTIME_FLOAT="202.002380" IMPORT_DATE="2025/4/14" RELEASE_DATE="1984/1/1" FLAGS="12" FILESIZE="23045"></INFO>
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<INFO BITRATE="991103" KEY_LYRICS="5 Contributors10 Caresse auditive “all stars remix” LyricsATTENTION ECRITURE NON FINIE !!&#xA;&#xA;&#xA;Audiolingus mais comment traduire ça  putain,je crois que je l'ai au bout de la langue !!&#xA;&#xA;Yoshi meet soap&#xA;(//)&#xA;Worldwide connexion !&#xA;Come on !&#xA;&#xA;&#xA;Original cyanure tu,connais déjà&#xA;J'entre dans la danse sur la pointe des pieds,tu connais &#xA;Et je tapprends l'hospitalité ,tu connais &#xA;Ce n'est pas un SOAP opéra  tu connais yosh',tu connais gérard&#xA;Caresse auditive,pas de paresse auditrice,on dis qu'ya des badass qui embarrasse la scène avec plus de caractères que sur twitter&#xA;Suite a  tu t'échappes en sueur on se dandine a,e,i,o c'est la danse des mots bienvenue dans le monde de mon dino&#xA;&#xA;&#xA;Carresse auditive (ugh !)&#xA;Sois pas émotif (ugh !)&#xA;J'ai juste le niveau au micro,prends un égotrip (ugh !)&#xA;Tout le monde le doigt en l'air (ugh !)&#xA;Toucher rectal (ugh !)&#xA;Le game en pleins fantasme&#xA;J'lui mets doucement:&#xA;Rime envoûtantes&#xA;Flow déroutant,dégoutant&#xA;Plus d'1 KO dans le bagout que rocancourt (ah !)&#xA;Fait du boucan&#xA;Si t'est trop con,trop sourd&#xA;Oui le son est lourd,hum.. trop bon,trop court" PRODUCER="Musiques &amp; Solutions" COVERARTID="046/ORYK33ATLTQF5D4CD3QLDQ5QGJGD" PLAYTIME="182" PLAYTIME_FLOAT="181.881912" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="22256"></INFO>
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<INFO BITRATE="897194" KEY_LYRICS="3 ContributorsFrom the Outside Lyrics&#xA;From the outside, certified, gold and classic&#xA;Deepspace 5, the art of boombastic&#xA;Soon as my man passed it, Fred came to smash it&#xA;Blast it until your shell becomes cracked, it's&#xA;Massive, passive, gross attractive&#xA;Freddie burns the beat like lactic acid&#xA;Fantastic, wild out, feeling spastic&#xA;Let the outside reflect the inside and flash it&#xA;&#xA;&#xA;Can't pass at all, we stop traffic&#xA;Live and on plastic, drive a strong passion&#xA;Mine, we on past the night to dawn after&#xA;Deepspace 5, we born to form classics&#xA;&#xA;&#xA;There's a war going on inside&#xA;No soul is safe, nowhere to hide&#xA;You could put your hands up, doesn't matter how high son&#xA;You ain't got one prayer you could buy one&#xA;&#xA;&#xA;Close your credit and fade to black&#xA;Got a bible in the back with the gangsta rap&#xA;With a big, gold plaque, yo thanks for that&#xA;Full tank full bank what you think of that?&#xA;It don't mean no thing in the hill of beans&#xA;At the end of the day we just human beings&#xA;So dirty but I brush my teeth with chlorine&#xA;Why you think my rap is so clean?&#xA;&#xA;We may seem happy, like everything's alright&#xA;From the outside looking in, everything's uptight&#xA;&#xA;&#xA;Check out my crew, we so hollywood&#xA;Love what we do cuz hip hop is good&#xA;It's understood when we roll through your hood&#xA;Make it do what it do when your bro never could&#xA;I think you should hang up the plastic&#xA;Metal mesh, 58, sour like Vlasic&#xA;Might sound better after some practice&#xA;Sev and the crew make a brother fantastic&#xA;&#xA;&#xA;I work the field with two hands&#xA;I move the dirt with my back&#xA;I wash it clean with the sweat&#xA;Let if grow from the ground, go help the rest&#xA;I move the wind with my wings&#xA;I fill the depths of the sea&#xA;I dig my roots in the water&#xA;Hold the ground steady for your dragons and daughters&#xA;&#xA;&#xA;Roses are red and violets for certain&#xA;The inside working speaking third person&#xA;The precursor, universal networking&#xA;The outside lurking inside my church&#xA;&#xA;Put your wingtip right on my lip, I spit shine&#xA;Shoestring tight grip, polish your mind&#xA;Buff that rhyme out, wax so poetic&#xA;Sintax.the.Terrific paint a black aesthetic&#xA;On the outside, hoping that the ink sinks in&#xA;My custom kiwi leather bottle leaking&#xA;See me bombing something divine&#xA;When I spit it on out I make the inside shine&#xA;&#xA;&#xA;So turn it up, baby&#xA;Bang out your trunk, baby&#xA;Shout who you are from the moon to the stars, baby&#xA;Forget the rest, baby&#xA;Give it your best, baby&#xA;Loving yourself is the wealth and the test, baby&#xA;&#xA;&#xA;&#xA;&#xA;Get your hands off the glass&#xA;This ain't nothing to look at, better off to pass&#xA;Know that&#xA;Never said a word&#xA;But you got that look like you concerned&#xA;For that&#xA;I might say something that you ain't going to like&#xA;Most likely so, but it's alright&#xA;It's a little too hot for us all to fight&#xA;You picked the right MC, but the wrong mic&#xA;&#xA;I'll take it back and then give it&#xA;Pour out the soul, the globe and then rip it&#xA;Look at the hourglass, the shapes shifting&#xA;Form of the deepest space for soul lifting&#xA;&#xA;&#xA;Flesh on the outside, spirit on the inside&#xA;Pressed to the image of God come alive&#xA;Fresh on the outside, fierce on the inside&#xA;That's the definition of Deepspace 5&#xA;&#xA;&#xA;You might think, me and the band are big time and kickin' it&#xA;On time definitive, one grind, delivering&#xA;Black balls to any celler dwellers and fellas that want to get down&#xA;Rocksteady tell them to sit down&#xA;You might think that this town is big enough&#xA;To fit inside a little bit of triple crown style&#xA;And big brown, here we developing hits now&#xA;But every cat said in my big mouth it gets out&#xA;&#xA;&#xA;When I get to heaven, I'll ask God to send me back&#xA;Into my home is blind and broken help us get on track&#xA;Armor on the outside, golden wings spread out wide&#xA;I'll shelter all my brothers, sisters let them come inside&#xA;Oh come inside, come inside" PRODUCER="℗ 1979 J.P.L.L. Productions / Jean-Pierre Lowf Legoff" COVERARTID="118/W5TQRUAS4S0S5COPIDSLDJZUQ5JC" PLAYTIME="221" PLAYTIME_FLOAT="220.317749" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="24541"></INFO>
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<INFO BITRATE="1113473" KEY_LYRICS="15 ContributorsBorn to Be Alive Lyrics&#xA;We were born to be—&#xA;Alive!&#xA;We were born to be—&#xA;Alive!&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;&#xA;&#xA;People asked me why I never&#xA;Find a place to stop and settle&#xA;Down, down, down&#xA;But I never wanted all those things&#xA;People need to justify their&#xA;Lives, lives, lives&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;To be alive&#xA;To be alive&#xA;It's good to be alive&#xA;&#xA;Time was on my side when I was&#xA;Running down the street, it was no&#xA;Bind, bind, bind&#xA;A suitcase and an old guitar and&#xA;Something new to occupy my&#xA;Mind, mind, mind&#xA;&#xA;&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Yes, we were born&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive&#xA;(Born to be alive)&#xA;Yes, we were&#xA;Born, born, born&#xA;(Born to be alive)&#xA;Born, born to be alive" PRODUCER="Saturn PHL" COVERARTID="113/RXDCENBYITMKAAL0XJ50CMGT50FC" PLAYTIME="202" PLAYTIME_FLOAT="201.021423" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="27680"></INFO>
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<INFO BITRATE="1025885" KEY_LYRICS="53 ContributorsTranslationsEspañolDeutschWaterloo Lyrics&#xA;My, my&#xA;At Waterloo Napoleon did surrender&#xA;Oh yeah&#xA;And I have met my destiny in quite a similar way&#xA;&#xA;&#xA;The history book on the shelf&#xA;Is always repeating itself&#xA;&#xA;&#xA;Waterloo, I was defeated, you won the war&#xA;Waterloo, promise to love you forevermore&#xA;Waterloo, couldn't escape if I wanted to&#xA;Waterloo, knowing my fate is to be with you&#xA;Woah, woah, woah, woah, Waterloo, finally facing my Waterloo&#xA;&#xA;&#xA;My, my&#xA;I tried to hold you back, but you were stronger&#xA;Oh yeah&#xA;And now it seems my only chance is giving up the fight&#xA;&#xA;&#xA;And how could I ever refuse?&#xA;I feel like I win when I lose&#xA;&#xA;Waterloo, I was defeated, you won the war&#xA;Waterloo, promise to love you forevermore&#xA;Waterloo, couldn't escape if I wanted to&#xA;Waterloo, knowing my fate is to be with you&#xA;Woah, woah, woah, woah, Waterloo, finally facing my Waterloo&#xA;&#xA;&#xA;So how could I ever refuse?&#xA;I feel like I win when I lose&#xA;&#xA;&#xA;Waterloo, couldn't escape if I wanted to&#xA;Waterloo, knowing my fate is to be with you&#xA;Woah, woah, woah, woah, Waterloo, finally facing my Waterloo&#xA;Ooh, Waterloo, knowing my fate is to be with you&#xA;Woah, woah, woah, woah, Waterloo, finally facing my Waterloo&#xA;Ooh, Waterloo, knowing my fate is to be with you" PRODUCER="℗ 1974 Polar Music International AB" COVERARTID="009/JQKACOC2O23CTCL5QSOADWSWQZND" PLAYTIME="166" PLAYTIME_FLOAT="165.800003" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="20854"></INFO>
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<INFO BITRATE="1007779" KEY_LYRICS="34 ContributorsTranslationsDeutschDaddy Cool LyricsAs with many songs by Boney M, Daddy Cool’s main male singer is the german composer and singer Frank Farian, who also wrote part of the lyrics for this song.&#xA;&#xA;“Daddy Cool” is American slang for a fashionable… Read More &#xA;She's crazy like a fool&#xA;Wild about Daddy Cool&#xA;&#xA;&#xA;She's crazy like a fool&#xA;Wild about Daddy Cool&#xA;I'm crazy like a fool&#xA;Wild about Daddy Cool&#xA;&#xA;&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool&#xA;&#xA;&#xA;She's crazy like a fool&#xA;Wild about Daddy Cool&#xA;I'm crazy like a fool&#xA;Wild about Daddy Cool&#xA;&#xA;&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool&#xA;&#xA;&amp;quot;She's crazy 'bout her daddy&#xA;Oh, she believes in him&#xA;She loves her daddy&amp;quot;&#xA;&#xA;&#xA;She's crazy like a fool&#xA;Wild about Daddy Cool&#xA;I'm crazy like a fool&#xA;Wild about Daddy Cool&#xA;&#xA;&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool&#xA;Daddy, Daddy Cool" PRODUCER="(P) 1976 Sony Music Entertainment Germany GmbH" COVERARTID="030/4ILXZCAPTFJOXAJSOKF0B3ULNV5A" PLAYTIME="209" PLAYTIME_FLOAT="208.600006" IMPORT_DATE="2025/4/14" RELEASE_DATE="1976/1/1" FLAGS="12" FILESIZE="25853"></INFO>
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<INFO BITRATE="951589" KEY_LYRICS="73 ContributorsTranslationsEspañolРусскийDon’t Stop ’Til You Get Enough Lyrics&#xA;You know, I was, I was wondering, you know&#xA;If you could keep on because&#xA;The force has got a lot of power and it&#xA;It make me feel like a&#xA;It, it make me feel like, woo!&#xA;&#xA;&#xA;Lovely is the feeling now&#xA;Fever, temperature's rising now&#xA;Power (Oh, power) is the force, the vow&#xA;That makes it happen&#xA;It asks no questions why, ooh&#xA;So get closer (Closer now) to my body now&#xA;Just love me&#xA;'Til ya don't know how, ooh&#xA;&#xA;&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;&#xA;Touch me and I feel on fire&#xA;Ain't nothing like a love desire, ooh&#xA;I'm melting (I'm melting) like hot candle wax&#xA;Sensation (Ah, sensation)&#xA;Lovely where we're at, ooh&#xA;So let love take us through the hours&#xA;I won't be complaining, ooh&#xA;'Cause this is love power, ooh&#xA;&#xA;&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;&#xA;&#xA;Ooh&#xA;Oh, baby, keep on, keep on&#xA;&#xA;&#xA;Heartbreak enemy despise&#xA;Eternal (Oh, eternal) love shines in my eyes, ooh&#xA;So let love take us through the hours (Oh, let love)&#xA;I won't be complaining, hoo (No, no)&#xA;'Cause your love is alright, alright, ooh&#xA;&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Don't stop, baby)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough (Oh, my baby)&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;&#xA;&#xA;Lovely is the feeling now&#xA;I won't be complaining, ooh, ooh&#xA;The force is love power&#xA;&#xA;&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Don't stop, darling)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Don't play, baby)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Keep on)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Keep on, darling)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Love power, yeah)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Keep on, darling)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Love power)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Keep on with the power, would ya, ooh)&#xA;Don't stop 'til you get enough (Till you get enough, ooh)&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Keep on, yeah)&#xA;Don't stop 'til you get enough (Ah, ah now)&#xA;Keep on with the force, don't stop (Yeah)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Keep on, baby)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Till you get enough)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Keep on, darling)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Alright, yeah)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Keep on, baby)&#xA;Don't stop 'til you get enough&#xA;Keep on with the force, don't stop (Don't stop)" PRODUCER="(P) 1979 MJJ Productions Inc." COVERARTID="092/2KBFKRDYLDGRSD1G3J4OCSEV0F4C" PLAYTIME="238" PLAYTIME_FLOAT="237.113861" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="27618"></INFO>
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<INFO BITRATE="1013660" KEY_LYRICS="146 ContributorsTranslationsTürkçeEspañolPortuguêsDeutschSeptember Lyrics&#xA;Do you remember&#xA;The twenty-first night of September?&#xA;Love was changin' the minds of pretenders&#xA;While chasin' the clouds away&#xA;Our hearts were ringin'&#xA;In the key that our souls were singin'&#xA;As we danced in the night, remember&#xA;How the stars stole the night away, oh yeah&#xA;&#xA;&#xA;Hey, hey, hey&#xA;Ba-dee-ya&#xA;Say, do you remember?&#xA;Ba-dee-ya&#xA;Dancin' in September&#xA;Ba-dee-ya&#xA;Never was a cloudy day&#xA;&#xA;&#xA;Ba-du, ba-du, ba-du, ba-du&#xA;Ba-du, ba-du, ba-du, ba-du&#xA;Ba-du, ba-du, ba-du-da&#xA;Ba-du, yeah&#xA;&#xA;&#xA;My thoughts are with you&#xA;Holdin' hands with your heart to see you&#xA;Only blue talk and love, remember&#xA;How we knew love was here to stay&#xA;Now December&#xA;Found a love we shared in September&#xA;Only blue talk and love, remember&#xA;True love we share today&#xA;&#xA;Hey, hey, hey (Yeah, yeah, yeah)&#xA;Ba-dee-ya&#xA;Say, do you remember?&#xA;Ba-dee-ya (Oh)&#xA;Dancin' in September&#xA;Ba-dee-ya (Hey)&#xA;Never was a cloudy day&#xA;And we'll say ba-dee-ya (Ba-dee-ya, dee-ya)&#xA;Say, do you remember?&#xA;Ba-dee-ya (Ba-dee-ya, dee-ya)&#xA;Dancin' in September&#xA;Ba-dee-ya (Ba-dee-ya, dee-ya)&#xA;Golden dreams were shiny days (Dee-ya)&#xA;&#xA;&#xA;The bells was ringin', oh-oh&#xA;Our souls were singin'&#xA;Do you remember never a cloudy day? Yow&#xA;&#xA;&#xA;And we'll say ba-dee-ya (Ba-dee-ya, dee-ya)&#xA;Say, do you remember?&#xA;Ba-dee-ya (Ba-dee-ya, dee-ya)&#xA;Dancin' in September&#xA;Ba-dee-ya (Ba-dee-ya, dee-ya)&#xA;Never was a cloudy day (Dee-ya)&#xA;And we'll say ba-dee-ya (Ba-dee-ya, dee-ya)&#xA;Say, do you remember?&#xA;Ba-dee-ya (Ba-dee-ya, dee-ya)&#xA;Dancin' in September&#xA;Ba-dee-ya (Ba-dee ya, dee-ya)&#xA;Golden dreams were shiny days (Dee-ya)&#xA;&#xA;Ba-dee-ya, dee-ya, dee-ya&#xA;Ba-dee-ya, dee-ya, dee-ya&#xA;Ba-dee-ya, dee-ya, dee-ya, dee-ya&#xA;Ba-dee-ya, dee-ya, dee-ya&#xA;Ba-dee-ya, dee-ya, dee-ya&#xA;Ba-dee-ya, dee-ya, dee-ya, dee-ya" PRODUCER="(P) 1978 Columbia Records, a division of Sony Music Entertainment" COVERARTID="091/1WKAXYAYP2BNVA35PAV1DUJUAZRC" PLAYTIME="216" PLAYTIME_FLOAT="215.005554" IMPORT_DATE="2025/4/14" RELEASE_DATE="1988/1/1" FLAGS="12" FILESIZE="26976"></INFO>
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<INFO BITRATE="1026936" KEY_LYRICS="6 ContributorsFete din Balcani Lyrics&#xA;Știe să te dea gata, nu o vrei pe alta&#xA;Arată bine toată, e bună de tot&#xA;Ți se pune pata, dar ți-e frică de tata&#xA;Are ochii verzi fata și nu poți să o deochi&#xA;&#xA;&#xA;N-ai cum să ghicești ce vârstă are&#xA;În secret crezi că e nemuritoare&#xA;Te gândești la ea când ești singur&#xA;Crezi că-ți face vrăji, dar nu ești sigur&#xA;&#xA;&#xA;Cuminți sau un pic golani&#xA;Frumoși sau cu prea mulți bani&#xA;Englezi sau americani&#xA;Toți vor fete din Balcani&#xA;Cuminți sau un pic golani&#xA;Frumoși sau cu prea mulți bani&#xA;Englezi sau americani&#xA;Toți vor fete din Balcani&#xA;&#xA;&#xA;Te scapă de belele, chiar și de blesteme&#xA;Nu ai vise rele când dormi lângă ea&#xA;Te vor și alte fane, dar parcă sunt banale&#xA;Nici ție nu îți vine să crezi că e a ta&#xA;&#xA;N-ai cum să ghicești ce vârstă are&#xA;În secret crezi că e nemuritoare&#xA;Te gândești la ea când ești singur&#xA;Crezi că-ți face vrăji, dar nu ești sigur&#xA;&#xA;&#xA;Cuminți sau un pic golani&#xA;Frumoși sau cu prea mulți bani&#xA;Englezi sau americani&#xA;Toți vor fete din Balcani&#xA;Cuminți sau un pic golani&#xA;Frumoși sau cu prea mulți bani&#xA;Englezi sau americani&#xA;Toți vor fete din Balcani&#xA;&#xA;&#xA;Yeah, yeah, uh, ye&#xA;Asta e țara lu’ Becali și a lu’&#xA;Capatos și Mutu&#xA;Unde stau și eu și tu&#xA;Skizzo ambasador în țara fetelor&#xA;Minorele sunt argh- într-un stil major&#xA;Fata muncește, uite cum crește&#xA;Toți la pescuit că țara e-n formă de pește&#xA;Băieții-n Spania, fetele-n Italia&#xA;Banii ca-n America aici în România&#xA;E frumoasă, dar se uită urât&#xA;Nu e Dracula, dar te mușcă de gât&#xA;Ea e Ana, ea e Ioana, ea e Bia&#xA;Perfecte când le scrie pe spate &amp;quot;Made în România&amp;quot;&#xA;&#xA;Cuminți sau un pic golani (Oh)&#xA;Frumoși sau cu prea mulți bani (Oh)&#xA;Englezi sau americani (Oh)&#xA;Toți vor fete din Balcani (Oh)&#xA;Cuminți sau un pic golani (Oh)&#xA;Frumoși sau cu prea mulți bani (Oh)&#xA;Englezi sau americani (Oh)&#xA;Toți vor fete din Balcani (Oh)" PRODUCER="Roton Music" COVERARTID="109/N1JVONB5X4AGFA1WRIXTBQHA1B3C" PLAYCOUNT="1" PLAYTIME="193" PLAYTIME_FLOAT="192.182465" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="24576"></INFO>
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<INFO BITRATE="963571" KEY_LYRICS="3 ContributorsK-Boom Lyrics&#xA;&#xA;Si-mi vine cateodata s'arunc cu grijile, problemele&#xA;Cu mainile sus in aer&#xA;K-boom&#xA;Sus in aer, sus in aer&#xA;&#xA;&#xA;&#xA;Am stat in maini, m'am pus in cap sa fac un ban&#xA;Muream de nervi ca toti aveau dar eu n'aveam&#xA;Si n'am avut averi dar am avut un gram&#xA;De ambitie sa'mi depasesc conditia de golan&#xA;Si nu'mi placea, nu'mi placea de mine neam&#xA;Si nu'mi placea de nimeni, cateodata'i si bateam&#xA;Nu suportam sa recunosc greseli, nici cand greseam&#xA;Singura terapie pentru mine era cand dansam&#xA;Oooh&#xA;C'atunci cand le pui pe hartie, nu'ti iese socotela nici cu banii de chirie&#xA;Nu poti sa'ti smulgi nici parul&#xA;Fiindca n'ai, e doar chelie&#xA;Si totul pare gri si ai vrea sa ai si tu o mie&#xA;De coco&#xA;Mama mama sunt confuz&#xA;De unde eram praf acum sclipesc pe autobuz&#xA;Pe garduri si prin baruri, la tv si ma amuz&#xA;Ca ei nu stiu ca n'am plecat de sus&#xA;x2&#xA;&#xA;Si-mi vine cateodata s'arunc cu grijile, problemele&#xA;Cu mainile sus in aer&#xA;K-boom&#xA;Sus in aer&#xA;Si-mi place cateodata sa infrunt&#xA;Necazurile, stresul, gandurile&#xA;Cu mainile sus in aer&#xA;K-Boom&#xA;Sus in aer&#xA;K-Boom&#xA;&#xA;&#xA;&#xA;Sunt in drum spre Antalya, la Mediterana&#xA;Imi amintesc de Navodari&#xA;Multumesc mama&#xA;As vrea sa'mi duc familia'n Dominicana&#xA;Sa petrecem fara stres, ca doar n'am muncit de pomana&#xA;Acum stau pe sezlong, sub palmier. e bine&#xA;Se poate si mai bine. pe yacht in Caraibe&#xA;Acum strang bani de viza, pun grijile'n valiza&#xA;Si le trec peste baliza cat mai departe de criza&#xA;Ocoo&#xA;Mama mama sunt confuz&#xA;De unde eram praf acum sclipesc pe autobuz&#xA;Pe garduri si prin baruri, la tv si ma amuz&#xA;Ca ei nu stiu ca n'am plecat de sus&#xA;x2&#xA;&#xA;Si-mi vine cateodata s'arunc cu grijile, problemele&#xA;Cu mainile sus in aer&#xA;K-boom&#xA;Sus in aer&#xA;Si-mi place cateodata sa infrunt&#xA;Necazurile, stresul, gandurile&#xA;Cu mainile sus in aer&#xA;K-Boom&#xA;Sus in aer&#xA;K-Boom&#xA;&#xA;x2&#xA;&#xA;Si stiu ca'ti vine cateodata sa zbieri&#xA;Tie nu'ti place sa ceri&#xA;Si daca plangi sa n-o faci&#xA;Sa n-o faci pentru ziua de ieri&#xA;Sa nu plangi, sa nu plangi pentru ziua de ieri&#xA;Ca maine e o noua zi&#xA;Si tre sa speri&#xA;&#xA;x2&#xA;&#xA;Si-mi vine cateodata s'arunc cu grijile, problemele&#xA;Cu mainile sus in aer&#xA;K-boom&#xA;Sus in aer&#xA;Si-mi place cateodata sa infrunt&#xA;Necazurile, stresul, gandurile&#xA;Cu mainile sus in aer&#xA;K-Boom&#xA;Sus in aer&#xA;K-Boom" PRODUCER="(P) 2014 Cat Music" COVERARTID="073/JCCN2RCODIVAEAKEYJSYDSEV1ABA" PLAYTIME="230" PLAYTIME_FLOAT="229.287659" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="27339"></INFO>
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<INFO BITRATE="859336" KEY_LYRICS="2 ContributorsToată țara Lyrics&#xA;&#xA;&#xA;Sunt un nebun fără dungă-n buletin&#xA;Caut regina, vino, mami, să-ţi explic puţin&#xA;Yep, dă tot jos!&#xA;Arată-le la toţi că-ţi place să trăieşti periculos&#xA;Periculos ca dracii, vai de mine şi-mi place&#xA;Vai de tine ce-ţi mai place să le guşti pe toate&#xA;Şi acadele-ele, vor mai multe cu ele&#xA;Dar acadelele sunt la băieţii răi cu cele&#xA;&#xA;&#xA;Face ce face cum face mă pune pe ace&#xA;Da' şi ce-i mai place să se joace&#xA;Că-l are pe vino-ncoace&#xA;Ce-i mai place să ofere forme afrodisiace&#xA;Sau să vândă şoapte prin orice mijloace&#xA;&#xA;&#xA;Asta-i pentru Ioana, este şi pentru Oana&#xA;Şi fetele cu BMW din toată ţara!&#xA;Asta-i pentru Roxana şi pentru Tatiana&#xA;Şi fetele cu ML din toată ţara!&#xA;Asta-i pentru Diana şi pentru Liliana&#xA;Şi fetele în Coupé din toată ţara!&#xA;Asta-i pentru Sorana şi pentru Sânziana&#xA;Şi fetele cu motor din toată ţara!&#xA;&#xA;Are mama o fetiţă frumuşică foc&#xA;Sprintenă şi hărnicuţă, subţirică la mijloc&#xA;Noaptea cu toc, la şcoală părul prins în coc&#xA;În loc de loc de muncă, alege un băieţel cu tată de top&#xA;Ţelul ei în viaţă e s-apară la TV&#xA;Să râdă toată ţara de vedeta care e&#xA;Când e vorba despre sex, e-un fel de trei la zece mii&#xA;Băieţii dau, plătesc şi pleacă, să scrie ziarili&#xA;&#xA;&#xA;Face ce face cum face mă pune pe ace&#xA;Da' şi ce-i mai place să se joace&#xA;Că-l are pe vino-ncoace&#xA;Ce-i mai place să ofere forme afrodisiace&#xA;Sau să vândă şoapte prin orice mijloace&#xA;&#xA;&#xA;Mij- ce?&#xA;Mijloace&#xA;Ah, mişto!&#xA;&#xA;&#xA;Asta-i pentru Ioana, este şi pentru Oana&#xA;Şi fetele cu BMW din toată ţara!&#xA;Asta-i pentru Roxana şi pentru Tatiana&#xA;Şi fetele cu ML din toată ţara!&#xA;Asta-i pentru Diana şi pentru Liliana&#xA;Şi fetele în Coupé din toată ţara!&#xA;Asta-i pentru Sorana şi pentru Sânziana&#xA;Şi fetele cu motor din toată ţara!&#xA;&#xA;Ayy! Ahhh&#xA;Digits&#xA;Ayy!&#xA;Oh, my God, Becky!&#xA;&#xA;&#xA;Asta-i pentru Ioana, este şi pentru Oana&#xA;Şi fetele cu BMW din toată ţara!&#xA;Asta-i pentru Roxana şi pentru Tatiana&#xA;Şi fetele cu ML din toată ţara!&#xA;Asta-i pentru Diana şi pentru Liliana&#xA;Şi fetele în Coupé din toată ţara!&#xA;Asta-i pentru Sorana şi pentru Sânziana&#xA;Şi fetele cu motor din toată ţara!&#xA;Asta-i pentru Ioana, este şi pentru Oana&#xA;Şi fetele cu BMW din toată ţara!&#xA;Asta-i pentru Roxana şi pentru Tatiana&#xA;Şi fetele cu ML din toată ţara!&#xA;Asta-i pentru Diana şi pentru Liliana&#xA;Şi fetele în Coupé din toată ţara!&#xA;Asta-i pentru Sorana şi pentru Sânziana&#xA;Şi fetele cu motor din toată ţara!&#xA;&#xA;&#xA;Asta-i pentru Diana şi pentru Liliana..." PRODUCER="(P) 2013 Cat Music" COVERARTID="090/0W2GLGBWZMQIFBMHN1UIBJRCYMJC" PLAYTIME="241" PLAYTIME_FLOAT="240.039185" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="25435"></INFO>
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<INFO BITRATE="868056" KEY_LYRICS="1 ContributorPe barba mea Lyrics&#xA;&#xA;&#xA;Pe barba mea&#xA;&#xA;&#xA;Banii&#xA;Și nu că mi-ar plăcea&#xA;Dar am văzut că toată lumea&#xA;În jurul meu îi vrea&#xA;Banii&#xA;Și-am încercat să-i fac&#xA;Stând aproape de îngeri și departe de-&#xA;Și nu-i zic numele&#xA;Nu vreau să-l bag în seamă&#xA;Deja prea multă lume&#xA;Îl strigă, îi face reclamă&#xA;Și nu-s superstițios&#xA;Dar cred că universul știe&#xA;Că fericirea mea nu stă într-o hârtie&#xA;&#xA;&#xA;Ascultă de mine&#xA;Dacă-i faci cu orice preț&#xA;Banii nu stau lângă tine&#xA;Nu vreau să par eu perfectu', dar&#xA;Cred că am înțeles secretu'&#xA;&#xA;Pe banii mei&#xA;Pe barba mea-a-a, da, da&#xA;Tot ce-am făcut&#xA;Tot ce-am făcut în viața mea&#xA;Și n-am depins niciodată de nimeni&#xA;De nimeni în afară de mine&#xA;Pe banii mei... eii&#xA;Pe barba mea-a-a, da, da&#xA;Pe barba mea&#xA;Pe barba mea&#xA;&#xA;&#xA;Și-am să-mi cumpăr mașină&#xA;Și casa mult visată, cu garaj și piscină&#xA;Pe barba mea&#xA;M-au invidiat de la-nceput&#xA;De zici că m-am născut în puf&#xA;Și puful, aur s-a făcut&#xA;Pe barba mea&#xA;Eu cred că nimeni nu știe&#xA;Cât de greu e să plătești chiria dintr-o melodie&#xA;Da' fericirea-i un dar&#xA;Privește adânc în suflet&#xA;Dumnezeu sigur ți-a dat un har&#xA;&#xA;Ascultă de mine&#xA;Dacă-i faci cu orice preț&#xA;Banii nu stau lângă tine&#xA;Nu vreau să par eu perfectu', dar&#xA;Cred că am înțeles secretu'&#xA;&#xA;&#xA;Pe banii mei&#xA;Pe barba mea-a-a, da, da&#xA;Tot ce-am făcut&#xA;Tot ce-am făcut în viața mea&#xA;Și n-am depins niciodată de nimeni&#xA;De nimeni în afară de mine&#xA;Pe banii mei&#xA;Pe barba mea-a-a, da, da&#xA;&#xA;&#xA;Hei, hei, hei&#xA;Creează-ți propriile vise&#xA;Nu cu limite, nu cu fise&#xA;Nu te gândi la cât, cum&#xA;Cere și ți se va da, acum&#xA;Fă tot ce poți ca acela să-ți dea dragoste, nu cash&#xA;Că banii n-aduc fericirea decât dacă-i muncești&#xA;Și da, poți să zici, da&#xA;Fie că-i bună sau rea, viața ta&#xA;Cum ai putea tu să știi când ești vesel&#xA;Dacă n-ai fost și trist cândva?&#xA;Și dacă-ți dorești s-ajungi bogat&#xA;Nu-ți uita sufletul sărac&#xA;Cu soarta asta-i luptă grea&#xA;Și-o s-o câștigi&#xA;Hai spune așa:&#xA;&#xA;Pe banii mei&#xA;Pe barba mea-a-a, da, da&#xA;Tot ce-am făcut&#xA;Tot ce-am făcut în viața mea&#xA;Și n-am depins niciodată de nimeni&#xA;De nimeni în afară de mine&#xA;Pe banii mei&#xA;Pe barba mea-a-a, da, da&#xA;Pe barba mea&#xA;Pe barba mea" PRODUCER="(P) 2014 DeMoga Music" COVERARTID="026/0MFY2CACRAC5RANTMD5BDB5DUWWC" PLAYTIME="231" PLAYTIME_FLOAT="230.136978" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="24625"></INFO>
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<INFO BITRATE="1023885" KEY_LYRICS="2 ContributorsLasă-mă-mi place Lyrics&#xA;Wait a minute, motherf-&#xA;Hai, vino-ncoace&#xA;La-Lasă-mă-mi place&#xA;Hai, vino-ncoace&#xA;La-Lasă-mă-mi place&#xA;&#xA;&#xA;Uite-o cum vine când coboară din mașină&#xA;Mă privește de sus, de pe tocuri, fără vreo rușine&#xA;(Cine) o întreține?&#xA;(Cine) poa' s-o combine?&#xA;Îmi fac curaj, nu-s vreun laș&#xA;Tre' s-o iau cu mine&#xA;&#xA;&#xA;Vi-vino-ncoace&#xA;La-Lasă-mă-mi place&#xA;Hai, vino-ncoace&#xA;La-Lasă-mă-mi place&#xA;Vi-vino-ncoace&#xA;La-Lasă-mă-mi place&#xA;Hai&#xA;&#xA;&#xA;Nu-i nimic garantat&#xA;Atunci când ieși la agățat&#xA;Nu-i nici da, nu-i nici nu&#xA;Niciodată cum vrei tu&#xA;Auzi doar: &amp;quot;Lasă-mă-mi place&amp;quot;&#xA;Auzi doar: &amp;quot;Lasă-mă-mi place&amp;quot;&#xA;&#xA;Lasă-mă-mi place&#xA;Lasă-mă-mi place&#xA;Lasă-mă-mi place&#xA;Lasă-mă-mi place&#xA;&#xA;&#xA;Bună, domnișoară, ia zi, ce craci?&#xA;Faci scuze, da' n-ai cum să nu-i remarci&#xA;Ghici unde-am tot sângele, noroc că-s blugii largi&#xA;Tu ești clar reteța pentru boala-n care mă bagi (Arș)&#xA;Ești foc, să vină pompierii, în jurul tău toți indienii&#xA;Și nu suntem în New Delhi&#xA;Nu ești ca toate celelalte care ca Paula Seling&#xA;La umbra serii, cam cu toți amarăștenii&#xA;Ești o fată fină și ți-ai găsit nașu'&#xA;Nota de plată, vin, dar am dosit cash-u'&#xA;Până juri că mergi cu mine să-ți arăt orașu'&#xA;C-am ieșit la agățat, uite umerașu'&#xA;&#xA;&#xA;Nu-i nimic garantat&#xA;Atunci când ieși la agățat&#xA;Nu-i nici da, nu-i nici nu&#xA;Niciodată cum vrei tu&#xA;Auzi doar: &amp;quot;Lasă-mă-mi place&amp;quot;&#xA;Auzi doar: &amp;quot;Lasă-mă-mi place&amp;quot;&#xA;&#xA;E singură la masă&#xA;Doar cu-o frapieră și-un pahar&#xA;Se pare că am o șansă&#xA;Ar trebui să-ncerc măcar&#xA;Aparent inabordabilă, nu-mi va fi ușor cu ea&#xA;Dar jur că-n seara asta nu va dormi cu altcineva!&#xA;Așa că&#xA;&#xA;&#xA;Vino-ncoace&#xA;La-Lasă-mă-mi place&#xA;Hai, vino-ncoace&#xA;La-Lasă-mă-mi place&#xA;Vi-vino-ncoace&#xA;La-Lasă-mă-mi place&#xA;Hai&#xA;&#xA;&#xA;Nu-i nimic garantat&#xA;Atunci când ieși la agățat&#xA;Nu-i nici da, nu-i nici nu&#xA;Niciodată cum vrei tu&#xA;Auzi doar: &amp;quot;Lasă-mă-mi place&amp;quot;&#xA;Auzi doar: &amp;quot;Lasă-mă-mi place&amp;quot;" PRODUCER="HaHaHa Production" COVERARTID="048/Q3MGQBB4RXQHQBOFLHJSCFLOZFKB" PLAYTIME="206" PLAYTIME_FLOAT="205.818863" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="25925"></INFO>
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<INFO BITRATE="1057355" KEY_LYRICS="10 ContributorsINNdiA Lyrics&#xA;I hear you calling INNdiA&#xA;&#xA;&#xA;Welcome to India&#xA;We don't need nobody, but INNdiA&#xA;She's enough to make the party go wow&#xA;I can live my life here right now&#xA;It's a little bit scandalous&#xA;But she lives her life a little bit dangerous&#xA;Everybody in the club, can you handle us?&#xA;I can live my life here right now&#xA;&#xA;&#xA;Oh, how I rock my body?&#xA;Can you handle how I move?&#xA;Are you feeling naughty?&#xA;I'm gonna hypnotize you, are you ready for me?&#xA;And then you’ll never say no, no, no&#xA;The sky is the limit&#xA;I can fly, are you with me?&#xA;Keep your eyes on your prize&#xA;And your mind off the time&#xA;Oh baby, you know&#xA;That you will never say no, no, no&#xA;&#xA;Oh, la-la-la-la-la-la-la-la-la&#xA;Oh, la-la-la-la-la-la-la-la&#xA;Oh, la-la-la-la-la-la-la-la-la&#xA;I hear you calling INNdiA&#xA;Oh, la-la-la-la-la-la-la-la-la&#xA;Oh, la-la-la-la-la-la-la-la&#xA;Oh, la-la-la-la-la-la-la-la-la&#xA;I hear you calling INNdiA&#xA;&#xA;&#xA;Oh, how I rock my body?&#xA;Can you handle how I move?&#xA;Are you feeling naughty?&#xA;I'm gonna hypnotize you, are you ready for me?&#xA;And then you’ll never say no, no, no&#xA;The sky is the limit&#xA;I can fly, are you with me?&#xA;Keep your eyes on your prize&#xA;And your mind off the time&#xA;Oh baby, you know&#xA;That you will never say no, no, no&#xA;&#xA;&#xA;Oh, la-la-la-la-la-la-la-la-la&#xA;Oh, la-la-la-la-la-la-la-la&#xA;Oh, la-la-la-la-la-la-la-la-la&#xA;I hear you calling INNdiA&#xA;Oh, la-la-la-la-la-la-la-la-la&#xA;Oh, la-la-la-la-la-la-la-la&#xA;Oh, la-la-la-la-la-la-la-la-la&#xA;I hear you calling INNdiA&#xA;&#xA;Everybody stand up&#xA;I wanna see your hands up&#xA;I wanna see you move your body, girl don't stop&#xA;And if you're ballin'&#xA;Let me hear you callin'&#xA;'Cause we'll be at the after party, till the mornin'&#xA;Everybody stand up&#xA;I wanna see your hands up&#xA;I wanna see you move your body, girl don't stop&#xA;And if you're ballin'&#xA;Let me hear you callin'&#xA;'Cause we'll be at the after party, till the mornin'&#xA;&#xA;&#xA;Oh, how I rock my body?&#xA;Can you handle how I move?&#xA;Are you feeling naughty?&#xA;I'm gonna hypnotize you, are you ready for me?&#xA;And then you’ll never say no, no, no&#xA;The sky is the limit&#xA;I can fly, are you with me?&#xA;Keep your eyes on your prize&#xA;And your mind off the time&#xA;Oh baby, you know&#xA;That you will never say no, no, no" PRODUCER="Roton Music" COVERARTID="051/TRVDRGAD1UO23ADONREVC0VIJHZA" PLAYTIME="215" PLAYTIME_FLOAT="214.029938" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="27873"></INFO>
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<INFO BITRATE="1008402" KEY_LYRICS="1 ContributorSun Is Up (Play &amp;amp; Win Radio Edit) Lyrics&#xA;All the people tonight&#xA;Put your hands in the sky&#xA;Come on boy, come and get in the rhythm&#xA;Music will take you high&#xA;One more feeling about you&#xA;I love you, don't know why&#xA;Everybody come and get in the rhythm&#xA;Music will take you high&#xA;&#xA;&#xA;Sun is up, move your body&#xA;I got moves and all the night I will not sit, yeah&#xA;I came up for this party&#xA;I will stop when Mr. DJ stops the beat, yeah&#xA;&#xA;&#xA;Sun is up&#xA;Sun is up&#xA;Sun is up&#xA;Sun is up&#xA;&#xA;&#xA;All the people tonight&#xA;Put your hands in the sky&#xA;Come on boy, come and get in the rhythm&#xA;Music will take you high&#xA;One more feeling about you&#xA;I love you, don't know why&#xA;Everybody come and get in the rhythm&#xA;Music will takе you high&#xA;All the people tonight&#xA;Put your hands in thе sky&#xA;Come on boy, come and get in the rhythm&#xA;Music will take you high&#xA;One more feeling about you&#xA;I love you, don't know why&#xA;Everybody come and get in the rhythm&#xA;Music will take you high&#xA;&#xA;Sun is up, move your body&#xA;I got moves and all the night I will not sit, yeah&#xA;I came up for this party&#xA;I will stop when Mr. DJ stops the beat, yeah&#xA;&#xA;&#xA;Sun is up&#xA;Sun is up&#xA;Sun is up&#xA;Sun is up&#xA;&#xA;&#xA;All the people tonight&#xA;Put your hands in the sky&#xA;Come on boy, come and get in the rhythm&#xA;Music will take you high&#xA;One more feeling about you&#xA;I love you, don't know why&#xA;Everybody come and get in the rhythm&#xA;Music will take you high&#xA;All the people tonight&#xA;Put your hands in the sky&#xA;Come on boy, come and get in the rhythm&#xA;Music will take you high&#xA;One more feeling about you&#xA;I love you, don't know why&#xA;Everybody come and get in the rhythm&#xA;Music will take you high&#xA;&#xA;Whoa&#xA;Whoa&#xA;Whoa" PRODUCER="Roton" COVERARTID="096/ALA1VGBER5STTAAN1RAGB44F2L4C" PLAYCOUNT="1" PLAYTIME="224" PLAYTIME_FLOAT="223.961044" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2011/1/1" FLAGS="12" FILESIZE="27744"></INFO>
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<INFO BITRATE="905435" KEY_LYRICS="2 ContributorsDeja Vu (Play&amp;amp;Win Club Version) Lyrics&#xA;No, no, no, no, no, no, no fire, no fire, I&#xA;I wanna feel the music higher and touch the sky&#xA;No love, no love, you drive me crazy, you crazy, boy&#xA;I wanna live with you, a déjà vu&#xA;&#xA;&#xA;I don't wanna lie, I'm feeling so blue&#xA;So take me away, so take me with you&#xA;(Come on)&#xA;Hey mystery girl, I'm falling for you&#xA;I'm living tonight, the last déjà vu&#xA;(Come on)&#xA;&#xA;&#xA;No, no, no, no, no, no, no fire, no fire, I&#xA;I wanna feel the music higher and touch the sky&#xA;No love, no love, you drive me crazy, you crazy boy&#xA;I wanna live with you, a déjà vu&#xA;&#xA;&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la&#xA;(Come on)&#xA;&#xA;I don't wanna lie, I'm feeling so blue&#xA;So take me away, so take me with you&#xA;Hey mystery girl, I'm falling for you&#xA;I'm living tonight, the last déjà vu&#xA;&#xA;&#xA;No, no, no, no, no, no, no fire, no firе, I&#xA;I wanna feel the music higher and touch the sky&#xA;No lovе, no love, you drive me crazy, you crazy, boy&#xA;I wanna live with you, a déjà vu&#xA;&#xA;&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la&#xA;&#xA;&#xA;No, no, no, no, no, no, no fire, no fire, I&#xA;I wanna feel the music higher and touch the sky&#xA;No love, no love, you drive me crazy, you crazy, boy&#xA;I wanna live with you, a déjà vu&#xA;No, no, no, no, no, no, no fire, no fire, I&#xA;I wanna feel the music higher and touch the sky&#xA;No love, no love, you drive me crazy, you crazy, boy&#xA;I wanna live with you, a déjà vu&#xA;&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la&#xA;La la la la la la, la la la la la la" PRODUCER="Roton Music" COVERARTID="008/IY4QDECWWYWMZASUSC3XBBZCHPSB" PLAYTIME="262" PLAYTIME_FLOAT="261.758362" IMPORT_DATE="2025/4/14" RELEASE_DATE="2011/1/1" FLAGS="12" FILESIZE="29080"></INFO>
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<INFO BITRATE="934952" KEY_LYRICS="23 ContributorsBad Boys Lyrics&#xA;Hear me up boy, listen to my heartbeat&#xA;Oh oh, I know that you want it&#xA;Hurry up and show me how your love feels&#xA;Oh oh, come on right now&#xA;No, don't tell me how you really love me&#xA;Oh oh, come on boy and show me&#xA;No, don't tell me how you really love me&#xA;Oh oh, come and get me now&#xA;&#xA;&#xA;Un petit peu dangereux, toi&#xA;Dangereux, moi, je te veux comme ça&#xA;Un petit peu dangereux, toi&#xA;T'as cherché, mais je suis celle celle là&#xA;&#xA;&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;&#xA;Still lookin' for somebody to love me&#xA;Oh oh, come and get to know&#xA;Still lookin' for somebody to love me&#xA;Oh oh, I don't wanna doubt&#xA;Still lookin' for somebody to tease me&#xA;Oh oh, know just how to please me&#xA;I need you, I'll show you that you need me&#xA;Oh oh, what is all about&#xA;&#xA;&#xA;Oh, oh, we spend over and over again together&#xA;Oh, oh, we dance over and over again&#xA;Oh, oh, we spend over and over again together&#xA;Oh, oh, we dance over and over and over and over&#xA;&#xA;&#xA;Un petit peu dangereux, toi&#xA;Dangereux, moi, je te veux comme ça&#xA;Un petit peu dangereux, toi&#xA;T'as cherché, mais je suis celle celle là&#xA;&#xA;&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;&#xA;Un petit peu dangereux, toi&#xA;Dangereux, moi, je te veux comme ça&#xA;Un petit peu dangereux, toi&#xA;T'as cherché, mais je suis celle, celle là&#xA;&#xA;&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)&#xA;(I'm the king of jungle jiggy bamboo)" PRODUCER="Empire Music Management &amp; Roton Music" COVERARTID="107/LXEENWDMUQALPDUJRDRBCZZ2L1MC" PLAYTIME="167" PLAYTIME_FLOAT="166.703964" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="19203"></INFO>
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<INFO BITRATE="941880" KEY_LYRICS="2 ContributorsO secundă Lyrics&#xA;&#xA;&#xA;Am văzut-o pe stradă&#xA;(De ce n-ai mers la ea?)&#xA;Ia, așteaptă puțin...&#xA;(Hai, spune-mi ce s-a întâmplat!)&#xA;Era așa frumoasă...&#xA;(Te-ai îndrăgostit...)&#xA;Mdaa... și nu mi-am revenit&#xA;&#xA;&#xA;În fiecare noapte&#xA;Aș vrea s-o am aproape&#xA;S-o țin în brațe&#xA;Și să-i spun ce simt&#xA;Când soarele răsare&#xA;Pierduți în pijamale, ne iubim&#xA;&#xA;&#xA;O secundă&#xA;Și mi-a fost de ajuns&#xA;Am zărit-o&#xA;În inimă, mi-a pătruns&#xA;Sha-la-la-la-la-la-la-la&#xA;Și mă simt fericit&#xA;Fiindcă ea e tot ce mi-am dorit&#xA;&#xA;(Și ce-o să faci acum?)&#xA;Adică ce-am făcut&#xA;(Cum?)&#xA;Am stat de vorba cu ea&#xA;Mi-a spus că pot s-o sun&#xA;(De când te cunosc, așa ceva n-ai făcut!)&#xA;Știu, m-am îndrăgostit într-un minut&#xA;&#xA;&#xA;A început să-i meargă versul pe hârtie, face rime&#xA;Inima-i dictează, îi spune ce să scrie&#xA;&amp;quot;Te iubesc, te iubesc&amp;quot;&#xA;Urmează prima rundă&#xA;Pe ceilalți concurenți am să-i dobor într-o secundă&#xA;Ți-am dat buchet de trandafiri, mi-ai spus că nu e de ajuns&#xA;Ți-am dat dragostea din tei, dar astă-vară s-a dus&#xA;Eu am să-mi fac părul Rasta, ar fi ceva nou&#xA;Si poate o piesa cu Busta&#xA;('Gimme some more’)&#xA;&#xA;&#xA;În fiecare noapte&#xA;Aș vrea s-o am aproape&#xA;S-o țin în brațe&#xA;Și să-i spun ce simt&#xA;Când soarele răsare&#xA;Pierduți în pijamale, ne iubim&#xA;&#xA;O secundă&#xA;Și mi-a fost de ajuns&#xA;Am zărit-o&#xA;În inimă, mi-a pătruns&#xA;Sha-la-la-la-la-la-la-la&#xA;Și mă simt fericit&#xA;Fiindcă ea e tot ce-&#xA;&#xA;&#xA;Yeeee-ehh-eyy, wee-oh wee-oh, wee-oh wee-ohh&#xA;&#xA;&#xA;În fiecare noapte&#xA;Aș vrea s-o am aproape&#xA;S-o țin în brațe&#xA;Și să-i spun ce simt&#xA;Când soarele răsare&#xA;Pierduți în pijamale, ne iubim&#xA;&#xA;&#xA;O secundă&#xA;Și mi-a fost de ajuns&#xA;Am zărit-o&#xA;În inimă, mi-a pătruns&#xA;Sha-la-la-la-la-la-la-la&#xA;Și mă simt fericit&#xA;Fiindcă ea e tot ce mi-am dorit&#xA;O secundă&#xA;Și mi-a fost de ajuns&#xA;Am zărit-o&#xA;În inimă, mi-a pătruns&#xA;Sha-la-la-la-la-la-la-la&#xA;Și mă simt fericit&#xA;Fiindcă ea e tot ce mi-am dorit&#xA;O secundă&#xA;Și mi-a fost de ajuns&#xA;Am zărit-o&#xA;În inimă, mi-a pătruns&#xA;Sha-la-la-la-la-la-la-la&#xA;Și mă simt fericit&#xA;Fiindcă ea e tot ce mi-am dorit" PRODUCER="Roton Music" COVERARTID="112/Q5E1FCBVPXOKKAQAUUCWASINXFLC" PLAYTIME="271" PLAYTIME_FLOAT="270.826660" IMPORT_DATE="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="31352"></INFO>
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<INFO BITRATE="840717" KEY_LYRICS="4 ContributorsAm bani de dat (tengo dinero) Lyrics&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;&#xA;&#xA;Oh, no! Nu am bani în buzunar&#xA;N-am niciun leu măcar&#xA;Şi strig: „No tengo dinero, no tengo dinero!”&#xA;Io sunt doar un vagabond&#xA;N-am niciun leu în cont&#xA;Şi strig: „No tengo dinero, no tengo dinero!”&#xA;Şi io am plecat de-acasă ieri&#xA;Nu ştiu ce vrei să-mi ceri&#xA;Dar spun: „No tengo dinero, no tengo dinero!”&#xA;Ştiu, şi mâine e la fel&#xA;Suflă vântu-n portofel (Las-mă, bă!)&#xA;No tengo dinero, no tengo dinero!&#xA;&#xA;&#xA;Banii zboară, banii zboară&#xA;Banii zboară, banii zboară&#xA;&#xA;&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;&#xA;E praf şi-n seif şi în stomac&#xA;Şi nu am ce să... (Bă!) mănânc&#xA;No tengo dinero, no tengo dinero!&#xA;Dar da, sunt român în ţara mea&#xA;Oficial mi-e bine-aşa&#xA;Da' no tengo dinero, no tengo dinero!&#xA;&#xA;&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;&#xA;&#xA;Beau iar eu. Nu „de ce?” ci „din nou”&#xA;Am bani de dat la stat numai mii de euro&#xA;Dar nu le dau nimic, ăă, nu, nu vreu&#xA;N-am nimic trecut pe numele meu&#xA;Acu' nu c-aş avea vreo' proprietate pe la mare&#xA;Am doar prafu' de pe toba mare&#xA;Care-mi sună Poc-poc! Poc-poc! în cap&#xA;„Ai bani de dat, da' n-ai nimic de luat”&#xA;Aşa c-o ard gen haiducilu' 7 cai&#xA;Prind fetele pe cal ca-n Răpirea din Serai&#xA;Nu le duc la palat, le duc la un prieten&#xA;Îi bag telenovele deci tre' să facă muy bien&#xA;&#xA;Banii zboară, banii zboară&#xA;Banii zboară, banii zboară&#xA;&#xA;&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;&#xA;&#xA;Tengo dinero, mucho, mucho&#xA;Mucisima la ciorap şi la saltea, cum face Chucho&#xA;De vrei să-i numeri ziua, ziua că m-apucă noaptea&#xA;Şi somnu' nu doarme, te face să bagi mâna-n sac şi să-i dai partea&#xA;Fiscu' ne bagă pe toţi în sperieţi când bate la uşă&#xA;Se prinde de tine şi-ţi vine să-l arzi cu bricheta ca pe-o căpuşă&#xA;Ai bani de dat, Tamara nu-ţi e ţie mătuşă&#xA;Plăteşti impozit pe libertate, dar stai într-o cuşcă&#xA;N-au maniere, faci cum ţi se cere&#xA;Dai tot ce ai în pungă fără ca nimic să ţi se ofere&#xA;Clasa politică vrea să mai fac-o remaniere&#xA;Iar tu baţi ritmul. Dă manele-n calorifere, vere!&#xA;Pamflet pentr-un sistem defect&#xA;Iei credit ca să-ţi mai plăteşti, doar creditu-i corect&#xA;Vă bateţi joc iar noi vă batem pe umăr&#xA;Ar trebui să fiţi bătuţi de mici cu paru', fără numar&#xA;&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat&#xA;Am bani de dat, am datorii la stat" PRODUCER="(P) 2008 Cat Music" COVERARTID="009/JEI0ADCC5LW3MB4IXYHKCXVWLSJA" PLAYCOUNT="1" PLAYTIME="281" PLAYTIME_FLOAT="280.515015" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="29323"></INFO>
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<INFO BITRATE="880381" KEY_LYRICS="5 ContributorsÎn lipsa mea Lyrics&#xA;Sunt cu fața înspre ușă și cu ochii înspre ea&#xA;Zic „Adio”, ea zice „Te rog, nu pleca”&#xA;Fac un pas și mi se-aruncă în genunchii ei goi&#xA;Am văzut-o cu el și nu pot da înapoi&#xA;&#xA;&#xA;O mașină parcată pe dos&#xA;Hainele aruncate pe jos&#xA;Deschid ușa destul de ușor&#xA;Aud zgomote din dormitor&#xA;Îmi făceam mii de griji pentru ea&#xA;Telefonul închis îl ținea&#xA;Ei se iubeau sus în camera mea&#xA;Pe patul meu și pe muzica mea&#xA;&#xA;&#xA;(O!) Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja&#xA;Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja&#xA;&#xA;&#xA;Și nu o să mai fie la fel, pur și simplu&#xA;Băieții sunt baieți și femeile sunt (Hey)&#xA;Că poate să spună „Te iubesc” cu alt nume pe buze&#xA;Să se uite frumos, gândind la un prost&#xA;Care, vorba ta, parchează o mașina pe dos&#xA;Chiar nu știu ce să zic, frate, așa sunt toate&#xA;Cred că să-și demonstreze că încă merge&#xA;Că nu e de bani sau că vor mai bine&#xA;Dacă nu era cu tine îl înșela cu tine&#xA;Bine, tu ești plecat și e marfă-n club&#xA;Se duce bea și o ia c-un suc (Bass, bass, bass, bass)&#xA;După bass un pas și se rupe-n dans&#xA;Și oricare ar da la ea că femeia e frumoasa și arată că vrea&#xA;Și e clar că-i place așa&#xA;Dar chiar pe patul tău și pe muzica ta?&#xA;Hai dă-o, mă-n-&#xA;&#xA;(O!) Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja&#xA;Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja&#xA;&#xA;&#xA;O mașină parcată pe dos&#xA;Hainele aruncate pe jos&#xA;Deschid ușa destul de ușor&#xA;Aud zgomote din dormitor&#xA;Îmi făceam mii de griji pentru ea&#xA;Telefonul închis îl ținea&#xA;Ei se iubeau sus în camera mea&#xA;Pe patul meu și pe muzica mea&#xA;&#xA;&#xA;(O!) Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja&#xA;(O!) Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja&#xA;Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja&#xA;Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja&#xA;Mi-aș fi vândut și sufletul&#xA;Pentru o femeie cum ești tu&#xA;Dar în lipsa mea tu mi l-ai amanetat deja" PRODUCER="(P) 2008 Cat Music" COVERARTID="009/JEI0ADCC5LW3MB4IXYHKCXVWLSJA" PLAYTIME="219" PLAYTIME_FLOAT="218.178207" IMPORT_DATE="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="23981"></INFO>
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<INFO BITRATE="954125" KEY_LYRICS="4 ContributorsPreocupat cu gura ta Lyrics&#xA;Mulți spun că sunt perfect&#xA;Dar am nevoie de tine căci altfel sunt defect&#xA;Mulți spun că sunt bogat&#xA;Dar eu cerșesc fericirea în patul tău sărac&#xA;Mulți spun că sunt frumos&#xA;Dar fără dragostea ta pot spune că-s hidos&#xA;Mulți cred că sunt genial&#xA;Dar fără tine sunt doar un, un tip banal&#xA;&#xA;&#xA;Și mulți dintre ei te vor&#xA;Să fii jumătatea lor&#xA;I-aș bate cu mâna mea&#xA;Dar măna mea e prea ocupată cu mâna ta&#xA;Și crede-mă nu-i ușor&#xA;Să lupt contra tuturor&#xA;Pe bune i-aș înjura&#xA;Dar gura mea e prea ocupată cu gura ta&#xA;&#xA;&#xA;Mulți spun că sunt golan&#xA;Dar când ești tu lângă mine mă simt un gentleman, yes…&#xA;Mulți vor să mi te ia&#xA;Dar cheia inimii tale e ascunsă-n inima mea&#xA;Mulți cred că n-are rost&#xA;Dar niciodată mai sigur in viața mea n-am fost&#xA;Mulți cred că pot gândi pentru noi&#xA;Dar noi nu-nseamnă mai mulți&#xA;Noi inseamnă doar doi&#xA;&#xA;Și mulți dintre ei te vor&#xA;Să fii jumătatea lor&#xA;I-aș bate cu mâna mea&#xA;Dar mâna mea e prea ocupată cu mâna ta&#xA;Și crede-mă nu-i ușor&#xA;Să lupt contra tuturor&#xA;Pe bune i-aș injura&#xA;Dar gura mea e prea ocupată cu gura ta&#xA;&#xA;&#xA;Mâna mea, mâna mea o ține strâns pe-a ta&#xA;Gura mea, gura mea o sarută pe a ta&#xA;Ocupat, ocupat doar cu persoana ta&#xA;Prea ocupat să mai fac altceva&#xA;Mâna mea, mâna mea o ține străns pe-a ta&#xA;Gura mea, gura mea o sarută pe a ta&#xA;Ocupat, ocupat doar cu persoana ta&#xA;Prea ocupat să mai fac altceva&#xA;&#xA;&#xA;Și mulți dintre ei te vor&#xA;Să fii jumătatea lor&#xA;I-aș bate cu mâna mea (i-aș bate cu mâna mea)&#xA;Dar mâna mea e prea ocupată cu mâna ta&#xA;Și crede-mă nu-i ușor (și crede-mă nu-i ușor)&#xA;Să lupt contra tuturor (să lupt contra tuturor)&#xA;Pe bune i-aș injura (pe bune i-aș injura)&#xA;Dar gura mea e prea ocupată cu gura ta" PRODUCER="(P) 2008 Cat Music" COVERARTID="009/JEI0ADCC5LW3MB4IXYHKCXVWLSJA" PLAYTIME="234" PLAYTIME_FLOAT="233.480392" IMPORT_DATE="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="27726"></INFO>
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<INFO BITRATE="969903" KEY_LYRICS="6 ContributorsLove Is for Free Lyrics&#xA;I wanna know if you like me, girl&#xA;Give me sugar and honey&#xA;No, we don't need any money&#xA;We love each other 'cause love is for free&#xA;Your love is for free, yeah&#xA;Love is for free, your love is for free&#xA;I wanna know if you like me, girl&#xA;Give me sugar and honey&#xA;No, we don't need any money&#xA;We love each other 'cause love is for free&#xA;&#xA;&#xA;You're just a child, you're so divine&#xA;I will do anything to make you mine&#xA;Why they tease you, they have to try&#xA;I see you shining, that make me blind&#xA;Money, it's evil, it's miserable&#xA;But if you with me, love beat the devil&#xA;We have a shelter, living like rebels&#xA;Just me and you girl, loving forever&#xA;&#xA;&#xA;So what if your hot and I'm not?&#xA;You see that I'm a funny guy&#xA;Won't make you cry, so be mine, so be mine&#xA;So what if your hot and I'm not?&#xA;You see that I'm a funny guy&#xA;Won't make you cry, so be mine, so be mine&#xA;&#xA;I wanna know if you like me, girl&#xA;Give me sugar and honey&#xA;No, we don't need any money&#xA;We love each other 'cause love is for free&#xA;&#xA;&#xA;You're a beautiful woman sitting in the sun&#xA;Your like the rain in a summer day&#xA;You're the girl of my dreams&#xA;I don't know what that means&#xA;But I know you're be coming my way&#xA;&#xA;&#xA;So what if your hot and I'm not?&#xA;You see that I'm a funny guy&#xA;Won't make you cry, so be mine, so be mine&#xA;So what if your hot and I'm not?&#xA;You see that I'm a funny guy&#xA;Won't make you cry, so be mine, so be mine&#xA;&#xA;&#xA;I wanna know if you like me, girl&#xA;Give me sugar and honey&#xA;No, we don't need any money&#xA;We love each other 'cause love is for free&#xA;I wanna know if you like me, girl&#xA;Give me sugar and honey&#xA;No, we don't need any money&#xA;We love each other 'cause love is for free&#xA;I wanna know if you like me, girl&#xA;Give me sugar and honey&#xA;No, we don't need any money&#xA;We love each other 'cause love is for free&#xA;We love each other cause love is for free&#xA;Your love is for free, yeah&#xA;Love is for free, your love is for free" PRODUCER="(P) 2010 Cat Music / Hahaha Production" COVERARTID="087/XOBEZUCU2AVCSB4ZFOJ2CHUXWPOB" PLAYTIME="229" PLAYTIME_FLOAT="228.809433" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="27376"></INFO>
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<INFO BITRATE="1031403" KEY_LYRICS="7 ContributorsCriminal Lyrics&#xA;Somebody help me out&#xA;I feel like going crazy, help me out&#xA;I’m falling for my baby, help me out&#xA;With everything she does she turns me on&#xA;I locked her in my heart ‘cause she’s a criminal&#xA;(Drop it)&#xA;&#xA;&#xA;Anybody seen that girl of mine?&#xA;Always want to shine&#xA;Always catching your attention&#xA;No, I can’t get her out of my mind&#xA;Forever changed my life&#xA;Gotta have her, gotta taste her, gotta do it right&#xA;&#xA;&#xA;And I get it&#xA;That she’s playing&#xA;Keeps me wishin', keeps me guessin'&#xA;I can feel it&#xA;And I get it&#xA;That she’s playing&#xA;Keeps me wishin', keeps me guessin' (ooh)&#xA;&#xA;&#xA;Somebody help me out&#xA;I feel like going crazy, help me out&#xA;I’m falling for my baby, help me out&#xA;With everything she does she turns me on&#xA;I locked her in my heart ‘cause she’s a…&#xA;&#xA;Criminal&#xA;Magical&#xA;Chemical&#xA;Reaction, babe you're criminal&#xA;Magical&#xA;Chemical&#xA;Reaction, babe you're criminal&#xA;Criminal&#xA;&#xA;&#xA;So great, I love the way you walk in my way&#xA;I believe I can fly, MJ&#xA;Fly to the moon in one day&#xA;Just you and I&#xA;I’m addicted to you, don’t ask me why&#xA;I got yo back, you got my back&#xA;Ride – what I like, Bonnie and Clyde&#xA;We strike em out like my ex’s&#xA;Yea I only give a shit&#xA;What they talkin, what they hatin&#xA;‘Cause you know they on my shit&#xA;You dangerous like TNT&#xA;I play with fire to break the ice&#xA;Think about you day and night&#xA;&#xA;Somebody help me out&#xA;I feel like going crazy, help me out&#xA;I’m falling for my baby, help me out&#xA;With everything she does she turns me on&#xA;I locked her in my heart ‘cause she’s a…&#xA;&#xA;&#xA;Criminal&#xA;Magical&#xA;Chemical&#xA;Reaction, babe you're criminal&#xA;Magical&#xA;Chemical&#xA;Reaction, babe you're criminal (You’re so pretty, girl)&#xA;Magical (You’re so pretty, girl)&#xA;Chemical (You’re so pretty, girl)&#xA;Reaction, babe you're criminal (You’re so pretty, girl)&#xA;Magical (You’re so pretty, girl)&#xA;Chemical (You’re so pretty, girl)&#xA;Reaction, babe you're criminal (You’re so pretty, girl)&#xA;(You’re so pretty, girl)&#xA;(You’re so pretty, girl)&#xA;(You’re so pretty, girl)&#xA;(You’re so pretty, girl)&#xA;(You’re so pretty, girl)&#xA;Reaction, babe you're criminal" PRODUCER="(P) 2013 Cat Music / HaHaHa Production" COVERARTID="059/13FK1NCOBQXJGCNJ42OWCWZTWCWC" PLAYTIME="203" PLAYTIME_FLOAT="202.388138" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="25952"></INFO>
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<INFO BITRATE="1020241" KEY_LYRICS="5 ContributorsDead Man Walking Lyrics&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;Dead man walking, dead man walking, dead man walking&#xA;&#xA;&#xA;I said &amp;quot;No&amp;quot; you said &amp;quot;Yes&#xA;I will go, don't love you no more&amp;quot;&#xA;And you left me alone with a broken soul&#xA;And you killed all my dreams, you killed everything&#xA;Can't go on living without you by my side&#xA;There's no death, there's no life&#xA;&#xA;&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;Dead man walking&#xA;I'm a dead man walking&#xA;I'm a dead man walking&#xA;&#xA;I said &amp;quot;Black&amp;quot; you said &amp;quot;White&amp;quot;&#xA;I don't mind let's leave that behind&#xA;I'm sure we can find a new way of life&#xA;'Cause you killed all my dreams, you killed everything&#xA;Can't go on living without you by my side&#xA;There's no death, there's no life&#xA;&#xA;&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;&#xA;&#xA;I know we broke up, kinda messed up&#xA;But I know that we can give it one more try&#xA;I know we broke up, kinda messed up&#xA;But I know that we can give it one more try&#xA;I know we broke up, kinda messed up&#xA;But I know that we can give it one more try&#xA;I know we broke up, kinda messed up&#xA;But I know that we can give it one more try&#xA;&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking&#xA;At a dead man walking, a dead man walking&#xA;A dead man walking&#xA;You killed me when you left me&#xA;Now you're looking at a dead man walking" PRODUCER="(P) 2013 Cat Music / HaHaHa Production" COVERARTID="007/HYFRMVCXJ1DCJCBVSMHCA4LQBRUA" PLAYTIME="202" PLAYTIME_FLOAT="201.464172" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="25421"></INFO>
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<INFO BITRATE="895245" KEY_LYRICS="7 ContributorsDream Girl Lyrics&#xA;I'm sitting alone, drinking alcohol&#xA;I'm writing a song about you&#xA;I know it sounds sad, maybe even mad&#xA;But I know what you doin' behind my back&#xA;&#xA;&#xA;And you say you're in love, in love with me&#xA;But I know that you're lying to me&#xA;You say you're in love, in love with me&#xA;But I know that you're lying to me&#xA;&#xA;&#xA;My dream girl is gone now and the story goes on&#xA;So, what can I do with my life without you?&#xA;My dream girl is gone now and the story goes on&#xA;So, what can I do with my life without you?&#xA;&#xA;&#xA;You're nothing but a hoe always ready to go&#xA;You sold your soul for a little dough&#xA;And I can't understand how we could be friends&#xA;Let go of my hand, this is where it ends&#xA;&#xA;&#xA;And you say you're in love, in love with me&#xA;But I know that you're lying to me&#xA;You say you're in love, in love with me&#xA;But I know that you're lying to me&#xA;&#xA;My dream girl is gone now and the story goes on&#xA;So, what can I do with my life without you?&#xA;My dream girl is gone now and the story goes on&#xA;So, what can I do with my life without you?&#xA;&#xA;&#xA;&#xA;&#xA;And you say you're in love, in love with me&#xA;But I know that you're lying to me&#xA;You say that you in love, in love with me&#xA;But I know that you're lying to me&#xA;My dream girl is gone&#xA;&#xA;&#xA;My dream girl is gone now and the story goes on&#xA;So, what can I do with my life without you?&#xA;My dream girl is gone now and the story goes on&#xA;So, what can I do with my life without you?&#xA;My dream girl is gone now and the story goes on&#xA;So, what can I do with my life without you?&#xA;My dream girl is gone now and the story goes on&#xA;So, what can I do with my life without you?" PRODUCER="(P) 2010 Cat Music / Hahaha Production" COVERARTID="087/XOBEZUCU2AVCSB4ZFOJ2CHUXWPOB" PLAYTIME="190" PLAYTIME_FLOAT="189.892792" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="21037"></INFO>
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<INFO BITRATE="907246" KEY_LYRICS="7 ContributorsPlec pe Marte Lyrics&#xA;Plec de tot, departe de tot&#xA;De tot ce-am avut, dar am pierdut&#xA;Plec departe, plec pe Marte&#xA;Şi acolo poate, poate, poate&#xA;Plec de tot, departe de tot&#xA;De tot ce-am avut, dar am pierdut&#xA;Plec departe, plec pe Marte&#xA;Şi acolo poate, poate, poate&#xA;Şi mai departe, şi mai departe&#xA;&#xA;&#xA;Nu mai suport, plec de tot&#xA;Îmi iau lumea-n cap, m-arunc peste bord&#xA;Plec de tot, n-am servici&#xA;N-am bani, bat pasu' pe loc&#xA;Nici prieteni nu am, mă simt singur&#xA;Singur, singur de tot, da' singur de tot&#xA;De ce să mai stau? N-am niciun motiv&#xA;Mă simt inutil, n-am nimic din ce vreau&#xA;Mă căuta norocul, dar nu ştia unde stau&#xA;Nu ştia unde stau, nu ştia unde stau, nu ştia unde stau&#xA;&#xA;&#xA;Plec de tot, departe de tot&#xA;De tot ce-am avut, dar am pierdut&#xA;Plec departe, plec pe Marte&#xA;Şi acolo poate, poate, poate&#xA;Plec de tot, departe de tot&#xA;De tot ce-am avut, dar am pierdut&#xA;Plec departe, plec pe Marte&#xA;Şi acolo poate, poate, poate&#xA;Şi mai departe (Doi, aha, aha), şi mai departe&#xA;&#xA;Doi, 'ai&#xA;Unde să ne mai ascundem când fugim de noi?&#xA;În jur e pace, nu-mi place, în suflet port un război&#xA;Sunt un sălbatic într-o lume civilizată cu forţa&#xA;Şi nu sunt genul să vă car torţa&#xA;Lumea fuge de cuvinte, deja nimeni nu spune ce simte&#xA;Deci nu mai avem nevoie de cuvinte&#xA;Constat că sunt plecat cu capu', deci sunt normal&#xA;Uite, am reuşit, m-am relaxat în ultimu' hal&#xA;Orice vis devine realitate, dacă eşti tâmpit&#xA;Poţi fi pus la locu' tău cu medicamentu' potrivit&#xA;Uitându-mă pe geam mă-ntorc şi plec din nou&#xA;Te invit să vii când nu sunt, prezenţa ta îmi face rău&#xA;Prietenii care m-acceptă cum sunt mă plictisesc&#xA;Iar pe cei care fug de mine nu-i mai găsesc&#xA;Dacă mi-aş permite să fiu cum sunt n-aş mai scrie&#xA;Şi m-aş duce zâmbind de zece ori pe zi la puşcărie&#xA;Gândesc la rece când inima fierbe, sunt un intrus&#xA;Din propria mea lume mă simt exclus&#xA;Plec departe&#xA;&#xA;&#xA;Plec de tot, departe de tot&#xA;De tot ce-am avut, dar am pierdut&#xA;Plec departe, plec pe Marte&#xA;Şi acolo poate, poate, poate&#xA;Plec de tot, departe de tot&#xA;De tot ce-am avut, dar am pierdut&#xA;Plec departe, plec pe Marte&#xA;Şi acolo poate, poate, poate&#xA;Şi mai departe, şi mai departe" PRODUCER="(P) 2010 Cat Music / Hahaha Production" COVERARTID="087/XOBEZUCU2AVCSB4ZFOJ2CHUXWPOB" PLAYTIME="236" PLAYTIME_FLOAT="235.110748" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="26324"></INFO>
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<INFO BITRATE="936615" KEY_LYRICS="7 ContributorsMă ucide ea Lyrics&#xA;E totul în viteză&#xA;Delir cât cerul de înalt&#xA;Suntem în antiteză&#xA;Subiecții unui simplu joc murdar&#xA;&#xA;&#xA;Ochii mei, rușinați, coboară doritor&#xA;Dar te respir, în acest urban decor&#xA;&#xA;&#xA;Mă ucide ea, mă ucide ea&#xA;Încet...&#xA;Îmi vrea inima, îmi vrea inima&#xA;Din piept&#xA;&#xA;&#xA;E atât de grațioasă&#xA;Printre mulțimi de oameni&#xA;Plictisiți pe drum&#xA;Și pare un dans ascuns&#xA;Supuși, dansează doi necunoscuți&#xA;&#xA;&#xA;Ochii mei, rușinați, coboară doritor&#xA;Dar te respir, în acest urban decor&#xA;&#xA;Mă ucide ea, mă ucide ea&#xA;Încet...&#xA;Îmi vrea inima, îmi vrea inima&#xA;Din piept&#xA;Mă ucide ea, mă ucide ea&#xA;Încet...&#xA;Îmi vrea inima, îmi vrea inima&#xA;Din piept&#xA;&#xA;&#xA;Arde pe asfalt și pulsează foc&#xA;Arde, arde revoltat&#xA;Arde prea frumos, arde inima&#xA;Arde, recunosc!&#xA;&#xA;&#xA;Mă ucide ea încet, încet&#xA;Îmi rupe inima, da, din piept&#xA;Tremură ușor buzele mușcate&#xA;Iar gravitația mă atacă&#xA;Fluturi și vibrații calde pe asfalt&#xA;De parcă ne plimbăm desculți, prin pat&#xA;Sirene de incendiu care nu ne pot opri&#xA;Iar timpul, un nemernic, numără grăbit&#xA;&#xA;Mă ucide ea&#xA;Mă ucide ea&#xA;Mă ucide ea&#xA;Mă ucide ea&#xA;Da, da..." PRODUCER="Roton Music" COVERARTID="046/O3NN4TDPQ02KLCIP1PLEDF1JNRGD" PLAYTIME="247" PLAYTIME_FLOAT="246.466187" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="28294"></INFO>
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<INFO BITRATE="1020675" KEY_LYRICS="2 ContributorsDomnișoare Lyrics&#xA;Dau o fugă în oraș după domnișoare&#xA;Că nu mai am niciun loc gol de parcare&#xA;Și o să parchez la ele în dormitoare&#xA;Azi o ardem în deplasare&#xA;Dau o fugă în oraș după domnișoare&#xA;Că nu mai am niciun loc gol de parcare&#xA;Și o să parchez la ele în dormitoare&#xA;Azi o ardem în deplasare&#xA;&#xA;&#xA;Okay, am o revelație&#xA;Nu-s capabil de-o relație&#xA;Mai nou, pare obligație&#xA;Ce era cândva senzație&#xA;Plus că, nu mai sunt eu&#xA;Așa apăsat mereu&#xA;Lasă-mă să-ți spun ceva&#xA;Nici tu nu mă vrei așa&#xA;Recunoaște, îmi stă mai bine&#xA;Când zâmbesc că sunt cu tine&#xA;Spui că mă iubești, și eu&#xA;Și eu, și eu, și eu...&#xA;&#xA;&#xA;Dau o fugă în oraș după domnișoare&#xA;Că nu mai am niciun loc gol de parcare&#xA;Și o să parchez la ele în dormitoare&#xA;Azi o ardem în deplasare&#xA;Dau o fugă în oraș după domnișoare&#xA;Că nu mai am niciun loc gol de parcare&#xA;Și o să parchez la ele în dormitoare&#xA;Azi o ardem în deplasare&#xA;&#xA;Nu-mi vorbești o săptămână&#xA;Dacă nu te țin de mână&#xA;Nu-mi vorbești o lună-ntreagă&#xA;Încep să cred c-o să meargă&#xA;Până te superi iar&#xA;N-am făcut nimic da-i clar&#xA;C-am făcut ceva, normal&#xA;Numai unu-i vinovat&#xA;Mda, și ghici tu care&#xA;Mereu același, în continuare&#xA;Nu mai am stare, îl sun pe Zhao&#xA;Și dau o, dau o, dau o...&#xA;&#xA;&#xA;Dau o fugă în oraș după domnișoare&#xA;Că nu mai am niciun loc gol de parcare&#xA;Și o să parchez la ele în dormitoare&#xA;Azi o ardem în deplasare&#xA;Dau o fugă în oraș după domnișoare&#xA;Că nu mai am niciun loc gol de parcare&#xA;Și o să parchez la ele în dormitoare&#xA;Azi o ardem în deplasare&#xA;&#xA;&#xA;E tare rău peisaju'&#xA;Sau am greșit iar dozaju'?&#xA;Că viața mea n-are carnet, da' rupe kilometraju'&#xA;Te rog, deschide-mi garaju'&#xA;Și spune-mi: care-i etaju'?&#xA;Eu sunt în trecere p-aici. Zi, pot să urc să-ți stric machiaju'?&#xA;Da' seara trece repede, vezi cum răsare soarele&#xA;Ea știe c-o să plec să mă văd cu toate nasoalele&#xA;Mă-ntreabă dacă stau, îi zic că nu știu să răspund&#xA;Și când mă bag rapid în duș, îmi fac bagajele în gând&#xA;Să...&#xA;&#xA;Dau o fugă în oraș după domnișoare&#xA;Că nu mai am niciun loc gol de parcare&#xA;Și o să parchez la ele în dormitoare&#xA;Azi o ardem în deplasare&#xA;Dau o fugă în oraș după domnișoare&#xA;Că nu mai am niciun loc gol de parcare&#xA;Și o să parchez la ele în dormitoare&#xA;Azi o ardem în deplasare" PRODUCER="2013 Okapi Sound" COVERARTID="083/TCB0QMDKIR3RUDICAMRCACB5JNSA" PLAYTIME="230" PLAYTIME_FLOAT="229.493332" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="28768"></INFO>
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<INFO BITRATE="925211" KEY_LYRICS="4 ContributorsSophie LyricsMefX (ref) :&#xA;E sofisticata, mă!&#xA;Tu nu vezi cum se-mbraca, mă?&#xA;Nu ai bani zice &amp;quot;Lasa-ma! &amp;quot;&#xA;Tipa așta-i o paguba nu e de tine&#xA;Ca-i sofisticata, mă, prea sofisticata, mă&#xA;Sofisticata, mă!&#xA;O fi stricata, mă?&#xA;&#xA;Maximilian :&#xA;Cu siguranța!&#xA;Stie mult prea multe pt varsta ei&#xA;Uite cum te tine dupa fusta ei&#xA;Bre, te-a facut din vorbe, doua&#xA;O sa-ti aduc mancare la spitalu' 9&#xA;Nu! Te joci cu focu; nu-i de tine&#xA;Nu stiu cum n-ai vazut&#xA;Are ceva-n privire&#xA;N-ar fi trebuit sa uiti un lucru&#xA;O fi bine imbracata da'i goala pe dinauntru&#xA;Are inima de piatra, e fata desteapta&#xA;Tu esti prostu care inca o asteapta&#xA;Bre, n-auzi ca joaca in alta liga?&#xA;N-auzi cand toata lumea striga :&#xA;&#xA;(Ref) :E sofisticata ma&#xA;Tu nu vezi cum se-mbraca ma?&#xA;Nu ai bani zice &amp;quot;Lasa-ma! &amp;quot;&#xA;Tipa asta-i o paguba nu e de tine&#xA;Ca-i sofisticata ma, prea sofisticata ma&#xA;Sofisticata ma&#xA;O fi stricata ma!&#xA;MefX:&#xA;Și n-are ganduri prea mari cu viata ei&#xA;De obicei umbla multi dupa fundu' ei, și&#xA;Trec nopti, una dupa una, tot nu vrea (x2)&#xA;Sa se bage pentru ca n-am lozu'&#xA;Suficient cat sa-i mentina bronzu'&#xA;Trec nopti, una dupa una, tot nu vrea (x2)&#xA;N-am bani sa fiu ala care-i place&#xA;N-am bani sa ii dau sa se imbrace&#xA;Bani sa fiu ala care-o plimba&#xA;Bani sa fiu ala care-o schimba&#xA;Și n-o pot atinge, n-o pot convinge macar un minut sa stea&#xA;Ca nu e cum crede ea&#xA;&#xA;(Ref) :E sofisticata ma&#xA;Tu nu vezi cum se-mbraca ma?&#xA;Nu ai bani zice &amp;quot;Lasa-ma! &amp;quot;&#xA;Tipa asta-i o paguba nu e de tine&#xA;Ca-i sofisticata ma, prea sofisticata ma&#xA;Sofisticata ma&#xA;O fi stricata ma!&#xA;&#xA;Maximilian :&#xA;Ai zis ca &amp;quot;Nu! &amp;quot;, da' deja spargi multi bani pe c***u ei'&#xA;Tu si prostii care-o ard in juru' ei&#xA;Ce-i? Credeai ca tu esti singuru'?&#xA;Nu te-ai gandit la asta, ti-a rupt filmu' nu?&#xA;&amp;quot;Da&amp;quot;... i-ai luat deja verigheta&#xA;In timp ce ea se intindea pe nu mai stiu ce bancheta&#xA;WOW.. miscarea asta a fost chiar proasta&#xA;Ea cu lesa, tu cu limba scoasa&#xA;Nici nu te vrea dar te are sub papuc&#xA;Se vede prin statusul de pe Facebook&#xA;Scrie bine, uita cate-un &amp;quot;I&amp;quot; pe-alocuri&#xA;Da' sa vezi cum e pe tocuri&#xA;(Ref) :E sofisticata ma&#xA;Tu nu vezi cum se-mbraca ma?&#xA;Nu ai bani zice &amp;quot;Lasa-ma! &amp;quot;&#xA;Tipa asta-i o paguba nu e de tine&#xA;Ca-i sofisticata ma, prea sofisticata ma&#xA;Sofisticata ma&#xA;O fi strïcata ma!" PRODUCER="2013 Okapi Sound" COVERARTID="083/TCB0QMDKIR3RUDICAMRCACB5JNSA" PLAYTIME="207" PLAYTIME_FLOAT="206.266663" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="23471"></INFO>
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<INFO BITRATE="1031686" KEY_LYRICS="2 ContributorsMinim doi LyricsOooooooooooo&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, rămâne între noi!&#xA;&#xA;Oooooooooooo&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, rămâne între noi!&#xA;&#xA;Bighidi Boom Sakalaka, e fierbinte ca vara&#xA;E încinsa rău, ca deșertu-n Sahara&#xA;Se-aprinde, ia foc, arde ca tigara&#xA;N-o stinge nici apa, nici Niagara&#xA;Nu e ca ea, nici Roxana, nici Mara&#xA;Nici Daniela, nici Maria Ioana&#xA;Man down, m-a pus jos, la fel ca Rihanna&#xA;Piele colorata gen Chica Mexicana&#xA;&#xA;E fierbinteee rău, frige, frige&#xA;Nici o cisterna cu apă n-o stinge&#xA;Ma topesc pe loc dacă m-atinge&#xA;Super femeeeieee&#xA;&#xA;Oooooooooooo&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, ra&#xA;Mane intre noi!&#xA;Oooooooooooo&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, rămâne între noi!&#xA;Uhh mami like ya, woman your tease&#xA;Îmi pui inima pe foc, și-o arunci ca pe frisbee&#xA;Pui sare pe rană, ca să mă doară&#xA;Că eu sunt vagabontul, si tu esti o doamnă&#xA;Sexy chiar și Inna te place, Mă supui la test&#xA;Ca pe un copil de școala&#xA;Vrei să-mi fac temele de seară&#xA;Ai un fizic mirific, nu e fizică se știe&#xA;Omogen ca hidrogenul și-oxigenul în chimie&#xA;&#xA;Oooooooooooo&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, rămâne între noi!&#xA;&#xA;Oooooooooooo&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, rămâne între noi!&#xA;&#xA;E fierbinteee, frige, frige&#xA;Nici o cisterna cu apă n-o stinge&#xA;Super femeeeieee&#xA;Super femeeeieee&#xA;&#xA;E fierbinteee, frige, frige&#xA;Nici o cisterna cu apă n-o stinge&#xA;Super femeeeieee&#xA;Super femeeeieee&#xA;Oooooooooooo&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, rămâne între noi!&#xA;&#xA;Tu si eu facem totul perfect&#xA;Oooooooooooo&#xA;Dacă vrei ne iubim în secret&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, rămâne între noi!&#xA;&#xA;Tu si eu facem totul perfect&#xA;Oooooooooooo&#xA;Dacă vrei ne iubim în secret&#xA;Oooooooooooo&#xA;Dragostea se face-n minim doi&#xA;E secret, rămâne intre noi!" PRODUCER="HaHaHa Production" COVERARTID="071/HKI45IBK0FSCPCUKDFWIACQI5CSB" PLAYTIME="207" PLAYTIME_FLOAT="206.087006" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="26179"></INFO>
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<INFO BITRATE="886084" KEY_LYRICS="5 ContributorsDacă dragostea dispare Lyrics&#xA;&#xA;&#xA;Dacă dragostea dispare&#xA;Viața mea n-are culoare&#xA;Și doare tot mai tare&#xA;Plouă-ncet...&#xA;Am doar o întrebare:&#xA;Se gândește la mine, oare?!&#xA;Unde sunt zilele cu soare?&#xA;Unde ești tu?&#xA;&#xA;&#xA;Yeah, uh&#xA;Începe o modă nouă&#xA;Și plângi la telefon&#xA;Îmi spui că nu ai somn&#xA;De fapt nu vrei să dormi&#xA;Începi să îmi explici prin cuvinte&#xA;Însă dragostea nu se explică, ea se simte!&#xA;Am înțeles că ai deja p-altcineva&#xA;Și dacă trebuie să plec, eu plec, dar nu uita&#xA;Că amintirile rămân, indiferent de ce-ar urma&#xA;Poți să rupi și pozele, le vei lipi-napoi cândva&#xA;Dar cel mai rău mă doare faptul că mă doare încă&#xA;Mă doare faptul că credeam că ne iubim și spun că&#xA;Speranța că te-ntorci mă ține tare ca o stâncă&#xA;Mâna dreapta o țin în falcă, poza ta în mâna stângă&#xA;Deși stăm aproape acum, calea-i lungă&#xA;Gândul la tine-mi zboară și sper să și ajungă&#xA;Dacă te-ntrebi cumva ce fac mai nou, am pă piept o dungă&#xA;M-am operat pe suflet deschis, căci rana e adâncă&#xA;&#xA;Dacă dragostea dispare&#xA;Viața mea n-are culoare&#xA;Și doare tot mai tare&#xA;Plouă-ncet...&#xA;Am doar o întrebare:&#xA;Se gândește la mine, oare?!&#xA;Unde sunt zilele cu soare?&#xA;Unde ești tu?&#xA;&#xA;&#xA;A trecut o zi, parc-a trecut o săptămână&#xA;De fapt, nici n-a trecut și te văd cu el de mână&#xA;Stau și îl privesc și pe loc realizez&#xA;Că diferența dintre noi o face doar un Mercedes&#xA;Da, probabil că-s gelos și nu așa te-a cucerit&#xA;Sau poate-i noul tău amic și eu am înnebunit&#xA;Mi-am întors privirea, uimit de ce vedeam&#xA;Vreau să ascult melodia ce m-alina când ne certam&#xA;Parcă sunt sedat, însetat, setat&#xA;Pe imaginea ei, nu mă pot ridica deloc&#xA;N-am loc deloc, deloc n-am loc în pat&#xA;Și nu știi cât mă chinui... mă chinui, dar nu pot&#xA;La suferința mea chiar nu există antidot&#xA;&#xA;&#xA;Și știu că va fi greu&#xA;(Dar mult mai bine-așa)&#xA;O voi iubi mereu&#xA;(Te voi iubi mereu, mereu!)&#xA;Și n-o s-o pot uita&#xA;(Nu, nu, nu... n-am s-o pot uita)&#xA;E prima dragoste, au! Poate ultima...&#xA;&#xA;Dacă dragostea dispare&#xA;Viața mea n-are culoare&#xA;Și doare tot mai tare&#xA;Plouă-ncet...&#xA;Am doar o întrebare:&#xA;Se gândește la mine, oare?!&#xA;Unde sunt zilele cu soare?&#xA;Unde ești tu?&#xA;&#xA;&#xA;Îmi sună telefonul, n-a mai sunat de mult&#xA;0722... deja îmi sună cunoscut&#xA;Răspund „Alo! Cine e?” și-mi închide scurt&#xA;Poate a format greșit sau poate...&#xA;Dar sună din nou, din nou spun „Alo!”&#xA;Și o voce cunoscută-mi spune &amp;quot;Bună... Sunt eu!&amp;quot;&#xA;Îmi spune că regretă și că ar fi mișto&#xA;Să discutăm la o cafea, ai uitat că-mi face rău?&#xA;Îmi zice „Am realizat că doar cu tine pot să fiu”&#xA;Îi spun „Nu te-ai uitat la ceas, totuși cât e de târziu?!”&#xA;Îmi cere să o scuz... să o iert pentru deranj&#xA;Răspunsul meu final e „Sunt Connect-R, după beep lăsați mesaj”&#xA;&#xA;&#xA;Dacă dragostea dispare&#xA;Viața mea n-are culoare&#xA;Și doare tot mai tare&#xA;Plouă-ncet...&#xA;Am doar o întrebare:&#xA;Se gândește la mine, oare?!&#xA;Unde sunt zilele cu soare?&#xA;Unde ești tu?&#xA;Dacă dragostea dispare&#xA;Viața mea n-are culoare&#xA;Și doare tot mai tare&#xA;Plouă-ncet...&#xA;Am doar o întrebare:&#xA;Se gândește la mine, oare?!&#xA;Unde sunt zilele cu soare?&#xA;Unde ești tu?&#xA;&#xA;(Unde ești tu?)&#xA;(Unde ești tu?)&#xA;(Unde ești tu?)&#xA;Love at the first sight!" PRODUCER="Roton Music" COVERARTID="003/DA1K1FA1X01M2DGSO2MWDJJIEFCB" PLAYTIME="239" PLAYTIME_FLOAT="238.102310" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="25936"></INFO>
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<INFO BITRATE="990738" KEY_LYRICS="2 ContributorsStill LyricsOh oh oh...we still hot like fire&#xA;Oh oh oh...we still climbing higher&#xA;Oh oh oh...until we desire&#xA;We never go tired&#xA;Connect-R and Mayer&#xA;&#xA;Oh oh oh, we still hot like fire&#xA;Oh oh oh, we still climbing higher&#xA;Oh oh oh, until we desire&#xA;We never go tired&#xA;Connect-R and Mayer&#xA;&#xA;Oh oh oh, we still hot like fire&#xA;Oh oh oh, we still climbing higher&#xA;Oh oh oh, until we desire&#xA;We never go tired&#xA;Connect-R and Mayer&#xA;&#xA;All this is tragic, hm&#xA;Oh no, it's magic, hm&#xA;We still got love for the music, it's logic...&#xA;We know you're jealous&#xA;Cuz with the real us&#xA;But come on fellas&#xA;Your girls want to bounce us&#xA;So let the music carry you right on my way&#xA;If you think you can stop, now you gonna press play&#xA;Cuz we fire the sun, you're just night on my daay&#xA;So let me hear you say&#xA;&#xA;Oh oh oh, we still hot like fire&#xA;Oh oh oh, we still climbing higher&#xA;Oh oh oh, until we desire&#xA;We never go tired&#xA;Connect-R and Mayer&#xA;&#xA;Oh oh oh, we still hot like fire&#xA;Oh oh oh, we still climbing higher&#xA;Oh oh oh, until we desire&#xA;We never go tired&#xA;Connect-R and Mayer&#xA;&#xA;All this is tragic, hm&#xA;Oh no, it's magic, hm&#xA;We still got love for the music, it's logic&#xA;We know you're jealous&#xA;Cuz with the real us&#xA;But come on fellas&#xA;Your girls want to bounce us&#xA;&#xA;So let the music carry you right on my way&#xA;If you think you can stop, now you gonna press play&#xA;Cuz we fire the sun, you're just night on my daay&#xA;So let me hear you say:&#xA;Stand up!&#xA;Stand up!&#xA;Stand up!&#xA;Stand up!&#xA;Stand up!&#xA;Stand up!&#xA;Stand up!&#xA;Turn it up!&#xA;&#xA;Oh oh oh, we still hot like fire&#xA;Oh oh oh, we still climbing higher&#xA;Oh oh oh, until we desire&#xA;We never go tired&#xA;Connect-R and Mayer&#xA;&#xA;Ha! Ha! Ha! Hey yo! Ha! Hmm&#xA;Haters become lovers&#xA;Coz music is just us&#xA;And when there's no justice&#xA;Don't worry... is just us&#xA;Connect-R and Mayer&#xA;Rappin'On Productioon" PRODUCER="Roton Music" COVERARTID="076/M02SUSASTPZ3OCQNKL4IBNIWQKLA" PLAYTIME="221" PLAYTIME_FLOAT="220.952408" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="26872"></INFO>
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<INFO BITRATE="907941" KEY_LYRICS="2 ContributorsVedeta mea Lyrics&#xA;&#xA;&#xA;Ca tine nu-i nici una, am vrut să-ţi dau şi luna&#xA;Da' tu nu stai nici la soare, îţi place lumina de la reflectoare&#xA;Eu ţi-am oferit de toate, da' nu m-am gândit că poate&#xA;Dintre toate cele visate, cel mai mult vrei celebritate&#xA;Voiam să-ţi fac logodna, să te duc sus pe muntele Athos&#xA;Dar la câte păcate aveai, să ne cunune putea doar Kapatos&#xA;E haos… că ştiu că filmu' are un final&#xA;Dar, i-auzi, regizoru' sunt eu, pierzi rolu' principal!&#xA;&#xA;&#xA;Ai fost vedeta mea, un star de cinema&#xA;Şi m-ai vrăjit cumva cu-acel je-ne-sais-quoi&#xA;Ai fost vedeta mea, un star de cinema&#xA;Dar a venit cineva și ţi-a luat strălucirea&#xA;&#xA;&#xA;Oooh, oooh, oooh, daa&#xA;Oooh, oooh, oooh, daa&#xA;&#xA;&#xA;Ca tine nu vezi tot timpu' (Timpu')&#xA;Am vrut să-ţi pictez şi chipu' (Chipu')&#xA;Da' tu vrei s-apari în imagini&#xA;Şi-alea să fie pe primele pagini (Click!)&#xA;Eu ţi-am oferit o casă, o viaţă fără riscuri&#xA;Dar nu m-am gândit că, de fapt&#xA;Tu vrei o viaţă-n casa de discuri&#xA;&#xA;Şi erai steaua mea și lângă tine eram teafăr&#xA;Erai atât de stea încât te puteam chema Luceafăr&#xA;Şi am să spun cuiva să-ţi dea cumva de ştire&#xA;Că stelele când sunt prea sus îşi pierd din strălucire&#xA;Domnișoara nu cântă pe note, cântă pe bancnote!&#xA;Au!&#xA;&#xA;&#xA;Ai fost vedeta mea, un star de cinema (Ah-ah)&#xA;Şi m-ai vrăjit cumva cu-acel je-ne-sais-quoi&#xA;Ai fost vedeta mea (Oh-oh) un star de cinema (Ye-yeah)&#xA;Dar a venit cineva (Ey-yeah) și ţi-a luat strălucirea&#xA;Ai fost vedeta mea (Vedeta mea) un star de cinema&#xA;Şi m-ai vrăjit cumva cu-acel je-ne-sais-quoi&#xA;Ai fost vedeta mea (Oh-oh) un star de cinema (Ye-yeah)&#xA;Dar a venit cineva și ţi-a luat strălucirea&#xA;&#xA;&#xA;Oooh (Aha)&#xA;Oooh (Aha)&#xA;Oooh, daa&#xA;Oooh (Oh-oh)&#xA;Oooh (Oh-oh)&#xA;Oooh, daa" PRODUCER="Roton Music" COVERARTID="061/3N2OGPB4SROT0CWMMZDNCHARID1B" PLAYTIME="181" PLAYTIME_FLOAT="180.497299" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="20093"></INFO>
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<INFO BITRATE="972774" KEY_LYRICS="2 ContributorsDă-te-n dragostea mea Lyrics&#xA;&#xA;&#xA;Am patru camere şi dacă vrei&#xA;Aici chiria mea nu se plăteşte-n lei&#xA;Şi nici în euro că nu prea mă descurc cu ei&#xA;Puţină dragoste şi e okay&#xA;Şi printre inimi mă plimb&#xA;Şi caut una pentru mine&#xA;Ca s-o dau p-a mea la schimb, oh&#xA;Da' parcă nu mai am timp&#xA;Şi nici cuvinte să spun ceea ce simt&#xA;&#xA;&#xA;Tu urăşte-mă cât poţi de tare&#xA;Eu te voi iubi&#xA;Fiindcă tot ce aud în timpane&#xA;E vocea inimii&#xA;&#xA;&#xA;Dacă mă vei supăra&#xA;Mai dă-te-n dragostea mea&#xA;Ştii că te voi înjura&#xA;Mai dă-te-n dragostea mea&#xA;Eu nu mă pot enerva&#xA;Că ştiu cum e inima&#xA;Aşa că-ţi mai zic ceva&#xA;Mai dă-te-n dragostea mea&#xA;&#xA;Îmi spunea cineva&#xA;Că inima e prea complicată&#xA;Să nu-mi bat capul cu ea&#xA;Că n-o s-o-nţeleg niciodată, oh&#xA;Fiindcă aşa-i dragostea&#xA;Nopţile-s furtunoase&#xA;Prea furtunoase, da&#xA;Deşi te doare doar ea&#xA;Îţi face zile frumoase&#xA;Zile frumoase, da&#xA;Da-r-ar dragostea-n voi&#xA;Dacă dă pe la voi, da-ţi şi pe la noi&#xA;C-o punem în foi&#xA;O-mpărţim la doi&#xA;Mai rămâne un pic să dăm şi-napoi&#xA;Cântăm Corinteni&#xA;Că fără dragoste am fi nimeni&#xA;Amfibieni şi ambii avem&#xA;Inimi care bat în acelaşi BPM&#xA;&#xA;&#xA;Tu urăşte-mă cât poţi de tare&#xA;Eu te voi iubi&#xA;Fiindcă tot ce aud în timpane&#xA;E vocea inimii&#xA;&#xA;Dacă mă vei supara&#xA;Mai dă-te-n dragostea mea&#xA;Ştii că te voi înjura&#xA;Mai dă-te-n dragostea mea&#xA;Eu nu mă pot enerva&#xA;Că ştiu cum e inima&#xA;Aşa că-ţi mai zic ceva&#xA;Mai dă-te-n dragostea&#xA;Mai dă-te-n dragostea mea&#xA;Mai dă-te-n dragostea mea&#xA;&#xA;&#xA;C-aşa e inima mea&#xA;Vrea inima ta, inima mea&#xA;Aşa e inima&#xA;C-aşa e inima mea&#xA;Vrea inima ta, inima mea&#xA;Aşa e inima&#xA;C-aşa e inima mea&#xA;Vrea inima ta, inima mea&#xA;Aşa e inima&#xA;C-aşa e inima mea&#xA;Mai dă-te-n dragostea mea&#xA;Aşa e inima&#xA;C-aşa e inima mea&#xA;Mai dă-te-n dragostea" PRODUCER="Roton" COVERARTID="084/UC4ZCUAS4IGL1DUTTUU0CREB5WUD" PLAYTIME="207" PLAYTIME_FLOAT="206.400024" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="24695"></INFO>
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<INFO BITRATE="962822" KEY_LYRICS="2 ContributorsToată vara LyricsStrofa 1 ( Robert Toma ):&#xA;Wow&#xA;Da' ce-i cu atata popor&#xA;E plin de pasarele cip-cip-ciripind amor&#xA;Afara zici ca-i cuptor&#xA;Da' bitu' asta-i cool , scos din congelator&#xA;E racoritor , mama cat mi-era de dor&#xA;Sa m-arunc in Marea Neagra ca un peste rapitor&#xA;Ma tot gandesc de-o vreme la tot felul de scheme&#xA;Gen : cum sa prind sirene cu chitara&#xA;&#xA;Refren :&#xA;TOATA VARA&#xA;Dansez toata vara x2&#xA;Si tot ce vreau e langa tine sa stau&#xA;TOATA VARA&#xA;Danseaza toata tara&#xA;&#xA;Strofa 2 (Robert Toma):&#xA;Cee-i aici e problema mondiala&#xA;Cand pui mana pe mine simt incalzirea globala&#xA;Suferi de supra-ncalzire&#xA;Cred c-ai nevoie de un senzor de racire&#xA;Imi place cand spui nu&#xA;Uite facem cum vrei tu&#xA;O sa-ti fac cu mana mea , pe plaja un igloo&#xA;Ma tot gandesc de-o vreme la tot felul de scheme&#xA;Gen : cum sa fiu eu trenul , si tu gara&#xA;Refren :&#xA;TOATA VARA&#xA;Dansez toata vara x2&#xA;Si tot ce vreau e langa tine sa stau&#xA;TOATA VARA&#xA;Danseaza toata tara&#xA;&#xA;Strofa 3 ( Marius Moga ):&#xA;E paradis , cum ti-am promis&#xA;Si tot ce vreau , e langa tine sa stau x2&#xA;&#xA;Refren :&#xA;TOATA VARA&#xA;Dansez toata vara x2&#xA;Si tot ce vreau e langa tine sa stau&#xA;TOATA VARA&#xA;Danseaza toata tara" PRODUCER="(P) 2015 Cat Music / Studio 47 MS" COVERARTID="048/QNWI0WDYF3Y5DDPUWLCNAQ3YB3OC" PLAYTIME="176" PLAYTIME_FLOAT="175.384598" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="20875"></INFO>
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<INFO BITRATE="934611" KEY_LYRICS="3 ContributorsȚine-te bine Lyrics&#xA;Ține-te bine, bine de mine&#xA;Am mai trecut noi prin furtună amândoi&#xA;Ține-te bine, bine de mine&#xA;Am mai trecut noi prin furtună amândoi&#xA;&#xA;&#xA;Ține-mă de mână, ține-mă de mână bine&#xA;Că am urcat o viață, dar am rău de înălțime&#xA;Unii vor să ne țină pe loc, mie nu-mi pasă cine&#xA;Hai să ne luăm viteză, ai încredere în mine&#xA;&#xA;&#xA;Și simt că se apropie zilele&#xA;Când o să-ți fac toate poftele&#xA;Când nu o să mai simți problemele&#xA;Dar acum suntem în furtună&#xA;Noi doi, tot împreună&#xA;Nu are cine ce să ne spună&#xA;Promit să te țin de mână&#xA;Până la ultimul noapte bună&#xA;&#xA;&#xA;Ține-te bine, bine de mine&#xA;Am mai trecut noi prin furtună amândoi&#xA;Ține-te bine, bine de mine&#xA;Am mai trecut noi prin furtună amândoi&#xA;&#xA;Și parcă ieri sau alaltăieri eram copii&#xA;Și ne țineam de mână în curtea școlii zi de zi&#xA;Învățam, învățam, ne țineam și de prostii&#xA;Dar după atâția ani, nu mă gândeam tu tot aici să fii&#xA;Și la rău, dar și la bine&#xA;Când vezi că sunt la pământ&#xA;Sau că stau la înălțime&#xA;Mă ții de mână și când te fac de rușine&#xA;Motiv pentru care nu am cum să renunț la tine&#xA;&#xA;&#xA;Hai, ține-mă de mână, ține-mă de mână bine&#xA;Că am urcat o viață, dar am rău de înălțime&#xA;Unii vor să ne țină pe loc, mie nu-mi pasă cine&#xA;Hai să ne luăm viteză, ai încredere în mine&#xA;&#xA;&#xA;Ține-te bine, bine de mine&#xA;Am mai trecut noi prin furtună amândoi&#xA;Ține-te bine, bine de mine&#xA;Am mai trecut noi prin furtună amândoi&#xA;&#xA;&#xA;Avem probleme, hai să le lăsăm în spate&#xA;Avem probleme, dar trecem noi peste toate&#xA;&#xA;Ține-te bine, bine de mine&#xA;Am mai trecut noi prin furtună amândoi&#xA;Ține-te bine, bine de mine&#xA;Am mai trecut noi prin furtună amândoi" PRODUCER="(P) 2015 Cat Music / Studio 47 MS" COVERARTID="113/RHCJPGBMNUFBXDKU10ZGBDMFCIYC" PLAYCOUNT="1" PLAYTIME="225" PLAYTIME_FLOAT="224.105942" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="25684"></INFO>
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<INFO BITRATE="986334" KEY_LYRICS="3 ContributorsLa tine Lyrics&#xA;Toate drumurile duc la tine&#xA;Și, poate, într-o zi vei fi cu mine&#xA;&#xA;&#xA;Și mă gândesc că tre' să fac ceva și gata&#xA;Uite-te la tine, normal că mi s-a pus pata&#xA;Te-am văzut a doua, a treia oară și a patra&#xA;Frumusețe rară, ce mai faci tu, Cleopatra?&#xA;În tabloul vieții mele, aveam nuanțe de gri&#xA;De când te-am văzut, mintea mea te pictează zi de zi&#xA;Tu ai adus culoare, dar se pare că nu știi&#xA;Vreau să fii iubita mea, spune-mi că și tu vrei să fii&#xA;&#xA;&#xA;Dar păcat că toate astea-s doar în capul meu&#xA;Când sunt lângă tine, îmi găsesc vorbele mai greu&#xA;&#xA;&#xA;Toate drumurile duc la tine&#xA;Și mă gândesc că poate&#xA;Într-o zi vei fi cu mine&#xA;Toate drumurile duc la tine&#xA;Și mă gândesc că poate&#xA;Într-o zi vei fi cu mine&#xA;&#xA;M-am săturat să te văd peste tot, gata&#xA;Tre' să vorbesc cu tine, mi s-a cam pus pata&#xA;Mintea mea nu mai vrea să merga deloc la alta&#xA;Vreau să te cunosc mai bine, am stabilit și data&#xA;Mâine vin să îți vorbesc c-un buchet de flori&#xA;Dacă nu te văd o zi, mi se face tare dor&#xA;Da, hai să-ti spun ceva ce tu sigur nu îl știi&#xA;Mi-aș dori să pot să-ți cânt piesa asta într-o zi&#xA;&#xA;&#xA;Dar păcat că toate astea-s doar în capul meu&#xA;Când sunt lângă tine, îmi găsesc vorbele mai greu&#xA;&#xA;&#xA;Toate drumurile duc la tine&#xA;Și mă gândesc că poate&#xA;Într-o zi vei fi cu mine&#xA;Toate drumurile duc la tine&#xA;Și mă gândesc că poate&#xA;Într-o zi vei fi cu mine&#xA;&#xA;&#xA;Când privești în ochii mei&#xA;Simt că și tu mă vrei (Aha)&#xA;Și tot ce-a mai rămas&#xA;E să fac primul pas&#xA;(Toate)&#xA;&#xA;Toate drumurile duc la tine&#xA;Și mă gândesc că poate&#xA;Într-o zi vei fi cu mine&#xA;Toate drumurile duc la tine&#xA;Și mă gândesc că poate&#xA;Într-o zi vei fi cu mine" PRODUCER="(P) 2017 Cat Music" COVERARTID="034/CFC0QCDXH1Y2SC1GE2OMBL0JS5QD" PLAYTIME="202" PLAYTIME_FLOAT="201.080017" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="24687"></INFO>
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<INFO BITRATE="1037968" KEY_LYRICS="2 ContributorsTe pup, pa pa! Lyrics&#xA;&#xA;&#xA;(Shakiro, Magic Juice, Full Boss in the house!)&#xA;Deci am pierdut tot când am plecat&#xA;Nici soarele nu-i pe cer&#xA;Şi n-am să mă mai trezesc&#xA;Ca să-ţi pot zâmbi&#xA;&#xA;&#xA;Te pup, pa-pa! (Na-n-na-na, te pup, pa-pa!)&#xA;Te pup, pa-pa! (La-la, na-n-na-na, te pup, pa-pa!)&#xA;&#xA;&#xA;Yeah, băieţii mei deja ştiu clar, astă seară o facem lată iar&#xA;Şi că până dimineaţă toată lumea-i sus pe bar&#xA;Unii au luat-o un pic cam slow motion... grav!&#xA;Şi e o chestiune de minute până toţi ceilalţi cad praf&#xA;&#xA;&#xA;Gargăriţă-riţă, te rog fă-mi pe plac&#xA;Vreau în poieniţă, lasă-mă s-o fac&#xA;Mâine-ţi cânt o serenadă şi te iau la vals&#xA;Ştii că-i sticla de pălincă dacă vezi că-ncep să cânt fals&#xA;&#xA;&#xA;(La-la-la-la, na-n-na-na, te pup, pa-pa!)&#xA;Te pup, pa-pa!&#xA;(La-la, na-n-na-na, te pup, pa-pa!)&#xA;A-ha, bagă!&#xA;(La-la, na-n-na-na, te pup, pa-pa!)&#xA;Bea! Te pup, pa-pa!&#xA;(La-la, na-n-na-na, te pup, pa-pa!)&#xA;&#xA;Yeah, și guşterii ştiu că la noapte boxele-astea nu tac&#xA;Rog vecinii să mă ierte că nu ştiu prea bine ce fac&#xA;Toţi băieţii-s pe jos, iar fetele-s pe val&#xA;Toată lumea-i cu mâinile-n aer, băi, cred că aşa-i normal (Da!)&#xA;&#xA;&#xA;Gargăriţă-riţă, te rog fă-mi pe plac&#xA;Vreau în poieniţă, lasă-mă s-o fac&#xA;Mâine-ţi cânt o serenadă şi te iau la vals&#xA;Sticla de pălincă m-a făcut să-ţi cânt fals&#xA;&#xA;&#xA;(La-la-la-la, na-n-na-na, te pup, pa-pa!)&#xA;Te pup, pa-pa!&#xA;(La-la, na-n-na-na, te pup, pa-pa!)&#xA;Zi, bă!&#xA;(La-la, na-n-na-na, te pup, pa-pa!)&#xA;Bagă!&#xA;(La-la, na-n-na-na, te pup, pa-pa!)&#xA;Te pup, pa-pa!&#xA;Te pup, pa-pa!&#xA;&#xA;&#xA;Deci am pierdut tot când am plecat&#xA;Nici soarele nu-i pe cer&#xA;Şi n-am să mă mai trezesc&#xA;Ca să-ţi pot zâmbi&#xA;Te pup, pa-pa!" PRODUCER="(P) 2012 Cat Music" COVERARTID="042/KFGCVAAIXFCAEAJNWXJOA1V3OTDB" PLAYTIME="181" PLAYTIME_FLOAT="180.906662" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="23248"></INFO>
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<INFO BITRATE="942147" KEY_LYRICS="5 ContributorsDe unde vii la ora asta? Lyrics&#xA;&#xA;&#xA;E trecut de 2 noaptea&#xA;Când străpunge liniștea&#xA;O bătaie repetată&#xA;Insistând la ușa mea&#xA;Credeam că rămăsese descuiat&#xA;Mai devreme așa era&#xA;Dar probabil mai devreme&#xA;Eu credeam că mă iubea&#xA;&#xA;&#xA;Si mă îndrept spre ușă&#xA;Să mă uit pe vizor&#xA;Tu îți cauți cheia&#xA;Rătăcită crezând că eu dorm&#xA;Dar stai liniștită, am vrut să te aștept&#xA;Nu mai ești binevenită&#xA;Am deschis doar să te întreb&#xA;&#xA;&#xA;De unde vii la ora asta? Pe unde ai umblat?&#xA;Vii cu haina șifonată și cu părul deranjat!&#xA;Ai uitat unde ți-e casa, și de mine ai uitat&#xA;Ia-ți amintirile și du-te, că la mine e-ncuiat&#xA;De unde vii la ora asta? Pe unde ai umblat?&#xA;Vii cu haina șifonată și cu părul deranjat!&#xA;Ai uitat unde ți-e casa, și de mine ai uitat&#xA;Ia-ți amintirile și du-te, că la mine e-ncuiat&#xA;&#xA;Când numai amintirea are glas&#xA;Nu vreau să mai aud&#xA;Ești tăcuta rușinată și amorul tău e surd&#xA;Și când răspunsul evident&#xA;Lași ochii în pământ&#xA;Iar tăcerea ta îmi spune mai mult decât un cuvânt&#xA;&#xA;&#xA;Si mă-ndrept spre ușă&#xA;Să mă uit pe vizor&#xA;Tu îți cauți cheia&#xA;Rătăcită crezând că eu dorm&#xA;Dar stai liniștită&#xA;Am vrut să te aștept&#xA;Nu mai ești binevenită&#xA;Am deschis doar să te întreb:&#xA;&#xA;&#xA;De unde vii la ora asta? Pe unde ai umblat?&#xA;Vii cu haina șifonată și cu părul deranjat!&#xA;Ai uitat unde ți-e casa, și de mine ai uitat&#xA;Ia-ți amintirile și du-te, că la mine e-ncuiat&#xA;De unde vii la ora asta? Pe unde ai umblat?&#xA;Vii cu haina șifonată și cu părul deranjat!&#xA;Ai uitat unde ți-e casa, și de mine ai uitat&#xA;Ia-ți amintirile și du-te, că la mine e-ncuiat&#xA;De unde vii la ora asta? Pe unde ai umblat?&#xA;Vii cu haina șifonată și cu părul deranjat!&#xA;Ai uitat unde ți-e casa, și de mine ai uitat&#xA;Ia-ți amintirile și du-te, că la mine e-ncuiat" PRODUCER="(P) 2017 Cat Music / HaHaHa Production" COVERARTID="006/GANQ0VAQPPHVXA1ZGY34BAIPXMJA" PLAYTIME="217" PLAYTIME_FLOAT="216.012909" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="25117"></INFO>
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<INFO BITRATE="872004" KEY_LYRICS="6 ContributorsViață bună Lyrics&#xA;Ce fac? Cum fac? Treaba mea!&#xA;Plini de invidie pe mine, chiar și garda&#xA;Mărește șpaga, ia foc&#xA;Când îmi conduc mașina, beat mort&#xA;Bagabonții mă ajută să fac dintr-o piesă hit&#xA;Tot ei îl fac pe Dan Popi fericit&#xA;Trăim un stil de viață diferit&#xA;Despre care la radio nu auzi nimic&#xA;Asta-i viață bună așa cum înțelegem noi&#xA;Chiar dacă-i interzis, nu dăm înapoi&#xA;Care industrie muzicală? Ăsta e butic&#xA;Toți vor să ciupească câte un pic&#xA;Să ducă o viață bună, să fie-n top&#xA;Să aibă frigideru’ plin, să nu mai stea la bloc&#xA;Noi ne facem treaba pe scenă și-n afară&#xA;Ne vezi și la Atomic și la Urmărire Generală&#xA;&#xA;&#xA;Am zis o dată pe lună&#xA;Să ducem o viață bună&#xA;Suntem toți împreună&#xA;Când Familia se-adună&#xA;Am zis o dată pe lună&#xA;Să ducem o viață bună&#xA;Suntem toți împreună&#xA;Când Familia se-adună&#xA;&#xA;Hai în dreapta mea atunci când hoinăresc prin cartier&#xA;Stilu’ ăsta de viață nu o să-l mai vezi nicăieri&#xA;Droguri tari găsești peste tot în jur&#xA;Aici răspund de faptu’ că-ți dă marfă sigur&#xA;Mami, știu că-ți place să privești&#xA;Dar ce părere ai de o plimbare cu băieții răi de București?&#xA;Sunt brigada mea, nu pot să spun că sunt băieți cuminți&#xA;Altfel fraierii își ies complet din minți&#xA;Am tras ceva, am băut ceva&#xA;Ce pula mea! Criticăm fraierii ca tine&#xA;Viața mea e viață bună, așa cum știm noi că trebuie să fie&#xA;Nu cum spun alții că ar fi bine să fie&#xA;Ce am face noi fără muzica asta?&#xA;Fără bagabonți, stradă, viață bună de acasă&#xA;Fără șampanie băută în cartier, la volan&#xA;Fără viață bună trăită ani de ani?&#xA;&#xA;&#xA;Am zis o dată pe lună&#xA;Să ducem o viață bună&#xA;Suntem toți împreună&#xA;Când Familia se-adună&#xA;Am zis o dată pe lună&#xA;Să ducem o viață bună&#xA;Suntem toți împreună&#xA;Când Familia se-adună&#xA;&#xA;Am cei șapte ani de pe stradă&#xA;Scopu’ declarat e: „Hai să facem bani grămadă”&#xA;Fără suferință și jumătăți de măsură&#xA;Fără băieței care cântă cu chef de pulă&#xA;Ce am învățat pe stradă a fost de folos&#xA;Lumea showbiz-ului e un loc periculos&#xA;Stilu’ bagabonților din stradă în studio&#xA;Din studio e problemă la radio&#xA;Bășini de melodii sună-n difuzoare&#xA;Muzica de stradă cică nu mai e la modă, frățioare&#xA;Producătoru’ sugerează o schimbare&#xA;Sișu și Puya nu sunt de vânzare!&#xA;„Pu vunu, la vana, me vene, a vana”&#xA;Ia-o așa, cadou de la La Familia&#xA;Până cenzurează ăștia de la CNA&#xA;Radiourile pirat își fac treaba&#xA;&#xA;&#xA;Am zis o dată pe lună&#xA;Să ducem o viață bună&#xA;Suntem toți împreună&#xA;Când Familia se-adună&#xA;Am zis o dată pe lună&#xA;Să ducem o viață bună&#xA;Suntem toți împreună&#xA;Când Familia se-adună" PRODUCER="RUL" COVERARTID="080/QCKLR0A23Z4I3AFFNOU3BSXSQDDC" PLAYTIME="217" PLAYTIME_FLOAT="216.053329" IMPORT_DATE="2025/4/14" RELEASE_DATE="2007/1/1" FLAGS="12" FILESIZE="23201"></INFO>
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<INFO BITRATE="820014" KEY_LYRICS="6 ContributorsVestul sălbatic Lyrics&#xA;I really wanna say: yeee eee eee&#xA;I really wanna say: yeee eee eee&#xA;&#xA;&#xA;Încă de când era moda cu Germania&#xA;Lumea ar fi trecut graniţa şi cu sania&#xA;Pe urmă a venit Spania, Italia&#xA;Şi tot restu' lumii ne-a privit ca nişte 'paria'&#xA;Înghesuiţi prin case, cu fete pe straße&#xA;Cu I.D.-uri false şi feţe dubioase&#xA;Atât de puşi pe făcut bani&#xA;Ca arabii puşi pe făcut bombe pentru americani&#xA;Printre fum de mici, manele si ţuică&#xA;Poliţiştii-au început sa ne pună pe fugă&#xA;În ţară la grătare au apărut şeptare&#xA;Gipane şi merţane, case de milioane&#xA;Ăştia au făcut bani, băi, coane&#xA;Chiar şi din căutatu' prin tomberoane&#xA;Mediu' afacerist, la noi e foarte trist&#xA;Că se face în stil maratonist&#xA;&#xA;&#xA;N-avem nevoie de viză ca să cucerim Vestu'&#xA;Noi avem boală pe restu&#xA;Suntem ăia care l-am mierlit pe Ceauşescu&#xA;Când Poliţia ne toarnă, ne ştim bine textu&#xA;Da, da, ne ştim bine textu'&#xA;Da, da, ne ştim bine textu'&#xA;N-avem nevoie de viză ca să cucerim Vestu'&#xA;&#xA;I really wanna say: yeee eee e e e&#xA;I really wanna say: yeee eee e e e&#xA;&#xA;&#xA;Mai deştepţi decât americanii&#xA;Cu fete mai bune ca în Regatu Marii Britanii&#xA;Românii sunt mai dotaţi decât chinezii&#xA;Ştim să ne distrăm mai bine decat francezii&#xA;Cea mai frumoasă ţară, cele mai frumoase femei&#xA;Avem cele mai tari discoteci noi suntem cei mai cei&#xA;Vă rog cineva să ne oprească&#xA;Până n-ajunge limba oficială românească&#xA;Avem soldaţi în Irak , fotomodele în Milano&#xA;Medici plecaţi in Londra, ingineri pe la Bergano&#xA;Totul se mişcă piano, sângele-i gitano&#xA;Da' nimeni nu vine acasă până nu îsi face planu&#xA;Mă! Mă! Mă! Marcă banu'&#xA;Acasă îmi aşteaptă încă mulţi salariu&#xA;După atâta stres şi mult travaliu&#xA;Vreau să vin la anu în ţară, acasă cu Merţanu'&#xA;&#xA;&#xA;N-avem nevoie de viză ca să cucerim Vestu'&#xA;Noi avem boală pe restu&#xA;Suntem ăia care l-am mierlit pe Ceauşescu&#xA;Când Poliţia ne toarnă, ne ştim bine textu&#xA;Da, da, ne ştim bine textu'&#xA;Da, da, ne ştim bine textu'&#xA;N-avem nevoie de viză ca să cucerim Vestu'&#xA;&#xA;I really wanna say: yeee eee e e e&#xA;I really wanna say: yeee eee e e e&#xA;&#xA;&#xA;Avem jucători la Roma sau Florentina&#xA;Băieţi deştepţi din Mexic până in China&#xA;Pe la radio auzi numai Ozon si Inna&#xA;Nemţi fac coadă să ne cumpere maşina&#xA;Se zice: &amp;quot;Tot ce-i bun tre' să vină de afară&#xA;Tot ce e de la noi e de căcat si tre' sa moară&amp;quot;&#xA;Eu nu subscriu băi, o sa rămân în ţară&#xA;Pe voi restu' vă pup şi-o să ne vedem la vară&#xA;(I really wanna say: yeee eee e e e)&#xA;(I really wanna say: yeee eee e e e)&#xA;&#xA;&#xA;N-avem nevoie de viză ca să cucerim Vestu'&#xA;Noi avem boală pe restu&#xA;Suntem ăia care l-am mierlit pe Ceauşescu&#xA;Când Poliţia ne toarnă, ne ştim bine textu&#xA;Da, da, ne ştim bine textu'&#xA;Da, da, ne ştim bine textu'&#xA;N-avem nevoie de viză ca să cucerim Vestu', să cucerim Vestu" PRODUCER="Scandalos Music" COVERARTID="062/4NWETAA24HQ2LAFTDSENBNENVP2A" PLAYTIME="252" PLAYTIME_FLOAT="251.054123" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="25402"></INFO>
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<INFO BITRATE="1027536" KEY_LYRICS="15 ContributorsUndeva-n Balkani Lyrics&#xA;&#xA;&#xA;Studio 66&#xA;Oh, Puya, La Familia (Ye)&#xA;&#xA;&#xA;Bem bere, vin, nu Whiskey, gin, iubim din plin&#xA;Șpaga, corupția, multe nu știm, nu glumim&#xA;E o tradiție p-aici de când noi suntem mici&#xA;Iubim s-avem dolarii, urâm s-avem servici&#xA;Ce-mi pasă mie de-ncălzirea globală?&#xA;Vrem dollar-dollar, balenele să moară, vrem viață ușoară&#xA;Multe probleme, belele pe capu' nostru, vere&#xA;Crezi că ne place încontinuu să ne lovim de ele?&#xA;Să vină Bin Laden să mă răpească-i cool&#xA;E nul pentru toți din țară, o să îi doară-n cu-cu-cu&#xA;Vrem banii full, nu spargem bănci, sunt filme&#xA;Dăm țepe, că-i bine și încă ține&#xA;Stilu' românesc, fără cagule, pistoale&#xA;Că nu suntem în filmele americane&#xA;Stresu' face victime, nu urmărești știrile?&#xA;Hai-hai-hai, taci, ești în direct cu toate crimele&#xA;&#xA;&#xA;Is this, is this the life&#xA;I wanna live, I wanna carry on?&#xA;Is this, is this the life&#xA;I wanna live, I wanna carry on?&#xA;Is this, is this the life&#xA;Do you wanna carry on?&#xA;Is this, is this the life&#xA;I wanna, wanna get down?&#xA;&#xA;Iubim personajele negative, infractorii&#xA;Îi protejăm, îi cinstim mai rău ca dictatorii&#xA;Răufăcătorii sunt șmecheri când au banii&#xA;Da' ajung infractori când nu au gologanii&#xA;Americanii merg tare cu mașinile&#xA;Ne lovesc cântăreții și cântărețele&#xA;Spirit latin, iubim cu mare foc&#xA;„Trădați în dragoste” e regizat cu noi, nu-i loc&#xA;De când cu drogurile-i tare marfă-n club&#xA;Fetele ajung tot mai repede nud&#xA;Sexu-i peste tot, în scări de bloc&#xA;În săli de clasă sau la Private Spice nonstop&#xA;E cool de tot, minorele-s bune de tot&#xA;La majorat vor gang-bang, nu tort&#xA;Europa credea că venim s-o vizităm&#xA;Surpriză, suntem aicea s-o invadăm&#xA;&#xA;&#xA;Is this, is this the life?&#xA;I wanna live, I wanna carry on&#xA;Is this, is this the life?&#xA;I wanna live, I wanna carry on&#xA;Is this, is this the life?&#xA;Do you wanna carry on?&#xA;Is this, is this the life?&#xA;I wanna, wanna get down&#xA;&#xA;Nu ne pasă de Fâșia Gaza sau Iraq&#xA;Adu lăutarii că am un teanc de aruncat&#xA;Că lumea vrea să-și audă numele-n microfon&#xA;Și banii curg de zici că-i aruncă de la balcon&#xA;Orice amărât are măcar un telefon&#xA;Măcar o haină de firmă, măcar să fie domn&#xA;Unii conduc mașini mai scumpe decât casa unde stau&#xA;Cheltuie în club și banii pe care nu-i au&#xA;Ne place sportul, jucăm fotbal noi&#xA;După meciuri se termină cu box, așa-i la noi&#xA;Suntem o mare familie, ne-avem ca frații&#xA;Da' la probleme, știi bine, fugim unii de alții&#xA;Avem multe biserici că păcătuim cam des&#xA;Pline de femei măritate din interes&#xA;Sud-est, România, undeva în Balcani&#xA;Când aterizezi p-aeroport, ține bine de bani!&#xA;&#xA;&#xA;Is this, is this the life&#xA;I wanna live, I wanna carry on?&#xA;Is this, is this the life&#xA;I wanna live, I wanna carry on?&#xA;Is this, is this the life&#xA;Do you wanna carry on?&#xA;Is this, is this the life&#xA;I wanna, wanna get down?&#xA;Is this, is this the life&#xA;I wanna live, I wanna carry on?&#xA;Is this, is this the life&#xA;I wanna live, I wanna carry on?&#xA;Is this, is this the life&#xA;Do you wanna carry on?&#xA;Is this, is this the life&#xA;I wanna, wanna get down?&#xA;&#xA;(Do you wanna carry on?)&#xA;Do you wanna carry on?" PRODUCER="℗ 2009 MediaPro Music, a division of Universal Music Romania" COVERARTID="051/TVAKYAB2XTDCSCKBVTAXDRARE2LC" PLAYCOUNT="1" PLAYTIME="254" PLAYTIME_FLOAT="253.160004" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/19" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="31944"></INFO>
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<INFO BITRATE="1023449" KEY_LYRICS="7 ContributorsChange Lyrics&#xA;Ia, Puya, Kamelia şi George Hora, ia, ia, ia&#xA;We can change the world, change the world&#xA;&#xA;&#xA;I say: No, this is not fair&#xA;Everybody's talking and I really don't care&#xA;Why is the world so mean?&#xA;I hope it's just a dream&#xA;I say: No, life's not fair&#xA;I, I, I can change the world&#xA;I can change the world&#xA;&#xA;&#xA;Când te faci mare ai vrea să fii vedetă&#xA;Independentă, super inteligentă&#xA;Toată lumea apare la televizor&#xA;Se lasă filmaţi chiar la ei în dormitor&#xA;Oricine poate fi actor că nu e greu&#xA;Tre' să abordezi producătorul cu tupeu&#xA;Spitalu' de nebuni are o gaură-n gard&#xA;Că mulţi fug şi nu ştiu cum dracu' au scăpat&#xA;Apar in prime time, fac urât, dau dramber&#xA;Producătorii-şi freacă mâinile când se-njură de mame&#xA;Circul Globus n-are căutare, ce e la televizor e mult mai tare&#xA;Nu-ţi trebuie talent, îţi trebuie o gură mare&#xA;Cu cât te faci mai mult de râs, rating-ul sare&#xA;Toţi sunteţi oribilaţi da' staţi, staţi, staţi şi vă uitaţi&#xA;&#xA;I say: No, this is not fair&#xA;Everybody's talking and I really don't care&#xA;Why is the world so mean?&#xA;I hope it's just a dream&#xA;I say: No, life's not fair&#xA;I, I, I can change the world&#xA;I can change the world&#xA;&#xA;&#xA;Nu vrem în Bora-Bora, vrem uite-aici&#xA;E-un parastas live, cu colivă şi mulţi mici&#xA;Adu floricele, o sticlă de Cola&#xA;Lu' vecina de la 3 i-a murit sora&#xA;Toată lumea-i porno, toţi sunt star pe val&#xA;Româncele sunt bune, bune şi din haine  sar&#xA;Iau televizoru' să-l arunc pe geam&#xA;M-am săturat de VIP-urile astea puse pe scandal&#xA;Bine ai venit în direct cu toate crimele&#xA;Invitatul de azi nu şi-a luat pastilele&#xA;În timp ce alţii ne fură să-şi facă vilele&#xA;Tu te uiţi la TV, ei mută kilele&#xA;Dacă mâine ar porni un război, ar fi penal&#xA;Soldaţii s-ar uita la a cincea pagină din ziar&#xA;N-o să oprim nici un raid aerian&#xA;Dacă-o să ne-atace când e &amp;quot;Inimă de Ţigan&amp;quot;&#xA;&#xA;I say: No, this is not fair&#xA;Everybody's talking and I really don't care&#xA;Why is the world so mean?&#xA;I hope it's just a dream&#xA;I say: No, life's not fair&#xA;I, I, I can change the world&#xA;I can change the world&#xA;&#xA;&#xA;Tot ce e normal pentru ei e banal, deci prost&#xA;N-o s-apari pe post dacă nu eşti gay sau lesby, n-are rost&#xA;Tot ce e normal pentru ei e banal, deci prost&#xA;N-o s-apari pe post dacă nu eşti gay sau lesby, n-are rost&#xA;&#xA;&#xA;Ce-o fi în capul lor? Toţi vor la televizor&#xA;Nici nu mai râd, să mor, e Bălaceanca-n mall&#xA;Dacă nu e senzaţional e în zadar&#xA;Şi d-asta când te uiţi la ştiri te bagă în spital&#xA;Ai raiting fenomenal, inviatatul e penal&#xA;Fete pline de silicon ajung un megastar&#xA;Ai doua facultaţi, îmi dai citate din Cioran&#xA;Dar rămâi cu ochii în TV când este vreun scandal&#xA;Băi, inteligentule&#xA;&#xA;I say: No, this is not fair&#xA;Everybody's talking and I really don't care&#xA;Why is the world so mean?&#xA;I hope it's just a dream&#xA;I say: No, life's not fair&#xA;I, I, I can change the world&#xA;I can change the world&#xA;I say: No, this is not fair&#xA;Everybody's talking and I really don't care&#xA;Why is the world so mean?&#xA;I hope it's just a dream&#xA;I say: No, life's not fair&#xA;I, I, I can change the world&#xA;I can change the world (yeah)" PRODUCER="℗ 2009 MediaPro Music, a division of Universal Music Romania" COVERARTID="091/14J114AYKGTQIDSWVHOSD3NSVIVB" PLAYTIME="262" PLAYTIME_FLOAT="261.549438" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="33057"></INFO>
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<INFO BITRATE="1018102" KEY_LYRICS="15 ContributorsFresh Lyrics&#xA;O luăm de la cap din nou&#xA;Știi că sunt dilău-lău-lău&#xA;Am la mine banii pe show&#xA;Bagabonții-n dreapta, go, go, go&#xA;O să fie lată&#xA;Suntem în brigadă&#xA;Atmosfera e ciudată&#xA;Când bei apă plată&#xA;&#xA;&#xA;Dă-i ceva pe gât dacă duci mult&#xA;Hai, hai, hai, hai, hai, sunt de la-nceput&#xA;Te rog mult să nu faci urât&#xA;Că le sperii p-astea si dup-aia fug&#xA;Caută-n agendă o studentă&#xA;Dacă-i indecentă, e perfectă&#xA;Dacă n-ai, e bună chiar și o elevă&#xA;Nu eminentă, vrem mai repetentă&#xA;&#xA;&#xA;Fresh, nu-i bine deloc&#xA;Dă-mi ceva tare că nu mai suport&#xA;Am cash și vreau să mă-mbăt&#xA;Știi că-n seara asta vreau să gust din tot&#xA;Fresh, nu-i bine deloc&#xA;Dă-mi ceva tare că nu mai suport&#xA;Am cash și vreau să mă-mbăt&#xA;Știi că-n seara asta vreau să gust din tot&#xA;&#xA;Doi bagabonți și o fată solo&#xA;O garsonieră, ora este două&#xA;O să iasă filme XXX&#xA;E debandadă, ce naiba, ți-am zis&#xA;E cool, lumea zice că-s nebun&#xA;Mie nu îmi pasă și îmi văd de drum&#xA;Am bateriile pe full&#xA;Sun o bagaboantă ca vreau să i-o&#xA;Pun mâna pe mobil&#xA;Ea nu poa' să vină-n timp util&#xA;Sun, da' ratez din nou&#xA;Zici că nu le dăm bani pe show&#xA;&#xA;&#xA;Nu-mi pasă&#xA;N-am ajuns acasă&#xA;Jur, nu-mi pasă&#xA;Hai lasă, hai lasă&#xA;&#xA;&#xA;Fresh, nu-i bine deloc&#xA;Dă-mi ceva tare că nu mai suport&#xA;Am cash și vreau să mă-mbăt&#xA;Știi că-n seara asta vreau să gust din tot&#xA;Fresh, nu-i bine deloc&#xA;Dă-mi ceva tare că nu mai suport&#xA;Am cash și vreau să mă-mbăt&#xA;Știi că-n seara asta vreau să gust din tot&#xA;&#xA;E groasă&#xA;Nu, nu, nu vreau s-ajung sub masă&#xA;Zici că sunt în transă&#xA;Vreau să le vad pe astea la mine acasă&#xA;Cheamă o salvare, sunt fără scapare&#xA;Belea mare&#xA;Cardurile-s goale&#xA;Nu mai am nimic prin buzunare&#xA;&#xA;&#xA;Fresh, nu-i bine deloc&#xA;Dă-mi ceva tare că nu mai suport&#xA;Am cash și vreau să mă-mbăt&#xA;Știi că-n seara asta vreau să gust din tot&#xA;Fresh, nu-i bine deloc&#xA;Dă-mi ceva tare că nu mai suport&#xA;Am cash și vreau să mă-mbăt&#xA;Știi că-n seara asta vreau să gust din tot&#xA;Fresh, nu-i bine deloc&#xA;Dă-mi ceva tare că nu mai suport&#xA;Am cash și vreau să mă-mbăt&#xA;Știi că-n seara asta vreau să gust din tot&#xA;Fresh, nu-i bine deloc&#xA;Dă-mi ceva tare că nu mai suport&#xA;Am cash și vreau să mă-mbăt&#xA;Știi că-n seara asta vreau să gust din tot" PRODUCER="℗ 2009 MediaPro Music, a division of Universal Music Romania" COVERARTID="091/14J114AYKGTQIDSWVHOSD3NSVIVB" PLAYTIME="214" PLAYTIME_FLOAT="213.437820" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="26906"></INFO>
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<INFO BITRATE="934748" KEY_LYRICS="3 ContributorsSus pe bar (DJ Grass Remix) Lyrics&#xA;Bună seara, doamnelor și domnilor! (Ow-ow)&#xA;Sus pe bar, DJ Grass Remix (Ow-ow)&#xA;Sus pe bar!&#xA;Puya, Alex, sus pe bar (Ow-ow, ow-ow)&#xA;Sus pe bar (Ow-ow)&#xA;Sus pe bar toată lumea!&#xA;&#xA;&#xA;Vreau să văd toate fetele&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;Vreau să le văd la toate țâțele&#xA;Cum sar, cum sar, cum sar&#xA;Vreau să văd numai studente&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;Să danseze bete-bete&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;&#xA;&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, că totu' e legal!&#xA;&#xA;&#xA;Vreau să văd cum dați shot după shot peste cap&#xA;Să vă puneți în cap până faceți infarct&#xA;Să plecați în zig-zag pân' la mine în pat&#xA;Și io-s beat, nu mai am bani nici la ciorap&#xA;Că nimeni nu face debandadă mai rău ca mine&#xA;Știi că la noi vrăjeala ta proastă nu ține&#xA;La toate fetele-astea, tăria mocca convine&#xA;Nu e de bine, da' nu mai văd bine&#xA;Hai, dragă, suie-te pe bar, ți-am spus&#xA;Vreau să te văd sus, d-aia te-am adus&#xA;Beau vodkă întruna, mai rău ca un rus&#xA;Hai, ia și tu, te rog, să nu fii în plus!&#xA;Îți place depravarea, asta-i calea&#xA;Vrei o tequila, o lămâie, uite, asta-i sarea!&#xA;Stinge țigara, avem noi de-alea bune&#xA;(Mai târziu, încolo, că acum e multă lume)&#xA;&#xA;Vreau să văd toate fetele&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;Vreau să le văd la toate țâțele&#xA;Cum sar, cum sar, cum sar&#xA;Vreau să văd numai studente&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;Să danseze bete-bete&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;&#xA;&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, că totu' e legal!&#xA;&#xA;&#xA;Cum se numește clubu' ăsta, unde sunt...?&#xA;Dragelor, mai stăm că mai e de băut!&#xA;Nu vreau pe cameră, vreau debandadă&#xA;Unii n-au nici una, noi avem o brigadă&#xA;Discoteca toată se uită cum arată&#xA;Le-ar vrea odată, să le vadă la treabă&#xA;Ai grijă, dragă, vrei autograf?&#xA;Prietenu' tău te privește și te-ar face praf&#xA;Te rog, stai acolo, că nu știu ce o să fac&#xA;Genu' ăsta de probleme blonde mie-mi plac&#xA;Hai, treci sus-sus pe bar!&#xA;Eu o să fiu aici jos micul Escobar&#xA;O să bag pân' la cot mâna-n buzunar&#xA;Tu-o să dai pe gât pahar după pahar&#xA;Dacă știam c-o să am așa colege-n facultate&#xA;M-apucam de școală și mă înscriam la șapte&#xA;&#xA;Vreau să văd toate fetele&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;Vreau să le văd la toate țâțele&#xA;Cum sar, cum sar, cum sar&#xA;Vreau să văd numai studente&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;Să danseze bete-bete&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;&#xA;&#xA;Am înțeles că-ți place sus pe bar&#xA;Hainele de firmă, ochelari mari&#xA;Senzații tari, milionari&#xA;Că hai să fim serioși, banii sunt necesari!&#xA;În peisaj când apari, nu ai adversar&#xA;Toți băiețașii se transformă-n armăsari&#xA;Ei te vor pe tine pe post de birjar că i-ai pus pe jar&#xA;Asta e clar!&#xA;Te plimbă cu Ferrari, îți cumpără bijuterii Bulgari&#xA;Mănâncă doar calamarii, fac pe leii ca-n safari&#xA;Tu-i accidentezi la portofel și-i pui pe avarii&#xA;Uite banii, nu sunt banii!&#xA;Abracadabra și dispari&#xA;Ai mobilitate, te lași pe spate&#xA;Aoleo, frate, le știi pe toate&#xA;Ți-aș rupe hainele toate achiziționate&#xA;De un bătrânel pervers care nu mai poate&#xA;Asta-i cheia de la camera mea și... ne vedem acolo!&#xA;&#xA;Vreau să văd toate fetele&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;Vreau să le văd la toate țâțele&#xA;Cum sar, cum sar, cum sar&#xA;Vreau să văd numai studente&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;Să danseze bete-bete&#xA;Sus pe bar, sus pe bar, sus pe bar&#xA;&#xA;&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, sus pe bar!&#xA;Hai, hai, că totu' e legal!" PRODUCER="℗ 2009 MediaPro Music, a division of Universal Music Romania" COVERARTID="091/14J114AYKGTQIDSWVHOSD3NSVIVB" PLAYTIME="257" PLAYTIME_FLOAT="256.255249" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="29622"></INFO>
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<INFO BITRATE="1058289" KEY_LYRICS="7 ContributorsVIP Lyrics&#xA;I never never wanted to be&#xA;I never never wanted to be&#xA;This pretty pretty girl that you see&#xA;I never never wanted to be&#xA;I never never wanted to be&#xA;A pretty pretty girl VIP&#xA;&#xA;&#xA;As vrea sa spun ca&#xA;Nu vreau la munca&#xA;N-o sa-mi ajunga&#xA;Bani chiar deloc&#xA;Eu vreau de toate&#xA;Si nu in rate&#xA;Vile ca-n State&#xA;Nu vreau sa stau la bloc&#xA;Sa plec pe-afara&#xA;Treaba-i nasoala&#xA;Chiar daca ai scoala&#xA;Totul e in zadar&#xA;As sta in tara&#xA;Sa fie vara&#xA;Seara de seara&#xA;Sa stam la un gratar...&#xA;&#xA;Tu, tu, tu chiar nu vezi&#xA;Ca daca ai scoala multa, chiar nimic nu realizezi&#xA;Tu, tu, tu chiar visezi&#xA;Ca daca nu faci bani, e sigur c-o sa somezi&#xA;Lasa Sorbona&#xA;Pleaca-n Verona&#xA;Copii de fotbalisti adorm cu bona&#xA;Tu nu vrei un Logan&#xA;Vrei un Mertan&#xA;Cand te faci mare, stii bine ca tre' sa fii un barosan&#xA;&#xA;&#xA;I never never wanted to be&#xA;I never never wanted to be&#xA;This pretty pretty girl that you see&#xA;I never never wanted to be&#xA;I never never wanted to be&#xA;A pretty pretty girl VIP&#xA;&#xA;&#xA;Totu-i permis&#xA;Cand ai un vis&#xA;Un compromis&#xA;Te poate duce sus&#xA;Daca te-ai prins&#xA;Hai, fa un bis&#xA;Ce, nu ti-am zis?&#xA;Astea cuminti&#xA;S-au dus...&#xA;Hainele costa&#xA;Nu are rost, uh&#xA;O viata anosta&#xA;E chiar urat de tot&#xA;Ai cash in casa&#xA;Numai conteaza&#xA;Nu le mai pasa&#xA;Cum i-ai facut, deloc&#xA;Stiu!&#xA;&#xA;Tu, tu, tu chiar nu vezi&#xA;Ca daca ai scoala multa, chiar nimic nu realizezi&#xA;Tu, tu, tu chiar visezi&#xA;Ca daca nu faci bani, e sigur c-o sa somezi&#xA;Asa ca ai o problema&#xA;Esti in dilema&#xA;Daca muncesti prea mult, astia te scot din schema&#xA;Tu nu vrei un Logan&#xA;Vrei un Mertan&#xA;Cand te faci mare, stii bine ca tre' sa fii un barosan&#xA;&#xA;&#xA;I never never wanted to be&#xA;I never never wanted to be&#xA;This pretty pretty girl that you see&#xA;I never never wanted to be&#xA;I never never wanted to be&#xA;A pretty pretty girl VIP&#xA;&#xA;I never never wanted to be&#xA;I never never wanted to be&#xA;This pretty pretty girl that you see&#xA;I never never wanted to be&#xA;I never never wanted to be&#xA;A pretty pretty girl VIP" PRODUCER="℗ 2009 MediaPro Music, a division of Universal Music Romania" COVERARTID="091/14J114AYKGTQIDSWVHOSD3NSVIVB" PLAYTIME="236" PLAYTIME_FLOAT="235.171814" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="30761"></INFO>
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<INFO BITRATE="748004" KEY_LYRICS="10 ContributorsAmericandrim Lyrics&#xA;Thanks for being with us here on World News on CNN&#xA;It is not a Romanian phenomenon,  the consolidation of the democratic evolution of our society&#xA;&#xA;&#xA;I can be what I want to be&#xA;Losing my identity&#xA;'Cause I got a lot of life in me&#xA;Let me live my American dream&#xA;I can be what I want to be&#xA;Losing my identity&#xA;'Cause I got a lot of life in me&#xA;Let me live my American dream&#xA;&#xA;&#xA;McDonald's, Michael, Notorious B.I.G&#xA;George Bush, Coca Cola și MTV&#xA;Hollywood, Mike Tyson, Iraq&#xA;11 septembrie, ce dezastru, păcat&#xA;FBI, CIA, Hamburger, Hot Dog&#xA;Bill Gates, Windows, Microsoft&#xA;Acum nu te mai duci la muncă, te duci la job&#xA;Mai de mult ziceai adidas la picioare de porc&#xA;Chill, man, janes english, no&#xA;Nu mai avem cartiere nașpa, avem ghetou&#xA;Raperii au flow, sunt underground, yo&#xA;Totul este cool, nimic nu e mișto&#xA;Femeile o ard glam, bărbații-s mai mult lemn&#xA;O ard mereu pe whisky și fac pe Superman&#xA;Tre' să fii în trend, altfel nu e de glumă&#xA;„Is this the life?” nu sună așa bine-n română&#xA;&#xA;I can be what I want to be&#xA;Losing my identity&#xA;'Cause I got a lot of life in me&#xA;Let me live my American dream&#xA;I can be what I want to be&#xA;Losing my identity&#xA;'Cause I got a lot of life in me&#xA;Let me live my American dream, yeah!&#xA;&#xA;&#xA;Nadia Comăneci, Țiriac, Ceaușescu&#xA;Hagi, Dracula și cam atât știu restu'&#xA;Băgăm kebab, da' pe-urmă mergem la fitness&#xA;Nu-i bai, oricum totul e invers&#xA;Televiziunile fac rating, avem DJ-ei&#xA;Vorbim engleză de când ne naștem, băi&#xA;Copiii nu mai vor să fie Jackie Chan&#xA;Se joacă Counter-Strike și vor să fie star&#xA;La casa de discuri, ni se vorbește de sound&#xA;Tre' să fii mai catchy, fă ceva gen 2Pac&#xA;Dacă nu-i gen aia, atunci nu are airplay&#xA;De parc-ar câștiga dolari și nu lei grei&#xA;Undeva-n Balcani sună a manele&#xA;Păi mai demult aici era Turcia, măi vere&#xA;Sunt contestat că-ncerc să fiu original&#xA;Că pun ceva de la noi în rapu' ăsta din Sălăjan&#xA;&#xA;Tovarăș? No. Acum se zice „bro”&#xA;Avem iepurași Playboy care dau din popou&#xA;O ardem VIP, dar totul este gri&#xA;Când ne mai fac o vizită frații din FMI&#xA;Un fel de MAI și cât mai suntem vii&#xA;Noi mergem să muncim să scoatem toți banii&#xA;Dacă cineva descoperă ceva&#xA;Cercetătorii vin, clar, din America&#xA;&#xA;&#xA;I can be what I want to be&#xA;Losing my identity&#xA;'Cause I got a lot of life in me&#xA;Let me live my American dream&#xA;I can be what I want to be&#xA;Losing my identity&#xA;'Cause I got a lot of life in me&#xA;Let me live my American dream&#xA;&#xA;&#xA;(Die my mother if I lie you!)&#xA;(Nici n-o să-nțelegi ce zic dacă nu știi limba engleză)&#xA;&#xA;&#xA;I can be what I want to be&#xA;Losing my identity&#xA;'Cause I got a lot of life in me&#xA;Let me live my American dream, yeah!" PRODUCER="Scandalos Music" COVERARTID="062/4NWETAA24HQ2LAFTDSENBNENVP2A" PLAYTIME="209" PLAYTIME_FLOAT="208.677704" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="19325"></INFO>
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<INFO BITRATE="831365" KEY_LYRICS="11 ContributorsMaidanez Lyrics&#xA;Sunt un maidanez&#xA;Nu sunt d-ăla pechinez&#xA;Reactionez&#xA;Ca un pitbull, atunci când mă stresezi&#xA;Muşc rău&#xA;Orice dulău&#xA;Care mă latră aiurea&#xA;Că nu-mi plac javrele astea&#xA;Care doar agită lumea&#xA;Iubesc strada&#xA;Nu zgarda&#xA;Libertatea&#xA;Și joaca&#xA;Iubesc haita&#xA;Și căţelele, care mai ridică coada&#xA;Nu-mi place in casă&#xA;Nu sunt de rasă&#xA;Imi place afară&#xA;Sunt maidanez&#xA;Băi, nu-mi da comenzi&#xA;Că o să te doară!&#xA;&#xA;&#xA;Sunt un câine rău, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un maidanez, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un câine rău, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un maidanez, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;&#xA;Zic, maidanez vrem, nu bichon&#xA;Când sunt la microfon&#xA;Latru sa mă auda tot statu'&#xA;Câini care ne conduc, ştiu să joace teatru&#xA;Da, dar eu n-am stăpân&#xA;Sunt singuratic între păgâni&#xA;Şi când străbat strada&#xA;Javrele ridică coada&#xA;Miros bine prada&#xA;Scot spada&#xA;Nu rămâne “nada”&#xA;Unii vor să mă muşte de gât&#xA;Dar habar n-au cine sunt&#xA;Nici cât de mare-i haita-n care am fost crescut&#xA;(Yo) Le zic să mă muşte de cur&#xA;Că n-am de gând să le-ndur&#xA;Figurile de pechinez, care nu fac nici &amp;quot;Mrrrr&amp;quot;...&#xA;&#xA;&#xA;Sunt un câine rău, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un maidanez, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un câine rău, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un maidanez, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;&#xA;Născut în mahala, sunt un maidanez de ghetto&#xA;Mai dansez pe beat-uri lento&#xA;Mai donez puţin talento&#xA;C-aşa fac io…&#xA;Şi te musc rău ca Fila Brasileiro&#xA;Pentru dinero&#xA;Te incendiez ca Nero!&#xA;Sunt un maidanez latino&#xA;Bagă-mă în cușcă, sunt asasino&#xA;Nu c-am spart eu vreun casino&#xA;Banii cash, hai, mami, vino&#xA;Sunt gen pragmatic&#xA;Practic n-am rival in domeniul pe care-l practic&#xA;Eu muşc, nu latru&#xA;Hai, fă-mi o poză: stop, cadru!&#xA;&#xA;&#xA;Sunt un câine rău, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un maidanez, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un câine rău, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;Sunt un maidanez, eu rup lesa&#xA;Nu ma poţi dresa, nu execut cand zici “Culcat”&#xA;&#xA;Dar sunt un maidanez&#xA;Dar sunt un maidanez&#xA;Dar sunt un mare, mare, mare, mare maidanez&#xA;Dar sunt un maidanez&#xA;Dar sunt un maidanez&#xA;Dar sunt un mare, mare, mare, mare maïdanez" PRODUCER="Scandalos Music" COVERARTID="062/4NWETAA24HQ2LAFTDSENBNENVP2A" PLAYTIME="273" PLAYTIME_FLOAT="272.161072" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="27892"></INFO>
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<INFO BITRATE="790538" KEY_LYRICS="4 ContributorsKlandestin Lyrics&#xA;Dupa dollar, dollar bill, yeah&#xA;Dollar, dollar, dollar bill, yeah&#xA;Dollar, dollar, dollar, dollar, dollar, bill, yeah&#xA;Dollar dollar bill yeah, dollar dollar bill yeah&#xA;Dollar, dollar, dollar, dollar, dollar, bill, yeah&#xA;&#xA;&#xA;Alerg printre straini&#xA;In cursa dupa dollar, dollar bill&#xA;Ca un klandestin, ooo&#xA;E treaba mea cum il obtin&#xA;&#xA;&#xA;Sunt klandestin, ca un strain&#xA;In lumea lor stii bine ca sunt un simplu anonim&#xA;Nu fac parte din nici un clan, n-am bridgada&#xA;N-am gabori care ma scapa cand o fac lata&#xA;Merg pe strada, pasind normal&#xA;Nu fac scandal, nu ingrop in sute vreun lautar&#xA;Nu iau vreun ban de la vreun politician&#xA;Care vrea sa-i bag concurenta in spital&#xA;N-ai guler ridicat, nu esti bazat&#xA;Klandestin in lumea lor este pacat, ca&#xA;Dupa ce te lasa lat pe jos, in strada&#xA;Pleaca cu o amenda si isi vad de treaba&#xA;Ce e mai ciudat, copiii ii vad eroi&#xA;Ii vad bazati..,&#xA;Nu-i vad ca noi&#xA;Eu il respect pe tata care n-ar fura un act&#xA;Si daca-ti cade protofelu' jos ti l-a inapoiat&#xA;&#xA;Alerg printre straini&#xA;In cursa dupa dollar, dollar bill&#xA;Ca un klandestin, ooo&#xA;E treaba mea cum il obtin&#xA;Alerg printre straini&#xA;In cursa dupa dollar, dollar bill&#xA;Ca un klandestin, ooo&#xA;E treaba mea cum il obtin&#xA;&#xA;Dupa dollar, dollar bill, yeah&#xA;Dollar, Dollar bill, yeah&#xA;Dollar, dollar, dollar, dollar, dollar, bill, yeah&#xA;Dollar dollar bill yeah, dollar dollar bill yeah&#xA;Dollar, dollar, dollar, dollar, dollar, bill, yeah&#xA;&#xA;&#xA;Tu ai muncit o viata-ntreaga tata, poate o sa fac la fel&#xA;Si din cate am vazut pe strazile din cartier&#xA;Ar fi trebuit sa furi, sa-i minti pe toti din jur&#xA;Sa-ti pierzi increderea in Dumnezeu si sa induri&#xA;Ca unii au impresia ca banii fac orice&#xA;Trec copiii lor prin scoli fara educatie&#xA;Si tot ei se-ntreaba de ce nu primesc deloc respect&#xA;Fiindca sunt vazuti ca sponsori de copiii lor&#xA;Repet mamaa&#xA;Iti multumesc din nou ca m-ai tinut in scoala&#xA;Fara scoala n-as fi stiut sa pun text pe coala&#xA;Fara scoala sau fara cei sapte ani de-acasa&#xA;Nici macar n-as fi stiut cum sa respect o domnisoara&#xA;Da' timpul trece si observ ca totul se misca lent&#xA;Sunt la varsta la care vreau sa fiu independent&#xA;Ma simt ca un klandestin, eu nu mai cred in destin&#xA;De azi alerg dupa dollar, dollar bill yeah&#xA;&#xA;Alerg printre straini&#xA;In cursa dupa dollar, dollar bill&#xA;Ca un klandestin, ooo&#xA;E treaba mea cum il obtin&#xA;Alerg printre straini&#xA;In cursa dupa dollar, dollar bill&#xA;Ca un klandestin, ooo&#xA;E treaba mea cum il obtin&#xA;&#xA;&#xA;Dupa dollar, dollar bill, yeah&#xA;Dollar, Dollar bill, yeah&#xA;Dollar, dollar, dollar, dollar, dollar, bill, yeah&#xA;Dupa dollar dollar bill yeah, dollar dollar bill yeah&#xA;Dollar, dollar, dollar, dollar, dollar, bill, yeah&#xA;Dollar, dollar, dollar, dollar, dollar, bill, yeah" PRODUCER="Scandalos Music" COVERARTID="062/4NWETAA24HQ2LAFTDSENBNENVP2A" PLAYTIME="221" PLAYTIME_FLOAT="220.728867" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="21572"></INFO>
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<INFO BITRATE="789140" KEY_LYRICS="5 ContributorsBagă bani Lyrics&#xA;&#xA;&#xA;Decât să stai să-i strângi, mai bine să îi cheltuiești!&#xA;Bagă, bagă, bagă bani! Bagă bani!&#xA;&#xA;&#xA;Nevasta-mea vrea tot ce-i nou&#xA;Da' moda se schimbă repede rău&#xA;„Iubi, pantofii sunt criminali!”&#xA;Bagă, bagă, bagă bani! Bagă bani!&#xA;Doctoru-mi spune: &amp;quot;Puya, te știu!&amp;quot;&#xA;Și-i tremură mâna pe bisturiu&#xA;De aia bag repede banii-n CD&#xA;Bagă, bagă, bagă bani! Bagă bani!&#xA;Domnu' milițian, stai așa!&#xA;Încă nu scrie, hai s-o dăm cumva&#xA;Ce naiba, doar noi suntem golani!&#xA;Nu tre' să mai spui: „Bagă bani! Bagă bani!”&#xA;Hârtie, plastic sau chiar monezi&#xA;Mereu te stresezi, vezi să nu-i pierzi&#xA;Când o pui, toți sunt fani&#xA;Și îți zic: „Bagă, bagă, bagă bani!”&#xA;&#xA;&#xA;Când ai milioane, ești cel mai tare&#xA;Însă asta nu e tot&#xA;Când sufletu-ți râde, nu-ți trebuie multe&#xA;Banii, știi, nu stau pe loc&#xA;Faci milioane, ești cel mai tare&#xA;Trebuie să și trăiești&#xA;Decât să stai să-i strângi, mai bine să îi cheltuiești&#xA;&#xA;Bani, bani, bani, bani, bagă bani-bani!&#xA;Bani, bani, bani, bani, bagă bani-bani!&#xA;Bani, bani, bani, bani, bagă bani-bani!&#xA;Bani, bani, bani, bani, bagă bani-bani!&#xA;&#xA;&#xA;Îți place la munte, vrei să vezi marea&#xA;Nu la birou, îți place mișcarea&#xA;Vrei un safari cu africani&#xA;Bagă, bagă, bagă bani! Bagă bani!&#xA;Te-ai săturat de covrigi, shaorme&#xA;Vrei mușchiuleț sau somon fume&#xA;Bio, ce naiba, doar piept de curcan!&#xA;Bagă, bagă, bagă bani! Bagă bani!&#xA;Brunete, roșcate, blonde tunate&#xA;Doar cu liceu' sau la facultate&#xA;Când sufletu' tău e de golan&#xA;Bagă, bagă, bagă bani! Bagă bani!&#xA;Conduci beat sau fără carnet&#xA;La școală mereu tu rămâi repetent&#xA;Însă tăticu' e milonar&#xA;Bagă, bagă, bagă bani! Bagă bani!&#xA;&#xA;&#xA;Când ai milioane, ești cel mai tare&#xA;Însă asta nu e tot&#xA;Când sufletu-ți râde, nu-ți trebuie multe&#xA;Banii, știi, nu stau pe loc&#xA;Faci milioane, ești cel mai tare&#xA;Trebuie să și trăiești&#xA;Decât să stai să-i strângi, mai bine să îi cheltuiești&#xA;&#xA;Cine v-a adus pe lume?&#xA;Bani, bani, bani...&#xA;Stricați inimile bune!&#xA;Bani, bani, bani...&#xA;Când ai mulți, îi risipești&#xA;Când nu ai, înnebunești&#xA;Cine v-a adus pe lume?&#xA;Bagă bani!&#xA;&#xA;&#xA;Bani, bani, bani, bani, bagă bani-bani!&#xA;Bani, bani, bani, bani, bagă bani-bani!&#xA;Bani, bani, bani, bani, bagă bani-bani!&#xA;Bani, bani, bani, bani, bagă bani-bani!" PRODUCER="Scandalos Music" COVERARTID="062/4NWETAA24HQ2LAFTDSENBNENVP2A" PLAYTIME="227" PLAYTIME_FLOAT="226.649948" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="22104"></INFO>
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<INFO BITRATE="954747" KEY_LYRICS="2 ContributorsStudenta LyricsTu nu vrei un student eminent&#xA;Vrei un vagabond indecent&#xA;Ca se lasa mai cu happy end&#xA;Eu sunt prezent, dar nu inteleg ce zici&#xA;Ca tu deja te clatini si cam stai sa pici&#xA;Hai cu mine la bar, la seminar&#xA;Sa-mi arati cum sa golesc pahar dupa pahar&#xA;De fapt, daca fac o socoteala&#xA;La bar ai mai multe prezente decat la scoala&#xA;&#xA;Dar tu nu tii cont de leii grei&#xA;Vad ca dai cu ei de parca nu sunt banii tai&#xA;Incearca sa ramai putin prezenta&#xA;Si iti dau titlul de cea mai activa studenta&#xA;N-o sa vin cu flori, ca alta data&#xA;Am s-o pun pe Alba ca Zapada s-aduca ciocolata&#xA;Sa o facem lata, la mine sau la tine&#xA;Sa fie cum vreau eu, sa fie bine, bine&#xA;&#xA;Am o presimtire ca mai e putin&#xA;Si de dimineata o sa dai vina pe sticla de vin&#xA;Ca fetele ca tine au potential&#xA;Promit ca nu mai fac, dar se imbata iar&#xA;Mie imi convine, bineinteles&#xA;Sa te vad asa detasata, fara stres&#xA;Fara texte d-alea cu subinteles&#xA;Ca tu clar vrei mai tare, mai des&#xA;Mai tare, mai des&#xA;Mai tare, mai des&#xA;Fara texte d-alea cu subinteles&#xA;Mai tare, mai des&#xA;Mai tare, mai des&#xA;Mai des, mai des&#xA;Fara texte d-alea cu subinteles&#xA;&#xA;Fara flori, fara poezii&#xA;Fara vrajeala pe care o stii&#xA;Fara mesaje romantice&#xA;Vreau sa te vad goala, dezbraca-te&#xA;Se vede clar ca ai mai facut&#xA;Asa ceva si ca ti-a placut&#xA;Pentru tine conteaza mult&#xA;Sa stii cat de bine pot sa te?&#xA;&#xA;Au! Direct, direct la inima&#xA;Scuze, credeam ca stii clar ca&#xA;Vreau sa te duc cu zaharelul&#xA;Sa iti arat hotelul&#xA;Sa bei, sa mananci si apoi sa-ti fac felul&#xA;Au! E de la sine inteles&#xA;Te misti deasupra mea, detasata, fara stres&#xA;Lasa-ma sa fiu proful tau&#xA;Si tu studenta mea buna rau, rau&#xA;Mai tare, mai des&#xA;Mai tare, mai des&#xA;Fara texte d-alea cu subinteles&#xA;Mai tare, mai des&#xA;Mai tare, mai des&#xA;Nu, nu, nu, nu&#xA;Fara texte d-alea cu subinteles" PRODUCER="Studio 66 Records" COVERARTID="045/NJBMR1C3MVBUGDJ5T3VFDRTF55GA" PLAYTIME="188" PLAYTIME_FLOAT="187.066956" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="22109"></INFO>
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<INFO BITRATE="984793" KEY_LYRICS="11 ContributorsDă-o tare Lyrics&#xA;&#xA;&#xA;Aha-aaa, Aha-aaa, Aha-aaa, Aha-aaa&#xA;Noi o dăm tareee, noi dăm culoareee&#xA;Facem totul natural, spargem gheaţa de la mal&#xA;&#xA;&#xA;Şi intru-n club, şi e panică&#xA;Văd bălanii că&#xA;Vin golani cu atitudine Balcanică&#xA;C. A. B. R. O. N. şi-a luat placă (Știm!)&#xA;Da, de abia acum începe s-o desfacă&#xA;Dă zece boxe de alea mari&#xA;Şi volumu' la maxim, să-i acopere pe lăutari&#xA; Şi dă-mi şi doua d'alea bune&#xA;Să urce pe scenă, haterii să facă spume&#xA;Ştii! Nivelu' unu, doi, trei&#xA;Dă-o tare, tare ca refrenu' lu' Andrei&#xA;Dacă eşti în casă, în club sau pe frecvenţă&#xA;O mână sus e apelu' de urgenţă&#xA;Şi nimic nu mă scoate din stare&#xA;O stare nebună care nu mai dispare&#xA;Că lumea dă din umeri şi din picioare&#xA;Da-o dă tare!&#xA;&#xA;Când ne place o dăm tare&#xA;Noi dăm culoare&#xA;Facem totul natural&#xA;Spargem gheaţa de la mal&#xA;Noi o dăm tare&#xA;Noi dăm culoare&#xA;Facem totul natural&#xA;Spargem gheaţa de la mal&#xA;&#xA;&#xA;(Mi se spune, mi se spune, mi se spune)&#xA;Mi se spune G. W., ghici cine tre' s-o dea tare?&#xA;Atât de tare încât mă vezi în dungi la reluare&#xA;R-play, dă-i play la motoare&#xA;Astă-seară avem efecte speciale, în continuare&#xA;Pune şi verde ca să-i dea culoare&#xA;Dar nu mult, să nu pleci la culcare&#xA;112 am un apel în aşteptare&#xA;Sunt încă în picioare&#xA;Dimineaţa pe răcoare&#xA;Hai dă-o tare frate&#xA;Că nu se mai poate&#xA;Toată lumea vrea activitate&#xA;Paharele sunt goale, uscate&#xA;Hai toarnă în toate, se poate?&#xA;&#xA;Când ne place o dăm tare&#xA;Noi dăm culoare&#xA;Facem totul natural&#xA;Spargem gheaţa de la mal&#xA;Noi o dăm tare&#xA;Noi dăm culoare&#xA;Facem totul natural&#xA;Spargem gheaţa de la mal&#xA;&#xA;&#xA;Şi ies din club şi e bine, bine, bine de tot&#xA;Merg încet, da drept şi chiar fără efort&#xA;Să se audă tare albumu' nou&#xA;(De unde?) Din România până la Chişinău&#xA;Aşa că (Yeah!) dă-o tare, nu o da nasol&#xA;Când te plictiseşti de terasa de la City Mall&#xA;Văd în culori de zici că-s în România&#xA;Te-aş înjura, da' mi-e jenă de Doamna Maria (şhh)...&#xA;Şi nimic nu mă scoate din stare!&#xA;Stare nebună care nu mai dispare!&#xA;Că lumea dă din umeri şi din picioare&#xA;Da-o dă tare!&#xA;&#xA;&#xA;Când ne place o dăm tare&#xA;Noi dăm culoare&#xA;Facem totul natural&#xA;Spargem gheaţa de la mal&#xA;Noi o dăm tare&#xA;Noi dăm culoare&#xA;Facem totul natural&#xA;Spargem gheaţa de la mal" PRODUCER="(P) 2017 Cat Music / HaHaHa Production" COVERARTID="022/W2AQLYCSFVBBDCP2LX2RAC3GVIQB" PLAYTIME="214" PLAYTIME_FLOAT="213.614563" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="25852"></INFO>
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<INFO BITRATE="952151" KEY_LYRICS="5 ContributorsFrunzele și iarba Lyrics&#xA;Frunzele și iarba, frunzele și iarba&#xA;Salcâmii și banca, salcâmii si banca&#xA;Valurile, barca, valurile, barca&#xA;În care pluteam și pluteam și pluteam&#xA;&#xA;&#xA;Ca tot acolo ne-am si cunoscut&#xA;Eu ma jucam cu tine chiar nu vroiam sa te uiti urat&#xA;Vroiam doar sa avem o zi de vara&#xA;Mai bine stam aici pe lac ca-i panica la scara&#xA;Si mintea mea-i departe plecata in alta parte&#xA;Noroc ca mi-am luat sucul si vreo doua-trei tarte&#xA;Ca asa-i la picnic trebuie sa te gandesti la tot&#xA;Nu vreau sa faci nimic eu te-am invitat te rog&#xA;&#xA;&#xA;Și am și un radio cu baterii&#xA;Să ascultăm piese de vară&#xA;Și de ce să fi stat în casă&#xA;Când uite ce marfă e pe-afară&#xA;&#xA;&#xA;Frunzele și iarba, frunzele și iarba&#xA;Salcâmii și banca, salcâmii si banca&#xA;Valurile, barca, valurile, barca&#xA;În care pluteam și pluteam și pluteam&#xA;&#xA;Daca si iarna sunt pe val iti dai seama cum o ard vara&#xA;Imi miroase a gratar si bate briza-n toata tara&#xA;Cand ne strangem la picnic turnam cate-un pic-pic&#xA;Vino draga mai aproape sa servim cate un mic-mic&#xA;Mi-e drag de tine imi place cand te vad asa&#xA;Mai ales cand te aprinzi fix aici in barca mea&#xA;Mai ales ca te-am prins nu mai scapi din mana mea&#xA;Mai ales ca m-am prins ca nu mai iesi din mintea mea&#xA;&#xA;&#xA;Și am și un radio cu baterii&#xA;Să ascultăm piese de vară&#xA;Și de ce să fi stat în casă&#xA;Când uite ce marfă e pe-afară&#xA;&#xA;&#xA;Frunzele și iarba, frunzele și iarba&#xA;Salcâmii și banca, salcâmii si banca&#xA;Valurile, barca, valurile, barca&#xA;În care pluteam și pluteam și pluteam" PRODUCER="(P) 2017 Cat Music / HaHaHa Production" COVERARTID="022/W2AQLYCSFVBBDCP2LX2RAC3GVIQB" PLAYTIME="198" PLAYTIME_FLOAT="197.283463" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="23102"></INFO>
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<INFO BITRATE="926166" KEY_LYRICS="5 ContributorsIarna sunt pe val LyricsEu şi iarna sunt pe val&#xA;N-aştept sezonul estival&#xA;&#xA;Eu şi iarna sunt pe val&#xA;N-aştept sezonul estival&#xA;Că eu şi iarna sunt pe val&#xA;Îţi semnez tot ce declar&#xA;În orice club cu un pahar&#xA;Iar sunt pe val&#xA;Eu şi iarna sunt pe val&#xA;&#xA;J.A.B.R.O.E. şi-a luat placă&#xA;Urcă pe val şi începe să-i placă&#xA;Intră-n club, vede numai verde&#xA;De zici că-i hipodrom pe perete&#xA;Şi lumea se-ntreabă dac-a venit moşu’&#xA;Nu, sunt doar eu, dar am hanorac roşu&#xA;Îmi place să mă deghizez&#xA;În orice loc aterizez&#xA;Mă găseşti oriunde, yo&#xA;Ba la studio, ba la radio&#xA;Ba într-un mare show&#xA;Dar depinde de tine cum o ard yo&#xA;Cum o ard yo şi cu fraţii mei&#xA;Intru-n club, stau pân’ la trei&#xA;Ies din club c-o fată ok, că…&#xA;Eu şi iarna sunt pe val&#xA;N-aştept sezonul estival&#xA;Că eu şi iarna sunt pe val&#xA;Îţi semnez tot ce declar&#xA;În orice club cu un pahar&#xA;Iar sunt pe val&#xA;Eu şi iarna sunt pe val&#xA;&#xA;Mi se spune lazy man&#xA;Daţi ca Pacha, crazy man&#xA;Oamenii mei când îi chem&#xA;Sar mai sus de primul semn&#xA;Că văd lumea mai bine de acolo&#xA;Mai bine mulţi decât solo&#xA;Văd lumea mai mică de acolo&#xA;De zici că sunt pe Apolo&#xA;Treişpe, lumea în club înebuneşte&#xA;Tensiunea-n vene creşte&#xA;Şi creşte şi creşte&#xA;Eins, Zwei, fără dubii&#xA;Cine a stins lumina? Ruby!&#xA;Toamna, vara, primăvara, dar…&#xA;&#xA;Eu şi iarna sunt pe val&#xA;N-aştept sezonul estival&#xA;Că eu şi iarna sunt pe val&#xA;Îţi semnez tot ce declar&#xA;În orice club cu un pahar&#xA;Iar sunt pe val&#xA;Eu şi iarna sunt pe val&#xA;Show-uri, ştouri, chestii, trestii&#xA;Delicii, vicii, marfă, bestii&#xA;Dulceţuri de fete, prăjituri&#xA;Cireaşa de pe torturi&#xA;Vine cu noi că suntem în ton&#xA;Da, cu debandada de sezon&#xA;E John, What’s up, Cabron&#xA;Până şi Haterii ne au la ringtone&#xA;&#xA;Eu şi iarna sunt pe val&#xA;N-aştept sezonul estival&#xA;&#xA;Eu şi iarna sunt pe val&#xA;N-aştept sezonul estival&#xA;Că eu şi iarna sunt pe val&#xA;Îţi semnez tot ce declar&#xA;În orice club cu un pahar&#xA;Iar sunt pe val&#xA;&#xA;Eu şi iarna sunt pe val&#xA;N-aştept sezonul estival&#xA;Că eu şi iarna sunt pe val&#xA;Îţi semnez tot ce declar&#xA;În orice club cu un pahar&#xA;Iar sunt pe val&#xA;Eu şi iarna sunt pe val" PRODUCER="(P) 2013 Cat Music" COVERARTID="012/MMDLQBA50F35PBXZLD5GB1XIX5UC" PLAYTIME="219" PLAYTIME_FLOAT="218.464874" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="24845"></INFO>
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<INFO BITRATE="915760" KEY_LYRICS="5 ContributorsApa Lyrics&#xA;Apa, apa, apa&#xA;Yeah la-la-la-la la-la-la&#xA;La-la-la-la-la-la-la&#xA;La-la-la-la-la-la-la&#xA;&#xA;&#xA;Şi câte nopţi şi zile am stat cu gândul doar la tine&#xA;Urăsc să trăiesc ascultând non-stop balade de iubire&#xA;În lipsa ta orice pală de vânt e ca o mângâiere&#xA;Nu mai suport să trăiesc nicio zi într-o lume fără tine&#xA;&#xA;&#xA;O-mbrăţişare, o sărutare&#xA;Un loc sub soare vreau în care&#xA;Nici măcar un singur gând nu doare&#xA;Te alung şi te chem iar, te las şi iar te iau&#xA;Cu mine şi în vise şi oriunde m-aş mai duce-n lumea mare&#xA;&#xA;&#xA;Apa, apa, apa&#xA;Yeah la-la-la-la la-la-la&#xA;La-la-la-la-la-la-la&#xA;La-la-la-la-la-la-la&#xA;&#xA;&#xA;De câte ori m-am jurat că de mâine am să mă las de tine&#xA;De atâtea ori m-am trezit ca te sun cu telefonu-n mână&#xA;Urăsc sentimentul de gol în stomac şi de singurătate&#xA;Aş da orice să te am lângă mine încă o noapte&#xA;&#xA;O-mbrăţişare, o sărutare&#xA;Un loc sub soare vreau în care&#xA;Nici măcar un singur gând nu doare&#xA;Te alung şi te chem iar, te las şi iar te iau&#xA;Cu mine şi în vise şi oriunde m-aş mai duce-n lumea mare&#xA;&#xA;&#xA;Apa, apa, apa&#xA;Yeah la-la-la-la la-la-la&#xA;La-la-la-la-la-la-la&#xA;La-la-la-la-la-la-la&#xA;&#xA;&#xA;Ah...&#xA;Bună seara, iubito, m-aştepţi ca şi când&#xA;Numai eu şi cu tine am mai fi pe Pământ&#xA;Ah... Şi nu vreau să fac să te doară&#xA;Promit că mâine o să vin, dar nu pot diseară&#xA;Am încercat să te sun, dar n-a mers&#xA;De parcă ne sunam unul pe altul în acelaşi timp, gândesc&#xA;Aşa coincidenţă n-am mai întâlnit&#xA;Nu mai pune întrebări că mă obligi să te mint&#xA;Şi nu vreau&#xA;O să vin mâine şi cu tine o să stau&#xA;Aş fi venit acum, dar băieţii mă aşteptau&#xA;De fapt, glumeam, şi ca să-ţi zic pe şleau&#xA;Sunt la tine la uşă şi vreau...&#xA;&#xA;O-mbrăţişare, o sărutare&#xA;Un loc sub soare vreau în care&#xA;Nici măcar un singur gând nu doare&#xA;Te alung şi te chem iar, te las şi iar te iau&#xA;Cu mine şi în vise şi oriunde m-aş mai duce-n lumea mare&#xA;O-mbrăţişare, o sărutare&#xA;Un loc sub soare vreau în care nici măcar un singur gând nu doare&#xA;Te alung şi te chem iar, te las şi iar te iau&#xA;Cu mine şi în vise şi oriunde m-aş mai duce-n lumea mare&#xA;&#xA;&#xA;Apa, apa, apa&#xA;Yeah la-la-la-la la-la-la&#xA;La-la-la-la-la-la-la&#xA;La-la-la-la-la-la-la&#xA;&#xA;&#xA;La-la-la-la&#xA;La-la-la-la-la&#xA;La-la-la-la&#xA;La-la-la-la-la" PRODUCER="Loriwood" COVERARTID="086/WCEUX3CKRWD3SAOI2HXWDBMVG55B" PLAYTIME="229" PLAYTIME_FLOAT="228.780411" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="25932"></INFO>
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<INFO BITRATE="1005897" KEY_LYRICS="3 ContributorsE marfă tare Lyrics&#xA;&#xA;&#xA;Când soarele răsare (Când soarele răsare)&#xA;Când soarele răsare (Când soarele răsare)&#xA;Ni-ni-ni-ni-nimeni n-o face cum o facem noi&#xA;Jah man,  ready for di action&#xA;Nimeni nu o face cum o facem noi când soarele răsare&#xA;Alex Velea  man&#xA;&#xA;&#xA;E vineri seară, ne strângem la mine&#xA;Anturajul cu care pierd, pierd nopți și zile&#xA;Fac duș, sunt fresh, în buzunar am cash&#xA;Vreau să mai beau un fresh c-am nevoie de vitamine&#xA;Suntem sufletul petrecerii&#xA;Preferați și de public și de paparazzi&#xA;E totul la vedere, n-ascundem nimic&#xA;Că fac clic-clic, sunt cu magnet, clic-clic&#xA;&#xA;&#xA;E mare petrecere, mare bairam&#xA;A doua zi avem poze în ziare&#xA;Mare petrecere, mare bairam&#xA;E party-party, let's get naughty&#xA;&#xA;Când soarele răsare, nimeni nu doarme&#xA;Petrecerea e-n toi, nimeni n-o face cum o facem noi&#xA;E marfă tare, nimeni nu doarme&#xA;Nici vara, nici toamna, nici iarna, nici primăvara, boy&#xA;Când soarele răsare, nimeni nu doarme&#xA;Petrecerea e-n toi, nimeni n-o face cum o facem noi&#xA;E marfă tare, nimeni nu doarme&#xA;Nici vara, nici toamna, nici iarna, nici primăvara, boy&#xA;(Când soarele răsare)&#xA;&#xA;&#xA;De la mine, mergem direct în club&#xA;Atitudine și stil made in Hollywood&#xA;În club foială mare, fetele ard ca un vulcan&#xA;Nici n-am intrat bine și văd la masă pe Pacha Man (C'mon)&#xA;Încojurat de sticle, multe tipe, multe pipe&#xA;Și lumea se distrează și-ncepe să țipe&#xA;Suntem sufletul petrecerii&#xA;Preferati și de public și de paparazzi&#xA;&#xA;&#xA;E mare petrecere, mare bairam&#xA;A doua zi avem poze în ziare&#xA;Mare petrecere, mare bairam&#xA;E party-party, let's get naughty, naughty&#xA;Când soarele răsare (Când soarele răsare)&#xA;Când soarele răsare (Când soarele răsare)&#xA;&#xA;Când soarele răsare, nimeni nu doarme&#xA;Petrecerea e-n toi, nimeni n-o face cum o facem noi&#xA;E marfă tare, nimeni nu doarme&#xA;Nici vara, nici toamna, nici iarna, nici primăvara, boy&#xA;Când soarele răsare, nimeni nu doarme&#xA;Petrecerea e-n toi, nimeni n-o face cum o facem noi&#xA;E marfă tare, nimeni nu doarme&#xA;Nici vara, nici toamna, nici iarna, nici primăvara, boy&#xA;&#xA;&#xA;N-am, da' n-am niciun stres, urmăresc&#xA;Să nu fiu urmărit, no, no, no&#xA;N-am niciun motiv să fiu plictisit, obosit&#xA;Petrec până la răsărit&#xA;Oy-oooy (Yeah)&#xA;Oy-oooy (E marfă tare)&#xA;Oy-oooy (Știu și eu, știi și tu)&#xA;Oy-oooy (Și ea, și el, știți și voi)&#xA;(Acolo sună așa cu nimeni nu o face cum o facem noi, știi)&#xA;&#xA;&#xA;Când soarele răsare, nimeni nu doarme&#xA;Petrecerea e în toi, nimeni n-o face cum o facem noi&#xA;E marfă tare, nimeni nu doarme (Nimeni nu doarme)&#xA;Nici vara, nici toamna, nici iarna, nici primăvara, boy&#xA;Când soarele răsare, nimeni nu doarme&#xA;Petrecerea e în toi, nimeni n-o face cum o facem noi&#xA;E marfă tare, nimeni nu doarme&#xA;Nici vara, nici toamna, nici iarna, nici primăvara, boy" PRODUCER="HaHaHa Production" COVERARTID="071/HKI45IBK0FSCPCUKDFWIACQI5CSB" PLAYTIME="211" PLAYTIME_FLOAT="210.494812" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="26072"></INFO>
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<INFO BITRATE="897711" KEY_LYRICS="5 ContributorsYamasha Lyrics&#xA;Yamasha, yamasha&#xA;Să fugim în lume undeva&#xA;Undeva, undeva&#xA;E loc pentru amândoi în cămașa mea&#xA;Yamasha, yamasha&#xA;Să fugim în lume undeva&#xA;Undeva, undeva&#xA;E loc pentru amândoi în cămașa mea&#xA;&#xA;&#xA;O noapte, pe-aproape&#xA;Masaj cu arome ciudate&#xA;Pe față, pe spate&#xA;Până să te scot din minți&#xA;Și trecem la fapte&#xA;Să ne iubim mai departe&#xA;Ești gata, sunt gata&#xA;Hai să nu mai fim cuminți&#xA;&#xA;&#xA;Yamasha, yamasha&#xA;Să fugim în lume undeva&#xA;Undeva, undeva&#xA;E loc pentru amândoi în cămașa mea&#xA;Yamasha, yamasha&#xA;Să fugim în lume undeva&#xA;Undeva, undeva&#xA;E loc pentru amândoi în cămașa mea&#xA;&#xA;Uuu&#xA;Trei, doi, unu&#xA;Și-am pornit motorul&#xA;Urcă-te în rachetă să ne luăm iar zborul&#xA;Vreau să mă iubesc pe lună&#xA;Cu o femeie bună-bună, dar nebună&#xA;S-o simt aproape cât mai des-des&#xA;Fără haine, fără fițe, numai topless&#xA;Less-less, interes și mai mult sex&#xA;Frate, nu sunt razna, dar sunt&#xA;Gya-Gya, Bless-Bless&#xA;Ooo&#xA;Tot nisipul din deșert&#xA;L-am trimis într-un colet&#xA;Pentru tine, pentru tine&#xA;Ooo&#xA;Și toată apa din ocean&#xA;Am adunat-o într-un lighean&#xA;Pentru tine, pentru tine&#xA;&#xA;&#xA;Yamasha, yamasha&#xA;Să fugim în lume undeva&#xA;Undeva, undeva&#xA;E loc pentru amândoi în cămașa mea&#xA;Yamasha, yamasha&#xA;Să fugim în lume undeva&#xA;Undeva, undeva&#xA;E loc pentru amândoi în cămașa mea&#xA;&#xA;Count the money, money&#xA;Pass the money, money&#xA;Spend the money, money&#xA;Yeah ca sha na-na!&#xA;Count the money, money&#xA;Pass the money, money&#xA;Spend the money, money&#xA;Yeah ca sha na-na!&#xA;Yeah-yeah-yeah-yeah-yeah-yeah&#xA;U-la-la-la-la&#xA;U-la-la-la-la&#xA;U-la-la-la-la&#xA;Number One Playboy&#xA;&#xA;&#xA;Yamasha, yamasha&#xA;Să fugim în lume undeva&#xA;Undeva, undeva&#xA;E loc pentru amândoi în cămașa mea&#xA;Yamasha, yamasha&#xA;Să fugim în lume undeva&#xA;Undeva, undeva&#xA;E loc pentru amândoi în cămașa mea&#xA;&#xA;&#xA;La la la la la la&#xA;Să fugim în lume undeva&#xA;La la la la la la&#xA;E loc pentru amândoi în cămașa mea&#xA;La la la la la la&#xA;Să fugim în lume undeva&#xA;La la la la la la&#xA;E loc pentru amândoi în cămașa mea" PRODUCER="Roton" COVERARTID="125/3PNJENC1FJ5FDAABX2SWBHIYKQ5C" PLAYTIME="236" PLAYTIME_FLOAT="235.093338" IMPORT_DATE="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="25876"></INFO>
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<INFO BITRATE="998245" KEY_LYRICS="2 ContributorsDefectul tău sunt eu Lyrics&#xA;Am defecte, n-am efecte speciale&#xA;Între perfecte ești specială&#xA;&#xA;&#xA;Bine ai venit, ia loc pe canapea&#xA;Așază-te confortabil, pune-ți o ceașcă de cafea&#xA;Bine ai venit tu în viața mea&#xA;Astăzi m-am decis să spun povestea mea și a ta&#xA;Ne știm de ceva vreme, îți fac mereu probleme&#xA;Dar știi că te iubesc, îți arăt prea multе semne&#xA;Pesеmne că mi-ai lăsat prea multe semne pe corp&#xA;Și zâmbești și dai din cap, pesemne că ești de acord&#xA;Dar ai și tu defectul tău&#xA;Nu pot să mă supăr, că mă faci să râd mereu&#xA;Dar ai și tu defectul tău&#xA;Hey, defectul tău sunt eu&#xA;&#xA;&#xA;Am defecte, n-am efecte speciale&#xA;Dar te iubesc rău&#xA;Între perfecte, ești specială&#xA;Fiindcă defectul tău sunt eu&#xA;Am defecte, n-am efecte speciale&#xA;Dar te iubesc rău&#xA;Între perfecte, ești specială&#xA;Fiindcă defectul tău sunt eu&#xA;&#xA;Și, câteodată, vorbesc mult, mami, gen walkie-talkie&#xA;Haide, vino mai aproape, lasă-mă să-mi clătesc ochii&#xA;Haide, pune un pahar de vin și după aia aprinde un smokie&#xA;Să vezi cât de repede te las fără dres și rochii&#xA;Ye, ye, ye, ye, ye fără dres și rochii&#xA;Ye, ye, ye, ye mă pui la pământ ca Rocky&#xA;Balboa&#xA;Vezi că urmează runda a doua&#xA;Ne iubim sub clar de lună și așteptăm luna a noua&#xA;Că vine bebe&#xA;&#xA;&#xA;Am defecte, n-am efecte speciale&#xA;Dar te iubesc rău&#xA;Între perfecte, ești specială&#xA;Fiindcă defectul tău sunt eu&#xA;Am defecte, n-am efecte speciale&#xA;Dar te iubesc rău&#xA;Între perfecte, ești specială&#xA;Fiindcă defectul tău sunt eu&#xA;&#xA;&#xA;Și e atât de ușor să mă faci fericit, fără efort&#xA;Navigăm pe o mare iubire, bine ai venit la bord&#xA;Te-aș duce oriunde în lume, oriunde vrei pe hartă&#xA;Chiar nu mai contează că ești un pic mai înaltă&#xA;&#xA;Am defecte, n-am efecte speciale&#xA;Dar te iubesc rău&#xA;Între perfecte, ești specială&#xA;Fiindcă defectul tău sunt eu&#xA;Am defecte, n-am efecte speciale&#xA;Dar te iubesc rău&#xA;Între perfecte, ești specială&#xA;Fiindcă defectul tău sunt eu" PRODUCER="HaHaHa Production" COVERARTID="071/HKI45IBK0FSCPCUKDFWIACQI5CSB" PLAYTIME="193" PLAYTIME_FLOAT="192.965561" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="23739"></INFO>
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<INFO BITRATE="971510" KEY_LYRICS="7 ContributorsAcele Lyrics&#xA;Arzând, te-ai ars de el, de-naltul de băiat&#xA;Care cu, și prin tine, a devenit bărbat&#xA;Și-acum e liber, în largul lui&#xA;Tu spargi oglinzi să n-ai reflexe în fața nimănui&#xA;Și nici nu vrei să ai pentru că dac-ai vrea&#xA;S-ar fi creat un râu și tu l-ai inversa&#xA;Pe-un mal ești tu, pe altul lumea lui&#xA;Care există doar în mintea ta uitată-n mintea lui&#xA;&#xA;&#xA;Și mai am amintiri&#xA;Ele încearcă s-aprindă în mine tot ce-i ars deja&#xA;Și n-o să mai poată să ardă...&#xA;&#xA;&#xA;Acele tale îmi fac tattoo sub piele&#xA;Îmi schimbă sângele-n vene&#xA;Și-aș vrea să-mbatranim în doi&#xA;&#xA;Acele tale îmi fac tattoo sub piele&#xA;Îmi schimbă sângele-n vene&#xA;Și-aș vrea să-mbatranim în doi&#xA;&#xA;&#xA;Vina e greu s-o-mparți la doi&#xA;Tu o ții în tine, eu o-nșir pe foi&#xA;Noi, ambii, stranii&#xA;Duri unul cu altul, cu străinii... moi&#xA;Goi, în lumina zilei, fără secrete&#xA;Ne cunoaștem prea bine, să știi&#xA;Nu-ți fie frică, ține-te de mine&#xA;Îți promit să nu te las, fie rău sau bine&#xA;&#xA;Și mai am amintiri&#xA;Ele încearcă s-aprindă în mine tot ce-i ars deja&#xA;Și n-o să mai poată să ardă...&#xA;&#xA;&#xA;Acele tale îmi fac tattoo sub piele&#xA;Îmi schimbă sângele-n vene&#xA;Și-aș vrea să-mbatranim în doi&#xA;&#xA;Acele tale îmi fac tattoo sub piele&#xA;Îmi schimbă sângele-n vene&#xA;Și-aș vrea să-mbatranim în doi&#xA;&#xA;&#xA;Și îți doresc, de fapt... nu&#xA;Eu nu-ți doresc să fii în locul meu&#xA;Să simți ce simt acum când te privesc&#xA;Și să te rușinezi aflând că tare te iubesc&#xA;Fără interes... dar cu fantezii&#xA;Nu le știi, m-ai întrebat în multe dimineți&#xA;Noi doi și-un singur pat, ascunși de lume&#xA;Pe bune, cu toate că mă-mpungi&#xA;Te vreau pe tine anume...&#xA;&#xA;x2&#xA;Acele tale îmi fac tattoo sub piele&#xA;Îmi schimbă sângele-n vene&#xA;Și-aș vrea să-mbatranim în doi&#xA;Acele tale îmi fac tattoo sub piele&#xA;Îmi schimbă sângele-n vene&#xA;Și-aș vrea să-mbatranim în doi" PRODUCER="Global Records" COVERARTID="005/FEZTUADRFP1C2CCO1E4FCAX4X0UA" PLAYTIME="207" PLAYTIME_FLOAT="206.755676" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="24779"></INFO>
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<INFO BITRATE="1001621" KEY_LYRICS="6 ContributorsImperfect Lyrics&#xA;Uite, îmi ascund lacrimi, ține&#xA;Strânge în pumni dorul meu de tine&#xA;Te aprinzi grăbit, rapid arzi&#xA;Când împreuna înseamna ieri, despărțiți încet azi&#xA;Dar tu ai văzut doar defecte în mine&#xA;Nu poți schimba pe cineva, dacă o faci doar pentru tine&#xA;Tu n-ai văzut că îndepărtezi&#xA;O fată care vede perfectul în tine&#xA;O fată care se va pierde în mulțime&#xA;Și-n locul ei, acum îți spun&#xA;&#xA;&#xA;Eu am găsit pe altcineva ca mine, imperfect&#xA;Dacă minus cu minus fac plus&#xA;Legea dragostei mele este defect plus defect&#xA;Eu am găsit pe altcineva ca mine, imperfect&#xA;Dacă minus cu minus fac plus&#xA;Legea dragostei mele este defect plus defect&#xA;&#xA;&#xA;Uite degetul inelar&#xA;Ochii după ochelari plânși, dar sinceri&#xA;Colțuri de străzi, prin cap mii de gânduri&#xA;Oare-i un defect că te-am citit printre rânduri?&#xA;Dar tu îndepărtezi o fată care vede perfectul în tine&#xA;O fată care, se va pierde în mulțime&#xA;Și-n locul ei, acum îți spun&#xA;&#xA;Eu am găsit pe altcineva ca mine, imperfect&#xA;Dacă minus cu minus fac plus&#xA;Legea dragostei mele este defect plus defect&#xA;Eu am găsit pe altcineva ca mine, imperfect&#xA;Dacă minus cu minus fac plus&#xA;Legea dragostei mele este defect plus defect&#xA;&#xA;&#xA;Vorbește-mi, minte-mă dacă mai poți&#xA;Ei purtători de arme albe&#xA;Noi transformați în hoți&#xA;Și hotare între noi, ce nu se deschid&#xA;Am văzut prea mult noroi&#xA;Dar tu pretinzi că știi, că tu mă știi&#xA;Sunt presiuni din trecut&#xA;Noi nu suntem perfecți da' noi suntem vii, vii&#xA;&#xA;&#xA;Eu am găsit pe altcineva ca mine, imperfect&#xA;Dacă minus cu minus fac plus&#xA;Legea dragostei mele este defect plus defect&#xA;Eu am găsit pe altcineva ca mine, imperfect&#xA;Dacă minus cu minus fac plus&#xA;Legea dragostei mele este defect plus defect" PRODUCER="Global Records" COVERARTID="005/FEZTUADRFP1C2CCO1E4FCAX4X0UA" PLAYTIME="214" PLAYTIME_FLOAT="213.658554" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="26383"></INFO>
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<INFO BITRATE="1010236" KEY_LYRICS="5 ContributorsTranslationsEnglishTe rog Lyrics&#xA;&#xA;&#xA;Poate prea departe s-a ajuns&#xA;Și lipsa ta-mi aduce doar durere în plus&#xA;Emoții prin cablu&#xA;Dar acolo tu nu ești și eu nu-s&#xA;N-am fost perfect&#xA;Dar nici tu n-ai fost, punând puncte fără rost&#xA;E prima dată când poți să cazi&#xA;Când poți să cazi de jos în sus&#xA;&#xA;&#xA;Și mi-ai lăsat jurnalul dar ai șters finalul&#xA;Sunt sticle pe asfalt când visele se sparg&#xA;Și se transformă în amintiri&#xA;&#xA;&#xA;Te rog să nu mai spui că o sa pleci&#xA;Spre marea albastră&#xA;Și că fereastra ta este mai mult decât un drum spre cer&#xA;Te rog să nu mai spui că a murit iubirea noastră&#xA;Și că de astăzi o să te simt în picături de ploaie&#xA;&#xA;&#xA;Tu nu mă crezi dar știu ce ascund ochii tăi&#xA;Te simt din ale inimii bătăi&#xA;Câțiva centimetri între noi, nu mai dăm înapoi&#xA;Și-mi amintesc c-ai spus de atâtea ori&#xA;Că nu e nici o diferență să urci sau să cobori&#xA;Scările spre nicăieri uneori ne duc mai sus de nori&#xA;&#xA;Și mi-ai lăsat jurnalul dar ai șters finalul&#xA;Sunt sticle pe asfalt când visele se sparg&#xA;Și se transformă în amintiri&#xA;&#xA;&#xA;Te rog să nu mai spui că o sa pleci&#xA;Spre marea albastră&#xA;Și că fereastra ta este mai mult decât un drum spre cer&#xA;Te rog să nu mai spui că a murit iubirea noastră&#xA;Și că de astăzi o să te simt în picături de ploaie&#xA;&#xA;&#xA;Spune-mi, chiar te rog, tu, spune-mi&#xA;Că nu sunt nebună&#xA;Și ca vom fi împreună&#xA;Și nici o furtună&#xA;N-o să poate stinge două priviri&#xA;&#xA;&#xA;Te rog să nu mai spui că o sa pleci&#xA;Spre marea albastră&#xA;Și că fereastra ta este mai mult decât un drum spre cer&#xA;Te rog să nu mai spui că a murit iubirea noastră&#xA;Și că de astăzi o să te simt în picături de ploaie" PRODUCER="Global Records" COVERARTID="114/SHPIXCBDWM3DWCJ5CR13C2ZDAWNC" PLAYTIME="235" PLAYTIME_FLOAT="234.428665" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="29090"></INFO>
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<INFO BITRATE="1031521" KEY_LYRICS="3 ContributorsPleacă! Lyrics&#xA;&#xA;&#xA;Era miercuri spre joi&#xA;Mă iubeai pân' la cer și înapoi&#xA;Două nopți mai târziu (Mmm)&#xA;Nu puteam să zbor sau să mai fiu&#xA;Poza ta la minut&#xA;O scrisoare și-atât, nimic mai mult&#xA;Scria negru pe alb: „Adio!” exclamat la final&#xA;&#xA;&#xA;Pleacă! Mâine o să-mi treacă&#xA;Ce dacă durerea a venit și nu mai pleacă?&#xA;Lasă-mă să mor de dor&#xA;Fericirea mea, la naiba! Pleacă!&#xA;&#xA;&#xA;Am rămas ca un orb&#xA;Nu te mai văd la mine-n viitor&#xA;Am rămas ca un mut&#xA;Nici n-am mai apucat să te sărut&#xA;&#xA;&#xA;Pleacă! Mâine o să-mi treacă&#xA;Ce dacă durerea a venit și nu mai pleacă?&#xA;Lasă-mă să mor de dor&#xA;Fericirea mea, la naiba! Pleacă!&#xA;Mâine o să-mi treacă&#xA;Ce dacă durerea a venit și nu mai pleacă?&#xA;Lasă-mă să mor de dor&#xA;Fericirea mea, la naiba!&#xA;Lasă-mă să mor&#xA;&#xA;În lacrimi nu mai încap&#xA;Numai tu mi-ai dat lumea peste cap&#xA;În loc să ne iubim (Uuuh)&#xA;Ne purtăm ca doi anonimi&#xA;&#xA;&#xA;Pleacă! Mâine o să-mi treacă&#xA;Ce dacă durerea a venit și nu mai pleacă?&#xA;Lasă-mă să mor de dor&#xA;Fericirea mea, la naiba! Pleacă!&#xA;Mâine o sa-mi treacă!&#xA;Pleacă! Pleacă! Mâine o să-mi treacă!&#xA;Pleacă! Pleacă! Mâine o să-mi treacă!&#xA;Pleacă! Pleacă! Mâine o să-mi treacă!&#xA;&#xA;&#xA;Lasă-mă să mor!&#xA;Mâine o să-mi treacă!&#xA;Lasă-mă să mor!&#xA;Mâine o să-mi treacă!&#xA;Lasă-mă să mor!&#xA;Mâine o să-mi treacă!&#xA;Lasă-mă să mor!&#xA;Mâine o să-mi treacă! Pleacă! Pleacă!" PRODUCER="℗ 2012 MediaPro Music, a division of Universal Music Romania" COVERARTID="010/KMGPOXCOPZBUHCDTOF1NCJJAOAEA" PLAYTIME="189" PLAYTIME_FLOAT="188.778259" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="23898"></INFO>
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<INFO BITRATE="922663" KEY_LYRICS="5 ContributorsBună, ce mai zici? Lyrics&#xA;&#xA;&#xA;Răspunsuri prea puţine&#xA;Prea multe întrebări&#xA;Prea multe stări&#xA;Şi încă ne pasă de urmări&#xA;Prea multe filme diferite&#xA;Prea multe clipe&#xA;Şi inimile noastre&#xA;Prea des lovite&#xA;Că azi e dragoste, mâine-i război&#xA;Şi-n cazul nostru unul plus unul nu mai fac de mult doi&#xA;Noi, făceam să pară aşa simplu&#xA;Dar tu ai complicat totul cu timpul&#xA;&#xA;&#xA;Şi am încercat&#xA;Fără rezultat&#xA;Părea complicat&#xA;Tu mereu ocupat&#xA;Şi tot ce ştiu&#xA;E că e prea târziu&#xA;Acum să-ţi pară rău..&#xA;&#xA;&#xA;(Bună, ce mai zici?)&#xA;Bună, ce mai zici?&#xA;De ce nu eşti aici?&#xA;Mi-ai lăsat doar cicatrici&#xA;Pe suflet... (Pe suflet)&#xA;De ce nu te mai implici?&#xA;M-ai lăsat plină de frici&#xA;Au rămas doar cicatrici&#xA;Pe suflet...&#xA;&#xA;Că-s cicatrici sau&#xA;Răni adânci&#xA;Spune-le cum vrei&#xA;Că eu n-am somn&#xA;Şi ca tu plângi&#xA;Şi-e trecut de trei&#xA;Şi că te caut&#xA;Şi prin regie&#xA;Şi prin tei&#xA;Dar azi nu te găsesc&#xA;Cum te găseam deobicei&#xA;N-am ţinut pasul&#xA;Şi drama e că dama&#xA;Nu se mai pupă cu asul&#xA;Şi ceasul îţi spune iar&#xA;Că e târziu&#xA;Prea multe cicatrici&#xA;Dar sufletul pustiu...&#xA;&#xA;&#xA;Şi am încercat&#xA;Fără rezultat&#xA;Părea complicat&#xA;Tu mereu ocupat&#xA;Şi tot ce ştiu&#xA;E că e prea târziu&#xA;Acum să-ţi pară rău..&#xA;&#xA;(Bună, ce mai zici?)&#xA;Bună, ce mai zici?&#xA;De ce nu eşti aici?&#xA;Mi-ai lăsat doar cicatrici&#xA;Pe suflet... (Pe suflet)&#xA;De ce nu te mai implici?&#xA;M-ai lăsat plină de frici&#xA;Au rămas doar cicatrici&#xA;Pe suflet...&#xA;&#xA;&#xA;Nouă vieţi de-aş fi avut din toate&#xA;Ţi-aş fi dat inima mea fără doar şi poate&#xA;Că poate ai fi înţeles cum stă treaba&#xA;Şi întra noua viaţă nu te mai iubeam degeaba&#xA;Am pus totul pe tavă&#xA;Şi urmele tale încep să se vadă&#xA;Nu, nu puteam să ţin pasul...&#xA;Noi doi, nu cred că mai e cazul&#xA;&#xA;&#xA;Bună, ce mai zici?&#xA;De ce nu eşti aici?&#xA;Mi-ai lăsat doar cicatrici&#xA;Pe suflet... (Pe suflet)&#xA;De ce nu te mai implici?&#xA;M-ai lăsat plină de frici&#xA;Au rămas doar cicatrici&#xA;Pe suflet..." PRODUCER="(P) 2015 Cat Music / Mediapro Music" COVERARTID="008/IAH5ZGDY5B5LBAVLTPZEB0KFSACC" PLAYTIME="186" PLAYTIME_FLOAT="185.978729" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="21192"></INFO>
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<INFO BITRATE="992217" KEY_LYRICS="3 ContributorsDor să te ador Lyrics&#xA;&#xA;&#xA;(Și mi-e dor să te-ador)&#xA;(Haa-ah, aaah, haa-ah, aaah, haa-ah aaah)&#xA;(Și mi-e dor să te-ador)&#xA;(Haa-ah, aaah, haa-ah, aaah, haa-ah aaah)&#xA;&#xA;&#xA;Și mi-e dor să te-ador&#xA;Când începe furtuna&#xA;Că nu mi-e totuna&#xA;Tu nu mai ești în decor&#xA;Și mi-e dor să te-ador&#xA;M-ai lăsat cu minciuna&#xA;Pentru totdeauna&#xA;Ai plecat, ți-a fost ușor&#xA;&#xA;&#xA;Iar căsuța noastră e din nou a mea&#xA;Am un sentiment foarte ciudat prin ea&#xA;Parcă-n orice colț mă uit, e cineva&#xA;Și peste tot parcă văd umbra ta&#xA;Iar am obiceiuri, nu le pot schimba&#xA;Gându-mi e la tine, îl voi îneca&#xA;În paharul ăsta mi-au rămas toți așii de când&#xA;&#xA;Se pare că tu vrei doar să fii sola&#xA;Și tot la tine duce busola&#xA;Nici măcar nu mai știu cât e ora&#xA;Mi-aș dori măcar s-aud un holla (Holla)&#xA;&#xA;&#xA;Și mi-e dor să te-ador&#xA;Când începe furtuna&#xA;Că nu mi-e totuna&#xA;Tu nu mai ești în decor&#xA;Și mi-e dor să te-ador&#xA;M-ai lăsat cu minciuna&#xA;Pentru totdeauna&#xA;Ai plecat, ți-a fost ușor&#xA;&#xA;&#xA;Haa-ah, aaah, haa-ah, aaah, haa-ah aaah&#xA;Și mi-e dor să te-ador&#xA;Haa-ah, aaah, haa-ah, aaah, haa-ah aaah&#xA;Și mi-e dor să te-ador&#xA;&#xA;&#xA;Arde, arde, arde când pui paie pe foc&#xA;Grade, grade, grade, da n-am cum să te scot&#xA;Din minte nu pot, nici măcar c-un potop&#xA;Să te sting, să te storc și să te bag la loc&#xA;Fără tine nu sunt eu&#xA;Fără tine nu-s acasă, chiar dacă-s acol' mereu&#xA;Unde țin ca la muzeu, Mona Lisa gen trofeu&#xA;O poză-n care fericiți eram doar tu și eu&#xA;&#xA;Da tu vrei să fii sola&#xA;Și tot la tine duce busola&#xA;Nici măcar nu mai știu cât e ora&#xA;Mi-aș dori măcar s-aud un holla (Holla)&#xA;&#xA;&#xA;Și mi-e dor să te-ador&#xA;Când începe furtuna&#xA;Că nu mi-e totuna&#xA;Tu nu mai ești în decor&#xA;Și mi-e dor să te-ador&#xA;M-ai lăsat cu minciuna&#xA;Pentru totdeauna&#xA;Ai plecat, ți-a fost ușor&#xA;&#xA;&#xA;Haa-ah, aaah, haa-ah, aaah, haa-ah aaah&#xA;Și mi-e dor să te-ador&#xA;Haa-ah, aaah, haa-ah, aaah, haa-ah aaah&#xA;Și mi-e dor să te-ador" PRODUCER="Balkanika Records" COVERARTID="022/WUW5ERDCHMOMTBBMIWPGCADNPPMC" PLAYTIME="199" PLAYTIME_FLOAT="198.991852" IMPORT_DATE="2025/4/14" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="24294"></INFO>
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<INFO BITRATE="884241" KEY_LYRICS="8 ContributorsLocul potrivit Lyrics&#xA;Suntem copii, de acum vom fi&#xA;Plini de uimire, plini de iubire&#xA;Cu ochii vă urmărim&#xA;Știm de pe acum ce ne așterneți la drum&#xA;Nenumărate flori și palate&#xA;S-avem noi mâine, aur și pâine&#xA;Voi sunteți niște eroi&#xA;Dar într-o zi și noi&#xA;&#xA;&#xA;Și noi știm c-a trecut mult timp&#xA;Va trece încă pe-atât presimt&#xA;În zece ani mai prind&#xA;Câțiva ce mint&#xA;Câțiva ce țin să plece&#xA;Las' că trece&#xA;Românu-i făcut să-nece&#xA;Amaru' cu sânge rece&#xA;Când dă de necaz&#xA;Petrece c-o bere la rece&#xA;Se-ntrece&#xA;Zi-mi de ce furi?&#xA;Da' cât mai vrei să furi?&#xA;Nu vezi că suntem multe guri?&#xA;Și știm cu toții ce-nseamnă să-nduri&#xA;Dar câte căzături să-nduri?&#xA;Cam cât te bucuri și cât înjuri?&#xA;La câte lucruri poftești din jur?&#xA;Și ești sigur că n-ai destul&#xA;&#xA;Da' nu-i nimic, sunt consolat de mic&#xA;Tu ești conștient ce zic, io!&#xA;Nu ne-am născut în locul potrivit&#xA;Nu, nu, nu ne-am născut în locul potrivit&#xA;N-am primit, am făcut totul din nimic&#xA;Da' nu-i nimic, sunt consolat de mic&#xA;Tu ești conștient ce zic, io!&#xA;Nu ne-am născut în locul potrivit&#xA;Nu, nu, nu ne-am născut în locul potrivit&#xA;N-am primit, am făcut totul din nimic&#xA;&#xA;&#xA;Și-ai mei sunt sigur ca ai tăi&#xA;Nu m-au crescut cu vânătăi&#xA;M-au invățat cum să n-o iau pe alte căi&#xA;Mi-au explicat, că lumea-i rea&#xA;Și viața-i grea, și tre' să fac cumva ceva&#xA;Mi-au spus c-odată și-odată se duc&#xA;Și tre' să m-agit, că tre' să mă lupt&#xA;Că timpu' trece dintr-un foc&#xA;Mă plimbă din loc in loc&#xA;Mă schimbă după noroc&#xA;M-aleargă doar pentru un singur vot&#xA;Lumea simte, vrea fapte nu cuvinte&#xA;Un simplu om să fie președinte!&#xA;&#xA;Da' nu-i nimic, sunt consolat de mic&#xA;Tu ești conștient ce zic, io!&#xA;Nu ne-am născut în locul potrivit&#xA;Nu, nu, nu ne-am născut în locul potrivit&#xA;N-am primit, am făcut totul din nimic&#xA;Da' nu-i nimic, sunt consolat de mic&#xA;Tu ești conștient ce zic, io!&#xA;Nu ne-am născut în locul potrivit&#xA;Nu, nu, nu ne-am născut în locul potrivit&#xA;N-am primit, am făcut totul din nimic" PRODUCER="(P) 2009 Cat Music RO" COVERARTID="082/SK4EXGC3ZK2QWAW4MMVNDUWFSTOD" PLAYTIME="174" PLAYTIME_FLOAT="173.986664" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="19095"></INFO>
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<INFO BITRATE="932405" KEY_LYRICS="7 ContributorsDecât să minţi Lyrics&#xA;Decât să minți, că mă vrei&#xA;Sufletul tu să mi-l iei&#xA;Mai bine pleci, și ne oprim&#xA;O să doară mai puțin &#xA;Decât să minți, că mă vrei&#xA;Sufletul tu să mi-l iei&#xA;Mai bine pleci, și ne oprim&#xA;O să doară mai puțin&#xA;&#xA;&#xA;Decât să-mi pierd filmu', plec primu'&#xA;Ce periplu, felicitări, ți-ai pierdut titlu'&#xA;Dezacord total, nu știi tu să-mi ții ritmu'&#xA;E clar că nu sunt tipul, așa că nu-ți mai stric tripu'&#xA;Mă duc, de acum ascult instinctu'&#xA;Cum dintr-un foc, sunt tot un porc&#xA;N-ai reușit să schimbi tu&#xA;Relația asta-i ca jointul ajuns la filtru&#xA;Zi-mi cât mai vrei să trag să mă frig ca tâmpitu'?&#xA;De ce tot gesticulezi ca un arbitru? &#xA;Nu mai ai haz, ca Doru Octavian Dumitru!&#xA;Am vrut să ajut până când m-a blocat zidu'&#xA;Timpul vindecă tot, acuma zi tu&#xA;Ce crezi? Eu știu că tu nu crezi nimic&#xA;Tu nu vezi nimic, de parcă ai orbit&#xA;De-aia nu-ți promit, dar întrebarea e firească&#xA;„Omul învață din greșeli, dar oare când greșește-nvață?&amp;quot;&#xA;&#xA;Decât să minți, că mă vrei&#xA;Sufletul tu să mi-l iei&#xA;Mai bine pleci, și ne oprim&#xA;O să doară mai puțin &#xA;Decât să minți, că mă vrei&#xA;Sufletul tu să mi-l iei&#xA;Mai bine pleci, și ne oprim&#xA;O să doară mai puțin&#xA;&#xA;&#xA;Decât să-mi iei anii mei de tinerețe&#xA;Decât să-ți iau anii tăi de frumusețe&#xA;Hai să lăsăm dracu' soarta să ne învețe&#xA;Cum arată un steag alb între două fortărețe&#xA;Că știi că fără încredere în schimb&#xA;Totu' merge în contra timp&#xA;E ca o piesă fără ritm&#xA;E doar o pierdere de timp&#xA;Nu știi că timpu-i limitat&#xA;&amp;quot;Tic-Tac, Tic-Tac&amp;quot;&#xA;Dragostea s-a spulberat&#xA;Ea vine, ți-o dă, și a plecat&#xA;Zboară mai repede decât un avion privat&#xA;Îți face în ciudă exact după ce a decolat&#xA;Și de întors e-al dracului de greu de manevrat&#xA;Când ai plecat, mi-ai zis că asta simți tu&#xA;Că tu-l iubești pe Laur, da'-îl urăști pe Guess Who&#xA;Iubirea-n general e ca un joc de cărți&#xA;Vezi cum le împarți c-o să primești dragoste din părți&#xA;&#xA;Decât să minți, că mă vrei&#xA;Sufletul tu să mi-l iei&#xA;Mai bine pleci, și ne oprim&#xA;O să doară mai puțin &#xA;Decât să minți, că mă vrei&#xA;Sufletul tu să mi-l iei&#xA;Mai bine pleci, și ne oprim&#xA;O să doară mai puțin&#xA;&#xA;&#xA;Eu vreau să spui, dacă dorești&#xA;Să-mi fii alături noapte și zi&#xA;Acum de rămâi și nu mă iubești&#xA;Chiar dacă nu vrei, mă vei răni &#xA;Eu vreau să spui&#xA;Eu vreau să spui&#xA;Eu vreau să spui" PRODUCER="WHO Media" COVERARTID="066/CCNW00CEIZD2MDXVAWEWD0OM1QZC" PLAYTIME="216" PLAYTIME_FLOAT="215.373337" IMPORT_DATE="2025/4/14" RELEASE_DATE="2011/1/1" FLAGS="12" FILESIZE="24688"></INFO>
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<INFO BITRATE="901706" KEY_LYRICS="6 ContributorsManifest Lyrics&#xA;&#xA;&#xA;Și par-&#xA;Și par atât de sigur, da' nu știu încotro mă duc&#xA;Instinctu' meu e cel mai ieftin truc&#xA;Trec drept prin viață și sunt mândru de trecut&#xA;Și dacă e să pierd totu-o iau de la capăt, lupt!&#xA;Da' tu-mi zici mie teorii de parcă tu le scrii&#xA;De parcă io n-aș ști că ne prostești ca pe copii&#xA;Știi că dacă te complici prea mult pierzi timpu'&#xA;Timpu-nseamnă bani, ține-o simplu&#xA;Că nu ne mai pasă...&#xA;Oricum ne-ai luat tot ce-am avut pe masă&#xA;Halal caracter dacă ne ceri din casă&#xA;Te uiți de sus și râzi, o arzi incognito&#xA;Sunteți toți o apă și-un pământ, trași la indigo&#xA;&#xA;&#xA;Și lumea nu mai vrea să stea&#xA;Toți vor să plece undeva, departe&#xA;Da' știu că vorba bună-n general câștigă&#xA;Dacă muzica instigă&#xA;Vreau s-aud un stadion cum strigă:&#xA;&#xA;&#xA;Ooo! Am învățat că dreptatea mi-o fac io (Oo-o-o)&#xA;Ooo! Trec peste tine dacă nu am încotro&#xA;Ooo! Am învățat că dreptatea mi-o fac io (Oo-o-o)&#xA;Ooo! Trec peste tine dacă nu am încotro (Oo-o-o)&#xA;&#xA;Și știu la fel ca tine&#xA;Viitoru' meu e-n fiecare zi de mâine&#xA;În fiecare zi, trag de mine ca de-un câine&#xA;Să fac pe dracu-n patru, să iau cea mai mare pâine&#xA;Și știu că poa' să treacă luni&#xA;Poa' să treacă săptămâni, ani buni și tot să nu aduni&#xA;Și știu că-mă-nvârt într-o lume de nebuni&#xA;Fără cotiere, cască și fără instrucțiuni&#xA;Și știu că s-a făcut târziu, e ora de culcare&#xA;Du-te-acasă că la șapte-ști în picioare&#xA;Și știu că poți să scrii o carte despre fiecare&#xA;Da' pentru critici cărțile-astea n-au valoare&#xA;&#xA;&#xA;Și lumea nu mai vrea să stea&#xA;Toți vor să plece undeva, departe&#xA;Da' știu că vorba bună-n general câștigă&#xA;Dacă muzica instigă&#xA;Vreau s-aud un stadion cum strigă:&#xA;&#xA;&#xA;Ooo! Am învățat că dreptatea mi-o fac io (Oo-o-o)&#xA;Ooo! Trec peste tine dacă nu am încotro&#xA;Ooo! Am învățat că dreptatea mi-o fac io (Oo-o-o)&#xA;Ooo! Trec peste tine dacă nu am încotro (Oo-o-o)&#xA;&#xA;(Oo-o-o)&#xA;(Oo-o-o)&#xA;(Oo-o-o)&#xA;(Oo-o-o)" PRODUCER="WHO Media" COVERARTID="066/CCNW00CEIZD2MDXVAWEWD0OM1QZC" PLAYTIME="212" PLAYTIME_FLOAT="211.880005" IMPORT_DATE="2025/4/14" RELEASE_DATE="2011/1/1" FLAGS="12" FILESIZE="23495"></INFO>
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<INFO BITRATE="947692" KEY_LYRICS="8 ContributorsTot mai sus Lyrics&#xA;Și visul meu nu are limite (nu)&#xA;Zboară peste tot, gândește limpede&#xA;Mă îndrumă după cum îmi pun în minte toate gândurile&#xA;Să fac totul ca la carte, să rup rândurile&#xA;Că poate azi nu, dar mâine sigur nu-i la fel&#xA;Trage de mine caracterul meu de fier&#xA;Că ba e ploaie, vânt niciun curcubeu&#xA;Da' cică toate astea-s doar în capul meu&#xA;Și îmi zice: „du-te, nu mai sta&amp;quot;&#xA;Tu chiar nu vezi cât ai întârziat deja?&#xA;Aruncă-ți toate visele într-o geantă și pleacă&#xA;Grăbește-te că trenul asta nu așteaptă&#xA;Dar eu știu deja că vreau cu totul altceva&#xA;Închide ochii, îți poți imagina&#xA;Că lumea e a ta, și în plus&#xA;Poți să sari sus, sus, sus&#xA;&#xA;&#xA;Ai mei, ai mei, ai mei, ai mei n-au avut habar&#xA;Cât de sus, cât de sus, cât de sus, cât de sus pot eu să sar&#xA;Acum că nu, nu, nu mai am nimic de ascuns&#xA;Pot să mă duc tot mai sus&#xA;Mai sus, tot mai, tot mai sus, tot mai sus&#xA;Mai sus, tot mai, tot mai sus, sus, sus (sus, sus)&#xA;&#xA;Și poate-ți dau totul peste cap&#xA;Că poate fac doar lucruri care îmi plac&#xA;Poate nu mă îmbrac la costum&#xA;Poate nu spun minciuni&#xA;Sunt liber să fiu stăpân&#xA;Pe ce fac și ce spun&#xA;Știi, nimic nu mai e la fel&#xA;Copilăria s-a maturizat sever&#xA;S-a lovit până acum de fel de fel&#xA;De oameni, de păreri&#xA;De tipuri de caracter&#xA;Și văd cum unii stau degeaba, frate, sunt mulți&#xA;Dar văd și alții care luptă, încercând să mute munți&#xA;Oameni care au ceva de spus&#xA;Oameni care vor să ajungă tot mai sus&#xA;&#xA;&#xA;Ai mei, ai mei, ai mei, ai mei n-au avut habar&#xA;Cât de sus, cât de sus, cât de sus, cât de sus pot eu să sar&#xA;Acum că nu, nu, nu mai am nimic de ascuns&#xA;Pot să mă duc tot mai sus&#xA;Ai mei, ai mei, ai mei, ai mei n-au avut habar&#xA;Cât de sus, cât de sus, cât de sus, cât de sus pot eu să sar&#xA;Acum că nu, nu, nu mai am nimic de ascuns&#xA;Pot să mă duc tot mai sus&#xA;Pot să mă duc tot mai sus&#xA;Pot să mă duc tot mai sus&#xA;&#xA;Mai sus, sus, mai sus, su&#xA;Mai sus, tot mai sus, sus&#xA;Mai sus, sus, mai sus, sus&#xA;Mai sus, tot mai sus" PRODUCER="WHO Media" COVERARTID="066/CCNW00CEIZD2MDXVAWEWD0OM1QZC" PLAYTIME="177" PLAYTIME_FLOAT="176.426666" IMPORT_DATE="2025/4/14" RELEASE_DATE="2011/1/1" FLAGS="12" FILESIZE="20583"></INFO>
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<INFO BITRATE="848281" KEY_LYRICS="8 ContributorsOnoare Lyrics&#xA;A dispărut de mult se pare&#xA;Orice bun simţ, gest sau bună purtare&#xA;Orice vis e şters din clasele primare&#xA;Sistemul dă o mare eroare&#xA;Ţara asta merge singură la vale&#xA;Cavalerii nu mai au nicio onoare&#xA;Fură organizat într-o mare dezorganizare&#xA;Şi ăsta e un mare semn de întrebare&#xA;E Lumea a Treia, cam aici ai nimerit&#xA;Scapă cine poate, restul s-au obişnuit&#xA;Debranşaţi de la condiţii de trăit&#xA;Tinerii se întreabă: cu ce dracu' au greşit?&#xA;Am întâlnit şi români fericiţi (doar pe afară)&#xA;Am întâlnit şi români păcăliţi (cam o ţară)&#xA;Am întâlnit şi români liniştiţi, prima oară&#xA;Da-i a nu ştiu câta oară când e o lipsă clară de...&#xA;&#xA;&#xA;Onoare&#xA;E ceva ce multă lume n-are&#xA;Yeah, toţi se calcă în picioare&#xA;Doar pentru atâtea lucruri fără valoare&#xA;E vorba de onoare&#xA;E ceva ce multă lume n-are&#xA;Yeah, toţi se calcă în picioare&#xA;Doar pentru atâtea lucruri fără valoare&#xA;Yeah...&#xA;&#xA;Ne-au zis &amp;quot;închideţi ochii, ăsta e viitorul&amp;quot;&#xA;Şi-am ieşit în stradă aproape tot poporul&#xA;Când am câştigat, am găurit şi Tricolorul&#xA;Crezi că am fi făcut la fel, dacă am fi ştiut adevărul?&#xA;Bine că am inventat şi avionul&#xA;Însă toate ne-au zburat din mâini la fel ca Patrimoniul&#xA;Toţi românii au sărbătorit în doliu&#xA;N-au câştigat o ţară, doar un teritoriu&#xA;Că fiecare trage pentru el, pentru cheltuieli&#xA;Pentru încă nu ştiu câte primăveri&#xA;Şi nu-i nimic personal, dar n-a fost vreodată altfel&#xA;Noi nu ne-am ajutat, n-am învăţat din greşeli&#xA;Să mor pentru ţară? Zi-mi, de ce să fac asta&#xA;Când ţara asta moare înaintea mea?&#xA;Şi partea cea mai grea e că o simte fiecare&#xA;Că în continuare e o totală lipsă de...&#xA;&#xA;&#xA;Onoare&#xA;E ceva ce multă lume n-are&#xA;Yeah, toţi se calcă în picioare&#xA;Doar pentru atâtea lucruri fără valoare&#xA;E vorba de onoare&#xA;E ceva ce multă lume n-are&#xA;Yeah, toţi se calcă în picioare&#xA;Doar pentru atâtea lucruri fără valoare&#xA;Yeah...&#xA;Onoare&#xA;E ceva ce multă lume n-are&#xA;Yeah, toţi se calcă în picioare&#xA;Doar pentru atâtea lucruri fără valoare&#xA;E vorba de onoare&#xA;E ceva ce multă lume n-are&#xA;Yeah, toţi se calcă în picioare&#xA;Doar pentru atâtea lucruri fără valoare&#xA;Yeah..." PRODUCER="WHO Media" COVERARTID="016/QIWH5PA1CJLH1CW0B4LZD13X4TSB" PLAYTIME="238" PLAYTIME_FLOAT="237.023987" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="24697"></INFO>
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<INFO BITRATE="961354" KEY_LYRICS="5 ContributorsPrietena ta Lyrics&#xA;Când nu eşti cu ea, prietena ta&#xA;Îmi dă mesaje, îmi spune că vrea&#xA;&#xA;&#xA;Când am vazut-o pentru prima dată&#xA;Am înteles că nu e viaţă fără pată&#xA;Şi zâmbetul ei plin de fericire&#xA;Ea îl mima atunci când era cu tine&#xA;Ea douăzeci şi-un pic de ani&#xA;Tu cincizeci şi-opt şi plin de bani&#xA;La început parcă totul era bine&#xA;Când o plimbai de colo-n colo-n ţări străine&#xA;Dar până când să-şi vândă tinereţea&#xA;Pentru-amintiri cumpărate din Veneția&#xA;Acum a înteles - e o greşeală&#xA;Să îţi găseşti fericirea într-o ţoală&#xA;&#xA;&#xA;Ce sigur tu n-ai cum să ştii&#xA;Că banii nu cumpără inimi şi…&#xA;&#xA;&#xA;Când nu eşti cu ea, prietena ta&#xA;Îmi dă mesaje, îmi spune că vrea&#xA;Să fugă de tine în lume cu mine&#xA;Căci vrea să-mi dea tot ce tu nu poţi avea&#xA;Famous Production&#xA;&#xA;&#xA;Iubirea n-are vârstă, e adevărat&#xA;Dar ştii că ea-i cu tine că eşti putred de bogat&#xA;La prima întâlnire în loc să-i dai o floare&#xA;I-ai pus pe deget mmm piatra cea mai mare&#xA;Ce semeni tu asta culegi&#xA;Hai să vedem acum cu ce-o să te alegi&#xA;Când ea ar da toata averea ta&#xA;Doar ca să vadă cum se simte dragostea&#xA;Nu ştiu care-i mai frustrat&#xA;Tu cumperi tot dar n-ai nimic cu-adevarat&#xA;Eu pentru tine poate sunt sărac&#xA;Dar pentru ea am sufletul bogat&#xA;&#xA;&#xA;Ce sigur tu n-ai cum să ştii&#xA;Că banii nu cumpără inimi şi…&#xA;&#xA;&#xA;Când nu eşti cu ea, prietena ta&#xA;Îmi dă mesaje, îmi spune că vrea&#xA;Să fugă de tine în lume cu mine&#xA;Căci vrea să-mi dea tot ce tu nu poţi avea&#xA;&#xA;Spune-mi tu că nu o vezi în vise?&#xA;Că n-ai primi cu braţele deschise&#xA;Dac-ai şti cum e iubirea&#xA;Că doar ea poate schimba lumea&#xA;Se duc anii tăi şi tinereţea&#xA;Tu nu-ţi vinde frumuseţea&#xA;Fericirea n-o poţi cumpăra&#xA;Ascultă ce îţi spune inima&#xA;&#xA;&#xA;Când nu eşti cu ea, prietena ta&#xA;Îmi dă mesaje, îmi spune că vrea&#xA;Să fugă de tine în lume cu mine&#xA;Căci vrea să-mi dea tot ce tu nu poţi avea&#xA;(Când nu eşti cu ea, prietena ta)&#xA;(Îmi dă mesaje, îmi spune că vrea)&#xA;(Să fugă de tine în lume cu mine)&#xA;(Căci vrea să-mi dea tot ce tu nu poţi avea)&#xA;&#xA;&#xA;Prietena ta îmi dă mesaje, îmi spune că vrea" PRODUCER="(P) 2014 Cat Music / Famous Production" COVERARTID="075/LGHMQ1DWDTV50DOQDMSDAC21Y0DD" PLAYTIME="225" PLAYTIME_FLOAT="224.516144" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="26562"></INFO>
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<INFO BITRATE="948770" KEY_LYRICS="1 ContributorEsenta mișcării LyricsStrofa 1&#xA;Cand vin pe piesa te bag in moarte clinica bro'&#xA;Ca io-s bazat pe tehnica, lirica, flow nu muzica ritmica cinica slow&#xA;Din nou, ridic hip-hopu cu capu' in nori&#xA;Cu tocu' de la stilou&#xA;Desi's Ryu, nu-s Street Fighter, asa ca nu mi-o lua in nume de rau&#xA;Vin sa fac K.O. MC-ii care fac piese ca Nelly&#xA;S-in care vor sa corupa copiii, de parc-ar fi R. Kelly&#xA;Si fac felii tot fakerii, ca-s multi MC muti&#xA;Sau DJ ce scartaie la o placa de-ti ies pe nas toti decibelii&#xA;Curat spun ca se fac numai mizerii&#xA;Da' el se crede B. Eric iar pustii se vad ca Ezoteric&#xA;N-au terminat cu Tom si Jerry&#xA;Da-si umfla gatu' cu Rom si Mary&#xA;Da' cand se aprind ii sting ca pompierii&#xA;Iar cand ii prind in ring ii bubui ca pe butelii&#xA;Ca eu ma dеscurc fara bling-bling, si trec in dribling ca Terry&#xA;Iar cand m-asculti ar trebui sa stai rеpede jos&#xA;Ca rimele mele multiple provoaca ameteli ca Angelli Cherry&#xA;&#xA;Strofa 2&#xA;Vrei sa ma ai pe piesa? da' te eclipsez Camilo&#xA;E ca si cum ai juca-n acelasi film cu de Niro&#xA;Ca-s tehnic ca Pirlo, copilo, le zic din stilou ca Chino&#xA;Nu-s de-ala cu nino fa Lilo, Skizzo Skillo&#xA;Pe bune, dac-ai ani de rap si nu ti s-a vazut&#xA;Chipu'&#xA;Zic c-a venit timpu' sa-ncetezi acest&#xA;Periplu sau sa te-apuci de balet ca Simplu&#xA;E trendy cand o arzi ca vipu' si-ti decorezi clipu' cu jeepu'&#xA;Da' yo si din esspero conduc miscarea&#xA;Ca Barrichello&#xA;Ca desi yo-s numai unu, astia toti sunt zero&#xA;Si fac spume ca dero ca fac praf&#xA;Provincia s-apoi ard capitala ca Nero&#xA;E vero, gusturile nu se discuta&#xA;Da' nici nu ma iau de ce-ti place tie&#xA;Ca tie iti poate produce&#xA;Bucurie o melodie despre vin sau rom&#xA;Da io-s esenta miscarii la fel ca Petrom" PRODUCER="Roton Music" COVERARTID="083/TKDNFQBGY3IA1DUKCUTEAIWJJIYC" PLAYTIME="200" PLAYTIME_FLOAT="199.090912" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="23177"></INFO>
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<INFO BITRATE="929580" KEY_LYRICS="4 ContributorsTenerife LyricsI got a pocket full of cash&#xA;And a pocket full of dreams&#xA;I don't have to tell, no, what I mean&#xA;I got my girls surrounding me&#xA;We taking all by this city&#xA;Played by this '&#xA;&#xA;I met this guy at this cove&#xA;He said his name was Carlito&#xA;He got me drinking Mojito&#xA;Dancing all night long, he has a place I wanna go&#xA;With one more drink you gotta go&#xA;&#xA;Dance muchacho, revuelve se cuerpo&#xA;Dance, bailla&#xA;&#xA;Tenerife&#xA;&#xA;Billa, musica, rigged in like Africa&#xA;Something like Copacabana&#xA;He said hello chica, and I said uh la la&#xA;Hey, give me a little bit of cocoa&#xA;&#xA;I met this guy at this cove&#xA;He said his name was Carlito&#xA;He got me drinking Mojito&#xA;Dancing all night long, he has a place I wanna go&#xA;With one more drink you gotta go&#xA;Dance muchacho, revuelve se cuerpo&#xA;Dance, bailla&#xA;&#xA;Tenerife&#xA;&#xA;Tenerife" PRODUCER="(P) 2013 Cat Music" COVERARTID="080/QGNCUTBMS2D3OBV4A4RPAU0YBJUA" PLAYTIME="190" PLAYTIME_FLOAT="189.382111" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="21775"></INFO>
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<INFO BITRATE="1059300" KEY_LYRICS="5 ContributorsA lu’ Mamaia Lyrics&#xA;O, Mamaia, Mamaia-maia&#xA;O, Mamaia, oh yeah&#xA;O, Mamaia, Mamaia-maia&#xA;O, Mamaia, oh yeah&#xA;&#xA;&#xA;O, mă, mă ia capul de la atâta soare&#xA;O, mă, mă ia valul şi mă duce-n mare&#xA;Nu mă mai ia decât ploaia de la plajă&#xA;Da' vin după aia&#xA;Ia zi (Oh yeah)&#xA;A cui eşti tu?&#xA;Sunt a lu' Mamaia&#xA;&#xA;&#xA;Mergem bară la bară&#xA;În traficul distracţiei de vineri seară&#xA;Cobor la prima, frăţioare&#xA;Când o văd că-mi iese în cale&#xA;Are mişcări de felină, plec în Safari&#xA;O vânez până-n larg, vin salvamarii&#xA;Dacă începem să petrecem, nu se mai termină, ştii&#xA;Că nu-mi plac zilele care se termină în &amp;quot;i&amp;quot;&#xA;&#xA;&#xA;Noi de-aicea nu plecăm&#xA;Nu plecăm acasă&#xA;Pe nisipul ăsta orice&#xA;Mamaia mă lasă&#xA;&#xA;O, mă, mă ia capul de la atâta soare&#xA;O, mă, mă ia valul şi mă duce-n mare&#xA;Nu mă mai ia decât ploaia de la plajă&#xA;Da' vin după aia&#xA;Ia zi (Oh yeah)&#xA;A cui eşti tu?&#xA;Sunt a lu' Mamaia&#xA;&#xA;&#xA;O, Mamaia&#xA;O, Mamaia&#xA;O, Mamaia&#xA;O, Mamaia (Oh yeah)&#xA;&#xA;&#xA;Trec pe esplanadă cu o brigadă&#xA;Mersul agale, că vor să ne vadă&#xA;Să nu crezi că-i lene, bine nu-s nici harnic&#xA;Mai degrabă cred că sunt paharnic&#xA;Un fel de surfer, ai mei iarna sunt pe val&#xA;Cum să mă supăr? Vara sunt la carnaval&#xA;Ne costumăm de baie, Cleopatra şi Cezar&#xA;Mamaia, stai, pe mine mă găseşti la bar&#xA;&#xA;&#xA;Noi de-aicea nu plecăm&#xA;Nu plecăm acasă&#xA;Pe nisipul ăsta orice&#xA;Mamaia mă lasă&#xA;&#xA;O, mă, mă ia capul de la atâta soare&#xA;O, mă, mă ia valul şi mă duce-n mare&#xA;Nu mă mai ia decât ploaia de la plajă&#xA;Da' vin după aia&#xA;Ia zi (Oh yeah)&#xA;A cui eşti tu?&#xA;Sunt a lu' Mamaia&#xA;&#xA;&#xA;Mamaia, Mamaia, Mamaia, Ma-ma-ma-mamaia&#xA;Mamaia, Mamaia, Mamaia, Ma-ma-ma-mamaia&#xA;Mamaia, Mamaia, Mamaia, Ma-ma-ma-mamaia&#xA;Mamaia, Mamaia, Mamaia, Ma-ma-ma-mamaia&#xA;&#xA;&#xA;O, mă, mă ia capul de la atâta soare (soare)&#xA;O, mă, mă ia valul şi mă duce-n mare (Mă duce-n mare)&#xA;Nu mă mai ia decât ploaia de la plajă&#xA;Da' vin după aia (Vin după aia)&#xA;Sunt a lu' Mamaia&#xA;O, mă, mă ia capul de la atâta soare&#xA;O, mă, mă ia valul şi mă duce-n mare&#xA;Nu mă mai ia decât ploaia de la plajă&#xA;Da' vin după aia&#xA;Ia zi, a cui eşti tu?&#xA;Sunt a lu' Mamaia" PRODUCER="(P) 2015 Cat Music" COVERARTID="112/Q1UOIEDOOQ4V4DD3N4MHCH4NYOJB" PLAYTIME="199" PLAYTIME_FLOAT="198.241974" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="25862"></INFO>
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<INFO BITRATE="1013962" KEY_LYRICS="4 ContributorsIpotecat Lyrics&#xA;Tu erai tot și mi-ai luat tot când ai plecat&#xA;Ăsta e furt, ăsta e furt calificat&#xA;Tu m-ai lăsat cu sufletul ipotecat&#xA;O să te caut, o să te caut c-un avocat&#xA;&#xA;&#xA;Eram ca doi copii când ne iubeam&#xA;Și-acum tu vinzi iubirea gram cu gram&#xA;Dar va veni o zi și-o să te prindă, să știi&#xA;&#xA;&#xA;Viața le-mparte mereu așa&#xA;Totul se-ntoarce asupra ta&#xA;Poți fugi, da' nu te poți ascunde&#xA;Soarta te găsește oriunde&#xA;Viața le-mparte mereu așa&#xA;Totul se-ntoarce asupra ta&#xA;Poți fugi, da' nu te poți ascunde&#xA;Soarta te găsește oriunde&#xA;&#xA;&#xA;Un vis frumos, un vis frumos credeam că ești&#xA;Dar tu erai, tu erai zmeul din povești...&#xA;Nici nu mai știu, nu mai știu dacă m-ai iubit&#xA;Acuma știu, bărbatul meu e un bandit&#xA;&#xA;Eram ca doi copii când ne iubeam&#xA;Și-acum tu vinzi iubirea gram cu gram&#xA;Dar va veni o zi și-o să te prindă, să știi&#xA;&#xA;&#xA;Tu și eu, noi eram ca doi copii&#xA;Ne lăsam duși de vocea inimii, dar&#xA;Iubirea ta nu-i lucru gratuit&#xA;Arde mai repede ca un cui mic&#xA;Tu și eu, mână-n mână, amândoi&#xA;Împărțeam, împărțeam soarele-n doi&#xA;După un timp, baby, te-ai lăcomit&#xA;Fără nici un regret m-ai jefuit&#xA;&#xA;&#xA;Viața le-mparte mereu așa&#xA;Totul se-ntoarce asupra ta&#xA;Poți fugi, da' nu te poți ascunde&#xA;Soarta te găsește oriunde&#xA;Viața le-mparte mereu așa&#xA;Totul se-ntoarce asupra ta&#xA;Poți fugi, da' nu te poți ascunde&#xA;Soarta te găsește oriunde&#xA;Viața le-mparte mereu așa&#xA;Totul se-ntoarce asupra ta&#xA;Poți fugi, da' nu te poți ascunde&#xA;Soarta te găsește oriunde&#xA;Poți fugi, da' nu te poți ascunde&#xA;Soarta te găsește oriunde&#xA;Poți fugi, da' nu te poți ascunde&#xA;Soarta te găsește oriunde" PRODUCER="(P) 2015 Cat Music" COVERARTID="112/Q1UOIEDOOQ4V4DD3N4MHCH4NYOJB" PLAYTIME="224" PLAYTIME_FLOAT="224.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="27953"></INFO>
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<INFO BITRATE="940829" KEY_LYRICS="2 ContributorsAdeline LyricsMystery of mysteries,&#xA;Faintly smiling Adeline,&#xA;Scarce of earth nor all divine,&#xA;Nor unhappy, nor at rest,&#xA;But beyond expression fair&#xA;With thy floating flaxen hair;&#xA;Thy rose-lips and full blue eyes&#xA;Take the heart from out my breast.&#xA;Wherefore those dim looks of thine,&#xA;Shadowy, dreaming Adeline?&#xA;&#xA;&#xA;&#xA;Whence that aery bloom of thine,&#xA;Like a lily which the sun&#xA;Looks thro' in his sad decline,&#xA;And a rose-bush leans upon,&#xA;Thou that faintly smilest still,&#xA;As a Naïad in a well,&#xA;Looking at the set of day,&#xA;Or a phantom two hours old&#xA;Of a maiden passed away,&#xA;Ere the placid lips be cold?&#xA;Wherefore those faint smiles of thine,&#xA;Spiritual Adeline?&#xA;&#xA;&#xA;What hope or fear or joy is thine?&#xA;Who talketh with thee, Adeline?&#xA;For sure thou art not all alone:&#xA;Do beating hearts of salient springs&#xA;Keep measure with thine own?&#xA;Hast thou heard the butterflies&#xA;What they say betwixt their wings?&#xA;Or in stillest evenings&#xA;With what voice the violet woos&#xA;To his heart the silver dews?&#xA;Or when little airs arise,&#xA;How the merry bluebell rings  1&#xA;To the mosses underneath?&#xA;Hast thou look'd upon the breath&#xA;Of the lilies at sunrise?&#xA;Wherefore that faint smile of thine,&#xA;Shadowy, dreaming Adeline?&#xA;&#xA;&#xA;&#xA;Some honey-converse feeds thy mind,&#xA;Some spirit of a crimson rose&#xA;In love with thee forgets to close&#xA;His curtains, wasting odorous sighs&#xA;All night long on darkness blind.&#xA;What aileth thee? whom waitest thou&#xA;With thy soften'd, shadow'd brow,&#xA;And those dew-lit eyes of thine,&#xA;Thou faint smiler, Adeline?&#xA;&#xA;Lovest thou the doleful wind&#xA;When thou gazest at the skies?&#xA;Doth the low-tongued Orient&#xA;Wander from the side of  the morn,&#xA;Dripping with Sabsean spice&#xA;On thy pillow, lowly bent&#xA;With melodious airs lovelorn,&#xA;Breathing Light against thy face,&#xA;While his locks a-dropping  twined&#xA;Round thy neck in subtle ring&#xA;Make a carcanet of rays,&#xA;And ye talk together still,&#xA;In the language wherewith Spring&#xA;Letters cowslips on the hill?&#xA;Hence that look and smile of thine,&#xA;Spiritual Adeline." PRODUCER="HaHaHa Production" COVERARTID="027/1MXLTLBEGEBMLDI1NKAPA02D4QTC" PLAYTIME="173" PLAYTIME_FLOAT="172.500000" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="20278"></INFO>
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<INFO BITRATE="986428" KEY_LYRICS="4 ContributorsCe ți-aș face (Selecta) Lyrics&#xA;Patru pereți, cinci mii de wați - fac bum!&#xA;Căldura crește atunci când intru-n club&#xA;Eu știu, tu știi deja&#xA;DJ-ul face legea, strigă „Uu, selecta!”&#xA;Mă simt atrasă de atitudinea ta&#xA;Nici prea vulgar, nici prea cuminte, da&#xA;Cu tine mă simt high&#xA;Iubirea face legea, strigă „Uu, selecta!”&#xA;&#xA;&#xA;Vreau să știi (Ce?)&#xA;Alunec zi de zi spre inima ta&#xA;Mi-aș dori să-ți spun&#xA;&#xA;&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi (Ce?)&#xA;De-aș fi cu tine am face numai prostii&#xA;De-ai fi aproape te-aș atinge ușor&#xA;Te-aș săruta aici în văzul tuturor&#xA;(Hai) Hai odată, baby, hai&#xA;(Hai) Hai odată, ce mai stai? (Ce mai stai?)&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi  (Ce?)&#xA;De-aș fi cu tine am face uuu! selecta&#xA;&#xA;&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi&#xA;O viață am, o viață te-aș iubi&#xA;Seară de seară-n club&#xA;Arată-mi că mă vrei și strigă „Uu, selecta!”&#xA;Ăsta-i momentul, baby, nu te opri&#xA;Dansează după ritmul inimii&#xA;Când mă privești așa&#xA;E dragoste din prima, strigă „Uu, selecta!”&#xA;&#xA;Vreau să știi&#xA;Alunec zi de zi spre inima ta&#xA;Mi-aș dori să-ți spun&#xA;&#xA;&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi&#xA;De-aș fi cu tine am face numai prostii&#xA;De-ai fi aproape te-aș atinge ușor&#xA;Te-aș săruta aici în văzul tuturor&#xA;Hai odată, baby, hai&#xA;Hai odată, ce mai stai?&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi&#xA;De-aș fi cu tine am face uuu! selecta&#xA;O-o-o, o-o-o, o-o-o&#xA;Vino, și cu mine vei fi&#xA;O-o-o, o-o-o, o-o-o&#xA;Ce ți-aș face de-ai fi&#xA;&#xA;&#xA;Hei, când intri-n club toți băieții strigă „Honey, honey”&#xA;Estoy aquí para volar contigo, mami mami&#xA;De-ai fi a mea, sigur aș încerca&#xA;Să te fac să mă vrei, să mă simți&#xA;Te rog, deschide-ți inima&#xA;Mamacita, eres bonita&#xA;Venga para acá porque me gusta tu boquita&#xA;Ia-mă de mână și-mpreună vom zbura&#xA;&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi&#xA;De-aș fi cu tine am face numai prostii&#xA;De-ai fi aproape te-aș atinge ușor&#xA;Te-aș săruta aici în văzul tuturor&#xA;Hai odată, baby, hai&#xA;Hai odată, ce mai stai?&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi&#xA;De-aș fi cu tine am face uuu! selecta&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi&#xA;De-aș fi cu tine am face numai prostii&#xA;De-ai fi aproape te-aș atinge ușor&#xA;Te-aș săruta aici în văzul tuturor&#xA;Hai odată, baby, hai&#xA;Hai odată, ce mai stai?&#xA;De-ai fi cu mine, ce ți-aș face de-ai fi&#xA;De-aș fi cu tine am face uuu! selecta" PRODUCER="Roton Music" COVERARTID="081/RSOC31AS1KFIXBRGHFITBN4TGNQD" PLAYTIME="207" PLAYTIME_FLOAT="206.367340" IMPORT_DATE="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="25066"></INFO>
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<INFO BITRATE="1034175" KEY_LYRICS="3 ContributorsInevitabil va fi bine Lyrics&#xA;E-e, va fi bine&#xA;E-e, va fi bine&#xA;E-e, va fi bine&#xA;E-e, va fi bine&#xA;&#xA;&#xA;Şi-ai umblat, prin ploaie şi prin vânt&#xA;Şi-ai fost cu capul în nori&#xA;Şi te-ai întors pe pământ, şi-ai tot umblat&#xA;Peste oceane şi munţi&#xA;Pe râuri repezi şi-apoi te-ai hotărât să m-asculţi&#xA;De parcă nu ţi-am zis de atâtea ori&#xA;Doar iubirea-ţi dă fiori&#xA;&#xA;&#xA;Şi poţi să treci zâmbind prin toate&#xA;Lângă o altă jumătate&#xA;Banii n-aduc fericirea&#xA;Dar te ajută să-ntreţii iubirea&#xA;&#xA;&#xA;O, o, o şi vorba vine&#xA;Atâta timp cât eşti cu mine&#xA;Inevitabil va fi bine&#xA;O, o, o şi vorba vine&#xA;Nu-ţi face griji, lasă pe mine&#xA;Inevitabil va fi bine&#xA;E-e va fi bine&#xA;E-e va fi bine&#xA;&#xA;Nu ceda, nu mai zi niciun cuvânt&#xA;Mai e puţin până-n zori&#xA;Mai e puţin până când, vom putea&#xA;Să scăpăm de tot ce e rău&#xA;Soarele iese din nori, să vadă zâmbetul tău&#xA;De parcă nu ţi-am zis de atâtea ori&#xA;Iubirea ta îmi dă fiori&#xA;&#xA;&#xA;Şi poţi să treci zâmbind prin toate&#xA;Lângă o altă jumătate&#xA;Banii n-aduc fericirea&#xA;Dar te ajută să-ntreţii iubirea&#xA;&#xA;&#xA;O, o, o şi vorba vine&#xA;Atâta timp cât eşti cu mine&#xA;Inevitabil va fi bine&#xA;O, o, o şi vorba vine&#xA;Nu-ţi face griji lasă pe mine&#xA;Inevitabil va fi bine&#xA;E-e va fi bine&#xA;E-e va fi bine&#xA;E-e va fi bine&#xA;E-e va fi bine&#xA;&#xA;O, şi-am văzut mulţi pesimişti ca tine&#xA;Da' după rău vine bine, după rău vine bine, întotdeauna&#xA;O, şi poate simţi că prea mult nu mai ţine&#xA;Da' după rău vine bine, după rău vine, întotdeauna&#xA;&#xA;&#xA;O, o, o şi vorba vine&#xA;Atâta timp cât eşti cu mine&#xA;Inevitabil va fi bine&#xA;O, o, o şi vorba vine&#xA;Nu-ţi face griji lasă pe mine&#xA;Inevitabil va fi bine&#xA;E-e va fi bine&#xA;E-e va fi bine&#xA;E-e va fi bine&#xA;E-e va fi bine" PRODUCER="℗ 2010 MediaPro Music, a division of Universal Music Romania" COVERARTID="080/QKWRXJDOXT2ZGA1MJD5HBD15FUVD" PLAYTIME="207" PLAYTIME_FLOAT="206.075012" IMPORT_DATE="2025/4/14" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="26441"></INFO>
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<INFO BITRATE="973629" KEY_LYRICS="4 ContributorsSomething New LyricsSomething new is coming on tonight&#xA;I like this groove, it makes me feel so right&#xA;Darling you, you better hold on tight&#xA;Something new is coming on tonight&#xA;So nice, I'm gonna do it twice&#xA;So nice, so so nice&#xA;&#xA;I just don't wanna stop, don't wanna drop&#xA;This feeling that I've got&#xA;I just don't wanna stop, don't wanna drop&#xA;This feeling that I've got&#xA;&#xA;Can you hear it come?&#xA;La la la la&#xA;It's coming like a drum!&#xA;Can you hear me say&#xA;La la la la&#xA;Now let me hear you say&#xA;La la la la&#xA;&#xA;Something new is coming on tonight&#xA;I like this groove, it makes me feel so right&#xA;&#xA;I just don't wanna stop, don't wanna drop&#xA;This feeling that I've got&#xA;I just don't wanna stop, don't wanna drop&#xA;This feeling that I've got&#xA;Can you hear me say&#xA;La la la la&#xA;Now let me hear you say&#xA;La la la la&#xA;&#xA;I just don't wanna stop, don't wanna drop&#xA;This feeling that I've got&#xA;I just don't wanna stop, don't wanna drop&#xA;This feeling that I've got" PRODUCER="℗ 2011 MediaPro Music Entertainment, Romania" COVERARTID="010/K2C00WDT4KFCNDWD2Y1MDFDADFGC" PLAYTIME="208" PLAYTIME_FLOAT="208.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="2011/1/1" FLAGS="12" FILESIZE="24970"></INFO>
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<INFO BITRATE="959059" KEY_LYRICS="3 ContributorsI Wrote It Down Lyrics&#xA;Theses words inside my head&#xA;Are takin' over, takin' me instead&#xA;Should've done that, baby, should've done this&#xA;Could've been there, baby, such a close miss&#xA;You hit me like a freight train, hit me like a boxer&#xA;Bullet to the brain, and baby, I'm a talker&#xA;But you got me breathless, speechless, now&#xA;And I just can't spit it out, so&#xA;&#xA;&#xA;I wrote it down, somethin' like a love song&#xA;I wrote it down, the words keep leadin' me up on&#xA;I gotta get it out, out without a sound&#xA;'Cause here in my head, I'm talkin' out loud&#xA;&#xA;&#xA;Watch my body lines, my secret language&#xA;Tellin' you that I'm a bit outrageous&#xA;Is it clear, that just a taste, it would feel so&#xA;But you'll never know, I'll never tell&#xA;How bad I want what you wear so well&#xA;My tongue is twisted 'round my nouns&#xA;And I just can't spit it out, so&#xA;&#xA;&#xA;I wrote it down, somethin' like a love song&#xA;I wrote it down, the words keep leadin' me up on&#xA;I gotta get it out, out without a sound&#xA;'Cause here in my head, I'm talkin' out loud&#xA;&#xA;Here in my head, I'm talkin' out loud&#xA;Yeah, here in my head, I'm speakin' out loud&#xA;Yeah, here in my head, I can't do without&#xA;You're here in my head, here in my head&#xA;&#xA;&#xA;Ahh, ahh, ahh, ahh...&#xA;&#xA;&#xA;I wrote it down, somethin' like a love song (I wrote it down)&#xA;I wrote it down, the words keep leading me up on (I wrote it down)&#xA;I gotta get it out, out without a sound (Here in my head)&#xA;'Cause here in my head, I'm talkin' out loud&#xA;I wrote it down, somethin' like a love song (I wrote it down)&#xA;I wrote it down, the words keep leadin' me up on (I wrote it down)&#xA;I gotta get it out, out without a sound (Here in my head)&#xA;'Cause here in my head, I'm talkin' out loud" PRODUCER="Roton Music" COVERARTID="054/WBAWL2AQPELGYBNW1SS0BQZK0NWA" PLAYTIME="224" PLAYTIME_FLOAT="223.895508" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="26496"></INFO>
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<INFO BITRATE="1024612" KEY_LYRICS="1 ContributorRaisa Lyrics&#xA;Nana nanananana!&#xA;Nanananana !&#xA;Nanananana !&#xA;Nanananana !&#xA;Nanananana&#xA;Nanananana&#xA;Nanananana&#xA;&#xA;&#xA;Încă o dată soarele tinde&#xA;Încă o dată ploaia te stinge&#xA;Ea nu mă minte, arată ce simte&#xA;Vorbește cuvinte înțelese de ea!&#xA;Încă o dată soarele tinde&#xA;Încă o dată ploaia te stinge&#xA;Ea nu mă minte, arată ce simte&#xA;Vorbește cuvinte înțelese de ea!&#xA;&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Nana nana !Nanananana&#xA;Nana nana! Nanananana&#xA;&#xA;Nana nana ! Nanananana&#xA;&#xA;Nana nana ! Nanananana&#xA;&#xA;Nana nana ! Nanananana&#xA;&#xA;Nana nana !Nana nana !&#xA;Nana nana !Nana nana!&#xA;&#xA;&#xA;Hai lângă mine dacă te ține!&#xA;Mișcă-te bine, nu poți rezista!&#xA;Noaptea ce vine și ziua de mâine&#xA;Ne prinde-mpreună la petrecerea ta!&#xA;Hai lângă mine dacă te ține!&#xA;Mișcă-te bine, nu poți rezista!&#xA;Noaptea ce vine și ziua de mâine&#xA;Ne prinde-mpreună la petrecerea ta!&#xA;&#xA;&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;&#xA;Hai lângă mine dacă te ține!&#xA;Mișcă-te bine, nu poți rezista!&#xA;Noaptea ce vine și ziua de mâine&#xA;Ne prinde-mpreună la petrecerea ta!&#xA;Hai lângă mine dacă te ține!&#xA;Mișcă-te bine, nu poți rezista!&#xA;Noaptea ce vine și ziua de mâine&#xA;Ne prinde-mpreună la petrecerea ta!&#xA;&#xA;&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!&#xA;Tarandarata unh a e!" PRODUCER="Roton Music" COVERARTID="058/0JJK0IBZM4CBPDQFNC4LCO23MX5B" PLAYTIME="203" PLAYTIME_FLOAT="202.440002" IMPORT_DATE="2025/4/14" RELEASE_DATE="2005/1/1" FLAGS="12" FILESIZE="25452"></INFO>
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<INFO BITRATE="965717" KEY_LYRICS="1 ContributorGoodbye LyricsI remember your name crying in a rain&#xA;When you left and close my door&#xA;I remember myself in my emptiness&#xA;Waiting for a special call…&#xA;&#xA;I am begging you , i am begging you&#xA;I’m begging you right’s to cry&#xA;I am begging you , i am begging you&#xA;I wish i’l never said goodbye&#xA;&#xA;I remember your name crying in a rain&#xA;When you left and close my door&#xA;I remember myself in my emptiness&#xA;Waiting for a special call…&#xA;&#xA;I am begging you , i am begging you&#xA;I’m begging you right’s to cry&#xA;I am begging you , i am begging you&#xA;I wish i’l never said goodbye&#xA;&#xA;I tu sabes que dijo…&#xA;Na , na , no tengo lie, no tengo lie, no tengo lie&#xA;Na , na , no tengo lie, no tengo lie, no tengo lie&#xA;&#xA;I remember your name crying in a rain&#xA;When you left and close my door&#xA;I remember myself in my emptiness&#xA;Waiting for a special call…&#xA;I am begging you , i am begging you&#xA;I’m begging you right’s to cry&#xA;I am begging you , i am begging you&#xA;I wish i’l never said goodbye&#xA;&#xA;I tu sabes que dijo…&#xA;Na , na , no tengo lie, no tengo lie, no tengo lie&#xA;Na , na , no tengo lie, no tengo lie, no tengo lie&#xA;&#xA;Na , na , no tengo lie, no tengo lie, no tengo lie&#xA;Na , na , no tengo lie, no tengo lie, no tengo lie" PRODUCER="2010 Roton" COVERARTID="001/BUKR4ZDWUZATYB1FLLJ3DBM54ISC" PLAYTIME="190" PLAYTIME_FLOAT="189.586624" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="22517"></INFO>
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<INFO BITRATE="998335" KEY_LYRICS="2 ContributorsMusica Lyrics&#xA;El amor me quema, la música suena&#xA;La noche de cristal es belleza el sela&#xA;El amor me quema, la música suena&#xA;La noche de cristal es belleza el sela&#xA;&#xA;O male sim parlar, o mate la noche de samba, uh!&#xA;&#xA;El amor me quema, la música suena&#xA;La noche de cristal es belleza el sela&#xA;El amor me quema, la música suena&#xA;La noche de cristal es belleza el sela&#xA;&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba&#xA;&#xA;&#xA;I have a reason to let you cry, let you cry&#xA;I can’t forget when you said goodbye, my, my, my!&#xA;I'm like a bird flying in the sky, in the sky, ey&#xA;I see you’re hot selling me a lie, my, my, my!&#xA;&#xA;&#xA;El amor me quema, la música suena&#xA;La noche de cristal es belleza el sela&#xA;El amor me quema, la música suena&#xA;La noche de cristal es belleza el sela&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba&#xA;&#xA;&#xA;Me gusta siempre tu amor, me gusta lo mejor!&#xA;Me gusta siempre tu amor, me gusta lo mejor!&#xA;Me gusta siempre tu amor, me gusta lo mejor!&#xA;Me gusta siempre tu amor, me gusta lo mejor!&#xA;&#xA;&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba&#xA;O male sim parlar, o mate la noche de samba" PRODUCER="Roton" COVERARTID="005/FIETPLAFXU15UDKB1MVTBRWE2XEC" PLAYTIME="220" PLAYTIME_FLOAT="219.292023" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="26849"></INFO>
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<INFO BITRATE="989270" KEY_LYRICS="1 ContributorDue Progress (Radio Edit) Lyrics&#xA;In these so-called last days, I’m hanging life with its dirty hanger&#xA;With the hands of love while my words incite anger&#xA;It’s far from orthodox, yet I swore to God I’d plot&#xA;To move people close to the truth.  Then we could set up shop&#xA;When knowing everybody in my house is growing&#xA;I am the party people “slash” the lyrical poet&#xA;Throwing bows and a fist in the air here in America&#xA;I stand, the ghost of Bigger Thomas I am&#xA;Here to redeem hope, seen dreams float—fuck a steamboat&#xA;I paddle right up Shit’s Creek, ready to battle&#xA;Travel lands.  I’m seeking fans.  Truth is in the man&#xA;From the motherland and friends to far east Japan&#xA;People coming out the darkness, approaching the light&#xA;Like a younger, black Lois Lane, I’m close to the fight.  It’s like:&#xA;Reminisce of them days back in Africa&#xA;Benin —respect my habitat&#xA;I got love to spit on a hype track&#xA;Provided by Speck.  Cise Star, where’s your head at?&#xA;&#xA;&#xA;A wrinkle in time, watching movies made for the blind&#xA;Got me in a cage,  written in rhymes&#xA;Sparking a spliff.  Testaments written in hieroglyphs&#xA;Spreading apocalypse in my Prime—still a Optimus&#xA;Crumble Necropolis.  King ruling Metropolis&#xA;Walking my exodus effortless to the promised land&#xA;Serving the sands of time, high winds’ll change, soul&#xA;Raised with hope, fly by dark clouds of bane&#xA;Sipping elixirs, drinking my sorrow mixed with liquors&#xA;Fighting the system, bucking the ceiling hurting my feelings&#xA;Hitting my head against hardships, so words said against me&#xA;Better squeeze again, son, because you missed me&#xA;Uh&#xA;&#xA;Yeah, people, we got to believe in one mind, one God, one future to see&#xA;Y’all feel?  We gonna make it with the power to be one mind, one God, one destiny&#xA;People, listen.  It’s like we got to believe in one mind, one God, one future to see&#xA;Y’all feel?  We gonna make it with the power to be one mind, one God, and one destiny&#xA;&#xA;&#xA;Believing in dreams.  See, now I’m envisioning things&#xA;In a new light, I move like a fish in the spring&#xA;Remain visible.  I chose to rhyme—it was feasible&#xA;You didn’t ride the labels again?  Yo, you pleasing who?&#xA;Not we.  Got these stars from another&#xA;Planet.  Who can’t understand it?  I let it hover&#xA;Above the city, searching for truth to reconcile committee&#xA;Like Bishop Tutu, CYNE.  I thought you knew who’s&#xA;Here to make surrender obligant and we foolproof&#xA;Ayyo, check it out.  We foolproof&#xA;&#xA;&#xA;I stand on top of buildings, talking to devils, refusing their beers&#xA;After fasting for forty bars, here to save the kids&#xA;Not in Jesus Christ, to a star, stay immaculate&#xA;My methods are Methodist while we banging on Baptist&#xA;A rap rapture, telling the slave master&#xA;“Let my people go before I cause a new disaster”&#xA;Out of the projects to the motherland.  Regardless&#xA;Of many hardships, me and my people gonna progress&#xA;&#xA;People, it’s like we got to believe in one mind, one God, one future to see&#xA;Y’all feel?  We gonna make it with the power to be one mind, one God, and one destiny&#xA;People, listen.  It’s like we got to believe in one mind, one God, one future to see&#xA;Y’all feel?  We gonna make it with the power to be one mind, one God, and one destiny" PRODUCER="Roton Music" COVERARTID="126/4HY154D4U3EROANQ2GZSAXGDN0PB" PLAYTIME="173" PLAYTIME_FLOAT="172.093826" IMPORT_DATE="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="20879"></INFO>
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<INFO BITRATE="1008526" KEY_LYRICS="16 ContributorsToca Toca Lyrics&#xA;Oh, you say &amp;quot;No, no, no&amp;quot;, I say &amp;quot;No, no, no, no&amp;quot;&#xA;You say &amp;quot;Take me home&amp;quot;, I say &amp;quot;Dom Perignon&amp;quot;&#xA;You say &amp;quot;No, no, no&amp;quot;, I say &amp;quot;No, no, no, no&amp;quot;&#xA;No, no, no, no&#xA;&#xA;&#xA;Hasta la vida loca, loca, loca, loca&#xA;Te encanta la musica te toca, toca, toca&#xA;Hasta la vida loca, loca, loca, loca&#xA;Te encanta la musica te toca, toca, toca&#xA;&#xA;&#xA;&#xA;&#xA;Oh, I wanna say, rain on me forever&#xA;Rivers of champaigne, celebrate together&#xA;Oh, I wanna say, rain on me forever&#xA;Rivers of champaigne, celebrate together&#xA;&#xA;&#xA;Hasta la vida loca, loca, loca, loca&#xA;Te encanta la musica te toca, toca, toca&#xA;Hasta la vida loca, loca, loca, loca&#xA;Te encanta la musica te toca, toca, toca&#xA;Toca, toca, toca&#xA;&#xA;Hasta la vida loca, loca, loca, loca&#xA;Te encanta la musica te toca, toca, toca&#xA;Hasta la vida loca, loca, loca, loca&#xA;Te encanta la musica te toca, toca, toca&#xA;&#xA;&#xA;&#xA;&#xA;I see your eyes every day and every night&#xA;And I, I wanna hold you, love you 'til the end of time&#xA;Stay over night 'cause I want you in my life&#xA;And I, I wanna love you, I will never make you cry&#xA;&#xA;&#xA;Hasta la vida loca, loca, loca, loca&#xA;Te encanta la musica te toca, toca, toca&#xA;Hasta la vida loca, loca, loca, loca&#xA;Te encanta la musica te toca, toca, toca&#xA;&#xA;&#xA;-ca, -ca, -ca, toca, toca, toca&#xA;-ca, -ca, -ca, toca, toca, toca" PRODUCER="2013 Roton" COVERARTID="010/KAYVWTCU0121TCTADUECCGRJEC2D" PLAYCOUNT="1" PLAYTIME="166" PLAYTIME_FLOAT="165.605957" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="20488"></INFO>
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<INFO BITRATE="978138" KEY_LYRICS="4 ContributorsMandala Lyrics&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;&#xA;Wake up!&#xA;&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;&#xA;&#xA;I can see you&#xA;Everywhere&#xA;Let me see your hands in the air&#xA;One million people&#xA;Of the world&#xA;Party people&#xA;Of my shoulder!&#xA;I can see you&#xA;Everywhere&#xA;Let me see your hands in the air&#xA;One million people&#xA;Of the world&#xA;Party people&#xA;Of my shoulder!&#xA;&#xA;&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;&#xA;Wake up!&#xA;&#xA;&#xA;One million hands in the air I can see&#xA;This is what I'm waiting for&#xA;One million ladies all over me&#xA;This is what I'm waiting for&#xA;One million people watching the sky&#xA;This is what I'm waiting for&#xA;One million people taking me high&#xA;This is what I'm waiting for!&#xA;Say what?!&#xA;&#xA;&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;&#xA;Sexy ladies!&#xA;Sexy ladies!&#xA;&#xA;&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!&#xA;O male mandala&#xA;O male mandala&#xA;Male mandala!" PRODUCER="Roton Music" COVERARTID="016/QIKSRSAYUTAIMDJEIXBXBGP3NEGD" PLAYTIME="217" PLAYTIME_FLOAT="216.009766" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="25908"></INFO>
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<INFO BITRATE="948037" KEY_LYRICS="1 ContributorMamasita Lyrics&#xA;Yo, original by (show) narcotic sound and christian d&#xA;Alongside the loverman number one matteo&#xA;Mamacita faz favor&#xA;Rastaman a loverman I am original&#xA;Next to mamacita I am the number one&#xA;&#xA;Hear the rhythm, hear the vibe&#xA;Watch your sexy one&#xA;Babylon&#xA;&#xA;&#xA;Quero mamasita, &amp;quot;faz favor&amp;quot;&#xA;&#xA;Eu quero estar junto a ti, meu amor&#xA;Gosto de voce, me da sabor&#xA;&#xA;Que sem voce em coracao falta calor&#xA;&#xA;Quero mamasita &amp;quot;faz favor&amp;quot;&#xA;Eu quero achar com voce &amp;quot;el&amp;quot; grand' calor&#xA;Vamos &amp;quot;mi&amp;quot; menina sem tremor&#xA;Que sem &amp;quot;tu&amp;quot; beijo em coracao perde calor&#xA;&#xA;Oo, esse e meu amor, oo&#xA;Se, vou ligar com voce, ee (Jump)&#xA;O, o gosto de &amp;quot;tu&amp;quot;&#xA;O, gosto de sabor, &amp;quot;tu&amp;quot; sabor&#xA;O, o gosto de &amp;quot;tu&amp;quot;&#xA;O, gosto de amor, de amor&#xA;&#xA;Quero mamasita, &amp;quot;faz favor&amp;quot;&#xA;&#xA;Eu quero estar junto a ti, meu amor&#xA;Gosto de voce, me da sabor&#xA;&#xA;Que sem voce em coracao falta calor&#xA;&#xA;&#xA;Everman wa, Everman wa&#xA;Everman walagaloo&#xA;&#xA;&#xA;Oo, esse e meu amor, oo&#xA;Se, vou ligar com voce, ee&#xA;O, o gosto de &amp;quot;tu&amp;quot;&#xA;&#xA;O, gosto de sabor, &amp;quot;tu&amp;quot; sabor&#xA;O, o gosto de &amp;quot;tu&amp;quot;&#xA;O, gosto de amor, de amor&#xA;Jump" PRODUCER="(P) 2009 Cat Music" COVERARTID="053/VFVEVZDCY5H0CDWVXSYRDE5X1BVC" PLAYTIME="195" PLAYTIME_FLOAT="194.141815" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="22871"></INFO>
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<INFO BITRATE="993226" KEY_LYRICS="3 ContributorsDança Bonito LyricsDança Bonito&#xA;Nacortic Sound&#xA;&#xA;Narcotic Sound are in the vibes&#xA;Christian D is on the line&#xA;Take your style&#xA;Make it right&#xA;Call your people let's go wild&#xA;WATCH OUT!!!!&#xA;Ohh my god&#xA;Do you really really wanna' play non'stop?&#xA;Hold'em boy&#xA;Don't forget to bring your toys&#xA;Lookin' at you just make me hot&#xA;Go boy and hit my spot&#xA;Everybody wanna scream &amp;quot;Woww&amp;quot;&#xA;Wanna say, wanna feel, wanna check my flow&#xA;Aiii meu coração … basta de ver se holer para tocar&#xA;Aii eu sou legal …para sentir me lado seu me corasao&#xA;Ai ai ai tu amor me faz sentir&#xA;De paisiona su carinho sim voce no voy vivir&#xA;Ai ai ai nunca voy deixar partir&#xA;De mi menina preciosa che me faz ate subir&#xA;Danca bonito boom boom&#xA;Danca bonito boom boom&#xA;Danca bonito boom boom move on tu cuerpo x2&#xA;Boom boom boom on caraiso x4&#xA;Ohhh my babe . oh ohh my babe&#xA;Slow sloww down&#xA;Wait for another round'&#xA;Ohhh my babe . oh ohh my babe&#xA;Slow sloww down&#xA;Do-do-do-do-down&#xA;Ai ai ai tu amor me fais sentir&#xA;De paisiona su carinho sin voce no voy vivir&#xA;Ai ai ai nunca voy deja partir&#xA;De mi nina preciosa che me fais ante suber&#xA;Danca bonito boom boom&#xA;Danca bonito boom boom&#xA;Danca bonïto boom boom move on tu cuerpo x2&#xA;Come onn&#xA;Boom boom boom on paraiso x4;" PRODUCER="(P) 2011 Cat Music" COVERARTID="049/RZI5TKDL4UEASDKIDGM4CYFUHBKC" PLAYCOUNT="1" PLAYTIME="174" PLAYTIME_FLOAT="173.453064" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="21225"></INFO>
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<INFO BITRATE="977218" KEY_LYRICS="1 ContributorTemptation Lyrics&#xA;Temptation in the limo&#xA;You're feeling like a widow&#xA;If you're watching me girl&#xA;I feel I'm going down&#xA;Touch you for a minute&#xA;Take me, get me closer&#xA;Life is like a prison&#xA;If you are not around&#xA;&#xA;&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons, I hold you tight&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons to treat you right&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons, I hold you tight&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons to treat you right&#xA;&#xA;&#xA;I said I&#xA;I give you November rain&#xA;Let me know if you feel the same&#xA;I don't think that's a wasting game&#xA;Oh, yeah&#xA;&#xA;Temptation in the limo&#xA;You're feeling like a widow&#xA;If you're watching me girl&#xA;I feel I'm going down&#xA;Touch you for a minute&#xA;Take me, get me closer&#xA;Life is like a prison&#xA;If you are not around&#xA;&#xA;&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons, I hold you tight&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons to treat you right&#xA;&#xA;&#xA;I said I&#xA;I give you November rain&#xA;Let me know if you feel the same&#xA;I don't think that's a wasting game&#xA;Oh, yeah&#xA;&#xA;&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons, I hold you tight&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons to treat you right&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons, I hold you tight&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons to treat you right&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons, I hold you tight&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons to treat you right&#xA;&#xA;Temptation in the limo&#xA;You're feeling like a widow&#xA;If you're watching me girl&#xA;I feel I'm going down&#xA;Touch you for a minute&#xA;Take me, get me closer&#xA;Life is like a prison&#xA;If you are not around&#xA;&#xA;&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons, I hold you tight&#xA;I'm in love, I'm in love, I'm on fire&#xA;Give me love, I feel reasons to treat you right" PRODUCER="(P) 2010 Cat Music" COVERARTID="002/CYVDHYAOYKMQMABLIEKZCQCHY3OB" PLAYTIME="210" PLAYTIME_FLOAT="209.106674" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="25226"></INFO>
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<INFO BITRATE="1089509" KEY_LYRICS="10 ContributorsLendo Calendo LyricsLendo&#xA;Yeah, aha&#xA;Yo Dan&#xA;It's your boy Brasco&#xA;I report from the US&#xA;Let's go!&#xA;&#xA;Pretty girl, pretty girl&#xA;No make up&#xA;If you seen her&#xA;You would think she was made up&#xA;In the party with Ciroc of the ace up&#xA;Party till the sun goes down&#xA;Cos we paid up&#xA;Homies get your weight up&#xA;I got the baddest in my section straight up&#xA;All different complexions&#xA;But the one in the red dress&#xA;Got me so messed up&#xA;&#xA;Era se munio de manga meri&#xA;Era se munio de manga meri&#xA;Camera venda de lunio vara&#xA;Tu y yo un beso me dejo marcado&#xA;&#xA;Lendo calendo&#xA;Una malida&#xA;Calendo peciara&#xA;Un beso me dejo marcado&#xA;Lendo calendo&#xA;Una malida&#xA;Calendo peciara&#xA;Un beso un beso&#xA;Moviendo sus caderas&#xA;La vi caminar&#xA;Un cuerpo como ninguna&#xA;No puedo olvidara&#xA;Yo le doy lo que le gusta&#xA;La pongo a temblar&#xA;Baiulando en lo oscuro&#xA;Vamos volando&#xA;&#xA;Era se munio de manga meri&#xA;Era se munio de manga meri&#xA;Camera venda de lunio vara&#xA;Tu y yo un beso me dejo marcado&#xA;&#xA;Lendo calendo&#xA;Una malida&#xA;Calendo peciara&#xA;Un beso me dejo marcado&#xA;Lendo calendo&#xA;Una malida&#xA;Calendo peciara&#xA;Un beso un beso&#xA;&#xA;Pretty girl, pretty girl&#xA;No make up&#xA;If you seen her&#xA;You would think she was made up&#xA;In the party with Ciroc of the ace up&#xA;Party till the sun goes down&#xA;Cos we paid up&#xA;She started shaking&#xA;I'm paging&#xA;She said boy come here&#xA;I'm not taken&#xA;Can't you take it&#xA;If you waited&#xA;Baby boy tell me&#xA;Do you got patience?&#xA;Sabes, sabes lo que quiero&#xA;La noche entera, la noche entera&#xA;Sabes, sabes lo que quiero&#xA;La noche entera, la noche entera&#xA;&#xA;Go! Pretty girl turn up&#xA;Bad girl turn up&#xA;Pretty girl turn up&#xA;Bad girl turn up&#xA;Turn up, turn up, turn up&#xA;&#xA;Lendo calendo&#xA;Una malida&#xA;Calendo peciara&#xA;Un beso me dejo marcado&#xA;Lendo calendo&#xA;Una malida&#xA;Calendo peciara&#xA;Un beso un beso&#xA;&#xA;Lendo&#xA;Calendo peciara&#xA;Lendo&#xA;Calendo peciara" PRODUCER="Monarda Studios" COVERARTID="098/C5SV1SBFPMS1GCIOWY2LDG55YM1D" PLAYTIME="212" PLAYTIME_FLOAT="211.287079" IMPORT_DATE="2025/4/14" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="28694"></INFO>
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<INFO BITRATE="947615" KEY_LYRICS="4 ContributorsOficial îmi merge bine Lyrics&#xA;Doar tu&#xA;Mă scoţi din minţi şi&#xA;Nu mai vreau, dari-da-dam&#xA;Dari-da-dam-da-da-dam&#xA;Nu ştiu&#xA;Nu înţeleg de ce&#xA;Mai stau, dari-da-dam&#xA;Dari-da-dam-da-da-dam&#xA;&#xA;&#xA;Iubesc sau te urăsc, urăsc&#xA;Sau te iubesc, nu ştiu&#xA;Dari-da-dam-dari-da-dam-da-da-dam&#xA;M-ai vrut şi nu te-am vrut acum&#xA;Te vreau, dar e prea târziu&#xA;Dari-da-dam-dari-da-dam-da-da-dam&#xA;&#xA;&#xA;Oficial îmi merge bine&#xA;Oficial mi-e bine, oficial mi-e.. bine&#xA;În secret mi-e dor de tine&#xA;Iar mi-e dor de tine&#xA;Iar mi-e dor de tine&#xA;Dar te rog să nu mai spui la nimeni&#xA;&#xA;Zi, zi, hai, zi, zi, zi-mi că sunt penibil fiindcă stau singur, stau, stau&#xA;Stau singur pe canapea cu gândul la ea că poate suna&#xA;Mă mint mereu că toate sunt bune&#xA;Aştept o schimbare, aştept o minune&#xA;Şi chiar n-are rost&#xA;Mă uit în oglindă şi zic: &amp;quot;Bă, eşti prost?&amp;quot;&#xA;Mă, cum ai putut mă s-o laşi, mă, să plece&#xA;Când tu o iubeşti mă şi ea te iubeşte, mă&#xA;&#xA;&#xA;Iubesc sau te urăsc, urăsc&#xA;Sau te iubesc nu ştiu&#xA;Dari-da-dam-dari-da-dam-da-da-dam&#xA;M-ai vrut şi nu te-am vrut acum&#xA;Te vreau dar e prea târziu&#xA;Dari-da-dam-dari-da-dam-da-da-dam&#xA;&#xA;&#xA;Oficial îmi merge bine&#xA;Oficial mi-e bine, oficial mi-e.. bine&#xA;În secret mi-e dor de tine&#xA;Iar mi-e dor de tine&#xA;Iar mi-e dor de tine&#xA;Dar te rog să nu mai spui la nimeni&#xA;&#xA;Ooo, oficial îmi merge bine&#xA;Bine, bine, bine, bine&#xA;Ooo, oficial îmi merge bine&#xA;Te rog să nu mai spui la nimeni&#xA;&#xA;&#xA;Iubesc sau te urăsc, urăsc&#xA;Sau te iubesc nu ştiu&#xA;Dari-da-dam-dari-da-dam-da-da-dam&#xA;M-ai vrut şi nu te-am vrut acum&#xA;Te vreau dar e prea târziu&#xA;Dari-da-dam-dari-da-dam-da-da-dam&#xA;&#xA;&#xA;Oficial îmi merge bine&#xA;Oficial mi-e bine, oficial mi-e.. bine&#xA;În secret mi-e dor de tine&#xA;Iar mi-e dor de tine&#xA;Iar mi-e dor de tine&#xA;Dar te rog să nu mai spui la nimeni&#xA;Bine&#xA;Oficial mi-e bine, oficial mi-e.. bine&#xA;În secret mi-e dor de tine&#xA;Iar mi-e dor de tine&#xA;Iar mi-e dor de tine&#xA;Dar te rog să nu mai spui la nimeni&#xA;&#xA;Ooo, oficial îmi merge bine&#xA;Bine, bine, bine, bine&#xA;În secret mi-e dor de tine&#xA;Te rog să nu mai spui la nimeni" PRODUCER="(P) 2006 Cat Music" COVERARTID="011/LUYXHCAGCH4ZSA3HQI3QCLPFLHLA" PLAYTIME="233" PLAYTIME_FLOAT="232.119995" IMPORT_DATE="2025/4/14" RELEASE_DATE="2006/1/1" FLAGS="12" FILESIZE="27052"></INFO>
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<INFO BITRATE="913906" KEY_LYRICS="2 ContributorsMr. Originality Lyrics&#xA;Woah-yoo, la-la-la-la-la-la&#xA;Ooh, yeah&#xA;I'm the SIMPLU, I'm the Moga&#xA;I'm the b-boy dancing, the lova'&#xA;I'm the SIMPLU, I'm the Moga&#xA;Puyakashai&#xA;&#xA;&#xA;Ia-li-ia-li-yo, I'll be dreamin' at the gal (Gal)&#xA;Ia-li-ia-li-yo, 'cause she really rocked my world (World)&#xA;Come down, selecta, come down, selecta&#xA;Play my, play my song (Song)&#xA;Let the woman dance, I'll be rubbin' on the thong&#xA;&#xA;&#xA;To the left uh, to the right uh&#xA;Jump around 'cause it's alright uh&#xA;To the left uh, to the right uh&#xA;Jump around 'cause it's alright uh&#xA;To the left uh, to the right uh&#xA;Jump around 'cause it's alright uh&#xA;To the left uh, to the right uh&#xA;Jump around 'cause it's alright uh&#xA;&#xA;&#xA;I'm Mr. Originality&#xA;Come my way, come and see&#xA;Let me be your fantasy&#xA;(Come my way uh, come my way uh)&#xA;I'm Mr. Originality&#xA;Come my way, come and see&#xA;Let me be your fantasy&#xA;(Come my way uh, come my way uh)&#xA;&#xA;Woah-yoo, la-la-la-la-la-la&#xA;Ooh, yeah&#xA;I'm the SIMPLU, I'm the Moga&#xA;I'm the b-boy dancing, the lova'&#xA;I'm the SIMPLU, I'm the Moga&#xA;Puyakashai&#xA;&#xA;&#xA;Come up pon di place&#xA;Say my sexy, be my one (One)&#xA;Ia-li-ia-li-yo&#xA;Got the b-boys on da' run, run&#xA;Come down, selecta, come down, selecta&#xA;Play my, play my song&#xA;Woman, get undressed&#xA;'Cause I got to get it on (On)&#xA;&#xA;&#xA;To the left uh, to the right uh&#xA;Jump around 'cause it's alright uh&#xA;To the left uh, to the right uh&#xA;Jump around 'cause it's alright uh&#xA;To the left uh, to the right uh&#xA;Jump around 'cause it's alright uh&#xA;To the left uh, to the right uh&#xA;Jump around 'cause it's alright uh&#xA;&#xA;I'm Mr. Originality&#xA;Come my way, come and see&#xA;Let me be your fantasy&#xA;(Come my way uh, come my way uh)&#xA;I'm Mr. Originality&#xA;Come my way, come and see&#xA;Let me be your fantasy&#xA;(Come my way uh, come my way uh)&#xA;&#xA;&#xA;Woah-yoo, la-la-la-la-la-la&#xA;Ooh, yeah&#xA;I'm the SIMPLU, I'm the Moga&#xA;I'm the b-boy dancing, the lova'&#xA;I'm the SIMPLU, I'm the Moga&#xA;&#xA;&#xA;Hey, Mr. Originality&#xA;Come and spend the night with me&#xA;Let me be your fantasy&#xA;Hey, Mr. Originality&#xA;Come and spend the night with me&#xA;Let me be your fantasy&#xA;Puyakashai&#xA;&#xA;I'm Mr. Originality&#xA;Come my way, come and see&#xA;Let me be your fantasy&#xA;(Come my way, ah, come my way, ah)&#xA;I'm Mr. Originality&#xA;Come my way, come and see&#xA;Let me be your fantasy&#xA;(Come my way uh, come my way uh)&#xA;I'm Mr. Originality&#xA;Come my way, come and see&#xA;Let me be your fantasy&#xA;(Come my way, ah, come my way, ah)&#xA;I'm Mr. Originality&#xA;Come my way, come and see&#xA;Let me be your fantasy&#xA;(Come my way uh, come my way uh)" PRODUCER="(P) 2006 Cat Music" COVERARTID="011/LUYXHCAGCH4ZSA3HQI3QCLPFLHLA" PLAYCOUNT="2" PLAYTIME="224" PLAYTIME_FLOAT="223.653336" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2006/1/1" FLAGS="12" FILESIZE="25153"></INFO>
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<INFO BITRATE="1003994" KEY_LYRICS="1 ContributorSus pe toc Lyrics&#xA;&#xA;&#xA;11, 12, 13, 14, 15 centimetri&#xA;Tocuri, vrea să facă vraiște&#xA;E din Constanța, ca ea n-a văzut Franța&#xA;Îți taie respirația, tu cheamă ambulanța!&#xA;C-are accent, da' nu e d-ăla dance&#xA;E de la Iași, că merge-acasă des&#xA;Hah, nu-i Antonia sau Corina&#xA;Nu-i nici Alexandra Sta-i... că n-aduce nici cu INNA&#xA;Și Satu Mare e-un oraș mare&#xA;Ai mei petrec până când soarele răsare și...&#xA;&#xA;&#xA;Și când se lasă seara&#xA;Din București în Timișoara&#xA;Oamenii mei nu stau deloc pe loc&#xA;Când văd femei urcate sus pe toc-toc, sus pe toc&#xA;Și când se lasă seara&#xA;Din București în Timișoara&#xA;Oamenii mei nu stau deloc pe loc&#xA;Când văd femei urcate sus pe toc-toc, sus pe toc&#xA;&#xA;&#xA;(Și n-o mai arde grande... și n-o mai arde grande...)&#xA;Și n-o mai arde grande, acum e venti&#xA;Tipa e din Sibiu și e în parametri&#xA;E zi cu soare, ea pleacă la plimbare&#xA;Spre București, că azi se joacă-n deplasare&#xA;Și-i naturală, și-a uitat acasă ruju’&#xA;S-ar întoarce după el, dar e prea departe Cluju'&#xA;N-o cheamă Iulia, da' vine de la Alba&#xA;Distanța mare, dom’le, s-a tocit și talpa&#xA;Și vine din Galați, de-acasă, frate...&#xA;Și vine din Galați, de-acasă, frate...&#xA;&#xA;Și când se lasă seara&#xA;Din București în Timișoara&#xA;Oamenii mei nu stau deloc pe loc&#xA;Când văd femei urcate sus pe toc-toc, sus pe toc&#xA;Și când se lasă seara&#xA;Din București în Timișoara&#xA;Oamenii mei nu stau deloc pe loc&#xA;Când văd femei urcate sus pe toc-toc, sus pe toc&#xA;&#xA;&#xA;Și în Focșani, hah... vinu' e bun&#xA;Nu mai e demi-sec, e Vin Diesel acum&#xA;În Baia Mare și Arad, nu stăm pe loc&#xA;Fetele sus pe toc, vă pup, ceaustoc!&#xA;&#xA;&#xA;Și când se lasă seara&#xA;Din București în Timișoara&#xA;Oamenii mei nu stau deloc pe loc&#xA;Când văd femei urcate sus pe toc-toc, sus pe toc&#xA;Și când se lasă seara&#xA;Din București în Timișoara&#xA;Oamenii mei nu stau deloc pe loc&#xA;Când văd femei urcate sus pe toc-toc, sus pe toc" PRODUCER="(P) 2016 Cat Music / Sprint Music" COVERARTID="088/YOZLELBWAXR3DDGAEIS4CUXC0TLD" PLAYTIME="181" PLAYTIME_FLOAT="180.565033" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="22204"></INFO>
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<INFO BITRATE="1042001" KEY_LYRICS="47 ContributorsTranslationsDeutschMr. Saxobeat Lyrics&#xA;You make me dance, bring me up, bring me down&#xA;Play it sweet, make me move like a freak, Mr. Saxobeat&#xA;Makes me dance, brings me up, brings me down&#xA;Plays it sweet, makes me move like a freak (Mr. Saxo—), Mr. Saxo—&#xA;You make me dance, bring me up, bring me down&#xA;Play it sweet, make me move like a freak, Mr. Saxobeat&#xA;Makes me dance, brings me up, brings me down&#xA;Plays it sweet, makes me move like a freak, Mr. Saxobeat&#xA;&#xA;&#xA;Oh-oh-oh-oh, girl, mm yeah, mm yeah, mm-mm yeah&#xA;Oh-oh, girl, mm yeah, mm yeah, mm-mm yeah&#xA;Oh, girl, mm yeah, mm yeah, mm-mm yeah&#xA;Oh-oh, girl, mm yeah, mm yeah, mm-mm yeah&#xA;Mr. Saxobeat&#xA;Mr. Saxobeat&#xA;&#xA;&#xA;Hey, sexy boy, set me free&#xA;Don't be so shy, play with me&#xA;My dirty boy, can't you see&#xA;That you belong next to me?&#xA;Hey, sexy boy, set me free&#xA;Don't be so shy, play with me (You are the, you are the)&#xA;My dirty boy, can't you see? (You are the, you are the)&#xA;You are the one I need&#xA;&#xA;You make me dance, bring me up, bring me down&#xA;Play it sweet, make me move like a freak, Mr. Saxobeat&#xA;Makes me dance, brings me up, brings me down&#xA;Plays it sweet, makes me move like a freak&#xA;&#xA;&#xA;Oh-oh-oh-oh, girl, mm yeah, mm yeah, mm-mm yeah&#xA;Oh-oh, girl, mm yeah, mm yeah, mm-mm yeah&#xA;Oh, girl, mm yeah, mm yeah, mm-mm yeah&#xA;Oh-oh, girl, mm yeah, mm yeah, mm-mm yeah&#xA;&#xA;&#xA;You make me dance, bring me up, bring me down&#xA;Play it sweet, make me move like a freak, Mr. Saxobeat&#xA;Makes me dance, brings me up, brings me down&#xA;Plays it sweet, makes me move like a freak&#xA;&#xA;&#xA;You make me dance, bring me up, bring me down&#xA;Mr. Saxobeat&#xA;You make me dance, bring me up, bring me down&#xA;Mr. Saxobeat" PRODUCER="Ubisoft Music" COVERARTID="002/CY0VWJBJHHYNXBIIWRGGBODTR5LD" PLAYCOUNT="2" PLAYTIME="196" PLAYTIME_FLOAT="195.880005" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="25258"></INFO>
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<INFO BITRATE="878585" KEY_LYRICS="4 ContributorsMore And More Lyrics&#xA;More and more and more&#xA;I don't know where we're going to&#xA;More and more and more&#xA;There's so much we don't wanna do&#xA;&#xA;&#xA;'Cause we lie, we cheat and we learn from each and every heart affair&#xA;Yes, we lie, we cheat and we hurt 'till somebody's in despair&#xA;&#xA;&#xA;&#xA;&#xA;Boom, keep in tune&#xA;Hollywood will soon left to a point&#xA;Right to the point&#xA;Smokin', like it's a joint&#xA;Makin'&#xA;Ain't got time to be fakin'&#xA;It's my turn and I'm takin'&#xA;Everything without shakin', yo, here with the bacon&#xA;Happy is how we should be&#xA;Realize that we are wealthy&#xA;Livin' here on this earth&#xA;Enjoy what it's worth&#xA;Anger left behind you&#xA;Just don't let it find you&#xA;Love will not remain&#xA;As long as you complain&#xA;&#xA;More and more and more&#xA;I don't know where we're going to&#xA;More and more and more&#xA;There's so much we don't wanna do&#xA;&#xA;&#xA;'Cause we lie, we cheat and we learn from each and every heart affair&#xA;Yes, we lie, we cheat and we hurt 'till somebody's in despair&#xA;&#xA;&#xA;More and more and more&#xA;More and more and more&#xA;&#xA;&#xA;More and more bam, don't give a damn&#xA;Pump the music and jam&#xA;There's no time for the problem&#xA;Not a thought to some&#xA;But just make sure you get it&#xA;Show the fellas you with it&#xA;Be impromptu, you get it&#xA;Never will you forget it&#xA;There's a way to stop this&#xA;Listen to the prophets&#xA;Everything they said&#xA;Yo, it should be read&#xA;More he had to tell&#xA;Things that made him well&#xA;L.I.G.H.T. shinin'&#xA;And my brother's heart cryin'&#xA;&#xA;More and more and more&#xA;I don't know where we're going to&#xA;More and more and more&#xA;There's so much we don't wanna do&#xA;&#xA;&#xA;'Cause we lie, we cheat and we learn from each and every heart affair&#xA;Yes, we lie, we cheat and we hurt 'till somebody's in despair&#xA;&#xA;&#xA;More and more and more&#xA;More and more and more" PRODUCER="High Fashion Music - Hilversum - The Netherlands, under worldwide and exclusive license from Allstar. Consulting Inc." COVERARTID="122/0TXWAYAT50H0TASPD2IPBUWNZXGA" PLAYTIME="254" PLAYTIME_FLOAT="253.573334" IMPORT_DATE="2025/4/14" RELEASE_DATE="1993/1/1" FLAGS="12" FILESIZE="27450"></INFO>
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<INFO BITRATE="883507" KEY_LYRICS="1 ContributorDowndraft U Lyrics&#xA;We were raiding the towns&#xA;Trying to drown out the sounds&#xA;Making our way to the ground&#xA;'Cause we were falling down&#xA;&#xA;You made your way through the crowds&#xA;Turned all our frowns upside down&#xA;Made it much safer to smile&#xA;And now we're all in&#xA;&#xA;We were raiding the towns&#xA;Trying to drown out the sounds&#xA;Making our way to the ground&#xA;'Cause we were falling down&#xA;&#xA;You made your way through the clouds&#xA;Turned all our frowns upside down&#xA;Made it much safer to smile&#xA;And now we're all in&#xA;&#xA;&#xA;I was fallin'&#xA;Now I'm fallin' into you&#xA;I was on that Eiffel 65&#xA;Yeah, I was blue&#xA;And you saw all the&#xA;Crazy things I liked to do&#xA;Yet you still wrap me in your grace&#xA;Through and through&#xA;&#xA;I was seeing red and being fed&#xA;What I thought was food&#xA;What the enemy left inside my head&#xA;Was just a ruse&#xA;&#xA;You broke me free and let me&#xA;See the bigger view&#xA;So, now I proceed&#xA;To go&#xA;And soak it up with&#xA;You&#xA;&#xA;Sheesh&#xA;Feeling at peace&#xA;Within the innermost courtyard&#xA;These things words can't speak&#xA;But I bet I can sum it up in four bars&#xA;&#xA;On these Fruit Loops nonstop&#xA;To expose their silly Trix&#xA;And let you know anything that the Apple Jacks&#xA;Might make us cuokoo for Cocoa Puffs&#xA;But we love Pops&#xA;For cereal&#xA;Golly gee&#xA;People enjoying their folly&#xA;If not he, then probably me&#xA;But for the grace of God&#xA;There go I&#xA;I don't want to see what's underneath&#xA;And I dare not try&#xA;On my way to the Most High&#xA;I don't want to say I'm flying in the sky&#xA;But the air won't  lie&#xA;&#xA;&#xA;Obstacles: I had them in the way&#xA;I was sad and I thought if I got mad they'd go away&#xA;Was it a test&#xA;A: I was blessed B: I was cursed&#xA;Well, it was either the former or the ladder&#xA;Couldn't say&#xA;&#xA;Was flowing with the 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<INFO BITRATE="906400" KEY_LYRICS="23 ContributorsBIMBI PER STRADA (CHILDREN) Lyrics&#xA;&#xA;&#xA;Tre mesi steso in sala, con la testa per aria&#xA;Quant'è bella l'Italia? Ma che ne sa la Germania?&#xA;La tolleranza ruffiana, umanità disumana&#xA;Aspetto l'alba per strada, emicrania zanzara&#xA;L'auto passa, fa &amp;quot;nino-nino&amp;quot;&#xA;Cerco un socio per nascondino&#xA;Prendo mezzo sonnifero&#xA;E mi manca l'ossigeno&#xA;Neanche in sogno mi libero&#xA;Maledetto Lucifero&#xA;Staccati dal mio biberon&#xA;&#xA;&#xA;No, no, no, no, no, questa notte ci cambia&#xA;No, no, no, no, no, ho le chiavi dell'alba&#xA;Non è perfetta, ma ci porta a casa&#xA;Barche di carta, bimbi per strada&#xA;No, no, no, no, no&#xA;Se chiudi bene gli occhi, non ci prenderanno&#xA;Baciamoci e facciamo l'errore dell'anno&#xA;Non c'è nirvana, i grandi a casa&#xA;&#xA;&#xA;Bimbi per strada&#xA;Bimbi per strada&#xA;&#xA;Giro intorno con lo sguardo&#xA;Sono in fase che non parlo&#xA;Volevo starmene al mare sciallo&#xA;Ma è arrivato il maresciallo&#xA;Polvere dentro al salvadanaio&#xA;Questi bambini che cosa han visto?&#xA;È la T di tabaccaio o la T di crocifisso?&#xA;Hai una rosa come orecchino&#xA;Perdo i sogni dentro a 'sto vino&#xA;T'innamori, non sono il tipo&#xA;Quante cose si dicono?&#xA;E mi rendo ridicolo&#xA;Sei più bella di Mykonos&#xA;Prendi il mare allo svincolo&#xA;&#xA;&#xA;No, no, no, no, no, questa notte ci cambia&#xA;No, no, no, no, no, ho le chiavi dell'alba&#xA;Non è perfetta, ma ci porta a casa&#xA;Barche di carta, bimbi per strada&#xA;No, no, no, no, no&#xA;Se chiudi bene gli occhi, non ci prenderanno&#xA;Baciamoci e facciamo l'errore dell'anno&#xA;Non c'è nirvana, i grandi a casa&#xA;&#xA;Bimbi per strada&#xA;Bimbi per strada&#xA;Bimbi per strada&#xA;Bimbi per strada&#xA;&#xA;&#xA;No, no, no, no, no, questa notte ci cambia&#xA;No, no, no, no, no, ho le chiavi dell'alba&#xA;Non è perfetta, ma ci porta a casa&#xA;Barche di carta, bimbi per strada&#xA;No, no, no, no, no&#xA;Se chiudi bene gli occhi, non ci prenderanno&#xA;Baciamoci e facciamo l'errore dell'anno&#xA;Non c'è nirvana, i grandi a casa&#xA;Bimbi per strada" PRODUCER="(P) 1996 Sony Music Entertainment UK Limited under exclusive licence from DBX Records, Italy" COVERARTID="113/R5P3LIAMSLCHHCZTUIWWAC2K4I3B" PLAYTIME="244" PLAYTIME_FLOAT="243.266663" IMPORT_DATE="2025/4/14" RELEASE_DATE="1996/1/1" FLAGS="12" FILESIZE="27185"></INFO>
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<INFO BITRATE="906568" KEY_LYRICS="2 ContributorsRun to Me Lyrics&#xA;You gotta run to me&#xA;Uuh can't you see&#xA;You gotta run to me&#xA;&#xA;&#xA;I always thought you were my friend&#xA;I never knew that this could end&#xA;I'm still thinking about you&#xA;Now and it's hard to find your way&#xA;I never wanted to let you go&#xA;&#xA;&#xA;You gotta run to me&#xA;Uuh can't you see&#xA;You gotta run to me&#xA;Uuh can't you see&#xA;You gotta run to me&#xA;&#xA;&#xA;I never needed anyone but you&#xA;Once again just let me be&#xA;Your precious Baby&#xA;So there she goes my girl&#xA;She's crying like a fool&#xA;But now we have to say goodbye&#xA;&#xA;You gotta run to me&#xA;Uuh can't you see&#xA;You gotta run to me&#xA;Uuh can't you see&#xA;You gotta run to me&#xA;&#xA;&#xA;Some a dem a fall ina out of love&#xA;When your body get not it's like a blessin frame above&#xA;An di qyai a mek you crazy cya keep couscios cool ca&#xA;You love di qyai you wah show her you tool&#xA;You better free up free up with body and soul&#xA;You better give her your loving wad a kinda control&#xA;And roll and roll an roll an mek her feel right&#xA;And make her die in your arms tonight&#xA;&#xA;&#xA;I never needed anyone but you&#xA;Once again just let me be&#xA;&#xA;&#xA;You gotta run to me&#xA;Uuh can't you see&#xA;You gotta run to me&#xA;Uuh can't you see&#xA;You gotta run to me" PRODUCER="Robyx Srl" COVERARTID="058/0BHVMGAKRIR2BBZTOXRBAIFLELOD" PLAYTIME="238" PLAYTIME_FLOAT="237.533340" IMPORT_DATE="2025/4/14" RELEASE_DATE="1994/1/1" FLAGS="12" FILESIZE="26562"></INFO>
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<INFO BITRATE="912041" KEY_LYRICS="90 ContributorsTranslationsEspañolPortuguêsРусскийУкраїнськаDeutschSuomiPolskiAround the World Lyrics&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world&#xA;Around the world, around the world" PRODUCER="Distributed exclusively by Warner Music France / ADA France, ℗ 1996 Daft Life Ltd." COVERARTID="051/TNYKFADGZUKT1CUKQJTNBKNDWSMC" PLAYTIME="430" PLAYTIME_FLOAT="429.533325" IMPORT_DATE="2025/4/14" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="48148"></INFO>
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<INFO BITRATE="913790" KEY_LYRICS="4 ContributorsBailamos Lyrics&#xA;Tonight, we dance&#xA;I will leave my life in your hands&#xA;We take the floor&#xA;Nothing is forbidden anymore&#xA;&#xA;&#xA;Don't let the world dim my sight&#xA;Don't let a moment go by&#xA;Nothing can stop us tonight&#xA;&#xA;&#xA;Bailamos&#xA;Let the rhythm take you over&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Gonna live this night forever&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Let the rhythm take you over&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Gonna live this night forever&#xA;Bailamos&#xA;Te quiero amor mío, te quiero&#xA;&#xA;Tonight, I'm yours&#xA;We can make it happen, I'm so sure&#xA;Now I'm lеtting go&#xA;There is something I think you should know&#xA;&#xA;&#xA;I won't bе leaving your side&#xA;We're gonna dance through the night&#xA;I'm gonna reach for the stars&#xA;&#xA;&#xA;Bailamos&#xA;Let the rhythm take you over&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Gonna live this night forever&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Let the rhythm take you over&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Gonna live this night forever&#xA;Bailamos&#xA;Te quiero amor mío, te quiero&#xA;&#xA;(Woah) Tonight, we dance&#xA;(Woah) Like no tomorrow&#xA;(Woah) If you will stay with me&#xA;Te quiero, mi amor&#xA;&#xA;&#xA;Bailamos&#xA;Let the rhythm take you over&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Gonna live this night forever&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Let the rhythm take you over&#xA;Bailamos&#xA;Te quiero amor mío&#xA;Bailamos&#xA;Gonna live this night forever&#xA;Bailamos&#xA;Te quiero amor mío, te quiero" PRODUCER="SNAP!" COVERARTID="117/VT3TTSDD14ANZCKPXJQTBB3HBQ5D" PLAYTIME="148" PLAYTIME_FLOAT="147.227692" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="16671"></INFO>
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<INFO BITRATE="920061" KEY_LYRICS="45 ContributorsTranslationsDeutschThe Rhythm of the Night Lyrics&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life&#xA;&#xA;&#xA;You could put some joy upon my face&#xA;Oh, sunshine in an empty place&#xA;Take me to the top, and babe I'll make you stay&#xA;Oh, I can ease you of your pain&#xA;Feel you give me love again&#xA;Round and round we go, each time I hear you say&#xA;&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life&#xA;&#xA;&#xA;&#xA;Won't you teach me how to love and learn&#xA;There'll be nothing left for me to yearn&#xA;Think of me and burn, and let me hold your hand&#xA;I don't wanna face the world in tears&#xA;Please think again, I'm on my knees&#xA;Sing that song to me, no reason to repent&#xA;I know you wanna say it&#xA;&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life&#xA;&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life (life, life, life, life)&#xA;&#xA;&#xA;(Oh, right) yeah, (Oh, right) yeah, (Oh, right) yeah&#xA;(Oh, right) yeah, (Oh, right) yeah, (Oh, right) yeah&#xA;(Oh, right) yeah&#xA;This is the rhythm of the night&#xA;Ooooh-oooooh&#xA;This is the rhythm of the night&#xA;Ooooh-oooooh&#xA;Rhythm of the night&#xA;This is the rhythm of the night&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life&#xA;&#xA;&#xA;This is the rhythm of the night&#xA;The night, oh yeah&#xA;The rhythm of the night&#xA;This is the rhythm of my life&#xA;My life, oh yeah&#xA;The rhythm of my life (life, life, life, life)&#xA;&#xA;&#xA;This is the rhythm of the night" PRODUCER="Extravaganza Publishing srl" COVERARTID="017/RMLHXYA4CFMBHBDFKKDBBPWO455B" PLAYTIME="265" PLAYTIME_FLOAT="264.279999" IMPORT_DATE="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="29772"></INFO>
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<INFO BITRATE="921214" KEY_LYRICS="37 ContributorsLet’s Talk About Sex Lyrics&#xA;Yo, I don't think we should talk about this&#xA;(Come on, why not?)&#xA;People might misunderstand what we're tryin' to say, you know?&#xA;(No, but that's a part of life)&#xA;Come on&#xA;&#xA;&#xA;Let's talk about sex, baby&#xA;Let's talk about you and me&#xA;Let's talk about all the good things&#xA;And the bad things that may be&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;&#xA;&#xA;Let's talk about sex for now&#xA;To the people at home or in the crowd&#xA;It keeps coming up anyhow&#xA;Don't be coy, avoid, or make void the topic&#xA;Cause that ain't gonna stop it&#xA;Now we talk about sex on the radio and video shows&#xA;Many will know, anything goes&#xA;Let's tell it like it is, and how it could be&#xA;How it was, and of course, how it should be&#xA;Those who think it's dirty have a choice&#xA;Pick up the needle, press pause, or turn the radio off&#xA;Will that stop us, Pep? I doubt it&#xA;All right then, come on, Spin&#xA;&#xA;Let's talk about sex, baby&#xA;Let's talk about you and me&#xA;Let's talk about all the good things&#xA;And the bad things that may be&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;&#xA;&#xA;Hot to trot, make any man's eyes pop&#xA;She use what she got to get whatever she don't got&#xA;Fellas drool like fools, but then again they're only human&#xA;The chick was a hit because her body was boomin'&#xA;Gold, pearls, rubies, crazy diamonds&#xA;Nothin' she ever wore was ever common&#xA;Her dates, heads of state, men of taste&#xA;Lawyers, doctors, no one was too great for her to get with&#xA;Or even mess with, the Prez she says was next on her list&#xA;And believe me, you, it's as good as true&#xA;There ain't a man alive that she couldn't get next to&#xA;She had it all in the bag so she should have been glad&#xA;But she was mad and sad and feelin' bad&#xA;Thinkin' about the things that she never had&#xA;No love, just sex, followed next with a check and a note&#xA;That last night was dope&#xA;&#xA;Oh, hey, ooh, ooh, ooh, take it easy now&#xA;Uh, alright&#xA;&#xA;&#xA;Let's talk about sex, baby (Sing it)&#xA;Let's talk about you and me (Sing it, sing it)&#xA;Let's talk about all the good things&#xA;And the bad things that may be&#xA;Let's talk about sex (Come on)&#xA;Let's talk about sex (Do it)&#xA;Let's talk about sex (Uh-huh)&#xA;Let's talk about sex&#xA;&#xA;&#xA;Ladies, all the ladies, louder now, help me out&#xA;Come on, all the ladies, let's talk about sex, all right&#xA;Come on, all the ladies, let's talk about sex, all right&#xA;Yo, Pep, I don't think they're gonna play this on the radio&#xA;(And why not? Everybody has sex)&#xA;I mean, everybody should be makin' love&#xA;(Come on, how many guys you know make love?)&#xA;&#xA;&#xA;Let's talk about sex, baby&#xA;Let's talk about you and me&#xA;Let's talk about all the good things&#xA;And the bad things that may be&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;&#xA;What we have here is subject to controversy&#xA;A three-letter word some regard as a curse, see&#xA;He may fiend and have a wet dream&#xA;Because he seen a teen in tight jeans&#xA;What makes him react like that is biological&#xA;But scheme of gettin' in those jeans, is diabolical&#xA;But of course he does it, and she gives him rap&#xA;And before you even know it, they jump in the sack&#xA;As a matter of fact, sometimes it’s like that&#xA;But anyway, ready or not, here he cums&#xA;And like a dumb son-of-a-gun, oops, he forgot the condoms&#xA;“Oh well,” you say, “what the hell, it’s chill&#xA;I won’t get got, I’m on the pill&amp;quot;&#xA;Until the sores start to puff and spore&#xA;He gave it to you, and now it’s yours&#xA;&#xA;&#xA;Let's talk about sex, baby&#xA;Let's talk about you and me&#xA;Let's talk about all the good things&#xA;And the bad things that may be&#xA;Let's talk about sex&#xA;Let's talk about sex, baby&#xA;Let's talk about you and me&#xA;Let's talk about all the good things&#xA;And the bad things that may be&#xA;Let's talk about sex&#xA;Let's talk about sex, baby&#xA;Let's talk about you and me&#xA;Let's talk about all the good things&#xA;And the bad things that may be&#xA;Let's talk about sex&#xA;Let's talk about sex, baby&#xA;Let's talk about you and me&#xA;Let's talk about all the good things&#xA;And the bad things that may be&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;Let's talk about sex&#xA;Let's talk about sex" PRODUCER="℗ 1991 The Island Def Jam Music Group" COVERARTID="022/WA4EMPBCQSIKNA4GETE1CY5QDD4C" PLAYCOUNT="1" PLAYTIME="214" PLAYTIME_FLOAT="213.266663" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="1990/1/1" FLAGS="12" FILESIZE="24530"></INFO>
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<INFO BITRATE="922612" KEY_LYRICS="20 ContributorsSaturday Night Lyrics&#xA;Man, man, man, man, man, man, Dee, dee, na, na, na&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;&#xA;&#xA;Saturday night I feel the air is getting hot (Man, man, man, man, man, man, man, man)&#xA;(Man, man, man, man, man, man, man, man) Like you baby&#xA;I'll make you mine, you know I'll take you to the top (Man, man, man, man, man, man, man, man)&#xA;(Man, man, man, man, man, man, man, man) I'll drive you crazy&#xA;Saturday night, dance, I like the way you move (Man, man, man, man, man, man, man, man)&#xA;(Man, man, man, man, man, man, man, man) Pretty baby&#xA;It's party time and not one minute we can lose (Man, man, man, man, man, man, man, man)&#xA;(Man, man, man, man, man, man, man, man) Be my baby&#xA;&#xA;&#xA;Da ba da dan, dee dee dee da nee na na na (Man, man, man, man, man, man, man, man)&#xA;Be my baby (Man, man, man, man, man, man, man, man)&#xA;Da ba da dan, dee dee dee da nee na na na (Man, man, man, man, man, man, man, man)&#xA;Pretty baby (Man, man, man, man, man, man, man, man)&#xA;&#xA;&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;&#xA;Saturday night I feel the air is getting hot (Man, man, man, man, man, man, man, man)&#xA;(Man, man, man, man, man, man, man, man) Like you baby&#xA;I'll make you mine, you know I'll take you to the top (Man, man, man, man, man, man, man, man)&#xA;(Man, man, man, man, man, man, man, man) I'll drive you crazy&#xA;Saturday night, dance, I like the way you move (Man, man, man, man, man, man, man, man)&#xA;(Man, man, man, man, man, man, man, man) Pretty baby&#xA;It's party time and not one minute we can lose (Man, man, man, man, man, man, man, man)&#xA;(Man, man, man, man, man, man, man, man) Be my baby&#xA;&#xA;&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Saturday night, dance, I like the way you move&#xA;Pretty baby&#xA;It's party time and not one minute we can lose&#xA;Be my baby&#xA;Ooh, ooh&#xA;&#xA;&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;Man, man, man, man, man, man, man, man&#xA;&#xA;Saturday (Man, man, man, man)&#xA;Saturday (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday (Man, man, man, man)&#xA;Saturday (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday (Da ba da dan, dee dee dee/Man, man, man, man)&#xA;Saturday (Da nee na na na/Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday (Man, man, man, man)&#xA;Saturday (Ooh, hoo/Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday (It's party time, hey!/Man, man, man, man)&#xA;Saturday (It's party time, oh!/Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday (Man, man, man, man)&#xA;Saturday (Ooh, hoo/Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday (It's party time, hey!/Man, man, man, man)&#xA;Saturday (It's party time, oh!/Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday (Man, man, man, man)&#xA;Saturday (Ooh, hoo/Man, man, man, man)&#xA;Saturday night (Man, man, man, man)&#xA;Saturday night (Man, man, man, man)" PRODUCER="X-Energy / Energy Production S.r.l." COVERARTID="009/JMUMXGAQLXN1BCE1JW00BYE1VPAA" PLAYTIME="224" PLAYTIME_FLOAT="223.921631" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="25414"></INFO>
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<INFO BITRATE="927817" KEY_LYRICS="9 ContributorsGod Is a DJ LyricsThis is my church&#xA;This is where I heal my hurts&#xA;It's in natural grace&#xA;Or watching young life shape&#xA;It's in minor keys&#xA;Solutions and remedies&#xA;Enemies becoming friends&#xA;When bitterness ends&#xA;This is my church&#xA;This is my church&#xA;This is my church&#xA;This is my church&#xA;This is my church&#xA;&#xA;&#xA;This is my church&#xA;This is where I heal my hurts&#xA;This is my church&#xA;This is my church&#xA;This is my church&#xA;This is my church&#xA;This is where I heal my hurts&#xA;It's in the world I've become&#xA;Contained in the hum&#xA;Between voice and drum&#xA;It's in the change&#xA;The poetic justice of cause and effect&#xA;Respect, love, compassion&#xA;This is my church&#xA;This is where I heal my hurts&#xA;For tonight&#xA;God is a DJ&#xA;God is a DJ&#xA;God is a DJ&#xA;&#xA;This is my church&#xA;This is my church&#xA;This is my church" PRODUCER="(P) 1998 Sony Music Entertainment UK Limited" COVERARTID="114/STDCRODBCEOSSBRZGZYZA0AEERXD" PLAYTIME="209" PLAYTIME_FLOAT="208.506668" IMPORT_DATE="2025/4/14" RELEASE_DATE="2005/1/1" FLAGS="12" FILESIZE="23729"></INFO>
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<INFO BITRATE="931123" KEY_LYRICS="2 ContributorsExotica Lyrics&#xA;Hoy somo' tú y yo, mm&#xA;Llévame al cielo, eh, eh, eh&#xA;Soy todo tuyo, mm&#xA;De cien hasta cero&#xA;&#xA;&#xA;Quiero quedarme aquí, aunque solo sea ilusión&#xA;Mi cora vuelva a latir por ti, eh&#xA;Quiero quedarme aquí, aunque solo sea ilusión&#xA;Mi cora vuelva a latir por ti&#xA;&#xA;&#xA;Ella es exótica, mueve su cuerpo natural&#xA;Su mirada hipnótica, quiere ser una sa-a-a-a—&#xA;Exótica, una diosa tan criminal&#xA;Labios saben a tropical, quiere ser una santa-ta-ta&#xA;Ella es exótica, mueve su cuerpo natural&#xA;Su mirada hipnótica, quiere ser una sa-a-a-a—&#xA;Exótica, una diosa tan criminal&#xA;Labios saben a tropical, quiеre ser una santa-ta-ta&#xA;&#xA;&#xA;Me asеsinaste, mm&#xA;Con tu mirada me mataste, oh&#xA;Ojos diamante', mm&#xA;Se hace la interesante, eh&#xA;&#xA;Quiero quedarme aquí, aunque solo sea ilusión&#xA;Mi cora vuelva a latir por ti, eh&#xA;Quiero quedarme aquí, aunque solo sea ilusión&#xA;Mi cora vuelva a latir por ti&#xA;&#xA;&#xA;Ella es exótica, mueve su cuerpo natural&#xA;Su mirada hipnótica, quiere ser una sa-a-a-a—&#xA;Exótica, una diosa tan criminal&#xA;Labios saben a tropical, quiere ser una santa-ta-ta&#xA;Ella es exótica, mueve su cuerpo natural&#xA;Su mirada hipnótica, quiere ser una sa-a-a-a—&#xA;Exótica, una diosa tan criminal&#xA;Labios saben a tropical, quiere ser una santa-ta-ta" PRODUCER="(P) 2025 GEKAI, under exclusive license to Signatune, a joint venture with Sony Music Entertainment France SAS" COVERARTID="074/K4MMZYDCPUEGFDY0220UAVYKIPCA" PLAYTIME="122" PLAYTIME_FLOAT="121.417892" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="14147"></INFO>
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<INFO BITRATE="934956" KEY_LYRICS="3 ContributorsRun Away Lyrics&#xA;Run away, run away, run away and save your life&#xA;Run away, run away, run away if you want to survive&#xA;Run away, run away, run away and save your life&#xA;Run away, run away, run away if you want to survive&#xA;&#xA;&#xA;Money, sex in full control, a generation without soul&#xA;Perfect people in a perfect world&#xA;Behind closed doors, all in control&#xA;Life, in a world of luxury&#xA;Cold cash money mentality&#xA;You gotta keep the faith, you gotta keep the faith&#xA;You'd better keep the faith and run away&#xA;&#xA;&#xA;Run away, run away, run away and save your life&#xA;Run away, run away, run away if you want to survive&#xA;Run away, run away, run away and save your life&#xA;Run away, run away, run away if you want to survive&#xA;&#xA;&#xA;It's time to break free, oh-oh-oh-oh, run away, oh-oh-oh-oh&#xA;You better break free, oh-oh-oh-oh, run away, oh-oh-oh-oh&#xA;&#xA;&#xA;Money, sex in full control&#xA;Big brother is watching you&#xA;Unlock your brain and save your soul&#xA;No more limits, no more curfew&#xA;Life in the perfect system&#xA;Take a stand and fight for freedom&#xA;Keep the faith, you gotta keep the faith&#xA;You'd better keep the faith and run away&#xA;&#xA;Run away, run away, run away and save your life&#xA;Run away, run away, run away if you want to survive&#xA;Run away, run away, run away and save your life&#xA;Run away, run away, run away if you want to survive&#xA;&#xA;&#xA;&#xA;&#xA;Run away, run away, run away and save your life&#xA;Run away, run away, run away if you want to survive&#xA;Run away, run away, run away and save your life&#xA;Run away, run away, run away if you want to survive&#xA;&#xA;&#xA;It's time to break free, oh-oh-oh-oh, run away, oh-oh-oh-oh&#xA;You better break free, oh-oh-oh-oh, run away, oh-oh-oh-oh&#xA;&#xA;&#xA;Keep the faith, you gotta keep the faith&#xA;You'd better keep the faith and run away&#xA;Keep the faith, you gotta keep the faith&#xA;You'd better keep the faith and run away" PRODUCER="(P) 1994 Hansa Music Entertainment GmbH" COVERARTID="043/LZLAMFDDOWLOSBTRGJSRDEIO4RPD" PLAYTIME="245" PLAYTIME_FLOAT="244.133331" IMPORT_DATE="2025/4/14" RELEASE_DATE="1995/1/1" FLAGS="12" FILESIZE="28199"></INFO>
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<INFO BITRATE="935461" KEY_LYRICS="497 ContributorsTranslationsFrançaisAzərbaycanca / آذربايجانPortuguêsTürkçeDeutschHit ’Em Up LyricsArguably the most memorable diss track of the East Coast–West Coast rivalry,  2Pac and The Outlawz hit up Biggie Smalls, P. Diddy, and Mobb Deep, with direct threats of violence.&#xA;&#xA;2Pac’s feud with Biggie and… Read More &#xA;(Sucker-ass) I ain't got no motherfuckin' friends&#xA;That's why I fucked yo' bitch, you fat motherfucker (Take money)&#xA;Westside, Bad Boy killers (Take money, you know)&#xA;You know who the realest is, niggas (Take money)&#xA;We bring it too (That's aight, haha)&#xA;(Take money) Haha&#xA;&#xA;&#xA;First off, fuck your bitch and the clique you claim&#xA;Westside, when we ride, come equipped with game&#xA;You claim to be a player, but I fucked your wife&#xA;We bust on Bad Boys, niggas fucked for life&#xA;Plus, Puffy tryna see me, weak hearts I rip&#xA;Biggie Smalls and Junior M.A.F.I.A., some mark-ass bitches&#xA;We keep on comin' while we runnin' for your jewels&#xA;Steady gunnin', keep on bustin' at them fools, you know the rules&#xA;Lil' Caesar, go ask your homie how I'll leave ya&#xA;Cut your young ass up, leave you in pieces, now be deceased&#xA;Lil' Kim, don't fuck around with real G's&#xA;Quick to snatch yo' ugly ass off the streets, so fuck peace&#xA;I'll let them niggas know it's on for life&#xA;Don't let the Westside ride tonight (Haha)&#xA;Bad Boy murdered on wax and killed&#xA;Fuck with me and get yo' caps peeled, you know, see&#xA;&#xA;Grab your Glocks when you see 2Pac&#xA;Call the cops when you see 2Pac, uh&#xA;Who shot me? But you punks didn't finish&#xA;Now you 'bout to feel the wrath of a menace (Uh-huh, yeah)&#xA;Nigga, I hit 'em up&#xA;&#xA;&#xA;Check this out, you motherfuckers know what time it is (Take money)&#xA;I don't even know why I'm on this track (Take money)&#xA;Y'all niggas ain't even on my level, I'ma let my lil' homies ride (Take money)&#xA;On you bitch-made-ass Bad Boy bitches, feel it (Ayo, ayo, hold the fuck up, yeah; take money)&#xA;&#xA;&#xA;Get out the way, yo, get out the way, yo&#xA;Biggie Smalls just got dropped&#xA;Little Mu', pass the MAC and let me hit 'em in his back&#xA;Frank White needs to get spanked right for settin' traps&#xA;Little accident murderer, and I ain't never heard of ya&#xA;Poisonous gats attack when I'm servin' ya&#xA;Spank ya, shank ya whole style when I gank&#xA;Guard your rank 'cause I'ma slam your ass in the paint&#xA;Puffy weaker than the fuckin' block I'm runnin' through, nigga&#xA;And I'm smokin' Junior M.A.F.I.A. in front of you, nigga&#xA;With the ready power tucked in my Guess under my Eddie Bauer&#xA;Your clout petty, sour, I push packages every hour, hit 'em up&#xA;&#xA;Grab your Glocks when you see 2Pac&#xA;Call the cops when you see 2Pac, uh&#xA;Who shot me? But you punks didn't finish&#xA;Now you 'bout to feel the wrath of a menace&#xA;Nigga, we hit 'em up&#xA;&#xA;&#xA;Peep how we do it, keep it real as penitentiary steel&#xA;This ain't no freestyle battle&#xA;All you niggas gettin' killed with your mouths open&#xA;Tryna come up off of me, you in the clouds hopin'&#xA;Smokin' dope, it's like a sherm high, niggas think they learned to fly&#xA;But they burn, motherfucker, you deserve to die&#xA;Talkin' 'bout you gettin' money, but it's funny to me&#xA;All you niggas livin' bummy while you fuckin' with me&#xA;I'm a self-made millionaire&#xA;Thug livin', out of prison, pistols in the air, haha&#xA;Biggie, remember when I used to let you sleep on the couch&#xA;And begged a bitch to let you sleep in the house? Uh&#xA;Now it's all about Versace, you copied my style&#xA;Five shots couldn't drop me, I took it and smiled&#xA;Now I'm 'bout to set the record straight&#xA;With my AK, I'm still the thug that you love to hate&#xA;Motherfucker, I hit 'em up&#xA;&#xA;I'm from N-E-W Jers' where plenty murders occurs&#xA;No points or commas, we bring the drama to all you herbs&#xA;Now go check the scenario&#xA;Little Cease, I'll bring you fake G's to your knees, coppin' pleas in de Janeiro&#xA;Little Kim, is you coked up or doped up?&#xA;Get your little Junior Whopper clique smoked up&#xA;What the fuck, is you stupid?&#xA;I take money, crash and mash through Brooklyn&#xA;With my clique lootin', shootin' and pollutin' your block&#xA;With 15-shot cocked Glock to your knot&#xA;Outlaw MAFIA clique, movin' up another notch&#xA;And your pop stars popped, get mopped and dropped&#xA;All your fake-ass East Coast props brainstormed and locked (Haha)&#xA;&#xA;&#xA;You's a beat biter, a Pac style taker&#xA;I'll tell you to your face, you ain't shit but a faker&#xA;Softer than Alizé with a chaser&#xA;'Bout to get murdered for the paper&#xA;E.D.I. Mean approach the scene of the caper&#xA;Like a loc, with Lil' Caesar in a choke&#xA;Gun totin' smoke, we ain't no motherfuckin' joke&#xA;Thug Life, niggas better be knowin'&#xA;We approachin' in the wide open, gun smokin'&#xA;No need for hopin', it's a battle lost&#xA;I got 'em crossed as soon as the funk is boppin' off&#xA;Nigga, I hit 'em up&#xA;&#xA;&#xA;Now you tell me who won&#xA;I see them, they run, hahaha&#xA;They don't wanna see us (Take money)&#xA;Whole Junior M.A.F.I.A. clique dressin' up tryna be us (Take money)&#xA;How the fuck they gon' be the mob when we always on our job? (Take money) We millionaires&#xA;Killin' ain't fair, but somebody gotta do it (Take money)&#xA;Oh yeah, Mobb Deep, huh, you wanna fuck with us? (Take money)&#xA;You lil' young-ass motherfuckers (Take money)&#xA;Don't one of you niggas got sickle-cell or somethin'? (Take money)&#xA;You're fuckin' with me, nigga, you fuck around and have a seizure or a heart attack (Take money)&#xA;You better back the fuck up 'fore you get smacked the fuck up&#xA;This how we do it on our side&#xA;Any of you niggas from New York that wanna bring it, bring it&#xA;But we ain't singin', we bringin' drama&#xA;Fuck you and yo' motherfuckin' mama&#xA;We gon' kill all you motherfuckers&#xA;Now, when I came out, I told you it was just about Biggie&#xA;Then everybody had to open they mouth with a motherfuckin' opinion&#xA;Well, this is how we gon' do this&#xA;Fuck Mobb Deep, fuck Biggie&#xA;Fuck Bad Boy as a staff, record label, and as a motherfuckin' crew&#xA;And if you wanna be down with Bad Boy, then fuck you too&#xA;Chino XL, fuck you too&#xA;All you motherfuckers, fuck you too&#xA;(Take money, take money)&#xA;All of y'all motherfuckers, fuck you, die slow, motherfucker&#xA;My .44 make sure all y'all kids don't grow&#xA;You motherfuckers can't be us or see us&#xA;We motherfuckin' Thug Life riders, Westside, 'til we die&#xA;Out here in California, nigga, we warned ya we'll bomb on you motherfuckers&#xA;We do our job&#xA;You think you mob? 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<INFO BITRATE="948832" KEY_LYRICS="3 ContributorsHardcore Vibes LyricsHardcore vibes, that I run things, ey-eh&#xA;Hardcore vibes, that I run things, ey-eh&#xA;&#xA;This one is dedicated to all the ravers in the nation&#xA;&#xA;Hardcore vibes&#xA;Hardcore vibes&#xA;Hardcore vibes&#xA;Hardcore vibes, that I run things&#xA;&#xA;To all the ravers in the nation&#xA;To all the ravers in the nation&#xA;To all the ravers&#xA;To all the ravers&#xA;To all the ravers in the nation&#xA;&#xA;Hardcore vibes, that I run things, ey-eh&#xA;Hardcore vibes, that I run things, ey-eh&#xA;Hardcore vibes, that I run things, ey-eh&#xA;Hardcore vibes, that I run things, ey-eh&#xA;Hardcore vibes, that I run things, ey-eh&#xA;Hardcore vibes, that I run things, ey-eh&#xA;&#xA;To all the ravers in the nation&#xA;To all the ravers in the nation&#xA;To all the ravers&#xA;To all the ravers&#xA;To all the ravers in the nation" PRODUCER="1995 MOTOR MUSIC GMBH" COVERARTID="006/GISCYJBX5OGBKCQQTEKLDTOTIMFC" PLAYTIME="214" PLAYTIME_FLOAT="213.240005" IMPORT_DATE="2025/4/14" RELEASE_DATE="2000/1/1" FLAGS="12" FILESIZE="24791"></INFO>
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<INFO BITRATE="950089" KEY_LYRICS="43 ContributorsSatisfaction Lyrics&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;Satisfaction, satisfaction, satisfaction&#xA;&#xA;&#xA;&#xA;&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;&#xA;&#xA;Push, push, push, push, push, push, push, push&#xA;Push, push, push, push, push, push, push, push&#xA;Push, push, push, push, push, push, push, push&#xA;Push, push, push, push, push, push, push, push&#xA;&#xA;&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;&#xA;&#xA;&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;Satisfaction, satisfaction, satisfaction, satisfaction&#xA;Satisfaction, satisfaction, satisfaction, satisfaction&#xA;Satisfaction&#xA;&#xA;&#xA;&#xA;&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;(Satisfaction, satisfaction, satisfaction, satisfaction)&#xA;&#xA;&#xA;&#xA;&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction&#xA;Push me, and then just touch me&#xA;Till I can get my satisfaction" PRODUCER="X-Energy / Energy Production S.r.l." COVERARTID="115/TDDWV2CIZ5CR4DNNWUFVBHZTSKBB" PLAYCOUNT="1" PLAYTIME="286" PLAYTIME_FLOAT="285.570618" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="33313"></INFO>
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<INFO BITRATE="955285" KEY_LYRICS="18 ContributorsBeautiful Life Lyrics&#xA;You can do what you want, just seize the day&#xA;What you're doin' tomorrow's gonna come your way&#xA;Don't you ever consider givin' up&#xA;You will find, oh-oh&#xA;&#xA;&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;I just wanna be here beside you&#xA;(And stay until the break of dawn)&#xA;&#xA;&#xA;Take a walk in the park when you feel down&#xA;There's so many things there that's gonna lift you up&#xA;See the nature in bloom, a laughing child&#xA;Such a dream, woah-oh&#xA;&#xA;&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;I just wanna be here beside you&#xA;(Oh, yeah, alright)&#xA;I just wanna be here beside you&#xA;(And stay until the break of dawn)&#xA;&#xA;You're looking for somewhere to belong&#xA;You're standing all alone&#xA;For someone to guide you on your way&#xA;Now and forever&#xA;&#xA;&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;It's a beautiful life, oh, oh-oh-oh&#xA;I just wanna be anybody&#xA;&#xA;&#xA;&#xA;&#xA;We're living in different ways&#xA;It's a beautiful life&#xA;I'm gonna take you to the place&#xA;I've never been before, oh yeah&#xA;It's a beautiful life&#xA;I'm gonna take you in my arms&#xA;And fly away with you tonight&#xA;&#xA;&#xA;Oh, yeah, alright&#xA;It's a beautiful life&#xA;Yeah, alright&#xA;It's a beautiful life&#xA;&#xA;It's a beautiful life, oh, oh-oh-oh (It's a beautiful life)&#xA;It's a beautiful life, oh, oh-oh-oh (It's a beautiful life)&#xA;It's a beautiful life, oh, oh-oh-oh (It's a beautiful life)&#xA;Oh, yeah, alright&#xA;It's a beautiful life, oh, oh-oh-oh (It's a beautiful life)&#xA;Oh, yeah, alright&#xA;It's a beautiful life, oh, oh-oh-oh (It's a beautiful life)&#xA;Oh, yeah, alright!&#xA;It's a beautiful life, oh, oh-oh-oh (It's a beautiful life)&#xA;It's a beautiful life" PRODUCER="Mega Records, a division of Playground Music Scandinavia AB" COVERARTID="035/DV2PYUCAZWFWUBPLJA4FAJAIDVCD" PLAYTIME="222" PLAYTIME_FLOAT="221.186661" IMPORT_DATE="2025/4/14" RELEASE_DATE="1995/1/1" FLAGS="12" FILESIZE="25984"></INFO>
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<INFO BITRATE="957117" KEY_LYRICS="4 Contributors​this weeks laundry LyricsI've divided this week's laundry&#xA;Into three separate piles&#xA;I've been doing it in silence this whole time&#xA;I just now realise&#xA;So I put on some new record&#xA;One I probably should like&#xA;But it seems my level of disinterest&#xA;Well now it is pretty high&#xA;&#xA;Can't you tell?&#xA;Can't you tell?&#xA;I've been working&#xA;On improving&#xA;I've been working on myself&#xA;&#xA;I put on foundation for my trip across the street&#xA;I am getting a new bag of frozen beans&#xA;Cause that's a good way to sneak some greens&#xA;Into a meal&#xA;Although fresh would be ideal&#xA;I lost ten pounds counting calories&#xA;Skipping lunch in sеcrecy&#xA;So that later I could have anothеr beer&#xA;With you&#xA;&#xA;Can't you tell?&#xA;Can't you tell?&#xA;I've been working&#xA;On improving&#xA;I've been working on myself&#xA;Can't you tell?&#xA;Can't you tell?&#xA;Can't you tell?&#xA;I've been working&#xA;On improving&#xA;I've been working on myself&#xA;&#xA;There's this little hole in the wall right by my bed&#xA;I've been chipping at the paint and at the concrete with my knees&#xA;But I'm not trying to plot my escape from a prison cell&#xA;But what would I even run from, I'm already a free woman&#xA;Can't you tell?&#xA;Can't you tell?&#xA;&#xA;Can't you tell?&#xA;Can't you tell?&#xA;I've been working&#xA;On improving&#xA;I've been working on myself&#xA;&#xA;Can't you tell?&#xA;Can't you tell?&#xA;Can't you tell?&#xA;I've been working&#xA;On improving&#xA;I've been working on myself&#xA;For all the excess I'm consuming&#xA;I swear it benefits my health&#xA;Let me remember what was the weather like&#xA;Yesterday with squinty eyes&#xA;I have no complaints&#xA;Oh can't you tell&#xA;Can't you tell&#xA;Even my plants are doing well&#xA;Save for the cactus on the shelf&#xA;Although he thrives on neglect&#xA;I guess we all make mistakes sometimes" PRODUCER="Gigi D'Agostino" COVERARTID="012/M2WYXPA4MZPXNCIP1GHVBRPXSWLA" PLAYTIME="146" PLAYTIME_FLOAT="145.468750" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="17283"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71497" AUDIO_ID="AP4FqFeoVKqHmaj+3f/t/93+7/7f+9///v3f/+//7f+4eIfP///////////////////////t/e7//e3u//7f7f/+397v/////////////////My9rv/////////////////t3OrP///////////////////////////////////////9/NvP/97e7//d/t//7f3v/+397v///////////////////////////////////////9/dvf/+7u3//d/d//7f3u/+397e8lpwR/////////////////////7//////////+//////////3//////////+//////////7/YA==" TITLE="Ice Ice Baby" ARTIST="Vanilla Ice"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="62 - Vanilla Ice - Ice Ice Baby.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="959486" KEY_LYRICS="170 ContributorsTranslationsEspañolIce Ice Baby Lyrics&#xA;Yo VIP, let's kick it&#xA;&#xA;&#xA;Ice, ice, baby&#xA;Ice, ice, baby&#xA;&#xA;&#xA;Alright stop, collaborate and listen&#xA;Ice is back with my brand new invention&#xA;Something grabs a hold of me tightly&#xA;Flow like a harpoon daily and nightly&#xA;&amp;quot;Will it ever stop?&amp;quot; Yo, I don't know&#xA;Turn off the lights, and I'll glow&#xA;To the extreme, I rock a mic like a vandal&#xA;Light up a stage and wax a chump like a candle&#xA;Dance, go rush the speaker that booms&#xA;I'm killing your brain like a poisonous mushroom&#xA;Deadly, when I play a dope melody&#xA;Anything less than the best is a felony&#xA;Love it or leave it, you better gangway&#xA;You better hit bullseye, the kid don't play&#xA;If there was a problem, yo, I'll solve it&#xA;Check out the hook while my DJ revolves it&#xA;&#xA;&#xA;Ice, ice, baby&#xA;Vanilla Ice, ice, baby&#xA;Vanilla Ice, ice, baby&#xA;Vanilla Ice, ice, baby&#xA;&#xA;Now that the party is jumpin'&#xA;With the bass kicked in and the Vegas are pumpin'&#xA;Quick to the point, to the point, no fakin'&#xA;Cookin' MCs like a pound of bacon&#xA;Burnin' 'em if you ain't quick and nimble&#xA;I go crazy when I hear a cymbal&#xA;And a hi-hat with a souped up tempo&#xA;I'm on a roll, it's time to go solo&#xA;Rollin' in my 5.0&#xA;With the ragtop down so my hair can blow&#xA;The girlies on standby, wavin' just to say hi&#xA;“Did you stop?” No, I just drove by&#xA;Kept on, pursuin' to the next stop&#xA;I busted a left and I'm headin' to the next block&#xA;The block was dead, yo, so I continued to&#xA;A1A Beachfront Avenue&#xA;Girls were hot wearing less than bikinis&#xA;Rockman lovers driving Lamborghinis&#xA;Jealous, 'cause I'm out getting mine&#xA;Shay with a gauge and Vanilla with a 9&#xA;Ready for the chumps on the wall&#xA;The chumps acting ill because they're full of eight ball&#xA;Gunshots ranged out like a bell&#xA;I grabbed my 9, all I heard were shells&#xA;Falling on the concrete real fast&#xA;Jumped in my car, slammed on the gas&#xA;Bumper to bumper, the avenue's packed&#xA;I'm trying to get away before the jackers jack&#xA;Police on the scene, you know what I mean?&#xA;They passed me up, confronted all the dope fiends&#xA;If there was a problem, yo, I'll solve it&#xA;Check out the hook while my DJ revolves it&#xA;&#xA;Ice, ice, baby&#xA;Vanilla Ice, ice, baby&#xA;Vanilla Ice, ice, baby&#xA;Vanilla Ice, ice, baby&#xA;Vanilla&#xA;&#xA;&#xA;Take heed 'cause I'm a lyrical poet&#xA;Miami's on the scene just in case you didn't know it&#xA;My town that created all the bass sound&#xA;Enough to shake and kick holes in the ground&#xA;'Cause my style's like a chemical spill&#xA;These are rhymes you can vision and feel&#xA;Conducted and formed, this is a hell of a concept&#xA;We make it hype and you want to step&#xA;With this.  Shay plays on the fade&#xA;Slice like a ninja, cut like a razor blade&#xA;So fast, other DJs say, “Damn!”&#xA;If rhyme was a drug I'd sell it by the gram&#xA;Keep my composure when it's time to get loose&#xA;Magnetized by the mic while I kick my juice&#xA;If there was a problem yo I'll solve it&#xA;Check out the hook while Deshay revolves it&#xA;&#xA;&#xA;Ice ice, baby&#xA;Vanilla Ice, ice, baby&#xA;Vanilla Ice, ice, baby&#xA;Vanilla Ice ice, baby&#xA;Vanilla Ice&#xA;&#xA;Yo man, let's get out of here&#xA;Word to your mother&#xA;Ice, ice, baby (Too cold)&#xA;Ice, ice, baby (Too cold)&#xA;Ice, ice, baby (Too cold)&#xA;Ice, ice, baby (Too cold, too cold)&#xA;Ice, ice, baby (Too cold, too cold)&#xA;Ice, ice, baby (Too cold, too cold)&#xA;Ice" PRODUCER="2008 X-Ray Records" COVERARTID="026/0UXJ2NCVUKUGUDEOQKXOAIV5ZFHB" PLAYTIME="255" PLAYTIME_FLOAT="254.466660" IMPORT_DATE="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="30050"></INFO>
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<INFO BITRATE="958949" KEY_LYRICS="67 ContributorsTranslationsDeutschScatman (Ski-Ba-Bop-Ba-Dop-Bop) Lyrics&#xA;Ska-badabadabadoo-belidabbelydabbladabbladabblabab-belibabbelibabbelibabbelabbelo-doobelidoo&#xA;I'm the Scatman&#xA;&#xA;&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;I'm the Scatman&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;&#xA;&#xA;Ba-da-ba-da-ba-be bop-bop-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;Ba-da-ba-da-ba-be bop-ba-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda-bope&#xA;&#xA;&#xA;Ska-badabadabadoo-belidabbelydabbladabbladabblabab-belibabbelibabbelibabbelabbelo-doobelidoo&#xA;&#xA;&#xA;Everybody stutters one way or the other&#xA;So check out my message to you&#xA;As a matter of fact, I don't let nothing hold you back&#xA;If the Scatman can do it, so can you&#xA;&#xA;Everybody's saying that the Scatman stutters&#xA;But doesn't ever stutter when he sings&#xA;But what you don't know, I'm gonna tell you right now&#xA;That the stutter and the scat is the same thing, yo&#xA;&#xA;&#xA;I'm the Scatman&#xA;Where's the Scatman?&#xA;I'm the Scatman&#xA;&#xA;&#xA;Why should we be pleasing in the politician heathens&#xA;Who would try to change the seasons if they could?&#xA;The state of the condition insults my intuitions&#xA;And it only makes me crazy and a heart like wood&#xA;Everybody stutters one way or the other&#xA;So check out my message to you&#xA;As a matter of fact, I'm letting nothing hold you back&#xA;If the Scatman can do it, brother, so can you&#xA;I'm the Scatman&#xA;&#xA;&#xA;Ba-da-ba-da-ba-be bop-bop-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;Ba-da-ba-da-ba-be bop-ba-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda-bope&#xA;&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;&#xA;&#xA;Everybody stutters one way or the other&#xA;So check out my message to you&#xA;As a matter of fact, I don't let nothing hold you back&#xA;If the Scatman can do it, so can you&#xA;&#xA;&#xA;I hear y'all ask 'bout the meaning of scat&#xA;Well, I'm the professor and all I can tell you is&#xA;While you're still sleeping, the saints are still weeping 'cause&#xA;Things you called dead haven't yet had the chance to be born&#xA;I'm the Scatman&#xA;&#xA;&#xA;Ba-da-ba-da-ba-be bop-bop-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;Ba-da-ba-da-ba-be bop-ba-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope&#xA;Bop-ba-bodda-bope&#xA;&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;Ski-bi-dibby-dib yo-da-dub-dub, yo-da-dub-dub&#xA;&#xA;&#xA;Yeah, I'm the Scatman&#xA;Dong dong dong, ding ding dong dong&#xA;Wo-go-ez-ze-ze-za-de-ya-de-za-de-ya-ze-ze-zee&#xA;Dong-ding-dong-dong-dong, do-dong-ding&#xA;Where's the Scatman?&#xA;Ska-badabadabadoo-belidabbelydabbladabbladabblabab-belibabbelibabbelibabbelabbelo-doobelidoo&#xA;I'm the Scatman, repeat after me&#xA;It's a scoobie-oobie-doobie, scoobie-doobie melody&#xA;I'm the Scatman, sing along with me&#xA;It's a scoobie-oobie-doobie, scoobie-doobie melody&#xA;Yeah, I'm the Scatman (I'm the Scatman)&#xA;&#xA;&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;I'm the Scatman (I'm the Scatman)&#xA;Bop-ba-bodda-bope&#xA;Be-bop-ba-bodda-bope&#xA;Ska-badabadabadoo-belidabbelydabbladabbladabblabab-belibabbelibabbelibabbelabbelo-doobelidoo&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda bope&#xA;Be-bop-ba-bodda-bope, bop-ba-bodda&#xA;Ba-da-ba-da-ba-be bop-ba-bodda-bope&#xA;Yeah, I'm the Scatman, sing along with me&#xA;Bop-ba-bodda&#xA;It's a scoobie-oobie-doobie, scoobie-doobie melody&#xA;Be-bop-ba-bodda-bope" PRODUCER="Iceberg Records A/S" COVERARTID="098/C50GLBDW3BQTWBASCD5CALO40WAC" PLAYTIME="216" PLAYTIME_FLOAT="215.973328" IMPORT_DATE="2025/4/14" RELEASE_DATE="1995/1/1" FLAGS="12" FILESIZE="25421"></INFO>
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<INFO BITRATE="964564" KEY_LYRICS="2 ContributorsSo Good LyricsYou keep on running around&#xA;With all the women in town&#xA;I've had enough of these games&#xA;Without the women in town&#xA;Every night (Every night)&#xA;Every day (Every day)&#xA;Can't help but to worry&#xA;So worry&#xA;Don't feel the same&#xA;&#xA;(So good, so good)&#xA;(So good, so good)&#xA;&#xA;You keep on running around&#xA;With all the women in town&#xA;Every night (Every night)&#xA;Every day (Every day)&#xA;Can't help but to worry&#xA;So worry&#xA;Don't feel the same&#xA;&#xA;(So good, so good)&#xA;(So good, so good)&#xA;(So good, so good)&#xA;Can't help but to worry&#xA;You're so worried&#xA;(So good, so good)&#xA;They don't feel the same&#xA;(So good, so good)&#xA;(So good, so good)&#xA;You keep on running around&#xA;With all the women in town&#xA;Every night (Every night)&#xA;Every day (Every day)&#xA;&#xA;You keep on running around" PRODUCER="© 2025 Nosi under exclusive license to DD Records Limited/UMG Recordings Inc. A Capitol Records release." COVERARTID="008/IIWLJ4CEPLNS0ABZER5VALLZKB3C" PLAYTIME="220" PLAYTIME_FLOAT="219.556992" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="26092"></INFO>
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<INFO BITRATE="963498" KEY_LYRICS="35 ContributorsThe Power Lyrics&#xA;&amp;quot;Американская фирма Transceptor Technology приступила к производству компьютеров «Персональный спутник».&amp;quot;&#xA;&#xA;&#xA;I've got the power (Power, power)&#xA;Hey, yeah-eah&#xA;&#xA;&#xA;Like the crack of the whip, I Snap! attack&#xA;Front to back, in this thing called rap&#xA;Dig it like a shovel, rhyme devil on a heavenly level&#xA;Bang the bass, turn up the treble&#xA;Radical mind, day and night all the time&#xA;7:14, wise, divine&#xA;Maniac brainiac, winnin' the game&#xA;I'm the lyrical Jesse James&#xA;&#xA;&#xA;Oh-oh-oh-oh, oh-oh-oh, yeah, yeah, yeah-eah&#xA;Oh-oh-oh-oh, oh-oh-oh, yeah, getting kinda heavy&#xA;&#xA;&#xA;It's getting, it's getting, it's getting kinda heavy&#xA;It's getting, it's getting, it's getting kinda heavy&#xA;It's getting, it's getting, it's getting kinda heavy&#xA;It's getting, it's getting, it's getting kinda heavy&#xA;&#xA;I've got the power (Power, power)&#xA;(You could break my heart, you could break my heart apart)&#xA;(You could break my heart, you could break my heart apart)&#xA;I've got the power (Power, power)&#xA;(Oh-oh-oh-oh)&#xA;I've got the power (Power, power)&#xA;(You could break my heart, you could break my heart apart)&#xA;(You could break my heart, you could break my heart apart)&#xA;I've got the power (Power, power)&#xA;(Oh-oh-oh-oh)&#xA;&#xA;&#xA;It's getting, it's getting, it's getting kinda hectic&#xA;It's getting, it's getting, it's getting kinda hectic&#xA;It's getting, it's getting, it's getting kinda hectic&#xA;It's getting, it's getting, it's getting kinda hectic&#xA;&#xA;&#xA;Quality I possess, some say I'm fresh&#xA;When my voice goes through the mesh&#xA;Of the microphone that I am holding&#xA;Copy written lyrics so they can't be stolen&#xA;If they are, Snap! Don't need the police&#xA;To try to save them, your voice will cease&#xA;So please, stay off my back&#xA;Or I will attack, and you don't want that&#xA;&#xA;I've got the power (Power, power)&#xA;(You could break my heart, you could break my heart apart)&#xA;(You could break my heart, you could break my heart apart)&#xA;I've got the power (Power, power)&#xA;(Oh-oh-oh-oh)&#xA;I've got the power (Power, power)&#xA;(You could break my heart, you could break my heart apart)&#xA;(You could break my heart, you could break my heart apart)&#xA;I've got the power (Power, power)&#xA;(Oh-oh-oh-oh)&#xA;&#xA;&#xA;Quality I possess, some say I'm fresh&#xA;When my voice goes through the mesh&#xA;Of the microphone that I am holding&#xA;Copy written lyrics so they can't be stolen&#xA;If they are, Snap! Don't need the police&#xA;To try to save them, your voice will cease&#xA;So please, stay off my back&#xA;Or I will attack, and you don't want that&#xA;&#xA;&#xA;I've got the power (Power, power)&#xA;(You could break my heart, you could break my heart apart)&#xA;(You could break my heart, you could break my heart apart)&#xA;I've got the power (Power, power)&#xA;(Oh-oh-oh-oh)&#xA;I've got the power (Power, power)&#xA;(You could break my heart, you could break my heart apart)&#xA;(You could break my heart, you could break my heart apart)&#xA;I've got the power (Power, power)&#xA;(Oh-oh-oh-oh)&#xA;&#xA;I've got the power (Power, power)" PRODUCER="℗ 1990 BMG Rights Management GmbH" COVERARTID="049/RNUQ2GAWDWGGOADQFQBLBD131YOB" PLAYTIME="229" PLAYTIME_FLOAT="228.993744" IMPORT_DATE="2025/4/14" RELEASE_DATE="1990/1/1" FLAGS="12" FILESIZE="27342"></INFO>
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<INFO BITRATE="966767" KEY_LYRICS="25 ContributorsTranslationsDeutschThe Riddle Lyrics&#xA;I got two strong arms&#xA;Blessings of Babylon&#xA;Time to carry on&#xA;And try for sins and false alarms&#xA;So, to America, the brave&#xA;Wise men save&#xA;&#xA;&#xA;Near a tree by a river, there's a hole in the ground&#xA;Where an old man of Aran goes around and around&#xA;And his mind is a beacon in the veil of the night&#xA;For a strange kind of fashion, there's a wrong and a right&#xA;Near a tree by a river, there's a hole in the ground&#xA;Where an old man of Aran goes around and around&#xA;And his mind is a beacon in the veil of the night&#xA;For a strange kind of fashion, there's a wrong and a right&#xA;He'll never, never fight over you&#xA;&#xA;&#xA;&#xA;&#xA;Near a tree by a river, there's a hole in the ground&#xA;Where an old man of Aran goes around and around&#xA;And his mind is a beacon in the veil of the night&#xA;For a strange kind of fashion, there's a wrong and a right&#xA;Near a tree by a river, there's a hole in the ground&#xA;Where an old man of Aran goes around and around&#xA;And his mind is a beacon in the veil of the night&#xA;For a strange kind of fashion, there's a wrong and a right&#xA;He'll never, never fight over you&#xA;&#xA;I got plans for us&#xA;Nights in the scullery&#xA;And days instead of me&#xA;I only know what to discuss&#xA;Oh, for anything, but light&#xA;Wise men fighting over you&#xA;It's not me you see&#xA;Pieces of valentine&#xA;With just a song of mine&#xA;To keep from burning history&#xA;Seasons of gasoline and gold&#xA;Wise men fold&#xA;&#xA;&#xA;Near a tree by a river, there's a hole in the ground&#xA;Where an old man of Aran goes around and around&#xA;And his mind is a beacon in the veil of the night&#xA;For a strange kind of fashion, there's a wrong and a right&#xA;He'll never, never fight over you&#xA;&#xA;&#xA;I got time to kill&#xA;Sly looks in corridors&#xA;Without a plan of yours&#xA;A blackbird sings on bluebird hill&#xA;Thanks to the calling of the wild&#xA;Wise mens' child&#xA;" PRODUCER="(C)2006 ZYX Music" COVERARTID="061/3V42TUDFA3A0SB1HGO3IADAZ5ZOA" PLAYTIME="286" PLAYTIME_FLOAT="285.426666" IMPORT_DATE="2025/4/14" RELEASE_DATE="1999/1/1" FLAGS="12" FILESIZE="33969"></INFO>
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<INFO BITRATE="966221" KEY_LYRICS="2 ContributorsMasquerade Lyrics&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;&#xA;&#xA;I got this feelin' for ya, my darlin'&#xA;Can't deny that you are the one I adore&#xA;Got this feelin' for ya, my darlin'&#xA;Can't deny that you are the one I adore&#xA;&#xA;&#xA;Tell me what you want, tell me&#xA;What you want, tell me&#xA;What you want, tell me&#xA;What you want, tеll me&#xA;Stop living this masquerade, yеah&#xA;&#xA;Stop living this masquerade, yeah&#xA;Oh, oh, oh, oh, oh&#xA;Stop living this masquerade, yeah&#xA;&#xA;&#xA;Tell me what you want from me, yeah&#xA;Tell me everything you need&#xA;Got you in my space, now we're face to face&#xA;Stop living this masquerade, yeah&#xA;&#xA;&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;&#xA;&#xA;I got this feelin' for ya, my darlin'&#xA;Can't deny that you are the one I adore&#xA;Got this feelin' for ya, my darlin'&#xA;Can't deny that you are the one I adore&#xA;&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Tell me what you want, tell me&#xA;What you want&#xA;Stop living this masquerade, yeah&#xA;Tell me what you want from me, yeah&#xA;&#xA;&#xA;Tell me everything you need&#xA;Got you in my space, now we're face to face&#xA;Stop living this masquerade, yeah&#xA;Stop living this masquerade, yeah&#xA;&#xA;&#xA;Tell me what you want from me, yeah&#xA;Tell me everything you need&#xA;Got you in my space, now we're face to face&#xA;Stop living this masquerade, yeah" PRODUCER="2025 TACTICS" COVERARTID="110/OHRT2CAXO0FRCAHQ21SLANOW3RCA" PLAYTIME="225" PLAYTIME_FLOAT="224.639999" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="26733"></INFO>
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<INFO BITRATE="968615" KEY_LYRICS="31 ContributorsTranslationsEnglishDeutschMacarena Lyrics&#xA;&#xA;&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;&#xA;&#xA;Macarena tiene un novio que se llama&#xA;Que se llama de apellido Vitorino&#xA;Y en la jura de bandera el muchacho&#xA;Se la vio con dos amigos&#xA;Macarena tiene un novio que se llama&#xA;Que se llama de apellido Vitorino&#xA;Y en la jura de bandera el muchacho&#xA;Se la vio con dos amigos&#xA;&#xA;&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;&#xA;Macarena, Macarena, Macarena&#xA;Que tributo a los veranos de Marbella&#xA;Macarena, Macarena, Macarena&#xA;Que te gusta la movida guerrillera (¡Ay!)&#xA;&#xA;&#xA;(¡Ay!)&#xA;&#xA;&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;&#xA;&#xA;Macarena sueña con El Corte Inglés&#xA;Y se compra los modelos más modernos&#xA;Le gustaría vivir en Nueva York&#xA;Y ligar un novio nuevo (¡Ay!)&#xA;Macarena sueña con El Corte Inglés&#xA;Y se compra los modelos más modernos&#xA;Le gustaría vivir en Nueva York&#xA;Y ligar un novio nuevo (¡Ay!)&#xA;&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;&#xA;&#xA;Macarena tiene un novio que se llama&#xA;Que se llama de apellido Vitorino&#xA;Y en la jura de bandera el muchacho&#xA;Se la vio con dos amigos&#xA;Macarena tiene un novio que se llama&#xA;Que se llama de apellido Vitorino&#xA;Y en la jura de bandera el muchacho&#xA;Se la vio con dos amigos&#xA;&#xA;&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Que tu cuerpo es pa' darle alegría y cosa buena&#xA;Dale a tu cuerpo alegría, Macarena&#xA;Eh, Macarena (¡Ay!)" PRODUCER="(P) 1995 Sony Music Entertainment España, S.L." COVERARTID="086/WCURJOCNOV0XNA21XMZ5BD43UUXB" PLAYTIME="232" PLAYTIME_FLOAT="231.266663" IMPORT_DATE="2025/4/14" RELEASE_DATE="2000/1/1" FLAGS="12" FILESIZE="27576"></INFO>
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<INFO BITRATE="966639" KEY_LYRICS="7 ContributorsThink About The Way Lyrics&#xA;Mi deh pon di attack fi shock and rock di flock around di clock nonstop as I will tell ya&#xA;Music is the vibe so open up your eyes&#xA;Time is runnin' out, so find the feelin'&#xA;So find the feelin'&#xA;So find the feelin'&#xA;So find the feelin'&#xA;Boom diggy-diggy-diggy boom diggy bang&#xA;&#xA;&#xA;Boom diggy-diggy-diggy boom diggy bang&#xA;Him mek Italian, di Spanish and di Mexican&#xA;Yes, God, put pon di earth all kind of man&#xA;Japanese, German and Colombian&#xA;Chinese and di Russian, and di African&#xA;American, Finnish and Canadian&#xA;Dutch and di Swedish, Brazilian&#xA;To di Syrian, di Indian and Jamaican&#xA;&#xA;&#xA;Too many people dem a talk 'bout peace&#xA;But di war inna di world, man, it jus cyaan cease, uh&#xA;Boom diggy-diggy-diggy boom diggy bang&#xA;Unity, dat a bond and you know dat strong&#xA;When you take a look pon di television&#xA;Nuff gunshot and blood deh pon nuff programme&#xA;Level vibe, level vibe and you know dat cyaan wrong, true&#xA;&#xA;Think about the way that we live today&#xA;Think about the way how some people play&#xA;Think about the way that we live today&#xA;Think about the way, think about the way&#xA;&#xA;&#xA;Boom diggy-diggy-diggy boom diggy bang&#xA;Milk and honey deh inna every land&#xA;But a who have it all? Dat a di power man&#xA;And dem don't give a damn about di situation&#xA;Di homeless, di jobless or di confusion&#xA;Inna Bosnia, Lord, mi know seh dem wrong&#xA;Mek di future look good fi all di yute man to come through&#xA;&#xA;&#xA;Think about the way that we live today&#xA;Think about the way how some people play&#xA;Think about the way that we live today&#xA;Think about the way, think about the way&#xA;Think about the way that we live today&#xA;Think about the way how some people play&#xA;Think about the way that we live today&#xA;Think about the way, think about the way&#xA;&#xA;&#xA;Music is the vibe so open up your eyes&#xA;Time is runnin' out, so find the feelin'&#xA;So find the feelin'&#xA;So find the feelin'&#xA;So find the feelin'&#xA;&#xA;Think about the way that we live today&#xA;Think about the way how some people play&#xA;Think about the way that we live today&#xA;Think about the way, think about the way&#xA;Think about the way that we live today&#xA;Think about the way how some people play&#xA;Think about the way that we live today&#xA;Think about the way, think about the way" PRODUCER="Robyx Srl" COVERARTID="081/RCEAV0B3YRENJBVG01XGCTVHG3XD" PLAYTIME="261" PLAYTIME_FLOAT="260.973328" IMPORT_DATE="2025/4/14" RELEASE_DATE="1994/1/1" FLAGS="12" FILESIZE="31058"></INFO>
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<INFO BITRATE="975315" KEY_LYRICS="78 ContributorsGettin’ Jiggy Wit It Lyrics&#xA;(Bring it)&#xA;Wooooo&#xA;Uh, uh, uh, uh&#xA;Haha, haha&#xA;What, what, what, what&#xA;Uh&#xA;&#xA;&#xA;On your mark ready set let's go, dance floor pro&#xA;I know you know I go psycho (Woo)&#xA;When my new joint hit, just can't sit&#xA;Gotta get jiggy wit it, ooh, that's it&#xA;Now honey honey come ride, DKNY&#xA;All up in my eye, you got a Prada&#xA;Bag with a lot-a, stuff in it (Ugh, ugh, ugh)&#xA;Give it to your friend let's spin, everybody lookin' at me&#xA;Glancin' the kid, wishing they was dancin' a jig&#xA;Here with this handsome kid, ciga-cigar&#xA;Right from Cuba-Cuba, I just bite it&#xA;It's for the look, I don't light it&#xA;Illway the an-may on the ance-day oor-flay (Haha)&#xA;Give it up jiggy make it feel like foreplay (Woo)&#xA;Yo my cardio is infinite, ha-ha&#xA;Big Willie style's all in it&#xA;Gettin' jiggy wit it&#xA;&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;&#xA;&#xA;What? You want to ball with the kid?&#xA;Watch your step (Woo), you might fall trying to do what I did&#xA;Mama (Ugh) mama (Ugh) mama come closer&#xA;In the middle of the club with the rub-a-dub, uh&#xA;No love for the haters, the haters&#xA;Mad 'cause I got floor seats at the Lakers&#xA;See me on the fifty-yard line with the Raiders&#xA;Met Ali—he told me I'm the greatest&#xA;I got the fever for the flavor of a crowd-pleaser&#xA;DJ play another from the prince of this&#xA;Your highness, only mad chicks ride in my whips&#xA;South to the West to the East to the North&#xA;Bump my hits and watch them go off, a-go off&#xA;Ah, yes-yes y'all (Woo), ya don't stop&#xA;In the winter or the (Summertime), I makes it hot&#xA;Gettin' jiggy wit 'em&#xA;&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;&#xA;&#xA;Eight-fifty I.S. if you need a lift&#xA;Who's the kid in the drop? Who else Will Smith&#xA;Living that life some consider a myth&#xA;Rock from South Street to one-two-fifth&#xA;Women used to tease me, give it to me now nice and easy&#xA;Since I moved up like George and Weezie&#xA;C.R.E.A.M. to the maximum I be asking 'em&#xA;Would you like to bounce with the brother that's platinum?&#xA;Never see Will attacking 'em&#xA;Rather play ball with Shaq and 'em, flatten 'em&#xA;Psych, kidding&#xA;Thought I took a spill, but I didn't&#xA;Trust the lady of my life she hitting&#xA;Hit her with a drop top with the ribbon&#xA;Crib for my mom on the outskirts of Philly&#xA;You trying to flex on me?&#xA;Don't be silly&#xA;Gettin' jiggy wit it&#xA;&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Gettin' jiggy wit it&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;Uh uh&#xA;(Na na na na na na)&#xA;(Na na na na na na)&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;(Na na na na na na na)&#xA;(Na na na na na na)&#xA;(Na na na na na na na)&#xA;(Na na na na na na na)" PRODUCER="(P) 1997 Columbia Records, a division of Sony Music Entertainment" COVERARTID="090/0WJEZWAUDX3Z3AZVWEQGC5MC5Y4B" PLAYTIME="228" PLAYTIME_FLOAT="227.933334" IMPORT_DATE="2025/4/14" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="27375"></INFO>
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<INFO BITRATE="977874" KEY_LYRICS="23 ContributorsTranslationsRomânăEnglishDeutschMa Ya Hi (Dragostea din tei) Lyrics&#xA;Ma-ya-hi, ma-ya-hoo&#xA;Ma-ya-hah, ma-ya-ha-ha&#xA;Ma-ya-hi, ma-ya-hoo&#xA;Ma-ya-hah, ma-ya-ha-ha&#xA;Ma-ya-hi, ma-ya-hoo&#xA;Ma-ya-hah, ma-ya-ha-ha&#xA;Ma-ya-hi, ma-ya-hoo&#xA;Ma-ya-hah, ma-ya-ha-ha&#xA;&#xA;&#xA;Hello, salute&#xA;It's me, your duke&#xA;And I made something that's real&#xA;To show you how I feel&#xA;&#xA;&#xA;Hello, hello&#xA;It's me, Picasso&#xA;I will paint my words of love&#xA;With your name on every wall&#xA;&#xA;&#xA;When you leave, my colors fade to gray&#xA;Oh-wah-oh-ay, oh-wah-oh-wah-oh-wah-ay&#xA;Every word of love I used to say&#xA;Now I paint it every day&#xA;When you leave, my colors fade to gray&#xA;Hey, little lover, stay or all my colors fade away&#xA;Every word of love I used to say&#xA;Now I paint it every day&#xA;&#xA;I sold my strings&#xA;My songs, and dreams&#xA;And I bought some paints&#xA;To match the colors of my love&#xA;&#xA;&#xA;Hello, hello&#xA;It-It's me again, Picasso&#xA;I will spray my words of love&#xA;With your name on every wall&#xA;&#xA;&#xA;When you leave, my colors fade to gray&#xA;Oh-wah-oh-ay, oh-wah-oh-wah-oh-wah-ay&#xA;Every word of love I used to say&#xA;Now I paint it every day&#xA;When you leave, my colors fade to gray&#xA;Hey, little lover, stay or all my colors fade away&#xA;Every word of love I used to say&#xA;Now I paint it every day&#xA;&#xA;&#xA;Ma-ya-hi, ma-ya-hoo&#xA;Ma-ya-hah, ma-ya-ha-ha&#xA;Ma-ya-hi, ma-ya-hoo&#xA;Ma-ya-hah, ma-ya-ha-ha&#xA;Ma-ya-hi, ma-ya-hoo&#xA;Ma-ya-hah, ma-ya-ha-ha&#xA;Ma-ya-hi, ma-ya-hoo&#xA;Ma-ya-hah, ma-ya-ha-ha&#xA;&#xA;When you leave, my colors fade to gray&#xA;Oh-wah-oh-ay, oh-wah-oh-wah-oh-wah-ay&#xA;Every word of love I used to say&#xA;Now I paint it every day&#xA;When you leave, my colors fade to gray&#xA;Hey, little lover, stay or all my colors fade away&#xA;Every word of love I used to say&#xA;Now I paint it every day" PRODUCER="(P) 2004 Cat Music" COVERARTID="122/0TVDK2BNOWBD1A2X3NSYDJIRZNMA" PLAYTIME="216" PLAYTIME_FLOAT="215.386673" IMPORT_DATE="2025/4/14" RELEASE_DATE="2004/1/1" FLAGS="12" FILESIZE="26157"></INFO>
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<INFO BITRATE="979437" KEY_LYRICS="3 ContributorsLet the Dream Come True Lyrics&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;What I'm gonna do without you, let the dream come true&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;Let the dream come true, let the dream come true&#xA;&#xA;&#xA;Kick it, tip it, flip it, sip it, shake your budy 'round, get wicked&#xA;Use the door get on the floor, I still got more for you to store&#xA;Get on your feet, it's treated unique just feel the heat and get back to the beat&#xA;Rube dup, rube dup, rube dup, rube dup jump and shake your body, wine it up&#xA;Everybody shake your body DJ Bobo starts the party&#xA;Up and down, here we go don't look back, just let it flow&#xA;Up and down, don't loose your crown what goes up must come once down&#xA;Now hold tight, everythings's alright, there's no need to fight tonight&#xA;&#xA;&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;What I'm gonna do without you, let the dream come true&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;Let the dream come true&#xA;&#xA;It's a break, I don't mean a fake, open your ears, it's not a mistake&#xA;The music is strong and I made these rhymes, partytime cause the time is mine&#xA;So let's go down, down on the floor, I wanna give you what you are waitin' for&#xA;You know what you want and you want it now&#xA;You know what you want when you hear the sound&#xA;Swing your body and have some fun, now you're on the run&#xA;This track has just begun it's done for fun and hits you like a gun&#xA;Jump up and down, toss and turn right to the ground before you burn&#xA;Pump the bass right in your face, just in case we start the race&#xA;&#xA;&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;What I'm gonna do without you, let the dream come true&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;&#xA;&#xA;First I waited, then created, didn't debate it, just made it&#xA;The feeling is strong, so keep coming on&#xA;With the bass and the drums there's nothing wrong&#xA;Now get on up, take your shoes, swing your body, get wild and loose&#xA;One, two, three, four, tippin' and tappin', slippin' and slappin', there's no stoppin'&#xA;&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;What I'm gonna do without you, let the dream come true&#xA;Not a broken heart, now we're gonna start&#xA;It's for me and you, let the dream come true&#xA;Let the dream come true, let the dream come true" PRODUCER="Yes Music" COVERARTID="035/DNDJOKDWH5MJ5CEZFSM3D3T3V51B" PLAYTIME="242" PLAYTIME_FLOAT="241.066666" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="28942"></INFO>
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<INFO BITRATE="985416" KEY_LYRICS="5 ContributorsTell Me Lyrics&#xA;Tell me right now&#xA;Tell me right now&#xA;Tell me right now&#xA;Tell me right now&#xA;&#xA;&#xA;I feel it coming&#xA;Got your hand on my pulse&#xA;You know we got it, yeah&#xA;Are you gonna let it go?&#xA;&#xA;&#xA;In your eyes, I can see us forever&#xA;But my heart is still beating with doubt&#xA;In the deep of the night when my mind is a minefield&#xA;Tell me right now&#xA;&#xA;&#xA;Will you still love me?&#xA;Will you still love me? Yeah&#xA;Will you still hold me&#xA;Until the bitter end&#xA;When the highs get low and the lights burn out&#xA;I think I know, but tell me now&#xA;Will you still love me?&#xA;Will you still love me?&#xA;&#xA;Tell me, will you love me?&#xA;Tell me, will you love me?&#xA;Tell me, will you love me?&#xA;Tell me, will you love me? (Will you still)&#xA;&#xA;&#xA;Touching my body&#xA;Making me lose my breath&#xA;But I'm not just somebody, no&#xA;I want all of you and nothing less&#xA;&#xA;&#xA;In your eyes, I can see us forever&#xA;But my heart is still beating with doubt&#xA;In the deep of the night when my mind is a minefield&#xA;Tell me right now&#xA;&#xA;&#xA;Will you still love me?&#xA;Will you still love me? Yeah&#xA;Will you still hold me&#xA;Until the bitter end&#xA;When the highs get low and the lights burn out&#xA;I think I know, but tell me now&#xA;Will you still love me? Yeah&#xA;Will you still love me?&#xA;Oh&#xA;Will you still love me?&#xA;&#xA;Tell me, will you love me?&#xA;Tell me, will you love me? (Oh, tell me, baby)&#xA;Tell me, will you love me?&#xA;Tell me, will you love me? (Will you still)&#xA;Tell me, will you love me?&#xA;Tell me, will you love me? (Oh, tell me, baby)&#xA;Tell me, will you love me?&#xA;Tell me, will you love me? (Will you still)" PRODUCER="2025 Solotoko" COVERARTID="037/FR1XUXBHRSD2WD4NYQ3WDHCMFOND" PLAYTIME="198" PLAYTIME_FLOAT="197.549576" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="24013"></INFO>
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<INFO BITRATE="988562" KEY_LYRICS="48 ContributorsPump Up the Jam Lyrics&#xA;Pump up the jam, pump it up&#xA;While your feet are stomping&#xA;And the jam is pumping&#xA;Look ahead, the crowd is jumpin'&#xA;Pump it up a little more&#xA;Get the party goin' on the dance floor&#xA;See, 'cause that's where the party's at&#xA;And you'd find out if you do that&#xA;&#xA;&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;&#xA;&#xA;Make my day&#xA;Make my day&#xA;Make my day&#xA;Make my day&#xA;&#xA;&#xA;Yo, pump up the jam, pump it up&#xA;While your feet are stomping&#xA;And the jam is pumping&#xA;Look ahead, the crowd is jumpin'&#xA;Pump it up a little more&#xA;Get the party goin' on the dance floor&#xA;See, 'cause that's where the party's at&#xA;And you'd find out if you do that&#xA;&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;&#xA;&#xA;Make my day&#xA;Make my, make my day&#xA;Make my day&#xA;Make my day&#xA;Make my, make my make my day&#xA;&#xA;&#xA;Yo! Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump it!&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump it&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump it&#xA;Pump up the jam&#xA;Pump it&#xA;Pump up the jam&#xA;Pump up the jam&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it&#xA;Pump it&#xA;Pump it&#xA;Pump up the jam&#xA;Pump up the jam&#xA;Pump up the jam&#xA;Pump it&#xA;&#xA;Pump up the jam&#xA;Pump it up&#xA;While your feet are stomping&#xA;And the jam is pumping&#xA;Look at here the crowd is jumpin'&#xA;Pump it up a little more&#xA;Get the party goin' on the dance floor&#xA;See, 'cause that's where the party's at&#xA;And you'll find out if you're too bad&#xA;&#xA;&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;&#xA;&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up Yo! Pump it!&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump up the jam&#xA;Pump it up&#xA;Pump it up Yo! Pump it!&#xA;Pump up the jam Pump it&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up Yo! Pump it!&#xA;Pump up the jam&#xA;Pump it up&#xA;Pump it up&#xA;Yo! Pump up the jam&#xA;Pump it up&#xA;Pump it up Yo! Pump it!&#xA;Pump up the jam Pump it&#xA;Pump it up&#xA;Pump it up&#xA;&#xA;Make my day&#xA;Make my day&#xA;Make my, make my, make&#xA;Make my day&#xA;Make my day&#xA;Make my day&#xA;Make my, make my, make&#xA;Make my day, yo&#xA;&#xA;&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day&#xA;I want a place to stay&#xA;Get your booty on the floor tonight&#xA;Make my day" PRODUCER="℗ 1989 ARS Entertainment Belgium (A Division Of Universal Music Belgium)" COVERARTID="104/ITSAQTBTXW50QCBZNPFCDG0A2CZC" PLAYTIME="216" PLAYTIME_FLOAT="215.039993" IMPORT_DATE="2025/4/14" RELEASE_DATE="2012/1/1" FLAGS="12" FILESIZE="26186"></INFO>
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<INFO BITRATE="984784" KEY_LYRICS="15 Contributors9 PM (Till I Come) LyricsTill I come&#xA;Till I come&#xA;Change it and say&#xA;Till I come&#xA;&#xA;Till I come&#xA;Till I come&#xA;Change it and say&#xA;Till I come&#xA;Till I come&#xA;Change it and say&#xA;Till I come&#xA;Till I come&#xA;Till I come&#xA;Change it and say&#xA;Till I come&#xA;Till I come&#xA;Till I come&#xA;Change it and say" PRODUCER="Kontor Records GmbH" COVERARTID="081/RCR1W0AC5VNFEAMCFNUAAPG54OQB" PLAYTIME="194" PLAYTIME_FLOAT="193.880005" IMPORT_DATE="2025/4/14" RELEASE_DATE="1999/1/1" FLAGS="12" FILESIZE="23523"></INFO>
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<INFO BITRATE="996114" KEY_LYRICS="56 ContributorsTranslationsDeutschBelieve Lyrics&#xA;(After love, after love)&#xA;(After love, after love)&#xA;(After love, after love)&#xA;(After love, after love)&#xA;(After love, after love)&#xA;(After love, after love)&#xA;&#xA;&#xA;No matter how hard I try&#xA;You keep pushing me aside&#xA;And I can't break through&#xA;There's no talking to you&#xA;It's so sad that you're leaving&#xA;It takes time to believe it&#xA;But after all is said and done&#xA;You're gonna be the lonely one, oh&#xA;&#xA;&#xA;Do you believe in life after love?&#xA;I can feel something inside me say&#xA;&amp;quot;I really don't think you're strong enough, no&amp;quot;&#xA;Do you believe in life after love?&#xA;I can feel something inside me say&#xA;&amp;quot;I really don't think you're strong enough, no&amp;quot;&#xA;&#xA;What am I supposed to do&#xA;Sit around and wait for you?&#xA;Well, I can't do that&#xA;And there's no turning back&#xA;I need time to move on&#xA;I need love to feel strong&#xA;'Cause I've had time to think it through&#xA;And maybe I'm too good for you, oh&#xA;&#xA;&#xA;Do you believe in life after love?&#xA;I can feel something inside me say&#xA;&amp;quot;I really don't think you're strong enough, no&amp;quot;&#xA;Do you believe in life after love?&#xA;I can feel something inside me say&#xA;&amp;quot;I really don't think you're strong enough, no&amp;quot;&#xA;&#xA;&#xA;Well, I know that I'll get through this&#xA;'Cause I know that I am strong&#xA;And I don't need you anymore&#xA;Oh, I don't need you anymore&#xA;Oh, I don't need you anymore&#xA;No, I don't need you anymore&#xA;&#xA;Do you believe in life after love?&#xA;I can feel something inside me say&#xA;&amp;quot;I really don't think you're strong enough, no&amp;quot;&#xA;Do you believe in life after love?&#xA;I can feel something inside me say&#xA;&amp;quot;I really don't think you're strong enough, no&amp;quot;&#xA;Do you believe in life after love?&#xA;I can feel something inside me say&#xA;&amp;quot;I really don't think you're strong enough, no&amp;quot;&#xA;Do you believe in life after love?&#xA;I can feel something inside me say&#xA;&amp;quot;I really don't think you're strong enough, no&amp;quot;&#xA;(Do you believe in life after love?)" PRODUCER="℗ 1998 Warner Music UK Limited" COVERARTID="024/YUWKCFA5CSA4GCU3ROREDCKHJJEC" PLAYTIME="240" PLAYTIME_FLOAT="239.026672" IMPORT_DATE="2025/4/14" RELEASE_DATE="1998/1/1" FLAGS="12" FILESIZE="29290"></INFO>
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<INFO BITRATE="997000" KEY_LYRICS="30 ContributorsTranslationsFrançaisDeutschL’Amour Toujours Lyrics&#xA;I still believe in your eyes&#xA;I just don't care what you've done in your life&#xA;Baby, I'll always be here by your side&#xA;Don't leave me waiting too long, please come by&#xA;I, I still believe in your eyes&#xA;There is no choice, I belong to your life&#xA;Because I, I live to love you someday&#xA;You'll be my baby and we'll fly away&#xA;&#xA;&#xA;And I'll fly with you&#xA;I'll fly with you&#xA;I'll fly with you&#xA;&#xA;&#xA;You are&#xA;You are&#xA;&#xA;&#xA;Every day and every night&#xA;I always dream that you are by my side&#xA;Oh baby, every day and every night&#xA;Well, I said everything's gonna be alright&#xA;&#xA;&#xA;And I'll fly with you&#xA;I'll fly with you&#xA;I'll fly with you&#xA;&#xA;You are&#xA;You are&#xA;&#xA;&#xA;I still believe in your eyes&#xA;I just don't care what you've done in your life&#xA;Baby, I'll always be here by your side&#xA;Don't leave me waiting too long, please come by&#xA;I, I still believe in your eyes&#xA;There is no choice, I belong to your life&#xA;Because I, I live to love you someday&#xA;You'll be my baby and we'll fly away&#xA;&#xA;&#xA;And I'll fly with you&#xA;I'll fly with you&#xA;I'll fly with you&#xA;&#xA;&#xA;You are&#xA;You are&#xA;&#xA;&#xA;Every day and every night&#xA;I always dream that you are by my side&#xA;Oh baby, every day and every night&#xA;Well, I said everything's gonna be alright&#xA;&#xA;And I'll fly with you&#xA;I'll fly with you&#xA;I'll fly with you&#xA;&#xA;&#xA;You are&#xA;You are" PRODUCER="Armada Music B.V." COVERARTID="044/MZB4Q2DK0Y05XDJBU1PMCPF1GXAA" PLAYTIME="243" PLAYTIME_FLOAT="242.133331" IMPORT_DATE="2025/4/14" RELEASE_DATE="2013/1/1" FLAGS="12" FILESIZE="29817"></INFO>
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<INFO BITRATE="998000" KEY_LYRICS="12 ContributorsBaby Baby Lyrics&#xA;Baby, baby&#xA;Why can't we just stay together?&#xA;Yeah, yeah, yeah&#xA;Baby, baby&#xA;Why can't we just stay forever?&#xA;Yeah, yeah, yeah&#xA;&#xA;&#xA;I wanna roll inside your soul&#xA;To know the things that you need and feel&#xA;Every time that you're by my side&#xA;I can't get serious because you got me (Got me, got me)&#xA;&#xA;&#xA;Cold chill down on my spine&#xA;No-no more tears, show me a smile&#xA;Cold chill down on my spine&#xA;No-no more tears, give me a smile&#xA;&#xA;&#xA;Baby, baby&#xA;Why can't we just stay together?&#xA;Yeah, yeah, yeah&#xA;Baby, baby&#xA;Why can't we just stay forever?&#xA;Yeah, yeah, yeah&#xA;&#xA;Deep inside, I know you need it&#xA;Just let it out and get it on, you gotta feel it&#xA;Every time that you're by my side&#xA;Just think it over, I'll make you glad (Glad, glad)&#xA;&#xA;&#xA;Cold chill down on my spine&#xA;No-no more tears, show me a smile&#xA;Cold chill down on my spine&#xA;No-no more tears, give me a smile&#xA;&#xA;&#xA;Baby, baby&#xA;Why can't we just stay together?&#xA;Yeah, yeah, yeah&#xA;Baby, baby&#xA;Why can't we just stay forever?&#xA;Yeah, yeah, yeah&#xA;Baby, baby&#xA;Why can't we just stay together?&#xA;Yeah, yeah, yeah&#xA;Baby, baby&#xA;Why can't we just stay forever?&#xA;Yeah, yeah, yeah&#xA;&#xA;Baby, baby&#xA;Baby, baby&#xA;Baby, baby&#xA;Baby, baby, baby, baby, baby&#xA;&#xA;&#xA;Baby, baby&#xA;Why can't we just stay together?&#xA;Yeah, yeah, yeah&#xA;Baby, baby&#xA;Why can't we just stay forever?&#xA;Yeah, yeah, yeah&#xA;Baby, baby&#xA;Why can't we just stay together?&#xA;Yeah, yeah, yeah&#xA;Baby, baby&#xA;Why can't we just stay forever?&#xA;Yeah, yeah, yeah&#xA;&#xA;&#xA;Baby, baby" PRODUCER="Robyx Srl" COVERARTID="089/ZOME3QAHA2FHYBNVSSMVCLG02XHD" PLAYTIME="229" PLAYTIME_FLOAT="228.013336" IMPORT_DATE="2025/4/14" RELEASE_DATE="1994/1/1" FLAGS="12" FILESIZE="28013"></INFO>
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<INFO BITRATE="997000" KEY_LYRICS="7 ContributorsWhat Is Love (7&amp;quot; Mix) Lyrics&#xA;What is love?&#xA;Baby, don't hurt me&#xA;Don't hurt me, no more&#xA;Baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love? Yeah-yeah&#xA;(Ooh, ooh)&#xA;&#xA;&#xA;No, I don't know why you're not there&#xA;I give you my love, but you don't care&#xA;So what is right and what is wrong?&#xA;Give me a sign&#xA;&#xA;&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;&#xA;&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;&#xA;Oh, I don't know, what can I do?&#xA;What else can I say? It's up to you&#xA;I know we're one, just me and you&#xA;I can't go on&#xA;&#xA;&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;&#xA;&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;&#xA;&#xA;What is love?&#xA;(Ooh-ooh, ooh-ooh, ooh-ooh)&#xA;What is love?&#xA;(Ooh-ooh, ooh-ooh, ooh-ooh)&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;&#xA;Don't hurt me&#xA;Don't hurt me&#xA;&#xA;&#xA;I want no other, no other lover&#xA;This is our life, our time&#xA;When we are together, I need you forever&#xA;Is it love?&#xA;&#xA;&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;Yeah-yeah&#xA;&#xA;&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;Woah-woah-woah-woah&#xA;Oh-woah-woah, uh-huh&#xA;&#xA;&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;&#xA;(Uh-huh, uh-huh)&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me no more&#xA;(Uh-huh, uh-huh)&#xA;Oh, baby, don't hurt me&#xA;Don't hurt me, no more&#xA;What is love?" PRODUCER="℗ 1992 Coconut Music" COVERARTID="013/N2ORD0DI1XU52C5SBSIXATSW25UC" PLAYTIME="271" PLAYTIME_FLOAT="270.373322" IMPORT_DATE="2025/4/14" RELEASE_DATE="1993/1/1" FLAGS="12" FILESIZE="33234"></INFO>
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<INFO BITRATE="995000" KEY_LYRICS="74 ContributorsGenius Users Summer Playlist LyricsWhat’s on your summer playlist? What songs make you want to cruise with the top down, chill at the beach or party with friends around the backyard grill?&#xA;&#xA;Add your songs to the text of this page and use… Read More HgsCa&#xA;&#xA;Dubbelquatrin om tennis&#xA;&#xA;---&#xA;&#xA;Zenith9&#xA;&#xA;Summer 2016&#xA;D.R.A.M ft Lil Yachty - Broccoli&#xA;Kano - T-shirt Weather in The Manor&#xA;Jamie xx ft Young Thug -  I Know There's Gonna Be (Good Times)&#xA;Blood Orange - You're Not Good Enough&#xA;Francis and the Lights ft Bon Iver - Friends&#xA;HONNE - Good Together&#xA;The Avalanches ft Danny Brown &amp;amp; MF DOOM - Frankie Sinatra&#xA;Drake- Controlla&#xA;Frank Ocean- Forrest Gump&#xA;Anderson. 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Big Sean ft. Jhene Aiko - I Know&#xA;2. Vic Mensa ft. Kanye West - U Mad&#xA;3. Drake - 6 Man&#xA;4. Travis Scott ft. Theophilus London &amp;amp; Paul Wall - Dance On the Moon&#xA;5. Chet Faker &amp;amp; Flume - Drop the Game&#xA;6. Leven Kali ft. Zack Sekoff - C.W.Y.B&#xA;7. Coasts - Oceans&#xA;8. Fetty Wap - RGF Island&#xA;9. Meek Mill ft. Big Sean &amp;amp; ASAP Ferg - B Boy&#xA;10. Tory Lanez - The Mission&#xA;11. Coin - Run&#xA;12. Shlohmo &amp;amp; Jeremih - No More&#xA;13. Rae Sremmurd - Come Get Her&#xA;14. Vic Mensa - Feel That&#xA;15. Travis Scott - Drive (The 1975 Remix)&#xA;16. Chet Faker - 1998&#xA;17. Jazz Cartier - Dead or Alive&#xA;18. PartyNextDoor - I Dont&#xA;19. Majid Jordan - A Place Like This&#xA;20. The Neighbourhood ft. G-Eazy - When I Get Back&#xA;21. G-Eazy - Tumblr Girls&#xA;22. Childish Gambino - Retro (Rough)&#xA;23. Drake - Find Your Love&#xA;24. Leks Rivers - Nubian&#xA;25. Kanye West - All Day&#xA;&#xA;---&#xA;&#xA;Zk123&#xA;&#xA;1. 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You Only Live Once - The Strokes&#xA;3. White Sky - Vampire Weekend&#xA;4. Lasso - Phoenix&#xA;5. Hate To Say I Told You So - The Hives&#xA;6. Smells Like Teen Spirit - Nirvana&#xA;7. No Love - Hooray For Earth&#xA;8. A Sky Full Of Stars - Coldplay&#xA;9. Bugman - Blur&#xA;10. R U Mine? - Arctic Monkeys&#xA;11. Under Cover of Darkness - The Strokes&#xA;12. Mr. Brightside - The Killers&#xA;13. Helena Beat - Foster The People&#xA;14. Gold On The Ceiling - The Black Keys&#xA;15. Automatic Stop - The Strokes&#xA;16. Spirit Of The Night - Tesla Boy&#xA;17. Buddy Holly - Weezer&#xA;18. Supremacy - Muse&#xA;19. Fire It Up - Modest Mouse&#xA;20. Everybody Talks - Neon Trees&#xA;21. Drunk Girls - LCD Soundsystem&#xA;22. Walking On A Dream - Empire Of The Sun&#xA;23. Come Out And Play - The Offsrping&#xA;24. Good Life - OneRepublic&#xA;25. Surf Wax America - Weezer&#xA;&#xA;---&#xA;&#xA;DDXV&#xA;&#xA;1. King Kunta - Kendrick Lamar&#xA;2. Easy Rider - Action Bronson&#xA;3. Dope Walk - A$AP Ferg&#xA;4. M'$ - A$AP Rocky&#xA;5. We Are Not Playing - Granddad Woolly&#xA;6. American You - Yelawolf&#xA;7. Still Dre - Dr Dre&#xA;8. U Mad - Vic Mensa&#xA;9. 2SEATER - Tyler, The Creator&#xA;10. Fucking Problems - A$AP Rocky&#xA;&#xA;---&#xA;&#xA;Khroam (Slade_Razor)&#xA;Alchemy - Mick Jenkins&#xA;After That - Future&#xA;Inside - Earl Sweatshirt&#xA;Sloppy Toppy - Travi$ Scott&#xA;&#xA;With That - Young Thug&#xA;Know Yourself - Drake&#xA;&#xA;---&#xA;&#xA;TruSwag&#xA;Chief Keef - How It Go&#xA;Future - Fuck Up Some Commas&#xA;Rowdy Rebel - Computers (feat. Bobby Shmurda)&#xA;Drake - Know Yourself&#xA;Migos - Black Bottles (feat. Rick Ross)&#xA;Migos - Computers (Freestyle)&#xA;Future - 56 Nights (Song)&#xA;Travi$ Scott - Rodeo &#xA;A$AP Rocky At.Long.Last.A$AP &#xA;&#xA;---&#xA;&#xA;RizaN/Nazir&#xA;&#xA;1.  Snoop Lion - Smoke The Weed&#xA;2.  Rowdy Rebel - Computers&#xA;3.  Drake - Know Yourself&#xA;4.  Wiz Khalifa - On My Level&#xA;5. Tech N9ne - On The Bible&#xA;6. Juicy J - Stop It&#xA;7.  Migos - Trenchez&#xA;8. UGK - The Game Belongs To Me&#xA;9.  Migos - People's Elbow&#xA;&#xA;-  scHoolboyQdankazzkusH&#xA;&#xA;---&#xA;&#xA;VAM621&#xA;&#xA;1. Kendrick Lamar - King Kunta&#xA;2. Kendrick Lamar - Money Trees&#xA;3. Kanye West - All Day&#xA;4. Drake - Legend&#xA;5. Drake - Pound Cake&#xA;6. ScHoolboy Q - Collard Greens&#xA;7. A$AP Rocky - Goldie&#xA;8. Vic Mensa - U Mad&#xA;9.  Vic Mensa - Down on my Luck&#xA;10. A Tribe Called Quest - Midnight Marauders (Album)&#xA;&#xA;---&#xA;&#xA;Open Mike Aguila&#xA;&#xA;1-10. Lorde - Pure Heroine&#xA;&#xA;---&#xA;&#xA;Promethafiend&#xA;&#xA;(Even though it's just about Winter in Australia)&#xA;1. Travi$ Scott - Quintana Pt.2&#xA;2. Kanye West - All Day&#xA;3. Free Gucci - Metro Thuggin&#xA;4. Jazz Cartier - The Valley&#xA;5. Earl Sweatshirt feat. Wiki - AM // Radio&#xA;6. Tyler the Creator - Deathcamp&#xA;&#xA;---&#xA;&#xA;Kay Rock&#xA;&#xA;1. Kendrick Lamar - Alright&#xA;2. Tyler, the Creator - Deathcamp&#xA;3. Lil Wayne - Run This Town&#xA;4. A$AP Rocky - Goldie&#xA;5. Drake - 6 Man&#xA;6. Run the Jewels - Pew Pew Pew&#xA;7. Meek Mill - Ooh Kill Em'&#xA;8. Kendrick Lamar - West Coast Wu-Tang&#xA;8. ScHoolboy Q - Los Awesome&#xA;9. Kanye West - All Day&#xA;10. Tech N9ne - Speedom&#xA;11. Busta Rhymes - Why Stop Now&#xA;13. Kid Ink, Tyga, Wale, YG &amp;amp; Rich Homie Quan - Ride Out&#xA;14. Lil Wayne - Right Above It&#xA;15. Vic Mensa - U Mad&#xA;16. Yelawolf - Love Story&#xA;17. Tech N9ne - Wither&#xA;18. A$AP Rocky - Everyday&#xA;19. Vic Mensa - Run!&#xA;20. Drake - Too Much&#xA;21. Wiz Khalifa - See You Again&#xA;22. Wale - The Intro About Nothing&#xA;&#xA;---&#xA;&#xA;Sem_Groeneweg&#xA;&#xA;Joey Bada$$ - Don't Front&#xA;Action Bronson - Easy Rider&#xA;&#xA;---&#xA;&#xA;Spencer4714&#xA;&#xA;&amp;quot;King Kunta&amp;quot; by Kendrick Lamar&#xA;&amp;quot;Cadillactica&amp;quot; by Big KRIT&#xA;&amp;quot;Heavenly Father&amp;quot; by Isaiah Rashad&#xA;&amp;quot;Big Beast&amp;quot; by Killer Mike&#xA;&amp;quot;i&amp;quot; by Kendrick Lamar&#xA;&amp;quot;Never Catch Me&amp;quot; by Flying Lotus&#xA;&amp;quot;All Day&amp;quot; by Kanye West&#xA;&amp;quot;The Recipe&amp;quot; by Kendrick Lamar&#xA;&amp;quot;Christ Conscious&amp;quot; by Joey Bada$$&#xA;&amp;quot;You Ain't Gotta Lie (Momma Said)&amp;quot; by Kendrick Lamar&#xA;&amp;quot;Believe Me&amp;quot; by Lil Wayne&#xA;&amp;quot;Dots &amp;amp; Lines&amp;quot; by Lupe Fiasco&#xA;&amp;quot;Shine On&amp;quot; by Big KRIT&#xA;&amp;quot;Parental Advisory&amp;quot; by Jay Rock&#xA;&amp;quot;Rude Boy&amp;quot; by Aquino&#xA;&amp;quot;Fire Squad&amp;quot; by J. Cole&#xA;&amp;quot;Code Red&amp;quot; by Jay Rock&#xA;&amp;quot;No Joke&amp;quot; by Jay Rock&#xA;&amp;quot;Hood Gone Love It&amp;quot; by Jay Rock&#xA;&amp;quot;Close Your Eyes (And Count to Fuck)&amp;quot; by Run the Jewels&#xA;&amp;quot;Break the Bank&amp;quot; by Scoolboy Q&#xA;&amp;quot;The Bloom&amp;quot; by Wale&#xA;&amp;quot;California Love&amp;quot; by 2Pac&#xA;&amp;quot;Peaches N Cream&amp;quot; by Snoop Dogg&#xA;&#xA;---&#xA;&#xA;StillAtIt&#xA;&#xA;Ice Cube - Today Was a Good Day&#xA;Nas - The World Is Yours&#xA;Nas - One Love&#xA;Notorious B.I.G. - Juicy&#xA;2Pac - Me Against the World&#xA;Jay Z - D'evils&#xA;Rakim - The 18th Letter&#xA;Dr. Dre - Xxplosive&#xA;Nas - Nas is Like&#xA;Nas - Money is My Bitch&#xA;Eminem - Bitch Please II&#xA;Xzibit - U Know&#xA;Xzibit - Front 2 Back&#xA;Jay Z - The Ruler's Back&#xA;Nas - Stillmatic Intro&#xA;Nas - Smokin'&#xA;Nas - 2nd Childhood&#xA;Nas - Book of Rhymes&#xA;Entire Get Rich or Die Tryin' LOL&#xA;Obie Trice - Love Me&#xA;Nas - U Wanna Be Me&#xA;Kanye West - Spaceship&#xA;Nas - Just a Moment&#xA;Young Buck - Bonafide Hustler&#xA;The Game -Dreams&#xA;The Game - Hate It or Love It&#xA;The Game - Runnin'&#xA;Stat Quo - Get Low&#xA;Obie Trice - Ballad of Obie Trice&#xA;Snoop Dogg - Imagine&#xA;Snoop Dogg - That's That Shit&#xA;Eminem - Drop the Bombs on 'em&#xA;Eminem - Untitled&#xA;The Game - The City&#xA;J. Cole - Can't Get Enough&#xA;Frank Ocean - Pink Matter&#xA;Kendrick Lamar - Bitch, Don't Kill My Vibe&#xA;Kendrick Lamar - Money Trees&#xA;Kendrick Lamar - Real&#xA;Nas - Reach Out&#xA;Big Sean - Nothing is Stopping You&#xA;Big Sean - Fire&#xA;Big Sean - Control&#xA;Eminem - Don't Front&#xA;Busta Rhymes - Calm Down&#xA;Dr. Dre - Kush&#xA;J. Cole - Hello&#xA;J. Cole - Apparently&#xA;Kendrick Lamar - It's on Again&#xA;PRhyme - PRhyme&#xA;PRhyme - U Should Know&#xA;50 Cent - This Is Murder This is not Music&#xA;Slaughterhouse - Y'all Ready Know&#xA;Big Sean - Stay Down&#xA;Big Sean - Deep&#xA;Drake - Legend&#xA;Kendrick Lamar - King Kunta&#xA;Kendrick Lamar - i&#xA;&#xA;---&#xA;&#xA;WuTangKillaBeeStankoniagbtalentx&#xA;&#xA;1. Roll Deep - Good Times (ft. Jodie Connor)&#xA;2. Calvin Harris - Pray to God (ft. HAIM)&#xA;3. Game, 50 Cent - Hate It or Love It&#xA;4. Olly Murs - Army of Two&#xA;5. Dizzee Rascal - Goin' Crazy (ft. Robbie Williams)&#xA;6. Eric Prydz - Pjanoo&#xA;7. Lethal Bizzle - Pow 2011 (ft. JME, Wiley, Chip, Face, P Money, Ghetts, Kano)&#xA;8. DJ Khaled - I'm On One (ft. Drake, Rick Ross, Lil Wayne)&#xA;9. DJ Felli Fel - Feel It (ft. Sean Paul, Pitbull, Flo Rida, T-Pain)&#xA;10. Neon Jungle - Welcome to the Jungle&#xA;11. Maino - All the Above (ft. T-Pain)&#xA;12. Neon Jungle - Braveheart&#xA;13. Roll Deep - Green Light&#xA;14. Avicii - The Nights&#xA;15. Dexplicit - Bullacake&#xA;16. Fat Joe - What's Luv? (ft. Ashtani)&#xA;17. Kano - Ps and Qs&#xA;18. Fire Camp - Forward 2&#xA;19. S Club 7 - Don't Stop Movin'&#xA;20. Tinchy Stryder - Number 1 (ft. Dappy)&#xA;21. KlangKrassuell - Netzwerk (Falls Like Rain)&#xA;22. Devlin - Off With Their Heads (ft. Wretch 32)&#xA;23. Kray Twinz, Twista, Lethal Bizzle, Gappy Ranks - What We Do&#xA;24. Coolio - Gangster Paradise (ft. L.V.)&#xA;25. UnBalanced - Vessel (ft. Scarlett Quinn)&#xA;&#xA;ChxckTheRhxmeGood Vibe&#xA;Little Brother - Morning&#xA;Kendrick Lamar - Money Trees&#xA;De La Soul - Much More&#xA;Drake - Know Yourself&#xA;Mick Jenkins - Dehydration&#xA;Joey Bada$$ - Christ Conscious&#xA;J Dilla - Believe in God&#xA;Birocratic - Sombre, Green&#xA;De La Soul - Sunshine&#xA;OutKast - Two Dope Boyz (In A Cadillac)&#xA;The Alchemist - Hold You Down&#xA;Lloyd Banks - I'm So Fly&#xA;Little Brother – Lovin It&#xA;Mobb Deep – The Learning (Burn)&#xA;50 Cent &amp;amp; Mobb Deep – Outta Control&#xA;J Dilla &amp;amp; Elzhi – Come Get It&#xA;Craig David – 7 Days&#xA;Gorillaz – Dirty Harry&#xA;The Foreign Exchange - Downtime&#xA;Kendrick Lamar - King Kunta&#xA;Drake - Worst Behaviour&#xA;DJ Jazzy Jeff &amp;amp; The Fresh Prince - Summertime&#xA;&#xA;---&#xA;&#xA;Alfaoito&#xA;&#xA;The Weeknd - Untitled / Mood Music&#xA;Kanye West - All Day&#xA;Red Hot Chili Peppers - Dani California&#xA;Chris Brown - Don't Be Gone Too Long&#xA;Marina and The Diamonds - Radioactive&#xA;50 Cent - Ayo Technology&#xA;The Weeknd - Drunk In Love&#xA;Drake - Energy&#xA;Rae Sremmurd - No Type&#xA;&#xA;---&#xA;&#xA;Rapfanatic&#xA;**Albums**&#xA;&#xA;The Strokes- Is This It&#xA;The Velvet Underground &amp;amp; Nico&#xA;David Bowie- Hunky Dory&#xA;Nirvana- Nevermind&#xA;Master of Puppets- Metallica&#xA;All Green Day albums up to 21CB&#xA;Neutral Milk Hotel In the Aeroplane Over the Sea&#xA;Smashing Pumpkins- Siamese Dream&#xA;Astral Weeks- Van Morrison&#xA;Licensed to Ill- Beastie Boys&#xA;Are You Experienced - Jimi Hendrix&#xA;A Love Supreme - John Coltrane&#xA;Death Certificate - Ice Cube&#xA;&#xA;**Songs**&#xA;&#xA;Rap:&#xA;The Real Slim Shady - Eminem&#xA;What These Bitches Want - DMX&#xA;U Know - Xzibit&#xA;&#xA;Non-Rap:&#xA;White Teeth Teens - Alexie Gratia f/ Lorde&#xA;&#xA;Rock:&#xA;Lithium - Nirvana&#xA;Come Out Swinging - The Offspring&#xA;Welcome to Paradise - Green Day&#xA;Going to Pasalacqua - Green Day&#xA;My Wave - Soundgarden&#xA;&#xA;---&#xA;&#xA;Tyrant&#xA;&#xA;Summer 2013 in Europe was literally tracks 1-10 of Yeezus. Also heard a lot of Get Lucky &amp;amp; Blurred Lines cause they played that shit every third song in every club&#xA;&#xA;---&#xA;&#xA;Hellblazer&#xA;&#xA;The &amp;quot;Allme&amp;quot; Playlist from 2+ years ago:&#xA;1. Azizi Gibson - Intro&#xA;2. Yung Lean - Gatorade&#xA;3. Mac Miller - Angel Dust&#xA;4. Azizi Gibson - Winners Circle&#xA;5. Domo Genesis - Arrival&#xA;6. A$AP Rocky - Peso&#xA;7. Drake - Days In Toronto (JustDame Refix) &#xA;8. Flow - Ink Bleed Remix (Feat. Bonka, Kevin Gates &amp;amp; G. Wilson)&#xA;9. Danny Brown - Jealousy&#xA;10. Schoolboy Q - Blind Threats (Feat. Raekwon)&#xA;11. Armand Hammer - Shark Fin Soup&#xA;12. MF Doom - Air (Astronote Remix)&#xA;13. Domo Genesis - SS4&#xA;14. Schoolboy Q - Break The Bank&#xA;15. Yung Lean - Gatorade (Lido Remix)&#xA;16. Robb Bank$ - Counting (March)&#xA;17. Apollo Brown - Lower The Boom (Feat Oddisee, Kenn Starr &amp;amp; Sareem Poems)&#xA;18. OutKast - SpottieOttie Dopaliscious&#xA;19. Dexter - Pictures (Feat. Josa Peit)&#xA;20. Quasimoto - Planned Attack&#xA;21. Azizi Gibson - Ghost in the Shell&#xA;22. Kendrick Lamar - Poe Mans Dreams (His Vice) &#xA;23. Redman - Whateva  Man&#xA;24. C2C - 2006 DMC World Team Championship Performance&#xA;25. Captain Murphy - Immaculation (Feat. Azizi Gibson and Jeremiah Jae)&#xA;26. Flatbush Zombies - Chuch&#xA;27. Yung Lean - Gatorade (Chopped &amp;amp; Saddened)&#xA;&#xA;---&#xA;&#xA;AryxSoulchild&#xA;&#xA;&#xA;1. Rihanna ft Chris Brown - Put It Up&#xA;2. Jhene Aiko's Souled Out album&#xA;3. Rihanna - Bitch Better Have My Money&#xA;4. Chris Brown &amp;amp; Tyga - Bunkin'&#xA;5. Chris Brown &amp;amp; Tyga - Remember Me&#xA;6. Fabolous ft Tamia - Into You&#xA;7. Amerie - Why Do We Fall In Love&#xA;8. Juvenile - Back That Azz Up&#xA;9. Ma$e ft Total - What You Want&#xA;10. Ja Rule ft Ashanti - Always on Time&#xA;&#xA;&#xA;---&#xA;&#xA;Self-LoathingNarcissist&#xA;Rap:&#xA;&#xA;Childish Gambino- Poke&#xA;Kendrick Lamar-The Recipe&#xA;Pusha T- Lunch Money&#xA;Kanye West- All Day&#xA;Vic Mensa- U Mad&#xA;A$AP Rocky- R. Cali&#xA;Earl Sweatshirt- Wool&#xA;Tyler the Creater- Smuckers&#xA;Hail Mary Mallon- Jonathan&#xA;Keith Ape-It G Ma&#xA;&#xA;Other:&#xA;&#xA;Washed Up- Feel it All Around&#xA;Lorde- Million Dollar Bills&#xA;Sleigh Bells- Rill Rill&#xA;HOLYCHILD- Happy With Me&#xA;Bad Rabbits- Doin' It&#xA;Tuxedo- So Good&#xA;Mac DeMarco-Chamber of Reflection&#xA;&#xA;---&#xA;&#xA;Gabyayo&#xA;&#xA;1. Xenophobic Blind Left Hook by Saves The Day&#xA;2. Everyone I Know by K.Flay&#xA;&#xA;---&#xA;&#xA;PrettyLittleRockabilly&#xA;&#xA;Arctic Monkeys - Suck It and See&#xA;The Beach Boys - California Girls&#xA;The Beach Boys - Surfin USA&#xA;The Kinks - Better Things&#xA;The Kinks - Don't Forget to Dance&#xA;Arctic Monkeys - Reckless Serenade&#xA;Arctic Monkeys - All My Own Stunts&#xA;The Goo Goo Dolls - Slide&#xA;The Goo Goo Dolls - Iris&#xA;Jamie Lawson - Wasn't Expecting That&#xA;The Monkees - Daydream Believer&#xA;The Beatles - And I Love Her&#xA;The Beatles - All My Loving&#xA;The Beatles - Here Comes The Sun&#xA;The Vamps - Can We Dance&#xA;The Vamps - Move My Way&#xA;Arctic Monkeys - The Blonde-O-Sonic Shimmer Trap&#xA;Ed Sheeran - Cold Coffee&#xA;The 1975 - Girls&#xA;Circa Waves - So Long&#xA;Circa Waves - Young Chasers&#xA;Ed Sheeran - Tenerife Sea&#xA;Green Day - Reject&#xA;Green Day - American Idiot&#xA;Arctic Monkeys - Evil Twin&#xA;The 1975 - Sex&#xA;The Smiths - This Charming Man&#xA;&#xA;---&#xA;&#xA;Babuc&#xA;&#xA;2016 Playlist&#xA;Major Lazer - Jessica ft. Ezra Koenig&#xA;YEAHTIM - #GOATS&#xA;&#xA;2015 Playlist&#xA;Oh Honey –  Wish You Were Here&#xA;Twenty one pilots – Stressed Out&#xA;Mark Ronson - Daffodils (feat. Kevin Parker)&#xA;Julian Moon – A Cup Of Coffee&#xA;Lorde –  Pure Heroine&#xA;The Postal Service -  Give Up&#xA;Vampire Weekend - A-Punk&#xA;Fergie – Fergalicious&#xA;Natasha Bedingfield – Unwritten&#xA;Natasha Bedingfield - Pocketful Of Sunshine&#xA;&#xA;---&#xA;&#xA;Owenn_B&#xA;&#xA;Rap/R&amp;amp;B&#xA;The Weeknd - Rolling Stone&#xA;The Weeknd - Montreal&#xA;Meek Mill - Cold Hearted&#xA;Mac Miller - Wedding&#xA;Mac Miller - Fight the Feeling&#xA;Kendrick Lamar - Sing about me, Im Dying of Thirst&#xA;Kendrick Lamar - Mortal Man&#xA;Drake - Wednesday Night Interlude&#xA;Drake - Pound Cake&#xA;Frank Ocean - Swim good&#xA;&#xA;Alt/Rock/Pop&#xA;The 1975 - Menswear&#xA;The 1975 - Antichrist&#xA;Chase Atlantic - Run Away&#xA;Circa Waves - T-shirt weather&#xA;&#xA;Electronic&#xA;Atu - Vacant&#xA;Ekali - Unfaith&#xA;Tory Lanez (Ekali mix) - Henny in Hand&#xA;&#xA;Sosad2112&#xA;Track 1 - 10&#xA;Track 11 - 20&#xA;Track 21 - 30&#xA;Track 31 - 40&#xA;Track 41 - 50&#xA;Track 51 - 60&#xA;Track 61 - 70&#xA;Track 71 - 80&#xA;Track 81 - 90&#xA;Track 91 - 100&#xA;Track 101 - 110&#xA;Track 111 - 120&#xA;Track 121 - 130&#xA;&#xA;---&#xA;&#xA;Drew_Harvie&#xA;Summer laid back playlist​&#xA;Swinelord&amp;quot;fire emoji&amp;quot;&#xA;&amp;quot;;-;&amp;quot;&#xA;YABOYNICKYJay DayerCanadian Playlist&#xA;Canadian Playlist Pt. 2&#xA;Detroit Playlist&#xA;&#xA;---&#xA;&#xA;VinylZombie_MCR&#xA;&#xA;- Pop&#xA;- Pop Punk /Rock&#xA;&#xA;---&#xA;&#xA;Old School Panther Dee&#xA;&#xA;ImLUat the beach chillinMadkol&#xA;&#xA;&amp;quot;Magic&amp;quot;—B.o.B&#xA;&amp;quot;Bang Bang Pow Pow&amp;quot;—T-Pain&#xA;&amp;quot;Right Above It&amp;quot;—Lil Wayne&#xA;&amp;quot;22&amp;quot;—Taylor Swift&#xA;&amp;quot;All I Do Is Win (Remix)&amp;quot;—DJ Khaled&#xA;&amp;quot;No Problem&amp;quot;—Chance The Rapper&#xA;&amp;quot;History&amp;quot;—One Direction&#xA;&amp;quot;Classic&amp;quot;—MKTO&#xA;&amp;quot;Clique&amp;quot;—Kanye West&#xA;&amp;quot;Like That&amp;quot;—Jack &amp;amp; Jack&#xA;&amp;quot;Better Than Revenge&amp;quot;—Taylor Swift&#xA;&amp;quot;The Real Slim Shady&amp;quot;—Eminem&#xA;&amp;quot;I'm So Paid&amp;quot;—Akon&#xA;&amp;quot;Broccoli&amp;quot;—D.R.A.M&#xA;&amp;quot;Sail&amp;quot;—AWOLNATION&#xA;&amp;quot;Hop Madness&amp;quot;—Hopsin&#xA;&amp;quot;The Story Of Us&amp;quot;—Taylor Swift&#xA;&amp;quot;Speedom&amp;quot;—Tech N9ne&#xA;&amp;quot;Look At Me Now&amp;quot;—Chris Brown&#xA;&amp;quot;Mercy&amp;quot;—Kanye West&#xA;&amp;quot;Sugar&amp;quot;—Maroon 5&#xA;&amp;quot;Lips Are Movin&amp;quot;—Meghan Trainor&#xA;&amp;quot;Cake By The Ocean&amp;quot;—DNCE&#xA;&amp;quot;Work From Home&amp;quot;—Fifth Harmony&#xA;&amp;quot;No Sleep&amp;quot;—Wiz Khalifa&#xA;&amp;quot;Hood Go Crazy&amp;quot;—Tech N9ne&#xA;&amp;quot;You're Such A&amp;quot;—Hailee Steinfeld&#xA;&amp;quot;Bad Mother Fucker&amp;quot;—Machine Gun Kelly&#xA;&amp;quot;Up Down (Do This All Day)&amp;quot;—T-Pain&#xA;&amp;quot;All You Had To Do Was Stay&amp;quot;—Taylor Swift&#xA;&amp;quot;Work&amp;quot;—Rihanna&#xA;&amp;quot;Good Life&amp;quot;—Kanye West&#xA;&amp;quot;I'm Goin In&amp;quot;—Drake&#xA;&amp;quot;Out Of My Mind&amp;quot;—B.o.B&#xA;&amp;quot;Roger That&amp;quot;—Young Money&#xA;&amp;quot;Only&amp;quot;—Nicki Minaj&#xA;&amp;quot;Smile&amp;quot;—Avril Lavigne&#xA;&amp;quot;Can't Stop The Feeling&amp;quot;—Justin Timberlake&#xA;&amp;quot;I Just Wanna Party&amp;quot;—YG&#xA;&amp;quot;Headband&amp;quot;—B.o.B&#xA;&amp;quot;No Hands&amp;quot;—Waka Flock Flame&#xA;&amp;quot;GangBang&amp;quot;—Wiz Khalifa&#xA;&amp;quot;Bandz A Make Her Dance&amp;quot;—Juicy J&#xA;&amp;quot;Centuries&amp;quot;—Fall Out Boy&#xA;&#xA;---&#xA;&#xA;Trialia:&#xA;&#xA;Spotify Summer Rewind Playlist 2018&#xA;01 - Hayley Kiyoko - &amp;quot;Girls Like Girls&amp;quot;&#xA;02 - Lacuna Coil - &amp;quot;Purify&amp;quot;&#xA;03 - Chameleon Circuit - &amp;quot;Exterminate, Regenerate&amp;quot;&#xA;04 - Fall Out Boy - &amp;quot;Ghostbusters (I'm Not Afraid)&amp;quot;&#xA;05 - Demi Lovato - &amp;quot;Confident&amp;quot;&#xA;06 - Lacuna Coil - &amp;quot;Blood, Tears, Dust&amp;quot;&#xA;07 - Propellerheads - &amp;quot;Spybreak! (short one)&amp;quot;&#xA;08 - Aperture Science Psychoacoustic Laboratories - &amp;quot;Still Alive&amp;quot;&#xA;09 - Savage Garden - &amp;quot;I Want You&amp;quot;&#xA;10 - Lacuna Coil - &amp;quot;Lost Lullaby&amp;quot;&#xA;11 - Nine Inch Nails - &amp;quot;Sanctified&amp;quot;&#xA;12 - Creed - &amp;quot;Higher&amp;quot;&#xA;13 - Savage Garden - &amp;quot;To the Moon and Back&amp;quot;&#xA;14 - Lacuna Coil - &amp;quot;To Live is To Hide&amp;quot;&#xA;15 - Carina Round - &amp;quot;Let It Fall&amp;quot;&#xA;16 - Counting Crows - &amp;quot;Goodnight Elisabeth&amp;quot;&#xA;17 - Megadeth - &amp;quot;À Tout Le Monde (Set Me Free)&amp;quot; &#xA;18 - Lacuna Coil - &amp;quot;Upsidedown&amp;quot;&#xA;19 - Avril Lavigne - &amp;quot;Tomorrow&amp;quot;&#xA;20 - Valletta - &amp;quot;Spybreak (Radio Mix)&amp;quot;&#xA;21 - Chameleon Circuit - &amp;quot;Gallifreyan History 101&amp;quot;&#xA;22 - Lacuna Coil - &amp;quot;The Army Inside&amp;quot;&#xA;23 - Savage Garden - &amp;quot;Carry On Dancing&amp;quot;&#xA;24 - Laura Nyro - &amp;quot;You've Really Got A Hold On Me&amp;quot;&#xA;25 - Enigma - &amp;quot;Gravity of Love&amp;quot;&#xA;26 - Lacuna Coil - &amp;quot;Against You&amp;quot;&#xA;27 - Within Temptation - &amp;quot;What Have You Done&amp;quot; &#xA;28 - Demi Lovato - &amp;quot;Cool for the Summer&amp;quot;&#xA;29 - Them Are Us Too - &amp;quot;Creepy Love&amp;quot;&#xA;30 - Chameleon Circuit - &amp;quot;Type 40&amp;quot;&#xA;31 - Mors Syphilitica - &amp;quot;Ungrateful Girl&amp;quot;&#xA;32 - Anna Nalick - &amp;quot;Consider This&amp;quot;&#xA;33 - DJ Quicksilver - &amp;quot;Bellissima (Radio Edit)&amp;quot;&#xA;34 - Regicide - &amp;quot;Narcissus Echo&amp;quot;&#xA;35 - Indigo Girls - &amp;quot;Watershed&amp;quot;&#xA;36 - Oasis - &amp;quot;The Masterplan&amp;quot;&#xA;37 - Suzanne Vega - &amp;quot;Marlene On The Wall&amp;quot;&#xA;38 - Rob D - &amp;quot;Clubbed To Death (Kurayamino Mix)&amp;quot;&#xA;39 - Corinne Bailey Rae - &amp;quot;Put Your Records On&amp;quot;&#xA;40 - Linkin Park - &amp;quot;Castle of Glass&amp;quot;&#xA;41 - Alanis Morissette - &amp;quot;All I Really Want&amp;quot;&#xA;42 - Patti Smith - &amp;quot;Because the Night&amp;quot;&#xA;43 - Soundgarden - &amp;quot;Black Hole Sun&amp;quot;&#xA;44 - Delain - &amp;quot;Army of Dolls&amp;quot;&#xA;45 - Massive Attack - &amp;quot;Inertia Creeps&amp;quot;&#xA;46 - Indigo Girls - &amp;quot;Galileo&amp;quot;&#xA;47 - Lacuna Coil - &amp;quot;Wide Awake&amp;quot;&#xA;48 - Linkin Park - &amp;quot;Leave Out All The Rest&amp;quot;&#xA;49 - Hayley Kiyoko - &amp;quot;Sleepover&amp;quot;&#xA;50 - Scott McKenzie - &amp;quot;San Francisco (Be Sure to Wear Flowers in Your Hair)&amp;quot;&#xA;&#xA;---&#xA;&#xA;Jsaispasjsaisplus&#xA;&#xA;1 - Moha La Squale - J'me balade&#xA;2 - Damso - 911&#xA;3 - Moha La Squale - Amsterdam&#xA;4 - PNL - 91's&#xA;5 - The Weeknd - I Feel It Coming&#xA;&#xA;---&#xA;&#xA;Missblohsh&#xA;&#xA;1 - One Kiss (with Dua Lipa)&#xA;2 - Sparks Fly&#xA;3 - Dangerous Woman&#xA;4 - Paradise City&#xA;5 - Shotgun" PRODUCER="Dancing Dead" COVERARTID="104/I5GUIICSLPCOFBLAMPJGBFVFPR0A" PLAYTIME="154" PLAYTIME_FLOAT="153.406525" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="19029"></INFO>
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<INFO BITRATE="1000000" KEY_LYRICS="6 ContributorsSpaceman Lyrics&#xA;&#xA;&#xA;Immer wenn ich komm', liefer' ich ein Statement&#xA;Keine Shakehands mit Fake Friends&#xA;Junge, immer wenn ich komm', fick' ich euer Breakdance&#xA;Kam aus dem Basement und wurde zu 'nem Spaceman&#xA;Immer wenn ich komm', liefer' ich ein Statement&#xA;Keine Shakehands mit Fake Friends&#xA;Junge, immer wenn ich komm', fick' ich euer Breakdance&#xA;Kam aus dem Basement und wurde zu 'nem Spaceman&#xA;&#xA;&#xA;Schwarze Rosen auf den Gräbern meiner Feinde&#xA;Gott hab sie selig auf dem Weg, den sie beschreiten&#xA;Früher musste ich mich jedes Ma' beweisen&#xA;Doch ich finde keine Gegner mehr, die sind wie meinesgleichen&#xA;Wir sind immer unterwegs in der Nacht&#xA;Rapper zittern wie die Scheiben vom Bass&#xA;Label zittern wie die Geigen von Bach&#xA;Denn alles, was ich bin, hab' ich geschafft aus eigener Kraft, yeah&#xA;Russian Hoes an der Geldzählmaschine&#xA;Wir diggen Samples so wie seltene Fossile&#xA;Ich hab' gelernt, dass niemand bleibt, wenn du fällst&#xA;Genau deswegen trau' ich kei'm, außer mir selbst, ich&#xA;Bin offenbar ein Dorn im Auge der Justiz&#xA;Forty-Nine ist niemals down mit der Police&#xA;Und wenn du glaubst, dass dich nichts von deiner Welle reißt&#xA;Siehst du im Rückspiegel Angel Eyes&#xA;&#xA;Immer wenn ich komm', liefer' ich ein Statement&#xA;Keine Shakehands mit Fake Friends&#xA;Junge, immer wenn ich komm', fick' ich euer Breakdance&#xA;Kam aus dem Basement und wurde zu 'nem Spaceman&#xA;Immer wenn ich komm', liefer' ich ein Statement&#xA;Keine Shakehands mit Fake Friends&#xA;Junge, immer wenn ich komm', fick' ich euer Breakdance&#xA;Kam aus dem Basement und wurde zu 'nem Spaceman&#xA;Immer wenn ich komm'&#xA;&#xA;&#xA;Spürt ihr, wie es ist, mein Feind zu sein&#xA;Jag' euch mit dem schwarzen Beamer wie ein weißer Hai&#xA;Auf der Münsterstraße immer Viertel-Meile-Renn'n&#xA;Und der Hurensohn von Bulle sieht die Reifen brenn'n&#xA;Death of Major, immer ready to die&#xA;Nur Auserwählte in mei'm Familykreis, yeah&#xA;Jeden Abend Cola Zero von der JET-Tanke&#xA;Und Jamil gibt dir 'ne Bombe wie 'ne Brechstange&#xA;Eure Relevanz ist eigentlich Placebo&#xA;Ich würd mich schäm'n, wär mein Album auf Platz zehn, Bro&#xA;IVZ-Journalisten stalken meine Story&#xA;Denn ich bin Bad Boy wie Burnett und dieser Michael Lowrey&#xA;Bleibe independent, doch bin Major-Level&#xA;Das bedeutet, niemand kann sich mir entgegensetzen&#xA;Metrickz, Rhythm of the Night&#xA;Ich fahr' los und du weißt&#xA;&#xA;Immer wenn ich komm', liefer' ich ein Statement&#xA;Keine Shakehands mit Fake Friends&#xA;Junge, immer wenn ich komm', fick' ich euer Breakdance&#xA;Kam aus dem Basement und wurde zu 'nem Spaceman&#xA;Immer wenn ich komm', liefer' ich ein Statement&#xA;Keine Shakehands mit Fake Friends&#xA;Junge, immer wenn ich komm', fick' ich euer Breakdance&#xA;Kam aus dem Basement und wurde zu 'nem Spaceman&#xA;&#xA;&#xA;Immer wenn ich komm'&#xA;Junge, immer wenn ich komm'&#xA;Immer wenn ich komm'&#xA;Junge, immer wenn ich komm'" PRODUCER="2017 JMR" COVERARTID="027/1EFBPFA5DHHK4BP3Q0KHC3M0N3IC" PLAYTIME="160" PLAYTIME_FLOAT="159.384766" IMPORT_DATE="2025/4/14" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="19586"></INFO>
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<INFO BITRATE="1002000" KEY_LYRICS="52 ContributorsGonna Make You Sweat (Everybody Dance Now) Lyrics“Gonna Make You Sweat (Everybody Dance Now)” is a hit song by American dance group C+C Music Factory. It was originally written by Cole &amp;amp; Civilles (aka C &amp;amp; C) for Trilogy, a group they managed, but when the… Read More &#xA;Everybody dance now!&#xA;Everybody dance now!&#xA;Give me the music&#xA;Give me the music&#xA;Everybody dance now!&#xA;Give me the music&#xA;Everybody dance now!&#xA;Everybody dance now!&#xA;Yeah!&#xA;Yeah!&#xA;Yeah&#xA;Everybody dance now!&#xA;Yeah!&#xA;Yeah!&#xA;Yeah!&#xA;Everybody&#xA;&#xA;&#xA;Here is the dome, back with the bass&#xA;The jam is live in effect and I don't waste time&#xA;On the mic with a dope rhyme&#xA;Jump to the rhythm, jump, jump to the rhythm, jump&#xA;And I'm here to combine&#xA;Beats and lyrics to make your shake your pants&#xA;Take a chance, come on and dance&#xA;Guys grab a girl, don't wait, make her twirl&#xA;It's your world and I'm just a squirrel&#xA;Tryna get a nut to move your butt&#xA;To the dance floor, so yo what's up&#xA;Hands in the air, come on, say &amp;quot;Yeah&amp;quot;&#xA;Everybody over here, everybody over there&#xA;The crowd is live and I pursue this groove&#xA;Party people in the house, move&#xA;(Make me feel right) Groove&#xA;(Work me all night)&#xA;&#xA;Come on let's sweat, baby&#xA;Let the music take control&#xA;Let the rhythm move you&#xA;Sweat, sweat&#xA;Let the music take control&#xA;Let the rhythm move you&#xA;Everybody dance now&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Pa-ra-pa-pam&#xA;Pa-ra-pa-pam&#xA;Pa-ra-pa-pam&#xA;Pa-ra-pa-pam&#xA;Pa-ra-pa-pam&#xA;Pa-ra-pa-pam&#xA;Pa-ra-pa-pam&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Everybody dance now!&#xA;Pa-ra-pa-pam&#xA;Pa-ra-pa-pam&#xA;Pa-ra-pa-pam&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Everybody dance now!&#xA;&#xA;Pause, take a breath and go for yours&#xA;On my command, now hit the dance floor&#xA;It's gonna make you sweat 'til you bleed&#xA;Is that dope enough? Indeed&#xA;I paid the price to control the dice&#xA;I'm more precise, to the point I'm nice&#xA;The music takes control, your heart and soul&#xA;Unfold, your body is free and a whole&#xA;Dance 'til you can't, dance&#xA;'Til you can't dance no more&#xA;Get on the floor and get raw&#xA;Dip, come back then upside down&#xA;Easy now, let me see ya move&#xA;(Make me feel right) Groove&#xA;(Work me all night)&#xA;(The music is my life)&#xA;&#xA;&#xA;Everybody dance now!&#xA;Everybody dance now!&#xA;Everybody dance now!&#xA;Everybody&#xA;Come on let's sweat, baby&#xA;Let the music take control&#xA;Let the rhythm move you&#xA;Sweat, sweat&#xA;Let the music take control&#xA;Let the rhythm move you&#xA;&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Tu-ru-tu&#xA;Da-da-da-da-dum" PRODUCER="(P) 1990 Columbia Records, a division of Sony Music Entertainment" COVERARTID="031/5Q5AVTALOE4SYDR1PBAEBLROAAUC" PLAYTIME="245" PLAYTIME_FLOAT="244.679993" IMPORT_DATE="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="30283"></INFO>
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<INFO BITRATE="1018000" KEY_LYRICS="1 ContributorEl Gobi LyricsLetra de &amp;quot;El Gobi&amp;quot;&#xA;&#xA;&#xA;Luce el sol negro, el desierto del Gobi (gobi)&#xA;Hace frontera con mi cuaderno, y la tapa del boli (boli)&#xA;&#xA;&#xA;Anda en dunas, murmura en muros&#xA;El mar es lagrima, espejismo el futuro&#xA;Una sonrisa arena, se rompen lunas, quema el suelo&#xA;Imagina el cielo color pena, el mito duda&#xA;Vuelan buitres sobre el alma&#xA;La sombra se cansa de ser la sed del hombre que habla&#xA;A falta de fe ya surge el hambre&#xA;Y tras comerse el corazón el oasis queda en sangre&#xA;Hoy el Gobi cubre a otros&#xA;Es desierto en desierto en lo incierto de un nosotros&#xA;Si envenena la tormenta que tapa el rostro&#xA;La noche que entra el monstruo de un tú y yo con dos condenas&#xA;Sueñas sin rastro, el sueño al ras del resto&#xA;Restan cálculos sin completo a días&#xA;Las estrellas son las guías de algún muerto tía&#xA;Y solo el tiempo dirá lo que el viento calle en cobardía&#xA;Hoy hay té en una jaima, desesperanza entre paredes&#xA;De una ventana sin mañana donde danza lo que hiere&#xA;A veces llueve en los ojos&#xA;Y el poeta deja el boli al no verse en su reflejo&#xA;En el Gobi sin amor se muere&#xA;Es un hobbie de la moral amordazada&#xA;Y siempre duele más que cualquier bala&#xA;El sol de la soledad que atraviesa a quien ya no quiere nada&#xA;&#xA;El Gobi, desiertos en su corazón&#xA;En el tuyo y en el mío en la población&#xA;Cuando el odio se abastece el clima oscurece&#xA;No hay vuelta atrás, en él te perderás&#xA;&#xA;El Gobi, desiertos en su corazón&#xA;En el tuyo y en el mío en la población&#xA;Cuando el odio se abastece el clima oscurece&#xA;No hay vuelta atrás, en él te perderás&#xA;&#xA;&#xA;Me quieren rallar pero soy un diamante&#xA;Intenta matarme la música, es excitante&#xA;Los desiertos del corazón se expanden&#xA;Sus dunas invaden tu carne&#xA;Se entierra el alma, es incesante su poder&#xA;El Gobi, la maldad hecha hobbie&#xA;Si te odio, te olvido en el boli y te borro del móvil&#xA;Prefiero que crezca el oasis&#xA;El odio solo te va a dejar moralmente en el chasis&#xA;A las putas se les paga como un taxi, no se las pega&#xA;Viaja por los bordes afilados de mi estrella&#xA;Nado en piscinas con pirañas, me limpio del racismo con jabón&#xA;Siempre quedan manchas como la religión&#xA;La homofobia no es distinta, otro formato&#xA;La misma misión, el maltrato, pero su Dios es Franco&#xA;Soplo un polvo, lo cambio por amor intenso&#xA;Caricias y abrazos siempre llenan más que los besos forzados&#xA;Pienso que la venganza es el segundo plato&#xA;De los que están vacíos, infelices y planos de amor&#xA;Hacer daño a su orgasmo, yo que te voy a tocar, prefiero&#xA;Tocar el piano a hacer música y regresar con nuevas canciones&#xA;Se ríen de los defectos de los demás y hacen comparaciones&#xA;&amp;quot;Oye se parece a...&amp;quot; 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<INFO BITRATE="1023000" KEY_LYRICS="13 ContributorsAround the World Lyrics&#xA;I've been around the world&#xA;Hey, hey&#xA;I've been around the world&#xA;Hey, hey&#xA;&#xA;&#xA;In the kitchen where I'm cooking what is good for me&#xA;Spices from the globe&#xA;Little by little, it's the finest meal&#xA;It's appetite for hope&#xA;Come and see&#xA;&#xA;&#xA;You mix it all together in your dreams&#xA;Ingredients from the Seven Seas and&#xA;I'm realizing things ain't what they seem&#xA;That's the riddle of it&#xA;That's the spirit of it&#xA;That's the power of life&#xA;&#xA;&#xA;I've been around the world ('Round the world)&#xA;And I've seen it all (Seen it all)&#xA;I've been around the world ('Round the world)&#xA;The sun will always rise and fall&#xA;I've been around the world ('Round the world)&#xA;And I want you to see (Seen it all)&#xA;I've been the only girl ('Round the world)&#xA;All surrounded by mystery&#xA;&#xA;In the living room, I'm cleaning up from top to floor&#xA;The place I love the most (Ah)&#xA;The wall is covered up with all my souvenirs&#xA;I've got from coast to coast&#xA;Come and see&#xA;&#xA;&#xA;You mix it all together in your dreams&#xA;Ingredients from the Seven Seas and&#xA;I'm realizing things ain't what they seem&#xA;That's the riddle of it&#xA;That's the spirit of it&#xA;That's the power of life&#xA;&#xA;&#xA;I've been around the world ('Round the world)&#xA;And I've seen it all (Seen it all)&#xA;I've been around the world ('Round the world)&#xA;The sun will always rise and fall&#xA;I've been around the world ('Round the world)&#xA;And I want you to see (Seen it all)&#xA;I've been only girl ('Round the world)&#xA;All surrounded by mystery&#xA;&#xA;&#xA;I'm still coming around&#xA;I keep chasing dreams&#xA;Girl, I keep coming around&#xA;Hey, hey&#xA;I keep coming around&#xA;And I can never stop&#xA;Girl, I keep coming around&#xA;'Cause if I do, I'll walk&#xA;Around, around&#xA;Mm, around the world&#xA;&#xA;I've been around the world ('Round the world)&#xA;Hey, hey (Seen it all)&#xA;I've been around the world ('Round the world)&#xA;All surrounded by mystery&#xA;I've been around the world ('Round the world)&#xA;And I've seen it all (Seen it all)&#xA;I've been around the world ('Round the world)&#xA;The sun will always rise and fall&#xA;('Round the world)" PRODUCER="℗ 2000 Universal Music (Denmark) A/S" COVERARTID="002/CUF3VHDFIBS5WCB4LQEBD443PVJC" PLAYTIME="210" PLAYTIME_FLOAT="209.119995" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="26673"></INFO>
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<INFO BITRATE="1022000" KEY_LYRICS="19 ContributorsWe’re Going to Ibiza! Lyrics“We’re Going To Ibiza!” is the second single from The Party Album! released in 1999. It featured a cartoon music video.&#xA;&#xA;In May 2019 the song got a lot of attention in Austria as a video from 2017 of the vice… Read More &#xA;Hello, party people!&#xA;This is Captain Kim speaking&#xA;Welcome aboard Venga Airways&#xA;After take-off we'll pump up the sound system&#xA;'Cause we're going to Ibiza!&#xA;&#xA;&#xA;I don't wanna be a bus driver​&#xA;All my life&#xA;I'm gonna pack my bags and leave this town&#xA;Grab a flight&#xA;Fly away on Venga Airways&#xA;Fly me high, Ibiza sky&#xA;&#xA;&#xA;I look up at the sky&#xA;And I see the clouds&#xA;I look down at the ground&#xA;And I see the rain go down the drain&#xA;Fly away on Venga Airways&#xA;Fly me high, Ibiza sky&#xA;&#xA;&#xA;Whoa! We're going to Ibiza&#xA;Whoa! Back to the island&#xA;Whoa! We're gonna have a party&#xA;Whoa! In the Mediterranean Sea&#xA;&#xA;Eeyoo, eeyoo, oweyo, oweyo&#xA;Eeyoo, eeyoo, oweyo, oweyo&#xA;Eeyoo, eeyoo, oweyo, oweyo&#xA;Eeyoo, eeyoo, oweyo, oweyo&#xA;&#xA;&#xA;Far away from this big town&#xA;And the rain&#xA;It's really very nice to be&#xA;Home again&#xA;Fly away on Venga Airways&#xA;Fly me high, Ibiza sky&#xA;&#xA;&#xA;Whoa! We're going to Ibiza&#xA;Whoa! Back to the island&#xA;Whoa! We're gonna have a party&#xA;Whoa! In the Mediterranean Sea&#xA;&#xA;&#xA;Eeyoo, eeyoo, oweyo, oweyo&#xA;Eeyoo, eeyoo, oweyo, oweyo&#xA;Eeyoo, eeyoo, oweyo, oweyo&#xA;Eeyoo, eeyoo, oweyo, oweyo&#xA;&#xA;Thank you for flying Venga Airways&#xA;We are now approaching Ibiza airport&#xA;As you can see, the sky is blue&#xA;And the beach is waiting for you&#xA;&#xA;&#xA;Whoa! We're going to Ibiza&#xA;Whoa! Back to the island&#xA;Whoa! We're gonna have a party&#xA;Whoa! In the Mediterranean Sea&#xA;Whoa! We're going to Ibiza&#xA;Whoa! Back to the island&#xA;Whoa! We're gonna have a party&#xA;Whoa! In the Mediterranean Sea&#xA;&#xA;&#xA;Whoa! We're going to Ibiza!" PRODUCER="℗ 1998 Universal International Music B.V." COVERARTID="073/JOGVX3AWIJLERCOOOW13CG0JO13B" PLAYTIME="218" PLAYTIME_FLOAT="217.359634" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="27680"></INFO>
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<INFO BITRATE="1024000" KEY_LYRICS="4 ContributorsBoyz in Paris LyricsSo I ball so hard, motherfuckers wanna fine me&#xA;But first niggas gotta find me&#xA;What's fifty grand to a motherfucker like me?&#xA;Can you please remind me?&#xA;Ball so hard, this shit crazy&#xA;Y'all don't know that don't shit faze me&#xA;The Nets could go 0 for 82&#xA;And I looked at you like this shit gravy&#xA;(Ball so hard) this shit weird&#xA;We ain't even 'posed to be here&#xA;(Ball so hard) since we here&#xA;It's only right that we'd be fair&#xA;Psycho, I'm liable to go Michael, take your pick&#xA;Jackson, Tyson, Jordan, Game 6&#xA;&#xA;This shit weird&#xA;We ain't even 'posed to bе here&#xA;(Ball so hard) since wе here&#xA;It's only right that we'd be fair&#xA;Ball so hard, motherfuckers wanna fine me&#xA;That shit cray, that shit cray, that shit cray&#xA;&#xA;She said, &amp;quot;Ye, can we get married at the mall?&amp;quot;&#xA;I said, &amp;quot;Look, you need to crawl 'fore you ball&amp;quot;&#xA;Come and meet me in the bathroom stall&#xA;And show me why you deserve to have it all&#xA;Jackson, Tyson, Jordan, Game 6&#xA;Jackson, Tyson, Jordan, Game 6&#xA;&#xA;Jackson, Tyson, Jordan, Game 6&#xA;Jackson, Tyson, Jordan, Game 6" PRODUCER="(P) 2023 Marnik, Naeleck, VINAI, under exclusive license to Signatune, a joint venture with Sony Music Entertainment France SAS" COVERARTID="101/FLJVQYBI0JBZ4CHCY3RTDFFOUBJD" PLAYTIME="152" PLAYTIME_FLOAT="151.589386" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="19223"></INFO>
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<INFO BITRATE="1028000" KEY_LYRICS="2 ContributorsCaptain Jack (Short Mix) LyricsEjo Captain Jack&#xA;Bring me back to the railroad track&#xA;&#xA;Running to the railroad track&#xA;Run along with Captain Jack&#xA;Run into the peacecamp back&#xA;Run along with Captain Jack&#xA;Badadadideido, left right right left&#xA;Badadadideido, run along with Captain Jack&#xA;&#xA;Forward march!&#xA;&#xA;Ejo Captain Jack&#xA;Bring me back to the railroad track&#xA;Give me a gun in my hand&#xA;I want to be shooting man&#xA;Left, right, left&#xA;The military step&#xA;The airforce rap&#xA;The seventeen is the best&#xA;Goo, left, go right, go pick up the step, go left, go right, go left&#xA;&#xA;Chorus:&#xA;We're running to the railroad track&#xA;Run along with Captain Jack&#xA;Badadadideido, run along with Captain Jack&#xA;Run into the peacecamp back&#xA;Run along with Captain Jack&#xA;Badadadideido, badideido, badideidideidideido&#xA;Badadadideido, left right right left&#xA;Badadadideido, run along with Captain Jack&#xA;Company attention forward march!&#xA;&#xA;Ejo Captain Jack&#xA;Bring me back the railroad track&#xA;Give me a bottle in my hand&#xA;I want to be drunken man&#xA;Left, right, left&#xA;The military step&#xA;The airforce rap&#xA;The seventeen is the best&#xA;Goo, left, go right, go pick up the step, go left, go right, go left&#xA;&#xA;(Repeat Chorus)&#xA;We are running...&#xA;&#xA;Ejo Captain Jack&#xA;Bring me back the railroad track&#xA;Give me a women in my hand&#xA;I want to be f***ing man&#xA;Left, right, left&#xA;The military step&#xA;The airforce rap&#xA;The seventeen is the best&#xA;Goo, left, go right, go pick up the step, go left, go right, go left&#xA;&#xA;(Repeat Chorus)&#xA;We Are running" PRODUCER="Beatdisaster" COVERARTID="002/CIMP4BAJ153PEB1IQ1P5DVLTUTFA" PLAYTIME="249" PLAYTIME_FLOAT="248.533340" IMPORT_DATE="2025/4/14" RELEASE_DATE="2008/1/1" FLAGS="12" FILESIZE="31354"></INFO>
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<INFO BITRATE="1028000" KEY_LYRICS="28 ContributorsI Want You Back Lyrics&#xA;You're all I ever wanted&#xA;You're all I ever needed, yeah&#xA;So tell me what to do now&#xA;'Cause&#xA;&#xA;Lance: I...&#xA;Joey: I...&#xA;Justin: I...&#xA;JC: I...&#xA;Chris: I...&#xA;All: I want you back&#xA;&#xA;&#xA;It's hard to say I'm sorry&#xA;It's hard to make the things I did undone&#xA;A lesson I've learned too well for sure&#xA;So don't hang up the phone now&#xA;I'm tryna figure out just what to do&#xA;I'm goin' crazy without you&#xA;&#xA;&#xA;You're all I ever wanted&#xA;You're all I ever needed (Yeah)&#xA;So tell me what to do now&#xA;When I want you back&#xA;&#xA;Baby, I remember&#xA;The way you used to look at me and say&#xA;&amp;quot;Promises never last forever&amp;quot;&#xA;I told you not to worry&#xA;I said that everything would be all right&#xA;I didn't know then that you were right&#xA;&#xA;&#xA;You're all I ever wanted&#xA;(Baby, you're all)&#xA;You're all I ever needed (Yeah)&#xA;So tell me what to do now&#xA;When I want you back (Back...)&#xA;&#xA;&#xA;I want you back&#xA;Oh oh&#xA;&#xA;&#xA;Yeah...&#xA;You're the one I want&#xA;You're the one I need&#xA;Girl, what can I do?&#xA;You're the one I want&#xA;You're the one I need&#xA;Tell me, what can I do?&#xA;&#xA;You're all I ever wanted&#xA;(You're the one I want)&#xA;You're all I ever needed&#xA;(You're the one I need)&#xA;So tell me what to do now&#xA;(Tell me, what can I do?)&#xA;When I want you back&#xA;&#xA;&#xA;You're all I ever wanted, hey&#xA;You're all I ever needed, yeah&#xA;So tell me what to do now&#xA;When I want you back" PRODUCER="(P) 1997 Trans Continental Records, Inc." COVERARTID="080/Q4YDZXB3K4NZNCRWBEHEAOLVPMVD" PLAYTIME="201" PLAYTIME_FLOAT="200.440002" IMPORT_DATE="2025/4/14" RELEASE_DATE="1998/1/1" FLAGS="12" FILESIZE="25522"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="70990" AUDIO_ID="AJAYvvyph2VUNDIyIlq7gyIyIzNERVaGi9//////////////////////////////////////////////////////////ybqNqXRru5icqoemdTMzM2yqmYh1N6eJiZmFiYh5iXp6mKiriJmMzMiJ7//////////////////////////+7///////////////////////////////yohlVIivy5mamZmqt5mIlYh4Z4ZmaKmqiGib///////////////////////////////////////////////////////////////////////////////////////9dUIhEAAAAA==" TITLE="Scarface (Push It To The Limit)" ARTIST="Danny Suko MH"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="14 - Danny Suko, MH - Scarface (Push It To The Limit).flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="999000" KEY_LYRICS="4 ContributorsChapter 2 LyricsCHAPTER TWO&#xA;&#xA;THE MYSTERIES OF ALBERTINE — THE GIRLS WHOM SHE SEES REFLECTED IN THE GLASS — THE OTHER WOMAN — THE LIFT-BOY — MADAME DE CAMBREMER — THE PLEASURES OF M. NISSIM BERNARD — OUTLINE OF THE STRANGE CHARACTER OF MOREL — M. DE CHARLUS DINES WITH THE VERDURINS&#xA;&#xA;   In my fear lest the pleasure I found in this solitary excursion might weaken my memory of my grandmother, I sought to revive this by thinking of some great mental suffering that she had undergone; in response to my appeal that suffering tried to build itself in my heart, threw up vast pillars there; but my heart was doubtless too small for it, I had not the strength to bear so great a grief, my attention was distracted at the moment when it was approaching completion, and its arches collapsed before joining as, before they have perfected their curve, the waves of the sea totter and break&#xA;&#xA;   And yet, if only from my dreams when I was asleep, I might have learned that my grief for my grandmother’s death was diminishing, for she appeared in them less crushed by the idea that I had formed of her non-existence. I saw her an invalid still, but on the road to recovery, I found her in better health. And if she made any allusion to what she had suffered, I stopped her mouth with my kisses and assured her that she was now permanently cured. I should have liked to call the sceptics to witness that death is indeed a malady from which one recovers. Only, I no longer found in my grandmother the rich spontaneity of old times. Her words were no more than a feeble, docile response, almost a mere echo of mine; she was nothing more than the reflexion of my own thoughts&#xA;&#xA;   Incapable as I still was of feeling any fresh physical desire, Albertine was beginning nevertheless to inspire in me a desire for happiness. Certain dreams of shared affection, always floating on the surface of our minds, ally themselves readily by a sort of affinity with the memory (provided that this has already become slightly vague) of a woman with whom we have taken our pleasure. This sentiment recalled to me aspects of Albertine’s face, more gentle, less gay, quite different from those that would have been evoked by physical desire; and as it was also less pressing than that desire I would gladly have postponed its realisation until the following winter, without seeking to see Albertine again at Balbec, before her departure. But even in the midst of a grief that is still keen physical desire will revive. From my bed, where I was made to spend hours every day resting, I longed for Albertine to come and resume our former amusements. Do we not see, in the very room in which they have lost a child, its parents soon come together again to give the little angel a baby brother? I tried to distract my mind from this desire by going to the window to look at that day’s sea. As in the former year, the seas, from one day to another, were rarely the same. Nor, however, did they at all resemble those of that first year, whether because we were now in spring with its storms, or because even if I had come down at the same time as before, the different, more changeable weather might have discouraged from visiting this coast certain seas, indolent, vaporous and fragile, which I had seen throughout long, scorching days, asleep upon the beach, their bluish bosoms, only, faintly stirring, with a soft palpitation, or, as was most probable, because my eyes, taught by Elstir to retain precisely those elements that before I had deliberately rejected, would now gaze for hours at what in the former year they had been incapable of seeing. The contrast that used then to strike me so forcibly between the country drives that I took with Mme. de Villeparisis and this proximity, fluid, inaccessible, mythological, of the eternal Ocean, no longer existed for me. And there were days now when, on the contrary, the sea itself seemed almost rural. On the days, few and far between, of really fine weather, the heat had traced upon the waters, as it might be across country, a dusty white track, at the end of which the pointed mast of a fishing-boat stood up like a village steeple. A tug, of which one could see only the funnel, was smoking in the distance like a factory amid the fields, while alone against the horizon a convex patch of white, sketched there doubtless by a sail but apparently a solid plastered surface, made one think of the sunlit wall of some isolated building, an hospital or a school. And the clouds and the wind, on days when these were added to the sun, completed if not the error of judgment, at any rate the illusion of the first glance, the suggestion that it aroused in the imagination. For the alternation of sharply defined patches of colour like those produced in the country by the proximity of different crops, the rough, yellow, almost muddy irregularities of the marine surface, the banks, the slopes that hid from sight a vessel upon which a crew of nimble sailors seemed to be reaping a harvest, all this upon stormy days made the ocean a thing as varied, as solid, as broken, as populous, as civilised as the earth with its carriage roads over which I used to travel, and was soon to be travelling again. And once, unable any longer to hold out against my desire, instead of going back to bed I put on my clothes and started off to Incarville, to find Albertine. I would ask her to come with me to Douville, where I would pay calls at Féterne upon Mme. de Cambremer and at la Raspelière upon Mme. Verdurin. Albertine would wait for me meanwhile upon the beach and we would return together after dark. I went to take the train on the local light railway, of which I had picked up, the time before, from Albertine and her friends all the nicknames current in the district, where it was known as theTwister because of its numberless windings, the Crawler because the train never seemed to move, the Transatlantic because of a horrible siren which it sounded to clear people off the line, the Decauville and the Funi, albeit there was nothing funicular about it but because it climbed the cliff, and, although not, strictly speaking, a Decauville, had a 60 centimetre gauge, the B. A. G. because it ran between Balbec and Grattevast via Angerville, the Tram and the T. S. N. because it was a branch of the Tramways of Southern Normandy. I took my seat in a compartment in which I was alone; it was a day of glorious sunshine, and stiflingly hot; I drew down the blue blind which shut off all but a single ray of sunlight. But immediately I beheld my grandmother, as she had appeared sitting in the train, on our leaving Paris for Balbec, when, in her sorrow at seeing me drink beer, she had preferred not to look, to shut her eyes and pretend to be asleep. I, who in my childhood had been unable to endure her anguish when my grandfather tasted brandy, I had inflicted this anguish upon her, not merely of seeing me accept, at the invitation of another, a drink which she regarded as bad for me, I had forced her to leave me free to swill it down to my heart’s content, worse still, by my bursts of passion, my choking fits, I had forced her to help, to advise me to do so, with a supreme resignation of which I saw now in my memory the mute, despairing image, her eyes closed to shut out the sight. So vivid a memory had, like the stroke of a magic wand, restored the mood that I had been gradually outgrowing for some time past; what had I to do with Rosemondé when my lips were wholly possessed by the desperate longing to kiss a dead woman, what had I to say to the Cambremers and Verdurins when my heart was beating so violently because at every moment there was being renewed in it the pain that my grandmother had suffered. I could not remain in the compartment. As soon as the train stopped at Maineville-la-Teinturiere, abandoning all my plans, I alighted. Maineville had of late acquired considerable importance and a reputation all its own, because a director of various casinos, a caterer in pleasure, had set up, just outside it, with a luxurious display of bad taste that could vie with that of any smart hotel, an establishment to which we shall return anon, and which was, to put it briefly, the first brothel for ‘exclusive’ people that it had occurred to anyone to build upon the coast of France. It was the only one. True, every port has its own, but intended for sailors only, and for lovers of the picturesque whom it amuses to see, next door to the primeval parish church, the bawd, hardly less ancient, venerable and moss-grown, standing outside her ill-famed door, waiting for the return of the fishing fleet&#xA;&#xA;   Hurrying past the glittering house of ‘pleasure,’ insolently erected there despite the protests which the heads of families had addressed in vain to the mayor, I reached the cliff and followed its winding paths in the direction of Balbec. I heard, without responding to it, the appeal of the hawthorns. Neighbours, in humbler circumstances, of the blossoming apple trees, they found them very coarse, without denying the fresh complexion of the rosy-petalled daughters of those wealthy brewers of cider. They knew that, with a lesser dowry, they were more sought after, and were attractive enough by themselves in their tattered whiteness&#xA;&#xA;   On my return, the hotel porter handed me a black-bordered letter in which the Marquis and the Marquise de Gonneville, the Vicomte and the Vicomtesse d’Amfreville, the Comte and the Comtesse de Berneville, the Marquis and the Marquise de Graincourt, the Comte d’Amenoncourt, the Comtesse de Maineville, the Comte and the Comtesse de Franquetot, the Comtesse de Chaverny née d’Aigleville, begged to announce, and from which I understood at length why it had been sent to me when I caught sight of the names of the Marquise de Cambremer née du Mesnil la Guichard, the Marquis and the Marquise de Cambremer, and saw that the deceased, a cousin of the Cambremers, was named Eléonore-Euphrasie-Humbertine de Cambremer, Comtesse de Criquetot. In the whole extent of this provincial family, the enumeration of which filled the closely printed lines, not a single commoner, and on the other hand not a single title that one knew, but the entire muster-roll of the nobles of the region who made their names — those of all the interesting spots in the neighbourhood — ring out their joyous endings in ville, in court, sometimes on a duller note (in tot). Garbed in the roof-tiles of their castle or in the roughcast of their parish church, their nodding heads barely reaching above the vault of the nave or banqueting hall, and then only to cap themselves with the Norman lantern or the dovecot of the pepperpot turret, they gave the impression of having sounded the rallying call to all the charming villages straggling or scattered over a radius of fifty leagues, and to have paraded them in massed formation, without one absentee, one intruder, on the compact, rectangular draught-board of the aristocratic letter edged with black&#xA;&#xA;   My mother had gone upstairs to her room, meditating the phrase of Madame de Sévigné: “I see nothing of the people who seek to distract me from you; the truth of the matter is that they are seeking to prevent me from thinking of you, and that annoys me.”— because the chief magistrate had told her that she ought to find some distraction. To me he whispered: “That’s the Princesse de Parme!” My fears were dispelled when I saw that the woman whom the magistrate pointed out to me bore not the slightest resemblance to Her Royal Highness. But as she had engaged a room in which to spend the night after paying a visit to Mme. de Luxembourg, the report of her coming had the effect upon many people of making them take each newcomer for the Princesse de Parme — and upon me of making me go and shut myself up in my attic&#xA;&#xA;   I had no wish to remain there by myself. It was barely four o’clock. I asked Françoise to go and find Albertine, so that she might spend the rest of the afternoon with me&#xA;&#xA;   It would be untrue, I think, to say that there were already symptoms of that painful and perpetual mistrust which Albertine was to inspire in me, not to mention the special character, emphatically Gomorrhan, which that mistrust was to assume. Certainly, even that afternoon — but this was not the first time — I grew anxious as I was kept waiting. Françoise, once she had started, stayed away so long that I began to despair. I had not lighted the lamp. The daylight had almost gone. The wind was making the flag over the casino flap. And, fainter still in the silence of the beach over which the tide was rising, and like a voice rendering and enhancing the troubling emptiness of this restless, unnatural hour, a little barrel organ that had stopped outside the hotel was playing Viennese waltzes. At length Françoise arrived, but unaccompanied. “I have been as quick as I could but she wouldn’t come because she didn’t think she was looking smart enough. If she was five minutes painting herself and powdering herself, she was an hour by the clock. You’ll be having a regular scentshop in here. She’s coming, she stayed behind to tidy herself at the glass. I thought I should find her here.” There was still a long time to wait before Albertine appeared. But the gaiety, the charm that she shewed on this occasion dispelled my sorrow. She informed me (in contradiction of what she had said the other day) that she would be staying for the whole season and asked me whether we could not arrange, as in the former year, to meet daily. I told her that at the moment I was too melancholy and that I would rather send for her from time to time at the last moment, as I did in Paris. “If ever you’re feeling worried, or feel that you want me, do not hesitate,” she told me, “to send for me, I shall come immediately, and if you are not afraid of its creating a scandal in the hotel, I shall stay as long as you like.” Françoise, in bringing her to me, had assumed the joyous air she wore whenever she had gone out of her way to please me and had been successful. But Albertine herself contributed nothing to her joy, and the very next day Françoise was to greet me with the profound observation: “Monsieur ought not to see that young lady. I know quite well the sort she is, she’ll land you in trouble.” As I escorted Albertine to the door I saw in the lighted dining-room the Princesse de Parme. I merely gave her a glance, taking care not to be seen. But I must say that I found a certain grandeur in the royal politeness which had made me smile at the Guermantes’. It is a fundamental rule that sovereign princes are at home wherever they are, and this rule is conventionally expressed in obsolete and useless customs such as that which requires the host to carry his hat in his hand, in his own house, to shew that he is not in his own home but in the Prince’s. Now the Princesse de Parme may not have formulated this idea to herself, but she was so imbued with it that all her actions, spontaneously invented to suit the circumstances, pointed to it. When she rose from table she handed a lavish tip to Aimé, as though he had been there solely for her and she were rewarding, before leaving a country house, a footman who had been detailed to wait upon her. Nor did she stop at the tip, but with a gracious smile bestowed on him a few friendly, flattering words, with a store of which her mother had provided her. Another moment, and she would have told him that, just as the hotel was perfectly managed, so Normandy was a garden of roses and that she preferred France to any other country in the world. Another coin slipped from the Princess’s fingers, for the wine waiter, for whom she had sent and to whom she made a point of expressing her satisfaction like a general after an inspection. The lift-boy had come up at that moment with a message for her; he too received a little speech, a smile and a tip, all this interspersed with encouraging and humble words intended to prove to them that she was only one of themselves. As Aimé, the wine waiter, the lift-boy and the rest felt that it would be impolite not to grin from ear to ear at a person who smiled at them, she was presently surrounded by a cluster of servants with whom she chatted kindly; such ways being unfamiliar in smart hotels, the people who passed by, not knowing who she was, thought they beheld a permanent resident at Balbec, who, because of her humble origin, or for professional reasons (she was perhaps the wife of an agent for champagne) was less different from the domestics than the really smart visitors. As for me, I thought of the palace at Parma, of the counsels, partly religious, partly political, given to this Princess, who behaved towards the lower orders as though she had been obliged to conciliate them in order to reign over them one day. All the more, as if she were already reigning&#xA;&#xA;   I went upstairs again to my room, but I was not alone there. I could hear some one softly playing Schumann. No doubt it happens at times that people, even those whom we love best, become saturated with the melancholy or irritation that emanates from us. There is nevertheless an inanimate object which is capable of a power of exasperation to which no human being will ever attain: to wit, a piano&#xA;&#xA;   Albertine had made me take a note of the dates on which she would be going away for a few days to visit various girl friends, and had made me write down their addresses as well, in case I should want her on one of those evenings, for none of them lived very far away. This meant that when I tried to find her, going from one girl to another, she became more and more entwined in ropes of flowers. I must confess that many of her friends — I was not yet in love with her — gave me, at one watering-place or another, moments of pleasure. These obliging young comrades did not seem to me to be very many. But recently I have thought it over, their names have recurred to me. I counted that, in that one season, a dozen conferred on me their ephemeral favours. A name came back to me later, which made thirteen. I then, with almost a child’s delight in cruelty, dwelt upon that number. Alas, I realised that I had forgotten the first of them all, Albertine who no longer existed and who made the fourteenth&#xA;&#xA;   I had, to resume the thread of my narrative, written down the names and addresses of the girls with whom I should find her upon the days when she was not to be at Incarville, but privately had decided that I would devote those days rather to calling upon Mme. Verdurin. In any case, our desire for different women varies in intensity. One evening we cannot bear to let one out of our sight who, after that, for the next month or two, will never enter our mind. Then there is the law of change, for a study of which this is not the place, under which, after an over-exertion of the flesh, the woman whose image haunts our momentary senility is one to whom we would barely give more than a kiss on the brow. As for Albertine, I saw her seldom, and only upon the very infrequent evenings when I felt that I could not live without her. If this desire seized me when she was too far from Balbec for Françoise to be able to go and fetch her, I used to send the lift-boy to Egreville, to La Sogne, to Saint-Frichoux, asking him to finish his work a little earlier than usual. He would come into my room, but would leave the door open for, albeit he was conscientious at his ‘job’ which was pretty hard, consisting in endless cleanings from five o’clock in the morning, he could never bring himself to make the effort to shut a door, and, if one were to remark to him that it was open, would turn back and, summoning up all his strength, give it a gentle push. With the democratic pride that marked him, a pride to which, in more liberal careers, the members of a profession that is at all numerous never attain, barristers, doctors and men of letters speaking simply of a ‘brother’ barrister, doctor or man of letters, he, employing, and rightly, a term that is confined to close corporations like the Academy, would say to me in speaking of a page who was in charge of the lift upon alternate days: “I shall get my colleagueto take my place.” This pride did not prevent him from accepting, with a view to increasing what he called his ‘salary,’ remuneration for his errands, a fact which had made Françoise take a dislike to him: “Yes, the first time you see him you would give him the sacrament without confession, but there are days when his tongue is as smooth as a prison door. It’s your money he’s after.” This was the category in which she had so often in-cluded Eulalie, and in which, alas (when I think of all the trouble that was one day to come of it), she already placed Albertine, because she saw me often asking Mamma, on behalf of my impecunious friend, for trinkets and other little presents, which Françoise held to be inexcusable because Mme. Bontemps had only a general servant. A moment later the lift-boy, having removed what I should have called his livery and he called his tunic, appeared wearing a straw hat, carrying a cane, holding himself stiffly erect, for his mother had warned him never to adopt the ‘working-class’ or ‘pageboy’ style. Just as, thanks to books, all knowledge is open to a work-ing man, who ceases to be such when he has finished his work, so, thanks to a ‘boater’ hat and a pair of gloves, elegance became accessible to the lift-boy who, having ceased for the evening to take the visitors upstairs, imagined himself, like a young surgeon who has taken off his overall, or Serjeant Saint-Loup out of uniform, a typical young man about town. He was not for that matter lacking in ambition, or in talent either in manipu-lating his machine and not bringing you to a standstill between two floors. But his vocabulary was defective. I credited him with ambition because he said in speaking of the porter, under whom he served: “My porter,” in the same tone in which a man who owned what the page would have called a ‘private mansion’ in Paris would have referred to his footman. As for the lift-boy’s vocabulary, it is curious that anybody who heard people, fifty times a day, calling for the ‘lift,’ should never himself call it anything but a ‘left.’ There were certain things about this boy that were extremely annoying: whatever I might be saying to him he would interrupt with a phrase: “I should say so!” or “I say!” which seemed either to imply that my remark was so obvious that anybody would have thought of it, or else to take all the credit for it to himself, as though it were he that was drawing my attention to the subject. “I should say so!” or “I say!” exclaimed with the utmost emphasis, issued from his lips every other minute, over matters to which he had never given a thought, a trick which irritated me so much that I immediately began to say the opposite to shew him that he knew nothing about it. But to my second assertion, albeit it was incompatible with the first, he replied none the less stoutly: “I should say so!” “I say!” as though these words were inevitable. I found it difficult, also, to forgive him the trick of employing certain terms proper to his calling, which would therefore have sounded perfectly correct in their literal sense, in a figurative sense only, which gave them an air of feeble witticism, for instance the verb to pedal. He never used it when he had gone anywhere on his bicycle. But if, on foot, he had hurried to arrive somewhere in time, then, to indicate that he had walked fast, he would exclaim: “I should say I didn’t half pedal!” The lift-boy was on the small side, clumsily built and by no means good looking. This did not prevent him, whenever one spoke to him of some tall, slim, handsome young man, from saying: “Oh, yes, I know, a fellow who is just my height.” And one day when I was expecting him to bring me the answer to a message, hearing somebody come upstairs, I had in my impatience opened the door of my room and caught sight of a page as beautiful as Endymion, with incredibly perfect features, who was bringing a message to a lady whom I did not know. When the lift-boy returned, in telling him how impatiently I had waited for the answer, I mentioned to him that I had thought I heard him come upstairs but that it had turned out to be a page from the Hôtel de Normandie. “Oh, yes, I know,” he said, “they have only the one, a boy about my build. He’s so like me in face, too, that we’re always being mistaken; anybody would think he was my brother.” Lastly, he always wanted to appear to have understood you perfectly from the first second, which meant that as soon as you asked him to do anything he would say: “Yes, yes, yes, yes, I understand all that,” with a precision and a tone of intelligence which for some time deceived me; but other people, as we get to know them, are like a metal dipped in an acid bath, and we see them gradually lose their good qualities (and their bad qualities too, at times). Before giving him my instructions, I saw that he had left the door open; I pointed this out to him, I was afraid that people might hear us; he acceded to my request and returned, having reduced the gap. “Anything to oblige. But there’s nobody on this floor except us two.” Immediately I heard one, then a second, then a third person go by. This annoyed me partly because of the risk of my being overheard, but more still because I could see that it did not in the least surprise him and was a perfectly normal occurrence. “Yes, that’ll be the maid next door going for her things. Oh, that’s of no importance, it’s the bottler putting away his keys. No, no, it’s nothing, you can say what you want, it’s my colleague just going on duty.” Then, as the reasons that all these people had for passing did not diminish my dislike of the thought that they might overhear me, at a formal order from me he went, not to shut the door, which was beyond the strength of this bicyclist who longed for a ‘motor,’ but to push it a little closer to. “Now we shall be quite quiet.” So quiet were we that an American lady burst in and withdrew with apologies for having mistaken the number of her room. “You are going to bring this young lady back with you,” I told him, after first going and banging the door with all my might (which brought in another page to see whether a window had been left open). “You remember the name: Mlle. Albertine Simonet. Anyhow, it’s on the envelope. You need only say to her that it’s from me. She will be delighted to come,” I added, to encourage him and preserve a scrap of my own self-esteem. “I should say so!” “Not at all, there is not the slightest reason to suppose that she will be glad to come. It’s a great nuisance getting here from Berneville.” “I understand!” “You will tell her to come with you.” “Yes, yes, yes, yes, I understand perfectly,” he replied, in that sharp, precise tone which had long ceased to make a ‘good impression’ upon me because I knew that it was almost mechanical and covered with its apparent clearness plenty of uncertainty and stupidity. “When will you be back?” “Haven’t any too much time,” said the lift-boy, who, carrying to extremes the grammatical rule that forbids the repetition of personal pronouns before coordinate verbs, omitted the pronoun altogether. “Can go there all right. Leave was stopped this afternoon, because there was a dinner for twenty at luncheon. And it was my turn off duty to-day. So it’s all right if I go out a bit this evening. Take my bike with me. Get there in no time.” And an hour later he reappeared and said: “Monsieur’s had to wait, but the young lady’s come with me. She’s down below.” “Oh, thanks very much; the porter won’t be cross with me?” “Monsieur Paul? Doesn’t even know where I’ve been. The head of the door himself can’t say a word.” But once, after I had told him: “You absolutely must bring her back with you,” he reported to me with a smile: “You know, I couldn’t find her. She’s not there. Couldn’t wait any longer; was afraid of getting it like my colleague who was ‘missed from the hotel” (for the lift-boy, who used the word ‘rejoin’ of a profession which one joined for the first time, “I should like to rejoin the post-office,” to make up for this, or to mitigate the calamity, were his own career at stake, or to insinuate it more delicately and treacherously were the victim some one else, elided the prefix and said: “I know he’s been ‘missed”). It was not with any evil intent that he smiled, but from sheer timidity. He thought that he was diminishing the magnitude of his crime by making a joke of it. In the same way, if he had said to me: “You know, I couldn’t find her,” this did not mean that he really thought that I knew it already. On the contrary, he was all too certain that I did not know it, and, what was more, was afraid to tell me. And so he said ‘you know’ to ward off the terror which menaced him as he uttered the words that were to bring me the knowledge. We ought never to lose our tempers with people who, when we find fault with them, begin to titter. They do so not because they are laughing at us, but because they are trembling lest we should be angry. Let us shew all pity and tenderness to those who laugh. For all the world like a stroke, the lift-boy’s anxiety had wrought in him not merely an apoplectic flush but an alteration in his speech which had suddenly become familiar. He wound up by telling me that Albertine was not at Egreville, that she would not be coming back there before nine o’clock, and that if betimes (which meant, by chance) she came back earlier, my message would be given her, and in any case she would be with me before one o’clock in the morning&#xA;    &#xA;&#xA;   It was not this evening, however, that my cruel mistrust began to take solid form. No, to make no mystery about it, although the incident did not occur until some weeks later, it arose out of a remark made by Cottard. Albertine and her friends had insisted that day upon dragging me to the casino at Incarville where, as luck would have it, I should not have joined them (having intended to go and see Mme. Verdurin who had invited me again and again), had I not been held up at Incarville itself by a breakdown of the tram which it would take a considerable time to repair. As I strolled up and down waiting for the men to finish working at it, I found myself all of a sudden face to face with Doctor Cottard, who had come to Incarville to see a patient. I almost hesitated to greet him as he had not answered any of my letters. But friendship does not express itself in the same way in different people. Not having been brought up to observe the same fixed rules of behaviour as well-bred people, Cottard was full of good intentions of which one knew nothing, even denying their existence, until the day when he had an opportunity of displaying them. He apologised, had indeed received my letters, had reported my whereabouts to the Verdurins who were most anxious to see me and whom he urged me to go and see. He even proposed to take me to them there and then, for he was waiting for the little local train to take him back there for dinner. As I hesitated and he had still some time before his train ( for there was bound to be still a considerable delay), I made him come with me to the little casino, one of those that had struck me as being so gloomy on the evening of my first arrival, now filled with the tumult of the girls, who, in the absence of male partners, were dancing together. Andrée came sliding along the floor towards me; I was meaning to go off with Cottard in a moment to the Verdurins’, when I definitely declined his offer, seized by an irresistible desire to stay with Albertine. The fact was, I had just heard her laugh. And her laugh at once suggested the rosy flesh, the fragrant portals between which it had just made its way, seeming also, as strong, sensual and revealing as the scent of geraniums, to carry with it some microscopic particles of their substance, irritant and secret&#xA;&#xA;   One of the girls, a stranger to me, sat down at the piano, and Andrée invited Albertine to waltz with her. Happy in the thought that I was going to remain in this little casino with these girls, I remarked to Cottard how well they danced together. But he, taking the professional point of view of a doctor and with an ill-breeding which overlooked the fact that they were my friends, although he must have seen me shaking hands with them, replied: “Yes, but parents are very rash to allow their daughters to form such habits. I should certainly never let mine come here. Are they nice-looking, though? I can’t see their faces. There now, look,” he went on, pointing to Albertine and Andrée who were waltzing slowly, tightly clasped together, “I have left my glasses behind and I don’t see very well, but they are certainly keenly roused. It is not sufficiently known that women derive most excitement from their breasts. And theirs, as you see, are completely touching.” And indeed the contact had been unbroken between the breasts of Andrée and of Albertine. I do not know whether they heard or guessed Cottard’s observation, but they gently broke the contact while continuing to waltz. At that moment Andrée said something to Albertine, who laughed, the same deep and penetrating laugh that I had heard before. But all that it wafted to me this time was a feeling of pain; Albertine appeared to be revealing by it, to be making Andrée share some exquisite, secret thrill. It rang out like the first or the last strains of a ball to which one has not been invited. I left the place with Cottard, distracted by his conversation, thinking only at odd moments of the scene I had just witnessed. This does not mean that Cottard’s conversation was interesting. It had indeed, at that moment, become bitter, for we had just seen Doctor du Boulbon go past without noticing us. He had come down to spend some time on the other side of Balbec bay, where he was greatly in demand. Now, albeit Cottard was in the habit of declaring that he did no professional work during the holidays, he had hoped to build up a select practice along the coast, a hope which du Boulbon’s presence there doomed to disappointment. Certainly, the Balbec doctor could not stand in Cottard’s way. He was merely a thoroughly conscientious doctor who knew everything, and to whom you could not mention the slightest irritation of the skin without his immediately prescribing, in a complicated formula, the ointment, lotion or liniment that would put you right. As Marie Gineste used to say, in her charming speech, he knew how to ‘charm’ cuts and sores. But he was in no way eminent. He had indeed caused Cottard some slight annoyance. The latter, now that he was anxious to exchange his Chair for that of Therapeutics, had begun to specialise in toxic actions. These, a perilous innovation in medicine, give an excuse for changing the labels in the chemists’ shops, where every preparation is declared to be in no way toxic, unlike its substitutes, and indeed to be disintoxicant. It is the fashionable cry; at the most there may survive below in illegible lettering, like the faint trace of an older fashion, the assurance that the preparation has been carefully disinfected. Toxic actions serve also to reassure the patient, who learns with joy that his paralysis is merely a toxic disturbance. Now, a Grand Duke who had come for a few days to Balbec and whose eye was extremely swollen had sent for Cottard who, in return for a wad of hundred-franc notes (the Professor refused to see anyone for less), had put down the inflammation to a toxic condition and prescribed a disintoxicant treatment. As the swelling did not go down, the Grand Duke fell back upon the general practitioner of Balbec, who in five minutes had removed a speck of dust. The following day, the swelling had gone. A celebrated specialist in nervous diseases was, however, a more dangerous rival. He was a rubicund, jovial person, since, for one thing, the constant society of nervous wrecks did not prevent him from enjoying excellent health, but also so as to reassure his patients by the hearty merriment of his ‘Good morning’ and ‘Good-bye,’ while quite ready to lend the strength of his muscular arms to fastening them in strait-waistcoats later on. Nevertheless, whenever you spoke to him at a party, whether of politics or of literature, he would listen to you with a kindly attention, as though he were saying: “What is it all about?” without at once giving an opinion, as though it were a matter for consultation. But anyhow he, whatever his talent might be, was a specialist. And so the whole of Cottard’s rage was heaped upon du Boulbon. But I soon bade good-bye to the Verdurins’ professional friend, and returned to Balbec, after promising him that I would pay them a visit before long&#xA;&#xA;   The mischief that his remarks about Albertine and Andrée had done me was extreme, but its worst effects were not immediately felt by me, as happens with those forms of poisoning which begin to act only after a certain time&#xA;&#xA;   Albertine, on the night after the lift-boy had gone in search of her, did not appear, notwithstanding his assurances. Certainly, personal charm is a less frequent cause of love than a speech such as: “No, this evening I shall not be free.” We barely notice this speech if we are with friends; we are gay all the evening, a certain image never enters our mind; during those hours it remains dipped in the necessary solution; when we return home we find the plate developed and perfectly clear. We become aware that life is no longer the life which we would have surrendered for a trifle the day before, because, even if we continue not to fear death, we no longer dare think of a parting&#xA;&#xA;   From, however, not one o’clock in the morning (the limit fixed by the lift-boy), but three o’clock, I no longer felt as in former times the anguish of seeing the chance of her coming diminish. The certainty that she would not now come brought me a complete, refreshing calm; this night was simply a night like all the rest during which I did not see her, such was the idea from which I started. After which, the thought that I should see her in the morning, or some other day, outlining itself upon the blank which I submissively accepted, became pleasant. Sometimes, during these nights of waiting, our anguish is due to a drug which we have taken. The sufferer, misinterpreting his own symptoms, thinks that he is anxious about the woman who fails to appear. Love is engendered in these cases, as are certain nervous maladies, by the inaccurate explanation of a state of discomfort. An explanation which it is useless to correct, at any rate so far as love is concerned, a sentiment which (whatever its cause) is invariably in error&#xA;&#xA;   Next day, when Albertine wrote to me that she had only just got back to Epreville, and so had not received my note in time, and was coming, if she might, to see me that evening, behind the words of her letter, as behind those that she had said to me once over the telephone, I thought I could detect the presence of pleasures, of people whom she had preferred to me. Once again, I was stirred from head to foot by the painful longing to know what she could have been doing, by the latent love which we always carry within us; I almost thought for a moment that it was going to attach me to Albertine, but it confined itself to a stationary throbbing, the last echo of which died away without the machine’s having been set in motion&#xA;&#xA;   I had failed during my first visit to Balbec — and perhaps, for that matter, Andrée had failed equally — to understand Albertine’s character. I had put it down as frivolous, but had not known whether our combined supplications might not succeed in keeping her with us and making her forego a garden-party, a donkey ride, a picnic. During my second visit to Balbec, I began to suspect that this frivolity was only for show, the garden-party a mere screen, if not an invention. She shewed herself in various colours in the following incident (by which I mean the incident as seen by me, from my side of the glass which was by no means transparent, and without my having any means of determining what reality there was on the other side). Albertine was making me the most passionate protestations of affection. She looked at the time because she had to go and call upon a lady who was at home, it appeared, every afternoon at five o’clock, at Infreville. Tormented by suspicion, and feeling at the same time far from well, I asked Albertine, I implored her to remain with me. It was impossible (and indeed she could wait only five minutes longer) because it would annoy the lady who was far from hospitable, highly susceptible and, said Albertine, a perfect nuisance. “But one can easily cut a call.” “No, my aunt has always told me that the chief thing is politeness.” “But I have so often seen you being impolite.” “It’s not the same thing, the lady would be angry with me and would say nasty things about me to my aunt. I’m pretty well in her bad books already. She expects me to go and see her.” “But if she’s at home every day?” Here Albertine, feeling that she was caught, changed her line of argument. “So she is at home every day. But to-day I’ve made arrangements to meet some other girls there. It will be less boring that way.” “So then, Albertine, you prefer this lady and your friends to me, since, rather than miss paying an admittedly boring call, you prefer to leave me here alone, sick and wretched?” “I don’t care if it is boring. I’m going for their sake. I shall bring them home in my trap. Otherwise they won’t have any way of getting back.” I pointed out to Albertine that there were trains from Infreville up to ten o’clock at night. “Quite true, but don’t you see, it is possible that we may be asked to stay to dinner. She is very hospitable.” “Very well then, you won’t.” “I should only make my aunt angry.” “Besides, you can dine with her and catch the ten o’clock train.” “It’s cutting it rather fine.” “Then I can never go and dine in town and come back by train. But listen, Albertine. We are going to do something quite simple, I feel that^the fresh air will do me good; since you can’t give up your lady, I am going to come with you to Infreville. Don’t be alarmed, I shan’t go as far as the Tour Elisabeth” (the lady’s villa), “I shall see neither the lady nor your friends.” Albertine started as though she had received a violent blow. For a moment, she was unable to speak. She explained that the sea bathing was not doing her any good. “If you don’t want me to come with you?” “How can you say such a thing, you know there’s nothing I enjoy more than going out with you.” A sudden change of tactics had occurred. “Since we are going for a drive together,” she said to me, “why not go out in the other direction, we might dine together. It would be so nice. After all, that side of Balbec is much the prettier. I’m getting sick of Infreville and all those little spinach-bed places.” “But your aunt’s friend will be annoyed if you don’t go and see her.” “Very well, let her be.” “No, it is wrong to annoy people.” “But she won’t even notice that I’m not there, she has people every day; I can go to-morrow, the next day, next week, the week after, it’s exactly the same.” “And what about your friends?” “Oh, they’ve cut me often enough. It’s my turn now.” “But from the side you suggest there’s no train back after nine.” “Well, what’s the matter with that? Nine will do perfectly. Besides, one need never think about getting back. We can always find a cart, a bike, if the worse comes to the worst, we have legs.” “We can always find, Albertine, how you go on! Out Infreville way, where the villages run into one another, well and good. But the other way, it’s a very different matter.” “That way too. I promise to bring you back safe and sound.” I felt that Albertine was giving up for my sake some plan arranged beforehand of which she refused to tell me, and that there was some one else who would be as unhappy as I was. Seeing that what she had intended to do was out of the question, since I insisted upon accompanying her, she gave it up altogether. She knew that the loss was not irremediable. For, like all women who have a number of irons in the fire, she had one resource that never failed: suspicion and jealousy. Of course she did not seek to arouse them, quite the contrary. But lovers are so suspicious that they instantly scent out falsehood. With the result that Albertine, being no better than anyone else, knew by experience (without for a moment imagining that she owed her experience to jealousy) that she could always be certain of meeting people again after she had failed to keep an appointment. The stranger whom she was deserting for me would be hurt, would love her all the more for that (though Albertine did not know that this was the reason), and, so as not to prolong the agony, would return to her of his own accord, as I should have done. But I had no desire either to give pain to another, or to tire myself, or to enter upon the terrible course of investigation, of multiform, unending vigilance. “No, Albertine, I do not wish to spoil your pleasure, go to your lady at Infreville, or rather to the person you really mean to see, it is all the same to me. The real reason why I am not coming with you is that you do not wish it, the outing you would be taking with me is not the one you meant to take, which is proved by your having contradicted yourself at least five times without noticing it.” Poor Albertine was afraid that her contradictions, which she had not noticed, had been more serious than they were. Not knowing exactly what fibs she had told me: “It is quite on the cards that I did contradict myself. The sea air makes me lose my head altogether. I’m always calling things by the wrong names.” And (what proved to me that she would not, now, require many tender affirmations to make me believe her) I felt a stab in my heart as I listened to this admission of what I had but faintly imagined. “Very well, that’s settled, I’m off,” she said in a tragic tone, not without looking at the time to see whether she was making herself late for the other person, now that I had provided her with an excuse for not spending the evening with myself. “It’s too bad of you. I alter all my plans to spend a nice, long evening with you, and it’s you that won’t have it, and you accuse me of telling lies. I’ve never known you to be so cruel. The sea shall be my tomb. I will never see you any more.” (My heart leaped at these words, albeit I was certain that she would come again next day, as she did.) “I shall drown myself, I shall throw myself into the water.” “Like Sappho.” “There you go, insulting me again. You suspect not only what I say but what I do.” “But, my lamb, I didn’t mean anything, I swear to you, you know Sappho flung herself into the sea.” “Yes, yes, you have no faith in me.” She saw that it was twenty minutes to the hour by the clock; she was afraid of missing her appointment, and choosing the shortest form of farewell (for which as it happened she apologised by coming to see me again next day, the other person presumably not being free then), she dashed from the room, crying: “Good-bye for ever,” in a heartbroken tone. And perhaps she was heartbroken. For knowing what she was about at that moment better than I, being at the same time more strict and more indulgent towards herself than I was towards her, she may all the same have had a fear that I might refuse to see her again after the way in which she had left me. And I believe that she was attached to me, so much so that the other person was more jealous than I was&#xA;&#xA;   Some days later, at Balbec, while we were in the ballroom of the casino, there entered Bloch’s sister and cousin, who had both turned out quite pretty, but whom I refrained from greeting on account of my girl friends, because the younger one, the cousin, was notoriously living with the actress whose acquaintance she had made during my first visit. Andrée, at a murmured allusion to this scandal, said to me: “Oh! About that sort of thing I’m like Albertine; there’s nothing we both loathe so much as that sort of thing.” As for Albertine, on sitting down to talk to me upon the sofa, she had turned her back on the disreputable pair. I had noticed, however, that, before she changed her position, at the moment when Mlle. Bloch and her cousin appeared, my friend’s eyes had flashed with that sudden, close attention which now and again imparted to the face of this frivolous girl a serious, indeed a grave air, and left her pensive afterwards. But Albertine had at once turned towards myself a gaze which nevertheless remained singularly fixed and meditative. Mlle. Bloch and her cousin having finally left the room after laughing and shouting in a loud and vulgar manner, I asked Albertine whether the little fair one (the one who was so intimate with the actress) was not the girl who had won the prize the day before in the procession of flowers. “I don’t know,” said Albertine, “is one of them fair? I must confess they don’t interest me particularly, I have never looked at them. Is one of them fair?” she asked her three girl friends with a detached air of inquiry. When applied to people whom Albertine passed every day on the front, this ignorance seemed to me too profound to be genuine. “They didn’t appear to be looking at us much either,” I said to Albertine, perhaps (on the assumption, which I did not however consciously form, that Albertine loved her own sex), to free her from any regret by pointing out to her that she had not attracted the attention of these girls and that, generally speaking, it is not customary even for the most vicious of women to take an interest in girls whom they do not know. “They weren’t looking at us!” was Albertine’s astonished reply. “Why, they did nothing else the whole time.” “But you can’t possibly tell,” I said to her, “you had your back to them.” “Very well, and what about that?” she replied, pointing out to me, set in the wall in front of us, a large mirror which I had not noticed and upon which I now realised that my friend, while talking to me, had never ceased to fix her troubled, preoccupied eyes&#xA;&#xA;   Ever since the day when Cottard had accompanied me into the little casino at Incarville, albeit I did not share the opinion that he had expressed, Albertine had seemed to me different; the sight of her made me lose my temper. I myself had changed, quite as much as she had changed in my eyes. I had ceased to bear her any good will; to her face, behind her back when there was a chance of my words being repeated to her, I spoke of her in the most insulting language. There were, however, intervals of calmer feeling. One day I learned that Albertine and Andrée had both accepted an invitation to Elstir’s. Feeling certain that this was in order that they might, on the return journey, amuse themselves like schoolgirls on holiday by imitating the manners of fast young women, and in so doing find an unmaidenly pleasure the thought of which wrung my heart, without announcing my intention, to embarrass them and to deprive Albertine of the pleasure on which she was reckoning, I paid an unexpected call at his studio. But I found only Andrée there. Albertine had chosen another day when her aunt was to go there with her. Then I said to myself that Cottard must have been mistaken; the favourable impression that I received from Andrée’s presence there without her friend remained with me and made me feel more kindly disposed towards Albertine. But this feeling lasted no longer than the healthy moments of delicate people subject to passing maladies, who are prostrated again by the merest trifle. Albertine incited Andrée to actions which, without going very far, were perhaps not altogether innocent; pained by this suspicion, I managed in the end to repel it. No sooner was I healed of it than it revived under another form. I had just seen Andrée, with one of those graceful gestures that came naturally to her, lay her head coaxingly on Albertine’s shoulder, kiss her on the throat, half shutting her eyes; or else they had exchanged a glance; a remark had been made by somebody who had seen them going down together to bathe: little trifles such as habitually float in the surrounding atmosphere where the majority of people absorb them all day long without injury to their health or alteration of their mood, but which have a morbid effect and breed fresh sufferings in a nature predisposed to receive them. Sometimes even without my having seen Albertine again, without anyone’s having spoken to me about her, there would flash from my memory some vision of her with Gisèle in an attitude which had seemed to me innocent at the time; it was enough now to destroy the peace of mind that I had managed to recover, I had no longer any need to go and breathe dangerous germs outside, I had, as Cottard would have said, supplied my own toxin. I thought then of all that I had been told about Swann’s love for Odette, of the way in which Swann had been tricked all his life. Indeed, when I come to think of it, the hypothesis that made me gradually build up the whole of Albertine’s character and give a painful interpretation to every moment of a life that I could not control in its entirety, was the memory, the rooted idea of Mme. Swann’s character, as it had been described to me. These accounts helped my imagination, in after years, to take the line of supposing that Albertine might, instead of being a good girl, have had the same immorality, the same faculty of deception as a reformed prostitute, and I thought of all the sufferings that would in that case have been in store for me had I ever really been her lover&#xA;&#xA;   One day, outside the Grand Hotel, where we were gathered on the front, I had just been addressing Albertine in the harshest, most humiliating language, and Rosemonde was saying: “Oh, how you have changed your mind about her; why, she used to be everything, it was she who ruled the roost, and now she isn’t even fit to be thrown to the dogs.” I was beginning, in order to make my attitude towards Albertine still more marked, to say all the nicest things I could think of to Andrée, who, if she was tainted with the same vice, seemed to me to have more excuse for it since she was sickly and neurasthenic, when we saw emerging at the steady trot of its pair of horses into the street at right angles to the front, at the corner of which we were standing, Mme. de Cambremer’s barouche. The chief magistrate who, at that moment, was advancing towards us, sprang back upon recognising the carriage, in order not to be seen in our company; then, when he thought that the Marquise’s eye might catch his, bowed to her with an immense sweep of his hat. But the carriage, instead of continuing, as might have been expected, along the Rue de la Mer, disappeared through the gate of the hotel. It was quite ten minutes later when the lift-boy, out of breath, came to announce to me: “It’s the Marquise de Camembert, she’s come here to see Monsieur. I’ve been up to the room, I looked in the reading-room, I couldn’t find Monsieur anywhere. Luckily I thought of looking on the beach.” He had barely ended this speech when, followed by her daughter-in-law and by an extremely ceremonious gentleman, the Marquise advanced towards me, coming on probably from some afternoon tea-party in the neighbourhood, and bowed down not so much by age as by the mass of costly trinkets with which she felt it more sociable and more befitting her rank to cover herself, in order to appear as ‘well dressed’ as possible to the people whom she went to visit. It was in fact that ‘landing’ of the Cambremers at the hotel which my grandmother had so greatly dreaded long ago when she wanted us not to let Legrandin know that we might perhaps be going to Balbec. Then Mamma used to laugh at these fears inspired by an event which she considered impossible. And here it was actually happening, but by different channels and without Legrandin’s having had any part in it. “Do you mind my staying here, if I shan’t be in your way?” asked Albertine (in whose eyes there lingered, brought there by the cruel things I had just been saying to her, a pair of tears which I observed without seeming to see them, but not without rejoicing inwardly at the sight), “there is something I want to say to you.” A hat with feathers, itself surmounted by a sapphire pin, was perched haphazard upon Mme. de Cambremer’s wig, like a badge the display of which was necessary but sufficient, its place immaterial, its elegance conventional and its stability superfluous. Notwithstanding the heat, the good lady had put on a jet cloak, like a dalmatic, over which hung an ermine stole the wearing of which seemed to depend not upon the temperature and season, but upon the nature of the ceremony. And on Mme. de Cambremer’s bosom a baronial torse, fastened to a chain, dangled like a pectoral cross. The gentleman was an eminent lawyer from Paris, of noble family, who had come down to spend a few days with the Cambremers. He was one of those men whom their vast professional experience inclines to look down upon their profession, and who say, for instance: “I know that I am a good pleader, so it no longer amuses me to plead,” or: “I’m no longer interested in operating, I know that I’m a good operator.” Men of intelligence, artists, they see themselves in their maturity, richly endowed by success, shining with that intellect, that artistic nature which their professional brethren recognise in them and which confer upon them a kind of taste and discernment. They form a passion for the paintings not of a great artist, but of an artist who nevertheless is highly distinguished, and spend upon the purchase of his work the large sums that their career procures for them. Le Sidaner was the artist chosen by the Cambremers’ friend, who incidentally was a delightful person. He talked well about books, but not about the books of the true masters, those who have mastered themselves. The only irritating habit that this amateur displayed was his constant use of certain ready made expressions, such as ‘for the most part,’ which gave an air of importance and incompleteness to the matter of which he was speaking. Madame de Cambremer had taken the opportunity, she told me, of a party which some friends of hers had been giving that afternoon in the Balbec direction to come and call upon me, as she had promised Robert de Saint-Loup. “You know he’s coming down to these parts quite soon for a few days: His uncle Charlus is staying near here with his sister-in-law, the Duchesse de Luxembourg, and M. de Saint-Loup means to take the opportunity of paying his aunt a visit and going to see his old regiment, where he is very popular, highly respected. We often have visits from officers who are never tired of singing his praises. How nice it would be if you and he would give us the pleasure of coming together to Féterne.” I presented Albertine and her friends. Mme. de Cambremer introduced us all to her daughter-in-law. The latter, so frigid towards the petty nobility with whom her seclusion at Féterne forced her to associate, so reserved, so afraid of compromising herself, held out her hand to me with a radiant smile, safe as she felt herself and delighted at seeing a friend of Robert de Saint-Loup, whom he, possessing a sharper social intuition than he allowed to appear, had mentioned to her as being a great friend of the Guermantes. So, unlike her mother-in-law, Mme. de Cambremer employed two vastly different forms of politeness. It was at the most the former kind, dry, insupportable, that she would have conceded me had I met her through her brother Legrandin. But for a friend of the Guermantes she had not smiles enough. The most convenient room in the hotel for entertaining visitors was the reading-room, that place once so terrible into which I now went a dozen times every day, emerging freely, my own master, like those mildly afflicted lunatics who have so long been inmates of an asylum that the superintendent trusts them with a latchkey. And so I offered to take Mme. de Cambremer there. And as this room no longer filled me with shyness and no longer held any charm for me, since the faces of things change for us like the faces of people, it was without the slightest emotion that I made this suggestion. But she declined it, preferring to remain out of doors, and we sat down in the open air, on the terrace of the hotel. I found there and rescued a volume of Madame de Sévigné which Mamma had not had time to carry off in her precipitate flight, when she heard that visitors had called for me. No less than my grandmother, she dreaded these invasions of strangers, and, in her fear of being too late to escape if she let herself be seen, would fly from the room with a rapidity which always made my father and me laugh at her. Madame de Cambremer carried in her hand, with the handle of a sunshade, a number of embroidered bags, a hold-all, a gold purse from which there dangled strings of garnets, and a lace handkerchief. I could not help thinking that it would be more convenient for her to deposit them on a chair; but I felt that it would be unbecoming and useless to ask her to lay aside the ornaments of her pastoral visitation and her social priesthood. We gazed at the calm sea upon which, here and there, a few gulls floated like white petals. Because of the ‘mean level’ to which social conversation reduces us and also of our desire to attract not by means of those qualities of which we are ourselves unaware but of those which, we suppose, ought to be appreciated by the people who are with us, I began instinctively to talk to Mme. de Cambremer née Legrandin in the strain in which her brother might have talked. “They appear,” I said, referring to the gulls, “as motionless and as white as water-lilies.” And indeed they did appear to be offering a lifeless object to the little waves which tossed them about, so much so that the waves, by contrast, seemed in their pursuit of them to be animated by a deliberate intention, to have acquired life. The dowager Marquise could not find words enough to do justice to the superb view of the sea that we had from Balbec, or to say how she envied it, she who from la Raspelière (where for that matter she was not living that year) had only such a distant glimpse of the waves. She had two remarkable habits, due at once to her exalted passion for the arts (especially for the art of music), and to her want of teeth. Whenever she talked of aesthetic subjects her salivary glands — like those of certain animals when in rut — became so overcharged that the old lady’s edentulous mouth allowed to escape from the corners of her faintly moustached lips a trickle of moisture for which that was not the proper place. Immediately she drew it in again with a deep sigh, like a person recovering his breath. Secondly, if her subject were some piece of music of surpassing beauty, in her enthusiasm she would raise her arms and utter a few decisive opinions, vigorously chewed and at a pinch issuing from her nose. Now it had never occurred to me that the vulgar beach at Balbec could indeed offer a ‘seascape,’ and Mme. de Cambremer’s simple words changed my ideas in that respect. On the other hand, as I told her, I had always heard people praise the matchless view from la Raspelière, perched on the summit of the hill, where, in a great drawing-room with two fireplaces, one whole row of windows swept the gardens, and, through the branches of the trees, the sea as far as Balbec and beyond it, and the other row the valley. “How nice of you to say so, and how well you put it: the sea through the branches. It is exquisite, one would say . . . a painted fan.” And I gathered from a deep breath intended to catch the falling spittle and dry the moustaches, that the compliment was sincere. But the Marquise née Legrandin remained cold, to shew her contempt not for my words but for those of her mother-in-law. Besides, she not only despised the other’s intellect but deplored her affability, being always afraid that people might not form a sufficiently high idea of the Cambremers. “And how charming the name is,” said I. “One would like to know the origin of all those names.” “That one I can tell you,” the old lady answered modestly. “It is a family place, it came from my grandmother Arrachepel, not an illustrious family, but a decent and very old country stock.” “What! Not illustrious!” her daughter-in-law tartly interrupted her. “A whole window in Bayeux cathedral is filled with their arms, and the principal church at Avranches has their tombs. If these old names interest you,” she added, “you’ve come a year too late. We managed to appoint to the living of Criquetot, in spite of all the difficulties about changing from one diocese to another, the parish priest of a place where I myself have some land, a long way from here, Combray, where the worthy cleric felt that he was becoming neurasthenic. Unfortunately, the sea air was no good to him at his age; his neurasthenia grew worse and he has returned to Combray. But he amused himself while he was our neighbour in going about looking up all the old charters, and he compiled quite an interesting little pamphlet on the place names of the district. It has given him a fresh interest, too, for it seems he is spending his last years in writing a great work upon Combray and its surroundings. I shall send you his pamphlet on the surroundings of Féterne. It is worthy of a Benedictine. You will find the most interesting things in it about our old Raspelière, of which my mother-in-law speaks far too modestly.” “In any case, this year,” replied the dowager Mme. de Cambremer, “la Raspelière is no longer ours and does not belong to me. But I can see that you have a painter’s instincts; I am sure you sketch, and I should so like to shew you Féterne, which is far finer than la Raspelière.” For as soon as the Cambremers had let this latter residence to the Verdurins, its commanding situation had at once ceased to appear to them as it had appeared for so many years past, that is to say to offer the advantage, without parallel in the neighbourhood, of looking out over both sea and valley, and had on the other hand, suddenly and retrospectively, presented the drawback that one had always to go up or down hill to get to or from it. In short, one might have supposed that if Mme. de Cambremer had let it, it was not so much to add to her income as to spare her horses. And she proclaimed herself delighted at being able at last to have the sea always so close at hand, at Féterne, she who for so many years (forgetting the two months that she spent there) had seen it only from up above and as though in a panorama. “I am discovering it at my age,” she said, “and how I enjoy it! It does me a world of good. I would let la Raspelière for nothing so as to be obliged to live at Féterne.”&#xA;&#xA;    “To return to more interesting topics,” went on Legrandin’s sister, who addressed the old Marquise as ‘Mother,’ but with the passage of years had come to treat her with insolence, “you mentioned water-lilies: I suppose you know Claude Monet’s pictures of them. What a genius! They interest me particularly because near Combray, that place where I told you I had some land. . . . ” But she preferred not to talk too much about Combray. “Why! That must be the series that Elstir told us about, the greatest painter of this generation,” exclaimed Albertine, who had said nothing so far. “Ah! I can see that this young lady loves the arts,” cried Mme. de Cambremer and, drawing a long breath, recaptured a trail of spittle. “You will allow me to put Le Sidaner before him, Mademoiselle,” said the lawyer, smiling with the air of an expert. And, as he had enjoyed, or seen people enjoy, years ago, certain ‘daring’ work by Elstir, he added: “Elstir was gifted, indeed he was one of the advance guard, but for some reason or other he never kept up, he has wasted his life.” Mme. de Cambremer disagreed with the lawyer, so far as Elstir was concerned, but, greatly to the annoyance of her guest, bracketed Monet with Le Sidaner. It would be untrue to say that she was a fool; she was overflowing with a kind of intelligence that meant nothing to me. As the sun was beginning to set, the seagulls were now yellow, like the water-lilies on another canvas of that series by Monet. I said that I knew it, and (continuing to copy the diction of her brother, whom I had not yet dared to name) added that it was a pity that she had not thought of coming a day earlier, for, at the same hour, there would have been a Poussin light for her to admire. Had some Norman squireen, unknown to the Guermantes, told her that she ought to have come a day earlier, Mme. de Cambremer-Legrandin would doubtless have drawn herself up with an offended air. But I might have been far more familiar still, and she would have been all smiles and sweetness; I might in the warmth of that fine afternoon devour my fill of that rich honey cake which Mme. de Cambremer so rarely was and which took the place of the dish of pastry that it had not occurred to me to offer my guests. But the name of Poussin, without altering the amenity of the society lady, called forth the protests of the connoisseur. On hearing that name, she produced six times in almost continuous succession that little smack of the tongue against the lips which serves to convey to a child who is misbehaving at once a reproach for having begun and a warning not to continue. “In heaven’s name, after a painter like Monet, who is an absolute genius, don’t go and mention an old hack without a vestige of talent, like Poussin. I don’t mind telling you frankly that I find him the deadliest bore. I mean to say, you can’t really call that sort of thing painting. Monet, Degas, Manet, yes, there are painters if you like! It is a curious thing,” she went on, fixing a scrutinous and ecstatic gaze upon a vague point in space where she could see what was in her mind, “it is a curious thing, I used at one time to prefer Manet. Nowadays, I still admire Manet, of course, but I believe I like Monet even more. Oh! The Cathedrals!” She was as scrupulous as she was condescending in informing me of the evolution of her taste. And one felt that the phases through which that taste had evolved were not, in her eyes, any less important than the different manners of Monet himself. Not that I had any reason to feel flattered by her taking me into her confidence as to her preferences, for even in the presence of the narrowest of provincial ladies she could not remain for five minutes without feeling the need to confess them. When a noble dame of Avranches, who would have been incapable of distinguishing between Mozart and Wagner, said in Mme. de Cambremer’s hearing: “We saw nothing of any interest while we were in Paris, we went once to the Opéra-Comique, they were doing Pelléas et Mélisande, it’s dreadful stuff,” Mme. de Cambremer not only boiled with rage but felt obliged to exclaim: “Not at all, it’s a little gem,” and to ‘argue the point.’ It was perhaps a Combray habit which she had picked up from my grandmother’s sisters, who called it ‘fighting in the good cause,’ and loved the dinner-parties at which they knew all through the week that they would have to defend their idols against the Philistines. Similarly, Mme. de Cambremer liked to ‘fly into a passion’ and wrangle about art, as other people do about politics. She stood up for Debussy as she would have stood up for a woman friend whose conduct had been criticised. She must however have known very well that when she said: “Not at all, it’s a little gem,” she could not improvise in the other lady, whom she was putting in her place, the whole progressive development of artistic culture on the completion of which they would come naturally to an agreement without any need of discussion. “I must ask Le Sidaner what he thinks of Poussin,” the lawyer remarked to me. “He’s a regular recluse, never opens his mouth, but I know how to get things out of him.”&#xA;&#xA;    “Anyhow,” Mme. de Cambremer went on, “I have a horror of sunsets, they’re so romantic, so operatic. That is why I can’t abide my mother-in-law’s house, with its tropical plants. You will see it, it’s just like a public garden at Monte-Carlo. That’s why I prefer your coast, here. It is more sombre, more sincere; there’s a little lane from which one doesn’t see the sea. On rainy days, there’s nothing but mud, it’s a little world apart. It’s just the same at Venice, I detest the Grand Canal and I don’t know anything so touching as the little alleys. But it’s all a question of one’s surroundings.” “But,” I remarked to her, feeling that the only way to rehabilitate Poussin in Mme. de Cambremer’s eyes was to inform her that he was once more in fashion, “M. Degas assures us that he knows nothing more beautiful than the Poussins at Chantilly.” “Indeed? I don’t know the ones at Chantilly,” said Mme. de Cambremer who had no wish to differ from Degas, “but I can speak about the ones in the Louvre, which are appalling.” “He admires them immensely too.” “I must look at them again. My impressions of them are rather distant,” she replied after a moment’s silence, and as though the favourable opinion which she was certain, before very long, to form of Poussin would depend, not upon the information that I had just communicated to her, but upon the supplementary and, this time, final examination that she intended to make of the Poussins in the Louvre in order to be in a position to change her mind. Contenting myself with what was a first step towards retraction since, if she did not yet admire the Poussins, she was adjourning the matter for further consideration, in order not to keep her on tenterhooks any longer, I told her mother-in-law how much I had heard of the wonderful flowers at Féterne. In modest terms she spoke of the little presbytery garden that she had behind the house, into which in the mornings, by simply pushing open a door, she went in her wrapper to feed her peacocks, hunt for new-laid eggs, and gather the zinnias or roses which, on the sideboard, framing the creamed eggs or fried fish in a border of flowers, reminded her of her garden paths. “It is true, we have a great many roses,” she told me, “our rose garden is almost too near the house, there are days when it makes my head ache. It is nicer on the terrace at la Raspelière where the breeze carries the scent of the roses, but it is not so heady.” I turned to her daughter-in-law. “It is just like Pelléas,” I said to her, to gratify her taste for the modern, “that scent of roses wafted up to the terraces. It is so strong in the score that, as I suffer from hay-fever and rose-fever, it sets me sneezing every time I listen to that scene.”&#xA;    “What a marvellous thing Pelléas is,” cried Mme. de Cambremer, “I’m mad about it;” and, drawing closer to me with the gestures of a savage woman seeking to captivate me, using her fingers to pick out imaginary notes, she began to hum something which, I supposed, represented to her the farewells of Pelléas, and continued with a vehement persistence as though it had been important that Mme. de Cambremer should at that moment remind me of that scene or rather should prove to me that she herself remembered it. “I think it is even finer than Parsifal,” she added, “because in Parsifal the most beautiful things are surrounded with a sort of halo of melodious phrases, which are bad simply because they are melodious.” “I know, you are a great musician, Madame,” I said to the dowager. “I should so much like to hear you play.” Mme. de Cambremer-Legrandin gazed at the sea so as not to be drawn into the conversation. Being of the opinion that what her mother-in-law liked was not music at all, she regarded the talent, a sham talent according to her, though in reality of the very highest order that the other was admitted to possess as a technical accomplishment devoid of interest. It was true that Chopin’s only surviving pupil declared, and with justice, that the Master’s style of playing, his ‘feeling’ had been transmitted, through herself, to Mme. de Cambremer alone, but to play like Chopin was far from being a recommendation in the eyes of Legran-din’s sister, who despised nobody so much as the Polish composer. “Oh! They are flying away,” exclaimed Albertine, pointing to the gulls which, casting aside for a moment their flowery incognito, were rising in a body towards the sun. “Their giant wings from walking hinder them,” quoted Mme. de Cambremer, confusing the seagull with the albatross. “I do love them; I used to see them at Amsterdam,” said Albertine. “They smell of the sea, they come and breathe the salt air through the paving stones even.” “Oh! So you have been in Holland, you know the Vermeers?” Mme. de Cambremer asked imperiously, in the tone in which she would have said: “You know the Guermantes?” for snobbishness in changing its subject does not change its accent. Albertine replied in the negative, thinking that they were living people. But her mistake was not apparent. “I should be delighted to play to you,” Mme. de Cambremer said to me. “But you know I only play things that no longer appeal to your generation. I was brought up in the worship of Chopin,” she said in a lowered tone, for she was afraid of her daughter-in-law, and knew that to the latter, who considered that Chopin was not music, playing him well or badly were meaningless terms. She admitted that her mother-in-law had technique, was a finished pianist. “Nothing will ever make me say that she is a musician,” was Mme. de Cambremer-Legrandin’s conclusion. Because she considered herself ‘advanced,’ because (hi matters of art only) “one could never move far enough to the Left,” she said, she maintained not merely that music progressed, but that it progressed along one straight line, and that Debussy was in a sense a super-Wagner, slightly more advanced again than Wagner. She did not take into account the fact that if Debussy was not as independent of Wagner as she herself was to suppose in a few years’ time, because we must always make use of the weapons that we have captured to free ourselves finally from the foe whom we have for the moment overpowered, he was seeking nevertheless, after the feeling of satiety that people were beginning to derive from work that was too complete, in which everything was expressed, to satisfy an opposite demand. There were theories of course, to support this reaction for the time being, like those theories which, in politics, come to the support of the laws against religious communities, of wars in the East (unnatural teaching, the Yellow Peril, etc., etc.). People said that an age of speed required rapidity in art, precisely as they might have said that the next war could not last longer than a fortnight, or that the coming of railways would kill the little places beloved of the coaches, which the motor-car, for all that, was to restore to favour. Composers were warned not to strain the attention of their audience, as though we had not at our disposal different degrees of attention, among which it rests precisely with the artist himself to arouse the highest. For the people who yawn with boredom after ten lines of a mediocre article have journeyed year after year to Bayreuth to listen to the Ring. Besides, the day was to come when, for a season, Debussy would be pronounced as trivial as Massenet, and the trills of Mélisande degraded to the level of Manon’s. For theories and schools, like microbes and corpuscles, devour one another and by their warfare ensure the continuity of existence. But that time was still to come&#xA;&#xA;   As on the Stock Exchange, when a rise occurs, a whole group of securities benefit by it, so a certain number of despised composers were gaining by the reaction, either because they did not deserve such scorn, or simply — which enabled one to be original when one sang their praises — because they had incurred it. And people even went the length of seeking out, in an isolated past, men of independent talent upon whose reputation the present movement did not seem calculated to have any influence, but of whom one of the new masters was understood to have spoken favourably. Often it was because a master, whoever he may be, however exclusive his school, judges in the light of his own untutored instincts, does justice to talent wherever it be found, or rather not so much to talent as to some agreeable inspiration which he has enjoyed in the past, which reminds him of a precious moment in his adolescence. Or, it may be, because certain artists of an earlier generation have in some fragment of their work realised something that resembles what the master has gradually become aware that he himself meant at one time to create. Then he sees the old master as a sort of precursor; he values in him, under a wholly different form, an effort that is momentarily, partially fraternal. There are bits of Turner in the work of Poussin, we find a phrase of Flaubert in Montesquieu. Sometimes, again, this rumoured predilection of the Master was due to an error, starting heaven knows where and circulated through the school. But in that case the name mentioned profited by the auspices under which it was introduced in the nick of time, for if there is an element of free will, some genuine taste expressed in the master’s choice, the schools themselves go only by theory. Thus it is that the mind, following its habitual course which advances by digression, inclining first in one direction, then in the other, had brought back into the light of day a number of works to which the need for justice, or for a renewal of standards, or the taste of Debussy, or his caprice, or some remark that he had perhaps never made had added the works of Chopin. Commended by the judges in whom one had entire confidence, profiting by the admiration that was aroused by Pelléas, they had acquired a fresh lustre, and even the people who had not heard them again were so anxious to admire them that they did so in spite of themselves, albeit preserving the illusion of free will. But Mme. de Cambremer-Legrandin spent part of the year in the country. Even in Paris, being an invalid, she was largely confined to her own room. It is true that the drawbacks of this mode of existence were noticeable chiefly in her choice of expressions which she supposed to be fashionable and which would have been more appropriate to the written language, a distinction that she did not perceive, for she derived them more from reading than from conversation. The latter is not so necessary for an exact knowledge of current opinion as of the latest expressions. Unfortunately this revival of the Nocturnes had not yet been announced by the critics. The news of it had been transmitted only by word of mouth among the ‘younger’ people. It remained unknown to Mme. de Cambremer-Legrandin. I gave myself the pleasure of informing her, but by addressing my remark to her mother-in-law, as when at billiards in order to hit a ball one aims at the cushion, that Chopin, so far from being out of date, was Debussy’s favourite composer. “Indeed, that’s quaint,” said the daughter-in-law with a subtle smile as though it had been merely a deliberate paradox on the part of the composer of Pelléas. Nevertheless it was now quite certain that in future she would always listen to Chopin with respect and even pleasure. Moreover my words which had sounded the hour of deliverance for the dowager produced on her face an expression of gratitude to myself and above all of joy. Her eyes shone like the eyes of Latude in the play entitled Latude, or Thirty-five Years in Captivity, and her bosom inhaled the sea air with that dilatation which Beethoven has so well described in Fidelio, at the point where his prisoners at last breathe again ‘this life-giving air.’ As for the dowager, I thought that she was going to press her hirsute lips to my cheek. “What, you like Chopin? He likes Chopin, he likes Chopin,” she cried with a nasal trumpet-tone of passion; she might have been saying: “What, you know Mme. de Franquetot too?” with this difference, that my relations with Mme. de Franquetot would have left her completely indifferent, whereas my knowledge of Chopin plunged her in a sort of artistic delirium. Her salivary super-secretion no longer sufficed. Not having attempted even to understand the part played by Debussy in the rediscovery of Chopin, she felt only that my judgment of him was favourable. Her musical enthusiasm overpowered her. “Elodie! Elodie! He likes Chopin!” her bosom rose and she beat the air with her arms. “Ah! I knew at once that you were a musician,” she cried. “I can quite understand an artist such as you are liking him. He’s so lovely!” And her voice was as pebbly as if, to express her ardour for Chopin, she had copied Demosthenes and filled her mouth with all the shingle on the beach. Then came the turn of the tide, reaching as far as her veil which she had not time to lift out of harm’s way and which was flooded; and lastly the Marquise wiped away with her embroidered handkerchief the tidemark of foam in which the memory of Chopin had steeped her moustaches&#xA;&#xA;    “Good heavens,” Mme. de Cambremer-Legrandin remarked to me, “I’m afraid my mother-in-law’s cutting it rather fine, she’s forgotten that we’ve got my Uncle de Ch’nouville dining. Besides, Cancan doesn’t like to be kept waiting.” The word ‘Cancan’ was beyond me, and I supposed that she might perhaps be referring to a dog. But as for the Ch’nouville relatives, the explanation was as follows. With the lapse of time the young Marquise had outgrown the pleasure that she had once found in pronouncing their name in this manner. And yet it was the prospect of enjoying that pleasure that had decided her choice of a husband. In other social circles, when one referred to the Chenouville family, the custom was (whenever, that is to say, the particle was preceded by a word ending in a vowel sound, for otherwise you were obliged to lay stress upon the de, the tongue refusing to utter Madam’ d’Ch’nonceaux) that it was the mute e of the particle that was sacrificed. One said: “Monsieur d’Chenouville.” The Cambremer tradition was different, but no less imperious. It was the mute e of Chenouville that was suppressed. Whether the name was preceded by mon cousin or by ma cousine, it was always de Chenouvilleand never de Chenouville. (Of the father of these Chenouvilles, one said ‘our Uncle’ for they were not sufficiently ‘smart set’ at Féterne to pronounce the word ‘Unk’ like the Guermantes, whose deliberate jargon, suppressing consonants and naturalising foreign words, was as difficult to understand as Old French or a modern dialect.) Every newcomer into the family circle at once received, in the matter of the Ch’nouvilles, a lesson which Mme. de Cambremer-Legrandin had not required. When, paying a call one day, she had heard a girl say: “My Aunt d’Uzai,” “My Unk de Rouan,” she had not at first recognised the illustrious names which she was in the habit of pronouncing: Uzès, and Rolîan, she had felt the astonishment, embarrassment and shame of a person who sees before him on the table a recently invented implement of which he does not know the proper use and with which he dares not begin to eat. But during that night and the next day she had rapturously repeated: “My Aunt Uzai,” with that suppression of the final s, a suppression that had stupefied her the day before, but which it now seemed to her so vulgar not to know that, one of her friends having spoken to her of a bust of the Duchesse d’Uzès, Mlle. Legrandin had answered her crossly, and in an arrogant tone: “You might at least pronounce her name properly: Mme. d’Uzai.” From that moment she had realised that, by virtue of the transmutation of solid bodies into more and more subtle elements, the considerable and so honourably acquired fortune that she had inherited from her father, the finished education that she had received, her regular attendance at the Sorbonne, whether at Caro’s lectures or at Brunetiere’s, and at the Lamoureux concerts, all this was to be rendered volatile, to find its utmost sublimation in the pleasure of being able one day to say: “My Aunt d’Uzai.” This did not exclude the thought that she would continue to associate, in the earlier days, at least, of her married life, not indeed with certain women friends whom she liked and had resigned herself to sacrificing, but with certain others whom she did not like and to whom she looked forward to being able to say (since that, after all, was why she was marrying): “I must introduce you to my Aunt d’Uzai,” and, when she saw that such an alliance was beyond her reach, “I must introduce you to my Aunt de Ch’nouville,” and “I shall ask you to dine to meet the Uzai.” Her marriage to M. de Cambremer had procured for Mlle. Legrandin the opportunity to use the former of these phrases but not the latter, the circle in which her parents-in-law moved not being that which she had supposed and of which she continued to dream. After saying to me of Saint-Loup (adopting for the occasion one of his expressions, for if in talking to her I used those expressions of Legrandin, she by a reverse suggestion answered me in Robert’s dialect which she did not know to be borrowed from Rachel), bringing her thumb and forefinger together and half-shutting her eyes as though she were gazing at something infinitely delicate which she had succeeded in capturing: “He has a charming quality of mind,” she began to extol him with such warmth that one might have supposed that she was in love with him (it had indeed been alleged that, some time back, when he was at Don-cières, Robert had been her lover), in reality simply that I might repeat her words to him, and ended up with: “You are a great friend of the Duchesse de Guermantes. I am an invalid, I never go anywhere, and I know that she sticks to a close circle of chosen friends, which I do think so wise of her, and so I know her very slightly, but I know she is a really remarkable woman.” Aware that Mme. de Carnbremer barely knew her, and anxious to reduce myself to her level, I avoided the subject and answered the Marquise that the person whom I did know well was her brother, M. Legrandin. At the sound of his name she assumed the same evasive air as myself over the name of Mme. de Guermantes, but combined with it an expression of annoyance, for she supposed that I had said this with the object of humiliating not myself but her. Was she gnawed by despair at having been born a Legrandin? So at least her husband’s sisters and sisters-in-law asserted, ladies of the provincial nobility who knew nobody and nothing, and were jealous of Mme. de Cambremer’s intelligence, her education, her fortune, the physical attractions that she had possessed before her illness. “She can think of nothing else, that is what is killing her,” these slanderers would say whenever they spoke of Mme. de Cambremer to no matter whom, but preferably to a plebeian, whether, were he conceited and stupid, to enhance, by this affirmation of the shamefulness of a plebeian origin, the value of the affability that they were shewing him, of, if he were shy and clever and applied the remark to himself, to give themselves the pleasure, while receiving him hospitably, of insulting him indirectly. But if these ladies thought that they were speaking the truth about their sister-in-law, they were mistaken. She suffered not at all from having been born Legrandin, for she had forgotten the fact altogether. She was annoyed at my reminding her of it, and remained silent as though she had not understood, not thinking it necessary to enlarge upon or even to confirm my statement&#xA;&#xA;    “Our cousins are not the chief reason for our cutting short our visit,” said the dowager Mme. de Cambremer, who was probably more satiated than her daughter-in-law with the pleasure to be derived from saying ‘Ch’nouville.’ “But, so as not to bother you with too many people, Monsieur,” she went on, indicating the lawyer, “was afraid to bring his wife and son to the hotel. They are waiting for us on the beach, and they will be growing impatient.” I asked for an exact description of them and hastened in search of them. The wife had a round face like certain flowers of the ranunculus family, and a large vegetable growth at the corner of her eye. And as the generations of mankind preserve their characteristic like a family of plants, just as on the blemished face of his mother, an identical mole, which might have helped one in classifying a variety of the species, protruded below the eye of the son. The lawyer was touched by my civility to his wife and son. He shewed an interest in the subject of my stay at Balbec. “You must find yourself rather out of your element, for the people here are for the most part foreigners.” And he kept his eye on me as he spoke, for, not caring for foreigners, albeit he had many foreign clients, he wished to make sure that I was not hostile to his xenophobia, in which case he would have beaten a retreat saying: “Of course, Mme. X——-may be a charming woman. It’s a question of principle.” As at that time I had no definite opinion about foreigners, I shewed no sign of disapproval; he felt himself to be on safe ground. He went so far as to invite me to come one day, in Paris, to see his collection of Le Sidaner, and to bring with me the Cambremers, with whom he evidently supposed me to be on intimate terms. “I shall invite you to meet Le Sidaner,” he said to me, confident that from that moment I would live only in expectation of that happy day. “You shall see what a delightful man he is. And his pictures will enchant you. Of course, I can’t compete with the great collectors, but I do believe that I am the one that possesses the greatest number of his favourite canvases. They will interest you all the more, coming from Balbec, since they are marine subjects, for the most part, at least.” The wife and son, blessed with a vegetable nature, listened composedly. One felt that their house in Paris was a sort of temple of Le Sidaner. Temples of this sort are not without their use. When the god has doubts as to his own merits, he can easily stop the cracks in his opinion of himself with the irrefutable testimony of people who have devoted their lives to his work&#xA;&#xA;   At a signal from her daughter-in-law, Mme. de Cambremer prepared to depart, and said to me: “Since you won’t come and stay at Féterne, won’t you at least come to luncheon, one day this week, to-morrow for instance?” And in her bounty, to make the invitation irresistible, she added: “You will find the Comte de Crisenoy,” whom I had never lost, for the simple reason that I did not know him. She was beginning to dazzle me with yet further temptations, but stopped short. The chief magistrate who, on returning to the hotel, had been told that she was on the premises had crept about searching for her everywhere, then waited his opportunity, and pretending to have caught sight of her by chance, came up now to greet her. I gathered that Mme. de Cambremer did not mean to extend to him the invitation to luncheon that she had just addressed to me. And yet he had known her far longer than I, having for years past been one of the regular guests at the afternoon parties at Féterne whom I used so to envy during my former visit to Balbec. But old acquaintance is not the only thing that counts in society. And hostesses are more inclined to reserve their luncheons for new acquaintances who still whet their curiosity, especially when they arrive preceded by a glowing and irresistible recommendation like Saint-Loup’s of me. Mme. de Cambremer decided that the chief magistrate could not have heard what she was saying to me, but, to calm her guilty conscience, began addressing him in the kindest tone. In the sunlight that flooded, on the horizon, the golden coastline, invisible as a rule, of Rivebelle, we could just make out, barely distinguishable from the luminous azure, rising from the water, rosy, silvery, faint, the little bells that were sounding the angélus round about Féterne. “That is ratherPelléas, too,” I suggested to Mme. de Cambremer-Legrandin. “You know the scene I mean.” “Of course I do!” was what she said; but “I haven’t the faintest idea” was the message proclaimed by her voice and features which did not mould themselves to the shape of any recollection and by a smile that floated without support in the air. The dowager could not get over her astonishment that the sound of the bells should carry so far, and rose, reminded of the time. “But, as a rule,” I said, “we never see that part of the coast from Balbec, nor hear it either. The weather must have changed and enlarged the horizon in more ways than one. Unless, that is to say, the bells have come to look for you, since I see that they are making you leave; to you they are a dinner bell.” The chief magistrate, little interested in the bells, glanced furtively along the front, on which he was sorry to see so few people that evening. “You are a true poet,” said Mme. de Cambremer to me. “One feels you are so responsive, so artistic, come, I will play you Chopin,” she went on, raising her arms with an air of ecstasy and pronouncing the words in a raucous voice like the shifting of shingle on the beach. Then came the deglutition of spittle, and the old lady instinctively wiped the stubble of her moustaches with her handkerchief. The chief magistrate did me, unconsciously, a great service by offering the Marquise his arm to escort her to her carriage, a certain blend of vulgarity, boldness and love of ostentation prompting him to actions which other people would have hesitated to risk, and which are by no means unsuccessful in society. He was, moreover, and had been for years past far more in the habit of these actions than myself. While blessing him for what he did I did not venture to copy him, and walked by the side of Mme. de Cambremer-Legrandin who insisted upon seeing the book that I had in my hand. The name of Madame de Sévigné drew a grimace from her; and using a word which she had seen in certain newspapers, but which, used in speech and given a feminine form, and applied to a seventeenth century writer, had an odd effect, she asked me: “Do you think her really masterly?” The Marquise gave her footman the address of a pastry-cook where she had to call before taking the road, rosy with the evening haze, through which loomed one beyond another the dusky walls of cliff. She asked her old coachman whether one of the horses which was apt to catch cold had been kept warm enough, whether the other’s shoe were not hurting him. “I shall write to you and make a definite engagement,” she murmured to me. “I heard you talking about literature to my daughter-in-law, she’s a darling,” she went on, not that she really thought so, but she had acquired the habit — and kept it up in her kindness of heart — of saying so, in order that her son might not appear to have married for money. “Besides,” she added with a final enthusiastic gnashing of her teeth, “she’s so harttissttick!” With this she stepped into her carriage, nodding her head, holding the crook of her sunshade aloft like a crozier, and set off through the streets of Balbec, overloaded with the ornaments of her priesthood, like an old Bishop on a confirmation tour&#xA;&#xA;    “She has asked you to luncheon,” the chief magistrate said to me sternly when the carriage had passed out of sight and I came indoors with the girls. “We’re not on the best of terms just now. She feels that I neglect her. Gad, I’m easy enough to get on with. If anybody needs me, I’m always there to say: Adsum! But they tried to force my hand. That, now,” he went on with an air of subtlety, holding up his finger as though making and arguing a distinction, “that is a thing I do not allow. It is a threat to the liberty of my holidays. I was obliged to say: Stopl You seem to be in her good books. When you reach my age you will see that society is a very trumpery thing, and you will be sorry you attached so much importance to these trifles. Well, I am going to take a turn before dinner. Good-bye, children,” he shouted back at us, as though he were already fifty yards away&#xA;&#xA;   When I had said good-bye to Rosemonde and Gisèle, they saw with astonishment that Albertine was staying behind instead of accompanying them. “Why, Albertine, what are you doing, don’t you know what time it is?” “Go home,” she replied in a tone of authority. “I want to talk to him,” she added, indicating myself with a submissive air. Rosemonde and Gisèle stared at me, filled with a new and strange respect. I enjoyed the feeling that, for a moment at least, in the eyes even of Rosemonde and Gisèle, I was to Albertine something more important than the time, than her friends, and might indeed share solemn secrets with her into which it was impossible for them to be admitted. “Shan’t we see you again this evening?” “I don’t know, it will depend on this person. Anyhow, to-morrow.” “Let us go up to my room,” I said to her, when her friends had gone. We took the lift; she remained silent in the boy’s presence. The habit of being obliged to resort to personal observation and deduction in order to find out the business of their masters, those strange beings who converse among themselves and do not speak to them, develops in ‘employees’ (as the lift-boy styled servants), a stronger power of divination than the ‘employer’ possesses. Our organs become atrophied or grow stronger or more subtle, accordingly as our need of them increases or diminishes. Since railways came into existence, the necessity of not missing the train has taught us to take account of minutes whereas among the ancient Romans, who not only had a more cursory science of astronomy but led less hurried lives, the notion not of minutes but even of fixed hours barely existed. And so the lift-boy had gathered and meant to inform his comrades that Albertine and I were preoccupied. But he talked to us without ceasing because he had no tact. And yet I could see upon his face, in place of the customary expression of friendliness and joy at taking me up in his lift, an air of extraordinary depression and uneasiness. As I knew nothing of the cause of this, in an attempt to distract his thoughts, and albeit I was more preoccupied than Albertine, I told him that the lady who had just left was called the Marquise de Cambremer and not de Camembert. On the landing at which we were pausing at the moment, I saw, carrying a pair of pails, a hideous chambermaid who greeted me with respect, hoping for a tip when I left. I should have liked to know if she were the one whom I had so ardently desired on the evening of my first arrival at Balbec, but I could never arrive at any certainty. The lift-boy swore to me with the sincerity of most false witnesses, but without shedding his expression of despair, that it was indeed by the name of Camembert that the Marquise had told him to announce her. And as a matter of fact it was quite natural that he should have heard her say a name which he already knew. Besides, having those very vague ideas of nobility, and of the names of which titles are composed, which are shared by many people who are not lift-boys, the name Camembert had seemed to him all the more probable inasmuch as, that cheese being universally known, it was not in the least surprising that people should have acquired a marquisate from so glorious a distinction, unless it were the marquisate that had bestowed its renown upon the cheese. Nevertheless as he saw that I refused to admit that I might be mistaken, and as he knew that masters like to see their most futile whims obeyed and their most obvious lies accepted, he promised me like a good servant that in future he would say Cambremer. It is true that none of the shopkeepers in the town, none of the peasants in the district, where the name and persons of the Cambremers were perfectly familiar, could ever have made the lift-boy’s mistake. But the staff of the ‘Grand Hotel of Balbec’ were none of them natives. They came direct, with the furniture and stock, from Biarritz, Nice and Monte-Carlo, one division having been transferred to Deauville, another to Dinard and the third reserved for Balbec&#xA;&#xA;   But the lift-boy’s pained anxiety continued to grow. That he should thus forget to shew his devotion to me by the customary smiles, some misfortune must have befallen him. Perhaps he had been ‘‘missed.’ I made up my mind in that case to try to secure his reinstatement, the manager having promised to ratify all my wishes with regard to his staff. “You can always do just what you like, I rectify everything in advance.” Suddenly, as I stepped out of the lift, I guessed the meaning of the boy’s distress, his panic-stricken air. Because Albertine was with me, I had not given him the five francs which I was in the habit of slipping into his hand when I went up. And the idiot, instead of understanding that I did not wish to make a display of generosity in front of a third person, had begun to tremble, supposing that it was all finished, that I would never give him anything again. He imagined that I was ‘on the rocks’ (as the Duc de Guermantes would have said), and the supposition inspired him with no pity for myself but with a terrible selfish disappointment. I told myself that I was less unreasonable than my mother thought when I dared not, one day, refrain from giving the extravagant but feverishly awaited sum that I had given the day before. But at the same time the meaning that I had until then, and without a shadow of doubt, ascribed to his habitual expression of joy, in which I had no hesitation in seeing a sign of devotion, seemed to me to have become less certain. Seeing the lift-boy ready, in his despair, to fling himself down from the fifth floor of the hotel, I asked myself whether, if our respective social stations were to be altered, in consequence let us say of a revolution, instead of politely working his lift for me, the boy, grown independent, would not have flung me down the well, and whether there was not, in certain of the lower orders, more duplicity than in society, where, no doubt, people reserve their offensive remarks until we are out of earshot, but where their attitude towards us would not be insulting if we were reduced to poverty&#xA;&#xA;   One cannot however say that, in the Balbec hotel, the lift-boy was the most commercially minded. From this point of view the staff might be divided into two categories; on the one hand, those who drew distinctions between the visitors, and were more grateful for the modest tip of an old nobleman (who, moreover, was in a position to relieve them from 28 days of military service by saying a word for them to General de Beautreillis) than for the thoughtless liberalities of a cad who by his very profusion revealed a want of practice which only to his face did they call generosity. On the other hand, those to whom nobility, intellect, fame, position, manners were nonexistent, concealed under a cash valuation. For these there was but a single standard, the money one has, or rather the money one bestows. Possibly Aimé himself, albeit pretending, in view of the great number of hotels in which he had served, to a great knowledge of the world, belonged to this latter category. At the most he would give a social turn, shewing that he knew who was who, to this sort of appreciation, as when he said of the Princesse de Luxembourg: “There’s a pile of money among that lot?” (the question mark at the end being to ascertain the facts or to check such information as he had already ascertained, before supplying a client with a ‘chef for Paris, or promising him a table on the left, by the door, with a view of the sea, at Balbec). In spite of this, and albeit not free from sordid considerations, he would not have displayed them with the fatuous despair of the lift-boy. And yet, the latter’s artlessness helped perhaps to simplify things. It is the convenience of a big hotel, of a house such as Rachel used at one time to frequent, that, without any intermediary, the face, frozen stiff until that moment, of a servant or a woman, at the sight of a hundred-franc note, still more of one of a thousand, even although it is being given to some one else, will melt in smiles and offers of service. Whereas in the dealings, in the relations between lover and mistress, there are too many things interposed between money and docility. So many things that the very people upon whose faces money finally evokes a smile are often incapable of following the internal process that links them together, believe themselves to be, and indeed are more refined. Besides, it rids polite conversation of such speeches as: “There’s only one thing left for me to do, you will find me to-morrow in the mortuary.” And so one meets in polite society few novelists, or poets, few of all those sublime creatures who speak of the things that are not to be mentioned&#xA;&#xA;   As soon as we were alone and had moved along the corridor, Albertine began: “What is it, you have got against me?” Had my harsh treatment of her been painful to myself? Had it been merely an unconscious ruse on my part, with the object of bringing my mistress to that attitude of fear and supplication which would enable me to interrogate her, and perhaps to find out which of the alternative hypotheses that I had long since formed about her was correct? However that may be, when I heard her question, I suddenly felt the joy of one who attains to a long desired goal. Before answering her, I escorted her to the door of my room. Opening it, I scattered the roseate light that was flooding the room and turning the white muslin of the curtains drawn for the night to golden damask. I went across to the window; the gulls had settled again upon the waves; but this time they were pink. I drew Albertine’s attention to them. “Don’t change the subject,” she said, “be frank with me.” I lied. I declared to her that she must first listen to a confession, that of my passionate admiration, for some time past, of Andrée, and I made her this confession with a simplicity and frankness worthy of the stage, but seldom employed in real life except for a love which people do not feel. Harking back to the fiction I had employed with Gilberte before my first visit to Balbec, but adapting its terms, I went so far (in order to make her more ready to believe me when I told her now that I was not in love with her) as to let fall the admission that at one time I had been on the point of falling in love with her, but that too long an interval had elapsed, that she could be nothing more to me now than a good friend and comrade, and that even if I wished to feel once again a more ardent sentiment for her it would be quite beyond my power. As it happened, in taking my stand thus before Albertine on these protestations of coldness towards her, I was merely — because of a particular circumstance and with a particular object in view — making more perceptible, accentuating more markedly, that dual rhythm which love adopts in all those who have too little confidence in themselves to believe that a woman can ever fall in love with them, and also that they themselves can genuinely fall in love with her. They know themselves well enough to have observed that in the presence of the most divergent types of woman they felt the same hopes, the same agonies, invented the same romances, uttered the same words, to have deduced therefore that their sentiments, their actions bear no close and necessary relation to the woman they love, but pass by her, spatter her, surround her, like the waves that break round upon the rocks, and their sense of their own instability increases still further their misgivings that this woman, by whom they would so fain be loved, is not in love with them. Why should chance have brought it about, when she is simply an accident placed so as to catch the ebullience of our desire, that we should ourselves be the object of the desire that is animating her? And so, while we feel the need to pour out before her all those sentiments, so different from the merely human sentiments that our neighbour inspires in us, those so highly specialised sentiments which are a lover’s, after we have taken a step forward, in avowing to her whom we love our affection for her, our hopes, overcome at once by the fear of offending her, ashamed too that the speech we have addressed to her was not composed expressly for her, that it has served us already, will serve us again for others, that if she does not love us she cannot understand us and we have spoken in that case with the want of taste, of modesty shewn by the pedant who addresses an ignorant audience in subtle phrases which are not for them, this fear, this shame bring into play the counter-rhythm, the reflux, the need, even by first drawing back, hotly denying the affection we have already confessed, to resume the offensive, and to recapture her esteem, to dominate her; the double rhythm is perceptible in the various periods of a single love affair, in all the corresponding periods of similar love affairs, in all those people whose self-analysis outweighs their self-esteem. If it was however somewhat more vigorously accentuated than usual in this speech which I was now preparing to make to Albertine, that was simply to allow me to pass more speedily and more emphatically to the alternate rhythm which should sound my affection&#xA;&#xA;   As though it must be painful to Albertine to believe what I was saying to her as to the impossibility of my loving her again, after so long an interval, I justified what I called an eccentricity of my nature by examples taken from people with whom I had, by their fault or my own, allowed the time for loving them to pass, and been unable, however keenly I might have desired it, to recapture it. I thus appeared at one and the same time to be apologising to her, as for a want of courtesy, for this inability to begin loving her again, and to be seeking to make her understand the psychological reasons for that incapacity as though they had been peculiar to myself. But by explaining myself in this fashion, by dwelling upon the case of Gilberte, in regard to whom the argument had indeed been strictly true which was becoming so far from true when applied to Albertine, all that I did was to render my assertions as plausible as I pretended to believe that they were not. Feeling that Albertine appreciated what she called my ‘frank speech’ and recognising in my deductions the clarity of the evidence, I apologised for the former by telling her that I knew that the truth was always unpleasant and in this instance must seem to her incomprehensible. She, on the contrary, thanked me for my sincerity and added that so far from being puzzled she understood perfectly a state of mind so frequent and so natural&#xA;&#xA;   This avowal to Albertine of an imaginary sentiment for Andrée, and, towards herself, an indifference which, that it might appear altogether sincere and without exaggeration, I assured her incidentally, as though by a scruple of politeness, must not be taken too literally, enabled me at length, without any fear of Albertine’s suspecting me of loving her, to speak to her with a tenderness which I had so long denied myself and which seemed to me exquisite. I almost caressed my confidant; as I spoke to her of her friend whom I loved, tears came to my eyes. But, coming at last to the point, I said to her that she knew what love meant, its susceptibilities, its sufferings, and that perhaps, as the old friend that she now was, she might feel it in her heart to put a stop to the bitter grief that she was causing me, not directly, since it was not herself that I loved, if I might venture to repeat that without offending her, but indirectly by wounding me in my love for Andrée. I broke off to admire and point out to Albertine a great bird, solitary and hastening, which far out in front of us, lashing the air with the regular beat of its wings, was passing at full speed over the beach stained here and there with reflexions like little torn scraps of red paper, and crossing it from end to end without slackening its pace, without diverting its attention, without deviating from its path, like an envoy carrying far afield an urgent and vital message. “He at least goes straight to the point!” said Albertine in a tone of reproach. “You say that because you don’t know what it is I was going to tell you. But it is so difficult that I prefer to give it up; I am certain that I should make you angry; and then all that will have happened will be this: I shall be in no way better off with the girl I really love and I shall have lost a good friend.” “But when I swear to you that I will not be angry.” She had so sweet, so wistfully docile an air, as though her whole happiness depended on me, that I could barely restrain myself from kissing — with almost the same kind of pleasure that I should have taken in kissing my mother — this novel face which no longer presented the startled, blushing expression of a rebellious and perverse kitten with its little pink, tip-tilted nose, but seemed, in the fulness of its crushing sorrow, moulded in broad, flattened, drooping slabs of pure goodness. Making an abstraction of my love as of a chronic mania that had no connexion with her, putting myself in her place, I let my heart be melted before this honest girl, accustomed to being treated in a friendly and loyal fashion, whom the good comrade that she might have supposed me had been pursuing for weeks past with persecutions which had at last arrived at their culminating point. It was because I placed myself at a standpoint that was purely human, external to both of us, at which my jealous love dissolved, that I felt for Albertine that profound pity, which would have been less profound if I had not loved her. However, in that rhythmical oscillation which leads from a declaration to a quarrel (the surest, the most certainly perilous way of forming by opposite and successive movements a knot which will not be loosed and attaches us firmly to a person by the strain of the movement of withdrawal which constitutes one of the two elements of the rhythm), of what use is it to analyse farther the refluences of human pity, which, the opposite of love, though springing perhaps unconsciously from the same cause, produces in every case the same effects? When we count up afterwards the total amount of all that we have done for a woman, we often discover that the actions prompted by the desire to shew that we love her, to make her love us, to win her favours, bulk little if any greater than those due to the human need to repair the wrongs that we have done to the creature whom we love, from a mere sense of moral duty, as though we were not in love with her. “But tell me, what on earth have I done?” Albertine asked me. There was a knock at the door; it was the lift-boy; Albertine’s aunt, who was passing the hotel in a carriage, had stopped on the chance of finding her there, to take her home. Albertine sent word that she could not come, that they were to begin dinner without her, that she could not say at what time she would return. “But won’t your aunt be angry?” “What do you suppose? She will understand all right.” And so, at this moment at least, a moment such as might never occur again — a conversation with myself was proved by this incident to be in Albertine’s eyes a thing of such self-evident importance that it must be given precedence over everything, a thing to which, referring no doubt instinctively to a family code, enumerating certain crises in which, when the career of M. Bontemps was at stake, a journey had been made without a thought, my friend never doubted that her aunt would think it quite natural to see her sacrifice the dinner-hour. That remote hour which she passed without my company, among her own people, Albertine, having brought it to me, bestowed it on me; I might make what use of it I chose. I ended by making bold to tell her what had been reported to me about her way of living, and that notwithstanding the profound disgust that I felt for women tainted with that vice, I had not given it a thought until I had been told the name of her accomplice, and that she could readily understand, loving Andrée as I did, the grief that, the news had caused me. It would have been more tactful perhaps to say that I had been given the names of other women as well, in whom I was not interested. But the sudden and terrible revelation that Cottard had made to me had entered my heart to lacerate it, complete in itself but without accretions. And just as, before that moment, it would never have occurred to me that Albertine was in love with Andrée, or at any rate could find pleasure in caressing her, if Cottard had not drawn my attention to their attitude as they waltzed together, so I had been incapable of passing from that idea to the idea, so different for me, that Albertine might have, with other women than Andrée, relations for which affection could not be pleaded in excuse. Albertine, before even swearing to me that it was not true, shewed, like everyone upon learning that such things are being said about him, anger, concern, and, with regard to the unknown slanderer, a fierce curiosity to know who he was and a desire to be confronted with him so as to be able to confound him. But she assured me that she bore me, at least, no resentment. “If it had been true, I should have told you. But Andrée and I both loathe that sort of thing. We have not lived all these years without seeing women with cropped hair who behave like men and do the things you mean, and nothing revolts us more.” Albertine gave me merely her word, a peremptory word unsupported by proof. But this was just what was best calculated to calm me, jealousy belonging to that family of sickly doubts which are better purged by the energy than by the probability of an affirmation. It is moreover the property of love to make us at once more distrustful and more credulous, to make us suspect, more readily than we should suspect anyone else, her whom we love, and be convinced more easily by her denials. We must be in love before we can care that all women are not virtuous, which is to say before we can be aware of the fact, and we must be in love too before we can hope, that is to say assure ourselves that some are. It is human to seek out what hurts us and then at once to seek to get rid of it. The statements that are capable of so relieving us seem quite naturally true, we are not inclined to cavil at a sedative that acts. Besides, however multiform may be the person with whom we are in love, she can in any case offer us two essential personalities accordingly as she appears to us as ours, or as turning her desires in another direction. The former of these personalities possesses the peculiar power which prevents us from believing in the reality of the other, the secret remedy to heal the sufferings that this latter has caused us. The beloved object is successively the malady and the remedy that suspends and aggravates it. No doubt, I had long since been prepared, by the strong impression made on my imagination and my faculty for emotion by the example of Swann, to believe in the truth of what I feared rather than of what I should have wished. And so the comfort brought me by Albertine’s affirmations came near to being jeopardised for a moment, because I was reminded of the story of Odette. But I told myself that, if it was only right to allow for the worst, not only when, in order to understand Swann’s sufferings, I had tried to put myself in his place, but now, when I myself was concerned, in seeking the truth as though it referred to some one else, still I must not, out of cruelty to myself, a soldier who chooses the post not where he can be of most use but where he is most exposed, end in the mistake of regarding one supposition as more true than the rest, simply because it was more painful. Was there not a vast gulf between Albertine, a girl of good, middle-class parentage, and Odette, a courtesan bartered by her mother in her childhood? There could be no comparison of their respective credibility. Besides, Albertine had in no respect the same interest in lying to me that Odette had had in lying to Swann. Moreover to him Odette had admitted what Albertine had just denied. I should therefore be guilty of an error in reasoning as serious — though in the opposite direction — as that which had inclined me towards a certain hypothesis because it had caused me less pain than the rest, were I not to take into account these material differences in their positions, but to reconstruct the real life of my mistress solely from what I had been told about the life of Odette. I had before me a new Albertine, of whom I had already, it was true, caught more than one glimpse towards the end of my previous visit to Balbec, frank and honest, an Albertine who had, out of affection for myself, forgiven me my suspicions and tried to dispel them. She made me sit down by her side upon my bed. I thanked her for what she had said to me, assured her that our reconciliation was complete, and that I would never be horrid to her again. I suggested to her that she ought, at the same time, to go home to dinner. She asked me whether I was not glad to have her with me. Drawing my head towards her for a caress which she had never before given me and which I owed perhaps to the healing of our rupture, she passed her tongue lightly over my lips which she attempted to force apart. At first I kept them tight shut. “You are a great bear!” she informed me&#xA;&#xA;   I ought to have left the place that evening and never set eyes on her again. I felt even then that in a love which is not reciprocated — I might as well say, in love, for there are people for whom there is no such thing as reciprocated love — we can enjoy only that simulacrum of happiness which had been given me at one of those unique moments in which a woman’s good nature, or her caprice, or mere chance, bring to our desires, in perfect coincidence, the same words, the same actions as if we were really loved. The wiser course would have been to consider with curiosity, to possess with delight that little parcel of happiness failing which I should have died without ever suspecting what it could mean to hearts less difficult to please or more highly favoured; to suppose that it formed part of a vast and enduring happiness of which this fragment only was visible to me, and — lest the next day should expose this fiction — not to attempt to ask for any fresh favour after this, which had been due only to the artifice of an exceptional moment. I ought to have left Balbec, to have shut myself up in solitude, to have remained so in harmony with the last vibrations of the voice which I had contrived to render amorous for an instant, and of which I should have asked nothing more than that it might never address another word to me; for fear lest, by an additional word which now could only be different, it might shatter with a discord the sensitive silence in which, as though by the pressure of a pedal, there might long have survived in me the throbbing chord of happiness&#xA;   Soothed by my explanation with Albertine, I began once again to live in closer intimacy with my mother. She loved to talk to me gently about the days in which my grandmother had been younger. Fearing that I might reproach myself with the sorrows with which I had perhaps darkened the close of my grandmother’s life, she preferred to turn back to the years when the first signs of my dawning intelligence had given my grandmother a satisfaction which until now had always been kept from me. We talked of the old days at Combray. My mother reminded me that there at least I used to read, and that at Balbec I might well do the same, if I was not going to work. I replied that, to surround myself with memories of Combray and of the charming coloured plates, I should like to read again the Thousand and One Nights. As, long ago at Combray, when she gave me books for my birthday, so it was in secret, as a surprise for me, that my mother now sent for both the Thousand and One Nights of Galland and the Thousand Nights and a Night of Mardrus. But, after casting her eye over the two translations, my mother would have preferred that I should stick to Galland’s, albeit hesitating to influence me because of the respect that she felt for intellectual liberty, her dread of interfering with my intellectual life and the feeling that, being a woman, on the one hand she lacked, or so she thought, the necessary literary equipment, and on the other hand ought not to condemn because she herself was shocked by it the reading of a young man. Happening upon certain of the tales, she had been revolted by the immorality of the subject and the crudity of the expression. But above all, preserving, like precious relics, not only the brooch, the sunshade, the cloak, the volume of Madame de Sévigné, but also the habits of thought and speech of her mother, seeking on every occasion the opinion that she would have expressed, my mother could have no doubt of the horror with which my grandmother would have condemned Mardrus’s book. She remembered that at Combray while before setting out for a walk, Méséglise way, I was reading Augustin Thierry, my grandmother, glad that I should be reading, and taking walks, was indignant nevertheless at seeing him whose name remained enshrined in the hemistich: ‘Then reignèd Mérovée’ called Merowig, refused to say ‘Carolingians’ for the ‘Carlovingians’ to which she remained loyal. And then I told her what my grandmother had thought of the Greek names which Bloch, following Leconte de Lisle, gave to the gods of Homer, going so far, in the simplest matters, as to make it a religious duty, in which he supposed literary talent to consist, to adopt a Greek system of spelling. Having occasion, for instance, to mention in a letter that the wine which they drank at his home was real nectar, he would write ‘real nektar,’ with a k, which enabled him to titter at the mention of Lamartine. And if an Odyssey from which the names of Ulysses and Minerva were missing was no longer the Odyssey to her, what would she have said upon seeing corrupted even upon the cover the title of her Thousand and One Nights, upon no longer finding, exactly transcribed as she had all her life been in the habit of pronouncing them, the immortally familiar names of Scheherazade, of Dinarzade, in which, debaptised themselves (if one may use the expression of Musulman tales), the charming Caliph and the powerful Genies were barely recognisable, being renamed, he the ‘Khalifat’ and they the ‘Gennis.’ Still, my mother handed over both books to me, and I told her that I would read them on the days when I. felt too tired to go out&#xA;&#xA;   These days were not very frequent, however. We used to go out picnicking as before in a band, Albertine, her friends and myself, on the cliff or to the farm called Marie-Antoinette. But there were times when Albertine bestowed on me this great pleasure. She would say to me: “To-day I want to be alone with you for a little, it will be nicer if we are just by ourselves.” Then she would give out that she was busy, not that she need furnish any explanation, and so that the others, if they went all the same, without us, for an excursion and picnic, might not be able to find us, we would steal away like a pair of lovers, all by ourselves to Bagatelle or the Cross of Heulan, while the band, who would never think of looking for us there and never went there, waited indefinitely, in the hope of seeing us appear, at Marie-Antoinette. I recall the hot weather that we had then, when from the brow of each of the farm-labourers toiling in the sun a drop of sweat would fall, vertical, regular, intermittent, like the drop of water from a cistern, and alternate with the fall of the ripe fruit dropping from the tree in the adjoining ‘closes’; they have remained, to this day, with that mystery of a woman’s secret, the most substantial part of every love that offers itself to me. A woman who has been mentioned to me and to whom I would not give a moment’s thought — I upset all my week’s engagements to make her acquaintance, if it is a week of similar weather, and I am to meet her in some isolated farmhouse. It is no good my knowing that this kind of weather, this kind of assignation are not part of her, they are still the bait, which I know all too well, by which I allow myself to be tempted and which is sufficient to hook me. I know that this woman, in cold weather, in a town, I might perhaps have desired, but without the accompaniment of a romantic sentiment, without becoming amorous; my love for her is none the less keen as soon as, by force of circumstances, it has enthralled me — it is only the more melancholy, as in the course of life our sentiments for other people become, in proportion as we become more clearly aware of the ever smaller part that they play in our life and that the new love which we would like to be so permanent, cut short in the same moment as life itself, will be the last&#xA;&#xA;   There were still but a few people at Balbec, hardly any girls. Sometimes I saw some girl resting upon the beach, devoid of charm, and yet apparently identified by various features as one whom I had been in despair at not being able to approach at the moment when she emerged with her friends from the riding school or gymnasium. If it was the same (and I took care not to mention the matter to Albertine), then the girl that I had thought so exciting did not exist. But I could not arrive at any certainty, for the face of any one of these girls did not fill any space upon the beach, did not offer a permanent form, contracted, dilated, transformed as it was by my own observation, the uneasiness of my desire or a sense of comfort that was self-sufficient, by the different clothes that she was wearing, the rapidity of her movements or her immobility. All the same, two or three of them seemed to me adorable. Whenever I saw one of these, I longed to take her away along the Avenue des Tamaris, or among the sandhills, better still upon the cliff. But, albeit into desire, as opposed to indifference, there enters already that audacity which is a first stage, if only unilateral, towards realisation, all the same, between my desire and the action that my request to be allowed to kiss her would have been, there was all the indefinite blank of hesitation, of timidity. Then I went into the pastrycook’s bar, I drank, one after another, seven or eight glasses of port wine. At once, instead of the impassable gulf between my desire and action, the effect of the alcohol traced a line that joined them together. No longer was there any room for hesitation or fear. It seemed to me that the girl was about to fly into my arms. I went up to her, the words came spontaneously to my lips: “I should like to go for a walk with you. You wouldn’t care to go along the cliff, we shan’t be disturbed behind the little wood that keeps the wind off the wooden bungalow that is empty just now?” All the difficulties of life were smoothed away, there was no longer any obstacle to the conjunction of our two bodies. No obstacle for me, at least. For they had not been volatilised for her, who had not been drinking port wine. Had she done so, had the outer world lost some of its reality in her eyes, the long cherished dream that would then have appeared to her to be suddenly realisable might perhaps have been not at all that of falling into my arms&#xA;&#xA;   Not only were the girls few in number but at this season which was not yet ‘the season’ they stayed but a short time. There is one I remember with a reddish skin, green eyes and a pair of ruddy cheeks, whose slight symmetrical face resembled the winged seeds of certain trees. I cannot say what breeze wafted her to Balbec or what other bore her away. So sudden was her removal that for some days afterwards I was haunted by a grief which I made bold to confess to Albertine when I realised that the girl had gone for ever&#xA;&#xA;   I should add that several of them were either girls whom I did not know at all or whom I had not seen for years. Often, before addressing them, I wrote to them. If their answer allowed me to believe in the possibility of love, what joy! We cannot, at the outset of our friendship with a woman, even if that friendship is destined to come to nothing, bear to part from those first letters that we have received from her. We like to have them beside us all the time, like a present of rare flowers, still quite fresh, at which we cease to gaze only to draw them closer to us and smell them. The sentence that we know by heart, it is pleasant to read again, and in those that we have committed less accurately to memory we like to verify the degree of affection in some expression. Did she write: ‘Your dear letter’? A slight marring of our bliss, which must be ascribed either to our having read too quickly, or to the illegible handwriting of our correspondent; she did not say: ‘Your dear letter’ but ‘From your letter.’ But the rest is so tender. Oh, that more such flowers may come to-morrow. Then that is no longer enough, we must with the written words compare the writer’s eyes, her face. We make an appointment, and — without her having altered, perhaps — whereas we expected, from the description given us or our personal memory, to meet the fairy Viviane, we encounter Puss-in-Boots. We make an appointment, nevertheless, for the following day, for it is, after all, she, and the person we desired is she. And these desires for a woman of whom we have been dreaming do not make beauty of form and feature essential. These desires are only the desire for a certain person; vague as perfumes, as styrax was the desire of Prothyraia, saffron the ethereal desire, aromatic scents the desire of Hera, myrrh the perfume of the Magi, manna the desire of Nike, incense the perfume of the sea. But these perfumes that are sung in the Orphic hymns are far fewer in number than the deities they worship. Myrrh is the perfume of the Magi, but also of Protogonos, Neptune, Nereus, Leto; incense is the perfume of the sea, but also of the fair Dike, of Themis, of Circe, of the Nine Muses, of Eos, of Mnemosyne, of the Day, of Dikaiosyne. As for styrax, manna and aromatic scents, it would be impossible to name all the deities that inhale them, so many are they. Amphietes has all the perfumes except incense, and Gaia rejects only beans and aromatic scents. So was it with these desires for different girls that I felt. Fewer in number than the girls themselves, they changed into disappointments and regrets closely similar one to another. I never wished for myrrh. I reserved it for Jupien and for the Prince de Guermantes, for it is the desire of Protogonos “of twofold sex, who roars like a bull, of countless orgies, memorable, unspeakable, descending, joyous, to the sacrifices of the Orgiophants.”&#xA;&#xA;   But presently the season was in full swing; every day there was some fresh arrival, and for the sudden increase in the frequency of my outings, which took the place of the charmed perusal of the Thousand and One Nights, there was a reason devoid of pleasure which poisoned them all. The beach was now peopled with girls, and, since the idea suggested to me by Cottard had not indeed furnished me with fresh suspicions but had rendered me sensitive and weak in that quarter and careful not to let any suspicion take shape in my mind, as soon as a young woman arrived at Balbec, I began to feel ill at ease, I proposed to Albertine the most distant excursions, in order that she might not make the newcomer’s acquaintance, and indeed, if possible, might not set eyes on her. I dreaded naturally even more those women whose dubious ways were remarked or their bad reputation already known; I tried to persuade my mistress that this bad reputation had no foundation, was a slander, perhaps, without admitting it to myself, from a fear, still unconscious, that she might seek to make friends with the depraved woman or regret her inability to do so, because of me, or might conclude from the number of examples that a vice so widespread was not to be condemned. In denying the guilt of each of them, my intention was nothing less than to pretend that sapphism did not exist. Albertine adopted my incredulity as to the viciousness of this one or that. “No, I think it’s just a pose, she wants to look the part.” But then, I regretted almost that I had pleaded the other’s innocence, for it distressed me that Albertine, formerly so severe, could believe that this ‘part’ was a thing so flattering, so advantageous, that a woman innocent of such tastes could seek to ‘look it.’ I would have liked to be sure that no more women were coming to Balbec; I trembled when I thought that, as it was almost time for Mme. Putbus to arrive at the Verdurins’, her maid, whose tastes Saint-Loup had not concealed from me, might take it into her head to come down to the beach, and, if it were a day on which I was not with Albertine, might seek to corrupt her. I went the length of asking myself whether, as Cottard had made no secret of the fact that the Verdurins thought highly of me and, while not wishing to appear, as he put it, to be running after me, would give a great deal to have me come to their house, I might not, on the strength of promises to bring all the Guermantes in existence to call on them in Paris, induce Mme. Verdurin, upon some pretext or other, to inform Mme. Putbus that it was impossible to keep her there any longer and make her leave the place at once. Notwithstanding these thoughts, and as it was chiefly the presence of Andrée that was disturbing me, the soothing effect that Albertine’s words had had upon me still to some extent persisted — I knew moreover that presently I should have less need of it, as Andrée would be leaving the place with Rosemonde and Gisèle just about the time when the crowd began to arrive and would be spending only a few weeks more with Albertine. During these weeks, moreover, Albertine seemed to have planned everything that she did, everything that she said, with a view to destroying my suspicions if any remained, or to prevent them from reviving. She contrived never to be left alone with Andrée, and insisted, when we came back from an excursion, upon my accompanying her to her door, upon my coming to fetch her when we were going anywhere. Andrée meanwhile took just as much trouble on her side, seemed to avoid meeting Albertine. And this apparent understanding between them was not the only indication that Albertine must have informed her friend of our conversation and have asked her to be so kind as to calm my absurd suspicions&#xA;&#xA;   About this time there occurred at the Grand Hotel a scandal which was not calculated to modify the intensity of my torment. Bloch’s cousin had for some time past been indulging, with a retired actress, in secret relations which presently ceased to satisfy them. That they should be seen seemed to them to add perversity to their pleasure, they chose to flaunt their perilous sport before the eyes of all the world. They began with caresses, which might, after all, be set down to a friendly intimacy, in the card-room, by the baccarat-table. Then they grew more bold. And finally, one evening, in a corner that was not even dark of the big ball-room, on a sofa, they made no more attempt to conceal what they were doing than if they had been in bed. Two officers who happened to be near, with their wives, complained to the manager. It was thought for a moment that their protest would be effective. But they had this against them that, having come over for the evening from Netteholme, where they were staying, they could not be of any use to the manager. Whereas, without her knowing it even, and whatever remarks the manager may have made to her, there hovered over Mlle. Bloch the protection of M. Nissim Bernard. I must explain why. M. Nissim Bernard carried to their highest pitch the family virtues. Every year he took a magnificent villa at Balbec for his nephew, and no invitation would have dissuaded him from going home to dine at his own table, which was in reality theirs. But he never took his luncheon at home. Every day at noon he was at the Grand Hotel. The fact of the matter was that he was keeping, as other men keep a chorus-girl from the opera, an embryo waiter of much the same type as the pages of whom we have spoken, and who made us think of the young Israelites inEsther and Athalie. It is true that the forty years’ difference in age between M. Nis-sim Bernard and the young waiter ought to have preserved the latter from a contact that was scarcely pleasant. But, as Racine so wisely observes in those same choruses:&#xA;&#xA;   Great God, with what uncertain tread&#xA;   A budding virtue ‘mid such perils goes!&#xA;   What stumbling-blocks do lie before a soul&#xA;   That seeks Thee and would fain be innocent&#xA;&#xA;   The young waiter might indeed have been brought up ‘remote from the world’ in the Temple-Caravanserai of Balbec, he had not followed the advice of Joad:&#xA;&#xA;   In riches and in gold put not thy trust&#xA;&#xA;   He had perhaps justified himself by saying: “The wicked cover the earth.” However that might be, and albeit M. Nissim Bernard had not expected so rapid a conquest, on the very first day&#xA;&#xA;   Were’t in alarm, or anxious to caress&#xA;   He felt those childish arms about him thrown&#xA;&#xA;   And by the second day, M. Nissim Bernard having taken the young waiter out&#xA;&#xA;   The dire assault his innocence destroyed&#xA;&#xA;   From that moment the boy’s life was altered. He might indeed carry bread and salt, as his superior bade him, his whole face sang:&#xA;&#xA;   From flowers to flowers, from joys to keener joys&#xA;   Let our desires now range&#xA;   Uncertain is our tale of fleeting years&#xA;   Haste we then to enjoy this life!&#xA;   Honours and fame are the reward&#xA;   Of blind and meek obedience&#xA;   For moping innocence&#xA;   Who now would raise his voice!&#xA;&#xA;Since that day, M. Nissim Bernard had never failed to come and occupy his seat at the luncheon-table (as a man would occupy his in the stalls who was keeping a dancer, a dancer in this case of a distinct and special type, which still awaits its Degas). It was M. Nissim Bernard’s delight to follow over the floor of the restaurant and down the remote vista to where beneath her palm the cashier sat enthroned, the evolutions of the adolescent hurrying in service, in the service of everyone, and, less than anyone, of M. Nissim Bernard, now that the latter was keeping him, whether because the young chorister did not think it necessary to display the same friendliness to a person by whom he supposed himself to be sufficiently well loved, or because that love annoyed him or he feared lest, if discovered, it might make him lose other opportunities. But this very coldness pleased M. Nissim Bernard, because of all that it concealed; whether from Hebraic atavism or from profanation of the Christian spirit, he took a singular pleasure, were it Jewish or Catholic, in the Racinian ceremony. Had it been a real performance of Esther or Athalie, M. Bernard would have regretted that the gulf of centuries must prevent him from making the acquaintance of the author, Jean Racine, so that he might obtain for his protégé a more substantial part. But as the luncheon ceremony came from no author’s pen, he contented himself with being on good terms with the manager and Aimé, so that the ‘young Israelite’ might be promoted to the coveted post of under-waiter, or even full waiter to a row of tables. The post of wine waiter had been offered him. But M. Bernard made him decline it, for he would no longer have been able to come every day to watch him race about the green dining-room and to be waited upon by him like a stranger. Now this pleasure was so keen that every year M. Bernard returned to Balbec and took his luncheon away from home, habits in which M. Bloch saw, in the former a poetical fancy for the bright sunshine, the sunsets of this coast favoured above all others, in the latter the inveterate mania of an old bachelor&#xA;&#xA;   As a matter of fact, the mistake made by M. Nissim Bernard’s relatives, who never suspected the true reason for his annual return to Balbec and for what the pedantic Mme. Bloch called his absentee palate, was really a more profound and secondary truth. For M. Nissim Bernard himself was unaware how much there was of love for the beach at Balbec, for the view one enjoyed from the restaurant over the sea, and of maniacal habits in the fancy that he had for keeping, like a dancing girl of another kind which still lacks a Degas, one of his servants the rest of whom were still girls. And so M. Nissim Bernard maintained, with the director of this theatre which was the hotel at Balbec, and with the stage-manager and producer Aimé— whose part in all this affair was anything but simple — excellent relations. One day they would intrigue to procure an important part, a place perhaps as headwaiter. In the meantime M. Nissim Bernard’s pleasure, poetical and calmly contemplative as it might be, reminded one a little of those women-loving men who always know — Swann, for example, in the past — that if they go out to a party they will meet their mistress. No sooner had M. Nissim Bernard taken his seat than he would see the object of his affections appear on the scene, bearing in his hand fruit or cigars upon a tray. And so every morning, after kissing his niece, bothering my friend Bloch about his work and feeding his horses with lumps of sugar from the palm of his outstretched hand, he would betray a feverish haste to arrive in time for luncheon at the Grand Hotel. Had the house been on fire, had his niece had a stroke, he would doubtless have started off just the same. So that he dreaded like the plague a cold that would confine him to his bed — for he was a hypochondriac — and would oblige him to ask Aimé to send his young friend across to visit him at home, between luncheon and tea-time&#xA;&#xA;   He loved moreover all the labyrinth of corridors, private offices, reception-rooms, cloakrooms, larders, galleries which composed the hotel at Balbec. With a strain of oriental atavism he loved a seraglio, and when he went out at night might be seen furtively exploring its passages. While, venturing down to the basement and endeavouring at the same time to escape notice and to avoid a scandal, M. Nissim Bernard, in his quest of the young Lévites, put one in mind of those lines in La Juive:&#xA;&#xA;   O God of our Fathers, come down to us again&#xA;   Our mysteries veil from the eyes of wicked men!&#xA;&#xA;   I on the contrary would go up to the room of two sisters who had come to Balbec, as her maids, with an old lady, a foreigner. They were what the language of hotels called ‘couriers,’ and that of Françoise, who imagined that a courier was a person who was there to run his course, two ‘coursers.’ The hotels have remained, more nobly, in the period when people sang: “C’est un courrier de cabinet.”&#xA;&#xA;   Difficult as it was for a visitor to penetrate to the servants’ quarters, I had very soon formed a mutual bond of friendship, as strong as it was pure, with these two young persons, Mademoiselle Marie Gineste and Madame Céleste Albaret. Born at the foot of the high mountains in the centre of France, on the banks of rivulets and torrents (the water passed actually under their old home, turning a millwheel, and the house had often been damaged by floods), they seemed to embody the features of that region. Marie Gineste was more regularly rapid and abrupt, Céleste Albaret softer and more languishing, spread out like a lake, but with terrible boiling rages in which her fury suggested the peril of spates and gales that sweep everything before them. They often came in the morning to see me when I was still in bed. I have never known people so deliberately ignorant, who had learned absolutely nothing at school, and yet whose language was somehow so literary that, but for the almost savage naturalness of their tone, one would have thought their speech affected. With a familiarity which I reproduce verbatim, notwithstanding the praises (which I set down here in praise not of myself but of the strange genius of Céleste) and the criticisms, equally unfounded, in which her remarks seem to involve me, while I dipped crescent rolls in my milk, Céleste would say to me: “Oh! Little black devil with hair of jet, O profound wickedness! I don’t know what your mother was thinking of when she made you, for you are just like a bird. Look, Marie, wouldn’t you say he was preening his feathers, and turning his head right round, so light he looks, you would say he was just learning to fly. Ah! It’s fortunate for you that those who bred you brought you into the world to rank and riches; what would ever have become of you, so wasteful as you are. Look at him throwing away his crescent because it touched the bed. There he goes, now, look, he’s spilling his milk, wait till I tie a napkin round you, for you could never do it for yourself, never in my life have I seen anyone so helpless and so clumsy as you.” I would then hear the more regular sound of the torrent of Marie Gineste who was furiously reprimanding her sister: “Will you hold your tongue, now, Céleste. Are you mad, talking to Monsieur like that?” Céleste merely smiled; and as I detested having a napkin tied round my neck: “No, Marie, look at him, bang, he’s shot straight up on end like a serpent. A proper serpent, I tell you.” These were but a few of her zoological similes, for, according to her, it was impossible to tell when I slept, I fluttered about all night like a butterfly, and in the day time I was as swift as the squirrels. “You know, Marie, the way we see them at home, so nimble that even with your eyes you can’t follow them.” “But, Céleste, you know he doesn’t like having a napkin when he’s eating.” “It isn’t that he doesn’t like it, it’s so that he can say nobody can make him do anything against his will. He’s a grand gentleman and he wants to shew that he is. They can change the sheets ten times over, if they must, but he won’t give way. Yesterday’s had served their time, but to-day they have only just been put on the bed and they’ll have to be changed already. Oh, I was right when I said that he was never meant to be born among the poor. Look, his hair’s standing on end, swelling with rage like a bird’s feathers. Poor ploumissou!” Here it was not only Marie that protested, but myself, for I did not feel in the least like a grand gentleman. But Céleste would never believe in the sincerity of my modesty and cut me short. “Oh! The story-teller! Oh! The flatterer! Oh! The false one! The cunning rogue! Oh! Molière!” (This was the only writer’s name that she knew, but she applied it to me, meaning thereby a person who was capable both of writing plays and of acting them.) “Céleste!” came the imperious cry from Marie, who, not knowing the name of Molière, was afraid that it might be some fresh insult. Céleste continued to smile: “Then you haven’t seen the photograph of him in his drawer, when he was little. He tried to make us believe that he was always dressed quite simply. And there, with his little cane, he’s all furs and laces, such as no Prince ever wore. But that’s nothing compared with his tremendous majesty and kindness which is even more profound.” “So then,” scolded the torrent Marie, “you go rummaging in his drawers now, do you?” To calm Marie’s fears I asked her what she thought of M. Nissim Bernard’s behaviour. . . . “Ah! Monsieur, there are things I wouldn’t have believed could exist. One has to come here to learn.” And, for once outrivalling Céleste by an even more profound observation: “Ah! You see, Monsieur, one can never tell what there may be in a person’s life.” To change the subject, I spoke to her of the life led by my father, who toiled night and day. “Ah! Monsieur, there are people who keep nothing of their life for themselves, not one minute, not one pleasure, the whole thing is a sacrifice for others, they are lives that are given away.” “Look, Marie, he has only to put his hand on the counterpane and take his crescent, what distinction. He can do the most insignificant things, you would say that the whole nobility of France, from here to the Pyrenees, was stirring in each of his movements.”&#xA;&#xA;   Overpowered by this portrait so far from lifelike, I remained silent; Céleste interpreted my silence as a further instance of guile: “Oh! Brow that looks so pure, and hides so many things, nice, cool cheeks like the inside of an almond, little hands of satin all velvety, nails like claws,” and so forth. “There, Marie, look at him sipping his milk with a devoutness that makes me want to say my prayers. What a serious air! They ought really to take his portrait as he is just now. He’s just like a child. Is it drinking milk, like them, that has kept you their bright colour? Oh! Youth! Oh! Lovely skin. You will never grow old. You are a lucky one, you will never need to raise your hand against anyone, for you have a pair of eyes that can make their will be done. Look at him now, he’s angry. He shoots up, straight as a sign-post.”&#xA;&#xA;   Françoise did not at all approve of what she called the two ‘tricksters’ coming to talk to me like this. The manager, who made his staff keep watch over everything that went on, even gave me a serious warning that it was not proper for a visitor to talk to servants. I, who found the ‘tricksters’ far better than any visitor in the hotel, merely laughed in his face, convinced that he would not understand my explanations. And the sisters returned. “Look, Marie, at his delicate lines. Oh, perfect miniature, finer than the most precious you could see in a glass case, for he can move, and utters words you could listen to for days and nights.”&#xA;&#xA;   It was a miracle that a foreign lady could have brought them there, for, without knowing anything of history or geography, they heartily detested the English, the Germans, the Russians, the Italians, all foreign vermin, and cared, with certain exceptions, for French people alone. Their faces had so far preserved the moisture of the pliable clay of their native river beds, that, as soon as one mentioned a foreigner who was staying in the hotel, in order to repeat what he had said, Céleste and Marie imposed upon their faces his face, their mouths became his mouth, their eyes his eyes, one would have liked to preserve these admirable comic masks. Céleste indeed, while pretending merely to be repeating what the manager had said, or one of my friends, would insert in her little narrative fictitious remarks in which were maliciously portrayed all the defects of Bloch, the chief magistrate, etc., while apparently unconscious of doing so. It was, under the form of the delivery of a simple message which she had obligingly undertaken to convey, an inimitable portrait. They never read anything, not even a newspaper. One day, however, they found lying on my bed a book. It was a volume of the admirable but obscure poems of Saint-Léger Léger. Céleste read a few pages and said to me: “But are you quite sure that these are poetry, wouldn’t they just be riddles?” Obviously, to a person who had learned in her childhood a single poem: “Down here the lilacs die,” there was a gap in evolution. I fancy that their obstinate refusal to learn anything was due in part to the unhealthy climate of their early home. They had nevertheless all the gifts of a poet with more modesty than poets generally shew. For if Céleste had said something noteworthy and, unable to remember it correctly, I asked her to repeat it, she would assure me that she had forgotten. They will never read any books, but neither will they ever write any&#xA;&#xA;   Françoise was considerably impressed when she learned that the two brothers of these humble women had married, one the niece of the Archbishop of Tours, the other a relative of the Bishop of Rodez. To the manager, this would have conveyed nothing. Céleste would sometimes reproach her husband with his failure to understand her, and as for me, I was astonished that he could endure her. For at certain moments, raging, furious, destroying everything, she was detestable. It is said that the salt liquid which is our blood is only an internal survival of the primitive marine element. Similarly, I believe that Céleste, not only in her bursts of fury, but also in her hours of depression preserved the rhythm of her native streams. When she was exhausted, it was after their fashion; she had literally run dry. Nothing could then have revived her. Then all of a sudden the circulation was restored in her large body, splendid and light. The water flowed in the opaline transparence of her bluish skin. She smiled at the sun and became bluer still. At such moments she was truly celestial&#xA;&#xA;   Bloch’s family might never have suspected the reason which made their uncle never take his luncheon at home and have accepted it from the first as the mania of an elderly bachelor, due perhaps to the demands of his intimacy with some actress; everything that concerned M. Nissim Bernard was tabu to the manager of the Balbec hotel. And that was why, without even referring to the uncle, he had finally not ventured to find fault with the niece, albeit recommending her to be a little more circumspect. And so the girl and her friend who, for some days, had pictured themselves as excluded from the casino and the Grand Hotel, seeing that everything was settled, were delighted to shew those fathers of families who held aloof from them that they might with impunity take the utmost liberties. No doubt they did not go so far as to repeat the public exhibition which had revolted everybody. But gradually they returned to their old ways. And one evening as I came out of the casino which was half in darkness with Albertine and Bloch whom we had met there, they came towards us, linked together, kissing each other incessantly, and, as they passed us, crowed and laughed, uttering indecent cries. Bloch lowered his eyes, so as to seem not to have recognised his cousin, and as for myself I was tortured by the thought that this occult, appalling language was addressed perhaps to Albertine&#xA;&#xA;   Another incident turned my thoughts even more in the direction of Gomorrah. I had noticed upon the beach a handsome young woman, erect and pale, whose eyes, round their centre, scattered rays so geometrically luminous that one was reminded, on meeting her gaze, of some constellation. I thought how much more beautiful this girl was than Albertine, and that it would be wiser to give up the other. Only, the face of this beautiful young woman had been smoothed by the invisible plane of an utterly low life, of the constant acceptance of vulgar expedients, so much so that her eyes, more noble however than the rest of her face, could radiate nothing but appetites and desires. Well, on the following day, this young woman being seated a long way away from us in the casino, I saw that she never ceased to fasten upon Albertine the alternate, circling fires of her gaze. One would have said that she was making signals to her from a lighthouse. I dreaded my friend’s seeing that she was being so closely observed, I was afraid that these incessantly rekindled glances might have the conventional meaning of an amorous assignation for the morrow. For all I knew, this assignation might not be the first. The young woman with the radiant eyes might have come another year to Balbec. It was perhaps because Albertine had already yielded to her desires, or to those of a friend, that this woman allowed herself to address to her those flashing signals. If so, they did more than demand something for the present, they found a justification in pleasant hours in the past&#xA;&#xA;   This assignation, in that case, must be not the first, but the sequel to adventures shared in past years. And indeed her glance did not say: “Will you?” As soon as the young woman had caught sight of Albertine, she had turned her head and beamed upon her glances charged with recollection, as though she were terribly afraid that my friend might not remember. Albertine, who could see her plainly, remained phlegmatically motionless, with the result that the other, with the same sort of discretion as a man who sees his old mistress with a new lover, ceased to look at her and paid no more attention to her than if she had not existed&#xA;&#xA;   But, a day or two later, I received a proof of this young woman’s tendencies, and also of the probability of her having known Albertine in the past. Often, in the hall of the casino, when two girls were smitten with mutual desire, a luminous phenomenon occurred, a sort of phosphorescent train passing from one to the other. Let us note in passing that it is by the aid of such materialisations, even if they be imponderable, by these astral signs that set fire to a whole section of the atmosphere, that the scattered Gomorrah tends, in every town, in every village, to reunite its separated members, to reform the biblical city while everywhere the same efforts are being made, be it in view of but a momentary reconstruction, by the nostalgic, the hypocritical, sometimes by the courageous exiles from Sodom&#xA;&#xA;   Once I saw the stranger whom Albertine had appeared not to recognise, just at the moment when Bloch’s cousin was approaching her. The young woman’s eyes flashed, but it was quite evident that she did not know the Israelite maiden. She beheld her for the first time, felt a desire, a shadow of doubt, by no means the same certainty as in the case of Albertine, Albertine upon whose comradeship she must so far have reckoned that, in the face of her coldness, she had felt the surprise of a foreigner familiar with Paris but not resident there, who, having returned to spend a few weeks there, on the site of the little theatre where he was in the habit of spending pleasant evenings, sees that they have now built a bank&#xA;&#xA;   Bloch’s cousin went and sat down at a table where she turned the pages of a magazine. Presently the young woman came and sat down, with an abstracted air, by her side. But under the table one could presently see their feet wriggling, then their legs and hands, in a confused heap. Words followed, a conversation began, and the young woman’s innocent husband, who had been looking everywhere for her, was astonished to find her making plans for that very evening with a girl whom he did not know. His wife introduced Bloch’s cousin to him as a friend of her childhood, by an inaudible name, for she had forgotten to ask her what her name was. But the husband’s presence made their intimacy advance a stage farther, for they addressed each other as tu, having known each other at their convent, an incident at which they laughed heartily later on, as well as at the hoodwinked husband, with a gaiety which afforded them an excuse for more caresses&#xA;&#xA;   As for Albertine, I cannot say that anywhere in the casino or on the beach was her behaviour with any girl unduly free. I found in it indeed an excess of coldness and indifference which seemed to be more than good breeding, to be a ruse planned to avert suspicion. When questioned by some girl, she had a quick, icy, decent way of replying in a very loud voice: “Yes, I shall be going to the tennis court about five. I shall bathe to-morrow morning about eight,” and of at once turning away from the person to whom she had said this — all of which had a horrible appearance of being meant to put people off the scent, and either to make an assignation, or, the assignation already made in a whisper, to utter this speech, harmless enough in itself, aloud, so as not to attract attention. And when later on I saw her mount her bicycle and scorch away into the distance, I could not help thinking that she was hurrying to overtake the girl to whom she had barely spoken&#xA;&#xA;   Only, when some handsome young woman stepped out of a motor-car at the end of the beach, Albertine could not help turning round. And she at once explained: “I was looking at the new flag they’ve put up over the bathing place. The old one was pretty moth-eaten. But I really think this one is mouldier still.”&#xA;&#xA;   On one occasion Albertine was not content with cold indifference, and this made me all the more wretched. She knew that I was annoyed by the possibility of her sometimes meeting a friend of her aunt, who had a ‘bad style’ and came now and again to spend a few days with Mme. Bontemps. Albertine had pleased me by telling me that she would not speak to her again. And when this woman came to Incarville, Albertine said: “By the way, you know she’s here. Have they told you?” as though to shew me that she was not seeing her in secret. One day, when she told me this, she added: “Yes, I ran into her on the beach, and knocked against her as I passed, on purpose, to be rude to her.” When Albertine told me this, there came back to my mind a remark made by Mme. Bontemps, to which I had never given a second thought, when she had said to Mme. Swann in my presence how brazen her niece Albertine was, as though that were a merit, and told her how Albertine had reminded some official’s wife that her father had been employed in a kitchen. But a thing said by her whom we love does not long retain its purity; it withers, it decays. An evening or two later, I thought again of Albertine’s remark, and it was no longer the ill breeding of which she was so proud — and which could only make me smile — that it seemed to me to signify, it was something else, to wit that Albertine, perhaps even without any definite object, to irritate this woman’s senses, or wantonly to remind her of former proposals, accepted perhaps in the past, had swiftly brushed against her, thought that I had perhaps heard of this as it had been done in public, and had wished to forestall an unfavourable interpretation&#xA;&#xA;   However, the jealousy that was caused me by the women whom Albertine perhaps loved was abruptly to cease&#xA;&#xA;                                                                * * *&#xA;&#xA;   We were waiting, Albertine and I, at the Balbec station of the little local railway. We had driven there in the hotel omnibus, because it was raining. Not far away from us was M. Nissim Bernard, with a black eye. He had recently forsaken the chorister from Athalie for the waiter at a much frequented farmhouse in the neighbourhood, known as the ‘Cherry Orchard.’ This rubicund youth, with his blunt features, appeared for all the world to have a tomato instead of a head. A tomato exactly similar served as head to his twin brother. To the detached observer there is this attraction about these perfect resemblances between pairs of twins, that nature, becoming for the moment industrialised, seems to be offering a pattern for sale. Unfortunately M. Nissim Bernard looked at it from another point of view, and this resemblance was only external. Tomato II shewed a frenzied zeal in furnishing the pleasures exclusively of ladies, Tomato I did not mind condescending to meet the wishes of certain gentlemen. Now on each occasion when, stirred, as though by a reflex action, by the memory of pleasant hours spent with Tomato I, M. Bernard presented himself at the Cherry Orchard, being short-sighted (not that one need be short-sighted to mistake them), the old Israelite, unconsciously playing Amphitryon, would accost the twin brother with: “Will you meet me somewhere this evening?” He at once received a resounding smack in the face. It might even be repeated in the course of a single meal, when he continued with the second brother the conversation he had begun with the first. In the end this treatment so disgusted him, by association of ideas, with tomatoes, even of the edible variety, that whenever he heard a newcomer order that vegetable, at the next table to his own, in the Grand Hotel, he would murmur to him: “You must excuse me, Sir, for addressing you, without an introduction. But I heard you order tomatoes. They are stale to-day. I tell you in your own interest, for it makes no difference to me, I never touch them myself.” The stranger would reply with effusive thanks to this philanthropic and disinterested neighbour, call back the waiter, pretend to have changed his mind: “No, on second thoughts, certainly not, no tomatoes.” Aimé, who had seen it all before, would laugh to himself, and think: “He’s an old rascal, that Monsieur Bernard, he’s gone and made another of them change his order.” M. Bernard, as he waited for the already overdue tram, shewed no eagerness to speak to Albertine and myself, because of his black eye. We were even less eager to speak to him. It would however have been almost inevitable if, at that moment, a bicycle had not come dashing towards us; the lift-boy sprang from its saddle, breathless. Madame Verdurin had telephoned shortly after we left the hotel, to know whether I would dine with her two days later; we shall see presently why. Then, having given me the message in detail, the lift-boy left us, and, being one of these democratic ‘employees’ who affect independence with regard to the middle classes, and among themselves restore the principle of authority, explained: “I must be off, because of my chiefs.”&#xA;&#xA;   Albertine’s girl friends had gone, and would be away for some time. I was anxious to provide her with distractions. Even supposing that she might have found some happiness in spending the afternoons with no company but my own, at Balbec, I knew that such happiness is never complete, and that Albertine, being still at the age (which some of us never outgrow) when we have not yet discovered that this imperfection resides in the person who receives the happiness and not in the person who gives it, might have been tempted to put her disappointment down to myself. I preferred that she should impute it to circumstances which, arranged by myself, would not give us an opportunity of being alone together, while at the same time preventing her from remaining in the casino and on the beach without me. And so I had asked her that day to come with me to Doncières, where I was going to meet Saint-Loup. With a similar hope of occupying her mind, I advised her to take up painting, in which she had had lessons in the past. While working she would not ask herself whether she was happy or unhappy. I would gladly have taken her also to dine now and again with the Verdurins and the Cambremers, who certainly would have been delighted to see any friend introduced by myself, but I must first make certain that Mme. Putbus was not yet at la Raspelière. It was only by going there in person that I could make sure of this, and, as I knew beforehand that on the next day but one Albertine would be going on a visit with her aunt, I had seized this opportunity to send Mme. Verdurin a telegram asking her whether she would be at home upon Wednesday. If Mme. Putbus was there, I would manage to see her maid, ascertain whether there was any danger of her coming to Balbec, and if so find out when, so as to take Albertine out of reach on the day. The little local railway, making a loop which did not exist at the time when I had taken it with my grandmother, now extended to Doncières-la-Goupil, a big station at which important trains stopped, among them the express by which I had come down to visit Saint-Loup, from Paris, and the corresponding express by which I had returned. And, because of the bad weather, the omnibus from the Grand Hotel took Albertine and myself to the station of the little tram, Balbec-Plage&#xA;&#xA;   The little train had not yet arrived, but one could see, lazy and slow, the plume of smoke that it had left in its wake, which, confined now to its own power of locomotion as an almost stationary cloud, was slowly mounting the green slope of the cliff of Criquetot. Finally the little tram, which it had preceded by taking a vertical course, arrived in its turn, at a leisurely crawl. The passengers who were waiting to board it stepped back to make way for it, but without hurrying, knowing that they were dealing with a good-natured, almost human traveller, who, guided like the bicycle of a beginner, by the obliging signals of the station-master, in the strong hands of the engine-driver, was in no danger of running over anybody, and would come to a halt at the proper place&#xA;&#xA;   My telegram explained the Verdurins’ telephone message and had been all the more opportune since Wednesday (the day I had fixed happened to be a Wednesday) was the day set apart for dinner-parties by Mme. Verdurin, at la Raspelière, as in Paris, a fact of which I was unaware. Mme. Verdurin did not give ‘dinners,’ but she had ‘Wednesdays.’ These Wednesdays were works of art. While fully conscious that they had not their match anywhere, Mme. Verdurin introduced shades of distinction between them. “Last Wednesday was not as good as the one before,” she would say. “But I believe the next will be one of the best I have ever given.” Sometimes she went so far as to admit: “This Wednesday was not worthy of the others. But I have a big surprise for you next week.” In the closing weeks of the Paris season, before leaving for the country, the Mistress would announce the end of the Wednesdays. It gave her an opportunity to stimulate the faithful. “There are only three more Wednesdays left, there are only two more,” she would say, in the same tone as though the world were coming to an end. “You aren’t going to miss next Wednesday, for the finale.” But this finale was a sham, for she would announce: “Officially, there will be no more Wednesdays. To-day was the last for this year. But I shall be at home all the same on Wednesday. We shall have a little Wednesday to ourselves; I dare say these little private Wednesdays will be the nicest of all.” At la Raspelière, the Wednesdays were of necessity restricted, and since, if they had discovered a friend who was passing that way, they would invite him for one or another evening, almost every day of the week became a Wednesday. “I don’t remember all the guests, but I know there’s Madame la Marquise de Camembert,” the liftboy had told me; his memory of our discussion of the name Cambremer had not succeeded in definitely supplanting that of the old world, whose syllables, familiar and full of meaning, came to the young employee’s rescue when he was embarrassed by this difficult name, and were immediately preferred and readopted by him, not by any means from laziness or as an old and ineradicable usage, but because of the need for logic and clarity which they satisfied&#xA;&#xA;   We hastened in search of an empty carriage in which I could hold Alber-tine in my arms throughout the journey. Having failed to find one, we got into a compartment in which there was already installed a lady with a massive face, old and ugly, with a masculine expression, very much in her Sunday best, who was reading the Revue des Deux Mondes. Notwithstanding her commonness, she was eclectic in her tastes, and I found amusement in asking myself to what social category she could belong; I at once concluded that she must be the manager of some large brothel, a procuress on holiday. Her face, her manner, proclaimed the fact aloud. Only, I had never yet supposed that such ladies read the Revue des Deux Mondes. Albertine drew my attention to her with a wink and a smile. The lady wore an air of extreme dignity; and as I, for my part, bore within me the consciousness that I was invited, two days later, to the terminal point of the little railway, by the famous Mme. Verdurin, that at an intermediate station I was awaited by Robert de Saint-Loup, and that a little farther on I had it in my power to give great pleasure to Mme. de Cambremer, by going to stay at Féterne, my eyes sparkled with irony as I studied this self-important lady who seemed to think that, because of her elaborate attire, the feathers in her hat, her Revue des Deux Mondes, she was a more considerable personage than myself. I hoped that the lady would not remain in the train much longer than M. Nissim Bernard, and that she would alight at least at Toutainville, but no. The train stopped at Evreville, she remained seated. Similarly at Montmartin-sur-Mer, at Parville-la-Bingard, at Incarville, so that in despair, when the train had left Saint-Frichoux, which was the last station before Doncières, I began to embrace Albertine without bothering about the lady. At Doncières, Saint-Loup had come to meet me at the station, with the greatest difficulty, he told me, for, as he was staying with his aunt, my telegram had only just reached him and he could not, having been unable to make any arrangements beforehand, spare me more than an hour of his time. This hour seemed to me, alas, far too long, for as soon as we had left the train Albertine devoted her whole attention to Saint-Loup. She never talked to me, barely answered me if I addressed her, repulsed me when I approached her. With Robert, on the other hand, she laughed her provoking laugh, talked to him volubly, played with the dog he had brought with him, and, as she excited the animal, deliberately rubbed against its master. I remembered that, on the day when Albertine had allowed me to kiss her for the first time, I had had a smile of gratitude for the unknown seducer who had wrought so profound a change in her and had so far simplified my task. I thought of him now with horror. Robert must have noticed that I was not unconcerned about Albertine, for he offered no response to her provocations, which made her extremely annoyed with myself; then he spoke to me as though I had been alone, which, when she realised it, raised me again in her esteem. Robert asked me if I would not like to meet those of his friends with whom he used to make me dine every evening at Doncières, when I was staying there, who were still in the garrison. And as he himself adopted that irritating manner which he rebuked in others: “What is the good of your having worked so hard to charm them if you don’t want to see them again?” I declined his offer, for I did not wish to run any risk of being parted from Albertine, but also because now I was detached from them. From them, which is to say from myself. We passionately long that there may be another life in which we shall be similar to what we are here below. But we do not pause to reflect that, even without waiting for that other life, in this life, after a few years we are unfaithful to what we have been, to what we wished to remain immortally. Even without supposing that death is to alter us more completely than the changes that occur in the course of a lifetime, if in that other life we were to encounter the self that we have been, we should turn away from ourselves as from those people with whom we were once on friendly terms but whom we have not seen for years — such as Saint-Loup’s friends whom I used so much to enjoy meeting again every evening at the Faisan Doré, and whose conversation would now have seemed to me merely a boring importunity. In this respect, and because I preferred not to go there in search of what had pleased me there in the past, a stroll through Doncières. might have seemed to me a préfiguration of an arrival in Paradise. We dream much of Paradise, or rather of a number of successive Paradises, but each of them is, long before we die, a Paradise lost, in which we should feel ourselves lost also&#xA;&#xA;   He left us at the station. “But you may have about an hour to wait,” he told me. “If you spend it here, you will probably see my uncle Charlus, who is going by the train to Paris, ten minutes before yours. I have said good-bye to him already, because I have to go back before his train starts. I didn’t tell him about you, because I hadn’t got your telegram.” To the reproaches which I heaped upon Albertine when Saint-Loup had left us, she replied that she had intended, by her coldness towards me, to destroy any idea that he might have formed if, at the moment when the train stopped, he had seen me leaning against her with my arm round her waist. He had indeed noticed this attitude (I had not caught sight of him, otherwise I should have adopted one that was more correct), and had had time to murmur in my ear: “So that’s how it is, one of those priggish little girls you told me about, who wouldn’t go near Mlle. de Stermaria because they thought her fast?” I had indeed mentioned to Robert, and in all sincerity, when I went down from Paris to visit him at Doncières, and when we were talking about our time at Balbec, that there was nothing to be had from Albertine, that she was the embodiment of virtue. And now that I had long since discovered for myself that this was false, I was even more anxious that Robert should believe it to be true. It would have been sufficient for me to tell Robert that I was in love with Albertine. He was one of those people who are capable of denying themselves a pleasure to spare their friend sufferings which they would feel even more keenly if they themselves were the victims. “Yes, she is still rather childish. But you don’t know anything against her?” I added anxiously. “Nothing, except that I saw you clinging together like a pair of lovers.”&#xA;&#xA;    “Your attitude destroyed absolutely nothing,” I told Albertine when Saint-Loup had left us. “Quite true,” she said to me, “it was stupid of me, I hurt your feelings, I’m far more unhappy about it than you are. You’ll see, I shall never be like that again; forgive me,” she pleaded, holding out her hand with a sorrowful air. At that moment, from the entrance to the waiting-room in which we were sitting, I saw advance slowly, followed at a respectful distance by a porter loaded with his baggage, M. de Charlus&#xA;&#xA;   In Paris, where I encountered him only in evening dress, immobile, straitlaced in a black coat, maintained in a vertical posture by his proud aloofness, his thirst for admiration, the soar of his conversation, I had never realised how far he had aged. Now, in a light travelling suit which made him appear stouter, as he swaggered through the room, balancing a pursy stomach and an almost symbolical behind, the cruel light of day broke up into paint, upon his lips, rice-powder fixed by cold cream, on the tip of his nose, black upon his dyed moustaches whose ebon tint formed a contrast to his grizzled hair, all that by artificial light had seemed the animated colouring of a man who was still young&#xA;&#xA;   While I stood talking to him, though briefly, because of his train, I kept my eye on Albertine’s carriage to shew her that I was coming. When I turned my head towards M. de Charlus, he asked nie to be so kind as to summon a soldier, a relative of his, who was standing on the other side of the platform, as though he were waiting to take our train, but in the opposite direction, away from Balbec. “He is in his regimental band,” said M. de Charlus. “As you are so fortunate as to be still young enough, and I unfortunately am old enough for you to save me the trouble of going across to him.” I took it upon myself to go across to the soldier he pointed out to me, and saw from the lyres embroidered on his collar that he was a bandsman. But, just as I was preparing to execute my commission, what was my surprise, and, I may say, my pleasure, on recognising Morel, the son of my uncle’s valet, who recalled to me so many memories. They made me forget to convey M. de Charlus’s message. “What, you are at Doncières?” “Yes, and they’ve put me in the band attached to the batteries.” But he made this answer in a dry and haughty tone. He had become an intense ‘poseur,’ and evidently the sight of myself, reminding him of his father’s profession, was not pleasing to him. Suddenly I saw M. de Charlus descending upon us. My delay had evidently taxed his patience. “I should like to listen to a little music this evening,” he said to Morel without any preliminaries, “I pay five hundred francs for the evening, which may perhaps be of interest to one of your friends, if you have any in the band.” Knowing as I did the insolence of M. de Charlus, I was astonished at his not even saying how d’ye do to his young friend. The Baron did not however give me time to think. Holding out his hand in the friendliest manner: “Good-bye, my dear fellow,” he said, as a hint that I might now leave them. I had, as it happened, left my dear Albertine too long alone. “D’you know,” I said to her as I climbed into the carriage, “life by the sea-side and travelling make me realise that the theatre of the world is stocked with fewer settings than actors, and with fewer actors than situations.” “What makes you say that?” “Because M. de Charlus asked me just now to fetch one of his friends, whom, this instant, on the platform of this station, I have just discovered to be one of my own.” But as I uttered these words, I began to wonder how the Baron could have bridged the social gulf to which I had not given a thought. It occurred to me first of all that it might be through Jupien, whose niece, as the reader may remember, had seemed to shew a preference for the violinist. What did baffle me completely was that, when due to leave for Paris in five minutes, the Baron should have asked for a musical evening. But, visualising Jupien’s niece again in my memory, I was beginning to find that ‘recognitions’ did indeed play an important part in life, when all of a sudden the truth flashed across my mind and I realised that I had been absurdly innocent. M. de Charlus had never in his life set eyes upon Morel, nor Morel upon M. de Charlus, who, dazzled but also terrified by a warrior, albeit he bore no weapon but a lyre, had called upon me in his emotion to bring him the person whom he never suspected that I already knew. In any case, the offer of five hundred francs must have made up to Morel for the absence of any previous relations, for I saw that they continued to talk, without reflecting that they were standing close beside our tram. As I recalled the manner in which M. de Charlus had come up to Morel and myself, I saw at once the resemblance to certain of his relatives, when they picked up a woman in the street. Only the desired object had changed its sex. After a certain age, and even if different evolutions are occurring in us, the more we become ourselves, the more our characteristic features are accentuated. For Nature, while harmoniously contributing the design of her tapestry, breaks the monotony of the composition thanks to the variety of the intercepted forms. Besides, the arrogance with which M. de Charlus had accosted the violinist is relative, and depends upon the point of view one adopts. It would have been recognised by three out of four of the men in society who nodded their heads to him, not by the prefect of police who, a few years later, was to keep him under observation&#xA;&#xA;    “The Paris train is signalled, Sir,” said the porter who was carrying his luggage. “But I am not going by the train, put it in the cloakroom, damn you!” said M. de Charlus, as he gave twenty francs to the porter, astonished by the change of plan and charmed by the tip. This generosity at once attracted a flower-seller. “Buy these carnations, look, this lovely rose, kind gentlemen, it will bring you luck.” M. de Charlus, out of patience, handed her a couple of francs, in exchange for which the woman gave him her blessing, and her flowers as well. “Good God, why can’t she leave us alone,” said M. de Charlus, addressing himself in an ironical and complaining tone, as of a man distraught, to Morel, to whom he found a certain comfort in appealing. “We’ve quite enough to talk about as it is.” Perhaps the porter was not yet out of earshot, perhaps M. de Charlus did not care to have too numerous an audience, perhaps these incidental remarks enabled his lofty timidity not to approach too directly the request for an assignation. The musician, turning with a frank, imperative and decided air to the flower-seller, raised a hand which repulsed her and indicated to her that they did not want her flowers and that she was to get out of their way as quickly as possible. M. de Charlus observed with ecstasy this authoritative, virile gesture, made by the graceful hand for which it ought still to have been too weighty, too massively brutal, with a precocious firmness and suppleness which gave to this still beardless adolescent the air of a young David capable of waging war against Goliath. The Baron’s admiration was unconsciously blended with the smile with which we observe in a child an expression of gravity beyond his years. “This is a person whom I should like to accompany me on my travels and help me in my business. How he would simplify my life,” M. de Charlus said to himself&#xA;&#xA;   The train for Paris (which M. de Charlus did not take) started. Then we took our seats in our own train, Albertine and I, without my knowing what had become of M. de Charlus and Morel. “We must never quarrel any more, I beg your pardon again,” Albertine repeated, alluding to the Saint-Loup incident. “We must always be nice to each other,” she said tenderly. “As for your friend Saint-Loup, if you think that I am the least bit interested in him, you are quite mistaken. All that I like about him is that he seems so very fond of you.” “He’s a very good fellow,” I said, taking care not to supply Robert with those imaginary excellences which I should not have failed to invent, out of friendship for himself, had I been with anybody but Albertine. “He’s an excellent creature, frank, devoted, loyal, a person you can rely on to do anything.” In saying this I confined myself, held in check by my jealousy, to telling the truth about Saint-Loup, but what I said was literally true. It found expression in precisely the same terms that Mme. de Villeparisis had employed in speaking to me of him, when I did not yet know him, imagined him to be so different, so proud, and said to myself: “People think him good because he is a great gentleman.” Just as when she had said to me: “He would be so pleased,” I imagined, after seeing him outside the hotel, preparing to drive away, that his aunt’s speech had been a mere social banality, intended to natter me. And I had realised afterwards that she had said what she did sincerely, thinking of the things that interested me, of my reading, and because she knew that that was what Saint-Loup liked, as it was to be my turn to say sincerely to somebody who was writing a history of his ancestor La Rochefoucauld, the author of the Maximes, who wished to consult Robert about him: “He will be so pleased.” It was simply that I had learned to know him. But, when I set eyes on him for the first time, I had not supposed that an intelligence akin to my own could be enveloped in so much outward elegance of dress and attitude. By his feathers I had judged him to be a bird of another species. It was Albertine now who, perhaps a little because Saint-Loup, in his kindness to myself, had been so cold to her, said to me what I had already thought: “Ah! He is as devoted as all that! I notice that people always find all the virtues in other people, when they belong to the Faubourg Saint-Germain.” Now that Saint-Loup belonged to the Faubourg Saint-Germain was a thing of which I had never once thought in the course of all these years in which, stripping himself of his prestige, he had displayed to me his virtues. A change in our perspective in looking at other people, more striking already in friendship than in merely social relations, but how much more striking still in love, where desire on so vast a scale increases to such proportions the slightest signs of coolness, that far less than the coolness Saint-Loup had shewn me in the beginning had been enough to make me suppose at first that Albertine scorned me, imagine her friends to be creatures marvellously inhuman, and ascribe merely to the indulgence that people feel for beauty and for a certain elegance, Elstir’s judgment when he said to me of the little band, with just the same sentiment as Mme. de Villeparisis speaking of Saint-Loup: “They are good girls.” But this was not the opinion that I would instinctively have formed when I heard Albertine say: “In any case, whether he’s devoted or not, I sincerely hope I shall never see him again, since he’s made us quarrel. We must never quarrel again. It isn’t nice.” I felt, since she had seemed to desire Saint-Loup, almost cured for the time being of the idea that she cared for women, which I had supposed to be incurable. And, faced by Albertine’s mackintosh in which she seemed to have become another person, the tireless vagrant of rainy days, and which, close-fitting, malleable and grey, seemed at that moment not so much intended to protect her garments from the rain as to have been soaked by her and to be clinging to my mistress’s body as though to take the imprint of her form for a sculptor, I tore apart that tunic which jealously espoused a longed-for bosom and, drawing Albertine towards me: “But won’t you, indolent traveller, dream upon my shoulder, resting your brow upon it?” I said, taking her head in my hands, and shewing her the wide meadows, flooded and silent, which extended in the gathering dusk to the horizon closed by the parallel openings of valleys far and blue&#xA;&#xA;   Two days later, on the famous Wednesday, in that same little train, which I had again taken, at Balbec, to go and dine at la Raspelière, I was taking care not to miss Cottard at Graincourt-Saint-Vast, where a second telephone message from Mme. Verdurin had told me that I should find him. He was to join my train and would tell me where we had to get out to pick up the carriages that would be sent from la Raspelière to the station. And so, as the little train barely stopped for a moment at Graincourt, the first station after Doncières, I was standing in readiness at the open window, so afraid was I of not seeing Cottard or of his not seeing me. Vain fears! I had not realised to what an extent the little clan had moulded all its regular members after the same type, so that they, being moreover in full evening dress, as they stood waiting upon the platform, let themselves be recognised immediately by a certain air of assurance, fashion and familiarity, by a look in their eyes which seemed to sweep, like an empty space in which there was nothing to arrest their attention, the serried ranks of the common herd, watched for the arrival of some fellow-member who had taken the train at an earlier station, and sparkled in anticipation of the talk that was to come. This sign of election, with which the habit of dining together had marked the members of the little group, was not all that distinguished them; when numerous, in full strength, they were massed together, forming a more brilliant patch in the midst of the troop of passengers — what Brichot called the pecus — upon whose dull countenances could be read no conception of what was meant by the name Verdurin, no hope of ever dining at la Raspelière. To be sure, these common travellers would have been less interested than myself had anyone quoted in their hearing — notwithstanding the notoriety that several of them had achieved — the names of those of the faithful whom I was astonished to see continuing to dine out, when many of them had already been doing so, according to the stories that I had heard, before my birth, at a period at once so distant and so vague that I was inclined to exaggerate its remoteness. The contrast between the continuance not only of their existence, but of the fulness of their powers, and the annihilation of so many friends whom I had already seen, in one place or another, pass away, gave me the same sentiment that we feel when in the stop-press column of the newspapers we read the very announcement that we least expected, for instance that of an untimely death, which seems to us fortuitous because the causes that have led up to it have remained outside our knowledge. This is the feeling that death does not descend upon all men alike, but that a more oncoming wave of its tragic tide carries off a life placed at the same level as others which the waves that follow will long continue to spare. We shall see later on that the diversity of the forms of death that circulate invisibly is the cause of the peculiar unexpectedness presented, in the newspapers, by their obituary notices. Then I saw that, with the passage of time, not only do the real talents that may coexist with the most commonplace conversation reveal and impose themselves, but furthermore that mediocre persons arrive at those exalted positions, attached in the imagination of our childhood to certain famous elders, when it never occurred to us that, after a certain number of years, their disciples, become masters, would be famous also, and would inspire the respect and awe that once they felt. But if the names of the faithful were unknown to the pecus, their aspect still singled them out in its eyes. Indeed in the train (when the coincidence of what one or another of them might have been doing during the day, assembled them all together), having to collect at a subsequent station only an isolated member, the carriage in which they were gathered, ticketed with the elbow of the sculptor Ski, flagged with Cottard’s Temps, stood out in the distance like a special saloon, and rallied at the appointed station the tardy comrade. The only one who might, because of his semi-blindness, have missed these welcoming signals, was Brichot. But one of the party would always volunteer to keep a look-out for the blind man, and, as soon as his straw hat, his green umbrella and blue spectacles caught the eye, he would be gently but hastily guided towards the chosen compartment. So that it was inconceivable that one of the faithful, without exciting the gravest suspicions of his being ‘on the loose,’ or even of his not having come ‘by the train,’ should not pick up the others in the course of the journey. Sometimes the opposite process occurred: one of the faithful had been obliged to go some distance down the line during the afternoon and was obliged in consequence to make part of the journey alone before being joined by the group; but even when thus isolated, alone of his kind, he did not fail as a rule to produce a certain effect. The Future towards which he was travelling marked him out to the person on the seat opposite, who would say to himself: “That must be somebody,” would discern, round the soft hat of Cottard or of the sculptor Ski, a vague aureole and would be only half-astonished when at the next station an elegant crowd, if it were their terminal point, greeted the faithful one at the carriage door and escorted him to one of the waiting carriages, all of them reverently saluted by the factotum of Douville station, or, if it were an intermediate station, invaded the compartment. This was what was done, and with precipitation, for some of them had arrived late, just as the train which was already in the station was about to start, by the troop which Cottard led at a run towards the carriage in the window of which he had seen me signalling. Brichot, who was among these faithful, had become more faithful than ever in the course of these years which had diminished the assiduity of others. As his sight became steadily weaker, he had been obliged, even in Paris, to reduce more and more his working hours after dark. Besides he was out of sympathy with the modern Sorbonne, where ideas of scientific exactitude, after the German model, were beginning to prevail over humanism. He now confined himself exclusively to his lectures and to his duties as an examiner; and so had a great deal more time to devote to social pursuits. That is to say, to evenings at the Verdurins’, or to those parties that now and again were offered to the Verdurins by one of the faithful, tremulous with emotion. It is true that on two occasions love had almost succeeded in achieving what his work could no longer do, in detaching Brichot from the little clan. But Mme. Verdurin, who kept her eyes open, and moreover, having acquired the habit in the interests of her salon, had come to take a disinterested pleasure in this sort of drama and execution, had immediately brought about a coolness between him and the dangerous person, being skilled in (as she expressed it) ‘putting things in order’ and ‘applying the red hot iron to the wound.’ This she had found all the more easy in the case of one of the dangerous persons, who was simply Brichot’s laundress, and Mme. Verdurin, having the right of entry into the Professor’s fifth floor rooms, crimson with rage, when she deigned to climb his stairs, had only had to shut the door in the wretched woman’s face. “What!” the Mistress had said to Brichot, “a woman like myself does you the honour of calling upon you, and you receive a creature like that?” Brichot had never forgotten the service that Mme. Verdurin had rendered him by preventing his old age from foundering in the mire, and became more and more strongly attached to her, whereas, in contrast to this revival of affection and possibly because of it, the Mistress was beginning to be tired of a too docile follower, and of an obedience of which she could be certain beforehand. But Brichot derived from his intimacy with the Verdurins a distinction which set him apart from all his colleagues at the Sorbonne. They were dazzled by the accounts that he gave them of dinner-parties to which they would never be invited, by the mention made of him in the reviews, the exhibition of his portrait in the Salon, by some writer or painter of repute whose talent the occupants of the other chairs in the Faculty of Arts esteemed, but without any prospect of attracting his attention, not to mention the elegance of the mundane philosopher’s attire, an elegance which they had mistaken at first for slackness until their colleague kindly explained to them that a tall hat is naturally laid on the floor, when one is paying a call, and is not the right thing for dinners in the country, however smart, where it should be replaced by a soft hat, which goes quite well with a dinner-jacket. For the first few moments after the little group had plunged into the carriage, I could not even speak to Cottard, for he was suffocated, not so much by having run in order not to miss the train as by his astonishment at having caught it so exactly. He felt more than the joy inherent in success, almost the hilarity of an excellent joke. “Ah! That was a good one!” he said when he had recovered himself. “A minute later! ‘Pon my soul, that’s what they call arriving in the nick of time!” he added, with a wink intended not so much to inquire whether the expression were apt, for he was now overflowing with assurance, but to express his satisfaction. At length he was able to introduce me to the other members of the little clan. I was annoyed to see that they were almost all in the dress which in Paris is called smoking. I had forgotten that the Verdurins were beginning a timid evolution towards fashionable ways, retarded by the Dreyfus case, accelerated by the ‘new’ music, an evolution which for that matter they denied, and continued to deny until it was complete, like those military objectives which a general does not announce until he has reached them, so as not to appear defeated if he fails. In addition to which, Society was quite prepared to go half way to meet them. It went so far as to regard them as people to whose house nobody in Society went but who were not in the least perturbed by the fact. The Verdurin salon was understood to be a Temple of Music. It was there, people assured you, that Vinteuil had found inspiration, encouragement. Now, even if Vinteuil’s sonata remained wholly unappreciated, and almost unknown, his name, quoted as that of the greatest of modern composers, had an extraordinary effect. Moreover, certain young men of the Faubourg having decided that they ought to be more intellectual than the middle classes, there were three of them who had studied music, and among these Vinteuil’s sonata enjoyed an enormous vogue. They would speak of it, on returning to their homes, to the intelligent mothers who had incited them to acquire culture. And, taking an interest in what interested their sons, at a concert these mothers would gaze with a certain respect at Mme. Verdurin in her front box, following the music in the printed score. So far, this social success latent in the Verdurins was revealed by two facts only. In the first place, Mme. Verdurin would say of the Principessa di Caprarola: “Ah! She is intelligent, she is a charming woman. What I cannot endure, are the imbeciles, the people who bore me, they drive me mad.” Which would have made anybody at all perspicacious realise that the Principessa di Caprarola, a woman who moved in the highest society, had called upon Mme. Verdurin. She had even mentioned her name in the course of a visit of condolence which she had paid to Mme. Swann after the death of her husband, and had asked whether she knew them. “What name did you say?” Odette had asked, with a sudden wistfulness. “Verdurin? Oh, yes, of course,” she had continued in a plaintive tone, “I don’t know them, or rather, I know them without really knowing them, they are people I used to meet at people’s houses, years ago, they are quite nice.” When the Principessa di Caprarola had gone, Odette would fain have spoken the bare truth. But the immediate falsehood was not the fruit of her calculations, but the revelation of her fears, of her desires. She denied not what it would have been adroit to deny, but what she would have liked not to have happened, even if the other person was bound to hear an hour later that it was a fact. A little later she had recovered her assurance, and would indeed anticipate questions by saying, so as not to appear to be afraid of them: “Mme. Verdurin, why, I used to know her terribly well!” with an affectation of humility, like a great lady who tells you that she has taken the tram. “There has been a great deal of talk about the Verdurins lately,” said Mme. de Souvré. Odette, with the smiling disdain of a Duchess, replied: “Yes, I do seem to have heard a lot about them lately. Every now and then there are new people who arrive like that in society,” without reflecting that she herself was among the newest. “The Principessa di Caprarola has dined there,” Mme. de Souvré went on. “Ah!” replied Odette, accentuating her smile, “that does not surprise me. That sort of thing always begins with the Principessa di Caprarola, and then some one else follows suit, like Comtesse Mole.” Odette, in saying this, appeared to be filled with a profound contempt for the two great ladies who made a habit of ‘house-warming’ in recently established drawing-rooms. One felt from her tone that the implication was that she, Odette, was, like Mme. de Souvré, not the sort of person to let herself in for that sort of thing&#xA;&#xA;   After the admission that Mme. Verdurin had made of the Principessa di Caprarola’s intelligence, the second indication that the Verdurins were conscious of their future destiny was that (without, of course, their having formally requested it) they became most anxious that people should now come to dine with them in evening dress. M. Verdurin could now have been greeted without shame by his nephew, the one who was ‘in the cart.’ Among those who entered my carriage at Graincourt was Saniette, who long ago had been expelled from the Verdurins’ by his cousin Forcheville, but had since returned. His faults, from the social point of view, had originally been — notwithstanding his superior qualities — something like Cottard’s, shyness, anxiety to please, fruitless attempts to succeed in doing so. But if the course of life, by making Cottard assume, if not at the Verdurins’, where he had, because of the influence that past associations exert over us when we find ourselves in familiar surroundings, remained more or less the same, at least in his practice, in his hospital ward, at the Academy of Medicine, a shell of coldness, disdain, gravity, that became more accentuated while he rewarded his appreciative students with puns, had made a clean cut between the old Cottard and the new, the same defects had on the contrary become exaggerated in Saniette, the more he sought to correct them. Conscious that he was frequently boring, that people did not listen to him, instead of then slackening his pace as Cottard would have done, of forcing their attention by an air of authority, not only did he try by adopting a humorous tone to make them forgive the unduly serious turn of his conversation, he increased his pace, cleared the ground, used abbreviations in order to appear less long-winded, more familiar with the matters of which he spoke, and succeeded only, by making them unintelligible, in seeming interminable. His self-assurance was not like that of Cottard, freezing his patients, who, when other people praised his social graces, would reply: “He is a different man when he receives you in his consulting room, you with your face to the light, and he with his back to it, and those piercing eyes.” It failed to create an effect, one felt that it was cloaking an excessive shyness, that the merest trifle would be enough to dispel it. Saniette, whose friends had always told him that he was wanting in self-confidence, and who had indeed seen men whom he rightly considered greatly inferior to himself, attain with ease to the success that was denied to him, never began telling a story without smiling at its drollery, fearing lest a serious air might make his hearers underestimate the value of his wares. Sometimes, giving him credit for the comic element which he himself appeared to find in what he was about to say, people would do him the honour of a general silence. But the story would fall flat. A fellow-guest who was endowed with a kind heart would sometimes convey to Saniette the private, almost secret encouragement of a smile of approbation, making it reach him furtively, without attracting attention, as one passes a note from hand to hand. But nobody went so far as to assume the responsibility, to risk the glaring publicity of an honest laugh. Long after the story was ended and had fallen flat, Saniette, crestfallen, would remain smiling to himself, as though relishing in it and for himself the delectation which he pretended to find adequate and which the others had not felt. As for the sculptor Ski, so styled on account of the difficulty they found in pronouncing his Polish surname, and because he himself made an affectation, since he had begun to move in a certain social sphere, of not wishing to be confused with certain relatives, perfectly respectable but slightly boring and very numerous, he had, at forty-four and with no pretension to good looks, a sort of boyishness, a dreamy wistfulness which was the result of his having been, until the age of ten, the most charming prodigal imaginable, the darling of all the ladies. Mme. Verdurin maintained that he was more of an artist than Elstir. Any resemblance that there may have been between them was, however, purely external. It was enough to make Elstir, who had met Ski once, feel for him the profound repulsion that is inspired in us less by the people who are our exact opposite than by those who résemble us in what is least good, in whom are displayed our worst qualities, the faults of which we have cured ourselves, who irritate by reminding us of how we may have appeared to certain other people before we became what we now are. But Mme. Verdurin thought that Ski had more temperament than Elstir because there was no art in which he had not a facility of expression, and she was convinced that he would have developed that facility into talent if he had not been so lazy. This seemed to the Mistress to be actually an additional gift, being the opposite of hard work which she regarded as the lot of people devoid of genius. Ski would paint anything you asked, on cuff-links or on the panels over doors. He sang with the voice of a composer, played from memory, giving the piano the effect of an orchestra, less by his virtuosity than by his vamped basses, which suggested the inability of the fingers to indicate that at a certain point the cornet entered, which, for that matter, he would imitate with his lips. Choosing his words when he spoke so as to convey an odd impression, just as he would pause before banging out a chord to say ‘Ping!’ so as to let the brasses be heard, he was regarded as marvellously intelligent, but as a matter of fact his ideas could be boiled down to two or three, extremely limited. Bored with his reputation for whimsicality, he had set himself to shew that he was a practical, matter-of-fact person, whence a triumphant affectation of false precision, of false common sense, aggravated by his having no memory and a fund of information that was always inaccurate. The movements of his head, neck, limbs, would have been graceful if he had been still nine years old, with golden curls, a wide lace collar and little boots of red leather. Having reached Graincourt station with Cottard and Brichot, with time to spare, he and Cottard had left Brichot in the waiting-room and had gone for a stroll. When Cottard proposed to turn back, Ski had replied: “But there is no hurry. It isn’t the local train to-day, it’s the departmental train.” Delighted by the effect that this refinement of accuracy produced upon Cottard, he added, with reference to himself: “Yes, because Ski loves the arts, because he models in clay, people think he’s not practical. Nobody knows this line better than I do.” Nevertheless they had turned back towards the station when, all of a sudden, catching sight of the smoke of the approaching train, Cottard, with a wild shout, had exclaimed: “We shall have to put our best foot foremost.” They did as a matter of fact arrive with not a moment to spare, the distinction between local and departmental trains having never existed save in the mind of Ski. “But isn’t the Princess on the train?” came in ringing tones from Brichot, whose huge spectacles, resplendent as the reflectors that laryngologists attach to their foreheads to throw a light into the throats of their patients, seemed to have taken their life from the Professor’s eyes, and possibly because of the effort that he was making to adjust his sight to them, seemed themselves, even at the most trivial moments, to be gazing at themselves with a sustained attention and an extraordinary fixity. Brichot’s malady, as it gradually deprived him of his sight, had revealed to him the beauties of that sense, just as, frequently, we have to have made up our minds to part with some object, to make a present of it for instance, before we can study it, regret it, admire it. “No, no, the Princess went over to Maineville with some of Mme. Verdurin’s guests who were taking the Paris train. It is within the bounds of possibility that Mme. Verdurin, who had some business at Saint-Mars, may be with her! In that case, she will be coming with us, and we shall all travel together, which will be delightful. We shall have to keep our eyes skinned at Maineville and see what we shall see! Oh, but that’s nothing, you may say that we came very near to missing the bus. When I saw the train I was dumbfoundered. That’s what is called arriving at the psychological moment. Can’t you picture us missing the train, Mme. Verdurin seeing the carriages come back without us: Tableau!” added the doctor, who had not yet recovered from his emotion. “That would be a pretty good joke, wouldn’t it? Now then, Brichot, what have you to say about our little escapade?” inquired the doctor with a note of pride. “Upon my soul,” replied Brichot, “why, yes, if you had found the train gone, that would have been what the late Villemain used to call a wipe in the eye!” But I, distracted at first by these people who were strangers to me, was suddenly reminded of what Cottard had said to me in the ball-room of the little casino, and, just as though there were an invisible link uniting an organ to our visual memory, the vision of Albertine leaning her breasts against Andrée’s caused my heart a terrible pain. This pain did not last: the idea of Albertine’s having relations with women seemed no longer possible since the occasion, forty-eight hours earlier, when the advances that my mistress had made to Saint-Loup had excited in me a fresh jealousy which had made me forget the old. I was simple enough to suppose that one taste of necessity excludes another. At Harambouville, as the tram was full, a farmer in a blue blouse who had only a third class ticket got into our compartment. The doctor, feeling that the Princess must not be allowed to travel with such a person, called a porter, shewed his card, describing him as medical officer to one of the big railway companies, and obliged the station-master to make the farmer get out. This incident so pained and alarmed Saniette’s timid spirit that, as soon as he saw it beginning, fearing already lest, in view of the crowd of peasants on the platform, it should assume the proportions of a rising, he pretended to be suffering from a stomach-ache, and, so that he might not be accused of any share in the responsibility for the doctor’s violence, wandered down the corridor, pretending to be looking for what Cottard called the ‘water.’ Failing to find one, he stood and gazed at the scenery from the other end of the ‘twister.’ “If this is your first appearance at Mme. Verdurin’s, Sir,” I was addressed by Brichot, anxious to shew off his talents before a newcomer, “you will find that there is no place where one feels more the ‘amenities of life,’ to quote one of the inventors of dilettantism, of pococurantism, of all sorts of words in — ism that are in fashion among our little snobbesses, I refer to M. le Prince de Talleyrand.” For, when he spoke of these great noblemen of the past, he thought it clever and ‘in the period’ to prefix a ‘M.’ to their titles, and said ‘M. le Duc de La Rochefoucauld,’ ‘M. le Cardinal de Retz,’ referring to these also as ‘That struggle-for-lifer de Gondi,’ ‘that Boulangist de Marcillac.’ And he never failed to call Montesquieu, with a smile, when he referred to him: “Monsieur le Président Secondât de Montesquieu.” An intelligent man of the world would have been irritated by a pedantry which reeked so of the lecture-room. But in the perfect manners of the man of the world when speaking of a Prince, there is a pedantry also, which betrays a different caste, that in which one prefixes ‘the Emperor’ to the name ‘William’ and addresses a Royal Highness in the third person. “Ah, now that is a man,” Brichot continued, still referring to ‘Monsieur le Prince de Talleyrand’—“to whom we take off our hats. He is an ancestor.” “It is a charming house,” Cottard told me, “you will find a little of everything, for Mme. Verdurin is not exclusive, great scholars like Brichot, the high nobility, such as the Princess Sherbatoff, a great Russian lady, a friend of the Grand Duchess Eudoxie, who even sees her alone at hours when no one else is admitted.” As a matter of fact the Grand Duchess Eudoxie, not wishing Princess Sherbatoff, who for years past had been cut by everyone, to come to her house when there might be other people, allowed her to come only in the early morning, when Her Imperial Highness was not at home to any of those friends to whom it would have been as unpleasant to meet the Princess as it would have been awkward for the Princess to meet them. As, for the last three years, as soon as she came away, like a manicurist, from the Grand Duchess, Mme. Sherbatoff would go on to Mme. Verdurin, who had just awoken, and stuck to her for the rest of the day, one might say that the Princess’s loyalty surpassed even that of Brichot, constant as he was at those Wednesdays, both in Paris, where he had the pleasure of fancying himself a sort of Chateaubriand at l’Abbaye-aux-Bois, and in the country, where he saw himself becoming the equivalent of what might have been in the salon of Mme. de Châtelet the man whom he always named (with an erudite sarcasm and satisfaction): “M. de Voltaire.”&#xA;&#xA;   Her want of friends had enabled Princess Sherbatoff to shew for some years past to the Verdurins a fidelity which made her more than an ordinary member of the ‘faithful,’ the type of faithfulness, the ideal which Mme. Verdurin had long thought unattainable and which now, in her later years, she at length found incarnate in this new feminine recruit. However keenly the Mistress might feel the pangs of jealousy, it was without precedent that the most assiduous of her faithful should not have ‘failed’ her at least once. The most stay-at-home yielded to the temptation to travel; the most continent fell from virtue; the most robust might catch influenza, the idlest be caught for his month’s soldiering, the most indifferent go to close the eyes of a dying mother. And it was in vain that Mme. Verdurin told them then, like the Roman Empress, that she was the sole general whom her legion must obey, like the Christ or the Kaiser that he who loved his father or mother more than her and was not prepared to leave them and follow her was not worthy of her, that instead of slacking in bed or letting themselves be made fools of by bad women they would do better to remain in her company, by her, their sole remedy and sole delight. But destiny which is sometimes pleased to brighten the closing years of a life that has passed the mortal span had made Mme. Verdurin meet the Princess Sherbatoff. Out of touch with her family, an exile from her native land, knowing nobody but the Baroness Putbus and the Grand Duchess Eudoxie, to whose houses, because she herself had no desire to meet the friends of the former, and the latter no desire that her friends should meet the Princess, she went only in the early morning hours when Mme. Verdurin was still asleep, never once, so far as she could remember, having been confined to her room since she was twelve years old, when she had had the measles, having on the 3lst of December replied to Mme. Verdurin who, afraid of being left alone, had asked her whether she would not ‘shake down’ there for the night, in spite of its being New Year’s Eve: “Why, what is there to prevent me, any day of the year? Besides, to-morrow is a day when one stays at home, and this is my home,” living in a boarding-house, and moving from it whenever the Verdurins moved, accompanying them upon their holidays, the Princess had so completely exemplified to Mme. Verdurin the line of Vigny:&#xA;&#xA;   Thou only didst appear that which one seeks always&#xA;&#xA;   that the Lady President of the little circle, anxious to make sure of one of her ‘faithful’ even after death, had made her promise that whichever of them survived the other should be buried by her side. Before strangers — among whom we must always reckon him to whom we lie most barefacedly because he is the person whose scorn we should most dread: ourself — Princess Sherbatoff took care to represent her only three friendships — with the Grand Duchess, the Verdurins, and the Baroness Putbus — as the only ones, not which cataclysms beyond her control had allowed to emerge from the destruction of all the rest, but which a free choice had made her elect in preference to any other, and to which a certain love of solitude and simplicity had made her confine herself. “I see nobody else,” she would say, insisting upon the inflexible character of what appeared to be rather a rule that one imposes upon oneself than a necessity to which one submits. She would add: “I visit only three houses,” as a dramatist who fears that it may not run to a fourth announces that there will be only three performances of his play. Whether or not M. and Mme. Verdurin believed in the truth of this fiction, they had helped the Princess to instil it into the minds of the faithful. And they in turn were persuaded both that the Princess, among the thousands of invitations that were offered her, had chosen the Verdurins alone, and that the Verdurins, courted in vain by all the higher aristocracy, had consented to make but a single exception, in favour of the Princess&#xA;&#xA;   In their eyes, the Princess, too far superior to her native element not to find it boring, among all the people whose society she might have enjoyed, found the Verdurins alone entertaining, while they, in return, deaf to the overtures with which they were bombarded by the entire aristocracy, had consented to make but a single exception, in favour of a great lady of more intelligence than the rest of her kind, the Princess Sherbatoff&#xA;&#xA;   The Princess was very rich; she engaged for every first night a large box, to which, with the assent of Mme. Verdurin, she invited the faithful and nobody else. People would point to this pale and enigmatic person who had grown old without turning white, turning red rather like certain sere and shrivelled hedgerow fruits. They admired both her influence and her humility, for, having always with her an Academician, Brichot, a famous scientist, Cottard, the leading pianist of the day, at a later date M. de Charlus, she nevertheless made a point of securing the least prominent box in the theatre, remained in the background, paid no attention to the rest of the house, lived exclusively for the little group, who, shortly before the end of the performance, would withdraw in the wake of this strange sovereign, who was not without a certain timid, fascinating, faded beauty. But if Mme. Sherbatoff did not look at the audience, remained in shadow, it was to try to forget that there existed a living world which she passionately desired and was unable to know: the coterie in a box was to her what is to certain animals their almost corpselike immobility in the presence of danger. Nevertheless the thirst for novelty and for the curious which possesses people in society made them pay even more attention perhaps to this mysterious stranger than to the celebrities in the front boxes to whom everybody paid a visit. They imagined that she must be different from the people whom they knew, that a marvellous intellect combined with a discerning bounty retained round about her that little circle of eminent men. The Princess was compelled, if you spoke to her about anyone, or introduced anyone to her, to feign an intense coldness, in order to keep up the fiction of her horror of society. Nevertheless, with the support of Cottard or Mme. Verdurin, several newcomers succeeded in making her acquaintance and such was her excitement at making a fresh acquaintance that she forgot the fable of her deliberate isolation, and went to the wildest extremes to please the newcomer. If he was entirely unimportant, the rest would be astonished. “How strange that the Princess, who refuses to know anyone, should make an exception of such an uninteresting person.” But these fertilising acquaintances were rare, and the Princess lived narrowly confined in the midst of the faithful&#xA;&#xA;   Cottard said far more often: “I shall see him on Wednesday at the Verdurins’,” than: “I shall see him on Tuesday at the Academy.” He spoke, too, of the Wednesdays as of an engagement equally important and inevitable. But Cottard was one of those people, little sought after, who make it as imperious a duty to respond to an invitation as if such invitations were orders, like a military or judicial summons. It required a call from a very important patient to make him “fail” the Verdurins on a Wednesday, the importance depending moreover rather upon the rank of the patient than upon the gravity of his complaint. For Cottard, excellent fellow as he was, would forego the delights of a Wednesday not for a workman who had had a stroke, but for a Minister’s cold. Even then he would say to his wife: “Make my apologies to Mme. Verdurin. Tell her that I shall be coming later on. His Excellency might really have chosen some other day to catch cold.” One Wednesday their old cook having opened a vein in her arm, Cottard, already in his dinner-jacket to go to the Verdurins’, had shrugged his shoulders when his wife had timidly inquired whether he could not bandage the cut: “Of course I can’t, Léontine,” he had groaned; “can’t you see I’ve got my white waistcoat on?” So as not to annoy her husband, Mme. Cottard had sent post haste for his chief dresser. He, to save time, had taken a cab, with the result that, his carriage entering the courtyard just as Cottard’s was emerging to take him to the Verdurins’, five minutes had been wasted in backing to let one another pass. Mme. Cottard was worried that the dresser should see his master in evening dress. Cottard sat cursing the delay, from remorse perhaps, and started off in a villainous temper which it took all the Wednesday’s pleasures to dispel&#xA;&#xA;   If one of Cottard’s patients were to ask him: “Do you ever see the Guermantes?” it was with the utmost sincerity that the Professor would reply: “Perhaps not actually the Guermantes, I can’t be certain. But I meet all those people at the house of some friends of mine. You must, of course, have heard of the Verdurins. They know everybody. Besides, they certainly are not people who’ve come down in the world. They’ve got the goods, all right. It is generally estimated that Mme. Verdurin is worth thirty-five million. Gad, thirty-five million, that’s a pretty figure. And so she doesn’t make two bites at a cherry. You mentioned the Duchesse de Guermantes. Let me explain the difference. Mme. Verdurin is a great lady, the Duchesse de Guermantes is probably a nobody. You see the distinction, of course. In any case, whether the Guermantes go to Mme. Verdurin’s or not, she entertains all the very best people, the d’Sherbatôffs, the d’Forchevilles, e tutti quanti, people of the highest flight, all the nobility of France and Navarre, with whom you would see me conversing as man to man. Of course, those sort of people are only too glad to meet the princes of science,” he added, with a smile of fatuous conceit, brought to his lips by his proud satisfaction not so much that the expression formerly reserved for men like Potain and Charcot should now be applicable to himself, as that he knew at last how to employ all these expressions that were authorised by custom, and, after a long course of study, had learned them by heart. And so, after mentioning to me Princess Sherbatoff as one of the people who went to Mme. Verdurin’s, Cottard added with a wink: “That gives you an idea of the style of the house, if you see what I mean?” He meant that it was the very height of fashion. Now, to entertain a Russian lady who knew nobody but the Grand Duchess Eudoxie was not fashionable at all. But Princess Sherbatoff might not have known even her, it would in no way have diminished Cottard’s estimate of the supreme elegance of the Verdurin salon or his joy at being invited there. The splendour that seems to us to invest the people whose houses we visit is no more intrinsic than that of kings and queens on the stage, in dressing whom it is useless for a producer to spend hundreds and thousands of francs in purchasing authentic costumes and real jewels, when a great designer will procure a far more sumptuous impression by focussing a ray of light on a doublet of coarse cloth studded with lumps of glass and on a cloak of paper. A man may have spent his life among the great ones of the earth, who to him have been merely boring relatives or tiresome acquaintances, because a familiarity engendered in the cradle had stripped them of all distinction in his eyes. The same man, on the other hand, need only have been led by some chance to mix with the most obscure people, for innumerable Cottards to be permanently dazzled by the ladies of title whose drawing-rooms they imagined as the centres of aristocratic elegance, ladies who were not even what Mme. de Villeparisis and her friends were (great ladies fallen from their greatness, whom the aristocracy that had been brought up with them no longer visited); no, those whose friendship has been the pride of so many men, if these men were to publish their memoirs and to give the names of those women and of the other women who came to their parties, Mme. de Cambremer would be no more able than Mme. de Guermantes to identify them. But what of that! A Cottard has thus his Marquise, who is to him “the Baronne,” as in Marivaux, the Baronne whose name is never mentioned, so much so that nobody supposes that she ever had a name. Cottard is all the more convinced that she embodies the aristocracy — which has never heard of the lady — in that, the more dubious titles are, the more prominently coronets are displayed upon wineglasses, silver, notepaper, luggage. Many Cottards who have supposed that they were living in the heart of the Faubourg Saint-Germain have had their imagination perhaps more enchanted by feudal dreams than the men who did really live among Princes, just as with the small shopkeeper who, on Sundays, goes sometimes to look at “old time” buildings, it is sometimes from those buildings every stone of which is of our own time, the vaults of which have been, by the pupils of Viollet-le-Duc, painted blue and sprinkled with golden stars, that they derive the strongest sensation of the middle ages. “The Princess will be at Maineville. She will be coming with us. But I shall not introduce you to her at once. It will be better to leave that to Mme. Verdurin. Unless I find a loophole. Then you can rely on me to take the bull by the horns.” “What were you saying?” asked Saniette, as he rejoined us, pretending to have gone out to take the air. “I was quoting to this gentleman,” said Brichot, “a saying, which you will remember, of the man who, to my mind, is the first of the fins-de-siècle (of the eighteenth century, that is), by name Charles Maurice, Abbé de Perigord. He began by promising to be an excellent journalist. But he made a bad end, by which I mean that he became a Minister! Life has these tragedies. A far from serapulous politician to boot who, with the lofty contempt of a thoroughbred nobleman, did not hesitate to work in his time for the King of Prussia, there are no two ways about it, and died in the skin of a ‘Left Centre.’”&#xA;&#xA;   At Saint-Pierre-des-Ifs we were joined by a glorious girl who, unfortunately, was not one of the little group. I could not tear my eyes from her magnolia skin, her dark eyes, her bold and admirable outlines. A moment later she wanted to open a window, for it was hot in the compartment, and not wishing to ask leave of everybody, as I alone was without a greatcoat, she said to me in a quick, cool, jocular voice: “Do you mind a little fresh air, Sir?” I would have liked to say to her: “Come with us to the Verdurins’?” or “Give me your name and address.” I answered: “No, fresh air doesn’t bother me, Mademoiselle.” Whereupon, without stirring from her seat: “Do your friends object to smoke?” and she lit a cigarette. At the third station she sprang from the carriage. Next day, I inquired of Albertine, who could she be. For, stupidly thinking that people could have but one sort of love, in my jealousy of Albertine’s attitude towards Robert, I was reassured so far as other women were concerned. Albertine told me, I believe quite sincerely, that she did not know. “I should so much like to see her again,” I exclaimed. “Don’t worry, one always sees people again,” replied Albertine. In this particular instance, she was wrong; I never saw again, nor did I ever identify, the pretty girl with the cigarette. We shall see, moreover, why, for a long time, I ceased to look for her. But I have not forgotten her. I find myself at times, when I think of her, seized by a wild longing. But these recurrences of desire oblige us to reflect that if we wish to rediscover these girls with the same pleasure we must also return to the year which has since been followed by ten others in the course of which her bloom has faded. We can sometimes find a person again, but we cannot abolish time. And so on until the unforeseen day, gloomy as a winter night, when we no longer seek for that girl, or for any other, when to find her would actually frighten us. For we no longer feel that we have sufficient attraction to appeal to her, or strength to love her. Not, of course, that we are, in the strict sense of the word, impotent. And as for loving, we should love her more than ever. But we feel that it is too big an undertaking for the little strength that we have left. Eternal rest has already fixed intervals which we can neither cross nor make our voice be heard across them. To set our foot on the right step is an achievement like not missing the perilous leap. To be seen in such a state by a girl we love, even if we have kept the features and all the golden locks of our youth! We can no longer undertake the strain of keeping pace with youth. All the worse if our carnal desire increases instead of failing! We procure for it a woman whom we need make no effort to attract, who will share our couch for one night only and whom we shall never see again&#xA;&#xA;    “Still no news, I suppose, of the violinist,” said Cottard. The event of the day in the little clan was, in fact, the failure of Mme. Verdurin’s favourite violinist. Employed on military service near Doncières, he came three times a week to dine at la Raspelière, having a midnight pass. But two days ago, for the first time, the faithful had been unable to discover him on the tram. It was supposed that he had missed it. But albeit Mme. Verdurin had sent to meet the next tram, and so on until the last had arrived, the carriage had returned empty. “He’s certain to have been shoved into the guard-room, there’s no other explanation of his desertion. Gad! In soldiering, you know, with those fellows, it only needs a bad-tempered serjeant.” “It will be all the more mortifying for Mme. Verdurin,” said Brichot, “if he fails again this evening, because our kind hostess has invited to dinner for the first time the neighbours from whom she has taken la Raspelière, the Marquis and Marquise de Cambremer.” “This evening, the Marquis and Marquise de Cambremer!” exclaimed Cottard. “But I knew absolutely nothing about it. Naturally, I knew like everybody else that they would be coming one day, but I had no idea that it was to be so soon. Sapristi!” he went on, turning to myself, “what did I tell you? The Princess Sherbatoff, the Marquis and Marquise de Cambremer.” And, after repeating these names, lulling himself with their melody: “You see that we move in good company,” he said to me. “However, as it’s your first appearance, you’ll be one of the crowd. It is going to be an exceptionally brilliant gathering.” And, turning to Brichot, he went on: “The Mistress will be furious. It is time we appeared to lend her a hand.” Ever since Mme. Verdurin had been at la Raspelière she had pretended for the benefit of the faithful to be at once feeling and regretting the necessity of inviting her landlords for one evening. By so doing she would obtain better terms next year, she explained, and was inviting them for business reasons only. But she pretended to regard with such terror, to make such a bugbear of the idea of dining with people who did not belong to the little group that she kept putting off the evil day. The prospect did for that matter alarm her slightly for the reasons which she professed, albeit exaggerating them, if at the same time it enchanted her for reasons of snobbishness which she preferred to keep to herself. She was therefore partly sincere, she believed the little clan to be something so matchless throughout the world, one of those perfect wholes which it takes centuries of time to produce, that she trembled at the thought of seeing introduced into its midst these provincials, people ignorant of the Ring and the Meistersinger, who would be unable to play their part in the concert of conversation and were capable, by coming to Mme. Verdurin’s, of ruining one of those famous Wednesdays, masterpieces of art incomparable and frail, like those Venetian glasses which one false note is enough to shatter. “Besides, they are bound to be absolutely anti, and militarists,” M. Verdurin had said. “Oh, as for that, I don’t mind, we’ve heard quite enough about all that business,” had replied Mme. Verdurin, who, a sincere Dreyfusard, would nevertheless have been glad to discover a social counterpoise to the preponderant Dreyfusism of her salon. For Dreyfusism was triumphant politically, but not socially. Labori, Reinach, Picquart, Zola were still, to people in society, more or less traitors, who could only keep them aloof from the little nucleus. And so, after this incursion into politics, Mme. Verdurin was determined to return to the world of art. Besides were not Indy, Debussy, on the ‘wrong’ side in the Case? “So far as the Case goes, we need only remember Brichot,” she said (the Don being the only one of the faithful who had sided with the General Staff, which had greatly lowered him in the esteem of Madame Verdurin). “There is no need to be eternally discussing the Dreyfus case. No, the fact of the matter is that the Cambremers bore me.” As for the faithful, no less excited by their unconfessed desire to make the Cambremers’ acquaintance than dupes of the affected reluctance which Mme. Verdurin said she felt to invite them, they returned, day after day, in conversation with her, to the base arguments with which she herself supported the invitation, tried to make them irresistible. “Make up your mind to it once and for all,” Cottard repeated, “and you will have better terms for next year, they will pay the gardener, you will have the use of the meadow. That will be well worth a boring evening. I am thinking only of yourselves,” he added, albeit his heart had leaped on one occasion, when, in Mme. Verdurin’s carriage, he had met the carriage of the old Mme. de Cambremer and, what was more, he had been abased in the sight of the railwaymen when, at the station, he had found himself standing beside the Marquis. For their part, the Cambremers, living far too remote from the social movement ever to suspect that certain ladies of fashion were speaking with a certain consideration of Mme. Verdurin, imagined that she was a person who could know none but Bohemians, was perhaps not even legally married, and so far as people of birth were concerned would never meet any but themselves. They had resigned themselves to the thought of dining with her only to be on good terms with a tenant who, they hoped, would return again for many seasons, especially after they had, in the previous month, learned that she had recently inherited all those millions. It was in silence and without any vulgar pleasantries that they prepared themselves for the fatal day. The faithful had given up hope of its ever coming, so often had Mme. Verdurin already fixed in their hearing a date that was invariably postponed. These false decisions were intended not merely to make a display of the boredom that she felt at the thought of this dinner-party, but to keep in suspense those members of the little group who were staying in the neighbourhood and were sometimes inclined to fail. Not that the Mistress guessed that the “great day” was as delightful a prospect to them as to herself, but in order that, having persuaded them that this dinner-party was to her the most terrible of social duties, she might make an appeal to their devotion. “You are not going to leave me all alone with those Chinese mandarins! We must assemble in full force to support the boredom. Naturally, we shan’t be able to talk about any of the things in which we are interested. It will be a Wednesday spoiled, but what is one to do!”&#xA;&#xA;    “Indeed,” Brichot explained to me, “I fancy that Mme. Verdurin, who is highly intelligent and takes infinite pains in the elaboration of her Wednesdays, was by no means anxious to see these bumpkins of ancient lineage but scanty brains. She could not bring herself to invite the dowager Marquise, but has resigned herself to having the son and daughter-in-law.” “Ah! We are to see the Marquise de Cambremer?” said Cottard with a smile into which he saw fit to introduce a leer of sentimentality, albeit he had no idea whether Mme. de Cambremer were good-looking or not. But the title Marquise suggested to him fantastic thoughts of gallantry. “Ah! I know her,” said Ski, who had met her once when he was out with Mme. Verdurin. “Not in the biblical sense of the word, I trust,” said the doctor, darting a sly glance through his eyeglass; this was one of his favourite pleasantries. “She is intelligent,” Ski informed me. “Naturally,” he went on, seeing that I said nothing, and dwelling with a smile upon each word, “she is intelligent and at the same time she is not, she lacks education, she is frivolous, but she has an instinct for beautiful things. She may say nothing, but she will never say anything silly. And besides, her colouring is charming. She would be an amusing person to paint,” he added, half shutting his eyes, as though he saw her posing in front of him. As my opinion of her was quite the opposite of what Ski was expressing with so many fine shades, I observed merely that she was the sister of an extremely distinguished engineer, M. Legrandin. “There, you see, you are going to be introduced to a pretty woman,” Brichot said to me, “and one never knows what may come of that. Cleopatra was not even a great lady, she was a little woman, the unconscious, terrible little woman of our Meilhac, and just think of the consequences, not only to that idiot Antony, but to the whole of the ancient world.” “I have already been introduced to Mme. de Cambremer,” I replied. “Ah! In that case, you will find yourself on familiar ground.” “I shall be all the more delighted to meet her,” I answered him, “because she has promised me a book by the former curé of Com-bray about the place-names of this district, and I shall be able to remind her of her promise. I am interested in that priest, and also in etymologies.” “Don’t put any faith in the ones he gives,” replied Brichot, “there is a copy of the book at la Raspelière, which I have glanced through, but without finding anything of any value; it is a mass of error. Let me give you an example. The word Bricq is found in a number of place-names in this neighbourhood. The worthy cleric had the distinctly odd idea that it comes from Briga, a height, a fortified place. He finds it already in the Celtic tribes, Latobriges, Nemetobriges, and so forth, and traces it down to such names as Briand, Brion, and so forth. To confine ourselves to the region in which we have the pleasure of your company at this moment, Bricquebose means the wood on the height, Bricqueville the habitation on the height, Bricquebec, where we shall be stopping presently before coming to Maineville, the height by the stream. Now there is not a word of truth in all this, for the simple reason that bricq is the old Norse word which means simply a bridge. Just as fleur, which Mme. de Cambremer’s protégé takes infinite pains to connect, in one place with the Scandinavian words floi, flo, in another with the Irish word ae or aer, is, beyond any doubt, the fjord of the Danes, and means harbour. So too, the excellent priest thinks that the station of Saint-Mars-le-Vetu, which adjoins la Raspelière, means Saint-Martin-le-Vieux (vetus). It is unquestionable that the word vieux has played a great part in the toponymy of this region. Vieux comes as a rule from vadum, and means a passage, as at the place called les Vieux. It is what the English call ford (Oxford, Hereford). But, in this particular instance, Vêtu is derived not from vetus, but from vas-tatus, a place that is devastated and bare. You have, round about here, Sottevast, the vast of Setold, Brillevast, the vast of Berold. I am all the more certain of the cure’s mistake, in that Saint-Mars-le-Vetu was formerly called Saint-Mars du Cast and even Saint-Mars-de-Terregate. Now the v and the g in these words are the same letter. We say dévaster, but also gâcher. Jâchères andgatines (from the High German wastinna) have the same meaning: Terregate is therefore terra vasta. As for Saint-Mars, formerly (save the mark) Saint-Merd, it is Saint-Medardus, which appears variously as Saint-Médard, Saint-Mard, Saint-Marc, Cinq-Mars, and even Dammas. Nor must we forget that quite close to here, places bearing the name of Mars are proof simply of a pagan origin (the god Mars) which has remained alive in this country but which the holy man refuses to see. The high places dedicated to the gods are especially frequent, such as the mount of Jupiter (Jeumont). Your curé declines to admit this, but, on the other hand, wherever Christianity has left traces, they escape his notice. He has gone so far afield as to Loctudy, a barbarian name, according to him, whereas it is simply Locus Sancti Tudeni, nor has he in Sammarcoles divined Sanctus Martialis. Your curé,” Brichot continued, seeing that I was interested, “derives the terminations hon, home, holm, from the word holl (hullus), a hill, whereas it cornes from the Norse holm, an island, with which you are familiar in Stockholm, and which is so widespread throughout this district, la Houlme, Engohomme, Tahoume, Robehomme, Néhomme, Quettehon, and so forth.” These names made me think of the day when Albertine had wished to go to Amfreville-la-Bigot (from the name of two successive lords of the manor, Brichot told me), and had then suggested that we should dine together at Robehomme. As for Maineville, we were just coming to it. “Isn’t Néhomme,” I asked, “somewhere near Carquethuit and Clitourps?” “Precisely; Néhomme is the holm, the island or peninsula of the famous Viscount Nigel, whose name has survived also in Neville. The Carquethuit and Clitourps that you mention furnish Mme. de Cambremer’s protégé with an occasion for further blunders. No doubt he has seen that carque is a church, the Kirche of the Germans. You will remember Querqueville, not to mention Dun-kerque. For there we should do better to stop and consider the famous word Dun, which to the Celts meant high ground. And that you will find over the whole of France. Your abbé was hypnotised by Duneville, which recurs in the Eure-et-Loir; he would have found Châteaudun, Dun-le-Roi in the Cher, Duneau in the Sarthe, Dun in the Ariège, Dune-les-Places in the Nièvre, and many others. This word Dun leads him into a curious error with regard to Douville where we shall be alighting, and shall find Mme. Verdurin’s comfortable carriages awaiting us. Douville, in Latin donvilla, says he. As a matter of fact, Douville does lie at the foot of high hills. Your curé, who knows everything, feels all the same that he has made a blunder. He has, indeed, found in an old cartulary, the name Domvilla. Whereupon he retracts; Douville, according to him, is a fief belonging to the Abbot, Domino Abbati, of Mont Saint-Michel. He is delighted with the discovery, which is distinctly odd when one thinks of the scandalous life that, according to the Capitulary of Sainte-Claire sur Epte, was led at Mont Saint-Michel, though no more extraordinary than to picture the King of Denmark as suzerain of all this coast, where he encouraged the worship of Odin far more than that of Christ. On the other hand, the supposition that the n has been changed to m does not shock me, and requires less alteration than the perfectly correct Lyon, which also is derived from Dun (Lugdunum). But the fact is, the abbé is mistaken. Douville was never Donville, but Doville, Eudonis villa, the village of Eudes. Douville was formerly called Escalecliff, the steps up the cliff. About the year 1233, Eudes le Bouteiller, Lord of Escalecliff, set out for the Holy Land; on the eve of his departure he made over the church to the Abbey of Blanche-lande. By an exchange of courtesies, the village took his name, whence we have Douville to-day. But I must add that toponymy, of which moreover I know little or nothing, is not an exact science; had we not this historical evidence, Douville might quite well come from Ouville, that is to say the Waters. The forms in ai (Aiguës-Mortes), from aqua, are constantly changed to eu or ou. Now there were, quite close to Douville, certain famous springs, Carquethuit. You might suppose that the curé was only too ready to detect there a Christian origin, especially as this district seems to have been pretty hard to convert, since successive attempts were made by Saint Ursal, Saint Gofroi, Saint Barsanore, Saint Laurent of Brèvedent, who finally handed over the task to the monks of Beaubec. But as regards thuit the writer is mistaken, he sees in it a form of toft, a building, as in Cricquetot, Ectot, Yvetot, whereas it is the thveit, the clearing, the reclaimed land, as in Braquetuit, le Thuit, Regnetuit, and so forth. Similarly, if he recognises in Clitourps the Norman thorp which means village, he insists that the first syllable of the word must come fromclivus, a slope, whereas it comes from cliff, a precipice. But his biggest blunders are due not so much to his ignorance as to his prejudices. However loyal a Frenchman one is, there is no need to fly in the face of the evidence and take Saint-Laurent en Bray to be the Roman priest, so famous at one time, when he is actually Saint Lawrence ‘Toot, Archbishop of Dublin. But even more than his patriotic sentiments, your friend’s religious bigotry leads him into strange errors. Thus you have not far from our hosts at la Raspelière two places called Montmartin, Montmartin-sur-Mer and Mont-martin-en-Graignes. In the case of Craignes, the good curé has been quite right, he has seen that Craignes, in Latin Crania, in GreekKrene, means ponds, marshes; how many instances of Cresmays, Croen, Gremeville, Lengronne, might we not adduce? But, when he comes to Montmartin, your self-styled linguist positively insists that these must be parishes dedicated to Saint Martin. He bases his opinion upon the fact that the Saint is their patron, but does not realise that he was only adopted subsequently; or rather he is blinded by his hatred of paganism; he refuses to see that we should say Mont-Saint-Martin as we say Mont-Saint-Michel, if it were a question of Saint Martin, whereas the name Montmartin refers in a far more pagan fashion to temples consecrated to the god Mars, temples of which, it is true, no other vestige remains, but which the undisputed existence in the neighbourhood of vast Roman camps would render highly probable even without the name Montmartin, which removes all doubt. You see that the little pamphlet which you will find at la Raspelière is far from perfect.” I protested that at Combray the curé had often told us interesting etymologies. “He was probably better on his own ground, the move to Normandy must have made him lose his bearings.” “Nor did it do him any good,” I added, “for he came here with neurasthenia and went away again with rheumatism.” “Ah, his neurasthenia is to blame. He has lapsed from neurasthenia to philology, as my worthy master Pocquelin would have said. Tell us, Cottard, do you suppose that neurasthenia can have a disturbing effect on philology, philology a soothing effect on neurasthenia and the relief from neurasthenia lead to rheumatism?” “Undoubtedly, rheumatism and neurasthenia are subordinate forms of neuro-arthritism. You may pass from one to the other by metastasis.” “The eminent Professor,” said Brichot, “expresses himself in a French as highly infused with Latin and Greek as M. Purgon himself, of Molièresque memory! My uncle, I refer to our national Sarcey. . . . ” But he was prevented from finishing his sentence. The Professor had leaped from his seat with a wild shout: “The devil!” he exclaimed on regaining his power of articulate speech, “we have passed Maineville (d’you hear?) and Renneville too.” He had just noticed that the train was stopping at Saint-Mars-le-Vetu, where most of the passengers alighted. “They can’t have run through without stopping. We must have failed to notice it while we were talking about the Cambremers. Listen to me, Ski, pay attention, I am going to tell you ‘a good one,’” said Cottard, who had taken a fancy to this expression, in common use in certain medical circles. “The Princess must be on the train, she can’t have seen us, and will have got into another compartment. Come along and find her. Let’s hope this won’t land us in trouble!” And he led us all off in search of Princess Sherbatoff. He found her in the corner of an empty compartment, reading the Revue des Deux Mondes. She had long ago, from fear of rebuffs, acquired the habit of keeping in her place, or remaining in her corner, in life as on the train, and of not offering her hand until the other person had greeted her. She went on reading as the faithful trooped into her carriage. I recognised her immediately; this woman who might have forfeited her position but was nevertheless of exalted birth, who in any event was the pearl of a salon such as the Verdurins’, was the lady whom, on the same train, I had put down, two days earlier, as possibly the keeper of a brothel. Her social personality, which had been so vague, became clear to me as soon as I learned her name, just as when, after racking our brains over a puzzle, we at length hit upon the word which clears up all the obscurity, and which, in the case of a person, is his name. To discover two days later who the person is with whom one has travelled in the train is a far more amusing surprise than to read in the next number of a magazine the clue to the problem set in the previous number. Big restaurants, casinos, local trains, are the family portrait galleries of these social enigmas. “Princess, we must have missed you at Maineville! May we come and sit in your compartment?” “Why, of course,” said the Princess who, upon hearing Cottard address her, but only then, raised from her magazine a pair of eyes which, like the eyes of M. de Charlus, although gentler, saw perfectly well the people of whose presence she pretended to be unaware. Cottard, coming to the conclusion that the fact of my having been invited to meet the Cambremers was a sufficient recommendation, decided, after a momentary hesitation, to intro-duce me to the Princess, who bowed with great courtesy but appeared to be hearing my name for the first time. “Cré nom!” cried the doctor, “my wife has forgotten to make them change the buttons on my white waist-coat. Ah! Those women, they never remember anything. Don’t you ever marry, my boy,” he said to me. And as this was one of the pleasantries which he considered appropriate when he had nothing else to say, he peeped out of the corner of his eye at the Princess and the rest of the faithful, who, because he was a Professor and an Academician, smiled back, admiring his good temper and freedom from pride. The Princess informed us that the young violinist had been found. He had been confined to bed the evening before by a sick headache, but was coming that evening and bringing with him a friend of his father whom he had met at Doncières. She had learned this from Mme. Verdurin with whom she had taken luncheon that morning, she told us in a rapid voice, rolling her r_s, with her Russian accent, softly at the back of her throat, as though they were not r_s but l_s. “Ah! You had luncheon with her this morning,” Cottard said to the Princess; but turned his eyes to myself, the purport of this remark being to shew me on what intimate terms the Princess was with the Mistress. “You are indeed a faithful adherent!” “Yes, I love the little cirlcle, so intelligent, so agleeable, neverl spiteful, quite simple, not at all snobbish, and clevel to theirl fingle-tips.” “Nom d’une pipe! I must have lost my ticket, I can’t find it anywhere,” cried Cottard, with an agitation that was, in the circumstances, quite unjustified. He knew that at Douville, where a couple of landaus would be awaiting us, the collector would let him pass without a ticket, and would only bare his head all the more humbly, so that the salute might furnish an explanation of his indulgence, to wit that he had of course recognised Cottard as one of the Verdurins’ regular guests. “They won’t shove me in the lock-up for that,” the doctor concluded. “You were saying, Sir,” I inquired of Brichot, “that there used to be some famous waters near here; how do we know that?” “The name of the next station is one of a multitude of proofs. It is called Fervaches.” “I don’t undlestand what he’s talking about,” mumbled the Princess, as though she were saying to me out of politeness: “He’s rather a bore, ain’t he?” “Why, Princess, Fervaches means hot springs. Fervidae aquae. But to return to the young violinist,” Brichot went on, “I was quite forgetting, Cottard, to tell you the great news. Had you heard that our poor friend Dechambre, who used to be Mme. Verdurin’s favourite pianist, has just died? It is terribly sad.” “He was quite young,” replied Cottard, “but he must have had some trouble with his liver, there must have been something sadly wrong in that quarter, he had been looking very queer indeed for a long time past.” “But he was not so young as all that,” said Brichot; “in the days when Elstir and Swann used to come to Mme. Verdurin’s, Dechambre had already made himself a reputation in Paris, and, what is remarkable, without having first received the baptism of success abroad. Ah! He was no follower of the Gospel according to Saint Barnum, that fellow.” “You are mistaken, he could not have been going to Mme. Verdurin’s, at that time, he was still in the nursery.” “But, unless my old memory plays me false, I was under the impression that Dechambre used to play Vinteuil’s sonata for Swann, when that clubman, who had broken with the aristocracy, had still no idea that he was one day to become the embourgeoised Prince Consort of our national Odette.” “It is impossible, Vinteuil’s sonata was played at Mme. Verdurin’s long after Swann ceased to come there,” said the doctor, who, like all people who work hard and think that they remember many things which they imagine to be of use to them, forget many others, a condition which enables them to go into ecstasies over the memories of people who have nothing else to do. “You are hopelessly muddled, though your brain is as sound as ever,” said the doctor with a smile. Brichot admitted that he was mistaken. The train stopped. We were at la Sogne. The name stirred my curiosity. “How I should like to know what all these names mean,” I said to Cottard. “You must ask M. Brichot, he may know, perhaps.” “Why, la Sogne is la Cicogne, Siconia,” replied Brichot, whom I was burning to interrogate about many other names&#xA;&#xA;   Forgetting her attachment to her ‘corner,’ Mme. Sherbatoff kindly offered to change places with me, so that I might talk more easily with Brichot, whom I wanted to ask about other etymologies that interested me, and assured me that she did not mind in the least whether she travelled with her face or her back to the engine, standing, or seated, or anyhow. She remained on the defensive until she had discovered a newcomer’s intentions, but as soon as she had realised that these were friendly, she would do everything in her power to oblige. At length the train stopped at the station of Douville-Féterne, which being more or less equidistant from the villages of Féterne and Douville, bore for this reason their hyphenated name. “Saperlipopette!” exclaimed Doctor Cottard, when we came to the barrier where the tickets were collected, and, pretending to have only just discovered his loss, “I can’t find my ticket, I must have lost it.” But the collector, taking off his cap, assured him that it did not matter and smiled respectfully. The Princess (giving instructions to the coachman, as though she were a sort of lady in waiting to Mme. Verdurin, who, because of the Cambremers, had not been able to come to the station, as, for that matter, she rarely did) took me, and also Brichot, with herself in one of the carriages. The doctor, Saniette and Ski got into the other&#xA;&#xA;   The driver, although quite young, was the Verdurins’ first coachman, the only one who had any right to the title; he took them, in the daytime, on all their excursions, for he knew all the roads, and in the evening went down to meet the faithful and took them back to the station later on. He was accompanied by extra helpers (whom he selected if necessary). He was an excellent fellow, sober and capable, but with one of those melancholy faces on which a fixed stare indicates that the merest trifle will make the person fly into a passion, not to say nourish dark thoughts. But at the moment he was quite happy, for he had managed to secure a place for his brother, another excellent type of fellow, with the Verdurins. We began by driving through Douville. Grassy knolls ran down from the village to the sea, in wide slopes to which their saturation in moisture and salt gave a richness, a softness, a vivacity of extreme tones. The islands and indentations of Rivebelle, far nearer now than at Balbec, gave this part of the coast the appearance, novel to me, of a relief map. We passed by some little bungalows, almost all of which were let to painters; turned into a track upon which some loose cattle, as frightened as were our horses, barred our way for ten minutes, and emerged upon the cliff road. “But, by the immortal gods,” Brichot suddenly asked, “let us return to that poor Dechambre; do you suppose Mme. Verdurin knows? Has anyone toldher?” Mme. Verdurin, like most people who move in society, simply because she needed the society of other people, never thought of them again for a single day, as soon as, being dead, they could no longer come to the Wednesdays, nor to the Saturdays, nor dine without dressing. And one could not say of the little clan, a type in this respect of all salons, that it was composed of more dead than living members, seeing that, as soon as one was dead, it was as though one had never existed. But, to escape the nuisance of having to speak of the deceased, in other words to postpone one of the dinners — a thing impossible to the mistress — as a token of mourning, M. Verdurin used to pretend that the death of the faithful had such an effect on his wife that, in the interest of her health, it must never be mentioned to her. Moreover, and perhaps just because the death of other people seemed to him so conclusive, so vulgar an accident, the thought of his own death filled him with horror and he shunned any consideration that might lead to it. As for Brichot, since he was the soul of honesty and completely taken in by what M. Verdurin said about his wife, he dreaded for his friend’s sake the emotions that such a bereavement must cause her. “Yes, she knew the worst this morning,” said the Princess, “it was impossible to keep it from her.” “Ah! Thousand thunders of Zeus!” cried Brichot. “Ah! it must have been a terrible blow, a friend of twenty-five years’ standing. There was a man who was one of us.” “Of course, of course, what can you expect? Such incidents are bound to be painful; but Madame Verdurin is a brave woman, she is even more cerebral than emotive.” “I don’t altogether agree with the Doctor,” said the Princess, whose rapid speech, her murmured accents, certainly made her appear both sullen and rebellious. “Mme. Verdurin, beneath a cold exterior, conceals treasures of sensibility. M. Verdurin told me that he had had great difficulty in preventing her from going to Paris for the funeral; he was obliged to let her think that it was all to be held in the country.” “The devil! She wanted to go to Paris, did she? Of course, I know that she has a heart, too much heart perhaps. Poor Dechambre! As Madame Verdurin remarked not two months ago: ‘Compared with him, Planté, Paderewski, Risler himself are nowhere!’ Ah, he could say with better reason than that limelighter Nero, who has managed to take in even German scholarship:Qualis artifex pereo! But he at least, Dechambre, must have died in the fulfilment of his priesthood, in the odour of Beethovenian devotion; and gallantly, I have no doubt; he had every right, that interpreter of German music, to pass away while celebrating the Mass in D. But he was, when all is said, the man to greet the unseen with a cheer, for that inspired performer would produce at times from the Parisianised Champagne stock of which he came, the swagger and smartness of a guardsman.”&#xA;&#xA;   From the height we had now reached, the sea suggested no longer, as at Balbec, the undulations of swelling mountains, but on the contrary the view, beheld from a mountain-top or from a road winding round its flank, of a blue-green glacier or a glittering plain, situated at a lower level. The lines of the currents seemed to be fixed upon its surface, and to have traced there for ever their concentric circles; the enamelled face of the sea which changed imperceptibly in colour, assumed towards the head of the bay, where an estuary opened, the blue whiteness of milk, in which little black boats that did not move seemed entangled like flies. I felt that from nowhere could one discover a vaster prospect. But at each turn in the road a fresh expanse was added to it and when we arrived at the Douville toll-house, the spur of the cliff which until then had concealed from us half the bay, withdrew, and all of a sudden I descried upon my left a gulf as profound as that which I had already had before me, but one that changed the proportions of the other and doubled its beauty. The air at this lofty point acquired a keenness and purity that intoxicated me. I adored the Verdurins; that they should have sent a carriage for us seemed to me a touching act of kindness. I should have liked to kiss the Princess. I told her that I had never seen anything so beautiful. She professed that she too loved this spot more than any other. But I could see that to her as to the Verdurins the thing that really mattered was not to gaze at the view like tourists, but to partake of good meals there, to entertain people whom they liked, to write letters, to read books, in short to live in these surroundings, passively allowing the beauty of the scene to soak into them rather than making it the object of their attention&#xA;&#xA;   After the toll-house, where the carriage had stopped for a moment at such a height above the sea that, as from a mountain-top, the sight of the blue gulf beneath almost made one dizzy, I opened the window; the sound, distinctly caught, of each wave that broke in turn had something sublime in its softness and precision. Was it not like an index of measurement which, upsetting all our ordinary impressions, shews us that vertical distances may be coordinated with horizontal, in contradiction of the idea that our mind generally forms of them; and that, though they bring the sky nearer to us in this way, they are not great; that they are indeed less great for a sound which traverses them as did the sound of those little waves, the medium through which it has to pass being purer. And in fact if one went back but a couple of yards below the toll-house, one could no longer distinguish that sound of waves, which six hundred feet of cliff had not robbed of its delicate, minute and soft precision. I said to myself that my grandmother would have listened to it with the delight that she felt in all manifestations of nature or art, in the simplicity of which one discerns grandeur. I was now at the highest pitch of exaltation, which raised everything round about me accordingly. It melted my heart that the Verdurins should have sent to meet us at the station. I said as much to the Princess, who seemed to think that I was greatly exaggerating so simple an act of courtesy. I know that she admitted subsequently to Cottard that she found me very enthusiastic; he replied that I was too emotional, required sedatives and ought to take to knitting. I pointed out to the Princess every tree, every little house smothered in its mantle of roses, I made her admire everything, I would have liked to take her in my arms and press her to my heart. She told me that she could see that I had a gift for painting, that of course I must sketch, that she was surprised that nobody had told her about it. And she confessed that the country was indeed pic-I turesque. We drove through, where it perched upon its height, the little I village of Englesqueville (Engleberti villa, Brichot informed us). “But are you quite sure that there will be a party this evening, in spite of Dechambre’s death, Princess?” he went on, without stopping to think that the presence at the station of the carriage in which we were sitting was in itself an answer to his question. “Yes,” said the Princess, “M. Verldulin insisted that it should not be put off, simply to keep his wife from thinking. And besides, after never failing for all these years to entertain on Wednesdays, such a change in her habits would have been bound to upset her. Her nerves are velly bad just now. M. Verdurin was particularly pleased that you were coming to dine this evening, because he knew that it would be a great distraction for Mme. Verdurin,” said the Princess, forgetting her pretence of having never heard my name before. “I think that it will be as well not to sayanything in front of Mme. Verdurin,” the Princess added. “Ah! I am glad you warned me,” Brichot artlessly replied. “I shall pass on your suggestion to Cottard.” The carriage stopped for a moment. It moved on again, but the sound that the wheels had been making in the village street had ceased. We had turned into the main avenue of la Raspelière where M. Verdurin stood waiting for us upon the steps. “I did well to put on a dinner-jacket,” he said, observing with pleasure that the faithful had put on theirs, “since I have such smart gentlemen in my party.” And as I apologised for not having changed: “Why, that’s quite all right. We’re all friends here. I should be delighted to offer you one of my own dinner-jackets, but it wouldn’t fit you.” The handclasp throbbing with emotion which, as he entered the hall of la Raspelière, and by way of condolence at the death of the pianist, Brichot gave our host elicited no response from the latter. I told him how greatly I admired the scenery. “Ah! All the better, and you’ve seen nothing, we must take you round. Why not come and spend a week or two here, the air is excellent.” Brichot was afraid that his handclasp had not been understood. “Ah! Poor Dechambre!” he said, but in an undertone, in case Mme. Verdurin was within earshot. “It is terrible,” replied M. Verdurin lightly. “So young,” Brichot pursued the point. Annoyed at being detained over these futilities, M. Verdurin replied in a hasty tone and with an embittered groan, not of grief but of irritated impatience: “Why yes, of course, but what’s to be done about it, it’s no use crying over spilt milk, talking about him won’t bring him back to life, will it?” And, his civility returning with his joviality: “Come along, my good Brichot, get your things off quickly. We have a bouillabaisse which mustn’t be kept waiting. But, in heaven’s name, don’t start talking about Dechambre to Madame Verdurin. You know that she always hides her feelings, but she is quite morbidly sensitive. I give you my word, when she heard that Dechambre was dead, she almost cried,” said M. Verdurin in a tone of profound irony. One might have concluded, from hearing him speak, that it implied a form of insanity to regret the death of a friend of thirty years’ standing, and on the other hand one gathered that the perpetual union of M. Verdurin and his wife did not preclude his constantly criticising her and her frequently irritating him. “If you mention it to her, she will go and make herself ill again. It is deplorable, three weeks after her bronchitis. When that happens, it is I who have to be sick-nurse. You can understand that I have had more than enough of it. Grieve for Dechambre’s fate in your heart as much as you like. Think of him, but do not speak about him. I was very fond of Dechambre, but you cannot blame me for being fonder still of my wife. Here’s Cottard, now, you can ask him.” And indeed, he knew that a family doctor can do many little services, such as prescribing that one must not give way to grief&#xA;&#xA;   The docile Cottard had said to the Mistress: “Upset yourself like that, and to-morrow you will give me a temperature of 102,” as he might have said to the cook: “To-morrow you will give me a riz de veau.” Medicine, when it fails to cure the sick, busies itself with changing the sense of verbs and pronouns&#xA;&#xA;   M. Verdurin was glad to find that Saniette, notwithstanding the snubs that he had had to endure two days earlier, had not deserted the little nucleus. And indeed Mme. Verdurin and her husband had acquired, in their idleness, cruel instincts for which the great occasions, occurring too rarely, no longer sufficed. They had succeeded in effecting a breach between Odette and Swann, between Brichot and his mistress. They would try it again with some one else, that was understood. But the opportunity did not present itself every day. Whereas, thanks to his shuddering sensibility, his timorous and quickly aroused shyness, Saniette provided them with a whipping-block for every day in the year. And so, for fear of his failing them, they took care always to invite him with friendly and persuasive words, such as the bigger boys at school, the old soldiers in a regiment, address to a recruit whom they are anxious to beguile so that they may get him into their clutches, with the sole object of flattering him for the moment and bullying him when he can no longer escape. “Whatever you do,” Brichot reminded Cottard, who had not heard what M. Verdurin was saying, “mum’s the word before Mme. Verdurin. Have no fear, O Cottard, you are dealing with a sage, as Theocritus says. Besides, M. Verdurin is right, what is the use of lamentations,” he went on, for, being capable of assimilating forms of speech and the ideas which they suggested to him, but having no finer perception, he had admired in M. Verdurin’s remarks the most courageous stoicism. “All the same, it is a great talent that has gone from the world.” “What, are you still talking about Dechambre,” said M. Verdurin, who had gone on ahead of us, and, seeing that we were not following him, had turned back. “Listen,” he said to Brichot, “nothing is gained by exaggeration. The fact of his being dead is no excuse for making him out a genius, which he was not. He played well, I admit, and what is more, he was in his proper element here; transplanted, he ceased to exist. My wife was infatuated with him and made his reputation. You know what she is. I will go farther, in the interest of his own reputation he has died at the right moment, he is done to a turn, as the demoiselles de Caen, grilled according to the incomparable recipe of Pampilles, are going to be, I hope (unless you keep us standing here all night with your jeremiads in this Kasbah exposed to all the winds of heaven). You don’t seriously expect us all to die of hunger because Dechambre is dead, when for the last year he was obliged to practise scales before giving a concert; to recover for the moment, and for the moment only, the suppleness of his wrists. Besides, you are going to hear this evening, or at any rate to meet, for the rascal is too fond of deserting his art, after dinner, for the card-table, somebody who is a far greater artist than Dechambre, a youngster whom my wife has discovered” (as she had discovered Dechambre, and Paderewski, and everybody else): “Morel. He has not arrived yet, the devil. He is coming with an old friend of his family whom he has picked up, and who bores him to tears, but otherwise, not to get into trouble with his father, he would have been obliged to stay down at Doncières and keep him company: the Baron de Charlus.” The faithful entered the drawing-room. M. Verdurin, who had remained behind with me while I took off my things, took my arm by way of a joke, as one’s host does at a dinner-party when there is no lady for one to take in. “Did you have a pleasant journey?” “Yes, M. Brichot told me things which interested me greatly,” said I, thinking of the etymologies, and because I had heard that the Verdurins greatly admired Brichot. “I am surprised to hear that he told you anything,” said M. Verdurin, “he is such a retiring man, and talks so little about the things he knows.” This compliment did not strike me as being very apt. “He seems charming,” I remarked. “Exquisite, delicious, not the sort of man you meet every day, such a light, fantastic touch, my wife adores him, and so do I!” replied M. Verdurin in an exaggerated tone, as though repeating a lesson. Only then did I grasp that what he had said to me about Brichot was ironical. And I asked myself whether M. Verdurin, since those far-off days of which I had heard reports, had not shaken off the yoke of his wife’s tutelage&#xA;&#xA;   The sculptor was greatly astonished to learn that the Verdurins were willing to have M. de Charlus in their house. Whereas in the Faubourg Saint-Germain, where M. de Charlus was so well known, nobody ever referred to his morals (of which most people had no suspicion, others remained doubtful, crediting him rather with intense but Platonic friendships, with behaving imprudently, while the enlightened few strenuously denied, shrugging their shoulders, any insinuation upon which some malicious Gallardon might venture), those morals, the nature of which was known perhaps to a few intimate friends, were, on the other hand, being denounced daily far from the circle in which he moved, just as, at times, the sound of artillery fire is audible only beyond a zone of silence. Moreover, in those professional and artistic circles where he was regarded as the typical instance of inversion, his great position in society, his noble origin were completely unknown, by a process analogous to that which, among the people of Rumania, has brought it about that the name of Ron-sard is known as that of a great nobleman, while his poetical work is unknown there. Not only that, the Rumanian estimate of Ronsard’s nobility is founded upon an error. Similarly, if in the world of painters and actors M. de Charlus had such an evil reputation, that was due to their confusing him with a certain Comte Leblois de Charlus who was not even related to him (or, if so, the connexion was extremely remote), and who had been arrested, possibly by mistake, in the course of a police raid which had become historic. In short, all the stories related of our M. de Charlus referred to the other. Many professionals swore that they had had relations with M. de Charlus, and did so in good faith, believing that the false M. de Charlus was the true one, the false one possibly encouraging, partly from an affectation of nobility, partly to conceal his vice, a confusion which to the true one (the Baron whom we already know) was for a long time damaging, and afterwards, when he had begun to go down the hill, became a convenience, for it enabled him likewise to say: “That is not myself.” And in the present instance it was not he to whom the rumours referred. Finally, what enhanced the falsehood of the reports of an actual fact (the Baron’s tendencies), he had had an intimate and perfectly pure friendship with an author who, in the theatrical world, had for some reason acquired a similar reputation which he in no way deserved. When they were seen together at a first night, people would say: “You see,” just as it was supposed that the Duchesse de Guermantes had immoral relations with the Princesse de Parme; an indestructible legend, for it would be disproved only in the presence of those two great ladies themselves, to which the people who repeated it would presumably never come any nearer than by staring at them through their glasses in the theatre and slandering them to the occupant of the next stall. Given M. de Charlus’s morals, the sculptor concluded all the more readily that the Baron’s social position must be equally low, since he had no sort of information whatever as to the family to which M. de Charlus belonged, his title or his name. Just as Cottard imagined that everybody knew that the degree of Doctor of Medicine implied nothing, the title of Consultant to a Hospital meant something, so people in society are mistaken when they suppose that everybody has the same idea of the social importance of their name as they themselves and the other people of their set&#xA;&#xA;   The Prince d’Agrigente was regarded as a swindler by a club servant to whom he owed twenty-five louis, and regained his importance only in the Faubourg Saint-Germain where he had three sisters who were Duchesses, for it is not among the humble people in whose eyes he is of small account, but among the smart people who know what is what, that the great nobleman creates an effect. M. de Charlus, for that matter, was to learn in the course of the evening that his host had the vaguest ideas about the most illustrious ducal families&#xA;&#xA;   Certain that the Verdurins were making a grave mistake in allowing an individual of tarnished reputation to be admitted to so ‘select’ a household as theirs, the sculptor felt it his duty to take the Mistress aside. “You are entirely mistaken, besides I never pay any attention to those tales, and even if it were true, I may be allowed to point out that it could hardly compromise me!” replied Mme. Verdurin, furious, for Morel being the principal feature of the Wednesdays, the chief thing for her was not to give any offence to him. As for Cottard, he could not express an opinion, for he had asked leave to go upstairs for a moment to ‘do a little job’ in thebuen retiro, and after that, in M. Verdurin’s bedroom, to write an extremely urgent letter for a patient&#xA;&#xA;   A great publisher from Paris who had come to call, expecting to be invited to stay to dinner, withdrew abruptly, quickly, realising that he was not smart enough for the little clan. He was a tall, stout man, very dark, with a studious and somewhat cutting air. He reminded one of an ebony paper-knife&#xA;&#xA;   Mme. Verdurin who, to welcome us in her immense drawing-room, in which displays of grasses, poppies, field-flowers, plucked only that morning, alternated with a similar theme painted on the walls, two centuries earlier, by an artist of exquisite taste, had risen for a moment from a game of cards which she was playing with an old friend, begged us to excuse her for just one minute while she finished her game, talking to us the while. What I told her about my impressions did not, however, seem altogether to please her. For one thing I was shocked to observe that she and her husband came indoors every day long before the hour of those sunsets which were considered so fine when seen from that cliff, and finer still from the terrace of la Raspelière, and which I would have travelled miles to see. “Yes, it’s incomparable,” said Mme. Verdurin carelessly, with a glance at the huge windows which gave the room a wall of glass. “Even though we have it always in front of us, we never grow tired of it,” and she turned her attention back to her cards. Now my very enthusiasm made me exacting. I expressed my regret that I could not see from the drawing-room the rocks of Darnetal, which, Elstir had told me, were quite lovely at that hour, when they reflected so many colours. “Ah! You can’t see them from here, you would have to go to the end of the park, to the ‘view of the bay.’ From the seat there, you can take in the whole panorama. But you can’t go there by yourself, you will lose your way. I can take you there, if you like,” she added kindly. “No, no, you are not satisfied with the illness you had the other day, you want to make yourself ill again. He will come back, he can see the view of the bay another time.” I did not insist, and understood that it was enough for the Verdurins to know that this sunset made its way into their drawing-room or dining-room, like a magnificent painting, like a priceless Japanese enamel, justifying the high rent that they were paying for la Raspelière, with plate and linen, but a thing to which they rarely raised their eyes; the important thing, here, for them was to live comfortably, to take drives, to feed well, to talk, to entertain agreeable friends whom they provided with amusing games of billiards, good meals, merry tea-parties. I noticed, however, later on, how intelligently they had learned to know the district, taking their guests for excursions as ‘novel’ as the music to which they made them listen. The part which the flowers of la Raspelière, the roads by the sea’s edge, the old houses, the undiscovered churches, played in the life of M. Verdurin was so great that those people who saw him only in Paris and who, themselves, substituted for the life by the seaside and in the country the refinements of life in town could barely understand the idea that he himself formed of his own life, or the importance that his pleasures gave him in his own eyes. This importance was further enhanced by the fact that the Verdurins were convinced that la Raspelière, which they hoped to purchase, was a property without its match in the world. This superiority which their self-esteem made them attribute to la Raspelière justified in their eyes my enthusiasm which, but for that, would have annoyed them slightly, because of the disappointments which it involved (like my disappointment when long ago I had first listened to Berma) and which I frankly admitted to them&#xA;&#xA;    “I hear the carriage coming back,” the Mistress suddenly murmured. Let us state briefly that Mme. Verdurin, quite apart from the inevitable changes due to increasing years, no longer resembled what she had been at the time when Swann and Odette used to listen to the little phrase in her house. Even when she heard it played, she was no longer obliged to assume the air of attenuated admiration which she used to assume then, for that had become her normal expression. Under the influence of the countless neuralgias which the music of Bach, Wagner, Vinteuil, Debussy had given her, Mme. Verdurin’s brow had assumed enormous proportions, like limbs that are finally crippled by rheumatism. Her temples, suggestive of a pair of beautiful, pain-stricken, milk-white spheres, in which Harmony rolled endlessly, flung back upon either side her silvered tresses, and proclaimed, on the Mistress’s behalf, without any need for her to say a word: “I know what is in store for me to-night.” Her features no longer took the trouble to formulate successively aesthetic impressions of undue violence, for they had themselves become their permanent expression on a countenance ravaged and superb. This attitude of resignation to the ever impending sufferings inflicted by Beauty, and of the courage that was required to make her dress for dinner when she had barely recovered from the effects of the last sonata, had the result that Mme. Verdurin, even when listening to the most heartrending music, preserved a disdainfully impassive countenance, and actually withdrew into retirement to swallow her two spoonfuls of aspirin&#xA;&#xA;    “Why, yes, here they are!” M. Verdurin cried with relief when he saw the door open to admit Morel, followed by M. de Charlus. The latter, to whom dining with the Verdurins meant not so much going into society as going into questionable surroundings, was as frightened as a schoolboy making his way for the first time into a brothel with the utmost deference towards its mistress. Moreover the persistent desire that M. de Charlus felt to appear virile and frigid was overcome (when he appeared in the open doorway) by those traditional ideas of politeness which are awakened as soon as shyness destroys an artificial attitude and makes an appeal to the resources of the subconscious. When it is a Charlus, whether he be noble or plebeian, that is stirred by such a sentiment of instinctive and atavistic politeness to strangers, it is always the spirit of a relative of the female sex, attendant like a goddess, or incarnate as a double, that undertakes to introduce him into a strange drawing-room and to mould his attitude until he comes face to face with his hostess. Thus a young painter, brought up by a godly, Protestant, female cousin, will enter a room, his head aslant and quivering, his eyes raised to the ceiling, his hands gripping an invisible muff, the remembered shape of which and its real and tutelary presence will help the frightened artist to cross without agoraphobia the yawning abyss between the hall and the inner drawing-room. Thus it was that the pious relative, whose memory is helping him to-day, used to enter a room years ago, and with so plaintive an air that one was asking oneself what calamity she had come to announce, when from her first words one realised, as now in the case of the painter, that she had come to pay an after-dinner call. By virtue of the same law, which requires that life, in the interests of the still unfulfilled act, shall bring into play, utilise, adulterate, in a perpetual prostitution, the most respectable, it may be the most sacred, sometimes only the most innocent legacies from the past, and albeit in this instance it engendered a different aspect, the one of Mme. Cottard’s nephews who distressed his family by his effeminate ways and the company he kept would always make a joyous entry as though he had a surprise in store for you or were going to inform you that he had been left a fortune, radiant with a happiness which it would have been futile to ask him to explain, it being due to his unconscious heredity and his misplaced sex. He walked upon tiptoe, was no doubt himself astonished that he was not holding a cardcase, offered you his hand parting his lips as he had seen his aunt part hers, and his uneasy glance was directed at the mirror in which he seemed to wish to make certain, albeit he was bare-headed, whether his hat, as Mme. Cottard had once inquired of Swann, was not askew. As for M. de Charlus, whom the society in which he had lived furnished, at this critical moment, with different examples, with other patterns of affability, and above all with the maxim that one must, in certain cases, when dealing with people of humble rank, bring into play and make use of one’s rarest graces, which one normally holds in reserve, it was with a flutter, archly, and with the same sweep with which a skirt would have enlarged and impeded his waddling motion that he advanced upon Mme. Verdurin with so flattered and honoured an air that one would have said that to be taken to her house was for him a supreme favour. One would have thought that it was Mme. de Marsantes who was entering the room, so prominent at that moment was the woman whom a mistake on the part of Nature had enshrined in the body of M. de Charlus. It was true that the Baron had made every effort to obliterate this mistake and to assume a masculine appearance. But no sooner had he succeeded than, he having in the meantime kept the same tastes, this habit of looking at things through a woman’s eyes gave him a fresh feminine appearance, due this time not to heredity but to his own way of living. And as he had gradually come to regard even social questions from the feminine point of view, and without noticing it, for it is not only by dint of lying to other people, but also by lying to oneself that one ceases to be aware that one is lying, albeit he had called upon his body to manifest (at the moment of his entering the Verdurins’ drawing-room) all the courtesy of a great nobleman, that body which had fully understood what M. de Charlus had ceased to apprehend, displayed, to such an extent that the Baron would have deserved the epithet ‘ladylike,’ all the attractions of a great lady. Not that there need be any connexion between the appearance of M. de Charlus and the fact that sons, who do not always take after their fathers, even without being inverts, and though they go after women, may consummate upon their faces the profanation of their mothers. But we need not consider here a subject that deserves a chapter to itself: the Profanation of the Mother&#xA;&#xA;   Albeit other reasons dictated this transformation of M. de Charlus, and purely physical ferments set his material substance ‘working’ and made his body pass gradually into the category of women’s bodies, nevertheless the change that we record here was of spiritual origin. By dint of supposing yourself to be ill you become ill, grow thin, are too weak to rise from your bed, suffer from nervous enteritis. By dint of thinking tenderly of men you become a woman, and an imaginary spirit hampers your movements. The obsession, just as in the other instance it affects your health, may in this instance alter your sex. Morel, who accompanied him, came to shake hands with me. From that first moment, owing to a twofold change that occurred in him I formed (alas, I was not warned in time to act upon it!) a bad impression of him. I have said that Morel, having risen above his father’s menial status, was generally pleased to indulge in a contemptuous familiarity. He had talked to me on the day when he brought me the photographs without once addressing me as Monsieur, treating me as an inferior. What was my surprise at Mme. Verdurin’s to see him bow very low before me, and before me alone, and to hear, before he had even uttered a syllable to anyone else, words of respect, most respectful — such words as I thought could not possibly flow from his pen or fall from his lips — addressed to myself. I at once suspected that he had some favour to ask of me. Taking me aside a minute later: “Monsieur would be doing me a very great service,” he said to me, going so far this time as to address me in the third person, “by keeping from Mme. Verdurin and her guests the nature of the profession that my father practised with his uncle. It would be best to say that he was, in your family, the agent for estates so considerable as to put him almost on a level with your parents,” Morel’s request annoyed me intensely because it obliged me to magnify not his father’s position, in which I took not the slightest interest, but the wealth — the apparent wealth of my own, which I felt to be absurd. But he appeared so unhappy, so pressing, that I could not refuse him. “No, before dinner,” he said in an imploring tone, “Monsieur can easily find some excuse for taking Mme. Verdurin aside.” This was what, in the end, I did, trying to enhance to the best of my ability the distinction of Morel’s father, without unduly exaggerating the ‘style,’ the ‘worldly goods’ of my own family. It went like a letter through the post, notwithstanding the astonishment of Mme. Verdurin, who had had a nodding acquaintance with my grandfather. And as she had no tact, hated family life (that dissolvent of the little nucleus), after telling me that she remembered, long ago, seeing my great-grandfather, and after speaking of him as of somebody who was almost an idiot, who would have been incapable of understanding the little group, and who, to use her expression, “was not one of us,” she said to me: “Families are such a bore, the only thing is to get right away from them;” and at once proceeded to tell me of a trait in my great-grandfather’s character of which I was unaware, although I might have suspected it at home (I had never seen him, but they frequently spoke of him), his remarkable stinginess (in contrast to the somewhat excessive generosity of my great-uncle, the friend of the lady in pink and Morel’s father’s employer): “Why, of course, if your grandparents had such a grand agent, that only shews that there are all sorts of people in a family. Your grandfather’s father was so stingy that, at the end of his life, when he was almost half-witted — between you and me, he was never anything very special, you are worth the whole lot of them — he could not bring himself to pay a penny for his ride on the omnibus. So that they were obliged to have him followed by somebody who paid his fare for him, and to let the old miser think that his friend M. de Persigny, the Cabinet Minister, had given him a permit to travel free on the omnibuses. But I am delighted to hear that our Morel’s father held such a good position. I was under the impression that he had been a schoolmaster, but that’s nothing, I must have misunderstood. In any case, it makes not the slightest difference, for I must tell you that here we appreciate only true worth, the personal contribution, what I call the participation. Provided that a person is artistic, provided in a word that he is one of the brotherhood, nothing else matters.” The way in which Morel was one of the brotherhood was — so far as I have been able to discover — that he was sufficiently fond of both women and men to satisfy either sex with the fruits of his experience of the other. But what it is essential to note here is that as soon as I had given him my word that I would speak on his behalf to Mme. Verdurin, as soon, moreover, as I had actually done so, and without any possibility of subsequent retractation, Morel’s ‘respect’ for myself vanished as though by magic, the formal language of respect melted away, and indeed for some time he avoided me, contriving to appear contemptuous of me, so that if Mme. Verdurin wanted me to give him a message, to ask him to play something, he would continue to talk to one of the faithful, then move on to another, changing his seat if I approached him. The others were obliged to tell him three or four times that I had spoken to him, after which he would reply, with an air of constraint, briefly, that is to say unless we were by ourselves. When that happened, he was expansive, friendly, for there was a charming side to him. I concluded all the same from this first evening that his must be a vile nature, that he would not, at a pinch, shrink from any act of meanness, was incapable of gratitude. In which he resembled the majority of mankind. But inasmuch as I had inherited a strain of my grandmother’s nature, and enjoyed the diversity of other people without expecting anything of them or resenting anything that they did, I overlooked his baseness, rejoiced in his gaiety when it was in evidence, and indeed in what I believe to have been a genuine affection on his part when, having gone the whole circuit of his false ideas of human nature, he realised (with a jerk, for he shewed strange reversions to a blind and primitive savagery) that my kindness to him was disinterested, that my indulgence arose not from a want of perception but from what he called goodness; and, more important still, I was enraptured by his art which indeed was little more than an admirable virtuosity, but which made me (without his being in the intellectual sense of the word a real musician) hear again or for the first time so much good music. Moreover a manager — M. de Charlus (whom I had not suspected of such talents, albeit Mme. de Guermantes, who had known him a very different person in their younger days, asserted that he had composed a sonata for her, painted a fan, and so forth), modest in regard to his true merits, but possessing talents of the first order, contrived to place this virtuosity at the service of a versatile artistic sense which increased it tenfold. Imagine a merely skilful performer in the Russian ballet, formed, educated, developed in all directions by M. Diaghileff&#xA;&#xA;   I had just given Mme. Verdurin the message with which Morel had charged me and was talking to M. de Charlus about Saint-Loup, when Cottard burst into the room announcing, as though the house were on fire, that the Cambremers had arrived. Mme. Verdurin, not wishing to appear before strangers such as M. de Charlus (whom Cottard had not seen) and myself to attach any great importance to the arrival of the Cambremers, did not move, made no response to the announcement of these tidings, and merely said to the doctor, fanning herself gracefully, and adopting the tone of a Marquise in the Théâtre Français: “The Baron has just been telling us. . . . ” This was too much for Cottard! Less abruptly than he would have done in the old days, for learning and high positions had added weight to his utterance, but with the emotion, nevertheless, which he recaptured at the Verdurins’, he exclaimed: “A Baron! What Baron? Where’s the Baron?” staring around the room with an astonishment that bordered on incredulity. Mme. Verdurin, with the affected indifference of a hostess when a servant has, in front of her guests, broken a valuable glass, and with the artificial, highfalutin tone of a conservatoire prize-winner acting in a play by the younger Dumas, replied, pointing with her fan to Morel’s patron: “Why, the Baron de Charlus, to whom let me introduce you, M. le Professeur Cottard.” Mme. Verdurin was, for that matter, by no means sorry to have an opportunity of playing the leading lady. M. de Charlus proffered two fingers which the Professor clasped with the kindly smile of a ‘Prince of Science.’ But he stopped short upon seeing the Cambremers enter the room, while M. de Charlus led me into a corner to tell me something, not without feeling my muscles, which is a German habit. M. de Cambremer bore no resemblance to the old Marquise. To anyone who had only heard of him, or of letters written by him, well and forcibly expressed, his personal appearance was startling. No doubt, one would grow accustomed to it. But his nose had chosen to place itself aslant above his mouth, perhaps the only crooked line, among so many, which one would never have thought of tracing upon his face, and one that indicated a vulgar stupidity, aggravated still further by the proximity of a Norman complexion on cheeks that were like two ripe apples. It is possible that the eyes of M. de Cambremer retained behind their eyelids a trace of the sky of the Cotentin, so soft upon sunny days when the wayfarer amuses himself in watching, drawn up by the roadside, and counting in their hundreds the shadows of the poplars, but those eyelids, heavy, bleared and drooping, would have prevented the least flash of intelligence from escaping. And so, discouraged by the meagreness of that azure glance, one returned to the big crooked nose. By a transposition of the senses, M. de Cambremer looked at you with his nose. This nose of his was not ugly, it was if anything too handsome, too bold, too proud of its own importance. Arched, polished, gleaming, brand new, it was amply prepared to atone for the inadequacy of his eyes. Unfortunately, if the eyes are sometimes the organ through which our intelligence is revealed, the nose (to leave out of account the intimate solidarity and the unsuspected repercussion of one feature upon the rest), the nose is generally the organ in which stupidity is most readily displayed&#xA;&#xA;   The propriety of the dark clothes which M. de Cambremer invariably wore, even in the morning, might well reassure those who were dazzled and exasperated by the insolent brightness of the seaside attire of people whom they did not know; still it was impossible to understand why the chief magistrate’s wife should have declared with an air of discernment and authority, as a person who knows far more than you about the high society of Alençon, that on seeing M. de Cambremer one immediately felt oneself, even before one knew who he was, in the presence of a man of supreme distinction, of a man of perfect breeding, a change from the sort of person one saw at Balbec, a man in short in whose company one could breathe freely. He was to her, stifled by all those Balbec tourists who did not know her world, like a bottle of smelling salts. It seemed to me on the contrary that he was one of the people whom my grandmother would at once have set down as ‘all wrong,’ and that, as she had no conception of snobbishness, she would no doubt have been stupefied that he could have succeeded in winning the hand of Mlle. Legrandin, who must surely be difficult to please, having a brother who was ‘so refined.’ At best one might have said of M. de Cambremer’s plebeian ugliness that it was redolent of the soil and preserved a very ancient local tradition; one was reminded, on examining his faulty features, which one would have liked to correct, of those names of little Norman towns as to the etymology of which my friend the curé was mistaken because the peasants, mispronouncing the names, or having misunderstood the Latin or Norman words that underlay them, have finally fixed in a barbarism to be found already in the cartularies, as Brichot would have said, a wrong meaning and a fault of pronunciation. Life in these old towns may, for all that, be pleasant enough, and M. de Cambremer must have had his good points, for if it was in a mother’s nature that the old Marquise should prefer her son to her daughter-in-law, on the other hand, she, who had other children, of whom two at least were not devoid of merit, was often heard to declare that the Marquis was, in her opinion, the best of the family. During the short time he had spent in the army, his messmates, finding Cambremer too long a name to pronounce, had given him the nickname Cancan, implying a flow of chatter, which he in no way merited. He knew how to brighten a dinner-party to which he was invited by saying when the fish (even if it were stale) or the entrée came in: “I say, that looks a fine animal.” And his wife, who had adopted upon entering the family everything that she supposed to form part of their customs, put herself on the level of her husband’s friends and perhaps sought to please him, like a mistress, and as though she had been involved in his bachelor existence, by saying in a careless tone when she was speaking of him to officers: “You shall see Cancan presently. Cancan has gone to Balbec, but he will be back this evening.” She was furious at having compromised herself by coming to the Verdurins’ and had done so only upon the entreaties of her mother-in-law and husband, in the hope of renewing the lease. But, being less well-bred than they, she made no secret of the ulterior motive and for the last fortnight had been making fun of this dinner-party to her women friends. “You know we are going to dine with our tenants. That will be well worth an increased rent. As a matter of fact, I am rather curious to see what they have done to our poor old la Raspelière” (as though she had been born in the house, and would find there all her old family associations). “Our old keeper told me only yesterday that you wouldn’t know the place. I can’t bear to think of all that must be going on there. I am sure we shall have to have the whole place disinfected before we move in again.” She arrived haughty and morose, with the air of a great lady whose castle, owing to a state of war, is occupied by the enemy, but who nevertheless feels herself at home and makes a point of shewing the conquerors that they are intruding. Mme. de Cambremer could not see me at first for I was in a bay at the side of the room with M. de Charlus, who was telling me that he had heard from Morel that Morel’s father had been an ‘agent’ in my family, and that he, Charlus, credited me with sufficient intelligence and magnanimity (a term common to himself and Swann) to forego the mean and ignoble pleasure which vulgar little idiots (I was warned) would not have failed, in my place, to give themselves by revealing to our hosts details which they might regard as derogatory. “The mere fact that I take an interest in him and extend my protection over him, gives him a pre-eminence and wipes out the past,” the Baron concluded. As I listened to him and promised the silence which I would have kept even without any hope of being considered in return intelligent and magnanimous, I was looking at Mme. de Cambremer. And I had difficulty in recognising the melting, savoury morsel which I had had beside me the other afternoon at teatime, on the terrace at Balbec, in the Norman rock-cake that I now saw, hard as a rock, in which the faithful would in vain have tried to set their teeth. Irritated in anticipation by the knowledge that her husband inherited his mother’s simple kindliness, which would make him assume a flattered expression whenever one of the faithful was presented to him, anxious however to perform her duty as a leader of society, when Brichot had been named to her she decided to make him and her husband acquainted, as she had seen her more fashionable friends do, but, anger or pride prevailing over the desire to shew her knowledge of the world, she said, not, as she ought to have said: “Allow me to introduce my husband,” but: “I introduce you to my husband,” holding aloft thus the banner of the Cambremers, without avail, for her husband bowed as low before Brichot as she had expected. But all Mme. de Cambremer’s ill humour vanished in an instant when her eye fell on M. de Charlus, whom she knew by sight. Never had she succeeded in obtaining an introduction, even at the time of her intimacy with Swann. For as M. de Charlus always sided with the woman, with his sister-in-law against M. de Guermantes’s mistresses, with Odette, at that time still unmarried, but an old flame of Swann’s, against the new, he had, as a stern defender of morals and faithful protector of homes, given Odette — and kept — the promise that he would never allow himself to be presented to Mme. de Cambremer. She had certainly never guessed that it was at the Verdurins’ that she was at length to meet this unapproachable person. M. de Cambremer knew that this was a great joy to her, so great that he himself was moved by it and looked at his wife with an air that implied: “You are glad now you decided to come, aren’t you?” He spoke very little, knowing that he had married a superior woman. “I, all unworthy,” he would say at every moment, and spontaneously quoted a fable of La Fontaine and one of Florian which seemed to him to apply to his ignorance, and at the same time enable him, beneath the outward form of a contemptuous flattery, to shew the men of science who were not members of the Jockey that one might be a sportsman and yet have read fables. The unfortunate thing was that he knew only two of them. And so they kept cropping up. Mme. de Cambremer was no fool, but she had a number of extremely irritating habits. With her the corruption of names bore absolutely no trace of aristocratic disdain. She was not the person to say, like the Duchesse de Guermantes (whom the mere fact of her birth ought to have preserved even more than Mme. de Cambremer from such an absurdity), with a pretence of not remembering the unfashionable name (albeit it is now that of one of the women whom it is most difficult to approach) of Julien de Monchâteau: “a little Madame . . . Pica della Mirandola.” No, when Mme. de Cambremer said a name wrong it was out of kindness of heart, so as not to appear to know some damaging fact, and when, in her sincerity, she admitted it, she tried to conceal it by altering it. If, for instance, she was defending a woman, she would try to conceal the fact, while determined not to lie to the person who had asked her to tell the truth, that Madame So-and-so was at the moment the mistress of M. Sylvain Levy, and would say: “No . . . I know absolutely nothing about her, I fancy that people used to charge her with having inspired a passion in a gentleman whose name I don’t know, something like Cahn, Kohn, Kuhn; anyhow, I believe the gentleman has been dead for years and that there was never anything between them.” This is an analogous, but contrary process to that adopted by liars who think that if they alter their statement of what they have been doing when they make it to a mistress or merely to another man, their listener will not immediately see that the expression (like her Cahn, Kohn, Kuhn) is interpolated, is of a different texture from the rest of the conversation, has a double meaning&#xA;&#xA;   Mme. Verdurin whispered in her husband’s ear: “Shall I offer my arm to the Baron de Charlus? As you will have Mme. de Cambremer on your right, we might divide the honours.” “No,” said M. Verdurin, “since the other is higher in rank” (meaning that M. de Cambremer was a Marquis), “M. de Charlus is, strictly speaking, his inferior.” “Very well, I shall put him beside the Princess.” And Mme. Verdurin introduced Mme. Sherbatoff to M. de Charlus; each of them bowed in silence, with an air of knowing all about the other and of promising a mutual secrecy. M. Verdurin introduced me to M. de Cambremer. Before he had even begun to speak in his loud and slightly stammering voice, his tall figure and high complexion displayed in their oscillation the martial hesitation of a commanding officer who tries to put you at your ease and says: “I have heard about you, I shall see what can be done; your punishment shall be remitted; we don’t thirst for blood here; it will be all right.” Then, as he shook my hand: “I think you know my mother,” he said to me. The word ‘think’ seemed to him appropriate to the discretion of a first meeting, but not to imply any uncertainty, for he went on: “I have a note for you from her.” M. de Cambremer took a childish pleasure in revisiting a place where he had lived for so long. “I am at home again,” he said to Mme. Verdurin, while his eyes marvelled at recognising the flowers painted on panels over the doors, and the marble busts on their high pedestals. He might, all the same, have felt himself at sea, for Mme. Verdurin had brought with her a quantity of fine old things of her own. In this respect, Mme. Verdurin, while regarded by the Cambremers as having turned everything upside down, was not revolutionary but intelligently conservative in a sense which they did not understand. They were thus wrong in accusing her of hating the old house and of degrading it by hanging plain cloth curtains instead of their rich plush, like an ignorant parish priest reproaching a diocesan architect with putting back in its place the old carved wood which the cleric had thrown on the rubbish heap, and had seen fit to replace with ornaments purchased in the Place Saint-Sulpice. Furthermore, a herb garden was beginning to take the place, in front of the mansion, of the borders that were the pride not merely of the Cambremers but of their gardener. The latter, who regarded the Cambremers as his sole masters, and groaned beneath the yoke of the Verdurins, as though the place were under occupation for the moment by an invading army, went in secret to unburden his griefs to its dispossessed mistress, grew irate at the scorn that was heaped upon his araucarias, begonias, house-leeks, double dahlias, and at anyone’s daring in so grand a place to grow such common plants as camomile and maidenhair. Mme. Verdurin felt this silent opposition and had made up her mind, if she took a long lease of la Raspelière or even bought the place, to make one of her conditions the dismissal of the gardener, by whom his old mistress, on the contrary, set great store. He had worked for her without payment, when times were bad, he adored her; but by that odd multiformity of opinion which we find in the lower orders, among whom the most profound moral scorn is embedded in the most passionate admiration, which in turn overlaps old and undying grudges, he used often to say of Mme. de Cambremer who, in ‘70, in a house that she owned in the East of France, surprised by the invasion, had been obliged to endure for a month the contact of the Germans: “What many people can’t forgive Mme. la Marquise is that during the war she took the side of the Prussians and even had them to stay in her house. At any other time, I could understand it; but in war time, she ought not to have done it. It is not right.” So that he was faithful to her unto death, venerated her for her goodness, and firmly believed that she had been guilty of treason. Mme. Verdurin was annoyed that M. de Cambremer should pretend to feel so much at home at la Raspelière. “You must notice a good many changes, all the same,” she replied. “For one thing there were those big bronze Barbedienne devils and some horrid little plush chairs which I packed off at once to the attic, though even that is too good a place for them.” After this bitter retort to M. de Cambremer, she offered him her arm to go in to dinner. He hesitated for a moment, saying to himself: “I can’t, really, go in before M. de Charlus.” But supposing the other to be an old friend of the house, seeing that he was not set in the post of honour, he decided to take the arm that was offered him and told Mme. Verdurin how proud he felt to be admitted into the symposium (so it was that he styled the little nucleus, not without a smile of satisfaction at his knowledge of the term). Cottard, who was seated next to M. de Charlus, beamed at him through his glass, to make his acquaintance and to break the ice, with a series of winks far more insistent than they would have been in the old days, and not interrupted by fits of shyness. And these engaging glances, enhanced by the smile that accompanied them, were no longer dammed by the glass but overflowed on all sides. The Baron, who readily imagined people of his own kind everywhere, had no doubt that Cottard was one, and was making eyes at him. At once he turned on the Professor the cold shoulder of the invert, as contemptuous of those whom he attracts as he is ardent in pursuit of such as attract him. No doubt, albeit each one of us speaks mendaciously of the pleasure, always refused him by destiny, of being loved, it is a general law, the application of which is by no means confined to the Charlus type, that the person whom we do not love and who does love us seems to us quite intolerable. To such a person, to a woman of whom we say not that she loves us but that she bores us, we prefer the society of any other, who has neither her charm, nor her looks, nor her brains. She will recover these, in our estimation, only when she has ceased to love us. In this light, we might see only the transposition, into odd terms, of this universal rule in the irritation aroused in an invert by a man who displeases him and runs after him. And so, whereas the ordinary man seeks to conceal what he feels, the invert is implacable in making it felt by the man who provokes it, as he would certainly not make it felt by a woman, M. de Charlus for instance by the Princesse de Guermantes, whose passion for him bored him, but flattered him. But when they see another man shew a peculiar liking for them, then, whether because they fail to realise that this liking is the same as their own, or because it annoys them to be reminded that this liking, which they glorify so long as it is they themselves that feel it, is regarded as a vice, or from a desire to rehabilitate themselves by a sensational display in circumstances in which it costs them nothing, or from a fear of being unmasked which they at once recover as soon as desire no longer leads them blindfold from one imprudence to another, or from rage at being subjected, by the equivocal attitude of another person, to the injury which, by their own attitude, if that other person attracted them, they would not be afraid to inflict on him, the men who do not in the least mind following a young man for miles, never taking their eyes off him in the theatre, even if he is with friends, and there is therefore a danger of their compromising him with them, may be heard, if a man who does not attract them merely looks at them, to say: “Sir, for what do you take me?” (simply because he takes them for what they are) “I don’t understand, no, don’t attempt to explain, you are quite mistaken,” pass if need be from words to blows, and, to a person who knows the imprudent stranger, wax indignant: “What, you know that loathsome creature. He stares at one so! . . . A fine way to behave!” M. de Charlus did not go quite as far as this, but assumed the offended, glacial air adopted, when one appears to be suspecting them, by women who are not of easy virtue, even more by women who are. Furthermore, the invert brought face to face with an invert sees not merely an unpleasing image of himself which, being purely inanimate, could at the worst only injure his self-esteem, but a second self, living, acting in the same sphere, capable therefore of injuring him in his loves. And so it is from an instinct of self-preservation that he will speak evil of the possible rival, whether to people who are able to do him some injury (nor does invert the first mind being thought a liar when he thus denounces invert the second before people who may know all about his own case), or to the young man whom he has ‘picked up,’ who is perhaps going to be snatched away from him and whom it is important to persuade that the very things which it is to his advantage to do with the speaker would be the bane of his life if he allowed himself to do them with the other person. To M. de Charlus, who was thinking perhaps of the — wholly imaginary — dangers in which the presence of this Cottard whose smile he misinterpreted might involve Morel, an invert who did not attract him was not merely a caricature of himself, but was a deliberate rival. A tradesman, practising an uncommon trade, who, on his arrival in the provincial town where he intends to settle for life discovers that, in the same square, directly opposite, the same trade is being carried on by a competitor, is no more discomfited than a Charlus who goes down to a quiet spot to make love unobserved and, on the day of his arrival, catches sight of the local squire or the barber, whose aspect and manner leave no room for doubt. The tradesman often comes to regard his competitor with hatred; this hatred degenerates at times into melancholy, and, if there be but a sufficient strain of heredity, one has seen in small towns the tradesman begin to shew signs of insanity which is cured only by his deciding to sell his stock and goodwill and remove to another place. The invert’s rage is even more agonising. He has realised that from the first moment the squire and the barber have desired his young companion. Even though he repeat to him a hundred times daily that the barber and the squire are scoundrels whose contact would dishonour him, he is obliged, like Harpagon, to watch over his treasure, and rises in the night to make sure that it is not being stolen. And it is this no doubt that, even more than desire, or the convenience of habits shared in common, and almost as much as that experience of oneself which is the only true experience, makes one invert detect another with a rapidity and certainty that are almost infallible. He may be mistaken for a moment, but a rapid divination brings him back to the truth. And so M. de Charlus’s error was brief. His divine discernment shewed him after the first minute that Cottard was not of his kind, and that he need not fear his advances either for himself, which would merely have annoyed him, or for Morel, which would have seemed to him a more serious matter. He recovered his calm, and as he was still beneath the influence of the transit of Venus Androgyne, now and again, he smiled a faint smile at the Verdurins without taking the trouble to open his mouth, merely curving his lips at one corner, and for an instant kindled a coquettish light in his eyes, he so obsessed with virility, exactly as his sister-in-law the Duchesse de Guermantes might have done. “Do you shoot much, Sir?” said M. Verdurin with a note of contempt to M. de Cambremer. “Has Ski told you of the near shave we had to-day?” Cottard inquired of the mistress. “I shoot mostly in the forest of Chantepie,” replied M. de Cambremer. “No, I have told her nothing,” said Ski. “Does it deserve its name?” Brichot asked M. de Cambremer, after a glance at me from the corner of his eye, for he had promised me that he would introduce the topic of derivations, begging me at the same time not to let the Cambremers know the scorn that he felt for those furnished by the Combray curé. “I am afraid I must be very stupid, but I don’t grasp your question,” said M. de Cambremer. “I mean to say: do many pies sing in it?” replied Brichot. Cottard meanwhile could not bear Mme. Verdurin’s not knowing that they had nearly missed the train. “Out with it,” Mme. Cottard said to her husband encouragingly, “tell us your odyssey.” “Well, really, it is quite out of the Ordinary,” said the doctor, and repeated his narrative from the beginning. “When I saw that the train was in the station, I stood thunderstruck. It was all Ski’s fault. You are somewhat wide of the mark in your information, my dear fellow! And there was Brichot waiting for us at the station!” “I assumed,” said the scholar, casting around him what he could still muster of a glance and smiling with his thin lips, “that if you had been detained at Graincourt, it would mean that you had encountered some peripatetic siren.” “Will you hold your tongue, if my wife were to hear you!” said the Professor. “This wife of mine, it is jealous.” “Ah! That Brichot,” cried Ski, moved to traditional merriment by Brichot’s spicy witticism, “he is always the same;” albeit he had no reason to suppose that the university don had ever indulged in obscenity. And, to embellish this consecrated utterance with the ritual gesture, he made as though he could not resist the desire to pinch Brichot’s leg. “He never changes, the rascal,” Ski went on, and without stopping to think of the effect, at once tragic and comic, that the don’s semi-blindness gave to his words: “Always a sharp look-out for the ladies.” “You see,” said M. de Cambremer, “what it is to meet with a scholar. Here have I been shooting for fifteen years in the forest of Chantepie, and I’ve never even thought of what the name meant.” Mme. de Cambremer cast a stern glance at her husband; she did not like him to humble himself thus before Brichot. She was even more annoyed when, at every ‘ready-made’ expression that Cancan employed, Cottard, who knew the ins and outs of them all, having himself laboriously acquired them, pointed out to the Marquis, who admitted his stupidity, that they meant nothing. “Why ‘stupid as a cabbage?’ Do you suppose cabbages are stupider than anything else? You say:‘repeat the same thing thirty-six times.’ Why thirty-six? Why do you say:‘sleep like a top?’ Why ‘Thunder of Brest?’ Why ‘play four hundred tricks?’” But at this, the defence of M. de Cambremer was taken up by Brichot who explained the origin of each of these expressions. But Mme. de Cambremer was occupied principally in examining the changes that the Verdurins had introduced at la Raspelière, in order that she might be able to criticise some, and import others, or possibly the same ones, to Féterne. “I keep wondering what that lustre is that’s hanging all crooked. I can hardly recognise my old Raspelière,” she went on, with a familiarly aristocratic air, as she might have spoken of an old servant meaning not so much to indicate his age as to say that she had seen him in his cradle. And, as she was a trifle bookish in her speech: “All the same,” she added in an undertone, “I can’t help feeling that if I were inhabiting another person’s house, I should feel some compunction about altering everything like this.” “It is a pity you didn’t come with them,” said Mme. Verdurin to M. de Charlus and Morel, hoping that M. de Charlus was now ‘enrolled’ and would submit to the rule that they must all arrive by the same train. “You are sure that Chantepie means the singing magpie, Chochotte?” she went on, to shew that, like the great hostess that she was, she could join in every conversation at the same time. “Tell me something about this violinist,” Mme. de Cambremer said to me, “he interests me; I adore music, and it seems to me that I have heard of him before, complete my education.” She had heard that Morel had come with M. de Charlus and hoped, by getting the former to come to her house, to make friends with the latter. She added, however, so that I might not guess her reason for asking, “M. Brichot, too, interests me.” For, even if she was highly cultivated, just as certain persons inclined to obesity eat hardly anything, and take exercise all day long without ceasing to grow visibly fatter, so Mme. de Cambremer might in vain master, and especially at Féterne, a philosophy that became ever more esoteric, music that became ever more subtle, she emerged from these studies only to weave plots that would enable her to cut the middle-class friends of her girlhood and to form the connexions which she had originally supposed to be part of the social life of her ‘in laws,’ and had then discovered to be far more exalted and remote. A philosopher who was not modern enough for her, Leibnitz, has said that the way is long from the intellect to the heart. This way Mme. de Cambremer had been no more capable than her brother of traversing. Abandoning the study of John Stuart Mill only for that of Lachelier, the less she believed in the reality of the external world, the more desperately she sought to establish herself, before she died, in a good position in it. In her passion for realism in art, no object seemed to her humble enough to serve as a model to painter or writer. A fashionable picture or novel would have made her feel sick; Tolstoi’s mujiks, or Millet’s peasants, were the extreme social boundary beyond which she did not allow the artist to pass. But to cross the boundary that limited her own social relations, to raise herself to an intimate acquaintance with Duchesses, this was the goal of all her efforts, so ineffective had the spiritual treatment to which she subjected herself, by the study of great masterpieces, proved in overcoming the congenital and morbid snobbishness that had developed in her. This snobbishness had even succeeded in curing certain tendencies to avarice and adultery to which in her younger days she had been inclined, just as certain peculiar and permanent pathological conditions seem to render those who are subject to them immune to other maladies. I could not, all the same, refrain, as I listened to her, from giving her credit, without deriving any pleasure from them, for the refinement of her expressions. They were those that are used, at a given date, by all the people of the same intellectual breadth, so that the refined expression provides us at once, like the arc of a circle, with the means to describe and limit the entire circumference. And so the effect of these expressions is that the people who employ them bore me immediately, because I feel that I already know them, but are generally regarded as superior persons, and have often been offered me as delightful and unappreciated companions. “You cannot fail to be aware, Madame, that many forest regions take their name from the animals that inhabit them. Next to the forest of Chantepie, you have the wood Chantereine.” “I don’t know who the queen may be, but you are not very polite to her,” said M. de Cambremer. “One for you, Chochotte,” said Mme. de Verdurin. “And apart from that, did you have a pleasant journey?” “We encountered only vague human beings who thronged the train. But I must answer M. de Cambremer’s question; reine, in this instance, is not the wife of a king, but a frog. It is the name that the frog has long retained in this district, as is shewn by the station, Renneville, which ought to be spelt Reineville.” “I say, that seems a fine animal,” said M. de Cambremer to Mme. Verdurin, pointing to a fish. (It was one of the compliments by means of which he considered that he paid his scot at a dinner-party, and gave an immediate return of hospitality. “There is no need to invite them,” he would often say, in speaking of one or other couple of their friends to his wife. “They were delighted to have us. It was they that thanked me for coming.”) “I must tell you, all the same, that I have been going every day for years to Renneville, and I have never seen any more frogs there than anywhere else. Madame de Cambremer brought the curé here from a parish where she owns a considerable property, who has very much the same turn of mind as yourself, it seems to me. He has written a book.” “I know, I have read it with immense interest,” Brichot replied hypocritically. The satisfaction that his pride received indirectly from this answer made M. de Cambremer laugh long and loud. “Ah! well, the author of, what shall I say, this geography, this glossary, dwells at great length upon the name of a little place of which we were formerly, if I may say so, the Lords, and which is called Pont-a-Couleuvre. Of course I am only an ignorant rustic compared with such a fountain of learning, but I have been to Pont-à-Couleuvre a thousand times if he’s been there once, and devil take me if I ever saw one of his beastly serpents there, I say beastly, in spite of the tribute the worthy La Fontaine pays them.” (The Man and the Serpent was one of his two fables.) “You have not seen any, and you have been quite right,” replied Brichot. “Undoubtedly, the writer you mention knows his subject through and through, he has written a remarkable book.” “There!” exclaimed Mme. de Cambremer, “that book, there’s no other word for it, is a regular Benedictine opus.” “No doubt he has consulted various polyptychs (by which we mean the lists of benefices and cures of each diocese), which may have furnished him with the names of lay patrons and ecclesiastical collators. But there are other sources. One of the most learned of my friends has delved into them. He found that the place in question was named Pont-a-Quileuvre. This odd name encouraged him to carry his researches farther, to a Latin text in which the bridge that your friend supposes to be infested with serpents is styled Pons cui aperit: A closed bridge that was opened only upon due payment.” “You were speaking of frogs. I, when I find myself among such learned folk, feel like the frog before the areopagus,” (this being his other fable) said Cancan who often indulged, with a hearty laugh, in this pleasantry thanks to which he imagined himself to be making, at one and the same time, out of humility and with aptness, a profession of ignorance and a display of learning. As for Cottard, blocked upon one side by M. de Charlus’s silence, and driven to seek an outlet elsewhere, he turned to me with one of those questions which so impressed his patients when it hit the mark and shewed them that he could put himself so to speak inside their bodies; if on the other hand it missed the mark, it enabled him to check certain theories, to widen his previous point of view. “When you come to a relatively high altitude, such as this where we now are, do you find that the change increases your tendency to choking fits?” he asked me with the certainty of either arousing admiration or enlarging his own knowledge. M. de Cambremer heard the question and smiled. “I can’t tell you how amused I am to hear that you have choking fits,” he flung at me across the table. He did not mean that it made him happy, though as a matter of fact it did. For this worthy man could not hear any reference to another person’s sufferings without a feeling of satisfaction and a spasm of hilarity which speedily gave place to the instinctive pity of a kind heart. But his words had another meaning which was indicated more precisely by the clause that followed. “It amuses me,” he explained, “because my sister has them too.” And indeed it did amuse him, as it would have amused him to hear me mention as one of my friends a person who was constantly coming to their house. “How small the world is,” was the reflexion which he formed mentally and which I saw written upon his smiling face when Cottard spoke to me of my choking fits. And these began to establish themselves, from the evening of this dinner-party, as a sort of interest in common, after which M. de Cambremer never failed to inquire, if only to hand on a report to his sister. As I answered the questions with which his wife kept plying me about Morel, my thoughts returned to a conversation I had had with my mother that afternoon. Having, without any attempt to dissuade me from going to the Verdurins’ if there was a chance of my being amused there, suggested that it was a house of which my grandfather would not have approved, which would have made him exclaim: “On guard!” my mother had gone on to say: “Listen, Judge Toureuil and his wife told me they had been to luncheon with Mme. Bon-temps. They asked me no questions. But I seemed to gather from what was said that your marriage to Albertine would be the joy of her aunt’s life. I think the real reason is that they are all extremely fond of you. At the same time the style in which they suppose that you would be able to keep her, the sort of friends they more or less know that we have, all that is not, I fancy, left out of account, although it may be a minor consideration. I should not have mentioned it to you myself, because I attach no importance to it, but as I imagine that people will mention it to you, I prefer to get a word in first.” “But you yourself, what do you think of her?” I asked my mother. “Well, it’s not I that am going to marry her. You might certainly do a thousand times better. But I feel that your grandmother would not have liked me to influence you. As a matter of fact, I cannot tell you what I think of Albertine; I don’t think of her. I shall say to you, like Madame de Sévigné: ‘She has good qualities, at least I suppose so. But at this first stage I can praise her only by negatives. One thing she is not, she has not the Rennes accent. In time, I shall perhaps say, she is something else. And I shall always think well of her if she can make you happy.’” But by these very words which left it to myself to decide my own happiness, my mother had plunged me in that state of doubt in which I had been plunged long ago when, my father having allowed me to go to Phèdre and, what was more, to take to writing, I had suddenly felt myself burdened with too great a responsibility, the fear of distressing him, and that melancholy which we feel when we cease to obey orders which, from one day to another, keep the future hidden, and realise that we have at last begun to live in real earnest, as a grown-up person, the life, the only life that any of us has at his disposal&#xA;&#xA;   Perhaps the best thing would be to wait a little longer, to begin by regarding Albertine as in the past, so as to find out whether I really loved her. I might take her, as a distraction, to see the Verdurins, and this thought reminded me that I had come there myself that evening only to learn whether Mme. Putbus was staying there or was expected. In any case, she was not dining with them. “Speaking of your friend Saint-Loup,” said Mme. de Cambremer, using an expression which shewed a closer sequence in her ideas than her remarks might have led one to suppose, for if she spoke to me about music she was thinking about the Guermantes; “you know that everybody is talking about his marriage to the niece of the Princesse de Guermantes. I may tell you that, so far as I am concerned, all that society gossip leaves me cold.” I was seized by a fear that I might have spoken unfeelingly to Robert about the girl in question, a girl full of sham originality, whose mind was as mediocre as her actions were violent. Hardly ever do we hear anything that does ‘not make us regret something that we have said. I replied to Mme. de Cambremer, truthfully as it happened, that I knew nothing about it, and that anyhow I thought that the girl was still too young to be engaged. “That is perhaps why it is not yet official, anyhow there is a lot of talk about it.” “I ought to warn you,” Mme. Verdurin observed dryly to Mme. de Cambremer, having heard her talking to me about Morel and supposing, when Mme. de Cambremer lowered her voice to speak of Saint-Loup’s engagement, that Morel was still under discussion. “You needn’t expect any light music here. In matters of art, you know, the faithful who come to my Wednesdays, my children as I call them, are all fearfully advanced,” she added with an air of proud terror. “I say to them sometimes: My dear people, you move too fast for your Mistress, not that she has ever been said to be afraid of anything daring. Every year it goes a little farther; I can see the day coming when they will have no more use for Wagner or Indy.” “But it is splendid to be advanced, one can never be advanced enough,” said Mme. de Cambremer, scrutinising as she spoke every corner of the dining-room, trying to identify the things that her mother-in-law had left there, those that Mme. Verdurin had brought with her, and to convict the latter red-handed of want of taste. At the same time, she tried to get me to talk of the subject that interested her most, M. de Charlus. She thought it touching that he should be looking after a violinist. “He seems intelligent.” “Why, his mind is extremely active for a man of his age,” said I. “Age? But he doesn’t seem at all old, look, the hair is still young.” (For, during the last three or four years, the word hair had been used with the article by one of those unknown persons who launch the literary fashions, and everybody at the same radius from the centre as Mme. de Cambremer would say ‘the hair,’ not without an affected smile. At the present day, people still say ‘the hair’ but, from an excessive use of the article, the pronoun will be born again.) “What interests me most about M. de Charlus,” she went on, “is that one can feel that he has the gift. I may tell you that I attach little importance to knowledge. Things that can be learned do not interest me.” This speech was not incompatible with Mme. de Cambremer’s own distinction which was, in the fullest sense, imitated and acquired. But it so happened that one of the things which one had to know at that moment was that knowledge is nothing, and is not worth a straw when compared with originality. Mme. de Cambremer had learned, with everything else, that one ought not to learn anything. “That is why,” she explained to me, “Brichot, who has an interesting side to him, for I am not one to despise a certain spicy erudition, interests me far less.” But Brichot, at that moment, was occupied with one thing only; hearing people talk about music, he trembled lest the subject should remind Mme. Verdurin of the death of Dechambre. He decided to say something that would avert that harrowing memory. M. de Cambremer provided him with an opportunity with the question: “You mean to say that wooded places always take their names from animals?” “Not at all,” replied Brichot, proud to display his learning before so many strangers, among whom, I had told him, he would be certain to interest one at least. “We have only to consider how often, even in the names of people, a tree is preserved, like a fern in a piece of coal. One of our Conscript Fathers is called M. de Saulces de Freycinet, which means, if I be not mistaken, a spot planted with willows and ashes, salix et fraxinetum; his nephew M. de Selves combines more trees still, since he is named de Selves, de sylvis.” Saniette was delighted to see the conversation take so animated a turn. He could, since Brichot was talking all the time, preserve a silence which would save him from being the butt of M. and Mme. Verdurin’s wit. And growing even more sensitive in his joy at being set free, he had been touched when he heard M. Verdurin, notwithstanding the formality of so grand a dinner-party, tell the butler to put a decanter of water in front of M. Saniette who never drank anything else. (The generals responsible for the death of most soldiers insist upon their being well fed.) Moreover, Mme. Verdurin had actually smiled once at Saniette. Decidedly, they were kind people. He was not going to be tortured any more. At this moment the meal was interrupted by one of the party whom I have forgotten to mention, an eminent Norwegian philosopher who spoke French very well but very slowly, for the twofold reason that, in the first place, having learned the language only recently and not wishing to make mistakes (he did, nevertheless, make some), he referred each word to a sort of mental dictionary, and secondly, being a metaphysician, he always thought of what he intended to say while he was saying it, which, even in a Frenchman, causes slowness of utterance. He was, otherwise, a charming person, although similar in appearance to many other people, save in one respect. This man so slow in his diction (there was an interval of silence after every word) acquired a startling rapidity in escaping from the room as soon as he had said good-bye. His haste made one suppose, the first time one saw him, that he was suffering from colic or some even more urgent need&#xA;&#xA;    “My dear — colleague,” he said to Brichot, after deliberating in his mind whether colleague was the correct term, “I have a sort of — desire to know whether there are other trees in the — nomenclature of your beautiful French — Latin — Norman tongue. Madame” (lie meant Madame Verdurin, although he dared not look at her) “has told me that you know everything. Is not this precisely the moment?” “No, it is the moment for eating,” interrupted Mme. Verdurin, who saw the dinner becoming interminable. “Very well,” the Scandinavian replied, bowing his head over his plate with a resigned and sorrowful smile. “But I must point out to Madame that if I have permitted myself this questionnaire — pardon me, this questation — it is because I have to return to-morrow to Paris to dine at the Tour d’Argent or at the Hôtel Meurice, My French — brother — M. Boutroux is to address us there about certain seances of spiritualism — pardon me, certain spirituous evocations which he has controlled.” “The Tour d’Argent is not nearly as good as they make out,” said Mme. Verdurin sourly. “In fact, I have had some disgusting dinners there.” “But am I mistaken, is not the food that one consumes at Madame’s table an example of the finest French cookery?” “Well, it is not positively bad,” replied Mme. Verdurin, sweetening. “And if you come next Wednesday, it will be better.” “But I am leaving on Monday for Algiers, and from there I am going to the Cape. And when I am at the Cape of Good Hope, I shall no longer be able to meet my illustrious colleague — pardon me, I shall no longer be able to meet my brother.” And he set to work obediently, after offering these retrospective apologies, to devour his food at a headlong pace. But Brichot was only too delighted to be able to furnish other vegetable etymologies, and replied, so greatly interesting the Norwegian that he again stopped eating, but with a sign to the servants that they might remove his plate and help him to the next course. “One of the Forty,” said Brichot, “is named Houssaye, or a place planted with hollies; in the name of a brilliant diplomat, d’Ormesson, you will find the elm, theulmus beloved of Virgil, which has given its name to the town of Ulm; in the names of his colleagues, M. de la Boulaye, the birch (bouleau), M. d’Aunay, the alder (aune), M. de Buissière, the box (buis), M. Albaret, the sapwood (aubier)” (I made a mental note that I must tell this to Céleste), “M. de Cholet, the cabbage (chou), and the apple-tree (pommier) in the name of M. de la Pommeraye, whose lectures we used to attend, do you remember, Saniette, in the days when the worthy Porel had been sent to the farthest ends of the earth, as Proconsul in Odeonia?” “You said that Cholet was derived from chou,” I remarked to Brichot. “Am I to suppose that the name of a station I passed before reaching Doncières, Saint-Frichoux, comes from chou also?” “No, Saint-Frichoux is Sanctus Fruc-tuosus, asSanctus Ferreolus gave rise to Saint-Fargeau, but that is not Norman in the least.” “He knows too much, he’s boring us,” the Princess muttered softly. “There are so many other names that interest me, but I can’t ask you everything at once.” And, turning to Cottard, “Is Madame Putbus here?” I asked him. On hearing Brichot utter the name of Saniette, M. Verdurin cast at his wife and at Cottard an ironical glance which confounded their timid guest. “No, thank heaven,” replied Mme. Verdurin, who had overheard my question, “I have managed to turn her thoughts in the direction of Venice, we are rid of her for this year.” “I shall myself be entitled presently to two trees,” said M. de Charlus, “for I have more or less taken a little house between Saint-Martin-du-Chene and Saint-Pierre-des-Ifs.” “But that is quite close to here, I hope that you will come over often with Charlie Morel. You have only to come to an arrangement with our little group about the trains, you are only a step from Doncières,” said Mme. Verdurin, who hated people’s not coming by the same train and not arriving at the hours when she sent carriages to meet them. She knew how stiff the climb was to la Raspelière, even if you took the zigzag path, behind Féterne, which was half-an-hour longer; she was afraid that those of her guests who kept to themselves might not find carriages to take them, or even, having in reality stayed away, might plead the excuse that they had not found a carriage at Douville-Féterne, and had not felt strong enough to make so stiff a climb on foot. To this invitation M. de Charlus responded with a silent bow. “He’s not the sort of person you can talk to any day of the week, he seems a tough customer,” the doctor whispered to Ski, for having remained quite simple, notwithstanding a surface-dressing of pride, he made no attempt to conceal the fact that Charlus had snubbed him. “He is doubtless unaware that at all the watering-places, and even in Paris in the wards, the physicians, who naturally regard me as their ‘chief,’ make it a point of honour to introduce me to all the noblemen present, not that they need to be asked twice. It makes my stay at the spas quite enjoyable,” he added carelessly. “Indeed at Doncières the medical officer of the regiment, who is the doctor who attends the Colonel, invited me to luncheon to meet him, saying that I was fully entitled to dine with the General. And that General is a Monsieur de something. I don’t know whether his title-deeds are more or less ancient than those of this Baron.” “Don’t you worry about him, his is a very humble coronet,” replied Ski in an undertone, and added some vague statement including a word of which I caught only the last syllable, -ast, being engaged in listening to what Brichot was saying to M. de Charlus. “No, as for that, I am sorry to say, you have probably one tree only, for if Saint-Martin-du-Chêne is obviouslySanctus Martinus juxta quercum, on the other hand, the word if may be simply the root ave, eve, which means moist, as in Aveyron, Lodève, Yvette, and which you see survive in our kitchen-sinks (éviers). It is the word eau which in Breton is represented by ster, Ster-maria, Sterlaer, Sterbouest, Ster-en-Dreuchen.” I heard no more, for whatever the pleasure I might feel on hearing again the name Stermaria, I could not help listening to Cottard, next to whom I was seated, as he murmured to Ski: “Indeed! I was not aware of it. So he is a gentleman who has learned to look behind! He is one of the happy band, is he? He hasn’t got rings of fat round his eyes, all the same. I shall have to keep my feet well under me, or he may start squeezing them. But I’m not at all surprised. I am used to seeing noblemen in the bath, in their birthday suits, they are all more or less degenerates. I don’t talk to them, because after all I am in an official position and it might do me harm. But they know quite well who I am.” Saniette, whom Brichot’s appeal had frightened, was beginning to breathe again, like a man who is afraid of the storm when he finds that the lightning has not been followed by any sound of thunder, when he heard M. Verdurin interrogate him, fastening upon him a stare which did not spare the wretch until he had finished speaking, so as to put him at once out of countenance and prevent him from recovering his composure. “But you never told us that you went to those matinées at the Odéon, Saniette?” Trembling like a recruit before a bullying serjeant, Saniette replied, making his speech as diminutive as possible, so that it might have a better chance of escaping the blow: “Only once, to the Chercheuse.” “What’s that he says?” shouted M. Verdurin, with an air of disgust and fury combined, knitting his brows as though it was all he could do to grasp something unintelligible. “It is impossible to understand what you say, what have you got in your mouth?” inquired M. Verdurin, growing more and more furious, and alluding to Saniette’s defective speech. “Poor Saniette, I won’t have him made unhappy,” said Mme. Verdurin in a tone of false pity, so as to leave no one in doubt as to her husband’s insolent intention. “I was at the Ch . . . Che..” “Che, che, try to speak distinctly,” said M. Verdurin, “I can’t understand a word you say.” Almost without exception, the faithful burst out laughing and they suggested a band of cannibals in whom the sight of a wound on a white man’s skin has aroused the thirst for blood. For the instinct of imitation and absence of courage govern society and the mob alike. And we all of us laugh at a person whom we see being made fun of, which does not prevent us from venerating him ten years later in a circle where he is admired. It is in like manner that the populace banishes or acclaims its kings. “Come, now, it is not his fault,” said Mme. Verdurin. “It is not mine either, people ought not to dine out if they can’t speak properly.” “I was at the Chercheuse d’Esprit by Favart.” “What! It’s theChercheuse d’Esprit that you call the Chercheuse? Why, that’s marvellous! I might have tried for a hundred years without guessing it,” cried M. Verdurin, who all the same would have decided immediately that you were not literary, were not artistic, were not ‘one of us,’ if he had heard you quote the full title of certain works. For instance, one was expected to say the Malade, the Bourgeois; and whoso would have added imaginaire orgentilhomme would have shewn that he did not understand ‘shop,’ just as in a drawing-room a person proves that he is not in society by saying ‘M. de Montesquiou-Fézensac’ instead of ‘M. de Montesquieu.’ “But it is not so extraordinary,” said Saniette, breathless with emotion but smiling, albeit he was in no smiling mood. Mme. Verdurin could not contain herself. “Yes, indeed!” she cried with a titter. “You may be quite sure that nobody would ever have guessed that you meant the Chercheuse d’Esprit.” M. Verdurin went on in a gentler tone, addressing both Saniette and Brichot: “It is quite a pretty piece, all the same, the Chercheuse d’Esprit.” Uttered in a serious tone, this simple phrase, in which one could detect no trace of malice, did Saniette as much good and aroused in him as much gratitude as a deliberate compliment. He was unable to utter a single word and preserved a happy silence. Brichot was more loquacious. “It is true,” he replied to M. Verdurin, “and if it could be passed off as the work of some Sarmatian or Scandinavian author, we might put forward the Chercheuse d’Esprit as a candidate for the vacant post of masterpiece. But, be it said without any disrespect to the shade of the gentle Favart, he had not the Ibsenian temperament.” (Immediately he blushed to the roots of his hair, remembering the Norwegian philosopher who appeared troubled because he was seeking in vain to discover what vegetable the buis might be that Brichot had cited a little earlier in connexion with the name Bussière.) “However, now that Porel’s satrapy is filled by a functionary who is a Tolstoist of rigorous observance, it may come to pass that we shall witnessAnna Karenina or Resurrection beneath the Odéonian architrave.” “I know the portrait of Favart to which you allude,” said M. de Charlus. “I have seen a very fine print of it at Comtesse Molé‘s.” The name of Comtesse Molé made a great impression upon Mme. Verdurin. “Oh! So you go to Mme. de Molé‘s!” she exclaimed. She supposed that people said Comtesse Molé, Madame Molé, simply as an abbreviation, as she heard people say ‘the Rohans’ or in contempt, as she herself said: ‘Madame la Trémoïlle.’ She had no doubt that Comtesse Molé, who knew the Queen of Greece and the Principessa di Caprarola, had as much right as anybody to the particle, and for once in a way had decided to bestow it upon so brilliant a personage, and one who had been extremely civil to herself. And so, to make it clear that she had spoken thus on purpose and did not grudge the Comtesse her ‘de,’ she went on: “But I had no idea that you knew Madame de Molé!” as though it had been doubly extraordinary, both that M. de Charlus should know the lady, and that Mme. Verdurin should not know that he knew her. Now society, or at least the people to whom M. de Charlus gave that name, forms a relatively homogeneous and compact whole. And so it is comprehensible that, in the incongruous vastness of the middle classes, a barrister may say to somebody who knows one of his school friends: “But how in the world do you come to know him?” whereas to be surprised at a Frenchman’s knowing the meaning of the word templeor forest would be hardly more extraordinary than to wonder at the hazards that might have brought together M. de Charlus and the Comtesse Molé. What is more, even if such an acquaintance had not been derived quite naturally from the laws that govern society, how could there be anything strange in the fact of Mme. Verdurin’s not knowing of it, since she was meeting M. de Charlus for the first time, and his relations with Mme. Molé were far from being the only thing that she did not know with regard to him, about whom, to tell the truth, she knew nothing. “Who was it that played this Chercheuse d’Esprit, my good Saniette?” asked M. Verdurin. Albeit he felt that the storm had passed, the old antiquarian hesitated before answering. “There you go,” said Mme. Verdurin, “you frighten him, you make fun of everything that he says, and then you expect him to answer. Come along, tell us who played the part, and you shall have some galantine to take home,” said Mme. Verdurin, making a cruel allusion to the penury into which Saniette had plunged himself by trying to rescue the family of a friend. “I can remember only that it was Mme. Samary who played the Zerbine,” said Saniette. “The Zerbine? What in the world is that,” M. Verdurin shouted, as though the house were on fire. “It is one of the parts in the old repertory, like Captain Fracasse, as who should say the Fire-eater, the Pedant.” “Ah, the pedant, that’s yourself. The Zerbine! No, really the man’s mad,” exclaimed M. Verdurin. Mme. Verdurin looked at her guests and laughed as though to apologise for Saniette. “The Zerbine, he imagines that everybody will know at once what it means. You are like M. de Longepierre, the stupidest man I know, who said to us quite calmly the other day ‘the Banat.’ Nobody had any idea what he meant. Finally we were informed that it was a province in Serbia.” To put an end to Saniette’s torture, which hurt me ‘more than it hurt him, I asked Brichot if he knew what the word Balbec meant. “Balbec is probably a corruption of Dalbec,” he told me. “One would have to consult the charters of the Kings of England, Overlords of Normandy, for Balbec was held of the Barony of Dover, for which reason it was often styled Balbec d’Outre-Mer, Balbec-en-Terre. But the Barony of Dover was itself held of the Bishopric of Bayeux, and, notwithstanding the rights that were temporarily enjoyed in the abbey by the Templars, from the time of Louis d’Harcourt, Patriarch of Jerusalem and Bishop of Bayeux; it was the Bishops of that diocese who collated to the benefice of Balbec. So it was explained to me by the incumbent of Douville, a bald person, eloquent, fantastic, and a devotee of the table, who lives by the Rule of Brillat-Savarin, and who expounded to me in slightly sibylline language a loose pedagogy, while he fed me upon some admirable fried potatoes.” While Brichot smiled to shew how witty it was to combine matters so dissimilar and to employ an ironically lofty diction in treating of commonplace things, Saniette was trying to find a loophole for some clever remark which would raise him from the abyss into which he had fallen. The witty remark was what was known as a ‘comparison,’ but had changed its form, for there is an evolution in wit as in literary styles, an epidemic that disappears has its place taken by another, and so forth. . . . At one time the typical ‘comparison’ was the ‘height of. . . . ’ But this was out of date, no one used it any more, there was only Cottard left to say still, on occasion, in the middle of a game of piquet: “Do you know what is the height of absent-mindedness, it is to think that the Edict (l’edit) of Nantes was an Englishwoman.” These ‘heights’ had been replaced by nicknames. In reality it was still the old ‘comparison,’ but, as the nickname was in fashion, people did not observe the survival. Unfortunately for Saniette, when these ‘comparisons’ were not his own, and as a rule were unknown to the little nucleus, he produced them so timidly that, notwithstanding the laugh with which he followed them up to indicate their humorous nature, nobody saw the point. And if on the other hand the joke was his own, as he had generally hit upon it in conversation with one of the faithful, and the latter had repeated it, appropriating the authorship, the joke was in that case known, but not as being Saniette’s. And so when he slipped in one of these it was recognised, but, because he was its author, he was accused of plagiarism. “Very well, then,” Brichot continued, “Bee, in Norman, is a stream; there is the Abbey of Bee, Mobec, the stream from the marsh (Mor or Mer meant a marsh, as in Morville, or in Bricquemar, Alvimare, Cambremer), Bricquebac the stream from the high ground coming from Briga, a fortified place, as in Bricqueville, Bricquebose, le Bric, Briand, or indeed Brice, bridge, which is the same asbruck in German (Innsbruck), and as the English  which ends so many place-names (Cambridge, for instance). You have moreover in Normandy many other instances of bec: Caudebec, Bolbec, le Robec, le Bec-Hellouin, Becquerel. It is the Norman form of the German bach Offenbach, Anspach. Varaguebec, from the old word varaigne, equivalent to warren, preserved woods or ponds. As for Dal,” Brichot went on, “it is a form of thal, a valley: Darnetal, Rosendal, and indeed, close to Louviers, Becdal. The river that has given its name to Balbec, is, by the way, charming. Seen from a falaise (fels in German, you have indeed, not far from here, standing on a height, the picturesque town of Falaise), it runs close under the spires of the church, which is actually a long way from it, and seems to be reflecting them.” “I should think,” said I, “that is an effect that Elstir admires greatly. I have seen several sketches of it in his studio.” “Elstir! You know Tiche,” cried Mme. Verdurin. “But do you know that we used to be the dearest friends? Thank heaven, I never see him now. No, but ask Cottard, Brichot, he used to have his place laid at my table, he came every day. Now, there’s a man of whom you can say that it has done him no good to leave our little nucleus. I shall shew you presently some flowers he painted for me; you shall see the difference from the things he is doing now, which I don’t care for at all, not at all! Why! I made him do me a portrait of Cottard, not to mention all the sketches he has made of me.” “And he gave the Professor purple hair,” said Mme. Cottard, forgetting that at the time her husband had not been even a Fellow of the College. “I don’t know, Sir, whether you find that my husband has purple hair.” “That doesn’t matter,” said Mme. Verdurin, raising her chin with an air of contempt for Mme. Cottard and of admiration for the man of whom she was speaking, “he was a brave colourist, a fine painter. Whereas,” she added, turning again to myself, “I don’t know whether you call it painting, all those huge she-devils of composition, those vast structures he exhibits now that he has given up coming to me. For my part, I call it daubing, it’s all so hackneyed, and besides, it lacks relief, personality. It’s anybody’s work.” “He revives the grace of the eighteenth century, but in a modern form,” Saniette broke out, fortified and reassured by my affability. “But I prefer Helleu.” “He’s not in the least like Helleu,” said Mme. Verdurin. “Yes, he has the fever of the eighteenth century. He’s a steam Watteau,” and he began to laugh. “Old, old as the hills, I’ve had that served up to me for years,” said M. Verdurin, to whom indeed Ski had once repeated the remark, but as his own invention. “It’s unfortunate that when once in a way you say something quite amusing and make it intelligible, it is not your own.” “I’m sorry about it,” Mme. Verdurin went on, “because he was really gifted, he has wasted a charming temperament for painting. Ah! if he had stayed with us! Why, he would have become the greatest landscape painter of our day. And it is a woman that has dragged him down so low! Not that that surprises me, for he was a pleasant enough man, but common. At bottom, he was a mediocrity. I may tell you that I felt it at once. Really, he never interested me. I was very fond of him, that was all. For one thing, he was so dirty. Tell me, do you, now, really like people who never wash?” “What is this charmingly coloured thing that we are eating?” asked Ski. “It is called strawberry mousse,” said Mme. Verdurin. “But it is ex-qui-site. You ought to open bottles of Château-Margaux, Château-Lafite, port wine.” “I can’t tell you how he amuses me, he never drinks anything but water,” said Mme. Verdurin, seeking to cloak with her delight at such a flight of fancy her alarm at the thought of so prodigal an outlay. “But not to drink,” Ski went on, “you shall fill all our glasses, they will bring in marvelous peaches, huge nectarines, there against the sunset; it will be as gorgeous as a fine Veronese.” “It would cost almost as much,” M. Verdurin murmured. “But take away those cheeses with their hideous colour,” said Ski, trying to snatch the plate from before his host, who defended his gruyère with his might and main. “You can realise that I don’t regret Elstir,” Mme. Verdurin said to me, “that one is far more gifted. Elstir is simply hard work, the man who can’t make himself give up painting when he would like to. He is the good student, the slavish competitor. Ski, now, only follows his own fancy. You will see him light a cigarette in the middle of dinner.” “After all, I can’t see why you wouldn’t invite his wife,” said Cottard, “he would be with us still.” “Will you mind what you’re saying, please, I don’t open my doors to street-walkers, Monsieur le Professeur,” said Mme. Verdurin, who had, on the contrary, done everything in her power to make Elstir return, even with his wife. But before they were married she had tried to make them quarrel, had told Elstir that the woman he loved was stupid, dirty, immoral, a thief. For once in a way she had failed to effect a breach. It was with the Verdurin salon that Elstir had broken; and he was glad of it, as converts bless the illness or misfortune that has withdrawn them from the world and has made them learn the way of salvation. “He really is magnificent, the Professor,” she said. “Why not declare outright that I keep a disorderly house? Anyone would think you didn’t know what Madame Elstir was like. I would sooner have the lowest street-walker at my table! Oh no, I don’t stand for that sort of thing. Besides I may tell you that it would have been stupid of me to overlook the wife, when the husband no longer interests me, he is out of date, he can’t even draw.” “That is extraordinary in a man of his intelligence,” said Cottard. “Oh, no!” replied Mme. Verdurin, “even at the time when he had talent, for he had it, the wretch, and to spare, what was tiresome about him was that he had not a spark of intelligence.” Mme. Verdurin, in passing this judgment upon Elstir, had not waited for their quarrel, or until she had ceased to care for his painting. The fact was that, even at the time when he formed part of the little group, it would happen that Elstir spent the whole day in the company of some woman whom, rightly or wrongly, Mme. Verdurin considered a goose, which, in her opinion, was not the conduct of an intelligent man. “No,” she observed with an air of finality, “I consider that his wife and he are made for one another. Heaven knows, there isn’t a more boring creature on the face of the earth, and I should go mad if I had to spend a couple of hours with her. But people say that he finds her very intelligent. There’s no use denying it, our Tiche was extremely stupid. I have seen him bowled over by people you can’t conceive, worthy idiots we should never have allowed into our little clan. Well! He wrote to them, he argued with them, he, Elstir! That doesn’t prevent his having charming qualities, oh, charming and deliciously absurd, naturally.” For Mme. Verdurin was convinced that men who are truly remarkable are capable of all sorts of follies. A false idea in which there is nevertheless a grain of truth. Certainly, people’s follies are insupportable. But a want of balance which we discover only in course of time is the consequence of the entering into a human brain of delicacies for which it is not regularly adapted. So that the oddities of charming people exasperate us, but there are few if any charming people who are not, at the same time, odd. “Look, I shall be able to shew you his flowers now,” she said to me, seeing that her husband was making signals to her to rise. And she took M. de Cambremer’s arm again. M. Verdurin tried to apologise for this to M. de Charlus, as soon as he had got rid of Mme. de Cambremer, and to give him his reasons, chiefly for the pleasure of discussing these social refinements with a gentleman of title, momentarily the inferior of those who assigned to him the place to which they considered him entitled. But first of all he was anxious to make it clear to M. de Charlus that intellectually he esteemed him too highly to suppose that he could pay any attention to these trivialities. “Excuse my mentioning so small a point,” he began, “for I can understand how little such things mean to you. Middle-class minds pay attention to them, but the others, the artists, the people who are really of our sort, don’t give a rap for them. Now, from the first words we exchanged, I realised that you were one of us!” M. de Charlus, who gave a widely different meaning to this expression, drew himself erect. After the doctor’s oglings, he found his host’s insulting frankness suffocating. “Don’t protest, my dear Sir, you are one of us, it is plain as daylight,” replied M. Verdurin. “Observe that I have no idea whether you practise any of the arts, but that is not necessary. It is not always sufficient. Dechambre, who has just died, played exquisitely, with the most vigorous execution, but he was not one of us, you felt at once that he was not one of us. Brichot is not one of us. Morel is, my wife is, I can feel that you are. . . . ” “What were you going to tell me?” interrupted M. de Charlus, who was beginning to feel reassured as to M. Verdurin’s meaning, but preferred that he should not utter these misleading remarks quite so loud. “Only that we put you on the left,” replied M. Verdurin. M. de Charlus, with a comprehending, genial, insolent smile, replied: “Why! That is not of the slightest importance,here!” And he gave a little laugh that was all his own — a laugh that came to him probably from some Bavarian or Lorraine grandmother, who herself had inherited it, in identical form, from an ancestress, so that it had been sounding now, without change, for not a few centuries in little old-fashioned European courts, and one could relish its precious quality like that of certain old musical instruments that have now grown rare. There are times when, to paint a complete portrait of some one, we should have to add a phonetic imitation to our verbal description, and our portrait of the figure that M. de Charlus presented is liable to remain incomplete in the absence of that little laugh, so delicate, so light, just as certain compositions are never accurately rendered because our orchestras lack those ‘small trumpets,’ with a sound so entirely their own, for which the composer wrote this or that part. “But,” M. Verdurin explained, stung by his laugh, “we did it on purpose. I attach no importance whatever to title of nobility,” he went on, with that contemptuous smile which I have seen so many people whom I have known, unlike my grandmother and my mother, assume when they spoke of anything that they did not possess, before others who thus, they supposed, would be prevented from using that particular advantage to crow over them. “But, don’t you see, since we happened to have M. de Cambremer here, and he is a Marquis, while you are only a Baron. . . . ” “Pardon me,” M. de Charlus replied with an arrogant air to the astonished Verdurin, “I am also Duc de Brabant, Damoiseau de Montargis, Prince d’Oloron, de Carency, de Viareggio and des Dunes. However, it is not of the slightest importance. Please do not distress yourself,” he concluded, resuming his subtle smile which spread itself over these final words: “I could see at a glance that you were not accustomed to society.”&#xA;&#xA;   Mme. Verdurin came across to me to shew me Elstir’s flowers. If this action, to which I had grown so indifferent, of going out to dinner, had on the contrary, taking the form that made it entirely novel, of a journey along the coast, followed by an ascent in a carriage to a point six hundred feet above the sea, produced in me a sort of intoxication, this feeling had not been dispelled at la Raspelière. “Just look at this, now,” said the Mistress, shewing me some huge and splendid roses by Elstir, whose unctuous scarlet and rich white stood out, however, with almost too creamy a relief from the flower-stand upon which they were arranged. “Do you suppose he would still have to touch to get that? Don’t you call that striking? And besides, it’s fine as matter, it would be amusing to handle. I can’t tell you how amusing it was to watch him painting them. One could feel that he was interested in trying to get just that effect.” And the Mistress’s gaze rested musingly on this present from the artist in which were combined not merely his great talent but their long friendship which survived only in these mementoes of it which he had bequeathed to her; behind the flowers which long agcr he had picked for her, she seemed to see the shapely hand that had painted them, in the course of a morning, in their freshness, so that, they on the table, it leaning against the back of a chair, had been able to meet face to face at the Mistress’s luncheon party, the roses still alive and their almost lifelike portrait. Almost only, for Elstir was unable to look at a flower without first transplanting it to that inner garden in which we are obliged always to remain. He had shewn in this water-colour the appearance of the roses which he had seen, and which, but for him, no one would ever have known; so that one might say that they were a new variety with which this painter, like a skilful gardener, had enriched the family of the Roses. “From the day he left the little nucleus, he was finished. It seems, my dinners made him waste his time, that I hindered the development of his genius,” she said in a tone of irony. “As if the society of a woman like myself could fail to be beneficial to an artist,” she exclaimed with a burst of pride. Close beside us, M. de Cambremer, who was already seated, seeing that M. de Charlus was standing, made as though to rise and offer him his chair. This offer may have arisen, in the Marquis’s mind, from nothing more than a vague wish to be polite. M. de Charlus preferred to attach to it the sense of a duty which the plain gentleman knew that he owed to a Prince, and felt that he could not establish his right to this precedence better than by declining it. And so he exclaimed: “What are you doing? I beg of you! The idea!” The astutely vehement tone of this protest had in itself something typically ‘Guermantes’ which became even more evident in the imperative, superfluous and familiar gesture with which he brought both his hands down, as though to force him to remain seated, upon the shoulders of M. de Cambremer who had not risen. “Come, come, my dear fellow,” the Baron insisted, “this is too much. There is no reason for it! In these days we keep that for Princes of the Blood.” I made no more effect on the Cambremers than on Mme. Verdurin by my enthusiasm for their house. For I remained cold to the beauties which they pointed out to me and grew excited over confused reminiscences; at times I even confessed my disappointment at not finding something correspond to what its name had made me imagine. I enraged Mme. de Cambremer by telling her that I had supposed the place to be more in the country. On the other hand I broke off in an ecstasy to sniff the fragrance of a breeze that crept in through the chink of the door. “I see you like draughts,” they said to me. My praise of the patch of green lining-cloth that had been pasted over a broken pane met with no greater success: “How frightful!” cried the Marquise. The climax came when I said: “My greatest joy was when I arrived. When I heard my step echoing along the gallery, I felt that I had come into some village council-office, with a map of the district on the wall.” This time, Mme. de Cambremer resolutely turned her back on me. “You don’t think the arrangement too bad?” her husband asked her with the same compassionate anxiety with which he would have inquired how his wife had stood some painful ceremony. “They have some fine things.” But, inasmuch as malice, when the hard and fast rules of sure taste do not confine it within fixed limits, finds fault with everything, in the persons or in the houses, of the people who have supplanted the critic: “Yes, but they are not in the right places. Besides, are they really as fine as all that?” “You noticed,” said M. de Cambremer, with a melancholy that was controlled by a note of firmness, “there are some Jouy hangings that are worn away, some quite threadbare things in this drawing-room!” “And that piece of stuff with its huge roses, like a peasant woman’s quilt,” said Mme. de Cambremer whose purely artificial culture was confined exclusively to idealist philosophy, impressionist painting and Debussy’s music. And, so as not to criticise merely in the name of smartness but in that of good taste: “And they have put up windscreens! Such bad style! What can you expect of such people, they don’t know, where could they have learned? They must be retired tradespeople. It’s really not bad for them.” “I thought the chandeliers good,” said the Marquis, though it was not evident why he should make an exception of the chandeliers, just as inevitably, whenever anyone spoke of a church, whether it was the Cathedral of Chartres, or of Rheims, or of Amiens, or the church at Balbec, what he would always make a point of mentioning as admirable would be: “the organ-loft, the pulpit and the misericords.” “As for the garden, don’t speak about it,” said Mme. de Cambremer. “It’s a massacre. Those paths running all crooked.” I seized the opportunity while Mme. Verdurin was pouring out coffee to go and glance over the letter which M. de Cambremer had brought me, and in which his mother invited me to dinner. With that faint trace of ink, the handwriting revealed an individuality which in the future I should be able to recognise among a thousand, without any more need to have recourse to the hypothesis of special pens, than to suppose that rare and mysteriously blended colours are necessary to enable a painter to express his original vision. Indeed a paralytic, stricken with agraphia after a seizure, and compelled to look at the script as at a drawing without being able to read it, would have gathered that Mme. de Cambremer belonged to an old family in which the zealous cultivation of literature and the arts had supplied a margin to its artistocratic traditions. He would have guessed also the period in which the Marquise had learned simultaneously to write and to play Chopin’s music. It was the time when well-bred people observed the rule of affability and what was called the rule of the three adjectives. Mme. de Cambremer combined the two rules in one. A laudatory adjective was not enough for her, she followed it (after a little stroke of the pen) with a second, then (after another stroke), with a third. But, what was peculiar to herself was that, in defiance of the literary and social object at which she aimed, the sequence of the three epithets assumed in Mme. de Cambremer’s notes the aspect not of a progression but of a diminuendo. Mme. de Cambremer told me in this first letter that she had seen Saint-Loup and had appreciated more than ever his ‘unique — rare — real’ qualities, that he was coming to them again with one of his friends (the one who was in love with her daughter-in-law), and that if I cared to come, with or without them, to dine at Féterne she would be ‘delighted — happy — pleased.’ Perhaps it was because her desire to be friendly outran the fertility of her imagination and the riches of her vocabulary that the lady, while determined to utter three exclamations, was incapable of making the second and third anything more than feeble echoes of the first. Add but a fourth adjective, and, of her initial friendliness, there would be nothing left. Moreover, with a certain refined simplicity which cannot have failed to produce a considerable impression upon her family and indeed in her circle of acquaintance, Mme. de Cambremer had acquired the habit of substituting for the word (which might in time begin to ring false) ‘sincere,’ the word ‘true.’ And to shew that it was indeed by sincerity that she was impelled, she broke the conventional rule that would have placed the adjective ‘true’ before its noun, and planted it boldly after. Her letters ended with: “Croyez à mon amitié vraie.” “Croyez à ma sympathie vraie.” Unfortunately, this had become so stereotyped a formula that the affectation of frankness was more suggestive of a polite fiction than the time-honoured formulas, of the meaning of which people have ceased to think. I was, however, hindered from reading her letter by the confused sound of conversation over which rang out the louder accents of M. de Charlus, who, still on the same topic, was saying to M. de Cambremer: “You reminded me, when you offered me your chair, of a gentleman from whom I received a letter this morning, addressed: ‘To His Highness, the Baron de Charlus,’ and beginning ‘Monseigneur.’” “To be sure, your correspondent was slightly exaggerating,” replied M. de Cambremer, giving way to a discreet show of mirth. M. de Charlus had provoked this; he did not partake in it. “Well, if it comes to that, my dear fellow,” he said, “I may observe that, heraldically speaking, he was entirely in the right. I am not regarding it as a personal matter, you understand. I should say the same of anyone else. But one has to face the facts, history is history, we can’t alter it and it is not in our power to rewrite it. I need not cite the case of the Emperor William, who at Kiel never ceased to address me as ‘Monseigneur.’ I have heard it said that he gave the same title to all the Dukes of France, which was an abuse of the privilege, but was perhaps simply a delicate attention aimed over our heads at France herself.” “More delicate, perhaps, than sincere,” said M. de Cambremer. “Ah! There I must differ from you. Observe that, personally, a gentleman of the lowest rank such as that Hohenzollern, a Protestant to boot, and one who has usurped the throne of my cousin the King of Hanover, can be no favourite of mine,” added M. de Charlus, with whom the annexation of Hanover seemed to rankle more than that of Alsace-Lorraine. “But I believe the feeling that turns the Emperor in our direction to be profoundly sincere. Fools will tell you that he is a stage emperor. He is on the contrary marvellously intelligent; it is true that he knows nothing about painting, and has forced Herr Tschudi to withdraw the Elstirs from the public galleries. But Louis XIV did not appreciate the Dutch Masters, he had the same fondness for display, and yet he was, when all is said, a great Monarch. Besides, William II has armed his country from the military and naval point of view in a way that Louis XIV failed to do, and I hope that his reign will never know the reverses that darkened the closing days of him who is fatuously styled the Roi Soleil. The Republic made a great mistake, to my mind, in rejecting the overtures of the Hohenzollern, or responding to them only in driblets. He is very well aware of it himself and says, with that gift that he has for the right expression: ‘What I want is a clasped hand, not a raised hat.’ As a man, he is vile; he has abandoned, surrendered, denied his best friends, in circumstances in which his silence was as deplorable as theirs was grand,” continued M. de Charlus, who was irresistibly drawn by his own tendencies to the Eulenburg affair, and remembered what one of the most highly placed of the culprits had said to him: “The Emperor must have relied upon our delicacy to have dared to allow such a trial. But he was not mistaken in trusting to our discretion. We would have gone to the scaffold with our lips sealed.” “All that, however, has nothing to do with what I was trying to explain, which is that, in Germany, mediatised Princes like ourselves are Durchlaucht, and in France our rank of Highness was publicly recognised. Saint-Simon tries to make out that this was an abuse on our part, in which he is entirely mistaken. The reason that he gives, namely that Louis XIV forbade us to style him the Most Christian King and ordered us to call him simply the King, proves merely that we held our title from him, and not that we had not the rank of Prince. Otherwise, it would have to be withheld from the Duc de Lorraine and ever so many others. Besides, several of our titles come from the House of Lorraine through Thérèse d’Espinay, my great-grandmother, who was the daughter of the Damoiseau de Commercy.” Observing that Morel was listening, M. de Charlus proceeded to develop the reasons for his claim. “I have pointed out to my brother that it is not in the third part of Gotha, but in the second, not to say the first, that the account of our family ought to be included,” he said, without stopping to think that Morel did not know what ‘Gotha’ was. “But that is his affair, he is the Head of my House, and so long as he raises no objection and allows the matter to pass, I have only to shut my eyes.” “M. Brichot interests me greatly,” I said to Mme. Verdurin as she joined me, and I slipped Mme. de Cambremer’s letter into my pocket. “He has a cultured mind and is an excellent man,” she replied coldly. “Of course what he lacks is originality and taste, he has a terrible memory. They used to say of the ‘forebears’ of the people we have here this evening, the émigrés, that they had forgotten nothing. But they had at least the excuse,” she said, borrowing one of Swann’s epigrams, “that they had learned nothing. Whereas Brichot knows everything, and hurls chunks of dictionary at our heads during dinner. I’m sure you know everything now about the names of all the towns and villages.” While Mme. Verdurin was speaking, it occurred to me that I had determined to ask her something, but I could not remember what it was. I could not at this moment say what Mme. Verdurin was wearing that evening. Perhaps even then I was no more able to say, for I have not an observant mind. But feeling that her dress was not unambitious I said to her something polite and even admiring. She was like almost all women, who imagine that a compliment that is paid to them is a literal statement of the truth, and is a judgment impartially, irresistibly pronounced, as though it referred to a work of art that has no connexion with a person. And so it was with an earnestness which made me blush for my own hypocrisy that she replied with the proud and artless question, habitual in the circumstances: “You like it?” “I know you’re talking about Brichot. Eh, Chantepie, Freycinet, he spared you nothing. I had my eye on you, my little Mistress!” “I saw you, it was all I could do not to laugh.” “You are talking about Chantepie, I am certain,” said M. Verdurin, as he came towards us. I had been alone, as I thought of my strip of green cloth and of a scent of wood, in failing to notice that, while he discussed etymologies, Brichot had been provoking derision. And inasmuch as the expressions which, for me, gave their value to things were of the sort which other people either do not feel or reject without thinking of them, as unimportant, they were entirely useless to me and had the additional drawback of making me appear stupid in the eyes of Mme. Verdurin who saw that I had ‘swallowed’ Brichot, as before I had appeared stupid to Mme. de Guermantes, because I enjoyed going to see Mme. d’Arpajon. With Brichot, however, there was another reason. I was not one of the little clan. And in every clan, whether it be social, political, literary, one contracts a perverse facility in discovering in a conversation, in an official speech, in a story, in a sonnet, everything that the honest reader would never have dreamed of finding there. How many times have I found myself, after reading with a certain emotion a tale skilfully told by a learned and slightly old-fashioned Academician, on the point of saying to Bloch or to Mme. de Guermantes: “How charming this is!” when before I had opened my mouth they exclaimed, each in a different language: “If you want to be really amused, read a tale by So-and-so. Human stupidity has never sunk to greater depths.” Bloch’s scorn was aroused principally by the discovery that certain effects of style, pleasant enough in themselves, were slightly faded; that of Mme. de Guermantes because the tale seemed to prove the direct opposite of what the author meant, for reasons of fact which she had the ingenuity to deduce but which would never have occurred to me. I was no less surprised to discover the irony that underlay the Verdurins’ apparent friendliness for Brichot than to hear, some days later, at Féterne, the Cambremers say to me, on hearing my enthusiastic praise of la Raspelière: “It’s impossible that you can be sincere, after all they’ve done to it.” It is true that they admitted that the china was good. Like the shocking windscreens, it had escaped my notice. “Anyhow, when you go back to Balbec, you will know what Balbec means,” said M. Verdurin ironically. It was precisely the things Brichot had told me that interested me. As for what they called his mind, it was exactly the same mind that had at one time been so highly appreciated by the little clan. He talked with the same irritating fluency, but his words no longer carried, having to overcome a hostile silence or disagreeable echoes; what had altered was not the things that he said but the acoustics of the room and the attitude of his audience. “Take care,” Mme. Verdurin murmured, pointing to Brichot. The latter, whose hearing remained keener than his vision, darted at the mistress the hastily withdrawn gaze of a short-sighted philosopher. If his bodily eyes were less good, his mind’s eye on the contrary had begun to take a larger view of things. He saw how little was to be expected of human affection, and resigned himself to it. Undoubtedly the discovery pained him. It may happen that even the man who on one evening only, in a circle where he is usually greeted with joy, realises that the others have found him too frivolous or too pedantic or too loud, or too forward, or whatever it may be, returns home miserable. Often it is a difference of opinion, or of system, that has made him appear to other people absurd or old-fashioned. Often he is perfectly well aware that those others are inferior to himself. He could easily dissect the sophistries with which he has been tacitly condemned, he is tempted to pay a call, to write a letter: on second thoughts, he does nothing, awaits the invitation for the following week. Sometimes, too, these discomfitures, instead of ending with the evening, last for months. Arising from the instability of social judgments, they increase that instability further. For the man who knows that Mme. X despises him, feeling that he is respected at Mme. Y’s, pronounces her far superior to the other and emigrates to her house. This however is not the proper place to describe those men, superior to the life of society but lacking the capacity to realise their own worth outside it, glad to be invited, embittered by being disparaged, discovering annually the faults of the hostess to whom they have been offering incense and the genius of her whom they have never properly appreciated, ready to return to the old love when they shall have felt the drawbacks to be found equally in the new, and when they have begun to forget those of the old. We may judge by these temporary discomfitures the grief that Brichot felt at one which he knew to be final. He was not unaware that Mme. Verdurin sometimes laughed at him publicly, even at his infirmities, and knowing how little was to be expected of human affection, submitting himself to the facts, he continued nevertheless to regard the Mistress as his best friend. But, from the blush that swept over the scholar’s face, Mme. Verdurin saw that he had heard her, and made up her mind to be kind to him for the rest of the evening. I could not help remarking to her that she had not been very kind to Saniette. “What! Not kind to him! Why, he adores us, you can’t imagine what we are to him. My husband is sometimes a little irritated by his stupidity, and you must admit that he has every reason, but when that happens why doesn’t he rise in revolt, instead of cringing like a whipped dog? It is not honest. I don’t like it. That doesn’t mean that I don’t always try to calm my husband, because if he went too far, all that would happen would be that Saniette would stay away; and I don’t want that because I may tell you that he hasn’t a penny in the world, he needs his dinners. But after all, if he does mind, he can stay away, it has nothing to do with me, when a person depends on other people he should try not to be such an idiot.” “The Duchy of Aumale was in our family for years before passing to the House of France,” M. de Charlus was explaining to M. de Cambremer, before a speechless Morel, for whom, as a matter of fact, the whole of this dissertation was, if not actually addressed to him, intended. “We took precedence over all foreign Princes; I could give you a hundred examples. The Princesse de Croy having attempted, at the burial of Monsieur, to fall on her knees after my great-great-grandmother, that lady reminded her sharply that she had not the privilege of the hassock, made the officer on duty remove it, and reported the matter to the King, who ordered Mme. de Croy to call upon Mme. de Guermantes and offer her apologies. The Duc de Bourgogne having come to us with ushers with raised wands, we obtained the King’s authority to have them lowered. I know it is not good form to speak of the merits of one’s own family. But it is well known that our people were always to the fore in the hour of danger. Our battle-cry, after we abandoned that of the Dukes of Brabant, was Passavant! So that it is fair enough after all that this right to be everywhere the first, which we had established for so many centuries in war, should afterwards have been confirmed to us at Court. And, egad, it has always been admitted there. I may give you a further instance, that of the Princess of Baden. As she had so far forgotten herself as to attempt to challenge the precedence of that same Duchesse de Guermantes of whom I was speaking just now, and had attempted to go in first to the King’s presence, taking advantage of a momentary hesitation which my relative may perhaps have shewn (although there could be no reason for it), the King called out: ‘Come in, cousin, come in; Mme. de Baden knows very well what her duty is to you.’ And it was as Duchesse de Guermantes that she held this rank, albeit she was of no mean family herself, since she was through her mother niece to the Queen of Poland, the Queen of Hungary, the Elector Palatine, the Prince of Savoy-Carignano and the Elector of Hanover, afterwards King of England.” “Maecenas atavis édite regibus!” said Brichot, addressing M. de Charlus, who acknowledged the compliment with a slight inclination of his head. “What did you say?” Mme. Verdurin asked Brichot, anxious to make amends to him for her previous speech. “I was referring, Heaven forgive me, to a dandy who was the pick of the basket” (Mme. Verdurin winced) “about the time of Augustus” (Mme. Verdurin, reassured by the remoteness in time of this basket, assumed a more serene expression), “of a friend of Virgil and Horace who carried their sycophancy to the extent of proclaiming to his face his more than aristocratic, his royal descent, in a word I was referring to Maecenas, a bookworm who was the friend of Horace, Virgil, Augustus. I am sure that M. de Charlus knows all about Maecenas.” With a gracious, sidelong glance at Mme. Verdurin, because he had heard her make an appointment with Morel for the day after next and was afraid that she might not invite him also, “I should say,” said M. de Charlus, “that Maecenas was more or less the Verdurin of antiquity.” Mme. Verdurin could not altogether suppress a smile of satisfaction. She went over to Morel. “He’s nice, your father’s friend,” she said to him. “One can see that he’s an educated man, and well bred. He will get on well in our little nucleus. What is his address in Paris?” Morel preserved a haughty silence and merely proposed a game of cards. Mme. Verdurin insisted upon a little violin music first. To the general astonishment, M. de Charlus, who never referred to his own considerable gifts, accompanied, in the purest style, the closing passage (uneasy, tormented, Schumannesque, but, for all that, earlier than Franck’s Sonata) of the Sonata for piano and violin by Fauré. I felt that he would furnish Morel, marvellously endowed as to tone and virtuosity, with just those qualities that he lacked, culture and style. But I thought with curiosity of this combination in a single person of a physical blemish and a spiritual gift. M. de Charlus was not very different from his brother, the Duc de Guermantes. Indeed, a moment ago (though this was rare), he had spoken as bad French as his brother. He having reproached me (doubtless in order that I might speak in glowing terms of Morel to Mme. Verdurin) with never coming to see him, and I having pleaded discretion, he had replied: “But, since it is I that asks you, there is no one but I who am in a position to take offence.” This might have been said by the Duc de Guermantes. M. de Charlus was only a Guermantes when all was said. But it had been enough that nature should upset the balance of his nervous system sufficiently to make him prefer to the woman that his brother the Duke would have chosen one of Virgil’s shepherds or Plato’s disciples, and at once qualities unknown to the Duc de Guermantes and often combined with this want of balance had made M. de Charlus an exquisite pianist, an amateur painter who was not devoid of taste, an eloquent talker. Who would ever have detected that the rapid, eager, charming style with which M. de Charlus played the Schumannesque passage of Fauré‘s Sonata had its equivalent — one dares not say its cause — in elements entirely physical, in the nervous defects of M. de Charlus? We shall explain later on what we mean by nervous defects, and why it is that a Greek of the time of Socrates, a Roman of the time of Augustus might be what we know them to have been and yet remain absolutely normal men, and not men-women such as we see around us to-day. Just as he had genuine artistic tendencies, which had never come to fruition, so M. de Charlus had, far more than the Duke, loved their mother, loved his own wife, and indeed, years after her death, if anyone spoke of her to him would shed tears, but superficial tears, like the perspiration of an over-stout man, whose brow will glisten with sweat at the slightest exertion. With this difference, that to the latter we say: “How hot you are,” whereas we pretend not to notice other people’s tears. We, that is to say, people in society; for the humbler sort are as distressed by the sight of tears as if a sob were more serious than a hemorrhage. His sorrow after the death of his wife, thanks to the habit of falsehood, did not debar M. de Charlus from a life which was not in harmony •with it. Indeed later on, he sank so low as to let it be known that, during the funeral rites, he had found an opportunity of asking the acolyte for his name and address. And it may have been true&#xA;&#xA;   When the piece eame to an end, I ventured to ask for some Franck, which appeared to cause Mme. de Cambremer such acute pain that I did not insist. “You can’t admire that sort of thing,” she said to me. Instead she asked for Debussy’s Fêtes, which made her exclaim: “Ah! How sublime!” from the first note. But Morel discovered that he remembered the opening bars only, and in a spirit of mischief, without any intention to deceive, began a March by Meyerbeer. Unfortunately, as he left little interval and made no announcement, everybody supposed that he was still playing Debussy, and continued to exclaim ‘Sublime!’ Morel, by revealing that the composer was that not of Pelléas but of Robert le Diable created a certain chill. Mme. de Cambremer had scarcely time to feel it, for she had just discovered a volume of Scarlatti, and had flung herself upon it with an hysterical impulse. “Oh! Play this, look, this piece, it’s divine,” she cried. And yet, of this composer long despised, recently ^promoted to the highest honours, what she had selected in her feverish impatience was one of those infernal pieces which have so often kept us from sleeping, while a merciless pupil repeats them indefinitely on the next floor. But Morel had had enough music, and as he insisted upon cards, M. de Charlus, to be able to join in, proposed a game of whist. “He was telling the Master just now that he is a Prince,” said Ski to Mme. Verdurin, “but it’s not true, they’re quite a humble family of architects.” “I want to know what it was you were saying about Maecenas. It interests me, don’t you know!” Mme. Verdurin repeated to Brichot, with an affability that carried him off his feet. And so, in order to shine in the Mistress’s eyes, and possibly in mine: “Why, to tell you the truth, Madame, Maecenas interests me chiefly because he is the earliest apostle of note of that Chinese god who numbers more followers in France to-day than Brahma, than Christ himself, the all-powerful God Ubedamd.” Mme. Verdurin was no longer content, upon these occasions, with burying her head in her hands. She would descend with the suddenness of the insects called ephemeral upon Princess Sherbatoff; were the latter within reach the Mistress would cling to her shoulder, dig her nails into it, and hide her face against it for a few moments like a child playing at hide and seek. Concealed by this protecting screen, she was understood to be laughing until she cried and was as well able to think of nothing at all as people are who while saying a prayer that is rather long take the wise precaution of burying their faces in their hands. Mme. Verdurin used to imitate them when she listened to Beethoven quartets, so as at the same time to let it be seen that she regarded them as a prayer and not to let it be seen that she was asleep. “I am quite serious, Madame,” said Brichot. “Too numerous, I consider, to-day is become the person who spends his time gazing at his navel as though it were the hub of the universe. As a matter of doctrine, I have no objection to offer to some Nirvana which will dissolve us in the great Whole (which, like Munich and Oxford, is considerably nearer to Paris than Asnières or Bois-Colombes), but it is unworthy either of a true Frenchman, or of a true European even, when the Japanese are possibly at the gates of our Byzantium, that socialised anti-militarists should be gravely discussing the cardinal virtues of free verse.” Mme. Verdurin felt that she might dispense with the Princess’s mangled shoulder, and allowed her face to become once more visible, not without pretending to wipe her eyes and gasping two or three times for breath. But Brichot was determined that I should have my share in the entertainment, and having learned, from those oral examinations which he conducted so admirably, that the best way to flatter the young is to lecture them, to make them feel themselves important, to make them regard you as a reactionary: “I have no wish to blaspheme against the Gods of Youth,” he said, with that furtive glance at myself which a speaker turns upon a member of his audience whom he has mentioned by name. “I have no wish to be damned as a heretic and renegade in the Mallarméan chapel in which our new friend, like all the young men of his age, must have served the esoteric mass, at least as an acolyte, and have shewn himself deliquescent or Rosicrucian. But, really, we have seen more than enough of these intellectuals worshipping art with a big A, who, when they can no longer intoxicate themselves upon Zola, inject themselves with Verlaine. Become etheromaniacs out of Baude-lairean devotion, they would no longer be capable of the virile effort which the country may, one day or another, demand of them, anaesthetised as they are by the great literary neurosis in the heated, enervating atmosphere, heavy with unwholesome vapours, of a symbolism of the opium-pipe.” Feeling incapable of feigning any trace of admiration for Brichot’s inept and motley tirade, I turned to Ski and assured him that he was entirely mistaken as to the family to which M. de Charlus belonged; he replied that he was certain of his facts, and added that I myself had said that his real name was Gandin, Le Gandin. “I told you,” was my answer, “that Mme. de Cambremer was the sister of an engineer, M. Legrandin. I never said a word to you about M. de Charlus. There is about as much connexion between him and Mme. de Cambremer as between the Great Condé and Racine.” “Indeed! I thought there was,” said Ski lightly, with no more apology for his mistake than he had made a few hours earlier for the mistake that had nearly made his party miss the train. “Do you intend to remain long on this coast?” Mme. Verdurin asked M. de Charlus, in whom she foresaw an addition to the faithful and trembled lest he should be returning too soon to Paris. “Good Lord, one never knows,” replied M. de Charlus in a nasal drawl. “I should like to stay here until the end of September.” “You are quite right,” said Mme. Verdurin; “that is the time for fine storms at sea.” “To tell you the truth, that is not what would influence me. I have for some time past unduly neglected the Archangel Saint Michael, my patron, and I should like to make amends to him by staying for his feast, on the 29th of September, at the Abbey on the Mount.” “You take an interest in all that sort of thing?” asked Mme. Verdurin, who might perhaps have succeeded in hushing the voice of her outraged anti-clericalism, had she not been afraid that so long an expedition might make the violinist and the Baron ‘fail’ her for forty-eight hours. “You are perhaps afflicted with intermittent deafness,” M. de Charlus replied insolently. “I have told you that Saint Michael is one of my glorious patrons.” Then, smiling with a benevolent ecstasy, his eyes gazing into the distance, his voice strengthened by an excitement which seemed now to be not merely aesthetic but religious: “It is so beautiful at the offertory when Michael stands erect by the altar, in a white robe, swinging a golden censer heaped so high with perfumes that the fragrance of them mounts up to God.” “We might go there in a party,” suggested Mme. Verdurin, notwithstanding her horror of the clergy. “At that moment, when the offertory begins,” went on M. de Charlus who, for other reasons but in the same manner as good speakers in Parliament, never replied to an interruption and would pretend not to have heard it, “it would be wonderful to see our young friend Palestrinising, indeed performing an aria by Bach. The worthy Abbot, too, would be wild with joy, and that is the greatest homage, at least the greatest public homage that I can pay to my Holy Patron. What an edification for the faithful! We must mention it presently to the young Angelico of music, a warrior like Saint Michael.”&#xA;&#xA;   Saniette, summoned to make a fourth, declared that he did not know how to play whist. And Cottard, seeing that there was not much time left before our train, embarked at once on a game of écarté with Morel. M. Verdurin was furious, and bore down with a terrible expression upon Saniette. “Is there anything in the world that you can play?” he cried, furious at being deprived of the opportunity for a game of whist, and delighted to have found one to insult the old registrar. He, in his terror, did his best to look clever. “Yes, I can play the piano,” he said. Cottard and Morel were seated face to face. “Your deal,” said Cottard. “Suppose we go nearer to the card-table,” M. de Charlus, worried by the sight of Morel in Cottard’s company, suggested to M. de Cambremer. “It is quite as interesting as those questions of etiquette which in these days have ceased to count for very much. The only kings that we have left, in France at least, are the kings in the pack of cards, who seem to me to be positively swarming in the hand of our young virtuoso,” he added a moment later, from an admiration for Morel which extended to his way of playing cards, to flatter him also, and finally to account for his suddenly turning to lean over the young violinist’s shoulder. “I-ee cut,” said (imitating the accent of a cardsharper) Cottard, whose children burst out laughing, like his students and the chief dresser, whenever the master, even by the bedside of a serious case, uttered with the emotionless face of an epileptic one of his hackneyed witticisms. “I don’t know what to play,” said Morel, seeking advice from M. de Charlus. “Just as you please, you’re bound to lose, whatever you play, it’s all the same (c’est égal).” “Egal . . . Ingalli?” said the doctor, with an insinuating, kindly glance at M. de Cambremer. “She was what we call a true diva, she was a dream, a Carmen such as we shall never see again. She was wedded to the part. I used to enjoy too listening to Ingalli — married.” The Marquis drew himself up with that contemptuous vulgarity of well-bred people who do not realise that they are insulting their host by appearing uncertain whether they ought to associate with his guests, and adopt English manners by way of apology for a scornful expression: “Who is that gentleman playing cards, what does he do for a living, what does he sell? I rather like to know whom I am meeting, so as not to make friends with any Tom, Dick or Harry. But I didn’t catch his name when you did me the honour of introducing me to him.” If M. Verdurin, availing himself of this phrase, had indeed introduced M. de Cambremer to his fellow-guests, the other would have been greatly annoyed. But, knowing that it was the opposite procedure that was observed, he thought it gracious to assume a genial and modest air, without risk to himself. The pride that M. Verdurin took in his intimacy with Cottard had increased if anything now that the doctor had become an eminent professor. But it no longer found expression in the artless language of earlier days. Then, when Cottard was scarcely known to the public, if you spoke to M. Verdurin of his wife’s facial neuralgia: “There is nothing to be done,” he would say, with the artless self-satisfaction of people who assume that anyone whom they know must be famous, and that everybody knows the name of their family singing-master. “If she had an ordinary doctor, one might look for a second opinion, but when that doctor is called Cottard” (a name which he pronounced as though it were Bouchard or Charcot) “one has simply to bow to the inevitable.” Adopting a reverse procedure, knowing that M. de Cambremer must certainly have heard of the famous Professor Cottard, M. Verdurin adopted a tone of simplicity. “He’s our family doctor, a worthy soul whom we adore and who would let himself be torn in pieces for our sakes; he is not a doctor, he is a friend, I don’t suppose you have ever heard of him or that his name would convey anything to you, in any case to us it is the name of a very good man, of a very dear friend, Cottard.” This name, murmured in a modest tone, took in M. de Cambremer who supposed that his host was referring to some one else. “Cottard? You don’t mean Professor Cottard?” At that moment one heard the voice of the said Professor who, at an awkward point in the game, was saying as he looked at his cards: “This is where Greek meets Greek.” “Why, yes, to be sure, he is a professor,” said M. Verdurin. “What! Professor Cottard! You are not making a mistake?-You are quite sure it’s the same man? The one who lives in the Rue du Bac?” “Yes, his address is 43, Rue du Bac. You know him?” “But everybody knows Professor Cottard. He’s at the top of the tree! You might as well ask me if I knew Bouffe de Saint-Biaise or Courtois-Suffit. I could see when I heard him speak that he was not an ordinary person, that is why I took the liberty of asking you.” “Come now, what shall I play, trumps?” asked Cottard. Then abruptly, with a vulgarity which would have been offensive even in heroic circumstances, as when a soldier uses a coarse expression to convey his contempt for death, but became doubly stupid in the safe pastime of a game of cards, Cottard, deciding to play a trump, assumed a sombre, suicidal air, and, borrowing the language of people who are risking their skins, played his card as though it were his life, with the exclamation: “There it is, and be damned to it!” It was not the right card to play, but he had a consolation. In the middle of the room, in a deep armchair, Mme. Cottard, yielding to the effect, which she always found irresistible, of a good dinner, had succumbed after vain efforts to the vast and gentle slumbers that were overpowering her. In vain might she sit up now and again, and smile, whether at her own absurdity or from fear of leaving unanswered some polite speech that might have been addressed to her, she sank back, in spite of herself, into the clutches of the implacable and delicious malady. More than the noise, what awakened her thus for an instant only, was the giance (which, in her wifely affection she could see even when her eyes were shut, and foresaw, for the same scene occurred every evening and haunted her dreams like the thought of the hour at which one will have to rise), the glance with which the Professor drew the attention of those present to his wife’s slumbers. To begin with, he merely looked at her and smiled, for if as a doctor he disapproved of this habit of falling asleep after dinner (or at least gave this scientific reason for growing annoyed later on, but it is not certain whether it was a determining reason, so many and diverse were the views that he held about it), as an all-powerful and teasing husband, he was delighted to be able to make a fool of his wife, to rouse her only partly at first, so that she might fall asleep again and he have the pleasure of waking her afresh&#xA;&#xA;   By this time, Mme. Cottard was sound asleep. “Now then, Léontine you’re snoring,” the professor called to her. “I am listening to Mme. Swann, my dear,” Mme. Cottard replied faintly, and dropped back into her lethargy. “It’s perfect nonsense,” exclaimed Cottard, “she’ll be telling us presently that she wasn’t asleep. She’s like the patients who come to consult us and insist that they never sleep at all.” “They imagine it, perhaps,” said M. de Cambremer with a laugh. But the doctor enjoyed contradicting no less than teasing, and would on no account allow a layman to talk medicine to him. “People do not imagine that they never sleep,” he promulgated in a dogmatic tone. “Ah!” replied the Marquis with a respectful bow, such as Cottard at one time would have made. “It is easy to see,” Cottard went on, “that you have never administered, as I have, as much as two grains of trional without succeeding in provoking som-nolescence.” “Quite so, quite so,” replied the Marquis, laughing with a superior air, “I have never taken trional, or any of those drugs which soon cease to have any effect but ruin your stomach. When a man has been out shooting all night, like me, in the forest of Chantepie, I can assure you he doesn’t need any trional to make him sleep.” “It is only fools who say that,” replied the Professor. “Trional frequently has a remarkable effect on the nervous tone. You mention trional, have you any idea what it is?” “Well . . . I’ve heard people say that it is a drug to make one sleep.” “You are not answering my question,” replied the Professor, who, thrice weekly, at the Faculty, sat on the board of examiners. “I don’t ask you whether it makes you sleep or not, but what it is. Can you tell me what percentage it contains of amyl and ethyl?” “No,” replied M. de Cambremer with embarrassment. “I prefer a good glass of old brandy or even 345 Port.” “Which are ten times as toxic,” the Professor interrupted. “As for trional,” M. de Cambremer ventured, “my wife goes in for all that sort of thing, you’d better talk to her about it.” “She probably knows just as much about it as yourself. In any case, if your wife takes trional to make her sleep, you can see that mine has no need of it. Come along, Léontine, wake up, you’re getting ankylosed, did you ever see me fall asleep after dinner? What will you be like when you’re sixty, if you fall asleep now like an old woman? You’ll go and get fat, you’re arresting the circulation. She doesn’t even hear what I’m saying.” “They’re bad for one’s health, these little naps after dinner, ain’t they, Doctor?” said M. de Cambremer, seeking to rehabilitate himself with Cottard. “After a heavy meal one ought to take exercise.” “Stuff and nonsense!” replied the Doctor. “We have taken identical quantities of food from the stomach of a dog that has lain quiet and from the stomach of a dog that has been running about and it is in the former that digestion is more advanced.” “Then it is sleep that stops digestion.” “That depends upon whether you mean oesophagic digestion, stomachic digestion, intestinal digestion; it is useless to give you explanations which you would not understand since you have never studied medicine. Now then, Léontine, quick march, it is time we were going.” This was not true, for the doctor was going merely to continue his game, but he hoped thus to cut short in a more drastic fashion the slumbers of the deaf mute to whom he had been addressing without a word of response the most learned exhortations. Whether a determination to remain awake survived in Mme. Cottard, even in the state of sleep, or because the armchair offered no support to her head, it was jerked mechanically from left to right, and up and down, in the empty air, like a lifeless object, and Mme. Cottard, with her nodding poll, appeared now to be listening to music, now to be in the last throes of death. Where her husband’s increasingly vehement admonitions failed of their effect, her sense of her own stupidity proved successful. “My bath is nice and hot,” she murmured, “but the feathers in the dictionary . . . ” she exclaimed as she sat bolt upright. “Oh! Good lord, what a fool I am. Whatever have I been saying, I was thinking about my hat, I’m sure I said something silly, in another minute I should have been asleep, it’s that wretched fire.” Everybody began to laugh, for there was no fire in the room&#xA;&#xA;    &#xA;&#xA;    “You are making fun of me,” said Mme. Cottard, herself laughing, and raising her hand to her brow to wipe away, with the light touch of a hypnotist and the sureness of a woman putting her hair straight, the last traces of sleep, “I must offer my humble apologies to dear Mme. Verdurin and ask her to tell me the truth.” But her smile at once grew sorrowful, for the Professor who knew that his wife sought to please him and trembled lest she should fail, had shouted at her: “Look at yourself in the glass, you are as red as if you had an eruption of acne, you look just like an old peasant.” “You know, he is charming,” said Mme. Verdurin, “he has such a delightfully sarcastic side to his character. And then, he snatched my husband from the jaws of death when the whole Faculty had given him up. He spent three nights by his bedside, without ever lying down. And so Cottard to me, you know,” she went on, in a grave and almost menacing tone, raising her hand to the twin spheres, shrouded in white tresses, of her musical temples, and as though we had wished to assault the doctor, “is sacred! He could ask me for anything in the world! As it is, I don’t call him Doctor Cottard, I call him Doctor God! And even in saying that I am slandering him, for this God does everything in his power to remedy some of the disasters for which the other is responsible.” “Play a trump,” M. de Charlus said to Morel with a delighted air. “A trump, here goes,” said the violinist. “You ought to have declared your king first,” said M. de Charlus, “you’re not paying attention to the game, but how well you play!” “I have the king,” said Morel. “He’s a fine man,” replied the Professor. “What’s all that business up there with the sticks?” asked Mme. Verdurin, drawing M. de Cambremer’s attention to a superb escutcheon carved over the mantelpiece. “Are they your arms?” she added with an ironical disdain. “No, they are not ours,” replied M. de Cambremer. “We bear, barry of five, embattled counter-embattled or and gules, as many trefoils countercharged. No, those are the arms of the Arrachepels, who were not of our stock, but from whom we inherited the house, and nobody of our line has ever made any changes here. The Arrachepels (formerly Pelvilains, we are told) bore or five piles couped in base gules. When they allied themselves with the Féterne family, their blazon changed, but remainedcantoned within twenty cross crosslets fitchee in base or, a dexter canton ermine.” “That’s one for her!” muttered Mme. de Cambremer. “My great-grandmother was a d’Arrachepel or de Rachepel, as you please, for both forms are found in the old charters,” continued M. de Cambremer, blushing vividly, for only then did the idea for which his wife had given him credit occur to him, and he was afraid that Mme. Verdurin might have applied to herself a speech which had been made without any reference to her. “The history books say that, in the eleventh century, the first Arrachepel, Mace, named Pelvilain, shewed a special aptitude, in siege warfare, in tearing up piles. Whence the name Arrachepel by which he was ennobled, and the piles which you see persisting through the centuries in their arms. These are the piles which, to render fortifications more impregnable, used to be driven, plugged, if you will pardon the expression, into the ground in front of them, and fastened together laterally. They are what you quite rightly called sticks, though they had nothing to do with the floating sticks of our good Lafontaine. For they were supposed to render a stronghold unassailable. Of course, with our modern artillery, they make one smile. But you must bear in mind that I am speaking of the eleventh century.” “It is all rather out of date,” said Mme. Verdurin, “but the little campanile has a character.” “You have,” said Cottard, “the luck of . . . turlututu,” a word which he gladly repeated to avoid using Molière’s. “Do you know why the king of diamonds was turned out of the army?” “I shouldn’t mind being in his shoes,” said Morel, who was tired of military service. “Oh! What a bad patriot,” exclaimed M. de Charlus, who could not refrain from pinching the violinist’s ear. “No, you don’t know why the king of diamonds was turned out of the army,” Cottard pursued, determined to make his joke, “it’s because he has only one eye.” “You are up against it, Doctor,” said M. de Cambremer, to shew Cottard that he knew who he was. “This young man is astonishing,” M. de Charlus interrupted innocently. “He plays like a god.” This observation did not find favour with the doctor, who replied: “Never too late to mend. Who laughs last, laughs longest.” “Queen, ace,” Morel, whom fortune was favouring, announced triumphantly. The doctor bowed his head as though powerless to deny this good fortune, and admitted, spellbound: “That’s fine.” “We are so pleased to have met M. de Charlus,” said Mme. de Cambremer to Mme. Verdurin. “Had you never met him before? He is quite nice, he is unusual, he is of a period“ (she would have found it difficult to say which), replied Mme. Verdurin with the satisfied smile of a connoisseur, a judge and a hostess. Mme. de Cambremer asked me if I was coming to Féterne with Saint-Loup. I could not suppress a cry of admiration when I saw the moon hanging like an orange lantern beneath the vault of oaks that led away from the house. “That’s nothing, presently, when the moon has risen higher and the valley is lighted up, it will be a thousand times better.” “Are you staying any time in this neighbourhood, Madame?” M. de Cambremer asked Mme. Cottard, a speech that might be interpreted as a vague intention to invite and dispensed him for the moment from making any more precise engagement. “Oh, certainly, Sir, I regard this annual exodus as most important for the children. Whatever you may say, they must have fresh air. The Faculty wanted to send me to Vichy; but it is too stuffy there, and I can look after my stomach when those big boys of mine have grown a little bigger. Besides, the Professor, with all the examinations he has to hold, has always got his shoulder to the wheel, and the hot weather tires him dreadfully. I feel that a man needs a thorough rest after he has been on the go all the year like that. Whatever happens we shall stay another month at least.” “Ah! In that case we shall meet again.” “Besides, I shall be all the more obliged to stay here as my husband has to go on a visit to Savoy, and won’t be finally settled here for another fortnight.” “I like the view of the valley even more than the sea view,” Mme. Verdurin went on. “You are going to have a splendid night for your journey.” “We ought really to find out whether the carriages are ready, if you are absolutely determined to go back to Balbec to-night,” M. Verdurin said to me, “for I see no necessity for it myself. We could drive you over to-morrow morning. It is certain to be fine. The roads are excellent.” I said that it was impossible. “But in any case it is not time yet,” the Mistress protested. “Leave them alone, they have heaps of time. A lot of good it will do them to arrive at the station with an hour to wait. They are far happier here. And you, my young Mozart,” she said to Morel, not venturing to address M. de Charlus directly, “won’t you stay the night? We have some nice rooms facing the sea.” “No, he can’t,” M. de Gharlus replied on behalf of the absorbed card-player who had not heard. “He has a pass until midnight only. He must go back to bed like a good little boy, obedient, and well-behaved,” he added in a complaisant, mannered, insistent voice, as though he derived some sadic pleasure from the use of this chaste comparison and also from letting his voice dwell, in passing, upon any reference to Morel, from touching him with (failing his fingers) words that seemed to explore his person&#xA;&#xA;   From the sermon that Brichot had addressed to me, M. de Cambremer had concluded that I was a Dreyfusard. As he himself was as anti-Dreyfusard as possible, out of courtesy to a foe, he began to sing me the praises of a Jewish colonel who had always been very decent to a cousin of the Chevregny and had secured for him the promotion he deserved. “And my cousin’s opinions were the exact opposite,” said M. de Cambremer; he omitted to mention what those opinions were, but I felt that they were as antiquated and misshapen as his own face, opinions which a few families in certain small towns must long have entertained. “Well, you know, I call that really fine!” was M. de Cambremer’s conclusion. It is true that he was hardly employing the word ‘fine’ in the aesthetic sense in which it would have suggested to his wife and mother different works, but works, anyhow, of art. M. de Cambremer often made use of this term, when for instance he was congratulating a delicate person who had put on a little flesh. “What, you have gained half-a-stone in two months. I say, that’s fine!” Refreshments were set out on a table. Mme. Verdurin invited the gentlemen to go and choose whatever drinks they preferred. M. de Charlus went and drank his glass and at once returned to a seat by the card-table from which he did not stir. Mme. Verdurin asked him: “Have you tasted my orangeade?” Upon which M. de Charlus, with a gracious smile, in a crystalline tone which he rarely sounded and with endless motions of his lips and body, replied: “No, I preferred its neighbour, it was strawberry-juice, I think, it was delicious.” It is curious that a certain order of secret actions has the external effect of a manner of speaking or gesticulating which reveals them. If a gentleman believes or disbelieves in the Immaculate Conception, or in the innocence of Dreyfus, or in a plurality of worlds, and wishes to keep his opinion to himself, you will find nothing in his voice or in his movements that will let you read his thoughts. But on hearing M. de Charlus say in that shrill voice and with that smile and waving his arms: “No, I preferred its neighbour, the strawberry-juice,” one could say: “There, he likes the stronger sex,” with the same certainty as enables a judge to sentence a criminal who has not confessed, a doctor a patient suffering from general paralysis who himself is perhaps unaware of his malady but has made some mistake in pronunciation from which one can deduce that he will be dead in three years. Perhaps the people who conclude from a man’s way of saying: “No, I preferred its neighbour, the strawberry-juice,” a love of the kind called unnatural, have no need of any such scientific knowledge. But that is because there is a more direct relation between the revealing sign and the secret. Without saying it in so many words to oneself, one feels that it is a gentle, smiling lady who is answering and who appears mannered because she is pretending to be a man and one is not accustomed to seeing men adopt such mannerisms. And it is perhaps more pleasant to think that for long years a certain number of angelic women have been included by mistake in the masculine sex where, in exile, ineffectually beating their wings towards men in whom they inspire a physical repulsion, they know how to arrange a drawing-room, compose ‘interiors.’ M. de Charlus was not in the least perturbed that Mme. Verdurin should be standing, and remained installed in his armchair so as to be nearer to Morel. “Don’t you think it criminal,” said Mme. Verdurin to the Baron, “that that creature who might be enchanting us with his violin should be sitting there at a card-table. When anyone can play the violin like that!” “He plays cards well, he does everything well, he is so intelligent,” said M. de Charlus, keeping his eye on the game, so as to be able to advise Morel. This was not his only reason, however, for not rising from his chair for Mme. Verdurin. With the singular amalgam that he had made of the social conceptions at once of a great nobleman and an amateur of art, instead of being polite in the same way that a man of his world would be, he would create a sort of tableau-vivant for himself after Saint-Simon; and at that moment was amusing himself by impersonating the Maréchal d’Uxelles, who interested him from other aspects also, and of whom it is said that he was so proud as to remain seated, with a pretence of laziness, before all the most distinguished persons at court. “By the way, Charlus,” said Mme. Verdurip, who was beginning to grow familiar, “you don’t know of any ruined old nobleman in your Faubourg who would come to me as porter?” “Why, yes . . . why, yes,” replied M. de Charlus with a genial smile, “but I don’t advise it.” “Why not?” “I should be afraid for your sake, that your smart visitors would call at the lodge and go no farther.” This was the first skirmish between them. Mme. Verdurin barely noticed it. There were to be others, alas, in Paris. M. de Charlus remained glued to his chair. He could not, moreover, restrain a faint smile, seeing how his favourite maxims as to aristocratic prestige and middle-class cowardice were confirmed by the so easily won submission of Mme. Verdurin. The Mistress appeared not at all surprised by the Baron’s posture, and if she left him it was only because she had been perturbed by seeing me taken up by M. de Cambremer. But first of all, she wished to clear up the mystery of M. de Charlus’s relations with Comtesse Mole. “You told me that you knew Mme. de Molê. Does that mean, you go there?” she asked, giving to the words ‘go there’ the sense of being received there, of having received authority from the lady to go and call upon her. M. de Charlus replied with an inflexion of disdain, an affectation of precision and in a sing-song tone: “Yes, sometimes.” This ‘sometimes’ inspired doubts in Mme. Verdurin, who asked: “Have you ever met the Duc de Guermantes there?” “Ah! That I don’t remember.” “Oh!” said Mme. Verdurin, “you don’t know the Duc de Guermantes?” “And how should I not know him?” replied M. de Charlus, his lips curving in a smile. This smile was ironical; but as the Baron was afraid of letting a gold tooth be seen, he stopped it with a reverse movement of his lips, so that the resulting sinuosity was that of a good-natured smile. “Why do you say: ‘How should I not know him?’ “ “Because he is my brother,” said M. de Charlus carelessly, leaving Mme. Verdurin plunged in stupefaction and in the uncertainty whether her guest was making fun of her, was a natural son, or a son by another marriage. The idea that the brother of the Duc de Guermantes might be called Baron de Charlus never entered her head. She bore down upon me. “I heard M. de Cambremer invite you to dinner just now. It has nothing to do with me, you understand. But for your own sake, I do hope you won’t go. For one thing, the place is infested with bores. Oh! If you like dining with provincial Counts and Marquises whom nobody knows, you will be supplied to your heart’s content.” “I think I shall be obliged to go there once or twice. I am not altogether free, however, for I have a young cousin whom I cannot leave by herself” (I felt that this fictitious kinship made it easier for me to take Albertine about). “But as for the Cambremers, as I have been introduced to them. . . . ” “You shall do just as you please. One thing I can tell you: it’s extremely unhealthy; when you have caught pneumonia, or a nice little chronic rheumatism, you’ll be a lot better off!” “But isn’t the place itself very pretty?” “Mmmmyess. . . . If you like. For my part, I confess frankly that I would a hundred times rather have the view from here over this valley. To begin with, if they’d paid us I wouldn’t have taken the other house because the sea air is fatal to M. Verdurin. If your cousin suffers at all from nerves. . . . But you yourself have bad nerves, I think you have choking fits. Very well! You shall see. Go there once, you won’t sleep for a week after it; but it’s not my business.” And without thinking of the inconsistency with what she had just been saying: “If it would amuse you to see the house, which is not bad, pretty is too strong a word, still it is amusing with its old moat, and the old drawbridge, as I shall have to sacrifice myself and dine there once, very well, come that day, I shall try to bring all my little circle, then it will be quite nice. The day after to-morrow we are going to Harambouville in the carriage. It’s a magnificent drive, the cider is delicious. Come with us. You, Brichot, you shall come too. And you too, Ski. That will make a party which, as a matter of fact, my husband must have arranged already. I don’t know whom all he has invited, Monsieur de Charlus, are you one of them?” The Baron, who had not heard the whole speech, and did not know that she was talking of an excursion to Harambouville, gave a start. “A strange question,” he murmured in a mocking tone by which Mme. Verdurin felt hurt. “Anyhow,” she said to me, “before you dine with the Cambremers, why not bring her here, your cousin? Does she like conversation, and clever people? Is she pleasant? Yes, very well then. Bring her with you. The Cambremers aren’t the only people in the world. I can understand their being glad to invite her, they must find it difficult to get anyone. Here she will have plenty of fresh air, and lots of clever men. In any case, I am counting on you not to fail me next Wednesday. I heard you were having a tea-party at Rivebelle with your cousin, and M. de Charlus, and I forget who’ else. You must arrange to bring the whole lot on here, it would be nice if you all came in a body. It’s the easiest thing in the world to get here, the roads are charming; if you like I can send down for you. I can’t imagine what you find attractive in Rivebelle, it’s infested with mosquitoes. You are thinking perhaps of the reputation of the rock-cakes. My cook makes them far better. I can let you have them, here, Norman rock-cakes, the real article, and shortbread; I need say no more. Ah! If you like the filth they give you at Rivebelle, that I won’t give you, I don’t poison my guests, Sir, and even if I wished to, my cook would refuse to make such abominations and would leave my service. Those rock-cakes you get down there, you can’t tell what they are made of. I knew a poor girl who got peritonitis from them, which carried her off in three days. She was only seventeen. It was sad for her poor mother,” added Mme. Verdurin with a melancholy air beneath the spheres of her temples charged with experience and suffering. “However, go and have tea at Rivebelle, if you enjoy being fleeced and flinging money out of the window. But one thing I beg of you, it is a confidential mission I am charging you with, on the stroke of six, bring all your party here, don’t allow them to go straggling away by themselves. You can bring whom you please. I wouldn’t say that to everybody. But I am sure that your friends are nice, I can see at once that we understand one another. Apart from the little nucleus, there are some very pleasant people coming on Wednesday. You don’t know little Madame de Longpont. She is charming, and so witty, not in the least a snob, you will find, you’ll like her immensely. And she’s going to bring a whole troop of friends too,” Mme. Verdurin added to shew me that this was the right thing to do and encourage me by the other’s example. “We shall see which has most influence and brings most people, Barbe de Longpont or you. And then I believe somebody’s going to bring Bergotte,” she added with a vague air, this meeting with a celebrity being rendered far from likely by a paragraph which had appeared in the papers that morning, to the effect that the great writer’s health was causing grave anxiety. “Anyhow, you will see that it will be one of my most successful Wednesdays, I don’t want to have any boring women. You mustn’t judge by this evening, it has been a complete failure. Don’t try to be polite, you can’t have been more bored than I was, I thought myself it was deadly. It won’t always be like to-night, you know! I’m not thinking of the Cambremers, who are impossible, but I have known society people who were supposed to be pleasant, well, compared with my little nucleus, they didn’t exist. I heard you say that you thought Swann clever. I must say, to my mind, his cleverness was greatly exaggerated, but without speaking of the character of the man, which I have always found fundamentally antipathetic, sly, underhand, I have often had him to dinner on Wednesdays. Well, you can ask the others, even compared with Brichot, who is far from being anything wonderful, a good assistant master, whom I got into the Institute, Swann was simply nowhere. He was so dull!” And, as I expressed a contrary opinion: “It’s the truth. I don’t want to say a word against him to you, since he was your friend, indeed he was very fond of you, he has spoken to me about you in the most charming way, but ask the others here if he ever said anything interesting, at our dinners. That, after all, is the supreme test. Well, I don’t know why it was, but Swann, in my house, never seemed to come off, one got nothing out of him. And yet anything there ever was in him he picked up here.” I assured her that he was highly intelligent. “No, you only think that, because you haven’t known him as long as I have. One got to the end of him very soon. I was always bored to death by him.” (Which may be interpreted: “He went to the La Trémoïlles and the Guermantes and knew that I didn’t.”) “And I can put up with anything, except being bored. That, I cannot and will not stand!” Her horror of boredom was now the reason upon which Mme. Verdurin relied to explain the composition of the little group. She did not yet entertain duchesses because she was incapable of enduring boredom, just as she was unable to go for a cruise, because of sea-sickness. I thought to myself that what Mme. Verdurin said was not entirely false, and, whereas the Guermantes would have declared Brichot to be the stupidest man they had ever met, I remained uncertain whether he were not in reality superior, if not to Swann himself, at least to the other people endowed with the wit of the Guermantes who would have had the good taste to avoid and the modesty to blush at his pedantic pleasantries; I asked myself the question as though a fresh light might be thrown on the nature of the intellect by the answer that I should make, and with the earnestness of a Christian influenced by Port-Royal when he considers the problem of Grace. “You will see,” Mme. Verdurin continued, “when one has society people together with people of real intelligence, people of our set, that’s where one has to see them, the society man who is brilliant in the kingdom of the blind, is only one-eyed here. Besides, the others don’t feel at home any longer. So much so that I’m inclined to ask myself whether, instead of attempting mixtures that spoil everything, I shan’t start special evenings confined to the bores so as to have the full benefit of my little nucleus. However: you are coming again with your cousin. That’s settled. Good. At any rate you will both find something to eat here. Féterne is starvation corner. Oh, by the way, if you like rats, go there at once, you will get as many as you want. And they will keep you there as long as you are prepared to stay. Why, you’ll die of hunger. I’m sure, when I go there, I shall have my dinner before I start. The more the merrier, you must come here first and escort me. We shall have high tea, and supper when we get back. Do you like apple-tarts? Yes, very well then, our chef makes the best in the world. You see, I was quite right when I told you that you were meant to live here. So come and stay. You know, there is far more room in the house than people think. I don’t speak of it, so as not to let myself in for bores. You might bring your cousin to stay. She would get a change of air from Balbec. With this air here, I maintain I can cure incurables. I have cured them, I may tell you, and not only this time. For I have stayed quite close to here before, a place I discovered and got for a mere song, a very different style of house from their Raspelicre. I can shew you it if we go for a drive together. But I admit that even here the air is invigorating. Still, I don’t want to say too much about it, the whole of Paris would begin to take a fancy to my little corner. That has always been my luck. Anyhow, give your cousin my message. We shall put you in two nice rooms looking over the valley, you ought to see it in the morning, with the sun shining on the mist! By the way, who is this Robert de Saint-Loup of whom you were speaking?” she said with a troubled air, for she had heard that I was to pay him a visit at Doncières, and was afraid that he might make me fail her. “Why not bring him here instead, if he’s not a bore. I have heard of him from Morel; I fancy he’s one of his greatest friends,” said Mme. Verdurin with entire want of truth, for Saint-Loup and Morel were not even aware of one another’s existence. But having heard that Saint-Loup knew M. de Charlus, she supposed that it was through the violinist, and wished to appear to know all about them. “He’s not taking up medicine, by any chance, or literature? You know, if you want any help about examinations, Cottard can do anything, and I make what use of him I please. As for the Academy later on, for I suppose he’s not old enough yet, I have several notes in my pocket. Your friend would find himself on friendly soil here, and it might amuse him perhaps to see over the house. Life’s not very exciting at Doncières. But you shall do just what you please, then you can arrange what you think best,” she concluded, without insisting, so as not to appear to be trying to know people of noble birth, and because she always maintained that the system by which she governed the faithful, to wit despotism, was named liberty. “Why, what’s the matter with you,” she said, at the sight of M. Verdurin who, with gestures of impatience, was making for the wooden terrace that ran along the side of the drawing-room above the valley, like a man who is bursting with rage and must have fresh air. “Has Saniette been annoying you again? But you know what an idiot he is, you have to resign yourself to him, don’t work yourself up into such a state. I dislike this sort of thing,” she said to me, “because it is bad for him, it sends the blood to his head. But I must say that one would need the patience of an angel at times to put up with Saniette, and one must always remember that it is a charity to have him in the house. For my part I must admit that he’s so gloriously silly, I can’t help enjoying him. I dare say you heard what he said after dinner: ‘I can’t play whist, but I can the piano.’ Isn’t it superb? It is positively colossal, and incidentally quite untrue, for he knows nothing at all about either. But my husband, beneath his rough exterior, is very sensitive, very kind-hearted, and Saniette’s self-centred way of always thinking about the effect he is going to make drives himcrazy. Come, dear, calm yourself, you know Cottard told you that it was bad for your liver. And it is I that will have to bear the brunt of it all,” said Mme. Verdurin. “To-morrow Saniette will come back all nerves and tears. Poor man, he is very ill indeed. Still, that is no reason why he should kill other people. Besides, even at times when he is in pain, when one would like to be sorry for him, his silliness hardens one’s heart. He is really too stupid. You have only to tell him quite politely that these scenes make you both ill, and he is not to come again, since that’s what he’s most afraid of, it will have a soothing effect on his nerves,” Mme. Verdurin whispered to her husband&#xA;&#xA;   One could barely make out the sea from the windows on the right. But those on the other side shewed the valley, now shrouded in a snowy cloak of moonlight. Now and again one heard the voices of Morel and Cottard. “You have a trump?” “Yes.” “Ah! You’re in luck, you are,” said M. de Cambremer to Morel, in answer to his question, for he had seen that the doctor’s hand was full of trumps. “Here comes the lady of diamonds,” said the doctor. “That’s a trump, you know? My trick. But there isn’t a Sorbonne any longer,” said the doctor to M. de Cambremer; “there’s only the University of Paris.” M. de Cambremer confessed his inability to understand why the doctor made this remark to him. “I thought you were talking about the Sorbonne,” replied the doctor. “I heard you say: tu nous la sors bonne,” he added, with a wink, to shew that this was meant for a pun. “Just wait a moment,” he said, pointing to his adversary, “I have a Trafalgar in store for him.” And the prospect must have been excellent for the doctor, for in his joy his shoulders began to shake rapturously with laughter, which in his family, in the ‘breed’ of the Cottards, was an almost zoological sign of satisfaction. In the previous generation the gesture of rubbing the hands together as though one were soaping them used to accompany this movement. Cottard himself had originally employed both forms simultaneously, but one fine day, nobody ever knew by whose intervention, wifely, professorial perhaps, the rubbing of the hands had disappeared. The doctor even at dominoes, when he got his adversary on the run, and made him take the double six, which was to him the keenest of pleasures, contented himself with shaking his shoulders. And when — which was as seldom as possible — he went down to his native village for a few days, and met his first cousin, who was still at the hand-rubbing stage, he would say to Mme. Cottard on his return: “I thought poor René very common.” “Have you the little dee-ar?” he said, turning to Morel. “No? Then I play this old David.” “Then you have five, you have won!” “That’s a great victory, Doctor,” said the Marquis. “A Pyrrhic victory,” said Cottard, turning to face the Marquis and looking at him over his glasses to judge the effect of his remark. “If there is still time,” he said to Morel, “I give you your revenge. It is my deal. Ah! no, here come the carriages, it will have to be Friday, and I shall shew you a trick you don’t see every day.” M. and Mme. Verdurin accompanied us to the door. The Mistress was especially coaxing with Saniette so as to make certain of his returning next time. “But you don’t look to me as if you were properly wrapped up, my boy,” said M. Verdurin, whose age allowed him to address me in this paternal tone. “One would say the weather had changed.” These words filled me with joy, as though the profoundly hidden life, the uprising of different combinations which they implied in nature, hinted at other changes, these occurring in my own life, and created fresh possibilities in it. Merely by opening the door upon the park, before leaving, one felt that a different ‘weather’ had, at that mo-merit, taken possession of the scene; cooling breezes, one of the joys of summer, were rising in the fir plantation (where long ago Mme. de Cambremer had dreamed of Chopin) and almost imperceptibly, in caressing coils, capricious eddies, were beginning their gentle nocturnes. I declined the rug which, on subsequent evenings, I was to accept when Albertine was with me, more to preserve the secrecy of my pleasure than to avoid the risk of cold. A vain search was made for the Norwegian philosopher. Had he been seized by a colic? Had he been afraid of missing the train? Had an aeroplane come to fetch him? Had he been carried aloft in an Assumption? In any case he had vanished without anyone’s noticing his departure, like a god. “You are unwise,” M. de Cambremer said to me, “it’s as cold as charity.” “Why charity?” the doctor inquired. “Beware of choking,” the Marquis went on. “My sister never goes out at night. However, she is in a pretty bad state at present. In any case you oughtn’t to stand about bare-headed, put your tile on at once.” “They are not frigorifie chokings,” said Cottard sententiously. “Oh, indeed!” M. de Cambremer bowed. “Of course, if that’s your opinion. . . . ” “Opinions of the press!” said the doctor, smiling round his glasses. M. de Cambremer laughed, but, feeling certain that he was in the right, insisted: “All the same,” he said, “whenever my sister goes out after dark, she has an attack.” “It’s no use quibbling,” replied the doctor, regardless of his want of manners. “However, I don’t practise medicine by the seaside, unless I am called in for a consultation. I am here on holiday.” He was perhaps even more on holiday than he would have liked. M. de Cambremer having said to him as they got into the carriage together: “We are fortunate in having quite close to us (not on your side of the Day, on the opposite side, but it is quite narrow at that point) another medical celebrity, Doctor du Boulbon,” Cottard, who, as a rule, from ‘deontology,’ abstained from criticising his colleagues, could not help exclaiming, as he had exclaimed to me on the fatal day when we had visited the little casino: “But he is not a doctor. He practises ‘a literary medicine, it is all fantastic therapeutics, charlatanism. All the same, we are on quite good terms. I should take the boat and go over and pay him a visit, if I weren’t leaving.” But, from the air which Cottard assumed in speaking of du Boulbon to M. de Cambremer, I felt that the boat which he would gladly have taken to call upon him would have greatly resembled that vessel which, in order to go and ruin the waters discovered by another literary doctor, Virgil (who took all their patients from them as well), the doctors of Salerno had chartered, but which sank with them on the voyage. “Good-bye, my dear Saniette, don’t forget to come to-morrow, you know how my husband enjoys seeing you. He enjoys your wit, your intellect; yes indeed, you know quite well, he takes sudden moods, but he can’t live without seeing you. It’s always the first thing he asks me: ‘Is Saniette coming? I do so enjoy seeing him.’” “I never said anything of the sort,” said M. Verdurin to Saniette with a feigned frankness which seemed perfectly to reconcile what the Mistress had just said with the manner in which he treated Saniette. Then looking at his watch, doubtless so as not to prolong the leave-taking in the damp night air, he warned the coachmen not to lose any time, but to be careful when going down the hill, and assured us that we should be in plenty of time for our train. This was to set down the faithful, one at one station, another at another, ending with myself, for no one else was going as far as Balbec, and beginning with the Cambremers. They, so as not to bring their horses all the way up to la Raspelière at night, took the train with us at Douville-Féterne. The station nearest to them was indeed not this, which, being already at some distance from the village, was farther still from the mansion, but la Sogne. On arriving at the station of Douville-Féterne, M. de Cambremer made a point of giving a ‘piece,’ as Françoise used to say, to the Verdurins’ coachman (the nice, sensitive coachman, with melancholy thoughts), for M. de Cambremer was generous, and in that respect took, rather, ‘after his mamma.’ But, possibly because his ‘papa’s’ strain intervened at this point, he felt a scruple, or else that there might be a mistake — either on his part, if, for instance, in the dark, he were to give a you instead of a franc, or on the recipient’s who might not perceive the importance of the present that was being given him. And so he drew attention to it: “It is a franc I’m giving you, isn’t it?” he said to the coachman, turning the coin until it gleamed in the lamplight, and so that the faithful might report his action to Mme. Verdurin. “Isn’t it? Twenty sous is right, as it’s only a short drive.” He and Mme. de Cambremer left us at la Sogne. “I shall tell my sister,” he repeated to me, “that you have choking fits, I am sure she will be interested.” I understood that he meant: ‘will be pleased.’ As for his wife, she employed, in saying good-bye to me, two abbreviations which, even in writing, used to shock me at that time in a letter, although one has grown accustomed to them since, but which, when spoken, seem to me to-day even to contain in their deliberate carelessness, in their acquired familiarity, something insufferably pedantic: “Pleased to have met you,” she said to me; “greetings to Saint-Loup, if you see him.” In making this speech, Mme. de Cambremer pronounced the name ‘Saint-Loupe.’ I have never discovered who had pronounced it thus in her hearing, or what had led her to suppose that it ought to be so pronounced. However it may be, for some weeks afterwards, she continued to say ‘Saint-Loupe’ and a man who had a great admiration for her and echoed her in every way did the same. If other people said ‘Saint-Lou,’ they would insist, would say emphatically ‘Saint-Loupe,’ whether to teach the others an indirect lesson or to be different from them. But, no doubt, women of greater brilliance than Mme. de Cambremer told her, or gave her indirectly to understand that this was not the correct pronunciation, and that what she regarded as a sign of originality was a mistake which would make people think her little conversant with the usages of society, for shortly afterwards Mme. de Cambremer was again saying ‘Saint-Lou,’ and her admirer similarly ceased to hold out, whether because she had lectured him, or because he had noticed that she no longer sounded the final consonant, and had said to himself that if a woman of such distinction, energy and ambition had yielded, it must have been on good grounds. The worst of her admirers was her husband. Mme. de Cambremer loved to tease other people in a way that was often highly impertinent. As soon as she began to attack me, or anyone else, in this fashion, M. de Cambremer would start watching her victim, laughing the while. As the Marquis had a squint — a blemish which gives an effect of wit to the mirth even of imbeciles — the effect of this laughter was to bring a segment of pupil into the otherwise complete whiteness of his eye. So a sudden rift brings a patch of blue into an otherwise clouded sky. His monocle moreover protected, like the glass over a valuable picture, this delicate operation. As for the actual intention of his laughter, it was hard to say whether it was friendly: “Ah! You rascal! You’re in an enviable position, aren’t you. You have won the favour of a lady who has a pretty wit!” Or coarse: “Well, Sir, I hope you’ll learn your lesson, you’ve got to eat a slice of humble pie.” Or obliging: “I’m here, you know, I take it with a laugh because it’s all pure fun, but I shan’t let you be ill-treated.” Or cruelly accessory: “I don’t need to add my little pinch of salt, but you can see, I’m revelling in all the insults she is showering on you. I’m wriggling like a hunchback, therefore I approve, I, the husband. And so, if you should take it into your head to answer back, you would have me to deal with, my young Sir. I should first of all give you a pair of resounding smacks, well aimed, then we should go and cross swords in the forest of Chantepie.”&#xA;&#xA;   Whatever the correct interpretation of the husband’s merriment, the wife’s whimsies soon came to an end. Whereupon M. de Cambremer ceased to laugh, the temporary pupil vanished and as one had forgotten for a minute or two to expect an entirely white eyeball, it gave this ruddy Norman an air at once anaemic and ecstatic, as though the Marquis had just undergone an operation, or were imploring heaven, through his monocle, for the palms of martyrdom" PRODUCER="LOUD X LUCKY" COVERARTID="032/ANZWGWCUZT1DHC1SNBC2CSC51WFC" PLAYTIME="144" PLAYTIME_FLOAT="143.874985" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="18428"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71407" AUDIO_ID="APATMzMzMzIjMjMzMzMzMzMzVVVWVWZVVVVmZmZmd3Z2RaqIiHeIeIhomHiIeId4h3iZmYiZmZmIiZmZmZmpmZmId2Zndmd2JIuaqqq7mZmqupmqqrqZmarLqZmIiYiJh4iIiIeIh4mHh2ZmZmZmZFipmZqbqJmarKmZqquZmZmrqYmXeJiIiIiYiIiIiIiHh2ZmZmZmZlWKmZmpqoiZqrqZmaq5mZmqupqaqrqZmYq6qpqryYiJeImIiIiJh3iIqXd3eIh4iGZ2ZmVmZmZlZmVVVWVVVVaKqZmZq6mZmbuaqYirmamZu6mYmruYmZrJiJmauYh1RFWbtjIiIhAAAA==" TITLE="It's My Life" ARTIST="Dr Alban"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="96 - Dr Alban - It's My Life.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1030000" KEY_LYRICS="13 ContributorsIt’s My Life Lyrics&#xA;It's my life take it or leave it&#xA;Set me free what's that crap papa-knew-it-all&#xA;I got my own life you got your own life&#xA;Live your life and set me free&#xA;Mind your business and leave my business&#xA;You know everything papa-knew-it-all&#xA;Very little knowledge is dangerous&#xA;Stop bugging me stop bothering me&#xA;Stop bugging me stop forcing me&#xA;Stop fighting me stop yelling me&#xA;It's my life&#xA;&#xA;&#xA;(It's my life)&#xA;It's my life my worries! (It's my life)&#xA;It's my life my problems! (It's my life)&#xA;It's my life my worries! (It's my life)&#xA;It's my life my problems! (It's my life)&#xA;&#xA;&#xA;Do you understand&#xA;I live the way I want to live&#xA;I make decisions day and night&#xA;Show me signs and good examples&#xA;Stop telling me how to run your business&#xA;Take a trip to east and west&#xA;You find that you don't know anything&#xA;Every's getting tired of you&#xA;Sometimes you have to look and listen&#xA;You can even learn from me&#xA;Little knowledge is dangerous&#xA;It's my life&#xA;&#xA;(It's my life)&#xA;It's my life my worries! (It's my life)&#xA;It's my life my problems! (It's my life)&#xA;It's my life my worries! (It's my life)&#xA;It's my life my problems! (It's my life)&#xA;&#xA;&#xA;Set me free&#xA;So you bed so you lie&#xA;What you see is what you get&#xA;Listen to people and sort things out&#xA;Things I do I do them no more&#xA;Things I say I say them no more&#xA;Changes come once in life&#xA;&#xA;&#xA;Stop bugging me stop bothering me&#xA;Stop bugging me stop forcing me&#xA;Stop fighting me stop yelling me&#xA;Stop telling me stop seeing me&#xA;It's my life&#xA;&#xA;&#xA;(It's my life)&#xA;It's my life my worries! (It's my life)&#xA;It's my life my problems! (It's my life)&#xA;It's my life my worries! (It's my life)&#xA;It's my life my problems! (It's my life)&#xA;It's my life (It's my life)&#xA;It's my life (It's my life)&#xA;&#xA;Hoah hoah hoaoah hoah&#xA;(It's my life)&#xA;Ohhhhhhhh yeah&#xA;&#xA;(It's my life)&#xA;Stop fighting me stop bugging me (It's my life)&#xA;Stop forcing me stop yelling at me (It's my life)&#xA;It's my life (It's my life)&#xA;It's my life (It's my life)&#xA;&#xA;Stop fighting me stop bugging me (It's my life)&#xA;Stop forcing me stop yelling at me (It's my life)&#xA;It's my life... (It's my life)" PRODUCER="℗ 1992 BMG Rights Management GmbH" COVERARTID="041/JFHTXPCBIHNY2AUEIV4XCPB133VC" PLAYTIME="240" PLAYTIME_FLOAT="239.933334" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="30450"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="70962" AUDIO_ID="APAVfbhTVmd1M2eIZlZnd1NFWszMzMu7vMu7ukRovMy7vMy7y9u7u7rLu8zcu7vMzLu8zLq8v/7czM3dzMvMzczMzc3MvM3czLzMzMzMzczMzN3NvM3szMzMzMzMzczMzczMuJzf/u3t7c3LvMy7q7vLy7u8y7q7mqrf7Mu7zLu7vMvcvMzLy7upzty7zMzMy8zcu8zNzMu839zMzMzczMzNy7zNzcyXm97e3dzLu8zMu7vMu7u77t27qquYZu7+3LvM7cvMzN/c7qnMzMzczMvM3MzM3czMvM7burvMy7q8zLu7zMvLhni9zMzc3MvN3tzMzd3bzO//y5mahzEAAA==" TITLE="Be My Lover" ARTIST="La Bouche"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="08 - La Bouche - Be My Lover.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1040000" KEY_LYRICS="25 ContributorsTranslationsDeutschEspañolBe My Lover Lyrics“Be My Lover” is a song recorded by La Bouche. It was released in March 1995 as the second single from their album, Sweet Dreams. The song managed to reach #6 on the Billboard Hot 100 chart.&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;Be my lover&#xA;Wanna be my lover (Lover)&#xA;&#xA;&#xA;Lookin' back on all the time we spent together&#xA;You oughta know by now if you wanna be my lover&#xA;Wanna be my lover&#xA;Go ahead and take your time, boy, you gotta feel secure&#xA;Before I'll make you mine, baby, you have to be sure&#xA;You wanna be my lover, wanna be my lover, wanna be my lover&#xA;&#xA;&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover, hey-hey, yeah-yeah&#xA;&#xA;I must confess&#xA;Girl yes, I wanna be your lover&#xA;Take a chance, my love is like no other&#xA;On the dance floor gettin' down&#xA;Hold tight, I'll never let you down&#xA;My love is definitely the key&#xA;Like Boyz II Men, I'm on bended knee&#xA;Loving you, not like your brother&#xA;Ah yeah, I wanna be your lover&#xA;&#xA;&#xA;I hear what you say&#xA;I see what you do&#xA;I know everything I need to know about you&#xA;And I want you to know that it's tellin' me&#xA;You wanna be my lover&#xA;&#xA;&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da (Mm-mm)&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover, hey-hey, yeah-yeah&#xA;Oh, be my baby, yeah-yeah&#xA;Oh, be my lover&#xA;I know you wanna be my lover&#xA;I know you wanna be mine, oh&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da-da, da-da&#xA;La-da-da-dee, da&#xA;La-da-da-da-dee-da&#xA;La-da-dee-da, da-da, da-da&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, wanna be my lover&#xA;A-ha, yeah-hey, oh baby, baby, yeah-yeah" PRODUCER="(P) 1996 Sony Music Entertainment Germany GmbH" COVERARTID="034/C3NNVYAPCDBQUALQTKITDSJALK5B" PLAYTIME="241" PLAYTIME_FLOAT="240.266663" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="30657"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71088" AUDIO_ID="AKUE3////////97+3v/+7////u/u3O7f7tyoiHvsu7qYeqmamqqpianv/////////////////////////////9zc7//////////////////////////////t3O//////////////////////////////qJzf////////7u3f/u7e/////+3u/v/u3KmXjfzLvKmaq6u7u7qaq97N3N7d3M3dzc3c3d/8zNzLu7u7vMzMu6j///////////////////////////////3+///////////////////////////////t2+//////////////////////////////uXUyEA==" TITLE="Running Up That Hill" ARTIST="Bombs Away Reigan"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="33 - Bombs Away, Reigan - Running Up That Hill.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1037000" KEY_LYRICS="16 ContributorsJuly 2022 Singles Release Calendar LyricsWELCOME TO GENIUS' JULY 2022 SINGLES RELEASE CALENDAR!!!&#xA;&#xA;&#xA;&#xA;For July 2022 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights the notable singles released in all genres throughout July 2022. Each song… Read More 7/1&#xA;Adam Turley &amp;amp; Ethan Dufault - &amp;quot;Honest&amp;quot;&#xA;Adri Torrón - &amp;quot;Calentito&amp;quot;&#xA;Ally Salort - &amp;quot;Running Up That Hill&amp;quot;&#xA;ALMA - &amp;quot;Everything Beautiful&amp;quot;&#xA;Alyssa Reid - &amp;quot;When It Hurts&amp;quot;&#xA;Anthem Lights - &amp;quot;Freedom’s Worth the Fight&amp;quot;&#xA;AViVA - &amp;quot;THE OUTSiDE&amp;quot;&#xA;Bazzi - &amp;quot;Miss America&amp;quot;&#xA;Brevin Kim - &amp;quot;I'D GIVE IT ALL UP&amp;quot;&#xA;Bow Anderson - &amp;quot;Selfish&amp;quot;&#xA;Calvin Harris - &amp;quot;New Money&amp;quot; ft. 21 Savage&#xA;Cardi B, Kanye West &amp;amp; Lil Durk - &amp;quot;Hot Shit (Instrumental)&amp;quot;&#xA;Cardi B, Kanye West &amp;amp; Lil Durk - &amp;quot;Hot Shit&amp;quot;&#xA;Catalyna, Young Miko &amp;amp; Cory - &amp;quot;Castigada&amp;quot;&#xA;Catie Turner - &amp;quot;Step Mom&amp;quot;&#xA;CG5 - &amp;quot;Strangest Thing&amp;quot;&#xA;Charlie Puth &amp;amp; Jung Kook - &amp;quot;Left and Right (Instrumental)&amp;quot;&#xA;City Girls - &amp;quot;Good Love&amp;quot; ft. Usher&#xA;CuteBad - &amp;quot;Explosive&amp;quot;&#xA;DJ Drama - &amp;quot;Forever&amp;quot; ft. Fabolous, Benny the Butcher, Jim Jones &amp;amp; Capella Grey&#xA;Duwap Kaine - &amp;quot;Out on Bond&amp;quot;&#xA;Flo Rida - &amp;quot;What a Night&amp;quot;&#xA;Grace Davies - &amp;quot;Wolves&amp;quot;&#xA;HUGEL, Lorna &amp;amp; Jenn Morel - &amp;quot;Tamo Loco&amp;quot;&#xA;Jason Derulo - &amp;quot;Slidin' (BADDIES ONLY Remix)&amp;quot; ft. Kodak Black &amp;amp; BADDIES ONLY&#xA;Jay Fizzle &amp;amp; Snupe Bandz - &amp;quot;Murder&amp;quot;&#xA;Jossef - &amp;quot;Que Raro&amp;quot;&#xA;Joyner Lucas - &amp;quot;ISIS (Remix)&amp;quot; ft. Kvng Moses, Lex Bratcher, Starringo &amp;amp; Tone Catra&#xA;Kaaliyah - &amp;quot;Sunrays&amp;quot;&#xA;Kygo - &amp;quot;Never Really Loved Me&amp;quot; ft. Dean Lewis&#xA;Kyle Richh - &amp;quot;Breakin The Code&amp;quot;&#xA;Little Big Town - &amp;quot;All Summer&amp;quot;&#xA;Lucas &amp;amp; Steve x RetroVision - &amp;quot;Summer Love&amp;quot; ft. Erich Lennig&#xA;Luke Bryan - &amp;quot;Country On&amp;quot;&#xA;MasterM &amp;amp; Alexandra Stan - &amp;quot;I Have a Dream&amp;quot; ft. 24hrs&#xA;Matt Ox - &amp;quot;NO PATIENCE&amp;quot;&#xA;Minelli &amp;amp; R3HAB - &amp;quot;Deep Sea&amp;quot;&#xA;Mozzy - &amp;quot;Lurkin&amp;quot; ft. EST Gee&#xA;Nakkia Gold &amp;amp; Jeremih - &amp;quot;Sober&amp;quot;&#xA;Pollari - &amp;quot;No More Forever!&amp;quot;&#xA;Rae Morris - &amp;quot;A Table for Two&amp;quot;&#xA;renforshort - &amp;quot;Julian, king of manhattan&amp;quot;&#xA;Revol &amp;amp; Arcángel - &amp;quot;Mojadero&amp;quot;&#xA;RichaadEB - &amp;quot;It Has to Be This Way (Instrumental)&amp;quot;&#xA;Sabrina Carpenter - &amp;quot;Vicious&amp;quot;&#xA;Samantha Harvey - &amp;quot;Heartbreak Hangover&amp;quot;&#xA;Sam Fischer - &amp;quot;All My Loving (Acoustic)&amp;quot;&#xA;Sean Kingston - &amp;quot;Rihanna (Umbrella)&amp;quot;&#xA;Skibs - &amp;quot;Hong Kong Kids II&amp;quot;&#xA;Steve Aoki &amp;amp; KAAZE - &amp;quot;Whole Again&amp;quot; ft. John Martin&#xA;Sigala &amp;amp; Talia Mar - &amp;quot;Stay The Night (Alex Chapman Remix)&amp;quot;&#xA;Subwoolfer - &amp;quot;Melocoton (The Donka Donk Song)&amp;quot;&#xA;The Chainsmokers &amp;amp; Bob Moses - &amp;quot;Why Can't You Wait&amp;quot;&#xA;The Goo Goo Dolls - &amp;quot;Yeah, I Like You&amp;quot;&#xA;THEY. - &amp;quot;Comfortable&amp;quot; ft. Fana Hues&#xA;Thouxanbanfauni - &amp;quot;ISSUES&amp;quot; ft. Masidot&#xA;Transviolet - &amp;quot;Destroy Destroy Destroy&amp;quot;&#xA;TroyBoi - &amp;quot;Never Felt This Way&amp;quot;&#xA;Two Friends - &amp;quot;Timebomb&amp;quot; ft. MOD SUN&#xA;Unlike Pluto - &amp;quot;Map of You&amp;quot;&#xA;Wicca Phase Springs Eternal &amp;amp; blackwinterwells - &amp;quot;Forbidden Door&amp;quot;&#xA;7/3&#xA;Duwap Kaine - &amp;quot;Sunken Place&amp;quot;&#xA;Sus - &amp;quot;Caught Inda Rain 2&amp;quot; ft. Lil Dotz, Broadday, Malty 2BZ, Rondomontana, Workrate &amp;amp; Strika&#xA;&#xA;7/4&#xA;Baby Queen - &amp;quot;Nobody Really Cares&amp;quot;&#xA;Jackboy - &amp;quot;Pursue My Dreams&amp;quot;&#xA;Killer Mike - &amp;quot;RUN&amp;quot; ft. Young Thug &amp;amp; Dave Chapelle&#xA;Loyle Carner - &amp;quot;Hate&amp;quot;&#xA;&#xA;7/5&#xA;Bear's Den - &amp;quot;A Good Love, Pt. 2&amp;quot; ft. Maisie Peters&#xA;DigDat - &amp;quot;Life Support&amp;quot;&#xA;easy life &amp;amp; BENEE - &amp;quot;OTT&amp;quot;&#xA;​fish narc - &amp;quot;Disaster&amp;quot; ft. 8485, blackwinterwells &amp;amp; PENTAGRVM&#xA;Key Glock - &amp;quot;Diapers&amp;quot;&#xA;paopao - &amp;quot;paopao&amp;quot;&#xA;ROBI &amp;amp; Totoy El Frio - &amp;quot;Perro Negro&amp;quot;&#xA;S+C+A+R+R - &amp;quot;Come to Me&amp;quot;&#xA;&#xA;7/6&#xA;Alice Boman - &amp;quot;Maybe&amp;quot;&#xA;Alvvays - &amp;quot;Pharmacist&amp;quot;&#xA;Banx &amp;amp; Ranx &amp;amp; JP Cooper - &amp;quot;Fire&amp;quot;&#xA;Bizarrap &amp;amp; Quevedo - &amp;quot;Quevedo: Bzrp Music Sessions, Vol. 52&amp;quot;&#xA;Bring Me The Horizon - &amp;quot;sTraNgeRs&amp;quot;&#xA;Carla Wehbe - &amp;quot;is forever off the table?&amp;quot;&#xA;雲浩影 (Cloud Wan) - &amp;quot;到了那裏就對吧 (Distancing)&amp;quot;&#xA;Doe Boy &amp;amp; Bobby Shmurda - &amp;quot;Catch A Body&amp;quot;&#xA;FLO - &amp;quot;Immature&amp;quot;&#xA;Fumez The Engineer - &amp;quot;30 x Fumez the Engineer - Plugged In&amp;quot;&#xA;馮允謙 (Jay Fung) - &amp;quot;給缺席的人唱首歌 (Song For The Absentees)&amp;quot;&#xA;Mayday Parade - &amp;quot;Thunder&amp;quot;&#xA;Meg Mac - &amp;quot;Letter&amp;quot;&#xA;midwxst - &amp;quot;broken&amp;quot;&#xA;Mili - &amp;quot;Mortal With You&amp;quot;&#xA;​my little airport - &amp;quot;你把我的 (You've Given My)&amp;quot;&#xA;Sophie Ellis-Bextor &amp;amp; Wuh Oh - &amp;quot;Hypnotized&amp;quot;&#xA;Soulja Boy - &amp;quot;Talking Crazy&amp;quot;&#xA;TINI, Becky G &amp;amp; Anitta - &amp;quot;La Loto&amp;quot;&#xA;Tom Chaplin - &amp;quot;Midpoint&amp;quot;&#xA;7/7&#xA;Akemi Fox - &amp;quot;I Want It&amp;quot; ft. July 7&#xA;CB &amp;amp; Kwengface - &amp;quot;Machines&amp;quot;&#xA;Chinx (OS) &amp;amp; Gutta &amp;quot;Pretty Petite&amp;quot;&#xA;Danny Ocean - &amp;quot;Volare&amp;quot;&#xA;Darell &amp;amp; Sech - &amp;quot;Dame Break&amp;quot;&#xA;Digga D - &amp;quot;STFU&amp;quot;&#xA;DJ Alex &amp;amp; EL NOBA - &amp;quot;TEKA | E6&amp;quot;&#xA;DJ Tao &amp;amp; Salastkbron -  &amp;quot;Salas DJ Tao Turreo Session #12&amp;quot;&#xA;Double Lz - &amp;quot;The Beginning&amp;quot;&#xA;Feid - &amp;quot;Normal&amp;quot;&#xA;Ha*Ash - &amp;quot;Si Yo Fuera Tú&amp;quot;&#xA;Hot Chip - &amp;quot;Eleanor&amp;quot;&#xA;Jack River - &amp;quot;Real Life&amp;quot;&#xA;衛蘭 (Janice Vidal) - &amp;quot;呼吸之間 (Be Still)&amp;quot;&#xA;Jimmy - &amp;quot;Page Nine&amp;quot; ft. AlChubbino&#xA;Joey Bada$$ - &amp;quot;Survivors Guilt&amp;quot;&#xA;Julien Baker - &amp;quot;Guthrie&amp;quot;&#xA;Kay-O - &amp;quot;Fight For Air&amp;quot;&#xA;La Gabi - &amp;quot;NOSE&amp;quot;&#xA;Lotto Ash - &amp;quot;Ooh La La&amp;quot; ft. M1llionz &amp;amp; wewantwraiths&#xA;Lunay - &amp;quot;Epapale&amp;quot;&#xA;Madeline The Person - &amp;quot;Why I Broke Up With You&amp;quot;&#xA;Morgen - &amp;quot;Mom Jeans&amp;quot;&#xA;Oliver Sim - &amp;quot;GMT&amp;quot;&#xA;Phoebe Go - &amp;quot;The Kid&amp;quot;&#xA;Rachel Chinouriri - &amp;quot;Thank You For Nothing - A COLORS SHOW&amp;quot;&#xA;Russ Millions - &amp;quot;Fall in Love&amp;quot;&#xA;SG Lewis - &amp;quot;Missing You&amp;quot;&#xA;SG Lewis - &amp;quot;Something About Your Love&amp;quot;&#xA;Steps - &amp;quot;Hard 2 Forget&amp;quot;&#xA;The 1975 - &amp;quot;Part of the Band&amp;quot;&#xA;Tiago PZK - &amp;quot;Casa De Chapa&amp;quot;&#xA;Tony Shhnow - &amp;quot;Ease My Pain&amp;quot;&#xA;Zeina - &amp;quot;Give Me Time&amp;quot;&#xA;7/8&#xA;​a-ha - &amp;quot;I'm In&amp;quot;&#xA;AleXa - &amp;quot;Wonderland (Stripped)&amp;quot;&#xA;Ava Max - &amp;quot;Maybe You're the Problem (Las Bibas from Vizcaya Remix)&amp;quot;&#xA;AURORA - &amp;quot;The Devil Is Human&amp;quot;&#xA;blackbear - &amp;quot;the idea&amp;quot;&#xA;BlueBucksClan - &amp;quot;FYM&amp;quot;&#xA;Boyce Avenue - &amp;quot;The Sound of Silence&amp;quot;&#xA;Brooklyn Queen - &amp;quot;Mentions&amp;quot;&#xA;BRS Kash - &amp;quot;Mad At Her&amp;quot;&#xA;Call Me Karizma - &amp;quot;Vacuum Boy (Remix)&amp;quot; ft. Bizarre&#xA;Camden Cox - &amp;quot;Elevated&amp;quot;&#xA;Ciara - &amp;quot;JUMP&amp;quot; ft. Coast Contra&#xA;Cuco - &amp;quot;Aura&amp;quot;&#xA;Cyclo &amp;amp; Tefa - &amp;quot;Mezcalito Sobre Verano&amp;quot;&#xA;Declan J Donovan - &amp;quot;Regret Not Loving You&amp;quot;&#xA;Dillon Francis, ILLENIUM &amp;amp; EVAN GIIA - &amp;quot;Don't Let Me Let Go&amp;quot;&#xA;Diplo &amp;amp; Miguel - &amp;quot;Don’t Forget My Love (Acoustic)&amp;quot;&#xA;DNCE - &amp;quot;Got Me Good&amp;quot;&#xA;Doechii - &amp;quot;Bitch I'm Nice&amp;quot;&#xA;EDEN - &amp;quot;Balling&amp;quot;&#xA;Eli Fross - &amp;quot;Bad Days&amp;quot; ft. Sleepy Hallow&#xA;ELIO - &amp;quot;9 Lives&amp;quot;&#xA;Emotional Oranges - &amp;quot;Bounce&amp;quot;&#xA;Erin Grand - &amp;quot;Eye To Eye&amp;quot; ft. Zack Dyer&#xA;Five Finger Death Punch - &amp;quot;Times Like These&amp;quot;&#xA;Fivio Foreign &amp;amp; The Kid LAROI - &amp;quot;Paris to Tokyo&amp;quot;&#xA;Fleurie - &amp;quot;Rain in the Summer&amp;quot;&#xA;Futuristic - &amp;quot;Highs &amp;amp; Lows&amp;quot;&#xA;Garrett Nash - &amp;quot;Money, Love &amp;amp; Death&amp;quot;&#xA;Hope Tala - &amp;quot;Is It Enough&amp;quot;&#xA;Hotboii &amp;amp; Kodak Black - &amp;quot;Live Life Die Faster&amp;quot;&#xA;Hunter Hayes - &amp;quot;Missing You&amp;quot;&#xA;Jae Lynx - &amp;quot;Be Us&amp;quot;&#xA;JAY MAX - &amp;quot;Sabes (I Ain't Playing)&amp;quot;&#xA;Jay Wheeler &amp;amp; Mora - &amp;quot;Suelta&amp;quot;&#xA;JGreen - &amp;quot;Soul Ties&amp;quot;&#xA;Jonasu &amp;amp; Georgia Ku - &amp;quot;Trouble&amp;quot;&#xA;K CAMP - &amp;quot;Holy Spirit&amp;quot;&#xA;Kameron Marlowe - &amp;quot;We Were Cowboys&amp;quot;&#xA;Keith Urban - &amp;quot;Brown Eyes Baby&amp;quot;&#xA;KILLBOY - &amp;quot;LOSER&amp;quot;&#xA;King Princess - &amp;quot;Change the Locks&amp;quot;&#xA;KT Tunstall - &amp;quot;I Am the Pilot&amp;quot;&#xA;Kygo &amp;amp; Dean Lewis - &amp;quot;Lost Without You&amp;quot;&#xA;Kyle Dion - &amp;quot;Spoon &amp;amp; Bang&amp;quot;&#xA;Låpsley - &amp;quot;32 Floors&amp;quot;&#xA;Lilyisthatyou - &amp;quot;Competition&amp;quot;&#xA;Lloyd Banks - &amp;quot;Fell in Love&amp;quot;&#xA;Loud Luxury - &amp;quot;These Nights&amp;quot; ft. KIDDO&#xA;LOVE SICK - &amp;quot;I Take It All Back&amp;quot;&#xA;Lucas Estrada, NSH &amp;amp; Alon - &amp;quot;It's On Me&amp;quot;&#xA;Lul Bob &amp;amp; KB Mike - &amp;quot;Toxic Traits&amp;quot;&#xA;Mallory Merk - &amp;quot;Isolate Myself&amp;quot;&#xA;Marshmello &amp;amp; Nancy Ajram - &amp;quot;Sah Sah&amp;quot;&#xA;MASN - &amp;quot;Adrenaline&amp;quot;&#xA;Matt Ox - &amp;quot;RECOUP&amp;quot;&#xA;Mckenna Grace - &amp;quot;Post Party Trauma&amp;quot;&#xA;Montaigne - &amp;quot;die b4 u&amp;quot;&#xA;Murda Beatz - &amp;quot;NO MÁS&amp;quot; ft. Quavo, J Balvin, Anitta &amp;amp; Pharrell Williams&#xA;Nadia Rose - &amp;quot;Recipe&amp;quot;&#xA;Nathan Dawe - &amp;quot;21 Reasons (LUSSO Remix)&amp;quot; ft. Ella Henderson&#xA;NIKI - &amp;quot;Oceans &amp;amp; Engines&amp;quot;&#xA;NLE Choppa - &amp;quot;In the UK&amp;quot;&#xA;Noah Kahan - &amp;quot;Stick Season&amp;quot;&#xA;Piso 21 &amp;amp; Manuel Turizo - &amp;quot;Los Cachos&amp;quot;&#xA;Pitbull - &amp;quot;Café Con Leche&amp;quot;&#xA;Quinn Lewis - &amp;quot;History Buff&amp;quot;&#xA;Room307 - &amp;quot;Not a Commodity&amp;quot;&#xA;Rotimi - &amp;quot;Throwback&amp;quot; ft. Jnr Choi &amp;amp; Blackway&#xA;Saiko, Lola Indigo &amp;amp; Alejo - &amp;quot;Humedad (Remix)&amp;quot;&#xA;Sick Individuals &amp;amp; Dastic - &amp;quot;I'll Be There&amp;quot;&#xA;SiR  - &amp;quot;Life Is Good&amp;quot;&#xA;Skibs - &amp;quot;Reach Higher&amp;quot;&#xA;$NOT - &amp;quot;MS PORTER&amp;quot; ft. Night Lovell&#xA;Travis Denning - &amp;quot;Buy A Girl A Drink&amp;quot;&#xA;Tyga - &amp;quot;Ay Caramba&amp;quot;&#xA;Unlike Pluto - &amp;quot;Recapture the Magic&amp;quot;&#xA;Timmy Trumpet &amp;amp; Ben Nicky - &amp;quot;We Come 1&amp;quot;&#xA;Walk Off The Earth - &amp;quot;Back in Bed&amp;quot;&#xA;YBN Nahmir - &amp;quot;Bows&amp;quot;&#xA;YNW Bortlen &amp;amp; Boss Top - &amp;quot;Talkin Bout&amp;quot;&#xA;Young Miko - &amp;quot;Riri&amp;quot;&#xA;Zoe Wees - &amp;quot;Third Wheel&amp;quot;&#xA;&#xA;7/9&#xA;Selfmxdebless - &amp;quot;BEEN OLD&amp;quot;&#xA;&#xA;7/11&#xA;Jer 柳應廷 - &amp;quot;自毀的程序 (Procedures to Self-destruction)&amp;quot;&#xA;Rico Nasty - &amp;quot;Skull Flower&amp;quot;&#xA;Young King Slaton - &amp;quot;You Always Be My First Class&amp;quot;&#xA;&#xA;7/12&#xA;Beartooth - &amp;quot;Riptides&amp;quot;&#xA;bill wurtz - &amp;quot;​meet me in september&amp;quot;&#xA;black midi - &amp;quot;Sugar/Tzu&amp;quot;&#xA;Fred again.. - &amp;quot;Jungle (Remix)&amp;quot; ft. Rico Nasty&#xA;艾粒 (ILUB) - &amp;quot;邊個話你醜? (UGLY?)&amp;quot;&#xA;Lil Shordie Scott - &amp;quot;DO NOT KNOW YOU&amp;quot;&#xA;Lizzie Reid - &amp;quot;Warpaint&amp;quot;&#xA;Mabel - &amp;quot;Crying On The Dance Floor&amp;quot;&#xA;Mozzy - &amp;quot;Open Arms&amp;quot;&#xA;Sofia Carson - &amp;quot;Come Back Home&amp;quot;&#xA;Tegan and Sara - &amp;quot;Yellow&amp;quot;&#xA;&#xA;7/13&#xA;5 Seconds of Summer - &amp;quot;BLENDER&amp;quot;&#xA;Charley Crockett - &amp;quot;I’m Just a Clown&amp;quot;&#xA;Danger Mouse &amp;amp; Black Thought - &amp;quot;Aquamarine&amp;quot; ft. Michael Kiwanuka&#xA;Death Cab for Cutie - &amp;quot;Here to Forever&amp;quot;&#xA;DEKKO - &amp;quot;Byemalandra&amp;quot;&#xA;Elli Moore - &amp;quot;Bathing Suit&amp;quot;&#xA;Flo Milli - &amp;quot;No Face&amp;quot;&#xA;Fumez The Engineer &amp;amp; Strika - &amp;quot;Strika x Fumez The Engineer - Plugged In&amp;quot;&#xA;George Riley - &amp;quot;Time&amp;quot;&#xA;Karma - &amp;quot;Nonchalant&amp;quot;&#xA;Meechy Darko - &amp;quot;Get Lit Or Die Tryin’&amp;quot;&#xA;Nakhane - &amp;quot;Tell Me Your Politik&amp;quot; ft. Moonchild Sanelly &amp;amp; Nile Rodgers&#xA;Nina Nesbitt - &amp;quot;No Time (For My Life to Suck)&amp;quot;&#xA;ODESZA - &amp;quot;Light of Day&amp;quot; ft. Ólafur Arnalds&#xA;Santigold - &amp;quot;Nothing&amp;quot;&#xA;SpotEmGottem - &amp;quot;Get Backers&amp;quot;&#xA;The Big Moon - &amp;quot;Wide Eyes&amp;quot;&#xA;Zakhar - &amp;quot;DND&amp;quot;&#xA;&#xA;7/14&#xA;3AM - &amp;quot;Bombón&amp;quot;&#xA;Anuel AA, Zion &amp;amp; Randy - &amp;quot;Malo&amp;quot;&#xA;Dani Torres, ECKO &amp;amp; Alex Gárgolas - &amp;quot;Burlao&amp;quot; ft. Trainer&#xA;ella jane - &amp;quot;Party Trick&amp;quot;&#xA;FMK &amp;amp; Lola Indigo - &amp;quot;Antes Que Salga el Sol&amp;quot;&#xA;G Flip - &amp;quot;Waste Of Space&amp;quot;&#xA;Grant Knoche - &amp;quot;ICARUS&amp;quot;&#xA;Kojey Radical - &amp;quot;Born (Remix)&amp;quot; ft. Cashh &amp;amp; King Promise&#xA;Maggie Rogers - &amp;quot;Horses&amp;quot;&#xA;P!nk - &amp;quot;Irrelevant&amp;quot;&#xA;Surf Curse - &amp;quot;TVI&amp;quot;&#xA;Taze &amp;amp; Horrid1 -&amp;quot;Rinse It&amp;quot;&#xA;Tiago PZK &amp;amp; Myke Towers - &amp;quot;Traductor&amp;quot;&#xA;&#xA;7/15&#xA;Anson Seabra - &amp;quot;One Day Less&amp;quot;&#xA;Bad Gyal - &amp;quot;Sexy&amp;quot;&#xA;Bailey Zimmerman - &amp;quot;Rock and A Hard Place (Acoustic)&amp;quot;&#xA;Bankrol Hayden - &amp;quot;Deep End&amp;quot; ft. Lil Skies&#xA;Bella Poarch - &amp;quot;Dolls&amp;quot;&#xA;Bizzy Crook - &amp;quot;Spilled Milk&amp;quot;&#xA;Blu DeTiger &amp;amp; Biig Piig - &amp;quot;Crash Course&amp;quot;&#xA;Bobby Shmurda - &amp;quot;Hoochie Daddy&amp;quot;&#xA;Calvin Harris, Justin Timberlake, Halsey &amp;amp; Pharrell Williams - &amp;quot;Stay With Me&amp;quot;&#xA;Cam Anthony - &amp;quot;Keep It Between Us&amp;quot;&#xA;COLLAR - &amp;quot;OFF/ON&amp;quot;&#xA;Corey Harper - &amp;quot;2 Tickets&amp;quot;&#xA;Cyn - &amp;quot;House With a View&amp;quot;&#xA;DaniLeigh - &amp;quot;Heartbreaker&amp;quot;&#xA;Demi Lovato - &amp;quot;SUBSTANCE&amp;quot;&#xA;Digga D, Timal &amp;amp; Art de rue - &amp;quot;Frenches&amp;quot;&#xA;Ellie Goulding - &amp;quot;Easy Lover&amp;quot; ft. Big Sean&#xA;FCG Heem - &amp;quot;Closer&amp;quot;&#xA;FINNEAS - &amp;quot;Mona Lisa, Mona Lisa&amp;quot;&#xA;陳卓賢 (Ian Chan) - &amp;quot;Distance&amp;quot;&#xA;Joe Trufant - &amp;quot;Gin &amp;amp; Tonic (Remix)&amp;quot; ft. Sy Ari da Kid&#xA;JNYBeatz - &amp;quot;Let’s take it easy&amp;quot; ft. 張繼聰 (Louis Cheung)&#xA;JYDN HILL - &amp;quot;Shame On You&amp;quot;&#xA;Kai Whiston - &amp;quot;Carrier Signal&amp;quot; ft. EDEN&#xA;Kelsea Ballerini - &amp;quot;LOVE IS A COWBOY&amp;quot;&#xA;Latto - &amp;quot;PUSSY&amp;quot;&#xA;Lily Rose - &amp;quot;In My Drinks&amp;quot;&#xA;Kash XO - &amp;quot;Clear the Room&amp;quot; ft. Fivio Foreign&#xA;Maisie Peters - &amp;quot;Cate’s Brother (BRELAND’s Version)&amp;quot; ft. BRELAND&#xA;Mario &amp;amp; Tory Lanez - &amp;quot;Main One&amp;quot;&#xA;Matt Ox - &amp;quot;SOUL&amp;quot;&#xA;Martin Garrix, DallasK &amp;amp; Sasha Alex Sloan - &amp;quot;Loop&amp;quot;&#xA;Maxo Kream - &amp;quot;FOOTBALL HEADS&amp;quot; ft. Benny the Butcher&#xA;Monica - &amp;quot;Friends&amp;quot; ft. Ty Dolla $ign&#xA;Natalie Jane - &amp;quot;Mentally Cheating&amp;quot;&#xA;Oliver Tree - &amp;quot;Placeholder&amp;quot;&#xA;Omar Apollo - &amp;quot;Archetype&amp;quot;&#xA;Paula Cendejas &amp;amp; Las Villa - &amp;quot;Dolía&amp;quot;&#xA;Phora - &amp;quot;Habitual Pain&amp;quot;&#xA;Projexx &amp;amp; Juls - Caution&#xA;Projexx &amp;amp; Juls - Turn Around&#xA;Rhys Lewis - &amp;quot;Simple&amp;quot;&#xA;Roy Woods - &amp;quot;Bad Bad&amp;quot;&#xA;S-X - &amp;quot;It's Over Now&amp;quot;&#xA;Sammy Rae &amp;amp; The Friends - &amp;quot;For The Time Being&amp;quot;&#xA;St. Lucia - &amp;quot;Touch&amp;quot;&#xA;Sunny Sweeney - &amp;quot;Easy As Hello&amp;quot;&#xA;Tom Grennan - &amp;quot;All These Nights&amp;quot;&#xA;Toosii - &amp;quot;Love Is...&amp;quot;&#xA;Tyler Hubbard - &amp;quot;Way Home&amp;quot;&#xA;Unlike Pluto - &amp;quot;Animated&amp;quot;&#xA;UnoTheActivist - &amp;quot;Product Of A Playa&amp;quot;&#xA;Wade Bowen - &amp;quot;A Guitar, A Singer and A Song&amp;quot;&#xA;&#xA;7/16&#xA;Lil Uzi Vert - &amp;quot;SPACE CADET&amp;quot;&#xA;&#xA;7/17&#xA;Tion Wayne - &amp;quot;Who's Real?&amp;quot;&#xA;&#xA;7/18&#xA;Ambar Lucid - &amp;quot;Timeless&amp;quot;&#xA;李駿傑 (Jeremy Lee) - &amp;quot;九 (Nine)&amp;quot;&#xA;陳葦璇 (Kira Chan) - &amp;quot;一個傻瓜一個啞 (Shy &amp;amp; Silent)&amp;quot;&#xA;Kiri T - &amp;quot;u owe me $$&amp;quot;&#xA;Lérica &amp;amp; Belinda - &amp;quot;No Estamos Tan Locos&amp;quot;&#xA;梁釗峰 (Leung Chiu Fung) - &amp;quot;火燒心 (Tinder Notification)&amp;quot;&#xA;Lil Uzi Vert - &amp;quot;I KNOW&amp;quot;&#xA;Luísa Sonza - &amp;quot;CACHORRINHAS&amp;quot;&#xA;Zinon - &amp;quot;LERA&amp;quot;&#xA;&#xA;7/19&#xA;洪嘉豪 (Hung Kaho) - &amp;quot;污糟兒 (Dirty)&amp;quot;&#xA;Jessie Ware - &amp;quot;Free Yourself&amp;quot;&#xA;MC 張天賦 (Cheung Tinfu) - &amp;quot;老派約會之必要 (A Gentleman's Guide to Old-Fashioned Dating)&amp;quot;&#xA;RichaadEB - &amp;quot;Running Up That Hill&amp;quot; ft. 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<INFO BITRATE="1045000" KEY_LYRICS="8 ContributorsDub-I-Dub Lyrics&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love anymore&#xA;&#xA;&#xA;I don't need you here by my side&#xA;No more, no more, no&#xA;And when I feel your love deep inside&#xA;I will forget, oh yeah&#xA;&#xA;&#xA;So don't you dare come knocking on my door&#xA;When you need someone to hold&#xA;'Cause every door and window is closed&#xA;I can live, live without your love&#xA;&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love anymore&#xA;&#xA;&#xA;You left me, you went away&#xA;Yeah yeah yeah yeah&#xA;And now you say you're back to stay&#xA;No way, no way&#xA;&#xA;&#xA;So don't you dare come knocking on my door&#xA;When you need someone to hold&#xA;'Cause every door and window is closed&#xA;I can live, live without your love&#xA;&#xA;&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love anymore&#xA;&#xA;&#xA;&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;Dub-i-dub-i-dub-i-yeah-yeah&#xA;Dub-i-dub-i-dub-i-dub-dub-dub&#xA;I don't need your love&#xA;&#xA;&#xA;Love is cold, yeah&#xA;I don't need your&#xA;Love is cold, yeah&#xA;I don't need&#xA;&#xA;&#xA;Dub-i-dub-i-dub-i-dub-dub-dub (Love is)&#xA;Dub-i-dub-i-dub-i-yeah-yeah (Cold yeah)&#xA;Dub-i-dub-i-dub-i-dub-dub-dub (I don't)&#xA;I don't need your love (Need your)&#xA;Dub-i-dub-i-dub-i-dub-dub-dub (Love is)&#xA;Dub-i-dub-i-dub-i-yeah-yeah (Cold, yeah)&#xA;Dub-i-dub-i-dub-i-dub-dub-dub (I don't)&#xA;I don't need your love anymore (Need your love)" PRODUCER="℗ 1995 Parlophone Music Denmark - a Warner Music Group Company" COVERARTID="066/CKV232CLSM5B3BNHFDLDBISQ2GMD" PLAYTIME="205" PLAYTIME_FLOAT="205.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="1996/1/1" FLAGS="12" FILESIZE="26350"></INFO>
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<INFO BITRATE="1045000" KEY_LYRICS="6 ContributorsGot to Get It LyricsGot to get it got to get it out of my head&#xA;I think I expexted too much of it&#xA;Got to get it got to get it out of my head&#xA;I know I wanted too much from it&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;&#xA;Can't get you out of my head I try&#xA;Thoughts of you I just cannot defy&#xA;We must have had something real strong&#xA;I'm tossing turning all night long&#xA;Can't even enjoy a fantasy&#xA;Without your face jumping in a scene&#xA;Can't escape your grip 'cause you clutch my mind&#xA;Wanna dream of other girls but you I find&#xA;Thought getting you out of my heart was hard&#xA;But now I see that was just the start&#xA;Your legacy is trying to drive me mad&#xA;To forget I concentrate on all the bad&#xA;Can't shake this monkey off my back&#xA;Tried drinking everything from beer to jack&#xA;No answers in all the books I've read&#xA;All I know is I've got to get you out of my head&#xA;Got to get it got to get it out of my head&#xA;I think I expexted too much of it&#xA;Got to get it got to get it out of my head&#xA;I know I wanted too much from it&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;&#xA;Yeah yeah yeah&#xA;Out of my thoughts let go my mind&#xA;Out of my thoughts let go my mind&#xA;Out of my thoughts let go my mind&#xA;Out of my thoughts let go my mind&#xA;Out of my thoughts let go my mind&#xA;Out of my thoughts let go my mind&#xA;Out of my thoughts let go my mind&#xA;&#xA;I'm gonna have to change this thing so let's stop it for a second&#xA;Okay let's do it&#xA;&#xA;Got to get it got to get it out of my head&#xA;I think I expexted too much of it&#xA;Got to get it got to get it out of my head&#xA;I know I wanted too much from it&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Yeah yeah yeah&#xA;&#xA;Got to get it got to get it out of my head&#xA;I think I expexted too much of it&#xA;Got to get it got to get it out of my head&#xA;I know I wanted too much from it&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;Who needs to feel like that&#xA;Got to get it got to get it&#xA;&#xA;Yeah yeah yeah" PRODUCER="2012 Abfahrt Media GmbH" COVERARTID="016/QMUF4ZBQV1EHNBYWKLTCB4A2WJHA" PLAYTIME="322" PLAYTIME_FLOAT="321.426666" IMPORT_DATE="2025/4/14" RELEASE_DATE="1993/1/1" FLAGS="12" FILESIZE="41242"></INFO>
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<INFO BITRATE="1045000" KEY_LYRICS="2 ContributorsCreep LyricsWhen you were here before&#xA;Couldn't look you in the eyes&#xA;You're just like an angel&#xA;Your skin makes me cry&#xA;You float like a feather&#xA;In a beautiful world&#xA;&#xA;I wish I was special&#xA;You're so very special&#xA;But I'm a creep&#xA;I'm a weirdo&#xA;What the hell am I doing here?&#xA;I don't belong here&#xA;So I'm a creep&#xA;I'm a weirdo&#xA;What the hell am I doing here?&#xA;I don't belong here&#xA;I don't belong here&#xA;&#xA;I don't belong here&#xA;&#xA;Don't care if it hurts&#xA;I wanna have control&#xA;Want a perfect body&#xA;Want a perfect soul&#xA;And I want you to notice&#xA;When I'm not around&#xA;You're so very special&#xA;Yeah I wish I was special&#xA;But I'm a creep&#xA;I'm a weirdo&#xA;What the hell am I doing here?&#xA;I don't belong here&#xA;Oh, oh, she&#xA;She's running out again, hey&#xA;She's running out&#xA;She runs, runs, run&#xA;Run&#xA;&#xA;I don't belong here&#xA;I don't belong here" PRODUCER="Dancing Dead" COVERARTID="109/NXIIQ2BLZ24PBC4BTDZABGAX2BIA" PLAYTIME="204" PLAYTIME_FLOAT="203.225800" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="26347"></INFO>
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<INFO BITRATE="1042000" KEY_LYRICS="35 ContributorsBetter Off Alone Lyrics&#xA;&#xA;&#xA;Do you think you're better off alone?&#xA;Do you think you're better off alone?&#xA;Do you think you're better off alone?&#xA;Do you think you're better off alone?&#xA;&#xA;&#xA;&#xA;&#xA;Talk to me, ooh-ooh, talk to me&#xA;Talk to me, ooh-ooh, talk to me&#xA;&#xA;&#xA;Do you think you're better off alone?&#xA;Do you think you're better off alone?&#xA;&#xA;&#xA;&#xA;&#xA;Do you think you're better off alone?&#xA;Do you think you're better off alone?&#xA;Do you think you're better off alone?&#xA;Do you think you're better off alone?&#xA;&#xA;Talk to me, ooh-ooh, talk to me&#xA;Talk to me, ooh-ooh, talk to me&#xA;Talk to me" PRODUCER="℗ 1998 Universal International Music B.V." COVERARTID="084/U0BZQ1C2KH4MNBMJVWSLCILG4X3B" PLAYTIME="215" PLAYTIME_FLOAT="214.883270" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="27557"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71397" AUDIO_ID="AH0AXcyMuJq6mrmYh3Z2Z3d4id7bzJiJiJqJqpiJiJmnht/////////////////////////////////////JqKrP////////////////////////////////////zM3Mv//////////v///////////////////9/////+vOqqv+3Kmt3N2srczdm67e3c7f/ty73c3by+3d28rd3Nvt///eze7fzr7ezqyu3u/Nz+7v7//v////////+7vMuY29m6qry7pt///////////////////////////ezu3////////////////////////////////////8y+zLgQAAAA==" TITLE="Dom Dom Yes Yes" ARTIST="Timmy Trumpet R3HAB Naeleck"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="94 - Timmy Trumpet, R3HAB, Naeleck - Dom Dom Yes Yes.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1044000" KEY_LYRICS="1 ContributorDom Dom Yes Yes Lyrics&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;&#xA;&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Yes, yes, yes, yes&#xA;Shtib, shtibidid&#xA;Shtibidi&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Yes, yes, yes, yes&#xA;Dabudu, dabudu, dabudu&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Yes, yes, yes, yes&#xA;Shtib, shtibidid&#xA;Shtibidi&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Yes, yes, yes, yes&#xA;Dabudu, dabudu, dabudu&#xA;&#xA;&#xA;Tr-r-r, shtibididob&#xA;Tr-r-r, shtibididob&#xA;&#xA;&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;&#xA;Tr-r-r, shtibididob dob, dob, dob, dob&#xA;Yes, yes, yes, yes&#xA;Dabudu, dabudu, dabudu&#xA;Tr-r-r, shtibididob" PRODUCER="(P) 2023 CYB3RPVNK, under exclusive license to Signatune, a joint venture with Sony Music Entertainment France SAS" COVERARTID="072/I01HVKBL3LTUADPQOR01B1KXBNLA" PLAYTIME="126" PLAYTIME_FLOAT="125.279999" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="16351"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71175" AUDIO_ID="AIsn+q3c683v7qq6uqvM/Zz8783+///+2XWHv/////////////////////////////////////////////////////////////////zM3/67r/////////////////////////+nd3ZoZnz4eGVUMzbbjai7e8r///7v7Frpi9qqqq3Jqaqqmsu8acudm93Zqtx6mKy9/d3tvMvdu8vMmJq97M+r/M/O///+3Ml+///////////////////////////////////////////////////////////////////////////////////////////////N7cIQAAAAAAAAAA==" TITLE="I Would Like" ARTIST="JKAY"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="52 - JKAY - I Would Like.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1043000" KEY_LYRICS="5 ContributorsDiamond Dust LyricsAs I slip my kicks on one foot at a time&#xA;Then I throw these denim on that I just put to the side&#xA;Shades and shirt match now, feel good cause I'm fly&#xA;Stand up, approach the mirror then look in my eyes&#xA;The clothes ain't making me a better man&#xA;I woke up today praying for a better plan&#xA;Even though I'm fly, I'm trying to make it out of Neverland&#xA;Cause if I never grow up then who gon' lend a hand?&#xA;Just a hook, I call it piracy&#xA;I'm losing privacy, but here's the irony&#xA;I want to be alone when I step inside my home&#xA;But then I'm looking at my phone, hoping that a girl's dialing me&#xA;But it never rings, no text either&#xA;I'm staring at my BlackBerry's BBM feature&#xA;And I know she read it, I see the &amp;quot;R&amp;quot;&#xA;If you ain't gonna respond, then why you read it for?&#xA;Art galleries and rap battles&#xA;Super Street Fighter IV, bad damsels&#xA;$300 kicks, plaid flannels&#xA;This is my life, welcome to my Black Apple&#xA;I seen competition pass me&#xA;But ask me if I think any will outlast me&#xA;And lastly, I reply gladly&#xA;The flyest Benz couldn't outclass me; diamond dust&#xA;Diamond dust&#xA;Diamond dust&#xA;Diamond dust&#xA;Diamond dust&#xA;Abandoned, but never stranded&#xA;I'll see you when I get here, I just landed&#xA;Lost my laptop and can't figure how that happened&#xA;I hope my carelessness made somebody else happy&#xA;My brother Dutch told me since day 1&#xA;Him and I would be like Jay-Z and Dame, son&#xA;At the Grammy podium, water in my eyes, I'm trying to hold it in&#xA;I can't wait until that day comes&#xA;I thought about where I came from&#xA;I ain't have an opportunity until I made one&#xA;So when I say &amp;quot;I'm Better Than You&amp;quot;&#xA;I only say it to the person I literally changed from&#xA;Anyway, I got to say it everyday&#xA;Soundtrack to my life, got to play it everyday&#xA;Why rap about money, spending paper everyday&#xA;When there's people that's poor out in Haiti everyday?&#xA;It's crazy in a way, but that don't stop me&#xA;From shopping and copping things that I do not need&#xA;Damn, I make it up to my fans&#xA;Who really don't think I say as much as I can&#xA;Well, I'm not laying up in the sand&#xA;I spread diamonds to the people, break them up in my hands&#xA;Dust, diamond dust&#xA;Diamond dust&#xA;Diamond dust&#xA;Diamond dust&#xA;Diamond dust&#xA;Diamond dust&#xA;Diamond dust&#xA;Diamond dust" PRODUCER="All Ways Dance" COVERARTID="044/MFN4N3BQGE5JSCX0QGQODLTOWQ0A" PLAYTIME="139" PLAYTIME_FLOAT="138.565109" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="18166"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71183" AUDIO_ID="AO83d3d3ipiIiImZmZmqqYiIm5h2Z3d5qZmqq7ur3MzMqqy7rO3Ny+u6ve7b3t3d3rzMzMzL3cu83czMvMy77s27y83Mzd7t7uvN3cvKzd7d3arM7by7vO3d28zM3d3dzd7c7Lqs3N3KrP7bq5m8vcuqvbu8/t3d/Lqu/uvf7O3fu83cvN3N2qzKrNu7vd3cu9ypza3L//7d7su926rP7+zN67zsvMzN/d3bvMzd3d3d39zrqavMzMuazKuqmby8zKq8uqvdzd3syqvt7d7c3d7Mmt7LvN3O7eu5rNzM7u3e793d3cze7czMuHd5mGV2VURDIiEREREQAAAAAAAAAA==" TITLE="Celebration" ARTIST="Kylie Minogue"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="54 - Kylie Minogue - Celebration.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1045000" KEY_LYRICS="13 ContributorsCelebration Lyrics&#xA;Wah-ho&#xA;Wah-ho&#xA;Wah-ho&#xA;&#xA;&#xA;Celebrate good times, come on&#xA;It's a celebration&#xA;Celebrate good times, come on&#xA;Let's celebrate&#xA;&#xA;&#xA;There's a party going on right here&#xA;A celebration to last throughout the years&#xA;So bring your good times and your laughter, too&#xA;We're gonna celebrate your party with you&#xA;Come on now (Celebration)&#xA;Let's all celebrate and have a good time (Celebration)&#xA;We're gonna celebrate and have a good time&#xA;&#xA;&#xA;It's time to come together&#xA;It's up to you, what's your pleasure?&#xA;Everyone around the world, come on&#xA;&#xA;&#xA;Wah-ho&#xA;It's a celebration&#xA;Wah-ho&#xA;Celebrate good times, come on&#xA;It's a celebration&#xA;Celebrate good times, come on&#xA;Let's celebrate&#xA;&#xA;We're gonna have a good time tonight&#xA;Let's celebrate, it's alright&#xA;We're gonna have a good time tonight&#xA;Let's celebrate, it's alright, baby&#xA;We're gonna have a good time tonight (Celebration)&#xA;Let's celebrate, it's alright&#xA;We're gonna have a good time tonight (Celebration)&#xA;Let's celebrate, it's alright&#xA;&#xA;&#xA;It's time to come together&#xA;It's up to you, what's your pleasure?&#xA;Everyone around the world, come on&#xA;&#xA;&#xA;Wah-ho&#xA;Wah-ho&#xA;Celebrate good times, come on (Let's celebrate, woo-hoo)&#xA;Celebrate good times, come on (Let's celebrate)&#xA;It's a celebration&#xA;Celebrate good times, come on (Let's celebrate)&#xA;Come on and celebrate tonight (Celebrate good times, come on)&#xA;'Cause everything's gonna be alright, let's celebrate&#xA;Celebrate good times, come on&#xA;It's a celebration&#xA;Celebrate good times, come on&#xA;Let's celebrate" PRODUCER="℗ 1992 The copyright in this sound recording is owned by PAL Productions Ltd" COVERARTID="063/5V3KP1AB1UHTQBQ3510PC4CS2FKD" PLAYTIME="239" PLAYTIME_FLOAT="238.746674" IMPORT_DATE="2025/4/14" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="30744"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71347" AUDIO_ID="ANcVV3ZlVVV2ZWZ4qGmIiHdniHiYhqqHdnd6mM7t3e7d7t3e/v/t7u7//d7e7v3N7u7+3e//7+3u///+3u7u7t3d7d3d3e3u7u7v7//uu87/7f7t7t3N/u3eze7t/8zszf/+7v/u/t7u7d3t3d3e3dzM//7u7///3e7v/+3e7u/93u7u/t3////t7v7//d7v7/3dvM3d3d3t7v7u7/7u3u7u/+3KvLd4iIh3Z3h3eIiZmpu5mZmZxTSv/d3u3v/u7v///u7v//7f/u7+3e/+7tze///+3////t7e7////////u////7e/////v//yImJeIeJmIiXd5iHh3eJeHhBAA==" TITLE="Around the World (La La La La La) (Radio Version)" ARTIST="A Touch Of Class"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="86 - A Touch Of Class - Around the World (La La La La La) (Radio Version).flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1049000" KEY_LYRICS="2 ContributorsAround the World (La La La La La)  Lyrics&#xA;The kisses of the sun&#xA;Were sweet, I didn't blink&#xA;I let it in no eyes&#xA;Like an exotic trick&#xA;The radio playin’ songs&#xA;That I have never heard&#xA;I don't know what to say&#xA;Oh, not another word&#xA;&#xA;&#xA;Just la, la, la, la, la&#xA;It goes around the world&#xA;Just la, la, la, la, la&#xA;It's all around the world&#xA;Just la, la, la, la, la&#xA;And everybody’s singin'&#xA;La, la, la, la, la&#xA;And now the bells are ringin'&#xA;&#xA;&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;&#xA;Inside an empty room&#xA;My inspiration flows, now, wait to hear the tune&#xA;Around my head it goes, a magic melody&#xA;You want to sing with me, just la, la, la, la, la&#xA;The music is the key&#xA;&#xA;And now the night is gone&#xA;Still it goes on and on&#xA;So deep in strategy&#xA;I won't just sedigree&#xA;I don't know what to do&#xA;Just can't explain to you&#xA;I don't know what to say&#xA;Oh, not anothеr word&#xA;&#xA;&#xA;Just la, la, la, la, la&#xA;It goes around the world&#xA;Just la, la, la, la, la&#xA;It's all around the world&#xA;Just la, la, la, la, la&#xA;And еverybody’s singin’&#xA;La, la, la, la, la&#xA;And now the bells are ringin'&#xA;&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;&#xA;&#xA;The kisses of the sun&#xA;Around, around, around...&#xA;&#xA;&#xA;La, la, la, la, la&#xA;It goes around the world&#xA;Just la, la, la, la, la&#xA;It’s all around the world&#xA;Just la, la, la, la, la&#xA;And everybody's singin'&#xA;La, la, la, la, la&#xA;And now the bells are ringin'&#xA;&#xA;&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;(Around, around, around, around, around...)&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la – la, la, la, la, la, la, la&#xA;La, la, la, la, la" PRODUCER="(P) 2000 Sony Music Entertainment Germany GmbH" COVERARTID="048/Q3LIX2C1V4BTGCLB042TDTOHRY3B" PLAYTIME="215" PLAYTIME_FLOAT="214.533340" IMPORT_DATE="2025/4/14" RELEASE_DATE="2000/1/1" FLAGS="12" FILESIZE="27872"></INFO>
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<INFO BITRATE="1050000" KEY_LYRICS="17 ContributorsMy Oh My Lyrics&#xA;My oh my, do you wanna say goodbye?&#xA;To have the kingdom, baby, tell me why&#xA;My oh my, do you wanna say goodbye?&#xA;To rule the country, baby, you and I&#xA;If you were my king&#xA;&#xA;&#xA;My oh my, do you wanna say goodbye?&#xA;To have the kingdom, baby, tell me why&#xA;My oh my, do you wanna say goodbye?&#xA;To rule the country, baby, you and I&#xA;&#xA;&#xA;Little princess in a terrible mess&#xA;A kingdom alone but no love to confess&#xA;Dreams of a prince on a tall white horse&#xA;Runs like a spirit by the castle walls&#xA;&#xA;&#xA;Gotta steal from the rich when they don't know I'm comin'&#xA;Gotta give to the poor, no time for lovin'&#xA;My oh my, don't you cry 'cause there's no way I'm stayin'&#xA;I will leave, say bye-bye, I'm goin' my way&#xA;&#xA;&#xA;My oh my, do you wanna say goodbye?&#xA;To have the kingdom, baby, tell me why&#xA;My oh my, do you wanna say goodbye?&#xA;To rule the country, baby, you and I&#xA;&#xA;If you were my king (Oh woah)&#xA;I would be your queen (Oh woah)&#xA;If you were my king (Oh woah)&#xA;I would be your queen (Oh woah)&#xA;&#xA;&#xA;Mystery deep in the royal heart&#xA;Crying at night, I wanna be apart&#xA;Prince, oh, prince, are you really sincere?&#xA;Bet you one day you're gonna disappear&#xA;&#xA;&#xA;Gotta steal from the rich when they don't know I'm comin'&#xA;Gotta give to the poor, no time for lovin'&#xA;My oh my, don't you cry 'cause there's no way I'm stayin'&#xA;I will leave, say bye-bye, I'm goin' my way&#xA;&#xA;&#xA;My oh my (Ooh woah)&#xA;My oh my (Ooh woah)&#xA;My oh my (Ooh woah)&#xA;My oh my&#xA;&#xA;&#xA;My oh my, do you wanna say goodbye?&#xA;To have the kingdom, baby, tell me why&#xA;My oh my, do you wanna say goodbye?&#xA;To rule the country, baby, you and I&#xA;My oh my, do you wanna say goodbye?&#xA;To have the kingdom, baby, tell me why&#xA;My oh my, do you wanna say goodbye?&#xA;To rule the country, baby, you and I&#xA;&#xA;If you were my king (Oh woah)&#xA;I would be your queen (Oh woah)&#xA;If you were my king (Oh woah)&#xA;I would be your queen (Oh woah)" PRODUCER="℗ 1998 Universal Music (Denmark) A/S" COVERARTID="082/S00ZDHC510EMJDFYB5R0C2KJAQ3A" PLAYTIME="205" PLAYTIME_FLOAT="204.506668" IMPORT_DATE="2025/4/14" RELEASE_DATE="1997/1/1" FLAGS="12" FILESIZE="26548"></INFO>
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<INFO BITRATE="1052000" KEY_LYRICS="4 ContributorsI Give You My Heart LyricsI give you my hope&#xA;I give you my dreams&#xA;I'm giving youAnything you need&#xA;I give you my joy&#xA;I give you my pain&#xA;I wish we could&#xA;Fall in love again&#xA;I give you my heartI give you my heart&#xA;&#xA;Deepest emotion come to pass&#xA;As my love inside becomes suppressed&#xA;Handing you my heart&#xA;This love I could haveGiven you from the start&#xA;Why in the hell am I caught up&#xA;As my precious love&#xA;Flows past you cup&#xA;Please don't let us part&#xA;I'll give you my whole and&#xA;I'll give you my heart&#xA;&#xA;Dam dam du du di dam dam du du di deioh hohohohoho&#xA;Dam dam du du di dam dam du du di dei&#xA;&#xA;I give you my hope&#xA;I give you my dreams&#xA;I'm giving youAnything you need&#xA;I give you my joy&#xA;I give you my pain&#xA;I wish we could&#xA;Fall in love again&#xA;I give you my heartI give you my heart&#xA;Love ain't free love ain't cheap&#xA;Standing high on a mountain oh so steep&#xA;Please girl give your pain&#xA;So we can fall in love again&#xA;All this time&#xA;That we've been waitin'&#xA;Crime of passion&#xA;Kept daitin'&#xA;Let us take it from the startAnd this time&#xA;I will give you my heart&#xA;Dam dam du du di dam dam du du di dei&#xA;&#xA;I give you my hope&#xA;I give you my dreams&#xA;I'm giving youAnything you need&#xA;I give you my joy&#xA;I give you my pain&#xA;I wish we could&#xA;Fall in love again&#xA;I give you my heartI give you my heart&#xA;&#xA;Dam dam du du di dam dam du du di deioh hohohohoho&#xA;&#xA;I give you my loveI give you my hope&#xA;I give you anything&#xA;You want from me&#xA;Baby baby&#xA;&#xA;I give you my hope&#xA;I give you my dreams&#xA;I'm giving youAnything you need&#xA;I give you my joy&#xA;I give you my pain&#xA;I wish we could&#xA;Fall in love again&#xA;I give you my heartI give you my heart" PRODUCER="1996 Warner Chappell / Hanseatic" COVERARTID="019/TQM103AFAZ4F3DZPESO5B1RUOUHB" PLAYTIME="216" PLAYTIME_FLOAT="215.066666" IMPORT_DATE="2025/4/14" RELEASE_DATE="1996/1/1" FLAGS="12" FILESIZE="27862"></INFO>
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<INFO BITRATE="1051000" KEY_LYRICS="2 ContributorsMr. Vain Recall - Radio Edit LyricsCall him Mr. Raider call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider call him Mr. Wrong&#xA;Call him insane&#xA;He'd say: I know what I want&#xA;And I want it now&#xA;I want you cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you cause I'm Mr. Vain&#xA;&#xA;Call me Raider call me Wrong&#xA;Call me insane call me Mr. Vain&#xA;Call me what you like&#xA;As long as you call me time and again&#xA;Feel the presence of the aura&#xA;Of the man none to compare&#xA;Loveless dying&#xA;For a chance just to touch a hand&#xA;Or a moment to share&#xA;Can't deny the urge that makes them&#xA;Want to lose themselves to the debonair one&#xA;Hold me back the simple fact is&#xA;That i'm all that and i'm always near&#xA;One sexy can't perplex me now&#xA;You know who's raw&#xA;As if you didn't know before&#xA;I know what I want and I want it now&#xA;I want you and then I want a little more&#xA;Call him Mr. Raider call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider call him Mr. Wrong&#xA;Call him insane&#xA;He'd say: I know what I want&#xA;And I want it now&#xA;I want you cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you cause I'm Mr. Vain&#xA;&#xA;Girls are all over the world&#xA;They hope and pray and die for men&#xA;Like me cause I'm the one&#xA;Begotten son that breaks the mould&#xA;Get a look at male epitome&#xA;Style has never seen&#xA;That makes you want to grab and hold&#xA;And squeeze real tight&#xA;Whose gonna be the one to save&#xA;You from yourself&#xA;When you wanna take a bite&#xA;Please oh baby please&#xA;You beg you want you say&#xA;You got to get some caught&#xA;Up in the charm that I laid on thick&#xA;And now there's nowhere&#xA;To run&#xA;Just another fish to fit the&#xA;Worm on the hook of my line&#xA;Yeah I keep many females&#xA;Longing for a chance to win my heart&#xA;With S E X and plenty" PRODUCER="2009 Abfahrt Media GmbH" COVERARTID="049/RBQRUFDHAABECBZFQP4QAE1XNLSC" PLAYTIME="214" PLAYTIME_FLOAT="213.413330" IMPORT_DATE="2025/4/14" RELEASE_DATE="1993/1/1" FLAGS="12" FILESIZE="27593"></INFO>
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<INFO BITRATE="1050000" KEY_LYRICS="1 ContributorScorpion Lyrics&#xA;Run for your life, mate, sip some of this poison&#xA;We're all sick by choice, though we're trynna avoid it&#xA;Smile and enjoy it, Frogs keep on boiling&#xA;Bite like a spider, I sting like a scorpion&#xA;&#xA;&#xA;I should've finished what I started way before&#xA;I've been sympathetic to the opposition, no remorse&#xA;But they mistook my ignorance for my weakness and I suppose&#xA;This the last time I Let my prudence empower my foes&#xA;Let my patience close the doors, never show my disregard&#xA;Treat 'em like I love them songs, Don't be critically involved&#xA;Frankly, I consider this aggressive tone to be my fault&#xA;Torturing my conscience, let the alcohol talk&#xA;Let it start, bitch&#xA;Let them worry about a Market&#xA;I'm chilling with my fly-ass, drunk in my apartment&#xA;Apart from all the jostling, Natural born hustler&#xA;Used to streetlights and not to shiny red carpets&#xA;Whole face in the faucet, my eyes barely open&#xA;Soon as I feel the void entering my body I'm focused&#xA;In the land of the homeless, we running like we chosen&#xA;For now this the beginning and the alcohol has spoken&#xA;&#xA;&#xA;Take more of this poison, throw up in the toilet&#xA;Nomads by chance, keep playing the accordion&#xA;Smile and enjoy it, Frogs keep on boiling&#xA;Bite like a spider, I sting like a scorpion&#xA;Pt. 2&#xA;&#xA;&#xA;Yeah, 'bout time, yeah&#xA;Rain city, where we from, yeah&#xA;Nomadland, where we from, yeah&#xA;We outside, never front, yeah&#xA;&#xA;&#xA;Who shot ya?&#xA;Let the legend status be untouched&#xA;Way ahead of y'all, no way y'all could make a clutch&#xA;Catch me if you can, kill me now if you have the guts&#xA;Don't mistake our positions, I'm an asshole and you're a cunt&#xA;In order to suck the fun outta every part of reality&#xA;Play good cop, have a rant about morality&#xA;Unlike these fuckboys, I know fraud when I see it&#xA;But Exposing the truth is considered insanity, cause I&#xA;Haven't slept for days, weeks, like I'm Rust Cohle&#xA;Sipping so much booze, they thought that I'm living in Glasgow&#xA;Swimming with the sharks, stuffed fishes full of narco&#xA;Kids outta control, parents riding bucking Broncos&#xA;Spent the last 6 years in them Bandos&#xA;Met with crackheads and millionaires and them gram hoes&#xA;Still the same K, AK, when I slam doors&#xA;Coming to this side of the town, you need a passport&#xA;Turned these wannabe Lions into some pet dogs&#xA;Someone tell Pac, Revenge is sweeter than the sex part&#xA;Everything Momma told me &amp;quot;don't represent son&amp;quot;&#xA;I did, for the sake of my sanity and my self-love&#xA;But, it surely thought me a thing or two&#xA;Days in the Bazaar, watching people and seeking truth&#xA;Punch a cunt in his face, throw the blood money, fairty tooth&#xA;My dad told me I'm narcissistic, I'm like very cool&#xA;I'm a scorpion&#xA;Dangerous to those I love the most&#xA;Sarcastic old bloke, I laugh it off with a toast&#xA;I'm a scorpion&#xA;Don't be positive about us folks&#xA;Cause you get stung the exact second you think you're sure&#xA;I'm a scorpion&#xA;We Off the grid, without a plan&#xA;Different places at a time, I don't think they understand&#xA;We some scorpions&#xA;We moving along with the sand&#xA;Home of the homeless, welcome to Nomadland, motherfuckers" PRODUCER="2025 Ana Shine" COVERARTID="090/0SDDIFD2ZWBT2BPG5XC3BUHPH4EC" PLAYTIME="144" PLAYTIME_FLOAT="143.538483" IMPORT_DATE="2025/4/14" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="18601"></INFO>
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<INFO BITRATE="1055000" KEY_LYRICS="22 ContributorsTranslationsDeutschHeaven Lyrics“Heaven” is a cover song by DJ Sammy and German DJ Yanou, featuring Dutch singer Do on lead vocals. The song was released as the second single from DJ Sammy’s second studio album, Heaven. Unlike the original… Read More &#xA;Baby, you're all that I want&#xA;When you're lying here in my arms (My arms)&#xA;I'm finding it hard to believe (Believe)&#xA;We're in Heaven&#xA;We're in Heaven&#xA;&#xA;&#xA;Oh, thinkin' about our younger years&#xA;There was only you and me&#xA;We were young and wild and free&#xA;Now nothing can take you away from me&#xA;We've been down that road before&#xA;But that's over now (Over now)&#xA;You keep me comin' back for more&#xA;&#xA;&#xA;Baby, you're all that I want&#xA;When you're lying here in my arms&#xA;I'm finding it hard to believe (Believe)&#xA;We're in Heaven&#xA;And love is all that I need&#xA;And I found it there in your heart&#xA;It isn't too hard to see (See)&#xA;We're in Heaven (We're in Heaven)&#xA;&#xA;Now, nothing could change what you mean to me, oh&#xA;There's a lot that I could say&#xA;But just hold me now (Hold me now)&#xA;'Cause our love will light the way&#xA;&#xA;&#xA;Baby, you're all that I want&#xA;When you're lying here in my arms&#xA;I'm finding it hard to believe&#xA;We're in Heaven&#xA;And love is all that I need&#xA;And I found it there in your heart&#xA;It isn't too hard to see (See)&#xA;We're in Heaven (Heaven)&#xA;&#xA;&#xA;Now our dreams are comin' true&#xA;Through the good times and the bad&#xA;I'll be standing there by you (We're in Heaven)&#xA;&#xA;&#xA;Love is all that I need&#xA;And I found it there in your heart&#xA;It isn't too hard to see&#xA;We're in Heaven&#xA;&#xA;Oh, oh, oh&#xA;Oh, oh, oh&#xA;We're in Heaven" PRODUCER="(P) 2002 Robbins Entertainment LLC" COVERARTID="050/S3CRAFCIWQRCTATWOL4KBLERND1B" PLAYTIME="235" PLAYTIME_FLOAT="235.000000" IMPORT_DATE="2025/4/14" RELEASE_DATE="2002/1/1" FLAGS="12" FILESIZE="30393"></INFO>
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<INFO BITRATE="1052000" KEY_LYRICS="2 ContributorsJanuary 2021 Singles Release Calendar LyricsWelcome to Christian Genius' January 2021 Singles Release Calendar!&#xA;&#xA;&#xA;&#xA;For January 2021 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights all singles released in every genre of Christian music… Read More 1/1Activate Music - &amp;quot;You Are Faithful&amp;quot;*&#xA;Allan Scott - &amp;quot;Hold It All&amp;quot;*&#xA;Apollo LTD - &amp;quot;Good Day&amp;quot; feat. Social Club Misfits&#xA;Arson - &amp;quot;In too deep&amp;quot;*&#xA;At The Wayside - &amp;quot;My Denial&amp;quot;&#xA;Ben&amp;amp;blake - &amp;quot;Throne Room&amp;quot;*&#xA;Bre Reed - &amp;quot;From the Start&amp;quot;*&#xA;Brian Johnson &amp;amp; Jenn Johnson - &amp;quot;God of Revival (Studio Version)&amp;quot;*&#xA;Brian Weaver - &amp;quot;Bulletproof&amp;quot;*&#xA;Bryan Boliver - &amp;quot;I Found You&amp;quot;*&#xA;Convent Bonfires - &amp;quot;Shaky Hands&amp;quot;*&#xA;dc Talk - &amp;quot;Jesus Freak (Owl City Remix)&amp;quot;&#xA;&#xA;for KING &amp;amp; COUNTRY, Hannah Ellis &amp;amp; Jackson Michelson - &amp;quot;TOGETHER (The Country Collaboration)&amp;quot;&#xA;JJ Heller - &amp;quot;I Believe in You&amp;quot;&#xA;John &amp;amp; Joslyn Brockman - &amp;quot;Unfolding Glory&amp;quot; feat. Jojo Shoemate*&#xA;Josh Gomez - &amp;quot;Waiting&amp;quot;*&#xA;Mandisa - &amp;quot;Breakthrough&amp;quot;&#xA;Marc Vanparla, solae &amp;amp; Amen Worldwide - &amp;quot;Keep The Faith&amp;quot;*&#xA;More Than Rubies - &amp;quot;Walking Through Fire&amp;quot; feat. Taylor Leonhardt*&#xA;Nathan Kitner &amp;amp; Lily Grant - &amp;quot;Nothing Sweeter, Nothing Stronger&amp;quot;&#xA;Remedy Drive - &amp;quot;Dragons&amp;quot;&#xA;Nicholas Ian Carter - &amp;quot;You're The Lord Almighty&amp;quot;*&#xA;Ordinary Time - &amp;quot;Abide With Me&amp;quot;*&#xA;Passion ft. Kristian Stanfill - &amp;quot;Breakthrough Miracle Power&amp;quot;&#xA;Passion ft. Brett Younker &amp;amp; Naomi Raine - &amp;quot;You Are The Lord&amp;quot;&#xA;Praise Lubangu - &amp;quot;Take My Hand&amp;quot; feat. CHARE&#xA;Pursue Worship - &amp;quot;Jesus Is His Name&amp;quot;*&#xA;Restoring Hope Worship - &amp;quot;A Promise&amp;quot; feat. Aaron Crabb*&#xA;Sow and Tether - &amp;quot;This Is The Day&amp;quot;*&#xA;The August Guns - &amp;quot;Be Not Burned Up&amp;quot;&#xA;TheEDGE - &amp;quot;Ain't Nobody Better (Remix)&amp;quot;*&#xA;The Lowly Heirs - &amp;quot;You'll Lead Me Through&amp;quot;*&#xA;The War Within - &amp;quot;I Surrender&amp;quot;*&#xA;Vive Worship - &amp;quot;This Is Revival&amp;quot;*&#xA;WeAreGeneration - &amp;quot;Photographic Memory&amp;quot;&#xA;Xander Sallows &amp;amp; Sam Bowman - &amp;quot;Daydream&amp;quot;*&#xA;Zahna – &amp;quot;Look What You Made Me Do&amp;quot;&#xA;Zan Fiskum - &amp;quot;You Are The Light&amp;quot;*1/6Poor Bishop Hooper - &amp;quot;Psalm 54&amp;quot;1/8Amanda Danziger - &amp;quot;Intercede&amp;quot;&#xA;Andie Elise - &amp;quot;Sleeper, Rise&amp;quot;&#xA;Andrew Ripp - &amp;quot;Jericho (Acoustic)&amp;quot;&#xA;Audrey Graham - &amp;quot;Feel Love&amp;quot;*&#xA;Awaken The Dawn - &amp;quot;Send Revival (Live)&amp;quot;&#xA;Ben Potter &amp;amp; Matias Ruiz - &amp;quot;Holy Is He (Remix)&amp;quot;*&#xA;Brandon Lake - &amp;quot;House of Miracles (Live)&amp;quot;&#xA;Bryson Price &amp;amp; Mikesh!ft - &amp;quot;Victory&amp;quot;*&#xA;Canyon Hills Worship - &amp;quot;My Awakening&amp;quot;&#xA;Chase Tremaine - &amp;quot;Q2FN&amp;quot;*&#xA;Circuit Rider Music - &amp;quot;Oh The Cross (Live)&amp;quot;&#xA;Coop (Oklahoma) - &amp;quot;NEVER FOLD&amp;quot;&#xA;Connor Flanagan - &amp;quot;Fire of My Father (Ablaze Remix)&amp;quot; feat. Ablaze*&#xA;Cristabelle Braden - &amp;quot;Growing (Pop Version)&amp;quot;*&#xA;CYA Worship - &amp;quot;Joy&amp;quot;*&#xA;C3 NYC - &amp;quot;All of Heaven&amp;quot;&#xA;Damian McGinty - &amp;quot;Fight This Fight&amp;quot;&#xA;Danny Gokey - &amp;quot;New Day (Radio Version)&amp;quot;&#xA;Eleven22 Worship - &amp;quot;Greater Things&amp;quot;*&#xA;Equippers Revolution - &amp;quot;Everything I Need&amp;quot;*&#xA;Fallstar - &amp;quot;The Prism Glass&amp;quot;&#xA;Ginny Owens - &amp;quot;Shine Again (Stripped Mix)&amp;quot;*&#xA;Grace City &amp;amp; Chase Wagner - &amp;quot;Upper Room With You&amp;quot;*&#xA;Jared Marc - &amp;quot;What I'm Good At&amp;quot;*&#xA;Jason Crabb - &amp;quot;Just As I Am&amp;quot;&#xA;Jervis Campbell - &amp;quot;Make Your Move&amp;quot;&#xA;Jhonny Vergel - &amp;quot;Potter (Extended Mix)&amp;quot;*&#xA;Jhonny Vergel - &amp;quot;Potter (Radio Edit)&amp;quot;*&#xA;JJ Heller - &amp;quot;For Once in My Life&amp;quot;*&#xA;Joel Vaughn - &amp;quot;Louder Than The Lies&amp;quot;&#xA;John Jin Han - &amp;quot;Now That I Know You&amp;quot; feat. Laity&#xA;Jon Foreman - &amp;quot;Jesus, I Have My Doubts&amp;quot;&#xA;Jonny &amp;amp; the Jazzuits - &amp;quot;Make Me a Channel of Your Peace&amp;quot;*&#xA;Josh Sellers - &amp;quot;The Way It Seems&amp;quot;*&#xA;Life.Church Worship - &amp;quot;As You Are&amp;quot;&#xA;Light45 - &amp;quot;The Medic&amp;quot;*&#xA;Love and Death - &amp;quot;White Flag&amp;quot;&#xA;Luke Spehar - &amp;quot;How Can I Keep from Singing&amp;quot;&#xA;LUMINS - &amp;quot;Out Loud&amp;quot;&#xA;Man Cub - &amp;quot;Enough&amp;quot;&#xA;Nathan Kitner &amp;amp; Lily Grant - &amp;quot;I'd Follow You Anywhere&amp;quot;&#xA;Pantokrator - &amp;quot;We the People&amp;quot;*&#xA;Paul Zach - &amp;quot;Just a Closer Walk With Thee&amp;quot;&#xA;Petey Martin &amp;amp; Lauren Daigle - &amp;quot;Come Back Home&amp;quot;&#xA;Philip Shibata - &amp;quot;Sad World&amp;quot; feat. Earlybird&#xA;Phil J. - &amp;quot;Southside&amp;quot;&#xA;Phil Laeger - &amp;quot;Carolina Girl&amp;quot;*&#xA;Portraits Music - &amp;quot;Circles&amp;quot;*&#xA;Reclaimers - &amp;quot;Say What You Will&amp;quot;*&#xA;Red Rocks Worship - &amp;quot;Echo Holy (Live from Littleton)&amp;quot;&#xA;Rhett Walker &amp;amp; Essential Worship - &amp;quot;Goodness of God&amp;quot;&#xA;Salient Sound - &amp;quot;Stand&amp;quot;*&#xA;Sammy Nino - &amp;quot;Remains the Same&amp;quot;&#xA;Scott Riggan - &amp;quot;Don't You Lose Heart (Beautiful and Terrible)&amp;quot;*&#xA;Seventh Day Slumber - &amp;quot;See A Victory&amp;quot;&#xA;Steph Macleod - &amp;quot;No Other God&amp;quot;*&#xA;Stephen McWhirter - &amp;quot;Got This Holy Ghost&amp;quot;&#xA;Swoope - &amp;quot;24 (feat. Aha Gazelle)&amp;quot;&#xA;Tauren Wells - &amp;quot;All God's Children&amp;quot;&#xA;The Colour Negative &amp;amp; Josh Stewart - &amp;quot;Good Year&amp;quot;*&#xA;The War Within - &amp;quot;Reckless Love (The One With Two Key Changes)&amp;quot;*&#xA;Thomas Austin - &amp;quot;The Morning&amp;quot;*&#xA;Tim Timmons - &amp;quot;This is the Day&amp;quot;&#xA;Trampolines - &amp;quot;No One Loves Like You&amp;quot;*&#xA;Twilight Meadow - &amp;quot;Dust&amp;quot;&#xA;Young Oceans - &amp;quot;Can't Wait Another Day&amp;quot;&#xA;Zauntee - &amp;quot;King of Kings&amp;quot;&#xA;4th Point - &amp;quot;Right Wrong&amp;quot;*1/13Poor Bishop Hooper - &amp;quot;Psalm 55&amp;quot;1/15Adam Lamb - &amp;quot;It Had to Happen&amp;quot;*&#xA;Alive City - &amp;quot;Lay 'Em Down (Acoustic Version)&amp;quot;*&#xA;Amongst Wolves - &amp;quot;Voices&amp;quot;&#xA;Armor Amor - &amp;quot;Hold My Heart&amp;quot;*&#xA;Awaken The Dawn - &amp;quot;Arise (Live)&amp;quot;&#xA;Benjamin Krogh - &amp;quot;Ghost That Haunts&amp;quot;*&#xA;Ben S Dixon - &amp;quot;Born Unto Us&amp;quot;*&#xA;Binley - &amp;quot;Lost Coin&amp;quot;*&#xA;Breakthrough Worship &amp;amp; Newlife Betlehem - &amp;quot;God With Us&amp;quot;*&#xA;CAIN &amp;amp; Zach Williams - &amp;quot;Rise Up (Lazarus)&amp;quot;&#xA;Caleb Lockwood &amp;amp; Achayo - &amp;quot;Heavenly Love&amp;quot;*&#xA;Caleb Lockwood - &amp;quot;Step Out in Faith&amp;quot;*&#xA;Chase Tremaine - &amp;quot;Developments&amp;quot;*&#xA;Connection Music - &amp;quot;Back to You&amp;quot;*&#xA;Crossroads Music - &amp;quot;We Say Yes (Live)&amp;quot;&#xA;Crowder - &amp;quot;Good God Almighty&amp;quot;&#xA;Curt Vernon - &amp;quot;I Refuse&amp;quot;*&#xA;Demon Hunter - &amp;quot;Dead Flowers (Resurrected)&amp;quot;&#xA;Demon Hunter - &amp;quot;I Will Fail You (Resurrected)&amp;quot;&#xA;Emilie Weiss - &amp;quot;Reveling Heart&amp;quot;*&#xA;Enterline - &amp;quot;King of Heaven&amp;quot;&#xA;Freedom Heart - &amp;quot;Break Through&amp;quot;*&#xA;Freeg, Simon Miles &amp;amp; Exxoulls - &amp;quot;All the Time (Radio Edit)&amp;quot; feat. Junior Paes*&#xA;Freeg, Simon Miles &amp;amp; Exxoulls - &amp;quot;All the Time (Extended Edit)&amp;quot; feat. Junior Paes*&#xA;Futures Worship - &amp;quot;Just So Good&amp;quot;&#xA;Gas Street Music - &amp;quot;Praise To You Alone&amp;quot;&#xA;Jerel - &amp;quot;Gifts&amp;quot;*&#xA;Joel Vaughn - &amp;quot;Details&amp;quot;&#xA;Jonny Henninger &amp;amp; Melody Lynn - &amp;quot;Your Love Is Simple&amp;quot;*&#xA;Josh Garrels - &amp;quot;His Wings&amp;quot;&#xA;Joshua Luke Smith - &amp;quot;Mosaics&amp;quot; feat. Bianca Rose*&#xA;Jude Barclay - &amp;quot;Legacy&amp;quot;&#xA;KJ-52 - &amp;quot;One Year Ago&amp;quot;&#xA;Larell - &amp;quot;Lifting You Up&amp;quot;*&#xA;Lazuli - &amp;quot;HELMET OF HOPE&amp;quot;&#xA;Manafest - &amp;quot;Champion&amp;quot;*&#xA;Matthew Parker - &amp;quot;Anyone&amp;quot;*&#xA;Paul the Messenger - &amp;quot;lessons&amp;quot;*&#xA;Red Letter Society - &amp;quot;100x&amp;quot;&#xA;REVERE, Corey Voss &amp;amp; Sarah Kroger - &amp;quot;I Don't Have Much (Live)&amp;quot;&#xA;Rich &amp;amp; Lydia Dicas - &amp;quot;To Know You're There&amp;quot;*&#xA;Ruth Lee Resuello &amp;amp; Bro Justin - &amp;quot;Only Reason I'm Alive&amp;quot;*&#xA;Sam Bowman &amp;amp; JSteph - &amp;quot;Cloudburst&amp;quot;*&#xA;Sarah Nathalié - &amp;quot;838&amp;quot;&#xA;SEU Worship, David Ryan Cook &amp;amp; Hollyn - &amp;quot;Clouds Are Clearing&amp;quot;&#xA;Swedish Revolution &amp;amp; LoudWorship - &amp;quot;Ludicrous Mode&amp;quot;*&#xA;Teressa Mahoney - &amp;quot;Good Good&amp;quot;*&#xA;Terrian - &amp;quot;Love Your Children&amp;quot;&#xA;Vaughn Owens - &amp;quot;In The Middle&amp;quot;*&#xA;1910 Worship - &amp;quot;Wild (Reimagined)&amp;quot;1/16116, Wande &amp;amp; Hulvey - &amp;quot;Still 40 Deep&amp;quot;1/17Redemption Worship - &amp;quot;Greater Glory (Remix)&amp;quot;*1/18Benjamin Hamilton - &amp;quot;art of being human (Radio Edit)&amp;quot;*&#xA;DYCI Music Ministry - &amp;quot;Stronger&amp;quot;*&#xA;Joe.wit.da.HolyGhost - &amp;quot;Nobody Like Jesus&amp;quot;*&#xA;Reece Lache - &amp;quot;Busta&amp;quot;*1/19Andy Squyres - &amp;quot;Love Never Fails&amp;quot;&#xA;Asher Postman - &amp;quot;Found You&amp;quot;&#xA;August Burns Red - &amp;quot;Standing In The Storm&amp;quot;&#xA;Erick Dayz - &amp;quot;Open Doors&amp;quot;*&#xA;Erick Dayz - &amp;quot;The Dash&amp;quot;*1/20Jonathan Nah - &amp;quot;Your Faithfulness To Me&amp;quot;*&#xA;Jovan Whyte - &amp;quot;Everything Lord&amp;quot;*&#xA;Poor Bishop Hooper - &amp;quot;Psalm 56&amp;quot;1/21Darby Hughes - &amp;quot;City of the King&amp;quot;*&#xA;F'rael - &amp;quot;GENESIS 1&amp;quot;*&#xA;Jeremi Licata - &amp;quot;Wonderful Day&amp;quot;&#xA;Swervex808 - &amp;quot;Such A Shåme&amp;quot;1/22A.I. The Anomaly - &amp;quot;Facts&amp;quot;&#xA;Andrea Hamilton &amp;amp; Daily Squad - &amp;quot;Nothing Left&amp;quot;*&#xA;Ant Clemons &amp;amp; Justin Timberlake, Kirk Franklin - &amp;quot;Better Days (Live)&amp;quot;&#xA;Awaken The Dawn - &amp;quot;I Really Do + Only Yours (Live)&amp;quot;&#xA;Big Camz - &amp;quot;Long Live Dante&amp;quot; feat. D-Weezy*&#xA;boy &amp;amp; KING - &amp;quot;Where Did You Come From?&amp;quot;*&#xA;Branan Murphy - &amp;quot;This World Is Not My Home&amp;quot;&#xA;Blanca, Chrstine D'Clario - &amp;quot;Soy&amp;quot;&#xA;Bloodstained - &amp;quot;Our Eternity&amp;quot;&#xA;Caleb Gordon - &amp;quot;Locomotive&amp;quot;&#xA;Carolyn Arends - &amp;quot;Becoming Human&amp;quot; feat. The McCrary Sisters&#xA;Common Courier - &amp;quot;Lockdown&amp;quot;*&#xA;Common Hymnal - &amp;quot;Shots Fired&amp;quot;&#xA;Connor Pierson - &amp;quot;New Chapter&amp;quot;*&#xA;CRYS - &amp;quot;pause&amp;quot;&#xA;Da Rich 1 - &amp;quot;UPSET!&amp;quot;&#xA;Deane Walden - &amp;quot;808s &amp;amp; EVERYTHING&amp;quot; feat. JP KILLED IT*&#xA;Dennis Gorcea, Mission &amp;amp; Hyper Fenton - &amp;quot;Stripes&amp;quot;&#xA;D.King - &amp;quot;Clark Kent&amp;quot;*&#xA;Doxamillion - &amp;quot;LOOPER&amp;quot;*&#xA;Eagle Brook Music - &amp;quot;Let It Be Said&amp;quot;*&#xA;Eluzai - &amp;quot;CAFÉ CON LECHE&amp;quot;&#xA;Forrester - &amp;quot;Only You&amp;quot;*&#xA;Gavin the HotRod - &amp;quot;Fruit &amp;amp; Ginger&amp;quot;*&#xA;Ghxsty - &amp;quot;3Peat Freestyle&amp;quot; feat. Xay Hill &amp;amp; Miles Minnick&#xA;Grace City - &amp;quot;Rock of Ages&amp;quot;*&#xA;Hillsong Worship - &amp;quot;Fresh Wind (Studio)&amp;quot;&#xA;Holly Halliwell - &amp;quot;Brand New&amp;quot;&#xA;House Gospel Choir - &amp;quot;Keep On Movin (Zed Bias Remix)&amp;quot;*&#xA;Jamil - &amp;quot;Don't Need&amp;quot;*&#xA;Jared Marc - &amp;quot;Watch This&amp;quot;*&#xA;Jenny &amp;amp; Tyler - &amp;quot;O Freedom (To The Sea Remix)&amp;quot; feat. Nomad*&#xA;Jessie Villa - &amp;quot;Thriller&amp;quot;*&#xA;Jim Andrew Rogers - &amp;quot;Sleepwalking&amp;quot;*&#xA;JJ Heller - &amp;quot;In Your Eyes&amp;quot;*&#xA;JP - &amp;quot;Hard Drive&amp;quot; feat. Evan Ford*&#xA;JUDAH. &amp;amp; Jon Guerra - &amp;quot;You've Done The Rest&amp;quot;&#xA;Jude Barclay, Geee &amp;amp; Jesse Leprotti - &amp;quot;Never Trust (Remix)&amp;quot;&#xA;Kenny Rivers - &amp;quot;The Landing&amp;quot;*&#xA;Kingly - &amp;quot;King of My Heart&amp;quot; feat. Tonya C.*&#xA;Kingslynn - &amp;quot;Before the Throne&amp;quot;*&#xA;Lamar Riddick &amp;amp; Eli Williams - &amp;quot;Victory&amp;quot;*&#xA;Larell - &amp;quot;Scars&amp;quot;*&#xA;Legin - &amp;quot;Sometimes&amp;quot;*&#xA;Micah Christopher - &amp;quot;No More Fear&amp;quot;*&#xA;Mitch Wong - &amp;quot;Reputation&amp;quot;&#xA;Nathan Kitner &amp;amp; Lily Grant - &amp;quot;I Trust Your Pace&amp;quot;&#xA;Ngoga - &amp;quot;Never Seen&amp;quot; feat. Caleb Lombard*&#xA;No Lost Cause - &amp;quot;Where I Stand (2020)&amp;quot;*&#xA;Odds of an Afterthought - &amp;quot;Curtain Call&amp;quot;*&#xA;Oly.Lo &amp;amp; Wes Harris - &amp;quot;Renewed&amp;quot;*&#xA;Pat Barrett - &amp;quot;Act Justly, Love Mercy, Walk Humbly&amp;quot;&#xA;Paul the Messenger - &amp;quot;where am i?&amp;quot;&#xA;Paul Whitacre - &amp;quot;find the light (The Brilliance Edit)&amp;quot; feat. The Brilliance*&#xA;Radiate Worship - &amp;quot;Blackout&amp;quot;*&#xA;Rey Pirin - &amp;quot;Angelito&amp;quot;*&#xA;River Valley Worship - &amp;quot;Shadows / Spotlights&amp;quot;&#xA;ROY3LS - &amp;quot;Diamond Love&amp;quot;*&#xA;Saint James - &amp;quot;Wages&amp;quot; feat. Lundi&#xA;Sean Curran - &amp;quot;Ways&amp;quot;&#xA;SIV - &amp;quot;iTry&amp;quot;*&#xA;Sovereign Grace Music - &amp;quot;Christ Will Be My Hideaway&amp;quot;&#xA;Stairway Music &amp;amp; Jared Grant - &amp;quot;There Is No Other (Alternate)&amp;quot;*&#xA;Tenielle Neda - &amp;quot;What Is My Hope?&amp;quot;&#xA;the Many - &amp;quot;Where Jesus Was&amp;quot;*&#xA;The War Within - &amp;quot;Wreckage&amp;quot;*&#xA;William Matthews - &amp;quot;JUDAS&amp;quot; feat. Derek Minor*&#xA;Worship For Everyone &amp;amp; Nick &amp;amp; Becky Drake - &amp;quot;The Ark&amp;quot;*&#xA;YJO - &amp;quot;Toe Tag&amp;quot; feat. Byron Juane&#xA;1K FAMO - &amp;quot;Light of Mine&amp;quot;*1/25Caleb Gordon - &amp;quot;Run it up&amp;quot;&#xA;Edgar Sandoval Jr - &amp;quot;ICON&amp;quot;*&#xA;Jerry Fee - &amp;quot;Brag&amp;quot;&#xA;We the Least - &amp;quot;Mask Off&amp;quot;*1/26Alyssa Jordan - &amp;quot;There For You&amp;quot;*1/27Jude Barclay - &amp;quot;If I Go&amp;quot;&#xA;Jude Barclay - &amp;quot;Legacy&amp;quot;&#xA;Natalie Bergman - &amp;quot;Talk to the Lord&amp;quot;&#xA;Poor Bishop Hooper - &amp;quot;Psalm 57&amp;quot;1/28Reconcile - &amp;quot;Pain Don't Last Forever&amp;quot;*1/29Aable &amp;amp; Rapzilla - &amp;quot;Rollercoaster&amp;quot;*&#xA;Adrion Butler - &amp;quot;iPhone&amp;quot;&#xA;Anthony Brown &amp;amp; group therAPy - &amp;quot;Help (Radio Edit)&amp;quot;*&#xA;Asha Elia, Tobi- A &amp;amp; Renzo BA - &amp;quot;Amen&amp;quot;*&#xA;Awaken The Dawn - &amp;quot;Yeshua (Live)&amp;quot; feat. Barn Burners*&#xA;Baylor Wilson - &amp;quot;Jesus Happened&amp;quot;&#xA;Ben Lawrence - &amp;quot;i'm nothing&amp;quot;&#xA;BigBreeze - &amp;quot;Champion&amp;quot;*&#xA;BigGucciDame &amp;amp; Dokkemand - &amp;quot;step in my life&amp;quot;*&#xA;Boiling Point - &amp;quot;Hope Lives Here&amp;quot;&#xA;Casting Crowns &amp;amp; KB - &amp;quot;Start Right Here (HGA Version)&amp;quot;&#xA;Cat Rea - &amp;quot;Fire&amp;quot;*&#xA;Connor Flanagan - &amp;quot;Fire of My Heart (Embers Version)&amp;quot; feat. Molly McManus*&#xA;Crowns Down - &amp;quot;Love Will Prevail&amp;quot; feat. Ignatius*&#xA;Dewayne Harvey - &amp;quot;What the Lord Allows&amp;quot; feat. Fred Hammond*&#xA;DOE - &amp;quot;Brighter (Live)&amp;quot;*&#xA;Dustin Starks - &amp;quot;Set on You&amp;quot;*&#xA;Dwell Songs - &amp;quot;Abide&amp;quot;&#xA;Eleanore Rue - &amp;quot;Lightbulb&amp;quot;&#xA;Enmith Trejo - &amp;quot;Light On&amp;quot;*&#xA;Epic Youth - &amp;quot;Rest&amp;quot;*&#xA;Expression58 Worship - &amp;quot;New Heights&amp;quot; feat. Jacque Howard &amp;amp; Jeremy Fowler*&#xA;Fallstar - &amp;quot;The Meaning in the Monster&amp;quot;&#xA;Foothills Collective - &amp;quot;Look No Further&amp;quot;*&#xA;for KING &amp;amp; COUNTRY, Lecrae &amp;amp; The World Famous Tony Williams - &amp;quot;Amen (Reborn)&amp;quot;&#xA;GodFrame - &amp;quot;Through the Night&amp;quot;&#xA;Hulvey - &amp;quot;Back In The Wick&amp;quot;&#xA;Inner 29 - &amp;quot;Outside&amp;quot;&#xA;Jimi Cravity - &amp;quot;Lord &amp;amp; Christ&amp;quot;*&#xA;JJ Heller - &amp;quot;Stand by Me / So Long, Farewell&amp;quot;*&#xA;Jonathan Jackson - &amp;quot;You Have My Heart&amp;quot;*&#xA;Jonathan Stockstill - &amp;quot;You Fight My Battles&amp;quot;&#xA;Jon Foreman - &amp;quot;Side By Side&amp;quot; feat. Madison Cunningham&#xA;Jordan Smith - &amp;quot;Great You Are&amp;quot;&#xA;Josiah Davis - &amp;quot;ICEBERG&amp;quot;&#xA;Josiah Davis - &amp;quot;LOVE ME BETTER&amp;quot; feat. Jude Barclay &amp;amp; seni.&#xA;Joyful Noise - &amp;quot;Come People of God&amp;quot;*&#xA;K-Drama - &amp;quot;Both Sides of the Blessing&amp;quot; feat. Jered Sanders &amp;amp; DJ Mykael V&#xA;Kenny Rivers - &amp;quot;I had to Vent&amp;quot;*&#xA;Killdevil Theory - &amp;quot;False Heaven&amp;quot;*&#xA;Larell - &amp;quot;Self-Healing&amp;quot;*&#xA;Lynnea - &amp;quot;Float&amp;quot;&#xA;Madison Street Worship - &amp;quot;God of Salvation (I Still Believe) &amp;quot; feat. Baily Hager*&#xA;Mainframe - &amp;quot;Lockdown&amp;quot;*&#xA;Manafest - &amp;quot;WARRIOR&amp;quot;&#xA;Man Cub &amp;amp; Meggie York - &amp;quot;Real Me&amp;quot;&#xA;Mat Kearney - &amp;quot;Powerless&amp;quot;&#xA;Mel Crothers - &amp;quot;Give Me Jesus&amp;quot;*&#xA;Miles Minnick - &amp;quot;Glo Time&amp;quot;&#xA;Misha Goetz - &amp;quot;God Almighty Reigns&amp;quot; feat. Joshua Aaron*&#xA;MvkeyyJ - &amp;quot;i'm back&amp;quot;&#xA;Neon Feather, NEON Worship &amp;amp; Sajan Nauriyal - &amp;quot;I Want to Be Where You Are&amp;quot;&#xA;Oh-So, OnBeatMusic &amp;amp; Dillon Chase - &amp;quot;All Bad&amp;quot; feat. Jon Keith*&#xA;Our Atlantic Roots - &amp;quot;All The Years&amp;quot;*&#xA;Paul Demer - &amp;quot;Look for the Helpers&amp;quot;*&#xA;Paul the Messenger - &amp;quot;closure&amp;quot;&#xA;Pennell - &amp;quot;Yes To The Cost&amp;quot;&#xA;Rachael Nemiroff - &amp;quot;Minnesota&amp;quot;&#xA;Red Letter Society - &amp;quot;Surrendered Hearts&amp;quot;*&#xA;Red Letter Society - &amp;quot;100x&amp;quot;&#xA;Red Rocks Worship &amp;amp; Essential Worship - &amp;quot;Something Has To Break&amp;quot;&#xA;Relent - &amp;quot;Thing You Got It&amp;quot;*&#xA;REVERE, Corey Voss &amp;amp; Sarah Kroger - &amp;quot;Come and Tear Down the Walls (Live)&amp;quot;*&#xA;Ryan Vetter - &amp;quot;need you here&amp;quot;*&#xA;Saddleback Worship - &amp;quot;醫好這裡 (Heal Our Land)&amp;quot;*&#xA;Saddleback Worship - &amp;quot;Trae Sanidad&amp;quot;*&#xA;Samuel Day - &amp;quot;Stand Through This&amp;quot;*&#xA;Sam Wilson - &amp;quot;Be Still and Know&amp;quot;*&#xA;Sarah Téibo - &amp;quot;Glorious King&amp;quot;*&#xA;Scott Riggan - &amp;quot;Circling Jericho&amp;quot;*&#xA;SEU Worship, Alexander Pappas &amp;amp; Kenzie Walker - &amp;quot;Waiting for Rain&amp;quot;&#xA;Shawn Collins - &amp;quot;Forgiven This Much&amp;quot;*&#xA;Shaylee Simeone - &amp;quot;Ashes to Skies (Live Acoustic Version)&amp;quot;*&#xA;The Complete Fiction - &amp;quot;Magic&amp;quot; feat. 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<INFO BITRATE="1064000" KEY_LYRICS="7 ContributorsU Got 2 Let The Music Lyrics&#xA;Dance now, come on, come on, kick it!&#xA;&#xA;&#xA;Bara, pappa, pappara, baam&#xA;Bara, pappa, pappara, baam&#xA;Bara, pappa, pappara, baam&#xA;Hey, hey&#xA;Bara, pappa, pappara, baam&#xA;Bara, pappa, pappara, baam&#xA;Bara, pappa, pappara, baam&#xA;Do it on, show&#xA;&#xA;&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;&#xA;&#xA;Bara, pappa, pappara, baam&#xA;Bara, pappa, pappara, baam&#xA;Bara, pappa, pappara, baam&#xA;Do it on, show&#xA;Bara, pappa, pappara, baam&#xA;Bara, pappa, pappara, baam&#xA;Bara, pappa, pappara, baam&#xA;Do it on, show&#xA;&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;&#xA;&#xA;Move your feet&#xA;&#xA;&#xA;Freestyle top, feet on the dance floor&#xA;Freestyle top, feet on the dance floor&#xA;Freestyle top, feet on the dance floor&#xA;Freestyle top with terminology&#xA;Freestyle top, feet on the dance floor&#xA;Freestyle top, feet on the dance floor&#xA;Freestyle top, feet on the dance floor&#xA;Freestyle top with terminology&#xA;&#xA;&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;&#xA;Dance now, come on, come on, kick it!&#xA;&#xA;&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet&#xA;You got to let the music&#xA;You got to let the music&#xA;You got to let the music&#xA;Move your feet" PRODUCER="ZYX Music GmbH &amp; Co. KG" COVERARTID="059/1BA0LWB3WU5TGCW2W4TGAS1SK14B" PLAYTIME="219" PLAYTIME_FLOAT="218.906662" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="28719"></INFO>
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<INFO BITRATE="1068000" KEY_LYRICS="22 ContributorsCoco Jamboo Lyrics&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh&#xA;&#xA;&#xA;Put me up, put me down&#xA;Put my feet back on the ground&#xA;Put me up, take my heart&#xA;And make me happy&#xA;Put me up, put me down&#xA;Put my feet back on the ground&#xA;Put me up, feel my heart&#xA;And make me happy&#xA;&#xA;&#xA;Here we go, gettin' smooth to the groove&#xA;Watchin' lovely ladies, as I smooth as I move&#xA;'Cause that's what they say, but I can't prove&#xA;So turn it up again and watch me move to the groove&#xA;As we get close, you whisper, &amp;quot;Coco&amp;quot;&#xA;I hold you in my arms and you say, &amp;quot;Jamboo&amp;quot;&#xA;Scream and shout, turn and say, &amp;quot;Colombo&amp;quot;&#xA;Now I gotta go, so coco&#xA;&#xA;&#xA;Put me up, put me down&#xA;Put my feet back on the ground&#xA;Put me up, take my heart&#xA;And make me happy&#xA;Put me up, put me down&#xA;Put my feet back on the ground&#xA;Put me up, feel my heart&#xA;And make me happy&#xA;&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Eyo)&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Eyo)&#xA;&#xA;&#xA;That's the way I treat dem girls, kinda smooth, see&#xA;'Cause there's one man and yo, well, that's me, see&#xA;So let me show you 'round while you sip your tee gee&#xA;But no coco loco, boom, while I take a pee leak&#xA;When I hold my baby, she says I do it nicer&#xA;I like my chicken with rice and lemonade and&#xA;That's what you get when she shouts out, &amp;quot;Jamboo&amp;quot;&#xA;Now I gotta go, yo, coco&#xA;&#xA;&#xA;Put me up, put me down&#xA;Put my feet back on the ground&#xA;Put me up, take my heart&#xA;And make me happy&#xA;Put me up, put me down&#xA;Put my feet back on the ground&#xA;Put me up, feel my heart&#xA;And make me happy&#xA;&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Sing it, everybody)&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Sing it, everybody)&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Eyo)&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh&#xA;&#xA;&#xA;Put me up, put me down&#xA;Put my feet back on the ground&#xA;Put me up, take my heart&#xA;And make me happy&#xA;Put me up, put me down&#xA;Put my feet back on the ground&#xA;Put me up, feel my heart&#xA;And make me happy&#xA;&#xA;&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Coco Jamboo)&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Eyo)&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Coco Jamboo)&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh (Eyo)&#xA;Yah-yah-yah, Coco Jamboo, yah-yah-yeh" PRODUCER="1996 WEA RECORDS / WARNER MUSIC GERMANY" COVERARTID="019/TQM103AFAZ4F3DZPESO5B1RUOUHB" PLAYCOUNT="2" PLAYTIME="219" PLAYTIME_FLOAT="218.733337" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="1996/1/1" FLAGS="12" FILESIZE="28775"></INFO>
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<INFO BITRATE="1068000" KEY_LYRICS="4 ContributorsFeel The Heat Of The Night Lyrics&#xA;Feel the heat of the night&#xA;Everything's alright&#xA;Feel the power of my heart&#xA;Give me all your love&#xA;Feel the heat of the night&#xA;Everything's alright&#xA;Feel the power of my heart&#xA;Give me all your love&#xA;&#xA;All you need is feel right now&#xA;All you need is feel right now&#xA;All you need is feel right now&#xA;All you need is feel my love&#xA;&#xA;&#xA;Jumping, jumping up and down&#xA;From the top right to the ground&#xA;Free your soul and free your mind&#xA;Now set you free, right on time&#xA;It's weekend and it's party-time&#xA;Feel the heat and free your mind&#xA;Put your hands up in the air&#xA;And wave 'em like you just don't care&#xA;Feel the rhythm, stay real tight&#xA;Feel the heat, feel the night&#xA;Let the groove control your move&#xA;Shake your bod and make me hot&#xA;Party people, party dance&#xA;Shake your body and wave your hands&#xA;You know how to do it right&#xA;Feel the heat of the night&#xA;&#xA;Feel the heat of the night&#xA;Everything's alright&#xA;Feel the power of my heart&#xA;Give me all your love&#xA;Feel the heat of the night&#xA;Everything's alright&#xA;Feel the power of my heart&#xA;Give me all your love&#xA;&#xA;All you need is feel right now&#xA;All you need is feel right now&#xA;All you need is feel right now&#xA;All you need is feel my love&#xA;&#xA;&#xA;Pumping, stomping, people jumping&#xA;People dancing everywhere&#xA;The DJ's playing music loud&#xA;So wave your hands up in the air&#xA;Move your body shake your bod&#xA;The rhythm of the music's hot&#xA;I see you do your turnaround&#xA;On the dance floor up and down&#xA;Party, party, people party&#xA;Party people, party dance&#xA;Come on people, move your body&#xA;Shake your body and wave your hands&#xA;Sweat is dropping over my face&#xA;I feel your sex right in this place&#xA;Got to get this rhythm right&#xA;Feel the heat of the night&#xA;&#xA;Feel the heat of the night&#xA;Everything's alright&#xA;Feel the power of my heart&#xA;Give me all your love&#xA;Feel the heat of the night&#xA;Everything's alright&#xA;Feel the power of my heart&#xA;Give me all your love&#xA;&#xA;All you need is feel right now&#xA;All you need is feel right now&#xA;All you need is feel right now&#xA;All you need is feel my love&#xA;&#xA;Feel the heat of the night" PRODUCER="Klubbstyle Records" COVERARTID="104/IHHMFKDRDF34YD4Y1WYLCGH4QM1A" PLAYTIME="222" PLAYTIME_FLOAT="221.839996" IMPORT_DATE="2025/4/14" RELEASE_DATE="2006/1/1" FLAGS="12" FILESIZE="29109"></INFO>
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<INFO BITRATE="1074000" KEY_LYRICS="5 ContributorsNever Alone LyricsBlack and white dancin' together&#xA;Side by side, we'll make things better&#xA;You're never alone&#xA;&#xA;Dancin' together&#xA;Side by side, through stormy weather&#xA;You're never alone&#xA;&#xA;Never alone, never alone&#xA;Never alone, never alone&#xA;Never alone, never alone&#xA;Never alone, never alone&#xA;&#xA;You're never alone!&#xA;&#xA;Black and white dancin' together&#xA;Side by side, we'll make things better&#xA;You're never alone&#xA;&#xA;Dancin' together&#xA;Side by side, through stormy weather&#xA;You're never alone&#xA;&#xA;Never alone, never alone&#xA;Never alone, never alone (You're never alone!)&#xA;Never alone, never alone&#xA;Never alone, never alone&#xA;I'm always on course with the force off course&#xA;Breakin' down doors, and no, I won't pause&#xA;Here's an injection to all the people&#xA;Don't you stop movin' 'cause we're all equal&#xA;&#xA;I'm the T and I'm here to help&#xA;Stop the violence and help yourself&#xA;To a better place for the human race&#xA;Turn up the bass, time to rave&#xA;&#xA;It's universal&#xA;Let's do it now, no time for rehearsal&#xA;Wave your hands for the masterplan&#xA;And jam with the man here to slam&#xA;&#xA;So throw your fist in the air, it's time for peace&#xA;Happiness and unity&#xA;Can't you see, we've got to make it better&#xA;Black and white together&#xA;&#xA;Black and white dancin' together&#xA;Side by side, we'll make things better&#xA;You're never alone&#xA;&#xA;Dancin' together&#xA;Side by side, through stormy weather&#xA;You're never alone&#xA;Never alone, never alone&#xA;Never alone, never alone (You're never alone!)&#xA;Never alone, never alone&#xA;Never alone, never alone&#xA;&#xA;You're never alone!&#xA;&#xA;You're never alone!&#xA;&#xA;You're never alone!&#xA;&#xA;Never alone, never alone&#xA;Never alone, never alone (You're never alone!)&#xA;Never alone, never alone&#xA;Never alone, never alone&#xA;&#xA;It's time to wake up, it's time to rise&#xA;Let freedom ring for you and I&#xA;We've got to take care of the world today&#xA;Hear what I say, no time to play&#xA;&#xA;Save the ozon before it's gone like a storm&#xA;My word is born&#xA;Can't you see we've got to make it better?&#xA;Black and white together&#xA;Black and white dancin' together&#xA;Side by side, we'll make things better&#xA;You're never alone&#xA;&#xA;Dancin' together&#xA;Side by side, through stormy weather&#xA;You're never alone&#xA;&#xA;Never alone, never alone&#xA;Never alone, never alone (You're never alone!)&#xA;Never alone, never alone&#xA;Never alone, never alone&#xA;&#xA;You're never alone!" PRODUCER="Armada Music B.V." COVERARTID="077/NGULG1DICIHCQAEWRXHEBHR0LOUB" PLAYCOUNT="1" PLAYTIME="240" PLAYTIME_FLOAT="240.000000" IMPORT_DATE="2025/4/14" LAST_PLAYED="2025/4/14" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="31878"></INFO>
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<INFO BITRATE="1072000" KEY_LYRICS="27 ContributorsLet’s Get Loud Lyrics&#xA;(Hey, hey, hey, hey, hey, hey, hey, hey)&#xA;Ya Jeny llegó, presente! (Hey, hey, hey, hey)&#xA;(Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey)&#xA;Here we go!&#xA;&#xA;&#xA;Let's get loud, let's get loud&#xA;Turn the music up, let's do it&#xA;Come on people, let's get loud&#xA;Let's get loud, let's get loud&#xA;Turn the music up to hear that sound&#xA;Let's get loud, let's get loud&#xA;Ain't nobody gotta tell ya what you gotta do&#xA;&#xA;&#xA;If you wanna live your life&#xA;Live it all the way, and don't you waste it&#xA;Every feeling, every beat&#xA;Can be so very sweet, you gotta taste it (Uh-huh)&#xA;&#xA;&#xA;You gotta do it (You gotta do it), you gotta do it your way&#xA;You gotta prove it (You gotta prove it), you gotta mean what you say (Come on, you know what we're here for)&#xA;You gotta do it (Do it), you gotta do it your way&#xA;You gotta prove it (Prove it), you gotta mean what you say&#xA;&#xA;Life's a party, make it hot&#xA;Dance, don't ever stop, whatever rhythm&#xA;Every minute, every day&#xA;Take them all the way, you gotta live them (Hey, hey, hey, hey, hey, hey, 'cause I'ma live my life)&#xA;&#xA;&#xA;You gotta do it (You gotta do it), you gotta do it your way&#xA;You gotta prove it (You gotta prove it), you gotta mean what you say&#xA;You gotta do it (Do it), you gotta do it your way&#xA;You gotta prove it (Prove it), you gotta mean what you say&#xA;&#xA;&#xA;Let's get loud, let's get loud&#xA;Turn the music up to hear that sound&#xA;Let's get loud, let's get loud&#xA;Ain't nobody gotta tell ya what you gotta do, no, no&#xA;&#xA;&#xA;Yeah, I like this groove (Ah)&#xA;Make it hot, ayy papi (Haha)&#xA;Let's get down&#xA;Let's get down&#xA;Let's get down&#xA;It's just a party, baby, come on&#xA;Let's get loud (Ooh!)&#xA;Let's get loud&#xA;Let's get loud&#xA;Pump it up! (Ah)&#xA;(Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey)&#xA;Make it boogie now&#xA;(Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey)&#xA;&#xA;Life is meant to be big fun&#xA;You're not hurtin' anyone, nobody loses&#xA;Let the music make you free&#xA;Be what you wanna be, make no excuses&#xA;&#xA;&#xA;You gotta do it (Do what you want), you gotta do it your way&#xA;You gotta prove it (Say what you want), you gotta mean what you say&#xA;You gotta do it (Steady go where you want), you gotta do it your way&#xA;You gotta prove it (Just do it, oh), you gotta mean what you say&#xA;&#xA;&#xA;Let's get loud, let's get loud&#xA;Turn the music up to hear that sound&#xA;Let's get loud, let's get loud&#xA;Ain't nobody gotta tell ya what you gotta do&#xA;&#xA;&#xA;Eso! (Hey, hey)&#xA;Así, así es que me gusta, ya tú sabes (Hey, hey, hey, hey)&#xA;¡Échale candela! (Hey, hey, hey, hey, hey, hey, haha)&#xA;Let's get loud&#xA;Let's get loud&#xA;Let's get loud&#xA;Let's get loud&#xA;&#xA;Let's get loud, let's get loud (Hey, hey, hey, hey, hey)&#xA;Turn the music up to hear that sound&#xA;Let's get loud, let's get loud (Hey, hey, hey, hey, hey)&#xA;Ain't nobody gotta tell ya what you gotta do (Ah)&#xA;&#xA;&#xA;You didn't know I could do that, did you?" PRODUCER="(P) 1999 Epic Records, a division of Sony Music Entertainment" COVERARTID="078/O03IAPDYEWWW1BX3WSG1CT5PG0AC" PLAYTIME="240" PLAYTIME_FLOAT="239.399994" IMPORT_DATE="2025/4/14" RELEASE_DATE="1999/1/1" FLAGS="12" FILESIZE="31570"></INFO>
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<INFO BITRATE="1071000" KEY_LYRICS="1 ContributorAnother Stone LyricsWhen the wind dies down&#xA;In the calm you make your mind&#xA;When your eyes no longer see&#xA;That's when tomorrow begs for a chance to be seen&#xA;&#xA;Realize the pain will end when you're finally released&#xA;When is another stone when it changes to if&#xA;&#xA;When desires quick decay&#xA;Blinds the love it used to save&#xA;When today is too much&#xA;That's when the sun comes out against your design&#xA;&#xA;Devoted till the end&#xA;Bow, stare and then&#xA;The coffee that you made yourself sat waiting cooling one last time&#xA;One flaw with your design&#xA;Your heart was stronger than your mind&#xA;So the coffee that you made yourself sat waiting, cooling one last time&#xA;&#xA;One last time - let it out&#xA;&#xA;You can't communicate or carry all this weight&#xA;It's bombs away my love&#xA;So let it out" PRODUCER="Dancing Dead" COVERARTID="124/2TGBWWAZTYU25DKMM5NMDKIQUPIA" PLAYTIME="154" PLAYTIME_FLOAT="153.682693" IMPORT_DATE="2025/4/14" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="20605"></INFO>
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<INFO BITRATE="1076000" KEY_LYRICS="198 ContributorsSandstorm Lyrics“Sandstorm” is an instrumental trance composition by Finnish DJ Darude. The song was a hit across Europe and became known for its usage in sports.&#xA;&#xA;It is perhaps most famous due to becoming an internet meme… Read More &#xA;Duuuuuuuuuuuuuuuuuuuuuuun&#xA;Dun dun dun dun dun dun dun dun dun dun dun dundun dun dundundun dun dun dun dun dun dun dundun dundun&#xA;BOOM&#xA;Dundun dundun dundun&#xA;BEEP&#xA;Dun dun dun dun dun&#xA;Dun dun&#xA;BEEP BEEP BEEP BEEP&#xA;BEEEP BEEP BEEP BEEP&#xA;BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BOOM&#xA;Daddaddadaddadadadadadadadadadaddadadadadadaddadadaddadadadadadadadadadadadaddadddadaddadadadd dadadadaddaddada&#xA;D&#xA;Dadadddaddadaddadadadddadadada&#xA;Nyu nyu nyu nyu nyu nnyu nyu nyu nyu nyu nyu nyu nyu nyu nyu nyu&#xA;Doo doo doo doo doo doo doo doo&#xA;Nnn nn nn nn nn nn n nn nnn nn nn nnn nnn nnnnnnnn&#xA;Dddddddd ddadadadadaddadadadadadaadadadadadad&#xA;BOOM&#xA;Nyu nyu nyu nyu nyu nyu&#xA;BOOM&#xA;BOOM BOOM BOOM BOOM&#xA;BOOM&#xA;Nyunyunyu nyu nyu nyu nyu nyu nyu nyu nyu nyu nyu&#xA;BOOM BOOM&#xA;BEEP BEEP&#xA;BEEP BEEP BEEP&#xA;Dadadadadada&#xA;Ddadad&#xA;BOOM BOOM&#xA;BEEP BEEP&#xA;BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP&#xA;BOOM&#xA;(Unintelligible)&#xA;Ddudndundun dun dun dun dun dun dun dun dun dun dun dun dun dun dun dund&#xA;Dododododododododododododododododododododododododododododoodo&#xA;DRUM DRUM DRUM&#xA;Ddodododododoododododododododoodododododododo&#xA;Chi chichi chi chi chih&#xA;BOOOM&#xA;Chcihcihfkdhfdisjfkla&#xA;Dodododododododododododododododododododododododododododododododododoo&#xA;SCHEW&#xA;Dododododododoodododododododododododododo&#xA;Dadadadddudndundundudnudndundundunddunfudnundudnudnudndund&#xA;BOOM&#xA;FADE" PRODUCER="(P) 2000 16 Inch Records" COVERARTID="058/0VMLVNC1NADINCQQWKT5DAKRUA3A" PLAYTIME="226" PLAYTIME_FLOAT="225.666672" IMPORT_DATE="2025/4/14" RELEASE_DATE="2001/1/1" FLAGS="12" FILESIZE="29893"></INFO>
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<INFO BITRATE="1091000" KEY_LYRICS="104 ContributorsTranslationsFrançaisDeutschBarbie Girl Lyrics&#xA;Hiya, Barbie&#xA;Hi, Ken&#xA;You wanna go for a ride?&#xA;Sure, Ken&#xA;Jump in&#xA;&#xA;&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;Come on, Barbie, let's go party&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;&#xA;&#xA;I'm a blonde bimbo girl in a fantasy world&#xA;Dress me up, make it tight, I'm your dolly&#xA;You're my doll, rock and roll, feel the glamor in pink&#xA;Kiss me here, touch me there, hanky-panky&#xA;&#xA;&#xA;You can touch, you can play&#xA;If you say I'm always yours, ooh woah&#xA;&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;&#xA;&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;&#xA;&#xA;Make me walk, make me talk, do whatever you please&#xA;I can act like a star, I can beg on my knees&#xA;Come jump in, bimbo friend, let us do it again&#xA;Hit the town, fool around, let's go party&#xA;&#xA;&#xA;You can touch, you can play&#xA;If you say I'm always yours&#xA;You can touch, you can play&#xA;If you say I'm always yours&#xA;&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;&#xA;&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;I'm a Barbie girl in the Barbie world&#xA;Life in plastic, it's fantastic&#xA;You can brush my hair, undress me everywhere&#xA;Imagination, life is your creation&#xA;&#xA;&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;Come on, Barbie, let's go party&#xA;Ah, ah, ah, yeah&#xA;Come on, Barbie, let's go party&#xA;Ooh woah, ooh woah&#xA;&#xA;Oh, I'm having so much fun&#xA;Well, Barbie, we're just getting started&#xA;Oh, I love you Ken" PRODUCER="℗ 1997 Universal Music (Denmark) A/S" COVERARTID="010/KA5IN1CKLPOHQCYCTAIABJTSNYYC" PLAYTIME="197" PLAYTIME_FLOAT="196.173340" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="26655"></INFO>
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<INFO BITRATE="1089000" KEY_LYRICS="17 ContributorsMr. Vain Lyrics&#xA;(Yeah)&#xA;&#xA;&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him insane&#xA;&#xA;&#xA;He'd say, &amp;quot;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&amp;quot;&#xA;&#xA;&#xA;Call me raider, call me wrong&#xA;Call me insane, call me Mr. Vain&#xA;Call me what you like, as long as you call me time and again&#xA;Feel the presence of the aura of the man&#xA;None to compare&#xA;Loveless dying for a chance just to touch a hand or a moment to share&#xA;Can't deny the urge that makes them want to lose themselves to the debonaire one&#xA;Hold me back, the simple fact is that I'm all bad and I'm always there&#xA;Want sex? You can't perplex me, now you know who's raw&#xA;As if you didn't know before&#xA;I know what I want and I want it now&#xA;I want you and then I want a little more&#xA;&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him insane&#xA;&#xA;&#xA;He'd say, &amp;quot;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&amp;quot;&#xA;&#xA;&#xA;Mr. Wrong&#xA;Mr. Wrong&#xA;Mr. Raider&#xA;Wrong&#xA;&#xA;&#xA;Girls all over the world, they hope and pray and die for men like me&#xA;'Cause I'm the one begotten son that breaks the mold, get a look at male epitome&#xA;Style has never seen that makes you want to grab and hold and squeeze real tight&#xA;Who's gonna be the one to save you from yourself if you wanna take a bite?&#xA;Please, oh baby, please, you beg, you want, you say you got to get some&#xA;Caught up in the charm that I laid on thick, and now there's nowhere to run&#xA;Just another fish that bit the worm on the hook of my line&#xA;Yeah, I keep many females longin' for a chance to win my heart with S-E-X and plenty&#xA;&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him insane&#xA;&#xA;&#xA;He'd say, &amp;quot;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&amp;quot;&#xA;&#xA;&#xA;&#xA;&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him insane&#xA;&#xA;&#xA;He'd say, &amp;quot;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&amp;quot;&#xA;&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him Mr. Vain&#xA;Call him Mr. Raider, call him Mr. Wrong&#xA;Call him insane&#xA;&#xA;&#xA;He'd say, &amp;quot;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&#xA;I know what I want and I want it now&#xA;I want you, 'cause I'm Mr. Vain&amp;quot;" PRODUCER="2012 Abfahrt Media GmbH" COVERARTID="016/QMUF4ZBQV1EHNBYWKLTCB4A2WJHA" PLAYTIME="337" PLAYTIME_FLOAT="336.839996" IMPORT_DATE="2025/4/14" RELEASE_DATE="1993/1/1" FLAGS="12" FILESIZE="45041"></INFO>
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<INFO BITRATE="1088000" KEY_LYRICS="9 ContributorsBack in My Life Lyrics&#xA;(Want you back in my life)&#xA;&#xA;&#xA;I want you back in my life&#xA;Want you back by my side&#xA;'Cause that's where you belong&#xA;And I&#xA;I won't give you up&#xA;I will never stop&#xA;My love is much too strong&#xA;&#xA;&#xA;&#xA;&#xA;I want you back in my life&#xA;Want you back by my side&#xA;'Cause that's where you belong&#xA;And I&#xA;I won't give you up&#xA;I will never stop&#xA;My love is much too strong&#xA;&#xA;&#xA;Look at me standin' here&#xA;Crying out my final tears&#xA;Look at me in the rain&#xA;Callin' out your name again&#xA;Look at me standin' here&#xA;Crying out my final tears&#xA;Look at me in the rain&#xA;Callin' out your name again&#xA;&#xA;Remember when you told me&#xA;You didn't want anybody else but me&#xA;And I'm that same girl&#xA;That's all you need to see&#xA;&#xA;&#xA;&#xA;&#xA;I want you back in my life&#xA;Want you back by my side&#xA;'Cause that's where you belong&#xA;And I&#xA;I won't give you up&#xA;I will never stop&#xA;My love is much too strong&#xA;&#xA;&#xA;Look at me standin' here&#xA;Crying out my final tears&#xA;Look at me in the rain&#xA;Callin' out your name again" PRODUCER="Universal Music; ℗ 1999 Universal International Music B.V." COVERARTID="052/UNWFADC0YNKPZDVCZI5YBFVUOUUA" PLAYTIME="210" PLAYTIME_FLOAT="209.803894" IMPORT_DATE="2025/4/14" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="28024"></INFO>
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<INFO BITRATE="1098000" KEY_LYRICS="19 ContributorsRoses Are Red Lyrics&#xA;Roses are red and violets are blue&#xA;Honey is sweet but not as sweet as you&#xA;Roses are red and violets are blue&#xA;​ad-id-ad-id-mud, ad-id-ad-id-muD&#xA;&#xA;&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Come pick my roses&#xA;&#xA;&#xA;Sweet from the flowers, honey from the bees&#xA;I got a feelin' I'm ready to release&#xA;Roses are red and violets are blue&#xA;Honey is sweet but not as sweet as you&#xA;&#xA;&#xA;It's invisible but so touchable&#xA;And I can feel it on my body, so emotional&#xA;I'm on a ride, on a ride, I'm a passenger&#xA;I'm a victim of a hot love messenger&#xA;&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;The only thing he said was&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;That roses are red&#xA;&#xA;&#xA;Come with me, baby, please fulfill my wish&#xA;Show it to me truly, show me with a kiss&#xA;Roses are red and violets are blue&#xA;Honey is sweet but not as sweet as you&#xA;&#xA;&#xA;It's invisible but so touchable&#xA;And I can feel it on my body, so emotional&#xA;I'm on a ride, on a ride, I'm a passenger&#xA;I'm a victim of a hot love messenger&#xA;&#xA;&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;The only thing he said was&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;That roses are red&#xA;(Come and) Dum-di-da-di-da&#xA;(Come and) Dum-di-da-di-da&#xA;(Come and) Dum-di-da-di-da&#xA;The only thing he said was&#xA;(Come and) Dum-di-da-di-da&#xA;(Come and) Dum-di-da-di-da&#xA;​ad-id-ad-id-mud, ad-id-ad-id-muD&#xA;&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Don't take my roses away&#xA;&#xA;&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;The only thing he said was&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;Dum-di-da-di-da&#xA;That roses are red&#xA;(Come and) Dum-di-da-di-da&#xA;(Come and) Dum-di-da-di-da&#xA;(Come and) Dum-di-da-di-da&#xA;The only thing he said was&#xA;(Come and) Dum-di-da-di-da&#xA;(Come and) Dum-di-da-di-da&#xA;(Come and) Dum-di-da-di-da&#xA;My roses are red, oh, oh, oh, yeah&#xA;&#xA;&#xA;​ad-id-ad-id-mud, ad-id-ad-id-muD" PRODUCER="℗ 1996 Universal Music (Denmark) A/S" COVERARTID="010/KA5IN1CKLPOHQCYCTAIABJTSNYYC" PLAYTIME="225" PLAYTIME_FLOAT="224.213333" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="30600"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71135" AUDIO_ID="AM0AAnupmIVHqIirt5ubmqeIiKeJ3//////d7v///u7////d3v7////////+/////v7////////+//////7//////v////7v//////////3v///////+/v///v7//////v//+7zf7v////7v//////////7e///+//////7//////////////////////////////////+/////////u/////+////7u///93Kz//+7//u7/7v/e/v///v//////////7///////////7///////////////////////////////////7v///////97e///e7f//2pdlVDIhEAAAAA==" TITLE="Sweet Dreams" ARTIST="La Bouche"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="43 - La Bouche - Sweet Dreams.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="1096000" KEY_LYRICS="9 ContributorsSweet Dreams Lyrics“Sweet Dreams” is a song recorded by La Bouche. It was originally released in March of 1994 as the lead single from their album of the same name. It was released in North America in January 1996. The song… Read More &#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night&#xA;&#xA;&#xA;I wanna get into motion, a better devotion&#xA;So I can make it through the night&#xA;So the music is playin', you know what I'm sayin'&#xA;Now everything will be alright&#xA;&#xA;&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night (Oh-oh, oh)&#xA;&#xA;&#xA;Ola ola eh, ola ola eh&#xA;Ola ola eh, ola ola eh&#xA;&#xA;&#xA;Rhythm is a creation, a better sensation&#xA;That will lead you through the night&#xA;When your body is movin', the music is groovin'&#xA;I wanna take you home tonight&#xA;&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night (Oh-oh, oh)&#xA;&#xA;&#xA;Ola ola eh, ola ola eh&#xA;Ola ola eh, ola ola eh&#xA;&#xA;&#xA;Keep dancin' hard&#xA;Give this groove more feeling&#xA;Dance, trance, dance, more dealing&#xA;In, out, up, down, all around&#xA;On the dance floor gettin' down&#xA;Take time just to show them who&#xA;We can make your body move&#xA;Totally, yes, the party's started&#xA;Sweet dreams keep comin' harder&#xA;&#xA;&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night&#xA;Sweet dreams of rhythm and dancin'&#xA;Sweet dreams of passion through the night&#xA;Sweet dreams are takin' over&#xA;Sweet dreams of dancin' through the night (Oh-oh, oh)&#xA;&#xA;Ola ola eh, ola ola eh&#xA;Ola ola eh, ola ola eh..." PRODUCER="(P) 2002 BMG Berlin Musik GmbH/MCI" COVERARTID="020/UQVQZYD05TQZNAFTCIA5BCDIFFFC" PLAYTIME="205" PLAYTIME_FLOAT="204.586670" IMPORT_DATE="2025/4/14" RELEASE_DATE="2007/1/1" FLAGS="12" FILESIZE="27503"></INFO>
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<INFO BITRATE="1100000" KEY_LYRICS="21 ContributorsGet Ready For This Lyrics&#xA;Y'all ready for this?&#xA;&#xA;&#xA;&#xA;&#xA;Get down with the sound, house on the ground&#xA;Freeze when I squeeze, drop to your knees&#xA;You must obey, I'm in here to stay&#xA;Ready to take you around the way&#xA;So you’re ready for this, mind your own biz&#xA;'Cause I am bad, yeah, the microphone wiz&#xA;No need to sit, 'cause we're 2 Unlimited&#xA;Ready, ready, ready for this&#xA;&#xA;&#xA;Yeah, yeah, yeah, yeah-yeah&#xA;Yeah, yeah, yeah, yeah-yeah&#xA;&#xA;&#xA;&#xA;&#xA;Feel the base, you just get closer&#xA;Be impressed by the words I chose so&#xA;Once again kickin' it live&#xA;Doin' everything yo just to survive&#xA;Above the law, I think I stand&#xA;Here on stage with a mic in my hand&#xA;Bustin' it loud into the crowd&#xA;The age is 20, I'm from the south&#xA;&#xA;Be a part, break my heart&#xA;Get ready for this, mind your own biz&#xA;People in the front, show me what you want&#xA;And I won't give it in, get ready for this&#xA;We're 2 Unlimited, so people won't you sit?&#xA;Movin' up and down, dancin' on the ground&#xA;Feelin' kinda free, security&#xA;House is the sound, that moves you from the ground&#xA;&#xA;&#xA;House on the ground, bass in your face&#xA;Ray’s in the place, no time to waste&#xA;Being hypnotized, I see it in your eyes&#xA;Feelin' kinda better, put on your sweater&#xA;Being black or white, I think it doesn't matter&#xA;Super, dope, def, and even outrageous&#xA;If I was an animal, they’d kept me in cages&#xA;So get ready for this&#xA;&#xA;&#xA;Y'all ready for this?&#xA;&#xA;&#xA;Yeah, yeah, yeah, yeah-yeah&#xA;&#xA;&#xA;&#xA;Be a part, break my heart&#xA;Get ready for this, mind your own biz&#xA;People in the front, show me what you want&#xA;And I won't give it in, get ready for this&#xA;We're 2 Unlimited, so people won't you sit?&#xA;Movin' up and down, dancin' on the ground&#xA;Feelin' kinda free, security&#xA;House is the sound, that moves you from the ground&#xA;&#xA;" PRODUCER="Decos Publishing" COVERARTID="101/F5EDREAIX4E3YDOQQKU3A4T4E2WA" PLAYTIME="223" PLAYTIME_FLOAT="222.911163" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="30076"></INFO>
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<INFO BITRATE="1120000" KEY_LYRICS="5 ContributorsWill I Ever Lyrics&#xA;Na-na-na-na&#xA;&#xA;&#xA;I don't dare to let it show&#xA;Therefor you will never know&#xA;What I really feel inside&#xA;And how I lay awake at night&#xA;&#xA;&#xA;Will I ever fall in love?&#xA;And if I do, will it be with you?&#xA;Will I ever fall in love?&#xA;And will you be the one for me?&#xA;&#xA;&#xA;Will I ever fall in love?&#xA;And if I do, will it be with you?&#xA;Will I ever fall in love?&#xA;And will you be the one for me?&#xA;&#xA;&#xA;Na-na-na-na, wey-oh&#xA;Na-na-na-na-na-na-na, wey-oh&#xA;Na-na-na-na, wey-oh&#xA;Na-na-na-na-na-na-na, wey-oh&#xA;&#xA;I guess it's all in my head&#xA;And I will be alone instead&#xA;Dreaming of a night with you&#xA;And all the things that we would do&#xA;&#xA;&#xA;Will I ever fall in love?&#xA;And if I do, will it be with you?&#xA;Will I ever fall in love?&#xA;And will you be the one for me?&#xA;&#xA;&#xA;Will I ever fall in love?&#xA;And if I do, will it be with you?&#xA;Will I ever fall in love?&#xA;And will you be the one for me?&#xA;&#xA;&#xA;Na-na-na-na, wey-oh&#xA;Na-na-na-na-na-na-na, wey-oh&#xA;Na-na-na-na, wey-oh&#xA;Na-na-na-na-na-na-na, wey-oh&#xA;Na-na-na-na, wey-oh&#xA;Na-na-na-na-na-na-na, wey-oh&#xA;Na-na-na-na, wey-oh&#xA;Na-na-na-na-na-na-na, wey-oh" PRODUCER="℗ 2000 Universal International Music B.V." COVERARTID="022/WYZBYNCKMUTGOACULYUXDQHHFAOD" PLAYTIME="195" PLAYTIME_FLOAT="194.072388" IMPORT_DATE="2025/4/14" RELEASE_DATE="2000/1/1" FLAGS="12" FILESIZE="26725"></INFO>
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<INFO BITRATE="1127000" KEY_LYRICS="5 ContributorsGeneration Of Love LyricsBoys and girls, the new generation&#xA;Call it generation of love&#xA;Boys and girls the new generation&#xA;Call it generation of love&#xA;&#xA;Boys and girls, the new generation&#xA;Call it generation of love&#xA;Boys and girls the new generation&#xA;Call it generation of love&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Make it true&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Me to you&#xA;&#xA;Boys and girls jump up and down&#xA;Move your body 'round and 'round&#xA;Pump the bass up in this place&#xA;Put a smile back in your face&#xA;Take control, don't waste time&#xA;The heat is on, you're feeling fine&#xA;Feel the power from above&#xA;Call it generation of love&#xA;Baby give me all your passion&#xA;Baby give me all your love&#xA;Baby give me all your passion&#xA;Baby give me all your love&#xA;&#xA;Boys and girls, the new generation&#xA;Call it generation of love&#xA;Boys and girls the new generation&#xA;Call it generation of love&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Make it true&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Me to you&#xA;&#xA;Here I go, here I go&#xA;Kiss me baby, let it flow&#xA;You know how to make it right&#xA;Light my fire, hold me tight&#xA;People of the night keep grooving&#xA;Got to get it right, your moving&#xA;Feel the power from above&#xA;Call it generation of love&#xA;Everybody's feeling happy&#xA;Everybody everywhere&#xA;Everybody's feeling happy&#xA;Everybody everywhere&#xA;&#xA;Boys and girls, the new generation&#xA;Call it generation of love&#xA;Boys and girls the new generation&#xA;Call it generation of love&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Make it true&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Give me all your lovin'&#xA;Me to you&#xA;&#xA;Boys and girls the new generation&#xA;Call it generation of love..." PRODUCER="Klubbstyle Records" COVERARTID="039/HVNHEUCTIODSNCRTUP0RB3M3QE4C" PLAYTIME="220" PLAYTIME_FLOAT="219.226669" IMPORT_DATE="2025/4/14" RELEASE_DATE="1996/1/1" FLAGS="12" FILESIZE="30515"></INFO>
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<INFO BITRATE="1132000" KEY_LYRICS="25 ContributorsLollipop (Candyman) Lyrics&#xA;(Oh) I am the Candyman&#xA;(Oh) Comin' from Bountyland&#xA;(Oh) I am the Candyman&#xA;(Oh) Comin' from Bountyland&#xA;&#xA;&#xA;I wish that you were my lollipop&#xA;Sweet things, I will never get enough&#xA;If you show me to the sugar tree&#xA;Will you give me a soda pop for free?&#xA;&#xA;&#xA;Come with me, honey, I'm your sweet sugar Candyman (Oh)&#xA;Run like the wind, fly with me to Bountyland (Oh)&#xA;Bite me, I'm yours, if you're hungry, please understand (Oh)&#xA;This is the end of the sweet sugar Candyman&#xA;&#xA;&#xA;Oh, my love, I know you are my Candyman&#xA;And oh, my love, your word is my command&#xA;Oh, my love, I know you are my Candyman&#xA;And oh, my love, let us fly to Bountyland&#xA;&#xA;&#xA;(Oh) You are my lollipop&#xA;(Oh) Sugar, sugar top&#xA;(Oh) You are my lollipop&#xA;(Oh) Sugar, sugar top&#xA;&#xA;I wish that I were a bubble gum&#xA;Chewin' on me, baby, all day long&#xA;I will be beggin' for sweet delight&#xA;Until you say I am yours tonight&#xA;&#xA;&#xA;Come with me, honey, I'm your sweet sugar Candyman (Oh)&#xA;Run like the wind, fly with me to Bountyland (Oh)&#xA;Bite me, I'm yours, if you're hungry, please understand (Oh)&#xA;This is the end of the sweet sugar Candyman&#xA;&#xA;&#xA;Oh, my love, I know you are my Candyman&#xA;And oh, my love, your word is my command&#xA;Oh, my love, I know you are my Candyman&#xA;And oh, my love, let us fly to Bountyland&#xA;Oh, my love, I know you are my Candyman&#xA;And oh, my love, your word is my command&#xA;Oh, my love, I know you are my Candyman&#xA;And oh, my love, let us fly to Bountyland&#xA;&#xA;&#xA;I am the Candyman&#xA;Comin' from Bountyland&#xA;I am the Candyman&#xA;Comin' from Bountyland&#xA;Comin' from Bountyland&#xA;&#xA;Oh, my love, I know you are my Candyman&#xA;And oh, my love, your word is my command&#xA;Oh, my love, I know you are my Candyman&#xA;And oh, my love, let us fly to Bountyland&#xA;&#xA;&#xA;(Oh) You are my lollipop&#xA;(Oh) Sugar, sugar top&#xA;(Oh) You are my lollipop&#xA;(Oh) Sugar, sugar top" PRODUCER="℗ 1997 Universal Music (Denmark) A/S" COVERARTID="002/CUF3VHDFIBS5WCB4LQEBD443PVJC" PLAYTIME="216" PLAYTIME_FLOAT="215.053329" IMPORT_DATE="2025/4/14" RELEASE_DATE="2009/1/1" FLAGS="12" FILESIZE="30269"></INFO>
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<INFO BITRATE="583000" KEY_LYRICS="6 ContributorsThe Launch LyricsGet ready for the launch&#xA;&#xA;Get ready for the launch&#xA;&#xA;Get ready&#xA;For the launch&#xA;&#xA;Get ready for the launch&#xA;&#xA;Five, four, three, two, one, zero, ignition&#xA;&#xA;Get ready for the launch&#xA;&#xA;Get ready&#xA;For the launch&#xA;&#xA;Five, four, three, two, one, zero, ignition&#xA;&#xA;Get ready for the launch" PRODUCER="High Fashion Music" COVERARTID="038/GFNBIWBPHZULEABLSEPQBKYSFMNA" PLAYTIME="221" PLAYTIME_FLOAT="220.360001" IMPORT_DATE="2025/4/14" RELEASE_DATE="1999/1/1" FLAGS="12" FILESIZE="16145"></INFO>
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<INFO BITRATE="853000" KEY_LYRICS="1 ContributorJe voulais te parler LyricsJ’voulais te parler d’ma vie, c’est rare quand ça m’arrive&#xA;Un moment suffira, y’a pas grand chose à dire&#xA;Que des bribes de souvenirs à étaler de ma voix&#xA;Des pièces d’ambition à aller crier sur tous les toits&#xA;&#xA;1000 routes de campagne, paysages de Haute-Marne&#xA;À contempler les bois sauvages sur chaque album de Goldman&#xA;Me voir avec lui sur scène, Deschamps, Jones et Mascarel&#xA;À chanter ensemble “j’irai au bout de mes rêves”&#xA;&#xA;J’lui prends 2 phrases pour le début de ma chanson&#xA;En 20 ans j’ai appris de lui le moindre mot de ses leçons&#xA;De partage, de sagesse, de respect et d’ambition&#xA;Avec Marie et Olly il est fondateur de ma raison&#xA;&#xA;C’est la musique qui me guide, l’angoisse qui me quitte, la peur que j’évite, éviter le pire&#xA;Mon nom sur la liste, le cœur en quête de palpitations&#xA;7000 personnes qui ne me connaissent pas, chantent mes textes à l’unisson&#xA;Nous interpellent “Def &amp;amp; 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<INFO BITRATE="857000" KEY_LYRICS="35 ContributorsTranslationsΕλληνικάRhythm Is a Dancer (7&amp;quot; Edit) Lyrics&#xA;La-la-la-la, la-la-la-la&#xA;La-la-la-la, la, ooh&#xA;&#xA;&#xA;Rhythm is a dancer&#xA;It's a soul's companion&#xA;People feel it everywhere, mm&#xA;Lift your hands and voices&#xA;Free your mind and join us&#xA;You can feel it in the air&#xA;&#xA;&#xA;Oh, it's a passion&#xA;Oh, you can feel it in the air&#xA;Oh, it's a passion&#xA;Oh, oh, oh, oh&#xA;&#xA;&#xA;Rhythm is a dancer&#xA;It's a soul's companion&#xA;People feel it everywhere, mm&#xA;Lift your hands and voices&#xA;Free your mind and join us&#xA;You can feel it in the air&#xA;&#xA;Oh, it's a passion&#xA;Oh, you can feel it in the air&#xA;Oh, it's a passion&#xA;Oh, oh, oh, oh&#xA;&#xA;&#xA;Rhythm&#xA;You can feel it, people feel it&#xA;Rhythm&#xA;Rhythm is a dancer&#xA;Rhythm&#xA;You can feel it, people feel it&#xA;Rhythm&#xA;Rhythm is a dancer&#xA;&#xA;&#xA;Let the rhythm ride you, guide you, sneak inside you, set your mind to&#xA;Move to its pulsation, bass vibration, synth sensation&#xA;Pause, it's not in place, see, mind and body must be free to&#xA;Please, take it all in, nothing to lose, everything to win&#xA;Let it control you, hold you, mold you, not the old, the new&#xA;Touch it, taste it, free your soul and let it baste you&#xA;Got to be what you wanna&#xA;If the groove don't get you, the rifle's gonna&#xA;I'm serious as cancer when I say rhythm is a dancer&#xA;&#xA;Rhythm is a dancer&#xA;It's a soul's companion&#xA;People feel it everywhere, mm&#xA;Lift your hands and voices&#xA;Free your mind and join us&#xA;You can feel it in the air&#xA;&#xA;&#xA;Oh, it's a passion&#xA;Oh, you can feel it in the air&#xA;Oh, it's a passion&#xA;Oh, oh, oh, oh&#xA;&#xA;&#xA;Rhythm&#xA;You can feel it, people feel it&#xA;Rhythm&#xA;Rhythm is a dancer&#xA;Rhythm&#xA;You can feel it, people feel it&#xA;Rhythm&#xA;Rhythm is a dancer" PRODUCER="℗ 1991 BMG Rights Management GmbH" COVERARTID="105/JPSER3A3JO43UCNRKLKMD2AQWCAA" PLAYTIME="226" PLAYTIME_FLOAT="225.882263" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="23744"></INFO>
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<INFO BITRATE="861000" KEY_LYRICS="6 ContributorsWas Never There LyricsOh my darling, you should be me tonight&#xA;See yourself through my eyes&#xA;Oh my love, I've gone too far out tonight&#xA;Out on a ledge&#xA;I'll never stop loving who I think you are&#xA;Some things never change&#xA;Oh my darling, you should hear me tonight&#xA;Wherever you are&#xA;&#xA;I don't know which one of us I'm betting on&#xA;I try and tried, don't get anywhere&#xA;When we peel back layers&#xA;We might just wanna put them back on&#xA;Tonight I'd give my left arm to be with you&#xA;&#xA;Oh my darling, how am I here and you've gone?&#xA;Or is it the other way around?&#xA;Oh this one time I'm not playing tonight&#xA;Because I wanna win too much&#xA;&#xA;Why do we never have what we need when we have it?&#xA;If I knew that then I'd have it all&#xA;It changes, they change with every new day's dawn&#xA;For once I wish I knew what I had&#xA;&#xA;Oh my darling, you're out beyond oceans and stars&#xA;But I'll find you&#xA;Bet you no one's told you you were beautiful in a long time&#xA;Like most of us we need to hear that sometimes&#xA;Like a cat always looking for somewhere to die&#xA;You always seem to land on your feet&#xA;&#xA;Oh my darling, the past is with me tonight&#xA;I found you&#xA;Oh my love, you forget who you are&#xA;Maybe you never knew&#xA;Oh my beauty, you hide beyond oceans and stars&#xA;But what a view&#xA;&#xA;Oh my love&#xA;I'm convinced that you are never there&#xA;Oh my darling, we're so near and so far&#xA;Always&#xA;Oh my love, I'm sure you feel that I&#xA;Was never there&#xA;Oh my darling, you should see me tonight&#xA;Couldn't love you more&#xA;Oh my love, can you hear me tonight&#xA;Wherever you are ?" PRODUCER="2024 Hot Vibes Records" COVERARTID="085/V0PECEATLRU0JCFNVQJUCVBUZSKB" PLAYTIME="165" PLAYTIME_FLOAT="164.516144" IMPORT_DATE="2025/4/14" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="17620"></INFO>
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<ENTRY MODIFIED_DATE="2025/4/14" MODIFIED_TIME="71013" AUDIO_ID="ANMnaYZIZ5Y4d5ZHZ6RJrMuJd4d6y8yax5yIybyHyXyXubuXunuWaYmXeYmoaHeoeIioaIipaIiZeJmoiJeImdzMidmNmdvNmMt9qczMuLyKuby8yJ2Z2Hyr2XyXyXyq23qnu3q6zIjInIjavZjIfJZ2aIdVhEhEhmhUdkdyZ1d4mKl5mJlpqamZl5dWy9yJyY25282Zyo2p3MyovHq5q7y4rZrUW5javJfJu5fLvJe6rKjLrKitq8mOrMp8q8zNqcycy8zNub2byZ3M2Z6p3K3M2p3J2nu4u7u5vLy5m5vIjJvLnrvKjLvMnbu5i7q6ibiIVGREIiEREAAAAAAAAA==" TITLE="All That She Wants" ARTIST="Ace Of Base"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:90s Dance Hits (Top 100)/:" FILE="18 - Ace Of Base - All That She Wants.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="864000" KEY_LYRICS="33 ContributorsTranslationsItalianoDeutschAll That She Wants Lyrics“All That She Wants” is a Europop song that launched Ace of Base and Denniz PoP into international success, and helped popularize the reggae-inspired style of Europop. It is about a woman who looks for many… Read More &#xA;She leads a lonely life&#xA;Oh, she leads a lonely life&#xA;&#xA;&#xA;When she woke up late in the morning light&#xA;And the day had just begun&#xA;She opened up her eyes and thought&#xA;&amp;quot;Oh, what a morning&amp;quot;&#xA;It's not a day for work&#xA;It's a day for catching tan&#xA;Just lying on the beach and having fun&#xA;She's going to get ya&#xA;&#xA;&#xA;All that she wants is another baby&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah&#xA;All that she wants is another baby&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah&#xA;&#xA;&#xA;(All that she wants)&#xA;(All that she wants)&#xA;&#xA;So, if you are in sight and the day is right&#xA;She's the hunter, you're the fox&#xA;The gentle voice that talks to you&#xA;Won't talk forever&#xA;It is a night for passion&#xA;But the morning means goodbye&#xA;Beware of what is flashing in her eyes&#xA;She's going to get ya&#xA;&#xA;&#xA;All that she wants is another baby&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah&#xA;All that she wants is another baby&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah (Is another baby, yeah)&#xA;&#xA;&#xA;Ah&#xA;Ah&#xA;&#xA;&#xA;All that she wants is another baby (Is another baby, yeah)&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah (Is another baby, yeah)&#xA;All that she wants is another baby (Is another baby)&#xA;She's gone tomorrow, boy&#xA;All that she wants is another baby, yeah (Is another baby, yeah)&#xA;&#xA;All that she wants&#xA;All that she wants" PRODUCER="Mega Records, a Division of Playground Music Scandinavia AB" COVERARTID="090/0K1DRNAL1EI3GAQBD43ABDHYEUMD" PLAYTIME="212" PLAYTIME_FLOAT="211.213333" IMPORT_DATE="2025/4/14" RELEASE_DATE="1992/1/1" FLAGS="12" FILESIZE="22454"></INFO>
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<INFO BITRATE="873000" KEY_LYRICS="23 ContributorsSweat (A La La La La Long) Lyrics&#xA;I've been watching you&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Come on!&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Hey&#xA;&#xA;&#xA;Standing across the room, I saw you smile&#xA;I said I want to talk to you for a little while&#xA;But before I make my move, my emotions start running wild&#xA;My tongue gets tied, and that's no lie&#xA;I'm looking in your eyes&#xA;I'm looking in your big brown eyes&#xA;(Ooh, yeah)&#xA;(And I've got this to say to you)&#xA;Girl, I want to make you sweat&#xA;Sweat 'til you can't sweat no more&#xA;And if you cry out I'm gonna push it some more&#xA;&#xA;&#xA;Girl, I want to make you sweat&#xA;Sweat 'til you can't sweat no more&#xA;And if you cry out, I'm gonna push it&#xA;Push it, push it some more&#xA;&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Come On!&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Ooh&#xA;&#xA;&#xA;So, I say to myself, if she loves me or not&#xA;But the dread are known that love is here to get&#xA;And with a little bit of this and a little bit of that&#xA;The lyrics goes on the attack&#xA;My tongue gets tied&#xA;And that's no lie&#xA;I'm looking in your eyes&#xA;I'm looking in your big brown eyes&#xA;Ooh, yeah&#xA;Oh, girl&#xA;(And I've got this to say to you)&#xA;&#xA;&#xA;Girl, I want to make you sweat&#xA;Sweat 'til you can't sweat no more&#xA;And if you cry out, I'm gonna push it some more&#xA;Girl, I want to make you sweat&#xA;Sweat 'til you can't sweat no more&#xA;And if you cry out, I'm gonna push it&#xA;Push it, push it some more&#xA;&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Oh, yeah&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;One more time&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Sing it!&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long, eh&#xA;Yeah&#xA;&#xA;&#xA;Eyes, I'm Looking in your big brown eyes&#xA;Oh, yeah&#xA;(And I've got this to say to you)&#xA;&#xA;&#xA;Girl, I want to make you sweat&#xA;Sweat 'til you can't sweat no more&#xA;And if you cry out, I'm gonna push it some more&#xA;Girl, I want to make you sweat&#xA;Sweat 'til you can't sweat no more&#xA;And if you cry out, I'm gonna push it&#xA;Push it, push it some more&#xA;&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Eh&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Push it push it some more&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;All right&#xA;Ah la-la-la-la-long&#xA;Ah la-la-la-la-long-long, li-long, long-long&#xA;Push it, push it some more" PRODUCER="℗ 1992 Soundbwoy Ent/DubShot Records" COVERARTID="002/CMRNUNDH25DGMDSDR3YYBI0YDPPD" PLAYTIME="228" PLAYTIME_FLOAT="227.067001" IMPORT_DATE="2025/4/14" RELEASE_DATE="2010/1/1" FLAGS="12" FILESIZE="24587"></INFO>
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<INFO BITRATE="877000" KEY_LYRICS="1 ContributorDesire Lyrics(Seattle Scenes)&#xA;&#xA;(The interns are at Cristina and Burke's apartment studying for intern exams)&#xA;&#xA;Alex: What percentage of Americans look at an acute apnea?&#xA;&#xA;MVO: As interns we know what we want...to become surgeons. And will do anything to get there...&#xA;&#xA;Alex: What are the signs of a central line infection?&#xA;&#xA;Meredith: Puss, redness and fever.&#xA;&#xA;MVO: Suffer through killer exams, endure 100-hour weeks, stand for hours on end operating rooms. You name it we'll do it.&#xA;&#xA;Alex: What's Kahn's syndrome?&#xA;&#xA;Meredith: Wait, wait, I know this.&#xA;&#xA;Izzie: Tick tock dude.&#xA;&#xA;Meredith: Um...&#xA;&#xA;George: Cracking under the pressure?&#xA;&#xA;Meredith: No! Um...hypocortolis...cortolism...&#xA;Cristina: Primary hypro dostrolonism. Yes, out of the seat. My turn.&#xA;&#xA;Izzie: No it's my turn.&#xA;&#xA;Cristina: No it's not.&#xA;&#xA;(Burke walks up with cake)&#xA;&#xA;Cristina: Oh honey I...&#xA;&#xA;Burke: Try this one. White sponge with vanilla butter cream.&#xA;&#xA;Cristina: Ok yeah. I'm trying to study for the most important test of my intern career. I don't have time for wedding cake.&#xA;&#xA;Burke: Just try it.&#xA;&#xA;Izzie: Go, go!&#xA;&#xA;George: What is the strongest layer of the small bowel?&#xA;&#xA;Cristina: Fine, yummy, go!&#xA;&#xA;Izzie: Damn it. Damn it. Damn it. Damn it.&#xA;&#xA;George: It is not snot.&#xA;Izzie: Submucousa&#xA;&#xA;George: Yes.&#xA;&#xA;Cristina: Wait, wait. How do you know that? Are you studying with the wife's cards?&#xA;&#xA;Meredith: What cards?&#xA;&#xA;Cristina: Callie was ranked number one in her year after this test. She has legendary flash cards.&#xA;&#xA;Izzie: So don't need the flash cards. We are independently brilliant.&#xA;&#xA;George: Dream team.&#xA;&#xA;Cristina: Yeah, yeah. I wanna hurl. Out of the seat.&#xA;&#xA;Alex: No, no my turn.&#xA;&#xA;Cristina: Oh come on.&#xA;&#xA;(Burke walks up with more cake)&#xA;&#xA;Burke: This is the lemon, might be a little tart.&#xA;&#xA;Izzie: What is atenicaratosis?&#xA;Alex: Uh...atenicaratosis is uh...pre-malignant lesion.&#xA;&#xA;Cristina: In old people.&#xA;&#xA;Alex: In anyone.&#xA;&#xA;Burke: Is it too tart?&#xA;&#xA;Cristina: Baby, I don't care. I mean, is Alex right or am I?&#xA;&#xA;Burke: You don't care? Well I'll get another bride.&#xA;&#xA;Cristina: I love it. I love all cakes. Now break the tie.&#xA;&#xA;Burke: Karev's right.&#xA;&#xA;MVO: The tough part though is reconciling this huge thing we want, to be surgeons, with everything else we want.&#xA;&#xA;(Derek is entering the hospital, Meredith is right behind him)&#xA;&#xA;Meredith: Hey.&#xA;&#xA;Derek: Hey.&#xA;&#xA;Meredith: I haven't seen you in a few days. I left messages.&#xA;&#xA;Derek: Yeah, I know. I was just trying to be...&#xA;&#xA;Meredith: I know I told you to stop hovering and you did and I appreciate but now stop the stopping.&#xA;&#xA;Derek: No, you're right. It's ridiculous to worry about you all the time.&#xA;&#xA;Meredith: It's sweet that you worry.&#xA;&#xA;Derek: Mmm hmm.&#xA;&#xA;Meredith: It is. I should communicate more.&#xA;&#xA;Derek: Right?&#xA;&#xA;Meredith: You don't think I can do it? I can do it.&#xA;&#xA;Derek: Really?&#xA;&#xA;Meredith: In a few seconds, I'll be getting on that elevator. And then I'll be going on rounds. See that? I'm getting on the elevator. Communicating.&#xA;&#xA;(Mark and Addison enter an elevator)&#xA;&#xA;Mark: 28 more days and then it's you and me in a locked room for a record breaking, earth shattering, mind blowing...&#xA;&#xA;Addison: Ok! I get it. Thank you.&#xA;&#xA;Mark: That was less then enthusiastic.&#xA;&#xA;Addison: I'm gonna be more enthusiastic when we uh...cross the finish line.&#xA;&#xA;Mark: Ok. Just making sure you haven't lost interest in the project.&#xA;&#xA;Addison: No, not at all.&#xA;&#xA;Mark: Good.&#xA;&#xA;(Mark leaves the elevator and Addison looks sad and disappointed)&#xA;&#xA;(Cristina and the other interns enter a conference room where Burke is setting up wedding cake samples)&#xA;&#xA;Cristina: Um, what are you doing?&#xA;&#xA;Burke: The bakery wants me to make a decision by tomorrow so if you can tell me your favorite by then that would be great.&#xA;&#xA;(Burke leaves)&#xA;&#xA;Cristina: Cakes and little place cards? Ok, he's turning into a girl.&#xA;&#xA;Izzie: I think it's sweet. He obviously cares about this stuff.&#xA;&#xA;Alex: This white one tastes pretty good.&#xA;&#xA;Meredith: I should bring a piece to Derek, right? That's what good girlfriends do. Take their boyfriends cake and communicate.&#xA;&#xA;Alex: No, the best ones just keep all that stuff to themselves.&#xA;&#xA;Cristina: Did you bring Callie's cards?&#xA;&#xA;George: Uh...no.&#xA;&#xA;Cristina: No cake for you.&#xA;&#xA;(Bailey enters)&#xA;&#xA;Meredith: Dr. Bailey, I saw hemiglossectomy on the board. Can I scrub in?&#xA;&#xA;Bailey: No, your not doing surgeries today.&#xA;&#xA;Meredith: What?&#xA;&#xA;Bailey: Your intern exams are in two weeks. You need to spend every available minute studying for them. Believe me, when you won't have to repeat your year as interns, you'll be thanking me for this opportunity. So, Grey and Yang, you're doing scut. O'Malley and Stevens, you'll be joining me in the clinic. Karev, you're with Ava.&#xA;&#xA;Alex: Oh, I don't always have to be on the case. Someone else can have her. Or not.&#xA;&#xA;(Izzie and George are alone in the conference room)&#xA;&#xA;George: So, last night we studied together. Today we're treating patients together.&#xA;&#xA;Izzie: And we're fine. We're not tortured. It's not weird. We made a mistake, we've moved on.&#xA;&#xA;George: If anything, I think it brings us closer together as friends.&#xA;&#xA;Izzie: We're very impressive.&#xA;&#xA;George: I think we are.&#xA;&#xA;(Bailey and Richard are walking through the hall)&#xA;&#xA;Richard: Larry Jennings just checked into the hospital.&#xA;&#xA;Bailey: What's the matter with him?&#xA;&#xA;Richard: I have no idea. His assistant said it was a matter of the utmost discretion.&#xA;&#xA;Bailey: Oh, that's never good.&#xA;&#xA;Richard: Well whatever it is, it was important enough for him to cut short his vacation and fly home. I want you on point on this one. No clinic today.&#xA;&#xA;Bailey: I can do both.&#xA;&#xA;Richard: Miranda, we're talking the Chairman of the Board of Seattle Grace Hospital. The clinic will survive without you for a day. Learn to delegate.&#xA;&#xA;Bailey: Who am I supposed to delegate to?&#xA;&#xA;(Sydney walks up)&#xA;&#xA;Sydney: Chief Webber, you paged me? Sydney Heron, reporting for duty.&#xA;&#xA;(Richard gives Bailey a look)&#xA;&#xA;(Alex enters Ava's room)&#xA;&#xA;Ava: Hey. I was wondering if I was gonna see you today. Where you been?&#xA;&#xA;Alex: Just getting my assignments.&#xA;&#xA;Ava: Yeah, anything good? Anything as good as a crazily, hormonal, pregnant amnesiac with a tendency to yell at their own people?&#xA;&#xA;Alex: Your blood pressure's higher that it should be.&#xA;&#xA;Ava: So, what? We're not friends anymore? Fine. Then I won't tell you about Dr. Montgomery's s*x bet...with the overly hot Dr. Sloan. Yeah! If he can go 60 days without s*x, they're getting back together. Apparently, they used to be a thing back when she was married to Dr. McDreamy.&#xA;&#xA;Alex: Question is how do you know all that?&#xA;&#xA;Ava: I'm a bed rest five feet from the nurse's station and I have excellent hearing. I know everything. It's...it's like watching a soap. Do you know how many doctors in this hospital Nurse Olivia has slept with? Oh wait...how am I talking to? You're one of them. Anyways, I strongly advise you to move on Dr. Montgomery before you lose your shot. Or I would if we were friends.&#xA;&#xA;Alex: Well, if she wants to be with Sloan...&#xA;&#xA;Ava: Dude! If she wanted to be with Sloan, she'd be with Sloan.&#xA;&#xA;(Bailey and Richard are walking through the hall)&#xA;&#xA;Richard: The other board members have a say in who gets to be chief but Larry...he's the one who really decides. Ok? He knows it and they know it.&#xA;&#xA;Bailey: So, if the attendings find out he's here...&#xA;&#xA;Richard: The man won't get a moment's peace.&#xA;&#xA;(Bailey and Richard walk around the corner and Addison, Mark, Burke and Sloan are standing in the hall outside Larry's room)&#xA;&#xA;All: Chief!&#xA;&#xA;Richard: You have to leave. I want you all out of here, ok? Look, go, go, go. Out!&#xA;&#xA;Mark: All right but you know where to find me.&#xA;&#xA;(Larry's secretary Celeste walks up)&#xA;&#xA;Celeste: Celeste, Larry's assistant. He's in here.&#xA;&#xA;Richard: Ok. Go away.&#xA;&#xA;Addison: But we can help!&#xA;&#xA;Burke: We can help?&#xA;&#xA;Addison: What is that supposed to mean?&#xA;&#xA;Burke: He doesn't have any woman parts.&#xA;&#xA;Derek: Look, it's not like we don't know where he is.&#xA;&#xA;Addison: Right.&#xA;&#xA;Mark: We'd just come back anyway.&#xA;&#xA;Derek: Right.&#xA;&#xA;(They all enter Larry's room)&#xA;&#xA;Larry: Richard, finally. Oh for God's sake what are the four musketeers doing here? What happened to I'll be discreet.&#xA;&#xA;Richard: Larry, they're here for the same reason I am...to see if they can help.&#xA;&#xA;Larry: Right...bunch of ghouls. All right, one of you wants to be the new chief...(he pulls down his pants) fix this and you've got my vote. (They all look stunned and bewildered) And no those are not grapefruits.&#xA;&#xA;Addison: Well...it looks as though you won't be needing my services after all.&#xA;&#xA;(Larry is in the bed being examined)&#xA;&#xA;Bailey: And supra-pubic tenderness.&#xA;&#xA;Larry: That's because I haven't taken a leak in three days. Three days...&#xA;&#xA;Burke: Could be a hernia.&#xA;&#xA;Derek: A hernia wouldn't do that.&#xA;&#xA;Burke: Was there trauma? Testicular torsion? Twisting?&#xA;&#xA;Mark: Twisting? You'd have to tie him in a triple knot to get that kind of fluid build up. Am I wrong?&#xA;&#xA;Larry: I was taking a two-week raft ride down the Amazon.&#xA;&#xA;Burke: Oh, maybe it's a tropical disease. Ocystalsomiasis? Philaryasis?&#xA;&#xA;Larry: Oh, now they're just guessing, Richard.&#xA;&#xA;Richard: Dr. Bailey, call Dr. Fisher in neurology to do a supra pubic cath and order an ultrasound and KEB. Larry have you called Nancy?&#xA;&#xA;Larry: I don't wanna worry my wife unless I have to.&#xA;&#xA;Mark: She wasn't on the trip with you?&#xA;&#xA;(Addison is in the conference room where the cakes are set up)&#xA;&#xA;Addison: White chocolate with vanilla butter cream. (Alex enters)&#xA;&#xA;Alex: Dr. Montgomery?&#xA;&#xA;Addison: Can't decide...triple berry at least has fruit so I could pretend it's healthy.&#xA;&#xA;Alex: Ava's BP is 171 over 118.&#xA;&#xA;Addison: She's pre-eclamptic.&#xA;&#xA;Alex: I ordered a blood test and a bio-physical test on the baby who's fine but Ava's got edema.&#xA;&#xA;Addison: Get her on ammonium hydrolozine.&#xA;&#xA;Alex: What about an epidural...to get her blood pressure down? I mean, am I going overboard or...?&#xA;&#xA;Addison: Believe me, I wish I had someone who cared that much about my blood pressure.&#xA;&#xA;Alex: Yeah well...from what I hear, in 28 days you will.&#xA;&#xA;(Izzie and George are working in the clinic)&#xA;&#xA;James: I have a cold like forever. I've been here three times and they keep telling me it's gonna go away but my nose just won't stop running. I'm like the most disgusting fountain in the world.&#xA;&#xA;Izzie: Sometimes these things just drag on. You might have to wait it out.&#xA;&#xA;James: No, I can't wait anymore. See there's a girl...and we've been out a few times and now it's gotten to the point where we're supposed to...you know, seal the deal. But the nose thing is so gross I can't get anywhere near her.&#xA;&#xA;Izzie: I'm sure if she's really into you, she'll hang in there.&#xA;&#xA;James: No, no, no...you don't understand. Have you ever met someone where the attraction was so intense you thought it may just kill you? You know like your in the same room and your skin is on fire. You wanna touch them so bad...&#xA;&#xA;Izzie: Ok, we get it. We're on the case.&#xA;&#xA;George: Yes, I will do an ENT and you will listen to his...(He stares at Izzie)&#xA;&#xA;Izzie: Chest?&#xA;&#xA;George: Yes.&#xA;&#xA;Izzie: I'm on it.&#xA;&#xA;(Cristina and Meredith are in the hallway studying)&#xA;&#xA;Meredith: Which fluid resuscitation technique is used in acute burns?&#xA;&#xA;Cristina: Packlin formula. Come on Meredith, step it up.&#xA;&#xA;Meredith: What is vertals stria?&#xA;&#xA;(Cristina is looking on at George and Callie talking)&#xA;&#xA;Cristina: Oh, I hate George. He married into the cards. You think he knew? You think that's why he married her?&#xA;&#xA;Meredith: Yeah, that's why he married her.&#xA;&#xA;Cristina: I need those cards.&#xA;&#xA;Meredith: We don't need the cards. What is vertals stria?&#xA;&#xA;(Cristina walks up to Callie)&#xA;&#xA;Cristina: Dr. Torres, Dr. Burke and I are trying to choose a wedding cake and there are some samples in the conference room. If you have a moment, I'd really love your opinion because you have such great taste.&#xA;&#xA;Callie: You're not getting my cards, Yang.&#xA;&#xA;(George walks up to Bailey)&#xA;&#xA;George: Dr. Bailey? You need an intern?&#xA;&#xA;Bailey: Yeah, how's it going...in the clinic, O'Malley? How's Sydney doing?&#xA;&#xA;George: Oh that's...why you wanted to see me? To find out...how things were going?&#xA;&#xA;(Celeste walks up)&#xA;&#xA;Celeste: Dr. Bailey? Can I talk to you for a second?&#xA;&#xA;Bailey: Of course, Ms. Newman. What can I do for you?&#xA;&#xA;Celeste: This is embarrassing. Mortifying actually. I think I need to be tested. Larry and I...whatever Larry has, I probably have it as well.&#xA;&#xA;Bailey: O'Malley, page Dr. Montgomery.&#xA;&#xA;George: Ok.&#xA;&#xA;(Izzie and Sydney are in the clinic)&#xA;&#xA;Sydney: How's it going buddy bud?&#xA;&#xA;Izzie: I'm getting a strep culture on bed nine and discharging Mr. Benton.&#xA;&#xA;Sydney: The gentleman with the sinus issues?&#xA;&#xA;Izzie: It's a runny nose. And I have a test to study for and Bailey doesn't like us to...&#xA;&#xA;Sydney: Ah! Bailey's not here today. Ok, I am. And it's all well and good to open a clinic as some kind of power play for chief resident but chief resident isn't really about big think it's about patient care, ok? So, lets see what we can do to improve Mr. Benton's experience.&#xA;&#xA;Izzie: It's just a cold.&#xA;&#xA;Sydney: Nasal lavage. Because we care.&#xA;&#xA;Izzie: Nasal lavage?&#xA;&#xA;Sydney: Yeah, get yourself a bulb syringe, squeeze an isotomic solution into one of Mr. Benton's nostrils. It'll squirt right out the other side, incredibly restorative. Rinse and repeat...rinse and repeat.&#xA;&#xA;(Celeste's exam room)&#xA;&#xA;Celeste: It's not what you think. I mean it is...it's...it's just not an affair. Though I guess, technically it is. We're in love. The kind of love you think you're never gonna find and then you do and the fact that he's married seems a small price to pay for being happy, you know? At least most of the time but then five years go by and he still hasn't left his wife...you must think I'm a terrible person.&#xA;&#xA;Addison and George: No, no, no.&#xA;&#xA;Addison: No judgment whatsoever.&#xA;&#xA;Celeste: I mean, I know, I should leave him, it's just...do you have any idea how rare it is to find someone you can work and play with. And we love each other. How wrong can it be?&#xA;&#xA;(Larry's room)&#xA;&#xA;Larry: Richard, this thing still hurts like hell and my boys here are not getting any smaller. I wanna know what you're doing about it?&#xA;&#xA;Richard: Well, the urologist just drained your bladder. Next up is an ultrasound and an x-ray. Interns will be taking you...&#xA;&#xA;Larry: No, no, no. I mean, what are you doing for me?&#xA;&#xA;Richard: Getting some of the best surgeons in the world to help you.&#xA;&#xA;Larry: I came here for you. You! You're the best surgeon in this place. At least you used to be.&#xA;&#xA;Richard: What's the matter, Larry? Am I not taking enough care of you?&#xA;&#xA;Larry: How does a man, just lose his desire at 53, 54 or however old you are? How does that happen?&#xA;&#xA;Richard: I haven't, ok? There are other things in life.&#xA;&#xA;Larry: Like what? Adele leaving you? Even more reason to keep the job. You're a surgeon man. I had to go skinny dipping in the Amazon to get that kind of thrill.&#xA;&#xA;Richard: I'm not gonna let you browbeat me into keeping this job.&#xA;&#xA;Larry: Like I'd even want to at this point. When I appointed you chief of surgery, you were hungry. You were the man. Now you're a politician, giving me excuses, handing things off. I hate to think that's the kind of doctor you've become. But if it is, maybe it is best that you're stepping down.&#xA;&#xA;(Bailey enters the room where Cristina and Meredith are studying)&#xA;&#xA;Bailey: I know, I said you could use the day to study but we've got an all hands on deck situation.&#xA;&#xA;Cristina: A bad car accident?&#xA;&#xA;Meredith: Multiple gunshot wounds?&#xA;&#xA;Bailey: A pen1s, Chairman of the board's pen1s.&#xA;&#xA;Meredith: What's wrong with it?&#xA;&#xA;Bailey: His testicles have swollen which is the understatement of the year.&#xA;&#xA;Cristina: Fantastic how much? No, don't tell me. Let it be a surprise.&#xA;&#xA;Bailey: Look, you and Grey can take him for his ultrasound and his x-rays.&#xA;&#xA;Cristina: The VI pen1s.&#xA;&#xA;Bailey: Just go.&#xA;&#xA;(Burke and Derek are in a computer room)&#xA;&#xA;Burke: Elephantisis?&#xA;&#xA;Derek: Mmm-hmm.&#xA;&#xA;Burke: No way Jennings has that. Did you check combrusolosis?&#xA;&#xA;Derek: Could be the beginning of funia's gangrene.&#xA;&#xA;(Mark enters)&#xA;&#xA;Mark: I don't know. I'd go with gonorrhea before I went there. Then again, I'll be there at the finish line to make him pretty, which is what he'll remember. Oh, Derek...&#xA;&#xA;Derek: Mmm-hmm.&#xA;&#xA;Mark: Grey wanted me to tell you that she's still working on Jennings' x-ray and that she'll be in the x-ray viewing room.&#xA;&#xA;Derek: Good to know. She's communicating. Just when I need time to think, she suddenly starts communicating.&#xA;&#xA;Burke: Time to think about what?&#xA;&#xA;Derek: All of it. The relationship, the chief thing, how to juggle them both without getting distracted.&#xA;&#xA;Burke: With Cristina I have to be explicit. There would be no wedding if I wasn't.&#xA;&#xA;Derek: Well, that's not easy though.&#xA;&#xA;Burke: Oh no. I never said it was easy.&#xA;&#xA;Derek: Right.&#xA;&#xA;(Ava is watching the nurse's desk from her room and sees Callie and Addison talking)&#xA;&#xA;Callie: Hey.&#xA;&#xA;Addison: Hey. How's it going?&#xA;&#xA;Callie: I caught George in a lie the other day. He said he spent the day in the clinic when he spent it doing God knows what with Izzie Stevens. It's probably nothing, right?&#xA;&#xA;Addison: Right.&#xA;&#xA;Callie: Right. So how's your man whore? Miraculously reformed?&#xA;&#xA;Addison: For now. He's never going to turn into what I want.&#xA;&#xA;Callie: Which is.&#xA;&#xA;Addison: The whole thing. I want someone stable who barbeques and teaches little kids how to play catch. And is not Mark Sloan. Which doesn't explain why I've spent the entire day looking at Alex Karev like a puppy and a chew toy.&#xA;&#xA;Callie: Why don't you just go there already?&#xA;&#xA;Addison: Because! He doesn't barbeque either. Plus, he's like twelve years old and can fit all of his belongings in a milk crate.&#xA;&#xA;Callie: I don't know. Guys like Karev...at least you know, he'll never lie to you. Guys like him, they mess around in their twenties but then they, you know, pack it in and teach their kids to play catch.&#xA;&#xA;Addison: Maybe. I need to stop thinking about both of them.&#xA;&#xA;Callie: And I have to stop thinking about Izzie Stevens.&#xA;&#xA;Addison: Hey, Callie, here's the thing. When you're obsessing about something like that, there's generally a reason.&#xA;&#xA;(Izzie is in the clinic performing the nasal lavage on Mr. Benton when Bailey comes in)&#xA;&#xA;Bailey: What the hell are you doing?&#xA;&#xA;Izzie: Nasal lavage.&#xA;&#xA;Bailey: Why?&#xA;&#xA;Izzie: Because she's trying to kill me.&#xA;&#xA;(Sydney walks up)&#xA;&#xA;Bailey: Sydney.&#xA;&#xA;Sydney: Dr. Bailey, we've really turned this place around today.&#xA;&#xA;Bailey: Nasal lavage?&#xA;&#xA;Sydney: Four visits in one month?&#xA;&#xA;Bailey: Oh, you questioning my patient care?&#xA;&#xA;Sydney: Miranda, I get it. Ok? You're protecting your turf. Very mama bear, very chief resident. But this is not about hospital politics, this is about the patient.&#xA;&#xA;Bailey: The patient can go home. Get that stuff out of his nose.&#xA;&#xA;Sydney: No, I'm not comfortable discharging him till we've addressing is problem.&#xA;&#xA;Bailey: The 16 patients in the waiting room aren't comfortable either.&#xA;&#xA;Bailey: (To James) Sir...I don't think there's anything else we can do. You know, colds drag on.&#xA;&#xA;James: Yeah, yeah, I hear ya.&#xA;&#xA;(He gets off the bed)&#xA;&#xA;Bailey: Oh hell.&#xA;&#xA;Izzie: What?&#xA;&#xA;(There is blood/fluid on the pillow)&#xA;&#xA;Bailey: That come out of his nose?&#xA;&#xA;James: See? This is why I'm never gonna have s*x again.&#xA;&#xA;Bailey: Wait right here. (To Izzie) Order a head CT.&#xA;&#xA;Izzie: Why? It's not a cold?&#xA;&#xA;Bailey: No, Dr. Stevens. It's definitely not a cold.&#xA;&#xA;(Derek enters the x-ray room where Burke, Mark, Cristina and Meredith are)&#xA;&#xA;Meredith: Hey, just so you know I'll be over here while you're over there, ok?&#xA;&#xA;Derek: Cute.&#xA;&#xA;Meredith: Easy to locate, right?&#xA;&#xA;Derek: Mmm-hmm.&#xA;&#xA;Meredith: Girlfriend comes with a GPS.&#xA;&#xA;Derek: Looks like some kind of foreign object.&#xA;&#xA;Mark: Ouch.&#xA;&#xA;Burke: That almost looks like...&#xA;&#xA;Mark: A skeleton. It's skeleton like, definitely skeletony...&#xA;&#xA;Burke: Are those barbs?&#xA;&#xA;Mark: No...can't be.&#xA;&#xA;Derek: Oh could be.&#xA;&#xA;Meredith: It looks like a teeny tiny catfish.&#xA;&#xA;(Richard enters)&#xA;&#xA;Richard: Close. You see there. Those are spines. This is a candiru fish.&#xA;&#xA;Cristina: A pen1s fish? This guy has the pen1s fish. In his...in his...wow!&#xA;&#xA;(Alex enters Ava's room)&#xA;&#xA;Ava: What the hell did you do to me?&#xA;&#xA;Alex: You know, most pregnant laboring women love their epidurals.&#xA;&#xA;Ava: I'm not in labor.&#xA;&#xA;Alex: I'm trying to keep it that way.&#xA;&#xA;Ava: By paralyzing me from the waist down? I can't even sit up in the bed. I'm missing the show. The Seattle Grace show.&#xA;&#xA;Alex: I can help with that.&#xA;&#xA;Ava: So I guess you're talking to me again.&#xA;&#xA;Alex: Well, I can't stay mad at you. I tried but I couldn't do it.&#xA;&#xA;Ava: You make your move on the redhead?&#xA;&#xA;Alex: I thought you already knew everything that went on in this hospital?&#xA;&#xA;Ava: As a matter of fact, I have an update. I saw her talking to the ortho resident.&#xA;&#xA;Alex: Yeah? And?&#xA;&#xA;(Ava starts seizing)&#xA;&#xA;Alex: You're seizing...She's seizing. Somebody page Dr. Montgomery. Somebody page Dr. Montgomery, now.&#xA;&#xA;(Richard is in Larry's room)&#xA;&#xA;Richard: It's the candiru. It's a freshwater fish that lives in the Amazon. It's a parasite.&#xA;&#xA;Larry: I'm not an idiot; I didn't drink from the Amazon.&#xA;&#xA;Richard: Did you urinate in it?&#xA;&#xA;Larry: No, I...what?&#xA;&#xA;Cristina: The candiru is attracted to blood and urine. It's been known to swim up the stream of urine and lodge itself in a man's urethra.&#xA;&#xA;Larry: You mean a fish swam up...&#xA;&#xA;Richard: It's rare but there are documented cases.&#xA;&#xA;Cristina: One man actually saw it go in and tried to grab it. It was too slippery.&#xA;&#xA;Richard: Yang!&#xA;&#xA;Cristina: It's in the literature.&#xA;&#xA;Larry: So this thing is in my...&#xA;&#xA;Richard: It's now in your bladder. Well, right next to it. It's stuck in your prosthetic urethra, which is causing the obstruction. We need to get it quickly before it causes sepsis.&#xA;&#xA;Larry: Sepsis? You mean I could die?&#xA;&#xA;(Alex is taking Ava through the hall to the OR)&#xA;&#xA;Alex: BP shot up to 202 over 134. There's fetal distress, the epidural didn't help.&#xA;&#xA;Addison: It'll help during delivery.&#xA;&#xA;Ava: What's going on? Alex?&#xA;&#xA;Alex: Your blood pressure spiked, you had a seizure.&#xA;&#xA;Addison: The only way we can reduce your blood pressure and the swelling in your brain is if you deliver the baby right now.&#xA;&#xA;Ava: She's only 30 weeks. I'm not in labor.&#xA;&#xA;Addison: We're gonna do a C-section, Ava. Don't worry, the survival rate for preemies at 30 weeks is extremely high.&#xA;&#xA;Ava: Alex, tell her no. I'm not ready.&#xA;&#xA;Alex: You're ready.&#xA;&#xA;Ava: But I can't do this by myself.&#xA;&#xA;Alex: Well then it's a good thing you're not by yourself. (He takes her hand)&#xA;&#xA;&#xA;&#xA;(Derek enters the CT room where Izzie and Bailey are looking at the CT results)&#xA;&#xA;Derek: I was doing a consult on the chairman of the board, this better be good. What do we have?&#xA;&#xA;Bailey: Well, we have a patient in the clinic with chronic runny nose, halo sign on the pillow. The fluids are still in the lab but as far as I can tell...&#xA;&#xA;Derek: He's leaking spinal fluid through his nose.&#xA;&#xA;Bailey: Thought you might like this one.&#xA;&#xA;Derek: Ok, look at that. It's a brain herniation. His brain is literally sinking into his skull base.&#xA;&#xA;Bailey: And all along I thought it was a cold.&#xA;&#xA;Derek: Book an OR.&#xA;&#xA;Izzie: Dr. Bailey?&#xA;&#xA;Bailey: Oh no, no. You're still studying. You can watch from the gallery. I'll scrub in with you.&#xA;&#xA;Derek: I thought you were doing Jennings?&#xA;&#xA;Bailey: No, I'll...I'll do both. I sent this guy home three times. I can't not scrub in.&#xA;&#xA;(Ava's OR)&#xA;&#xA;Addison: Your daughter's beautiful Ava.&#xA;&#xA;Ava: She is?&#xA;&#xA;Alex: She is.&#xA;&#xA;Addison: Get her under the warmer right away.&#xA;&#xA;Alex: I'll work on her...&#xA;&#xA;Addison: Hand her off to peds, I need an extra set of hands. Need to hang some blood.&#xA;&#xA;Ava: Why? Why do you need blood?&#xA;&#xA;Alex: Want me to get the uterine arteries? Clamp.&#xA;&#xA;Ava: Alex, what's going on? Alex?&#xA;&#xA;Addison: The bleeding vessels are deep...&#xA;&#xA;Ava: Tell me what's going on.&#xA;&#xA;Addison:...you want to...&#xA;&#xA;Alex: Ligate around the hemostats, I got it.&#xA;&#xA;Ava: Oh my god! Am I gonna die? Oh my god, I'm gonna die.&#xA;&#xA;Alex: Can I?&#xA;&#xA;Ava: I'm gonna die and she's gonna be all alone.&#xA;&#xA;Alex: Ava...Ava...look at me, ok? Look at me! You're not gonna die. You're doing great. You're gonna be fine, you're baby's gonna be fine. I just need you to breathe for me, all right? Nice slow, deep breaths. That's it. Just breathe. Keep breathing.&#xA;&#xA;(George walks up to Celeste in the hall)&#xA;&#xA;George: Celeste, good news. No chance of an STD. Now, Larry's condition...he's having surgery but you're fine. You did hear the part about you being fine, right?&#xA;&#xA;Celeste: That's what I keep telling myself...that I'm fine with things the way they are but I probably won't be really fine until I don't care if he's fine anymore.&#xA;&#xA;(Larry's wife, Nancy, walks up)&#xA;&#xA;Nancy: Celeste, I got here as soon as...is he in surgery yet?&#xA;&#xA;Celeste: Um, no. They're taking him soon. This is Dr. O'Malley.&#xA;&#xA;George: Hi.&#xA;&#xA;Celeste: Dr. O'Malley this is Mr. Jennings' wife, Nancy.&#xA;&#xA;Nancy: Hi.&#xA;&#xA;George: It's a pleasure. He's just in there...they're prepping him for surgery.&#xA;&#xA;Nancy: Thank you. I left my car in front in a no parking zone. Could you move it?&#xA;&#xA;(Nancy hands Celeste the keys and enters Larry's room)&#xA;&#xA;George: What are you going to do?&#xA;&#xA;Celeste: Move her car.&#xA;&#xA;(Cristina, Izzie, George and Meredith are in the conference room)&#xA;&#xA;Meredith: Talk about divine retribution.&#xA;&#xA;Izzie: What?&#xA;&#xA;Meredith: He sleeps with his assistant and a carnivorous fish lodges itself in his pen1s. That's instant karma if I've ever seen it.&#xA;&#xA;Cristina: Yeah, well Derek wasn't struck by lightning and neither were you.&#xA;&#xA;Meredith: Addison showed up. I had months of pain and self-loathing, Crazy ranting mother and a near drowning off the side of a dock. I mean, it's not fish in my hoo-hoo but it's certainly not an easy ride.&#xA;&#xA;Cristina: Yeah, well, I've cheated on my boyfriends and I'm fine. Am I the only one?&#xA;&#xA;George: Which cake is your favorite or have you chosen one yet?&#xA;&#xA;Cristina: Ok, clearly you're not getting the point. I don't have favorite cakes. That's why you're involved.&#xA;&#xA;Meredith: I gotta go. If you see my boyfriend tell him I had some tuna salad and a yogurt and now I'm off to the OR.&#xA;&#xA;Cristina: Hey, this is uh, it's not eating for pleasure. I really need a choice so mark down your favorite.&#xA;&#xA;(Meredith and Cristina leave)&#xA;&#xA;Izzie: Sorry I froze there...a little bit...uh&#xA;&#xA;George: It's ok.&#xA;&#xA;Izzie: I'm not...I'm not getting weird...you know...it was just a weird time...&#xA;&#xA;George: Shut up and eat some cake.&#xA;&#xA;(He shoves cake in her mouth)&#xA;&#xA;Izzie: (Mumbling with her mouth full)&#xA;&#xA;(Callie is standing outside the window watching George and Izzie giggle and have fun together)&#xA;&#xA;George: Good?&#xA;&#xA;Izzie: Disgusting.&#xA;&#xA;George: You got me covered in cake.&#xA;&#xA;(Addison walks up to Alex in the hall)&#xA;&#xA;Addison: Karev.&#xA;&#xA;Alex: Hey, I was just checking up on Ava.&#xA;&#xA;Addison: Do I have another Denny Duquette situation on my hands?&#xA;&#xA;Alex: What? Are you serious?&#xA;&#xA;Addison: I have never seen you so attentive with a patient. You're always there, checking her stats, running tests, doing research.&#xA;&#xA;Alex: It's my job.&#xA;&#xA;Addison: No, it's my job. I'm her doctor you're my intern.&#xA;&#xA;Alex: Which is why I have to know her stats at all times because I'm not about to stand next to you in your OR and be anything less than over prepared. Ok? There's no way I'm going to go to work everyday with a surgeon like you and not be on top of my game. So, if you wanna yell at me...&#xA;&#xA;(Addison starts kissing Alex and pushes him into an on call room and they both start undressing.)&#xA;&#xA;(Cristina walks up to Callie who is standing at the nurse's station)&#xA;&#xA;Cristina: I know you have to give him the cards cause you're married to him; I respect that. But there is an argument to be made for female surgeons sticking together.&#xA;&#xA;Callie: You're relentless.&#xA;&#xA;Cristina: Sisterhood and all that you know.&#xA;&#xA;Callie: Mmm-hmm. Scary...inhuman relentless.&#xA;&#xA;Cristina: You are like a role model...to me...or something.&#xA;&#xA;Callie: Ok, you know what stop. This is just getting sad. I will give the cards to George, I am sure he will share.&#xA;&#xA;Cristina: No he won't...with me anyway. He'll just share them with Izzie. They're like an exclusive little unit...whatever.&#xA;&#xA;(Cristina walks away and Callie calls after her.)&#xA;&#xA;Callie: Yang. My uh...my locker is on the right side, third one from the door. The cards are on the top shelf.&#xA;&#xA;Cristina: Really...you're...?&#xA;&#xA;Callie: They're all yours.&#xA;&#xA;(Addison walks out of the on call room fixing her skirt. A minute later Alex walks out and they bump into each other.)&#xA;&#xA;Addison: Oh god. I'm sorry.&#xA;&#xA;Alex: It's ok.&#xA;&#xA;Addison: I was...&#xA;&#xA;Alex: Yeah...&#xA;&#xA;Addison: So we're good?&#xA;&#xA;Alex: It's good.&#xA;&#xA;Addison: Good. Ok then.&#xA;&#xA;(They walk away and Mark is standing nearby and has watched the whole exchange)&#xA;&#xA;(Izzie enters the elevator not paying attention and Callie follows her in)&#xA;&#xA;Callie: Don't talk. I know it's not fair and I know it's not your fault and I know there's nothing going on between you and George, I know that except there is. You're his best friend. He loves you. He gets you he needs you. And I'm just...I'm his wife. And I know...I get the s*x and the commitment and the life with him but I want him to get me and to need me and I can't compete with you. So I am asking you to please stop...just stop. Find another friend or whatever you do. Just give me my husband back.&#xA;&#xA;(Callie storms out and leaves Izzie standing in the elevator to feel guilty)&#xA;&#xA;(Larry's OR)&#xA;&#xA;Richard: What about the fork stone grasper?&#xA;&#xA;Dr. Fisher: It can lead to urethral injury.&#xA;&#xA;Richard: Well, the forceps aren't working. At this point I'm willing to try anything.&#xA;&#xA;Dr. Fisher: All right, stone grasper.&#xA;&#xA;Richard: Ok.&#xA;&#xA;(Meredith and Cristina enter the OR)&#xA;&#xA;Meredith: (To Mark) Did we miss anything good? (He doesn't respond) Hello? You ok?&#xA;&#xA;Mark: I've had better days.&#xA;&#xA;Richard: Where's Dr. Bailey? Page her.&#xA;&#xA;Richard: V-tach. Does he have a pulse with that?&#xA;&#xA;Cristina: Oh, he's going down.&#xA;&#xA;Burke: Yes. He needs one epi amnioterone. How much longer you think it'll take?&#xA;&#xA;Richard: Oh, you worry about getting his arrhythmia's down. We're gonna have to change our game plan here. The scope isn't working. Excuse me, Dr. Fisher, we're gonna have to open him up.&#xA;&#xA;Dr. Fisher: All right.&#xA;&#xA;(James' OR)&#xA;&#xA;Bailey: I don't know how I missed it.&#xA;&#xA;Derek: It presented as a cold, Miranda. This sort of thing, at some point, you think it's gonna get better. You don't really figure it's something that could ruin your whole life.&#xA;&#xA;(Bailey's pager goes off)&#xA;&#xA;Bailey: The chief.&#xA;&#xA;Derek: Candiru, go ahead we're almost done here.&#xA;&#xA;Bailey: Ok.&#xA;&#xA;Derek: Thank you.&#xA;&#xA;(George enters the gallery where Izzie is)&#xA;&#xA;George: Hey. You wanna quiz me on GI stuff?&#xA;&#xA;Izzie: No, I'm still trying to get through my cardio notes.&#xA;&#xA;George: You ok?&#xA;&#xA;Izzie: I'm fine. I should've snuck into the candiru surgery with Meredith and Cristina.&#xA;&#xA;George: You still can.&#xA;&#xA;Izzie: George, can you, maybe, stop talking so I can concentrate.&#xA;&#xA;George: What's your problem?&#xA;&#xA;Izzie: My problem...is you. You're my pen1s fish.&#xA;&#xA;George: Your what?&#xA;&#xA;Izzie: You've crawled in and latched on and now I can't move or talk or think or even pee without the nagging feeling that something is eating through my organs.&#xA;&#xA;George: You don't even have a pen1s. How am I the fish?&#xA;&#xA;Izzie: It's a metaphor, George.&#xA;&#xA;George: What happened to us being fine?&#xA;&#xA;Izzie: I don't know. Maybe we're not.&#xA;&#xA;(Larry's surgery)&#xA;&#xA;Richard: A little more suction in there. Those barbs won't let go. (Bailey enters) Dr. Bailey, glad you could join us. Oh, this is useless. We're gonna have to cut it out, Dr. Fisher.&#xA;&#xA;Dr. Fisher: I'll repair the bladder.&#xA;&#xA;Richard: Ok, lets do it. How's his heart holding up?&#xA;&#xA;Burke: Occasional runs of v-tach. He can't take much more.&#xA;&#xA;Richard: Forceps. Ok, almost there. Come on you. Almost there. Got it.&#xA;&#xA;Cristina: Holy...&#xA;&#xA;(Everyone makes noises and whispers amongst themselves when Richard holds up the candiru.)&#xA;&#xA;Burke: Unbelievable.&#xA;&#xA;Cristina: You see that thing?&#xA;&#xA;Meredith: Yep.&#xA;&#xA;(Meredith and Mark are in the scrub room)&#xA;&#xA;Meredith: Remind me never to pee in the Amazon. What?&#xA;&#xA;Mark: What do you say we have a real meeting of the dirty mistresses club? Like what it should have been from the beginning.&#xA;&#xA;Meredith: What are you doing?&#xA;&#xA;Mark: Once, twenty minutes in the on-call room, nobody ever finds out.&#xA;&#xA;Meredith: Mark!&#xA;&#xA;Mark: What? You telling me everything's great between you and Derek?&#xA;&#xA;Meredith: What makes you think there is something wrong between me and Derek?&#xA;&#xA;Mark: Something's always wrong between you and Derek.&#xA;&#xA;Meredith: Enough! What is wrong with you?&#xA;&#xA;Mark: Nothing. I'm...I'm...Addison and I were gonna try and make a go of it. Things are not gonna work out.&#xA;&#xA;Meredith: So you make a pass at me like that'll help?&#xA;&#xA;Mark: She doesn't want me. Something's gotta help.&#xA;&#xA;Meredith: Revenge s*x is not the answer. If you're letting her go, let her go. 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That's...that's wonderful. The doctor will be down to fill you in soon. Dr. O'Malley, do me a favor. Could you go tell Celeste? She's a basket case and I just don't have it in me to take care of my husband's girlfriend right now. (George looks shocked) Of course I know. The wife always knows.&#xA;&#xA;(George is in Larry's room. Nancy is sitting next to his bed reading a book when Celeste enters)&#xA;&#xA;Celeste: Dr. O'Malley?&#xA;&#xA;George: Yes?&#xA;&#xA;Celeste: Mr. Jennings' personal physician would like a copy of his medical records and here's the number.&#xA;&#xA;George: Ok.&#xA;&#xA;Celeste: Mr. Jennings, I've cancelled your appointments for next week. There's just a conference call that's proving a little bit difficult to reschedule but I'm sure Danny can handle it.&#xA;&#xA;Larry: What's...what's Danny go to do with it?&#xA;&#xA;Celeste: I've asked him to step in...temporarily...until you find someone else.&#xA;&#xA;Larry: Wait... wait a second, Celeste. 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I just...something's always wrong...with you and me.&#xA;&#xA;Mark: You don't wanna have a drink with me. I'm not what you're looking for.&#xA;&#xA;Addison: What are you talking about?&#xA;&#xA;Mark: I slept with someone, couldn't hold out. Once a man-whore, always a man-whore, right?&#xA;&#xA;(Richard walks up to Bailey who is writing on the OR board)&#xA;&#xA;Richard: Miranda, go home.&#xA;&#xA;Bailey: I'm almost done.&#xA;&#xA;Richard: Go home see your family. You have to accept there are days when you can't do it all. You have to delegate.&#xA;&#xA;Bailey: I do.&#xA;&#xA;Richard: And then you do all the work anyway. And you're still doing it.&#xA;&#xA;Bailey: You didn't have better things to do today then to ride herd on that VIP case?&#xA;&#xA;Richard: There was a fish in a man's pen1s.&#xA;&#xA;Bailey: There's always gonna be a fish in a man's pen1s, chief. 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<INFO BITRATE="919000" KEY_LYRICS="5 ContributorsAlbum History LyricsDon't hesitate and leave EP/album suggestions&#xA;Last update: May 22 '25; entries count: ≈2.3k&#xA;(+489 entries YTD) (target: 500)&#xA;(2023: +273, 2024: +531, 2025...)Rating system (avg. 55.41, upd. Dec 25)&#xA;🖤 10: Would recommend not to listen to (2)&#xA;🤎 20: Didn't enjoy or wasn't my type (26)&#xA;🧡 30: Meh, expected more or sth different (97)&#xA;🤍 40: Decent background project and/or too situational (360)&#xA;💜 50: Good background project / Interesting concept (781)&#xA;💛 60: Decent project / Good ideas/musicality (622)&#xA;💚 70: Good project, was worth the listen (285)&#xA;💙 80: A-tier project, splendid; would recommend (118)&#xA;❤️ 90: S-tier project, splendid on repeat; should listen (32)&#xA;💎 100: Goatesque, superb on repeat; must listen (6)Listen Later&#xA;Discographies: will.i.am, Kekra, Eason Chan, Spacetime Continuum, Brennan Savage, Lana Del Rey, BTS, Laurent Voulzy, Billie Eilish, Aether, Georgio (FRA), Alcest, The Game, Nas, Mobb Deep, Suprême NTM, Booba, Jay-Z, Kanye West, Prince, WILLOW, Jaden, Usher, Yoko Shimomura, Travis Scott, Aerosmith, Radiohead, Coldplay, Andrea Bocelli, chopmonk., 2814, Chynna, Enrico Intra, Jok'air, wuf, Laylow, Supper Moment, JaneBeeby, thaHomey, Isaiah Rashad, Playboi Carti, Anderson .Paak, Xavier Dang, Népal, Black Eyes Peas, borealism, emune, 6ix9ine, Björk, Snoop Dogg, Nirvana, Кино, Danny Brown, Griff, fka twigs, Death Grips, Kendrick Lamar, Xiu Xiu, The Caretaker, The Carebear, Lady Gaga, Jimi Hendrix, Led Zeppelin, Ray Charles, Iron Maiden, Franz Zappa, Black Atlass, Rihanna, Gorillaz, Oneohtrix Point Never, Mac Miller, Yves Tumor, Jack Stauber, Machine Girl, goreshit, Aphex Twin, Starmoon, Acidgvrl, JAY-Z, Lacrim, Wu-Tang Clan, MF Doom, The Beach Boys, The Beatles ((((&#xA;EDM genres to explore: complextro, darkstop, disco house, drillstep, future funk, hard bass, jackin' house, jersey club, neurofunk, nu disco, riddim, tech houseListened Already&#xA;💛 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ・✧๑ඕัළ*.。 * ̈°。&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - .·.·* ́ ̈.·*:・✧๑ඕั ҉ ⊀❍|◗щ&#xA;💛 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - )✧⃛*&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ʅ͡͡͡͡͡͡͡͡͡͡͡ƟӨʃ͡͡͡͡͡͡͡͡͡͡ ꐑཀ ඊູ ఠీੂ೧ູ࿃ूੂ✧ළඕั࿃ूੂ࿃ूੂੂ࿃ूੂළඕั✧ı̴̴̡ ̡̡͡|̲̲̲͡ ̲̲̲͡͡π̲̲͡͡ ɵੂ≢࿃ूੂ೧ູఠీੂ ඊູཀ ꐑʅ͡͡͡͡͡͡͡͡͡͡͡ƟӨʃ͡͡͡͡͡͡͡͡͡͡ ༈೧ູ≢ꐑʅƟↂↂ. l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡.̸̸̨̨ ఠీੂ༼ू༈೧ູ࿃ूੂ༽ଳծູ l̡̡̡ ̡͌l̡*̡̡ ̴̡ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡ ɵੂ≢_̴ı ̡͌ ̲|̡̡̡ ̡ ̴̡ı̴̡̡ ̡͌l̡̡̡ꐑ*:･✧๑ඕัළඕัꐑʅƟↂ๑✧*:･ı̴̴̡ ̡̡͡| ̲̲͡ π̲̲͡͡.̸̸̨̨ ఠీੂ༼ू༈೧ູʅƟӨʃ ꐑཀ ඊູ ఠీੂ༼ू༈೧ູ࿃ूੂ༽&#xA;💚 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ooo ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥̤̣̠҈͈͇͉͍͎͓͔͕͖͙͚͜͢͢͢͢͢͢͢͢͢͢͢͢͢͢ͅ oʅ͡͡͡͡͡͡͡͡͡͡͡ ؞ৢ؞ؙؖ˜ัิีึื์๎้็๋๊⦁0 ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥̤̣̠҈͈͇͉͍͎͓͔͕͖͙͚͜͢͢͢͢͢͢͢͢͢͢͢͢͢͢ͅ ఠీੂ೧ູ࿃ूੂ&#xA;💜 ⣎⡇ꉺლ༽இ•̛◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ - ʅ() ʅ()ʃ ꐑ(ఠీੂ೧ູȯ)vȯ)࿃ूੂ✧⃛✧⃛) ():::() ̴̤̚&#xA;💛 2003 Toyota Corolla - 1983 Toyota Corolla&#xA;💚 2003 Toyota Corolla - 2003 Toyota Corolla&#xA;💛 2003 Toyota Corolla - 2013 Toyota Corolla&#xA;💜 2003 Toyota Corolla - bsides&#xA;💛 2012 - 2012&#xA;🤍 23wa - 3&#xA;💚 23wa - GALION &#xA;💜 23wa - Magenta&#xA;💛 23wa - ULTRA&#xA;🤍 ２８１４ - 新しい日の誕生&#xA;💜 2​xxx - Life&#xA;🤍 4ria - imstillhere&#xA;🧡 667 - 33ème Degré&#xA;🧡 667 - 67ème Degré&#xA;💜 6LACK - 6pc Hot EP&#xA;💛 6LACK - East Atlanta Love Letter&#xA;💜 6LACK - FREE 6LACK&#xA;💛 6LACK - Since I Have A Lover&#xA;🤎 6​xat!c, Killstation &amp;amp; 1oneam - im so gone (director cut)&#xA;🤍 88rising - Head in the Clouds&#xA;🤍 8d8beats - LA:te&#xA;💚 90sFlav - Collection&#xA;💜 9lives - #exclusives&#xA;💛 AB4 - Toxic&#xA;🤍 A€E - The Heavist Sound&#xA;💜 ʞ|açe|wœ|k - Sæcula Condita&#xA;💜 Adam Bosarge - Structures Without Rooms&#xA;💚 Ada Milea - Aberații sonore&#xA;🤍 Adolf Nomura - shut up.&#xA;💛 AdVenture Capitalist Soundtrack&#xA;💛 Aero Chord - New Breed Part 1&#xA;🤍 Aerozen - NOTSOZEN&#xA;💛 Aesthesys - I&#xA;💛 Aftertheparty - Good Boy&#xA;💜 AgonyOST - Variations Of Hell&#xA;💜 Ahmad Jamal - One&#xA;💜 Ajna - SHERPA&#xA;💛 AKIBA - im lost in a neverending dream&#xA;💜 AL-90 - Murmansk-60&#xA;💜 Alaina Pamela - Depth Of My Heart&#xA;💚 Alain Goraguer - La Planète Sauvage (Original Motion Picture Soundtrack)&#xA;🧡 AlbertNbn - OTEB&#xA;💜 aldn - good grief&#xA;💛 aldn - greenhouse&#xA;💜 Alduts Sherdley - INTIM&#xA;🤍 alex - DEPEND.ENT!&#xA;💜 A L E X - Flow&#xA;🤍 Alexandra Stan - Alesta&#xA;💜 Alexandra Stan - Energia ta&#xA;💜 Alexandra Stan - Mami&#xA;🤍 Alexandra Stan - Rainbows&#xA;💛 Alexandra Stan - Saxobeats&#xA;💜 Alexandra Stan - Unlocked&#xA;💜 Alexandru Andrieș - Interioare&#xA;🧡 Alex Velea - Yamasha&#xA;🤍 Alex și Tugay &amp;amp; Tugay și Alex - De Lux&#xA;🧡 Alex și Tugay &amp;amp; Tugay și Alex - NU&#xA;💜 Alice Gas - Sorry 4 Being Famous&#xA;💛 Alina Eremia - Antifragil&#xA;💜 Alina Eremia &amp;amp; NOUĂ UNȘPE - RADICAL DIN NOI&#xA;💜 Aliks - love&#xA;🤍 Alkpote - Alkpote et la crème d'Ile 2 France&#xA;💜 Alkpote - Alkpote et la crème du 91&#xA;🤍 Alkpote - Inferno&#xA;💜 Alkpote - L'empereur&#xA;💜 Alkpote - L'orgasmixtape&#xA;💛 Alkpote - L'orgasmixtape, Vol. 2&#xA;🤍 Alkpote - Les marches de l'empereur&#xA;🤍 Alkpote - L'empereur contre-attaque&#xA;💜 Alkpote - LSDC&#xA;💛 Alkpote - Monument&#xA;💜 Alkpote - Ogre&#xA;💜 Alkpote - Sadisme et perversion&#xA;🤍 Alkpote - Sucez-moi avant l'album&#xA;💜 Alkpote - Vie rapide&#xA;🤍 Alkpote &amp;amp; Butter Bullets - Ténébreuse musique&#xA;💛 Allister Brimble - Need for Speed Underground 2 DS OST&#xA;🧡 Alpha Wann - don dada mixtape vol 1&#xA;💜 Alpha Wann - UNE MAIN LAVE L'AUTRE&#xA;🤍 Alt236 - Leviathan&#xA;🤍 ALTAR - Atitudine&#xA;💚 Алтай Хайрхан - Whistle in the Wind&#xA;🤍 Alternativ Quartet - Aripi&#xA;🤍 Alternosfera - Visători cu plumb în ochi... sau ultima scrisoare pentru femeia nordică&#xA;🤍 AMAI &amp;amp; YAYAYI - R F Y&#xA;🤍 Ambar Lucid - El jardín de lágrimas&#xA;🤍 Ambar Lucid - Garden of Lucid&#xA;💚 Ambar Lucid - Dreaming Lucid&#xA;💛 Am fost la munte și mi-a plăcut - I Went To The Mountain&#xA;🤍 Am fost la munte și mi-a plăcut - La vale&#xA;🤍 Am fost la munte și mi-a plăcut - S-a rezolvat. Nu se poate&#xA;🤍 Aminé - Good For You&#xA;🤍 Aminé - Limbo&#xA;🧡 Amuly - UIOARA&#xA;💜 Ana Coman - Tu nu o să mă uiți&#xA;💜 Anda Adam - Confidențial&#xA;💜 Andra Andriucă - Liniștea nu se împarte&#xA;💛 Andrea Botez - DARK TECHNO&#xA;💛 Andrike$ Black - Projet 1&#xA;💜 Angèle - Nonante-cinq&#xA;💜 AnNie.Adaa - QU'AUJOURD'HUI NE MEURE JAMAIS&#xA;💛 An Thoes - Spre Cer&#xA;💜 Anthony, Exodia &amp;amp; Sienna Sleep - Ateriavia&#xA;🤍 Antoine Daniel - ALBUM 100% LIBRE DE DROIT POUR TWITCH&#xA;💜 aNTOJE - Booyung&#xA;💛 .anxious. - 3am EP&#xA;💛 Anna von Hausswolff - All Thoughts Fly&#xA;💜 Anna von Hausswolff - Källan (Betatype)&#xA;🤍 Anna von Hausswolff - Track of Time&#xA;🤍 Anonim - Hai să vorbim&#xA;🤍 ANTO - Supervillain&#xA;❤️ Arata Iiyoshi, Hideki Sakamoto, Keisuke Ito, Ryoma Nakamura &amp;amp; Kenichi Saito - Pokémon Mystery Dungeon: Explorers of Time and Explorers of Darkness Soundtrack&#xA;💜 Arapu - Tribal Nation&#xA;💜 architecture in tokyo - Summer Paradise&#xA;💜 Ares - Visătorul II&#xA;💛 Ariana Grande - Christmas &amp;amp; Chill&#xA;💚 Ariana Grande - Dangerous Woman&#xA;💛 Ariana Grande - eternal sunshine deluxe&#xA;💚 Ariana Grande - My Everything&#xA;🧡 Ariana Grande - Positions&#xA;💚 Ariana Grande - Sweetener&#xA;💛 Ariana Grande - thank u, next&#xA;💜 Ariana Grande - Yours Truly&#xA;🤍 Arin Ray - Hello Poison&#xA;🤍 Arin Ray - Phases&#xA;💜 Arin Ray - Phases II&#xA;💜 Arin Ray - Platinum Fire (Deluxe)&#xA;💙 arizcorpアリズコープ - Yesterday Mall昨日&#xA;💜 Armand Popa - Joy of Missing Out&#xA;💜 Arsaphe - PATIENCE&amp;amp;BLOOD&#xA;💛 Arsaphe &amp;amp; Izen - Z-SAFE&#xA;🤍 Artificial Perception - The Cosmic Shore&#xA;💛 ascendant vierge - Le plus grand spectacle de la Terre&#xA;💜 ascendant vierge - Une nouvelle change&#xA;💛 ascendant vierge - Vierge&#xA;💜 Ashh - OPIUM &#xA;🤍 Asia Menor - Enola Gay&#xA;💛 Asincron - all i had, i gave.&#xA;💙 Asuka Ota, Hajime Wakai &amp;amp; Koji Kondo - New Super Mario Bros.&#xA;DS Soundtrack&#xA;❤️ Asuka Ota &amp;amp; Ryo Nagamatsu - Mario Kart Wii Soundtrack&#xA;💜 ATL - Марабу&#xA;💛 Aura Urziceanu - Aura Urziceanu&#xA;💜 Aura Urziceanu - Seară de jazz cu Aura&#xA;💚 AVD - Synthèse&#xA;🤍 Avenged Sevenfold - Life Is But a Dream...&#xA;💜 Avery Lynch - As Written, Vol. 1&#xA;🧡 Avoid Humanity - Between Now and Never&#xA;💜 Axtrmnt &amp;amp; Nasanoa - 𒀱&#xA;🤍 aYm x Ezekey - hues (EP 1)&#xA;💜 ayrtn - Ghost...&#xA;💜 AZALEA - We'll get the next dream!!!&#xA;💜 Bad Bunny - DeBÍ TiRAR MáS FOToS&#xA;💛 Banda Neira - Yang Patah Tumbuh, Yang Hilang Berganti&#xA;🧡 Bassti x Nalim - Two Minds LP&#xA;💛 Battaglia - 444&#xA;💛 Battaglia - Acid Velvet &#xA;💛 Batzorig Vaanchig - Great Chinggis Khan&#xA;💛 Bazooka - A patra scândură&#xA;🤍 Bazooka - Bunele moravuri&#xA;🤍 bbno$ - bb steps&#xA;💛 bbno$ - eat ya veggies&#xA;💜 bbno$ - i don't care at all&#xA;💜 bbno$ - recess&#xA;💜 bbno$ &amp;amp; So Loki - whatever&#xA;💜 beatboxbandit - Connections&#xA;💛 beatboxbandit - GLOW&#xA;💜 b&amp;amp;dbbb - Otitis Media&#xA;🤍 Bedwetter - Vol. 1: Flick Your Tongue Against Your Teeth and Describe the Present&#xA;💜 Beeby - Morningstar&#xA;💜 Benjamin Epps &amp;amp; Le chroniqueur sale - Fantôme avec chauffeur&#xA;🤍 Ben Prunty - Chromatic T-Rex&#xA;💜 Ben Prunty - Cipher (The Score for Banking on Bitcoin)&#xA;🤍 Ben Prunty - Color Sky&#xA;🤍 Ben Prunty - Curious Merchandise&#xA;🤍 Ben Prunty - Dark Window&#xA;🤍 Ben Prunty - Deep Space Deluxe&#xA;💜 Ben Prunty - Fragments&#xA;💙 Ben Prunty - FTL: Advanced Edition Soundtrack&#xA;💙 Ben Prunty - FTL: Faster Than Light - Original Soundtrack&#xA;🤍 Ben Prunty - Gravity Ghost Soundtrack&#xA;💜 Ben Prunty - Music Workbench&#xA;🤍 Ben Prunty - StarCrawlers Soundtrack&#xA;💜 Ben Reilly - Freelance&#xA;🤍 Bedwetter - Vol. 1: Flick Your Tongue Against Your Teeth and Describe the Present&#xA;💛 Berechet - FAVELA DO BRAZIL&#xA;💜 berlioz - open this wall&#xA;🤍 Beyoncé - B'Day&#xA;🤍 Beyoncé - Dangerously in Love&#xA;🤍 Beyoncé - I AM...SASHA FIERCE (Platinum Edition)&#xA;💛 Billie Eilish - HIT ME HARD AND SOFT&#xA;💚 Bitsu - LEMONde&#xA;💜 Bitsu - NML&#xA;🧡 Bitter Babe &amp;amp; Nick León - Delirio&#xA;🧡 Bitter Babe &amp;amp; Nick León - Fuego Clandestino&#xA;💜 BITTNER  - the night we met&#xA;🤎 Bitză - Sevraj&#xA;🤍 Bkwds - OUT OF SIGHT&#xA;💛 Black Atlass - Dream Awake&#xA;🤍 Black Atlass - Genesis&#xA;🤍 Black Atlass - I'll Meet You There&#xA;💜 Black Atlass - Infinite&#xA;💜 Black Atlass - Pain &amp;amp; Pleasure&#xA;💜 Black Atlass - When The Darkness Fades&#xA;💜 Black Dresses - WASTEISOLATION&#xA;🧡 Black M - La Légende Black&#xA;💜 BlackXipher - Dark Trap&#xA;💜 Bladee - Eversince&#xA;💛 Bladee - Gluee&#xA;💜 Bladee - Icedancer&#xA;💜 Bladee - Red Light&#xA;🤍 Bladee - rip bladee&#xA;💜 Bladee - Working on Dyung&#xA;🤍 Bladee &amp;amp; Ecco2k - Crest&#xA;🧡 Bladee &amp;amp; Thaiboy Digital - AvP&#xA;💜 Bladee, Ecco2k &amp;amp; Thaiboy Digital - D&amp;amp;G&#xA;💜 Blaiz - Polar&#xA;💛 BLANCO - SUNT 10&#xA;💜 Blank Banshee - 4D&#xA;💚 Blank Banshee - Blank Banshee 0&#xA;💛 Blank Banshee - Blank Banshee 1&#xA;💜 Blank Banshee - Gaia&#xA;💜 Blank Banshee - Mega&#xA;🤍 Blank Banshee - Metamorphosis&#xA;💜 Blank Banshee - Music for Menus&#xA;💛 Blazzaj - macadam&#xA;🤍 Blessu - Pranayama&#xA;💛 bliss3three - C3L3STIAL​天​の &#xA;💛 Blksmith - 「DIGITAL TWIN」&#xA;🤍 blt - BLT&#xA;💜 Boiler Room: Ghent 2023 | KAYTRANADA&#xA;💜 Boiler Room: Ghent 2023 | Bad Boombox&#xA;💜 Boiler Room: Ghent 2023 | Malugi&#xA;💛 Boiler Room: Ghent 2023 | Pegassi&#xA;🤍 Boiler Room: Ghent 2024 | Funk Tribu&#xA;💜 Boiler Room: Paris 2024 | Caravel&#xA;💛 Boiler Room: Paris 2024 | Rebekah&#xA;💚 Boiler Room: Tokyo 2024 | riria&#xA;💙 Boiler Room: Tokyo 2024 | ¥ØU$UK€ ¥UK1MAT$U&#xA;💛 Boiler Room: Shenzhen 2025 | Beibeilon&#xA;💚 Boiler Room: Paris 2025 | Boys Noize&#xA;🤍 Boiler Room: Paris 2025 | David Löhlein ft. Eli Angel&#xA;💜 Boiler Room: Paris 2025 | DBBD&#xA;💛 Boiler Room: Paris 2025 | Lacchesi&#xA;🤍 Boiler Room: Paris 2025 | Mall Grab&#xA;💚 Boiler Room: Paris 2025 | JakoJako&#xA;💜 Boiler Room: Paris 2025 | Richie Hawtin&#xA;💛 B o n b o o z e - Love Archetypes&#xA;💛 Bonel - MIXED FEELINGS&#xA;🤍 BONES - CADAVER&#xA;💜 BONES - CRACKER&#xA;🤍 BONES - DeadBoy&#xA;💚 BONES - OFFLINE&#xA;💜 BONES - PaidProgramming&#xA;💜 BONES - SCUMBAG&#xA;💜 BONES - SoftwareUpdate2.0&#xA;💜 BONES - Useless&#xA;💜 BONES &amp;amp; Drew The Architect - ModernArchitecture&#xA;💛 BONES &amp;amp; GREAF - TheWitch&amp;amp;TheWizard&#xA;💜 Booba - AD VITAM ÆTERNAM&#xA;❤️ Booba - Nero Nemesis&#xA;🧡 Booba - ULTRA&#xA;💜 borealism - Lost &amp;amp; Found&#xA;💜 borealism - Ripples in the Stream&#xA;💜 Bosquito - Sus&#xA;🤍 Bossferatu - Neon Strigoi&#xA;💜 Boulevard Depo - RAPP2&#xA;💜 Blank Body - 2014-2019&#xA;🧡 brakence - punk2&#xA;💜 Bram Pam - BramPam&#xA;💛 Brasov - De dragul artei&#xA;💛 Bromaz - DISASTER&#xA;💜 Brother Mynor - Passionfruit Falls&#xA;💚 BRUJA - SALEM (Deluxe Edition)&#xA;💛 Bruno Mars - 24K Magic&#xA;💙 Bruno Mars - Doo-Wops &amp;amp; Hooligans&#xA;💚 Bruno Mars - Unorthodox Jukebox&#xA;💜 Bruno Mars, Anderson .Paak &amp;amp; Silk Sonic - An Evening With Silk Sonic&#xA;🧡 Bryson Tiller - A N N I V E R S A R Y (Deluxe)&#xA;🤍 Bryson Tiller - Bryson Tiller&#xA;💛 Bryson Tiller - T R A P S O U L&#xA;🧡 Bryson Tiller - True to Self&#xA;🤍 B-Side - Journey To Badlands&#xA;💛  - 初々しい&#xA;💜  - 444&#xA;💜  - a sad kind of bliss&#xA;💛  - can't remember&#xA;💛  - late night bumps, Vol. 1&#xA;💛  - late night bumps, Vol. 2&#xA;💛  - late night bumps, Vol. 3&#xA;💛  - late night bumps, Vol. 4&#xA;💚  (as ) - leaving&#xA;💛  - PO33&#xA;❤️  - pook&#xA;💛  - reflections, Pt. 1&#xA;💚  w/ bob le head&#xA;💚  &amp;amp; bob le head - Yesterday&#xA;🧡 Bucovina - Duh&#xA;💜 Bucovina - Nestrămutat&#xA;💜 B.U.G. Mafia - De cartier&#xA;🧡 B.U.G. 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days of blue - Perli tal-Passat&#xA;💜 desert sand feels warm at night &amp;amp; IndyAdvant - ア​ス​ト​ラ​ル&#xA;💙 desert sand feels warm at night &amp;amp; Kagoshima Tangerine - 鹿児島 砂漠&#xA;💜 desert sand feels warm at night &amp;amp; Mindspring Memories - Desert Memories&#xA;💜 desert sand feels warm at night &amp;amp; VirtualRealityDeluxe - Midnight Mansions&#xA;💜 沙漠鱿鱼 Desert Squid - 上​海​／​香​港&#xA;💙 desktop junk - Cosmic Outerludes&#xA;🤍 Devaloop &amp;amp; Zaïd - Hier &amp;amp; Jetzt!?&#xA;💚 Dez - business as usual.&#xA;💚 Dez - future features&#xA;💛 Dez - past descriptions&#xA;💛 Dida Drăgan - Deschideți poarta soarelui!&#xA;💜 diedxd - soldier&#xA;🤍 Dinumbră - Finality&#xA;💜 Dioscures - Ciela&#xA;💚 direcția 5 - Cântece noi&#xA;💛 direcția 5 - Senzitiv&#xA;💛 Dirty River - Train Station&#xA;💛 Dirty River - VILLAGE&#xA;🧡 Dirty Shirt - Dirtylicious&#xA;💛 disvstxr - Yagmur&#xA;💜 discarded - discarded&#xA;💚 Disiz - Pacifique&#xA;💜 Django - Anthracite&#xA;💛 Django - ATHANOR&#xA;💜 Django - S/o le Flem&#xA;💜 Django - Troisième terme&#xA;💜 Django - Tue-moi, mon amour, s'il te plait&#xA;🤍 Dj Billybooi - My Fantasy World&#xA;💛 DJ Blyatman - Hardkvas&#xA;💚 DJ Kuroneko - kuroneko&#xA;💛 DJ Kuroneko - neko breaks&#xA;💜 DJ Kuroneko - neko garage 2&#xA;💜 DJ Kuroneko - shadows collide&#xA;🤍 DJ Okawari - Kaleidoscope&#xA;💛 DJ Phantom - Altceva!&#xA;💜 DJ Smokey - Evil Wayz&#xA;💜 DJ Yung Vamp - Night of the Thrill, Vol. 2&#xA;💜 Dl Goe - Tineri, Sâmbătă, Duminică&#xA;💜 DOC - Eu&#xA;DOC - TOT&#xA;💚 Doja Cat - Amala (Deluxe Version)&#xA;🧡 Doja Cat - Hot Pink&#xA;💚 Doja Cat - Planet Her&#xA;💛 Doja Cat - Purrr!&#xA;🧡 Doja Cat - Scarlet&#xA;💛 Doja Cat - Scarlet 2 CLAUDE&#xA;🤍 Doo - Trackmania² Canyon Soundtrack&#xA;💜 Doo - TrackMania DS Soundtrack&#xA;❤️ Doo - TrackMania Forever Soundtrack&#xA;💛 Doo - TrackMania Nations ESWC Soundtrack&#xA;💛 Doo - TrackMania Turbo: Build to Race Soundtrack&#xA;💛 Doo - TrackMania United Soundtrack&#xA;💙 Doo - TrackMania Wii Soundtrack&#xA;💛 DOOM DOOM - DOOM 1&#xA;💜 Dora Gaitanovici - Descântec&#xA;🤍 dordeduh - dar de duh&#xA;💜 dordeduh - Har&#xA;💙 Dragon Ball Z: Supersonic Warriors 2 Music&#xA;💜 Dragonu AKA 47 - HITMAN&#xA;🤍 Dragonu AKA 47 - Planeta 47&#xA;💜 Drake &amp;amp; 21 Savage - Her Loss&#xA;🤎 Drake - Certified Lover Boy&#xA;🤎 Drăgușanu &amp;amp; Sorin Milea - Private Barbeque&#xA;💜 Dream.Corp - Online&#xA;🤍 Dream.Corp - T3XTVRE GR1D&#xA;💜 DR. GABBA - Planet Piano&#xA;💛 Drew The Architect - Lèiyll&#xA;💜 drift-133 - Takeafter&#xA;💜 drip-133 - Becomes a Pattern&#xA;💜 drift-133 &amp;amp; BONES - HateToBreakItToYou&#xA;💜 drwn. - glow slow&#xA;💜 DUCKBOY - tragic love songs to study to &#xA;💜 DUCKBOY - existential hymns for the average sigma &#xA;💜 Dundy - Acarde&#xA;💜 Dundy - NO!MASTER&#xA;💜 Dundy - RETRO&#xA;🤍 Dundy - SPIRIT&#xA;🤍 Dundy - STACKS&#xA;💛 dwyer - Lanterns&#xA;💜 dwyer - Olivino&#xA;💛 dwyer - Raspberry Teeth&#xA;💜 dwyer - Thursday Mornings&#xA;💜 DZWS &amp;amp; andrei - YOUNGSTA/R&#xA;🤍 Eagle Eyed Tiger - Future or Past&#xA;💜 E-An-Na - Jiana&#xA;🤍 E-An-Na - Nomad&#xA;🤍 Earl Sweatshirt - Some Rap Songs&#xA;💜 陳奕迅 Eason Chan - Eason Chan 陳奕迅&#xA;💜 陳奕迅 Eason Chan - Eason &amp;amp; Friends 903 ID Club 拉闊音樂會&#xA;💚 陳奕迅 Eason Chan - God Bless Lover 天佑愛人&#xA;💛 陳奕迅 Eason Chan - It's Me 反正是我&#xA;💛 陳奕迅 Eason Chan - My Happy Time 我的快樂時代&#xA;💙 陳奕迅 Eason Chan - Preparation 醞釀&#xA;💜 陳奕迅 Eason Chan - Shall We Dance? Shall We Talk!&#xA;💛 陳奕迅 Eason Chan - Some Like it Hot 打得火熱&#xA;💚 陳奕迅 Eason Chan - Tear 一滴眼淚&#xA;💜 Eazy Dew - Homea&#xA;💜 Ecco2k - e&#xA;💜 Ecco2k - PXE&#xA;🧡 Echelon Records - Echelon, Vol. 1&#xA;🧡 Echelon Records - Echelon, Vol. 2&#xA;💜 Ed Harrison - Neotokyo&#xA;💙 eelxb - 3 Ole Monks&#xA;💚 eelxb - Curve&#xA;💙 eelxb - Jampeon&#xA;💚 eelxb - Scouts Honor&#xA;🧡 Egoid - Altered Ego&#xA;💜 eightiesheadachetape - for a while&#xA;🤍 Electric Humidity - Night School&#xA;🧡 El Matador - XIIINRV&#xA;🧡 El Nino - În transă&#xA;🤍 El Tigr3 - Kronos&#xA;🤍 EMAA - f r a t e l e . a b i s&#xA;💚 Emeric Imre - Nebun de alb&#xA;💛 E.M.I.L. - Cocktail verde&#xA;🤍 E.M.I.L. - MELANCoOLIC&#xA;💚 Eminem - Kamikaze&#xA;💚 Eminem - Music To Be Murdered By&#xA;💛 Eminem - Revival&#xA;💜 emune - 1993&#xA;💜 emune - Auras&#xA;💜 emune - BAG IT UP TO THIS&#xA;💜 emune - balance&#xA;💛 emune - beat ur face to this&#xA;💚 emune - EAT HER OUT TO THIS&#xA;💛 emune - Moon Bounce&#xA;💜 emune - Raw Flips (Instrumentals)&#xA;💜 emune - Retaliate&#xA;💜 emune - smoke a blunt &amp;amp; cruise to this&#xA;💜 emune - Sorry&#xA;💜 emune - us_two&#xA;💛 emune &amp;amp; Mujo - SP-ecials&#xA;💜 engelwood x Jeff Kaale - Hightide&#xA;💜 engelwood &amp;amp; simon eng - jazz channel&#xA;💜 Enigma - A Posteriori&#xA;🤍 Enigma - Le roi est mort, vive le roi !&#xA;💚 Enigma - MCMXC a.D.&#xA;💜 Enigma - Seven Lives Many Faces&#xA;💜 Enigma - The Cross Of Changes&#xA;💜 Enigma - The Fall Of A Rebel Angel&#xA;💜 Enigma - The Screen Behind The Mirror&#xA;💜 Enoch Lenoir - Frostbite: An Instrumental Tape&#xA;💜 Enya - A Day Without Rain&#xA;💜 Enya - Amarantine&#xA;🤍 Enya - And Winter Came...&#xA;🤍 Enya - Dark Sky Island&#xA;🤍 Enya - Shepherd Moons&#xA;💛 Enya - The Celts&#xA;💜 Enya - The Memory of Trees&#xA;💜 Enya - Watermark&#xA;💙 Erik Satie - Trois Gymnopédies&#xA;💚 Ex Aquis - Che La Mia Ferita Sia Mortali&#xA;💜 Exuviath - State of Fear&#xA;🤍 EYEDROPS - VIU&#xA;💜 eyeto8 - Apocalyptic Nirvana&#xA;💚 ezekey ▰˘◡˘▰ - In My Room &amp;gt;X)&#xA;💜 FACE - 12&#xA;🤍 faeriey - the chrome charlie tape&#xA;💜 Falls - You Have Ben Keeping&#xA;🤍 Fantome - Micul Paris&#xA;💛 fantompower - Longing&#xA;💜 Fără Zahăr - Neamul lui Peneș Curcanul&#xA;💜 Faust - Camera 14&#xA;💜 Faust - Despre OM trăi și-OM vedea&#xA;💛 Ferio,  &amp;amp; $krrt Cobain - get five mics&#xA;💜 Fela Kuti - Gentleman&#xA;💜 Feldup - A Thousand Doors, Just One Key&#xA;💛 Feldup - Stared At from a Distance&#xA;💙 Feldup (as Glassatlooker) - A&#xA;💚 Feldup (as Hurty eldeen) - From the pit LP&#xA;💛 Feldup (as Hurty eldeen) - Seven empty polaroids EP&#xA;💜 Feldup (as Hurty eldeen) - The street sitting LP&#xA;💜 Feldup (as XSANT) - BANG vol. 1&#xA;💛 Feldup (as XSANT) - BANG vol. 2&#xA;💜 FEMTOGO &amp;amp; neophron - One Man Army&#xA;💜 Ferdous - Cool Party&#xA;💚 Fifty Grand - Helena's Skin&#xA;💜 Fifty Grand - I Don't Know Why&#xA;💛 fiji.water - ☙⌚❧&#xA;💛 fiji.water - 3am Flight&#xA;💜 Fine-Sir-1584660650 - ᚍ​ᚑ​ᚄ​ᚆ​ᚁ​ᚑ​ᚃ​ᚋ​ᚘ​ᚚ​ᚒ​ᚄ​ᚁ​ᚅ​ᚑ​ᚇ​ᚃ​ᚒ​ᚙ​ᚁ​ᚈ​ᚋ​ᚅ​ᚖ​ᚇ​ᚗ​ᚁ​ᚐ​ᚊ​ᚏ​ᚈ​ᚘ&#xA;💚 Fine-Sir-1584660650 - 1584660650 &#xA;💛 Fine-Sir-1584660650 - Post-Cyber Voxel Infinity&#xA;💜 Firma - La orbire&#xA;🤍 Fixpen Sill - FLAG&#xA;💚 Floème フロエム - ８０６ w a v e s&#xA;💛 Floème フロエム - a g e i n g p o e t r y&#xA;💛 Floème フロエム - Ecdisys&#xA;💛 Florian din Transilvania - Tainicul vârtej&#xA;💚 Flou Rege &amp;amp; Al*bu - Eu și muzica&#xA;💜 Flume - Arrived Anxious, Left Bored&#xA;🤍 Fluturi Pe Asfalt - Reconstituire&#xA;💜 Flying Lotus - Yasuke&#xA;💜 FOREV3RAIN - ##RAIN&#xA;💛 Forss - Ecclesia&#xA;💜 foxxy dekay - Colorful Dreams&#xA;💛 Frail Whale - found...&#xA;🤍 FrankJavCee - FrankJavCee Collection, Vol. 1, Pt. II&#xA;💜 Frank Ocean - blonde&#xA;🤍 Frank Ocean - channel ORANGE&#xA;💛 Fraoula - Neon Drive OST&#xA;💜 Franz Liszt - Eine Faust-Symphonie in drei Charakterbildern&#xA;💛 Franz Liszt - Eine Symphonie zu Dantes Divina Commedia&#xA;💜 Fratele - Bazar sentimental&#xA;💜 Fratelenord - Morfină&#xA;💛 FRAXU - LVLUP&#xA;🤍 Freddie Dredd - Freddie's Inferno&#xA;💜 Freeze Corleone - ADC&#xA;🤍 Freeze Corleone - À la recherche de la daillance&#xA;💜 Freeze Corleone - F.D.T&#xA;❤️ Freeze Corleone - LMF&#xA;💙 Freeze Corleone - Projet Blue Beam&#xA;🧡 Freeze Corleone - THC&#xA;🤎 Freeze Corleone - Vieilles merdes&#xA;🤍 Freeze Corleone - Vieilles merdes vol.II&#xA;🤍 Freeze Corleone &amp;amp; Ashe 22 - RIYAD SADIO&#xA;💚 Frums - Metacontinues&#xA;💜 Frums - vignette&#xA;💙 fujitsu - forests e.p&#xA;💜 fushou. - essentials&#xA;💜 gabby start - luca&#xA;🤍 Gambi - LA VIE EST BELLE&#xA;🤍 Gândul Mâței - Cu gândul la ea&#xA;🤍 Gao the Arsonist - OUR BONES ARE ARTIFACTS&#xA;🤍 gawdlee &amp;amp; Bryson McGee - COLOSSAL&#xA;💛 gawdlee - DENISE&#xA;💎 gawdlee - fragilelawsofwordstructure&#xA;💜 gawdlee - hopeyouhadabadsummer&#xA;💛 gawdlee - I Know&#xA;💜 Gaz120 - Gaz120&#xA;💜 Gazo - APOCALYPSE&#xA;💛 Gazo - DRILL FR&#xA;💜 Gazo - KMT&#xA;💛 GENDEMA - sassy things&#xA;💜 Geoxor - Irreversible&#xA;💜 Gerrar - Renaștere (Deluxe Edition)&#xA;💛 Getchoo - WILL&#xA;🤍 Getter - Some Creature&#xA;💛 Getto Daci - Daciada&#xA;🤍 Ghostemane - Hexada&#xA;🧡 ghosty punk - Heaven Was The Curse&#xA;🤍 Giovanni &amp;amp; RAVA - UNTOUCHABLE&#xA;💜 GIVĒON - Give Or Take&#xA;💚 GIVĒON - TAKE TIME&#xA;💚 GIVĒON - When It's All Said And Done&#xA;💜 GLOBAL CHILL - midnight smoker ミ​​​​​​​ク​​​​​​​ス​​​​​​​テ​​​​​​​ー​​​​​​​プ&#xA;💛 Gods Of Something - Inner Void&#xA;💛 Gods Of Something - The Edge of Reality&#xA;🤍 Godspeed You! Black Emperor - Allelujah! Don't Bend! Ascend!&#xA;🤍 Godspeed You! Black Emperor - Asunder, Sweet and Other Distress&#xA;💛 Godspeed You! Black Emperor - F♯ A♯ ∞&#xA;💛 Godspeed You! Black Emperor - G_d's Pee AT STATE'S END!&#xA;💛 Godspeed You! Black Emperor - Lift Your Skinny Fists Like Antennas to Heaven&#xA;💛 Godspeed You! Black Emperor - Luciferian Towers&#xA;💜 Godspeed You! Black Emperor - Slow Riot for New Zero Kanada&#xA;💜 Godspeed You! Black Emperor - Yanqui U.X.O.&#xA;💙 Go Ichinose, Junichi Masuda &amp;amp; Hitomi Sato - Pokémon Diamond Soundtrack&#xA;💙 Go Ichinose, Junichi Masuda, Hitomi Sato &amp;amp; Satoshi Nohara - Pokémon Platinum Soundtrack&#xA;💚 Go Ichinose, Junichi Masuda, Morikazu Aoki &amp;amp; Hitomi Sato - Pokémon Emerald Soundtrack&#xA;💙 Go Ichinose, Shota Kageyama, Hitomi Sato, Junichi Masuda &amp;amp; Takuto Kitsuta - Pokémon HeartGold and SoulSilver Soundtrack&#xA;💜 Gojnea76 - Level UP&#xA;💚 GOLDWATER - discography&#xA;💜 GOLDWATER - GOLDWATER EP&#xA;💜 GONE.Fludd - BOYS DON'T CRY&#xA;🤎 Goodbye to Gravity - Mantras Of War&#xA;💜 𝐺𝑂𝑅𝐸 - プロアクティブシューター&#xA;💜 𝐺𝑂𝑅𝐸 - 不可避の破壊&#xA;💛 𝐺𝑂𝑅𝐸 - 内臓&#xA;💜 𝐺𝑂𝑅𝐸 - 人生の重荷&#xA;💙 goreshit - Semantic Compositions on Death and Its Meaning&#xA;🤍 Gradur - Where Is l'album de Gradur&#xA;💜 graves - tomorrow tape&#xA;💛 grayera - It Feels Like I'm Wilting Away&#xA;💜 Green Prophet - Apus&#xA;💜 GRËJ - ANTIPASTI&#xA;🤍 GRËJ - CUISINE&#xA;🤍 GRËJ - ÉTOILES MICHELIN&#xA;💚 GRËJ - L'album gris&#xA;💙 GRËJ - PIXELTAPE&#xA;💜 GRËJ - PIXELTAPE2&#xA;💜 GRËJ - RESTAURANT&#xA;💚 GRËJ - RINASCIMENTO&#xA;💛 GRËJ - TAKE AWAY EP&#xA;🤍 Gridan &amp;amp; Killa Fonic - OPUS MAGNUM&#xA;🤍 Grinder - New Steel&#xA;🤎 Grohot - Hrănind gurile înfometate&#xA;💜 GRXGVR - 020&#xA;🤍 guardin - ＡＴＡＲＡＸＹ&#xA;💜 guardin - Astral Agenda&#xA;💜 guardin - creature pt. 1&#xA;💜 guardin - creature pt. 2&#xA;💛 guardin - &#xA;💛 guardin - lacuna&#xA;💜 guardin - LOST &amp;amp; FOUND&#xA;💜 guardin - Lost In A Fantasy&#xA;💛 guardin - outsider&#xA;💛 guardin - take me home&#xA;💜 Guess Who - Locul Potrivit / Probe Audio&#xA;💜 GUILD MERCHANT - 比喩的な意味&#xA;💜 GUILD MERCHANT - 血​の​争​い (blood feud)&#xA;💛 GUILD MERCHANT - Heartless&#xA;🤍 Guizmo - Amicalement vôtre&#xA;💜 Guizmo - C'est tout.&#xA;🤍 Guizmo - Dans ma ruche&#xA;🧡 Guizmo - #GPG&#xA;💜 Guizmo - #GPG 2&#xA;💛 Guizmo - La banquise&#xA;🧡 Guizmo - Normal&#xA;💜 Guizmo - Renard&#xA;💛 Guns N' Roses - Appetite For Destruction&#xA;💛 Guns N' Roses - G N' R Lies&#xA;💜 Guns N' Roses - Use Your Illusion I&#xA;🤍 Haarp Cord - Dragoste sau frică&#xA;🧡 Haarper - Naga&#xA;💜 haircuts for men - 1989&#xA;💜 haircuts for men - a path&#xA;💚 haircuts for men - 地下カラオケ ep&#xA;💜 Halicalf - Gunner &amp;amp; The Prophet&#xA;💛 Hamza - 140 BPM 2&#xA;💜 Hamza - Paradise&#xA;💜 Hamza - Sincèrement&#xA;❤️ Hans Zimmer - Inception (Music from the Motion Picture)&#xA;💙 Hans Zimmer - Interstellar (Original Motion Picture Soundtrack)&#xA;🤍 Harmasar - Din Pământ&#xA;💜 Harmful Logic - SOULGEMCOLLECTION&#xA;💜 Harris Cole - Colors&#xA;💜 Harry Styles - Harry Styles&#xA;💚 Haux - All We've Known&#xA;🤍 Hector Berlioz - Te Deum&#xA;Helytube - Din canale&#xA;💜 hentai boys - 4EVER&#xA;🤍 Heuss L'enfoiré &amp;amp; Vald - Horizon vertical&#xA;💜 Hide春 - Dead End Adventure&#xA;💛 菊池ひみこ Himiko Kikuchi - Flying Beagle&#xA;💜 hhsweater - fly sumwere&#xA;🧡 H JeuneCrack - 2ème Cycle&#xA;🤍 HKK - Dreamwalker&#xA;💛 けｍ SURF - Waterbed&#xA;💛 Holder - Undertale Remixed by Holder&#xA;🧡 Hollow Flag - Beware of Moshing&#xA;🤍 Holograf - banii vorbesc&#xA;💛 Home - Hold&#xA;🧡 Hong Kong Express - I Am Here, In Love.​.​.​.​.​.​.​.​.​.​.​. (Exist​.​.​. Exist​.​.​.​. Exist​!​!​!​)&#xA;💚 HÖR BERLIN 2019 - Tham&#xA;💜 HÖR BERLIN 2022 - Mia Lily&#xA;💙 HÖR BERLIN 2022 - ¥ØU$UK€ ¥UK1MAT$U&#xA;💛 HÖR BERLIN 2023 - Esther Urioste&#xA;💜 HÖR BERLIN 2023 - MØRK&#xA;💜 HÖR BERLIN 2023 - Spacer Woman&#xA;🤍 HÖR BERLIN 2023 - THC&#xA;💜 HÖR BERLIN 2023 - ¥ØU$UK€ ¥UK1MAT$U&#xA;💛 HÖR BERLIN 2024 - EVE&#xA;💜 HÖR BERLIN 2024 - Jane&#xA;🧡 HÖR BERLIN 2024 - Kameliia&#xA;💜 HÖR BERLIN 2024 - Lucinee&#xA;💛 HÖR BERLIN 2024 - Ludmila Di Pasquale&#xA;💜 HÖR BERLIN 2024 - MILENA ADAMIS&#xA;💜 HÖR BERLIN 2025 - BRENN.&#xA;💜 HÖR BERLIN 2025 - Deas&#xA;💛 HÖR BERLIN 2025 - Diossa&#xA;💛 HÖR BERLIN 2025 - Felinah&#xA;💛 HÖR BERLIN 2025 - Jelena&#xA;💚 HÖR BERLIN 2025 - madwoman&#xA;💛 How to Disappear Completely - Seraphim&#xA;💚 How to Disappear Completely - Seraphim II&#xA;💛 Hozokauh - time, unraveling&#xA;❤️ H-Pi - Trackmania (Original Video Game Soundtrack)&#xA;🤍 HVNDS - SINTETIC (Deluxe)&#xA;💛 Hush - Hush&#xA;💜 Hyd - CLEARING&#xA;💜 i61 - ANGELWAVE&#xA;💜 Ian - BEAST MODE+&#xA;💜 Ian - Slayer&#xA;💛 IC3PEAK - Coming Home&#xA;🧡 IC3PEAK - Dead But Pretty&#xA;💚 IC3PEAK - До Свидания&#xA;💛 IC3PEAK - Сказка&#xA;💙 IC3PEAK - Сладкая Жизнь&#xA;🤍 IC3PEAK - より多くの愛&#xA;💚 IC3PEAK - FALLAL&#xA;💚 IC3PEAK - IC3PEAK&#xA;💜 IC3PEAK - Substances EP&#xA;💜 IC3PEAK - VACUUM&#xA;💜 ICYTWAT - 4 tha Troopz&#xA;💛 ICYTWAT - Dior Junts&#xA;💛 ICYTWAT - Dream Bwoy&#xA;💜 ICYTWAT - G4ost&#xA;💜 ICYTWAT - Good Pussy&#xA;🤍 ICYTWAT - Have Mercy on Us&#xA;💚 ICYTWAT - ICYTWAT&#xA;💙 ICYTWAT - ICYTWAT Radio&#xA;🧡 ICYTWAT - Magic as Usual&#xA;💙 ICYTWAT - Milk&#xA;💜 ICYTWAT - Siddhi&#xA;💜 ICYTWAT - Siddhi World&#xA;💛 ICYTWAT - Throwaway EP&#xA;💛 ICYTWAT &amp;amp; LORDFUBU - Fubu vs. Twat&#xA;🤎 Igorrr - Nostril&#xA;💜 Ikaz Boi - Paradise&#xA;🤍 Implant Pentru Refuz - Monolith&#xA;💜 Inclasick - Space&#xA;💛 INDOOR CIGARETTES - VOLUME 1&#xA;💚 INDOOR CIGARETTES - VOLUME 2&#xA;🤍 Infected Rain - TIME&#xA;💜 Infinitu' aka Sfantu' Opt - Vincent&#xA;🤎 Inhavite - Raptilian&#xA;💜 INNA - Body and the Sun&#xA;💛 INNA - Champagne Problems #DQH1&#xA;💜 INNA - Champagne Problems #DQH2&#xA;💜 INNA - Everything Or Nothing #DQH1&#xA;🤍 INNA - Everything Or Nothing #DQH2&#xA;💛 INNA - Heartbreaker&#xA;💛 INNA - Hot&#xA;💛 INNA - I Am the Club Rocker&#xA;💜 INNA - Just Dance #DQH1&#xA;🤍 INNA - Just Dance #DQH2&#xA;💛 INNA - Party Never Ends, Pt. 1 (Deluxe Edition)&#xA;💜 INNA - Party Never Ends, Pt. 2 (Deluxe Edition)&#xA;💛 insaneintherainmusic - Sinnohvation&#xA;💚 instupendo - Friend of a Friend&#xA;💛 INSULINE &amp;amp; NICOTINE - Le retour&#xA;💛 INSULINE &amp;amp; NICOTINE - ZEvent 2023&#xA;💜 internetBoi - A Bird Needs Two Wings To Fly&#xA;💚 IOANA - I mare de la Ioana&#xA;💛 Ioana Ignat - Ioana Ignat&#xA;💛 Ioana Radu - Ioana Radu, Vol. 1&#xA;💜 Ioana Radu - Ioana Radu, Vol. 2&#xA;💜 Ioana Radu - Ioana Radu, Vol. 3&#xA;💜 Ioana Radu - Ioana Radu, Vol. 4&#xA;🤍 Iobagg - ZOOT SUIT&#xA;💚 Irina Rimes - Acasă&#xA;💛 Irina Rimes - Cosmos&#xA;💛 Irina Rimes - Despre el&#xA;💜 Irina Rimes - Origini&#xA;💛 Irina Rimes - Pastila&#xA;💜 IRIS - IRIS, Vol. 1&#xA;💜 Irko - Ghillie in the Mist&#xA;🧡 IShowSpeed - Trip 2 Brazil&#xA;💛 itimar - leaf.ep&#xA;💛 Ivan Dorn - RANDORN&#xA;💛 Iwakura - ​&#xA;💚 Iwakura - ⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻&#xA;💛 Iwakura - The Backrooms Original Soundtrack&#xA;💜 Iwakura - The Backrooms Original Soundtrack 2&#xA;💛 Iwakura - The Backrooms Original Soundtrack 3&#xA;💜 Iwakura - ░Wires░&#xA;💜 Iwakura &amp;amp; frontooms - ⎎☊⌾⏙&#xA;💜 Iwakura &amp;amp; frontooms - ✙✙✙✙✙Limit✙✙✙✙✙&#xA;🧡 IXV - Soundtracks for Crime Scenes&#xA;💙 Jacksonifyer - a glitch in the head&#xA;💜 Jacksonifyer - Bittersweet Abandonment&#xA;🤍 Jacksonifyer - Distorted Rememberance&#xA;💚 Jacksonifyer - Hope Lost&#xA;💜 Jacques Brel - Au printemps&#xA;💜 Jacques Brel - Ces gens-là&#xA;🤍 Jacques Brel - Jacques Brel 67&#xA;🤍 Jacques Brel - Jacques Brel et ses chansons&#xA;💛 Jacques Brel - J'arrive&#xA;💛 Jacques Brel - La Valse à mille temps&#xA;🤍 Jacques Brel - Les Bonbons&#xA;💛 Jacques Brel - Les Marquises&#xA;🤍 Jacques Brel - L'homme de la Mancha&#xA;💚 Jacques Brel - Marieke&#xA;💛 Jacques Brel - Olympia 1964&#xA;💜 Jacques Brel - Quand on n'a que l'amour&#xA;💜 Jaden - CTV3: Cool Tape Vol. 3&#xA;💛 JakoJako - Aequilibration&#xA;💜 JakoJako &amp;amp; Rødhåd - IN VERE&#xA;💛 JakoJako - Lux&#xA;💛 JakoJako - Metamorphose&#xA;🤍 JakoJako - Segmente&#xA;💛 JakoJako - Tết 41&#xA;💜 JakoJako - Verve&#xA;💜 James Grant, Jody Wisternoff &amp;amp; Silver Mt. Zion - Anjunadeep 12 Sampler: Part 1&#xA;💙 Janice Quatlane - レイトン教授と永遠の歌姫 (The Eternal Diva)&#xA;💜 japansaur - RENAISSANCE MIX&#xA;💜 japansaur - sese flick&#xA;💛 jarjarjr - Fallen Angel&#xA;💛 Jasper Byrne - Hotline Miami EP&#xA;💜 Jax (02.14) - Asian Taste&#xA;💚 Jazzybit - Horizon&#xA;💛 Jeff Kaale x Engelwood ep&#xA;💛 Jeff Kaale x spencer - weekdays&#xA;💛 Jeff Kaale - Lagoon&#xA;💛 Jeff Kaale - Summer in the 50's&#xA;💛 jenny nuo - bound by expectations&#xA;💚 jenny nuo - the exhibit&#xA;💙 Jeremiah Chiu &amp;amp; Marta Sofia Honer - Recordings from the Åland Islands&#xA;💚 Jeremy Soule - The Elder Scrolls V: Skyrim: OST&#xA;💛 Jetson - Culture&#xA;💜 Jeune sachet - FOREIGN&#xA;💜 Jhené Aiko - Sail Out&#xA;💜 Jiin - Cult Hymns&#xA;💜 Johnny Răducanu - Jazz made in Romania&#xA;❤️ Joji - BALLADS 1&#xA;💜 Joji - Chloe Burbank Volume 1&#xA;💙 Joji - In Tongues (Deluxe)&#xA;💛 Joji - LOST BALLADS&#xA;💜 Joji - Lost Instruments&#xA;💙 Joji - Nectar&#xA;💛 Joji - SMITHEREENS&#xA;🧡 Jok'Air - Big Daddy Jok&#xA;🤎 jonatan leandoer96 - Katla&#xA;🧡 jonatan leandoer96 - Psycopath Ballads&#xA;💜 JOY. - JOY TO THE WORLD MIXTAPE&#xA;💜 Joy Division - Closer&#xA;🤍 Joy Division - Love Will Tear Us Apart&#xA;💜 Joy Division - Still&#xA;🤍 Joy Division - Substance&#xA;💜 Joy Division - Unknown Pleasures&#xA;💛 joyful - KIT &amp;amp; FEM&#xA;🤍 JPEGMAFIA - All My Heroes Are Cornballs&#xA;💜 JPEGMAFIA - black ben carson&#xA;💜 JPEGMAFIA - EP!&#xA;💜 JPEGMAFIA - EP2!&#xA;💜 JPEGMAFIA - LP!&#xA;🤍 JPEGMAFIA - Veteran&#xA;💜 JrDenil - DAS ALOTTA STRESS&#xA;💛 Juice WRLD - Affliction&#xA;💜 Juice WRLD - BINGEDRINKINGMUSIC&#xA;💚 Juice WRLD - Goodbye &amp;amp; Good Riddance (Anniversary Edition)&#xA;💛 Juice WRLD - Too Soon..&#xA;💜 Juku - HEARTBREAK&#xA;💛 Julien Doré - &amp;amp;&#xA;🧡 June Turns Black - Wavebreaker&#xA;💜 Jungle Jack - JUNGLE DES ILLUSIONS VOL 1&#xA;🧡 Jurjak - Blues Berry&#xA;💚 Kaaris - 2.7.0 : Château Noir&#xA;💛 Kaaris - Dozo&#xA;💚 Kaaris - Okou Gnakouri&#xA;💛 Kaaris - Or Noir Part 3&#xA;💚 Kaaris &amp;amp; Kalash Criminel - SVR&#xA;💛 Kaarism - 1min de scam&#xA;💛 Kaarism - Château noir&#xA;💛 Kagoshima Tangerine - サクランボ&#xA;💚 Kagoshima Tangerine - ブドウ&#xA;💚 Kagoshima Tangerine - サクラ&#xA;💜 Kai Whiston - Drayan!&#xA;🤍 Kali Uchis - Sincerely,&#xA;💛 Kamanugue - REVELATION 6&#xA;💚 Kane Parsons - Backrooms (Original Score), Vol. 1&#xA;💛 Kane Parsons - Backrooms (Original Score), Vol. 2&#xA;💛 Kane Parsons - Backrooms (Original Score), Vol. 3&#xA;💜 Kane Parsons - Daemon&#xA;💜 Kane Parsons - It's All Happening&#xA;💜 Kane Parsons - The Oldest View (Original Score), Vol. 1&#xA;🤍 Ka$tro - Vol. IV&#xA;💛 κατάσκοπος - Hieracosphinx&#xA;💛 κατάσκοπος - I will not crush this world​'s corolla of wonders&#xA;💛 κατάσκοπος - Paradise Lost&#xA;🤍 Kate Soper - Voices from the Killing Jar&#xA;🤍 Kat Graham - Love Music Funk Magic &#xA;💜 Kavinsky - 1986&#xA;💜 Kavinsky - OutRun&#xA;🤍 Kavinsky - Reborn&#xA;💛 Kavinsky - Teddy Boy&#xA;💛 kawfee - bottled up&#xA;💛 kawfee - Heartburn&#xA;💚 kawfee - &#xA;💜 KAYTRANADA - 99.9%&#xA;💜 KAYTRANADA - Kaytra to Do&#xA;💜 Kazam - Abysses&#xA;💜 Kazam - Le Chant des vagues&#xA;🤍 Kaz Bałagane - LOT022&#xA;💛 Kazdoura - Wain&#xA;💛 Kazi Ploae - Gorgone&#xA;💛 Kazi Ploae &amp;amp; Specii - Imperiul lianelor&#xA;💛 KC Shore - solstice&#xA;🤍 Keed - DAVID&#xA;💙 Keisuke Ito &amp;amp; Yasuhiro Kawagoe - Pokémon Mystery Dungeon: Gates to Infinity Soundtrack&#xA;🤍 Kekra - Vréel 2&#xA;💛 Kendrick Lamar - DAMN.&#xA;💛 Kendrick Lamar - gnx&#xA;🧡 Kendrick Lamar - Overly Dedicated&#xA;🤍 Kendrick Lamar - Section.80&#xA;🤍 Keri &amp;amp; Vali Umbră - Sonor&#xA;💜 Kero Kero Bonito - Bonito Generation&#xA;🧡 Kero Kero Bonito - Intro Bonito&#xA;🤍 Kero Kero Bonito - Why Aren't You Dancing?&#xA;💜 KevGee - Sedated Tape&#xA;💜 Kevin MacLeod - PsychoKiller&#xA;💚 KFM - \​\​\​fail&#xA;💛 Khali - Palmer wild story&#xA;💜 Khali - IL ME RESSEMBLE PAS NON PLUS&#xA;💛 Kid in Alaska - Lost Souls Department&#xA;💙 Killa Fonic - 2089&#xA;💜 Killa Fonic - BeetleJuice&#xA;💜 Killa Fonic - III&#xA;💜 Killa Fonic - Emotiv Munteana&#xA;💜 Killa Fonic - Lamă Crimă&#xA;🤍 Killa Fonic - MAT-STHĀNI SARVA-BHŪTĀNI&#xA;💛 Killa Fonic - Osvaldo (Deluxe)&#xA;💜 Killa Fonic - Ramses 1989&#xA;🤍 Killa Fonic - Radio Fonic&#xA;💜 Killa Fonic - Taxi Driver&#xA;🤍 Killa Fonic - Terra Vista&#xA;💜 Killa Fonic - Trendsetter&#xA;🤍 Killa Fonic - SS1000&#xA;💜 kiLLa Laharl - Digital Shrine&#xA;💜 killedmyself - backyard cemetery: revisited&#xA;💜 killedmyself - stay where it's safest&#xA;🤍 killedmyself - the next time you see me, you won't&#xA;🤍 killedmyself - that kindled look in her eyes&#xA;💚 Killer Bee - Venus EP&#xA;💚 Killers Legion - Ad Infinitum&#xA;💜 Killstation - Days After Dying&#xA;🤍 KingFsorrow - Color Code&#xA;💜 濱田 金吾 Kingo Hamada - midnight cruisin&#xA;💜 K.I. the Roi - If I'm Yours&#xA;💛 K.I. the Roi - To the Moon&#xA;💜 kizaru - Mas Fuerte&#xA;💜 kkami - The Adventures of Purple &amp;amp; Star: Looking for Ruby&#xA;💜 Klaus Veen - Blaze&#xA;💛 Knife Party - 100% No Modern Talking&#xA;💚 Knife Party - Abandon Ship&#xA;💛 Knife Party - Haunted House&#xA;💚 Knife Party - Rage Valley&#xA;💜 knowmadic - better off&#xA;💛 knowmadic - Nowhere&#xA;🧡 KOHH - MONOCHROME&#xA;💙 Koji Kondo - New Super Mario Bros. Soundtrack&#xA;💛 Koji Kondo - Super Mario 3D Land Soundtrack&#xA;❤️ Koji Kondo - Super Mario 64 Soundtrack&#xA;💙 Koji Kondo - Super Mario Galaxy Soundtrack&#xA;🤍 Kordhell &amp;amp; Scarlxrd - PSYCHX&#xA;💜 Korn - Follow The Leader&#xA;💜 Korn - Issues&#xA;💛 Korn - Korn&#xA;💜 Korn - Korn III: Remember Who You Are (Special Edition)&#xA;💛 Korn - Life Is Peachy&#xA;💛 Korn - Live &amp;amp; Rare&#xA;💛 Korn - See You On the Other Side&#xA;💚 Korn - Take A Look In The Mirror&#xA;💛 Korn - The Nothing&#xA;💜 Korn - The Paradigm Shift (Deluxe)&#xA;💜 Korn - The Path of Totality (Special Edition)&#xA;💚 Korn - The Serenity of Suffering (Deluxe)&#xA;🤍 Korn - Untitled&#xA;💜 Korn - Untouchables&#xA;💚 KRAAKSTOF - KRAAKSTOF RADIO 001&#xA;💜 KRAAKSTOF - KRAAKSTOF VOL.1&#xA;💜 KRAAKSTOF - KRAAKSTOF VOL.2&#xA;💛 KRAAKSTOF - KRAAKSTOF VOL.3&#xA;💛 Krewella - Get Wet&#xA;💛 Krewella - Play Hard&#xA;💜 Krewella - Play Harder&#xA;💜 Kristian Florea - Glasna Intima&#xA;💚 Krisy - Paradis d'amour&#xA;💜 KronoMuzik - Free Krono&#xA;💜 KronoMuzik, Pandrezz &amp;amp; Ronare - zzccmxtp&#xA;🧡 Kumm - Far From Telescopes&#xA;💜 KyonPalm - CYBERIA&#xA;💜 Lady Gaga - ARTPOP&#xA;💜 Lady Gaga - Born This Way&#xA;🤍 Lady Gaga - Joanne (Deluxe)&#xA;💛 Lady Gaga - MAYHEM&#xA;💜 Lady Gaga - The Fame Monster (Deluxe Edition)&#xA;🤍 Lady Gaga &amp;amp; Bradley Cooper - A Star Is Born Soundtrack&#xA;💜 La Familia - Bine ai venit în Paradis&#xA;💜 La Femme - La Femme ressort&#xA;💜 La Femme - Mystère&#xA;💛 La Femme - Paradigme : suppléments&#xA;💛 La Femme - Paris-Hawaï&#xA;💜 La Femme - Psycho Tropical Berlin (Bonus Track Version)&#xA;🧡 La Femme - Teatro Lúcido&#xA;🤍 La Fève - ERRR&#xA;💛 Lafleyne - GOLD DIGGER&#xA;🧡 Lancey Foux - FIRST DEGREE&#xA;🧡 Lancey Foux - FRIEND OR FOUX&#xA;🤍 Lancey Foux - LIVE.EVIL&#xA;🤍 Lancey Foux - Pink&#xA;🤍 Lancey Foux - Pink II&#xA;🤍 Lancey Foux &amp;amp; Nyge - First Day At Nursery&#xA;💛 Laura Pausini - From the Inside&#xA;🤍 Laura Pausini - Fatti sentire&#xA;🤍 Laura Pausini - Inedito&#xA;💜 Laura Pausini - Io canto&#xA;🤍 Laura Pausini - La mia resposta&#xA;💚 Laura Pausini - Laura Pausini&#xA;💛 Laura Pausini - Le cose che vivi&#xA;💛 Laura Pausini - Tra te e il mare&#xA;💜 Laura Pausini - Primavera in anticipo&#xA;💛 Laura Pausini - Resta in ascolto&#xA;🤍 Laura Pausini - Simili&#xA;💙 Laura Shigihara - Plants vs. Zombies Soundtrack&#xA;💛 Laura Stoica - Focul&#xA;🤍 Laylow - L'Étrange Histoire de Mr. Anderson&#xA;🤍 Lazuli - TOKETA &#xA;🤍 Learic Spellman - Maturation&#xA;💜 Le Dé - Delta Plane&#xA;💜 Le Dé - Napalm&#xA;🤍 L'Entourage - Jeunes Entrepreneurs&#xA;🤍 Les Alchimistes - Antisocial&#xA;💜 Les Elephants Bizarres - Hello&#xA;💜 Les Elephants Bizarres - Seen&#xA;🤍 Les Elephants Bizarres - Zoologic&#xA;💜 LEX - Ταπεινοί Και Πεινασμένοι&#xA;💜 Lightex - Rusty Nail Candy&#xA;🤍 Lil Alex - SUPERSTAR&#xA;💜 Lil Bo Weep - ILLUSIONS&#xA;💜 LILDRUGHILL - All Babies Fly&#xA;💜 lil kaine - No Mercy&#xA;💜 Lil Mariko - Lil Mariko&#xA;💙 Lil Peep - California Girls&#xA;💛 Lil Peep - Changes&#xA;💙 Lil Peep - Come Over When You're Sober, Pt. 1&#xA;💜 Lil Peep - Come Over When You're Sober, Pt. 2&#xA;💙 Lil Peep - Crybaby&#xA;💛 Lil Peep - Everybody's Everything&#xA;💛 Lil Peep - feelz&#xA;💚 Lil Peep - Hellboy&#xA;💚 Lil Peep - Lil Peep; Part One&#xA;💛 Lil Peep - Live Forever&#xA;💚 Lil Peep - Teen Romance&#xA;💛 Lil Peep - Vertigo&#xA;🤍 Lil Peep &amp;amp; Death+ - Garden&#xA;💜 Lil Peep &amp;amp; Fish Narc - Goth Angel Sinner&#xA;💜 Lil Peep &amp;amp; Lil Tracy - castles&#xA;💚 Lil Peep &amp;amp; Lil Tracy - CÅSTLES II&#xA;💜 Lil Peep, Jgrxxn &amp;amp; Ghostemane - Elemental&#xA;💛 Lil Sheitan - Sur Mon Bateau Pirate&#xA;🤍 Lil Xan - TOTAL XANARCHY&#xA;💜 L'Impératrice - L'impératrice&#xA;💜 L'Impératrice - Matahari&#xA;💜 L'Impératrice - Odyssée&#xA;💜 L'Impératrice - Pulsar&#xA;🤍 L'Impératrice - Séquences&#xA;🤍 L'Impératrice - Sonate Pacifique&#xA;💚 L'Impératrice - Tako Tsubo&#xA;💜 Lingua Ignota - AGNUS DEI&#xA;💚 Lingua Ignota - All Bitches Die&#xA;💚 Lingua Ignota - CALIGULA&#xA;💛 Lingua Ignota - LET THE EVIL OF HIS OWN LIPS COVER HIM&#xA;💜 Lingua Ignota - SINNER GET READY&#xA;💛 Little Big - Antipositive, Pt. 1&#xA;💛 Little Big - Antipositive, Pt. 2&#xA;🤍 Little Big - COVERS&#xA;💛 Little Big - Funeral Rave&#xA;💜 Little Big - GO BANANAS&#xA;💜 Little Big - Lobster Popstar&#xA;🧡 Little Simz - Sometimes I Might Be Introvert&#xA;💚 lofi.hiphop - 1 yr&#xA;💜 lofi.hiphop - lofi.hiphop &#xA;💜 lofi.samurai - oldies&#xA;💜 Lolo Zouaï - Beautiful Lies&#xA;💛 Lolo Zouaï - High Highs to Low Lows (Deluxe)&#xA;💜 Lolo Zouaï - Ocean Beach&#xA;💚 Lolo Zouaï - Playgirl&#xA;💜 Lolo Zouaï - Please Hold&#xA;💛 Lonepsi - Danger de mot&#xA;💚 loose tha kid (as geerad) - brainwater&#xA;💛 loose tha kid (as geerad) - waves&#xA;🤍 Loqiemean - Повестка&#xA;💛 Lord Apex - INTERPLANETARY FUNK LP&#xA;💛 Lord Esperanza - Atlas&#xA;💜 Lord Esperanza - Derrière les montagnes&#xA;🧡 Lord Esperanza - Drapeau Noir&#xA;💛 Lord Esperanza - Phoenix&#xA;🤍 Lorenzo - Légende vivante&#xA;🧡 Lorenzo - Sex In The City&#xA;💜 Lorn - Nothing Else&#xA;🤍 Lorn - RARITIES&#xA;💜 Lorn - The Maze To Nowhere&#xA;💛 Lost Colossus - PATH OF LUST VOL.1&#xA;🤍 Louane - Chambre 12&#xA;💜 Love Renaissance - Home From The Holidays&#xA;🤍 Luchè - L1&#xA;🧡 Luchè - L2&#xA;💜 Lucid Monday - LM013&#xA;🤍 Lucid Monday - LM019&#xA;🤍 Lucid Monday - LM020&#xA;🤍 Lucid Monday - LM021&#xA;💛 Lucid Monday - Lucid Monday Presents: DJ Yung Vamp, Soudiere &amp;amp; Dilip&#xA;💜 Ludwig van Beethoven - Piano Sonata No. 14&#xA;💛 Luidji - Boscolo Exedra&#xA;💜 Luidji - Mécanique des fluides&#xA;💜 Luidji - Saison 00&#xA;💙 Luidji - Tristesse Business : Saison 1&#xA;🧡 Luna Amara - Asfalt&#xA;💜 ℒund - BlkBird&#xA;💚 ℒund - Gold&#xA;🤍 Luni - Orange&#xA;💜 LUPII lui Calancea - Lelea&#xA;🤍 Luther - GARÇON&#xA;💚 Luther (TB) - Alpha&#xA;💛 Luther (TB) - Love Pack&#xA;💛 Luther (TB) - Starter Pack&#xA;💜 Luv Resval &amp;amp; Alkpote - Mariah&#xA;💜 Mabisyo - Beatmaking Sessions V.1&#xA;💜 Mabisyo - Beauty Is Something Simple&#xA;💜 Mabisyo - Clouds Under Nicotine Extended Edition&#xA;💜 Mabisyo - Echoes Of The Subconscious&#xA;💛 Mabisyo - Everything Is Under Control&#xA;💛 Mabisyo - Light Up Your Heart&#xA;💚 Mabisyo - The Theory Of Premonitions&#xA;💜 Mabisyo &amp;amp; Majestic 12 - Velvet Notes&#xA;💜 Macanache - Gimnastica lirica&#xA;💛 Macanache - Interzis&#xA;🧡 Machiavellian God - Beyond the Void&#xA;💚 Mac Quayle - Mr. Robot, Vol. 1 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 2 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 3 (Original Television Series Soundtrack)&#xA;💙 Mac Quayle - Mr. Robot, Vol. 4 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 5 (Original Television Series Soundtrack)&#xA;💚 Mac Quayle - Mr. Robot, Vol. 6 (Original Television Series Soundtrack)&#xA;💛 Mac Quayle - Mr. Robot, Vol. 7 (Original Television Series Soundtrack)&#xA;💛 Mac Miller - Balloonerism&#xA;🤍 Mac Miller - Blue Slide Park&#xA;💜 Mac Miller - K.I.D.S. (Deluxe)&#xA;💚 Mac Miller - Macadelic&#xA;🤍 Mac Miller - On And On And Beyond&#xA;💜 Mac Miller - Watching Movies with the Sound Off&#xA;💚 Macroblank - 痛みの永遠&#xA;💜 Macroblank - 色​あ​せ​た​エ​コ​ー&#xA;💜 Macroblank - 至福を通じた平和&#xA;💚 Macroblank - 肉と魂&#xA;💚 Macroblank - 行方不明&#xA;💙 Macroblank - ラストチャンス&#xA;💛 Macroblank - 絶望に負けた&#xA;💛 Macroblank - エコーチャンバーパーティー&#xA;💛 Macroblank - ダウンウィズザキング&#xA;💜 Macroblank - 保持&#xA;💚 Macroblank - ボイドを超える&#xA;💜 Macroblank - 没頭する&#xA;💚 Macroblank - dungeon of lust&#xA;💜 Macroblank - entropy&#xA;💛 Macroblank - FETISH*&#xA;💛 Macroblank - HOSTILE&#xA;💛 Macroblank - ibis valley&#xA;💜 Macroblank - keygen 決定的&#xA;💛 Macroblank - RARE PSALMS COLLECTION VOL​.​1&#xA;💜 Macroblank - RARE PSALMS COLLECTION VOL​.​2&#xA;💛 Macroblank - serpent lp&#xA;💜 Macroblank - Solstice&#xA;❤️ Macroblank - Tales of the Cypher&#xA;💛 Macroblank - The Exiled Lords&#xA;💛 Macroblank &amp;amp; GODSPEED 音 - IMPERIAL&#xA;💛 Macroblank &amp;amp; Oblique Occasions - elegiac blasphemy&#xA;💙 Macroblank &amp;amp; Oblique Occasions - verdant halcyon&#xA;💛 Macroblank &amp;amp; slowerpace 音楽 - The Era of Information&#xA;💛 Macross 82-99 - SAILORWAVE&#xA;💛 Madvillain - Madvillainy&#xA;🤍 Maesün - Remember To Die&#xA;💜 MAGDALENE - GODSLAYER&#xA;🤍 Mag.Lo - Never&#xA;💛 Magnetic The Shaman X leaf beach - Façade&#xA;💛 MAHAYA - Semnal în vânt&#xA;💛 Mai Lan - Autopilote&#xA;🤍 Mai Lan - Mai Lan&#xA;💚 Mai Lan - Vampire EP&#xA;🧡 Makala - Radio Suicide&#xA;💚 Male Alchemy - 1984&#xA;💛 Male Alchemy - オセアニックガーデン ep&#xA;💚 Male Alchemy - 秘密の真実&#xA;💛 Male Alchemy - aristocracy&#xA;💛 Male Alchemy - Chamonix&#xA;💙 Male Alchemy - Melancholy Of An Angel&#xA;💛 Male Alchemy - you are afraid of me&#xA;💜 Mall Greb - How The Dogs Chill, Vol.1&#xA;💛 Måneskin - Il ballo della vita&#xA;💚 Måneskin - Rush!&#xA;🤍 Måneskin - Teatro d'ira - Vol.I&#xA;💛 Manicurés - 心の中のナイフ EP&#xA;💚 m a n n y . - Calm ep.&#xA;💜 m a n n y . - Fallen ep .&#xA;💜 m a n n y . - Frequence Ep.&#xA;💜 m a n n y . - genesis ep.&#xA;💜 m a n n y . - mai tai . ep&#xA;💜 m a n n y . - wave ep.&#xA;💜 Manu Militari - Nouvelle vague&#xA;🤍 Mareena &amp;amp; JakoJako - Atlas der Gedanken&#xA;💛 Marie Therese - Space Chill&#xA;💜 Mario Fresh - red.&#xA;💛 Marius Popp - Panoramic Jazz-Rock&#xA;💜 Marko Glass - Covid Vibes&#xA;💜 Marko Glass - Markat&#xA;💛 Marko Glass - Mixed Feelings&#xA;💜 Marko Glass - Sainted?&#xA;💜 Marko Glass - Versalingo&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando 2&#xA;🤍 Marko Glass &amp;amp; Bvcovia - Bando 3&#xA;💛 Marracash - Persona &#xA;🤍 Martalogii - Toți cuidații&#xA;🤎 Martha Logue - Am dat o besină și pute vol. 1&#xA;🤍 Marțolea - Noaptea dihăniilor&#xA;💛 木村雅彦 Masahiko Kimura - Spectrobes Soundtrack&#xA;💙 高中正義 Masayoshi Takanaka - All Of Me&#xA;💚 高中正義 Masayoshi Takanaka - An Insatiable High&#xA;💚 高中正義 Masayoshi Takanaka - Brasilian Skies&#xA;💛 高中正義 Masayoshi Takanaka - On Guitar&#xA;💜 高中正義 Masayoshi Takanaka - Seychelles&#xA;💙 高中正義 Masayoshi Takanaka - T-Wave&#xA;💜 масло черного тмина maslo chernogo tmina - Плохой джаз&#xA;💛 Mathematical Records - Lupin&#xA;💜 Matt Martians - The Drum Chord Theory &#xA;💜 Maxence - @+&#xA;💛 Maximilian - NARCIS&#xA;💚 Maykretch - 街を歩く&#xA;💜 meat computer - social distancing from reality&#xA;💜 Meep - Stardust&#xA;💜 meganeko - Eclipse&#xA;💛 Mekhane - Grains&#xA;💚 Mekhane - Medjed&#xA;🤎 Melo &amp;amp; Lobe - Humble Minds&#xA;💙 Members Only - Members Only Vol.1!&#xA;💛 Members Only - Members Only, Vol. 2&#xA;💜 menace Santana - !&#xA;💛 menace Santana - Freestyle covid Part. 1&#xA;💜 menace Santana - Freestyle covid Part. 2&#xA;💙 Men I Trust - Equus Asinus&#xA;💛 Men I Trust - Equus Caballus&#xA;💜 Men I Trust - Headroom&#xA;💛 Men I Trust - Oncle Jazz&#xA;🤍 Men I Trust - Men I Trust&#xA;💜 Men I Trust - Untourable Album&#xA;💜 Merge! &amp;amp; Yameii Online - Merge! Vs. Yameii&#xA;🧡 Mes Quins - EROTICA&#xA;💚 Methadon 3000 - Veriga lipsă&#xA;🧡 Methadone Skies - Spectres at Dawn&#xA;🤎 Metronext - Metronext&#xA;🧡 MGK666 - Turbo Orange&#xA;🤍 MGK666 - Bun venit acasă&#xA;🤍 MHD - 19&#xA;💜 MHD - Mansa&#xA;💛 MHD - MHD&#xA;💙 Michael Jackson - Bad&#xA;💛 Michael Jackson - Ben&#xA;💚 Michael Jackson - Dangerous&#xA;💛 Michael Jackson - Farewell My Summer Love&#xA;💜 Michael Jackson - Forever Michael&#xA;💜 Michael Jackson - Got To Be There&#xA;💚 Michael Jackson - HIStory&#xA;💜 Michael Jackson - Invincible&#xA;🤍 Michael Jackson - Looking Back To Yesterday&#xA;💜 Michael Jackson - Michael&#xA;💜 Michael Jackson - Music &amp;amp; Me&#xA;💙 Michael Jackson - Off The Wall&#xA;❤️ Michael Jackson - Thriller&#xA;💛 Michael Jackson - XSCAPE&#xA;💙 Michael McCann - Deus Ex: Human Revolution (Original Soundtrack)&#xA;💛 Michele Morrone - Dark Room (Bonus Edition)&#xA;💛 Midi보이즈 v3.0 - Ebb &amp;amp; Flow&#xA;🤍 midwxst - better luck next time.&#xA;💛 Migos - Culture III&#xA;🤍 Mihai Mărgineanu - Gore din Chitila&#xA;🤍 MIKE DEAN - 4:23&#xA;💚 Miki - graou&#xA;💜 Milian - Personal&#xA;🤍 Миллер - Затмение&#xA;💛 Mircea Baniciu - Mircea Baniciu&#xA;🤍 MISOGI - OCCULT&#xA;💚 Mister V - Double V&#xA;💛 Mister V - MVP&#xA;🤍 Mixed Matches - all we are/all i need&#xA;💜 Mlodyskiny - Zęby&#xA;💜 Mnogoznaal - Гостиница Космос&#xA;💜 Mnogoznaal - Ночной Ловец Солнца&#xA;💛 Mobtrap - MOB PACK&#xA;💚 modest by default - Admissible Vol. I&#xA;💚 modest by default - Permaculture (组织胜过时间)&#xA;💛 modest by default - RAW PRACTICES VOL. I (حساس)&#xA;💛 modest by default - RAW PRACTICES VOL. II (استراتيجي)&#xA;💚 modest by default - RAW PRACTICES VOL. III (لا يرتشي)&#xA;💛 modest by default - THE CURSE OF COLONIALISM I&#xA;💙 modest by default - THE CURSE OF COLONIALISM II&#xA;💚 modest by default - THE CURSE OF COLONIALISM III&#xA;💚 modest by default - The Rojava Documents (ثورة مستمرة)&#xA;💜 Молчат Дома - Belaya Polosa&#xA;💙 Молчат Дома - С крыш наших домов&#xA;💜 Молчат Дома - Monument&#xA;💚 Молчат Дома - Этажи&#xA;💜 mol$ - QUIT MUSIC&#xA;💛 Monodrone - 街で夜を過ごす&#xA;💚 Monodrone - Customer Service&#xA;💚 Monodrone - Faded Memories&#xA;💙 Monodrone - Forbidden Fruit&#xA;💙 Monodrone - metempsychosis&#xA;💜 Monsieur Nov - Love Therapy&#xA;🤍 Montell Fish - Her Love Still Haunts Me Like a Ghost&#xA;🤍 MSyn - BEFORE : Atalante&#xA;💛 MSyn - NWR&#xA;💜 MSyn - Victoria Molina &amp;amp; MSyn present : XXXTENTACION, A Tribute&#xA;💛 mt. marcy - naked lunch&#xA;🤍 Muha - Identitet&#xA;💜 Muddyoush - Orchards&#xA;💜 mulchprize - 神秘的&#xA;💜 Mussy - Jig&#xA;🤍 my!lane - Sakura's Shadows&#xA;💜 M y s t e r yミステリー &amp;amp; desert sand feels warm at night - 人​生​は​幻​想​で​す&#xA;🤍 Na-Kel Smith - +&#xA;🤍 NAMCO SOUNDS - Tekken 4 (Original Game Soundtrack)&#xA;💙 NANE - &amp;quot;bo@b3&amp;quot;&#xA;💜 NANE - Șmecherescu&#xA;💜 NANE &amp;amp; NOSFE - 10h&#xA;🤍 Nanku - Nanku Sharma&#xA;🤍 Nasty Nate - Nasty Beats, Vol. 1&#xA;💜 Nation &amp;amp; Ecco2K - Ça Va&#xA;💚 Native Tapes - Native Tapes, Vol. 1: Botanical&#xA;💜 NAV - NAV&#xA;💛 NAV - Perfect Timing&#xA;💜 Navie D - Post&#xA;🧡 Necrotum - Defleshed Exhumation&#xA;💜 nedaj - Alter Ego&#xA;💛 nedaj - BERSERK&#xA;💚 nedaj - Era9&#xA;💛 nedaj - Genesis&#xA;🤍 nedaj - NO MERCY&#xA;🤍 nedaj - NO MERCY II&#xA;💜 nedaj - NO MERCY III&#xA;💛 nedaj - STATE OF MIND&#xA;💜 nedaj - The Abyss&#xA;❤️ nedaj - THE PARADOX EP MIX&#xA;🤍 Nedelko - Rhéologie &#xA;💚 Νέγρος Του Μοριά Negros Tou Moria - MAVRI ELLADA&#xA;💛 Νέγρος Του Μοριά Negros Tou Moria - TO THRASITATO EP&#xA;💜 Negură Bunget - OM&#xA;💙 Nekfeu - Cyborg&#xA;💚 Nekfeu - Feu (Réédition) &#xA;❤️ Nekfeu - Les étoiles vagabondes : expansion&#xA;🤍 Nemzzz - NEMZZZ TYPE BEAT&#xA;🤍  Records - Sleep Vol. 2&#xA;💜  Records - Sleep Vol. 4&#xA;💛 Neovaii - Aurora&#xA;💜 Neovaii - Closure&#xA;💜 Neovaii - Dawn&#xA;💚 Neovaii - Dusk&#xA;💜 Neovaii - Horizon&#xA;💛 Neovaii - In Time&#xA;💚 Neovaii - Onward&#xA;💜 Neovaii - Twilight&#xA;💛 NeS - POUR DE VRAI&#xA;💜 NEVER GET USED TO PEOPLE - Ненавижу&#xA;🤍 nfract - Emo Girl&#xA;💜 nfract - Love In Fragments&#xA;💛 nfract - mass:/ps2/music/nightcore&#xA;❤️ Niccolò Paganini - 24 Caprices for Solo Violin&#xA;💛 Nightlosers - Rhythm &amp;amp; Bulz&#xA;🤎 Nihil - Declaration Of Anger&#xA;🤍 Nimeni altu' - Nopți prea lungi&#xA;💛 Niki Istrefi - EUROMANTIC001&#xA;💜 NMW Yanni - Junior&#xA;💜 No_4mat - 2016&#xA;🤍 No_4mat - Console Mentality&#xA;💜 No_4mat - City Boy&#xA;🤍 No_4mat - No Fear&#xA;🤍 NocturN - The Conjuring&#xA;💜 NoGht - A World Without Time (2020 Edition)&#xA;💛 nohidea - blank space&#xA;💜 nohidea - origami&#xA;💛 nohidea &amp;amp; Sleepdealer - Nowhere&#xA;💜 NØISE$ - Songs I've released&#xA;💜 Nonst0pp - PARADIS OU ENFER&#xA;💜 NOSFE - Brasil&#xA;💜 ＮＯＳＴＲＡＤＡＭＵＳ - Paradise Falls&#xA;💜 Nothing But Thieves - Broken Machine (Deluxe)&#xA;💜 notYero - Animal Crossing x Dancehall&#xA;🤍 notYero - Animal Crossing x Everyone Vol I&#xA;💜 notYero - Animal Crossing x Everyone Vol II&#xA;💜 notYero - Animal Crossing x Everyone Vol III&#xA;💜 notYero - Animal Crossing x Everyone Vol IV&#xA;💜 notYero - Animal Crossing x Everyone Vol V&#xA;🤍 notYero - Kaytraminé x Everyone&#xA;🤍 notYero - lil 3 piece&#xA;💜 notYero - Valentine's Pack&#xA;💜 notYero - Xmas Pack&#xA;💛 notYero - zouk x everyone&#xA;🤍 Nusky &amp;amp; Vaati - Bluh&#xA;💚 Nu Zau - Take Me In Space&#xA;🤍 nvrmore - Irregular Shapes&#xA;💜 NxxxxxS - Special Intervention&#xA;💜 Nyluu - uu&#xA;💜 Oatmello - Memory&#xA;💛 Oblique Occasions - 原点&#xA;💛 Oblique Occasions - 危険な心痛 LP&#xA;💙 Oblique Occasions - Anathema&#xA;💛 Oblique Occasions - Animus&#xA;💚 Oblique Occasions - don't look at me&#xA;💛 Oblique Occasions - parhelion lp&#xA;💜 Oblique Occasions - Perfect Storm&#xA;💛 Oblique Occasions - Punishment&#xA;💛 Oblique Occasions - Remnants&#xA;💛 Oblique Occasions - Sable Covenant&#xA;💛 Oblique Occasions - Silent Despair&#xA;💚 Oblique Occasions - Slaves to Status&#xA;💚 Oblique Occasions - Solipsism&#xA;💛  - Live at Fresh Produce&#xA;💜 OG Bev - Original Form&#xA;💜 OG Eastbull - Cel mai frumos show&#xA;🤍 Oliverishiding - How Could You Love Someone Like Me?&#xA;🤍 Ombladon - Condoleanțe&#xA;💛 Om la lună - În caz de om la lună, strigați &amp;quot;om la lună stânga/dreapta&amp;quot;, după caz (Deluxe Edition)&#xA;🤍 Omu Gnom - Cel mai sociabil antisocial din societate&#xA;💜 Omu Gnom - Muzică de pus pe gânduri&#xA;💜 Omul cu sobolani - Ne punem în cap&#xA;💜 ooxygen - Friends&#xA;💜 ooxygen - light&#xA;💙 opium - idiom / 2 am.&#xA;💛 optic core - save room&#xA;🤍 Ordinul Negru - Dodekatemoria&#xA;💛 Orelsan - Civilisation (Édition ultime)&#xA;💙 Orelsan - Le chant des sirènes&#xA;💚 Orelsan - La fête est finie&#xA;💜 Orelsan - La fête est finie - Épilogue&#xA;🤍 Orelsan - Perdu d'avance&#xA;💜 Oregz &amp;amp; Lil Sheitan - Blessures&#xA;💛 Oryse - Maximum Velocity&#xA;🤍 Oscar - Ștefan III&#xA;💜 Oscar - Ștefan IV: Ever&#xA;💛 oscarfrompanama - lonely heart&#xA;💜 OSHUN - ASASE YAA &#xA;🤍 Osirus Jack - Nibiru&#xA;💛 Ours Samplus - Bepolar&#xA;🧡 OverBurn - Night Of Horror&#xA;💛 Overpade - HYPNOTIK&#xA;🤍 Owl Vision - Downlord&#xA;🤍 Oxmo Puccino - LAFIYA SESSIONS&#xA;💜 Oxmo Puccino - L'Amour est mort&#xA;💚 Oxmo Puccino - La nuit du réveil&#xA;🤍 Oxmo Puccino - La Réconciliation&#xA;💚 Oxmo Puccino - L'arme de paix&#xA;💛 Oxmo Puccino - La Voix Lactée&#xA;💜 Oxmo Puccino - Le Cactus de Sibérie&#xA;🤍 Oxmo Puccino - L'enfant seul&#xA;🧡 Oxmo Puccino - Lipopette bar&#xA;💛 Oxmo Puccino - Opéra Puccino&#xA;💛 Oxmo Puccino - Roi sans carrosse&#xA;💛 Pallet Tunes - Pallet Tunes Volume 1&#xA;💚 Pallet Tunes - Pallet Tunes Volume 2&#xA;💛 Pallet Tunes - Pallet Tunes Volume 3&#xA;💚 Panchiko - D&amp;gt;E&amp;gt;A&amp;gt;T&amp;gt;H&amp;gt;M&amp;gt;E&amp;gt;T&amp;gt;A&amp;gt;L&#xA;💜 Panchiko - Failed At Math(s)&#xA;💛 Panchiko - Ferric Oxide&#xA;💛 Panchiko - Ginkgo&#xA;💜 pâenil era - Idle Cage&#xA;🤍 Pan Pan - Φαντασμαγορία Τρία&#xA;💛 Pantam Dance &amp;amp; Zeyla Tomlyn - Dreamer&#xA;🤍 Paraziții - Irefutabil&#xA;💛 Partizan - București&#xA;🧡 Partizan - Nori peste Sălăjan&#xA;💛 PARTYNEXTDOOR - PARTYNEXTDOOR 4&#xA;💛  - fullmetal&#xA;🧡 Pârnaie - Prima abatere&#xA;💛 Pasărea Colibri - Cântece de bivuac&#xA;🤍 Pasărea Colibri - În căutarea cuibului pierdut&#xA;💛 PĂSĂRILE NU EXISTĂ! - PSALMII&#xA;🤍 Pastel Ghost - Abyss&#xA;💜 Patron - Shotron&#xA;💜 Patsy Moore - Regarding The Human Condition&#xA;🤍 Paulie Leparik - Neon Daydream&#xA;💛 Paulina - Te iubesc, te urăsc&#xA;💜 Paulina - Voice Memos&#xA;💛 Paul Tihan - Din noile căderi am să adun tot zborul&#xA;🤍 Pazzo &amp;amp; DJ Nasa - Rădăcini Adânci III&#xA;💜 P Bitt - MUSIC TO CRASH YOUR WHIP TO&#xA;🧡 Pedro LaDroga - Hologram&#xA;💜 Pegboard Nerds - Nerds by Nature&#xA;🤍 Pegboard Nerds - Pink Cloud&#xA;💜 Pengus - Neon Drive Game Soundtrack&#xA;🤍 Pepe - Aruncă-mi o privire&#xA;💜 Pepe - Cine te iubește?...&#xA;💜 Pepe - Fericire și tristețe&#xA;💜 Pepe - Îmi place&#xA;💜 Pepe - Inimă nebună&#xA;💜 PΣRMANΣNT//ZΣIMP - 更好的一年&#xA;💜 PΣRMANΣNT//ZΣIMP - GIVE ME A RAZÓN&#xA;💚 PERMSKY KRAY - Дорогой человек&#xA;💜 Petre Inspirescu - Într-o seară organică...&#xA;🤍 P-Funk - Bonfire&#xA;💜 PHARAOH - Boulevard Depo&#xA;💜 Phasm &amp;amp; Absolem - Gucci Sushi&#xA;💛 Philanthrope - Cloudfiles&#xA;🖤 Philip Glass Ensemble - Einstein on the Beach &#xA;💛 Phloem. - Only Love EP&#xA;💜 Phoenix - Cantafabule&#xA;🤍 Phoenix - Mugur de fluier&#xA;💚 PIETONU' - Puls infinit&#xA;🤍 Pink Sweat$ - PINK PLANET&#xA;💚 P I Z Z A H O T L I N E - L E V E L S E L E C T // レベル選択&#xA;💜 Plagger - Wavy Scenes&#xA;🤍 Planeta Moldova - Planeta Moldova&#xA;🤍 PlanetGrim - PlanetGrim&#xA;💜 PLANT - BAU!&#xA;🤍 Playboi Carti - MUSIC&#xA;🤍 Playboi Carti - Whole Lotta Red &#xA;💜 plenka - Pt. One&#xA;💜 plusma - gamma ep&#xA;💛 plusma - seesaw ep&#xA;🤍 plusma - shape ep&#xA;💚 plusma - waver LP&#xA;💚 PNL - Dans la légende&#xA;💚 PNL - Deux frères&#xA;💛 PNL - Le Monde Chico&#xA;💜 PNL - Que la famille&#xA;💜 POiSON GiRL FRiEND - das Gift&#xA;💜 POiSON GiRL FRiEND - Love Me&#xA;💚 POiSON GiRL FRiEND - MELTING MOMENT&#xA;💜 POiSON GiRL FRiEND - POiSON GiRL FRiENDS&#xA;🤍 POiSON GiRL FRiEND - rondoElectro&#xA;💜 POiSON GiRL FRiEND - Shyness&#xA;💜 Pokelawls - WaterBreak&#xA;💚 Polyphia - Remember That You Will Die&#xA;💛 Pop Smoke - Meet The Woo&#xA;🤍 Post-Scriptum - O altă supradoză&#xA;💛 potsu - ivy league&#xA;💜 potsu - just friends&#xA;💛 Pouya - The South Got Something to Say&#xA;💜 Pouya - Underground Underdog&#xA;💙 PRIME - Caca Boud1&#xA;💜 PRIME - MONTADA&#xA;❤️ PRIME - RE.&#xA;💚 PRIME - U.S.S.O&#xA;💛 PRIME - Xander&#xA;🤍 Private Venganza - Private Venganza&#xA;💜 Progresiv TM - Puterea muzicii&#xA;🤍 Projections - Between Here And Now&#xA;💜 Pro Musica - Rockul baroc&#xA;💜 Psihotrop - PSIHOTROP E PESTE TOT&#xA;💜 Psycada - Hiking Lung&#xA;🧡 Psychiatry - Ready for War&#xA;🤍 Puf - ego, ist, ich.&#xA;💜 PURPLE POSSE - ISSUE 05 (Full Stream)&#xA;💜 PURPLE POSSE - ISSUE 06 (Full Stream)&#xA;🤍 Puya - Românisme, Pt. 2&#xA;💛 Пётр Ильи́ч Чайко́вский - Щелкунчик&#xA;🤍 Quadra - Fără filtru&#xA;💛 Quavo - Quavo Huncho &#xA;💜 Quicdraw - Brunch Beats&#xA;💜 КУОК - DECADANCE&#xA;💛 КУОК - Genesis&#xA;💛 КУОК - QTOPIA&#xA;💜 قريش Quraishi - Mountain Melodies&#xA;🤎 R.A.C.L.A. - Rime de bine&#xA;💛 Radiohead - Amnesiac&#xA;💚 Radiohead - A Moon Shaped Pool&#xA;💜 Radiohead - creep&#xA;💚 Radiohead - drill&#xA;🤍 Radiohead - Hail To the Thief&#xA;💛 Radiohead - In Rainbows&#xA;💚 Radiohead - Kid A&#xA;💚 Radiohead - OK Computer&#xA;💛 Radiohead - Pablo Honey&#xA;💛 Radiohead - The Bends&#xA;💛 Radiohead - The King Of Limbs&#xA;💛 raku - În mediu vitreg&#xA;🤍 Ralph Castelli - Lover Girl&#xA;💜 Ralph Castelli - Ralph Castelli&#xA;💛 Raluka - Amângoi&#xA;💙 Ramova - Trackmania (Original Game Soundtrack)&#xA;🤍 Rana - Noi doi (versus restul lumii)&#xA;🤍 Raphael - Acohen&#xA;💜 RARE AKUMA - AKUMA SEASON&#xA;🤎 Rashid - Saga O.G.&#xA;🧡 Raul Ws - ELWS&#xA;💛 RAVA - LUCIFER&#xA;🧡 RAYE - My 21st Centry Blues&#xA;💜 Razegod - Multilinear&#xA;💛 Rebecca Black - Let Her Burn&#xA;💛 Rebecca Black - Rebecca Black Was Here&#xA;💜 Rebecca Black - RE/BL&#xA;💜 Rebecca Black - SALVATION&#xA;💛 Recycled J - SAD SUMMER &#xA;💜 REI AMI - Foil&#xA;💛 Renaud - Renaud&#xA;💛 René Schier - Failed&#xA;💜 REPULSIVE - Eurydice&#xA;💛 REPULSIVE - homesick&#xA;💜 REPULSIVE - The Black Mirror&#xA;💛 REPULSIVE - what have you seen in my eyes&#xA;💚 REPULSIVE - Wings&#xA;🤍 Retro X - Le ciel&#xA;🤍 Retro X - SKL&#xA;💜 reverie - ˚₊‧꒰ა ☆ ໒꒱ ‧₊˚&#xA;💚 RINI - After the Sun&#xA;💚 RINI - Constellations&#xA;💜 RINI - Lucky 7&#xA;💛 RITCHRD - Tape Cinco&#xA;💛 ROA - System of Sound&#xA;🧡 ROBERTO - REAL&#xA;🧡 Robin and the Backstabbers - Bacovia Overdrive Vol. 1 Stalingrad&#xA;💚 rob smyles - babymakers EP&#xA;🤍 Rodion G.A. - The Lost Tapes&#xA;🧡 Roi Heenok - Gangster &amp;amp; Gentleman&#xA;💛 Roland Prince - Color Visions&#xA;💚 Romain Gauthier - Asphalt: Urban GT OST&#xA;💛 Ronare - Radiance&#xA;🤍 Rombreaker - sweet lies sour truths&#xA;🤍 Roseboy666 - Soleil Noir&#xA;💜 r o s e˙t i n t - faded colors&#xA;💛 Roșu și Negru - Roșu și Negru&#xA;💜 Rounhaa - Yeratik&#xA;🤍 Rowjay - Free Cdf2&#xA;💛 Roxen - Alternative Dreams&#xA;💜 Ruyned - Eternal Torment&#xA;🤍 RWMNCS - Raw&#xA;💎 Ryan Roth - The Beginner's Guide Soundtrack&#xA;💛 福居良 Ryo Fukui - シーナリィ Scenery&#xA;💛 SACROSANCT - Electrophonique&#xA;💜 SACROSANCT - 非物理的なコンテキスト&#xA;💛 Sadboy Sheldon - A†ROCI†Y EXHIBI†ION&#xA;💜 Sadboy Sheldon - Niggerz&#xA;🤍 Saddayah - LILA&#xA;💛 saddyowner - the minecraft soundtrack but it's midwest emo&#xA;🤍 Sadworldbeats - Sadworld Beat Tape #4&#xA;💛 saik - Breezin'&#xA;💜 Saint Levant - DEIRA&#xA;💛 Saint Levant - From Gaza, With Love&#xA;💛 Saint Levant - Love Letters / رسائل حب&#xA;💜 SALUKI - Властелин калек&#xA;💛 salvia palth - melanchole&#xA;💜 samashi - Oldschool Memories&#xA;🤍 Sam Gellaitry - IV&#xA;💜 Sami G - Hustler&#xA;💜 Sarah Kinsley - The King&#xA;💛 Sarmalele Reci - Țara te vrea prost&#xA;🤍 sashadidntwakeup - сам себе враг&#xA;🤍 Satoshi - +373&#xA;💜 Satoshi - Minim efort&#xA;🤍 Satoshi - RUSH&#xA;💜 Satoshi - SPORT&#xA;🤎 Satra B.E.N.Z. - O.$.O.D. 2&#xA;💚 Saturn Citizen - Saturn Tape, Vol. 1 &#xA;💚 savant shadow - 480i LP&#xA;💚 savant shadow - abandon all hope&#xA;💛 savant shadow - Camera Obscura&#xA;💛 sayk_ - 霊気&#xA;💜 S'bortè - Knowledge.Love.Awareness&#xA;🤍 Scarlet Aura - Rock-Stravaganza&#xA;💜 Scarlxrd - スカー藩主&#xA;💜 Scarlxrd - Acquired Taste: Vxl. 1&#xA;💜 Scarlxrd - Acquired Taste: Vxl. 2&#xA;💛 Scarlxrd - Annx Dxmini&#xA;💛 Scarlxrd - Cabin Fever&#xA;💚 Scarlxrd - chaxsthexry&#xA;🤍 Scarlxrd - DeadRising&#xA;💛 Scarlxrd - DXXM&#xA;💛 Scarlxrd - DXXM II&#xA;🤍 Scarlxrd - FANTASY VXID&#xA;💜 Scarlxrd - IMMXRTALISATIXN&#xA;💜 Scarlxrd - INFINITY&#xA;💜 Scarlxrd - Lxlwut?&#xA;🧡 Scarlxrd - Made In Hell&#xA;💚 Scarlxrd - Rxse&#xA;🤍 Scarlxrd - SCARHXURS&#xA;🤎 Scarlxrd - TRAPLXRD&#xA;💚 SCH - A7&#xA;💛 SCH - Anarchie&#xA;💛 SCH - Autobahn&#xA;💜 SCH - Deo Favente&#xA;💛 SCH - JVLIVS&#xA;💛 SCH - JVLIVS II&#xA;💚 SCH - JVLIVS Prequel : Giulio&#xA;💜 SCH - JVLIVS III : Ad Finem&#xA;💜 SCH - Rooftop&#xA;💜 schafter - FUTURA&#xA;💜 Schimbu' 3 - Cărțile pe față&#xA;🤍 Scott James - Un&#xA;💜 Scrim - lonely boy&#xA;💛 Scythe - Boiled Alive&#xA;💛 SDM - ALVALM&#xA;💜 SDST - Mecanismul de modificare al minții umane&#xA;💙 SEATBELTS シートベルツ - COWBOY BEBOP (Original Motion Picture Soundtrack)&#xA;💛 SEATBELTS シートベルツ - Cowboy Bebop (Original Soundtrack 3) Blue&#xA;💚 SEATBELTS シートベルツ - Cowboy Bebop Vitaminless&#xA;💜 SEB - Crash Test&#xA;💚 Seiryu - Blue Dragon&#xA;💚 Sega Digital Studio - Mario &amp;amp; Sonic at the Olympic Winter Games DS Soundtrack&#xA;💜 Sely - Connecté 2&#xA;🤍 Sen 09 - Feign&#xA;🧡 Serane - EL(L)E&#xA;🧡 Serane - Prise Musique&#xA;💛 Serotone - folie à deux&#xA;💙 Seth Gueko - Barlou&#xA;💚 Seth Gueko - Destroy&#xA;💛 Seth Gueko - La Chevalière&#xA;💛 Seth Gueko - Professeur Punchline&#xA;💛 Seth Gueko, Alkpote &amp;amp; Zekwe Ramos - Néochrome Hall Stars Game&#xA;💜 Sevdaliza - Ison&#xA;💚 Sewerslvt - Don't Be Afraid of Dying&#xA;❤️ Sewerslvt - Draining Love Story&#xA;❤️ Sewerslvt - Drowning in the Sewer&#xA;💚 Sewerslvt - if you're out there i miss you ｡ﾟ･ (﹥﹏﹤) ･ﾟ｡&#xA;💚 Sewerslvt - infatuation&#xA;💛 Sewerslvt - Interdimensional Snuff Films&#xA;💚 Sewerslvt - IRLY&#xA;💚 Sewerslvt - It Just Gets Worse&#xA;💛 Sewerslvt - Selected Sewer Works&#xA;💛 Sewerslvt - Sewer Idol Project&#xA;💙 Sewerslvt - Sewer//slvt&#xA;💛 Sewerslvt - Skitzofrenia Simulation&#xA;🧡 Sewerslvt - Starving Slvts Always Get Their Fix&#xA;💚 Sewerslvt - suffering from melancholia&#xA;💚 Sewerslvt - The World Is Fvcked&#xA;💛 Sewerslvt - Tortvred Lesbians Ripped Apart&#xA;💚 Sewerslvt - we had good times together, don't forget that&#xA;💜 Sewerslvt - Worthlessness Selected&#xA;💛 Sexion d'Assaut - L'Apogée&#xA;🤍 Sex Pula Pistol - Capodopere&#xA;💜 Sex Pula Pistol - NESTEMATE&#xA;💛 Sfinx - Zalmoxe&#xA;💜 Shakira - Laundry Service&#xA;🤍 Shakira - ¿Dónde están los ladrones?&#xA;🤍 Shakira - Pies descalzos&#xA;💚 Sheldon - Fétiche&#xA;💛 Sheldon - Fréquences Sombres&#xA;💜 Sheldon - Innsmouth&#xA;💛 Sheldon - Lune Noire&#xA;🤍 Sheldon - Mauvaise Humeur&#xA;💜 Sheldon - RPG&#xA;🧡 Sidewalks and Skeletons - White Light&#xA;💚 Shift - Fragil&#xA;💛 Shift - Minciuna&#xA;❤️ Shinobu Tanaka - Mario Kart DS Soundtrack&#xA;💛 Shota Kageyama, Go Ichinose, Hitomi Sato, Junichi Masuda &amp;amp; Minako Adachi - Pokémon Black and White Soundtrack&#xA;💛 Shrimpnose - Good Grief&#xA;🤍 Siculicidium - Az elidegenedés melankóliája&#xA;💜 Sienna Sleep - 20201022&#xA;💛 Sienna Sleep - 20220715&#xA;💛 Sienna Sleep - Tranquility Tape&#xA;💛 Silly Fools - Candyman&#xA;🧡 singeboy.Mp4 - A Couvert !!&#xA;💜 Sixto Rodriguez - Cold Fact&#xA;💜 Sixto Rodriguez - Coming From Reality&#xA;🧡 Ska-nk - Pe acorduri de vară&#xA;💜 $KEER&amp;amp;BOO$ &amp;amp; YUNG UMBRO - DE POLO OP MIJN BODY ZIT VOL MED BLOED VAN STERVELINGEN TERWIJL IK 8.6 DRINK, VOL. 2&#xA;🤍 Ski Mask The Slump God - 11th Dimension&#xA;💜 Ski Mask The Slump God - BEWARE THE BOOK OF ELI&#xA;🤍 Ski Mask The Slump God - Cruel World&#xA;💜 Ski Mask The Slump God - DROWN IN DESIGNER&#xA;💛 Ski Mask The Slump God - Sin City The Mixtape&#xA;🤍 Ski Mask The Slump God - SLAPS FOR MY DROP-TOP MINI-VAN&#xA;💚 Ski Mask The Slump God - STOKELEY&#xA;💛 Ski Mask The Slump God - YouWillRegret (Reloaded)&#xA;💚 Skrillex - Bangarang&#xA;💛 Skrillex - Leaving EP&#xA;💜 Skrillex - Make It Bun Dem After Hours&#xA;💛 Skrillex - More Monsters and Sprites&#xA;💜 Skrillex - My Name Is Skrillex&#xA;💛 Skrillex - Recess&#xA;💚 Skrillex - Scary Monsters and Nice Sprites&#xA;🧡 Skryptonite - Уроборос: Улица 36&#xA;💜 Sky.High - sleepy.&#xA;🤍 slowbowz - slwbwz&#xA;💛 slowerpace 音楽 - APLOMB 機転&#xA;💛 slowerpace 音楽 - Barbershop Simulator™&#xA;💛 slowerpace 音楽 - GUILT 罪​悪​感&#xA;💚 slowerpace 音楽 – SPACE COWBOYS&#xA;💚 slowerpace 音楽 - The Great Escape&#xA;💜 Smiley - În lipsa mea&#xA;💚 Smoke Trees - Into The Deep&#xA;🤍 snafu - ​⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻⿻&#xA;💛 snafu - allure of darkness&#xA;💜 snafu - songs about self hatred&#xA;💛 snorunt - glalie&#xA;💜 snorunt - no arnak, no noob&#xA;💜 ​snorunt &amp;amp; dj33needler - arva offmode&#xA;🤍 ​snorunt &amp;amp; Miaooss!! - adventure&#xA;💙 S O A R E R - 外的存在&#xA;🤍 Solomand &amp;amp; GRËJ - Jeune Basquiat&#xA;🤍 Solomon - Bando SZN&#xA;🧡 Solomon - Bando SZN Reloaded&#xA;🧡 Solomon - Valabil&#xA;💛 SONBEST - Lotus&#xA;💛 sophie meiers (as little bug) - ACCIDENTAL POETRY EP&#xA;💙 sophie meiers - Broken Clinic&#xA;💚 sophie meiers - Candle Glow&#xA;💚 sophie meiers - 𝐜𝐡𝐫𝐲𝐬𝐚𝐥𝐢𝐬&#xA;💛 sophie meiers - come ovr/skype calls&#xA;💜 sophie meiers - crawl__space&#xA;💛 sophie meiers - shine__space&#xA;💛 sophie meiers - spark__space&#xA;💚 sophie meiers - throwaway files&#xA;💛 sophie meiers - wingspan (Demos)&#xA;💚 sophie meiers - you and me again&#xA;💙 SOPHY 王嘉儀 - 留念 CONNECTIVE MEMORIES&#xA;💛 SOPHY 王嘉儀 - 水性揚花&#xA;💙 SOPHY 王嘉儀 - 殘 HARSH&#xA;💚 SOPHY 王嘉儀 - QUARTER&#xA;💛 SOPHY 王嘉儀 - Sophrology&#xA;💛 So sama - DRAMA&#xA;🤍 Sosi - This Is the Thing&#xA;💜 $OUDIERE - AFTERLIFE EP&#xA;💙 Spacetime Continuum - Sea Biscuit&#xA;🤍 Spacetime Continuum &amp;amp; Terence McKenna - Alien Dreamtime&#xA;💜 Specii - Ușile, Vol. 1&#xA;🧡 Spectral - Neural Correlates of Hate&#xA;🤍 Spike - Rămânem prieteni&#xA;🤍 spill tab - Bonnie&#xA;💜 spill tab - KLEPTO&#xA;💛 spill tab - Oatmilk&#xA;💛 spirited. - FREE SPIRITS Vol.4&#xA;💛 SPURME - Anguished Love&#xA;💛 SPURME - Breaking Painful Peace&#xA;💜 SPURME - Cyberiacore&#xA;💜 SPURME - Fade&#xA;💜 SPURME - Neliulotteisuus&#xA;💜 SPURME - Void before Mogius (2020-2021)&#xA;💛 Squall p - STR&#xA;💜 Squeezie - Oxyz&#xA;💜 SSOLOGOD - DOCTEUR FOULAMOUR&#xA;💜 SSOLOGOD - FREE FOULAMOUR&#xA;💜 $T - $T/hard&#xA;💚 Steel Monkeys - Master Rallye Soundtrack&#xA;💜 Steezyasfuck - #1995&#xA;💛 Ștefan Costea &amp;amp; Pitariu - LAST CALL&#xA;🤍 Stensy - Rotations&#xA;🤍 St. Jimmy - Boulevard des Rêves Brisés&#xA;💜 St. Jimmy - MW2&#xA;🤍 Stolearenco - HUMBLE &amp;amp; GIFTED&#xA;🧡 Stres - Ploaia cuvântul&#xA;💛 strxberrymilk - Music for Awkward Dates&#xA;💛 strxberrymilk &amp;amp; Andy pls - Andymilk&#xA;💛 Stromae - Multitude&#xA;💙 Stromae - racine carrée&#xA;💚 Subcarpaţi - Zori și Asfințit&#xA;💛 $uicideboy$ - 7th or St. Tammany&#xA;💚 $uicideboy$ - Dark Side of the Clouds&#xA;💚 $uicideboy$ - Eternal Grey&#xA;💛 $uicideboy$ - Gray/Grey&#xA;💛 $uicideboy$ - Grey Sheep&#xA;💚 $uicideboy$ - Grey Sheep II&#xA;❤️ $uicideboy$ - High Tide in the Snake's Nest&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (II)&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (III)&#xA;💛 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (IV)&#xA;💙 $uicideboy$ - I No Longer Fear the Razor Guarding My Heel (V)&#xA;❤️ $uicideboy$ - I Want to Die in New Orleans&#xA;💚 $uicideboy$ - KILL YOUR$ELF $agas: I - V&#xA;💛 $uicideboy$ - KILL YOUR$ELF $agas: VI - X&#xA;💚 $uicideboy$ - KILL YOUR$ELF Sagas: XI - XV&#xA;💚 $uicideboy$ - KILL YOUR$ELF Sagas: XVI - XX&#xA;💎 $uicideboy$ - Long Term Effects of SUFFERING&#xA;💚 $uicideboy$ - My Liver Will Handle What My Heart Can't&#xA;💛 $uicideboy$ - New World Depression&#xA;💚 $uicideboy$ - Now the Moon's Rising&#xA;💛 $uicideboy$ - Radical $uicide&#xA;❤️ $uicideboy$ - Sing Me a Lullaby, My Sweet Temptation&#xA;💚 $uicideboy$ - Stop Staring at the Shadows&#xA;💜 $uicideboy$ - YING YANG TAPES: Fall Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Spring Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Summer Season (1989-1990)&#xA;💜 $uicideboy$ - YING YANG TAPES: Winter Season (1989-1990)&#xA;💙 $uicideboy$ - YUNGDEATHLILLIFE&#xA;💛 $uicideboy$ &amp;amp; Black Smurf - Black $uicide&#xA;🤍 $uicideboy$ &amp;amp; Black Smurf - Black $uicide Side B: $uicide Hustle&#xA;💜 $uicideboy$ &amp;amp; Black Smurf - Black $uicide Side C: The Seventh Seal&#xA;🧡 $uicideboy$ &amp;amp; Germ - DIRTIESTNASTIEST$UICIDE&#xA;🧡 $uicideboy$ &amp;amp; Shakewell - SHAMELESS $UICIDE&#xA;🤍 $uicidjego$ - Din adâncurile sudului Jegos&#xA;💛 $uicidjego$ &amp;amp; Sudokku - Clanul Mistic&#xA;💛 Șuie Paparude - urban&#xA;💜 sundiver ca - Superstar Baby&#xA;💜 Supper Moment - 等等&#xA;💜 Supper Moment - 旅程&#xA;💜 Sur Austru - Datura străhiarelor&#xA;💜 surrenderdorothy - BreathingExercise&#xA;💜 surrenderdorothy - ItsTheLeastWeCanDo&#xA;💛 surrenderdorothy - ItsTheThoughtThatCounts&#xA;💜 surrenderdorothy - JustWhatTheDoctorOrdered&#xA;💜 surrenderdorothy - NobodyWantsMe&#xA;💜 surrenderdorothy - NoPlaceLikeHome&#xA;💜 surrenderdorothy - thishouseisnotahome&#xA;💛 surrenderdorothy - WeNeverAskedForThis&#xA;💚 Survolaj - Survolaj&#xA;🤍 Suzuya - Condamné&#xA;🤎 Suzuya - L'amour c'est la guerre&#xA;💛 Suzuya - Là où les cœurs se pendent&#xA;💛 Swayed Ways - One Time&#xA;💙 Swono - B-EE 008&#xA;💙 Swono - lille&#xA;💛 Swono - Ｓｐｉｒａｌｓ&#xA;💜 SwuM &amp;amp; bbno$ - Babydrip&#xA;💜 Sybyr - DEATHHEAD&#xA;💜 Sybyr - NETGEER&#xA;💜 Sybyr - RINJAGO&#xA;🤍 Sybyr - Sybyr's Single Compilation&#xA;🤍 Syfo Dias - In Tension&#xA;🤍 Symphress - Pseudo&#xA;💛 Systematic Failure - Black &amp;amp; White&#xA;💛 大貫妙子 Taeko Ōnuki - MIGNONNE ミニヨン&#xA;🤍 Taiga Dream - Orion Grove&#xA;🤍 Taine - Cealaltă parte&#xA;🤍 Taking Back August - CHRYSALIS&#xA;💜 Tantely Zafimehy - La petite mort, saison 3&#xA;💜 小久保隆 Takashi Kokubo - Oasis Of The Wind II&#xA;💚 間宮貴子 Takako Mamiya - Love Trip&#xA;💜 TAKALAY - Dissociate&#xA;🧡 Take No More - A DESPERATION FOR HUMANITY&#xA;🤍 Takky - The Perfect Chaos&#xA;💙 Takuto Kitsuta &amp;amp; Kinta Sato - Pokémon Ranger Soundtrack&#xA;💛 Tama Gucci - Out Of Order&#xA;💚 Tame Impala - Currents&#xA;🤍 Tame Impala - InnerSpeaker&#xA;💜 Tame Impala - Lonerism&#xA;🤍 Tame Impala - Tame Impala&#xA;💛 Tame Impala - The Slow Rush&#xA;💛 Tania Turtureanu - Iubește-mă&#xA;💚 Taraf de Haïdouks - Honourable Brigands, Magic Horses &amp;amp; Evil Eye&#xA;🤎 Taxawal! - Beach Story / Spider&#xA;💜 Taxi - Americanofonia&#xA;💛 Taxi - C&#xA;💛 Tedax Max - Hardeur contemporain&#xA;🤍 Teebs - Ardour&#xA;🧡 Television Freak - It's All A Dream&#xA;💛 Tengo John - Hyakutake&#xA;💜 Tengo John - Métamorphoz&#xA;💜 Tengo John - Monstrueux&#xA;💙 Tengo John - Multicolore Mixtape&#xA;💚 Tengo John - N+UV&#xA;💜 Tengo John - Près qu'elle&#xA;🤍 Tengo John - Temporada&#xA;💛 Tengo John - Tortue de Jade&#xA;💛 Tengo John - Zengo Mixtape vol. 1&#xA;💜 thaHomey &amp;amp; Dirtyiceboyz - TRILLISTIK&#xA;💜 Thaiboi Digital, Bladee &amp;amp; Ecco2k - Trash Island&#xA;💜 Thaiboi Digital - S.O.S&#xA;💛 The 1975 - Being Funny In A Foreign Language&#xA;💜 THÉA - Dopamine&#xA;💜 THÉA - PANAME ŒSTROS POUBELLE&#xA;🤍 THÉA - R EP&#xA;💛 THE ANXIETY - THE ANXIETY&#xA;💙 The Caretaker - Everywhere at the end of time - Stage 1&#xA;💚 The Caretaker - Everywhere at the end of time - Stage 2&#xA;💙 The Caretaker - Everywhere at the end of time - Stage 3&#xA;💚 The Caretaker - Everywhere at the end of time - Stage 4&#xA;💛 The Caretaker - Everywhere at the end of time - Stage 5&#xA;💚 The Caretaker - Everywhere at the end of time - Stage 6&#xA;🤍 The Cure - 4:13 Dream&#xA;💜 The Cure - Bloodflowers&#xA;💚 The Cure - Disintegration&#xA;💜 The Cure - Faith&#xA;💛 The Cure - Kiss Me, Kiss Me, Kiss Me&#xA;💜 The Cure - Pornography&#xA;💜 The Cure - Seventeen Seconds&#xA;💜 The Cure - Songs Of A Lost World&#xA;🤍 The Cure - The Cure&#xA;💛 The Cure - The Head On The Door&#xA;🤍 The Cure - The Top&#xA;🤍 The Cure - Three Imaginary Boys&#xA;💜 The Cure - Wild Mood Swings&#xA;💛 The Cure - Wish&#xA;💛 The Dead Texan - The Dead Texan&#xA;💛 The Den - xfruge &amp;amp; friends Vol. 3&#xA;🤎 The Gerogerigegege - 燃​え​な​い​腹&#xA;💜 The Groovy Bastards - Charades&#xA;🤍 TheHashClique - Is This Thehashclique&#xA;💜 The Kid LAROI - F*CK LOVE 3+: OVER YOU&#xA;💜 The Kryptonite Sparks - Doi // A două undă de bruiaj&#xA;💛 The Kryptonite Sparks - ERAI (Eterna reîntoarcere a identicului)&#xA;💜 The Kryptonite Sparks - The Kryptonite Sparks&#xA;💛 The Marías - Cinema&#xA;💚 The Marías - Submarine&#xA;💜 The Marías - Superclean, Vol. I&#xA;💚 The Marías - Superclean, Vol. II&#xA;💛 The Miserable Genius - BENDICIÓNES&#xA;🤍 The Miserable Genius - COULDN'T SLEEP&#xA;💚 The Miserable Genius - Melanincholy&#xA;💛 The Miserable Genius - UGLY AS SIN&#xA;🤍 The MOOoD - OOo&#xA;💜 The Motans - My Rhythm &amp;amp; Soul&#xA;🤎 The Nextmen - This Was Supposed to Be the Future&#xA;💜 TheoBabac - Album&#xA;💜 The Smiths - Meat Is Murder&#xA;💜 The Smiths - The Smiths&#xA;❤️ The Weeknd - After Hours&#xA;💙 The Weeknd - Beauty Behind The Madness&#xA;💚 The Weeknd - Dawn FM&#xA;💜 The Weeknd - Echoes Of Silence&#xA;💎 The Weeknd - House Of Balloons&#xA;❤️ The Weeknd - Hurry Up Tomorrow&#xA;💙 The Weeknd - Kiss Land&#xA;💎 The Weeknd - My Dear Melancholy,&#xA;💚 The Weeknd - Starboy&#xA;💛 The Weeknd - Thursday&#xA;💜 THE WORLD WE LIVE IN 星 - 今​の​と​こ​ろ​一​人​で&#xA;💛 THE WORLD WE LIVE IN 星 - 壊​れ​た​魂&#xA;💛 THE WORLD WE LIVE IN 星 - 恥と許し&#xA;💜 THE WORLD WE LIVE IN 星 - Lost Soul&#xA;💜 Thiago - burnt lotus&#xA;💚 Thibault Cauvin &amp;amp; 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desert sand feels warm at night - 『l​』​『​o​』​『​n​』​『​e​』​『​l​』​『​y』&#xA;💚 vbnd - things change&#xA;💛 vbnd - we go on infinitely&#xA;💜 Vegyn - All Bad Things Have Ended - Your Lunch Included&#xA;💜 VELIAL SQUAD - Pulsar&#xA;💜 Velvet Lune - The Abyss&#xA;💛 Venlo - Sang froid&#xA;💚 Veorra - Emerald&#xA;💛 Veorra - Gold&#xA;💙 Veorra - Sapphire&#xA;💙 Veorra - Ruby&#xA;🤍 Versailles - ＪＵＢＩＬＥＥ&#xA;🤍 Verty - V&#xA;💛 verzache - D97&#xA;💜 Vestige Vapor - REFLECTION&#xA;💛 Veust - PLAZA HOTEL&#xA;💜 vevqman - Vocea Sufletului, Pt. 2&#xA;💛 VHS LOGOS - Street Smarts&#xA;💜 Victoria Molina &amp;amp; MSyn present : XXXTENTACION, A Tribute&#xA;💛 Virtual Riot - Machinery EP&#xA;💛 Virtual Riot - There Goes Your Money&#xA;💛 Virtual Riot - Throw Back EP&#xA;🤍 Витас - Бит Бомбит&#xA;💛 Витас - Возвращение домой Часть 1&#xA;💛 Витас - Возвращение домой Часть 2: Криком журавлиным&#xA;💜 Витас - Выбирай любовь&#xA;💚 Витас - Мама&#xA;💜 Витас - Мама и сын&#xA;💚 Витас - Песни Моей Мамы&#xA;💛 Витас - Поцелуй длиною в вечность&#xA;💛 Витас - Скажи, что ты любишь&#xA;💛 Витас - Только ты - История моей любви Часть 1&#xA;💚 Витас - Улыбнись&#xA;❤️ Витас - Философия Чуда&#xA;💚 Витас - Хиты ХХ века&#xA;💚 Витас - Шедевры трех веков&#xA;💜 Витас - Я подарю мир - История моей любви Часть 2&#xA;💜 Витас - Made In China&#xA;💛 Витас - Shanghai : Fairy Tale&#xA;💛 Витас - Shanghai : Бессонная ночь&#xA;🤍 Vița de Vie  - Fenomental&#xA;💜 Vița de Vie - Lacrimă și fier&#xA;💛 Vlad Dobrescu - Fiare noi&#xA;💜 Vlad Dobrescu - În sfârșit&#xA;🤍 Voltaj - Povestea oricui&#xA;💜 vowl. &amp;amp; prxz - stitches to your scars&#xA;💜 VUNK - De luni până duminică&#xA;💚 WackGenius - WACKGENIUS 2&#xA;💜 Wallace Cleaver - Cauchemar (Deluxe)&#xA;🧡 Warhymn - Occult&#xA;💜 waterwarm &amp;amp; beatboxbandit - LAdays&#xA;💜 WeAreMachines - Lost.&#xA;💚 Webinar™ - w w w . d e e p d i v e . c o m&#xA;💜 Weiland - Vices &#xA;💜 weird inside - Point in Time&#xA;💛 Wild Bloom Collective - BLOOMIN&#xA;💜 william crooks - if i don't live forever&#xA;🤍 WILLOW - 3&#xA;💜 WILLOW - ARDIPITHECUS&#xA;💜 WILLOW - lately I feel EVERYTHING&#xA;💛 WILLOW - The 1st&#xA;💜 WILLOW - WILLOW&#xA;💚 WILLOW &amp;amp; Jahnavi Harrison - R I S E&#xA;🤍 Wit. - NĒO&#xA;💛 Wizard of Loneliness - Collecting Dust&#xA;💚 Wizard of Loneliness - Get Fired&#xA;🤍 Woesum - Blue Summer&#xA;💛 Wokuplikethiss - Wokup&amp;amp;Friends&#xA;💛 women's walking - ユデ��ト ep&#xA;💚 wosX - End of World Rave&#xA;🤍 XENO &amp;amp; Backflip - SelfMade&#xA;💛 xi - Parousia&#xA;💜 xJK. - certified chatzy classics&#xA;❤�� xJK. - danceyourheartout&#xA;💛 xJK. - found footage&#xA;❤️ xJK. - highway hypnosis&#xA;💜 xJK. - It's Nothing Personal&#xA;💛 xJK. - It's Nothing Personal, Pt. 2&#xA;💙 xJK. - lofi.house&#xA;💛 xJK. - lofi.house_ep002&#xA;💚 xJK. - lofi​.​house_ep003&#xA;❤️ xJK. - lofi.hiphop classics&#xA;💛 xJK. - midnightonmars&#xA;💛 xJK. - midnightonmars Pt. 2&#xA;💛 xJK. - midnightonmars Pt. 3&#xA;💛 xJK. - Paralysis From Reality&#xA;💚 xJK. - see you space cowboy&#xA;💛 xJK. - simulated being&#xA;💚 xJK. - six figures&#xA;💜 xJK. - spacewalk&#xA;💜 xJK. - States of Mind&#xA;💛 xJK. - Summer Swing&#xA;💚 xJK. - the real folk blues&#xA;💛 xJK. - Thrive&#xA;💙 xJK. - Throwbacks&#xA;💜 xJK. - tin foil hats&#xA;💛 xJK. - VHS Tape Pt. 2&#xA;💜 Xopowo - Ненавижу&#xA;💛 Xxtarlit⚸ - 8 Tracks for Hormones&#xA;💜 Xxtarlit⚸ - ARCXNA INFXRNUM #HEXXEDURBITCH&#xA;💛 Xxtarlit⚸ - A Thousand Things I Could Tell You&#xA;💜 Xxtarlit⚸ - Bad Goth Bitch Music To Cut And Worship Lucifer To&#xA;💛 Xxtarlit⚸ - Dysphorics&#xA;💜 Xxtarlit⚸ - Estrodial Valerate&#xA;💚 Xxtarlit⚸ - FATALIST&#xA;💜 Xxtarlit⚸ - FRENZY&#xA;💜 Xxtarlit⚸ - IntraExtravenous Drip&#xA;💛 Xxtarlit⚸ - Millenium&#xA;💛 Xxtarlit⚸ - Rave Intentions&#xA;💛 Xxtarlit⚸ - sabbath of silence&#xA;💛 Xxtarlit⚸ - Starlight Moon&#xA;💛 Xxtarlit⚸ - Still Here&#xA;💜 Xxtarlit⚸ - Syvegy&#xA;💚 Xxtarlit⚸ - Valentine Reel&#xA;💎 XXXTENTACION - ?&#xA;❤️ XXXTENTACION - 17&#xA;❤️ XXXTENTACION - A GHETTO CHRISTMAS CAROL!&#xA;🧡 XXXTENTACION - Bad Vibes Forever&#xA;💙 XXXTENTACION - Heartbreak Hotel&#xA;💚 XXXTENTACION - Ice Hotel&#xA;💙 XXXTENTACION - ItWasntEnough&#xA;🖤 XXXTENTACION - NFT Collection&#xA;💚 XXXTENTACION - ♡ ʳ ᵃ ʳ ᵉ ♡&#xA;💙 XXXTENTACION - Revenge&#xA;💙 XXXTENTACION - SKINS&#xA;💙 XXXTENTACION - The Fall&#xA;💚 XXXTENTACION - UGLY&#xA;💙 XXXTENTACION - Willy Wonka Was a Child Murderer&#xA;💙 XXXTENTACION - XXX&#xA;💚 XXXTENTACION - XXX (UNMASTERED)&#xA;💚 XXXTENTACION - XXXTENTACION Presents: Members Only, Vol. 3&#xA;💛 XXXTENTACION - XXXTENTACION Presents: Members Only, Vol. 4&#xA;💚 Yakki - PARANOIA, VOL. 1&#xA;🤍 Yameii Online - CANDY+&#xA;💜 Yameii Online - Cyberspace&#xA;💜 Yameii Online - Friday Night Basement, Vol. 1&#xA;💚 Yasunori Mitsuda - Chrono Trigger Original Soundtrack&#xA;💛 YAYAYI - 999%&#xA;🤍 YAYAYI - YAYAYI&#xA;💛 yeule - Glitch Princess&#xA;💚 yeule - Pathos&#xA;💛 yeule - Serotonin II&#xA;💛 YG Hypnos - Analog Noise&#xA;🤍 YĪN YĪN - The Rabbit That Hunts Tigers&#xA;💛 Yot Club - Bipolar&#xA;🤍 Young Mountain - Infraröd&#xA;💚 あなたの夢の神 Your Dream God &amp;amp; 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<INFO BITRATE="1075000" KEY_LYRICS="643 ContributorsProducer Tags Directory LyricsProducers are listed in alphabetical order with their respective tags underneath in alphabetical order. This list only focuses on producers and their tags, do not include any tags or shoutouts used by artists… Read More The new version of the &amp;quot;Producer Tags Directory&amp;quot; can be seen here. Please refer to the new version when adding entries and creating annotations.Do not contribute to this list anymore.Please DO NOT include any producer without providing an example of a song their tag appears in!NavigationAAarne&#xA;Damn, Aarne goin' crazy on these motherfuckers&#xA;Aarne&#xA;&#xA;Abys One&#xA;Abys One&#xA;&#xA;Ace Bankz&#xA;Ace Bankz on the track&#xA;&#xA;AceLex On Da Track&#xA;AceLex got a full one&#xA;&#xA;AceTheFace&#xA;AceTheFace&#xA;&#xA;AcesToAces&#xA;AcesToAces&#xA;&#xA;Adio&#xA;Adio&#xA;&#xA;Aerostylin&#xA;Aeros&#xA;&#xA;AGODD&#xA;Ooh, AGODD on the track&#xA;Aha Gazelle&#xA;It's Aha&#xA;&#xA;AIRAVATA&#xA;AIRAVATA&#xA;&#xA;AJ Got Ice&#xA;AJ you iced up&#xA;&#xA;AJ Tracey&#xA;Don't take this personally but&#xA;Don't take this personally but I never want to see you again&#xA;&#xA;Akachi&#xA;Akachi Beats&#xA;'Kachi beats&#xA;Akachi, he on the beat, it's a murder&#xA;Akachi on the beat, lil' bitch&#xA;Akachi in this motherfucker&#xA;&#xA;AKATrae&#xA;AKATrae&#xA;&#xA;AKDO&#xA;AKDO!&#xA;akira3k&#xA;akira, I miss you&#xA;&#xA;Al Chapo&#xA;Chapo&#xA;&#xA;The Alchemist&#xA;A-A-A-A-A-A-A-Alchemist!&#xA;A-A-A-Al-Al-Al-Al-Alchemist&#xA;&#xA;Al Geno&#xA;Al Geno on the track&#xA;&#xA;A Lau&#xA;A Lau on the beat&#xA;&#xA;Alecto&#xA;Alecto&#xA;&#xA;Alfie Snapped&#xA;Damn, Alfie&#xA;&#xA;All Star&#xA;All Star&#xA;&#xA;All White&#xA;All White steady whippin' it&#xA;Let's go, oh yeah, All White&#xA;Oh yeah, All White&#xA;Almighty Nate&#xA;Almighty Nate&#xA;&#xA;Almighty Quise&#xA;Almighty&#xA;&#xA;Alt Kontrol&#xA;Alt Kontrol On The Beat&#xA;&#xA;alza!&#xA;Fuck you, Alza!&#xA;&#xA;Amberlicious&#xA;Amberlicious&#xA;Amber&#xA;&#xA;AndrewExtendo&#xA;AndrewExtendo&#xA;Man, fuck Andrew&#xA;&#xA;Andry The Hitmaker&#xA;The Hitmaker, Oh Andry&#xA;Oh Andry&#xA;Fidati di Andry, è super serio&#xA;&#xA;angelus&#xA;I miss you Angel&#xA;Angel&#xA;&#xA;Anonymass&#xA;Anonymass&#xA;&#xA;Ant Chamberlain&#xA;Ant Chamberlain that's a hundred points&#xA;&#xA;Apex Martin&#xA;What we doin', Apex?&#xA;&#xA;APmg&#xA;AP always flexin'!&#xA;&#xA;A P O L L O&#xA;Kill A P O L L O with the blick&#xA;Young A P O L L O with the wave&#xA;Beat by A P O L L O&#xA;That A P O L L O kid is so wave&#xA;&#xA;ApolloJetson&#xA;Who made the beat? Apollo ho&#xA;&#xA;AraabMUZIK&#xA;You are now listening to AraabMUZIK&#xA;&#xA;Arda Gezer&#xA;Gezer on the beat&#xA;Benim adım Arda, bur'da tanırlar da&#xA;&#xA;Argo Da Hitmaker&#xA;C'est mon papa à la prod'&#xA;&#xA;AriaTheProducer&#xA;Aria made this&#xA;&#xA;Artz&#xA;Artz, what's popping my G?&#xA;&#xA;A$AP Ty Beats&#xA;Smoke, Ty Beats&#xA;&#xA;Astroboy&#xA;A-A-Astro got it runnin'&#xA;Astro on the beat&#xA;&#xA;ATL Jacob&#xA;ATL Jacob&#xA;ATL Jacob, ATL Jacob&#xA;Baby J&#xA;&#xA;Atutowy&#xA;Atut to zagra, nie wycina sampla&#xA;&#xA;Audio Jacc&#xA;That shit gon' be crazy, Jacc&#xA;&#xA;AustinOnThaTrack&#xA;Lil Austin On The Track&#xA;Austin On The Track&#xA;&#xA;Avery On the Beat&#xA;Oh my God, is that Avery?&#xA;&#xA;AVGOTDRIP&#xA;AV with that drip, ho&#xA;&#xA;Aviator Keyz&#xA;Aviator&#xA;&#xA;AXL Beats&#xA;AXL&#xA;AXL (AXL), AXL (AXL), AXL (AXL)&#xA;&#xA;Aybee&#xA;Sting like Aybee&#xA;&#xA;Ayo &amp;amp; Keyz&#xA;Hol' up&#xA;&#xA;Ayo Lucky&#xA;Ayo Lucky!&#xA;&#xA;AyoSam&#xA;AyoSam&#xA;&#xA;Ayoza&#xA;Ayoza, you wrong for this shit&#xA;&#xA;Azide&#xA;Azide on the beat&#xA;Azide on the beat is the definition of the darker me&#xA;&#xA;AzizTheShake&#xA;AzizBB2&#xA;B2 too official&#xA;&#xA;Backpack&#xA;What's in that bag boy?&#xA;&#xA;Baik&#xA;Baik, roll that gas up&#xA;&#xA;Bakkwoods&#xA;Ayy, Woods, light that shit up&#xA;&#xA;BandPlay&#xA;BandPlay&#xA;Let the band play&#xA;&#xA;Bangkok Rules&#xA;Bangkok Rules&#xA;&#xA;Bangladesh&#xA;Bangladesh&#xA;&#xA;Bankroll Got It&#xA;B-B-Bankroll Got It&#xA;&#xA;Banrisk&#xA;Secure the bag, know what I mean? Banrisk on the beat&#xA;&#xA;Bans&#xA;Ayy yo, Bans, what you cookin'?&#xA;&#xA;Barlas Köroğlu&#xA;Barlas on the beat, bitch!&#xA;Ba-Ba-Ba-Barlas on—&#xA;&#xA;BassKids&#xA;BassKids on the beat&#xA;&#xA;Bass Santana&#xA;To Bass be the glory&#xA;&#xA;Based1&#xA;Based1 got them bands, ho&#xA;&#xA;Basobeats&#xA;Cut that shit up, Baso&#xA;&#xA;Bdope&#xA;Bdope, chiama due bitches&#xA;&#xA;Beak On The Night&#xA;Credo solo in Beak perché ha stessa luce&#xA;&#xA;Beat Billionaire&#xA;Beat Billionaire&#xA;&#xA;Beat Boy&#xA;Beat Boy taught me&#xA;&#xA;Beat By Jeff&#xA;Ayy, let me hear that ho, Jeff&#xA;&#xA;BeatGodStacy (aka Stacy P 808)&#xA;Ooh, Stacy P, kill 'em&#xA;&#xA;BeatPluggz&#xA;Plugg&#xA;BeatPluggz&#xA;&#xA;BeatPusher&#xA;This is a BeatPusher production&#xA;&#xA;BeatsByTaz&#xA;You aren't even a cool breeze for my man Taz&#xA;&#xA;Benjamin Lasnier&#xA;Ayy, Benjamin he got Benjamins&#xA;Benjamin Lasnier&#xA;&#xA;BenjiCold&#xA;BenjiCold, why you icey?&#xA;&#xA;BelinCookdThis&#xA;Belin be chasin' them bands, boy&#xA;&#xA;Berk Erdemanar&#xA;Itadakimasu&#xA;&#xA;Berki&#xA;Oh yeah, Berki, this the one right here&#xA;&#xA;Berkay Duman&#xA;Duman on the track!&#xA;You want smoke?&#xA;&#xA;Beyondrich YT&#xA;YT, play that shit&#xA;&#xA;BGudini&#xA;BGudini, spell that shit&#xA;&#xA;Bhristo&#xA;Bhristo, talk to 'em slime&#xA;Shoutout Bhristo, nigga&#xA;&#xA;BHUNNA&#xA;PHLEXN&#xA;&#xA;Bighead&#xA;Ooh, Bi-Bighead on the beat&#xA;&#xA;Big Joe&#xA;Joe Joe Beat&#xA;&#xA;Bijan Amir&#xA;Bijan 4 the 1 time&#xA;Bijan 'bout to let that bitch go&#xA;&#xA;Billboard Hitmakers&#xA;Billboard Hitmakers&#xA;&#xA;Bill Did The Beat&#xA;Bill, this is important&#xA;&#xA;BirdOnTheBeat&#xA;BirdOnTheBeat&#xA;&#xA;BJ Beatz&#xA;Goddamn, BJ with another one&#xA;&#xA;BKay&#xA;Rahhh it’s BKay unah&#xA;&#xA;Blackice&#xA;What is black ice?&#xA;&#xA;BLACKLUNGED ⛧&#xA;BLACKLUNGED&#xA;&#xA;BlackMayo&#xA;B-B-BlackMayo&#xA;Is-is-is mayonaisse an instrument?&#xA;&#xA;Black Metaphor&#xA;Black Metaphor&#xA;&#xA;Blady Yucca&#xA;Ja pierdolę, Yucca-a-a-a&#xA;&#xA;Blizzed Out&#xA;B-B-B-Blizzed Out&#xA;&#xA;Bloom&#xA;Bloom&#xA;&#xA;Bloublood&#xA;Yeah, I'm bangin' red, but my beat came from Bloublood&#xA;&#xA;blushxoxo&#xA;Does it really matter?&#xA;7serene&#xA;&#xA;BlvckAmethyst&#xA;BlvckAmethyst&#xA;&#xA;blvnkface&#xA;What? It's blvnk&#xA;&#xA;BL$$D&#xA;BL$$D&#xA;Young BL$$D, boy, you saucin'&#xA;&#xA;BNYX&#xA;BNYX&#xA;Damn, where'd you find this?&#xA;Damn son, where'd you find this?&#xA;&#xA;Bobby Johnson Beats&#xA;You are now listening to a Bobby Johnson beat&#xA;&#xA;Bobby Kritical&#xA;Bobby Kritical&#xA;Bobby, that shit hard&#xA;Perfexion&#xA;&#xA;bodyGaard&#xA;With all your heart protect me, bodyGaard&#xA;POOR CONNECTION&#xA;Welcome to SufferCenter&#xA;&#xA;Bongo the Drum GAHD&#xA;Bongo by the way!&#xA;&#xA;Booe&#xA;And I believe it is pronounced Booe, hahaha&#xA;&#xA;Bordeaux&#xA;Bordeaux and Non Native&#xA;&#xA;Boyfifty&#xA;B-B-B-Boyfifty&#xA;&#xA;BOYTOY&#xA;I'm BOYTOY that's my chance, oh&#xA;&#xA;BoredTammy&#xA;I'm bored as fuck man&#xA;&#xA;Brandon Finessin&#xA;Ayy, Brandon, man, why you—&#xA;Ayy, Brandon, man, why you do that?&#xA;&#xA;Bravestarr&#xA;Bravestarr&#xA;&#xA;branwen&#xA;branwen&#xA;&#xA;Bred&#xA;I don't give a fuck, bruh, I'ma always be me&#xA;&#xA;BrentRambo&#xA;BrentRambo&#xA;Rambo way&#xA;&#xA;Brevis&#xA;I just sound so mad and I don't know why&#xA;&#xA;Brian Spencer&#xA;Brian Spencer&#xA;&#xA;Bruce24k&#xA;Pull some of that bass out, Bruce&#xA;&#xA;Bruferr Beatz&#xA;Bruffer got the heat, bitch!&#xA;&#xA;Bruno Alison&#xA;Bruno Alison on the beat&#xA;Alison, Alison, Alison...&#xA;&#xA;bryceunknwn&#xA;Aha, I miss you Bryce&#xA;&#xA;bster / bsterthegawd&#xA;I love you, bster&#xA;&#xA;B-Team&#xA;B-Team came with the A-game&#xA;&#xA;Budd Dwyer&#xA;Pull the trigger Budd Dwyer&#xA;&#xA;Buddah Bless&#xA;Buddah Bless this beat&#xA;&#xA;Bugy&#xA;B-B-Bugy&#xA;&#xA;Bugz Ronin&#xA;Bugz on the beat&#xA;&#xA;Burd &amp;amp; Keyz&#xA;Burd &amp;amp; Keyz!&#xA;&#xA;Byalif&#xA;Byalif on the beat&#xA;&#xA;BYOU$&#xA;Abso-lutelyCCallan&#xA;Damn, Callan&#xA;Damn, Callan, you gettin' gaup&#xA;&#xA;CallMeCake&#xA;Ca-ca-ca-CallMeCake got this&#xA;&#xA;Canis Major&#xA;Canis, Canis&#xA;&#xA;CamGotHits&#xA;CamGotHits&#xA;&#xA;Cardec Drums&#xA;Put your hands in the air for Cardec&#xA;&#xA;Cardo&#xA;Cardo got wings&#xA;Shoot through your car door, shoutout to Cardo&#xA;&#xA;Carl Brave&#xA;Carl Brave&#xA;&#xA;Carns Hill&#xA;The amount of money I'm gonna be making would hurt your parents' feelings&#xA;Remember the class where I taught you all how to make it rain?&#xA;That's what I'm gonna be doing every single night&#xA;SRB seperation confirmed&#xA;Coming up on, uh, staging the burn-out of these twin solid rocket boosters at two minutes, five seconds&#xA;Hill productions&#xA;&#xA;&#xA;Cartoon (RUS)&#xA;Ayy, Cartoon, you got another one&#xA;&#xA;Carvello&#xA;Carvello&#xA;The young fellow Carvello&#xA;&#xA;Captain Crunch&#xA;Captain Crunch presents&#xA;&#xA;CashCache&#xA;I really like to use cash&#xA;Me encanta usar dinero&#xA;Me gusta mucho usar cash&#xA;&#xA;Cash Cobain&#xA;And this beat from Cash, not from YouTube&#xA;And this beat is by Cash&#xA;&#xA;CashMoneyAP&#xA;CashAP got the beat tight&#xA;CashMoneyAP&#xA;CashMoneyAP Productions&#xA;&#xA;Casok&#xA;Casok&#xA;&#xA;Cassius Jay&#xA;That boy Cassius&#xA;&#xA;cBass&#xA;cBass, bitch!&#xA;&#xA;CBMIX&#xA;CB on the beat&#xA;Ayy, turn the music up for me, Chris&#xA;CB on the beat, ho!&#xA;&#xA;C Dot&#xA;And you know a lot of people ask us &amp;quot;How is C Dot funded and where do your get your money from?&amp;quot; The simple answer&#xA;&#xA;Celo1st&#xA;Celo, você é foda&#xA;Young Celo got the hit&#xA;&#xA;Census&#xA;Census, what you cookin'?&#xA;&#xA;Certified Hitz&#xA;Certified Hitz!&#xA;&#xA;CGM Beats&#xA;Ayy, CGM, where you at?&#xA;&#xA;Ch3f Beats&#xA;Ch3f got the juice&#xA;&#xA;Cha Cha Malone&#xA;I need a Cha Cha beat boy&#xA;&#xA;Chai&#xA;Chai&#xA;&#xA;Chanchee&#xA;Chanchee&#xA;&#xA;CHASE B&#xA;Yo, Chase B&#xA;&#xA;Chase Davis&#xA;Chase Davis on the beat, yeah&#xA;&#xA;Chase N Dough&#xA;Tell her I'm Chase N Dough&#xA;&#xA;CHASETHEMONEY&#xA;CHASETHEMONEY, CHASETHEMONEY!&#xA;Chasin' the money all day&#xA;&#xA;Charlie Charles&#xA;Tu vuoi un beat di Charlie!&#xA;Tu vuoi un beat di Charlie ma non lo sai usare&#xA;&#xA;Charlie Heat&#xA;Bueno&#xA;G-G-G-Good work, Charlie&#xA;G-G-G-Good work, Charlie, hahahah&#xA;Good work, Charlie&#xA;He's heating up&#xA;It's time for the ninety-nine!&#xA;Who made the beat? Charlie&#xA;Who made the beat? Who do you think?&#xA;&#xA;Charlie Shuffler&#xA;Ch-Charlie Shuffler&#xA;Charlie Shuffler on the beat&#xA;&#xA;Chatz&#xA;Chatz&#xA;&#xA;Chaylan&#xA;Fo-foda-se Chaylan&#xA;&#xA;Cheeze Beatz&#xA;Cheeze&#xA;&#xA;Chi Chi&#xA;What's happenin', Chi Chi?&#xA;&#xA;Chief Keef&#xA;Turbo, Turbo on the track&#xA;Sosa on the beat&#xA;Turbo&#xA;Sosa on the beat, Essketit&#xA;Otto&#xA;Sosa on the beat, bitch&#xA;&#xA;ChildBoy&#xA;Grow up, nigga!&#xA;Childboy, grow up nigga!&#xA;&#xA;Chimbo&#xA;Ayo, Chimbo, slice it up!&#xA;&#xA;Chinwuba Mbagwu&#xA;It's Chubi on the track&#xA;&#xA;ChopsquadDJ&#xA;Chopsquad&#xA;ChopsquadDJ on the beat so it's a banger&#xA;DJ on the beat so it's a banger&#xA;&#xA;ChuckOnDaBeat&#xA;ChuckOnDaBeat&#xA;&#xA;Chuck Taylor&#xA;Taylor on the beat&#xA;&#xA;Chupi&#xA;Who's Chupi, anyways?&#xA;&#xA;Chris Clay&#xA;Hey Chris! What?&#xA;Is that Chris?&#xA;&#xA;Chrishan&#xA;Right Now Sound&#xA;&#xA;ChristianOnTheBeat!&#xA;Christian!&#xA;Seriously, Christian?&#xA;&#xA;Chris Rich&#xA;I-I-I-I-I Love Chris Rich&#xA;&#xA;Chris Surreal&#xA;Damn, that's Surreal right there?&#xA;&#xA;Christo&#xA;Christo&#xA;&#xA;CL!PPED&#xA;CL!PPED&#xA;Clipping&#xA;&#xA;Chuki&#xA;Chuki Beats&#xA;&#xA;Cisco Squad&#xA;Cisco Squad&#xA;&#xA;Classixs&#xA;Classixs Beats&#xA;&#xA;Clayco&#xA;I'm in this bitch with Clayco&#xA;Ayy, Clayco, cook that motherfucker up&#xA;Clayco on the beat&#xA;&#xA;Clibbo&#xA;Clibbo, you're crazy for this one&#xA;&#xA;Cliiifford&#xA;Cliiifford!&#xA;My dot red, just like Clifford&#xA;Red lean look like Clifford&#xA;&#xA;CLONNEX&#xA;Отакої, знову цей Клоннекс&#xA;Опять этот CLONNEX&#xA;&#xA;cloudii&#xA;cloudii&#xA;You need to find your own dream&#xA;&#xA;Cloudymorning&#xA;Cloudymorning on the beat&#xA;&#xA;COBRA (Josh Bishop)&#xA;COBRA&#xA;&#xA;Condo&#xA;Condo, talk to me&#xA;&#xA;The Colleagues&#xA;The Colleagues&#xA;&#xA;Consent2k&#xA;I love you, Consent&#xA;&#xA;Contraband&#xA;Contraband got that dope&#xA;Hey Contraband!&#xA;&#xA;Conor Fitz&#xA;Ayy, Fitz, this is crazy&#xA;Damn, Fitz, you just snapped&#xA;&#xA;Cool &amp;amp; Dre&#xA;This is&#xA;&#xA;CorMill&#xA;C-C-CorMill&#xA;&#xA;Cory Mo&#xA;Cory Mo&#xA;&#xA;COUPE&#xA;COUPE&#xA;&#xA;CP DUBB&#xA;Mm, CP Dubb&#xA;&#xA;Crazi&#xA;C-C-C-Crazi&#xA;I'm goin' crazi&#xA;Crazi snappin' on the beat&#xA;&#xA;CRCL&#xA;CRCL&#xA;&#xA;Cre8&#xA;Produced by Cre8&#xA;&#xA;CRESYLIC&#xA;CRESYLIC&#xA;&#xA;Credit&#xA;E zero trei ok!&#xA;&#xA;Cris Dinero&#xA;Cris Dinero&#xA;Hey Cris, fuck you&#xA;&#xA;CRMSYN&#xA;The Crimson Chin?&#xA;&#xA;C-Sick&#xA;C-Sick, C-Sick, C-Sick&#xA;&#xA;CTRL Z&#xA;Y-Young CTRL&#xA;&#xA;Cubano Jam&#xA;Damn, Jam, this shit a vibe&#xA;&#xA;CV&#xA;Ayy CV, you cooked this?&#xA;&#xA;CVSTLES&#xA;CVSTLES&#xA;&#xA;Cxdy&#xA;Perfect!&#xA;Ready?&#xA;&#xA;CZR Beats&#xA;Aye, CZR, you did a mazza still&#xA;&#xA;Cz Beats&#xA;Cz beats, why you do 'em like that?DD0llywood1&#xA;Dolly, you so cute!&#xA;Can someone please message d0llywood1 on Instagram and tell her to give me my swag back?&#xA;&#xA;D.A. Got That Dope&#xA;D.A.&#xA;D.A. got that dope&#xA;&#xA;Da Beatfreakz&#xA;Beatfreakz&#xA;&#xA;Dalyb&#xA;Dalyb, Dalyb, Dalyb&#xA;&#xA;Damjonboi&#xA;Damjonboi&#xA;&#xA;Damma Beatz&#xA;Damma&#xA;Damma, where the beats at?&#xA;Damma, I like this right here&#xA;&#xA;DAMNKC&#xA;Damn, KC&#xA;&#xA;Damn E&#xA;Damn, E, this shit exclusive&#xA;&#xA;Damn Lokee&#xA;Damn, Lokee&#xA;Da-da-damn, Lokee&#xA;Damn, Lokee, you killed this shit&#xA;&#xA;Danien&#xA;Oh my God, it's Danien&#xA;&#xA;Danny G Beats&#xA;Ooh, shit, that's a Danny G beat&#xA;Danny G on the beat&#xA;Ooh, shit, what the fuck, Daniel?&#xA;It's Danny G, bitch&#xA;&#xA;Danny Wolf&#xA;Trust me, Danny!&#xA;Danny, I see you&#xA;Danny Wolf&#xA;Hoodrich!&#xA;&#xA;Darkchild&#xA;Darkchild '99&#xA;Darkchild Forever&#xA;Darkchild&#xA;&#xA;DatBoiGetro&#xA;Get that bag, Getro&#xA;&#xA;Dave (SANTAN)&#xA;Game&#xA;&#xA;David Banner&#xA;David Banner&#xA;&#xA;David Morse&#xA;David, wake up&#xA;&#xA;Davy's Archives&#xA;Is this Davy?&#xA;&#xA;Daysix Beats&#xA;Six, chill, fool, for real, for real&#xA;&#xA;DavyDaDon&#xA;DavyDaDon&#xA;&#xA;Dbackinyahead&#xA;Dbackinyahead motherfuckers&#xA;&#xA;Denza&#xA;Denza, Denza&#xA;&#xA;Deskhop&#xA;Deskhop make it drop, yeah&#xA;&#xA;Desro&#xA;Desro&#xA;&#xA;Deviasend&#xA;This must be Devia, God!&#xA;&#xA;DEADAT18&#xA;Y-Y-Y-Y-You think you know me?&#xA;&#xA;​deadman 死人&#xA;Omae wa mou shindeiru&#xA;Oh my God, it's Deadman&#xA;Produced by my boy Deadman&#xA;&#xA;Deadmanjonny&#xA;This is what dying feels like&#xA;&#xA;Dean Hall&#xA;Ayy yo, what's up Dean?&#xA;&#xA;DeCicco Beats&#xA;Ayy, DeCicco, what up my nigga?&#xA;DeCicco&#xA;&#xA;Deko&#xA;De-De-De-Deko&#xA;Nu Deko&#xA;&#xA;Dee B&#xA;Dee B got that heat&#xA;&#xA;Dee Money&#xA;Dee Money, nigga&#xA;Dee Money, baby&#xA;Me and Dee Money want millions&#xA;&#xA;DeeMarc&#xA;DeeMarc got the heat on&#xA;&#xA;Deemz&#xA;Deemz ma ten sos&#xA;Deemz na bicie, szmato&#xA;Deemz na tracku, dzieciaku&#xA;&#xA;DeeJay Trap&#xA;Turn it up, Trap&#xA;&#xA;Deltah Beats&#xA;My nigga Deltah in them pots&#xA;&#xA;Dem Jointz&#xA;Incoming&#xA;&#xA;Deraj Global&#xA;Believe that&#xA;&#xA;Devislit&#xA;Devo this shit hard&#xA;&#xA;D. Hill&#xA;D. Hill&#xA;&#xA;Diablo&#xA;Diablo&#xA;Diablo on the beat&#xA;Diablo run it up&#xA;Diablo murder&#xA;&#xA;Diamond Pistols&#xA;We packin' Diamond Pistols&#xA;&#xA;Diego Ave&#xA;D-Diego&#xA;&#xA;Digital Nas&#xA;DN! DN! DN!&#xA;&#xA;DigitLIX&#xA;DigitLIX got the heat, bitch&#xA;&#xA;DiMuro&#xA;Di-Di-Di-Di-Muro&#xA;&#xA;Dinero Key$&#xA;Dinero Key$, baby&#xA;&#xA;Dionso&#xA;Dionso&#xA;&#xA;Dior&#xA;Damn, Dior, this shit crazy&#xA;&#xA;Dior Daze&#xA;Ayy, fuck 'em up Dior&#xA;&#xA;Dirty Vans&#xA;Dirty Vans&#xA;It's Dirty Vans beats&#xA;BeatFiends&#xA;&#xA;Discent&#xA;Discent, haha&#xA;&#xA;dltzk&#xA;dltzk&#xA;&#xA;div&#xA;D-D-D-Div, don't do it to 'em&#xA;Div-Div-Div-Div&#xA;&#xA;Dizzy Banko&#xA;Dizz, you violated&#xA;&#xA;DJ Bandz&#xA;DJ Bandz, oh man&#xA;DJ Bandz man, we mean business&#xA;DJ Bandz, we mean biz world premier&#xA;Shout out my nigga DJ Bandz, we mean biz nigga&#xA;&#xA;Dj Big Rice&#xA;Fuck 'em up, Rice&#xA;&#xA;DJ Camper&#xA;Hey DJ!&#xA;&#xA;DJ Chose&#xA;DJ Chose&#xA;Ain't that DJ Chose over there? Look like DJ Chose&#xA;&#xA;DJ Cyreen&#xA;DJ Cyreen&#xA;&#xA;DJ Dadda&#xA;It's anotha'!&#xA;&#xA;DJ DNA&#xA;This is another DJ DNA production&#xA;&#xA;DJ Durel&#xA;DJ Durel&#xA;Durel made the beat, I'ma rock with it&#xA;&#xA;DJ Fatality Beats&#xA;DJ Fatality&#xA;&#xA;DJ Flippp&#xA;DJ Flippp, make the money flip!&#xA;&#xA;DJ FMCT&#xA;D-D-D-DJ FMCT&#xA;&#xA;DJ Fresh&#xA;DJ Fresh, DJ Fresh, DJ Fresh&#xA;&#xA;DJ Hoppa&#xA;Oooh, DJ Hoppa&#xA;&#xA;DJ Kenn AON&#xA;All or nothing&#xA;&#xA;DJJT&#xA;DJJT&#xA;&#xA;DJ K.i.D.&#xA;Ayy, yo, kid&#xA;Wait a minute, who are you? (Ayy, yo, K.i.D.)&#xA;&#xA;DJ Killa&#xA;DJ Killa&#xA;&#xA;DJ Knight&#xA;D-D-D-DJ Knight&#xA;&#xA;DJ L Beats&#xA;This an L beat, aw man&#xA;Oh my God, what is this? An L beat?&#xA;&#xA;DJ Lil Sprite&#xA;DJ Lil Sprite on the track&#xA;&#xA;DJ Marc B&#xA;The fuck you mean you don't know DJ Marc B?&#xA;&#xA;DJ Montay&#xA;Ooh, DJ Montay&#xA;&#xA;DJ Patt&#xA;DJ Patt on the beat&#xA;&#xA;DJ Pain 1&#xA;Damn, that hurts!&#xA;&#xA;DJ Plugg&#xA;Damn DJ Plugg, you just killed it!&#xA;&#xA;DJ Scheme&#xA;Y'all rocking with DJ Scheme, lil' bitch&#xA;Ayy, Scheme, you killed it&#xA;&#xA;DJ Smokey&#xA;Nuke Radio&#xA;Nuke Radio, we make your eardrums bleed&#xA;&#xA;DJ SpinKing&#xA;DJ SpinKing, baby&#xA;&#xA;DJ Spinz&#xA;Cut it up!&#xA;&#xA;DJ Suede The Remix God&#xA;Suede, this my shit&#xA;&#xA;DJ Swift&#xA;DJ Swift on the track&#xA;&#xA;DJ Trebble&#xA;Lil' Trebble made the beat, he only had to play it once&#xA;&#xA;DJ YoungKash&#xA;DJ YoungKash&#xA;You rockin' with DJ YOUNGKASH&#xA;&#xA;Dmac&#xA;Dmac on the fuckin' track&#xA;&#xA;DMacTooBangin&#xA;DMac, pop your shit, DMac, pop your shit&#xA;DMac that nigga be too banging&#xA;&#xA;DMC Global&#xA;DMC, you global now, nigga&#xA;&#xA;DNA Music&#xA;DNA Music&#xA;&#xA;Dnyc3&#xA;Dnyc3 has signed on&#xA;&#xA;The Do Betters&#xA;Do Better&#xA;&#xA;Don&#xA;Who the fuck is Don?&#xA;&#xA;Don Cannon&#xA;Cannon&#xA;&#xA;Don Joe&#xA;D-D-D-Don Joe&#xA;&#xA;Dolan Beats&#xA;This is a Dolan Beats production&#xA;&#xA;DopamineFiend&#xA;Oxy, it's a banger&#xA;Oxy&#xA;&#xA;DopelordMikeBeatz&#xA;Thank you for calling DopelordMike&#xA;&#xA;Doro Beatz&#xA;Doro the chief&#xA;&#xA;Dot Da Genius&#xA;Dot Da Genius&#xA;Dot Da Genius, baby&#xA;&#xA;Double Nickelz&#xA;Double on the beat&#xA;&#xA;DoubleM (Producer)&#xA;Ayo, Double, you killed that, on foenem grave&#xA;&#xA;Dougie&#xA;Dougie on the beat&#xA;&#xA;Doubtless&#xA;Doubtless Production in the track&#xA;&#xA;Down.&#xA;I miss you Down&#xA;&#xA;DP Beats&#xA;DP on the beat&#xA;DP Beats&#xA;My nigga DP going crazy, foe&#xA;What up, DP?&#xA;&#xA;D.Proffit&#xA;Proffit&#xA;&#xA;Dre&#xA;It's Dre&#xA;&#xA;dRedder&#xA;dRedder, fuck it up&#xA;&#xA;Drell On the Track&#xA;Drell's on the track&#xA;&#xA;Drillionaire&#xA;Drilleggittimo on the track&#xA;Diego&#xA;&#xA;Drilltime Zani&#xA;Hey, Drilltime, ha&#xA;Drilltime, what you cookin', nigga?&#xA;&#xA;DRMZBeatz&#xA;DRMZ, you a fool for this one&#xA;&#xA;Drip 4L&#xA;Drip&#xA;&#xA;drownwithtoga&#xA;Fuck you, Drown&#xA;Fuck Drownwithtoga, nigga, bitch ass nigga&#xA;&#xA;Drumma Boy&#xA;Drumma Boy&#xA;Listen to this track, bitch!&#xA;&#xA;Drum Dummie&#xA;Drum Dummie&#xA;&#xA;Drvmlord&#xA;Drvmlord&#xA;&#xA;DST The Danger&#xA;The Danger (The Danger)&#xA;&#xA;DTB&#xA;DTB on the beat, that's bro&#xA;DTB, that's a slap&#xA;&#xA;Dubba-AA&#xA;Dubba-AA flexin'&#xA;This is the sound&#xA;&#xA;DUEY DIRTY&#xA;Duey, you're so fucking dirty, hehehe&#xA;&#xA;Duhvinci&#xA;Call that boy Duhvinci how he up and just paint shit&#xA;&#xA;Dukus&#xA;Ocho, ocho&#xA;&#xA;dulio&#xA;dulio, 力を貸して&#xA;&#xA;Dun Deal&#xA;Dun Deal on the tra-a-a-a-ack&#xA;Dun De-e-e-e-al&#xA;&#xA;Duwap Kaine&#xA;Duwap Kaine on the beat, bitch&#xA;&#xA;Dvtchie&#xA;D-D-D-D-D-Dvtchie!&#xA;&#xA;DxnnyFxntom&#xA;Danny's got superpowers&#xA;He's a phantom, phantom&#xA;&#xA;DY Krazy&#xA;DY definitely Krazy&#xA;DY Krazy&#xA;This a DY track&#xA;&#xA;Dyan D&#xA;Motherfucking Dyan D&#xA;&#xA;Dylvinci&#xA;Dylvinci got the codeEE-A-Ski&#xA;The almighty E-A-Ski track&#xA;&#xA;E-Trou&#xA;Ayy, what's good, Trou?&#xA;&#xA;EarDrummers&#xA;EarDrummers&#xA;&#xA;Earl the Producer&#xA;Earl on the beat&#xA;&#xA;Easymoneycaleb&#xA;Easy money, man&#xA;I'm with Easymoney, we get easy money&#xA;&#xA;Eddie Gianni&#xA;Eddie Gianni&#xA;Gianni&#xA;&#xA;Eddy0&#xA;Oh, is that Eddy?&#xA;&#xA;Edsclusive&#xA;This is, this is Edsclusive&#xA;Edsclusive&#xA;Eds-&#xA;&#xA;Eera&#xA;Eera&#xA;&#xA;Eighty8&#xA;Let that shit ride, Eighty8&#xA;Run that shit up, Eighty8&#xA;&#xA;Einer Bankz&#xA;Tuned Up&#xA;&#xA;EJ Beats&#xA;Damn E This A Classic&#xA;&#xA;Elias Beats&#xA;Elias Beats&#xA;&#xA;Elvis Beatz&#xA;Elvis&#xA;&#xA;Emazin&#xA;That's Emazin&#xA;&#xA;Embasin&#xA;Okay, Embasin&#xA;&#xA;EMRLD Beats&#xA;EMRLD&#xA;&#xA;Enrgy Beats&#xA;E-E-E-Energy made this one!&#xA;&#xA;​epic1beatz&#xA;​epic1&#xA;&#xA;Eric Godlow&#xA;Eric Godlow on this beat so it's blessed&#xA;Godlow on the track&#xA;Eric, look at me&#xA;&#xA;ErrorBeats&#xA;ErrorBeats made this&#xA;&#xA;eruh&#xA;​kirai&#xA;&#xA;EssayBeats&#xA;Is that you, Essay?&#xA;&#xA;Essennce&#xA;Esse&#xA;&#xA;Ethereal&#xA;Ethereal music&#xA;&#xA;Eva Shaw&#xA;Eva Shaw on the DAW&#xA;&#xA;EVRGRN&#xA;EVRGRN with the heat, yeah&#xA;&#xA;EY3ZLOWBEATZ&#xA;EY3ZLOW on the beat&#xA;I just got that Runtz, Runtz pack got my EY3ZLOW&#xA;&#xA;EZ Beats&#xA;Ayy, let me hear that ho, EZ&#xA;EZ Beats&#xA;&#xA;Ezra Lake&#xA;K-K-King, that shit fuego&#xA;K-K-King on the fuckin' beatFFakri Jenkins&#xA;Ouvre la porte, c'est Fakri Jenkins à la prod'&#xA;Vous pouvez entrer (pouvez entrer)&#xA;&#xA;F a l l e n&#xA;F a l l en&#xA;Told Lee he'd be a millionaire&#xA;&#xA;Fantom&#xA;Fantom&#xA;&#xA;Fast Life Beats&#xA;Fast Life&#xA;&#xA;Fast Life Sharky&#xA;Sharky&#xA;&#xA;FCKBWOY!&#xA;Damn, lil' FckBwoy man, you know that I be killin' shit&#xA;&#xA;Fckfede&#xA;F-F-Fckfede, devi succhiare un cazzo&#xA;&#xA;F1LTHY&#xA;Wake up, F1LTHY&#xA;You fuckin' with that, F1LTH'?&#xA;&#xA;Febo&#xA;Febo on the beat&#xA;&#xA;Fecony&#xA;Fecony&#xA;&#xA;Ferno&#xA;Ferno Spazzin' on this motherfucker&#xA;Ferno, you spazzin'&#xA;&#xA;Fifty Grand&#xA;Fifty Grand&#xA;&#xA;FIIDE&#xA;FIIDE Beats&#xA;&#xA;Fish Narc&#xA;Bitch, I feel like Fish Narc&#xA;&#xA;Fivesixone&#xA;Five, you crazy&#xA;&#xA;FKi&#xA;Good job, First&#xA;&#xA;FLEXATELLI&#xA;Ayo, Lil Mexico pass the gas&#xA;&#xA;Flexyboy&#xA;I'm always flexin'&#xA;&#xA;Flexboymack&#xA;Florida Boi, turn me up&#xA;Florida Boi, turn me up, man&#xA;&#xA;FLORY&#xA;Ayo, Flory, turn me up&#xA;&#xA;Fluss Vlone&#xA;Fluss, hahaha&#xA;&#xA;Fly Life Productions&#xA;Fly Life&#xA;&#xA;FnZ&#xA;FnZ, Oh damn&#xA;&#xA;Focus...&#xA;Sound, without Focus, is just noise&#xA;&#xA;Foliage&#xA;Foliage&#xA;&#xA;Foreign Kash&#xA;It's Foreign Kash Baby&#xA;&#xA;Foreign Teck&#xA;Everything foreign, haha&#xA;Everything foreign, nigga&#xA;&#xA;Fore'n&#xA;Fore'n&#xA;&#xA;FOREVERANTiPoP&#xA;ANTiPoP&#xA;&#xA;Forza&#xA;Mm, take off, Forza&#xA;&#xA;Foster&#xA;What up, Foster?&#xA;&#xA;FranchiseDidIt&#xA;Damn it, Franchise, you did it again&#xA;&#xA;FrankGotThePack&#xA;FrankGotThePack&#xA;&#xA;Frankie P&#xA;Frankie motherfuckin' P&#xA;&#xA;Frdm&#xA;F. R. D. M.&#xA;Freedom&#xA;&#xA;Fred again..&#xA;It's Fred again..&#xA;Fred again..&#xA;I want you to see me, Fred, I'm here!&#xA;Play that shit, Fred!&#xA;&#xA;Frencizzle&#xA;You are now rocking with Frencizzle the French hitmaker&#xA;&#xA;FreshThPharmacy&#xA;ThPharmacy&#xA;&#xA;Fritzthaproducer&#xA;Fritz, how you do that?&#xA;&#xA;Friz&#xA;Mmmm... Friz&#xA;&#xA;Friman&#xA;Friman on the beat and he always keeps finessin'&#xA;Ayy Friman, turn me up a little bit, shawty&#xA;Friman&#xA;&#xA;FROSTTT&#xA;FROSTTT&#xA;&#xA;Fryta Beatz&#xA;Fryta on the track&#xA;&#xA;FTBOnDaTrack&#xA;Fuck that bitch&#xA;&#xA;FUCKCALEX&#xA;Calex what the fuck?&#xA;You want the chips back?&#xA;It’s not legally fucking if you don’t penetrate&#xA;&#xA;FuckEmUpTrap&#xA;Fuck it up, Trap&#xA;&#xA;fuckglo&#xA;Fuck glo&#xA;&#xA;Full Tac&#xA;In the cut, goin' Full Tac&#xA;Whistles out, in the cut, goin' Full Tac&#xA;&#xA;Furkan Karakılıç&#xA;Beat'te Furkan digga!&#xA;&#xA;Fxnder&#xA;Fxnder&#xA;&#xA;FXXXXY&#xA;FBG FXX with me, it's more number ones to tend toGgalen tipton&#xA;Where else you can hear galen tipton? Nowhere else&#xA;&#xA;GALLO&#xA;It-it's Nick Gallo, you want an Oven Fresh Beat?&#xA;&#xA;Gawvi.&#xA;Gawvi, get 'em!&#xA;&#xA;G-Dav&#xA;Trap Adix&#xA;&#xA;GeezyBeatz&#xA;GeezyBeatz&#xA;&#xA;Geo On The Track&#xA;Geo On The Track&#xA;&#xA;Germs&#xA;You know Germs, right?&#xA;&#xA;Gezin&#xA;Gezin&#xA;&#xA;GGP&#xA;GGP&#xA;GGP, it's in the game&#xA;&#xA;Ghostrage&#xA;Ghostrage!&#xA;&#xA;Ghosty&#xA;Ghosty&#xA;&#xA;GHXST&#xA;Project GHXST&#xA;&#xA;Ginseng&#xA;Ginseng, hahaha&#xA;Ginseng&#xA;&#xA;girlNEXTdoor&#xA;Gi-gi-girlNEXTdoor&#xA;I called the girl next door, yeah, that was a funny thing was—&#xA;With who? The girl next door, ya know? Yo, man&#xA;&#xA;giux&#xA;giux made the hit&#xA;&#xA;GKL&#xA;GKL&#xA;&#xA;G-Money&#xA;G-Money&#xA;&#xA;Glo Banks&#xA;Glo made that beat?&#xA;&#xA;GLVCK16&#xA;Is this GLVCK?&#xA;16 in this bitch—16 in this—&#xA;&#xA;Gnealz&#xA;That's it right there, Gnealz&#xA;&#xA;Godlike Pariah&#xA;Godlike&#xA;Godlike on the beat&#xA;Godlike on the beat bitch&#xA;&#xA;GodzTHOUGHT&#xA;GodzTHOUGHT&#xA;&#xA;Gorby&#xA;Gorby, you're going crazy&#xA;&#xA;gothangelz&#xA;gothangelz&#xA;You are so goddamn pathetic&#xA;You creepy loser&#xA;You are a creep and a weirdo&#xA;Better than Nirvana&#xA;goth&#xA;Pathetic&#xA;skeleton&#xA;I keep secrets&#xA;Totally better than Nirvana&#xA;ゴース エンジェルズ&#xA;You're fucking with the real gothangelz&#xA;You fucking degenerates&#xA;You are such a fucking loser&#xA;Cast spells&#xA;You fucking loser&#xA;It's pretty goddamn pathetic&#xA;Forever alone&#xA;I want to see you soon&#xA;&#xA;Go Grizzly&#xA;Go Grizz&#xA;&#xA;Goose the Guru&#xA;Damn, Goose!&#xA;&#xA;​gosha (Producer)&#xA;​gosha&#xA;Who the fuck is gosha?&#xA;&#xA;Got Barss&#xA;Now you listen to Got Barss exclusive&#xA;&#xA;Gotcha&#xA;Gotcha&#xA;Gotcha, bitch&#xA;&#xA;GotMortal&#xA;Mortal&#xA;&#xA;GoVyral&#xA;W-w-what's Vyral?&#xA;We'll-we'll GoVyral in no time&#xA;&#xA;Goyxrd&#xA;Bitch, haha&#xA;&#xA;Gramps&#xA;No way, Gramps&#xA;&#xA;Great John&#xA;Great John on the beat, by the way&#xA;It's Great John beats, baby&#xA;Nah, this Great John, yeah&#xA;&#xA;Greg Willen&#xA;Greg Willen non dormire&#xA;Ma che è, Greg Willen?&#xA;&#xA;Gren8&#xA;Gren8&#xA;Gren8 Beats&#xA;&#xA;Groove&#xA;On bro, that shit groovy, ayy&#xA;&#xA;GroovyRoom&#xA;Groovy Everywhere&#xA;&#xA;G. Ry&#xA;G. Ry got me&#xA;&#xA;Gudda Tay&#xA;Gudda Tay on every beat, nigga&#xA;&#xA;Guala Beatz&#xA;Guala Beatz bring it back&#xA;Guala Beatz&#xA;&#xA;G4cha&#xA;G4cha, run that shitHH-Money&#xA;H-Money!&#xA;&#xA;Haan&#xA;Ayy, fuck that nigga Haan, man&#xA;&#xA;Hanzo&#xA;Hey, Hanzo&#xA;&#xA;HARGO&#xA;HARGO Production&#xA;&#xA;Harlow&#xA;Harlow&#xA;&#xA;Harikiri&#xA;Harikiri on the beat&#xA;&#xA;Harry Fraud&#xA;La música de Harry Fraud&#xA;&#xA;​hauntingclaire&#xA;​hauntingclaire&#xA;​claire&#xA;​w6lker&#xA;Hi w6lker&#xA;This tape is for use with the w6lker CD system&#xA;&#xA;Haven Beats&#xA;Damn Haven, you did this shit?&#xA;&#xA;HeartBeatz&#xA;HeartBeatz on the track&#xA;&#xA;Hector Soundz&#xA;Hector Soundz&#xA;&#xA;Hella Sketchy&#xA;Hella Sketchy&#xA;&#xA;Helluva Beats&#xA;Helluva made this beat, baby&#xA;&#xA;Henney Major&#xA;Henney Major, you going crazy&#xA;&#xA;HerreraBeats&#xA;Herrera, you blessed it&#xA;&#xA;heylog&#xA;heylog&#xA;&#xA;hloye&#xA;It's me again&#xA;&#xA;HIFIRE&#xA;Beat by HIFIRE&#xA;&#xA;High Tower&#xA;High Tower&#xA;&#xA;Hills&#xA;Hills&#xA;&#xA;Hilzz&#xA;Hilzz made this&#xA;&#xA;Hitmaka&#xA;Hitmaka&#xA;&#xA;Hitman Audio&#xA;I got Hitman on the beat&#xA;&#xA;Hit-Boy&#xA;Hit-Boy&#xA;Hit-Boy on the beat so, bitch, you gotta go berserk&#xA;&#xA;HL8&#xA;HL8&#xA;&#xA;Hollow&#xA;Hollow beats, bitch&#xA;Hollow on the track, boy&#xA;Hollow beats&#xA;&#xA;Hollywood Cole&#xA;Cole, you stupid&#xA;&#xA;Hollywood J&#xA;Hollywood J&#xA;&#xA;Homage&#xA;This is a Homage beat&#xA;&#xA;Hoodzone&#xA;This is Hoodzone&#xA;&#xA;Da Honorable C.N.O.T.E.&#xA;Honorable C.N.O.T.E.&#xA;Honorable Court&#xA;&#xA;Honorable Court&#xA;Honorable Court&#xA;&#xA;Hovey Benjamin&#xA;Hovey Benjamin made this beat&#xA;&#xA;HUMbeats&#xA;HUMbeats&#xA;&#xA;HUSHINSILENCE&#xA;Hush in silence&#xA;&#xA;Hurtboy AG&#xA;Hurt, what it do?&#xA;Hurt&#xA;&#xA;Hurting Murphy&#xA;Murphy's kinda cute though&#xA;&#xA;Hussein808&#xA;Hussein&#xA;&#xA;HVVXCK&#xA;HVVXCK&#xA;&#xA;HXLX&#xA;HXLX&#xA;HXLX, ehe&#xA;&#xA;Hypzex&#xA;Hypzex&#xA;&#xA;​h3artcrush&#xA;​h3artcrush&#xA;I hate h3artcrush&#xA;Um, emoprincess666IIankon&#xA;Ayy yo, Ian&#xA;&#xA;IanoBeatz&#xA;IanoBeatz&#xA;&#xA;Iceberg&#xA;Iceberg want a bag, bitch&#xA;&#xA;Icekrim&#xA;Icekrim bring that ice, boy&#xA;&#xA;IllaDaProducer&#xA;Illa&#xA;&#xA;!llmind&#xA;!llmind put the loop on&#xA;&#xA;IllWill Beats&#xA;IllWill made the beat bounce&#xA;&#xA;Ilovethisbeat&#xA;What do you want me to say?&#xA;&amp;quot;I love this beat&amp;quot;&#xA;I love this beat&#xA;&#xA;IMixNation&#xA;IMixNation for real&#xA;&#xA;India Got Them Beats&#xA;India&#xA;Mommy, India got them beats&#xA;&#xA;Indy J&#xA;Indy J exclusive&#xA;Indy J&#xA;Futuristic Family affiliate, Indy J on the beat&#xA;&#xA;Internet Money&#xA;Internet Money, bitch&#xA;&#xA;Info the Producer&#xA;Info the Producer&#xA;&#xA;iO&#xA;iO cheffin', it's a issue&#xA;&#xA;Irineo&#xA;Irineo&#xA;&#xA;IsaacIndigo&#xA;Indigo&#xA;&#xA;ISOBeats&#xA;ISO&#xA;&#xA;isq&#xA;Q&#xA;&#xA;Its2Ezzy&#xA;2Ezzy on some other shit&#xA;&#xA;IVProd&#xA;Yo IV, doin’ magicJJabariOnTheBeat&#xA;JabariOnTheBeat&#xA;&#xA;Jabz&#xA;Hit 'em with the jab&#xA;&#xA;Jacon&#xA;Jacon, co za bit&#xA;&#xA;Jack Norris&#xA;Ayy, Jack Norris&#xA;Ooh, Jack Norris killed that shit, cuz&#xA;&#xA;Jaegen&#xA;Let me beat it up like Jaegen&#xA;&#xA;JAE5&#xA;JAE5&#xA;JAE5 it's a mad one&#xA;&#xA;jahk&#xA;Jahk on the beat&#xA;&#xA;Jahlil Beats&#xA;Jahlil Beats, holla at me!&#xA;&#xA;Jai Beats&#xA;Jai Beats on the track, boy&#xA;&#xA;JUMPA&#xA;JUMPA, make it jump!&#xA;&#xA;Jugglerz&#xA;Yo, Jugglerz&#xA;&#xA;Jake Lee&#xA;Damn, Jake&#xA;&#xA;JakeSand&#xA;Damn JakeSand!&#xA;&#xA;Jambo&#xA;Ayy, bro, is that Jambo?&#xA;Jambo&#xA;&#xA;James Maddocks&#xA;James about that check, boy&#xA;&#xA;Jamma Beats&#xA;JammaBeats&#xA;&#xA;Jammy Beatz&#xA;Jammy on the beat, boy&#xA;&#xA;Jason Rich&#xA;It's Jason Rich, baby&#xA;Jason Rich on the beat, bitch&#xA;I-I-In this bitch with Jason Rich&#xA;&#xA;Javar&#xA;Javar said, &amp;quot;Pick up that bag,&amp;quot; right?&#xA;&#xA;Jawsh 685&#xA;685, baby&#xA;&#xA;Jay B&#xA;Dawg, I got you Jay B&#xA;&#xA;Jay Nari&#xA;Sorry Jay Nari&#xA;&#xA;Jayreck&#xA;J-J-J-Jayreck&#xA;It's Jayreck, bitch&#xA;&#xA;Jaystolaa&#xA;Ayy, Wise, where you at?&#xA;&#xA;Jay The Great&#xA;Jay The Great, Bass Kickin Like A Body In Da Trunk&#xA;&#xA;Jay Trench&#xA;Jay Trench&#xA;Neon&#xA;&#xA;JayUncut&#xA;Uncut&#xA;&#xA;JBand$&#xA;JBand$, bitch&#xA;&#xA;JBFlyBoi&#xA;WeMakeBangerz&#xA;JBFlyBoi Ya Bish&#xA;JBFlyBoi OhhhBabyeee&#xA;&#xA;JB Made It&#xA;Who made this? JB made this&#xA;&#xA;JD on tha Track&#xA;JD on tha Track&#xA;&#xA;Jefe&#xA;Jefe Got That Drip&#xA;&#xA;Jeler Beats&#xA;Hey, Jeler&#xA;&#xA;Jermaine Dupri&#xA;Y'all know what this is...so, so def!&#xA;&#xA;Jester Beats&#xA;Jester made this&#xA;&#xA;JetsonMade&#xA;Oh Lord, Jetson made another one!&#xA;&#xA;Jim-E Stack&#xA;Jim-E Stack on the beat, man&#xA;&#xA;Jiwhan Kim&#xA;Oh, is that Jiwhan again?&#xA;&#xA;Jkei&#xA;Jkei, really?&#xA;&#xA;JKJMETASCO&#xA;Ayy, JK, hol' on&#xA;&#xA;JM00&#xA;JM00 made this one, you know&#xA;JM00, baby&#xA;&#xA;Joey Trap&#xA;Oh my God, I love you so much Joey, oh my God&#xA;Joey Trap is daddy&#xA;I fuckin' love ya, Joey&#xA;Young Rich Squad&#xA;Joey, you killed this&#xA;&#xA;John Lam&#xA;Ayy, pull up, Lam&#xA;&#xA;johnnyfriend&#xA;That's another banger, Johnny&#xA;&#xA;Johnny Juliano&#xA;Johnny Juliano&#xA;Johnny Juliano dot com&#xA;&#xA;Jordan Granados&#xA;Jordan, Jordan, Jordan&#xA;Jordan Granados&#xA;&#xA;Jose The Plug&#xA;Jose The Plug&#xA;&#xA;Josh Petruccio&#xA;I just like the sound of it&#xA;&#xA;JoyztiK&#xA;Thank you for listening. Enjoy&#xA;Yo, run it back, Joy&#xA;&#xA;JP Did This 1&#xA;JP did this&#xA;&#xA;JRODthePROD&#xA;JRod, are you serious?&#xA;&#xA;J Roes&#xA;J Roes&#xA;&#xA;J.R. Rotem&#xA;J-J-J-JR&#xA;&#xA;J Stew&#xA;Damn, J Stew, you made this one too?&#xA;&#xA;JTBeatz&#xA;JT on the track again&#xA;&#xA;JTK&#xA;JTK&#xA;&#xA;Jug&#xA;Ayo, Jug&#xA;&#xA;Juh-Dee&#xA;Juh-Dee on the beat&#xA;&#xA;Juicy J&#xA;What Juicy say? He be like, &amp;quot;Shut the fuck up&amp;quot;&#xA;&#xA;J.U.S.T.I.C.E. League&#xA;Justice League&#xA;&#xA;June James&#xA;June, you're a genius&#xA;&#xA;June&#xA;June onna beat, June onna beat&#xA;Yeah, 'cause you're bein' June right now, June be on bullshit&#xA;&#xA;Just Blaze&#xA;Just Blaze!&#xA;&#xA;Just Call Me Chris&#xA;Oh Yeah Chris&#xA;&#xA;J Digital&#xA;J Digital&#xA;&#xA;J Gramm&#xA;J Gramm on the beat&#xA;Ooh, J Gramm&#xA;&#xA;J. White Did It&#xA;J. White, I need a beat I can go off on, ooh&#xA;&#xA;JEWELXXET&#xA;I Just Love Jewelxx&#xA;Jewelxx&#xA;Black money boyz death row fuck nigga&#xA;Fuck nigga&#xA;Jay!, Jay!, Jay!&#xA;Skull kid laugh&#xA;Slow skull kid laugh&#xA;Imo laugh&#xA;Underworld records strictly for the under&#xA;You’re too slow!&#xA;9lives ex-clu-sive&#xA;Chris I’m sorryKKarmaMøb&#xA;This is a KarmaMøb exclusive&#xA;&#xA;Kayman The Producer&#xA;Kayman made this one&#xA;Kayman, this mix is clean bro&#xA;&#xA;K Hendrix&#xA;K Hendrix, how you comin', nigga?&#xA;K Hendrix cold as a motherfucker&#xA;&#xA;KP Beatz&#xA;KP Beatz&#xA;&#xA;K. Swisha&#xA;K Swisha on the track&#xA;K Swisha&#xA;&#xA;K.E. on the Track&#xA;K.E. on the Track&#xA;&#xA;K8&#xA;K8&#xA;&#xA;Kacey Khaliel&#xA;Khaliel&#xA;&#xA;Kachi&#xA;Kachi&#xA;&#xA;KalaniOnDaBeat&#xA;This is KalaniOnDaBeat&#xA;&#xA;Kane Beatz&#xA;Kane is in the building, nigga&#xA;&#xA;KANEDA7&#xA;KANEDA, KANEDA&#xA;&#xA;KanielTheOne&#xA;Kaniel made this one&#xA;Oh, is that Kaniel again?&#xA;&#xA;KanKan&#xA;KanKan on the beat&#xA;&#xA;Karltin Bankz&#xA;Karltin!&#xA;&#xA;Kashaka&#xA;Yo they love Kashaka&#xA;&#xA;KassGoCrazy&#xA;KassGoCrazy&#xA;Neilaworld&#xA;Woah, KassGoCrazy&#xA;Kass&#xA;&#xA;KatManDu&#xA;KatManDu&#xA;&#xA;Kay9ine&#xA;Oh yeah, let's go, Kay9ine&#xA;&#xA;KAYVXN&#xA;KAYVXN on the beat&#xA;&#xA;KBeaZy&#xA;Ayy, KBeaZy, you fyed up&#xA;&#xA;KC da Beatmonster&#xA;Beatmonster!&#xA;&#xA;KD33&#xA;That's it right there KD&#xA;Uh-huh, play that for me one time, KD, play that for me one time, KD&#xA;&#xA;K'Den Ju&#xA;K-K-K'Den Ju&#xA;&#xA;Keezy808&#xA;Keez on the track, ooh&#xA;&#xA;Kenny Beats&#xA;Woah, Kenny!&#xA;KENNY!&#xA;&#xA;KenzDean&#xA;KenzDean&#xA;&#xA;Keslley&#xA;Só podia ser o Keslley&#xA;&#xA;Kesz&#xA;Kesz on the track&#xA;&#xA;Kevin McCall&#xA;K-K-K-K-K-Mac&#xA;&#xA;Kevin Katana&#xA;Uhg, I hate Kevin&#xA;&#xA;Kev Rodgers&#xA;Darnell, turn that beat down&#xA;&#xA;Keybee On The Track&#xA;Keybee On The Track&#xA;&#xA;Keyon Christ&#xA;You have now stepped into the world of Keyon Christ&#xA;&#xA;KGR&#xA;KGR&#xA;&#xA;Khris P&#xA;Haha, KReam Team&#xA;&#xA;Khroam&#xA;Why is everything Khroam?&#xA;Everything is Khroam in the future!&#xA;Khroam on the beat&#xA;&#xA;Kid Brass&#xA;Kid Brass is cooking&#xA;Kid Brass, business&#xA;&#xA;Kid Caesar&#xA;Kid Caesar was here&#xA;&#xA;Kid Culture&#xA;Kid&#xA;&#xA;Kid Hazel&#xA;Kid Hazel on the beat&#xA;Kid Hazel, you killed this&#xA;&#xA;Kid Wond3r&#xA;KidWond3r, you made this beat? Dang!&#xA;&#xA;Kidhakku&#xA;A knife&#xA;Che cavolo stai dicendo Willis?&#xA;&#xA;King Prez&#xA;Prez get that money&#xA;&#xA;Kiryano&#xA;ivvY&#xA;ivvY LeaguE&#xA;Seven&#xA;Fuck ivvY LeaguE&#xA;&#xA;Kitschkrieg&#xA;Kitschkrieg, Kitschkrieg, Kitschkrieg&#xA;K-K-K-K-Kitschkrieg&#xA;&#xA;Kiwi&#xA;Yo Kiwi, thank you, bro&#xA;&#xA;KK McFly&#xA;You're a Genius, McFly&#xA;&#xA;Kleo&#xA;Who made it? It's Kleo&#xA;&#xA;Koi the Alchemist&#xA;Okay, ooh, ooh, ooh, yessir&#xA;Yessir&#xA;&#xA;KOP Karbeen&#xA;KOP&#xA;KOP drop that shit my nigga&#xA;&#xA;Kosfinger Beats&#xA;It's Kosfinger baby&#xA;&#xA;KrissiO&#xA;KrissiO!&#xA;&#xA;Krookz&#xA;Krookz&#xA;&#xA;Ksub&#xA;K-Sub come il signor Burns, libera tre pitbull su 'sto beat, yeh&#xA;K-Sub come il signor Burns&#xA;Ksub (Ksub)&#xA;&#xA;K’Shaun Beats&#xA;K'Shaun made this motherfucking beat, nigga&#xA;&#xA;K$upreme&#xA;K$upreme on the beat, ayy&#xA;&#xA;Ktwicebeats&#xA;Ktwice on the beat&#xA;&#xA;Kubi Producent&#xA;Jezu Chryste, Kubi!&#xA;Kubi&#xA;&#xA;Kubus&#xA;Kubus, he look like my dad!&#xA;Hey, Kubus!&#xA;&#xA;Kudzu&#xA;Kudzu&#xA;&#xA;Kuiva H&#xA;Ku-Ku-Kuiva&#xA;Fuck Kuiva H&#xA;&#xA;kurane&#xA;kurane&#xA;&#xA;Kurtains&#xA;Hi Dopa&#xA;DJ Kurtains&#xA;&#xA;kuru&#xA;kuru&#xA;I'm sick of running from myself&#xA;&#xA;KXT Beatz&#xA;KXT Productions&#xA;&#xA;KXVI&#xA;I love you, KXVI&#xA;&#xA;Kyle Beats&#xA;Yo, Kyle, this shit's crazy&#xA;&#xA;KyleYouMadeThat&#xA;Kyle, you made that?&#xA;&#xA;Kyo Beats&#xA;Kyo Hit The PlugLL1 The Producer&#xA;L1 The Producer&#xA;&#xA;Laïoung&#xA;Laïoung in your eardrum&#xA;&#xA;Laisvis&#xA;It's Laisvis&#xA;&#xA;LafDaDon&#xA;DaDon got that bass&#xA;&#xA;Lah&#xA;Lah&#xA;&#xA;Lama On The Beat&#xA;Lama, Lama&#xA;&#xA;Maurice &amp;quot;Lamb&amp;quot; McAdams&#xA;Zamn, Lamb, what you doin' with that?&#xA;&#xA;Landfill&#xA;Landfill&#xA;'Ringe&#xA;&#xA;Lanek&#xA;Dawaj Lanek&#xA;Lanek, moloch gang!&#xA;&#xA;Laudiano&#xA;Laudiano&#xA;&#xA;Lauky Beatz&#xA;Lauky Beatz&#xA;&#xA;Launch.Liam&#xA;Lau-Lau-Launch wit' the loot, ayy!&#xA;&#xA;Lauren Ralph&#xA;Lauren Ralph&#xA;&#xA;Laykx&#xA;Laykx&#xA;&#xA;League of Starz&#xA;League of Starz&#xA;&#xA;Leekeleek&#xA;It's a LeekeLeek banger&#xA;&#xA;LeTempsDuPiano&#xA;LeTempsDuPiano&#xA;&#xA;Lethal&#xA;L-L-L-Lethal&#xA;&#xA;Level&#xA;Level&#xA;&#xA;Lex Luger&#xA;Lex Luger&#xA;Lex Luger on the beat so what the fuck you think?&#xA;That nigga Lex Luger!&#xA;&#xA;Lezter Beats&#xA;Lezter, you going crazy&#xA;&#xA;​lieu&#xA;​lieu&#xA;&#xA;Lilac&#xA;Lilac, haha&#xA;JuggLyfe&#xA;This is totally an epic JuggLyfe moment&#xA;I'm sorry&#xA;&#xA;lil biscuit&#xA;​biscuit boy clique&#xA;biscuitto&#xA;&#xA;⁣lilbmun&#xA;⁣lilbmun, а что это вы тут делаете?&#xA;&#xA;Lil Crow&#xA;Crowley, turn that shit up!&#xA;&#xA;Lil Heartbreak&#xA;He broke my heart&#xA;&#xA;LilJuMadeDaBeat&#xA;And if the beat live, you know Lil Ju made it&#xA;Lil Ju Made This Beat&#xA;&#xA;LiL Medic Beats&#xA;M-M-M-M-Medic&#xA;LiL Medic Beats&#xA;&#xA;Lil Mexico&#xA;Ayo, Lil Mexico, pass the gas&#xA;&#xA;Lil Reece&#xA;Lil Reece produced it&#xA;&#xA;LilRiicoBeatz&#xA;Lil Rico got the sauce&#xA;&#xA;Lil Tadek&#xA;Lil Tadek on da beat, ho&#xA;&#xA;Lil Tecca&#xA;We love you, Tecca&#xA;&#xA;LIL VMK&#xA;&#xA;&#xA;Lil Voe&#xA;You know it's Lil Voe on the beat&#xA;&#xA;Lil Waifu&#xA;Lil Waifu&#xA;Lil Waifu on the beat&#xA;&#xA;LiTek&#xA;It's Tekky&#xA;&#xA;LT Moe&#xA;LT Moe music!&#xA;&#xA;Linguini Bros&#xA;Linguini Bros&#xA;&#xA;Loaded&#xA;Loaded, what up?&#xA;&#xA;Loesoe&#xA;Loesoe going crazy&#xA;&#xA;LondnBlue&#xA;Cook this up (Cook this up)&#xA;You know Bluey had to cook this up&#xA;&#xA;London on da Track&#xA;We got London on da Track&#xA;London on da Track, bitch! Hahahaha&#xA;I'm in London, got my beat from London&#xA;&#xA;longboystyle&#xA;Ayy, get it, longboystyle&#xA;Hey, longboy, you stylin'&#xA;&#xA;The LoopHoles&#xA;Think we found a loophole&#xA;Th-th-th-think we found a loophole&#xA;&#xA;Loren&#xA;Loren&#xA;&#xA;Lord Fubu&#xA;Fubu got that flame&#xA;&#xA;LostKidSamy&#xA;Samy chasing racks&#xA;&#xA;LouBeats&#xA;Ayy, cook that shit up, Lou&#xA;LouBeats on the beat&#xA;Real right shit&#xA;&#xA;Louie Bandz&#xA;Louie Bandz made another one&#xA;&#xA;Louis-Émile Vromet&#xA;Cock it back, Louis&#xA;&#xA;LouieOnTheKeys&#xA;Louie, wake up&#xA;&#xA;lovbug&#xA;Hahaha&#xA;lov&#xA;&#xA;Low Kidd&#xA;Mob&#xA;&#xA;Loyaltee&#xA;Loyaltee Exclusive&#xA;Loyaltee&#xA;Loyaltee on the track, boy&#xA;&#xA;Luca Beats&#xA;Luca on the track&#xA;&#xA;Lucas Depetti&#xA;Ah, Depetti, Depetti&#xA;&#xA;LuciG&#xA;Hey LuciG&#xA;&#xA;Ludo (UK)&#xA;ayoludo&#xA;&#xA;Ludwig&#xA;I-I-I-It's Ludwig bitch&#xA;&#xA;Luke Almighty&#xA;Almighty on the beat, you know how we rockin'&#xA;&#xA;Luke Roswell&#xA;It happened in 1947&#xA;&#xA;Luke White&#xA;Luke White on the beat&#xA;&#xA;Lusi&#xA;Whatever&#xA;&#xA;LT Studio&#xA;LT is healthyMM1onTheBeat&#xA;M1onTheBeat&#xA;&#xA;m1v&#xA;Lonegore&#xA;L-L-L-Lonegore is mentally insane&#xA;Wristcheck, cutting through the pain hahaha&#xA;&#xA;Maajins&#xA;Man, what the fuck goin' on Maajins?&#xA;Fuck goin' on, Maajins?&#xA;What's up, Maajins?&#xA;&#xA;Maaly Raw&#xA;That be Maaly Raw&#xA;&#xA;Madara Beatz&#xA;Madara&#xA;It's Madara Beatz&#xA;&#xA;Maddox&#xA;Maddox on the beat&#xA;&#xA;MadeByTrip&#xA;MadeByTrip&#xA;&#xA;Madiel Lara&#xA;Madiel Lara on the beat!&#xA;&#xA;Maestro&#xA;Maestro&#xA;&#xA;Mage the Producer&#xA;A-yo, Mage, you made a bang&#xA;Bang&#xA;&#xA;Mago Del Blocco&#xA;È il Mago Del Blocco&#xA;&#xA;MalikOTB&#xA;It's Malik on the track&#xA;&#xA;MallDidIt&#xA;Yo, who made this beat? You know Mall did it&#xA;Mall did it&#xA;&#xA;Mally Mall&#xA;Mally Mall&#xA;&#xA;MAMORU&#xA;MAMORU, you sound good&#xA;&#xA;Mando Fresh&#xA;Mando Fresh&#xA;&#xA;Marcusbasquiat&#xA;This is a high-quality film, right?&#xA;&#xA;Marcin21&#xA;Em pozdrawiam Marcina, jego bity są świetne&#xA;&#xA;Marii Beatz&#xA;Marii Beatz, turn me up&#xA;&#xA;Mario Judah&#xA;Ayy man, where the fuck is Mario Judah?&#xA;&#xA;Mark Henry&#xA;Mark Henry&#xA;&#xA;Marq Meauxs&#xA;This the heat, nigga&#xA;&#xA;Marshmello&#xA;Mello made it right&#xA;&#xA;MarshawnHitz&#xA;The way Marshawn cook da beat up!&#xA;It's a MarshawnHitz&#xA;&#xA;MarcussMuzik Of Beat Execz&#xA;Marcuss, you killin' the beat&#xA;&#xA;TheMartianz&#xA;The Martianz&#xA;&#xA;MATHIASTYNER&#xA;MATHIAS, hahaha&#xA;MATHIASTYNER&#xA;&#xA;matthewfm&#xA;Hey, Matthew did you make this?&#xA;&#xA;Maxx&#xA;Maxx, you should quit producing&#xA;&#xA;Mayyzo&#xA;Mayyzo&#xA;&#xA;Mega Beats&#xA;Mega, you played that boy!&#xA;&#xA;MEGADRIIVE&#xA;MEGADRIIVE!&#xA;&#xA;MelodicDesert&#xA;MelodicDesert&#xA;&#xA;Menace (UK)&#xA;M-M-M-Menace...on the beat&#xA;You are now listening to the hottest producer with the hottest beats on the net...Menace&#xA;&#xA;Mendi Beats&#xA;Is this you, Mendi?&#xA;&#xA;Menoh Beats&#xA;Menoh&#xA;&#xA;Metro Boomin&#xA;Ayy, Lil Metro on that beat&#xA;If Young Metro don't trust you, I'm gon' shoot you&#xA;Metro&#xA;Metro be boomin'&#xA;Metro Boomin' make it boom&#xA;Metro Boomin want some more, nigga&#xA;This beat is so, so Metro&#xA;Young Metro, Young Metro, Young Metro&#xA;&#xA;MexikoDro&#xA;Bitch&#xA;Plug&#xA;&#xA;Michael Mora&#xA;Hey, Michael&#xA;&#xA;xmichaelwarren&#xA;Michael Warren&#xA;&#xA;Michał Graczyk&#xA;MG&#xA;&#xA;Michigan Meech&#xA;Meech&#xA;Michigan Meech&#xA;Meech what it look like&#xA;&#xA;Midas800&#xA;I wish everything I touch would turn to gold&#xA;Midas got a jugg, ayy&#xA;&#xA;MidlowBeats&#xA;Ayy, it's Midlow on the track, boy&#xA;Midlow&#xA;&#xA;Mikabeats&#xA;Mika gave you this one&#xA;&#xA;Mike Crook&#xA;Cállate, Mike Crook&#xA;&#xA;Mike Dean&#xA;Vador&#xA;&#xA;MikeFutureBeats&#xA;Mike Future You Flying Through?&#xA;&#xA;Mike Gonsolin&#xA;Mike G, you can't do this to 'em, man&#xA;&#xA;Mike Mixer&#xA;Mike Mixer is in the building&#xA;&#xA;Mike WiLL Made-It&#xA;Mike WiLL, fuck with me&#xA;Mike WiLL Made-It&#xA;Mike WiLL Made-It, nigga&#xA;Mike Willie with me, nigga&#xA;&#xA;Mike Zombie&#xA;Zombie on the track&#xA;&#xA;Mikey Beats&#xA;Damn, Mikey&#xA;&#xA;Mikey Keyz&#xA;Everybody wants to be like Mike&#xA;Hahahahaha, Mikey&#xA;&#xA;Mikey the Magician&#xA;MTM, hit 'em with the heat&#xA;MTM produced it&#xA;&#xA;Milan&#xA;Ayy, Milan, that's another one, on God&#xA;Hey Milan, that's a hit&#xA;&#xA;MINDSET&#xA;Damn, Damn Donnie you killed this shit&#xA;&#xA;Mingo&#xA;Mingo, haha&#xA;&#xA;Mino66&#xA;Ayy Mino, is this catchy?&#xA;&#xA;Mirica&#xA;Mirica&#xA;Mirica made this one&#xA;&#xA;MitchGoneMad&#xA;Lousy&#xA;&#xA;MKThePlug&#xA;MKThePlug&#xA;&#xA;MobzBeatz&#xA;Ay Mobz, that sounds wavy you know&#xA;&#xA;Mochila&#xA;I love you, Mochila&#xA;Neilaworld&#xA;&#xA;Moe Magik&#xA;Moe making Magik&#xA;&#xA;Momma's Boy (Producer)&#xA;Momma!&#xA;&#xA;Mondo&#xA;Mondo on the beat, what's poppin'?&#xA;&#xA;MoneyEvery&#xA;Mom, MoneyEvery's makin' beats again&#xA;MoneyEvery on the track&#xA;&#xA;Money Montage&#xA;Montage&#xA;Mmm, Montage&#xA;&#xA;Monique Winning&#xA;Y'all gon' have to put Mo in&#xA;&#xA;MonstaBeatz&#xA;MonstaBeatz&#xA;&#xA;Montana Made It&#xA;Montana Made It&#xA;Make It Happen, Make It Real&#xA;&#xA;Mook On The Beats&#xA;Mook got the keys jumpin'&#xA;Mook on the beats&#xA;&#xA;Mooktoven&#xA;Ayy, where you get that beat from? Mooktoven&#xA;&#xA;Moonshine&#xA;Moonshine&#xA;&#xA;MoraBeats&#xA;MoraBeats&#xA;&#xA;Mothz&#xA;Here comes the pain&#xA;Here comes the—&#xA;Mothz, Mothz&#xA;Mothz&#xA;&#xA;MPC Cartel&#xA;Ooh, MPC Cartel&#xA;&#xA;Mr. 2-17&#xA;2-17 on the track, man&#xA;&#xA;Mr. Bentley&#xA;Mr. Bentley (Mr. Bentley)&#xA;&#xA;MrBlackOnDaTrack&#xA;MrBlackOnDaTrack&#xA;&#xA;Mr. Hanky&#xA;Mr. Hanky&#xA;&#xA;Mr. Monkey&#xA;Mr. Monkey&#xA;&#xA;Mr. Punisher&#xA;The Punisher&#xA;&#xA;Mr Virgo&#xA;Mis-Mis-Mis-Mister V&#xA;&#xA;Mr WOT Entertainment&#xA;I love Mr WOT Entertainment&#xA;&#xA;​mud&#xA;​mud&#xA;&#xA;Munroe&#xA;Munroe&#xA;&#xA;Murda Beatz&#xA;I ain't really finna tell y'all how to get away with murder and shit&#xA;Murda on the beat so it's not nice&#xA;Murda on the beat, that's not nice&#xA;M-M-M-Murda&#xA;This beat from Murda (Murda)&#xA;&#xA;Murphy Kid&#xA;Murphy Kid&#xA;&#xA;Mustard&#xA;Mustard on the beat, ho&#xA;&#xA;MUTRU&#xA;MUTRU&#xA;&#xA;MZY&#xA;Ayyy MZY, turn me up&#xA;&#xA;M.W.A. Music&#xA;M.W.A. Music&#xA;&#xA;M16&#xA;M16, bitchNNadddot&#xA;I'm shy, oh my God&#xA;&#xA;The Narcotics&#xA;Narcotic&#xA;&#xA;Nardi&#xA;Nardi, you drippin'&#xA;Nardi beats&#xA;&#xA;Nard &amp;amp; B&#xA;Nard &amp;amp; B&#xA;&#xA;Narquise&#xA;Ayy, who the fuck is Narquise?&#xA;&#xA;Nash B&#xA;Nash B chillin'&#xA;&#xA;Nashi&#xA;Ayy, yo, Nashi, you go crazy&#xA;Ayy, yo, Nashi&#xA;&#xA;Nastylgia&#xA;Nastylgia&#xA;&#xA;Natra Average&#xA;Natra&#xA;&#xA;Nayko&#xA;Nayko, this beat crazy&#xA;&#xA;Nearr&#xA;Nearr boy, let them know&#xA;&#xA;Nebbïa&#xA;Nebbïa makes boom&#xA;&#xA;Neeko Baby&#xA;Yeah, yeah, Neeko, you made that motherfuckin' beat? Ah, nah&#xA;Ah, nah, you ain't make that motherfucker&#xA;&#xA;Neighborhood Watch&#xA;Neighborhood Watch&#xA;&#xA;Neilaworld&#xA;Neilaworld&#xA;Motorsport&#xA;&#xA;Nejdos&#xA;Ayo Nejdos&#xA;&#xA;Nene&#xA;Haha, Nene&#xA;&#xA;Ness&#xA;Ness on the beat&#xA;&#xA;neverforever&#xA;Never, forever&#xA;&#xA;nevrfall&#xA;nevrfall&#xA;nevr&#xA;&#xA;New Lane Ant&#xA;You got this beat from Ant&#xA;&#xA;NEXX&#xA;どうした？  こいよ。どうした？どうした？こいよ���&#xA;&#xA;Nflated&#xA;Yo, Nflated, spice that bitch up&#xA;&#xA;NFE Paris&#xA;Paris&#xA;&#xA;Niaggi&#xA;Niaggi, this that overseas drip&#xA;&#xA;​nick6383&#xA;6383&#xA;&#xA;Nick EBeats&#xA;Nick E on the track&#xA;&#xA;Nick Mira&#xA;Hahaha, Nick, you're stupid&#xA;Yeah, Nick just passed me the beat, I'ma kill it&#xA;&#xA;Nick Papz / Papamitrou&#xA;Yo, Nick Papz, make it slap&#xA;&#xA;Nico Baran&#xA;Nico&#xA;&#xA;Nikko Bunkin&#xA;I'm not goin' anywhere Nikko&#xA;Nikko Bunkin in the trap, yeah&#xA;&#xA;Niphkeys&#xA;Niphkeys&#xA;&#xA;Ni$h!th&#xA;NT&#xA;NTOnTheTrack&#xA;NT, you killed this shit&#xA;&#xA;Nitti&#xA;It's a Nitti beat!&#xA;&#xA;Noah Cuz&#xA;Noah, why you do that shit?&#xA;&#xA;NOCNY&#xA;Nocny, ale dałeś bit kurwa&#xA;&#xA;noevdv&#xA;vdv, get it&#xA;&#xA;No Gen&#xA;No Gen&#xA;&#xA;Noir1070&#xA;Ayo, Noir&#xA;&#xA;Noisy Jay&#xA;Noisy Jay&#xA;Noisy on the beat&#xA;&#xA;No Label&#xA;No Label, datti 'na calmata&#xA;&#xA;Nonbruh&#xA;Alright, put the money in the bag, put it in!&#xA;Nonbruh&#xA;&#xA;Non Native&#xA;Bordeaux and Non Native&#xA;&#xA;Nonstop Da Hitman&#xA;N-N-Non-stop&#xA;&#xA;Norbert Ronin&#xA;Norbert, what have you done?&#xA;&#xA;Noxygen&#xA;Noxygen on the track&#xA;&#xA;Nueve Lio&#xA;9side, where you at?&#xA;Oh my god, is that based9side?&#xA;&#xA;Nuez&#xA;Lemme know when it drop, Nuez&#xA;&#xA;Nuki&#xA;Wow, Nuki Beats&#xA;&#xA;Number 48&#xA;48 on the beat&#xA;The numbers, what do they mean?&#xA;Numbers are everywhere, don't hide&#xA;&#xA;Nyge&#xA;It sounds like NygeOOdece&#xA;Odece&#xA;&#xA;OFASHO&#xA;OFASHO, are you kidding me?&#xA;&#xA;OG Parker&#xA;OG Parker&#xA;&#xA;OG’s&#xA;This is a OG call, OG&#xA;&#xA;Oh!Zone&#xA;Oh wee, it's Oh!Zone on the beat&#xA;&#xA;Oil Beatz&#xA;Oil Beatz, suko&#xA;Olej daje beat, co rozkurwia głowę&#xA;&#xA;OK (@₪)&#xA;Don't stop!&#xA;What have you done?&#xA;&#xA;OKHIPHOP&#xA;OKHIPHOP&#xA;&#xA;Okthxbb&#xA;Thxbb&#xA;&#xA;oliimpus&#xA;High quality&#xA;&#xA;OmarCameUp&#xA;&#xA;OmenXIII&#xA;Omen&#xA;&#xA;Onderkoffer&#xA;Onderkoffer on the beat so twerk it bitch&#xA;&#xA;Only1shredder&#xA;Ayo, Shredder&#xA;What's good, Shredder?&#xA;&#xA;onlytheflyest&#xA;Only the Flyest on the track&#xA;&#xA;Oogie Mane&#xA;I'm workin' on dyin'&#xA;Oogie Mane, he killed it&#xA;お前, チャーミングな広いおでこしてんな&#xA;お前—&#xA;&#xA;Oohdem Beatz&#xA;Oohdem Beatz&#xA;&#xA;Oreox4&#xA;We are Oreo&#xA;&#xA;Orkundk&#xA;D-D-D-DK gene n'aptın sen?&#xA;&#xA;Osémio Boémio&#xA;Osémio Boémio, Osémio Boémio, Osémio Boémio...&#xA;&#xA;Oster&#xA;Oster on the beat, watch out!&#xA;&#xA;OtisMadeIt&#xA;Otis&#xA;&#xA;Otxhello&#xA;Go 'head, O&#xA;&#xA;outby16&#xA;outby16, or dead on the scene but together forever&#xA;outby16, or dead on the scene but together for fucking ever&#xA;outby16, or dead on the scene together&#xA;&#xA;Outrun&#xA;This one's for you sleepy motherfuckers&#xA;&#xA;Outtatown&#xA;Outtatown, but we never out of money&#xA;&#xA;Ouz Baydar&#xA;Baydar on the beat&#xA;&#xA;OZ&#xA;OZ on the beat, yeah&#xA;&#xA;Oz on the Track&#xA;Oz on the track&#xA;Oz, you're big time&#xA;Ayy, Oz, you a big dog now, you get to barkPP2wider&#xA;P2wider&#xA;&#xA;P.A Beats&#xA;P.A Beats&#xA;&#xA;P.A.F.F&#xA;P.A.F.F&#xA;&#xA;Painkid&#xA;Painkid got all the sauce&#xA;&#xA;Palaze&#xA;Palaze, what you cookin'?&#xA;&#xA;PANDORA TRVP / BEATS&#xA;Pandora, Pandora, Pandora&#xA;&#xA;Pascha&#xA;No... Pascha!&#xA;&#xA;Pasqué&#xA;Pasqué, heat it up&#xA;&#xA;Patrick McMillan&#xA;Yo, Pat, make the speakers knock&#xA;&#xA;Pe$o Piddy&#xA;Pe$o Piddy&#xA;&#xA;Penacho&#xA;Penacho&#xA;&#xA;PerfectOnTheBeat&#xA;Perfect&#xA;&#xA;Perish Beats&#xA;Ayo, Perish, this shit hot, boy&#xA;Ayo, Perish, this is hot, boy&#xA;&#xA;Peyote&#xA;PeyoteBeats&#xA;&#xA;Pharaoh Vice&#xA;PharaohVice.com&#xA;Vice&#xA;Pharaoh Vice&#xA;&#xA;Phosphate&#xA;Phosphate&#xA;&#xA;Pi'erre Bourne&#xA;D-D-D-D-Damn, Pi'erre&#xA;Damn, Pi'erre, where'd you find this?&#xA;Yo, Pi'erre, yo, Pi'erre&#xA;Yo, Pi'erre, you wanna come out here?&#xA;Yo, yo, Pi'erre, you wanna come out here?&#xA;&#xA;PJ Pipe It Up&#xA;PJ, pipe it up, cuz&#xA;Pipe it up PJ&#xA;&#xA;PLATNA&#xA;Oh my God, Platna&#xA;&#xA;Pliznaya&#xA;Pliznaya, Pliznaya, Pliznaya&#xA;Damn Pliz&#xA;&#xA;P-Lo&#xA;P-P-P-Lo time to bring the bass back&#xA;&#xA;PlutoBrazy&#xA;Ayo, Pluto, you going brazy&#xA;&#xA;Plu2o Nash&#xA;Nash Effect&#xA;Nash effect fuck nigga&#xA;&#xA;P-Nasty&#xA;Mmm boy, it's nasty&#xA;&#xA;Polo Boy Shawty&#xA;Polo Boy Shawty on the track, so I am killin' it&#xA;Polo, what's up, brozay?&#xA;&#xA;Pooh Beatz&#xA;Pooh, you a fool for this one&#xA;&#xA;Pops On Da Beat&#xA;Pops On Da Beat&#xA;&#xA;PotentGYFT&#xA;This a motherfuckin' gift from Potent, yeah&#xA;&#xA;Powers Pleasant&#xA;Yo, Power, this a really great beat&#xA;Got the beat by Powers, and we just made a banger&#xA;&#xA;prblm&#xA;DevilMayCry&#xA;&#xA;Priority Beats&#xA;You know this a Priority&#xA;Hahaha, you know this a Priority&#xA;&#xA;Pressokidd&#xA;Presso, let's turn up&#xA;Presso turn me up, boy&#xA;&#xA;ProdByCade&#xA;Ayy, Cade, let's turn up&#xA;C-C-C-Cade made this&#xA;&#xA;Prodbykai&#xA;Kai gon' blow this shit up&#xA;&#xA;prodbysams&#xA;sams&#xA;&#xA;ProdByWalkz&#xA;ProdWalkz&#xA;なに?!あれはウWalkz ka?!&#xA;What you sayin', Drill Simon Cowell?&#xA;&#xA;prodbywar&#xA;War's too nasty&#xA;&#xA;Prod Fuego&#xA;Ayo, Fuego, pull up&#xA;&#xA;Prod Jarvis&#xA;Jarvis&#xA;&#xA;Prod Yayo&#xA;And I got the Yayo&#xA;&#xA;ProdByZati&#xA;Ayy, Zati, this sounds cold&#xA;&#xA;prodby668&#xA;Six-six-six-six&#xA;&#xA;Producer 20&#xA;I got 20 on my beat&#xA;&#xA;Prodxoasis&#xA;Oasis&#xA;&#xA;ProtegeBeatz&#xA;Protege Beatz&#xA;&#xA;Pröz&#xA;Marry me Pröz&#xA;&#xA;PRXME&#xA;P-P-P-PRXME&#xA;Aye PRXME, yo shit crazy&#xA;Not me, I'm in my PRXME&#xA;&#xA;Prxz&#xA;Prxz&#xA;&#xA;P. Soul&#xA;P. Soul on the track&#xA;&#xA;Purps&#xA;Purps on the beat&#xA;&#xA;Pxcoyo&#xA;Pxcoyo killed this beat, bitch&#xA;&#xA;Pyrexxz&#xA;Pyrexxz on the beat, bitch!&#xA;&#xA;Pyrex Whippa&#xA;Ayy, Pyrex, this motherfucker hard as fuck, slime&#xA;Pyrex&#xA;PyrexTurnMeUp!&#xA;Pyrex whipper&#xA;Yeah, that boy Pyrex in this motherfucker&#xA;Zone 6 nigga, Pyrex whipper (Pyrex)QQAEDA.M4&#xA;Stay alert, Al-Qaeda inbound&#xA;&#xA;​quannnic&#xA;quannnic&#xA;&#xA;Qioh&#xA;Qioh&#xA;&#xA;Quay Global&#xA;Cook that shit up, Quay&#xA;&#xA;Quintuple&#xA;Fuck you, QuinRR14&#xA;R14&#xA;&#xA;RaceFortune&#xA;Race, he be fucking up the bass&#xA;&#xA;RaeSam&#xA;Hit a button, Morty, give me a beat! (Oh man, okay, alright, um—)&#xA;RaeSam on the beat!&#xA;&#xA;Rage Rocket&#xA;Rage Rocket made this&#xA;&#xA;Raiden Got Disciples&#xA;Raiden Got Disciples&#xA;&#xA;Ralph Norman&#xA;Oooo Ralph Norman&#xA;&#xA;RamyOnTheBeat&#xA;Ramy on the beat&#xA;&#xA;Ran Beats&#xA;Ayy, yo, Ran, turn that up&#xA;&#xA;Rasta Papii&#xA;Rasta Rebelz&#xA;&#xA;RealRed&#xA;Red, that ho so fuckin' bumpin', bruh&#xA;&#xA;RealusBeats&#xA;Aha-ha-ha-ha-ha, RealusBeats&#xA;&#xA;Reazy Renegade&#xA;Renegade&#xA;&#xA;Reckol&#xA;Itadakimasu&#xA;&#xA;Redda&#xA;It's fucking Redda, f—fucking Redda&#xA;&#xA;Red Drum&#xA;Red Drum on the beat&#xA;&#xA;RedOne&#xA;RedOne&#xA;&#xA;RedRock45&#xA;Are you kidding me, people? It's RedRock&#xA;RedRock, are you serious?&#xA;RedRock Beats&#xA;That nigga RedRock is on some stupid shit, I'll tell you&#xA;&#xA;Rell1Hundo&#xA;Hundo on some shit&#xA;&#xA;The Remedy&#xA;Hahaha, The Remedy&#xA;&#xA;Remedee&#xA;Remedee&#xA;&#xA;remghost&#xA;Come over, remghost&#xA;&#xA;Remo the Hitmaker&#xA;Remo the Hitmaker&#xA;&#xA;The Renegades&#xA;The Renegades&#xA;&#xA;Reese Forte&#xA;Thank you, Reese&#xA;Reese Forte&#xA;&#xA;Reuel&#xA;Reuel, stop playin wit these niggas&#xA;&#xA;Rexart&#xA;Rex cookin' up art&#xA;&#xA;Rex Kudo&#xA;Got lil' Rex on the beat and I am not friendly&#xA;&#xA;Richie Souf&#xA;Boy&#xA;I just told Richie we rich!&#xA;&#xA;Rich Lou&#xA;Rich Lou&#xA;&#xA;Ricky P&#xA;Aha, good one Richard&#xA;Ayy Ricky, let 'em out&#xA;&#xA;Ricky Racks&#xA;Ricky Racks, I see you!&#xA;Ricky Racks, Ricky Racks&#xA;&#xA;Rico Beats&#xA;Rico's going crazy again&#xA;&#xA;Rio Leyva&#xA;Rio&#xA;&#xA;Rio Mac&#xA;Rio, Rio&#xA;&#xA;RK Productions&#xA;RK Productions&#xA;&#xA;Roc Andretti&#xA;Ayy, Andretti, turn me up, bruh&#xA;Roc Andretti&#xA;&#xA;Rocaine&#xA;Rocaine baby&#xA;&#xA;Rocco Did It Again!&#xA;Rocco did it again&#xA;Rocco, you did it again?&#xA;&#xA;Roger Beat&#xA;I've heard of Roger Beat, you know what this is&#xA;&#xA;RJ Lamont&#xA;Ooo, RJ&#xA;RJ always trippin', man, RJ always trippin'&#xA;&#xA;Rojas&#xA;Ayy Rojas, where you at shorty?&#xA;&#xA;RokOnTheTrack&#xA;Rok on the track, yeah&#xA;&#xA;Roko Tensei&#xA;Roko Tensei&#xA;&#xA;Rolze&#xA;R-R-R-R-Rolze&#xA;&#xA;Rzon&#xA;Ay, Rzon, what we sayin', cuz?&#xA;&#xA;Ron&#xA;Man like Ron, you know&#xA;&#xA;Ronny J&#xA;Oh my God, Ronny&#xA;Ronny J, listen up&#xA;Ronny J on the beat, bitch!&#xA;Ronny J produced it&#xA;Ronny J, please turn me up&#xA;&#xA;RonSupreme&#xA;Come on, Ron, come on, Ron&#xA;You better be sick, dead, or mute, Ron&#xA;&#xA;Ron Lui&#xA;Ron on the beat, he chopped it&#xA;&#xA;Ron-Ron the Producer&#xA;Ron-Ron do that shit&#xA;&#xA;Roselilah&#xA;Lilah flip the beat, yah&#xA;&#xA;ROSEWTR&#xA;ROSEWTR&#xA;&#xA;Ross Gossage&#xA;Ayy, Ross, sauce it up&#xA;&#xA;Royce David&#xA;Ayy, Royce, you did it right here&#xA;&#xA;Rubio777&#xA;Raise the Rubio&#xA;&#xA;RubiRosa&#xA;RubiRosa&#xA;&#xA;Rutkovsky&#xA;Rutkovsky&#xA;&#xA;RXLVND&#xA;R-R-R-RXLVND&#xA;RXLVND&#xA;&#xA;Ryan Bevolo&#xA;Bevolo got that sauce&#xA;&#xA;Ryder Johnson&#xA;Damn, Ryder, you did this shit, boy?&#xA;Damn, Ryder&#xA;Ryder, turn me up&#xA;&#xA;Ryze (CHH)&#xA;Ryze got me goin' upSSadBalmain&#xA;I love you, Balmain&#xA;&#xA;Sad Pony&#xA;Sad Pony&#xA;&#xA;Sala&#xA;Ah, ma questo è Sala&#xA;&#xA;Samad Savage&#xA;Samad cook it up, yer&#xA;&#xA;Sammyboy&#xA;Sammyboy&#xA;&#xA;Samy Burlet&#xA;Samy made this shit&#xA;&#xA;Sapphire Beats&#xA;Come on, Sapphire Beats&#xA;&#xA;SauceDad69&#xA;SauceDad69&#xA;&#xA;SayZay&#xA;Ayy, Zay, run that shit back, bruh&#xA;SayZay&#xA;&#xA;schafter&#xA;restaurant posse&#xA;&#xA;Scott Storch&#xA;Scott Storch&#xA;&#xA;Scott Styles&#xA;Beam me up, Scotty&#xA;&#xA;scotty splash&#xA;Scotty&#xA;Beam me up, Scotty&#xA;Beam me up&#xA;Scotty, have you made any friends yet?&#xA;&#xA;SDot Fire&#xA;SDot Fire&#xA;&#xA;Sean Da Firzt&#xA;Firzt on the track&#xA;Right there Firzt&#xA;&#xA;Sean Turk&#xA;Sean Turk&#xA;&#xA;SecretRank&#xA;SecretRankBeats&#xA;&#xA;Section 8&#xA;Section 8 just straight cooked this motherfucker up&#xA;&#xA;Segah&#xA;Segah&#xA;&#xA;Selection&#xA;Selection fuck it up&#xA;&#xA;Senseii&#xA;Senseii&#xA;&#xA;sense1god&#xA;You lose!&#xA;Anger and hate are supreme&#xA;Plugg angels, bitch&#xA;&#xA;SephGotTheWaves&#xA;SephGotTheWaves&#xA;&#xA;SethInTheKitchen&#xA;SethInTheKitchen&#xA;Seth the chef&#xA;&#xA;Sev Nasty&#xA;Seven on the track, bitch&#xA;You nasty, Sev&#xA;&#xA;Sg37 / Sg Lily&#xA;SG&#xA;&#xA;SHABAFABLYA&#xA;SHABAFABLYA&#xA;&#xA;Shady&#xA;Ayo Shady, you crazy&#xA;&#xA;Shah Major&#xA;Major, that's you?&#xA;&#xA;Sharpe&#xA;Sharpe, sharpe, sharpe, sharpe&#xA;&#xA;Shawn Ferrari&#xA;Yung Rari, Yung Rari&#xA;R-r-r-r-r-r-rari&#xA;&#xA;Shaz&#xA;Oh là là, Shaz&#xA;&#xA;Shell Kartel&#xA;Shell Kartel&#xA;&#xA;SHELOVEBASS&#xA;Bass, though&#xA;&#xA;shinigami&#xA;Uh-hah, I hate Shinigami&#xA;&#xA;shinju&#xA;shinju&#xA;&#xA;Shaun2Krazy&#xA;Shout out to Shaun&#xA;Turn up, Shaun&#xA;Shout out to Shaun2Krazy&#xA;&#xA;Shmack Harv&#xA;I'm gassed up with Shmack Harv&#xA;&#xA;Shoki&#xA;Is that Shoki on the beat?&#xA;Ayo, Shoki, this go crazy&#xA;&#xA;Shomiibeats&#xA;Haha, yeah Shomii on the beat, you already know how we rockin', man&#xA;&#xA;Sick Luke&#xA;Sick Luke, Sick Luke&#xA;Luke Skywalker sulla base&#xA;&#xA;​siem spark&#xA;It's siem spark&#xA;That's my spark&#xA;&#xA;Silo&#xA;Yo, Silo killed this&#xA;&#xA;Simon Lykke&#xA;Ayo Simon, this that heat&#xA;&#xA;Sir Michu&#xA;Sir Mich, najlepszy producent, suko&#xA;&#xA;Sir Spyro&#xA;Sounds of the Sir&#xA;&#xA;Six7&#xA;Six7 on the beat&#xA;Six7, what it do, fool?&#xA;&#xA;Sk8miles&#xA;Sk8miles&#xA;&#xA;SKAII&#xA;SKAII&#xA;&#xA;sketchmyname&#xA;sketchmyname&#xA;sketch&#xA;&#xA;Skeyez&#xA;Skeyez on the track, woah&#xA;skeyezbeats.com&#xA;&#xA;Skinny You Wildin&#xA;Yo Skinny, you wildin', nigga&#xA;&#xA;Skipass&#xA;Damn, Skipass, this a whole 'nother wave right here&#xA;&#xA;Skippz&#xA;Skippz Production&#xA;&#xA;SKOTSKR&#xA;SKOTSKR, woah&#xA;SKOTSKR&#xA;&#xA;Skress&#xA;Skressing&#xA;Neilaworld&#xA;&#xA;Skud Newbie&#xA;Skud Newbie, bitch&#xA;&#xA;SKuna&#xA;Skunaboi&#xA;&#xA;Skys&#xA;Sky is my hero&#xA;yvngsky&#xA;&#xA;Skywalker OG&#xA;SkyDiddy&#xA;&#xA;SLAMDUNKASAUR&#xA;A SLAMDUNKASAUR Production&#xA;&#xA;Slade da Monsta&#xA;Monsta's gon' tear it up&#xA;&#xA;Slayedthis&#xA;He slayed this one&#xA;&#xA;Sledgren&#xA;Sledgren&#xA;&#xA;Slim Pharaoh&#xA;Pharaoh got that heat, ho&#xA;Ayy, Slim with the sauce&#xA;&#xA;Slime Castro&#xA;Ayy, Castro, go crazy&#xA;&#xA;Slo Meezy&#xA;Slo Meezy&#xA;&#xA;Sluzyyy&#xA;Ayy, run it back, Sluzyyy&#xA;&#xA;SLYTONE&#xA;O-o-operator&#xA;&#xA;Smash David&#xA;Got it on Smash!&#xA;&#xA;SMKEXCLSV&#xA;Do you want smoke? We want all the smoke&#xA;&#xA;Smylez&#xA;It's Smylez&#xA;&#xA;SN Go Krazy&#xA;Run that shit back, SN&#xA;&#xA;Snafu&#xA;Snafu&#xA;&#xA;Snowball Beats&#xA;Oh yeah, a snowball!&#xA;Thank you, Snowball&#xA;&#xA;Solo Cam&#xA;Solo Cam on the beat yeah&#xA;Outer space I feel like Solo Cam&#xA;Woah is that Solo Cam&#xA;&#xA;Solow Beats&#xA;Squae so wicked, man&#xA;Solow Beats&#xA;&#xA;SoMuchSauce&#xA;SoMuchSauce&#xA;&#xA;Sonic&#xA;Sonic&#xA;&#xA;sonicworldwide&#xA;Ayo Sonic, gotta stick, boy&#xA;Sonic on the track&#xA;&#xA;Sonny Digital&#xA;Sonny Digital&#xA;Sonny rollin' grams of wax&#xA;&#xA;Sons of Sonix&#xA;Sons of Sonix&#xA;&#xA;Sool Got Hits&#xA;Sool, we got one, nigga&#xA;&#xA;Southside&#xA;Hey Southside, where'd you get all that drip?&#xA;Southside&#xA;Southside on the track, yeah&#xA;Ayy, Southside, ayy, Southside&#xA;&#xA;SoundByKid&#xA;Ahah, SoundByKid&#xA;&#xA;Sound M.O.B.&#xA;Sound M.O.B.&#xA;&#xA;SpaceJeep&#xA;SpaceJeep, nigga&#xA;&#xA;SpainDaGoat&#xA;Spain, what you doin'?&#xA;&#xA;Sparkheem&#xA;Ayy, Terk, Sparkheem&#xA;&#xA;Speaker Knockerz&#xA;It's the Speaker Knockerz&#xA;&#xA;SpiffoMadeIt&#xA;SpiffoMadeIt, bitch&#xA;SpiffoMadeIt, haha&#xA;&#xA;Spiffy Global&#xA;Hold up, Spiffy on this motherfucker&#xA;&#xA;Spill&#xA;Ayy, Spill, run that shit back&#xA;&#xA;splashgvng&#xA;You're not sad again, are you, splashgvng?&#xA;&#xA;Splurgeboys&#xA;Splurgeboys&#xA;&#xA;SPXCELY&#xA;SPXCELY&#xA;&#xA;Squat Beats&#xA;Squat made the beat&#xA;&#xA;Squillbeatz&#xA;Run that shit up, Squill&#xA;&#xA;Squito&#xA;Minchia Squito Babe&#xA;&#xA;Sredna&#xA;5260, Sredna in the city&#xA;&#xA;SS.Kev&#xA;Hi Kevin&#xA;&#xA;Stacc da Greatest&#xA;Stacc, you hard, fool&#xA;&#xA;Stain&#xA;I'm Sorry&#xA;It's that new generation over here man&#xA;Where the fuck is the—&#xA;&#xA;Star Boy&#xA;Star Boy, you're my hero&#xA;Star made the beat, I just took it out the oven&#xA;&#xA;Starquake&#xA;Starquake&#xA;&#xA;Statik Selektah&#xA;Statik Selektah&#xA;&#xA;Stats Money Wayy&#xA;Money Wayy&#xA;&#xA;Stack Boy Twaun&#xA;Ayy, Twaun turn that beat down&#xA;&#xA;Steel Banglez&#xA;Steel Banglez&#xA;Banglez on the riddim, yeah, it's fucked&#xA;&#xA;Stef Becker&#xA;Stef Becker beatmaker&#xA;&#xA;Stelios Phili&#xA;Stelly make it knock&#xA;&#xA;Steryotype&#xA;Steryo&#xA;&#xA;StevieBbeatz&#xA;StevieBbeatz&#xA;&#xA;Stickle&#xA;Stickle&#xA;&#xA;Sticksonthebeat&#xA;Sticksonthebeat&#xA;&#xA;StolenCable&#xA;If you're having second thoughts, just read this pamphlet:&#xA;&amp;quot;So You've Decided to Steal Cable.&amp;quot;&#xA;&#xA;Strage&#xA;Strage is blessed&#xA;&#xA;StreetRunner&#xA;StreetRunner&#xA;&#xA;​​stress ✰&#xA;I know how much you like it&#xA;I love you, stress&#xA;&#xA;Struis&#xA;I'm 'boutta get real disrespectful in this motherfu-&#xA;&#xA;Sueco The Child&#xA;I'm at— I'm at Sueco's, bitch!&#xA;&#xA;Sunboy (Producer)&#xA;Sunboy light up again&#xA;&#xA;Sueco&#xA;I'm at, I'm at Sueco's, bitch&#xA;&#xA;Supah Mario&#xA;Supah Mario&#xA;Mario!&#xA;Let's go, Mario!&#xA;&#xA;Super&#xA;Supah, aha&#xA;&#xA;Superstaar&#xA;Superstaar B-B-B-B-B-B-Beats&#xA;&#xA;SUPREMÉ&#xA;It's gotta be SUPREMÉ&#xA;&#xA;StoopidXool&#xA;Fucknigga&#xA;Plug&#xA;Xool on tha beat boy&#xA;&#xA;Swami&#xA;Swami, that shit crazy&#xA;&#xA;SWAMPKILL777&#xA;YUNG DRIPP&#xA;&#xA;Swiff D&#xA;Swiff D&#xA;&#xA;Swifta Beater&#xA;Swifta Production&#xA;&#xA;Swirv&#xA;Swirv&#xA;&#xA;Switchblade&#xA;Yo, Switchblade, you ballin'&#xA;&#xA;Swizzy&#xA;Swizzy na beacie, ziomal&#xA;&#xA;Swoope&#xA;Swoope, there it is&#xA;&#xA;Sxbz Beats&#xA;Sebzbeats baby&#xA;&#xA;Sxpply&#xA;Yes, Sxpply&#xA;&#xA;Syger&#xA;Syger&#xA;&#xA;Synco&#xA;Shout out my nigga Synco&#xA;Synco&#xA;&#xA;Sykes Beats&#xA;Sykes, Sykes&#xA;&#xA;Szogun&#xA;Kolejna produkcja Szoguna&#xA;&#xA;Szamz&#xA;O mój boże, ale dojebałem bitTTahj Money&#xA;Tahj on the beat&#xA;Tahj Money&#xA;&#xA;Take a Daytrip&#xA;Daytrip took it to ten (Hey)&#xA;&#xA;takizava&#xA;takizava is a little gay femboy&#xA;takizava spill yo' blood&#xA;&#xA;Tanerman&#xA;Ta-Ta-Ta-Tanerman&#xA;&#xA;Tank God&#xA;Tank God&#xA;&#xA;Tarentino&#xA;Tarentino, Tarentino&#xA;&#xA;Taurus&#xA;Taurus&#xA;&#xA;Tay Global&#xA;Ayy, spin it back, Tay&#xA;Tay Global&#xA;&#xA;Tay Keith&#xA;Tay Keith, fuck these niggas up&#xA;Tay Keith produced it&#xA;Tay Keith, this too hard&#xA;Tay Keith, what the fuck up, nigga?&#xA;&#xA;Taylor King&#xA;Taylor! (Taylor, Taylor, Taylor)&#xA;&#xA;Taylor Morgan&#xA;Oh no, it's not looking good for us&#xA;&#xA;Tayslay&#xA;Is that a Tayslay beat?&#xA;&#xA;TayTayMadeIt&#xA;Who made this shit?&#xA;TayTay made the beat&#xA;&#xA;Tee Romano&#xA;Mano&#xA;Romano&#xA;&#xA;Teezr&#xA;Ayy, Teezr, that goes crazy&#xA;&#xA;Tefoma&#xA;Ayy, Tefoma made this one&#xA;&#xA;TempsZino Beats&#xA;TP WHIPPED IT&#xA;&#xA;Thaarchitectz&#xA;Thaarchitectz&#xA;&#xA;Tha Bizness&#xA;Tha biz-tha bizness&#xA;&#xA;Thank You Fizzle&#xA;Thank You Fizzle&#xA;&#xA;tha Supreme&#xA;tha Supreme&#xA;&#xA;The Avengers&#xA;The Avengers&#xA;&#xA;The Cataracs&#xA;I-I-I-It's The Cataracs&#xA;&#xA;TheLabCook&#xA;TheLabCook&#xA;&#xA;theycallmeParker&#xA;Parker Parker&#xA;&#xA;ThisIsLoudBeats&#xA;ThisIsLoud&#xA;&#xA;thislandis&#xA;thislandis&#xA;Neilaworld&#xA;&#xA;Thraxx&#xA;Thraxx&#xA;&#xA;Tiagz&#xA;Tiagz&#xA;&#xA;Timmy Da HitMan&#xA;Timmy Da-Motherfucking-HitMan&#xA;&#xA;Timongothekeys&#xA;Grr-pow, Timon&#xA;Tim-, Tim-, Timongothekeys&#xA;&#xA;Timothy Infinite&#xA;Tim-Tim-Tim-Tim&#xA;Tim-ma beats, time to take over&#xA;&#xA;Tizzle&#xA;Tizzle bring the heat, boy&#xA;&#xA;TJProducedIt&#xA;TJ produced it&#xA;&#xA;T-Minus&#xA;You good, T-Minus?&#xA;&#xA;TM88&#xA;8&#xA;&#xA;TnTXD&#xA;Pipe that shit up, TNT&#xA;&#xA;Tokiowahl&#xA;Tokio&#xA;&#xA;Tom French&#xA;Tom French with them racks&#xA;&#xA;Tommy Franco&#xA;Tommy Franco make it bang though&#xA;&#xA;Tony Seltzer&#xA;Ayy Tony&#xA;&#xA;Toom&#xA;Toom on the beat, fool&#xA;Toom, your beats are trash&#xA;&#xA;ToonzLand&#xA;Oh my God, it's Toonz&#xA;&#xA;TouchofTrent&#xA;TouchofTrent be wildin' with it&#xA;&#xA;TOXICAINE&#xA;You're mad, Riddler&#xA;&#xA;TP808&#xA;Once again, I'm locked in with TP, we finna make a hit&#xA;TP, baby&#xA;&#xA;trabbey&#xA;Ayo, trabbey, what's up?&#xA;&#xA;Trademark&#xA;Ayy, this is a Trademark production&#xA;Trademark&#xA;Damn, Trademark&#xA;&#xA;Tracksmith&#xA;You said there was gonna be hookah, Jarvis&#xA;&#xA;Trauma Tone&#xA;Trauma Tone&#xA;&#xA;TrapboyTango&#xA;Is that Tango on the beat?&#xA;&#xA;Trapman TwoThree&#xA;Trap jumpin' like 2-3&#xA;&#xA;TrapMoneyBenny&#xA;Come on, Benny man&#xA;&#xA;Traphouse Mob&#xA;Traphouse Mob&#xA;&#xA;TRASHCAT&#xA;TRASHCAT&#xA;&#xA;Trash Manifest&#xA;Trash Manifest on the beat&#xA;&#xA;Travis Barker&#xA;Travvy, where the drums at?&#xA;&#xA;TR The Producer&#xA;Ayo TR, go crazy on these niggas man&#xA;&#xA;Tre Gilliam&#xA;Tre made this beat&#xA;&#xA;TREETIME&#xA;TREETIME&#xA;&#xA;TrePounds&#xA;808Pound&#xA;&#xA;Trgc&#xA;Damn, Trgc made that?&#xA;&#xA;Tri&#xA;Tri&#xA;&#xA;TrillBans&#xA;Trill, where the fuck you at?&#xA;&#xA;Trill Got Juice&#xA;Mmm, Trill got the juice, nigga&#xA;&#xA;Trillo Beats&#xA;Trillo Beats, you did it again&#xA;&#xA;Triple A&#xA;Triple A&#xA;&#xA;TripleNBeat&#xA;Triple N Beats, tu le sais maintenant&#xA;&#xA;TRIPLESIXDELETE&#xA;Делит на бите, сука&#xA;&#xA;Tristan on the Track&#xA;Tristan on the track&#xA;&#xA;Trvpyyy&#xA;Pour that shit up, Trvpyyy&#xA;&#xA;Turbo&#xA;Playmakers&#xA;Run that back, Turbo&#xA;&#xA;Turn Me Up Josh&#xA;Turn me up, Josh&#xA;&#xA;TwanBeatMaker&#xA;TwanBeatMaker the hitmaker&#xA;&#xA;Tweeko&#xA;Ay, Tweeko mixed this you know, it sounds cold&#xA;It's Tweeko Beats&#xA;&#xA;TwinTwo&#xA;Ayo, TwinTwo, this is a bad boy beat&#xA;&#xA;twikipedia&#xA;Delta&#xA;The odds are against us&#xA;&#xA;twoprxducers&#xA;Ayo, is that twoprxducers?&#xA;&#xA;Twysted Genius&#xA;Twysted Genius, baby&#xA;&#xA;Tykun II&#xA;Tykun&#xA;&#xA;TYME&#xA;Oh, would you look at the TYME&#xA;&#xA;Tyrell 169&#xA;1-6&#xA;1-6-6&#xA;1-6-9&#xA;1-6-9, you feel me?&#xA;&#xA;TZY On The Beat&#xA;TZY on some other shit&#xA;&#xA;T99&#xA;T99, 少し強さを送ってくれUUglyFriend&#xA;I'm ugly&#xA;&#xA;umru&#xA;umru said I'm cute&#xA;&#xA;UncleBac&#xA;I love you, UncleBac&#xA;&#xA;Uncle Cameron&#xA;Ayy, Cameron, you the man now&#xA;&#xA;Undefined&#xA;Undefined&#xA;&#xA;Untxtled&#xA;Untxtled, you did it again&#xA;&#xA;UPNORTH&#xA;UPNORTH&#xA;&#xA;Urben Beats&#xA;This is the Urben Beats exclusive&#xA;&#xA;Used&#xA;Used&#xA;&#xA;Uzeh&#xA;Uzeh killed this track!&#xA;Uzeh, what the fuck, bro?&#xA;Uzeh, go stunt on them bitches!VVadebeatz&#xA;This Vade on the keys&#xA;&#xA;Valente Produced It&#xA;Valente produced it&#xA;&#xA;Venexxi&#xA;Venexxi&#xA;&#xA;Verrsaucy&#xA;Saucy on the beat&#xA;&#xA;Verysadeyes&#xA;Meow&#xA;Very sad eyes&#xA;Verysadeyes ain't sad on this one&#xA;&#xA;Vicasso&#xA;Vicasso on another one&#xA;&#xA;Vikas Prasad&#xA;Ayy, Vikas, you made this?&#xA;&#xA;Viñamata&#xA;Viñamata&#xA;Viñamata slay the tune aye&#xA;Viñamata on the beat bitch&#xA;&#xA;VITALS&#xA;VITALS on the track&#xA;&#xA;ViTheManE&#xA;ViTheManE on the beat&#xA;&#xA;VittoBeats&#xA;Vitto&#xA;&#xA;VVS&#xA;VVS, you forgot to hit it&#xA;&#xA;VVS Melody&#xA;VVS Melody&#xA;&#xA;vvspipes&#xA;Pipes&#xA;Ayo Pipes, you too fire with it&#xA;&#xA;vypirr&#xA;Vypirr, this shit crazy&#xA;VypirrWW4DDLES&#xA;W4DDLES you genius&#xA;&#xA;Wairaki&#xA;Eh-eh-ehi, Wairaki ¿Que tal loco?&#xA;&#xA;Wallis Lane&#xA;Turn me up, Wallis&#xA;&#xA;Warjely&#xA;&#xA;&#xA;Warpstr&#xA;Hold up, hold up, I'm 'bout to hit up Warpstr right now&#xA;&#xA;Wave808&#xA;Wave this the one foe&#xA;Ayo Wave, where you at nigga? Yessir&#xA;&#xA;WetFlxx&#xA;Wet&#xA;&#xA;Wifi&#xA;I’m not into you&#xA;Wifi Based God, he making plays&#xA;&#xA;Will-A-Fool&#xA;Will-A-Fool&#xA;Will-A-Fool, Will-Will-Will-William&#xA;&#xA;Windxws&#xA;I hate Windxws&#xA;&#xA;WIZARDMCE&#xA;I'm Harry, Harry Potter&#xA;&#xA;Wheezy&#xA;Me and Wheezy, that's the wave&#xA;My nigga Wheezy, know what I'm sayin'?&#xA;The tsunami warning has been issued&#xA;Tsunami&#xA;Wheezy&#xA;Wheezy Beatz&#xA;Wheezy outta here&#xA;&#xA;wherescarlos&#xA;Carlos is in here&#xA;Carlos on the beat&#xA;&#xA;Wheretfisray&#xA;Ray, where the fuck are you?&#xA;&#xA;White Rocks&#xA;White Rocks&#xA;&#xA;WhoIsJiggi&#xA;Jiggi? No one calls you that&#xA;&#xA;WhoisMike&#xA;WhoisMike goin' crazy&#xA;&#xA;WhYJay&#xA;WhYJay&#xA;&#xA;WildBoyAce&#xA;You know WildBoyAce made it&#xA;&#xA;WLVS JULES&#xA;WLVS, looking for strippers and cocaine&#xA;&#xA;Wockboy&#xA;Wockboy goin' crazy&#xA;Neilaworld&#xA;&#xA;Wonderlust Beats&#xA;Wonder&#xA;&#xA;Wonton Jesus&#xA;Yo' I just got a Wonton beat&#xA;&#xA;​wow eli&#xA;eli got it jumpin'&#xA;Oh my God, can you be a little more serious?&#xA;​wow eli—&#xA;​wow eli, can you be a little more serious?&#xA;​wow eli, you're doing great&#xA;&#xA;Wxsterr&#xA;Wxsterr&#xA;&#xA;w1erdo&#xA;I'm richer than all y'all goofy-ass bitches&#xA;W1erdoXXay Scott&#xA;R2D2onthetrack&#xA;DatNxgga2Deezy&#xA;2DZ, baby&#xA;R2D2&#xA;&#xA;XL Eagle&#xA;XL Eagle made it&#xA;&#xA;xmichaelwarren&#xA;michaelwarren&#xA;&#xA;xnrst&#xA;Ștefane, mi-ai dat lean-u' pe jos&#xA;&#xA;XODB&#xA;X loaded up, bro&#xA;X on the beat, make it boom&#xA;&#xA;​xosloth&#xA;Damn, Sloth&#xA;&#xA;Xoxotic&#xA;Xotic, fammi un 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beat&#xA;&#xA;Young Miles&#xA;Young Miles!&#xA;&#xA;Young Shad&#xA;Young Shad, you killed this track&#xA;&#xA;Young Jonn&#xA;It's Young Jonn, The Wicked Producer&#xA;&#xA;Young Kico&#xA;Kico on the track&#xA;&#xA;youngkimj&#xA;KimJ ballin' on these hoes, huh?&#xA;KimJ with the heat&#xA;&#xA;YoungKio&#xA;Kio, Kio&#xA;&#xA;Young Kros Beats&#xA;Young Kros on the beat&#xA;&#xA;Young Swisher Beats&#xA;Sit down Young Swisher&#xA;Ayy Young Swisher, roll up&#xA;Shout out Young Swisher&#xA;&#xA;Young Trill Beatz&#xA;BeatEmTrill&#xA;&#xA;yskillem__&#xA;YS finna kill 'em, bitch&#xA;&#xA;Yung Bludd&#xA;Yung fucking bludd!&#xA;&#xA;Yungcans&#xA;Cans&#xA;&#xA;Young Quill&#xA;Y-Y-Young Quill&#xA;&#xA;Yoz Beatz&#xA;Yoz what you telling me?&#xA;&#xA;Yung Glizzy&#xA;Glizzy, what you cooking up?&#xA;&#xA;Yung Icey&#xA;Icey, I'm so sick of you&#xA;&#xA;Yung Ladd&#xA;That nigga Ladd got the juice, ho&#xA;&#xA;Yung Lan&#xA;Yung Lan on the track&#xA;Lan, this beat so crazy&#xA;&#xA;Yung Lando&#xA;Lando made 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<INFO BITRATE="818000" KEY_LYRICS="1 ContributorOMG Remix Lyrics&#xA;&#xA;&#xA;Mob&#xA;&#xA;&#xA;Siamo in studio, quattro negri a far la trap&#xA;Tu mi chiedi che cos'è, testa solo per il cash&#xA;Scendo in piazza con la scarpa nuova, fresh&#xA;Tu non lo fai come me, sempre dietro a me la gang&#xA;Non parlami se, fra', non sai come farli&#xA;Come raddoppiarli oppure recuperarli&#xA;Dormo sul suo culo perché è soffice, morbido&#xA;Stai provando a fottermi, stronzo, scordalo&#xA;Sono io l'uomo di casa a diciott'anni&#xA;Credo a Gesù Cristo, perdona questi peccati&#xA;Mani giunte come in chiesa la domenica&#xA;Mio fra' sta al bilocale, trappa pacchi con il cellophane&#xA;E mia madre non mi parla più (No)&#xA;Non vede quasi mai suo figlio, ma spero in TV&#xA;Che si fotta la distanza&#xA;Mio frate' ti spara, ma sta in zona, mica a Atlanta&#xA;&#xA;&#xA;Sto coi miei, non ci toccherà nessuno&#xA;Mamma, ti giuro, cambieremo 'sto futuro&#xA;Fuori anche di notte, la scuola è in strada&#xA;Sputiamo per terra quando passa la madama&#xA;Oh my God (Oh my God)&#xA;Sparerei per un bro&#xA;&#xA;Faccio &amp;quot;ra-ta-ta&amp;quot;&#xA;Siamo in venti al club che contiamo il cash&#xA;La tua troia là che guarda i miei fra'&#xA;Siamo i meglio in città&#xA;Pregherò, oh my God&#xA;Sparerei per un bro&#xA;&#xA;&#xA;Ho una Sig Sauer che fa fuoco, power&#xA;E una pussy colorata, rosa flower&#xA;Danny Glover, supernova&#xA;La mia bitch sport, Range Rover (Ueoh)&#xA;Polso fisicato, phisique du Rolex (Ahahah)&#xA;Conto pile alte quando fuori piove (Yeah)&#xA;Puoi chiamarmi &amp;quot;Cosimoney&amp;quot; (Cosimoney)&#xA;Ma tu non chiamarmi mai se sei un infamone&#xA;Entro dentro lei, poi non esco più, eh&#xA;Come quei miei amici in Filangieri al 2&#xA;Lei mi ama e si tatua &amp;quot;G-U-E&amp;quot;&#xA;Stai chillando in cella frigo con la testa in giù, eh&#xA;Con di fianco un bue, frate', te lo giuro&#xA;Sono un bimbo degli '80, brown sugar&#xA;Nella street ho fatto diving, scu-scuba&#xA;E sul beat ho vinto gli Oscar, cultura&#xA;&#xA;Faccio &amp;quot;ra-ta-ta&amp;quot;&#xA;Siamo in venti al club che contiamo il cash&#xA;La tua troia là che guarda i miei fra'&#xA;Siamo i meglio in città&#xA;Pregherò, oh my God&#xA;Sparerei per un bro&#xA;&#xA;&#xA;Sto coi miei, non ci toccherà nessuno&#xA;Mamma, ti giuro, cambieremo 'sto futuro&#xA;Fuori anche di notte, la scuola è in strada&#xA;Sputiamo per terra quando passa la madama&#xA;Oh my God (Oh my God)&#xA;Sparerei per un bro&#xA;&#xA;&#xA;Shawty vuole i miei Money&#xA;Anche se foreign shake up your bam bam&#xA;Big Money big talk big drip&#xA;Puttane stanno addosso come lipstick&#xA;Un anno fa lavoravo dentro un fast-food&#xA;Ora fotto modelle fatte di lifting&#xA;L.A. la mia bitch forte col westcoast&#xA;Su un tappeto rosso faccio crip col besthoas&#xA;VVS Draco&#xA;La quit extendo&#xA;La gang ti cracca tu spacca correndo&#xA;Vestiti di nero per un homme invasion&#xA;Arrivan le 9 una 9 in testa ti fa un cerchio&#xA;Yeah sono nel club con tutta la squad&#xA;Yeah A 18 anni ho cambiato vita con la trap&#xA;&#xA;Faccio &amp;quot;ra-ta-ta&amp;quot;&#xA;Siamo in venti al club che contiamo il cash&#xA;La tua troia là che guarda i miei fra'&#xA;Siamo i meglio in città&#xA;Pregherò, oh my God&#xA;Sparerei per un bro" PRODUCER="SenkaSonic" COVERARTID="084/UKPZH4CY53JJDAJWV0W1DIXZGZ4A" KEY="9m" PLAYTIME="154" PLAYTIME_FLOAT="153.716217" IMPORT_DATE="2025/5/24" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="15770"></INFO>
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<INFO BITRATE="1003000" KEY_LYRICS="5 ContributorsBad &amp;amp; Clean - Remix Lyrics&#xA;Ain't no chat if ain't no cream&#xA;Worldwide cash that's purp and green&#xA;No seh mi bad, no seh mi clean&#xA;Clean as a uh&#xA;Ain't look back since 016&#xA;Real life wid it dem real pon screen&#xA;No seh mi bad, no seh mi clean&#xA;No seh mi bad and clean&#xA;Dem boy talk, say dey badder than we&#xA;Wayamean? must ah dream&#xA;Clean as a uh&#xA;No seh mi bad and clean&#xA;Fam when wi foot touch dung a movie scene&#xA;Can't step light, might step mean&#xA;My drip pon GBH my g&#xA;No seh mi bad and clean&#xA;&#xA;&#xA;Dem no seh mi bad&#xA;No seh mi clean&#xA;We take it to the extreme&#xA;Big Frisco and INFAMOUSIZAK&#xA;Skilli with Skep and Digga D&#xA;Living dreams, billing greens&#xA;Gwan like your bad till you're spilling beans&#xA;Try page me and get the whole magazine&#xA;Two man dead on the scene&#xA;From when mi foot touch down, a movie scene&#xA;With a big back gyal this ah fill out the jeans&#xA;Clean, bad and clean, strap and beam, seen&#xA;Stick up who, lif' up two, how ya mean?&#xA;I ain't here for the he say she say&#xA;Only man that can play me is a DJ&#xA;Can't get this tool on eBay&#xA;I'm a lion in a jungle so why would I care what a sheep say?&#xA;Action replay whatever&#xA;Slap two shot in your Avirex leather&#xA;.45 done him out, leisure my pleasure&#xA;Man said he come to defend the ting well okay then, hold these shots for your bredda&#xA;Man are outside all the time, any weather&#xA;Ain't gave back or put anyone on so how's man gonna chat about Jenna?&#xA;&#xA;Run chat for the vintage like monkey pads&#xA;This the east side like junkie lad&#xA;Pumpy shot hmm&#xA;Can't see them man here like Godzilla&#xA;Bad and clean, mad and mean&#xA;Jog and leave, lock and be&#xA;Bad and brr, I chat skit&#xA;Run and move, chop off skin with chop stick&#xA;Glock mi ah run up skin with plastic&#xA;Step to make a head a shell a press&#xA;I take time on my sich I send ah hell ya dead&#xA;My Glock with infared you're rassing them I beg&#xA;Now get away&#xA;Rup rup rup rup with the millimetre&#xA;Mi know when mi get the tempa dead&#xA;Mi never tek no bads eye at the Philippines&#xA;I shot her 'ed&#xA;Mi touch it, 3 a mark of them&#xA;Shook them down my gunly fuck&#xA;You know this hot, the pumpy bust hotter&#xA;Fa-Face when bust your skull in and I'll haze mi&#xA;Def yeah fuck boy violate, mi ah pept him up&#xA;Mi rise the .50 cal boy&#xA;'Morro fine, gon' miss she gone&#xA;Mi no fear talk&#xA;&#xA;&#xA;Ain't no chat if ain't no cream&#xA;Worldwide cash that's purp and green&#xA;No seh mi bad, no seh mi clean&#xA;Clean as a uh&#xA;Ain't look back since 016&#xA;Real life wid it dem real pon screen&#xA;No seh mi bad, no seh mi clean&#xA;No seh mi bad and clean&#xA;Dem boy talk, say dey badder than we&#xA;Wayamean? must ah dream&#xA;Clean as a uh&#xA;No seh mi bad and clean&#xA;Fam when wi foot touch dung a movie scene&#xA;Can't step light, might step mean&#xA;My drip pon GBH my g&#xA;No seh mi bad and clean&#xA;&#xA;&#xA;Waiting ain't calling Biggz&#xA;That's a whistle screwed on the front of the pistol&#xA;Tryna put corn in wigs&#xA;I took the baby to cribs&#xA;Had baby powder all on my clothes and skin&#xA;He never hear through his ear so I pierced his skin&#xA;Knock it off make the firing ping&#xA;Pablo Escobar drove out of jail and I drove out of jail&#xA;There's probably nobody else in the world that's done what I've done in this ting&#xA;I can tell they don't want lil Rhys to prevail&#xA;I was in prison watching the news&#xA;They're saying that Metropolitan got hacked&#xA;They're tweeting 'free Digga D on foenem' I know that my cell mates think that I'm tapped (hahaha)&#xA;See him there, lift it up, lock it off&#xA;Put the glee in there lift it up, pop it off&#xA;762. bine that's a crocodile&#xA;Put a trip on a new nank kill 'em in style&#xA;Huh, little big boss in this ting&#xA;BBC doc in this ting&#xA;Bafta Award made a street nigga win, when I'm in the crowd, my mum, my gyal and my ching&#xA;&#xA;I'm a chief in my father's village&#xA;We get money, don't cry over parking tickets&#xA;You talk wicked, you've got the hardest image&#xA;My darg with it, I know your heart ain't in it&#xA;Shotguns beating on London street&#xA;So I've got the soldiers marching with it&#xA;What you know about skengs and Champaign?&#xA;Ask Frisco, I was dancing with it&#xA;You ever seen a man whine with bine?&#xA;15 shells in the TP9&#xA;That boy there tried step out in Gucci&#xA;Fifteen holes, that's a redesign&#xA;Don't beg friend, I'm with my own crew&#xA;When it was time to step I brought my own shoes&#xA;40 sitting on 40&#xA;Business man to some but still a known goon&#xA;Like welcome to London city&#xA;Where the Rambo's ugly&#xA;But the gundem pretty&#xA;Black, white, all kind of badman&#xA;Shubses tun up the pubdem busy&#xA;One high street, there's a hundred nitties&#xA;Like a grandad walk with the stick you nah it gets sticky&#xA;&#xA;&#xA;Ain't no chat if ain't no cream&#xA;Worldwide cash that's purp and green&#xA;No seh mi bad, no seh mi clean&#xA;Clean as a uh&#xA;Ain't look back since 016&#xA;Real life wid it dem real pon screen&#xA;No seh mi bad, no seh mi clean&#xA;No seh mi bad and clean&#xA;Dem boy talk, say dey badder than we&#xA;Wayamean? 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<INFO BITRATE="988000" KEY_LYRICS="1 ContributorElektricity Will Keep Me Warm LyricsWoken&#xA;I wanna wake up with the birds&#xA;Be welcomed into their home&#xA;Half of me is dry and half swimming out to sea&#xA;Half filled up and half alone&#xA;Puzzled&#xA;How can I keep myself in one piece&#xA;Trying out my body’s power&#xA;You couldn’t be what we wanted you to be&#xA;But electricity will keep me warm&#xA;I wanted so to be your hummingbird&#xA;When I know I can have all of you&#xA;But now the garden gate’s not open&#xA;I don’t think I can get through&#xA;Lying beside you sometimes I see stars&#xA;I start to hover, floating away&#xA;Uncreated worlds slowly approaching&#xA;I am cold and I am brave&#xA;Regarding the work/love ratio&#xA;I’ve found that, instead of feeling torn:&#xA;Darling, there’s no need to worry&#xA;‘cause electricity will keep me warm" PRODUCER="- 2015" COVERARTID="032/AJKIMIAVHOI10CPSASFSDRTEDBLD" KEY="11m" PLAYCOUNT="1" PLAYTIME="377" PLAYTIME_FLOAT="376.760010" IMPORT_DATE="2025/5/24" LAST_PLAYED="2025/5/23" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="45848"></INFO>
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<INFO BITRATE="975000" KEY_LYRICS="2 ContributorsMr. Important LyricsDespair published on the front page&#xA;3 mile article pre filed particles&#xA;Your opinion found lost turn us into housed home&#xA;Living by the exhaust corrupting your sound cones&#xA;How much does the rest cost nothing for the war pigs&#xA;Moral anorexic carpenter an horse rigs&#xA;Trucker up for 18 month who wanted age cream&#xA;Must forget the main stream Ram is gonna drink from&#xA;Just a fool who locates feeder fishing pro bait&#xA;Hook up to a machine part of being so safe&#xA;By ignoring all things that I can relate to&#xA;Spine bumped signed out book on how to hate you&#xA;I imagine you'll Practice knife throw and darts&#xA;At my head my hand and my neck&#xA;Cause my kids are going to be robots that won't&#xA;Leave the house and won't use they're mouths to project&#xA;Since it's now that we wrecked and then that we sped&#xA;What used to protect the cowards instead&#xA;Allowed by a man who tears at the earth&#xA;And dared to be the first king of the last thing he said&#xA;&#xA;Half important Passages&#xA;On scraped Mountain Faced&#xA;Maximus your Over taped out of place&#xA;Practices Are left shot by the Box Pro Activist&#xA;Cold stares Bolt Cut Cold Air&#xA;Voltage Maybe I should try out for&#xA;A professional team and this sectional&#xA;Seam so what? Lab Rat Alarm time to take breaks&#xA;Back to the store for repair Has that&#xA;Part I ordered weeks ago reached the coast&#xA;The policy of truth gets your cash back&#xA;Passed that vehicle Global Motion&#xA;Detoxify I'm hope full frozen&#xA;Dog Tag I.d. F train closing&#xA;Left Brain Open to an onslaught Trojan&#xA;Horse effect force traject coarse&#xA;Obstacle with a fine tooth checked&#xA;Up until the loud speak turns into an out reach&#xA;People talk about me from Quebec to south beach&#xA;&#xA;Half important Passages&#xA;On scraped Mountain Faced&#xA;Maximus your Over taped out of place&#xA;Practices Are left shot by the Box Pro Activist&#xA;&#xA;You Fucks don't like to vote rally or fight&#xA;You Suck on you tv's internet and satellite&#xA;You Bucks for the boss man and like you're a door&#xA;It Just won't open up for Rob Sonic no more&#xA;Honest go toward the water tower leaks&#xA;Making a Living out of super sick leaves&#xA;A lot to be desired the proprietors chief&#xA;Example was torn up News paper clip&#xA;For a bru baker trip a new mega chip&#xA;Then when inserted to the patient&#xA;Means that you've taken sick your flu days&#xA;Are picked and all in a line&#xA;Near the happy place 35 mile mark sign&#xA;Banking from the dispatch is the catch that you make&#xA;When your backs to the walls And your act doesn't sell&#xA;Stagnant as hell should have ducked when you lead&#xA;But this magnet repelled any feelings at all&#xA;Half of the important Passages&#xA;On scraped Mountain Faced Maximus&#xA;Your Over taped out of place Practices&#xA;Are left shot by soap Box Pro Activist" PRODUCER="Souped Up Records" COVERARTID="123/1XQ001AA1UTWODYR0DAZCESN3PFD" KEY="2m" PLAYTIME="269" PLAYTIME_FLOAT="268.982849" IMPORT_DATE="2025/5/24" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="32301"></INFO>
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<INFO BITRATE="1068000" KEY_LYRICS="1 ContributorSee Crew Lyrics&#xA;The only difference wit’ me and my bruddas, we got different names&#xA;Stone DoT, SD-music symbol, you ain’t got this chain&#xA;How you tried to pull up from the three, you ain’t go no aim&#xA;Everybody speakin’ on the Kidd, they acknowledge fame&#xA;I got hella people tappin’ in, but I stayed the same&#xA;She don’t want no pink or shein cart, she want Alex Wang&#xA;I pulled up like Curry from the three, all they heard was bang&#xA;Please remember when you step to me, make sure you not a lame&#xA;Check the music, numbers addin’ up, do you see my clothes?&#xA;100K i’m feelin’ like Jeezy, I’m puttin’ on&#xA;All these niggas actin’ hella cheesy, I can’t rock wit y’all&#xA;Niggas hatin’ cause i’m goin up, they rather see me fall&#xA;Rubber banded up, racks tucked, they get to see me ball&#xA;All that loyal shit, she got a man, but she still gon’ call&#xA;Every situation I was in, I always stood tall&#xA;I just tried to lob to my brudda, think i’m Chris Paul&#xA;I apologize for every person that I fucked off&#xA;I been out assisting like Giannas, gettin’ bucks off&#xA;Gettin hella blues, battin’ shit like i’m Doug Alt&#xA;I’m a King sittin’ on the throne, bitch my cup tall&#xA;Bitch my cup tall, water fall, huh we at the mall&#xA;All the hoes stare, Kidd where? meet me in the stall&#xA;Knockout Michael B Jordan, ballin’ like i’m E Gordon&#xA;I think I can see Dory, if they want the beef i'm scorin’&#xA;We was up in neiman marcus, thirteen racks-James Harden&#xA;They wanna come creep on us, that’s because they beef boring&#xA;I’m on top of everybody, look up thirty-three stories&#xA;I been switchin’ hella lanes, I think I can see tory&#xA;I can’t even stop i’m ballin’ out, go to hit the club&#xA;I got segregation in my stack, this one all dubs&#xA;Bag for the girls on stripper poles, this is all ones&#xA;Hella raw, i’m bringin’ hella thunder, i'm in OK&#xA;He keep saying that he took from me, nigga no way&#xA;I’m the one that’s posed to blow up like some propane&#xA;You niggas can’t catch up wit me, I got power like i’m 50&#xA;I know my old girls miss me, yeah I miss ‘em too&#xA;The kidd in a ‘coupe, my watch stuck like some glue&#xA;Number one but I throw two, her friend bad I want her too&#xA;This Dior but I don’t woo, every week it get renewed&#xA;Bad groupies in a group, they gon fold when they see crew&#xA;For this bag you know i’m fightin’, she a bad bitch she get diamonds&#xA;I ain’t internet no typin’, leadin’ all these niggas, Biden&#xA;All my style, niggas bitin’, worried bout me they keep dickridin’&#xA;All my bruddas really whippin’ uh, they some stick drivers&#xA;Big boat, 12 pull it over, it’s gon keep drivin’&#xA;All my team pullin’ up bullshit, we the Teen Titans&#xA;I know how to put my colors on, I don’t need stylist&#xA;I know how to put my colors on, I don’t need stylist&#xA;All these niggas live like Call of Duty, but they keep dyin’&#xA;She had told her friend she was done wit me, she keep spyin’&#xA;I ain’t know that I could go this high, I just keep flyin’&#xA;I already said I know the truth, but she keep lyin’&#xA;9th grade I was on flip phone, never mobile phone&#xA;I got more clips than Joe Pesci, nigga Home Alone&#xA;Every one told me congratulations, feel like Post Malone&#xA;I’m a big dog like Clifford, tryna take a bone" PRODUCER="Critical Music" COVERARTID="097/BP4WYTC5G0WKGDYPQFHNASP3KZCC" KEY="2m" PLAYTIME="289" PLAYTIME_FLOAT="288.071442" IMPORT_DATE="2025/5/24" RELEASE_DATE="2020/1/1" FLAGS="8" FILESIZE="37833"></INFO>
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<INFO BITRATE="938000" KEY_LYRICS="3 ContributorsThe Villagers LyricsThe villagers are out tonight, uptight and bored&#xA;They're pushing you underground&#xA;On wintry days, they stand and gaze&#xA;Outlined in black and ignorant&#xA;Villagers&#xA;&#xA;Dark shadows house a sleepy malice&#xA;In the backbrain of everybody you meet&#xA;Man is the village animal&#xA;United by the glue of our loathsome qualities&#xA;We are sneaking, peeping toms&#xA;In revolt against each other&#xA;&#xA;The villagers are most insane&#xA;They live to die anonymous and muted too&#xA;Villagers&#xA;&#xA;In revolt against the other&#xA;But not against the rules&#xA;So in the space age&#xA;The village idiot rules&#xA;On TV for all to see&#xA;As some good men walk the streets&#xA;Unh unh unh unh unh, unh unh unh&#xA;The villagers&#xA;You can't get lost&#xA;You can't get lost&#xA;In the village of space&#xA;You can't get lost" PRODUCER="Souped Up Records" COVERARTID="123/1XQ001AA1UTWODYR0DAZCESN3PFD" KEY="1m" PLAYTIME="270" PLAYTIME_FLOAT="269.757812" IMPORT_DATE="2025/5/24" RELEASE_DATE="2020/1/1" FLAGS="8" FILESIZE="31178"></INFO>
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<INFO BITRATE="1122000" KEY_LYRICS="8 ContributorsThe Ultimate Nerdcore Cypher LyricsThis is a cypher where you can join in by adding your own verses about pretty much any sort of media that could be considered Nerdcore. This can range from games and TV shows to things even like books… Read More &#xA;Aww man!&#xA;I had this whole great plan to make this cool Nerdcore cypher, and now I have no clue what to write!&#xA;Anybody wanna help me out?&#xA;No? Fine&#xA;Let’s go then&#xA;&#xA;&#xA;Boom, all nerds unite&#xA;Y’all know that I’m bringing the hype&#xA;And if it cringe, well, that’s alright&#xA;Because I’m just a huge nerd inside&#xA;No seriously, call me an XL geek&#xA;No seriously, I can take that heat&#xA;Because I’m just that big a nerd, that’s why I started this rap&#xA;And if you don’t like that, I’m still not taking your crap&#xA;(Yo, get back on track)&#xA;(My bad!)&#xA;So, guys, how we startin’ off the night?&#xA;Is just a chill cypher, or are we gonna fight?&#xA;&#xA;&#xA;Hit 'em with the (boom, boom, boom!), and we flashy like Tengen (Ah!)&#xA;No need to fuckin' fight back, yo' life, I could send it (Yuh!)&#xA;Up to them gates, man, just stay in ya place (damn!)&#xA;You said you up, well, where's the proof? I can't see it, it's not in my face (Nah!)&#xA;I'm runnin' it up, and I set the mic on fire like Rengoku stepped in the house (Whoa!)&#xA;Move like a ninja, I'm 'bout quite as a mouse (Shh!)&#xA;But I can also bring the shock, like a Pikachu (Brrt!)&#xA;You can't fight, nah, bitch, we're seizing you (Yeah!)&#xA;Pull up with the fire on my hip, you whinin' like a bitch (Shut up!)&#xA;I'm just better, and got more cash, so I've got the highest of the drip (Yuh!)&#xA;Sick of dealin' with pussies, got me feelin' like Whis (Ugh!)&#xA;Got you shakin' in yo' boots, and got ya girl beggin', &amp;quot;please,&amp;quot; (Huh!)&#xA;Was layin' it down, right on yo' sheets (Ooo!)&#xA;I ain't normally one to cheat, but yo' had me tempted (Yeah!)&#xA;Not on my partner, but I could easily steal ya bitch, so I didn't even send it (Not worth it)&#xA;I'm smokin' on that loser pack, yeah, yo' career, I'll fuckin' end it (Yeah!)&#xA;Kill you off like you a Demon, man, I've gotta be a Slayer (Uh!)&#xA;Way I'm fuckin' up the beat, you want beef? Well, then, I'll slay your&#xA;Dumbass, (Uh!) bitch, I'm like Homelander, &amp;quot;I'm better!&amp;quot; (He better!)&#xA;But I got all these pussy boys thinkin' that I'm lesser (Lesser!)&#xA;I'm sick of this shit, gon' run off when the sun comes up like Akaza (Oh, shit!)&#xA;Yo' clique, it did not hit, bruh, previous incarnation, I feel like Nayuta! (Huh?)&#xA;&#xA;Shit, man, I think I went a bit too crazy!&#xA;Who else gon' drop a verse here, man!&#xA;Like, deadass, we need this shit to be as big as possible&#xA;Someone drop a damn verse, like damn!&#xA;&#xA;&#xA;Bored as hell I got some time to spare&#xA;So, everybody getting some time&#xA;And getting some knifes and heals&#xA;And everyone getting some crystals (Shards)&#xA;Like my world is at risk 'cause a hating ass nigga decided to fuck over the election&#xA;And now I'm getting more desperate&#xA;I got you a gun I really hope that you can use it&#xA;Why am I doing this?&#xA;For evil that really is abusing&#xA;I'm not paranoid bro what really is on your mind&#xA;Is it me because I'm not doing fine if anything its... boring&#xA;&#xA;&#xA;Damn, I guess we really snappin' on this shit, y'all&#xA;I'ma spin back here, hol' up&#xA;&#xA;&#xA;Look, we better like Homelander, we land in your home&#xA;Take you and your homies, put you out of yo' zone&#xA;You wanna try me, you'll get Dizzy, puttin' Eight in your dome&#xA;What I be doin' on the track really a FabvL, but don't get me confused for a wack ass rapper&#xA;You walkin' 'round tryna pick up ho's, but you lookin' too dapper&#xA;They ain't want that, I'ma blow up your spot like Bakugo&#xA;I ain't doin' shit, but yo' girl an actual ho&#xA;And honestly, bitch, you my actual foe&#xA;You a tag-team? Nah, bitch, I'll shoot you with a beam&#xA;No Kamehameha, and I guess my future been seen&#xA;Seen as a rapper who'll make it out there, Nerdcore or not&#xA;We drop in your spot, and we pop all the ops (Yeah!)&#xA;We clear the buildin' and the parkin' lot (Brrt)&#xA;I move in a black whip, not usin' Blackwhip, I'm not Izuku (Nah!)&#xA;I'm in your spot, and I'm yellin', &amp;quot;move, fool!&amp;quot; (Move!)&#xA;Yeah, you can't test the god of this shit, bitch, fuck out my face (Leave!)&#xA;'Fore I shoot up your place, if it's on recording, I'll still beat the case (Damn!)&#xA;I'll really send you to space, you a fuckin' disgrace (Damn!)&#xA;I'll put you in pain, bitch, I'm filled with rage (Uh!)&#xA;I'll make you hurt hella, and it'll make you insane (Yeah!)&#xA;And I'm done here for now, so c'mon, bitch, c'mon and hate (Ooo!) (Whatchu Say)&#xA;&#xA;Not too bad&#xA;Been thinking bout it&#xA;I think it might just work&#xA;Listen (Back in the mix)&#xA;&#xA;&#xA;I ain't going against my faith (Yeah boy)&#xA;But I really know what's my fate (Yeah boy)&#xA;You can't really be a fake, this ain't no face off (Lord is my rock)&#xA;Blast off through a Kamehameha (Whatchu want)&#xA;8 red dots on your dome (You getting dizzy)&#xA;J_c0b breaking in your home (Opp like Drizzy)&#xA;Telling you to think but ain't no Omni-Man (Think, Mark, think)&#xA;This that Mr Get-off-me-man (Peekaboo)&#xA;Synonym, sin in 'em (It's a misconception)&#xA;Say they wanna fight, they clearly just bluffing (What did I say?)&#xA;Can't get enough of me, but they had enough of me (I do too much)&#xA;You ain't gon' be cuffing me (I'm not illegal I swear)&#xA;I know some people who put a hole in you like Rengoku (Look like a donut)&#xA;Take your shot but like the one to the president, you missed (It still happened)&#xA;And I ain't trying to get anyone pissed (Nope)&#xA;Don't normally do this (Nope), but I did this (Yeah)&#xA;This is as far as I can stretch (Ha)&#xA;&#xA;&#xA;Okay, okay, I been wandering a bit&#xA;But I'm here guys, glad you didn't leave without me (He sees you when you're-)" PRODUCER="VISION" COVERARTID="113/RLKOUXBWAKPSNASJ1QY3BSOOTTDB" KEY="5d" PLAYTIME="314" PLAYTIME_FLOAT="313.953491" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="43327"></INFO>
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<INFO BITRATE="955000" KEY_LYRICS="3 ContributorsSidestep Lyrics“Sidestep” explores social anxiety behind a self-produced funky groove. Atlas told Ones To Watch:&#xA;&#xA;‘Sidestep' is about feeling drained after social interactions. Sometimes I facilitate a conversation, and I… Read More &#xA;I should've known&#xA;Then I left all of my clothes at your house&#xA;Would it be cool&#xA;If maybe I could pick them up right now?&#xA;&#xA;&#xA;Don't mind me&#xA;I'm passing through&#xA;Can't help but feel subdued&#xA;Cuz maybe I misjudged you&#xA;I'm so confused&#xA;I don't know what to do&#xA;&#xA;&#xA;Oh I don't want to be blind&#xA;Smoke is burning my eye&#xA;Feeling the pressure holding my mind&#xA;Baby I wish you&#xA;Would notice&#xA;Say it's all just for fun&#xA;Like a bullet leaving a gun&#xA;Pulling the trigger for attention&#xA;I'm gonna feel so, whatever&#xA;&#xA;&#xA;I never knew&#xA;Conversations they could wear me down&#xA;I'm so exhausted, lost in the social cues&#xA;I'd rather stay in bed and turn the lights out&#xA;&#xA;But don't mind me&#xA;I'm passing through&#xA;Can't help but feel subdued&#xA;Cuz maybe I misjudged you&#xA;I'm so confused&#xA;I don't know what to do&#xA;&#xA;&#xA;Oh I don't want to be blind&#xA;Smoke is burning my eye&#xA;Feeling the pressure holding my mind&#xA;Baby I wish you&#xA;Would notice&#xA;Say it's all just for fun&#xA;Like a bullet leaving a gun&#xA;Pulling the trigger for attention&#xA;I'm gonna feel so, whatever&#xA;&#xA;Oh I don't want to be blind&#xA;Smoke is burning my eye&#xA;Feeling the pressure holding my mind&#xA;Baby I wish you&#xA;Would notice&#xA;Say it's all just for fun&#xA;Like a bullet leaving a gun&#xA;Pulling the trigger for attention&#xA;I'm gonna feel so, whatever" PRODUCER="Critical Music" COVERARTID="097/BP4WYTC5G0WKGDYPQFHNASP3KZCC" KEY="7m" PLAYCOUNT="1" PLAYTIME="272" PLAYTIME_FLOAT="271.047699" IMPORT_DATE="2025/5/24" LAST_PLAYED="2025/5/23" RELEASE_DATE="2020/1/1" FLAGS="8" FILESIZE="31875"></INFO>
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<INFO BITRATE="1023000" KEY_LYRICS="6 ContributorsHot Soup Lyrics&#xA;Mm-mm-mm&#xA;Mm-mm-mm&#xA;&#xA;&#xA;You can whistle a tune, and buy a balloon&#xA;You can even eat a bagel with a silver spoon&#xA;But you just can't eat hot soup with your bare hands&#xA;You can hang like a bat, and dance with your cat&#xA;You can even use your undies as a pirate's hat&#xA;But you just can't eat hot soup with your bare hands&#xA;&#xA;&#xA;So if you want to keep out of hot water&#xA;If you want to find yourself top dog in the catbird seat&#xA;Then don't you try to do what you ought not to&#xA;You better concentrate on a-doin' the things you can, mm-mm&#xA;&#xA;&#xA;&#xA;&#xA;Mm, you can pickle a prune, or rent a raccoon&#xA;Or dig yourself a swimmin' pool with Sun Myung Moon&#xA;But you just can't eat hot soup with your bare hands&#xA;Give Edgar Winter a tan, swim to Azerbaijan&#xA;Or do &amp;quot;The Macarena&amp;quot; with the Wu-Tang Clan&#xA;But you just can't eat hot soup with your bare hands, oh, oh&#xA;&#xA;So you don't play ball like Sammy Sosa&#xA;So you'll never fly to Toronto, rent a Miata, drive to the border&#xA;Go down a barrel down Niagra Falls&#xA;The negative should not be dwelt on, no sir, no&#xA;Better concentrate on a-doin' the things you can&#xA;(You the man!) Or the woman!&#xA;And you just can't eat hot soup with your bare hands&#xA;&#xA;&#xA;Vegetable! (Vegetable!) Alphabet! (Alphabet!)&#xA;Chicken noodle! (Chicken noodle!) Spaghettios! (That ain't soup!)&#xA;Matzoh ball! (Matzoh ball!) Split pea! (No soup for you!)&#xA;Minestrone! (Minestrone!) Tom Kha Gai! (That soup's hot!)&#xA;Leeky leeky! (Leeky leeky!) Wonton! (Wonton!)&#xA;Gazpacho! (You can do that!)&#xA;&#xA;&#xA;Oh, you just can't eat hot soup&#xA;You just can't eat hot soup&#xA;You just can't eat hot soup&#xA;You just can't eat hot soup&#xA;Oh, you just can't eat hot soup with your bare hands&#xA;Oh, ho, ho" PRODUCER="VISION" COVERARTID="113/RLKOUXBWAKPSNASJ1QY3BSOOTTDB" KEY="5m" PLAYTIME="240" PLAYTIME_FLOAT="240.000000" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="30279"></INFO>
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<INFO BITRATE="1017000" KEY_LYRICS="27 ContributorsSongs of the Year (2013) LyricsRock Genius Editors pick their individual top 10 best songs of 2013 lists!The Rock Genius Editors Pick Their Own Top 10 Songs of the Year Below...Check it!&#xA;&#xA;BennySwans&#xA;1. Arctic Monkeys – Do I Wanna Know?&#xA;2. Jake Bugg - Messed Up Kids&#xA;3. King Krule – Border Line&#xA;4. Lissie – Shameless&#xA;5. Kurt Vile – Shame Chamber&#xA;6. Queens of the Stone Age – I Sat By The Ocean&#xA;7. Glasser – Shape&#xA;8. Daft Punk – Instant Crush feat. Julian Casablancas&#xA;9. Albert Hammond Jr. – St. Justice&#xA;10. Thee Oh Sees – Toe Cutter – Thumb Buster&#xA;&#xA;Spinelli&#xA;1. Daft Punk - Giorgio by Moroder&#xA;2. The Men - Half Angel, Half Light&#xA;2b. Queens of the Stone Age - The Vampyre of Time and Memory&#xA;3. King Krule - Borderline&#xA;4. James Blake ft Chance The Rapper - Life Round Here (remix)&#xA;5. Haim - Let Me Go&#xA;6. Lucius - Nothing Ordinary&#xA;7. 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<INFO BITRATE="942000" KEY_LYRICS="5 ContributorsDeath &amp;amp; Resurrection Pt. 1 - Luke 24 Lyrics&#xA;Dude you should be floored by Luke 24&#xA;After being resurrected from the tomb to restore&#xA;Everyone Jesus was crucified for&#xA;As He speaks to His disciples hear rebukes from our Lord&#xA;(He reproved them? What for?)&#xA;For not believing that the Old Testament had this very truth at its core&#xA;The only proof that is sure&#xA;The OT's about His Death and Resurrection so you can’t ignore&#xA;Hear the Son of God as I quote Him&#xA;(O foolish ones to not believe all that the Prophets have spoken) (Luke 24:25)&#xA;Then their noggins were opened (v. 45)&#xA;As He exegeted the Scriptures which can’t be possibly broken (John 10:35)&#xA;See all the Law of Moses the Psalms and the Prophets (Luke 24:44) are really all about the Son of God in their topics&#xA;So the 3 main Old Testament sections are really all about Christ’s Death and Resurrection (v. 46)&#xA;And the Gospel proclamation all across the nations (v. 47)&#xA;Well this might seem like such a lofty statement&#xA;Did He read Himself into the text?&#xA;No sirs&#xA;The Old Testament's about Him on its own terms&#xA;So go learn and so turn&#xA;Until like His disciples your hearts and your souls burn (v. 32)&#xA;And if you happen to ask the question it doesn’t just become about Him after the Resurrection&#xA;&#xA;&#xA;Christ’s Death and Resurrection is&#xA;The main theme of the whole Old Testament&#xA;Yo go check the Scripts (X2)&#xA;Luke 24:44b all the Scriptures point to Christ the Lord of glory&#xA;&#xA;(The whole Bible finds its fulfillment in Jesus)&#xA;&#xA;&#xA;Don’t get too bored with this&#xA;But let’s do some exegesis of Luke 24:46&#xA;When Jesus says (thus it is written)&#xA;That He should be crushed and afflicted then justly be risen&#xA;Is He just pointing to a couple of a Scriptures we call Messianic that give us a prediction?&#xA;Like Isaiah chapter 53 and perhaps Psalm 22 and Psalm 16 specifically?&#xA;If you’re thinking He&#xA;Only means these and not the whole Old Testament then I disagree&#xA;And this is clear in a couple of ways first we see this from the word (thus) in our phrase&#xA;Don’t be embarrassed by assumption&#xA;But the word thus is (houtōs) a comparative conjunction&#xA;Giving emphasis to His grammar&#xA;Houtōs means (in this way) or (in this manner)&#xA;And it is written means: Scripture it speaks&#xA;So now let’s reword the verse literally&#xA;In this way Scripture's written&#xA;That the Christ must suffer then on the third day be risen&#xA;So Jesus wasn’t just quoting a verse but rather He was laying out the main theme of the whole of the Word&#xA;Messiah’s so stressing this&#xA;His Death and Resurrection summarizes the entire Old Testament&#xA;&#xA;&#xA;There’s a plethora of reasons from the text with exegesis&#xA;That Scripture has a Death and Resurrection thesis&#xA;Like many other Scripture texts and their agreement:&#xA;1 Peter 1:10–12 it’s precious read it&#xA;It’s very clear and precise&#xA;All the Old Testament prophets spoke by the Spirit of Christ&#xA;So Jesus ain’t just the Subject but the Author of God’s Word so His interpretation is proper&#xA;And what was the subject of His message?&#xA;Verse 11 says the Son’s Death and Resurrection&#xA;Cause the whole Bible they summed up the story&#xA;The sufferings of Christ and His subsequent glory&#xA;It’s the theme they were announcing&#xA;Jesus condemned Jews for not believing it’s about Him&#xA;In John He spoke with potency&#xA;Notice He said in John 5:46 (Moses wrote of Me)&#xA;And Abraham rejoiced to see My day (John 8:56)&#xA;Isaiah saw His glory in Jesus’ face (John 12:41)&#xA;Some will persecute this&#xA;But we’ll interpret the Old Testament with Jesus’ hermeneutics&#xA;Both testaments’ messages perfectly one&#xA;What’s the Old Testament’s word as a sum?&#xA;God’s gospel promised beforehand through His prophets in holy Scripture concerning His Son (Rom. 1:2–3a)&#xA;His Death and Resurrection's according to the Scriptures (1 Cor. 15:3–4)&#xA;Speaking of the OT&#xA;Surely it predicts this&#xA;But it more than just prefigures&#xA;It's progressive movement of redemptive events paints the portrait and depiction&#xA;So just Grammatical-Historical is actually deplorable&#xA;If it doesn’t point to Him whose majesty’s adorable&#xA;But if you ain't convinced and you’re thinking I rambled&#xA;This whole album gives you specific examples that ...&#xA;&#xA;According to the Scriptures Christ died in our stead&#xA;It’s according to the Scriptures that He’d rise from the dead&#xA;&#xA;&#xA;Christ's Death Burial and Resurrection" PRODUCER="Critical Music" COVERARTID="097/BP4WYTC5G0WKGDYPQFHNASP3KZCC" KEY="8m" PLAYTIME="246" PLAYTIME_FLOAT="245.960266" IMPORT_DATE="2025/5/24" RELEASE_DATE="2020/1/1" FLAGS="8" FILESIZE="28579"></INFO>
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<INFO BITRATE="1051000" KEY_LYRICS="1 ContributorDialogue 2 (Live At The Sands Hotel, Las Vegas/1963) LyricsSammy Davis Jr: Thank you. I would like.&#xA;&#xA;(pop)&#xA;&#xA;Frank Sinatra: How about that.&#xA;&#xA;Dean Martin: Anybody for a little matzo.&#xA;&#xA;Sammy Davis Jr: Will you stop doing that thing.&#xA;&#xA;Dean Martin: You matzo been a beautiful, baby. You matzo... And when you see clouds, you matz...&#xA;&#xA;Sammy Davis Jr: Hey drunky.&#xA;&#xA;Dean Martin: Who's? That's what people think and boy they're right. I tell you.&#xA;&#xA;Sammy Davis Jr: I want to do another number. Come on.&#xA;&#xA;Dean Martin: Its over. You've had it.&#xA;&#xA;Sammy Davis Jr: Hey, I. What do you mean its over. I've had it? I've got another number to do pally.&#xA;&#xA;Dean Martin: Say, Ben Casey. No its over.&#xA;&#xA;Sammy Davis Jr: What do you mean its over.&#xA;Dean Martin: You had it. Its through. You're out. Orf, orf, orf, oref, orf, oref, orf.  Out.&#xA;&#xA;Sammy Davis Jr: Well yeah, you said we'll come down, we give...&#xA;&#xA;Frank Sinatra: You and your shrunken suit. Get out of here.&#xA;&#xA;Sammy Davis Jr: Frank, I might as well say this now in front of everybody.&#xA;&#xA;Frank Sinatra: But don't shout at me. Say what you want.&#xA;&#xA;Sammy Davis Jr: I'll do as I want now.&#xA;&#xA;Frank Sinatra: But don't touch me Sam.&#xA;&#xA;Sammy Davis Jr: Now listen to this. Can you hear this Frank from over here. Are you ready? I'm a little sick and tired of being the one thats always picked on. I like this audience. I like this room and I'm going to stay out here 'til I'm good and ready.&#xA;&#xA;Frank Sinatra: Are you ready?&#xA;&#xA;Sammy Davis Jr: Yeah Frank." PRODUCER="VISION" COVERARTID="113/RLKOUXBWAKPSNASJ1QY3BSOOTTDB" KEY="10m" PLAYTIME="310" PLAYTIME_FLOAT="309.767456" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="40044"></INFO>
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<INFO BITRATE="1083000" KEY_LYRICS="6 ContributorsScumprophet LyricsWe bring forth the new order and shall inseminate to instill survival of our procreation&#xA;For it is he who will rid our salvation and provide us with the necessary power to rule&#xA;Seeping lore into those who have no will&#xA;Our righteous fury has long been undetected&#xA;For centuries lies and corruption guide the human race towards a false sense of sanity&#xA;At long last the prophet is near&#xA;Secure the future through indoctrination and fear&#xA;&#xA;Bastard humans crave their guidance, and so I shall bring&#xA;Inhale the fumes of this sermon it shall set you free&#xA;For it is I, the prophet of damnation, and I am the embodiment of scum&#xA;&#xA;Infect their minds through a simple breath&#xA;Of human soul I am bereft&#xA;The burden of life I shall relieve&#xA;The sole reason that I was conceived&#xA;Pray! Pray! Your lives will not be saved&#xA;Obey! Obey! Suffer forever as slaves&#xA;&#xA;Infect their minds through a simple breath&#xA;Of human soul I am bereft&#xA;The burden of life I shall relieve&#xA;The sole reason that I was conceived&#xA;Pray! Pray! Your lives will not be saved&#xA;Obey! Obey! Suffer forever as slaves&#xA;Verbal defecation&#xA;Worship hallucination&#xA;Ritualistic conjuration&#xA;Macabre evisceration&#xA;&#xA;The new order, I shall bring&#xA;Through their vessels demons sing&#xA;Earthrot shall be the aftermath&#xA;Extermination, a global fucking bloodbath&#xA;As the bones puncture my skin, I cannot help but grin from satisfaction&#xA;I welcome the waking nightmare beneath my flesh&#xA;&#xA;I welcome the waking nightmare beneath my flesh&#xA;The mutation is complete&#xA;&#xA;Earthrot shall be the aftermath&#xA;Extermination&#xA;A global fucking bloodbath&#xA;Behold, the prophet of scum" PRODUCER="Souped Up Records" COVERARTID="109/NX4XAMBWXYQLSBHLLGD4AQYL2WRC" KEY="10m" PLAYCOUNT="1" PLAYTIME="298" PLAYTIME_FLOAT="298.000000" IMPORT_DATE="2025/5/24" LAST_PLAYED="2025/5/25" RELEASE_DATE="2020/1/1" FLAGS="8" FILESIZE="39717"></INFO>
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<ENTRY MODIFIED_DATE="2025/5/23" MODIFIED_TIME="42148" AUDIO_ID="APcTRWZlZmZmZmZVRFVnZ4d3iHeImYh2Z3iZmZiIibuqqYh3jLmZmZmaqqqr/MzP/////////////////////////////////////////////////////////////////////////////////////////////////////////1RFZnd3aaqZvtzK//////////////////////////////////////////////////////////////////////////////////////////////////////////7//////////////5eJiHh3hndmZVQzRVVWZmZmZmd3ZlQhAAAAAA==" TITLE="Cloud Drift" ARTIST="Dj Hazard"><LOCATION DIR="/:A:NATIVE INSTRUMENTS/:Ceva mix de rollere nuj/:" FILE="12 - Dj Hazard - Cloud Drift.flac" VOLUME="F:" VOLUMEID="4d2f6b4a"></LOCATION>
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<INFO BITRATE="967000" KEY_LYRICS="1 ContributorAfter The Love LyricsI tried to write a song and, it started with a verse&#xA;To explain how I'm feeling, but couldn't find the words&#xA;Been trying so hard for so long&#xA;But I can't find a way out this place that I'm in&#xA;You don't know how I'm feeling, 'coz baby if you did&#xA;You wouldn't turn your back and, say we should call it quits&#xA;'Coz I'm still trying to hold on&#xA;But I can't find out this place we're in&#xA;&#xA;'Coz we both (we both know), that it's time (to let go)&#xA;So why do I just keep holding on?&#xA;And if you still care, you still would be there&#xA;After the love's dead and gone&#xA;&#xA;So call the DJ baby turn the radio on&#xA;After the love's dead and gone&#xA;Hit the replay button on your favorite song&#xA;After the love's dead and gone&#xA;&#xA;Now we're in the same predicament, that we said we'd never be&#xA;Back here again as we're breaking our hearts&#xA;With endless fights &amp;amp; arguments, baby this just isn't me&#xA;And you've seemed to change now we're falling apart&#xA;&#xA;'Coz we both (we both know), that it's time (to let go)&#xA;So why do I just keep holding on?&#xA;And if you still care, you still would be there&#xA;After the love's dead and gone&#xA;&#xA;So call the DJ baby turn the radio on&#xA;After the love's dead and gone&#xA;Hit the replay button on your favorite song&#xA;After the love's dead and gone&#xA;&#xA;No matter where you go&#xA;You'll always be a part of me no matter the distance&#xA;A thousand miles or more&#xA;You'll always be a part of me no matter the distance&#xA;And if the sun don't shine (baby through the rain)&#xA;You know your heart's still mine&#xA;And now the clouds are grey (baby through the rain)&#xA;We'll slowly drift away&#xA;&#xA;So call the DJ baby turn the radio on&#xA;After the love's dead and gone&#xA;Hit the replay button on your favorite song&#xA;After the love's dead and gone" PRODUCER="Hospital Records Limited" COVERARTID="077/N0JTDKA3LYOXSB5BEALECXGK3KOC" KEY="2d" PLAYTIME="248" PLAYTIME_FLOAT="247.471725" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="29601"></INFO>
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<INFO BITRATE="939000" KEY_LYRICS="3 Contributors​​ gameboy Lyrics&#xA;Power On&#xA;&#xA;&#xA;Man, this GAMEBOY doesn’t play for a long time&#xA;First time I played the GAMEBOY was on the plane with my dad ( Thanks Dad )&#xA;He gave me a GAMEBOY, it was blue, like my grandmother’s Jaguar&#xA;In the lab like a science experiment, I’m a hamstar&#xA;Life’s a jungle, never knew until I watched Madagascar&#xA;Long—— wanna race like a NASCAR&#xA;Get too happy on the beat, like I’m a smiley face sticker&#xA;Like I’m a Dalmatian Dog, I don’t even know my spots&#xA;Man, I hope this DS has a new game, tirеd of Pokémon&#xA;Tryna find yo’ way, nigga I’m not where you belong&#xA;Don’t know if it’s a robot in my brain, or if it’s God&#xA;And if this a rеlay, I ain’t ever gon’ throw that lob&#xA;Growing in the grass, dig me out, like I’m a flower&#xA;Don’t know if it’s baking soda on the plate, or if it’s flour&#xA;(Hey you’re not into drugs right?)&#xA;No not really&#xA;I just ate a banana, so I hope you don’t peel me&#xA;This a fake knife, so I hope you don’t kill me&#xA;My slug, stopped me in the store, thought we were cooking&#xA;Now it’s infected with cake worms (Is that a butter knife?!)&#xA;Mama didn’t tell me these boo-boos would hurt&#xA;It’ll hurt yo’ family, if you put my son on a shirt&#xA;Thinking about black woman make my heart wanna stop&#xA;Thinking about all my black men make me so fuckin’ pissed off&#xA;I can’t even play my game no more&#xA;Hold on, Blink&#xA;I don’t fuck with therapy, I don’t need no damn shrink&#xA;How I’ma tell you everything if you don’t even love me&#xA;Remember I got broken up with, and I was like love stinks&#xA;Now my heart is a pixel, Mario, I’m peach&#xA;And I’m gettin all these coins, so you better watch out for Yogi&#xA;Driving in my car, and I’m on round three&#xA;And, if I win this race right now does it mean later I’m free? (Probably Not)&#xA;You was better off talking to me, about me&#xA;Where my charger at, wait IPhone 11’s&#xA;I’ma tell you why 6 8 7&#xA;8, 9, 10&#xA;I’m the Grinch&#xA;All these lights, so don’t flinch&#xA;I feel like Rudolph wasn’t happy, he just had to pretend&#xA;His nose was shiny&#xA;And he was the favorite&#xA;I hated being the favorite, all my whole life&#xA;My whole life, I always been like, “Why?”&#xA;Now I’m like, “Why not”&#xA;All the crazy props&#xA;Get me on the stage&#xA;Appropriation&#xA;Umm..&#xA;Wait, don’t say the next line, ‘cause I’m afraid I’ll get popped&#xA;Pop, pop, pop, pop, goes the weasel&#xA;And if I die today, I bet this movie will have a sequel&#xA;And I’m the good guy, so I’ma treat everybody equal&#xA;But I look too bad, Hook’s real name is lethal&#xA;And I haven’t switched the flow, but your still listening&#xA;Even with your eyes closed you can still see me&#xA;How you don’t look, but you sound pretty&#xA;How many time I’m gon’ tell you, I’ma bring my brothers with me&#xA;How many times I gotta tell you nobody fuckin’ with my kiddy&#xA;Don’t live in the stu, but this could get busy&#xA;Don’t live in the city, but we could get busy&#xA;Like traffic&#xA;Now we in arcade&#xA;You can’t drift past this&#xA;And the air hockey broke took me to get catfish&#xA;Now I’m at JJ’s&#xA;Came a long way, from shooting heat at the J’s&#xA;My nana gave me recipes&#xA;That’s why I’m so far, no one ahead of me&#xA;Until I look down&#xA;And that nigga still behind me, depending where I’m out in the town&#xA;My first black teacher name, was Ms. Brown&#xA;All these black families on TV, meet the browns&#xA;Or Family Matters&#xA;Now I got a thousand shadows&#xA;I guess I don’t need a GAMEBOY now&#xA;&#xA;GAMEBOY&#xA;Power off&#xA;Your time is coming up!" PRODUCER="Digital Terror Records" COVERARTID="005/FAWWUEBYM502GD24U1RICZ2WRTZA" KEY="1d" PLAYTIME="364" PLAYTIME_FLOAT="363.085724" IMPORT_DATE="2025/5/24" RELEASE_DATE="2017/1/1" FLAGS="8" FILESIZE="42010"></INFO>
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<INFO BITRATE="887000" KEY_LYRICS="1 ContributorSquare One Lyrics&#xA;&#xA;Zero:&#xA;&#xA;Here we go again&#xA;&#xA;A solo man with crooked smiles&#xA;Hook in style&#xA;Rooks defiled&#xA;Took a mile&#xA;Hunt survivors&#xA;Guns from rivals standing dumb and idle&#xA;If it ain't this seasons finest I'm a classical vinyl&#xA;&#xA;Throat slash in the silence&#xA;Stick to my own devices&#xA;Inventing with Dexter science&#xA;I'm too old for surprises&#xA;Once I'm high I dive in&#xA;Thoughts I stay providing&#xA;Caught making orphans cry&#xA;They sent me to the borderline&#xA;No borders crossed&#xA;I didn't copy core designs&#xA;My blueprint's an abnormal mind&#xA;Former ghost of holy three's&#xA;Pray for more time&#xA;If I hold the nine rest in peace&#xA;Dead and gone but will his family weep?&#xA;King Kong ain't got nothin' on me&#xA;I'm the king now pound for pound in exchange&#xA;Make me famous or make me wait&#xA;I got time to kill and I got time to waste&#xA;Acid trip makes sight melt and fade&#xA;Sprayin' with a golden grade AK&#xA;For Pete's sake eat cake&#xA;Formidable original who can come and clear the coke&#xA;The one with a Dyson nose beaming on a tightrope&#xA;Can't compute with no microchip&#xA;Midas in my mind that's what a writer is&#xA;The darkness in my heart was there before I knew what to call it&#xA;I got a 'Made in Hell' warning tag on my bodybag&#xA;Just in case I come back in a case of all black&#xA;A premature demon devouring Cretans automat'&#xA;Normally in all black a throwback to Johnny Cash&#xA;Here's Johnny with the weather and an axe&#xA;Quick to take dead presidents without question and never ask&#xA;Ransom and hazard pay call shots from behind the mask&#xA;Knot Reel:&#xA;&#xA;Damn DJ bring that shit back&#xA;&#xA;5 shots, 10 dropped&#xA;2 birds make a dash" PRODUCER="Hospital Records Limited" COVERARTID="077/N0JTDKA3LYOXSB5BEALECXGK3KOC" KEY="7m" PLAYTIME="234" PLAYTIME_FLOAT="233.314102" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="25627"></INFO>
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<INFO BITRATE="919000" KEY_LYRICS="2 ContributorsThe House That Dripped Blood Lyrics&#xA;The house that dripped blood&#xA;Step into my bloodbath nigga&#xA;Coming from Cyco, that mad nigga, Insane Poetry&#xA;You're looking at the devil himself, cooking rappers like poultry&#xA;I got the cross-fade, beasts on the way to cut&#xA;Just waiting for some fools to raise up&#xA;Yo, I'm stepping with the hatchet and a big gat&#xA;When it's pitch black, niggas caps get peeled back&#xA;Motherfuckers better duck 'cause midnight struck&#xA;You catch a buck in your gut, now your life's fucked&#xA;This is the house that dripped blood&#xA;No, not Amityville, but Insanityville&#xA;And I'm ready to kill&#xA;Shit going through your head with a block, and take a drill bit&#xA;Cyco got them heads up by the hairs&#xA;Chop it off and havе it rolling down a flight of stairs (Ah)&#xA;On this track I'm blazing hot, with gravedigger nigga coming for my plot from Salem's Lot&#xA;Hеads'll fly and you're scared of dying&#xA;I'm terrifying, hell yeah&#xA;A crucified man&#xA;I'm the beast within fucking up shit on a wicked manuscript&#xA;Tombstones read R.I.P., rest in motherfucking pieces (R.I.P. haha)&#xA;&#xA;&#xA;The house that dripped blood&#xA;Step into my bloodbath&#xA;Step into my bloodbath&#xA;Step into the bloodbath&#xA;The house that dripped blood&#xA;Step into my bloodbath&#xA;Step into the bloodbath&#xA;Step into the bloodbath&#xA;The house that dripped blood&#xA;Step into my bloodbath&#xA;Step into my bloodbath&#xA;Step into the bloodbath&#xA;Yeah, it's house the that dripped blood&#xA;Step into my bloodbath&#xA;Step into the bloodbath&#xA;Step into the bloodbath&#xA;The house that dripped blood&#xA;&#xA;Listen to my crazy lyricals&#xA;I suck blood through a babies umbilical&#xA;One of the many rituals of a basket case&#xA;I got your casket laced with bloody masking tape&#xA;For the late deceased piece of dog-shit rapper&#xA;That knew he couldn't fuck with the jackal&#xA;Listen how terror hip-hop kicks&#xA;I like to torture motherfuckers on their back support, hound grits&#xA;It's even worse when I shock suckers&#xA;Shackle, chain 'em up to our table, cut their legs off with lop-cutters&#xA;Or just castrate a nigga with a box-cutter&#xA;It doesn't matter which way you got to suffer&#xA;And suffer the consequences of a nigga that has that Jefferey Dahmer sense&#xA;You're fucking with a madman that loves dragging motherfuckers to the house that drip blood&#xA;My axe, it drips blood from the bodies I hacked&#xA;Got callouses on my hands from the backs I cracked&#xA;In fact, I'm basking in the juices of insanity&#xA;Cyco coming with that Manson mentality&#xA;Can it be that I love to see blood spill&#xA;It's embedded in my genes, I love to kill&#xA;&#xA;&#xA;Step into my bloodbath&#xA;Step into the bloodbath&#xA;Step into the bloodbath&#xA;The house that dripped blood&#xA;Step into my bloodbath&#xA;Step into the bloodbath&#xA;Step into the bloodbath&#xA;The house that dripped blood&#xA;Step into my bloodbath&#xA;Step into the bloodbath&#xA;Step into the bloodbath&#xA;The house that dripped blood&#xA;Step into my bloodbath&#xA;Step into the bloodbath&#xA;Step into the bloodbath&#xA;Yeah, it's the house that dripped blood&#xA;&#xA;Homicide&#xA;Redrum&#xA;Ho-homicide, murdering emcees&#xA;Homicide&#xA;Redrum&#xA;Ho-homicide, murdering emcees&#xA;Homicide&#xA;Redrum&#xA;Ho-homicide, murdering emcees&#xA;Homicide&#xA;Redrum&#xA;Ho-homicide, murdering emcees&#xA;Break it down&#xA;&#xA;&#xA;I-I-I-I-Insane Poetry, yeah&#xA;Insane Poetry, yeah&#xA;I-I-I-I-Insane Poetry, yeah&#xA;Insane Poetry&#xA;&#xA;&#xA;You can't fuck with the motherfucking Nightbreed&#xA;A gang of killers who stalking fools daily&#xA;Killing motherfuckers like it was a spoke&#xA;Niggas coming up short when my blade is at your throat&#xA;That's all she wrote&#xA;Quotes from the psychotic genius&#xA;Upon a thong dangling from a tree, by the penis&#xA;Swinging my machete like a mad guillotine is&#xA;You got the nigga Cyco on yo ass, motherfucker and I mean it&#xA;Shit has got me quick to take a trick by his dick and just flick&#xA;On his bitch 'til my torture scorched the bitch&#xA;Drag 'em to a six foot ditch&#xA;And throw his ass in my whore house that drips, so what's up nigga&#xA;Twelve strokes to motherfucking midnight&#xA;Night of a demon and I like to tote a big knife&#xA;Blank from they lyrics, from the truth, from the underworld&#xA;It's just bedlam when we make redrum&#xA;Coming from the Cyco, DJ Streek, and the Mad Dog&#xA;Drag all critics to my house 'cause a nigga straight mad y'all (Hell yeah)&#xA;They say I sound like somebody else or this other group&#xA;Yo, but here's the scoop, back in 1984 my nigga Madman starting writing raps, went crazy hard&#xA;There was D.J. Curse and E-Skin Poet&#xA;Some other knew this shit was dope so they stole it&#xA;I ain't holding a grudge 'cause true niggas stand out (Stand out)&#xA;Without taking fucking handouts (Handout)&#xA;So if you wanna trip niggas, grab yo shit niggas&#xA;'Cause you about to take a trip to the house and drip blood (Blood, blood, blood, blood, blood, blood, blood, blood)" PRODUCER="Hospital Records Limited" COVERARTID="077/N0JTDKA3LYOXSB5BEALECXGK3KOC" KEY="3d" PLAYTIME="249" PLAYTIME_FLOAT="248.209213" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="28236"></INFO>
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<INFO BITRATE="1108000" KEY_LYRICS="6 ContributorsTranslationsFrançaisBande organisée ft. Jul, Elams, Naps, SCH, Soso Maness, Kofs, Houari, Solda (English Translations) Lyrics&#xA;Yes, my spoiled one, RS4 gray nardo, of course they missed me (of course)&#xA;Sun in the bubble, on the Prado, Shifter pro '(Shifter pro')&#xA;Wrong side (ah), my darling, you’re on the wrong side&#xA;Puta, where were you when I put in seven euros in gasoline (eh)?&#xA;You want to make war on us (eh)? By God, it's fucked up (ah)&#xA;We take your Audi, we take your girlfriend, we take your credit card (eh, eh)&#xA;The phone beeps (brr), you takе the kew (ew)&#xA;It's Marsеille, baby (ah), fuck a permanent contract (ah)&#xA;Wesh, my guy, good or what? 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<INFO BITRATE="1115000" KEY_LYRICS="1 ContributorHere Comes The Warrior LyricsHere comes your warrior&#xA;He's letting you know&#xA;Your sun will come shining now&#xA;Your sun will come shining&#xA;Here comes your warrior&#xA;He's letting you know&#xA;Your sun will come shining now&#xA;&#xA;He has come to embrace you&#xA;Embrace you &#xA;&#xA;Here comes your warrior&#xA;He's letting you know&#xA;Your sun will come shining now&#xA;Your sun will come shining&#xA;Here comes your warrior&#xA;He's letting you know&#xA;Your sun will come shining now&#xA;&#xA;He has come to embrace you&#xA;Embrace you &#xA;&#xA;Here comes your warrior&#xA;&#xA;Here comes your warrior&#xA;Here comes your warrior&#xA;He's letting you know&#xA;Your sun will come shining now&#xA;&#xA;He has come to embrace you&#xA;Embrace you &#xA;&#xA;Here comes your warrior&#xA;&#xA;Here comes your warrior&#xA;&#xA;He has come to embrace you&#xA;Embrace you &#xA;&#xA;Here comes your warrior" PRODUCER="2024 DnB Allstars Records" COVERARTID="044/MBPKJXCLUBF4ZCYM0UTRDPHZ0QTC" KEY="1m" PLAYTIME="248" PLAYTIME_FLOAT="247.586212" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="34297"></INFO>
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<INFO BITRATE="1123000" KEY_LYRICS="10 ContributorsFebruary 2021 Singles Release Calendar LyricsWELCOME TO GENIUS' FEBRUARY 2021 SINGLES RELEASE CALENDAR!!!&#xA;&#xA;&#xA;&#xA;For February 2021 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights the notable singles released in all genres throughout February 2021.… Read More 2/1&#xA;A$AP Rocky - &amp;quot;G-Unit Rice&amp;quot;&#xA;Drakeo the Ruler - &amp;quot;Too Icey&amp;quot;&#xA;Joey Trap - &amp;quot;BIRDIES&amp;quot;&#xA;KILL.ZERO - &amp;quot;.:HAUNTR:.+&amp;quot;&#xA;koi - &amp;quot;all of that&amp;quot;&#xA;Luke Combs &amp;amp; Billy Strings - &amp;quot;The Great Divide&amp;quot;&#xA;MonoNeon - &amp;quot;Done with the BS&amp;quot; ft. Ledisi&#xA;Steve Aoki &amp;amp; Willy William - &amp;quot;Mambo&amp;quot; ft. 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DUCKWRTH &amp;amp; sad alex&#xA;Stereolab - &amp;quot;Household Names&amp;quot;&#xA;sumika - &amp;quot;祝祭 (shukusai)&amp;quot;&#xA;Tkay Maidza &amp;amp; Yung Baby Tate - &amp;quot;KIM&amp;quot;&#xA;Trey Songz - &amp;quot;Brain&amp;quot;&#xA;Unusual Demont - &amp;quot;Pine&amp;quot;&#xA;YBN Almighty Jay - &amp;quot;Battling My Spirit&amp;quot;&#xA;YNW BSlime - &amp;quot;OTW&amp;quot;&#xA;2/4&#xA;BAND-MAID - &amp;quot;About Us&amp;quot;&#xA;Daya - &amp;quot;Bad Girl&amp;quot;&#xA;Digga D &amp;amp; AJ Tracey - &amp;quot;Bringing It Back&amp;quot;&#xA;FINNEAS - &amp;quot;American Cliché&amp;quot;&#xA;H.E.R. - &amp;quot;Fight for You&amp;quot;&#xA;hololive IDOL PROJECT - &amp;quot;STARDUST SONG&amp;quot; ft. Tokoyami Towa, Shiranui Flare &amp;amp; Amane Kanata&#xA;Iglooghost - &amp;quot;Sylph Fossil&amp;quot;&#xA;Jack Reynolds - &amp;quot;Sunny Gaze&amp;quot;&#xA;Lil Durk - &amp;quot;Love You Too&amp;quot; ft. Kehlani&#xA;Lil Playah - &amp;quot;Knocked Off!&amp;quot; ft. OnlyBino&#xA;Lucky Daye &amp;amp; Tiana Major9 - &amp;quot;On Read&amp;quot;&#xA;MARINA - &amp;quot;Man's World (Empress Of Remix)&amp;quot; ft. Pabllo Vittar&#xA;Sam Fischer &amp;amp; Demi Lovato - &amp;quot;What Other People Say&amp;quot;&#xA;Sia &amp;amp; David Guetta - &amp;quot;Floating Through Space&amp;quot;&#xA;Tino Szn - &amp;quot;Vice&amp;quot; ft. $NOT&#xA;Yeek - &amp;quot;3000 Miles (Baby Baby)&amp;quot;&#xA;&#xA;2/5&#xA;8 Graves &amp;amp; Saint Slumber - &amp;quot;Guillotine&amp;quot;&#xA;88GLAM &amp;amp; 6ixbuzz - &amp;quot;Urgent Messages&amp;quot;&#xA;​aespa - &amp;quot;Forever (약속)&amp;quot;&#xA;Aidan Alexander - &amp;quot;the end of the world&amp;quot;&#xA;Allie X - &amp;quot;GLAM!&amp;quot;&#xA;Blssom - &amp;quot;Vas&amp;quot;&#xA;Bobby Sessions &amp;amp; Megan Thee Stallion - &amp;quot;I'm a King&amp;quot;&#xA;Bob Moses - &amp;quot;The Blame (DJ Seinfeld Remix)&amp;quot;&#xA;Bow Wow - &amp;quot;My Pain&amp;quot;&#xA;Cardi B - &amp;quot;Up&amp;quot;&#xA;Carly Pearce - &amp;quot;Should've Known Better&amp;quot;&#xA;Cheat Codes - &amp;quot;Hate You + Love You&amp;quot; ft. AJ Mitchell&#xA;Chet Faker - &amp;quot;Get High&amp;quot;&#xA;CMTEN - &amp;quot;ALONE&amp;quot; ft. RILEY THE MUSICIAN&#xA;Creo - &amp;quot;Aurora&amp;quot;&#xA;Dan + Shay - &amp;quot;Glad You Exist&amp;quot;&#xA;DBangz - &amp;quot;The Source&amp;quot; ft. Jay Zole&#xA;DC the Don - &amp;quot;Rag3 Kidd&amp;quot;&#xA;Diplo &amp;amp; Sonny Fodera - &amp;quot;Turn Back Time (Bklava Remix)&amp;quot;&#xA;Dream - &amp;quot;Roadtrip&amp;quot; ft. PmBata&#xA;DUSTY LOCANE - &amp;quot;Rumble&amp;quot;&#xA;Ellise - &amp;quot;Bubblegum Brain&amp;quot;&#xA;FCG Heem - &amp;quot;Need It&amp;quot;&#xA;Felix Cartal &amp;amp; Kiiara - &amp;quot;Happy Hour&amp;quot;&#xA;Flight - &amp;quot;The Whole Team Hit&amp;quot;&#xA;Foley - &amp;quot;Better Than Love&amp;quot;&#xA;Freddie Gibbs - &amp;quot;Gang Sings&amp;quot; ft. ScHoolboy Q&#xA;G-Eazy - &amp;quot;Provide&amp;quot; ft. Mark Morrison &amp;amp; Chris Brown&#xA;(G)I-DLE - &amp;quot;HWAA (Dimitri Vegas &amp;amp; Like Mike Remix)&amp;quot;&#xA;Goody Grace - &amp;quot;Grape Swisher&amp;quot;&#xA;Ice Cube - &amp;quot;Trying to Maintain&amp;quot;&#xA;ILLENIUM, Dabin &amp;amp; Lights - &amp;quot;Hearts on Fire (Bassjackers Remix)&amp;quot;&#xA;Jazmine Sullivan - &amp;quot;Lost One (Live)&amp;quot;&#xA;Jessie Ware - &amp;quot;Remember Where You Are (Edit)&amp;quot;&#xA;JID - &amp;quot;Bruuuh (Remix)&amp;quot;&#xA;Jim Jones &amp;amp; Harry Fraud - &amp;quot;Lose Lose&amp;quot;&#xA;​​johan lenox &amp;amp; Cousin Stizz - &amp;quot;​phases&amp;quot;&#xA;Jonas Blue &amp;amp; AWA - &amp;quot;Something Stupid&amp;quot;&#xA;Jordan Suaste - &amp;quot;If the World Ended Tonight&amp;quot;&#xA;Josef Salvat - &amp;quot;One More Night&amp;quot;&#xA;JP THE WAVY - &amp;quot;Lucky Star&amp;quot; ft. Lancey Foux&#xA;Kevin Garrett - &amp;quot;Pure Imagination&amp;quot;&#xA;Keyshia Cole - &amp;quot;I Don't Want to Be in Love&amp;quot;&#xA;KyleYouMadeThat - &amp;quot;Hoopla&amp;quot; ft. NLE Choppa&#xA;Like Saturn - &amp;quot;lost happiness&amp;quot;&#xA;Louis the Child &amp;amp; BabyJake - &amp;quot;Somewhere Else&amp;quot;&#xA;Luke Bryan -  &amp;quot;Country Does&amp;quot;&#xA;Martin Garrix - &amp;quot;Pressure&amp;quot; ft. Tove Lo&#xA;Miley Cyrus - &amp;quot;Prisoner (Jax Jones Remix)&amp;quot; ft. Dua Lipa&#xA;Molly Kate Kestner - &amp;quot;Get Up&amp;quot; ft. Brock Monroe&#xA;MonoNeon - &amp;quot;The Little Green Man&amp;quot; ft. Daru Jones&#xA;Morray - &amp;quot;Kingdom&amp;quot;&#xA;Myuk - &amp;quot;魔法 (Mahou)&amp;quot;&#xA;Nessly - &amp;quot;Affairs&amp;quot;&#xA;Nessly - &amp;quot;No Reason&amp;quot;&#xA;Night Lovell - &amp;quot;Counting Down the List&amp;quot;&#xA;Oliver Tree - &amp;quot;Out of Ordinary&amp;quot;&#xA;OMB Peezy - &amp;quot;Dope Boy&amp;quot; ft. Rylo Rodriguez&#xA;Peso Peso - &amp;quot;Brad Pitt&amp;quot; ft. Trippie Redd&#xA;Phora - &amp;quot;Loaded Gun&amp;quot;&#xA;Polo G - &amp;quot;GNF (OKOKOK)&amp;quot;&#xA;Puma Blue - &amp;quot;Sweet Dreams&amp;quot;&#xA;Quelly Woo - &amp;quot;Hot Winter&amp;quot;&#xA;Raveena - &amp;quot;Tweety&amp;quot;&#xA;Rezz - &amp;quot;Sacrificial&amp;quot; ft. PVRIS&#xA;Ricky Montgomery - &amp;quot;Line Without a Hook (Remix)&amp;quot; ft. mxmtoon&#xA;Ritt Momney - &amp;quot;Not Around&amp;quot;&#xA;Robin Thicke - &amp;quot;Lucky Star&amp;quot;&#xA;Ruben - &amp;quot;Mama Don't Know&amp;quot;&#xA;SG Lewis &amp;amp; Nile Rodgers - &amp;quot;One More&amp;quot;&#xA;Shordie Shordie &amp;amp; Murda Beatz - &amp;quot;LOVE&amp;quot; ft. Trippie Redd&#xA;SLANDER &amp;amp; Au5 - &amp;quot;Anywhere&amp;quot; ft. PLYA &amp;amp; shYbeast&#xA;Smokepurpp &amp;amp; Lil Mosey - &amp;quot;We Outside&amp;quot;&#xA;Teddy Swims - &amp;quot;My Bad&amp;quot;&#xA;Tee Grizzley - &amp;quot;Late Night Calls&amp;quot;&#xA;Tokyo Machine &amp;amp; Weird Genius - &amp;quot;Last Summer&amp;quot; ft. Lights&#xA;Tom MacDonald - &amp;quot;Cancelled&amp;quot;&#xA;Tone Stith - &amp;quot;FWM&amp;quot;&#xA;VIC MENSA - &amp;quot;SHELTER&amp;quot; ft. Wyclef Jean &amp;amp; Chance the Rapper&#xA;Xan Griffin - &amp;quot;Frustrated&amp;quot;&#xA;XIX - &amp;quot;Henny Bottle&amp;quot;&#xA;Yelawolf &amp;amp; Caskey - &amp;quot;Been a Problem&amp;quot;&#xA;Yemi Alafifuni - &amp;quot;Behold the Lamb&amp;quot;&#xA;Young Rog &amp;amp; Summer Walker - &amp;quot;Bullshit&amp;quot;&#xA;Yung Dred - &amp;quot;Everything's Up&amp;quot; ft. Hotboii&#xA;Zella Day - &amp;quot;Holocene&amp;quot; ft. Weyes Blood&#xA;2/6&#xA;916frosty, ILYMAX &amp;amp; Zcxr - &amp;quot;beem&amp;quot;&#xA;Kodak Black - &amp;quot;Every Balmain&amp;quot;&#xA;Savage Ga$p - &amp;quot;goodbyes are the hardest part&amp;quot;&#xA;&#xA;2/7&#xA;NoCap - &amp;quot;Dismiss You&amp;quot;&#xA;Wiz Khalifa - &amp;quot;Dreams&amp;quot; ft. 24hrs&#xA;&#xA;2/8&#xA;Brent Faiyaz - &amp;quot;CIRCLES&amp;quot;&#xA;Derivakat - &amp;quot;Under the Weather&amp;quot;&#xA;Gabrielle - &amp;quot;Stop Right Now&amp;quot;&#xA;Pink Sweat$ - &amp;quot;Heaven&amp;quot;&#xA;Slim Thug - &amp;quot;#BlackQueen​&amp;quot;&#xA;Slowpalace, FWLR &amp;amp; qwinn - &amp;quot;Already Gone&amp;quot;&#xA;The Vaccines - &amp;quot;High Horse&amp;quot;&#xA;&#xA;2/9&#xA;645AR - &amp;quot;MAMA PRAY&amp;quot;&#xA;Capo Lee, Shorty, JME, Frisco - &amp;quot;Baitest Sound&amp;quot;&#xA;Dry Cleaning - &amp;quot;Strong Feelings&amp;quot;&#xA;Ebhoni - &amp;quot;X-Ting&amp;quot;&#xA;ISLAND - &amp;quot;Octopus&amp;quot;&#xA;Katy Kirby - &amp;quot;Portals&amp;quot;&#xA;Lauren Duski - &amp;quot;I Would For You&amp;quot;&#xA;Pale Waves - &amp;quot;Fall to Pieces&amp;quot;&#xA;plxntkid- &amp;quot;crucifix&amp;quot;&#xA;slowthai &amp;amp; Skepta - &amp;quot;CANCELLED&amp;quot;&#xA;Valley - &amp;quot;Like 1999&amp;quot;&#xA;2/10&#xA;Brad Paisley - &amp;quot;Off Road&amp;quot;&#xA;Cherry Glazerr - &amp;quot;Big Bang&amp;quot;&#xA;Claud - &amp;quot;Guard Down&amp;quot;&#xA;Danny L Harle &amp;amp; DJ Mayhem - &amp;quot;Interlocked&amp;quot;&#xA;Danny L Harle &amp;amp; DJ Ocean - &amp;quot;Ocean's Theme&amp;quot;&#xA;Dee Watkins - &amp;quot;Make Em Mad&amp;quot;&#xA;GRAE - &amp;quot;Soft&amp;quot;&#xA;Greta Van Fleet - &amp;quot;Heat Above&amp;quot;&#xA;Gryffin &amp;amp; Two Feet - &amp;quot;I Want Love&amp;quot;&#xA;Ichiko Aoba - &amp;quot;Asleep Among Endives (demo)&amp;quot;&#xA;Invader Kaide &amp;amp; Steele 11 - &amp;quot;SHGO&amp;quot;&#xA;Jacob Banks - &amp;quot;Parade&amp;quot;&#xA;Kevo Muney - &amp;quot;Leave Some Day (Remix)&amp;quot; ft. Lil Durk&#xA;KUČKA - &amp;quot;No Good for Me&amp;quot;&#xA;Liz Phair - &amp;quot;Hey Lou&amp;quot;&#xA;Luh Kel - &amp;quot;7:26am&amp;quot;&#xA;Middle Kids - &amp;quot;Cellophane (Brain)&amp;quot;&#xA;Of Mice &amp;amp; Men - &amp;quot;Timeless&amp;quot;&#xA;PROM - &amp;quot;Friends&amp;quot;&#xA;Rebecca Black - &amp;quot;Friday (Remix)&amp;quot; ft. Dorian Electra, Big Freedia &amp;amp; 3OH!3&#xA;Sainvil - &amp;quot;Need 2&amp;quot;&#xA;Teezo Touchdown - &amp;quot;Technically&amp;quot;&#xA;Tigers Jaw - &amp;quot;New Detroit&amp;quot;&#xA;TK from Ling tosite sigure - &amp;quot;unravel (n-buna from ヨルシカ Remix) &amp;quot;&#xA;Trippie Redd - &amp;quot;BUZZ&amp;quot;&#xA;Unlike Pluto &amp;amp; why mona - &amp;quot;Circular Motion&amp;quot;&#xA;&#xA;2/11&#xA;Ashe - &amp;quot;The Same&amp;quot;&#xA;COIN - &amp;quot;Sagittarius Superstar&amp;quot; ft. Faye Webster&#xA;Danny Elfman - &amp;quot;Love in the Time of Covid&amp;quot;&#xA;Dua Lipa - &amp;quot;We're Good&amp;quot;&#xA;Eric Bellinger &amp;amp; Hitmaka - &amp;quot;Hit Eazy&amp;quot;&#xA;Erica Banks - &amp;quot;Buss It (Remix)&amp;quot; ft. Travis Scott&#xA;flora cash - &amp;quot;Feeling So Down&amp;quot;&#xA;G-Eazy - &amp;quot;A Little More&amp;quot; ft. Kiana Ledé&#xA;Glitterer - &amp;quot;Life is Not a Lesson&amp;quot;&#xA;Headie One - &amp;quot;Siberia&amp;quot;&#xA;hololive IDOL PROJECT - &amp;quot;Dreaming Days&amp;quot; ft. Amane Kanata, Houshou Marine, Usada Pekora, Oozora Subaru, Yuzuki Choco, Nakiri Ayame, Murasaki Shion, Natsuiro Matsuri &amp;amp; Shirakami Fubuki&#xA;joan &amp;amp; BEKA - &amp;quot;brokenhearted (together)&amp;quot;&#xA;Kings of Leon - &amp;quot;Echoing&amp;quot;&#xA;milk. - You&amp;amp;I&#xA;Noga Erez - &amp;quot;End of the Road (Acoustic Live - Kids Against The Machine)&amp;quot;&#xA;Rileyy Lanez - &amp;quot;When I See You (Lamont's Song)&amp;quot;&#xA;​Ruel - &amp;quot;too many feelings&amp;quot;&#xA;Sauce Twinz - &amp;quot;Splash&amp;quot; ft. Trippie Redd&#xA;Skrapz - &amp;quot;Jumpout&amp;quot; ft. Nines&#xA;Stefflon Don, Tiwa Savage &amp;amp; Rema - &amp;quot;Can't Let You Go (Remix)&amp;quot;&#xA;Stephanie Poetri - &amp;quot;IRL&amp;quot;&#xA;Tory Lanez - &amp;quot;Mine Still (Freestyle)&amp;quot;&#xA;Tristam - &amp;quot;Burn&amp;quot;&#xA;&#xA;2/12&#xA;3OH!3 - &amp;quot;LOVE SOMEBODY&amp;quot;&#xA;3OH!3 - &amp;quot;TATTOOED HEART&amp;quot;&#xA;916frosty - &amp;quot;wow!&amp;quot; ft. Ducey Gold&#xA;Alaina Castillo - &amp;quot;stfu (i got u)&amp;quot;&#xA;Aloe Blacc &amp;amp; LeAnn Rimes - &amp;quot;I Do&amp;quot;&#xA;Aly &amp;amp; AJ - &amp;quot;Pretty Places&amp;quot;&#xA;Anne-Marie, KSI, &amp;amp; Digital Farm Animals - &amp;quot;Don't Play (Acoustic)&amp;quot;&#xA;Aston Merrygold - &amp;quot;Overboard&amp;quot;&#xA;AViVA &amp;amp; Omiki - &amp;quot;EVIL (Remix)&amp;quot;&#xA;Bianca - &amp;quot;Gimme&amp;quot;&#xA;Biig Piig - &amp;quot;Cuenta Lo&amp;quot;&#xA;Birdy - &amp;quot;Loneliness&amp;quot;&#xA;Bishop Briggs - &amp;quot;SOMEONE ELSE (Remix)&amp;quot; ft. Jacob Banks&#xA;blackwinterwells - &amp;quot;HEARSE&amp;quot; ft. funeral&#xA;Carlie Hanson - &amp;quot;I Hate Your Room&amp;quot;&#xA;Carly Rose - &amp;quot;First&amp;quot;&#xA;Carrie Underwood - &amp;quot;Softly and Tenderly&amp;quot;&#xA;Charlotte Cardin - &amp;quot;Meaningless&amp;quot;&#xA;Clever - &amp;quot;Rolls Royce Umbrella&amp;quot; ft. Chris Brown&#xA;CRAY - &amp;quot;Roses R Red&amp;quot;&#xA;Dan Bull - &amp;quot;Living Life in Limbo&amp;quot;&#xA;Deadmau5 - &amp;quot;Arguru 2k19&amp;quot;&#xA;DJ Pharris - &amp;quot;Everything New&amp;quot; ft. Wiz Khalifa, Chance the Rapper, Rockie Fresh&#xA;Doe Boy - &amp;quot;Lowkey&amp;quot; ft. Lil Uzi Vert&#xA;Drew Sycamore - &amp;quot;45 Fahrenheit Girl&amp;quot;&#xA;Eloise - &amp;quot;Hungover&amp;quot;&#xA;FITZ - &amp;quot;Somebody Sometimes&amp;quot;&#xA;Futuristic &amp;amp; Michael Minelli - &amp;quot;Waste Your Time&amp;quot;&#xA;G-Eazy - &amp;quot;A Little More&amp;quot; ft. Kiana Ledé&#xA;Gallant - &amp;quot;Relapse.&amp;quot;&#xA;gavn! - &amp;quot;crazy (Acoustic) &amp;quot;&#xA;George Cosby - &amp;quot;Real Love&amp;quot;&#xA;Gordi &amp;amp; Alex Lahey - &amp;quot;Dino's&amp;quot;&#xA;Grant &amp;amp; RUNN - &amp;quot;Fix It&amp;quot;&#xA;Guapdad 4000 &amp;amp; !llmind - &amp;quot;How Many&amp;quot;&#xA;Hauskey - &amp;quot;Go Wrong&amp;quot;&#xA;Henry Daher &amp;amp; Ski Mask the Slump God - &amp;quot;Unseen&amp;quot;&#xA;Jay Sean - &amp;quot;Incomplete&amp;quot;&#xA;Joey Trap - &amp;quot;BRACE&amp;quot;&#xA;Jon Batiste - &amp;quot;Cry&amp;quot;&#xA;KAROL G, Anuel AA &amp;amp; J Balvin - &amp;quot;LOCATION&amp;quot;&#xA;K. Forest - &amp;quot;Summer We Never Had&amp;quot;&#xA;Kelly Rowland - &amp;quot;Black Magic&amp;quot;&#xA;Kevin Gates - &amp;quot;Plug Daughter 2&amp;quot;&#xA;KIDZ BOP Kids - &amp;quot;Levitating&amp;quot;&#xA;Killstation - &amp;quot;SPIRALIA&amp;quot;&#xA;Klass Murda &amp;amp; Benny the Butcher - &amp;quot;Theme Song&amp;quot;&#xA;Landon Cube, lil rxspy &amp;amp; SypSki - &amp;quot;Down &amp;amp; Out&amp;quot;&#xA;LPB Poody - &amp;quot;Batman&amp;quot;&#xA;Like Saturn - &amp;quot;vanished years&amp;quot;&#xA;Lil Gnar - &amp;quot;Missiles&amp;quot; ft. Trippie Redd&#xA;Lil Mosey - &amp;quot;Enough&amp;quot;&#xA;Lil Playah - &amp;quot;you THINK I CARE!&amp;quot;&#xA;Lil Tjay &amp;amp; 6LACK - &amp;quot;Calling My Phone&amp;quot;&#xA;lilspirit - &amp;quot;4ever&amp;quot;&#xA;Lucki - &amp;quot;Greed&amp;quot; ft. Lil Yachty&#xA;Luclover &amp;amp; Tes X - &amp;quot;Speedracer&amp;quot;&#xA;Luh Kel - &amp;quot;I Wish&amp;quot;&#xA;Mariah Carey - &amp;quot;We Belong Together (Mimi’s Late Night Valentine’s Mix)&amp;quot;&#xA;Mario - &amp;quot;Luxury Love&amp;quot;&#xA;Maude Latour - &amp;quot;Walk Backwards&amp;quot;&#xA;Maye - &amp;quot;Yours&amp;quot;&#xA;Men I Trust - &amp;quot;Tides&amp;quot;&#xA;Mýa - &amp;quot;Forever My Love&amp;quot;&#xA;Ninajirachi &amp;amp; Kota Banks - &amp;quot;Secretive!&amp;quot;&#xA;​nothing,nowhere. - &amp;quot;upside down&amp;quot;&#xA;P!nk &amp;amp; Willow Sage Hart - &amp;quot;Cover Me in Sunshine&amp;quot;&#xA;Paycheck - &amp;quot;WHERE'S THE LOVE?&amp;quot;&#xA;PJ Harding &amp;amp; Noah Cyrus - &amp;quot;Dear August&amp;quot;&#xA;PROFF - &amp;quot;Dark Magic&amp;quot;&#xA;ProfJam - &amp;quot;Alguém Como Tu&amp;quot; ft. Agir&#xA;Quinn XCII - &amp;quot;my​ wife &amp;amp; 2 dogs&amp;quot;&#xA;RiFF RAFF x DJ Paul x Merkules - &amp;quot;CUP CUP CUP&amp;quot;&#xA;Riley Pearce - &amp;quot;Golden Retriever&amp;quot;&#xA;Roosevelt - &amp;quot;Lovers&amp;quot;&#xA;ROSIE - &amp;quot;Retail Therapy&amp;quot;&#xA;Rowdy Rebel - &amp;quot;Jesse Owens&amp;quot; ft. NAV&#xA;Ryan Hurd - &amp;quot;Chasing After You&amp;quot; ft. Maren Morris&#xA;Sabina Ddumba - &amp;quot;Damn Good Woman&amp;quot;&#xA;SACHI - &amp;quot;Take Me Back&amp;quot;&#xA;Sara Kays - &amp;quot;Future Kids&amp;quot;&#xA;Savannah Cristina - &amp;quot;Body Work&amp;quot;&#xA;Scarypoolparty - &amp;quot;Home&amp;quot;&#xA;Sea Girls - &amp;quot;Nothing Breaks Like a Heart&amp;quot;&#xA;Sevyn Streeter, Chris Brown &amp;amp; A$AP Ferg - &amp;quot;Guilty&amp;quot;&#xA;Sharon Van Etten - &amp;quot;On Your Way Now&amp;quot;&#xA;Shy Glizzy - &amp;quot;White Lie&amp;quot; ft. RMR&#xA;Sir Sly - &amp;quot;Loverboy&amp;quot;&#xA;Sir Sly - &amp;quot;thx.&amp;quot;&#xA;Skizzy Mars - &amp;quot;Pro Bad Decision Maker&amp;quot;&#xA;Sophie and the Giants - &amp;quot;Right Now&amp;quot;&#xA;Stalking Gia - &amp;quot;Worship&amp;quot;&#xA;Stunna Girl - &amp;quot;Still Smoke&amp;quot;&#xA;Surf Mesa &amp;amp; Madison Beer - &amp;quot;Carried Away&amp;quot;&#xA;Syd - &amp;quot;Missing Out&amp;quot;&#xA;Taylor Swift - &amp;quot;Love Story (Taylor's Version)&amp;quot;&#xA;The Fratellis - &amp;quot;Need a Little Love&amp;quot;&#xA;Theia - &amp;quot;CREEP&amp;quot; ft. Vayne&#xA;Tokyo Jetz - &amp;quot;WYTD&amp;quot; ft. Toosii&#xA;Trey Songz - &amp;quot;Brain&amp;quot;&#xA;UPSAHL - &amp;quot;STOP!&amp;quot;&#xA;valentina cy - &amp;quot;Love Me Now&amp;quot;&#xA;Victoria Justice - &amp;quot;Stay&amp;quot;&#xA;Warhol.SS - &amp;quot;Checks&amp;quot;&#xA;We Are The Empty - &amp;quot;The Ocean&amp;quot;&#xA;Weathers - &amp;quot;Losing Blood&amp;quot;&#xA;Wolfgang Gartner - &amp;quot;Cosa Nostra&amp;quot;&#xA;X Ambassadors &amp;amp; Jensen McRae - &amp;quot;skip.that.party&amp;quot;&#xA;YNW Bortlen - &amp;quot;Lovey Dovey&amp;quot; ft. Toosii&#xA;Young M.A - &amp;quot;Off the Yak&amp;quot;&#xA;Young Thug - &amp;quot;That Go!&amp;quot; ft. T-Shyne &amp;amp; Meek Mill&#xA;Yungeen Ace - &amp;quot;All in All&amp;quot;&#xA;Zachary Knowles - &amp;quot;johnny &amp;amp; june&amp;quot;&#xA;&#xA;2/13&#xA;Aaron Cartier - &amp;quot;You Too&amp;quot;&#xA;Care - &amp;quot;Sun Hello to the Islands for Me&amp;quot;&#xA;Sol Jay - &amp;quot;#RULEZ&amp;quot;&#xA;Terror Jr - &amp;quot;Too Soon&amp;quot; ft. Shawn Wasabi&#xA;&#xA;2/14&#xA;904TEZZO - &amp;quot;Here to Stay&amp;quot;&#xA;Airospace - &amp;quot;Cosmic Void&amp;quot;&#xA;Anirudh Ravichander - &amp;quot;Rendu Kaadhal&amp;quot;&#xA;Bobby V - &amp;quot;Reply&amp;quot;&#xA;Chuu - &amp;quot;좋아서 그래 (Hello)&amp;quot;&#xA;Digga D - &amp;quot;Toxic&amp;quot;&#xA;IRENE - &amp;quot;흰 밤 (A White Night)&amp;quot;&#xA;Joey Purp &amp;amp; KAMI - &amp;quot;FOR YOU&amp;quot;&#xA;Kevinhilfiger - &amp;quot;haunt u&amp;quot;&#xA;MAJ - &amp;quot;Queen&amp;quot;&#xA;Peniel - &amp;quot;Valentine&amp;quot;&#xA;PewDiePie - &amp;quot;Coco&amp;quot;&#xA;SuperMega - &amp;quot;Brand New Shirt&amp;quot;&#xA;&#xA;2/15&#xA;CHEEZE - &amp;quot;아이 (Daydream)&amp;quot;&#xA;Dessa - &amp;quot;Bombs Away&amp;quot;&#xA;Helix tears - &amp;quot;idku&amp;quot; ft. Blxty, Yurms, Chava, blackwinterwells, Capoxxo, 8485 &amp;amp; SEBii&#xA;Kalan.FrFr. - &amp;quot;No Love&amp;quot; ft. Cypress Moreno &amp;amp; Mozzy&#xA;KUURO &amp;amp; Goja - &amp;quot;Close to Hell&amp;quot;&#xA;Moses Boyd &amp;amp; Katy B - &amp;quot;2 Far Gone (Remix)&amp;quot;&#xA;SOYOU - &amp;quot;ZERO:ATTITUDE&amp;quot; ft. IZ*ONE &amp;amp; pH-1&#xA;Wallows - &amp;quot;Quarterback&amp;quot;&#xA;ZIA - &amp;quot;누군가의 무엇이 되어 (I become love to you)&amp;quot;&#xA;&#xA;2/16&#xA;Alfie Templeman - &amp;quot;Everybody's Gonna Love Somebody&amp;quot;&#xA;Dad Sports - &amp;quot;nrvs again&amp;quot;&#xA;Dawn Richard - &amp;quot;Bussifame&amp;quot;&#xA;Eunkwang - &amp;quot;왜, 너만 (Why’d You Leave Me)&amp;quot;&#xA;Ex:Re &amp;amp; 12 Ensemble - &amp;quot;Where the Time Went (Remix)&amp;quot; ft. Josephine Stephenson&#xA;Hayley Mary - &amp;quot;Would You Throw a Diamond&amp;quot;&#xA;Kang Daniel - &amp;quot;PARANOIA&amp;quot;&#xA;Lil Lotus - &amp;quot;Girl Next Door&amp;quot;&#xA;Lil Peppa &amp;amp; Buzzboi - &amp;quot;Cheez Crackerz (Remix)&amp;quot;&#xA;Lil Peppa &amp;amp; Buzzboi - &amp;quot;Just One Sock (Remix)&amp;quot;&#xA;Lil Peppa &amp;amp; Lil Grillz &amp;quot;FF&amp;quot;&#xA;Lost Girl - &amp;quot;Menneskekollektivet&amp;quot; ft. Håvard Volden &amp;amp; Jenny Hval&#xA;Lost Horizons - &amp;quot;Heart of a Hummingbird&amp;quot; ft. KookieLou&#xA;Nick Hakim - &amp;quot;QADIR (BADBADNOTGOOD Remix)&amp;quot;&#xA;Porridge Radio &amp;amp; piglet - &amp;quot;Let's Not Fight!&amp;quot;&#xA;Porridge Radio &amp;amp; piglet - &amp;quot;Strong Enough&amp;quot;&#xA;Rusty Cage - &amp;quot;Hollow Men&amp;quot;&#xA;SEBii - &amp;quot;breakOUT&amp;quot;&#xA;Toth - &amp;quot;Turnaround (Cocaine Song)&amp;quot;&#xA;Wild Pink - &amp;quot;Pacific City&amp;quot;&#xA;Your Old Droog &amp;amp; Tha God Fahim - &amp;quot;Slam Dunk Contest&amp;quot; ft. Pharoahe Monch&#xA;YOZOH - &amp;quot;작은 사람 (Weak People)&amp;quot;&#xA;&#xA;2/17&#xA;AJR - &amp;quot;Way Less Sad&amp;quot;&#xA;Arm's Length - &amp;quot;No Sleep&amp;quot;&#xA;Christine and the Queens - &amp;quot;Would I Lie to You?&amp;quot; ft. Manu Payet&#xA;COBRAH - &amp;quot;DIP 'N' DRIP&amp;quot;&#xA;Crowded House - &amp;quot;To The Island&amp;quot;&#xA;D Imman - &amp;quot;Yaazha Yaazha&amp;quot;&#xA;Genesis Owusu - &amp;quot;Gold Chains&amp;quot;&#xA;Gojira - &amp;quot;Born for One Thing&amp;quot;&#xA;Iceage - &amp;quot;Vendetta&amp;quot;&#xA;José González - &amp;quot;El Invento&amp;quot;&#xA;LightSkinKeisha - &amp;quot;FDH&amp;quot;&#xA;Mahalia - &amp;quot;Jealous&amp;quot; ft. Rico Nasty&#xA;Mariah Carey - &amp;quot;We Belong Together (Mimi's Late Night Valentine's Mix) &amp;quot;&#xA;Maty Noyes - &amp;quot;Alexander&amp;quot;&#xA;Problem &amp;amp; Wiz Khalifa - &amp;quot;4 the Low&amp;quot;&#xA;serpentwithfeet - &amp;quot;Same Size Shoe&amp;quot;&#xA;Shura - &amp;quot;obsession&amp;quot; ft. Rosie Lowe&#xA;Stereolab - &amp;quot;The Super It&amp;quot;&#xA;The Antlers - &amp;quot;Just One Second&amp;quot;&#xA;THE BLOSSOM - &amp;quot;HARDCORE HAPPY&amp;quot;&#xA;TRI.BE - &amp;quot;둠둠다 (DOOM DOOM TA)&amp;quot;&#xA;TRI.BE - &amp;quot;Loca&amp;quot;&#xA;Unlike Pluto - &amp;quot;Zoned Out in My Youth&amp;quot;&#xA;Vindata - &amp;quot;Good 4 Me&amp;quot;&#xA;Vindata - &amp;quot;Union&amp;quot;&#xA;Vintage &amp;amp; Morelli x Arielle Maren - &amp;quot;Dreamers&amp;quot;&#xA;&#xA;2/18&#xA;Isak Danielson - &amp;quot;If You Ever Forget That You Love Me&amp;quot;&#xA;KAYTRANADA - &amp;quot;Caution&amp;quot;&#xA;King Gizzard &amp;amp; the Lizard Wizard - &amp;quot;Pleura&amp;quot;&#xA;Koven - &amp;quot;Numb&amp;quot;&#xA;Koven - &amp;quot;Worlds Collide (Grafix Remix)&amp;quot;&#xA;Rack - &amp;quot;Davay&amp;quot;&#xA;Major Lazer &amp;amp; Ludmilla - &amp;quot;Pra Te Machucar&amp;quot;&#xA;Manchester Orchestra - &amp;quot;Bed Head&amp;quot;&#xA;MAY-A - &amp;quot;Time I Love To Waste&amp;quot;&#xA;NF - &amp;quot;CLOUDS&amp;quot;&#xA;Paloma Mami - &amp;quot;Religiosa&amp;quot;&#xA;Tom Odell - &amp;quot;numb&amp;quot;&#xA;Ulrikke - &amp;quot;Falling Apart&amp;quot;&#xA;Velafire - &amp;quot;Under Me&amp;quot;&#xA;&#xA;2/19&#xA;24kGoldn - &amp;quot;3, 2, 1&amp;quot;&#xA;637godwin - &amp;quot;High Life&amp;quot;&#xA;6ix9ine - &amp;quot;ZAZA&amp;quot;&#xA;Adelén - &amp;quot;Jaded&amp;quot;&#xA;Alan Walker &amp;amp; salem ilese - &amp;quot;Fake a Smile&amp;quot;&#xA;Alice Phoebe Lou - &amp;quot;Dirty Mouth&amp;quot;&#xA;Amy Shark - &amp;quot;Love Songs Ain't for Us&amp;quot; ft. Keith Urban&#xA;Anx &amp;amp; 916frosty - &amp;quot;All American Rejects&amp;quot;&#xA;Aston Merrygold - &amp;quot;Share a Coke&amp;quot;&#xA;Babygirl - &amp;quot;You Were in My Dream Last Night&amp;quot;&#xA;Bella Thorne - &amp;quot;Shake It&amp;quot;&#xA;Benny the Butcher &amp;amp; Elcamino - &amp;quot;Immunity&amp;quot;&#xA;BFB da Packman - &amp;quot;Honey Pack (Remix)&amp;quot; ft. Lil Yachty &amp;amp; DDG&#xA;Big $tunt - &amp;quot;Money Gang&amp;quot; ft. Pooh Shiesty&#xA;BIGBABYGUCCI - &amp;quot;Seeing Ghosts&amp;quot;&#xA;Blac Chyna - &amp;quot;Doom&amp;quot; ft. Asian Doll&#xA;Black Honey - &amp;quot;Disinfect&amp;quot;&#xA;BMW KENNY - &amp;quot;HAHA&amp;quot;&#xA;Brent Ewing &amp;amp; Zoey Dollaz - &amp;quot;The Fall&amp;quot;&#xA;Budjerah - &amp;quot;Higher&amp;quot;&#xA;Camden Cox - &amp;quot;Under the Water&amp;quot;&#xA;Cash Cash - &amp;quot;Too Late&amp;quot; ft. Wiz Khalifa &amp;amp; Lukas Graham&#xA;Catie Turner - &amp;quot;Hide and Seek&amp;quot;&#xA;Charlotte Jane - &amp;quot;Down Days&amp;quot;&#xA;Chris Brown &amp;amp; Young Thug - &amp;quot;Go Crazy (Remix)&amp;quot; ft. Latto, Lil Durk &amp;amp; Future&#xA;CLEWS - &amp;quot;Want You That Way&amp;quot;&#xA;Clinton Kane - &amp;quot;CHICKEN TENDIES&amp;quot;&#xA;Cochise - &amp;quot;Usopp&amp;quot;&#xA;Coi Leray - &amp;quot;No More Parties (Remix)&amp;quot; ft. Lil Durk&#xA;Conan Gray - &amp;quot;Overdrive&amp;quot;&#xA;DaBaby - &amp;quot;Beatbox Freestyle&amp;quot;&#xA;Dami Im - &amp;quot;Lonely Cactus&amp;quot;&#xA;Danny Quest &amp;amp; Cheat Codes - &amp;quot;That Feeling&amp;quot; ft. Hayley May&#xA;David Shawty - &amp;quot;bad bye&amp;quot;&#xA;Day Sulan &amp;amp; YG - &amp;quot;Bailar&amp;quot;&#xA;Denzel Curry, Kenny Beats &amp;amp; Smino - &amp;quot;So.Incredible.pkg (Robert Glasper Version)&amp;quot; ft. Robert Glasper&#xA;Desto Dubb - &amp;quot;BNB&amp;quot; ft. Lil Pump&#xA;Dimitri Vegas &amp;amp; Like Mike, DVBBS &amp;amp; Roy Woods - &amp;quot;Too Much&amp;quot;&#xA;Drippin' So Pretty - &amp;quot;18&amp;quot;&#xA;ELHAE - &amp;quot;Separated&amp;quot;&#xA;ELIO - &amp;quot;CHARGER (Remix)&amp;quot; ft. Charli XCX&#xA;Ella Henderson &amp;amp; Tom Grennan - &amp;quot;Let's Go Home Together&amp;quot;&#xA;Emily Weisband - &amp;quot;New Salt&amp;quot;&#xA;Friedberg - &amp;quot;Midi 8&amp;quot;&#xA;Funkmaster Flex &amp;amp; Jadakiss - &amp;quot;Damn Shame&amp;quot;&#xA;Gianni Kosta &amp;amp; Dragonette - &amp;quot;Phantom&amp;quot;&#xA;GLADES - &amp;quot;Dancing in the Mirror&amp;quot;&#xA;Grace Davies - &amp;quot;​i met a boy online&amp;quot;&#xA;hololive IDOL PROJECT - &amp;quot;あすいろClearSky (AsuiroClearSky)&amp;quot; ft. Tokoyami Towa, Shiranui Flare, Sakura Miko, Ookami Mio, Minato Aqua, Natsuiro Matsuri, Aki Rosenthal, Yozora Mel &amp;amp; Roboco&#xA;Jake Miller - &amp;quot;ADDERALL&amp;quot;&#xA;Janine - &amp;quot;Loving Me&amp;quot;&#xA;Julia Gargano - &amp;quot;You Don't Get To&amp;quot;&#xA;Justine Skye - &amp;quot;Intruded&amp;quot;&#xA;Kembe X - &amp;quot;Under Pressure (The Smoking Peanut)&amp;quot;&#xA;Kenny Mason - &amp;quot;Partments&amp;quot;&#xA;KIDDO - &amp;quot;My 100&amp;quot;&#xA;L.L.A.M.A, Ne-Yo &amp;amp; Carmen DeLeon - &amp;quot;Shake&amp;quot;&#xA;Like Saturn - &amp;quot;free roaming&amp;quot;&#xA;Lil Yachty - &amp;quot;Hit Bout It&amp;quot; ft. Kodak Black&#xA;LocateEmilio &amp;amp; 27CLUB - &amp;quot;runny nose&amp;quot;&#xA;Lord Huron - &amp;quot;Not Dead Yet&amp;quot;&#xA;Lxst - &amp;quot;Famous&amp;quot;&#xA;Matt Ox - &amp;quot;Shivers&amp;quot;&#xA;Marshmello &amp;amp; Arash - &amp;quot;Lavandia&amp;quot;&#xA;Matt Berninger - &amp;quot;Let It Be&amp;quot;&#xA;MELVV - &amp;quot;READY OR NOT&amp;quot; ft. umru &amp;amp; Terror Jr&#xA;Memo600 &amp;amp; Only The Family - &amp;quot;Pistol Tottin&amp;quot;&#xA;Mike Shinoda - &amp;quot;Happy Endings&amp;quot; ft. UPSAHL &amp;amp; iann dior&#xA;Mimoza - &amp;quot;Young Queen&amp;quot;&#xA;MUST DIE! - &amp;quot;SORROW TECH&amp;quot;&#xA;Olivia Holt - &amp;quot;Do You Miss Me&amp;quot;&#xA;OMB Peezy - &amp;quot;Love is Blind&amp;quot;&#xA;Paris Texas - &amp;quot;HEAVY METAL&amp;quot;&#xA;Paul Woolford &amp;amp; Amber Mark - &amp;quot;HEAT&amp;quot;&#xA;Polish Club - &amp;quot;Stop For a Minute&amp;quot;&#xA;Powfu, Rxseboy &amp;amp; Sarcastic Sounds - &amp;quot;the way that you see me&amp;quot; ft. Ayleen Valentine&#xA;PRETTYMUCH - &amp;quot;Lonely&amp;quot;&#xA;Purple Disco Machine - &amp;quot;Fireworks&amp;quot; ft. Moss Kena &amp;amp; The Knocks&#xA;Rah Swish - &amp;quot;A Year Ago&amp;quot;&#xA;Rebecca Ferguson - &amp;quot;No Words Needed&amp;quot; ft. Nile Rodgers&#xA;Russ - &amp;quot;MISUNDERSTOOD&amp;quot;&#xA;Sandro Cavazza &amp;amp; Georgia Ku - &amp;quot;Love To Lose&amp;quot;&#xA;Semetary - &amp;quot;NECROMANSER&amp;quot;&#xA;Sipho the Gift - &amp;quot;Do More&amp;quot;&#xA;Sophia Messa - &amp;quot;Not That Kind of Love&amp;quot;&#xA;Still Woozy - &amp;quot;Rocky&amp;quot;&#xA;Space Tyger - &amp;quot;Satellites&amp;quot;&#xA;Surf - &amp;quot;Parlay&amp;quot;&#xA;Tainy &amp;amp; Miguel - &amp;quot;Sunbathe&amp;quot;&#xA;The Strumbellas - &amp;quot;Greatest Enemy&amp;quot;&#xA;Tory Lanez &amp;amp; Chris Brown - &amp;quot;F.E.E.L.S.&amp;quot;&#xA;Transviolet - &amp;quot;Drugs in California&amp;quot;&#xA;Virgil Abloh - &amp;quot;Delicate Limbs (Omar S Remix)&amp;quot;&#xA;Walker Hayes - &amp;quot;I Hope You Miss Me&amp;quot;&#xA;Xan Griffin - &amp;quot;S.I.M.P.I.N.G.&amp;quot;&#xA;Young Dolph &amp;amp; Key Glock - &amp;quot;Case Closed&amp;quot;&#xA;Buppy. - &amp;quot;Open My Letter&amp;quot;&#xA;&#xA;2/20&#xA;kurtains - &amp;quot;axel ocelot&amp;quot;&#xA;&#xA;2/22&#xA;神聖かまってちゃん (Shinsei Kamattechan) - &amp;quot;僕の戦争 (Boku no Sensou)&amp;quot;&#xA;Becky G &amp;amp; Burna Boy - &amp;quot;Rotate&amp;quot;&#xA;Billie Eilish - &amp;quot;ilomilo (Live)&amp;quot;&#xA;Cold Hart - &amp;quot;Every Day's a Day&amp;quot;&#xA;Dayglow - &amp;quot;Something&amp;quot;&#xA;Duke Deuce - &amp;quot;SPIN&amp;quot; ft. Foogiano&#xA;Eptic - &amp;quot;Shadow People&amp;quot;&#xA;Green Day - &amp;quot;Here Comes the Shock&amp;quot;&#xA;Joey Trap - &amp;quot;YUCA&amp;quot;&#xA;Nekomata Okayu - &amp;quot;もぐもぐYUMMY! (Mogu Mogu YUMMY!)&amp;quot;&#xA;Zara Larsson - &amp;quot;Look What You've Done&amp;quot;&#xA;&#xA;2/21&#xA;Architects - &amp;quot;Meteor&amp;quot;&#xA;Luba Juice - ''Who'' ft. King Andi3&#xA;&#xA;2/23&#xA;Adult Mom - &amp;quot;Checking Up&amp;quot;&#xA;​cupcakKe - &amp;quot;Back In Blood (Remix)&amp;quot;&#xA;Dropkick Murphys - &amp;quot;Middle Finger&amp;quot;&#xA;Fred again.. &amp;amp; The Blessed Madonna - &amp;quot;Marea (We've Lost Dancing)&amp;quot;&#xA;Glass Beach - &amp;quot;yoshis island (world 7x7 mix)&amp;quot;&#xA;Greentea Peng - &amp;quot;Nah It Ain't the Same&amp;quot;&#xA;Gutta100 - &amp;quot;Beatbox (Remix)&amp;quot;&#xA;Jade Bird - &amp;quot;Open up the heavens&amp;quot;&#xA;Jetty Bones - &amp;quot;Nothing&amp;quot;&#xA;JID - &amp;quot;Skegee&amp;quot;&#xA;Lael Hansen - &amp;quot;rip2me&amp;quot;&#xA;Pussy Riot - &amp;quot;TOXIC&amp;quot; ft. Dorian Electra&#xA;Shamir - &amp;quot;Ocean Eyes&amp;quot;&#xA;SUNMI - &amp;quot;꼬리 (Tail)&amp;quot;&#xA;SUNMI - &amp;quot;꽃같네 (What the Flower)&amp;quot;&#xA;SURAN - &amp;quot;Sunny&amp;quot;&#xA;&#xA;2/24&#xA;2KBABY - &amp;quot;No More Parties (Remix)&amp;quot;&#xA;Alex Porat - &amp;quot;girlfriend&amp;quot;&#xA;Aodhan - &amp;quot;I'm Closed&amp;quot;&#xA;Baby Queen - &amp;quot;These Drugs&amp;quot;&#xA;Bright Eyes - &amp;quot;Flirted With You All My Life&amp;quot;&#xA;Caleborate &amp;amp; Kota the Friend - &amp;quot;Contact&amp;quot;&#xA;Cautious Clay - &amp;quot;Roots&amp;quot;&#xA;CHAI - &amp;quot;Maybe Chocolate Chips&amp;quot; ft. Ric Wilson&#xA;Elena Tsagrinou - &amp;quot;El Diablo&amp;quot;&#xA;ELHAE - &amp;quot;Fun Fact Ballad&amp;quot;&#xA;Half Waif - &amp;quot;Party's Over&amp;quot;&#xA;James Vickery - &amp;quot;Come to Me&amp;quot; ft. Musiq Soulchild&#xA;​​​J​ao - &amp;quot;Coringa&amp;quot;&#xA;Julien Baker - &amp;quot;Heatwave&amp;quot;&#xA;Kero Kero Bonito - &amp;quot;The Princess and the Clock&amp;quot;&#xA;Liyah Knight &amp;amp; Nerve - &amp;quot;Cheers&amp;quot;&#xA;Muki - &amp;quot;I Make Boys Cry&amp;quot;&#xA;renforshort - &amp;quot;virtual reality&amp;quot;&#xA;Sinéad Harnett - &amp;quot;Last Love&amp;quot;&#xA;Starrah - &amp;quot;Miss This&amp;quot;&#xA;THE BOYZ - &amp;quot;Breaking Dawn&amp;quot;&#xA;The Offspring - &amp;quot;Let the Bad Times Roll&amp;quot;&#xA;The Vaccines - &amp;quot;Fire&amp;quot;&#xA;THEY. - &amp;quot;Count Me In (Remix)&amp;quot; ft. Kiana Ledé&#xA;Tom Aspaul - &amp;quot;Tender 2&amp;quot; ft. Funk LeBlanc&#xA;Vaundy - 融解sink&#xA;Will Mannay - &amp;quot;No Feelings&amp;quot;&#xA;Wolf Alice - &amp;quot;The Last Man on Earth&amp;quot;&#xA;&#xA;2/25&#xA;Bleu Clair - &amp;quot;The Tempo&amp;quot;&#xA;Cosha &amp;amp; Coby Sey - &amp;quot;Tighter&amp;quot;&#xA;Mansionair - &amp;quot;MORE&amp;quot;&#xA;Nick Jonas - &amp;quot;Spaceman&amp;quot;&#xA;NSG - &amp;quot;Drunk Guitar (Remix)&amp;quot; ft. Potter Payper&#xA;Owlle - &amp;quot;Sounds Familiar&amp;quot;&#xA;Peach PRC - &amp;quot;Josh&amp;quot;&#xA;Post Malone - &amp;quot;Only Wanna Be with You&amp;quot;&#xA;Steps &amp;amp; Michelle Visage - &amp;quot;Heartbreak in This City (Remix)&amp;quot;&#xA;Tiana Blake - &amp;quot;Interruption&amp;quot;&#xA;Yeek - &amp;quot;Valencia&amp;quot;&#xA;&#xA;2/26&#xA;22Gz - &amp;quot;Blixky Gang Freestyle, Pt. 2&amp;quot;&#xA;27CLUB - &amp;quot;Crushin'&amp;quot;&#xA;2KBABY &amp;amp; Marshmello - &amp;quot;Like This&amp;quot;&#xA;6 Dogs - &amp;quot;Starfire (Teen Titans)&amp;quot;&#xA;A.CHAL - &amp;quot;Nobody Like Me&amp;quot;&#xA;Alesso &amp;amp; Armin Van Buuren - &amp;quot;Leave a Little Love&amp;quot;&#xA;Alexandra Stan - &amp;quot;Aleasa&amp;quot;&#xA;Aleyna Tilki - &amp;quot;Retrograde&amp;quot;&#xA;Alice Longyu Gao - &amp;quot;She Abunai&amp;quot; ft. Mura Masa &amp;amp; bülow&#xA;Aloe Blacc - &amp;quot;Other Side&amp;quot;&#xA;Alyssa Joseph - &amp;quot;sadboy&amp;quot;&#xA;​anders - &amp;quot;Late to the Party&amp;quot;&#xA;Ant Saunders - &amp;quot;Spoiled&amp;quot;&#xA;Aries - &amp;quot;DITTO&amp;quot;&#xA;Ben Howard - &amp;quot;Far Out&amp;quot;&#xA;Ben Howard - &amp;quot;Follies Fixture&amp;quot;&#xA;Billy Davis - &amp;quot;Dream No More&amp;quot; ft. Ruel &amp;amp; Genesis Owusu&#xA;Bizness Boi &amp;amp; Symphani Soto - &amp;quot;I’m Witchu&amp;quot;&#xA;braveweather - &amp;quot;black&amp;amp;white&amp;quot;&#xA;BRELAND - &amp;quot;Cross Country&amp;quot;&#xA;Brett Young - &amp;quot;You Got Away with It&amp;quot;&#xA;Carrie Underwood - &amp;quot;Great is Thy Faithfulness&amp;quot; ft. CeCe Winans&#xA;Cavetown - &amp;quot;Paul&amp;quot;&#xA;CHEETAH - &amp;quot;Villain&amp;quot; ft. JAMIE&#xA;Cinders - &amp;quot;Growing Up&amp;quot;&#xA;Claire Rosinkranz - &amp;quot;Parking Lot&amp;quot;&#xA;Claire Rosinkranz - &amp;quot;Real Life&amp;quot;&#xA;Claudia Leitte - &amp;quot;Agradece&amp;quot;&#xA;Curtis Waters - &amp;quot;Conceited&amp;quot;&#xA;Dava - &amp;quot;New Ceilings&amp;quot;&#xA;DDG &amp;amp; OG Parker - &amp;quot;Money Long&amp;quot; ft. 42 Dugg&#xA;Denzel Curry &amp;amp; Kenny Beats - &amp;quot;’ Cosmic ’ .m4a (The Alchemist Version)&amp;quot; ft. Joey Bada$$&#xA;dePresno - &amp;quot;Church&amp;quot;&#xA;Divided Minds - &amp;quot;Wake Up&amp;quot;&#xA;DJ Topgun - &amp;quot;Sleep&amp;quot; ft. David Shawty &amp;amp; BBY GOYARD&#xA;Doll Skin - &amp;quot;Control Freak&amp;quot;&#xA;DOOLIE - &amp;quot;Woke Up Feeling Dramatic&amp;quot;&#xA;Ella Vos &amp;amp; Mokita - &amp;quot;​still dreaming, backwards&amp;quot;&#xA;Elle King &amp;amp; Miranda Lambert - &amp;quot;Drunk (And I Don't Wanna Go Home)&amp;quot;&#xA;Elliphant - &amp;quot;Drunk &amp;amp; Angry&amp;quot;&#xA;Enisa - &amp;quot;Count My Blessings&amp;quot;&#xA;EVAN GIIA - &amp;quot;Stay Up&amp;quot;&#xA;FCG Heem - &amp;quot;More Pain&amp;quot; ft. Toosii&#xA;Florrie - &amp;quot;Hours&amp;quot;&#xA;Frances - &amp;quot;Ocean in Gold&amp;quot;&#xA;Frances - &amp;quot;Rare&amp;quot;&#xA;Futuristic &amp;amp; Michael Minelli - &amp;quot;Know Me&amp;quot;&#xA;GARZI - &amp;quot;PARANOIA&amp;quot;&#xA;Greta Isaac - &amp;quot;Like Me&amp;quot;&#xA;H.E.R. &amp;amp; Justin Credible - &amp;quot;Damage (Justin Credible Remix)&amp;quot;&#xA;Hanne Leland - &amp;quot;Even If It Breaks My Heart&amp;quot;&#xA;Hotboii - &amp;quot;Fuck Shit&amp;quot;&#xA;IDK - &amp;quot;Just Like Martin&amp;quot;&#xA;India Shawn - &amp;quot;Too Sweet&amp;quot; ft. Unknown Mortal Orchestra&#xA;Jaguar Jonze - &amp;quot;CURLED IN&amp;quot;&#xA;Jazmine Flowers - &amp;quot;Awkward&amp;quot;&#xA;Joel Corry, RAYE &amp;amp; David Guetta - &amp;quot;BED&amp;quot;&#xA;John-Robert - &amp;quot;Damn Bean&amp;quot;&#xA;Josie Man - &amp;quot;Cuts &amp;amp; Bruises&amp;quot;&#xA;Joyce Wrice - &amp;quot;On One&amp;quot; ft. Freddie Gibbs&#xA;Kamrin Houser - &amp;quot;G-Code&amp;quot; ft. Lil Skies&#xA;Key Glock - &amp;quot;I'm the Type&amp;quot;&#xA;Kitten - &amp;quot;American Football&amp;quot;&#xA;Kristen Hanby - &amp;quot;Good Girl&amp;quot; ft. YBN Nahmir&#xA;KYLE - &amp;quot;But Cha&amp;quot; ft. Josh Golden&#xA;Lauren Daigle - &amp;quot;Hold On To Me&amp;quot;&#xA;Leon Bridges &amp;amp; Keite Young - &amp;quot;Like a Ship&amp;quot;&#xA;Like Saturn - &amp;quot;missing summer&amp;quot;&#xA;Lil Kapow - &amp;quot;No Headlights&amp;quot;&#xA;Lunay - &amp;quot;Sin Ropa&amp;quot;&#xA;Maisie Peters - &amp;quot;John Hughes Movie&amp;quot;&#xA;Magnolia Park - &amp;quot;Back on My Bullshit&amp;quot; ft. Jake Hill&#xA;Martin Jensen &amp;amp; Georgia Ku - &amp;quot;2019&amp;quot;&#xA;Mat Kearney - &amp;quot;Pontiac&amp;quot;&#xA;MDMA (Molly) - &amp;quot;Hills&amp;quot;&#xA;Millie Turner - &amp;quot;Concrete Tragedy&amp;quot;&#xA;MOL$ - &amp;quot;TEN FOLD&amp;quot; ft. MC Virgins &amp;amp; Lil Force&#xA;Morcheeba - &amp;quot;Oh Oh Yeah&amp;quot;&#xA;Nessly - &amp;quot;Link and Build&amp;quot; ft. MadeinTYO&#xA;Noname - &amp;quot;Rainforest&amp;quot;&#xA;Nuski2Squad - &amp;quot;Gone Too Soon&amp;quot; ft. Toosii&#xA;Peder Elias - &amp;quot;Best Friend&amp;quot;&#xA;Pop Smoke - &amp;quot;AP&amp;quot;&#xA;Quelly Woo - &amp;quot;PAIN INTO PASSION&amp;quot;&#xA;R3HAB, Fafaq &amp;amp; DNF - &amp;quot;Ringtone&amp;quot;&#xA;Rah Swish - &amp;quot;Warm Ups&amp;quot; ft. Leeky G Bando&#xA;Royal &amp;amp; the Serpent - &amp;quot;​i can't get high&amp;quot;&#xA;Sarah Close - &amp;quot;Forgive or Forget&amp;quot;&#xA;Sasha Keable - &amp;quot;Exception&amp;quot;&#xA;Shelley FKA DRAM - &amp;quot;Exposure&amp;quot;&#xA;SIX60 - &amp;quot;All She Wrote&amp;quot;&#xA;Slayyyter - &amp;quot;Clouds&amp;quot;&#xA;Sol Jay - &amp;quot;fatal&amp;quot;&#xA;SpotEmGottem - &amp;quot;Beat Box 3&amp;quot; ft. 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<INFO BITRATE="989000" KEY_LYRICS="14 ContributorsNow Or Never remix (The Callout) Lyrics&#xA;It’s the Switch up, baby&#xA;That's right&#xA;This is no remix&#xA;This is no re-Up&#xA;This is the call out&#xA;Time to have fun with this HipHop Thing&#xA;&#xA;It’s now or never, ne-never!&#xA;It’s time to change the game, game&#xA;&#xA;&#xA;Dankie san!&#xA;Awu phambile mshito&#xA;Siya’ ikhanda iboweni kubo Tito&#xA;Ay! Besicela ningas’ bangel’ umsindo&#xA;Nis’ bangis’ impilo&#xA;Ngapha si puff’a lama Hubly&#xA;Sithambisa lo mphimbo&#xA;Manje linghambela phambili lingshadile icilongo&#xA;Ngiyi guard'ile iHipHop&#xA;INumber kimi isiko&#xA;Busy hunting for pussy&#xA;IKati lilele ziko&#xA;Ngiceda iparty ngeslilo&#xA;Gaurd’kuthi uniga ophi&#xA;Woban’ loyo mcqondo&#xA;Ngoba namanje itho&#xA;AboKapadia bakhona awuthi yam&#xA;&#xA;Hosh!&#xA;Nothing happened to rap something happened to rappers (YoungCPT)&#xA;Witness a lyricist&#xA;Lyrical physicist&#xA;Like an Egyptian who’s building the pyramids&#xA;Check the perimeters we’re not similar&#xA;Jirre&#xA;The bars make me feel like a prisoner&#xA;I am the villainous minister&#xA;When I deliver the sinister lyrics you shiver&#xA;You are a gangster but only on twitter&#xA;Acting like kinnas who gossip and skinner&#xA;Cape Crusader not Helen Zille&#xA;I only see Allah and whose in the mirror&#xA;My rapping is rapid and raging like rivers&#xA;I apetown Aapie caging gorillas&#xA;Pushing the limit&#xA;The mind the body and spirit&#xA;Really you aren’t committed&#xA;Your rapping is kak!&#xA;Smelling like villis&#xA;I have to admit it&#xA;I'm not even jealous&#xA;Keep all the glitz and the glamour&#xA;Slat you binne in your moer with a hammer&#xA;I feel like I'm Hulk and bruising the banners&#xA;I’m breaking the stage&#xA;I’m killing the birds&#xA;They tell me behave&#xA;But it seems they need a constant reminder&#xA;Rap’s revived, alive and resides in the Kaapstaad, naaiers!&#xA;&#xA;I guess it’s time for the switch up&#xA;Ngiceda uk’shaya amasit ups&#xA;NgiGym’ile ke zinja&#xA;Khokhan’ umoya nje ngama hiccups&#xA;Represent’a amajita from Katlehong to Tembisa&#xA;Niyabona ngiyaphakamisa for nina nabo my sister&#xA;Heita! to all the haters and the papers&#xA;Great stuff I’m a G to all the vapours&#xA;I encourage you to proceed with all the fake junk&#xA;While I snapchat with tens only and stack papers&#xA;I’m way up&#xA;And just focusing on uk’phumelela&#xA;Sheba fela ke chipa fela like I’m Lekoelea&#xA;More like Jabu Pule, Ngwana wa tshwenya when I play her&#xA;But God is always in my favour nigga Halleluya&#xA;&#xA;&#xA;Check!&#xA;Man what happened to Rap?&#xA;Yeah&#xA;Man what happened to Rap?&#xA;Say, say&#xA;What happened to Rap?&#xA;Hiphop used to drop bars but now we all dab&#xA;&#xA;I do this for the culture&#xA;You’re about to get mad work&#xA;I’m a mixture of Eminem&#xA;A pinch of loaded lux and half Verb&#xA;I’m back (Word?)&#xA;Just take my verse for it&#xA;It’s evil to live backwards&#xA;Just take my word forward&#xA;I’m the rap nerd&#xA;And judging of your last verse&#xA;Dog you couldn’t spar with the God&#xA;If You kicked your raps backwards&#xA;Students of the game&#xA;I’ve seen how quickly they switch up when the tables turn&#xA;They hoping the star pupil slip up, (it’s s setup)&#xA;Over your head over the edge&#xA;Over and over again&#xA;Every line is barber precise&#xA;Ay, pardon my nice&#xA;I put my city on the atlas&#xA;I been selling dummies&#xA;First demo was a blank disk&#xA;&#xA;&#xA;Check!&#xA;Man what happened to Rap?&#xA;Yeah&#xA;Man what happened to Rap?&#xA;&#xA;&#xA;Ngath ngathuka wonk’ umuntu kau like I'm Dj Euphonik&#xA;Nalo Dj Switch igame chux nge speed sika Sonic&#xA;BomRapper bazofa e Living Room, isn’t that Ironic?&#xA;Ng'nokuz’bona seng'ndiza nge broom after isthila se Chronic&#xA;I’m tryna change the game like I’m Morgan van Starden&#xA;Angithi balahlekile abaningi fanel' basilandele&#xA;Le track ipheth’ izinja k’phela ngathi i industry cypher&#xA;Word is born, ah! Awaspanang’ amamorning after&#xA;Shintsh imood like laughter&#xA;Underdog bayang’ nyatsa&#xA;Qal' izinto okwe lamza&#xA;K’zo phel’ ipan mang’a dlwadla&#xA;&#xA;It’s now or never, ne-never!&#xA;It’s time to change the game, game&#xA;&#xA;&#xA;Check!&#xA;Man what happened to Rap?&#xA;Yeah&#xA;Man what happened to Rap?&#xA;&#xA;&#xA;When I hit a sixteen, man it’s hot. That’s mandatory&#xA;You hit a sixteen and it’s not, it’s statutory&#xA;You hate me for my truth your girl love me for my honesty&#xA;Reverse psychology pimpin’ widdit&#xA;Child of a dying breed&#xA;Supplying prophecies non believers owe me apologies&#xA;I said a pile of G’s&#xA;Imma need ‘em commas, man, honestly&#xA;Bitch! Fuck out my way&#xA;I leave a trail of corpses so you find me&#xA;That mean your favourites get behind me&#xA;I dare you, try me&#xA;Go and ask them. Look&#xA;I share my intellectual capacity with those who dare to rap with me&#xA;Factually I take so many shots you think I’m packing heat&#xA;When actually, I don’t need a gun&#xA;I’m a masterpiece&#xA;&#xA;&#xA;Nah!&#xA;Nothing happened to rap&#xA;You’re lacking the facts&#xA;Rap has had to adapt to the ratchet and trap&#xA;It’s a hazard in-fact&#xA;If rappers are lacking the tact they have to retract&#xA;Perhaps where them amateurs at&#xA;Now add and subtract&#xA;I’m packed with a savage attack&#xA;I’m not talking 'bout beating pussy when I damage a cat&#xA;If her assets are fat&#xA;I dab and have her clapping her ass&#xA;Standing ovation&#xA;I rap and I just happen to trap&#xA;Assassin of rap&#xA;Attack if your rappin is whack&#xA;Voetsek and relax&#xA;Don’t tell me I should rap in vernac&#xA;You see the bars are ever present&#xA;I’m unwrapping the raps&#xA;Seven seas of toxic flows and I’m the captain of that&#xA;Vrrrrrr&#xA;&#xA;&#xA;Yho I’m a born don&#xA;Sukungi hlokoloza with all this boredom&#xA;You born dom&#xA;Buwekuphi sikokota, till we gone gold&#xA;Before called&#xA;Amakoporoshi, but you, we fought strong&#xA;I log on, i-“goal” ukushaya i-“net” and get the law gone&#xA;Ngisonoro, samsokolo, bars dololo&#xA;Bho bho bho, ngibhodloza isikgogo, fokof umgopholo&#xA;We no more hog, kwi nkondlo, of cos&#xA;Ngoba u-cash-u-less&#xA;Tracks are not on track, most cast are now trapped on trap&#xA;But akuna niks, nami kumele sitheshe&#xA;Rap tricks under my sleeve, noma ngigibsele i-vest&#xA;Now bring it back, to real rap before nidab nibheda&#xA;Now or Never, click click bang&#xA;Uynyaka owama kleva&#xA;&#xA;It’s now or never, ne-never!&#xA;It’s time to change the game, game&#xA;&#xA;&#xA;Check!&#xA;Man what happened to Rap?&#xA;Yeah&#xA;Man what happened to Rap?&#xA;&#xA;&#xA;Murder, rappers. I’m guilty&#xA;This case is closed&#xA;How’s this a come-up if I just opened for J.Cole?&#xA;I’m ahead of the game so they hopin I never blow&#xA;But it’s been a long time coming my nigga, ya’ll ain't even know&#xA;They sell you bullshit music and they’re happy when it goes plaques&#xA;You whack mathafakas are the reason Im starting to hate rap&#xA;I’m making waves&#xA;So I see that they’re getting sea sick&#xA;So Switch called me back to come and kill ‘em on the remix&#xA;Slow and steady wins the race don’t tell me about whose first&#xA;You've got a couple of award but you can t touch me on a verse&#xA;Yes, you and you and you&#xA;I’m callin em out&#xA;You never say anything with value but you got gold in ya mouth&#xA;&#xA;&#xA;Yo! Yo! 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<INFO BITRATE="1045000" KEY_LYRICS="2 ContributorsDomus Perkele LyricsSyvällä maan sisässä on talo numero 666&#xA;Sen ovessa on pääkallo ja reisiluut sen alla&#xA;Oven yllä pieni ikkuna ja kyltti&#xA;Johon viestiksi vieraalle&#xA;Hakattu on nimi &amp;quot;Domus Perkele&amp;quot;&#xA;&#xA;Hänen korkeutensa kokonainen olemus&#xA;Laskeutuu yläkerran portaita, ja&#xA;Luovii lihan merellä kuin silitysrauta&#xA;Sillä vain harvoin hän seurassa&#xA;Hymyilee virnettä suopeaa&#xA;Vain silloin, kun salamoi taivas ja vettä sataa&#xA;&#xA;Ja nyt sataa&#xA;&#xA;Siis tervetuloa!&#xA;Domus Perkele!&#xA;&#xA;Ja tanssiaiset yön mittaiset Behemot isäntänään&#xA;(Domus Perkeleessä tänään, Domus Perkeleessä tänään!)&#xA;Behemot on elefantti, paloletkua kärsänään&#xA;(Domus Perkeleessä tänään, Domus Perkeleessä tänään!)&#xA;Ja Behemot polkkaa pirunpolkkaa parketilla, sillä&#xA;(Domus Perkeleessä tänään, Domus Perkeleessä tänään!)&#xA;Elo on tanssia ruusuilla ja amarylliksillä&#xA;(Domus Perkeleessä tänään, Domus Perkeleessä tänään!)&#xA;On talo täynnä, eteinen&#xA;Puolillaan ja pihallakin&#xA;Pitkä jono palelee&#xA;Ystävät: Domus Perkele!&#xA;&#xA;Keskiyöllä kokoonnutaan kellariin&#xA;Kiittämään isännän hyvää haltijaa&#xA;Joka valoisan päivän varalle asunnon&#xA;Nälän hetkiin purtavaksi ruohoa&#xA;Ja kumppaniksi kauneimman naaraan soi&#xA;Jota Behemot rakastaa ja jumaloi&#xA;&#xA;Ja he ovat aikeissa lisääntyä!&#xA;&#xA;On talo täynnä:&#xA;Eteisissä, keittiöissä&#xA;Kellareissa juhlakansa riemuitsee&#xA;Ystävät: Domus Perkele!&#xA;&#xA;Ja tanssiaiset yön mittaiset Behemot isäntänään&#xA;(Domus Perkeleessä tänään, Domus Perkeleessä tänään!)&#xA;Behemot on elefantti, paloletkua kärsänään&#xA;(Domus Perkeleessä tänään, Domus Perkeleessä tänään!)&#xA;Behemot polkkaa pirunpolkkaa parketilla, sillä&#xA;(Domus Perkeleessä tänään, Domus Perkeleessä tänään!)&#xA;Elo on tanssia ruusuilla ja amarylliksillä&#xA;(Domus Perkeleessä tänään, Domus Perkeleessä tänään!)&#xA;Behemot polkkaa pirunpolkkaa parketilla, sillä&#xA;Elo on tanssia ruusuilla ja amarylliksillä" PRODUCER="UKF" COVERARTID="105/JLUFHGC1I5IVYBCEV1ZFDO15HNIC" KEY="4m" PLAYTIME="269" PLAYTIME_FLOAT="268.799988" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="34878"></INFO>
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<INFO BITRATE="1017000" KEY_LYRICS="1 ContributorPanda (Remix) Lyrics&#xA;You are now listening to the hottest producer with the hottest beats on the net, Menace&#xA;This what they all been waitin' for? I guess so&#xA;They been waitin’ for this shit for a long time, didn't they? Hey&#xA;Ayy, I'm just feelin’ my vibe right now&#xA;I'm feelin' myself&#xA;&#xA;&#xA;Panda, Panda&#xA;Panda, Panda, Panda, Panda, Panda&#xA;&#xA;&#xA;I got broads in Atlanta&#xA;Twistin' dope, lean, and the Fanta&#xA;Credit cards and the scammers&#xA;Hittin' off licks in the bando&#xA;Black X6, Phantom&#xA;White X6 look like a panda&#xA;Goin' out like I'm Montana&#xA;Hundred killas, hundred hammers&#xA;Black X6, Phantom&#xA;White X6, panda&#xA;Pockets swole, Danny&#xA;Sellin' bar, candy&#xA;Man, I’m the macho like Randy&#xA;The choppa go Oscar for Grammy&#xA;Bitch nigga, pull up ya panty&#xA;Hope you killas understand mе&#xA;I got broads in Atlanta&#xA;Twistin’ dope, lean, and the Fanta&#xA;Crеdit cards and the scammers&#xA;Hittin' off licks in the bando&#xA;Black X6, Phantom&#xA;White X6 look like a panda&#xA;Goin’ out like I'm Montana&#xA;Hundred killas, hundred hammers&#xA;Black X6, Phantom&#xA;White X6, panda&#xA;Pockets swole, Danny&#xA;Sellin' bar, candy&#xA;Man, I'm the macho like Randy&#xA;The choppa go Oscar for Grammy&#xA;Bitch nigga, pull up ya panty&#xA;Hope you killas understand me&#xA;&#xA;Hey&#xA;Panda, Panda&#xA;Panda, Panda, Panda, Panda, Panda, Panda, Panda, Panda&#xA;&#xA;&#xA;I got broads in Atlanta&#xA;Twistin’ dope, lean, and shit, sippin' Fanta&#xA;Credit cards and the scammers&#xA;Wake up Versace shit, life Desiigner&#xA;Whole bunch of lavish shit&#xA;They be askin' 'round town who be clappin' shit&#xA;I be pullin' up stuff in the Phantom ship&#xA;I got plenty of stuff in Bugatti whip, look how I drive this shit&#xA;Black X6, Phantom&#xA;White X6, killin' on camera&#xA;Pop a Perc, I can't stand up&#xA;Gorilla, they come and kill you with bananas&#xA;Four fellas, they finna pull up in the Phantom&#xA;Know niggas, they come and kill you on the camera&#xA;Big Rollie, it's dancin' bigger than a Pandie&#xA;Go Oscar for Grammy, bitch, pull up ya panty&#xA;Fill up, I'ma flip it, I got bitches pull up and they get it&#xA;I got niggas that's countin' for digits&#xA;Say you make you a lot of new money&#xA;Know some killers pull off and they in the Wraith&#xA;CTD, pull up in the killa Bape&#xA;Call up Phillip-Phillip, gon' fill the bank&#xA;Niggas up in the bank, we gon' drill the bank&#xA;Fuck, we gon' kill the bank, get it&#xA;I got broads, yeah, I get it&#xA;I get cards, yeah, I shitted&#xA;This how I live it, did it all for a ticket&#xA;Now Flex drop bombs when he spin it&#xA;And Bobby gon' trend it&#xA;Jeff The Don doin' business&#xA;Zana Ray fuckin' up shit and she doin' her business&#xA;I be gettin' to the chicken, countin' to the chicken&#xA;And all of my niggas gon' split it&#xA;&#xA;I'm with broads in Atlanta&#xA;Hundred drives in the Phantom&#xA;Hundred cards in the fan&#xA;Spendin' money like a scammer&#xA;My young niggas in the kitchen&#xA;Whippin', whippin', livin' large at the Hammer&#xA;Duckin' laws and the scammers&#xA;Free my dawgs at the slammer&#xA;Black car, Panda&#xA;Shawty called, love her, answer&#xA;Twenty foreigns in the mansion&#xA;Diamonds on me and they dancin'&#xA;I'on really understand rappers&#xA;Niggas jumpin' on bandwagons&#xA;All these bitches got my pants saggin'&#xA;Six .3's on the bands, waggin'&#xA;Sick .2's on the mad back&#xA;Bet you comin' for the petback&#xA;Six .2's on the pot, nigga&#xA;Try to whip it up and bring it right back&#xA;Hoo, you in the club ain't showin' your card money&#xA;Ooh, all in the 'Gram, actin' like that you got money&#xA;Woo, we lookin' at you like you niggas stop money&#xA;Hoo, you killin' us all with that low-effort bat money&#xA;I gotta go to the mall and get what I want, baby (Yeah, yeah)&#xA;You the type open the phone, that's what you want, hey (Yeah, yeah)&#xA;'Member back when I was broke, I only had one hatin'&#xA;You suckers go hatchet, no matter your brother, your aunt, baby (Yeah, yeah)&#xA;Hundred bands, add it up&#xA;We gettin' money, they mad at us&#xA;Add the drool to buy us more Rollies&#xA;I'on think these niggas mad enough&#xA;Fuck them niggas, shit, we stuntin' on 'em&#xA;Niggas say they ain't got nothin' on us&#xA;Niggas that we never fuck with&#xA;Run and tell 'em, bitch, with that's what's frontin' on 'em&#xA;Niggas mad they put a hundred on ya&#xA;Do ya dub and put the drummer on ya&#xA;Shots never stoppin'&#xA;Pa-pa-pa-pa&#xA;Put them runnin' up on ya&#xA;Dead bodies, homicide&#xA;Headshots, momma cried&#xA;Cops lookin', got a alibi&#xA;Know your money, nigga, buy a tie, hoe!&#xA;Damn, my nigga cheatin' on his head, hoe!&#xA;Took her in the Lambo', my nigga ain't dead, no!&#xA;Brought her to Miami on somethin' we did, hoe!&#xA;Blowin' her raunchy, after we did it burn&#xA;All black in the mirror&#xA;White bitch in Chanel&#xA;White and black she a banner&#xA;White and black she a banner&#xA;Whippin' it, ride with us&#xA;In with it, hundred dub&#xA;Ha-ha-ha&#xA;&#xA;I mean, this shit can't be against the rules now&#xA;I fuck with these niggas&#xA;And this nigga that did them Desiigner ad-libs&#xA;Get him on the phone&#xA;'Cause this shit 'bout to be lit (Woo!)&#xA;Let go, Panda, Panda, Panda, Panda (Hey, hey!)&#xA;&#xA;&#xA;I got hoes up in Brooklyn (Up in Brooklyn)&#xA;My juice, mix it up, it be cookin' (Be cookin')&#xA;Come sit me down at the table (The table)&#xA;I'll let you know I was lookin' (Oh)&#xA;Rest in peace, macaroni cheese&#xA;Collard greens, no, she don't bullshit (Oh)&#xA;She Steph' Curry with the curry chicken&#xA;She just make a whole bunch of good shit (Oh)&#xA;I've been at the doors (I've been at the doors)&#xA;I've got the right shit known to torture (Torture)&#xA;And it hit me with some bands&#xA;It can get me them ride paper&#xA;Askin' me more bust (More bust)&#xA;I don't revive no security line&#xA;With my dawgs right down in Florida&#xA;I'm stackin', stackin', packin', packin'&#xA;Stackin', packin', stackin', packin'&#xA;In at the all doors&#xA;Hol' up! (I'm all the way up!)&#xA;I need it with somethin' my sort of&#xA;I don't need no lunch, I'm a go-getter&#xA;Bunch of hates and bitches up in the Rover&#xA;My legacy, fuck that (Woof)&#xA;They thought that shit wasn't gon' come back&#xA;Now go tell 'em that when you run back&#xA;You a hoe so you already done that (Ayy)&#xA;Hol' up! (I'm all the way up!)&#xA;A nigga with some' in my swipe, bitch&#xA;You think you doin' it&#xA;I'm 'bout to ruin it&#xA;You niggas don't run the night, bitch&#xA;If you think I'm lit now&#xA;Watch what happen when I come and turn on that lightswitch&#xA;I'm on that pregnant shit&#xA;I come and handle it&#xA;But that ain't shit but a pipe, bitch&#xA;&#xA;&#xA;I mean, really, though (Really, though)&#xA;If you think about it, really think about it&#xA;How hard do they really go?&#xA;(Bitch, I'm really dope)&#xA;What you really know?&#xA;I ain't ready, bruh&#xA;Panda, Panda, Panda, Panda, Panda, Panda, Panda, Panda (Let's go, bitch)&#xA;(Ayy, that's a prison, though)&#xA;&#xA;&#xA;I got bitches in the Bronx (Bronx)&#xA;Makin' me get in the backdoor&#xA;Rob a nigga in the traphouse (Traphouse)&#xA;Bitch, you just walked in a trapdoor (Door)&#xA;Cross the body in the Bugatti (Yeah)&#xA;They'll put the bricks in the rep, oh&#xA;If you slip in the prison, somebody go watch these&#xA;Niggas while they takin' a nap, oh&#xA;In new midnight, but that's a scrub, nigga&#xA;With all of that shit I woulda been dead&#xA;But that's what I got, on my kick, killin' niggas&#xA;And out with our shit on my can't tell&#xA;Cash notes, I'm a asshole&#xA;So don't fuck with us out on this road&#xA;I'm the type of nigga that'll follow niggas&#xA;Then gon' find his chicken, get up, can't tell&#xA;Yeah (I'm all the way up!)&#xA;No need to start, mi amigo&#xA;Don't put your eye on the peephole&#xA;'Cause I'll turn the back of your head to a beaver&#xA;Think again, and I won't mark all your people&#xA;You already know the weapon is lethal&#xA;Lick the clip, cock it back, put a head, trigger&#xA;Yeah, nigga, back for the sequel, oh!&#xA;I got broads in my hand, nigga&#xA;Smokin' that shit from the West Coast&#xA;Imagine kids, when you hatin' me&#xA;You gon' fuck around get your neck rolled&#xA;You fuck around, when you is robbed&#xA;They gon' find your body up in Tesco&#xA;You sound like, uh, me, you comin' with nothin'&#xA;You rather pussy, nigga, let's go&#xA;All I tell you is &amp;quot;Panda, Panda&amp;quot;&#xA;And they handle, handle my shit&#xA;While I'm trippin' up in Alabama&#xA;Tryna show a bitch as a Lamborghini&#xA;With all this beatin' up, all these gold chains&#xA;They is mistakin' me for Pepper King&#xA;They got to Platinum and I'm comin' after them&#xA;Passin' me but all I do is fuckin' win&#xA;&#xA;&#xA;You ain't fam, I'on trust you (I don't)&#xA;Niggas they jam off your hustle (For real)&#xA;Your old man wanna crust you (He do)&#xA;That's a DeAngelo rustle (For real)&#xA;Set him up, got him (Got him)&#xA;We've been up, got him (Got him)&#xA;Wet 'em up when they spot 'em&#xA;Seven up, red dot 'em&#xA;I leveled up from the bottom&#xA;Read it up on the bottom (Walk with me, nigga)&#xA;I leveled up like the valium&#xA;Kev, what's up? What's the problem? (Talk to me, nigga)&#xA;Play your time for the D force&#xA;I get up, like the cash, nigga&#xA;I was indie on the rap chore&#xA;All they see is do the math, nigga&#xA;On the glizzy like I'm the spare&#xA;In the Maybach I'm a skunk&#xA;Talkin' hard 'cause they really selfish&#xA;Talkin' birds 'cause we really dealt it&#xA;Got the rockets for the warriors&#xA;Plays the clip make 'em forty up&#xA;What it got is every one out ya&#xA;Pull the heater blow the whole ledge up&#xA;Many skeets in the foreign chore&#xA;A free-throw way more important&#xA;I know some niggas that'll fly on ya&#xA;Picture rob like black China&#xA;White party in Atlanta&#xA;The black party was bananas&#xA;Dabbin' on 'em like a panther&#xA;Freddie glove on a Panda&#xA;Do the sweater on a bear face&#xA;Bust down from a bare face&#xA;'Member me from the staircase?&#xA;Lotta love got a staircase&#xA;Now they see how I stepped it up&#xA;Got it up and then kept it up&#xA;Freddie, Jason on a Friday&#xA;Prolly never shoulda slept on us&#xA;You not the same gotta separate up&#xA;We ain't never put the weapon up&#xA;We authentic, y'all replicas&#xA;Y'all niggas can't wreck with us&#xA;&#xA;&#xA;Fuck a Panda fall&#xA;I don't stand alone&#xA;I just wanna wrap my fuckin' hands across&#xA;Stabbed the head and break the fuckin' Pandas' jaw&#xA;Burn him up and turn the fuckin' candles on&#xA;Choke him, beat him, put a couple hammers on him&#xA;Dab on a nigga while I'm standin' on him&#xA;Kick him, punch him, throw him&#xA;Make him say the word tied to a channel&#xA;Lick a channel, 'fore I put it on&#xA;And make a spot for two&#xA;Nigga, this is fuckin' animal abuse&#xA;Animal cruelty on the fuckin' news&#xA;I'ma kill the panda 'til he bloody too&#xA;&#xA;&#xA;And make him black and blue&#xA;For the black and white&#xA;I'on fuck with niggas like I pack the dice&#xA;Eat the panda, bitch, I got a appetite&#xA;I'm out this world, I floated, I'm a satellite&#xA;How many rappers gotta try to play me?&#xA;Tired of hearin' niggas on the same beat&#xA;Tired of killin' pandas on my overjammers&#xA;Fly to Atlanta on the same week&#xA;What's a panda to a fuckin' polar bear?&#xA;A gorilla to a monkey?&#xA;Tiger to a puppy?&#xA;Lion to a kitten?&#xA;Wolf to a pigeon?&#xA;Shot to a fish and snake to a infant?&#xA;Alligator in a waterway&#xA;Tryna look into it, dinosaur a pet&#xA;They ain't know that I'm Tiranosaurus Rex&#xA;Tryna pander up and rub a brother's neck&#xA;I ain't doin' interviews and autographs&#xA;I'on like the way you talkin' all of that&#xA;I should fuck your bitch and never call her back&#xA;I'll go down in history as a artifact&#xA;&#xA;&#xA;I'm tired of this fuckin' Panda fall&#xA;I just wanna wrap my fuckin' hands across&#xA;Stabbed the head and break the fuckin' Pandas' jaw&#xA;Burn him up and turn the fuckin' candles on&#xA;Choke him, beat him, put a couple hammers on him&#xA;Dab on a nigga while I'm standin' on him&#xA;Kick him, hit him, it'll send the  (9:13)&#xA;And make a spot for two&#xA;Nigga, this is fuckin' animal abuse&#xA;Animal cruelty on the fuckin' news&#xA;I'ma kill the panda 'til he bloody too&#xA;&#xA;&#xA;That's a bloody mess, that's a bloody death&#xA;Tell them niggas hatin' on me: &amp;quot;Suck a dick&amp;quot;&#xA;I ain't satisfied until I get to smash J.Lo&#xA;And give her ass a couple kiss&#xA;But I'm on Animal Planet&#xA;I got my hands on a Phantom&#xA;I get in again and nobody gon' hand me a pen&#xA;&#xA;" PRODUCER="Symmetry Recordings" COVERARTID="093/3GYB2GB220VZAC0X1BQ5AGMG2AEA" KEY="12d" PLAYTIME="248" PLAYTIME_FLOAT="247.640991" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="31145"></INFO>
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<INFO BITRATE="1082000" KEY_LYRICS="1 ContributorModelo da Balmain LyricsModelo da balmain&#xA;Quando eu tô com ela, fica tudo bem&#xA;A conexão que a gente tem&#xA;Hotel 5 estrelas fica tudo zen&#xA;&#xA;Minha shawty quer Versace&#xA;Romance de tarde&#xA;Disso eu sei que ela gosta bem&#xA;Quando eu tô com essas notas&#xA;Você fica a vontade&#xA;Falando pras amigas&#xA;Que adora sacanagem&#xA;Você fofoca com suas amigas&#xA;Que tá com saudades querendo me ver&#xA;E eu faço tudo pra agradar essa mina&#xA;Por isso ela não consegue me esquеcer&#xA;&#xA;Foi muito charme&#xA;Eu e еla nessa party&#xA;Nos juntinho nesse quarto&#xA;Vermelho Ferrari&#xA;&#xA;Todas essas drogas me tiram daqui&#xA;Noites parecem que são sem final&#xA;Essa vida não me deixa dormir&#xA;Doses de lean tem me deixado mal&#xA;Fire no kunk&#xA;Nos dentro da nave&#xA;Bebê senta forte para nas alturas&#xA;Torra um fino pra nós é a chave&#xA;Deixo ela tão alta&#xA;Se sente na lua&#xA;&#xA;Tutu solitário sem você presente&#xA;Carros velozes desfilam na pista&#xA;Pedra solitária carrego no dente&#xA;Quem não acreditava&#xA;Hoje em dia nos pisa&#xA;&#xA;Yeah, yeah&#xA;Tudo vai mudar nesse instante&#xA;Nem toda relíquia são brilhante&#xA;Acelera o motor da mustang&#xA;Vrum vrum&#xA;&#xA;Nada vai ser como antes&#xA;É que em um instante nós tem&#xA;Melanina combina com diamante&#xA;Eu ando com a...&#xA;&#xA;Modelo da balmain&#xA;Quando eu tô com ela, fica tudo bem&#xA;A conexão que a gente tem&#xA;Hotel 5 estrelas fica tudo zen&#xA;Tu gama que eu sei&#xA;Quando eu tô com ela ligo pra ninguém&#xA;A conexão que a gente tem&#xA;Hotel 5 estrelas fica tudo zen&#xA;Sempre que tamo junto&#xA;Shawty parece que nunca tem fim&#xA;Deitado na grana, lá no camarim&#xA;Quebrando as taças e as garrafas de gin&#xA;&#xA;Fazendo sucesso, hoje eles me reconhecem&#xA;Fala que viu na internet&#xA;Ouviu meu ep, deu repeat&#xA;Fumando umas grama de hax&#xA;&#xA;Mas eh só você que eu quero&#xA;Quando bate o vazio&#xA;Baby, meu coração eh frio&#xA;Difícil se apaixonar&#xA;&#xA;Mas quando nós dois se viu&#xA;Você me deu double kill&#xA;Agora não tem mais volta&#xA;Com você quero ficar&#xA;&#xA;Vamo pra Paris&#xA;Fazer compras na loja da dior&#xA;Hoje já me sinto muito melhor&#xA;Só do teu lado que fica assim&#xA;&#xA;Em um fim de tarde&#xA;Tomando um vinho e fumando da flor&#xA;Deitados e o quarto tá pegando fogo&#xA;Espero que isso nunca tenha fim&#xA;Modelo da balmain&#xA;Quando eu tô com ela, fica tudo bem&#xA;A conexão que a gente tem&#xA;Hotel 5 estrelas fica tudo zen&#xA;Tu gama que eu sei&#xA;Quando eu tô com ela ligo pra ninguém&#xA;A conexão que a gente tem&#xA;Hotel 5 estrelas fica tudo zen" PRODUCER="Copyright Control" COVERARTID="039/H3MIFJBLJNE5XDXR22FKA05NH35B" KEY="4m" PLAYTIME="201" PLAYTIME_FLOAT="200.914307" IMPORT_DATE="2025/5/24" RELEASE_DATE="2024/1/1" FLAGS="8" FILESIZE="26914"></INFO>
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<INFO BITRATE="985000" KEY_LYRICS="1 ContributorEXITMUSIC! Lyrics&#xA;No stopping, I'm cocky, I deserve it&#xA;Still check every price 'fore I purchase&#xA;Bells and whistles on these niggas passion&#xA;Those zippers don't serve you no purpose&#xA;I'll zip you and send you to hearses&#xA;Man, I hope that you went to your churches&#xA;If they judge you like how they did Christ, then I promise you're never gon' meet him in person&#xA;&#xA;&#xA;Pray to God I ain't finding you first then&#xA;I ain't idle, I'm creeping, I'm lurking&#xA;My baby want her a new birkin&#xA;So I gotta keep putting this work in&#xA;I put serum and shit on the surface&#xA;I retirе to bed I feel worthless&#xA;If practice makе perfect, I'm patient&#xA;I still need all this shit to be urgent&#xA;&#xA;[Verse 2}&#xA;Cursor on I, I'm searching&#xA;Curses online can't hurt me&#xA;I can never sit and pick a side&#xA;I put a dick in a purse&#xA;If you come between me and a bag&#xA;Your kids won't grow up with they dad&#xA;DOC got the blick in the ad&#xA;Kahri! still got a bic to the pad&#xA;Pray to God&#xA;&#xA;Pray to God I ain't finding you first then&#xA;I ain't idle, I'm creeping, I'm lurking&#xA;My baby want her a new birkin&#xA;So I gotta keep putting this work in&#xA;I put serum and shit on the surface&#xA;I retire to bed I feel worthless&#xA;If practice make perfect, I'm patient&#xA;I still need all this shit to be urgent&#xA;Pray to God I ain't finding you first then&#xA;I ain't idle, I'm creeping, I'm lurking&#xA;My baby want her a new birkin&#xA;So I gotta keep putting this work in&#xA;I put serum and shit on the surface&#xA;I retire to bed I feel worthless&#xA;If practice make perfect, I'm patient&#xA;I still need all this-&#xA;Aye&#xA;&#xA;&#xA;That sidewalk's uneven, I'd watch where you step&#xA;52 cards, heart in this 8&#xA;When I cut when my thumb at, I fuck up your deck&#xA;You ain't militant-grade, spade is a spade&#xA;Stand on my ten, I put ten to your neck&#xA;Nine times out of ten, I pretend it's a threat&#xA;Tend to be tenant, I'm still in your head&#xA;Tentative, timid, and tense, don't know how I attend these events&#xA;&#xA;Pray to God I ain't finding you first then&#xA;I ain't idle, I'm creeping, I'm lurking&#xA;My baby want her a new birkin&#xA;So I gotta keep putting this work in&#xA;I put serum and shit on the surface&#xA;I retire to bed I feel worthless&#xA;If practice make perfect, I'm patient&#xA;I still need all this shit to be urgent&#xA;&#xA;&#xA;It's okay, I feel fine&#xA;Ooh&#xA;I been fucked&#xA;Baby I'm falling&#xA;Baby I'm falling, falling, falling, falling falling" PRODUCER="Souped Up Records" COVERARTID="087/XKSEK5BHE1CSQDEK3YHIBAO3XE4B" KEY="2d" PLAYTIME="298" PLAYTIME_FLOAT="297.882385" IMPORT_DATE="2025/5/24" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="36028"></INFO>
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<INFO BITRATE="1070000" KEY_LYRICS="2 ContributorsWho Do You Think We’re Coming For? LyricsThere are wieners driving Beamers&#xA;VPs driving jeeps California dreamers corporate creeps&#xA;&amp;quot;Matsushita took a beating Bought a turkey Call a meeting&amp;quot;&#xA;They're turning up the heat Let's blow to Tahoe for a week&#xA;'Til God comes down in his machine&#xA;&#xA;Flying off to Austin hanging out with stars&#xA;Biting lips on bitchin' riffs strumming air guitars&#xA;&amp;quot;What do you think&#xA;What do you think&#xA;What do you think&#xA;What do you think&amp;quot;&#xA;Slapping backs grabbing mitts photo ops and jumbo shrimp&#xA;&#xA;But God won't come when hell's to pay&#xA;And the peasants you have entertained say&#xA;&amp;quot;Terror is the order of the day&amp;quot;&#xA;&#xA;Who do you think we're coming for coming for coming for&#xA;Who do you think we're gunning for&#xA;We're gunning for you&#xA;&amp;quot;Ce ira ce ira les Aristocrats a la donatelle&#xA;Ce ira les Aristocrats en le pendre&amp;quot;&#xA;&#xA;Elvis knick-knacks in their office to be casual 'n cute&#xA;Elvis coffee mugs with Elvis in his Vegas suit&#xA;&amp;quot;Diggin' Elvis cause he's funny Crucified him for the money&amp;quot;&#xA;Made him patron saint of circus apes jumpin' through the hoops&#xA;But God won't hear when hell's to pay&#xA;When in the balance you've been weighed&#xA;And terror is the order of the day&#xA;&#xA;Who do you think we're coming for coming for coming for&#xA;Who do you think we're gunning for&#xA;We're gunning for you&#xA;&amp;quot;Ce ira ce ira les Aristocrats a la donatelle&#xA;Ce ira les Aristocrats en le pendre&amp;quot;&#xA;&#xA;I had a vision in your office that I met you before;&#xA;I saw the city of Paris in civil war&#xA;There was Louis Capet going off in a cart&#xA;Marie Antoinette weeping &amp;quot;au revoir&amp;quot;&#xA;&#xA;I saw you taking off your cassock and your cardinal's ring&#xA;You hid in the crowd and cheered the death of your king&#xA;You got away then but in this life I'll see you hang from the lantern&#xA;I'll see you dragged through the square&#xA;I'll show your head to the crowd&#xA;&amp;quot;Son sang impur abreuve nos Sillons&amp;quot;&#xA;&#xA;&amp;quot;Ce ira ce ira les Aristocrats a la donatelle&#xA;Ce ira les Aristocrats en le pendre&amp;quot;&#xA;&amp;quot;Ce ira ce ira les Aristocrats a la donatelle&#xA;Ce ira les Aristocrats en le pendre&amp;quot;&#xA;&amp;quot;Ce ira ce ira les Aristocrats a la donatelle&#xA;Ce ira les Aristocrats en le pendre&amp;quot;&#xA;They found him down in Legal where his ass had gathered moss&#xA;They moved him up to publishing and made him the boss&#xA;Of an 800 million dollar Japanese loss" PRODUCER="Souped Up Records" COVERARTID="045/NZG0KXCVIJJR5CM2ZBUTDNSC3VED" KEY="3m" PLAYTIME="251" PLAYTIME_FLOAT="250.761627" IMPORT_DATE="2025/5/24" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="32942"></INFO>
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<INFO BITRATE="933000" KEY_LYRICS="7 ContributorsMaria Lyrics&#xA;Ósma rano sklep z tym zielonym neonem&#xA;Proszę tych z filtrami długich i do tego Blue Camel&#xA;I do tego Lipton Black i czorną Arizonę&#xA;No i mamy Happy Meal, humor on poprawi mi&#xA;Monday vibe, powącham boba trochę dar&#xA;But not reggae, nie kolego, mordo to nie crack, Jerry i Tektonika&#xA;Wchodzi tu kolega Krzyś, ale nie kiramy dziś&#xA;Make a war, but not peace, mordo taka prawda dziś&#xA;&#xA;&#xA;Serum prawdy jak bieluń, toksyna kłamstwa jak piołun&#xA;Na samą górę z samego dołu, sam jeden pośród pospołu&#xA;Znam topografię jak mapa, leję na tracki tu napalm&#xA;Lecą nożyce ze stołu, nigdy mam dosyć mozołu&#xA;Wóda kontra prochem, pit stop, Jerzyk Tekto jak nowiczok&#xA;Ciężkie punche, bracia Kliczko, tak napierdalam to dziwko&#xA;Nie mam skrupułów, mam gnata, szlajam się solo jak łajza&#xA;Nie musi zgadzać się kabza, punkowe brzmienie i rapgra&#xA;&#xA;&#xA;Jaka kurwa kabza&#xA;Jakie kurwa siano&#xA;Jakie kurwa siano&#xA;Żaden Space Jam&#xA;Żaden Space Jam&#xA;Żaden Space Jam&#xA;Żaden Space Jam&#xA;Speedball&#xA;Speedball&#xA;Przyszła tu wiadomość&#xA;Przyszła tu wiadomość, SMS&#xA;Tu na pager&#xA;Przyszła tu wiadomość, SMS tu na pager&#xA;&#xA;Pojarą pstrykam za okno&#xA;Myślę o tym, że chcę cię teraz dotknąć&#xA;Stoją w wazonie zwiędłe chabazie&#xA;Wybieram numer, zaraz podjadę&#xA;Pojarą pstrykam za okno&#xA;Myślę o tym, że chcę cię teraz dotknąć&#xA;Stoją w wazonie zwiędłe chabazie&#xA;Wybieram numer, zaraz podjadę&#xA;&#xA;&#xA;Wiesz czemu&#xA;Wiesz czemu&#xA;Kiedyś to nie tera, kiedyś to nie tera&#xA;Kiedyś byłaś moja, teraz ciebie nie ma&#xA;&#xA;&#xA;Wpadam znikam jak fantom&#xA;Umarła klasa, Tadeusz Kantor&#xA;Nie zaokrąglam, opieram kantom&#xA;Przy dupie pilnuję bankroll&#xA;Pulsuje żyła na skroni&#xA;Kolor zepsutej wątroby&#xA;Holotropowy oddech&#xA;Punche bite na odlew&#xA;Smażę frytki z batata&#xA;Na popitę sriracha&#xA;Palę w piecu jak zdun&#xA;Nie jaram chujowy skun&#xA;Yalla habibi, Honda Civic&#xA;Bogate CV, dawaj lecimy&#xA;Myśli czarne jak fusy po kawie&#xA;Się spierdoli naprawię&#xA;&#xA;Tęsknię już prawie od roku&#xA;Często myślę i jest przykro&#xA;Musiałem ją pogonić, bo się okazała dziwką&#xA;Wyruchała mnie na siano i zabrała czas&#xA;Tak, meta, feta, keta, kwas&#xA;Oddałem jej serce, chciałem być z nią aż do końca&#xA;A ten szlauf zrobił ze mnie swojego alfonsa&#xA;Zacząłem kraść, zacząłem kłamać by mieć na nią hajs&#xA;I codziennie mówiłem, że to już ostatni raz&#xA;Ale nie umiałem przestać&#xA;Myślałem by się odjebać&#xA;Byłem żałosny jak pizda&#xA;Nie umiałem ruszyć z miejsca&#xA;Trząsłem się jak chory, bo wcześniej nie straciłem głowy dla laski&#xA;Modląc się o choć pół grama jej kurewskiej łaski&#xA;Nigdy nie zapomnę jak było pięknie&#xA;Nigdy dla chwili zapomnienia niech serce mi nie pęknie&#xA;&#xA;&#xA;Pojarą pstrykam za okno&#xA;Myślę o tym, że chcę cię teraz dotknąć&#xA;Stoją w wazonie zwiędłe chabazie&#xA;Wybieram numer, zaraz podjadę&#xA;Pojarą pstrykam za okno&#xA;Myślę o tym, że chcę cię teraz dotknąć&#xA;Stoją w wazonie zwiędłe chabazie&#xA;Wybieram numer, zaraz podjadę&#xA;&#xA;Maria odwiedza dzisiaj mnie&#xA;Maria masuje chory łeb&#xA;Maria nie dusi, ucieka sen&#xA;Maria nie kusi, Maria mnie kusi&#xA;Maria odwiedza dzisiaj mnie&#xA;Maria masuje chory łeb&#xA;Maria mnie dusi, ucieka sen&#xA;Maria mnie kusi, Maria mnie kusi" PRODUCER="Mark Gaunt" COVERARTID="051/TBPNPED5NVYB5CALHYGXDR2UWKOA" KEY="7m" PLAYCOUNT="2" PLAYTIME="266" PLAYTIME_FLOAT="265.028595" IMPORT_DATE="2025/5/24" LAST_PLAYED="2025/5/25" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="30433"></INFO>
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<INFO BITRATE="995000" KEY_LYRICS="5 ContributorsCerulea Lyrics&#xA;Save me from myself&#xA;I hope you found a way (Hope you found a way)&#xA;Hope you found a way to make it all better&#xA;Maybe tonight&#xA;What's it gonna take for you to heal?&#xA;Hold on&#xA;Pincushion doubt, let the fields burn away&#xA;&#xA;&#xA;If the walls you build come tumblin', tumblin' down&#xA;And the love you failed to comfort comes back 'round&#xA;At last, I found my moment to fall apart&#xA;&#xA;&#xA;I can take a little loss&#xA;But you've held it inside you&#xA;For too long, ooh-ooh-oh&#xA;I'll never let you go&#xA;Let's make your incision&#xA;And brave the lightning&#xA;&#xA;&#xA;If the walls they build come tumblin', tumblin' down&#xA;And the love you failed to comfort comes back 'round&#xA;At last, I found my moment to fall apart&#xA;To fall apart&#xA;&#xA;I'm fallin' apart&#xA;Stuck insidе the loop&#xA;Was he the only window?&#xA;I'm fallin' apart&#xA;Tеll me when you left&#xA;Did he follow outside?&#xA;I'm fallin' apart&#xA;Could he buy the world&#xA;Just to sleep them from your truth&#xA;&#xA;&#xA;Take your incision, make it believe&#xA;The stapling of five hundred tremblin' lips&#xA;Burn it all down, down to the heel&#xA;Level it all 'til it's gone&#xA;&#xA;&#xA;If the walls they build come tumblin', tumblin' down&#xA;And the love you failed to comfort comes back 'round&#xA;At last, I found my moment to fall apart&#xA;If the walls you build come tumblin', tumblin' down&#xA;And the love surrenders to us all&#xA;At last, I'll find my moment to fall apart&#xA;To fall apart" PRODUCER="Hospital Records Limited" COVERARTID="113/RTDSGADT5HPDYDL054PCBFELPZ5D" KEY="7m" PLAYTIME="305" PLAYTIME_FLOAT="304.349335" IMPORT_DATE="2025/5/24" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="37610"></INFO>
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<INFO BITRATE="895000" KEY_LYRICS="1 ContributorNasty Love LyricsIntro (Ellie)&#xA;B, ti vorrei qui&#xA;Affogo mancanze in bottiglie di Gin&#xA;E mi accendo uno spliff&#xA;Che brucia come il mio cuore da bad bitch anche se è sugli sleeve&#xA;&#xA;Strofa 1 (Baggy)&#xA;We do shopping con sta baby, fra che sogna quella bag&#xA;Indossa Karl Kani tipo pure dopo il break up&#xA;La prima volta on fyah addosso aveva la mia felpa&#xA;Dopo queste Evisu sa che prenderò una Bape&#xA;Mi chiama baby, Baggy, Nasty&#xA;In certe situe daddy e leva i leggins (ah)&#xA;Mi ha augurato anche la morte questa lady&#xA;Ma quando ci vediamo mi sta addosso tipo steady&#xA;Sta sotto con gli esami però fra, non studia moda&#xA;Ma diresti il contrario vedessi come si veste&#xA;Matchamo bene insieme come gin con la soda&#xA;Okay non stiamo insieme ma non rimarrò il tuo best friend&#xA;Per te 21 domande come 50&#xA;Non dedicarmi frasi dolci di sti rapper finti&#xA;La nostra storia in film già visti&#xA;Lacrime più amare danno gusto al coca e whisky (yeah)&#xA;E mi dice daddy Baggy&#xA;Mi da questi kiss sweet tipo candy candies&#xA;Un infinito happy ending&#xA;Se senti la mia voce cosa provi? Cosa senti?&#xA;Rit (Baggy)&#xA;Ha preso un pezzo del mio cuore d'oro solo per poi farci una collana (ah)&#xA;Ed è questa la ragione per cui non regalerò mai più parole ad una nasty mama&#xA;Rit (Ellie)&#xA;Ho preso un pezzo del tuo cuore d’oro solo per poi farci una collana (yeah)&#xA;Ed è per questo che pure se mi odi, poi mi ami almeno un giorno della settimana&#xA;&#xA;Strofa 2 (Ellie)&#xA;Sei lontano e io ti penso sveglio la mattina presto&#xA;Tu che studi, io che torno dai concerti e mi addormento&#xA;Mi si ingessa la mano mentre scrivo se ho appena sentito&#xA;Il tuo profumo addosso nella felpa della Reebok&#xA;Sola nella mansion, tu che sei partito&#xA;Se faccio da sola è cheat con il tuo rapper preferito&#xA;Tutti vestiti larghi adesso, buffo, no?&#xA;Tupac in background: what I'd do for love&#xA;Questi non sono G ma si spacciano&#xA;Io cammino in testa a tutti con le Buffalo&#xA;Ma tu mi manchi baby, la terra sotto i piedi&#xA;Mi manca quando mi sembra che non mi spieghi e mi vedi&#xA;Ho la maglia di Iverson che mi hai lasciato e entrambi&#xA;Sappiamo che l'hai fatto perché mi sta come i pazzi&#xA;E nonostante gli scazzi solo tu sai come amarmi&#xA;Stessi pantaloni larghi da 10 anni ma intatti&#xA;B, ti vorrei qui&#xA;Affogo mancanze in bottiglie di gin&#xA;E mi accendo uno spliff&#xA;Che brucia come il mio cuore da bad bitch anche se è sugli sleeve&#xA;Rit (insieme)&#xA;(Nasty Love)&#xA;Ha preso un pezzo del mio cuore d’oro solo per poi farci una collana (ah)&#xA;Ed è questa la ragione per cui non regalerò mai più parole ad una nasty mama&#xA;(Nasty Love)&#xA;Ho preso un pezzo del tuo cuore d'oro solo per poi farci una collana (yeah)&#xA;Ed è per questo che pure se mi odi, poi mi ami almeno un giorno della settimana&#xA;(Nasty Love)" PRODUCER="Hospital Records Limited" COVERARTID="113/RTDSGADT5HPDYDL054PCBFELPZ5D" KEY="12m" PLAYTIME="293" PLAYTIME_FLOAT="292.513092" IMPORT_DATE="2025/5/24" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="32614"></INFO>
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<INFO BITRATE="1065000" KEY_LYRICS="4 ContributorsReal Deal vs Math Hoffa LyricsChampion breaks down the battle here&#xA;In this battle rap game, there are no friends&#xA;The way I use a razor, I'll make you think me and Zorro twins&#xA;I'll put a pocket on ya side, give him cargo skin&#xA;Or let the four bang on his chest like when Goro win&#xA;Deal...cut the deck!&#xA;Fuck ya rep, where ever I go, I get 'nuff respect&#xA;Mass what up?&#xA;I mean it took me two years but I'm here tho'&#xA;This weirdo make the scene corny&#xA;For this bird they call a scare, crows pecked at my grave like Brandon&#xA;That's when my head peaked&#xA;I'm Bruce son, fuck what you brung, nigga I'm deadly (dead Lee)&#xA;This is big business, I came here to dig his ditch&#xA;And bury you next to Nocando and Syd Vicious&#xA;That Grind Time style's so old I gotta dust him&#xA;You the same Trevor, through every era you not adjustin' (a Justin)&#xA;See once upon a time, you was killin' these pups&#xA;Now you a back page prostitute, your delivery's butt&#xA;I mean it literally sucks&#xA;Trevor you've given enough&#xA;You not that Cinderella Man you Hillary Duff&#xA;Let's keep it a buck&#xA;You can't spit with me lyrically&#xA;Far as punches, my hunch is, you can't get with me physically&#xA;Picture the imagery&#xA;I swing, hit his chin, he get the boot shake&#xA;I turn this fruit face into Italy&#xA;I'm the epitome of punchlines, yeah they know that shit's real&#xA;They need to take your name on the cards off, they won't miss Deal&#xA;Me? I'm entertainin'&#xA;You? I think you playin'&#xA;I watch all your battles after Sno(w) bored (board), you Winter Gamin'&#xA;Let me put this into laymen's terms, you on the down slope&#xA;For years I watched you tryin' to hang, well now you found rope&#xA;Cause you don't got bars like that&#xA;After this match, you gon' be at the bar like that {snaps fingers}&#xA;So try not to fall asleep you know his bars type wack&#xA;And I'll be here the next round to bring the bars right back&#xA;Hoffa!&#xA;&#xA;Speaking of, did y'all see me at Gully vs 'Ganik? I was fuckin' hammered&#xA;{crowd cheers}&#xA;No, I was embarrassed, I need to make that more than clear&#xA;I got to thinkin', Cliff notes, it's not cool to battle rap&#xA;When everybody knows your name and you're revered&#xA;I was drinkin' Sam alone like, &amp;quot;I could die and (Diane) what's worse, how would my son feel?&amp;quot;&#xA;Like, &amp;quot;Would he (Woody) resent me?&amp;quot;&#xA;Sam alone, Diane, Cliff, Woody, fuck that Boston I know what the Norm is {cracks open a beer} cheers!&#xA;I said, finally, somebody found this man a ride, I see&#xA;He's actually here, ready to rap, no excuses surprisingly&#xA;You look really fuckin' confident Justin as far as I can see, the irony&#xA;He went from not havin' a ride to Mass', to feelin' like he's in the driver's seat?&#xA;The fans was askin' like, &amp;quot;What happened with your transportation with The Saurus?&amp;quot;&#xA;I know they offered, leave him alone&#xA;Havin' to admit you're almost 40 without a car, I know it's awkward&#xA;So I just say, &amp;quot;Thanks for comin' out.&amp;quot; Cause if not it would've been a disaster (Dizaster)&#xA;I would've been at a loss for words like you on Total Slaughter&#xA;It's like the Golden Globes, for you it must've been a bitch comin' out like Jodi Foster&#xA;I said, they said, &amp;quot;Math&amp;quot; I rolled up the sleeves on the chef coat like, &amp;quot;Bet bro. What's the pitch?&amp;quot;&#xA;No need for the clef note, I'm talkin' Venmo&#xA;No Nintendo&#xA;If you down B, I'm down B, so pick the play&#xA;Don't matter, you still tryin' to catch Bo and this is Tecmo&#xA;I bring nightmares that could burn a hole in the dream catcher above your bedpost, let's go&#xA;One sucker punch gave you all the petro from get go&#xA;You went rogue then chin checked Jones, he was your next Dose&#xA;Sucker shit, so far as you and me, it's gluten free, check &amp;quot;no&amp;quot; for breakin' bread hoe&#xA;I ain't tryin' to fuckin' stomp him&#xA;Since we up in Boston, I'll lace him up the retros&#xA;Jump around and put ten toes through your breast bone&#xA;Do the Math, even ya homies keepin' they distance&#xA;Shit Ernesto got you friend zoned&#xA;Hold up, &amp;quot;Do the Math&amp;quot;, that's ironic like Suge Knight bumpin' Beats By Dre on Death Row&#xA;Motherfucker you ain't been the same since Diz' went klepto out the west coast&#xA;You got punched and that's somethin' you just don't let go like En Vogue&#xA;So what's it gonna be?&#xA;You over the hill Justin, ain't nobody fuckin' with Trevor but Will's cousin&#xA;You know gangs in New York, cool?&#xA;I got former students that'll roll up on you, a pupil with an Eagle like Bill Cutting&#xA;Or we could throw hands bro ham if you think that I'm still frontin'&#xA;No guns, I'll put down the mop and finish Math in Boston like Good Will Hunting&#xA;&#xA;&amp;quot;King Of The Dot champion&amp;quot; that shit would sound nice with my name&#xA;Y'all know I used to rob niggas, so it's nothin' to snatch ICE in the chain&#xA;Get that right in your brain&#xA;That title ain't fittin' on you&#xA;Your bars? They light (Daylyt) so it's only right I'm shittin' on you&#xA;You trash Trevor and I know you been knew that shit&#xA;I found his rap book at the hotel, I picked it up and THREW THAT SHIT&#xA;A couple minutes later...raccoons was goin' through that shit&#xA;I swear I heard one read a line and the rest of 'em booed that shit&#xA;So Boston, don't gas him cause he's white y'all&#xA;Cause he prolly don't even like y'all&#xA;Y'all don't got no happy hour out here, I know he tight y'all&#xA;He's from Pennsylvania and he lived there all his life y'all&#xA;The way the Celtics just beat the '6ers, I KNOW HE WANNA FIGHT Y'ALL&#xA;See I'm from New York, I wear Yankee fitteds for the look, them shits be extra clean&#xA;But speakin' of doin' things for the look, ain't you on Rex's team?&#xA;You Dot Mobb, right?&#xA;But you ain't swingin' if Rex hookin'&#xA;If ICE got him knocked out, he saw ICE and was like, &amp;quot;Hey Wolf, when's your next bookin'?&amp;quot;&#xA;I guess you did it for the gun bars cause now he got gun bars&#xA;Trevor he likes heaters&#xA;After that shit in Santa Fe, really Mr. Weller? You like ninas?&#xA;Well I understand, cause he a real life teacher&#xA;And it's cool, they don't tell kids things they would use in real life &#xA;All you Dot Mobb niggas, when y'all come around I get hype&#xA;Who want what?!&#xA;Y'all all butt&#xA;I won't even flinch if your four tucked&#xA;I flash back to Iron, you'll be all exposed like dog nuts&#xA;I'm on that goon shit&#xA;I'll knock you out in the bathroom bitch&#xA;Grab your head and slam your face on the urinal, make your tooth chip&#xA;I'm God with the pool stick, Nino with the Uz' clip&#xA;If I go broke I'll run up on you and get some new shit&#xA;That's true shit&#xA;I'm cookin' hard white like I'm preparin' hard&#xA;Two D's on my waist like O'fficial when she don't wear a bra&#xA;You hear me dawg?&#xA;I can teach an atheist to fear a god&#xA;Put the barrel on his neck like a Saint Bernard&#xA;I'm hard&#xA;And you don't got bars like that&#xA;After you leave school, you'll be at the bar like that {snaps fingers}&#xA;If y'all 'bout to fall asleep you know the bars type wack&#xA;&#xA;But I'll be here the third round to bring the bars right back&#xA;Hoffa!&#xA;&#xA;You are not beatin' me when they watch this back&#xA;You're not beatin' me in the room&#xA;I punch better, setup better, angles and consistency see I'm the truth&#xA;All you have is your image&#xA;You're right, like when you say gun bars, people can see it from you&#xA;But didn't Trump say he's start armin' teachers? Bitch I'm about to be more believable too!&#xA;I said, I'm just better all around and you know that, the shit ain't a question&#xA;Oh you want an example?&#xA;Hold on Math, I'm not Shotty Horroh give me a second&#xA;It's like Breaking Bad cause I'm a teacher and a chef cookin'&#xA;He know I'm a monster and-&#xA;It's like Breaking Bad, the white kid go dumb walkin' with the sticks&#xA;Yeah we go out with choppers&#xA;No!&#xA;It's like Breaking Bad this square supposed to be a killer as Jesse lost&#xA;Yeah we don't rock with Hoffa, no!&#xA;It's like Breaking Bad cause my name ringin' bells until I blow up like Tio Salamanca&#xA;You good Math? Did you eat?&#xA;You know how he gets when Math isn't fed&#xA;The best chance is to punch me so they can overlook the trash shit he says&#xA;He told Shotti P, &amp;quot;it's like a flow master versus a chiropractor&amp;quot;&#xA;Y'all lookin' for somethin' hot you've been Catfished instead&#xA;You suck and you're overrated like a fat bitch's head&#xA;Think about Math versus T-Top, Beasley hyped it like nothing was bigger&#xA;&amp;quot;A Brooklyn legend taking on an up and comer&amp;quot;, good luck coming up with a winner&#xA;But then T-Top was just &amp;quot;ehh&amp;quot; and he still washed you, I'm like, &amp;quot;What's with this picture?&amp;quot;&#xA;You said it's cause your girl gave birth to your daughter that day, well at least someone delivered&#xA;I said, he got a scar on his face as a reminder of how he changed and won't go back&#xA;To me it just looks like a scar cause someone marked ya homo ass&#xA;You popped shit, they ran down and caught you dolo Math&#xA;You had to face the music, be glad it wasn't Gun &amp;amp; Roses and all you got is a solo Slash&#xA;Look, I know the drill yet y'all give the boy a sucker like my first Philly&#xA;He got a scar, that said he wasn't even worth killin'&#xA;You're right, I'm at a Brooklyn bar, posted on your turf chillin'&#xA;Like, &amp;quot;Give me a pitcher&amp;quot; and I sock blood like Curt Schilling&#xA;I said disrespect, I smack your baby mom on the ass like, &amp;quot;Bitch let's ride&amp;quot;&#xA;If she don't come right away I throw her on my shoulders like she 'bout to get that five&#xA;I fuck the dog shit out of her, then sit back and take pictures until she crash like Princess Di&#xA;Only because the boy savage in the bed like The Princess Bride&#xA;I will pull every woman you care about cause I'm selfish fam'&#xA;Your aunt, sister and your baby's mom like, &amp;quot;What can you tell the champ?&amp;quot;&#xA;Brooklyn bitches tryin' to act bae&#xA;In the backseat like, &amp;quot;Real, it's hella cramped.&amp;quot;&#xA;Aston Martin, I put the Cougar in the middle of that John like Mellencamp&#xA;Oh I forgot, it's Mr. No Ride, No Show cause he ain't got cars like that&#xA;But let me guess, my bars type wack&#xA;You told Shotti P you &amp;quot;cockin' the 12 like a pedophile&amp;quot;&#xA;You're right, I ain't got bars like that&#xA;But you gon' have to pick your kid up 500 feet from the school if you bring them bars right back&#xA;&#xA;&#xA;You talkin' 'bout my bars and cockin' the 12 like a pedophile&#xA;Well I'm a truth seeker&#xA;When I spit that line, you went fuckin' crazy like, &amp;quot;Yo, that's true ether!&amp;quot;&#xA;And I was like, &amp;quot;Word Deal,&amp;quot;&#xA;Then I remembered, &amp;quot;Wait a minute. That was a pedophile line. This motherfucker's a school teacher.&amp;quot;&#xA;Three battles in three weeks, I'm on a path to the best&#xA;They figured I wouldn't last and I would crash at this test&#xA;They thought my passion had left or I'm just snatchin' a check&#xA;But the best revenge for those that doubt you is massive success&#xA;And I've been killin' it, I'ma do 'em bad, just witness it&#xA;They put you against death like you an abolishonist&#xA;I'm back, like I found that bag full of tabs from Limitless&#xA;Boy you make me mad you get stabbed or pistol whipped&#xA;The four give 'em knots like I ain't past the bitterness&#xA;The blade will find a vein while I stab and split ya shit&#xA;And I stab and then stab and then stab ridiculous&#xA;Boy I'm tryin' to find your main like wrath of mistresses&#xA;Whoa, let me ask, who's kid is this?&#xA;How you end up on my dinner plate?&#xA;He the grandfather from Get Out&#xA;He thought this body would keep him in the race, big mistake&#xA;You took that bread to get slumped&#xA;Blame Bishop and Organik, they set up this bump&#xA;They said they can't let the chain hang around the neck of a drunk&#xA;So you that Fresh Prince Trevor, you was dead from the jump&#xA;Now when I battled Shotti P, you was the drunkest thing I ever seen in my life&#xA;Correction, every battle event I see you at, you the drunkest thing I ever seen in my life&#xA;Now I ain't sayin' you wrong, go 'head get ya groove on&#xA;But why after events we all gotta pick up Deal, this ain't Groupon&#xA;I understand you goin' through some shit, your reasons are too legit&#xA;I mean I lost people too, right in front of me when that toolie spit&#xA;But you got a son, and a school full of kids&#xA;That should tip the scale&#xA;But you out here relivin' ya failures until ya liver fail&#xA;Listen to me, schools don't teach shit but they good for human relations&#xA;And you're a kind face to those black kids in a world where cruelty's waitin'&#xA;So if you can get them focused on all the jewels it'll save 'em&#xA;But if we lose the doctor then we losin' the patient&#xA;You understand?&#xA;Rest in peace Bender&#xA;If we lost you, that would be sad to me&#xA;If this don't charge you to go to AA there will be battery&#xA;See I'm doin' this for you, cause I feel like you would do this for me&#xA;Cut your drinkin' down by a third, keep it to like two or just three&#xA;I know it's gon' be hard but stay true my G&#xA;Especially tonight after losin' to me&#xA;Cause we cool!&#xA;I saw that video where you rap to them kids in your school&#xA;Nigga I'll get the tool it's a wrap for the kids in ya school&#xA;Hoffa!&#xA;&#xA;&#xA;I told y'all a million times, I'm not a killer&#xA;I'm Attila, keep it a Hun'do this was ill advised&#xA;I ain't missed a beat even when Dilla died&#xA;A grape Swisher Sweet, I'm fittin' to get really high&#xA;Burn Hoffa live and roll up his ashes, blow smoke rings to the Vanilla Sky&#xA;Then put it out, in an ashtray from the hands of the guerrillas that said you're solidified&#xA;You're a certified hater&#xA;Shittin' on up and coming rappers, tryin' to go for they throat&#xA;Mad they gettin' plates instead of getting props they showin' some growth&#xA;If they winnin', the culture winnin'&#xA;You a vet, this are things that homie should know, so why am I tellin' him?&#xA;Well I said, &amp;quot;Fuck it. Being a gym teacher, who better to show him the ropes.&amp;quot;&#xA;He couldn't give y'all a battle with The Saurus cause he couldn't find a one way commute&#xA;King Of The Dot would've compensated you extra and flew you back first class Sunday to boot&#xA;Now he's back in your good graces Organik?&#xA;Wait up, son's playin' you&#xA;Travis, you rock with this mark? Cool&#xA;He on some punk shit, before you can Blink, he gon' pull somethin' and 182&#xA;See it's always small things, right?&#xA;But let me talk to him&#xA;I don't believe in karma&#xA;But as far as that Dizaster shit, it seemed inevitable, something that you couldn't escape&#xA;Math I like you, but when I reflect I'm like, &amp;quot;This was good in a way.&amp;quot;&#xA;Cause I think how you portrayed yourself for years now I smile every time I look at your face&#xA;Cause as a school teacher we get a little extra joy when we see a bully get put in his place&#xA;So here's some advice Hoffa&#xA;You need to start double checkin' the people you know&#xA;You think they par for the course til it's time to tee off and go&#xA;You told Iron, &amp;quot;Math is an acronym: Me And The Hoes.&amp;quot;&#xA;I believe that, cause I watched Clips when you got hit and seen how he froze&#xA;I said that punch had him stumbling like senior prom&#xA;Boy laid down gettin' his fetal on, &amp;quot;Help!&amp;quot; like The Beatles song&#xA;You was In Too Deep; Nia Long&#xA;Lookin' for Charlie like Vietcong&#xA;That's alright, I'm not the street battler you wanted&#xA;Keep thinkin' I don't know about the slums, I'm not Ill Will&#xA;It's Real Deal, I don't have a Jamaican connect&#xA;Guess what, I got a southie one, I call him&#xA;I said, &amp;quot;Yo Mickey, call up the Donnelly's, we have this little problem here. His name's &amp;quot;Math.&amp;quot;&#xA;&amp;quot;Oh the one that says you ain't got bars like that? That fuckin' Hoffa queer.&amp;quot;&#xA;I said, &amp;quot;Hold on bro. I ain't say all that. Take it easy fam.&amp;quot;&#xA;He said, &amp;quot;Come on, he acts hard and wears a Yankee's ball cap. He's probably a Jeter fan.&amp;quot;&#xA;He said, &amp;quot;I'll call Sal from old colony. Matter of fact, I'm gonna see him tonight&#xA;Joey just got out the yard, fuck it, he's always eager to fight.&amp;quot;&#xA;I said, &amp;quot;Hold on. Castle Island is feasible, right?&#xA;I got you for a couple G's, is that light?&amp;quot;&#xA;He said, &amp;quot;Don't worry about it. We'll give him a wicked beatin'&#xA;Give him a couple Louieville Sluggers leave him by the harbor and give him three for the stripes.&amp;quot;&#xA;I said it's your boy RD The Chef I made sure every line cook cause this is my meal ticket&#xA;Hoffa! 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<INFO BITRATE="946000" KEY_LYRICS="1 ContributorKILLMONGER Lyrics&#xA;Monologue like a Bond villain&#xA;They want me gone like I'm John Lennon&#xA;Phenomenon like I’m on Ellen&#xA;But I stay calm and keep on killin'&#xA;&#xA;Just classic, rockin' a handlebar mustache&#xA;Gettin’ that money, but just cash&#xA;I'm robbin', a mastermind mobbing&#xA;Put you in a rucksack&#xA;&#xA;Trap or boom bap, I bust that&#xA;MC Hammer can't even touch that&#xA;I'm one of the greats, if you must ask&#xA;Turn you into dust when I just snap&#xA;&#xA;A Killmonger, that means I kill longer&#xA;This ain't no chill song or nothing&#xA;Call me a ‘Ching Chong', but I'm still stronger like King Kong&#xA;I’m writing some ill tongas like a sick Buddhist&#xA;Make ‘em turn it up and ask, “Who’s this?”&#xA;You know that I'm ruthless with my flaming two fists&#xA;You is looking foolish, bitch I am the true king&#xA;I just go and shoot shit, everything I shoot hit&#xA;In a new whip, goin’ all in with the blue chip&#xA;Lift it 'cause I'm too fit, Amadeus Cho, I go Hulk when I get too pissed&#xA;These pants are too big for you, it's time to buy belts&#xA;Do this for my people, aye tell me why else&#xA;Taking a shot? Take one for my health&#xA;Bitch, I am Thanos, can’t do it? “Fine, I'll do it myself”&#xA;&#xA;&#xA;Muhfucka got my camo on&#xA;Stackin' up my combos on this track that I do damage on&#xA;Rap until I die, no I never pass the man along&#xA;Takin' over networks like I'm Ultron, turn the channel on&#xA;&#xA;H-h-h-how you shoot when all your ammo gone?&#xA;Sorry skill is not something you can order on Amazon&#xA;Lookin' like you tryna sauce, but can't because the cap is on&#xA;King commander, corporal chief, they all call me El Capitan&#xA;&#xA;&#xA;I'ma own this land like I'm Killmonger&#xA;I'm back and returning even more stronger&#xA;I got my battle armor on, and we gonna conquer&#xA;You better run, cause you know my team is gonna slaughter!&#xA;&#xA;I'ma own this land like I'm Killmonger&#xA;I'm back and returning even more stronger&#xA;I got my battle armor on, and we gonna conquer&#xA;You better run, cause you know my team is gonna slaughter!&#xA;&#xA;I'm steady flowin', rowin' on this beat, yo I'm just zonin'&#xA;Don't accuse me like you're Ronan&#xA;Different galaxy, you're just foreign&#xA;I'll be soaring, call me Starlord&#xA;Then I'll blast you like Gamora&#xA;Damn, I'm feelin' this euphoria like I'm royal king of Wakanda&#xA;&#xA;Put the pedal to metal, and then I run it, I'm faster&#xA;Yeah, I'ma hold me a title, call me T'challa the Panther&#xA;I'm like a leader you follow, I'm like a killer in shadows&#xA;Fashion game like a rebel, don't fuck with me in this battle&#xA;I'm goin' into this like I'm indifferent&#xA;Fuck with me, and now it's a diss&#xA;Don't wanna cause no incident&#xA;Better shut your mouth before I land a fist!&#xA;&#xA;&#xA;Muhfucka got my camo on&#xA;Stackin' up my combos on this track that I do damage on&#xA;Rap until I die, no I never pass the man along&#xA;Takin' over networks like I'm Ultron, turn the channel on&#xA;&#xA;H-h-h-how you shoot when all your ammo gone?&#xA;Sorry skill is not something you can order on Amazon&#xA;Lookin' like you tryna sauce, but can't because the cap is on&#xA;King commander, corporal chief, they all call me El Capitan&#xA;&#xA;Repulsors like Iron Man&#xA;I'm a man that don't need a plan&#xA;Goin' ham like I'm Super Saiyan&#xA;Rip my claws out like Old Logan&#xA;&#xA;I'm a captain like Steve Rogers&#xA;Flame on, Human Torch get hotter&#xA;Slinging webs like Peter Parker&#xA;Then outsmart you like Bruce Banner!&#xA;&#xA;Superhuman, you assumin' that I'm human&#xA;Dr. Doom be comin' at you&#xA;Quickly moving, never losing&#xA;Haters ask me how I'm doin'?&#xA;I'ma ghost ya, then I'm cruisin'&#xA;I be acting super ruthless while in my zone and makin' music&#xA;Shady make them lose it&#xA;You cannot afford this&#xA;Bitch don't try to force it&#xA;Hide you like Adonis&#xA;I'm on Santa's bad list&#xA;Make stupid ad-libs&#xA;Now I'm in a fit&#xA;Dragon slayin' like I'm Iron Fist!&#xA;&#xA;&#xA;I'ma own this land like I'm Killmonger&#xA;I'm back and returning even more stronger&#xA;I got my battle armor on, and we gonna conquer&#xA;You better run, cause you know my team is gonna slaughter!&#xA;&#xA;I'ma own this land like I'm Killmonger&#xA;I'm back and returning even more stronger&#xA;I got my battle armor on, and we gonna conquer&#xA;You better run, cause you know my team is gonna slaughter!" PRODUCER="Hospital Records Limited" COVERARTID="097/BHE3TSDJRZYJABKHYK13ARRR2XAC" KEY="2m" PLAYTIME="382" PLAYTIME_FLOAT="381.257141" IMPORT_DATE="2025/5/24" RELEASE_DATE="2018/1/1" FLAGS="8" FILESIZE="44409"></INFO>
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<INFO BITRATE="945000" KEY_LYRICS="7 ContributorsGladiator Music Lyrics&#xA;I'm a gladiator, I'll grab a hater like Al-Qaeda&#xA;Pray to your savior, then meet thy maker&#xA;I rain razors, stain pavement with brains&#xA;Hangin like Wes Craven made it&#xA;West favorite, flagrant, I'm foul&#xA;The foul mouth faded, Cali wild style of sparrin&#xA;Rip apart y'all like 300 Spartans and two arsons&#xA;I move carcasses&#xA;Y'all don't wanna start these architects&#xA;Michelangelo, archangel to mark up your set&#xA;Get set - go!&#xA;From every angle I strangle your neck&#xA;Disconnect your lungs from your chest&#xA;That's takin your breath&#xA;Then connect some rats where you rest, then piss on the steps&#xA;Disrespectful, then eat with your bitch&#xA;Shit is sick&#xA;I infest Gangrene from the ditch, it's gutter water&#xA;And there's nothin quite like this, we push 'em harder&#xA;And I don't care if it's for honor or gettin farther&#xA;An Osama martyr, partner, I slaughter harder than lava&#xA;All ya&#xA;&#xA;&#xA;Now you don't want a war with us, we're glorious&#xA;We remain victorious, there's more of us&#xA;Yeah, I'm on my gladiator shit&#xA;&#xA;&#xA;I'm a hell bringer, bell ringer, mud slinger&#xA;Rapid muscle spasmer with gun finger&#xA;I run rings around under-the-wingers and bum singers&#xA;Hit 'em with dumb stingers&#xA;Cavemen, club swingers and blood drinkers&#xA;You know, Double G style displayed&#xA;Got you ( ? ) and filet'd&#xA;Gasoline bath, arsonic sprayed on your parade&#xA;(Scooby Doo y'all, Scooby Doo y'all)&#xA;Rappers are Ru Paul&#xA;I'm Kool-Aid man comin through your fuckin wall&#xA;I use a bone saw to cut your ears and your nose off&#xA;Arms, legs, fingers and toes off&#xA;Then drink promethazine and smoke a spliff over the body and doze off&#xA;Scene of the crime, yellow tape roped off&#xA;Burn doobies, my scalpel gets plenty usage&#xA;On the chopping block, while I'm canoein through heavy sewage&#xA;Gladiator style, Roman candles&#xA;Animals, and helmets and sandals&#xA;Poke holes through you panels and throw arrows&#xA;&#xA;&#xA;&#xA;You know the boy spit a kilo of 'caine, he insane&#xA;Force the listener to get the whole picture in ten frames&#xA;I flush the Mont Blanc, post the cocoa like Noah&#xA;Ochoa, toast blowers that's nuts like granola&#xA;Soldier, Red October with red hot toasters&#xA;Rockin mittens up in the kitchen, they bread pie holders&#xA;( ? ), throwin boulders, blow your head out your Rover&#xA;Heart cold as the polars&#xA;I know Cali-side sign throwers and hit rollers&#xA;That roll like Corollas&#xA;Mommy, just wanna leave your panties slimy like Oprah&#xA;Back-bend over, grippin the arm of the sofa&#xA;Deal-closer, musclin weight, hustle a trade&#xA;King of the same city Kurt Russell escaped&#xA;Tuck in the eight, get stuck in a wake&#xA;Like the face of the presidents in my residence that's stuffed in my safe&#xA;Celebrate with a bucket of grapes, you fuckin with greats&#xA;Cause ain't no time for bullshit, the discussion is cake&#xA;Feel me" PRODUCER="Hospital Records Limited" COVERARTID="097/BHE3TSDJRZYJABKHYK13ARRR2XAC" KEY="9m" PLAYTIME="317" PLAYTIME_FLOAT="316.800018" IMPORT_DATE="2025/5/24" RELEASE_DATE="2018/1/1" FLAGS="8" FILESIZE="36890"></INFO>
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<INFO BITRATE="917000" KEY_LYRICS="1 ContributorArabian Nights, Vol. 5 (Chap. 1) LyricsThe Ebony Horse.&#xA;&#xA;There was once in times of yore and ages long gone before, a great and puissant King, of the Kings of the Persians, Sábúr by name, who was the richest of all the Kings in store of wealth and dominion and surpassed each and every in wit and wisdom. He was generous, open handed and beneficent, and he gave to those who sought him and repelled not those who resorted to him; and he comforted the broken-hearted and honourably entreated those who fled to him for refuge. Moreover, he loved the poor and was hospitable to strangers and did the oppressed justice upon the oppressor. He had three daughters, like full moons of shining light or flower-gardens blooming bright; and a son as he were the moon; and it was his wont to keep two festivals in the twelve- month, those of the Nau-Roz, or New Year, and Mihrgán the Autumnal Equinox, on which occasions he threw open his palaces and gave largesse and made proclamation of safety and security and promoted his chamberlains and viceroys; and the people of his realm came in to him and saluted him and gave him joy of the holy day, bringing him gifts and servants and eunuchs. Now he loved science and geometry, and one festival-day as he sat on his kingly throne there came in to him three wise men, cunning artificers and past masters in all manner of craft and inventions, skilled in making things curious and rare, such as confound the wit; and versed in the knowledge of occult truths and perfect in mysteries and subtleties. And they were of three different tongues and countries, the first a Hindi or Indian, the second a Roumi or Greek and the third a Farsi or Persian. The Indian came forwards and, prostrating himself before the King, wished him joy of the festival and laid before him a present befitting his dignity; that is to say, a man of gold, set with precious gems and jewels of price and hending in hand a golden trumpet. When Sabur saw this, he asked, &amp;quot;O sage, what is the virtue of this figure?&amp;quot;; and the Indian answered, &amp;quot;O my lord, if this figure be set at the gate of thy city, it will be a guardian over it; for, in an enemy enter the place, it will blow this clarion against him and he will be seized with a palsy and drop down dead.&amp;quot; Much the King marvelled at this and cried, &amp;quot;By Allah, O sage, an this thy word be true, I will grant thee thy wish and thy desire.&amp;quot; Then came forward the Greek and, prostrating himself before the King, presented him with a basin of silver, in whose midst was a peacock of gold, surrounded by four-and-twenty chicks of the same metal. Sabur looked at them and turning to the Greek, said to him, &amp;quot;O sage, what is the virtue of this peacock?&amp;quot; &amp;quot;O my lord,&amp;quot; answered he, &amp;quot;as often as an hour of the day or night passeth, it pecketh one of its young and crieth out and flappeth its wings, till the four-and-twenty hours are accomplished; and when the month cometh to an end, it will open its mouth and thou shalt see the crescent therein.&amp;quot; And the King said, &amp;quot;An thou speak sooth, I will bring thee to thy wish and thy desire.&amp;quot; Then came forward the Persian sage and, prostrating himself before the King, presented him with a horse of the blackest ebony-wood inlaid with gold and jewels, and ready harnessed with saddle, bridle and stirrups such as befit Kings; which when Sabur saw, he marvelled with exceeding marvel and was confounded at the beauty of its form and the ingenuity of its fashion. So he asked, &amp;quot;What is the use of this horse of wood, and what is its virtue and what the secret of its movement?&amp;quot;; and the Persian answered, &amp;quot;O my lord, the virtue of this horse is that, if one mount him, it will carry him whither he will and fare with its rider through the air and cover the space of a year in a single day.&amp;quot; The King marvelled and was amazed at these three wonders, following thus hard upon one another on the same day, and turning to the sage, said to him, &amp;quot;By Allah the Omnipotent, and our Lord the Beneficent, who created all creatures and feedeth them with meat and drink, an thy speech be veritable and the virtue of thy contrivance appear, I will assuredly give thee whatsoever thou lustest for and will bring thee to thy desire and thy wish!&amp;quot; Then he entertained the sages three days, that he might make trial of their gifts; after which they brought the figures before him and each took the creature he had wroughten and showed him the mystery of its movement. The trumpeter blew the trump; the peacock pecked its chicks and the Persian sage mounted the ebony house, whereupon it soared with him high in air and descended again. When King Sabur saw all this, he was amazed and perplexed and felt like to fly for joy and said to the three sages, &amp;quot;Now I am certified of the truth of your words and it behoveth me to quit me of my promise. Ask ye, therefore, what ye will, and I will give you that same.&amp;quot; Now the report of the King's daughters had reached the sages, so they answered, &amp;quot;If the King be content with us and accept of our gifts and allow us to prefer a request to him, we crave of him that he give us his three daughters in marriage, that we may be his sons-in-law; for that the stability of Kings may not be gainsaid.&amp;quot; Quoth the King, &amp;quot;I grant you that which you wish and you desire,&amp;quot; and bade summon the Kazi forthright, that he might marry each of the sages to one of his daughters. Now it fortuned that the Princesses were behind a curtain, looking on; and when they heard this, the youngest considered her husband to be and behold, he was an old man, an hundred years of age, with hair frosted, forehead drooping, eyebrows mangy, ears slitten, beard and mustachios stained and dyed; eyes red and goggle; cheeks bleached and hollow; flabby nose like a brinjall, or egg- plant; face like a cobbler's apron, teeth overlapping and lips like camel's kidneys, loose and pendulous; in brief a terror, a horror, a monster, for he was of the folk of his time the unsightliest and of his age the frightfullest; sundry of his grinders had been knocked out and his eye-teeth were like the tusks of the Jinni who frighteneth poultry in hen-houses. Now the girl was the fairest and most graceful of her time, more elegant than the gazelle however tender, than the gentlest zephyr blander and brighter than the moon at her full; for amorous fray right suitable; confounding in graceful sway the waving bough and outdoing in swimming gait the pacing roe; in fine she was fairer and sweeter by far than all her sisters. So, when she saw her suitor, she went to her chamber and strewed dust on her head and tore her clothes and fell to buffeting her face and weeping and wailing. Now the Prince, her brother, Kamar al-Akmár, or the Moon of Moons hight, was then newly returned from a journey and, hearing her weeping and crying came in to her (for he loved her with fond affection, more than his other sisters) and asked her, &amp;quot;What aileth thee? What hath befallen thee? Tell me and conceal naught from me.&amp;quot; So she smote her breast and answered, &amp;quot;O my brother and my dear one, I have nothing to hide. If the palace be straitened upon thy father, I will go out; and if he be resolved upon a foul thing, I will separate myself from him, though he consent not to make provision for me; and my Lord will provide.&amp;quot; Quoth he, &amp;quot;Tell me what meaneth this talk and what hath straitened thy breast and troubled thy temper.&amp;quot; &amp;quot;O my brother and my dear one,&amp;quot; answered the Princess, &amp;quot;Know that my father hath promised me in marriage to a wicked magician who brought him, as a gift, a horse of black wood, and hath bewitched him with his craft and his egromancy; but, as for me, I will none of him, and would, because of him, I had never come into this world!&amp;quot; Her brother soothed her and solaced her, then fared to his sire and said, &amp;quot;What be this wizard to whom thou hast given my youngest sister in marriage, and what is this present which he hath brought thee, so that thou hast killed my sister with chagrin? It is not right that this should be.&amp;quot; Now the Persian was standing by and, when he heard the Prince's words, he was mortified and filled with fury and the King said, &amp;quot;O my son, an thou sawest this horse, thy wit would be confounded and thou wouldst be amated with amazement.&amp;quot; Then he bade the slaves bring the horse before him and they did so; and, when the Prince saw it, it pleased him. So (being an accomplished cavalier) he mounted it forthright and struck its sides with the shovel-shaped stirrup-irons; but it stirred not and the King said to the Sage, &amp;quot;Go show him its movement, that he also may help thee to win thy wish.&amp;quot; Now the Persian bore the Prince a grudge because he willed not he should have his sister; so he showed him the pin of ascent on the right side of the horse and saying to him, &amp;quot;Trill this,&amp;quot; left him. Thereupon the Prince trilled the pin and lo! the horse forthwith soared with him high in ether, as it were a bird, and gave not overflying till it disappeared from men's espying, whereat the King was troubled and perplexed about his case and said to the Persian, &amp;quot;O sage, look how thou mayest make him descend.&amp;quot; But he replied, &amp;quot;O my lord, I can do nothing, and thou wilt never see him again till Resurrection-day, for he, of his ignorance and pride, asked me not of the pin of descent and I forgot to acquaint him therewith.&amp;quot; When the King heard this, he was enraged with sore rage; and bade bastinado the sorcerer and clap him in jail, whilst he himself cast the crown from his head and beat his face and smote his breast. Moreover, he shut the doors of his palaces and gave himself up to weeping and keening, he and his wife and daughters and all the folk of the city; and thus their joy was turned to annoy and their gladness changed into sore affliction and sadness. Thus far concerning them; but as regards the Prince, the horse gave not over soaring with him till he drew near the sun, whereat he gave himself up for lost and saw death in the skies, and was confounded at his case, repenting him of having mounted the horse and saying to himself, &amp;quot;Verily, this was a device of the Sage to destroy me on account of my youngest sister; but there is no Majesty and there is no Might save in Allah, the Glorious, the Great! I am lost without recourse; but I wonder, did not he who made the ascent-pin make also a descent-pin?&amp;quot; Now he was a man of wit and knowledge and intelligence; so he fell to feeling all the parts of the horse, but saw nothing save a screw, like a cock's head, on its right shoulder and the like on the left, when quoth he to himself, &amp;quot;I see no sign save these things like buttons.&amp;quot; Presently he turned the right-hand pin, whereupon the horse flew heavenwards with increased speed. So he left it and looking at the sinister shoulder and finding another pin, he wound it up and immediately the steed's upwards motion slowed and ceased and it began to descend, little by little, towards the face of the earth, while the rider became yet more cautious and careful of his life.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Three Hundred and Fifty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Prince wound up the sinister screw, the steed's upward motion slowed and ceased, and it began to descend, little by little, towards the earth while the rider became yet more cautious and careful of his life. And when he saw this and knew the uses of the horse, his heart was filled with joy and gladness and he thanked Almighty Allah for that He had deigned deliver him from destruction. Then he began to turn the horse's head whithersoever he would, making it rise and fall at pleasure, till he had gotten complete mastery over its every movement. He ceased not to descend the whole of that day, for that the steed's ascending flight had borne him afar from the earth; and, as he descended, he diverted himself with viewing the various cities and countries over which he passed and which he knew not, never having seen them in his life. Amongst the rest, he descried a city ordered after the fairest fashion in the midst of a verdant and riant land, rich in trees and streams, with gazelles pacing daintily over the plains; whereat he fell a-musing and said to himself, &amp;quot;Would I knew the name of yon town and in what land it is!&amp;quot; And he took to circling about it and observing it right and left. By this time, the day began to decline and the sun drew near to its downing; and he said in his mind, &amp;quot;Verily I find no goodlier place to night in than this city; so I will lodge here and early on the morrow I will return to my kith and kin and my kingdom; and tell my father and family what hath passed and acquaint him with what mine eyes have seen.&amp;quot; Then he addressed himself to seeking a place wherein he might safely bestow himself and his horse and where none should descry him, and presently behold, he espied a-middlemost of the city a palace rising high in upper air surrounded by a great wall with lofty crenelles and battlements, guarded by forty black slaves, clad in complete mail and armed with spears and swords, bows and arrows. Quoth he, &amp;quot;This is a goodly place,&amp;quot; and turned the descent-pin, whereupon the horse sank down with him like a weary bird, and alighted gently on the terrace-roof of the palace. So the Prince dismounted and ejaculating &amp;quot;Alhamdolillah&amp;quot;—praise be to Allah—he began to go round about the horse and examine it, saying, &amp;quot;By Allah, he who fashioned thee with these perfections was a cunning craftsman, and if the Almighty extend the term of my life and restore me to my country and kinsfolk in safety and reunite me with my father, I will assuredly bestow upon him all manner bounties and benefit him with the utmost beneficence.&amp;quot; By this time night had overtaken him and he sat on the roof till he was assured that all in the palace slept; and indeed hunger and thirst were sore upon him, for that he had not tasted food nor drunk water since he parted from his sire. So he said within himself, &amp;quot;Surely the like of this palace will not lack of victual;&amp;quot; and, leaving the horse above, went down in search of somewhat to eat. Presently, he came to a staircase and descending it to the bottom, found himself in a court paved with white marble and alabaster, which shone in the light of the moon. He marvelled at the place and the goodliness of its fashion, but sensed no sound of speaker and saw no living soul and stood in perplexed surprise, looking right and left and knowing not whither he should wend. Then said he to himself, &amp;quot;I may not do better than return to where I left my horse and pass the night by it; and as soon as day shall dawn I will mount and ride away.&amp;quot;— And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Three Hundred and Fifty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that quoth the king's son to himself, &amp;quot;I may not do better than pass the night by my horse; and as soon as day shall dawn I will mount and ride away.&amp;quot; However, as he tarried talking to himself, he espied a light within the palace, and making towards it, found that it came from a candle that stood before a door of the Harim, at the head of a sleeping eunuch, as he were one of the Ifrits of Solomon or a tribesman of the Jinn, longer than lumber and broader than a bench. He lay before the door, with the pommel of his sword gleaming in the flame of the candle, and at his head was a bag of leather hanging from a column of granite. When the Prince saw this, he was affrighted and said, &amp;quot;I crave help from Allah the Supreme! O mine Holy One, even as Thou hast already delivered me from destruction, so vouchsafe me strength to quit myself of the adventure of this palace!&amp;quot; So saying, he put out his hand to the budget and taking it, carried it aside and opened it and found in it food of the best. He ate his fill and refreshed himself and drank water, after which he hung up the provision-bag in its place and drawing the eunuch's sword from its sheath, took it, whilst the slave slept on, knowing not whence destiny should come to him. Then the Prince fared forwards into the palace and ceased not till he came to a second door, with a curtain drawn before it; so he raised the curtain and behold, on entering he saw a couch of the whitest ivory, inlaid with pearls and jacinths and jewels, and four slave-girls sleeping about it. He went up to the couch, to see what was thereon, and found a young lady lying asleep, chemised with her hair as she were the full moon rising over the Eastern horizon, with flower-white brow and shining hair-paring and cheeks like blood-red anemones and dainty moles thereon. He was amazed at her as she lay in her beauty and loveliness, her symmetry and grace, and he recked no more of death. So he went up to her, trembling in every nerve and, shuddering with pleasure, kissed her on the right cheek; whereupon she awoke forthright and opened her eyes, and seeing the Prince standing at her head, said to him, &amp;quot;Who art thou and whence comest thou?&amp;quot; Quoth he, &amp;quot;I am thy slave and thy lover.&amp;quot; Asked she, &amp;quot;And who brought thee hither?&amp;quot; and he answered, &amp;quot;My Lord and my fortune.&amp;quot; Then said Shams al-Nahár (for such was her name), &amp;quot;Haply thou art he who demanded me yesterday of my father in marriage and he rejected thee, pretending that thou wast foul of favour. By Allah, my sire lied in his throat when he spoke this thing, for thou art not other than beautiful.&amp;quot; Now the son of the King of Hind had sought her in marriage, but her father had rejected him, for that he was ugly and uncouth, and she thought the Prince was he. So, when she saw his beauty and grace (for indeed he was like the radiant moon) the syntheism of love gat hold of her heart as it were a flaming fire, and they fell to talk and converse. Suddenly, her waiting-women awoke and, seeing the Prince with their mistress, said to her, &amp;quot;Oh my lady, who is this with thee?&amp;quot; Quoth she, &amp;quot;I know not; I found him sitting by me, when I woke up: haply 'tis he who seeketh me in marriage of my sire.&amp;quot; Quoth they, &amp;quot;O my lady, by Allah the All-Father, this is not he who seeketh thee in marriage, for he is hideous and this man is handsome and of high degree. Indeed, the other is not fit to be his servant.&amp;quot; Then the handmaidens went out to the eunuch, and finding him slumbering awoke him, and he started up in alarm. Said they, &amp;quot;How happeth it that thou art on guard at the palace and yet men come in to us, whilst we are asleep?&amp;quot; When the black heard this, he sprang in haste to his sword, but found it not; and fear took him and trembling. Then he went in, confounded, to his mistress and seeing the Prince sitting at talk with her, said to him, &amp;quot;O my lord, art thou man or Jinni?&amp;quot; Replied the Prince, &amp;quot;Woe to thee, O unluckiest of slaves: how darest thou even the sons of the royal Chosroes with one of the unbelieving Satans?&amp;quot; And he was as a raging lion. Then he took the sword in his hand and said to the slave, &amp;quot;I am the King's son-in-law, and he hath married me to his daughter and bidden me go in to her.&amp;quot; And when the eunuch heard these words he replied, &amp;quot;O my lord, if thou be indeed of kind a man as thou avouchest, she is fit for none but for thee, and thou art worthier of her than any other.&amp;quot; Thereupon the eunuch ran to the King, shrieking loud and rending his raiment and heaving dust upon his head; and when the King heard his outcry, he said to him, &amp;quot;What hath befallen thee?: speak quickly and be brief; for thou hast fluttered my heart.&amp;quot; Answered the eunuch, &amp;quot;O King, come to thy daughter's succour; for a devil of the Jinn, in the likeness of a King's son, hath got possession of her; so up and at him!&amp;quot; When the King heard this, he thought to kill him and said, &amp;quot;How camest thou to be careless of my daughter and let this demon come at her?&amp;quot; Then he betook himself to the Princess's palace, where he found her slave-women standing to await him and asked them, &amp;quot;What is come to my daughter?&amp;quot; &amp;quot;O King,&amp;quot; answered they, &amp;quot;slumber overcame us and, when we awoke, we found a young man sitting upon her couch in talk with her, as he were the full moon; never saw we aught fairer of favour than he. So we questioned him of his case and he declared that thou hadst given him thy daughter in marriage. More than this we know not, nor do we know if he be a man or a Jinni; but he is modest and well bred, and doth nothing unseemly or which leadeth to disgrace.&amp;quot; Now when the King heard these words, his wrath cooled and he raised the curtain little by little and looking in, saw sitting at talk with his daughter a Prince of the goodliest with a face like the full moon for sheen. At this sight he could not contain himself, of his jealousy for his daughter's honour; and, putting aside the curtain, rushed in upon them drawn sword in hand like a furious Ghul. Now when the Prince saw him he asked the Princess, &amp;quot;Is this thy sire?&amp;quot;; and she answered, &amp;quot;Yes.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixtieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Price saw the King rushing in upon them, drawn sword in hand, like a furious Ghul he asked the Princess, &amp;quot;Is this thy sire?&amp;quot;; and she answered, &amp;quot;Yes.&amp;quot; Whereupon he sprang to his feet and, seizing his sword, cried out at the King with so terrible a cry that he was confounded. Then the youth would have fallen on him with the sword; but the King seeing that the Prince was doughtier than he, sheathed his scymitar and stood till the young man came up to him, when he accosted him courteously and said to him, &amp;quot;O youth, art thou a man or a Jinni?&amp;quot; Quoth the Prince, &amp;quot;Did I not respect thy right as mine host and thy daughter's honour, I would spill thy blood! How darest thou fellow me with devils, me that am a Prince of the sons of the royal Chosroes who, had they wished to take thy kingdom, could shake thee like an earthquake from thy glory and thy dominions and spoil thee of all thy possessions?&amp;quot; Now when the King heard his words, he was confounded with awe and bodily fear of him and rejoined, &amp;quot;If thou indeed be of the sons of the Kings, as thou pretendest, how cometh it that thou enterest my palace without my permission, and smirchest mine honour, making thy way to my daughter and feigning that thou art her husband and claiming that I have given her to thee to wife, I that have slain Kings and Kings' sons, who sought her of me in marriage? And now who shall save thee from my might and majesty when, if I cried out to my slaves and servants and bade them put thee to the vilest of deaths they would slay thee forthright? Who shall deliver thee out of my hand?&amp;quot; When the Prince heard this speech of the King he answered, &amp;quot;Verily, I wonder at thee and at the shortness and denseness of thy wit! Say me, canst covet for thy daughter a mate comelier than myself, and hast ever seen a stouter hearted man or one better fitted for a Sultan or a more glorious in rank and dominion than I?&amp;quot; Rejoined the King, &amp;quot;Nay, by Allah! but I would have had thee, O youth, act after the custom of Kings and demand her from me to wife before witnesses, that I might have married her to thee publicly; and now, even were I to marry her to thee privily, yet hast thou dishonoured me in her person.&amp;quot; Rejoined the Prince, &amp;quot;Thou sayest sooth, O King, but if thou summon thy slaves and thy soldiers and they fall upon me and slay me, as thou pretendest, thou wouldst but publish thine own disgrace, and the folk would be divided between belief in thee and disbelief in thee. Wherefore, O King, thou wilt do well, meseemeth, to turn from this thought to that which I shall counsel thee.&amp;quot; Quoth the King, &amp;quot;Let me hear what thou hast to advise;&amp;quot; and quoth the Prince, &amp;quot;What I have to propose to thee is this: either do thou meet me in combat singular, I and thou; and he who slayeth his adversary shall be held the worthier and having a better title to the kingdom; or else, let me be this night and, whenas dawns the morn, draw out against me thy horsemen and footmen and servants; but first tell me their number.&amp;quot; Said the King, &amp;quot;They are forty thousand horse, beside my own slaves and their followers, who are the like of them in number.&amp;quot; Thereupon said the Prince, &amp;quot;When the day shall break, do thou array them against me and say to them&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixty-first Night,&#xA;&#xA;She continued, It hath reached me, O auspicious King, that quoth the Prince, &amp;quot;When day shall break, do thou array them against me and say to them: 'This man is a suitor to me for my daughter's hand, on condition that he shall do battle single-handed against you all; for he pretendeth that he will overcome you and put you to the rout, and indeed that ye cannot prevail against him.' After which, leave me to do battle with them: if they slay me, then is thy secret surer guarded and thine honour the better warded; and if I overcome them and see their backs, then is it the like of me a King should covet to his son-in-law.&amp;quot; So the King approved of his opinion and accepted his proposition, despite his awe at the boldness of his speech and amaze at the pretensions of the Prince to meet in fight his whole host, such as he had described to him, being at heart assured that he would perish in the fray and so he should be quit of him and freed from the fear of dishonour. Thereupon he called the eunuch and bade him go to his Wazir without stay and delay and command him to assemble the whole of the army and cause them don their arms and armour and mount their steeds. So the eunuch carried the King's order to the Minister, who straightaway summoned the Captains of the host and the Lords of the realm and bade them don their harness of derring-do and mount horse and sally forth in battle array. Such was their case; but as regards the King, he sat a long while conversing with the young Prince, being pleased with his wise speech and good sense and fine breeding. And when it was day-break he returned to his palace and, seating himself on his throne, commanded his merry men to mount and bade them saddle one of the best of the royal steeds with handsome selle and housings and trappings and bring it to the Prince. But the youth said, &amp;quot;O King, I will not mount horse, till I come in view of the troops and review them.&amp;quot; &amp;quot;Be it as thou wilt,&amp;quot; replied the King. Then the two repaired to the parade-ground, where the troops were drawn up, and the young Prince looked upon them and noted their great number; after which the King cried out to them, saying, &amp;quot;Ho, all ye men, there is come to me a youth who seeketh my daughter in marriage; and in very sooth never have I seen a goodlier than he; no, nor a stouter of heart nor a doughtier of arm, for he pretendeth that he can overcome you, single-handed, and force you to flight and that, were ye an hundred thousand in number, yet for him would ye be but few. Now when he chargeth down on you, do ye receive him upon point of pike and sharp of sabre; for, indeed, he hath undertaken a mighty matter.&amp;quot; Then quoth the King to the Prince, &amp;quot;Up, O my son, and do thy devoir on them.&amp;quot; Answered he, &amp;quot;O King, thou dealest not justly and fairly by me: how shall I go forth against them, seeing that I am afoot and the men be mounted?&amp;quot; The King retorted, &amp;quot;I bade thee mount, and thou refusedst; but choose thou which of my horses thou wilt.&amp;quot; Then he said, &amp;quot;Not one of thy horses pleaseth me, and I will ride none but that on which I came.&amp;quot; Asked the King, &amp;quot;And where is thy horse?&amp;quot; &amp;quot;Atop of thy palace.&amp;quot; &amp;quot;In what part of my palace?&amp;quot; &amp;quot;On the roof.&amp;quot; Now when the King heard these words, he cried, &amp;quot;Out on thee! this is the first sign thou hast given of madness. How can the horse be on the roof? But we shall at once see if thou speak the truth or lies.&amp;quot; Then he turned to one of his chief officers and said to him, &amp;quot;Go to my palace and bring me what thou findest on the roof.&amp;quot; So all the people marvelled at the young Prince's words, saying one to other, &amp;quot;How can a horse come down the steps from the roof? Verily this is a thing whose like we never heard.&amp;quot; In the meantime the King's messenger repaired to the palace and mounting to the roof, found the horse standing there and never had he looked on a handsomer; but when he drew near and examined it, he saw that it was made of ebony and ivory. Now the officer was accompanied by other high officers, who also looked on and they laughed to one another, saying, &amp;quot;Was it of the like of this horse that the youth spake? We cannot deem him other than mad; however, we shall soon see the truth of his case.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the high officials looked upon the horse, they laughed one to other and said, &amp;quot;Was it of the like of his horse that the youth spake? We cannot deem him other than mad; however, we shall soon see the truth of his case. Peradventure herein is some mighty matter, and he is a man of high degree.&amp;quot; Then they lifted up the horse bodily and, carrying it to the King, set it down before him, and all the lieges flocked round to look at it, marvelling at the beauty of its proportions and the richness of its saddle and bridle. The King also admired it and wondered at it with extreme wonder; and he asked the Prince, &amp;quot;O youth, is this thy horse?&amp;quot; He answered, &amp;quot;Yes, O King, this is my horse, and thou shalt soon see the marvel it showeth.&amp;quot; Rejoined the King, &amp;quot;Then take and mount it,&amp;quot; and the Prince retorted, &amp;quot;I will not mount till the troops withdraw afar from it.&amp;quot; So the King bade them retire a bowshot from the horse; whereupon quoth its owner, &amp;quot;O King, see thou; I am about to mount my horse and charge upon thy host and scatter them right and left and split their hearts asunder.&amp;quot; Said the King, &amp;quot;Do as thou wilt; and spare not their lives, for they will not spare thine.&amp;quot; Then the Prince mounted, whilst the troops ranged themselves in ranks before him, and one said to another, &amp;quot;When the youth cometh between the ranks, we will take him on the points of our pikes and the sharps of our sabres.&amp;quot; Quoth another, &amp;quot;By Allah, this a mere misfortune: how shall we slay a youth so comely of face and shapely of form?&amp;quot; And a third continued, &amp;quot;Ye will have hard work to get the better of him; for the youth had not done this, but for what he knew of his own prowess and pre- eminence of valour.&amp;quot; Meanwhile, having settled himself in his saddle, the Prince turned the pin of ascent; whilst all eyes were strained to see what he would do, whereupon the horse began to heave and rock and sway to and fro and make the strangest of movements steed ever made, till its belly was filled with air and it took flight with its rider and soared high into the sky. When the King saw this, he cried out to his men, saying, &amp;quot;Woe to you! catch him, catch him, ere he 'scape you!&amp;quot; But his Wazirs and Viceroys said to him, &amp;quot;O King, can a man overtake the flying bird? This is surely none but some mighty magician or Marid of the Jinn or devil, and Allah save thee from him. So praise thou the Almighty for deliverance of thee and of all thy host from his hand.&amp;quot; Then the King returned to his palace after seeing the feat of the Prince and, going in to his daughter, acquainted her with what had befallen them both on the parade-ground. He found her grievously afflicted for the Prince and bewailing her separation from him; wherefore she fell sick with violent sickness and took to her pillow. Now when her father saw her on this wise, he pressed her to his breast and kissing her between the eyes, said to her, &amp;quot;O my daughter, praise Allah Almighty and thank Him for that He hath delivered us from this crafty enchanter, this villain, this low fellow, this thief who thought only of seducing thee!&amp;quot; And he repeated to her the story of the Prince and how he had disappeared in the firmament; and he abused him and cursed him knowing not how dearly his daughter loved him. But she paid no heed to his words and did but redouble in her tears and wails, saying to herself, &amp;quot;By Allah, I will neither eat meat nor drain drink, till Allah reunite me with him!&amp;quot; Her father was greatly concerned for her case and mourned much over her plight; but, for all he could do to soother her, love-longing only increased on her.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixty-third Night,&#xA;She said, It hath reached me, O auspicious King, that the King mourned much over his daughter's plight but, for all he could do to soothe her, love-longing only increased on her. Thus far concerning the King and Princess Shams al-Nahár; but as regards Prince Kamar al-Akmar, when he had risen high in air, he turned his horse's head towards his native land, and being alone mused upon the beauty of the Princess and her loveliness. Now he had enquired of the King's people the name of the city and of its King and his daughter; and men had told him that it was the city of Sana'á. So he journeyed with all speed, till he drew near his father's capital and, making an airy circuit about the city, alighted on the roof of the King's palace, where he left his horse, whilst he descended into the palace and seeing its threshold strewn with ashes, though that one of his family was dead. Then he entered, as of wont, and found his father and mother and sisters clad in mourning raiment of black, all pale of faces and lean of frames. When his sire descried him and was assured that it was indeed his son, he cried out with a great cry and fell down in a fit, but after a time coming to himself, threw himself upon him and embraced him, clipping him to his bosom and rejoicing in him with exceeding joy and extreme gladness. His mother and sisters heard this; so they came in and seeing the Prince, fell upon him, kissing him and weeping, and joying with exceeding joyance. Then they questioned him of his case; so he told them all that had passed from first to last, and his father said to him, &amp;quot;Praised be Allah for thy safety, O coolth of my eyes and core of my heart!&amp;quot; Then the King bade hold high festival, and the glad tidings flew through the city. So they beat drums and cymbals and, doffing the weed of mourning, they donned the gay garb of gladness and decorated the streets and markets; whilst the folk vied with one another who should be the first to give the King joy, and the King proclaimed a general pardon and opening the prisons, released those who were therein prisoned. Moreover, he made banquets for the people, with great abundance of eating and drinking, for seven days and nights and all creatures were gladsomest; and he took horse with his son and rode out with him, that the folk might see him and rejoice. After awhile the Prince asked about the maker of the horse, saying, &amp;quot;O my father, what hath fortune done with him?&amp;quot;; and the King answered, &amp;quot;Allah never bless him nor the hour wherein I set eyes on him! For he was the cause of thy separation from us, O my son, and he hath lain in gaol since the day of thy disappearance.&amp;quot; Then the King bade release him from prison and, sending for him, invested him in a dress of satisfaction and entreated him with the utmost favour and munificence, save that he would not give him his daughter to wife; whereat the Sage raged with sore rage and repented of that which he had done, knowing that the Prince had secured the secret of the steed and the manner of its motion. Moreover, the King said to his son, &amp;quot;I reck thou wilt do will not to go near the horse henceforth and more especially not to mount it after this day; for thou knowest not its properties, and belike thou art in error about it.&amp;quot; Not the Prince had told his father of his adventure with the King of Sana'a and his daughter and he said, &amp;quot;Had the King intended to kill thee, he had done so; but thine hour was not yet come.&amp;quot; When the rejoicings were at an end, the people returned to their places and the King and his son to the palace, where they sat down and fell to eating and drinking and making merry. Now the King had a handsome handmaiden who was skilled in playing the lute; so she took it and began to sweep the strings and sing thereto before the King and his son of separation of lovers, and she chanted the following verses:—&#xA;&#xA;&amp;quot;Deem not that absence breeds in me aught of forgetfulness; *&#xA;       &amp;amp;nbsp     What should remember I did you fro' my remembrance wane?&#xA;Time dies but never dies the fondest love for you we bear; *&#xA;       &amp;amp;nbsp     And in your love I'll die and in your love I'll arise&#xA;       &amp;amp;nbsp     again.&amp;quot;&#xA;&#xA;When the Prince heard these verses, the fires of longing flamed up in his heart and pine and passion redoubled upon him. Grief and regret were sore upon him and his bowels yearned in him for love of the King's daughter of Sana'a; so he rose forthright and, escaping his father's notice, went forth the palace to the horse and mounting it, turned the pin of ascent, whereupon bird-like it flew with him high in air and soared towards the upper regions of the sky. In early morning his father missed him and, going up to the pinnacle of the palace, in great concern, saw his son rising into the firmament; whereat he was sore afflicted and repented in all penitence that he had not taken the horse and hidden it; and he said to himself, &amp;quot;By Allah, if but my son return to me, I will destroy the horse, that my heart may be at rest concerning my son.&amp;quot; And he fell again to weeping and bewailing himself.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the King again fell to weeping and bewailing himself for his son. Such was his case; but as regards the Prince, he ceased not flying on through air till he came to the city of Sana'a and alighted on the roof as before. Then he crept down stealthily and, finding the eunuch asleep, as of wont, raised the curtain and went on little by little, till he came to the door of the Princess's alcove-chamber and stopped to listen; when lo! he heard her shedding plenteous tears and reciting verses, whilst her women slept round her. Presently, overhearing her weeping and wailing quoth they, &amp;quot;O our mistress, why wilt thou mourn for one who mourneth not for thee?&amp;quot; Quoth she, &amp;quot;O ye little of wit, is he for whom I mourn of those who forget or who are forgotten?&amp;quot; And she fell again to wailing and weeping, till sleep overcame her. Hereat the Prince's heart melted for her and his gall-bladder was like to burst, so he entered and, seeing her lying asleep without covering, touched her with his hand; whereupon she opened her eyes and espied him standing by her. Said he, &amp;quot;Why all this crying and mourning?&amp;quot; And when she knew him, she threw herself upon him, and took him around the neck and kissed him and answered, &amp;quot;For thy sake and because of my separation from thee.&amp;quot; Said he, &amp;quot;O my lady, I have been made desolate by thee all this long time!&amp;quot; But she replied, &amp;quot;'Tis thou who hast desolated me; and hadst thou tarried longer, I had surely died!&amp;quot; Rejoined he, &amp;quot;O my lady, what thinkest thou of my case with thy father and how he dealt with me? Were it not for my love of thee, O temptation and seduction of the Three Worlds, I had certainly slain him and made him a warning to all beholders; but, even as I love thee, so I love him for thy sake.&amp;quot; Quoth she, &amp;quot;How couldst thou leave me: can my life be sweet to me after thee?&amp;quot; Quoth he, &amp;quot;Let what hath happened suffice: I am now hungry, and thirsty.&amp;quot; So she bade her maidens make ready meat and drink, and they sat eating and drinking and conversing till night was well nigh ended; and when day broke he rose to take leave of her and depart, ere the eunuch should awake. Shams al-Nahar asked him, &amp;quot;Whither goest thou?&amp;quot;; and he answered, &amp;quot;To my father's house, and I plight thee my troth that I will come to thee once in every week.&amp;quot; But she wept and said, &amp;quot;I conjure thee, by Allah the Almighty, take me with thee whereso thou wendest and make me not taste anew the bittergourd of separation from thee.&amp;quot; Quoth he, &amp;quot;Wilt thou indeed go with me?&amp;quot; and quoth she, &amp;quot;Yes.&amp;quot; &amp;quot;Then,&amp;quot; said he, &amp;quot;arise that we depart.&amp;quot; So she rose forthright and going to a chest, arrayed herself in what was richest and dearest to her of her trinkets of gold and jewels of price, and she fared forth, her handmaids recking naught. So he carried her up to the roof of the palace and, mounting the ebony horse, took her up behind him and made her fast to himself, binding her with strong bonds; after which he turned the shoulder-pin of ascent, and the horse rose with him high in air. When her slave-women saw this, they shrieked aloud and told her father and mother, who in hot haste ran to the palace-roof and looking up, saw the magical horse flying away with the Prince and Princess. At this the King was troubled with ever-increasing trouble and cried out, saying, &amp;quot;O King's son, I conjure thee, by Allah, have ruth on me and my wife and bereave us not of our daughter!&amp;quot; The Prince made him no reply; but, thinking in himself that the maiden repented of leaving father and mother, asked her, &amp;quot;O ravishment of the age, say me, wilt thou that I restore thee to thy mother and father?&amp;quot;: whereupon she answered, &amp;quot;By Allah, O my lord, that is not my desire: my only wish is to be with thee, wherever thou art; for I am distracted by the love of thee from all else, even from my father and mother.&amp;quot; Hearing these words the Prince joyed with great joy, and made the horse fly and fare softly with them, so as not to disquiet her; nor did they stay their flight till they came in sight of a green meadow, wherein was a spring of running water. Here they alighted and ate and drank; after which the Prince took horse again and set her behind him, binding her in his fear for her safety; after which they fared on till they came in sight of his father's capital. At this, the Prince was filled with joy and bethought himself to show his beloved the seat of his dominion and his father's power and dignity and give her to know that it was greater than that of her sire. So he set her down in one of his father's gardens without the city where his parent was wont to take his pleasure; and, carrying her into a domed summer-house prepared there for the King, left the ebony horse at the door and charged the damsel keep watch over it, saying, &amp;quot;Sit here, till my messenger come to thee; for I go now to my father, to make ready a palace for thee and show thee my royal estate.&amp;quot; She was delighted when she heard these words and said to him, &amp;quot;Do as thou wilt;&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the maiden was delighted when she heard these words and said to him, &amp;quot;Do as thou wilt;&amp;quot; for she thereby understood that she should not enter the city but with due honour and worship, as became her rank. Then the Prince left her and betook himself to the palace of the King his father, who rejoiced in his return and met him and welcomed him; and the Prince said to him, &amp;quot;Know that I have brought with me the King's daughter of whom I told thee; and have left her without the city in such a garden and come to tell thee, that thou mayst make ready the procession of estate and go forth to meet her and show her thy royal dignity and troops and guards.&amp;quot; Answered the King, &amp;quot;With joy and gladness&amp;quot;; and straightaway bade decorate the town with the goodliest adornment. Then he took horse and rode out in all magnificence and majesty, he and his host, high officers and household, with drums and kettle-drums, fifes and clarions and all manner instruments; whilst the Prince drew forth of his treasuries jewellery and apparel and what else of the things which Kings hoards and made a rare display of wealth and splendour: moreover he got ready for the Princess a canopied litter of brocades, green, red and yellow, wherein he set Indian and Greek and Abyssinian slave- girls. Then he left the litter and those who were therein and preceded them to the pavilion where he had set her down; and searched but found naught, neither Princess nor horse. When he saw this, he beat his face, and rent his raiment and began to wander round about the garden, as he had lost his wits; after which he came to his senses and said to himself, &amp;quot;How could she have come at the secret of this horse, seeing I told her nothing of it? Maybe the Persian sage who made the horse hath chanced upon her and stolen her away, in revenge for my father's treatment of him.&amp;quot; Then he sought the guardians of the garden and asked them if they had seen any pass the precincts; and said, &amp;quot;Hath any one come in here? Tell me the truth and the whole truth or I will at once strike off your heads.&amp;quot; They were terrified by his threats; but they answered with one voice, &amp;quot;We have seen no man enter save the Persian sage, who came to gather healing herbs.&amp;quot; So the Prince was certified that it was indeed he that had taken away the maiden,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Prince heard their answer, he was certified that the Sage had taken away the maiden and abode confounded and perplexed concerning his case. And he was abashed before the folk and, turning to his sire, told him what had happened and said to him, &amp;quot;Take the troops and march them back to the city. As for me, I will never return till I have cleared up this affair.&amp;quot; When the King heard this, he wept and beat his breast and said to him, &amp;quot;O my son, calm thy choler and master thy chagrin and come home with us and look what King's daughter thou wouldst fain have, that I may marry thee to her.&amp;quot; But the Prince paid no heed to his words and farewelling him departed, whilst the King returned to the city and their joy was changed into sore annoy. Now, as Destiny issued her decree, when the Prince left the Princess in the garden-house and betook himself to his father's palace, for the ordering of his affair, the Persian entered the garden to pluck certain simples and, scenting the sweet savour of musk and perfumes that exhaled from the Princess and impregnated the whole place, followed it till he came to the pavilion and saw standing at the door the horse which he had made with his own hands. His heart was filled with joy and gladness, for he had bemourned its loss much since it had gone out of his hand: so he went up to it and, examining its every part, found it whole and sound; whereupon he was about to mount and ride away, when he bethought himself and said, &amp;quot;Needs must I first look what the Prince hath brought and left here with the horse.&amp;quot; So he entered the pavilion and, seeing the Princess sitting there, as she were the sun shining sheen in the sky serene, knew her at the first glance to be some high-born lady and doubted not but the Prince had brought her thither on the horse and left her in the pavilion, whilst he went to the city, to make ready for her entry in state procession with all splendor. Then he went up to her and kissed the earth between her hands, whereupon she raised her eyes to him and, finding him exceedingly foul of face and favour, asked, &amp;quot;Who art thou?&amp;quot;; and he answered, &amp;quot;O my lady, I am a messenger sent by the Prince who hath bidden me bring thee to another pleasance nearer the city; for that my lady the Queen cannot walk so far and is unwilling, of her joy in thee, that another should forestall her with thee.&amp;quot; Quoth she, &amp;quot;Where is the Prince?&amp;quot;; and quoth the Persian, &amp;quot;He is in the city, with his sire and forthwith he shall come for thee in great state.&amp;quot; Said she, &amp;quot;O thou! say me, could he find none handsomer to send to me?&amp;quot;; whereat loud laughed the Sage and said, &amp;quot;Yea verily, he hath not a Mameluke as ugly as I am; but, O my lady, let not the ill-favour of my face and the foulness of my form deceive thee. Hadst thou profited of me as hath the Prince, verily thou wouldst praise my affair. Indeed, he chose me as his messenger to thee, because of my uncomeliness and loathsomeness in his jealous love of thee; else hath he Mamelukes and negro slaves, pages, eunuchs and attendants out of number, each goodlier than other.&amp;quot; Whenas she heard this, it commended itself to her reason and she believed him; so she rose forthright;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Persian sage acquainted the Princess with the case of the King's son, she believed him; so she rose forthright; and, putting her hand in his, said, &amp;quot;O my father, what hast thou brought me to ride?&amp;quot; He replied, &amp;quot;O my lady, thou shalt ride the horse thou camest on;&amp;quot; and she, &amp;quot;I cannot ride it by myself.&amp;quot; Whereupon he smiled and knew that he was her master and said, &amp;quot;I will ride with thee myself.&amp;quot; So he mounted and, taking her up behind him bound her to himself with firm bonds, while she knew not what he would with her. Then he turned the ascent-pin, whereupon the belly of the horse became full of wind and it swayed to and fro like a wave of the sea, and rose with them high in air nor slackened in its flight, till it was out of sight of the city. Now when Shams al-Nahir saw this, she asked him, &amp;quot;Ho thou! what is become of that thou toldest me of my Prince, making me believe that he sent thee to me?&amp;quot; Answered the Persian, &amp;quot;Allah damn the Prince! he is a mean and skin-flint knave.&amp;quot; She cried, &amp;quot;Woe to thee! How darest thou disobey thy lord's commandment?&amp;quot; Whereto the Persian replied, &amp;quot;He is no lord of mine: knowest thou who I am?&amp;quot; Rejoined the Princess, &amp;quot;I know nothing of thee save what thou toldest me;&amp;quot; and retorted he, &amp;quot;What I told thee was a trick of mine against thee and the King's son: I have long lamented the loss of this horse which is under us; for I constructed it and made myself master of it. But now I have gotten firm hold of it and of thee too, and I will burn his heart even as he hath burnt mine; nor shall he ever have the horse again; no, never! So be of good cheer and keep thine eyes cool and clear; for I can be of more use to thee than he; and I am generous as I am wealthy; my servants and slaves shall obey thee as their mistress; I will robe thee in finest raiment and thine every wish shall be at thy will.&amp;quot; When she heard this, she buffeted her face and cried out, saying, &amp;quot;Ah, well-away! I have not won my beloved and I have lost my father and mother!&amp;quot; And she wept bitter tears over what had befallen her, whilst the Sage fared on with her, without ceasing, till he came to the land of the Greeks and alighted in a verdant mead, abounding in streams and trees. Now this meadow lay near a city wherein was a King of high puissance, and it chanced that he went forth that day to hunt and divert himself. As he passed by the meadow, he saw the Persian standing there, with the damsel and the horse by his side; and, before the Sage was ware, the King's slaves fell upon him and carried him and the lady and the horse to their master who, noting the foulness of the man's favour and his loathsomeness and the beauty of the girl and her loveliness, said, &amp;quot;O my lady, what kin is this oldster to thee?&amp;quot; The Persian made haste to reply, saying, &amp;quot;She is my wife and the daughter of my father's brother.&amp;quot; But the lady at once gave him the lie and said, &amp;quot;O King, by Allah, I know him not, nor is he my husband; nay, he is a wicked magician who hath stolen me away by force and fraud.&amp;quot; Thereupon the King bade bastinado the Persian and they beat him till he was well-nigh dead; after which the King commanded to carry him to the city and cast him into jail; and, taking from him the damsel and the ebony horse (though he knew not its properties nor the secret of its motion), set the girl in his serraglio and the horse amongst his hoards. Such was the case with the Sage and the lady; but as regards Prince Kamar al-Akmar, he garbed himself in travelling gear and taking what he needed of money, set out tracking their trail in very sorry plight; and journeyed from country to country and city to city seeking the Princess and enquiring after the ebony horse, whilst all who heard him marvelled at him and deemed his talk extravagant. Thus he continued doing a long while; but, for all his enquiry and quest, he could hit on no new news of her. At last he came to her father's city of Sana'a and there asked for her, but could get no tidings of her and found her father mourning her loss. So he turned back and made for the land of the Greeks, continuing to enquire concerning the twain as he went,— And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;When it was the Three Hundred and Sixty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the King's son made for the land of the Greeks, continuing to enquire concerning the two as he went along, till, as chance would have it, he alighted at a certain Khan and saw a company of merchants sitting at talk. So he sat down near them and heard one say, &amp;quot;O my friends, I lately witnessed a wonder of wonders.&amp;quot; They asked, &amp;quot;What was that?&amp;quot; and he answered, &amp;quot;I was visiting such a district in such a city (naming the city wherein was the Princess), and I heard its people chatting of a strange thing which had lately befallen. It was that their King went out one day hunting and coursing with a company of his courtiers and the lords of his realm; and, issuing from the city, they came to a green meadow where they espied an old man standing, with a woman sitting hard by a horse of ebony. The man was foulest-foul of face and loathly of form, but the woman was a marvel of beauty and loveliness and elegance and perfect grace; and as for the wooden horse, it was a miracle, never saw eyes aught goodlier than it nor more gracious than its make.&amp;quot; Asked the others, &amp;quot;And what did the King with them?&amp;quot;; and the merchant answered, &amp;quot;As for the man the King seized him and questioned him of the damsel and he pretended that she was his wife and the daughter of his paternal uncle; but she gave him the lie forthright and declared that he was a sorcerer and a villain. So the King took her from the old man and bade beat him and cast him into the trunk-house. As for the ebony horse, I know not what became of it.&amp;quot; When the Prince heard these words, he drew near to the merchant and began questioning him discreetly and courteously touching the name of the city and of its King; which when he knew, he passed the night full of joy. And as soon as dawned the day he set out and travelled sans surcease till he reached that city; but, when he would have entered, the gate-keepers laid hands on him, that they might bring him before the King to question him of his condition and the craft in which he was skilled and the cause of his coming thither-such being the usage and custom of their ruler. Now it was supper-time when he entered the city, and it was then impossible to go in to the King or take counsel with him respecting the stranger. So the guards carried him to the jail, thinking to lay him by the heels there for the night; but, when the warders saw his beauty and loveliness, they could not find it in their hearts to imprison him: they made him sit with them without the walls; and, when food came to them, he ate with them what sufficed him. As soon as they had made an end of eating, they turned to the Prince and said, &amp;quot;What countryman art thou?&amp;quot; &amp;quot;I come from Fars,&amp;quot; answered he, &amp;quot;the land of the Chosroës.&amp;quot; When they heard this they laughed and one of them said, &amp;quot;O Chosroan, I have heard the talk of men and their histories and I have looked into their conditions; but never saw I or heard I a bigger liar than the Chosroan which is with us in the jail.&amp;quot; Quoth another, &amp;quot;And never did I see aught fouler than his favour or more hideous than his visnomy.&amp;quot; Asked the Prince. &amp;quot;What have ye seen of his lying?&amp;quot;; and they answered, &amp;quot;He pretendeth that he is one of the wise! Now the King came upon him, as he went a- hunting, and found with him a most beautiful woman and a horse of the blackest ebony, never saw I a handsomer. As for the damsel, she is with the King, who is enamoured of her and would fain marry her; but she is mad, and were this man a leach as he claimeth to be, he would have healed her, for the King doth his utmost to discover a cure for her case and a remedy for her disease, and this whole year past hath he spent treasure upon physicians and astrologers, on her account; but none can avail to cure her. As for the horse, it is in the royal hoard-house, and the ugly man is here with us in prison; and as soon as night falleth, he weepeth and bemoaneth himself and will not let us sleep.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Three Hundred and Sixty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the warders had recounted the case of the Persian egromancer they held in prison and his weeping and wailing, the Prince at once devised a device whereby he might compass his desire; and presently the guards of the gate, being minded to sleep, led him into the jail and locked the door. So he overheard the Persian weeping and bemoaning himself, in his own tongue, and saying, &amp;quot;Alack, and alas for my sin, that I sinned against myself and against the King's son, in that which I did with the damsel; for I neither left her nor won my will of her! All this cometh of my lack of sense, in that I sought for myself that which I deserved not and which befitted not the like of me; for whoso seeketh what suiteth him not at all, falleth with the like of my fall.&amp;quot; Now when the King's son heard this, he accosted him in Persian, saying, &amp;quot;How long will this weeping and wailing last? Say me, thinkest thou that hath befallen thee that which never befel other than thou?&amp;quot; Now when the Persian heard this, he made friends with him and began to complain to him of his case and misfortunes. And as soon as the morning morrowed, the warders took the Prince and carried him before their King, informing him that he had entered the city on the previous night, at a time when audience was impossible. Quoth the King to the Prince, &amp;quot;Whence comest thou and what is thy name and trade and why hast thou travelled hither?&amp;quot; He replied, &amp;quot;As to my name I am called in Persian Harjah; as to my country I come from the land of Fars; and I am of the men of art and especially of the art of medicine and healing the sick and those whom the Jinns drive mad. For this I go round about all countries and cities, to profit by adding knowledge to my knowledge, and whenever I see a patient I heal him and this is my craft.&amp;quot; Now when the King heard this, he rejoiced with exceeding joy and said, &amp;quot;O excellent Sage, thou hast indeed come to us at a time when we need thee.&amp;quot; Then he acquainted him with the case of the Princess, adding, &amp;quot;If thou cure her and recover her from her madness, thou shalt have of me everything thou seekest.&amp;quot; Replied the Prince, &amp;quot;Allah save and favour the King: describe to me all thou hast seen of her insanity and tell me how long it is since the access attacked her; also how thou camest by her and the horse and the Sage.&amp;quot; So the King told him the whole story, from first to last, adding, &amp;quot;The Sage is in goal.&amp;quot; Quoth the Prince, &amp;quot;O auspicious King, and what hast thou done with the horse?&amp;quot; Quoth the King, &amp;quot;O youth, it is with me yet, laid up in one of my treasure-chambers,&amp;quot; whereupon said the Prince within himself, &amp;quot;The best thing I can do is first to see the horse and assure myself of its condition. If it be whole and sound, all will be well and end well; but, if its motor-works be destroyed, I must find some other way of delivering my beloved.&amp;quot; Thereupon he turned to the King and said to him, &amp;quot;O King, I must see the horse in question: haply I may find in it somewhat that will serve me for the recovery of the damsel.&amp;quot; &amp;quot;With all my heart,&amp;quot; replied the King, and taking him by the hand, showed him into the place where the horse was. The Prince went round about it, examining its condition, and found it whole and sound, whereat he rejoiced greatly and said to the King, &amp;quot;Allah save and exalt the King! I would fain go in to the damsel, that I may see how it is with her; for I hope in Allah to heal her by my healing hand through means of the horse.&amp;quot; Then he bade them take care of the horse and the King carried him to the Princess's apartment where her lover found her wringing her hands and writhing and beating herself against the ground, and tearing her garments to tatters as was her wont; but there was no madness of Jinn in her, and she did this but that none might approach her. When the Prince saw her thus, he said to her, &amp;quot;No harm shall betide thee, O ravishment of the three worlds;&amp;quot; and went on to soothe her and speak her fair, till he managed to whisper, &amp;quot;I am Kamar al-Akmar;&amp;quot; whereupon she cried out with a loud cry and fell down fainting for excess of joy; but the King thought this was epilepsy brought on by her fear of him, and by her suddenly being startled. Then the Prince put his mouth to her ear and said to her, &amp;quot;O Shams al-Nahar, O seduction of the universe, have a care for thy life and mine and be patient and constant; for this our position needeth sufferance and skilful contrivance to make shift for our delivery from the tyrannical King. My first move will be now to go out to him and tell him that thou art possessed of a Jinn and hence thy madness; but that I will engage to heal thee and drive away the evil spirit, if he will at once unbind thy bonds. So when he cometh in to thee, do thou speak him smooth words, that he may think I have cured thee, and all will be done for us as we desire.&amp;quot; Quoth she, &amp;quot;Hearkening and obedience;&amp;quot; and he went out to the King in joy and gladness, and said to him, &amp;quot;O august King, I have, by thy good fortune, discovered her disease and its remedy, and have cured her for thee. So now do thou go in to her and speak her softly and treat her kindly, and promise her what may please her; so shall all thou desirest of her be accomplished to thee.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Three Hundred and Seventieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Prince feigned himself a leach and went in to the damsel and made himself known to her and told her how he purposed to deliver her, she cried &amp;quot;Hearkening and obedience!&amp;quot; He then fared forth from her and sought the King and said, &amp;quot;Go thou in to her and speak her softly and promise her what may please her; so shall all thou desirest of her be accomplished to thee.&amp;quot; Thereupon the King went in to her and when she saw him, she rose and kissing the ground before him, bade him welcome and said, &amp;quot;I admire how thou hast come to visit thy handmaid this day;&amp;quot; whereat he was ready to fly for joy and bade the waiting-women and the eunuchs attend her and carry her to the Hammam and make ready for her dresses and adornment. So they went in to her and saluted her, and she returned their salams with the goodliest language and after the pleasantest fashion; whereupon they clad her in royal apparel and, clasping a collar of jewels about her neck, carried her to the bath and served her there. Then they brought her forth, as she were the full moon; and, when she came into the King's presence, she saluted him and kissed ground before him; whereupon he joyed in her with joy exceeding and said to the Prince, &amp;quot;O Sage, O philosopher, all this is of thy blessing. Allah increase to us the benefit of thy healing breath!&amp;quot; The Prince replied, &amp;quot;O King, for the completion of her cure it behoveth that thou go forth, thou and all thy troops and guards, to the place where thou foundest her, not forgetting the beast of black wood which was with her; for therein is a devil; and, unless I exorcise him, he will return to her and afflict her at the head of every month.&amp;quot; &amp;quot;With love and gladness,&amp;quot; cried the King, &amp;quot;O thou Prince of all philosophers and most learned of all who see the light of day.&amp;quot; Then he brought out the ebony horse to the meadow in question and rode thither with all his troops and the Princess, little weeting the purpose of the Prince. Now when they came to the appointed place, the Prince, still habited as a leach, bade them set the Princess and the steed as far as eye could reach from the King and his troops, and said to him, &amp;quot;With thy leave, and at thy word, I will now proceed to the fumigations and conjurations, and here imprison the adversary of mankind, that he may never more return to her. After this, I shall mount this wooden horse which seemeth to be made of ebony, and take the damsel up behind me; whereupon it will shake and sway to and fro and fare forwards, till it come to thee, when the affair will be at an end; and after this thou mayst do with her as thou wilt.&amp;quot; When the King heard his words, he rejoiced with extreme joy; so the Prince mounted the horse and, taking the damsel up behind him, whilst the King and his troops watched him, bound her fast to him. Then he turned the ascending-pin and the horse took flight and soared with them high in air, till they disappeared from every eye. After this the King abode half the day, expecting their return; but they returned not. So when he despaired of them, repenting him greatly of that which he had done and grieving sore for the loss of the damsel, he went back to the city with his troops. He then sent for the Persian who was in prison and said to him, &amp;quot;O thou traitor, O thou villian, why didst thou hide from me the mystery of the ebony horse? And now a sharper hath come to me and hath carried it off, together with a slave-girl whose ornaments are worth a mint of money, and I shall never see anyone or anything of them again!&amp;quot; So the Persian related to him all his past, first and last, and the King was seized with a fit of fury which well-nigh ended his life. He shut himself up in his palace for a while, mourning and afflicted; but at last his Wazirs came in to him and applied themselves to comfort him, saying, &amp;quot;Verily, he who took the damsel is an enchanter, and praised be Allah who hath delivered thee from his craft and sorcery!&amp;quot; And they ceased not from him, till he was comforted for her loss. Thus far concerning the King; but as for the Prince, he continued his career towards his father's capital in joy and cheer, and stayed not till he alighted on his own palace, where he set the lady in safety; after which he went in to his father and mother and saluted them and acquainted them with her coming, whereat they were filled with solace and gladness. Then he spread great banquets for the towns-folk,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Three Hundred and Seventy-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the King's son spread great banquets for the towns-folk and they held high festival a whole month, at the end of which time he went in to the Princess and they took their joy of each other with exceeding joy. But his father brake the ebony horse in pieces and destroyed its mechanism for flight; moreover the Prince wrote a letter to the Princess's father, advising him of all that had befallen her and informing him how she was now married to him and in all health and happiness, and sent it by a messenger, together with costly presents and curious rarities. And when the messenger arrived at the city which was Sana'a and delivered the letter and the presents to the King, he read the missive and rejoiced greatly thereat and accepted the presents, honouring and rewarding the bearer handsomely. Moreover, he forwarded rich gifts to his son-in-law by the same messenger, who returned to his master and acquainted him with what had passed; whereat he was much cheered. And after this the Prince wrote a letter every year to his father-in-law and sent him presents till, in course of time, his sire King Sabur deceased and he reigned in his stead, ruling justly over his lieges and conducting himself well and righteously towards them, so that the land submitted to him and his subjects did him loyal service; and Kamar al-Akmar and his wife Shams al-Nahar abode in the enjoyment of all satisfaction and solace of life, till there came to them the Destroyer of deligights and Sunderer of societies; the Plunderer of palaces, the Caterer for cemeteries and the Garnerer of graves. And now glory be to the Living One who dieth not and in whose hand is the dominion of the worlds visible and invisible! Moreover I have heard tell the tale of&#xA;&#xA;&#xA;Footnotes:&#xA;&#xA; This tale (one of those translated by Galland) is best and fullest in the Bresl. Edit. iii. 329.&#xA;&#xA; Europe has degraded this autumnal festival, the Sun-fête Mihrgán (which balanced the vernal Nau-roz) into Michaelmas and its goose-massacre. It was so called because it began on the 16th of Mihr, the seventh month; and lasted six days, with feasts, festivities and great rejoicings in honour of the Sun, who now begins his southing-course to gladden the other half of the world.&#xA;&#xA; &amp;quot;Hindí&amp;quot; is an Indian Moslem as opposed to &amp;quot;Hindú,&amp;quot; a pagan, or Gentoo.&#xA;&#xA; The orig. Persian word is &amp;quot;Sháh-púr&amp;quot;=King's son: the Greeks (who had no sh) (preferred ); the Romans turned it into Sapor and the Arabs (who lack the p) into Sábúr. See p. x. Hamzæ ispahanensis Annalium Libri x.: Gottwaldt, Lipsiæ mdcccxlviii.&#xA; The magic horse may have originated with the Hindu tale of a wooden Garuda (the bird of Vishnu) built by a youth for the purpose of a vehicle. It came with the &amp;quot;Moors&amp;quot; to Spain and appears in &amp;quot;Le Cheval de Fust,&amp;quot; a French poem of the thirteenth Century. Thence it passed over to England as shown by Chaucer's &amp;quot;Half-told tale of Cambuscan (Janghíz Khan?) bold,&amp;quot; as&#xA;&#xA;&amp;quot;The wondrous steed of brass&#xA;On which the Tartar King did ride;&amp;quot;&#xA;&#xA;And Leland (Itinerary) derives &amp;quot;Rutlandshire&amp;quot; from &amp;quot;a man named Rutter who rode round it on a wooden horse constructed by art magic.&amp;quot; Lane (ii. 548) quotes the parallel story of Cleomades and Claremond which Mr. Keightley (Tales and Popular Fictions, chapt. ii) dates from our thirteenth century. See Vol. i., p. 160.&#xA;&#xA; All Moslems, except those of the Máliki school, hold that the maker of an image representing anything of life will be commanded on the Judgment Day to animate it, and failing will be duly sent to the Fire. This severity arose apparently from the necessity of putting down idol-worship and, perhaps, for the same reason the Greek Church admits pictures but not statues. Of course the command has been honoured with extensive breaching: for instance all the Sultans of Stambul have had their portraits drawn and painted.&#xA;&#xA; This description of ugly old age is written with true&#xA;Arab verve.&#xA;&#xA; Arab. &amp;quot;Badinján&amp;quot;: Hind. Bengan: Pers. Bádingán or Badilján; the Mala insana (Solanum pomiferum or S. Melongena) of the Romans, well known in Southern Europe. It is of two kinds, the red (Solanum lycopersicum) and the black (S. Melongena). The Spaniards know it as &amp;quot;berengeria&amp;quot; and when Sancho Panza (Part ii. chapt. 2) says, &amp;quot;The Moors are fond of egg-plants&amp;quot; he means more than appears. The vegetable is held to be exceedingly heating and thereby to breed melancholia and madness; hence one says to a man that has done something eccentric, &amp;quot;Thou hast been eating brinjalls.&amp;quot;&#xA;&#xA; Again to be understood Hibernice &amp;quot;kilt.&amp;quot;&#xA;&#xA; i.e. for fear of the evil eye injuring the palace and, haply, himself.&#xA;&#xA; The &amp;quot;Sufrah&amp;quot; before explained acting provision-bag and table-cloth.&#xA;&#xA; Eastern women in hot weather, lie mother-nude under a sheet here represented by the hair. The Greeks and Romans also slept stripped and in mediæval England the most modest women saw nothing indelicate in sleeping naked by their naked husbands. The &amp;quot;night-cap&amp;quot; and the &amp;quot;night-gown&amp;quot; are comparatively modern inventions.&#xA;&#xA; Hindu fable turns this simile into better poetry, &amp;quot;She was like a second and a more wondrous moon made by the Creator.&amp;quot;&#xA;&#xA; &amp;quot;Sun of the Day.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Shirk&amp;quot;=worshipping more than one God. A theological term here most appropriately used.&#xA;&#xA; The Bul. Edit. as usual abridges (vol. i. 534). The Prince lands on the palace-roof where he leaves his horse, and finding no one in the building goes back to the terrace. Suddenly he sees a beautiful girl approaching him with a party of her women, suggesting to him these couplets,&#xA;&#xA;&amp;quot;She came without tryst in the darkest hour, *&#xA;Like full moon lighting horizon's night:&#xA;Slim-formed, there is not in the world her like *&#xA;For grace of form or for gifts of sprite:&#xA;'Praise him who made her from semen-drop,' *&#xA;I cried, when her beauty first struck my sight:&#xA;I guard her from eyes, seeking refuge with *&#xA;The Lord of mankind and of morning-light.&amp;quot;&#xA;&#xA;The two then made acquaintance and &amp;quot;follows what follows.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Akásirah,&amp;quot; explained (vol. i., 75) as the plur. of Kisrá.&#xA;&#xA; The dearest ambition of a slave is not liberty but to have a slave of his own. This was systematised by the servile rulers known in history as the Mameluke Beys and to the Egyptians as the Ghuzz. Each had his household of servile pages and squires, who looked forward to filling the master's place as knight or baron.&#xA; The well-known capital of Al-Yaman, a true Arabia Felix, a Paradise inhabited by demons in the shape of Turkish soldiery and Arab caterans. According to Moslem writers Sana'a was founded by Shem son of Noah who, wandering southward with his posterity after his father's death, and finding the site delightful, dug a well and founded the citadel, Ghamdán, which afterwards contained a Mason Carrée rivalling (or attempting to rival) the Meccan Ka'abah. The builder was Surahbíl who, says M.C. de Perceval coloured its four faces red, white, golden and green; the central quadrangle had seven stories (the planets) each forty cubits high, and the lowest was a marble hall ceiling'd with a single slab. At the four corners stood hollow lions through whose mouths the winds roared. This palatial citadel-temple was destroyed by order of Caliph Omar. The city's ancient name was Azal or Uzal whom some identify with one of the thirteen sons of Joktan (Genesis xi. 27): it took its present name from the Ethiopian conquerors (they say) who, seeing it for the first time, cried &amp;quot;Hazá Sana'ah!&amp;quot; meaning in their tongue, this is commodious, etc. I may note that the word is Kisawahili (Zanzibarian) e.g. &amp;quot;Yámbo sáná—is the state good?&amp;quot; Sana'a was the capital of the Tabábi'ah or Tobba Kings who judaized; and the Abyssinians with their Negush made it Christian while the Persians under Anushirwán converted it to Guebrism. It is now easily visited but to little purpose; excursions in the neighborhood being deadly dangerous. Moreover the Turkish garrison would probably murder a stranger who sympathised with the Arabs, and the Arabs kill one who took part with their hated and hateful conquerors. The late Mr. Shapira of Jerusalem declared that he had visited it and Jews have great advantages in such travel. But his friends doubted him.&#xA;&#xA; The Bresl. Edit. (iii. 347) prints three vile errors in four lines.&#xA;&#xA; Alcove is a corruption of the Arab. Al-Kubbah (the dome) through Span. and Port.&#xA;&#xA; Easterns as a rule sleep with head and body covered by a sheet or in cold weather a blanket. The practice is doubtless hygienic, defending the body from draughts when the pores are open; but Europeans find it hard to adopt; it seems to stop their breathing. Another excellent practice in the East, and indeed amongst barbarians and savages generally, is training children to sleep with mouths shut: in after life they never snore and in malarious lands they do not require Outram's &amp;quot;fever-guard,&amp;quot; a swathe of muslin over the mouth. Mr. Catlin thought so highly of the &amp;quot;shut mouth&amp;quot; that he made it the subject of a book.&#xA;&#xA; Arab. &amp;quot;Hanzal&amp;quot;=coloquintida, an article often mentioned by Arabs in verse and prose; the bright coloured little gourd attracts every eye by its golden glance when travelling through the brown-yellow waste of sand and clay. A favourite purgative (enough for a horse) is made by filling the inside with sour milk which is drunks after a night's soaking: it is as active as the croton-nut of the Gold Coast.&#xA;&#xA; The Bresl. Edit. iii. 354 sends him to the &amp;quot;land of Sín&amp;quot;&#xA;(China).&#xA;&#xA; Arab. &amp;quot;Yá Kisrawi!&amp;quot;=O subject of the Kisrá or Chosroë; the latter explained in vol.i.,75. &amp;quot;Fars&amp;quot; is the origin of &amp;quot;Persia&amp;quot;; and there is a hit at the prodigious lying of the modern race, whose forefathers were so famous as truth-tellers. &amp;quot;I am a Persian, but I am not lying now,&amp;quot; is a phrase familiar to every traveller.&#xA;&#xA; There is no such name: perhaps it is a clerical error&#xA;for &amp;quot;Har jáh&amp;quot;=(a man of) any place. I know an Englishman who in&#xA;Persian called himself &amp;quot;Mirza Abdullah-i-Híchmakáni&amp;quot;=Master&#xA;Abdullah of Nowhere.&#xA;&#xA; The Bresl. Edit. (loc. cit.) gives a comical description of the Prince assuming the dress of an astrologer-doctor, clapping an old book under his arm, fumbling a rosary of beads, enlarging his turband, lengthening his sleeves and blackening his eyelids with antimony. Here, however, it would be out of place. Very comical also is the way in which he pretends to cure the maniac by &amp;quot;muttering unknown words, blowing in her face, biting her ear,&amp;quot; etc.&#xA;&#xA; Arab. &amp;quot;Sar'a&amp;quot;=falling sickness. Here again we have in all its simplicity the old nursery idea of &amp;quot;possession&amp;quot; by evil spirits.&#xA;&#xA; Arab. &amp;quot;Nafahát&amp;quot;=breathings, benefits, the Heb. Neshamah opp. to Nephesh (soul) and Ruach (spirit). Healing by the breath is a popular idea throughout the East and not unknown to Western Magnetists and Mesmerists. The miraculous cures of the Messiah were, according to Moslems, mostly performed by aspiration. 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<INFO BITRATE="865000" KEY_LYRICS="8 ContributorsChewbacca Lyrics&#xA;K-K-Kato On The Track bitch&#xA;&#xA;&#xA;Diamonds on me dance like Hammer&#xA;Clique go bananas, still rep the East of Atlanta&#xA;Thots walk, never see the keys to the Phantom (skrr)&#xA;Fuck Trump I'ma take a knee during Anthem, yah&#xA;Fuck a bad drop and bounce back&#xA;One two three Mil baby count that&#xA;If I ain't a ill nigga tell me what you call that&#xA;Busy getting paper tell the bitch to call back (brrrp)&#xA;Hello, money phone&#xA;Ain't wrapped tight nigga somethin' wrong&#xA;Boujee nigga sippin' on Pérignon&#xA;Kato on the the track kill the niggas al somalian&#xA;Son of Sam, need a hunid bands, bad bitch, no xans&#xA;Dirty ass hoe stay runnin' scams&#xA;Give her dick it make the bitch do the runnin' man&#xA;Going loco in Tokyo, murder fest had to go reload&#xA;My lil bitch keep the stogies rolled&#xA;Going hard you see more results count the bread right before we go, this the year of the Scorpio&#xA;Bitch you know how the story go I want the fame and the glory hole I turn a bitch to a gory show&#xA;I'm at ya head with a torpedo (brr brr)&#xA;Nigga uh&#xA;&#xA;Fur on my back like Chewbacca (Mink)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;You are not real you imposter (Aye)&#xA;King of the jungle Mufasa (King)&#xA;Fur on my back like Chewbacca (Gucci)&#xA;King of the jungle Mufasa (God)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;&#xA;&#xA;Fur on my back like Chewbacca (Mink)&#xA;You are not real you imposter (Fake)&#xA;Never take hoes to Mi casa (Nope)&#xA;King of the jungle Mufasa (God)&#xA;I grew up without a father (Fuck em)&#xA;We did not make it to Harvard (Drop out)&#xA;Kilos of Coke on the Harbor (Bricks)&#xA;Fuck the PI die of Martyr (Die)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;Cadillac's, Chevy's, Impalas (Skrrt)&#xA;Spray Vodka straight out the bottle&#xA; my hoe look like models (Beyoncé)&#xA;I'm sorry but I feel no sorrow (None)&#xA;No fucks to gives or to borrow (No heart)&#xA;You think that these niggas got pussys (Bitches)&#xA;They gossip like bitches on Bravo (Nini)&#xA;Mr. Benton I have risen lord if you don't do with it then what you living for, losing patience kicking in the door these niggas crazy hit emballie in the porch we drink the pain away so hit the liquor store, if it ain't murder what you grip the trigger for&#xA;Kato make these niggas hit the floor, hey bitch it's murder season get a bigger mop motherfucker&#xA;&#xA;Fur on my back like Chewbacca (Mink)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;You are not real you imposter (Aye)&#xA;King of the jungle Mufasa (King)&#xA;Fur on my back like Chewbacca (Gucci)&#xA;King of the jungle Mufasa (God)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;&#xA;Fur on my back like Chewbacca (Mink)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;You are not real you imposter (Aye)&#xA;King of the jungle Mufasa (King)&#xA;Fur on my back like Chewbacca (Gucci)&#xA;King of the jungle Mufasa (God)&#xA;Live like I'm dying tomorrow (No fucks)&#xA;Live like I'm dying tomorrow (No fucks)" PRODUCER="Hospital Records Limited" COVERARTID="097/BHE3TSDJRZYJABKHYK13ARRR2XAC" KEY="11m" PLAYTIME="369" PLAYTIME_FLOAT="368.275879" IMPORT_DATE="2025/5/24" RELEASE_DATE="2018/1/1" FLAGS="8" FILESIZE="39260"></INFO>
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<INFO BITRATE="944000" KEY_LYRICS="1 ContributorSawnoff Calling Lyrics&#xA;Me and Corey go back from like Year 1&#xA;And Joseph too he always was the clear one&#xA;Novie is my big sister but she younger tho'&#xA;Me and Mikayla haven't spoken but I love her tho'&#xA;Courtney used to fall asleep by like lunch time&#xA;Charlie Archer had my back when it's crunch time, huh&#xA;Who'd have thought I would've been king of the hood now&#xA;I push three 'cause I hear Sawnoff calling&#xA;Kayne and that's too they all was calling&#xA;I reminisce but I don't at do this often&#xA;I reminisce but I don't do this often&#xA;Kylea loves the fact I blew without him&#xA;Used to look after Ky I don't know what I'd do without him&#xA;And Pablo knows I wouldn't go out on a move without him&#xA;They're like &amp;quot;fuck Cadell he keeps too many yutes around him&amp;quot;&#xA;&#xA;&#xA;Year 9 was me, Deonte and Wayland&#xA;Whole time I hear the roller came for pagans&#xA;Looking back I wish I never did none&#xA;Cousin's looking at a bird and he just rid one&#xA;Name me a nigga that I'm prang off&#xA;Lansbury in this bitch won't hesitate to bang off&#xA;Think you're the man 'cause you know the man (man, man)&#xA;But I'm the man you got the link for the man off (for the man off)&#xA;I'm out here and Tanch is fucking the can up&#xA;I need a reload, he needs a Rihanna&#xA;I could have ten of her, she rings me and I hang up&#xA;This life I live is too explicit for the camera&#xA;Everybody shots or they do construction&#xA;I did the road on bigger scales how can I trust 'em&#xA;These my niggas tho' and I ain't tryna cuss them&#xA;I just wanna change the ways that we're accustomed to&#xA;&#xA;Smoking a lot right now&#xA;High 'til I'm going for my re-up&#xA;Smoking a lot right&#xA;Lemme tell the truth, aight cool&#xA;&#xA;&#xA;My niggas criminal's that's their story&#xA;First time I used my ting was very gory&#xA;I'm lucky that that nigga ain't report me&#xA;I was a terror when I was a shorty&#xA;If you can't love me for who I am then don't try&#xA;Where was you when I was staring at death with both eyes&#xA;Crying to my mother she knows that I don't cry&#xA;You only touch the road when souls are made I don't like&#xA;Don't lie&#xA;I remember having Feltham calling&#xA;And now I got Thameside calling&#xA;On prison phones I don't like talking&#xA;They should do music if they like recording&#xA;Now all these girls are out here balling&#xA;I changed the game in one day I guess that it's my calling&#xA;It's either I'm getting taller, or the sky is falling&#xA;And if the money crossed the world then see how I afford it&#xA;See me in Roman or in Poplar or the island border&#xA;She might be priceless to you, but I just bought her&#xA;I did some nights in the zoo so I'm writing movies&#xA;Already networking, no need to find a scorer&#xA;Still the one your favourite MC looks up to&#xA;But if they can't control you how can they love you&#xA;Videos in police cars that's a fuck move&#xA;Lying in all of your lyrics that's a fuck move too&#xA;&#xA;Smoking a lot right now&#xA;High 'til I'm going for my re-up&#xA;Smoking a lot right now" PRODUCER="Hospital Records Limited" COVERARTID="035/DJZYSODVWR4C1AH150FMDJKYWLHA" KEY="7m" PLAYTIME="292" PLAYTIME_FLOAT="291.379333" IMPORT_DATE="2025/5/24" RELEASE_DATE="2019/1/1" FLAGS="8" FILESIZE="34593"></INFO>
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<INFO BITRATE="977000" KEY_LYRICS="1 ContributorIntro Lyrics&#xA;Kings! Of! The Rollers! Time again!&#xA;Kings! Of! The Rollers! Come on!&#xA;Kings! Of! The Rollers! Yes!&#xA;Kings! Of! The Rollers! You all remember!&#xA;Kings! Of! The Rollers! Time again!&#xA;Kings! Of! The Rollers! Come on!&#xA;Kings! Of! The Rollers! Yes!&#xA;Kings! Of! The Rollers!&#xA;Kings! Of! The Rollers! Time again!&#xA;Kings! Of! The Rollers! Come on!&#xA;Kings! Of! The Rollers!" PRODUCER="Hospital Records Limited" COVERARTID="035/DJZYSODVWR4C1AH150FMDJKYWLHA" KEY="4m" PLAYTIME="312" PLAYTIME_FLOAT="311.657166" IMPORT_DATE="2025/5/24" RELEASE_DATE="2019/1/1" FLAGS="8" FILESIZE="38161"></INFO>
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<INFO BITRATE="919000" KEY_LYRICS="10 ContributorsMark 15 LyricsMark 15:1: And straightway in the morning the chief priests held a consultation with the elders and scribes and the whole council, and bound Jesus, and carried him away, and delivered him to Pilate.&#xA;&#xA;Mark 15:2: And Pilate asked him, Art thou the King of the Jews? And he answering said unto him, Thou sayest it.&#xA;&#xA;Mark 15:3: And the chief priests accused him of many things: but he answered nothing.&#xA;&#xA;Mark 15:4: And Pilate asked him again, saying, Answerest thou nothing? behold how many things they witness against thee.&#xA;&#xA;Mark 15:5: But Jesus yet answered nothing; so that Pilate marvelled.&#xA;&#xA;Mark 15:6: Now at that feast he released unto them one prisoner, whomsoever they desired.&#xA;&#xA;Mark 15:7: And there was one named Barabbas, which lay bound with them that had made insurrection with him, who had committed murder in the insurrection.&#xA;&#xA;Mark 15:8: And the multitude crying aloud began to desire him to do as he had ever done unto them.&#xA;&#xA;Mark 15:9: But Pilate answered them, saying, Will ye that I release unto you the King of the Jews?&#xA;&#xA;Mark 15:10: For he knew that the chief priests had delivered him for envy.&#xA;&#xA;Mark 15:11: But the chief priests moved the people, that he should rather release Barabbas unto them.&#xA;&#xA;Mark 15:12: And Pilate answered and said again unto them, What will ye then that I shall do unto him whom ye call the King of the Jews?&#xA;&#xA;Mark 15:13: And they cried out again, Crucify him.&#xA;Mark 15:14: Then Pilate said unto them, Why, what evil hath he done? And they cried out the more exceedingly, Crucify him.&#xA;&#xA;Mark 15:15: And so Pilate, willing to content the people, released Barabbas unto them, and delivered Jesus, when he had scourged him, to be crucified.&#xA;&#xA;Mark 15:16: And the soldiers led him away into the hall, called Praetorium; and they call together the whole band.&#xA;&#xA;Mark 15:17: And they clothed him with purple, and platted a crown of thorns, and put it about his head,&#xA;&#xA;Mark 15:18: And began to salute him, Hail, King of the Jews!&#xA;&#xA;Mark 15:19: And they smote him on the head with a reed, and did spit upon him, and bowing their knees worshipped him.&#xA;&#xA;Mark 15:20: And when they had mocked him, they took off the purple from him, and put his own clothes on him, and led him out to crucify him.&#xA;&#xA;Mark 15:21: And they compel one Simon a Cyrenian, who passed by, coming out of the country, the father of Alexander and Rufus, to bear his cross.&#xA;&#xA;Mark 15:22: And they bring him unto the place Golgotha, which is, being interpreted, The place of a skull.&#xA;&#xA;Mark 15:23: And they gave him to drink wine mingled with myrrh: but he received it not.&#xA;&#xA;Mark 15:24: And when they had crucified him, they parted his garments, casting lots upon them, what every man should take.&#xA;&#xA;Mark 15:25: And it was the third hour, and they crucified him.&#xA;&#xA;Mark 15:26: And the superscription of his accusation was written over, THE KING OF THE JEWS.&#xA;Mark 15:27: And with him they crucify two thieves; the one on his right hand, and the other on his left.&#xA;&#xA;Mark 15:28: And the scripture was fulfilled, which saith, And he was numbered with the transgressors.&#xA;&#xA;Mark 15:29: And they that passed by railed on him, wagging their heads, and saying, Ah, thou that destroyest the temple, and buildest it in three days,&#xA;&#xA;Mark 15:30: Save thyself, and come down from the cross.&#xA;&#xA;Mark 15:31: Likewise also the chief priests mocking said among themselves with the scribes, He saved others; himself he cannot save.&#xA;&#xA;Mark 15:32: Let Christ the King of Israel descend now from the cross, that we may see and believe. And they that were crucified with him reviled him.&#xA;&#xA;Mark 15:33: And when the sixth hour was come, there was darkness over the whole land until the ninth hour.&#xA;&#xA;Mark 15:34: And at the ninth hour Jesus cried with a loud voice, saying, Eloi, Eloi, lama sabachthani? which is, being interpreted, My God, my God, why hast thou forsaken me?&#xA;&#xA;Mark 15:35: And some of them that stood by, when they heard it, said, Behold, he calleth Elias.&#xA;&#xA;Mark 15:36: And one ran and filled a spunge full of vinegar, and put it on a reed, and gave him to drink, saying, Let alone; let us see whether Elias will come to take him down.&#xA;&#xA;Mark 15:37: And Jesus cried with a loud voice, and gave up the ghost.&#xA;&#xA;Mark 15:38: And the veil of the temple was rent in twain from the top to the bottom.&#xA;&#xA;Mark 15:39: And when the centurion, which stood over against him, saw that he so cried out, and gave up the ghost, he said, Truly this man was the Son of God.&#xA;Mark 15:40: There were also women looking on afar off: among whom was Mary Magdalene, and Mary the mother of James the less and of Joses, and Salome;&#xA;&#xA;Mark 15:41: (Who also, when he was in Galilee, followed him, and ministered unto him;) and many other women which came up with him unto Jerusalem.&#xA;&#xA;Mark 15:42: And now when the even was come, because it was the preparation, that is, the day before the sabbath,&#xA;&#xA;Mark 15:43: Joseph of Arimathaea, and honourable counseller, which also waited for the kingdom of God, came, and went in boldly unto Pilate, and craved the body of Jesus.&#xA;&#xA;Mark 15:44: And Pilate marvelled if he were already dead: and calling unto him the centurion, he asked him whether he had been any while dead.&#xA;&#xA;Mark 15:45: And when he knew it of the centurion, he gave the body to Joseph.&#xA;&#xA;Mark 15:46: And he bought fine linen, and took him down, and wrapped him in the linen, and laid him in a sepulchre which was hewn out of a rock, and rolled a stone unto the door of the sepulchre.&#xA;&#xA;Mark 15:47: And Mary Magdalene and Mary the mother of Joses beheld where he was laid." 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<INFO BITRATE="1022842" KEY_LYRICS="1 ContributorLeviathan (Chap 4.1) LyricsOf Spiritual Darkness from Misinterpretation of Scripture&#xA;&#xA;Besides these sovereign powers, divine and human, of which I have hitherto discoursed, there is mention in Scripture of another power, namely, that of &amp;quot;the rulers of the darkness of this world,&amp;quot;406 &amp;quot;the kingdom of Satan,&amp;quot;407 and &amp;quot;the principality of Beelzebub over demons,&amp;quot;408 that is to say, over phantasms that appear in the air: for which cause Satan is also called &amp;quot;the prince of the power of the air&amp;quot;;409 and, because he ruleth in the darkness of this world, &amp;quot;the prince of this world&amp;quot;:410 and in consequence hereunto, they who are under his dominion, in opposition to the faithful, who are the &amp;quot;children of the light,&amp;quot; are called the &amp;quot;children of darkness.&amp;quot; For seeing Beelzebub is prince of phantasms, inhabitants of his dominion of air and darkness, the children of darkness, and these demons, phantasms, or spirits of illusion, signify allegorically the same thing. This considered, the kingdom of darkness, as it is set forth in these and other places of the Scripture, is nothing else but a confederacy of deceivers that, to obtain dominion over men in this present world, endeavour, by dark and erroneous doctrines, to extinguish in them the light, both of nature and of the gospel; and so to disprepare them for the kingdom of God to come.&#xA;&#xA;406 Ephesians, 6. 12&#xA;&#xA;407 Matthew, 12. 26&#xA;&#xA;408 Ibid., 9. 34&#xA;&#xA;409 Ephesians, 2. 2&#xA;&#xA;410 John, 16. 11&#xA;&#xA;As men that are utterly deprived from their nativity of the light of the bodily eye have no idea at all of any such light; and no man conceives in his imagination any greater light than he hath at some time or other perceived by his outward senses: so also is it of the light of the gospel, and of the light of the understanding, that no man can conceive there is any greater degree of it than that which he hath already attained unto. And from hence it comes to pass that men have no other means to acknowledge their own darkness but only by reasoning from the unforeseen mischances that befall them in their ways. The darkest part of the kingdom of Satan is that which is without the Church of God; that is to say, amongst them that believe not in Jesus Christ. But we cannot say that therefore the Church enjoyeth, as the land of Goshen, all the light which to the performance of the work enjoined us by God is necessary. Whence comes it that in Christendom there has been, almost from the time of the Apostles, such jostling of one another out of their places, both by foreign and civil war; such stumbling at every little asperity of their own fortune, and every little eminence of that of other men; and such diversity of ways in running to the same mark, felicity, if it be not night amongst us, or at least a mist? We are therefore yet in the dark.&#xA;&#xA;The enemy has been here in the night of our natural ignorance, and sown the tares of spiritual errors; and that, first, by abusing and putting out the light of the Scriptures: for we err, not knowing the Scriptures. Secondly, by introducing the demonology of the heathen poets, that is to say, their fabulous doctrine concerning demons, which are but idols, or phantasms of the brain, without any real nature of their own, distinct from human fancy; such as are dead men's ghosts, and fairies, and other matter of old wives' tales. Thirdly, by mixing with the Scripture diverse relics of the religion, and much of the vain and erroneous philosophy of the Greeks, especially of Aristotle. Fourthly, by mingling with both these, false or uncertain traditions, and feigned or uncertain history. And so we come to err, by giving heed to seducing spirits, and the demonology of such as speak lies in hypocrisy, or, as it is in the original, &amp;quot;of those that play the part of liars,&amp;quot;411 with a seared conscience, that is, contrary to their own knowledge. Concerning the first of these, which is the seducing of men by abuse of Scripture, I intend to speak briefly in this chapter.&#xA;&#xA;411 I Timothy, 4. 1, 2&#xA;&#xA;The greatest and main abuse of Scripture, and to which almost all the rest are either consequent or subservient, is the wresting of it to prove that the kingdom of God, mentioned so often in the Scripture, is the present Church, or multitude of Christian men now living, or that, being dead, are to rise again at the last day: whereas the kingdom of God was first instituted by the ministry of Moses, over the Jews only; who were therefore called his peculiar people; and ceased afterward, in the election of Saul, when they refused to be governed by God any more, and demanded a king after the manner of the nations; which God Himself consented unto, as I have more at large proved before, in the thirty-fifth Chapter. After that time, there was no other kingdom of God in the world, by any pact or otherwise, than He ever was, is, and shall be king of all men and of all creatures, as governing according to His will, by His infinite power. Nevertheless, He promised by His prophets to restore this His government to them again, when the time He hath in His secret counsel appointed for it shall be fully come, and when they shall turn unto Him by repentance and amendment of life. And not only so, but He invited also the Gentiles to come in, and enjoy the happiness of His reign, on the same conditions of conversion and repentance. And He promised also to send His Son into the world, to expiate the sins of them all by his death, and to prepare them by his doctrine to receive him at his second coming: which second coming not yet being, the kingdom of God is not yet come, and we are not now under any other kings by pact but our civil sovereigns; saving only that Christian men are already in the kingdom of grace, inasmuch as they have already the promise of being received at his coming again.&#xA;&#xA;Consequent to this error, that the present Church is Christ's kingdom, there ought to be some one man, or assembly, by whose mouth our Saviour, now in heaven, speaketh, giveth law, and which representeth his person to all Christians; or diverse men, or diverse assemblies that do the same to diverse parts of Christendom. This power regal under Christ being challenged universally by the Pope, and in particular Commonwealths by assemblies of the pastors of the place (when the Scripture gives it to none but to civil sovereigns), comes to be so passionately disputed that it putteth out the light of nature, and causeth so great a darkness in men's understanding that they see not who it is to whom they have engaged their obedience.&#xA;&#xA;Consequent to this claim of the Pope to vicar general of Christ in the present Church (supposed to be that kingdom of his to which we are addressed in the gospel) is the doctrine that it is necessary for a Christian king to receive his crown by a bishop; as if it were from that ceremony that he derives the clause of Dei gratia in his title; and that then only is he made king by the favour of God when he is crowned by the authority of God's universal vicegerent on earth; and that every bishop, whosoever be his sovereign, taketh at his consecration an oath of absolute obedience to the Pope. Consequent to the same is the doctrine of the fourth Council of Lateran, held under Pope Innocent the Third (Chapter 3, De Haereticis), &amp;quot;That if a king, at the pope's admonition, do not purge his kingdom of heresies, and being excommunicate for the same, do not give satisfaction within a year, his subjects are absolved of the bond of their obedience.&amp;quot; Whereby heresies are understood all opinions which the Church of Rome hath forbidden to be maintained. And by this means, as often as there is any repugnancy between the political designs of the Pope and other Christian princes, as there is very often, there ariseth such a mist amongst their subjects, that they know not a stranger that thrusteth himself into the throne of their lawful prince, from him whom they had themselves placed there; and, in this darkness of mind, are made to fight one against another, without discerning their enemies from their friends, under the conduct of another man's ambition.&#xA;From the same opinion, that the present Church is the kingdom of God, it proceeds that pastors, deacons, and all other ministers of the Church take the name to themselves of the clergy; giving to other Christians the name of laity, that is, simply people. For clergy signifies those whose maintenance is that revenue which God, having reserved to Himself during His reign over the Israelites, assigned to the tribe of Levi (who were to be His public ministers, and had no portion of land set them out to live on, as their brethren) to be their inheritance. The Pope therefore (pretending the present Church to be, as the realms of Israel, the kingdom of God), challenging to himself and his subordinate ministers the like revenue as the inheritance of God, the name of clergy was suitable to that claim. And thence it is that tithes and other tributes paid to the Levites as God's right, amongst the Israelites, have a long time been demanded and taken of Christians by ecclesiastics, jure divino, that is, in God's right. By which means, the people everywhere were obliged to a double tribute; one to the state, another to the clergy; whereof that to the clergy, being the tenth of their revenue, is double to that which a king of Athens (and esteemed a tyrant) exacted of his subjects for the defraying of all public charges: for he demanded no more but the twentieth part, and yet abundantly maintained therewith the Commonwealth. And in the kingdom of the Jews, during the sacerdotal reign of God, the tithes and offerings were the whole public revenue.&#xA;&#xA;From the same mistaking of the present Church for the kingdom of God came in the distinction between the civil and the canon laws: the civil law being the acts of sovereigns in their own dominions, and the canon law being the acts of the Pope in the same dominions. Which canons, though they were but canons, that is, rules propounded, and but voluntarily received by Christian princes, till the translation of the Empire to Charlemagne; yet afterwards, as the power of the Pope increased, became rules commanded, and the emperors themselves, to avoid greater mischiefs, which the people blinded might be led into, were forced to let them pass for laws.&#xA;&#xA;From hence it is that in all dominions where the Pope's ecclesiastical power is entirely received, Jews, Turks, and Gentiles are in the Roman Church tolerated in their religion as far forth as in the exercise and profession thereof they offend not against the civil power: whereas in a Christian, though a stranger, not to be of the Roman religion is capital, because the Pope pretendeth that all Christians are his subjects. For otherwise it were as much against the law of nations to persecute a Christian stranger for professing the religion of his own country, as an infidel; or rather more, inasmuch as they that are not against Christ are with him.&#xA;&#xA;From the same it is that in every Christian state there are certain men that are exempt, by ecclesiastical liberty, from the tributes and from the tribunals of the civil state; for so are the secular clergy, besides monks and friars, which in many places bear so great a proportion to the common people as, if need were, there might be raised out of them alone an army sufficient for any war the Church militant should employ them in against their own or other princes.&#xA;&#xA;A second general abuse of Scripture is the turning of consecration into conjuration, or enchantment. To consecrate is, in Scripture, to offer, give, or dedicate, in pious and decent language and gesture, a man or any other thing to God, by separating of it from common use; that is to say, to sanctify, or make it God's, and to be used only by those whom God hath appointed to be His public ministers (as I have already proved at large in the thirty-fifth Chapter), and thereby to change, not the thing consecrated, but only the use of it, from being profane and common, to be holy, and peculiar to God's service. But when by such words the nature or quality of the thing itself is pretended to be changed, it is not consecration, but either an extraordinary work of God, or a vain and impious conjuration. But seeing, for the frequency of pretending the change of nature in their consecrations, it cannot be esteemed a work extraordinary, it is no other than a conjuration or incantation, whereby they would have men to believe an alteration of nature that is not, contrary to the testimony of man's sight and of all the rest of his senses. As for example, when the priest, instead of consecrating bread and wine to God's peculiar service in the sacrament of the Lord's Supper (which is but a separation of it from the common use to signify, that is, to put men in mind of, their redemption by the Passion of Christ, whose body was broken and blood shed upon the cross for our transgressions), pretends that by saying of the words of our Saviour, &amp;quot;This is my body,&amp;quot; and &amp;quot;This is my blood,&amp;quot; the nature of bread is no more there, but his very body; notwithstanding there appeareth not to the sight or other sense of the receiver anything that appeared not before the consecration. The Egyptian conjurers, that are said to have turned their rods to serpents, and the water into blood, are thought but to have deluded the senses of the spectators by a false show of things, yet are esteemed enchanters. But what should we have thought of them if there had appeared in their rods nothing like a serpent, and in the water enchanted nothing like blood, nor like anything else but water, but that they had faced down the king, that they were serpents that looked like rods, and that it was blood that seemed water? That had been both enchantment and lying. And yet in this daily act of the priest, they do the very same, by turning the holy words into the manner of a charm, which produceth nothing new to the sense; but they face us down, that it hath turned the bread into a man; nay, more, into a God; and require men to worship it as if it were our Saviour himself present, God and Man, and thereby to commit most gross idolatry. For if it be enough to excuse it of idolatry to say it is no more bread, but God; why should not the same excuse serve the Egyptians, in case they had the faces to say the leeks and onions they worshipped were not very leeks and onions, but a divinity under their species or likeness? The words, &amp;quot;This is my body,&amp;quot; are equivalent to these, &amp;quot;This signifies, or represents, my body&amp;quot;; and it is an ordinary figure of speech: but to take it literally is an abuse; nor, though so taken, can it extend any further than to the bread which Christ himself with his own hands consecrated. For he never said that of what bread soever any priest whatsoever should say, &amp;quot;This is my body,&amp;quot; or &amp;quot;This is Christ's body,&amp;quot; the same should presently be transubstantiated. Nor did the Church of Rome ever establish this transubstantiation, till the time of Innocent the Third; which was not above five hundred years ago, when the power of Popes was at the highest, and the darkness of the time grown so great, as men discerned not the bread that was given them to eat, especially when it was stamped with the figure of Christ upon the cross, as if they would have men believe it were transubstantiated, not only into the body of Christ, but also into the wood of his cross, and that they did eat both together in the sacrament.&#xA;&#xA;The like incantation, instead of consecration, is used also in the sacrament of baptism: where the abuse of God's name in each several person, and in the whole Trinity, with the sign of the cross at each name, maketh up the charm. As first, when they make the holy water, the priest saith, &amp;quot;I conjure thee, thou creature of water, in the name of God the Father Almighty, and in the name of Jesus Christ His only Son our Lord, and in virtue of the Holy Ghost, that thou become conjured water, to drive away all the powers of the enemy, and to eradicate, and supplant the enemy,&amp;quot; etc. And the same in the benediction of the salt to be mingled with it, &amp;quot;That thou become conjured salt, that all phantasms and knavery of the Devil's fraud may fly and depart from the place wherein thou art sprinkled; and every unclean spirit be conjured by him that shall come to judge the quick and the dead.&amp;quot; The same in the benediction of the oil, &amp;quot;That all the power of the enemy, all the host of the Devil, all assaults and phantasms of Satan, may be driven away by this creature of oil.&amp;quot; And for the infant that is to be baptized, he is subject to many charms: first, at the church door the priest blows thrice in the child's face, and says, &amp;quot;Go out of him, unclean spirit, and give place to the Holy Ghost the Comforter.&amp;quot; As if all children, till blown on by the priest, were demoniacs. Again, before his entrance into the church, he saith as before, &amp;quot;I conjure thee, etc., to go out, and depart from this servant of God&amp;quot;; and again the same exorcism is repeated once more before he be baptized. These and some other incantations are those that are used instead of benedictions and consecrations in administration of the sacraments of baptism and the Lord's Supper; wherein everything that serveth to those holy uses, except the unhallowed spittle of the priest, hath some set form of exorcism.&#xA;Nor are the other rites, as of marriage, of extreme unction, of visitation of the sick, of consecrating churches, and churchyards, and the like, exempt from charms; inasmuch as there is in them the use of enchanted oil and water, with the abuse of the cross, and of the holy word of David, asperges me Domine hyssopo, as things of efficacy to drive away phantasms and imaginary spirits.&#xA;&#xA;Another general error is from the misinterpretation of the words eternal life, everlasting death, and the second death. For though we read plainly in Holy Scripture that God created Adam in an estate of living for ever, which was conditional, that is to say, if he disobeyed not His commandment; which was not essential to human nature, but consequent to the virtue of the tree of life, whereof he had liberty to eat, as long as he had not sinned; and that he was thrust out of Paradise after he had sinned, lest he should eat thereof, and live for ever; and that Christ's Passion is a discharge of sin to all that believe on Him, and by consequence, a restitution of eternal life to all the faithful, and to them only: yet the doctrine is now and hath been a long time far otherwise; namely, that every man hath eternity of life by nature, inasmuch as his soul is immortal. So that the flaming sword at the entrance of Paradise, though it hinder a man from coming to the tree of life, hinders him not from the immortality which God took from him for his sin, nor makes him to need the sacrificing of Christ for the recovering of the same; and consequently, not only the faithful and righteous, but also the wicked and the heathen, shall enjoy eternal life, without any death at all, much less a second and everlasting death. To salve this, it is said that by second and everlasting death is meant a second and everlasting life, but in torments; a figure never used but in this very case.&#xA;&#xA;All which doctrine is founded only on some of the obscurer places of the New Testament; which nevertheless, the whole scope of the Scripture considered, are clear enough in a different sense, and unnecessary to the Christian faith. For supposing that when a man dies, there remaineth nothing of him but his carcass; cannot God, that raised inanimated dust and clay into a living creature by His word, as easily raise a dead carcass to life again, and continue him alive for ever, or make him die again by another word? The soul, in Scripture, signifieth always either the life or the living creature; and the body and soul jointly, the body alive. In the fifth day of the Creation, God said, Let the waters produce reptile animae viventis, the creeping thing that hath in it a living soul; the English translate it, &amp;quot;that hath life.&amp;quot; And again, God created whales, et omnem animam viventem; which in the English is, &amp;quot;every living creature.&amp;quot; And likewise of man, God made him of the dust of the earth, and breathed in his face the breath of life, et factus est homo in animam viventem, that is, &amp;quot;and man was made a living creature.&amp;quot; And after Noah came out of the ark, God saith, He will no more smite omnem animam viventem, that is, &amp;quot;every living creature.&amp;quot; And, &amp;quot;Eat not the blood, for the blood is the soul&amp;quot;; that is, the life. From which places, if by soul were meant a substance incorporeal, with an existence separated from the body, it might as well be inferred of any other living creature, as of man. But that the souls of the faithful are not of their own nature, but by God's special grace, to remain in their bodies from the resurrection to all eternity, I have already, I think, sufficiently proved out of the Scriptures, in the thirty-eighth Chapter. And for the places of the New Testament where it is said that any man shall be cast body and soul into hell fire, it is no more than body and life; that is to say, they shall be cast alive into the perpetual fire of Gehenna.&#xA;&#xA;This window it is that gives entrance to the dark doctrine, first, of eternal torments, and afterwards of purgatory, and consequently of the walking abroad, especially in places consecrated, solitary, or dark, of the ghosts of men deceased; and thereby to the pretences of exorcism and conjuration of phantasms, as also of invocation of men dead; and to the doctrine of indulgences; that is to say, of exemption for a time, or for ever, from the fire of purgatory, wherein these incorporeal substances are pretended by burning to be cleansed and made fit for heaven. For men being generally possessed, before the time of our Saviour, by contagion of the demonology of the Greeks, of an opinion that the souls of men were substances distinct from their bodies; and therefore that when the body was dead, the soul of every man, whether godly or wicked, must subsist somewhere by virtue of its own nature, without acknowledging therein any supernatural gift of God's; the doctors of the Church doubted a long time what was the place which they were to abide in, till they should be reunited to their bodies in the resurrection, supposing for a while, they lay under the altars: but afterward the Church of Rome found it more profitable to build for them this place of purgatory, which by some other Churches, in this later age, has been demolished.&#xA;&#xA;Let us now consider what texts of Scripture seem most to confirm these three general errors I have here touched. As for those which Cardinal Bellarmine hath alleged for the present kingdom of God administered by the Pope (than which there are none that make a better show of proof), I have already answered them; and made it evident that the kingdom of God, instituted by Moses, ended in the election of Saul: after which time the priest of his own authority never deposed any king. That which the high priest did to Athaliah was not done in his own right, but in the right of the young King Joash, her son: But Solomon in his own right deposed the high priest Abiathar, and set up another in his place. The most difficult place to answer, of all those that can be brought to prove the kingdom of God by Christ is already in this world, is alleged, not by Bellarmine, nor any other of the Church of Rome, but by Beza, that will have it to begin from the resurrection of Christ. But whether he intend thereby to entitle the presbytery to the supreme power ecclesiastical in the Commonwealth of Geneva, and consequently to every presbytery in every other Commonwealth, or to princes and other civil sovereigns, I do not know. For the presbytery hath challenged the power to excommunicate their own kings, and to be the supreme moderators in religion, in the places where they have that form of Church government, no less than the Pope challengeth it universally.&#xA;&#xA;The words are, &amp;quot;Verily I say unto you, that there be some of them that stand here, which shall not taste of death, till they have seen the kingdom of God come with power.&amp;quot;412 Which words, if taken grammatically, make it certain that either some of those men that stood by Christ at that time are yet alive, or else that the kingdom of God must be now in this present world. And then there is another place more difficult: for when the Apostles after our Saviour's resurrection, and immediately before his ascension, asked our Saviour, saying, &amp;quot;Wilt thou at this time restore again the kingdom to Israel?&amp;quot; he answered them, &amp;quot;It is not for you to know the times and the seasons, which the Father hath put in His own power; but ye shall receive power by the coming of the Holy Ghost upon you, and ye shall be my witnesses both in Jerusalem, and in all Judaea, and in Samaria, and unto the uttermost part of the earth&amp;quot;:413 which is as much as to say, My kingdom is not yet come, nor shall you foreknow when it shall come; for it shall come as a thief in the night; but I will send you the Holy Ghost, and by him you shall have power to bear witness to all the world, by your preaching of my resurrection, and the works I have done, and the doctrine I have taught, that they may believe in me, and expect eternal life, at my coming again. How does this agree with the coming of Christ's kingdom at the resurrection? And that which St. Paul says, &amp;quot;That they turned from idols, to serve the living and true God, and to wait for His Son from heaven&amp;quot;;414 where &amp;quot;to wait for His Son from heaven&amp;quot; is to wait for his coming to be king in power; which were not necessary if his kingdom had been then present. Again, if the kingdom of God began, as Beza on that place415 would have it, at the resurrection; what reason is there for Christians ever since the resurrection to say in their prayers, &amp;quot;Let thy kingdom come&amp;quot;? It is therefore manifest that the words of St. Mark are not so to be interpreted. There be some of them that stand here, saith our Saviour, that shall not taste of death till they have seen the kingdom of God come in power. If then this kingdom were to come at the resurrection of Christ, why is it said, some of them, rather than all? For they all lived till after Christ was risen.&#xA;&#xA;412 Mark, 9. 1&#xA;&#xA;413 Acts, 1. 6&#xA;414 I Thessalonians, 1. 9, 10&#xA;&#xA;415 Mark, 9. 1&#xA;&#xA;But they that require an exact interpretation of this text, let them interpret first the like words of our Saviour to St. Peter concerning St. John, &amp;quot;If I will that he tarry till I come, what is that to thee?&amp;quot;416 upon which was grounded a report that he should not die. Nevertheless the truth of that report was neither confirmed, as well grounded; nor refuted, as ill grounded on those words; but left as a saying not understood. The same difficulty is also in the place of St. Mark. And if it be lawful to conjecture at their meaning, by that which immediately follows, both here and in St. Luke, where the same is again repeated, it is not improbable to say they have relation to the Transfiguration, which is described in the verses immediately following, where it is said that &amp;quot;After six days Jesus taketh with him Peter, and James, and John&amp;quot; (not all, but some of his Disciples), &amp;quot;and leadeth them up into an high mountain apart by themselves, and was transfigured before them. And his raiment became shining, exceeding white as snow; so as no fuller on earth can white them. And there appeared unto them Elias with Moses, and they were talking with Jesus,&amp;quot; etc. So that they saw Christ in glory and majesty, as he is to come; insomuch as &amp;quot;they were sore afraid.&amp;quot; And thus the promise of our Saviour was accomplished by way of vision. For it was a vision, as may probably be inferred out of St. Luke, that reciteth the same story, and saith that Peter and they that were with him were heavy with sleep:417 but most certainly out of Matthew 17. 9 where the same is again related; for our Saviour charged them, saying, &amp;quot;Tell no man the vision until the Son of Man be risen from the dead.&amp;quot; Howsoever it be, yet there can from thence be taken no argument to prove that the kingdom of God taketh beginning till the day of judgement.&#xA;&#xA;416 John, 21. 22&#xA;&#xA;417 Luke, 9. 28&#xA;&#xA;As for some other texts to prove the Pope's power over civil sovereigns (besides those of Bellarmine), as that the two swords that Christ and his Apostles had amongst them were the spiritual and the temporal sword, which they say St. Peter had given him by Christ; and that of the two luminaries, the greater signifies the Pope, and the lesser the king; one might as well infer out of the first verse of the Bible that by heaven is meant the Pope, and by earth the king: which is not arguing from Scripture, but a wanton insulting over princes that came in fashion after the time the popes were grown so secure of their greatness as to contemn all Christian kings; and treading on the necks of emperors, to mock both them and the Scripture, in the words of the ninety-first Psalm, &amp;quot;Thou shalt tread upon the lion and the adder; the young lion and the dragon thou shalt trample under thy feet.&amp;quot;&#xA;&#xA;As for the rites of consecration, though they depend for the most part upon the discretion and judgement of the governors of the Church, and not upon the Scriptures; yet those governors are obliged to such direction as the nature of the action itself requireth; as that the ceremonies, words, gestures be both decent and significant, or at least conformable to the action. When Moses consecrated the tabernacle, the altar, and the vessels belonging to them, he anointed them with the oil which God had commanded to be made for that purpose:418 and they were holy. There was nothing exorcized, to drive away phantasms. The same Moses (the civil sovereign of Israel), when he consecrated Aaron (the high priest) and his sons, did wash them with water (not exorcized water), put their garments upon them, and anointed them with oil; and they were sanctified, to minister unto the Lord in the priest's office, which was a simple and decent cleansing and adorning them before he presented them to God, to be His servants. When King Solomon (the civil sovereign of Israel) consecrated the temple he had built, he stood before all the congregation of Israel; and having blessed them, he gave thanks to God for putting into the heart of his father to build it, and for giving to himself the grace to accomplish the same; and then prayed unto Him, first, to accept that house, though it were not suitable to His infinite greatness, and to hear the prayers of His servants that should pray therein, or (if they were absent) towards it; and lastly, he offered a sacrifice of peace offering, and the house was dedicated.419 Here was no procession; the King stood still in his first place; no exorcized water; no Asperges me, nor other impertinent application of words spoken upon another occasion; but a decent and rational speech, and such as in making to God a present of his new-built house was most conformable to the occasion.&#xA;&#xA;418 Exodus, 40&#xA;&#xA;419 II Kings, 8&#xA;&#xA;We read not that St. John did exorcize the water of Jordan; nor Philip the water of the river wherein he baptized the eunuch; nor that any pastor in the time of the Apostles did take his spittle and put it to the nose of the person to be baptized, and say, in odorem suavitatis, that is, &amp;quot;for a sweet savour unto the Lord&amp;quot;; wherein neither the ceremony of spittle, for the uncleanness; nor the application of that Scripture, for the levity, can by any authority of man be justified.&#xA;&#xA;To prove that the soul, separated from the body, liveth eternally, not only the souls of the elect, by especial grace, and restoration of the eternal life which Adam lost by sin, and our Saviour restored by the sacrifice of himself to the faithful; but also the souls of reprobates, as a property naturally consequent to the essence of mankind, without other grace of God but that which is universally given to all mankind; there are diverse places which at the first sight seem sufficiently to serve the turn: but such as when I compare them with that which I have before (Chapter thirty-eight) alleged out of the fourteenth of Job seem to me much more subject to a diverse interpretation than the words of Job.&#xA;&#xA;And first there are the words of Solomon, &amp;quot;Then shall the dust return to dust, as it was, and the spirit shall return to God that gave it.&amp;quot;420 Which may bear well enough (if there be no other text directly against it) this interpretation, that God only knows, but man not, what becomes of a man's spirit when he expireth; and the same Solomon, in the same book, delivereth the same sentence in the sense I have given it. His words are, &amp;quot;All go to the same place; all are of the dust, and all turn to dust again; who knoweth that the spirit of man goeth upward, and that the spirit of the beast goeth downward to the earth?&amp;quot;421 That is, none knows but God; nor is it an unusual phrase to say of things we understand not, &amp;quot;God knows what,&amp;quot; and &amp;quot;God knows where.&amp;quot; That of Genesis, 5. 24, &amp;quot;Enoch walked with God, and he was not; for God took him&amp;quot;; which is expounded, Hebrews, 11. 5, &amp;quot;He was translated, that he should not die; and was not found, because God had translated him. For before his translation, he had this testimony, that he pleased God,&amp;quot; making as much for the immortality of the body as of the soul, proveth that this his translation was peculiar to them that please God; not common to them with the wicked; and depending on grace, not on nature. But on the contrary, what interpretation shall we give, besides the literal sense of the words of Solomon, &amp;quot;That which befalleth the sons of men befalleth beasts, even one thing befalleth them; as the one dieth, so doth the other; yea, they have all one breath; so that a man hath no pre-eminence above a beast, for all is vanity.&amp;quot;422 By the literal sense, here is no natural immortality of the soul; nor yet any repugnancy with the life eternal, which the elect shall enjoy by grace. And, &amp;quot;Better is he that hath not yet been than both they&amp;quot;;423 that is, than they that live or have lived; which, if the soul of all them that have lived were immortal, were a hard saying; for then to have an immortal soul were worse than to have no soul at all. And again, &amp;quot;The living know they shall die, but the dead know not anything&amp;quot;;424 that is, naturally, and before the resurrection of the body.&#xA;&#xA;420 Ecclesiastes, 12. 7&#xA;421 Ibid., 3. 20, 21&#xA;&#xA;422 Ibid., 3. 19&#xA;&#xA;423 Ibid., 4. 3&#xA;&#xA;424 Ibid., 9. 5&#xA;&#xA;Another place which seems to make for a natural immortality of the soul is that where our Saviour saith that Abraham, Isaac, and Jacob are living: but this is spoken of the promise of God, and of their certitude to rise again, not of a life then actual; and in the same sense that God said to Adam that on the day he should eat of the forbidden fruit, he should certainly die; from that time forward he was a dead man by sentence; but not by execution, till almost a thousand years after. So Abraham, Isaac, and Jacob were alive by promise, then, when Christ spoke; but are not actually till the resurrection. And the history of Dives and Lazarus make nothing against this, if we take it, as it is, for a parable.&#xA;&#xA;But there be other places of the New Testament where an immortality seemeth to be directly attributed to the to the wicked. For it is evident that they shall all rise to judgement. And it is said besides, in many places, that they shall go into &amp;quot;everlasting fire, everlasting torments, everlasting punishments; and that the worm of conscience never dieth&amp;quot;; and all this is comprehended in the word everlasting death, which is ordinarily interpreted &amp;quot;everlasting life in torments&amp;quot;: and yet I can find nowhere that any man shall live in torments everlastingly. Also, it seemeth hard to say that God, who is the Father of mercies, that doth in heaven and earth all that He will; that hath the hearts of all men in His disposing; that worketh in men both to do and to will; and without whose free gift a man hath neither inclination to good nor repentance of evil, should punish men's transgressions without any end of time, and with all the extremity of torture that men can imagine, and more. We are therefore to consider what the meaning is of everlasting fire, and other the like phrases of Scripture.&#xA;&#xA;I have shown already that the kingdom of God by Christ beginneth at the day of judgement: that in that day, the faithful shall rise again, with glorious and spiritual bodies and be his subjects in that his kingdom, which shall be eternal: that they shall neither marry, nor be given in marriage, nor eat and drink, as they did in their natural bodies; but live for ever in their individual persons, without the specifical eternity of generation: and that the reprobates also shall rise again, to receive punishments for their sins: as also that those of the elect, which shall be alive in their earthly bodies at that day, shall have their bodies suddenly changed, and made spiritual and immortal. But that the bodies of the reprobate, who make the kingdom of Satan, shall also be glorious or spiritual bodies, or that they shall be as the angels of God, neither eating, nor drinking, nor engendering; or that their life shall be eternal in their individual persons, as the life of every faithful man is, or as the life of Adam had been if he had not sinned, there is no place of Scripture to prove it; save only these places concerning eternal torments, which may otherwise be interpreted.&#xA;&#xA;From whence may be inferred that, as the elect after the resurrection shall be restored to the estate wherein Adam was before he had sinned; so the reprobate shall be in the estate that Adam and his posterity were in after the sin committed; saving that God promised a redeemer to Adam, and such of his seed as should trust in him and repent, but not to them that should die in their sins, as do the reprobate.&#xA;&#xA;These things considered, the texts that mention &amp;quot;eternal fire,&amp;quot; &amp;quot;eternal torments,&amp;quot; or &amp;quot;the worm that never dieth,&amp;quot; contradict not the doctrine of a second and everlasting death, in the proper and natural sense of the word death. The fire or torments prepared for the wicked in Gehenna, Tophet, or in what place soever, may continue forever; and there may never want wicked men to be tormented in them, though not every nor any one eternally. For the wicked, being left in the estate they were in after Adam's sin, may at the resurrection live as they did, marry, and give in marriage, and have gross and corruptible bodies, as all mankind now have; and consequently may engender perpetually, after the resurrection, as they did before: for there is no place of Scripture to the contrary. For St. Paul, speaking of the resurrection, understandeth it only of the resurrection to life eternal, and not the resurrection to punishment.425 And of the first, he saith that the body is &amp;quot;sown in corruption, raised in incorruption; sown in dishonour, raised in honour; sown in weakness, raised in power; sown a natural body, raised a spiritual body.&amp;quot; There is no such thing can be said of the bodies of them that rise to punishment. So also our Saviour, when he speaketh of the nature of man after the resurrection, meaneth the resurrection to life eternal, not to punishment. The text is Luke, 20, verses 34, 35, 36, a fertile text: &amp;quot;The children of this world marry, and are given in marriage; but they that shall be counted worthy to obtain that world, and the resurrection from the dead, neither marry, nor are given in marriage: neither can they die any more; for they are equal to the angels, and are the children of God, being the children of the resurrection.&amp;quot; The children of this world, that are in the estate which Adam left them in, shall marry and be given in marriage; that is, corrupt and generate successively; which is an immortality of the kind, but not of the persons of men: they are not worthy to be counted amongst them that shall obtain the next world, an absolute resurrection from the dead; but only a short time, as inmates of that world; and to the end only to receive condign punishment for their contumacy. The elect are the only children of the resurrection; that is to say, the sole heirs of eternal life: they only can die no more. It is they that are equal to the angels, and that are the children of God, and not the reprobate. To the reprobate there remaineth after the resurrection a second and eternal death, between which resurrection and their second and eternal death is but a time of punishment and torment, and to last by succession of sinners thereunto as long as the kind of man by propagation shall endure, which is eternally.&#xA;&#xA;425 I Corinthians, 15&#xA;&#xA;Upon this doctrine of the natural eternity of separated souls is founded, as I said, the doctrine of purgatory. For supposing eternal life by grace only, there is no life but the life of the body; and no immortality till the resurrection. The texts for purgatory alleged by Bellarmine out of the canonical Scripture of the Old Testament are, first, the fasting of David for Saul and Jonathan, mentioned II Samuel, 1. 12, and again, II Samuel, 3. 35, for the death of Abner. This fasting of David, he saith, was for the obtaining of something for them at God's hands, after their death: because after he had fasted to procure the recovery of his own child, as soon as he knew it was dead, he called for meat. Seeing then the soul hath an existence separate from the body, and nothing can be obtained by men's fasting for the souls that are already either in heaven or hell, it followeth that there be some souls of dead men that are neither in heaven nor in hell; and therefore they must be in some third place, which must be purgatory. And thus with hard straining, he has wrested those places to the proof of a purgatory: whereas it is manifest that the ceremonies of mourning and fasting, when they are used for the death of men whose life was not profitable to the mourners, they are used for honour's sake to their persons; and when it is done for the death of them by whose life the mourners had benefit, it proceeds from their particular damage: and so David honoured Saul and Abner with his fasting; and, in the death of his own child, recomforted himself by receiving his ordinary food.&#xA;&#xA;In the other places which he allegeth out of the Old Testament, there is not so much as any show or colour of proof. He brings in every text wherein there is the word anger, or fire, or burning, or purging, or cleansing, in case any of the fathers have but in a sermon rhetorically applied it to the doctrine of purgatory, already believed. The first verse of Psalm 37, &amp;quot;O Lord, rebuke me not in thy wrath, nor chasten me in thy hot displeasure&amp;quot;: what were this to purgatory, if Augustine had not applied the wrath to the fire of hell, and the displeasure to that of purgatory? And what is it to purgatory, that of Psalm, 66. 12 &amp;quot;We went through fire and water, and thou broughtest us to a moist place&amp;quot;; and other the like texts, with which the doctors of those times intended to adorn or extend their sermons or commentaries, haled to their purposes by force of wit?&#xA;&#xA;But he allegeth other places of the New Testament that are not so easy to be answered. And first that of Matthew, 12. 32, &amp;quot;Whosoever speaketh a word against the Son of Man, it shall be forgiven him; but whosoever speaketh against the Holy Ghost, it shall not be forgiven him neither in this world, nor in the world to come&amp;quot;; where he will have purgatory to be the world to come, wherein some sins may be forgiven which in this world were not forgiven: notwithstanding that it is manifest there are but three worlds; one from the creation to the flood, which was destroyed by water, and is called in Scripture &amp;quot;the old world&amp;quot;; another from the flood to the day of judgement, which is &amp;quot;the present world, and shall be destroyed by fire; and the third, which shall be from the day of judgement forward, everlasting, which is called &amp;quot;the world to come&amp;quot;; and in which it agreed by all there shall be no purgatory: and therefore the world to come, and purgatory, are inconsistent. But what then can be the meaning of those our Saviour's words? I confess they are very hardly to be reconciled with all the doctrines now unanimously received: nor is it any shame to confess the profoundness of the Scripture to be too great to be sounded by the shortness of human understanding. Nevertheless, I may propound such things to the consideration of more learned divines, as the text itself suggesteth. And first, seeing to speak against the Holy Ghost, as being the third person of the Trinity, is to speak against the Church, in which the Holy Ghost resideth; it seemeth the comparison is made between the easiness of our Saviour in bearing with offences done to him while he himself taught the world, that is, when he was on earth, and the severity of the pastors after him, against those which should deny their authority, which was from the Holy Ghost. As if he should say, you that deny my power; nay, you that shall crucify me, shall be pardoned by me, as often as you turn unto me by repentance: but if you deny the power of them that teach you hereafter, by virtue of the Holy Ghost, they shall be inexorable, and shall not forgive you, but persecute you in this world, and leave you without absolution (though you turn to me, unless you turn also to them), to the punishments, as much as lies in them, of the world to come. And so the words may be taken as a prophecy or prediction concerning the times, as they have long been in the Christian Church: or if this be not the meaning (for I am not peremptory in such difficult places), perhaps there may be place left after the resurrection for the repentance of some sinners. And there is also another place that seemeth to agree therewith. For considering the words of St. Paul, &amp;quot;What shall they do which are baptized for the dead, if the dead rise not at all? Why also are they baptized for the dead?&amp;quot;426 a man may probably infer, as some have done, that in St. Paul's time there was a custom, by receiving baptism for the dead, (as men that now believe are sureties and undertakers for the faith of infants that are not capable of believing) to undertake for the persons of their deceased friends, that they should be ready to obey and receive our Saviour for their king at his coming again; and then the forgiveness of sins in the world to come has no need of a purgatory. But in both these interpretations, there is so much of paradox that I trust not to them, but propound them to those that are thoroughly versed in the Scripture, to inquire if there be no clearer place that contradicts them. Only of thus much, I see evident Scripture to persuade me that there is neither the word nor the thing of purgatory, neither in this nor any other text; nor anything that can prove a necessity of a place for the soul without the body; neither for the soul of Lazarus during the four days he was dead; nor for the souls of them which the Roman Church pretend to be tormented now in purgatory. For God, that could give a life to a piece of clay, hath the same power to give life again to a dead man, and renew his inanimate and rotten carcass into a glorious, spiritual, and immortal body.&#xA;&#xA;426 I Corinthians, 15. 29&#xA;&#xA;Another place is that of I Corinthians, 3, where it is said that they which build stubble, hay, etc., on the true foundation, their work shall perish; but &amp;quot;they themselves shall be saved; but as through fire&amp;quot;: this fire he will have to be the fire of purgatory. The words, as I have said before, are an allusion to those of Zechariah, 13. 9, where he saith, &amp;quot;I will bring the third part through the fire, and refine them as silver is refined, and will try them as gold is tried&amp;quot;: which is spoken of the coming of the Messiah in power and glory; that is, at the day of judgement, and conflagration of the present world; wherein the elect shall not be consumed, but be refined; that is, depose their erroneous doctrines and traditions, and have them, as it were, singed off; and shall afterwards call upon the name of the true God. In like manner, the Apostle saith of them that, holding this foundation, Jesus is the Christ, shall build thereon some other doctrines that be erroneous, that they shall not be consumed in that fire which reneweth the world, but shall pass through it to salvation; but so as to see and relinquish their former errors. The builders are the pastors; the foundation, that Jesus is the Christ; the stubble and hay, false consequences drawn from it through ignorance or frailty; the gold, silver, and precious stones are their true doctrines; and their refining or purging, the relinquishing of their errors. In all which there is no colour at all for the burning of incorporeal, that is to say, impatible souls.&#xA;&#xA;A third place is that of I Corinthians, 15. 29, before mentioned, concerning baptism for the dead: out of which he concludeth, first, that prayers for the dead are not unprofitable; and out of that, that there is a fire of purgatory: but neither of them rightly. For of many interpretations of the word baptism, he approveth this in the first place, that by baptism is meant, metaphorically, a baptism of penance; and that men are in this sense baptized when they fast, and pray, and give alms; and so baptism for the dead, and prayer for the dead, is the same thing. But this is a metaphor, of which there is no example, neither in the Scripture nor in any other use of language; and which is also discordant to the harmony and scope of the Scripture. The word baptism is used for being dipped in one's own blood, as Christ was upon the cross, and as most of the Apostles were, for giving testimony of him.427 But it is hard to say that prayer, fasting, and alms have any similitude with dipping. The same is used also, Matthew, 3. 11 (which seemeth to make somewhat for purgatory), for a purging with fire. But it is evident the fire and purging here mentioned is the same whereof the Prophet Zechariah speaketh, &amp;quot;I will bring the third part through the fire, will refine them,&amp;quot; etc.428 And St. Peter after him, &amp;quot;That the trial of your faith, which is much more precious than of gold that perisheth, though it be tried with fire, might be found unto praise, and honour, and glory at the appearing of Jesus Christ&amp;quot;;429 and St. Paul, &amp;quot;The fire shall try every man's work of what sort it is.&amp;quot;430 But St. Peter and St. Paul speak of the fire that shall be at the second appearing of Christ; and the Prophet Zechariah, of the day of judgement. And therefore this place of St. Matthew may be interpreted of the same, and then there will be no necessity of the fire of purgatory.&#xA;&#xA;427 Mark, 10. 38, and Luke, 12. 50&#xA;&#xA;428 Zechariah, 13. 9&#xA;&#xA;429 I Epistle, 1. 7&#xA;&#xA;430 I Corinthians, 3. 13&#xA;&#xA;Another interpretation of baptism for the dead is that which I have before mentioned, which he preferreth to the second place of probability: and thence also he inferreth the utility of prayer for the dead. For if after the resurrection such as have not heard of Christ, or not believed in him, may be received into Christ's kingdom, it is not in vain, after their death, that their friends should pray for them till they should be risen. But granting that God, at the prayers of the faithful, may convert unto him some of those that have not heard Christ preached, and consequently cannot have rejected Christ, and that the charity of men in that point cannot be blamed; yet this concludeth nothing for purgatory, because to rise from death to life is one thing; to rise from purgatory to life is another; as being a rising from life to life, from a life in torments to a life in joy.&#xA;&#xA;A fourth place is that of Matthew, 5. 25: &amp;quot;Agree with thine adversary quickly, whilst thou art in the way with him, lest at any time the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison. Verily I say unto thee, Thou shalt by no means come out thence, till thou hast paid the uttermost farthing.&amp;quot; In which allegory, the offender is the sinner; both the adversary and the judge is God; the way is this life; the prison is the grave; the officer, death; from which the sinner shall not rise again to life eternal, but to a second death, till he have paid the utmost farthing, or Christ pay it for him by his Passion, which is a full ransom for all manner of sin, as well lesser sins as greater crimes, both being made by the Passion of Christ equally venial.&#xA;&#xA;The fifth place is that of Matthew, 5. 22: &amp;quot;Whosoever is angry with his brother without a cause shall be guilty in judgement. And whosoever shall say to his brother, Raca, shall be guilty in the council. But whosoever shall say, Thou fool, shall be guilty to hell fire.&amp;quot; From which words he inferreth three sorts of sins, and three sorts of punishments; and that none of those sins, but the last, shall be punished with hell fire; and consequently, that after this life there is punishment of lesser sins in purgatory. Of which inference there is no colour in any interpretation that hath yet been given of them. Shall there be a distinction after this life of courts of justice, as there was amongst the Jews in our Saviour's time, to hear and determine diverse sorts of crimes, as the judges and the council? Shall not all judicature appertain to Christ and his Apostles? To understand therefore this text, we are not to consider it solitarily, but jointly with the words precedent and subsequent. Our Saviour in this chapter interpreteth the Law of Moses, which the Jews thought was then fulfilled when they had not transgressed the grammatical sense thereof, howsoever they had transgressed against the sentence or meaning of the legislator. Therefore, whereas they thought the sixth Commandment was not broken but by killing a man; nor the seventh, but when a man lay with a woman not his wife; our Saviour tells them, the inward anger of a man against his brother, if it be without just cause, is homicide. You have heard, saith he, the Law of Moses, &amp;quot;Thou shalt not kill,&amp;quot; and that &amp;quot;Whosoever shall kill shall be condemned before the judges,&amp;quot; or before the session of the Seventy: but I say unto you, to be angry with one's brother without cause, or to say unto him Raca, or Fool, is homicide, and shall be punished at the day of judgement, and session of Christ and his Apostles, with hell fire. So that those words were not used to distinguish between diverse crimes, and diverse courts of justice, and diverse punishments; but to tax the distinction between sin and sin, which the Jews drew not from the difference of the will in obeying God, but from the difference of their temporal courts of justice; and to show them that he that had the will to hurt his brother, though the effect appear but in reviling, or not at all, shall be cast into hell fire by the judges and by the session, which shall be the same, not different, courts at the day of judgement. This considered, what can be drawn from this text to maintain purgatory, I cannot imagine.&#xA;&#xA;The sixth place is Luke, 16. 9: &amp;quot;Make ye friends of the unrighteous mammon, that when ye fail, they may receive you into everlasting tabernacles.&amp;quot; This he alleges to prove invocation of saints departed. But the sense is plain, that we should make friends, with our riches, of the poor; and thereby obtain their prayers whilst they live. &amp;quot;He that giveth to the poor lendeth to the Lord.&amp;quot;&#xA;&#xA;The seventh is Luke, 23. 42: &amp;quot;Lord, remember me when thou comest into thy kingdom.&amp;quot; Therefore, saith he, there is remission of sins after this life. But the consequence is not good. Our Saviour then forgave him, and, at his coming again in glory, will remember to raise him again to life eternal.&#xA;&#xA;The eighth is Acts, 2. 24, where St. Peter saith of Christ, &amp;quot;that God had raised him up, and loosed the pains of death, because it was not possible he should be holden of it&amp;quot;: which he interprets to be a descent of Christ into purgatory, to loose some souls there from their torments: whereas it is manifest that it was Christ that was loosed. It was he that could not be holden of death or the grave, and not the souls in purgatory. But if that which Beza says in his notes on this place be well observed, there is none that will not see that instead of pains, it should be bands; and then there is no further cause to seek for purgatory in this text." PRODUCER="Hospital Records Limited" COVERARTID="035/DJZYSODVWR4C1AH150FMDJKYWLHA" KEY="7d" PLAYTIME="290" PLAYTIME_FLOAT="289.714294" IMPORT_DATE="2025/5/24" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="37364"></INFO>
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<INFO BITRATE="965000" KEY_LYRICS="2 ContributorsPassed Off Lyrics&#xA;I don't want to sound like an asshole, but you passed off the king of the fucking castle&#xA;I'mma take off, tryin' to see what you can scrape up, from the dirt&#xA;Love was never enough, to stay calm, ticking time bomb&#xA;I got what you want so try some, I'mma play dumb&#xA;Give you something you can ride on, change your life up&#xA;I'll be fucked up with the lights on&#xA;Bending over, rip through nylons, easy when the rise up,  wait for my arrival&#xA;&#xA;&#xA;Love better when you live in a nice house, I guess&#xA;Move one KOA, call it progress, let it faze me for a project&#xA;Put my heart on a beat, call it nonsense&#xA;They all tell me it will take time for the process&#xA;Four years, still pissed off conscience&#xA;I don't really say it, but I got this, barbie get mad when I pop my confidence&#xA;Wake up, said still go and do my dance&#xA;When the party in town, I'mma throw my bands&#xA;Weigh 140, still I'm going to throw my hands&#xA;Pulled up, rolled down my limo tints, then tell them get on in&#xA;Say we're going to the circus, that's a ten out of ten&#xA;Going to your man's house, throwing back my head&#xA;And laugh out it off, barbie coming out with a gun in her hands&#xA;And throwing up my hands, like shoot me please, rub my blood on your hands&#xA;She said, &amp;quot;Run if you can&amp;quot;, I run towards her, fuck with the torture&#xA;Fuck, breakup, sleep, fuck, in that order&#xA;Rip another white tee, couldn't wait for the right team&#xA;Right now, you and me, right now, right now&#xA;&#xA;I don't want to sound like an asshole, but you passed off the king of the fucking castle&#xA;I'mma take off, tryin' to see what you can scrape up, from the dirt&#xA;Love was never enough, to stay calm, ticking time bomb&#xA;I got what you want so try some, I'mma play dumb&#xA;Give you something you can ride on, change your life up&#xA;I'll be fucked up with the lights on&#xA;Bending over, rip through nylons, easy when the rise up,  wait for my arrival" PRODUCER="Hospital Records Limited" COVERARTID="035/DJZYSODVWR4C1AH150FMDJKYWLHA" KEY="9m" PLAYTIME="352" PLAYTIME_FLOAT="351.459991" IMPORT_DATE="2025/5/24" RELEASE_DATE="2019/1/1" FLAGS="8" FILESIZE="42411"></INFO>
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<INFO BITRATE="1020000" KEY_LYRICS="8 ContributorsTess of the d’Urbervilles, a Pure Woman (Chap. 1) LyricsIn this introduction to the book, a simple peasant has ackonwledge the fact that he is descedent of a royal family and that his last name is indeed the prove since it has been studied by the informer who is… Read More Phase the First: The Maiden, I-XI&#xA;&#xA;On an evening in the latter part of May a middle-aged man was walking homeward from Shaston to the village of Marlott, in the adjoining Vale of Blakemore, or Blackmoor. The pair of legs that carried him were rickety, and there was a bias in his gait which inclined him somewhat to the left of a straight line. He occasionally gave a smart nod, as if in confirmation of some opinion, though he was not thinking of anything in particular. An empty egg-basket was slung upon his arm, the nap of his hat was ruffled, a patch being quite worn away at its brim where his thumb came in taking it off. Presently he was met by an elderly parson astride on a gray mare, who, as he rode, hummed a wandering tune.&#xA;&#xA;&amp;quot;Good night t'ee,&amp;quot; said the man with the basket.&#xA;&#xA;&amp;quot;Good night, Sir John,&amp;quot; said the parson.&#xA;&#xA;The pedestrian, after another pace or two, halted, and turned round.&#xA;&#xA;&amp;quot;Now, sir, begging your pardon; we met last market-day on this road about this time, and I said 'Good night,' and you made reply 'Good night, Sir John,' as now.&amp;quot;&#xA;&#xA;&amp;quot;I did,&amp;quot; said the parson.&#xA;&#xA;&amp;quot;And once before that—near a month ago.&amp;quot;&#xA;&#xA;&amp;quot;I may have.&amp;quot;&#xA;&#xA;&amp;quot;Then what might your meaning be in calling me 'Sir John' these different times, when I be plain Jack Durbeyfield, the haggler?&amp;quot;&#xA;&#xA;The parson rode a step or two nearer.&#xA;&#xA;&amp;quot;It was only my whim,&amp;quot; he said; and, after a moment's hesitation: &amp;quot;It was on account of a discovery I made some little time ago, whilst I was hunting up pedigrees for the new county history. I am Parson Tringham, the antiquary, of Stagfoot Lane. Don't you really know, Durbeyfield, that you are the lineal representative of the ancient and knightly family of the d'Urbervilles, who derive their descent from Sir Pagan d'Urberville, that renowned knight who came from Normandy with William the Conqueror, as appears by Battle Abbey Roll?&amp;quot;&#xA;&#xA;&amp;quot;Never heard it before, sir!&amp;quot;&#xA;&amp;quot;Well it's true. Throw up your chin a moment, so that I may catch the profile of your face better. Yes, that's the d'Urberville nose and chin—a little debased. Your ancestor was one of the twelve knights who assisted the Lord of Estremavilla in Normandy in his conquest of Glamorganshire. Branches of your family held manors over all this part of England; their names appear in the Pipe Rolls in the time of King Stephen. In the reign of King John one of them was rich enough to give a manor to the Knights Hospitallers; and in Edward the Second's time your forefather Brian was summoned to Westminster to attend the great Council there. You declined a little in Oliver Cromwell's time, but to no serious extent, and in Charles the Second's reign you were made Knights of the Royal Oak for your loyalty. Aye, there have been generations of Sir Johns among you, and if knighthood were hereditary, like a baronetcy, as it practically was in old times, when men were knighted from father to son, you would be Sir John now.&amp;quot;&#xA;&#xA;&amp;quot;Ye don't say so!&amp;quot;&#xA;&#xA;&amp;quot;In short,&amp;quot; concluded the parson, decisively smacking his leg with his switch, &amp;quot;there's hardly such another family in England.&amp;quot;&#xA;&#xA;&amp;quot;Daze my eyes, and isn't there?&amp;quot; said Durbeyfield. &amp;quot;And here have I been knocking about, year after year, from pillar to post, as if I was no more than the commonest feller in the parish… And how long hev this news about me been knowed, Pa'son Tringham?&amp;quot;&#xA;&#xA;The clergyman explained that, as far as he was aware, it had quite died out of knowledge, and could hardly be said to be known at all. His own investigations had begun on a day in the preceding spring when, having been engaged in tracing the vicissitudes of the d'Urberville family, he had observed Durbeyfield's name on his waggon, and had thereupon been led to make inquiries about his father and grandfather till he had no doubt on the subject.&#xA;&#xA;&amp;quot;At first I resolved not to disturb you with such a useless piece of information,&amp;quot; said he. &amp;quot;However, our impulses are too strong for our judgement sometimes. I thought you might perhaps know something of it all the while.&amp;quot;&#xA;&#xA;&amp;quot;Well, I have heard once or twice, 'tis true, that my family had seen better days afore they came to Blackmoor. But I took no notice o't, thinking it to mean that we had once kept two horses where we now keep only one. I've got a wold silver spoon, and a wold graven seal at home, too; but, Lord, what's a spoon and seal? … And to think that I and these noble d'Urbervilles were one flesh all the time. 'Twas said that my gr't-granfer had secrets, and didn't care to talk of where he came from… And where do we raise our smoke, now, parson, if I may make so bold; I mean, where do we d'Urbervilles live?&amp;quot;&#xA;&#xA;&amp;quot;You don't live anywhere. You are extinct—as a county family.&amp;quot;&#xA;&#xA;&amp;quot;That's bad.&amp;quot;&#xA;&#xA;&amp;quot;Yes—what the mendacious family chronicles call extinct in the male line—that is, gone down—gone under.&amp;quot;&#xA;&#xA;&amp;quot;Then where do we lie?&amp;quot;&#xA;&#xA;&amp;quot;At Kingsbere-sub-Greenhill: rows and rows of you in your vaults, with your effigies under Purbeck-marble canopies.&amp;quot;&#xA;&#xA;&amp;quot;And where be our family mansions and estates?&amp;quot;&#xA;&amp;quot;You haven't any.&amp;quot;&#xA;&#xA;&amp;quot;Oh? No lands neither?&amp;quot;&#xA;&#xA;&amp;quot;None; though you once had 'em in abundance, as I said, for you family consisted of numerous branches. In this county there was a seat of yours at Kingsbere, and another at Sherton, and another in Millpond, and another at Lullstead, and another at Wellbridge.&amp;quot;&#xA;&#xA;&amp;quot;And shall we ever come into our own again?&amp;quot;&#xA;&#xA;&amp;quot;Ah—that I can't tell!&amp;quot;&#xA;&#xA;&amp;quot;And what had I better do about it, sir?&amp;quot; asked Durbeyfield, after a pause.&#xA;&#xA;&amp;quot;Oh—nothing, nothing; except chasten yourself with the thought of 'how are the mighty fallen.' It is a fact of some interest to the local historian and genealogist, nothing more. There are several families among the cottagers of this county of almost equal lustre. Good night.&amp;quot;&#xA;&#xA;&amp;quot;But you'll turn back and have a quart of beer wi' me on the strength o't, Pa'son Tringham? There's a very pretty brew in tap at The Pure Drop—though, to be sure, not so good as at Rolliver's.&amp;quot;&#xA;&#xA;&amp;quot;No, thank you—not this evening, Durbeyfield. You've had enough already.&amp;quot; Concluding thus, the parson rode on his way, with doubts as to his discretion in retailing this curious bit of lore.&#xA;&#xA;When he was gone, Durbeyfield walked a few steps in a profound reverie, and then sat down upon the grassy bank by the roadside, depositing his basket before him. In a few minutes a youth appeared in the distance, walking in the same direction as that which had been pursued by Durbeyfield. The latter, on seeing him, held up his hand, and the lad quickened his pace and came near.&#xA;&#xA;&amp;quot;Boy, take up that basket! I want 'ee to go on an errand for me.&amp;quot;&#xA;&#xA;The lath-like stripling frowned. &amp;quot;Who be you, then, John Durbeyfield, to order me about and call me 'boy'? You know my name as well as I know yours!&amp;quot;&#xA;&#xA;&amp;quot;Do you, do you? That's the secret—that's the secret! Now obey my orders, and take the message I'm going to charge 'ee wi'… Well, Fred, I don't mind telling you that the secret is that I'm one of a noble race—it has been just found out by me this present afternoon, p.m.&amp;quot; And as he made the announcement, Durbeyfield, declining from his sitting position, luxuriously stretched himself out upon the bank among the daisies.&#xA;The lad stood before Durbeyfield, and contemplated his length from crown to toe.&#xA;&#xA;&amp;quot;Sir John d'Urberville—that's who I am,&amp;quot; continued the prostrate man. &amp;quot;That is if knights were baronets—which they be. 'Tis recorded in history all about me. Dost know of such a place, lad, as Kingsbere-sub-Greenhill?&amp;quot;&#xA;&#xA;&amp;quot;Ees. I've been there to Greenhill Fair.&amp;quot;&#xA;&#xA;&amp;quot;Well, under the church of that city there lie—&amp;quot;&#xA;&#xA;&amp;quot;'Tisn't a city, the place I mean; leastwise 'twaddn' when I was there—'twas a little one-eyed, blinking sort o' place.&amp;quot;&#xA;&#xA;&amp;quot;Never you mind the place, boy, that's not the question before us. Under the church of that there parish lie my ancestors—hundreds of 'em—in coats of mail and jewels, in gr't lead coffins weighing tons and tons. There's not a man in the county o' South-Wessex that's got grander and nobler skillentons in his family than I.&amp;quot;&#xA;&#xA;&amp;quot;Oh?&amp;quot;&#xA;&#xA;&amp;quot;Now take up that basket, and goo on to Marlott, and when you've come to The Pure Drop Inn, tell 'em to send a horse and carriage to me immed'ately, to carry me hwome. And in the bottom o' the carriage they be to put a noggin o' rum in a small bottle, and chalk it up to my account. And when you've done that goo on to my house with the basket, and tell my wife to put away that washing, because she needn't finish it, and wait till I come hwome, as I've news to tell her.&amp;quot;&#xA;&#xA;As the lad stood in a dubious attitude, Durbeyfield put his hand in his pocket, and produced a shilling, one of the chronically few that he possessed.&#xA;&#xA;&amp;quot;Here's for your labour, lad.&amp;quot;&#xA;&#xA;This made a difference in the young man's estimate of the position.&#xA;&#xA;&amp;quot;Yes, Sir John. Thank 'ee. Anything else I can do for 'ee, Sir John?&amp;quot;&#xA;&#xA;&amp;quot;Tell 'em at hwome that I should like for supper,—well, lamb's fry if they can get it; and if they can't, black-pot; and if they can't get that, well chitterlings will do.&amp;quot;&#xA;&#xA;&amp;quot;Yes, Sir John.&amp;quot;&#xA;&#xA;The boy took up the basket, and as he set out the notes of a brass band were heard from the direction of the village.&#xA;&#xA;&amp;quot;What's that?&amp;quot; said Durbeyfield. &amp;quot;Not on account o' I?&amp;quot;&#xA;&#xA;&amp;quot;'Tis the women's club-walking, Sir John. Why, your da'ter is one o' the members.&amp;quot;&#xA;&#xA;&amp;quot;To be sure—I'd quite forgot it in my thoughts of greater things! Well, vamp on to Marlott, will ye, and order that carriage, and maybe I'll drive round and inspect the club.&amp;quot;&#xA;&#xA;The lad departed, and Durbeyfield lay waiting on the grass and daisies in the evening sun. 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<INFO BITRATE="873000" KEY_LYRICS="1 ContributorRagnar’s Saga (chap. 10) LyricsRagnar Lodbrok Saga: Chapters 10&#xA;&#xA;&#xA;Chris van Dykes Translation&#xA;&#xA;Chapter 10&#xA;&#xA;When that time had passed when it had been agreed that Ragnar would go to the wedding at Uppsala and he had not come, it seemed to King Eystein that it brought dishonor upon himself and his daughter; and then the friendship between the kings was ended. And when Eirek and Agnar, Ragnar’s sons, heard that, they then plotted between themselves to go with as many troops as they might muster, that they might harry in Sweden. And then they gathered together many troops and readied their ships, and it seemed to them very important that all went well when the ships set forth. Then it happened, that Agnar’s ship shot off the launch rollers, and a man was in the way, and received thus death: and they called that “the reddening of the rollers.” This seemed to them not to be a good beginning, but they would not let that stand in the way of their journey. And when their troops were prepared, they traveled with their troops to Sweden, and there, when they came quickly to King Eystein’s kingdom, they traveled across it with war-shields.&#xA;&#xA;But the men of that land became aware of them and went to Uppsala and told King Eystein that they had come to the land. And the king had a message send in the form of an arrow throughout his kingdom and thus gathered so many men together that it was wondrous. And then he traveled with them until he came to a forest, and they there set up their camp. He then had with him the cow Sibilja, and many were the sacrifices to her before she would travel.&#xA;&#xA;And when they were in the forest, King Eystein spoke: “I have news,” he said, “that Ragnar’s sons are on the field beside this forest, and it was said to me truly that they do not have a third of our troops. Now we shall arrange our host for battle, and a third of our troops shall go to meet them first, and they are so uninching that they will think they have us in their power. Immediately afterwards we shall come at them with all our might, and the cow shall go before our troops, and it seems to me that they will not hold before her bellowing.”&#xA;&#xA;And then it was so done. And as soon as the brothers saw King Eystein’s troops they thought that their foes did not have power greater than theirs, and it did not occur to them that there might be more troops. And soon after all the troops came from the forest and the cow was set loose, and she leapt before the troops and went about fiercely. So great a din arose that the warriors who heard it fought among themselves, except for the two brothers holding their ground. But the evil creature struck many a man with her horns that day. But Ragnar’s sons, though they were powerful in themselves, thought they might not stand against both the great crowd and the pagan sacrificial-magic. However, they faced it unflinchingly and guarded themselves well and bravely and with great renown. They, Eirek and Agnar, were at the front of the host that day, and often they went against the host of King Eystein.&#xA;&#xA;But then Agnar fell. Eirek saw that and then bore himself most boldly and did not care whether he came away or not. Then he was overborne by the great force and seized. And then Eystein declared that the battle should stop, and offered Eirek peace. “And I will lay this offer before you,” he said, “that I will give you my daughter.” Eirek replied, and spoke this verse:&#xA;&#xA;I will not hear an offer for my brother,&#xA;&#xA;nor buy the maid with rings&#xA;&#xA;from Eystein, who spoke the words&#xA;&#xA;of Agnar’s death.&#xA;&#xA;My mother will not weep;&#xA;set me up to stand&#xA;&#xA;pierced through by a forest of spears—&#xA;&#xA;at the last, I choose to die.&#xA;&#xA;Then he said that he wanted the men who had followed them to have peace to go wherever they wished. “And I wish to have as many spears as possible taken up, then have the spears set up in the ground, and I wish myself to be lifted up upon them—there I want to leave life.” Then King Eystein said that that would be done thus, as he asked, though he chose that which went worse with them both. Then the spears were set up, and Eirek spoke a verse:&#xA;&#xA;I think that no king’s son&#xA;&#xA;shall die on so dear a bed:&#xA;&#xA;a day-meal to ravens,&#xA;&#xA;as I know my fate to be.&#xA;&#xA;The livid blood-flies&#xA;&#xA;shall break both brother’s bodies&#xA;&#xA;and soon shriek over us,&#xA;&#xA;though that be a bad reward.&#xA;&#xA;And then he went to where the spears were set up and he took a ring off his hand and cast it to those who had followed him and who had been given peace, and he commended it to Aslaug and spoke a verse:&#xA;Bear you my last words,&#xA;&#xA;you east-faring troops,&#xA;&#xA;that the slender maid, Aslaug&#xA;&#xA;is to have my rings.&#xA;&#xA;Then to the greatest of mothers,&#xA;&#xA;my mild stepmother, you may&#xA;&#xA;speak of me, her son,&#xA;&#xA;and of my glorious spear-death.&#xA;&#xA;And then he was heaved up on the spears. Then he saw where the raven flew, and again he spoke:&#xA;&#xA;The sea-mew rejoices over the head&#xA;&#xA;of my now wounded corpse;&#xA;&#xA;the wound-hawk craves&#xA;&#xA;my unseeing eyes.&#xA;I think if the raven&#xA;&#xA;strikes out my eyes,&#xA;&#xA;the wound-hawk ill rewards the many times&#xA;&#xA;Ekkil has given him his ll.&#xA;&#xA;Then he gave up his life with great valor. And his messengers went home and did not let up until they came to where Ragnar had residence. And then Ragnar’s sons had not come home from raiding. They were there for three nights before they went to meet with Aslaug. And when they came before Áslaug in her high-seat, they greeted her worthily; she received their greeting. She had one linen handkerchief upon her knee, and she had unloosed her hair, and she intended to comb it. Then she asked who they were, since she had not seen them before. He who had spoke on their behalf said that they had been among the troops of Eirek and Agnar, the sons of Ragnar. Then she spoke a verse:&#xA;&#xA;What is said by you,&#xA;&#xA;friends of the king, what news?&#xA;&#xA;Are the Swedes still in their land,&#xA;&#xA;or otherwise driven out?&#xA;&#xA;I have heard that the&#xA;&#xA;Danes went from the south&#xA;&#xA;the chiefs had bloody rollers.&#xA;&#xA;But since then, I know nothing.&#xA;&#xA;He spoke a verse in reply:&#xA;&#xA;There is need, woman,&#xA;&#xA;that we tell you&#xA;&#xA;that Pora’s sons are dead;&#xA;&#xA;cruel are the fates to your man!&#xA;&#xA;I know no other tale as heavy as this;&#xA;&#xA;now we have come from&#xA;&#xA;hearing the news: the eagle flies&#xA;&#xA;over the corpse of the dead man.&#xA;&#xA;Then she asked how that had happened. And then he spoke the verse, which Eirek had spoken, when he had sent her the ring. They say that she then let a tear fall, and it had the appearance of blood, but it was as hard as a hailstone. No man had seen that—that she had let fall a tear—either before or after. Then she said that she might not pursue vengeance before they came back home: that is, Ragnar or his sons. “And you shall be here until then; I shall not hold off spurring on vengeance as if they had been my own sons.” Then they stayed there.&#xA;&#xA;And it so happened that Ivar and the brothers came home before Ragnar, and they were not home long before Aslaug went to find her sons. Sigurd was then three winters old. He went with his mother. And then when she came into the hall, where the brothers were discussing, they received her well. Each asked the other for tidings, and they spoke first of the fall of Rognvald, her son, and of the circumstances, and how it had happened. But that did not seem grave to her, and she said:&#xA;&#xA;My sons leave me by myself&#xA;&#xA;to gaze over the sea-mews;&#xA;&#xA;you do not travel from&#xA;&#xA;house to house, begging.&#xA;&#xA;Rognvald took up the shield,&#xA;&#xA;red with men’s blood;&#xA;&#xA;youngest of all my sons&#xA;&#xA;he came to Odin.&#xA;&#xA;“And I cannot see,” she said, “that he could have lived to a greater honor.” Then they asked her what tidings she had. She answered: “The fall of Eirek and Agnar, your brothers, my stepsons. I think, that out of all men, they had the best courage. And it will not be odd if you do not bear such an injury, but take great vengeance. I will be of great assistance to you in all of this, so that this deed should be more than commonly avenged.”&#xA;&#xA;Then Ivar said, “This is true—I will never come to Sweden eagerly to battle with King Eystein and the pagan sacrificial-magic which is there.” She pressed him greatly, but Ivar spoke for all of them, and he refused outright to make the journey. And then she spoke this verse:&#xA;&#xA;You would not be&#xA;&#xA;unavenged by your brothers&#xA;&#xA;one season later&#xA;&#xA;if you had died first;&#xA;&#xA;I would prefer&#xA;&#xA;that Eirek and Agnar&#xA;&#xA;had lived in your stead,&#xA;&#xA;though as sons they were not born to me.&#xA;&#xA;“It is not certain,” Ivar said, “whether the matter will stand differently, even if you speak one verse after another. However, do you know clearly what strongholds there are before us?”&#xA;&#xA;“I do not know for certain.” she said. “However, what can you say of the difficulties there might be?”&#xA;&#xA;Ivar said that there was very great pagan sacrificial magic, and he said that no man has ever heard of its like. “And the king is both powerful and ill-natured.”&#xA;&#xA;“What does he have the most faith in when making sacrifices?”&#xA;&#xA;He said: “That is a great cow, and she is called Sibilja. She is so great in might that as soon as men hear her bellowing his foes are unable to stand, it is scarcely as if the battle is fought with men at all. It rather seems that they must face beings of troll-like form before they face the king, and I will risk neither myself or my troops there.”&#xA;&#xA;She said: “One might think that you can not both be called a great man and not strive to be one.”&#xA;&#xA;And when it then seemed to her that matters were beyond hope, she decided to leave, she thought they did not value her words. Then Sigurd Snake in Eyes spoke: “I will tell you, mother,” he said, “how it seems to me, though I might not affect their answers.”&#xA;&#xA;“I wish to hear that,” she said. Then he spoke a verse:&#xA;&#xA;If you grieve, mother,&#xA;&#xA;the household shall become&#xA;&#xA;ready in three nights;&#xA;&#xA;the road we have is long.&#xA;&#xA;King Eystein shall not&#xA;&#xA;rule in Uppsala&#xA;&#xA;even if he offers us treasure,&#xA;&#xA;if you aid and push us on.&#xA;&#xA;And when he had spoken that verse, the brothers rethought their plans somewhat. And then Aslaug said: “You now declare rightly, my son, that you shall do my will. And yet I cannot see how we might make this to come to pass if we do not have your brothers’ assistance. It may happen as it seems best to me—that this vengeance of yours will come about—and it seems to me that you proceed rightly my son.” And then Bjorn spoke a verse:&#xA;&#xA;Though little is said in speech,&#xA;&#xA;a man may turn over&#xA;&#xA;vengeance in his heart,&#xA;&#xA;in his hawk-swift chest.&#xA;&#xA;We do not have a serpent&#xA;&#xA;nor a shining snake in our eyes,&#xA;&#xA;but my brothers gladdened me:&#xA;&#xA;I will remember your stepsons.&#xA;&#xA;And then Hvitserk spoke a verse:&#xA;&#xA;Let Agnar’s bane&#xA;&#xA;now rejoice little;&#xA;&#xA;but we must think before&#xA;&#xA;we say that there might be vengeance.&#xA;&#xA;We must push out a ship onto the waves,&#xA;&#xA;Break up the ice before the stern;&#xA;&#xA;We must see which&#xA;&#xA;ships might be swiftly prepared.&#xA;&#xA;And Hvitserk spoke of this, that the ice must be broken, for the frost was then great, and their ships were in ice. And then Ivar began to speak and said that it had come to the point when he must take some part in it, and then he spoke a verse:&#xA;&#xA;You have both honor and&#xA;&#xA;courage in this vengeance,&#xA;&#xA;but you might lack this—&#xA;&#xA;a strong, obstinate following.&#xA;&#xA;You shall bear me&#xA;&#xA;before the heroes;&#xA;&#xA;I will take the path to vengeance,&#xA;&#xA;though I may use neither boneless hand.&#xA;&#xA;“And now,” said Ivar, “we must devise the best plans we may for gathering warships and warriors, as we must not spare in this if we are to conquer.” Then Aslaug went away." PRODUCER="Hospital Records Limited" COVERARTID="035/DJZYSODVWR4C1AH150FMDJKYWLHA" KEY="7m" PLAYTIME="223" PLAYTIME_FLOAT="222.857162" IMPORT_DATE="2025/5/24" RELEASE_DATE="2019/1/1" FLAGS="8" FILESIZE="24794"></INFO>
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<INFO BITRATE="926000" KEY_LYRICS="32 ContributorsTranslationsEspañolNO SECURITY LyricsOn the opening of I NEVER LIKED YOU’s deluxe edition, “NO SECURITY” sees Future enlisting Detroit native Babyface Ray for a trap collaboration where the duo rap about their firearms and their hard comings… Read More &#xA;Yeah, Pluto&#xA;ATL Jacob, ATL Jacob&#xA;&#xA;&#xA;I'm cut off from a different cloth from niggas, that's a Fendi fact, yeah&#xA;And I'm strapped up with that mini-MAC, yeah, yeah&#xA;Fuckin' up a ch-in-eck, I'm already millennium&#xA;Takin' pics with junkies and I'm ridin' 'round with Eminem&#xA;It's some robbers and killers 'round here, that's where I'm at&#xA;They make drug deals, pop pills, that's where I'm at&#xA;They got dog food 'round here, that's where I'm at&#xA;I'm the king of the trenches, no security guards (Yeah, yeah, yeah)&#xA;&#xA;&#xA;We get triple in your town, nigga, that's wherе I'm at&#xA;Fuck around and grab a crib, shit, I'm never comin' back (Mm-hmm)&#xA;It's a ruler on thе glizzy, bag me up when I laugh&#xA;Man, these internet niggas never fucked with a bag (Nah)&#xA;Eleven in my pants, I can't even get it out&#xA;I ain't had shit, ask me how I'm livin' now (Ask me)&#xA;I done, done, done it all, did a lot (Did it all, nigga)&#xA;Watch him run, run just like Ricky, spin the block (Shit)&#xA;Fuck it, niggas spin again (Ooh)&#xA;Fear of God on me, I don't fear a man (Fear of God)&#xA;Lot of niggas fumin', they get up there on that stand (Lot of niggas fumin')&#xA;I been livin' toxic, fuck one bitch then fuck her friends&#xA;&#xA;I'm cut off from a different cloth from niggas, that's a Fendi fact, yeah&#xA;And I'm strapped up with that mini-MAC, yeah, yeah&#xA;Fuckin' up a ch-in-eck, I'm already millennium&#xA;Takin' pics with junkies and I'm ridin' 'round with Eminem&#xA;It's some robbers and killers 'round here, that's where I'm at&#xA;They make drug deals, pop pills, that's where I'm at&#xA;They got dog food 'round here, that's where I'm at&#xA;I'm the king of the trenches, no security guard&#xA;&#xA;&#xA;Big barbarian, nigga, just check my body weight&#xA;I get first stab at these bitches in and out of state&#xA;Ain't no trippin' off no twat that I made very important&#xA;They launderin', they prayin' on you, they land on you, extortion&#xA;Good thing I was known, finesse before I had anything&#xA;Good thing, I never played with sake, I played magazine&#xA;Posted on the block when the sunlight was up, yeah&#xA;Hundred stacks of hard, they got my gun in the cut&#xA;Fendi on my body, garment lookin' like a ninja&#xA;Play me like I'm Urkel, bitch, you know I'm 'bout to suspend her&#xA;I hold out my arm, you could tell I'm a winner&#xA;'Posed to live in Vietnam, I'm with all the hitters&#xA;&#xA;&#xA;I'm cut off from a different cloth from niggas, that's a Fendi fact, yeah&#xA;And I'm strapped up with that mini-MAC, yeah, yeah&#xA;Fuckin' up a ch-in-eck, I'm already millennium&#xA;Takin' pics with junkies and I'm ridin' 'round with Eminem&#xA;It's some robbers and killers 'round here, that's where I'm at&#xA;They make drug deals, pop pills, that's where I'm at&#xA;They got dog food 'round here, that's where I'm at&#xA;I'm the king of the trenches, no security guard&#xA;&#xA;It's some robbers and killers 'round here, that's where I'm at&#xA;They make drug deals, pop pills, that's where I'm at&#xA;They got dog food 'round here, that's where I'm at&#xA;That's where I'm at" PRODUCER="Hospital Records Limited" COVERARTID="035/DJZYSODVWR4C1AH150FMDJKYWLHA" KEY="7m" PLAYTIME="249" PLAYTIME_FLOAT="248.620697" IMPORT_DATE="2025/5/24" RELEASE_DATE="2019/1/1" FLAGS="8" FILESIZE="29115"></INFO>
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<INFO BITRATE="996000" KEY_LYRICS="4 ContributorsShut-Up (Rules Of The Game) Lyrics&#xA;Alright, everybody shut up&#xA;I said shut up!&#xA;I said shut up, or the next person who talks is gonna do a thousand laps!&#xA;Now, are you ready to play the game? (Yeah)&#xA;Now, are you ready to play the game? (Yeah!)&#xA;Do you know the rules of the game? (No!)&#xA;Well, now we're gonna learn how to play the games by the rules&#xA;Are you ready?&#xA;Well, a one for the money, two for the show, three for the winners, come on, let's go&#xA;&#xA;&#xA;Now, some of yous are wonderin' who I am&#xA;Well, I'm more important than the king of Siam&#xA;I'm your coach, Juny Boom's my name&#xA;And these are the rules of the game&#xA;In life you rise, in life you fall&#xA;In life you bounce like a basketball&#xA;Just watch this ball going up and down&#xA;But this is how you get around&#xA;The object here is always the same&#xA;You must make points to win the game&#xA;But you just can't go running 'round like a fool&#xA;You have to learn the play the game by the rules&#xA;'Cause you will look silly with all the pros&#xA;And that's when you hear the whistle blow&#xA;So you better jump when you hear this sound&#xA;&#xA;&#xA;&#xA;Now, the first thing everybody knows&#xA;Is you gotta go out and get the right clothes&#xA;You can't go out there lookin' like rags&#xA;Make sure you got Pumas and your pants don't sag&#xA;Look at this guy, he can't lose&#xA;'Cause he's got blue suede tennis shoes&#xA;Now, look at that gal up in the bleachers&#xA;She's got on her high-heel sneakers&#xA;Now, here's some winners you can bet&#xA;They can go to the game or the discotheque&#xA;Of course, you've got to have your whistle&#xA;&#xA;&#xA;&#xA;&#xA;The first technique we are going to learn&#xA;Is how to make the rubber burn&#xA;This is a project very worthwhile&#xA;You have to learn how to play with style&#xA;Let's start with bringing the ball down court&#xA;Now, that's a tough job in any sport&#xA;It's just like dancing when you dribble and move&#xA;You gotta do it in the rhythm and stay in groove&#xA;Behind your back, through your legs, don't fall&#xA;Your dancing partner is the ball&#xA;But just remember that the dance will end, when&#xA;&#xA;&#xA;&#xA;Now, the next situation we are going to try&#xA;Is learning to get past the other guy&#xA;Let's say this fellow is eight feet tall&#xA;And can put you in the basket right along with the ball&#xA;So, you try to tell him that his shoes are untied&#xA;And he smacks you in the head, because you lied&#xA;This guy is really one tower of power&#xA;So, the next stop for you will be the shower&#xA;The lesson here is easy to be seen&#xA;Make sure the biggest guy is on your team&#xA;And if you need protection, then&#xA;&#xA;&#xA;&#xA;&#xA;Everybody, let's get that fast break&#xA;Everybody, halftime's almost here&#xA;Everybody, we know we got to win&#xA;&#xA;&#xA;If you try a move, then don't you think&#xA;Or you'll just be another fink&#xA;Guy there's making it look easy as pie&#xA;Just go with the flow and let the ball fly&#xA;Don't you get yourself all worked over nothin'&#xA;Or out of you will be beat the stuffin'&#xA;The major jam you cannot resist&#xA;Throw it to your buddy and get an assist&#xA;You got the inside shot and outside too&#xA;And, of course, you full court booga-boogaloo&#xA;Just make sure you stay inside the court&#xA;&#xA;&#xA;&#xA;Now, I can tell you're really gettin' hot&#xA;So now, we're gonna work on making a shot&#xA;I said a hip, hip, the hippity hop&#xA;If you can't make the shot, then you better stop&#xA;Twist and shout and the folks might cheer&#xA;But if you miss, they say: &amp;quot;Get out of here!&amp;quot;&#xA;Or when you get down there, sure enough&#xA;There's always some dummy who'll mess ya up&#xA;Now, if you forget about the clock&#xA;You might run into doors on lock&#xA;So, remember: when you are on the floor&#xA;Score!&#xA;&#xA;&#xA;&#xA;&#xA;Everybody, we're up by ten&#xA;Everybody, you know we got to win&#xA;Everybody, let's take that trophy home&#xA;&#xA;&#xA;Now, you've got a shot to make the girls look&#xA;Zip it over your head,  and that's a hook&#xA;You say you are a &#xA;Fake that guy and do a bounce pass&#xA;You're that number one giant with tons of funk&#xA;Release through the air and do the dunk&#xA;You're a rockin' mover who's got the stuff&#xA;You must be the one to do the lay up&#xA;Are you one of those players who like to bet&#xA;On how many times you can touch the net?&#xA;But what is everybody out here for?&#xA;Score!&#xA;&#xA;&#xA;&#xA;&#xA;Now, you know when your thirst starts to quench&#xA;That's when it's time to hit the bench&#xA;Don't go down court a-hesitatin'&#xA;Just act like you are rollerskatin'&#xA;When two  it's hard to see&#xA;How many of your men are gettin' free?&#xA;Drive it strong, that's what I say&#xA;So you can get that three-point play&#xA;Now, pushin' or shovin' just won't do&#xA;'Cause you're not special, you can foul out too&#xA;Just don't go in to overtime&#xA;&#xA;&#xA;&#xA;&#xA;Hey, let's get down to the real nitty-gritty&#xA;How you make points if you live in the city?&#xA;If you're from LA, do the bop&#xA;If you're from Philly, you're the top&#xA;If you're from San Juan, you can move&#xA;If you're from Miami, you've got the groove&#xA;DC or Detroit, you've got soul&#xA;If you're from New York, I'll call the roll&#xA;Roll call!&#xA;&#xA;&#xA;Roll call&#xA;Manhattan, say &amp;quot;Gotcha!&amp;quot; (Gotcha!)&#xA;Queens, say &amp;quot;Oh yeah!&amp;quot; (Oh yeah!)&#xA;Brooklyn, say &amp;quot;Yoo!&amp;quot; (Yoo!)&#xA;Staten Island, say &amp;quot;I like it!&amp;quot; (I like it!)&#xA;Bronx, scream! (Whoo!)&#xA;&#xA;&#xA;Now, we're gonna get down with the referee&#xA;You'll have to learn the penalty&#xA;In life you lose, in life you win&#xA;In life a foul is no way to begin&#xA;Like when the money makin' is gettin' hard&#xA;Charge on the game and charge on the card&#xA;What's a block? That's easy to say&#xA;It's your hand if you get in the way&#xA;So, make you sure when you run about&#xA;That you don't collide and foul out&#xA;It's tough luck when you hear this sound&#xA;&#xA;&#xA;&#xA;&#xA;So, play the game and don't you jive&#xA;Just turn and give your teammates five&#xA;Don't shoot for stardom or shoot for fame&#xA;Shoot to learn how to play the game&#xA;And if you miss before the buzzer sounds&#xA;Always go after those rebounds&#xA;'Cause you don't always have to swish&#xA;If you make your points, then you've got the wish&#xA;It doesn't matter what you do&#xA;And as long as you get the big two&#xA;Now you know the rules of the game!&#xA;&#xA;" PRODUCER="Hospital Records Limited" COVERARTID="035/DJZYSODVWR4C1AH150FMDJKYWLHA" KEY="5m" PLAYTIME="245" PLAYTIME_FLOAT="244.457169" IMPORT_DATE="2025/5/24" RELEASE_DATE="2019/1/1" FLAGS="8" FILESIZE="30747"></INFO>
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<INFO BITRATE="990000" KEY_LYRICS="1 ContributorBlod På Mikrofonen LyricsI look in the mirror and all I see&#xA;Is a young old man who's having a dream&#xA;&#xA;&#xA;De frågar varför man står här med colten&#xA;Och håller den, alltid laddad, en hand på kolven&#xA;För allt han äger går från taket till golvet&#xA;Och mannen, det är hans stolthet, aldrig lägger bort den&#xA;Betongblocken, det är fucking kallt ner till sanden&#xA;Föddes här i frosten, skapar våra chanser&#xA;Mask och gunsen, kod och kort till banken&#xA;Trissar i trakten, fajvishar i handen&#xA;Andra på plattan med bollar bakom tanden&#xA;Mannen det är som blackjack, oddsen är emot en&#xA;Man finner trösten i kokset och boozet&#xA;Och rullar in till city och plockar upp horor&#xA;Glock under stolen, livet som ett råskinn&#xA;Man springer fucking hela livet men du står still&#xA;Väntat och väntat, det läker ej såren&#xA;Så spiller mitt hjärtas blod på hela mikrofonen&#xA;&#xA;&#xA;Spiller mitt hjärtas blod på mikrofonen&#xA;Väntat för länge på vind i denna båten&#xA;Har aldrig sett våren, mannen, vad händer&#xA;Och fuck dessa gator är kalla som i fjällen&#xA;Spiller mitt hjärtas blod på mikrofonen&#xA;Väntat för länge på vind i denna båten&#xA;Har aldrig sett våren, mannen, vad händer&#xA;Och fuck dessa gator är kalla som i fjällen&#xA;&#xA;Det började 88, biskopens ?&#xA;Sprang runt med en pinne och lekte man var Turtles&#xA;På dagis, inte som de andra barnen, vanlig&#xA;En blivande gangsta, typen i stereo&#xA;Från lego till tabanca, skolväskor till chantas&#xA;Fanns ingen farsa, betongförebilden&#xA;Och gatan sa till mig att män röker ganja&#xA;Fuck alla andra, ? vi har varandra&#xA;Det är du, jag, para och tabanca&#xA;Jag ser de har span, vill lägga mig så jag gone&#xA;Det är funny för om natten ingen la mig om som barn&#xA;Rätt att ensam är man, så jag ensam med gun&#xA;Är det enda jag kan, ingen såg en som barnet&#xA;När man levt i gatustadiet, ingen vill ta i det&#xA;De pissar på din situation, sen kommer pratet&#xA;För folk dömer boken bara efter omslaget&#xA;&#xA;&#xA;&#xA;&#xA;Sen en kid i celler, plitar och stängsel&#xA;Grisar smäller batonger och sliter i fängsel&#xA;Och ingen som nämner som fötter vi bor&#xA;Det sticks under stol, rasism i samhället&#xA;Nu i riksdagen, sicken fräckhet&#xA;Det räcker, Reinfeldt, hoppas din tron smakar&#xA;För dessa förhållanden skapade Che Guevara&#xA;Marie Antoinette vid giljotin med hennes maka&#xA;Get yourself a gun, det pumpas mitt i streetsen&#xA;När kroppen rycker till det är inget gunga till musiken&#xA;Ber om vägbeskrivning, ingen unge vilsen&#xA;En säck och de tar temp med pumpen mot din tinning&#xA;Svarta handskar, utklippta strumpor i siden&#xA;Grabbar, snabbare än Forrest Gump med speeden&#xA;För när vi växte upp, krubbet i kylen&#xA;Var libabröd, shishen och multivitaminer&#xA;" PRODUCER="BassLayerz Recordings" COVERARTID="013/NUOJCAAHSQ4DPBVI2DFXCNFE00OD" KEY="9m" PLAYCOUNT="1" PLAYTIME="335" PLAYTIME_FLOAT="334.915283" IMPORT_DATE="2025/5/24" LAST_PLAYED="2025/5/25" RELEASE_DATE="2018/1/1" FLAGS="8" FILESIZE="40928"></INFO>
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<INFO BITRATE="983000" KEY_LYRICS="3 ContributorsThe Lost Cypher Lyrics&#xA;DJ Hoppa&#xA;You know&#xA;Yeah&#xA;Yah&#xA;&#xA;&#xA;You know there's some ups and downs that come with the deep route&#xA;I bring the freaks out miss it and make the sleep count&#xA;I got my own weed strain after my first free ounce&#xA;Now I'm drippin' it's easy to make the steeze drown&#xA;All I know is Dizzy OG is what Gs breathe down&#xA;Smoke out conversate but they can't contemplate&#xA;I'm off them concentrates close the case&#xA;I murder everything she let me dominate&#xA;I'm always on the go I told her andale&#xA;S M you know the standards what it stand for&#xA;Buy the building build it out you fucking with the landlord&#xA;Stay ready so you prepared for what you didn't plan for&#xA;Off the impulse you gotta transport&#xA;All I wanted was a piece of the pie&#xA;Back in the day when I thought pizza was gon' keep me alive&#xA;Overlooking queens for bitches showing us that they freaky inside&#xA;Cause shock value is the quickest way to an easy demise&#xA;You understand me right?&#xA;The family type but you ain't never lost your confidence&#xA;Consistent when the streets consistently offer the opposite&#xA;Now I travel this that Sun and Moon battle&#xA;Sensitive about my shit I let these other niggas have you mutha (uh)&#xA;&#xA;Highligh reel lookin' like Vince&#xA;The more you risk the more you win I'm convinced&#xA;Fuck shit in my rearview I ain't look back ever since&#xA;Somewhere chasin' dreams trying not to get pinched&#xA;Getting checks checking off my list of dues&#xA;Chances are it ain't classic if it's getting mixed reviews&#xA;Wish the playing fields was level when they wasn't bending rules&#xA;Being this versatile it ain't a box you fit into&#xA;Y'all niggas sweet we on top floors&#xA;Not just the best bars but the top flows&#xA;Y'all not woke just fake deep like pot holes&#xA;And you can plot but there's a plan for you only God knows&#xA;Slave to these chains on my hands neck and wrists&#xA;Jesus ain't died for me but my ancestors did (yuh)&#xA;Everything you hear from the man's effortless&#xA;Big L.V's boy the mans represents&#xA;They upset mad at me cause he mad elite&#xA;Norman Bates how he at his peak&#xA;Bitches struck casino floors like it's fashion week&#xA;The sayin' goes &amp;quot;Money talks&amp;quot; so I don't have to speak&#xA;Who at the top I need they spot like I'm benchin'&#xA;Sub me in the game and you gon' wish you never benched him&#xA;Guarentee we make that money back nigga then some&#xA;You can smell the scent slow burn like a inscen' (sss)&#xA;Burn like a incense&#xA;They don't wanna grind they want it at this very instant&#xA;Self disciplined dodging inner demons&#xA;Good outworked the Evil&#xA;Me and God been in agreement&#xA;&#xA;Yeah we out here droppin' classics while they droppin' names&#xA;You might just pick up some game boy give this shit a play&#xA;I came from passenger side of the getaway&#xA;So I enjoy every bit of fame I get when I entertain&#xA;And every little bit of change that I made from off this thang&#xA;I invest it back in myself praying for better days&#xA;So dont tell me I don't deserve it and I ain't working&#xA;I want the chicken like Church's but there's sermon in these verses&#xA;Yeah bitches used to curve like cursive&#xA;Now I'm wrapped up like a turban smashin' in the back of a black Suburban&#xA;I leave clean like detergent&#xA;Then it's back to the green like it's urgent&#xA;Hoppa on the beat&#xA;Dizzy on the beat&#xA;Euroz on the beat&#xA;Moske P, Reezy Freeze, Peanut you know the team&#xA;We known the dream and turned that shit to real life&#xA;Hunnid ten out it Vegas yeah that's what it feel like" PRODUCER="Low Down Deep Recordings" COVERARTID="092/2SVI0JBMIO5MHDQT5WRPDFMAXZND" KEY="3d" PLAYTIME="273" PLAYTIME_FLOAT="272.914307" IMPORT_DATE="2025/5/24" RELEASE_DATE="2017/1/1" FLAGS="8" FILESIZE="33244"></INFO>
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<INFO BITRATE="1047000" KEY_LYRICS="6 ContributorsLivin’ in the Jungle LyricsNow I'm a legacy, you know I keep goin'&#xA;In my mind, and mind it keep flowin'&#xA;Mowin' and towin' and showin', I'm just knowin'&#xA;I'm goin' upstream, so I keep on rowin'&#xA;I reach for a new plan, a dope new level&#xA;Schoolly D, baby, a hip hop rebel&#xA;On a back out road of the suckers that blowed&#xA;And movin' like gravity, me and Code&#xA;Straight from the Ave, takin' over like rover&#xA;And don't dig what I'm sayin', then roll the fuck over&#xA;Cold and bold, so you been told&#xA;Call me on the phone, tell me I went gold&#xA;I don't understand, my man, we need a plan&#xA;Why I gotta walk with a gun in my hand?&#xA;Lookin' for a fight to incite, or a rumble&#xA;Don't know why... cause I'm livin' in the jungle&#xA;&#xA;This is my start, playin' my part, rap is my art&#xA;Steady like a go kart&#xA;King, or Queen, or Prince, or just Nero&#xA;Sit on back and listen to your hero&#xA;On a microphone, school, and just persuin'&#xA;On stage I never hear booin'&#xA;Winnin' and grinnin', chin in, I never sinnin'&#xA;And just like Genesis I'm the beginnin'&#xA;Here from the left, 900 I sip&#xA;Open up your mind, baby let's take a little trip&#xA;On reality, the past and the present&#xA;Skin too dark so you treat me like a peasant&#xA;I don't understand, my man, we need a plan&#xA;Why I gotta walk with a gun in my hand?&#xA;Lookin' for a fight to incite, or a rumble&#xA;I don't know why... cause I'm livin' in the jungle" PRODUCER="Jungle Cakes" COVERARTID="096/AHOBBSAXOLNKXBRKCNDSAEDBX3BA" KEY="11m" PLAYTIME="315" PLAYTIME_FLOAT="314.057159" IMPORT_DATE="2025/5/24" RELEASE_DATE="2018/1/1" FLAGS="8" FILESIZE="40441"></INFO>
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<INFO BITRATE="1034000" KEY_LYRICS="4 ContributorsAKA 1,000 Cuts (Script) LyricsTITLE SEQUENCE&#xA;&#xA;Kilgrave runs out the CDC compound, holding his injured arm. Hogarth is leaving on her car.&#xA;&#xA;KILGRAVE:  Stop!&#xA;&#xA;Kilgrave approaches the vehicle, leading Hogarth to get a gun and point it at Kilgrave.&#xA;&#xA;HOGARTH:Stay away from me!&#xA;&#xA;KILGRAVE: Throw that bloody thing away, and unlock the door!  Drive!&#xA;&#xA;The car drives away. Jessica comes out the door, but finds nothing, to her despair.&#xA;&#xA;CUT TO: STREET&#xA;&#xA;Hogarth brakes the car.&#xA;&#xA;HOGARTH:    I didn't know. Oh, my God.  I didn't know you would...&#xA;&#xA;KILGRAVE: Hey, I'm not the bad guy here. You wanted this.&#xA;&#xA;HOGARTH:   Your own mother.&#xA;&#xA;KILGRAVE:  She was a cold-blooded monster who performed barbaric experiments on her own son.  What happened to her was justice. The world will not miss her.  Or my father, when I get my hands on him.  For Christ's sake, go!&#xA;HOGARTH:   Where?&#xA;&#xA;KILGRAVE:  To a doctor, obviously! Someone you trust.&#xA;&#xA;CUT TO: COMPOUND&#xA;&#xA;Pan from a fainted Albert to Louise's body in the flooded hermetic cell, and finally a sobbing Trish outside, who is taking bullets from a revolver and hitting them against her head. Jessica comes in and tries to restrain her friend.&#xA;&#xA;JESSICA: Trish!  Stop that. Stop it.&#xA;&#xA;TRISH: I have to put a bullet in my head.  No. Put it in my head.&#xA;&#xA;JESSICA: Stop.  Ow! Jesus!&#xA;&#xA;TRISH: It has to be in my head.  It has to be in my head!&#xA;&#xA;JESSICA: Open your mouth.  There's a bullet in your head. Okay?  You did what he said. You followed his command.  Okay?  Spit it out. &#xA;&#xA;TRISH: I couldn't stop.&#xA;&#xA;JESSICA: It's okay. You're okay.&#xA;&#xA;Clemons walks in.&#xA;&#xA;JESSICA: Okay.  You're okay.  Is anything broken?&#xA;CLEMONS: Nothing that can't be fixed.  Can't say the same for him.&#xA;&#xA;Camera shows the unconscious Albert&#xA;&#xA;TRISH: I'll call an ambulance.&#xA;&#xA;CLEMONS: No, don't.&#xA;&#xA;JESSICA: No, don't.  Kilgrave's not far.  You call it in, he gets further away, and then we're stuck sitting in questioning.&#xA;&#xA;CLEMONS: She's right.  I'll secure the scene, get some guys in who won't muck up the evidence.&#xA;&#xA;Jessica comes near the command console&#xA;&#xA;JESSICA: Someone cut the fail-safe wire.&#xA;&#xA;Albert wakes up, notices the body in front of him&#xA;&#xA;ALBERT: Oh, God. Oh, no!   Oh, my poor Louise. What did he do to you?  My heart.&#xA;&#xA;JESSICA: No!&#xA;&#xA;Albert starts moving towards the scissors floating, Jessica runs for him&#xA;&#xA;ALBERT:  I have to cut out my heart!&#xA;JESSICA: No.&#xA;&#xA;Jessica disarms Albert, tries to restrain him&#xA;&#xA;CLEMONS: Tape!&#xA;&#xA;JESSICA: You're not cutting anything.&#xA;&#xA;Clemons approaches a duct tape roll&#xA;&#xA;CLEMONS: Tape!&#xA;&#xA;Clemons hands the roll to Trish, and after Jessica puts Albert's hands behind the back, she pushes him toward Trish&#xA;&#xA;JESSICA: Bind him!&#xA;&#xA;Trish tapes his hands&#xA;&#xA;ALBERT: I have to die.&#xA;&#xA;JESSICA:  Later. Right now, I'm gonna find your psychotic son.&#xA;&#xA;TRISH: Jess, wait!  You'll lose.  I've seen how powerful he is now. A couple words and you're his weapon.&#xA;&#xA;JESSICA:  He can't control me anymore.&#xA;&#xA;TRISH: It's time to get realistic.&#xA;&#xA;JESSICA:  No, Trish, he said, &amp;quot;Let go&amp;quot;; and I didn't.  I'm free.&#xA;&#xA;Cut to: OUTSIDE WENDY'S HOUSE&#xA;&#xA;Hogarth rings the doorbell as Kilgrave continues to wince in pain nearby.&#xA;&#xA;KILGRAVE: Good God, woman.  Open the door!&#xA;Bleeding human being here!  I need medical attention.&#xA;&#xA;Kilgrave walks in, followed by Hogarth&#xA;&#xA;WENDY: Jesus. Jeri, who is that? You do not get to come here and barge in on me and make demands... I don't know what...&#xA;&#xA;KILGRAVE: I am your patient. Get your medical bag and fix me!&#xA;&#xA;Wendy goes up the stairs to get her supplies. Hogarth sighs.&#xA;&#xA;KILGRAVE: Interesting.I tell you to take me to a doctor you trust, you bring me to the woman you shat on.&#xA;&#xA;HOGARTH: You know what? Divorce papers can wait, you don't have to make her sign them.&#xA;&#xA;KILGRAVE: 'Course I do. I'm a man of my word... if I feel like it. Shut that door.&#xA;&#xA;Hogarth closes the still-open front door&#xA;&#xA;CUT TO: COMPOUND&#xA;&#xA;Everyone is gathered around a table.&#xA;&#xA;TRISH: How can you be sure?&#xA;&#xA;JESSICA: I can feel it.&#xA;&#xA;CLEMONS: It's true, I saw it. She didn't move when he told her to.&#xA;&#xA;JESSICA: At my old house, at the police station, he said he wanted me to choose. It's because he knew he couldn't control me.&#xA;&#xA;ALBERT: You're immune to him?&#xA;&#xA;JESSICA: Yes.  Will you take him to his motel and stay with him until the command wears off?&#xA;&#xA;TRISH: Of course.&#xA;&#xA;ALBERT: Louise always believed we'd find a vaccine.&#xA;&#xA;JESSICA: What?&#xA;&#xA;ALBERT: For the virus Kevin emits.&#xA;&#xA;JESSICA: It's a virus?&#xA;&#xA;ALBERT: Micro-particles in the air. We worked for a vaccine for decades. Almost had it, but you... you might be the missing ingredient.&#xA;&#xA;CLEMONS: A cure for Kilgrave?&#xA;&#xA;ALBERT: To inoculate everyone around him.&#xA;&#xA;JESSICA: There's no time!&#xA;&#xA;TRISH: How long would it take?&#xA;&#xA;ALBERT: Well, if I could get a biological sample from Jessica, I'd know if it was working within a day.&#xA;&#xA;JESSICA: No, the tape stays or you'll do everything you can to stab yourself.&#xA;&#xA;ALBERT: Cut my heart out.&#xA;&#xA;JESSICA:Yes, this is a great time to correct my phrasing.&#xA;&#xA;TRISH: I'll be your hands. You guide me.&#xA;&#xA;JESSICA:Fine.  Take my blood. Take my piss. Take my spleen if you think it'll help.&#xA;&#xA;ALBERT: The gauze from the first aid kit. Wipe her arm.  Get as much uncontaminated blood as you can. I have lab equipment at my motel.&#xA;&#xA;JESSICA: Across from Barbuto on Washington.&#xA;&#xA;TRISH: Okay, let's go.&#xA;&#xA;Trish finishes wiping Jessica, grabs her things, goes after a leaving Albert&#xA;&#xA;JESSICA:I'll call you when I find him.&#xA;&#xA;TRISH: Okay.&#xA;&#xA;JESSICA: Give me ten minutes to clear the area.&#xA;&#xA;CLEMONS: It was Hogarth. Who cut the wire.&#xA;&#xA;JESSICA:Yeah, I know. Process of elimination.&#xA;&#xA;CLEMONS: Hey, hey. You got some, um...&#xA;&#xA;JESSICA:Shit. &#xA;&#xA;CUT TO: WENDY'S HOUSE&#xA;&#xA;Wendy is patching up Kilgrave's arm as Hogarth walks around.&#xA;&#xA;KILGRAVE: I bought Jessica her bloody childhood home and restored it perfectly. If that's not a grand romantic gesture, I don't know what the bloody hell is. You know what I mean, Wendy.&#xA;&#xA;WENDY: Yeah. I took her to Paris for our ten-year anniversary.&#xA;&#xA;HOGARTH: Shut up, Wendy.&#xA;&#xA;KILGRAVE:You shut up.&#xA;&#xA;WENDY: She spent the entire time on the phone with a client.&#xA;&#xA;KILGRAVE:Well, I gave and gave and gave, and she took and took.&#xA;&#xA;WENDY: You feel violated.&#xA;&#xA;KILGRAVE:Precisely, yeah. You ever think about revenge?&#xA;&#xA;WENDY: Oh, sure. But how do you avenge death by a thousand cuts?   All the little slices over the years, then the final stab, the secretary.&#xA;&#xA;KILGRAVE: That's nothing compared to Jessica. She's crueler than my parents.  What does she want from me?   That wasn't a rhetorical question. Tell me.&#xA;&#xA;HOGARTH:  She wants you to pay for what you did to her.&#xA;&#xA;KILGRAVE:  I treated her better than anyone ever has.&#xA;&#xA;HOGARTH: She wants you to pay for what you did to Hope Shlottman.&#xA;&#xA;Wendy bandages Kilgrave's arm&#xA;&#xA;KILGRAVE: Yeah, tell me something I don't know.&#xA;&#xA;HOGARTH: Hope Shlottman was pregnant with your child.  Jessica and I helped her to abort it.&#xA;&#xA;Kilgrave has a stunned expression on his face.&#xA;&#xA;KILGRAVE: Honesty.  Refreshing, isn't it?  Yeah? Anything else?&#xA;&#xA;HOGARTH: I kept the remains... to see if your power could be replicated.  It didn't work.&#xA;&#xA;WENDY: You're disgusting.&#xA;&#xA;KILGRAVE:She's pragmatic. Where's my child now?&#xA;&#xA;HOGARTH: Cold storage, Hammond Labs.&#xA;&#xA;KILGRAVE: Does Jessica have plans for it?&#xA;&#xA;HOGARTH: She doesn't know it exists.&#xA;&#xA;Kilgrave scoffs&#xA;&#xA;WENDY: You're done.&#xA;&#xA;Kilgrave puts his shirt back, Hogarth's cell phone rings.&#xA;&#xA;HOGARTH:  It's Jessica.&#xA;&#xA;KILGRAVE:All right.  Answer. Admit to nothing. Do not tell her I'm here. Oh, find out where my father is.&#xA;&#xA;HOGARTH: Jessica?&#xA;&#xA;JESSICA: What happened to you?  I turned around and you were gone.&#xA;&#xA;HOGARTH: Well, you said to run, so I ran.&#xA;&#xA;JESSICA: Kilgrave's in the wind. Where are you now?&#xA;&#xA;HOGARTH:  At home, just hanging low. What happened to the detective?  And Kilgrave's father?&#xA;&#xA;JESSICA:  Trish took the detective to the hospital. Albert's gone. He's probably with Kilgrave.  Just stay put, I'll keep you posted.&#xA;&#xA;HOGARTH: No, no, I...  I saw Kilgrave run, and he wasn't with his father.&#xA;&#xA;JESSICA: Then he's somewhere hiding from his asshole son.&#xA;&#xA;HOGARTH: So you don't know where he is, where Albert is?&#xA;&#xA;JESSICA: Nope.&#xA;&#xA;WENDY: Is that Pam? Tell her I said hi.  What? Just trying to be civil.&#xA;&#xA;HOGARTH: Gotta go, bye. &#xA;&#xA;KILGRAVE: That's bollocks. She didn't say he was dead, which means she saved him, and she knows exactly where he is.  It's her. Shit! You want death by a thousand cuts. Do it!&#xA;&#xA;Hogarth gets her purse, and then Wendy arrives. Wendy grazes Hogarth below the eye, she gasps and falls.&#xA;&#xA;WENDY: One.&#xA;&#xA;CUT TO: COMPOUND&#xA;&#xA;Clemons is cleaning up the operating table, hears the door opening, gets a wrench and positions behind the doorway to surprise who comes. It turns out to be Simpson, who points a gun to Clemons and then laughs and puts it down.&#xA;&#xA;SIMPSON: Man... you scared the hell out of me.&#xA;&#xA;CLEMONS: Who are you?&#xA;&#xA;SIMPSON: I'm Sergeant Simpson. Uh, you've seen me at the precinct. You're Detective Clemons, right? Yeah, you're kind of a legend. You got a hell of a clearance rate.&#xA;&#xA;CLEMONS: Sorry, Sarge. Out of context, out of uniform.&#xA;&#xA;SIMPSON:Uh-huh. What brings you here?  That looks serious, huh? What happened?&#xA;&#xA;CLEMONS: A bit of an altercation. How'd you say you got here?&#xA;&#xA;SIMPSON: Uh, Trish Walker called me, from here, so I came as soon as I could.&#xA;&#xA;CLEMONS: Well, this floor is on lockdown. I got it under control.&#xA;&#xA;SIMPSON: Well, it looks like you could use a hand. I mean...  Sorry, I didn't mean it like that.&#xA;&#xA;Simpson limps and gasps as he approaches the hermetic room.&#xA;&#xA;CLEMONS: What's wrong with your leg, Officer?&#xA;&#xA;SIMPSON:  Jesus. Who's this?&#xA;&#xA;CLEMONS: Victim of a killer who has abilities. We got all the evidence we need now to put that bastard away. I'm gonna call for back-up, get me a medic, while you check the perimeter outside.&#xA;&#xA;SIMPSON: But if this killer has abilities, like you say... well, maybe the system won't be able to contain him.&#xA;&#xA;CLEMONS: That's not your call, Sarge.&#xA;&#xA;SIMPSON: Well, the guy isn't a purse snatcher, Detective. He's a terrorist. Kilgrave can't be put on trial. Evidence is irrelevant.&#xA;&#xA;CLEMONS: You know who he is.&#xA;&#xA;SIMPSON: Yeah, so do you, obviously. So you know that we can't wait for the system. There's no jail. There's no evidence. There's only justice.  Uh-uh. I have no other option. I'm taking him out.&#xA;&#xA;CLEMONS: Well, he's gone. Jessica's looking for him now.&#xA;&#xA;SIMPSON: And where's Trish Walker? Did he hurt her? Did he do something to her?&#xA;&#xA;CLEMONS: She's with someone. A scientist who thinks that he can stop Kilgrave with a vaccine.&#xA;&#xA;SIMPSON:  Where are they? I'm sorry.  It's ever since Kilgrave, I don't know who to trust.  I don't need a weapon to make a vaccine.  Trish Walker, she trusts me. She's the one who called me. So please, just tell me where she is.&#xA;&#xA;CLEMONS: A hotel on Washington.Across from Barbuto.&#xA;&#xA;Simpson shoots Clemons in the head. He then opens the cabinet, finds a gallon of accelerant, and pours it on Clemons' body. Simpson sets it on fire, and walks away from the flames.&#xA;&#xA;Cut to WENDY'S HOUSE&#xA;&#xA;Wendy is still inflicting cuts on Hogarth&#xA;&#xA;HOGARTH: A thousand cuts, Wendy, it's just a few words...&#xA;&#xA;WENDY: Seventeen. Eighteen.&#xA;&#xA;HOGARTH: Wendy!&#xA;&#xA;Doorbell rings&#xA;&#xA;HOGARTH:  Please! Please, stop! A thousand cuts...&#xA;&#xA;WENDY: Nineteen. Twenty.&#xA;&#xA;HOGARTH: Please! Oh, my God.&#xA;&#xA;Hogarth goes to the door, tries to open it, but then gets stabbed in the hand while rattling the knob&#xA;&#xA;WENDY: Twenty-one.  Twenty-two. Twenty-three. Twenty-four.  Twenty-five.&#xA;&#xA;Hogarth grabs Wendy on her shoulders, tackles her and both go over a couch before crashing on the floor. As the pounding on door continues, Wendy climbs atop Hogarth and slices her again&#xA;&#xA;WENDY: Twenty-six. Twenty-seven. &#xA;Twenty-eight. Twenty-nine.&#xA;&#xA;Pam enters and hits Wendy in the head with a vase. Wendy  hits her head on a table while she falls, a fatal injury. A panting and bruised Hogarth starts to gets up. Jessica runs into the open door, and Hogarth notices her entering. Jessica approaches Pam and the still bleeding corpse of Wendy.&#xA;&#xA;JESSICA: What did you do?&#xA;&#xA;HOGARTH:  I didn't know. How could I have known?&#xA;&#xA;PAM: Wendy was trying to kill her, and I... I stopped her with...&#xA;&#xA;Pam lets the vase loose.&#xA;&#xA;JESSICA:Is Kilgrave still in the house?&#xA;&#xA;PAM: Kilgrave was here?&#xA;&#xA;JESSICA:Do you know where he was going?&#xA;&#xA;HOGARTH:  Find his father.&#xA;&#xA;Jessica takes a last look at Wendy, and goes to the door&#xA;&#xA;PAM: Don't... don't go.&#xA;&#xA;JESSICA:Sorry, Pam. What you did was self-defense.  But what you helped Kilgrave do... that was murder. You are on your own. &#xA;&#xA;HOGARTH: It's okay.  I'm gonna handle this. I'm gonna handle everything.&#xA;&#xA;CUT TO: ALBERT'S HOTEL ROOM&#xA;&#xA;Trish is on the phone as Albert looks at many beakers at a table.&#xA;&#xA;TRISH: He's coming for his father?&#xA;&#xA;ALBERT: She wants to use me as bait.&#xA;&#xA;TRISH:  That's not what she's saying.&#xA;&#xA;Cut to Jessica walking down the street talking on the phone to Trish.&#xA;&#xA;JESSICA: I have to use him as bait.&#xA;&#xA;TRISH: He's not finished working on the vaccine.&#xA;&#xA;JESSICA: Which is a long shot.&#xA;&#xA;TRISH: Jess, Kilgrave is wounded. He's running from you. We've got time.&#xA;&#xA;JESSICA:Trish, your optimism is getting in the way.&#xA;&#xA;TRISH: It's not optimism, it's survival. Jess, he made me want to kill myself. I never want to feel that again. If there is even a chance a vaccine will work...&#xA;&#xA;JESSICA:  He said he'd know within 24 hours. Good?&#xA;&#xA;TRISH: She has total confidence in you.&#xA;&#xA;Cut to: OUTSIDE JESSICA'S BUILDING&#xA;&#xA;A flyer about Ruben's disappearance is glued to the door. The camera then shows Robyn holding many of those flyers as she and Malcolm go down the stairs to the street.&#xA;&#xA;ROBYN:You think we should wallpaper the scaffolding first, or are trees better?&#xA;&#xA;MALCOLM: Do you even have $50,000?&#xA;&#xA;ROBYN: Are you putting a price tag on my brother's life?&#xA;&#xA;MALCOLM: No, it's just... the poster says...&#xA;&#xA;ROBYN:We shared a womb! You said you'd help.&#xA;&#xA;MALCOLM: Maybe he just needed some time to himself, you know?&#xA;&#xA;ROBYN:He can't even tie his shoes without my permission.&#xA;&#xA;MALCOLM: I'm serious.&#xA;&#xA;ROBYN:I am, too, that's why he always wears slip-ons. If you're not part of the solution, you're part of the problem. Are you part of the problem?  Do every windshield on the block.&#xA;&#xA;They approach a car, Robyn lifts the wiper, Malcolm puts a flyer in the windshield.&#xA;&#xA;Jessica is coming home. Robyn runs towards her, and hands over some flyers&#xA;&#xA;ROBYN: If you see something, say something.&#xA;&#xA;Jessica grabs the flyers, turns her head, seeing Malcolm off-screen, and goes back to Robyn. As Robyn walks away and starts pinning the flyers to nearby doors and fences, Jessica goes to Malcolm.&#xA;&#xA;JESSICA: Have you lost your mind?&#xA;&#xA;MALCOLM:Possibly.&#xA;&#xA;JESSICA: Look, I know you feel guilty, but this isn't gonna help. It's just gonna make it worse.&#xA;&#xA;MALCOLM:I know, but she feels better doing something.&#xA;&#xA;JESSICA: You and I both know that he is not missing.&#xA;&#xA;MALCOLM:Well, technically, he is.&#xA;&#xA;JESSICA: He's not coming back.&#xA;&#xA;MALCOLM:Then we should tell her. I found her sobbing in the stairwell.&#xA;&#xA;Jessica turns her head to look at Robyn, goes back to Malcolm, and then throws the flyers on her hand to the floor as she goes back on her walk home&#xA;&#xA;ROBYN: Hey, that took me three hours at Kinko's, cougar!  Why would she do that? Malcolm... why would she throw out my fliers?&#xA;&#xA;MALCOLM:I don't know. I'm gonna hit the subway with these. Maybe, um... somebody saw him get on a train. &#xA;&#xA;ROBYN:  Babe, we're gonna get you back.&#xA;&#xA;CUT TO: JESSICA'S APARTMENT&#xA;&#xA;Jessica enters, takes off her jacket, and goes to the kitchen, where she drinks whiskey straight from the bottle. Kilgrave then approaches her from behind...&#xA;&#xA;KILGRAVE: Hello, Jessica.&#xA;&#xA;Jessica turns around and pushes Kilgrave towards a cabinet, pressing her forearm against his neck&#xA;&#xA;JESSICA: You can't control me anymore, asshole.&#xA;&#xA;KILGRAVE:  I've known that for some time. You, however, a little slow on the uptake.&#xA;&#xA;JESSICA: I could kill you right here and right now.&#xA;&#xA;KILGRAVE: But you won't, because you don't know what will happen when I die.  Good choice. There would've been a rash of suicides across the neighborhood, and who would've been to blame?&#xA;&#xA;JESSICA: Not me, you prick.&#xA;&#xA;KILGRAVE:  You keep telling yourself that. Maybe you'll actually believe it someday.  You know what I call this phase of our relationship?&#xA;&#xA;JESSICA: Finished.&#xA;&#xA;KILGRAVE: I call it &amp;quot;the wrath.&amp;quot; First, the Shlottmans, then their daughter, then that baby-faced boy who slit his own throat, Mummy, obviously,  your lawyer, presumably... It's quite a roster you've inspired. Who's next?&#xA;&#xA;JESSICA: You.&#xA;&#xA;KILGRAVE: I doubt it.&#xA;&#xA;JESSICA: You think I won't kill you because some strangers might stab themselves?&#xA;&#xA;KILGRAVE: Uh, poison, actually, but no. It's because you want what I have.&#xA;&#xA;JESSICA: A stupid name and a death wish?&#xA;&#xA;KILGRAVE: I have Hope. The person, not the feeling. Well, the feeling, too. I'm a hopeful man.&#xA;&#xA;JESSICA: Where is she?&#xA;&#xA;KILGRAVE: She's the living embodiment of your guilt, isn't she?&#xA;&#xA;Jessica now pushes Kilgrave against the wall&#xA;&#xA;JESSICA:I don't have to kill you!&#xA;&#xA;Jessica presses the injured arm, Kilgrave screams in pain&#xA;&#xA;KILGRAVE: For God's sake! In prison, of course, until her release papers go through tomorrow morning!  I visited the DA today.  I suggested to him that Hope was innocent. He agreed, as did the judge who signed Hope's release papers. I am exceedingly convincing.&#xA;&#xA;JESSICA: Why?&#xA;&#xA;KILGRAVE: Oh, I could have staged her escape, but she'd be on the lam for the rest of her life, so I procured her release quite legitimately. Well, there's a paper trail, in any event.&#xA;&#xA;JESSICA: You want more wrath. One more body.&#xA;&#xA;KILGRAVE: Not Hope Shlottman's. She walks out of the prison doors tomorrow, and your conscience gets wiped clean. Unless I change my mind.&#xA;&#xA;JESSICA: Your father.&#xA;&#xA;KILGRAVE:See how well you know me? Dad for Hope. You get the better part of that deal, by the way. &#xA;&#xA;JESSICA:What a bargain.&#xA;&#xA;KILGRAVE: I stay as far away from you as I can get, and you go back to your life of... mediocrity and underachievement.&#xA;&#xA;JESSICA:  I don't know if I can track Albert down. &#xA;&#xA;KILGRAVE: Mmm. What you need is an ace P.I. Know any?&#xA;&#xA;Cut to: INTERROGATION ROOM&#xA;&#xA;Pam is handcuffed while sitting at the interrogation room table. Door opens, Hogarth walks in.&#xA;&#xA;HOGARTH: Thank you.  Have they questioned you? Have you said anything?  That's good. Now we just need to...&#xA;&#xA;PAM: How did Kilgrave even know Wendy? How did he get there?&#xA;&#xA;HOGARTH: It's complicated.&#xA;&#xA;PAM: That's what you say when you're lying. I'm on all your calls. It's what you say when you're... when you're lying.&#xA;&#xA;HOGARTH: Pam. Pammy. You're not thinking straight right now.&#xA;&#xA;PAM: I thought maybe you were having it out with Wendy. I was worried.&#xA;&#xA;HOGARTH:I should have called. I'm sorry.&#xA;&#xA;PAM: You brought him there. To make Wendy sign the divorce papers.&#xA;&#xA;HOGARTH:That's not how it happened.&#xA;&#xA;PAM: Then tell me he made you do it. Just tell me that.&#xA;&#xA;HOGARTH:He did. It was complicated.&#xA;&#xA;PAM: You did this.&#xA;&#xA;HOGARTH: You told me to handle it. That's what you said.&#xA;&#xA;PAM: So you turn me into a murderer?&#xA;&#xA;HOGARTH:I didn't do anything. You chose to pick up that thing... and crush her skull. You did that.&#xA;&#xA;PAM: So now that I understand your bullshit... it's all that I see when I look at you. You're repulsive.&#xA;&#xA;Door opens, a detective enters&#xA;&#xA;DETECTIVE: We're taking you to booking.&#xA;&#xA;The detective starts opening Pam's handcuffs&#xA;&#xA;HOGARTH: Don't say anything to anyone.&#xA;&#xA;PAM: Detective, I need to call a lawyer.&#xA;&#xA;DETECTIVE:She said she was your lawyer.&#xA;&#xA;PAM: No. I have no idea who this woman is.&#xA;&#xA;Pam is taken away. Hogarth sits, bows her head down&#xA;&#xA;Cut to: JESSICA'S HOUSE&#xA;&#xA;Kilgrave sits on Jessica's table, anxious. Then it's shown she's inside the bathroom, texting Trish &amp;quot;Don't have 24 hours. Need it now.&amp;quot;&#xA;&#xA;KILGRAVE: You're stalling, Jessica.&#xA;&#xA;JESSICA:I'm peeing!&#xA;&#xA;KILGRAVE: No, you're not. You're buying time.&#xA;&#xA;Jessica flushes, walks back to the office&#xA;&#xA;JESSICA:For what?&#xA;&#xA;KILGRAVE: For dear old Dad to run and hide, like the coward that he is.&#xA;&#xA;JESSICA:You can control minds, but you can't read them for shit.&#xA;&#xA;KILGRAVE: He won't come willingly, you know. He's not gonna care that some young woman's life's at stake.&#xA;&#xA;JESSICA: Glass houses, asshole.&#xA;&#xA;KILGRAVE:  Oh, God, I'll miss that. Your provincial yet snappy repartee. We make a good team.&#xA;&#xA;JESSICA: You're a lot of shitty things, but I never thought you were delusional.&#xA;&#xA;KILGRAVE: Oh. Oh, I see things very clearly.&#xA;&#xA;JESSICA:Not if you think I could ever feel anything for you other than pure disgust.&#xA;&#xA;KILGRAVE: Well, that's crap.&#xA;&#xA;JESSICA:I never, not for one second...&#xA;&#xA;KILGRAVE: No, not one second. Eighteen.&#xA;&#xA;JESSICA:In what universe?&#xA;&#xA;KILGRAVE: Ours. On that rooftop. You remember.&#xA;&#xA;Flashback: Cut to BALCONY&#xA;&#xA;Jessica and Kilgrave in a balcony, he serves her wine, brushes her hair and kisses her.&#xA;&#xA;KILGRAVE: It had been 12 hours. I timed it.&#xA;&#xA;Cut back to the APARTMENT&#xA;&#xA;KILGRAVE:I hadn't told you to do anything. And then for 18 seconds, I wasn't controlling you.  And you stayed with me. With me, because you wanted to.&#xA;&#xA;JESSICA:That's why you thought you had a shot with me?&#xA;&#xA;KILGRAVE:You can't tell me you don't remember.&#xA;&#xA;JESSICA:I remember vividly. I had waited so long for that moment. For one single opportunity to get away from you.&#xA;&#xA;Cut back to flashback: BALCONY&#xA;&#xA;When Kilgrave approaches Jessica to kiss her...&#xA;&#xA;JESSICA:It's getting chilly, let's go in. I'll clean this up, and we'll continue inside.&#xA;&#xA;KILGRAVE: All right, darling.&#xA;&#xA;Kilgrave walks away. Jessica gets near the balcony, sees a horse walking on the street. She smiles, and jumps to the sidewalk, landing without any damage. She climbs on the horse, and rides it away. After neighing is heard, it cuts back to Jessica on the balcony, where she hears a car honk. It was all a dream, her face gets worried&#xA;&#xA;KILGRAVE: Jessica, come in, darling.  Come down from there.&#xA;&#xA;Back to APARTMENT.&#xA;&#xA;KILGRAVE: What revisionist bullshit!&#xA;&#xA;JESSICA: I remember everything.&#xA;&#xA;KILGRAVE: You didn't jump.&#xA;&#xA;JESSICA: Because I wasn't fast enough. Getting you out of my head was like prying fungus from a window. I couldn't think.&#xA;&#xA;KILGRAVE: I know your face. I saw you...&#xA;&#xA;JESSICA: You saw what you wanted to see.&#xA;&#xA;KILGRAVE: I remember...&#xA;&#xA;JESSICA: I remember everything!&#xA;&#xA;Back to the flashback: BALCONY.&#xA;&#xA;KILGRAVE: Come down now, Jessica!  Why don't you listen to me?&#xA;&#xA;JESSICA:Because I don't want to.&#xA;&#xA;KILGRAVE:If you don't listen to me, what is the point of having ears? Answer me!&#xA;&#xA;JESSICA:To listen to someone else.&#xA;&#xA;KILGRAVE:You never appreciate anything I do for you.  If you can't listen to me, you don't need ears.  Cut them off.&#xA;&#xA;She starts slicing off her left ear, and then Kilgrave takes the knife off her hand.&#xA;&#xA;KILGRAVE:Stop. Stop. Stop. It's all right. It's all right.  I'm here, Jessica.  I'll always be here.&#xA;&#xA;Cut back to APARTMENT.&#xA;&#xA;KILGRAVE:You wanted to stay with me. Admit it.&#xA;&#xA;JESSICA:You admit this.&#xA;&#xA;Jessica shows Kilgrave the scar behind her ear, then punches him in the face, sending him flying across the room&#xA;&#xA;JESSICA: Speak up, asshole. I'm all ears.&#xA;&#xA;Jessica thuds her foot on the ground, and sighs&#xA;&#xA;Cut to OUTSIDE BROADWAY RESTAURANT&#xA;&#xA;EMMA: And sometimes, on good days...  I even catch myself smiling again.&#xA;&#xA;MALCOLM: Thanks, Emma.  I'm glad you're returning to yourself. Anyone else? Don?&#xA;&#xA;DON: I already bared my soul, Malcolm. And it hasn't gotten me back my son.&#xA;&#xA;MALCOLM:Yeah, we all share the same shame.&#xA;&#xA;JACKSON: I'm not ashamed. It's not my fault. We're victims.&#xA;&#xA;MALCOLM: Well, we're not anymore. Not if we help each other...&#xA;&#xA;JACKSON: Who have you helped?&#xA;&#xA;CLAIR: Malcolm, you don't have to talk.&#xA;&#xA;MALCOLM:  Well, I've helped my friend. She saved me, and I saved her. Kilgrave set her up. For murder. And he killed this... this guy who hadn't done anything to anyone. He made him cut his own throat. And I fixed it. All right? I wrapped his body in a comforter and dragged it to the elevator, and, I mean, it's like his ghost is still in the building. And his sister, I mean, she's just... she's destroyed. But I can't tell her the truth until Jessica gets Kilgrave. And she's so close. But, I just... I can't lie anymore. &#xA;&#xA;CLAIR: Thank you for your share.&#xA;&#xA;Malcolm sighs, Robyn approaches the table&#xA;&#xA;ROBYN: Yeah. Thank you so much for that illuminating share.&#xA;&#xA;MALCOLM:Oh, my God, you shouldn't have followed me. I am so sorry, Robyn.&#xA;&#xA;ROBYN: Sorry to bust up the kumbaya circle jerk, but...&#xA;&#xA;EMMA: There's no cross talk here.&#xA;&#xA;ROBYN: Oh, really? 'Cause I'm cross and I'm talking, so blow me, Emma!&#xA;&#xA;MALCOLM:Hey, let me just take you home.&#xA;&#xA;ROBYN: You murdered my brother.&#xA;&#xA;MALCOLM:Kilgrave murdered him.&#xA;&#xA;ROBYN:Where's Ruben's body? Where is his heart? Where are his little toes? Holy shit, I feel like I've been cut in half.&#xA;&#xA;CLAIR: Kilgrave has caused us all enormous loss.&#xA;&#xA;ROBYN: So I've heard.  Oh, poor me. I feel your sadness, but where is your rage? Aren't you sick of hearing yourselves talk and talk and talk?&#xA;&#xA;DON: I am.&#xA;&#xA;MALCOLM: Well, look, too bad, I mean... That's all we've got. Jessica is the only one that can take on Kilgrave.&#xA;&#xA;ROBYN: Are you so sure that's what she's gonna do?&#xA;&#xA;MALCOLM: She will try like hell.&#xA;&#xA;DON: While we sit here and wait.&#xA;&#xA;ROBYN:Would this Kilgrave cat have hurt any of you if Jessica Jones hadn't pissed him off? That's what I'm piecing together from all of this goddamn sharing. Each of his atrocities can be traced back to her. What exactly does she want?&#xA;&#xA;CLAIR: Jessica brought us all together.&#xA;&#xA;ROBYN:To control you.&#xA;&#xA;MALCOLM:  She is one of us.&#xA;&#xA;DON: Then why isn't she here?&#xA;&#xA;ROBYN:Maybe she's in cahoots with the psycho.&#xA;&#xA;MALCOLM: No one is in cahoots with anyone, all right? There is no conspiracy. You don't know shit about Kilgrave or what he is capable of.&#xA;&#xA;ROBYN:Well, you're right, my two-faced former friend. But I do know Jessica Jones.  And I am gonna track that wannabe gumshoe down and make her explain herself to me. Who's with me?&#xA;&#xA;DON: She's right. Jessica knows more than she's letting on.&#xA;&#xA;MALCOLM:Look, trust me, this is not a good idea.&#xA;&#xA;ROBYN:And why should we trust you? You've just admitted to being a pathological liar. Clair? Emma?  Trendy guy?&#xA;&#xA;JACKSON: Yeah.&#xA;&#xA;ROBYN: Then let's go pay her a visit.&#xA;&#xA;Cut to JESSICA'S APARTMENT&#xA;&#xA;Jessica is on the phone with Hope.&#xA;&#xA;HOPE: So he's dead?&#xA;&#xA;JESSICA: You don't have to worry about Kilgrave anymore.&#xA;&#xA;HOPE: Because you killed him?&#xA;&#xA;JESSICA: Hope, you'll be free tomorrow. Just think about that.&#xA;&#xA;Cut to Hope on a payphone in the correction facility.&#xA;HOPE: I still can't believe it.&#xA;&#xA;JESSICA:Believe it.I'm gonna pick you up tomorrow, take you to a great restaurant.&#xA;&#xA;HOPE: A 5 Napkin Burger.&#xA;&#xA;JESSICA: Perfect. And then I'll take you to the airport and you'll fly home.&#xA;&#xA;HOPE: I don't have a home. They all blame me. They even told my brother that I was dead.&#xA;&#xA;JESSICA:Hope, think about the big picture. You're healthy. You're sane.&#xA;&#xA;HOPE: That's true. Sanity was touch and go for a while there.&#xA;&#xA;JESSICA:And you're gonna be free in a matter of hours.&#xA;&#xA;HOPE:Big picture.&#xA;&#xA;JESSICA:I'll see you tomorrow.&#xA;&#xA;HOPE:Don't be late.&#xA;&#xA;JESSICA:Not a chance.&#xA;&#xA;Footsteps approaching rapidly, then pounding on door.&#xA;&#xA;MALCOLM: Jessica? Open up, quick!&#xA;&#xA;Indistinct conversations are heard as she goes to open the door.&#xA;&#xA;MALCOLM:I made a terrible mistake.&#xA;&#xA;JACKSON: Go, go, go!&#xA;&#xA;Jackson holds the door before Malcolm can close it. Don enters and tries to grab Jessica, but she hits him.&#xA;&#xA;MALCOLM: Robyn knows.&#xA;&#xA;JESSICA:  What did you do, you told her?&#xA;&#xA;MALCOLM:No, not intentionally.&#xA;&#xA;Jackson presses Jessica against the wall. Malcolm hits his back.&#xA;&#xA;MALCOLM: Get off...&#xA;&#xA;Jessica pushes Jackson away, and has to handle both him and an emerging Don. Then Robyn attacks her with a plank,  hitting Jessica on the head.&#xA;&#xA;ROBYN: You killed Ruben, you bitch!&#xA;&#xA;MALCOLM:What the hell are you guys doing? This is insanity!&#xA;&#xA;Robyn hits Jessica again, she falls, with blood on her forehead. Before Jessica faints, she sees, tilted, Robyn going further into her apartment.&#xA;&#xA;ROBYN: Ruben?  Ruben?&#xA;&#xA;Robyn finds a restrained Kilgrave, who is taped in his mouth and limbs&#xA;&#xA;ROBYN: She has a captive! You're gonna be okay. Oh, it's okay.&#xA;You're gonna be fine.&#xA;&#xA;Kilgrave laughs.&#xA;&#xA;Cut to ALBERT'S APARTMENT&#xA;&#xA;Trish is using a pipette to drop results of the serum work.&#xA;&#xA;ALBERT: Just one single drop. More than that, you'll destroy all our work.&#xA;&#xA;TRISH: Okay. Hey. Eyes here.  The virus will wear off in a couple hours. Okay?  Who is it?&#xA;&#xA;SIMPSON: It's me. Trish?&#xA;&#xA;Trish opens the door&#xA;&#xA;TRISH: What are you doing here? How are you even standing? You were in the hospital.&#xA;&#xA;SIMPSON:  No, I'm okay. Kozlov's a great doctor.&#xA;&#xA;TRISH:Your pupils are dilated.&#xA;&#xA;SIMPSON: Yeah, that's because I'm on meds. Well, I did almost die, after all.&#xA;&#xA;TRISH: What kind of meds?&#xA;&#xA;SIMPSON: It doesn't matter. And, you know, I feel much better than I look. Trish, if you're making a vaccine, then I wanna help. Detective Clemons told me.  What happened to you? You the scientist? I'm Simpson.  Why is he restrained?&#xA;&#xA;TRISH: Kilgrave told him to cut out his heart.&#xA;&#xA;SIMPSON: You think you can make a vaccine?&#xA;&#xA;TRISH: It turns out Kilgrave is a virus.&#xA;&#xA;ALBERT: Quite literally. That's how he controls people.&#xA;&#xA;SIMPSON: He's British.&#xA;&#xA;Trish strutters&#xA;&#xA;SIMPSON: Why is a foreign scientist holed up in a dump like this?&#xA;&#xA;TRISH: Simpson, stop it.&#xA;&#xA;SIMPSON: What makes you so sure that you can make this vaccine? You know something special about Kilgrave?&#xA;&#xA;TRISH: Don't answer that.&#xA;&#xA;ALBERT: He's my son.&#xA;&#xA;Simpson grabs Albert puts him lying on a couch, and grabs his throat&#xA;&#xA;TRISH: No! Don't hurt him.&#xA;&#xA;SIMPSON: You made him.&#xA;&#xA;Trish tries releasing Albert from Simpson, he slaps her and Trish hits her head against the window. Hearing her grunt, he goes after Trish.&#xA;&#xA;SIMPSON:  Oh, God, I'm so, so sorry.&#xA;&#xA;TRISH:What is wrong with you?&#xA;&#xA;SIMPSON:I didn't mean to.&#xA;&#xA;TRISH:They've messed you up. You're messed up in the head!  Get out!&#xA;&#xA;SIMPSON:No! No, it won't happen again.&#xA;&#xA;TRISH:It won't happen again because you're leaving. Go!&#xA;&#xA;Trish pushes Simpson out the door. After she locks it, she stares at the vial of pills she grabbed from Simpson.&#xA;&#xA;Cut to OUTSIDE JESSICA'S BUILDING, THE FOLLOWING DAY&#xA;&#xA;A cell phone rings. The unconscious Jessica is shown on her floor, and then struggles to get up.&#xA;&#xA;JESSICA: Oh, shit.  Yeah?&#xA;&#xA;HOPE: Where are you?&#xA;&#xA;JESSICA:What time is it?&#xA;&#xA;HOPE: You said that you'd be here when I got out.&#xA;&#xA;JESSICA: Don't move.&#xA;&#xA;Cut to Hope at the payphone, but now in civilian clothes&#xA;&#xA;HOPE:  Why?&#xA;&#xA;JESSICA: Lock yourself in the bathroom if you have to.&#xA;&#xA;HOPE: He's alive, isn't he? He's still out there.&#xA;&#xA;JESSICA: Don't move! &#xA;&#xA;Cut to: STREET&#xA;&#xA;Jessica runs,  all the way to the prison. Inside, she goes to the front desk.&#xA;&#xA;JESSICA:Hi, I'm here to pick up an inmate. Former inmate. She was getting released today.&#xA;&#xA;CLERK: Name?&#xA;&#xA;JESSICA: Jessica Jones. No, sorry, that's my name. Her name is Hope. Hope Shlottman.&#xA;&#xA;CLERK: Shlottman was released 20 minutes ago.&#xA;&#xA;JESSICA: I told her to wait for me.&#xA;&#xA;CLERK: Some guy picked her up.&#xA;&#xA;WOMAN: Jessica Jones?&#xA;&#xA;Said woman, a police officer, approaches Jessica&#xA;&#xA;JESSICA: Yeah?&#xA;&#xA;OFFICER: He's at your favorite restaurant.  He said to bring Dad or lose all hope.&#xA;&#xA;A concerned Jessica walks out&#xA;&#xA;CUT TO: ALBERT'S ROOM&#xA;&#xA;Albert is pouring liquids to finish the vaccine, while Trish stares at the pills.&#xA;&#xA;TRISH: I know what people look like on speed. This is...There's more to this. Simpson was so intense, focused, and he's wounded, but not feeling it.&#xA;&#xA;ALBERT: Probably some kind of combat enhancement for wakefulness. To numb the pain center, push the adrenergic system for strength and stamina.&#xA;&#xA;TRISH: He's part of a private research program.&#xA;&#xA;ALBERT: Unregulated, no doubt. You can grow someone's strength or power, but you can't grow a corresponding conscience. There's no pill for that.&#xA;&#xA;Knocking on door is heard&#xA;&#xA;JESSICA: Open the door.  Tell me you have the vaccine.&#xA;&#xA;ALBERT: I do, but there's only one way to test it.&#xA;&#xA;JESSICA: He took Hope.&#xA;&#xA;TRISH:What?&#xA;&#xA;JESSICA: He'll trade her for you.&#xA;&#xA;Cut to NIKU&#xA;&#xA;Shot of the restaurant, then Jessica and Albert (who is holding a vial) getting to it.&#xA;&#xA;JESSICA: He'll have contingencies in place. People ready to stab themselves or something.&#xA;&#xA;ALBERT: I'm trembling. My God, I'm such a coward. &#xA;&#xA;JESSICA: You're not a coward, okay? I want you to know,  right here and right now that you are not a coward.&#xA;&#xA;Albert sprays himself with the serum before following Jessica up the stairs. She opens the door.&#xA;&#xA;Inside, Malcolm, Robyn, Jackson and Don are standing atop the bar counter with nooses around their necks.&#xA;&#xA;KILGRAVE: You can't say these stroppy tosspots don't deserve it.&#xA;&#xA;Kilgrave is shown at another table eating pasta, accompanied by Hope; Jessica inspects the hostages, with Albert close by, before getting near Kilgrave's table.&#xA;&#xA;JESSICA: Your father is here. Now give me the girl.&#xA;&#xA;KILGRAVE: Step forward.&#xA;&#xA;The hostages take a step forward, getting closer to the edge&#xA;&#xA;JESSICA: Stop this!&#xA;&#xA;KILGRAVE: Don't bark orders at me. Say you're sorry.&#xA;&#xA;A sad Robyn stares at Jessica&#xA;&#xA;JESSICA:  I'm sorry.&#xA;&#xA;KILGRAVE: About hitting me.&#xA;&#xA;JESSICA:Yes. All of it.&#xA;&#xA;KILGRAVE: Stay.  See? I still have all the control.&#xA;&#xA;HOPE: Jessica. Kill him now.&#xA;&#xA;JESSICA: We had a deal.&#xA;&#xA;KILGRAVE: &amp;quot;Abandon hope, all ye who enter here.&amp;quot; That's the words written on the doorway to hell.&#xA;&#xA;HOPE: Kill him or he'll keep hurting people!&#xA;&#xA;KILGRAVE: Let me handle this. She'll never kill me.  Despite her calloused, hard-bitten, and, frankly, poorly styled facade, despite her several problems, she still hopes that, at her core, she might just be a hero. But only if she can save you.  The ultimate innocent victim.  Father, come here.  Now!&#xA;&#xA;While Albert appears to resist, eventually his feet start to move; the antidote failed.&#xA;&#xA;ALBERT:   I'm sorry.&#xA;&#xA;KILGRAVE: That's nice, Dad. Nice and close.  Aw, look at you trembling there.  Still spineless, I see.   It's just you and me now, Dad.&#xA;&#xA;Hope gets up, breaks a wine glass on the table&#xA;&#xA;KILGRAVE: You can't kill me, silly girl.&#xA;&#xA;HOPE: But Jessica can!&#xA;&#xA;JESSICA: What are you doing?&#xA;&#xA;Hope stabs herself in the throat.&#xA;&#xA;KILGRAVE: Step forward!&#xA;&#xA;The hostages walk out the balcony, and start to asphyxiate. While Kilgrave leaves with his father and a bleeding Hope crashes to the ground, Jessica is forced to break down the railing from which the ropes hang. Afterwards, she runs to Hope, and presses a handkerchief against her carotid.&#xA;&#xA;JESSICA:  Hope!  Hope, why would you do this?&#xA;&#xA;HOPE:    You can kill him now.&#xA;&#xA;JESSICA:Hope.&#xA;&#xA;HOPE:Tell me. Tell me!  Tell me.  &#xA;&#xA;JESSICA: I will.  I'll kill him.&#xA;&#xA;Hope contorts and dies. 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<INFO BITRATE="969000" KEY_LYRICS="7 ContributorsSermon Lyrics&#xA;Try! Dial-a-vibe!&#xA;Say, are you paralyzed from the neck up?&#xA;Wanna get pissed off?&#xA;Dial seven-eleven-nine-ought-zero-niner-niner!&#xA; dial four-thousand-million six-trillion!&#xA;&#xA;*Channel changing*&#xA;&#xA;Remember ladies:&#xA;Destroy the odor that proclaims your sex&#xA;Use sweet breeze&#xA;♫When he gets between your knees, use Sweet Breeze!♫&#xA;&#xA;*Channel changes*&#xA;&#xA;Just mail- five cents, just a nickel&#xA;Along with five cents&#xA;Remember, send either five cents in coin, with either-&#xA;Five cents, just a nickel&#xA;Now, full detail of the offer later&#xA;&#xA;&#xA;&amp;quot;And if he speaks to you, you know what to do&amp;quot;&#xA;Pretend to be scared and answer his questions&amp;quot;&#xA;&#xA;&amp;quot;Eh, there's a first time for everything&amp;quot;&#xA;&amp;quot;Are you sure he'll come? It's getting late&amp;quot;&#xA;&amp;quot;He'll com all right, doesn't matter how late it is&#xA;We'll be here waiting for him&amp;quot;&#xA;&amp;quot;What's that?&amp;quot;&#xA;&amp;quot;Go ahead, peak behind the curtains.&amp;quot;&#xA;&#xA;How DOOM hold heat then preach non-violence?&#xA;Shhh, he about to start the speech, c'mon, silence&#xA;On one starry night, I saw the light&#xA;Heard a voice that sound like Barry White, said &amp;quot;Sure you right&amp;quot;&#xA;Don't let me find out who tried to bite&#xA;They better off goin' to fly a kite in a firefight&#xA;During tornado time with no coat than I caught ya&#xA;Wrote the book on rhymes, a note from the author&#xA;-&amp;quot;Come back here! Come back here!!!&amp;quot;-&#xA;Got a breadwinner style to get a inner child to finna smile&#xA;And that's no exaggeration&#xA;The doctor told a patient &amp;quot;It's all in your imagination negro&amp;quot;&#xA;Ahh, what do he know?&#xA;About the buttery flow, he need to cut the ego&#xA;Trippin'&#xA;To date the Metal Fellow&#xA;Been rippin' flows&#xA;Since New York plates was ghetto yellow with broke blue writing&#xA;This is too exciting&#xA;Folks leave out the show feelin' truly enlightened&#xA;They say &amp;quot;The Villain been spitting enough lightning&#xA;To rock shock the Boogie Down to Brighton,&amp;quot; alright, then&#xA;&#xA;&#xA;*Yelling*&#xA;&amp;quot;Wake up, wake up!&#xA;You've been dreaming, you've been&#xA;And I got bruises to prove it&amp;quot;&#xA;&amp;quot;It was all a dream? You're not dead?&amp;quot;&#xA;&amp;quot;Not that I heard&#xA;Am I supposed to be? Am I supposed to&amp;quot;&#xA;&amp;quot;If it was a dream, it was so real&amp;quot;&#xA;*Phone hangs*&#xA;&amp;quot;Well...&amp;quot;" PRODUCER="Low Down Deep Recordings" COVERARTID="092/2SVI0JBMIO5MHDQT5WRPDFMAXZND" KEY="2d" PLAYTIME="272" PLAYTIME_FLOAT="271.186462" IMPORT_DATE="2025/5/24" RELEASE_DATE="2017/1/1" FLAGS="8" FILESIZE="32557"></INFO>
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<INFO BITRATE="1017000" KEY_LYRICS="1 ContributorIf I Get Money Ehn (Remix) LyricsAs i get money ehn, i con start to enjoy&#xA;I open my company, all my village people na im i employ&#xA;Everybody wey know me before come dey call me oga bomboy&#xA;I marry my girlfriend e no reach two weeks na im she born boy&#xA;As i get money ehn, i sign big footballers&#xA;I sign mikel obi i no ask am how much, i paid him in dollars&#xA;There is nothing money cannot do, i make messi goalkeeper for gunners&#xA;If i write exam i no dey bother again, i dont care if i come last&#xA;As i get money ehn, i call my landlord&#xA;I tеll am to tell me the cost of his propеrty just in one word&#xA;My brother pato&#xA;As i get my own money i begin to diet&#xA;I want to become the next metusela am not ready to die yet&#xA;A hundred and fifty years is not too much and thats my target&#xA;Raba dey! Raba raba dey&#xA;Raba dey! Raba raba dey&#xA;Raba dey (Money dey oh)&#xA;Raba raba dey&#xA;Raba dey! Raba raba dey&#xA;Raba dey (Money dey oh)&#xA;Raba raba dey&#xA;Raba dey! Raba raba dey&#xA;As i get money ehn, i start to import&#xA;All the ugly girls wey dey lekki phase1 i start to export&#xA;Dangote follow me for instagram as him hear say i dey hot&#xA;Otedola con dey para say him must carry me go court&#xA;As i get money eh, i enter monaco&#xA;I carry my three igbo wives Nkechi,Chinye Adaku&#xA;Mun kote mai masala dukan ku kutan gidan na mukaku&#xA;Na so so EFCC everyday na me dem begin dey tackle&#xA;As i get money ehn, i go do meeting with nepa&#xA;I give their oga money dem no go take this light again never&#xA;Nice Idea patoranking my brother the approach is clever&#xA;Like rich monk i dey dash my money on a daily to whoever&#xA;Raba dey! Raba raba dey&#xA;Raba dey! Raba raba dey&#xA;Raba dey (Money dey oh)&#xA;Raba raba dey&#xA;Raba dey! Raba raba dey&#xA;Raba dey (Money dey oh)&#xA;Raba raba dey&#xA;Raba dey! Raba raba dey&#xA;Repeat hook till beat fades" PRODUCER="Low Down Deep Recordings" COVERARTID="092/2SVI0JBMIO5MHDQT5WRPDFMAXZND" KEY="8m" PLAYTIME="294" PLAYTIME_FLOAT="293.181824" IMPORT_DATE="2025/5/24" RELEASE_DATE="2017/1/1" FLAGS="8" FILESIZE="36878"></INFO>
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<INFO BITRATE="975000" KEY_LYRICS="2 ContributorsA Book of Saints and Wonders - V. Great Wonders of the Olden Time LyricsBOOK FIVE&#xA;&#xA;GREAT WONDERS OF THE OLDEN TIME&#xA;&#xA;&#xA;&#xA;The first of the saints to be born in Ireland of the saints was Ciaran, that was of the blood of the nobles of Leinster. And the first of the wonders he did was in the island of Cleire, and he but a young child at the time. There came a hawk in the air over his head, and it stooped down before him and took up a little bird that was sitting on a nest. And pity for the little bird came on Ciaran and it was bad to him the way it was. And the hawk turned back and left the bird before him, and it half. dead and trembling; and Ciaran bade it to rise up and it rose and went up safe and well to its nest, by the grace of God. It was Patrick bade Ciaran after that to go to the Well of Uaran, the mering where the north meets with the south in the middle part of Ireland. &amp;quot;And bring my little bell with you&amp;quot; he said &amp;quot;and it will be without speaking till you come to the Well.&amp;quot; So Ciaran did that and when he reached to the Well of Uaran, for God brought him there, the little bell spoke out on the moment in a bright clear voice. And Ciaran settled himself there, and he alone, and great woods all around the place; and he began to make a little cell for himself, that was weak enough. And one time as he was sitting under the shadow of a tree a wild boar rose up on the other side Of it; but when it saw Ciaran it ran from him, and then it turned back again as a quiet servant to him, being made gentle by God. And that boar was the first scholar and the first monk Ciaran had; and it used to be going into the wood and to be plucking rods and thatch between its teeth as if to help towards the building. And there came wild creatures to Ciaran out of the places where they were, a fox and a badger and a wolf and a doe; and they were tame with him and humbled themselves to his teach ing the same as brothers, and did all he bade them to do. But one day the fox, that was greedy and cunning and full of malice, met with Ciaran's brogues and he stole them and went away shunning the rest of the company to his own old den, for he had a mind to eat the brogues. But that was showed to Ciaran, and he sent another monk of the monks of his family, that was the badger, to bring back the fox to the place where they all were. So the badger went to the cave where the fox was and found him, and he after eating the thongs and the ears of the brogues. And the badger would not let him off coming back with him to Ciaran, and they came to him in the evening bringing the brogues with them. And Ciaran said to the fox &amp;quot;O brother&amp;quot; he said &amp;quot;why did you do this robbery that was not right for a monk to do? And there was no need for you to do it&amp;quot; he said &amp;quot;for we all have food and water in common, that there is no harm in. But if your nature told you it was better for you to use flesh, God would have made it for you from the bark of those trees that are about you.&amp;quot; Then the fox asked Ciaran to forgive him and to put a penance on him; and Ciaran did that, and the fox used no food till such time as he got leave from Ciaran; and from that out he was as honest as the rest.&#xA;&#xA;&#xA;&#xA;It is not long since a poor woman of Aidne that used to be doing spinning for the neighbours, and that had a little son that was lame, brought him to a blessed well of Ciaran. And when they looked in it they saw a little fish tossing and leaping and the water bubbling up, and a woman that was there said &amp;quot;It is many years I am coming here, and I never saw that fish until now.&amp;quot; And from that time the lameness went from the little lad. And there was a poor woman in lar Connacht was fretting greatly because she was told that her son that was in America had lost his leg through a train. And she thought maybe she did not hear all the truth, and that the neighbours might be hiding from her that he was dead. So she went to a well of blessed Ciaran and she kneeled down on the stones, and she prayed three times to God and to the saint to give her a sign. And at the third time a little fish rose up and went swimming and stirring itself at the top of the water as if to show itself, and she saw that a piece had been taken out of it and that it was lively all the same. And sure enough her son got well and is living in America yet. And many that have some belonging to them across the ocean will go and ask for a sign at that well, and it will be given to them the same as it was to her.&#xA;&#xA;&#xA;&#xA;The time Cellach, that was a saint of Connacht and a son of the king, was taken by his enemies they put him in a hollow of an oak tree for the night. And he made this complaint, and he waiting for his death: &amp;quot;My blessing to the morning that is as white as a flame; my blessing to Him that sends it, the brave new morning; my blessing to you white proud morning, sister to the bright sun; morning that lights up my little book for me.&#xA;&#xA;&amp;quot;It is you are the guest in every house; it is you shine on every race and every family; white-necked morning, gold-clear, wonderful.&#xA;&#xA;&amp;quot;Och, scallcrow, Och, scaiicrow, grey-cloaked, sharp beaked; it is well I know your desire; you are no friend to Cellach!&#xA;&#xA;&amp;quot;Och, raven doing your croaking; if there is hunger on you do not leave this place till you get your fill of my flesh!&#xA;&#xA;&amp;quot;The kite of the Yew Tree of Cluan Eo, it is he will be rough in the struggle; he will take the full of his grey claws; it is not in kindness he will part from me!&#xA;&#xA;&amp;quot;Little wren of the scanty tail, it is a pity the song you gave; it is surely for betraying you are come and for the shortening of my life. &amp;quot;The red fox will come hurrying when he hears the blows upon me; the wolf from the eastern side of the Ridge of the son of Dara.&#xA;&amp;quot;The great Son of Mary is saying over my head 'You will have earth, you will have Heaven; there is a welcome before you Cellach!'&amp;quot;&#xA;&#xA;&#xA;&#xA;It chanced one day not long after the coming of the Gall from England into Ireland, there was a priest making his way through a wood of Meath. And there came a man fornenst him and bade him for the love of God to come with him to confess his wife that was lying sick near that place. So the priest turned with him and it was not long before he heard groaning and complaining as would be heard from a woman, but when he came where she was lying it was a wolf he saw before him on the ground. The priest was afeared when he saw that and he turned away; but the man and the wolf spoke with him and bade him not to be afeared but to turn and to confess her. Then the priest took heart and blessed him and sat down beside her. And the wolf spoke to him and made her confession to the priest and he anointed her. And when they had that done, the priest began to think in himself that she that had that mis-likeness upon her and had grace to speak, might likely have grace and the gift of knowledge in other things; and he asked her about the strangers that were come into Ireland, and what way it would be with them. And it is what the wolf said: &amp;quot;It was through the sin of the people of this country Almighty God was displeased with them and sent that race to bring them into bondage, and so they must be until the Gall themselves will be encumbered with sin. And at that time the people of Ireland will have power to put on them the same wretchedness for their sins.&amp;quot;&#xA;&#xA;&#xA;&#xA;The time Angus Og sent away Eochaid and Ribh from the plain of Bregia that was his playing ground, he gave them the loan of a very big horse to carry all they had northward. And Eochaid went on with the horse till he came to the Grey Thornbush in Ulster; and a well broke out where he stopped, and he made his dwelling-house beside it, and he made a cover for the well and put a woman to mind it. But one time she did not shut down the cover, and the water rose up and covered the Grey Thornbush, and Eochaid was drowned with his children; and the water spread out into a great lake that has the name of Loch Neach to this day. But Liban that was one of Eochaid's daughters was not drowned, but she was in her sunny-house under the lake and her little dog with her for a full year, and God protected her from the waters. And one day she said &amp;quot;O Lord, it would be well to be in the shape of a salmon, to be going through the sea the way they do.&amp;quot; Then the one half of her took the shape of a salmon and the other half kept the shape of a woman; and she went swimming the sea, and her little dog following her in the shape of an otter and never leaving her or parting from her at all. And one time Caoilte was out at a hunting near Beinn Boirche with the King of Ulster, and they came to the shore of the sea. And when they looked out over it they saw a young girl on the waves, and she swimming with the side-stroke and the foot-stroke. And when she came opposite them she sat up on a wave, as anyone would sit upon a stone or a hillock and she lifted her head and she said &amp;quot;Is not that Caoilte Son of Ronan?&amp;quot; &amp;quot;It is myself surely&amp;quot; said he. &amp;quot;It is many a day&amp;quot; she said &amp;quot;we saw you upon that rock, and the best man of Ireland or of Scotland with you, that was Finn son of Cumhal. &amp;quot;Who are you so girl?&amp;quot; said Caoilte. &amp;quot;I am Liban daughter of Eochaid, and I am in the water these hundred years, and I never showed my face to anyone since the going away of the King of the Fianna to this day. And it is what led me to lift my head to-day&amp;quot; she said &amp;quot;was to see yourself Caoilte.&amp;quot; Just then the deer that were running before the hounds made for the sea and swam out into it. &amp;quot;Your spear to me Caoilte!&amp;quot; said Liban. Then he put the spear into her hand and she killed the deer with it, and sent them back to him where he was with the King of Ulster; and then she threw him back the spear and with that she went away. And that is the way she was until the time Beoan son of Innle was sent by Comgall to Rome, to have talk with Gregory and to bring back rules and orders. And when he and his people were going over the sea they heard what was like the singing of angels under the currach. &amp;quot;What is that song?&amp;quot; said Beoan. &amp;quot;It is I myself am making it&amp;quot; said Liban. &amp;quot;Who are you?&amp;quot; said Beoan. &amp;quot;I am Liban daughter of Eochaid son Mairid, and I am going through the sea these three hundred years.' Then she told him all her story, and how it was under the round hulls of ships she had her dwelling-place, and the waves were the roofing of her house, and the strands its walls. &amp;quot;And it is what I am come for now&amp;quot; she said &amp;quot;to tell you that I will come to meet you on this day twelve-month at Inver Ollorba; and do not fail to meet me there for the sake of all the saints of Dalaradia.&amp;quot; And at the year's end the nets were spread along the coast where she said she would come, and it was in the net of Fergus from Miluic she was taken. And the clerks gave her her choice either to be baptized and go then and there to heaven, or to stay living through another three hundred years and at the end of that time to go to heaven; and the choice she made was to die. Then Comgall baptized her and the name he gave her was Muirgheis, the Birth of the Sea. So she died, and the messengers that came and that carried her to her burying place, were horned deer that were sent by the angels of God.&#xA;&#xA;&#xA;&#xA;There was a good honourable well-born priest, God's darling he was, a man holding to the yoke of Christ; and it happened he went one day to attend on a sick man. And as he was going a swarm of bees came towards him, and he having the Blessed Body of Christ with him there. And when he saw the swarm he laid the Blessed Body on the ground and gathered the swarm into his bosom, and went on in that way upon his journey, and forgot the Blessed Body where he had laid it. And after a while the bees went back from him again, and they found the Blessed Body and carried it away between them to their own dwelling place, and they gave honour to it kindly and made a good chapel of wax for it, and an altar and a chalice and a pair of priests, shaping them well out of wax to stand before Christ's Body. But as for the priest, when he remembered it he went looking for it carefully, penitently, and could not find it in any place. And it went badly with him and he went to confession, and with the weight of the trouble that took hold of him he was fretting through the length of a year. And there came an angel to him at the end of the year and told him the way the Body of Christ was sheltered and honoured. And the angel bade him to bring all the people to see that wonder; and they went there and when they saw it a great many of them believed.&#xA;&#xA;&#xA;&#xA;As Molling, saint of the Gael, was praying in his church one time, he saw a young man coming to him into the house. A comely shape he had and purple clothing about him. &amp;quot;Good be with you, Clerk&amp;quot; he said. &amp;quot;Amen&amp;quot; said Molling. &amp;quot;Why do you give me no blessing?&amp;quot; said the young man. &amp;quot;Who are you?&amp;quot; said Molling. &amp;quot;I am Jesus Christ the Son of God.&amp;quot; &amp;quot;That is not so&amp;quot; said Molling. &amp;quot;In the time Christ used to come and to be talking with the servants of God, it is not in purple or like a king he was, but it is in the shape of the miserable the poor and the lepers he used to come.&amp;quot; &amp;quot;If it is not believing me you are&amp;quot; said the young man &amp;quot;who is it you think I am?&amp;quot; &amp;quot;In my opinion&amp;quot; said Molling &amp;quot;it is the devil you are, coming for my hurt.&amp;quot; &amp;quot;It is harmful to you your unbelief is&amp;quot; said the young man. &amp;quot;Well&amp;quot; said Molling &amp;quot;here is your successor, the Gospel of Christ&amp;quot; and with that he raised up the book. &amp;quot;Do not raise it up Clerk&amp;quot; said the young man then; &amp;quot;for it is likely I am what you say, the man full of trouble.&amp;quot; &amp;quot;For what cause are you come?&amp;quot; said Molling. &amp;quot;To ask a blessing of you&amp;quot; said he. &amp;quot;I will not give it&amp;quot; said Molling; &amp;quot;for it is not a blessing you would be the better of. And what good would it be to you?&amp;quot; he said. &amp;quot;O Clerk&amp;quot; said the young man &amp;quot;it would be like as if you would go into a vat of honey and your clothing on you, and bathe yourself in it, the smell of it would be about you unless you would wash your clothing.&amp;quot; &amp;quot;I will not give it to you&amp;quot; said Molling &amp;quot;for it is not your true desire.&amp;quot; &amp;quot;Well&amp;quot; he said &amp;quot;give me the full of a curse.&amp;quot; &amp;quot;What good will that do you?&amp;quot; said Molling. &amp;quot;Not hard to say that, Clerk; if your mouth should give out the curse on me, its hurt &amp;amp; its poison would be on your lips.&amp;quot; &amp;quot;Go&amp;quot; said Molling &amp;quot;you are worthy of no blessing.&amp;quot; &amp;quot;It would be best for me to earn it&amp;quot; said he; &amp;quot;and what way can I do that?&amp;quot; &amp;quot;By serving God&amp;quot; said Molling. &amp;quot;My grief&amp;quot; he said &amp;quot;I cannot do that.&amp;quot; &amp;quot;By fasting then.&amp;quot; &amp;quot;I am fasting since the beginning of the world&amp;quot; he said &amp;quot;and I am none the better for it.&amp;quot; &amp;quot;Bow your knees&amp;quot; said Molling. &amp;quot;I cannot do that for it is turned backwards my knees are.&amp;quot; &amp;quot;Go out from this&amp;quot; said Molling &amp;quot;for I cannot save you.&amp;quot; And it is what the stranger said then:&#xA;&#xA;&amp;quot;He is clean gold, he is Heaven about the sun, he is a silver vessel having wine in it; he is an angel, he is the wisdom of saints; everyone is doing the will of the King.&#xA;&#xA;&amp;quot;He is a bird with a trap closing about him; he is a broken ship in great danger; he is an empty vessel, he is a withered tree; he that is not doing the will of the King.&#xA;&#xA;&amp;quot;He is a sweet-smelling branch with its blossoms; he is a vessel that is full of honey; he is a shining stone of good luck; he who does the will of the Son of God of heaven.&#xA;&#xA;&amp;quot;He is a blind nut without profit; he is ill-smelling rottenness, he is a withered tree; he is a wild apple branch without blossom; he that is not doing the will of the King.&#xA;&amp;quot;If he does the will of the Son of God of Heaven, he is a bright sun with summer about it; he is the image of the God of Heaven; he is a vessel of clear glass.&#xA;&#xA;&amp;quot;He is a racehorse over a smooth plain, the man that is striving for the kingdom of the great God, he is a chariot that is seen under a king, that wins the victory with golden bridles.&#xA;&#xA;&amp;quot;He is a sun that warms high heaven; the king to whom the great King is thankful; he is a church, joyful, noble; he is a shrine having gold about it.&#xA;&#xA;&amp;quot;He is an altar having wine poured upon it; having many quires singing around; he is a clean chalice with ale in it; he is bronze, white, shining; he is gold.&amp;quot;&#xA;&#xA;&#xA;&#xA;Finnen of Magh Bile, saint of the GaeI, went one time into Ulster to a rich fighting-man that had no good belief and that would not let him or his people into his house, but left them fasting through the Sunday. Then there came to them a very old clerk and bade them to come with him. &amp;quot;Come to my dwelling-place&amp;quot; he said &amp;quot;for it will be more fitting for you.&amp;quot; They went with him then, and they went through the duties of the Lord's day with psalms and with preachings and with offerings. Then Finnen asked him his name. &amp;quot;I am one of the men of Ulster&amp;quot; he said &amp;quot;and I am now Tuan, son of Cairell; but Tuan grandson of Sera, son of Partholon's brother, that was my name at the first.&amp;quot; Then Finnen hade him to tell all that had happened in Ireland from the time of Partholon, and they said they would not eat with him until he had told them the stories of Ireland. &amp;quot;It is hard not to be thinking of the word of God you have been giving out to us&amp;quot; said Tuan. But Finnen said &amp;quot;You have leave to tell us now your own story, and the story of Ireland.&amp;quot; &amp;quot;Five times&amp;quot; he said then &amp;quot;Ireland was taken after the flood; and then Partholon and his people took it, and between two Sundays a sickness came upon them, that they all died but one man only. But it is not the custom for destruction to come without one coming out of it to tell the story, and I myself am that one&amp;quot; he said. &amp;quot;After that I was going from hill to hill and from cliff to cliff, keeping myself from wolves through two and twenty years, and all Ireland empty. Then the withering of age came upon me, and I was in waste places and my walk failed me, and I took caves for myself. Then Nemed my father's brother came into Ireland with his people, and I saw them from the cliffs, and I was avoiding them, and I hairy, clawed, withered, grey, naked, sorrowful, miserable. Then one night in my sleep I saw myself going into the shape of a stag, and I was in that shape, and young and glad in my mind. And there grew upon my bead two antlers having three score points, and I was the leader of the herds of Ireland, and there was a great herd of stags about me whatever way I went. That is the way I spent my life through the time of Nemed and his race, but they all died in the end. Then the withering of age came upon me again, and I was going away from men and from wolves. One time I was at the door of my cave, I remember it yet, I knew 1 was going from one shape into another. It was into the shape of a wild boar I went and it is what I said:&#xA;&#xA;'I am a boar to-day among many; I am a king looking for victories; the King of all has put me in hard trouble under many shapes. When I was at Dun bre in the mornings fighting against old fighting men, it is comely my troop was beyond the pool; a beautiful host was following me.&#xA;&#xA;'It is swift my troop was, going in revenge among armies; throwing my spears on every side against the hosts of Inisfail.&#xA;&#xA;'When we were in the gathering giving out the judgments of Partholon it was sweet to everyone what I said; those were the words that went very close.&#xA;&#xA;'It is sweet was my pleasant judgment among the beautiful women; stately my comely chariot; sweet my singing across a dark plain.&#xA;&#xA;'It is swift was my step without straying in the first rush of the battles; it is comely my face was that day; to-day it is the dark face of a boar.'&#xA;&#xA;&amp;quot;For it was in that shape I was truly&amp;quot; he said &amp;quot;and I was young and glad in my mind, and I was the king of the boar-herds of Ireland, and I went the round of my dwelling when I came into the district of Ulster; for it was in that place I changed into all those shapes, and it is to that place I came for renewing in the time of my withering and my misery. Then Semion son of Stariath and his people took this island. From them are the Fir Domnann and the Firbolg and the Galliana, and all these lived their time in Ireland. And age came upon me, and my mind was troubled, and I could not do the things I was used to. And I went back to my own place, and I remembered every shape I was in before, and I fasted my three days as I had always done, and I had no strength left. And after that I went into the shape of a great hawk and my mind was glad again, I was able to do everything; and I said to myself that dearer to me every day was God, the Friend who had shaped me. Then Beothach son of Iarbonel the prophet took this island from the races that were in it. From them are the Tuatha De Danaan and the An-De; and where they came from the learned do not know, but it seems to them likely they came from heaven, because of their skill and the excellence of their knowledge. I was a long time in the shape of that hawk till I outlived all the races that had taken the land of Ireland. Then the sons of Miled took the island by force from the Tuatha De Danaan, and I was in the shape of that hawk yet, and I was in the hollow of a tree on a river. It is sorrowful my mind was; all the birds came to me quietly. There I fasted three days and three nights and sleep fell upon me, and I went there and then into the shape of a salmon, and God put me into the river and I was in it. It is well content I was then and strong and well nourished, and it is good my swimming was, and I used to escape from every net and every danger, from the claws of hawks and from the hands of fishermen and their spears; and the marks of everyone of them are on me yet. And when God, my help, thought it time, and when the beasts were following me and I was known to every fisherman in every pool, the fisherman of Cairell, king of that country, took me and brought me to the queen, I remember it well; the man put me on a spit and roasted me, and the queen, that had a desire for fish, eat me so that I was in her womb. I remember well the time I was in her womb and what each one said to her in the house, and all that was done in Ireland through that time. I remember after my birth when speech came to me as it comes to every person, and I knew all that was going on in Ireland, and I was a seer and they gave me the name of Tuan son of Cairell. After that, Patrick came with the faith to Ireland and I was baptized and believed in the only King of all things and of the Elements.&amp;quot; And after Tuan had told that, Finnen and his people stopped there through a week talking with him. And every history and every genealogy that is in Ireland, it is from him it comes; or if not from him, then from Fintain, that Tuan said was older again than himself, as he was; being son of Bochra, son of Bith, son of Noah.&#xA;&#xA;&#xA;And when Fintain came to Ireland is not known; but anyway it was for him and for Tuan that Diarmuid King of Teamhuir sent one time when there was a dispute about land and about the old custom. And when Fintain came he had eighteen troops with him, nine before him and nine after him, that were all of them his children's children. And when the king's people asked how far did his memory go back &amp;quot;I will tell you that&amp;quot; he said. &amp;quot;I passed one day through the west of Munster, and I brought home with me a red berry of a yew tree and I planted it in my garden and it grew there till it was the height of a man. I took it out of the garden then and I planted it in the green lawn before my house, and it grew in that lawn till a hundred fighting men could come together under its branches, and find shelter there from wind and rain and cold and heat. And I myself and my yew tree were wearing out our time together, till at last all the leaves withered and fell from it. And then to get some profit from it I cut it down and I made from it seven vats, seven kieves, seven barrels, seven churns, seven pitchers, seven measures, seven methers, with hoops for all. I went on then with my yew vessels till the hoops fell from them with age and rottenness. After that I made them over again, but all I could get was a kieve out of the vat, a barrel out of the kieve, a mug out of the barrel, a pitcher out of the mug, a measure out of the pitcher, and a mether out of the measure. And I leave it to the great God&amp;quot; he said &amp;quot;that I do not know where is their dust now, after the crumbling of them away from me through age.&amp;quot;&#xA;&#xA;&#xA;&#xA;The time Conchubar High King of Ireland was fighting in Connacht and was given a wound in the head with a hard ball that lodged there, it was Fintain the great healer tended him, and took a thread of gold that was the one colour with the King's hair and sewed up the wound. And he bade him to be careful and not to give way to anger or to passion, and not to be running or to go riding on a horse. So through seven years he stayed in his quietness until the coming of the Friday of the Crucifixion. And on that day he took notice of a change that came over the world, and of the darkening of the sun until the moon was seen at the full; and he asked his druid that was with him the meaning of that great change. &amp;quot;It is Jesus Christ the Son of God&amp;quot; said the druid &amp;quot;that is at this time meeting with his death by the Jews.&amp;quot; &amp;quot;It is a pity&amp;quot; said Conchubar &amp;quot;that he did not call out for the help of a High King. And that would bring me myself there&amp;quot; he said &amp;quot;in the shape of a hardy fighter, my lips twitching, until the great courage of a champion would be heard breaking a gap of battle between two armies. It is with Christ my help would be; a wild shout going out; the keening of a full lord, a full loss. I would make my complaint to the trusty army of the high feats, their ready beautiful help would relieve him; beautiful the overthrowing I would give his enemies; beautiful the fight I would make for Christ that is defouled; I would not rest although my own body was tormented. Why would we not cry after Christ, he that is killed in Armenia, he that is more worthy than any worthy king? I would go to death for his safety; it crushes my heart to hear the outcries and the lamentations!&amp;quot; And with that he took his sword and he rushed at an oakwood that was near at hand, and could be among the Jews, that is the treatment he would give And from the greatness of the anger that gripped him, the wound in his head burst open and the ball started from it brought away the brain with it. And that is the way Conchu King of Ireland met with his death.&#xA;&#xA;&#xA;&#xA;In the old time the people used to be looking at the moon and at the sun and the rest of the stars, travelling and ever-travelling, through the day, and at the flowing and ever-flowing of the world's wells and rivers, and at the sadness of the earth and the trance and the sleep of it with the coming of winter, and the rising of the world again with the coming of the summer. But it was all like a head in a bag to them or like living in a dark house, until such time as Philip the Apostle told the whole story of the making of heaven and earth at the great gathering in the east of the world. It is the way that gathering was, it lasted through the four seasons under nine hundred white golden-crowned canopies upon the hill of Sion. And five thousand nine hundred and fifty tower-candles and precious stones there were kindled and giving out light that there might be no hindrance from any sort of weather. Late now upon Easter Eve there was heard a clear voice that was speaking the language of the angels, and the sound of it was like the laughter of an army or like the outcry of a very big wind; and with that it was no louder than the talk of friend in the ear of friend, and it was sweeter than any music. That now was the voice of Philip the Apostle, for it was he was sent to tell out the story of the making of the world; and it is long he was speaking and these are some of the wonders that he told.&#xA;&#xA;&#xA;&#xA;As to the Seven Heavens that are around the earth, the first of them is the bright cloudy heaven that is the nearest and that has shining out of it the moon and the scattering of stars. Beyond that are two flaming heavens, angels are in them and the breaking loose of winds. I Beyond those an ice-cold heaven, bluer than any blue, seven times colder than any snow, and it is out of that comes the shining of the 1 sun. Two heavens there are above that again, bright like flame, and it is out of them shine the fiery stars that put fruitfulness in the clouds and in the sea. A high heaven, high and fiery, there is above all the rest; highest of all it is, having within it the rolling of the skies, and the labour of music, and choirs of angels. In the belts now of the seven heavens are hidden the twelve shaking beasts that have fiery heads upon their heavenly bodies and that are blowing twelve winds about the world. In the same belts are sleeping the dragons with fiery breath, tower-headed, blemished, that give out the crash of the thunders and blow lightnings out of their eyes.&#xA;&#xA;&#xA;&#xA;There are three waters of the sea now around the world, The first of them is a seven-shaped sea under the belly of the world, and against that sea hell is roaring and raising up a shout in die valley. The second is a sea green and bright round about the earth on every side; ebbing and flood it has and casting up of fruits. The third sea is a sea aflame, nine winds are let out of the heavens to call it from its sleep; three score and ten and four hundred songs its eaves sing, and it awakened; a noise of thunder comes roaring out of its wave-voice; flooding and ever flooding it is from the beginning of the world, and with all that it is never full but of a Sunday. In its sleep it is till the thunders of the winds are awakened by the coming of God's Sunday from heaven, and by the music of the angels. Along with those there are many kinds of seas around the earth on every side; a red sea having many precious stones, bright as Flood, well coloured, golden, between the lands of Egypt and the lands of India. A sea bright, many-sanded, of the colour of snow, in the north around the islands of Sabarn. So great is the strength of its waves that they break and scatter to the height of the clouds. Then a sea waveless, black as a beetle; no ship reaching it has escaped from it again but one boat only by the lightness of its going and the strength of its sails; shoals of beasts there are lying in that sea. A sea there is in the ocean to the south of the island of Ebian. At the first of the summer it rises in flood till it ebbs at the coming of winter; half the year it is in flood it is, and half the year always ebbing. Its beasts and its monsters mourn at the time of its ebbing and they fall into sadness and sleep. They awake and welcome its flooding, and the wells and the streams of the world increase; going and coming again they are through its valleys.&#xA;&#xA;&#xA;&#xA;The well of Ebian turns to many colours in the course of every day. The colour of snow is in it from the rising of the sun to tierce; green it is, many-changing like serpents, from tierce to nones. From nones to dawn it is turned to the colour of blood; no smile or laughter comes upon the mouth that has tasted it for ever. The well of Assian in Lybia gives help to barren women; drinking it they bear children.The well of Presens rises up against killers of parents, and idol worshippers, and all bad persons. Every mouth that tastes it turns to anger and madness and never speaks again, but perishes in grief and mourning. The well of Zion flows full on every Sunday; shining at night like the sun it is, and turning to every beautiful colour from holy hour to hour. There is no taste of oil or wine or honey in the world that is not found in it, and it never rests from filling and is never seen to flow away on any side. Sadness or trouble of mind has never come upon any one who has drunk of it, and he has not been given over to death.&#xA;&#xA;&#xA;&#xA;The stone Adamant in the land of India grows no colder in any wind or snow or ice; there is no heat in it under burning sods; nothing is broken from it by the striking of axe and of hammers; there is one thing only breaks that stone, the Blood of the Lamb at the Mass; and every king that has taken that stone in his right hand before going into battle, has always gained the victory. The stone Hibien in the lands of Hab flames like a fiery candle in the darkness of the night. It spills out poison put before it in a vessel; every snake that comes near to it or crosses it dies on the moment. The stone of Istien in the lands of Lybia is found in the brains of dragons after their death. The pools and the great lakes boil up by reason of it over their borders; it shines through water; it is like thunder in the winter time but in summer it has the sound of the winds. The stone of Fanes in the lands of Aulol out of the stream of Dam. Twelve stars there are seen in its side and the wheel of the moon and the fiery journey of the sun. in the hearts of the dragons it is always found that make their journey under the sea. No one having it in his hand can tell any lie till he has put it from him. No race or army could bring it into a house where there is one that has made away with his father. At the hour of matins it gives out sweet music that there is not the like of under heaven.&#xA;&#xA;&#xA;&#xA;The tree Sames at the meeting of Jor and Dan bears its fruit three times every year. Bright green its first fruit is, and red the next, and the last is shining; when the first of the fruit is ripe another grows out of its flowers, and every witless person tasting that fruit comes back into his right mind. No leaf has ever fallen from that tree, and there is no person having sickness upon him or blemish, but is healed through coming under its shadow. The tree of Life in Adam's Paradise; no mouth that has tasted its fruit has gone to death afterwards, and it was by reason of that tree Adam and Eve were banished out of Paradise; for if they had tasted its fruit death would not have come to them at any time, but they would have been ever-living. Twelve times it bears fruit every year, in every month a well-coloured harvest; and the sweet smell of Paradise reaches out from it as far as a seven summer days' journey. The tree Alab in the islands of Sab is shaped in the form of a man; the blossoms of it quell every disease and every poison; the sweet smell of its flowers is felt to the length of a journey of six summer days; precious stones are the kernels of its fruit. Anger it banishes and envy it banishes from every heart that its juice has run over. The tree Nathaben in the lands of the Hebrews south of Mount Zion. That tree was never found by any son of men from the beginning of the world, but on the one day only when there was need of a tree for Christ's hanging; and it is from its branches the Cross was made through which the world was saved. Seven times it bears fruit in the year, and seven times it changes its flowers, and the brightness of the moon and of the sun and the shining of the stars shine out of them; and its leaves and its flowers sing together since the beginning of the world, two and seventy kinds of music at the coming of the winds. Three score birds and five and three hundred, bright like snow, golden-winged, sing many songs from its branches; it is a right language they sing together, but the ears of men do not recognise it.&#xA;&#xA;&#xA;&#xA;God made on the fourth day the two and seventy kinds of the wandering stars of heaven, and the fiery course of the sun that warms the world with the sense and the splendour of angels. Twelve plains there are under the body of the earth he lightens every night; the fiery sea laughs against his journey; ranks of angels come together, welcoming his visit after the brightness of the night. The first place he brightens is the stream beyond the sea, with news of the eastern waters. Then he lightens the ocean of fire and the seas of sulphur-fire that are round about the red countries. Then he shines upon the troops of boys in the pleasant fields, who send out their cry to heaven through dread of the beast that kills thousands of armies under the waves of the south. Then he shines upon the mountains that have streams of fire, on the hosts that protect them in the plains. Then the ribs of the great beast shine, and the four and twenty champions rise up in the valley of pain. He shines over against the terrible many-thronged fence in the north that has closed around the people of hell. He shines on the dark valleys having sorrowful streams over their faces. He brightens the ribs of the beast that sends out the many seas around the earth; that sucks in again the many seas till the sands on every side are dry. He shines upon the many beasts that sleep their sleep of tears in the valley of flowers from the first beginning of the world; and on the sorrowful tearful plain, with the dragons that were set under the mist. He shines then upon the bird-flocks singing their many tunes in the flower-valleys; upon the shining plains with the wine-flowers that lighten the valley; he shines at the last against Adam's Paradise till he rises up in the morning from the east. There would be many stones now for the sun to tell upon his journey, if he had but a tongue to give them out.&#xA;&#xA;&#xA;&#xA;The stars now differ in their nature from one another. As to the ten stars of Gaburn, trembling takes hold of them, .and fiery manes are put over their faces, to foretell a plague or a death of the people. Other stars there are that bring great heat or great cold or great mists upon the earth; others there are that run to encourage the dragons that blow lightnings on the world; others of them run to the end of fifty years and then ask their time for sleeping. To the end of seven years they sleep till they awake at the shout of the blessed angels, and the voices of the dragons of the valley. Others run through the six days and the six nights till the coming of the Sunday; at its beginning they begin their many kinds of music, and they fall asleep again till the coming again from heaven of God's Sunday, and with that they follow the same round.&#xA;&#xA;&#xA;&#xA;The birds of the island Naboth, it is a pleasant work they are doing; they give a welcome to the heat and to the colours of the summer; at midnight they awake and sing the sweet string-music; there never was seen upon the floor of the world any colour that is not I upon their wings.&#xA;&#xA;The birds of Sabes; their wings shine in the night-time like candles of fire; sickness is turned to health under the shadow of their wings; they fall into a sleep of darkness in the cold time of the winter; at the first of the summer they awake. They sing in their sleep a high pleasant song, that is like the thunder of wind.&#xA;&#xA;The birds of Abuad in the islands between the east of Africa and the sky; their feathers have lasted on them from the very beginning of the world; there is not one bird of them wanting; there is no increase of their numbers. The sweet smell of the flowers, the taste of the seven wine-rivers of the plain where they have their dwelling, that is their lasting food; they sing their song in a right fashion, till the coming of the song of the angels in the night.&#xA;&#xA;The three bird-flocks are divided; they give their share of music to the humming of the angels overhead; swift as riders on horses they travel quickly through the air. Two birds and seventy and seventy thousand and no lie in it, that is the number surely in every flock of the birds.&#xA;&#xA;The first of the flocks sing pleasantly; it is not unfitting is their sweetness, the whole of the wonderful courses that God made before the world.&#xA;&#xA;The birds that are well-wishers tell out in the end of the night-time all the wonders God will do in the day of the Judgement of the Racings.&#xA;&#xA;If men could but hear those birds without fault giving out their pleasant talking, and ever to part with that music again, they would die with fretting after it.&#xA;&#xA;&#xA;&#xA;As to the fighting-men of the island of Ebia, six and fifty feet is the length of every one of them. They do not awake out of their sleep but through a storm of the sea or the outcry of a battle or the sound of music; when they rise up out of sleep their eyes are shining like the stars. They conquer the seas by a hint from their eyes till the beasts of it cast themselves ashore to satisfy them. Fair flaming people in the island of Idab; flames come from their mouth in the weight of their anger; their eyes shine like candles in the night time; the hair and the bodies of them shine like snow smelted into great whiteness; fish from many seas, without boiling, without broiling, that is their provision. The women in the mountains of Armenia, their bodies are greater than those of any people; they bear daughters only; their anger and their courage as they go into battle is harder than the anger of men. They rise from their sleep at midnight, they loose flashes of fire from their mouths; their beards reach to their middle; there is always found in their right hand after birth, gold that is brighter than every blaze. The people of Fones in the lands of Lybia; their eyes flame like sparks of fire in their anger; there cannot come enough of men about one of them to put him down by force; the strength and the sweetness of their voices are above any voices and any horns; at the time of their dying it is a stream of wine that comes from their mouth; in their sleep they sing a mournful song, the like of it has not been found.&#xA;&#xA;&#xA;&#xA;So great is the greatness of the cold there, that if a breath the like c it could be thrown into the world through the hole of a pipe, every bird in the air and every beast under the sea and everything li on the earth would die.&#xA;&#xA;So great is the fierceness of the fire there, that if some of it should be cast into the world through a pipe, all the waters would e before it, and the living beasts in the sea would burn.&#xA;&#xA;So great is the greatness of the hunger and thirst there, that if a share of it could be thrown into the world for one hour only, all that it would find of beasts and of men and of birds, would perish in that hour through hunger and through thirst&#xA;&#xA;So great is the greatness of the fear there, that if one grain of such fear should come into the world, all the creatures of the sea and of the air and the earth, would fall into madness and lose their wits through the dint of the terror, and would die.&#xA;&#xA;Such is the greatness of the grief and the sorrow there, that if any of it could be cast through a pipe into the world, there would be no warmth, nor pleasure, nor faces of friends, nor wine, nor welcome but every heart it came to would die under crying and under grief. It was Philip the Apostle told out these wonders and many others along with them to the kings and the people and the children at. the great gathering in the east of the world.&#xA;&#xA;&#xA;&#xA;The time Mochaemhog, saint of the Gael, made his dwelling-place at Liath Mor, the King of Munster took a liking to a meadow belonging to him, and he put his horses into it; and when Mochaemhog got word of that he went and turned them out of the meadow. There was great anger on the King then, and he gave orders the saint should be banished out of the country But when Mochaemhog heard that, he went straight to Cashel of the Kings, and he himself and the King of Munster disputed for a while. And after that in the night time the king had a vision, and in the vision an old man, very comely and shining, came to him and took him by the hand, and led him from the room to the wall of Cashel that was to the south side, and from it he saw the whole of Magh Femen filled with a host of white saints having the appearance of flowers.He asked what great host that was, and the old man said they were Blessed Patrick and the saints of Ireland that had come to the help of Mochaemhog. &amp;quot;And if you do not make an agreement with him&amp;quot; he said &amp;quot;you will meet with your death.&amp;quot; The king fell asleep then, and he saw the old man coming to him a second time, and he took him by the hand again and led him to the wall on the north side. And from there he showed him a sight like the first, the whole of Magh Mossaid filled with a shining flowery host, having white clothing; and it seemed to the king that they stopped at the mering between the two plains. And the old man told him that was the host of Saint Brigit and all the holy young girls of Ireland, that were brought there by Blessed Ita, that was of the kindred of Mochaemhog and his fosterer.&#xA;&#xA;&#xA;&#xA;Caillen, saint of the Gael, told the whole story of Ireland from the very beginning. It was by Finntain the high elder of Ireland he was reared and taken care of until his hundredth year was at an end. He sent him then to the East the way he would bring back knowledge to the men of Ireland. And he stopped there in the East through the length of two hundred years.&#xA;&#xA;It was an angel brought him back to Ireland, to the Yew Tree at Baile's Strand to wear out the rest of his life. &amp;quot;And the reason I stop here&amp;quot; he said &amp;quot;in Ireland of many crosses, is that I never saw to this day a country that is more blessed.&amp;quot;&#xA;&#xA;It was Caillen turned the druids into stone pillars because they mocked at the clerks; it is he was an unebbing sea in wonders and in lasting praise of his Master.&#xA;&#xA;Columcille came and stopped with him a while at the place of Baile's Yew Tree. His choice place it was of all he had ever seen, north or east, south or west.&#xA;&#xA;Conall King of Teamhuir put it on his children to pay tribute to Caillen and to them that came after him for ever; it is the tribute he promised, in the presence of the saints of Ireland, the riding horse of every king in every third year, and his coloured cloak; and a horse from the wife of every chief man. The sureties now of that tribute were Patrick apostle of Ireland with his saints, and Michael with the angels of heaven.&#xA;&#xA;It was Patrick gave Caillen the bell that would heal every sickness and every oppression and trouble, and that brought to the sons of Niall that obeyed it fair weather, prosperity and peace, and the good luck of a king in every place; &amp;amp; that bell was the breaking of luck to every troop it was rung against.&#xA;&#xA;When God thought it time Caillen should go to heaven, and when the people of heaven were standing waiting for him. it is in the church he was of Mochaemhog, that had given baptism to the children of Lir.&#xA;&#xA;And he told out a vision he had that night; &amp;quot;And it vexed my heart and my head&amp;quot; he said &amp;quot;for I saw in it the Saxons coming across the sea, and I saw Ireland in great bondage under them. And it is time for me to go to heaven&amp;quot; he said &amp;quot;for I have fulfilled five hundred years to-night. And when my body is buried&amp;quot; he skid &amp;quot;there will be a host of angels near me. For three hundred angels there used to be about me at my rising and at my lying down in my bed; and I never said the Hours until such time as I heard the people of Heaven doing the like.&amp;quot; Until now, the stars of the sky, and the sands of the sea, and the grass and the rest of the herbs of the earth, and the dew that is on them are counted, I could not tell all the wonders done by blessed Caillen, unless an angel of God would teach me.&#xA;&#xA;&#xA;&#xA;There is blood shed in every house of the Gael in Ireland on Saint Martin's day, for he is a great saint and he has given good help to many a poor man. A miller he was, and the Blessed Mother and the Child came to him one time at the mill, and the Mother held out a few grains of wheat in her hand and she said &amp;quot;Put those in the quern and turn the wheel for me.&amp;quot; &amp;quot;It is no use&amp;quot; said he &amp;quot;to put in a little handful of grains like that.&amp;quot; &amp;quot;It is use&amp;quot; said the Blessed Mother. So he put them in the quern then and turned the wheel, and there were ten sacks in the place, and they were all filled with the flour that came from those few grains. And when Saint Martin saw that, he sold the mill and all that he had, and went following after the Blessed Mother and the Child.&#xA;&#xA;&#xA;&#xA;He went to a house one time, and the farmer that owned the house was out scattering water on the field, for there was red heat that year and no rain, and he had the seed sown and he did not think the corn would grow without he would go scattering water on it. The woman of the house told that to Saint Martin; and she was mixing dough at the time, and he asked a bit of the dough of her and she gave it, for he had the appearance of a poor man. And he put the bit of dough she gave him in the oven and went away leaving it there. And when the woman of the house opened the oven after a while, there was grass-corn growing up through the dough, and a drop of dew on the top of every blade. It was for an example Martin did that, to show the man of the house that God could make grass-corn grow even in the heat of the oven; for if he had believed that, he would not have gone scattering water over the fields.&#xA;&#xA;&#xA;&#xA;When Rhinagh that was of the race of Dathi was with child by Duach, it was told to the King of Connacht of that time that the son she would bear would be greater than his own sons. And when he heard that, he bade his people to make an end of Rhinagh before the child would be born. And they took her and tied a heavy stone about her neck and threw her into the deep part of the river, where it rises inside Coole. But by the help of God, the stone that was put about her neck did not sink but went floating upon the water, and she came to the shore and was saved from drowning. And that stone is to be seen yet, and it having the mark of the rope that was put around it. And just at that time there was a blind man had a dream in the north about a well beside a certain ash tree, and he was told in the dream he would get his sight if he bathed in the water of that well. And a lame man had a dream about the same well that he would find at Kiltartan, and that there would be healing in it for his lameness. And they set out together, the lame man carrying the man that had lost his sight, till they came to the tree they had dreamed about. But all the field was dry, and there was no sign of water unless that beside the tree was a bunch of green rushes. And then the lame man saw there was a light shining out from among the rushes; and when they came to them they heard the cry of a child, and there by the tree was the little baby that was afterwards Saint Colman. And they took him up and they said &amp;quot;If we had water we would baptize him.&amp;quot; And with that they pulled up a root of the rushes, and a well sprang up and they baptized him; and that well is there to this day. And the water in springing up splashed upon them, and the lame was cured of his lameness, and the blind man got his sight. And many that would have their blindness cured go and sleep beside that well; and many that are going to cross the sea to America, take with them a bit of a blessed board from an old tree that is in that field.&#xA;&#xA;&#xA;&#xA;He was a great saint afterwards, and his name is in every place. Seven years he was living in Burren in a cleft of the mountains, no one in it but himself and a mouse. It was for company he kept the mouse, and it would awaken him when he was asleep and when the time would come for him to be minding the Hours. And it is not known in the world what did the dear man get for food through all that time. And that place he lived in is a very holy place, being as it is between two blessed wells. No thunder falls on it, or if there is thunder it is very little, and does no injury.&#xA;&#xA;&#xA;&#xA;And if it is long since Colman left this life and the churches he had made, it is well he minds the people yet, and there are many get their eyesight at the wells he blessed, and it is many a kindness he has done from time to time for the people of Aidhne and of Burren. There was a little lad in Kiltartan one time that a farmer used to be sending out to drive the birds off his crops; and there came a day that was very hot and he was tired, and he dared not go in or fall asleep, for he was in dread of the farmer beating him. And he prayed to Saint Colman, and the saint came and called the birds into a barn, and they all stopped there through the heat of the day till the little lad had got a rest, and never came near the grain or meddled with it at all.&#xA;&#xA;&#xA;&#xA;There was a boy fell into the blessed well that is near the seven churches at Kilmacduagh, a little lad he was at the time, wearing a little red petticoat and a little white jacket. And when some of the people of the house went to draw water, they looked down in the well and saw him standing up in the water, and they got him out and brought him in to the fire and he was nothing the worse. And he said it was a little grey man, that was Saint Colman, came to him in the well and put his hand under his chin, and kept his head up over the water.&#xA;&#xA;&#xA;&#xA;There was a man going home from Kinvara one night having a bag full of oats on the horse. And it fell and he strove to lift it again but he could not, for it was weighty. Then the saint himself, Saint Colman, came and helped him with it, and put it up again for him on the horse.&#xA;&#xA;&#xA;&#xA;There was another man living up beyond Corcomruadh, and he never missed to go to the blessed well that is above Oughtmana on the name day of the Saint. And at last it happened he was sick in his bed and he could not go. And Saint Colman came to him to the side of the bed and said &amp;quot;It is often you came to me, and now it is I myself am come to you.&amp;quot; It is about forty years ago that happened.&#xA;&#xA;&#xA;&#xA;Saint Colman's well beyond Kinvara is a very good well. To perform around it seven times you should, and to leave a button or a tassel or some such thing on the bush. The people of Coole and of Tyrone used to be going to it at the time of the wars, asking safety for their sons and their husbands and their brothers. And whoever would pray there would be freed from the war, and would come safe home again.&#xA;&#xA;&#xA;&#xA;Marbhan that was brother to Guaire King of Connacht, left his brother's house and his share of his father's inheritance, and went into some lonely wild place, it is likely in some part of Burren, where Colman that was his kinsman had gone. And some say he was herding pigs for the King there, but anyway he was serving God. And King Guaire followed him there and asked him to come back where he could sleep upon a bed and not be laying his head upon a hard fir tree in the night time. But Marbhan would not leave the place he had chosen, for he said he was well content with the little cabin he had in the wood, and that no one had knowledge of except God. And he made a song praising it and it is what he said:&#xA;&#xA;&amp;quot;The size of my cabin is small, not too small; it is many are its lucky paths; a beautiful woman, coloured like a blackbird, sings a sweet strain upon the roof.&#xA;&#xA;&amp;quot;Goats and swine are lying down about it; tame pigs, wild pigs, grazing deer; a badger's brood, foxes to meet them in peace, that is delightful.&#xA;&#xA;&amp;quot;An apple tree, great the advantage, ready like an inn, lucky; a thick little bush with fistfuls of hazel-nuts; green, full of branches.&#xA;&#xA;&amp;quot;A rowan tree, a sloe bush; dark black thorns, plenty of food; acorns, haws, yew berries; bare berries, bare flags.&#xA;&#xA;&amp;quot;Buzzing of bees, the heifers lowing, the cackle of wild geese before the winter; the voice of the wind against the branches; that is delightful music.&#xA;&#xA;&amp;quot;And in the eyes of Christ&amp;quot; he said &amp;quot;I am no worse off than yourself Guaire, without one hour of fighting or the noise of quarrels in my house.&amp;quot; And when Guaire heard that he said he would be willing to give up his inheritance and his kingship to be in the company of Marbhan.&#xA;&#xA;&#xA;&#xA;For if Guaire was not a saint, he was well worthy to be the brother and the kinsman of saints, and they would never have been in poverty if he had his way. And he gave alms till his right arm grew to be longer than the left, with the dint of stretching it out to the poor. He was beaten in battle one time by Diarmuid Ruanaidh, and he had to make his submission, lying stretched on the ground, and having the point of Diarmuid's sword beneath his teeth. And when he was lying that way Diarmuid said &amp;quot;We will find out now is it for the love of God he does his great charity, or is it for the praises of the people.&amp;quot; So he bade a poor miserable beggar of his people to ask an alms of Guaire. &amp;quot;An alms to me Guaire!&amp;quot; said the beggar; and Guaire gave him his golden pin. The beggar went from him then, but a man of Diarmuid's people followed him and took away the pin and gave it to Diarmuid. Then the beggar came back to Guaire, complaining and telling how the pin was taken from him. And there was pity in Guaire's heart and he gave him his belt that had on it golden ornaments, and that was all he had left to him of riches, and the beggar went away, and Diarmuid's people followed him the second time and took away the belt and gave it to Diarmuid. Then the beggar came back with his story to Guaire where he was lying, having the sword between his teeth yet. And when King Guaire saw the poor man so sorrowful, great tears went rolling down his cheeks. Diarmuid asked him then &amp;quot;Is it for being conquered by me you are in that trouble?&amp;quot; &amp;quot;I give my word&amp;quot; said Guaire &amp;quot;it is not, but it is for the sake of that beggar over there.&amp;quot; And Diarmuid said &amp;quot;Rise up, it is not under my power you should be, or to me you should show submission, for you are under the power of a king that is better than myself, the King of heaven and earth.&amp;quot;&#xA;&#xA;&#xA;&#xA;One time there was a great troop of the poets in Guaire's house in the winter time, and a woman of the poets' household had a desire for ripe blackberries. But everybody said there were no blackberries to be got, ripe or unripe, at that time of the year. But as one of Guaire's people was out in the fields he saw a bush that was covered with a cloak, and under the cloak the blackberries were ripe and sound, and they were brought in to the woman, and there was no reproach upon the King's house. This now was the way that happened: King Guaire was going through the field at harvest time, and the thorns of the bush took hold of the cloak he was wearing, and held it. And Guaire was not willing to refuse so much as a bush that asked anything of him, and he left the cloak there on the branches. And for that kindness he got his reward in the end.&#xA;&#xA;&#xA;&#xA;It was Marbhan the hermit that gave out news one time of the way the first harp was ever made, and this is the story that he told. There was a man and his wife, Cud son of Midhuel the man was, and Canoclach was the name of the wife. And she took a hatred to her husband, and she was running from him through every wilderness and every wood, and he was following after her ever and always. One day now the woman came to the sea at Camas, and she was walking along the strand and she met with the bare bones of a whale, and she heard the sounds of the wind passing through the bones and the sinews, and with listening to those sounds she fell asleep. And her husband came there and saw her sleeping, and when he knew it was through those sounds that sleep had fallen upon her, he went on into a wood and he made a shape like the hard high breastbone of a crane, and he put strings into it of the sinews of the whale; and that was the first harp of all the harps of the world.&#xA;&#xA;&#xA;&#xA;It was on the Island of One Ridge on Loch Cuan that Mochae the Beautiful, saint of the Gael, built his church and the dwelling of the brothers. He went out, now, one day, and seven score young men with him, cutting rods to build the church, and he himself was working like the rest of them. He had his load ready before the others and he sat down beside it; &amp;amp; just then he heard a bird singing on the branch of a blackthorn that was close at hand; and it was more beautiful than any of the birds of the world. &amp;quot;This is hard work you are doing, Clerk&amp;quot; it said. &amp;quot;That is required of me in building a church of God&amp;quot; said Mochae. &amp;quot;And who is it is speaking to me?&amp;quot; he said. &amp;quot;It is an angel of God is here&amp;quot; said the bird &amp;quot;one of the people of Heaven.&amp;quot; &amp;quot;A welcome to you and for what cause are you come?&amp;quot; &amp;quot;To speak the word of God and to cheer you for a while.&amp;quot; &amp;quot;That pleases me well&amp;quot; said Mochae. Then the little bird from Heaven sang to Mochae three songs from the tree where he was, and there was fifty years in each song of those songs. And Mochae stopped there listening to it through three times fifty years, in the middle of the wood and having his bundle of rods by his side, and they were not withered, and the time seemed to him as if it was but one hour of the day. Then the angel left him and Mochae went back to the church with his load, and there he found a house of prayer that had been built to his memory by his friends, and he wondered at seeing a church built there. And when he came to the house where the brothers were, there was no one in it that knew him. But when he told his story and the way the bird had sung to him, they all knelt before him and made a shrine with the rods he had carried. And after that they built a church on the spot where he had listened to the bird; and the walls of that church are standing yet.&#xA;&#xA;&#xA;&#xA;There was a miller of Connacht more than fifty years ago, and he had his mill near the roadside. And the people do be saying there came some man that was no right man to him one night, and asked hini would he sooner his wife or his son to lose their wits. The miller made little of that question &amp;quot;For as to my wife&amp;quot; he said &amp;quot;she is the most sensible woman in the whole parish, and as to my son, he is in the college now and within a week he will be a priest, and there is no danger of madness upon him.&amp;quot; &amp;quot;Time is a good story-teller&amp;quot; said the stranger. The first Sunday now the son that had been made a priest came home he read the Mass, that was the first and the last that ever he read. For that very night madness came upon him and he stripped off every bit of clothing, and out arid away with him through the country, and he bare naked, and carrying on his head a very large book he himself had written in Irish and in Latin. He quieted after that, but nothing anyone could do would bring him back to the father's house, and he would use nothing but a bit of meal or of watercress. And every night he would go and sleep alone in the mill, and having but the big book under his head. And in the daytime it was his custom to go out to a wide field where there was a great flock of sheep and of lambs, and he used to sit down in the middle of the field, and there was not a sheep or a lamb but would gather to him, and he used to be reading to them out of his book until he would be tired. Then everyone of them would come to him and would be licking his hands. And one time some person was listening to him unknown, and could hear him giving out his sermon to the sheep. &amp;quot;Listen to me&amp;quot; he was saying to them &amp;quot;you that are without sin. You are under the care of God, and there is grass growing for you and herbs, and there are nice white dresses upon you to keep you dry and warm; and there is no Judgement upon you after your death, and you are happier by far than the children of Eve.&amp;quot; And he told them of the coming of the Son of God to the earth, and the bad treatment and the abuse that he was given; and a great many other things he told them out of the book. One night late now his father was uneasy about him, and he got a lantern and went to the mill and another man along with him. And when they opened the door they saw the whole of the mill lit up as bright as if it was the sun was lighting it. And the mad priest was lying there in his sleep, and the big book under his head, and a great shining ram was standing on each side of him, guarding him.&#xA;&#xA;&#xA;&#xA;Digdi was the name of the Old Woman of Beare. It is of Corca Dubhne she was and she had her youth seven times over, and every man that had lived with her died of old age, and her grandsons and great-grandsons were tribes and races. And through a hundred years she wore upon her head the veil Cuimire had blessed. Then age and weakness came upon her and it is what she said:&#xA;&#xA;&amp;quot;Ebb-tide to me as to the sea; old age brings me reproach; I used to wear a shift that was always new; to-day I have not even a cast one.&#xA;&#xA;&amp;quot;It is riches you are loving, it is not men; it was men we loved in the time we were living.&#xA;&#xA;&amp;quot;There were dear men on whose plains we used to be driving; it is good the time we passed with them; it is little we were broken afterwards.&#xA;&#xA;&amp;quot;When my arms are seen it is long and thin they are; once they used to be fondling, they used to be around great kings.&#xA;&#xA;&amp;quot;The young girls give a welcome to Beltaine when it comes to them; sorrow is more fitting for me, an old pitiful hag.&#xA;&#xA;&amp;quot;I have no pleasant talk; no sheep are killed for my wedding; it is little but my hair is grey; it is many colours I had over it when I used to be drinking good ale.&#xA;&#xA;&amp;quot;I have no envy against the old, but only against women; I myself am spent with old age, while women's heads are still yellow.&#xA;&#xA;&amp;quot;The stone of the kings on Feman; the chair of Ronan in Bregia; it is long since storms have wrecked them, they are old mouldering gravestones.&#xA;&#xA;&amp;quot;The wave of the great sea is speaking; the winter is striking us with it; I do not look to welcome to-day Fermuid son of Mugh.&#xA;&#xA;&amp;quot;I know what they are doing; they are rowing through the reeds of the ford of Alma; it is cold is the place where they sleep.&#xA;&#xA;&amp;quot;The summer of youth where we were has been spent along with its harvest; winter age that drowns everyone, its beginning has come upon me.&#xA;&#xA;&amp;quot;It is beautiful was my green cloak, my king liked to see it on me; it is noble was the man that stirred it; he put wool on it when it was bare.&#xA;&#xA;&amp;quot;Amen, great is the pity, every acorn has to drop. After feasting with shining candles, to be in the darkness of a prayer-house.&#xA;&#xA;&amp;quot;I was once living with kings, drinking mead and wine; to-day I am drinking whey-water among withered old women.&#xA;&#xA;&amp;quot;There are three floods that come up to the dun of Ard-Ruide: a flood of fighting-men, a flood of horses, a flood of the hounds of Lugaidh's Son.&#xA;&#xA;&amp;quot;The flood-wave and the two swift ebb-tides; what the flood-wave brings you in, the ebb-wave sweeps out of your hand.&#xA;&#xA;&amp;quot;The flood-wave and the second ebb-tide; they have all come as far as me, the way that I know them well.&#xA;&#xA;&amp;quot;The flood-tide will not reach to the silence of my kitchen; though many are my company in the darkness, a hand has been laid upon them all.&#xA;&#xA;&amp;quot;My flood-tide! It is well I have kept my knowledge. It is Jesus Son of Mary keeps me happy at the ebb-tide.&#xA;&#xA;&amp;quot;It is far is the island of the great sea where the flood reaches after the ebb; I do not look for flood to reach to me after the ebb-tide. &amp;quot;There is hardly a little place I can know again when I see it; what used to be on the flood-tide is all on the ebb to-day!&amp;quot;" PRODUCER="Low Down Deep Recordings" COVERARTID="092/2SVI0JBMIO5MHDQT5WRPDFMAXZND" KEY="10m" PLAYTIME="317" PLAYTIME_FLOAT="316.800018" IMPORT_DATE="2025/5/24" RELEASE_DATE="2017/1/1" FLAGS="8" FILESIZE="38388"></INFO>
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<INFO BITRATE="1053268" KEY_LYRICS="13 ContributorsBlack LyricsFirst premiered on DJ Target’s Radio 1Xtra show, ‘Black’ was produced by Donae’o himself, featuring his signature vocals – after hearing the beat, JME and Dizzee Rascal were both eager to jump on the track.… Read More &#xA;Uh&#xA;See me&#xA;Look&#xA;Riddim&#xA;Look, man ah wear, man ah wear&#xA;Man ah wear black&#xA;Yo&#xA;Bass&#xA;Jheeze&#xA;Come on&#xA;Check, one step, two step, three step&#xA;Look, skank, look, yeah&#xA;And again, look&#xA;&#xA;&#xA;I've gotta learn to forgive&#xA;Even when they burn through bridge&#xA;I've got a hell of a pride and one ego&#xA;And demons I deal with inside&#xA;I've gotta learn to forgive&#xA;Even when they burn through bridge&#xA;I've got a hell of a pride and one ego&#xA;And demons I deal with&#xA;&#xA;&#xA;So man ah wear black, man ah wear black&#xA;Man ah wear, man ah wear, man ah wear black&#xA;Manaman ah wear black (that's why)&#xA;Manaman ah wear black&#xA;Man ah wear black, man 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<INFO BITRATE="907298" KEY_LYRICS="1 ContributorLeviatán LyricsYa me quité la ceguera&#xA;Siento que ahora puedo ver todo con más claridad&#xA;Toda esta arte está hecha a mano&#xA;Paseo drogado por otra ciudad&#xA;Bitch, soy un dios&#xA;Derroté en el mar al leviatán&#xA;Me crecieron alas y un halo&#xA;Aumenta mi fuerza&#xA;Impactando en mi rayos de luz solar&#xA;Aprendí a disfrutar el presente&#xA;Perdóname si estuve ausente&#xA;Estaba con el equipo haciendo verdes&#xA;Me dieron la cinta y la diez&#xA;Y la traje de Qatar&#xA;Voy a lograrlo sin tatuajes en la cara&#xA;Los que conocen saben&#xA;Botellas caras&#xA;Dije de Chrome Hearts y perfume de Zara&#xA;Me espera un cáliz con vino en el altar&#xA;&#xA;En un hotel durmiendo sobre racks&#xA;Exportada la weed qué hay en el pack&#xA;Me fui de shopping y compré un Moncler&#xA;Mi DJ gasta la paca en las Dunks&#xA;Apollo 13, otra vuelta lunar&#xA;El ñeri del que me hatea es mi fan&#xA;Sneaker de designer, uso Balmain&#xA;Mi ratche modela con un flow de Bratz&#xA;El mejor rapper vivo después de Wayne&#xA;(¡Ah!)&#xA;Con los lentes me siento Johnny Cage&#xA;Solo tengo en la mente triunfar&#xA;Puta, tengo mucho más para dar&#xA;I'm too loyal y mi ganga es leal&#xA;Estoy tranquilo, bitch, don’t kill my vibe&#xA;Real hasta la muerte, Anuel doble a&#xA;Nada que perder y todo por ganar&#xA;Todas mis heridas las voy a sanar&#xA;La balanza a mi favor voy a inclinar&#xA;Los continentes voy a conquistar&#xA;Shorty me besó el abdominal&#xA;Y ahora quiere leerme la carta astral&#xA;Me saco los males con un sexo oral&#xA;La puso horny el sol del pectoral&#xA;Ya me quité la ceguera&#xA;Siento que ahora puedo ver todo con más claridad&#xA;Toda esta arte está hecha a mano&#xA;Paseo drogado por otra ciudad&#xA;Bitch, soy un dios&#xA;Derroté en el mar al leviatán&#xA;Me crecieron alas y un halo&#xA;Aumenta mi fuerza&#xA;Impactando en mi rayos de luz solar&#xA;Aprendí a disfrutar el presente&#xA;Perdóname si estuve ausente&#xA;Estaba con el equipo haciendo verdes&#xA;Me dieron la cinta y la diez&#xA;Y la traje de Qatar&#xA;Voy a lograrlo sin tatuajes en la cara&#xA;Los que conocen saben&#xA;Botellas caras&#xA;Dije de Chrome Hearts y perfume de Zara&#xA;Me espera un cáliz con vino en el altar&#xA;&#xA;&#xA;Ya me quité la ceguera&#xA;Siento que ahora puedo ver todo con más claridad&#xA;Toda esta arte está hecha a mano&#xA;Paseo drogado por otra ciudad&#xA;Bitch, soy un dios&#xA;Derroté en el mar al leviatán&#xA;Me crecieron alas y un halo&#xA;Aumenta mi fuerza&#xA;Impactando en mi rayos de luz solar" PRODUCER="Boom 93" COVERARTID="051/TRFMPEAZHA0UVDRKQ5OCD40OSC1D" PLAYTIME="253" PLAYTIME_FLOAT="252.321426" IMPORT_DATE="2025/7/5" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="28150"></INFO>
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<INFO BITRATE="921576" KEY_LYRICS="14 ContributorsSingles rap - 2023 LyricsCalendrier des sorties de morceaux rap 2023&#xA;&#xA;&#xA;&#xA;Cette page recense les morceaux de rap francophone sortis et prévus en 2023, et les classe par mois. Les morceaux entièrement retranscrits sont listés avec un… Read More Janvier :&#xA;- 01/01 : Lemon Haze - &amp;quot;Freestyle AK 47&amp;quot;&#xA;- 01/01 : MIG - &amp;quot;Pas de ralentir 3&amp;quot;&#xA;- 04/01 : 3arbi - &amp;quot;Cali &amp;amp; Co (Freestyle)&amp;quot;&#xA;* 04/01 : Blasko - &amp;quot;Addition&amp;quot; ft. Kai du M&#xA;- 04/01 : Dika - &amp;quot;Youleuh 9&amp;quot; ft. Zikxo, TK &amp;amp; Sasso&#xA;- 04/01 : Kepler - &amp;quot;Havana&amp;quot;&#xA;- 04/01 : Leo Roi - &amp;quot;Hentai&amp;quot;&#xA;- 04/01 : ULQUI - &amp;quot;SIDE&amp;quot;&#xA;- 04/01 : YL - &amp;quot;Larlar 7 (Hollandia)&amp;quot;&#xA;- 05/01 : Favé - &amp;quot;Toxic&amp;quot;&#xA;- 05/01 : Fresh LaDouille - &amp;quot;La Douille #7&amp;quot;&#xA;* 05/01 : Gotti Maras - &amp;quot;Siglo&amp;quot;&#xA;* 05/01 : Kaneki - &amp;quot;Power&amp;quot;&#xA;- 05/01 : Maes - &amp;quot;Galactic&amp;quot;&#xA;- 05/01 : Peet - &amp;quot;Ok Ok&amp;quot;&#xA;- 06/01 : 23 Megabits - &amp;quot;MEGASPHERE&amp;quot; ft. KronoMuzik&#xA;- 06/01 : 404Billy - &amp;quot;CASSIUS&amp;quot;&#xA;- 06/01 : Allebou - &amp;quot;Prélude.&amp;quot;&#xA;- 06/01 : Caballero &amp;amp; JeanJass - &amp;quot;Béatrice&amp;quot; ft. So La Lune&#xA;- 06/01 : Dabs - &amp;quot;Besoin de ça&amp;quot; ft. SenSey’&#xA;- 06/01 : Houdi - &amp;quot;CALMITO&amp;quot;&#xA;- 06/01 : Kamas Skuh - &amp;quot;Mental Business&amp;quot; ft. Malty 2BZ&#xA;- 06/01 : Kofs - &amp;quot;Bang Bang Bang&amp;quot; ft. Lacrim&#xA;* 06/01 : Lrk - &amp;quot;Pharmacie&amp;quot;&#xA;- 06/01 : Luv Resval - &amp;quot;AZNVR (Une minute de musique)&amp;quot;&#xA;- 06/01 : Stony Stone - &amp;quot;Step #9 - Clio 2&amp;quot;&#xA;- 06/01 : Vves - &amp;quot;Message groupé&amp;quot;&#xA;- 06/01 : YG Pablo - &amp;quot;Quеstions&amp;quot;&#xA;- 08/01 : Lazer MMZ - &amp;quot;MARK LANDERS&amp;quot;&#xA;- 09/01 : The Free - &amp;quot;Phénix&amp;quot;&#xA;- 11/01 : Dajak - &amp;quot;BLEU ÉLECTRIQUE&amp;quot;&#xA;- 11/01 : Malty 2BZ - &amp;quot;TN&amp;quot; ft. Kerchak&#xA;* 11/01 : Ol Zico - &amp;quot;Lе gun et les épines&amp;quot;&#xA;- 11/01 : web7 - &amp;quot;wifi&amp;quot;&#xA;- 11/01 : Zeu - &amp;quot;RARE&amp;quot;&#xA;- 12/01 : Alkpote - &amp;quot;Chargé&amp;quot; ft. Kai du M&#xA;- 12/01 : Costa - &amp;quot;Tactique&amp;quot;&#xA;- 12/01 : Dosseh - &amp;quot;Haï&amp;quot;&#xA;- 12/01 : DTF - &amp;quot;G.A.G&amp;quot;&#xA;- 12/01 : Enima - &amp;quot;1942&amp;quot;&#xA;- 12/01 : Hamza - &amp;quot;Introduction&amp;quot;&#xA;- 12/01 : Jones Cruipy - &amp;quot;Convoi&amp;quot; ft. Tyger Stone&#xA;- 12/01 : mademoiselle lou - &amp;quot;Zénith&amp;quot; ft. Booba&#xA;- 12/01 : nelick - &amp;quot;patoketchup&amp;quot;&#xA;- 12/01 : PRIME - &amp;quot;BERNABÉU&amp;quot;&#xA;- 12/01 : Sadek - &amp;quot;Changement de propriétaire&amp;quot;&#xA;- 12/01 : Vin's - &amp;quot;D.A&amp;quot;&#xA;- 12/01 : Yvnnis - &amp;quot;WASHINGTON&amp;quot;&#xA;- 13/01 : ASHE 22 - &amp;quot;Distance&amp;quot;&#xA;- 13/01 : Benab - &amp;quot;Royal&amp;quot;&#xA;- 13/01 : Chanje - &amp;quot;HEKLA&amp;quot;&#xA;* 13/01 : Dadinho - &amp;quot;Dans le mouv&amp;quot; ft. Elams&#xA;- 13/01 : Dandyguel - &amp;quot;Chapitre 1 : l’histoire continue&amp;quot;&#xA;- 13/01 : Doria - &amp;quot;T'es fou ou quoi&amp;quot; ft. RK&#xA;- 13/01 : Elams - &amp;quot;All in&amp;quot;&#xA;- 13/01 : Georgio - &amp;quot;Esprit libre&amp;quot;&#xA;- 13/01 : H. La Drogue - &amp;quot;H&amp;quot;&#xA;* 13/01 : Hös Copperfield - &amp;quot;Garer&amp;quot;&#xA;- 13/01 : i300 - &amp;quot;Robbery Racket&amp;quot;&#xA;- 13/01 : J2LASTEU - &amp;quot;C'est encore J2&amp;quot;&#xA;- 13/01 : Kayna Samet - &amp;quot;Au naturel&amp;quot;&#xA;- 13/01 : Kekra - &amp;quot;Nuit et jour&amp;quot;&#xA;- 13/01 : Kodes - &amp;quot;Mourir&amp;quot;&#xA;- 13/01 : La Kadrilla - &amp;quot;Djossi&amp;quot;&#xA;- 13/01 : Landy - &amp;quot;Viral&amp;quot;&#xA;- 13/01 : Leone - &amp;quot;BILLET DE 5&amp;quot; ft. So La Lune&#xA;- 13/01 : LVZ - &amp;quot;Southside&amp;quot;&#xA;- 13/01 : Many Santana - &amp;quot;A/R&amp;quot;&#xA;- 13/01 : Myth Syzer - &amp;quot;Chamaille&amp;quot;&#xA;- 13/01 : Novy - &amp;quot;GRTZKY&amp;quot;&#xA;* 13/01 : Shaz &amp;amp; Alex Grox - &amp;quot;Morphée || 808CLUB&amp;quot; ft. EDGE&#xA;* 13/01 : Slim Lessio - &amp;quot;Fausse Force&amp;quot;&#xA;- 13/01 : Sper-K - &amp;quot;TUDOBANG #3&amp;quot;&#xA;- 13/01 : Suspect 95 - &amp;quot;Société Suspecte&amp;quot; ft. Youssoupha&#xA;- 13/01 : Upsilon - &amp;quot;Ma vie en vaut deux&amp;quot;&#xA;- 15/01 : Elso - &amp;quot;Come On&amp;quot;&#xA;- 15/01 : Tisco - &amp;quot;Dis-moi&amp;quot;&#xA;- 16/01 : Iss - &amp;quot;Libre&amp;quot;&#xA;- 16/01 : ZKR - &amp;quot;Philly&amp;quot; ft. SDM&#xA;- 18/01 : BinksBeatz &amp;amp; 8Ruki - &amp;quot;LUNE&amp;quot; ft. So La Lune&#xA;- 18/01 : Black D - &amp;quot;Sauvage&amp;quot; ft. Leto&#xA;- 18/01 : Gambino La MG - &amp;quot;DSQUARED2&amp;quot;&#xA;- 18/01 : ISK - &amp;quot;Irish Mob&amp;quot;&#xA;- 18/01 : Keroué - &amp;quot;Pablo&amp;quot;&#xA;* 18/01 : Lamatrix - &amp;quot;Nkunku&amp;quot;&#xA;- 18/01 : Lord Esperanza - &amp;quot;Caméléon&amp;quot;&#xA;- 18/01 : MAPESS - &amp;quot;DANS LE THÈME&amp;quot;&#xA;- 18/01 : Sir Reda - &amp;quot;Sin City&amp;quot;&#xA;- 18/01 : Wallace Cleaver - &amp;quot;benelli828&amp;quot; ft. Django&#xA;- 19/01 : BEN plg &amp;amp; Lujipeka - &amp;quot;Victor Osimhen&amp;quot;&#xA;* 19/01 : DJ Weedim - &amp;quot;Gang Gang&amp;quot; ft. Jarod&#xA;- 19/01 : Jey Brownie - &amp;quot;Grizbi&amp;quot;&#xA;- 19/01 : Nunca - &amp;quot;AHOE&amp;quot;&#xA;- 20/01 : 2TH - &amp;quot;J'ai des&amp;quot;&#xA;- 20/01 : Allebou - &amp;quot;Quidam&amp;quot;&#xA;- 20/01 : Bakari - &amp;quot;BakaTsuki&amp;quot; ft. So La Lune&#xA;- 20/01 : Beateljouss - &amp;quot;Casse Tête&amp;quot; ft. Hugo TSR &amp;amp; Noss&#xA;- 20/01 : Beendo Z - &amp;quot;ᚩ. INSPIRÉ DE FAITS RÉELS #5&amp;quot;&#xA;- 20/01 : Buds &amp;amp; Di-Meh - &amp;quot;Salle du temps&amp;quot;&#xA;- 20/01 : Houdi - &amp;quot;EN DIDI (Freestyle)&amp;quot;&#xA;- 20/01 : Kaza - &amp;quot;HRTBRK #6&amp;quot;&#xA;* 20/01 : Kozi - &amp;quot;APRÈS MINUIT&amp;quot; ft. Bolémvn&#xA;- 20/01 : L'As - &amp;quot;O.G&amp;quot;&#xA;- 20/01 : Lossa2Squa - &amp;quot;Jack Honey #Oshey3&amp;quot;&#xA;* 20/01 : Lyms - &amp;quot;Pluie&amp;quot;&#xA;- 20/01 : Marjinal - &amp;quot;Kamikaze&amp;quot; ft. Zed &amp;amp; Stavo&#xA;- 20/01 : Nakry - &amp;quot;Comme avant&amp;quot;&#xA;- 20/01 : Nusky &amp;amp; Vaati - &amp;quot;Tech-Deck&amp;quot;&#xA;- 20/01 : Rafal - &amp;quot;Ouu!&amp;quot;&#xA;- 20/01 : Rapi Sati - &amp;quot;Brocolis&amp;quot;&#xA;- 20/01 : Sobre - &amp;quot;Rust&amp;quot;&#xA;- 20/01 : Tsew The Kid - &amp;quot;Fou Malade&amp;quot;&#xA;- 20/01 : Waïv - &amp;quot;M'EN VEUX PAS&amp;quot;&#xA;- 20/01 : Yuzmv - &amp;quot;Mémoire d'un presque rien&amp;quot;&#xA;- 20/01 : Ziak - &amp;quot;Même pas un grincement&amp;quot;&#xA;- 22/01 : Bigflo - &amp;quot;30 ans&amp;quot;&#xA;- 23/01 : Achim - &amp;quot;Aquarium&amp;quot;&#xA;- 23/01 : DJ Kayz - &amp;quot;Pochette&amp;quot; ft. Lybro&#xA;- 23/01 : i300 - &amp;quot;TOURS&amp;quot;&#xA;- 23/01 : ULQUI - &amp;quot;VICTOR NEWMAN (intro)&amp;quot;&#xA;- 24/01 : Rocca &amp;amp; DJ Duke - &amp;quot;RELATIF&amp;quot; ft. Benjamin Epps&#xA;- 24/01 : Sadandsolo - &amp;quot;Ping&amp;quot;&#xA;- 25/01 : arøne - &amp;quot;novembre&amp;quot;&#xA;- 25/01 : Celestino - &amp;quot;OKOCHA&amp;quot;&#xA;- 25/01 : GS - &amp;quot;Mal au crâne&amp;quot;&#xA;- 25/01 : Hayce Lemsi - &amp;quot;​nikola tesla&amp;quot;&#xA;- 25/01 : Josas - &amp;quot;Eh Oh&amp;quot;&#xA;- 25/01 : Magnim - &amp;quot;Kanji commun&amp;quot;&#xA;- 26/01 : Arthur Qwest - &amp;quot;Génie Gazeux&amp;quot;&#xA;- 26/01 : FouKi - &amp;quot;80's&amp;quot;&#xA;- 26/01 : Fresh LaDouille - &amp;quot;Booska Voltaire&amp;quot;&#xA;- 26/01 : Le Rain-T - &amp;quot;Matrixé&amp;quot; ft. GAZY MP&#xA;- 26/01 : MAPESS - &amp;quot;HASSAL 5&amp;quot;&#xA;- 26/01 : Princesse - &amp;quot;Gare du Nord&amp;quot;&#xA;- 26/01 : Vacra - &amp;quot;Moto&amp;quot;&#xA;- 27/01 : Akan - &amp;quot;Jazzman&amp;quot;&#xA;- 27/01 : A$tro Boi - &amp;quot;SEUL AU MONDE&amp;quot;&#xA;- 27/01 : Absolem - &amp;quot;M€YDL€Y&amp;quot;&#xA;* 27/01 : Alpha Zeleph - &amp;quot;PDL, Pt. 2&amp;quot;&#xA;* 27/01 : BAG Jeune B - &amp;quot;SMART&amp;quot;&#xA;- 27/01 : Boub'z - &amp;quot;Élastique (Freestyle BDLB #1)&amp;quot;&#xA;* 27/01 : Drismer &amp;amp; PCN - &amp;quot;Superstar&amp;quot;&#xA;- 27/01 : Dr. Yaro &amp;amp; La Folie - &amp;quot;Garçons&amp;quot;&#xA;- 27/01 : Gatchete - &amp;quot;CHANGER DE DÉCOR&amp;quot;&#xA;- 27/01 : Genezio - &amp;quot;G'en reviens pas&amp;quot; ft. Leto&#xA;- 27/01 : Heuss L'enfoiré - &amp;quot;Chef d'orchestre&amp;quot;&#xA;- 27/01 : Hornet La Frappe - &amp;quot;Hasni&amp;quot;&#xA;- 27/01 : Josas - &amp;quot;Tchikitilla&amp;quot;&#xA;- 27/01 : Jonjo - &amp;quot;Solo&amp;quot;&#xA;- 27/01 : KeBlack - &amp;quot;SALE&amp;quot;&#xA;* 27/01 : KR Malsain - &amp;quot;Gros contrat&amp;quot;&#xA;- 27/01 : La Plaie - &amp;quot;Dans l'speed&amp;quot;&#xA;- 27/01 : La Rumeur - &amp;quot;Comment rester propre ?&amp;quot;&#xA;- 27/01 : L'Don - &amp;quot;Rachida Dati&amp;quot;&#xA;* 27/01 : Lemon Haze - &amp;quot;Freestyle Traficante&amp;quot;&#xA;- 27/01 : Lost - &amp;quot;Malsain et sauf&amp;quot;&#xA;- 27/01 : Lybro - &amp;quot;Helsinski&amp;quot; ft. Captaine Roshi&#xA;- 27/01 : Malko - &amp;quot;Vis ou meurs&amp;quot;&#xA;- 27/01 : Maxi Jay - &amp;quot;ASHANTI&amp;quot;&#xA;- 27/01 : MEGA, So La Lune &amp;amp; Au6i - &amp;quot;BERGER&amp;quot;&#xA;- 27/01 : Mister V - &amp;quot;Match&amp;quot; ft. Kerchak&#xA;- 27/01 : Moha MMZ - &amp;quot;LIBRE&amp;quot;&#xA;- 27/01 : Negrito - &amp;quot;Jeune OG&amp;quot; ft. Kodes&#xA;- 27/01 : Niro - &amp;quot;C'est pas assez&amp;quot;&#xA;- 27/01 : Princesse - &amp;quot;On s'aime&amp;quot;&#xA;- 27/01 : RD - &amp;quot;Dans le noir&amp;quot;&#xA;* 27/01 : SAF - &amp;quot;S O L O&amp;quot;&#xA;- 27/01 : SHAIM - &amp;quot;JONAS&amp;quot;&#xA;* 27/01 : Shaz &amp;amp; Alex Grox - &amp;quot;Langage Codé || 808CLUB&amp;quot; ft. robdbloc&#xA;- 27/01 : Skia - &amp;quot;RÉSURRECTION&amp;quot;&#xA;- 27/01 : Softo - &amp;quot;Instinct&amp;quot;&#xA;- 27/01 : Tengo John - &amp;quot;Déluge&amp;quot;&#xA;- 27/01 : Varnish La Piscine - &amp;quot;Ring Island&amp;quot;&#xA;- 27/01 : Yamê - &amp;quot;Call of Valhalla&amp;quot;&#xA;- 27/01 : Yonidas - &amp;quot;Aton&amp;quot;&#xA;- 30/01 : Le Rain-T - &amp;quot;Filon&amp;quot; ft&#xA;- 31/01 : Achim - &amp;quot;Aquarium II&amp;quot;&#xA;- 31/01 : Pbl - &amp;quot;Avec le cœur&amp;quot; ft. Chanceko&#xA;- 31/01 : Ucyll &amp;amp; Ryo - &amp;quot;GRIS VILLAGE&amp;quot;&#xA;Février :&#xA;- 01/02 : 313 - &amp;quot;Petit cœur&amp;quot;&#xA;- 01/02 : Karmen - &amp;quot;CASCADE&amp;quot;&#xA;- 01/02 : Leo SVR - &amp;quot;Gin ou Génépi&amp;quot;&#xA;- 01/02 : Nono La Grinta - &amp;quot;Kim K&amp;quot;&#xA;- 01/02 : rad cartier - &amp;quot;MAGNETO&amp;quot;&#xA;* 01/02 : Thabiti - &amp;quot;M.A.R.S&amp;quot;&#xA;- 02/02 : AnNie .Adaa - &amp;quot;Appartement 12&amp;quot;&#xA;- 02/02 : Benny Adam - &amp;quot;Pigalle&amp;quot;&#xA;- 02/02 : GAZY MP - &amp;quot;Batcha&amp;quot;&#xA;- 02/02 : JEUNESAINT - &amp;quot;Pu$$Y Tsunami&amp;quot;&#xA;- 02/02 : Nunca - &amp;quot;MILONGA&amp;quot;&#xA;- 02/02 : Stony Stone - &amp;quot;Step #10 - Mystère et suspens&amp;quot;&#xA;- 02/02 : TIF - &amp;quot;AMNESIA&amp;quot;&#xA;- 02/02 : Yaro - &amp;quot;MBC&amp;quot;&#xA;- 03/02 : Abah - &amp;quot;Changer&amp;quot;&#xA;- 03/02 : Allebou - &amp;quot;en vie&amp;quot;&#xA;- 03/02 : Bramisto - &amp;quot;Tous les mêmes&amp;quot;&#xA;- 03/02 : Bunshiin - &amp;quot;Koopa&amp;quot;&#xA;- 03/02 : Captaine Roshi - &amp;quot;Ulyss&amp;quot;&#xA;- 03/02 : Charles BDL - &amp;quot;Sniper&amp;quot;&#xA;* 03/02 : Cikey - &amp;quot;DMD&amp;quot;&#xA;- 03/02 : Compilation Bendo - &amp;quot;M'en aller #2&amp;quot; ft. L'Allemand &amp;amp; Stef Becker&#xA;* 03/02 : Elh Kmer - &amp;quot;Old Boy (En attendant Vivaldi)&amp;quot;&#xA;- 03/02 : Emkal - &amp;quot;J'la connais, Pt. 2&amp;quot;&#xA;* 03/02 : Hoody Lando - &amp;quot;Bitch Don’t Kill My Vibe&amp;quot;&#xA;- 03/02 : Hös Copperfield - &amp;quot;Franklin&amp;quot;&#xA;* 03/02 : La MG - &amp;quot;Coco Acai&amp;quot;&#xA;- 03/02 : Le Risque - &amp;quot;Go&amp;quot;&#xA;- 03/02 : L'Hexaler - &amp;quot;Archimede&amp;quot;&#xA;* 03/02 : Lorage - &amp;quot;Un peu plus fort&amp;quot;&#xA;- 03/02 : LP2.0 - &amp;quot;Mentale 2 Batard #3&amp;quot;&#xA;- 03/02 : Mecra - &amp;quot;Faites percer Mecra&amp;quot;&#xA;- 03/02 : Mougli - &amp;quot;Jungle #4&amp;quot;&#xA;* 03/02 : Ol Zico - &amp;quot;Évidemment&amp;quot;&#xA;- 03/02 : Rhemaboy - &amp;quot;Renoncé&amp;quot; ft. LDV&#xA;- 03/02 : Rim'K - &amp;quot;Metaverse&amp;quot; ft. Freeze Corleone&#xA;- 03/02 : SLK - &amp;quot;Vie de bandit&amp;quot; ft. Kerchak&#xA;- 03/02 : Sokra - &amp;quot;Rüdiger&amp;quot;&#xA;- 03/02 : Soso Maness &amp;amp; Sat - &amp;quot;DLB 17 (Amazon Original)&amp;quot;&#xA;- 03/02 : Sultan - &amp;quot;Lahuiss&amp;quot;&#xA;- 03/02 : Zitoune - &amp;quot;Freestyle Mackik&amp;quot;&#xA;- 03/02 : Zola - &amp;quot;TOUTE LA JOURNÉE&amp;quot; ft. Tiakola&#xA;- 05/02 : Laws Babyface - &amp;quot;LES MAUX&amp;quot;&#xA;- 06/02 : Ekloz - &amp;quot;Après l'hiver&amp;quot; ft. Gris Anthracite&#xA;- 07/02 : Bekar - &amp;quot;L'album est terminé&amp;quot;&#xA;- 07/02 : Kamas Skuh - &amp;quot;Citroën&amp;quot;&#xA;- 07/02 : Zamdane - &amp;quot;Poussière (Affamé #14)&amp;quot;&#xA;- 07/02 : Recklessboise - &amp;quot;BOTCH MODE&amp;quot; ft. Realo&#xA;- 08/02 : BU$HI - &amp;quot;Booska Mysterio&amp;quot;&#xA;* 08/02 : Don Milli - &amp;quot;Violence gratuite&amp;quot;&#xA;* 08/02 : Lamatrix - &amp;quot;Rusé&amp;quot;&#xA;- 08/02 : Peet - &amp;quot;Déjà fait&amp;quot; ft. JeanJass&#xA;* 08/02 : Nadjee - &amp;quot;Bien bon&amp;quot;&#xA;- 08/02 : Oumar - &amp;quot;GOAT&amp;quot; ft. Souffrance&#xA;- 08/02 : Tenn - &amp;quot;MONEYTALK&amp;quot; ft. Jeune Producer&#xA;- 09/02 : 47ter - &amp;quot;Feeling&amp;quot;&#xA;- 09/02 : A2H - &amp;quot;Paradis&amp;quot;&#xA;- 09/02 : Beendo Z - &amp;quot;Nature morte&amp;quot;&#xA;- 09/02 : FullBaz - &amp;quot;Logiciel #5 - City Run&amp;quot;&#xA;- 09/02 : Hyacinthe - &amp;quot;10 piges&amp;quot;&#xA;- 09/02 : J2LASTEU &amp;amp; Beyazz - &amp;quot;Tiki Taka&amp;quot;&#xA;- 09/02 : Klem Schen - &amp;quot;Clément&amp;quot;&#xA;- 09/02 : L'Allemand - &amp;quot;Véritable&amp;quot;&#xA;- 09/02 : Loto - &amp;quot;Liars&amp;quot;&#xA;- 09/02 : Malty 2BZ - &amp;quot;Booska EDM&amp;quot;&#xA;- 09/02 : M le Maudit - &amp;quot;HANK&amp;quot;&#xA;- 09/02 : Shaim - &amp;quot;JAMAIS DE LA VIE!&amp;quot;&#xA;- 09/02 : ShuriGuzman - &amp;quot;Demain&amp;quot; ft. Slimka&#xA;- 09/02 : The Free - &amp;quot;Quarantièmes rugissants&amp;quot;&#xA;- 09/02 : web7 - &amp;quot;intact&amp;quot;&#xA;- 10/02 : Absolem - &amp;quot;Bougies&amp;quot; ft. Limsa d'Aulnay&#xA;- 10/02 : AKISSI - &amp;quot;FAKE + REALITY&amp;quot;&#xA;- 10/02 : Benjamin Epps - &amp;quot;police à ma porte&amp;quot;&#xA;- 10/02 : Captaine Roshi - &amp;quot;Ebola (Pt.2)&amp;quot; ft. Norsacce&#xA;- 10/02 : Deadi - &amp;quot;Brazil&amp;quot;&#xA;- 10/02 : JOON - &amp;quot;L'averse&amp;quot;&#xA;- 10/02 : Josas - &amp;quot;Abusadora&amp;quot;&#xA;- 10/02 : L2B - &amp;quot;5 Étoiles&amp;quot;&#xA;- 10/02 : La F - &amp;quot;Kimbo&amp;quot;&#xA;- 10/02 : Leto - &amp;quot;PSO BOP&amp;quot;&#xA;- 10/02 : Liim's - &amp;quot;L'Dose #5&amp;quot;&#xA;- 10/02 : M.A.M - &amp;quot;La Prise &amp;amp; La Chèvre&amp;quot; ft. Makala&#xA;- 10/02 : Nia - &amp;quot;Vendetta&amp;quot;&#xA;- 10/02 : Novy - &amp;quot;RACK$ ON&amp;quot;&#xA;- 10/02 : Sabuu - &amp;quot;rien dperso&amp;quot;&#xA;- 10/02 : Sobre - &amp;quot;Takeover&amp;quot;&#xA;- 10/02 : Tengo John - &amp;quot;La Peau d’un Monstre&amp;quot;&#xA;- 10/02 : Werenoi - &amp;quot;3 singes&amp;quot; ft. Ninho&#xA;- 10/02 : Zbig - &amp;quot;Zbigopaïne #1&amp;quot;&#xA;- 13/02 : Bné - &amp;quot;Control (Remix)&amp;quot; ft. Rsko&#xA;- 14/02 : Criminls - &amp;quot;Nouvel ordre&amp;quot; ft. Freeze Corleone&#xA;- 16/02 : Gemen - &amp;quot;2TEMPS2MAISONS&amp;quot;&#xA;- 15/02 : Blue Sky - &amp;quot;Booska Bleu pt. 2&amp;quot;&#xA;- 15/02 : Bupropion. - &amp;quot;Pourquoi&amp;quot;&#xA;- 15/02 : Keroué - &amp;quot;Cette shit&amp;quot;&#xA;- 15/02 : Key Largo - &amp;quot;Black Dragon #NoFake1&amp;quot;&#xA;- 15/02 : Landy - &amp;quot;Maybach&amp;quot; ft. Gazo&#xA;- 15/02 : Maes - &amp;quot;Opaque&amp;quot;&#xA;- 15/02 : Michou - &amp;quot;B22&amp;quot; ft. Gueule d'Ange&#xA;- 15/02 : YL - &amp;quot;Dounia&amp;quot;&#xA;- 16/02 : Achim - &amp;quot;Aquarium III&amp;quot;&#xA;- 16/02 : Bigflo &amp;amp; Oli - &amp;quot;Tandem&amp;quot;&#xA;- 16/02 : GEAVN - &amp;quot;JET &amp;amp; SCOOTER&amp;quot;&#xA;- 16/02 : Houdi - &amp;quot;LE 12ÈME&amp;quot;&#xA;- 16/02 : ISK - &amp;quot;Dublin&amp;quot;&#xA;- 16/02 : Jones Cruipy - &amp;quot;Avec toi&amp;quot;&#xA;* 16/02 : Mayo - &amp;quot;Sous pression&amp;quot;&#xA;- 16/02 : Momsii - &amp;quot;Libérable&amp;quot;&#xA;- 17/02 : Alien - &amp;quot;L'orage&amp;quot;&#xA;- 17/02 : Allebou - &amp;quot;jusqu'à&amp;quot;&#xA;- 17/02 : Ateyaba - &amp;quot;ALC&amp;quot;&#xA;- 17/02 : Axelence - &amp;quot;Chérie&amp;quot; ft. Tawsen &amp;amp; Dima Dima&#xA;- 17/02 : Bilk - &amp;quot;T'étais où&amp;quot; ft. Alonzo&#xA;- 17/02 : Bné - &amp;quot;Tuer l'ennui&amp;quot;&#xA;- 17/02 : Boub'z - &amp;quot;Tu mérites pas (Freestyle BDLB #2)&amp;quot;&#xA;- 17/02 : Bunshiin - &amp;quot;La rivière&amp;quot;&#xA;- 17/02 : Couli B - &amp;quot;Chez moi&amp;quot;&#xA;- 17/02 : Dandyguel - &amp;quot;Fly&amp;quot;&#xA;- 17/02 : Davodka - &amp;quot;Fantômes&amp;quot;&#xA;- 17/02 : Demi Portion - &amp;quot;Microphone&amp;quot; ft. Deadi&#xA;- 17/02 : Djadja &amp;amp; Dinaz - &amp;quot;La Force Tranquille&amp;quot;&#xA;- 17/02 : Draviss - &amp;quot;Ballon d'or 1&amp;quot;&#xA;- 17/02 : Elams - &amp;quot;Histoire de Love 2.0&amp;quot;&#xA;- 17/02 : Mapess - &amp;quot;CARRÉ (Freestyle)&amp;quot;&#xA;- 17/02 : Mara - &amp;quot;La revanche&amp;quot;&#xA;- 17/02 : Max D. Carter - &amp;quot;Maillot Bleu&amp;quot;&#xA;- 17/02 : Negrito - &amp;quot;BALA BALA&amp;quot; ft. Stavo&#xA;- 17/02 : Ol' Kainry - &amp;quot;BANG&amp;quot;&#xA;- 17/02 : Princesse - &amp;quot;Skyclub&amp;quot;&#xA;- 17/02 : Saisai - &amp;quot;Crackland #2&amp;quot; ft. La F&#xA;* 17/02 : Shaz &amp;amp; Alex Grox - &amp;quot;Chaque Jour || 808CLUB&amp;quot; ft. Cinco&#xA;- 17/02 : SNSET - &amp;quot;UNKWOWN&amp;quot;&#xA;- 17/02 : Sultan - &amp;quot;Lahuiss - Remix&amp;quot; ft. Six, MC Mays, Nadji Dinero, Leck &amp;amp; AMD&#xA;- 17/02 : Waïv - &amp;quot;GOD'S PLAN&amp;quot;&#xA;- 17/02 : Walid - &amp;quot;Empire&amp;quot;&#xA;* 17/02 : Yaro - &amp;quot;Ethanol&amp;quot;&#xA;* 19/02 : Kai du M - &amp;quot;Toujours&amp;quot;&#xA;- 19/02 : Zé - &amp;quot;Temps additionnel&amp;quot;&#xA;- 20/02 : Dalienski - &amp;quot;Lunaire&amp;quot;&#xA;- 20/02 : Hayce Lemsi - &amp;quot;JPLM FREESTYLE&amp;quot;&#xA;- 21/02 : Afro S - &amp;quot;Le bon prix&amp;quot; ft. Enima&#xA;- 21/02 : Celestino - &amp;quot;UMA&amp;quot;&#xA;- 21/02 : Hayce Lemsi - &amp;quot;Santana&amp;quot;&#xA;- 21/02 : Kamas Skuh - &amp;quot;Chez Orange&amp;quot;&#xA;- 21/02 : Zamdane - &amp;quot;Affamé #15 - Conditionnés à décevoir&amp;quot;&#xA;- 21/02 : Ziak - &amp;quot;Chrome&amp;quot;&#xA;- 22/02 : Balafré - &amp;quot;J’ARRIVE TOQUER CHEZ TOI&amp;quot;&#xA;- 22/02 : Carbonne - &amp;quot;Valhalla&amp;quot;&#xA;* 22/02 : Doulkha - &amp;quot;RENOUVEAUX&amp;quot;&#xA;- 22/02 : HD La Relève - &amp;quot;Cache cache&amp;quot;&#xA;- 22/02 : Kepler - &amp;quot;Bouge Baby&amp;quot;&#xA;* 22/02 : KR Malsain - &amp;quot;Viens voir (Freestyle Raplume)&amp;quot;&#xA;- 22/02 : L'As - &amp;quot;EGAN&amp;quot;&#xA;- 22/02 : Lord Esperanza - &amp;quot;Paradis&amp;quot; ft. Nemir&#xA;- 22/02 : MadeInParis - &amp;quot;Auto&amp;quot; ft. Maureen&#xA;- 22/02 : mademoiselle lou - &amp;quot;Petit cœur&amp;quot;&#xA;- 22/02 : Ucyll &amp;amp; Ryo - &amp;quot;NASUBI&amp;quot;&#xA;- 23/02 : Bilton - &amp;quot;Les filles d'à côté&amp;quot; ft. SDM&#xA;- 23/02 : Damlif - &amp;quot;Mentir ah ça j’aime&amp;quot;&#xA;- 23/02 : Hös Copperfield - &amp;quot;À L’AUBE&amp;quot; ft. Ninho&#xA;* 23/02 : I.K - &amp;quot;C'est la Rue&amp;quot; ft. Couli B&#xA;- 23/02 : L'Don - &amp;quot;Walter White&amp;quot;&#xA;- 23/02 : Lost - &amp;quot;Tout ou rien (De l’autre côté)&amp;quot; ft. Negrito&#xA;- 23/02 : Werenoi - &amp;quot;10.03.2023&amp;quot;&#xA;- 23/02 : winnterzuko - &amp;quot;GEARLESS&amp;quot;&#xA;- 24/02 : Dinos - &amp;quot;Burn Out (Creed III)&amp;quot;&#xA;* 24/02 : Djeffi - &amp;quot;Le même&amp;quot;&#xA;* 24/02 : Elh Kmer - &amp;quot;Apnée (En attendant Vivaldi)&amp;quot;&#xA;- 24/02 : Flynt - &amp;quot;OEUVRESDART&amp;quot;&#xA;- 24/02 : Gatchete - &amp;quot;FENÊTRE&amp;quot;&#xA;- 24/02 : Gips - &amp;quot;J'suis Stone&amp;quot;&#xA;* 24/02 : Gueule d'Ange - &amp;quot;Jimi Hendrix&amp;quot;&#xA;- 24/02 : Hatik - &amp;quot;niyya&amp;quot;&#xA;- 24/02 : HMZ - &amp;quot;Pegasus&amp;quot;&#xA;- 24/02 : Jayel - &amp;quot;Dis moi&amp;quot;&#xA;- 24/02 : Josman - &amp;quot;Tulum, México&amp;quot; ft. Sofiane Pamart&#xA;- 24/02 : Kaaris - &amp;quot;Double K&amp;quot; ft. Kerchak&#xA;- 24/02 : Kaneki - &amp;quot;Déterminé&amp;quot;&#xA;* 24/02 : khazy - &amp;quot;CRASH&amp;quot;&#xA;- 24/02 : LaF - &amp;quot;Donne-moi tout&amp;quot;&#xA;- 24/02 : Larry - &amp;quot;TCMV&amp;quot;&#xA;- 24/02 : Lyre - &amp;quot;SOURIRE&amp;quot;&#xA;- 24/02 : Pins &amp;amp; Dimeh - &amp;quot;Gamberge&amp;quot;&#xA;- 24/02 : Rocca &amp;amp; DJ Duke - &amp;quot;CRIMINEL&amp;quot; ft. Youssoupha&#xA;- 24/02 : Slayeur Slace - &amp;quot;RAPPEL ULTIMATE&amp;quot;&#xA;- 24/02 : Still Fresh - &amp;quot;20ème symphonie&amp;quot;&#xA;- 24/02 : Thaubi - &amp;quot;RÊVE DE ROBOT&amp;quot;&#xA;* 24/02 : Tissmey - &amp;quot;Q7&amp;quot;&#xA;- 24/02 : Tyranik - &amp;quot;Légendaire&amp;quot;&#xA;* 24/02 : I2S - &amp;quot;Arkham 6&amp;quot;&#xA;- 26/02 : Akkai - &amp;quot;L U M I N O L&amp;quot;&#xA;* 27/02 : Ben.C - &amp;quot;BAW&amp;quot;&#xA;- 27/02 : Keeqaid - &amp;quot;Dumb&amp;quot;&#xA;- 27/02 : PLK - &amp;quot;Décembre&amp;quot;&#xA;- 28/02 : Bekar - &amp;quot;Razorlight&amp;quot;&#xA;- 28/02 : Bené - &amp;quot;Marbella&amp;quot;&#xA;* 28/02 : Kamas Skuh - &amp;quot;N7&amp;quot;&#xA;Mars :&#xA;- 01/03 : Bné - &amp;quot;Freestyle Zone 4&amp;quot;&#xA;- 01/03 : Diddi Trix - &amp;quot;Fondu&amp;quot;&#xA;- 01/03 : Djadja &amp;amp; Dinaz - &amp;quot;Boosk’Alpha&amp;quot;&#xA;- 01/03 : Gambino - &amp;quot;Ghetto&amp;quot;&#xA;- 01/03 : Heskis - &amp;quot;Printemps&amp;quot;&#xA;- 01/03 : JMK$ - &amp;quot;DSF&amp;quot;&#xA;* 01/03 : La MG - &amp;quot;L'époque des cahiers&amp;quot;&#xA;- 01/03 : LauCarré - &amp;quot;1 freestyle 2+&amp;quot;&#xA;- 01/03 : Manny - &amp;quot;10h10&amp;quot; ft. Stavo&#xA;- 01/03 : M le Maudit - &amp;quot;Arnaque au C02&amp;quot;&#xA;- 01/03 : Stutt - &amp;quot;Santé Famille&amp;quot;&#xA;- 01/03 : Zokush - &amp;quot;A45&amp;quot;&#xA;- 02/03 : 34murphy - &amp;quot;cal.50&amp;quot;&#xA;- 02/03 : DavidDeuxFois - &amp;quot;Ayia Napa&amp;quot;&#xA;- 02/03 : Empty7 - &amp;quot;Averse / Nuit&amp;quot;&#xA;- 02/03 : Houdi - &amp;quot;SOUS LE MANTEAU&amp;quot;&#xA;- 02/03 : J9ueve - &amp;quot;DIAMANT&amp;quot;&#xA;- 02/03 : Josué - &amp;quot;Chic &amp;amp; rebelle&amp;quot;&#xA;- 02/03 : JuL - &amp;quot;Keyser Söze&amp;quot;&#xA;- 02/03 : Lazer MMZ - &amp;quot;SERGIO THANOS&amp;quot;&#xA;- 02/03 : Nessbeal - &amp;quot;212 Africa&amp;quot;&#xA;* 02/03 : Shaz &amp;amp; Alex Grox - &amp;quot;SkyDweller || 808CLUB&amp;quot; ft. KR Malsain&#xA;- 02/03 : TripleGo - &amp;quot;Désert&amp;quot;&#xA;- 03/03 : Absolem - &amp;quot;Grand Méchant Loup / Serre Les Dents&amp;quot; ft. Caballero&#xA;- 03/03 : Allebou - &amp;quot;quand ?&amp;quot;&#xA;* 03/03 : Bakhaw - &amp;quot;Piñata&amp;quot;&#xA;- 03/03 : Bedjik - &amp;quot;C'est Mort&amp;quot;&#xA;- 03/03 : BEN plg - &amp;quot;Marquer l'histoire (Freestyle)&amp;quot;&#xA;- 03/03 : Black Jack - &amp;quot;Maille&amp;quot;&#xA;- 03/03 : Bramsito - &amp;quot;Gucci bae&amp;quot;&#xA;* 03/03 : Compilation Bendo - &amp;quot;Cité&amp;quot; ft. Sadek &amp;amp; Bénef&#xA;- 03/03 : D. Ace - &amp;quot;Eveil&amp;quot;&#xA;* 03/03 : Demszer - &amp;quot;KATA&amp;quot;&#xA;* 03/03 : Djel - &amp;quot;TIC TAC&amp;quot; ft. ISHA&#xA;* 03/03 : Dwen - &amp;quot;Deux temps&amp;quot;&#xA;- 03/03 : Gambi - &amp;quot;ILS ONT PÉTÉ&amp;quot;&#xA;- 03/03 : GreenWoodz - &amp;quot;Friday night&amp;quot;&#xA;- 03/03 : JOON - &amp;quot;LA CALLE&amp;quot; ft. Hayce Lemsi&#xA;- 03/03 : joysad - &amp;quot;Remède&amp;quot; ft. LVZ&#xA;- 03/03 : JuL - &amp;quot;Bobo au Corazon&amp;quot;&#xA;- 03/03 : L'Algérino - &amp;quot;AYÉ AYO&amp;quot; ft. Skalpovich&#xA;- 03/03 : L'As - &amp;quot;COMPTER&amp;quot;&#xA;- 03/03 : Lemon Haze - &amp;quot;Draco&amp;quot;&#xA;- 03/03 : Leonis - &amp;quot;Zakaria&amp;quot;&#xA;- 03/03 : L'Hexaler - &amp;quot;Coronarien&amp;quot; ft. Souffrance&#xA;- 03/03 : Mécra - &amp;quot;Faites percer Mecra #2&amp;quot;&#xA;- 03/03 : PHLP - &amp;quot;DOULEUR&amp;quot;&#xA;* 03/03 : Reda - &amp;quot;Le R #6&amp;quot;&#xA;- 03/03 : Rsko - &amp;quot;Clio 2&amp;quot;&#xA;- 03/03 : Rsko - &amp;quot;Elles aiment les OG'S&amp;quot;&#xA;* 03/03 : Ruff - &amp;quot;Confidences&amp;quot;&#xA;- 03/03 : Shay - &amp;quot;Jolie Go&amp;quot;&#xA;- 03/03 : Sokra - &amp;quot;Mbappé&amp;quot;&#xA;- 03/03 : Tunisiano - &amp;quot;Melodrame&amp;quot;&#xA;- 03/03 : USKY - &amp;quot;Donatello&amp;quot;&#xA;- 03/03 : Vin's - &amp;quot;Galerie&amp;quot;&#xA;- 04/03 : JuL - &amp;quot;Tu me connais moi&amp;quot;&#xA;- 05/03 : JuL - &amp;quot;Electrique&amp;quot;&#xA;- 06/03 : Falcko - &amp;quot;Dans leur cœur&amp;quot;&#xA;- 06/03 : Implaccable - &amp;quot;D Bla m’a accueilli à PSO&amp;quot; ft. Black D&#xA;- 06/03 : JuL - &amp;quot;Ça va chérie ça va&amp;quot;&#xA;- 06/03 : Primero - &amp;quot;Vie de chien&amp;quot;&#xA;- 06/03 : Tisco - &amp;quot;J'crime&amp;quot; ft. ISS&#xA;- 07/03 : Bekar - &amp;quot;Plus fort que l'orage&amp;quot;&#xA;- 07/03 : JuL - &amp;quot;Ounanana&amp;quot;&#xA;* 07/03 : Kamas Skuh - &amp;quot;Hardy Jeff&amp;quot;&#xA;- 07/03 : Theodora - &amp;quot;C TROP LA LOOSE ᐸ/3&amp;quot;&#xA;- 07/03 : Toam - &amp;quot;Répondeur&amp;quot;&#xA;- 07/03 : Zamdane - &amp;quot;Triste mais elle aime ça (Affamé #16)&amp;quot;&#xA;- 08/03 : Celestino - &amp;quot;SUNGLASSES&amp;quot; ft. Leo SVR&#xA;- 08/03 : JuL - &amp;quot;Monstro&amp;quot;&#xA;- 08/03 : KR l'espèce - &amp;quot;Espèce #3&amp;quot;&#xA;* 08/03 : La Place - &amp;quot;Mauvais sang&amp;quot; ft. Beeby, Anglade &amp;amp; Berry&#xA;- 08/03 : Wallace Cleaver - &amp;quot;déconnecté&amp;quot;&#xA;- 08/03 : ULQUI - &amp;quot;CLYDE &amp;amp; BONNIE&amp;quot;&#xA;- 08/03 : YUNG POOR ALO - &amp;quot;Malade mon sourire&amp;quot;&#xA;* 09/03 : BKR - &amp;quot;EN VITE FAIT&amp;quot;&#xA;* 09/03 : Doulkha - &amp;quot;PARKINSON&amp;quot;&#xA;- 09/03 : Glauque - &amp;quot;Pas le choix&amp;quot;&#xA;- 09/03 : JuL - &amp;quot;Kusher Kush&amp;quot;&#xA;- 09/03 : Maes - &amp;quot;Malembé&amp;quot; ft. Gims&#xA;* 09/03 : Shaz &amp;amp; Alex Grox - &amp;quot;Aller retour || 808CLUB&amp;quot; ft. Pirate&#xA;- 09/03 : Sheldon - &amp;quot;Aéroport&amp;quot;&#xA;- 09/03 : Sheldon - &amp;quot;Mars&amp;quot;&#xA;- 09/03 : thaHomey - &amp;quot;RARE GLORY&amp;quot;&#xA;- 09/03 : TIF - &amp;quot;SHADOW BOXING&amp;quot;&#xA;- 10/03 : Akan - &amp;quot;tlmt down&amp;quot;&#xA;- 10/03 : A$tro Boi - &amp;quot;La meuf du bâtiment 4&amp;quot;&#xA;- 10/03 : CAPU$H - &amp;quot;BURNING TEARS&amp;quot;&#xA;- 10/03 : Chat noir - &amp;quot;Tous les soirs&amp;quot;&#xA;- 10/03 : Cikey - &amp;quot;Amiri&amp;quot;&#xA;- 10/03 : Dabs - &amp;quot;Paranoïaque&amp;quot;&#xA;- 10/03 : Doria - &amp;quot;C'est fini&amp;quot;&#xA;- 10/03 : Gemroz - &amp;quot;DNB&amp;quot;&#xA;- 10/03 : Hornet La Frappe - &amp;quot;WAX&amp;quot;&#xA;- 10/03 : JSX - &amp;quot;YAKO&amp;quot;&#xA;- 10/03 : JuL - &amp;quot;Petit cœur&amp;quot;&#xA;- 10/03 : La Famax - &amp;quot;Ben Affleck&amp;quot; ft. BEN plg&#xA;- 10/03 : Lapostroz - &amp;quot;BLEU&amp;quot;&#xA;- 10/03 : LauCarré - &amp;quot;Carrépisode 6&amp;quot;&#xA;- 10/03 : Lucio Bukowski - &amp;quot;Animal Forever&amp;quot;&#xA;- 10/03 : Luni Sacks - &amp;quot;Chamailler&amp;quot;&#xA;- 10/03 : Marjinal - &amp;quot;States&amp;quot; ft. Kalash Criminel&#xA;- 10/03 : Moka K - &amp;quot;Premier amour&amp;quot;&#xA;- 10/03 : Naps - &amp;quot;Purple&amp;quot; ft. Gambi&#xA;- 10/03 : Rvzmo - &amp;quot;Kiri Village&amp;quot; ft. So La Lune&#xA;* 10/03 : Saamou Skuu - &amp;quot;2 ROUES (Freestyle)&amp;quot;&#xA;* 10/03 : Skia - &amp;quot;Tout seul&amp;quot;&#xA;- 10/03 : Tiitof - &amp;quot;Riposte&amp;quot;&#xA;- 11/03 : 23wa - &amp;quot;FAREWELL&amp;quot;&#xA;- 11/03 : JuL - &amp;quot;Scar et Mufasa&amp;quot;&#xA;- 12/03 : 23wa - &amp;quot;FAREWELL&amp;quot;&#xA;- 12/03 : DMS - &amp;quot;APRILIA&amp;quot; ft. Rounhaa&#xA;- 13/03 : ISK - &amp;quot;Vérité 6&amp;quot;&#xA;- 13/03 : JuL - &amp;quot;Mes affaires&amp;quot;&#xA;- 13/03 : Leo SVR - &amp;quot;Mont Ventoux&amp;quot;&#xA;- 13/03 : Zéphir - &amp;quot;Zéro&amp;quot;&#xA;- 14/03 : Elams - &amp;quot;Fait divers&amp;quot;&#xA;- 14/03 : Gambino - &amp;quot;Honda&amp;quot;&#xA;- 14/03 : JuL - &amp;quot;Messes basses&amp;quot;&#xA;- 15/03 : AM La Scampia - &amp;quot;Nostra&amp;quot;&#xA;- 15/03 : Deelee S - &amp;quot;SPAS 12&amp;quot;&#xA;- 15/03 : Django - &amp;quot;Arès&amp;quot;&#xA;- 15/03 : Gazo - &amp;quot;NO LÈCHE&amp;quot; ft. Leto, Kerchak &amp;amp; Favé&#xA;- 15/03 : Geeeko - &amp;quot;Diamant&amp;quot;&#xA;- 15/03 : HIMRA - &amp;quot;INCH’ALLAH&amp;quot;&#xA;- 15/03 : JuL - &amp;quot;Paranoïaque&amp;quot;&#xA;* 15/03 : Lp2.0 - &amp;quot;Manchester&amp;quot;&#xA;- 15/03 : LUMJR - &amp;quot;ADRIANO&amp;quot;&#xA;- 15/03 : Mougli - &amp;quot;Jungle #5&amp;quot;&#xA;- 15/03 : Simony - &amp;quot;TECHNOFRAPPE&amp;quot;&#xA;- 15/03 : Swift Guad - &amp;quot;Batterie faible&amp;quot;&#xA;- 15/03 : Vilk - &amp;quot;Nuage&amp;quot;&#xA;* 15/03 : YPN - &amp;quot;Jeu de Dames&amp;quot; ft. 26Keuss&#xA;* 16/03 : 3arbi - &amp;quot;Jingle Bell&amp;quot; ft. Amine Farsi&#xA;- 16/03 : FullBaz - &amp;quot;Logiciel #6 - Appels Manqué&amp;quot;&#xA;- 16/03 : Guy2Bezbar - &amp;quot;La Calle 5&amp;quot;&#xA;- 16/03 : HVmanyy - &amp;quot;TMAX&amp;quot;&#xA;* 16/03 : I.K - &amp;quot;Trahison&amp;quot; ft. Le Rat Luciano&#xA;- 16/03 : JuL - &amp;quot;Je kiff ma life&amp;quot;&#xA;- 16/03 : L'Don - &amp;quot;Spider-Man&amp;quot;&#xA;* 16/03 : Liim's - &amp;quot;Freestyle La Foudre&amp;quot;&#xA;* 16/03 : Shaz &amp;amp; Alex Grox - &amp;quot;Desiiigner || 808CLUB&amp;quot; ft. 8Ruki&#xA;* 16/03 : Thabiti - &amp;quot;Minuit&amp;quot;&#xA;* 16/03 : TLZ Clan - &amp;quot;CHAQUE JOUR&amp;quot;&#xA;- 17/03 : 2TH - &amp;quot;1 fois 2 fois mais pas 15 fois&amp;quot;&#xA;- 17/03 : 47ter - &amp;quot;JAD&amp;quot;&#xA;- 17/03 : Allebou - &amp;quot;Les phares éteints&amp;quot;&#xA;- 17/03 : ASHE 22 - &amp;quot;Je visser&amp;quot; ft. Mig&#xA;- 17/03 : Beendo Z - &amp;quot;Nouvelle ère&amp;quot; ft. Kerchak&#xA;- 17/03 : Benjamin Epps - &amp;quot;vivre&amp;quot;&#xA;* 17/03 : Bolémvn - &amp;quot;La cité&amp;quot; ft. TK&#xA;- 17/03 : Cheu-B - &amp;quot;TsuSky&amp;quot; ft. So La Lune&#xA;* 17/03 : Couli B - &amp;quot;Nasser Al-Khelaifi&amp;quot;&#xA;* 17/03 : Don Milli - &amp;quot;Bohème&amp;quot;&#xA;- 17/03 : Draviss - &amp;quot;Ballon d'or 2&amp;quot;&#xA;- 17/03 : Elh Kmer - &amp;quot;400m²&amp;quot;&#xA;- 17/03 : Fabio - &amp;quot;POISON&amp;quot;&#xA;- 17/03 : Freeze Corleone - &amp;quot;Iniesta&amp;quot; ft. Alonzo&#xA;- 17/03 : Gutta - &amp;quot;Sur moi&amp;quot;&#xA;- 17/03 : Jarod - &amp;quot;Start 2023&amp;quot;&#xA;- 17/03 : Jeune Lion - &amp;quot;SOUL&amp;quot;&#xA;- 17/03 : JYEUHAIR - &amp;quot;Ciel&amp;quot;&#xA;- 17/03 : Kaaris - &amp;quot;Le Roi des Ombres&amp;quot;&#xA;- 17/03 : Keus GTHM - &amp;quot;17&amp;quot;&#xA;- 17/03 : L2B - &amp;quot;Dans La Chambre / Money&amp;quot; ft. Franglish&#xA;- 17/03 : Lascaar - &amp;quot;Moi-même&amp;quot;&#xA;- 17/03 : Lost - &amp;quot;Pont Champlain&amp;quot;&#xA;- 17/03 : Lucio Bukowski - &amp;quot;Et le prestidigitateur ivre manqua son tour&amp;quot;&#xA;- 17/03 : Many Santana - &amp;quot;Qatari&amp;quot;&#xA;* 17/03 : Mayo - &amp;quot;Fête&amp;quot;&#xA;* 17/03 : Momsii - &amp;quot;Polaroïd&amp;quot;&#xA;- 17/03 : Nakry - &amp;quot;Nananère&amp;quot;&#xA;- 17/03 : Ormaz - &amp;quot;Bulldog&amp;quot;&#xA;- 17/03 : OSO - &amp;quot;Vibrer&amp;quot;&#xA;- 17/03 : Prototype - &amp;quot;Slidy #3 (4x4)&amp;quot;&#xA;- 17/03 : Rim'K - &amp;quot;Loup blanc&amp;quot;&#xA;- 17/03 : Rouge Carmin - &amp;quot;Flou&amp;quot;&#xA;- 17/03 : Sadek - &amp;quot;DANOIS (Freestyle)&amp;quot;&#xA;- 17/03 : Still Fresh - &amp;quot;Maman prie pour moi&amp;quot;&#xA;* 17/03 : Trixxo - &amp;quot;Teh 4&amp;quot;&#xA;- 17/03 : UZI - &amp;quot;Joe Frazier&amp;quot;&#xA;- 17/03 : Wood - &amp;quot;Sévère&amp;quot;&#xA;- 17/03 : Zed - &amp;quot;Mélodies et Pensées&amp;quot;&#xA;- 17/03 : Zidi - &amp;quot;MODEL&amp;quot; ft. Sirap&#xA;- 18/03 : RAS - &amp;quot;Diamants&amp;quot;&#xA;- 18/03 : SOPA - &amp;quot;ASUNA&amp;quot;&#xA;- 19/03 : Lazer MMZ - &amp;quot;La Plume&amp;quot;&#xA;* 20/03 : Key Largo - &amp;quot;Screen #NoFake2&amp;quot;&#xA;- 20/03 : Le Risque - &amp;quot;J'ai pas taillé&amp;quot; ft. Fresh LaDouille&#xA;- 21/03 : Sheng - &amp;quot;QLT&amp;quot;&#xA;- 21/03 : Zamdane - &amp;quot;Angels (Affamé #17)&amp;quot;&#xA;- 21/03 : Ziak - &amp;quot;Pistol &amp;amp; Zamal&amp;quot;&#xA;- 22/03 : 313 - &amp;quot;Ecchymoses, pt. II&amp;quot;&#xA;- 22/03 : Dabs - &amp;quot;Je pense à toi&amp;quot; ft. Moona&#xA;- 22/03 : DA Uzi - &amp;quot;C'est la rue&amp;quot;&#xA;- 22/03 : Fresh - &amp;quot;+32&amp;quot;&#xA;- 22/03 : JNR - &amp;quot;Mérité&amp;quot;&#xA;- 22/03 : L'Allemand - &amp;quot;La Masia&amp;quot;&#xA;- 23/03 : Croma619 - &amp;quot;Attaquant sérieux&amp;quot;&#xA;- 23/03 : Damlif - &amp;quot;Carmageddon&amp;quot;&#xA;- 23/03 : Enfantdepauvres - &amp;quot;Mon amour&amp;quot;&#xA;- 23/03 : Jay Jay - &amp;quot;Millionnaire&amp;quot;&#xA;* 23/03 : Shaz &amp;amp; Alex Grox - &amp;quot;Jutsu || 808CLUB&amp;quot; ft. Beeby&#xA;- 23/03 : Waltmann - &amp;quot;B.O.M.B&amp;quot;&#xA;- 24/03 : 528ron &amp;amp; Lovarran - &amp;quot;0 Confiance En La Chance&amp;quot;&#xA;- 24/03 : Alien - &amp;quot;Plus de soleil sous les nuages&amp;quot;&#xA;- 24/03 : Allebou - &amp;quot;J'essaie&amp;quot;&#xA;- 24/03 : Cellulaire - &amp;quot;ÇA SERAIT MENTIR&amp;quot; ft. Sno3&#xA;- 24/03 : Charles BDL - &amp;quot;Allo Charlie&amp;quot;&#xA;- 24/03 : Fresh - &amp;quot;FAM&amp;quot;&#xA;- 24/03 : GRËJ - &amp;quot;SINIK EN 2006&amp;quot;&#xA;- 24/03 : Hatik - &amp;quot;shoot&amp;quot;&#xA;- 24/03 : HD La Relève - &amp;quot;C'est le binks&amp;quot;&#xA;- 24/03 : Jwles - &amp;quot;Rubans&amp;quot; ft. Le Lij&#xA;- 24/03 : Kerchak - &amp;quot;JFLM JMR&amp;quot;&#xA;- 24/03 : Kobo - &amp;quot;Terrain&amp;quot;&#xA;- 24/03 : Lestin - &amp;quot;Tout peut s'effacer&amp;quot;&#xA;- 24/03 : Lord Esperanza - &amp;quot;Solitaire&amp;quot;&#xA;- 24/03 : L'uZine - &amp;quot;Or&amp;quot;&#xA;- 24/03 : Moji x Sboy - &amp;quot;LA LUNE À DÉCROCHER&amp;quot;&#xA;* 24/03 : Nyda - &amp;quot;Briques&amp;quot;&#xA;- 24/03 : RD - &amp;quot;Trop tard&amp;quot;&#xA;* 24/03 : Selby - &amp;quot;BLACK&amp;quot;&#xA;* 24/03 : Sokra - &amp;quot;Davies&amp;quot;&#xA;- 25/03 : Antoniucci - &amp;quot;DÉSERT&amp;quot;&#xA;- 28/03 : Bekar - &amp;quot;Coloris&amp;quot;&#xA;* 28/03 : Sto - &amp;quot;Jersey Drill #5&amp;quot; ft. GAZY MP &amp;amp; J2LASTEU&#xA;- 29/03 : Django - &amp;quot;Sur un fil&amp;quot; ft. Empty7&#xA;- 29/03 : Doxx - &amp;quot;Une chose à te dire&amp;quot;&#xA;- 29/03 : NeS - &amp;quot;LE SOURIRE D'UNE TOMBE&amp;quot;&#xA;- 29/03 : Shien - &amp;quot;Ghost Dog Freestyle&amp;quot;&#xA;- 29/03 : Wheeps - &amp;quot;Krack&amp;quot; ft. Gama Boonta&#xA;- 30/03 : Coyote Jo Bastard - &amp;quot;Royal Cheese (Baby Bando #1)&amp;quot;&#xA;- 30/03 : Meryl - &amp;quot;Ghost&amp;quot;&#xA;* 30/03 : Shaz &amp;amp; Alex Grox - &amp;quot;Vinci park || 808CLUB&amp;quot; ft. Slkrack&#xA;- 30/03 : T.I.S &amp;amp; Kaer MKS - &amp;quot;Western&amp;quot;&#xA;- 31/03 : 404Billy - &amp;quot;Sociologue &amp;amp; Sociopathe&amp;quot;&#xA;- 31/03 : 47ter - &amp;quot;Si j'avais&amp;quot; ft. La Fouine&#xA;- 31/03 : AAMO - &amp;quot;VISION SML (Freestyle)&amp;quot;&#xA;- 31/03 : Allebou - &amp;quot;oui mais, ...&amp;quot;&#xA;* 31/03 : anaïs, 2TH &amp;amp; Majeur-Mineur - &amp;quot;Do it anyway&amp;quot;&#xA;- 31/03 : Baby Gang - &amp;quot;Mentalité RMX&amp;quot; ft. ASHE 22&#xA;- 31/03 : Cellulaire - &amp;quot;EST-CE QUE C’EST DU FLEX ?&amp;quot; ft. Sno3&#xA;- 31/03 : Dasuun - &amp;quot;Da$Ap&amp;quot;&#xA;- 31/03 : Dr. Yaro &amp;amp; La Folie - &amp;quot;On s’en fout&amp;quot;&#xA;- 31/03 : Engal Sama - &amp;quot;Tu flippes&amp;quot;&#xA;- 31/03 : FullBaz - &amp;quot;Logiciel #7 - Atmosphère&amp;quot;&#xA;- 31/03 : Gambino LaMG - &amp;quot;La calle&amp;quot;&#xA;- 31/03 : GAZY MP - &amp;quot;Movie&amp;quot;&#xA;- 31/03 : Lossa2Squa - &amp;quot;Paramour #Oshey4&amp;quot;&#xA;* 31/03 : Louis Aoda - &amp;quot;Fausses promesses&amp;quot;&#xA;- 31/03 : Prototype - &amp;quot;Mood Rockstar&amp;quot;&#xA;- 31/03 : Samayusi - &amp;quot;Loin de là&amp;quot;&#xA;* 31/03 : Skefre - &amp;quot;Puissant&amp;quot;&#xA;- 31/03 : Surprise - &amp;quot;Angèle &amp;amp; Pomme&amp;quot;&#xA;- 31/03 : Theodore - &amp;quot;2012 Balotelli&amp;quot; ft. S.Téban&#xA;- 31/03 : Tunisiano - &amp;quot;Mektoub&amp;quot; ft. Nemir&#xA;- 31/03 : Yonidas - &amp;quot;CFA&amp;quot;&#xA;* 31/03 : Zidi - &amp;quot;FONCTIONNER&amp;quot; ft. Mona San&#xA;Avril :&#xA;- 04/04 : Kaba &amp;amp; Hyas - &amp;quot;SPEED UP&amp;quot;&#xA;- 04/04 : Zamdane - &amp;quot;Bataille (Affamé #18)&amp;quot;&#xA;- 04/05 : Zoomy - &amp;quot;un, dos, tres&amp;quot;&#xA;- 05/04 : Bluume - &amp;quot;NUUEVE&amp;quot; ft. Triple Nine&#xA;- 05/04 : Cyrious - &amp;quot;Bandits&amp;quot;&#xA;- 05/04 : Douze Déluge - &amp;quot;SUBUTEX&amp;quot;&#xA;- 05/04 : rad cartier - &amp;quot;FRANC JEU&amp;quot;&#xA;- 05/04 : Urde - &amp;quot;Radeau&amp;quot;&#xA;- 06/04 : Costa - &amp;quot;Toc Toc&amp;quot;&#xA;- 06/04 : Kik - &amp;quot;Chaud&amp;quot;&#xA;- 06/04 : Skia - &amp;quot;Devant ta porte&amp;quot;&#xA;- 06/04 : Souldia - &amp;quot;Le vide&amp;quot;&#xA;- 06/04 : Yome - &amp;quot;200&amp;quot;&#xA;- 07/04 : 34murphy - &amp;quot;cash&amp;quot;&#xA;- 07/04 : Bambino47 - &amp;quot;.LUNE NOIRE.&amp;quot;&#xA;* 07/04 : Bhk220 - &amp;quot;C'est moi&amp;quot;&#xA;- 07/04 : Ghetto Phénomène - &amp;quot;C'est mon année&amp;quot; ft. Soprano&#xA;- 07/04 : L'Don - &amp;quot;Maradona sous zipette (Remix)&amp;quot; ft. Double Zulu, Papi TeddyBear, Ya$$, Don’k, GRËJ, N’Drick$, Batel &amp;amp; OG Kedy&#xA;- 07/04 : Lybro - &amp;quot;What's love&amp;quot;&#xA;- 07/04 : Rémy - &amp;quot;Viking&amp;quot;&#xA;- 07/04 : SDM - &amp;quot;Nous deux&amp;quot;&#xA;- 07/04 : Starski - &amp;quot;CLOUD 9&amp;quot;&#xA;- 09/04 : Beeby - &amp;quot;ON VERRA DEMAIN&amp;quot;&#xA;- 12/04 : Heuss L'enfoiré - &amp;quot;Moulaga (Sped up)&amp;quot; ft. JuL&#xA;- 12/04 : Svudvde - &amp;quot;Chargeur&amp;quot;&#xA;- 13/04 : 47ter - &amp;quot;Où tu voudras&amp;quot; ft. Tayc&#xA;- 13/04 : Gims - &amp;quot;HERNAN CORTÉS&amp;quot;&#xA;- 13/04 : Le Juiice - &amp;quot;BOO&amp;quot;&#xA;* 13/04 : Shaz &amp;amp; Alex Grox - &amp;quot;VAR || 808CLUB&amp;quot; ft. Negrito&#xA;- 13/04 : Slkrack - &amp;quot;Goal&amp;quot;&#xA;- 14/04 : Allebou - &amp;quot;M'attends pas.&amp;quot;&#xA;- 14/04 : A$tro Boi - &amp;quot;Mes 2 yeux sur ton bassin&amp;quot; ft. OSO&#xA;- 14/04 : Benash - &amp;quot;On Monte&amp;quot;&#xA;- 14/04 : Bob Marlich - &amp;quot;Tout&amp;quot;&#xA;- 14/04 : Cashmire - &amp;quot;16 appels manqués&amp;quot;&#xA;- 14/04 : Elh Kmer - &amp;quot;Nouvelle Map&amp;quot;&#xA;- 14/04 : Fiji God - &amp;quot;Messi&amp;quot;&#xA;- 14/04 : James Loup - &amp;quot;TÉMÉCHÉMOA&amp;quot;&#xA;* 14/04 : Jolagreen23 - &amp;quot;MADMAX1 (Freestyle)&amp;quot;&#xA;- 14/04 : Mac Seamus - &amp;quot;HUMAIN&amp;quot;&#xA;- 14/04 : Mister V - &amp;quot;Bootleg&amp;quot;&#xA;- 14/04 : Riski - &amp;quot;Chemtext&amp;quot;&#xA;- 14/04 : SOPA - &amp;quot;ICE&amp;quot;&#xA;- 14/04 : Yanns - &amp;quot;Prisonnier&amp;quot;&#xA;- 15/04 : wasting shit - &amp;quot;RedddHoT&amp;quot;&#xA;- 16/04 : Lil Zamm - &amp;quot;Name&amp;quot;&#xA;- 17/04 : Henri Bleu - &amp;quot;On s'adore&amp;quot;&#xA;- 18/04 : Makala - &amp;quot;Lettre d’un Yonko&amp;quot;&#xA;- 18/04 : Zamdane - &amp;quot;Ma réalité (Affamé #19)&amp;quot;&#xA;- 19/04 : Douze Déluge - &amp;quot;BAMBI&amp;quot;&#xA;- 19/04 : H JeuneCrack - &amp;quot;Présidentiel flow&amp;quot;&#xA;- 19/04 : USKY - &amp;quot;Rétina&amp;quot; ft. SDM&#xA;- 19/04 : Wallace Cleaver - &amp;quot;est-ce que je l’aime ?&amp;quot;&#xA;- 20/04 : Stony Stone &amp;amp; Houdi - &amp;quot;BOOSK’AVANT LES YEUX&amp;quot;&#xA;- 20/04 : Le Risque - &amp;quot;Aggravage 3&amp;quot; ft. Mig &amp;amp; Zokush&#xA;- 20/04 : Mairo - &amp;quot;nouvelle écriture&amp;quot;&#xA;- 21/04 : 34murphy - &amp;quot;kino der toten&amp;quot;&#xA;- 21/04 : Achim - &amp;quot;SPRING&amp;quot;&#xA;- 21/04 : Dau - &amp;quot;22H22&amp;quot;&#xA;- 21/04 : Doria - &amp;quot;JUSQU'ICI TOUT VA BIEN&amp;quot; ft. Nahir&#xA;* 21/04 : Koffi Lossa - &amp;quot;Okay&amp;quot;&#xA;- 21/04 : La Famax - &amp;quot;Fetty Wap&amp;quot;&#xA;* 21/04 : L'As - &amp;quot;Jamais (Freestyle)&amp;quot;&#xA;- 21/04 : Linton - &amp;quot;After Life&amp;quot;&#xA;- 21/04 : Osmoz - &amp;quot;Regarde-les&amp;quot; ft. OB&#xA;- 21/04 : Rémy - &amp;quot;Larmes&amp;quot;&#xA;- 21/04 : Reynz - &amp;quot;UN PEU DE PEINE&amp;quot;&#xA;- 21/04 : Yuzmv - &amp;quot;J'oublie&amp;quot;&#xA;* 26/04 : Araujo - &amp;quot;BORDEL&amp;quot;&#xA;- 26/04 : Arsaphe - &amp;quot;PLAQUÉ L&amp;quot;&#xA;- 26/04 : Enock - &amp;quot;DANS LE MAL&amp;quot;&#xA;* 26/04 : KLS &amp;amp; Le Rat Luciano - &amp;quot;A FORCE DE VIVRE&amp;quot; ft. JuL&#xA;- 26/04 : Peka59 - &amp;quot;Plan C&amp;quot;&#xA;- 26/04 : rad cartier - &amp;quot;NOCTUZOOK&amp;quot; ft. Vacra&#xA;* 26/04 : Rouge Carmin - &amp;quot;La tache&amp;quot;&#xA;- 26/04 : Sheldon - &amp;quot;Brouillard&amp;quot;&#xA;* 26/04 : Sicario - &amp;quot;C.E.R&amp;quot;&#xA;- 27/04 : Glauque - &amp;quot;Noir&amp;quot;&#xA;- 27/04 : HK La Paille - &amp;quot;Ambiance d'hiver&amp;quot;&#xA;- 27/04 : Jnr Slice - &amp;quot;Booska Denzel Jr (North Slice Freestyle #5)&amp;quot;&#xA;- 27/04 : Magnim - &amp;quot;BURN OUT !&amp;quot;&#xA;- 27/04 : Shaz &amp;amp; Alex Grox - &amp;quot;INTACT || 808CLUB&amp;quot; ft. Zikxo&#xA;- 27/04 : Sheng - &amp;quot;Infini&amp;quot;&#xA;* 27/04 : Zek - &amp;quot;Plus l'temps&amp;quot;&#xA;- 28/04 : Aketo - &amp;quot;Pot de départ&amp;quot;&#xA;- 28/04 : Allebou - &amp;quot;Travail&amp;quot;&#xA;* 28/04 : Elams - &amp;quot;Les braisés&amp;quot;&#xA;- 28/04 : Fresh - &amp;quot;Célèbre&amp;quot; ft. Frenetik&#xA;- 28/04 : Gemen - &amp;quot;Je t'****&amp;quot;&#xA;* 28/04 : Ghetto Phénomène - &amp;quot;La Corniche&amp;quot;&#xA;- 28/04 : Ibé - &amp;quot;Chez Moi&amp;quot; ft. Kerchak&#xA;- 28/04 : JMK$ - &amp;quot;PRÊT À GAGNER&amp;quot;&#xA;* 28/04 : Junior Bvndo - &amp;quot;Kuibazo&amp;quot;&#xA;* 28/04 : Kingzer - &amp;quot;César&amp;quot;&#xA;- 28/04 : Koba LaD - &amp;quot;Ténébreux #6&amp;quot;&#xA;- 28/04 : LauCarré - &amp;quot;Mehdi Maïzi&amp;quot;&#xA;- 28/04 : Lil Zamm - &amp;quot;Seul&amp;quot;&#xA;- 28/04 : L'uZine - &amp;quot;Réunion&amp;quot;&#xA;- 28/04 : Makala - &amp;quot;Ensemble Baby&amp;quot;&#xA;* 28/04 : Maska - &amp;quot;Abîmes&amp;quot;&#xA;* 28/04 : OldPee - &amp;quot;Gali&amp;quot;&#xA;- 28/04 : Soleil Noir - &amp;quot;Lunettes Cartier&amp;quot;&#xA;- 28/04 : St. Jimmy - &amp;quot;READY AS F*CK&amp;quot;&#xA;- 28/04 : Zokush - &amp;quot;Pas là&amp;quot;&#xA;&#xA;Mai :&#xA;- 02/05 : Chaax - &amp;quot;Le Code&amp;quot; ft. Booba&#xA;- 02/05 : Ninho - &amp;quot;Freestyle LVL UP 1&amp;quot;&#xA;* 02/05 : Slkrack - &amp;quot;Hasbullah&amp;quot;&#xA;- 03/05 : Diddi Trix - &amp;quot;Trix Interlude&amp;quot;&#xA;- 03/05 : Hakai - &amp;quot;PERDU D'AVANCE&amp;quot;&#xA;- 03/05 : Kik - &amp;quot;Adieu&amp;quot;&#xA;- 03/05 : luvumaxx - &amp;quot;fly away&amp;quot;&#xA;* 03/05 : TK - &amp;quot;Heffrite&amp;quot;&#xA;- 04/05 : Fabio - &amp;quot;SUPERSONIQUE&amp;quot;&#xA;* 04/05 : Jolagreen23 - &amp;quot;DEFCON&amp;quot;&#xA;- 04/05 : Lazer MMZ - &amp;quot;INTRO RAGNAR&amp;quot;&#xA;- 04/05 : Nahir - &amp;quot;POV&amp;quot;&#xA;- 04/05 : Raous Gang - &amp;quot;Terrain miné #10&amp;quot; ft. Fresh LaDouille&#xA;- 04/05 : Ratu$ - &amp;quot;Grillade #4&amp;quot; ft. HoussBad&#xA;- 04/05 : Slkrack - &amp;quot;Virée Nocture&amp;quot; ft. Doums &amp;amp; EDGE&#xA;- 05/05 : 34murphy - &amp;quot;cavale&amp;quot;&#xA;- 05/05 : Alonzo - &amp;quot;J'avais besoin d'un père (Bonus track)&amp;quot;&#xA;* 05/05 : Arka - &amp;quot;Let's go&amp;quot;&#xA;- 05/05 : Benab - &amp;quot;6 Coups&amp;quot;&#xA;- 05/05 : Gambino La MG - &amp;quot;Eyes contact&amp;quot; ft. Franglish&#xA;- 05/05 : GAZY MP - &amp;quot;OPTION&amp;quot;&#xA;- 05/05 : Hatik - &amp;quot;amnezia&amp;quot;&#xA;- 05/05 : Jayel - &amp;quot;Dans ma ville&amp;quot;&#xA;- 05/05 : Kaaris - &amp;quot;Pena Duro&amp;quot;&#xA;- 05/05 : Kaza - &amp;quot;Douleur&amp;quot;&#xA;- 05/05 : L'Allemand - &amp;quot;Remontada&amp;quot;&#xA;- 05/05 : Larry - &amp;quot;INDICA&amp;quot;&#xA;- 05/05 : Leto - &amp;quot;ZAZA&amp;quot;&#xA;- 05/05 : Luv Resval - &amp;quot;Jeune Vador&amp;quot;&#xA;- 05/05 : Malo - &amp;quot;MÉDICATION&amp;quot;&#xA;- 05/05 : Moji x Sboy - &amp;quot;LA FIN DE L'HISTOIRE&amp;quot;&#xA;* 05/05 : Negrito - &amp;quot;Folie&amp;quot;&#xA;- 05/05 : Nyda - &amp;quot;Mauvais mélange&amp;quot; ft. Osirus Jack&#xA;* 05/05 : Sicario78 - &amp;quot;Guitare triste&amp;quot; ft. Kalash Criminel&#xA;* 05/05 : Still Fresh - &amp;quot;Sentiments&amp;quot;&#xA;- 05/05 : St. Jimmy - &amp;quot;paceMAK3R&amp;quot;&#xA;- 05/05 : thaHomey - &amp;quot;BLVD.HAUSSMANN&amp;quot;&#xA;- 05/05 : Vadek - &amp;quot;PERDU&amp;quot;&#xA;- 07/05 : Mortalla - &amp;quot;Calibré&amp;quot;&#xA;- 08/05 : Lybro - &amp;quot;Booska Oozaru&amp;quot;&#xA;* 09/05 : Ormaz - &amp;quot;Mia&amp;quot; ft. AK&#xA;- 09/05 : Vink - &amp;quot;Comeback&amp;quot;&#xA;- 09/05 : T.I.S &amp;amp; Dysflow - &amp;quot;Lycanthropie&amp;quot;&#xA;* 10/05 : Couli B - &amp;quot;Ambiance Joviale&amp;quot;&#xA;* 10/05 : Lpee - &amp;quot;10/10&amp;quot; ft. Moken, Capou, Aketo, Lucci, Chanje, D6, Hash24, Chatnoir &amp;amp; Celestino&#xA;- 10/05 : Soso Maness - &amp;quot;Le Haqq&amp;quot;&#xA;- 11/05 : Bavar - &amp;quot;MAUVAIS MONDE&amp;quot;&#xA;- 11/05 : Gambi - &amp;quot;GUETTE&amp;quot;&#xA;- 11/05 : Ninho - &amp;quot;Freestyle LVL UP 2&amp;quot;&#xA;- 11/05 : No Limit - &amp;quot;LA RUE&amp;quot; ft. Gazo &amp;amp; Damso&#xA;- 11/05 : Sto - &amp;quot;Grand bain&amp;quot;&#xA;- 11/05 : Zamdane - &amp;quot;Affamé #20 - Mob&amp;quot;&#xA;- 12/05 : 313 - &amp;quot;Personne&amp;quot; ft. Jadana&#xA;- 12/05 : 404Billy - &amp;quot;Enfant Éternel&amp;quot;&#xA;- 12/05 : BLOODY$ANJI &amp;amp; spookyghost333 - &amp;quot;CYBERPUNK&amp;quot;&#xA;- 12/05 : Cashmire - &amp;quot;RIP VIRGIL&amp;quot;&#xA;- 12/05 : Chanje - &amp;quot;MONSTRE&amp;quot;&#xA;- 12/05 : GLK - &amp;quot;Essaye&amp;quot;&#xA;- 12/05 : Heuss L'enfoiré - &amp;quot;Get 27&amp;quot;&#xA;* 12/05 : JSX - &amp;quot;Sans peine&amp;quot;&#xA;- 12/05 : JuL - &amp;quot;La faille&amp;quot;&#xA;- 12/05 : La Pépite - &amp;quot;NO PRAY&amp;quot; ft. AAMO&#xA;- 12/05 : Lp 2.0 - &amp;quot;Franck Lucas&amp;quot;&#xA;- 12/05 : Moha MMZ - &amp;quot;HABITUÉ&amp;quot;&#xA;- 12/05 : Moms - &amp;quot;Backflip&amp;quot;&#xA;- 12/05 : Nakry - &amp;quot;Règlement de compte&amp;quot;&#xA;- 12/05 : Sadek - &amp;quot;Le zin&amp;quot;&#xA;- 12/05 : Savage Toddy - &amp;quot;Tout s'en va sauf les souvenirs&amp;quot;&#xA;- 12/05 : SNSET - &amp;quot;TOUTROULE!&amp;quot;&#xA;- 12/05 : Thabiti - &amp;quot;All eyes on me&amp;quot; ft. Youssoupha&#xA;- 15/05 : Coelho - &amp;quot;Parapluie&amp;quot;&#xA;* 17/05 : 3arbi - &amp;quot;Freestyle Interlope&amp;quot;&#xA;- 17/05 : Django - &amp;quot;Sobre&amp;quot;&#xA;- 17/05 : Gen - &amp;quot;GULLIVER&amp;quot;&#xA;- 18/05 : HK La Paille - &amp;quot;Comme Rosa&amp;quot;&#xA;- 18/05 : L'uZine - &amp;quot;On va les pendre&amp;quot; ft. Onyx&#xA;- 18/05 : Ol' Kainry - &amp;quot;Valar Morghulis&amp;quot; ft. A2H, Alkpote, Kai du M, Sadek, Testos, Souffrance, Alonzo, Kamnouze, Horseck &amp;amp; Mac Tyer&#xA;- 18/05 : Zamdane - &amp;quot;Formidable (Affamé #21)&amp;quot;&#xA;- 19/05 : 323madon - &amp;quot;ADAM EVEUU&amp;quot;&#xA;- 19/05 : Beendo Z - &amp;quot;Mbappé&amp;quot;&#xA;- 19/05 : Black Jack - &amp;quot;Intro&amp;quot;&#xA;- 19/05 : Bob Marlich - &amp;quot;Maison d'arrêt&amp;quot;&#xA;- 19/05 : Deadi - &amp;quot;OD&amp;quot;&#xA;* 19/05 : DIL - &amp;quot;C'ÉTAIT UNE HISTOIRE&amp;quot; ft. Chakir&#xA;* 19/05 : Dwen - &amp;quot;Toutes les couleurs&amp;quot;&#xA;- 19/05 : Emkal - &amp;quot;Zina&amp;quot;&#xA;- 19/05 : Fadah - &amp;quot;Le dernier&amp;quot;&#xA;- 19/05 : Fik's Niavo - &amp;quot;Stockholm&amp;quot; ft. Rocé &amp;amp; JP Manova&#xA;- 19/05 : Gambino - &amp;quot;Batman&amp;quot;&#xA;- 19/05 : Georgio - &amp;quot;Avant l'été&amp;quot;&#xA;- 19/05 : Jeune Ras - &amp;quot;New slime&amp;quot; ft. Kalibre&#xA;- 19/05 : JMK$ - &amp;quot;Extendo&amp;quot; ft. ASHE 22&#xA;- 19/05 : Kalash Criminel - &amp;quot;This is Oim&amp;quot;&#xA;- 19/05 : Karmen - &amp;quot;UN PEU PLUS SIMPLE&amp;quot;&#xA;- 19/05 : KronoMuzik - &amp;quot;Boulot&amp;quot; ft. Maxime Biaggi, Houdi &amp;amp; web7&#xA;- 19/05 : KT Gorique - &amp;quot;Papier&amp;quot;&#xA;- 19/05 : Lil Zamm - &amp;quot;Pürple&amp;quot;&#xA;- 19/05 : Linton - &amp;quot;Le jour se lève&amp;quot; ft. Eline&#xA;- 19/05 : Rimkus - &amp;quot;Ali&amp;quot; ft. Lacrim, Werenoi &amp;amp; Mac Tyer&#xA;- 19/05 : Roméo Elvis - &amp;quot;Iggy Pop&amp;quot;&#xA;- 19/05 : Rouge Carmin - &amp;quot;La Villa&amp;quot;&#xA;- 19/05 : Saamou Skuu - &amp;quot;Matic&amp;quot;&#xA;- 19/05 : Zeu - &amp;quot;ONYX&amp;quot;&#xA;- 21/05 : Rethno - &amp;quot;Meilleur&amp;quot;&#xA;- 22/05 : Mig - &amp;quot;Okok&amp;quot;&#xA;- 22/05 : Ndoba - &amp;quot;3B&amp;quot; ft. Gama Boonta&#xA;- 22/05 : Ninho - &amp;quot;Freestyle LVL UP 3&amp;quot;&#xA;- 24/05 : Bluume - &amp;quot;RESTERSAIN&amp;quot;&#xA;- 24/05 : Coelho - &amp;quot;Soundcheck&amp;quot;&#xA;- 24/05 : Daejmiy - &amp;quot;Le 5 Étoiles&amp;quot; ft. Slimka&#xA;- 24/05 : Disiz - &amp;quot;midnight&amp;quot;&#xA;- 24/05 : Draviss - &amp;quot;Ballon d'or 3&amp;quot;&#xA;- 24/05 : Gemroz - &amp;quot;Plus Tard&amp;quot;&#xA;- 24/05 : GRËJ - &amp;quot;Le Restaurant&amp;quot;&#xA;- 24/05 : ISK - &amp;quot;Freestyle Italie&amp;quot;&#xA;- 24/05 : Kay The Prodigy - &amp;quot;Combien ?&amp;quot;&#xA;- 24/05 : Lpee - &amp;quot;East London (Nouvelle École)&amp;quot;&#xA;- 24/05 : Vilk - &amp;quot;Tsunami&amp;quot;&#xA;- 24/05 : Yuz Boy - &amp;quot;Baby Mama&amp;quot;&#xA;- 25/05 : FullBaz - &amp;quot;Logiciel #9 - Toplines&amp;quot;&#xA;* 25/05 : Madrane - &amp;quot;Vaillant&amp;quot; ft. Fresh la Douille&#xA;- 25/05 : RD - &amp;quot;Paranoïaque&amp;quot;&#xA;- 25/05 : Sheng - &amp;quot;FROID&amp;quot;&#xA;- 25/05 : Vin's - &amp;quot;Asphalte&amp;quot;&#xA;- 26/05 : Achim - &amp;quot;feugréjoi&amp;quot;&#xA;- 26/05 : Allebou - &amp;quot;Constance =&amp;quot;&#xA;- 26/05 : Double Zulu - &amp;quot;C'est mort&amp;quot;&#xA;- 26/05 : Dri$-i - &amp;quot;Donnie&amp;quot;&#xA;- 26/05 : Fanny's Station - &amp;quot;2e Station&amp;quot;&#xA;- 26/05 : Favé - &amp;quot;J'aime pas perdre #Freestyle&amp;quot;&#xA;- 26/05 : Kobo - &amp;quot;Horizon&amp;quot;&#xA;- 26/05 : Ghetto Phénomène - &amp;quot;Patek&amp;quot; ft. RAF Camora&#xA;- 26/05 : Guy2Bezbar - &amp;quot;Guapa&amp;quot;&#xA;- 26/05 : Huntrill - &amp;quot;JE PRÉFÈRE ÊTRE TRISTE&amp;quot;&#xA;- 26/05 : Joé Dwèt Filé - &amp;quot;Délire&amp;quot; ft. Tiakola&#xA;- 26/05 : JuL - &amp;quot;Ragnar&amp;quot;&#xA;- 26/05 : Lacrim &amp;amp; Mister You - &amp;quot;GOGETA&amp;quot;&#xA;- 26/05 : LaHasba22 - &amp;quot;22%&amp;quot; ft. Nono La Grinta&#xA;- 26/05 : Mayo - &amp;quot;Mauvais&amp;quot; ft. Niska&#xA;- 26/05 : Nahir - &amp;quot;Piranha&amp;quot; ft. Vacra&#xA;- 26/05 : Nayra - &amp;quot;Sharnaqa&amp;quot;&#xA;- 26/05 : Rim'K - &amp;quot;Cicatrice&amp;quot; ft. Zamdane&#xA;- 26/05 : Sasso - &amp;quot;Tour du monde&amp;quot;&#xA;- 26/05 : Sazamyzy - &amp;quot;Cash&amp;quot; ft. ASHE 22&#xA;- 26/05 : WarEnd - &amp;quot;No Signal&amp;quot;&#xA;- 26/05 : YG Pablo &amp;amp; Sofiane Pamart - &amp;quot;Magie&amp;quot;&#xA;- 28/05 : Seyté - &amp;quot;J'marche&amp;quot;&#xA;- 29/05 : Doxx - &amp;quot;Une Chose A Te Dire&amp;quot;&#xA;- 29/05 : Ormaz - &amp;quot;Détroit&amp;quot;&#xA;- 29/05 : Slkrack - &amp;quot;Booska Kunta Kinté&amp;quot;&#xA;- 30/05 : Magnim - &amp;quot;Lullaby&amp;quot;&#xA;- 30/05 : Yassin - &amp;quot;ONE KISS RMX&amp;quot;&#xA;- 31/05 : Bekar - &amp;quot;A minuit&amp;quot;&#xA;- 31/05 : Coelho - &amp;quot;AMF&amp;quot;&#xA;- 31/05 : Dau - &amp;quot;Finale&amp;quot;&#xA;- 31/05 : Esso Luxueux - &amp;quot;HILLS&amp;quot;&#xA;- 31/05 : Kold Vizion - &amp;quot;RACKS&amp;quot; ft. Gama Boonta &amp;amp; Iburaa&#xA;- 31/05 : Magnim - &amp;quot;Lullaby&amp;quot;&#xA;- 31/05 : Yuz Boy - &amp;quot;Yafama&amp;quot; ft. Bassey Kone&#xA;&#xA;Juin :&#xA;* 01/06 : 3arbi - &amp;quot;Roosevelt&amp;quot;&#xA;- 01/06 : 6rano - &amp;quot;sous-côté&amp;quot;&#xA;- 01/06 : Allebou - &amp;quot;Shine&amp;quot;&#xA;- 01/06 : Liim's - &amp;quot;1ère sommation&amp;quot; ft. Gazo&#xA;- 01/06 : mademoiselle lou - &amp;quot;Mélange&amp;quot;&#xA;- 01/06 : Malty 2BZ - &amp;quot;Push it&amp;quot;&#xA;- 01/06 : rad cartier - &amp;quot;CARTIER ROUGE&amp;quot;&#xA;- 01/06 : Yamê - &amp;quot;Bécane&amp;quot;&#xA;- 02/06 : Alien - &amp;quot;Comme avant&amp;quot;&#xA;- 02/06 : AM La Scampia - &amp;quot;IMSI CATCHER&amp;quot;&#xA;- 02/06 : babyxi - &amp;quot;I MISS U&amp;quot; ft. Wandenn&#xA;- 02/06 : Butter Bullets - &amp;quot;Message personnel&amp;quot;&#xA;- 02/06 : Cellulaire - &amp;quot;POURQUOI ON NE S'AIME PAS?&amp;quot;&#xA;* 02/06 : Chad de la Cour - &amp;quot;putain d'écran&amp;quot;&#xA;- 02/06 : Cheu-B - &amp;quot;Guitarisé&amp;quot; ft. SDM&#xA;* 02/06 : Coyote Jo Bastard - &amp;quot;Brrr (Baby Bando #2)&amp;quot;&#xA;- 02/06 : Dinor Rdt - &amp;quot;SOUS PIAV&amp;quot; ft. Inoxtag&#xA;* 02/06 : Doria - &amp;quot;Cristal&amp;quot;&#xA;* 02/06 : Drismer &amp;amp; PCN - &amp;quot;Afro Jersey #2&amp;quot;&#xA;- 02/06 : Heuss L'enfoiré - &amp;quot;Saiyan&amp;quot; ft. Gazo&#xA;- 02/06 : Kerchak - &amp;quot;Salement&amp;quot; ft. Alonzo&#xA;- 02/06 : Le 3ème Œil - &amp;quot;Braquage à la Marseillaise&amp;quot; ft. JuL&#xA;- 02/06 : Lucci - &amp;quot;Réflexion&amp;quot;&#xA;* 02/06 : MadLvL - &amp;quot;NOUVELLE ÈRE&amp;quot;&#xA;- 02/06 : Magnar - &amp;quot;INFINI VIBE&amp;quot;&#xA;* 02/06 : Momsii - &amp;quot;Mondeo&amp;quot;&#xA;- 02/06 : Negrito - &amp;quot;T'es bête ou quoi ?&amp;quot;&#xA;- 02/06 : Novy - &amp;quot;FEAT DIPSET&amp;quot;&#xA;- 02/06 : okis - &amp;quot;Textile&amp;quot;&#xA;- 02/06 : Pirate - &amp;quot;Gervonta Davis (Freestyle)&amp;quot;&#xA;- 02/06 : Prototype - &amp;quot;Le Donneur&amp;quot;&#xA;* 02/06 : RR - &amp;quot;IMMORTEL&amp;quot;&#xA;- 02/06 : Selug - &amp;quot;Pas clair&amp;quot;&#xA;- 02/06 : Sto - &amp;quot;Work&amp;quot;&#xA;- 02/06 : Yanso - &amp;quot;Bx Capitale 7&amp;quot; ft. ZKR&#xA;- 04/06 : Adæb - &amp;quot;Ma3lich&amp;quot;&#xA;- 06/06 : JuL - &amp;quot;Entraînement&amp;quot;&#xA;- 07/06 : ANTHA - &amp;quot;J’AI DEMANDÉ AU SOLEIL&amp;quot;&#xA;- 07/06 : Femtogo - &amp;quot;MKII&amp;quot;&#xA;- 07/06 : Ninho - &amp;quot;25 G&amp;quot;&#xA;- 07/06 : Sir Reda - &amp;quot;Jardin Secret&amp;quot;&#xA;- 07/06 : Wallace Cleaver - &amp;quot;dans ma tête&amp;quot;&#xA;- 08/06 : AAMO - &amp;quot;TRAGIQUE&amp;quot;&#xA;- 08/06 : ASHE 22 - &amp;quot;Pull Up&amp;quot;&#xA;- 08/06 : Shaz &amp;amp; Alex Grox - &amp;quot;SGG 2 808CLUB&amp;quot; ft. Slimka&#xA;- 09/06 : 404Billy - &amp;quot;Title Shot&amp;quot;&#xA;- 09/06 : Farlot - &amp;quot;FIFA STREET&amp;quot;&#xA;- 09/06 : GEAVN - &amp;quot;BALAYER&amp;quot;&#xA;- 09/06 : GLK - &amp;quot;140k&amp;quot;&#xA;- 09/06 : Heykel - &amp;quot;H17&amp;quot;&#xA;- 09/06 : HK La Paille - &amp;quot;Chance&amp;quot;&#xA;- 09/06 : JRK 19 - &amp;quot;Mec de Panam&amp;quot;&#xA;* 09/06 : Lartiste - &amp;quot;Geto&amp;quot; ft. 1da Banton&#xA;- 09/06 : LauCarré - &amp;quot;Bieber&amp;quot;&#xA;- 09/06 : Limsa d'Aulnay - &amp;quot;Tout simplement&amp;quot;&#xA;- 09/06 : Lpee - &amp;quot;All Night&amp;quot;&#xA;- 09/06 : Maydo - &amp;quot;Ziyech&amp;quot;&#xA;- 09/06 : Mougli - &amp;quot;Me3hna&amp;quot;&#xA;- 09/06 : Naza &amp;amp; KeBlack - &amp;quot;1,2,3 Soleil&amp;quot;&#xA;- 09/06 : NDO Runway - &amp;quot;Juste Parler&amp;quot;&#xA;* 09/06 : Norsacce - &amp;quot;Drill Bolywood&amp;quot;&#xA;- 09/06 : Pharoa - &amp;quot;555&amp;quot;&#xA;- 09/06 : Princesse - &amp;quot;Mélo triste&amp;quot;&#xA;- 09/06 : Sadek - &amp;quot;Plug&amp;quot; ft. Nordo&#xA;- 09/06 : SAF - &amp;quot;PLAVON&amp;quot;&#xA;- 09/06 : Tengo John - &amp;quot;Komdanzunrêve (Sincèrement Désolé)&amp;quot;&#xA;* 09/06 : Tiitof - &amp;quot;Sheriff&amp;quot;&#xA;- 09/06 : Uzi - &amp;quot;Pélican&amp;quot;&#xA;- 10/06 : Leys - &amp;quot;Si c’était le premier (Intro)&amp;quot;&#xA;- 11/06 : Seyté - &amp;quot;Zitoun&amp;quot;&#xA;- 12/06 : Ratu$ - &amp;quot;Ange &amp;amp; Démon&amp;quot;&#xA;* 12/06 : Sper-K - &amp;quot;REVENANT #1&#xA;- 12/06 : Voleur2Voleur - &amp;quot;Mentalité&amp;quot;&#xA;- 13/06 : Big Ben - &amp;quot;Plus qu'un Ballon d'or&amp;quot;&#xA;- 14/06 : Jayel - &amp;quot;Qué pasa&amp;quot;&#xA;- 14/06 : Nayra - &amp;quot;le nord&amp;quot;&#xA;- 14/06 : So La Zone - &amp;quot;Pare-balles&amp;quot;&#xA;- 14/06 : Svudvde - &amp;quot;Dis-moi tout&amp;quot;&#xA;* 15/06 : Chich - &amp;quot;Byzantin&amp;quot; ft. Le Juiice&#xA;- 15/06 : Esso Luxueux - &amp;quot;10 Grammes&amp;quot;&#xA;- 15/06 : Glauque - &amp;quot;Bleu.e&amp;quot;&#xA;- 15/06 : FullBaz - &amp;quot;Logiciel #10 - DEEPSIDE&amp;quot;&#xA;- 15/06 : ISK - &amp;quot;La mia vita&amp;quot;&#xA;- 15/06 : Juice - &amp;quot;Le Plan&amp;quot;&#xA;- 15/06 : Many Santana - &amp;quot;5 AM&amp;quot;&#xA;- 15/06 : Nahir - &amp;quot;Boosk’Araï 3&amp;quot;&#xA;- 15/06 : Prototype - &amp;quot;LE SOLEIL EST LEVE&amp;quot;&#xA;* 15/06 : TLZ Clan - &amp;quot;VINI&amp;quot;&#xA;- 16/06 : ADÉS THE PLANET - &amp;quot;MILLIONS&amp;quot;&#xA;- 16/06 : Arka - &amp;quot;Le jour se lève&amp;quot; ft. Lpee&#xA;* 16/06 : Ashh - &amp;quot;Pulpeuse&amp;quot;&#xA;- 16/06 : Ateyaba - &amp;quot;Shenron&amp;quot;&#xA;- 16/06 : Booba - &amp;quot;Signé&amp;quot;&#xA;- 16/06 : Butter Bullets - &amp;quot;Le Score&amp;quot; ft. Tedax Max&#xA;- 16/06 : Coelho - &amp;quot;Donner&amp;quot; ft. Slkrack&#xA;- 16/06 : Du Nord au Sud - &amp;quot;Glock 17&amp;quot; ft. Kerchak &amp;amp; RK&#xA;- 16/06 : Elso - &amp;quot;Let's Get It&amp;quot;&#xA;- 16/06 : Gradur - &amp;quot;Mon BB&amp;quot; ft. Hamza&#xA;- 16/06 : Kaaris - &amp;quot;BORZ&amp;quot;&#xA;- 16/06 : Karmen - &amp;quot;NIGO&amp;quot;&#xA;- 16/06 : KIK - &amp;quot;La vibe&amp;quot;&#xA;- 16/06 : Krisy - &amp;quot;Et si ?&amp;quot;&#xA;* 16/06 : Lamatrix - &amp;quot;Magot&amp;quot;&#xA;- 16/06 : Le Rat Luciano - &amp;quot;Z&amp;quot;&#xA;- 16/06 : Lotus - &amp;quot;Les larmes coulent à l’intérieur&amp;quot;&#xA;- 16/06 : Magnar - &amp;quot;LE CIEL EST DEVANT TOI&amp;quot;&#xA;- 16/06 : Ptite Soeur - &amp;quot;nepas cliquer&amp;quot;&#xA;- 16/06 : Soso Maness - &amp;quot;Favel&amp;quot; ft. Leto&#xA;- 18/06 : Adæb - &amp;quot;Gucci&amp;quot; ft. Chad de la Cour &amp;amp; Souhail&#xA;- 19/06 : Gama Boonta - &amp;quot;FRIED BARZ CHICKEN&amp;quot;&#xA;- 19/06 : Gapman - &amp;quot;Crazy Story&amp;quot;&#xA;* 19/06 : Ormaz - &amp;quot;M.P.R, Pt. 1&amp;quot;&#xA;- 19/06 : Peka59 - &amp;quot;Là-bas&amp;quot;&#xA;* 21/06 : Diddi Trix - &amp;quot;Tomber pour mieux se relever&amp;quot;&#xA;- 21/06 : Dosseh - &amp;quot;Macabre&amp;quot; ft. Josman&#xA;- 21/06 : Mazoo - &amp;quot;Charmed&amp;quot;&#xA;- 21/06 : Rohff - &amp;quot;NotoriHous&amp;quot; ft. Big Ali&#xA;- 21/06 : Sasso - &amp;quot;Redémarrer&amp;quot;&#xA;- 22/06 : Asinine - &amp;quot;Demi Moore&amp;quot;&#xA;- 22/06 : Asinine - &amp;quot;Vivement quoi&amp;quot;&#xA;- 22/06 : Jwles &amp;amp; Mad Rey - &amp;quot;Je Fais le Coq&amp;quot;&#xA;- 22/06 : Lartiste - &amp;quot;Zarzour&amp;quot;&#xA;- 22/06 : Mécra - &amp;quot;Haut de gamme&amp;quot;&#xA;- 22/06 : Moha K - &amp;quot;Chouffo w Goulo&amp;quot;&#xA;- 22/06 : Saamou Skuu - &amp;quot;Dans ça&amp;quot;&#xA;- 23/06 : 2TH - &amp;quot;Développe&amp;quot; ft. Majeur-Mineur&#xA;- 23/06 : Alonzo - &amp;quot;Guadalajara&amp;quot;&#xA;- 23/06 : Deelee S - &amp;quot;Jeune Garçon&amp;quot;&#xA;- 23/06 : Demi Portion - &amp;quot;Mon dico royal&amp;quot;&#xA;- 23/06 : Ether - &amp;quot;AMADEUS&amp;quot;&#xA;- 23/06 : Favé - &amp;quot;Vibes&amp;quot;&#xA;- 23/06 : Hornet La Frappe - &amp;quot;Eyes Contact&amp;quot;&#xA;- 23/06 : Iron Sy - &amp;quot;Narcocorrido&amp;quot;&#xA;* 23/06 : Kepler - &amp;quot;Trop canon&amp;quot; ft. Gambino La MG &amp;amp; Negrito&#xA;- 23/06 : L'Allemand - &amp;quot;K-LIBRÉ&amp;quot;&#xA;- 23/06 : Jeebs - &amp;quot;LIM&amp;quot;&#xA;- 23/06 : Maes - &amp;quot;Méchant&amp;quot;&#xA;- 23/06 : Matou - &amp;quot;La prod me casse la tête&amp;quot; ft. BEN plg&#xA;* 23/06 : Moubarak - &amp;quot;Moral par terre&amp;quot;&#xA;* 23/06 : Nyma - &amp;quot;La Mañana&amp;quot;&#xA;- 23/06 : RR - &amp;quot;CARLITO&amp;quot;&#xA;* 23/06 : Sazamyzy - &amp;quot;KICHTA&amp;quot; ft. Rim'K&#xA;* 23/06 : Shotas - &amp;quot;Mange&amp;quot;&#xA;- 23/06 : Stony Stone - &amp;quot;Évidemment&amp;quot; ft. Skary &amp;amp; Wysko&#xA;- 23/06 : Vicky R - &amp;quot;Yeah&amp;quot; ft. Chilla&#xA;* 23/06 : Volts Face - &amp;quot;Dis Le&amp;quot;&#xA;- 23/06 : YUNG POOR ALO - &amp;quot;Système D&amp;quot;&#xA;- 25/06 : Osirus Jack - &amp;quot;Nautilus&amp;quot; ft. Lesram&#xA;- 25/06 : Zeu - &amp;quot;CAPTAIN TSUBASA&amp;quot; ft. Venom Cz&#xA;- 27/06 : Douze Déluge - &amp;quot;TENDANCES HEROÏQUES&amp;quot;&#xA;- 28/06 : Benjamin Epps - &amp;quot;Capitaine Flamme (Remix) ft. Veerus, Le Juiice &amp;amp; Vicky R&#xA;- 28/06 : Leto - &amp;quot;Mozart Capitaine Jackson (Épisode 3)&amp;quot;&#xA;- 28/06 : robdbloc - &amp;quot;Pourquoi&amp;quot;&#xA;- 28/06 : Sofiane - &amp;quot;#JeSuisPasséChezSo2023&amp;quot;&#xA;- 28/06 : Warlock - &amp;quot;Freestyle Parachute&amp;quot;&#xA;- 29/06 : 8ruki - &amp;quot;Nou Ja Sav Sa&amp;quot;&#xA;- 29/06 : Deen Burbigo - &amp;quot;AMOUR&amp;quot;&#xA;- 29/06 : Houdi - &amp;quot;MÉDICALE&amp;quot;&#xA;- 29/06 : HVDDOCK &amp;amp; Benjay - &amp;quot;INTENSE&amp;quot;&#xA;- 29/06 : Zamdane - &amp;quot;Une éternité ne suffit pas (Affamé #22)&amp;quot;&#xA;- 30/06 : Abi2spee - &amp;quot;H2O&amp;quot;&#xA;- 30/06 : D. Ace - &amp;quot;Yin Yang&amp;quot;&#xA;- 30/06 : Dau - &amp;quot;MAGNITUDE 9&amp;quot;&#xA;- 30/06 : Django - &amp;quot;Saudade&amp;quot;&#xA;- 30/06 : gvs - &amp;quot;PASSION&amp;quot;&#xA;- 30/06 : JEUNESAINT - &amp;quot;Ice Spice&amp;quot;&#xA;* 30/06 : Junior Bvndo - &amp;quot;Plat du pied&amp;quot;&#xA;- 30/06 : Keuchei - &amp;quot;La mara&amp;quot;&#xA;- 30/06 : La Famax - &amp;quot;Du Yeye&amp;quot;&#xA;- 30/06 : mademoiselle lou - &amp;quot;Détail&amp;quot;&#xA;- 30/06 : Osmoz - &amp;quot;Psaume&amp;quot;&#xA;- 30/06 : Prototype - &amp;quot;LA VIE AU CALME&amp;quot;&#xA;- 30/06 : Purp - &amp;quot;Tutoriel&amp;quot; ft. ASHE 22&#xA;- 30/06 : TH - &amp;quot;DIABOLO ET SANTANAS&amp;quot;&#xA;* 30/06 : Tissmey - &amp;quot;Airbnb&amp;quot; ft. Yaro&#xA;* 30/06 : Walid - &amp;quot;Frotte La Bavette&amp;quot;&#xA;&#xA;Juillet :&#xA;* 01/07 : Cacahouete - &amp;quot;27 Juin 2023&amp;quot;&#xA;- 02/07 : Adæb - &amp;quot;Cœur meurtri&amp;quot;&#xA;- 04/07 : Caballero &amp;amp; JeanJass - &amp;quot;TCHERNOBYL&amp;quot; ft. Kaaris&#xA;- 04/07 : Nobodylikesbirdie - &amp;quot;Château d'eau&amp;quot;&#xA;- 04/07 : Sreen - &amp;quot;Equipe&amp;quot;&#xA;* 05/07 : 3arbi - &amp;quot;Dégaine suspecte&amp;quot;&#xA;* 05/07 : Fik's Niavo - &amp;quot;Batailler&amp;quot; ft. Cholo &amp;amp; Ul'Team Atom&#xA;- 05/07 : okis - &amp;quot;Roi des banaveurs&amp;quot;&#xA;- 05/07 : Niaks - &amp;quot;Manolo&amp;quot;&#xA;- 06/07 : 8ruki - &amp;quot;33 Carats&amp;quot; ft. Flee&#xA;* 06/07 : Box - &amp;quot;Racket&amp;quot;&#xA;- 06/07 : Lartiste - &amp;quot;Barcelona&amp;quot;&#xA;- 06/07 : PRIME - &amp;quot;IMPALA&amp;quot;&#xA;* 06/07 : Prototype - &amp;quot;PSYCHO&amp;quot; ft. Cinco&#xA;- 06/07 : RK - &amp;quot;VNTR&amp;quot;&#xA;- 06/07 : Soolking - &amp;quot;Casanova&amp;quot; ft. Gazo&#xA;- 06/07 : T Kimp Gee - &amp;quot;Jolie Madame&amp;quot;&#xA;- 07/07 : A2H - &amp;quot;Ta bouche&amp;quot;&#xA;- 07/07 : Biwaï - &amp;quot;Sunshine&amp;quot; ft. Ghetto Phénomène&#xA;- 07/07 : Dinor rdt - &amp;quot;VIDA LOCA&amp;quot; ft. Vegedream&#xA;- 07/07 : ISK - &amp;quot;Palerme&amp;quot;&#xA;- 07/07 : Kalash - &amp;quot;G.O.A.T&amp;quot;&#xA;- 07/07 : Krisy - &amp;quot;Sensuellement vôtre&amp;quot;&#xA;* 07/07 : Mac Seamus - &amp;quot;NÉ DANS LA MACHINE&amp;quot;&#xA;* 07/07 : Oldpee - &amp;quot;Le sang&amp;quot;&#xA;- 07/07 : Sasso - &amp;quot;Rêves de gosse&amp;quot;&#xA;- 07/07 : Thabiti - &amp;quot;Sur le bleu&amp;quot;&#xA;- 07/07 : Timal - &amp;quot;Roly&amp;quot;&#xA;* 07/07 : Zidi - &amp;quot;msnbby&amp;quot;&#xA;- 10/07 : GAZY MP - &amp;quot;J'rallume&amp;quot;&#xA;- 10/07 : Ninho - &amp;quot;Binks to Binks 8&amp;quot;&#xA;- 12/07 : Folie's - &amp;quot;Bissap&amp;quot;&#xA;* 12/07 : Gatchete - &amp;quot;ZAZA&amp;quot;&#xA;- 12/07 : Lala &amp;amp;ce - &amp;quot;Licorne&amp;quot;&#xA;- 12/07 : Poupy - &amp;quot;MH370&amp;quot;&#xA;- 12/07 : web7 - &amp;quot;nous on bosse&amp;quot;&#xA;- 12/07 : Zaky - &amp;quot;Combien&amp;quot;&#xA;- 13/07 : GLK - &amp;quot;Parabellum&amp;quot;&#xA;- 13/07 : Microbe - &amp;quot;Sac Chanel&amp;quot;&#xA;- 14/07 : Benny Adam - &amp;quot;Tit'souite&amp;quot; ft. Nayra&#xA;* 14/07 : Gutti - &amp;quot;Gang Glo&amp;quot;&#xA;- 14/07 : Heykel - &amp;quot;H18&amp;quot;&#xA;- 14/07 : gvs - &amp;quot;Jacinthes&amp;quot;&#xA;- 14/07 : Kerchak - &amp;quot;Femmes&amp;quot;&#xA;- 14/07 : KESPAR - &amp;quot;Fais-le pour toi&amp;quot;&#xA;- 14/07 : Klem Schen - &amp;quot;Estime&amp;quot;&#xA;- 14/07 : Kofs - &amp;quot;Algérien fâché&amp;quot;&#xA;- 14/07 : La Hasba22 - &amp;quot;1.2.3 SOLEIL&amp;quot;&#xA;- 14/07 : Larry - &amp;quot;EN PÉPÉ 5&amp;quot;&#xA;- 14/07 : Mini &amp;amp; Noma - &amp;quot;Travail d'Ekip 2&amp;quot; ft. Zeu, Osirus Jack, Ormaz, BU$HI, DOC OVG, Bambino47, Afro S, Norsacce &amp;amp; Malin&#xA;* 14/07 : Naps - &amp;quot;V8 (Amazon Music Original)&amp;quot; ft. Lynda&#xA;- 14/07 : OBOY - &amp;quot;Quali&amp;quot;&#xA;- 14/07 : Roshi - &amp;quot;Coup d'un soir&amp;quot;&#xA;* 14/07 : Rousnam - &amp;quot;Correction 10&amp;quot;&#xA;- 14/07 : San-Nom - &amp;quot;Pas de vieillesse&amp;quot;&#xA;- 14/07 : Sazamyzy - &amp;quot;Dima Barrio&amp;quot; ft. ElGrandeToto&#xA;* 14/07 : Shotas - &amp;quot;Tokarev&amp;quot; ft. Yaro&#xA;- 14/07 : Sokra - &amp;quot;Arsène Lupin&amp;quot;&#xA;* 16/07 : Adæb - &amp;quot;Souvenirs&amp;quot;&#xA;- 16/07 : Venom Cz - &amp;quot;Oro Jackson&amp;quot;&#xA;* 18/07 : Bitsu - &amp;quot;BROKEN&amp;quot; ft. flansie&#xA;* 18/07 : Simony - &amp;quot;Le fruit de ma peine&amp;quot;&#xA;* 19/07 : Sifax - &amp;quot;Plata&amp;quot;&#xA;* 19/07 : Tenn - &amp;quot;NO1&amp;quot; ft. 3aaa&#xA;* 19/07 : TLZ Clan - &amp;quot;C'EST MORT&amp;quot;&#xA;- 20/07 : Ashh - &amp;quot;nebula&amp;quot;&#xA;- 20/07 : Gazo - &amp;quot;Drill FR 6 (S.M.B)&amp;quot; ft. LEVELSANTANA&#xA;- 20/07 : Leo Roi - &amp;quot;Tous mes amis&amp;quot;&#xA;- 20/07 : Malty 2BZ - &amp;quot;Bamba&amp;quot;&#xA;* 20/07 : Sper-K - &amp;quot;REVENANT #2&#xA;- 21/07 : 34murphy &amp;amp; Sobek - &amp;quot;on part demain&amp;quot;&#xA;- 21/07 : 4.4.2 - &amp;quot;YEMMA&amp;quot; ft. Kofs, Sofiane &amp;amp; Soprano&#xA;- 21/07 : Alien - &amp;quot;Vaisseau pirate&amp;quot;&#xA;* 21/07 : Bné - &amp;quot;Savage&amp;quot;&#xA;- 21/07 : Genezio - &amp;quot;GÉ VOULAIT&amp;quot; ft. Dadju&#xA;- 21/07 : HVDDOCK &amp;amp; Benjay - &amp;quot;SANS APPEL&amp;quot;&#xA;- 21/07 : Kaza - &amp;quot;Luva&amp;quot; ft. Nej&#xA;- 21/07 : Keuchei - &amp;quot;Numéro 13&amp;quot;&#xA;- 21/07 : La F - &amp;quot;Imagine&amp;quot;&#xA;- 21/07 : Lost Frequencies - &amp;quot;Jour meilleur &amp;quot; ft. OrelSan&#xA;- 21/07 : Mairo - &amp;quot;omar chappier freestyle&amp;quot; ft. Raplume&#xA;- 21/07 : Mécra - &amp;quot;Paypal&amp;quot;&#xA;- 21/07 : So La Lune - &amp;quot;SOS&amp;quot;&#xA;- 21/07 : St. Jimmy - &amp;quot;CATCH UP&amp;quot;&#xA;- 24/07 : Freeze Corleone - &amp;quot;Shavkat&amp;quot;&#xA;- 24/07 : Kekra - &amp;quot;Dégaine&amp;quot;&#xA;- 25/07 : Cellulaire - &amp;quot;CMV&amp;quot;&#xA;- 25/07 : F430 - &amp;quot;OG&amp;quot;&#xA;- 26/07 : Ajar - &amp;quot;ÉLÉPHANT&amp;quot;&#xA;- 26/07 : Kaneki - &amp;quot;Full&amp;quot;&#xA;- 26/07 : Lartiste - &amp;quot;Cleopatra&amp;quot;&#xA;- 26/07 : PURP - &amp;quot;MAUDIT&amp;quot;&#xA;- 26/07 : Warlock - &amp;quot;Freestyle enjaillé&amp;quot;&#xA;- 27/07 : Box - &amp;quot;Désordre&amp;quot;&#xA;- 27/07 : Chat noir - &amp;quot;Je croyais&amp;quot;&#xA;- 27/07 : Kams - &amp;quot;Vaut mieux laisser tomber&amp;quot;&#xA;- 28/07 : Beendo Z - &amp;quot;Ne dis pas non&amp;quot;&#xA;* 28/07 : Curtis Kane - &amp;quot;Désolé&amp;quot;&#xA;- 28/07 : Eesah Yasuke - &amp;quot;Chaud l’hiver&amp;quot; ft. Tuerie&#xA;* 28/07 : Elso - &amp;quot;Saints Row&amp;quot;&#xA;- 28/07 : Harley - &amp;quot;Jogodo&amp;quot;&#xA;- 28/07 : Heuss L'enfoiré - &amp;quot;Localisé&amp;quot; ft. Gims&#xA;- 28/07 : Hornet La Frappe - &amp;quot;Allô ? C’est les cités&amp;quot;&#xA;- 28/07 : JRK 19 - &amp;quot;Train de vie&amp;quot;&#xA;- 28/07 : KLS - &amp;quot;BRUTALITÉ&amp;quot; ft. Stony Stone&#xA;- 28/07 : Kobo - &amp;quot;LIMIT&amp;quot;&#xA;- 28/07 : Mazoo - &amp;quot;Ong&amp;quot;&#xA;* 28/07 : Rouge Carmin - &amp;quot;Insomnie&amp;quot;&#xA;- 28/07 : samayusi - &amp;quot;Pas pour moi&amp;quot;&#xA;* 28/07 : Sicario - &amp;quot;Sinalowa&amp;quot;&#xA;- 28/07 : Timal - &amp;quot;760&amp;quot;&#xA;- 28/07 : V2 Almz - &amp;quot;Tous&amp;quot;&#xA;- 28/07 : VVES - &amp;quot;EDN&amp;quot; ft. Stavo&#xA;- 28/07 : Zéphir - &amp;quot;Indifférent&amp;quot;&#xA;- 28/07 : Ziak - &amp;quot;Cette vie&amp;quot;&#xA;- 29/07 : Tengo John - &amp;quot;Fille/Garçon&amp;quot;&#xA;* 30/07 : Adæb - &amp;quot;Bailablanca&amp;quot;&#xA;* 30/07 : El Mero - &amp;quot;INIESTA&amp;quot;&#xA;* 31/07 : L'Amerigo - &amp;quot;Le p'tit&amp;quot;&#xA;- 31/07 : Mougli - &amp;quot;MINAJ&amp;quot; ft. Kerchak&#xA;- 31/07 : Richi - &amp;quot;LYSMNL&amp;quot;&#xA;* 31/07 : Slim C - &amp;quot;Dans le lab&amp;quot;&#xA;- 31/07 : Zeu - &amp;quot;J’DEVRAIS REMIX BY DRILLINGER&amp;quot;&#xA;&#xA;Août :&#xA;- 01/08 : JuL - &amp;quot;Ha Ha Ha&amp;quot;&#xA;* 02/08 : Don Milli - &amp;quot;J'en rêve encore&amp;quot;&#xA;- 03/08 : Jarod - &amp;quot;La vie c'est khatal&amp;quot;&#xA;- 04/08 : Big Ben - &amp;quot;Mal Fréquenté&amp;quot;&#xA;* 04/08 : Bob Marlich - &amp;quot;J'fais mon tour&amp;quot; ft. Aelpéacha&#xA;- 04/08 : Furlax - &amp;quot;Horizon&amp;quot;&#xA;* 04/08 : Gambino - &amp;quot;Bali&amp;quot;&#xA;* 04/08 : Ghetto One - &amp;quot;Billie Jean&amp;quot; ft. Kozi&#xA;* 04/08 : Gotti Maras - &amp;quot;PILOTE&amp;quot; ft. Bryan Mg&#xA;- 04/08 : ISK - &amp;quot;Tout claquer&amp;quot;&#xA;- 04/08 : MHD - &amp;quot;Lyca&amp;quot;&#xA;* 04/08 : Shotas - &amp;quot;Rooney&amp;quot;&#xA;- 04/08 : Skefre - &amp;quot;TG MILLIAN&amp;quot; ft. Jolagreen23&#xA;- 04/08 : SOPA - &amp;quot;AILLEURS&amp;quot;&#xA;- 06/08 : Nono La Grinta - &amp;quot;On va les faire&amp;quot;&#xA;- 07/08 : BLOODYSANJI - &amp;quot;MAISON SECONDAIRE&amp;quot;&#xA;* 07/08 : Le Rain-T - &amp;quot;CZ&amp;quot; ft. Venom Cz&#xA;- 09/08 : Dinos - &amp;quot;Chrome Hearts (Remix Twenty9)&amp;quot; ft. Hamza&#xA;- 10/08 : DOC OVG - &amp;quot;Pourcentage&amp;quot;&#xA;- 10/08 : Mola - &amp;quot;Sonorité&amp;quot; ft. H.LA DROGUE&#xA;- 11/08 : Barack Adama - &amp;quot;SPÉCIALE&amp;quot;&#xA;- 11/08 : DosPunto - &amp;quot;Rendement&amp;quot; ft. Slkrack&#xA;- 11/08 : Furlax - &amp;quot;Agadir&amp;quot;&#xA;- 11/08 : Larry - &amp;quot;FULL VIRGULE&amp;quot; ft. Negrito&#xA;- 11/08 : Yamê - &amp;quot;Kodjo (version acoustique)&amp;quot;&#xA;- 15/08 : Zalmad - &amp;quot;BAD TRISTE&amp;quot; ft. Kloudbwwoy&#xA;- 16/08 : Dri$-i - &amp;quot;Allô&amp;quot;&#xA;- 16/08 : La Famax - &amp;quot;C'est léger&amp;quot;&#xA;- 17/08 : KronoMuzik - &amp;quot;Watch out&amp;quot;&#xA;* 18/08 : Dr. Yaro &amp;amp; La Folie - &amp;quot;Chacun (Tableau n°3)&amp;quot;&#xA;- 18/08 : Gambi - &amp;quot;Bonjour&amp;quot; ft. NLE Choppa&#xA;- 18/08 : Mortalla - &amp;quot;Extinction&amp;quot;&#xA;- 18/08 : Negrito - &amp;quot;Mal Aimé&amp;quot;&#xA;- 18/08 : Niaks - &amp;quot;Mahmouma&amp;quot;&#xA;- 21/08 : Kaneki - &amp;quot;Blue&amp;quot; ft. Ninho &amp;amp; Naps&#xA;* 22/08 : VVES - &amp;quot;Pagave (Freestyle)&amp;quot;&#xA;- 23/08 : Livaï &amp;amp; Cosmo - &amp;quot;les requins&amp;quot;&#xA;- 24/08 : Dave &amp;amp; Tiakola - &amp;quot;Meridian&amp;quot;&#xA;- 24/08 : Kery James - &amp;quot;6 du mat&amp;quot; ft. Kalash&#xA;- 24/08 : Prinzly - &amp;quot;NOUVELLE ESPÈCE&amp;quot;&#xA;* 25/08 : 13Mini - &amp;quot;Ça recommence&amp;quot;&#xA;- 25/08 : arøne - &amp;quot;bad days&amp;quot;&#xA;- 25/08 : Freeze Corleone - &amp;quot;Amérique du sud&amp;quot;&#xA;- 25/08 : Gambino La Mg - &amp;quot;Shatta&amp;quot; ft. Ghost Killer Track&#xA;- 25/08 : ICO - &amp;quot;TUTU&amp;quot;&#xA;- 25/08 : MHD - &amp;quot;JUNGLE&amp;quot;&#xA;* 25/08 : Razz Al - &amp;quot;MF6&amp;quot;&#xA;- 25/08 : Skefre - &amp;quot;DIFFEREMMENT&amp;quot;&#xA;* 25/08 : SCOTTA - &amp;quot;ICI QUE POUR UN TEMPS&amp;quot;&#xA;- 28/08 : Disiz - &amp;quot;OH MADELEINE&amp;quot;&#xA;- 28/08 : Dri$-i - &amp;quot;Beyblade&amp;quot;&#xA;- 28/08 : luXe Timeless - &amp;quot;Flashbacks&amp;quot;&#xA;- 28/08 : Solda - &amp;quot;GASOLINA&amp;quot; ft. Naps&#xA;- 30/08 : DA Uzi - &amp;quot;WeLaRue #8&amp;quot;&#xA;- 30/08 : Irko &amp;amp; amne - &amp;quot;MOTORSPORT KEVLAR NOS COMPETITION&amp;quot;&#xA;- 30/08 : Primero - &amp;quot;LUCIDE&amp;quot;&#xA;* 30/08 : Nyda - &amp;quot;Comme je suis venu&amp;quot;&#xA;- 31/08 : Douze Déluge - &amp;quot;WATANABE&amp;quot;&#xA;&#xA;Septembre :&#xA;- 01/09 : 47Ter - &amp;quot;Rooftop&amp;quot; ft. Robin&#xA;- 01/09 : Beendo Z - &amp;quot;INSPIRÉ DE FAITS RÉELS #6&amp;quot;&#xA;* 01/09 : Demszer - &amp;quot;CROQUER LE MONDE&amp;quot;&#xA;* 01/09 : Gips - &amp;quot;La vie de Tony&amp;quot;&#xA;- 01/09 : Ichon - &amp;quot;PAGE BLANCHE&amp;quot;&#xA;- 01/09 : Jey Brownie - &amp;quot;Bad Vibes&amp;quot;&#xA;- 01/09 : JSX - &amp;quot;Mapessa&amp;quot;&#xA;- 01/09 : Krisy - &amp;quot;euphorie&amp;quot;&#xA;* 01/09 : La Plaie - &amp;quot;Phénomène&amp;quot;&#xA;- 01/09 : Magnar - &amp;quot;DEHORS ENCORE&amp;quot;&#xA;* 01/09 : Pirate - &amp;quot;CIUDAD&amp;quot;&#xA;* 01/09 : Saamou Skuu - &amp;quot;Ici&amp;quot;&#xA;- 01/09 : Zacky le 6 - &amp;quot;MACE WINDU&amp;quot;&#xA;- 04/09 : Mécra - &amp;quot;Cœur noir&amp;quot;&#xA;- 05/09 : Gama Boonta - &amp;quot;Feu ancestral&amp;quot;&#xA;* 06/09 : Cyrious - &amp;quot;Piège&amp;quot;&#xA;- 06/09 : Suijin - &amp;quot;SIRÈNES&amp;quot;&#xA;- 06/09 : YL - &amp;quot;Larlar 8 (Ma 6-T a cracker)&amp;quot;&#xA;- 07/09 : Jwles &amp;amp; Mad Rey - &amp;quot;7 sur 7&amp;quot; ft. Mézigue&#xA;- 07/09 : Rsko - &amp;quot;Ça va&amp;quot;&#xA;- 07/09 : Slayeur Slace - &amp;quot;Requiem&amp;quot;&#xA;* 08/09 : 3arbi - &amp;quot;Bénéfice&amp;quot;&#xA;- 08/09 : BU$HI - &amp;quot;Pocket&amp;quot;&#xA;- 08/09 : Coelho - &amp;quot;Rien n'a changé&amp;quot;&#xA;- 08/09 : Eline - &amp;quot;Sous la lune&amp;quot; ft. Araujo&#xA;- 08/09 : Farlot - &amp;quot;YSL&amp;quot;&#xA;- 08/09 : Genezio - &amp;quot;Tout donner&amp;quot; ft. Gambino LaMG&#xA;- 08/09 : Hornet la Frappe - &amp;quot;La Peuf 6&amp;quot;&#xA;- 08/09 : Jewel Usain - &amp;quot;Je reste là&amp;quot;&#xA;- 08/09 : Keblack - &amp;quot;LAISSE MOI&amp;quot;&#xA;- 08/09 : La F - &amp;quot;Comme un shlass&amp;quot; ft. Seth Gueko&#xA;- 08/09 : Lamatrix - &amp;quot;Crazy&amp;quot; ft. Naza&#xA;- 08/09 : Leto - &amp;quot;Immonde&amp;quot; ft. Koba LaD&#xA;* 08/09 : Lpee - &amp;quot;Ça ou rien&amp;quot;&#xA;- 13/09 : Elso - &amp;quot;Dana White&amp;quot;&#xA;* 13/09 : Glauque - &amp;quot;Rance&amp;quot;&#xA;- 13/09 : Heykel - &amp;quot;H19&amp;quot;&#xA;- 13/09 : Kalash Criminel - &amp;quot;Zénith&amp;quot;&#xA;- 13/09 : Zequin - &amp;quot;DIFFÉRENT&amp;quot;&#xA;- 14/09 : An'Om - &amp;quot;Tempête&amp;quot; ft. Vayn&#xA;- 14/09 : Fresh LaDouille - &amp;quot;La Douille #8&amp;quot;&#xA;- 14/09 : GLK - &amp;quot;Appart des Apes&amp;quot;&#xA;- 14/09 : Simony - &amp;quot;POW!&amp;quot;&#xA;- 15/09 : 2TH - &amp;quot;Danse&amp;quot; ft. Majeur-Mineur&#xA;* 15/09 : Barack - &amp;quot;DJONY&amp;quot;&#xA;- 15/09 : Beendo Z - &amp;quot;Différent&amp;quot;&#xA;- 15/09 : Favé - &amp;quot;Flashback&amp;quot; ft. Gazo&#xA;- 15/09 : HK La Paille - &amp;quot;L'AUTRE RIVE&amp;quot;&#xA;- 15/09 : Kery James - &amp;quot;Trop Bizarre&amp;quot; ft. Alonzo, Kofs &amp;amp; Sadek&#xA;- 15/09 : okis - &amp;quot;J'arrive&amp;quot;&#xA;- 15/09 : Mairo &amp;amp; JeanJass - &amp;quot;Cléopâtre&amp;quot;&#xA;- 15/09 : Maydo - &amp;quot;Séquence&amp;quot;&#xA;- 15/09 : Ormaz - &amp;quot;TOTTI&amp;quot;&#xA;- 15/09 : OSO - &amp;quot;SUGAR&amp;quot;&#xA;- 15/09 : Sokuu - &amp;quot;La Vitre&amp;quot;&#xA;- 15/09 : St. Jimmy - &amp;quot;Magie&amp;quot;&#xA;- 15/09 : Stutt - &amp;quot;Louis VI&amp;quot;&#xA;- 15/09 : Youri - &amp;quot;Seth Rogen&amp;quot;&#xA;- 16/09 : SAM - &amp;quot;POLLOCK AVEC DES FEUTRES&amp;quot;&#xA;- 17/09 : La P'tite Fumée - &amp;quot;Cyber Criminels&amp;quot; ft. Alkpote&#xA;- 18/09 : Le Lij - &amp;quot;-16&amp;quot;&#xA;- 20/09 : Amné - &amp;quot;Memories&amp;quot; ft. Toam&#xA;- 20/09 : B.B. Jacques - &amp;quot;PÉTALES&amp;quot; ft. Oxmo Puccino&#xA;- 20/09 : Ichon - &amp;quot;SOUVENT&amp;quot;&#xA;- 20/09 : Leo SVR - &amp;quot;Serpent &amp;amp; Scie&amp;quot;&#xA;- 20/09 : Lyre - &amp;quot;SAISONS&amp;quot;&#xA;- 20/09 : Souffrance - &amp;quot;Khalass&amp;quot;&#xA;- 20/09 : Svudvde - &amp;quot;Ancré à ton corps&amp;quot; ft. Lestin&#xA;- 20/09 : YL - &amp;quot;Papicha&amp;quot; ft. Sadek&#xA;- 21/09 : Cinco - &amp;quot;BBM&amp;quot;&#xA;- 21/09 : Dosseh - &amp;quot;French Riviera&amp;quot; ft. Tayc&#xA;- 21/09 : Guy2Bezbar - &amp;quot;OPÉRATION DRAGON #1&amp;quot;&#xA;- 21/09 : LEVELSANTANA - &amp;quot;Tranquille&amp;quot;&#xA;- 22/09 : 34murphy &amp;amp; Sobek - &amp;quot;100k&amp;quot;&#xA;- 22/09 : Absolem - &amp;quot;Double tranchant&amp;quot;&#xA;- 22/09 : BLOODYSANJI - &amp;quot;KTL FREESTYLE&amp;quot;&#xA;* 22/09 : GAZY MP - &amp;quot;WESH&amp;quot;&#xA;- 22/09 : GR OMEGA - &amp;quot;BOHÈME&amp;quot;&#xA;* 22/09 : Ghetto Phénomène - &amp;quot;Marseille&amp;quot; ft. Thabiti, So la Zone, Elams, Dadinho, Sysa, Credo357, Solda&#xA;- 22/09 : Kaaris - &amp;quot;Une Autre&amp;quot; ft. Koba LaD&#xA;- 22/09 : Marjinal - &amp;quot;CATÉGORIE&amp;quot; ft. Lefa &amp;amp; Abou Tall&#xA;* 22/09 : Microbe - &amp;quot;OG&amp;quot;&#xA;* 22/09 : Mister You - &amp;quot;BELLEVILLE HALL STAR ZOO&amp;quot; ft. Walter, Kroco, Dyloxx, Banban &amp;amp; Tisma&#xA;- 22/09 : Rocé - &amp;quot;Il pleut dans ma tête&amp;quot;&#xA;- 22/09 : Saamou Skuu - &amp;quot;French Drill 8 - Macabre&amp;quot; ft. Leto&#xA;* 22/09 : Shotas - &amp;quot;Mélodie nwar&amp;quot;&#xA;* 22/09 : Sky - &amp;quot;Fatigué&amp;quot; ft. Tawsen&#xA;- 22/09 : Slkrack - &amp;quot;Vie&amp;quot; ft. SDM&#xA;- 22/09 : SNSET - &amp;quot;MESGARS&amp;quot;&#xA;- 25/09 : LEDOUBLE - &amp;quot;MAZE BANK&amp;quot;&#xA;- 26/09 : Inspire - &amp;quot;Escalade&amp;quot;&#xA;- 27/09 : 3ARBI - &amp;quot;A3&amp;quot; ft. La Kadrilla&#xA;- 27/09 : ASHE 22 - &amp;quot;Splash, Pt. 4&amp;quot;&#xA;- 27/09 : Kery James - &amp;quot;MILLE RAISONS&amp;quot; ft. Slimane&amp;quot;&#xA;- 27/09 : Mougli - &amp;quot;Rfifa (Freestyle)&amp;quot;&#xA;- 27/09 : Squidji - &amp;quot;Encore&amp;quot;&#xA;- 27/09 : Swing - &amp;quot;MALADRESSE&amp;quot;&#xA;- 27/09 : Urde - &amp;quot;coquelicot&amp;quot;&#xA;- 28/09 : Ajar - &amp;quot;CORDE SENSIBLE&amp;quot;&#xA;- 28/09 : DTF - &amp;quot;Sans le savoir&amp;quot;&#xA;- 28/09 : ISK - &amp;quot;La cosa&amp;quot; ft. Kalash Criminel&#xA;- 28/09 : Jeune Lion - &amp;quot;PAS RÂ&amp;quot;&#xA;- 28/09 : Jewel Usain - &amp;quot;Eleanor&amp;quot; ft. Prince Waly&#xA;- 28/90 : Niaks - &amp;quot;Perm&amp;quot;&#xA;- 29/09 : Beendo Z - &amp;quot;Garde à vue&amp;quot;&#xA;- 29/09 : Brav - &amp;quot;Plus d'amour&amp;quot;&#xA;- 29/09 : Buds - &amp;quot;Amnésie&amp;quot; ft. Questbeatz &amp;amp; Roméo Elvis&#xA;* 29/09 : Dadinho - &amp;quot;Benda&amp;quot;&#xA;- 29/09 : Dadju - &amp;quot;La guitare suit la mélo&amp;quot; ft. Zola&#xA;- 29/09 : JRK 19 - &amp;quot;MacGyver&amp;quot;&#xA;- 29/09 : JSX - &amp;quot;Bokassa&amp;quot;&#xA;- 29/09 : Julaï - &amp;quot;Usine&amp;quot;&#xA;- 29/09 : Kaneki - &amp;quot;Intro (La pluie)&amp;quot;&#xA;- 29/09 : Lacrim - &amp;quot;FLORENT PAGNY&amp;quot;&#xA;* 29/09 : La Hasba22 - &amp;quot;Callé&amp;quot;&#xA;- 29/09 : L'Allemand - &amp;quot;LE GO&amp;quot;&#xA;- 29/09 : La Plaie - &amp;quot;F47 #3&amp;quot;&#xA;- 29/09 : Leto - &amp;quot;Préjudice&amp;quot;&#xA;- 29/09 : Médine - &amp;quot;Paratonnerre&amp;quot;&#xA;- 29/09 : Nakry - &amp;quot;Invento&amp;quot;&#xA;* 29/09 : NARRA - &amp;quot;Town&amp;quot;&#xA;- 29/09 : Purp - &amp;quot;ATLAS, Partie 1&amp;quot;&#xA;- 29/09 : SenSey' - &amp;quot;Parcours&amp;quot;&#xA;- 29/09 : Vicky R - &amp;quot;Systm&amp;quot;&#xA;* 29/09 : VVES - &amp;quot;Été&amp;quot;&#xA;- 29/09 : web7 - &amp;quot;tout bas&amp;quot;&#xA;&#xA;Octobre :&#xA;- 02/10 : Kerchak - &amp;quot;Roule un autre&amp;quot;&#xA;* 03/10 : Ratu$ - &amp;quot;Grillade #5&amp;quot;&#xA;- 04/10 : ASHE 22 - &amp;quot;Splash, Pt. 5&amp;quot;&#xA;- 04/10 : KIK - &amp;quot;GLAÇONS&amp;quot; ft. PEX&#xA;- 04/10 : Leo SVR - &amp;quot;Maniac&amp;quot;&#xA;* 04/10 : $knny - &amp;quot;Arkham&amp;quot;&#xA;- 04/10 : Chanceko - &amp;quot;Un dimanche&amp;quot;&#xA;- 04/10 : Livaï &amp;amp; Cosmo - &amp;quot;le vide s'étend&amp;quot;&#xA;- 04/10 : Osmoz - &amp;quot;La cible&amp;quot; ft. VLD&#xA;* 04/10 : Yassin - &amp;quot;Vinicius Jr&amp;quot;&#xA;- 04/10 : YUNG POOR ALO - &amp;quot;Rouge&amp;quot;&#xA;- 05/10 : BU$HI - &amp;quot;Règlement Freestyle: Destiny&amp;quot;&#xA;- 05/10 : HVMANYY - &amp;quot;Convoité&amp;quot;&#xA;- 06/10 : Dalì - &amp;quot;JALIL&amp;quot;&#xA;- 06/10 : Féfé - &amp;quot;Je pars de loin&amp;quot;&#xA;- 06/10 : Féfé - &amp;quot;Quelque part&amp;quot; ft. Luiza&#xA;- 06/10 : Larry - &amp;quot;3PRL&amp;quot;&#xA;- 06/10 : Mac Tyer - &amp;quot;Douleurs&amp;quot;&#xA;* 06/10 : Mehdi YZ - &amp;quot;À la tess&amp;quot;&#xA;* 06/10 : Oldpee - &amp;quot;LOBSTER&amp;quot; ft. Slkrack&#xA;* 06/10 : Popey - &amp;quot;French Bank&amp;quot;&#xA;- 06/10 : Reynz - &amp;quot;PRIX PUSKAS&amp;quot;&#xA;- 06/10 : Seth Sad - &amp;quot;SAD&amp;quot;&#xA;- 06/10 : Sicario - &amp;quot;Libre&amp;quot;&#xA;- 06/10 : Zaky - &amp;quot;QULBUTOKE&amp;quot;&#xA;- 06/10 : Zbig - &amp;quot;13 welcome&amp;quot;&#xA;- 06/10 : Ziak - &amp;quot;Vautours&amp;quot; ft. Koba LaD&#xA;- 09/10 : Fokca - &amp;quot;Freestyle O2&amp;quot;&#xA;* 09/10 : JMK$ - &amp;quot;MONEY DANCE&amp;quot;&#xA;- 09/10 : Rozzy - &amp;quot;RGB&amp;quot; ft. Friendsofbryan&#xA;- 09/10 : Zeu - &amp;quot;Quincy Promes&amp;quot;&#xA;- 10/10 : Mano Leyra - &amp;quot;SURPRISE!&amp;quot;&#xA;- 10/10 : Simony - &amp;quot;Tonnerre sous les tropiques&amp;quot;&#xA;- 10/10 : Toam - &amp;quot;La Lumière&amp;quot;&#xA;- 11/10 : ASHE 22 - &amp;quot;Splash, Pt. 6&amp;quot;&#xA;- 11/10 : GAZY MP - &amp;quot;Paramètre&amp;quot;&#xA;* 11/10 : Junior Bvndo - &amp;quot;Faut pas flipper&amp;quot; ft. Vegedream&#xA;- 11/10 : sean - &amp;quot;Pourquoi moi ?&amp;quot;&#xA;- 11/10 : Urde - &amp;quot;single&amp;quot;&#xA;- 12/10 : Carbonne - &amp;quot;Sacrifices&amp;quot; ft. Jey Brownie&#xA;- 12/10 : DTF - &amp;quot;Liberta&amp;quot;&#xA;- 12/10 : Guy2Bezbar - &amp;quot;OPÉRATION DRAGON #2&amp;quot;&#xA;- 12/10 : NeS - &amp;quot;LIGNE DROITE&amp;quot;&#xA;- 12/10 : Selug &amp;amp; $enar - &amp;quot;Sheikah&amp;quot;&#xA;* 13/10 : Absolem - &amp;quot;Fin du jeu&amp;quot; ft. Bakari&#xA;- 13/10 : Benab - &amp;quot;Luna&amp;quot;&#xA;- 13/10 : Daej Phantom - &amp;quot;Ladies Night&amp;quot;&#xA;* 13/10 : Dafliky - &amp;quot;4X4&amp;quot;&#xA;- 13/10 : Deelay - &amp;quot;Bubble&amp;quot;&#xA;- 13/10 : GEAVN - &amp;quot;VAGUE&amp;quot;&#xA;- 13/10 : GR OMEGA - &amp;quot;BAZAR&amp;quot;&#xA;- 13/10 : Hös Copperfield - &amp;quot;Les tranchées&amp;quot; ft. DA Uzi&#xA;- 13/10 : ISK - &amp;quot;LDLG&amp;quot;&#xA;- 13/10 : Landy - &amp;quot;Encore plus&amp;quot;&#xA;- 13/10 : Limsa d'Aulnay &amp;amp; ISHA - &amp;quot;Inna Di Club&amp;quot;&#xA;- 13/10 : Mécra - &amp;quot;Pensées noires&amp;quot;&#xA;- 13/10 : Mister You - &amp;quot;Reste Trankil&amp;quot; ft. JuL&#xA;- 13/10 : Negrito - &amp;quot;J'ai Payé&amp;quot; ft. Franglish&#xA;- 13/10 : Fanny's Station - &amp;quot;Horizon’s Harmony&amp;quot;&#xA;- 13/10 : Sokuu - &amp;quot;MÖDI&amp;quot;&#xA;- 13/10 : S.Pri Noir - &amp;quot;Les clefs du Château&amp;quot;&#xA;- 13/10 : Warlock - &amp;quot;Freestyle Conflexe&amp;quot;&#xA;- 13/10 : Yaro - &amp;quot;Lundi&amp;quot;&#xA;- 13/10 : YUZMV - &amp;quot;La suite&amp;quot; ft. Arzel&#xA;- 17/10 : Inspire - &amp;quot;Bails noirs&amp;quot;&#xA;- 18/10 : Bluume &amp;amp; Triple Nine - &amp;quot;M8 COMPETITION&amp;quot;&#xA;- 18/10 : Sanji Do Brazil - &amp;quot;Ce soir en ville&amp;quot;&#xA;- 18/10 : Mougli - &amp;quot;Comme d'hab&amp;quot;&#xA;- 18/10 : Okis - &amp;quot;Tinkiet&amp;quot;&#xA;- 18/10 : Souffrance - &amp;quot;Appuie-tête&amp;quot; ft. Zkr&#xA;* 19/10 : Bakari - &amp;quot;Maintenant&amp;quot;&#xA;- 19/10 : Nono La Grinta - &amp;quot;Délit&amp;quot;&#xA;- 19/10 : Sheldon - &amp;quot;Arrondissement&amp;quot; ft. BEN plg&#xA;- 19/10 : Le Règlement - &amp;quot;Zancudo&amp;quot; ft. Wallace Cleaver&#xA;- 20/10 : 3arbi - &amp;quot;John Abruzzi&amp;quot;&#xA;- 20/10 : ADÉS THE PLANET - &amp;quot;SLS&amp;quot;&#xA;- 20/10 : Georgio - &amp;quot;Silence / Solitude&amp;quot;&#xA;- 20/10 : ISK - &amp;quot;Vécu (Bonus Track)&amp;quot; ft. Lyna Mahyem&#xA;- 20/10 : Lester - &amp;quot;mot de passe&amp;quot;&#xA;- 20/10 : Mayo - &amp;quot;Infréquentable&amp;quot;&#xA;- 20/10 : Rémy - &amp;quot;La vérité&amp;quot;&#xA;- 20/10 : Rocé - &amp;quot;Don’t believe the hype&amp;quot;&#xA;- 20/10 : Sidiki Diabaté - &amp;quot;Terminus&amp;quot; ft. Gazo&#xA;- 20/10 : Slkrack - &amp;quot;Éteindre&amp;quot;&#xA;- 25/10 : AKISSI - &amp;quot;rien à fêter&amp;quot;&#xA;- 25/10 : Chanceko - &amp;quot;Ma dignité&amp;quot; ft. Khali&#xA;- 25/10 : DA Uzi - &amp;quot;La ruée vers l'or&amp;quot;&#xA;- 25/10 : Heykel - &amp;quot;Anomalie&amp;quot;&#xA;- 25/10 : Milanezie &amp;amp; ​kofi bæ - &amp;quot;Cute Face&amp;quot; ft. ​thaHomey &amp;amp; ​​​​jäde&#xA;- 25/10 : Neop0p &amp;amp; whatever51 - &amp;quot;TROUBLEMAKER&amp;quot;&#xA;- 25/10 : Peet - &amp;quot;Isaiah&amp;quot;&#xA;- 26/10 : Dalienski - &amp;quot;vrais fantômes&amp;quot; ft. moe damour&#xA;- 26/10 : Hatik - &amp;quot;Chaise pliante, pt. 10&amp;quot;&#xA;- 26/10 : ISS - &amp;quot;91 Charo Gang&amp;quot;&#xA;- 26/10 : Malty 2BZ - &amp;quot;Bang&amp;quot;&#xA;- 26/10: Mini Rttclan - &amp;quot;Docteur X part. 2&amp;quot; ft. DOC OVG&#xA;- 26/10 : Le Règlement - &amp;quot;Kino&amp;quot; ft. winnterzuko&#xA;- 27/10 : Lazuli &amp;amp; Angie - &amp;quot;Booty Applaudit&amp;quot;&#xA;- 27/10 : ASHE 22 - &amp;quot;CARACAS&amp;quot; ft. Baby Gang&#xA;- 27/10 : Cannelle - &amp;quot;Rockstar&amp;quot;&#xA;- 27/10 : Cellulaire - &amp;quot;PK TU PARLES PAS ?&amp;quot; ft. Sno3&#xA;- 27/10 : Dafliky - &amp;quot;Nerveux&amp;quot;&#xA;- 27/10 : Dalí - &amp;quot;Carcan de cuir&amp;quot;&#xA;- 27/10 : DTF - &amp;quot;Tant de choses&amp;quot;&#xA;- 27/10 : HAKAI - &amp;quot;Nuit et jour&amp;quot;&#xA;- 27/10 : Kanoé - &amp;quot;FORT&amp;quot;&#xA;- 27/10 : LUMJR - &amp;quot;CARDI&amp;quot;&#xA;- 27/10 : Matou - &amp;quot;P. Diddy&amp;quot; ft. Limsa d'Aulnay&#xA;- 27/01 : Nayra - &amp;quot;Nonante Trois&amp;quot; ft. Stavo&#xA;* 27/10 : N'Seven7 - &amp;quot;OTT #3&amp;quot;&#xA;- 27/10 : Rsko - &amp;quot;Comme ça&amp;quot;&#xA;- 27/10 : Slkrack - &amp;quot;Dragon&amp;quot;&#xA;- 27/10 : S.Pri Noir - &amp;quot;Bonsoir Paris (Mama No Cry)&amp;quot; ft. Tiakola&#xA;- 27/10 : Take A Mic - &amp;quot;No Skip&amp;quot;&#xA;- 27/10 : Uzi - &amp;quot;Akrapo 7&amp;quot;&#xA;- 31/10 : Stony Stone - &amp;quot;MARK LANDERS&amp;quot;&#xA;&#xA;Novembre :&#xA;- 01/11 : Benjamin Epps - &amp;quot;BELLE RAGE&amp;quot;&#xA;- 01/11 : Dri$-i - &amp;quot;triste... toute ta vie&amp;quot;&#xA;- 02/11 : Jeune Mort - &amp;quot;cœur glacé&amp;quot;&#xA;- 02/11 : Mairo - &amp;quot;Warehouse&amp;quot;&#xA;- 02/11 : Meryl - &amp;quot;Aymeric&amp;quot; ft. John Crepy&#xA;- 02/11 : Swing - &amp;quot;NO FUTURE&amp;quot;&#xA;- 03/11 : Alonzo - &amp;quot;Olala&amp;quot; ft. Naza&#xA;* 03/11 : Arma Jackson - &amp;quot;Téléphone&amp;quot;&#xA;- 03/11 : Beendo Z - &amp;quot;Double B&amp;quot; ft. Bianca Costa&#xA;- 03/11 : F430 - &amp;quot;Jour de pluie&amp;quot;&#xA;* 03/11 : Fresh - &amp;quot;PKS 1 (Ça pue sa mère)&amp;quot;&#xA;- 03/11 : Guy2Bezbar - &amp;quot;TOUT L’ÉTÉ&amp;quot;&#xA;- 03/11 : HD La Relève - &amp;quot;Comme eux&amp;quot;&#xA;- 03/11 : Jolagreen23 - &amp;quot;GANGTAKA&amp;quot;&#xA;- 03/11 : JuL - J'fais que danser&amp;quot;&#xA;- 03/11 : La Famax - &amp;quot;La Waiwai&amp;quot; ft. Loki Ice&#xA;- 03/11 : Maes - &amp;quot;Akatsuki&amp;quot;&#xA;- 03/11 : Noti Rose - &amp;quot;Homme Rasoir&amp;quot;&#xA;- 03/11 : Rémy - &amp;quot;Le fils de la gardienne&amp;quot;&#xA;- 03/11 : Saamou Skuu - &amp;quot;NFL&amp;quot;&#xA;- 03/11 : Sicario - &amp;quot;Vide&amp;quot;&#xA;* 03/11 : Sifax - &amp;quot;Plata II&amp;quot;&#xA;* 06/11 : Hash24 - &amp;quot;Moon vision&amp;quot;&#xA;- 06/11 : So La Lune - &amp;quot;Freestyle 12TSUKI8NICHI&amp;quot;&#xA;- 08/11 : Binks Beatz - &amp;quot;Crew&amp;quot; ft. gapman&#xA;- 08/11 : Jaymee - &amp;quot;Brand New Jazz&amp;quot;&#xA;- 08/11 : Osmoz - &amp;quot;Pénombre&amp;quot;&#xA;- 08/11 : Squidji - &amp;quot;3h33&amp;quot;&#xA;- 08/11 : USKY - &amp;quot;Cicatrices&amp;quot;&#xA;- 09/11 : Dosseh - &amp;quot;VS&amp;quot; ft. Dinos&#xA;- 09/11 : DTF - &amp;quot;Sale dance&amp;quot;&#xA;- 09/11 : JMK$ - &amp;quot;Delfino&amp;quot;&#xA;- 09/11 : Lybro - &amp;quot;Vous allez voir&amp;quot;&#xA;- 09/11 : Sheldon - &amp;quot;Focus&amp;quot; ft. 3010&#xA;- 10/11 : Hös Copperfield - &amp;quot;PHOTO&amp;quot; ft. Werenoi&#xA;* 10/11 : La Hasba22 - &amp;quot;New Balance&amp;quot;&#xA;* 10/11 : Lemon Haze - &amp;quot;Marginal&amp;quot;&#xA;- 10/11 : M20 LA ZONE - &amp;quot;69 CRIMINEL&amp;quot;&#xA;- 10/11 : mademoiselle lou - &amp;quot;Si tu savais&amp;quot;&#xA;- 10/11 : Malko - &amp;quot;GOD COMPLEX&amp;quot;&#xA;- 10/11 : Oldpee - &amp;quot;TANT DE SIGNES&amp;quot; ft. Dinos &amp;amp; Zed&#xA;- 10/11 : Richie Beats - &amp;quot;Chut!&amp;quot; ft. Kay The Prodigy&#xA;- 10/11 : Shay - &amp;quot;Sans Cœur&amp;quot; ft. Niska&#xA;- 10/11 : Yaro - &amp;quot;Tekken&amp;quot;&#xA;* 13/11 : Jarod - &amp;quot;Drames&amp;quot;&#xA;- 14/11 : DOC OVG - &amp;quot;Cherche l'or&amp;quot; ft. Osirus Jack&#xA;- 15/11 : 8ruki - &amp;quot;NO C.A.B&amp;quot;&#xA;* 15/11 : Le Risque - &amp;quot;La routine&amp;quot;&#xA;- 15/11 : Nono La Grinta - &amp;quot;J'aime&amp;quot;&#xA;- 15/11 : Sadandsolo - &amp;quot;Wavy&amp;quot; ft. Sam Wise &amp;amp; Bandanna&#xA;- 15/11 : Sto - &amp;quot;HYDRO #DriftMusic1&amp;quot;&#xA;- 15/11 : YL - &amp;quot;Larlar 9 (Encore)&amp;quot;&#xA;- 16/11 : Bakari - &amp;quot;SUPERNOVA&amp;quot;&#xA;- 16/11 : Dosseh - &amp;quot;Fenikkusu&amp;quot;&#xA;- 16/11 : HappyMoli - &amp;quot;Finale&amp;quot;&#xA;- 16/11 : Kery James - &amp;quot;JE PEUX&amp;quot; ft. Noumouké&#xA;- 16/11 : Maes - &amp;quot;Frank Lucas (Session Pianorap)&amp;quot;&#xA;- 16/11 : So La Lune - &amp;quot;Au BPM&amp;quot;&#xA;- 16/11 : So La Lune - &amp;quot;Triste temps&amp;quot;&#xA;- 16/11 : Yvnnis - &amp;quot;GARE DU NORD&amp;quot;&#xA;- 17/11 : ASHE 22 - &amp;quot;KH-22&amp;quot;&#xA;- 17/11 : ADVM - &amp;quot;.j’détestais Raplume.&amp;quot;&#xA;- 17/11 : BEN plg - &amp;quot;Le goût du sel&amp;quot;&#xA;- 17/11 : Booba - &amp;quot;Sport Billy&amp;quot;&#xA;- 17/11 : Dany Dan &amp;amp; Kyo Itachi - &amp;quot;Rarissime&amp;quot;&#xA;- 17/11 : Diddi Trix - &amp;quot;La Pente&amp;quot;&#xA;- 17/11 : Féfé - &amp;quot;Falling Star&amp;quot; ft. Son Little&#xA;- 17/11 : Féfé - &amp;quot;Langues étrangères&amp;quot;&#xA;- 17/11 : ICO - &amp;quot;5h23&amp;quot;&#xA;- 17/11 : Kaaris - &amp;quot;Mobalpa&amp;quot;&#xA;- 17/11 : Kaba &amp;amp; Hyas - &amp;quot;Lick It&amp;quot; ft. HiTech&#xA;- 17/11 : Kalash - &amp;quot;PROTOCOLE&amp;quot;&#xA;- 17/11 : Kanoé - &amp;quot;JOURNÉE&amp;quot;&#xA;- 17/11 : Kaza - &amp;quot;HRTBRK #7&amp;quot;&#xA;- 17/11 : Kepler - &amp;quot;94 à Paname&amp;quot; ft. MALTY 2BZ&#xA;- 17/11 : Vacra - &amp;quot;XOXO&amp;quot;&#xA;- 17/11 : Voleur2Voleur - &amp;quot;Lupin&amp;quot;&#xA;- 19/11 : Lujipeka - &amp;quot;Ligue des Champions&amp;quot;&#xA;- 20/11 : ADVM - &amp;quot;.jeunarogant.&amp;quot;&#xA;- 22/11 : Jaymee - &amp;quot;Brand New Jazz 2&amp;quot;&#xA;- 22/11 : robdbloc - &amp;quot;Faux départs&amp;quot;&#xA;- 22/11 : Zalmad - &amp;quot;3 VOEUX&amp;quot;&#xA;- 23/11 : CAPU$h - &amp;quot;Chao&amp;quot;&#xA;* 23/11 : Coelho - &amp;quot;AVANT LA FIN DE L'ANNEE&amp;quot;&#xA;- 23/11 : C-ROM - &amp;quot;Rien ne sèche plus vite qu'une larme&amp;quot;&#xA;* 23/11 : Fresh LaDouille - &amp;quot;Solide&amp;quot;&#xA;- 23/11 : La Fève - &amp;quot;LOYAL&amp;quot;&#xA;- 23/11 : Mac Tyer - &amp;quot;Désert&amp;quot; ft. DA Uzi&#xA;- 24/11 : Benab - &amp;quot;Maman savait&amp;quot;&#xA;- 24/11 : DA Uzi - &amp;quot;WeLaRue 9&amp;quot;&#xA;* 24/11 : Decimo - &amp;quot;Général Li Shin&amp;quot;&#xA;- 24/11 : Elh Kmer - &amp;quot;Extinction&amp;quot;&#xA;- 24/11 : Favé - &amp;quot;Encore&amp;quot;&#xA;* 24/11 : Guy2Bezbar - &amp;quot;OPÉRATION DRAGON #3&amp;quot;&#xA;- 24/11 : joysad - &amp;quot;Heureusement&amp;quot;&#xA;* 24/11 : JSX - &amp;quot;B-45&amp;quot;&#xA;- 24/11 : JuL - &amp;quot;Sensations&amp;quot;&#xA;* 24/11 : Ludmael - &amp;quot;Sale Hiver&amp;quot;&#xA;- 24/11 : Norsacce Berlusconi - &amp;quot;2 STEP&amp;quot;&#xA;- 24/11 : Saisai - &amp;quot;Tache&amp;quot; ft. DOC OVG&#xA;- 24/11 : Samy - &amp;quot;Le Sang des Apaches&amp;quot;&#xA;- 24/11 : Selug - &amp;quot;Changer de vie&amp;quot;&#xA;* 24/11 : TH - &amp;quot;ABT&amp;quot;&#xA;- 24/11 : Timal - &amp;quot;La 16&amp;quot;&#xA;- 28/11 : Scylla - &amp;quot;Hybrides&amp;quot;&#xA;- 28/11 : Seth Gueko - &amp;quot;Barlou Lyonnais&amp;quot; ft. L'Allemand, La F, Zeguerre, Stos, Casus Belli, Kyzi &amp;amp; Kanoé&#xA;- 29/11 : Ajna - &amp;quot;novotel&amp;quot;&#xA;- 29/11 : Gips - &amp;quot;Cookies Kush&amp;quot; ft. Osirus Jack&#xA;- 29/11 : Jeune Mort - &amp;quot;No colors&amp;quot;&#xA;- 29/11 : Oldpee - &amp;quot;SORRY&amp;quot; ft. Hamza &amp;amp; Guy2Bezbar&#xA;- 29/11 : Rounhaa - &amp;quot;2B2T&amp;quot;&#xA;- 29/11 : Sadek - &amp;quot;Changer&amp;quot; ft. Josman&#xA;* 30/11 : Chinwvr - &amp;quot;Monotonie&amp;quot;&#xA;- 30/11 : Enock - &amp;quot;C'EST PAREIL&amp;quot;&#xA;* 30/11 : Fresh - &amp;quot;PKS#2 (Misère misère)&amp;quot;&#xA;- 30/11 : Houdi - &amp;quot;Nuketown&amp;quot;&#xA;- 30/11 : Infinit' - &amp;quot;Mathématiques&amp;quot; ft. 3010&#xA;- 30/11 : Khali - &amp;quot;Bottega&amp;quot;&#xA;- 30/11 : Slimka - &amp;quot;Jamais comme les autres&amp;quot;&#xA;&#xA;Décembre :&#xA;- 01/12 : Bekar - &amp;quot;Brûle dans le silence&amp;quot;&#xA;- 01/12 : Big Ben - &amp;quot;C'est qui ?&amp;quot; ft. Jungeli&#xA;- 01/12 : Cellulaire - &amp;quot;AVEC TOI&amp;quot;&#xA;* 01/12 : Dwen - &amp;quot;Dalton&amp;quot;&#xA;- 01/12 : JKSN - &amp;quot;Christian Dior&amp;quot;&#xA;- 01/12 : KLM - &amp;quot;Vêtu de noir&amp;quot;&#xA;- 01/12 : L2B - &amp;quot;BOOM !&amp;quot;&#xA;- 01/12 : Lester - &amp;quot;Monuments&amp;quot;&#xA;- 01/12 : Mecra - &amp;quot;Avenir Noir&amp;quot;&#xA;- 01/12 : Nessbeal - &amp;quot;Anxiogène&amp;quot;&#xA;- 01/12 : Raplume - &amp;quot;Revenir en arrière&amp;quot; ft. S.Pri Noir &amp;amp; mademoiselle lou&#xA;- 01/12 : Says'z - &amp;quot;Vanille&amp;quot;&#xA;- 01/12 : Sokra - &amp;quot;La base&amp;quot;&#xA;- 01/12 : SOPA - &amp;quot;OMBRECŒUR&amp;quot;&#xA;- 02/12 : Raplume - &amp;quot;STEPH &amp;amp; DRAYMOND&amp;quot; ft. Jolagreen23 &amp;amp; Malo&#xA;- 03/12 : Raplume - &amp;quot;GENEVA&amp;quot; ft. MadeInParis &amp;amp; Smeels&#xA;- 04/12 : Raplume - &amp;quot;PSL&amp;quot; ft. 8ruki &amp;amp; Kay The Prodigy&#xA;* 05/12 : Di-Meh - &amp;quot;Call&amp;quot; ft. Small-X&#xA;- 05/12 : Raplume - &amp;quot;Pas les mots&amp;quot; ft. Houdi &amp;amp; Favé&#xA;- 06/12 : BLOODY$ANJI - &amp;quot;EUTHANASIE&amp;quot;&#xA;- 06/12 : Damlif - &amp;quot;ràf&amp;quot; ft. Celestino&#xA;- 06/12 : Demi Portion - &amp;quot;Adrénaline&amp;quot;&#xA;- 06/12 : Kaaris - &amp;quot;Rorschach&amp;quot;&#xA;- 06/12 : Lala &amp;amp;ce - &amp;quot;No More Time&amp;quot;&#xA;- 06/12 : Norsacce - &amp;quot;2 STEP II&amp;quot;&#xA;- 06/12 : Raplume - &amp;quot;Dans la peau&amp;quot; ft. Kobo &amp;amp; AAMO&#xA;- 06/12 : Sadandsolo - &amp;quot;Freaky&amp;quot; ft. Phantom Steeze &amp;amp; Nanette&#xA;- 06/12 : Tovaritch - &amp;quot;240&amp;quot;&#xA;- 06/12 : WINO? - &amp;quot;Mâle Alpha&amp;quot;&#xA;- 07/12 : AKSAR - &amp;quot;Palm Trees&amp;quot;&#xA;- 07/12 : Le Règlement - &amp;quot;Creeper&amp;quot; ft. Jolagreen23&#xA;- 07/12 : Prince Waly - &amp;quot;Charm el-Cheikh&amp;quot;&#xA;- 07/12 : Raplume - &amp;quot;Ojos&amp;quot; ft. Django &amp;amp; Théodore&#xA;- 08/12 : Dinos - &amp;quot;Zèbre&amp;quot;&#xA;- 08/12 : Lesram - &amp;quot;Du mieux que j'ai pu&amp;quot;&#xA;- 08/12 : Raplume - &amp;quot;Toxic&amp;quot; ft. Roshi &amp;amp; B.B. Jacques&#xA;* 08/12 : Saamou Skuu - &amp;quot;Célèbre&amp;quot; ft. Guy2Bezbar&#xA;- 08/12 : Sokuu - &amp;quot;de ma chambre à la scène&amp;quot;&#xA;- 08/12 : Zola &amp;amp; Koba LaD - &amp;quot;Aller sans retour&amp;quot;&#xA;- 09/12 : Raplume - &amp;quot;Têtes froides&amp;quot; ft. 34murphy &amp;amp; Mougli&#xA;- 09/12 : Un jour de paix - &amp;quot;Gaza&amp;quot;&#xA;- 10/12 : Raplume - &amp;quot;100pas&amp;quot; ft. LEVELSANTANA &amp;amp; Many Santana&#xA;- 11/12 : OG L'Enf - &amp;quot;CALIFORNIA LOVE&amp;quot;&#xA;- 11/12 : Raplume - &amp;quot;Mauvais pressentiment&amp;quot; ft. 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Dafliky, Gapman &amp;amp; 2C&#xA;- 18/12 : Grems - &amp;quot;Mc Search&amp;quot;&#xA;- 18/12 : Raplume - &amp;quot;Strass&amp;quot; ft. Tuerie &amp;amp; Limsa d'Aulnay&#xA;* 19/12 : Raplume - &amp;quot;Vice City&amp;quot; Ben.C, Metah &amp;amp; Missan&#xA;- 20/12 : Lucio Bukowski - &amp;quot;Chardons Bleus&amp;quot;&#xA;- 20/12 : Raplume - &amp;quot;ENSEMBLE&amp;quot; ft. Moha MMZ&#xA;- 20/12 : Slimka - &amp;quot;Slow Down&amp;quot;&#xA;- 21/12 : 8ruki - &amp;quot;Foundation&amp;quot;&#xA;- 21/12 : ADVM - &amp;quot;.le signe astro d'ta mère.&amp;quot;&#xA;- 21/12 : Djavann - &amp;quot;Ciel&amp;quot;&#xA;- 21/12 : Houdi - &amp;quot;BELLE CHANSON&amp;quot;&#xA;- 21/12 : La F - &amp;quot;Solo&amp;quot;&#xA;- 21/12 : Raplume - &amp;quot;S.T.U.N.T&amp;quot; ft. KR Malsain &amp;amp; Cinco&#xA;* 22/12 : Guy2Bezbar - &amp;quot;ZERO&amp;quot; ft. Franglish&#xA;* 22/12 : Kerchak - &amp;quot;Ice Ice&amp;quot; ft. 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<INFO BITRATE="880629" KEY_LYRICS="1 ContributorTrap Town Lyrics&#xA;Dj Skykrow (Caw) Better get out the Trap Town, I'm comin' (Brrrat!) Teknitions Studio. I don't think you're ready!&#xA;&#xA;&#xA;Yo, I'm from Waterloo Iowa, the most dangerous city&#xA;People will jack yo shoes right from under you call that gettin' a zippy. (Bing)&#xA;I ain't no homeboy bro, ill destroy you leavin' yo ass feelin' sickly&#xA;Fuck with me ill body you (Body You) making yo homies dig you a grave buried six feet&#xA;&#xA;&#xA;Rip it a chainsaw (Rin, nin nin nin nin nin), brain got the gains I'm insane slip yo face on&#xA;&#xA;&#xA;Hollering tryin' to get out of this poverty pox couldn't stop me so now its apocalypse&#xA;Words couldn't hurt this impervious curly head bury you deeper than a dirty subservient&#xA;&#xA;&#xA;Im cookin' these hooks like I'm writing a book. Yo im writin' a book&#xA;I chisel these hooks there so hot they'll be sizzlin'. Yo I got pussies drizzlin&#xA;So im cookin' and chiselin' hooks that are sizzlin' boy I'm so hot i can't stop&#xA;&#xA;Im cookin' these hooks like I'm writing a book. Yo im writin' a book&#xA;I chisel these hooks there so hot they'll be sizzlin'. Yo I got pussies drizzlin&#xA;So im cookin' and chiselin' hooks that are sizzlin' boy I'm so hot i can't stop&#xA;&#xA;&#xA;You know that I'm fuckin' with the Dagger Dick&#xA;I'm staggerin' on a jagged edge and getting way too fucked up on the Jaeger bitch&#xA;I gotta cool it I'm a lose the fluids man i blew it stupid&#xA;Hit em with the ringer, knock em flat out with the stinger&#xA;When i beat the meat I'm makin' a mess all over the sheets&#xA;When i reach for the keys I'm keen on keepin' it clean&#xA;I'm a guy with nine lives and cyanide knives&#xA;Mothafuckas try to hide from drive bys in fly rides&#xA;&#xA;&#xA;You don't want to start a fuckin' war I'm morbid like the four horsemen&#xA;Raising their torches in the air, dropin' mics scorched&#xA;Spit licks hotter than Ifrit&#xA;Get chicks quick cus I'm killin' it&#xA;Sick in the pit powers infinite&#xA;Posh when i mosh cus I'm just not givin' a shit&#xA;&#xA;&#xA;Me and my homies man we be thrivin'&#xA;Jumpin' on the horse and we be riding&#xA;Coattails hotel, you know i low sail&#xA;On the road rails. Spittin' dope hail&#xA;Skin so pale like a ghost tale&#xA;&#xA;You know i like a dirty nerdy girly jerking behind the curtains out back a lurkin' I've been flirtin' with a circus person&#xA;Ill echo your hello with a bewildering mellow falsetto techno cello slicker than amaretto PRESTO!&#xA;&#xA;&#xA;In french my name means the street. (La Rue)&#xA;That's where I'm from, always stayin' on my feet. (Woop woop)&#xA;Better get out the oven if you can't handle the heat. (Ooh Hot)&#xA;Go back out to the crowd and have yourself a fucking seat&#xA;Let a real man show you how to cook some fire meat. (Shhhhhhh)&#xA;I'm always in the kitchen cookin' up a slick beat&#xA;Especially when punks (Whoo hah) always around for me to eat&#xA;So consider this rap a lean cuisine treat. (Mmmmm)&#xA;&#xA;Cutting off the scions. Blood red the diamonds&#xA;Form splitting ions. We must construct the pylons&#xA;&#xA;&#xA;Id die for a friend (Huah)&#xA;Ive been trying to ascend (Haaaaaaa), but this shit never ends&#xA;I'm stuck in the loo&#xA;I just don't have a clue (Huh?)&#xA;Picked up a mic and just blew *Blows into mic*&#xA;&#xA;&#xA;Im cookin' these hooks like I'm writing a book. Yo im writin' a book&#xA;I chisel these hooks there so hot they'll be sizzlin'. Yo I got pussies drizzlin&#xA;So im cookin' and chiselin' hooks that are sizzlin' boy I'm so hot i can't stop&#xA;&#xA;Im cookin' these hooks like I'm writing a book. Yo im writin' a book&#xA;I chisel these hooks there so hot they'll be sizzlin'. Yo I got pussies drizzlin&#xA;So im cookin' and chiselin' hooks that are sizzlin' boy I'm so hot i can't stop&#xA;&#xA;&#xA;Skykrow coming out the trap town&#xA;Skykrow barkin' like a rap hound&#xA;Listen to the gats pound&#xA;&#xA;Bullets always flying out the automatic&#xA;Laughin' at em like i was a crazy manic. (Hehahaha)&#xA;Killing is a common habit&#xA;I'm a man of hubris. (Caw)&#xA;Leaking out bars like fumes, making the air humid&#xA;Leaving your mind dazed dizzy like a lightshow&#xA;Blind like an epileptic epidemic its headed in your direction&#xA;&#xA;&#xA;Fireworks are legal. (Pew pew)&#xA;This rap game I'm regal&#xA;My style is on fleek (Shing) though&#xA;I'm workin' for that green dough&#xA;&#xA;Lost it all i got robbed&#xA;I'm grinding out on two jobs. (Rin nin nin nin)&#xA;Nothing to lose, Ill scream till I'm blue&#xA;These Strawmen gathering up mobs&#xA;&#xA;&#xA;If you come from Waterloo just fist bump. (Woop, woop)&#xA;Fuckin' with Skykrow get crunk. (YEAH)&#xA;Battle me you'll get jumped&#xA;&#xA;Gather up my fans I call em Strawmen&#xA;Get the party poppin'  (brrrrrahhh) got the raw lead&#xA;Till you are all dead&#xA;&#xA;Raise the bodies up like I'm a marionette. (Do do do do do do)&#xA;Town is fucking deadly its scary in death&#xA;Skykrow carry a set&#xA;&#xA;Coming out of Waterloo this shits hard&#xA;Pull yourself together you can get far&#xA;Get out the Trap Town" PRODUCER="Exodus Records" COVERARTID="021/VURRJICYRELPWDZCK45HDKKLSX1D" PLAYTIME="252" PLAYTIME_FLOAT="251.034470" IMPORT_DATE="2025/7/5" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="27636"></INFO>
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<INFO BITRATE="924916" KEY_LYRICS="47 ContributorsTranslationsEspañolPortuguêsRumble LyricsAn instant classic, “Rumble” immediately achieved iconic status when Fred debuted it during his Boiler Room performance. Skrillex would later release it as the first single from Quest for Fire, and his… Read More &#xA;Hear the rumble&#xA;Hear the rumble, yeah, yeah&#xA;Hear the&#xA;&#xA;&#xA;Run for dem life when I step into the jungle&#xA;Said they wanna group up, they better move up&#xA;Never gonna win a Royal Rumble&#xA;And when I come through, you know what I love do&#xA;I send shots for your team and leader&#xA;I make a witness decide to vacate&#xA;The war's gettin' sweet just like a Ribena&#xA;&#xA;&#xA;Yo, listen, you hear that?&#xA;Killеrs in the jungle&#xA;Killers in thе jungle&#xA;Killers in the jungle&#xA;Yo, listen, you hear that?&#xA;Killers in the jungle&#xA;Killers in the jungle&#xA;Killers in the jungle&#xA;&#xA;&#xA;Hear the rumble&#xA;Hear the rumble, yeah, yeah&#xA;&#xA;DJ, pull up the tune, bun up the room, straight to the&#xA;DJ, pull up the tune, bun up the room, straight to the&#xA;DJ, pull up the tune, bun up the room, straight to the&#xA;DJ, pull up the tune, bun up the room, straight to the&#xA;&#xA;&#xA;Yo, you hear that? Over, smell the aroma&#xA;Dem gone, dead a really long time, me nuh ramp&#xA;Me nuh skin, couldn't wake from a coma&#xA;Listen, you hear that? Shots gettin' fired in a warzone&#xA;Rifle a spin like gorillas in the mist&#xA;Nothin' ain't criss when you end up in a jungle&#xA;&#xA;&#xA;Yo, listen, you hear that?&#xA;Killers in the jungle&#xA;Killers in the jungle&#xA;Killers in the jungle&#xA;Yo, listen, you hear that?&#xA;Killers in the jungle&#xA;Killers in the jungle&#xA;Killers in the jungle&#xA;&#xA;&#xA;Jungle, the jungle, the jungle, the jungle&#xA;The jungle, the jungle (Pull up the tune, bun up the)&#xA;Jungle, jungle, jungle, jungle, jungle, jungle&#xA;&#xA;Hear-hear-hear-hear-hear the rumble, yeah, yeah (Yo)&#xA;Hear the rumble, yeah, yeah&#xA;&#xA;&#xA;DJ, pull up the tune, bun up the room, straight to the&#xA;DJ, pull up the tune, bun up the room, straight to the&#xA;DJ, pull up the tune, bun up the room, straight to the&#xA;DJ, pull up the tune, bun up the room, straight to the moon again" PRODUCER="Jungle Cakes" COVERARTID="030/42CZATDU1TGMACBDT5QYB1GPQ1FC" PLAYTIME="271" PLAYTIME_FLOAT="270.387939" IMPORT_DATE="2025/7/5" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="30977"></INFO>
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<ENTRY MODIFIED_DATE="2025/7/5" MODIFIED_TIME="45859" AUDIO_ID="AOA2RFQzREUzNFUzNEVYVVVDNFZ4dmVlRFd2eYh3h2d2aHeHeGZ2aKqru5qrzO7u7u//ya//////9u///////////////5/////////////////////////////////////////6j//////2z///////////////rv////////5kVDMzRDMzREIzRENFRUQzRWd3ZlVERXdomId4ZnZnd3d3dmdmiqq7qarMzu7u3//7nf/////+f///////////////+v////////////////////////////////////////6Z//////9d///////////////5/////////1AAAA==" TITLE="Going Back" ARTIST="DJ Hybrid"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Jungle Junction EC 25/:" FILE="21 - DJ Hybrid - Going Back.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="898315" KEY_LYRICS="3 ContributorsNothing Like That Lyrics&#xA;I got bars, yeah got a batch&#xA;Like a chicken, we're told that an egg's gonna hatch&#xA;You ain't got bars, you ain't a match&#xA;When I spit my bars, I make the racks&#xA;I spit a 4 bar, I get the jack&#xA;DJ play that tune, it's going back&#xA;I get promoted, you get the sack&#xA;Them tunes there, won't see me spitting on that&#xA;You sound horrid, your little black&#xA;Guess my man won't be flying on my track&#xA;Wanna send bars? But it's not that&#xA;Actions first, you don't want nothing like that&#xA;You ain't got qualms? Better keep it like that&#xA;Cos 2017, I ain't taking no chat&#xA;I'm a star, better just keep it at that&#xA;I don't come through and just squeeze up in that&#xA;I spit a 4 bar, I get the jack, I spit a 4 bar, I get the jack&#xA;I spit a 4 bar, I get the jack, I spit a 4 bar, I get the jack&#xA;I ain't got bars, but it's not that&#xA;But tell me is that what you're really saying?&#xA;Shell down shows, know what I'm saying when I touch mic&#xA;You better know I'm not playing&#xA;You ain't got qualms? You know it's like that&#xA;Fuck them man, everyone knows I'm a g&#xA;Them boys know - fucking with me, I'm a go mental&#xA;Start going on greaze&#xA;Calm me down? Boy oh please, don't want to see me pray for enemies&#xA;When I spit my bars, I make the racks&#xA;Put that down, somebody here get slapped&#xA;&#xA;You don't want nothing like that (nah)&#xA;You don't want nothing like that (nah)&#xA;You don't want nothing like that (actions first, truss)&#xA;You don't want nothing like that (no)&#xA;You don't want nothing like that (nah)&#xA;You don't want nothing like that (no)&#xA;Nothing like that&#xA;Don't want to see me on a stage show when I'm shelling&#xA;Nothing like that&#xA;You don't want nothing like that&#xA;I've been about from day, can't take a slice of my cake&#xA;Nothing like that&#xA;&#xA;&#xA;Some were amazed, some were baffed when they saw that man's on a different stage&#xA;Man got paid, and man lit up the rave, cos man's here to entertain&#xA;You know about Tempz, you know about Jme - been fucking up tunes for years&#xA;Don't be dumb, man want to get emotional like man's gonna shed tears&#xA;Man's been about - north, east, west and south&#xA;Integrity to Shh Hut Yuh Muh&#xA;Don't ask how, when you see me on foot in your ends talking loud&#xA;I keep it old school, so you'll still me go check for the local youtes&#xA;Same old team, so no gentrification inna the vocal booth&#xA;I spit a 4 bar, I get the jack, I spit a 4 bar, I get the jack&#xA;I spit a 4 bar, I get the jack, I spit a 4 bar, I get the jack&#xA;Man's got bars, spitting since way back&#xA;Smashed windows and I hot-wired cars&#xA;Now man are stars&#xA;15 years deep, your back-catalogue's not like ours&#xA;Come on bruv, we're at the top of the game right now, can't make man topple&#xA;Nothing but love&#xA;Since back when Tempa was looking round for some bottles, nothing like that&#xA;Can't spit nothing like that, why you bluffing like that?&#xA;Nothing like that&#xA;Boy better know, actions first, man will stuff him like that&#xA;Straight&#xA;&#xA;You don't want nothing like that (nah)&#xA;You don't want nothing like that (nah)&#xA;You don't want nothing like that (actions first, truss)&#xA;You don't want nothing like that (no)&#xA;You don't want nothing like that (nah)&#xA;You don't want nothing like that (no)&#xA;Nothing like that&#xA;Don't want to see me on a stage show when I'm shelling&#xA;Nothing like that&#xA;You don't want nothing like that&#xA;I've been about from day, can't take a slice of my cake&#xA;Nothing like that" PRODUCER="Jungle Cakes" COVERARTID="030/42CZATDU1TGMACBDT5QYB1GPQ1FC" PLAYTIME="224" PLAYTIME_FLOAT="223.534485" IMPORT_DATE="2025/7/5" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="24962"></INFO>
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<INFO BITRATE="992709" KEY_LYRICS="2 ContributorsThe Preacher &amp;amp; The Angel LyricsThis track is a 2002 freestyle on the Flip Philips &amp;amp; Chan from Japan in Radio Land show of WBAR Radio. It is one of three tracks (which include “The BX,” “Flip Philips &amp;amp; Chan from Japan,” and “The Preacher &amp;amp;… Read More &#xA;“Brain shell and the Teacher”—that’s what I quote&#xA;Every time I’m coming through, high off Buddha smoke&#xA;The truest folk know that Pyramid is in fluids, yoked&#xA;Ayyo, The Preacher and The Angel revealing truth&#xA;You like Triple 5 Soul clothes—only small cats be feeling you&#xA;I roll with the big dogs that are four-vehicle-wheel stealing you&#xA;On some JFK shit, revealing truth&#xA;Technical difficulties—&#xA;Instead of words, you cannot say, “No way, no how”&#xA;What?  I slap and scrap you, move through&#xA;Yo, I’ll grab you, move you&#xA;Man, Pyramid doing voodoo for black magic&#xA;Weed and alcohol a bad habit&#xA;I gots to grab it, gots to have it&#xA;Mango masala on my homie—you know me&#xA;Mississippi pilgrims on the roti&#xA;Marijuana crumbs in goatee&#xA;No justice, no peace&#xA;In these cold streets, we hold heat like Cochise&#xA;Free stripes and ponies, free snipes and Olde E&#xA;Might consume a breast&#xA;Walking down the block with a puma as a pet&#xA;Yo, an ill rapper that’ll kill this&#xA;And, no, you’ll never see me with syphilis&#xA;Rip the hits that your favorite rappers sing to, but so do I&#xA;No fool when I get high, but sometimes&#xA;Need to get bent&#xA;Coming through, man.  Weed in the tent&#xA;See me in the forest, deplore this, explore this&#xA;Man, I’m coming through, looking for Dora&#xA;Two nice guys that only deal with raw hoes&#xA;Masturbating at the award shows&#xA;Holding my dick like a weirdo like, “Yo, MTV Raps&#xA;Here's the whole earlobe.&amp;quot;  I’ve been doing this for too long&#xA;So me and none of y’all quick rappers gonna get along&#xA;I’ll beat you with a belt and expose your thongs&#xA;Going outside.  It’s too hot in the house&#xA;Yo, I love this art but I got to move&#xA;For today—shift if I can’t get paid for another CD&#xA;We the dirt soldiers.  Let me out!&#xA;The dirty soldiers, ugly&#xA;No bath.  Pay up&#xA;No deodorant.  Aiya!&#xA;Ay!  The dirt soldiers&#xA;Yo, look out.  I got no bath&#xA;I ain’t even wipe my ass&#xA;Got the tissue.  Better use a gat mask&#xA;‘Cause the cat took a dump and I ain’t even move that&#xA;Move that, move back&#xA;I don’t smell too good, man, do jack&#xA;A little too much black bat&#xA;But hey, man, my rap’s fat&#xA;You know it’s on some script for the tat scam&#xA;Moving nondescript like when I see ya dash, fam&#xA;You know me, dirty on the surf, smell like Lear&#xA;Ayyo, give you dap, wipe all my sweat on your new t-shirt&#xA;We flirt with your girl on the busway&#xA;See me hurt—on-the-mic ninja&#xA;‘Cause we here, smelling like Kenya&#xA;And my shirts smell like hydro.  You could probably smoke it&#xA;Go ‘head, Fruit-of-the-Loom-toking&#xA;Oh man, that shit got me high, got me wide&#xA;Got me asking why I’m here with you right now, doing this on the mic, man&#xA;Yo, if I had not chose rap, I’d be outside, doing the stick&#xA;Plotting some script&#xA;Nowadays, I’m spitting while your chick’s sniffing my dick&#xA;I be working the 9 to 5&#xA;Hating life, debating why I’m living trife to myself&#xA;Believe in God.  See, it’s odd&#xA;Most people need a job to feel the Lord&#xA;Ayyo, don’t give me pound—I got thunder palms&#xA;‘Bout to wile out, shoot the D Train up after I shave my underarms&#xA;Take a squat in my hands and give your pops barrel in his paw&#xA;Yo, man.  I will take a dump in your house, not clean the toilet bowl&#xA;Invite your girl, tell her that the shit is clogged&#xA;Spitting odd.  You gotta understand I’m a dirty bastard&#xA;Known to come through with words, man, up the ass&#xA;Ayyo, I will... I will make you buy my CD and pay you to buy it&#xA;And then slap you with it&#xA;Then sue me to pay you twice&#xA;Gave you four copies&#xA;And then sent you the invoice to your house&#xA;Yo, I’ll smoke a nickel 125th with a silver chain&#xA;Holding a TEC to my brain like, “What?  Who want it?”&#xA;Don’t nobody want to see me&#xA;I wiled out, looking like the Board of Ouija&#xA;Yo, I go to a bar, order three drinks and be like, “Hold up”&#xA;My man got this CD from me&#xA;&#xA;Yo, man.  High and dumb.  Yo, wait for the album high and dumb.  C-Rayz Walz and 4th Pyramid.  The homeless bastards.  High and dumb.  The Angel and The Preacher.  Blended with drunk and stupid.  About to surprise you.  C-Rayz Walz didn’t even come to the building tonight.  Basically.  Kids kidnapped and slashed you&#xA;&#xA;&#xA;I will slap you moms and tell her&#xA;“Jesus Christ is not gonna visit you if you don’t show me your picture”&#xA;I will slap you whole family&#xA;With Gats with no bullets—the empty clips, yo&#xA;Word up.  You talk to me, B&#xA;I will having you clipped to death with a Ghostface tape&#xA;We’ll piss in your ADATs, yo&#xA;Need a crossover&#xA;Yo, on some Stronghold animal, superficial script&#xA;I move Tank W—my mics is cushion&#xA;Watch this.  S-s-stab you, grab you&#xA;My freestyles, yo&#xA;Rivers stray for categories, the streets sturdy the rocks for the shorties&#xA;With boots to Berry Gordy with the hits that’ll make ‘em naughty&#xA;The kid sell cracks in the capsule, lyrical hassles&#xA;That’ll blast you.  Got it moving on the massholes&#xA;I’m Walz, C-Rayz.   and supernatural hassle&#xA;But watch out—them cops with snuggles out to blast you, rat you&#xA;You ain’t ready for the flow.  I probably dicked your ho&#xA;And came back on the super homicide with the clipper flow&#xA;A pizza pasta, but watch out for those of wise guys&#xA;Who wanna act like lobster, constantly drive a Mazda&#xA;Six to six, the Rasta with the flus to fix&#xA;On the new daily noose, tying the shoelaces with&#xA;I used to be signed to Rawkus&#xA;Now I’m on Def Jam with C-Rayz to make tomorrow’s suckers&#xA;You only know me from the half&#xA;That’s why after I gave you a pound, five minutes later, I beat your ass&#xA;I got you flipping on the scheme to flash&#xA;Type to go to your house, grab the curtain and skeet the brass&#xA;Becoming your stereo.  You heard me on some “Here we go”&#xA;Me and Kane was at the Dinero Show&#xA;I had the big Cuban Link and DJ Polo was drinking&#xA;I asked this homo thug, “Yo, what the fuck you thinking?”&#xA;Soiling Houston with boosting&#xA;Put his brains in the upside-down lanes of vertical protrusion&#xA;‘Cause this hip hop shit is prostitution&#xA;That’s why I sell my own music—to be seduced in the game&#xA;Introducing my name, we’ll take a shit and my quip drip&#xA;The  that made the pennies rip&#xA;The John Forté scenario&#xA;When he went to Rikers Island and couldn’t handle the cameo role&#xA;It’s wasn’t a flick from aweso to super ballzo&#xA;To C-Rayz Walz with  and &#xA;I’m half Japanese—winner train to scrap a knee&#xA;Thinking it was freestyles the way I’m writing these&#xA;I don’t spit for y’all.  I’d rather scratch my balls&#xA;Put your girl with the ash-hole and tell her, “It’s popcorn”&#xA;These brown tissue stains is famous, written with the railers&#xA;Puncture all your DJs and players with the stainless&#xA;A broken microphone is spitting long&#xA;I’ll smack my bitch up any time you flip or write them savage songs&#xA;The truth is a lot and anybody shoot the Glock&#xA;Acting like me with your friends—that’s when you lose the top&#xA;And the bitches burn.  But watch when these bitches learn&#xA;If you’re coming from Breast Stuy, you got a Brownsville bird&#xA;And we ain’t doing karate with the body&#xA;We probably acting like a Monte Carly with the life of the party&#xA;Pyramid was pissing on your lawn&#xA;When your girl was in the house, eating soybean, licking his thong&#xA;Me and the wack MCs don’t get along&#xA;Angel and The Preacher.  “We need at least 15 G’s”—that’s the other song&#xA;And that’s just the EP.  Better release me&#xA;Or have me on the concourse with the fucking squeegees&#xA;Here, we ducking the heebie-jeebies, fucking the easy&#xA;Acting like on drunk on the porch, sipping the Easy Jeezy&#xA;Ayyo, Polo, my man, acting like he getting down&#xA;Flipping with the hit and the sound to make your body float&#xA;I complicate in the studio&#xA;Telling cops, “You don’t know me from the next James Bond movie role”&#xA;This cold ice double-0 7&#xA;Niggas went back to hell like, “Yo, what the fuck?  I know the reverend”&#xA;I let The Preacher talk.  It came back to bleach us, walk&#xA;With a half a step on these sheets where my sick erasers talk&#xA;But now they ate a block&#xA;I got it ate enough to say your face and cops probably niggas that slayed Pac&#xA;The same bitch niggas that’s fighting as J Foxx&#xA;I got the green for me—your jit trade bite marks&#xA;A samurai on the villa&#xA;Vampires with  cats and rap stealers&#xA;My man scratching the records on the &#xA;Better watch out—as it flip, he feel&#xA;&#xA;I’m spitting this song ‘cause so many suppress the energy&#xA;That keep me strong.  When they hear it, they befriending me&#xA;Man with the specs stand with a hex&#xA;Ready to unleash it.  But it’s all peace, kid&#xA;I’m more like the shit shattered—pick up the pieces&#xA;Fuck the chit chatter.  What I spit matter—it releases&#xA;All types of tension&#xA;All I ask for is a slight bit of mention&#xA;Five different races, six billion faces&#xA;Shit still amazes.  Life is just a stage&#xA;It’s never over&#xA;The war is on—tell a soldier&#xA;I’m still writing&#xA;Tell the people, “Chill,” when they fighting&#xA;Bring it backs in the trap.  Hold me back&#xA;Control the wack every time I’m coming through&#xA;Man, you don’t know how I be spitting rap&#xA;Forgiving cats that want to combat&#xA;Now my TEC’s back, deep boots&#xA;Sugar-coated skills, lost intellect on a track—got a sweet tooth&#xA;One-man army known to regroup&#xA;When I see troops, you can’t harm me&#xA;Stuck in a desert with three loops nonchalantly&#xA;In a truck with three leopards living calmly&#xA;Away from bad vibes&#xA;If I don’t know, I ask tribes&#xA;Girls pass by, laugh-cry emotion&#xA;Coasting, Vogan, wondering if I’ll ever be in a yacht, smoking&#xA;On the ocean, sipping Guinness&#xA;We rip and live with bitches—this is how I do, ma’am&#xA;My hits is delicious&#xA;I’ll be the frizznatic.  4th Pyramid&#xA;Man from the North, the man that you’ll be fearing, kid&#xA;Won the track.  Homeless bastard, a character&#xA;Artists stuck in one dimension, I’m telling ya&#xA;You need to go back to the old school&#xA;Control fools who want to hold jewels &#xA;The Pyramid’s spelling how the jewels is gone&#xA;Now you a fool that’s trying to diss my song?&#xA;It’s all love.  It’s all gravy.  It’s all chill&#xA;I’m The Preacher—maybe.  You should sit down and try and have a conversation&#xA;Let go of that ego&#xA;Me and C-Rayz in the crib for a week.  We flow&#xA;Trees blaze, the hair grow&#xA;Of course 4th Pyramid coming through like a scarecrow&#xA;I’m filthy, ain’t based in three days&#xA;But I don’t give a Occum—I’m recording ish with C-Rayz&#xA;&#xA;Any plans of deodorant is far-fetched&#xA;My beard looking like a Russian carpet&#xA;Call talknicians and car tar missing&#xA;When I spit bars, New York listen, has tall vision&#xA;Conan core disclaimer sketched out&#xA;Petrol when I drain out, move through&#xA;Van Exel, Knick slam&#xA;’88 Laker traitor Knick fan&#xA;What’s going on?  My man, this is the bar mitzvah&#xA;Make the crowd throw they hands up in the air and hum “Hilter”&#xA;Asthmatic slave with a pump run the odor, blood donor&#xA;Ghostface Killahwatted.  This is sonar&#xA;Blue jeans, cologne, Versace bouton&#xA;Liquid disclaimer flipping on the phone&#xA;Yo, shorty off the cellphone, hooking the bean rack.  Page occur&#xA;Watch out.  You just made your word&#xA;Underground player, I disable flavor, word?&#xA;But I ain’t kissing no ass.  Me no question&#xA;Give you the same answer: I told the last&#xA;Pair of A&amp;amp;R they fake&#xA;I say, “Get off of my meat.  You can’t hold the tape”&#xA;We hold the weight of the world, control the&#xA;Weight of your girl, boning her on a scale&#xA;What, you think these harpoons will ever lonely or fail?&#xA;Stronghold.  What you telling me?  Toxic wealth&#xA;Angel and The Preacher.  These is real—we ain’t fronting.  Y’all heard me&#xA;We said, “We bastards, homeless and dirty”&#xA;I sleep on the floor before I lay on the grass&#xA;And I’ll let your girl kiss my dick before I kiss your ass&#xA;Pissing fast liquid nitrogen—you better dash&#xA;‘Cause these piss is alcohol razor blades.  Cool fool, use your ‘stache&#xA;Your jewels ain’t strong enough&#xA;And, obviously, your rope chain ain’t long enough&#xA;‘Cause if it was suddenness, you better set it with me&#xA;You’d do better rocking with L and Busy Bee&#xA;Easily dissing the C-R-to-the-A-Y-Z&#xA;To get paralyzed from the body up&#xA;Stuck in the lobby, plugged&#xA;Tell ‘em why they gotta they wipe butt on the potty before they get up&#xA;&#xA;&#xA;Ayyo, smoking that male-female hybrid&#xA;Always sleep with at least one open eyelid&#xA;Most of y’all cats that joke don’t really know where I live&#xA;Not upward—at the left.  All I really bump is my shit&#xA;Man, I’m coming through with that “One, two”&#xA;Shit that make you go back to the boom bap&#xA;Come through, check my catalog, tell me if a tune’s wack&#xA;I build my honesty, not greed and drop these&#xA;Of course, man.  I’m knock-kneed&#xA;The skinny cat.  I got weed in my pocket&#xA;Most of the time, man, we be smoking that chocolate&#xA;Haze amazing.  Come through and blaze for days&#xA;You don’t understand I’m crazed with rage, man&#xA;And this be The Preacher, the teacher&#xA;Hi, how you doing, man?  Yo, it was really good to meet ya&#xA;I’m on 89.7&#xA;Our 9s call the number: 212&#xA;854&#xA;Pyramid the ill live wire rhyme war&#xA;447&#xA;See The Preacher, the reverend&#xA;Call me on Cloud 3, man&#xA;I spit quietly&#xA;&#xA;&#xA;Ayyo, this is Flip Philips (What?)&#xA;But I’ll Mary Mariah&#xA;And kill a Kennedy&#xA;Spread fire to a Freddie Foxxx&#xA;If the mic wasn’t real hot&#xA;Kill a cameo of purges with Cool Joe&#xA;Break the ceiling with Carmen Sandiego&#xA;You know this is hot, Dante&#xA;I’ll be banging booties with Beyoncé&#xA;Demonstrations in the park with DMX&#xA;Will have me wearing Eckos with Etch A Sketch&#xA;Y’all better forget about these fathering fathers&#xA;Who could get to MCs like father&#xA;‘Til the ladies don’t love me no more&#xA;I’ll be plucking parables&#xA;Puffy pumping your whore&#xA;You going on and sure flow fast&#xA;Looking at seafoods with lollipops with low fat&#xA;Y’all cats is Siamese simpletons&#xA;Smack y’all and break your dentures then&#xA;&#xA;&#xA;If I had candy, you’d get no PEZ&#xA;Most of y’all hoes look red, rashed, wretched&#xA;I’m not coming through with that perplexion&#xA;You just don’t have a brain to hear me&#xA;Believe me, I’m coming through, man.  You got to hear me&#xA;Flow on...&#xA;Ayyo, how much of an idiot am I?&#xA;We are not even caged in this shit&#xA;I need to be slapped with my own dick&#xA;Huge stupidity, man&#xA;I’m on the move, away to Italy&#xA;And get the fuck away from you&#xA;Oh shit.  I should kill you dumb bastards&#xA;We’re not even taping (Yeah we are)&#xA;Yo, I’ll blow my face off&#xA;But we are taping&#xA;You get picked up with brains in the basement&#xA;Like me and Freddy Krueger and Jason and Damian is racing&#xA;Looking for Jason&#xA;‘Cause we heard we was on the block on Halloween, freebasing&#xA;Well, Redman and Method Man were speed-tasting&#xA;In the clouds, where Brutus  Beefcake-basing&#xA;At the same time, Cher was being stingy to my amazement&#xA;Strange as Flip Philips (What’s up?)&#xA;4th Pyramid.  Yo, we had to dip dibble&#xA;On some dirty bastard shit&#xA;Walk on the ground with my socks off—you gotta peep this&#xA;Let your feet breathe.  These sneakers is chemical&#xA;Holding your bung, it’s not gonna breathe.  It’s sumbliminal&#xA;The beat Flexology, techniques of Tae Bo&#xA;Sire, I’m nice.  I’ll spit on your Kundalini fire&#xA;Piss on your fourth chakra, smack the seventh&#xA;Kill you on the first day, reresurrect you on the eleventh&#xA;I’m Walz, a rich man who brings beards to peasants&#xA;I don’t even share no more—I just disappear with my lessons&#xA;I shit when it’s convenient, fart when it’s not&#xA;Blow up the spot like Arabian twat&#xA;What’s going on?  Y’all cats better save me a lot&#xA;To start off, we could get it off with a dingy plot&#xA;The shame will be a low, down and dirty one&#xA;Fuck a keyboard—you know I’m still stuck on QWERTY, son" PRODUCER="(P) 2018 Serial Killaz" COVERARTID="112/Q5WVIACKG22PZCUOI0VBBYASOFOD" PLAYTIME="288" PLAYTIME_FLOAT="287.529266" IMPORT_DATE="2025/7/5" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="35149"></INFO>
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<INFO BITRATE="776099" KEY_LYRICS="3 ContributorsThe Tanning Of Amerca: Chapter 1 Walk This Way LyricsMost cultural movements that go on to have staying power begin in the grass roots. They may appear to come about by accident and more or less spontaneously. But more often than not there is an underlying need that summons the energy required to build a movement. As anyone who was around in hip-hop’s formative years can tell you, it was born from the need to know how to rock a party. Plain and simple. That’s how tanning really was propelled. And before the terms “hip-hop” or “rap” officially existed, that’s what a handful of resourceful individuals understood and did to get the whole ball rolling. We’re talking generally about the year 1970—the same year, by the way, that I was born. But it wasn’t until I was nine years old, late in 1979, that I even heard the words “hip” and “hop” strung together or was able to grasp the notion of what being a rapper actually meant. That was when, fatefully, I heard a record that changed my life (and pop culture) forever. Like it’s yesterday, I can still remember that moment over at my aunt’s home in Brooklyn—where it seemed there was always a party under way with relatives and neighbors hanging out, a great spread of food, and new, hot music on the record player. Most stereo systems in those days could be adapted for the single two-sided records that were smaller and had the big hole in the middle (45 RPM) as well as the bigger records with the small holes (33⅓ RPM)—which were the full albums that had several songs on each side. But as the intro plays to what I recognize as “Good Times” by the group Chic and I’m drawn into the living room because it’s a familiar hit song from the previous summer, I encounter a record on the turntable that defies categorization. Instead of the sweet female lead vocals of that disco smash, I hear something totally different and spot a baby-blue label on the black vinyl record I’ve never seen before. Even though it’s a twelve-inch disc, the size of an album, as I listen to the rhyming words being spoken—“Singin’ on ’n’ ’n’ on ’n’ on / The beat don’t stop until the break of dawn / Singin’ on ’n’ ’n’ on ’n’ on on ’n’ on / Like a hot buttered a pop da pop da pop dibbie dibbie pop da pop pop / Ya don’t dare stop”—it hits me that this entire side is one long song. Almost fifteen minutes long as it turns out. Or, to be exact, fourteen minutes and thirty-six seconds of pure fun laid over the thumping bass beat from the break of “Good Times” with sing-along words easy to remember and repeat. The record, I discover, is by an unknown group, the Sugarhill Gang, and is called “Rapper’s Delight.” From then on, nobody ever has to tell me what rap is. It’s whatever words are spoken, chanted, or talk-sung, or whatever philosophies, stories, or ideas are espoused, by the house party Master of Ceremonies (the emcee, also known as the MC). Halfway through this first hearing I’m hooked and start playing the song over and over again until I have it memorized, beginning with the invitation to the party that needs no translation: “I said a hip hop the hippie the hippie to the hip hip hop / A you don’t stop / The rock it to the bang bang boogie /Say up jumped the boogie to the rhythm of the boogie, the beat.”&#xA;Hip hop? There it was. For most of us this was the first general public outing of the hybrid word. People disagree about who exactly coined the term but most sources cite Lovebug Starski as the DJ/MC who, in the early seventies, started referring to the house party scene as cultivating a hip-hop culture. Kids would bring their boom boxes or a DJ would show up with his gear and the party could rock. “Rapper’s Delight” used music that was already in the vernacular (the familiar “Good Times” by Chic) and added new ingredients in the form of spoken-word lyrics made out of fresh expressions. Code. Even if you didn’t know what a “sucka MC” or a “fly girl” was, or how a rhyme could be “vicious,” “Rapper’s Delight” put the language into context and passed the expressions along. What I loved at nine years old was how the lyrics were really funny nursery rhymes, easy to memorize and repeat. Phrases like “Hotel, motel, Holiday Inn” just stuck in your brain, as did the humor of rhyming “hands in the air” with “shake your derriere” or getting sick “from food you ate” and running to the store “for a bottle of Kaopectate.” There was no real social protest. Rap wasn’t there yet. But there was already an authenticity in a brand being shouted out. And the situations were ones that even I at age nine had experienced: “ Have you ever went over to a friend’s house to eat and the food just ain’t no good? / I mean the macaroni’s soggy the peas are mushed and the chicken tastes like wood . . .” On top of all that, it was exciting to think that you could be part of a crew, have a record, just from making up poetry and chanting about stuff that happened all the time. That was fly, seriously fly. Obviously, I wasn’t the only one who thought so. Within a few weeks, it seemed like every kid in Queens had memorized the words to “Rapper’s Delight”—no easy feat for a song that had no bridge or hook—and we would hold battles to see who could recite it from the top without messing up. We were extending our own breaks on the playground or after school, using a popular record to bring fun and meaning into our lives. However, as I noticed at my aunt’s house in Brooklyn, not everybody dug the free-form storytelling and irreverent rhyming. Made no sense. After all, if you listened to the words, you’d hear that the invite was to come one and come all: “I like to say hello / To the black, to the white, the red, and the brown, the purple and yellow.” If Sugarhill was shouting out all colors, it would follow that all generations were welcome too. Maybe, I concluded, there was some frequency level coming from this record that could only be appreciated by the young and the hip and would otherwise fall on deaf older ears, the way a dog whistle can only be heard by canine ears. No doubt this must have been the same reaction older generations had when soul singers like Ray Charles and Sam Cooke started taking music out of the church, or earlier when Charlie Parker and Miles Davis broke from the standards of big-band jazz to bend notes and clash chords. In the days and weeks and months that followed, with “Rapper’s Delight” exploding onto the scene, blasting out of boom boxes, car radios, and record stores, pumping out of windows onto the streets, the generational gap showed itself in the marketplace. Before long, the dog-whistle effect had permeated barriers of color and geography and transformed one of the first-ever rap records from a word-of-mouth success to certified gold. After hitting number four on the R&amp;amp;B list and as high as number thirty-six on the pop list, “Rapper’s Delight” became an anthem for a changing era. It was buoyed by the outdoor fitness craze starting up, including skate and surf culture, along with a growing market for cassette tapes instead of records, and the advent of the Sony Walkman and other personal listening devices. Soon folks of all backgrounds in the cities and suburbs of America were on the move like never before, rocking their own parties and heading into the uncharted waters of the 1980s. The Sugarhill Gang had lit a tanning spark. Ironically—and this is not the only part of the story that is ironic—the three MCs were newcomers who had only performed together as a crew for the first time on the same day as the actual recording session. To explain how that turned out as well as it did, some background is in order.Rules of AspirationWhenever we revisit history or examine the forces that launched a cultural movement, we naturally speak of the heroes who led the way. So the question of who invented hip-hop is in order. But the question to ask first should not be who so much as what invented this culture. And that answer, easily, bluntly, is the force of aspiration. It’s the power that turns nothing into something, that creates worlds and paves destinies, and changes the have-nots into the have-somes and occasionally the have-it-alls. Without it, I should add, the field of marketing would become obsolete. Aspiration. It’s a mix of desire, hope, imagination, creativity, fearlessness, and a few other ingredients, among which last but not least is belief—specifically, a belief that whatever it is that’s the focus of the aspiration is obtainable. In the late sixties and early seventies, when hip-hop was gestating in pockets of activity scattered around New York’s inner city—with the Bronx at the epicenter—the house party scene had elements that were definitely aspirational. By that I mean if you were network-connected, hooked up to the right people who were at the forefront of seeing who could rock the best parties, that would set you apart, lend you stature, and give you a local calling card. With concerts, clubs, dance halls, and discos propelling existing musical genres into the mainstream, another function of the house parties was to create the newest counterculture. It had aspects of being an underground society, accessible to younger generations in communities of color who couldn’t get into those other venues because of age or disinterest or racial barriers or inability to pay cover charges and afford the nicer clothes those venues required. Youthful rebellion that had fueled movements of the sixties and earlier could have an outlet now as part of the house party counterculture—much like the punk rock scene that was starting up in European cities. Not surprisingly, this was the same steam being vented in the breakout days of ghetto graffiti—known as “writing” and sometimes “tagging”—that revealed another aspect of the aspiration to go against the grain, to gain credibility for having something to say, for saying it with bold lettering, pictures, symbols, and other abbreviated code, and even for breaking the law to say it. Without a doubt, it was vandalism. But it was also, without a doubt, art. In the 1990s, when I started traveling to other cities in the U.S. and abroad, graffiti on unfamiliar walls was a sight for sore eyes. It made me feel at home, regardless of the language, like somebody was there who understood my conversation, my experience and background, and I could understand theirs. Global tanning. And by then, graffiti had become inextricably woven into hip-hop culture, considered one of its four intrinsic elements right alongside DJing, MCing, and B-boying. All of those elements, combined with the energy of youthful aspiration, were in the recipe back in the burgeoning house party era. Add to that the music and attitudes of newly arrived immigrant populations, bringing the strong island flavors of reggae and ska, mixing with the rest of hip-hop’s musical melting pot inheritance. Who wouldn’t want to be around for that? Plus, being part of something you needed a pass to attend gave you credibility, proved that you knew the code, that someone had given you the lowdown. Like most parties in most eras, your coolness quotient would be determined by whether or not you showed up in style, by your ability to hold court (especially with the opposite sex), and absolutely by whether you could hold your own on the dance floor. But to really be the man (or the woman) at any house or yard party, the ultimate aspiration was to control the turntables and/or the mic. The DJ/MC—often one and the same in the early days—was king. In the South Bronx at the time that my generation and I were toddlers, three such kings—known forevermore as the holy trinity of hip-hop—were DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash. Historically, each played a distinct role in pioneering and expanding the musical/cultural field that grew out of the house party scene. Though they battled for supremacy in terms of local appeal—sometimes with literal DJ battles where sheer volume usually ruled the day—each needed the other two to push his own game forward. True to his name, Flash took the basic elements of rap and turned up the wattage on performance and production values. As a DJ, he put himself front and center, over and above his playlist, inventing certain scratch-and-mix techniques almost singlehandedly—like the day when he accidentally dropped the needle on a record and had to hustle to move it in sync to the beat. Flash also increased the number of rappers onstage with him, making the inclusion of a crew of MCs with showmanship skills a rap mainstay. Afrika Bambaataa was a mash-up maestro, playing everything from soul to salsa to disco, from rock, pop, funk, and reggae to TV theme songs. A former gangbanger, he also used his prominence as a DJ to convince some of the warring gangs to take their battles onto the mic or the dance floor. To create order for these functions, Bam went on to devise his own set of rules. As one of the first to codify a means for building the youth movement, Bambaataa would be credited with identifying the required elements that constitute hip-hop. In 1970, the future DJ Kool Herc (fifteen-year-old Clive Campbell, who had recently come to the Bronx from Jamaica) started a house party business, spinning a funky collection of 45s on a rustic borrowed sound system wherever he could get hired. Probably the most daunting issue for him and most aspiring DJs in those days was a technical one—how to extend the break in the music, the most danceable section of the record. Extending the break, logically, was a matter of finding a way to repeat it, to keep the groove steady enough for the break dancers—the break boys and girls, also known as B-boys and B-girls—and hang on to the beat long enough to rap to it, using language, humor, and rhythm to fire up the crowd. Without sampling or the digital devices of future eras, to keep the break repeating on a continuous loop the pioneering DJs came up with the practice of setting up two turntables with the same record and extending the break by switching back and forth, jumping from one turntable to the other, playing the break over from the start, as seamlessly as possible. While Clive refined his technology and style, honing his skills all across the Bronx, he ran track and lifted weights at school, where he earned the superhero nickname of Hercules. Meanwhile, a short-lived stint as a graffiti writer had led him to the sign-off that didn’t totally reveal his identity to the authorities—“Clyde as Kool.” Putting all three identities together, in 1973 he officially became DJ Kool Herc, taking just the Kool from his tagging name and shortening Hercules to Herc. And then, finally, ready to put his learning to the test, in August 1973 Herc decided to join forces with his sister and become an entrepreneur. The two pooled their resources and rented the rec room of the apartment building to which they’d recently moved. The address? It was 1520 Sedgwick Avenue. With nothing more by way of advertising than handwritten invitations promoting the first party and charging a few coins to get in, there must have been the smell of history in the making, because after word got out, kids showed up in droves. The crowd was mixed, mostly AfricanAmerican, some Hispanic who were mainly of Caribbean black descent, and some whose families had recently arrived to the increasingly povertystricken, institutionally abandoned neighborhood, along with a few outliers from other backgrounds. But when the makeshift strobe started to pulse —thanks to a friend flicking the light switch on and off—and DJ Kool Herc took to the mic and began to play the breaks, there was only one language being spoken: pure, unadulterated fun. Hip-hop was born that night, even if it hadn’t been named yet, and so had the legendary status of DJ Kool Herc, whose reputation preceded him far and wide almost overnight. Other masterful MCs and DJs would rise to equal and greater prominence, but because Herc helped to create the language and would therefore remain in a class of his own, nobody could truly take the throne from him. He would forever remain proof of the possibilities, that you could come from nothing, from the streets and even from the least likely circumstances, and make an indelible mark on the world. The quest to leave a mark was not abstract—as could be heard in other voices contributing to the street code. There were the top graffiti writers, who spoke of “bombing” to describe their middle-of-the-night aerosol painting forays into the subway tunnels and onto tracks where the trains were locked down for the night. Battling individually or in crews, the objective was to see whose signature style could be most recognized and whose artwork could travel the farthest—literally, over the greatest stretch of tracks. B-boys and girls, many in their early teens, took existing dance moves out of the clubs, taped down cardboard on concrete, and invented new ways of twisting, flipping, and spinning to create their own signature moves, each one winding up in a gravity-defying “freeze” that if you could nail could make you a legend. The classic B-boy stance, arms folded over your chest, chin jutted, sideways lean, one foot extended, said everything without words—code in the form of gesture that was about defying the odds, about being proud of who you were, what crowd backed you, and inviting or challenging others to engage. So the party kept on rocking throughout the 1970s. Fueled by aspiration, collaboration, and competition, it continued almost completely under the radar of the rest of the world—including most of the island of Manhattan. That is, until some visionary individuals started to bridge the divide for no other reason than that they could. Fab Five Freddy, a Renaissance man of tanning, was one of those people. From Brooklyn, Freddy Brathwaite distinguished himself as a graffiti writer by tagging a particular train on the IRT line so often that he took the number—5—as part of his name. Also known as Freddy Love, a nickname that fits his outgoing energy and embrace of everyone and everything hip-hop, he had the crazy idea early in the game that graffiti artists were as important to popular culture as was, say, Andy Warhol. To make that statement, Fab Five Freddy began bombing trains by painting them with oversized Campbell’s soup cans, Warhol pop art style. It was a shout-out to an icon most graffiti writers didn’t necessarily know, and at the same time it signaled to the downtown art world that subway art could stand alongside high-priced works in their galleries, all day, any day. In fact, that idea would be captured in the 1983 breakout movie Wild Style, in which graffiti artist Lee Quinones starred and Freddy played a supporting role, as well as contributing to the soundtrack. A feature film with a fictional story line but shot like a documentary, Wild Style brought to life the roots of hip-hop culture. Writer/ director Charlie Ahearn cast many of the actual leading figures from the scene to make the movie all the more authentic. Whenever Freddy describes how the gaps between these seemingly disconnected worlds were bridged, he usually goes back to hip-hop’s jazz underpinnings, particularly in bebop—one of his earliest influences. Freddy’s godfather, jazz drummer and bebop pioneer Max Roach, was best friends with his dad, and in that mingling of black and Jewish and other immigrant sensibilities seeds were planted for cultural tanning and for the musical disobedience of conventional rules. Freddy told me, “My dad and Max and all the jazz guys believed that they were pushing music forward out of the underground to become the most important popular American art form. But then rock ’n’ roll and the Beatles happened and jazz, more or less, was pushed to the sidelines.” Miles Davis—and other musical rule-breakers—then rebelled against being segregated to a genre that spoke only to a narrow constituency. So Miles found the intersection between jazz and rock after going to the Fillmore and seeing Jimi Hendrix and Janis Joplin. One day when Max Roach had come to the Bedford-Stuyvesant neighborhood of Brooklyn for a visit, a party was taking place with a DJ and Fab doing some of his own fun rhyming to the beat. After he had done his thing, Roach pulled him aside and told young Brathwaite, “This is some serious sh*t.” Popular music had always balanced melody, rhythm, and harmony; but now, Max Roach observed, the rhythm was going to take center stage and it was as powerful a force, even in infancy, as he had ever heard. To Fab Five Freddy, the baton really had been passed from bebop to rap pioneers with some help from R&amp;amp;B and rock ’n’ roll—as early as the sixties—so that the next form of counterculture expression (hip-hop) could pick up where jazz had been sidelined in order to give musical/cultural sharing its popular due. Freddy didn’t stop there. Before long, amazingly, he was instrumental in helping bring the uptown house party sensibility downtown. Not only did Fab Five Freddy help connect rap with the artsy disco/punk rock scene, but he also convinced gallery owners to open their doors to the work of graffiti writers. The next thing everyone knew, the most notorious East Coast graffiti artists were being linked with the likes of Fab’s downtown friends Jean-Michel Basquiat and Keith Haring. Suddenly gallery owners, art collectors, and critics were proclaiming the magnificence of graffiti on canvas as both serious and worth investing thousands of dollars in. The aspirational message that you could leave your mark on the world—and make some real money doing it—was new to the practitioners who had been doing the graff writing and rapping, as Fab observed, “from the standpoint of teenage angst.” And it was going to reverberate much more powerfully once rappers started to become recording artists. But that process, believe it or not, was not going to be so easy.It Takes a WomanThe atmosphere of a house party, by its nature, never lent itself in any obvious way to recording or media technology. For radio programming and the sales of single records, the cut needed to last about three minutes. With most MCs rapping over the breaks of existing records, besides the fact that they could go on and on ’n’ ’n’ on for as long as an hour (or many more), they weren’t exactly writing songs that could be copyrighted lyrically or melodically. Besides that, the raps were frequently improvisations—freestyles—and included input from the crowd. What had been successful was the homemade mix tapes made and sold through word of mouth, not too differently from other street fare. Also, selling mix tapes at house parties—or at other performance settings where rap was becoming a viable offering—could be a lucrative business for local and celebrity DJs. That was enough to convince a new crop of independent producers to try to solve the puzzle of how to get rap onto records. For a while, nothing really worked and the consensus was that perhaps the elements were only suited for the live experience. But as the decade flew by and disco ran its course while R&amp;amp;B and other black artists were signed to major corporate labels—making Michael Jackson’s Off the Wall one of the biggest recording phenomena of 1979—there was a void in the marketplace. Time for something different, something new. With the belief that rap’s moment had come, enterprising African-American indie-label producers stepped up their game, now with better results from a rap record or two that had existing fans impressed. Still, the magic hadn’t yet transferred to vinyl. While everyone was looking for the right mix, the resourceful producer who believed that such a translation was imminent and who wanted to be the one to do it first was former recording artist Sylvia Robinson of “Love Is Strange” and “Pillow Talk” hit fame. In mid-1979, Sylvia and her husband had recently opened the doors of their new label, Sugar Hill Records, in Englewood, New Jersey, and needed product. And, as the story goes, after hearing MCs rhyming at a few different parties, she began scouring the town to identify the top talent and record them. But much to her surprise, no crew with name value or real credibility was interested. Why should they have been? After all, the motivation for rappers was to master the art form and win the love of the live and local audience. So any commercial recording enterprise might run the risk of being seen as inauthentic to the house party/performance art medium. Besides, if you were among the best MCs and wanted to put out a record, you would either produce it yourself (as with mix tapes) or go with an established label, not a start-up spearheaded by an outsider with ties to conventional R&amp;amp;B in suburban New Jersey. But as I learned from my own mom, later from my daughter, and pretty much from every influential female in my life, there is no stopping a woman on a mission. Sylvia Robinson was relentless and resourceful. Instead of discovering a crew of leading rappers who had MC’d together and had an identity and a following, Sylvia ended up signing three guys on the fringes of the scene—if that—who had never performed together up until the day they went into the studio the first time. One was Wonder Mike, a friend of Sylvia’s son, who theretofore had been employed in a pizza joint, where he practiced his rhymes on customers. Another was Master Gee, signed by Sugar Hill Records after he arranged for an audition. The third, Big Bank Hank, was allegedly discovered when Sylvia heard him rapping in the kitchen of a nightclub where he worked as a bouncer. Now that the crew had been built to order, the real producing challenge was deciding what the track would be and how the instrumentation would be laid down without a DJ. Here history gets kind of murky, but as best as I can put it together, it seems that the resourcefulness of another woman, Debbie Harry—lead singer of the band Blondie and a key figure in tanning for a few reasons—played an unwitting role in the selection process. It was Harry, a sex symbol and seventies sensation, American but aligned with British punk rock and new wave, who helped connect the megahitmaking writer/producer Nile Rodgers of the band Chic to the house party rap scene then moving into clubs and dance halls. Pulling the strings for that connection as well was none other than Fab Five Freddy, who had been talking to Debbie and her boyfriend/musical collaborator Chris Stein about pulling off a huge concert that would feature up-and-coming MCs along with Blondie, Chic, and the Clash. Though the big concert never took place, they were able to get Nile Rodgers out to a rap show. And when he took to the stage and began to play Chic’s latest summer hit, “Good Times,” all of a sudden Fab and some of the top rappers in the audience leapt onto the stage, grabbed mics, and began freestyling away. Whether or not anyone from Sugar Hill Records was in the audience, no one knows. But what is known is that from then on, at shows around town, a mainstay of the entertainment was often somebody getting up to rap to “Good Times.” When that was chosen as the basis for Sugar Hill’s first rap record, it showed how well the label was paying attention. When some of those freestyle lyrics that got passed from party to party ended up on the record, it was hard for anyone who may have come up with the original lines to claim credit because they weren’t copyrighted or published. After “Rapper’s Delight” came out, however, there was no debate about the fact that Nile Rodgers and Bernard Edwards were owed songwriting credit for the recognizable bass line that had been borrowed, innocently or not, from “Good Times” and they had no problem getting it. To this day, no one can believe that the bass player hired for the session—before recording techniques for sampling were around—was able to keep the same line going perfectly for the entire fourteen minutes and thirty-seven seconds. Everyone assumed that they were playing the actual record and extending the break. Some might say that Sylvia Robinson had gotten lucky, having gone out to find gold where everyone else was looking for it and then coming up with the first catch. But I think it was much more than luck or great timing when she made the strategic decision to record and release “Rapper’s Delight” as an almost-fifteen-minute extended-play twelve-inch single. Even as a novelty record that only sold on the street by word of mouth, it would have been brilliant. Yet the real brilliance was following up the street success by enflaming consumer demand for radio play. How else do you get DJs to disrupt rotation rules to play a fifteen-minute single other than by flooding the station’s request lines? So the gauntlet had been thrown down. The proof was in. If you were aspirational, you now believed in the possibilities. If you had seen what Sugar Hill Records had accomplished, going from nothing to being the hottest indie label for a genre that had yet to be defined—with the serious profits to go with that—your conclusion would be that you might have a shot too. If you had heard a nearly fifteen-minute hip-hop record on the radio at prime time and you were paying attention to its broad-based appeal, you had to know there was a lot more gold in them thar hills. You probably would have been thinking those things if you were a charismatic young man from Queens with incredible instincts and entrepreneurial blood in your veins, say, by the name of Russell Simmons, and were starting to try your hand at managing hip-hop artists and producing rap records—now that the field had broken wide-open. Or at least that’s what I would assume by the fact that just in time for the winter holidays at the end of 1979, one of Russell’s artists, Kurtis Blow, was signed to Mercury Records—the first rapper to go with a major label—and they released his “Christmas Rappin’,” which promptly sold four hundred thousand copies. Following that up with “The Breaks,” Kurtis soon went on to become the first rapper to have a gold record and to perform it on the popular music TV show Soul Train. Of course, the increasingly corporate-run music industry and mainstream media should have now been on notice that hip-hop was more than a passing fancy, more than a disco afterthought tossing crumbs out to the ghetto kids. Even if it was conceivable that there was a hungry market behind the graffiti’d walls or on the other side of the tracks, the industry executives didn’t speak that language—and, frankly, had no interest in learning to. As in any cultural disconnect, one could say that there was a degree of ethnocentricity in their lack of concern about urban blight and the fact that stretches of the inner city right in their backyards were beginning to look like war zones, with working-class families teetering on the edge. One could say that they saw but looked away, unable as they were to understand why it was that at the dawn of the 1980s, most of the symbols of aspiration, with a few exceptions, were turning out to be drug dealers and pimps. The sociology of rap’s future, however, wasn’t really at issue. The music was simply not commercially enticing, nor was it justified to an industry really marketing to white kids in suburbia. The math told the story. With the sizable price tags for producing the music videos that were going to be mandatory for record promotion, given the advent of MTV, the costs of investing in an unproven genre like hip-hop, without superstars, made the discussion a nonstarter. Lest we forget, the MTV platform when it launched in 1981 was rock, mostly new wave and hard rock and later metal—with artists like David Bowie, Duran Duran, and, eventually, Bon Jovi. MTV flat-out refused to show the video of Rick James’s smash “Super Freak,” and it wasn’t until 1983 that Michael Jackson videos were approved for rotation. All of this is to say that if you were betting the odds, as is the case for most businesses most of the time, after “Rapper’s Delight” and Kurtis Blow’s appearance on Soul Train, the assumption might have been that the fun had by hip-hop and its fans was over. But not everybody was betting the odds, thankfully. Enter Blondie and their 1981 single “Rapture,” on the Chrysalis label—with its accompanying music video that took everyone by surprise. With a song that followed a rock model, out of nowhere, after the first verse, here was a white girl, a punk/pop singer, suddenly doing a change-up— rapping over the break. Not just rhyming, Debbie Harry was also talking about the sexy world of rap, even going so far as to name two of its celebrities, Fab Five Freddy and Grandmaster Flash. In fact, they were both supposed to be in the video but Flash couldn’t make it, so Fab Five Freddy showed up with Jean-Michel Basquiat; the two can be seen to this day in the video, graff-writing on the walls. This was not the last time that Freddy would play a role in hip-hop’s migration into the world of music videos, as we’ll see later on. And meanwhile, the door couldn’t have been opened at a better time. True, “Rapture” didn’t make Debbie Harry’s career. But what it did for rap music was everything. When the record charted at number one on the Hot 100 Billboard list, it became the first rap-infused single to do so. Plus, the “Rapture” video made history as the first outing of rap on MTV. Coming from Blondie, it was a signal of how adaptive the genre was and how it would not be restricted to one kind of music over another. A creative liberation! What’s more, by using her prominence at that time to shout out two hip-hop icons, Debbie Harry authenticated an art form.&#xA;&#xA;The translation was that hip-hop proved that it was as akin to rock as it was to soul and funk. For those ready to push boundaries, it could be as full of protest and social relevance, and also as capable of creating a culture, a mind-set, a voice for the voiceless. The first record on which I heard a semblance of those properties was Melle Mel’s “White Lines,” released in 1983 on Sylvia Robinson’s Sugar Hill Records. The production, to me, was memorable, laying Melle’s rock-laced voice over an addictive track. Once again, Sylvia Robinson was paying attention to the competition, and keeping one step ahead. Well, not quite. Apparently, Sylvia Robinson made the mistake of turning down a video of “White Lines” starring a young Laurence Fishburne that was made on spec by an up-and-coming filmmaker. You might have heard of him: Spike Lee.The Color of ConfidenceHip-hop came of age in the mid-1980s, in the same era that members of the generation who couldn’t remember a time without it were coming of age. We weren’t in the record business and weren’t watching from the sidelines taking notes about how many units of this or that release had shipped or what the demographics were that turned “Christmas Rappin’” into a huge hit or that allowed “Rapture” to be shown on MTV or that pushed “White Lines” up to number seven on the UK pop charts—yes, pop. For us, in our lives and concerns, we would have been like, Where the f**k is the UK?&#xA;No exaggeration. Fab Five Freddy once told me a story about the early days when rap artists first started making money and then began touring overseas. Fab happened to run into a DJ he knew who was bragging about all the foreign places their crew had visited—“France, Italy, and London . . .” As if that wasn’t the really big news, the guy quickly added, “And next year, we go to Europe!” Encompassed in these anecdotes is one of the most important rewritten rules of the new economy that can be traced to hip-hop’s formative years. For far too long the classic rags-to-riches stories had been told about dead guys with names like Ford, Rockefeller, and du Pont—all far removed from most people’s reality. Now, suddenly, acts of wonder had come to pass and kids you knew personally or had heard about in your own neighborhood—who had come out of the projects or been born without wealth and stature—had become famous and were making money to go with that too. You could do that? Even if you couldn’t shoot hoops or win the lottery? Suddenly, you could wipe away the stigma of poverty and lower-class status pinned on you by other forces because of color or immigrant background or all the other reasons for not making the grade. Now you could claim your unlikely beginnings as a badge of honor, of authenticity, as a way of saying, “I come from nothing and look where I am now.” Actually, as the culture congregated further with the force of tanning, you had to have a badge to make you credible, to prove that you had come up through hard times that were real—possibly that you had even held your own with killers and gangsters and drug dealers. But wait. Better yet, you could wear a badge of authenticity with trend-setting style, and at the same time be a poet and speak about experiences that the rest of the world seemed to be ignoring. That was Run-DMC. With cuts like “Hard Times” actually talking about real-world problems and “Sucker MC’s,” a record that compared the aspirational success of rappers authentically working on their skills to that of the wannabe “sad-faced clown” imitators and posers, the rhymes and stories echoed the feel of Sunday morning sermons. Those songs were transformational for me, especially “Sucker MC’s.” They came from where I did and were calling themselves rap royalty. Who did that? Who had that kind of nerve? But that was the point—that if hip-hop didn’t shout itself out, nobody else would. The idea was planted then and there that would take root and would later drive me as an entrepreneur to dare to take on the Goliaths of the competition—and would convince me that I could win. And to top all that, Run-DMC had the bold confidence not just to borrow elements from rock but also to cast themselves as the rightful purveyors of it, that they together were the “King of Rock” as the title of a 1985 single and album (their second) put it. The video of that single was their second that MTV agreed to air and its success suggested there was a niche for a hybrid rock-rap genre ready for prime time. Then the game changed with “Walk This Way”—the tipping point for tanning. Everything that had happened going back to DJ Kool Herc and 1520 Sedgwick Avenue had helped put hip-hop over the top, even if it had been an uphill climb over unknown terrain. “Walk This Way” was going to send the next moves into fast downhill skiing. Released as a single on the same album as “My Adidas,” it would also set the stage for history to unfold in August 1986 at Madison Square Garden. When I talk about Run-DMC as being groundbreaking—for all kinds of reasons and especially for knowing that their art form was much bigger than two turntables and a mic—I am including the team that made their impact possible. Russell Simmons was the individual who proved to one and all (and has continued to do so since) that the ceiling for rap and hip-hop that everyone else believed was there really wasn’t. Three others in the Rush/Def Jam circle who should have special mention are Bill Adler, Lyor Cohen, and Rick Rubin. Besides the fact that I know them and have a kinship to them personally and professionally, the three all happen to be white—yet have soul in their veins and urban sensibilities from Jewish and/or immigrant backgrounds. As a publicist, Bill Adler was way ahead of the curve in recognizing the mainstream marketing potential for rap artists. Lyor Cohen—now a top record-industry executive and a former Rush partner who started as a promoter and road manager for Run-DMC— believed early on in the cultural melting pot that was being brewed for and by the younger generation. The genius producer Rick Rubin, who launched Def Jam before joining forces with Russell, was a key contributor to the DNA of hip-hop. What’s more, Rick was the audio architect and sound engineer of tanning—a bridge between rock and rap that worked because he sonically knew what was authentic to the mix and what appealed to young audiences, regardless of background. From the start through his present-day post at the helm of a major record label—after working with everyone from LL Cool J and the Beastie Boys in the early years to the Red Hot Chili Peppers, Metallica, U2, and the Dixie Chicks (to name a few)—Rick never had any use for the color/demographic boxes used in creating and marketing music. Someone who has always understood the beats and rhythms of culture because he observes it authentically rather than packaging it, Rick Rubin is to me the Norman Rockwell of popular music—an artist portraying Americana at its heart and providing insights into the culture in the process. As reports have it, the irony of “Walk This Way” was that when the team at Rush Management first proposed the idea for Run-DMC to use Aerosmith’s 1977 hit single and merge rock and hip-hop elements on the record, there was hesitation. The main pushback was that just rapping over the tracks would be inauthentic and not original enough. So Rick proposed that Run-DMC do a cover of the single, a reinvention, and then the rockers could come in and add flavor from their rock roots. It was a true mash-up. Anyone betting the odds would say that doing a musical clash is risky, resulting in neither fish nor fowl. Yet when it works, it’s not a musical clash at all but actually a cultural clash. In fact, the word “clash” is wrong. When it works, it’s tanning, a synergy of music and attitude that swirls everyone into the same vortex and connects them. “Walk This Way” did that musically, culturally, rhythmically, and lyrically. And, oh yeah, visually. Even though it was assumed that Aerosmith would benefit somehow from having one of the group’s biggest hits back in circulation in a new form, nobody could have predicted to what extent. Lo and behold, when Steven Tyler and Joe Perry agreed to be on the record and in the video, all of a sudden the new “Walk This Way” reinvigorated their career and launched them to unprecedented heights, giving them a street pass with a whole new following in communities of color. And there was more. After being lured out of the 1970s rock ’n’ roll mausoleum, their collaboration with Run-DMC returned them so much to the game that Aerosmith soon entered their most prolific decades. To date, they are considered the all-time top-selling American rock band, with more gold and platinum records than any other group—over 150 million albums sold around the world. And as for Run-DMC, when they appeared in their own video with rock legends as their guests, they made history in being instantaneously embraced by an audience that had never heard of hip-hop—let alone bought their records. There was nothing earth-shattering in the song’s story—about a loser who gets schooled in how to improve his odds with the opposite sex by changing his attitude and learning to “Walk this way-ay-ay! ” and “Talk this way-ay-ay! ” But in describing a situation that is universal in every neighborhood on the planet, it had a perfect message for bringing different audiences onto common ground. After all, beyond the things like having fame and money and being cool that were sought through aspiration, the super-objective was getting girls. Or appealing to guys if you were a girl. Maybe not for everyone. However, speaking for teenage males, as I was back then, and for young men too, in my experience, it was not just why you wanted to be successful but why you woke up every morning and why you even breathed in the first place. The translation was that everybody, regardless of color or background, wants to get some and to have the sexual confidence to get it. Who couldn’t relate to that? So “Walk This Way” was tanning at work at a primal level. On another deep, equally powerful level, the video spoke to cultural differences and similarities with a story that came down to a rock/rap battle. At the start, it had the two groups in two separate recording studios divided by a wall, each first annoyed at having their music co-opted by the other, and then in the end bashing through the wall to jam and dance together. Speaking now in one collective voice, even with different accents, Aerosmith and Run-DMC doubled down on the message to be who you are and not to be afraid to define yourself by your own style, authentically. It was all about having confidence in yourself and in how you walked and carried yourself, with individuality, pride, purpose, and insistence. The word popularized to describe this commodity and attitude, as we now know, is “swagger.” The first strand of code in the cultural translation could now be identified. It combined within it the elements of aspiration, authenticity, relevance, cool, and confidence that were obtainable by association with the music. Oh yeah, and it came with a sexy, irresistible beat. For any smart marketing person, this concoction was made to order no matter what the product. Right? Well, yes, if you cut to the future. Over the next two decades or so, as rap stars aligned themselves with status goods and services, they would indeed be a gold mine for marketing all manner of high-end consumer brands—as they voluntarily sang the praises of everything from Courvoisier cognac and Cristal champagne to Louis Vuitton and Versace to Range Rovers and Cadillac Escalades. Even the Robb Report, the magazine of conspicuous consumption for only the über-rich, would get a shout-out. And just like “My Adidas” back in 1986, because none of these endorsements were solicited or purchased, the marketing value was all the more meaningful. Expressions of brand loyalty, in short, were manifestly genuine—which, when embraced in culturally fluent ways, would make them incredibly effective. Today, all of that is a foregone conclusion. But it would have read like a fairy tale if you had presented such a scenario to marketing people— even back in the go-go 1980s heyday of conspicuous consumption. Why? Frankly, because of two groups of haters who weren’t interested in rap music or hip-hop culture or the demographics they represented.Curiosity as Cultural, Economic YeastHaters are reactionary, hate anything new or different, and see danger in venturing off into the unknown. They are certainly not friendly to creative expansion or marketing risk. In the 1980s, a decade of conglomerate takeovers and corporate megamergers, one group of haters who stood in the way of hip-hop’s mainstream success was populated by the marketing power players at leading brands. That’s why it was so unprecedented when Adidas marketing executive Angelo Anastasio came to Madison Square Garden and was wowed enough by what he saw to strike the endorsement deal for the trio of rappers. As it was pointed out to me by Lyor Cohen (there that night as RunDMC’s road manager), the mainstream market appeal wasn’t the main selling point for Anastasio. The crowd that night was still mostly AfricanAmerican, with a smaller percentage of Hispanic and Asian concertgoers and a sprinkling of white urban kids. But what made Anastasio different from other corporate representatives, according to Lyor, was his curiosity. He was simply open-minded enough to contemplate the possibilities of introducing hip-hop to the marketing machinery behind Adidas sneakers. When Lyor described that night and how everything fell into place, it occurred to me how important curiosity is in general for tanning to occur. And as a marketing 101 lesson, one that I had to learn and one I have to remind corporate clients not to forget, advertising dollars don’t mean a thing without genuine curiosity about what consumers want and need. In fact, as Lyor recalled, while the Adidas/Run-DMC alliance did well for all concerned—saving the company from extinction—it could have been much more successful. Unfortunately, instead of gaining consumer insights and bringing Run, DMC, or Jam Master Jay in on designing the footwear and in on how to promote their line of sneakers, the company took over for Angelo and ran a campaign with the old-school “father knows best” approach. They let the designers try to figure out the culture and design into it without a true understanding of the consumer. They marketed via the monologue that dictates cool rather than inviting consumers to partake in the cool. That said, the Adidas missteps were going to be lessons learned for certain entrepreneurs who were paying attention and whose business wheels were starting to turn. For them, it was fortunate that there were mainstream corporate haters who even by the late 1980s weren’t curious enough to even consider hip-hop’s musical future. Why do I say that it was fortunate for these entrepreneurs? Because it allowed them and local economies to benefit and prime the pump for everyone else to follow suit. Surprisingly, the second group of haters who slowed rap music’s mainstream success—and who weren’t curious about its potential—actually came from within the African-American community. Typically older, wealthier, assimilated generations who had come out of the era of protest and civil rights, they reacted with discomfort to the bravado of youthful aspiration and the booming bass of rap blasting out of car stereos and trekking down the streets. Their position, it seemed, was that they had worked too hard for too long, following paths into higher education and into positions of influence in politics, business, and media, to support the hip-hop phenomenon that might outshine them or disrupt their means of having stature. Black media, usually the first to back African-American entertainment, was especially resistant to embracing hip-hop. Until rap music proved itself worthy of mainstream consideration, most of the top black radio stations and video programmers just weren’t interested. In fact, there were radio stations that specifically said on air, “We don’t play rap music,” in order to get more listeners. However, because of the mostly generational divide, it forced hip-hop to become bigger than just a genre of popular music with merchandise; it forced it to prove itself in mighty ways and to develop capacities for spreading into the worlds of fashion, beauty, art, dance, sports, gaming, language, lifestyle, and eventually politics.&#xA;&#xA;And that’s how the culture left behind its house party roots and really took on a life of its own to become bigger than the sum of its parts. It was like any other teenager, determined to grow up and become whoever it chose to be. If you are a marketer hoping to attract new customers without losing your core consumers, this early phase of hip-hop still has relevance for how you appeal to aspiration and how you use code to do so. As we will see later on, consumers provide all the needed cues for how to do that—as long as attention is paid to them." PRODUCER="Jungle Cakes" COVERARTID="030/42CZATDU1TGMACBDT5QYB1GPQ1FC" PLAYTIME="386" PLAYTIME_FLOAT="385.247070" IMPORT_DATE="2025/7/5" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="36995"></INFO>
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<INFO BITRATE="929676" KEY_LYRICS="56 ContributorsJuly 2016 Album Release Calendar LyricsWELCOME TO GENIUS' JULY 2016 ALBUM RELEASE CALENDAR!!!&#xA;&#xA;This page highlights the notable albums, EPs, mixtapes, etc, released in all genres throughout July 2016. 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<INFO BITRATE="985087" KEY_LYRICS="35 ContributorsPiss Test LyricsPiss Test is a track from Loosies, a compilation tape from record label Fool’s Gold. A-Trak is the owner of Fool’s Gold&#xA;&#xA;&#xA;Trippy&#xA;Trippy&#xA;Trippy (Yessir, A-Trak on the track, let’s go!)&#xA;Trippy&#xA;&#xA;&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Been gettin' trippy since I was born and I ain't dead yet&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Been gettin' trippy since I was born and I ain't dead yet&#xA;&#xA;&#xA;You niggas drug-free but I get drugs free&#xA;Might not have a money tree but I got a bud tree&#xA;I'm smokin' loud, you can smell me befo' you see me&#xA;And I blind ya with these diamonds on my chest and on my pinky&#xA;Ten thousand a month, that's my kush bill&#xA;I'm up in clouds that how that kush make me feel&#xA;You say no to drugs that mean more for me&#xA;More kush, more pills, nigga more lean&#xA;Pocket full of dirty money, body full of drugs&#xA;Shout-out to Walgreens, CVS, and thank you to my plug&#xA;I do more and more drugs I don't do meth (never!)&#xA;Fuck a P.O., fuck a piss test&#xA;&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Been gettin' trippy since I was born and I ain't dead yet&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Been gettin' trippy since I was born and I ain't dead yet&#xA;&#xA;&#xA;And I smoke&#xA;Blunt after blunt after motherfucking blunt after blunt&#xA;Zip and a double-cup get fucked up&#xA;Bitch don't sip if you ain't gon' fuck&#xA;Jack and the Beanstalk with them pills&#xA;Pop me one and my dick grow big&#xA;Bitch just suck it ho, don't touch it&#xA;No hands on it ho, that's how I love it&#xA;Piss so dirty, dick so clean&#xA;Pop me an E, no I'm not obscene&#xA;Fuck probation, P.O.'s be hatin'&#xA;Motherfuck a piss test, coppin' straight Oakland&#xA;I been smokin' since I rolled Daytons&#xA;Been rollin' for what, two days and&#xA;Been grinding on my teeth, sipping on this water bottle&#xA;Looking for your bitch for relations&#xA;Put Molly under my tongue, now she wanna French-kiss&#xA;This ho be actin' shy, now she don' turned into a freak bitch&#xA;It's Fool's Gold in this bitch, so ya know that Trizzy with me&#xA;Uncle Juice up in the party, you know we gettin' trippy!&#xA;&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Been gettin' trippy since I was born and I ain't dead yet&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Fuck a P.O., fuck a piss test&#xA;Been gettin' trippy since I was born and I ain't dead yet&#xA;&#xA;&#xA;Fuck a piss test&#xA;Fuck a piss test&#xA;Go ahead and do it&#xA;You know you wanna do it anyway&#xA;Might as well, fuck it" PRODUCER="Boom 93" COVERARTID="119/XDVI5ADL5LBMGDGIECUCASEQW34B" PLAYTIME="288" PLAYTIME_FLOAT="287.111176" IMPORT_DATE="2025/7/5" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="34746"></INFO>
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<ENTRY MODIFIED_DATE="2025/7/5" MODIFIED_TIME="45860" AUDIO_ID="AR84UyEiIlUyWXZjljIiIiNkM3hnOJh2mYdpiHnKqYuIaKiHvd7ZmKTv///////////9//////////zNn////////////+//////////zMn///////////////////////zceP/////////////////////8iXaFIREiFFMkiGY4YyIiIjZDN5d0eYdpmHaYh4yqmLiGioh63e2Zil3////////////f/////////8zZ/////////////v/////////8zJ///////////////////////83If//////////////////////Yl2qIZ3d2mYdnZ2e5h3doed3tqYphAA==" TITLE="It's Serious" ARTIST="DJ Hybrid"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Jungle Junction EC 25/:" FILE="30 - DJ Hybrid - It's Serious.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="960064" KEY_LYRICS="3 Contributors‎jane remover @ ballpit LyricsPart I: Jane Remover - Woodside Gardens 16 December 2012&#xA;&#xA;&#xA;Yeah, that's why I said &amp;quot;Hard to explain&amp;quot;&#xA;And that—&#xA;And that was why when my mom came in here I was like, freaking out&#xA;Oh yeah, but um—&#xA;&#xA;&#xA;Blue team, blue team, need their trust in me&#xA;Wrong crowd, old feed&#xA;I-I-I'm restless, no sleep, I know I hurt you, go burn me&#xA;What-What's wrong with me?&#xA;Head hurts, stomach hurts&#xA;Too many thoughts, my head 'bout to burst&#xA;Why can't I be her?&#xA;She don't like—&#xA;&#xA;Part II: Jane Remover - Woodside Gardens 16 December 2012 / Kesha - Wе R Who We R&#xA;&#xA;&#xA;Tonight we're goin' hard, hard, h-h-h-hard&#xA;Just likе the world is our, our, o-o-o-ours&#xA;We're tearin' it apart-part, p-p-p-part&#xA;You know we're superstars&#xA;We are who we are&#xA;We're dancin' like we're dumb, dumb, d-d-d-dumb&#xA;Our bodies goin' numb, numb, n-n-n-numb&#xA;We'll be forever young, young, y-y-y-young&#xA;You know we're superstars&#xA;We are who we are&#xA;&#xA;DJ, turn it up&#xA;It's about damn time to live it up&#xA;I'm so sick of bein' so serious&#xA;It's makin' my brain delirious&#xA;I'm just talkin' truth&#xA;I'm tellin' you 'bout the shit we do&#xA;We're sellin' our clothes, sleepin' in cars&#xA;Dressin' it down, hittin' on dudes hard&#xA;&#xA;Part III: Kesha - We R Who We R&#xA;&#xA;&#xA;Got that glitter on my eyes&#xA;Big space, auditorium, at 4 AM, I work for 'em&#xA;Stockings ripped all up the side&#xA;Yeah, they said I got a ton, ton, ton, but I carry 'em&#xA;Lookin' sick and sexy-fied&#xA;Yeah, this shit is not a challenge, I'ma bury you&#xA;So let's go-o-o, let's go&#xA;&#xA;&#xA;I'ma bury you, that's a W&#xA;Tonight we're goin' hard, hard, h-h-h-hard&#xA;If you bury me, I'ma come for you&#xA;Just like the world is our, our, o-o-o-ours&#xA;Burberry tee, Burberry shoe&#xA;We're tearin' it apart-part, p-p-p-part&#xA;She wanna play with me&#xA;You know we're superstars&#xA;'cause I'm so cute&#xA;We are who we are&#xA;Part IV: Jane Remover - Do U Care If I Stare (Jane Remover Remix)&#xA;&#xA;&#xA;And you're so rude, why you so crude?&#xA;You say you hate me, and that I love you&#xA;She got an OnlyFans, but she's not my only fan&#xA;I know you hate me, but I love you&#xA;&#xA;&#xA;Racks all on my body, yeah, I rap about it too much&#xA;You're being yourself but you put it out there too much&#xA;Stop calling me a psycho, I think I just love you too much&#xA;I know it's going so fast, but there's no need to rush&#xA;&#xA;&#xA;Or is there? Oh, go there&#xA;My life tears, is that fair?&#xA;Do you care if I stare&#xA;At your body? Despair&#xA;Or is there? Oh, go there&#xA;My life tears, is that fair?&#xA;Do you care if I stare&#xA;At your body? Despair&#xA;Yeah, she got a body and I told her she the hottest&#xA;Yeah, on this beat, I bodied, yeah, I told you I'm the hottest&#xA;I feel like I'm Roddy, yeah, that shit, I'ma box it&#xA;Wait, that's your shawty? She didn't tell me, oh shit&#xA;&#xA;I know you hate me, but I love you&#xA;I know you hate me, but I love you&#xA;I know you hate me, but I love you&#xA;I know you hate me, but I love you&#xA;I know you hate me, but I love you&#xA;I know you hate me, but I love you&#xA;I know you hate me, but I love you&#xA;I know you hate me, but I love you&#xA;&#xA;Part V: leroy - 1235&#xA;&#xA;&#xA;Hello!&#xA;I got some cash up in my wallet&#xA;One&#xA;&#xA;&#xA;Two- O-&#xA;Three- O-&#xA;Three- Fo- O-&#xA;Two- O-&#xA;Three- O-&#xA;Three-&#xA;Oh- oh- oh- oh-&#xA;Oh, I smoke this pack, it's so exotic (So exotic)&#xA;Like what's that smell? Somebody farted (Somebody farted)&#xA;I got the chopper in the closet (Closet)&#xA;I got some cash up in my wallet (Wallet)&#xA;Oh, I smoke this pack, it's so exotic (So exotic)&#xA;Like what's that smell? Somebody farted (Somebody farted)&#xA;I got the chopper in the closet (Closet)&#xA;I got some cash up in my wallet (Wallet)&#xA;Oh- oh- oh- oh-&#xA;&#xA;&#xA;Oh, I smoke this pack, it's so exotic (So exotic)&#xA;Like what's that smell? Somebody farted (Somebody farted)&#xA;I got the chopper in the closet (Closet)&#xA;I got some cash up in my wallet (Wallet)&#xA;&#xA;Part VI: A$AP Rocky - Fashion Killa (Jane Remover 2018 Remix) / Justin Bieber - Yummy (Jane Remover Remix)&#xA;&#xA;&#xA;Her pistol go…&#xA;(Doot-doot-doot, bang-bang, boom-boom, pop-pop)&#xA;Her pistol go…&#xA;(Bang-bang, boom-boom, pop-pop)&#xA;I said her pistol go…&#xA;(Bang-bang, boom-boom, pop-pop)&#xA;Her pistol go…&#xA;(Doot-doot-doot, bang-bang, boom-boom, pop-pop)&#xA;Yeah, you got that yummy-yum&#xA;Her pistol go…&#xA;(Bang-bang, boom-boom, pop-pop)&#xA;That yummy-yum, that yummy-yummy&#xA;I said her pistol go…&#xA;(Bang-bang, boom-boom, pop-pop)&#xA;Yeah, you got that yummy-yum&#xA;Let's go!&#xA;&#xA;Part VII: space laces - phone tap  #ImQuittingDumbStep&#xA;&#xA;&#xA;Yeah! Yeah! Yeah! Yeah!&#xA;Yeah! Yeah! Yeah! Yeah!&#xA;Yeah! Yeah! Yeah! Yeah!&#xA;Yeah! Yeah! Yeah! Yeah!&#xA;&#xA;Part VIII: Jane Remover, kmoe &amp;amp; Juno - Back Off&#xA;&#xA;&#xA;Back off, you know it ain't worth it&#xA;I'm the one running the circus&#xA;My words don't have any purpose&#xA;Stop now before you get nervous&#xA;Back off, you know it ain't worth it&#xA;Prada on all of these purses&#xA;Nowadays I feel like I'm worthless&#xA;Stop now before you get nervous&#xA;Back off, you know it ain't worth it&#xA;I'm the one running the circus&#xA;My words don't have any purpose&#xA;Stop now before you get nervous&#xA;Back off, you know it ain't worth it&#xA;Prada on all of these purses&#xA;Nowadays I feel like I'm worthless&#xA;Stop now before you get nervous&#xA;&#xA;Part IX: Jane Remover, kmoe &amp;amp; Juno - Back Off / Kesha - We R Who We R&#xA;&#xA;&#xA;Tonight we're goin' hard, hard, h-h-h-hard&#xA;Just like the world is our, our, o-o-o-ours&#xA;We're tearin' it apart-part, p-p-p-part&#xA;You know we're superstars&#xA;We are who we are&#xA;We're dancin' like we’re dumb, dumb, d-d-d-dumb&#xA;Our bodies goin' numb, numb, n-n-n-numb&#xA;We'll be forever young, young, y-y-y-young&#xA;You know we're superstars&#xA;We are who we are&#xA;&#xA;Part X: Nicki Minaj - Beauty and a Beat&#xA;&#xA;&#xA;I-I-I-I-In time, ink lines&#xA;B-B-Bitches couldn't get on my incline&#xA;World tours, i-i-it's mine&#xA;Ten little letters on a big sign&#xA;Justin Bieber&#xA;You know I'ma hit 'em with the ether&#xA;Buns out, wiener&#xA;But I gotta keep an eye out for Selener&#xA;B-B-Beauty, beauty and the beast&#xA;Beauty from the East&#xA;Beautiful confessions of the priest&#xA;Beast, beauty from the streets&#xA;Beat will get deceased&#xA;Every time Beauty on the beat eats&#xA;&#xA;Part XI: ​Jane Remover - 0 - 0&#xA;&#xA;&#xA;Hey, y-y-you've ever been to PlanetZero?&#xA;&#xA;&#xA;I'm makin' money, I'm makin' you sad&#xA;Postin' your pics like you down at the beach&#xA;Dan Schneider, let me see some feet&#xA;You want a feature, you gotta pay fees (Leave me)&#xA;It's off the dome like sandy&#xA;Posted with sticks? You Dirty Dan, please&#xA;Pick a fight at the store&#xA;Take all the money, I sleep on the floor&#xA;&#xA;&#xA;Go to the party, I knock on the door&#xA;Ain't let me in? Your mom is a whore&#xA;2 by 4, eight more figures while you do chores&#xA;Michael Jackson, put him to sleep&#xA;Tell your lil' bro stop copying me&#xA;I promise you don't wanna be me&#xA;(Don't ask who made this beat)&#xA;Shut up baby, I'm on the percocets&#xA;I posted, I'm wearing a skirt and dress&#xA;I'm ghosting you so it'll hurt less&#xA;Fashonista, I'm the best dressed&#xA;3am and my stomach empty&#xA;Take a pic, I know it's tempting&#xA;Pick up the pen just like I'm testing&#xA;Shit is depressing&#xA;&#xA;&#xA;Yeah, yeah, yeah, yeah&#xA;Yeah, yeah, yeah, yeah&#xA;Yeah, yeah, yeah, yeah&#xA;Yeah, yeah, yeah, yeah&#xA;Yeah, yeah, yeah, yeah&#xA;Yeah, yeah, yeah, yeah&#xA;I can't go with you&#xA;Yeah, yeah, yeah, yeah&#xA;Yeah, yeah, yeah, yeah&#xA;&#xA;&#xA;I'm makin' money, I'm makin' you sad&#xA;Postin' your pics like you down at the beach&#xA;Dan Schneider, let me see some feet&#xA;Postin' your pics like you down at the (Leave me)&#xA;It's off the dome like sa— a— a— a—&#xA;Posted with sticks? You dir— ty— y— y— y—&#xA;Pick a fight at the store&#xA;Take all the money, I s—&#xA;&#xA;Part XII: Jane Remover - 0 - 0 / Jane Remover - If You Make Music Stop It / Jane Remover - 52 Blue Mondays&#xA;&#xA;&#xA;I'm makin' money, I'm makin' you sad&#xA;Postin' your pics like you down at the beach&#xA;Dan Schneider, let me see some feet&#xA;You want a feature, you gotta pay fees (Leave me)&#xA;It's off the dome like sandy&#xA;Posted with sticks? You Dirty Dan, please&#xA;Pick a fight at the store&#xA;Take all the money, I sleep—&#xA;&#xA;&#xA;I-I-I-I-I-If you make music then stop it&#xA;A-A-A-And you mad 'cause I called you a wallet&#xA;Don't feel wanted, nor do I feel needed&#xA;Said you miss me, well, meet me at the deep end&#xA;I feel like dying every season&#xA;It sound like lying when you mean it&#xA;I— I— I— I— If there's a cheat code, bitch, I'm cheating&#xA;Don't have it easy, bitch, I need it&#xA;I feel like dying every season&#xA;It sound like lying when you mean it&#xA;&#xA;Part XIII: Jane Remover - If You Make Music Stop It / kmoe - Nightmare Before Christmas&#xA;&#xA;&#xA;It's the nightmare before Christmas&#xA;Checking off everything off my wish-list&#xA;She the one I wanna spend my holiday with&#xA;Yeah, I got commas, see my percent&#xA;It's the nightmare before Christmas&#xA;Checking off everything off my wish-list&#xA;She the one I wanna spend my holiday with&#xA;That is a nightmare called Christmas&#xA;&#xA;Part XIV: Jane Remover - If You Make Music Stop It / SEBii - BONErr&#xA;&#xA;&#xA;Lit like a stoner, yeah, lit like a match stick&#xA;Yeah, fly like a rover, stretch like elastic&#xA;Target like I'm DOA, target like it's practice&#xA;Practice like the NBA, get it in the basket&#xA;&#xA;Part XV: SEBii - BONErr&#xA;&#xA;&#xA;Lit like a stoner, yeah, lit like a match stick&#xA;Yeah, fly like a rover, stretch like elastic&#xA;Target like I'm DOA, target like it's practice&#xA;Practice like the NBA, get it in the basket&#xA;Lit like a stoner, yeah, lit like a match stick&#xA;Yeah, fly like a rover, stretch like elastic&#xA;Target like I'm DOA, target like it's practice&#xA;Practice like the NBA, get it in the basket&#xA;&#xA;Part XVI: kmoe - flutter&#xA;&#xA;&#xA;I've been capitalizing all my favorite childhood memories without even realizing&#xA;Now it seems my words have lost all their meaning like when you say them too many times&#xA;&#xA;Part XVII: Jane Remover &amp;amp; kmoe - homeswitcher&#xA;&#xA;&#xA;Don't talk shit about me&#xA;You know it makes me mad and it comes back to bite you in the ass&#xA;And I feel so surrounded by all these pebbles covering a mountain&#xA;&#xA;Part XVIII: Jane Remover &amp;amp; kmoe - homeswitcher / Kesha - We R Who We R&#xA;&#xA;&#xA;Hot and dangerous&#xA;If you're one of us, then roll with us&#xA;'Cause we make the hipsters fall in love&#xA;When we got our hot pants on and up&#xA;And yes, of course we does&#xA;We runnin' this town just like a club&#xA;And no, you don't wanna mess with us&#xA;Got Jesus on my necklace-ace-ace&#xA;&#xA;&#xA;Got that glitter on my eyes&#xA;Stockings ripped all up the side&#xA;Lookin' sick and sexified&#xA;So let's go-o-o, let's go&#xA;&#xA;Part XIX: Noki - Bullies&#xA;&#xA;&#xA;Yea, last time I checked, nigga you not one of us&#xA;Used to be niggas that made fun of us&#xA;Now I'm gon' take your mouths and I'm gon' sew 'em shut&#xA;Posted with my nigga gail&#xA;You know that we comin' up&#xA;Hundred guns, hundred niggas, spraying rounds (Yeah, yeah)&#xA;You used to be bullies on the playground&#xA;But I'ma take my opps and I'ma lay 'em out&#xA;And you still broke, have fun sleeping on yo' mama couch&#xA;&#xA;&#xA;Bro what you talkin' bout&#xA;Those walls I've broken down&#xA;I saw you droppin' music, but it never made a sound&#xA;A-a-and while you were on mute, I was talk of the town&#xA;12 fit, thought it was drip, but it made me want to drown&#xA;Anybody go to leave your seats before I take them down&#xA;And he saw bullets in his chest like an ultrasound-d-d&#xA;And they asking where I'm at when I say turn around&#xA;I fucking hate straight people&#xA;And I conquer all my flows, yeah imma take 'em down&#xA;&#xA;Part XX: Jane Remover - #downwiththestraggots&#xA;&#xA;&#xA;Na-na, na-na-na-na&#xA;Na-na, na-na-na-na&#xA;Na-na, na-na-na-na&#xA;I— I— I—&#xA;I— I— I—&#xA;Na-na, na-na-na-na&#xA;I— I— I— I— I— I—&#xA;&#xA;&#xA;Pull outside the del taco tuesday&#xA;I don't give a **** what you say&#xA;He— e— e— e— say, she say, they say&#xA;Oh yeah kicking through the doorway&#xA;&#xA;&#xA;And you try to get turned off your airwaves (?)&#xA;And you love me cause you look like you're at the airway&#xA;Already feel like miranda cosgrove&#xA;Actually i feel like &#xA;&#xA;&#xA;My life a movie&#xA;Fries and a frosty&#xA;Like my party, going and goin&#xA;And you started lighting up embarrassed&#xA;In my car now my stress and peace comes off&#xA;&#xA;Part XXI: Jamie - priscilla presley hate piece&#xA;&#xA;&#xA;&#xA;Part XXII: H8P8GE - Tapeworm&#xA;&#xA;&#xA;Yeah&#xA;Omae mazui, why did you think you could talk to me? (I got)&#xA;Lots of weed, bitch you be ugly, just pause it please (My God)&#xA;'Bout to be, one of the greatest, they watchin' me&#xA;Bitches be hatin', admiring me, treat my existence as novelty&#xA;&#xA;&#xA;Pretty fall in love, don't stop me&#xA;Everything you do, it harm me&#xA;I just wanna breathe, exhaust me&#xA;Baby girl, you're here beside— (LoneMoon!)&#xA;&#xA;&#xA;I don't wanna love, I don't wanna love&#xA;I don't wanna love, 'Imma throw it all away&#xA;I don't wanna love, I don't wanna love&#xA;I don't wanna love, what the fuck you gotta say?&#xA;&#xA;&#xA;Mmm, I might bust a nigga brain&#xA;I don't give a mother fuck if he got a family (Uh-huh)&#xA;Pussy pussy, why you talkin' out your lips?&#xA;You a bitch, I'm rollin' with the clique&#xA;&#xA;Part XXIII: H8P8GE - ECHO&#xA;&#xA;&#xA;Like ooh, lie detector my gang 'cause we the truth&#xA;I just got brand new toolies for my crew&#xA;Say she wanna fuck, meet me after school&#xA;Say she love my drip, I said &amp;quot;Me too&amp;quot;&#xA;Say she not for the team but she gon' fuck for the crew&#xA;Told her she lucky, ain't fucking no regular dude&#xA;Bloody, I need paramedics to wipe off my shoes&#xA;No I can't trust nobody, can't let you come fuck up—&#xA;&#xA;Part XXIV: ​Jane Remover - Whatever VIP (07 - 05 - 2020)&#xA;&#xA;&#xA;E— a— i— i— i—&#xA;A— a— e— o— i—&#xA;E— a— i— i— i—&#xA;A— a— e— o— i—&#xA;E— a— i— i— i—&#xA;A— a— e— o— i—&#xA;E— a— i— i— i—&#xA;A— a— e— o— i—&#xA;&#xA;&#xA;Sometimes I feel like I don't belong here&#xA;I don't understand what you're saying&#xA;You make me think I'm breathing the wrong air&#xA;This isn't a game, I'm not playing&#xA;You look at my face and you don't care&#xA;Well, maybe it'll change when I'm not there&#xA;I'm so tired of looking at you and your red hair&#xA;Now I'm living in a nightmare&#xA;&#xA;&#xA;I love you too, Zeke&#xA;I can't go with you&#xA;DeleteZeke&#xA;Goin' back— (ck— ck— ck— ck—)&#xA;Goin' ba—  —did to me&#xA;Goin' back— (ck— ck— ck— ck—)&#xA;Goin' ba—  —did to me&#xA;Goin' back— (ck— ck— ck— ck—)&#xA;Goin' ba—  —did to me&#xA;Goin' back— (ck— ck— ck— ck—)&#xA;&#xA;Part XXV: moemoemoe - If Mariah Turned Up&#xA;&#xA;&#xA;&#xA;Part XXVI: Milkfish - Cash Shit (Milkfish Remix)&#xA;&#xA;&#xA;I can't be fucked with, no&#xA;Ho, you can't touch this, ayy&#xA;Bitch, I do rich shit, huh&#xA;My money thick thick, ayy&#xA;Walk with a limp, limp, huh&#xA;I'm on some pimp shit, ayy&#xA;He say, &amp;quot;You all about money,&amp;quot; yeah&#xA;I'm on that cash shit, huh&#xA;I'm in my bag, bitch, huh&#xA;I'm on your ass, bitch, huh&#xA;I'm in that new new shit&#xA;You on that last year, huh&#xA;Bitch, I do pimp shit, huh&#xA;Ho, you on simp shit, ayy&#xA;He say, &amp;quot;You all about money,&amp;quot; yeah&#xA;I'm on that cash shit, ah&#xA;&#xA;Part XXVII: Jane Remover - Ur Luv (Jane Remover 2019 Cover / Remix)&#xA;&#xA;&#xA;&#xA;Part XXVIII: Jane Remover - Take Care (Jane Remover Remix)&#xA;&#xA;&#xA;Ay— a— a— a— ay—&#xA;Th— th— th— ey— ey— ey—&#xA;Ay— a— a— a— ay—&#xA;Th— th— th— ey— ey— ey—&#xA;Ay— a— a— a— ay—&#xA;Th— th— th— ey— ey— ey—&#xA;&#xA;&#xA;I— I— I— 've I—&#xA;I— I— I— 've I—&#xA;I— I— I— o— o— o—&#xA;I— I— I— 've I—&#xA;I— I— I— 've I—&#xA;I— I— I— 've I—&#xA;I— I— I— 've I—&#xA;I— I— I— o— o— o—&#xA;I— I— I— 've I—&#xA;I— I— I— 've I—&#xA;I— I— I— 've I—&#xA;I— I— I— 've I—&#xA;I— I— I— o— o— o—&#xA;I— I— I— 've I—&#xA;I— I— I— 've I—&#xA;&#xA;Part XXIX: Jane Remover - I Won't Let You In / Jane Remover - ?&#xA;&#xA;&#xA;I pass through the days&#xA;To get away&#xA;I won't let you in&#xA;&#xA; —night talk&#xA;I pass through the days&#xA;Bitch— &#xA;—days&#xA;He used to be a bully on the playground&#xA;—days&#xA;&#xA;&#xA;Part XXX: Draf, Jane Remover, Blxty &amp;amp; kmoe - Slice&#xA;&#xA;&#xA;I might sing a song, I go &amp;quot;la la la, la&amp;quot;&#xA;Feel like Bryan Silva, I go gra-ta-ta-ta&#xA;And I'm always cookin' up, it ain't no pasta (Pasta)&#xA;You're a loser, yeah, go cry to your mama&#xA;&#xA;&#xA;You a fake bitch I don't fuck with you&#xA;Toss your head in a carousel&#xA;Cannabis and olive oil&#xA;&#xA;&#xA;You can tell your friends but your family ain't have life here&#xA;&amp;quot;Blxty said I'm fat...&amp;quot; Right bitch and you're in a fit&#xA;Wasting all your time now, this is just the prelim&#xA;Go, go, go, go &#xA;&#xA;I don't wanna see your ghost&#xA;Switch sides if you're feeling low&#xA;Are you sure you won't feel this now?&#xA;&#xA;&#xA;&#xA;Slice at your head with a knife&#xA;You know I don't play, got a sword like a knight&#xA;Slice at your head, make you cry&#xA;Yeah I get no money but I get head all the time&#xA;Slice at your head with a knife&#xA;You know I don't play, got a sword like a knight&#xA;Slice at your head, make you cry&#xA;Yeah I get no money but I get head all the time&#xA;&#xA;Part XXXI: Draf, Jane Remover, Blxty &amp;amp; kmoe - Slice / Corpse - E Girls Are Ruining My Life&#xA;&#xA;&#xA;Choke me like you hate me, but you love me&#xA;Low-key wanna date me when you fuck me (Uwu)&#xA;Touch me with the lights off and my chains on&#xA;Baby, I'm not the right one you should wait on&#xA;&#xA;Part XXXII: Jane Remover - new idea: corpse bride&#xA;&#xA;&#xA;Choke me like you hate me, but you love me&#xA;Low-key wanna date me when you fuck me (Uwu)&#xA;Touch me with the lights off and my chains on&#xA;Baby, I'm not the right one—&#xA;What the fuck?&#xA;&#xA;&#xA;Fu— u— ck—&#xA;U— u— ck—&#xA;U— u— ck—&#xA;U— u— ck—&#xA;&#xA;Part XXXIII: Jane Remover, kmoe &amp;amp; Juno - Back Off&#xA;&#xA;&#xA;(I'm the one running the c—)&#xA;Back off— back—&#xA;Back off— back—&#xA;Back off— b-back—&#xA;Back off, back off, back off&#xA;&#xA;Part XXXIV: Jane Remover, kmoe &amp;amp; Juno - Back Off (VIP)&#xA;&#xA;&#xA;&#xA;Part XXXV: ‎leroy - bluuuueeeee&#xA;&#xA;&#xA;-Brother never tells you but he loves you so&#xA;You said your mother only smiled on her TV show&#xA;You're only happy when your sorry head is filled with dope&#xA;I'll hope you make it to the day you're 28 years old&#xA;You're drippin' like a saturated sunrise&#xA;You're spilling like an overflowin' sink&#xA;You're ripped at every edge but you're a masterpiece&#xA;And now you're tearin' through the pages and the ink&#xA;Leroy&#xA;&#xA;&#xA;Ue- -ue -ue -ue -ue -ue -ue&#xA;Ue- -ue -ue -ue -ue -ue -ue&#xA;Ue- -ue -ue -ue -ue -ue -ue&#xA;Ue- -ue -ue -ue -ue -ue -ue&#xA;Ue- -ue -ue -ue -ue -ue -ue&#xA;Ue- -ue -ue -ue -ue -ue -ue&#xA;Ue- -ue -ue -ue -ue -ue -ue&#xA;Ue- -ue -ue -ue -ue -ue -ue&#xA;&#xA;Part XXXVI: ‎leroy - outside&#xA;&#xA;&#xA;Oh-ah, oh-ah&#xA;Oh-ah, oh-oh-oh&#xA;I'll show you what it feels like&#xA;Now I'm on the outside&#xA;Oh-ah, oh-ah&#xA;Oh-oh-oh-oh&#xA;We did everything right&#xA;Now I'm on the outside&#xA;Oh-ah, oh-ah&#xA;Oh-oh-oh&#xA;I'll show you what it feels like&#xA;Now I'm on the outside&#xA;Oh-ah, oh-ah&#xA;Oh-oh-oh&#xA;We did everything right&#xA;Now I'm on the outsi-&#xA;&#xA;&#xA;When I'm all alone&#xA;I try to clear my mind&#xA;But you be coming back&#xA;And you're be saying that all night (I'll show you what it feels like&#xA;Now I'm on the outside)&#xA;I never let you go&#xA;I'm always at your side&#xA;And you just took it all the way&#xA;And maybe wanna cry (I'll show you what it feels like&#xA;Now I'm on the outside)&#xA;When I'm all alone&#xA;I try to clear my mind&#xA;But you be coming back&#xA;And you're be saying that all night (I'll show you what it feels like&#xA;Now I'm on the outside)&#xA;I never let you go&#xA;I'm always at your side&#xA;And you just took it all the way (I'll show you what it feels like)&#xA;Now I'm on the outside— ide— ide— ide— ide— ide— ide—&#xA;&#xA;Part XXXVII: Jane Remover - This Was Gonna Be My Verse for Poser 2 But the Song Never Happened&#xA;&#xA;" PRODUCER="Boom 93" COVERARTID="119/XDVI5ADL5LBMGDGIECUCASEQW34B" PLAYTIME="288" PLAYTIME_FLOAT="287.000031" IMPORT_DATE="2025/7/5" RELEASE_DATE="2024/1/1" FLAGS="12" FILESIZE="33872"></INFO>
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<INFO BITRATE="903806" KEY_LYRICS="1 ContributorRepertorio Álbumes Traducidos LyricsRepertorio Álbumes Traducidos al Español&#xA;&#xA;Los álbumes deben estar ordenados en orden alfabético#$oul $old $eparately - Freddie Gibbs (2022)&#xA;(II) - Crystal Castles (2010)&#xA;(Un)Commentary - Alec Benjamin (2022)&#xA;Ugh, those feels again - Snoh Aalegra (2019) ✦&#xA;1000 Forms of Fear - Sia (2014)&#xA;10 - Westside Gunn (2022)&#xA;13 Reasons Why (Season 2) - Various Artists (2018) ✦&#xA;13LOOD 1N + 13LOOD OUT MIXX - Denzel Curry (2020)&#xA;17 - XXXTENTACION (2017)&#xA;1989 - Taylor Swift (2014)&#xA;1989 (Deluxe) - Taylor Swift (2014)&#xA;1989 (Taylor’s Version) - Taylor Swift (2023)&#xA;1989 (Taylor's Version) (Deluxe) - Taylor Swift (2023)&#xA;1999 - Rich Brian (2020) ✦&#xA;19 - Adele (2008)&#xA;1 - The Beatles (2000)&#xA;2 Cool 4 Skool - BTS (2013) ✦&#xA;2000 - Joey Bada$$ (2022)&#xA;2014 Forest Hills Drive - J. 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Cole (2018)&#xA;Kamikaze - Eminem (2018) ✦&#xA;Kanye West Presents Good Music Cruel Summer - G.O.O.D. 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<INFO BITRATE="985822" KEY_LYRICS="77 ContributorsTranslationsEspañolGod Loves You Lyrics“God Loves You” features an instrumental blending a referent and Gospel-based sound with a rap beat. Both artists talk on some religious themes, ironically relating these events to some sexual acts, boasting… Read More &#xA;Lift me up, turn me around now&#xA;Turn me around, lift my feet, yeah&#xA;Lift my feet, off solid ground (Da-Damn, Peggy, what? Hahahaha)&#xA;Off solid ground, lift my feet, yeah&#xA;Lift my feet, off solid ground&#xA;Turn me around, lift my feet, yeah&#xA;Lift my feet, off solid ground&#xA;Off solid ground&#xA;&#xA;&#xA;Check&#xA;That pussy on my face, I'ma talk in tongues&#xA;Legs in the air, scream hallelujah&#xA;Make her squirt that holy water&#xA;Drinkin' on wine but no communion&#xA;Only my dick she is consumin'&#xA;On her knees, sayin', &amp;quot;Oh my God&amp;quot;&#xA;Pull the camera out, let's make a movie&#xA;That pussy wet like Noah's Ark&#xA;Go ahead, girl, just bless me&#xA;If you on your period, call me Moses&#xA;'Cause I'm about to split that red sea&#xA;Gimme that head like you're breakin' brеad&#xA;I'm about to fuck you like the Twelvе Disciples&#xA;All my fault, I'ma nail you to the cross&#xA;Lash on your back, but I know ya like that&#xA;Her with my dick like David and Goliath&#xA;Take your thong off, flick it at me like a slingshot&#xA;Might give ya cock on a mountaintop&#xA;Drop, drop, get it, get it, don't stop&#xA;We like Adam and Eve, but I'ma eat that apple bottom&#xA;Snake in the grass, gon' shake that ass&#xA;Like Keith Sweat, I'ma make it last&#xA;When I ate that pussy, I broke my fast, hahahaha&#xA;&#xA;Uh&#xA;Now how many times I gotta tell you, when I get to that money, better shake that ass? (Great)&#xA;Now how many times I gotta tell you, when I get to that money, better come back fast?&#xA;Now how many times I gotta tell you, when I get to that money, better shake that shit?&#xA;Now many times, when I lace you with how many rhymes?&#xA;When I tell you it's nothin' that deep, and you come back and tell me it's fine?&#xA;Shake it, shake it, shake it, shake it, shake it&#xA;How many times I gotta tell you, when I get to that money, better shake that ass?&#xA;Water that pussy like baptist&#xA;To find my sauce, need an at-&#xA;&#xA;&#xA;Lift me up, turn me around now&#xA;Turn me around, lift my feet, yeah&#xA;Lift my feet, off solid ground&#xA;Off solid ground, lift my feet, yeah&#xA;Lift my feet, off solid ground&#xA;Turn me around, lift my feet, yeah&#xA;Lift my feet, off solid ground" PRODUCER="Boom 93" COVERARTID="054/WZA44CD3HDZKKCM4WKQGABAJWKFC" PLAYTIME="268" PLAYTIME_FLOAT="267.672424" IMPORT_DATE="2025/7/5" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="32599"></INFO>
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<INFO BITRATE="984621" KEY_LYRICS="8 ContributorsWriter’s Block  Lyrics&#xA;Yeah, yeah&#xA;I don't know what else to say&#xA;I can't, I can't think of nothin'&#xA;I'm stumped&#xA;Here we go (Here we go)&#xA;&#xA;On your feet (On your feet)&#xA;Stand up (Stand up)&#xA;Everybody hands up (Hands up)&#xA;Uh, man, I dunno, man&#xA;Every time I go to think of something played out to say&#xA;You already said it&#xA;&#xA;&#xA;I ain't calling names 'cause all of y'all the same, plus&#xA;I'm the king, all my past pain all done changed up&#xA;All these plains, all these lames, since the Slaughter's came up&#xA;'Cause they know they hands tied, feet ball and chained up&#xA;Niggas be quick to call me the new 50 Cent&#xA;Because of my relationship with Marshall&#xA;Used to make me a little partial, but here's the brain fuck&#xA;We the same 'cause, I'm probably 'bout to fall out with a young buck&#xA;While I attempt to fuck the fucking game up&#xA;Bitch, splat, only thing I fear in here is chit-chat&#xA;You are hearing bars like your ear against a Kit Kat&#xA;Shady guys like the Navy, drive, wavy bye-bye&#xA;Maybe my Glock can turn your top to baby's Maybach&#xA;My shit is powerful, literally sick, trust me nigga&#xA;It's ugly to kill a thing if the bigger I get&#xA;The more disgusting and fuckin' disfigured it gets&#xA;Niggas expect me to go pop, oh, stop&#xA;Y'all about the champagne, I'm about the toast&#xA;I, only fuck with mailmen with heroin from Boca&#xA;Niggas that'll smoke you while you staring in your postbox&#xA;Only incense he enlightens when he's thinkin'&#xA;While that sinks in, I got a Brinks ink pen&#xA;I'm back, mutherfucker, notice the flyness on the cover of the XXL&#xA;I'm back from the dead like Tobey Maguire from the Brothers&#xA;How y'all realer, If I said it, I did it&#xA;If I didn't, I seen it first-hand like a car dealer&#xA;Give up the throne, your lease up, I am the Mona Lisa&#xA;The decoded Da Vinci Code, you throwin' your piece up&#xA;Is a waste of fake like a phony B-cup&#xA;Nigga, the mistake was like my only teacher&#xA;Wait 'til they get a load of me 'cause&#xA;I've got Gucci's on my feet&#xA;Diamonds on my neck&#xA;Diamonds on my wrist&#xA;Bitches on my dick&#xA;But y'all already said that&#xA;Choppers in the trunk&#xA;Models in the front&#xA;Bottles in the club&#xA;But I don't give a fuck&#xA;But y'all already said that&#xA;&#xA;'Cause sometimes I feel like it's so hard&#xA;For me to come up with shit and just say (Ayy)&#xA;I'm at a loss for words 'cause y'all already said it all&#xA;I think I'm runnin' out of cliches&#xA;I'm gettin' writer's block&#xA;Psyche!&#xA;&#xA;&#xA;When I stand up in this booth, niggas notice it&#xA;Sittin' on the same boat that Noah built&#xA;Floatin' on the same water Moses split&#xA;Poetry in motion, but we sittin' on your grave site, overkill&#xA;Aren't you tired, why are you so loud, quiet&#xA;Real dudes move in silence like a mute drivin' a new hybrid&#xA;You dudes is too excited&#xA;You a dude that'd try to sue a dude that's suicidal&#xA;You will just be another victim&#xA;I am like a nickel of weed rolled in a doobie, I'm a little twisted&#xA;I roll like the end credits in movies, y'all just got scripted&#xA;Got y'all niggas' bitches bobbin' to this one when she witcha&#xA;When she wit' me, she bobbin', not vibin'&#xA;Tryna put her mind into the inside of my zipper&#xA;I'm a separate with a purpose, havin' problems&#xA;Not a problem I've encountered, I have found elephants, lions, clowns&#xA;Will jump through hoops like they workin' for the circus&#xA;At the fire round the circle's right in front of them, fire rounds&#xA;Pun intended, gun extended, what are you mark's askin'&#xA;Car's Aston, started as a hard-top and I saw past it&#xA;Since I decided to start Class diss&#xA;All black, all glass, panoramic roof been gettin' marked absent&#xA;I authorize my own all-access&#xA;Your bitch a whore, I'm a catch, she ball-catchin'&#xA;Her jaw's been broadcasted all across the globe from the store to Japan&#xA;Her pussy need to be blocked and reported as spam&#xA;Bong! 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<INFO BITRATE="1025806" KEY_LYRICS="1 ContributorShuffle-T and Marlo vs Scizzahz &amp;amp; Wizard Lyrics&#xA;I invented bad bars you cunts&#xA;That's right, you my sons&#xA;You look like every librarian in the world combined into one&#xA;What's good Shuffle T?&#xA;Looking like your daily diet is a cup of T&#xA;Yo, I got more guns than Muscle Beach&#xA;Your girl ain't from Detroit but she loves the D&#xA;&#xA;&#xA;Don't fuck with me or I'll punch your mother's cheeks for a hundred weeks&#xA;Looking like she got stung by bees&#xA;Or tried to brush her teeth with a rusty piece of cutlery&#xA;We're a couple G's&#xA;You both grew up in a nunnery where you wore dungarees&#xA;You weren't praying for love and peace&#xA;But once a week they had to get down on their knees in front of priests&#xA;&#xA;&#xA;Yeah you don't get bitches but between you you've probably shagged like half a dozen&#xA;I bet that shit makes you cry like cutting the largest onion&#xA;Yo, quit your barking cousin&#xA;Cause you ain't gotta go to the zoo to see that Llama dumping&#xA;&#xA;&#xA;I'll sleep with your misses&#xA;You'll catch us in the act and I'll make you apologize and then clean up my dishes&#xA;Don't come between me and my business&#xA;Or you'll be like an old person in a nursing home; I'll be feeding you biscuits&#xA;It will be like waking to find your bed sheets full of kippers&#xA;{Why?}&#xA;Cause I'll make you sleep with the fishes&#xA;&#xA;Yeah, I'm on the streets getting guap, you do years of lectures&#xA;Since you're both shit comedians you'll hear the Heckler&#xA;Yo, Shuffle and Marlo I'll box them fags&#xA;Your girl flies around the kid like an Oxfam add&#xA;&#xA;&#xA;I like leather sofa's, crocodile loafers and minks&#xA;You like getting on drunk benders and you don't even drink&#xA;Look, I'm gripping the Glocks&#xA;And when I lift the tre' I ain't Justin Timberlake but I'll put this Dick In A Box&#xA;&#xA;&#xA;Yo that pedophile coat you usually wear makes me sick&#xA;It means you either take the dick or you got underage Asian chicks sending you naked pics&#xA;Big gun leave your chest hanging out like the fakest tits&#xA;You don't think so you'll see the best of the Nina like Simone's greatest hits&#xA;&#xA;&#xA;Yo, these two are actually gangstas, it's a cover up, they keep the facts hidden&#xA;The both met back in prison and shared the same hustler's ambition&#xA;Marlo don't leave the house unless the gat's with him&#xA;And Shuffle? He only sleeps with fat black women&#xA;Look, I'm talking bollocks, that's a given&#xA;Apart from, well, Shuffle does only sleep with fat women&#xA;But they have to be white cause he hates black women&#xA;&#xA;Wiz' and Sciz' have so much money&#xA;They're literally always getting gwap&#xA;Always, their cash flow never stops&#xA;&#xA; Where do you even get it from?&#xA;&#xA; How many shops have you fellas robbed?&#xA;&#xA; Doing the sleaziest ends and odds like Megan Fox in every job she's ever got&#xA;Getting off with men in frocks in tennis socks til they let it pop like Pepsi froth&#xA;&#xA; Catch him on Brighton beach with a sign that reads &amp;quot;Press my nob for 20 &#xA;&#xA; And they got cash in hand for every job and make sure they check it off cause they realize if a penny's dropped&#xA;&#xA; Fuck the cash that you pretend that you magically get&#xA;Your face looks like you have the excess flab from your neck attached with a peg at the back of your head&#xA;&#xA; Your lizard face is bony as hell&#xA;You look like a failed attempt the wizard made of cloning himself&#xA;&#xA; Also your name is Scizzahz, which is fucking hilarious&#xA;And the only time I go for a big wiz' is when my dick pisses for six minutes&#xA;I have to excuse myself from family dinners...I have a condition&#xA;Fuck any style of clothing you've ever worn to battles you stupid short twat&#xA;If any of your shoes were more flash you'd be a human torch and confuse your doormat&#xA;You're a walking, talking, all conforming, consumer whore trash Gucci porn ad&#xA;You're like if Michael Bay directed a movie called 'Swag'&#xA;&#xA;In battles you state your chips stack to the roof&#xA;Which is a hazardous waste an impractical move&#xA;Yo, neither of them own an account at the bank&#xA;Just mountains and mountains and mountains of cash&#xA;Your nan walked in to the lounge where it's stacked&#xA;And tripped over a million pounds like a twat&#xA;Compounded at that&#xA;But since they were 15 they've been making Italian savings and funds, wages and sums&#xA;Went to watch Wolf Of Wall Street and claimed it was fun&#xA;But thought it was a working class family romp based in the slums&#xA;The rate at which they stack those bills will astound&#xA;They got sick of all their cash sitting about&#xA;So they gave up making money for Lent just sitting around&#xA;And accidentally made, a billion pounds&#xA;He's so rich it's a fucking joke&#xA;He lights some cash to light a match to light a fag...he doesn't smoke&#xA;But I don't think he's as rich as he thinks&#xA;Would he give away 303 quid to some hobo's after three drinks?&#xA;No!&#xA;&#xA;&#xA;Yo and check this, when I'm hungry, I'm always eating a tidbit&#xA;Using food to keep myself sustained is really addictive&#xA;So when I hit a one stop and I leave with a big Twix&#xA;You'll think I'm grabbing an actual gun and shooting you in the fucking face the way I reach for the biscuit&#xA;&#xA;&#xA;What the fuck was that?&#xA;&#xA;&#xA;Reverse gun bar&#xA;&#xA;&#xA;Yo, I'm clapping at these wankers&#xA;The crowd wanna see battles not amateur dramatics acted out by spastics&#xA;Look, me and Wizzy keep it gritty&#xA;We do make so much cheddar that we get our checks sent to Cathedral City&#xA;&#xA;&#xA;Yo, no heart surgery I'll put knives to your chest&#xA;You're like coke heads with Parkinsons cause your lines are a mess&#xA;Yes, you're goddamn right I'll fire the Tec&#xA;You ain't trying to hear the sea when I put that shell to the side of your head&#xA;&#xA;&#xA;Yeah and I'm nice with the bread, I store it in a big bank&#xA;I live in a mansion and own Europe's biggest fish tank&#xA;Look, you're in love with your girl but she's a thick skank&#xA;I'll pull out the nine and pump shots to her chest like a tit wank&#xA;&#xA;&#xA;Yeah that slags ass took up half my sofa&#xA;We chilled out, kicked back, sparked the doujah&#xA;She started sucking me off, gave me the largest boner&#xA;Then I got messy in the box&#xA; What's that?&#xA; Barcelona!&#xA;&#xA;&#xA;Yo, this 'tards a loaner, dress like a dodgy fucker&#xA;You need to raise Cash like Johnny's mother&#xA;Marlo's going &amp;quot;Dudes, ditch the gums they're a horrid color&amp;quot;&#xA;Shuffle's like, &amp;quot;Oh do sod off, you're not my mother.&amp;quot;&#xA;&#xA;&#xA;Yo you two ain't making cheddar&#xA;When you go and get your hair cut you're like, &amp;quot;Just give me that David Guetta.&amp;quot;&#xA;I'm like Ray Charles cause I wear shades forever&#xA;I bring hands to your block like a game of Jenga&#xA;&#xA;&#xA;You wanna be rap battle legends, that's depressing&#xA;It's like saying you're an O.G. at stamp collecting&#xA;Look, I'll bash your head in cause I'm a go-getter&#xA;You really ain't no better than faux leather, I'll do this fo'ever&#xA;I'll smoke a spliff when I'm planning attacks&#xA;You'd smoke a spliff and have a panic attack, now that ain't so clever&#xA;&#xA;&#xA;Yeah girls say to me, &amp;quot;You are what a man looks like.&amp;quot;&#xA;Girls say to you, &amp;quot;You're what my nan looks like.&amp;quot;&#xA;Yo, you're going bald Marlo, that right there is certain&#xA;Your hair is more wavy than a friendly person&#xA;And no upset stomach but I'm dumping the big shit&#xA;I'm like Shuffle's nan cause I'll serve tea/T with the biscuit&#xA;&#xA;&#xA;Now ladies, love a guy with a musical gene&#xA;Especially dudes that can read music from sheet&#xA;That's why Wizard runs through every single groupie he meets&#xA;That his acoustics a beast and he plays the flute in his sleep&#xA;Then of course she won't put out until he plays her a tune cause it's sweet&#xA;So he sits her down in front of his computer and she&#xA;Has to watch him spend six hours producing a beat&#xA;And I think your beats would sound better if you stopped exploiting 'em&#xA;And just uploading all the lines so we just didn't see them&#xA;I'm saying, your music's good...within Reason&#xA;&#xA;&#xA;Now who remembers 'Scrape That'?&#xA;Scizzahz great song about saving up his cash&#xA;I love your decision to whisper all the crazy stuff you rapped&#xA;You sounded really kinda timid when you made the fucking track&#xA;Like you were trying really hard no to wake your mum and dad&#xA;&amp;quot;Scrape that. Get that money. Scrape that.&amp;quot;&#xA;&#xA;&#xA;Fuck 'Scrape That', I'll run up in your studio and take a shit on your mixer; scrape that!&#xA;Cause you produce a bunch of beats on which some guys can rap&#xA;But then you DJ that shit live and the club finds it wack&#xA;See you guys are producers but your stuff's like a cat&#xA;&#xA;&#xA;Why is that?&#xA;&#xA;&#xA;But I thought YOU were coming up with a punchline for that&#xA;&#xA;&#xA;Now I hope in this battle you remind us all of your criminal hustle&#xA;And recycle some old used gun bars from your infinite bundle&#xA;Cause you reuse that same joke like some miserable uncle&#xA;And squeeze the most out of that shit like bear grills in the jungle&#xA;&#xA;&#xA;I actually imagined a non gun bar  be about for April Fools&#xA;Ah, without any chrome sprayed and not a single reference to the amount they both make&#xA;And if you wanna know exactly how that sounded then go play&#xA;Uno Lavoz's third round against O'shea&#xA;&#xA;&#xA;Cause you make a gun bar and claim it's a banger&#xA;Telling everybody that you stay with the hammer&#xA;That ain't funny anymore you need a change in your stand up&#xA;Cause if laughter's the best medicine then they give you cancer&#xA;You guys act all American like you're Loe Pesci now&#xA;You should know that kind of shit just don't get the crowd&#xA;I'm sure your pseudo Cali style makes you both very proud&#xA;But if you wanted to sound American more just...choke every round&#xA;&#xA;&#xA;Cause when you bitches wrap it's always schemes about the hidden gats you brought to squeeze&#xA;But what you know about sneaking cheese graters past the Brixton  security?&#xA;And even against the Americans you still had those lyrical gats pop&#xA;You called the performance a lot of support but Josh it was awkward&#xA;Cause if you tried that over there after crossing the boarder you'd be shoot for just talking&#xA;Shit, you'd be in more danger of those Washington than Solomon Northup&#xA;On his first day there he'd hear a knock at the door and it's a robber that's calling like, &amp;quot;Give me your shit bitch of I'ma pull out the biscuit.&amp;quot;&#xA;And big Wiz' with his quick wit would probably say, &amp;quot;Oop, no chocolate &amp;quot;&#xA;And look, if you like when they rap on blazing heat, how they grab the chrome and spray&#xA;You must be higher than Harry Baker's sleeves when he battled Stowaway&#xA;&#xA;&#xA;In 50 years when Wizard here is getting old and grey&#xA;He'll turn to his grandchildren like he's got a joke to say&#xA;Like, &amp;quot;Did I ever tell you the one about how I grabbed the chrome and sprayed?&amp;quot;&#xA;&#xA;&#xA;&amp;quot;Granddad yes! We heard your gun bars. Now please just go away.&amp;quot;&#xA;&#xA;&#xA;And there's some shit we promised we wouldn't bring up&#xA;And we're men of our words....so time&#xA;&#xA;&#xA;Yo, I'll drive up to Redding with a gun and a mask&#xA;Wet up these posh cunts like when I fingered your mum in a bath&#xA;Yo those slags have got some fat thighs, and they're proper racist&#xA;Cause I pulled out my dick and they went, &amp;quot;Sor', not into black guys.&amp;quot;&#xA;&#xA;&#xA;That's right, you're with your mates William and Zander&#xA; thinking that you're witty with the banter&#xA;I'm chilling with a bitch on a Beranda&#xA;My girl looking like Rihanna, your girl looking like Miranda&#xA;&#xA;&#xA;Ya big wiz' I'm gripping and I'm firing&#xA;Since you look like Marv' from Home Alone it's only right I hit you with the iron&#xA;When it comes to shooting I'm a pro dude&#xA;I'll put the steel to your dome like scaffolding at the O2&#xA;&#xA;&#xA;Your set is polished for certain, you put a lot of the word in&#xA;I wish I practiced as much but I'd rather not be a virgin&#xA;This clonker is working for a place that remakes clothes&#xA;I thought, &amp;quot;There's nothing wrong with that.&amp;quot;&#xA;Until I found out it was called, &amp;quot;We Say No&amp;quot;&#xA;He tried to donate his cheapskate coat&#xA;His boss was like, &amp;quot;Ahh, thanks Adam. Okay, let me see mate...No.&amp;quot;&#xA;&#xA;&#xA;Yo, you only came to Brighton for the hairy gay guys&#xA;Bitch! That black forty is still popping like Mary J. Blige&#xA;Yo it's All I Need, you know that I'm packing mines&#xA;It's like school sports day the way we clapping them nines&#xA;&#xA;&#xA;Yo, I get mad respect, call me Gillette&#xA;Watch this pro glide, I mack/mach 3 hoes and they're the best a man can get&#xA;Yo, I'm razor sharp and these dudes not right&#xA;I'm like a builder having a wank the way I shoot on sight/site&#xA;&#xA;&#xA;You said you had a Fiesta from '83 to get you from A to B&#xA;The only problem with that mate is that it doesn't get you laid you see&#xA;I said, I leave bitches wet like they went out in the Timbs&#xA;Cause I got an Audi and a Benz from 2010&#xA;&#xA;&#xA;Pass me the green I'll get to blunt blazing&#xA;Won't depart from the scene without guns blazing&#xA;My life is large an obscene I keep the funds raising&#xA;I'm in a bath full of beans like I'm fund raiding&#xA;&#xA;&#xA;Sciz' I got plenty more fam'&#xA;You're so white and skinny you make Marilyn Manson look like a flabby old black man&#xA;So stop doubting it's drama&#xA;Cause you'll be like an Egyptian man walking his pet; taking out with the Llama&#xA;&#xA;&#xA;Look, you've had it easy til now, mainly shit opposition&#xA;You entered wanking contests just so you'd get stiff competition&#xA;But look, you can't manage this team I'll call you David Moyes&#xA;They only came to the coast for the lady boys&#xA;If you rep for this city you need to raise your voice&#xA;I'm like Brighton where you at?&#xA;&#xA;&#xA;Make some noise!&#xA;&#xA;&#xA;You're gonna lose you dickhead&#xA;You know why?&#xA;Cause we're thee best comics&#xA;No tiny male version of Barbie but I put my wee Ken on it (weekend)&#xA;Cause you treat that proper shit like the exact opposite of the shallow side of a swimming pool; deep end (depend) on it&#xA;&#xA;&#xA;These guys will overuse their gimmick&#xA;Yo, we're like Usain Bolt, so quick&#xA;You're not like Usain Bolt, no quick&#xA;Slow bitch, if there's one thing I'm telling you guys, know this&#xA;I suggest changing that gun bar gimmick of yours to stitching feces&#xA;Since it's already so (sew) shit&#xA;&#xA;&#xA;He asked us to hang out&#xA;I was like, &amp;quot;Is this crazy guy proper?&amp;quot;&#xA;It took me ages to get back to you like a lazy spine doctor&#xA;&#xA;&#xA;Yeah we been bashing these pricks hard, I'll start smashing your bitch Todd&#xA;It's like more than one of the local S&amp;amp;M scat clubs closing down for refurbishment&#xA;And then all of them actually reopening again the way we back with some shit bars&#xA;&#xA;&#xA;Yo, it's like the opposite of fair trade chocolate&#xA;Morally (more really) bad bars&#xA;Yo, you're so gay, your home's Dusseldorf&#xA;That's right, you just a gay, Wizard, no Dumbledore&#xA;&#xA;&#xA;See me, I've always got that gun to shoot people with&#xA;But don't confuse it with my arms which some people may also call &amp;quot;guns&amp;quot;&#xA;&#xA;&#xA;Wohohoho!&#xA;You're as gay as a dinosaur&#xA;I ain't as gay as a dinosaur&#xA;I ain't saying he's gay, wait I am, I ain't gonna lie no more&#xA;Cause this guy opens to ding dongs like a door&#xA;&#xA;&#xA;Yeah, you guys are from Hastings, which has a nice selection of pubs&#xA;Nah, fuck Hastings, you're like Brighton's lesbian mum&#xA;When I say we'll battle off Hastings ain't no fight the settler's won&#xA;I've hated Hastings ever since I fell into that spiky equin grub&#xA;&#xA;&#xA;They, fucking appalling&#xA;Say, something that's boring&#xA;When I'm up here, well it's great fun when I'm talking&#xA;It's like I'm observing the changing measurement of grams in my various mugs&#xA;Because it gives me a reason to wake up (weigh cup) in the moring&#xA;&#xA;&#xA;I'm no thief, so I don't wanna Jack your real name&#xA;I'm not going to say it though&#xA;&#xA;&#xA;Say it thought cause...&#xA;&#xA;&#xA;Your lame bitch gimmick's played&#xA;Cause when you aim clips, hit and slay and spray pricks with a trey&#xA;The formula is me not flushing the toilet for a week&#xA;Same shit, different day&#xA;&#xA;&#xA;See with us you get variety&#xA;Bad Bars once and that was it and now we're pissed&#xA;Your fucking style has forced us to come back to it&#xA;Cause a real Wizard knows to repeat the same magic trick&#xA;But you guys have been back in this since way before Bagnall did the capturing on his camera kit&#xA;Back in the OT days; anarchists&#xA;But now we're the fucking catalysts of the new wave of battling&#xA;Where it's only cool to do when you really fucking practice it&#xA;&#xA;&#xA;Shuf' and Marl', nothing off the top of the dome or the head&#xA;And I bet you're totally scared at how over prepared we can go with a set&#xA;For example, if I say the word in a code that we've said&#xA;Like, &amp;quot;You both are some plebs&amp;quot;&#xA;Then Shuffle knows in his head he needs to go over there and start combing his hair&#xA;&#xA;&#xA;Oh yeah, we're never dropping shit off the top of the dome&#xA;We're just propped and sitting and home, jotting scripts on the go like the opposite of Charron&#xA;Are rehearsal game is off the chain&#xA;&#xA;&#xA;Our fucking practice game doesn't even have a chain a man can break&#xA;One of us will just kinda be saying some stuff&#xA;&#xA;&#xA;And the next person will just be kinda making it up&#xA;&#xA;&#xA;And before you know it the synchronization is done and we're basically one&#xA;Mate!&#xA;Just shut up, aww for fuck s-&#xA;This isn't&#xA;Fuck it man, let's just go&#xA;You both-&#xA;You both need to stop and fucking analyse this&#xA;You spent a lot of time on the battle mic tip&#xA;And you actually write tracks that like...have a nice mix&#xA;A career full of hardships and sacrifices&#xA;And here we are so poshy twat cracker white kids&#xA;Against established producers with actual music they plan their lives with&#xA;So fucking tune in, rapping like this, getting ten times your views with this pantomime shit&#xA;Adam I quit&#xA;&#xA;&#xA;Why did I say...&#xA;&#xA;&#xA;Time!" 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<INFO BITRATE="952848" KEY_LYRICS="3 ContributorsThe Poetaster Act 5. Scene 1 LyricsBanquet halls are a very special place, where under one big roof so many different memories are made. From proms to weddings to baby showers, once that DJ starts to spin, there’s something about that… Read More Banquet halls are a very special place, where under one big roof so many different memories are made. From proms to weddings to baby showers, once that DJ starts to spin, there's something about that cavernous echo that begs to be filled with sing-along dance tunes. Top 40 hits come and go, and no doubt there will be plenty of those contemporary tunes throughout the evening, but there are few songs that are as fun now as they were the first time. Not only do they never go out of style, they are essential components of the perfect hoe-down in all banquet halls.&#xA;&#xA;1. The Chicken Dance&#xA;This song is a great opener to get the crowd going. Even the stiffest old timers can't help but get up and shake a leg when this song comes on. And what could be cuter than a gaggle of little kids all wiggling their tail feathers and squawking like chicks? This is a great song for a country-themed wedding.&#xA;&#xA;2. Macarena, by Los Dos Rios&#xA;A major craze when first released in 1995, the Macarena will keep the energy up, up, up. The simple dance moves and catchy tune are an irresistible combination, and the Latin flavor will be a welcome change of beat.&#xA;&#xA;3. Dancing Queen, by ABBA&#xA;Light-hearted and bubbly, Dancing Queen is a must-have for any occasion where free spirits are blooming and the night is young. Dancing Queen was written for the royal Swedish wedding in 1976, but its candy-sweet ebullience is as fresh as ever. This song has gone on to be a romantic staple at just about every wedding in the U.S.&#xA;&#xA;4. My Heart Will Go On, by Celine Dion&#xA;The words are simple, the feeling is big. Lost love is in the air, and nobody ever said it better than Celine. Play this song later in the night, after a few glasses of wine have everyone misty-eyed and ready to belt out, &amp;quot;My heart will go on and OOOOOOON!&amp;quot; with Celine.&#xA;&#xA;5. Don't Stop Believin, by Journey&#xA;The ultimate crowd-pleaser, bring the mood up again with Journey's quintessential Americana midnight adventure song. Fists will pump and memories of late-night train rides and midnight diner trysts will flood back. Even though this song came out in 1981, it still plays on the radio often enough that kids who weren't even born then know the words. It's a great goodbye, goodnight, and see you on the road song.&#xA;&#xA;These time-honored tunes have been staples of banquet halls for decades because they've got that timeless jive that keeps them fresh. They are sure to bring back old memories and inspire new ones.&#xA;&#xA;riage, first gave sign&#xA;Unto his contract; fire and air did shine,&#xA;As guilty of the match; and from the hill&#xA;The nymphs with shriekings do the region fill.&#xA;Here first began their bane; this day was ground&#xA;Of all their ills; for now, nor rumour's sound,&#xA;Nor nice respect of state, moves Dido ought;&#xA;Her love no longer now by stealth is sought:&#xA;She calls this wedlock, and with that fair name&#xA;Covers her fault. Forthwith the bruit and fame,&#xA;Through all the greatest Lybian towns is gone;&#xA;Fame, a fleet evil, than which is swifter none,&#xA;That moving grows, and flying gathers strength,&#xA;Little at first, and fearful; but at length&#xA;She dares attempt the skies, and stalking proud&#xA;With feet on ground, her head doth pierce a cloud!&#xA;This child, our parent earth, stirr'd up with spite&#xA;Of all the gods, brought forth; and, as some write,&#xA;She was last sister of that giant race&#xA;That thought to scale Jove' s court; right swift of pace,&#xA;And swifter far of wing; a monster vast,&#xA;And dreadful. Look, how many plumes are placed&#xA;On her huge corps, so many waking eyes&#xA;Stick underneath; and, which may stranger rise&#xA;In the report, as many tongues she bears,&#xA;As many mouths, as many listening ears.&#xA;Nightly, in midst of all the heaven, she flies,&#xA;And through the earth's dark shadow shrieking cries,&#xA;Nor do her eyes once bend to taste sweet sleep;&#xA;By day on tops of houses she doth keep,&#xA;Or on high towers; and doth thence affright&#xA;Cities and towns of most conspicuous site:&#xA;As covetous she is of tales and lies,&#xA;As prodigal of truth: this monster—&#xA;Lup.&#xA; Come, follow me, assist me, second me! Where'! the&#xA;emperor?&#xA;&#xA;1 Eques.&#xA; Sir, you must pardon us.&#xA;&#xA;2 Eques.&#xA; Caesar is private now; you may not enter.&#xA;&#xA;Tuc.&#xA; Not enter! Charge them upon their allegiance,&#xA;cropshin.&#xA;&#xA;1 Eques.&#xA; We have a charge to the contrary, sir.&#xA;&#xA;Lup.&#xA; I pronounce you all traitors, horrible traitors:&#xA;What! do you know my affairs? I have matter of danger and state to impart to Caesar.&#xA;&#xA;Caes.&#xA;What noise is there? who's that names Caesar?&#xA;&#xA;Lup.&#xA; A friend to Caesar. One that, for Caesar's good,&#xA;would speak with Caesar.&#xA;Caes.&#xA;Who is it? look, Cornelius.&#xA;&#xA;1 Eques.&#xA; Asinius Lupus.&#xA;&#xA;Caes.&#xA;O, bid the turbulent informer hence;&#xA;We have no vacant ear now, to receive&#xA;The unseason'd fruits of his officious tongue.&#xA;&#xA;Mec.&#xA;You must avoid him there.&#xA;&#xA;Lup.&#xA; I conjure thee, as thou art. Caesar, or respectest&#xA;thine own safety, or the safety of the state, Caesar, hear me,&#xA;speak with me, Caesar; 'tis no common business I come about, but&#xA;such, as being neglected, may concern the life of Caesar.&#xA;&#xA;Caes.&#xA;The life of Caesar! Let him enter. Virgil, keep thy seat.&#xA;Enter Lupus, Tucca, and Lictors.&#xA;&#xA;Eques.&#xA; Bear back, there: whither will you? keep back!&#xA;Tuc.&#xA;By thy leave, goodman usher: mend thy peruke; so.&#xA;&#xA;Lup.&#xA;Lay hold on Horace there; and on Mecaenas, lictors. Romans,&#xA;offer no rescue, upon your allegiance: read, royal Caesar.&#xA; I'll tickle you, Satyr.&#xA;&#xA;Tuc.&#xA;He will, Humours, he will; he will squeeze you, poet&#xA;puck-fist.&#xA;&#xA;Lup.&#xA;I'll lop you off for an unprofitable branch, you satirical&#xA;varlet.&#xA;&#xA;Tuc.&#xA;Ay, and Epaminondas your patron here, with his flagon chain;&#xA;come, resign:  though 'twere your great grandfather's, the law has made it mine now, sir. Look to him, my party-coloured rascals; look to him.&#xA;&#xA;Caes.&#xA;What is this, Asinius Lupus? I understand it not.&#xA;&#xA;Lup.&#xA;Not understand it! A libel, Caesar; a dangerous, seditious&#xA;libel; a libel in picture.&#xA;&#xA;Caes.&#xA;A libel!&#xA;&#xA;Lup.&#xA;Ay, I found it in this Horace his study, in Mecaenas his&#xA;house, here; I challenge the penalty of the laws against them.&#xA;&#xA;Tuc.&#xA;Ay, and remember to beg their land betimes; before some of&#xA;these hungry court-hounds scent it out.&#xA;&#xA;Caes.&#xA;Shew it to Horace: ask him if he know it.&#xA;&#xA;Lup.&#xA;Know it! his hand is at it, Caesar.&#xA;&#xA;Caes.&#xA;Then 'tis no libel.&#xA;&#xA;Hor.&#xA;It is the imperfect body of an emblem, Caesar, I began for&#xA;Mecaenas.&#xA;&#xA;Lup.&#xA;An emblem! right: that's Greek for a libel. Do but mark how&#xA;confident he is.&#xA;&#xA;Hor.&#xA;A just man cannot fear, thou foolish tribune;&#xA;Not, though the malice of traducing tongues,&#xA;The open vastness of a tyrant's ear,&#xA;The senseless rigour of the wrested laws,&#xA;Or the red eyes of strain'd authority,&#xA;Should, in a point, meet all to take his life:&#xA;His innocence is armour 'gainst all these.&#xA;&#xA;Lup.&#xA;Innocence! O impudence! let me see, let me see! Is not here an&#xA;eagle! and is not that eagle meant by Caesar, ha? Does not Caesar&#xA;give the eagle? answer me; what sayest thou?&#xA;&#xA;Tuc.&#xA;Hast thou any evasion, stinkard?&#xA;&#xA;Lup.&#xA;Now he's turn'd dumb. I'll tickle you, Satyr.&#xA;&#xA;Hor.&#xA;Pish: ha, ha!&#xA;&#xA;Lup.&#xA;Dost thou pish me? Give me my long sword.&#xA;&#xA;Hor.&#xA;With reverence to great Caesar, worthy Romans,&#xA;Observe but this ridiculous commenter;&#xA;The soul 'to my device was in this distich:&#xA;Thus oft, the base and ravenous multitude&#xA;Survive, to share the spoils of fortitude.&#xA;Which in this body I have figured here,&#xA;A vulture—&#xA;&#xA;Lup.&#xA;A vulture! Ay, now, 'tis a vulture. O abominable! monstrous!&#xA;monstrous! has not your vulture a beak? has it not legs, and&#xA;talons, and wings, and feathers?&#xA;&#xA;Tuc.&#xA;Touch him, old buskins.&#xA;&#xA;Hor.&#xA;And therefore must it be an eagle?&#xA;&#xA;Mec.&#xA;Respect him not, good Horace: say your device.&#xA;&#xA;Hor.&#xA;A vulture and a wolf&#xA;&#xA;Lup.&#xA;A wolf! good: that's I; I am the wolf: my name's Lupus; I am&#xA;meant by the wolf. On, on; a vulture and a wolf&#xA;&#xA;Hor.&#xA;Preying upon the carcass of an ass—&#xA;&#xA;Lup.&#xA;An ass! good still: that's I too; I am the ass. You mean me by&#xA;the ass.&#xA;&#xA;Mec.&#xA;Prithee, leave braying then.&#xA;&#xA;Hor.&#xA;If you will needs take it, I cannot with modesty give it from&#xA;you.&#xA;&#xA;Mec.&#xA;But, by that beast, the old Egyptians&#xA;Were wont to figure, in their hieroglyphics,&#xA;Patience, frugality, and fortitude;&#xA;For none of which we can suspect you, tribune.&#xA;&#xA;Caes.&#xA;Who was it, Lupus, that inform'd you first, This should be&#xA;meant by us? Or was't your comment?&#xA;&#xA;Lup.&#xA;No, Caesar; a player gave me the first light of it indeed.&#xA;&#xA;Tuc.&#xA;Ay, an honest sycophant-like slave, and a politician besides&#xA;&#xA;Caes.&#xA;Where is that player?&#xA;&#xA;Tuc.&#xA;He is without here.&#xA;&#xA;Caes.&#xA;Call him in.&#xA;&#xA;Tuc.&#xA;Call in the player there: master AEsop, call him.&#xA;&#xA;Equites.&#xA; Player! where is the player? bear back: none but&#xA;the player enter.&#xA;&#xA;[Enter AESOP, followed by CRISPINUS and DEMETRIUS.&#xA;&#xA;Tuc.&#xA;Yes, this gentleman and his Achates must.&#xA;&#xA;Cris.&#xA;Pray you, master usher:—we'll stand close, here.&#xA;&#xA;Tuc.&#xA;'Tis a gentleman of quality, this; though he be somewhat out&#xA;of clothes, I tell ye.—Come, AEsop, hast a bay-leaf in thy mouth?&#xA;Well said; be not out, stinkard. Thou shalt have a monopoly of&#xA;playing confirm'd to thee, and thy covey, under the emperor's broad seal, for this service.&#xA;&#xA;Caes.&#xA;Is this he?&#xA;&#xA;Lup.&#xA;Ay, Caesar, this is he.&#xA;&#xA;Caes.&#xA;Let him be whipped. Lictors, go take him hence.&#xA;And, Lupus, for your fierce credulity,&#xA;One fit him with a pair of larger ears:&#xA;'Tis Caesar's doom, and must not be revoked.&#xA;We hate to have our court and peace disturb'd&#xA;With these quotidian clamours. See it done.&#xA;&#xA;Lup.&#xA;Caesar! &#xA;&#xA;[Exeunt some of the Lictors, with Lupus and AEsop&#xA;&#xA;Caes.&#xA;Gag him,  we may have his silence.&#xA;&#xA;Virg.&#xA;Caesar hath done like Caesar. Fair and just&#xA;Is his award, against these brainless creatures.&#xA;'Tis not the wholesome sharp morality,&#xA;Or modest anger of a satiric spirit,&#xA;That hurts or wounds the body of the state;&#xA;But the sinister application&#xA;Of the malicious, ignorant, and base&#xA;Interpreter; who will distort, and strain&#xA;The general scope and purpose of an author&#xA;To his particular and private spleen.&#xA;&#xA;Caes.&#xA;We know it, our dear Virgil, and esteem it&#xA;A most dishonest practice in that man,&#xA;Will seem too witty in another's work.&#xA;What would Cornelius Gallus, and Tibullus?&#xA;&#xA;[They whisper Caesar.&#xA;&#xA;Tuc.&#xA; Nay, but as thou art a man, dost hear! a man&#xA;of worship and honourable: hold, here, take thy chain again.&#xA;Resume, mad Mecoenas. What! dost thou think I meant to have kept it, old boy? no: I did it but to fright thee, I, to try how thou&#xA;would'st take it. What! will I turn shark upon my friends, or my&#xA;friends' friends? I scorn it with my three souls. Come, I love&#xA;bully Horace as well as thou dost, I: 'tis an honest hieroglyphic.&#xA;Give me thy wrist, Helicon. Dost thou think I'll second e'er a&#xA;rhinoceros of them all, against thee, ha? or thy noble Hippocrene,&#xA;here? I'll turn stager first, and be whipt too: dost thou see,&#xA;bully?&#xA;&#xA;Caes.&#xA;You have your will of Caesar: use it, Romans.&#xA;Virgil shall be your praetor: and ourself&#xA;Will here sit by, spectator of your sports;&#xA;And think it no impeach of royalty.&#xA;Our ear is now too much profaned, grave Maro,&#xA;With these distastes, to take thy sacred lines;&#xA;Put up thy book, till both the time and we&#xA;Be fitted with more hallow'd circumstance&#xA;For the receiving of so divine a work.&#xA;Proceed with your design.&#xA;&#xA;Mec. Gal. Tib.&#xA;Thanks to great Caesar.&#xA;&#xA;Gal.&#xA;Tibullus, draw you the indictment then, whilst Horace arrests&#xA;them on the statute of Calumny. Mecaenas and I will take our&#xA;places here. Lictors, assist him.&#xA;&#xA;Hor.&#xA;I am the worst accuser under heaven.&#xA;&#xA;Gal.&#xA;Tut, you must do it; 'twill be noble mirth.&#xA;&#xA;Hor.&#xA;I take no knowledge that they do malign me.&#xA;&#xA;Tib.&#xA;Ay, but the world takes knowledge.&#xA;&#xA;Hor.&#xA;Would the world knew&#xA;How heartily I wish a fool should hate me!&#xA;&#xA;Tuc.&#xA;Body of Jupiter! what! will they arraign my brisk Poetaster&#xA;and his poor journeyman, ha? Would I were abroad skeldering for, a drachm, so I were out of this labyrinth again! I do feel myself&#xA;turn stinkard already: but I must set the best face I have upon't&#xA;now.&#xA;—Well said, my divine, deft Horace, bring the whoreson detracting slaves to the bar, do; make them hold up their spread golls: I'll give in evidence for thee, if thou wilt. Take courage, Crlspinus; would thy man had a clean band!&#xA;&#xA;Cris.&#xA;What must we do, captain?&#xA;&#xA;Tuc.&#xA;Thou shalt see anon: do not make division with thy legs so.&#xA;&#xA;Caes.&#xA;What's he. Horace?&#xA;&#xA;Hor.&#xA;I only know him for a motion, Caesar.&#xA;&#xA;Tuc.&#xA;I am one of thy commanders, Caesar; a man of service and&#xA;action: my name is Pantilius Tucca; I have served in thy wars&#xA;against Mark Antony, I.&#xA;&#xA;Caes.&#xA;Do you know him, Cornelius?&#xA;&#xA;Gal.&#xA;He's one that hath had the mustering, or convoy of a company&#xA;now and then: I never noted him by any other employment.&#xA;&#xA;Caes.&#xA;We will observe him better.&#xA;&#xA;Tib.&#xA;Lictor, proclaim silence in the court.&#xA;&#xA;Lict.&#xA;In the name of Caesar, silence!&#xA;&#xA;Tib.&#xA;Let the parties, the accuser and the accused, present&#xA;themselves.&#xA;&#xA;Lict.&#xA;The accuser and the accused, present yourselves in court.&#xA;&#xA;Cris.&#xA;Dem. Here.&#xA;&#xA;Virg.&#xA;Read the indictment.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, hold up your&#xA;hands. You are, before this time, jointly and severally indicted,&#xA;and here presently to be arraigned upon the statute of calumny, or&#xA;Lex Remmia, the one by the name of Rufus Laberius Crispinus, alias&#xA;Cri-spinus, poetaster and plagiary, the other by the name of&#xA;Demetrius Fannius, play-dresser and plagiary. That you (not having&#xA;the fear of Phoebus, or his shafts, before your eyes) contrary to&#xA;the peace of our liege lord, Augustus Caesar, his crown and&#xA;dignity, and against the form of a statute, in that case made and&#xA;provided, have moat ignorantly, foolishly, and, more like&#xA;yourselves, maliciously, gone about to deprave, and calumniate the&#xA;person and writings of Quintus Horatius Flaccus, here present,&#xA;poet, and priest to the Muses, and to that end have mutually&#xA;conspired and plotted, at sundry times, as by several means, and in&#xA;sundry places, for the better accomplishing your base and envious&#xA;purpose, taxing him falsely, of self-love, arrogancy, impudence,&#xA;railing, filching by translation, etc. Of all which calumnies, and&#xA;every of them, in manner and form aforesaid, what answer you! Are you guilty, or not guilty?&#xA;&#xA;Tuc.&#xA;Not guilty, say.&#xA;&#xA;Cris.&#xA;Dem. Not guilty.&#xA;&#xA;Tib.&#xA;How will you be tried?&#xA;[Aside to Crispinus.&#xA;&#xA;Tuc.&#xA;By the Roman Gods, and the noblest Romans.&#xA;&#xA;Cris.&#xA;Dem. By the Roman gods, and the noblest Romans.&#xA;&#xA;Virg.&#xA;Here sits Mecaenas, and Cornelius Gallus, are you contented&#xA;to be tried by these?&#xA;[Aside.&#xA;&#xA;Tuc.&#xA;Ay, so the noble captain may be joined with them in&#xA;commission, say.&#xA;&#xA;Cris.&#xA;Dem. Ay, so the noble captain may be joined&#xA;with them in commission.&#xA;&#xA;Virg.&#xA;What says the plaintiff?&#xA;&#xA;Hor.&#xA;I am content.&#xA;&#xA;Virg.&#xA;Captain, then take your place.&#xA;&#xA;Tuc.&#xA;alas, my worshipful praetor! 'tis more of thy gentleness than&#xA;of my deserving, I wusse. But since it hath pleased the court to&#xA;make choice of my wisdom and gravity, come, my calumnious&#xA;varlets; let's hear you talk for yourselves, now, an hour or two.&#xA;What can you say? Make a noise. Act, act!&#xA;&#xA;Virg.&#xA;Stay, turn, and take an oath first. You shall swear,&#xA;By thunder-darting Jove, the king of gods,&#xA;And by the genius of Augustus Caesar;&#xA;By your own white and uncorrupted souls,&#xA;And the deep reverence of our Roman justice;&#xA;To judge this case, with truth and equity:&#xA;As bound by your religion, and your laws.&#xA;Now read the evidence: but first demand&#xA;Of either prisoner, if that writ be theirs.&#xA;[Gives him two papers.&#xA;&#xA;Tib.&#xA;Shew this unto Crispinus. Is it yours?&#xA;&#xA;Tuc.&#xA;Say, ay. —What! dost thou stand upon it, pimp! Do not&#xA;deny thine own Minerva, thy Pallas, the issue of thy brain.&#xA;&#xA;Oris.&#xA;Yes it is mine.&#xA;&#xA;Tib.&#xA;Shew that unto Demetrius. Is it yours?&#xA;&#xA;Dem.&#xA;It is.&#xA;&#xA;Tuc.&#xA;There's a father will not deny his own bastard now, I warrant&#xA;thee.&#xA;&#xA;Virg.&#xA;Read them aloud.&#xA;&#xA;Tib.&#xA;Ramp up my genius, be not retrograde;&#xA;But boldly nominate a spade a spade&#xA;What, shall thy lubrical and glibbery muse&#xA;Live, as she were defunct, like punk in stews!&#xA;&#xA;Tuc.&#xA;Excellent!&#xA;&#xA;Alas! that were no modern consequence,&#xA;To have cothurnal buskins frighted hence.&#xA;No, teach thy Incubus to poetise;&#xA;And throw abroad thy spurious snotteries,&#xA;Upon that puft-up lump of balmy froth.&#xA;&#xA;Tuc.&#xA;Ah, Ah!&#xA;&#xA;Or clumsy chilblain'd judgment; that with oath&#xA;Magnificates his merit; and beapawls&#xA;The conscious time, with humorous foam and brawls,&#xA;As if his organons of sense would crack&#xA;The sinews of my patience. Break his back,&#xA;O poets all and some! for now we list&#xA;Of strenuous vengeance to clutch the fist.&#xA;CRISPINUS.&#xA;&#xA;Tuc.&#xA;Ay, marry, this was written like a Hercules in poetry, now.&#xA;&#xA;Caes.&#xA;Excellently well threaten'd!&#xA;&#xA;Virg.&#xA;And as strangely worded, Caesar.&#xA;&#xA;Caes.&#xA;We observe it.&#xA;&#xA;Virg.&#xA;The other now.&#xA;&#xA;Tuc.&#xA;This is a fellow of a good prodigal tongue too, this will do&#xA;well.&#xA;&#xA;Tib.&#xA;Our Muse is in mind for th' untrussing a poet,&#xA;I slip by his name, for most men do know it:&#xA;A critic, that all the world bescumbers&#xA;With satirical humours and lyrical numbers:&#xA;&#xA;Tuc.&#xA;Art thou there, boy?&#xA;&#xA;And for the most part, himself doth advance&#xA;With much self-love, and more arrogance.&#xA;&#xA;Tuc.&#xA;Good again!&#xA;&#xA;And, but that I would not be thought a prater,&#xA;I could tell you he were a translator.&#xA;I know the authors from whence he has stole,&#xA;And could trace him too, but that&#xA;I understand them not full and whole.&#xA;&#xA;Tuc.&#xA;That line is broke loose from all his fellows: chain him up&#xA;shorter, do.&#xA;&#xA;The best note I can give you to know him by,&#xA;Is, that he keeps gallants' company;&#xA;Whom I could wish, in time should him fear,&#xA;Lest after they buy repentance too dear.&#xA;DEME. FANNIUS.&#xA;&#xA;Tuc.&#xA;Well said! This carries palm with it.&#xA;&#xA;Hor.&#xA;And why, thou motley gull, why should they fear!&#xA;When hast thou known us wrong or tax a friend?&#xA;I dare thy malice to betray it. Speak.&#xA;Now thou curl'st up, thou poor and nasty snake,&#xA;And shrink'st thy poisonous head into thy bosom:&#xA;Out, viper! thou that eat'st thy parents, hence!&#xA;Rather, such speckled creatures, as thyself,&#xA;Should be eschew'd, and shunn'd; such as will bite&#xA;And gnaw their absent friends, not cure their fame;&#xA;Catch at the loosest laughters, and affect&#xA;To be thought jesters; such as can devise&#xA;Things never seen, or head, t'impair men's names,&#xA;And gratify their credulous adversaries;&#xA;Will carry tales, do basest offices,&#xA;Cherish divided fires, and still encrease&#xA;New flames, out of old embers; will reveal&#xA;Each secret that's committed to their trust:&#xA;These be black slaves; Romans, take heed of these.&#xA;&#xA;Tuc.&#xA;Thou twang'st right, little Horace: they be indeed a couple of&#xA;chap-fall'n curs. Come, we of the bench, let's rise to the urn, and&#xA;condemn them quickly.&#xA;&#xA;Virg.&#xA;Before you go together, worthy Romans,&#xA;We are to tender our opinion;&#xA;And give you those instructions, that may add&#xA;Unto your even judgment in the cause:&#xA;Which thus we do commence. First, you must know,&#xA;That where there is a true and perfect merit,&#xA;There can be no dejection; and the scorn&#xA;Of humble baseness, oftentimes so works&#xA;In a high soul, upon the grosser spirit,&#xA;That to his bleared and offended sense,&#xA;There seems a hideous fault blazed in the object;&#xA;When only the disease is in his eyes.&#xA;Here-hence it comes our Horace now stands tax'd&#xA;Of impudence, self-love, and arrogance,&#xA;By those who share no merit in themselves;&#xA;And therefore think his portion is as small.&#xA;For they, from their own guilt, assure their souls,&#xA;If they should confidently praise their works,&#xA;In them it would appear inflation:&#xA;Which, in a full and well digested man,&#xA;Cannot receive that foul abusive name,&#xA;But the fair title of erection.&#xA;And, for his true use of translating men,&#xA;It still hath been a work of as much palm,&#xA;In clearest judgments, as to invent or make,&#xA;His sharpness,—-that is most excusable;&#xA;As being forced out of a suffering virtue,&#xA;Oppressed with the license of the time:—-&#xA;And howsoever fools or jerking pedants,&#xA;Players, or suchlike buffoon barking wits,&#xA;May with their beggarly and barren trash&#xA;Tickle base vulgar ears, in their despite;&#xA;This, like Jove's thunder, shall their pride control,&#xA;&amp;quot;The honest satire hath the happiest soul.&amp;quot;&#xA;&#xA;Now, Romans, you have heard our thoughts;&#xA;withdraw when you please.&#xA;&#xA;Tib.&#xA;Remove the accused from the bar.&#xA;&#xA;Tuc.&#xA;Who holds the urn to us, ha? Fear nothing, I'll quit you, mine&#xA;honest pitiful stinkards; I'll do't.&#xA;&#xA;Cris.&#xA;Captain, you shall eternally girt me to you, as I am&#xA;generous.&#xA;&#xA;Tuc.&#xA;Go to.&#xA;&#xA;Caes.&#xA;Tibullus, let there be a case of vizards privately provided;&#xA;we have found a subject to bestow them on.&#xA;&#xA;Tib.&#xA;It shall be done, Caesar.&#xA;&#xA;Caes.&#xA;Here be words, Horace, able to bastinado a man's ears.&#xA;&#xA;Hor. Ay.&#xA;Please it, great Caesar, I have pills about me,&#xA;Mixt with the whitest kind of hellebore,&#xA;Would give him a light vomit, that should purge&#xA;His brain and stomach of those tumorous heats:&#xA;Might I have leave to minister unto him.&#xA;&#xA;Caes.&#xA;O, be his AEsculapius, gentle Horace!&#xA;You shall have leave, and he shall be your patient. Virgil,&#xA;Use your authority, command him forth.&#xA;&#xA;Virg.&#xA;Caesar is careful of your health, Crispinus;&#xA;And hath himself chose a physician&#xA;To minister unto you: take his pills.&#xA;&#xA;Hor.&#xA;They are somewhat bitter, sir, but very wholesome.&#xA;Take yet another; so: stand by, they'll work anon.&#xA;&#xA;Tib.&#xA;Romans, return to your several seats: lictors, bring forward&#xA;the urn; and set the accused to the bar.&#xA;&#xA;Tuc.&#xA;Quickly, you whoreson egregious varlets; come forward. What!&#xA;shall we sit all day upon you? You make no more haste now, than a&#xA;beggar upon pattens; or a physician to a patient that has no money,&#xA;you pilchers.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, hold up your&#xA;hands. You have, according to the Roman custom, put yourselves upon trial to the urn, for divers and sundry calumnies, whereof you&#xA;have, before this time, been indicted, and are now presently&#xA;arraigned: prepare yourselves to hearken to the verdict of your&#xA;tryers. Caius Cilnius Mecaenas pronounceth you, by this&#xA;hand-writing, guilty. Cornelius Gallus, guilty. Pantilius Tucca—&#xA;&#xA;Tuc.&#xA;Parcel-guilty, I.&#xA;&#xA;Dem.&#xA;He means himself; for it was he indeed&#xA;Suborn'd us to the calumny.&#xA;&#xA;Tuc.&#xA;I, you whoreson cantharides! was it I?&#xA;&#xA;Dem.&#xA;I appeal to your conscience, captain.&#xA;&#xA;Tib.&#xA;Then you confess it now?&#xA;&#xA;Dem.&#xA;I do, and crave the mercy of the court.&#xA;&#xA;Tib.&#xA;What saith Crispinus?&#xA;&#xA;Cris.&#xA;O, the captain, the captain—-&#xA;&#xA;Bor.&#xA;My physic begins to work with my patient, I see.&#xA;&#xA;Virg.&#xA;Captain, stand forth and answer.&#xA;&#xA;Tuc.&#xA;Hold thy peace, poet praetor: I appeal from thee to Caesar, I.&#xA;Do me right, royal Caesar.&#xA;&#xA;Caes.&#xA;Marry, and I will, sir.—-Lictors, gag him; do.&#xA;And put a case of vizards o'er his head,&#xA;That he may look bifronted, as he speaks.&#xA;&#xA;Tuc.&#xA;Gods and fiends! Caesar! thou wilt not, Caesar, wilt thou?&#xA;Away, you whoreson vultures; away. You think I am a dead corps now, because Caesar is disposed to jest with a man of mark, or so. Hold  your hook'd talons out of my flesh, you inhuman harpies. Go to, do't. What! will the royal Augustus cast away a gentleman of&#xA;worship, a captain and a commander, for a couple of condemn'd&#xA;caitiff calumnious cargos?&#xA;&#xA;Caes.&#xA;Dispatch, lictors.&#xA;&#xA;Tuc. Caesar!&#xA;[The vizards are put upon him.&#xA;&#xA;Caes.&#xA;Forward, Tibullus.&#xA;&#xA;Virg.&#xA;Demand what cause they had to malign Horace.&#xA;&#xA;Dem.&#xA;In troth, no great cause, not I, I must confess; but that he&#xA;kept better company, for the most part, than I; and that better men&#xA;loved him than loved me; and that his writings thrived better than&#xA;mine, and were better liked and graced: nothing else.&#xA;&#xA;Virg.&#xA;Thus envious souls repine at others' good.&#xA;&#xA;Hor.&#xA;If this be all, faith, I forgive thee freely.&#xA;Envy me still, so long as Virgil loves me,&#xA;Gallus, Tibullus, and the best-best Caesar,&#xA;My dear Mecaenas; while these, with many more,&#xA;Whose names I wisely slip, shall think me worthy&#xA;Their honour'd and adored society,&#xA;And read and love, prove and applaud my poems;&#xA;I would not wish but such as you should spite them.&#xA;&#xA;Cris.&#xA;O—!&#xA;&#xA;Tib.&#xA;How now, Crispinus? C&#xA;&#xA;Cris.&#xA;O, I am sick—!&#xA;&#xA;Hor.&#xA;A bason, a bason, quickly; our physic works. Faint not, man.&#xA;&#xA;Cris.&#xA;O———retrograde———reciprocal———incubus.&#xA;&#xA;Caes.&#xA;What's that, Horace?&#xA;&#xA;Hor.&#xA;Retrograde, reciprocal, and incubus, are come up.&#xA;&#xA;Gal.&#xA;Thanks be to Jupiter!&#xA;&#xA;Cris.&#xA;O———glibbery———lubrical———defunct———O———!&#xA;&#xA;Hor.&#xA;Well said; here's some store.&#xA;&#xA;Virg.&#xA;What are they?&#xA;&#xA;Hor.&#xA;Glibbery, lubrical, and defunct.&#xA;&#xA;Gal.&#xA;O, they came up easy.&#xA;&#xA;Cris.&#xA;O———O———!&#xA;&#xA;Tib.&#xA;What's that?&#xA;&#xA;Hor.&#xA;Nothing yet.&#xA;&#xA;Cris.&#xA;Magnificate———&#xA;&#xA;Mec.&#xA;Magnificate!  That came up somewhat hard.&#xA;&#xA;Hor.&#xA;Ay. What cheer, Crispinus?&#xA;&#xA;Cris.&#xA;O! I shall cast up my———spurious———snotteries———&#xA;&#xA;Hor.&#xA;Good. Again.&#xA;&#xA;Oris.&#xA;Chilblain'd———O———O———clumsie———&#xA;&#xA;Hor.&#xA;That clumsie stuck terribly.&#xA;&#xA;Mec.&#xA;What's all that, Horace?&#xA;&#xA;Hor.&#xA;Spurious, snotteries, chilblain'd, clumsie.&#xA;&#xA;Tib.&#xA;O Jupiter!&#xA;&#xA;Gal.&#xA;Who would have thought there should have been such a deal of&#xA;filth in a poet?&#xA;&#xA;Cris.&#xA;O———balmy froth———&#xA;&#xA;Caes.&#xA;What's that?&#xA;&#xA;Cris.&#xA;———Puffie———inflate———turgidious———-ventosity.&#xA;&#xA;Hor.&#xA;Balmy, froth, puffie, inflate, turgidous, and ventosity are&#xA;come up.&#xA;&#xA;Tib.&#xA;O terrible windy words.&#xA;&#xA;Gal.&#xA;A sign of a windy brain.&#xA;&#xA;Cris.&#xA;O———oblatrant———furibund———fatuate———strenuous—-&#xA;&#xA;Hor.&#xA;Here's a deal; oblatrant, furibund, fatuate, strenuous.&#xA;&#xA;Caes.&#xA;Now all's come up, I trow. What a tumult he had in his belly?&#xA;&#xA;Hor.&#xA;No, there's the often conscious damp behind still.&#xA;&#xA;Cris.&#xA;O———conscious———damp.&#xA;&#xA;Hor.&#xA;It is come up, thanks to Apollo and AEsculapius: another; you&#xA;were best take a pill more.&#xA;&#xA;Cris.&#xA;O, no; O———O———O———O———O!&#xA;&#xA;Hor.&#xA;Force yourself then a little with your finger.&#xA;&#xA;Cris.&#xA;O———O———prorumped.&#xA;&#xA;Tib.&#xA;Prorumped I What a noise it made! as if his spirit would have&#xA;prorumpt with it.&#xA;&#xA;Cris.&#xA;O———O———O!&#xA;&#xA;Virg.&#xA;Help him, it sticks strangely, whatever it is.&#xA;&#xA;Cris.&#xA;O———clutcht&#xA;&#xA;Hor.&#xA;Now it is come; clutcht.&#xA;&#xA;Caes.&#xA;Clutcht!  it is well that's come up; it had but a narrow&#xA;passage.&#xA;&#xA;Cris.&#xA;O———!&#xA;&#xA;Virg.&#xA;Again! hold him, hold his head there.&#xA;&#xA;Cris.&#xA;Snarling gusts———quaking custard.&#xA;&#xA;Hor.&#xA;How now, Crispinus?&#xA;&#xA;Cris.&#xA;O———obstupefact.&#xA;&#xA;Tib.&#xA;Nay, that are all we, I assure you.&#xA;&#xA;Hor.&#xA;How do you feel yourself?&#xA;&#xA;Cris.&#xA;Pretty and well, I thank you.&#xA;&#xA;Virg.&#xA;These pills can but restore him for a time,&#xA;Not cure him quite of such a malady,&#xA;Caught by so many surfeits, which have fill'd&#xA;His blood and brain thus full of crudities:&#xA;'Tis necessary therefore he observe&#xA;A strict and wholesome diet. Look you take&#xA;Each morning of old Cato's principles&#xA;A good draught next your heart; that walk upon,&#xA;Till it be well digested: then come home,&#xA;And taste a piece of Terence, suck his phrase&#xA;Instead of liquorice; and, at any hand,&#xA;Shun Plautus and old Ennius: they are meats&#xA;Too harsh for a weak stomach.&#xA;Use to read (But not without a tutor) the best Greeks,&#xA;As Orpheus, Musaeus, Pindarus,&#xA;Hesiod, Callimachus, and Theocrite,&#xA;High Homer; but beware of Lycophron,&#xA;He is too dark and dangerous a dish.&#xA;You must not hunt for wild outlandish terms,&#xA;To stuff out a peculiar dialect;&#xA;But let your matter run before your words.&#xA;And if at any time you chance to meet&#xA;Some Gallo-Belgic phrase; you shall not straight.&#xA;Rack your poor verse to give it entertainment,&#xA;But let it pass; and do not think yourself&#xA;Much damnified, if you do leave it out,&#xA;When nor your understanding, nor the sense&#xA;Could well receive it. This fair abstinence,&#xA;In time, will render you more sound and clear:&#xA;And this have I prescribed to you, in place&#xA;Of a strict sentence; which till he perform,&#xA;Attire him in that robe. And henceforth learn&#xA;To bear yourself more humbly; not to swell,&#xA;Or breathe your insolent and idle spite&#xA;On him whose laughter can your worst affright.&#xA;&#xA;Tib.&#xA;Take him away.&#xA;&#xA;Cris.&#xA;Jupiter guard Caesar!&#xA;&#xA;Virg.&#xA;And for a week or two see him lock'd up&#xA;In some dark place, removed from company;&#xA;He will talk idly else after his physic.&#xA;Now to you, sir.  The extremity of law&#xA;Awards you to be branded in the front,&#xA;For this your calumny: but since it pleaseth&#xA;Horace, the party wrong'd, t' intreat of Caesar&#xA;A mitigation of that juster doom,&#xA;With Caesar's tongue thus we pronounce your sentence.&#xA;Demetrius Fannius, thou shalt here put on&#xA;That coat and cap, and henceforth think thyself&#xA;No other than they make thee; vow to wear them&#xA;In every fair and generous assembly,&#xA;Till the best sort of minds shall take to knowledge&#xA;As well thy satisfaction, as thy wrongs.&#xA;&#xA;Hor.&#xA;Only, grave praetor, here, in open court,&#xA;I crave the oath for good behaviour&#xA;May be administer'd unto them both.&#xA;&#xA;Virg.&#xA;Horace, it shall: Tibullus, give it them.&#xA;&#xA;Tib.&#xA;Rufus Laberius Crispinus, and Demetrius Fannius, lay your&#xA;hands on your hearts. You shall here solemnly attest and swear,&#xA;that never, after this instant, either at booksellers' stalls, in&#xA;taverns, two-penny rooms, tyring-houses, noblemen's butteries,&#xA;puisents chambers, (the best and farthest places where you are&#xA;admitted to come,) you shall once offer or dare (thereby to endear&#xA;yourself the more to any player, enghle, or guilty gull in your&#xA;company) to malign, traduce, or detract the person or writings of&#xA;Quintus Horatius Flaccus, or any other eminent men, transcending&#xA;you in merit, whom your envy shall find cause to work upon, either&#xA;for that, or for keeping himself in better acquaintance, or&#xA;enjoying better friends, or if, transported by any sudden and&#xA;desperate resolution, you do, that then you shall not under the&#xA;batoon, or in the next presence, being an honourable assembly of&#xA;his favourers, be brought as voluntary gentlemen to undertake the&#xA;for-swearing of it. Neither shall you, at any time, ambitiously&#xA;affecting the title of the Untrussers or Whippers of the age,&#xA;suffer the itch of writing to over-run your performance in libel,&#xA;upon pain of being taken up for lepers in wit, and, losing both&#xA;your time and your papers, be irrecoverably forfeited to the&#xA;hospital of fools. So help you our Roman gods and the Genius of&#xA;great Caesar.&#xA;&#xA;Virg.&#xA;So! now dissolve the court.&#xA;&#xA;Bor. Tib. Gal. Mec.&#xA;And thanks to Caesar, That thus hath exercised his patience.&#xA;&#xA;Caes.&#xA;We have, indeed, you worthiest friends of Caesar.&#xA;It is the bane and torment of our ears,&#xA;To hear the discords of those jangling rhymers,&#xA;That with their bad and scandalous practices&#xA;Bring all true arts and learning in contempt.&#xA;But let not your high thoughts descend so low&#xA;As these despised objects; let them fall,&#xA;With their flat grovelling souls: be you yourselves;&#xA;And as with our best favours you stand crown'd,&#xA;So let your mutual loves be still renown'd.&#xA;Envy will dwell where there is want of merit,&#xA;Though the deserving man should crack his spirit.&#xA;&#xA;Blush, folly, blush; here's none that fears&#xA;The wagging of an ass's ears,&#xA;Although a wolfish case he wears.&#xA;Detraction is but baseness' varlet;&#xA;And apes are apes, though clothed in scarlet.&#xA;&#xA;[Exeunt.&#xA;&#xA;Rumpatur, quisquis rumpitur invidi!&#xA;&#xA;&amp;quot;Here, reader, in place of the epilogue, was meant to thee an&#xA;apology from the author, with his reasons for the publishing of&#xA;this book: but, since he is no less restrained than thou deprived&#xA;of it by authority, he prays thee to think charitably of what thou&#xA;hast read. till thou mayest hear him speak what he hath written.&amp;quot;&#xA;&#xA;                                    HORACE AND TREBATIUS.&#xA;                                                A DIALOGUE.&#xA;                                                Sat. 1. Lib. 2.&#xA;&#xA;Hor.&#xA;There are to whom I seem excessive sour,&#xA;And past a satire's law t' extend my power:&#xA;Others, that think whatever I have writ&#xA;Wants pith and matter to eternise it;&#xA;And that they could, in one day's light, disclose&#xA;A thousand verses, such as I compose.&#xA;What shall I do, Trebatius? say.&#xA;&#xA;Treb.&#xA;Surcease.&#xA;&#xA;Hor.&#xA;And shall my muse admit no more increase?&#xA;&#xA;Treb.&#xA;So I advise.&#xA;&#xA;Hor.&#xA;An ill death let me die,&#xA;If 'twere not best; but sleep avoids mine eye,&#xA;And I use these, lest nights should tedious seem.&#xA;&#xA;Treb.&#xA;Rather, contend to sleep, and live like them,&#xA;That, holding golden sleep in special price,&#xA;Rubb'd with sweet oils, swim silver Tyber thrice,&#xA;And every even with neat wine steeped be:&#xA;Or, if such love of writing ravish thee,&#xA;Then dare to sing unconquer'd Caesar's deeds;&#xA;Who cheers such actions with abundant meeds.&#xA;&#xA;Hor.&#xA;That, father, I desire; but, when I try,&#xA;I feel defects in every faculty:&#xA;Nor is't a labour fit for every pen,&#xA;To paint the horrid troops of armed men,&#xA;The lances burst, in Gallia's slaughter'd forces;&#xA;Or wounded Parthians, tumbled from their horses:&#xA;Great Caesar's wars cannot be fought with words.&#xA;&#xA;Treb.&#xA;Yet, what his virtue in his peace affords,&#xA;His fortitude and justice thou canst shew&#xA;As wise Lucilius honour'd Scipio.&#xA;&#xA;Hor.&#xA;Of that, my powers shall suffer no neglect,&#xA;When such slight labours may aspire respect:&#xA;But, if I watch not a most chosen time,&#xA;The humble words of Flaccus cannot climb&#xA;Th' attentive ear of Caesar; nor must I&#xA;With less observance shun gross flattery:&#xA;For he, reposed safe in his own merit,&#xA;Spurns back the gloses of a fawning spirit.&#xA;&#xA;Treb.&#xA;But how much better would such accents sound&#xA;Than with a sad and serious verse to wound&#xA;Pantolabus, railing in his saucy jests,&#xA;Or Nomentanus spent in riotous feasts?&#xA;In satires, each man, though untouch'd, complains&#xA;As he were hurt; and hates such biting strains.&#xA;&#xA;Hor.&#xA;What shall I do? Milonius shakes his heels&#xA;In ceaseless dances, when his brain once feels&#xA;The stirring fervour of the wine ascend;&#xA;And that his eyes false numbers apprehend.&#xA;Castor his horse, Pollux loves handy-fights;&#xA;A thousand heads, a thousand choice delights.&#xA;My pleasure is in feet my words to close,&#xA;As, both our better, old Lucilius does:&#xA;He, as his trusty friends, his books did trust&#xA;With all his secrets; nor, in things unjust,&#xA;Or actions lawful, ran to other men:&#xA;So that the old man's life described, was seen&#xA;As in a votive table in his lines:&#xA;And to his steps my genius inclines;&#xA;Lucanian, or Apulian, I know not whether,&#xA;For the Venusian colony ploughs either;&#xA;Sent thither, when the Sabines were forced thence,&#xA;As old Fame sings, to give the place defence&#xA;'Gainst such as, seeing it empty, might make road&#xA;Upon the empire; or there fix abode:&#xA;Whether the Apulian borderer it were,&#xA;Or the Lucanian violence they fear.—-&#xA;But this my style no living man shall touch,&#xA;If first I be not forced by base reproach;&#xA;But like a sheathed sword it shall defend&#xA;My innocent life; for why should I contend&#xA;To draw it out, when no malicious thief&#xA;Robs my good name, the treasure of my life?&#xA;O Jupiter, let it with rust be eaten,&#xA;Before it touch, or insolently threaten&#xA;The life of any with the least disease;&#xA;So much I love, and woo a general peace.&#xA;But, he that wrongs me, better, I proclaim,&#xA;He never had assay'd to touch my fame.&#xA;For he shall weep, and walk with every tongue&#xA;Throughout the city, infamously sung.&#xA;Servius the praetor threats the laws, and urn,&#xA;If any at his deeds repine or spurn;&#xA;The witch Canidia, that Albutius got,&#xA;Denounceth witchcraft, where she loveth not;&#xA;Thurius the judge, doth thunder worlds of ill,&#xA;To such as strive with his judicial will.&#xA;All men affright their foes in what they may,&#xA;Nature commands it, and men must obey.&#xA;Observe with me: The wolf his tooth doth use,&#xA;The bull his horn; and who doth this infuse,&#xA;But nature? There's luxurious Scaeva; trust&#xA;His long-lived mother with him; his so just&#xA;And scrupulous right-hand no mischief will;&#xA;No more than with his heel a wolf will kill,&#xA;Or ox with jaw: marry, let him alone&#xA;With temper'd poison to remove the croan.&#xA;But briefly, if to age I destined be,&#xA;Or that quick death's black wings environ me;&#xA;If rich, or poor; at Rome; or fate command&#xA;I shall be banished to some other land;&#xA;What hue soever my whole state shall bear,&#xA;I will write satires still, in spite of fear.&#xA;&#xA;Treb.&#xA;Horace, I fear thou draw'st no lasting breath;&#xA;And that some great man's friend will be thy death.&#xA;&#xA;Hor.&#xA;What! when the man that first did satirise&#xA;Durst pull the skin over the ears of vice,&#xA;And make who stood in outward fashion clear,&#xA;Give place, as foul within; shall I forbear?&#xA;Did Laelius, or the man so great with fame,&#xA;That from sack'd Carthage fetch'd his worthy name,&#xA;Storm that Lucilius did Metellus pierce,&#xA;Or bury Lupus quick in famous verse?&#xA;Rulers and subjects, by whole tribes he checkt,&#xA;But virtue and her friends did still protect:&#xA;And when from sight, or from the judgment-seat,&#xA;The virtuous Scipio and wise Laelius met,&#xA;Unbraced, with him in all light sports they shared,&#xA;Till their most frugal suppers were prepared.&#xA;Whate'er I am, though both for wealth and wit&#xA;Beneath Lucilius I am pleased to sit;&#xA;Yet Envy, spite of her empoison'd breast,&#xA;Shall say, I lived in grace here with the best;&#xA;And seeking in weak trash to make her wound,&#xA;Shall find me solid, and her teeth unsound:&#xA;'Less learn'd Trebatius' censure disagree.&#xA;&#xA;Treb.&#xA;No, Horace, I of force must yield to thee;&#xA;Only take heed, as being advised by me,&#xA;Lest thou incur some danger: better pause,&#xA;Than rue thy ignorance of the sacred laws;&#xA;There's justice, and great action may be sued&#xA;'Gainst such as wrong men's fames with verses lewd.&#xA;&#xA;Hor.&#xA;Ay, with lewd verses, such as libels be,&#xA;And aim'd at persons of good quality:&#xA;I reverence and adore that just decree.&#xA;But if they shall be sharp, yet modest rhymes,&#xA;That spare men's persons, and but tax their crimes,&#xA;Such shall in open court find current pass,&#xA;Were Caesar judge, and with the maker's grace.&#xA;&#xA;Treb.&#xA;Nay, I'll add more; if thou thyself, being clear,&#xA;Shall tax in person a man fit to bear&#xA;Shame and reproach, his suit shall quickly be&#xA;Dissolved in laughter, and thou thence set free.&#xA;&#xA;                                                TO THE READER&#xA;&#xA;If, by looking on what is past, thou hast deserved that name, I am&#xA;willing thou should'st yet know more, by that which follows, an&#xA;APOLOGETICAL DIALOGUE; which was only once spoken upon the stage and all the answer I ever gave to sundry impotent libels then cast out (and some yet remaining) against me, and this play. Wherein I take no pleasure to revive the times; but that posterity may make a difference between their manners that provoked me then, and mine that neglected them ever, For, in these strifes, and on such persons, were as wretched to affect a victory, as it is unhappy to be committed with them.&#xA;&#xA;            Non annorum canities est laudanda, sed morum.&#xA;                                 SCENE, The Author's Lodgings.&#xA;                              Enter NASUTUS and POLYPOSUS.&#xA;&#xA;Nas.&#xA;I pray You let' s go see him, how he looks&#xA;After these libels.&#xA;&#xA;Pol.&#xA;O vex'd, vex'd, I warrant you.&#xA;&#xA;Nas. Do you think so? I should be sorry for him,&#xA;If I found that.&#xA;&#xA;Pol.&#xA;O, they are such bitter things,&#xA;He cannot choose.&#xA;&#xA;Nas.&#xA;But, is he guilty of them?&#xA;&#xA;Pol.&#xA;Fuh! that's no matter.&#xA;&#xA;Nas.&#xA;No!&#xA;&#xA;Pol.&#xA;No. Here's his lodging.&#xA;We'll steal upon him: or let's listen; stay.&#xA;He has a humour oft to talk t' himself.&#xA;&#xA;Nas.&#xA;They are your manners lead me, not mine own.&#xA;&#xA;[They come forward; the scene opens, and discovers the&#xA;Author in his study.&#xA;&#xA;Aut.&#xA;The fates have not spun him the coarsest thread,&#xA;That (free from knots of perturbation)&#xA;Doth yet so live, although but to himself,&#xA;As he can safely scorn the tongues of slaves,&#xA;And neglect fortune, more than she can him.&#xA;It is the happiest thing this, not to be&#xA;Within the reach of malice; it provides&#xA;A man so well, to laugh off injuries;&#xA;And never sends him farther for his vengeance,&#xA;Than the vex'd bosom of his enemy.&#xA;I, now, but think how poor their spite sets off,&#xA;Who, after all their waste of sulphurous terms,&#xA;And burst-out thunder of their charged mouths,&#xA;Have nothing left but the unsavoury smoke&#xA;Of their black vomit, to upbraid themselves:&#xA;Whilst I, at whom they shot, sit here shot-free,&#xA;And as unhurt of envy, as unhit.&#xA;&#xA;[Pol. and Nas. discover themselves.&#xA;&#xA;Pol.&#xA;Ay, but the multitude they think not so, sir,&#xA;They think you hit, and hurt: and dare give out,&#xA;Your silence argues it in not rejoining&#xA;To this or that late libel.&#xA;&#xA;Aut.&#xA;'Las, good rout!&#xA;I can afford them leave to err so still;&#xA;And like the barking students of Bears-college,&#xA;To swallow up the garbage of the time&#xA;With greedy gullets, whilst myself sit by,&#xA;Pleased, and yet tortured, with their beastly feeding.&#xA;'Tis a sweet madness runs along with them,&#xA;To think, all that are aim'd at still are struck:&#xA;Then, where the shaft still lights, make that the mark:&#xA;And so each fear or fever-shaken fool&#xA;May challenge Teucer's hand in archery.&#xA;Good troth, if I knew any man so vile,&#xA;To act the crimes these Whippers reprehend,&#xA;Or what their servile apes gesticulate,&#xA;I should not then much muse their shreds were liked;&#xA;Since ill men have a lust t' hear others' sins,&#xA;All good men have a zeal to hear sin shamed.&#xA;But when it is all excrement they vent,&#xA;Base filth and offal; or thefts, notable&#xA;As ocean-piracies, or highway-stands;&#xA;And not a crime there tax'd, but is their own,&#xA;Or what their own foul thoughts suggested to them;&#xA;And that, in all their heat of taxing others,&#xA;Not one of them but lives himself, if known,&#xA;Improbior satiram scribente cinaedo&#xA;What should I say more, than turn stone with wonder!&#xA;&#xA;Nas.&#xA;I never saw this play bred all this tumult:&#xA;What was there in it could so deeply offend&#xA;And stir so many hornets?&#xA;&#xA;Aut.&#xA;Shall I tell you?&#xA;&#xA;Nas.&#xA;Yea, and ingeniously.&#xA;&#xA;Aut.&#xA;Then, by the hope&#xA;Which I prefer unto all other objects,&#xA;I can profess, I never writ that piece&#xA;More innocent or empty of offence.&#xA;Some salt it had, but neither tooth nor gall,&#xA;Nor was there in it any circumstance&#xA;Which. in the setting down, I could suspect&#xA;Might be perverted by an enemy's tongue;&#xA;Only it had the fault to be call'd mine;&#xA;That was the crime.&#xA;&#xA;Pol.&#xA;No! why, they say you tax'd&#xA;The law and lawyers, captains and the players,&#xA;By their particular names.&#xA;&#xA;Aut.&#xA;It is not so.&#xA;I used no name. My books have still been taught&#xA;To spare the persons, and to speak the vices.&#xA;These are mere slanders, and enforced by such&#xA;As have no safer ways to men's disgraces.&#xA;But their own lies and loss of honesty:&#xA;Fellows of practised and most laxative tongues,&#xA;Whose empty and eager bellies, in the year,&#xA;Compel their brains to many desperate shifts,&#xA;(I spare to name them, for their wretchedness&#xA;Fury itself would pardon). These, or such,&#xA;Whether of malice, or of ignorance,&#xA;Or itch t' have me their adversary, I know not,&#xA;Or all these mixt; but sure I am, three years&#xA;They did provoke me with their petulant styles&#xA;On every stage: and I at last unwilling,&#xA;But weary, I confess, of so much trouble,&#xA;Thought I would try if shame could win upon 'em,'&#xA;And therefore chose Augustus Caesar's times,&#xA;When wit and area were at their height in Rome,&#xA;To shew that Virgil, Horace, and the rest&#xA;Of those great master-spirits, did not want&#xA;Detractors then, or practicers against them:&#xA;And by this line, although no parallel,&#xA;I hoped at last they would sit down and blush;&#xA;But nothing I could find more contrary.&#xA;And though the impudence of flies be great,&#xA;Yet this hath so provok'd the angry wasps,&#xA;Or, as you said, of the next nest, the hornets,&#xA;That they fly buzzing, mad, about my nostrils,&#xA;And, like so many screaming grasshoppers&#xA;Held by the wings, fill every ear with noise.&#xA;And what? those former calumnies you mention'd.&#xA;First, of the law: indeed I brought in Ovid&#xA;Chid by his angry father for neglecting&#xA;The study of their laws for poetry:&#xA;And I am warranted by his own words:&#xA;&#xA;Saepe pater dixit, studium quid inutile tentas!&#xA;Maeonides nullas ipse reliquit opes.&#xA;&#xA;And in far harsher terms elsewhere, as these:&#xA;&#xA;Non me verbosas leges ediscere, non me&#xA;Ingrato voces prostituisse foro.&#xA;&#xA;But how this should relate unto our laws,&#xA;Or the just ministers, with least abuse,&#xA;I reverence both too much to understand!&#xA;Then, for the captain, I will only speak&#xA;An epigram I here have made: it is&#xA;&#xA;UNTO TRUE SOLDIERS.&#xA;That's the lemma: mark it.&#xA;Strength of my country, whilst I bring to view&#xA;Such: as are miss-call'd captains, and wrong you,&#xA;And your high names; I do desire, that thence,&#xA;Be nor put on you, nor you take offence:&#xA;I swear by your true friend, my muse, I love&#xA;Your great profession which I once did prove;&#xA;And did not shame it with my actions then,&#xA;No more than I dare now do with my pen.&#xA;He that not trusts me, having vowed thus much,&#xA;But's angry for the captain, still: is such.&#xA;Now for the players, it is true, I tax'd them,&#xA;And yet but some; and those so sparingly,&#xA;As all the rest might have sat still unquestion'd,&#xA;Had they but had the wit or conscience&#xA;To think well of themselves. But impotent, they&#xA;Thought each man's vice belong'd to their whole tribe;&#xA;And much good do't them! What they have done 'gainst me,&#xA;I am not moved with: if it gave them meat,&#xA;Or got them clothes, 'tis well; that was their end.&#xA;Only amongst them, I am sorry for&#xA;Some better natures, by the rest so drawn,&#xA;To run in that vile line.&#xA;&#xA;Pol.&#xA;And is this all!&#xA;Will you not answer then the libels?&#xA;&#xA;Aut.&#xA;No.&#xA;&#xA;Pol.&#xA;Nor the Untrussers?&#xA;&#xA;Aut.&#xA;Neither.&#xA;&#xA;Pol.&#xA;Y'are undone then.&#xA;&#xA;Aut.&#xA;With whom?&#xA;&#xA;Pol.&#xA;The world.&#xA;&#xA;Aut.&#xA;The bawd!&#xA;&#xA;Pol.&#xA;It will be taken&#xA;To be stupidity or tameness in you.&#xA;&#xA;Aut.&#xA;But they that have incensed me, can in soul&#xA;Acquit me of that guilt. They know I dare&#xA;To spurn or baffle them, or squirt their eyes&#xA;With ink or urine; or I could do worse,&#xA;Arm'd with Archilochus' fury, write Iambics,&#xA;Should make the desperate lashers hang themselves;&#xA;Rhime them to death, as they do Irish rats&#xA;In drumming tunes. Or, living, I could stamp&#xA;Their foreheads with those deep and public brands,&#xA;That the whole company of barber-surgeon a&#xA;Should not take off with all their art and plasters.&#xA;And these my prints should last, still to be read&#xA;In their pale fronts; when, what they write 'gainst me&#xA;Shall, like a figure drawn in water, fleet,&#xA;And the poor wretched papers be employed&#xA;To clothe tobacco, or some cheaper drug:&#xA;This I could do, and make them infamous.&#xA;But, to what end? when their own deeds have mark'd 'em;&#xA;And that I know, within his guilty breast&#xA;Each slanderer bears a whip that shall torment him&#xA;Worse than a million of these temporal plagues:&#xA;Which to pursue, were but a feminine humour,&#xA;And far beneath the dignity of man.&#xA;&#xA;Nas.&#xA;'Tis true; for to revenge their injuries,&#xA;Were to confess you felt them. Let them go,&#xA;And use the treasure of the fool, their tongues,&#xA;Who makes his gain, by speaking worst of beat.&#xA;&#xA;Pol.&#xA;O, but they lay particular imputations—&#xA;&#xA;Aut.&#xA;As what?&#xA;&#xA;Pol.&#xA;That all your writing is mere railing.&#xA;&#xA;Aut.&#xA;Ha?&#xA;If all the salt in the old comedy&#xA;Should be so censured, or the sharper wit&#xA;Of the bold satire termed scolding rage,&#xA;What age could then compare with those for buffoons?&#xA;What should be said of Aristophanes,&#xA;Persius, or Juvenal, whose names we now&#xA;So glorify in schools, at least pretend it?—-&#xA;Have they no other?&#xA;&#xA;Pol.&#xA;Yes; they say you are slow,&#xA;And scarce bring forth a play a year.&#xA;&#xA;Aut.&#xA;'Tis true.&#xA;I would they could not say that I did that!&#xA;There' s all the joy that I take in their trade,&#xA;Unless such scribes as these might be proscribed&#xA;Th' abused theatres. They would think it strange, now,&#xA;A man should take but colts-foot for one day,&#xA;And, between whiles, spit out a better poem&#xA;Than e'er the master of art, or giver of wit,&#xA;Their belly, made. Yet, this is possible,&#xA;If a free mind had but the patience,&#xA;To think so much together and so vile.&#xA;But that these base and beggarly conceits&#xA;Should carry it, by the multitude of voices,&#xA;Against the most abstracted work, opposed&#xA;To the stuff'd nostrils of the drunken rout!&#xA;O, this would make a learn'd and liberal soul&#xA;To rive his stained quill up to the back,&#xA;And damn his long-watch'd labours to the fire,&#xA;Things that were born when none but the still night&#xA;And his dumb candle, saw his pinching throes,&#xA;Were not his own free merit a more crown&#xA;Unto his travails than their reeling claps.&#xA;This 'tis that strikes me silent, seals my lips,&#xA;And apts me rather to sleep out my time,&#xA;Than I would waste it in contemned strifes&#xA;With these vile Ibides, these unclean birds,&#xA;That make their mouths their clysters, and still purge&#xA;From their hot entrails. But I leave the monsters&#xA;To their own fate. And, since the Comic Muse&#xA;Hath proved so ominous to me, I will try&#xA;If TRAGEDY have a more kind aspect;&#xA;Her favours in my next I will pursue,&#xA;Where, if I prove the pleasure but of one,&#xA;So he judicious be, he shall be alone&#xA;A theatre unto me; Once I'll say&#xA;To strike the ear of time in those fresh strains,&#xA;As shall, beside the cunning of their ground,&#xA;Give cause to some of wonder, some despite,&#xA;And more despair, to imitate their sound.&#xA;I, that spend half my nights, and all my days,&#xA;Here in a cell, to get a dark paleface,&#xA;To come forth worth the ivy or the bays,&#xA;And in this age can hope no other grace—-&#xA;Leave me! There's something come into my thought,&#xA;That must and shall be sung high and aloof,&#xA;Safe from the wolfs black jaw, and the dun ass's hoof&#xA;&#xA;Nas.&#xA;I reverence these raptures, and obey them.&#xA;&#xA;&#xA;[The scene closes—-&#xA;&#xA;&#xA;                                                    GLOSSARY&#xA;&#xA;ABATE, cast down, subdue.&#xA;&#xA;ABHORRING, repugnant (to), at variance.&#xA;&#xA;ABJECT, base, degraded thing, outcast.&#xA;&#xA;ABRASE, smooth, blank.&#xA;&#xA;ABSOLUTE(LY), faultless(ly).&#xA;&#xA;ABSTRACTED, abstract, abstruse.&#xA;&#xA;ABUSE, deceive, insult, dishonour, make ill use of.&#xA;&#xA;ACATER, caterer.&#xA;&#xA;ACATES, cates.&#xA;&#xA;ACCEPTIVE, willing, ready to accept, receive.&#xA;&#xA;ACCOMMODATE, fit, befitting.  (The word was a fashionable&#xA;one and used on all occasions.  See &amp;quot;Henry IV.,&amp;quot; pt. 2,&#xA;iii. 4).&#xA;&#xA;ACCOST, draw near, approach.&#xA;&#xA;ACKNOWN, confessedly acquainted with.&#xA;&#xA;ACME, full maturity.&#xA;&#xA;ADALANTADO, lord deputy or governor of a Spanish province.&#xA;&#xA;ADJECTION, addition.&#xA;&#xA;ADMIRATION, astonishment.&#xA;&#xA;ADMIRE, wonder, wonder at.&#xA;&#xA;ADROP, philosopher's stone, or substance from which obtained.&#xA;&#xA;ADSCRIVE, subscribe.&#xA;&#xA;ADULTERATE, spurious, counterfeit.&#xA;&#xA;ADVANCE, lift.&#xA;&#xA;ADVERTISE, inform, give intelligence.&#xA;&#xA;ADVERTISED, &amp;quot;be—,&amp;quot; be it known to you.&#xA;&#xA;ADVERTISEMENT, intelligence.&#xA;&#xA;ADVISE, consider, bethink oneself, deliberate.&#xA;&#xA;ADVISED, informed, aware; &amp;quot;are you—?&amp;quot; have you found that out?&#xA;&#xA;AFFECT, love, like; aim at; move.&#xA;&#xA;AFFECTED, disposed; beloved.&#xA;&#xA;AFFECTIONATE, obstinate; prejudiced.&#xA;&#xA;AFFECTS, affections.&#xA;&#xA;AFFRONT, &amp;quot;give the—,&amp;quot; face.&#xA;&#xA;AFFY, have confidence in; betroth.&#xA;&#xA;AFTER, after the manner of.&#xA;&#xA;AGAIN, AGAINST, in anticipation of.&#xA;&#xA;AGGRAVATE, increase, magnify, enlarge upon.&#xA;&#xA;AGNOMINATION.  See Paranomasie.&#xA;&#xA;AIERY, nest, brood.&#xA;&#xA;AIM, guess.&#xA;&#xA;ALL HID, children's cry at hide-and-seek.&#xA;&#xA;ALL-TO, completely, entirely (&amp;quot;all-to-be-laden&amp;quot;).&#xA;&#xA;ALLOWANCE, approbation, recognition.&#xA;&#xA;ALMA-CANTARAS (astronomy), parallels of altitude.&#xA;&#xA;ALMAIN, name of a dance.&#xA;&#xA;ALMUTEN, planet of chief influence in the horoscope.&#xA;&#xA;ALONE, unequalled, without peer.&#xA;&#xA;ALUDELS, subliming pots.&#xA;&#xA;AMAZED, confused, perplexed.&#xA;&#xA;AMBER, AMBRE, ambergris.&#xA;&#xA;AMBREE, MARY, a woman noted for her valour at the&#xA;siege of Ghent, 1458.&#xA;&#xA;AMES-ACE, lowest throw at dice.&#xA;&#xA;AMPHIBOLIES, ambiguities.&#xA;&#xA;AMUSED, bewildered, amazed.&#xA;&#xA;AN, if.&#xA;&#xA;ANATOMY, skeleton, or dissected body.&#xA;&#xA;ANDIRONS, fire-dogs.&#xA;&#xA;ANGEL, gold coin worth 10 shillings, stamped with the&#xA;figure of the archangel Michael.&#xA;&#xA;ANNESH CLEARE, spring known as Agnes le Clare.&#xA;&#xA;ANSWER, return hit in fencing.&#xA;&#xA;ANTIC, ANTIQUE, clown, buffoon.&#xA;&#xA;ANTIC, like a buffoon.&#xA;&#xA;ANTIPERISTASIS, an opposition which enhances the quality&#xA;it opposes.&#xA;&#xA;APOZEM, decoction.&#xA;&#xA;APPERIL, peril.&#xA;&#xA;APPLE-JOHN, APPLE-SQUIRE, pimp, pander.&#xA;&#xA;APPLY, attach.&#xA;&#xA;APPREHEND, take into custody.&#xA;&#xA;APPREHENSIVE, quick of perception; able to perceive and appreciate.&#xA;&#xA;APPROVE, prove, confirm.&#xA;&#xA;APT, suit, adapt; train, prepare; dispose, incline.&#xA;&#xA;APT(LY), suitable(y), opportune(ly).&#xA;&#xA;APTITUDE, suitableness.&#xA;&#xA;ARBOR, &amp;quot;make the—,&amp;quot; cut up the game (Gifford).&#xA;&#xA;ARCHES, Court of Arches.&#xA;&#xA;ARCHIE, Archibald Armstrong, jester to James I. and Charles I.&#xA;&#xA;ARGAILE, argol, crust or sediment in wine casks.&#xA;&#xA;ARGENT-VIVE, quicksilver.&#xA;&#xA;ARGUMENT, plot of a drama; theme, subject; matter in question;&#xA;token, proof.&#xA;&#xA;ARRIDE, please.&#xA;&#xA;ARSEDINE, mixture of copper and zinc, used as an imitation of&#xA;gold-leaf.&#xA;&#xA;ARTHUR, PRINCE, reference to an archery show by a society who&#xA;assumed arms, etc., of Arthur's knights.&#xA;&#xA;ARTICLE, item.&#xA;&#xA;ARTIFICIALLY, artfully.&#xA;&#xA;ASCENSION, evaporation, distillation.&#xA;&#xA;ASPIRE, try to reach, obtain, long for.&#xA;&#xA;ASSALTO (Italian), assault.&#xA;&#xA;ASSAY, draw a knife along the belly of the deer, a&#xA;ceremony of the hunting-field.&#xA;&#xA;ASSOIL, solve.&#xA;&#xA;ASSURE, secure possession or reversion of.&#xA;&#xA;ATHANOR, a digesting furnace, calculated to keep up a&#xA;constant heat.&#xA;&#xA;ATONE, reconcile.&#xA;&#xA;ATTACH, attack, seize.&#xA;&#xA;AUDACIOUS, having spirit and confidence.&#xA;&#xA;AUTHENTIC(AL), of authority, authorised, trustworthy, genuine.&#xA;&#xA;AVISEMENT, reflection, consideration.&#xA;&#xA;AVOID, begone! get rid of.&#xA;&#xA;AWAY WITH, endure.&#xA;&#xA;AZOCH, Mercurius Philosophorum.&#xA;&#xA;BABION, baboon.&#xA;&#xA;BABY, doll.&#xA;&#xA;BACK-SIDE, back premises.&#xA;&#xA;BAFFLE, treat with contempt.&#xA;&#xA;BAGATINE, Italian coin, worth about the third of a farthing.&#xA;&#xA;BAIARD, horse of magic powers known to old romance.&#xA;&#xA;BALDRICK, belt worn across the breast to support bugle, etc.&#xA;&#xA;BALE (of dice), pair.&#xA;&#xA;BALK, overlook, pass by, avoid.&#xA;&#xA;BALLACE, ballast.&#xA;&#xA;BALLOO, game at ball.&#xA;&#xA;BALNEUM (BAIN MARIE), a vessel for holding hot water&#xA;in which other vessels are stood for heating.&#xA;&#xA;BANBURY, &amp;quot;brother of—,&amp;quot; Puritan.&#xA;&#xA;BANDOG, dog tied or chained up.&#xA;&#xA;BANE, woe, ruin.&#xA;&#xA;BANQUET, a light repast; dessert.&#xA;&#xA;BARB, to clip gold.&#xA;&#xA;BARBEL, fresh-water fish.&#xA;&#xA;BARE, meer; bareheaded; it was &amp;quot;a particular mark of state&#xA;and grandeur for the coachman to be uncovered&amp;quot; (Gifford).&#xA;&#xA;BARLEY-BREAK, game somewhat similar to base.&#xA;&#xA;BASE, game of prisoner's base.&#xA;&#xA;BASES, richly embroidered skirt reaching to the knees, or&#xA;lower.&#xA;&#xA;BASILISK, fabulous reptile, believed to slay with its eye.&#xA;&#xA;BASKET, used for the broken provision collected for prisoners.&#xA;&#xA;BASON, basons, etc., were beaten by the attendant mob when&#xA;bad characters were &amp;quot;carted.&amp;quot;&#xA;&#xA;BATE, be reduced; abate, reduce.&#xA;&#xA;BATOON, baton, stick.&#xA;&#xA;BATTEN, feed, grow fat.&#xA;&#xA;BAWSON, badger.&#xA;&#xA;BEADSMAN, prayer-man, one engaged to pray for another.&#xA;&#xA;BEAGLE, small hound; fig. spy.&#xA;&#xA;BEAR IN HAND, keep in suspense, deceive with false hopes.&#xA;&#xA;BEARWARD, bear leader.&#xA;&#xA;BEDPHERE.  See Phere.&#xA;&#xA;BEDSTAFF, (?) wooden pin in the side of the bedstead for&#xA;supporting the bedclothes (Johnson); one of the sticks or&#xA;&amp;quot;laths&amp;quot;; a stick used in making a bed.&#xA;&#xA;BEETLE, heavy mallet.&#xA;&#xA;BEG, &amp;quot;I'd—him,&amp;quot; the custody of minors and idiots was&#xA;begged for; likewise property fallen forfeit to the Crown&#xA;(&amp;quot;your house had been begged&amp;quot;).&#xA;&#xA;BELL-MAN, night watchman.&#xA;&#xA;BENJAMIN, an aromatic gum.&#xA;&#xA;BERLINA, pillory.&#xA;&#xA;BESCUMBER, defile.&#xA;&#xA;BESLAVE, beslabber.&#xA;&#xA;BESOGNO, beggar.&#xA;&#xA;BESPAWLE, bespatter.&#xA;&#xA;BETHLEHEM GABOR, Transylvanian hero, proclaimed King of Hungary.&#xA;&#xA;BEVER, drinking.&#xA;&#xA;BEVIS, SIR, knight of romance whose horse was equally celebrated.&#xA;&#xA;BEWRAY, reveal, make known.&#xA;&#xA;BEZANT, heraldic term: small gold circle.&#xA;&#xA;BEZOAR'S STONE, a remedy known by this name was a&#xA;supposed antidote to poison.&#xA;&#xA;BID-STAND, highwayman.&#xA;&#xA;BIGGIN, cap, similar to that worn by the Beguines; nightcap.&#xA;&#xA;BILIVE (belive), with haste.&#xA;&#xA;BILK, nothing, empty talk.&#xA;&#xA;BILL, kind of pike.&#xA;&#xA;BILLET, wood cut for fuel, stick.&#xA;&#xA;BIRDING, thieving.&#xA;&#xA;BLACK SANCTUS, burlesque hymn, any unholy riot.&#xA;&#xA;BLANK, originally a small French coin.&#xA;&#xA;BLANK, white.&#xA;&#xA;BLANKET, toss in a blanket.&#xA;&#xA;BLAZE, outburst of violence.&#xA;&#xA;BLAZE, (her.) blazon; publish abroad.&#xA;&#xA;BLAZON, armorial bearings; fig. all that pertains to&#xA;good birth and breeding.&#xA;&#xA;BLIN, &amp;quot;withouten—,&amp;quot; without ceasing.&#xA;&#xA;BLOW, puff up.&#xA;&#xA;BLUE, colour of servants' livery, hence &amp;quot;—order,&amp;quot;&#xA;&amp;quot;—waiters.&amp;quot;&#xA;&#xA;BLUSHET, blushing one.&#xA;&#xA;BOB, jest, taunt.&#xA;&#xA;BOB, beat, thump.&#xA;&#xA;BODGE, measure.&#xA;&#xA;BODKIN, dagger, or other short, pointed weapon; long&#xA;pin with which the women fastened up their hair.&#xA;&#xA;BOLT, roll (of material).&#xA;&#xA;BOLT, dislodge, rout out; sift (boulting-tub).&#xA;&#xA;BOLT'S-HEAD, long, straight-necked vessel for distillation.&#xA;&#xA;BOMBARD SLOPS, padded, puffed-out breeches.&#xA;&#xA;BONA ROBA, &amp;quot;good, wholesome, plum-cheeked wench&amp;quot; (Johnson)&#xA;—not always used in compliment.&#xA;&#xA;BONNY-CLABBER, sour butter-milk.&#xA;&#xA;BOOKHOLDER, prompter.&#xA;&#xA;BOOT, &amp;quot;to—,&amp;quot; into the bargain; &amp;quot;no—,&amp;quot; of no avail.&#xA;&#xA;BORACHIO, bottle made of skin.&#xA;&#xA;BORDELLO, brothel.&#xA;&#xA;BORNE IT, conducted, carried it through.&#xA;&#xA;BOTTLE (of hay), bundle, truss.&#xA;&#xA;BOTTOM, skein or ball of thread; vessel.&#xA;&#xA;BOURD, jest.&#xA;&#xA;BOVOLI, snails or cockles dressed in the Italian manner&#xA;(Gifford).&#xA;&#xA;BOW-POT, flower vase or pot.&#xA;&#xA;BOYS, &amp;quot;terrible—,&amp;quot; &amp;quot;angry—,&amp;quot; roystering young bucks.&#xA;(See Nares).&#xA;&#xA;BRABBLES (BRABBLESH), brawls.&#xA;&#xA;BRACH, bitch.&#xA;&#xA;BRADAMANTE, a heroine in &amp;quot;Orlando Furioso.&amp;quot;&#xA;&#xA;BRADLEY, ARTHUR OF, a lively character commemorated in&#xA;ballads.&#xA;&#xA;BRAKE, frame for confining a horse's feet while being&#xA;shod, or strong curb or bridle; trap.&#xA;&#xA;BRANCHED, with &amp;quot;detached sleeve ornaments, projecting&#xA;from the shoulders of the gown&amp;quot; (Gifford).&#xA;&#xA;BRANDISH, flourish of weapon.&#xA;&#xA;BRASH, brace.&#xA;&#xA;BRAVE, bravado, braggart speech.&#xA;&#xA;BRAVE (adv.), gaily, finely (apparelled).&#xA;&#xA;BRAVERIES, gallants.&#xA;&#xA;BRAVERY, extravagant gaiety of apparel.&#xA;&#xA;BRAVO, bravado, swaggerer.&#xA;&#xA;BRAZEN-HEAD, speaking head made by Roger Bacon.&#xA;&#xA;BREATHE, pause for relaxation; exercise.&#xA;&#xA;BREATH UPON, speak dispraisingly of.&#xA;&#xA;BREND, burn.&#xA;&#xA;BRIDE-ALE, wedding feast.&#xA;&#xA;BRIEF, abstract; (mus.) breve.&#xA;&#xA;BRISK, smartly dressed.&#xA;&#xA;BRIZE, breese, gadfly.&#xA;&#xA;BROAD-SEAL, state seal.&#xA;&#xA;BROCK, badger (term of contempt).&#xA;&#xA;BROKE, transact business as a broker.&#xA;&#xA;BROOK, endure, put up with.&#xA;&#xA;BROUGHTON, HUGH, an English divine and Hebrew scholar.&#xA;&#xA;BRUIT, rumour.&#xA;&#xA;BUCK, wash.&#xA;&#xA;BUCKLE, bend.&#xA;&#xA;BUFF, leather made of buffalo skin, used for military&#xA;and serjeants' coats, etc.&#xA;&#xA;BUFO, black tincture.&#xA;&#xA;BUGLE, long-shaped bead.&#xA;&#xA;BULLED, (?) bolled, swelled.&#xA;&#xA;BULLIONS, trunk hose.&#xA;&#xA;BULLY, term of familiar endearment.&#xA;&#xA;BUNGY, Friar Bungay, who had a familiar in the shape of a dog.&#xA;&#xA;BURDEN, refrain, chorus.&#xA;&#xA;BURGONET, closely-fitting helmet with visor.&#xA;&#xA;BURGULLION, braggadocio.&#xA;&#xA;BURN, mark wooden measures (&amp;quot;—ing of cans&amp;quot;).&#xA;&#xA;BURROUGH, pledge, security.&#xA;&#xA;BUSKIN, half-boot, foot gear reaching high up the leg.&#xA;&#xA;BUTT-SHAFT, barbless arrow for shooting at butts.&#xA;&#xA;BUTTER, NATHANIEL (&amp;quot;Staple of News&amp;quot;), a compiler of general&#xA;news.  (See Cunningham).&#xA;&#xA;BUTTERY-HATCH, half-door shutting off the buttery, where&#xA;provisions and liquors were stored.&#xA;&#xA;BUY, &amp;quot;he bought me,&amp;quot; formerly the guardianship of wards&#xA;could be bought.&#xA;&#xA;BUZ, exclamation to enjoin silence.&#xA;&#xA;BUZZARD, simpleton.&#xA;&#xA;BY AND BY, at once.&#xA;&#xA;BY(E), &amp;quot;on the __,&amp;quot; incidentally, as of minor or secondary&#xA;importance; at the side.&#xA;&#xA;BY-CHOP, by-blow, bastard.&#xA;&#xA;CADUCEUS, Mercury's wand.&#xA;&#xA;CALIVER, light kind of musket.&#xA;&#xA;CALLET, woman of ill repute.&#xA;&#xA;CALLOT, coif worn on the wigs of our judges or&#xA;serjeants-at-law (Gifford).&#xA;&#xA;CALVERED, crimped, or sliced and pickled.  (See Nares).&#xA;&#xA;CAMOUCCIO, wretch, knave.&#xA;&#xA;CAMUSED, flat.&#xA;&#xA;CAN, knows.&#xA;&#xA;CANDLE-RENT, rent from house property.&#xA;&#xA;CANDLE-WASTER, one who studies late.&#xA;&#xA;CANTER, sturdy beggar.&#xA;&#xA;CAP OF MAINTENCE, an insignia of dignity, a cap of state&#xA;borne before kings at their coronation; also an heraldic term.&#xA;&#xA;CAPABLE, able to comprehend, fit to receive instruction,&#xA;impression.&#xA;&#xA;CAPANEUS, one of the &amp;quot;Seven against Thebes.&amp;quot;&#xA;&#xA;CARACT, carat, unit of weight for precious stones, etc.;&#xA;value, worth.&#xA;&#xA;CARANZA, Spanish author of a book on duelling.&#xA;&#xA;CARCANET, jewelled ornament for the neck.&#xA;&#xA;CARE, take care; object.&#xA;&#xA;CAROSH, coach, carriage.&#xA;&#xA;CARPET, table-cover.&#xA;&#xA;CARRIAGE, bearing, behaviour.&#xA;&#xA;CARWHITCHET, quip, pun.&#xA;&#xA;CASAMATE, casemate, fortress.&#xA;&#xA;CASE, a pair.&#xA;&#xA;CASE, &amp;quot;in—,&amp;quot; in condition.&#xA;&#xA;CASSOCK, soldier's loose overcoat.&#xA;&#xA;CAST, flight of hawks, couple.&#xA;&#xA;CAST, throw dice; vomit; forecast, calculate.&#xA;&#xA;CAST, cashiered.&#xA;&#xA;CASTING-GLASS, bottle for sprinkling perfume.&#xA;&#xA;CASTRIL, kestrel, falcon.&#xA;&#xA;CAT, structure used in sieges.&#xA;&#xA;CATAMITE, old form of &amp;quot;ganymede.&amp;quot;&#xA;&#xA;CATASTROPHE, conclusion.&#xA;&#xA;CATCHPOLE, sheriff's officer.&#xA;&#xA;CATES, dainties, provisions.&#xA;&#xA;CATSO, rogue, cheat.&#xA;&#xA;CAUTELOUS, crafty, artful.&#xA;&#xA;CENSURE, criticism; sentence.&#xA;&#xA;CENSURE, criticise; pass sentence, doom.&#xA;&#xA;CERUSE, cosmetic containing white lead.&#xA;&#xA;CESS, assess.&#xA;&#xA;CHANGE, &amp;quot;hunt—,&amp;quot; follow a fresh scent.&#xA;&#xA;CHAPMAN, retail dealer.&#xA;&#xA;CHARACTER, handwriting.&#xA;&#xA;CHARGE, expense.&#xA;&#xA;CHARM, subdue with magic, lay a spell on, silence.&#xA;&#xA;CHARMING, exercising magic power.&#xA;&#xA;CHARTEL, challenge.&#xA;&#xA;CHEAP, bargain, market.&#xA;&#xA;CHEAR, CHEER, comfort, encouragement; food, entertainment.&#xA;&#xA;CHECK AT, aim reproof at.&#xA;&#xA;CHEQUIN, gold Italian coin.&#xA;&#xA;CHEVRIL, from kidskin, which is elastic and pliable.&#xA;&#xA;CHIAUS, Turkish envoy; used for a cheat, swindler.&#xA;&#xA;CHILDERMASS DAY, Innocents' Day.&#xA;&#xA;CHOKE-BAIL, action which does not allow of bail.&#xA;&#xA;CHRYSOPOEIA, alchemy.&#xA;&#xA;CHRYSOSPERM, ways of producing gold.&#xA;&#xA;CIBATION, adding fresh substances to supply the waste&#xA;of evaporation.&#xA;&#xA;CIMICI, bugs.&#xA;&#xA;CINOPER, cinnabar.&#xA;&#xA;CIOPPINI, chopine, lady's high shoe.&#xA;&#xA;CIRCLING BOY, &amp;quot;a species of roarer; one who in some way&#xA;drew a man into a snare, to cheat or rob him&amp;quot; (Nares).&#xA;&#xA;CIRCUMSTANCE, circumlocution, beating about the bush;&#xA;ceremony, everything pertaining to a certain condition;&#xA;detail, particular.&#xA;&#xA;CITRONISE, turn citron colour.&#xA;&#xA;CITTERN, kind of guitar.&#xA;&#xA;CITY-WIRES, woman of fashion, who made use of wires&#xA;for hair and dress.&#xA;&#xA;CIVIL, legal.&#xA;&#xA;CLAP, clack, chatter.&#xA;&#xA;CLAPPER-DUDGEON, downright beggar.&#xA;&#xA;CLAPS HIS DISH, a clap, or clack, dish (dish with a&#xA;movable lid) was carried by beggars and lepers to show&#xA;that the vessel was empty, and to give sound of their&#xA;approach.&#xA;&#xA;CLARIDIANA, heroine of an old romance.&#xA;&#xA;CLARISSIMO, Venetian noble.&#xA;&#xA;CLEM, starve.&#xA;&#xA;CLICKET, latch.&#xA;&#xA;CLIM O' THE CLOUGHS, etc., wordy heroes of romance.&#xA;&#xA;CLIMATE, country.&#xA;&#xA;CLOSE, secret, private; secretive.&#xA;&#xA;CLOSENESS, secrecy.&#xA;&#xA;CLOTH, arras, hangings.&#xA;&#xA;CLOUT, mark shot at, bull's eye.&#xA;&#xA;CLOWN, countryman, clodhopper.&#xA;&#xA;COACH-LEAVES, folding blinds.&#xA;&#xA;COALS, &amp;quot;bear no—,&amp;quot; submit to no affront.&#xA;&#xA;COAT-ARMOUR, coat of arms.&#xA;&#xA;COAT-CARD, court-card.&#xA;&#xA;COB-HERRING, HERRING-COB, a young herring.&#xA;&#xA;COB-SWAN, male swan.&#xA;&#xA;COCK-A-HOOP, denoting unstinted jollity; thought to&#xA;be derived from turning on the tap that all might&#xA;drink to the full of the flowing liquor.&#xA;&#xA;COCKATRICE, reptile supposed to be produced from a&#xA;cock's egg and to kill by its eye—used as a term&#xA;of reproach for a woman.&#xA;&#xA;COCK-BRAINED, giddy, wild.&#xA;&#xA;COCKER, pamper.&#xA;&#xA;COCKSCOMB, fool's cap.&#xA;&#xA;COCKSTONE, stone said to be found in a cock's&#xA;gizzard, and to possess particular virtues.&#xA;&#xA;CODLING, softening by boiling.&#xA;&#xA;COFFIN, raised crust of a pie.&#xA;&#xA;COG, cheat, wheedle.&#xA;&#xA;COIL, turmoil, confusion, ado.&#xA;&#xA;COKELY, master of a puppet-show (Whalley).&#xA;&#xA;COKES, fool, gull.&#xA;&#xA;COLD-CONCEITED, having cold opinion of, coldly&#xA;affected towards.&#xA;&#xA;COLE-HARBOUR, a retreat for people of all sorts.&#xA;&#xA;COLLECTION, composure; deduction.&#xA;&#xA;COLLOP, small slice, piece of flesh.&#xA;&#xA;COLLY, blacken.&#xA;&#xA;COLOUR, pretext.&#xA;&#xA;COLOURS, &amp;quot;fear no—,&amp;quot; no enemy (quibble).&#xA;&#xA;COLSTAFF, cowlstaff, pole for carrying a cowl=tub.&#xA;&#xA;COME ABOUT, charge, turn round.&#xA;&#xA;COMFORTABLE BREAD, spiced gingerbread.&#xA;&#xA;COMING, forward, ready to respond, complaisant.&#xA;&#xA;COMMENT, commentary; &amp;quot;sometime it is taken for a lie&#xA;or fayned tale&amp;quot; (Bullokar, 1616).&#xA;&#xA;COMMODITY, &amp;quot;current for—,&amp;quot; allusion to practice of&#xA;money-lenders, who forced the borrower to take part of&#xA;the loan in the shape of worthless goods on which the&#xA;latter had to make money if he could.&#xA;&#xA;COMMUNICATE, share.&#xA;&#xA;COMPASS, &amp;quot;in—,&amp;quot; within the range, sphere.&#xA;&#xA;COMPLEMENT, completion, completement; anything&#xA;required for the perfecting or carrying out of&#xA;a person or affair; accomplishment.&#xA;&#xA;COMPLEXION, natural disposition, constitution.&#xA;&#xA;COMPLIMENT, See Complement.&#xA;&#xA;COMPLIMENTARIES, masters of accomplishments.&#xA;&#xA;COMPOSITION, constitution; agreement, contract.&#xA;&#xA;COMPOSURE, composition.&#xA;&#xA;COMPTER, COUNTER, debtors' prison.&#xA;&#xA;CONCEALMENT, a certain amount of church property&#xA;had been retained at the dissolution of the monasteries;&#xA;Elizabeth sent commissioners to search it out, and the&#xA;courtiers begged for it.&#xA;&#xA;CONCEIT, idea, fancy, witty invention, conception, opinion.&#xA;&#xA;CONCEIT, apprehend.&#xA;&#xA;CONCEITED, fancifully, ingeniously devised or conceived;&#xA;possessed of intelligence, witty, ingenious (hence well&#xA;conceited, etc.); disposed to joke; of opinion, possessed&#xA;of an idea.&#xA;&#xA;CONCEIVE, understand.&#xA;&#xA;CONCENT, harmony, agreement.&#xA;&#xA;CONCLUDE, infer, prove.&#xA;&#xA;CONCOCT, assimilate, digest.&#xA;&#xA;CONDEN'T, probably conducted.&#xA;&#xA;CONDUCT, escort, conductor.&#xA;&#xA;CONEY-CATCH, cheat.&#xA;&#xA;CONFECT, sweetmeat.&#xA;&#xA;CONFER, compare.&#xA;&#xA;CONGIES, bows.&#xA;&#xA;CONNIVE, give a look, wink, of secret intelligence.&#xA;&#xA;CONSORT, company, concert.&#xA;&#xA;CONSTANCY, fidelity, ardour, persistence.&#xA;&#xA;CONSTANT, confirmed, persistent, faithful.&#xA;&#xA;CONSTANTLY, firmly, persistently.&#xA;&#xA;CONTEND, strive.&#xA;&#xA;CONTINENT, holding together.&#xA;&#xA;CONTROL (the point), bear or beat down.&#xA;&#xA;CONVENT, assembly, meeting.&#xA;&#xA;CONVERT, turn (oneself).&#xA;&#xA;CONVEY, transmit from one to another.&#xA;&#xA;CONVINCE, evince, prove; overcome, overpower; convict.&#xA;&#xA;COP, head, top; tuft on head of birds; &amp;quot;a cop&amp;quot; may&#xA;have reference to one or other meaning; Gifford and&#xA;others interpret as &amp;quot;conical, terminating in a point.&amp;quot;&#xA;&#xA;COPE-MAN, chapman.&#xA;&#xA;COPESMATE, companion.&#xA;&#xA;COPY (Lat. copia), abundance, copiousness.&#xA;&#xA;CORN (&amp;quot;powder—&amp;quot;), grain.&#xA;&#xA;COROLLARY, finishing part or touch.&#xA;&#xA;CORSIVE, corrosive.&#xA;&#xA;CORTINE, curtain, (arch.) wall between two towers, etc.&#xA;&#xA;CORYAT, famous for his travels, published as &amp;quot;Coryat's&#xA;Crudities.&amp;quot;&#xA;&#xA;COSSET, pet lamb, pet.&#xA;&#xA;COSTARD, head.&#xA;&#xA;COSTARD-MONGER, apple-seller, coster-monger.&#xA;&#xA;COSTS, ribs.&#xA;&#xA;COTE, hut.&#xA;&#xA;COTHURNAL, from &amp;quot;cothurnus,&amp;quot; a particular boot worn by&#xA;actors in Greek tragedy.&#xA;&#xA;COTQUEAN, hussy.&#xA;&#xA;COUNSEL, secret.&#xA;&#xA;COUNTENANCE, means necessary for support; credit, standing.&#xA;&#xA;COUNTER.  See Compter.&#xA;&#xA;COUNTER, pieces of metal or ivory for calculating at play.&#xA;&#xA;COUNTER, &amp;quot;hunt—,&amp;quot; follow scent in reverse direction.&#xA;&#xA;COUNTERFEIT, false coin.&#xA;&#xA;COUNTERPANE, one part or counterpart of a deed or indenture.&#xA;&#xA;COUNTERPOINT, opposite, contrary point.&#xA;&#xA;COURT-DISH, a kind of drinking-cup (Halliwell); N.E.D.&#xA;quotes from Bp. Goodman's &amp;quot;Court of James I.&amp;quot;: &amp;quot;The&#xA;king...caused his carver to cut him out a court-dish,&#xA;that is, something of every dish, which he sent him as&#xA;part of his reversion,&amp;quot; but this does not sound like&#xA;short allowance or small receptacle.&#xA;&#xA;COURT-DOR, fool.&#xA;&#xA;COURTEAU, curtal, small horse with docked tail.&#xA;&#xA;COURTSHIP, courtliness.&#xA;&#xA;COVETISE, avarice.&#xA;&#xA;COWSHARD, cow dung.&#xA;&#xA;COXCOMB, fool's cap, fool.&#xA;&#xA;COY, shrink; disdain.&#xA;&#xA;COYSTREL, low varlet.&#xA;&#xA;COZEN, cheat.&#xA;&#xA;CRACK, lively young rogue, wag.&#xA;&#xA;CRACK, crack up, boast; come to grief.&#xA;&#xA;CRAMBE, game of crambo, in which the players find&#xA;rhymes for a given word.&#xA;&#xA;CRANCH, craunch.&#xA;&#xA;CRANION, spider-like; also fairy appellation for a&#xA;fly (Gifford, who refers to lines in Drayton's&#xA;&amp;quot;Nimphidia&amp;quot;).&#xA;&#xA;CRIMP, game at cards.&#xA;&#xA;CRINCLE, draw back, turn aside.&#xA;&#xA;CRISPED, with curled or waved hair.&#xA;&#xA;CROP, gather, reap.&#xA;&#xA;CROPSHIRE, a kind of herring.  (See N.E.D.)&#xA;&#xA;CROSS, any piece of money, many coins being stamped&#xA;with a cross.&#xA;&#xA;CROSS AND PILE, heads and tails.&#xA;&#xA;CROSSLET, crucible.&#xA;&#xA;CROWD, fiddle.&#xA;&#xA;CRUDITIES, undigested matter.&#xA;&#xA;CRUMP, curl up.&#xA;&#xA;CRUSADO, Portuguese gold coin, marked with a cross.&#xA;&#xA;CRY (&amp;quot;he that cried Italian&amp;quot;), &amp;quot;speak in a musical&#xA;cadence,&amp;quot; intone, or declaim (?); cry up.&#xA;&#xA;CUCKING-STOOL, used for the ducking of scolds, etc.&#xA;&#xA;CUCURBITE, a gourd-shaped vessel used for distillation.&#xA;&#xA;CUERPO, &amp;quot;in—,&amp;quot; in undress.&#xA;&#xA;CULLICE, broth.&#xA;&#xA;CULLION, base fellow, coward.&#xA;&#xA;CULLISEN, badge worn on their arm by servants.&#xA;&#xA;CULVERIN, kind of cannon.&#xA;&#xA;CUNNING, skill.&#xA;&#xA;CUNNING, skilful.&#xA;&#xA;CUNNING-MAN, fortune-teller.&#xA;&#xA;CURE, care for.&#xA;&#xA;CURIOUS(LY), scrupulous, particular; elaborate,&#xA;elegant(ly), dainty(ly) (hence &amp;quot;in curious&amp;quot;).&#xA;&#xA;CURST, shrewish, mischievous.&#xA;&#xA;CURTAL, dog with docked tail, of inferior sort.&#xA;&#xA;CUSTARD, &amp;quot;quaking—,&amp;quot; &amp;quot;—politic,&amp;quot; reference to&#xA;a large custard which formed part of a city feast&#xA;and afforded huge entertainment, for the fool jumped&#xA;into it, and other like tricks were played.  (See&#xA;&amp;quot;All's Well, etc.&amp;quot; ii. 5, 40.)&#xA;&#xA;CUTWORK, embroidery, open-work.&#xA;&#xA;CYPRES (CYPRUS) (quibble), cypress (or cyprus) being&#xA;a transparent material, and when black used for mourning.&#xA;&#xA;DAGGER (&amp;quot;—frumety&amp;quot;), name of tavern.&#xA;&#xA;DARGISON, apparently some person known in ballad or tale.&#xA;&#xA;DAUPHIN MY BOY, refrain of old comic song.&#xA;&#xA;DAW, daunt.&#xA;&#xA;DEAD LIFT, desperate emergency.&#xA;&#xA;DEAR, applied to that which in any way touches us nearly.&#xA;&#xA;DECLINE, turn off from; turn away, aside.&#xA;&#xA;DEFALK, deduct, abate.&#xA;&#xA;DEFEND, forbid.&#xA;&#xA;DEGENEROUS, degenerate.&#xA;&#xA;DEGREES, steps.&#xA;&#xA;DELATE, accuse.&#xA;&#xA;DEMI-CULVERIN, cannon carrying a ball of about ten pounds.&#xA;&#xA;DENIER, the smallest possible coin, being the twelfth&#xA;part of a sou.&#xA;&#xA;DEPART, part with.&#xA;&#xA;DEPENDANCE, ground of quarrel in duello language.&#xA;&#xA;DESERT, reward.&#xA;&#xA;DESIGNMENT, design.&#xA;&#xA;DESPERATE, rash, reckless.&#xA;&#xA;DETECT, allow to be detected, betray, inform against.&#xA;&#xA;DETERMINE, terminate.&#xA;&#xA;DETRACT, draw back, refuse.&#xA;&#xA;DEVICE, masque, show; a thing moved by wires,&#xA;etc., puppet.&#xA;&#xA;DEVISE, exact in every particular.&#xA;&#xA;DEVISED, invented.&#xA;&#xA;DIAPASM, powdered aromatic herbs, made into balls&#xA;of perfumed paste.  (See Pomander.)&#xA;&#xA;DIBBLE, (?) moustache (N.E.D.); (?) dagger (Cunningham).&#xA;&#xA;DIFFUSED, disordered, scattered, irregular.&#xA;&#xA;DIGHT, dressed.&#xA;&#xA;DILDO, refrain of popular songs; vague term of low meaning.&#xA;&#xA;DIMBLE, dingle, ravine.&#xA;&#xA;DIMENSUM, stated allowance.&#xA;&#xA;DISBASE, debase.&#xA;&#xA;DISCERN, distinguish, show a difference between.&#xA;&#xA;DISCHARGE, settle for.&#xA;&#xA;DISCIPLINE, reformation; ecclesiastical system.&#xA;&#xA;DISCLAIM, renounce all part in.&#xA;&#xA;DISCOURSE, process of reasoning, reasoning faculty.&#xA;&#xA;DISCOURTSHIP, discourtesy.&#xA;&#xA;DISCOVER, betray, reveal; display.&#xA;&#xA;DISFAVOUR, disfigure.&#xA;&#xA;DISPARAGEMENT, legal term applied to the unfitness&#xA;in any way of a marriage arranged for in the case&#xA;of wards.&#xA;&#xA;DISPENSE WITH, grant dispensation for.&#xA;&#xA;DISPLAY, extend.&#xA;&#xA;DIS'PLE, discipline, teach by the whip.&#xA;&#xA;DISPOSED, inclined to merriment.&#xA;&#xA;DISPOSURE, disposal.&#xA;&#xA;DISPRISE, depreciate.&#xA;&#xA;DISPUNCT, not punctilious.&#xA;&#xA;DISQUISITION, search.&#xA;&#xA;DISSOLVED, enervated by grief.&#xA;&#xA;DISTANCE, (?) proper measure.&#xA;&#xA;DISTASTE, offence, cause of offence.&#xA;&#xA;DISTASTE, render distasteful.&#xA;&#xA;DISTEMPERED, upset, out of humour.&#xA;&#xA;DIVISION (mus.), variation, modulation.&#xA;&#xA;DOG-BOLT, term of contempt.&#xA;&#xA;DOLE, given in dole, charity.&#xA;&#xA;DOLE OF FACES, distribution of grimaces.&#xA;&#xA;DOOM, verdict, sentence.&#xA;&#xA;DOP, dip, low bow.&#xA;&#xA;DOR, beetle, buzzing insect, drone, idler.&#xA;&#xA;DOR, (?) buzz; &amp;quot;give the—,&amp;quot; make a fool of.&#xA;&#xA;DOSSER, pannier, basket.&#xA;&#xA;DOTES, endowments, qualities.&#xA;&#xA;DOTTEREL, plover; gull, fool.&#xA;&#xA;DOUBLE, behave deceitfully.&#xA;&#xA;DOXY, wench, mistress.&#xA;&#xA;DRACHM, Greek silver coin.&#xA;&#xA;DRESS, groom, curry.&#xA;&#xA;DRESSING, coiffure.&#xA;&#xA;DRIFT, intention.&#xA;&#xA;DRYFOOT, track by mere scent of foot.&#xA;&#xA;DUCKING, punishment for minor offences.&#xA;&#xA;DUILL, grieve.&#xA;&#xA;DUMPS, melancholy, originally a mournful melody.&#xA;&#xA;DURINDANA, Orlando's sword.&#xA;&#xA;DWINDLE, shrink away, be overawed.&#xA;&#xA;EAN, yean, bring forth young.&#xA;&#xA;EASINESS, readiness.&#xA;&#xA;EBOLITION, ebullition.&#xA;&#xA;EDGE, sword.&#xA;&#xA;EECH, eke.&#xA;&#xA;EGREGIOUS, eminently excellent.&#xA;&#xA;EKE, also, moreover.&#xA;&#xA;E-LA, highest note in the scale.&#xA;&#xA;EGGS ON THE SPIT, important business on hand.&#xA;&#xA;ELF-LOCK, tangled hair, supposed to be the work of elves.&#xA;&#xA;EMMET, ant.&#xA;&#xA;ENGAGE, involve.&#xA;&#xA;ENGHLE.  See Ingle.&#xA;&#xA;ENGHLE, cajole; fondle.&#xA;&#xA;ENGIN(E), device, contrivance; agent; ingenuity, wit.&#xA;&#xA;ENGINER, engineer, deviser, plotter.&#xA;&#xA;ENGINOUS, crafty, full of devices; witty, ingenious.&#xA;&#xA;ENGROSS, monopolise.&#xA;&#xA;ENS, an existing thing, a substance.&#xA;&#xA;ENSIGNS, tokens, wounds.&#xA;&#xA;ENSURE, assure.&#xA;&#xA;ENTERTAIN, take into service.&#xA;&#xA;ENTREAT, plead.&#xA;&#xA;ENTREATY, entertainment.&#xA;&#xA;ENTRY, place where a deer has lately passed.&#xA;&#xA;ENVOY, denouement, conclusion.&#xA;&#xA;ENVY, spite, calumny, dislike, odium.&#xA;&#xA;EPHEMERIDES, calendars.&#xA;&#xA;EQUAL, just, impartial.&#xA;&#xA;ERECTION, elevation in esteem.&#xA;&#xA;ERINGO, candied root of the sea-holly, formerly&#xA;used as a sweetmeat and aphrodisiac.&#xA;&#xA;ERRANT, arrant.&#xA;&#xA;ESSENTIATE, become assimilated.&#xA;&#xA;ESTIMATION, esteem.&#xA;&#xA;ESTRICH, ostrich.&#xA;&#xA;ETHNIC, heathen.&#xA;&#xA;EURIPUS, flux and reflux.&#xA;&#xA;EVEN, just equable.&#xA;&#xA;EVENT, fate, issue.&#xA;&#xA;EVENT(ED), issue(d).&#xA;&#xA;EVERT, overturn.&#xA;&#xA;EXACUATE, sharpen.&#xA;&#xA;EXAMPLESS, without example or parallel.&#xA;&#xA;EXCALIBUR, King Arthur's sword.&#xA;&#xA;EXEMPLIFY, make an example of.&#xA;&#xA;EXEMPT, separate, exclude.&#xA;&#xA;EXEQUIES, obsequies.&#xA;&#xA;EXHALE, drag out.&#xA;&#xA;EXHIBITION, allowance for keep, pocket-money.&#xA;&#xA;EXORBITANT, exceeding limits of propriety or law,&#xA;inordinate.&#xA;&#xA;EXORNATION, ornament.&#xA;&#xA;EXPECT, wait.&#xA;&#xA;EXPIATE, terminate.&#xA;&#xA;EXPLICATE, explain, unfold.&#xA;&#xA;EXTEMPORAL, extempore, unpremeditated.&#xA;&#xA;EXTRACTION, essence.&#xA;&#xA;EXTRAORDINARY, employed for a special or temporary purpose.&#xA;&#xA;EXTRUDE, expel.&#xA;&#xA;EYE, &amp;quot;in—,&amp;quot; in view.&#xA;&#xA;EYEBRIGHT, (?) a malt liquor in which the herb of&#xA;this name was infused, or a person who sold the same&#xA;(Gifford).&#xA;&#xA;EYE-TINGE, least shade or gleam.&#xA;&#xA;FACE, appearance.&#xA;&#xA;FACES ABOUT, military word of command.&#xA;&#xA;FACINOROUS, extremely wicked.&#xA;&#xA;FACKINGS, faith.&#xA;&#xA;FACT, deed, act, crime.&#xA;&#xA;FACTIOUS, seditious, belonging to a party, given to party feeling.&#xA;&#xA;FAECES, dregs.&#xA;&#xA;FAGIOLI, French beans.&#xA;&#xA;FAIN, forced, necessitated.&#xA;&#xA;FAITHFUL, believing.&#xA;&#xA;FALL, ruff or band turned back on the shoulders; or, veil.&#xA;&#xA;FALSIFY, feign (fencing term).&#xA;&#xA;FAME, report.&#xA;&#xA;FAMILIAR, attendant spirit.&#xA;&#xA;FANTASTICAL, capricious, whimsical.&#xA;&#xA;FARCE, stuff.&#xA;&#xA;FAR-FET.  See Fet.&#xA;&#xA;FARTHINGAL, hooped petticoat.&#xA;&#xA;FAUCET, tapster.&#xA;&#xA;FAULT, lack; loss, break in line of scent; &amp;quot;for—,&amp;quot; in default of.&#xA;&#xA;FAUTOR, partisan.&#xA;&#xA;FAYLES, old table game similar to backgammon.&#xA;&#xA;FEAR(ED), affright(ed).&#xA;&#xA;FEAT, activity, operation; deed, action.&#xA;&#xA;FEAT, elegant, trim.&#xA;&#xA;FEE, &amp;quot;in—&amp;quot; by feudal obligation.&#xA;&#xA;FEIZE, beat, belabour.&#xA;&#xA;FELLOW, term of contempt.&#xA;&#xA;FENNEL, emblem of flattery.&#xA;&#xA;FERE, companion, fellow.&#xA;&#xA;FERN-SEED, supposed to have power of rendering invisible.&#xA;&#xA;FET, fetched.&#xA;&#xA;FETCH, trick.&#xA;&#xA;FEUTERER (Fr. vautrier), dog-keeper.&#xA;&#xA;FEWMETS, dung.&#xA;&#xA;FICO, fig.&#xA;&#xA;FIGGUM, (?) jugglery.&#xA;&#xA;FIGMENT, fiction, invention.&#xA;&#xA;FIRK, frisk, move suddenly, or in jerks; &amp;quot;—up,&amp;quot;&#xA;stir up, rouse; &amp;quot;firks mad,&amp;quot; suddenly behaves like&#xA;a madman.&#xA;&#xA;FIT, pay one out, punish.&#xA;&#xA;FITNESS, readiness.&#xA;&#xA;FITTON (FITTEN), lie, invention.&#xA;&#xA;FIVE-AND-FIFTY, &amp;quot;highest number to stand on at&#xA;primero&amp;quot; (Gifford).&#xA;&#xA;FLAG, to fly low and waveringly.&#xA;&#xA;FLAGON CHAIN, for hanging a smelling-bottle (Fr.&#xA;flacon) round the neck (?).  (See N.E.D.).&#xA;&#xA;FLAP-DRAGON, game similar to snap-dragon.&#xA;&#xA;FLASKET, some kind of basket.&#xA;&#xA;FLAW, sudden gust or squall of wind.&#xA;&#xA;FLAWN, custard.&#xA;&#xA;FLEA, catch fleas.&#xA;&#xA;FLEER, sneer, laugh derisively.&#xA;&#xA;FLESH, feed a hawk or dog with flesh to incite&#xA;it to the chase; initiate in blood-shed; satiate.&#xA;&#xA;FLICKER-MOUSE, bat.&#xA;&#xA;FLIGHT, light arrow.&#xA;&#xA;FLITTER-MOUSE, bat.&#xA;&#xA;FLOUT, mock, speak and act contemptuously.&#xA;&#xA;FLOWERS, pulverised substance.&#xA;&#xA;FLY, familiar spirit.&#xA;&#xA;FOIL, weapon used in fencing; that which&#xA;sets anything off to advantage.&#xA;&#xA;FOIST, cut-purse, sharper.&#xA;&#xA;FOND(LY), foolish(ly).&#xA;&#xA;FOOT-CLOTH, housings of ornamental cloth which&#xA;hung down on either side a horse to the ground.&#xA;&#xA;FOOTING, foothold; footstep; dancing.&#xA;&#xA;FOPPERY, foolery.&#xA;&#xA;FOR, &amp;quot;—failing,&amp;quot; for fear of failing.&#xA;&#xA;FORBEAR, bear with; abstain from.&#xA;&#xA;FORCE, &amp;quot;hunt at—,&amp;quot; run the game down with dogs.&#xA;&#xA;FOREHEAD, modesty; face, assurance, effrontery.&#xA;&#xA;FORESLOW, delay.&#xA;&#xA;FORESPEAK, bewitch; foretell.&#xA;&#xA;FORETOP, front lock of hair which fashion&#xA;required to be worn upright.&#xA;&#xA;FORGED, fabricated.&#xA;&#xA;FORM, state formally.&#xA;&#xA;FORMAL, shapely; normal; conventional.&#xA;&#xA;FORTHCOMING, produced when required.&#xA;&#xA;FOUNDER, disable with over-riding.&#xA;&#xA;FOURM, form, lair.&#xA;&#xA;FOX, sword.&#xA;&#xA;FRAIL, rush basket in which figs or raisins&#xA;were packed.&#xA;&#xA;FRAMPULL, peevish, sour-tempered.&#xA;&#xA;FRAPLER, blusterer, wrangler.&#xA;&#xA;FRAYING, &amp;quot;a stag is said to fray his head when he&#xA;rubs it against a tree to...cause the outward coat&#xA;of the new horns to fall off&amp;quot; (Gifford).&#xA;&#xA;FREIGHT (of the gazetti), burden (of the newspapers).&#xA;&#xA;FREQUENT, full.&#xA;&#xA;FRICACE, rubbing.&#xA;&#xA;FRICATRICE, woman of low character.&#xA;&#xA;FRIPPERY, old clothes shop.&#xA;&#xA;FROCK, smock-frock.&#xA;&#xA;FROLICS, (?) humorous verses circulated at a feast&#xA;(N.E.D.); couplets wrapped round sweetmeats (Cunningham).&#xA;&#xA;FRONTLESS, shameless.&#xA;&#xA;FROTED, rubbed.&#xA;&#xA;FRUMETY, hulled wheat boiled in milk and spiced.&#xA;&#xA;FRUMP, flout, sneer.&#xA;&#xA;FUCUS, dye.&#xA;&#xA;FUGEAND, (?) figent: fidgety, restless (N.E.D.).&#xA;&#xA;FULLAM, false dice.&#xA;&#xA;FULMART, polecat.&#xA;&#xA;FULSOME, foul, offensive.&#xA;&#xA;FURIBUND, raging, furious.&#xA;&#xA;GALLEY-FOIST, city-barge, used on Lord Mayor's Day,&#xA;when he was sworn into his office at Westminster&#xA;(Whalley).&#xA;&#xA;GALLIARD, lively dance in triple time.&#xA;&#xA;GAPE, be eager after.&#xA;&#xA;GARAGANTUA, Rabelais' giant.&#xA;&#xA;GARB, sheaf (Fr. gerbe); manner, fashion, behaviour.&#xA;&#xA;GARD, guard, trimming, gold or silver lace, or other&#xA;ornament.&#xA;&#xA;GARDED, faced or trimmed.&#xA;&#xA;GARNISH, fee.&#xA;&#xA;GAVEL-KIND, name of a land-tenure existing chiefly in&#xA;Kent; from 16th century often used to denote custom&#xA;of dividing a deceased man's property equally among&#xA;his sons (N.E.D.).&#xA;&#xA;GAZETTE, small Venetian coin worth about three-farthings.&#xA;&#xA;GEANCE, jaunt, errand.&#xA;&#xA;GEAR (GEER), stuff, matter, affair.&#xA;&#xA;GELID, frozen.&#xA;&#xA;GEMONIES, steps from which the bodies of criminals&#xA;were thrown into the river.&#xA;&#xA;GENERAL, free, affable.&#xA;&#xA;GENIUS, attendant spirit.&#xA;&#xA;GENTRY, gentlemen; manners characteristic of gentry,&#xA;good breeding.&#xA;&#xA;GIB-CAT, tom-cat.&#xA;&#xA;GIGANTOMACHIZE, start a giants' war.&#xA;&#xA;GIGLOT, wanton.&#xA;&#xA;GIMBLET, gimlet.&#xA;&#xA;GING, gang.&#xA;&#xA;GLASS (&amp;quot;taking in of shadows, etc.&amp;quot;), crystal or beryl.&#xA;&#xA;GLEEK, card game played by three; party of three, trio;&#xA;side glance.&#xA;&#xA;GLICK (GLEEK), jest, gibe.&#xA;&#xA;GLIDDER, glaze.&#xA;&#xA;GLORIOUSLY, of vain glory.&#xA;&#xA;GODWIT, bird of the snipe family.&#xA;&#xA;GOLD-END-MAN, a buyer of broken gold and silver.&#xA;&#xA;GOLL, hand.&#xA;&#xA;GONFALIONIER, standard-bearer, chief magistrate, etc.&#xA;&#xA;GOOD, sound in credit.&#xA;&#xA;GOOD-YEAR, good luck.&#xA;&#xA;GOOSE-TURD, colour of.  (See Turd).&#xA;&#xA;GORCROW, carrion crow.&#xA;&#xA;GORGET, neck armour.&#xA;&#xA;GOSSIP, godfather.&#xA;&#xA;GOWKED, from &amp;quot;gowk,&amp;quot; to stand staring and gaping like&#xA;a fool.&#xA;&#xA;GRANNAM, grandam.&#xA;&#xA;GRASS, (?) grease, fat.&#xA;&#xA;GRATEFUL, agreeable, welcome.&#xA;&#xA;GRATIFY, give thanks to.&#xA;&#xA;GRATITUDE, gratuity.&#xA;&#xA;GRATULATE, welcome, congratulate.&#xA;&#xA;GRAVITY, dignity.&#xA;&#xA;GRAY, badger.&#xA;&#xA;GRICE, cub.&#xA;&#xA;GRIEF, grievance.&#xA;&#xA;GRIPE, vulture, griffin.&#xA;&#xA;GRIPE'S EGG, vessel in shape of.&#xA;&#xA;GROAT, fourpence.&#xA;&#xA;GROGRAN, coarse stuff made of silk and mohair, or of&#xA;coarse silk.&#xA;&#xA;GROOM-PORTER, officer in the royal household.&#xA;&#xA;GROPE, handle, probe.&#xA;&#xA;GROUND, pit (hence &amp;quot;grounded judgments&amp;quot;).&#xA;&#xA;GUARD, caution, heed.&#xA;&#xA;GUARDANT, heraldic term: turning the head only.&#xA;&#xA;GUILDER, Dutch coin worth about 4d.&#xA;&#xA;GULES, gullet, throat; heraldic term for red.&#xA;&#xA;GULL, simpleton, dupe.&#xA;&#xA;GUST, taste.&#xA;&#xA;HAB NAB, by, on, chance.&#xA;&#xA;HABERGEON, coat of mail.&#xA;&#xA;HAGGARD, wild female hawk; hence coy, wild.&#xA;&#xA;HALBERD, combination of lance and battle-axe.&#xA;&#xA;HALL, &amp;quot;a—!&amp;quot; a cry to clear the room for the dancers.&#xA;&#xA;HANDSEL, first money taken.&#xA;&#xA;HANGER, loop or strap on a sword-belt from which the&#xA;sword was suspended.&#xA;&#xA;HAP, fortune, luck.&#xA;&#xA;HAPPILY, haply.&#xA;&#xA;HAPPINESS, appropriateness, fitness.&#xA;&#xA;HAPPY, rich.&#xA;&#xA;HARBOUR, track, trace (an animal) to its shelter.&#xA;&#xA;HARD-FAVOURED, harsh-featured.&#xA;&#xA;HARPOCRATES, Horus the child, son of Osiris, figured&#xA;with a finger pointing to his mouth, indicative of&#xA;silence.&#xA;&#xA;HARRINGTON, a patent was granted to Lord H. for the&#xA;coinage of tokens (q.v.).&#xA;&#xA;HARROT, herald.&#xA;&#xA;HARRY NICHOLAS, founder of a community called the&#xA;&amp;quot;Family of Love.&amp;quot;&#xA;&#xA;HAY, net for catching rabbits, etc.&#xA;&#xA;HAY! (Ital. hai!), you have it (a fencing term).&#xA;&#xA;HAY IN HIS HORN, ill-tempered person.&#xA;&#xA;HAZARD, game at dice; that which is staked.&#xA;&#xA;HEAD, &amp;quot;first—,&amp;quot; young deer with antlers first&#xA;sprouting; fig. a newly-ennobled man.&#xA;&#xA;HEADBOROUGH, constable.&#xA;&#xA;HEARKEN AFTER, inquire; &amp;quot;hearken out,&amp;quot; find, search out.&#xA;&#xA;HEARTEN, encourage.&#xA;&#xA;HEAVEN AND HELL (&amp;quot;Alchemist&amp;quot;), names of taverns.&#xA;&#xA;HECTIC, fever.&#xA;&#xA;HEDGE IN, include.&#xA;&#xA;HELM, upper part of a retort.&#xA;&#xA;HER'NSEW, hernshaw, heron.&#xA;&#xA;HIERONIMO (JERONIMO), hero of Kyd's &amp;quot;Spanish Tragedy.&amp;quot;&#xA;&#xA;HOBBY, nag.&#xA;&#xA;HOBBY-HORSE, imitation horse of some light material,&#xA;fastened round the waist of the morrice-dancer, who&#xA;imitated the movements of a skittish horse.&#xA;&#xA;HODDY-DODDY, fool.&#xA;&#xA;HOIDEN, hoyden, formerly applied to both sexes (ancient&#xA;term for leveret?  Gifford).&#xA;&#xA;HOLLAND, name of two famous chemists.&#xA;&#xA;HONE AND HONERO, wailing expressions of lament or discontent.&#xA;&#xA;HOOD-WINK'D, blindfolded.&#xA;&#xA;HORARY, hourly.&#xA;&#xA;HORN-MAD, stark mad (quibble).&#xA;&#xA;HORN-THUMB, cut-purses were in the habit of wearing a horn&#xA;shield on the thumb.&#xA;&#xA;HORSE-BREAD-EATING, horses were often fed on coarse bread.&#xA;&#xA;HORSE-COURSER, horse-dealer.&#xA;&#xA;HOSPITAL, Christ's Hospital.&#xA;&#xA;HOWLEGLAS, Eulenspiegel, the hero of a popular German&#xA;tale which relates his buffooneries and knavish tricks.&#xA;&#xA;HUFF, hectoring, arrogance.&#xA;&#xA;HUFF IT, swagger.&#xA;&#xA;HUISHER (Fr. huissier), usher.&#xA;&#xA;HUM, beer and spirits mixed together.&#xA;&#xA;HUMANITIAN, humanist, scholar.&#xA;&#xA;HUMOROUS, capricious, moody, out of humour; moist.&#xA;&#xA;HUMOUR, a word used in and out of season in the time&#xA;of Shakespeare and Ben Jonson, and ridiculed by both.&#xA;&#xA;HUMOURS, manners.&#xA;&#xA;HUMPHREY, DUKE, those who were dinnerless spent the&#xA;dinner-hour in a part of St. Paul's where stood a&#xA;monument said to be that of the duke's; hence &amp;quot;dine&#xA;with Duke Humphrey,&amp;quot; to go hungry.&#xA;&#xA;HURTLESS, harmless.&#xA;&#xA;IDLE, useless, unprofitable.&#xA;&#xA;ILL-AFFECTED, ill-disposed.&#xA;&#xA;ILL-HABITED, unhealthy.&#xA;&#xA;ILLUSTRATE, illuminate.&#xA;&#xA;IMBIBITION, saturation, steeping.&#xA;&#xA;IMBROCATA, fencing term: a thrust in tierce.&#xA;&#xA;IMPAIR, impairment.&#xA;&#xA;IMPART, give money.&#xA;&#xA;IMPARTER, any one ready to be cheated and to part&#xA;with his money.&#xA;&#xA;IMPEACH, damage.&#xA;&#xA;IMPERTINENCIES, irrelevancies.&#xA;&#xA;IMPERTINENT(LY), irrelevant(ly), without reason or purpose.&#xA;&#xA;IMPOSITION, duty imposed by.&#xA;&#xA;IMPOTENTLY, beyond power of control.&#xA;&#xA;IMPRESS, money in advance.&#xA;&#xA;IMPULSION, incitement.&#xA;&#xA;IN AND IN, a game played by two or three persons&#xA;with four dice.&#xA;&#xA;INCENSE, incite, stir up.&#xA;&#xA;INCERATION, act of covering with wax; or reducing&#xA;a substance to softness of wax.&#xA;&#xA;INCH, &amp;quot;to their—es,&amp;quot; according to their stature,&#xA;capabilities.&#xA;&#xA;INCH-PIN, sweet-bread.&#xA;&#xA;INCONVENIENCE, inconsistency, absurdity.&#xA;&#xA;INCONY, delicate, rare (used as a term of affection).&#xA;&#xA;INCUBEE, incubus.&#xA;&#xA;INCUBUS, evil spirit that oppresses us in sleep, nightmare.&#xA;&#xA;INCURIOUS, unfastidious, uncritical.&#xA;&#xA;INDENT, enter into engagement.&#xA;&#xA;INDIFFERENT, tolerable, passable.&#xA;&#xA;INDIGESTED, shapeless, chaotic.&#xA;&#xA;INDUCE, introduce.&#xA;&#xA;INDUE, supply.&#xA;&#xA;INEXORABLE, relentless.&#xA;&#xA;INFANTED, born, produced.&#xA;&#xA;INFLAME, augment charge.&#xA;&#xA;INGENIOUS, used indiscriminantly for ingenuous;&#xA;intelligent, talented.&#xA;&#xA;INGENUITY, ingenuousness.&#xA;&#xA;INGENUOUS, generous.&#xA;&#xA;INGINE.  See Engin.&#xA;&#xA;INGINER, engineer.  (See Enginer).&#xA;&#xA;INGLE, OR ENGHLE, bosom friend, intimate, minion.&#xA;&#xA;INHABITABLE, uninhabitable.&#xA;&#xA;INJURY, insult, affront.&#xA;&#xA;IN-MATE, resident, indwelling.&#xA;&#xA;INNATE, natural.&#xA;&#xA;INNOCENT, simpleton.&#xA;&#xA;INQUEST, jury, or other official body of inquiry.&#xA;&#xA;INQUISITION, inquiry.&#xA;&#xA;INSTANT, immediate.&#xA;&#xA;INSTRUMENT, legal document.&#xA;&#xA;INSURE, assure.&#xA;&#xA;INTEGRATE, complete, perfect.&#xA;&#xA;INTELLIGENCE, secret information, news.&#xA;&#xA;INTEND, note carefully, attend, give ear to, be&#xA;occupied with.&#xA;&#xA;INTENDMENT, intention.&#xA;&#xA;INTENT, intention, wish.&#xA;&#xA;INTENTION, concentration of attention or gaze.&#xA;&#xA;INTENTIVE, attentive.&#xA;&#xA;INTERESSED, implicated.&#xA;&#xA;INTRUDE, bring in forcibly or without leave.&#xA;&#xA;INVINCIBLY, invisibly.&#xA;&#xA;INWARD, intimate.&#xA;&#xA;IRPE (uncertain), &amp;quot;a fantastic grimace, or contortion&#xA;of the body: (Gifford).&amp;quot;&#xA;&#xA;JACK, Jack o' the clock, automaton figure that strikes&#xA;the hour; Jack-a-lent, puppet thrown at in Lent.&#xA;&#xA;JACK, key of a virginal.&#xA;&#xA;JACOB'S STAFF, an instrument for taking altitudes and&#xA;distances.&#xA;&#xA;JADE, befool.&#xA;&#xA;JEALOUSY, JEALOUS, suspicion, suspicious.&#xA;&#xA;JERKING, lashing.&#xA;&#xA;JEW'S TRUMP, Jew's harp.&#xA;&#xA;JIG, merry ballad or tune; a fanciful dialogue or&#xA;light comic act introduced at the end or during an&#xA;interlude of a play.&#xA;&#xA;JOINED (JOINT)-STOOL, folding stool.&#xA;&#xA;JOLL, jowl.&#xA;&#xA;JOLTHEAD, blockhead.&#xA;&#xA;JUMP, agree, tally.&#xA;&#xA;JUST YEAR, no one was capable of the consulship until&#xA;he was forty-three.&#xA;&#xA;KELL, cocoon.&#xA;&#xA;KELLY, an alchemist.&#xA;&#xA;KEMB, comb.&#xA;&#xA;KEMIA, vessel for distillation.&#xA;&#xA;KIBE, chap, sore.&#xA;&#xA;KILDERKIN, small barrel.&#xA;&#xA;KILL, kiln.&#xA;&#xA;KIND, nature; species; &amp;quot;do one's—,&amp;quot; act according&#xA;to one's nature.&#xA;&#xA;KIRTLE, woman's gown of jacket and petticoat.&#xA;&#xA;KISS OR DRINK AFORE ME, &amp;quot;this is a familiar expression,&#xA;employed when what the speaker is just about to say is&#xA;anticipated by another&amp;quot; (Gifford).&#xA;&#xA;KIT, fiddle.&#xA;&#xA;KNACK, snap, click.&#xA;&#xA;KNIPPER-DOLING, a well-known Anabaptist.&#xA;&#xA;KNITTING CUP, marriage cup.&#xA;&#xA;KNOCKING, striking, weighty.&#xA;&#xA;KNOT, company, band; a sandpiper or robin snipe (Tringa&#xA;canutus); flower-bed laid out in fanciful design.&#xA;&#xA;KURSINED, KYRSIN, christened.&#xA;&#xA;LABOURED, wrought with labour and care.&#xA;&#xA;LADE, load(ed).&#xA;&#xA;LADING, load.&#xA;&#xA;LAID, plotted.&#xA;&#xA;LANCE-KNIGHT (Lanzknecht), a German mercenary foot-soldier.&#xA;&#xA;LAP, fold.&#xA;&#xA;LAR, household god.&#xA;&#xA;LARD, garnish.&#xA;&#xA;LARGE, abundant.&#xA;&#xA;LARUM, alarum, call to arms.&#xA;&#xA;LATTICE, tavern windows were furnished with lattices of&#xA;various colours.&#xA;&#xA;LAUNDER, to wash gold in aqua regia, so as imperceptibly&#xA;to extract some of it.&#xA;&#xA;LAVE, ladle, bale.&#xA;&#xA;LAW, &amp;quot;give—,&amp;quot; give a start (term of chase).&#xA;&#xA;LAXATIVE, loose.&#xA;&#xA;LAY ABOARD, run alongside generally with intent to board.&#xA;&#xA;LEAGUER, siege, or camp of besieging army.&#xA;&#xA;LEASING, lying.&#xA;&#xA;LEAVE, leave off, desist.&#xA;&#xA;LEER, leering or &amp;quot;empty, hence, perhaps, leer horse,&#xA;a horse without a rider; leer is an adjective meaning&#xA;uncontrolled, hence 'leer drunkards'&amp;quot; (Halliwell);&#xA;according to Nares, a leer (empty) horse meant also a&#xA;led horse; leeward, left.&#xA;&#xA;LEESE, lose.&#xA;&#xA;LEGS, &amp;quot;make—,&amp;quot; do obeisance.&#xA;&#xA;LEIGER, resident representative.&#xA;&#xA;LEIGERITY, legerdemain.&#xA;&#xA;LEMMA, subject proposed, or title of the epigram.&#xA;&#xA;LENTER, slower.&#xA;&#xA;LET, hinder.&#xA;&#xA;LET, hindrance.&#xA;&#xA;LEVEL COIL, a rough game...in which one hunted&#xA;another from his seat.  Hence used for any noisy&#xA;riot (Halliwell).&#xA;&#xA;LEWD, ignorant.&#xA;&#xA;LEYSTALLS, receptacles of filth.&#xA;&#xA;LIBERAL, ample.&#xA;&#xA;LIEGER, ledger, register.&#xA;&#xA;LIFT(ING), steal(ing); theft.&#xA;&#xA;LIGHT, alight.&#xA;&#xA;LIGHTLY, commonly, usually, often.&#xA;&#xA;LIKE, please.&#xA;&#xA;LIKELY, agreeable, pleasing.&#xA;&#xA;LIME-HOUND, leash-, blood-hound.&#xA;&#xA;LIMMER, vile, worthless.&#xA;&#xA;LIN, leave off.&#xA;&#xA;Line, &amp;quot;by—,&amp;quot; by rule.&#xA;&#xA;LINSTOCK, staff to stick in the ground, with forked&#xA;head to hold a lighted match for firing cannon.&#xA;&#xA;LIQUID, clear.&#xA;&#xA;LIST, listen, hark; like, please.&#xA;&#xA;LIVERY, legal term, delivery of the possession, etc.&#xA;&#xA;LOGGET, small log, stick.&#xA;&#xA;LOOSE, solution; upshot, issue; release of an arrow.&#xA;&#xA;LOSE, give over, desist from; waste.&#xA;&#xA;LOUTING, bowing, cringing.&#xA;&#xA;LUCULENT, bright of beauty.&#xA;&#xA;LUDGATHIANS, dealers on Ludgate Hill.&#xA;&#xA;LURCH, rob, cheat.&#xA;&#xA;LUTE, to close a vessel with some kind of cement.&#xA;&#xA;MACK, unmeaning expletive.&#xA;&#xA;MADGE-HOWLET or OWL, barn-owl.&#xA;&#xA;MAIM, hurt, injury.&#xA;&#xA;MAIN, chief concern (used as a quibble on heraldic&#xA;term for &amp;quot;hand&amp;quot;).&#xA;&#xA;MAINPRISE, becoming surety for a prisoner so as to&#xA;procure his release.&#xA;&#xA;MAINTENANCE, giving aid, or abetting.&#xA;&#xA;MAKE, mate.&#xA;&#xA;MAKE, MADE, acquaint with business, prepare(d), instruct(ed).&#xA;&#xA;MALLANDERS, disease of horses.&#xA;&#xA;MALT HORSE, dray horse.&#xA;&#xA;MAMMET, puppet.&#xA;&#xA;MAMMOTHREPT, spoiled child.&#xA;&#xA;MANAGE, control (term used for breaking-in horses);&#xA;handling, administration.&#xA;&#xA;MANGO, slave-dealer.&#xA;&#xA;MANGONISE, polish up for sale.&#xA;&#xA;MANIPLES, bundles, handfuls.&#xA;&#xA;MANKIND, masculine, like a virago.&#xA;&#xA;MANKIND, humanity.&#xA;&#xA;MAPLE FACE, spotted face (N.E.D.).&#xA;&#xA;MARCHPANE, a confection of almonds, sugar, etc.&#xA;&#xA;MARK, &amp;quot;fly to the—,&amp;quot; &amp;quot;generally said of a goshawk&#xA;when, having 'put in' a covey of partridges, she takes&#xA;stand, marking the spot where they disappeared from&#xA;view until the falconer arrives to put them out to her&amp;quot;&#xA;(Harting, Bibl. Accip. Gloss. 226).&#xA;&#xA;MARLE, marvel.&#xA;&#xA;MARROW-BONE MAN, one often on his knees for prayer.&#xA;&#xA;MARRY! exclamation derived from the Virgin's name.&#xA;&#xA;MARRY GIP, &amp;quot;probably originated from By Mary Gipcy&amp;quot; =&#xA;St. Mary of Egypt, (N.E.D.).&#xA;&#xA;MARTAGAN, Turk's cap lily.&#xA;&#xA;MARYHINCHCO, stringhalt.&#xA;&#xA;MASORETH, Masora, correct form of the scriptural text&#xA;according to Hebrew tradition.&#xA;&#xA;MASS, abb. for master.&#xA;&#xA;MAUND, beg.&#xA;&#xA;MAUTHER, girl, maid.&#xA;&#xA;MEAN, moderation.&#xA;&#xA;MEASURE, dance, more especially a stately one.&#xA;&#xA;MEAT, &amp;quot;carry—in one's mouth,&amp;quot; be a source of money&#xA;or entertainment.&#xA;&#xA;MEATH, metheglin.&#xA;&#xA;MECHANICAL, belonging to mechanics, mean, vulgar.&#xA;&#xA;MEDITERRANEO, middle aisle of St. Paul's, a general&#xA;resort for business and amusement.&#xA;&#xA;MEET WITH, even with.&#xA;&#xA;MELICOTTON, a late kind of peach.&#xA;&#xA;MENSTRUE, solvent.&#xA;&#xA;MERCAT, market.&#xA;&#xA;MERD, excrement.&#xA;&#xA;MERE, undiluted; absolute, unmitigated.&#xA;&#xA;MESS, party of four.&#xA;&#xA;METHEGLIN, fermented liquor, of which one ingredient&#xA;was honey.&#xA;&#xA;METOPOSCOPY, study of physiognomy.&#xA;&#xA;MIDDLING GOSSIP, go-between.&#xA;&#xA;MIGNIARD, dainty, delicate.&#xA;&#xA;MILE-END, training-ground of the city.&#xA;&#xA;MINE-MEN, sappers.&#xA;&#xA;MINION, form of cannon.&#xA;&#xA;MINSITIVE, (?) mincing, affected (N.E.D.).&#xA;&#xA;MISCELLANY MADAM, &amp;quot;a female trader in miscellaneous&#xA;articles; a dealer in trinkets or ornaments of various&#xA;kinds, such as kept shops in the New Exchange&amp;quot; (Nares).&#xA;&#xA;MISCELLINE, mixed grain; medley.&#xA;&#xA;MISCONCEIT, misconception.&#xA;&#xA;MISPRISE, MISPRISION, mistake, misunderstanding.&#xA;&#xA;MISTAKE AWAY, carry away as if by mistake.&#xA;&#xA;MITHRIDATE, an antidote against poison.&#xA;&#xA;MOCCINIGO, small Venetian coin, worth about ninepence.&#xA;&#xA;MODERN, in the mode; ordinary, commonplace.&#xA;&#xA;MOMENT, force or influence of value.&#xA;&#xA;MONTANTO, upward stroke.&#xA;&#xA;MONTH'S MIND, violent desire.&#xA;&#xA;MOORISH, like a moor or waste.&#xA;&#xA;MORGLAY, sword of Bevis of Southampton.&#xA;&#xA;MORRICE-DANCE, dance on May Day, etc., in which&#xA;certain personages were represented.&#xA;&#xA;MORTALITY, death.&#xA;&#xA;MORT-MAL, old sore, gangrene.&#xA;&#xA;MOSCADINO, confection flavoured with musk.&#xA;&#xA;MOTHER, Hysterica passio.&#xA;&#xA;MOTION, proposal, request; puppet, puppet-show;&#xA;&amp;quot;one of the small figures on the face of a large&#xA;clock which was moved by the vibration of the&#xA;pendulum&amp;quot; (Whalley).&#xA;&#xA;MOTION, suggest, propose.&#xA;&#xA;MOTLEY, parti-coloured dress of a fool; hence&#xA;used to signify pertaining to, or like, a fool.&#xA;&#xA;MOTTE, motto.&#xA;&#xA;MOURNIVAL, set of four aces or court cards in a hand;&#xA;a quartette.&#xA;&#xA;MOW, setord hay or sheaves of grain.&#xA;&#xA;MUCH! expressive of irony and incredulity.&#xA;&#xA;MUCKINDER, handkerchief.&#xA;&#xA;MULE, &amp;quot;born to ride on—,&amp;quot; judges or serjeants-at-law&#xA;formerly rode on mules when going in state to Westminster&#xA;(Whally).&#xA;&#xA;MULLETS, small pincers.&#xA;&#xA;MUM-CHANCE, game of chance, played in silence.&#xA;&#xA;MUN, must.&#xA;&#xA;MUREY, dark crimson red.&#xA;&#xA;MUSCOVY-GLASS, mica.&#xA;&#xA;MUSE, wonder.&#xA;&#xA;MUSICAL, in harmony.&#xA;&#xA;MUSS, mouse; scramble.&#xA;&#xA;MYROBOLANE, foreign conserve, &amp;quot;a dried plum, brought&#xA;from the Indies.&amp;quot;&#xA;&#xA;MYSTERY, art, trade, profession.&#xA;&#xA;NAIL, &amp;quot;to the—&amp;quot; (ad unguem), to perfection, to the&#xA;very utmost.&#xA;&#xA;NATIVE, natural.&#xA;&#xA;NEAT, cattle.&#xA;&#xA;NEAT, smartly apparelled; unmixed; dainty.&#xA;&#xA;NEATLY, neatly finished.&#xA;&#xA;NEATNESS, elegance.&#xA;&#xA;NEIS, nose, scent.&#xA;&#xA;NEUF (NEAF, NEIF), fist.&#xA;&#xA;NEUFT, newt.&#xA;&#xA;NIAISE, foolish, inexperienced person.&#xA;&#xA;NICE, fastidious, trivial, finical, scrupulous.&#xA;&#xA;NICENESS, fastidiousness.&#xA;&#xA;NICK, exact amount; right moment; &amp;quot;set in the—,&amp;quot;&#xA;meaning uncertain.&#xA;&#xA;NICE, suit, fit; hit, seize the right moment, etc.,&#xA;exactly hit on, hit off.&#xA;&#xA;NOBLE, gold coin worth 6s. 8d.&#xA;&#xA;NOCENT, harmful.&#xA;&#xA;NIL, not will.&#xA;&#xA;NOISE, company of musicians.&#xA;&#xA;NOMENTACK, an Indian chief from Virginia.&#xA;&#xA;NONES, nonce.&#xA;&#xA;NOTABLE, egregious.&#xA;&#xA;NOTE, sign, token.&#xA;&#xA;NOUGHT, &amp;quot;be—,&amp;quot; go to the devil, be hanged, etc.&#xA;&#xA;NOWT-HEAD, blockhead.&#xA;&#xA;NUMBER, rhythm.&#xA;&#xA;NUPSON, oaf, simpleton.&#xA;&#xA;OADE, woad.&#xA;&#xA;OBARNI, preparation of mead.&#xA;&#xA;OBJECT, oppose; expose; interpose.&#xA;&#xA;OBLATRANT, barking, railing.&#xA;&#xA;OBNOXIOUS, liable, exposed; offensive.&#xA;&#xA;OBSERVANCE, homage, devoted service.&#xA;&#xA;OBSERVANT, attentive, obsequious.&#xA;&#xA;OBSERVE, show deference, respect.&#xA;&#xA;OBSERVER, one who shows deference, or waits upon another.&#xA;&#xA;OBSTANCY, legal phrase, &amp;quot;juridical opposition.&amp;quot;&#xA;&#xA;OBSTREPEROUS, clamorous, vociferous.&#xA;&#xA;OBSTUPEFACT, stupefied.&#xA;&#xA;ODLING, (?) &amp;quot;must have some relation to tricking and&#xA;cheating&amp;quot; (Nares).&#xA;&#xA;OMINOUS, deadly, fatal.&#xA;&#xA;ONCE, at once; for good and all; used also for additional&#xA;emphasis.&#xA;&#xA;ONLY, pre-eminent, special.&#xA;&#xA;OPEN, make public; expound.&#xA;&#xA;OPPILATION, obstruction.&#xA;&#xA;OPPONE, oppose.&#xA;&#xA;OPPOSITE, antagonist.&#xA;&#xA;OPPRESS, suppress.&#xA;&#xA;ORIGINOUS, native.&#xA;&#xA;ORT, remnant, scrap.&#xA;&#xA;OUT, &amp;quot;to be—,&amp;quot; to have forgotten one's part;&#xA;not at one with each other.&#xA;&#xA;OUTCRY, sale by auction.&#xA;&#xA;OUTRECUIDANCE, arrogance, presumption.&#xA;&#xA;OUTSPEAK, speak more than.&#xA;&#xA;OVERPARTED, given too difficult a part to play.&#xA;&#xA;OWLSPIEGEL.  See Howleglass.&#xA;&#xA;OYEZ!  (O YES!), hear ye! call of the public crier&#xA;when about to make a proclamation.&#xA;&#xA;PACKING PENNY, &amp;quot;give a—,&amp;quot; dismiss, send packing.&#xA;&#xA;PAD, highway.&#xA;&#xA;PAD-HORSE, road-horse.&#xA;&#xA;PAINED (PANED) SLOPS, full breeches made of strips&#xA;of different colour and material.&#xA;&#xA;PAINFUL, diligent, painstaking.&#xA;&#xA;PAINT, blush.&#xA;&#xA;PALINODE, ode of recantation.&#xA;&#xA;PALL, weaken, dim, make stale.&#xA;&#xA;PALM, triumph.&#xA;&#xA;PAN, skirt of dress or coat.&#xA;&#xA;PANNEL, pad, or rough kind of saddle.&#xA;&#xA;PANNIER-ALLY, inhabited by tripe-sellers.&#xA;&#xA;PANNIER-MAN, hawker; a man employed about the inns of&#xA;court to bring in provisions, set the table, etc.&#xA;&#xA;PANTOFLE, indoor shoe, slipper.&#xA;&#xA;PARAMENTOS, fine trappings.&#xA;&#xA;PARANOMASIE, a play upon words.&#xA;&#xA;PARANTORY, (?) peremptory.&#xA;&#xA;PARCEL, particle, fragment (used contemptuously); article.&#xA;&#xA;PARCEL, part, partly.&#xA;&#xA;PARCEL-POET, poetaster.&#xA;&#xA;PARERGA, subordinate matters.&#xA;&#xA;PARGET, to paint or plaster the face.&#xA;&#xA;PARLE, parley.&#xA;&#xA;PARLOUS, clever, shrewd.&#xA;&#xA;PART, apportion.&#xA;&#xA;PARTAKE, participate in.&#xA;&#xA;PARTED, endowed, talented.&#xA;&#xA;PARTICULAR, individual person.&#xA;&#xA;PARTIZAN, kind of halberd.&#xA;&#xA;PARTRICH, partridge.&#xA;&#xA;PARTS, qualities, endowments.&#xA;&#xA;PASH, dash, smash.&#xA;&#xA;PASS, care, trouble oneself.&#xA;&#xA;PASSADO, fencing term: a thrust.&#xA;&#xA;PASSAGE, game at dice.&#xA;&#xA;PASSINGLY, exceedingly.&#xA;&#xA;PASSION, effect caused by external agency.&#xA;&#xA;PASSION, &amp;quot;in—,&amp;quot; in so melancholy a tone, so pathetically.&#xA;&#xA;PATOUN, (?) Fr. Paton, pellet of dough; perhaps the&#xA;&amp;quot;moulding of the tobacco...for the pipe&amp;quot; (Gifford); (?)&#xA;variant of Petun, South American name of tobacco.&#xA;&#xA;PATRICO, the recorder, priest, orator of strolling&#xA;beggars or gipsies.&#xA;&#xA;PATTEN, shoe with wooden sole; &amp;quot;go—,&amp;quot; keep step with,&#xA;accompany.&#xA;&#xA;PAUCA VERBA, few words.&#xA;&#xA;PAVIN, a stately dance.&#xA;&#xA;PEACE, &amp;quot;with my master's—,&amp;quot; by leave, favour.&#xA;&#xA;PECULIAR, individual, single.&#xA;&#xA;PEDANT, teacher of the languages.&#xA;&#xA;PEEL, baker's shovel.&#xA;&#xA;PEEP, speak in a small or shrill voice.&#xA;&#xA;PEEVISH(LY), foolish(ly), capricious(ly); childish(ly).&#xA;&#xA;PELICAN, a retort fitted with tube or tubes, for&#xA;continuous distillation.&#xA;&#xA;PENCIL, small tuft of hair.&#xA;&#xA;PERDUE, soldier accustomed to hazardous service.&#xA;&#xA;PEREMPTORY, resolute, bold; imperious; thorough, utter,&#xA;absolute(ly).&#xA;&#xA;PERIMETER, circumference of a figure.&#xA;&#xA;PERIOD, limit, end.&#xA;&#xA;PERK, perk up.&#xA;&#xA;PERPETUANA, &amp;quot;this seems to be that glossy kind of stuff&#xA;now called everlasting, and anciently worn by serjeants&#xA;and other city officers&amp;quot; (Gifford).&#xA;&#xA;PERSPECTIVE, a view, scene or scenery; an optical device&#xA;which gave a distortion to the picture unless seen from a&#xA;particular point; a relief, modelled to produce an&#xA;optical illusion.&#xA;&#xA;PERSPICIL, optic glass.&#xA;&#xA;PERSTRINGE, criticise, censure.&#xA;&#xA;PERSUADE, inculcate, commend.&#xA;&#xA;PERSWAY, mitigate.&#xA;&#xA;PERTINACY, pertinacity.&#xA;&#xA;PESTLING, pounding, pulverising, like a pestle.&#xA;&#xA;PETASUS, broad-brimmed hat or winged cap worn by Mercury.&#xA;&#xA;PETITIONARY, supplicatory.&#xA;&#xA;PETRONEL, a kind of carbine or light gun carried by horsemen.&#xA;&#xA;PETULANT, pert, insolent.&#xA;&#xA;PHERE.  See Fere.&#xA;&#xA;PHLEGMA, watery distilled liquor (old chem. &amp;quot;water&amp;quot;).&#xA;&#xA;PHRENETIC, madman.&#xA;&#xA;PICARDIL, stiff upright collar fastened on to the coat&#xA;(Whalley).&#xA;&#xA;PICT-HATCH, disreputable quarter of London.&#xA;&#xA;PIECE, person, used for woman or girl; a gold coin&#xA;worth in Jonson's time 20s. or 22s.&#xA;&#xA;PIECES OF EIGHT, Spanish coin: piastre equal to eight&#xA;reals.&#xA;&#xA;PIED, variegated.&#xA;&#xA;PIE-POUDRES (Fr. pied-poudreux, dusty-foot), court held&#xA;at fairs to administer justice to itinerant vendors and&#xA;buyers.&#xA;&#xA;PILCHER, term of contempt; one who wore a buff or leather&#xA;jerkin, as did the serjeants of the counter; a pilferer.&#xA;&#xA;PILED, pilled, peeled, bald.&#xA;&#xA;PILL'D, polled, fleeced.&#xA;&#xA;PIMLICO, &amp;quot;sometimes spoken of as a person—perhaps&#xA;master of a house famous for a particular ale&amp;quot; (Gifford).&#xA;&#xA;PINE, afflict, distress.&#xA;&#xA;PINK, stab with a weapon; pierce or cut in scallops for&#xA;ornament.&#xA;&#xA;PINNACE, a go-between in infamous sense.&#xA;&#xA;PISMIRE, ant.&#xA;&#xA;PISTOLET, gold coin, worth about 6s.&#xA;&#xA;PITCH, height of a bird of prey's flight.&#xA;&#xA;PLAGUE, punishment, torment.&#xA;&#xA;PLAIN, lament.&#xA;&#xA;PLAIN SONG, simple melody.&#xA;&#xA;PLAISE, plaice.&#xA;&#xA;PLANET, &amp;quot;struck with a—,&amp;quot; planets were supposed to&#xA;have powers of blasting or exercising secret influences.&#xA;&#xA;PLAUSIBLE, pleasing.&#xA;&#xA;PLAUSIBLY, approvingly.&#xA;&#xA;PLOT, plan.&#xA;&#xA;PLY, apply oneself to.&#xA;&#xA;POESIE, posy, motto inside a ring.&#xA;&#xA;POINT IN HIS DEVICE, exact in every particular.&#xA;&#xA;POINTS, tagged laces or cords for fastening the breeches&#xA;to the doublet.&#xA;&#xA;POINT-TRUSSER, one who trussed (tied) his master's&#xA;points (q.v.).&#xA;&#xA;POISE, weigh, balance.&#xA;&#xA;POKING-STICK, stick used for setting the plaits of ruffs.&#xA;&#xA;POLITIC, politician.&#xA;&#xA;POLITIC, judicious, prudent, political.&#xA;&#xA;POLITICIAN, plotter, intriguer.&#xA;&#xA;POLL, strip, plunder, gain by extortion.&#xA;&#xA;POMANDER, ball of perfume, worn or hung about the&#xA;person to prevent infection, or for foppery.&#xA;&#xA;POMMADO, vaulting on a horse without the aid of stirrups.&#xA;&#xA;PONTIC, sour.&#xA;&#xA;POPULAR, vulgar, of the populace.&#xA;&#xA;POPULOUS, numerous.&#xA;&#xA;PORT, gate; print of a deer's foot.&#xA;&#xA;PORT, transport.&#xA;&#xA;PORTAGUE, Portuguese gold coin, worth over 3 or 4&#xA;pounds.&#xA;&#xA;PORTCULLIS, &amp;quot;—of coin,&amp;quot; some old coins have a&#xA;portcullis stamped on their reverse (Whalley).&#xA;&#xA;PORTENT, marvel, prodigy; sinister omen.&#xA;&#xA;PORTENTOUS, prophesying evil, threatening.&#xA;&#xA;PORTER, references appear &amp;quot;to allude to Parsons, the king's&#xA;porter, who was...near seven feet high&amp;quot; (Whalley).&#xA;&#xA;POSSESS, inform, acquaint.&#xA;&#xA;POST AND PAIR, a game at cards.&#xA;&#xA;POSY, motto.  (See Poesie).&#xA;&#xA;POTCH, poach.&#xA;&#xA;POULT-FOOT, club-foot.&#xA;&#xA;POUNCE, claw, talon.&#xA;&#xA;PRACTICE, intrigue, concerted plot.&#xA;&#xA;PRACTISE, plot, conspire.&#xA;&#xA;PRAGMATIC, an expert, agent.&#xA;&#xA;PRAGMATIC, officious, conceited, meddling.&#xA;&#xA;PRECEDENT, record of proceedings.&#xA;&#xA;PRECEPT, warrant, summons.&#xA;&#xA;PRECISIAN(ISM), Puritan(ism), preciseness.&#xA;&#xA;PREFER, recommend.&#xA;&#xA;PRESENCE, presence chamber.&#xA;&#xA;PRESENT(LY), immediate(ly), without delay; at the&#xA;present time; actually.&#xA;&#xA;PRESS, force into service.&#xA;&#xA;PREST, ready.&#xA;&#xA;PRETEND, assert, allege.&#xA;&#xA;PREVENT, anticipate.&#xA;&#xA;PRICE, worth, excellence.&#xA;&#xA;PRICK, point, dot used in the writing of Hebrew and&#xA;other languages.&#xA;&#xA;PRICK, prick out, mark off, select; trace, track;&#xA;&amp;quot;—away,&amp;quot; make off with speed.&#xA;&#xA;PRIMERO, game of cards.&#xA;&#xA;PRINCOX, pert boy.&#xA;&#xA;PRINT, &amp;quot;in—,&amp;quot; to the letter, exactly.&#xA;&#xA;PRISTINATE, former.&#xA;&#xA;PRIVATE, private interests.&#xA;&#xA;PRIVATE, privy, intimate.&#xA;&#xA;PROCLIVE, prone to.&#xA;&#xA;PRODIGIOUS, monstrous, unnatural.&#xA;&#xA;PRODIGY, monster.&#xA;&#xA;PRODUCED, prolonged.&#xA;&#xA;PROFESS, pretend.&#xA;&#xA;PROJECTION, the throwing of the &amp;quot;powder of projection&amp;quot;&#xA;into the crucible to turn the melted metal into gold or&#xA;silver.&#xA;&#xA;PROLATE, pronounce drawlingly.&#xA;&#xA;PROPER, of good appearance, handsome; own, particular.&#xA;&#xA;PROPERTIES, stage necessaries.&#xA;&#xA;PROPERTY, duty; tool.&#xA;&#xA;PRORUMPED, burst out.&#xA;&#xA;PROTEST, vow, proclaim (an affected word of that time);&#xA;formally declare non-payment, etc., of bill of exchange;&#xA;fig. failure of personal credit, etc.&#xA;&#xA;PROVANT, soldier's allowance—hence, of common make.&#xA;&#xA;PROVIDE, foresee.&#xA;&#xA;PROVIDENCE, foresight, prudence.&#xA;&#xA;PUBLICATION, making a thing public of common property (N.E.D.).&#xA;&#xA;PUCKFIST, puff-ball; insipid, insignificant, boasting fellow.&#xA;&#xA;PUFF-WING, shoulder puff.&#xA;&#xA;PUISNE, judge of inferior rank, a junior.&#xA;&#xA;PULCHRITUDE, beauty.&#xA;&#xA;PUMP, shoe.&#xA;&#xA;PUNGENT, piercing.&#xA;&#xA;PUNTO, point, hit.&#xA;&#xA;PURCEPT, precept, warrant.&#xA;&#xA;PURE, fine, capital, excellent.&#xA;&#xA;PURELY, perfectly, utterly.&#xA;&#xA;PURL, pleat or fold of a ruff.&#xA;&#xA;PURSE-NET, net of which the mouth is drawn together&#xA;with a string.&#xA;&#xA;PURSUIVANT, state messenger who summoned the persecuted&#xA;seminaries; warrant officer.&#xA;&#xA;PURSY, PURSINESS, shortwinded(ness).&#xA;&#xA;PUT, make a push, exert yourself (N.E.D.).&#xA;&#xA;PUT OFF, excuse, shift.&#xA;&#xA;PUT ON, incite, encourage; proceed with, take in hand, try.&#xA;&#xA;QUACKSALVER, quack.&#xA;&#xA;QUAINT, elegant, elaborated, ingenious, clever.&#xA;&#xA;QUAR, quarry.&#xA;&#xA;QUARRIED, seized, or fed upon, as prey.&#xA;&#xA;QUEAN, hussy, jade.&#xA;&#xA;QUEASY, hazardous, delicate.&#xA;&#xA;QUELL, kill, destroy.&#xA;&#xA;QUEST, request; inquiry.&#xA;&#xA;QUESTION, decision by force of arms.&#xA;&#xA;QUESTMAN, one appointed to make official inquiry.&#xA;&#xA;QUIB, QUIBLIN, quibble, quip.&#xA;&#xA;QUICK, the living.&#xA;&#xA;QUIDDIT, quiddity, legal subtlety.&#xA;&#xA;QUIRK, clever turn or trick.&#xA;&#xA;QUIT, requite, repay; acquit, absolve; rid; forsake,&#xA;leave.&#xA;&#xA;QUITTER-BONE, disease of horses.&#xA;&#xA;QUODLING, codling.&#xA;&#xA;QUOIT, throw like a quoit, chuck.&#xA;&#xA;QUOTE, take note, observe, write down.&#xA;&#xA;RACK, neck of mutton or pork (Halliwell).&#xA;&#xA;RAKE UP, cover over.&#xA;&#xA;RAMP, rear, as a lion, etc.&#xA;&#xA;RAPT, carry away.&#xA;&#xA;RAPT, enraptured.&#xA;&#xA;RASCAL, young or inferior deer.&#xA;&#xA;RASH, strike with a glancing oblique blow, as a&#xA;boar with its tusk.&#xA;&#xA;RATSEY, GOMALIEL, a famous highwayman.&#xA;&#xA;RAVEN, devour.&#xA;&#xA;REACH, understand.&#xA;&#xA;REAL, regal.&#xA;&#xA;REBATU, ruff, turned-down collar.&#xA;&#xA;RECTOR, RECTRESS, director, governor.&#xA;&#xA;REDARGUE, confute.&#xA;&#xA;REDUCE, bring back.&#xA;&#xA;REED, rede, counsel, advice.&#xA;&#xA;REEL, run riot.&#xA;&#xA;REFEL, refute.&#xA;&#xA;REFORMADOES, disgraced or disbanded soldiers.&#xA;&#xA;REGIMENT, government.&#xA;&#xA;REGRESSION, return.&#xA;&#xA;REGULAR (&amp;quot;Tale of a Tub&amp;quot;), regular noun (quibble) (N.E.D.).&#xA;&#xA;RELIGION, &amp;quot;make—of,&amp;quot; make a point of, scruple of.&#xA;&#xA;RELISH, savour.&#xA;&#xA;REMNANT, scrap of quotation.&#xA;&#xA;REMORA, species of fish.&#xA;&#xA;RENDER, depict, exhibit, show.&#xA;&#xA;REPAIR, reinstate.&#xA;&#xA;REPETITION, recital, narration.&#xA;&#xA;REREMOUSE, bat.&#xA;&#xA;RESIANT, resident.&#xA;&#xA;RESIDENCE, sediment.&#xA;&#xA;RESOLUTION, judgment, decision.&#xA;&#xA;RESOLVE, inform; assure; prepare, make up one's mind;&#xA;dissolve; come to a decision, be convinced; relax, set&#xA;at ease.&#xA;&#xA;RESPECTIVE, worthy of respect; regardful, discriminative.&#xA;&#xA;RESPECTIVELY, with reverence.&#xA;&#xA;RESPECTLESS, regardless.&#xA;&#xA;RESPIRE, exhale; inhale.&#xA;&#xA;RESPONSIBLE, correspondent.&#xA;&#xA;REST, musket-rest.&#xA;&#xA;REST, &amp;quot;set up one's—,&amp;quot; venture one's all, one's&#xA;last stake (from game of primero).&#xA;&#xA;REST, arrest.&#xA;&#xA;RESTIVE, RESTY, dull, inactive.&#xA;&#xA;RETCHLESS(NESS), reckless(ness).&#xA;&#xA;RETIRE, cause to retire.&#xA;&#xA;RETRICATO, fencing term.&#xA;&#xA;RETRIEVE, rediscovery of game once sprung.&#xA;&#xA;RETURNS, ventures sent abroad, for the safe return of&#xA;which so much money is received.&#xA;&#xA;REVERBERATE, dissolve or blend by reflected heat.&#xA;&#xA;REVERSE, REVERSO, back-handed thrust, etc., in fencing.&#xA;&#xA;REVISE, reconsider a sentence.&#xA;&#xA;RHEUM, spleen, caprice.&#xA;&#xA;RIBIBE, abusive term for an old woman.&#xA;&#xA;RID, destroy, do away with.&#xA;&#xA;RIFLING, raffling, dicing.&#xA;&#xA;RING, &amp;quot;cracked within the—,&amp;quot; coins so cracked were&#xA;unfit for currency.&#xA;&#xA;RISSE, risen, rose.&#xA;&#xA;RIVELLED, wrinkled.&#xA;&#xA;ROARER, swaggerer.&#xA;&#xA;ROCHET, fish of the gurnet kind.&#xA;&#xA;ROCK, distaff.&#xA;&#xA;RODOMONTADO, braggadocio.&#xA;&#xA;ROGUE, vagrant, vagabond.&#xA;&#xA;RONDEL, &amp;quot;a round mark in the score of a public-house&amp;quot;&#xA;(Nares); roundel.&#xA;&#xA;ROOK, sharper; fool, dupe.&#xA;&#xA;ROSAKER, similar to ratsbane.&#xA;&#xA;ROSA-SOLIS, a spiced spirituous liquor.&#xA;&#xA;ROSES, rosettes.&#xA;&#xA;ROUND, &amp;quot;gentlemen of the—,&amp;quot; officers of inferior rank.&#xA;&#xA;ROUND TRUNKS, trunk hose, short loose breeches reaching&#xA;almost or quite to the knees.&#xA;&#xA;ROUSE, carouse, bumper.&#xA;&#xA;ROVER, arrow used for shooting at a random mark at&#xA;uncertain distance.&#xA;&#xA;ROWLY-POWLY, roly-poly.&#xA;&#xA;RUDE, RUDENESS, unpolished, rough(ness), coarse(ness).&#xA;&#xA;RUFFLE, flaunt, swagger.&#xA;&#xA;RUG, coarse frieze.&#xA;&#xA;RUG-GOWNS, gown made of rug.&#xA;&#xA;RUSH, reference to rushes with which the floors were&#xA;then strewn.&#xA;&#xA;RUSHER, one who strewed the floor with rushes.&#xA;&#xA;RUSSET, homespun cloth of neutral or reddish-brown colour.&#xA;&#xA;SACK, loose, flowing gown.&#xA;&#xA;SADLY, seriously, with gravity.&#xA;&#xA;SAD(NESS), sober, serious(ness).&#xA;&#xA;SAFFI, bailiffs.&#xA;&#xA;ST. THOMAS A WATERINGS, place in Surrey where criminals&#xA;were executed.&#xA;&#xA;SAKER, small piece of ordnance.&#xA;&#xA;SALT, leap.&#xA;&#xA;SALT, lascivious.&#xA;&#xA;SAMPSUCHINE, sweet marjoram.&#xA;&#xA;SARABAND, a slow dance.&#xA;&#xA;SATURNALS, began December 17.&#xA;&#xA;SAUCINESS, presumption, insolence.&#xA;&#xA;SAUCY, bold, impudent, wanton.&#xA;&#xA;SAUNA (Lat.), a gesture of contempt.&#xA;&#xA;SAVOUR, perceive; gratify, please; to partake of the nature.&#xA;&#xA;SAY, sample.&#xA;&#xA;SAY, assay, try.&#xA;&#xA;SCALD, word of contempt, implying dirt and disease.&#xA;&#xA;SCALLION, shalot, small onion.&#xA;&#xA;SCANDERBAG, &amp;quot;name which the Turks (in allusion to&#xA;Alexander the Great) gave to the brave Castriot, chief&#xA;of Albania, with whom they had continual wars.  His&#xA;romantic life had just been translated&amp;quot; (Gifford).&#xA;&#xA;SCAPE, escape.&#xA;&#xA;SCARAB, beetle.&#xA;&#xA;SCARTOCCIO, fold of paper, cover, cartouch, cartridge.&#xA;&#xA;SCONCE, head.&#xA;&#xA;SCOPE, aim.&#xA;&#xA;SCOT AND LOT, tax, contribution (formerly a parish&#xA;assessment).&#xA;&#xA;SCOTOMY, dizziness in the head.&#xA;&#xA;SCOUR, purge.&#xA;&#xA;SCOURSE, deal, swap.&#xA;&#xA;SCRATCHES, disease of horses.&#xA;&#xA;SCROYLE, mean, rascally fellow.&#xA;&#xA;SCRUPLE, doubt.&#xA;&#xA;SEAL, put hand to the giving up of property or rights.&#xA;&#xA;SEALED, stamped as genuine.&#xA;&#xA;SEAM-RENT, ragged.&#xA;&#xA;SEAMING LACES, insertion or edging.&#xA;&#xA;SEAR UP, close by searing, burning.&#xA;&#xA;SEARCED, sifted.&#xA;&#xA;SECRETARY, able to keep a secret.&#xA;&#xA;SECULAR, worldly, ordinary, commonplace.&#xA;&#xA;SECURE, confident.&#xA;&#xA;SEELIE, happy, blest.&#xA;&#xA;SEISIN, legal term: possession.&#xA;&#xA;SELLARY, lewd person.&#xA;&#xA;SEMBLABLY, similarly.&#xA;&#xA;SEMINARY, a Romish priest educated in a foreign seminary.&#xA;&#xA;SENSELESS, insensible, without sense or feeling.&#xA;&#xA;SENSIBLY, perceptibly.&#xA;&#xA;SENSIVE, sensitive.&#xA;&#xA;SENSUAL, pertaining to the physical or material.&#xA;&#xA;SERENE, harmful dew of evening.&#xA;&#xA;SERICON, red tincture.&#xA;&#xA;SERVANT, lover.&#xA;&#xA;SERVICES, doughty deeds of arms.&#xA;&#xA;SESTERCE, Roman copper coin.&#xA;&#xA;SET, stake, wager.&#xA;&#xA;SET UP, drill.&#xA;&#xA;SETS, deep plaits of the ruff.&#xA;&#xA;SEWER, officer who served up the feast, and brought&#xA;water for the hands of the guests.&#xA;&#xA;SHAPE, a suit by way of disguise.&#xA;&#xA;SHIFT, fraud, dodge.&#xA;&#xA;SHIFTER, cheat.&#xA;&#xA;SHITTLE, shuttle; &amp;quot;shittle-cock,&amp;quot; shuttlecock.&#xA;&#xA;SHOT, tavern reckoning.&#xA;&#xA;SHOT-CLOG, one only tolerated because he paid the shot&#xA;(reckoning) for the rest.&#xA;&#xA;SHOT-FREE, scot-free, not having to pay.&#xA;&#xA;SHOVE-GROAT, low kind of gambling amusement, perhaps&#xA;somewhat of the nature of pitch and toss.&#xA;&#xA;SHOT-SHARKS, drawers.&#xA;&#xA;SHREWD, mischievous, malicious, curst.&#xA;&#xA;SHREWDLY, keenly, in a high degree.&#xA;&#xA;SHRIVE, sheriff; posts were set up before his door for&#xA;proclamations, or to indicate his residence.&#xA;&#xA;SHROVING, Shrovetide, season of merriment.&#xA;&#xA;SIGILLA, seal, mark.&#xA;&#xA;SILENCED BRETHERN, MINISTERS, those of the Church or&#xA;Nonconformists who had been silenced, deprived, etc.&#xA;&#xA;SILLY, simple, harmless.&#xA;&#xA;SIMPLE, silly, witless; plain, true.&#xA;&#xA;SIMPLES, herbs.&#xA;&#xA;SINGLE, term of chase, signifying when the hunted stag&#xA;is separated from the herd, or forced to break covert.&#xA;&#xA;SINGLE, weak, silly.&#xA;&#xA;SINGLE-MONEY, small change.&#xA;&#xA;SINGULAR, unique, supreme.&#xA;&#xA;SI-QUIS, bill, advertisement.&#xA;&#xA;SKELDRING, getting money under false pretences; swindling.&#xA;&#xA;SKILL, &amp;quot;it—s not,&amp;quot; matters not.&#xA;&#xA;SKINK(ER), pour, draw(er), tapster.&#xA;&#xA;SKIRT, tail.&#xA;&#xA;SLEEK, smooth.&#xA;&#xA;SLICE, fire shovel or pan (dial.).&#xA;&#xA;SLICK, sleek, smooth.&#xA;&#xA;'SLID, 'SLIGHT, 'SPRECIOUS, irreverent oaths.&#xA;&#xA;SLIGHT, sleight, cunning, cleverness; trick.&#xA;&#xA;SLIP, counterfeit coin, bastard.&#xA;&#xA;SLIPPERY, polished and shining.&#xA;&#xA;SLOPS, large loose breeches.&#xA;&#xA;SLOT, print of a stag's foot.&#xA;&#xA;SLUR, put a slur on; cheat (by sliding a die in some way).&#xA;&#xA;SMELT, gull, simpleton.&#xA;&#xA;SNORLE, &amp;quot;perhaps snarl, as Puppy is addressed&amp;quot; (Cunningham).&#xA;&#xA;SNOTTERIE, filth.&#xA;&#xA;SNUFF, anger, resentment; &amp;quot;take in—,&amp;quot; take offence at.&#xA;&#xA;SNUFFERS, small open silver dishes for holding snuff,&#xA;or receptacle for placing snuffers in (Halliwell).&#xA;&#xA;SOCK, shoe worn by comic actors.&#xA;&#xA;SOD, seethe.&#xA;&#xA;SOGGY, soaked, sodden.&#xA;&#xA;SOIL, &amp;quot;take—,&amp;quot; said of a hunted stag when he takes&#xA;to the water for safety.&#xA;&#xA;SOL, sou.&#xA;&#xA;SOLDADOES, soldiers.&#xA;&#xA;SOLICIT, rouse, excite to action.&#xA;&#xA;SOOTH, flattery, cajolery.&#xA;&#xA;SOOTHE, flatter, humour.&#xA;&#xA;SOPHISTICATE, adulterate.&#xA;&#xA;SORT, company, party; rank, degree.&#xA;&#xA;SORT, suit, fit; select.&#xA;&#xA;SOUSE, ear.&#xA;&#xA;SOUSED (&amp;quot;Devil is an Ass&amp;quot;), fol. read &amp;quot;sou't,&amp;quot; which&#xA;Dyce interprets as &amp;quot;a variety of the spelling of &amp;quot;shu'd&amp;quot;:&#xA;to &amp;quot;shu&amp;quot; is to scare a bird away.&amp;quot;  (See his &amp;quot;Webster,&amp;quot;&#xA;page 350).&#xA;&#xA;SOWTER, cobbler.&#xA;&#xA;SPAGYRICA, chemistry according to the teachings of Paracelsus.&#xA;&#xA;SPAR, bar.&#xA;&#xA;SPEAK, make known, proclaim.&#xA;&#xA;SPECULATION, power of sight.&#xA;&#xA;SPED, to have fared well, prospered.&#xA;&#xA;SPEECE, species.&#xA;&#xA;SPIGHT, anger, rancour.&#xA;&#xA;SPINNER, spider.&#xA;&#xA;SPINSTRY, lewd person.&#xA;&#xA;SPITTLE, hospital, lazar-house.&#xA;&#xA;SPLEEN, considered the seat of the emotions.&#xA;&#xA;SPLEEN, caprice, humour, mood.&#xA;&#xA;SPRUNT, spruce.&#xA;&#xA;SPURGE, foam.&#xA;&#xA;SPUR-RYAL, gold coin worth 15s.&#xA;&#xA;SQUIRE, square, measure; &amp;quot;by the—,&amp;quot; exactly.&#xA;&#xA;STAGGERING, wavering, hesitating.&#xA;&#xA;STAIN, disparagement, disgrace.&#xA;&#xA;STALE, decoy, or cover, stalking-horse.&#xA;&#xA;STALE, make cheap, common.&#xA;&#xA;STALK, approach stealthily or under cover.&#xA;&#xA;STALL, forestall.&#xA;&#xA;STANDARD, suit.&#xA;&#xA;STAPLE, market, emporium.&#xA;&#xA;STARK, downright.&#xA;&#xA;STARTING-HOLES, loopholes of escape.&#xA;&#xA;STATE, dignity; canopied chair of state; estate.&#xA;&#xA;STATUMINATE, support vines by poles or stakes; used&#xA;by Pliny (Gifford).&#xA;&#xA;STAY, gag.&#xA;&#xA;STAY, await; detain.&#xA;&#xA;STICKLER, second or umpire.&#xA;&#xA;STIGMATISE, mark, brand.&#xA;&#xA;STILL, continual(ly), constant(ly).&#xA;&#xA;STINKARD, stinking fellow.&#xA;&#xA;STINT, stop.&#xA;&#xA;STIPTIC, astringent.&#xA;&#xA;STOCCATA, thrust in fencing.&#xA;&#xA;STOCK-FISH, salted and dried fish.&#xA;&#xA;STOMACH, pride, valour.&#xA;&#xA;STOMACH, resent.&#xA;&#xA;STOOP, swoop down as a hawk.&#xA;&#xA;STOP, fill, stuff.&#xA;&#xA;STOPPLE, stopper.&#xA;&#xA;STOTE, stoat, weasel.&#xA;&#xA;STOUP, stoop, swoop=bow.&#xA;&#xA;STRAIGHT, straightway.&#xA;&#xA;STRAMAZOUN (Ital. stramazzone), a down blow, as opposed&#xA;to the thrust.&#xA;&#xA;STRANGE, like a stranger, unfamiliar.&#xA;&#xA;STRANGENESS, distance of behaviour.&#xA;&#xA;STREIGHTS, OR BERMUDAS, labyrinth of alleys and courts&#xA;in the Strand.&#xA;&#xA;STRIGONIUM, Grau in Hungary, taken from the Turks in&#xA;1597.&#xA;&#xA;STRIKE, balance (accounts).&#xA;&#xA;STRINGHALT, disease of horses.&#xA;&#xA;STROKER, smoother, flatterer.&#xA;&#xA;STROOK, p.p. of &amp;quot;strike.&amp;quot;&#xA;&#xA;STRUMMEL-PATCHED, strummel is glossed in dialect dicts.&#xA;as &amp;quot;a long, loose and dishevelled head of hair.&amp;quot;&#xA;&#xA;STUDIES, studious efforts.&#xA;&#xA;STYLE, title; pointed instrument used for writing on wax&#xA;tablets.&#xA;&#xA;SUBTLE, fine, delicate, thin; smooth, soft.&#xA;&#xA;SUBTLETY (SUBTILITY), subtle device.&#xA;&#xA;SUBURB, connected with loose living.&#xA;&#xA;SUCCUBAE, demons in form of women.&#xA;&#xA;SUCK, extract money from.&#xA;&#xA;SUFFERANCE, suffering.&#xA;&#xA;SUMMED, term of falconry: with full-grown plumage.&#xA;&#xA;SUPER-NEGULUM, topers turned the cup bottom up when&#xA;it was empty.&#xA;&#xA;SUPERSTITIOUS, over-scrupulous.&#xA;&#xA;SUPPLE, to make pliant.&#xA;&#xA;SURBATE, make sore with walking.&#xA;&#xA;SURCEASE, cease.&#xA;&#xA;SUR-REVERENCE, save your reverence.&#xA;&#xA;SURVISE, peruse.&#xA;&#xA;SUSCITABILITY, excitability.&#xA;&#xA;SUSPECT, suspicion.&#xA;&#xA;SUSPEND, suspect.&#xA;&#xA;SUSPENDED, held over for the present.&#xA;&#xA;SUTLER, victualler.&#xA;&#xA;SWAD, clown, boor.&#xA;&#xA;SWATH BANDS, swaddling clothes.&#xA;&#xA;SWINGE, beat.&#xA;&#xA;TABERD, emblazoned mantle or tunic worn by knights&#xA;and heralds.&#xA;&#xA;TABLE(S), &amp;quot;pair of—,&amp;quot; tablets, note-book.&#xA;&#xA;TABOR, small drum.&#xA;&#xA;TABRET, tabor.&#xA;&#xA;TAFFETA, silk; &amp;quot;tuft-taffeta,&amp;quot; a more costly silken fabric.&#xA;&#xA;TAINT, &amp;quot;—a staff,&amp;quot; break a lance at tilting in an&#xA;unscientific or dishonourable manner.&#xA;&#xA;TAKE IN, capture, subdue.&#xA;&#xA;TAKE ME WITH YOU, let me understand you.&#xA;&#xA;TAKE UP, obtain on credit, borrow.&#xA;&#xA;TALENT, sum or weight of Greek currency.&#xA;&#xA;TALL, stout, brave.&#xA;&#xA;TANKARD-BEARERS, men employed to fetch water from the&#xA;conduits.&#xA;&#xA;TARLETON, celebrated comedian and jester.&#xA;&#xA;TARTAROUS, like a Tartar.&#xA;&#xA;TAVERN-TOKEN, &amp;quot;to swallow a—,&amp;quot; get drunk.&#xA;&#xA;TELL, count.&#xA;&#xA;TELL-TROTH, truth-teller.&#xA;&#xA;TEMPER, modify, soften.&#xA;&#xA;TENDER, show regard, care for, cherish; manifest.&#xA;&#xA;TENT, &amp;quot;take—,&amp;quot; take heed.&#xA;&#xA;TERSE, swept and polished.&#xA;&#xA;TERTIA, &amp;quot;that portion of an army levied out of one&#xA;particular district or division of a country&amp;quot; (Gifford).&#xA;&#xA;TESTON, tester, coin worth 6d.&#xA;&#xA;THIRDBOROUGH, constable.&#xA;&#xA;THREAD, quality.&#xA;&#xA;THREAVES, droves.&#xA;&#xA;THREE-FARTHINGS, piece of silver current under Elizabeth.&#xA;&#xA;THREE-PILED, of finest quality, exaggerated.&#xA;&#xA;THRIFTILY, carefully.&#xA;&#xA;THRUMS, ends of the weaver's warp; coarse yarn made from.&#xA;&#xA;THUMB-RING, familiar spirits were supposed capable of&#xA;being carried about in various ornaments or parts of dress.&#xA;&#xA;TIBICINE, player on the tibia, or pipe.&#xA;&#xA;TICK-TACK, game similar to backgammon.&#xA;&#xA;TIGHTLY, promptly.&#xA;&#xA;TIM, (?) expressive of a climax of nonentity.&#xA;&#xA;TIMELESS, untimely, unseasonable.&#xA;&#xA;TINCTURE, an essential or spiritual principle supposed&#xA;by alchemists to be transfusible into material things;&#xA;an imparted characteristic or tendency.&#xA;&#xA;TINK, tinkle.&#xA;&#xA;TIPPET, &amp;quot;turn—,&amp;quot; change behaviour or way of life.&#xA;&#xA;TIPSTAFF, staff tipped with metal.&#xA;&#xA;TIRE, head-dress.&#xA;&#xA;TIRE, feed ravenously, like a bird of prey.&#xA;&#xA;TITILLATION, that which tickles the senses, as a perfume.&#xA;&#xA;TOD, fox.&#xA;&#xA;TOILED, worn out, harassed.&#xA;&#xA;TOKEN, piece of base metal used in place of very small&#xA;coin, when this was scarce.&#xA;&#xA;TONNELS, nostrils.&#xA;&#xA;TOP, &amp;quot;parish—,&amp;quot; large top kept in villages for&#xA;amusement and exercise in frosty weather when people&#xA;were out of work.&#xA;&#xA;TOTER, tooter, player on a wind instrument.&#xA;&#xA;TOUSE, pull, rend.&#xA;&#xA;TOWARD, docile, apt; on the way to; as regards; present,&#xA;at hand.&#xA;&#xA;TOY, whim; trick; term of contempt.&#xA;&#xA;TRACT, attraction.&#xA;&#xA;TRAIN, allure, entice.&#xA;&#xA;TRANSITORY, transmittable.&#xA;&#xA;TRANSLATE, transform.&#xA;&#xA;TRAY-TRIP, game at dice (success depended on throwing&#xA;a three) (Nares).&#xA;&#xA;TREACHOUR (TRECHER), traitor.&#xA;&#xA;TREEN, wooden.&#xA;&#xA;TRENCHER, serving-man who carved or served food.&#xA;&#xA;TRENDLE-TAIL, trundle-tail, curly-tailed.&#xA;&#xA;TRICK (TRICKING), term of heraldry: to draw outline of&#xA;coat of arms, etc., without blazoning.&#xA;&#xA;TRIG, a spruce, dandified man.&#xA;&#xA;TRILL, trickle.&#xA;&#xA;TRILLIBUB, tripe, any worthless, trifling thing.&#xA;&#xA;TRIPOLY, &amp;quot;come from—,&amp;quot; able to perform feats of agility,&#xA;a &amp;quot;jest nominal,&amp;quot; depending on the first part of the word&#xA;(Gifford).&#xA;&#xA;TRITE, worn, shabby.&#xA;&#xA;TRIVIA, three-faced goddess (Hecate).&#xA;&#xA;TROJAN, familiar term for an equal or inferior; thief.&#xA;&#xA;TROLL, sing loudly.&#xA;&#xA;TROMP, trump, deceive.&#xA;&#xA;TROPE, figure of speech.&#xA;&#xA;TROW, think, believe, wonder.&#xA;&#xA;TROWLE, troll.&#xA;&#xA;TROWSES, breeches, drawers.&#xA;&#xA;TRUCHMAN, interpreter.&#xA;&#xA;TRUNDLE, JOHN, well-known printer.&#xA;&#xA;TRUNDLE, roll, go rolling along.&#xA;&#xA;TRUNDLING CHEATS, term among gipsies and beggars for&#xA;carts or coaches (Gifford).&#xA;&#xA;TRUNK, speaking-tube.&#xA;&#xA;TRUSS, tie the tagged laces that fastened the breeches&#xA;to the doublet.&#xA;&#xA;TUBICINE, trumpeter.&#xA;&#xA;TUCKET (Ital. toccato), introductory flourish on the&#xA;trumpet.&#xA;&#xA;TUITION, guardianship.&#xA;&#xA;TUMBLER, a particular kind of dog so called from the&#xA;mode of his hunting.&#xA;&#xA;TUMBREL-SLOP, loose, baggy breeches.&#xA;&#xA;TURD, excrement.&#xA;&#xA;TUSK, gnash the teeth (Century Dict.).&#xA;&#xA;TWIRE, peep, twinkle.&#xA;&#xA;TWOPENNY ROOM, gallery.&#xA;&#xA;TYRING-HOUSE, attiring-room.&#xA;&#xA;ULENSPIEGEL.  See Howleglass.&#xA;&#xA;UMBRATILE, like or pertaining to a shadow.&#xA;&#xA;UMBRE, brown dye.&#xA;&#xA;UNBATED, unabated.&#xA;&#xA;UNBORED, (?) excessively bored.&#xA;&#xA;UNCARNATE, not fleshly, or of flesh.&#xA;&#xA;UNCOUTH, strange, unusual.&#xA;&#xA;UNDERTAKER, &amp;quot;one who undertook by his influence in the&#xA;House of Commons to carry things agreeably to his&#xA;Majesty's wishes&amp;quot; (Whalley); one who becomes surety for.&#xA;&#xA;UNEQUAL, unjust.&#xA;&#xA;UNEXCEPTED, no objection taken at.&#xA;&#xA;UNFEARED, unaffrighted.&#xA;&#xA;UNHAPPILY, unfortunately.&#xA;&#xA;UNICORN'S HORN, supposed antidote to poison.&#xA;&#xA;UNKIND(LY), unnatural(ly).&#xA;&#xA;UNMANNED, untamed (term in falconry).&#xA;&#xA;UNQUIT, undischarged.&#xA;&#xA;UNREADY, undressed.&#xA;&#xA;UNRUDE, rude to an extreme.&#xA;&#xA;UNSEASONED, unseasonable, unripe.&#xA;&#xA;UNSEELED, a hawk's eyes were &amp;quot;seeled&amp;quot; by sewing the&#xA;eyelids together with fine thread.&#xA;&#xA;UNTIMELY, unseasonably.&#xA;&#xA;UNVALUABLE, invaluable.&#xA;&#xA;UPBRAID, make a matter of reproach.&#xA;&#xA;UPSEE, heavy kind of Dutch beer (Halliwell); &amp;quot;—Dutch,&amp;quot;&#xA;in the Dutch fashion.&#xA;&#xA;UPTAILS ALL, refrain of a popular song.&#xA;&#xA;URGE, allege as accomplice, instigator.&#xA;&#xA;URSHIN, URCHIN, hedgehog.&#xA;&#xA;USE, interest on money; part of sermon dealing with the&#xA;practical application of doctrine.&#xA;&#xA;USE, be in the habit of, accustomed to; put out to interest.&#xA;&#xA;USQUEBAUGH, whisky.&#xA;&#xA;USURE, usury.&#xA;&#xA;UTTER, put in circulation, make to pass current; put forth for sale.&#xA;&#xA;VAIL, bow, do homage.&#xA;&#xA;VAILS, tips, gratuities.&#xA;&#xA;VALL.  See Vail.&#xA;&#xA;VALLIES (Fr. valise), portmanteau, bag.&#xA;&#xA;VAPOUR(S) (n. and v.), used affectedly, like &amp;quot;humour,&amp;quot;&#xA;in many senses, often very vaguely and freely ridiculed&#xA;by Jonson; humour, disposition, whims, brag(ging),&#xA;hector(ing), etc.&#xA;&#xA;VARLET, bailiff, or serjeant-at-mace.&#xA;&#xA;VAUT, vault.&#xA;&#xA;VEER (naut.), pay out.&#xA;&#xA;VEGETAL, vegetable; person full of life and vigour.&#xA;&#xA;VELLUTE, velvet.&#xA;&#xA;VELVET CUSTARD.  Cf. &amp;quot;Taming of the Shrew,&amp;quot; iv. 3, 82,&#xA;&amp;quot;custard coffin,&amp;quot; coffin being the raised crust over a pie.&#xA;&#xA;VENT, vend, sell; give outlet to; scent, snuff up.&#xA;&#xA;VENUE, bout (fencing term).&#xA;&#xA;VERDUGO (Span.), hangman, executioner.&#xA;&#xA;VERGE, &amp;quot;in the—,&amp;quot; within a certain distance of the court.&#xA;&#xA;VEX, agitate, torment.&#xA;&#xA;VICE, the buffoon of old moralities; some kind of&#xA;machinery for moving a puppet (Gifford).&#xA;&#xA;VIE AND REVIE, to hazard a certain sum, and to cover&#xA;it with a larger one.&#xA;&#xA;VINCENT AGAINST YORK, two heralds-at-arms.&#xA;&#xA;VINDICATE, avenge.&#xA;&#xA;VIRGE, wand, rod.&#xA;&#xA;VIRGINAL, old form of piano.&#xA;&#xA;VIRTUE, valour.&#xA;&#xA;VIVELY, in lifelike manner, livelily.&#xA;&#xA;VIZARD, mask.&#xA;&#xA;VOGUE, rumour, gossip.&#xA;&#xA;VOICE, vote.&#xA;&#xA;VOID, leave, quit.&#xA;&#xA;VOLARY, cage, aviary.&#xA;&#xA;VOLLEY, &amp;quot;at—,&amp;quot; &amp;quot;o' the volee,&amp;quot; at random (from a&#xA;term of tennis).&#xA;&#xA;VORLOFFE, furlough.&#xA;&#xA;WADLOE, keeper of the Devil Tavern, where Jonson and his&#xA;friends met in the 'Apollo' room (Whalley).&#xA;&#xA;WAIGHTS, waits, night musicians, &amp;quot;band of musical&#xA;watchmen&amp;quot; (Webster), or old form of &amp;quot;hautboys.&amp;quot;&#xA;&#xA;WANNION, &amp;quot;vengeance,&amp;quot; &amp;quot;plague&amp;quot; (Nares).&#xA;&#xA;WARD, a famous pirate.&#xA;&#xA;WARD, guard in fencing.&#xA;&#xA;WATCHET, pale, sky blue.&#xA;&#xA;WEAL, welfare.&#xA;&#xA;WEED, garment.&#xA;&#xA;WEFT, waif.&#xA;&#xA;WEIGHTS, &amp;quot;to the gold—,&amp;quot; to every minute particular.&#xA;&#xA;WELKIN, sky.&#xA;&#xA;WELL-SPOKEN, of fair speech.&#xA;&#xA;WELL-TORNED, turned and polished, as on a wheel.&#xA;&#xA;WELT, hem, border of fur.&#xA;&#xA;WHER, whether.&#xA;&#xA;WHETSTONE, GEORGE, an author who lived 1544(?) to 1587(?).&#xA;&#xA;WHIFF, a smoke, or drink; &amp;quot;taking the—,&amp;quot; inhaling the&#xA;tobacco smoke or some such accomplishment.&#xA;&#xA;WHIGH-HIES, neighings, whinnyings.&#xA;&#xA;WHIMSY, whim, &amp;quot;humour.&amp;quot;&#xA;&#xA;WHINILING, (?) whining, weakly.&#xA;&#xA;WHIT, (?) a mere jot.&#xA;&#xA;WHITEMEAT, food made of milk or eggs.&#xA;&#xA;WICKED, bad, clumsy.&#xA;&#xA;WICKER, pliant, agile.&#xA;&#xA;WILDING, esp. fruit of wild apple or crab tree (Webster).&#xA;&#xA;WINE, &amp;quot;I have the—for you,&amp;quot; Prov.: I have the&#xA;perquisites (of the office) which you are to share&#xA;(Cunningham).&#xA;&#xA;WINNY, &amp;quot;same as old word &amp;quot;wonne,&amp;quot; to stay, etc.&amp;quot; (Whalley).&#xA;&#xA;WISE-WOMAN, fortune-teller.&#xA;&#xA;WISH, recommend.&#xA;&#xA;WISS (WUSSE), &amp;quot;I—,&amp;quot; certainly, of a truth.&#xA;&#xA;WITHOUT, beyond.&#xA;&#xA;WITTY, cunning, ingenious, clever.&#xA;&#xA;WOOD, collection, lot.&#xA;&#xA;WOODCOCK, term of contempt.&#xA;&#xA;WOOLSACK (&amp;quot;—pies&amp;quot;), name of tavern.&#xA;&#xA;WORT, unfermented beer.&#xA;&#xA;WOUNDY, great, extreme.&#xA;&#xA;WREAK, revenge.&#xA;&#xA;WROUGHT, wrought upon.&#xA;&#xA;WUSSE, interjection.  (See Wiss).&#xA;&#xA;YEANLING, lamb, kid.&#xA;&#xA;ZANY, an inferior clown, who attended upon the chief&#xA;fool and mimicked his tricks." PRODUCER="Boom 93" COVERARTID="054/WZA44CD3HDZKKCM4WKQGABAJWKFC" PLAYTIME="315" PLAYTIME_FLOAT="314.051758" IMPORT_DATE="2025/7/5" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="37032"></INFO>
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<INFO BITRATE="915872" KEY_LYRICS="19 ContributorsH8M4CH1N3 Lyrics“H8M4CH1N3” was first released on the band’s SoundCloud account on August 22nd, 2014. It was the fifth loose track to be released on SoundCloud after “Silver,” “Unfair,” “Lurk” and “Jealou$y.”&#xA;&#xA;“H8M4CH1N3”… Read More &#xA;You are the only one, the only one, the only one for me&#xA;You are the only one, the only one, the only one&#xA;I am the chosen one, the chosen one, the chosen one for you&#xA;I am the chosen one, I froze your lungs, your breath tells me the truth&#xA;I knew that you knew, I knew that you knew, and he knew it too&#xA;When I walked in the room, well, I could have died&#xA;I should've left, yeah I should've went, but I couldn't go&#xA;He was your man, but I am your lie&#xA;&#xA;&#xA;I am a slave to these make believe things you say to me&#xA;And I've built this hate machine of broken dreams and the wall did crumble&#xA;I am a slave to these make believe things you say to me&#xA;And I've built this hate machine of broken dreams and the wall did crumble&#xA;&#xA;&#xA;Check!&#xA;Can't think, can't sleep, can't eat, can't speak&#xA;Game so strong, thought I had a cheat sheet&#xA;But you got my heart beat like run around sheep&#xA;Little Bo-Peep can't kill my team&#xA;Still run around beats so I slap them sheets&#xA;Late night freak, queen black, who he?&#xA;'Cause when we together it's like he don't exist&#xA;'Cause it's all about you, not all about me&#xA;So baby girl, who you chosin'?&#xA;Foolish how you got my mind in ruins&#xA;Can’t think straight and I’m in mistake&#xA;Looking in your eyes and lying in your face&#xA;Rather lay in bed with your head on my chest&#xA;Strokin' yo hair when I’m holdin' deep breath&#xA;Feel so right, I ain’t got nothin' left&#xA;Heart skipping beats like a bad DJ set&#xA;Head so gone and I can’t think straight&#xA;Close my eyes, all I see is your face&#xA;Hear your voice bring chills to my spine&#xA;Lose my mind until you’re mine&#xA;Bitch I’m the chosen one, I’m the chosen one&#xA;All I can focus on, smoke and wine&#xA;Know I ain’t sober, text you to come over&#xA;Can’t make it to that bedroom, now we on the sofa&#xA;&#xA;Danny Brown and that Neighbourhood&#xA;When she leave you, she staying for good&#xA;Doing all the things that she wished she could&#xA;Doing all the things she thought she would&#xA;Danny Brown and that Neighbourhood&#xA;When she leave you, she staying for good&#xA;Doing everything that you wish you could&#xA;Doing things she never thought she would" PRODUCER="Boom 93" COVERARTID="054/WZA44CD3HDZKKCM4WKQGABAJWKFC" PLAYTIME="275" PLAYTIME_FLOAT="274.102936" IMPORT_DATE="2025/7/5" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="31033"></INFO>
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<INFO BITRATE="904874" KEY_LYRICS="10 ContributorsDanske Albumudgivelser 2021 LyricsVELKOMMEN TIL GENIUS DANMARKS 2021 ALBUM KALENDER&#xA;&#xA;Denne kalender er en samling af de mest populære albums, EP'er og mixtapes, som er udgivet af danske kunstnere i året 2021. 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<INFO BITRATE="939745" KEY_LYRICS="116 ContributorsTranslationsEspañolРусский (Russian)Kingdom Hearts Key Lyrics“Kingdom Hearts Key” is the ninth track on JPEGMAFIA and Danny Brown’s collaborative album SCARING THE HOES. The song features American rapper Redveil, making this track the only one on the album to have a… Read More &#xA;(You think you know me)&#xA;寒い夜も&#xA;寒い夜も&#xA;&#xA;&#xA;Just one time, bitch, think&#xA;All they money get flushed in a blink (In a blink)&#xA;Shut up and dribble, go get me a ring&#xA;You got money, you don't got to think&#xA;&#xA;&#xA;I was champ one time, Bisping&#xA;Left the apps, now I get where you beens&#xA;Feel like Ezra when I'm on the scene&#xA;All these felonies, they'll never see&#xA;Got my cup, like I'm Argentinian&#xA;Like forsaken bitch, stay off screen&#xA;I'm addicted to hatin' on me&#xA;Don't know what it takes, do not intervene (Ah!)&#xA;&#xA;&#xA;Just one time, bitch, think (Think)&#xA;All they money get flushed in a blink (In a blink)&#xA;Shut up and dribble, go get me a ring&#xA;You got money, you don't got to think&#xA;&#xA;All these crackers be soft as mink&#xA;Hunter Biden, stay out my sink&#xA;Ketamine got me singin' like Tink&#xA;Hit just like a pill, I feel like I’m P!nk, bitch&#xA;&#xA;&#xA;Just one time, bitch, think (Think)&#xA;All they money get flushed in a blink (In a blink)&#xA;Shut up and dribble, go get me a ring&#xA;You got money, you don't got to think&#xA;&#xA;&#xA;Ah, ah, ah, ah, uh&#xA;One, one, uh&#xA;&#xA;&#xA;Look where my hairline has came&#xA;Left and the right is the same&#xA;You bitches should form up like Danity Kane&#xA;People scared to put in work&#xA;You won't take a L, so you'll take a name&#xA;I'm playin' above the rim&#xA;I brought a gun to the game&#xA;I'm livin' life with no rules&#xA;You try to play foul, I'm shootin' the trey&#xA;This year I triple my cost&#xA;A feature with ****, a pic with Ghislaine&#xA;I'm livin' life in a flash&#xA;We Kyrie your car, you Ezra my name (What?)&#xA;Industry thinks that I need them, all that I need is a note lane&#xA;KO&#xA;&#xA;Make what you do look easy&#xA;Can't see me, they all get queasy&#xA;Movin' on up like George and Weezy&#xA;Take ya style back 'cause I really don't need it&#xA;Kapital on me but that is the lower case&#xA;No, we not linkin' up, we do not correlate&#xA;They cannot breathe, I make 'em all suffocate&#xA;Fuck all that shit, don't care about what you say&#xA;Ayy, ayy, ayy, ayy (Ayy, ayy)&#xA;Big bag on me, like I just got out the county&#xA;Ayy, ayy, ayy, ayy (Ayy, ayy)&#xA;They play Iron Man like Robert Downey&#xA;Better watch her, she all on me&#xA;Got love in the middle, I ain't Monie&#xA;No Nobu, bitch, you get Coney&#xA;Ain't no way a bitch get shit from me (Style)&#xA;Who you think you is?&#xA;You better go and get it together (Uh-huh)&#xA;Better get a new idea 'cause fuckin' with me&#xA;Consequences forever (Go)&#xA;&#xA;&#xA;寒い夜も&#xA;This is a young nigga world&#xA;This is a young nigga world (寒い夜も)&#xA;&#xA;We got next ho, clear the front&#xA;Been throwin' my elbow in this shit&#xA;They on me like velcro, all I need is a cellphone&#xA;I'ma get what I want&#xA;You been on Melrose full of lawyers, spare home&#xA;At the end of the month&#xA;Try get the bread home, man, I'm tryna get the bread home&#xA;With my brothers, they stunt (Dah, dah)&#xA;Kill the facade, why it smell like (Beef)&#xA;Pull out the Glock, get up out the (Mix)&#xA;Fuck out my ear, you don't know (Shit)&#xA;You ain't in no trench, that's what you (Is)&#xA;This shit my lifeline&#xA;Ain't gon' wait for no right time, just to get up and sprint&#xA;He in his right mind, he gon' (Sit)&#xA;&#xA;&#xA;Party's over, grandpa" PRODUCER="Copyright Control" COVERARTID="039/HFGYUFD2INUF1CA0APSFCPDBMSCA" PLAYTIME="227" PLAYTIME_FLOAT="226.220932" IMPORT_DATE="2025/7/5" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="26241"></INFO>
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<INFO BITRATE="818711" KEY_LYRICS="4 ContributorsKamZ’s Music Collection LyricsStarted collecting since 2017 ;)#6ix9ine - Day69: Graduation DayAAbove &amp;amp; Beyond - Group Therapy&#xA;Adele - 30&#xA;Afrojack - Jacked: México Tour 2013&#xA;AIR French Band - Moon Safari&#xA;Air - 10000Hz Legend&#xA;Alan Walker - Different World&#xA;Alexander Popov - Personal Way&#xA;Alice in Chains - Dirt&#xA;Alison Wonderland - Awake&#xA;Aly &amp;amp; Fila - Quiet Storm&#xA;Anne-Marie – Speak Your Mind (Deluxe)Aphex Twin collectionAphex Twin - Selected Ambient Works 85-92&#xA;Aphex Twin - ...I Care Because You Do&#xA;Aphex Twin - Come To Daddy&#xA;Aphex Twin - drukQs&#xA;Mike &amp;amp; Rich - Expert Knob TwiddlersApocalyptica - Worlds Collide&#xA;Arch Enemy - The Root Of All Evil&#xA;Arch Enemy - Will To PowerAriana Grande collectionAriana Grande - Yours Truly&#xA;Ariana Grande - My Everything&#xA;Ariana Grande - Dangerous Woman&#xA;Ariana Grande - Sweetener&#xA;Ariana Grande - thank u, next&#xA;Ariana Grande - PositionsArmin van Buuren / ASOT collectionArmin van Buuren - 10 Years&#xA;Armin van Buuren - Imagine (Just the booklet)&#xA;Armin van Buuren - Mirage (The Remixes)&#xA;Armin van Buuren - Intense&#xA;Armin van Buuren - Intense (The Most Intense Edition)&#xA;Armin van Buuren - Embrace&#xA;Armin van Buuren - Universal Religion Chapter 3&#xA;Armin van Buuren - Universal Religion Chapter 4&#xA;Armin van Buuren - Universal Religion Chapter 5&#xA;Armin van Buuren - Universal Religion Chapter 6&#xA;Armin van Buuren - Universal Religion Chapter 7&#xA;Armin van Buuren - A State of Trance 2010 (Just the booklet)&#xA;Armin van Buuren - A State of Trance 2012&#xA;Armin van Buuren - A State of Trance 2013&#xA;Armin van Buuren - A State of Trance 2014 (CD2)&#xA;Armin van Buuren - A State of Trance at Ushuaïa, Ibiza 2015&#xA;Armin van Buuren - A State of Trance 2018&#xA;Armin van Buuren - A State of Trance Year Mix 2012&#xA;Armin van Buuren - A State of Trance Year Mix 2013ATB - Future Memories&#xA;ATB - Contact (Limited Edition)&#xA;Audioslave - AudioslaveAvenged Sevenfold collectionAvenged Sevenfold - Waking the Fallen&#xA;Avenged Sevenfold - City of Evil&#xA;Avenged Sevenfold - Avenged Sevenfold&#xA;Avenged Sevenfold - Nightmare&#xA;Avenged Sevenfold - Life Is But A Dream...Avicii collectionAvicii - True&#xA;Avicii - True (Avicii By Avicii)&#xA;Avicii - StoriesAvril Lavigne – Let Go&#xA;Avril Lavigne - Let Go / Under My Skin&#xA;Avril Lavigne - The Best Damn Thing&#xA;Avril Lavigne - Avril LavigneBBackstreet Boys - Millenium&#xA;Backstreet Boys - Greatest Hits - Chapter One&#xA;Basshunter - Now You’re Gone – The Album&#xA;Basshunter - Calling Time&#xA;Beyoncé - I Am... 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I Did It Again&#xA;Britney Spears - Greatest Hits: My Prerogative&#xA;Britney Spears - Blackout&#xA;Bruce Springsteen - Born In The U.S.A.BT collectionBT - This Binary Universe&#xA;BT - These Hopeful Machines&#xA;BT - If The Stars Are Eternal So Are You and I&#xA;BT - A Song Across Wires&#xA;BT - The Lost Art of LongingBullet For My Valentine - The Poison&#xA;Bullet For My Valentine - FeverCCalvin Harris collectionCalvin Harris - I Created Disco&#xA;Calvin Harris - 18 Months&#xA;Calvin Harris - Motion&#xA;Calvin Harris - Funk Wav Bounces Vol. 1&#xA;Calvin Harris - Funk Wav Bounces Vol. 2Camila Cabello - Camila&#xA;Carly Rae Jespen - The Loneliest Time&#xA;Chicane - Thousand Mile Stare&#xA;Christina Aguilera - Lotus (Deluxe Edition)&#xA;Clean Bandit - New EyesColdplay collectionColdplay - Parachutes&#xA;Coldplay - A Rush of Blood to The Head&#xA;Coldplay - LeftRightLeftRightLeft&#xA;Coldplay - Mylo Xyloto&#xA;Coldplay - Ghost Stories&#xA;Coldplay - A Head Full of Dreams&#xA;Coldplay – Kaleidoscope EP&#xA;Coldplay - Everyday Life&#xA;Coldplay - Moon MusicCosmic Gate - Wake Your Mind&#xA;The Cranberries - Stars (The Best of 1992-2002)&#xA;Cypress Hill - Rise UpDDaft Punk collectionDaft Punk - Homework&#xA;Daft Punk - Discovery&#xA;Daft Punk - Human After All&#xA;Daft Punk - Alive 2007&#xA;Daft Punk - Random Access MemoriesDakota - Thoughts Become Things&#xA;Dash Berlin - #musicislife (Deluxe)David Guetta collectionDavid Guetta - Just A Little More Love&#xA;David Guetta - Guetta Blaster&#xA;David Guetta - Just A Little More Love / Pop Life&#xA;David Guetta - One Love&#xA;David Guetta - Nothing But The Beat&#xA;Cathy &amp;amp; David Guetta - F*** Me I'm Famous! 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<INFO BITRATE="860441" KEY_LYRICS="1 ContributorDJ Epistemology: Producing and Knowing LyricsHi everyone. Here we are, last day of South by. What an amazing experience. Thank you so, so much for sticking it out and coming to my panel, which is entitled, “DJ Epistemology: Producing and Knowing.” Our hashtag for today is #DJLearn and on the twitters, I’m @zacharykaiser.&#xA;&#xA;So, let’s get started. My name is Zach, and I’m a: DJ at any bar that will have me, a designer at and co-founder of a firm called Skeptic, a lecturer of graphic design at Emmanuel College in Boston, and a Graduate Student at the Dynamic Media Institute at the Massachusetts College of Art and Design.&#xA;Today, I’m going to be discussing my research about the relationship between DJing and the near future of learning experiences.&#xA;&#xA;I’ll be telling you about some of the research that I’ve done and the things I’ve designed, and in doing so, attempt to illustrate and explain a DJ methodology of learning. I’ll then try to explain why I so firmly believe this methodology is important for us today.&#xA;&#xA;As a DJ, every time I play a gig or make a song, I engage in a creative learning process. By selecting which records to bring to a gig or deciding what songs to sample, DJs create databases and establish limits within which they play, illuminating connections between database entries for themselves and their audiences.&#xA;&#xA;I believe that the most powerful learning experiences are, indeed, creative, in that the learner engages in an act of creation. While playing a DJ set is one example of such a learning experience, writing an engaging and thoughtful research paper is another.&#xA;&#xA;As our access to information increases, no matter what we are studying, our ability to manage complexity must increase. Our rapidly changing experiences of the world, shaped like rocks by the floodwaters of data, require a new methodology for learning.&#xA;&#xA;I believe that this new methodology is specifically a DJ methodology. It extends the philosophies of bricolage and constructionism by understanding that anything – ideas, events, characters or places – can be sampled and mixed in an exploratory, creative act.&#xA;&#xA;Dynamic Media is the way in which I frame my exploration of this learning methodology. The relationship between the variability and modularity of a DJ set and the database of a student’s creative inquiry forms the foundation of my studio practice. I design learning experiences, systems and technologies in order to better understand and express the DJ methodology.&#xA;&#xA;I’d like to begin, though, by going waaaaay back to 1999, and tell you about how one particular piece of technology changed my life and shaped the way I learn.&#xA;&#xA;This is the BOSS Dr. Sample SP-202. I bought it when I was 15. I couldn’t afford turntables and a mixer, so when I found out that samplers were how most of the hip-hop music I was listening to was being made, I bought the only one I could afford. The way it works is pretty simple. Select a number in your bank of samples, press record, and voila! That sound has now been recorded for you to use in your own music-making. It is now an entry in your “database” of samples.&#xA;&#xA;With a few different cables from RadioShack, I realized that I could sample practically anything around me: tapes, records, CDs, TV shows, conversations or live instrumentation. It sparked a new sort-of curiosity. As my skills and understanding of music improved, my sampling decisions became more intentional, using different sounds for different reasons. When working on a “beat,” I would play samples together, connecting them to one another through mixing and sequencing.&#xA;&#xA;More than an entree into the world of hip-hop-music-making, however, the Dr. Sample offered me a new way to think about the world. The approach to music-making which the Dr. Sample made possible shaped the way I approached any creative endeavor. Soon I found myself searching for source material and building a “database” of “samples” for everything. In fact, most of my essays in high school were built on attempts to extract from the given topic some “samples” or source material, then connecting them to, or “mixing” them with other seemingly unrelated “samples,” much as I might in a musical composition.&#xA;&#xA;Towards the end of high school, I bought my first set of turntables and started to become an avid record collector. Several years, and over a thousand records later, I started “gigging” as an actual DJ, playing at bars around town. I soon realized that DJing, in the more formal, record-playing sense, was just like sampling and making beats. It was also no different than the way I would address a design brief or an essay assignment. As a DJ, just like as a designer, and writer, you have a purpose, an audience, and a certain set of constraints.&#xA;Preparing for a gig, standing at home in front of my stacks of records, I would begin to construct my “database,” choosing four crates worth of records. This is like preparing to write, choosing from all your research the information that you think might help you understand your topic. Just like with sampling, whether in making a beat or writing a paper, I would select my records based on the properties of each record and how I felt it aligned with my goals for the evening, my “thesis” or “point of view.” If my record collection were a song, my records would be samples of it.&#xA;&#xA;I quickly learned that to plan an entire DJ set before actually showing up at the bar is a bad idea. DJing is about improvisation, but one that requires planning, skill and a deep knowledge of one’s database. Through a careful curation of my database, I hoped to facilitate the conditions under which I could play just the right records at just the right times. Every night that I played a gig, I created with my records a thesis, a designed experience that attempted to achieve a particular goal given a certain set of constraints.&#xA;&#xA;The methodology through which I went about this was a process of collection, sampling, mixing, improvisation, and reflection, not unlike what I did when I walked around my house as a 15-year old, looking for stuff to sample and then making a beat out of it, or what I did when I wrote a paper or designed an identity.&#xA;&#xA;Like I said, the Dr. Sample gave me a new way to think about the world – from music to design to research – I see everything as something that contains samples or can be sampled. And all of my work exploring this space between DJing and learning, reflects this epistemology.&#xA;&#xA;The first thing that people often think of when I tell them that my work is about DJing and learning is “Remix!” People love the word “remix.” In fact, we throw it around quite a bit, without actually understanding what it means.&#xA;&#xA;I’d like to suggest that the word “remix” itself is not an adequate way to describe this DJ methodology in part because it is just so difficult to define.&#xA;&#xA;In his book, Remix, Lawrence Lessig, defines the term in several different ways. First, Lessig emphasizes the nature of Remix as an act of synthesis, drawing a parallel between Remix and the writing of a great legal brief. The best briefs are meaningful syntheses of information, not merely a quick “copy-paste” job.&#xA;&#xA;Soon, though, Lessig’s definition begins to loosen, calling the “right to quote,” the same as the right to “Remix,” removing the act of synthesis from the process entirely (56).&#xA;&#xA;When discussing the work of the DJ Girl Talk, Lessig states that, “ounds are being used like paint on a palette. But all the paint has been scratched off of other paintings” (70).&#xA;&#xA;Soon Lessig states that “remix is... ‘just collage’” (70).&#xA;&#xA;Eventually, he says that, “Remixed media succeed when they show others something new; they fail when they are trite or derivative... A  remix draws upon the work of others in order to do new work” (82).&#xA;&#xA;Eduardo Navas’ research echoes this sentiment. Navas focuses on two particular types of Remix: Regressive and Regenerative. Regressive Remixes are allegorical, relying on the spectacular nature of that which is being remixed. These are almost exclusively the musical remixes we hear all the time.&#xA;We celebrate a remix of a Beyonce song, to a great degree, specifically because it is a remix of a Beyonce song. In this way, Regressive Remixes do not generate new value, they do not “do new work.”&#xA;&#xA;In opposition to the Regressive Remix, the Regenerative Remix is intended, specifically, to do new work. Navas gives the example of software mashups as Regenerative Remixes. The software mashup does something that neither of the softwares being mashed up could do on its own. In Navas’ definition of Regenerative Remix, sampling becomes supplanted by a computational “constant updating.”&#xA;Though valuable for web applications, a “constant updating,” a deluge of data, becomes a challenge for critical reflection (Navas). This challenge presents a unique opportunity for the design of new systems of limitation that relate directly to sampling and DJing. It is this opportunity that I explore in my work.&#xA;&#xA;What I believe is important to glean from Navas’ theory of Regenerative Remix is something in the vein of Lessig’s “good” Remix – the ability to do new work, to create value through synthesis. This more general interpretation of regenerative remix is fundamental to my understanding of why the DJ methodology of learning is valuable.&#xA;&#xA;If the language surrounding the practice of DJing is so important to the way I discuss the DJ methodology of learning, then the language surrounding learning experiences becomes equally, if not more, important. I’ve already mentioned this term, Creative Learning, a few times without defining it or describing how exactly DJing is a creative learning experience. I look to Mitch Resnick and Sherry Turkle’s framework for creative learning experiences based on the structure of their class at the MIT Media Lab, which I took in the fall of 2011. They dedicate the class to understanding the term, though at its most basic, it means learning through the act of creation.&#xA;&#xA;Resnick defines creative learning as a “spiral”-like process that includes five steps that repeat indefinitely, each pass through the process builds on the previous one. These steps are: imagine, create, play, share and reflect, with this reflection informing future imagination. In my work as a DJ, I constantly experience this process.&#xA;&#xA;In addition to the spiral, the components of creative learning experiences fall into 11 general categories. There are two of these categories—Objects and Construction—that, to understand the way in which I interpret their relationship to DJing, is to understand the foundation for the experiences I have designed.&#xA;&#xA;The first of these is “objects.” Interacting with material things and not just abstract concepts is a central tenant of creative learning. Resnick and Turkle value objects as “things-to-think-with,” celebrating a connected, concrete thinking that brings “together thought and feeling” (Turkle, Evocative Objects).&#xA;&#xA;The objects that function in this way, bringing together thought and feeling, are evocative objects.&#xA;“Objects” can also include computational objects, such as computers, software, and building blocks of code, with which learners might interact, for example, when playing with the software, Scratch (Resnick). Computational objects, argues Turkle, share a quality of between-ness that is similar to the way in which a transitional object exists in a psychological space between self and other for a child.&#xA;Records are pieces of vinyl, and as such, they are most certainly “objects,” part of the physical world. But what about a song? Or a sample? I can’t touch a sound. But I can manipulate it. Like Turkle’s evocative objects, samples became, for me, “things to think with.”&#xA;&#xA;By making beats I traveled around the world, back in time, learning both about the properties of music and sound, as well as about the world and culture. Music represents ideas – whether a musical idea (e.g. a certain frequency range) or a theoretical idea (e.g. Cumbia music representing evolving cultural relationships in Columbia). Manipulating music allows for exploration with the ideas that the musical object itself represents.&#xA;&#xA;In mixing and manipulating samples and records, I am engaging in an act of construction with objects. The philosophy of Constructionism was pioneered by Seymour Papert who argued that we construct knowledge by constructing in the world (Children’s Machine, p. 142-143). It is an evolution of Claude Levi-Strauss’ bricolage, which is a sort-of “making do with what you have” in order to solve a problem.&#xA;A condition of construction, according to Papert, is that “the product can be shown, discussed, examined, probed, and admired” (p. 142). Beats and mixes exist in this way. Though they are not physical products that can be held, they are, indeed, constructions.&#xA;&#xA;Wayne Marshall, influential DJ, blogger, and Harvard ethnomusicologist, has pioneered and advocated for “musically expressed ideas about music” as a pedagogical practice (Marshall) and even coined a faux-Spanish term for it - musikeando. His mashups, DJ sets, and remixes are learning experiences for him – reflective and critical explorations of ideas about music. Here’s a condensed example of one of his musical research projects, and a great time for me to take a drink of water.&#xA;Samples are evocative objects for the DJs that work with them. For Wayne, samples are the building blocks for musically-expressed learning experiences and thesis statements. Samples also stand for other ideas: for the cultures from which they come, the time periods during which they were created, the geographical locations from which they originate. Although he is expressing ideas about music through music, Wayne is also expressing ideas about the things represented by the music.&#xA;&#xA;Technology has enabled Wayne’s practice of musikeando. Now, more than ever before, consumers of content are also creators of content.&#xA;This is not just the case in music, but in video, image-making and the written word. We have the power to critically engage in the experience of content through creation, with the democratization of sophisticated production technologies and the subsequent rise of mashup culture further blurring the line between creator and consumer.&#xA;&#xA;For Wayne, sampling becomes a way to construct ideas and the samples within a sampler the construction kit. I believe his concept of musikeando can extend to every type of media.&#xA;I would like to suggest that sampling and DJing can be leveraged in the service of the creation of media-agnostic conceptual construction kits that facilitate creative learning experiences that lead to critical inquiry, and eventually, regenerative remixes of content.&#xA;&#xA;That was a mouthful, and to show you exactly what I mean by that run-on-sentence, I’d like to discuss a few projects that I’ve worked on.&#xA;&#xA;The first is called, not coincidentally, Sampler. Sampler is a conceptual prototype for a research tool and service, a platform to catalyze the process of selection, sampling and mixing, in hopes of revealing previously hidden connections between pieces of information. It is based rather explicitly on the interface and experience of the Dr. Sample.&#xA;&#xA;(Video of Sampler prototype)&#xA;&#xA;One of the features (or non-features) of the technology on which I based this project, my old Dr. Sample was, indeed, its technological limitations. These limitations engendered creative approaches to my music-making practice. If I found myself beginning to work on one song with a certain set of samples, and started to work on a different song, I was forced to delete some samples from the first. I would often find that samples from each set sounded perfect when mixed.&#xA;&#xA;The way that the limitations of early sampling technology facilitated serendipitous musical experiences is an inspiration for my current work. That limitations can engender innovative solutions is by no means a novel concept (Nachmanovich). As technology progresses and the horizon of the possible continues to recede, however, it becomes more difficult for us to impose potentially fruitful limiting experiences on ourselves.&#xA;&#xA;In considering the way my Dr. Sample acted as a construction kit that facilitated serendipitous music-making experiences for me, I began to wonder about the potential for the Dr. Sample to become a model for a conceptual construction kit. Could learners see samples of ideas or events as things with which they could build an argument or a new idea? Could the interface and the interaction create a spontaneous, improvisational experience of facilitated serendipity and help users see and explore connections between content that they might never have otherwise noticed?&#xA;&#xA;What you saw in the video was a functional prototype of the system, but the Sampler project seems to have some potential beyond the limited amount of user testing that I’ve done. A colleague said that she would love to use such a tool in the Design History class she teaches, pointing out that it would help her students draw connections between what happens in design and what happens in culture at large. Other educators have mentioned that they are interested in Sampler as a way to help students understand similarly broad and obscured relationships between certain disciplines and wider cultural phenomena.&#xA;&#xA;Sampler is a statement about a compromise between computation and human input. It is about an engagement with computation and a set of limitations that forces the user to become creative – to look at problems and ideas in new ways in order to come up with an innovative take on a set of information.&#xA;&#xA;I called my parents when I was working on the Sampler project to see if they could find my old Dr. Sample. They couldn’t. I took it to a friend’s house years ago to do a recording session, but I don’t remember what happened to it afterward.&#xA;&#xA;I was so enthralled with my newly purchased Ableton Live software and my new MacBook Pro, that, at the time, I might have figured the Dr. Sample didn’t matter to my music anymore. Something about my music changed, however, when so much more of it was made directly on my computer. The way in which technology mediated my experience had shifted and everything was possible.&#xA;&#xA;My entire iTunes library sat there – I had more effects, more samples, more songs to sample, more tracks to use, more places to store samples, than I ever had before. It was so exciting. And yet there was a “rawness,” as one of my friends best described it, that faded away.&#xA;&#xA;There are ways of making which become easier when, overwhelmed by possibility, we rely so heavily on software to facilitate meaningful music-making experiences. The design of the software, the varying processor power required by different actions, the hierarchy of the system, and many other computational factors – intentionally or not – guide music-makers towards making certain actions and decisions without even knowing it.&#xA;&#xA;Experimental Jetset, a design firm based in the Netherlands, has said that they are interested in the idea of “the function of a design as an embodiment of ideology.” When you think about it, this saying can help illuminate the connections between an experience or object, the powers that influenced the creation of the experience or object, and the way that experience or object influences those who interact with it – whether it is a piece of music-making software or a nation’s education system.&#xA;&#xA;I started to consider the implications of this over-reliance on computation to generate meaningful experiences of content when I was drinking beer with a friend of mine who is a high school teacher. He told me his students were having a difficult time synthesizing information and creating specific, arguable thesis statements for their papers.&#xA;&#xA;His students, digital natives from primarily upper-middle class families, could find any piece of information they wanted about a particular topic. They had access to online journals, to countless resources in their school, to websites and history books. Overwhelmed by their access to information, however, they relied too heavily on technology to help them make meaning from this information that the technology was so crucial in helping them access in the first place.&#xA;&#xA;Together, my friend and I designed a conceptual prototype research tool to help his students mix and synthesize research, and create specific, arguable thesis statements for papers. In the interface designs and in the paper prototyping we did with his high school students, we explored this DJ process of collection, selection, connection (mixing), reflection, and iteration.&#xA;&#xA;Through the design of a prototype as well as user testing, even in an analog form, we found that we had designed an experience that students found valuable. Some students told us that our experiment had been helpful to them in clarifying ideas for their research papers.&#xA;&#xA;One student as she was working on her paper prototype, exclaimed, “It’s turning into something!” She had begun to create a regenerative remix of her research.&#xA;&#xA;Like my friend’s students, we are overwhelmed with data, bombarded by information - we’ve heard this all too often. In a world of constant computational updating whether in our stocks or our social networks, it becomes difficult to extract oneself from this cycle of now-ness.&#xA;&#xA;Much like status updates, the now-ness of quantifiable metrics, such as grades, leveling, badges, and standardized testing, as well as practical skills that make students employable, such as checklists of skills and softwares, become attractive ways to assess and think about learning. We lose our ability to look holistically beyond the now, to see the benefit in what we can’t easily understand or analyze computationally at this moment.&#xA;&#xA;We lose our faith in our own ability to make meaning, and invest this ability in our digital companions. As we create more Facebook posts, more metrics for evaluating learning, more quantifiable ways to understand a baseball player’s effectiveness, our increasing ability to handle vast amounts of information computationally becomes an attractive way to handle any type of information. The information we produce, then, begins to cater to the way it is parsed.&#xA;&#xA;This problem is exacerbated in the age of Big Data, where companies like IBM have designed a veritable army of “solutions” to help us make meaning from it all. Meanwhile, Jer Thorp, in an article in the Harvard Business Review, argues, that for us to truly harness the power of big data, we need a “re-framing of data into a human context.”&#xA;&#xA;Now, I’m not entirely sure what he means by this, BUT the ways in which our over-reliance on computation has shaped the currently not-so-human context of our data go far beyond what we might refer to as “big data” and pose a problem deeper than Thorpe’s call-to-action will likely be able to affect.&#xA;&#xA;Nicholas Carr argues that, “When we look at a product recommended to us by Amazon or Netflix, we’re following a script… These scripts can be ingenious and extraordinarily useful… but they also mechanize the messy processes of intellectual exploration.” Carr is describing a loss of the capacity to make information meaningful. We have given over that power to computation and have allowed ourselves to believe that the most important type of meaning is machine-readable. Not merely at the scale of big data, but at every scale, even at a scale that might be considered, well, human.&#xA;&#xA;What I noticed in both the Sampler and Synthesis projects, what made me excited, was that the products of those experiences yielded information that seemed to escape machine-readability, if only slightly. Users created regenerative remixes that were more human-readable.&#xA;&#xA;Through interactions with these conceptual construction kits, learners were engaged in experiences of critical thinking and critical reflection, much in the same way as Wayne Marshall described his experiences with music.&#xA;&#xA;I began to wonder how these experiences of critical thinking could translate into the graphic design classes I teach. Dr. Meredith Davis argues that design education should not be dominated by an ideology that “views complexity as a problem to be overcome through reductivist artifacts.” She argues that design education should focus instead on making the complex meaningful. Inspired by Dr. Davis’ work, and the Synthesis and Sampler projects, I attempted to create an assignment for my graphic design students using the DJ methodology of learning.&#xA;&#xA;While focusing on fostering students’ critical thinking skills, the Manipulative Media project I run with my first-year design students also helps them learn Photoshop.&#xA;&#xA;I give the students three quotes from which each student selects one to research. (Limitation)&#xA;The students then research their quotes, and come to class with at least ten pieces of research, represented by notecards or post-its, along with URLs or printed sources. (Collection, Sampling, Facilitated Serendipity)&#xA;&#xA;Students work to draw connections between these pieces of research, asking not only which pieces were connected, but how they were connected. By the end of the first week of this project, students have developed a “thesis statement” based on their analysis. (Mixing)&#xA;&#xA;For the remainder of the project, students work to visually communicate this thesis through the mixing and manipulation of imagery in Photoshop, eventually constructing a triptych of images that serves as a visual thesis. (Mixing and Reflection)&#xA;&#xA;In giving this project, I have seen students gain valuable insight into themselves, their interests, and the world around them through creative and critical inquiries facilitated by the DJ methodology. By establishing sets of limitations within which students found serendipitous connections between content, the Manipulative Media assignment helps students create human-readable meaning through the making of digital artwork.&#xA;&#xA;Now, all of this is not to say that technologically-mediated experiences are bad, and the DJ methodology is by no means a wholesale rejection of the importance of technological progress. In fact, I’ve incorporated emerging technologies into nearly everything I do.&#xA;&#xA;My work has also celebrated the ability for computation to mediate interactions and help us make new meaning, sometimes meaning that maybe even our brains don’t understand, but maybe our muscles do.&#xA;&#xA;R&amp;amp;B R&amp;amp;D, for example, is a prototype for a gestural music-making experience that facilitates embodied learning, teaching users about properties of electronic music. Computation and computer vision technology, paired with motor memory, tacit knowledge, and a “learning by doing” approach to musical experience could become a powerful tool for understanding principles of electronic music.&#xA;Here’s a quick peek at some of the various prototypes and user testing I’ve done:&#xA;&#xA;(Video of R&amp;amp;B R&amp;amp;D prototypes)&#xA;&#xA;Imagine a teenager downloading a free software to his computer, plugging in his Kinect and immediately being able to play around, making music with his body using stock sounds and effects. An interface helps this kid understand what properties of which sounds he’s affecting with which joints. As his knowledge of music becomes more sophisticated, he learns through the online community that he can easily swap out the stock sounds for his own, and can map different types of effects and properties of sound to different joints. Soon he has programmed his own gestural music-making experience and performs for his friends. He contributes regularly to the online community, giving tutorials and comments.&#xA;&#xA;In this way, R&amp;amp;B R&amp;amp;D is a celebration of the way computation can facilitate experiences that become meaningful for learners. It is a kinesthetic, embodied learning experience. Some of the meaning that learners derive from this experience is qualitative – it’s maybe not so machine-readable.&#xA;&#xA;Though emerging, immersive learning technologies are creating powerful learning experiences for students across the country, some get evaluated quantitatively, through the lens of machine-readability, assessing “number of utterances” of key phrases during user interactions, for example (Birchfield).&#xA;It is no coincidence that as we have invested computation with so much meaning-making power, our education system is increasingly designed for machine-readability, whether through tests, grades, badges or other systems. The underlying ideologies driving the design of the American education system have shifted, argues David Labaree, from the goal of democratic equality (a qualitative experience), to a market-oriented combination of social efficiency and social mobility. The social efficiency goal, says Labaree, is about training students to become workers, while the social mobility goal is about the individual student as a consumer of education, with education itself becoming a market-based good. Together, the social mobility and social efficiency goals, “portray education as a mechanism for adapting students to the market.”&#xA;&#xA;As the power of computation to process large amounts of data increases, we continue to find, develop, and manufacture metrics by which we can “measure” the effectiveness of education, just like we measure markets. And, just like we cater our content-creation to machine-readability, we cater the creation of our learning systems to machine-readability. STEM Education and the increasing popularity of “badges” are two examples.&#xA;&#xA;The social efficiency and social mobility ideologies have shaped the way educators and policy-makers view science education. Science is bundled, says Larry Moran, a professor of biochemistry, with technology, engineering, and math education, as if all four are the same and should serve the same purposes. Moran argues, however, that “the goal of true science education should be no different than the educational goals in history, philosophy, or English literature. It’s supposed to teach you how to think critically.”&#xA;&#xA;Critical thinking skills, however, are more difficult to quantify while lab results and technical competencies are not. Moran ends his essay in clear defiance of the dangerous pairing of the social efficiency and social mobility goals:&#xA;&#xA;Physics is not about sending spaceships to Mars.&#xA;Geology is not about finding oil.&#xA;Chemistry is not about better plastics.&#xA;Biology is not about drugs.&#xA;&#xA;The increasing interest in adding the Arts to create STEAM education may help, but the question of what ideologies drive the resulting curricula remains.&#xA;&#xA;Online learning experiences not facilitated by organizations with inherent ties to the American education system are often still plagued by the market-driven educational ideologies and easy-to-compute metrics. Take the recent interest in online badges. Online badges are said to be representative of an accomplishment, skill, quality or interest... an online record of achievement, that tracks the community that issued the badge and the work completed to get it. (Mozilla)&#xA;Though some have advocated badges as a way to present a “nuanced” picture of a person’s learning and abilities, badges are fundamentally binary, a 1 or a zero, a yes or a no. Easy to compute. Advocates of badges also claim that they provide motivation to learn. Though well-intentioned, I worry that by leveraging behaviorist approaches to motivation through the dissemination of a binary badge system, however, advocates of badges open the door for future employers to assess potential employees through a simple binary evaluation process. Whoever has the most 1s gets the job. Who needs interviewers when all you need is a computer? Learning is a commodity to be consumed and this helps the market as a whole function more efficiently.&#xA;&#xA;I doubt that the increasing influence on learning and education of the market-based goals of social efficiency and social mobility is a coincidence. I believe that it is connected, overtly and implicitly to the increasing power of computation and our increasing faith that computation will help us make meaning from the overwhelming amount of data with which we are faced.&#xA;&#xA;Today we increasingly design for machine readability, whether we are designing our own internet identities on Tumblr and Facebook, creating e-commerce sites (SEO is a prime example of design for machine-readability), or creating web applications that interface with several different APIs. The data deluge, our perceived inability to cope with it, the steadily increasing power of computation to do more for us, coupled with our reliance on computational meaning-making have shifted our ideas about who, or what, we are designing for. In user-experience design, our users are no longer just human. We have started to design algorithms to interact with other algorithms, not with us.&#xA;Kevin Slavin, in his keynote “Those Algorithms that Govern Our Lives,” at the 2011 Lift conference, discusses the way we write algorithms, and then give over our power to those algorithms. These algorithms communicate with one another and leave humans as bystanders, merely there to watch the interaction and evolution of systems that cater more and more to things that aren’t human.&#xA;&#xA;One of the most astounding examples he cites of the influence that machine-readable meaning wields over our lives, and an indicator of its future impact on the design of both our physical and digital realities, is the relationship between algorithmic trading in the stock market and the Manhattan cityscape. He states that the image of a city is now “a network topology” and uses the example of real-estate prices skyrocketing in Manhattan near 60 Hudson Street, the Carrier Hotel, one of the world’s largest internet hubs. Because some 70% of today’s trading is done algorithmically the closer a company’s data center is to the Carrier Hotel, the fewer milliseconds it takes for a trade to go through.&#xA;&#xA;These minuscule periods of time are infinitely valuable, costing or earning companies tens of millions of dollars. Because our trading is done by the communication of algorithms to one another, we have become bystanders to real-estate prices. Effectively, Slavin says, New York City is being optimized to run like a motherboard.&#xA;&#xA;Unlike the design of systems that facilitate the communication of algorithms with one another, DJing is a peculiarly human activity. It is a communication between people. Though mediated by technologies, at its best, it is a different sort of mediation. Douglas Rushkoff asserts that there are certain aspects of humanity that are subtle and weird, things that can’t be assigned a value or coded. “This obsessive need to nail it all down,” he says, “denies us access to all of these other great tools for observation which are subtler, weirder tools” . These subtle, weird tools are not only tools for observation. DJ sets that surprise and delight the audience with unexpected, beautiful and conceptually compelling connections are the result of these subtle, weird tools. So are creative, well-crafted, insightful research papers. These subtle, weird, tools are tools for the making of human-readable meaning.&#xA;&#xA;I believe that DJing acknowledges the magic of being human – That as performers, musicians, producers and artists, we engage our subtle, weird tools to create meaningful experiences. DJing fights, therefore, the homogeny and hegemony of the algorithms that are shaping our lives (Slavin). The DJ methodology of learning is about leveraging algorithms in a way that allows us to use our uniquely human capabilities to create meaning for ourselves. It’s about using the things that make us human, the connections that we intuit, that we can’t quite articulate right away, to ask better questions, to engage in more deep and meaningful inquiry.&#xA;&#xA;Our perceived inability to cope with the deluge of data, our faith in computation to make meaning for us, and the influence of market-based goals of education and learning, which are inextricably connected with machine-readability, have helped us strip ourselves of the ability to think critically. I&#xA;believe there is a gap, an absence of an advocacy for deep learning that requires synthesis. This gap is felt when law students write sloppy briefs. It is felt when history students submit poorly organized papers that lack specific, arguable thesis statements. It is also felt outside of schools, when employees are unknowingly dissuaded from pursuing a solution because their actions are being ever-so-subtly guided by the underlying computational architecture of the software they are using. The missing advocacy for learning that requires critical thinking and synthesis is indicative of a giving-over of our powers of analysis and synthesis to algorithms, to these things that are not trying to create meaning for humans, of course, because they are not human.&#xA;&#xA;The challenge we face is to find ways to utilize and leverage data to create meaning for humans, meaning that goes beyond semantics and metadata. We are beginning to find ourselves in a world governed not by our interpretations of information, but rather the interpretation of information by algorithms that we developed, but of which we are neither the audience nor the users. We are blind to this shift because we increasingly, and unknowingly, embed this ideology into the learning experiences and educational systems that we design.&#xA;&#xA;The DJ methodology is a step in combating this danger. While being built on experiences that reference or engage with computation, its creative application of computation and algorithm refrains from investing technology with the power to make meaning. Rather, it endeavors to facilitate the human application of our subtle weird tools, helping humans illuminate new connections, synthesize information, and create human-readable meaning. I hope that the DJ methodology can lead to the design of learning experiences that address the increasing complexity and connectedness of our world in order to generate meaning that is truly human readable.&#xA;&#xA;Thank you.&#xA;&#xA;Works Cited&#xA;&#xA;Anderson, Aengus, Micah Saul, and Neil Prendergast. “The Conversation: Episode 34 – Douglas Rushkoff.” Audio blog post. The Conversation. N.p., 19 Nov. 2012. Web. 30 Nov. 2012.&#xA;.&#xA;&#xA;Birchfield, David, and Colleen Megowan-Romanowicz. “Earth Science Learning in SMALLab: A Design Experiment for Mixed Reality.” Computer-Supported Collaborative Learning 4.1 (2009): 403-21. Web.&#xA;&#xA;Carr, Nicholas G. The Shallows: What the Internet Is Doing to Our Brains. New York: W.W. Norton, 2010. Print.&#xA;&#xA;Clayton, Jace. “Confessions of A DJ.” N+1 Magazine. N.p., 25 Nov. 2008. Web. 05 Mar. 2013.&#xA;.&#xA;&#xA;Davis, Meredith. “Toto, I’ve Got a Feeling We’re Not in Kansas Anymore.” Massaging Media Conference. Boston. 4 Apr. 2008. Lecture.&#xA;&#xA;Experimental Jetset. “Design &amp;amp; Art Reader.” Experimental Jetset. N.p., Jan. 2006. Web. 04 Mar. 2013.&#xA;.&#xA;&#xA;Itō, Mizuko. Hanging Out, Messing Around, and Geeking Out: Kids Living and Learning with New Media. Cambridge, MA: MIT, 2010. Print.&#xA;&#xA;Labaree, David F. “Public Goods, Private Goods: The American Struggle over Educational Goals.”&#xA;American Educational Research Journal 34.1 (1997): 39-81. JSTOR. Web. 09 Jan. 2013.&#xA;&#xA;Lessig, Lawrence. Remix: Making Art and Commerce Thrive in the Hybrid Economy. New York:&#xA;Penguin, 2008. Print.&#xA;&#xA;Marshall, Wayne. “Lambada Is a Feeling.” Wayne &amp;amp; Wax. N.p., 12 Apr. 2011. Web. 05 May 2011.&#xA;.&#xA;&#xA;Marshall, Wayne. “Mashup Poetics as Pedagogical Practice.” Pop-culture Pedagogy in the Music Classroom: Teaching Tools from American Idol to YouTube. Ed. Nicole Biamonte. Lanham, MD: Scarecrow, 2011. 307-15. Print.&#xA;&#xA;Marshall, Wayne. “Musically-Expressed Ideas About Music.” Wayne &amp;amp; Wax. N.p., 13 Apr. 2006. Web. 10 Feb. 2013. .&#xA;&#xA;Marshall, Wayne. “Todo Mundo Musikeando.” Wayne &amp;amp; Wax. N.p., 25 Aug. 2010. Web. 02 May 2011.&#xA;.&#xA;&#xA;Mozilla Foundation, and MacArthur Foundation. Open Badges for Lifelong Learning. Working paper.&#xA;N.p.: n.p., 2011. Print.&#xA;&#xA;Nachmanovitch, Stephen. Free Play: Improvisation in Life and Art. Los Angeles: J.P. Tarcher, 1990. Print.&#xA;&#xA;Navas, Eduardo. “Notes on Everything Is a Remix Parts 1, 2 and 3.” Remix Theory. N.p., n.d. Web. 30 Nov. 2012. .&#xA;&#xA;Navas, Eduardo. “Regressive and Reflexive Mashups in Sampling Culture, 2010 Revision.” Remix Theory. N.p., 13 Aug. 2010. Web. 21 Oct. 2012. .&#xA;&#xA;Papert, Seymour. The Children’s Machine: Rethinking School in the Age of the Computer. New York:&#xA;Basic, 1993. Print.&#xA;&#xA;Papert, Seymour. Mindstorms: Children, Computers, and Powerful Ideas. New York: Basic, 1980. Print.&#xA;&#xA;Resnick, Mitchel. “All I Really Need to Know (About Creative Thinking) I Learned (By Studying How Children Learn) in Kindergarten.” Creativity &amp;amp; Cognition. N.p.: n.p., 2007. N. pag. Print.&#xA;&#xA;Resnick, Mitchel, and Brian Silverman. “Some Reflections on Designing Construction Kits for Kids.”&#xA;Proc. of Interaction Design and Children. N.p.: n.p., n.d. N. pag. Print.&#xA;&#xA;Slavin, Kevin. “Those Algorithms That Govern Our Lives.” Speech. Lift Conference 2011. CICG, Geneva, Switzerland. 4 Feb. 2011. Lift Conference. Web. 1 Dec. 2012.&#xA;.&#xA;&#xA;Thorp, Jer. “Big Data Is Not the New Oil.” Harvard Business Review. N.p., 30 Nov. 2012. Web. 01 Dec. 2012. .&#xA;&#xA;Turkle, Sherry. Evocative Objects: Things We Think with. Cambridge, MA: MIT, 2007. Print.&#xA;&#xA;Turkle, Sherry. The Second Self: Computers and the Human Spirit. New York: Simon and Schuster, 1984. Print.&#xA;&#xA;Winnicott, D. W. Playing and Reality. New York: Basic, 1971. Print." PRODUCER="Copyright Control" COVERARTID="039/HFGYUFD2INUF1CA0APSFCPDBMSCA" PLAYTIME="276" PLAYTIME_FLOAT="275.848236" IMPORT_DATE="2025/7/5" RELEASE_DATE="2023/1/1" FLAGS="12" FILESIZE="29301"></INFO>
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<INFO BITRATE="1056913" KEY_LYRICS="6 ContributorsTranslations日本語 (Japanese)RomanizationRed Velvet - Sayonara (English Translation) LyricsThere're more cold wind to come&#xA;That day's love is prickling&#xA;Colourful coated lovers&#xA;Sweet love so sweet love&#xA;In the town&#xA;&#xA;Swinging and fluttering&#xA;This moment is not not painful&#xA;But but but only a little bit but&#xA;So it seems, crossing this sky&#xA;&#xA;Sayonara, continuously sparkling&#xA;Forever sorry, don't say such things&#xA;Wanting to meet you, wanting to meet you&#xA;Sayonara, selfish but I love you&#xA;&#xA;If I can rewind the clock's pin&#xA;This thought has too many legends&#xA;It's raining Lonely night&#xA;Tears are Don't know why&#xA;Always always&#xA;If you're embracing me&#xA;&#xA;Sayonara, laughing more and more&#xA;I want to hear your cute laughter&#xA;Waiting to see stars after the rain&#xA;Sayonara, after such a long time but I need you&#xA;Your favourite clothes&#xA;With matching rings&#xA;Would you come back (x 3)&#xA;Tears of that day&#xA;Surely unforgettable&#xA;&#xA;Sayonara, continuously sparkling&#xA;Forever sorry, don't say such things&#xA;Wanting to meet you, wanting to meet you&#xA;Sayonara, selfish but I love you&#xA;&#xA;Give me, give me love&#xA;Give me, give me, give me love&#xA;Give me, give me love&#xA;Sayonara give me love&#xA;Unbalanced love unbalanced distance&#xA;Give me, give me love&#xA;Give me, give me, give me love&#xA;Give me, give me love&#xA;Sayonara give me love&#xA;Wanting to meet you&#xA;Give me love but Bye bye" PRODUCER="Hospital Records Limited" COVERARTID="072/IGDKXSAR350PHBQHQCR3BHHG3TSB" PLAYCOUNT="1" PLAYTIME="306" PLAYTIME_FLOAT="305.026276" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="39665"></INFO>
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<INFO BITRATE="1018734" KEY_LYRICS="5 ContributorsFreestyle de rue (Skeudi Magazine) Lyrics&#xA;&#xA;&#xA;Oh no, encore un khel&#xA;Ok ok, ok ok&#xA;Akhi, akhi, akhi, akhi&#xA;&#xA;&#xA;Que j’plaise ou non j’peux pas dire « aimez moi », c’est l’Wati-B pas MMA&#xA;Dans le même mois, j’écris des textes de barge, j’en ai même les mains moites&#xA;J’vois que ça tourne de l’Ouest à l’Est, faut que ça pète&#xA;J’fais mon job comme Abdallah l’coupeur de têtes&#xA;Akhi, on est à-l, nique sa mère si ça merde&#xA;J’veux faire mal autant qu’un manchot voudrait embrasser sa mère&#xA;On veut des bêtes de clips avec de bêtes de néons&#xA;Trop d’choses à dire j’suis encore plein comme le stylo d’un fainéant, à suivre&#xA;&#xA;&#xA;À suivre, Sexion d'Assaut khoya&#xA;Sexion d'Assaut, akhi, t'es bête ou quoi ?&#xA;Sexion d'Assaut, akhi, chouf&#xA;&#xA;&#xA;Ma vie c’est pas shit chatte chicha chichi&#xA;On s’applique sur chaque titre et j’sais as-p si ça suffit&#xA;J’veux pas non plus être chic, soit on sait qu’ça suscite&#xA;Suicide, soucis sous shit, c’est pire quand ça s’associe, akhi&#xA;&#xA;Chouff, génération -35 heures, il donne ma monnaie, ma maille&#xA;Et le week-end c'est city stade avec Momo et Mamay&#xA;Sexion d'Assaut c'est l'équipe, A.D le lion du safari&#xA;On fait des textes plutôt lourd, au niveau du texte, ça varie&#xA;Ma vie c'est sourates, thiouraye, aïe, courage khoya&#xA;Pas d'entourage pourave, j'fais des du3a pour a-ç&#xA;On a tous fait les cons car pour d'la marque au lycéé, faut l'seille&#xA;Quitte à faire l'fils de pute comme Marc-Olivier Fogiel&#xA;&#xA;&#xA;Jeryzoos, Adams au mic pour les nôtres&#xA;&#xA;&#xA;OK, vas-y, descends du ring, sur la tête de oi-m c’est ce qu'ils risquent&#xA;Ça couche des geuchs des gabarits, Sexion dans l’game ça paralyse&#xA;Chavo tah une prise de K-1&#xA;Wati-B ça déboite connard, un coup d’tibias t’es dans l’coma&#xA;Ça met des gifles avec les ieds-p, des coups d’te-tê dans les vre-lè&#xA;Ça frôle la nuque et les oreilles, ça fêle des côtes et casse du zen&#xA;Fractures et mises à l’amende, niveau KO c’est pas c’qui manque&#xA;Une manchette pour finir, aight, ok&#xA;&#xA;&#xA;Écoute, écoute, on dit qu’les chiens font pas des chats pourtant trop d’chattes sont des chiennes&#xA;L’amour a charclé la haine, ton quartier chaque saison saigne&#xA;Prends pas trop ta vie à cœur si tu veux pas dead d’un infarctus&#xA;Si l’monde est un os ma vie réside dans une fracture&#xA;J’fais des dégâts comme un sniper atteint par Parkinson&#xA;Tu vois flou, normal mon Rap n’est qu’une patate qui t’sonne&#xA;La vie de quartier est plutôt cool c’est les médias qui rendent ça glauque&#xA;Et si...&#xA;&#xA;Écoute, écoute, 3ème Prototype, v'là les types qui posent sur des drôles de tapes&#xA;Et les dép' se font taper, normal l'inspi' sort de l'underground&#xA;Eh, mon équipe te liquide comme le fait Lucky Luke ou Snake Liquid&#xA;Des low kicks, des los-ki qui évoluent en Ligue 1&#xA;Fais juste des pâtes ou du riz&#xA;Les mecs dépêchez vous, bientôt je fais plus de featuring&#xA;J'opère avec mon sourire et si les petits te surinent c'est l'hôpital Montsouris&#xA;T'es? bête ou quoi ? Té-ma les débits qui t'abat les tympans qui tape a toutes les portes&#xA;C'est l'3ème Prototype, on est pas des tits-pe, ça dabah les gravons, les comicos, on sévit&#xA;Il faut lancer les défis, les bolosses se défilent, faut se barrer de? paris le plus vite possible&#xA;J'ai gratté du pavé Paname et ses P.V, les marines m'font marrer et le maire est un pédé&#xA;&#xA;&#xA;Sexion d'Assaut, la discipline dans n'importe quel domaine&#xA;Pour la maitrise et la puissance, akhi tu nous connais&#xA;Cogneur au mic, pour l’arôme c'est ghetto youth&#xA;Postiché tah un sans faf', l'argent sale moi j'tourne autour&#xA;Akhi, sur mon terrain, y a d'la tise et d'la te-ré&#xA;Mes colocs c'est des keufs, sur ma tête c'est tempéré&#xA;Dans la mille-f' on est massifs, on est pas du même daron&#xA;La plupart c'est des demis qui t'la mettent pour un litron&#xA;Akhi je connais le dépôt, la garde-à-v', la Souricière&#xA;Si j'me range t'inquiète pas j'serai sous contrôle judiciaire&#xA;J'suis déjà ouvert, pourquoi tu rajoutes du sel&#xA;Depuis que l'homme fait des péchés, les châtiments tombent du ciel&#xA;Les mecs, j'suis pas mieux qu'vous, mon nom d'l'âme, et j'fais c'qu'il faut&#xA;Apprécié d'ceux qui m'entourent, seul le Très Haut sait c'que j'vaux&#xA;J'suis l'Wati-B, j'passe un coup d'plancher...&#xA;Wisla la prod, beatmaker incontestable&#xA;Parait qu'j'fais peur, comme un pit' sans muselière&#xA;Comme ton futur, pas d'ma faute, j'suis visionnaire&#xA;J'ai la niaque, le mic : j'lui fais la pos' du missionnaire&#xA;Si j'tire une croix, ma3lich t'as vu, mais l'rap il a b'soin d'aide&#xA;Dans vos chantiers, putain c'est chaud les finitions&#xA;Akhi, y a pas plus clair, moi j'suis en haute définition&#xA;&#xA;Ok, un pour les miens et tant pis pour les autres&#xA;Pas d'sang sur les mains, que du muscle sur les os&#xA;Ils veulent me mettre une muselière mais ça c'est qu'des salades&#xA;Dis-leur que les mots doux, moi j'les prononce que dans ma salat&#xA;A.D, indépendant, tendance à être censuré&#xA;Faignant depuis tout p'tit, j'veux des millions, ça sans suer&#xA;J'te la fais 9ème Zone : style, aisance, stylo, sciences&#xA;Si t'as les sens, mets-là et tu tiendras si t'as la chance&#xA;Diallo Pullo cool en vrai, même si j'fais peur&#xA;L'étoffe d'un président, j'suis assez calme et très peu fêteur&#xA;&#xA;&#xA;Akhi akhi, j'vis sur le fil du rasoir, tu sais ça donc fais pas ze3ma&#xA;Proche de l'état du dass et des liasses que les tasses amassent&#xA;Oui c'est bien moi khouya, j'cascade toujours de squat en squat&#xA;Le mic là-bas là, passe le moi que j'en place une p'tite pour Gassama&#xA;Dans le Jeu trop t'agacent, faut que je sois le premier de la classe&#xA;T'as pris du level, mash'Allah, c'est grâce à eux ou grâce à moi ?&#xA;Tu m'as vu en guest ce mois, les groupies veulent me cker-sma&#xA;Qu'on fasse un tour à Châtelet pour que j'leur pé-cho des keuss à mains&#xA;Dingue j'le suis quasiment, surtout quand ça parle Casamance&#xA;Chauffe nous encore un peu si tu veux vraiment qu'on s'amorce&#xA;Rien qu'on stagne, rien qu'on s'clashe&#xA;Putain rien qu'on se s'tacle et rien qu'on s'calme&#xA;Mon flow parle toutes les langues : &amp;quot;Mboté na yo&amp;quot;, &amp;quot;Sayonara&amp;quot;, &amp;quot;Hello&amp;quot; puis &amp;quot;Guten tag&amp;quot;&#xA;Et des sons comme ça, j'en tente un tas&#xA;J'suis dans tes contacts et qu't'appelles dès que t'as le time&#xA;Pas de beats flingués, j'veux m'distinguer, couz' t'inquiète&#xA;Pas de clip de gay, j'ai bonne dégaine, bien fringué&#xA;Minute, quoi &amp;quot;minute&amp;quot; ? Mais trop de gens t'imitent&#xA;Marlich j'suis sinistre, sinistre tah l'sinus !&#xA;Des gueush qui si-niff&#xA;Subissez ma rage ça, c'est vissé la merde ça s’immisce&#xA;Dans le rap trop de pénis, salaud tu simules&#xA;J'innove, dis &amp;quot;ci-mer&amp;quot; ; j'suis au top, j'vais t'saigner&#xA;Et j'veux vendre mes produits comme l'album de Nas&#xA;Ne tentez pas les clashs je ne crains pas les nasmes&#xA;Espèce de naze, me back pas t'as de l'asthme&#xA;L'écrasement de tête attendu comme l'album Relapse&#xA;&#xA;&#xA;Dehors, il s'passe des trucs de ouf, akhi, comme sur les pages du web&#xA;Paname c'est chaud t'as vu, pour ceux qui sont d'origine étrangère&#xA;Chacun son équipe posé pas loin des troupes de Lucifer&#xA;Chacun son délire : alcool, résine dans l'crâne, mais faut s'y faire&#xA;J'suis 75, parigot, le tieks m'a sali, go&#xA;Ça parle donc ça ricoche, j'côtoie qu'des saligos&#xA;Viens dans nos coins, ça sent l'urine, rien n'affoler, les p'tits t'surinent&#xA;Articles et faits divers, les anorexiques dans la farine&#xA;Ambiance criminal, ça boit du p'tit minot, ah&#xA;La vente de kilos manœuvre sous les yeux des ilôtiers&#xA;J'demeure du côté gauche, ma life est courte et fausse&#xA;La mort approche et c'qui m'attend c'est l'ange avec sa fosse&#xA;En gros, poto, j'ai pas l'temps, mais j'suis là et j'me dis qu'c'est cool&#xA;J'me consacre à mes passe-temps, j'fais du rap et j'me dis qu'c'est cool&#xA;J'traîne grave, plutôt l'soir tard, fonce-dé, j'reste debout&#xA;Y a plus rien à faire au tier-quar, vas-y, check et bouge&#xA;Sur l'trajet j'rencontre deux bougs, dans le Noctamb qu'écrase des bouches&#xA;Pas très loin j'ai vu deux mecs du 9 akhi qui suivent des boules&#xA;J'les rattrape, ils m'disent que pour ça, faut des caisses de bourges&#xA;Les filles c'est comme ça, c'est soit t'as les fonds, soit tu bouges&#xA;&#xA;&#xA;Et dans nos têtes, c'est pour la compet qu'on a l'béguin&#xA;Donc face à nous, tu f'ras pas long feu comme un yorkshire à Pékin&#xA;Mais stoppe jamais quand j'rappe, tu s'ras vite nostalgique&#xA;On est trop d'vant un bol de riz, akhi donc il faut que j'm'installe vite&#xA;En quête de vils-ci en crête, claquettes, nous titillent en fait&#xA;Car les mecs veulent bibi au tieks ou à la bibliothèque&#xA;J'ai une tête d'idiot p't-être mais j'ai pas d'zizi au bec&#xA;Guette nos vidéos j'pète quand je mets mes idées en texte&#xA;Pecs et abdos j'ai pas ça, ni même les cheveux longs&#xA;J'ai pas la classe d'André Rieu, moi j'casserai ces violons&#xA;J'suis un homme doux avec un air menaçant&#xA;J'kicke avec rage et j'mets des gifles en me lassant&#xA;Venant d'une génération qui s'dope, jeune et con&#xA;Avec l'ambition d'un mollasson comme Doc Gynéco&#xA;Eh, en cas de riposte de l'ennemi, j'me tiens aux aguets&#xA;Chez nous, on s'défonce au riz mais pas au saké&#xA;J'connais rien des boîtes de nuits, je sais qu'il faut s'saper&#xA;Y a pleins d'fausses blondes, en plus pour elles il faut s'taper&#xA;Devant la daronne, ferme ta gueule, tu f'ras l'aud-ch après&#xA;Adams Diallo prie le Très Haut et pas une eau sacrée&#xA;Ils veulent nous massacrer, puis qu'on les masse après&#xA;On va s'pull up afin qu'sur l'État j'lâche un pet&#xA;Ils veulent du cocktail moloflow...&#xA;&#xA;&#xA;Sexion d'Assaut, poto" PRODUCER="Hospital Records Limited - 2018" COVERARTID="072/IGDKXSAR350PHBQHQCR3BHHG3TSB" PLAYCOUNT="1" PLAYTIME="282" PLAYTIME_FLOAT="281.039307" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="35268"></INFO>
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<INFO BITRATE="1003813" KEY_LYRICS="1 ContributorNew Music Friday UK 15/02/2019 LyricsYUNGBLUD &amp;amp; Halsey - 11 Minutes&#xA;Zedd - 365&#xA;Valentino - Years &amp;amp; Years, MNEK&#xA;Cardi B - Please Me&#xA;Maisie Peters - Stay Young&#xA;Jessie Ware - Adore You&#xA;Avril Lavigne - Dumb Blonde feat. Nicki Minaj&#xA;Netsky - I Don’t Even Know You Anymore (feat. Bazzi &amp;amp; Lil Wayne)&#xA;Why Don't We - Cold In LA&#xA;Foals - On The Luna&#xA;Hozier - Dinner &amp;amp; Diatribes&#xA;Picture This - Modern Love&#xA;Kygo - Think About You (feat. Valerie Broussard)&#xA;Bebe Rexha - Last Hurrah&#xA;Catfish and the Bottlemen - Fluctuate&#xA;John Legend - Preach&#xA;Chuks - Next Up?&#xA;Kehlani - Butterfly&#xA;Lucas &amp;amp; Steve - Say Something&#xA;Jaykae - Heartache&#xA;Charlie Cunningham - Permanent Way&#xA;Dennis Lloyd - Never Go Back&#xA;Flawes - Don't Count Me Out&#xA;Mars Moniz, Lao Ra - Wapo&#xA;Rex Orange County - New House&#xA;ALMA - Summer&#xA;Chaka Kan - Like A Lady&#xA;Chasing Abbey - Hold On&#xA;Unknown T, Crazy Cousinz - Throwback&#xA;Headie One, Dave, Four Tet - 18HUNNA (Four Tet Remix)&#xA;Tourist - Love Theme&#xA;Lizzo - Cuz I Love You&#xA;The Cinematic Orchestra, Heidi Vogel - A Promise&#xA;Hypo, Yxng Bane, Asco - First Night&#xA;Felix Cartal, Lights - Love Me&#xA;John the Blind - Sticky&#xA;Geko - Don Daddy&#xA;Tritonal, Ryann - Hard Pass&#xA;Mansionair - We Could Leave&#xA;Crystal Fighters - Wild Ones&#xA;JNR Williams - A Prayer&#xA;D-Block Europe - Kitchen Kings&#xA;Mae Muller - Leave It Out&#xA;Andy Grammer - Don't Give Up On Me (From &amp;quot;Five Feet Apart&amp;quot;)&#xA;Minke - Something Better&#xA;Girl Crush - Baby Steps&#xA;Betty Who - Language&#xA;Technimatic - Sometimes&#xA;DUSK, Call Me Loop - New Habit&#xA;Wet - Old Bone&#xA;Big Tobz - Baby Girl&#xA;SG Lewis - Blue&#xA;Sea Girls - Open Up Your Head&#xA;Hannah Jane Lewis - Last Night Every Night&#xA;blackbear - 1 SIDED LOVE&#xA;YONAKA - Bad Company&#xA;Dopebwoy - Santa Domingo feat. Yxng Bane&#xA;Roses Gabor - Turkish Delight&#xA;Jai Wolf, Day Wave - Your Way&#xA;LUENA - Worth It&#xA;Jamie Lawson - The Answer&#xA;Girl Unit - Stuck&#xA;DigDat - No Cap&#xA;Stereophonics - Chaos From The Top Down&#xA;SYML - The Bird&#xA;Frye - Reasons&#xA;Sharna Bass - This View&#xA;Meadowlark - H.I.T.H&#xA;Noah Taylor - Crestfallen&#xA;Methyl Ethel - Ruiner&#xA;Friend Within - Waiting&#xA;Alicia Keys - Raise A Man&#xA;Benjamin Francis Leftwich - The Mess We Make&#xA;Motez, KWAYE - Steady Motion&#xA;Juice WRLD - Robbery&#xA;Larkins - TV Dream&#xA;Xo Mo - Wild Dogs&#xA;Saltwater Sun - Blood&#xA;Eve Belle - CutThroat (feat. Isaiah Dreads)&#xA;Jimothy - Getting Burberry Socks&#xA;Florida Georgia Line, Jason Aldean - Can't Hide Red&#xA;Gunna - Speed It Up&#xA;Fehdah - Saharakungoh&#xA;Tommy Genesis - I'm Yours&#xA;Patrick Topping - Watch What Ya Doing&#xA;Stellie - Let's Forget We Were In Love&#xA;RY X - Hounds&#xA;T MULLA - Link Up&#xA;Stats - Raft&#xA;Twin Shadow - Only for the Broken Hearted&#xA;Mango X MathMan - No Surrender F.M.&#xA;Claud - Easy&#xA;MAX RAD - Flesh &amp;amp; Blood&#xA;Eli &amp;amp; Fur - Coming Back&#xA;Jenny Lewis - Heads Gonna Roll&#xA;Amber Olivier - Bad Boy&#xA;Weyes Blood - Everyday&#xA;AM - Flex Til' the Morning&#xA;S.P.Y. - Runaway Dub&#xA;Knucks - Rice &amp;amp; Stew&#xA;Yung Fume, Yung Tory&#xA;Julia Jacklin - Comfort&#xA;Swimming Tapes - Pyrenees&#xA;gloo - Stop and Stare&#xA;Bru-C, Tsuki - Dead You&#xA;Pla - Alffa&#xA;OFFAIAH - Cheddar&#xA;SWMRS - Lose Lose Lose&#xA;Biffy Clyro - Modern  Love (Recorded for The Howard Stern Tribute to David Bowie)&#xA;Caleb Steph - Can I Talk&#xA;Sharky Major, Nasty Jack, Discarda - Grime Head" PRODUCER="Hospital Records Limited" COVERARTID="072/IGDKXSAR350PHBQHQCR3BHHG3TSB" PLAYCOUNT="2" PLAYTIME="279" PLAYTIME_FLOAT="278.924072" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/9/29" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="34491"></INFO>
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<INFO BITRATE="1073090" KEY_LYRICS="2 ContributorsOpen Your Eyes Lyrics&#xA;&#xA;Ooo ooo, I'll never run away&#xA;Ooo ooo, but I'll never be the same&#xA;Ooo, ooo&#xA;Ooo ooo, but I'll never be the same&#xA;Ooo ooo, I'll never run away&#xA;Ooo ooo, but I'll never be the same&#xA;Ooo, ooo&#xA;Ooo ooo, but I'll never be the same&#xA;&#xA; something like this&#xA;Ooo, ooo&#xA;Ooo ooo, but I'll never be the same&#xA;&#xA; something like this&#xA;Ooo, dadadada, dadada&#xA;Drifting away, moving apart&#xA;Never stopping, never hoping to start&#xA;Now feeling the space surrounding my heart&#xA;&#xA;Ooo ooo, I'll never run away&#xA;Ooo ooo, but I'll never be the same&#xA;Ooo, ooo&#xA;Ooo ooo, but I'll never be the same&#xA; something like this&#xA;Ooo, dadadada, dadada&#xA;Drifting away, moving apart&#xA;Never stopping, never hoping to start, oh&#xA;Now feeling the space surrounding my heart&#xA;&#xA;Drifting away, moving apart&#xA;Never stopping, never hoping to start, oh&#xA;Now feeling the space surrounding my heart" PRODUCER="Hospital Records Limited" COVERARTID="072/IGDKXSAR350PHBQHQCR3BHHG3TSB" PLAYTIME="304" PLAYTIME_FLOAT="303.965851" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="40128"></INFO>
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<INFO BITRATE="1003314" KEY_LYRICS="12 ContributorsGang Gang LyricsIn Cadet’s first official posthumous release, he dives into perspective rap. A branched culture of rap where the rapper acts from another, or multiple, persona’s. In this case, it’s the police. There are… Read More &#xA;Yo, ma' nigga&#xA;Sorry I had to rough you up like that but&#xA;You weren't playing nicely init (L.A. Beats)&#xA;You know my team, you know what we represent&#xA;Shoulda played along nicely, init&#xA;&#xA;&#xA;Let me tell you who I am&#xA;I'm gonna talk; you just gotta listen&#xA;Started off getting bullied in school, look&#xA;Most my life I've been a victim&#xA;Never had a girlfriend&#xA;Got low self-esteem but I wanna be the man&#xA;No, I don't like who I am&#xA;But when I'm older I'ma do what I can, but&#xA;Look at me now&#xA;Hop out and run a man down&#xA;'Cause when I was younger, I never had a voice&#xA;Might be the reason I violate your boys, and&#xA;And I even go gym&#xA;Man it's different to when I was a kid&#xA;A real bad man, real talk—no bluffing&#xA;Tell girls what I do and they love it&#xA;I spent a couple months in training&#xA;Even had me doing ten toes on pavement&#xA;Making sure the ends was behaving&#xA;CSO vibes but I ain't complaining&#xA;But now I'm perfect with the aiming&#xA;And a driver, been in bare car chases&#xA;Might pull up when your bredrins are raving&#xA;Lock off the rave, nobody can say shit&#xA;If you knew how much food I confiscated, it would drive you crazy&#xA;I'll grab man if he's got cash on him&#xA;Or wrap man if he's got wraps on him&#xA;I see man driving mad&#xA;I pull man over like, &amp;quot;Wagwarn, fam?&amp;quot;&#xA;Rude boy, I don't give a damn&#xA;Call back-up quick and just violate man&#xA;I don't slip, I got my vest on&#xA;Big baton and a taser are the weapons&#xA;I could fold a man right now, with an M16 or a shotgun&#xA;Bro, it can get long&#xA;Don't press buttons but the trigger might press one&#xA;Call the judge—my case, I can get gone&#xA;Take man's food, I don't care what it is, could be peng, flake or ten times stepped on&#xA;Niggas know me, I don't care what number your gang is&#xA;Think you're bad? We got bangers&#xA;Interrogate man, make man have manners&#xA;Put you in a cell for twenty-four hours&#xA;Like, what you gonna say, brudda?&#xA;Waste man's time 'cause I want to&#xA;Like fuck that, what you gonna say brudda?&#xA;Pussy-hole, do your research, the system's in my favour&#xA;Fuck you up right now&#xA;And I'm calm it won't make the news or the paper&#xA;Yeah, I got it patterned like that&#xA;No I shouldn't but, yeah, man, I'm bragging like that&#xA;I'll say, &amp;quot;You put your hands on me&amp;quot;&#xA;I know you never, but I'll say it happened like that&#xA;Nothing, no, you can't tell me nothing&#xA;Bust case all the time like it's nothing&#xA;You know how much shit we did?&#xA;It was my team that got down Mark Duggan&#xA;&#xA;Next day on the force, we back, again&#xA;Get searched, 'cause you're black again&#xA;Choke out Rashan Charles in East London, say it's an accident&#xA;And I'm this close to banning drill, and done that shit&#xA;Someone got stabbed at the Rated Awards&#xA;Mm, yeah, we love that shit&#xA;Yeah I know about grime, Link Up and all dat&#xA;Where you're so stupid; stab someone, go booth and record that&#xA;And then say you're on obbo&#xA;No, you're just so easy to follow&#xA;And I got a quota that I gotta reach&#xA;Get two more of you lot by tomorrow&#xA;And let me tell you suttin' to tell your brothers&#xA;It don't matter that you got a bally on now&#xA;There's videos before when your face ain't covered, you stupid pricks&#xA;You make me sick&#xA;Like, &amp;quot;Officer, I'm recording you&amp;quot;&#xA;So? You think I give a shit?&#xA;Witnesses say they'll complain because they see me taking the piss&#xA;One: they never do&#xA;And two: if they do, I get a slap on the wrist&#xA;So, pussy-hole, let me tell you suttin'&#xA;I can violate you for fucking nothing&#xA;And get away with it, 'cause we're the judges&#xA;Stop saying, &amp;quot;Gang&amp;quot;, we're the only gang in London, pussy&#xA;&#xA;L.A. Beats&#xA;Cadet, Cadet!" PRODUCER="Hospital Records Limited" COVERARTID="072/IGDKXSAR350PHBQHQCR3BHHG3TSB" PLAYTIME="344" PLAYTIME_FLOAT="343.159821" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="42342"></INFO>
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<INFO BITRATE="1049364" KEY_LYRICS="3 ContributorsLandslide Lyrics&#xA;To me it's clear you're caught up in a landslide&#xA;Don't wanna talk about it&#xA;I see your pain 'cause you hide it all in plain sight&#xA;Wish we could talk about it&#xA;You hit the fear like a rabbit in the headlights&#xA;Run from the automatic&#xA;We're slipping gears 'cause you're caught up in a landslide&#xA;You wanna talk about it?&#xA;&#xA;&#xA;I'm right here, won't leave or let go&#xA;&#xA;&#xA;I can see you slip away&#xA;Oh you gotta try&#xA;Oh you gotta try&#xA;To get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out&#xA;&#xA;&#xA;You take a step closеr to me in the landslide&#xA;Say wе should talk about it&#xA;But then you said&#xA;You'd been going out of your mind&#xA;Dying to talk about it&#xA;Truth be told you've been fighting it alone&#xA;But the bigger battle's systematic&#xA;Not over yet but the beginning of the end starts&#xA;When we can talk about it&#xA;&#xA;I'm right here, won't leave or let go&#xA;&#xA;&#xA;I can see you slip away&#xA;Oh you gotta try&#xA;Oh you gotta try&#xA;To get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out&#xA;&#xA;&#xA;We stay too long in the same damn place&#xA;Let a life go to waste but now we're moving on&#xA;You can change or replace&#xA;All the lies in the way but know that&#xA;I'm right here, won't leave or let go&#xA;&#xA;&#xA;I can see you slip away&#xA;Oh you gotta try&#xA;Oh you gotta try&#xA;To get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out of the landslide&#xA;Get out of it" PRODUCER="Hospital Records Limited" COVERARTID="072/IGDKXSAR350PHBQHQCR3BHHG3TSB" PLAYTIME="373" PLAYTIME_FLOAT="372.724731" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="48056"></INFO>
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<INFO BITRATE="989954" KEY_LYRICS="5 ContributorsThe Healing Lyrics&#xA;Short back and sides&#xA;Dinner plate eyes blown wide&#xA;Pigeon chested young man and brother&#xA;Steps out of a tomb&#xA;Of toxicity and ruin&#xA;Spent his money on cheap wine&#xA;&#xA;&#xA;Hold me, I'm only a moment away&#xA;Hold me, I'm only a moment away&#xA;The dogs on the street sing your praises&#xA;The heat saps the sweat from your skin&#xA;&#xA;&#xA;The war is nearly done, man&#xA;Are you ready for the healing?&#xA;Are you ready for the healing?&#xA;&#xA;&#xA;Shaken by his surname&#xA;Succinct&#xA;Waiting in the wings, we watched&#xA;Your face frozen like the hands of&#xA;Clery's Clock, stop&#xA;The war is nearly done&#xA;Are you ready for the healing?&#xA;&#xA;I'm Billy no mates&#xA;Standing at the school gates&#xA;I spy a poster for the French Foreign Legion&#xA;Gonna join the ranks with my grandfather's blade&#xA;With my beacon and my brush&#xA;New tattoo and my limp&#xA;Oh, Julie Anne, with your eyes of opals&#xA;The herd spat at you, just for being open&#xA;A bastion of youth in a world&#xA;That's ripped right open&#xA;The softly spoken Youth Brigade&#xA;&#xA;&#xA;Hold me, I'm only a moment away&#xA;Hold me, I'm only a moment away&#xA;Hold me, I'm only a moment away&#xA;The man on the street&#xA;Lets the air at his feet&#xA;Somebody dies, a child gets born&#xA;&#xA;&#xA;The war is nearly done, man&#xA;Are you ready for the healing?&#xA;Are you ready for the healing?&#xA;&#xA;(Hold me, I'm only a moment away)&#xA;(Hold me, I'm only a moment away)&#xA;(Hold me, I'm only a moment away)&#xA;(Hold me, I'm only a moment away)" PRODUCER="Hospital Records Limited" COVERARTID="072/IGDKXSAR350PHBQHQCR3BHHG3TSB" PLAYCOUNT="1" PLAYTIME="356" PLAYTIME_FLOAT="355.861115" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="43315"></INFO>
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<INFO BITRATE="1012192" KEY_LYRICS="2 ContributorsCheckmate LyricsQueenSilver and Edastic E H’s response to Tony Davis The Rapper’s “Aspect Of The Nightmare”.&#xA;I keep my house on lockdown, you can’t rob me&#xA;I’m a better rapper than you’ll ever be&#xA;I drink rarely, you know it’s true&#xA;When I do, it helps me to forget you&#xA;My family comes first, always, you probably can’t say the same&#xA;You ruined the Salvation beat, step aside and let me inflame&#xA;Firestarter was a waste of time, not a single song was a thriller&#xA;Don’t ever speak on my career when the only reason you’re still around is BeastKiller&#xA;I saw how you dressed at graduation&#xA;You look like a tool from a gas station&#xA;None of your stories are deep&#xA;For my playlist, none of them are a keep&#xA;To all those listening to this, check out his Adrenaline project&#xA;Those songs alone are the last of the ammo I need, end your self-respect&#xA;I’ve left you unchecked for too long&#xA;Didn’t you know, I’m headstrong&#xA;You could never hurt me with any diss&#xA;Now that I’ve dragged you down to the abyss&#xA;You lose, game over&#xA;&#xA;&#xA;I’m sorry that you have to use me to get your feelings out&#xA;When it comes to your future as a rapper, I know there's doubt&#xA;I thought Eminem was the only rapper you’re obsessed with, I guess I’m up there too&#xA;I don’t want you to be impressed, just leave me alone thank you&#xA;What a coincidence you say Dreamcatcher is for views when the only reason you talk about it so much is for that exact desire&#xA;Can’t you stop whining, wait, here’s your pacifier&#xA;You take personal shots at me unprovoked, don’t you think that’s unnecessary&#xA;How big is your ego, you think you’re legendary&#xA;Please accept that your music isn’t anything close to revolutionary&#xA;You saying Light Sea was bad is a little hypocritical&#xA;Remember the old Adrenaline, that to people's ears is parasitical&#xA;Stealing my beats won’t help you put on a show&#xA;I’ll just give it to you in your words, “wow that’s low”&#xA;For the record I wasn’t trying to be a lyricist in Hellish Moods&#xA;Try making one song where you don’t say ayy&#xA;Kendrick Lamar wannabes only decay&#xA;When it comes to the wine, that’s where I draw the line&#xA;Don’t make me tell the world your addictions&#xA;I know that scares you cause they aren’t fictions&#xA;I think of this beef as a chessboard, you might relate&#xA;Now, as the song ends all I have to say is, checkmate" PRODUCER="Hospital Records Limited" COVERARTID="072/IGDKXSAR350PHBQHQCR3BHHG3TSB" PLAYTIME="413" PLAYTIME_FLOAT="412.511749" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="51282"></INFO>
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<INFO BITRATE="916083" KEY_LYRICS="2 ContributorsJungle Music LyricsWhat London Elektricity and Chris Goss called “the archetypal jungle music,” it is indeed a wonderful example of jungle music, with the sweeping bass and amen break. While it’s not the first jungle tune by… Read More Jungle music" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYCOUNT="1" PLAYTIME="251" PLAYTIME_FLOAT="250.853333" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="28149"></INFO>
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<INFO BITRATE="999168" KEY_LYRICS="15 ContributorsIt Gets No Rougher Lyrics“It Gets No Rougher” is the second of two songs on Walking With A Panther co-produced by Public Enemy’s production team Bomb Squad and was the b-side of the album’s biggest single “I’m That Type Of Guy”.… Read More (Intro: LL Cool J)&#xA;Let me tell you something about an a-b-c style&#xA;The A the B the C the D the E the F the G the H the I the J the K&#xA;The L the M the N the O the P the Q the R the S the T the U the V&#xA;W, X, Y, Z&#xA;It's bullshit to me&#xA;&#xA;(LL Cool J)&#xA;Rhyme to the rhythm of a&#xA;What should I give a brother&#xA;Time to move on, you better get another&#xA;Vick to work with - or quit&#xA;Cause I'm on some old ill shit&#xA;Capable of murder but I never committed&#xA;Taking no shorts so you better forget it&#xA;Traveling the world on my total devastation tour&#xA;A supercalifragilistic emcee executioner&#xA;Wicked witch, digging your ditch&#xA;Giving ya stitch by stitch, ain't this a bitch?&#xA;Sweeter than lemonade, stronger than a hand-grenade&#xA;Rhymes I laid go deeper than a mermaid&#xA;Louder than a siren, I'm not retirin'&#xA;Aspirin', admirin' the way I'm getting fly and&#xA;MCs are kleptos and I resent those&#xA;Brothers who slept on, when they should have kept on&#xA;Rollin' with Rush it don't get no rougher&#xA;I'll snuff a huffer and puffer, a brother'll suffer&#xA;I was holding back the man superior, right?&#xA;You wanna take my title, yo, you be alright&#xA;You stand below the plateau I stand on&#xA;You want perfection? Then put the man on&#xA;I shake and bake and break the laws of gravity&#xA;And if you chew on, you'll get a cavity&#xA;Cause I'm a giant, and you're a peewee&#xA;And all that LL shit, you can't see me&#xA;You're cheap and weak, incomplete and off-beat&#xA;Ehem! Cause it gets no rougher&#xA;It gets no rougher&#xA;&#xA;(Yo in '89, we take out all the ABC emcee's youknowhatI'msayin'?&#xA;Yo, cut ain't no joke, yo L, release the juice on 'em)&#xA;&#xA;(LL Cool J)&#xA;I release the juice smack dab in your face&#xA;Do damage, I'm picking up the pace&#xA;My mic's like a torch when I'm walking at nighttime&#xA;Straight to the dome, it's like a pipeline&#xA;High speed, stronger than Thai-Weed&#xA;Before you pick up the mic to get fly you need&#xA;All the dope tactics that you can feature&#xA;So I can serve you, you know the procedure&#xA;Listen to the man intellectualize, visualize&#xA;Your whole posse getting paralyzed&#xA;I don't wanna hear no alibis, don't apologize&#xA;Eh-ehem, I'll put the highs in your eyes&#xA;The bass in your face, like a District Attorney, I'm on the case&#xA;With rhymes that'll hit ya, will get ya and sit ya down&#xA;The competition is booty, get the picture now?&#xA;Skip the rigamarole, to give me a go&#xA;I'm figuring yo, nigga you know&#xA;I won't allow, not now, no way, no how&#xA;Any form of disrespect, you better bow&#xA;Comp gets romped and swamped, I do it prompt&#xA;In between my jaws adversaries got chomped&#xA;The cordless mic's my only utensil&#xA;Lyrics you be running, I break 'em like a pencil&#xA;Cause I'm massive, and you're a small fry&#xA;You're all in, a stunt, a fall guy&#xA;Out of order, I slaughter wax and make you suffer&#xA;Cause it gets no rougher&#xA;It gets no rougher&#xA;&#xA;(Shut up! Now that I got your attention&#xA;We're gonna drop these real dope lyrics on you&#xA;The beat is pumpin', youknowI'msayin'?)&#xA;&#xA;(LL Cool J)&#xA;Let me ask you ask a question...&#xA;Who could take the game of rap and rule it alone&#xA;Demonstrate many styles on the microphone&#xA;Build an empire like a African King&#xA;I had to show and prove Jack the Ripper could swing&#xA;I'm a rapper's nightmare, I crush my opponents&#xA;There's only one title: I own it&#xA;Emcees flip-flop, I bust out the workshop&#xA;They try to eavesdrop the way the man rock&#xA;Aerodynamically, it's all automatically&#xA;The way I articulate, full of originality&#xA;Chase, chop 'em and stop 'em like a cheetah and an antelope&#xA;Then I cut 'em like a cantalope - on the table&#xA;They ain't able, I'm a legend not a fable, gotta keep it stable&#xA;Crack your back bone, hotter than brimstone&#xA;Doing you justice overseeing like a chaperone&#xA;Huh! Oh, on the hip-hop scene, I got shit sewn up like a sewing machine&#xA;Eat a rapper like a sandwich, leave 'em in a bandage&#xA;Crack the stage and leave the audience damaged&#xA;(Interlude: LL Cool J)&#xA;Yeah, get funky on that cut, get funky on it&#xA;(Yo, L, them lyrics is dope man youknowI'msayin'?&#xA;You been raw sick for years..) this how we do it dogg&#xA;(...Pump that good man, let's cut us some real, real somethin')&#xA;Yo, bust this&#xA;&#xA;(LL Cool J)&#xA;I'm kinda like a soldier, see I told ya&#xA;When I pick up the mic I'mma hold ya&#xA;Captive, I'm active, I make sure the track give&#xA;Hell to speakers, sell the sneakers, your back's getting weaker&#xA;I freak the beat and get shieker&#xA;Move over King, you're too over-eager&#xA;To try to make a move for&#xA;I'mma prove you're ridiculous&#xA;I think he was jealous and in the mood for&#xA;An ass-kicking when you mess with&#xA;The man with the plan&#xA;Mic in his hand and the fresh get&#xA;R-O-U-G-H-E-R, rougher, so here we are&#xA;Face to face, mic to mic, man to man&#xA;While your battleship's sinking in quicksand&#xA;Dropping to the bottom like a two-ton anchor&#xA;And I break, pull a rank, point blank, I'mma spank a&#xA;Rapper like a brat, step on 'em like a mat&#xA;While DJ Cut Creator scratch a record like a cat&#xA;E at my side with pride we got a bigger rep&#xA;Sfff... smoke the mic like a cigarette&#xA;Every puff is rough, a pull could kill a bull&#xA;One toke, joke crews'll choke&#xA;I run through rappers like water through rubber hoses&#xA;Nigga, I'm comin' up roses&#xA;Step back, I got the title&#xA;Bear witness to a dope recital&#xA;I've killed many men my friend&#xA;And I'mma do it again and again and again&#xA;Cause it gets no rougher&#xA;&#xA;(Outro: LL Cool J)&#xA;You know what I'm saying? 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<INFO BITRATE="955812" KEY_LYRICS="169 ContributorsGENOCIDE LyricsOn “GENOCIDE,” Darkie deals with the animosity he has received recently, mainly based around his track “HOLOCAUST,” alongside his recent ban from Instagram. It’s likely the ban was received because of… Read More &#xA;&#xA;&#xA;Bitch, I'm smokin' gas in my chambers like it's the ****&#xA;We're sorry, your lyric could not be completed because—&#xA;Ayy, you Lil Darkie, nigga?&#xA;And we want to suppress your opinion fascistically&#xA;Take away the First Amendment&#xA;All hail censorship, all hail our feelings&#xA;&#xA;&#xA;My god is realer than yours&#xA;He says what I do is right, that I should fight if Heaven pours&#xA;I am very, very sorry, my apologies for comin' off so harshly&#xA;Impart me, second chance, so I can dance the way you want me&#xA;You Nazi, got me, take a lot more than that to top me&#xA;Soft ain't what I'm made of, you're the one actin' like Adolf&#xA;Cocky, way that you goose-steppin', way that you loose-lippin'&#xA;Talkin' 'bout who trippin', talkin' 'bout who to shove under the bus&#xA;And who all of us trust that we shouldn't&#xA;This just in, Lil Darkie is racist, spreadin' the message of Satan with faces&#xA;He's blacker than any of us prolly are, but I'm still offended 'cause I'm a retard&#xA;He tryna be hard, we tryna be safe by makin' it hard for you to create&#xA;Niggas that heard of me fight and debate&#xA;I don't deserve not one word of the hate&#xA;Mind control, all my thoughts are mine to hold&#xA;All down in my spinal cord, bitch, this ain't my final form&#xA;I got no time for you puppets, take yo' opinion and shove it&#xA;I keep my spirit above it, I'm takin' criticism if it isn't ignorant&#xA;I'm not concerned with fittin' in, I hit it different&#xA;I'm a cartoon but niggas doin' more pretendin' than me&#xA;Bitches act offended, they get me banned on IG&#xA;You don't gotta be a hater, you don't like me&#xA;Why I keep a grin on my face, on my teeth&#xA;All these niggas mad they ain't eatin' like concentration camps&#xA;Cut yourself escapin' from leavin' over the nation fence&#xA;Most these niggas fakin', not workin', I'm puttin' them aside&#xA;Smoke until there's nothin' remainin', I call it genocide&#xA;Phoney ass niggas plottin', woah (I call it genocide)&#xA;Fruity niggas actin' rotten, so (Bitch, I call it genocide)&#xA;On yo' shit nigga, you not been, ho (I call it genocide)&#xA;I ain't even think of stoppin', though (I call it genocide)&#xA;&#xA;&#xA;&#xA;Oh?&#xA;What's this? (Yuh-uh)&#xA;Hahahaha&#xA;Bitch, bitch, bitch, bitch, bitch (Bitch, bitch, bitch)&#xA;&#xA;&#xA;I'ma fuck around and Timmy Turner to the tippy top (Tippy top)&#xA;I wonder if these niggas really grip these Glocks (Grip these Glocks)&#xA;Trippin' acid, lippin' flaccid, dickin' 'til she give me top (Uh-huh, uh-huh)&#xA;&#xA;&#xA;Skippin' to the store, I got a red hood on&#xA;Salvia, we rippin' out a ten-foot bong&#xA;There's a bitch inside my house, she keep on sayin' she's in pain&#xA;Yeah, she's sittin' on my couch with burnin' needles in her brain&#xA;Divinorum in her veins, guess she was on Lexapro?&#xA;The combo made her go insane&#xA;She feel calmer on cocaine (True story)&#xA;Don't rap for fame (Too whorey), bitch what you sayin'?&#xA;I'm Super Saiyan, you super plain (Root for me)&#xA;I take my pain, make the music, plant a bomb, can't defuse it&#xA;I am calm, I am lucid, they bettin' on that he lose it&#xA;Never had it to start with, break you like usin' guitar pick&#xA;Constipated, always makin' that hard shit&#xA;Contemplated takin' niggas real far, shit&#xA;Things happen, niggas switch, you evolve with&#xA;Time movin', rhyme smoothin'&#xA;Stay focused you will shine through sin&#xA;Street tacos get some dimes, who's in?&#xA;Know a nigga threw the lime juice in&#xA;I know how to live (I know how to live), I know how to die too&#xA;You could jump off a buildin', eat mushroom for healin'&#xA;Put acid in your eyes too, yuh&#xA;&#xA;I'ma fuck around and Timmy Turner to the tippy top (Tippy top)&#xA;I wonder if these niggas really grip these Glocks (Grip these Glocks)&#xA;Trippin' acid, lippin' flaccid, dickin' 'til she give me top, (Uh-huh, uh-huh)&#xA;Whippin' up my visions, humans listen to the shit I drop (Shit I drop)&#xA;&#xA;&#xA;Yeah, yeah&#xA;Yeah, huh, yeah, huh&#xA;Yeah&#xA;Yeah, huh, yeah, huh&#xA;&#xA;&#xA;&#xA;&#xA;What goes around, comes around&#xA;Goes around, goes around, goes around, goes around, ayy&#xA;What goes around, goes around, goes around, goes around, goes around, goes around, goes around, uh&#xA;Spider Gang shit (Uh, Spider Gang shit)&#xA;What goes around, what do you want? Uh (Goes around, goes around, goes around)&#xA;(Yeah, Karma)&#xA;&#xA;&#xA;Don't be afraid, step right up, step right up&#xA;Take your turn at the legendary wheel of karma&#xA;But remember that what goes around&#xA;Comes back around, goes back around to you (Yuh)&#xA;&#xA;What goes around, comes around&#xA;Goes around, comes around, goes around, come back to you, uh&#xA;My momma told me that was true, people remember like elephants do&#xA;People forget all the elements too&#xA;Livin' and breathin', succeedin' at music&#xA;At leadin' the crew with a passion, these niggas ain't move&#xA;'Cause they crashin' and talent, they rationin'&#xA;I'll get a bat, I might bash him in&#xA;Grippin' a blade and I'm slashin' him, happen to you&#xA;I pull up on 'em, no maskin', I'm smokin' that dope up in Lassen&#xA;With DRAIN THE SWAMP blastin', I'm cool&#xA;I'm on the beach up in Tahoe, packin' that THC inside a raw cone&#xA;I'll be happy when it's all gone, Mary Jane answer whenever she called on&#xA;I had to fall down, I'm smokin' too much&#xA;Fold up a post-it, I'm chiefin' a blue crutch&#xA;I do not do Dutch, I don't do Backwoods&#xA;Grabba Leaf, only tobacco that smack good&#xA;I fucked that, I fucked that bitch in the Safeway&#xA;7 a.m. and I'm havin' a great day, uh&#xA;I'm puttin' on weight like I'm Tay-K&#xA;Anime rapper, you sound like a Beyblade&#xA;Anime rapper, you hard or you not though?&#xA;Sip on yo' Wok and the bars that you pop&#xA;Oh, you need a Glock on yo' lap and it cocked&#xA;Or you grip yo' cock and you fap while you stalk hoes?&#xA;Niggas walk around in dark clothes&#xA;Bitch, I'm smokin' at the park, O's&#xA;Askin' questions like a narc, no, why you sittin' at the start? Go&#xA;&#xA;&#xA;&#xA;&#xA;Go, go, go, go, go&#xA;Yeah, yeah, yeah&#xA;Get it, get it, get it, get it, get it&#xA;Oh my, oh my (Yeah, yeah, yeah, yeah)&#xA;&#xA;&#xA;P-p-pussy boy g-get out my way, uh&#xA;I'll run up that check before I run any fades, uh&#xA;Killin' shit for fun but I ain't catchin' no case, uh&#xA;Chillin' in the sun, a villain catchin' some rays, uh&#xA;Le-le-legalize the fungi, nigga, I eat it anyway&#xA;It could start with one guy, nigga, the world got plenty fakes&#xA;It don't need another fire with my brothers in the street&#xA;They don't show no love, I sight the others, they look industry&#xA;Let 'em sleep, goodness me, tell me, what should this be?&#xA;Why you in my live talkin' shit? I ain't sayin' shit to you&#xA;Keep my pride on my hip, that's a weapon I can't lose&#xA;Peep my vibe or keep, zip your lips&#xA;Why won't you choose to-to love everybody&#xA;Bitch, how many times are you gonna ignore the signs in people's rhymes?&#xA;Yo' niggas are retarded, he slid and left his 9&#xA;Yo' momma must have dropped yo' ass upon yo' spine&#xA;&#xA;&#xA;I feel like Rikki-Tikki-Tavi&#xA;We mobbin' through the lobby, that faggot tried to rob me&#xA;No ho, like D'Lo, bitch&#xA;I feel like Rikki-Tikki-Tavi&#xA;I think the copper saw me, but I ain't chain-link hoppin'&#xA;'Cause I ain't see no shit&#xA;&#xA;&#xA;Niggas will believe whatever you tell 'em if you tell 'em enough&#xA;Helpful when you sellin' some stuff or startin' a war&#xA;They rotten at the heart, at the core&#xA;I'm plottin' to pour LSD in the reservoir&#xA;All over the floor, I'm bringin' psilocybin on tour&#xA;I'm hidin' the cure, for fixin' niggas, I'm very sure&#xA;Stop bein' depressed, step outside and puff out your chest&#xA;He made you the best that's ever gonna jump out the nest&#xA;I'm a crushin' a pest, you rushin' to get up like you next&#xA;You failin' the test, impale yourself through one of your breasts&#xA;Somewhere on your chest&#xA;Your heart departs and leaves you with less&#xA;Now, look at this mess, bitch, pull yourself together, no rest&#xA;&#xA;&#xA;I feel like Rikki-Tikki-Tavi&#xA;I know that copper saw me&#xA;But I ain't chain-link hoppin', 'cause I'm up in his whip&#xA;&#xA;&#xA;Stop (I know you, motherfucker)&#xA;Stop resisting (You fuckin' pig), stop resisting (Let me the fuck go, you motherfucker)&#xA;Stop resisting (Agh)&#xA;&#xA;&#xA;&#xA;&#xA;Sometimes all you need to do is hop on the subway and go&#xA;Go&#xA;&#xA;&#xA;Let your brain leak out of your ears, uh&#xA;Go insane, nigga, punch all your peers, ayy&#xA;Pick the kid up, nigga, wipe off your tears&#xA;We war-ready, I see you very clear&#xA;&#xA;&#xA;For the tribe, do it for the tribe, nigga, or 'cause you alive&#xA;Free what is inside, nigga, I know why you cry&#xA;There is somethin' vile, takin' people, ain't no lie&#xA;I know, we should smile bigger, because we will die&#xA;Momma, why we die? Tell me, momma, why we die?&#xA;I know why they hate me, because I will not be shy&#xA;I just wanna fly, Daedalus, I have to try&#xA;No, don't be a fool, Icarus, you flew too high&#xA;Such a move, get out of my way&#xA;He was just a boy, wanna play with the day&#xA;See him where he lay, now, see him where he lay&#xA;Don't succumb to ignorance or you will have to pay with your life&#xA;Play with a knife, you could filet what you write with&#xA;Stay outta fights, tryna spit or you tryna gangbang&#xA;Pick a type, I don't wanna see no talented rappers dyin' to pipes&#xA;I won't front, nigga what you want?&#xA;I just wanna see you stunt on these hatin' ass sucker nigga cunts&#xA;Kick it punt, I don't fuck with runts, one-one-seven killin' grunts&#xA;They in Heaven when I hunt when I hit him then he&#xA;&#xA;&#xA;Let his brain leak out of his ears, uh&#xA;Go insane, bitch, I'll punch all your peers, ayy&#xA;Pick the kid up, nigga, wipe off your tears&#xA;We war-ready, I see you very clear&#xA;Let your brain leak out of your ears, uh&#xA;Go insane, nigga, punch all your peers, ayy&#xA;Pick the kid up, nigga, wipe off your tears&#xA;We war-ready, if you not, why you here?&#xA;&#xA;&#xA;Go, go, go, go&#xA;One, two, one, two, three, nig—&#xA;&#xA;&#xA;Bitch, I'm killin' everyone, bitch, I'm causin' a genocide&#xA;Fuck these rappin' niggas, they cappin', tap in, pretend to slide&#xA;Bitch, I'm in the field like a soldier, I'm makin' fuckin' moves&#xA;Made of paper, nigga, I'll fold ya, roll ya and tuck it smooth&#xA;Niggas wanna talk, I don't have the time&#xA;I be on the block, meditatin', makin' rhymes&#xA;Uh, you be hella hatin', got no cock, got no spine&#xA;There ain't no debatin', do not talk, make a line&#xA;Bi-bi-bitch, I keep it on me, like commie or an American&#xA;I ain't smokin' with you, but money could make me share it then&#xA;Sweeter than some honey and funny 'cause I ain't very tan&#xA;Still the darkest rapper you slappin', I'm killin' every man&#xA;&#xA;&#xA;Huh, yeah&#xA;Yeah, yeah, yeah, yeah, yeah, yeah, yeah&#xA;Bi-bi-bi-bi-bi-bi-bi-bi—, yeah, yeah&#xA;Bi-bi-bi-bi-bi-bi-bi-bi—, yeah, yeah&#xA;&#xA;&#xA;Are you still offended? 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<INFO BITRATE="950583" KEY_LYRICS="1 ContributorShoeshine For Neptune LyricsAim the butter right above your earlobe&#xA;I didn't reach the tunnel yet but i'm near close&#xA;Have no fear tho&#xA;He's but a shallow type of weirdo putting up a frown like Deniro&#xA;Resignated as he bathes in chronic&#xA;Making it too hard for y'all to put a label on it&#xA;Some would claim he's demonic&#xA;As soon a radio starts playing he vomits&#xA;&#xA;Dr. Sloth to the rescue&#xA;I'm a rarity like shoeshine for neptune&#xA;Tryna find a way out of this hellhole&#xA;In 10 years human beings will become cellphonеs&#xA;Chimes &amp;amp; bells, i be high as hеll&#xA;Will he change habits, time will tell (but it probably won't)&#xA;Looking like a spaced out mowgli&#xA;80 miles north on the chart just to buy groceries&#xA;&#xA;All i wanna do is roll trees&#xA;And blow smokescreens of that OG cheese&#xA;Wylin like i'm ODB&#xA;While i'm lying to myself like 'i won't need sleep'&#xA;And its been going down ever since we commenced&#xA;To slowly understand what existence is&#xA;Now i come to think of it&#xA;Couldn't give a flying shit about acquiring significance&#xA;(just kidding kids)&#xA;Mind crumbling like the walls of jericho&#xA;As if he had a date with Emily Rose, twenty-fold&#xA;I just wanna rhyme very slow&#xA;And keep it cosy like an embryo, get me bro&#xA;So&#xA;&#xA;Dont mind me as i'm creeping through&#xA;Resembling a halfbaked Pikachu&#xA;Most likely buzzing when i speak to you, peekaboo&#xA;Now here's a peak through the reapers view&#xA;&#xA;Straight murking&#xA;Quite frankly, consider him a strange person&#xA;The ape version of a jaded earthling&#xA;It's vague shit swirling through my brain circuits&#xA;&#xA;Desensitized&#xA;I dont worship the devil, but he's a friend of mine&#xA;Hit your melon with a clever rhyme, hello hi, nevermind&#xA;I'm in a place you could never find&#xA;&#xA;When he rolls up the dizzy they say damn he gets busy" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="363" PLAYTIME_FLOAT="362.244781" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="42133"></INFO>
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<INFO BITRATE="952609" KEY_LYRICS="4 ContributorsJanuary 2022 Singles Release Calendar LyricsWelcome to Christian Genius' January 2022 Singles Release Calendar!&#xA;&#xA;&#xA;&#xA;For January 2022 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights all singles released in every genre of Christian music… Read More 1/1Adam Prince - &amp;quot;D-List&amp;quot; feat. Jon Keith &amp;amp; Torey D'Shaun ⏳&#xA;Benjamin Hastings - &amp;quot;The Jesus I Know&amp;quot;&#xA;Callie Rose - &amp;quot;Coming Soon&amp;quot;&#xA;GratitudeTX - &amp;quot;Barabbas&amp;quot; ⏳&#xA;K3ndrick - &amp;quot;Guide Me&amp;quot;&#xA;Mlpc - &amp;quot;Scars&amp;quot;&#xA;Preston Holland - &amp;quot;Nothing Is Good&amp;quot;1/2Sondae - &amp;quot;Desert Storms&amp;quot;1/3Hyper Fenton &amp;amp; Xay Hill - &amp;quot;Rookie Of The Year&amp;quot; ⏳&#xA;Jason Silver - &amp;quot;Unblemished&amp;quot; ⏳&#xA;LandMrks - &amp;quot;We Are One&amp;quot; feat. Zach Bolen ⏳&#xA;Maverick City Music - &amp;quot;Firm Foundation (He Won't)&amp;quot; feat. Chandler Moore &amp;amp; Cody Carnes1/4Desi Raines - &amp;quot;Teakwood '22 Freestyle&amp;quot; ⏳&#xA;James and Rebekah Caggegi - &amp;quot;God My Strength&amp;quot; ⏳&#xA;J. Monty - &amp;quot;Holy Flow&amp;quot;&#xA;Townix - &amp;quot;Por Segunda Vez&amp;quot; ⏳1/5Poor Bishop Hooper - &amp;quot;Psalm 106&amp;quot; ⏳&#xA;Reblah &amp;amp; R-Scar - &amp;quot;Rider&amp;quot; ⏳1/6Allswell - &amp;quot;Unforced Rhythms&amp;quot;&#xA;George.Rose - &amp;quot;IT'S THE VIBE FOR ME&amp;quot;1/7Abby Robertson - &amp;quot;Without Your Love&amp;quot;&#xA;Alphein - &amp;quot;Outta My Hands&amp;quot; ⏳&#xA;Antioch Music - &amp;quot;Jesus Is The Lord&amp;quot; feat. Lindy Cofer&#xA;Art of Dying - &amp;quot;Stand My Ground&amp;quot;&#xA;Atlas Rhoads - &amp;quot;En Gedi&amp;quot; ⏳&#xA;BigBreeze - &amp;quot;Honest&amp;quot; ⏳&#xA;Caleb Carroll - &amp;quot;Jesus In Me&amp;quot; ⏳&#xA;Charles Clark - &amp;quot;You Are&amp;quot; ⏳&#xA;Christa Wells - &amp;quot;Lighter From Here&amp;quot; ⏳&#xA;Colorvault &amp;amp; Young Oceans - &amp;quot;Dwell in Your House&amp;quot;&#xA;CRC Music - &amp;quot;Open the Gates&amp;quot;&#xA;Darling We're Dancing We've Been Liberated - &amp;quot;Lightning&amp;quot;&#xA;Dave Kull - &amp;quot;How to Love&amp;quot;&#xA;davidgabertan - &amp;quot;Let The Dead Man Sing&amp;quot; ⏳&#xA;Eddy Mann - &amp;quot;Let It Shine&amp;quot;&#xA;Equippers Revolution - &amp;quot;True Love&amp;quot;&#xA;Erica Mason - &amp;quot;Unappreciated&amp;quot;&#xA;Evin Nazya - &amp;quot;Small Talk&amp;quot;&#xA;Faith Lofi - &amp;quot;city sorbet&amp;quot;&#xA;Faiyabrand - &amp;quot;Heretic&amp;quot; ⏳&#xA;for KING &amp;amp; COUNTRY - &amp;quot;Unsung Hero&amp;quot;&#xA;Gui Brazil &amp;amp; Michaell D - &amp;quot;Fire&amp;quot; ⏳&#xA;Gwil Davey - &amp;quot;Like Jehovah&amp;quot; ⏳&#xA;Influence Music, Sean Feucht &amp;amp; Melody Noel - &amp;quot;Coming Awake&amp;quot; ⏳&#xA;John Michael Howell - &amp;quot;Preachers With Jets&amp;quot; ⏳&#xA;Jonathan Miller - &amp;quot;The Promise&amp;quot;&#xA;Jon Buller - &amp;quot;Out of Hiding&amp;quot; ⏳&#xA;Josh Sellers - &amp;quot;Nights I Remember&amp;quot; ⏳&#xA;Kelo &amp;amp; Battz - &amp;quot;Therapy&amp;quot; ⏳&#xA;Kushim - &amp;quot;Faithful&amp;quot;&#xA;L. Dejuan - &amp;quot;PRELUDE&amp;quot; ⏳&#xA;LifePoint Music &amp;amp; Travis Ryan - &amp;quot;Praise the King Eternal (Live)&amp;quot; ⏳&#xA;Long Hollow Worship - &amp;quot;There Is More&amp;quot;&#xA;Maria Hilman - &amp;quot;Never Fail&amp;quot; ⏳&#xA;Martin Smith - &amp;quot;Our Eyes Are On You&amp;quot; feat. Elle Limebear&#xA;Maximilian - &amp;quot;Jordan's Waters&amp;quot;&#xA;Miklez - &amp;quot;Psalm122&amp;quot; ⏳&#xA;Milestone Worship - &amp;quot;All the Time (Live)&amp;quot;&#xA;Milestone Worship - &amp;quot;Lord of All (Live)&amp;quot;&#xA;Montell Fish - &amp;quot;and i'd go a thousand miles&amp;quot;&#xA;Mountaintops - &amp;quot;All I Am is Yours&amp;quot; ⏳&#xA;Nathan Ironside - &amp;quot;Algo Nuevo&amp;quot;&#xA;Nathan Taylor - &amp;quot;You Are Heaven&amp;quot; feat. Alex Guthrie&#xA;Nidya Garcia - &amp;quot;I Will Always Sing (Even When)&amp;quot; ⏳&#xA;Nu Tone - &amp;quot;Not Lukewarm&amp;quot; feat. 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International Show, outr.cty, Prodi Da Prodigal, Q-Flo &amp;amp; Weez the Satellite Kiid&#xA;Naffymar &amp;amp; Marizu - &amp;quot;Power&amp;quot; ⏳&#xA;Naraya - &amp;quot;One accord&amp;quot;&#xA;New Life Worship - &amp;quot;Our God Is Over All (Live)&amp;quot; ⏳&#xA;Northview Worship - &amp;quot;Holy&amp;quot; ⏳&#xA;Oasis Worship - &amp;quot;I'll Be the One&amp;quot; ⏳&#xA;Oversoon - &amp;quot;Caught Up&amp;quot; ⏳&#xA;Run51 - &amp;quot;Tempo&amp;quot;&#xA;Savannah Gibson - &amp;quot;Swim&amp;quot;&#xA;Seventh Day Slumber - &amp;quot;Death By Admiration&amp;quot; feat. The Word Alive&#xA;Shaken - &amp;quot;Again&amp;quot; ⏳&#xA;Shane &amp;amp; Shane &amp;amp; Kingdom Kids - &amp;quot;Come and See (Psalm 66) &amp;quot; ⏳&#xA;Spencer Boliou, Praise Lubangu &amp;amp; Lofi Hymns. - &amp;quot;tis so sweet.&amp;quot; ⏳&#xA;Still Shadey - &amp;quot;Close To You&amp;quot; ⏳&#xA;Switch - &amp;quot;Letting Go&amp;quot;&#xA;The Afters - &amp;quot;Say Goodbye (Say Hello)&amp;quot;&#xA;The Glo Collective - &amp;quot;I80&amp;quot;&#xA;Then It Ends - &amp;quot;This Is Where We Meet&amp;quot; feat. A Past Unknown ⏳&#xA;The War Within &amp;amp; Taylor Goertzen - &amp;quot;One Thing&amp;quot; ⏳&#xA;Tommy Walker - &amp;quot;Power In The Blood (We Give Thanks For The Blood)&amp;quot; ⏳&#xA;Toyalove - &amp;quot;Laugh At It&amp;quot; ⏳&#xA;VERIDIA - &amp;quot;Pain Reliever&amp;quot;&#xA;VERT MOB - &amp;quot;Gas Out&amp;quot; feat. BigBreeze &amp;amp; Scootie Wop ⏳&#xA;Victory House Worship - &amp;quot;Fire and Rain (Live)&amp;quot;&#xA;We, The Saints - &amp;quot;Trust in You&amp;quot; ⏳&#xA;Xay Hill - &amp;quot;ABRKNSTORY&amp;quot; feat. QweenK &amp;amp; Tee1600 ⏳&#xA;Zambroa - &amp;quot;Baptism (Mercy)&amp;quot;1/154.5Music - &amp;quot;Pursue&amp;quot;1/16BrandyIn - &amp;quot;Game Boy&amp;quot; ⏳&#xA;Dunsin Oyekan - &amp;quot;Always God&amp;quot; ⏳1/17KJ-52 &amp;amp; JONAH - &amp;quot;Take Me Back&amp;quot; ⏳1/18Andrew Robertson - &amp;quot;From Day One&amp;quot; ⏳&#xA;Desi Raines - &amp;quot;BIG&amp;quot; ⏳&#xA;J. Monty - &amp;quot;Solar System&amp;quot;&#xA;Vision Juvenil - &amp;quot;Corremos A Tu Corazón&amp;quot; ⏳1/19Hyper Fenton &amp;amp; 350 - &amp;quot;Bluetooth&amp;quot; ⏳&#xA;Poor Bishop Hooper - &amp;quot;Psalm 108&amp;quot; ⏳1/20Isadora Pompeo - &amp;quot;Não Há o Que Temer&amp;quot;1/21Adrienne Acosta - &amp;quot;I Will Not Fear&amp;quot; ⏳&#xA;Amanda Danziger - &amp;quot;Vindicate&amp;quot;&#xA;BigBreeze - &amp;quot;APE&amp;quot; ⏳&#xA;BNDSRVNT - &amp;quot;You're Not A Burden&amp;quot; ⏳&#xA;Bryan &amp;amp; Katie Torwalt - &amp;quot;Wouldn't It Be Like You (Live)&amp;quot;&#xA;Byron Woo - &amp;quot;Trap Boy Lost Now Found&amp;quot; ⏳&#xA;Carla Bianco - &amp;quot;Guardian&amp;quot; ⏳&#xA;Chesron &amp;amp; Evie van der Heijden - &amp;quot;Niemand Zoals Jij&amp;quot;&#xA;Chris Graham &amp;amp; DEON - &amp;quot;828&amp;quot; ⏳&#xA;Christian McKinney - &amp;quot;I'm On Fire For You Lord&amp;quot; ⏳&#xA;Corey Wise - &amp;quot;feel nothing.&amp;quot; ⏳&#xA;Curt Vernon - &amp;quot;Old Soul&amp;quot; ⏳&#xA;Dustin Starks - &amp;quot;Miss a Moment&amp;quot; ⏳&#xA;Elevation Worship - &amp;quot;Same God&amp;quot; feat. 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<INFO BITRATE="1148081" KEY_LYRICS="2 ContributorsXXL Nerdcore Freshman Cypher, Pt. 4 Lyrics&#xA;&#xA;Real life freshman, real life rapper in the real life flesh man&#xA;Soma Yukihira, I'm a real life chef man&#xA;Some of you can hear it, it's a realized Ven man&#xA;Feared by veterans&#xA;Any teachers that hated me need they realized pensions&#xA;I'm Kirito, dual wield the steel I step with&#xA;Kid Kafka, twin shottas blast with the tech&#xA;They gon' drop fast shipping on the Astral Express man&#xA;Anohana make your man's ghost for me&#xA;Shoko Nishimiya, so you know my hands spoke for me&#xA;Mina spin on 'em, shoot the ground, make a dance floor for me&#xA;Know I been a rebel, I been on my andor homie&#xA;Edgeshot folding 'em up and they lay flattened&#xA;Lyrics sounding like a poet performing, I stay snapping&#xA;Rollie on the wrist, hop in the ghost like I'm Nate Adams&#xA;The man capping, heater make him Ash, straight savage&#xA;&#xA;&#xA;Brodie changed his ways&#xA;I thought he'd stayed the same&#xA;'Cause he would preach 'bout being solid every second of the day&#xA;I been here too long&#xA;She slurp me, udon&#xA;You dudes be cool on the surface&#xA;Underneath, bitches Mulan&#xA;Knowing that they hate it when I breathe&#xA;Brodie pull up and pick ya tool up&#xA;They tryna fool us&#xA;Listen little brodie you been disrespecting who?&#xA;We be swerving through the block right when we hopping in the two door&#xA;She a monster and I caught her, she suck on my Sudowoodo&#xA;Tryna top us, bro don't bother&#xA;He shot and he sent to Pluto&#xA;All these oppers I been fathering&#xA;Dropping 'em like they Zuko, bitch&#xA;Talking hot he get Bakugo blitzed&#xA;Aimbot, this dude don't miss&#xA;You don't shoot no stick&#xA;Big extendo on my Wukong shit&#xA;Going ape, if he a pig, get sent to a Buddha quick&#xA;Red nose, gon' make 'em jump when that Rudolph hit&#xA;&#xA;On a whole 'nother tier, ain't the same battle&#xA;Been a monster outta pocket, you stay in your place doubting&#xA;Brought a lot to the table, making plays that you can't fathom&#xA;Really out here doing combos on squares, we playing Scrabble&#xA;When I draw it, know your story get deleted&#xA;Get it scribbled out&#xA;I been killing more of beats than those who been around&#xA;Had to come up from the dirt, you undermining what I've earned&#xA;Like you forgot I'll really put 'em in the ground&#xA;Legendary status, you commoners can't compare to this&#xA;I pull up with the static, no coming back he no revenant&#xA;I'm set on where I'm headed, these summits that y'all have never been&#xA;I'm going, you a demon? I'm sending him back to Erebus&#xA;I really couldn't care if you a veteran&#xA;I'm deading anybody who be claiming to be better than Ky&#xA;My money been on tall grass, they gon' say that we wyling&#xA;'Cause if we ever cross paths, you ain't ever revive&#xA;&#xA;&#xA;Killin' finna get sinister, 'til &#xA;I'm sinning here when I'm spinning, I slide&#xA;I mean the block I'mma rob 'cause I'm down for the job&#xA;My arm strong, send you up then shit getting rocky&#xA;You not me, I mean to the moon&#xA;Apollo, but not Creed&#xA;Blues undercover, I be Gojo&#xA;Girl tryna put a ring on me, I tell her I ain't Frodo&#xA;You see me on the road, do all them shows be like red light, green light, go!&#xA;Jengo with the pack, I don't hang around the clones&#xA;Paulie with the mic, I'm just showing y'all the ropes&#xA;Homer Simpson, I be all about my dough&#xA;Dusting off the 9 then I'm finna make it glow&#xA;Yo that's Minecraft talk man&#xA;Trapdoors in my core without planks&#xA;Put my city on maps, generating terrains&#xA;And my girl like Andross, she blows giving nothing but brain&#xA;&#xA;VIP night shows, hype flows through the microphone&#xA;Then get high at the Hyatt, I'm Hayato&#xA;I speak lines, they rewind, they bite the dust&#xA;CP9, these felines act like the fuzz&#xA;He a fed, ye jaw how he wired up&#xA;Chopper sing, he go &amp;quot;Ugh!&amp;quot; like McGwire does&#xA;Metal mutilate marks like it's Iron Lung&#xA;Graze son like it's Nolan&#xA;Wrist been froze as Disney dome&#xA;I'm a monster, my shit give kidney stones&#xA;Brought condoms for risky hoes&#xA;Switch cartridge, whole game in my fist enclosed&#xA;Yeah, that's why these bitches bitter, how they still got no taste&#xA;I ain't Maka, no I can't be your soulmate&#xA;You getting sonned by Joseph, you Josuke&#xA;Star on my shoulder I don't play, okay&#xA;&#xA;&#xA;&#xA;I'm usually mute, 'cause my language is action, bitch&#xA;Foreign is the cloth that the founder's cut from the masses&#xA;I got rappers sweating through they linen&#xA;Turning kitten, ditching the shit that they practiced&#xA;Stand on all 10, what? You an actress&#xA;This beatings designer, you won't get another like this&#xA;Wear your Sunday Best so I can lay you to rest in a beautiful fashion&#xA;There's no chance the rappers you like getting mixed up with the masses&#xA;Some drag my name through the mud, but I bet they'd get cut&#xA;If it comes to our frequencies clashing&#xA;Yeah, you high if you think you ain't passing&#xA;I'm past all the chatting 'cause niggas so quick to give inputs in this game&#xA;I'm sick of you lame niggas mashing&#xA;I'mma freak in daws dawg, if you ain't like the gawd then there is no hope that you'll match it&#xA;A pussy can really get smacked or get hit with blicks, you'll be ash&#xA;Bitch, I'm Arslan my &amp;quot;Nina&amp;quot; might catch 'em&#xA;Niggas say they the best 'til I best 'em&#xA;VA Super Soldier, if these artists lit, I'll be a supernova&#xA;Shining blinding, something like a diamond like the dime on my side&#xA;Her smile the brightest, she'll rip the comp on runways, it's slight&#xA;Ya bitch ain't runway ready in the slightest&#xA;Eating fakes I fucked around and got the &amp;quot;itis&amp;quot;&#xA;Crazy how my pressure turned me to a diamond, bitch!&#xA;&#xA;Some people thrive off your compliments&#xA;Me, I thrive with accomplices&#xA;Cop yo block 'til the chalk outlines all my hostages&#xA;Another day, another body&#xA;So much lead and with this anger, gon' be a multi homi&#xA;One man army, feel like punisher to these publishers&#xA;Each pun pump a slug through your posse&#xA;Back to the lobby, it's Hulk, nigga the monster&#xA;Big green machine, spinning yo block, homie it's Blanka&#xA;Tryna test a G, we going bonkers&#xA;Aim so nice, swear I drop, ya holding Mary Jane, like Peter Parker&#xA;No Baki Hanma, yo I'm here for the fade&#xA;Locs in, flow the last kiss, like I'm featuring Jade&#xA;Who can afford pest control when shino bringing the raid&#xA;So many snakes shedding skins to appear clean in yo face&#xA;A symphony when the casings fall, strings bring the ambience&#xA;Chopper a violin, bringing death like the renaissance, nigga&#xA;&#xA;&#xA;Ain't no romantic, but I've captured the hearts of many&#xA;With a talent the gods have deemed so plastic&#xA;It's hard to still be ecstatic&#xA;About this road I'm taking when I know the swiftness of death could be liberating&#xA;Yet a blessing for enemies, they patient&#xA;Watching my every move, hoping I stumble into a casket&#xA;And if I did, I'd rise from the ashes&#xA;Behold the fire bird from legend, watch me fly back into action&#xA;I've been perched up on this game&#xA;A young king caped crusader, I'm meant to birth a new age of MC&#xA;No killing joke will put me in the earth&#xA;I'm different, ain't no Basil replicating my work&#xA;There's only one sage, and I'm unique in every sense of the word&#xA;Man it took a lot to get here&#xA;Some sacrifices were necessary&#xA;I couldn't be held back by those who thought I'd burn&#xA;And fuck all those harvey dents they be tossing 'round they two cents&#xA;I wish I gave a fuck about how much yo penny worth, nigga&#xA;&#xA;&#xA;&#xA;Out the air I just dropped in&#xA;Break the leg 'till I run out my options&#xA;Bruh this ain't no game, I promise&#xA;Kill it once and they cannot revive it&#xA;Hands in motion like punching the clock in&#xA;Opps too scared to face it, stuck watching&#xA;School around found kid been the top&#xA;Cid sliding on that shadow timing&#xA;Stay scared of grinding, while I been a product&#xA;I done put the work in, now I'm cashing out&#xA;And I ain't cashing in 'cause I don't stick around&#xA;Around round ya dome, I'm never rounding down&#xA;Reeling money in, I round the line in now&#xA;I find the lines, I'm casting catching bodies now&#xA;I see fake snakes, fishing for they prey&#xA;Until they find they worms and we on different grounds&#xA;Flash back on the wire bars&#xA;I'm finna keep it going, had to ground the hate to keep the sparks flowing&#xA;If I one up it, might strike across like a  send a hoe where the thunder growing&#xA;He gon' touch base with his roots in the sky&#xA;Upping me? You better off just halfing pie&#xA;Do the math, man this a masterclass&#xA;I had to let 'em know Zeta been the better guy&#xA;&#xA;&#xA;Been the better guy&#xA;Many actors, they ain't meant it on the mic&#xA;I'm getting paper, you ain't been a factor&#xA;You a benefactor, stay a fan and get me right&#xA;Winning everything I enter 'cause they light&#xA;Punching in and they ain't even wanna fight&#xA;I'm making bangers I don't even wanna write&#xA;It's a shame I thought you rappers want it right?&#xA;Lock in, hold up&#xA;Krakatoa, blaster crack his dome up, yuh&#xA;Ash him like he &#xA;I'm a dragon, I'm dragging these foes up&#xA;All you rappers pussy, why you acting soldier?&#xA;Thought you cracked the code 'til I'm back and strapped for war&#xA;You lack controllers in reality&#xA;VR, my headset don't know what's surrounding me&#xA;Up the drake, it's Scorpion a fatality&#xA;Got me some money and rappers is mad at me&#xA;Chatting in private but never would battle me&#xA;Snake, never would rattle me&#xA;Hate, never would tattle me&#xA;Flame in my hand like I'm Bennett&#xA;I been it so casually&#xA;Meredith, grey out they whole anatomy&#xA;I need my payout, they need it actually&#xA;&#xA;&#xA;I need my payout, like right now&#xA;Checking my cheques, I'mma cop me a flight now&#xA;No vacay, I'm on the grind now&#xA;Cash in the flow, now they hitting my line now&#xA;Tell them niggas I keep it a buck&#xA;If your bitch in my dm, then I don't give a fuck&#xA;She telling me she get the boys a fan, I hardly know&#xA;'em&#xA;That's why we gon' hardly show 'em&#xA;Yeah no keys, lemme push it&#xA;To start, I'mma show 'em&#xA;I'mma slide with the team&#xA;Live between heaven and hell, man it feel like you stuck in a dream&#xA;In reality, I be just chasing the green&#xA;Chainsaw ringing, that devil a fiend&#xA;How they biting that apple like Adam and Eve&#xA;Yeah ripping apart the fabric, time and space&#xA;Yeah we cutting it down from the seam (Okay, Okay)&#xA;Heads on a swivel, they spin like a mortar rotation&#xA;Pussy be testing my patience&#xA;Caught me a body, I'm sending that bitch on vacation&#xA;Ruger clip, no cinematic&#xA;I got the motion, it's automatic&#xA;So fuck a nigga boutta bring static&#xA;I land nigga, I be problematic, lil bitch&#xA;&#xA;&#xA;&#xA;How I'm feeling at the top right now&#xA;Moving too fast and I can't slow down&#xA;I don't get another chance like now&#xA;Stay on top, I can't drown&#xA;Don't get it twisted&#xA;I know I'm making 'em listen&#xA;Drop a hit song and go missing&#xA;They steady running it up&#xA;Got yo attention&#xA;Leaving 'em froze like the empress&#xA;See why yo fans losing interest&#xA;I got 'em falling in love&#xA;We ain't the same, they not like us&#xA;Wanna be me, but you just can't touch&#xA;I got the spotlight now&#xA;Love my sound, know you want my crown&#xA;&#xA;&#xA;Haganse un lado que aqui llego el ray de los reyes&#xA;Every bar will leave a nigga in a &amp;quot;daze&amp;quot; like it's Reyny&#xA;Who you know on constant shuffle in your girlfriend's playlist&#xA;And nerdcore a list no other than (Ruling everything)&#xA;No other than David&#xA;Rogue noise, Mega Man&#xA;No brothers that's aided&#xA;​f'yooch 'til the grave, can't get in, ain't no waitlist&#xA;Bitch, I'm chromed out, cyber psycho's upgraded&#xA;Me siento Sukuna: solo victoria&#xA;People peaking right here I fear this time they surely are&#xA;Big .223, send a nigga to Toriya—&#xA;I swing a syllable, like Ganondorf's &amp;quot;Doriyah&amp;quot;&#xA;Watermelon merch with the blue jorts&#xA;Your whole collective's just a food court&#xA;Y'all should drop the rapping, maybe do sports&#xA;Your talent's a stretch, all your tunes forced&#xA;&#xA;&#xA;Next up, my turn&#xA;Last class, yea they passed but did they really learn&#xA;This may come off kinda foment&#xA;I don't believe in second chances&#xA;When you still got real ones waiting hoping for they moment&#xA;Honed in, gut the competition, leave the bone in&#xA;Water breathing, yeah I'm making waves when I zone in&#xA;Sitting at the top, never lonely&#xA;Something like an alpha, but Omega keeping it real cozy&#xA;Don't need a hand out, I ain't with it&#xA;I know I'm on fire, I lit it&#xA;Had to pave my own way in a space so inclusive&#xA;Still they underestimate the women in it&#xA;I don't get it&#xA;If you can't sing along, not welcome in it from the beginning&#xA;Predicting I'll never be one recommended&#xA;But it's okay, at the end of the day&#xA;Dear diary, you know I do it for my love of the game&#xA;&#xA;&#xA;I been quiet for a minute&#xA;Took a little time to reflect on my life&#xA;Found out I got leeches and parasites&#xA;Affecting my paradigm&#xA;I got this urge but what about peace of mind&#xA;Hand over mouth, no Sukuna&#xA;It's demon time&#xA;I've been letting y'all eat&#xA;But lately I'm famished&#xA;No asking, demanded&#xA;I pop up, displace 'em&#xA;A beast and it's canon&#xA;Most of y'all bards, your prism is way too romantic on all these aspects&#xA;I've been dealing out damage&#xA;A blight on the scene&#xA;A killer's instinct, call it cull of the weak&#xA;They casting ain't free&#xA;I fracture a psyche, I say what I mean&#xA;Don't come in between of me and my feast&#xA;The charm is in 3's&#xA;The stakes never cheat&#xA;&#xA;&#xA;Out the water, big and flyer than Lugia&#xA;Ya shit do not phase me, I'm a Logia&#xA;User usher in a new form, Exodia&#xA;Been a dick, Whitebeard ship, I'm Moby, uh&#xA;Hashira status, promise you been a pillar&#xA;When the cannon's raised, I can tell that you filler&#xA;Laughing in the back, no kidding I'm Killer&#xA;Bring me Raphtalia, she's hurt? I'll heal her&#xA;A thousand enemies could never face me when I'm out with my slime&#xA;I'm at Ash's crib, chilling with his mom, I feel like Mr. Mime&#xA;It's a Shinra bomb that I'm letting off, my grin touching my eyes&#xA;And I'm Mashile when I flex, bitch and I tell you no lies&#xA;J Rose and Shmoke hit the stage on my birthday&#xA;R.I.P. Funimation, hurt the worst way&#xA;I am so glad I don't live in my birthplace&#xA;The city has showed me how much I been worth (Aye)&#xA;Sheik or Vega when I pull up with the mask on&#xA;Boraicho, after we fight, you know my flask gone&#xA;Memory been feeling cleared, oh look, my past gone&#xA;Darth Revan mind wipe, I guess I'll press on&#xA;&#xA;&#xA;&#xA;They wanna know why I'm on the attack&#xA;Tired of you thinking that you at the top, but really I carry you all on my back&#xA;In love with the money, you know that's a fact&#xA;Ya'll gotta know I can never relax&#xA;The number for me to show up at events&#xA;Keep going up every time that they ask&#xA;I gotta know that's it's bigger than me&#xA;Yo girl wanna link as she call me a tease&#xA;Been in my dms looking for tea (Ok, Ok)&#xA;Said that she wanna take pictures with me&#xA;I'll take a pic but I'm not tryna hit&#xA;Baby girl you ain't getting no ring from me&#xA;Rose and Mix, we ran it back like prime time&#xA;Gotta know that love and hate's a fine line&#xA;Jealousy got bottled up like fine wine&#xA;Leave that beef for birds up on the timeline (Woah, Damn, Woah)&#xA;Niggas got caught up in catering, we in the main event&#xA;Put down that gun, better watch where you aiming at&#xA;It ain't your time 'less I say it is&#xA;Ya'll been my suns, it don't matter what time of the day it is&#xA;Fuck your album, I ain't playing it&#xA;I look at these lists that they making and I'm at the top of them all it ain't making sense&#xA;If you see my opps, better pray for them&#xA;My shooters gon' slide on the ones who don't make amends&#xA;You can't do nothing my nigga you see the team&#xA;I got niggas that ride for me, die for me&#xA;They let it sing like Keetheweeb&#xA;Better hide yo face, you fuck with the team, otherwise just leave it be&#xA;I don't gotta drop and the song'll still pop every time that I'm on something&#xA;You won't see me work if money ain't been offered yet&#xA;Watch who you talking at, else it's director's cut&#xA;Time is up, nigga's all a rap&#xA;&#xA;&#xA;Seen what they dropping, boy that's not a XX&#xA;Catch a L, you can not double back from that&#xA;Comparing my squad to who them boys picked&#xA;I promise it's never been a match&#xA;J Rose been up and it's always been a fact&#xA;They try but they never could counteract the way that I do it&#xA;They try to reenact, better call the professor back&#xA;They need chemical X to perfect a whole team like this&#xA;All the dragon balls to get on my list&#xA;Thanos diamonds decorating my wrist&#xA;I snap, you gone there's dust on my kicks&#xA;Back on a track with that rapper mix&#xA;It's a fact that we came with a fat bag of tricks&#xA;All black be the flash, when we drop a hit&#xA;I'm Yuji, he Todo, we jumping his shit&#xA;I was killing these songs every track sent to the morgue&#xA;I can see why they paying me more&#xA;But you let the beat overpower you&#xA;Don't like the sound of the you, what are they paying you for?&#xA;They tryna gas it huh?&#xA;I been driving electric, I'm charging up&#xA;You denominator, you was never up&#xA;I'm a numerator, let me sum it up&#xA;If you crossing that line, we divide&#xA;They been a fraction of what I provide&#xA;Tell me a lie, I'mma tell you the truth&#xA;If you tell me there's beef then I promise I'll shoot&#xA;But they see it, it's been nothing but evolution&#xA;They tired of smoke they don't want no pollution&#xA;Sick to they stomach they way that I'm moving&#xA;It's all in they face they getting tired of losing" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="332" PLAYTIME_FLOAT="332.000000" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="46642"></INFO>
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<INFO BITRATE="1075388" KEY_LYRICS="7 ContributorsIG Girls Lyrics&#xA;Sexy gyal, you're full of curves&#xA;Want up your body enuh, girl&#xA;She take the number to mi phone and give me hers&#xA;She no say, a your own&#xA;But you a say, a yours&#xA;Your girl..&#xA;Oh, you say a your girl..&#xA;Oh, you say a your girl&#xA;You post her up...&#xA;&#xA;&#xA;But, the, the likkle pretty gyal you a boast pon IG 'bout&#xA;She gimme a nice deep throat&#xA;All when you put her in a house&#xA;She a find way fi try thief out&#xA;Say she waan jump pon the bike, wheel out&#xA;Carry her go Maiden Cay pon a high speed boat&#xA;Mi say, &amp;quot;Pretty gyal, do you have anybody?&amp;quot;&#xA;She say, &amp;quot;The likkle man, him a just the baby daddy&amp;quot;&#xA;Yeah, she tell me, mi say, &amp;quot;It alright&amp;quot;&#xA;She say, if me feel fi come over?&#xA;Fi show me say she's badder than a porn star&#xA;But me see you pon the IG, you a post her&#xA;&#xA;&#xA;Oh, you say a your girl&#xA;Oh, you say a your girl&#xA;You say a your girl&#xA;You say a -&#xA;You say a -&#xA;&#xA;Gyal weh you give the clothes store&#xA;Man a score goal with it back of close door&#xA;Reach at the block, you know we stop a 4×4&#xA;Buy two Dragon, that papa pour, pour&#xA;High way, drive way, the toll road&#xA;Bad, cocoa, white Benz inna sport mode&#xA;Rub down her thighs, AC a flow cold&#xA;Fly pass deh so, never stop at Portmore&#xA;Nuh over Screechie, yeah, we reach deh&#xA;Bring your gyal and go chill pon the beach, yeah&#xA;Dawg, a so easy she give it 'way&#xA;Send a picture of the pussy, Snapchat, fi please me&#xA;(Bumboclaat!)&#xA;&#xA;&#xA;Oh, you say a your girl&#xA;Oh, you say a your girl&#xA;You say a your girl&#xA;You say a -&#xA;You say a -&#xA;&#xA;&#xA;She no say, a you&#xA;You a say, a yours&#xA;Pon your IG you a post up your girl&#xA;'Woman crush everyday' caption your words&#xA;Diddy make your gyal deh pon the Snapchat a twerk&#xA;You a say, a your girl&#xA;Yeah, she a yours&#xA;Take her 'way today, she ready when a fi mi turn&#xA;She a your WCW...&#xA;You swear say, she love you&#xA;&#xA;But, the, the likkle pretty gyal you a boast pon IG 'bout&#xA;She gimme a nice deep throat&#xA;All when you put her in a house&#xA;She a find way fi try thief out&#xA;Say she waan jump pon the bike, wheel out&#xA;Carry her go Maiden Cay pon a high speed boat&#xA;Mi say, &amp;quot;Pretty gyal, do you have anybody?&amp;quot;&#xA;She say, &amp;quot;The likkle man, him a just the baby daddy&amp;quot;&#xA;Yeah, she tell me, mi say, &amp;quot;It alright&amp;quot;&#xA;She say, if me feel fi come over?&#xA;Fi show me say she's badder than a porn star&#xA;But me see you pon the IG, you a post her&#xA;&#xA;&#xA;Oh, you say a your girl&#xA;Oh, you say a your girl&#xA;You say a your girl&#xA;You say a -&#xA;You say a -" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="364" PLAYTIME_FLOAT="363.667816" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="47839"></INFO>
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<INFO BITRATE="944088" KEY_LYRICS="2 ContributorsFaded To Black Lyrics&#xA;I still got the night sweats&#xA;Moonless&#xA;Starless&#xA;Restless&#xA;Breathless&#xA;The stranger in the mirror&#xA;Is wearing my dress&#xA;And my face&#xA;Gonna cut it out&#xA;&#xA;&#xA;But then the day came&#xA;When the grey&#xA;Faded to black&#xA;Faded to&#xA;When the waves break&#xA;Oh they‘re still breaking&#xA;Into black&#xA;All into black&#xA;&#xA;&#xA;I wrote all the poems&#xA;Declared her death&#xA;But she still lives in my head&#xA;Like a broken light&#xA;Put her on and off and on&#xA;For a thousand times&#xA;And the stranger in the mirror&#xA;She’s still in my dress&#xA;In my face&#xA;Gonna cut her out&#xA;&#xA;But then the day came&#xA;When the grey&#xA;Faded to black&#xA;Faded to&#xA;When the waves break&#xA;Oh they‘re still breaking&#xA;Into black&#xA;All into black&#xA;&#xA;&#xA;But then the day came&#xA;When the grey&#xA;Faded to black&#xA;Faded to&#xA;When the waves break&#xA;Oh they‘re still breaking&#xA;Into black&#xA;All into -&#xA;Then the day came&#xA;When the grey&#xA;Faded to black&#xA;Faded to&#xA;When the waves break&#xA;Oh they‘re still breaking&#xA;Into black&#xA;All into black" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="323" PLAYTIME_FLOAT="322.950714" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="37316"></INFO>
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<INFO BITRATE="974527" KEY_LYRICS="6 Contributors#BARS Medley Vol 1 LyricsThe #BARS series is a rap/musical-theatre workshop in NYC created to serve as a space for artists to investigate the intersection between contemporary verse and theatre.&#xA;&#xA;Created by artists Rafael Casal and… Read More {Calvin and Hobbes / Intro}&#xA;&#xA;Hobbes, old buddy, I hear the call&#xA;It's time for us to play a game of Calvin Ball&#xA;&#xA;&#xA;Calvin Ball!&#xA;&#xA;&#xA;Yeah, Hobbes, it's the game of the day&#xA;Where we make up our own rules, and then we play&#xA;Rule #1, you can only be characters from a movie&#xA;&#xA;&#xA;...or a comic strip&#xA;&#xA;&#xA;Or a comic strip, but after that just movies&#xA;&#xA;&#xA;...or a TV show&#xA;&#xA;&#xA;Or a TV show, but that's where I draw the line&#xA;&#xA;&#xA;Rule 2: take your favorite scene&#xA;And then you make it rhyme&#xA;&#xA;Rule 3: When the scene is run&#xA;Move on to another one&#xA;&#xA;&#xA;A musical medley we put together&#xA;Just to get it done&#xA;&#xA;&#xA;This game sounds fun. Can I do a famous moment from history?&#xA;&#xA;&#xA;Get out of here, Susie! That's a terrible idea!&#xA;&#xA;&#xA;I think that is such a great idea, Susie!&#xA;&#xA;&#xA;That's not something anybody wants to see!&#xA;So, let's get the etiquette evident&#xA;Now that I said it I'll bet you&#xA;Will have to agree&#xA;&#xA;&#xA;What's about to happen&#xA;Has not ever happened&#xA;A rappin' theatrical movie medley&#xA;&#xA;We're doing it all in one take&#xA;&#xA;&#xA;There's so much at stake&#xA;&#xA;&#xA;There'll be some mistakes, we'll see&#xA;&#xA;&#xA;We'll be in the building, they 'bout to be killing it&#xA;We gotta give them all our energy&#xA;&#xA;{Alice in Wonderland}&#xA;&#xA;&#xA;A very merry unbirthday to you&#xA;&#xA;&#xA;A very merry unbirthday to who?&#xA;&#xA;&#xA;A very merry unbirthday to you&#xA;&#xA;&#xA;To me?&#xA;&#xA;To you&#xA;&#xA;&#xA;That’s who!&#xA;&#xA;&#xA;A very merry unbirthday&#xA;&#xA;&#xA;It’s true&#xA;A very merry unbirthday&#xA;All day and every day until your birthdate&#xA;So basically I’m saying that ya been late&#xA;I'm mad heated, mad hatted&#xA;Mad green and I'm ecstatic to be&#xA;Sitting sipping tea and trippin'&#xA;Time is chasing me&#xA;I may need time to shoot the breeze&#xA;I'm making no apologies&#xA;As you can see&#xA;&#xA;&#xA;Pardon me, well, I didn’t think&#xA;&#xA;&#xA;You didn’t think?&#xA;You didn’t think?&#xA;You didn’t think?&#xA;Sit down and have a drink&#xA;Without thought you have no right to your voice&#xA;If you voice your opinions then you always have a choice&#xA;If not, you're one of millions&#xA;Little minions who's contingent&#xA;To give into the conditions&#xA;Of a dominant existence&#xA;Are you listening?!&#xA;&#xA;&#xA;Oh, why, yes, I’m obsessed&#xA;Curiouser, I'm curious, sir&#xA;Make believe makes beliefs so furiously blurred&#xA;Incurably absurd with every single word&#xA;I’m delighted to decipher the insane from the obscured&#xA;&#xA;A-L-I-C-E, that's me&#xA;Knocked on a door that had no key&#xA;So I looked through the hole and it turned on me&#xA;And I dropped down, dropped down&#xA;&#xA;&#xA;Low!&#xA;&#xA;&#xA;Down the rabbit&#xA;&#xA;&#xA;Hole!&#xA;&#xA;&#xA;I've been wandering through Wonderland&#xA;And wondering who'd understand&#xA;I don't do what I'm told&#xA;&#xA;&#xA;Oh!&#xA;&#xA;&#xA;See, I drink, drank, drunk that potion&#xA;And I shrink, shrank, shrunk, it's potent&#xA;&#xA;&#xA;Well, just sip that cup, move down, drink up&#xA;It's a tea party, let it soak in&#xA;&#xA;&#xA;A very merry&#xA;&#xA;&#xA;A very merry&#xA;&#xA;&#xA;A very merry unbirthday&#xA;&#xA;&#xA;Birthday&#xA;&#xA;&#xA;Birthday&#xA;&#xA;&#xA;To you-ou-ou&#xA;&#xA;{Kill Bill}&#xA;&#xA;&#xA;Innocent and victim, I’m coming to kill 'em&#xA;Innocent and victim, I’m coming to kill 'em&#xA;Can’t call me a villain, I’m serving revenge&#xA;Plate is getting cold, hate is getting old&#xA;Did as I'm told, now I'm looking for ends&#xA;Looking for them, they don’t know I got Hanzo&#xA;Welcome the blade, domo arigato&#xA;Bury the grave, tell me but hey&#xA;But I think of Pai Mei and I build my defense&#xA;Innocent and victim, I’m coming to kill 'em&#xA;Innocent and victim, I’m coming to kill 'em&#xA;Innocent and victim, I’m coming to kill 'em&#xA;Can’t call me a villain, I’m serving revenge&#xA;&#xA;{Dancing In The Rain]&#xA;&#xA;&#xA;Name's Don Lockwood, a silent movie star&#xA;But I have some deeper dreams of talkin' screens and fast cars&#xA;The ladies always fakin', trying to take my fun to make it&#xA; breaking my heart&#xA;Love affairs&#xA;&#xA;Then this lady Kathy danced into my life&#xA;Though we  Lena Lamont I would never start that fight&#xA;She’s  she’s envisioning new sights&#xA; with the best I want to taste she’s got that bite&#xA;&#xA;Romance must be heard, but I can’t just speak about it&#xA;The rain  pitter patter imma start it&#xA;A rap chance this tap dance to sing ‘bout this love&#xA;Want to shout it out loud mouth about dropped from sky above&#xA;&#xA;I’m singing and tapping in the rain&#xA;Forgetting broken hearts and cold pain&#xA;Enjoying her warm heart and refrain&#xA;Just singing and tapping in the rain&#xA;&#xA;&#xA;&#xA; feelings forgive me  temperament&#xA;Kathy  for the betterment&#xA;She’s ahead of it&#xA;She knows I’m in this lane&#xA;I could never be the same&#xA;'Cause she came into my life now I’m rapping in the rain&#xA;I’m singing&#xA;Forgetting broken hearts and cold pain&#xA;Enjoying her heart and refrain&#xA;And rapping in the rain&#xA;&#xA;{Ferris Bueller’s Day Off}&#xA;&#xA;&#xA;&#xA;&#xA;This is Ed Rooney on the telephone line&#xA;Anything you need I’ll help you sunshine&#xA;&#xA;&#xA;Stop kissing my ass Rooney you’ll go missing&#xA;&#xA;&#xA;Um, ok fine&#xA;&#xA;&#xA;I’m not lying I’m listening&#xA;&#xA;&#xA;I’m a leader son, George Peterson&#xA;&#xA;&#xA;His daughter Sloane&#xA;&#xA;&#xA;Tell her to come out of school&#xA;&#xA;&#xA;Such a stupid fool&#xA;&#xA;&#xA;Are we done&#xA;&#xA;&#xA;It’s just Beuller trying to play cupid so sick of his fun&#xA;&#xA;&#xA;I’m so heartbroken Grandma just croaked&#xA;And we’re headed to a cemetery out in &#xA;&#xA;&#xA;So show me Gram’s bones&#xA;&#xA;&#xA;I’m hanging up this damn phone&#xA;&#xA;&#xA;Well then Sloane won’t see the old Crone funeral home&#xA;&#xA;&#xA;Rooney did you just tell me you want to see a dead body?&#xA;&#xA;&#xA;Ha, ha. Go ahead hot shot. Tell you something kind of new you’re a misfit. This kid Sloane ain’t doing this bitch I don’t care if she’s got swine flu&#xA;&#xA;&#xA;&#xA;&#xA;Uh Ed, it’s Bueller on line 2&#xA;&#xA;{Scandal}" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="293" PLAYTIME_FLOAT="292.053345" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="34845"></INFO>
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<INFO BITRATE="966201" KEY_LYRICS="51 ContributorsGenius Deutschland - Musikalischer Rückblick auf 2014 LyricsAlle lieben Rückblick-Listen, also sind wir dabei!&#xA;&#xA;Fügt einfach durch die Funktion “Edit Text” eure 10 Lieblingssongs und -alben/-EPs/-Mixtapes ein!&#xA;&#xA;Am besten unten drunter.&#xA;&#xA;Müssen auch nicht zwingend… Read More SinaTheQueen:&#xA;SongsMaeckes - WhiskeyglasFrozen OST - Let it goCr7z - Purity RingSia - ChandelierBalbina - SeifePrinz Porno - ChilligNano Miratus - TopeDisclosure - You &amp;amp; Me (Flume Remix)eRRdeKa - Frau für eine NachtMemento - Purple SmokeAlbeneRRdeKa - ParadiesAbsztrakkt - BodhiguardTrailerpark - Crackstreetboys 3Curse - UnsMaeckes - ZweiLykke Li - I Never LearnCan a song save your live OSTHaftbefehl - Russisch RouletteOlson - BallonherzOnce A Year - The Eternal Light Of The SunMemento:&#xA;SongsRise Against - I Don't Want To Be Here AnymoreErrdeka - Frau für eine NachtIn Schwarz - Hand in HandKontra K - AdrenalinEdgar Wasser - Bad BoyPrinz Porno - Parfum Broilers - Ich will hier nicht seinRockstah - AstronautCasper - Nie genugHaftbefehl - Rolle mit meinem BestenAlbenBroilers - NoirKontra K - Wölfe EPRise Against - Black MarketErrdeka - ParadiesOlson - BallonherzKraftklub - In SchwarzCro - MelodieRockstah - PubertätMarteria - Zum Glück in die Zukunft II Mortis - HollywoodpsychoseHeisenbeat:&#xA;SongsErrdeka - Frau für eine NachtOlson - Cornflakes &amp;amp; Trash TVHaftbefehl - Rolle mit meinem BestenMarteria - Kids (2 Finger an den Kopf)Karate Andi - Generation AndiDissythekid - Outro Casper - Nie genugSierra Kidd - KnicklichtMaxat - XYTua - Der Bettler und das MeerAlbenErrdeka - ParadiesOlson - BallonherzHeisskalt - Vom stehen und fallenTiemo Hauer -  CamilleHaftbefehl - Russisch RouletteKontra K - Wölfe EPMarteria - Zum Glück in die Zukunft IIAhzumjot - Nix mehr egalSierra Kidd - NirgendwerRockstah - PubertätPatrykFakker:&#xA;Songs&#xA;&#xA;1. Bushido - Mitten in der Nacht&#xA;2. RAF Camora &amp;amp; Chakuza - R.A.G.E.&#xA;3. Teesy - Generation Maybe&#xA;4. Chakuza - Dunkel Hell&#xA;5. Sierra Kidd - Amors Headshot&#xA;6. Cro - Intro (I can feel it)&#xA;7.  Cr7z - Origami&#xA;8.  Shindy feat. Bushido - Bang Bang&#xA;9. Prinz Porno - Parfum&#xA;10. Nazar - Randale&#xA;&#xA;Alben&#xA;&#xA;1. RAF Camora - Die Schwarze EP&#xA;2. Bushido - Sonny Black&#xA;3. Sierra Kidd - Nirgendwer&#xA;4. Teesy - Glücksrezepte&#xA;5. Cro - Melodie&#xA;6. Shindy - FBGM&#xA;7. Edgar Wasser - Tourette Syndrom&#xA;8. Chakuza - Exit&#xA;9.Nazar - Camouflage&#xA;10. RAF Camora &amp;amp; Chakuza feat. Joshimizu - ZodiakZillox&#xA;SongsKontra K - WölfeKool Savas - Summa SummarumChakuza - RooferHaftbefehl - Engel im Herz, Teufel im KopfAli As - Hoodie x ChucksG-Unit - Talked bout JesusAlpa Gun - Für dich VaterFLER - Der Asphalt glänztNazar - IntroMach One - M.A.C.H.Bonus: Edgar Wasser - 14.11.14AlbenKool Savas - MärtyrerChakuza - ExitHaftbefehl - Russisch RouletteNazar - CamouflageFLER - Neue Deutsche Welle 2Alpa Gun - Geboren um zu sterbenLaas Unltd. - Blackbook IIUmse - Kunst für sichSilla - Audio AnabolikaMassiv - M10MixtapesG-Unit - The Mighty  Mighty Unit 2014Ali As - #FreeAliChris Webby - The CheckupBelabil - Gemeinsam einsamLaas Unltd. - Blueberry ThaiPapoose - Hoodie Season Pt. 2Blaine Cobak - 3AMSpoodee - The B.I.D.Drake - UnreleasedPaul Cain - Cain Long Live The Caindonutszumkaffee:&#xA;SongsMarteria - Kids (2 Finger an den Kopf)Cro feat. Dajuan - Meine Gang (Bang Bang)Haftbefehl feat. Marteria - Ich Rolle Mit Meim BestenHaftbefehl feat. Capo - Julius CesarTaddl &amp;amp; Marley - MulaAction Bronson - &amp;quot;Easy Rider&amp;quot;Wiz Khalifa - We Dem BoyzCro - MelodieAfrob - Immer WeiterDaJuan - CaliforniaAlbenHaftbefehl - Russisch RouletteMarteria - Zum Glück in die Zukunft 2Cro - MelodieDaJuan - Cali MixtapeTaddl &amp;amp; Marley - Motus EPPsaiko.Dino - #hangster3Plusss - MehrAfrob - PushOlson - BallonherzSam - TTBGunne:&#xA;Songs: Trailerpark – Bleib in der Schule Trailerpark – Dicks sucken Edgar Wasser – Bad Boy Prinz Porno – Parfum 257ers feat. Alligatoah – Irgendwo in Vegas Edgar Wasser – Westcoast W 257ers – Warum Watsky – Whoa Whoa Whoa Kollegah - Königsaura Rockstah – Pubertät Dame - TapetenwechselAlben: Trailerpark – Crackstreet Boys 3 Edgar Wasser – Tourette Syndrom EP Kollegah – King Watsky – All you can do Mach One – M.A.C.H. Prinz Pi – Kompass ohne Norden (Auf Kurs nach Hause) Rockstah – Pubertät SDP – Bunte Rapublik Deutschpunk 257ers - Boomshakkalakka 3Plusss – Mehr Dame – Rap ist sein HobbyMar1lynm&#xA;SongsB-TIght und Sido - EazyHaftbefehl feat. K.I.Z - Lass die Affen aus´m Zoo (Babo Remix) Inglebirds - 165 Prinz Porno - Parfum  (freu mich voll aufs neue Album) Celo &amp;amp; Abdi - Undergroundchiefs Ruffiction - RUFF Edgar Wasser - Bad BoyKool Savas feat. Tim Bendzko - Intro (Märtyrer) Blokkmonsta feat. (All die anderen da) - Blokkhaus Allstars Swiss - Schwarz, Rot, BraunMach One - Kleiner dicker BruderAlben &amp;amp; MixtapesInglebirds - Big Bad BirdsHaftbefehl - Russisch RouletteKool Savas - Märtyrer  (Und NEIN das ganze Album ist sehr gut und außergewöhnlich)Schwartz - Schwartz auf weiss  (Hirntot Records &amp;lt;3 )Kalim - 6 KronenMach One - M.A.C.HBlokkmonsta - BlokkhausMilonair -Ausländer mit GeldBushido - Sonny BlackEko Fresh - Deutscher Traum (Ich muss sagen da gab es aber ein paar ziemlich schlechte Songs)Nano Miratus:&#xA;SongsMaeckes - Ich bleib hierCro - MelodieMaeckes - Alle mich mögen 2Donato - WinterschlafTua - Keiner sonstOlson - James DeanTua - Femme Fatale (Nvie Motho Remix)Sierra Kidd - Gift3Plusss - Sicher (feat. Chefket)Money Boy - Nicer TagAlbenMaeckes - ZweiCro - MelodieTeesy - GlücksrezepteDonato - EnzoTua - SteviaWatsky - All you can doSierra Kidd - NirgendwerMarteria - Zum Glück in die Zukunft IITycho - AwakeOlson - BallonherzHaituga&#xA;SongsKool Savas - MärtyrerSido - 30-11-80 LIVEEstA - Meine JungsHalunkenbande - ANGEZÄHLTTrailerpark - Bleib in der SchuleSDP ft. Weekend - Tanz aus der ReiheRichter - Trümmer und StaubKollegah - Du bist BossSpongebozz - John F. Kennedy4tune - Steve Urkel&#xA;AlbenSido - 30-11-80 LIVEKool Savas - MärtyrerERB - Season 3Kollegah - KINGPunch Arogunz - CarnivoraBaba Saad - Das Leben ist SAADcore4Tune - Einer muss es ja tuneBushido - Sonny BlackTaddl &amp;amp; Marley: Motus EP(Ich höre ja nicht nur Rap, daher:)&#xA;Crown The Empire - The Resistance: Rise of the RunawaysElectrofensterheber&#xA;&#xA;SongsAudio88 &amp;amp; Yassin - Normaler Samt (Intro)Haftbefehl - Engel im Herz, Teufel im KopfHopsin - Ill Mind Of Hopsin 7Lil B - No Black Person Is UglyIsaiah Rashad - Heavenly FatherKein Plan :DBANKS - Beggin For ThreadDr. Dre &amp;amp; Snoop Dogg - The Next Episode (San Holo Remix)CunninLynguists - Dying BreedZHU - FadedAlbenRun the Jewels - RTJ2Hail Mary Mallon - BestiaryCelo &amp;amp; Abdi - AkupunkturIsaiah Rashad - Cilvia DemoAudio88 - Der letzte IdiotAntilopen Gang - AversionEdgar Wasser - Tourette-Syndrom EPMorlockk Dilemma &amp;amp; Hiob - Kapitalismus JetztPyrin - hero.CunninLynguists - Strange Journey Vol. 3Schockoladi&#xA;Songs&#xA;1. MAXAT - Ohne Kopf&#xA;2. eRRdeKa - Frau für eine Nacht&#xA;3. Ahzumjot - Es ist gut wie es ist&#xA;4. Prinz Porno - Parfum&#xA;5. Bushido - Jeder meiner Freunde&#xA;6. Shindy - Julius Caesar&#xA;7. eRRdeKa - Diggi&#xA;8. Prinz Porno - Chillig&#xA;9. Chakuza feat. RAF Camora - Raupe&#xA;10. Sierra Kidd - Welle&#xA;&#xA;Alben&#xA;1. eRRdeKa - Paradies&#xA;2. MAXAT - Schwarzwälder Kirsch&#xA;3. Sierra Kidd - Nirgendwer&#xA;4. Chakuza - Exit&#xA;5. Bushido - Sonny Black&#xA;6. Shindy - FBGM&#xA;7. Kool Savas - Märtyrer&#xA;8. Cro - Melodie&#xA;9. RAF Camora &amp;amp; Chakuza feat. Joshimizu - Zodiak&#xA;10. Ahzumjot - Nix mehr egalKillthat187:&#xA;SongsKool Savas - MärtyrerKay One - Tag des Jüngsten GerichtsFler - Stabiler DeutscherShindy - SterneFler - LevelKollegah - KingHaftbefehl - Saudi Arabi Money RichKool Savas - Es ist wahr / S A zu dem VSilla - 1984Bushido - Jeder meiner FreundeAlbenKool Savas - MärtyrerHaftbefehl - Russisch RouletteAlpa Gun - Geboren um zu sterbenFler - Neue deutsche Welle 2Kollegah - KingBushido - Sonny BlackKC Rebell - RebellutionSilla - Audio AnabolikaNazar - CamouflageMilonair -Ausländer mit Geld___________________________________________________________&#xA;Drachenflamme&#xA;Songs&#xA;&#xA;1. Cr7z - Monsun feat. GReeeN&#xA;2. Cr7z - Reflektion&#xA;3. Absztrakkt - Stadt des Lichts&#xA;4. ScarP - Wahrheit feat. Puzzle&#xA;5. Oldboy - Hylia&#xA;6. YourEnigma - Tavi and Scratch - Follow you Down (feat. Castwing)&#xA;7. PrinceWhateverer &amp;amp; Dreamchan - Constellations&#xA;8. Silv-R - Quittung&#xA;9. ERB - Sir Isaac Newton vs. Bill Nye&#xA;10. Gio - vs. Cashisclay&#xA;&#xA;Alben/EP's/Mixtapes/Soundtracks&#xA;&#xA;1. Absztrakkt - Bodhiguard&#xA;2. Memento - Potpourri&#xA;3. Nano Miratus - Ganz Okay&#xA;4. YourEnigma - The Call&#xA;5. Kontra K - Wölfe EP&#xA;6. KickBeat - Soundtrack&#xA;7. Chakuza - In Vallis (Juice Exclusive)&#xA;8. Inferno79 - Fragmente EP&#xA;9. 58Muzik - Independent Day 2014 EP&#xA;10. Jinx - Errorkidz EP&#xA;Oldboy:&#xA;SongsHaftbefehl - Lass die Affen ausm ZooHaftbefehl - Engel im Herz, Teufel im KopfHaftbefehl ft. Miss Platnum - Anna KournikovaLana del Rey - Fucked my way up to the topShindy ft. Bushido - SterneSchoolboy Q - Prescription/OxymoronNoah Kin - 822Tom Thaler &amp;amp; Basil - HorizontBushido - FotzenBushido ft. Shindy - AMGAlbenHaftbefehl - Russisch RouletteLana del Rey - UltraviolenceSchoolboy Q - OxymoronBushido - Sonny BlackNoah Kin - Now You SeeShindy - FVCKB!TCHE$GETMONE¥Olson - BallonherzAzealia Banks - Broke with Expensive TasteFelix Krull - XanaduJ. Cole - 2014 Forest Hills Drive&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Honorable Mention: Money Boy - HiTunesAnarchoOmega:&#xA;&#xA;Songs&#xA;1.  Haftbefehl feat Marteria - Ich rolle mit meim Besten (Babos Remix)&#xA;2.  Olexesh - Purple Haze&#xA;3.  Snaga &amp;amp; Fard - Carpe Diem&#xA;4. Cr7z - Reflexion&#xA;6.  Kollegah - AKs im Wandschrank&#xA;5.  Haftbefehl - Lass die Affen aus dem Zoo&#xA;7.  Haftbefehl - Saudi Arabi Money Rich&#xA;8.  Inglebirds - Wadadadang&#xA;9.  Shindy feat Bushido - Sterne&#xA;10. Kool Savas - Intro (Märtyrer)&#xA;11. Kay One - Tag des jüngsten Gerichts&#xA;12. Kollegah - Universalgenie&#xA;13. Celo &amp;amp; Abdi - Das ist erst der Anfang&#xA;14. Marteria - Bengalische Tiger&#xA;15. Antilopen Gang - Beate Zschäpe hört U2&#xA;16. Snaga &amp;amp; Fard - Contraband&#xA;17. Bushido - Mitten in der Nacht&#xA;18. Trailerpark - Bleib in der Schule&#xA;19. Eko Fresh - German Dream&#xA;20. Rockstah - König Aussenseiter&#xA;&#xA;Alben&#xA;1. Haftbefehl - Russisch Roulette&#xA;2. Kollegah - King&#xA;3. Snaga &amp;amp; Fard - Talion II&#xA;4. Kool Savas - Märtyrer&#xA;5. Olexesh - Nu Eta Da&#xA;6. Marteria - Zum Glück in die Zukunft 2&#xA;7. Trailerpark - Crackstreet Boys 3&#xA;8. Celo &amp;amp; Abdi - Akupunktur&#xA;9. Inglebirds - Big Bad Birds&#xA;10. Shindy - FVCKB!TCHE$GETMONE¥banga:&#xA;SongsKay One - Tag des Jüngsten GerichtsBushido feat. Farid Bang &amp;amp; Kollegah - Gangsta Rap KingsHaftbefehl - Lass die Affen aus'm ZooKaaris - 80 ZetreiShindy feat. Bushido - SterneCelo &amp;amp; Abdi - UndergroundchiefsFler - Junge mit CharakterKurdo - Meine WeltKollegah - ImperatorBaba Saad - Hier geht es nicht um dich 2AlbenHaftbefehl - Russisch RouletteKollegah - KingShindy - FVCKB!TCHE$GETMONE¥Baba Saad - Yayo TapeLa Fouine - Capitale du Crime 4Bushido - Sonny BlackFler - Neue deutsche Welle 2Celo &amp;amp; Abdi - AkupunkturKC Rebell - RebellutionAlpa Gun - Geboren um zu sterbendannyshirt:&#xA;SongsHaftbefehl - Anna Kournikova (feat. Miss Platnum)Audio88 &amp;amp; Yassin - IntroAntilopen Gang - Beate Zschäpe hört U2Mädness - Ich sterbe für Hip Hop (feat. Yassin)Zugezogen Maskulin - Endlich wieder KriegHiob &amp;amp; Morlockk Dilemma - GottesfurchtDexter - Dies das (feat. Audio88 &amp;amp; Yassin)Audio88 - SchicksalschlägereienZugezogen Maskulin - Alles brenntSchwesta Ewa - 24h (feat. SSIO &amp;amp; Xatar)AlbenHaftbefehl - Russisch RouletteHiob &amp;amp; Morlockk Dilemma - Kapitalismus JetztDexter - Palmen &amp;amp; FreundeAudio88 - Der letzte IdiotSlowy &amp;amp; 12Vince - Ultima RadioMädness - MaggoVeedel Kaztro - Büdchen LPMC Bomber &amp;amp; Shacke One - Nordachse EPAntilopen Gang - AversionBetty Ford Boys - RetoxBlingblingburr&#xA;&#xA;SongsWer Aaaaah sagt – Marz Feat. Sickless &amp;amp; Lakmann Outlaws – Antilopen GangBrett – Ufo361 Feat. Morlockk Dilemma &amp;amp; Blut&amp;amp;KasseRevolution – Amar Feat. Nabil M. &amp;amp; Ercandize808&amp;amp;Beatbreaks – Laas Unltd.Märtyrer – Kool SavasDr. Cooper (Allstar Remix) – Megaloh Feat. V.A.Warum (Remix) – PA Sports Feat. V.A.30-11-80 – Sido Feat. V.A.Untouchable Cypher – Witten UntouchableAlbenAversion – Antilopen GangHoes. Flows. Kollabos. – MarzAmargeddon 2010 – AmarBlackbook 2 – Laas Unltd.Märtyrer – Kool SavasÜbertreib nicht deine Rolle – Juse JuKapitalismus Jetzt – Hiob &amp;amp; Morlockk DilemmaBei dir läuft, bei uns fliegt – Witten UntouchableKunst für sich – UmseLuxusdampfer – King Keilmatza:&#xA;SongsAli As - Hoodie x ChucksThe Weeknd - OftenThe Weeknd - King of the FallJ. Cole - Wet DreamzNinja Sex Party - Dragon SlayerHaftbefehl - Anna Kournikova (feat. Miss Platnum)Lupe Fiasco - Snitches 2Big K.R.I.T. - Mt. OlympusLupe Fiasco - Deliver (feat. Ty Dolla $ign)RTJ - Close Your Eyes (And Count To Fuck) (feat. Zack De La Rocha)Tove Lo - Stay High (Habits Remix)Alben/MixtapesCyhi Da Prynce - Black Hystori ProjectAb-Soul - These Days...Run The Jewels - Run The Jewels 2PRhyme - PRhymeKarate Andi - Pilsator PlatinFreddie Gibbs &amp;amp; Madlib - PiñataHaftbefehl - Russisch RouletteD'Angelo &amp;amp; The Vanguard - Black MessiahJ. Cole - 2014 Forest Hills DriveBig K.R.I.T. - CadillacticaAtmosphere - SouthsidersThe Roots - ...and then you shoot your cousinAugust Alsina - TestimonyJoe Budden - Some Love LostMrDeluxe:&#xA;&#xA;SongsMädness feat. Yassin - Ich sterbe für HipHop Kontra K - WölfeAfrob - Immer WeiterAction Bronson - Easy RiderKool Savas - MärtyrerBetty Ford Boys - Henny LeanSamy Deluxe feat. Megaloh und Afrob - So SchönSlaughterhouse feat. Eminem und Yelawolf - Psychopath KillerKendrick Lamar - iMoneyboy - ShishaAlbenMädness - Maggo EPTua - Stevia EPSchoolboy Q - OxymoronKontra K - Wölfe EPShady Records - Shady XVSamy Deluxe - Gute Alte ZeitKnytro - The Griffin EPThe Roots - ...and then you shoot your CousinMarteria - Zum Glück in die Zukunft 2Kool Savas - MärtyrerMetawolf:&#xA;&#xA;SongsAbsztrakkt - I Shot The Sheriff Absztrakkt - Stadt des LichtsCr7z feat. GReeen - MonsunHollywood Hank - History X 8000 Bars / Stromausfall 3000Cr7z - Purity RingHollywood Hank - Die WelleCr7z - ReflexionKontra K - Wölfe257ers - Vergleiche á la BossAntilopen Gang - OutlawsAlbenAbsztrakkt - BodhiguardKontra K - Wölfe EPHollywood Hank - Bak Ta Ehli257ers - BoomshakkalakkaTrailerpark - Crackstreet Boys 3Kollegah - KingAntilopen Gang - AversionSDP - Bunte Rapublik DeutschlandSido - 30-11-80 LiveChakuza - EXIT&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;lepco:&#xA;&#xA;Songs&#xA;&#xA;1. Tua - Pygmalion&#xA;2. Jack White - Would You Fight For My Love?&#xA;3. Mädness - Maggo&#xA;4. Chakuza - OFF&#xA;5. Marteria - Welt der Wunder&#xA;6. Edgar Wasser - 14.11.14&#xA;7.  Audio88 &amp;amp; Yassin - Normaler Samt&#xA;8.  20syl - Ongoing Thing&#xA;9. Tom Misch &amp;amp; Carmody - The Last Song&#xA;10. Hopsin - Ill Mind Of Hopsin Seven&#xA;&#xA;Alben&#xA;&#xA;1. Maeckes - Zwei&#xA;2. Tua - Stevia EP&#xA;3. Absztrakkt - Bodhiguard&#xA;4. Edgar Wasser - Tourette Syndrom EP&#xA;5. Oskar Schuster - Sneeuwland&#xA;6. eRRdeKa - Paradies&#xA;7. Marteria - Zurück in die Zukunft II&#xA;8. Curse - Uns&#xA;9. Umse - Kunst für sich&#xA;10. Dexter - Palmen und FreundeNecrodo:&#xA;Songs: Trailerpark – Falsche Band Trailerpark – Bleib in der Schule Trailerpark - Sexualethisch desorientiert Kool Savas - Märtyrer 257ers feat. Alligatoah – Irgendwo in Vegas Trailerpark - Koks auf Hawaii Edgar Wasser - Bad Boy Kollegah - Warum hasst du mich Trailerpark - Die Traubenstampferin Favorite - Europas wichtigster MannAlben: Trailerpark – Crackstreet Boys 3 257ers - Boomshakkalakka Kollegah – King Kool Savas - Märtyrer Edgar Wasser - Tourette Syndrom EP Shindy - FVCKB!TCHE$GETMONE¥ Mach One - M.A.C.H RAF Camora &amp;amp; Chakuza feat. Joshimizu - Zodiak Chakuza - Exit Haftbefehl - Russisch Rouletteichiban:&#xA;songs&#xA;1. fjort - valhalla&#xA;2. willy fog - lupus&#xA;3. errdeka - frau für eine nacht&#xA;4. hiob und morlockk dilemma - weltenbrand&#xA;5. sadistik - 1984&#xA;6. audio88 und yassin - normaler samt (intro)&#xA;7. döll - weit entfernt&#xA;8. prinz porno - die löffel-parabel feat. errdeka&#xA;9. logic - under pressure&#xA;10. antilopen gang - anti alles aktion&#xA;&#xA;alben&#xA;1. fjort - d'accord&#xA;2. willy fog - harlekin geisterpfeifenfisch&#xA;3. sadistik - ultraviolet&#xA;4. errdeka - paradies&#xA;5. hiob und morlockk dilemma - kapitalismus jetzt&#xA;6. kollegah - king&#xA;7. atmosphere - southsiders&#xA;8. antilopen gang - aversion&#xA;9. döll - weit entfernt&#xA;10. logic - under pressureBare&#xA;&#xA;SongsCr7z - OrigamiCr7z - RainCr7z - Purity RingK.I.Z. - Splash!-Opener 2014Kontra K - AdrenalinAbstrakkt - I shot the sherrifPrinz Porno feat. errdeka - Die Löffel Parabel  Kollegah - KönigsauraKool Savas - Es Rappelt im KartonKollegah - Lamborghini KickdownAlbenKool Savas - MärtyrerKontra K - Wölfe EPKollegah - KingAbstrakkt - Bhodishinobi Haftbefehl - Russisch RouletteBizzy Montana - M.A.D.U. 4Fatoni - Die Zeit heilt alle HypesBak ta Ehli - Bak Ta Ehli Samy Deluxe - Männlich Celo &amp;amp; Abdi - AkupunkturDannyTheHydrant:&#xA;&#xA;AlbenRun The Jewels – Run The Jewels 2The War On Drugs – Lost In A DreamIceage – Plowing Into The Field Of LoveOught – More Than Any Other DayLa Dispute – The Rooms Of The HouseSun Kill Moon – BenjiParquet Courts – Sunbathing AnimalCymbal Eat Guitars – LOSEThe Hotelier – Home, Like Noplace Is ThereJenny Hval &amp;amp; Susanna – Meshes Of VoiceWetterfrosch77:&#xA;SongsKool Savas - Rap über RapVega - 1312Vega - Ich will raus mit dirKontra K - AdrenalinTrailerpark - Bleib in der SchuleMarteria - Bengalische TigerHaftbefehl ft. Marteria - Ich rolle mit meim BestenKool Savas - S A zu dem VBizzy Montana ft. Bosca - EndstationKollegah - Du bist BossAlbenKool Savas - MärtyrerBizzy Montana - Mukke aus der Unterschicht 4Freunde von Niemand - Willkommen im Niemandsland 2Kontra K - Wölfe EPMarteria - Zum Glück in die Zukunft 2Haftbefehl Russisch RouletteEko Fresh - 1000 BarsTrailerpark - Crackstreetboys 3Prinz Pi - Kompass ohne Norden liveBushido - Sonny Black&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;RapLines:&#xA;Trailerpark - Dicks SuckenPA Sports - W.Z.L.L.A.B (feat. KC Rebell)Ali As - Hoodie x ChucksHaftbefehl - Lass Die Affen Aus’m ZooMarteria - Kids (2 Finger An Den Kopf)Kool Savas - Zweifel &amp;amp; BestätigungCr7z - ReflexionChakuza - Dunkel / HellKontra K - AdrenalinFler - Junge Mit Charakter&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Kool Savas - MärtyrerHaftbefehl - Russisch RouletteBushido - Sonny BlackPA Sports - H.A.Z.E.Fler - NDW 2Shindy - FBGMKollegah - KingMarteria - Zum Glück In Die Zukunft 2Trailerpark - Crackstreet Boys 3Chakuza - EXIT&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Sinatra&#xA;SongsMarteria - Bengalische TigerHaftbefehl - 1999 Pt.IICelo &amp;amp; Abdi feat. 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<INFO BITRATE="1055125" KEY_LYRICS="2 ContributorsKite 2 Da Boys Lyrics&#xA;Caught up&#xA;Dirty Game&#xA;Nigga I deal wit it though, you know&#xA;Shit ain't easy out there on them streets boy, you know&#xA;Y'all niggas watch yo ass boy, hold it down, fo'sho&#xA;&#xA;&#xA;They got me down but it ain't no thang&#xA;When I hit the streets gotta let my nuts hang&#xA;Got a nigga cased over so much game&#xA;And everybody goin through the same ole thang x2&#xA;&#xA;&#xA;What up dogg hope you chillin cuz I ain't&#xA;I wish I could be out with the boys but I can't&#xA;I really dont know what kinda time a nigga facin&#xA;Can't get a bond cuz I ain't cooperatin&#xA;So ima strap down they gone take me for a ride&#xA;You'll look out for my shit while a nigga on the inside&#xA;Been here before so it really ain't shit&#xA;You'll let me know what's goin on in the streets and whats sum flix&#xA;Probably get a buzz when I think you got this letter&#xA;Shit is at it's worse and it can only get better&#xA;I be holla'n at my lawyer and he be tryin to work su'um&#xA;But I ain't copin out shit cuz they ain't got nothin&#xA;Just maintain'n here waitin for a court date&#xA;Dont need no loot becuz my commecery straight&#xA;And give a wussup to the boys 'round the way&#xA;Im shootin you this kite on the 9th day of May&#xA;My dogg had a b-day I hope his shit was straight&#xA;But when I hit the streets it'll be to late to celebrate&#xA;Just hold the fort down cuz your boy gone be alright&#xA;Right now im doin 500 pushups e'vrynite&#xA;My shit be on tight feelin like my shit gone burst&#xA;And im lock down on nigga merc from off the turf&#xA;That nigga dats jus (???) tell the boys peace&#xA;A couple otha niggas we know from off the street&#xA;I would say they names but you prolly wouldn't know em&#xA;But I bet chu'd recognize these cats if you saw em&#xA;We got shit locked so you know your dogg straight&#xA;I'll write you page 2 when we take a smoke break nigga wut&#xA;&#xA;They got me down but it ain't no thang&#xA;When I hit the streets gotta let my nuts hang&#xA;Got a nigga cased over so much game&#xA;And everybody goin through the same ole thang x2&#xA;&#xA;&#xA;Yea boy nigga back afta I smoked 1&#xA;And this FD fuckin C shit ain't no joke son&#xA;They have a nigga locked down all day&#xA;And the only outside a nigga see is the hallway&#xA;No bitchez&#xA;You know da ones they got on the streets in pictures&#xA;The whole thing operatin on snitchez, witchez&#xA;Why I dont talk bout mah case&#xA;You nosey ass niggas tryin to be up in a nigga'z face&#xA;Muthafuckaz better back off me&#xA;These niggas try to act soft, (???) in they rooms tryin to jackoff&#xA;Before I fuck a around and catch a new charge&#xA;To many niggas flaw talkin bout how dey live large&#xA;And to use the fone it be a long line&#xA;But I just whup oneofdez wannabes down for they fone time&#xA;Cuz ima be here alot more days&#xA;And ain't nothin up in this thang but niggas and OJ's&#xA;And a couple crackaz who robbed banks&#xA;Da otha day my nigga swallowed some balloons and got a nigga dank&#xA;We was gettin all serious on the rec yard&#xA;Gotta be careful cuz them guards be sweatin hard&#xA;Or them jealous ass crabs might snitch&#xA;So ya gotta break em a lil picth or get shook down&#xA;These muthafuckas out to keep me&#xA;But im shill cuz I still my ole girl weekly&#xA;Wit my lil sisters and my 2 kids&#xA;But im out boy I gotta do this bid im holla though&#xA;Catch y'all niggas on the turf&#xA;&#xA;They got me down but it ain't no thang&#xA;When I hit the streets gotta let my nuts hang&#xA;Got a nigga cased over so much game&#xA;And everybody goin through the same ole thang x2&#xA;&#xA;&#xA;Boy I can't wait to get up out this shit&#xA;This muthafuckin institution life's a bitch&#xA;Police tell you when to eat and sleep&#xA;Shit jus creep a nigga miss the streets&#xA;Always get strip searched right out the vizo&#xA;Lost that right cuz I slapped up my hizo&#xA;Fuck that nigga ain't about dis shit&#xA;A nigga gotta stay the fuck out this bitch&#xA;Know what im sayin&#xA;&#xA;&#xA;They got me down but it ain't no thang&#xA;When I hit the streets gotta let my nuts hang&#xA;Got a nigga cased over so much game&#xA;And everybody goin through the same ole thang (4X)" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="382" PLAYTIME_FLOAT="381.093323" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="49185"></INFO>
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<INFO BITRATE="989253" KEY_LYRICS="8 ContributorsNo Go Lyrics&#xA;(Yeah)&#xA;Please don't misbehave, you got all the guap&#xA;Please don't misbehave, you got all the guap (Oogie Mane, he killed it)&#xA;(Pew, pew-pew-pew-pew-pew)&#xA;(Lil Uzi)&#xA;1600 general, huh, yeah&#xA;1600 general (Ayy, Brandon, man, why you do that?)&#xA;That would burn and kill 'em&#xA;Big ol' money on me (Phew)&#xA;Big ol' diamonds, we've been diggin' (Tch-tch-tch-tch-tch-tch-tch-tch)&#xA;Big ol' ice on my wrist (Tch-tch-tch-tch-tch-tch-tch-tch-tch)&#xA;Make you rich, look at me, huh, huh (Tch-tch-tch-tch-tch-tch-tch-tch)&#xA;None of you mad huh? (Yeah)&#xA;&#xA;&#xA;Say he gettin' money, that's a no-go (Yeah)&#xA;He keep talkin' monеy, I see no dough (What?)&#xA;Patek on my wrist and that shit rose gold (Vrrah)&#xA;Pull up, brand-new Bеntley and its rojo&#xA;Yeah, you think I'm worried 'bout them people (What)&#xA;Yeah, you think I'm worried 'bout them people (Wait, who?)&#xA;No, you think I'm worried 'bout them people (No way, no way, no way)&#xA;Yeah, got my weapon on me and its lethal (Vrrah, Vrrah)&#xA;Got my weapon on me, it's illegal (Write my wrongs today)&#xA;&#xA;Got that Desert on me wit a Eagle&#xA;Yeah, if I do not pop you, Reef gon' teach you&#xA;Yeah, we do not fuck with polices, rip em' to pieces (Ooh, why?)&#xA;Middle finger to all of my teachers (Okay, fuck y'all)&#xA;&#xA;&#xA;Yeah, I just popped a Molly, I'm on Venus (Woah)&#xA;I just saw my idol, great to meet ya (Yeah)&#xA;Nowadays, I am my only feature (I know that)&#xA;I like the way you treat her (I like the way you treat her)&#xA;I was at the bottom of the bleachers (Bottom)&#xA;That's when I was fuckin' on Anitra (Fuckin' on Anitra)&#xA;She go with the rappers, okay, speak up (Speak up, speak up, speak up)&#xA;&#xA;&#xA;Say he gettin' money, that's a no-go (Yeah)&#xA;He keep talkin' money, I see no dough (What?)&#xA;Patek on my wrist and that shit rose gold (Vrrah)&#xA;Pull up, brand-new Bentley and its rojo&#xA;Yeah, you think I'm worried 'bout them people (What?)&#xA;Yeah, you think I'm worried 'bout them people (Wait, who?)&#xA;No, you think I'm worried 'bout them people (No way, no way, no way)&#xA;Yeah, got my weapon on me and its lethal (Vrrah, Vrrah)&#xA;Got my weapon on me, it's illegal&#xA;&#xA;Comp-head on my AK like a draco (Pew-pew-pew)&#xA;Yeah, I'ma fuck yo' bitch, make her do what I say so (Come on, lil' bitch)&#xA;Yeah, all my girls they foreign, so they work for the Peso (Come on, lil' bitch)&#xA;Yeah, bussin', uh, bussin', uh&#xA;All my diamonds bussin', uh (Yeah)&#xA;AP on me, bussin', uh&#xA;It hit like concussion, uh (Yeah)&#xA;Not one who I'm trustin', yeah&#xA;Don't talk, end discussion, yeah&#xA;I was on the bitch with a hunnid, yeah&#xA;Talkin' guap, then we can run it, yeah&#xA;&#xA;&#xA;Please don't misbehave, you got all the guap&#xA;Please don't misbehave, you got all the guap (All the guap)&#xA;You know I be tryin' (Tryin')&#xA;I can never tell this shit worth dyin' (Dyin')&#xA;Where is you? Boy, you lyin' (Where is you?)&#xA;'Rari go so fast, thought I was flyin' (Where is you?)&#xA;New coupe, wanna slide in it? (Slide in it)&#xA;Made a good girl go bi in it (We almost die in it)&#xA;Shit, I might as well die in it&#xA;And I must say I'm doin good for a nigga with no guidance&#xA;&#xA;&#xA;Say he gettin' money, that's a no-go (Yeah)&#xA;He keep talkin' money, I see no dough (What?)&#xA;Patek on my wrist and that shit rose gold (Vrrah)&#xA;Pull up, brand-new Bentley and its rojo&#xA;Yeah, you think I'm worried 'bout them people (What)&#xA;Yeah, you think I'm worried 'bout them people (Wait, who?)&#xA;No, you think I'm worried 'bout them people (No way, no way, no way)&#xA;Yeah, got my weapon on me and its lethal (Vrrah, Vrrah)&#xA;Got my weapon on me, it's illegal, yeah&#xA;&#xA;Got that Desert on me wit a Eagle&#xA;Yeah, if I do not pop you, Reef gon' teach you&#xA;Yeah, we do not fuck with polices, rip em' to pieces (Why?)&#xA;Middle finger to all of my teachers" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="372" PLAYTIME_FLOAT="371.397491" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="44950"></INFO>
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<INFO BITRATE="917718" KEY_LYRICS="1 ContributorDifferent Drum LyricsStone cold sober&#xA;How can I hide?&#xA;I cant go to work today&#xA;Lord, oh Lord, what have I done?&#xA;I wanna dance to the beat of a different drum&#xA;Things aint what they used to be&#xA;Makes no difference to me&#xA;Your words came through, my time has come&#xA;I wanna dance to the beat of a different drum&#xA;24 hours in a day&#xA;I cant keep going in this way&#xA;Got no choice, just got to run and run&#xA;Just wanna know I can dream of a rising sun&#xA;Do do do do do do do&#xA;Woowoowoowoowooooh (etc)&#xA;I will dance to the beat of a different drum&#xA;I will dance to the beat of a different drum&#xA;I will dance to the beat of a different drum (Ah!)&#xA;I will dance to the beat of a different drum&#xA;Shade your eyes its getting bright&#xA;Dont look down; I know youre scared of heights&#xA;Bit by bit well overcome (bit by bit well overcome)&#xA;I wanna dance to the beat of a different drum&#xA;I look around, what do I see?&#xA;A thousand faces all staring at me&#xA;Lord, oh Lord, what have I done?&#xA;Just wanna show what we are, what we will become&#xA;Im gonna dance to the beat of a different drum, drum, drum&#xA;Ah, oh&#xA;I will dance to the beat of a different drum&#xA;I will dance to the beat of a different drum&#xA;I will dance to the beat of a different drum (Ah!)&#xA;I will dance to the beat of a different drum (wanna dance to the beat of a different drum)&#xA;Do do do do do&#xA;Woowoowoowoowooooh (etc)&#xA;Im gonna dance to the beat of a different drum&#xA;Drum&#xA;(Just wanna make a change&#xA;Just wanna make a change&#xA;Do it a little different&#xA;Just wanna make a change&#xA;Do it a little different&#xA;Than yesterday)" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="344" PLAYTIME_FLOAT="343.091736" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="38534"></INFO>
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<INFO BITRATE="878863" KEY_LYRICS="6 ContributorsChilla Jones vs. B. Dot LyricsAn anticipated battle between two of the best writers in battle rap.&#xA;&#xA;These two were also contenders for 2020 Champion of the Year. Both of these men were having spectacular runs leading up to this battle and… Read More &#xA;Look y'all&#xA;It's B. Dot the gawd&#xA;The Elevator&#xA;Vs. a nigga who ain't lost all year, the L evader&#xA;Being divine'll (vinyl) still get you a scratch on your record player&#xA;The pen is greater&#xA;Respect is major&#xA;You was fire in that warm up, but now that you got Chill, you need some extra layers&#xA;Jones, I'm the escalator, run up on his Escalade&#xA;Catch him on his hood and run up on his like an escalator&#xA;Come through every hour, lettin' off, I'm a weapon sprayer&#xA;So even if I'm over ya head, you'll get it later&#xA;Respect thе innovators, not the imitators&#xA;Yeah somethings off, hе's a clone&#xA;Y'all think he's a problem, no one can solve&#xA;I wanted Roc, maybe Verb, that's why I don't fuck wit' y'all&#xA;But it ain't all about skill, right?&#xA;Of course a little lucks (Lux) involved&#xA;Y'all got me dustin' off one of Loaded's sons that he ain't got custody of&#xA;I hold a pistol right there (dear) to his heart, but he still ain't Beloved (B love it) enough&#xA;Cause Chilla crazy&#xA;You wanna kill a (killer) baby?&#xA;This is Child's Play Chucky you suck&#xA;And I'ma tell (Mattel) y'all kinfolk (Ken folk)&#xA;How every bar be (Barbie) dolled up to be Lux&#xA;You snuck his mannerisms, cadence and flow&#xA;We know this (notice) coward&#xA;You take your energy from day light (Daylyt), nigga you solar powered&#xA;Caffeine is pissed streaming his face&#xA;Golden shhh...&#xA; Dot.com if I'm clickin' chrome, open browser&#xA;But let me flip that&#xA;Yeeeah, you get hit if you brought drama&#xA;Stomach shot, I semi colons&#xA;Yeah this will make Dot calmer&#xA;This is karma for lost souls I talk slow but the frost cold&#xA;Go ahead and floss bro&#xA;Got something big in store (instore) for you, like Costco&#xA;Roscoe a Moss load, then get fired, I'm in boss mode&#xA;If I (eye) black on Charles...man see you at the crossroads&#xA;We all know...what's goin' on in Nigeria&#xA;Hashtag #EndSARS is the movement&#xA;About a corrupt police anti robbery unit&#xA;Taking advantage of that power with all of these laws they abusing&#xA;Kidnap, murder and rape with no regards for the humans&#xA;But you know that, right?&#xA;Mr. Black African Power must read about it&#xA;How the protestors screamed and shouted when the people crowded&#xA;How the banks freeze accounts and leave 'em out it&#xA;So no one gets the money they need up out it&#xA;It's been hash tagged 40 million times!&#xA;And not once did you tweet about it&#xA;So is he real?&#xA;Please, I doubt it&#xA;Maybe the fans can help me understand&#xA;Ain't it apparent (a parent) that he don't give a fuck about the Motherland?&#xA;This another scam&#xA;This ain't you, you singin' someone else's song...like a cover band&#xA;But blame Smack&#xA;Cause dawg (dog) told me to &amp;quot;kill him&amp;quot;; I'm the Son Of Sam&#xA;So what's the plan?&#xA;So you already donated and paid dues?&#xA;Or anything else to prove this angle ain't true&#xA;But it's Black African Power after every battle, right?&#xA;He played you&#xA;I can't believe B dazzled (bedazzle) y'all with these fake jewels&#xA;You are a walking...contra...diction&#xA;And I'm just clownin' ya errors but you choose; pound or Beretta&#xA;Down for whatever&#xA;I'll pistol whip you to the ground and throw a round in his sweater&#xA;The Elevator, droppin' faster than the Tower Of Terror&#xA;So now be clever&#xA;No angles how I'm a &amp;quot;nice guy&amp;quot;, who never let a shot flare&#xA;Or was champ at King Of The Dot until I got robbed there&#xA;Boy I'm a legend&#xA;I went from PG to top, and earned my spot there&#xA;And now I gotta split you in half to get to god tier (tear)&#xA;I do not care&#xA;Yeah, this is  run through your entire apartment&#xA;Hide in the darkness, knife in the target&#xA;Slice will go right through his garments&#xA;Blade, stuck in the Elevator, &amp;quot;Somebody call the fire department!&amp;quot;&#xA;All this retirement talkin'...cause crowds don't appreciate the shit that you bring&#xA;I'll be honest, I don't really think commitment's your thing&#xA;You quit your label, cause they ignore you for any shit you can sing&#xA;You quit football, cause you was barely gettin' picked for the teams&#xA;You quit battle rap, two or three times, but walk around this bitch like the king?&#xA;Nigga you even quit on your own marriage&#xA;Face it...you just not fit for the ring&#xA;And I won't talk about the football thing&#xA;Cause honestly it's overdone&#xA;But there is this one highlight I seen, you prolly know the one&#xA;It was you, versus a young Reggie Bush trying to control the punt&#xA;He faked left and went right, you chose to lunge, his shoulders spun&#xA;You ate dirt, he went ghost then the crowd started goin' dumb&#xA;See this is history repeating itself and you ain't notice, huh?&#xA;Cause ever since Volume 5&#xA;Nigga every battle Jones has won&#xA;And once again, you just a victim on one of the coldest runs&#xA;So don't become another footnote in history, cause I'm on a mission&#xA;You got embarrassed by the Heisman, now I'm the one with a leg up on the competition&#xA;So stop and listen&#xA;Chilla cold like beyond the freezer&#xA;The King Pen&#xA;What's a God to a nonbeliever?&#xA;Round&#xA;&#xA;Ayo, before this battle, I was talkin' to myself like, &amp;quot;How we gonna aim at Chilla to get him dead, Dot?&amp;quot;&#xA;And then you showed up in a vest&#xA;Oh now I get the picture, this finna be a headshot&#xA;B. Dot versus Chilla Jones&#xA;Whoa, you are now listening to authors&#xA;Same aim, just different targets&#xA;Similar shots it's just different arches from the archers&#xA;Aw just...&#xA;Listen as I paint this picture; gorgeous&#xA;Two fly lyricists, but only one can leave Earth without gettin' kinda nauseous&#xA;And you plain (plane) pilot&#xA;See, pal it's (palette) it's about taste&#xA;I was alien-nated but now they identify the source (sauce)&#xA;Be cautious&#xA;In the streets I got a bad rap fast for Thuggin'&#xA;Oh, but it was Harmony puttin' in work&#xA;Double time, shootin' at the op is, twistin' (Twista) nigga's shit&#xA;You make it sound the same but I don't think this a Crucial Conflict&#xA;Read the fine print&#xA;I'm the nigga that designed it, you signed it just to get killed&#xA;I mean, you dissed me versus Geechi to see me get mentioned in every blog about you&#xA;Well it's true&#xA;HipHopIsReal but you should've read the contract&#xA;I mean, did he (Diddy) know I'd be in all his videos?&#xA;Well I'm a BIG deal&#xA;Whip steel, 'til the clip- nah I ain't the type to get involved witchu&#xA;I'll let somebody from the squad get you&#xA;You'll get popped&#xA;Silencer on the Glock from a small pistol&#xA;Yeah they know me from the roof but you ain't gonna hear nothin' if one of my dawgs (dogs) whistle&#xA;I'm wit' all issues&#xA;Put the pump to ya chest; augment you&#xA;Lift you up&#xA;Put somethin' heavy down&#xA;Choppin', get every nigga I see sawed witchu&#xA;You lost is you?&#xA;Forget who home?&#xA;Nigga pull out a red rag against me, I'ma split ya dome&#xA;Spinnin' chrome&#xA;You gonna take a loss tryin' to come here and do as we do&#xA;This ain't no winnin' 'Rome (when in Rome)&#xA;This who's on?&#xA;What is this really about?&#xA;Revenge Of The Nerds since we heard King Of The Dot was shippin' him out&#xA;Y'all should've seen the look on his face when they said Real Deal was winnin' the bout&#xA;Ooooh he was stiff&#xA;Had money froze, it was a Chillin' account&#xA;I've been feelin' him out&#xA;This a guy that take a theme and rhyme anything he deem to be related&#xA;I mean he call it a scheme and (w)rap it slow as package so&#xA;The fans believe in how you phrase it&#xA;But you nerds was never hangin'&#xA;Just observin' niggas bangin'&#xA;Dope schemin'&#xA;Cause if one of us got caught the biggest fear was the word &amp;quot;association&amp;quot;&#xA;I'm amazin'&#xA;Smack, you see the way I'm displayin' this king&#xA;This nigga just rap, I mean what I say and say what I mean&#xA;Float like a butterfly, but(t) get to the point like a bee with the sting&#xA;These angles and bars, meaning I talk while I punch, Ali in this ring&#xA;Y'all seein' this thing&#xA;I'm in here stealin' money like a cash crook&#xA;Yeah you got your eyes on the prize but that's a bad look&#xA;Oh you wanna be the Champion? I'm 'bout to make a slow robbery out of a fast jooks&#xA;Bitch nigga, I'ma drag this out&#xA;That's for reachin' for the belt while gettin' yo' ass whooped&#xA;He mad shook&#xA;I ain't the type to act tough wit' a geek&#xA;For this bitch ass nigga, what I look like dumpin' heat?&#xA;I'll pull a blade out&#xA;And even though I'm vegan I'm even cuttin' up if it's beef&#xA;No pistol no issue, I'm hopin' this air you out too&#xA;Psssst what a relief&#xA;I'm up while you sleep&#xA;The early bird get the Big Worm&#xA;That's why I'm lookin' for the smoke dawg; Faizon Love&#xA;Initially, I looked at your name and said, &amp;quot;C.J. wanna us to look at him and see Jay.&amp;quot;&#xA;You know, some god MC tryin' to get some praise off us&#xA;I see you (ICU), hooked up to URL for life support when you was flat&#xA;Smack helped you raise on up&#xA;Well Hov, this better be your best performance in a small room or we gon' see (C)J(ay) Unplugged&#xA;Ayo Smack, I need my pay to raise on up&#xA;This whole year, look at the graves I dug, they go in the lot&#xA;And now I'm finna ice Chess (chest), throw in his plot&#xA;Dissin' my nigga from Cake Lyfe? No I am not&#xA;&amp;quot;Ice Chest&amp;quot; was a code (cold) word&#xA;(What that mean?)&#xA;Leave Chill cold in the box&#xA;Bro I am Dot&#xA;No reach, B.D.O.T. nigga&#xA;This is like Roc, screamin' out &amp;quot;This is me nigga!&amp;quot;&#xA;Watch ya mouth or take big shots behind the line, let three hit ya&#xA;I'm different sport, not in the same league witcha&#xA;If you tricks play, with a gun on ya hip&#xA;I'll take ya hand off (handoff) and give it back to you&#xA;And watch you pass like the flee flicker&#xA;Think nigga&#xA;You fumbled the bag, it's a change of possession&#xA;Peel out, I'm headed in your direction&#xA;Drummin', it's a drill route&#xA;Comin' to your crib, you won't escape, we just kickin' it; Chill out&#xA;This a real bout&#xA;And lead finna spray&#xA;I told Smack, &amp;quot;Just book it. Don't put the bread in the way&#xA;I could've gave you the body. For free.&amp;quot;&#xA;That was a hint nigga; a dead giveaway&#xA;Hit his head with the K&#xA;For dissin' NuNu versus Prep, I thought that was a bad move&#xA;I mean, that's a black queen my nigga&#xA;Why you disrespectin', throwin' her in your raps fool?&#xA;What you gonna tell us?&#xA;&amp;quot;Oh you know she was managing Prep at the time so I had to.&amp;quot;&#xA;&#xA;Bitch nigga we ain't ask you!&#xA;&#xA;&#xA;It ain't the fact that you rap whatever words you get attached to&#xA;It's that you happy to do that garbage&#xA;It's even more trash when a nigga Glad to&#xA;That's why I'm at you&#xA;&#xA;1-0 you stupid motherfucker&#xA;&#xA;&#xA;That's your angle Dot?&#xA;You gonna call me a &amp;quot;nerd&amp;quot;? Is you kiddin' me?&#xA;{laughs}&#xA;I told niggas that from the gate, ain't no offense (off fence) to me&#xA;But I did a lot of things in my city&#xA;I had guns, sold a little weed if you check my history&#xA;You'd be surprised all the bonds I (bonsai) drew off a little tree&#xA;This this real me&#xA;You think cause I'm a &amp;quot;nerd&amp;quot; I can't shoot a weapon 'til it {chk-chk} and blow your mask off&#xA;A future reference I'll 'Bomb First'&#xA;'Against All Odds', but y'all thinkin' he can play me&#xA;I'm 'Charged Up', I see the 'Bitch In Yoo', she's 'Super Ugly'&#xA;But nice to meet you lady&#xA;If I Hit you Up, 'Back 2 Back' for '2nd Round Knockout', maybe y'all will appreciate me&#xA;But this is 'Checkmate', either ('Ether') way it's a 'Takeover'&#xA;By the way this scheme is crazy&#xA;Niggas lazy, I've been pulling greats (grates) down like the store's closed&#xA;Fuck talkin', get to dashin' Dot (dash and dot); Morse Code&#xA;I predicted it, like The Simpsons, it was literally foretold&#xA;They said you &amp;quot;Made Top a body&amp;quot;, shit I thought you was gettin' tore so (torso) I'm in war mode&#xA;I'll hit you with fists&#xA;Who said I wouldn't dare deck a west coast Brim? Huh, ridiculousness&#xA;The difference is this&#xA;I don't think our textures match&#xA;I'll catch Blood on the slide, nigga Dexter's back&#xA;You scold your fans over at King Of The Dot&#xA;You think you extra bad cause you blacked on a bunch of white squares like a checkered flag&#xA;But when addressing that Avocado situation...&#xA;Man I was shock hearin' you say shit&#xA;Thought I was in some kind of Parallel Universe&#xA;Or maybe somewhere in The Matrix&#xA;You said he's &amp;quot;cool&amp;quot; but &amp;quot;inherently racist&amp;quot;&#xA;Sounded like an excuse in a way&#xA;Like you okay wit' it, long as he do all your shoots for low pay&#xA;I get it Dot, if you just an opportunist, then hey&#xA;Do a show with the nigga, you can call it PiRuin Your Day&#xA;My question is, how the fuck could you decide to forgive him?&#xA;Dot playin' both side of the line and that's a clear sign of division&#xA;Listen, to all my white friends and white kids I grew up with, clear Henny is the only white privilege I fuck with&#xA;You told URL to &amp;quot;suck dick&amp;quot; like &amp;quot;fuck a PG. I don't care what them guys on SMACK do.&amp;quot;&#xA;But then you hops in the ring and rock, soon as somebody White contacts you&#xA;&amp;quot;Hops&amp;quot; and &amp;quot;rock&amp;quot; and &amp;quot;white contact&amp;quot;&#xA;Man you sellin' out hardcore kid&#xA;Let me find out you only worried about a bag&#xA;God for bid (forbid)&#xA;But if white people are inherently racist, well this is as confusing as it gets&#xA;Cause isn't Caffeine a white owned company?&#xA;See this is why we're losing our respect&#xA;If white people are inherently racist then why would you battle at King Of The Dot?&#xA;Ohh, cause they was payin' you and grouping you with vets&#xA;This isn't checkers stupid, this is chess&#xA;You was a rook, you got Cortez provin' you a threat&#xA;And that (k)night you took an L, an opportunist to the death&#xA;I'm goin' Bishop on the Elevator, shootin' with the TEC on queue (Q)&#xA;Cause upon (a pawn) further notice, you just movin' for a check&#xA;KingPen&#xA;Can you explain?&#xA;See how niggas is stalling?&#xA;Dot just make up an image a mega pixel you call it&#xA;You just a janky mechanic, you no different then all them&#xA;Yeah you uplifting the hood, but never fixin' the problem&#xA;But this the west, you started gangsta rap&#xA;And you need our thanks for that&#xA;You know he started battle rap, cool, but you ain't claimin' that&#xA;But if the URL is about &amp;quot;gang bangin', slangin' crack, and bangin' straps...&amp;quot; you said, &amp;quot;L.A. is where it should be sanctioned at&amp;quot;&#xA;But do you stand on that Dot?&#xA;Do you really want our thanks for that?&#xA;Do you know how many niggas die within territories they be hangin' at?&#xA;They lose a block and they take it back&#xA;Wavin' rags 'til they layin' flat in a cemetery where they graves is at&#xA;Oh...but you want our thanks for that&#xA;Of all the things you can say for L.A. you want this city known for slingin' crack?&#xA;But then you battle T-Top and you take it back just to say it's wack&#xA;You can't acknowledge vs. Mike that the mafia put drugs in the hood as a racist act&#xA;And then glorify it by sayin', &amp;quot;L.A. is where it should be sanctioned at.&amp;quot;&#xA;Why the fuck would you want thanks for that?&#xA;Why the fuck would you want thanks for that?&#xA;I'ma tell you all battle, he's a walkin' contradiction&#xA;A real black leader should be tryin' to keep us outta prisons&#xA;Your name Dot, how 'bout you try to teach us how to stop a sentence&#xA;Not to mention, I mean what happens if they clappin' and you get hit when they bang shells?&#xA;Who the fuck gon' carry Blood to the ring?&#xA;Is yo' gang  to cool off, like a hang nail&#xA;We way different&#xA;You can't even measure us on the same scale&#xA;This lame frail, so relay on that&#xA;Imagine Micky as a secretary Dot, this is Factz (facts) on fax (facts)&#xA;The crime? Black on black&#xA;But with the Mark you been (Cuban) you should be tryin' to help the west to get back on track&#xA;But you slack on that&#xA;You don't know what the throne 'bout&#xA;I left SMACK in 2013 and took my own route&#xA;You?&#xA;An opportunist, can't generate his own clout&#xA;But that's just you being Dot, no doubt&#xA;And it worked, how you and your buds plan it (plant it), it's a grow house&#xA;You a bird askin' them, &amp;quot;Am I great&amp;quot; (migrate), here's where it goes south&#xA;Desert Eagle, chrome spout&#xA;Big joint, no doubt&#xA;When the .50 points up on him his shit gettin' blown out&#xA;So let's close out&#xA;Chilla cold like beyond the freezer&#xA;The King Pen, what's a god to a non-believer?&#xA;Round&#xA;&#xA;Aye, you know what's a trip my nigga?&#xA;Y'all come with this, &amp;quot;You work for the white man&amp;quot; presentation&#xA;I don't know about you niggas but I'ma fo' sho' get my reparations&#xA;Smack, you lied to me&#xA;You told me we found It and gave me another lost clown&#xA;Fuck where you from, nigga this the west, you gettin' worked in the Boss Town&#xA;King Pen? Bruh I'll sock you out that false crown&#xA;I'm ahead in the castle and if you wanna get in and bridge the gap you better draw down&#xA;Y'all foul, actin' like I just got hot when you know it's lit&#xA;I been locked in before COVID hit, blow a dick&#xA;If you thought I was outta my lane and couldn't strike if I bowl with Pen (pin)&#xA;I'll fold his shit, I'll have him lookin' paraplegic gettin' fist after fist&#xA;Until you Rolling Crip&#xA;Do I know ya bitch?&#xA;Knowin' you, I don't even think the hoe exists&#xA;But if she I'ma have her lookin' like you hear a hot line and you know it hits&#xA;Yeah, she's gonna give me that Chilla reaction, the head nod with the pokin' lips&#xA;Bro a bitch&#xA;&amp;quot;All B. Dot do is praise black women.&amp;quot;&#xA;Yeah that's because praise for them don't exist&#xA;I guess you'll be the first black bitch that I gotta put down when the fo' uplifts&#xA;So go stroke ya chick&#xA;She like, &amp;quot;Don't you study ancient Egypt? Can you show me shit?&amp;quot;&#xA;Yeah I taught her ancient language, in her (inner) walls is where I wrote the 'glyphs&#xA;I'm so convinced that I could crack any chick that y'all lovin'&#xA;Y'all niggas better be happy I'm woke&#xA;I could be sleepin' with all of 'em&#xA;Dawg buggin'&#xA;He be in DM's, the broad's duckin', it's not in the plans&#xA;I mean, you mention Avocado, I'm like, &amp;quot;Why bro?&amp;quot; I wasn't proud of my mans&#xA;But for the record, what was the deal with Miss Creme?&#xA;Seems you never got an advance, oh that's a lo go (logo)&#xA;Well look at the image we both know you got problems my man&#xA;I mean you ain't been the same, it Ruin'ed Your Day when Creme dropped outta ya hands&#xA;What do we not understand?&#xA;Y'all know that short, little, nasty chick?&#xA;Yo she (Yoshi) wouldn't thot with ya man&#xA;You tried to figure out why you dub (UDubb), you got everything in the arsenal (Arsonal), just forgot about Swag&#xA;Rumors was passed, 'bout the few that you bagged&#xA;But we don't believe in fiction stories&#xA;They said, &amp;quot;He got bars&amp;quot;, I said, &amp;quot;Yeah, the nigga pen is gory&amp;quot;&#xA;They said, &amp;quot;No, no no, he got B.A.R.R.S.&amp;quot;&#xA;I said, &amp;quot;Carlisa? Ha! Ain't no way he was hittin' shorty.&amp;quot;&#xA;Ayo Smack, that nigga Norbes got a better chance gettin' 40&#xA;You was corny, and not poppin'&#xA;Whenever I pull up? The thot's watchin'&#xA;You drill up? We drillin' ya shit&#xA;Chill in (chillin') the whip, gettin' smoked; hot boxin'&#xA;I'll sock him&#xA;The whole world look at his stock droppin'&#xA;And they all know what time it is, everybody clock watchin'&#xA;I've got him, to a new speed ya not copyin'&#xA;Ya not mockin'&#xA;The small room is my house, when I come to the door I'm not knockin'&#xA;If I come to the place and I catch you, and you get low-&#xA;&#xA;Let me bring that back...&#xA;&#xA;Small room is my house, when I come to the door I'm not knockin'&#xA;If I catch you in my place, you should already know, the Glock poppin'&#xA;You keep duckin', I'm tryin' get him out my house, nigga stop squattin'&#xA;I'm moppin', the floor with you, hope the Lord witchu and God watchin'&#xA;You gonna need divine intervention&#xA;Like the gun got a jam that stop me from killin' this pussy; cock blockin'&#xA;I'm hoppin', to a higher level usin' all skill&#xA;I'm Mr. Skip The PG To The Top Tier, fuck how y'all feel&#xA;These leagues been fuckin' you, and you signed off on it, that's a raw Deal&#xA;That means your career's been on Ice if they ever told you was on Chill&#xA;Dawg still, usin' schemes, and everybody just go with it&#xA;Well look I can do what you do, you know cover the same ground, it's just the flow (flo') different&#xA;&#xA;I know you hate Martin schemes but pardon me as I use a couple name from the show with it&#xA;Like, it's a joke if Jerome pimpin'&#xA;Every time he (Tommy) claim he put in work we just don't listen&#xA;I'm fo' fifthin', it's in my DNA&#xA;I got a special kind of gene (Gina), a nigga pole grippin'&#xA;I'm outside your door with the ratchet, that's Sheneneh fo' sho' trippin'&#xA;Buck shots like the back of Pam dome wit' it'&#xA;I'm goin' dumb, with the heat, it's gonna be a cold (Cole) difference&#xA;Boom, boom, boom&#xA;You hear me knockin', open the door for the kid&#xA;That's a Lil' Roscoe with the nose drippin'&#xA;Hoe listen, I'm 'bout to give you the medication and it's holistic&#xA;After I tie cinder blocks around your ankles and throw you in the ocean it's fo' sho' missin'&#xA;Smack thought this was the match for the card, right&#xA;And now you gotta Go Fish him&#xA;I'm so vicious you know the business&#xA;I'm bred different, lead spittin'&#xA;Your next battle rounds gon' be jotted down in the hospital, that's bed ridden (written)&#xA;Dead kick him, I'll K-Shine ya shit&#xA;No-&#xA;I drop science like the 5% combining with the ancient scripts on the monuments&#xA;Tre five ya shit, will bomb ya shit&#xA;If I miss then I grab the Nina, slide the clip&#xA;These bullets got your name on 'em, I doubt a .9'll miss (anonymous)&#xA;Now see the problem is, they wanna put my brothers in jail, harsh environments&#xA;I mean, according to life just from prior hits&#xA;Now we gotta tell the babies, &amp;quot;Aye, they tryin' to rob ya daddy for his 25 K&amp;quot;; Danny Myer's kids&#xA;Nah, I'ma count down and shoot up like a rocket ship, copy that who's ever mocking this&#xA;The Glock is gripped&#xA;Oh you bringin' another-&#xA;&#xA;The Glock is gripped&#xA;Or I bring in another big chop, this won't be your only consequence&#xA;Rewind this shit&#xA;This that black African power&#xA;Time&#xA;&#xA;&#xA;Salute to the niggas in red capeing&#xA;Tryin' to sup' a man (Superman) with no &amp;quot;S&amp;quot; on his chest, you better take cover&#xA;Cause dawg (dog) bodyin' (body in) Blood like Flesh Of My Flesh&#xA;I need ya best showin'&#xA;This nigga dead; Rex slogan&#xA;I'm sendin' five to a higher power like an exponent&#xA;Speakin' of higher power&#xA;Y'all really think the god, complex?&#xA;You just an ordinary man; with a God Complex&#xA;Symptom 1: requiring excessive admiration&#xA;The root is a lack of confidence, no exaggeration&#xA;That's what makes him never want a crowd&#xA;Let me make it clear&#xA;Every single line that he rap, inside he pray you cheer&#xA;If you don't? He say you &amp;quot;Weird&amp;quot; like it must be the way you hear&#xA;Give him flash backs of his JC battle and it make him scared&#xA;So another 30 ball here tonight should make him help him face his fears (spheres)&#xA;That's why this his greatest year&#xA;Cause in his mind, where there's a lack of validation that's where hate appears&#xA;If I even looked at him the wrong way he'd prolly take it weird&#xA;&#xA;{Chilla looks B. Dot up and down}&#xA;&#xA;Yeah we can take it there&#xA;I'll put .9 in the Elevator, next time you better take the stairs (stares)&#xA;You wanted to go face to face in here?&#xA;These y'all tombs&#xA;But an MC who can't move a crowd? Shit we all doomed&#xA;He said, &amp;quot;I can't battle on a big stage cause a nigga with more charisma, you know...I need small rooms.&amp;quot;&#xA;The fact you only want to rap in this setting, speaks Volumes&#xA;Y'all doomed&#xA;You don't care about the fans specifically&#xA;Which brings us to symptom two Dot: lack of empathy&#xA;Now stick with me&#xA;I'm pushing the needle then the syringe droppin'&#xA;I've really been in straight jackets with the limbs lockin'&#xA;They shove medicine down ya throat, they don't give options&#xA;Episodes back to back, they was binge watchin'&#xA;That's an angle you pick often&#xA;You quick to disrespect 'em&#xA;You got some fuckin' nerve&#xA;With two young kids up on the spectrum&#xA;What you expect from a walkin' contradiction&#xA;How is this somethin' y'all fail to see?&#xA;That shit you was tryin' to sell Holmzes (homes) wasn't real to me&#xA;You diss Holmzie, for an abusive step father, that's crazy brother&#xA;That man put hands on his moms, you mocked the way he suffered&#xA;Said you would've shot that nigga the very first day he touched her&#xA;Then said, &amp;quot;it's tough to drop your kids to an alcoholic&amp;quot;, you know what may be tougher?&#xA;Bein' a fuckin' man and protectin' yo' kids from yo' baby mother&#xA;That's why I hate these suckas&#xA;Buncha dick blowers&#xA;Big posers&#xA;When it's time to drop 'em off you be cryin', holdin' ya kids closer&#xA;But told Holmzie, at age 12, to protect ya mother you would've clicked toasters&#xA;Nigga, at age 35 to protect yo' kids you won't tell your baby mother to get sober&#xA;It gets colder&#xA;Can you explain that?&#xA;Go ahead and explain the shit but that there is symptom three: troubled relationships&#xA;Let's face it, bitch&#xA;You was better never sayin' nothin'&#xA;Boy, I'm a bad ass kid pushin' the Elevator buttons&#xA;He frontin'&#xA;I know you mad, you wanna bomb on me&#xA;You got a violent streak, tear me limb from limb, but that would be dumb&#xA;You're better findin' peace (piece)&#xA;Maybe ya numb to it, there's no doubt you need guidance G&#xA;But rule of thumb, I know it's a lot to get over, but keep climbin' see&#xA;I had a to give him words and encouragement&#xA;Hehe, but rewind the scheme&#xA;Bomb, limb, dumb, numb, plus a couple more to find at least&#xA;Cause when your baby moms finished sippin' a bottle you'd be like, &amp;quot;Finally.&amp;quot;&#xA;'Til it's another one by her mouth, shhhhh, and you silent B&#xA;So quiet please, or meet a stick no one can measure with&#xA;Yo' kids gonna see this angle that you under pressure with&#xA;If you swing, I'ma weave and get to punchin' hella quick&#xA;I will drop you&#xA;In the middle of the stream, that way your son can treasure it&#xA;It's whatever&#xA;What's up Chuck?&#xA;He ain't even tough tough&#xA;He's cocky and need humblin', yup&#xA;I'm seein' what's what&#xA;But that's why the kid need (kidney) failure&#xA;So if you wanna die, I'll assist (dialysis) and get Blood clean the fuck up&#xA;Maybe it's clean as fuck but, the glory's mine&#xA;It ain't all about a resume Dot, it's the story line&#xA;And that's why I'm Champion Of The Year&#xA;Cause my 2020 was pain personified&#xA;Fuck cancer&#xA;Nigga, the week I battled Geechi, my aunt had died&#xA;I beat cuz, then I lost my little cousin I was horrified&#xA;I wasn't worried about droppin' tiers&#xA;I was literally, droppin' tears watchin' my mama cry&#xA;And that's why I'm Champion Of The Year&#xA;I don't expect you and I to agree&#xA;But I took my losses outside the ring and still kept fightin' my G&#xA;But their memory gives me energy&#xA;When I'm tired they inspire my speech&#xA;See while I was ghostwritin' for y'all&#xA;Nigga they was ghost writin' for me!&#xA;And that's why I'm Champion Of The Year&#xA;Shit, I ain't sayin' that I lapped you&#xA;He like, &amp;quot;I'm just sayin' you can make the argument-&amp;quot;&#xA;Bitch nigga we ain't ask you!&#xA;I trashed you&#xA;And where I'm from, don't determine if I'm real or not&#xA;I really made it out of Slum Village and I deserve a deal of (Dilla) props&#xA;You trash, but your fans is klepto so they still (steal) a watch&#xA;You got 'em blind to it, let's be real (braille), it's all filler (feel a) Dot&#xA;&amp;quot;Blind&amp;quot; &amp;quot;braille&amp;quot;, &amp;quot;feel a dot&amp;quot; that's why I'm slayin' you&#xA;Cause if these is yo' last days {gun cocks} shut up or I'm sprayin' you!&#xA;I'll get you snatched up&#xA;Davonne Campbell gon' have to make a play for you&#xA;So this is yo' last hour, unless Daylyt (Daylight) Saving you&#xA;I'll pray for you&#xA;Yeah, I had to make sure the deal done&#xA;I just beat the fake Lux, now bring me the real one!&#xA;Chill won!&#xA;'Cause Chilla cold like beyond the freezer&#xA;The King Pen&#xA;What's a god to a non-believer?&#xA;&#xA;&#xA;Yo who are you Chilla?&#xA;It's plain to see, you don't speak on yourself favorably&#xA;But we can't let that go by us (bias)&#xA;We checked your background and well, it's no priors&#xA;Only work you can give us is you writin' for niggas&#xA;Well that's rap trap, you droppin' dope lines&#xA;Everything come off your dome fire&#xA;Then why we can't get no transparency from the Ghost Rider (writer)&#xA;Personality? No nada&#xA;You just travel the world with schemes and things, doin' all these tricks, get to the point Globetrotter&#xA;If I could guess it's a low scoring, you only get credit with the co-signer&#xA;Can he (Kenny) come with a new personality against the Champion?&#xA;Oh this is so Vada&#xA;But no problem&#xA;Even though there's nothing we know 'bout him&#xA;We gonna choose the lesser of two evils&#xA;You know like, go knife him or .45 him&#xA;.45 was such a hard choice it forced us to pick him; Joe Biden&#xA;No slidin'&#xA;On Twitter you so live and it baffles me&#xA;This not an op', this a body&#xA;Nigga type 140 characters but no personality&#xA;You can't rap with me&#xA;I'ma keep it a fact-ory, nigga we aliens&#xA;So we gon' need somethin' potent in ya pen for the faculty&#xA;The blasphemy&#xA;When I told Holmz' he was crucified he got hot up in that match&#xA;Oh but the accuracy&#xA;The black man is god and that's always been a fact&#xA;Look at the way we've been attacked&#xA;Slavery was the crucifix, you lost to Real Deal twice so this gots to be attached&#xA;I mean you lost the belt to a white boy, I mentioned &amp;quot;crucifix&amp;quot; so  you should get the symbology in that&#xA;When the white man used to whip with that very same belt that came across our backs&#xA;Ayo snap, I got it wrong, it wasn't for a belt it just sound the same, sorry&#xA;&amp;quot;You know m-masta wasn't gonna give me a belt&#xA;I was gon' be free. With a chain on me.&amp;quot;&#xA;What a shame homie&#xA;You could've reversed the whole slave story&#xA;Instead you got outfoxed when it came to that Real Deal and couldn't Django him&#xA;Now ya pain's showin'&#xA;Cause you wanna fight me for a belt&#xA;These people know everything about me my nigga, what have you felt?&#xA;What have you been through?&#xA;Where do you bang?&#xA;What white have you dealt?&#xA;What have you been through?&#xA;What are you into?&#xA;What pain have you felt?&#xA;All this schemin' 'bout you squeezin', how many guys have you killed?&#xA;You got no identity so it's interesting all the guys you can help&#xA;Yeah of course you can pen for them, you been doin' it&#xA;You're a whole 'nother nigga every time you write for yourself&#xA;It's quite odd&#xA;Over at King Of The Dot you are like God&#xA;But over here, it don't blend in with the colors when it's white washed&#xA;Laura Tarsi , Topanga, no wonder this nerd nigga like white broads&#xA;And even when you had it black it was Creme, oh my gosh&#xA;Look, I'm like Nas&#xA;Talkin' to the 'Black Girl Lost' that's up in my DM&#xA;She tellin' me her 12 year old son look up to B. Dot and consider him royalty whenever she see him&#xA;He told me that he watches my battles and told his mom I give him something to believe in&#xA;So what the fuck is a King Pen if it's never helpin' the kingdom?&#xA;You from Boston?&#xA;So many racist fucks up in ya region&#xA;I figured a nigga who grew up in New England would go on King Of The Dot and have something to teach 'em&#xA;I went on King Of The Dot, told 'em they can't say &amp;quot;nigga&amp;quot;, they guests in our house and gave a fuck how they felt about speeches&#xA;You was over there shuckin' and jivin' gettin' sucked by the leeches&#xA;Never said one thing about police brutality and how we been gettin' bucked by the beast&#xA;It's crazy, you got a pen but you corrupted the reason&#xA;What's up with ya thinkin'?&#xA;All the words to be associated with &amp;quot;racism&amp;quot; and you never thought to tuck that in ya schemin'?&#xA;What's up with this demon?&#xA;How the fuck is we even?&#xA;Racism tryin' to drown my people and you suffocating the breathing&#xA;A real king is supposed to pen quotes to help his people float in the deep end&#xA;So what the fuck is a King Pen if it's never helpin' the kingdom&#xA;This brother is treason&#xA;Calling himself Martin Luther King Pen, boy stop it&#xA;Where's the uplifting speeches?&#xA;Instead of the scheming about toys poppin'?&#xA;If you was really Dr. King all that bussing (busting) would've been boycotted&#xA;But your core is rotten&#xA;You got no identity, he don't know yaself&#xA;I'll Rum Nitty him, suicide or I'll do the job, cocksucker you should blow yaself&#xA;I came to help, and get rid of all the violence you jottin'&#xA;We don't believe you stay with the Bucks to be honest (Giannis) about it&#xA;You gotta reroute it&#xA;Choose a new lane before it rains it's bound to get clouded&#xA;Just use ya pen to say you a nerd and proud when you shout it&#xA;Look how I've allowed it&#xA;With no crowd it's been easy to see what we deem &amp;quot;talent&amp;quot;&#xA;Look at the moves I've been makin' on the roof like Queen's Gambit&#xA;You seem damaged&#xA;&#xA;You wanna be the Champ, you can have it&#xA;I write for a cause, you only write for the reaction&#xA;I wear my heart up on my sleeve, I address the people's passion&#xA;You not cut from the cloth, I don't expect it from your fabric&#xA;And it's tragic&#xA;You got a pen, but you used it for dissin' me&#xA;So what's a King's Pen to a kingpin that's trying to rewrite history?&#xA;The misery&#xA;And this that black African power, and if these is yo' last days Chill then this was yo' last hour" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="267" PLAYTIME_FLOAT="266.292145" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="28697"></INFO>
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<INFO BITRATE="920615" KEY_LYRICS="10 ContributorsTranslationsPortuguêsNever Get Old Lyrics&#xA;Óir thug sé ordú dá aingil i do thaobh:&#xA;Tú a chosaint i do shlite go léir&#xA;Iompróidh siad thú lena lámha&#xA;Sula mbuailfeá do chos in aghaidh cloiche&#xA;Satlóidh tú ar an leon is ar an nathair&#xA;Gheobhaidh tú de chosa sa leon óg is sa dragan&#xA;&#xA;&#xA;Young woman with a drink in her hand&#xA;She likes to listen to rock and roll&#xA;She moves with the music&#xA;'Cause it never gets old&#xA;It's the only thing&#xA;That never gets old&#xA;&#xA;&#xA;Young man in a quiet place&#xA;Got a hawk on his arm&#xA;He loves that bird&#xA;Never does no harm&#xA;It's the only thing&#xA;That never can do no harm&#xA;Must be the only thing&#xA;That never can do no harm&#xA;&#xA;Sun setting on the avenue&#xA;Everyone walks by&#xA;They live their life under cover&#xA;Being blind&#xA;Being blind&#xA;Being blind&#xA;&#xA;&#xA;Óir thug sé ordú dá aingil i do thaobh:&#xA;Tú a chosaint i do shlite go léir&#xA;Iompróidh siad thú lena lámha&#xA;Sula mbuailfeá do chos in aghaidh cloiche&#xA;Satlóidh tú ar an leon is ar an nathair&#xA;Gheobhaidh tú de chosa sa leon óg is sa dragan&#xA;Óir thug sé ordú dá aingil i do thaobh:&#xA;Tú a chosaint i do shlite go léir&#xA;Iompróidh siad thú lena lámha&#xA;Sula mbuailfeá do chos in aghaidh cloiche&#xA;Satlóidh tú ar an leon is ar an nathair&#xA;Gheobhaidh tú de chosa sa leon óg is sa dragan&#xA;Óir thug sé ordú dá aingil i do thaobh:&#xA;Tú a chosaint i do shlite go léir&#xA;Iompróidh siad thú lena lámha&#xA;Sula mbuailfeá do chos in aghaidh cloiche" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="315" PLAYTIME_FLOAT="314.146881" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="35402"></INFO>
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<INFO BITRATE="943300" KEY_LYRICS="1 ContributorShock Out LyricsIs this real?&#xA;&#xA;Is this real or make believe?&#xA;Is this real?&#xA;&#xA;Is this real or make believe?&#xA;Is this real?&#xA;Is this real?&#xA;Is this real?&#xA;&#xA;Shock out!&#xA;&#xA;Is this real or make believe?&#xA;&#xA;Those were the days I remember&#xA;Remember&#xA;Remember&#xA;&#xA;Shock out!&#xA;&#xA;Those were the days I remember&#xA;Remember&#xA;Remember&#xA;&#xA;I can't believe it's real&#xA;Is this real?&#xA;Is this real?&#xA;Is this real of make believe&#xA;Is this real?&#xA;&#xA;Is this real of make believe&#xA;Is this real?&#xA;Is this real?&#xA;Is this real?&#xA;&#xA;Those were the days I remember&#xA;Remember&#xA;Remember&#xA;&#xA;Shock out!&#xA;&#xA;I can't believe it's real (x2)&#xA;&#xA;Those were the days I remember&#xA;Remember&#xA;Remember&#xA;Those were the days I remember&#xA;Remember&#xA;Remember" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYTIME="349" PLAYTIME_FLOAT="348.386658" IMPORT_DATE="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="40214"></INFO>
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<INFO BITRATE="942564" KEY_LYRICS="12 ContributorsGenius Korea Community’s Favorite Albums Of 2021 LyricsThis is a collection of Genius Korea Community’s Favorite Albums of 2021. The collection is not ranked and is purely based on the opinion of the users.&#xA;&#xA;&#xA;Read Genius Korea Community’s Favorite Songs of 2021… Read More  - LOONAOriginal Album | Romanization | English Translation&#xA;&#xA;I will admit, I'm a fairly new Orbit. But from the moment I saw the music video for &amp;quot;Why Not?,&amp;quot; I immediately fell in love with LOONA. And with their newest comeback, , my opinion of them only increases. Starting from the intro track, &amp;quot;&amp;amp;,&amp;quot; the album immediately kicks off with an intense electronic sound. Reusing some elements from the lead single, it's powerful, bold, and sharp. Next, is the lead single, &amp;quot;PTT (Paint The Town),&amp;quot; with influence from Indian culture and music, this track has a very intense dance hip-hop sound. LOONA sings about not caring what other people think about you and showing your true colors shamelessly. Showcasing an amazing pre-chorus, and a captivating bridge, with LOONA's vocals, it's an absolutely gorgeous track. After that, we have &amp;quot;WOW.&amp;quot; A bouncy, upbeat track, LOONA encourages every girl to be proud of who they are, and be themselves without shame. Then, we have &amp;quot;Be Honest,&amp;quot; my favorite song on the album. A refreshing bop, it's about being honest to yourself and expressing your feelings. In my opinion, LOONA's vocals really shine here, with great melodies and lively raps. Next is the fully English song &amp;quot;Dance On My Own.&amp;quot; Opening with a simple acoustic guitar, LOONA's vocals have a really nice feel in this song. Then, we have &amp;quot;A Different Night&amp;quot;—an emotional ballad with a dreamy, sentimental sound. The ad-libs throughout the song enhance the effect nicely. The album ends with &amp;quot;U R,&amp;quot; a soft R&amp;amp;B song with lo-fi influence. It's a really good song for chilling in your house at night! Overall, this album transitions very nicely—opening with an intense, powerful intro, and ending with a warm, cozy sound. This is definitely one of my favorite albums, everyone should give it a listen! You'll definitely like at least one track on it!&#xA;&#xA;—crystallized_stars4ONLY - LEE HIOriginal Album | Romanization | English Translation&#xA;&#xA;The warmest voice of South Korea returned with her full-length album 4 ONLY. Lee Hi begins with R&amp;amp;B track &amp;quot;Savior,&amp;quot; featuring B.I. The song is absolutely beautiful and every line feels special. B.I's rap delivers the message, 'Love changes and you already know it. It's much easier to believe in eternity.' Up next, &amp;quot;Intentions,&amp;quot; tries to understand men's logic behind their toxic behaviors. Then Lee Hi challenges a lying partner in &amp;quot;Waterride,&amp;quot; wanting him to face the problem. Switching genres, Lee Hi tries nu-disco with &amp;quot;Bye&amp;quot; and &amp;quot;Red Lipstick&amp;quot; and completely nails it. Next, we have one of my favorites, &amp;quot;H.S.K.T.&amp;quot; The vocal dynamic between Lee Hi and Wonstein is gorgeous, singing about selfish love. We can sum up &amp;quot;Safety Zone.&amp;quot; in this line, 'Laziness means the end of a relationship, but familiarity is the start of a perfect love.' Learning how to be with someone is tough and it means you're now responsible for someone else's feelings. If you don't take good care of them, they'll wilt. In the song, the couple tries to hold on because they want to believe in each other. I'm so in love with the ethereal harmonies in the outro. Then comes &amp;quot;What is love?&amp;quot; embodying the idea of 'opposites attract' and its consequences. Being too different can cause insecurities because you can't fully understand someone you're not. In &amp;quot;Darling,&amp;quot; Lee Hi is impatient to know if the person she likes is into her. For her, there's no other option—leading to the title track, &amp;quot;ONLY,&amp;quot; a sweet love song about growing old with your soulmate. The music video makes me cry every time I watch it. Even though we might lose our minds when we grow old, the love we feel is the only thing we'll remember.&#xA;&#xA;—EleventhCassetteALPHA - CLOriginal Album | Romanization | English Translation&#xA;&#xA;After what felt like an eternity, CL of 2NE1 finally released her first full-length album, ALPHA this fall. Staying true to its name, CL proved why she was and will always remain the alpha in the Korean music industry. The year-long rollout for the album gave fans a nice taste of what to expect from the album starting with the anthemic dance-pop track, &amp;quot;HWA&amp;quot; which encapsulated different themes and meanings represented throughout the album. CL then greeted us with &amp;quot;SPICY,&amp;quot; a South Korean empowerment anthem with an interesting collaboration with American actor, John Malkovich. CL also shined on the all-English pop track &amp;quot;Lover Like Me,&amp;quot; showing her versatility once again. The album was led by &amp;quot;Tie A Cherry,&amp;quot; a self-confidence anthem. Credited as a songwriter on all her songs, the album is a perfect showcase of CL's caliber using clever phonetics and wordplay especially as she effortlessly switches between Korean and English.  ALPHA not only talks about her power and impact in the industry but also her vulnerabilities and what it truly takes to be an alpha. Releasing a complete package, CL raised the bar even higher for K-Pop's style, sound, fashion, and visuals with ALPHA. Our only hope is that hopefully, we won't have to wait terribly long for its follow-up.&#xA;&#xA;—ssaa10decAttacca - SEVENTEENOriginal Album | Romanization | English Translation&#xA;&#xA;After their comeback in June with Your Choice, SEVENTEEN returns with a &amp;quot;PANG!&amp;quot; With Attacca being their ninth mini album, it absolutely did not disappoint! To get into more depth with the meaning behind the album's name, Attacca means 'beginning immediately' (directing a performer to go without pause to the next section). Just like how WOOZI said in an interview, the album can help illustrate how SEVENTEEN could express this unstoppable kind of love. The album is just perfect for when you're in the different stage of love! Want a song about a passionate and determined love with a killer guitar? Welp, the energetic pop-rock title track &amp;quot;Rock With You&amp;quot; is the one to get you amped up! Wanna get onto a deep listen through tracks with a more sentimental touch about a relationship that is crumbling, and looking back at it, and reflecting on actions? Well, the tear-jerking and panic-stricken &amp;quot;Imperfect love&amp;quot; (performed by the Vocal unit), &amp;quot;I can't run away&amp;quot; (performed by the Hip-Hop unit), and &amp;quot;2 MINUS 1&amp;quot; are the ones to get in the feels with. Want songs that experience the beginnings of first love with passion and determination and all the emotions that come with it? &amp;quot;To You,&amp;quot; &amp;quot;Crush,&amp;quot; and &amp;quot;PANG!&amp;quot; (performed by the Performance unit) are the tracks to get you all warm inside with experiencing it again in the form of songs! I absolutely love the whole tracklist of the album to the point where I can't even choose a favorite song when all of them are just masterpieces! Each of the unit songs show quite a different side to each of them and it is done really well! Definitely worth listening multiple times thanks to the different aspects of love shown in the album!&#xA;&#xA;—HobschiskeBAD LOVE - KEYOriginal Album | Romanization | English Translation&#xA;&#xA;KEY’s first solo release after his military service is a masterpiece of self-expression. Bad Love is a piece of art that goes beyond the sonic aspect and incorporates its music videos, stage performances, and print material. We talk a lot about concepts for albums but rarely is an idea as thoroughly and consequently executed as Bad Love has been. Sonically Bad Love is a very cohesive album that still manages to give each song its own identity. What ties them together are mostly synthesizers and a vague 80s retro feel. That feeling does not extend to the visuals though, which, in their sci-fi pulpiness, are more a throwback to the late 60s, to the likes of Bowie’s 1969 “Space Oddity” or Kubrick’s 1968 “2001: A Space Odyssey”. The album’s photobook is itself a narrative space comic meets fashion shoot, while the music videos for “Bad Love” and “Hate that…” also include space imagery. Every song on  Bad Love is a hit in itself which makes picking favorites near impossible. “Bad Love” is for sure the most dramatic of the six songs and hence the perfect pick for the title track. Girls Generation’s Taeyon’s feature on “Hate That…” was a nostalgic delight to all 2nd gen stans while providing both KEY and Taeyeon with duet partners that could hold up both vocally and when it comes to emotional expressiveness. KEY's full English song “Helium” was one of the best English language kpop tracks this year. Meanwhile, “Yellow Tape” and “Saturday Night” are in their own right very different dance songs. The album closes with the quieter and more emotionally inward “Eighteen (End Of My World).” It’s the only song off the album that’s not been promoted with stages or a music video and hence might have gone under the radar for more people. That’s sad considering KEY's great vocals and vulnerability in the song. KEY has talked about how he had to fight people at his label to make his full vision for Bad Love come to fruition and I can only say that I could not be happier that he stood his ground and won, both for him and for us as listeners who got to experience Bad Love as he intended.&#xA;&#xA;—sianiiCOLORS from Ars - YoungjaeOriginal Album | Romanization | English Translation&#xA;&#xA;Telling a beautiful story of love and heartbreak, Youngjae of GOT7 released his first solo album in 2021. Showing the different colors of a relationship from start to finish, the album was diverse not only in its lyrical content but also its sound. Most people were fascinated by Youngjae who opted for a dance-pop sound for the title track &amp;quot;Vibin&amp;quot; instead of his signature ballad style. It is sweet and catchy and listeners can still appreciate the power of Youngjae's vocals. B-side tracks &amp;quot;Tasty&amp;quot; and &amp;quot;Roses&amp;quot; infuse the album with a nice surprise. &amp;quot;Tasty&amp;quot; shows off a more groovy style paired with Youngjae's flawless falsetto. &amp;quot;Roses&amp;quot; bring in the synth-R&amp;amp;B sound amplifying the track's sensuality found in its lyrics. Towards the end of the album, we enter a familiar territory with the piano ballad &amp;quot;Eternal&amp;quot; and R&amp;amp;B ballad &amp;quot;Moonlight.&amp;quot; The emotions are beautifully conveyed by Youngjae's powerful delivery. Switching between softer tones and high notes, the singer takes his listeners on a heartwarming journey with his first album.&#xA;&#xA;—ssaa10decCRAZY IN LOVE - ITZYOriginal Album | Romanization | English Translation&#xA;CRAZY IN LOVE was the perfect first full-length album for ITZY; from the true to form 'we don’t care what you think' &amp;quot;SWIPE,&amp;quot; to the soft and sentimental &amp;quot;Mirror,&amp;quot; this album had it all. Throughout the album, each member was able to showcase their talents, whether it be in ways that MIDZY could expect, or even some incredibly impressive new ways like Yuna’s viral rap verse on &amp;quot;#Twenty,&amp;quot; Via the undoubtedly catchy title track &amp;quot;LOCO,&amp;quot; a song about the rush of going crazy over someone, ITZY proved that their thematic control reaches further than their trademark &amp;quot;I love myself / not shy&amp;quot; personas. With an exemplary first studio album like this, I can only imagine which new heights will be reached by ITZY in 2022.&#xA;&#xA;—LukeNolastnameDimmension : Dilemma - ENHYPENOriginal Album | Romanization | English Translation&#xA;&#xA;The album that made my back arch differently. With no shame, Dimension : Dilemma is a world in itself, showcasing an array of eight tracks characterized by ENHYPEN's unassailable boldness and susceptibility. You’ll easily catch their distinctiveness plunged on each and every song in the tracklist. The whole album itself is a slap in the face as they once again raised the bar high with their evident versatility and powerhouse vocals. Ever since the album was announced, I’ve been anticipating they would bring diversity and variety to the tracks. Ranging from a balmy-languid mood to a more jaunty-spirited vibe, this album never disappoints. That’s as much a testament to my own perspective for the album’s overall excellence.&#xA;&#xA;—Deign_Paul_ArchieEpik High Is Here 上, Pt. 1 - Epik HighOriginal Album | Romanization | English Translation&#xA;&#xA;Epik High continues to have its foot on the pulse of the human condition in Epik High Is Here 上 (Part 1). The legendary trio has stayed true to their sound and somehow remains on-trend even in this 10th full-length album.  For almost 30 minutes, the lyricism and raw emotion had me in a chokehold the whole time. While I thought I would find myself coming back to listen to the Latin-inspired, confidence-boosting song that is “Rosario” I kept hitting repeat on the thought-provoking “Lesson Zero” and meditating on the idea of going back to “Zero.” Another one of the heavy rotations was the song that brought B.I. out of his year-long hiatus “Acceptance Speech.” Other tracks on the album like “True Crime” and “End of the World” are songs that if I would keep to myself I could but they are just too good not to share. The final song of the album “Wish You Were,&amp;quot; is a lo-fi track that leaves the listener with this haunting feeling that you can’t shake. I only hope the sense of closure needed at the end of “Wish You Were” is going to be given to us in Epik High Is Here 下 (Part. 2). Until then, if you see me listening to “Acceptance Speech,” for the 100th time this week, mind your business.&#xA;&#xA;—NabitaEsprit - JiwooOriginal Album&#xA;&#xA;Making a comeback after a year with an EP that made an impression that left everybody asking &amp;quot;What's your interpretation of this album?&amp;quot; Jiwoo, also known as Hayake, recognized as an artist as well as a producer, surely knows how to make your jaw drop. Through the five songs in this EP, you can feel that there's hope for us to get through all of our hardships. It is poetically strengthening and mind-soothing. Additionally, the music video of &amp;quot;Lustre&amp;quot; showcases the details of the lyrics visually and artistically.&#xA;&#xA;—sa44Formula of Love: O+T=˂3 - TWICEOriginal Album | Romanization | English Translation&#xA;&#xA;Formula of Love: O+T=˂3 is all and more that I could have expected from &amp;quot;TWICE's third full length album&amp;quot;. As they are growing internationally, the 17-track project has a diverse set of songs that showcases the group's abilities and range. After their first English hit &amp;quot;The Feels&amp;quot; in October, the album contains three more tracks in English: &amp;quot;MOONLIGHT,&amp;quot; &amp;quot;ICON&amp;quot; and &amp;quot;CANDY.&amp;quot; These four songs are also musically different from one another, appealing to a wide international audience who may not be familiar with K-Pop. This album also contains TWICE's first unit songs, which allowed each member to try something new on their track– &amp;quot;PUSH &amp;amp; PULL&amp;quot; was a fun song for Jihyo, Sana and Dahyun; &amp;quot;1, 3, 2&amp;quot; allowed Jeongyeon, Mina and Tzuyu to show off their vocal prowess, while &amp;quot;HELLO&amp;quot; was unexpectedly perfect for Nayeon, Momo and Chaeyoung, who have found a new specialty in hip-hop. The biggest surprise off of the album was the rock ballad &amp;quot;선인장 (CACTUS),&amp;quot; which Jihyo not only wrote but composed. It is a rock ballad that has powerful vocals and instrumentation, which only leaves me wanting to know what other new experimental tracks TWICE might be keeping away from the public. This album was a perfect demonstration of TWICE's expanding musical genius, and soon enough everyone will fall under their formula of love: ONCE + TWICE = ♡&#xA;&#xA;—PlanNineFragile - eAeonOriginal Album | Romanization | English Translation&#xA;&#xA;eAeon, the Korean singer-songwriter, also known for being the leader of indie band Mot (못) and one-half of Night Off (나이트오프), returned after nine years with his solo album, Fragile. The release is a very interestingly working mixture of synth-pop and lo-fi, with very honest, vulnerable lyrics, and 'love' as a metaphor to talk about fragility throughout the whole album. One of the most interesting songs on the album is &amp;quot;왜일까 (I Wonder),&amp;quot; which creates the vibe that could easily be the soundtrack to the film, probably some dark drama or a spy movie. &amp;quot;어쩌면 (Maybe),&amp;quot; one of the singles released prior to the album, will make you think about changes, and the impact other people make in our lives. For this album, eAeon also collaborated with a R&amp;amp;B singer Jclef (&amp;quot;Null&amp;quot;), rapper Swervy (&amp;quot;Mad Tea Party&amp;quot;), and rapper-songwriter-composer RM (&amp;quot;그러지 마 (Don't)&amp;quot;). The latter is probably the most known off of the album (deservedly). &amp;quot;그러지 마 (Don't),&amp;quot; the story of the relationship gradually falling apart, is not their first collaboration, and once again together they created a very unique piece. Both artists share a similar musical sensitivity, and they hold great respect for each other, which translates into the results of their joint work. That being said, despite the rather gloomy subject of the lyrics, the whole album is oddly comforting and definitely worth listening to as we all have the fragility to embrace.&#xA;&#xA;—siannveHAPPEN - HEIZEOriginal Album | Romanization | English Translation&#xA;&#xA;One of the best voices of South Korea has returned this year with her 7th mini album, HAPPEN. It's also the first one since she switched labels to PSY's P Nation. The R&amp;amp;B singer and rapper wrote seven out of eight tracks, she also revealed that she was struggling with the lyricism for a long time while working on it, but was able to overcome it with the support of her team. The whole album is very gentle and melodious, and definitely one of her best. It also features singer-songwriter Ahn Ye Eun, ballad singer Kim Feel, and rappers CHANGMO and Gary. The most impactful song from the album is the title track, &amp;quot;헤픈 우연 (HAPPEN),&amp;quot; where over a funky clean melody, Heize sings about the small moments that fate can bring and the probability of coincidence, repeated by the music video that starts with &amp;quot;I don’t know if chance encounters are truly by chance. I'm meeting you for the first time, but I don't know if it’s truly our first.&amp;quot; From the b-sides off the album, &amp;quot;감기 (Flu)&amp;quot; produced and co-written by Epik High's Tablo and multi-Grammy-nominated Mighty Mike undoubtedly stands out the most. CHANGMO's gritty rap matches Heize's smooth rap and softly-sang chorus very well, making this bitter-sweet song so good.&#xA;—siannveHide &amp;amp; Seek - PURPLE KISSOriginal Album | Romanization | English Translation&#xA;&#xA;After debuting in the spring with “Ponzona”, PURPLE KISS showed with their first comeback “Hide &amp;amp; Seek” in September how much you can grow in barely half a year. The seven-member girl group, chosen to uphold MAMAMOO’s legacy of outstanding and charismatic vocals, impress with their talent and versatility on the record. The title track “Zombie” is electrifying in its catchiness, delivering on vocals and rap as well as on visuals, a fun music video and choreography. In a year with a lot of brilliant girl group songs, PURPLE KISS still managed to stand out with their very own charm. Talking B-sides, they oscillate effortlessly between moods and genres, going from “Twinkle” with its sweet message and tropical house influences, to “ZzzZzz’s” soft indie loneliness. Especially of note is the level of participation the members had in this album. All seven have writing credits for “2am”, a song dedicated to their fans. While all contributed, rapper Yuki stands out, having credits on all of the six songs. With little more than a dozen songs under the group’s belt, you can already tell her finesse and skill as a rapper will only grow from here. While “Zombie'' was the right pick for the title track, my personal favorite is “So whY”. Combining a funky beat with a perfectly executed anti-drop, “So whY” makes me especially excited to see what more we can expect from these monster rookies in 2022, who’ve already established themselves as more than capable singers, rappers, dancers, writers and composers less than a year into their career.&#xA;&#xA;—sianiiHot Sauce - NCT DREAMOriginal Album | Romanization | English Translation&#xA;&#xA;'Hot Sauce' is a cohesive yet diverse album. The title track encapsulates this very well with the Spanish vocal sample (+the distorted version used in verses) as well as the rapid pace and the chanting on the second refrain. It kind of (albeit very subtly) reminded me of Hitchhiker-produced tracks like 127's &amp;quot;MAD DOG.&amp;quot; It's followed by &amp;quot;Diggity,&amp;quot; which combines hard, punchy, and experimental elements with DREAM's cute aesthetic - making it a fan favorite among many.  &amp;quot;Dive Into You&amp;quot; is one of my two personal preferred songs out of all the B-sides. The strong bassline brings power to the rap verses and drops off for harmonic, melody-driven pre-chorus, only to come back bigger immediately after. The soft slowdown at the end perfectly leads into &amp;quot;My Youth.&amp;quot; &amp;quot;Rocket&amp;quot; gives me the vibe that I'm literally blasting off to space and, at some points, feels like I'm riding a Ferris wheel or doing something of the sort at an amusement park. My second preferred song out of the tracklist is &amp;quot;Countdown (3, 2, 1).&amp;quot; The best part is the final verse that comes back unexpectedly after the chorus to bring back the track's punchy energy. It definitely did a good job of giving the impression that something big was about to happen. &amp;quot;ANL&amp;quot; makes me feel like it's just rained and the sun is coming back out from the clouds (and also brings me a strange sense of nostalgia). &amp;quot;Irreplaceable,&amp;quot; tells the story of an energizing love with a forever lover - and you don't even need to understand a word to know that. And, finally, &amp;quot;Be There For You&amp;quot; and &amp;quot;Rainbow&amp;quot; are heartfelt ballads that sound like they could fit right into an OST.  Overall, there wasn't a miss on NCT DREAM's latest fully-new release and I'll happily listen to the whole thing over again many times. It was even followed by the 'Hello Future' repackage.&#xA;&#xA;—ckrIITE COOL - DPR LIVEOriginal Album | Romanization | English Translation&#xA;&#xA;IITE COOL is a feel-good EP by DPR LIVE. He begins with &amp;quot;Venus,&amp;quot; which is about a one-of-a-kind girl who has strong beliefs and doesn't follow the stereotypical relationship roles, which DPR LIVE is into. Track 2 is a collab with Beenzino &amp;amp; HWASA called &amp;quot;Hula Hoops,&amp;quot; definitely the track that starts the party. DPR LIVE's parts seem like a continuation to &amp;quot;Venus&amp;quot; since he also speaks about a cool and edgy girl who doesn't care about what anyone thinks of her. In my first listen, I was in awe of HWASA's angelic voice. The third track, &amp;quot;Summer Thighs,&amp;quot; is one of my favorites. It's a summer song about a new encounter with a girl of his type and he wonders if he's hers too. She kisses him and it seems so, making it a perfect transition to my favorite track, &amp;quot;Boom,&amp;quot; featuring DPR IAN. It's an extremely sexy song but the girl turns out to be really selfish and only wanted sex. For the first time in the EP, we hear the vulnerability in the most stunning and unexpected interlude ever. The original vibes are long gone, replaced by angsty melodies and insecure lyrics where Dabin endlessly asks who's the other guy she's been seeing, just wanting to know why. Next, we have the first track I ever heard from DPR LIVE, &amp;quot;Taxi Cab.&amp;quot; The upbeat rock song focuses on who DPR LIVE is as an artist, how he's perceived, and his opinion about Korea's music culture. Not holding back with the last track &amp;quot;Awesome,&amp;quot; DPR LIVE shows his confidence about his place in the K-hip-hop industry and his views about the world. IITE COOL is a great EP to listen to in the summer, full of awesome vibes and brilliant artistry behind each song.&#xA;&#xA;—EleventhCassette인생은 나쁜X (Life is a Bi...) - BIBIOriginal Album | Romanization | English Translation&#xA;&#xA;BIBI, currently one of the most interesting Korean rising artist, released her sophomore EP, Life is a Bi…. On her five-track album, she explores the topic of the toxic relationship we all have with life. It can be unpleasant and harsh, whether we are ready for it or not. &amp;quot;Life is an endless loop of happiness, sadness, difficult times and more. When life hits you hard, sometimes you just want to blame everything on someone else,&amp;quot; BIBI said about the reason behind the album. But she also shows the different perspective for it, on the title track she sings &amp;quot;I've been six feet under, But I've been nine feet upward, bitch.&amp;quot; On all the tracks, despite the darker topic, we can hear upbeat trap beats and her subtle humorous approach in the well-thought-out lyrics she penned, where she gives hints how to enjoy whatever life gives us. They're rhythmically very satisfying, and she also uses wordplay easily (&amp;quot;BAD SAD AND MAD&amp;quot;!). All of that makes this album so outstanding and interesting. And probably it could not have been released in that form if BIBI was signed under a big label instead of an independent Feel Ghood Music she has chosen, that clearly allows her for creative freedom.&#xA;&#xA;—siannveLilac - IUOriginal Album | Romanization | English Translation&#xA;&#xA;Acting as a bridge between her 20s and 30s, LILAC is a cathartic album by the Korean singer-songwriter, IU. Running with her theme of age-related projects, the singer brings comfort to her fans on this album. Containing extremely relatable lyrics, at least relatable to me and most people I know, LILAC had a track for every moment. Sonically, the album is a perfect modern pop album, from 2000s R&amp;amp;B to 80s disco-pop to soaring orchestral ballads, IU shares every aspect of herself that we have grown to love. While the lead single is an explosion of springtime excitement like the blossoming of lilacs, I think the album’s real gems lie in the B-side tracks like “Troll” featuring R&amp;amp;B artist DEAN (side note I need new music from DEAN), the bubblegum-pop, “어푸 (Ah puh),” “Coin,” &amp;quot;아이와 나의 바다 (My sea)&amp;quot; and “Flu.” One thing I love about IU's albums is the incredible songwriting collaborations. It shows that she can fit into any style possible, LILAC's credits contain several prominent Korean songwriters including Lee Chan Hyuk, PENOMECO, JUNNY, Sumin, and hitmaker Ryan S. Jhun. IU amplifies her relatable personality through her music and lyrics and LILAC is the perfect example of it.&#xA;&#xA;—ssaa10decMINISERIES - SUMIN &amp;amp; slomOriginal Album | Romanization&#xA;&#xA;When these geniuses collaborated on an album, I had no words to explain what I felt. MINISERIES is one of the albums that I've been waiting for the most ever since they hinted at collaboration through their Instagram stories and posts around the end of July. Knowing how distinct SUMIN's sounds are, this collaboration made me curious about what the final results would be. This album basically shows how great their chemistry and musicality are, and shows how much variation in sounds there can be in an album. It's not easy to put different genres in an album, especially a full-length album. But from the first track &amp;quot;MIRAGE&amp;quot; all the way to &amp;quot;CHEERS,&amp;quot; there are surely no skips, and you can groove to each one of the songs. Thirty-one minutes of SUMIN and Slom is not enough.&#xA;&#xA;—sa44MO' COMPLETE - AB6IXOriginal Album | Romanization | English Translation&#xA;MO' COMPLETE is more than complete with everything that makes an album a masterpiece, and I wish more people would give it a listen. After a few listens to the album in full, I was hooked. It's a whole adventure, with genre blends that keep you interested as you move from track to track. One thing I've learned about AB6IX is that they take their music in directions that are so unique to them, no matter what the trend is at the time. This album has electropop, Latin-influenced, and mellow tracks, alongside songs that make me feel like flying and others that make me want to dance. I remember I was first obsessed with &amp;quot;DOWN FOR YOU,&amp;quot; the Daehwi-composed track that mixes Latin instruments with sultry vocals about love. But since then, I've been attached to the mellow &amp;quot;그해 여름 (DO YOU REMEMBER),&amp;quot; a track reminiscing on a summer full of memories, also showcasing each member's strengths—from Woojin's captivating rap and Woong's powerful notes to Donghyun and Daehwi's emotional falsetto. The cherry on top is the sweet title track; Composed by Daehwi, &amp;quot;CHERRY&amp;quot; is the perfect song to match the album's color palette and concept. Overall, MO' COMPLETE showcases AB6IX's growth as artists and is a record that is definitely worth re-listening to.&#xA;&#xA;—PlanNineMoodswings in This Order - DPR IANOriginal Album | Korean Translation&#xA;&#xA;South Korean-Australian singersongwriter DPR IAN makes his debut with Moodswings In This Order. He opens the album with the atmospheric intro track &amp;quot;MITO.&amp;quot; IAN's voice is distorted throughout most of the song, representing his character MITO as he is born. Only the last line, 'Like yesterday' is clean, as if we were about to see the past from this point on. IAN says MITO represents who he used to be growing up. The next track is &amp;quot;So Beautiful.&amp;quot; With an orchestral touch and transition, the song starts off with the sound of soothing violins, followed by a catchy whistle melody. The vocals remind you of John Legend's old songs like &amp;quot;P.D.A. (We Just Don't Care).&amp;quot; My favorite line off &amp;quot;So Beautiful&amp;quot; is 'I love it when the skies can't sleep.' In the next track, &amp;quot;Dope Lovers,&amp;quot; IAN shows off his dynamic use of head voice (higher pitch) and chest voice (lower pitch). Another highlight for me is in the second verse when he uses &amp;quot;'Cause I think...&amp;quot; as an anaphora for another two lines. It sounds very simple, but I don't think it's that common. Also, the bridge builds up perfectly, having desperate vocals in the background to conclude the concept of the song. Up next, we have IAN's collaboration with DPR LIVE and&#x9;CL from 2NE1, &amp;quot;No Blueberries.&amp;quot; It's a very catchy song about anxiety and just like &amp;quot;Dope Lovers,&amp;quot; he uses other interesting dynamics, like the spoken lines in between vocals (I borrowed this technique for one of my songs because it's just so cool) and also I love the gun sound effect in DPR LIVE's rap, I keep making the motion when it comes up. CL really complimented IAN in the chorus and I feel like having his backing vocals makes more emphasis on the feeling of anxiety—those voices in our heads telling us we should flee from danger. This makes a perfect transition into the next track, &amp;quot;Nerves.&amp;quot; IAN purposely uses repetition as a method to express his doubts, as if you were retyping a text multiples times and you end up writing anything but what you meant. The song is about losing someone because you weren't able to say what you really felt. &amp;quot;Nerves&amp;quot; is a really raw song and I think that's clear in the outro, when IAN apologizes and ends up telling his feelings through this song instead. Following the theme, &amp;quot;Scaredy Cat&amp;quot; is a fun song about being afraid of everything. I'm particularly fond of the line, 'There are clouds in disguise and I'm always terrified, they might just rain on me.' Besides the line being genius, his falsetto sounds beautiful. The next track brings back the orchestral elements from the beginning, according to IAN, &amp;quot;Welcome To The Show&amp;quot; was the hardest song to make just because he could only write it when he was feeling down. He expresses his fear of what's to come next after he has opened up through his songs. Finally, to close the album, IAN brings &amp;quot;No Silhouette.&amp;quot; He goes back to the guitar melody in the opener &amp;quot;MITO,&amp;quot; but instead of making his way down sonically, he goes up. In the lyrics, IAN confessed that he has lost MITO—his younger, immature self. At the end, Moodswings In This Order becomes an album about growth, learning how to open up, how to love and come to terms with past experiences. This is why, to me, MITO is the album of the year.&#xA;&#xA;—EleventhCassetteNOEASY - Stray KidsOriginal Album | Romanization | English Translation&#xA;&#xA;Stray Kids has never been one to take criticism lying down. NOEASY is a great example of that, the pioneers of the “mala” genre have done it once again by poking fun at their critics to make their “noisiest” album yet. From the boisterous “Thunderous,” where Felix declares that they “don’t play by the rules,” to “CHEESE” where they challenge the critics by asking “What’s so funny about an A-Class vibe?”  The entire album featured 14 songs of pure Stray Kids vibes. 3 of those 14 songs were created by members units where they got to showcase new sides of themselves. While I enjoyed every single song on this album, my year-end streaming service reviews have all called me out for the number of times I listened to “Red Lights.” This album also brought the best gifts any STAY could ask for, the return to Stray Kids to the stage as 8 and the most wins any Stray Kids title track has ever received. Stray Kids continues to set the bar incredibly high for fourth-generation K-Pop artists and I cannot wait to see what they do next.&#xA;&#xA;—NabitaOnly Lovers Left - WOODZOriginal Album | Romanization | English Translation&#xA;&#xA;WOODZ or Cho Seung Yeon delivered one of the best mini-albums of 2021 with Only Lovers Left. Co-written by the singer himself, each track on the album depicts a different aspect of a relationship. Each of the six tracks is a 10 out of 10 as they beautifully blend different genres and styles making a cohesive record. Opening with &amp;quot;Multiply,&amp;quot; the track is one of the three all-English songs on the album. The lo-fi song is paired with an acoustic guitar which opens the album on a brighter tone. With a punchy hook, &amp;quot;Thinkin About You&amp;quot; continues the vibrancy of the album dabbling with pop and EDM melodies. WOODZ's beautiful falsetto can be heard on the track make it extremely memorable. &amp;quot;Sour Candy&amp;quot; is WOODZ's opportunity to showcase his multi-faceted artistry. The cheeky 70s-inspired song is THE hidden gem of Korean music in 2021. A fun listen through and through &amp;quot;Sour Candy&amp;quot; is playful not only in its lyrics but also with sonic production. &amp;quot;Kiss Of Fire&amp;quot; is the Weeknd-inspired song with a blend of synth-R&amp;amp;B, pop, and a trendy bassline, completing the sensual vibe of the track. WOODZ's vocal delivery takes center stage in the song's bridge. &amp;quot;Chaser&amp;quot; is an explosive track that makes you want to run wild through the rain. The emo-rock-influenced song mixes the style of Led Zepplin with the vocal performance of Michael Jackson. The album closes with its lead single which is an interesting choice in itself. &amp;quot;Waiting&amp;quot; is the darkest song not only in terms of its lyrics but also the visuals that accompanied it. The singer is seen in emotional turmoil painting a very vivid picture of toxicity in relationships and the effect it has on an individual. With Only Lovers Left, WOODZ has outdone himself, expressing his emotions through his songwriting, composing, and performance. The album shows that WOODZ has the power and capability to stand as a versatile soloist on the global stage.&#xA;&#xA;—ssaa10decQuerencia - CHUNG HAOriginal Album | Romanization | English Translation&#xA;&#xA;This being CHUNG HA's first studio album, it was expected to exceed expectations! And oh, it did! The album explored a long list of genres thanks to the album's separation into four &amp;quot;sides&amp;quot; (NOBLE, SAVAGE, UNKNOWN and PLEASURES). Each side gives off different vibes and rhythms, taking the audience on a rollercoaster of emotions! As for the concept, Querencia (an abstract concept in Spanish) is referring to a place where one can be one’s true self/or to desire. The album truly does justice to the concept of where you can be your true self with the wide range of meaning added into the tracks, making it an album that suits every mood. For some instances, the difficulties of a relationship, how &amp;quot;it's okay not to be fine,&amp;quot; to show empowerment and confidence, to pick yourself up and come back stronger than those who have betrayed you. At first, I was skeptical of the 21 tracks but I was just blown away! Of course, never doubt Chungha! With hardly any tracks to skip, the album contains everything that fans have come to love about the soloist. I would say my favorite track of the album would be &amp;quot;Demente ft. Guaynaa&amp;quot; (including the Spanish Version). The melody and lyrics are just awesome! It is an album to remember and revisit no matter how you are feeling because it has something for everyone!&#xA;&#xA;—HobschiskeSavage - aespaOriginal Album | Romanization | English Translation&#xA;&#xA;If cyberpunk, Y2K, and the dystopian concept were all mixed, we'd get Savage. The long-awaited debut mini-album of monster rookie girl group aespa is nothing short of memorable and brilliant, with its musical cohesion taking us on a six-track journey that is nutritious in its distinct sounds. Starting with the anthem-like &amp;quot;ænergy,&amp;quot; the track serves as an introduction to the album and aespa's concept. The lead single &amp;quot;Savage&amp;quot; was a foreseen success due to its addicting rap making and colorful vocals, similar to the enticing &amp;quot;I'll Make You Cry,&amp;quot; which brings us a 2000-style pop track, reminiscent of the music of female ensembles such as The Pussycat Dolls. Heading onto a cheerful atmosphere, &amp;quot;YEPPI YEPPI&amp;quot; is easy to listen to and would be able to put anybody in a good mood. &amp;quot;ICONIC&amp;quot; is empowering through sweet vocals, and its drooping confidence conveyed in the chorus allows the listener to feel better about themselves. Savage's final song, &amp;quot;자각몽 (Lucid Dream),&amp;quot; is a surreal R&amp;amp;B track that closes off the album on a lighter yet still alluring note. Overall, Savage is a linkage of parallel songs that can all shine on their own due to each track's originality and concept, and the more you listen to the album, it'll be inevitable to become addicted to it.&#xA;&#xA;—loveholicSTAYDOM - STAYCOriginal Album | Romanization | English Translation&#xA;&#xA;After the powerful entrance STAYC made to the K-Pop genre in late 2020, making them my favorite girl group debut of the year, the group's much-anticipated first mini-album STAYDOM was released in April of 2021. Consisting of four songs, this delivery emphasizes the group's intention of making an impact and gaining their own place in the industry. With unmatched vocals and fun choreography, the lead single &amp;quot;ASAP&amp;quot; is an infectious and bubbly refreshing song that positively assures the group's duality, compared to debut song &amp;quot;SO BAD.&amp;quot; Although based on my taste, their B-side tracks are what shines the most. The confidence-inducing track with a catchy and melodic tune &amp;quot;SO WHAT&amp;quot; encourages the listener to be their own self, regardless of other people's opinions. My preferred track, &amp;quot;사랑은 원래 이렇게 아픈 건가요 (LOVE FOOL)&amp;quot; is an easy-to-listen and sweet slow-paced mixture of the members' diverse vocal colors and meaningful lyrics. Both songs reach their peak during the bridge, both unique yet addicting in the same kind of way. Ending with a remix of &amp;quot;SO BAD,&amp;quot; TAK lends his artistic abilities that make for a song perfect for performances. To say I am excited about STAYC's future releases is very little compared to the relentless anticipation I have as I look forward to the undeniable success that STAYC will face as they dive more into their talent.&#xA;&#xA;—loveholicSticker - NCT 127Original Album | Romanization | English Translation&#xA;&#xA;While most of the world was shocked at the collection of songs that formed Sticker, it came as no surprise to the fans of the group. NCT 127 has always been experimental and their style and sound has defined many trends in the new generation of K-Pop. Sticker is a perfect example of their envelope-pushing style. From hidden gems like &amp;quot;내일의 나에게  (The Rainy Night)&amp;quot; and &amp;quot;다시 만나는 날  (Promise You)&amp;quot; to club bangers like &amp;quot;Bring The Noize&amp;quot; and &amp;quot;Far,&amp;quot; the album takes its listeners on a sonic adventure playing with our senses. While the title track threw its listeners off in the deep-end, tracks like &amp;quot;Focus&amp;quot;, &amp;quot;Lemonade&amp;quot; and &amp;quot;Breakfast&amp;quot; ensures that the album sounded cohesive. NCT 127 pairs its vocalists with its rappers appropriately on the album giving each member to shine and do what they do best. With sleek choreography, interesting and vibrant visuals, NCT 127 took a major risk with Sticker which came to beautiful fruition. With its repackage, accompanying concert tour, and commercial success, I believe NCT 127 has finally established themselves as senior artists in the industry and a force to be reckoned with. With an eclectic list of songwriters and producers, Sticker is an incredible blend of pop, hip-hop, R&amp;amp;B, and ballad, with no song fitting into one category perfectly.&#xA;&#xA;—ssaa10decThe Chaos Chapter: FREEZE - TOMORROW X TOGETHEROriginal Album | Romanization | English Translation&#xA;&#xA;Leaders of the fourth generation of K-Pop gave us their third full-length album—The Chaos Chapter: FREEZE. The album is very strong in terms of the music, and at the same time, the group freely tries different musical styles, which gives a very natural, pleasant-to-the-ear effect. The subject of the songs still oscillates around the highs and lows of their boy lives on the verge of being teens and young adults. It is also significant that all the members were actively involved in the creation of the album, which makes it even more personal—they all wrote the lyrics, and HUENINGKAI co-produced one of the songs, (&amp;quot;Dear Sputnik.&amp;quot;) The main point of the album is the title track, an emo-rock song &amp;quot;0X1=LOVESONG (I Know I Love You)&amp;quot; featuring South Korean R&amp;amp;B singer, Seori. The song is followed by the band's first English song, an upbeat, funky &amp;quot;Magic,&amp;quot; which emphasizes perfectly the dancing abilities of the group during performances. When talking about the best songs from the album, it is impossible not to mention &amp;quot;Anti-Romantic,&amp;quot; the soft synth-pop ballad that works as the album opener, shows youth's intense feelings of falling in and out of love. The album turned out to be a hit not only in Korea, but also in Japan, scoring for TXT their fourth consecutive number-one album. Moreover, it debuted at No. 5 on Billboard 200 albums chart (a weekly ranking of the most popular albums in the United States) making TXT the third K-Pop group in history to chart multiple albums on it in the same year.&#xA;&#xA;—siannveWANTED - CNBLUEOriginal Album | Romanization | English Translation&#xA;&#xA;Five tracks without a single skip, WANTED actually turned out to be one of my favorite albums of the year, going to show that you can really find some hidden gems in Korean music if you know where to look. With killer vocals and instrumental, from the uptempo &amp;quot;Love Cut,&amp;quot; and &amp;quot;99%,&amp;quot; mellowing out in the middle through to the slower and more moving &amp;quot;Time Capsule,&amp;quot; this album was short, sweet, and had everything it needed for the group's only comeback of the year. If you haven’t heard of CNBLUE before, this album could definitely be the one that makes you wish you had. I’m sure that, moving on to their 12th year in the industry, there is a lot of good music on the horizon for CNBLUE and their fans.&#xA;&#xA;—LukeNolastnameWATERFALL - B.IOriginal Album | Romanization | English Translation&#xA;&#xA;I will admit, I am a fairly new fan of Hanbin. I always knew of him as a songwriter, but I never paid attention to his lyrics on a deeper level. Hanbin’s ability to share a heartbreaking and depressing story through his lyrics but still make the track sound like a summer bop is perfectly on display on WATERFALL. Hanbin also known as B.I professionally expertly hides his pain in the album’s lyrics. Some of the highlights on the album include previously mentioned rock ballad, “Numb,” “Then,” “Illusion,” &amp;quot;Help Me&amp;quot; and “Daydream” which also features longtime friend, Lee Hi. Storytelling takes center stage on the album, considering the public scrutiny the artist has faced in the past. Being his first full-length album, WATERFALL becomes an outlet for Hanbin to share his truth. While the production is simple and minimalistic, B.I still incorporates rock, hip-hop, funk, pop, jazz, and ballad sounds in the album. One of my favorite things is when a rapper sings and sounds phenomenal and we hear it once again on the album. The album contains some of B.I’s best vocal deliveries and amidst the heartbreak and darkness, Hanbin manages to find hope and light on WATERFALL which is what makes this album one of the best of the year.&#xA;&#xA;—ssaa10dec" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYCOUNT="1" PLAYTIME="368" PLAYTIME_FLOAT="367.606750" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="42438"></INFO>
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<INFO BITRATE="779462" KEY_LYRICS="1 ContributorDevil Lyrics(HOOK)&#xA;&#xA;Devil Devil look down at me . Magma here , Lava there , evil fuckin everywhere . Atari ET burnin . Everyone is turnin&#xA;&#xA;&#xA;(Verse 1)&#xA;&#xA;Devil with the flow . Devil with the bros . Bitch Boy be runnin from me . He be fuckin with the crew . Spider thinkin he lucky . His odds are just sucky . Oh hell no . Kick ass like the crew . I be dissin all day everyday aye&#xA;&#xA;&#xA;(HOOK)&#xA;&#xA;Devil Devil look down at me . Magma here , Lava there , evil fuckin everywhere . Atari ET burnin . Everyone is turnin&#xA;&#xA;&#xA;(Verse 2)&#xA;&#xA;Mythic souls crashing , Bitches be thrashing . Red blade in magma . Maxie be stormin the aqua . The lucifer returns . Epollis46 getting hit with the red blade . Diablo has returned . Lucifer back with the click clack . Devil on anotha level like a fuckin rebel&#xA;&#xA;(HOOK)&#xA;&#xA;Devil Devil look down at me . Magma here , Lava there , evil fuckin everywhere . Atari ET burnin . Everyone is turnin&#xA;&#xA;&#xA;(bridge)&#xA;Fake Women hittin me up that is bullshit . Indecisive bitches textin me fuck off . I dont fuckin care im on the air&#xA;&#xA;&#xA;(Verse 3)&#xA;Satan causin outrage . Devil on my side . motherfuckers gotta slide .Detective with the lucifer . Bitches tryna take me down . Bitches gettin taken out like trash . Fake Rappers tryna stop me . The dude be cappin 1150 times . That Dude knows how to rhyme . Shitty producers be braindead . Forcin me to use shit lyrics that ain't lyrical lemonade . Rap or die bitch that bullshit . No cap that mofo can't rap . Satan ending myth (umbreon headass)&#xA;&#xA;&#xA;(HOOK)&#xA;&#xA;Devil Devil look down at me . Magma here , Lava there , evil fuckin everywhere . Atari ET burnin . Everyone is turnin&#xA;&#xA;&#xA;&#xA;(Verse 4)&#xA;&#xA;Settin satan free . Turnin life to hell (oh well) . Seein my true face they go insane&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;That is how you rap fuck face beat that bitch" PRODUCER="Hospital Records Limited" COVERARTID="037/FZ0ZSWBHIMTANCM2CEUHAURC2ORB" PLAYCOUNT="1" PLAYTIME="297" PLAYTIME_FLOAT="296.383148" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2015/1/1" FLAGS="12" FILESIZE="28299"></INFO>
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<INFO BITRATE="1024962" KEY_LYRICS="4 ContributorsMecha-Streisand Lyrics&#xA;Anthropologist:&#x9;...And so, these ancient arrowheads are buried deep down in the earth's crust. We dig them up, polish them off, and find over twelve new arrowheads every month.&#xA;Cartman:&#x9;Boooriing. &#xA;Mr. Garrison:&#x9;Eric, keep quiet. I'm trying to sleep. &#xA;Anthropologist:&#x9;Now, can anybody tell me, who left these arrowheads here?&#xA;Stan:&#x9;Isn't that your job?&#xA;Anthropologist:&#x9;Well... yes, but I want to see if you're learning anything.&#xA;Stan:&#x9;Oooh.&#xA;Anthropologist:&#x9;Okay, I tell you what. Why don't we all grab our little anthropology pickaxes - that were handed out and we wuh dig for our very own Indian arrowheads. &#xA;Cartman:&#xA;Day is never finished, Massa got me working&#xA;Someday Massa set me free...&#xA;Stan:&#x9;Dude. Shut up, Cartman.&#xA;Pip:&#x9;Oh! Oh I think I found one! &#xA;Cartman:&#x9; No, I found it.&#xA;Pip:&#x9;Oh. I do believe I found it first.&#xA;Cartman:&#x9;No, I did, Pip.&#xA;Pip:&#x9;Oh dear.&#xA;Cartman:&#x9;Well, I guess we'll have to roshambo for it.&#xA;Pip:&#x9;What do you mean?&#xA;Cartman:&#x9;Well. First I kick you in the nuts as hard as I can, then you kick me in the nuts as hard as you can, and we keep going back and forth until somebody falls. The last one standing gets the arrowhead.&#xA;Pip:&#x9;Oh. By, weh. I suppose if I must.&#xA;Cartman:&#x9;Okay, ready? I'll go first. &#xA;Pip:&#x9;Well-uh I, I guess you win.&#xA;Cartman:&#x9;Huh I don't care. You can have this stupid arrowhead, I don't want it. &#xA;Day is never finished, Massa got me working... Oh, look, I found another one  Ooh, this is just a stupid triangle! &#xA;Kyle:&#x9;Whoa. Check it out, dude.  It's got little drawings on it.&#xA;Stan:&#x9; What is it?&#xA;Kyle:&#x9;I don't know. &#xA;Stan:&#x9;Whoa!&#xA;Kyle:&#x9;That was cool!&#xA;Cartman:&#x9; Eeyy! Give me that back!&#xA;Kyle:&#x9;You threw it away, Cartman! It's mine now.&#xA;Cartman:&#x9;We'll roshambo for it!&#xA;Kyle:&#x9;No way, fatty, it's mine!&#xA;Cartman:&#x9;ANTHROPOLOGIST!&#xA;Anthropologist:&#x9; How's it going, boys?&#xA;Cartman:&#x9;I found a magic triangle, and this greedy son of a bitch took it from me!&#xA;Kyle:&#x9;You threw it away, fatso!&#xA;Anthropologist:&#x9;Hm, let me see that.  Why, this is Anasazi writing! My God, this must be thousands of years old!&#xA;Cartman:&#x9; Come on, let me kick you in the nuts for it! &#xA;&#xA;Anchor:&#x9;...and finally tonight, a young boy from South Park, Colorado found something very interesting during a field trip today. Here with a special report is a quadraplegic Swiss man on a pony.&#xA;Quadraplegic Swiss man:&#x9;Thanks, Tom, the little eight year old was very shocked indeed when he came across a very ancient triangular object.&#xA;Kyle:&#x9;Well, I was just digging around, and I was all like, 'dude, I found this triangle' and my friends were like, 'dude' and I was all like 'dude.'&#xA;Cartman:&#x9;...and I told him. I said, 'Kyle, I will kick you in the nuts.' But he didn't give it back to me. So I kicked him square - in the nuts, and he cried - like Nancy Kerrigan!&#xA;Kyle:&#x9; You liar, Cartman!&#xA;Cartman:&#x9;Screw you, triangle thief!&#xA;Quadraplegic Swiss man:&#x9;And so, the little boy will take his discovery home and perhaps donate it to science... mwell a little later. Back to you, Dave.&#xA;Dave:&#x9;Thanks Tom. Those are some cute, cute kids, except for that last one-he's a little tubby.&#xA;Cartman:&#x9; Eeyy!&#xA;&#xA;Stan:&#x9;What are you going to do with it, dude?&#xA;Kyle:&#x9;I'm going to put it in my room, where Cartman can't find it.&#xA;Cartman:&#x9;Oh I'll find it, don't worry!  God - dammit, give me my triangle, Kyle, seriously.&#xA;Stan:&#x9;You did throw it away, Cartman.&#xA;Cartman:&#x9;I was just setting it aside.&#xA;Stan:&#x9;Well, you might as well let it go.&#xA;Cartman:&#x9;Never! I'll get that triangle if it's the last thing I do!&#xA;&#xA;Chef:&#xA;Give me a little bit of that pepper&#xA;Give me a little bit of that salt&#xA;Put it in the skillet and cook it...&#xA;Leonard Maltin:&#x9;Excuse me, sir...&#xA;Chef:&#x9;Can I help-ey, you're that movie critic - guy on TV.&#xA;Leonard Maltin:&#x9;Leonard Maltin, yes.&#xA;Chef:&#x9;Well, I'll be a teenage girl backstage at am Aerosmith concert. Leonard Maltin in my cafeteria. I'm Chef.&#xA;Leonard Maltin:&#x9;I know who you are. You must listen to me, Chef. We have precious little time. Have you seen Barbra Streisand recently?&#xA;Chef:&#x9;Barbra Streisand? You mean like, the Barbra Streisand?&#xA;Leonard Maltin:&#x9;Have you seen her?!&#xA;Chef:&#x9;No. Not since 'Yentl.&#xA;Leonard Maltin:&#x9;Thank God. Then I'm not too late.&#xA;Chef:&#x9;Too late for what?&#xA;Leonard Maltin:&#x9;Chef, it is of the utmost importance that you tell me where those little boys from the news report on TV are.&#xA;Chef:&#x9;Why do you care?&#xA;&#xA;Stan:&#x9;I have a button we can use for his nose.&#xA;Kenny:&#x9;(Yeah, and I got this nice marble sack to go with this carrot stick, see?)&#xA;Kyle:&#x9;What would we use a marble sack for?&#xA;Cartman:&#x9;Be careful where you put that carrot. Kyle might steal it.&#xA;Kyle:&#x9;I didn't steal anything.&#xA;Cartman:&#x9; Stan, would you tell Kyle that I'm not speaking with him?&#xA;Kyle:&#x9;Good! &#xA;Cartman:&#x9;What's that noise? &#xA;Kyle:&#x9;Whoa!&#xA;Cartman:&#x9;Aaah! Aliens! &#xA;Barbra Streisand:&#x9;Who is the boy I saw on the news report tonight?  Hello there, little boy. Do you know who I am?&#xA;Kyle:&#x9;No.&#xA;Barbra Streisand:&#xA;Ugh. I bet you do.&#xA;I'm going-&#xA;Kyle:&#x9;Aagh! Stop that!&#xA;Barbra Streisand:&#x9;-where there's lucky clovers in the f-&#xA;Stan:&#x9;Ow, that sucks, dude!&#xA;Barbra Streisand:&#x9;I'm Barbra Streisand!&#xA;Stan:&#x9;...so?&#xA;Barbra Streisand:&#x9;So?! Uh muh, so I'm a very famous and vey important individual.&#xA;Stan:&#x9;Like John Elway important?&#xA;Barbra Streisand:&#x9;What?!&#xA;Stan:&#x9;D'you know John Elway?&#xA;Barbra Streisand:&#x9;No!&#xA;Stan:&#x9;Oh, so you're really famous and important but you don't know John Elway!&#xA;Barbra Streisand:&#x9;Ugh. Look. Little boy, I understand that you found a neat little triangle near here, you know what I'm talking about?&#xA;Kyle:&#x9;Yyeeaahh.&#xA;Cartman:&#x9;No! I found it, he stole it!&#xA;Kyle:&#x9;You threw it away, Cartman!&#xA;Cartman:&#x9;I'm not talking to him, because he's a dirty thief.&#xA;Barbra Streisand:&#x9;Well, little boy, does the triangle have a symbol of two snakes joined at the middle?&#xA;Kyle:&#x9;Yeah. How'd you know?&#xA;Barbra Streisand:&#x9;Okay, now this is very important. Where is the triangle of Zinthar now?&#xA;Kyle:&#x9;Triangle of Zinthar?&#xA;Stan:&#x9;Why do you wanta know, lady?!&#xA;Barbra Streisand:&#x9;I'm not talking to you, you piss-ant little hick!&#xA;Stan:&#x9;Whoa, dude!&#xA;Barbra Streisand:&#x9;Where is the triangle, dammit?! &#xA;Kyle:&#x9;AAAAAA!&#xA;Officer Barbrady:&#x9; What seems to be the problemo here?&#xA;Barbra Streisand:&#x9;Problemo? Huh, There's no problemo, Officer. I was just introducing myself to these charming little boys.&#xA;Cartman:&#x9;Na-ah! She's being a total bitch!&#xA;Officer Barbrady:&#x9;Boys, shouldn't you be in school?&#xA;Stan:&#x9;It's Saturday.&#xA;Officer Barbrady:&#x9;No excuses, move along, you little troublemakers! &#xA;Barbra Streisand:&#x9; ...Well?!&#xA;Officer Barbrady:&#x9;Well what?&#xA;Barbra Streisand:&#x9;You know who I am, don't you?&#xA;Officer Barbrady:&#x9;Well, you ain't Fiona Apple, and if you ain't Fiona Apple, I don't give a rat's ass!&#xA;Barbra Streisand:&#x9;Waaaaaaah! &#xA;Officer Barbrady:&#x9;Hoh, what a bitch!&#xA;&#xA;Chef:&#x9; I guess he's not home, Leonard Maltin.&#xA;Leonard Maltin:&#x9;Damn! Then we must look for them elsewhere.&#xA;Chef:&#x9;Come on, man. What is this all about?&#xA;Leonard Maltin:&#x9;If Barbra Streisand saw the same report I did, then those boys are in grave danger. If you were Barbra Streisand, where would you be right now?&#xA;Chef:&#x9;Hmmm. &#xA;Leonard Maltin:&#x9;Nono! I mean, where would she be staying?&#xA;Chef:&#x9;Oh. Uh, well, I always heard that Ms. Streisand had her own $4 million condominium - up near the ski slope.&#xA;Leonard Maltin:&#x9;Where?&#xA;Chef:&#x9;Uh I don't know. Ih-ih it was just a runor.&#xA;Leonard Maltin:&#x9;Dammit man, where's your car?!&#xA;&#xA;Barbra Streisand:&#x9;He has it, Milo. That little bastard has the triangle.&#xA;Milo:&#x9;Are you sure?&#xA;Barbra Streisand:&#x9;I'm sure! He knew about the symbol of Krewluck!&#xA;Milo:&#x9;Then why don't we go get it?&#xA;Barbra Streisand:&#x9;A cop showed up - he's a clever one - I can't blow everything now that I'm this close. Everything must be handled very carefully.  How many years has it been, Milo? Thirty? Forty? For so long I have waited to find the other triangle, and now I am so close. The Dawn of Zinthar is close at hand! &#xA;&#xA;Ike:&#x9;Cokeshen. &#xA;Kyle:&#x9; Cartman?&#xA;Cartman:&#x9; You scared the crap out of me, Ike!&#xA;Kyle:&#x9;What the hell are you doing?!&#xA;Cartman:&#x9;I'm trying to get my tri- wait a minute, I'm not talking to you. Ike, will you tell Kyle that I was trying to get my triangle back?&#xA;Ike:&#x9;Rear trohtru badt.&#xA;Kyle:&#x9;Well, Ike. You can tell Cartman that it's my triangle!&#xA;Ike:&#x9;Cookeh monter&#xA;Cartman:&#x9;Well, you can tell Kyle that he's a dirty goddam son of a bitch!!&#xA;Ike:&#x9;Ahtoahtahneurah.&#xA;Kyle:&#x9; Alright, alright! If it means that much to you, take the stupid triangle!&#xA;Cartman:&#x9;Huh?!&#xA;Kyle:&#x9;If it'll make you leave me alone, then just take the damned thing! Here!  There. Now, get out of my house! And I hope you feel really, really good about yourself!&#xA;Cartman:&#x9; Hell, yeah I do, I got the triangle.&#xA;I got the triangle, I got the triangle, dee dun dee dun&#xA;&#xA;&#xA;Leonard Maltin:&#x9;Are you sure Barbra Streisand has a condo up here?&#xA;Chef:&#x9;It was just a rumor. A lot of big celebrities have mountain condos.&#xA;Leonard Maltin:&#x9;Then we've got to keep looking.&#xA;Chef:&#x9; Alright. Leonard Maltin, this has gone far enough! I ain't drivin' another mile until you tell me what this is all about!&#xA;Leonard Maltin:&#x9;Haven't you ever been curious about the insanity Barbra Streisand exhibits?&#xA;Chef:&#x9;Well, I always heard she was kind of a bitch, but-.&#xA;Leonard Maltin:&#x9;More than a bitch! She's a calculating, self-centered egotistical bitch! She was born in a small town, her mother was a jackal, and her father was an insurance salesman.&#xA;Chef:&#x9;Woohoohoohoo. An insurance salesman?&#xA;Leonard Maltin:&#x9;When she was five, she knew that she wanted to be a famous singer, but by the time she was six, her ambitions became to rule the univese. She learned of an ancient diamond, the Diamond of Pantheos.&#xA;Chef:&#x9;Okay. You know what? Never mind, I don't need to know all this!  Forget I asked!&#xA;Leonard Maltin:&#x9;Before she was seven the keepers of Pantheos learned of this insane little girl's wish. The diamond was split up, and buried at opposite ends of the world. But then, during the shooting of My Fair Lady, Barbra Streisand found one of the triangles.&#xA;Chef:&#x9;And the other triangle is the one that little Kyle has?&#xA;Leonard Maltin:&#x9;Yes, Mr. Chef. If Babs gets ahold of that other triangle, she will fulfill her prophecy, and become the most threatening thing ever known to mankind. Mecha-Streisand!&#xA;Chef:&#x9;Mega-Streisand? Oh, man, I don't know what the hell that means, but it doesn't sound good.&#xA;&#xA;Stan:&#x9;Man, the bus sure is late.&#xA;Cartman:&#x9;Hmmm. I wonder what I should do with my triangle, now that it is mmyy triangle.&#xA;Kyle:&#x9;Dammit Cartman! I gave it to you so you would shut... up.&#xA;Barbra Streisand:&#x9; Oh, hello there, little boys. How are you today?&#xA;Stan:&#x9;Fine.&#xA;Barbra Streisand:&#x9;That is great. My name is Mrs. Jones, and I am a very friendly, nice person.  I hear that one of you found my triangle.&#xA;Kyle:&#x9;Your triangle?&#xA;Barbra Streisand:&#x9;Yes. You see, that triangle is part of my kidney dialysis machine. I'm so glad you found it, because without it I was sure to die within hours.&#xA;Cartman:&#x9;Oh no you don't! Finders Keepers!&#xA;Barbra Streisand:&#x9;But I'll die.&#xA;Cartman:&#x9;Well, I guess we'll have to roshambo for it. I'll kick you in the nuts as hard as I can, then you kick me square in the nuts as hard as you can...&#xA;Barbra Streisand:&#x9;I want to give you a big cash reward for finding it. It's worth a lot of money to me.&#xA;Cartman:&#x9;It is?&#xA;Stan:&#x9;Hey, no wonder that Barbra Streisand lady wanted it.&#xA;Barbra Streisand:&#x9;Oooh, hahahah. Who is that?&#xA;Kyle:&#x9;Oh, just this really really old lady who wishes she was still only 45. &#xA;Stan:&#x9;Yeah, and you should have seen her nose. It was big enough to land stealth bombers on. &#xA;Cartman:&#x9;Yeeh, stealth bombers  Yeah, and talk about a bitch, I haven't seen-&#xA;Barbra Streisand:&#x9;ENOUGH!!  Oh, Haa-ha. Anyway, if you'll come with me in my car, I'll take you up to my condo where I'll kill you - I I mean-uh, uh give you - moneyy - for the triangle.&#xA;Cartman:&#x9;Sweet! I'm gonna be rich. Bet you wish you hadn't given me that triangle back now, huh, Kyle? Dumbass! &#xA;Kyle:&#x9;Wait. Isn't there some rule about not getting into cars with strnagers?&#xA;Cartman:&#x9;No, not when money is involved, stupid! &#xA;&#xA;Director:&#x9;And. Action!&#xA;Sidney Poitier:&#x9; Rebecca, I'm a man. A man like any other with dreams and emotions. And that's why I'll never put a foreign object up my ass.&#xA;Director:&#x9;Cut, great, print that. Excellent work, Sid. Take five, guys, let's set up for the next shot. &#xA;Princesses:&#x9; Hello.&#xA;Sidney Poitier:&#x9;Huh?&#xA;Princesses:&#x9;You must hurry! A young man has found the Triangle of Zinthar.&#xA;Sidney Poitier:&#x9;Where?&#xA;Princesses:&#x9;At a small piss-ant white-bread mountain town in Colorado called South Park.&#xA;Sidney Poitier:&#x9;Excellent!&#xA;&#xA;Barbra Streisand:&#x9;Eh. Soon, the triangle of Zinthar will be mine, and I will be the biggest, most famous person ever!&#xA;Cartman:&#x9; Ugh. Llet me go! Seriously!&#xA;Stan:&#x9;Yeah, let us go!&#xA;Barbra Streisand:&#x9;You fools have no idea the powers that you are meddling with! I'll teach you to meddle with my triangle! &#xA;Cartman:&#x9;Eey!  It's not my triangle, it's Kyle's!&#xA;Kyle:&#x9;Hey! Don't try to pass it back on me, fatass!&#xA;Cartman:&#x9;Eechh! Screw you, hippie! Eeeh-eh.&#xA;Barbra Streisand:&#x9;Wheeere is the triangle of Zinthar?!&#xA;Cartman:&#x9;I don't remember.&#xA;Kyle:&#x9;Goddammit tell her! I wanna go home!&#xA;Barbra Streisand:&#x9; Maybe this will help jar your memory...&#xA;Cartman:&#x9;No! Don't!  AAAAAA! AAAAADUH!&#xA;Barbra Streisand:&#x9;NOOOW do you remember?!&#xA;Cartman:&#x9;WAAAGH! Damn your black heart, Barbra Streisand!&#xA;Stan:&#x9;Ugh. I don't know how much more I can take, dude.&#xA;Barbra Streisand:&#x9;Alright. You asked for it!&#xA;I'm gonna tell you now... &#xA;&#xA;Chef:&#x9;Eeeeh-I don't know, man. Maybe Barbra Streisand doesn't have a place up here after all.&#xA;Leonard Maltin:&#x9;Well, looks like we'll have to go to plan B.&#xA;Chef:&#x9;There's a plan B? Why the hell have we been driving around all night and day for, when there's a plan B.&#xA;Leonard Maltin:&#x9;Have you ever heard of the band called, The Cure?&#xA;Chef:&#x9;Ooh, come oonn! Don't tell me The Cure has something to do with this too!&#xA;Leonard Maltin:&#x9;No, no. Just the lead singer.  Oh! Ah!&#xA;Chef:&#x9;Who-o-oa! What's the matter, Leonard Maltin?&#xA;Leonard Maltin:&#x9;She's close! She's very close-I can feel her.&#xA;Chef:&#x9;Where?&#xA;Leonard Maltin:&#x9;Sh-She has the boys! The, they're in trouble!&#xA;Chef:&#x9;Ooh, fudge!&#xA;Leonard Maltin:&#x9;Keep going this way! Hurry! &#xA;&#xA;Barbra Streisand:&#x9;Happiness with you is like happiness... &#xA;Cartman:&#x9;Okay, okay. I'll tell where the triangle is. It's inside my shoe. &#xA;Kyle:&#x9;Aagh! For Christ's sake, Cartman, when was the last time you changed your socks?&#xA;Cartman:&#x9;I suppose your socks smell like the Botanical Gardens!&#xA;Barbra Streisand:&#x9; Finally, the triangle is mine! After centuries of waiting, I finally have the triangle of Zinthar! Now, the Diamond of Pantheos is complete  Sugoi! Kono ima... atarashii hajimari da! Ima kara... atashi no na mae wa... (Wow! This is... a new beginning! From now on... my name will be...) &#xA;Stan:&#x9;Whoa, dude! &#xA;Barbra Streisand:&#x9;...Mecha... Barbura... Sutoraisando! &#xA;Stan:&#x9;Dude, this is pretty fucked up right here.&#xA;&#xA;Jimbo:&#x9;Holy crap, Ned! That's the biggest Goddamned deer I have ever seen!&#xA;Reporter:&#x9;...and so, just weeks after the devastating attack of mutant genetic creatures, zombies, and Thanksgiving turkeys, the town of South Park has managed to rebuild itself, once again be-  Oh, Goddammit, not again! &#xA;Singer:&#x9;Bar-bura, Bar-bura... &#xA;...kirai no hito. (you are so hateful) &#xA;Bar-bura, Bar-bura... &#xA;...anata no hi. (today is your day) &#xA;Assistant:&#x9;Mayor! Barbra Streisand is-&#xA;Mayor:&#x9;I noticed! Call the National Guard!  Ohohohoh, we'll get you, you bitch.  And to think I actually watched your HBO special.&#xA;&#xA;Chef:&#x9;Children!&#xA;The boys:&#x9;Chef!&#xA;Leonard Maltin:&#x9; Oh no! No! She has joned the two triangles?&#xA;Cartman:&#x9;Yes! She stole my triangle!&#xA;Stan:&#x9;Get us down from here!&#xA;Chef:&#x9; I can't - break these - locks!&#xA;Leonard Maltin:&#x9;Stand back, Chef!  Marutam Re! &#xA;Kyle:&#x9;Whoa, that was cool!&#xA;Leonard Maltin:&#x9;I've got to go after Mecha Streisand! Chef, I need you to call Robert Smith of The Cure at this number!&#xA;Stan:&#x9;Robert Smith? Sweet!&#xA;&#xA;Robert Smith:&#x9;Hello?&#xA;Chef:&#x9;Uuuh, yes. Is this Robert Smith of the Cure?&#xA;Robert Smith:&#x9;Yes i' is.&#xA;Chef:&#x9;This may sound kind of strange, but... Leonard Maltin asked me to call you.&#xA;Robert Smith:&#x9;Ooooooh so Barbra Streisand's found the other triangle, eh? &#xA;&#xA;Sergeant:&#x9;All right, men, give 'er everything you've got! &#xA;Jimbo:&#x9;Get around th' side there, Ned. I can't get a shot in from here.&#xA;Ned:&#x9;Okay.  Aah! aah! I'm scaared! &#xA;Singer:&#x9;Bar-bura, Bar-bura, ugoina chichi da. (Barbra, Barbra, those tits are wonderful)&#xA;Sergeant:&#x9; It's no use! Our firepower has no effect!&#xA;Sheila Broflovski:&#x9;Oh my God, it is you! Oh, I an such a huge fan, Ms. Streisand. I never thought I'd live to see you in person!  I hate to ask this, but could I get an autograph? My sister would die.  Oh thank you, Ms. Streisand! &#xA;Citizen:&#x9;Oh my Goooodd! &#xA;Mr. Garrison:&#x9;We're doomed! Good-bye, Mr. Hat.&#xA;Singer:&#x9;Bar-bura, Bar-bura! &#xA;Leonard Maltin:&#x9;Barbra!  Kitte, Kitte. Churipu. (Come, come. Tulip!)&#xA;Singer:&#x9;Ultura Lenardu Marutin! &#xA;&#xA;Chef:&#x9;Look out, children!&#xA;&#xA;Kenny:&#x9;(Oh no! I have got to stay away fro-aaagh!)  (Ugh!)&#xA;Stan:&#x9;Oh my God, they killed Kenny!&#xA;Kyle:&#x9;You bastard!&#xA;Sidney Poitier&#x9; What's going on here?&#xA;Chef:&#x9;Sidney Poitier?&#xA;Sidney Poitier:&#x9;That's right. I'm Sidney Poitier.&#xA;Chef:&#x9;Damn, man, it's nice to meet you! Seein' Sidney Poitier in my hometown!&#xA;Sidney Poitier:&#x9;Barbra Streisand has found the triangle of Zinthar?&#xA;Chef:&#x9;Yeup! She's made the Diamond of Pantheos alright.&#xA;Sidney Poitier:&#x9;Kolooh kulatchki! &#xA;Singer:&#x9;Megara Poatia, Megara Poatia, sokuroi da ne. (Megara Poatia Megara Poatia. Look, how black you are.) &#xA;Megara Poatia, Megara Poatia-&#xA;Chef:&#x9; Is that really necessary?&#xA;&#xA;Chef:&#x9;It's over. She's too strong for them, children. We'll have to leave town.&#xA;Cartman:&#x9;Make it go away! I hate Barbra Streisand! I hate her! &#xA;Stan:&#x9;My mom always said there were no monsters, but there are, aren't there, Chef?&#xA;Chef:&#x9;We have to say good-bye... to South Park.&#xA;Woman:&#x9;Oh my Goooood, help meeee! &#xA;Robert Smith:&#x9;Am I too late?&#xA;Chef:&#x9; Who are you?&#xA;Stan:&#x9;Dude! Robert Smith of the Cure!&#xA;Cartman:&#x9;Sweet!&#xA;Robert Smith:&#x9;Here, you boys hold this walkie, you can help me fight her.&#xA;Chef:&#x9;You can try, Robert Smith, but that thing just beat the crap out of Leonard Maltin and Sidney Poitier.&#xA;Robert Smith:&#x9;I have to try. I can't let Barbra Streisand do this to the entire world.&#xA;Singer:&#x9;&#xA;Rabartu Smitu, Rabartu Smitu, tashiwa daisuki Rabartu Smitu. (Robert Smith, Robert Smith, I like you a lot, Robert Smith)&#xA;&#xA;Leonard Maltin:&#x9; We must tell him that her weak point is the nose.&#xA;Stan:&#x9; Robert Smith, hit her nose. Use Robot Punch.&#xA;&#xA;Kyle:&#x9;The Diamond of Pantheos.  She must be powerless now.&#xA;Stan:&#x9; Quickly, Robert Smith! She's powerless!&#xA;Singer:&#x9;Rabartu Smitu, Rabartu Smitu! &#xA;&#xA;Stan:&#x9;He did it!&#xA;Kyle:&#x9;No more Barbra Streisand, everrrrr!&#xA;Stan:&#x9;Wow! Robert Smith is the greatest person that ever lived!&#xA;Jesus:&#x9;Our Savior!&#xA;Robert Smith:&#x9; Can I have my walkie-talkie back now, please?&#xA;Cartman:&#x9;No way! You gave it to us-it's mine now!&#xA;Robert Smith:&#x9;Alright, I'll roshambo you for it. Ready?&#xA;Cartman:&#x9;Huh?  Eh. Aaah-ah! Aaah!&#xA;&#xA;Chef:&#x9;Hey! Where's he goin'?&#xA;Stan:&#x9;Good-bye, Robert Smith!&#xA;Cartman:&#x9;Thanks for your help! Visit us again!&#xA;Kyle:&#x9;Disintegration is the best album everrr!&#xA;&#xA;Stan:&#x9;Well, what should we do with the two triangles now?&#xA;Kyle:&#x9;We've got to get rid of them.  Nobody should have the kind of power Barbra Streisand wanted! &#xA;Stan:&#x9;Well, at least I have this sweet walkie-talkie Robert Smith gave me.&#xA;Cartman:&#x9; No! That's my walkie-talkie, he gave it to me!&#xA;Kyle:&#x9;Dammit Cartman, don't you ever learn anything?! &#xA;Cartman:&#x9;Come on, Stan, it's mine! I'll roshambo you for it! &#xA;Stan:&#x9;Go to hell, Cartman!&#xA;&#xA;Kyle:&#x9;Well, that whole experience sure did suck.&#xA;Stan:&#x9;Yeah. I'm sure glad that's over with.&#xA;Kyle:&#x9;But you know, I've learned something today. I've learned that people who want power, a lot of power, always... end up dead.&#xA;Stan:&#x9;Yeah.&#xA;Cartman:&#x9;Yeah, and I've learned something, too. Robert Smith kicks ass!  Oh no! She's back!&#xA;Stan:&#x9;Oh my God! Look! &#xA;All three:&#x9;AAAAA! MECHA IKE!" 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<INFO BITRATE="1061090" KEY_LYRICS="4 ContributorsContra cost Lyrics&#xA;Facem Records, Sociopate?&#xA;&#xA;&#xA;Ceilalți o să zică despre Cedry2k, că-i sufletist&#xA;Dar tu nu te uita-n gura tuturor, ca un dentist&#xA;Oi fi omenos, da sunt un om zelos&#xA;Dacă semnăm un pact, ține cont că-i oneros&#xA;Și nu fii așa deranjat, că mă știai așa de detașat, de ziceai că-s deja aranjat&#xA;Așa de degajat, că-mi luasem filme de gangsta, așa că m-am angajat&#xA;Geniu-ntr-o ureche, ca Van Gogh&#xA;I-am fiert pe rapperi, i-am prăjit, tot eu i-am copt&#xA;Dumnezeule, sunt un bucătar desăvârșit&#xA;Doar că ospățul tău se-apropie de sfârșit&#xA;Că ți se pare gustos ce gătesc&#xA;Dar ești un hoț, și nu vrei să mă plătești, după ce halești&#xA;Ești demn de dispreț, când te strâmbi la preț&#xA;Lasă rap-ul românesc, eu ce morții tăi halesc?&#xA;Pe tine-n niciun caz, sunt acrit și de rap&#xA;Siderat și defapt disperat&#xA;Că-mi trebuie bani să-mi plătesc demnitatea și bunăstarea&#xA;Sănătatea și-n plus răbdarea&#xA;Care-s toate contra cost, dacă n-ai os&#xA;Nu contează că nici nu l-ai avut sau l-ai ros&#xA;Stai jos, nimic nu-i mai prost, decât să n-ai ban gros&#xA;Da-n schimb, s-ajungi tot mai faimos&#xA;&#xA;Banii n-au valoare, oamenii-au valoare&#xA;Banii n-au valoare, oamenii-au valoare&#xA;Banii n-au valoare, oamenii-au valoare&#xA;&#xA;&#xA;Banii, și din frați, pot face dușmani&#xA;&#xA;&#xA;Asta știu să fac cel mai bine, adică rap, deci dați-mi bani, basta&#xA;Căci reprezint castra, și v-arunc în aer casa&#xA;Dacă erați italieni, strigați &amp;quot;Bastarzi!&amp;quot;, când s-a terminat cu șmecheria&#xA;Când intru pe beat, ca să-mi fac meseria&#xA;Știi bine c-am cu ce, deci multor rapp-eri le-am furat felia&#xA;În clasa a VI-a, la Rap Attack 3, asta mi-e mândria&#xA;Terminați cu filozofia, vă servesc numai pură realitate&#xA;Că trăiesc la modul, despre care se vorbea-n '97&#xA;Am tone de respect&#xA;Dar adidașii mei sunt rupți că merg prin multe locuri, că de mic mă tot chinui să-ncerc&#xA;Să fac din asta ceva, ca să-mi văd de viața mea&#xA;Dar aici, în România, nu prea trăiești din asta, când cânți acel ceva&#xA;Păi da, pula mea! Cine le dă copiilor bani, să-și cumpere CD-uri cu Nimeni Altu&#xA;Când știu că, nici eu n-aveam bani de la ai mei, pentru rap? La dracu'&#xA;Subcultură, deci ia pula-n gură, încă se-njură&#xA;Am crezut că, pe drumul vieții, muzica poate fi o scurtătură&#xA;Dar nu-i așa, ține mine, c-o să fie greu să cânți așa ceva&#xA;Toți din jurul tău, vor să faci altceva&#xA;De-asta: banii și muzica, nu prea se pot amesteca&#xA;Dar când vă dau rap, vreau și niște bani, ca să mai pot cânta&#xA;Pentru că: nu e ca și cum vreau să mă-mbogățesc din asta&#xA;E doar ca să mai pot continua, să fac asta&#xA;Repet: nu e ca și cum vreau să mă-mbogățesc din asta&#xA;E doar ca să mai pot continua, să fac asta&#xA;&#xA;Banii n-aduc fericirea&#xA;Banii n-aduc fericirea" PRODUCER="- 2015" COVERARTID="096/AP50YZA0OUIYPAP4DVJ5DUG5QGZD" PLAYTIME="284" PLAYTIME_FLOAT="284.000000" IMPORT_DATE="2025/7/5" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="36960"></INFO>
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<INFO BITRATE="1081784" KEY_LYRICS="3 ContributorsNo Point Lyrics&#xA;It was Halloween&#xA;With my enemies (Enemies)&#xA;Walkin' past the fiend&#xA;Choosin' that Billie Jean (Billie Jean)&#xA;Had the prison keys&#xA;Soundin' like tambourines (Tambourines)&#xA;Had to flee the scene&#xA;Photos ain't free the team (Better free my boy)&#xA;And a part of me lie ()&#xA;Tryna see what you lie fo' (Let's go)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; ()&#xA;What you lose yo' mind fo'?&#xA;You forgot what you fly fo' (Let's)&#xA;Tryna see what you lie fo' (Yeah)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; (Yeah)&#xA;Tryna see what you lie fo' (Yeah)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; Let's go&#xA;&#xA;&#xA;Never got tired to speak my mind&#xA;I talkin' 'bout time to time ()&#xA;So I'm not buyin', I heard thеy tryin'&#xA;To take some funds of mine ()&#xA;And I don't еven mind to hear them cryin'&#xA;I'm singin' them lullabies&#xA;I waste no time, bestow they shine&#xA;Forget my crime, now let's go ride&#xA;I got some drive, I can't go glide&#xA;Without my God, big shots fired&#xA;I can't even lie, we almost died up there last time&#xA;Me and my partner played at that spot&#xA;With my lil ID turnt down five&#xA;Stealin' my grind and shoot my line&#xA;I don't care what you say, it's 'bout my time&#xA;It'll be okay&#xA;Wanna know why? 'Cause it's never too late&#xA;I was gettin' in the way&#xA;My old job, really wasn't gettin' paid&#xA;And we used to go raid&#xA; first aid&#xA;Thinkin' 'bout if I stayed&#xA;&#xA;It was Halloween&#xA;With my enemies (Enemies)&#xA;Walkin' past the fiend&#xA;Choosin' that Billie Jean (Billie Jean)&#xA;Had the prison keys&#xA;Soundin' like tambourines (Tambourines)&#xA;Had to flee the scene&#xA;Photos ain't free the team (Better free my boy)&#xA;And a part of me lie ()&#xA;Tryna see what you lie fo' (Let's go)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; ()&#xA;What you lose yo' mind fo'?&#xA;You forgot what you fly fo' (Let's)&#xA;Tryna see what you lie fo' (Yeah)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; (Yeah)&#xA;Tryna see what you lie fo' (Yeah)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; Let's go ()&#xA;&#xA;&#xA;Woah&#xA;Back, back, that's a one way (Ayy)&#xA;That's some consequences&#xA;Livin' wilder than Deontay (Ayy)&#xA;Holy Savage like I'm 1K (Ayy)&#xA;I be skatin', Gordon Bombay (Okay)&#xA;You can catch me on the field for God&#xA;On any given Sunday&#xA;Well, it beamin' on the track (Ayy, ayy)&#xA;All in the pocket (Ayy, ayy)&#xA;Ain't no point in lookin' back (Ayy, ayy)&#xA;From where you came, you need to stop it (Ayy, okay)&#xA;I've been saved and I'm team up on these folks (Ayy, ayy)&#xA;And that's a topic of discussion (Ayy, ayy)&#xA;Had to leave all that temptation stuff behind (Ayy, ayy)&#xA;Like David Ruffin (Ayy, okay)&#xA;Live for the Holy Three (Yeah)&#xA;Satan, get off of me (Yeah)&#xA;I'm a titan like Tennessee (Yeah)&#xA;I just had a epiphany&#xA;Folk be sellin' they soul to get that gold&#xA;It sound like Tiffany (Yeah)&#xA;Think it's a game like trick-or-treat&#xA;These demons be goons , Halloween&#xA;&#xA;You-Young Mexicano&#xA;I made it out the patio (Patio)&#xA;Deep inside, I felt the pain&#xA;But couldn't cry, bro (Yeah)&#xA;Ridin' deep in the streets&#xA;Had some Gs with me (Gs with me)&#xA;Smokin' weed, sippin' lean&#xA;But no piece with me (Peace with me)&#xA;Had the heat with me&#xA;Ready  ()&#xA;Doin' shows, gettin' dough&#xA;No escuela (No escuela)&#xA;Couldn't settle, breakin' hearts&#xA;Tryna make it big (Make it big)&#xA;Pocket full of losses&#xA;Always tryna  the wins&#xA;&#xA;&#xA;It was Halloween&#xA;With my enemies (Enemies)&#xA;Walkin' past the fiend&#xA;Choosin' that Billie Jean (Billie Jean)&#xA;Had the prison keys&#xA;Soundin' like tambourines (Tambourines)&#xA;Had to flee the scene&#xA;Photos ain't free the team (Better free my boy)&#xA;And a part of me lie ()&#xA;Tryna see what you lie fo' (Let's go)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; ()&#xA;What you lose yo' mind fo'?&#xA;You forgot what you fly fo' (Let's)&#xA;Tryna see what you lie fo' (Yeah)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; (Yeah)&#xA;Tryna see what you lie fo' (Yeah)&#xA;Mama said, &amp;quot;What you cry fo'?&amp;quot; Let's go" PRODUCER="- 2015" COVERARTID="096/AP50YZA0OUIYPAP4DVJ5DUG5QGZD" PLAYTIME="298" PLAYTIME_FLOAT="297.933319" IMPORT_DATE="2025/7/5" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="39518"></INFO>
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<INFO BITRATE="1029885" KEY_LYRICS="4 ContributorsJanuary 2022 Singles Release Calendar LyricsWelcome to Christian Genius' January 2022 Singles Release Calendar!&#xA;&#xA;&#xA;&#xA;For January 2022 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights all singles released in every genre of Christian music… Read More 1/1Adam Prince - &amp;quot;D-List&amp;quot; feat. Jon Keith &amp;amp; Torey D'Shaun ⏳&#xA;Benjamin Hastings - &amp;quot;The Jesus I Know&amp;quot;&#xA;Callie Rose - &amp;quot;Coming Soon&amp;quot;&#xA;GratitudeTX - &amp;quot;Barabbas&amp;quot; ⏳&#xA;K3ndrick - &amp;quot;Guide Me&amp;quot;&#xA;Mlpc - &amp;quot;Scars&amp;quot;&#xA;Preston Holland - &amp;quot;Nothing Is Good&amp;quot;1/2Sondae - &amp;quot;Desert Storms&amp;quot;1/3Hyper Fenton &amp;amp; Xay Hill - &amp;quot;Rookie Of The Year&amp;quot; ⏳&#xA;Jason Silver - &amp;quot;Unblemished&amp;quot; ⏳&#xA;LandMrks - &amp;quot;We Are One&amp;quot; feat. Zach Bolen ⏳&#xA;Maverick City Music - &amp;quot;Firm Foundation (He Won't)&amp;quot; feat. Chandler Moore &amp;amp; Cody Carnes1/4Desi Raines - &amp;quot;Teakwood '22 Freestyle&amp;quot; ⏳&#xA;James and Rebekah Caggegi - &amp;quot;God My Strength&amp;quot; ⏳&#xA;J. Monty - &amp;quot;Holy Flow&amp;quot;&#xA;Townix - &amp;quot;Por Segunda Vez&amp;quot; ⏳1/5Poor Bishop Hooper - &amp;quot;Psalm 106&amp;quot; ⏳&#xA;Reblah &amp;amp; R-Scar - &amp;quot;Rider&amp;quot; ⏳1/6Allswell - &amp;quot;Unforced Rhythms&amp;quot;&#xA;George.Rose - &amp;quot;IT'S THE VIBE FOR ME&amp;quot;1/7Abby Robertson - &amp;quot;Without Your Love&amp;quot;&#xA;Alphein - &amp;quot;Outta My Hands&amp;quot; ⏳&#xA;Antioch Music - &amp;quot;Jesus Is The Lord&amp;quot; feat. Lindy Cofer&#xA;Art of Dying - &amp;quot;Stand My Ground&amp;quot;&#xA;Atlas Rhoads - &amp;quot;En Gedi&amp;quot; ⏳&#xA;BigBreeze - &amp;quot;Honest&amp;quot; ⏳&#xA;Caleb Carroll - &amp;quot;Jesus In Me&amp;quot; ⏳&#xA;Charles Clark - &amp;quot;You Are&amp;quot; ⏳&#xA;Christa Wells - &amp;quot;Lighter From Here&amp;quot; ⏳&#xA;Colorvault &amp;amp; Young Oceans - &amp;quot;Dwell in Your House&amp;quot;&#xA;CRC Music - &amp;quot;Open the Gates&amp;quot;&#xA;Darling We're Dancing We've Been Liberated - &amp;quot;Lightning&amp;quot;&#xA;Dave Kull - &amp;quot;How to Love&amp;quot;&#xA;davidgabertan - &amp;quot;Let The Dead Man Sing&amp;quot; ⏳&#xA;Eddy Mann - &amp;quot;Let It Shine&amp;quot;&#xA;Equippers Revolution - &amp;quot;True Love&amp;quot;&#xA;Erica Mason - &amp;quot;Unappreciated&amp;quot;&#xA;Evin Nazya - &amp;quot;Small Talk&amp;quot;&#xA;Faith Lofi - &amp;quot;city sorbet&amp;quot;&#xA;Faiyabrand - &amp;quot;Heretic&amp;quot; ⏳&#xA;for KING &amp;amp; COUNTRY - &amp;quot;Unsung Hero&amp;quot;&#xA;Gui Brazil &amp;amp; Michaell D - &amp;quot;Fire&amp;quot; ⏳&#xA;Gwil Davey - &amp;quot;Like Jehovah&amp;quot; ⏳&#xA;Influence Music, Sean Feucht &amp;amp; Melody Noel - &amp;quot;Coming Awake&amp;quot; ⏳&#xA;John Michael Howell - &amp;quot;Preachers With Jets&amp;quot; ⏳&#xA;Jonathan Miller - &amp;quot;The Promise&amp;quot;&#xA;Jon Buller - &amp;quot;Out of Hiding&amp;quot; ⏳&#xA;Josh Sellers - &amp;quot;Nights I Remember&amp;quot; ⏳&#xA;Kelo &amp;amp; Battz - &amp;quot;Therapy&amp;quot; ⏳&#xA;Kushim - &amp;quot;Faithful&amp;quot;&#xA;L. Dejuan - &amp;quot;PRELUDE&amp;quot; ⏳&#xA;LifePoint Music &amp;amp; Travis Ryan - &amp;quot;Praise the King Eternal (Live)&amp;quot; ⏳&#xA;Long Hollow Worship - &amp;quot;There Is More&amp;quot;&#xA;Maria Hilman - &amp;quot;Never Fail&amp;quot; ⏳&#xA;Martin Smith - &amp;quot;Our Eyes Are On You&amp;quot; feat. Elle Limebear&#xA;Maximilian - &amp;quot;Jordan's Waters&amp;quot;&#xA;Miklez - &amp;quot;Psalm122&amp;quot; ⏳&#xA;Milestone Worship - &amp;quot;All the Time (Live)&amp;quot;&#xA;Milestone Worship - &amp;quot;Lord of All (Live)&amp;quot;&#xA;Montell Fish - &amp;quot;and i'd go a thousand miles&amp;quot;&#xA;Mountaintops - &amp;quot;All I Am is Yours&amp;quot; ⏳&#xA;Nathan Ironside - &amp;quot;Algo Nuevo&amp;quot;&#xA;Nathan Taylor - &amp;quot;You Are Heaven&amp;quot; feat. Alex Guthrie&#xA;Nidya Garcia - &amp;quot;I Will Always Sing (Even When)&amp;quot; ⏳&#xA;Nu Tone - &amp;quot;Not Lukewarm&amp;quot; feat. James Barber ⏳&#xA;Paul Hernandez - &amp;quot;All Around The World&amp;quot;&#xA;RandyB Funk - &amp;quot;SWERVE&amp;quot; feat. Danyelle &amp;amp; R-Swift&#xA;Rob Ray - &amp;quot;Holy Water&amp;quot; ⏳&#xA;Ryan Clair Music - &amp;quot;Be Thou My Vision&amp;quot; ⏳&#xA;Sandra McCracken - &amp;quot;Most of the Time&amp;quot; feat. Colin Hay ⏳&#xA;Scootie Wop - &amp;quot;blacked out freestyle.&amp;quot;&#xA;Seth &amp;amp; Rachel Enos - &amp;quot;Dream Again&amp;quot; ⏳&#xA;SEU Worship &amp;amp; David Ryan Cook - &amp;quot;Sanctuary&amp;quot; ⏳&#xA;Simple Hymns - &amp;quot;Rock Of Ages (Solid Rock)&amp;quot; ⏳&#xA;Skillet - &amp;quot;Dominion&amp;quot;&#xA;Still Morning - &amp;quot;War Zone&amp;quot; ⏳&#xA;Sully Bright - &amp;quot;Weep with Me&amp;quot;&#xA;tamsin frost - &amp;quot;Bittersweet&amp;quot;&#xA;Watermark Music - &amp;quot;King of Victory&amp;quot; feat. 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<INFO BITRATE="1085721" KEY_LYRICS="1 ContributorPlanned Parenthood of Southeastern Pa. v. Casey Lyrics505 U.S. 833 (1992)&#xA;No. 91-744.&#xA;Argued April 22, 1992.&#xA;Decided June 29, 1992.Justice O'Connor, Justice Kennedy, and Justice Souter announced the judgment of the Courtand delivered the opinion of the Court with respect to Parts I, II, III, VA, VC, and VI, an opinion with respect to Part VE, in which Justice Stevens joins, and an opinion with respect to Parts IV, VB, and VD.ILiberty finds no refuge in a jurisprudence of doubt. Yet 19 years after our holding that the Constitution protects a woman's right to terminate her pregnancy in its early stages, Roe v. Wade, 410 U. S. 113 (1973), that definition of liberty is still questioned. Joining the respondents as amicus curiae,  the United States, as it has done in five other cases in the last decade, again asks us to overrule Roe. See Brief for Respondents 104-117; Brief for United States as Amicus Curiae 8.&#xA;&#xA;At issue in these cases are five provisions of the Pennsylvania Abortion Control Act of 1982, as amended in 1988 and 1989. 18 Pa. Cons. Stat.  3203-3220 (1990). Relevant portions of the Act are set forth in the Appendix. Infra, at 902. The Act requires that a woman seeking an abortion give her informed consent prior to the abortion procedure, and specifies that she be provided with certain information at least 24 hours before the abortion is performed.  3205. For a minor to obtain an abortion, the Act requires the informed consent of one of her parents, but provides for a judicial bypass option if the minor does not wish to or cannot obtain a parent's consent.  3206. Another provision of the Act requires that, unless certain exceptions apply, a married woman seeking an abortion must sign a statement indicating that she has notified her husband of her intended abortion.  3209. The Act exempts compliance with these three requirements in the event of a &amp;quot;medical emergency,&amp;quot; which is defined in  3203 of the Act. See  3203, 3205(a), 3206(a), 3209(c). In addition to the above provisions regulating the performance of abortions, the Act imposes certain reporting requirements on facilities that provide abortion services.  3207(b), 3214(a), 3214(f).&#xA;&#xA;Before any of these provisions took effect, the petitioners, who are five abortion clinics and one physician representing himself as well as a class of physicians who provide abortion services, brought this suit seeking declaratory and injunctive relief. Each provision was challenged as unconstitutional on its face. The District Court entered a preliminary injunction against the enforcement of the regulations, and, after a 3-day bench trial, held all the provisions at issue here unconstitutional, entering a permanent injunction against Pennsylvania's enforcement of them. 744 F. Supp. 1323 (ED Pa. 1990). The Court of Appeals for the Third Circuit affirmed in part and reversed in part, upholding all of the regulations except for the husband notification requirement. 947 F. 2d 682 (1991). We granted certiorari. 502 U. S. 1056 (1992).&#xA;&#xA;The Court of Appeals found it necessary to follow an elaborate course of reasoning even to identify the first premise to use to determine whether the statute enacted by Pennsylvania meets constitutional standards. See 947 F. 2d, at 687 698. And at oral argument in this Court, the attorney for the parties challenging the statute took the position that none of the enactments can be upheld without overruling Roe v. Wade. Tr. of Oral Arg. 5-6. We disagree with that analysis; but we acknowledge that our decisions after Roe  cast doubt upon the meaning and reach of its holding. Further, The Chief Justice admits that he would overrule the central holding ofRoe and adopt the rational relationship test as the sole criterion of constitutionality. See post, at 944, 966. State and federal courts as well as legislatures throughout the Union must have guidance as they seek to address this subject in conformance with the Constitution. Given these premises, we find it imperative to review once more the principles that define the rights of the woman and the legitimate authority of the State respecting the termination of pregnancies by abortion procedures.&#xA;&#xA;After considering the fundamental constitutional questions resolved by Roe, principles of institutional integrity, and the rule of stare decisis, we are led to conclude this: the essential holding of Roe v. Wade should be retained and once again reaffirmed.&#xA;&#xA;It must be stated at the outset and with clarity that Roe `s essential holding, the holding we reaffirm, has three parts. First is a recognition of the right of the woman to choose to have an abortion before viability and to obtain it without undue interference from the State. Before viability, the State's interests are not strong enough to support a prohibition of abortion or the imposition of a substantial obstacle to the woman's effective right to elect the procedure. Second is a confirmation of the State's power to restrict abortions after fetal viability, if the law contains exceptions for pregnancies which endanger the woman's life or health. And third is the principle that the State has legitimate interests from the outset of the pregnancy in protecting the health of the woman and the life of the fetus that may become a child. These principles do not contradict one another; and we adhere to each.IIConstitutional protection of the woman's decision to terminate her pregnancy derives from the Due Process Clause of the Fourteenth Amendment. It declares that no State shall &amp;quot;deprive any person of life, liberty, or property, without due process of law.&amp;quot; The controlling word in the cases before us is &amp;quot;liberty.&amp;quot; Although a literal reading of the Clause might suggest that it governs only the procedures by which a State may deprive persons of liberty, for at least 105 years, since Mugler v. Kansas, 123 U. S. 623, 660-661 (1887), the Clause has been understood to contain a substantive component as well, one &amp;quot;barring certain government actions regardless of the fairness of the procedures used to implement them.&amp;quot; Daniels v. Williams, 474 U. S. 327, 331 (1986). As Justice Brandeis (joined by Justice Holmes) observed, &amp;quot;espite arguments to the contrary which had seemed to me persuasive, it is settled that the due process clause of the Fourteenth Amendment applies to matters of substantive law as well as to matters of procedure. Thus all fundamental rights comprised within the term liberty are protected by the Federal Constitution from invasion by the States.&amp;quot; Whitney v. California, 274 U. S. 357, 373 (1927) (concurring opinion). &amp;quot;he guaranties of due process, though having their roots in Magna Carta's `per legem terrae' and considered as procedural safeguards `against executive usurpation and tyranny,' have in this country `become bulwarks also against arbitrary legislation.' &amp;quot; Poe v. Ullman, 367 U. S. 497, 541 (1961) (Harlan, J., dissenting from dismissal on jurisdictional grounds) (quoting Hurtado v. California, 110 U. S. 516, 532 (1884)).&#xA;&#xA;The most familiar of the substantive liberties protected by the Fourteenth Amendment are those recognized by the Bill of Rights. We have held that the Due Process Clause of the Fourteenth Amendment incorporates most of the Bill of Rights against the States. See, e. g., Duncan v. Louisiana,  391 U. S. 145, 147-148 (1968). It is tempting, as a means of curbing the discretion of federal judges, to suppose that liberty encompasses no more than those rights already guaranteed to the individual against federal interference by the express provisions of the first eight Amendments to the Constitution. See Adamson v. California, 332 U. S. 46, 68-92 (1947) (Black, J., dissenting). But of course this Court has never accepted that view.&#xA;&#xA;It is also tempting, for the same reason, to suppose that the Due Process Clause protects only those practices, defined at the most specific level, that were protected against government interference by other rules of law when the Fourteenth Amendment was ratified. See Michael H. v. Gerald D., 491 U. S. 110, 127-128, n. 6 (1989) (opinion of Scalia, J.). But such a view would be inconsistent with our law. It is a promise of the Constitution that there is a realm of personal liberty which the government may not enter. We have vindicated this principle before. Marriage is mentioned nowhere in the Bill of Rights and interracial marriage was illegal in most States in the 19th century, but the Court was no doubt correct in finding it to be an aspect of liberty protected against state interference by the substantive component of the Due Process Clause in Loving v. Virginia, 388 U. S. 1, 12 (1967) (relying, in an opinion for eight Justices, on the Due Process Clause). Similar examples may be found in Turner  v. Safley, 482 U. S. 78, 94-99 (1987); in Carey v. Population Services International, 431 U. S. 678, 684-686 (1977); in Griswold v. Connecticut, 381 U. S. 479, 481-482 (1965), as well as in the separate opinions of a majority of the Members of the Court in that case, id., at 486-488 (Goldberg, J., joined by Warren, C. J., and Brennan, J., concurring) (expressly relying on due process), id., at 500-502 (Harlan, J., concurring in judgment) (same), id., at 502-507 (White, J., concurring in judgment) (same); in Pierce v. Society of Sisters, 268 U. S. 510, 534-535 (1925); and in Meyer v. Nebraska, 262 U. S. 390, 399-403 (1923).&#xA;&#xA;Neither the Bill of Rights nor the specific practices of States at the time of the adoption of the Fourteenth Amendment marks the outer limits of the substantive sphere of liberty which the Fourteenth Amendment protects. See U. S. Const., Amdt. 9. As the second Justice Harlan recognized:&amp;quot;he full scope of the liberty guaranteed by the Due Process Clause cannot be found in or limited by the precise terms of the specific guarantees elsewhere provided in the Constitution. This `liberty' is not a series of isolated points pricked out in terms of the taking of property; the freedom of speech, press, and religion; the right to keep and bear arms; the freedom from unreasonable searches and seizures; and so on. It is a rational continuum which, broadly speaking, includes a freedom from all substantial arbitrary impositions and purposeless restraints, . . . and which also recognizes, what a reasonable and sensitive judgment must, that certain interests require particularly careful scrutiny of the state needs asserted to justify their abridgment.&amp;quot; Poe v. *849 Ullman, supra, at 543 (opinion dissenting from dismissal on jurisdictional grounds).Justice Harlan wrote these words in addressing an issue the full Court did not reach in Poe v. Ullman, but the Court adopted his position four Terms later in Griswold v. Connecticut, supra. In Griswold, we held that the Constitution does not permit a State to forbid a married couple to use contraceptives. That same freedom was later guaranteed, under the Equal Protection Clause, for unmarried couples. See Eisenstadt v. Baird, 405 U. S. 438 (1972). Constitutional protection was extended to the sale and distribution of contraceptives in Carey v. Population Services International, supra. It is settled now, as it was when the Court heard arguments in Roe v. Wade, that the Constitution places limits on a State's right to interfere with a person's most basic decisions about family and parenthood, see Carey v. Population Services International, supra; Moore v. East Cleveland, 431 U. S. 494 (1977); Eisenstadt v. Baird, supra; Loving v. Virginia, supra; Griswold v. Connecticut, supra; Skinner v. Oklahoma ex rel. Williamson, 316 U. S. 535 (1942); Pierce v. Society of Sisters, supra; Meyer v. Nebraska, supra, as well as bodily integrity, see, e. g., Washington v. Harper, 494 U. S. 210, 221-222 (1990); Winston v. Lee, 470 U. S. 753 (1985); Rochin v. California, 342 U. S. 165 (1952).&#xA;&#xA;The inescapable fact is that adjudication of substantive due process claims may call upon the Court in interpreting the Constitution to exercise that same capacity which by tradition courts always have exercised: reasoned judgment. Its boundaries are not susceptible of expression as a simple rule. That does not mean we are free to invalidate state policy choices with which we disagree; yet neither does it permit us to shrink from the duties of our office. As Justice Harlan observed:&amp;quot;Due process has not been reduced to any formula; its content cannot be determined by reference to any code.*850 The best that can be said is that through the course of this Court's decisions it has represented the balance which our Nation, built upon postulates of respect for the liberty of the individual, has struck between that liberty and the demands of organized society. If the supplying of content to this Constitutional concept has of necessity been a rational process, it certainly has not been one where judges have felt free to roam where unguided speculation might take them. The balance of which I speak is the balance struck by this country, having regard to what history teaches are the traditions from which it developed as well as the traditions from which it broke. That tradition is a living thing. A decision of this Court which radically departs from it could not long survive, while a decision which builds on what has survived is likely to be sound. No formula could serve as a substitute, in this area, for judgment and restraint.&amp;quot; Poe v. Ullman, 367 U. S., at 542 (opinion dissenting from dismissal on jurisdictional grounds).See also Rochin v. California, supra, at 171-172 (Frankfurter, J., writing for the Court) (&amp;quot;To believe that this judicial exercise of judgment could be avoided by freezing `due process of law' at some fixed stage of time or thought is to suggest that the most important aspect of constitutional adjudication is a function for inanimate machines and not for judges&amp;quot;).&#xA;&#xA;Men and women of good conscience can disagree, and we suppose some always shall disagree, about the profound moral and spiritual implications of terminating a pregnancy, even in its earliest stage. Some of us as individuals find abortion offensive to our most basic principles of morality, but that cannot control our decision. Our obligation is to define the liberty of all, not to mandate our own moral code. The underlying constitutional issue is whether the State can resolve these philosophic questions in such a definitive way that a woman lacks all choice in the matter, except perhaps *851 in those rare circumstances in which the pregnancy is itself a danger to her own life or health, or is the result of rape or incest.&#xA;&#xA;It is conventional constitutional doctrine that where reasonable people disagree the government can adopt one position or the other. See, e. g., Ferguson v. Skrupa, 372 U. S. 726 (1963); Williamson v. Lee Optical of Okla., Inc., 348 U. S. 483 (1955). That theorem, however, assumes a state of affairs in which the choice does not intrude upon a protected liberty. Thus, while some people might disagree about whether or not the flag should be saluted, or disagree about the proposition that it may not be defiled, we have ruled that a State may not compel or enforce one view or the other. See West Virginia Bd. of Ed. v. Barnette, 319 U. S. 624 (1943); Texas v. Johnson, 491 U. S. 397 (1989).&#xA;Our law affords constitutional protection to personal decisions relating to marriage, procreation, contraception, family relationships, child rearing, and education. Carey v. Population Services International, 431 U. S., at 685. Our cases recognize &amp;quot;the right of the individual, married or single, to be free from unwarranted governmental intrusion into matters so fundamentally affecting a person as the decision whether to bear or beget a child.&amp;quot; Eisenstadt v. Baird, supra, at 453 (emphasis in original). Our precedents &amp;quot;have respected the private realm of family life which the state cannot enter.&amp;quot; Prince v. Massachusetts, 321 U. S. 158, 166 (1944). These matters, involving the most intimate and personal choices a person may make in a lifetime, choices central to personal dignity and autonomy, are central to the liberty protected by the Fourteenth Amendment. At the heart of liberty is the right to define one's own concept of existence, of meaning, of the universe, and of the mystery of human life. Beliefs about these matters could not define the attributes of personhood were they formed under compulsion of the State.&#xA;&#xA;*852 These considerations begin our analysis of the woman's interest in terminating her pregnancy but cannot end it, for this reason: though the abortion decision may originate within the zone of conscience and belief, it is more than a philosophic exercise. Abortion is a unique act. It is an act fraught with consequences for others: for the woman who must live with the implications of her decision; for the persons who perform and assist in the procedure; for the spouse, family, and society which must confront the knowledge that these procedures exist, procedures some deem nothing short of an act of violence against innocent human life; and, depending on one's beliefs, for the life or potential life that is aborted. Though abortion is conduct, it does not follow that the State is entitled to proscribe it in all instances. That is because the liberty of the woman is at stake in a sense unique to the human condition and so unique to the law. The mother who carries a child to full term is subject to anxieties, to physical constraints, to pain that only she must bear. That these sacrifices have from the beginning of the human race been endured by woman with a pride that ennobles her in the eyes of others and gives to the infant a bond of love cannot alone be grounds for the State to insist she make the sacrifice. Her suffering is too intimate and personal for the State to insist, without more, upon its own vision of the woman's role, however dominant that vision has been in the course of our history and our culture. The destiny of the woman must be shaped to a large extent on her own conception of her spiritual imperatives and her place in society.&#xA;&#xA;It should be recognized, moreover, that in some critical respects the abortion decision is of the same character as the decision to use contraception, to which Griswold v. Connecticut, Eisenstadt v. Baird, and Carey v. Population Services International afford constitutional protection. We have no doubt as to the correctness of those decisions. They support *853 the reasoning in Roe relating to the woman's liberty because they involve personal decisions concerning not only the meaning of procreation but also human responsibility and respect for it. As with abortion, reasonable people will have differences of opinion about these matters. One view is based on such reverence for the wonder of creation that any pregnancy ought to be welcomed and carried to full term no matter how difficult it will be to provide for the child and ensure its well-being. Another is that the inability to provide for the nurture and care of the infant is a cruelty to the child and an anguish to the parent. These are intimate views with infinite variations, and their deep, personal character underlay our decisions in Griswold, Eisenstadt, and Carey. The same concerns are present when the woman confronts the reality that, perhaps despite her attempts to avoid it, she has become pregnant.&#xA;&#xA;It was this dimension of personal liberty that Roe sought to protect, and its holding invoked the reasoning and the tradition of the precedents we have discussed, granting protection to substantive liberties of the person. Roe was, of course, an extension of those cases and, as the decision itself indicated, the separate States could act in some degree to further their own legitimate interests in protecting prenatal life. The extent to which the legislatures of the States might act to outweigh the interests of the woman in choosing to terminate her pregnancy was a subject of debate both in Roe itself and in decisions following it.&#xA;&#xA;While we appreciate the weight of the arguments made on behalf of the State in the cases before us, arguments which in their ultimate formulation conclude that Roe should be overruled, the reservations any of us may have in reaffirming the central holding of Roe are outweighed by the explication of individual liberty we have given combined with the force of stare decisis. We turn now to that doctrine.*854 IIIAThe obligation to follow precedent begins with necessity, and a contrary necessity marks its outer limit. With Cardozo, we recognize that no judicial system could do society's work if it eyed each issue afresh in every case that raised it. See B. Cardozo, The Nature of the Judicial Process 149 (1921). Indeed, the very concept of the rule of law underlying our own Constitution requires such continuity over time that a respect for precedent is, by definition, indispensable. See Powell, Stare Decisis and Judicial Restraint, 1991 Journal of Supreme Court History 13, 16. At the other extreme, a different necessity would make itself felt if a prior judicial ruling should come to be seen so clearly as error that its enforcement was for that very reason doomed.&#xA;&#xA;Even when the decision to overrule a prior case is not, as in the rare, latter instance, virtually foreordained, it is common wisdom that the rule of stare decisis is not an &amp;quot;inexorable command,&amp;quot; and certainly it is not such in every constitutional case, see Burnet v. Coronado Oil &amp;amp; Gas Co., 285 U. S. 393, 405-411 (1932) (Brandeis, J., dissenting). See also Payne v. Tennessee, 501 U. S. 808, 842 (1991) (Souter, J., joined by Kennedy, J., concurring); Arizona v. Rumsey, 467 U. S. 203, 212 (1984). Rather, when this Court reexamines a prior holding, its judgment is customarily informed by a series of prudential and pragmatic considerations designed to test the consistency of overruling a prior decision with the ideal of the rule of law, and to gauge the respective costs of reaffirming and overruling a prior case. Thus, for example, we may ask whether the rule has proven to be intolerable simply in defying practical workability, Swift &amp;amp; Co. v. Wickham, 382 U. S. 111, 116 (1965); whether the rule is subject to a kind of reliance that would lend a special hardship to the consequences of overruling and add inequity to the cost of repudiation, e. g., United States v. Title Ins. &amp;amp; Trust *855 Co., 265 U. S. 472, 486 (1924); whether related principles of law have so far developed as to have left the old rule no more than a remnant of abandoned doctrine, see Patterson  v. McLean Credit Union, 491 U. S. 164, 173-174 (1989); or whether facts have so changed, or come to be seen so differently, as to have robbed the old rule of significant application or justification, e. g., Burnet, supra, at 412 (Brandeis, J., dissenting).&#xA;&#xA;So in this case we may enquire whether Roe `s central rule has been found unworkable; whether the rule's limitation on state power could be removed without serious inequity to those who have relied upon it or significant damage to the stability of the society governed by it; whether the law's growth in the intervening years has left Roe's central rule a doctrinal anachronism discounted by society; and whether Roe `s premises of fact have so far changed in the ensuing two decades as to render its central holding somehow irrelevant or unjustifiable in dealing with the issue it addressed.1Although Roe has engendered opposition, it has in no sense proven &amp;quot;unworkable,&amp;quot; see Garcia v. San Antonio Metropolitan Transit Authority, 469 U. S. 528, 546 (1985), representing as it does a simple limitation beyond which a state law is unenforceable. While Roe has, of course, required judicial assessment of state laws affecting the exercise of the choice guaranteed against government infringement, and although the need for such review will remain as a consequence of today's decision, the required determinations fall within judicial competence.2The inquiry into reliance counts the cost of a rule's repudiation as it would fall on those who have relied reasonably on the rule's continued application. Since the classic case for weighing reliance heavily in favor of following the earlier rule occurs in the commercial context, see Payne v. Tennes- *856 see, supra, at 828, where advance planning of great precision is most obviously a necessity, it is no cause for surprise that some would find no reliance worthy of consideration in support of Roe.&#xA;&#xA;While neither respondents nor their amici in so many words deny that the abortion right invites some reliance prior to its actual exercise, one can readily imagine an argument stressing the dissimilarity of this case to one involving property or contract. Abortion is customarily chosen as an unplanned response to the consequence of unplanned activity or to the failure of conventional birth control, and except on the assumption that no intercourse would have occurred but for Roe `s holding, such behavior may appear to justify no reliance claim. Even if reliance could be claimed on that unrealistic assumption, the argument might run, any reliance interest would be de minimis. This argument would be premised on the hypothesis that reproductive planning could take virtually immediate account of any sudden restoration of state authority to ban abortions.&#xA;&#xA;To eliminate the issue of reliance that easily, however, one would need to limit cognizable reliance to specific instances of sexual activity. But to do this would be simply to refuse to face the fact that for two decades of economic and social developments, people have organized intimate relationships and made choices that define their views of themselves and their places in society, in reliance on the availability of abortion in the event that contraception should fail. The ability of women to participate equally in the economic and social life of the Nation has been facilitated by their ability to control their reproductive lives. See, e. g., R. Petchesky, Abortion and Woman's Choice 109, 133, n. 7 (rev. ed. 1990). The Constitution serves human values, and while the effect of reliance on Roe cannot be exactly measured, neither can the certain cost of overruling Roe for people who have ordered their thinking and living around that case be dismissed.&#xA;&#xA;*857 3No evolution of legal principle has left Roe `s doctrinal footings weaker than they were in 1973. No development of constitutional law since the case was decided has implicitly or explicitly left Roe behind as a mere survivor of obsolete constitutional thinking.&#xA;&#xA;It will be recognized, of course, that Roe stands at an intersection of two lines of decisions, but in whichever doctrinal category one reads the case, the result for present purposes will be the same. The Roe Court itself placed its holding in the succession of cases most prominently exemplified by Griswold v. Connecticut, 381 U. S. 479 (1965). See Roe, 410 U. S., at 152-153. When it is so seen, Roe is clearly in no jeopardy, since subsequent constitutional developments have neither disturbed, nor do they threaten to diminish, the scope of recognized protection accorded to the liberty relating to intimate relationships, the family, and decisions about whether or not to beget or bear a child. See, e. g., Carey v. Population Services International, 431 U. S. 678 (1977); Moore v. East Cleveland, 431 U. S. 494 (1977).&#xA;&#xA;Roe, however, may be seen not only as an exemplar of Griswold liberty but as a rule (whether or not mistaken) of personal autonomy and bodily integrity, with doctrinal affinity to cases recognizing limits on governmental power to mandate medical treatment or to bar its rejection. If so, our cases since Roe accord with Roe `s view that a State's interest in the protection of life falls short of justifying any plenary override of individual liberty claims. Cruzan v. Director, Mo. Dept. of Health, 497 U. S. 261, 278 (1990); cf., e. g., Riggins v. Nevada, 504 U. S. 127, 135 (1992); Washington v. Harper, 494 U. S. 210 (1990); see also, e. g., Rochin v. California, 342 U. S. 165 (1952); Jacobson v. Massachusetts, 197 U. S. 11, 24-30 (1905).&#xA;&#xA;Finally, one could classify Roe as sui generis. If the case is so viewed, then there clearly has been no erosion of its central determination. The original holding resting on the *858 concurrence of seven Members of the Court in 1973 was expressly affirmed by a majority of six in 1983, see Akron v. Akron Center for Reproductive Health, Inc., 462 U. S. 416 (Akron I), and by a majority of five in 1986, see Thornburgh  v. American College of Obstetricians and Gynecologists,  476 U. S. 747, expressing adherence to the constitutional ruling despite legislative efforts in some States to test its limits. More recently, in Webster v. Reproductive Health Services, 492 U. S. 490 (1989), although two of the present authors questioned the trimester framework in a way consistent with our judgment today, see id., at 518 (Rehnquist, C. J., joined by White and Kennedy, JJ.); id., at 529 (O'Connor, J., concurring in part and concurring in judgment), a majority of the Court either decided to reaffirm or declined to address the constitutional validity of the central holding of Roe. See Webster, 492 U. S., at 521 (Rehnquist, C. J., joined by White and Kennedy, JJ.); id., at 525-526 (O'Connor, J., concurring in part and concurring in judgment); id., at 537, 553 (Blackmun, J., joined by Brennan and Marshall, JJ., concurring in part and dissenting in part); id., at 561-563 (Stevens, J., concurring in part and dissenting in part).&#xA;Nor will courts building upon Roe be likely to hand down erroneous decisions as a consequence. Even on the assumption that the central holding of Roe was in error, that error would go only to the strength of the state interest in fetal protection, not to the recognition afforded by the Constitution to the woman's liberty. The latter aspect of the decision fits comfortably within the framework of the Court's prior decisions, including Skinner v. Oklahoma ex rel. Williamson, 316 U. S. 535 (1942); Griswold, supra; Loving v. Virginia, 388 U. S. 1 (1967); and Eisenstadt v. Baird, 405 U. S. 438 (1972), the holdings of which are &amp;quot;not a series of isolated points,&amp;quot; but mark a &amp;quot;rational continuum.&amp;quot; Poe v. Ullman,  367 U. S., at 543 (Harlan, J., dissenting). As we described in *859 Carey v. Population Services International, supra, the liberty which encompasses those decisions&amp;quot;includes `the interest in independence in making certain kinds of important decisions.' While the outer limits of this aspect of  have not been marked by the Court, it is clear that among the decisions that an individual may make without unjustified government interference are personal decisions `relating to marriage, procreation, contraception, family relationships, and child rearing and education.' &amp;quot; 431 U. S., at 684-685 (citations omitted).The soundness of this prong of the Roe analysis is apparent from a consideration of the alternative. If indeed the woman's interest in deciding whether to bear and beget a child had not been recognized as in Roe, the State might as readily restrict a woman's right to choose to carry a pregnancy to term as to terminate it, to further asserted state interests in population control, or eugenics, for example. Yet Roe has been sensibly relied upon to counter any such suggestions. E. g., Arnold v. Board of Education of Escambia County, Ala., 880 F. 2d 305, 311 (CA11 1989) (relying upon Roe and concluding that government officials violate the Constitution by coercing a minor to have an abortion); Avery v. County of Burke, 660 F. 2d 111, 115 (CA4 1981) (county agency inducing teenage girl to undergo unwanted sterilization on the basis of misrepresentation that she had sickle cell trait); see also In re Quinlan, 70 N. J. 10, 355 A. 2d 647 (relying on Roe in finding a right to terminate medical treatment), cert. denied sub nom. Garger v. New Jersey, 429 U. S. 922 (1976)). In any event, because Roe `s scope is confined by the fact of its concern with postconception potential life, a concern otherwise likely to be implicated only by some forms of contraception protected independently under Griswold and later cases, any error in Roe is unlikely to have serious ramifications in future cases.&#xA;*8604We have seen how time has overtaken some of Roe `s factual assumptions: advances in maternal health care allow for abortions safe to the mother later in pregnancy than was true in 1973, see Akron I, supra, at 429, n. 11, and advances in neonatal care have advanced viability to a point somewhat earlier. Compare Roe, 410 U. S., at 160, with Webster, supra, at 515-516 (opinion of Rehnquist, C. J.); see Akron I, 462 U. S., at 457, and n. 5 (O'Connor, J., dissenting). But these facts go only to the scheme of time limits on the realization of competing interests, and the divergences from the factual premises of 1973 have no bearing on the validity of Roe `s central holding, that viability marks the earliest point at which the State's interest in fetal life is constitutionally adequate to justify a legislative ban on nontherapeutic abortions. The soundness or unsoundness of that constitutional judgment in no sense turns on whether viability occurs at approximately 28 weeks, as was usual at the time of Roe, at 23 to 24 weeks, as it sometimes does today, or at some moment even slightly earlier in pregnancy, as it may if fetal respiratory capacity can somehow be enhanced in the future. Whenever it may occur, the attainment of viability may continue to serve as the critical fact, just as it has done since Roe was decided; which is to say that no change in Roe `s factual underpinning has left its central holding obsolete, and none supports an argument for overruling it.5The sum of the precedential enquiry to this point shows Roe `s underpinnings unweakened in any way affecting its central holding. While it has engendered disapproval, it has not been unworkable. An entire generation has come of age free to assume Roe `s concept of liberty in defining the capacity of women to act in society, and to make reproductive decisions; no erosion of principle going to liberty or personal autonomy has left Roe `s central holding a doctrinal remnant; *861 Roe portends no developments at odds with other precedent for the analysis of personal liberty; and no changes of fact have rendered viability more or less appropriate as the point at which the balance of interests tips. Within the bounds of normal stare decisis analysis, then, and subject to the considerations on which it customarily turns, the stronger argument is for affirming Roe `s central holding, with whatever degree of personal reluctance any of us may have, not for overruling it.BIn a less significant case, stare decisis analysis could, and would, stop at the point we have reached. But the sustained and widespread debate Roe has provoked calls for some comparison between that case and others of comparable dimension that have responded to national controversies and taken on the impress of the controversies addressed. Only two such decisional lines from the past century present themselves for examination, and in each instance the result reached by the Court accorded with the principles we apply today.&#xA;&#xA;The first example is that line of cases identified with Lochner v. New York, 198 U. S. 45 (1905), which imposed substantive limitations on legislation limiting economic autonomy in favor of health and welfare regulation, adopting, in Justice Holmes's view, the theory of laissez-faire. Id., at 75 (dissenting opinion). The Lochner decisions were exemplified by Adkins v. Children's Hospital of District of Columbia, 261 U. S. 525 (1923), in which this Court held it to be an infringement of constitutionally protected liberty of contract to require the employers of adult women to satisfy minimum wage standards. Fourteen years later, West Coast Hotel Co.  v. Parrish, 300 U. S. 379 (1937), signaled the demise of Lochner by overruling Adkins. In the meantime, the Depression had come and, with it, the lesson that seemed unmistakable to most people by 1937, that the interpretation of contractual freedom protected in Adkins rested on fundamentally *862 false factual assumptions about the capacity of a relatively unregulated market to satisfy minimal levels of human welfare. See West Coast Hotel Co., supra, at 399. As Justice Jackson wrote of the constitutional crisis of 1937 shortly before he came on the bench: &amp;quot;The older world of laissez faire was recognized everywhere outside the Court to be dead.&amp;quot; The Struggle for Judicial Supremacy 85 (1941). The facts upon which the earlier case had premised a constitutional resolution of social controversy had proven to be untrue, and history's demonstration of their untruth not only justified but required the new choice of constitutional principle that West Coast Hotel announced. Of course, it was true that the Court lost something by its misperception, or its lack of prescience, and the Court-packing crisis only magnified the loss; but the clear demonstration that the facts of economic life were different from those previously assumed warranted the repudiation of the old law.&#xA;&#xA;The second comparison that 20th century history invites is with the cases employing the separate-but-equal rule for applying the Fourteenth Amendment's equal protection guarantee. They began with Plessy v. Ferguson, 163 U. S. 537 (1896), holding that legislatively mandated racial segregation in public transportation works no denial of equal protection, rejecting the argument that racial separation enforced by the legal machinery of American society treats the black race as inferior. The Plessy Court considered &amp;quot;the underlying fallacy of the plaintiff's argument to consist in the assumption that the enforced separation of the two races stamps the colored race with a badge of inferiority. If this be so, it is not by reason of anything found in the act, but solely because the colored race chooses to put that construction upon it.&amp;quot; Id., at 551. Whether, as a matter of historical fact, the Justices in the Plessy majority believed this or not, see id., at 557, 562 (Harlan, J., dissenting), this understanding of the implication of segregation was the stated justification for the Court's opinion. But this understanding of *863 the facts and the rule it was stated to justify were repudiated in Brown v. Board of Education, 347 U. S. 483 (1954) (Brown I). As one commentator observed, the question before the Court in Brown was &amp;quot;whether discrimination inheres in that segregation which is imposed by law in the twentieth century in certain specific states in the American Union. And that question has meaning and can find an answer only on the ground of history and of common knowledge about the facts of life in the times and places aforesaid.&amp;quot; Black, The Lawfulness of the Segregation Decisions, 69 Yale L. J. 421, 427 (1960).&#xA;&#xA;The Court in Brown addressed these facts of life by observing that whatever may have been the understanding in Plessy `s time of the power of segregation to stigmatize those who were segregated with a &amp;quot;badge of inferiority,&amp;quot; it was clear by 1954 that legally sanctioned segregation had just such an effect, to the point that racially separate public educational facilities were deemed inherently unequal. 347 U. S., at 494-495. Society's understanding of the facts upon which a constitutional ruling was sought in 1954 was thus fundamentally different from the basis claimed for the decision in 1896. While we think Plessy was wrong the day it was decided, see Plessy, supra, at 552-564 (Harlan, J., dissenting), we must also recognize that the Plessy Court's explanation for its decision was so clearly at odds with the facts apparent to the Court in 1954 that the decision to reexamine Plessy was on this ground alone not only justified but required.&#xA;&#xA;West Coast Hotel and Brown each rested on facts, or an understanding of facts, changed from those which furnished the claimed justifications for the earlier constitutional resolutions. Each case was comprehensible as the Court's response to facts that the country could understand, or had come to understand already, but which the Court of an earlier day, as its own declarations disclosed, had not been able to perceive. As the decisions were thus comprehensible *864 they were also defensible, not merely as the victories of one doctrinal school over another by dint of numbers (victories though they were), but as applications of constitutional principle to facts as they had not been seen by the Court before. In constitutional adjudication as elsewhere in life, changed circumstances may impose new obligations, and the thoughtful part of the Nation could accept each decision to overrule a prior case as a response to the Court's constitutional duty.&#xA;&#xA;Because the cases before us present no such occasion it could be seen as no such response. Because neither the factual underpinnings of Roe `s central holding nor our understanding of it has changed (and because no other indication of weakened precedent has been shown), the Court could not pretend to be reexamining the prior law with any justification beyond a present doctrinal disposition to come out differently from the Court of 1973. To overrule prior law for no other reason than that would run counter to the view repeated in our cases, that a decision to overrule should rest on some special reason over and above the belief that a prior case was wrongly decided. See, e. g., Mitchell v. W. T. Grant Co., 416 U. S. 600, 636 (1974) (Stewart, J., dissenting) (&amp;quot;A basic change in the law upon a ground no firmer than a change in our membership invites the popular misconception that this institution is little different from the two political branches of the Government. No misconception could do more lasting injury to this Court and to the system of law which it is our abiding mission to serve&amp;quot;); Mapp v. Ohio, 367 U. S. 643, 677 (1961) (Harlan, J., dissenting).CThe examination of the conditions justifying the repudiation of Adkins by West Coast Hotel and Plessy by Brown is enough to suggest the terrible price that would have been paid if the Court had not overruled as it did. In the present cases, however, as our analysis to this point makes clear, the terrible price would be paid for overruling. Our analysis *865 would not be complete, however, without explaining why overruling Roe `s central holding would not only reach an unjustifiable result under principles of stare decisis, but would seriously weaken the Court's capacity to exercise the judicial power and to function as the Supreme Court of a Nation dedicated to the rule of law. To understand why this would be so it is necessary to understand the source of this Court's authority, the conditions necessary for its preservation, and its relationship to the country's understanding of itself as a constitutional Republic.&#xA;&#xA;The root of American governmental power is revealed most clearly in the instance of the power conferred by the Constitution upon the Judiciary of the United States and specifically upon this Court. As Americans of each succeeding generation are rightly told, the Court cannot buy support for its decisions by spending money and, except to a minor degree, it cannot independently coerce obedience to its decrees. The Court's power lies, rather, in its legitimacy, a product of substance and perception that shows itself in the people's acceptance of the Judiciary as fit to determine what the Nation's law means and to declare what it demands.&#xA;&#xA;The underlying substance of this legitimacy is of course the warrant for the Court's decisions in the Constitution and the lesser sources of legal principle on which the Court draws. That substance is expressed in the Court's opinions, and our contemporary understanding is such that a decision without principled justification would be no judicial act at all. But even when justification is furnished by apposite legal principle, something more is required. Because not every conscientious claim of principled justification will be accepted as such, the justification claimed must be beyond dispute. The Court must take care to speak and act in ways that allow people to accept its decisions on the terms the Court claims for them, as grounded truly in principle, not as compromises with social and political pressures having, as such, no bearing on the principled choices that the Court is *866 obliged to make. Thus, the Court's legitimacy depends on making legally principled decisions under circumstances in which their principled character is sufficiently plausible to be accepted by the Nation.&#xA;&#xA;The need for principled action to be perceived as such is implicated to some degree whenever this, or any other appellate court, overrules a prior case. This is not to say, of course, that this Court cannot give a perfectly satisfactory explanation in most cases. People understand that some of the Constitution's language is hard to fathom and that the Court's Justices are sometimes able to perceive significant facts or to understand principles of law that eluded their predecessors and that justify departures from existing decisions. However upsetting it may be to those most directly affected when one judicially derived rule replaces another, the country can accept some correction of error without necessarily questioning the legitimacy of the Court.&#xA;&#xA;In two circumstances, however, the Court would almost certainly fail to receive the benefit of the doubt in overruling prior cases. There is, first, a point beyond which frequent overruling would overtax the country's belief in the Court's good faith. Despite the variety of reasons that may inform and justify a decision to overrule, we cannot forget that such a decision is usually perceived (and perceived correctly) as, at the least, a statement that a prior decision was wrong. There is a limit to the amount of error that can plausibly be imputed to prior Courts. If that limit should be exceeded, disturbance of prior rulings would be taken as evidence that justifiable reexamination of principle had given way to drives for particular results in the short term. The legitimacy of the Court would fade with the frequency of its vacillation.&#xA;&#xA;That first circumstance can be described as hypothetical; the second is to the point here and now. Where, in the performance of its judicial duties, the Court decides a case in such a way as to resolve the sort of intensely divisive controversy reflected in Roe and those rare, comparable cases, its *867 decision has a dimension that the resolution of the normal case does not carry. It is the dimension present whenever the Court's interpretation of the Constitution calls the contending sides of a national controversy to end their national division by accepting a common mandate rooted in the Constitution.&#xA;&#xA;The Court is not asked to do this very often, having thus addressed the Nation only twice in our lifetime, in the decisions of Brown and Roe. But when the Court does act in this way, its decision requires an equally rare precedential force to counter the inevitable efforts to overturn it and to thwart its implementation. Some of those efforts may be mere unprincipled emotional reactions; others may proceed from principles worthy of profound respect. But whatever the premises of opposition may be, only the most convincing justification under accepted standards of precedent could suffice to demonstrate that a later decision overruling the first was anything but a surrender to political pressure, and an unjustified repudiation of the principle on which the Court staked its authority in the first instance. So to overrule under fire in the absence of the most compelling reason to reexamine a watershed decision would subvert the Court's legitimacy beyond any serious question. Cf. Brown v. Board of Education, 349 U. S. 294, 300 (1955) (Brown II)  (&amp;quot;t should go without saying that the vitality of th constitutional principles  cannot be allowed to yield simply because of disagreement with them&amp;quot;).&#xA;&#xA;The country's loss of confidence in the Judiciary would be underscored by an equally certain and equally reasonable condemnation for another failing in overruling unnecessarily and under pressure. Some cost will be paid by anyone who approves or implements a constitutional decision where it is unpopular, or who refuses to work to undermine the decision or to force its reversal. The price may be criticism or ostracism, or it may be violence. An extra price will be paid by those who themselves disapprove of the decision's results *868 when viewed outside of constitutional terms, but who nevertheless struggle to accept it, because they respect the rule of law. To all those who will be so tested by following, the Court implicitly undertakes to remain steadfast, lest in the end a price be paid for nothing. The promise of constancy, once given, binds its maker for as long as the power to stand by the decision survives and the understanding of the issue has not changed so fundamentally as to render the commitment obsolete. From the obligation of this promise this Court cannot and should not assume any exemption when duty requires it to decide a case in conformance with the Constitution. A willing breach of it would be nothing less than a breach of faith, and no Court that broke its faith with the people could sensibly expect credit for principle in the decision by which it did that.&#xA;It is true that diminished legitimacy may be restored, but only slowly. Unlike the political branches, a Court thus weakened could not seek to regain its position with a new mandate from the voters, and even if the Court could somehow go to the polls, the loss of its principled character could not be retrieved by the casting of so many votes. Like the character of an individual, the legitimacy of the Court must be earned over time. So, indeed, must be the character of a Nation of people who aspire to live according to the rule of law. Their belief in themselves as such a people is not readily separable from their understanding of the Court invested with the authority to decide their constitutional cases and speak before all others for their constitutional ideals. If the Court's legitimacy should be undermined, then, so would the country be in its very ability to see itself through its constitutional ideals. The Court's concern with legitimacy is not for the sake of the Court, but for the sake of the Nation to which it is responsible.&#xA;&#xA;The Court's duty in the present cases is clear. In 1973, it confronted the already-divisive issue of governmental power *869 to limit personal choice to undergo abortion, for which it provided a new resolution based on the due process guaranteed by the Fourteenth Amendment. Whether or not a new social consensus is developing on that issue, its divisiveness is no less today than in 1973, and pressure to overrule the decision, like pressure to retain it, has grown only more intense. A decision to overrule Roe `s essential holding under the existing circumstances would address error, if error there was, at the cost of both profound and unnecessary damage to the Court's legitimacy, and to the Nation's commitment to the rule of law. It is therefore imperative to adhere to the essence of Roe `s original decision, and we do so today.IVFrom what we have said so far it follows that it is a constitutional liberty of the woman to have some freedom to terminate her pregnancy. We conclude that the basic decision in Roe was based on a constitutional analysis which we cannot now repudiate. The woman's liberty is not so unlimited, however, that from the outset the State cannot show its concern for the life of the unborn, and at a later point in fetal development the State's interest in life has sufficient force so that the right of the woman to terminate the pregnancy can be restricted.&#xA;&#xA;That brings us, of course, to the point where much criticism has been directed at Roe, a criticism that always inheres when the Court draws a specific rule from what in the Constitution is but a general standard. We conclude, however, that the urgent claims of the woman to retain the ultimate control over her destiny and her body, claims implicit in the meaning of liberty, require us to perform that function. Liberty must not be extinguished for want of a line that is clear. And it falls to us to give some real substance to the woman's liberty to determine whether to carry her pregnancy to full term.&#xA;&#xA;*870 We conclude the line should be drawn at viability, so that before that time the woman has a right to choose to terminate her pregnancy. We adhere to this principle for two reasons. First, as we have said, is the doctrine of stare decisis. Any judicial act of line-drawing may seem somewhat arbitrary, but Roe was a reasoned statement, elaborated with great care. We have twice reaffirmed it in the face of great opposition. See Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 759; Akron I , 462 U. S., at 419-420. Although we must overrule those parts of Thornburgh and Akron I which, in our view, are inconsistent with Roe `s statement that the State has a legitimate interest in promoting the life or potential life of the unborn, see infra, at 882-883, the central premise of those cases represents an unbroken commitment by this Court to the essential holding of Roe. It is that premise which we reaffirm today.&#xA;&#xA;The second reason is that the concept of viability, as we noted in Roe, is the time at which there is a realistic possibility of maintaining and nourishing a life outside the womb, so that the independent existence of the second life can in reason and all fairness be the object of state protection that now overrides the rights of the woman. See Roe v. Wade, 410 U. S., at 163. Consistent with other constitutional norms, legislatures may draw lines which appear arbitrary without the necessity of offering a justification. But courts may not. We must justify the lines we draw. And there is no line other than viability which is more workable. To be sure, as we have said, there may be some medical developments that affect the precise point of viability, see supra, at 860, but this is an imprecision within tolerable limits given that the medical community and all those who must apply its discoveries will continue to explore the matter. The viability line also has, as a practical matter, an element of fairness. In some broad sense it might be said that a woman who fails to act before viability has consented to the State's intervention on behalf of the developing child.&#xA;&#xA;*871 The woman's right to terminate her pregnancy before viability is the most central principle of Roe v. Wade. It is a rule of law and a component of liberty we cannot renounce.&#xA;&#xA;On the other side of the equation is the interest of the State in the protection of potential life. The Roe Court recognized the State's &amp;quot;important and legitimate interest in protecting the potentiality of human life.&amp;quot; Roe, supra, at 162. The weight to be given this state interest, not the strength of the woman's interest, was the difficult question faced in Roe. We do not need to say whether each of us, had we been Members of the Court when the valuation of the state interest came before it as an original matter, would have concluded, as the Roe Court did, that its weight is insufficient to justify a ban on abortions prior to viability even when it is subject to certain exceptions. The matter is not before us in the first instance, and coming as it does after nearly 20 years of litigation in Roe `s wake we are satisfied that the immediate question is not the soundness of Roe `s resolution of the issue, but the precedential force that must be accorded to its holding. And we have concluded that the essential holding of Roe should be reaffirmed.&#xA;&#xA;Yet it must be remembered that Roe v. Wade speaks with clarity in establishing not only the woman's liberty but also the State's &amp;quot;important and legitimate interest in potential life.&amp;quot; Roe, supra, at 163. That portion of the decision in Roe has been given too little acknowledgment and implementation by the Court in its subsequent cases. Those cases decided that any regulation touching upon the abortion decision must survive strict scrutiny, to be sustained only if drawn in narrow terms to further a compelling state interest. See, e. g., Akron I, supra, at 427. Not all of the cases decided under that formulation can be reconciled with the holding in Roe itself that the State has legitimate interests in the health of the woman and in protecting the potential life within her. In resolving this tension, we choose to rely upon Roe, as against the later cases.&#xA;&#xA;*872 Roe established a trimester framework to govern abortion regulations. Under this elaborate but rigid construct, almost no regulation at all is permitted during the first trimester of pregnancy; regulations designed to protect the woman's health, but not to further the State's interest in potential life, are permitted during the second trimester; and during the third trimester, when the fetus is viable, prohibitions are permitted provided the life or health of the mother is not at stake. Roe, supra, at 163-166. Most of our cases since Roe  have involved the application of rules derived from the trimester framework. See, e. g., Thornburgh v. American College of Obstetricians and Gynecologists, supra; Akron I, supra.&#xA;&#xA;The trimester framework no doubt was erected to ensure that the woman's right to choose not become so subordinate to the State's interest in promoting fetal life that her choice exists in theory but not in fact. We do not agree, however, that the trimester approach is necessary to accomplish this objective. A framework of this rigidity was unnecessary and in its later interpretation sometimes contradicted the State's permissible exercise of its powers.&#xA;&#xA;Though the woman has a right to choose to terminate or continue her pregnancy before viability, it does not at all follow that the State is prohibited from taking steps to ensure that this choice is thoughtful and informed. Even in the earliest stages of pregnancy, the State may enact rules and regulations designed to encourage her to know that there are philosophic and social arguments of great weight that can be brought to bear in favor of continuing the pregnancy to full term and that there are procedures and institutions to allow adoption of unwanted children as well as a certain degree of state assistance if the mother chooses to raise the child herself. &amp;quot;`he Constitution does not forbid a State or city, pursuant to democratic processes, from expressing a preference for normal childbirth.' &amp;quot; Webster v. Reproductive Health Services, 492 U. S., at 511 (opinion of *873 the Court) (quoting Poelker v. Doe, 432 U. S. 519, 521 (1977)). It follows that States are free to enact laws to provide a reasonable framework for a woman to make a decision that has such profound and lasting meaning. This, too, we find consistent with Roe `s central premises, and indeed the inevitable consequence of our holding that the State has an interest in protecting the life of the unborn.&#xA;&#xA;We reject the trimester framework, which we do not consider to be part of the essential holding of Roe. See Webster  v. Reproductive Health Services, 492 U. S., at 518 (opinion of Rehnquist, C. J.); id., at 529 (O'Connor, J., concurring in part and concurring in judgment) (describing the trimester framework as &amp;quot;problematic&amp;quot;). Measures aimed at ensuring that a woman's choice contemplates the consequences for the fetus do not necessarily interfere with the right recognized in Roe, although those measures have been found to be inconsistent with the rigid trimester framework announced in that case. A logical reading of the central holding in Roe itself, and a necessary reconciliation of the liberty of the woman and the interest of the State in promoting prenatal life, require, in our view, that we abandon the trimester framework as a rigid prohibition on all previability regulation aimed at the protection of fetal life. The trimester framework suffers from these basic flaws: in its formulation it misconceives the nature of the pregnant woman's interest; and in practice it undervalues the State's interest in potential life, as recognized in Roe.&#xA;&#xA;As our jurisprudence relating to all liberties save perhaps abortion has recognized, not every law which makes a right more difficult to exercise is, ipso facto, an infringement of that right. An example clarifies the point. We have held that not every ballot access limitation amounts to an infringement of the right to vote. Rather, the States are granted substantial flexibility in establishing the framework within which voters choose the candidates for whom they *874 wish to vote. Anderson v. Celebrezze, 460 U. S. 780, 788 (1983); Norman v. Reed, 502 U. S. 279 (1992).&#xA;&#xA;The abortion right is similar. Numerous forms of state regulation might have the incidental effect of increasing the cost or decreasing the availability of medical care, whether for abortion or any other medical procedure. The fact that a law which serves a valid purpose, one not designed to strike at the right itself, has the incidental effect of making it more difficult or more expensive to procure an abortion cannot be enough to invalidate it. Only where state regulation imposes an undue burden on a woman's ability to make this decision does the power of the State reach into the heart of the liberty protected by the Due Process Clause. See Hodgson v. Minnesota, 497 U. S. 417, 458-459 (1990) (O'Connor, J., concurring in part and concurring in judgment in part); Ohio v. Akron Center for Reproductive Health, 497 U. S. 502, 519-520 (1990) (Akron II) (opinion of Kennedy, J.); Webster v. Reproductive Health Services, supra, at 530 (O'Connor, J., concurring in part and concurring in judgment); Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 828 (O'Connor, J., dissenting); Simopoulos v. Virginia, 462 U. S. 506, 520 (1983) (O'Connor, J., concurring in part and concurring in judgment); Planned Parenthood Assn. of Kansas City, Mo., Inc.  v. Ashcroft, 462 U. S. 476, 505 (1983) (O'Connor, J., concurring in judgment in part and dissenting in part); Akron I,  462 U. S., at 464 (O'Connor, J., joined by White and Rehnquist, JJ., dissenting); Bellotti v. Baird, 428 U. S. 132, 147 (1976) (Bellotti I) .&#xA;&#xA;For the most part, the Court's early abortion cases adhered to this view. In Maher v. Roe, 432 U. S. 464, 473-474 (1977), the Court explained: &amp;quot;Roe did not declare an unqualified `constitutional right to an abortion,' as the District Court seemed to think. Rather, the right protects the woman from unduly burdensome interference with her freedom to decide whether to terminate her pregnancy.&amp;quot; See *875 also Doe v. Bolton, 410 U. S. 179, 198 (1973) (&amp;quot;he interposition of the hospital abortion committee is unduly restrictive of the patient's rights&amp;quot;); Bellotti I, supra, at 147 (State may not &amp;quot;impose undue burdens upon a minor capable of giving an informed consent&amp;quot;); Harris v. McRae, 448 U. S. 297, 314 (1980) (citing Maher, supra ). Cf. Carey v. Population Services International, 431 U. S., at 688 (&amp;quot;he same test must be applied to state regulations that burden an individual's right to decide to prevent conception or terminate pregnancy by substantially limiting access to the means of effectuating that decision as is applied to state statutes that prohibit the decision entirely&amp;quot;).&#xA;&#xA;These considerations of the nature of the abortion right illustrate that it is an overstatement to describe it as a right to decide whether to have an abortion &amp;quot;without interference from the State.&amp;quot; Planned Parenthood of Central Mo. v. Danforth, 428 U. S. 52, 61 (1976). All abortion regulations interfere to some degree with a woman's ability to decide whether to terminate her pregnancy. It is, as a consequence, not surprising that despite the protestations contained in the original Roe opinion to the effect that the Court was not recognizing an absolute right, 410 U. S., at 154-155, the Court's experience applying the trimester framework has led to the striking down of some abortion regulations which in no real sense deprived women of the ultimate decision. Those decisions went too far because the right recognized by Roe is a right &amp;quot;to be free from unwarranted governmental intrusion into matters so fundamentally affecting a person as the decision whether to bear or beget a child.&amp;quot; Eisenstadt v. Baird, 405 U. S., at 453. Not all governmental intrusion is of necessity unwarranted; and that brings us to the other basic flaw in the trimester framework: even in Roe `s terms, in practice it undervalues the State's interest in the potential life within the woman.&#xA;&#xA;Roe v. Wade was express in its recognition of the State's &amp;quot;important and legitimate interest in preserving and protecting *876 the health of the pregnant woman  in protecting the potentiality of human life.&amp;quot; 410 U. S., at 162. The trimester framework, however, does not fulfill Roe `s own promise that the State has an interest in protecting fetal life or potential life. Roe began the contradiction by using the trimester framework to forbid any regulation of abortion designed to advance that interest before viability. Id., at 163. Before viability, Roe and subsequent cases treat all governmental attempts to influence a woman's decision on behalf of the potential life within her as unwarranted. This treatment is, in our judgment, incompatible with the recognition that there is a substantial state interest in potential life throughout pregnancy. Cf. Webster, 492 U. S., at 519 (opinion of Rehnquist, C. J.); Akron I, supra, at 461 (O'Connor, J., dissenting).&#xA;&#xA;The very notion that the State has a substantial interest in potential life leads to the conclusion that not all regulations must be deemed unwarranted. Not all burdens on the right to decide whether to terminate a pregnancy will be undue. In our view, the undue burden standard is the appropriate means of reconciling the State's interest with the woman's constitutionally protected liberty.&#xA;&#xA;The concept of an undue burden has been utilized by the Court as well as individual Members of the Court, including two of us, in ways that could be considered inconsistent. See, e. g., Hodgson v. Minnesota, supra, at 459-461 (O'Connor, J., concurring in part and concurring in judgment); Akron II, supra, at 519-520 (opinion of Kennedy, J.); Thornburgh v. American College of Obstetricians and Gynecologists, supra, at 828-829 (O'Connor, J., dissenting); Akron I, supra, at 461-466 (O'Connor, J., dissenting); Harris v. McRae, supra, at 314; Maher v. Roe, supra, at 473; Beal v. Doe, 432 U. S. 438, 446 (1977); Bellotti I, supra, at 147. Because we set forth a standard of general application to which we intend to adhere, it is important to clarify what is meant by an undue burden.&#xA;&#xA;*877 A finding of an undue burden is a shorthand for the conclusion that a state regulation has the purpose or effect of placing a substantial obstacle in the path of a woman seeking an abortion of a nonviable fetus. A statute with this purpose is invalid because the means chosen by the State to further the interest in potential life must be calculated to inform the woman's free choice, not hinder it. And a statute which, while furthering the interest in potential life or some other valid state interest, has the effect of placing a substantial obstacle in the path of a woman's choice cannot be considered a permissible means of serving its legitimate ends. To the extent that the opinions of the Court or of individual Justices use the undue burden standard in a manner that is inconsistent with this analysis, we set out what in our view should be the controlling standard. Cf. McCleskey v. Zant, 499 U. S. 467, 489 (1991) (attempting &amp;quot;to define the doctrine of abuse of the writ with more precision&amp;quot; after acknowledging tension among earlier cases). In our considered judgment, an undue burden is an unconstitutional burden. See Akron II, 497 U. S., at 519-520 (opinion of Kennedy, J.). Understood another way, we answer the question, left open in previous opinions discussing the undue burden formulation, whether a law designed to further the State's interest in fetal life which imposes an undue burden on the woman's decision before fetal viability could be constitutional. See, e. g., Akron I, 462 U. S., at 462-463 (O'Connor, J., dissenting). The answer is no.&#xA;&#xA;Some guiding principles should emerge. What is at stake is the woman's right to make the ultimate decision, not a right to be insulated from all others in doing so. Regulations which do no more than create a structural mechanism by which the State, or the parent or guardian of a minor, may express profound respect for the life of the unborn are permitted, if they are not a substantial obstacle to the woman's exercise of the right to choose. See infra, at 899-900 (addressing Pennsylvania's parental consent requirement).&#xA;&#xA;*878 Unless it has that effect on her right of choice, a state measure designed to persuade her to choose childbirth over abortion will be upheld if reasonably related to that goal. Regulations designed to foster the health of a woman seeking an abortion are valid if they do not constitute an undue burden.&#xA;&#xA;Even when jurists reason from shared premises, some disagreement is inevitable. Compare Hodgson, 497 U. S., at 482-497 (Kennedy, J., concurring in judgment in part and dissenting in part), with id., at 458-460 (O'Connor, J., concurring in part and concurring in judgment in part). That is to be expected in the application of any legal standard which must accommodate life's complexity. We do not expect it to be otherwise with respect to the undue burden standard. We give this summary:&#xA;&#xA;(a) To protect the central right recognized by Roe v. Wade  while at the same time accommodating the State's profound interest in potential life, we will employ the undue burden analysis as explained in this opinion. An undue burden exists, and therefore a provision of law is invalid, if its purpose or effect is to place a substantial obstacle in the path of a woman seeking an abortion before the fetus attains viability.&#xA;&#xA;(b) We reject the rigid trimester framework of Roe v. Wade. To promote the State's profound interest in potential life, throughout pregnancy the State may take measures to ensure that the woman's choice is informed, and measures designed to advance this interest will not be invalidated as long as their purpose is to persuade the woman to choose childbirth over abortion. These measures must not be an undue burden on the right.&#xA;&#xA;(c) As with any medical procedure, the State may enact regulations to further the health or safety of a woman seeking an abortion. Unnecessary health regulations that have the purpose or effect of presenting a substantial obstacle to a woman seeking an abortion impose an undue burden on the right.&#xA;&#xA;*879 (d) Our adoption of the undue burden analysis does not disturb the central holding of Roe v. Wade, and we reaffirm that holding. Regardless of whether exceptions are made for particular circumstances, a State may not prohibit any woman from making the ultimate decision to terminate her pregnancy before viability.&#xA;&#xA;(e) We also reaffirm Roe `s holding that &amp;quot;subsequent to viability, the State in promoting its interest in the potentiality of human life may, if it chooses, regulate, and even proscribe, abortion except where it is necessary, in appropriate medical judgment, for the preservation of the life or health of the mother.&amp;quot; Roe v. Wade, 410 U. S., at 164-165.&#xA;&#xA;These principles control our assessment of the Pennsylvania statute, and we now turn to the issue of the validity of its challenged provisions.VThe Court of Appeals applied what it believed to be the undue burden standard and upheld each of the provisions except for the husband notification requirement. We agree generally with this conclusion, but refine the undue burden analysis in accordance with the principles articulated above. We now consider the separate statutory sections at issue.ABecause it is central to the operation of various other requirements, we begin with the statute's definition of medical emergency. Under the statute, a medical emergency is&amp;quot;hat condition which, on the basis of the physician's good faith clinical judgment, so complicates the medical condition of a pregnant woman as to necessitate the immediate abortion of her pregnancy to avert her death or for which a delay will create serious risk of substantial and irreversible impairment of a major bodily function.&amp;quot; 18 Pa. Cons. Stat.  3203 (1990).*880 Petitioners argue that the definition is too narrow, contending that it forecloses the possibility of an immediate abortion despite some significant health risks. If the contention were correct, we would be required to invalidate the restrictive operation of the provision, for the essential holding of Roe forbids a State to interfere with a woman's choice to undergo an abortion procedure if continuing her pregnancy would constitute a threat to her health. 410 U. S., at 164. See also Harris v. McRae, 448 U. S., at 316.&#xA;&#xA;The District Court found that there were three serious conditions which would not be covered by the statute: preeclampsia, inevitable abortion, and premature ruptured membrane. 744 F. Supp., at 1378. Yet, as the Court of Appeals observed, 947 F. 2d, at 700-701, it is undisputed that under some circumstances each of these conditions could lead to an illness with substantial and irreversible consequences. While the definition could be interpreted in an unconstitutional manner, the Court of Appeals construed the phrase &amp;quot;serious risk&amp;quot; to include those circumstances. Id., at 701. It stated: &amp;quot;e read the medical emergency exception as intended by the Pennsylvania legislature to assure that compliance with its abortion regulations would not in any way pose a significant threat to the life or health of a woman.&amp;quot; Ibid. As we said in Brockett v. Spokane Arcades, Inc., 472 U. S. 491, 499-500 (1985): &amp;quot;Normally, . . . we defer to the construction of a state statute given it by the lower federal courts.&amp;quot; Indeed, we have said that we will defer to lower court interpretations of state law unless they amount to &amp;quot;plain&amp;quot; error. Palmer v. Hoffman, 318 U. S. 109, 118 (1943). This &amp;quot;`reflect our belief that district courts and courts of appeals are better schooled in and more able to interpret the laws of their respective States.' &amp;quot; Frisby v. Schultz, 487 U. S. 474, 482 (1988) (citation omitted). We adhere to that course today, and conclude that, as construed by the Court of Appeals, the medical emergency definition imposes no undue burden on a woman's abortion right.&#xA;&#xA;*881 BWe next consider the informed consent requirement. 18 Pa. Cons. Stat.  3205 (1990). Except in a medical emergency, the statute requires that at least 24 hours before performing an abortion a physician inform the woman of the nature of the procedure, the health risks of the abortion and of childbirth, and the &amp;quot;probable gestational age of the unborn child.&amp;quot; The physician or a qualified nonphysician must inform the woman of the availability of printed materials published by the State describing the fetus and providing information about medical assistance for childbirth, information about child support from the father, and a list of agencies which provide adoption and other services as alternatives to abortion. An abortion may not be performed unless the woman certifies in writing that she has been informed of the availability of these printed materials and has been provided them if she chooses to view them.&#xA;&#xA;Our prior decisions establish that as with any medical procedure, the State may require a woman to give her written informed consent to an abortion. See Planned Parenthood of Central Mo. v. Danforth, 428 U. S., at 67. In this respect, the statute is unexceptional. Petitioners challenge the statute's definition of informed consent because it includes the provision of specific information by the doctor and the mandatory 24-hour waiting period. The conclusions reached by a majority of the Justices in the separate opinions filed today and the undue burden standard adopted in this opinion require us to overrule in part some of the Court's past decisions, decisions driven by the trimester framework's prohibition of all previability regulations designed to further the State's interest in fetal life.&#xA;&#xA;In Akron I, 462 U. S. 416 (1983), we invalidated an ordinance which required that a woman seeking an abortion be provided by her physician with specific information &amp;quot;designed to influence the woman's informed choice between abortion or childbirth.&amp;quot; Id., at 444. As we later described *882 the Akron I holding in Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 762, there were two purported flaws in the Akron ordinance: the information was designed to dissuade the woman from having an abortion and the ordinance imposed &amp;quot;a rigid requirement that a specific body of information be given in all cases, irrespective of the particular needs of the patient . . . .&amp;quot; Ibid.&#xA;&#xA;To the extent Akron I and Thornburgh find a constitutional violation when the government requires, as it does here, the giving of truthful, nonmisleading information about the nature of the procedure, the attendant health risks and those of childbirth, and the &amp;quot;probable gestational age&amp;quot; of the fetus, those cases go too far, are inconsistent with Roe `s acknowledgment of an important interest in potential life, and are overruled. This is clear even on the very terms of Akron I and Thornburgh. Those decisions, along with Danforth, recognize a substantial government interest justifying a requirement that a woman be apprised of the health risks of abortion and childbirth. E. g., Danforth, supra, at 66-67. It cannot be questioned that psychological well-being is a facet of health. Nor can it be doubted that most women considering an abortion would deem the impact on the fetus relevant, if not dispositive, to the decision. In attempting to ensure that a woman apprehend the full consequences of her decision, the State furthers the legitimate purpose of reducing the risk that a woman may elect an abortion, only to discover later, with devastating psychological consequences, that her decision was not fully informed. If the information the State requires to be made available to the woman is truthful and not misleading, the requirement may be permissible.&#xA;&#xA;We also see no reason why the State may not require doctors to inform a woman seeking an abortion of the availability of materials relating to the consequences to the fetus, even when those consequences have no direct relation to her health. An example illustrates the point. We would think *883 it constitutional for the State to require that in order for there to be informed consent to a kidney transplant operation the recipient must be supplied with information about risks to the donor as well as risks to himself or herself. A requirement that the physician make available information similar to that mandated by the statute here was described in Thornburgh as &amp;quot;an outright attempt to wedge the Commonwealth's message discouraging abortion into the privacy of the informed-consent dialogue between the woman and her physician.&amp;quot; 476 U. S., at 762. We conclude, however, that informed choice need not be defined in such narrow terms that all considerations of the effect on the fetus are made irrelevant. As we have made clear, we depart from the holdings of Akron I and Thornburgh to the extent that we permit a State to further its legitimate goal of protecting the life of the unborn by enacting legislation aimed at ensuring a decision that is mature and informed, even when in so doing the State expresses a preference for childbirth over abortion. In short, requiring that the woman be informed of the availability of information relating to fetal development and the assistance available should she decide to carry the pregnancy to full term is a reasonable measure to ensure an informed choice, one which might cause the woman to choose childbirth over abortion. This requirement cannot be considered a substantial obstacle to obtaining an abortion, and, it follows, there is no undue burden.&#xA;&#xA;Our prior cases also suggest that the &amp;quot;straitjacket,&amp;quot; Thornburgh, supra, at 762 (quoting Danforth, supra, at 67, n. 8), of particular information which must be given in each case interferes with a constitutional right of privacy between a pregnant woman and her physician. As a preliminary matter, it is worth noting that the statute now before us does not require a physician to comply with the informed consent provisions &amp;quot;if he or she can demonstrate by a preponderance of the evidence, that he or she reasonably believed that furnishing the information would have resulted in a severely *884 adverse effect on the physical or mental health of the patient.&amp;quot; 18 Pa. Cons. Stat.  3205 (1990). In this respect, the statute does not prevent the physician from exercising his or her medical judgment.&#xA;&#xA;Whatever constitutional status the doctor-patient relation may have as a general matter, in the present context it is derivative of the woman's position. The doctor-patient relation does not underlie or override the two more general rights under which the abortion right is justified: the right to make family decisions and the right to physical autonomy. On its own, the doctor-patient relation here is entitled to the same solicitude it receives in other contexts. Thus, a requirement that a doctor give a woman certain information as part of obtaining her consent to an abortion is, for constitutional purposes, no different from a requirement that a doctor give certain specific information about any medical procedure.&#xA;&#xA;All that is left of petitioners' argument is an asserted First Amendment right of a physician not to provide information about the risks of abortion, and childbirth, in a manner mandated by the State. To be sure, the physician's First Amendment rights not to speak are implicated, see Wooley  v. Maynard, 430 U. S. 705 (1977), but only as part of the practice of medicine, subject to reasonable licensing and regulation by the State, cf. Whalen v. Roe, 429 U. S. 589, 603 (1977). We see no constitutional infirmity in the requirement that the physician provide the information mandated by the State here.&#xA;&#xA;The Pennsylvania statute also requires us to reconsider the holding in Akron I that the State may not require that a physician, as opposed to a qualified assistant, provide information relevant to a woman's informed consent. 462 U. S., at 448. Since there is no evidence on this record that requiring a doctor to give the information as provided by the statute would amount in practical terms to a substantial obstacle to a woman seeking an abortion, we conclude that it is not *885 an undue burden. Our cases reflect the fact that the Constitution gives the States broad latitude to decide that particular functions may be performed only by licensed professionals, even if an objective assessment might suggest that those same tasks could be performed by others. See Williamson  v. Lee Optical of Okla., Inc., 348 U. S. 483 (1955). Thus, we uphold the provision as a reasonable means to ensure that the woman's consent is informed.&#xA;&#xA;Our analysis of Pennsylvania's 24-hour waiting period between the provision of the information deemed necessary to informed consent and the performance of an abortion under the undue burden standard requires us to reconsider the premise behind the decision in Akron I invalidating a parallel requirement. In Akron I we said: &amp;quot;Nor are we convinced that the State's legitimate concern that the woman's decision be informed is reasonably served by requiring a 24-hour delay as a matter of course.&amp;quot; 462 U. S., at 450. We consider that conclusion to be wrong. The idea that important decisions will be more informed and deliberate if they follow some period of reflection does not strike us as unreasonable, particularly where the statute directs that important information become part of the background of the decision. The statute, as construed by the Court of Appeals, permits avoidance of the waiting period in the event of a medical emergency and the record evidence shows that in the vast majority of cases, a 24-hour delay does not create any appreciable health risk. In theory, at least, the waiting period is a reasonable measure to implement the State's interest in protecting the life of the unborn, a measure that does not amount to an undue burden.&#xA;&#xA;Whether the mandatory 24-hour waiting period is nonetheless invalid because in practice it is a substantial obstacle to a woman's choice to terminate her pregnancy is a closer question. The findings of fact by the District Court indicate that because of the distances many women must travel to reach an abortion provider, the practical effect will often be *886 a delay of much more than a day because the waiting period requires that a woman seeking an abortion make at least two visits to the doctor. The District Court also found that in many instances this will increase the exposure of women seeking abortions to &amp;quot;the harassment and hostility of antiabortion protestors demonstrating outside a clinic.&amp;quot; 744 F. Supp., at 1351. As a result, the District Court found that for those women who have the fewest financial resources, those who must travel long distances, and those who have difficulty explaining their whereabouts to husbands, employers, or others, the 24-hour waiting period will be &amp;quot;particularly burdensome.&amp;quot; Id., at 1352.&#xA;&#xA;These findings are troubling in some respects, but they do not demonstrate that the waiting period constitutes an undue burden. We do not doubt that, as the District Court held, the waiting period has the effect of &amp;quot;increasing the cost and risk of delay of abortions,&amp;quot; id., at 1378, but the District Court did not conclude that the increased costs and potential delays amount to substantial obstacles. Rather, applying the trimester framework's strict prohibition of all regulation designed to promote the State's interest in potential life before viability, see id., at 1374, the District Court concluded that the waiting period does not further the state &amp;quot;interest in maternal health&amp;quot; and &amp;quot;infringes the physician's discretion to exercise sound medical judgment,&amp;quot; id., at 1378. Yet, as we have stated, under the undue burden standard a State is permitted to enact persuasive measures which favor childbirth over abortion, even if those measures do not further a health interest. And while the waiting period does limit a physician's discretion, that is not, standing alone, a reason to invalidate it. In light of the construction given the statute's definition of medical emergency by the Court of Appeals, and the District Court's findings, we cannot say that the waiting period imposes a real health risk.&#xA;&#xA;We also disagree with the District Court's conclusion that the &amp;quot;particularly burdensome&amp;quot; effects of the waiting period *887 on some women require its invalidation. A particular burden is not of necessity a substantial obstacle. Whether a burden falls on a particular group is a distinct inquiry from whether it is a substantial obstacle even as to the women in that group. And the District Court did not conclude that the waiting period is such an obstacle even for the women who are most burdened by it. Hence, on the record before us, and in the context of this facial challenge, we are not convinced that the 24-hour waiting period constitutes an undue burden.&#xA;&#xA;We are left with the argument that the various aspects of the informed consent requirement are unconstitutional because they place barriers in the way of abortion on demand. Even the broadest reading of Roe, however, has not suggested that there is a constitutional right to abortion on demand. See, e. g., Doe v. Bolton, 410 U. S., at 189. Rather, the right protected by Roe is a right to decide to terminate a pregnancy free of undue interference by the State. Because the informed consent requirement facilitates the wise exercise of that right, it cannot be classified as an interference with the right Roe protects. The informed consent requirement is not an undue burden on that right.CSection 3209 of Pennsylvania's abortion law provides, except in cases of medical emergency, that no physician shall perform an abortion on a married woman without receiving a signed statement from the woman that she has notified her spouse that she is about to undergo an abortion. The woman has the option of providing an alternative signed statement certifying that her husband is not the man who impregnated her; that her husband could not be located; that the pregnancy is the result of spousal sexual assault which she has reported; or that the woman believes that notifying her husband will cause him or someone else to inflict bodily injury upon her. A physician who performs an abortion on *888 a married woman without receiving the appropriate signed statement will have his or her license revoked, and is liable to the husband for damages.&#xA;&#xA;The District Court heard the testimony of numerous expert witnesses, and made detailed findings of fact regarding the effect of this statute. These included:&amp;quot;273. The vast majority of women consult their husbands prior to deciding to terminate their pregnancy. . . .. . . . .&amp;quot;279. The `bodily injury' exception could not be invoked by a married woman whose husband, if notified, would, in her reasonable belief, threaten to (a) publicize her intent to have an abortion to family, friends or acquaintances; (b) retaliate against her in future child custody or divorce proceedings; (c) inflict psychological intimidation or emotional harm upon her, her children or other persons; (d) inflict bodily harm on other persons such as children, family members or other loved ones; or (e) use his control over finances to deprive of necessary monies for herself or her children. . . .. . . . .&amp;quot;281. Studies reveal that family violence occurs in two million families in the United States. This figure, however, is a conservative one that substantially understates (because battering is usually not reported until it reaches life-threatening proportions) the actual number of families affected by domestic violence. In fact, researchers estimate that one of every two women will be battered at some time in their life. . . .&amp;quot;282. A wife may not elect to notify her husband of her intention to have an abortion for a variety of reasons, including the husband's illness, concern about her own health, the imminent failure of the marriage, or the husband's absolute opposition to the abortion. . . .&amp;quot;283. The required filing of the spousal consent form would require plaintiff-clinics to change their counseling *889 procedures and force women to reveal their most intimate decision-making on pain of criminal sanctions. The confidentiality of these revelations could not be guaranteed, since the woman's records are not immune from subpoena. . . .&amp;quot;284. Women of all class levels, educational backgrounds, and racial, ethnic and religious groups are battered. . . .&amp;quot;285. Wife-battering or abuse can take on many physical and psychological forms. The nature and scope of the battering can cover a broad range of actions and be gruesome and torturous. . . .&amp;quot;286. Married women, victims of battering, have been killed in Pennsylvania and throughout the United States. . . .&amp;quot;287. Battering can often involve a substantial amount of sexual abuse, including marital rape and sexual mutilation. . . .&amp;quot;288. In a domestic abuse situation, it is common for the battering husband to also abuse the children in an attempt to coerce the wife. . . .&amp;quot;289. Mere notification of pregnancy is frequently a flashpoint for battering and violence within the family. The number of battering incidents is high during the pregnancy and often the worst abuse can be associated with pregnancy. . . . The battering husband may deny parentage and use the pregnancy as an excuse for abuse. . . .&amp;quot;290. Secrecy typically shrouds abusive families. Family members are instructed not to tell anyone, especially police or doctors, about the abuse and violence. Battering husbands often threaten their wives or her children with further abuse if she tells an outsider of the violence and tells her that nobody will believe her. A battered woman, therefore, is highly unlikely to disclose *890 the violence against her for fear of retaliation by the abuser. . . .&amp;quot;291. Even when confronted directly by medical personnel or other helping professionals, battered women often will not admit to the battering because they have not admitted to themselves that they are battered. . . .. . . . .&amp;quot;294. A woman in a shelter or a safe house unknown to her husband is not `reasonably likely' to have bodily harm inflicted upon her by her batterer, however her attempt to notify her husband pursuant to section 3209 could accidentally disclose her whereabouts to her husband. Her fear of future ramifications would be realistic under the circumstances.&amp;quot;295. Marital rape is rarely discussed with others or reported to law enforcement authorities, and of those reported only few are prosecuted. . . .&amp;quot;296. It is common for battered women to have sexual intercourse with their husbands to avoid being battered. While this type of coercive sexual activity would be spousal sexual assault as defined by the Act, many women may not consider it to be so and others would fear disbelief. . . .&amp;quot;297. The marital rape exception to section 3209 cannot be claimed by women who are victims of coercive sexual behavior other than penetration. The 90-day reporting requirement of the spousal sexual assault statute, 18 Pa. Con. Stat. Ann.  3218(c), further narrows the class of sexually abused wives who can claim the exception, since many of these women may be psychologically unable to discuss or report the rape for several years after the incident. . . .&amp;quot;298. Because of the nature of the battering relationship, battered women are unlikely to avail themselves of the exceptions to section 3209 of the Act, regardless of *891 whether the section applies to them.&amp;quot; 744 F. Supp., at 1360-1362 (footnote omitted).These findings are supported by studies of domestic violence. The American Medical Association (AMA) has published a summary of the recent research in this field, which indicates that in an average 12-month period in this country, approximately two million women are the victims of severe assaults by their male partners. In a 1985 survey, women reported that nearly one of every eight husbands had assaulted their wives during the past year. The AMA views these figures as &amp;quot;marked underestimates,&amp;quot; because the nature of these incidents discourages women from reporting them, and because surveys typically exclude the very poor, those who do not speak English well, and women who are homeless or in institutions or hospitals when the survey is conducted. According to the AMA, &amp;quot;esearchers on family violence agree that the true incidence of partner violence is probably double the above estimates; or four million severely assaulted women per year. Studies on prevalence suggest that from one-fifth to one-third of all women will be physically assaulted by a partner or ex-partner during their lifetime.&amp;quot; AMA Council on Scientific Affairs, Violence Against Women 7 (1991) (emphasis in original). Thus on an average day in the United States, nearly 11,000 women are severely assaulted by their male partners. Many of these incidents involve sexual assault. Id., at 3-4; Shields &amp;amp; Hanneke,&#xA;&#xA;Battered Wives' Reactions to Marital Rape, in The Dark Side of Families: Current Family Violence Research 131, 144 (D. Finkelhor, R. Gelles, G. Hataling, &amp;amp; M. Straus eds. 1983). In families where wifebeating takes place, moreover, child abuse is often present as well. Violence Against Women, supra, at 12.&#xA;&#xA;Other studies fill in the rest of this troubling picture. Physical violence is only the most visible form of abuse. Psychological abuse, particularly forced social and economic isolation of women, is also common. L. Walker, The Battered *892 Woman Syndrome 27-28 (1984). Many victims of domestic violence remain with their abusers, perhaps because they perceive no superior alternative. Herbert, Silver, &amp;amp; Ellard, Coping with an Abusive Relationship: I. How and Why do Women Stay?, 53 J. Marriage &amp;amp; the Family 311 (1991). Many abused women who find temporary refuge in shelters return to their husbands, in large part because they have no other source of income. Aguirre, Why Do They Return? Abused Wives in Shelters, 30 J. Nat. Assn. of Social Workers 350, 352 (1985). Returning to one's abuser can be dangerous. Recent Federal Bureau of Investigation statistics disclose that 8.8 percent of all homicide victims in the United States are killed by their spouses. Mercy &amp;amp; Saltzman, Fatal Violence Among Spouses in the United States, 1976-85, 79 Am. J. Public Health 595 (1989). Thirty percent of female homicide victims are killed by their male partners. Domestic Violence: Terrorism in the Home, Hearing before the Subcommittee on Children, Family, Drugs and Alcoholism of the Senate Committee on Labor and Human Resources, 101st Cong., 2d Sess., 3 (1990).&#xA;&#xA;The limited research that has been conducted with respect to notifying one's husband about an abortion, although involving samples too small to be representative, also supports the District Court's findings of fact. The vast majority of women notify their male partners of their decision to obtain an abortion. In many cases in which married women do not notify their husbands, the pregnancy is the result of an extramarital affair. Where the husband is the father, the primary reason women do not notify their husbands is that the husband and wife are experiencing marital difficulties, often accompanied by incidents of violence. Ryan &amp;amp; Plutzer, When Married Women Have Abortions: Spousal Notification and Marital Interaction, 51 J. Marriage &amp;amp; the Family 41, 44 (1989).&#xA;&#xA;This information and the District Court's findings reinforce what common sense would suggest. In wellfunctioning *893 marriages, spouses discuss important intimate decisions such as whether to bear a child. But there are millions of women in this country who are the victims of regular physical and psychological abuse at the hands of their husbands. Should these women become pregnant, they may have very good reasons for not wishing to inform their husbands of their decision to obtain an abortion. Many may have justifiable fears of physical abuse, but may be no less fearful of the consequences of reporting prior abuse to the Commonwealth of Pennsylvania. Many may have a reasonable fear that notifying their husbands will provoke further instances of child abuse; these women are not exempt from  3209's notification requirement. Many may fear devastating forms of psychological abuse from their husbands, including verbal harassment, threats of future violence, the destruction of possessions, physical confinement to the home, the withdrawal of financial support, or the disclosure of the abortion to family and friends. These methods of psychological abuse may act as even more of a deterrent to notification than the possibility of physical violence, but women who are the victims of the abuse are not exempt from  3209's notification requirement. And many women who are pregnant as a result of sexual assaults by their husbands will be unable to avail themselves of the exception for spousal sexual assault,  3209(b)(3), because the exception requires that the woman have notified law enforcement authorities within 90 days of the assault, and her husband will be notified of her report once an investigation begins,  3128(c). If anything in this field is certain, it is that victims of spousal sexual assault are extremely reluctant to report the abuse to the government; hence, a great many spousal rape victims will not be exempt from the notification requirement imposed by  3209.&#xA;&#xA;The spousal notification requirement is thus likely to prevent a significant number of women from obtaining an abortion. It does not merely make abortions a little more difficult or expensive to obtain; for many women, it will impose *894 a substantial obstacle. We must not blind ourselves to the fact that the significant number of women who fear for their safety and the safety of their children are likely to be deterred from procuring an abortion as surely as if the Commonwealth had outlawed abortion in all cases.&#xA;&#xA;Respondents attempt to avoid the conclusion that  3209 is invalid by pointing out that it imposes almost no burden at all for the vast majority of women seeking abortions. They begin by noting that only about 20 percent of the women who obtain abortions are married. They then note that of these women about 95 percent notify their husbands of their own volition. Thus, respondents argue, the effects of  3209 are felt by only one percent of the women who obtain abortions. Respondents argue that since some of these women will be able to notify their husbands without adverse consequences or will qualify for one of the exceptions, the statute affects fewer than one percent of women seeking abortions. For this reason, it is asserted, the statute cannot be invalid on its face. See Brief for Respondents 83-86. We disagree with respondents' basic method of analysis.&#xA;&#xA;The analysis does not end with the one percent of women upon whom the statute operates; it begins there. Legislation is measured for consistency with the Constitution by its impact on those whose conduct it affects. For example, we would not say that a law which requires a newspaper to print a candidate's reply to an unfavorable editorial is valid on its face because most newspapers would adopt the policy even absent the law. See Miami Herald Publishing Co. v. Tornillo, 418 U. S. 241 (1974). The proper focus of constitutional inquiry is the group for whom the law is a restriction, not the group for whom the law is irrelevant.&#xA;&#xA;Respondents' argument itself gives implicit recognition to this principle, at one of its critical points. Respondents speak of the one percent of women seeking abortions who are married and would choose not to notify their husbands of their plans. By selecting as the controlling class women *895 who wish to obtain abortions, rather than all women or all pregnant women, respondents in effect concede that  3209 must be judged by reference to those for whom it is an actual rather than an irrelevant restriction. Of course, as we have said,  3209's real target is narrower even than the class of women seeking abortions identified by the State: it is married women seeking abortions who do not wish to notify their husbands of their intentions and who do not qualify for one of the statutory exceptions to the notice requirement. The unfortunate yet persisting conditions we document above will mean that in a large fraction of the cases in which  3209 is relevant, it will operate as a substantial obstacle to a woman's choice to undergo an abortion. It is an undue burden, and therefore invalid.&#xA;&#xA;This conclusion is in no way inconsistent with our decisions upholding parental notification or consent requirements. See, e. g., Akron II, 497 U. S., at 510-519; Bellotti v. Baird,  443 U. S. 622 (1979) (Bellotti II); Planned Parenthood of Central Mo. v. Danforth, 428 U. S., at 74. Those enactments, and our judgment that they are constitutional, are based on the quite reasonable assumption that minors will benefit from consultation with their parents and that children will often not realize that their parents have their best interests at heart. We cannot adopt a parallel assumption about adult women.&#xA;&#xA;We recognize that a husband has a &amp;quot;deep and proper concern and interest . . . in his wife's pregnancy and in the growth and development of the fetus she is carrying.&amp;quot; Danforth, supra, at 69. With regard to the children he has fathered and raised, the Court has recognized his &amp;quot;cognizable and substantial&amp;quot; interest in their custody. Stanley v. Illinois, 405 U. S. 645, 651-652 (1972); see also Quilloin v. Walcott, 434 U. S. 246 (1978); Caban v. Mohammed, 441 U. S. 380 (1979); Lehr v. Robertson, 463 U. S. 248 (1983). If these cases concerned a State's ability to require the mother to notify the father before taking some action with respect to a living *896 child raised by both, therefore, it would be reasonable to conclude as a general matter that the father's interest in the welfare of the child and the mother's interest are equal.&#xA;&#xA;Before birth, however, the issue takes on a very different cast. It is an inescapable biological fact that state regulation with respect to the child a woman is carrying will have a far greater impact on the mother's liberty than on the father's. The effect of state regulation on a woman's protected liberty is doubly deserving of scrutiny in such a case, as the State has touched not only upon the private sphere of the family but upon the very bodily integrity of the pregnant woman. Cf. Cruzan v. Director, Mo. Dept. of Health, 497 U. S., at 281. The Court has held that &amp;quot;when the wife and the husband disagree on this decision, the view of only one of the two marriage partners can prevail. Inasmuch as it is the woman who physically bears the child and who is the more directly and immediately affected by the pregnancy, as between the two, the balance weighs in her favor.&amp;quot; Danforth, supra, at 71. This conclusion rests upon the basic nature of marriage and the nature of our Constitution: &amp;quot;he marital couple is not an independent entity with a mind and heart of its own, but an association of two individuals each with a separate intellectual and emotional makeup. If the right of privacy means anything, it is the right of the individual, married or single, to be free from unwarranted governmental intrusion into matters so fundamentally affecting a person as the decision whether to bear or beget a child.&amp;quot; Eisenstadt v. Baird, 405 U. S., at 453 (emphasis in original). The Constitution protects individuals, men and women alike, from unjustified state interference, even when that interference is enacted into law for the benefit of their spouses.&#xA;&#xA;There was a time, not so long ago, when a different understanding of the family and of the Constitution prevailed. In Bradwell v. State, 16 Wall. 130 (1873), three Members of this *897 Court reaffirmed the common-law principle that &amp;quot;a woman had no legal existence separate from her husband, who was regarded as her head and representative in the social state; and, notwithstanding some recent modifications of this civil status, many of the special rules of law flowing from and dependent upon this cardinal principle still exist in full force in most States.&amp;quot; Id., at 141 (Bradley, J., joined by Swayne and Field, JJ., concurring in judgment). Only one generation has passed since this Court observed that &amp;quot;woman is still regarded as the center of home and family life,&amp;quot; with attendant &amp;quot;special responsibilities&amp;quot; that precluded full and independent legal status under the Constitution. Hoyt v. Florida, 368 U. S. 57, 62 (1961). These views, of course, are no longer consistent with our understanding of the family, the individual, or the Constitution.&#xA;&#xA;In keeping with our rejection of the common-law understanding of a woman's role within the family, the Court held in Danforth that the Constitution does not permit a State to require a married woman to obtain her husband's consent before undergoing an abortion. 428 U. S., at 69. The principles that guided the Court in Danforth should be our guides today. For the great many women who are victims of abuse inflicted by their husbands, or whose children are the victims of such abuse, a spousal notice requirement enables the husband to wield an effective veto over his wife's decision. Whether the prospect of notification itself deters such women from seeking abortions, or whether the husband, through physical force or psychological pressure or economic coercion, prevents his wife from obtaining an abortion until it is too late, the notice requirement will often be tantamount to the veto found unconstitutional in Danforth.  The women most affected by this lawthose who most reasonably fear the consequences of notifying their husbands that they are pregnantare in the gravest danger.&#xA;&#xA;*898 The husband's interest in the life of the child his wife is carrying does not permit the State to empower him with this troubling degree of authority over his wife. The contrary view leads to consequences reminiscent of the common law. A husband has no enforceable right to require a wife to advise him before she exercises her personal choices. If a husband's interest in the potential life of the child outweighs a wife's liberty, the State could require a married woman to notify her husband before she uses a postfertilization contraceptive. Perhaps next in line would be a statute requiring pregnant married women to notify their husbands before engaging in conduct causing risks to the fetus. After all,if the husband's interest in the fetus' safety is a sufficient predicate for state regulation, the State could reasonably conclude that pregnant wives should notify their husbands before drinking alcohol or smoking. Perhaps married women should notify their husbands before using contraceptives or before undergoing any type of surgery that may have complications affecting the husband's interest in his wife's reproductive organs. And if a husband's interest justifies notice in any of these cases, one might reasonably argue that it justifies exactly what the Danforth Court held it did not justifya requirement of the husband's consent as well. A State may not give to a man the kind of dominion over his wife that parents exercise over their children.&#xA;&#xA;Section 3209 embodies a view of marriage consonant with the common-law status of married women but repugnant to our present understanding of marriage and of the nature of the rights secured by the Constitution. Women do not lose their constitutionally protected liberty when they marry. The Constitution protects all individuals, male or female, married or unmarried, from the abuse of governmental power, even where that power is employed for the supposed benefit of a member of the individual's family. These considerations confirm our conclusion that  3209 is invalid.D*899&#xA;We next consider the parental consent provision. Except in a medical emergency, an unemancipated young woman under 18 may not obtain an abortion unless she and one of her parents (or guardian) provides informed consent as defined above. If neither a parent nor a guardian provides consent, a court may authorize the performance of an abortion upon a determination that the young woman is mature and capable of giving informed consent and has in fact given her informed consent, or that an abortion would be in her best interests.&#xA;&#xA;We have been over most of this ground before. Our cases establish, and we reaffirm today, that a State may require a minor seeking an abortion to obtain the consent of a parent or guardian, provided that there is an adequate judicial bypass procedure. See, e. g., Akron II, 497 U. S., at 510-519; Hodgson, 497 U. S., at 461 (O'Connor, J., concurring in part and concurring in judgment in part); id., at 497-501 (Kennedy, J., concurring in judgment in part and dissenting in part); Akron I, 462 U. S., at 440; Bellotti II, 443 U. S., at 643-644 (plurality opinion). Under these precedents, in our view, the one-parent consent requirement and judicial bypass procedure are constitutional.&#xA;&#xA;The only argument made by petitioners respecting this provision and to which our prior decisions do not speak is the contention that the parental consent requirement is invalid because it requires informed parental consent. For the most part, petitioners' argument is a reprise of their argument with respect to the informed consent requirement in general, and we reject it for the reasons given above. Indeed, some of the provisions regarding informed consent have particular force with respect to minors: the waiting period, for example, may provide the parent or parents of a pregnant young woman the opportunity to consult with her in private, and to discuss the consequences of her decision in *900 the context of the values and moral or religious principles of their family. See Hodgson, supra, at 448-449 (opinion of Stevens, J.).EUnder the recordkeeping and reporting requirements of the statute, every facility which performs abortions is required to file a report stating its name and address as well as the name and address of any related entity, such as a controlling or subsidiary organization. In the case of statefunded institutions, the information becomes public.&#xA;&#xA;For each abortion performed, a report must be filed identifying: the physician (and the second physician where required); the facility; the referring physician or agency; the woman's age; the number of prior pregnancies and prior abortions she has had; gestational age; the type of abortion procedure; the date of the abortion; whether there were any pre-existing medical conditions which would complicate pregnancy; medical complications with the abortion; where applicable, the basis for the determination that the abortion was medically necessary; the weight of the aborted fetus; and whether the woman was married, and if so, whether notice was provided or the basis for the failure to give notice. Every abortion facility must also file quarterly reports showing the number of abortions performed broken down by trimester. See 18 Pa. Cons. Stat.  3207, 3214 (1990). In all events, the identity of each woman who has had an abortion remains confidential.&#xA;&#xA;In Danforth, 428 U. S., at 80, we held that recordkeeping and reporting provisions &amp;quot;that are reasonably directed to the preservation of maternal health and that properly respect a patient's confidentiality and privacy are permissible.&amp;quot; We think that under this standard, all the provisions at issue here, except that relating to spousal notice, are constitutional. Although they do not relate to the State's interest in informing the woman's choice, they do relate to health. The collection of information with respect to actual patients *901 is a vital element of medical research, and so it cannot be said that the requirements serve no purpose other than to make abortions more difficult. Nor do we find that the requirements impose a substantial obstacle to a woman's choice. At most they might increase the cost of some abortions by a slight amount. While at some point increased cost could become a substantial obstacle, there is no such showing on the record before us.&#xA;&#xA;Subsection (12) of the reporting provision requires the reporting of, among other things, a married woman's &amp;quot;reason for failure to provide notice&amp;quot; to her husband.  3214(a)(12). This provision in effect requires women, as a condition of obtaining an abortion, to provide the Commonwealth with the precise information we have already recognized that many women have pressing reasons not to reveal. Like the spousal notice requirement itself, this provision places an undue burden on a woman's choice, and must be invalidated for that reason.VIOur Constitution is a covenant running from the first generation of Americans to us and then to future generations. It is a coherent succession. Each generation must learn anew that the Constitution's written terms embody ideas and aspirations that must survive more ages than one. We accept our responsibility not to retreat from interpreting the full meaning of the covenant in light of all of our precedents. We invoke it once again to define the freedom guaranteed by the Constitution's own promise, the promise of liberty.* * *The judgment in No. 91-902 is affirmed. The judgment in No. 91-744 is affirmed in part and reversed in part, and the case is remanded for proceedings consistent with this opinion, including consideration of the question of severability.&#xA;&#xA;It is so ordered.&#xA;&#xA;*902Justice Stevens, concurring in part and dissenting in part.The portions of the Court's opinion that I have joined are more important than those with which I disagree. I shall therefore first comment on significant areas of agreement, and then explain the limited character of my disagreement.*912 IThe Court is unquestionably correct in concluding that the doctrine of stare decisis has controlling significance in a case of this kind, notwithstanding an individual Justice's concerns about the merits. The central holding of Roe v. Wade, 410 U. S. 113 (1973), has been a &amp;quot;part of our law&amp;quot; for almost two decades. Planned Parenthood of Central Mo. v. Danforth,  428 U. S. 52, 101 (1976) (Stevens, J., concurring in part and dissenting in part). It was a natural sequel to the protection of individual liberty established in Griswold v. Connecticut, 381 U. S. 479 (1965). See also Carey v. Population Services International, 431 U. S. 678, 687, 702 (1977) (White, J., concurring in part and concurring in result). The societal costs of overruling Roe at this late date would be enormous. Roe is an integral part of a correct understanding of both the concept of liberty and the basic equality of men and women.&#xA;&#xA;Stare decisis also provides a sufficient basis for my agreement with the joint opinion's reaffirmation of Roe `s postviability analysis. Specifically, I accept the proposition that &amp;quot;f the State is interested in protecting fetal life after viability, it may go so far as to proscribe abortion during that period, except when it is necessary to preserve the life or health of the mother.&amp;quot; 410 U. S., at 163-164; see ante, at 879.&#xA;&#xA;I also accept what is implicit in the Court's analysis, namely, a reaffirmation of Roe `s explanation of why the State's obligation to protect the life or health of the mother *913 must take precedence over any duty to the unborn. The Court in Roe carefully considered, and rejected, the State's argument &amp;quot;that the fetus is a `person' within the language and meaning of the Fourteenth Amendment.&amp;quot; 410 U. S., at 156. After analyzing the usage of &amp;quot;person&amp;quot; in the Constitution, the Court concluded that that word &amp;quot;has application only postnatally.&amp;quot; Id., at 157. Commenting on the contingent property interests of the unborn that are generally represented by guardians ad litem, the Court noted: &amp;quot;Perfection of the interests involved, again, has generally been contingent upon live birth. In short, the unborn have never been recognized in the law as persons in the whole sense.&amp;quot; Id.,  at 162. Accordingly, an abortion is not &amp;quot;the termination of life entitled to Fourteenth Amendment protection.&amp;quot; Id., at 159. From this holding, there was no dissent, see id., at 173; indeed, no Member of the Court has ever questioned this fundamental proposition. Thus, as a matter of federal constitutional law, a developing organism that is not yet a &amp;quot;person&amp;quot; does not have what is sometimes described as a &amp;quot;right to life.&amp;quot; This has been and, by the Court's holding today, *914 remains a fundamental premise of our constitutional law governing reproductive autonomy.IIMy disagreement with the joint opinion begins with its understanding of the trimester framework established in Roe. Contrary to the suggestion of the joint opinion, ante,  at 876, it is not a &amp;quot;contradiction&amp;quot; to recognize that the State may have a legitimate interest in potential human life and, at the same time, to conclude that that interest does not justify the regulation of abortion before viability (although other interests, such as maternal health, may). The fact that the State's interest is legitimate does not tell us when, if ever, that interest outweighs the pregnant woman's interest in personal liberty. It is appropriate, therefore, to consider more carefully the nature of the interests at stake.&#xA;&#xA;First, it is clear that, in order to be legitimate, the State's interest must be secular; consistent with the First Amendment the State may not promote a theological or sectarian interest. See Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S. 747, 778 (1986) (Stevens, J., concurring); see generally Webster v. Reproductive Health Services, 492 U. S. 490, 563-572 (1989) (Stevens, J., concurring in part and dissenting in part). Moreover, as discussed above, the state interest in potential human life is not an interest in loco parentis, for the fetus is not a person.&#xA;&#xA;Identifying the State's interestswhich the States rarely articulate with any precisionmakes clear that the interest in protecting potential life is not grounded in the Constitution. It is, instead, an indirect interest supported by both humanitarian and pragmatic concerns. Many of our citizens believe that any abortion reflects an unacceptable disrespect for potential human life and that the performance of more *915 than a million abortions each year is intolerable; many find third-trimester abortions performed when the fetus is approaching personhood particularly offensive. The State has a legitimate interest in minimizing such offense. The State may also have a broader interest in expanding the population, believing society would benefit from the services of additional productive citizensor that the potential human lives might include the occasional Mozart or Curie. These are the kinds of concerns that comprise the State's interest in potential human life.&#xA;&#xA;In counterpoise is the woman's constitutional interest in liberty. One aspect of this liberty is a right to bodily integrity, a right to control one's person. See, e. g., Rochin v. California, 342 U. S. 165 (1952); Skinner v. Oklahoma ex rel. Williamson, 316 U. S. 535 (1942). This right is neutral on the question of abortion: The Constitution would be equally offended by an absolute requirement that all women undergo abortions as by an absolute prohibition on abortions. &amp;quot;Our whole constitutional heritage rebels at the thought of giving government the power to control men's minds.&amp;quot; Stanley v. Georgia, 394 U. S. 557, 565 (1969). The same holds true for the power to control women's bodies.&#xA;&#xA;The woman's constitutional liberty interest also involves her freedom to decide matters of the highest privacy and the most personal nature. Cf. Whalen v. Roe, 429 U. S. 589, *916 598-600 (1977). A woman considering abortion faces &amp;quot;a difficult choice having serious and personal consequences of major importance to her own futureperhaps to the salvation of her own immortal soul.&amp;quot; Thornburgh, 476 U. S., at 781. The authority to make such traumatic and yet empowering decisions is an element of basic human dignity. As the joint opinion so eloquently demonstrates, a woman's decision to terminate her pregnancy is nothing less than a matter of conscience.&#xA;&#xA;Weighing the State's interest in potential life and the woman's liberty interest, I agree with the joint opinion that the State may &amp;quot;` &amp;quot;expres a preference for normal childbirth,&amp;quot;` &amp;quot; that the State may take steps to ensure that a woman's choice &amp;quot;is thoughtful and informed,&amp;quot; and that &amp;quot;States are free to enact laws to provide a reasonable framework for a woman to make a decision that has such profound and lasting meaning.&amp;quot; Ante, at 872-873. Serious questions arise, however, when a State attempts to &amp;quot;persuade the woman to choose childbirth over abortion.&amp;quot; Ante, at 878. Decisional autonomy must limit the State's power to inject into a woman's most personal deliberations its own views of what is best. The State may promote its preferences by funding childbirth, by creating and maintaining alternatives to abortion, and by espousing the virtues of family; but it must respect the individual's freedom to make such judgments.&#xA;&#xA;This theme runs throughout our decisions concerning reproductive freedom. In general, Roe `s requirement that restrictions on abortions before viability be justified by the State's interest in maternal health has prevented States from interjecting regulations designed to influence a woman's decision. Thus, we have upheld regulations of abortion that are not efforts to sway or direct a woman's choice, but rather are efforts to enhance the deliberative quality of that decision or are neutral regulations on the health aspects of her decision. We have, for example, upheld regulations requiring *917 written informed consent, see Planned Parenthood of Central Mo. v. Danforth, 428 U. S. 52 (1976); limited recordkeeping and reporting, see ibid.; and pathology reports, see Planned Parenthood Assn. of Kansas City, Mo., Inc. v. Ashcroft, 462 U. S. 476 (1983); as well as various licensing and qualification provisions, see, e. g., Roe, 410 U. S., at 150; Simopoulos v. Virginia, 462 U. S. 506 (1983). Conversely, we have consistently rejected state efforts to prejudice a woman's choice, either by limiting the information available to her, see Bigelow v. Virginia, 421 U. S. 809 (1975), or by &amp;quot;requir the delivery of information designed `to influence the woman's informed choice between abortion or childbirth.' &amp;quot; Thornburgh, 476 U. S., at 760; see also Akron v. Akron Center for Reproductive Health, Inc., 462 U. S. 416, 442-449 (1983).&#xA;&#xA;In my opinion, the principles established in this long line of cases and the wisdom reflected in Justice Powell's opinion for the Court in Akron (and followed by the Court just six years ago in Thornburgh ) should govern our decision today. Under these principles, Pa. Cons. Stat.  3205(a)(2)(i)(iii) (1990) of the Pennsylvania statute are unconstitutional. Those sections require a physician or counselor to provide the woman with a range of materials clearly designed to persuade her to choose not to undergo the abortion. While the Commonwealth is free, pursuant to  3208 of the Pennsylvania law, to produce and disseminate such material, the Commonwealth may not inject such information into the woman's deliberations just as she is weighing such an important choice.&#xA;&#xA;Under this same analysis,  3205(a)(1)(i) and (iii) of the Pennsylvania statute are constitutional. Those sections, which require the physician to inform a woman of the nature and risks of the abortion procedure and the medical risks of carrying to term, are neutral requirements comparable to those imposed in other medical procedures. Those sections indicate no effort by the Commonwealth to influence the *918 woman's choice in any way. If anything, such requirements enhance, rather than skew, the woman's decisionmaking.IIIThe 24-hour waiting period required by  3205(a)(1)(2) of the Pennsylvania statute raises even more serious concerns. Such a requirement arguably furthers the Commonwealth's interests in two ways, neither of which is constitutionally permissible.&#xA;&#xA;First, it may be argued that the 24-hour delay is justified by the mere fact that it is likely to reduce the number of abortions, thus furthering the Commonwealth's interest in potential life. But such an argument would justify any form of coercion that placed an obstacle in the woman's path. The Commonwealth cannot further its interests by simply wearing down the ability of the pregnant woman to exercise her constitutional right.&#xA;&#xA;Second, it can more reasonably be argued that the 24-hour delay furthers the Commonwealth's interest in ensuring that the woman's decision is informed and thoughtful. But there is no evidence that the mandated delay benefits women or that it is necessary to enable the physician to convey any relevant information to the patient. The mandatory delay thus appears to rest on outmoded and unacceptable assumptions about the decisionmaking capacity of women. While there are well-established and consistently maintained reasons for the Commonwealth to view with skepticism the ability of minors to make decisions, see Hodgson v. Minnesota,  497 U. S. 417, 449 (1990), none of those reasons applies to an *919 adult woman's decisionmaking ability. Just as we have left behind the belief that a woman must consult her husband before undertaking serious matters, see ante, at 895-898, so we must reject the notion that a woman is less capable of deciding matters of gravity. Cf. Reed v. Reed, 404 U. S. 71 (1971).&#xA;&#xA;In the alternative, the delay requirement may be premised on the belief that the decision to terminate a pregnancy is presumptively wrong. This premise is illegitimate. Those who disagree vehemently about the legality and morality of abortion agree about one thing: The decision to terminate a pregnancy is profound and difficult. No person undertakes such a decision lightlyand States may not presume that a woman has failed to reflect adequately merely because her conclusion differs from the State's preference. A woman who has, in the privacy of her thoughts and conscience, weighed the options and made her decision cannot be forced to reconsider all, simply because the State believes she has come to the wrong conclusion.*920 Part of the constitutional liberty to choose is the equal dignity to which each of us is entitled. A woman who decides to terminate her pregnancy is entitled to the same respect as a woman who decides to carry the fetus to term. The mandatory waiting period denies women that equal respect.IVIn my opinion, a correct application of the &amp;quot;undue burden&amp;quot; standard leads to the same conclusion concerning the constitutionality of these requirements. A state-imposed burden on the exercise of a constitutional right is measured both by its effects and by its character: A burden may be &amp;quot;undue&amp;quot; either because the burden is too severe or because it lacks a legitimate, rational justification.&#xA;&#xA;The 24-hour delay requirement fails both parts of this test. The findings of the District Court establish the severity of *921 the burden that the 24-hour delay imposes on many pregnant women. Yet even in those cases in which the delay is not especially onerous, it is,in my opinion, &amp;quot;undue&amp;quot; because there is no evidence that such a delay serves a useful and legitimate purpose. As indicated above, there is no legitimate reason to require a woman who has agonized over her decision to leave the clinic or hospital and return again another day. While a general requirement that a physician notify her patients about the risks of a proposed medical procedure is appropriate, a rigid requirement that all patients wait 24 hours or (what is true in practice) much longer to evaluate the significance of information that is either common knowledge or irrelevant is an irrational and, therefore, &amp;quot;undue&amp;quot; burden.&#xA;&#xA;The counseling provisions are similarly infirm. Whenever government commands private citizens to speak or to listen, careful review of the justification for that command is particularly appropriate. In these cases, the Pennsylvania statute directs that counselors provide women seeking abortions with information concerning alternatives to abortion, the availability of medical assistance benefits, and the possibility of child-support payments.  3205(a)(2)(i)(iii). The statute requires that this information be given to all women seeking abortions, including those for whom such information is clearly useless, such as those who are married, those who have undergone the procedure in the past and are fully aware of the options, and those who are fully convinced that abortion is their only reasonable option. Moreover, the statute requires physicians to inform all of their patients of &amp;quot;he probable gestational age of the unborn child.&amp;quot;  3205(a)(1)(ii). This information is of little decisional value in most cases, because 90% of all abortions are performed during the first trimester when fetal age has less relevance than when the fetus nears viability. Nor can the information *922 required by the statute be justified as relevant to any &amp;quot;philosophic&amp;quot; or &amp;quot;social&amp;quot; argument, ante, at 872, either favoring or disfavoring the abortion decision in a particular case. In light of all of these facts, I conclude that the information requirements in  3205(a)(1)(ii) and  3205(a)(2)(i)(iii) do not serve a useful purpose and thus constitute an unnecessary and therefore undueburden on the woman's constitutional liberty to decide to terminate her pregnancy.&#xA;&#xA;Accordingly, while I disagree with Parts IV, VB, and VD of the joint opinion, I join the remainder of the Court's opinion.Justice Blackmun, concurring in part, concurring in the judgment in part, and dissenting in part.I join Parts I, II, III, VA, VC, and VI of the joint opinion of Justices O'Connor, Kennedy, and Souter, ante.&#xA;&#xA;Three years ago, in Webster v. Reproductive Health Services, 492 U. S. 490 (1989), four Members of this Court appeared poised to &amp;quot;cas into darkness the hopes and visions of every woman in this country&amp;quot; who had come to believe that the Constitution guaranteed her the right to reproductive choice. Id., at 557 (Blackmun, J., dissenting). See id.,  at 499 (plurality opinion of Rehnquist, C. J., joined by White and Kennedy, JJ.); id., at 532 (Scalia, J., concurring in part and concurring in judgment). All that remained between the promise of Roe and the darkness of the plurality was a single, flickering flame. Decisions since Webster gave little reason to hope that this flame would cast much light. See, e. g., Ohio v. Akron Center for Reproductive Health, 497 U. S. 502, 524 (1990) (Blackmun, J., dissenting). But now, just when so many expected the darkness to fall, the flame has grown bright.&#xA;&#xA;*923 I do not underestimate the significance of today's joint opinion. Yet I remain steadfast in my belief that the right to reproductive choice is entitled to the full protection afforded by this Court before Webster. And I fear for the darkness as four Justices anxiously await the single vote necessary to extinguish the light.IMake no mistake, the joint opinion of Justices O'Connor, Kennedy, and Souter is an act of personal courage and constitutional principle. In contrast to previous decisions in which Justices O'Connor and Kennedy postponed reconsideration of Roe v. Wade, 410 U. S. 113 (1973), the authors of the joint opinion today join Justice Stevens and me in concluding that &amp;quot;the essential holding of Roe v. Wade should be retained and once again reaffirmed.&amp;quot; Ante, at 846. In brief, five Members of this Court today recognize that &amp;quot;the Constitution protects a woman's right to terminate her pregnancy in its early stages.&amp;quot; Ante, at 844.&#xA;&#xA;A fervent view of individual liberty and the force of stare decisis have led the Court to this conclusion. Ante, at 853. Today a majority reaffirms that the Due Process Clause of the Fourteenth Amendment establishes &amp;quot;a realm of personal liberty which the government may not enter,&amp;quot; ante, at 847 a realm whose outer limits cannot be determined by interpretations of the Constitution that focus only on the specific practices of States at the time the Fourteenth Amendment was adopted. See ante, at 848-849. Included within this realm of liberty is &amp;quot;`the right of the individual, married or single, to be free from unwarranted governmental intrusion into matters so fundamentally affecting a person as the decision whether to bear or beget a child.' &amp;quot; Ante, at 851, quoting Eisenstadt v. Baird, 405 U. S. 438, 453 (1972) (emphasis in original). &amp;quot;These matters, involving the most intimate and personal choices a person may make in a lifetime, choices central to personal dignity and autonomy, are central to the *924 liberty protected by the Fourteenth Amendment.&amp;quot; Ante, at 851 (emphasis added). Finally, the Court today recognizes that in the case of abortion, &amp;quot;the liberty of the woman is at stake in a sense unique to the human condition and so unique to the law. The mother who carries a child to full term is subject to anxieties, to physical constraints, to pain that only she must bear.&amp;quot; Ante, at 852.&#xA;&#xA;The Court's reaffirmation of Roe `s central holding is also based on the force of stare decisis. &amp;quot;o erosion of principle going to liberty or personal autonomy has left Roe `s central holding a doctrinal remnant; Roe portends no developments at odds with other precedent for the analysis of personal liberty; and no changes of fact have rendered viability more or less appropriate as the point at which the balance of interests tips.&amp;quot; Ante, at 860-861. Indeed, the Court acknowledges that Roe `s limitation on state power could not be removed &amp;quot;without serious inequity to those who have relied upon it or significant damage to the stability of the society governed by it.&amp;quot; Ante, at 855. In the 19 years since Roe  was decided, that case has shaped more than reproductive planning&amp;quot;n entire generation has come of age free to assume Roe `s concept of liberty in defining the capacity of women to act in society, and to make reproductive decisions.&amp;quot; Ante, at 860. The Court understands that, having &amp;quot;call the contending sides . . . to end their national division by accepting a common mandate rooted in the Constitution,&amp;quot; ante, at 867, a decision to overrule Roe &amp;quot;would seriously weaken the Court's capacity to exercise the judicial power and to function as the Supreme Court of a Nation dedicated to the rule of law.&amp;quot; Ante, at 865. What has happened today should serve as a model for future Justices and a warning to all who have tried to turn this Court into yet another political branch.&#xA;&#xA;In striking down the Pennsylvania statute's spousal notification requirement, the Court has established a framework *925 for evaluating abortion regulations that responds to the social context of women facing issues of reproductive choice. In determining the burden imposed by the challenged regulation, the Court inquires whether the regulation's &amp;quot;purpose or effect is to place a substantial obstacle in the path of a woman seeking an abortion before the fetus attains viability.&amp;quot; Ante, at 878 (emphasis added). The Court reaffirms: &amp;quot;The proper focus of constitutional inquiry is the group for whom the law is a restriction, not the group for whom the law is irrelevant.&amp;quot; Ante, at 894. Looking at this group, the Court inquires, based on expert testimony, empirical studies, and common sense, whether &amp;quot;in a large fraction of the cases in which  is relevant, it will operate as a substantial obstacle to a woman's choice to undergo an abortion.&amp;quot; Ante, at 895. &amp;quot;A statute with this purpose is invalid because the means chosen by the State to further the interest in potential life must be calculated to inform the woman's free choice, not hinder it.&amp;quot; Ante, at 877. And in applying its test, the Court remains sensitive to the unique role of women in the decision making process. Whatever may have been the practice when the Fourteenth Amendment was adopted, the Court observes, &amp;quot;omen do not lose their constitutionally protected liberty when they marry. The Constitution protects all individuals, male or female, married or unmarried, from the abuse of governmental power, even where that power is employed for the supposed benefit of a member of the individual's family.&amp;quot; Ante, at 898.*926 Lastly, while I believe that the joint opinion errs in failing to invalidate the other regulations, I am pleased that the joint opinion has not ruled out the possibility that these regulations may be shown to impose an unconstitutional burden. The joint opinion makes clear that its specific holdings are based on the insufficiency of the record before it. See, e. g., ante, at 885-886. I am confident that in the future evidence will be produced to show that &amp;quot;in a large fraction of the cases in which  relevant,  will operate as a substantial obstacle to a woman's choice to undergo an abortion.&amp;quot; Ante, at 895.IIToday, no less than yesterday, the Constitution and decisions of this Court require that a State's abortion restrictions be subjected to the strictest judicial scrutiny. Our precedents and the joint opinion's principles require us to subject all non-de-minimis abortion regulations to strict scrutiny. Under this standard, the Pennsylvania statute's provisions requiring content-based counseling, a 24-hour delay, informed parental consent, and reporting of abortionrelated information must be invalidated.AThe Court today reaffirms the long recognized rights of privacy and bodily integrity. As early as 1891, the Court held, &amp;quot;o right is held more sacred, or is more carefully guarded by the common law, than the right of every individual to the possession and control of his own person, free from all restraint or interference of others . . . .&amp;quot; Union Pacific R. Co. v. Botsford, 141 U. S. 250, 251 (1891). Throughout this century, this Court also has held that the fundamental right of privacy protects citizens against governmental intrusion *927 in such intimate family matters as procreation, childrearing, marriage, and contraceptive choice. See ante, at 847-849. These cases embody the principle that personal decisions that profoundly affect bodily integrity, identity, and destiny should be largely beyond the reach of government. Eisenstadt, 405 U. S., at 453. In Roe v. Wade, this Court correctly applied these principles to a woman's right to choose abortion.&#xA;&#xA;State restrictions on abortion violate a woman's right of privacy in two ways. First, compelled continuation of a pregnancy infringes upon a woman's right to bodily integrity by imposing substantial physical intrusions and significant risks of physical harm. During pregnancy, women experience dramatic physical changes and a wide range of health consequences. Labor and delivery pose additional health risks and physical demands. In short, restrictive abortion laws force women to endure physical invasions far more substantial than those this Court has held to violate the constitutional principle of bodily integrity in other contexts. See, e. g., Winston v. Lee, 470 U. S. 753 (1985) (invalidating surgical removal of bullet from murder suspect); Rochin v. California, 342 U. S. 165 (1952) (invalidating stomach pumping).&#xA;&#xA;Further, when the State restricts a woman's right to terminate her pregnancy, it deprives a woman of the right to make her own decision about reproduction and family planningcritical life choices that this Court long has deemed central to the right to privacy. The decision to terminate or continue a pregnancy has no less an impact on a woman's life than decisions about contraception or marriage. 410 U. S., *928 at 153. Because motherhood has a dramatic impact on a woman's educational prospects, employment opportunities, and self-determination, restrictive abortion laws deprive her of basic control over her life. For these reasons, &amp;quot;the decision whether or not to beget or bear a child&amp;quot; lies at &amp;quot;the very heart of this cluster of constitutionally protected choices.&amp;quot; Carey v. Population Services International, 431 U. S. 678, 685 (1977).&#xA;&#xA;A State's restrictions on a woman's right to terminate her pregnancy also implicate constitutional guarantees of gender equality. State restrictions on abortion compel women to continue pregnancies they otherwise might terminate. By restricting the right to terminate pregnancies, the State conscripts women's bodies into its service, forcing women to continue their pregnancies, suffer the pains of childbirth, and in most instances, provide years of maternal care. The State does not compensate women for their services; instead, it assumes that they owe this duty as a matter of course. This assumptionthat women can simply be forced to accept the &amp;quot;natural&amp;quot; status and incidents of motherhoodappears to rest upon a conception of women's role that has triggered the protection of the Equal Protection Clause. See, e. g., Mississippi Univ. for Women v. Hogan, 458 U. S. 718, 724-726 (1982); Craig v. Boren, 429 U. S. 190, 198-199 (1976). The joint opinion recognizes that these assumptions about women's place in society &amp;quot;are no longer consistent with our *929 understanding of the family, the individual, or the Constitution.&amp;quot; Ante, at 897.BThe Court has held that limitations on the right of privacy are permissible only if they survive &amp;quot;strict&amp;quot; constitutional scrutinythat is, only if the governmental entity imposing the restriction can demonstrate that the limitation is both necessary and narrowly tailored to serve a compelling governmental interest. Griswold v. Connecticut, 381 U. S. 479, 485 (1965). We have applied this principle specifically in the context of abortion regulations. Roe v. Wade, 410 U. S., at 155.Roe implemented these principles through a framework that was designed &amp;quot;to ensure that the woman's right to choose not become so subordinate to the State's interest in promoting fetal life that her choice exists in theory but not in fact,&amp;quot; ante, at 872. Roe identified two relevant state interests: &amp;quot;an interest in preserving and protecting the health of the pregnant woman&amp;quot; and an interest in &amp;quot;protecting the potentiality of human life.&amp;quot; 410 U. S., at 162. With respect to the State's interest in the health of the mother, &amp;quot;the `compelling' point . . . is at approximately the end of the first trimester,&amp;quot; because it is at that point that the mortality rate in abortion approaches that in childbirth. Id., at 163. With respect to the State's interest in potential life, &amp;quot;the `compelling' point is at viability,&amp;quot; because it is at that point that the *930 fetus &amp;quot;presumably has the capability of meaningful life outside the mother's womb.&amp;quot; Ibid. In order to fulfill the requirement of narrow tailoring, &amp;quot;the State is obligated to make a reasonable effort to limit the effect of its regulations to the period in the trimester during which its health interest will be furthered.&amp;quot; Akron v. Akron Center for Reproductive Health, Inc., 462 U. S. 416, 434 (1983).&#xA;&#xA;In my view, application of this analytical framework is no less warranted than when it was approved by seven Members of this Court in Roe. Strict scrutiny of state limitations on reproductive choice still offers the most secure protection of the woman's right to make her own reproductive decisions, free from state coercion. No majority of this Court has ever agreed upon an alternative approach. The factual premises of the trimester framework have not been undermined, see Webster, 492 U. S., at 553 (Blackmun, J., dissenting), and the Roe framework is far more administrable, and far less manipulable, than the &amp;quot;undue burden&amp;quot; standard adopted by the joint opinion.&#xA;&#xA;Nonetheless, three criticisms of the trimester framework continue to be uttered. First, the trimester framework is attacked because its key elements do not appear in the text of the Constitution. My response to this attack remains the same as it was in Webster:&amp;quot;Were this a true concern, we would have to abandon most of our constitutional jurisprudence. he `critical elements' of countless constitutional doctrines nowhere appear in the Constitution's text . . . . The Constitution makes no mention, for example, of the First Amendment's `actual malice' standard for proving certain libels, see New York Times Co. v. Sullivan, 376 U. S. 254 (1964).. . . Similarly, the Constitution makes no mention of the rational-basis test, or the specific verbal formulations of intermediate and strict scrutiny by which this Court evaluates claims under the Equal Protection Clause. The reason is simple. Like the Roe framework, these *931 tests or standards are not, and do not purport to be, rights protected by the Constitution. Rather, they are judge-made methods for evaluating and measuring the strength and scope of constitutional rights or for balancing the constitutional rights of individuals against the competing interests of government.&amp;quot; Id., at 548.The second criticism is that the framework more closely resembles a regulatory code than a body of constitutional doctrine. Again, my answer remains the same as in Webster:&amp;quot;f this were a true and genuine concern, we would have to abandon vast areas of our constitutional jurisprudence. . . . Are  any finer, or more `regulatory,' than the distinctions we have often drawn in our First Amendment jurisprudence, where, for example, we have held that a `release time' program permitting publicschool students to leave school grounds during school hours to receive religious instruction does not violate the Establishment Clause, even though a release-time program permitting religious instruction on school grounds does violate the Clause? Compare Zorach v. Clauson, 343 U. S. 306 (1952), with Illinois ex rel. Mc- Collum v. Board of Education of School Dist. No. 71, Champaign County, 333 U. S. 203 (1948). . . . Similarly, in a Sixth Amendment case, the Court held that although an overnight ban on attorney-client communication violated the constitutionally guaranteed right to counsel, Geders v. United States, 425 U. S. 80 (1976), that right was not violated when a trial judge separated a defendant from his lawyer during a 15-minute recess after the defendant's direct testimony. Perry v. Leeke, 488 U. S. 272 (1989).&amp;quot;That numerous constitutional doctrines result in narrow differentiations between similar circumstances does *932 not mean that this Court has abandoned adjudication in favor of regulation.&amp;quot; Id., at 549-550.The final, and more genuine, criticism of the trimester framework is that it fails to find the State's interest in potential human life compelling throughout pregnancy. No Member of this Courtnor for that matter, the Solicitor General, see Tr. of Oral Arg. 42has ever questioned our holding in Roe that an abortion is not &amp;quot;the termination of life entitled to Fourteenth Amendment protection.&amp;quot; 410 U. S., at 159. Accordingly, a State's interest in protecting fetal life is not grounded in the Constitution. Nor, consistent with our Establishment Clause, can it be a theological or sectarian interest. See Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S. 747, 778 (1986) (Stevens, J., concurring). It is, instead, a legitimate interest grounded in humanitarian or pragmatic concerns. See ante, at 914-915 (Stevens, J., concurring in part and dissenting in part).&#xA;&#xA;But while a State has &amp;quot;legitimate interests from the outset of the pregnancy in protecting the health of the woman and the life of the fetus that may become a child,&amp;quot; ante, at 846, legitimate interests are not enough. To overcome the burden of strict scrutiny, the interests must be compelling. The question then is how best to accommodate the State's interest in potential human life with the constitutional liberties of pregnant women. Again, I stand by the views I expressed in Webster:&amp;quot;I remain convinced, as six other Members of this Court 16 years ago were convinced, that the Roe framework, and the viability standard in particular, fairly, sensibly, and effectively functions to safeguard the constitutional liberties of pregnant women while recognizing and accommodating the State's interest in potential human life. The viability line reflects the biological facts and truths of fetal development; it marks that threshold moment prior to which a fetus cannot survive separate from the *933 woman and cannot reasonably and objectively be regarded as a subject of rights or interests distinct from, or paramount to, those of the pregnant woman. At the same time, the viability standard takes account of the undeniable fact that as the fetus evolves into its postnatal form, and as it loses its dependence on the uterine environment, the State's interest in the fetus' potential human life, and in fostering a regard for human life in general, becomes compelling. As a practical matter, because viability follows `quickening'the point at which a woman feels movement in her womband because viability occurs no earlier than 23 weeks gestational age, it establishes an easily applicable standard for regulating abortion while providing a pregnant woman ample time to exercise her fundamental right with her responsible physician to terminate her pregnancy.&amp;quot; 492 U. S., at 553-554.Roe`s trimester framework does not ignore the State's interest in prenatal life. Like Justice Stevens, ante, at 916, I agree that the State may take steps to ensure that a woman's choice &amp;quot;is thoughtful and informed,&amp;quot; ante, at 872, and that &amp;quot;States are free to enact laws to provide a reasonable framework for a woman to make a decision that has such profound and lasting meaning.&amp;quot; Ante, at 873. But&amp;quot;erious questions arise . . . when a State attempts to persuade the woman to choose childbirth over abortion. Ante, at 878. Decisional autonomy must limit the State's power to inject into a woman's most personal deliberations its own views of what is best. The State may promote its preferences by funding childbirth, by creating and maintaining alternatives to abortion, and by espousing the virtues of family; but it must respect *934 the individual's freedom to make such judgments.&amp;quot; Ante, at 916 (Stevens, J., concurring in part and dissenting in part) (internal quotation marks omitted).As the joint opinion recognizes, &amp;quot;the means chosen by the State to further the interest in potential life must be calculated to inform the woman's free choice, not hinder it.&amp;quot; Ante, at 877.&#xA;&#xA;In sum, Roe `s requirement of strict scrutiny as implemented through a trimester framework should not be disturbed. No other approach has gained a majority, and no other is more protective of the woman's fundamental right. Lastly, no other approach properly accommodates the woman's constitutional right with the State's legitimate interests.CApplication of the strict scrutiny standard results in the invalidation of all the challenged provisions. Indeed, as this Court has invalidated virtually identical provisions in prior cases, stare decisis requires that we again strike them down.&#xA;&#xA;This Court has upheld informed- and written-consent requirements only where the State has demonstrated that they genuinely further important health-related state concerns. See Planned Parenthood of Central Mo. v. Danforth, 428 U. S. 52, 65-67 (1976). A State may not, under the guise of securing informed consent, &amp;quot;require the delivery of information `designed to influence the woman's informed choice between abortion or childbirth.' &amp;quot; Thornburgh, 476 U. S., at 760, quoting Akron, 462 U. S., at 443-444. Rigid requirements that a specific body of information be imparted to a woman in all cases, regardless of the needs of the patient, improperly intrude upon the discretion of the pregnant woman's physician and thereby impose an &amp;quot;`undesired and uncomfortable straitjacket.' &amp;quot; Thornburgh, 476 U. S., at 762, quoting Danforth, 428 U. S., at 67, n. 8.&#xA;&#xA;Measured against these principles, some aspects of the Pennsylvania informed-consent scheme are unconstitutional. *935 While it is unobjectionable for the Commonwealth to require that the patient be informed of the nature of the procedure, the health risks of the abortion and of childbirth, and the probable gestational age of the unborn child, compare Pa. Cons. Stat.  3205(a)(i)-(iii) (1990) with Akron, 462 U. S., at 446, n. 37, I remain unconvinced that there is a vital state need for insisting that the information be provided by a physician rather than a counselor. Id., at 448. The District Court found that the physician-only requirement necessarily would increase costs to the plaintiff clinics, costs that undoubtedly would be passed on to patients. And because trained women counselors are often more understanding than physicians, and generally have more time to spend with patients, see App. 366-387, the physician-only disclosure requirement is not narrowly tailored to serve the Commonwealth's interest in protecting maternal health.&#xA;&#xA;Sections 3205(a)(2)(i)-(iii) of the Act further requires that the physician or a qualified nonphysician inform the woman that printed materials are available from the Commonwealth that describe the fetus and provide information about medical assistance for childbirth, information about child support from the father, and a list of agencies offering adoption and other services as alternatives to abortion. Thornburgh invalidated biased patient-counseling requirements virtually identical to the one at issue here. What we said of those requirements fully applies in these cases:&amp;quot;he listing of agencies in the printed Pennsylvania form presents serious problems; it contains names of agencies that well may be out of step with the needs of the particular woman and thus places the physician in an awkward position and infringes upon his or her professional responsibilities. Forcing the physician or counselor to present the materials and the list to the woman makes him or her in effect an agent of the State in treating the woman and places his or her imprimatur upon both the materials and the list. All this is, or *936 comes close to being, state medicine imposed upon the woman, not the professional medical guidance she seeks, and it officially structuresas it obviously was intended to dothe dialogue between the woman and her physician.&amp;quot;The requirements . . . that the woman be advised that medical assistance benefits may be available, and that the father is responsible for financial assistance in the support of the child similarly are poorly disguised elements of discouragement for the abortion decision. Much of this . . . , for many patients, would be irrelevant and inappropriate. For a patient with a life-threatening pregnancy, the `information' in its very rendition may be cruel as well as destructive of the physician-patient relationship. As any experienced social worker or other counselor knows, theoretical financial responsibility often does not equate with fulfillment . . . . Under the guise of informed consent, the Act requires the dissemination of information that is not relevant to such consent, and, thus, it advances no legitimate state interest.&amp;quot; 476 U. S., at 762-763 (citation omitted).&amp;quot;This type of compelled information is the antithesis of informed consent,&amp;quot; id., at 764, and goes far beyond merely describing the general subject matter relevant to the woman's decision. &amp;quot;That the Commonwealth does not, and surely would not, compel similar disclosure of every possible peril of necessary surgery or of simple vaccination, reveals the anti-abortion character of the statute and its real purpose.&amp;quot; Ibid.*937 The 24-hour waiting period following the provision of the foregoing information is also clearly unconstitutional. The District Court found that the mandatory 24-hour delay could lead to delays in excess of 24 hours, thus increasing health risks, and that it would require two visits to the abortion provider, thereby increasing travel time, exposure to further harassment, and financial cost. Finally, the District Court found that the requirement would pose especially significant burdens on women living in rural areas and those women that have difficulty explaining their whereabouts. 744 F. Supp. 1323, 1378-1379 (ED Pa. 1990). In Akron this Court invalidated a similarly arbitrary or inflexible waiting period because, as here, it furthered no legitimate state interest.&#xA;&#xA;As Justice Stevens insightfully concludes, the mandatory delay rests either on outmoded or unacceptable assumptions about the decision making capacity of women or the belief that the decision to terminate the pregnancy is *938 presumptively wrong. Ante, at 918-919. The requirement that women consider this obvious and slanted information for an additional 24 hours contained in these provisions will only influence the woman's decision in improper ways. The vast majority of women will know this informationof the few that do not, it is less likely that their minds will be changed by this information than it will be either by the realization that the State opposes their choice or the need once again to endure abuse and harassment on return to the clinic.&#xA;&#xA;Except in the case of a medical emergency,  3206 requires a physician to obtain the informed consent of a parent or guardian before performing an abortion on an unemancipated minor or an incompetent woman. Based on evidence in the record, the District Court concluded that, in order to fulfill the informed-consent requirement, generally accepted medical principles would require an in-person visit by the parent to the facility. 744 F. Supp., at 1382. Although the Court &amp;quot;has recognized that the State has somewhat broader authority to regulate the activities of children than of adults,&amp;quot; the State nevertheless must demonstrate that there is a &amp;quot;significant state interest in conditioning an abortion . . . that is not present in the case of an adult.&amp;quot; Danforth, 428 U. S., at 74-75 (emphasis added). The requirement of an inperson visit would carry with it the risk of a delay of several days or possibly weeks, even where the parent is willing to consent. While the State has an interest in encouraging parental involvement in the minor's abortion decision,  3206 is not narrowly drawn to serve that interest.*939 Finally, the Pennsylvania statute requires every facility performing abortions to report its activities to the Commonwealth. Pennsylvania contends that this requirement is valid under Danforth, in which this Court held that recordkeeping and reporting requirements that are reasonably directed to the preservation of maternal health and that properly respect a patient's confidentiality are permissible. Id., at 79-81. The Commonwealth attempts to justify its required reports on the ground that the public has a right to know how its tax dollars are spent. A regulation designed to inform the public about public expenditures does not further the Commonwealth's interest in protecting maternal health. Accordingly, such a regulation cannot justify a legally significant burden on a woman's right to obtain an abortion.&#xA;&#xA;The confidential reports concerning the identities and medical judgment of physicians involved in abortions at first glance may seem valid, given the Commonwealth's interest in maternal health and enforcement of the Act. The District Court found, however, that, notwithstanding the confidentiality protections, many physicians, particularly those who have previously discontinued performing abortions because of harassment, would refuse to refer patients to abortion clinics if their names were to appear on these reports. 744 F. Supp., at 1392. The Commonwealth has failed to show that the name of the referring physician either adds to the pool of scientific knowledge concerning abortion or is reasonably related to the Commonwealth's interest in maternal health. I therefore agree with the District Court's conclusion that the confidential reporting requirements are unconstitutional *940 insofar as they require the name of the referring physician and the basis for his or her medical judgment.&#xA;&#xA;In sum, I would affirm the judgment in No. 91-902 and reverse the judgment in No. 91-744 and remand the cases for further proceedings.IIIAt long last, The Chief Justice and those who have joined him admit it. Gone are the contentions that the issue need not be (or has not been) considered. There, on the first page, for all to see, is what was expected: &amp;quot;We believe that Roe was wrongly decided, and that it can and should be overruled consistently with our traditional approach to stare decisis in constitutional cases.&amp;quot; Post, at 944. If there is much reason to applaud the advances made by the joint opinion today, there is far more to fear from The Chief Justice's opinion.&#xA;&#xA;The Chief Justice's criticism of Roe follows from his stunted conception of individual liberty. While recognizing that the Due Process Clause protects more than simple physical liberty, he then goes on to construe this Court's personalliberty cases as establishing only a laundry list of particular rights, rather than a principled account of how these particular rights are grounded in a more general right of privacy. Post, at 951. This constricted view is reinforced by The Chief Justice's exclusive reliance on tradition as a source of fundamental rights. He argues that the record in favor of a right to abortion is no stronger than the record in Michael H. v. Gerald D., 491 U. S. 110 (1989), where the plurality found no fundamental right to visitation privileges by an adulterous father, or in Bowers v. Hardwick, 478 U. S. 186 (1986), where the Court found no fundamental right to engage in homosexual sodomy, or in a case involving the &amp;quot;`firing  a gun . . . into another person's body.' &amp;quot; Post, at 951-952. In The Chief Justice's world, a woman considering whether to terminate a pregnancy is entitled to no more protection than adulterers, murderers, and so-called sexual *941 deviates. Given The Chief Justice's exclusive reliance on tradition, people using contraceptives seem the next likely candidate for his list of outcasts.&#xA;&#xA;Even more shocking than The Chief Justice's cramped notion of individual liberty is his complete omission of any discussion of the effects that compelled childbirth and motherhood have on women's lives. The only expression of concern with women's health is purely instrumentalfor The Chief Justice, only women's psychological health is a concern, and only to the extent that he assumes that every woman who decides to have an abortion does so without serious consideration of the moral implications of her decision. Post, at 967-968. In short, The Chief Justice's view of the State's compelling interest in maternal health has less to do with health than it does with compelling women to be maternal.&#xA;&#xA;Nor does The Chief Justice give any serious consideration to the doctrine of stare decisis. For The Chief Justice, the facts that gave rise to Roe are surprisingly simple: &amp;quot;women become pregnant, there is a point somewhere, depending on medical technology, where a fetus becomes viable, and women give birth to children.&amp;quot; Post, at 955. This characterization of the issue thus allows The Chief Justice quickly to discard the joint opinion's reliance argument by asserting that &amp;quot;reproductive planning could take virtually immediate account of&amp;quot; a decision overruling Roe. Post, at 956 (internal quotation marks omitted).&#xA;&#xA;The Chief Justice's narrow conception of individual liberty and stare decisis leads him to propose the same standard of review proposed by the plurality in Webster. &amp;quot;States may regulate abortion procedures in ways rationally related to a legitimate state interest. Williamson v. Lee Optical of Oklahoma, Inc., 348 U. S. 483, 491 (1955); cf. Stanley v. Illinois, 405 U. S. 645, 651-653 (1972).&amp;quot; Post, at 966. The *942 Chief Justice then further weakens the test by providing an insurmountable requirement for facial challenges: Petitioners must &amp;quot;`show that no set of circumstances exists under which the  would be valid.' &amp;quot; Post, at 973, quoting Ohio v. Akron Center for Reproductive Health, 497 U. S., at 514. In short, in his view, petitioners must prove that the statute cannot constitutionally be applied to anyone. Finally, in applying his standard to the spousal-notification provision, The Chief Justice contends that the record lacks any &amp;quot;hard evidence&amp;quot; to support the joint opinion's contention that a &amp;quot;large fraction&amp;quot; of women who prefer not to notify their husbands involve situations of battered women and unreported spousal assault. Post, at 974, n. 2. Yet throughout the explication of his standard, The Chief Justice never explains what hard evidence is, how large a fraction is required, or how a battered woman is supposed to pursue an as-applied challenge.&#xA;&#xA;Under his standard, States can ban abortion if that ban is rationally related to a legitimate state interesta standard which the United States calls &amp;quot;deferential, but not toothless.&amp;quot; Yet when pressed at oral argument to describe the teeth, the best protection that the Solicitor General could offer to women was that a prohibition, enforced by criminal penalties, with no exception for the life of the mother, &amp;quot;could raise very serious questions.&amp;quot; Tr. of Oral Arg. 48. Perhaps, the Solicitor General offered, the failure to include an exemption for the life of the mother would be &amp;quot;arbitrary and capricious.&amp;quot; Id., at 49. If, as The Chief Justice contends, the undue burden test is made out of whole cloth, the so-called &amp;quot;arbitrary and capricious&amp;quot; limit is the Solicitor General's &amp;quot;new clothes.&amp;quot;&#xA;&#xA;Even if it is somehow &amp;quot;irrational&amp;quot; for a State to require a woman to risk her life for her child, what protection is offered for women who become pregnant through rape or incest? Is there anything arbitrary or capricious about a *943 State's prohibiting the sins of the father from being visited upon his offspring?&#xA;&#xA;But, we are reassured, there is always the protection of the democratic process. While there is much to be praised about our democracy, our country since its founding has recognized that there are certain fundamental liberties that are not to be left to the whims of an election. A woman's right to reproductive choice is one of those fundamental liberties. Accordingly, that liberty need not seek refuge at the ballot box.IVIn one sense, the Court's approach is worlds apart from that of The Chief Justice and Justice Scalia. And yet, in another sense, the distance between the two approaches is shortthe distance is but a single vote.&#xA;&#xA;I am 83 years old. I cannot remain on this Court forever, and when I do step down, the confirmation process for my successor well may focus on the issue before us today. That, I regret, may be exactly where the choice between the two worlds will be made.&#xA;&#xA;*944Chief Justice Rehnquist, with whom Justice White, Justice Scalia, and Justice Thomas join, concurring in the judgment in part and dissenting in part.The joint opinion, following its newly minted variation on stare decisis, retains the outer shell of Roe v. Wade, 410 U. S. 113 (1973), but beats a wholesale retreat from the substance of that case. We believe that Roe was wrongly decided, and that it can and should be overruled consistently with our traditional approach to stare decisis in constitutional cases. We would adopt the approach of the plurality in Webster v. Reproductive Health Services, 492 U. S. 490 (1989), and uphold the challenged provisions of the Pennsylvania statute in their entirety.IIn ruling on this litigation below, the Court of Appeals for the Third Circuit first observed that &amp;quot;this appeal does not directly implicate Roe; this case involves the regulation of abortions rather than their outright prohibition.&amp;quot; 947 F. 2d 682, 687 (1991). Accordingly, the court directed its attention to the question of the standard of review for abortion regulations. In attempting to settle on the correct standard, however, the court confronted the confused state of this Court's abortion jurisprudence. After considering the several opinions in Webster v. Reproductive Health Services, supra, and Hodgson v. Minnesota, 497 U. S. 417 (1990), the Court of Appeals concluded that Justice O'Connor's &amp;quot;undue burden&amp;quot; test was controlling, as that was the narrowest ground on which we had upheld recent abortion regulations. 947 F. 2d, at 693-697 (&amp;quot;When a fragmented court decides a case and no single rationale explaining the result enjoys the assent of five Justices, the holding of the Court may be viewed as that position taken by those Members who concurred in the judgments on the narrowest grounds&amp;quot; (quoting Marks v. United States, 430 U. S. 188, 193 (1977) (internal quotation marks omitted))). Applying this standard, the Court of Appeals upheld all of the challenged regulations except the one *945 requiring a woman to notify her spouse of an intended abortion.&#xA;&#xA;In arguing that this Court should invalidate each of the provisions at issue, petitioners insist that we reaffirm our decision in Roe v. Wade, supra, in which we held unconstitutional a Texas statute making it a crime to procure an abortion except to save the life of the mother. We agree with the Court of Appeals that our decision in Roe is not directly implicated by the Pennsylvania statute, which does not prohibit, but simply regulates, abortion. But, as the Court of Appeals found, the state of our post-Roe decisional law dealing with the regulation of abortion is confusing and uncertain, indicating that a reexamination of that line of cases is in order. Unfortunately for those who must apply this Court's decisions, the reexamination undertaken today leaves the Court no less divided than beforehand. Although they reject the trimester framework that formed the underpinning of Roe, Justices O'Connor, Kennedy, and Souter adopt a revised undue burden standard to analyze the challenged regulations. We conclude, however, that such an outcome is an unjustified constitutional compromise, one which leaves the Court in a position to closely scrutinize all types of abortion regulations despite the fact that it lacks the power to do so under the Constitution.&#xA;&#xA;In Roe, the Court opined that the State &amp;quot;does have an important and legitimate interest in preserving and protecting the health of the pregnant woman, . . . and that it has still another important and legitimate interest in protecting *946 the potentiality of human life.&amp;quot; 410 U. S., at 162 (emphasis omitted). In the companion case of Doe v. Bolton, 410 U. S. 179 (1973), the Court referred to its conclusion in Roe &amp;quot;that a pregnant woman does not have an absolute constitutional right to an abortion on her demand.&amp;quot; 410 U. S., at 189. But while the language and holdings of these cases appeared to leave States free to regulate abortion procedures in a variety of ways, later decisions based on them have found considerably less latitude for such regulations than might have been expected.&#xA;&#xA;For example, after Roe, many States have sought to protect their young citizens by requiring that a minor seeking an abortion involve her parents in the decision. Some States have simply required notification of the parents, while others have required a minor to obtain the consent of her parents. In a number of decisions, however, the Court has substantially limited the States in their ability to impose such requirements. With regard to parental notice requirements, we initially held that a State could require a minor to notify her parents before proceeding with an abortion. H. L. v. Matheson, 450 U. S. 398, 407-410 (1981). Recently, however, we indicated that a State's ability to impose a notice requirement actually depends on whether it requires notice of one or both parents. We concluded that although the Constitution might allow a State to demand that notice be given to one parent prior to an abortion, it may not require that similar notice be given to two parents, unless the State incorporates a judicial bypass procedure in that two-parent requirement. Hodgson v. Minnesota, supra.&#xA;&#xA;We have treated parental consent provisions even more harshly. Three years after Roe, we invalidated a Missouri regulation requiring that an unmarried woman under the age of 18 obtain the consent of one of her parents before proceeding with an abortion. We held that our abortion jurisprudence prohibited the State from imposing such a &amp;quot;blanket provision. . . requiring the consent of a parent.&amp;quot; Planned Parenthood *947 of Central Mo. v. Danforth, 428 U. S. 52, 74 (1976). In Bellotti v. Baird, 443 U. S. 622 (1979), the Court struck down a similar Massachusetts parental consent statute. A majority of the Court indicated, however, that a State could constitutionally require parental consent, if it alternatively allowed a pregnant minor to obtain an abortion without parental consent by showing either that she was mature enough to make her own decision, or that the abortion would be in her best interests. See id., at 643-644 (plurality opinion); id., at 656-657 (White, J., dissenting). In light of Bellotti, we have upheld one parental consent regulation which incorporated a judicial bypass option we viewed as sufficient, see Planned Parenthood Assn. of Kansas City, Mo., Inc. v. Ashcroft, 462 U. S. 476 (1983), but have invalidated another because of our belief that the judicial procedure did not satisfy the dictates of Bellotti, see Akron v. Akron Center for Reproductive Health, Inc., 462 U. S. 416, 439-442 (1983). We have never had occasion, as we have in the parental notice context, to further parse our parental consent jurisprudence into oneparent and two-parent components.&#xA;&#xA;In Roe, the Court observed that certain States recognized the right of the father to participate in the abortion decision in certain circumstances. Because neither Roe nor Doe involved the assertion of any paternal right, the Court expressly stated that the case did not disturb the validity of regulations that protected such a right. Roe v. Wade, supra, at 165, n. 67. But three years later, in Danforth, the Court extended its abortion jurisprudence and held that a State could not require that a woman obtain the consent of her spouse before proceeding with an abortion. Planned Parenthood of Central Mo. v. Danforth, 428 U. S., at 69-71.&#xA;&#xA;States have also regularly tried to ensure that a woman's decision to have an abortion is an informed and wellconsidered one. In Danforth, we upheld a requirement that a woman sign a consent form prior to her abortion, and observed that &amp;quot;it is desirable and imperative that  *948 be made with full knowledge of its nature and consequences.&amp;quot; Id., at 67. Since that case, however, we have twice invalidated state statutes designed to impart such knowledge to a woman seeking an abortion. In Akron, we held unconstitutional a regulation requiring a physician to inform a woman seeking an abortion of the status of her pregnancy, the development of her fetus, the date of possible viability, the complications that could result from an abortion, and the availability of agencies providing assistance and information with respect to adoption and childbirth. Akron v. Akron Center for Reproductive Health, supra, at 442-445. More recently, in Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S. 747 (1986), we struck down a more limited Pennsylvania regulation requiring that a woman be informed of the risks associated with the abortion procedure and the assistance available to her if she decided to proceed with her pregnancy, because we saw the compelled information as &amp;quot;the antithesis of informed consent.&amp;quot; Id., at 764. Even when a State has sought only to provide information that, in our view, was consistent with the Roe framework, we concluded that the State could not require that a physician furnish the information, but instead had to alternatively allow nonphysician counselors to provide it. Akron v. Akron Center for Reproductive Health, 462 U. S., at 448-449. In Akron as well, we went further and held that a State may not require a physician to wait 24 hours to perform an abortion after receiving the consent of a woman. Although the State sought to ensure that the woman's decision was carefully considered, the Court concluded that the Constitution forbade the State to impose any sort of delay. Id., at 449-451.&#xA;&#xA;We have not allowed States much leeway to regulate even the actual abortion procedure. Although a State can require that second-trimester abortions be performed in outpatient clinics, see Simopoulos v. Virginia, 462 U. S. 506 (1983), we concluded in Akron and Ashcroft that a State could not *949 require that such abortions be performed only in hospitals. See Akron v. Akron Center for Reproductive Health, supra, at 437-439; Planned Parenthood Assn. of Kansas City, Mo., Inc. v. Ashcroft, supra, at 481-482. Despite the fact that Roe expressly allowed regulation after the first trimester in furtherance of maternal health, &amp;quot;`present medical knowledge,' &amp;quot; in our view, could not justify such a hospitalization requirement under the trimester framework. Akron v. Akron Center for Reproductive Health, supra, at 437 (quoting Roe v. Wade, supra, at 163). And in Danforth, the Court held that Missouri could not outlaw the saline amniocentesis method of abortion, concluding that the Missouri Legislature had &amp;quot;failed to appreciate and to consider several significant facts&amp;quot; in making its decision. 428 U. S., at 77.&#xA;&#xA;Although Roe allowed state regulation after the point of viability to protect the potential life of the fetus, the Court subsequently rejected attempts to regulate in this manner. In Colautti v. Franklin, 439 U. S. 379 (1979), the Court struck down a statute that governed the determination of viability. Id., at 390-397. In the process, we made clear that the trimester framework incorporated only one definition of viabilityoursas we forbade States to decide that a certain objective indicator&amp;quot;be it weeks of gestation or fetal weight or any other single factor&amp;quot;should govern the definition of viability. Id., at 389. In that same case, we also invalidated a regulation requiring a physician to use the abortion technique offering the best chance for fetal survival when performing postviability abortions. See id., at 397-401; see also Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 768-769 (invalidating a similar regulation). In Thornburgh, the Court struck down Pennsylvania's requirement that a second physician be present at post viability abortions to help preserve the health of the unborn child, on the ground that it did not incorporate a sufficient medical emergency exception. Id., at 769-771. Regulations governing the treatment of aborted fetuses have *950 met a similar fate. In Akron, we invalidated a provision requiring physicians performing abortions to &amp;quot;insure that the remains of the unborn child are disposed of in a humane and sanitary manner.&amp;quot; 462 U. S., at 451 (internal quotation marks omitted).&#xA;&#xA;Dissents in these cases expressed the view that the Court was expanding upon Roe in imposing ever greater restrictions on the States. See Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 783 (Burger, C. J., dissenting) (&amp;quot;The extent to which the Court has departed from the limitations expressed in Roe is readily apparent&amp;quot;); id., at 814 (White, J., dissenting) (&amp;quot;he majority indiscriminately strikes down statutory provisions that in no way contravene the right recognized in Roe &amp;quot;). And, when confronted with state regulations of this type in past years, the Court has become increasingly more divided: The three most recent abortion cases have not commanded a Court opinion. See Ohio v. Akron Center for Reproductive Health, 497 U. S. 502 (1990); Hodgson v. Minnesota, 497 U. S. 417 (1990); Webster v. Reproductive Health Services, 492 U. S. 490 (1989).&#xA;&#xA;The task of the Court of Appeals in the present cases was obviously complicated by this confusion and uncertainty. Following Marks v. United States, 430 U. S. 188 (1977), it concluded that in light of Webster and Hodgson, the strict scrutiny standard enunciated in Roe was no longer applicable, and that the &amp;quot;undue burden&amp;quot; standard adopted by Justice O'Connor was the governing principle. This state of confusion and disagreement warrants reexamination of the &amp;quot;fundamental right&amp;quot; accorded to a woman's decision to abort a fetus in Roe, with its concomitant requirement that any state regulation of abortion survive &amp;quot;strict scrutiny.&amp;quot; See Payne v. Tennessee, 501 U. S. 808, 827-828 (1991) (observing that reexamination of constitutional decisions is appropriate when those decisions have generated uncertainty and failed to provide clear guidance, because &amp;quot;correction through legislative *951 action is practically impossible&amp;quot; (internal quotation marks omitted)); Garcia v. San Antonio Metropolitan Transit Authority, 469 U. S. 528, 546-547, 557 (1985).&#xA;&#xA;We have held that a liberty interest protected under the Due Process Clause of the Fourteenth Amendment will be deemed fundamental if it is &amp;quot;implicit in the concept of ordered liberty.&amp;quot; Palko v. Connecticut, 302 U. S. 319, 325 (1937). Three years earlier, in Snyder v. Massachusetts, 291 U. S. 97 (1934), we referred to a &amp;quot;principle of justice so rooted in the traditions and conscience of our people as to be ranked as fundamental.&amp;quot; Id., at 105; see also Michael H. v. Gerald D., 491 U. S. 110, 122 (1989) (plurality opinion) (citing the language from Snyder). These expressions are admittedly not precise, but our decisions implementing this notion of &amp;quot;fundamental&amp;quot; rights do not afford any more elaborate basis on which to base such a classification.&#xA;&#xA;In construing the phrase &amp;quot;liberty&amp;quot; incorporated in the Due Process Clause of the Fourteenth Amendment, we have recognized that its meaning extends beyond freedom from physical restraint. In Pierce v. Society of Sisters, 268 U. S. 510 (1925), we held that it included a parent's right to send a child to private school; in Meyer v. Nebraska, 262 U. S. 390 (1923), we held that it included a right to teach a foreign language in a parochial school. Building on these cases, we have held that the term &amp;quot;liberty&amp;quot; includes a right to marry, Loving v. Virginia, 388 U. S. 1 (1967); a right to procreate, Skinner v. Oklahoma ex rel. Williamson, 316 U. S. 535 (1942); and a right to use contraceptives, Griswold v. Connecticut, 381 U. S. 479 (1965); Eisenstadt v. Baird, 405 U. S. 438 (1972). But a reading of these opinions makes clear that they do not endorse any all-encompassing &amp;quot;right of privacy.&amp;quot;&#xA;&#xA;In Roe v. Wade, the Court recognized a &amp;quot;guarantee of personal privacy&amp;quot; which &amp;quot;is broad enough to encompass a woman's decision whether or not to terminate her pregnancy.&amp;quot; 410 U. S., at 152-153. We are now of the view that, in terming this right fundamental, the Court in Roe read the earlier *952 opinions upon which it based its decision much too broadly. Unlike marriage, procreation, and contraception, abortion &amp;quot;involves the purposeful termination of a potential life.&amp;quot; Harris v. McRae, 448 U. S. 297, 325 (1980). The abortion decision must therefore &amp;quot;be recognized as sui generis, different in kind from the others that the Court has protected under the rubric of personal or family privacy and autonomy.&amp;quot; Thornburgh v. American College of Obstetricians and Gynecologists, supra, at 792 (White, J., dissenting). One cannot ignore the fact that a woman is not isolated in her pregnancy, and that the decision to abort necessarily involves the destruction of a fetus. See Michael H. v. Gerald D., supra, at 124, n. 4 (To look &amp;quot;at the act which is assertedly the subject of a liberty interest in isolation from its effect upon other people  like inquiring whether there is a liberty interest in firing a gun where the case at hand happens to involve its discharge into another person's body&amp;quot;).&#xA;&#xA;Nor do the historical traditions of the American people support the view that the right to terminate one's pregnancy is &amp;quot;fundamental.&amp;quot; The common law which we inherited from England made abortion after &amp;quot;quickening&amp;quot; an offense. At the time of the adoption of the Fourteenth Amendment, statutory prohibitions or restrictions on abortion were commonplace; in 1868, at least 28 of the then-37 States and 8 Territories had statutes banning or limiting abortion. J. Mohr, Abortion in America 200 (1978). By the turn of the century virtually every State had a law prohibiting or restricting abortion on its books. By the middle of the present century, a liberalization trend had set in. But 21 of the restrictive abortion laws in effect in 1868 were still in effect in 1973 when Roe was decided, and an overwhelming majority of the States prohibited abortion unless necessary to preserve the life or health of the mother. Roe v. Wade, 410 U. S., at 139-140; id., at 176-177, n. 2 (Rehnquist, J., dissenting). On this record, it can scarcely be said that any deeply rooted tradition of relatively unrestricted abortion in our history *953 supported the classification of the right to abortion as &amp;quot;fundamental&amp;quot; under the Due Process Clause of the Fourteenth Amendment.&#xA;&#xA;We think, therefore, both in view of this history and of our decided cases dealing with substantive liberty under the Due Process Clause, that the Court was mistaken in Roe when it classified a woman's decision to terminate her pregnancy as a &amp;quot;fundamental right&amp;quot; that could be abridged only in a manner which withstood &amp;quot;strict scrutiny.&amp;quot; In so concluding, we repeat the observation made in Bowers v. Hardwick, 478 U. S. 186 (1986):&amp;quot;Nor are we inclined to take a more expansive view of our authority to discover new fundamental rights imbedded in the Due Process Clause. The Court is most vulnerable and comes nearest to illegitimacy when it deals with judge-made constitutional law having little or no cognizable roots in the language or design of the Constitution.&amp;quot; Id., at 194.We believe that the sort of constitutionally imposed abortion code of the type illustrated by our decisions following Roe is inconsistent &amp;quot;with the notion of a Constitution cast in general terms, as ours is, and usually speaking in general principles, as ours does.&amp;quot; Webster v. Reproductive Health Services, 492 U. S., at 518 (plurality opinion). The Court in Roe reached too far when it analogized the right to abort a fetus to the rights involved in Pierce, Meyer, Loving, and Griswold, and thereby deemed the right to abortion fundamental.IIThe joint opinion of Justices O'Connor, Kennedy, and Souter cannot bring itself to say that Roe was correct as an original matter, but the authors are of the view that &amp;quot;the immediate question is not the soundness of Roe `s resolution of the issue, but the precedential force that must be accorded to its holding.&amp;quot; Ante, at 871. Instead of claiming that Roe *954 was correct as a matter of original constitutional interpretation, the opinion therefore contains an elaborate discussion of stare decisis. This discussion of the principle of stare decisis appears to be almost entirely dicta, because the joint opinion does not apply that principle in dealing with Roe. Roe decided that a woman had a fundamental right to an abortion. The joint opinion rejects that view. Roe decided that abortion regulations were to be subjected to &amp;quot;strict scrutiny&amp;quot; and could be justified only in the light of &amp;quot;compelling state interests.&amp;quot; The joint opinion rejects that view. Ante, at 872-873; see Roe v. Wade, supra, at 162-164. Roe analyzed abortion regulation under a rigid trimester framework, a framework which has guided this Court's decision making for 19 years. The joint opinion rejects that framework. Ante, at 873.&#xA;&#xA;Stare decisis is defined in Black's Law Dictionary as meaning &amp;quot;to abide by, or adhere to, decided cases.&amp;quot; Black's Law Dictionary 1406 (6th ed. 1990). Whatever the &amp;quot;central holding&amp;quot; of Roe that is left after the joint opinion finishes dissecting it is surely not the result of that principle. While purporting to adhere to precedent, the joint opinion instead revises it. Roe continues to exist, but only in the way a storefront on a western movie set exists: a mere facade to give the illusion of reality. Decisions following Roe, such as Akron v. Akron Center for Reproductive Health, Inc., 462 U. S. 416 (1983), and Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S. 747 (1986), are frankly overruled in part under the &amp;quot;undue burden&amp;quot; standard expounded in the joint opinion. Ante, at 881-884.&#xA;&#xA;In our view, authentic principles of stare decisis do not require that any portion of the reasoning in Roe be kept intact. &amp;quot;Stare decisis is not . . . a universal, inexorable command,&amp;quot; especially in cases involving the interpretation of the Federal Constitution. Burnet v. Coronado Oil &amp;amp; Gas Co., 285 U. S. 393, 405 (1932) (Brandeis, J., dissenting). Erroneous decisions in such constitutional cases are uniquely durable, because correction through legislative action, save for *955 constitutional amendment, is impossible. It is therefore our duty to reconsider constitutional interpretations that &amp;quot;depar from a proper understanding&amp;quot; of the Constitution. Garcia v. San Antonio Metropolitan Transit Authority, 469 U. S., at 557; see United States v. Scott, 437 U. S. 82, 101 (1978) (&amp;quot;`n cases involving the Federal Constitution, . . . he Court bows to the lessons of experience and the force of better reasoning, recognizing that the process of trial and error, so fruitful in the physical sciences, is appropriate also in the judicial function'&amp;quot; (quoting Burnet v. Coronado Oil &amp;amp; Gas Co., supra, at 406-408 (Brandeis, J., dissenting))); Smith v. Allwright, 321 U. S. 649, 665 (1944). Our constitutional watch does not cease merely because we have spoken before on an issue; when it becomes clear that a prior constitutional interpretation is unsound we are obliged to reexamine the question. See, e. g., West Virginia Bd. of Ed. v. Barnette, 319 U. S. 624, 642 (1943); Erie R. Co. v. Tompkins, 304 U. S. 64, 74-78 (1938).&#xA;&#xA;The joint opinion discusses several stare decisis factors which, it asserts, point toward retaining a portion of Roe. Two of these factors are that the main &amp;quot;factual underpinning&amp;quot; of Roe has remained the same, and that its doctrinal foundation is no weaker now than it was in 1973. Ante, at 857-860. Of course, what might be called the basic facts which gave rise to Roe have remained the samewomen become pregnant, there is a point somewhere, depending on medical technology, where a fetus becomes viable, and women give birth to children. But this is only to say that the same facts which gave rise to Roe will continue to give rise to similar cases. It is not a reason, in and of itself, why those cases must be decided in the same incorrect manner as was the first case to deal with the question. And surely there is no requirement, in considering whether to depart from stare decisis in a constitutional case, that a decision be more wrong now than it was at the time it was rendered. If that were true, the most outlandish constitutional decision could survive *956 forever, based simply on the fact that it was no more outlandish later than it was when originally rendered.&#xA;&#xA;Nor does the joint opinion faithfully follow this alleged requirement. The opinion frankly concludes that Roe and its progeny were wrong in failing to recognize that the State's interests in maternal health and in the protection of unborn human life exist throughout pregnancy. Ante, at 871-873. But there is no indication that these components of Roe are any more incorrect at this juncture than they were at its inception.&#xA;&#xA;The joint opinion also points to the reliance interests involved in this context in its effort to explain why precedent must be followed for precedent's sake. Certainly it is true that where reliance is truly at issue, as in the case of judicial decisions that have formed the basis for private decisions, &amp;quot;onsiderations in favor of stare decisis are at their acme.&amp;quot; Payne v. Tennessee, 501 U. S., at 828. But, as the joint opinion apparently agrees, ante, at 855-856, any traditional notion of reliance is not applicable here. The Court today cuts back on the protection afforded by Roe, and no one claims that this action defeats any reliance interest in the disavowed trimester framework. Similarly, reliance interests would not be diminished were the Court to go further and acknowledge the full error of Roe, as &amp;quot;reproductive planning could take virtually immediate account of&amp;quot; this action. Ante, at 856.&#xA;&#xA;The joint opinion thus turns to what can only be described as an unconventionaland unconvincingnotion of reliance, a view based on the surmise that the availability of abortion since Roe has led to &amp;quot;two decades of economic and social developments&amp;quot; that would be undercut if the error of Roe were recognized. Ante, at 856. The joint opinion's assertion of this fact is undeveloped and totally conclusory. In fact, one cannot be sure to what economic and social developments the opinion is referring. Surely it is dubious to suggest that women have reached their &amp;quot;places in society&amp;quot; in *957 reliance upon Roe, rather than as a result of their determination to obtain higher education and compete with men in the job market, and of society's increasing recognition of their ability to fill positions that were previously thought to be reserved only for men. Ante, at 856.&#xA;&#xA;In the end, having failed to put forth any evidence to prove any true reliance, the joint opinion's argument is based solely on generalized assertions about the national psyche, on a belief that the people of this country have grown accustomed to the Roe decision over the last 19 years and have &amp;quot;ordered their thinking and living around&amp;quot; it. Ante, at 856. As an initial matter, one might inquire how the joint opinion can view the &amp;quot;central holding&amp;quot; of Roe as so deeply rooted in our constitutional culture, when it so casually uproots and disposes of that same decision's trimester framework. Furthermore, at various points in the past, the same could have been said about this Court's erroneous decisions that the Constitution allowed &amp;quot;separate but equal&amp;quot; treatment of minorities, see Plessy v. Ferguson, 163 U. S. 537 (1896), or that &amp;quot;liberty&amp;quot; under the Due Process Clause protected &amp;quot;freedom of contract,&amp;quot; see Adkins v. Children's Hospital of District of Columbia, 261 U. S. 525 (1923); Lochner v. New York, 198 U. S. 45 (1905). The &amp;quot;separate but equal&amp;quot; doctrine lasted 58 years after Plessy, and Lochner `s protection of contractual freedom lasted 32 years. However, the simple fact that a generation or more had grown used to these major decisions did not prevent the Court from correcting its errors in those cases, nor should it prevent us from correctly interpreting the Constitution here. See Brown v. Board of Education, 347 U. S. 483 (1954) (rejecting the &amp;quot;separate but equal&amp;quot; doctrine); West Coast Hotel Co. v. Parrish, 300 U. S. 379 (1937) (overruling Adkins v. Children's Hospital, supra, in upholding Washington's minimum wage law).&#xA;&#xA;Apparently realizing that conventional stare decisis principles do not support its position, the joint opinion advances a belief that retaining a portion of Roe is necessary to protect *958 the &amp;quot;legitimacy&amp;quot; of this Court. Ante, at 861-869. Because the Court must take care to render decisions &amp;quot;grounded truly in principle,&amp;quot; and not simply as political and social compromises, ante, at 865, the joint opinion properly declares it to be this Court's duty to ignore the public criticism and protest that may arise as a result of a decision. Few would quarrel with this statement, although it may be doubted that Members of this Court, holding their tenure as they do during constitutional &amp;quot;good behavior,&amp;quot; are at all likely to be intimidated by such public protests.&#xA;&#xA;But the joint opinion goes on to state that when the Court &amp;quot;resolve the sort of intensely divisive controversy reflected in Roe and those rare, comparable cases,&amp;quot; its decision is exempt from reconsideration under established principles of stare decisis in constitutional cases. Ante, at 866. This is so, the joint opinion contends, because in those &amp;quot;intensely divisive&amp;quot; cases the Court has &amp;quot;call the contending sides of a national controversy to end their national division by accepting a common mandate rooted in the Constitution,&amp;quot; and must therefore take special care not to be perceived as &amp;quot;surrender to political pressure&amp;quot; and continued opposition. Ante, at 866, 867. This is a truly novel principle, one which is contrary to both the Court's historical practice and to the Court's traditional willingness to tolerate criticism of its opinions. Under this principle, when the Court has ruled on a divisive issue, it is apparently prevented from overruling that decision for the sole reason that it was incorrect, unless opposition to the original decision has died away.&#xA;&#xA;The first difficulty with this principle lies in its assumption that cases that are &amp;quot;intensely divisive&amp;quot; can be readily distinguished from those that are not. The question of whether a particular issue is &amp;quot;intensely divisive&amp;quot; enough to qualify for special protection is entirely subjective and dependent on the individual assumptions of the Members of this Court. In addition, because the Court's duty is to ignore public opinion and criticism on issues that come before it, its Members are *959 in perhaps the worst position to judge whether a decision divides the Nation deeply enough to justify such uncommon protection. Although many of the Court's decisions divide the populace to a large degree, we have not previously on that account shied away from applying normal rules of stare decisis when urged to reconsider earlier decisions. Over the past 21 years, for example, the Court has overruled in whole or in part 34 of its previous constitutional decisions. See Payne v. Tennessee, supra, at 828-830, and n. 1 (listing cases).&#xA;&#xA;The joint opinion picks out and discusses two prior Court rulings that it believes are of the &amp;quot;intensely divisive&amp;quot; variety, and concludes that they are of comparable dimension to Roe. Ante, at 861-864 (discussing Lochner v. New York, supra, and Plessy v. Ferguson, supra ). It appears to us very odd indeed that the joint opinion chooses as benchmarks two cases in which the Court chose not to adhere to erroneous constitutional precedent, but instead enhanced its stature by acknowledging and correcting its error, apparently in violation of the joint opinion's &amp;quot;legitimacy&amp;quot; principle. See West Coast Hotel Co. v. Parrish, supra; Brown v. Board of Education, supra. One might also wonder how it is that the joint opinion puts these, and not others, in the &amp;quot;intensely divisive&amp;quot; category, and how it assumes that these are the only two lines of cases of comparable dimension to Roe. There is no reason to think that either Plessy or Lochner produced the sort of public protest when they were decided that Roe did. There were undoubtedly large segments of the bench and bar who agreed with the dissenting views in those cases, but surely that cannot be what the Court means when it uses the term &amp;quot;intensely divisive,&amp;quot; or many other cases would have to be added to the list. In terms of public protest, however, Roe, so far as we know, was unique. But just as the Court should not respond to that sort of protest by retreating from the decision simply to allay the concerns of the protesters, it should likewise not respond by determining to adhere to the *960 decision at all costs lest it seem to be retreating under fire. Public protests should not alter the normal application of stare decisis, lest perfectly lawful protest activity be penalized by the Court itself.&#xA;&#xA;Taking the joint opinion on its own terms, we doubt that its distinction between Roe, on the one hand, and Plessy and Lochner, on the other, withstands analysis. The joint opinion acknowledges that the Court improved its stature by overruling Plessy in Brown on a deeply divisive issue. And our decision in West Coast Hotel, which overruled Adkins v. Children's Hospital, supra, and Lochner, was rendered at a time when Congress was considering President Franklin Roosevelt's proposal to &amp;quot;reorganize&amp;quot; this Court and enable him to name six additional Justices in the event that any Member of the Court over the age of 70 did not elect to retire. It is difficult to imagine a situation in which the Court would face more intense opposition to a prior ruling than it did at that time, and, under the general principle proclaimed in the joint opinion, the Court seemingly should have responded to this opposition by stubbornly refusing to reexamine the Lochner rationale, lest it lose legitimacy by appearing to &amp;quot;overrule under fire.&amp;quot; Ante, at 867.&#xA;&#xA;The joint opinion agrees that the Court's stature would have been seriously damaged if in Brown and West Coast Hotel it had dug in its heels and refused to apply normal principles of stare decisis to the earlier decisions. But the opinion contends that the Court was entitled to overrule Plessy and Lochner in those cases, despite the existence of opposition to the original decisions, only because both the Nation and the Court had learned new lessons in the interim. This is at best a feebly supported, post hoc rationalization for those decisions.&#xA;&#xA;For example, the opinion asserts that the Court could justifiably overrule its decision in Lochner only because the Depression had convinced &amp;quot;most people&amp;quot; that constitutional protection of contractual freedom contributed to an economy *961 that failed to protect the welfare of all. Ante, at 861. Surely the joint opinion does not mean to suggest that people saw this Court's failure to uphold minimum wage statutes as the cause of the Great Depression! In any event, the Lochner Court did not base its rule upon the policy judgment that an unregulated market was fundamental to a stable economy; it simple believed, erroneously, that &amp;quot;liberty&amp;quot; under the Due Process Clause protected the &amp;quot;right to make a contract.&amp;quot; Lochner v. New York, 198 U. S., at 53. Nor is it the case that the people of this Nation only discovered the dangers of extreme laissez-faire economics because of the Depression. State laws regulating maximum hours and minimum wages were in existence well before that time. A Utah statute of that sort enacted in 1896 was involved in our decision in Holden v. Hardy, 169 U. S. 366 (1898), and other States followed suit shortly afterwards, see, e. g., Muller v. Oregon, 208 U. S. 412 (1908); Bunting v. Oregon, 243 U. S. 426 (1917). These statutes were indeed enacted because of a belief on the part of their sponsors that &amp;quot;freedom of contract&amp;quot; did not protect the welfare of workers, demonstrating that that belief manifested itself more than a generation before the Great Depression. Whether &amp;quot;most people&amp;quot; had come to share it in the hard times of the 1930's is, insofar as anything the joint opinion advances, entirely speculative. The crucial failing at that time was not that workers were not paid a fair wage, but that there was no work available at any wage.&#xA;&#xA;When the Court finally recognized its error in West Coast Hotel, it did not engage in the post hoc rationalization that the joint opinion attributes to it today; it did not state that Lochner had been based on an economic view that had fallen into disfavor, and that it therefore should be overruled. Chief Justice Hughes in his opinion for the Court simply recognized what Justice Holmes had previously recognized in his Lochner dissent, that &amp;quot;he Constitution does not speak of freedom of contract.&amp;quot; West Coast Hotel Co. v. Parrish, 300 U. S., at 391; Lochner v. New York, supra, at 75 (Holmes, *962 J., dissenting) (&amp;quot; constitution is not intended to embody a particular economic theory, whether of paternalism and the organic relation of the citizen to the State or of laissez faire &amp;quot;). Although the Court did acknowledge in the last paragraph of its opinion the state of affairs during the thencurrent Depression, the theme of the opinion is that the Court had been mistaken as a matter of constitutional law when it embraced &amp;quot;freedom of contract&amp;quot; 32 years previously.&#xA;&#xA;The joint opinion also agrees that the Court acted properly in rejecting the doctrine of &amp;quot;separate but equal&amp;quot; in Brown. In fact, the opinion lauds Brown in comparing it to Roe. Ante, at 867. This is strange, in that under the opinion's &amp;quot;legitimacy&amp;quot; principle the Court would seemingly have been forced to adhere to its erroneous decision in Plessy because of its &amp;quot;intensely divisive&amp;quot; character. To us, adherence to Roe today under the guise of &amp;quot;legitimacy&amp;quot; would seem to resemble more closely adherence to Plessy on the same ground. Fortunately, the Court did not choose that option in Brown, and instead frankly repudiated Plessy. The joint opinion concludes that such repudiation was justified only because of newly discovered evidence that segregation had the effect of treating one race as inferior to another. But it can hardly be argued that this was not urged upon those who decided Plessy, as Justice Harlan observed in his dissent that the law at issue &amp;quot;puts the brand of servitude and degradation upon a large class of our fellow-citizens, our equals before the law.&amp;quot; Plessy v. Ferguson, 163 U. S., at 562. It is clear that the same arguments made before the Court in Brown were made in Plessy as well. The Court in Brown simply recognized, as Justice Harlan had recognized beforehand, that the Fourteenth Amendment does not permit racial segregation. The rule of Brown is not tied to popular opinion about the evils of segregation; it is a judgment that the Equal Protection Clause does not permit racial segregation, no matter whether the public might come to believe that it is beneficial. On that ground it stands, and on that ground *963 alone the Court was justified in properly concluding that the Plessy Court had erred.&#xA;&#xA;There is also a suggestion in the joint opinion that the propriety of overruling a &amp;quot;divisive&amp;quot; decision depends in part on whether &amp;quot;most people&amp;quot; would now agree that it should be overruled. Either the demise of opposition or its progression to substantial popular agreement apparently is required to allow the Court to reconsider a divisive decision. How such agreement would be ascertained, short of a public opinion poll, the joint opinion does not say. But surely even the suggestion is totally at war with the idea of &amp;quot;legitimacy&amp;quot; in whose name it is invoked. The Judicial Branch derives its legitimacy, not from following public opinion, but from deciding by its best lights whether legislative enactments of the popular branches of Government comport with the Constitution. The doctrine of stare decisis is an adjunct of this duty, and should be no more subject to the vagaries of public opinion than is the basic judicial task.&#xA;&#xA;There are other reasons why the joint opinion's discussion of legitimacy is unconvincing as well. In assuming that the Court is perceived as &amp;quot;surrender to political pressure&amp;quot; when it overrules a controversial decision, ante, at 867, the joint opinion forgets that there are two sides to any controversy. The joint opinion asserts that, in order to protect its legitimacy, the Court must refrain from overruling a controversial decision lest it be viewed as favoring those who oppose the decision. But a decision to adhere to prior precedent is subject to the same criticism, for in such a case one can easily argue that the Court is responding to those who have demonstrated in favor of the original decision. The decision in Roe has engendered large demonstrations, including repeated marches on this Court and on Congress, both in opposition to and in support of that opinion. A decision either way on Roe can therefore be perceived as favoring one group or the other. But this perceived dilemma arises only if one assumes, as the joint opinion does, that the Court *964 should make its decisions with a view toward speculative public perceptions. If one assumes instead, as the Court surely did in both Brown and West Coast Hotel, that the Court's legitimacy is enhanced by faithful interpretation of the Constitution irrespective of public opposition, such selfengendered difficulties may be put to one side.&#xA;&#xA;Roe is not this Court's only decision to generate conflict. Our decisions in some recent capital cases, and in Bowers v. Hardwick, 478 U. S. 186 (1986), have also engendered demonstrations in opposition. The joint opinion's message to such protesters appears to be that they must cease their activities in order to serve their cause, because their protests will only cement in place a decision which by normal standards of stare decisis should be reconsidered. Nearly a century ago, Justice David J. Brewer of this Court, in an article discussing criticism of its decisions, observed that &amp;quot;many criticisms may be, like their authors, devoid of good taste, but better all sorts of criticism than no criticism at all.&amp;quot; Justice Brewer on &amp;quot;The Nation's Anchor,&amp;quot; 57 Albany L. J. 166, 169 (1898). This was good advice to the Court then, as it is today. Strong and often misguided criticism of a decision should not render the decision immune from reconsideration, lest a fetish for legitimacy penalize freedom of expression.&#xA;&#xA;The end result of the joint opinion's paeans of praise for legitimacy is the enunciation of a brand new standard for evaluating state regulation of a woman's right to abortion the &amp;quot;undue burden&amp;quot; standard. As indicated above, Roe v. Wade adopted a &amp;quot;fundamental right&amp;quot; standard under which state regulations could survive only if they met the requirement of &amp;quot;strict scrutiny.&amp;quot; While we disagree with that standard, it at least had a recognized basis in constitutional law at the time Roe was decided. The same cannot be said for the &amp;quot;undue burden&amp;quot; standard, which is created largely out of whole cloth by the authors of the joint opinion. It is a standard which even today does not command the support of a majority of this Court. And it will not, we believe, result *965 in the sort of &amp;quot;simple limitation,&amp;quot; easily applied, which the joint opinion anticipates. Ante, at 855. In sum, it is a standard which is not built to last.&#xA;&#xA;In evaluating abortion regulations under that standard, judges will have to decide whether they place a &amp;quot;substantial obstacle&amp;quot; in the path of a woman seeking an abortion. Ante, at 877. In that this standard is based even more on a judge's subjective determinations than was the trimester framework, the standard will do nothing to prevent &amp;quot;judges from roaming at large in the constitutional field&amp;quot; guided only by their personal views. Griswold v. Connecticut, 381 U. S., at 502 (Harlan, J., concurring in judgment). Because the undue burden standard is plucked from nowhere, the question of what is a &amp;quot;substantial obstacle&amp;quot; to abortion will undoubtedly engender a variety of conflicting views. For example, in the very matter before us now, the authors of the joint opinion would uphold Pennsylvania's 24-hour waiting period, concluding that a &amp;quot;particular burden&amp;quot; on some women is not a substantial obstacle. Ante, at 887. But the authors would at the same time strike down Pennsylvania's spousal notice provision, after finding that in a &amp;quot;large fraction&amp;quot; of cases the provision will be a substantial obstacle. Ante, at 895. And, while the authors conclude that the informed consent provisions do not constitute an &amp;quot;undue burden,&amp;quot; Justice Stevens would hold that they do. Ante, at 920-922.&#xA;&#xA;Furthermore, while striking down the spousal notice regulation, the joint opinion would uphold a parental consent restriction that certainly places very substantial obstacles in the path of a minor's abortion choice. The joint opinion is forthright in admitting that it draws this distinction based on a policy judgment that parents will have the best interests of their children at heart, while the same is not necessarily true of husbands as to their wives. Ante, at 895. This may or may not be a correct judgment, but it is quintessentially a legislative one. The &amp;quot;undue burden&amp;quot; inquiry does not in any way supply the distinction between parental consent and *966 spousal consent which the joint opinion adopts. Despite the efforts of the joint opinion, the undue burden standard presents nothing more workable than the trimester framework which it discards today. Under the guise of the Constitution, this Court will still impart its own preferences on the States in the form of a complex abortion code.&#xA;&#xA;The sum of the joint opinion's labors in the name of stare decisis and &amp;quot;legitimacy&amp;quot; is this: Roe v. Wade stands as a sort of judicial Potemkin Village, which may be pointed out to passers-by as a monument to the importance of adhering to precedent. But behind the facade, an entirely new method of analysis, without any roots in constitutional law, is imported to decide the constitutionality of state laws regulating abortion. Neither stare decisis nor &amp;quot;legitimacy&amp;quot; are truly served by such an effort.&#xA;&#xA;We have stated above our belief that the Constitution does not subject state abortion regulations to heightened scrutiny. Accordingly, we think that the correct analysis is that set forth by the plurality opinion in Webster. A woman's interest in having an abortion is a form of liberty protected by the Due Process Clause, but States may regulate abortion procedures in ways rationally related to a legitimate state interest. Williamson v. Lee Optical of Oklahoma, Inc., 348 U. S. 483, 491 (1955); cf. Stanley v. Illinois, 405 U. S. 645, 651-653 (1972). With this rule in mind, we examine each of the challenged provisions.IIIASection 3205 of the Act imposes certain requirements related to the informed consent of a woman seeking an abortion. 18 Pa. Cons. Stat.  3205 (1990). Section 3205(a)(1) requires that the referring or performing physician must inform a woman contemplating an abortion of (i) the nature of the procedure and the risks and alternatives that a reasonable patient would find material; (ii) the fetus' probable gestational *967 age; and (iii) the medical risks involved in carrying her pregnancy to term. Section 3205(a)(2) requires a physician or a nonphysician counselor to inform the woman that (i) the state health department publishes free materials describing the fetus at different stages and listing abortion alternatives; (ii) medical assistance benefits may be available for prenatal, childbirth, and neonatal care; and (iii) the child's father is liable for child support. The Act also imposes a 24-hour waiting period between the time that the woman receives the required information and the time that the physician is allowed to perform the abortion. See Appendix to opinion of O'Connor, Kennedy, and Souter, JJ., ante, at 902-904.&#xA;&#xA;This Court has held that it is certainly within the province of the States to require a woman's voluntary and informed consent to an abortion. See Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 760. Here, Pennsylvania seeks to further its legitimate interest in obtaining informed consent by ensuring that each woman &amp;quot;is aware not only of the reasons for having an abortion, but also of the risks associated with an abortion and the availability of assistance that might make the alternative of normal childbirth more attractive than it might otherwise appear.&amp;quot; Id., at 798-799 (White, J., dissenting).&#xA;&#xA;We conclude that this provision of the statute is rationally related to the State's interest in assuring that a woman's consent to an abortion be a fully informed decision.&#xA;&#xA;Section 3205(a)(1) requires a physician to disclose certain information about the abortion procedure and its risks and alternatives. This requirement is certainly no large burden, as the Court of Appeals found that &amp;quot;the record shows that the clinics, without exception, insist on providing this information to women before an abortion is performed.&amp;quot; 947 F. 2d, at 703. We are of the view that this information &amp;quot;clearly is related to maternal health and to the State's legitimate purpose in requiring informed consent.&amp;quot; Akron v. *968 Akron Center for Reproductive Health, Inc., 462 U. S., at 446. An accurate description of the gestational age of the fetus and of the risks involved in carrying a child to term helps to further both those interests and the State's legitimate interest in unborn human life. See id., at 445-446, n. 37 (required disclosure of gestational age of the fetus &amp;quot;certainly is not objectionable&amp;quot;). Although petitioners contend that it is unreasonable for the State to require that a physician, as opposed to a nonphysician counselor, disclose this information, we agree with the Court of Appeals that a State &amp;quot;may rationally decide that physicians are better qualified than counselors to impart this information and answer questions about the medical aspects of the available alternatives.&amp;quot; 947 F. 2d, at 704.&#xA;&#xA;Section 3205(a)(2) compels the disclosure, by a physician or a counselor, of information concerning the availability of paternal child support and state-funded alternatives if the woman decides to proceed with her pregnancy. Here again, the Court of Appeals observed that &amp;quot;the record indicates that most clinics already require that a counselor consult in person with the woman about alternatives to abortion before the abortion is performed.&amp;quot; Id., at 704-705. And petitioners do not claim that the information required to be disclosed by statute is in any way false or inaccurate; indeed, the Court of Appeals found it to be &amp;quot;relevant, accurate, and noninflammatory.&amp;quot; Id., at 705. We conclude that this required presentation of &amp;quot;balanced information&amp;quot; is rationally related to the State's legitimate interest in ensuring that the woman's consent is truly informed, Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 830 (O'Connor, J., dissenting), and in addition furthers the State's interest in preserving unborn life. That the information might create some uncertainty and persuade some women to forgo abortions does not lead to the conclusion that the Constitution forbids the provision of such information. Indeed, it only demonstrates that this information might *969 very well make a difference, and that it is therefore relevant to a woman's informed choice. Cf. id., at 801 (White, J., dissenting) (&amp;quot;he ostensible objective of Roe v. Wade is not maximizing the number of abortions, but maximizing choice&amp;quot;). We acknowledge that in Thornburgh this Court struck down informed consent requirements similar to the ones at issue here. See id., at 760-764. It is clear, however, that while the detailed framework of Roe led to the Court's invalidation of those informational requirements, they &amp;quot;would have been sustained under any traditional standard of judicial review, . . . or for any other surgical procedure except abortion.&amp;quot; Webster v. Reproductive Health Services, 492 U. S., at 517 (plurality opinion) (citing Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 802 (White, J., dissenting); id., at 783 (Burger, C. J., dissenting)). In light of our rejection of Roe `s &amp;quot;fundamental right&amp;quot; approach to this subject, we do not regard Thornburgh as controlling.&#xA;&#xA;For the same reason, we do not feel bound to follow this Court's previous holding that a State's 24-hour mandatory waiting period is unconstitutional. See Akron v. Akron Center for Reproductive Health, Inc., supra, at 449-451. Petitioners are correct that such a provision will result in delays for some women that might not otherwise exist, therefore placing a burden on their liberty. But the provision in no way prohibits abortions, and the informed consent and waiting period requirements do not apply in the case of a medical emergency. See 18 Pa. Cons. Stat.  3205(a), (b) (1990). We are of the view that, in providing time for reflection and reconsideration, the waiting period helps ensure that a woman's decision to abort is a well-considered one, and reasonably furthers the State's legitimate interest in maternal health and in the unborn life of the fetus. It &amp;quot;is surely a small cost to impose to ensure that the woman's decision is well considered in light of its certain and irreparable consequences *970 on fetal life, and the possible effects on her own.&amp;quot; 462 U. S., at 474 (O'Connor, J., dissenting).BIn addition to providing her own informed consent, before an unemancipated woman under the age of 18 may obtain an abortion she must either furnish the consent of one of her parents, or must opt for the judicial procedure that allows her to bypass the consent requirement. Under the judicial bypass option, a minor can obtain an abortion if a state court finds that she is capable of giving her informed consent and has indeed given such consent, or determines that an abortion is in her best interests. Records of these court proceedings are kept confidential. The Act directs the state trial court to render a decision within three days of the woman's application, and the entire procedure, including appeal to Pennsylvania Superior Court, is to last no longer than eight business days. The parental consent requirement does not apply in the case of a medical emergency. 18 Pa. Cons. Stat.  3206 (1990). See Appendix to opinion of O'Connor, Kennedy, and Souter, JJ., ante, at 904-906.&#xA;&#xA;This provision is entirely consistent with this Court's previous decisions involving parental consent requirements. See Planned Parenthood Assn. of Kansas City, Mo., Inc. v. Ashcroft, 462 U. S. 476 (1983) (upholding parental consent requirement with a similar judicial bypass option); Akron v. Akron Center for Reproductive Health, Inc., supra, at 439-440 (approving of parental consent statutes that include a judicial bypass option allowing a pregnant minor to &amp;quot;demonstrate that she is sufficiently mature to make the abortion decision herself or that, despite her immaturity, an abortion would be in her best interests&amp;quot;); Bellotti v. Baird, 443 U. S. 622 (1979).&#xA;&#xA;We think it beyond dispute that a State &amp;quot;has a strong and legitimate interest in the welfare of its young citizens, whose immaturity, inexperience, and lack of judgment may sometimes *971 impair their ability to exercise their rights wisely.&amp;quot; Hodgson v. Minnesota, 497 U. S., at 444 (opinion of Stevens, J.). A requirement of parental consent to abortion, like myriad other restrictions placed upon minors in other contexts, is reasonably designed to further this important and legitimate state interest. In our view, it is entirely &amp;quot;rational and fair for the State to conclude that, in most instances, the family will strive to give a lonely or even terrified minor advice that is both compassionate and mature.&amp;quot; Ohio v. Akron Center for Reproductive Health, 497 U. S., at 520 (opinion of Kennedy, J.); see also Planned Parenthood of Central Mo. v. Danforth, 428 U. S., at 91 (Stewart, J., concurring) (&amp;quot;There can be little doubt that the State furthers a constitutionally permissible end by encouraging an unmarried pregnant minor to seek the help and advice of her parents in making the very important decision whether or not to bear a child&amp;quot;). We thus conclude that Pennsylvania's parental consent requirement should be upheld.CSection 3209 of the Act contains the spousal notification provision. It requires that, before a physician may perform an abortion on a married woman, the woman must sign a statement indicating that she has notified her husband of her planned abortion. A woman is not required to notify her husband if (1) her husband is not the father, (2) her husband, after diligent effort, cannot be located, (3) the pregnancy is the result of a spousal sexual assault that has been reported to the authorities, or (4) the woman has reason to believe that notifying her husband is likely to result in the infliction of bodily injury upon her by him or by another individual. In addition, a woman is exempted from the notification requirement in the case of a medical emergency. 18 Pa. Cons. Stat.  3209 (1990). See Appendix to opinion of O'Connor, Kennedy, and Souter, JJ., ante, at 908-909.&#xA;&#xA;*972 We first emphasize that Pennsylvania has not imposed a spousal consent requirement of the type the Court struck down in Planned Parenthood of Central Mo. v. Danforth, 428 U. S., at 67-72. Missouri's spousal consent provision was invalidated in that case because of the Court's view that it unconstitutionally granted to the husband &amp;quot;a veto power exercisable for any reason whatsoever or for no reason at all.&amp;quot; Id., at 71. But the provision here involves a much less intrusive requirement of spousal notification, not consent. Such a law requiring only notice to the husband &amp;quot;does not give any third party the legal right to make the  decision for her, or to prevent her from obtaining an abortion should she choose to have one performed.&amp;quot; Hodgson v. Minnesota, supra, at 496 (Kennedy, J., concurring in judgment in part and dissenting in part); see H. L. v. Matheson, 450 U. S., at 411, n. 17. Danforth thus does not control our analysis. Petitioners contend that it should, however; they argue that the real effect of such a notice requirement is to give the power to husbands to veto a woman's abortion choice. The District Court indeed found that the notification provision created a risk that some woman who would otherwise have an abortion will be prevented from having one. 947 F. 2d, at 712. For example, petitioners argue, many notified husbands will prevent abortions through physical force, psychological coercion, and other types of threats. But Pennsylvania has incorporated exceptions in the notice provision in an attempt to deal with these problems. For instance, a woman need not notify her husband if the pregnancy is the result of a reported sexual assault, or if she has reason to believe that she would suffer bodily injury as a result of the notification. 18 Pa. Cons. Stat.  3209(b) (1990). Furthermore, because this is a facial challenge to the Act, it is insufficient for petitioners to show that the notification provision &amp;quot;might operate unconstitutionally under some conceivable set of circumstances.&amp;quot; United States v. Salerno, 481 U. S. 739, 745 (1987). Thus, it is not enough for petitioners *973 to show that, in some &amp;quot;worst case&amp;quot; circumstances, the notice provision will operate as a grant of veto power to husbands. Ohio v. Akron Center for Reproductive Health, 497 U. S., at 514. Because they are making a facial challenge to the provision, they must &amp;quot;show that no set of circumstances exists under which the  would be valid.&amp;quot; Ibid. (internal quotation marks omitted). This they have failed to do.*974 The question before us is therefore whether the spousal notification requirement rationally furthers any legitimate state interests. We conclude that it does. First, a husband's interests in procreation within marriage and in the potential life of his unborn child are certainly substantial ones. See Planned Parenthood of Central Mo. v. Danforth, 428 U. S., at 69 (&amp;quot;We are not unaware of the deep and proper concern and interest that a devoted and protective husband has in his wife's pregnancy and in the growth and development of the fetus she is carrying&amp;quot;); id., at 93 (White, J., concurring in part and dissenting in part); Skinner v. Oklahoma ex rel. Williamson, 316 U. S., at 541. The State itself has legitimate interests both in protecting these interests of the father and in protecting the potential life of the fetus, and the spousal notification requirement is reasonably related to advancing those state interests. By providing that a husband will usually know of his spouse's intent to have an abortion, the provision makes it more likely that the husband will participate in deciding the fate of his unborn child, a possibility that might otherwise have been denied him. This participation might in some cases result in a decision to proceed with the pregnancy. As Judge Alito observed in his dissent below, &amp;quot;he Pennsylvania legislature could have rationally believed that some married women are initially inclined to obtain an abortion without their husbands' knowledge because of perceived problemssuch as economic constraints, future plans, or the husbands' previously expressed *975 oppositionthat may be obviated by discussion prior to the abortion.&amp;quot; 947 F. 2d, at 726 (opinion concurring in part and dissenting in part).&#xA;&#xA;The State also has a legitimate interest in promoting &amp;quot;the integrity of the marital relationship.&amp;quot; 18 Pa. Cons. Stat.  3209(a) (1990). This Court has previously recognized &amp;quot;the importance of the marital relationship in our society.&amp;quot; Planned Parenthood of Central Mo. v. Danforth, supra, at 69. In our view, the spousal notice requirement is a rational attempt by the State to improve truthful communication between spouses and encourage collaborative decision making, and thereby fosters marital integrity. See Labine v. Vincent, 401 U. S. 532, 538 (1971) (&amp;quot;he power to make rules to establish, protect, and strengthen family life&amp;quot; is committed to the state legislatures). Petitioners argue that the notification requirement does not further any such interest; they assert that the majority of wives already notify their husbands of their abortion decisions, and the remainder have excellent reasons for keeping their decisions a secret. In the first case, they argue, the law is unnecessary, and in the second case it will only serve to foster marital discord and threats of harm. Thus, petitioners see the law as a totally irrational means of furthering whatever legitimate interest the State might have. But, in our view, it is unrealistic to assume that every husband-wife relationship is either (1) so perfect that this type of truthful and important communication will take place as a matter of course, or (2) so imperfect that, upon notice, the husband will react selfishly, violently, or contrary to the best interests of his wife. See Planned Parenthood of Central Mo. v. Danforth, supra, at 103-104 (Stevens, J., concurring in part and dissenting in part) (making a similar point in the context of a parental consent statute). The spousal notice provision will admittedly be unnecessary in some circumstances, and possibly harmful in others, but &amp;quot;the existence of particular cases in which a feature of a statute performs no function (or is even counter productive) *976 ordinarily does not render the statute unconstitutional or even constitutionally suspect.&amp;quot; Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S., at 800 (White, J., dissenting). The Pennsylvania Legislature was in a position to weigh the likely benefits of the provision against its likely adverse effects, and presumably concluded, on balance, that the provision would be beneficial. Whether this was a wise decision or not, we cannot say that it was irrational. We therefore conclude that the spousal notice provision comports with the Constitution. See Harris v. McRae, 448 U. S., at 325-326 (&amp;quot;It is not the mission of this Court or any other to decide whether the balance of competing interests . . . is wise social policy&amp;quot;).DThe Act also imposes various reporting requirements. Section 3214(a) requires that abortion facilities file a report on each abortion performed. The reports do not include the identity of the women on whom abortions are performed, but they do contain a variety of information about the abortions. For example, each report must include the identities of the performing and referring physicians, the gestational age of the fetus at the time of abortion, and the basis for any medical judgment that a medical emergency existed. See 18 Pa. Cons. Stat.  3214(a)(1), (5), (10) (1990). See Appendix to opinion of O'Connor, Kennedy, and Souter, JJ., ante, at 909-911. The District Court found that these reports are kept completely confidential. 947 F. 2d, at 716. We further conclude that these reporting requirements rationally further the State's legitimate interests in advancing the state of medical knowledge concerning maternal health and prenatal life, in gathering statistical information with respect to patients, and in ensuring compliance with other provisions of the Act.&#xA;&#xA;Section 3207 of the Act requires each abortion facility to file a report with its name and address, as well as the names *977 and addresses of any parent, subsidiary, or affiliated organizations. 18 Pa. Cons. Stat.  3207(b) (1990). Section 3214(f) further requires each facility to file quarterly reports stating the total number of abortions performed, broken down by trimester. Both of these reports are available to the public only if the facility received state funds within the preceding 12 months. See Appendix to opinion of O'Connor, Kennedy, and Souter, JJ., ante, at 906, 911. Petitioners do not challenge the requirement that facilities provide this information. They contend, however, that the forced public disclosure of the information given by facilities receiving public funds serves no legitimate state interest. We disagree. Records relating to the expenditure of public funds are generally available to the public under Pennsylvania law. See Pa. Stat. Ann., Tit. 65,  66.1, 66.2 (Purdon 1959 and Supp. 1991-1992). As the Court of Appeals observed, &amp;quot;hen a state provides money to a private commercial enterprise, there is a legitimate public interest in informing taxpayers who the funds are benefiting and what services the funds are supporting.&amp;quot; 947 F. 2d, at 718. These reporting requirements rationally further this legitimate state interest.EFinally, petitioners challenge the medical emergency exception provided for by the Act. The existence of a medical emergency exempts compliance with the Act's informed consent, parental consent, and spousal notice requirements. See 18 Pa. Cons. Stat.  3205(a), 3206(a), 3209(c) (1990). The Act defines a &amp;quot;medical emergency&amp;quot; as&amp;quot;hat condition which, on the basis of the physician's good faith clinical judgment, so complicates the medical condition of a pregnant woman as to necessitate the immediate abortion of her pregnancy to avert her death or for which a delay will create serious risk of substantial *978 and irreversible impairment of major bodily function.&amp;quot;  3203.Petitioners argued before the District Court that the statutory definition was inadequate because it did not cover three serious conditions that pregnant women can suffer preeclampsia, inevitable abortion, and prematurely ruptured membrane. The District Court agreed with petitioners that the medical emergency exception was inadequate, but the Court of Appeals reversed this holding. In construing the medical emergency provision, the Court of Appeals first observed that all three conditions do indeed present the risk of serious injury or death when an abortion is not performed, and noted that the medical profession's uniformly prescribed treatment for each of the three conditions is an immediate abortion. See 947 F. 2d, at 700-701. Finding that &amp;quot;he Pennsylvania legislature did not choose the wording of its medical emergency exception in a vacuum,&amp;quot; the court read the exception as intended &amp;quot;to assure that compliance with its abortion regulations would not in any way pose a significant threat to the life or health of a woman.&amp;quot; Id., at 701. It thus concluded that the exception encompassed each of the three dangerous conditions pointed to by petitioners.&#xA;&#xA;We observe that Pennsylvania's present definition of medical emergency is almost an exact copy of that State's definition at the time of this Court's ruling in Thornburgh, one which the Court made reference to with apparent approval. 476 U. S., at 771 (&amp;quot;It is clear that the Pennsylvania Legislature knows how to provide a medical-emergency exception when it chooses to do so&amp;quot;). We find that the interpretation *979 of the Court of Appeals in these cases is eminently reasonable, and that the provision thus should be upheld. When a woman is faced with any condition that poses a &amp;quot;significant threat to  life or health,&amp;quot; she is exempted from the Act's consent and notice requirements and may proceed immediately with her abortion.IVFor the reasons stated, we therefore would hold that each of the challenged provisions of the Pennsylvania statute is consistent with the Constitution. It bears emphasis that our conclusion in this regard does not carry with it any necessary approval of these regulations. Our task is, as always, to decide only whether the challenged provisions of a law comport with the United States Constitution. If,as we believe,these do,their wisdom as a matter of public policy is for the people of Pennsylvania to decide.Justice Scalia, with whom The Chief Justice, Justice White, and Justice Thomas join, concurring in the judgment in part and dissenting in part.My views on this matter are unchanged from those I set forth in my separate opinions in Webster v. Reproductive Health Services, 492 U. S. 490, 532 (1989) (opinion concurring in part and concurring in judgment), and Ohio v. Akron Center for Reproductive Health, 497 U. S. 502, 520 (1990) (Akron II) (concurring opinion). The States may, if they wish, permit abortion on demand, but the Constitution does not require them to do so. The permissibility of abortion, and the limitations upon it, are to be resolved like most important questions in our democracy: by citizens trying to persuade one another and then voting. As the Court acknowledges, &amp;quot;where reasonable people disagree the government can adopt one position or the other.&amp;quot; Ante, at 851. The Court is correct in adding the qualification that this &amp;quot;assumes a state of affairs in which the choice does not intrude upon a protected liberty,&amp;quot; ibid. but the crucial part of that qualification *980 is the penultimate word. A State's choice between two positions on which reasonable people can disagree is constitutional even when (as is often the case) it intrudes upon a &amp;quot;liberty&amp;quot; in the absolute sense. Laws against bigamy, for examplewith which entire societies of reasonable people disagreeintrude upon men and women's liberty to marry and live with one another. But bigamy happens not to be a liberty specially &amp;quot;protected&amp;quot; by the Constitution.&#xA;&#xA;That is, quite simply, the issue in these cases: not whether the power of a woman to abort her unborn child is a &amp;quot;liberty&amp;quot; in the absolute sense; or even whether it is a liberty of great importance to many women. Of course it is both. The issue is whether it is a liberty protected by the Constitution of the United States. I am sure it is not. I reach that conclusion not because of anything so exalted as my views concerning the &amp;quot;concept of existence, of meaning, of the universe, and of the mystery of human life.&amp;quot; Ibid. Rather, I reach it for the same reason I reach the conclusion that bigamy is not constitutionally protectedbecause of two simple facts: (1) the Constitution says absolutely nothing about it, and (2) the longstanding traditions of American society have permitted it to be legally proscribed.Akron II, supra, at 520 (Scalia, J., concurring).&#xA;&#xA;*981 The Court destroys the proposition, evidently meant to represent my position, that &amp;quot;liberty&amp;quot; includes &amp;quot;only those practices, defined at the most specific level, that were protected against government interference by other rules of law when the Fourteenth Amendment was ratified,&amp;quot; ante, at 847 (citing Michael H. v. Gerald D., 491 U. S. 110, 127, n. 6 (1989) (opinion of Scalia, J.)). That is not, however, what Michael H. says; it merely observes that, in defining &amp;quot;liberty,&amp;quot; we may not disregard a specific, &amp;quot;relevant tradition protecting, or denying protection to, the asserted right,&amp;quot; ibid. But the Court does not wish to be fettered by any such limitations on its preferences. The Court's statement that it is &amp;quot;tempting&amp;quot; to acknowledge the authoritativeness of tradition in order to &amp;quot;cur the discretion of federal judges,&amp;quot; ante, at 847, is of course rhetoric rather than reality; no government official is &amp;quot;tempted&amp;quot; to place restraints upon his own freedom of action, which is why Lord Act on did not say &amp;quot;Power tends to purify.&amp;quot; The Court's temptation is in the quite opposite and more natural directiontowards systematically eliminating checks upon its own power; and it succumbs.&#xA;&#xA;Beyond that brief summary of the essence of my position, I will not swell the United States Reports with repetition of what I have said before; and applying the rational basis test, I would uphold the Pennsylvania statute in its entirety. I must, however, respond to a few of the more outrageous arguments in today's opinion, which it is beyond human nature to leave unanswered. I shall discuss each of them under a quotation from the Court's opinion to which they pertain.&amp;quot;The inescapable fact is that adjudication of sub- stantive due process claims may call upon the Court*982 in interpreting the Constitution to exercise that same capacity which by tradition courts always have exercised: reasoned judgment.&amp;quot; Ante, at 849.Assuming that the question before us is to be resolved at such a level of philosophical abstraction, in such isolation from the traditions of American society, as by simply applying &amp;quot;reasoned judgment,&amp;quot; I do not see how that could possibly have produced the answer the Court arrived at in Roe v. Wade, 410 U. S. 113 (1973). Today's opinion describes the methodology of Roe, quite accurately, as weighing against the woman's interest the State's &amp;quot;`important and legitimate interest in protecting the potentiality of human life.' &amp;quot; Ante, at 871 (quoting Roe, supra, at 162). But &amp;quot;reasoned judgment&amp;quot; does not begin by begging the question, as Roe and subsequent cases unquestionably did by assuming that what the State is protecting is the mere &amp;quot;potentiality of human life.&amp;quot; See, e. g., Roe, supra, at 162; Planned Parenthood of Central Mo. v. Danforth, 428 U. S. 52, 61 (1976); Colautti v. Franklin, 439 U. S. 379, 386 (1979); Akron v. Akron Center for Reproductive Health, Inc., 462 U. S. 416, 428 (1983) (Akron I); Planned Parenthood Assn. of Kansas City, Mo., Inc. v. Ashcroft, 462 U. S. 476, 482 (1983). The whole argument of abortion opponents is that what the Court calls the fetus and what others call the unborn child is a human life. Thus, whatever answer Roe came up with after conducting its &amp;quot;balancing&amp;quot; is bound to be wrong, unless it is correct that the human fetus is in some critical sense merely potentially human. There is of course no way to determine that as a legal matter; it is in fact a value judgment. Some societies have considered newborn children not yet human, or the incompetent elderly no longer so.&#xA;&#xA;The authors of the joint opinion, of course, do not squarely contend that Roe v. Wade was a correct application of &amp;quot;reasoned judgment&amp;quot;; merely that it must be followed, because of stare decisis. Ante, at 853, 861, 871. But in their exhaustive discussion of all the factors that go into the determination *983 of when stare decisis should be observed and when disregarded, they never mention &amp;quot;how wrong was the decision on its face?&amp;quot; Surely, if &amp;quot;he Court's power lies . .. in its legitimacy, a product of substance and perception,&amp;quot; ante, at 865, the &amp;quot;substance&amp;quot; part of the equation demands that plain error be acknowledged and eliminated. Roe was plainly wrongeven on the Court's methodology of &amp;quot;reasoned judgment,&amp;quot; and even more so (of course) if the proper criteria of text and tradition are applied.&#xA;&#xA;The emptiness of the &amp;quot;reasoned judgment&amp;quot; that produced Roe is displayed in plain view by the fact that, after more than 19 years of effort by some of the brightest (and most determined) legal minds in the country, after more than 10 cases upholding abortion rights in this Court, and after dozens upon dozens of amicus briefs submitted in these and other cases, the best the Court can do to explain how it is that the word &amp;quot;liberty&amp;quot; must be thought to include the right to destroy human fetuses is to rattle off a collection of adjectives that simply decorate a value judgment and conceal a political choice. The right to abort, we are told, inheres in &amp;quot;liberty&amp;quot; because it is among &amp;quot;a person's most basic decisions,&amp;quot; ante, at 849; it involves a &amp;quot;most intimate and personal choic,&amp;quot; ante, at 851; it is &amp;quot;central to personal dignity and autonomy,&amp;quot; ibid.; it &amp;quot;originate within the zone of conscience and belief,&amp;quot; ante, at 852; it is &amp;quot;too intimate and personal&amp;quot; for state interference, ibid.; it reflects &amp;quot;intimate views&amp;quot; of a &amp;quot;deep, personal character,&amp;quot; ante, at 853; it involves &amp;quot;intimate relationships&amp;quot; and notions of &amp;quot;personal autonomy and bodily integrity,&amp;quot; ante, at 857; and it concerns a particularly &amp;quot;`important decisio,' &amp;quot; ante, at 859 (citation omitted). But it is *984 obvious to anyone applying &amp;quot;reasoned judgment&amp;quot; that the same adjectives can be applied to many forms of conduct that this Court (including one of the Justices in today's majority, see Bowers v. Hardwick, 478 U. S. 186 (1986)) has held are not entitled to constitutional protectionbecause, like abortion, they are forms of conduct that have long been criminalized in American society. Those adjectives might be applied, for example, to homosexual sodomy, polygamy, adult incest, and suicide, all of which are equally &amp;quot;intimate&amp;quot; and &amp;quot;deep personal&amp;quot; decisions involving &amp;quot;personal autonomy and bodily integrity,&amp;quot; and all of which can constitutionally be proscribed because it is our unquestionable constitutional tradition that they are proscribable. It is not reasoned judgment that supports the Court's decision; only personal predilection. Justice Curtis's warning is as timely today as it was 135 years ago:&amp;quot;hen a strict interpretation of the Constitution, according to the fixed rules which govern the interpretation of laws, is abandoned, and the theoretical opinions of individuals are allowed to control its meaning, we have no longer a Constitution; we are under the government of individual men, who for the time being have power to declare what the Constitution is, according to their own views of what it ought to mean.&amp;quot; Dred Scott v. Sandford, 19 How. 393, 621 (1857) (dissenting opinion). &amp;quot;Liberty finds no refuge in a jurisprudence of doubt.&amp;quot; Ante, at 844.One might have feared to encounter this august and sonorous phrase in an opinion defending the real Roe v. Wade, rather than the revised version fabricated today by the authors *985 of the joint opinion. The shortcomings of Roe did not include lack of clarity: Virtually all regulation of abortion before the third trimester was invalid. But to come across this phrase in the joint opinionwhich calls upon federal district judges to apply an &amp;quot;undue burden&amp;quot; standard as doubtful in application as it is unprincipled in originis really more than one should have to bear.&#xA;&#xA;The joint opinion frankly concedes that the amorphous concept of &amp;quot;undue burden&amp;quot; has been inconsistently applied by the Members of this Court in the few brief years since that &amp;quot;test&amp;quot; was first explicitly propounded by Justice O'Connor in her dissent in Akron I, 462 U. S. 416 (1983). See ante, at 876. Because the three Justices now wish to &amp;quot;set forth a standard of general application,&amp;quot; the joint opinion announces that &amp;quot;it is important to clarify what is meant by an undue burden.&amp;quot; Ibid. I certainly agree with that, but I do not agree that the joint opinion succeeds in the announced endeavor. To the contrary, its efforts at clarification *986 make clear only that the standard is inherently manipulable and will prove hopelessly unworkable in practice.&#xA;&#xA;The joint opinion explains that a state regulation imposes an &amp;quot;undue burden&amp;quot; if it &amp;quot;has the purpose or effect of placing a substantial obstacle in the path of a woman seeking an abortion of a nonviable fetus.&amp;quot; Ante, at 877; see also ante, at 877-879. An obstacle is &amp;quot;substantial,&amp;quot; we are told, if it is &amp;quot;calculated  to inform the woman's free choice,  hinder it.&amp;quot; Ante, at 877. This latter statement cannot *987 possibly mean what it says. Any regulation of abortion that is intended to advance what the joint opinion concedes is the State's &amp;quot;substantial&amp;quot; interest in protecting unborn life will be &amp;quot;calculated  hinder&amp;quot; a decision to have an abortion. It thus seems more accurate to say that the joint opinion would uphold abortion regulations only if they do not unduly hinder the woman's decision. That, of course, brings us right back to square one: Defining an &amp;quot;undue burden&amp;quot; as an &amp;quot;undue hindrance&amp;quot; (or a &amp;quot;substantial obstacle&amp;quot;) hardly &amp;quot;clarifies&amp;quot; the test. Consciously or not, the joint opinion's verbal shell game will conceal raw judicial policy choices concerning what is &amp;quot;appropriate&amp;quot; abortion legislation.&#xA;&#xA;The ultimately standard less nature of the &amp;quot;undue burden&amp;quot; inquiry is a reflection of the underlying fact that the concept has no principled or coherent legal basis. As The Chief Justice points out, Roe `s strict-scrutiny standard &amp;quot;at least had a recognized basis in constitutional law at the time Roe was decided,&amp;quot; ante, at 964, while &amp;quot;he same cannot be said for the `undue burden' standard, which is created largely out of whole cloth by the authors of the joint opinion,&amp;quot; ibid. The joint opinion is flatly wrong in asserting that &amp;quot;our jurisprudence relating to all liberties save perhaps abortion has recognized&amp;quot; the permissibility of laws that do not impose an &amp;quot;undue burden.&amp;quot; Ante, at 873. It argues that the abortion right is similar to other rights in that a law &amp;quot;not designed to strike at the right itself,  has the incidental effect of making it more difficult or more expensive to &amp;quot; is not invalid. Ante, at 874. I agree, indeed I have *988 forcefully urged, that a law of general applicability which places only an incidental burden on a fundamental right does not infringe that right, see R. A. V. v. St. Paul, 505 U. S. 377, 389-390 (1992); Employment Div., Dept. of Human Resources of Ore. v. Smith, 494 U. S. 872, 878-882 (1990), but that principle does not establish the quite different (and quite dangerous) proposition that a law which directly regulates a fundamental right will not be found to violate the Constitution unless it imposes an &amp;quot;undue burden.&amp;quot; It is that, of course, which is at issue here: Pennsylvania has consciously and directly regulated conduct that our cases have held is constitutionally protected. The appropriate analogy, therefore, is that of a state law requiring purchasers of religious books to endure a 24-hour waiting period, or to pay a nominal additional tax of 1. The joint opinion cannot possibly be correct in suggesting that we would uphold such legislation on the ground that it does not impose a &amp;quot;substantial obstacle&amp;quot; to the exercise of First Amendment rights. The &amp;quot;undue burden&amp;quot; standard is not at all the generally applicable principle the joint opinion pretends it to be; rather, it is a unique concept created specially for these cases, to preserve some judicial foothold in this ill-gotten territory. In claiming otherwise, the three Justices show their willingness to place all constitutional rights at risk in an effort to preserve what they deem the &amp;quot;central holding in Roe. &amp;quot; Ante, at 873.&#xA;&#xA;The rootless nature of the &amp;quot;undue burden&amp;quot; standard, a phrase plucked out of context from our earlier abortion decisions, see n. 3, supra, is further reflected in the fact that the joint opinion finds it necessary expressly to repudiate the more narrow formulations used in Justice O'Connor's earlier opinions. Ante, at 876-877. Those opinions stated that a statute imposes an &amp;quot;undue burden&amp;quot; if it imposes &amp;quot;absolute obstacles or severe limitations on the abortion decision,&amp;quot; Akron I, 462 U. S., at 464 (dissenting opinion) (emphasis added); see also Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S. 747, 828 (1986) (dissenting *989 opinion). Those strong adjectives are conspicuously missing from the joint opinion, whose authors have for some unexplained reason now determined that a burden is &amp;quot;undue&amp;quot; if it merely imposes a &amp;quot;substantial&amp;quot; obstacle to abortion decisions. See, e. g., ante, at 895, 901. Justice O'Connor has also abandoned (again without explanation) the view she expressed in Planned Parenthood Assn. of Kansas City, Mo., Inc. v. Ashcroft, 462 U. S. 476 (1983) (dissenting opinion), that a medical regulation which imposes an &amp;quot;undue burden&amp;quot; could nevertheless be upheld if it &amp;quot;reasonably relate to the preservation and protection of maternal health,&amp;quot; id., at 505 (citation and internal quotation marks omitted). In today's version, even health measures will be upheld only &amp;quot;if they do not constitute an undue burden,&amp;quot; ante, at 878 (emphasis added). Gone too is Justice O'Connor's statement that &amp;quot;the State possesses compelling interests in the protection of potential human life . . . throughout pregnancy,&amp;quot; Akron I, supra, at 461 (dissenting opinion) (emphasis added); see also Ashcroft, supra, at 505 (O'Connor, J., concurring in judgment in part and dissenting in part); Thornburgh, supra, at 828 (O'Connor, J., dissenting); instead, the State's interest in unborn human life is stealthily downgraded to a merely &amp;quot;substantial&amp;quot; or &amp;quot;profound&amp;quot; interest, ante, at 876, 878. (That had to be done, of course, since designating the interest as &amp;quot;compelling&amp;quot; throughout pregnancy would have been, shall we say, a &amp;quot;substantial obstacle&amp;quot; to the joint opinion's determined effort to reaffirm what it views as the &amp;quot;central holding&amp;quot; of Roe. See Akron I, 462 U. S., at 420, n. 1.) And &amp;quot;viability&amp;quot; is no longer the &amp;quot;arbitrary&amp;quot; dividing line previously decried by Justice O'Connor in Akron I, id., at 461; the Court now announces that &amp;quot;the attainment of viability may continue to serve as the critical fact,&amp;quot; ante, at 860. It is difficult to *990 maintain the illusion that we are interpreting a Constitution rather than inventing one, when we amend its provisions so breezily.&#xA;&#xA;Because the portion of the joint opinion adopting and describing the undue burden test provides no more useful guidance than the empty phrases discussed above, one must turn to the 23 pages applying that standard to the present facts for further guidance. In evaluating Pennsylvania's abortion law, the joint opinion relies extensively on the factual findings of the District Court, and repeatedly qualifies its conclusions by noting that they are contingent upon the record developed in these cases. Thus, the joint opinion would uphold the 24-hour waiting period contained in the Pennsylvania statute's informed consent provision, 18 Pa. Cons. Stat.  3205 (1990), because &amp;quot;the record evidence shows that in the vast majority of cases, a 24-hour delay does not create any appreciable health risk,&amp;quot; ante, at 885. The three Justices therefore conclude that &amp;quot;on the record before us, . . . we are not convinced that the 24-hour waiting period constitutes an undue burden.&amp;quot; Ante, at 887. The requirement that a doctor provide the information pertinent to informed consent would also be upheld because &amp;quot;there is no evidence on this record that  would amount in practical terms to a substantial obstacle to a woman seeking an abortion.&amp;quot; Ante, at 884. Similarly, the joint opinion would uphold the reporting requirements of the Act,  3207, 3214, because &amp;quot;there is no . . . showing on the record before us&amp;quot; that these requirements constitute a &amp;quot;substantial obstacle&amp;quot; *991 to abortion decisions. Ante, at 901. But at the same time the opinion pointedly observes that these reporting requirements may increase the costs of abortions and that &amp;quot;at some point  could become a substantial obstacle.&amp;quot; Ibid. Most significantly, the joint opinion's conclusion that the spousal notice requirement of the Act, see  3209, imposes an &amp;quot;undue burden&amp;quot; is based in large measure on the District Court's &amp;quot;detailed findings of fact,&amp;quot; which the joint opinion sets out at great length, ante, at 888-891.&#xA;&#xA;I do not, of course, have any objection to the notion that, in applying legal principles, one should rely only upon the facts that are contained in the record or that are properly subject to judicial notice. But what is remarkable about the joint opinion's fact-intensive analysis is that it does not result in any measurable clarification of the &amp;quot;undue burden&amp;quot; standard. Rather, the approach of the joint opinion is, for the most part, simply to highlight certain facts in the record that apparently strike the three Justices as particularly significant in establishing (or refuting) the existence of an undue burden; after describing these facts, the opinion then simply announces that the provision either does or does not impose a &amp;quot;substantial obstacle&amp;quot; or an &amp;quot;undue burden.&amp;quot; See, e. g., ante, at 880, 884-885, 887, 893-894, 895, 901. We do not know whether the same conclusions could have been reached on a different record, or in what respects the record would have had to differ before an opposite conclusion would have been *992 appropriate. The inherently standard less nature of this inquiry invites the district judge to give effect to his personal preferences about abortion. By finding and relying upon the right facts, he can invalidate, it would seem, almost any abortion restriction that strikes him as &amp;quot;undue&amp;quot;subject, of course, to the possibility of being reversed by a court of appeals or Supreme Court that is as unconstrained in reviewing his decision as he was in making it.&#xA;&#xA;To the extent I can discern any meaningful content in the &amp;quot;undue burden&amp;quot; standard as applied in the joint opinion, it appears to be that a State may not regulate abortion in such a way as to reduce significantly its incidence. The joint opinion repeatedly emphasizes that an important factor in the &amp;quot;undue burden&amp;quot; analysis is whether the regulation &amp;quot;prevent a significant number of women from obtaining an abortion,&amp;quot; ante, at 893; whether a &amp;quot;significant number of women . . . are likely to be deterred from procuring an abortion,&amp;quot; ante, at 894; and whether the regulation often &amp;quot;deters&amp;quot; women from seeking abortions, ante, at 897. We are not told, however, what forms of &amp;quot;deterrence&amp;quot; are impermissible or what degree of success in deterrence is too much to be tolerated. If, for example, a State required a woman to read a pamphlet describing, with illustrations, the facts of fetal development before she could obtain an abortion, the effect of such legislation might be to &amp;quot;deter&amp;quot; a &amp;quot;significant number of women&amp;quot; from procuring abortions, thereby seemingly allowing a district judge to invalidate it as an undue burden. Thus, despite flowery rhetoric about the State's &amp;quot;substantial&amp;quot; and &amp;quot;profound&amp;quot; interest in &amp;quot;potential human life,&amp;quot; and criticism of Roe for undervaluing that interest, the joint opinion permits the State to pursue that interest only so long as it is not too successful. As Justice Blackmun recognizes (with evident hope), ante, at 926, the &amp;quot;undue burden&amp;quot; standard may ultimately require the invalidation of each provision upheld today if it can be shown, on a better record, that the State is too effectively &amp;quot;express a preference *993 for childbirth over abortion,&amp;quot; ante, at 883. Reason finds no refuge in this jurisprudence of confusion.&amp;quot;While we appreciate the weight of the arguments . . that Roe should be overruled, the reservations any of us may have in reaffirming the central holding of Roe are outweighed by the explication of individ- ual liberty we have given combined with the force of stare decisis.&amp;quot; Ante, at 853.The Court's reliance upon stare decisis can best be described as contrived. It insists upon the necessity of adhering not to all of Roe, but only to what it calls the &amp;quot;central holding.&amp;quot; It seems to me that stare decisis ought to be applied even to the doctrine of stare decisis, and I confess never to have heard of this new, keep-what-you-want-and-throwaway-the-rest version. I wonder whether, as applied to Marbury v. Madison, 1 Cranch 137 (1803), for example, the new version of stare decisis would be satisfied if we allowed courts to review the constitutionality of only those statutes that (like the one in Marbury) pertain to the jurisdiction of the courts.&#xA;&#xA;I am certainly not in a good position to dispute that the Court has saved the &amp;quot;central holding&amp;quot; of Roe, since to do that effectively I would have to know what the Court has saved, which in turn would require me to understand (as I do not) what the &amp;quot;undue burden&amp;quot; test means. I must confess, however, that I have always thought, and I think a lot of other people have always thought, that the arbitrary trimester framework, which the Court today discards, was quite as central to Roe as the arbitrary viability test, which the Court today retains. It seems particularly ungrateful to carve the trimester framework out of the core of Roe, since its very rigidity (in sharp contrast to the utter indeterminability of the &amp;quot;undue burden&amp;quot; test) is probably the only reason the Court is able to say, in urging stare decisis, that Roe &amp;quot;has in no sense proven `unworkable,' &amp;quot; ante, at 855. I suppose the *994 Court is entitled to call a &amp;quot;central holding&amp;quot; whatever it wants to call a &amp;quot;central holding&amp;quot;which is, come to think of it, perhaps one of the difficulties with this modified version of stare decisis. I thought I might note, however, that the following portions of Roe have not been saved:&#xA;&#xA;Under Roe, requiring that a woman seeking an abortion be provided truthful information about abortion before giving informed written consent is unconstitutional, if the information is designed to influence her choice. Thornburgh, 476 U. S., at 759-765; Akron I, 462 U. S., at 442-445. Under the joint opinion's &amp;quot;undue burden&amp;quot; regime (as applied today, at least) such a requirement is constitutional. Ante, at 881-885.&#xA;&#xA;Under Roe, requiring that information be provided by a doctor, rather than by nonphysician counselors, is unconstitutional. Akron I, supra, at 446-449. Under the &amp;quot;undue burden&amp;quot; regime (as applied today, at least) it is not. Ante, at 884-885.&#xA;&#xA;Under Roe, requiring a 24-hour waiting period between the time the woman gives her informed consent and the time of the abortion is unconstitutional. Akron I, supra, at 449-451. Under the &amp;quot;undue burden&amp;quot; regime (as applied today, at least) it is not. Ante, at 885-887.&#xA;&#xA;Under Roe, requiring detailed reports that include demographic data about each woman who seeks an abortion and various information about each abortion is unconstitutional. Thornburgh, supra, at 765-768. Under the &amp;quot;undue burden&amp;quot; regime (as applied today, at least) it generally is not. Ante, at 900-901.&amp;quot;Where, in the performance of its judicial duties, the Court decides a case in such a way as to resolve the sort of intensely divisive controversy reflected in Roe . . . , its decision has a dimension that the resolu- tion of the normal case does not carry. It is the di- mension present whenever the Court's interpretation of the Constitution calls the contending sides of a*995 national controversy to end their national division by accepting a common mandate rooted in the Con- stitution.&amp;quot; Ante, at 866-867.The Court's description of the place of Roe in the social history of the United States is unrecognizable. Not only did Roe not, as the Court suggests, resolve the deeply divisive issue of abortion; it did more than anything else to nourish it, by elevating it to the national level where it is infinitely more difficult to resolve. National politics were not plagued by abortion protests, national abortion lobbying, or abortion marches on Congress before Roe v. Wade was decided. Profound disagreement existed among our citizens over the issueas it does over other issues, such as the death penaltybut that disagreement was being worked out at the state level. As with many other issues, the division of sentiment within each State was not as closely balanced as it was among the population of the Nation as a whole, meaning not only that more people would be satisfied with the results of state-by-state resolution, but also that those results would be more stable. Pre-Roe, moreover, political compromise was possible.&#xA;&#xA;Roe `s mandate for abortion on demand destroyed the compromises of the past, rendered compromise impossible for the future, and required the entire issue to be resolved uniformly, at the national level. At the same time, Roe created a vast new class of abortion consumers and abortion proponents by eliminating the moral opprobrium that had attached to the act. (&amp;quot;If the Constitution guarantees abortion, how can it be bad?&amp;quot;not an accurate line of thought, but a natural one.) Many favor all of those developments, and it is not for me to say that they are wrong. But to portray Roe as the states manlike &amp;quot;settlement&amp;quot; of a divisive issue, a jurisprudential Peace of Westphalia that is worth preserving, is nothing less than Orwellian. Roe fanned into life an issue that has inflamed our national politics in general, and has obscured with its smoke the selection of Justices to this Court *996 in particular, ever since. And by keeping us in the abortionumpiring business, it is the perpetuation of that disruption, rather than of any Pax Roeana, that the Court's new majority decrees.&amp;quot;o overrule under fire . . . would subvert the Court's legitimacy . . . . &amp;quot;. . . To all those who will be . . . tested by follow- ing, the Court implicitly undertakes to remain stead- fast . . . . The promise of constancy, once given, binds its maker for as long as the power to stand by the decision survives and . . . the commitment  obsolete. . . .&amp;quot; belief in themselves as . . . a people  is not readily separable from their under- standing of the Court invested with the authority to decide their constitutional cases and speak before all others for their constitutional ideals. If the Court's legitimacy should be undermined, then, so would the country be in its very ability to see itself through its constitutional ideals.&amp;quot; Ante, at 867-868.The Imperial Judiciary lives. It is instructive to compare this Nietzschean vision of us unelected, life-tenured judges leading a Volk who will be &amp;quot;tested by following,&amp;quot; and whose very &amp;quot;belief in themselves&amp;quot; is mystically bound up in their &amp;quot;understanding&amp;quot; of a Court that &amp;quot;speak before all others for their constitutional ideals&amp;quot;with the somewhat more modest role envisioned for these lawyers by the Founders.&amp;quot;The judiciary . . . has . . . no direction either of the strength or of the wealth of the society, and can take no active resolution whatever. It may truly be said to have neither Force nor Will, but merely judgment . . . .&amp;quot;The Federalist No. 78, pp. 393-394 (G. Wills ed. 1982). Or, again, to compare this ecstasy of a Supreme Court in which there is, especially on controversial matters, no *997 shadow of change or hint of alteration (&amp;quot;There is a limit to the amount of error that can plausibly be imputed to prior Courts,&amp;quot; ante, at 866), with the more democratic views of a more humble man:&amp;quot;he candid citizen must confess that if the policy of the Government upon vital questions affecting the whole people is to be irrevocably fixed by decisions of the Supreme Court, . . . the people will have ceased to be their own rulers, having to that extent practically resigned their Government into the hands of that eminent tribunal.&amp;quot; A. Lincoln, First Inaugural Address (Mar. 4, 1861), reprinted in Inaugural Addresses of the Presidents of the United States, S. Doc. No. 101-10, p. 139 (1989).It is particularly difficult, in the circumstances of the present decision, to sit still for the Court's lengthy lecture upon the virtues of &amp;quot;constancy,&amp;quot; ante, at 868, of &amp;quot;remain steadfast,&amp;quot; ibid., and adhering to &amp;quot;principle,&amp;quot; ante, passim. Among the five Justices who purportedly adhere to Roe, at most three agree upon the principle that constitutes adherence (the joint opinion's &amp;quot;undue burden&amp;quot; standard)and that principle is inconsistent with Roe. See 410 U. S., at 154-156. To make matters worse, two of the three, in order thus to remain steadfast, had to abandon previously stated positions. See n. 4, supra; see supra, at 988-990. It is beyond me how the Court expects these accommodations to be accepted &amp;quot;as grounded truly in principle, not as compromises with social and political pressures having, as such, no bearing on the principled choices that the Court is obliged to make.&amp;quot; Ante, at 865-866. The only principle the Court &amp;quot;adheres&amp;quot; *998 to, it seems to me, is the principle that the Court must be seen as standing by Roe. That is not a principle of law (which is what I thought the Court was talking about), but a principle of Realpolitikand a wrong one at that.&#xA;&#xA;I cannot agree with, indeed I am appalled by, the Court's suggestion that the decision whether to stand by an erroneous constitutional decision must be strongly influenced against overruling, no lessby the substantial and continuing public opposition the decision has generated. The Court's judgment that any other course would &amp;quot;subvert the Court's legitimacy&amp;quot; must be another consequence of reading the error-filled history book that described the deeply divided country brought together by Roe. In my history book, the Court was covered with dishonor and deprived of legitimacy by Dred Scott v. Sandford, 19 How. 393 (1857), an erroneous (and widely opposed) opinion that it did not abandon, rather than by West Coast Hotel Co. v. Parrish, 300 U. S. 379 (1937), which produced the famous &amp;quot;switch in time&amp;quot; from the Court's erroneous (and widely opposed) constitutional opposition to the social measures of the New Deal. (Both Dred Scott and one line of the cases resisting the New Deal rested upon the concept of &amp;quot;substantive due process&amp;quot; that the Court praises and employs today. Indeed, Dred Scott was &amp;quot;very possibly the first application of substantive due process in the Supreme Court, the original precedent for Lochner v. New York and Roe v. Wade. &amp;quot; D. Currie, The Constitution in the Supreme Court 271 (1985) (footnotes omitted).)&#xA;&#xA;But whether it would &amp;quot;subvert the Court's legitimacy&amp;quot; or not, the notion that we would decide a case differently from the way we otherwise would have in order to show that we can stand firm against public disapproval is frightening. It is a bad enough idea, even in the head of someone like me, who believes that the text of the Constitution, and our traditions, say what they say and there is no fiddling with them. But when it is in the mind of a Court that believes the Constitution *999 has an evolving meaning, see ante, at 848; that the Ninth Amendment's reference to &amp;quot;othe&amp;quot; rights is not a disclaimer, but a charter for action, ibid.; and that the function of this Court is to &amp;quot;speak before all others for  constitutional ideals&amp;quot; unrestrained by meaningful text or traditionthen the notion that the Court must adhere to a decision for as long as the decision faces &amp;quot;great opposition&amp;quot; and the Court is &amp;quot;under fire&amp;quot; acquires a character of almost czarist arrogance. We are offended by these marchers who descend upon us, every year on the anniversary of Roe, to protest our saying that the Constitution requires what our society has never thought the Constitution requires. These people who refuse to be &amp;quot;tested by following&amp;quot; must be taught a lesson. We have no Cossacks, but at least we can stubbornly refuse to abandon an erroneous opinion that we might otherwise changeto show how little they intimidate us.&#xA;&#xA;Of course, as The Chief Justice points out, we have been subjected to what the Court calls &amp;quot;`political pressure' &amp;quot; by both sides of this issue. Ante, at 963. Maybe today's decision not to overrule Roe will be seen as buckling to pressure from that direction. Instead of engaging in the hopeless task of predicting public perceptiona job not for lawyers but for political campaign managersthe Justices should do what is legally right by asking two questions: (1) Was Roe correctly decided? (2) Has Roe succeeded in producing a settled body of law? If the answer to both questions is no, Roe should undoubtedly be overruled.&#xA;&#xA;In truth, I am as distressed as the Court isand expressed my distress several years ago, see Webster, 492 U. S., at 535about the &amp;quot;political pressure&amp;quot; directed to the Court: the marches, the mail, the protests aimed at inducing us to change our opinions. How upsetting it is,that so many of our citizens (good people, not lawless ones, on both sides of this abortion issue, and on various sides of other issues as well) think that we Justices should properly take into account *1000 their views, as though we were engaged not in ascertaining an objective law but in determining some kind of social consensus. The Court would profit, I think, from giving less attention to the fact of this distressing phenomenon, and more attention to the cause of it. That cause permeates today's opinion: a new mode of constitutional adjudication that relies not upon text and traditional practice to determine the law, but upon what the Court calls &amp;quot;reasoned judgment,&amp;quot; ante, at 849, which turns out to be nothing but philosophical predilection and moral intuition. All manner of &amp;quot;liberties,&amp;quot; the Court tells us, inhere in the Constitution and are enforceable by this Courtnot just those mentioned in the text or established in the traditions of our society. Ante, at 847-849. Why even the Ninth Amendmentwhich says only that &amp;quot;he enumeration in the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people&amp;quot;is, despite our contrary understanding for almost 200 years, a literally boundless source of additional, unnamed, unhinted-at &amp;quot;rights,&amp;quot; definable and enforceable by us, through &amp;quot;reasoned judgment.&amp;quot; Ante, at 848-849.&#xA;&#xA;What makes all this relevant to the bothersome application of &amp;quot;political pressure&amp;quot; against the Court are the twin facts that the American people love democracy and the American people are not fools. As long as this Court thought (and the people thought) that we Justices were doing essentially lawyers' work up herereading text and discerning our society's traditional understanding of that textthe public pretty much left us alone. Texts and traditions are facts to study, not convictions to demonstrate about. But if in reality our process of constitutional adjudication consists primarily of making value judgments; if we can ignore a long and clear tradition clarifying an ambiguous text, as we did, for example, five days ago in declaring unconstitutional invocations and benedictions at public high school graduation ceremonies, Lee v. Weisman, 505 U. S. 577 (1992); if, as I say, our pronouncement of constitutional law rests primarily on value *1001 judgments, then a free and intelligent people's attitude towards us can be expected to be (ought to be) quite different. The people know that their value judgments are quite as good as those taught in any law schoolmaybe better. If, indeed, the &amp;quot;liberties&amp;quot; protected by the Constitution are, as the Court says, undefined and unbounded, then the people should demonstrate, to protest that we do not implement their values instead of ours. Not only that, but confirmation hearings for new Justices should deteriorate into questionand-answer sessions in which Senators go through a list of their constituents' most favored and most disfavored alleged constitutional rights, and seek the nominee's commitment to support or oppose them. Value judgments, after all, should be voted on, not dictated; and if our Constitution has somehow accidently committed them to the Supreme Court, at least we can have a sort of plebiscite each time a new nominee to that body is put forward. Justice Blackmun not only regards this prospect with equanimity, he solicits it. Ante, at 943.* * *There is a poignant aspect to today's opinion. Its length, and what might be called its epic tone, suggest that its authors believe they are bringing to an end a troublesome era in the history of our Nation and of our Court. &amp;quot;It is the dimension&amp;quot; of authority, they say, to &amp;quot;cal the contending sides of national controversy to end their national division by accepting a common mandate rooted in the Constitution.&amp;quot; Ante, at 867.&#xA;&#xA;There comes vividly to mind a portrait by Emanuel Leutze that hangs in the Harvard Law School: Roger Brooke Taney, painted in 1859, the 82d year of his life, the 24th of his Chief Justiceship, the second after his opinion in Dred Scott. He is all in black, sitting in a shadowed red armchair, left hand resting upon a pad of paper in his lap, right hand hanging limply, almost lifelessly, beside the inner arm of the chair. He sits facing the viewer and staring straight out. There *1002 seems to be on his face, and in his deep-set eyes, an expression of profound sadness and disillusionment. Perhaps he always looked that way, even when dwelling upon the happiest of thoughts. But those of us who know how the lustre of his great Chief Justiceship came to be eclipsed by Dred Scott cannot help believing that he had that caseits already apparent consequences for the Court and its soon-to-beplayed-out consequences for the Nationburning on his mind. I expect that two years earlier he, too, had thought himself &amp;quot;call the contending sides of national controversy to end their national division by accepting a common mandate rooted in the Constitution.&amp;quot;&#xA;&#xA;It is no more realistic for us in this litigation, than it was for him in that, to think that an issue of the sort they both involvedan issue involving life and death, freedom and subjugationcan be &amp;quot;speedily and finally settled&amp;quot; by the Supreme Court, as President James Buchanan in his inaugural address said the issue of slavery in the territories would be. See Inaugural Addresses of the Presidents of the United States, S. Doc. No. 101-10, p. 126 (1989). Quite to the contrary, by foreclosing all democratic outlet for the deep passions this issue arouses, by banishing the issue from the political forum that gives all participants, even the losers, the satisfaction of a fair hearing and an honest fight, by continuing the imposition of a rigid national rule instead of allowing for regional differences, the Court merely prolongs and intensifies the anguish.&#xA;&#xA;We should get out of this area, where we have no right to be, and where we do neither ourselves nor the country any good by remaining.NOTES  It is sometimes useful to view the issue of stare decisis from a historical perspective. In the last 19 years, 15 Justices have confronted the basic issue presented in Roe v.Wade, 410 U. S. 113 (1973). Of those, 11 have voted as the majority does today: Chief Justice Burger, Justices Douglas, Brennan, Stewart, Marshall, and Powell, and Justices Blackmun, O'Connor, Kennedy, Souter, and myself. Only fourall of whom happen to be on the Court todayhave reached the opposite conclusion.&#xA;&#xA;  Professor Dworkin has made this comment on the issue:&#xA;&#xA;&amp;quot;The suggestion that states are free to declare a fetus a person. . . . assumes that a state can curtail some persons' constitutional rights by adding new persons to the constitutional population. The constitutional rights of one citizen are of course very much affected by who or what else also has constitutional rights, because the rights of others may compete or conflict with his. So any power to increase the constitutional population by unilateral decision would be, in effect, a power to decrease rights the national Constitution grants to others.&#xA;&#xA;&amp;quot;. . . If a state could declare trees to be persons with a constitutional right to life, it could prohibit publishing newspapers or books in spite of the First Amendment's guarantee of free speech, which could not be understood as a license to kill. . . . Once we understand that the suggestion we are considering has that implication, we must reject it. If a fetus is not part of the constitutional population, under the national constitutional arrangement, then states have no power to overrule that national arrangement by themselves declaring that fetuses have rights competitive with the constitutional rights of pregnant women.&amp;quot; Unenumerated Rights: Whether and How Roe Should be Overruled, 59 U. Chi. L. Rev. 381, 400 401 (1992).&#xA;&#xA;  The state interest in protecting potential life may be compared to the state interest in protecting those who seek to immigrate to this country. A contemporary example is provided by the Haitians who have risked the perils of the sea in a desperate attempt to become &amp;quot;persons&amp;quot; protected by our laws. Humanitarian and practical concerns would support a state policy allowing those persons unrestricted entry; countervailing interests in population control support a policy of limiting the entry of these potential citizens. While the state interest in population control might be sufficient to justify strict enforcement of the immigration laws, that interest would not be sufficient to overcome a woman's liberty interest. Thus, a state interest in population control could not justify a state-imposed limit on family size or, for that matter, state-mandated abortions.&#xA;&#xA;  As we noted in that opinion, the State's &amp;quot;legitimate interest in protecting minor women from their own immaturity&amp;quot; distinguished that case from Akron v. Akron Center for Reproductive Health, Inc., 462 U. S. 416 (1983), which involved &amp;quot;a provision that required that mature women, capable of consenting to an abortion, wait 24 hours after giving consent before undergoing an abortion.&amp;quot; Hodgson, 497 U. S., at 449, n. 35.&#xA;&#xA;  The joint opinion's reliance on the indirect effects of the regulation of constitutionally protected activity, see ante, at 873-874, is misplaced; what matters is not only the effect of a regulation but also the reason for the regulation. As I explained in Hodgson:&#xA;&#xA;&amp;quot;In cases involving abortion, as in cases involving the right to travel or the right to marry, the identification of the constitutionally protected interest is merely the beginning of the analysis. State regulation of travel and of marriage is obviously permissible even though a State may not categorically exclude nonresidents from its borders, Shapiro v. Thompson,  394 U. S. 618, 631 (1969), or deny prisoners the right to marry, Turner v. Safley, 482 U. S. 78, 94-99 (1987). But the regulation of constitutionally protected decisions, such as where a person shall reside or whom he or she shall marry, must be predicated on legitimate state concerns other than disagreement with the choice the individual has made. Cf. Turner  v. Safley, supra; Loving v. Virginia, 388 U. S. 1, 12 (1967). In the abortion area, a State may have no obligation to spend its own money, or use its own facilities, to subsidize nontherapeutic abortions for minors or adults. See, e. g., Maher v. Roe, 432 U. S. 464 (1977); cf. Webster v. Reproductive Health Services, 492 U. S. 490, 508-511 (1989); id., at 523-524 (O'Connor, J., concurring in part and concurring in judgment). A State's value judgment favoring childbirth over abortion may provide adequate support for decisions involving such allocation of public funds, but not for simply substituting a state decision for an individual decision that a woman has a right to make for herself. Otherwise, the interest in liberty protected by the Due Process Clause would be a nullity. A state policy favoring childbirth over abortion is not in itself a sufficient justification for overriding the woman's decision or for placing `obstaclesabsolute or otherwisein the pregnant woman's path to an abortion.' &amp;quot; 497 U. S., at 435.&#xA;&#xA;  The meaning of any legal standard can only be understood by reviewing the actual cases in which it is applied. For that reason, I discount both Justice Scalia's comments on past descriptions of the standard, see post, at 988-990 (opinion concurring in judgment in part and dissenting in part), and the attempt to give it crystal clarity in the joint opinion. The several opinions supporting the judgment in Griswold v. Connecticut, 381 U. S. 479 (1965), are less illuminating than the central holding of the case, which appears to have passed the test of time. The future may also demonstrate that a standard that analyzes both the severity of a regulatory burden and the legitimacy of its justification will provide a fully adequate framework for the review of abortion legislation even if the contours of the standard are not authoritatively articulated in any single opinion.&#xA;&#xA;  U. S. Dept. of Commerce, Bureau of the Census, Statistical Abstract of the United States 71 (111th ed. 1991).&#xA;&#xA;  Although I agree that a parental-consent requirement (with the appropriate bypass) is constitutional, I do not join Part VD of the joint opinion because its approval of Pennsylvania's informed parental-consent requirement is based on the reasons given in Part VB, with which I disagree.BLACKMUN CONCURRENCE/DISSENT FOOTNOTE  As I shall explain, the joint opinion and I disagree on the appropriate standard of review for abortion regulations. I do agree, however, that the reasons advanced by the joint opinion suffice to invalidate the spousal notification requirement under a strict scrutiny standard.&#xA;&#xA;  I also join the Court's decision to uphold the medical emergency provision. As the Court notes, its interpretation is consistent with the essential holding ofRoe that &amp;quot;forbids a State to interfere with a woman's choice to undergo an abortion procedure if continuing her pregnancy would constitute a threat to her health.&amp;quot; Ante, at 880. As is apparent in my analysis below, however, this exception does not render constitutional the provisions which I conclude do not survive strict scrutiny.&#xA;&#xA;  As the joint opinion acknowledges, ante, at 857, this Court has recognized the vital liberty interest of persons in refusing unwanted medical treatment. Cruzan v. Director, Mo. Dept. of Health, 497 U. S. 261 (1990). Just as the Due Process Clause protects the deeply personal decision of the individual to refuse medical treatment, it also must protect the deeply personal decision to obtain medical treatment, including a woman's decision to terminate a pregnancy.&#xA;&#xA;  A growing number of commentators are recognizing this point. See, e. g., L. Tribe, American Constitutional Law  15-10, pp. 1353-1359 (2d ed. 1988); Siegel, Reasoning from the Body: A Historical Perspective on Abortion Regulation and Questions of Equal Protection, 44 Stan. L. Rev. 261, 350-380 (1992); Sunstein, Neutrality in Constitutional Law (With Special Reference to Pornography, Abortion, and Surrogacy), 92 Colum. L. Rev. 1, 31-44 (1992); cf. Rubenfeld, The Right of Privacy, 102 Harv. L. Rev. 737, 788-791 (1989) (similar analysis under the rubric of privacy); MacKinnon, Reflections on Sex Equality Under Law, 100 Yale L. J. 1281, 1308-1324 (1991).&#xA;&#xA;  To say that restrictions on a right are subject to strict scrutiny is not to say that the right is absolute. Regulations can be upheld if they have no significant impact on the woman's exercise of her right and are justified by important state health objectives. See, e. g., Planned Parenthood of Central Mo. v. Danforth, 428 U. S. 52, 65-67, 79-81 (1976) (upholding requirements of a woman's written consent and record keeping). But the Court today reaffirms the essential principle of Roe that a woman has the right &amp;quot;to choose to have an abortion before viability and to obtain it without undue interference from the State.&amp;quot; Ante, at 846. Under Roe, any more than de minimis interference is undue.&#xA;&#xA;  The joint opinion agrees with Roe`s conclusion that viability occurs at 23 or 24 weeks at the earliest. Compare ante, at 860, with Roe v. Wade, 410 U. S. 113, 160 (1973).&#xA;&#xA;  While I do not agree with the joint opinion's conclusion that these provisions should be upheld, the joint opinion has remained faithful to principles this Court previously has announced in examining counseling provisions. For example, the joint opinion concludes that the &amp;quot;information the State requires to be made available to the woman&amp;quot; must be &amp;quot;truthful and not misleading.&amp;quot; Ante, at 882. Because the State's information must be &amp;quot;calculated to inform the woman's free choice, not hinder it,&amp;quot; ante, at 877, the measures must be designed to ensure that a woman's choice is &amp;quot;mature and informed,&amp;quot; ante, at 883, not intimidated, imposed, or impelled. To this end, when the State requires the provision of certain information, the State may not alter the manner of presentation in order to inflict &amp;quot;psychological abuse,&amp;quot; ante, at 893, designed to shock or unnerve a woman seeking to exercise her liberty right. This, for example, would appear to preclude a State from requiring a woman to view graphic literature or films detailing the performance of an abortion operation. Just as a visual preview of an operation to remove an appendix plays no part in a physician's securing informed consent to an appendectomy, a preview of scenes appurtenant to any major medical intrusion into the human body does not constructively inform the decision of a woman of the State's interest in the preservation of the woman's health or demonstrate the State's &amp;quot;profound respect for the life of the unborn.&amp;quot; Ante, at 877.&#xA;&#xA;  The Court's decision in Hodgson v. Minnesota, 497 U. S. 417 (1990), validating a 48-hour waiting period for minors seeking an abortion to permit parental involvement does not alter this conclusion. Here the 24-hour delay is imposed on an adult woman. See id., at 449-450, n. 35; Ohio v. Akron Center for Reproductive Health, Inc., 497 U. S. 502 (1990). Moreover, the statute in Hodgson did not require any delay once the minor obtained the affirmative consent of either a parent or the court.&#xA;&#xA;  Because this information is so widely known, I am confident that a developed record can be made to show that the 24-hour delay, &amp;quot;in a large fraction of the cases in which  is relevant, . . . will operate as a substantial obstacle to a woman's choice to undergo an abortion.&amp;quot; Ante, at 895.&#xA;&#xA;  The judicial-bypass provision does not cure this violation.Hodgson is distinguishable, since these cases involve more than parental involvement or approvalrather, the Pennsylvania law requires that the parent receive information designed to discourage abortion in a face-to-face meeting with the physician. The bypass procedure cannot ensure that the parent would obtain the information, since in many instances, the parent would not even attend the hearing. A State may not place any restriction on a young woman's right to an abortion,however irrational,simply because it has provided a judicial bypass.&#xA;&#xA;  Obviously, I do not share The Chief Justice's views of homosexuality as sexual deviance. See Bowers, 478 U. S., at 202-203, n. 2.&#xA;&#xA;  Justice Scalia urges the Court to &amp;quot;get out of this area,&amp;quot; post, at 1002, and leave questions regarding abortion entirely to the States, post, at 999-1000. Putting aside the fact that what he advocates is nothing short of an abdication by the Court of its constitutional responsibilities, Justice Scalia is uncharacteristically naive if he thinks that overruling Roe and holding that restrictions on a woman's right to an abortion are subject only to rational-basis review will enable the Court henceforth to avoid reviewing abortion-related issues. State efforts to regulate and prohibit abortion in a post-Roe world undoubtedly would raise a host of distinct and important constitutional questions meriting review by this Court. For example, does the Eighth Amendment impose any limits on the degree or kind of punishment a State can inflict upon physicians who perform, or women who undergo, abortions? What effect would differences among States in their approaches to abortion have on a woman's right to engage in interstate travel? Does the First Amendment permit States that choose not to criminalize abortion to ban all advertising providing information about where and how to obtain abortions?REHNQUIST CONCURRENCE/DISSENT FOOTNOTES  Two years after Roe, the West German constitutional court, by contrast, struck down a law liberalizing access to abortion on the grounds that life developing within the womb is constitutionally protected. Judgment of February 25, 1975, 39 BVerfGE 1 (translated in Jonas &amp;amp; Gorby, West German Abortion Decision: A Contrast to Roe v. Wade, 9 John Marshall J. Prac. &amp;amp; Proc. 605 (1976)). In 1988, the Canadian Supreme Court followed reasoning similar to that of Roe in striking down a law that restricted abortion. Morgentaler v. Queen, 1 S. C. R. 30, 44 D. L. R. 4th 385 (1988).&#xA;&#xA;  The joint opinion of Justices O'Connor, Kennedy, and Souter appears to ignore this point in concluding that the spousal notice provision imposes an undue burden on the abortion decision. Ante, at 887-898. In most instances the notification requirement operates without difficulty. As the District Court found, the vast majority of wives seeking abortions notify and consult with their husbands, and thus suffer no burden as a result of the provision. 744 F. Supp. 1323, 1360 (ED Pa. 1990). In other instances where a woman does not want to notify her husband, the Act provides exceptions. For example, notification is not required if the husband is not the father, if the pregnancy is the result of a reported spousal sexual assault, or if the woman fears bodily injury as a result of notifying her husband. Thus, in these instances as well, the notification provision imposes no obstacle to the abortion decision.&#xA;&#xA;The joint opinion puts to one side these situations where the regulation imposes no obstacle at all,and instead focuses on the group of married women who would not otherwise notify their husbands and who do not qualify for one of the exceptions. Having narrowed the focus, the joint opinion concludes that in a &amp;quot;large fraction&amp;quot; of those cases, the notification provision operates as a substantial obstacle, ante, at 895, and that the provision is therefore invalid. There are certainly instances where a woman would prefer not to notify her husband, and yet does not qualify for an exception. For example, there are the situations of battered women who fear psychological abuse or injury to their children as a result of notification; because in these situations the women do not fear bodily injury, they do not qualify for an exception. And there are situations where a woman has become pregnant as a result of an unreported spousal sexual assault; when such an assault is unreported, no exception is available. But, as the District Court found, there are also instances where the woman prefers not to notify her husband for a variety of other reasons. See 744 F. Supp., at 1360. For example, a woman might desire to obtain an abortion without her husband's knowledge because of perceived economic constraints or her husband's previously expressed opposition to abortion. The joint opinion concentrates on the situations involving battered women and unreported spousal assault, and assumes, without any support in the record, that these instances constitute a &amp;quot;large fraction&amp;quot; of those cases in which women prefer not to notify their husbands (and do not qualify for an exception). Ante, at 895. This assumption is not based on any hard evidence, however. And were it helpful to an attempt to reach a desired result, one could just as easily assume that the battered women situations form 100 percent of the cases where women desire not to notify, or that they constitute only 20 percent of those cases. But reliance on such speculation is the necessary result of adopting the undue burden standard.&#xA;&#xA;  The definition in use at that time provided as follows:&#xA;&#xA;&amp;quot;`Medical emergency.'That condition which, on the basis of the physician's best clinical judgment, so complicates a pregnancy as to necessitate the immediate abortion of same to avert the death of the mother or for which a 24-hour delay will create grave peril of immediate and irreversible loss of major bodily function.&amp;quot; Pa. Stat.Ann., Tit.18,  3203(Purdon 1983).SCALIA CONCURRENCE/DISSENT FOOTNOTES  The Court's suggestion, ante, at 847-848, that adherence to tradition would require us to uphold laws against interracial marriage is entirely wrong. Any tradition in that case was contradicted by a text an Equal Protection Clause that explicitly establishes racial equality as a constitutional value. See Loving v. Virginia, 388 U. S. 1, 9 (1967) (&amp;quot;In the case at bar, . . . we deal with statutes containing racial classifications, and the fact of equal application does not immunize the statute from the very heavy burden of justification which the Fourteenth Amendment has traditionally required of state statutes drawn according to race&amp;quot;); see also id., at 13 (Stewart, J., concurring in judgment). The enterprise launched in Roe v. Wade, 410 U. S. 113 (1973), by contrast, sought to establish in the teeth of a clear, contrary traditiona value found nowhere in the constitutional text.&#xA;&#xA;There is, of course, no comparable tradition barring recognition of a &amp;quot;liberty interest&amp;quot; in carrying one's child to term free from state efforts to kill it. For that reason, it does not follow that the Constitution does not protect childbirth simply because it does not protect abortion. The Court's contention, ante, at 859, that the only way to protect childbirth is to protect abortion shows the utter bankruptcy of constitutional analysis deprived of tradition as a validating factor.It drives one to say that the only way to protect the right to eat is to acknowledge the constitutional right to starve oneself to death.&#xA;&#xA;  Justice Blackmun's parade of adjectives is similarly empty: Abortion is among &amp;quot;`the most intimate and personal choices,' &amp;quot;ante, at 923; it is a matter &amp;quot;central to personal dignity and autonomy,&amp;quot; ibid.; and it involves &amp;quot;personal decisions that profoundly affect bodily integrity,identity,and destiny,&amp;quot; ante, at 927.Justice Stevens is not much less conclusory: The decision to choose abortion is a matter of &amp;quot;the highest privacy and the most personal nature,&amp;quot; ante, at 915; it involves a &amp;quot;`difficult choice having serious and personal consequences of major importance to  future,' &amp;quot; ante, at 916; the authority to make this &amp;quot;traumatic and yet empowering decisio&amp;quot; is &amp;quot;an element of basic human dignity,&amp;quot; ibid.; and it is &amp;quot;nothing less than a matter of conscience,&amp;quot; ibid.&#xA;&#xA;  The joint opinion is clearly wrong in asserting, ante, at 874, that &amp;quot;the Court's early abortion cases adhered to&amp;quot; the &amp;quot;undue burden&amp;quot; standard. The passing use of that phrase in Justice Blackmun's opinion for the Court in Bellotti v. Baird, 428 U. S. 132, 147 (1976) (Bellotti I), was not by way of setting forth the standard of unconstitutionality, as Justice O'Connor's later opinions did, but by way of expressing the conclusion of unconstitutionality. Justice Powell for a time appeared to employ a variant of &amp;quot;undue burden&amp;quot; analysis in several non majority opinions, see, e. g., Bellotti v. Baird, 443 U. S. 622, 647 (1979) (Bellotti II); Carey v. Population Services International, 431 U. S. 678, 705 (1977) (opinion concurring in part and concurring in judgment), but he too ultimately rejected that standard in his opinion for the Court in Akron v. Akron Center for Reproductive Health, Inc., 462 U. S. 416, 420, n. 1 (1983) (Akron I) . The joint opinion's reliance on Maher v. Roe, 432 U. S. 464, 473 (1977), and Harris v. McRae, 448 U. S. 297, 314 (1980), is entirely misplaced, since those cases did not involve regulation of abortion, but mere refusal to fund it. In any event, Justice O'Connor's earlier formulations have apparently now proved unsatisfactory to the three Justices, whoin the name of stare decisis no lesstoday find it necessary to devise an entirely new version of &amp;quot;undue burden&amp;quot; analysis. See ante, at 877-879.&#xA;&#xA;  The joint opinion further asserts that a law imposing an undue burden on abortion decisions is not a &amp;quot;permissible&amp;quot; means of serving &amp;quot;legitimate&amp;quot; state interests. Ante, at 877. This description of the undue burden standard in terms more commonly associated with the rational-basis test will come as a surprise even to those who have followed closely our wanderings in this forsaken wilderness. See, e. g., Akron I, supra, at 463 (O'Connor, J., dissenting) (&amp;quot;The `undue burden' . . . represents the required threshold inquiry that must be conducted before this Court can require a State to justify its legislative actions under the exacting `compelling state interest' standard&amp;quot;); see also Hodgson v. Minnesota, 497 U. S. 417, 458-460 (1990) (O'Connor, J., concurring in part and concurring in judgment in part); Thornburgh v. American College of Obstetricians and Gynecologists, 476 U. S. 747, 828 (1986) (O'Connor, J., dissenting). This confusing equation of the two standards is apparently designed to explain how one of the Justices who joined the plurality opinion in Webster v. Reproductive Health Services, 492 U. S. 490 (1989), which adopted the rational-basis test, could join an opinion expressly adopting the undue burden test. See id., at 520 (rejecting the view that abortion is a &amp;quot;fundamental right,&amp;quot; instead inquiring whether a law regulating the woman's &amp;quot;liberty interest&amp;quot; in abortion is &amp;quot;reasonably designed&amp;quot; to further &amp;quot;legitimate&amp;quot; state ends). The same motive also apparently underlies the joint opinion's erroneous citation of the plurality opinion in Ohio v. Akron Center for Reproductive Health, 497 U. S. 502, 506 (1990) (Akron II) (opinion of Kennedy, J.), as applying the undue burden test. See ante, at 876 (using this citation to support the proposition that &amp;quot;two of us&amp;quot;i. e., two of the authors of the joint opinionhave previously applied this test). In fact, Akron II does not mention the undue burden standard until the conclusion of the opinion, when it states that the statute at issue &amp;quot;does not impose an undue, or otherwise unconstitutional, burden.&amp;quot; 497 U. S., at 519 (emphasis added). I fail to see how anyone can think that saying a statute does not impose an unconstitutional burden under any standard, including the undue burden test, amounts to adopting the undue burden test as the exclusive standard. The Court's citation of Hodgson as reflecting Justice Kennedy's and Justice O'Connor's &amp;quot;shared premises,&amp;quot; ante, at 878, is similarly inexplicable, since the word &amp;quot;undue&amp;quot; was never even used in the former's opinion in that case.I joined Justice Kennedy's opinions in both Hodgson and Akron II; I should be grateful, I suppose, that the joint opinion does not claim that I, too, have adopted the undue burden test.&#xA;&#xA;  Of course Justice O'Connor was correct in her former view. The arbitrariness of the viability line is confirmed by the Court's inability to offer any justification for it beyond the conclusory assertion that it is only at that point that the unborn child's life &amp;quot;can in reason and all fairness&amp;quot; be thought to override the interests of the mother. Ante, at 870. Precisely why is it that, at the magical second when machines currently in use (though not necessarily available to the particular woman) are able to keep an unborn child alive apart from its mother, the creature is suddenly able (under our Constitution) to be protected by law, whereas before that magical second it was not? That makes no more sense than according infants legal protection only after the point when they can feed themselves.&#xA;&#xA;  The joint opinion is not entirely faithful to this principle, however. In approving the District Court's factual findings with respect to the spousal notice provision, it relies extensively on nonrecord materials, and in reliance upon them adds a number of factual conclusions of its own. Ante, at 891-893. Because this additional factfinding pertains to matters that surely are &amp;quot;subject to reasonable dispute,&amp;quot; Fed. Rule Evid. 201(b), the joint opinion must be operating on the premise that these are &amp;quot;legislative&amp;quot; rather than &amp;quot;adjudicative&amp;quot; facts, see Rule 201(a). But if a court can find an undue burden simply by selectively string-citing the right social science articles, I do not see the point of emphasizing or requiring &amp;quot;detailed factual findings&amp;quot; in the District Court.&#xA;&#xA;  Justice Blackmun's effort to preserve as much of Roe as possible leads him to read the joint opinion as more &amp;quot;constan&amp;quot; and &amp;quot;steadfast&amp;quot; than can be believed. He contends that the joint opinion's &amp;quot;undue burden&amp;quot; standard requires the application of strict scrutiny to &amp;quot;all non-de-minimis &amp;quot; abortion regulations, ante, at 926, but that could only be true if a &amp;quot;substantial obstacle,&amp;quot; ante, at 877 (joint opinion), were the same thing as a nonde-minimis obstaclewhich it plainly is not." PRODUCER="Hospital Records Limited" COVERARTID="007/HEYWAECDDDPGZCNCSRIIASCV0WYD" PLAYCOUNT="1" PLAYTIME="259" PLAYTIME_FLOAT="258.649261" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2022/1/1" FLAGS="12" FILESIZE="35081"></INFO>
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<INFO BITRATE="999270" KEY_LYRICS="12 ContributorsThe Devil Glitch Lyrics&#xA;Sometimes you can fix something by just being a prick&#xA;Winning by intimidation&#xA;&#xA;&#xA;Sometimes you can fix something by just lifting your skirt&#xA;It's the ultimate distraction&#xA;&#xA;&#xA;I poke button&#xA;I want action&#xA;Let's hear some gears and see some smoke&#xA;No dilly-dally&#xA;Move your heinie&#xA;This is the age of &amp;quot;go for broke&amp;quot;&#xA;&#xA;&#xA;Sometimes you can fix something by just kissing some ass&#xA;If you don't mind humiliation&#xA;Sometimes you can fix something by just smoking a pipe&#xA;Academic contemplation&#xA;&#xA;&#xA;&#xA;So pathetic&#xA;No mechanic&#xA;&#xA;No steady eye, no magic touch&#xA;&#xA;No screwdriver&#xA;&#xA;Ball-peen hammer&#xA;&#xA;And Mr. Fix-it's gone to lunch&#xA;&#xA;&#xA;&#xA;Not personal?&#xA;&#xA;Yeah it's personal&#xA;&#xA;What did I ever do to you?&#xA;&#xA;No crap from&#xA;&#xA;Contraptions&#xA;&#xA;Just do what I tell you to do&#xA;&#xA;&#xA;Sometimes you can fix something by just blaming your mom&#xA;&#xA;Everybody loves a victim&#xA;&#xA;Sometimes you can fix something by just cracking a joke&#xA;&#xA;Humor is greasy lubrication&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just cooking the books&#xA;&#xA;Wealth is all about perception&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just smoking a joint&#xA;&#xA;Stoner free association&#xA;&#xA;&#xA;&#xA;Broke down, lifeless&#xA;&#xA;Junkyard worthless&#xA;No tweezer Jesus in the house&#xA;&#xA;So desperate&#xA;&#xA;So dependent&#xA;&#xA;Pay any price to dope it out&#xA;&#xA;&#xA;&#xA;I want genius&#xA;&#xA;I wanna suss&#xA;&#xA;The perfect kluge, the devil glitch&#xA;&#xA;Oh, hosanna&#xA;&#xA;Socket messiah&#xA;&#xA;The only Jesus worth a shit&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just building a ramp&#xA;&#xA;If you have that inclination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just sitting around&#xA;&#xA;Solutions come from relaxation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just blowing it up&#xA;&#xA;The world reacts to provocation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just takin' it slow&#xA;&#xA;Our culture loves procrastination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just hurrying up&#xA;&#xA;We worship instant solutions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just looking away&#xA;&#xA;Zen Buddhist inattention&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a mistake&#xA;&#xA;Don't get too hung-up on perfection&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just doing it right&#xA;&#xA;Craftsmanship demands precision&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with total control&#xA;&#xA;Aim plan for global domination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just playing along&#xA;&#xA;Give 'em enough rope to hang 'em&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by working like hell&#xA;&#xA;That will not hurt your reputation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not working too hard&#xA;&#xA;Burn-out is a real problem&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having faith&#xA;&#xA;Sometimes miracles can happen&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying a prayer&#xA;&#xA;Wait for divine intervention&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just trusting your luck&#xA;&#xA;Roll them bones and see what happens&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a cheat&#xA;&#xA;Mastermind the final outcome&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being tough&#xA;&#xA;You gotta learn to take rejection&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being scared&#xA;&#xA;Hereos never seem to live long&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a class&#xA;&#xA;Learn new techniques, new information&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just building a wall&#xA;&#xA;There's such a thing as too much freedom&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just tightening your belt&#xA;&#xA;Learn to live within restrictions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just busting loose&#xA;&#xA;Don't let 'em squish your self-expression&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just shutting up&#xA;&#xA;Let someone smarter do the talking&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just coming in last&#xA;&#xA;But wait till next season&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just holding out&#xA;&#xA;Wear away the opposition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a fool&#xA;&#xA;Innocence trumps sophistication&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing the law&#xA;&#xA;When they try and pull a fast one&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just screening your calls&#xA;&#xA;They're always trying to sell you something&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just washing your hands&#xA;&#xA;Eliminate contamination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just wearing a mask&#xA;&#xA;Sometimes it's best to keep 'em guessing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going to hell&#xA;&#xA;Pave it with the best intentions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just telling all&#xA;&#xA;Exorcize your deepest demons&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying no&#xA;&#xA;Take an intractable position&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying yes&#xA;&#xA;If they can meet all your conditions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just the right spin&#xA;&#xA;Make 'em question what they're seeing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing your mind&#xA;&#xA;There's nothing wrong with indecision&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just building a fort&#xA;&#xA;Hunker down for the duration&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing sides&#xA;&#xA;If you can't beat 'em, join 'em&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting laid&#xA;&#xA;Orgasm releases tension&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just jacking off&#xA;&#xA;You can't get AIDS from masturbation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting drunk&#xA;&#xA;A cure for mental constipation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having one drink&#xA;&#xA;Everything in moderation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking the heat&#xA;&#xA;Or get out of the kitchen&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just passing the buck&#xA;&#xA;Blame it on another person&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just turning around&#xA;&#xA;Try a mid-course correction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just trying to cope&#xA;&#xA;With patience, tact and stoicism&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just starting to cry&#xA;&#xA;People can't take raw emotions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by running from your past&#xA;&#xA;Join the French Foreign Legion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just turning a knob&#xA;&#xA;Volume is a weapon&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just toning it down&#xA;&#xA;Too much too fast might overwhelm 'em&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just giving a gift&#xA;&#xA;Mollify the opposition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking it back&#xA;&#xA;You don't wanna spoil them&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just playing dumb&#xA;&#xA;Try to get off with a warning&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being sharp&#xA;&#xA;Stall with a brilliant explanation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going to church, come on&#xA;&#xA;Maybe God will pay attention&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not going to church, come on&#xA;&#xA;I've met too many evil Christians&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by being against, against the establishment of the church&#xA;&#xA;Antidisestablishmentarianism&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just suing the son of a bitch&#xA;&#xA;Tie him up in litigation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going home&#xA;&#xA;Maybe the answer's back in Cleveland&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by hot-wiring the fuse&#xA;&#xA;Though you may risk electrocution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a better glue&#xA;&#xA;High coefficient of adhesion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just paying 'em off&#xA;&#xA;Then get on with what you're doing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not being home&#xA;&#xA;Avoid unwanted solicitations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having the stones&#xA;&#xA;If you can't get no satisfaction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just listening to The Who&#xA;&#xA;Sing &amp;quot;my-my-my gen-gen-generation&amp;quot;&#xA;&#xA;&#xA;&#xA;Sometimes you can't fix something by just playing pinball&#xA;&#xA;Though Tommy's such a stupid album&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just speaking your mind&#xA;&#xA;That right is in the constitution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just biting your tongue&#xA;&#xA;They say silence is golden&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just writing a book&#xA;&#xA;Go on talk shows 'round the nation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just reading a book&#xA;&#xA;Turn off that goddamn television&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having a snack&#xA;&#xA;Hunger wrecks your concentration&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just wondering why&#xA;&#xA;Ain't no harm in asking&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not wondering why&#xA;&#xA;'Cause sometimes answers are a prison&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just buying the beer&#xA;&#xA;Get to know your new companions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a trip&#xA;&#xA;The greatest place on Earth is Iceland&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just spinning your wheels&#xA;&#xA;Sometimes the thing to do is nothing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just spinning your wheels&#xA;&#xA;Heat 'em up for better traction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just oiling your wheels&#xA;&#xA;A little grease reduces friction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just trusting yourself&#xA;&#xA;Listen to your intuition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a tin can&#xA;&#xA;A West Virginia exhaust system&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just pulling that switch&#xA;&#xA;Justice is served by execution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just drawing the line&#xA;&#xA;There is a limit to your patience&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just the right phrase&#xA;&#xA;Come up with a catchy slogan&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing one word&#xA;&#xA;That's how a thought becomes a poem&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just buying some time&#xA;&#xA;Let things settle down some&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being crude&#xA;&#xA;Dirty jokes help male bonding&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just pulling some strings&#xA;&#xA;Set things into motion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having the clout&#xA;&#xA;The juice to get the job done&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just pulling rank&#xA;&#xA;Declare an end to the discussion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just giving 'em lip&#xA;&#xA;There's power in sarcasm&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just showing respect&#xA;&#xA;If they deserve it, give 'em some&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just flipping 'em the bird&#xA;&#xA;Though that invites retaliation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a little paint&#xA;&#xA;Cover up those imperfections&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by throwing the baby out with the bathwater&#xA;&#xA;A cliché's okay if it's a good one&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a good excuse&#xA;&#xA;Say you were kidnapped by martians&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a vote&#xA;&#xA;Settle on a course of action&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a poll&#xA;&#xA;But rig it with tricky questions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just carrying a spare&#xA;&#xA;Crucial gear often malfunctions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being vague&#xA;&#xA;People will look for hidden meanings&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing some dirt&#xA;&#xA;Blackmail's nasty but effective&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just standing firm&#xA;&#xA;Achieve your objective&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just stepping back&#xA;&#xA;See it from a new perspective&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just letting go&#xA;&#xA;Don't be too over-protective&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just telling the truth&#xA;&#xA;Though that's totally subjective&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just telling the truth&#xA;&#xA;Honesty is such a rare thing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just telling the truth&#xA;&#xA;Subject to verification&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not telling the truth&#xA;&#xA;What they don't know won't 'em&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not knowing the truth&#xA;&#xA;We all live with our delusions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by keeping the truth to yourself&#xA;&#xA;Don't shatter people's illusions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a pill&#xA;&#xA;Then call me in the morning&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a roux&#xA;&#xA;That's how I once saved thanksgiving&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just dropping a bomb&#xA;&#xA;Teach the bastards a lesson&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just throwing a fit&#xA;&#xA;Ventilate all your frustrations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just eating some meat&#xA;&#xA;Protein's a part of good nutrition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just eating some meat&#xA;&#xA;Vegetarians are boring&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not eating some meat&#xA;&#xA;Cow farts are ruining the ozone&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a break&#xA;&#xA;Just be ready when it happens&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just sitting still&#xA;&#xA;Wait for that flash of inspiration&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just sitting real still&#xA;&#xA;They call that &amp;quot;playing possum&amp;quot;&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by going to the source&#xA;&#xA;Some things get lost in the translation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a link&#xA;&#xA;That's called concatenation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being strange&#xA;&#xA;Beyond all classification&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just branching out&#xA;&#xA;If you can get good distribution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just hitting control-s&#xA;&#xA;Computers are always crashing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just finding a mate&#xA;&#xA;There's nothing like a good companion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being alone&#xA;&#xA;Ya always seem to get more work done&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having a kid&#xA;&#xA;Then move to montclair from hoboken&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just throwing it away&#xA;&#xA;Clutter's an anal compulsion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by giving it away&#xA;&#xA;We're now accepting donations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just eating some corn&#xA;&#xA;Clean out your colon&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just turning the page&#xA;&#xA;Find out who's the villain&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just picking yourself up&#xA;&#xA;And get back in the runnin'&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a few tweeks&#xA;&#xA;Subtle modifications&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not getting it fixed&#xA;&#xA;Maybe you got stuck with a lemon&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting old&#xA;&#xA;Just outlive your competition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just never growing up&#xA;&#xA;Damn right the world owes you a living&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being ashamed&#xA;&#xA;Guilt's a valid motivation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just blaming the world&#xA;&#xA;Avoid all introspection&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a choice&#xA;&#xA;After weighing all your options&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with a mnemonic device&#xA;&#xA;An aide to memorization&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a slap on the wrist&#xA;&#xA;Constructive criticism&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting spanked&#xA;&#xA;Young man, I hope you've learned your lesson&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a stink&#xA;&#xA;Blow things way out of proportion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a mac&#xA;&#xA;Dos is such a lousy system&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just moving out&#xA;&#xA;Try a trial separation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just trying to hide&#xA;&#xA;Nobody here but us chickens&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just fixin' it in the mix&#xA;&#xA;Though that is lazy production&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just screaming &amp;quot;shut up&amp;quot;&#xA;&#xA;Now stop all of this bitchin'&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just introducing yourself&#xA;&#xA;Make a good first impression&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just blowing some smoke&#xA;&#xA;The ancient art of obfuscation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just hiring a flack&#xA;&#xA;Improve your public relations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a crook&#xA;&#xA;Even nixon got a pardon&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a shot&#xA;&#xA;Update all your vaccinations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being upbeat&#xA;&#xA;Brimming with enthusiasm&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just feeling doomed&#xA;&#xA;Sit back and wait for armageddon&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just faking your death&#xA;&#xA;Skip out on your obligations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a life&#xA;&#xA;Everybody needs a mission&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just looking it up&#xA;&#xA;Ask you local librarian&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just looking it up&#xA;&#xA;Let your fingers do the walking&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by listening to npr&#xA;&#xA;Especially morning edition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just losing your shirt&#xA;&#xA;Bankruptcy means a new beginning&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going to work&#xA;&#xA;Fill out that job application&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just watching Fox&#xA;&#xA;The X-Files or The Simpsons&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just watching the tick&#xA;&#xA;The best thing on saturday morning&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just writing a note&#xA;&#xA;Give 'em a good recommendation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a look&#xA;&#xA;Learn by careful observation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a spy&#xA;&#xA;Launch a covert operation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by ordering a probe&#xA;&#xA;A blue ribbon investigation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saving the earth&#xA;&#xA;How can we stand all this pollution?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by checking the scsi iD&#xA;&#xA;You might need termination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a bitch&#xA;&#xA;Some men need lots of training&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just building a bridge&#xA;&#xA;Try to form a coalition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just drying it out&#xA;&#xA;Shorts are caused by condensation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by starting from the top&#xA;&#xA;Get it right with more rehearsing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just explaining it again&#xA;&#xA;Aim for clarification&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a switch&#xA;&#xA;Try a clever substitution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by believing in ghosts&#xA;&#xA;Witchcraft and divination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just seeing a ghost&#xA;&#xA;That gimmick always worked for dickens&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just doing the right thing&#xA;&#xA;Ethics matter in the long run&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by finally seeing the light&#xA;&#xA;But watch out for deathbed conversions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just dragging your butt&#xA;&#xA;Keep 'em waiting, keep 'em waiting&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just shaking things up&#xA;&#xA;A total reorganization&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being strong&#xA;&#xA;Some jobs require heavy-lifting&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being thin&#xA;&#xA;Like Twiggy or Tony Perkins&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being fat&#xA;&#xA;Like Greenstreet in The Maltese Falcon&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being real&#xA;&#xA;Versus imitation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a fake&#xA;&#xA;Invent your qualifications&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a quack&#xA;&#xA;You still might have a gift for healing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a fraud&#xA;&#xA;Look what that did for p t barnum&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just playing god&#xA;&#xA;Genetic manipulation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just losing your voice&#xA;&#xA;That hasn't hurt bob dylan&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being rare&#xA;&#xA;Though you'll end up in a museum&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just buying a ton&#xA;&#xA;Some things are cheaper by the dozen&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just bending the rules&#xA;&#xA;Cut 'em some slack, make an exception&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being there&#xA;&#xA;There's nothing better than good timing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not being there&#xA;&#xA;An alibi that can't be shaken&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having some spunk&#xA;&#xA;Overcome all tribulations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just playing on the one and three&#xA;&#xA;How come white folks feel that rhythm?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just wanting it all&#xA;&#xA;Either/or are bad conjuctions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by being right-brained&#xA;&#xA;And good at pattern recognition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by being left-brained&#xA;&#xA;Focused linear thinking&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just swinging that club&#xA;&#xA;Sometimes you gotta be a caveman&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being unique&#xA;&#xA;Defy categorization&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just blending in&#xA;&#xA;Observe all local customs&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just fading away&#xA;&#xA;Lose yourself in oblivion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just deciding to die&#xA;&#xA;Thank you Dr. KevorkIan&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having a dick&#xA;&#xA;There's nothing wrong with being masculine&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just asking a pro&#xA;&#xA;Some problems need a trained technician&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just crossing your fingers&#xA;&#xA;Tho that's only a superstition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being wrong&#xA;&#xA;Mea culpa, mea culpa&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just startin' to chant&#xA;&#xA;Nom myoho renge hare krishna&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going new wave&#xA;&#xA;Get black jeans and a farfisa&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having a shtick&#xA;&#xA;Like Liberace's candelabra&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking the train&#xA;&#xA;Efficient public transportation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something on the lIrR&#xA;&#xA;Dream on, dream on, dream on&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just joining a frat&#xA;&#xA;Become a lion or a mason&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just polishing a turd&#xA;&#xA;Till it shines like a diamond&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a plan&#xA;&#xA;Organize your operation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just drinking some wine&#xA;&#xA;Loosen up your inhibitions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being sweet&#xA;&#xA;Maintain a pleasant disposition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being cruel&#xA;&#xA;That's how horses are broken&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just trying again&#xA;&#xA;Sometimes you win by being stubborn&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying oh well&#xA;&#xA;A feeble rationalization&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just waving the flag&#xA;&#xA;Demogogic jingoism&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being numb&#xA;&#xA;Anesthetize your real feelings&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just blasting away&#xA;&#xA;Till you run out of ammunition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just studying bird&#xA;&#xA;Solo with upper extensions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing the chords&#xA;&#xA;A, D minor, D eleven&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just courting the rich&#xA;&#xA;It really helps to have a patron&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being rich&#xA;&#xA;Poverty is not fun&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being rich&#xA;&#xA;A Gen X trustafarian&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just killing the rich&#xA;&#xA;I welcome that revolution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just checking your math&#xA;&#xA;Redo your calculations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a tambourine&#xA;&#xA;Sweeten the track with some percussion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just screwing up&#xA;&#xA;Lower people's expectations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just lifting a line&#xA;&#xA;I second that emotion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a machine&#xA;&#xA;Automation speeds production&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just dropping a name&#xA;&#xA;It really helps to have a maven&#xA;&#xA;&#xA;Sometimes you can fix something by just keeping a straight face&#xA;&#xA;Don't let 'em know you're laughing at 'em&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just building a box&#xA;&#xA;Look what that did for Phillip Johnson&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just refusing to vote&#xA;&#xA;The last I cast was for McGovern&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just checking the line&#xA;&#xA;Maybe it's just a loose connection&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just putting on a show&#xA;&#xA;Like Andy Rooney &amp;amp; Judy Garland&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having a good spot&#xA;&#xA;Location, location, location&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just working up a sweat&#xA;&#xA;Success is nine-tenths perspiration&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a lock&#xA;&#xA;Just don't forget the combination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing the code&#xA;&#xA;Some data's hidden by encryption&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying it again&#xA;&#xA;Make you point with repetition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just poking around&#xA;&#xA;Everybody's hiding something&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just calling a strike&#xA;&#xA;Go to binding arbitration&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having one&#xA;&#xA;If you're the only one who has one&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having one more&#xA;&#xA;Complete your collection&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being wild&#xA;&#xA;Resist domestication&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just quitting your job&#xA;&#xA;Start living like a bohemian&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going right now&#xA;&#xA;There's too much traffic on the weekends&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just growing a beard&#xA;&#xA;Avoid the misery of shaving&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just the perfect scene&#xA;&#xA;Like waltzing in grand central station&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a look&#xA;&#xA;Deputize a delegation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying amen&#xA;&#xA;Thus endeth the lesson&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just hating the beach&#xA;&#xA;That worked alright for brian wilson&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by calling tom goodkind&#xA;&#xA;He's the master of shrewd thinking&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just twisting an arm&#xA;&#xA;A little gentle convincing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just sharing the chores&#xA;&#xA;I'll wash, if you'll do the drying&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just caring a lot&#xA;&#xA;Attack your problem with a passion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a square&#xA;&#xA;All squeaky clean and wholesome&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a massage&#xA;&#xA;Work the stress out of your system&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying what if?&#xA;&#xA;Tickle your imagination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying so what?&#xA;&#xA;Maintain that spirit of rebellion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just not paying your rent&#xA;&#xA;Make the landlord fix the plumbing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just squashing it hard&#xA;&#xA;Full compression, no depression&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a second job&#xA;&#xA;Earn a little extra income&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being wry&#xA;&#xA;Ironic juxtaposition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting it fixed&#xA;&#xA;Who needs this aggravation?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just splitting for the coast&#xA;&#xA;There's something magic 'bout the ocean&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting sick&#xA;&#xA;You might get cool hallucinations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with something out of the blue&#xA;&#xA;Epiphanies and revelations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just throwing a pie&#xA;&#xA;Basic goofball entertainment&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just sharing your pain&#xA;&#xA;Bore the world with your hurting&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying I'm sorry&#xA;&#xA;Hope for some kind of absolution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just paying with cash&#xA;&#xA;That's the way dodge the taxman&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just parking your dough&#xA;&#xA;In a bank in the Cayman Islands&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a running gag&#xA;&#xA;That always worked for Monty Python&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing what to expect&#xA;&#xA;Like the Spanish Inquisition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking some speed&#xA;&#xA;Then cram for your examination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just slowing down&#xA;&#xA;Wait a minute, keep your shirt on&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a dump&#xA;&#xA;Like most of Staten Island&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying fuck you&#xA;&#xA;America's real national anthem&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being the same&#xA;&#xA;Have lots of things in common&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing yourself&#xA;&#xA;With a nose job or liposucktion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing real fast&#xA;&#xA;Adapt or face extinction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not changing a thing&#xA;&#xA;Just redesign the carton&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just playing some golf&#xA;&#xA;Get buddy-buddy with the big guns&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just traveling light&#xA;&#xA;Rid yourself of your possessions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a king&#xA;&#xA;Declare it fixed by proclamation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with coffee and cigarettes&#xA;&#xA;The real breakfast of champions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just learning how to swim&#xA;&#xA;Pretend that you are Esther Williams&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just stealin' a boat&#xA;&#xA;Then seek political asylum&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just splitting hairs&#xA;&#xA;Point out the subtle distinctions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being right&#xA;&#xA;Without fear of contradiction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not being too right&#xA;&#xA;Avoid self-righteous indignation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just staying awake&#xA;&#xA;Or you might miss something&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a nap&#xA;&#xA;The elves will fix it while you're sleeping&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying &amp;quot;hi&amp;quot;&#xA;&#xA;Greetings and salutations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being lost&#xA;&#xA;You'll go off in new directions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing the mob&#xA;&#xA;Sometimes it helps to be sicilian&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just closing-up shop&#xA;&#xA;Put up a sign that says &amp;quot;gone fishing&amp;quot;&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just picking up the tab&#xA;&#xA;Snow 'em with a lavish luncheon&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just doing good work&#xA;&#xA;You've earned that adulation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being known&#xA;&#xA;Someone who needs no introduction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a star&#xA;&#xA;Tho not like norma desmond&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being clean&#xA;&#xA;And above all suspicion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just filling your plate&#xA;&#xA;Help yourself, go back for seconds&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a whore&#xA;&#xA;There're many kinds of prostitution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with eeny-meeny-miney-mo&#xA;&#xA;The process of elimination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing who was there&#xA;&#xA;Guilty by association&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by with at and f1 enter&#xA;&#xA;Reinititalize your modem&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing what ya want&#xA;&#xA;Don't suffer fools, morons or cretins&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting dressed&#xA;&#xA;Nudity gets boring&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just hurting yourself&#xA;&#xA;Some people thrive on self-destruction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just camping out&#xA;&#xA;Build a fire, climb a mountain&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just takin' a hike&#xA;&#xA;Turn in your resignation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just spraying the pots&#xA;&#xA;Resitance rises with corrosion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being cool&#xA;&#xA;Quote negraponte or mcluhan&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being cool&#xA;&#xA;Like Ray Milland or Robert Mitchum&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being cool&#xA;&#xA;Like combustible edison&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being real cool&#xA;&#xA;Like William Powell in The Thin Man&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being outta the loop&#xA;&#xA;That way they can't say that you're lying&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying &amp;quot;i can't&amp;quot;&#xA;&#xA;You gotta know your limitations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying I am&#xA;&#xA;Though don't expect someone to listen&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just looking back&#xA;&#xA;Revive some retro tradition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just looking ahead&#xA;&#xA;Stick to your game plan&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting mad&#xA;&#xA;So what's your fucking problem?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing your tie&#xA;&#xA;Sharpen up your presentation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a slob&#xA;&#xA;Protest the fascism of fashion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just selling out&#xA;&#xA;Life has its faustian bargains&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just wearing a rug&#xA;&#xA;Though who do you think you're fooling?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just watching the clock&#xA;&#xA;Over-achievers are a nuisance&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being fast and bulbous&#xA;&#xA;Also tapered, that's right, captain&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being blue&#xA;&#xA;Maybe they'll ban you in Boston&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just singing the blues&#xA;&#xA;Like Howlin' Wolf, not Eric Clapton&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just singing the blues&#xA;&#xA;But what the hell is smoke stack lightning?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing your strings&#xA;&#xA;Be sure to check your intonation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a tip&#xA;&#xA;Eavesdrop on a conversation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making M*A*S*H&#xA;&#xA;Make a fortune on the re-runs&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just wanting it now&#xA;&#xA;Instant gratification&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just smashing your car&#xA;&#xA;The keith moon school of wreckless driving&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going ahead&#xA;&#xA;Surrender to temptation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying, hey&#xA;&#xA;Who the hell gave you permission?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just doing it anyway&#xA;&#xA;Over everyone's objections&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just reading some smut&#xA;&#xA;That'll get yer juices flowing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just gutting it out&#xA;&#xA;Don't let go of your vision&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just losing your nerve&#xA;&#xA;Reconsider what you're doing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just havin' yer doubts&#xA;&#xA;Maybe your idea's a dumb one&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just plodding along&#xA;&#xA;When you're way past the point of caring&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just pulling the plug&#xA;&#xA;Cutting your losses shows wisdom&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by plugging back in&#xA;&#xA;Lick your wounds, then come out swinging&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being unplugged&#xA;&#xA;Your record will sell millions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by giving your legal I D&#xA;&#xA;We pause for station identification&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by being a good boss&#xA;&#xA;Not one of those modern venal strivers&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being dependent&#xA;&#xA;On the kindness of strangers&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by getting your phd&#xA;&#xA;Though that won't help you flipping burgers&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making that call&#xA;&#xA;You might already be a winner&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a thief&#xA;&#xA;Lots of art's appropriation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying it's art&#xA;&#xA;The essence of duchampism&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a thief&#xA;&#xA;Lots of good ideas are stolen&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting caught&#xA;&#xA;Then go thru rehabilitation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just learning to type&#xA;&#xA;Have a skill you can fall back on&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not learning to type&#xA;&#xA;Who needs carpal tunnel syndrome?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just more umph&#xA;&#xA;Zizz-up the schmutz with zotz and goo-kum&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just with still more umph&#xA;&#xA;Just get yourself a bigger engine&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being smug&#xA;&#xA;View the world with condescension&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a quick fix&#xA;&#xA;Skip the problem, treat the symptoms&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just holding court&#xA;&#xA;Like dorthy parker at the algonquin&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying, no thanks&#xA;&#xA;I decline the nomination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just hitting erase&#xA;&#xA;Send it to magnetic heaven&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a smash&#xA;&#xA;The must-see hit of the season&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a flop&#xA;&#xA;Even Steven Sondheim had 'em&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just some vitamin E&#xA;&#xA;They say it's good for the complexion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something if things just go right&#xA;&#xA;No unexpected complications&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a deal&#xA;&#xA;Enter in negotiations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just telling a shrink&#xA;&#xA;Your phobias and fixations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just staging a coup&#xA;&#xA;A bloody act of liberation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just playing the long shot&#xA;&#xA;Tho that's a risky proposition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing the odds&#xA;&#xA;Then make an accurate prediction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just hedging your bets&#xA;&#xA;Avoid a reckless speculation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just fipping a coin&#xA;&#xA;Heads you lose, tails I win&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by releasing it as is&#xA;&#xA;De-bug it in a later version&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying, I'll pass&#xA;&#xA;An act of self-preservation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just makin' it up&#xA;&#xA;Everything is fiction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting bought out&#xA;&#xA;If they can meet your stipulations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having no mercy&#xA;&#xA;Total capitulation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just mnusy lkspek lknaoi&#xA;&#xA;Yeah, I gotta work on my diction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just cracking the whip&#xA;&#xA;C'mon, get with the program&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just sitting by a lake&#xA;&#xA;Restful, peaceful meditation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making a fist&#xA;&#xA;There is a time for aggression&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing the way&#xA;&#xA;To your final destination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just making your move&#xA;&#xA;After careful preparation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing what's what&#xA;&#xA;And all its implications&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having some style&#xA;&#xA;An eye for tasteful decoration&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just dropping a beat&#xA;&#xA;Are you still listening?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going too far&#xA;&#xA;Dramatic exaggeration&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by playing on the roof&#xA;&#xA;I hope we've passed the audition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just curbing your dog&#xA;&#xA;Shit on the sidewalk's just disgusting&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a sneak&#xA;&#xA;Become a master of deception&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a creep&#xA;&#xA;Back-stabbing, machiavel-lian&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just doin' the do&#xA;&#xA;Or some other slang expression&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by saying you're concerned&#xA;&#xA;Though that's just a euphemism/though you're scared as hell about 'em&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just pounding away&#xA;&#xA;Get that thru your cranium&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a list of names&#xA;&#xA;Thank 'em in the dedication&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just using a Vox&#xA;&#xA;The best British amplification&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just dropping in&#xA;&#xA;My front door is always open&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just getting a fix&#xA;&#xA;Though dope is dumb by definition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just tapping your phone&#xA;&#xA;Do it for your own protection&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having long hair&#xA;&#xA;I grok your groovy vibrations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just dropping a frame&#xA;&#xA;Get things in synchronization&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being cute&#xA;&#xA;Everybody's little darling&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing it's shape&#xA;&#xA;They say that form follows function&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just fixing it yourself&#xA;&#xA;Consider it a challenge&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just asking for help&#xA;&#xA;HereGimme that before you break something&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having the knack&#xA;&#xA;While other's just keep on struggling&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just looking the other way&#xA;&#xA;Survive by being a good german&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying, nein&#xA;&#xA;Das ist verboten&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a vamp&#xA;&#xA;Oozing decadent corruption&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just falling in love&#xA;&#xA;You'll feel like a virgin&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by falling in love again&#xA;&#xA;You gotta get your head examined&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by having a backyard&#xA;&#xA;Hang a hammock, plant a garden&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just living in town&#xA;&#xA;My whole backyard is Manhattan&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing the trick&#xA;&#xA;Ignore the man behind the curtain&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowin' for sure&#xA;&#xA;Though nothing is for certain&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just paying the fine&#xA;&#xA;Avoid a lengthy prosecution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knocking it down&#xA;&#xA;This place is set for demolition&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by trying everything you can&#xA;&#xA;Run thru all the permutations&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something on just the first try&#xA;&#xA;People will think you're a magician&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something if the calla lillies are in bloom&#xA;&#xA;Perfect for any occasion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just wanting the best&#xA;&#xA;I wanna own the chrysler building&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not having the best&#xA;&#xA;Too much of a good thing&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being the best&#xA;&#xA;Xtc's the greatest pop band&#xA;&#xA;&#xA;&#xA;Sometimes you can't fix something by just being the best&#xA;&#xA;Xtc's still stuck in swindon&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just working a scam&#xA;&#xA;Our culture really loves a conman&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being possessed&#xA;&#xA;By parasitic aliens&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being attacked&#xA;&#xA;By an interstellar infestation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by having an evil twin&#xA;&#xA;OhhThat one&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by traveling in time&#xA;&#xA;Escape into the 4th dimension&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with any of the above&#xA;&#xA;All cheesy star trek plot inventions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just willing it fixed&#xA;&#xA;They really study this at princeton&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing your roots&#xA;&#xA;My ethnic background is suburban&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just diggin a hole&#xA;&#xA;Try living subterranean&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just wearing a hat&#xA;&#xA;A derby or a turban&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with a better rhyme than that&#xA;&#xA;Believe me, i'm trying&#xA;&#xA;&#xA;&#xA;Sometimes you can fix everything with a smart drummer&#xA;&#xA;Though that's an oxymoron&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being a spud&#xA;&#xA;The truth about de-evolution&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by always landing on your feet&#xA;&#xA;Just like buster keaton&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just ordering out&#xA;&#xA;Cantonese, hunan or szechuan&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just listing your strengths&#xA;&#xA;Too many to mention&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just listing your faults&#xA;&#xA;Is that an ego deflating?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just some flower tops&#xA;&#xA;Camomile or echinacea&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing your blood&#xA;&#xA;Flush out all those tocsins&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just going boom&#xA;&#xA;That's supposed to be an explosion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just saying, what's going on?&#xA;&#xA;Stop all this commotion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by saying, excuse me, dear&#xA;&#xA;Pass the suntan lotion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by staring off into space&#xA;&#xA;Dreams are the mother of creation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by going overseas&#xA;&#xA;But what's the point of belgium?&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just thinking big&#xA;&#xA;That's a strategy for winning&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just thinking small&#xA;&#xA;I'm sure there's lots of good reasons&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just working for yourself&#xA;&#xA;Not at some faceless corporation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing their sign&#xA;&#xA;I always fight with sagittarians&#xA;&#xA;&#xA;&#xA;Sometime you can fix something by just pleading the fifth&#xA;&#xA;Avoiding self-incrimination&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just ordering two&#xA;&#xA;With extra cheese, pickles and onions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something otium cum dignitate&#xA;&#xA;You gotta know a little latin&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just starting to preach&#xA;&#xA;With a timely bibical quotation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just spreading the good word&#xA;&#xA;Convert the heathens and barbarians&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by not starting to preach&#xA;&#xA;Ain't got no time for bible thumping&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with a good 'nom de punk'&#xA;&#xA;Armitage shanks or johnny rotten&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something with just a grain of salt&#xA;&#xA;Maintain a healthy skepticism&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just defining your terms&#xA;&#xA;Eliminate confusion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by something, something, something&#xA;&#xA;I knew it once, but I've forgotten&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just rockin' the boat&#xA;&#xA;I'd like to know if you've got the notion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just having a smoke&#xA;&#xA;Nicotine is food, not an addiction&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just brewing some beans&#xA;&#xA;Get some caffeine stimulation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just knowing where you are&#xA;&#xA;12 verses from the ending&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just using your head&#xA;&#xA;Go to experts, get opinions&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just being polite&#xA;&#xA;Trust in reason and persuasion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just leaving it alone&#xA;&#xA;Let it stew in isolation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just holding a grudge&#xA;&#xA;Revenge is such a cool sensation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just changing its name&#xA;&#xA;Redefine the situation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just running away&#xA;&#xA;Avoid a messy confrontation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a stand&#xA;&#xA;But that's an awesome obligation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just starting a war&#xA;&#xA;Everybody at attention&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just dancing all night&#xA;&#xA;Answers come out of exhaustion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just telling a lie&#xA;&#xA;Screw'em with misinformation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just taking a walk&#xA;&#xA;Take a break, take a vacation&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by turning the other cheek&#xA;&#xA;That's what they tell you in religion&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just ripping it apart&#xA;&#xA;Maybe the damn thing wants attention&#xA;&#xA;&#xA;&#xA;Sometimes you can fix something by just smacking it 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<INFO BITRATE="1075476" KEY_LYRICS="643 ContributorsProducer Tags Directory LyricsProducers are listed in alphabetical order with their respective tags underneath in alphabetical order. This list only focuses on producers and their tags, do not include any tags or shoutouts used by artists… Read More The new version of the &amp;quot;Producer Tags Directory&amp;quot; can be seen here. Please refer to the new version when adding entries and creating annotations.Do not contribute to this list anymore.Please DO NOT include any producer without providing an example of a song their tag appears in!NavigationAAarne&#xA;Damn, Aarne goin' crazy on these motherfuckers&#xA;Aarne&#xA;&#xA;Abys One&#xA;Abys One&#xA;&#xA;Ace Bankz&#xA;Ace Bankz on the track&#xA;&#xA;AceLex On Da Track&#xA;AceLex got a full one&#xA;&#xA;AceTheFace&#xA;AceTheFace&#xA;&#xA;AcesToAces&#xA;AcesToAces&#xA;&#xA;Adio&#xA;Adio&#xA;&#xA;Aerostylin&#xA;Aeros&#xA;&#xA;AGODD&#xA;Ooh, AGODD on the track&#xA;Aha Gazelle&#xA;It's Aha&#xA;&#xA;AIRAVATA&#xA;AIRAVATA&#xA;&#xA;AJ Got Ice&#xA;AJ you iced up&#xA;&#xA;AJ Tracey&#xA;Don't take this personally but&#xA;Don't take this personally but I never want to see you again&#xA;&#xA;Akachi&#xA;Akachi Beats&#xA;'Kachi beats&#xA;Akachi, he on the beat, it's a murder&#xA;Akachi on the beat, lil' bitch&#xA;Akachi in this motherfucker&#xA;&#xA;AKATrae&#xA;AKATrae&#xA;&#xA;AKDO&#xA;AKDO!&#xA;akira3k&#xA;akira, I miss you&#xA;&#xA;Al Chapo&#xA;Chapo&#xA;&#xA;The Alchemist&#xA;A-A-A-A-A-A-A-Alchemist!&#xA;A-A-A-Al-Al-Al-Al-Alchemist&#xA;&#xA;Al Geno&#xA;Al Geno on the track&#xA;&#xA;A Lau&#xA;A Lau on the beat&#xA;&#xA;Alecto&#xA;Alecto&#xA;&#xA;Alfie Snapped&#xA;Damn, Alfie&#xA;&#xA;All Star&#xA;All Star&#xA;&#xA;All White&#xA;All White steady whippin' it&#xA;Let's go, oh yeah, All White&#xA;Oh yeah, All White&#xA;Almighty Nate&#xA;Almighty Nate&#xA;&#xA;Almighty Quise&#xA;Almighty&#xA;&#xA;Alt Kontrol&#xA;Alt Kontrol On The Beat&#xA;&#xA;alza!&#xA;Fuck you, Alza!&#xA;&#xA;Amberlicious&#xA;Amberlicious&#xA;Amber&#xA;&#xA;AndrewExtendo&#xA;AndrewExtendo&#xA;Man, fuck Andrew&#xA;&#xA;Andry The Hitmaker&#xA;The Hitmaker, Oh Andry&#xA;Oh Andry&#xA;Fidati di Andry, è super serio&#xA;&#xA;angelus&#xA;I miss you Angel&#xA;Angel&#xA;&#xA;Anonymass&#xA;Anonymass&#xA;&#xA;Ant Chamberlain&#xA;Ant Chamberlain that's a hundred points&#xA;&#xA;Apex Martin&#xA;What we doin', Apex?&#xA;&#xA;APmg&#xA;AP always flexin'!&#xA;&#xA;A P O L L O&#xA;Kill A P O L L O with the blick&#xA;Young A P O L L O with the wave&#xA;Beat by A P O L L O&#xA;That A P O L L O kid is so wave&#xA;&#xA;ApolloJetson&#xA;Who made the beat? Apollo ho&#xA;&#xA;AraabMUZIK&#xA;You are now listening to AraabMUZIK&#xA;&#xA;Arda Gezer&#xA;Gezer on the beat&#xA;Benim adım Arda, bur'da tanırlar da&#xA;&#xA;Argo Da Hitmaker&#xA;C'est mon papa à la prod'&#xA;&#xA;AriaTheProducer&#xA;Aria made this&#xA;&#xA;Artz&#xA;Artz, what's popping my G?&#xA;&#xA;A$AP Ty Beats&#xA;Smoke, Ty Beats&#xA;&#xA;Astroboy&#xA;A-A-Astro got it runnin'&#xA;Astro on the beat&#xA;&#xA;ATL Jacob&#xA;ATL Jacob&#xA;ATL Jacob, ATL Jacob&#xA;Baby J&#xA;&#xA;Atutowy&#xA;Atut to zagra, nie wycina sampla&#xA;&#xA;Audio Jacc&#xA;That shit gon' be crazy, Jacc&#xA;&#xA;AustinOnThaTrack&#xA;Lil Austin On The Track&#xA;Austin On The Track&#xA;&#xA;Avery On the Beat&#xA;Oh my God, is that Avery?&#xA;&#xA;AVGOTDRIP&#xA;AV with that drip, ho&#xA;&#xA;Aviator Keyz&#xA;Aviator&#xA;&#xA;AXL Beats&#xA;AXL&#xA;AXL (AXL), AXL (AXL), AXL (AXL)&#xA;&#xA;Aybee&#xA;Sting like Aybee&#xA;&#xA;Ayo &amp;amp; Keyz&#xA;Hol' up&#xA;&#xA;Ayo Lucky&#xA;Ayo Lucky!&#xA;&#xA;AyoSam&#xA;AyoSam&#xA;&#xA;Ayoza&#xA;Ayoza, you wrong for this shit&#xA;&#xA;Azide&#xA;Azide on the beat&#xA;Azide on the beat is the definition of the darker me&#xA;&#xA;AzizTheShake&#xA;AzizBB2&#xA;B2 too official&#xA;&#xA;Backpack&#xA;What's in that bag boy?&#xA;&#xA;Baik&#xA;Baik, roll that gas up&#xA;&#xA;Bakkwoods&#xA;Ayy, Woods, light that shit up&#xA;&#xA;BandPlay&#xA;BandPlay&#xA;Let the band play&#xA;&#xA;Bangkok Rules&#xA;Bangkok Rules&#xA;&#xA;Bangladesh&#xA;Bangladesh&#xA;&#xA;Bankroll Got It&#xA;B-B-Bankroll Got It&#xA;&#xA;Banrisk&#xA;Secure the bag, know what I mean? Banrisk on the beat&#xA;&#xA;Bans&#xA;Ayy yo, Bans, what you cookin'?&#xA;&#xA;Barlas Köroğlu&#xA;Barlas on the beat, bitch!&#xA;Ba-Ba-Ba-Barlas on—&#xA;&#xA;BassKids&#xA;BassKids on the beat&#xA;&#xA;Bass Santana&#xA;To Bass be the glory&#xA;&#xA;Based1&#xA;Based1 got them bands, ho&#xA;&#xA;Basobeats&#xA;Cut that shit up, Baso&#xA;&#xA;Bdope&#xA;Bdope, chiama due bitches&#xA;&#xA;Beak On The Night&#xA;Credo solo in Beak perché ha stessa luce&#xA;&#xA;Beat Billionaire&#xA;Beat Billionaire&#xA;&#xA;Beat Boy&#xA;Beat Boy taught me&#xA;&#xA;Beat By Jeff&#xA;Ayy, let me hear that ho, Jeff&#xA;&#xA;BeatGodStacy (aka Stacy P 808)&#xA;Ooh, Stacy P, kill 'em&#xA;&#xA;BeatPluggz&#xA;Plugg&#xA;BeatPluggz&#xA;&#xA;BeatPusher&#xA;This is a BeatPusher production&#xA;&#xA;BeatsByTaz&#xA;You aren't even a cool breeze for my man Taz&#xA;&#xA;Benjamin Lasnier&#xA;Ayy, Benjamin he got Benjamins&#xA;Benjamin Lasnier&#xA;&#xA;BenjiCold&#xA;BenjiCold, why you icey?&#xA;&#xA;BelinCookdThis&#xA;Belin be chasin' them bands, boy&#xA;&#xA;Berk Erdemanar&#xA;Itadakimasu&#xA;&#xA;Berki&#xA;Oh yeah, Berki, this the one right here&#xA;&#xA;Berkay Duman&#xA;Duman on the track!&#xA;You want smoke?&#xA;&#xA;Beyondrich YT&#xA;YT, play that shit&#xA;&#xA;BGudini&#xA;BGudini, spell that shit&#xA;&#xA;Bhristo&#xA;Bhristo, talk to 'em slime&#xA;Shoutout Bhristo, nigga&#xA;&#xA;BHUNNA&#xA;PHLEXN&#xA;&#xA;Bighead&#xA;Ooh, Bi-Bighead on the beat&#xA;&#xA;Big Joe&#xA;Joe Joe Beat&#xA;&#xA;Bijan Amir&#xA;Bijan 4 the 1 time&#xA;Bijan 'bout to let that bitch go&#xA;&#xA;Billboard Hitmakers&#xA;Billboard Hitmakers&#xA;&#xA;Bill Did The Beat&#xA;Bill, this is important&#xA;&#xA;BirdOnTheBeat&#xA;BirdOnTheBeat&#xA;&#xA;BJ Beatz&#xA;Goddamn, BJ with another one&#xA;&#xA;BKay&#xA;Rahhh it’s BKay unah&#xA;&#xA;Blackice&#xA;What is black ice?&#xA;&#xA;BLACKLUNGED ⛧&#xA;BLACKLUNGED&#xA;&#xA;BlackMayo&#xA;B-B-BlackMayo&#xA;Is-is-is mayonaisse an instrument?&#xA;&#xA;Black Metaphor&#xA;Black Metaphor&#xA;&#xA;Blady Yucca&#xA;Ja pierdolę, Yucca-a-a-a&#xA;&#xA;Blizzed Out&#xA;B-B-B-Blizzed Out&#xA;&#xA;Bloom&#xA;Bloom&#xA;&#xA;Bloublood&#xA;Yeah, I'm bangin' red, but my beat came from Bloublood&#xA;&#xA;blushxoxo&#xA;Does it really matter?&#xA;7serene&#xA;&#xA;BlvckAmethyst&#xA;BlvckAmethyst&#xA;&#xA;blvnkface&#xA;What? It's blvnk&#xA;&#xA;BL$$D&#xA;BL$$D&#xA;Young BL$$D, boy, you saucin'&#xA;&#xA;BNYX&#xA;BNYX&#xA;Damn, where'd you find this?&#xA;Damn son, where'd you find this?&#xA;&#xA;Bobby Johnson Beats&#xA;You are now listening to a Bobby Johnson beat&#xA;&#xA;Bobby Kritical&#xA;Bobby Kritical&#xA;Bobby, that shit hard&#xA;Perfexion&#xA;&#xA;bodyGaard&#xA;With all your heart protect me, bodyGaard&#xA;POOR CONNECTION&#xA;Welcome to SufferCenter&#xA;&#xA;Bongo the Drum GAHD&#xA;Bongo by the way!&#xA;&#xA;Booe&#xA;And I believe it is pronounced Booe, hahaha&#xA;&#xA;Bordeaux&#xA;Bordeaux and Non Native&#xA;&#xA;Boyfifty&#xA;B-B-B-Boyfifty&#xA;&#xA;BOYTOY&#xA;I'm BOYTOY that's my chance, oh&#xA;&#xA;BoredTammy&#xA;I'm bored as fuck man&#xA;&#xA;Brandon Finessin&#xA;Ayy, Brandon, man, why you—&#xA;Ayy, Brandon, man, why you do that?&#xA;&#xA;Bravestarr&#xA;Bravestarr&#xA;&#xA;branwen&#xA;branwen&#xA;&#xA;Bred&#xA;I don't give a fuck, bruh, I'ma always be me&#xA;&#xA;BrentRambo&#xA;BrentRambo&#xA;Rambo way&#xA;&#xA;Brevis&#xA;I just sound so mad and I don't know why&#xA;&#xA;Brian Spencer&#xA;Brian Spencer&#xA;&#xA;Bruce24k&#xA;Pull some of that bass out, Bruce&#xA;&#xA;Bruferr Beatz&#xA;Bruffer got the heat, bitch!&#xA;&#xA;Bruno Alison&#xA;Bruno Alison on the beat&#xA;Alison, Alison, Alison...&#xA;&#xA;bryceunknwn&#xA;Aha, I miss you Bryce&#xA;&#xA;bster / bsterthegawd&#xA;I love you, bster&#xA;&#xA;B-Team&#xA;B-Team came with the A-game&#xA;&#xA;Budd Dwyer&#xA;Pull the trigger Budd Dwyer&#xA;&#xA;Buddah Bless&#xA;Buddah Bless this beat&#xA;&#xA;Bugy&#xA;B-B-Bugy&#xA;&#xA;Bugz Ronin&#xA;Bugz on the beat&#xA;&#xA;Burd &amp;amp; Keyz&#xA;Burd &amp;amp; Keyz!&#xA;&#xA;Byalif&#xA;Byalif on the beat&#xA;&#xA;BYOU$&#xA;Abso-lutelyCCallan&#xA;Damn, Callan&#xA;Damn, Callan, you gettin' gaup&#xA;&#xA;CallMeCake&#xA;Ca-ca-ca-CallMeCake got this&#xA;&#xA;Canis Major&#xA;Canis, Canis&#xA;&#xA;CamGotHits&#xA;CamGotHits&#xA;&#xA;Cardec Drums&#xA;Put your hands in the air for Cardec&#xA;&#xA;Cardo&#xA;Cardo got wings&#xA;Shoot through your car door, shoutout to Cardo&#xA;&#xA;Carl Brave&#xA;Carl Brave&#xA;&#xA;Carns Hill&#xA;The amount of money I'm gonna be making would hurt your parents' feelings&#xA;Remember the class where I taught you all how to make it rain?&#xA;That's what I'm gonna be doing every single night&#xA;SRB seperation confirmed&#xA;Coming up on, uh, staging the burn-out of these twin solid rocket boosters at two minutes, five seconds&#xA;Hill productions&#xA;&#xA;&#xA;Cartoon (RUS)&#xA;Ayy, Cartoon, you got another one&#xA;&#xA;Carvello&#xA;Carvello&#xA;The young fellow Carvello&#xA;&#xA;Captain Crunch&#xA;Captain Crunch presents&#xA;&#xA;CashCache&#xA;I really like to use cash&#xA;Me encanta usar dinero&#xA;Me gusta mucho usar cash&#xA;&#xA;Cash Cobain&#xA;And this beat from Cash, not from YouTube&#xA;And this beat is by Cash&#xA;&#xA;CashMoneyAP&#xA;CashAP got the beat tight&#xA;CashMoneyAP&#xA;CashMoneyAP Productions&#xA;&#xA;Casok&#xA;Casok&#xA;&#xA;Cassius Jay&#xA;That boy Cassius&#xA;&#xA;cBass&#xA;cBass, bitch!&#xA;&#xA;CBMIX&#xA;CB on the beat&#xA;Ayy, turn the music up for me, Chris&#xA;CB on the beat, ho!&#xA;&#xA;C Dot&#xA;And you know a lot of people ask us &amp;quot;How is C Dot funded and where do your get your money from?&amp;quot; The simple answer&#xA;&#xA;Celo1st&#xA;Celo, você é foda&#xA;Young Celo got the hit&#xA;&#xA;Census&#xA;Census, what you cookin'?&#xA;&#xA;Certified Hitz&#xA;Certified Hitz!&#xA;&#xA;CGM Beats&#xA;Ayy, CGM, where you at?&#xA;&#xA;Ch3f Beats&#xA;Ch3f got the juice&#xA;&#xA;Cha Cha Malone&#xA;I need a Cha Cha beat boy&#xA;&#xA;Chai&#xA;Chai&#xA;&#xA;Chanchee&#xA;Chanchee&#xA;&#xA;CHASE B&#xA;Yo, Chase B&#xA;&#xA;Chase Davis&#xA;Chase Davis on the beat, yeah&#xA;&#xA;Chase N Dough&#xA;Tell her I'm Chase N Dough&#xA;&#xA;CHASETHEMONEY&#xA;CHASETHEMONEY, CHASETHEMONEY!&#xA;Chasin' the money all day&#xA;&#xA;Charlie Charles&#xA;Tu vuoi un beat di Charlie!&#xA;Tu vuoi un beat di Charlie ma non lo sai usare&#xA;&#xA;Charlie Heat&#xA;Bueno&#xA;G-G-G-Good work, Charlie&#xA;G-G-G-Good work, Charlie, hahahah&#xA;Good work, Charlie&#xA;He's heating up&#xA;It's time for the ninety-nine!&#xA;Who made the beat? Charlie&#xA;Who made the beat? Who do you think?&#xA;&#xA;Charlie Shuffler&#xA;Ch-Charlie Shuffler&#xA;Charlie Shuffler on the beat&#xA;&#xA;Chatz&#xA;Chatz&#xA;&#xA;Chaylan&#xA;Fo-foda-se Chaylan&#xA;&#xA;Cheeze Beatz&#xA;Cheeze&#xA;&#xA;Chi Chi&#xA;What's happenin', Chi Chi?&#xA;&#xA;Chief Keef&#xA;Turbo, Turbo on the track&#xA;Sosa on the beat&#xA;Turbo&#xA;Sosa on the beat, Essketit&#xA;Otto&#xA;Sosa on the beat, bitch&#xA;&#xA;ChildBoy&#xA;Grow up, nigga!&#xA;Childboy, grow up nigga!&#xA;&#xA;Chimbo&#xA;Ayo, Chimbo, slice it up!&#xA;&#xA;Chinwuba Mbagwu&#xA;It's Chubi on the track&#xA;&#xA;ChopsquadDJ&#xA;Chopsquad&#xA;ChopsquadDJ on the beat so it's a banger&#xA;DJ on the beat so it's a banger&#xA;&#xA;ChuckOnDaBeat&#xA;ChuckOnDaBeat&#xA;&#xA;Chuck Taylor&#xA;Taylor on the beat&#xA;&#xA;Chupi&#xA;Who's Chupi, anyways?&#xA;&#xA;Chris Clay&#xA;Hey Chris! What?&#xA;Is that Chris?&#xA;&#xA;Chrishan&#xA;Right Now Sound&#xA;&#xA;ChristianOnTheBeat!&#xA;Christian!&#xA;Seriously, Christian?&#xA;&#xA;Chris Rich&#xA;I-I-I-I-I Love Chris Rich&#xA;&#xA;Chris Surreal&#xA;Damn, that's Surreal right there?&#xA;&#xA;Christo&#xA;Christo&#xA;&#xA;CL!PPED&#xA;CL!PPED&#xA;Clipping&#xA;&#xA;Chuki&#xA;Chuki Beats&#xA;&#xA;Cisco Squad&#xA;Cisco Squad&#xA;&#xA;Classixs&#xA;Classixs Beats&#xA;&#xA;Clayco&#xA;I'm in this bitch with Clayco&#xA;Ayy, Clayco, cook that motherfucker up&#xA;Clayco on the beat&#xA;&#xA;Clibbo&#xA;Clibbo, you're crazy for this one&#xA;&#xA;Cliiifford&#xA;Cliiifford!&#xA;My dot red, just like Clifford&#xA;Red lean look like Clifford&#xA;&#xA;CLONNEX&#xA;Отакої, знову цей Клоннекс&#xA;Опять этот CLONNEX&#xA;&#xA;cloudii&#xA;cloudii&#xA;You need to find your own dream&#xA;&#xA;Cloudymorning&#xA;Cloudymorning on the beat&#xA;&#xA;COBRA (Josh Bishop)&#xA;COBRA&#xA;&#xA;Condo&#xA;Condo, talk to me&#xA;&#xA;The Colleagues&#xA;The Colleagues&#xA;&#xA;Consent2k&#xA;I love you, Consent&#xA;&#xA;Contraband&#xA;Contraband got that dope&#xA;Hey Contraband!&#xA;&#xA;Conor Fitz&#xA;Ayy, Fitz, this is crazy&#xA;Damn, Fitz, you just snapped&#xA;&#xA;Cool &amp;amp; Dre&#xA;This is&#xA;&#xA;CorMill&#xA;C-C-CorMill&#xA;&#xA;Cory Mo&#xA;Cory Mo&#xA;&#xA;COUPE&#xA;COUPE&#xA;&#xA;CP DUBB&#xA;Mm, CP Dubb&#xA;&#xA;Crazi&#xA;C-C-C-Crazi&#xA;I'm goin' crazi&#xA;Crazi snappin' on the beat&#xA;&#xA;CRCL&#xA;CRCL&#xA;&#xA;Cre8&#xA;Produced by Cre8&#xA;&#xA;CRESYLIC&#xA;CRESYLIC&#xA;&#xA;Credit&#xA;E zero trei ok!&#xA;&#xA;Cris Dinero&#xA;Cris Dinero&#xA;Hey Cris, fuck you&#xA;&#xA;CRMSYN&#xA;The Crimson Chin?&#xA;&#xA;C-Sick&#xA;C-Sick, C-Sick, C-Sick&#xA;&#xA;CTRL Z&#xA;Y-Young CTRL&#xA;&#xA;Cubano Jam&#xA;Damn, Jam, this shit a vibe&#xA;&#xA;CV&#xA;Ayy CV, you cooked this?&#xA;&#xA;CVSTLES&#xA;CVSTLES&#xA;&#xA;Cxdy&#xA;Perfect!&#xA;Ready?&#xA;&#xA;CZR Beats&#xA;Aye, CZR, you did a mazza still&#xA;&#xA;Cz Beats&#xA;Cz beats, why you do 'em like that?DD0llywood1&#xA;Dolly, you so cute!&#xA;Can someone please message d0llywood1 on Instagram and tell her to give me my swag back?&#xA;&#xA;D.A. Got That Dope&#xA;D.A.&#xA;D.A. got that dope&#xA;&#xA;Da Beatfreakz&#xA;Beatfreakz&#xA;&#xA;Dalyb&#xA;Dalyb, Dalyb, Dalyb&#xA;&#xA;Damjonboi&#xA;Damjonboi&#xA;&#xA;Damma Beatz&#xA;Damma&#xA;Damma, where the beats at?&#xA;Damma, I like this right here&#xA;&#xA;DAMNKC&#xA;Damn, KC&#xA;&#xA;Damn E&#xA;Damn, E, this shit exclusive&#xA;&#xA;Damn Lokee&#xA;Damn, Lokee&#xA;Da-da-damn, Lokee&#xA;Damn, Lokee, you killed this shit&#xA;&#xA;Danien&#xA;Oh my God, it's Danien&#xA;&#xA;Danny G Beats&#xA;Ooh, shit, that's a Danny G beat&#xA;Danny G on the beat&#xA;Ooh, shit, what the fuck, Daniel?&#xA;It's Danny G, bitch&#xA;&#xA;Danny Wolf&#xA;Trust me, Danny!&#xA;Danny, I see you&#xA;Danny Wolf&#xA;Hoodrich!&#xA;&#xA;Darkchild&#xA;Darkchild '99&#xA;Darkchild Forever&#xA;Darkchild&#xA;&#xA;DatBoiGetro&#xA;Get that bag, Getro&#xA;&#xA;Dave (SANTAN)&#xA;Game&#xA;&#xA;David Banner&#xA;David Banner&#xA;&#xA;David Morse&#xA;David, wake up&#xA;&#xA;Davy's Archives&#xA;Is this Davy?&#xA;&#xA;Daysix Beats&#xA;Six, chill, fool, for real, for real&#xA;&#xA;DavyDaDon&#xA;DavyDaDon&#xA;&#xA;Dbackinyahead&#xA;Dbackinyahead motherfuckers&#xA;&#xA;Denza&#xA;Denza, Denza&#xA;&#xA;Deskhop&#xA;Deskhop make it drop, yeah&#xA;&#xA;Desro&#xA;Desro&#xA;&#xA;Deviasend&#xA;This must be Devia, God!&#xA;&#xA;DEADAT18&#xA;Y-Y-Y-Y-You think you know me?&#xA;&#xA;​deadman 死人&#xA;Omae wa mou shindeiru&#xA;Oh my God, it's Deadman&#xA;Produced by my boy Deadman&#xA;&#xA;Deadmanjonny&#xA;This is what dying feels like&#xA;&#xA;Dean Hall&#xA;Ayy yo, what's up Dean?&#xA;&#xA;DeCicco Beats&#xA;Ayy, DeCicco, what up my nigga?&#xA;DeCicco&#xA;&#xA;Deko&#xA;De-De-De-Deko&#xA;Nu Deko&#xA;&#xA;Dee B&#xA;Dee B got that heat&#xA;&#xA;Dee Money&#xA;Dee Money, nigga&#xA;Dee Money, baby&#xA;Me and Dee Money want millions&#xA;&#xA;DeeMarc&#xA;DeeMarc got the heat on&#xA;&#xA;Deemz&#xA;Deemz ma ten sos&#xA;Deemz na bicie, szmato&#xA;Deemz na tracku, dzieciaku&#xA;&#xA;DeeJay Trap&#xA;Turn it up, Trap&#xA;&#xA;Deltah Beats&#xA;My nigga Deltah in them pots&#xA;&#xA;Dem Jointz&#xA;Incoming&#xA;&#xA;Deraj Global&#xA;Believe that&#xA;&#xA;Devislit&#xA;Devo this shit hard&#xA;&#xA;D. Hill&#xA;D. Hill&#xA;&#xA;Diablo&#xA;Diablo&#xA;Diablo on the beat&#xA;Diablo run it up&#xA;Diablo murder&#xA;&#xA;Diamond Pistols&#xA;We packin' Diamond Pistols&#xA;&#xA;Diego Ave&#xA;D-Diego&#xA;&#xA;Digital Nas&#xA;DN! DN! DN!&#xA;&#xA;DigitLIX&#xA;DigitLIX got the heat, bitch&#xA;&#xA;DiMuro&#xA;Di-Di-Di-Di-Muro&#xA;&#xA;Dinero Key$&#xA;Dinero Key$, baby&#xA;&#xA;Dionso&#xA;Dionso&#xA;&#xA;Dior&#xA;Damn, Dior, this shit crazy&#xA;&#xA;Dior Daze&#xA;Ayy, fuck 'em up Dior&#xA;&#xA;Dirty Vans&#xA;Dirty Vans&#xA;It's Dirty Vans beats&#xA;BeatFiends&#xA;&#xA;Discent&#xA;Discent, haha&#xA;&#xA;dltzk&#xA;dltzk&#xA;&#xA;div&#xA;D-D-D-Div, don't do it to 'em&#xA;Div-Div-Div-Div&#xA;&#xA;Dizzy Banko&#xA;Dizz, you violated&#xA;&#xA;DJ Bandz&#xA;DJ Bandz, oh man&#xA;DJ Bandz man, we mean business&#xA;DJ Bandz, we mean biz world premier&#xA;Shout out my nigga DJ Bandz, we mean biz nigga&#xA;&#xA;Dj Big Rice&#xA;Fuck 'em up, Rice&#xA;&#xA;DJ Camper&#xA;Hey DJ!&#xA;&#xA;DJ Chose&#xA;DJ Chose&#xA;Ain't that DJ Chose over there? Look like DJ Chose&#xA;&#xA;DJ Cyreen&#xA;DJ Cyreen&#xA;&#xA;DJ Dadda&#xA;It's anotha'!&#xA;&#xA;DJ DNA&#xA;This is another DJ DNA production&#xA;&#xA;DJ Durel&#xA;DJ Durel&#xA;Durel made the beat, I'ma rock with it&#xA;&#xA;DJ Fatality Beats&#xA;DJ Fatality&#xA;&#xA;DJ Flippp&#xA;DJ Flippp, make the money flip!&#xA;&#xA;DJ FMCT&#xA;D-D-D-DJ FMCT&#xA;&#xA;DJ Fresh&#xA;DJ Fresh, DJ Fresh, DJ Fresh&#xA;&#xA;DJ Hoppa&#xA;Oooh, DJ Hoppa&#xA;&#xA;DJ Kenn AON&#xA;All or nothing&#xA;&#xA;DJJT&#xA;DJJT&#xA;&#xA;DJ K.i.D.&#xA;Ayy, yo, kid&#xA;Wait a minute, who are you? (Ayy, yo, K.i.D.)&#xA;&#xA;DJ Killa&#xA;DJ Killa&#xA;&#xA;DJ Knight&#xA;D-D-D-DJ Knight&#xA;&#xA;DJ L Beats&#xA;This an L beat, aw man&#xA;Oh my God, what is this? An L beat?&#xA;&#xA;DJ Lil Sprite&#xA;DJ Lil Sprite on the track&#xA;&#xA;DJ Marc B&#xA;The fuck you mean you don't know DJ Marc B?&#xA;&#xA;DJ Montay&#xA;Ooh, DJ Montay&#xA;&#xA;DJ Patt&#xA;DJ Patt on the beat&#xA;&#xA;DJ Pain 1&#xA;Damn, that hurts!&#xA;&#xA;DJ Plugg&#xA;Damn DJ Plugg, you just killed it!&#xA;&#xA;DJ Scheme&#xA;Y'all rocking with DJ Scheme, lil' bitch&#xA;Ayy, Scheme, you killed it&#xA;&#xA;DJ Smokey&#xA;Nuke Radio&#xA;Nuke Radio, we make your eardrums bleed&#xA;&#xA;DJ SpinKing&#xA;DJ SpinKing, baby&#xA;&#xA;DJ Spinz&#xA;Cut it up!&#xA;&#xA;DJ Suede The Remix God&#xA;Suede, this my shit&#xA;&#xA;DJ Swift&#xA;DJ Swift on the track&#xA;&#xA;DJ Trebble&#xA;Lil' Trebble made the beat, he only had to play it once&#xA;&#xA;DJ YoungKash&#xA;DJ YoungKash&#xA;You rockin' with DJ YOUNGKASH&#xA;&#xA;Dmac&#xA;Dmac on the fuckin' track&#xA;&#xA;DMacTooBangin&#xA;DMac, pop your shit, DMac, pop your shit&#xA;DMac that nigga be too banging&#xA;&#xA;DMC Global&#xA;DMC, you global now, nigga&#xA;&#xA;DNA Music&#xA;DNA Music&#xA;&#xA;Dnyc3&#xA;Dnyc3 has signed on&#xA;&#xA;The Do Betters&#xA;Do Better&#xA;&#xA;Don&#xA;Who the fuck is Don?&#xA;&#xA;Don Cannon&#xA;Cannon&#xA;&#xA;Don Joe&#xA;D-D-D-Don Joe&#xA;&#xA;Dolan Beats&#xA;This is a Dolan Beats production&#xA;&#xA;DopamineFiend&#xA;Oxy, it's a banger&#xA;Oxy&#xA;&#xA;DopelordMikeBeatz&#xA;Thank you for calling DopelordMike&#xA;&#xA;Doro Beatz&#xA;Doro the chief&#xA;&#xA;Dot Da Genius&#xA;Dot Da Genius&#xA;Dot Da Genius, baby&#xA;&#xA;Double Nickelz&#xA;Double on the beat&#xA;&#xA;DoubleM (Producer)&#xA;Ayo, Double, you killed that, on foenem grave&#xA;&#xA;Dougie&#xA;Dougie on the beat&#xA;&#xA;Doubtless&#xA;Doubtless Production in the track&#xA;&#xA;Down.&#xA;I miss you Down&#xA;&#xA;DP Beats&#xA;DP on the beat&#xA;DP Beats&#xA;My nigga DP going crazy, foe&#xA;What up, DP?&#xA;&#xA;D.Proffit&#xA;Proffit&#xA;&#xA;Dre&#xA;It's Dre&#xA;&#xA;dRedder&#xA;dRedder, fuck it up&#xA;&#xA;Drell On the Track&#xA;Drell's on the track&#xA;&#xA;Drillionaire&#xA;Drilleggittimo on the track&#xA;Diego&#xA;&#xA;Drilltime Zani&#xA;Hey, Drilltime, ha&#xA;Drilltime, what you cookin', nigga?&#xA;&#xA;DRMZBeatz&#xA;DRMZ, you a fool for this one&#xA;&#xA;Drip 4L&#xA;Drip&#xA;&#xA;drownwithtoga&#xA;Fuck you, Drown&#xA;Fuck Drownwithtoga, nigga, bitch ass nigga&#xA;&#xA;Drumma Boy&#xA;Drumma Boy&#xA;Listen to this track, bitch!&#xA;&#xA;Drum Dummie&#xA;Drum Dummie&#xA;&#xA;Drvmlord&#xA;Drvmlord&#xA;&#xA;DST The Danger&#xA;The Danger (The Danger)&#xA;&#xA;DTB&#xA;DTB on the beat, that's bro&#xA;DTB, that's a slap&#xA;&#xA;Dubba-AA&#xA;Dubba-AA flexin'&#xA;This is the sound&#xA;&#xA;DUEY DIRTY&#xA;Duey, you're so fucking dirty, hehehe&#xA;&#xA;Duhvinci&#xA;Call that boy Duhvinci how he up and just paint shit&#xA;&#xA;Dukus&#xA;Ocho, ocho&#xA;&#xA;dulio&#xA;dulio, 力を貸して&#xA;&#xA;Dun Deal&#xA;Dun Deal on the tra-a-a-a-ack&#xA;Dun De-e-e-e-al&#xA;&#xA;Duwap Kaine&#xA;Duwap Kaine on the beat, bitch&#xA;&#xA;Dvtchie&#xA;D-D-D-D-D-Dvtchie!&#xA;&#xA;DxnnyFxntom&#xA;Danny's got superpowers&#xA;He's a phantom, phantom&#xA;&#xA;DY Krazy&#xA;DY definitely Krazy&#xA;DY Krazy&#xA;This a DY track&#xA;&#xA;Dyan D&#xA;Motherfucking Dyan D&#xA;&#xA;Dylvinci&#xA;Dylvinci got the codeEE-A-Ski&#xA;The almighty E-A-Ski track&#xA;&#xA;E-Trou&#xA;Ayy, what's good, Trou?&#xA;&#xA;EarDrummers&#xA;EarDrummers&#xA;&#xA;Earl the Producer&#xA;Earl on the beat&#xA;&#xA;Easymoneycaleb&#xA;Easy money, man&#xA;I'm with Easymoney, we get easy money&#xA;&#xA;Eddie Gianni&#xA;Eddie Gianni&#xA;Gianni&#xA;&#xA;Eddy0&#xA;Oh, is that Eddy?&#xA;&#xA;Edsclusive&#xA;This is, this is Edsclusive&#xA;Edsclusive&#xA;Eds-&#xA;&#xA;Eera&#xA;Eera&#xA;&#xA;Eighty8&#xA;Let that shit ride, Eighty8&#xA;Run that shit up, Eighty8&#xA;&#xA;Einer Bankz&#xA;Tuned Up&#xA;&#xA;EJ Beats&#xA;Damn E This A Classic&#xA;&#xA;Elias Beats&#xA;Elias Beats&#xA;&#xA;Elvis Beatz&#xA;Elvis&#xA;&#xA;Emazin&#xA;That's Emazin&#xA;&#xA;Embasin&#xA;Okay, Embasin&#xA;&#xA;EMRLD Beats&#xA;EMRLD&#xA;&#xA;Enrgy Beats&#xA;E-E-E-Energy made this one!&#xA;&#xA;​epic1beatz&#xA;​epic1&#xA;&#xA;Eric Godlow&#xA;Eric Godlow on this beat so it's blessed&#xA;Godlow on the track&#xA;Eric, look at me&#xA;&#xA;ErrorBeats&#xA;ErrorBeats made this&#xA;&#xA;eruh&#xA;​kirai&#xA;&#xA;EssayBeats&#xA;Is that you, Essay?&#xA;&#xA;Essennce&#xA;Esse&#xA;&#xA;Ethereal&#xA;Ethereal music&#xA;&#xA;Eva Shaw&#xA;Eva Shaw on the DAW&#xA;&#xA;EVRGRN&#xA;EVRGRN with the heat, yeah&#xA;&#xA;EY3ZLOWBEATZ&#xA;EY3ZLOW on the beat&#xA;I just got that Runtz, Runtz pack got my EY3ZLOW&#xA;&#xA;EZ Beats&#xA;Ayy, let me hear that ho, EZ&#xA;EZ Beats&#xA;&#xA;Ezra Lake&#xA;K-K-King, that shit fuego&#xA;K-K-King on the fuckin' beatFFakri Jenkins&#xA;Ouvre la porte, c'est Fakri Jenkins à la prod'&#xA;Vous pouvez entrer (pouvez entrer)&#xA;&#xA;F a l l e n&#xA;F a l l en&#xA;Told Lee he'd be a millionaire&#xA;&#xA;Fantom&#xA;Fantom&#xA;&#xA;Fast Life Beats&#xA;Fast Life&#xA;&#xA;Fast Life Sharky&#xA;Sharky&#xA;&#xA;FCKBWOY!&#xA;Damn, lil' FckBwoy man, you know that I be killin' shit&#xA;&#xA;Fckfede&#xA;F-F-Fckfede, devi succhiare un cazzo&#xA;&#xA;F1LTHY&#xA;Wake up, F1LTHY&#xA;You fuckin' with that, F1LTH'?&#xA;&#xA;Febo&#xA;Febo on the beat&#xA;&#xA;Fecony&#xA;Fecony&#xA;&#xA;Ferno&#xA;Ferno Spazzin' on this motherfucker&#xA;Ferno, you spazzin'&#xA;&#xA;Fifty Grand&#xA;Fifty Grand&#xA;&#xA;FIIDE&#xA;FIIDE Beats&#xA;&#xA;Fish Narc&#xA;Bitch, I feel like Fish Narc&#xA;&#xA;Fivesixone&#xA;Five, you crazy&#xA;&#xA;FKi&#xA;Good job, First&#xA;&#xA;FLEXATELLI&#xA;Ayo, Lil Mexico pass the gas&#xA;&#xA;Flexyboy&#xA;I'm always flexin'&#xA;&#xA;Flexboymack&#xA;Florida Boi, turn me up&#xA;Florida Boi, turn me up, man&#xA;&#xA;FLORY&#xA;Ayo, Flory, turn me up&#xA;&#xA;Fluss Vlone&#xA;Fluss, hahaha&#xA;&#xA;Fly Life Productions&#xA;Fly Life&#xA;&#xA;FnZ&#xA;FnZ, Oh damn&#xA;&#xA;Focus...&#xA;Sound, without Focus, is just noise&#xA;&#xA;Foliage&#xA;Foliage&#xA;&#xA;Foreign Kash&#xA;It's Foreign Kash Baby&#xA;&#xA;Foreign Teck&#xA;Everything foreign, haha&#xA;Everything foreign, nigga&#xA;&#xA;Fore'n&#xA;Fore'n&#xA;&#xA;FOREVERANTiPoP&#xA;ANTiPoP&#xA;&#xA;Forza&#xA;Mm, take off, Forza&#xA;&#xA;Foster&#xA;What up, Foster?&#xA;&#xA;FranchiseDidIt&#xA;Damn it, Franchise, you did it again&#xA;&#xA;FrankGotThePack&#xA;FrankGotThePack&#xA;&#xA;Frankie P&#xA;Frankie motherfuckin' P&#xA;&#xA;Frdm&#xA;F. R. D. M.&#xA;Freedom&#xA;&#xA;Fred again..&#xA;It's Fred again..&#xA;Fred again..&#xA;I want you to see me, Fred, I'm here!&#xA;Play that shit, Fred!&#xA;&#xA;Frencizzle&#xA;You are now rocking with Frencizzle the French hitmaker&#xA;&#xA;FreshThPharmacy&#xA;ThPharmacy&#xA;&#xA;Fritzthaproducer&#xA;Fritz, how you do that?&#xA;&#xA;Friz&#xA;Mmmm... Friz&#xA;&#xA;Friman&#xA;Friman on the beat and he always keeps finessin'&#xA;Ayy Friman, turn me up a little bit, shawty&#xA;Friman&#xA;&#xA;FROSTTT&#xA;FROSTTT&#xA;&#xA;Fryta Beatz&#xA;Fryta on the track&#xA;&#xA;FTBOnDaTrack&#xA;Fuck that bitch&#xA;&#xA;FUCKCALEX&#xA;Calex what the fuck?&#xA;You want the chips back?&#xA;It’s not legally fucking if you don’t penetrate&#xA;&#xA;FuckEmUpTrap&#xA;Fuck it up, Trap&#xA;&#xA;fuckglo&#xA;Fuck glo&#xA;&#xA;Full Tac&#xA;In the cut, goin' Full Tac&#xA;Whistles out, in the cut, goin' Full Tac&#xA;&#xA;Furkan Karakılıç&#xA;Beat'te Furkan digga!&#xA;&#xA;Fxnder&#xA;Fxnder&#xA;&#xA;FXXXXY&#xA;FBG FXX with me, it's more number ones to tend toGgalen tipton&#xA;Where else you can hear galen tipton? Nowhere else&#xA;&#xA;GALLO&#xA;It-it's Nick Gallo, you want an Oven Fresh Beat?&#xA;&#xA;Gawvi.&#xA;Gawvi, get 'em!&#xA;&#xA;G-Dav&#xA;Trap Adix&#xA;&#xA;GeezyBeatz&#xA;GeezyBeatz&#xA;&#xA;Geo On The Track&#xA;Geo On The Track&#xA;&#xA;Germs&#xA;You know Germs, right?&#xA;&#xA;Gezin&#xA;Gezin&#xA;&#xA;GGP&#xA;GGP&#xA;GGP, it's in the game&#xA;&#xA;Ghostrage&#xA;Ghostrage!&#xA;&#xA;Ghosty&#xA;Ghosty&#xA;&#xA;GHXST&#xA;Project GHXST&#xA;&#xA;Ginseng&#xA;Ginseng, hahaha&#xA;Ginseng&#xA;&#xA;girlNEXTdoor&#xA;Gi-gi-girlNEXTdoor&#xA;I called the girl next door, yeah, that was a funny thing was—&#xA;With who? The girl next door, ya know? Yo, man&#xA;&#xA;giux&#xA;giux made the hit&#xA;&#xA;GKL&#xA;GKL&#xA;&#xA;G-Money&#xA;G-Money&#xA;&#xA;Glo Banks&#xA;Glo made that beat?&#xA;&#xA;GLVCK16&#xA;Is this GLVCK?&#xA;16 in this bitch—16 in this—&#xA;&#xA;Gnealz&#xA;That's it right there, Gnealz&#xA;&#xA;Godlike Pariah&#xA;Godlike&#xA;Godlike on the beat&#xA;Godlike on the beat bitch&#xA;&#xA;GodzTHOUGHT&#xA;GodzTHOUGHT&#xA;&#xA;Gorby&#xA;Gorby, you're going crazy&#xA;&#xA;gothangelz&#xA;gothangelz&#xA;You are so goddamn pathetic&#xA;You creepy loser&#xA;You are a creep and a weirdo&#xA;Better than Nirvana&#xA;goth&#xA;Pathetic&#xA;skeleton&#xA;I keep secrets&#xA;Totally better than Nirvana&#xA;ゴース エンジェルズ&#xA;You're fucking with the real gothangelz&#xA;You fucking degenerates&#xA;You are such a fucking loser&#xA;Cast spells&#xA;You fucking loser&#xA;It's pretty goddamn pathetic&#xA;Forever alone&#xA;I want to see you soon&#xA;&#xA;Go Grizzly&#xA;Go Grizz&#xA;&#xA;Goose the Guru&#xA;Damn, Goose!&#xA;&#xA;​gosha (Producer)&#xA;​gosha&#xA;Who the fuck is gosha?&#xA;&#xA;Got Barss&#xA;Now you listen to Got Barss exclusive&#xA;&#xA;Gotcha&#xA;Gotcha&#xA;Gotcha, bitch&#xA;&#xA;GotMortal&#xA;Mortal&#xA;&#xA;GoVyral&#xA;W-w-what's Vyral?&#xA;We'll-we'll GoVyral in no time&#xA;&#xA;Goyxrd&#xA;Bitch, haha&#xA;&#xA;Gramps&#xA;No way, Gramps&#xA;&#xA;Great John&#xA;Great John on the beat, by the way&#xA;It's Great John beats, baby&#xA;Nah, this Great John, yeah&#xA;&#xA;Greg Willen&#xA;Greg Willen non dormire&#xA;Ma che è, Greg Willen?&#xA;&#xA;Gren8&#xA;Gren8&#xA;Gren8 Beats&#xA;&#xA;Groove&#xA;On bro, that shit groovy, ayy&#xA;&#xA;GroovyRoom&#xA;Groovy Everywhere&#xA;&#xA;G. Ry&#xA;G. Ry got me&#xA;&#xA;Gudda Tay&#xA;Gudda Tay on every beat, nigga&#xA;&#xA;Guala Beatz&#xA;Guala Beatz bring it back&#xA;Guala Beatz&#xA;&#xA;G4cha&#xA;G4cha, run that shitHH-Money&#xA;H-Money!&#xA;&#xA;Haan&#xA;Ayy, fuck that nigga Haan, man&#xA;&#xA;Hanzo&#xA;Hey, Hanzo&#xA;&#xA;HARGO&#xA;HARGO Production&#xA;&#xA;Harlow&#xA;Harlow&#xA;&#xA;Harikiri&#xA;Harikiri on the beat&#xA;&#xA;Harry Fraud&#xA;La música de Harry Fraud&#xA;&#xA;​hauntingclaire&#xA;​hauntingclaire&#xA;​claire&#xA;​w6lker&#xA;Hi w6lker&#xA;This tape is for use with the w6lker CD system&#xA;&#xA;Haven Beats&#xA;Damn Haven, you did this shit?&#xA;&#xA;HeartBeatz&#xA;HeartBeatz on the track&#xA;&#xA;Hector Soundz&#xA;Hector Soundz&#xA;&#xA;Hella Sketchy&#xA;Hella Sketchy&#xA;&#xA;Helluva Beats&#xA;Helluva made this beat, baby&#xA;&#xA;Henney Major&#xA;Henney Major, you going crazy&#xA;&#xA;HerreraBeats&#xA;Herrera, you blessed it&#xA;&#xA;heylog&#xA;heylog&#xA;&#xA;hloye&#xA;It's me again&#xA;&#xA;HIFIRE&#xA;Beat by HIFIRE&#xA;&#xA;High Tower&#xA;High Tower&#xA;&#xA;Hills&#xA;Hills&#xA;&#xA;Hilzz&#xA;Hilzz made this&#xA;&#xA;Hitmaka&#xA;Hitmaka&#xA;&#xA;Hitman Audio&#xA;I got Hitman on the beat&#xA;&#xA;Hit-Boy&#xA;Hit-Boy&#xA;Hit-Boy on the beat so, bitch, you gotta go berserk&#xA;&#xA;HL8&#xA;HL8&#xA;&#xA;Hollow&#xA;Hollow beats, bitch&#xA;Hollow on the track, boy&#xA;Hollow beats&#xA;&#xA;Hollywood Cole&#xA;Cole, you stupid&#xA;&#xA;Hollywood J&#xA;Hollywood J&#xA;&#xA;Homage&#xA;This is a Homage beat&#xA;&#xA;Hoodzone&#xA;This is Hoodzone&#xA;&#xA;Da Honorable C.N.O.T.E.&#xA;Honorable C.N.O.T.E.&#xA;Honorable Court&#xA;&#xA;Honorable Court&#xA;Honorable Court&#xA;&#xA;Hovey Benjamin&#xA;Hovey Benjamin made this beat&#xA;&#xA;HUMbeats&#xA;HUMbeats&#xA;&#xA;HUSHINSILENCE&#xA;Hush in silence&#xA;&#xA;Hurtboy AG&#xA;Hurt, what it do?&#xA;Hurt&#xA;&#xA;Hurting Murphy&#xA;Murphy's kinda cute though&#xA;&#xA;Hussein808&#xA;Hussein&#xA;&#xA;HVVXCK&#xA;HVVXCK&#xA;&#xA;HXLX&#xA;HXLX&#xA;HXLX, ehe&#xA;&#xA;Hypzex&#xA;Hypzex&#xA;&#xA;​h3artcrush&#xA;​h3artcrush&#xA;I hate h3artcrush&#xA;Um, emoprincess666IIankon&#xA;Ayy yo, Ian&#xA;&#xA;IanoBeatz&#xA;IanoBeatz&#xA;&#xA;Iceberg&#xA;Iceberg want a bag, bitch&#xA;&#xA;Icekrim&#xA;Icekrim bring that ice, boy&#xA;&#xA;IllaDaProducer&#xA;Illa&#xA;&#xA;!llmind&#xA;!llmind put the loop on&#xA;&#xA;IllWill Beats&#xA;IllWill made the beat bounce&#xA;&#xA;Ilovethisbeat&#xA;What do you want me to say?&#xA;&amp;quot;I love this beat&amp;quot;&#xA;I love this beat&#xA;&#xA;IMixNation&#xA;IMixNation for real&#xA;&#xA;India Got Them Beats&#xA;India&#xA;Mommy, India got them beats&#xA;&#xA;Indy J&#xA;Indy J exclusive&#xA;Indy J&#xA;Futuristic Family affiliate, Indy J on the beat&#xA;&#xA;Internet Money&#xA;Internet Money, bitch&#xA;&#xA;Info the Producer&#xA;Info the Producer&#xA;&#xA;iO&#xA;iO cheffin', it's a issue&#xA;&#xA;Irineo&#xA;Irineo&#xA;&#xA;IsaacIndigo&#xA;Indigo&#xA;&#xA;ISOBeats&#xA;ISO&#xA;&#xA;isq&#xA;Q&#xA;&#xA;Its2Ezzy&#xA;2Ezzy on some other shit&#xA;&#xA;IVProd&#xA;Yo IV, doin’ magicJJabariOnTheBeat&#xA;JabariOnTheBeat&#xA;&#xA;Jabz&#xA;Hit 'em with the jab&#xA;&#xA;Jacon&#xA;Jacon, co za bit&#xA;&#xA;Jack Norris&#xA;Ayy, Jack Norris&#xA;Ooh, Jack Norris killed that shit, cuz&#xA;&#xA;Jaegen&#xA;Let me beat it up like Jaegen&#xA;&#xA;JAE5&#xA;JAE5&#xA;JAE5 it's a mad one&#xA;&#xA;jahk&#xA;Jahk on the beat&#xA;&#xA;Jahlil Beats&#xA;Jahlil Beats, holla at me!&#xA;&#xA;Jai Beats&#xA;Jai Beats on the track, boy&#xA;&#xA;JUMPA&#xA;JUMPA, make it jump!&#xA;&#xA;Jugglerz&#xA;Yo, Jugglerz&#xA;&#xA;Jake Lee&#xA;Damn, Jake&#xA;&#xA;JakeSand&#xA;Damn JakeSand!&#xA;&#xA;Jambo&#xA;Ayy, bro, is that Jambo?&#xA;Jambo&#xA;&#xA;James Maddocks&#xA;James about that check, boy&#xA;&#xA;Jamma Beats&#xA;JammaBeats&#xA;&#xA;Jammy Beatz&#xA;Jammy on the beat, boy&#xA;&#xA;Jason Rich&#xA;It's Jason Rich, baby&#xA;Jason Rich on the beat, bitch&#xA;I-I-In this bitch with Jason Rich&#xA;&#xA;Javar&#xA;Javar said, &amp;quot;Pick up that bag,&amp;quot; right?&#xA;&#xA;Jawsh 685&#xA;685, baby&#xA;&#xA;Jay B&#xA;Dawg, I got you Jay B&#xA;&#xA;Jay Nari&#xA;Sorry Jay Nari&#xA;&#xA;Jayreck&#xA;J-J-J-Jayreck&#xA;It's Jayreck, bitch&#xA;&#xA;Jaystolaa&#xA;Ayy, Wise, where you at?&#xA;&#xA;Jay The Great&#xA;Jay The Great, Bass Kickin Like A Body In Da Trunk&#xA;&#xA;Jay Trench&#xA;Jay Trench&#xA;Neon&#xA;&#xA;JayUncut&#xA;Uncut&#xA;&#xA;JBand$&#xA;JBand$, bitch&#xA;&#xA;JBFlyBoi&#xA;WeMakeBangerz&#xA;JBFlyBoi Ya Bish&#xA;JBFlyBoi OhhhBabyeee&#xA;&#xA;JB Made It&#xA;Who made this? JB made this&#xA;&#xA;JD on tha Track&#xA;JD on tha Track&#xA;&#xA;Jefe&#xA;Jefe Got That Drip&#xA;&#xA;Jeler Beats&#xA;Hey, Jeler&#xA;&#xA;Jermaine Dupri&#xA;Y'all know what this is...so, so def!&#xA;&#xA;Jester Beats&#xA;Jester made this&#xA;&#xA;JetsonMade&#xA;Oh Lord, Jetson made another one!&#xA;&#xA;Jim-E Stack&#xA;Jim-E Stack on the beat, man&#xA;&#xA;Jiwhan Kim&#xA;Oh, is that Jiwhan again?&#xA;&#xA;Jkei&#xA;Jkei, really?&#xA;&#xA;JKJMETASCO&#xA;Ayy, JK, hol' on&#xA;&#xA;JM00&#xA;JM00 made this one, you know&#xA;JM00, baby&#xA;&#xA;Joey Trap&#xA;Oh my God, I love you so much Joey, oh my God&#xA;Joey Trap is daddy&#xA;I fuckin' love ya, Joey&#xA;Young Rich Squad&#xA;Joey, you killed this&#xA;&#xA;John Lam&#xA;Ayy, pull up, Lam&#xA;&#xA;johnnyfriend&#xA;That's another banger, Johnny&#xA;&#xA;Johnny Juliano&#xA;Johnny Juliano&#xA;Johnny Juliano dot com&#xA;&#xA;Jordan Granados&#xA;Jordan, Jordan, Jordan&#xA;Jordan Granados&#xA;&#xA;Jose The Plug&#xA;Jose The Plug&#xA;&#xA;Josh Petruccio&#xA;I just like the sound of it&#xA;&#xA;JoyztiK&#xA;Thank you for listening. Enjoy&#xA;Yo, run it back, Joy&#xA;&#xA;JP Did This 1&#xA;JP did this&#xA;&#xA;JRODthePROD&#xA;JRod, are you serious?&#xA;&#xA;J Roes&#xA;J Roes&#xA;&#xA;J.R. Rotem&#xA;J-J-J-JR&#xA;&#xA;J Stew&#xA;Damn, J Stew, you made this one too?&#xA;&#xA;JTBeatz&#xA;JT on the track again&#xA;&#xA;JTK&#xA;JTK&#xA;&#xA;Jug&#xA;Ayo, Jug&#xA;&#xA;Juh-Dee&#xA;Juh-Dee on the beat&#xA;&#xA;Juicy J&#xA;What Juicy say? He be like, &amp;quot;Shut the fuck up&amp;quot;&#xA;&#xA;J.U.S.T.I.C.E. League&#xA;Justice League&#xA;&#xA;June James&#xA;June, you're a genius&#xA;&#xA;June&#xA;June onna beat, June onna beat&#xA;Yeah, 'cause you're bein' June right now, June be on bullshit&#xA;&#xA;Just Blaze&#xA;Just Blaze!&#xA;&#xA;Just Call Me Chris&#xA;Oh Yeah Chris&#xA;&#xA;J Digital&#xA;J Digital&#xA;&#xA;J Gramm&#xA;J Gramm on the beat&#xA;Ooh, J Gramm&#xA;&#xA;J. White Did It&#xA;J. White, I need a beat I can go off on, ooh&#xA;&#xA;JEWELXXET&#xA;I Just Love Jewelxx&#xA;Jewelxx&#xA;Black money boyz death row fuck nigga&#xA;Fuck nigga&#xA;Jay!, Jay!, Jay!&#xA;Skull kid laugh&#xA;Slow skull kid laugh&#xA;Imo laugh&#xA;Underworld records strictly for the under&#xA;You’re too slow!&#xA;9lives ex-clu-sive&#xA;Chris I’m sorryKKarmaMøb&#xA;This is a KarmaMøb exclusive&#xA;&#xA;Kayman The Producer&#xA;Kayman made this one&#xA;Kayman, this mix is clean bro&#xA;&#xA;K Hendrix&#xA;K Hendrix, how you comin', nigga?&#xA;K Hendrix cold as a motherfucker&#xA;&#xA;KP Beatz&#xA;KP Beatz&#xA;&#xA;K. Swisha&#xA;K Swisha on the track&#xA;K Swisha&#xA;&#xA;K.E. on the Track&#xA;K.E. on the Track&#xA;&#xA;K8&#xA;K8&#xA;&#xA;Kacey Khaliel&#xA;Khaliel&#xA;&#xA;Kachi&#xA;Kachi&#xA;&#xA;KalaniOnDaBeat&#xA;This is KalaniOnDaBeat&#xA;&#xA;Kane Beatz&#xA;Kane is in the building, nigga&#xA;&#xA;KANEDA7&#xA;KANEDA, KANEDA&#xA;&#xA;KanielTheOne&#xA;Kaniel made this one&#xA;Oh, is that Kaniel again?&#xA;&#xA;KanKan&#xA;KanKan on the beat&#xA;&#xA;Karltin Bankz&#xA;Karltin!&#xA;&#xA;Kashaka&#xA;Yo they love Kashaka&#xA;&#xA;KassGoCrazy&#xA;KassGoCrazy&#xA;Neilaworld&#xA;Woah, KassGoCrazy&#xA;Kass&#xA;&#xA;KatManDu&#xA;KatManDu&#xA;&#xA;Kay9ine&#xA;Oh yeah, let's go, Kay9ine&#xA;&#xA;KAYVXN&#xA;KAYVXN on the beat&#xA;&#xA;KBeaZy&#xA;Ayy, KBeaZy, you fyed up&#xA;&#xA;KC da Beatmonster&#xA;Beatmonster!&#xA;&#xA;KD33&#xA;That's it right there KD&#xA;Uh-huh, play that for me one time, KD, play that for me one time, KD&#xA;&#xA;K'Den Ju&#xA;K-K-K'Den Ju&#xA;&#xA;Keezy808&#xA;Keez on the track, ooh&#xA;&#xA;Kenny Beats&#xA;Woah, Kenny!&#xA;KENNY!&#xA;&#xA;KenzDean&#xA;KenzDean&#xA;&#xA;Keslley&#xA;Só podia ser o Keslley&#xA;&#xA;Kesz&#xA;Kesz on the track&#xA;&#xA;Kevin McCall&#xA;K-K-K-K-K-Mac&#xA;&#xA;Kevin Katana&#xA;Uhg, I hate Kevin&#xA;&#xA;Kev Rodgers&#xA;Darnell, turn that beat down&#xA;&#xA;Keybee On The Track&#xA;Keybee On The Track&#xA;&#xA;Keyon Christ&#xA;You have now stepped into the world of Keyon Christ&#xA;&#xA;KGR&#xA;KGR&#xA;&#xA;Khris P&#xA;Haha, KReam Team&#xA;&#xA;Khroam&#xA;Why is everything Khroam?&#xA;Everything is Khroam in the future!&#xA;Khroam on the beat&#xA;&#xA;Kid Brass&#xA;Kid Brass is cooking&#xA;Kid Brass, business&#xA;&#xA;Kid Caesar&#xA;Kid Caesar was here&#xA;&#xA;Kid Culture&#xA;Kid&#xA;&#xA;Kid Hazel&#xA;Kid Hazel on the beat&#xA;Kid Hazel, you killed this&#xA;&#xA;Kid Wond3r&#xA;KidWond3r, you made this beat? Dang!&#xA;&#xA;Kidhakku&#xA;A knife&#xA;Che cavolo stai dicendo Willis?&#xA;&#xA;King Prez&#xA;Prez get that money&#xA;&#xA;Kiryano&#xA;ivvY&#xA;ivvY LeaguE&#xA;Seven&#xA;Fuck ivvY LeaguE&#xA;&#xA;Kitschkrieg&#xA;Kitschkrieg, Kitschkrieg, Kitschkrieg&#xA;K-K-K-K-Kitschkrieg&#xA;&#xA;Kiwi&#xA;Yo Kiwi, thank you, bro&#xA;&#xA;KK McFly&#xA;You're a Genius, McFly&#xA;&#xA;Kleo&#xA;Who made it? It's Kleo&#xA;&#xA;Koi the Alchemist&#xA;Okay, ooh, ooh, ooh, yessir&#xA;Yessir&#xA;&#xA;KOP Karbeen&#xA;KOP&#xA;KOP drop that shit my nigga&#xA;&#xA;Kosfinger Beats&#xA;It's Kosfinger baby&#xA;&#xA;KrissiO&#xA;KrissiO!&#xA;&#xA;Krookz&#xA;Krookz&#xA;&#xA;Ksub&#xA;K-Sub come il signor Burns, libera tre pitbull su 'sto beat, yeh&#xA;K-Sub come il signor Burns&#xA;Ksub (Ksub)&#xA;&#xA;K’Shaun Beats&#xA;K'Shaun made this motherfucking beat, nigga&#xA;&#xA;K$upreme&#xA;K$upreme on the beat, ayy&#xA;&#xA;Ktwicebeats&#xA;Ktwice on the beat&#xA;&#xA;Kubi Producent&#xA;Jezu Chryste, Kubi!&#xA;Kubi&#xA;&#xA;Kubus&#xA;Kubus, he look like my dad!&#xA;Hey, Kubus!&#xA;&#xA;Kudzu&#xA;Kudzu&#xA;&#xA;Kuiva H&#xA;Ku-Ku-Kuiva&#xA;Fuck Kuiva H&#xA;&#xA;kurane&#xA;kurane&#xA;&#xA;Kurtains&#xA;Hi Dopa&#xA;DJ Kurtains&#xA;&#xA;kuru&#xA;kuru&#xA;I'm sick of running from myself&#xA;&#xA;KXT Beatz&#xA;KXT Productions&#xA;&#xA;KXVI&#xA;I love you, KXVI&#xA;&#xA;Kyle Beats&#xA;Yo, Kyle, this shit's crazy&#xA;&#xA;KyleYouMadeThat&#xA;Kyle, you made that?&#xA;&#xA;Kyo Beats&#xA;Kyo Hit The PlugLL1 The Producer&#xA;L1 The Producer&#xA;&#xA;Laïoung&#xA;Laïoung in your eardrum&#xA;&#xA;Laisvis&#xA;It's Laisvis&#xA;&#xA;LafDaDon&#xA;DaDon got that bass&#xA;&#xA;Lah&#xA;Lah&#xA;&#xA;Lama On The Beat&#xA;Lama, Lama&#xA;&#xA;Maurice &amp;quot;Lamb&amp;quot; McAdams&#xA;Zamn, Lamb, what you doin' with that?&#xA;&#xA;Landfill&#xA;Landfill&#xA;'Ringe&#xA;&#xA;Lanek&#xA;Dawaj Lanek&#xA;Lanek, moloch gang!&#xA;&#xA;Laudiano&#xA;Laudiano&#xA;&#xA;Lauky Beatz&#xA;Lauky Beatz&#xA;&#xA;Launch.Liam&#xA;Lau-Lau-Launch wit' the loot, ayy!&#xA;&#xA;Lauren Ralph&#xA;Lauren Ralph&#xA;&#xA;Laykx&#xA;Laykx&#xA;&#xA;League of Starz&#xA;League of Starz&#xA;&#xA;Leekeleek&#xA;It's a LeekeLeek banger&#xA;&#xA;LeTempsDuPiano&#xA;LeTempsDuPiano&#xA;&#xA;Lethal&#xA;L-L-L-Lethal&#xA;&#xA;Level&#xA;Level&#xA;&#xA;Lex Luger&#xA;Lex Luger&#xA;Lex Luger on the beat so what the fuck you think?&#xA;That nigga Lex Luger!&#xA;&#xA;Lezter Beats&#xA;Lezter, you going crazy&#xA;&#xA;​lieu&#xA;​lieu&#xA;&#xA;Lilac&#xA;Lilac, haha&#xA;JuggLyfe&#xA;This is totally an epic JuggLyfe moment&#xA;I'm sorry&#xA;&#xA;lil biscuit&#xA;​biscuit boy clique&#xA;biscuitto&#xA;&#xA;⁣lilbmun&#xA;⁣lilbmun, а что это вы тут делаете?&#xA;&#xA;Lil Crow&#xA;Crowley, turn that shit up!&#xA;&#xA;Lil Heartbreak&#xA;He broke my heart&#xA;&#xA;LilJuMadeDaBeat&#xA;And if the beat live, you know Lil Ju made it&#xA;Lil Ju Made This Beat&#xA;&#xA;LiL Medic Beats&#xA;M-M-M-M-Medic&#xA;LiL Medic Beats&#xA;&#xA;Lil Mexico&#xA;Ayo, Lil Mexico, pass the gas&#xA;&#xA;Lil Reece&#xA;Lil Reece produced it&#xA;&#xA;LilRiicoBeatz&#xA;Lil Rico got the sauce&#xA;&#xA;Lil Tadek&#xA;Lil Tadek on da beat, ho&#xA;&#xA;Lil Tecca&#xA;We love you, Tecca&#xA;&#xA;LIL VMK&#xA;&#xA;&#xA;Lil Voe&#xA;You know it's Lil Voe on the beat&#xA;&#xA;Lil Waifu&#xA;Lil Waifu&#xA;Lil Waifu on the beat&#xA;&#xA;LiTek&#xA;It's Tekky&#xA;&#xA;LT Moe&#xA;LT Moe music!&#xA;&#xA;Linguini Bros&#xA;Linguini Bros&#xA;&#xA;Loaded&#xA;Loaded, what up?&#xA;&#xA;Loesoe&#xA;Loesoe going crazy&#xA;&#xA;LondnBlue&#xA;Cook this up (Cook this up)&#xA;You know Bluey had to cook this up&#xA;&#xA;London on da Track&#xA;We got London on da Track&#xA;London on da Track, bitch! Hahahaha&#xA;I'm in London, got my beat from London&#xA;&#xA;longboystyle&#xA;Ayy, get it, longboystyle&#xA;Hey, longboy, you stylin'&#xA;&#xA;The LoopHoles&#xA;Think we found a loophole&#xA;Th-th-th-think we found a loophole&#xA;&#xA;Loren&#xA;Loren&#xA;&#xA;Lord Fubu&#xA;Fubu got that flame&#xA;&#xA;LostKidSamy&#xA;Samy chasing racks&#xA;&#xA;LouBeats&#xA;Ayy, cook that shit up, Lou&#xA;LouBeats on the beat&#xA;Real right shit&#xA;&#xA;Louie Bandz&#xA;Louie Bandz made another one&#xA;&#xA;Louis-Émile Vromet&#xA;Cock it back, Louis&#xA;&#xA;LouieOnTheKeys&#xA;Louie, wake up&#xA;&#xA;lovbug&#xA;Hahaha&#xA;lov&#xA;&#xA;Low Kidd&#xA;Mob&#xA;&#xA;Loyaltee&#xA;Loyaltee Exclusive&#xA;Loyaltee&#xA;Loyaltee on the track, boy&#xA;&#xA;Luca Beats&#xA;Luca on the track&#xA;&#xA;Lucas Depetti&#xA;Ah, Depetti, Depetti&#xA;&#xA;LuciG&#xA;Hey LuciG&#xA;&#xA;Ludo (UK)&#xA;ayoludo&#xA;&#xA;Ludwig&#xA;I-I-I-It's Ludwig bitch&#xA;&#xA;Luke Almighty&#xA;Almighty on the beat, you know how we rockin'&#xA;&#xA;Luke Roswell&#xA;It happened in 1947&#xA;&#xA;Luke White&#xA;Luke White on the beat&#xA;&#xA;Lusi&#xA;Whatever&#xA;&#xA;LT Studio&#xA;LT is healthyMM1onTheBeat&#xA;M1onTheBeat&#xA;&#xA;m1v&#xA;Lonegore&#xA;L-L-L-Lonegore is mentally insane&#xA;Wristcheck, cutting through the pain hahaha&#xA;&#xA;Maajins&#xA;Man, what the fuck goin' on Maajins?&#xA;Fuck goin' on, Maajins?&#xA;What's up, Maajins?&#xA;&#xA;Maaly Raw&#xA;That be Maaly Raw&#xA;&#xA;Madara Beatz&#xA;Madara&#xA;It's Madara Beatz&#xA;&#xA;Maddox&#xA;Maddox on the beat&#xA;&#xA;MadeByTrip&#xA;MadeByTrip&#xA;&#xA;Madiel Lara&#xA;Madiel Lara on the beat!&#xA;&#xA;Maestro&#xA;Maestro&#xA;&#xA;Mage the Producer&#xA;A-yo, Mage, you made a bang&#xA;Bang&#xA;&#xA;Mago Del Blocco&#xA;È il Mago Del Blocco&#xA;&#xA;MalikOTB&#xA;It's Malik on the track&#xA;&#xA;MallDidIt&#xA;Yo, who made this beat? You know Mall did it&#xA;Mall did it&#xA;&#xA;Mally Mall&#xA;Mally Mall&#xA;&#xA;MAMORU&#xA;MAMORU, you sound good&#xA;&#xA;Mando Fresh&#xA;Mando Fresh&#xA;&#xA;Marcusbasquiat&#xA;This is a high-quality film, right?&#xA;&#xA;Marcin21&#xA;Em pozdrawiam Marcina, jego bity są świetne&#xA;&#xA;Marii Beatz&#xA;Marii Beatz, turn me up&#xA;&#xA;Mario Judah&#xA;Ayy man, where the fuck is Mario Judah?&#xA;&#xA;Mark Henry&#xA;Mark Henry&#xA;&#xA;Marq Meauxs&#xA;This the heat, nigga&#xA;&#xA;Marshmello&#xA;Mello made it right&#xA;&#xA;MarshawnHitz&#xA;The way Marshawn cook da beat up!&#xA;It's a MarshawnHitz&#xA;&#xA;MarcussMuzik Of Beat Execz&#xA;Marcuss, you killin' the beat&#xA;&#xA;TheMartianz&#xA;The Martianz&#xA;&#xA;MATHIASTYNER&#xA;MATHIAS, hahaha&#xA;MATHIASTYNER&#xA;&#xA;matthewfm&#xA;Hey, Matthew did you make this?&#xA;&#xA;Maxx&#xA;Maxx, you should quit producing&#xA;&#xA;Mayyzo&#xA;Mayyzo&#xA;&#xA;Mega Beats&#xA;Mega, you played that boy!&#xA;&#xA;MEGADRIIVE&#xA;MEGADRIIVE!&#xA;&#xA;MelodicDesert&#xA;MelodicDesert&#xA;&#xA;Menace (UK)&#xA;M-M-M-Menace...on the beat&#xA;You are now listening to the hottest producer with the hottest beats on the net...Menace&#xA;&#xA;Mendi Beats&#xA;Is this you, Mendi?&#xA;&#xA;Menoh Beats&#xA;Menoh&#xA;&#xA;Metro Boomin&#xA;Ayy, Lil Metro on that beat&#xA;If Young Metro don't trust you, I'm gon' shoot you&#xA;Metro&#xA;Metro be boomin'&#xA;Metro Boomin' make it boom&#xA;Metro Boomin want some more, nigga&#xA;This beat is so, so Metro&#xA;Young Metro, Young Metro, Young Metro&#xA;&#xA;MexikoDro&#xA;Bitch&#xA;Plug&#xA;&#xA;Michael Mora&#xA;Hey, Michael&#xA;&#xA;xmichaelwarren&#xA;Michael Warren&#xA;&#xA;Michał Graczyk&#xA;MG&#xA;&#xA;Michigan Meech&#xA;Meech&#xA;Michigan Meech&#xA;Meech what it look like&#xA;&#xA;Midas800&#xA;I wish everything I touch would turn to gold&#xA;Midas got a jugg, ayy&#xA;&#xA;MidlowBeats&#xA;Ayy, it's Midlow on the track, boy&#xA;Midlow&#xA;&#xA;Mikabeats&#xA;Mika gave you this one&#xA;&#xA;Mike Crook&#xA;Cállate, Mike Crook&#xA;&#xA;Mike Dean&#xA;Vador&#xA;&#xA;MikeFutureBeats&#xA;Mike Future You Flying Through?&#xA;&#xA;Mike Gonsolin&#xA;Mike G, you can't do this to 'em, man&#xA;&#xA;Mike Mixer&#xA;Mike Mixer is in the building&#xA;&#xA;Mike WiLL Made-It&#xA;Mike WiLL, fuck with me&#xA;Mike WiLL Made-It&#xA;Mike WiLL Made-It, nigga&#xA;Mike Willie with me, nigga&#xA;&#xA;Mike Zombie&#xA;Zombie on the track&#xA;&#xA;Mikey Beats&#xA;Damn, Mikey&#xA;&#xA;Mikey Keyz&#xA;Everybody wants to be like Mike&#xA;Hahahahaha, Mikey&#xA;&#xA;Mikey the Magician&#xA;MTM, hit 'em with the heat&#xA;MTM produced it&#xA;&#xA;Milan&#xA;Ayy, Milan, that's another one, on God&#xA;Hey Milan, that's a hit&#xA;&#xA;MINDSET&#xA;Damn, Damn Donnie you killed this shit&#xA;&#xA;Mingo&#xA;Mingo, haha&#xA;&#xA;Mino66&#xA;Ayy Mino, is this catchy?&#xA;&#xA;Mirica&#xA;Mirica&#xA;Mirica made this one&#xA;&#xA;MitchGoneMad&#xA;Lousy&#xA;&#xA;MKThePlug&#xA;MKThePlug&#xA;&#xA;MobzBeatz&#xA;Ay Mobz, that sounds wavy you know&#xA;&#xA;Mochila&#xA;I love you, Mochila&#xA;Neilaworld&#xA;&#xA;Moe Magik&#xA;Moe making Magik&#xA;&#xA;Momma's Boy (Producer)&#xA;Momma!&#xA;&#xA;Mondo&#xA;Mondo on the beat, what's poppin'?&#xA;&#xA;MoneyEvery&#xA;Mom, MoneyEvery's makin' beats again&#xA;MoneyEvery on the track&#xA;&#xA;Money Montage&#xA;Montage&#xA;Mmm, Montage&#xA;&#xA;Monique Winning&#xA;Y'all gon' have to put Mo in&#xA;&#xA;MonstaBeatz&#xA;MonstaBeatz&#xA;&#xA;Montana Made It&#xA;Montana Made It&#xA;Make It Happen, Make It Real&#xA;&#xA;Mook On The Beats&#xA;Mook got the keys jumpin'&#xA;Mook on the beats&#xA;&#xA;Mooktoven&#xA;Ayy, where you get that beat from? Mooktoven&#xA;&#xA;Moonshine&#xA;Moonshine&#xA;&#xA;MoraBeats&#xA;MoraBeats&#xA;&#xA;Mothz&#xA;Here comes the pain&#xA;Here comes the—&#xA;Mothz, Mothz&#xA;Mothz&#xA;&#xA;MPC Cartel&#xA;Ooh, MPC Cartel&#xA;&#xA;Mr. 2-17&#xA;2-17 on the track, man&#xA;&#xA;Mr. Bentley&#xA;Mr. Bentley (Mr. Bentley)&#xA;&#xA;MrBlackOnDaTrack&#xA;MrBlackOnDaTrack&#xA;&#xA;Mr. Hanky&#xA;Mr. Hanky&#xA;&#xA;Mr. Monkey&#xA;Mr. Monkey&#xA;&#xA;Mr. Punisher&#xA;The Punisher&#xA;&#xA;Mr Virgo&#xA;Mis-Mis-Mis-Mister V&#xA;&#xA;Mr WOT Entertainment&#xA;I love Mr WOT Entertainment&#xA;&#xA;​mud&#xA;​mud&#xA;&#xA;Munroe&#xA;Munroe&#xA;&#xA;Murda Beatz&#xA;I ain't really finna tell y'all how to get away with murder and shit&#xA;Murda on the beat so it's not nice&#xA;Murda on the beat, that's not nice&#xA;M-M-M-Murda&#xA;This beat from Murda (Murda)&#xA;&#xA;Murphy Kid&#xA;Murphy Kid&#xA;&#xA;Mustard&#xA;Mustard on the beat, ho&#xA;&#xA;MUTRU&#xA;MUTRU&#xA;&#xA;MZY&#xA;Ayyy MZY, turn me up&#xA;&#xA;M.W.A. Music&#xA;M.W.A. Music&#xA;&#xA;M16&#xA;M16, bitchNNadddot&#xA;I'm shy, oh my God&#xA;&#xA;The Narcotics&#xA;Narcotic&#xA;&#xA;Nardi&#xA;Nardi, you drippin'&#xA;Nardi beats&#xA;&#xA;Nard &amp;amp; B&#xA;Nard &amp;amp; B&#xA;&#xA;Narquise&#xA;Ayy, who the fuck is Narquise?&#xA;&#xA;Nash B&#xA;Nash B chillin'&#xA;&#xA;Nashi&#xA;Ayy, yo, Nashi, you go crazy&#xA;Ayy, yo, Nashi&#xA;&#xA;Nastylgia&#xA;Nastylgia&#xA;&#xA;Natra Average&#xA;Natra&#xA;&#xA;Nayko&#xA;Nayko, this beat crazy&#xA;&#xA;Nearr&#xA;Nearr boy, let them know&#xA;&#xA;Nebbïa&#xA;Nebbïa makes boom&#xA;&#xA;Neeko Baby&#xA;Yeah, yeah, Neeko, you made that motherfuckin' beat? Ah, nah&#xA;Ah, nah, you ain't make that motherfucker&#xA;&#xA;Neighborhood Watch&#xA;Neighborhood Watch&#xA;&#xA;Neilaworld&#xA;Neilaworld&#xA;Motorsport&#xA;&#xA;Nejdos&#xA;Ayo Nejdos&#xA;&#xA;Nene&#xA;Haha, Nene&#xA;&#xA;Ness&#xA;Ness on the beat&#xA;&#xA;neverforever&#xA;Never, forever&#xA;&#xA;nevrfall&#xA;nevrfall&#xA;nevr&#xA;&#xA;New Lane Ant&#xA;You got this beat from Ant&#xA;&#xA;NEXX&#xA;どうした？  こいよ。どうした？どうした？こいよ���&#xA;&#xA;Nflated&#xA;Yo, Nflated, spice that bitch up&#xA;&#xA;NFE Paris&#xA;Paris&#xA;&#xA;Niaggi&#xA;Niaggi, this that overseas drip&#xA;&#xA;​nick6383&#xA;6383&#xA;&#xA;Nick EBeats&#xA;Nick E on the track&#xA;&#xA;Nick Mira&#xA;Hahaha, Nick, you're stupid&#xA;Yeah, Nick just passed me the beat, I'ma kill it&#xA;&#xA;Nick Papz / Papamitrou&#xA;Yo, Nick Papz, make it slap&#xA;&#xA;Nico Baran&#xA;Nico&#xA;&#xA;Nikko Bunkin&#xA;I'm not goin' anywhere Nikko&#xA;Nikko Bunkin in the trap, yeah&#xA;&#xA;Niphkeys&#xA;Niphkeys&#xA;&#xA;Ni$h!th&#xA;NT&#xA;NTOnTheTrack&#xA;NT, you killed this shit&#xA;&#xA;Nitti&#xA;It's a Nitti beat!&#xA;&#xA;Noah Cuz&#xA;Noah, why you do that shit?&#xA;&#xA;NOCNY&#xA;Nocny, ale dałeś bit kurwa&#xA;&#xA;noevdv&#xA;vdv, get it&#xA;&#xA;No Gen&#xA;No Gen&#xA;&#xA;Noir1070&#xA;Ayo, Noir&#xA;&#xA;Noisy Jay&#xA;Noisy Jay&#xA;Noisy on the beat&#xA;&#xA;No Label&#xA;No Label, datti 'na calmata&#xA;&#xA;Nonbruh&#xA;Alright, put the money in the bag, put it in!&#xA;Nonbruh&#xA;&#xA;Non Native&#xA;Bordeaux and Non Native&#xA;&#xA;Nonstop Da Hitman&#xA;N-N-Non-stop&#xA;&#xA;Norbert Ronin&#xA;Norbert, what have you done?&#xA;&#xA;Noxygen&#xA;Noxygen on the track&#xA;&#xA;Nueve Lio&#xA;9side, where you at?&#xA;Oh my god, is that based9side?&#xA;&#xA;Nuez&#xA;Lemme know when it drop, Nuez&#xA;&#xA;Nuki&#xA;Wow, Nuki Beats&#xA;&#xA;Number 48&#xA;48 on the beat&#xA;The numbers, what do they mean?&#xA;Numbers are everywhere, don't hide&#xA;&#xA;Nyge&#xA;It sounds like NygeOOdece&#xA;Odece&#xA;&#xA;OFASHO&#xA;OFASHO, are you kidding me?&#xA;&#xA;OG Parker&#xA;OG Parker&#xA;&#xA;OG’s&#xA;This is a OG call, OG&#xA;&#xA;Oh!Zone&#xA;Oh wee, it's Oh!Zone on the beat&#xA;&#xA;Oil Beatz&#xA;Oil Beatz, suko&#xA;Olej daje beat, co rozkurwia głowę&#xA;&#xA;OK (@₪)&#xA;Don't stop!&#xA;What have you done?&#xA;&#xA;OKHIPHOP&#xA;OKHIPHOP&#xA;&#xA;Okthxbb&#xA;Thxbb&#xA;&#xA;oliimpus&#xA;High quality&#xA;&#xA;OmarCameUp&#xA;&#xA;OmenXIII&#xA;Omen&#xA;&#xA;Onderkoffer&#xA;Onderkoffer on the beat so twerk it bitch&#xA;&#xA;Only1shredder&#xA;Ayo, Shredder&#xA;What's good, Shredder?&#xA;&#xA;onlytheflyest&#xA;Only the Flyest on the track&#xA;&#xA;Oogie Mane&#xA;I'm workin' on dyin'&#xA;Oogie Mane, he killed it&#xA;お前, チャーミングな広いおでこしてんな&#xA;お前—&#xA;&#xA;Oohdem Beatz&#xA;Oohdem Beatz&#xA;&#xA;Oreox4&#xA;We are Oreo&#xA;&#xA;Orkundk&#xA;D-D-D-DK gene n'aptın sen?&#xA;&#xA;Osémio Boémio&#xA;Osémio Boémio, Osémio Boémio, Osémio Boémio...&#xA;&#xA;Oster&#xA;Oster on the beat, watch out!&#xA;&#xA;OtisMadeIt&#xA;Otis&#xA;&#xA;Otxhello&#xA;Go 'head, O&#xA;&#xA;outby16&#xA;outby16, or dead on the scene but together forever&#xA;outby16, or dead on the scene but together for fucking ever&#xA;outby16, or dead on the scene together&#xA;&#xA;Outrun&#xA;This one's for you sleepy motherfuckers&#xA;&#xA;Outtatown&#xA;Outtatown, but we never out of money&#xA;&#xA;Ouz Baydar&#xA;Baydar on the beat&#xA;&#xA;OZ&#xA;OZ on the beat, yeah&#xA;&#xA;Oz on the Track&#xA;Oz on the track&#xA;Oz, you're big time&#xA;Ayy, Oz, you a big dog now, you get to barkPP2wider&#xA;P2wider&#xA;&#xA;P.A Beats&#xA;P.A Beats&#xA;&#xA;P.A.F.F&#xA;P.A.F.F&#xA;&#xA;Painkid&#xA;Painkid got all the sauce&#xA;&#xA;Palaze&#xA;Palaze, what you cookin'?&#xA;&#xA;PANDORA TRVP / BEATS&#xA;Pandora, Pandora, Pandora&#xA;&#xA;Pascha&#xA;No... Pascha!&#xA;&#xA;Pasqué&#xA;Pasqué, heat it up&#xA;&#xA;Patrick McMillan&#xA;Yo, Pat, make the speakers knock&#xA;&#xA;Pe$o Piddy&#xA;Pe$o Piddy&#xA;&#xA;Penacho&#xA;Penacho&#xA;&#xA;PerfectOnTheBeat&#xA;Perfect&#xA;&#xA;Perish Beats&#xA;Ayo, Perish, this shit hot, boy&#xA;Ayo, Perish, this is hot, boy&#xA;&#xA;Peyote&#xA;PeyoteBeats&#xA;&#xA;Pharaoh Vice&#xA;PharaohVice.com&#xA;Vice&#xA;Pharaoh Vice&#xA;&#xA;Phosphate&#xA;Phosphate&#xA;&#xA;Pi'erre Bourne&#xA;D-D-D-D-Damn, Pi'erre&#xA;Damn, Pi'erre, where'd you find this?&#xA;Yo, Pi'erre, yo, Pi'erre&#xA;Yo, Pi'erre, you wanna come out here?&#xA;Yo, yo, Pi'erre, you wanna come out here?&#xA;&#xA;PJ Pipe It Up&#xA;PJ, pipe it up, cuz&#xA;Pipe it up PJ&#xA;&#xA;PLATNA&#xA;Oh my God, Platna&#xA;&#xA;Pliznaya&#xA;Pliznaya, Pliznaya, Pliznaya&#xA;Damn Pliz&#xA;&#xA;P-Lo&#xA;P-P-P-Lo time to bring the bass back&#xA;&#xA;PlutoBrazy&#xA;Ayo, Pluto, you going brazy&#xA;&#xA;Plu2o Nash&#xA;Nash Effect&#xA;Nash effect fuck nigga&#xA;&#xA;P-Nasty&#xA;Mmm boy, it's nasty&#xA;&#xA;Polo Boy Shawty&#xA;Polo Boy Shawty on the track, so I am killin' it&#xA;Polo, what's up, brozay?&#xA;&#xA;Pooh Beatz&#xA;Pooh, you a fool for this one&#xA;&#xA;Pops On Da Beat&#xA;Pops On Da Beat&#xA;&#xA;PotentGYFT&#xA;This a motherfuckin' gift from Potent, yeah&#xA;&#xA;Powers Pleasant&#xA;Yo, Power, this a really great beat&#xA;Got the beat by Powers, and we just made a banger&#xA;&#xA;prblm&#xA;DevilMayCry&#xA;&#xA;Priority Beats&#xA;You know this a Priority&#xA;Hahaha, you know this a Priority&#xA;&#xA;Pressokidd&#xA;Presso, let's turn up&#xA;Presso turn me up, boy&#xA;&#xA;ProdByCade&#xA;Ayy, Cade, let's turn up&#xA;C-C-C-Cade made this&#xA;&#xA;Prodbykai&#xA;Kai gon' blow this shit up&#xA;&#xA;prodbysams&#xA;sams&#xA;&#xA;ProdByWalkz&#xA;ProdWalkz&#xA;なに?!あれはウWalkz ka?!&#xA;What you sayin', Drill Simon Cowell?&#xA;&#xA;prodbywar&#xA;War's too nasty&#xA;&#xA;Prod Fuego&#xA;Ayo, Fuego, pull up&#xA;&#xA;Prod Jarvis&#xA;Jarvis&#xA;&#xA;Prod Yayo&#xA;And I got the Yayo&#xA;&#xA;ProdByZati&#xA;Ayy, Zati, this sounds cold&#xA;&#xA;prodby668&#xA;Six-six-six-six&#xA;&#xA;Producer 20&#xA;I got 20 on my beat&#xA;&#xA;Prodxoasis&#xA;Oasis&#xA;&#xA;ProtegeBeatz&#xA;Protege Beatz&#xA;&#xA;Pröz&#xA;Marry me Pröz&#xA;&#xA;PRXME&#xA;P-P-P-PRXME&#xA;Aye PRXME, yo shit crazy&#xA;Not me, I'm in my PRXME&#xA;&#xA;Prxz&#xA;Prxz&#xA;&#xA;P. Soul&#xA;P. Soul on the track&#xA;&#xA;Purps&#xA;Purps on the beat&#xA;&#xA;Pxcoyo&#xA;Pxcoyo killed this beat, bitch&#xA;&#xA;Pyrexxz&#xA;Pyrexxz on the beat, bitch!&#xA;&#xA;Pyrex Whippa&#xA;Ayy, Pyrex, this motherfucker hard as fuck, slime&#xA;Pyrex&#xA;PyrexTurnMeUp!&#xA;Pyrex whipper&#xA;Yeah, that boy Pyrex in this motherfucker&#xA;Zone 6 nigga, Pyrex whipper (Pyrex)QQAEDA.M4&#xA;Stay alert, Al-Qaeda inbound&#xA;&#xA;​quannnic&#xA;quannnic&#xA;&#xA;Qioh&#xA;Qioh&#xA;&#xA;Quay Global&#xA;Cook that shit up, Quay&#xA;&#xA;Quintuple&#xA;Fuck you, QuinRR14&#xA;R14&#xA;&#xA;RaceFortune&#xA;Race, he be fucking up the bass&#xA;&#xA;RaeSam&#xA;Hit a button, Morty, give me a beat! (Oh man, okay, alright, um—)&#xA;RaeSam on the beat!&#xA;&#xA;Rage Rocket&#xA;Rage Rocket made this&#xA;&#xA;Raiden Got Disciples&#xA;Raiden Got Disciples&#xA;&#xA;Ralph Norman&#xA;Oooo Ralph Norman&#xA;&#xA;RamyOnTheBeat&#xA;Ramy on the beat&#xA;&#xA;Ran Beats&#xA;Ayy, yo, Ran, turn that up&#xA;&#xA;Rasta Papii&#xA;Rasta Rebelz&#xA;&#xA;RealRed&#xA;Red, that ho so fuckin' bumpin', bruh&#xA;&#xA;RealusBeats&#xA;Aha-ha-ha-ha-ha, RealusBeats&#xA;&#xA;Reazy Renegade&#xA;Renegade&#xA;&#xA;Reckol&#xA;Itadakimasu&#xA;&#xA;Redda&#xA;It's fucking Redda, f—fucking Redda&#xA;&#xA;Red Drum&#xA;Red Drum on the beat&#xA;&#xA;RedOne&#xA;RedOne&#xA;&#xA;RedRock45&#xA;Are you kidding me, people? It's RedRock&#xA;RedRock, are you serious?&#xA;RedRock Beats&#xA;That nigga RedRock is on some stupid shit, I'll tell you&#xA;&#xA;Rell1Hundo&#xA;Hundo on some shit&#xA;&#xA;The Remedy&#xA;Hahaha, The Remedy&#xA;&#xA;Remedee&#xA;Remedee&#xA;&#xA;remghost&#xA;Come over, remghost&#xA;&#xA;Remo the Hitmaker&#xA;Remo the Hitmaker&#xA;&#xA;The Renegades&#xA;The Renegades&#xA;&#xA;Reese Forte&#xA;Thank you, Reese&#xA;Reese Forte&#xA;&#xA;Reuel&#xA;Reuel, stop playin wit these niggas&#xA;&#xA;Rexart&#xA;Rex cookin' up art&#xA;&#xA;Rex Kudo&#xA;Got lil' Rex on the beat and I am not friendly&#xA;&#xA;Richie Souf&#xA;Boy&#xA;I just told Richie we rich!&#xA;&#xA;Rich Lou&#xA;Rich Lou&#xA;&#xA;Ricky P&#xA;Aha, good one Richard&#xA;Ayy Ricky, let 'em out&#xA;&#xA;Ricky Racks&#xA;Ricky Racks, I see you!&#xA;Ricky Racks, Ricky Racks&#xA;&#xA;Rico Beats&#xA;Rico's going crazy again&#xA;&#xA;Rio Leyva&#xA;Rio&#xA;&#xA;Rio Mac&#xA;Rio, Rio&#xA;&#xA;RK Productions&#xA;RK Productions&#xA;&#xA;Roc Andretti&#xA;Ayy, Andretti, turn me up, bruh&#xA;Roc Andretti&#xA;&#xA;Rocaine&#xA;Rocaine baby&#xA;&#xA;Rocco Did It Again!&#xA;Rocco did it again&#xA;Rocco, you did it again?&#xA;&#xA;Roger Beat&#xA;I've heard of Roger Beat, you know what this is&#xA;&#xA;RJ Lamont&#xA;Ooo, RJ&#xA;RJ always trippin', man, RJ always trippin'&#xA;&#xA;Rojas&#xA;Ayy Rojas, where you at shorty?&#xA;&#xA;RokOnTheTrack&#xA;Rok on the track, yeah&#xA;&#xA;Roko Tensei&#xA;Roko Tensei&#xA;&#xA;Rolze&#xA;R-R-R-R-Rolze&#xA;&#xA;Rzon&#xA;Ay, Rzon, what we sayin', cuz?&#xA;&#xA;Ron&#xA;Man like Ron, you know&#xA;&#xA;Ronny J&#xA;Oh my God, Ronny&#xA;Ronny J, listen up&#xA;Ronny J on the beat, bitch!&#xA;Ronny J produced it&#xA;Ronny J, please turn me up&#xA;&#xA;RonSupreme&#xA;Come on, Ron, come on, Ron&#xA;You better be sick, dead, or mute, Ron&#xA;&#xA;Ron Lui&#xA;Ron on the beat, he chopped it&#xA;&#xA;Ron-Ron the Producer&#xA;Ron-Ron do that shit&#xA;&#xA;Roselilah&#xA;Lilah flip the beat, yah&#xA;&#xA;ROSEWTR&#xA;ROSEWTR&#xA;&#xA;Ross Gossage&#xA;Ayy, Ross, sauce it up&#xA;&#xA;Royce David&#xA;Ayy, Royce, you did it right here&#xA;&#xA;Rubio777&#xA;Raise the Rubio&#xA;&#xA;RubiRosa&#xA;RubiRosa&#xA;&#xA;Rutkovsky&#xA;Rutkovsky&#xA;&#xA;RXLVND&#xA;R-R-R-RXLVND&#xA;RXLVND&#xA;&#xA;Ryan Bevolo&#xA;Bevolo got that sauce&#xA;&#xA;Ryder Johnson&#xA;Damn, Ryder, you did this shit, boy?&#xA;Damn, Ryder&#xA;Ryder, turn me up&#xA;&#xA;Ryze (CHH)&#xA;Ryze got me goin' upSSadBalmain&#xA;I love you, Balmain&#xA;&#xA;Sad Pony&#xA;Sad Pony&#xA;&#xA;Sala&#xA;Ah, ma questo è Sala&#xA;&#xA;Samad Savage&#xA;Samad cook it up, yer&#xA;&#xA;Sammyboy&#xA;Sammyboy&#xA;&#xA;Samy Burlet&#xA;Samy made this shit&#xA;&#xA;Sapphire Beats&#xA;Come on, Sapphire Beats&#xA;&#xA;SauceDad69&#xA;SauceDad69&#xA;&#xA;SayZay&#xA;Ayy, Zay, run that shit back, bruh&#xA;SayZay&#xA;&#xA;schafter&#xA;restaurant posse&#xA;&#xA;Scott Storch&#xA;Scott Storch&#xA;&#xA;Scott Styles&#xA;Beam me up, Scotty&#xA;&#xA;scotty splash&#xA;Scotty&#xA;Beam me up, Scotty&#xA;Beam me up&#xA;Scotty, have you made any friends yet?&#xA;&#xA;SDot Fire&#xA;SDot Fire&#xA;&#xA;Sean Da Firzt&#xA;Firzt on the track&#xA;Right there Firzt&#xA;&#xA;Sean Turk&#xA;Sean Turk&#xA;&#xA;SecretRank&#xA;SecretRankBeats&#xA;&#xA;Section 8&#xA;Section 8 just straight cooked this motherfucker up&#xA;&#xA;Segah&#xA;Segah&#xA;&#xA;Selection&#xA;Selection fuck it up&#xA;&#xA;Senseii&#xA;Senseii&#xA;&#xA;sense1god&#xA;You lose!&#xA;Anger and hate are supreme&#xA;Plugg angels, bitch&#xA;&#xA;SephGotTheWaves&#xA;SephGotTheWaves&#xA;&#xA;SethInTheKitchen&#xA;SethInTheKitchen&#xA;Seth the chef&#xA;&#xA;Sev Nasty&#xA;Seven on the track, bitch&#xA;You nasty, Sev&#xA;&#xA;Sg37 / Sg Lily&#xA;SG&#xA;&#xA;SHABAFABLYA&#xA;SHABAFABLYA&#xA;&#xA;Shady&#xA;Ayo Shady, you crazy&#xA;&#xA;Shah Major&#xA;Major, that's you?&#xA;&#xA;Sharpe&#xA;Sharpe, sharpe, sharpe, sharpe&#xA;&#xA;Shawn Ferrari&#xA;Yung Rari, Yung Rari&#xA;R-r-r-r-r-r-rari&#xA;&#xA;Shaz&#xA;Oh là là, Shaz&#xA;&#xA;Shell Kartel&#xA;Shell Kartel&#xA;&#xA;SHELOVEBASS&#xA;Bass, though&#xA;&#xA;shinigami&#xA;Uh-hah, I hate Shinigami&#xA;&#xA;shinju&#xA;shinju&#xA;&#xA;Shaun2Krazy&#xA;Shout out to Shaun&#xA;Turn up, Shaun&#xA;Shout out to Shaun2Krazy&#xA;&#xA;Shmack Harv&#xA;I'm gassed up with Shmack Harv&#xA;&#xA;Shoki&#xA;Is that Shoki on the beat?&#xA;Ayo, Shoki, this go crazy&#xA;&#xA;Shomiibeats&#xA;Haha, yeah Shomii on the beat, you already know how we rockin', man&#xA;&#xA;Sick Luke&#xA;Sick Luke, Sick Luke&#xA;Luke Skywalker sulla base&#xA;&#xA;​siem spark&#xA;It's siem spark&#xA;That's my spark&#xA;&#xA;Silo&#xA;Yo, Silo killed this&#xA;&#xA;Simon Lykke&#xA;Ayo Simon, this that heat&#xA;&#xA;Sir Michu&#xA;Sir Mich, najlepszy producent, suko&#xA;&#xA;Sir Spyro&#xA;Sounds of the Sir&#xA;&#xA;Six7&#xA;Six7 on the beat&#xA;Six7, what it do, fool?&#xA;&#xA;Sk8miles&#xA;Sk8miles&#xA;&#xA;SKAII&#xA;SKAII&#xA;&#xA;sketchmyname&#xA;sketchmyname&#xA;sketch&#xA;&#xA;Skeyez&#xA;Skeyez on the track, woah&#xA;skeyezbeats.com&#xA;&#xA;Skinny You Wildin&#xA;Yo Skinny, you wildin', nigga&#xA;&#xA;Skipass&#xA;Damn, Skipass, this a whole 'nother wave right here&#xA;&#xA;Skippz&#xA;Skippz Production&#xA;&#xA;SKOTSKR&#xA;SKOTSKR, woah&#xA;SKOTSKR&#xA;&#xA;Skress&#xA;Skressing&#xA;Neilaworld&#xA;&#xA;Skud Newbie&#xA;Skud Newbie, bitch&#xA;&#xA;SKuna&#xA;Skunaboi&#xA;&#xA;Skys&#xA;Sky is my hero&#xA;yvngsky&#xA;&#xA;Skywalker OG&#xA;SkyDiddy&#xA;&#xA;SLAMDUNKASAUR&#xA;A SLAMDUNKASAUR Production&#xA;&#xA;Slade da Monsta&#xA;Monsta's gon' tear it up&#xA;&#xA;Slayedthis&#xA;He slayed this one&#xA;&#xA;Sledgren&#xA;Sledgren&#xA;&#xA;Slim Pharaoh&#xA;Pharaoh got that heat, ho&#xA;Ayy, Slim with the sauce&#xA;&#xA;Slime Castro&#xA;Ayy, Castro, go crazy&#xA;&#xA;Slo Meezy&#xA;Slo Meezy&#xA;&#xA;Sluzyyy&#xA;Ayy, run it back, Sluzyyy&#xA;&#xA;SLYTONE&#xA;O-o-operator&#xA;&#xA;Smash David&#xA;Got it on Smash!&#xA;&#xA;SMKEXCLSV&#xA;Do you want smoke? We want all the smoke&#xA;&#xA;Smylez&#xA;It's Smylez&#xA;&#xA;SN Go Krazy&#xA;Run that shit back, SN&#xA;&#xA;Snafu&#xA;Snafu&#xA;&#xA;Snowball Beats&#xA;Oh yeah, a snowball!&#xA;Thank you, Snowball&#xA;&#xA;Solo Cam&#xA;Solo Cam on the beat yeah&#xA;Outer space I feel like Solo Cam&#xA;Woah is that Solo Cam&#xA;&#xA;Solow Beats&#xA;Squae so wicked, man&#xA;Solow Beats&#xA;&#xA;SoMuchSauce&#xA;SoMuchSauce&#xA;&#xA;Sonic&#xA;Sonic&#xA;&#xA;sonicworldwide&#xA;Ayo Sonic, gotta stick, boy&#xA;Sonic on the track&#xA;&#xA;Sonny Digital&#xA;Sonny Digital&#xA;Sonny rollin' grams of wax&#xA;&#xA;Sons of Sonix&#xA;Sons of Sonix&#xA;&#xA;Sool Got Hits&#xA;Sool, we got one, nigga&#xA;&#xA;Southside&#xA;Hey Southside, where'd you get all that drip?&#xA;Southside&#xA;Southside on the track, yeah&#xA;Ayy, Southside, ayy, Southside&#xA;&#xA;SoundByKid&#xA;Ahah, SoundByKid&#xA;&#xA;Sound M.O.B.&#xA;Sound M.O.B.&#xA;&#xA;SpaceJeep&#xA;SpaceJeep, nigga&#xA;&#xA;SpainDaGoat&#xA;Spain, what you doin'?&#xA;&#xA;Sparkheem&#xA;Ayy, Terk, Sparkheem&#xA;&#xA;Speaker Knockerz&#xA;It's the Speaker Knockerz&#xA;&#xA;SpiffoMadeIt&#xA;SpiffoMadeIt, bitch&#xA;SpiffoMadeIt, haha&#xA;&#xA;Spiffy Global&#xA;Hold up, Spiffy on this motherfucker&#xA;&#xA;Spill&#xA;Ayy, Spill, run that shit back&#xA;&#xA;splashgvng&#xA;You're not sad again, are you, splashgvng?&#xA;&#xA;Splurgeboys&#xA;Splurgeboys&#xA;&#xA;SPXCELY&#xA;SPXCELY&#xA;&#xA;Squat Beats&#xA;Squat made the beat&#xA;&#xA;Squillbeatz&#xA;Run that shit up, Squill&#xA;&#xA;Squito&#xA;Minchia Squito Babe&#xA;&#xA;Sredna&#xA;5260, Sredna in the city&#xA;&#xA;SS.Kev&#xA;Hi Kevin&#xA;&#xA;Stacc da Greatest&#xA;Stacc, you hard, fool&#xA;&#xA;Stain&#xA;I'm Sorry&#xA;It's that new generation over here man&#xA;Where the fuck is the—&#xA;&#xA;Star Boy&#xA;Star Boy, you're my hero&#xA;Star made the beat, I just took it out the oven&#xA;&#xA;Starquake&#xA;Starquake&#xA;&#xA;Statik Selektah&#xA;Statik Selektah&#xA;&#xA;Stats Money Wayy&#xA;Money Wayy&#xA;&#xA;Stack Boy Twaun&#xA;Ayy, Twaun turn that beat down&#xA;&#xA;Steel Banglez&#xA;Steel Banglez&#xA;Banglez on the riddim, yeah, it's fucked&#xA;&#xA;Stef Becker&#xA;Stef Becker beatmaker&#xA;&#xA;Stelios Phili&#xA;Stelly make it knock&#xA;&#xA;Steryotype&#xA;Steryo&#xA;&#xA;StevieBbeatz&#xA;StevieBbeatz&#xA;&#xA;Stickle&#xA;Stickle&#xA;&#xA;Sticksonthebeat&#xA;Sticksonthebeat&#xA;&#xA;StolenCable&#xA;If you're having second thoughts, just read this pamphlet:&#xA;&amp;quot;So You've Decided to Steal Cable.&amp;quot;&#xA;&#xA;Strage&#xA;Strage is blessed&#xA;&#xA;StreetRunner&#xA;StreetRunner&#xA;&#xA;​​stress ✰&#xA;I know how much you like it&#xA;I love you, stress&#xA;&#xA;Struis&#xA;I'm 'boutta get real disrespectful in this motherfu-&#xA;&#xA;Sueco The Child&#xA;I'm at— I'm at Sueco's, bitch!&#xA;&#xA;Sunboy (Producer)&#xA;Sunboy light up again&#xA;&#xA;Sueco&#xA;I'm at, I'm at Sueco's, bitch&#xA;&#xA;Supah Mario&#xA;Supah Mario&#xA;Mario!&#xA;Let's go, Mario!&#xA;&#xA;Super&#xA;Supah, aha&#xA;&#xA;Superstaar&#xA;Superstaar B-B-B-B-B-B-Beats&#xA;&#xA;SUPREMÉ&#xA;It's gotta be SUPREMÉ&#xA;&#xA;StoopidXool&#xA;Fucknigga&#xA;Plug&#xA;Xool on tha beat boy&#xA;&#xA;Swami&#xA;Swami, that shit crazy&#xA;&#xA;SWAMPKILL777&#xA;YUNG DRIPP&#xA;&#xA;Swiff D&#xA;Swiff D&#xA;&#xA;Swifta Beater&#xA;Swifta Production&#xA;&#xA;Swirv&#xA;Swirv&#xA;&#xA;Switchblade&#xA;Yo, Switchblade, you ballin'&#xA;&#xA;Swizzy&#xA;Swizzy na beacie, ziomal&#xA;&#xA;Swoope&#xA;Swoope, there it is&#xA;&#xA;Sxbz Beats&#xA;Sebzbeats baby&#xA;&#xA;Sxpply&#xA;Yes, Sxpply&#xA;&#xA;Syger&#xA;Syger&#xA;&#xA;Synco&#xA;Shout out my nigga Synco&#xA;Synco&#xA;&#xA;Sykes Beats&#xA;Sykes, Sykes&#xA;&#xA;Szogun&#xA;Kolejna produkcja Szoguna&#xA;&#xA;Szamz&#xA;O mój boże, ale dojebałem bitTTahj Money&#xA;Tahj on the beat&#xA;Tahj Money&#xA;&#xA;Take a Daytrip&#xA;Daytrip took it to ten (Hey)&#xA;&#xA;takizava&#xA;takizava is a little gay femboy&#xA;takizava spill yo' blood&#xA;&#xA;Tanerman&#xA;Ta-Ta-Ta-Tanerman&#xA;&#xA;Tank God&#xA;Tank God&#xA;&#xA;Tarentino&#xA;Tarentino, Tarentino&#xA;&#xA;Taurus&#xA;Taurus&#xA;&#xA;Tay Global&#xA;Ayy, spin it back, Tay&#xA;Tay Global&#xA;&#xA;Tay Keith&#xA;Tay Keith, fuck these niggas up&#xA;Tay Keith produced it&#xA;Tay Keith, this too hard&#xA;Tay Keith, what the fuck up, nigga?&#xA;&#xA;Taylor King&#xA;Taylor! (Taylor, Taylor, Taylor)&#xA;&#xA;Taylor Morgan&#xA;Oh no, it's not looking good for us&#xA;&#xA;Tayslay&#xA;Is that a Tayslay beat?&#xA;&#xA;TayTayMadeIt&#xA;Who made this shit?&#xA;TayTay made the beat&#xA;&#xA;Tee Romano&#xA;Mano&#xA;Romano&#xA;&#xA;Teezr&#xA;Ayy, Teezr, that goes crazy&#xA;&#xA;Tefoma&#xA;Ayy, Tefoma made this one&#xA;&#xA;TempsZino Beats&#xA;TP WHIPPED IT&#xA;&#xA;Thaarchitectz&#xA;Thaarchitectz&#xA;&#xA;Tha Bizness&#xA;Tha biz-tha bizness&#xA;&#xA;Thank You Fizzle&#xA;Thank You Fizzle&#xA;&#xA;tha Supreme&#xA;tha Supreme&#xA;&#xA;The Avengers&#xA;The Avengers&#xA;&#xA;The Cataracs&#xA;I-I-I-It's The Cataracs&#xA;&#xA;TheLabCook&#xA;TheLabCook&#xA;&#xA;theycallmeParker&#xA;Parker Parker&#xA;&#xA;ThisIsLoudBeats&#xA;ThisIsLoud&#xA;&#xA;thislandis&#xA;thislandis&#xA;Neilaworld&#xA;&#xA;Thraxx&#xA;Thraxx&#xA;&#xA;Tiagz&#xA;Tiagz&#xA;&#xA;Timmy Da HitMan&#xA;Timmy Da-Motherfucking-HitMan&#xA;&#xA;Timongothekeys&#xA;Grr-pow, Timon&#xA;Tim-, Tim-, Timongothekeys&#xA;&#xA;Timothy Infinite&#xA;Tim-Tim-Tim-Tim&#xA;Tim-ma beats, time to take over&#xA;&#xA;Tizzle&#xA;Tizzle bring the heat, boy&#xA;&#xA;TJProducedIt&#xA;TJ produced it&#xA;&#xA;T-Minus&#xA;You good, T-Minus?&#xA;&#xA;TM88&#xA;8&#xA;&#xA;TnTXD&#xA;Pipe that shit up, TNT&#xA;&#xA;Tokiowahl&#xA;Tokio&#xA;&#xA;Tom French&#xA;Tom French with them racks&#xA;&#xA;Tommy Franco&#xA;Tommy Franco make it bang though&#xA;&#xA;Tony Seltzer&#xA;Ayy Tony&#xA;&#xA;Toom&#xA;Toom on the beat, fool&#xA;Toom, your beats are trash&#xA;&#xA;ToonzLand&#xA;Oh my God, it's Toonz&#xA;&#xA;TouchofTrent&#xA;TouchofTrent be wildin' with it&#xA;&#xA;TOXICAINE&#xA;You're mad, Riddler&#xA;&#xA;TP808&#xA;Once again, I'm locked in with TP, we finna make a hit&#xA;TP, baby&#xA;&#xA;trabbey&#xA;Ayo, trabbey, what's up?&#xA;&#xA;Trademark&#xA;Ayy, this is a Trademark production&#xA;Trademark&#xA;Damn, Trademark&#xA;&#xA;Tracksmith&#xA;You said there was gonna be hookah, Jarvis&#xA;&#xA;Trauma Tone&#xA;Trauma Tone&#xA;&#xA;TrapboyTango&#xA;Is that Tango on the beat?&#xA;&#xA;Trapman TwoThree&#xA;Trap jumpin' like 2-3&#xA;&#xA;TrapMoneyBenny&#xA;Come on, Benny man&#xA;&#xA;Traphouse Mob&#xA;Traphouse Mob&#xA;&#xA;TRASHCAT&#xA;TRASHCAT&#xA;&#xA;Trash Manifest&#xA;Trash Manifest on the beat&#xA;&#xA;Travis Barker&#xA;Travvy, where the drums at?&#xA;&#xA;TR The Producer&#xA;Ayo TR, go crazy on these niggas man&#xA;&#xA;Tre Gilliam&#xA;Tre made this beat&#xA;&#xA;TREETIME&#xA;TREETIME&#xA;&#xA;TrePounds&#xA;808Pound&#xA;&#xA;Trgc&#xA;Damn, Trgc made that?&#xA;&#xA;Tri&#xA;Tri&#xA;&#xA;TrillBans&#xA;Trill, where the fuck you at?&#xA;&#xA;Trill Got Juice&#xA;Mmm, Trill got the juice, nigga&#xA;&#xA;Trillo Beats&#xA;Trillo Beats, you did it again&#xA;&#xA;Triple A&#xA;Triple A&#xA;&#xA;TripleNBeat&#xA;Triple N Beats, tu le sais maintenant&#xA;&#xA;TRIPLESIXDELETE&#xA;Делит на бите, сука&#xA;&#xA;Tristan on the Track&#xA;Tristan on the track&#xA;&#xA;Trvpyyy&#xA;Pour that shit up, Trvpyyy&#xA;&#xA;Turbo&#xA;Playmakers&#xA;Run that back, Turbo&#xA;&#xA;Turn Me Up Josh&#xA;Turn me up, Josh&#xA;&#xA;TwanBeatMaker&#xA;TwanBeatMaker the hitmaker&#xA;&#xA;Tweeko&#xA;Ay, Tweeko mixed this you know, it sounds cold&#xA;It's Tweeko Beats&#xA;&#xA;TwinTwo&#xA;Ayo, TwinTwo, this is a bad boy beat&#xA;&#xA;twikipedia&#xA;Delta&#xA;The odds are against us&#xA;&#xA;twoprxducers&#xA;Ayo, is that twoprxducers?&#xA;&#xA;Twysted Genius&#xA;Twysted Genius, baby&#xA;&#xA;Tykun II&#xA;Tykun&#xA;&#xA;TYME&#xA;Oh, would you look at the TYME&#xA;&#xA;Tyrell 169&#xA;1-6&#xA;1-6-6&#xA;1-6-9&#xA;1-6-9, you feel me?&#xA;&#xA;TZY On The Beat&#xA;TZY on some other shit&#xA;&#xA;T99&#xA;T99, 少し強さを送ってくれUUglyFriend&#xA;I'm ugly&#xA;&#xA;umru&#xA;umru said I'm cute&#xA;&#xA;UncleBac&#xA;I love you, UncleBac&#xA;&#xA;Uncle Cameron&#xA;Ayy, Cameron, you the man now&#xA;&#xA;Undefined&#xA;Undefined&#xA;&#xA;Untxtled&#xA;Untxtled, you did it again&#xA;&#xA;UPNORTH&#xA;UPNORTH&#xA;&#xA;Urben Beats&#xA;This is the Urben Beats exclusive&#xA;&#xA;Used&#xA;Used&#xA;&#xA;Uzeh&#xA;Uzeh killed this track!&#xA;Uzeh, what the fuck, bro?&#xA;Uzeh, go stunt on them bitches!VVadebeatz&#xA;This Vade on the keys&#xA;&#xA;Valente Produced It&#xA;Valente produced it&#xA;&#xA;Venexxi&#xA;Venexxi&#xA;&#xA;Verrsaucy&#xA;Saucy on the beat&#xA;&#xA;Verysadeyes&#xA;Meow&#xA;Very sad eyes&#xA;Verysadeyes ain't sad on this one&#xA;&#xA;Vicasso&#xA;Vicasso on another one&#xA;&#xA;Vikas Prasad&#xA;Ayy, Vikas, you made this?&#xA;&#xA;Viñamata&#xA;Viñamata&#xA;Viñamata slay the tune aye&#xA;Viñamata on the beat bitch&#xA;&#xA;VITALS&#xA;VITALS on the track&#xA;&#xA;ViTheManE&#xA;ViTheManE on the beat&#xA;&#xA;VittoBeats&#xA;Vitto&#xA;&#xA;VVS&#xA;VVS, you forgot to hit it&#xA;&#xA;VVS Melody&#xA;VVS Melody&#xA;&#xA;vvspipes&#xA;Pipes&#xA;Ayo Pipes, you too fire with it&#xA;&#xA;vypirr&#xA;Vypirr, this shit crazy&#xA;VypirrWW4DDLES&#xA;W4DDLES you genius&#xA;&#xA;Wairaki&#xA;Eh-eh-ehi, Wairaki ¿Que tal loco?&#xA;&#xA;Wallis Lane&#xA;Turn me up, Wallis&#xA;&#xA;Warjely&#xA;&#xA;&#xA;Warpstr&#xA;Hold up, hold up, I'm 'bout to hit up Warpstr right now&#xA;&#xA;Wave808&#xA;Wave this the one foe&#xA;Ayo Wave, where you at nigga? 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No one calls you that&#xA;&#xA;WhoisMike&#xA;WhoisMike goin' crazy&#xA;&#xA;WhYJay&#xA;WhYJay&#xA;&#xA;WildBoyAce&#xA;You know WildBoyAce made it&#xA;&#xA;WLVS JULES&#xA;WLVS, looking for strippers and cocaine&#xA;&#xA;Wockboy&#xA;Wockboy goin' crazy&#xA;Neilaworld&#xA;&#xA;Wonderlust Beats&#xA;Wonder&#xA;&#xA;Wonton Jesus&#xA;Yo' I just got a Wonton beat&#xA;&#xA;​wow eli&#xA;eli got it jumpin'&#xA;Oh my God, can you be a little more serious?&#xA;​wow eli—&#xA;​wow eli, can you be a little more serious?&#xA;​wow eli, you're doing great&#xA;&#xA;Wxsterr&#xA;Wxsterr&#xA;&#xA;w1erdo&#xA;I'm richer than all y'all goofy-ass bitches&#xA;W1erdoXXay Scott&#xA;R2D2onthetrack&#xA;DatNxgga2Deezy&#xA;2DZ, baby&#xA;R2D2&#xA;&#xA;XL Eagle&#xA;XL Eagle made it&#xA;&#xA;xmichaelwarren&#xA;michaelwarren&#xA;&#xA;xnrst&#xA;Ștefane, mi-ai dat lean-u' pe jos&#xA;&#xA;XODB&#xA;X loaded up, bro&#xA;X on the beat, make it boom&#xA;&#xA;​xosloth&#xA;Damn, Sloth&#xA;&#xA;Xoxotic&#xA;Xotic, fammi un 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<INFO BITRATE="817837" KEY_LYRICS="1 ContributorOMG Remix Lyrics&#xA;&#xA;&#xA;Mob&#xA;&#xA;&#xA;Siamo in studio, quattro negri a far la trap&#xA;Tu mi chiedi che cos'è, testa solo per il cash&#xA;Scendo in piazza con la scarpa nuova, fresh&#xA;Tu non lo fai come me, sempre dietro a me la gang&#xA;Non parlami se, fra', non sai come farli&#xA;Come raddoppiarli oppure recuperarli&#xA;Dormo sul suo culo perché è soffice, morbido&#xA;Stai provando a fottermi, stronzo, scordalo&#xA;Sono io l'uomo di casa a diciott'anni&#xA;Credo a Gesù Cristo, perdona questi peccati&#xA;Mani giunte come in chiesa la domenica&#xA;Mio fra' sta al bilocale, trappa pacchi con il cellophane&#xA;E mia madre non mi parla più (No)&#xA;Non vede quasi mai suo figlio, ma spero in TV&#xA;Che si fotta la distanza&#xA;Mio frate' ti spara, ma sta in zona, mica a Atlanta&#xA;&#xA;&#xA;Sto coi miei, non ci toccherà nessuno&#xA;Mamma, ti giuro, cambieremo 'sto futuro&#xA;Fuori anche di notte, la scuola è in strada&#xA;Sputiamo per terra quando passa la madama&#xA;Oh my God (Oh my God)&#xA;Sparerei per un bro&#xA;&#xA;Faccio &amp;quot;ra-ta-ta&amp;quot;&#xA;Siamo in venti al club che contiamo il cash&#xA;La tua troia là che guarda i miei fra'&#xA;Siamo i meglio in città&#xA;Pregherò, oh my God&#xA;Sparerei per un bro&#xA;&#xA;&#xA;Ho una Sig Sauer che fa fuoco, power&#xA;E una pussy colorata, rosa flower&#xA;Danny Glover, supernova&#xA;La mia bitch sport, Range Rover (Ueoh)&#xA;Polso fisicato, phisique du Rolex (Ahahah)&#xA;Conto pile alte quando fuori piove (Yeah)&#xA;Puoi chiamarmi &amp;quot;Cosimoney&amp;quot; (Cosimoney)&#xA;Ma tu non chiamarmi mai se sei un infamone&#xA;Entro dentro lei, poi non esco più, eh&#xA;Come quei miei amici in Filangieri al 2&#xA;Lei mi ama e si tatua &amp;quot;G-U-E&amp;quot;&#xA;Stai chillando in cella frigo con la testa in giù, eh&#xA;Con di fianco un bue, frate', te lo giuro&#xA;Sono un bimbo degli '80, brown sugar&#xA;Nella street ho fatto diving, scu-scuba&#xA;E sul beat ho vinto gli Oscar, cultura&#xA;&#xA;Faccio &amp;quot;ra-ta-ta&amp;quot;&#xA;Siamo in venti al club che contiamo il cash&#xA;La tua troia là che guarda i miei fra'&#xA;Siamo i meglio in città&#xA;Pregherò, oh my God&#xA;Sparerei per un bro&#xA;&#xA;&#xA;Sto coi miei, non ci toccherà nessuno&#xA;Mamma, ti giuro, cambieremo 'sto futuro&#xA;Fuori anche di notte, la scuola è in strada&#xA;Sputiamo per terra quando passa la madama&#xA;Oh my God (Oh my God)&#xA;Sparerei per un bro&#xA;&#xA;&#xA;Shawty vuole i miei Money&#xA;Anche se foreign shake up your bam bam&#xA;Big Money big talk big drip&#xA;Puttane stanno addosso come lipstick&#xA;Un anno fa lavoravo dentro un fast-food&#xA;Ora fotto modelle fatte di lifting&#xA;L.A. la mia bitch forte col westcoast&#xA;Su un tappeto rosso faccio crip col besthoas&#xA;VVS Draco&#xA;La quit extendo&#xA;La gang ti cracca tu spacca correndo&#xA;Vestiti di nero per un homme invasion&#xA;Arrivan le 9 una 9 in testa ti fa un cerchio&#xA;Yeah sono nel club con tutta la squad&#xA;Yeah A 18 anni ho cambiato vita con la trap&#xA;&#xA;Faccio &amp;quot;ra-ta-ta&amp;quot;&#xA;Siamo in venti al club che contiamo il cash&#xA;La tua troia là che guarda i miei fra'&#xA;Siamo i meglio in città&#xA;Pregherò, oh my God&#xA;Sparerei per un bro" PRODUCER="SenkaSonic" COVERARTID="084/UKPZH4CY53JJDAJWV0W1DIXZGZ4A" PLAYTIME="154" PLAYTIME_FLOAT="153.716217" IMPORT_DATE="2025/7/5" RELEASE_DATE="2025/1/1" FLAGS="12" FILESIZE="15669"></INFO>
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<INFO BITRATE="987978" KEY_LYRICS="1 ContributorElektricity Will Keep Me Warm LyricsWoken&#xA;I wanna wake up with the birds&#xA;Be welcomed into their home&#xA;Half of me is dry and half swimming out to sea&#xA;Half filled up and half alone&#xA;Puzzled&#xA;How can I keep myself in one piece&#xA;Trying out my body’s power&#xA;You couldn’t be what we wanted you to be&#xA;But electricity will keep me warm&#xA;I wanted so to be your hummingbird&#xA;When I know I can have all of you&#xA;But now the garden gate’s not open&#xA;I don’t think I can get through&#xA;Lying beside you sometimes I see stars&#xA;I start to hover, floating away&#xA;Uncreated worlds slowly approaching&#xA;I am cold and I am brave&#xA;Regarding the work/love ratio&#xA;I’ve found that, instead of feeling torn:&#xA;Darling, there’s no need to worry&#xA;‘cause electricity will keep me warm" PRODUCER="- 2015" COVERARTID="032/AJKIMIAVHOI10CPSASFSDRTEDBLD" PLAYTIME="377" PLAYTIME_FLOAT="376.760010" IMPORT_DATE="2025/7/5" RELEASE_DATE="2003/1/1" FLAGS="12" FILESIZE="45731"></INFO>
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<INFO BITRATE="968819" KEY_LYRICS="28 ContributorsUlysses (Chap. 14 - Oxen of the Sun) LyricsOXEN OF THE SUN&#xA;&#xA;TIME: 10.00 pm.&#xA;SCENE: The National Maternity Hospital, Holles Street.&#xA;ORGAN: Womb&#xA;ART: Medicine&#xA;COLOURS: White&#xA;SYMBOL: Mothers&#xA;TECHNIQUE: Embryonic development&#xA;CORRESPONDENCES: Trinacria-the… Read More Deshil Holles Eamus. Deshil Holles Eamus. Deshil Holles Eamus.&#xA;&#xA;Send us bright one, light one, Horhorn, quickening and wombfruit. Send us bright one, light one, Horhorn, quickening and wombfruit. Send us bright one, light one, Horhorn, quickening and wombfruit.&#xA;&#xA;Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa!&#xA;&#xA;Universally that person's acumen is esteemed very little perceptive concerning whatsoever matters are being held as most profitably by mortals with sapience endowed to be studied who is ignorant of that which the most in doctrine erudite and certainly by reason of that in them high mind's ornament deserving of veneration constantly maintain when by general consent they affirm that other circumstances being equal by no exterior splendour is the prosperity of a nation more efficaciously asserted than by the measure of how far forward may have progressed the tribute of its solicitude for that proliferent continuance which of evils the original if it be absent when fortunately present constitutes the certain sign of omnipotent nature's incorrupted benefaction. For who is there who anything of some significance has apprehended but is conscious that that exterior splendour may be the surface of a downwardtending lutulent reality or on the contrary anyone so is there unilluminated as not to perceive that as no nature's boon can contend against the bounty of increase so it behoves every most just citizen to become the exhortator and admonisher of his semblables and to tremble lest what had in the past been by the nation excellently commenced might be in the future not with similar excellence accomplished if an inverecund habit shall have gradually traduced the honourable by ancestors transmitted customs to that thither of profundity that that one was audacious excessively who would have the hardihood to rise affirming that no more odious offence can for anyone be than to oblivious neglect to consign that evangel simultaneously command and promise which on all mortals with prophecy of abundance or with diminution's menace that exalted of reiteratedly procreating function ever irrevocably enjoined?&#xA;&#xA;It is not why therefore we shall wonder if, as the best historians relate, among the Celts, who nothing that was not in its nature admirable admired, the art of medicine shall have been highly honoured. Not to speak of hostels, leperyards, sweating chambers, plaguegraves, their greatest doctors, the O'Shiels, the O'Hickeys, the O'Lees, have sedulously set down the divers methods by which the sick and the relapsed found again health whether the malady had been the trembling withering or loose boyconnell flux. Certainly in every public work which in it anything of gravity contains preparation should be with importance commensurate and therefore a plan was by them adopted (whether by having preconsidered or as the maturation of experience it is difficult in being said which the discrepant opinions of subsequent inquirers are not up to the present congrued to render manifest) whereby maternity was so far from all accident possibility removed that whatever care the patient in that all hardest of woman hour chiefly required and not solely for the copiously opulent but also for her who not being sufficiently moneyed scarcely and often not even scarcely could subsist valiantly and for an inconsiderable emolument was provided.&#xA;&#xA;To her nothing already then and thenceforward was anyway able to be molestful for this chiefly felt all citizens except with proliferent mothers prosperity at all not to can be and as they had received eternity gods mortals generation to befit them her beholding, when the case was so hoving itself, parturient in vehicle thereward carrying desire immense among all one another was impelling on of her to be received into that domicile. O thing of prudent nation not merely in being seen but also even in being related worthy of being praised that they her by anticipation went seeing mother, that she by them suddenly to be about to be cherished had been begun she felt!&#xA;&#xA;Before born bliss babe had. Within womb won he worship. Whatever in that one case done commodiously done was. A couch by midwives attended with wholesome food reposeful, cleanest swaddles as though forthbringing were now done and by wise foresight set: but to this no less of what drugs there is need and surgical implements which are pertaining to her case not omitting aspect of all very distracting spectacles in various latitudes by our terrestrial orb offered together with images, divine and human, the cogitation of which by sejunct females is to tumescence conducive or eases issue in the high sunbright wellbuilt fair home of mothers when, ostensibly far gone and reproductitive, it is come by her thereto to lie in, her term up.&#xA;&#xA;Some man that wayfaring was stood by housedoor at night's oncoming. Of Israel's folk was that man that on earth wandering far had fared. Stark ruth of man his errand that him lone led till that house.&#xA;&#xA;Of that house A. Horne is lord. Seventy beds keeps he there teeming mothers are won't that they lie for to thole and bring forth bairns hale so God's angel to Mary quoth. Watchers tway there walk, white sisters in ward sleepless. Smarts they still, sickness soothing: in twelve moons thrice an hundred. Truest bedthanes they twain are, for Horne holding wariest ward.&#xA;&#xA;In ward wary the watcher hearing come that man mildhearted eft rising with swire ywimpled to him her gate wide undid. Lo, levin leaping lightens in eyeblink Ireland's westward welkin. Full she drad that God the Wreaker all mankind would fordo with water for his evil sins. Christ's rood made she on breastbone and him drew that he would rathe infare under her thatch. That man her will wotting worthful went in Horne's house.&#xA;&#xA;Loth to irk in Horne's hall hat holding the seeker stood. On her stow he ere was living with dear wife and lovesome daughter that then over land and seafloor nine years had long outwandered. Once her in townhithe meeting he to her bow had not doffed. Her to forgive now he craved with good ground of her allowed that that of him swiftseen face, hers, so young then had looked. Light swift her eyes kindled, bloom of blushes his word winning.&#xA;&#xA;As her eyes then ongot his weeds swart therefor sorrow she feared. Glad after she was that ere adread was. Her he asked if O'Hare Doctor tidings sent from far coast and she with grameful sigh him answered that O'Hare Doctor in heaven was. Sad was the man that word to hear that him so heavied in bowels ruthful. All she there told him, ruing death for friend so young, algate sore unwilling God's rightwiseness to withsay. She said that he had a fair sweet death through God His goodness with masspriest to be shriven, holy housel and sick men's oil to his limbs. The man then right earnest asked the nun of which death the dead man was died and the nun answered him and said that he was died in Mona Island through bellycrab three year agone come Childermas and she prayed to God the Allruthful to have his dear soul in his undeathliness. He heard her sad words, in held hat sad staring. So stood they there both awhile in wanhope sorrowing one with other.&#xA;&#xA;Therefore, everyman, look to that last end that is thy death and the dust that gripeth on every man that is born of woman for as he came naked forth from his mother's womb so naked shall he wend him at the last for to go as he came.&#xA;The man that was come in to the house then spoke to the nursingwoman and he asked her how it fared with the woman that lay there in childbed. The nursingwoman answered him and said that that woman was in throes now full three days and that it would be a hard birth unneth to bear but that now in a little it would be. She said thereto that she had seen many births of women but never was none so hard as was that woman's birth. Then she set it all forth to him for because she knew the man that time was had lived nigh that house. The man hearkened to her words for he felt with wonder women's woe in the travail that they have of motherhood and he wondered to look on her face that was a fair face for any man to see but yet was she left after long years a handmaid. Nine twelve bloodflows chiding her childless.&#xA;&#xA;And whiles they spake the door of the castle was opened and there nighed them a mickle noise as of many that sat there at meat. And there came against the place as they stood a young learningknight yclept Dixon. And the traveller Leopold was couth to him sithen it had happed that they had had ado each with other in the house of misericord where this learningknight lay by cause the traveller Leopold came there to be healed for he was sore wounded in his breast by a spear wherewith a horrible and dreadful dragon was smitten him for which he did do make a salve of volatile salt and chrism as much as he might suffice. And he said now that he should go in to that castle for to make merry with them that were there. And the traveller Leopold said that he should go otherwhither for he was a man of cautels and a subtile. Also the lady was of his avis and repreved the learningknight though she trowed well that the traveller had said thing that was false for his subtility. But the learningknight would not hear say nay nor do her mandement ne have him in aught contrarious to his list and he said how it was a marvellous castle. And the traveller Leopold went into the castle for to rest him for a space being sore of limb after many marches environing in divers lands and sometime venery.&#xA;&#xA;And in the castle was set a board that was of the birchwood of Finlandy and it was upheld by four dwarfmen of that country but they durst not move more for enchantment. And on this board were frightful swords and knives that are made in a great cavern by swinking demons out of white flames that they fix then in the horns of buffalos and stags that there abound marvellously. And there were vessels that are wrought by magic of Mahound out of seasand and the air by a warlock with his breath that he blases in to them like to bubbles. And full fair cheer and rich was on the board that no wight could devise a fuller ne richer. And there was a vat of silver that was moved by craft to open in the which lay strange fishes withouten heads though misbelieving men nie that this be possible thing without they see it natheless they are so. And these fishes lie in an oily water brought there from Portugal land because of the fatness that therein is like to the juices of the olivepress. And also it was a marvel to see in that castle how by magic they make a compost out of fecund wheatkidneys out of Chaldee that by aid of certain angry spirits that they do in to it swells up wondrously like to a vast mountain. And they teach the serpents there to entwine themselves up on long sticks out of the ground and of the scales of these serpents they brew out a brewage like to mead.&#xA;&#xA;And the learning knight let pour for childe Leopold a draught and halp thereto the while all they that were there drank every each. And childe Leopold did up his beaver for to pleasure him and took apertly somewhat in amity for he never drank no manner of mead which he then put by and anon full privily he voided the more part in his neighbour glass and his neighbour nist not of this wile. And he sat down in that castle with them for to rest him there awhile. Thanked be Almighty God.&#xA;&#xA;This meanwhile this good sister stood by the door and begged them at the reverence of Jesu our alther liege Lord to leave their wassailing for there was above one quick with child, a gentle dame, whose time hied fast. Sir Leopold heard on the upfloor cry on high and he wondered what cry that it was whether of child or woman and I marvel, said he, that it be not come or now. Meseems it dureth overlong. And he was ware and saw a franklin that hight Lenehan on that side the table that was older than any of the tother and for that they both were knights virtuous in the one emprise and eke by cause that he was elder he spoke to him full gently. But, said he, or it be long too she will bring forth by God His bounty and have joy of her childing for she hath waited marvellous long. And the franklin that had drunken said, Expecting each moment to be her next. Also he took the cup that stood tofore him for him needed never none asking nor desiring of him to drink and, Now drink, said he, fully delectably, and he quaffed as far as he might to their both's health for he was a passing good man of his lustiness. And sir Leopold that was the goodliest guest that ever sat in scholars' hall and that was the meekest man and the kindest that ever laid husbandly hand under hen and that was the very truest knight of the world one that ever did minion service to lady gentle pledged him courtly in the cup. Woman's woe with wonder pondering.&#xA;&#xA;Now let us speak of that fellowship that was there to the intent to be drunken an they might. There was a sort of scholars along either side the board, that is to wit, Dixon yclept junior of saint Mary Merciable's with other his fellows Lynch and Madden, scholars of medicine, and the franklin that hight Lenehan and one from Alba Longa, one Crotthers, and young Stephen that had mien of a frere that was at head of the board and Costello that men clepen Punch Costello all long of a mastery of him erewhile gested (and of all them, reserved young Stephen, he was the most drunken that demanded still of more mead) and beside the meek sir Leopold. But on young Malachi they waited for that he promised to have come and such as intended to no goodness said how he had broke his avow. And sir Leopold sat with them for he bore fast friendship to sir Simon and to this his son young Stephen and for that his languor becalmed him there after longest wanderings insomuch as they feasted him for that time in the honourablest manner. Ruth red him, love led on with will to wander, loth to leave.&#xA;&#xA;For they were right witty scholars. And he heard their aresouns each gen other as touching birth and righteousness, young Madden maintaining that put such case it were hard the wife to die (for so it had fallen out a matter of some year agone with a woman of Eblana in Horne's house that now was trespassed out of this world and the self night next before her death all leeches and pothecaries had taken counsel of her case). And they said farther she should live because in the beginning, they said, the woman should bring forth in pain and wherefore they that were of this imagination affirmed how young Madden had said truth for he had conscience to let her die. And not few and of these was young Lynch were in doubt that the world was now right evil governed as it was never other howbeit the mean people believed it otherwise but the law nor his judges did provide no remedy. A redress God grant. This was scant said but all cried with one acclaim nay, by our Virgin Mother, the wife should live and the babe to die. In colour whereof they waxed hot upon that head what with argument and what for their drinking but the franklin Lenehan was prompt each when to pour them ale so that at the least way mirth might not lack. Then young Madden showed all the whole affair and said how that she was dead and how for holy religion sake by rede of palmer and bedesman and for a vow he had made to Saint Ultan of Arbraccan her goodman husband would not let her death whereby they were all wondrous grieved. To whom young Stephen had these words following: Murmur, sirs, is eke oft among lay folk. Both babe and parent now glorify their Maker, the one in limbo gloom, the other in purgefire. But, gramercy, what of those Godpossibled souls that we nightly impossibilise, which is the sin against the Holy Ghost, Very God, Lord and Giver of Life? For, sirs, he said, our lust is brief. We are means to those small creatures within us and nature has other ends than we. Then said Dixon junior to Punch Costello wist he what ends. But he had overmuch drunken and the best word he could have of him was that he would ever dishonest a woman whoso she were or wife or maid or leman if it so fortuned him to be delivered of his spleen of lustihead. Whereat Crotthers of Alba Longa sang young Malachi's praise of that beast the unicorn how once in the millennium he cometh by his horn, the other all this while, pricked forward with their jibes wherewith they did malice him, witnessing all and several by saint Foutinus his engines that he was able to do any manner of thing that lay in man to do. Thereat laughed they all right jocundly only young Stephen and sir Leopold which never durst laugh too open by reason of a strange humour which he would not bewray and also for that he rued for her that bare whoso she might be or wheresoever. Then spake young Stephen orgulous of mother Church that would cast him out of her bosom, of law of canons, of Lilith, patron of abortions, of bigness wrought by wind of seeds of brightness or by potency of vampires mouth to mouth or, as Virgilius saith, by the influence of the occident or by the reek of moonflower or an she lie with a woman which her man has but lain with, _effectu secuto_, or peradventure in her bath according to the opinions of Averroes and Moses Maimonides. He said also how at the end of the second month a human soul was infused and how in all our holy mother foldeth ever souls for God's greater glory whereas that earthly mother which was but a dam to bear beastly should die by canon for so saith he that holdeth the fisherman's seal, even that blessed Peter on which rock was holy church for all ages founded. All they bachelors then asked of sir Leopold would he in like case so jeopard her person as risk life to save life. A wariness of mind he would answer as fitted all and, laying hand to jaw, he said dissembling, as his won't was, that as it was informed him, who had ever loved the art of physic as might a layman, and agreeing also with his experience of so seldomseen an accident it was good for that mother Church belike at one blow had birth and death pence and in such sort deliverly he scaped their questions. That is truth, pardy, said Dixon, and, or I err, a pregnant word. Which hearing young Stephen was a marvellous glad man and he averred that he who stealeth from the poor lendeth to the Lord for he was of a wild manner when he was drunken and that he was now in that taking it appeared eftsoons.&#xA;&#xA;But sir Leopold was passing grave maugre his word by cause he still had pity of the terrorcausing shrieking of shrill women in their labour and as he was minded of his good lady Marion that had borne him an only manchild which on his eleventh day on live had died and no man of art could save so dark is destiny. And she was wondrous stricken of heart for that evil hap and for his burial did him on a fair corselet of lamb's wool, the flower of the flock, lest he might perish utterly and lie akeled (for it was then about the midst of the winter) and now Sir Leopold that had of his body no manchild for an heir looked upon him his friend's son and was shut up in sorrow for his forepassed happiness and as sad as he was that him failed a son of such gentle courage (for all accounted him of real parts) so grieved he also in no less measure for young Stephen for that he lived riotously with those wastrels and murdered his goods with whores.&#xA;&#xA;About that present time young Stephen filled all cups that stood empty so as there remained but little mo if the prudenter had not shadowed their approach from him that still plied it very busily who, praying for the intentions of the sovereign pontiff, he gave them for a pledge the vicar of Christ which also as he said is vicar of Bray. Now drink we, quod he, of this mazer and quaff ye this mead which is not indeed parcel of my body but my soul's bodiment. Leave ye fraction of bread to them that live by bread alone. Be not afeard neither for any want for this will comfort more than the other will dismay. See ye here. And he showed them glistering coins of the tribute and goldsmith notes the worth of two pound nineteen shilling that he had, he said, for a song which he writ. They all admired to see the foresaid riches in such dearth of money as was herebefore. His words were then these as followeth: Know all men, he said, time's ruins build eternity's mansions. What means this? Desire's wind blasts the thorntree but after it becomes from a bramblebush to be a rose upon the rood of time. Mark me now. In woman's womb word is made flesh but in the spirit of the maker all flesh that passes becomes the word that shall not pass away. This is the postcreation. _Omnis caro ad te veniet_. No question but her name is puissant who aventried the dear corse of our Agenbuyer, Healer and Herd, our mighty mother and mother most venerable and Bernardus saith aptly that She hath an _omnipotentiam deiparae supplicem_, that is to wit, an almightiness of petition because she is the second Eve and she won us, saith Augustine too, whereas that other, our grandam, which we are linked up with by successive anastomosis of navelcords sold us all, seed, breed and generation, for a penny pippin. But here is the matter now. Or she knew him, that second I say, and was but creature of her creature, _vergine madre, figlia di tuo figlio_, or she knew him not and then stands she in the one denial or ignorancy with Peter Piscator who lives in the house that Jack built and with Joseph the joiner patron of the happy demise of all unhappy marriages, _parceque M. Léo Taxil nous a dit que qui l'avait mise dans cette fichue position c'était le sacre pigeon, ventre de Dieu! Entweder_ transubstantiality ODER consubstantiality but in no case subsubstantiality. And all cried out upon it for a very scurvy word. A pregnancy without joy, he said, a birth without pangs, a body without blemish, a belly without bigness. Let the lewd with faith and fervour worship. With will will we withstand, withsay.&#xA;&#xA;Hereupon Punch Costello dinged with his fist upon the board and would sing a bawdy catch _Staboo Stabella_ about a wench that was put in pod of a jolly swashbuckler in Almany which he did straightways now attack: _The first three months she was not well, Staboo,_ when here nurse Quigley from the door angerly bid them hist ye should shame you nor was it not meet as she remembered them being her mind was to have all orderly against lord Andrew came for because she was jealous that no gasteful turmoil might shorten the honour of her guard. It was an ancient and a sad matron of a sedate look and christian walking, in habit dun beseeming her megrims and wrinkled visage, nor did her hortative want of it effect for incontinently Punch Costello was of them all embraided and they reclaimed the churl with civil rudeness some and shaked him with menace of blandishments others whiles they all chode with him, a murrain seize the dolt, what a devil he would be at, thou chuff, thou puny, thou got in peasestraw, thou losel, thou chitterling, thou spawn of a rebel, thou dykedropt, thou abortion thou, to shut up his drunken drool out of that like a curse of God ape, the good sir Leopold that had for his cognisance the flower of quiet, margerain gentle, advising also the time's occasion as most sacred and most worthy to be most sacred. In Horne's house rest should reign.&#xA;&#xA;To be short this passage was scarce by when Master Dixon of Mary in Eccles, goodly grinning, asked young Stephen what was the reason why he had not cided to take friar's vows and he answered him obedience in the womb, chastity in the tomb but involuntary poverty all his days. Master Lenehan at this made return that he had heard of those nefarious deeds and how, as he heard hereof counted, he had besmirched the lily virtue of a confiding female which was corruption of minors and they all intershowed it too, waxing merry and toasting to his fathership. But he said very entirely it was clean contrary to their suppose for he was the eternal son and ever virgin. Thereat mirth grew in them the more and they rehearsed to him his curious rite of wedlock for the disrobing and deflowering of spouses, as the priests use in Madagascar island, she to be in guise of white and saffron, her groom in white and grain, with burning of nard and tapers, on a bridebed while clerks sung kyries and the anthem _Ut novetur sexus omnis corporis mysterium_ till she was there unmaided. He gave them then a much admirable hymen minim by those delicate poets Master John Fletcher and Master Francis Beaumont that is in their _Maid's Tragedy_ that was writ for a like twining of lovers: _To bed, to bed_ was the burden of it to be played with accompanable concent upon the virginals. An exquisite dulcet epithalame of most mollificative suadency for juveniles amatory whom the odoriferous flambeaus of the paranymphs have escorted to the quadrupedal proscenium of connubial communion. Well met they were, said Master Dixon, joyed, but, harkee, young sir, better were they named Beau Mount and Lecher for, by my troth, of such a mingling much might come. Young Stephen said indeed to his best remembrance they had but the one doxy between them and she of the stews to make shift with in delights amorous for life ran very high in those days and the custom of the country approved with it. Greater love than this, he said, no man hath that a man lay down his wife for his friend. Go thou and do likewise. Thus, or words to that effect, saith Zarathustra, sometime regius professor of French letters to the university of Oxtail nor breathed there ever that man to whom mankind was more beholden. Bring a stranger within thy tower it will go hard but thou wilt have the secondbest bed. _Orate, fratres, pro memetipso_. And all the people shall say, Amen. Remember, Erin, thy generations and thy days of old, how thou settedst little by me and by my word and broughtedst in a stranger to my gates to commit fornication in my sight and to wax fat and kick like Jeshurum. Therefore hast thou sinned against my light and hast made me, thy lord, to be the slave of servants. Return, return, Clan Milly: forget me not, O Milesian. Why hast thou done this abomination before me that thou didst spurn me for a merchant of jalaps and didst deny me to the Roman and to the Indian of dark speech with whom thy daughters did lie luxuriously? Look forth now, my people, upon the land of behest, even from Horeb and from Nebo and from Pisgah and from the Horns of Hatten unto a land flowing with milk and money. But thou hast suckled me with a bitter milk: my moon and my sun thou hast quenched for ever. And thou hast left me alone for ever in the dark ways of my bitterness: and with a kiss of ashes hast thou kissed my mouth. This tenebrosity of the interior, he proceeded to say, hath not been illumined by the wit of the septuagint nor so much as mentioned for the Orient from on high Which brake hell's gates visited a darkness that was foraneous. Assuefaction minorates atrocities (as Tully saith of his darling Stoics) and Hamlet his father showeth the prince no blister of combustion. The adiaphane in the noon of life is an Egypt's plague which in the nights of prenativity and postmortemity is their most proper _ubi_ and _quomodo_. And as the ends and ultimates of all things accord in some mean and measure with their inceptions and originals, that same multiplicit concordance which leads forth growth from birth accomplishing by a retrogressive metamorphosis that minishing and ablation towards the final which is agreeable unto nature so is it with our subsolar being. The aged sisters draw us into life: we wail, batten, sport, clip, clasp, sunder, dwindle, die: over us dead they bend. First, saved from waters of old Nile, among bulrushes, a bed of fasciated wattles: at last the cavity of a mountain, an occulted sepulchre amid the conclamation of the hillcat and the ossifrage. And as no man knows the ubicity of his tumulus nor to what processes we shall thereby be ushered nor whether to Tophet or to Edenville in the like way is all hidden when we would backward see from what region of remoteness the whatness of our whoness hath fetched his whenceness.&#xA;&#xA;Thereto Punch Costello roared out mainly _Etienne chanson_ but he loudly bid them, lo, wisdom hath built herself a house, this vast majestic longstablished vault, the crystal palace of the Creator, all in applepie order, a penny for him who finds the pea.&#xA;&#xA;_Behold the mansion reared by dedal Jack See the malt stored in many a refluent sack, In the proud cirque of Jackjohn's bivouac._&#xA;A black crack of noise in the street here, alack, bawled back. Loud on left Thor thundered: in anger awful the hammerhurler. Came now the storm that hist his heart. And Master Lynch bade him have a care to flout and witwanton as the god self was angered for his hellprate and paganry. And he that had erst challenged to be so doughty waxed wan as they might all mark and shrank together and his pitch that was before so haught uplift was now of a sudden quite plucked down and his heart shook within the cage of his breast as he tasted the rumour of that storm. Then did some mock and some jeer and Punch Costello fell hard again to his yale which Master Lenehan vowed he would do after and he was indeed but a word and a blow on any the least colour. But the braggart boaster cried that an old Nobodaddy was in his cups it was muchwhat indifferent and he would not lag behind his lead. But this was only to dye his desperation as cowed he crouched in Horne's hall. He drank indeed at one draught to pluck up a heart of any grace for it thundered long rumblingly over all the heavens so that Master Madden, being godly certain whiles, knocked him on his ribs upon that crack of doom and Master Bloom, at the braggart's side, spoke to him calming words to slumber his great fear, advertising how it was no other thing but a hubbub noise that he heard, the discharge of fluid from the thunderhead, look you, having taken place, and all of the order of a natural phenomenon.&#xA;&#xA;But was young Boasthard's fear vanquished by Calmer's words? No, for he had in his bosom a spike named Bitterness which could not by words be done away. And was he then neither calm like the one nor godly like the other? He was neither as much as he would have liked to be either. But could he not have endeavoured to have found again as in his youth the bottle Holiness that then he lived withal? Indeed no for Grace was not there to find that bottle. Heard he then in that clap the voice of the god Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard? Why, he could not but hear unless he had plugged him up the tube Understanding (which he had not done). For through that tube he saw that he was in the land of Phenomenon where he must for a certain one day die as he was like the rest too a passing show. And would he not accept to die like the rest and pass away? By no means would he though he must nor would he make more shows according as men do with wives which Phenomenon has commanded them to do by the book Law. Then wotted he nought of that other land which is called Believe-on-Me, that is the land of promise which behoves to the king Delightful and shall be for ever where there is no death and no birth neither wiving nor mothering at which all shall come as many as believe on it? Yes, Pious had told him of that land and Chaste had pointed him to the way but the reason was that in the way he fell in with a certain whore of an eyepleasing exterior whose name, she said, is Bird-in-the-Hand and she beguiled him wrongways from the true path by her flatteries that she said to him as, Ho, you pretty man, turn aside hither and I will show you a brave place, and she lay at him so flatteringly that she had him in her grot which is named Two-in-the-Bush or, by some learned, Carnal Concupiscence.&#xA;&#xA;This was it what all that company that sat there at commons in Manse of Mothers the most lusted after and if they met with this whore Bird-in-the-Hand (which was within all foul plagues, monsters and a wicked devil) they would strain the last but they would make at her and know her. For regarding Believe-on-Me they said it was nought else but notion and they could conceive no thought of it for, first, Two-in-the-Bush whither she ticed them was the very goodliest grot and in it were four pillows on which were four tickets with these words printed on them, Pickaback and Topsyturvy and Shameface and Cheek by Jowl and, second, for that foul plague Allpox and the monsters they cared not for them for Preservative had given them a stout shield of oxengut and, third, that they might take no hurt neither from Offspring that was that wicked devil by virtue of this same shield which was named Killchild. So were they all in their blind fancy, Mr Cavil and Mr Sometimes Godly, Mr Ape Swillale, Mr False Franklin, Mr Dainty Dixon, Young Boasthard and Mr Cautious Calmer. Wherein, O wretched company, were ye all deceived for that was the voice of the god that was in a very grievous rage that he would presently lift his arm up and spill their souls for their abuses and their spillings done by them contrariwise to his word which forth to bring brenningly biddeth.&#xA;&#xA;So Thursday sixteenth June Patk. Dignam laid in clay of an apoplexy and after hard drought, please God, rained, a bargeman coming in by water a fifty mile or thereabout with turf saying the seed won't sprout, fields athirst, very sadcoloured and stunk mightily, the quags and tofts too. Hard to breathe and all the young quicks clean consumed without sprinkle this long while back as no man remembered to be without. The rosy buds all gone brown and spread out blobs and on the hills nought but dry flag and faggots that would catch at first fire. All the world saying, for aught they knew, the big wind of last February a year that did havoc the land so pitifully a small thing beside this barrenness. But by and by, as said, this evening after sundown, the wind sitting in the west, biggish swollen clouds to be seen as the night increased and the weatherwise poring up at them and some sheet lightnings at first and after, past ten of the clock, one great stroke with a long thunder and in a brace of shakes all scamper pellmell within door for the smoking shower, the men making shelter for their straws with a clout or kerchief, womenfolk skipping off with kirtles catched up soon as the pour came. In Ely place, Baggot street, Duke's lawn, thence through Merrion green up to Holles street a swash of water flowing that was before bonedry and not one chair or coach or fiacre seen about but no more crack after that first. Over against the Rt. Hon. Mr Justice Fitzgibbon's door (that is to sit with Mr Healy the lawyer upon the college lands) Mal. Mulligan a gentleman's gentleman that had but come from Mr Moore's the writer's (that was a papish but is now, folk say, a good Williamite) chanced against Alec. Bannon in a cut bob (which are now in with dance cloaks of Kendal green) that was new got to town from Mullingar with the stage where his coz and Mal M's brother will stay a month yet till Saint Swithin and asks what in the earth he does there, he bound home and he to Andrew Horne's being stayed for to crush a cup of wine, so he said, but would tell him of a skittish heifer, big of her age and beef to the heel, and all this while poured with rain and so both together on to Horne's. There Leop. Bloom of Crawford's journal sitting snug with a covey of wags, likely brangling fellows, Dixon jun., scholar of my lady of Mercy's, Vin. Lynch, a Scots fellow, Will. Madden, T. Lenehan, very sad about a racer he fancied and Stephen D. Leop. Bloom there for a languor he had but was now better, be having dreamed tonight a strange fancy of his dame Mrs Moll with red slippers on in a pair of Turkey trunks which is thought by those in ken to be for a change and Mistress Purefoy there, that got in through pleading her belly, and now on the stools, poor body, two days past her term, the midwives sore put to it and can't deliver, she queasy for a bowl of riceslop that is a shrewd drier up of the insides and her breath very heavy more than good and should be a bullyboy from the knocks, they say, but God give her soon issue. 'Tis her ninth chick to live, I hear, and Lady day bit off her last chick's nails that was then a twelvemonth and with other three all breastfed that died written out in a fair hand in the king's bible. Her hub fifty odd and a methodist but takes the sacrament and is to be seen any fair sabbath with a pair of his boys off Bullock harbour dapping on the sound with a heavybraked reel or in a punt he has trailing for flounder and pollock and catches a fine bag, I hear. In sum an infinite great fall of rain and all refreshed and will much increase the harvest yet those in ken say after wind and water fire shall come for a prognostication of Malachi's almanac (and I hear that Mr Russell has done a prophetical charm of the same gist out of the Hindustanish for his farmer's gazette) to have three things in all but this a mere fetch without bottom of reason for old crones and bairns yet sometimes they are found in the right guess with their queerities no telling how.&#xA;&#xA;With this came up Lenehan to the feet of the table to say how the letter was in that night's gazette and he made a show to find it about him (for he swore with an oath that he had been at pains about it) but on Stephen's persuasion he gave over the search and was bidden to sit near by which he did mighty brisk. He was a kind of sport gentleman that went for a merryandrew or honest pickle and what belonged of women, horseflesh or hot scandal he had it pat. To tell the truth he was mean in fortunes and for the most part hankered about the coffeehouses and low taverns with crimps, ostlers, bookies, Paul's men, runners, flatcaps, waistcoateers, ladies of the bagnio and other rogues of the game or with a chanceable catchpole or a tipstaff often at nights till broad day of whom he picked up between his sackpossets much loose gossip. He took his ordinary at a boilingcook's and if he had but gotten into him a mess of broken victuals or a platter of tripes with a bare tester in his purse he could always bring himself off with his tongue, some randy quip he had from a punk or whatnot that every mother's son of them would burst their sides. The other, Costello that is, hearing this talk asked was it poetry or a tale. Faith, no, he says, Frank (that was his name), 'tis all about Kerry cows that are to be butchered along of the plague. But they can go hang, says he with a wink, for me with their bully beef, a pox on it. There's as good fish in this tin as ever came out of it and very friendly he offered to take of some salty sprats that stood by which he had eyed wishly in the meantime and found the place which was indeed the chief design of his embassy as he was sharpset. _Mort aux vaches_, says Frank then in the French language that had been indentured to a brandyshipper that has a winelodge in Bordeaux and he spoke French like a gentleman too. From a child this Frank had been a donought that his father, a headborough, who could ill keep him to school to learn his letters and the use of the globes, matriculated at the university to study the mechanics but he took the bit between his teeth like a raw colt and was more familiar with the justiciary and the parish beadle than with his volumes. One time he would be a playactor, then a sutler or a welsher, then nought would keep him from the bearpit and the cocking main, then he was for the ocean sea or to hoof it on the roads with the romany folk, kidnapping a squire's heir by favour of moonlight or fecking maids' linen or choking chicken behind a hedge. He had been off as many times as a cat has lives and back again with naked pockets as many more to his father the headborough who shed a pint of tears as often as he saw him. What, says Mr Leopold with his hands across, that was earnest to know the drift of it, will they slaughter all? I protest I saw them but this day morning going to the Liverpool boats, says he. I can scarce believe 'tis so bad, says he. And he had experience of the like brood beasts and of springers, greasy hoggets and wether wool, having been some years before actuary for Mr Joseph Cuffe, a worthy salesmaster that drove his trade for live stock and meadow auctions hard by Mr Gavin Low's yard in Prussia street. I question with you there, says he. More like 'tis the hoose or the timber tongue. Mr Stephen, a little moved but very handsomely told him no such matter and that he had dispatches from the emperor's chief tailtickler thanking him for the hospitality, that was sending over Doctor Rinderpest, the bestquoted cowcatcher in all Muscovy, with a bolus or two of physic to take the bull by the horns. Come, come, says Mr Vincent, plain dealing. He'll find himself on the horns of a dilemma if he meddles with a bull that's Irish, says he. Irish by name and irish by nature, says Mr Stephen, and he sent the ale purling about, an Irish bull in an English chinashop. I conceive you, says Mr Dixon. It is that same bull that was sent to our island by farmer Nicholas, the bravest cattlebreeder of them all, with an emerald ring in his nose. True for you, says Mr Vincent cross the table, and a bullseye into the bargain, says he, and a plumper and a portlier bull, says he, never shit on shamrock. He had horns galore, a coat of cloth of gold and a sweet smoky breath coming out of his nostrils so that the women of our island, leaving doughballs and rollingpins, followed after him hanging his bulliness in daisychains. What for that, says Mr Dixon, but before he came over farmer Nicholas that was a eunuch had him properly gelded by a college of doctors who were no better off than himself. So be off now, says he, and do all my cousin german the lord Harry tells you and take a farmer's blessing, and with that he slapped his posteriors very soundly. But the slap and the blessing stood him friend, says Mr Vincent, for to make up he taught him a trick worth two of the other so that maid, wife, abbess and widow to this day affirm that they would rather any time of the month whisper in his ear in the dark of a cowhouse or get a lick on the nape from his long holy tongue than lie with the finest strapping young ravisher in the four fields of all Ireland. Another then put in his word: And they dressed him, says he, in a point shift and petticoat with a tippet and girdle and ruffles on his wrists and clipped his forelock and rubbed him all over with spermacetic oil and built stables for him at every turn of the road with a gold manger in each full of the best hay in the market so that he could doss and dung to his heart's content. By this time the father of the faithful (for so they called him) was grown so heavy that he could scarce walk to pasture. To remedy which our cozening dames and damsels brought him his fodder in their apronlaps and as soon as his belly was full he would rear up on his hind uarters to show their ladyships a mystery and roar and bellow out of him in bulls' language and they all after him. Ay, says another, and so pampered was he that he would suffer nought to grow in all the land but green grass for himself (for that was the only colour to his mind) and there was a board put up on a hillock in the middle of the island with a printed notice, saying: By the Lord Harry, Green is the grass that grows on the ground. And, says Mr Dixon, if ever he got scent of a cattleraider in Roscommon or the wilds of Connemara or a husbandman in Sligo that was sowing as much as a handful of mustard or a bag of rapeseed out he'd run amok over half the countryside rooting up with his horns whatever was planted and all by lord Harry's orders. There was bad blood between them at first, says Mr Vincent, and the lord Harry called farmer Nicholas all the old Nicks in the world and an old whoremaster that kept seven trulls in his house and I'll meddle in his matters, says he. I'll make that animal smell hell, says he, with the help of that good pizzle my father left me. But one evening, says Mr Dixon, when the lord Harry was cleaning his royal pelt to go to dinner after winning a boatrace (he had spade oars for himself but the first rule of the course was that the others were to row with pitchforks) he discovered in himself a wonderful likeness to a bull and on picking up a blackthumbed chapbook that he kept in the pantry he found sure enough that he was a lefthanded descendant of the famous champion bull of the Romans, _Bos Bovum_, which is good bog Latin for boss of the show. After that, says Mr Vincent, the lord Harry put his head into a cow's drinkingtrough in the presence of all his courtiers and pulling it out again told them all his new name. Then, with the water running off him, he got into an old smock and skirt that had belonged to his grandmother and bought a grammar of the bulls' language to study but he could never learn a word of it except the first personal pronoun which he copied out big and got off by heart and if ever he went out for a walk he filled his pockets with chalk to write it upon what took his fancy, the side of a rock or a teahouse table or a bale of cotton or a corkfloat. In short, he and the bull of Ireland were soon as fast friends as an arse and a shirt. They were, says Mr Stephen, and the end was that the men of the island seeing no help was toward, as the ungrate women were all of one mind, made a wherry raft, loaded themselves and their bundles of chattels on shipboard, set all masts erect, manned the yards, sprang their luff, heaved to, spread three sheets in the wind, put her head between wind and water, weighed anchor, ported her helm, ran up the jolly Roger, gave three times three, let the bullgine run, pushed off in their bumboat and put to sea to recover the main of America. Which was the occasion, says Mr Vincent, of the composing by a boatswain of that rollicking chanty:&#xA;&#xA;_--Pope Peter's but a pissabed. A man's a man for a' that._&#xA;&#xA;Our worthy acquaintance Mr Malachi Mulligan now appeared in the doorway as the students were finishing their apologue accompanied with a friend whom he had just rencountered, a young gentleman, his name Alec Bannon, who had late come to town, it being his intention to buy a colour or a cornetcy in the fencibles and list for the wars. Mr Mulligan was civil enough to express some relish of it all the more as it jumped with a project of his own for the cure of the very evil that had been touched on. Whereat he handed round to the company a set of pasteboard cards which he had had printed that day at Mr Quinnell's bearing a legend printed in fair italics: _Mr Malachi Mulligan. Fertiliser and Incubator. Lambay Island_. His project, as he went on to expound, was to withdraw from the round of idle pleasures such as form the chief business of sir Fopling Popinjay and sir Milksop Quidnunc in town and to devote himself to the noblest task for which our bodily organism has been framed. Well, let us hear of it, good my friend, said Mr Dixon. I make no doubt it smacks of wenching. Come, be seated, both. 'Tis as cheap sitting as standing. Mr Mulligan accepted of the invitation and, expatiating upon his design, told his hearers that he had been led into this thought by a consideration of the causes of sterility, both the inhibitory and the prohibitory, whether the inhibition in its turn were due to conjugal vexations or to a parsimony of the balance as well as whether the prohibition proceeded from defects congenital or from proclivities acquired. It grieved him plaguily, he said, to see the nuptial couch defrauded of its dearest pledges: and to reflect upon so many agreeable females with rich jointures, a prey to the vilest bonzes, who hide their flambeau under a bushel in an uncongenial cloister or lose their womanly bloom in the embraces of some unaccountable muskin when they might multiply the inlets of happiness, sacrificing the inestimable jewel of their sex when a hundred pretty fellows were at hand to caress, this, he assured them, made his heart weep. To curb this inconvenient (which he concluded due to a suppression of latent heat), having advised with certain counsellors of worth and inspected into this matter, he had resolved to purchase in fee simple for ever the freehold of Lambay island from its holder, lord Talbot de Malahide, a Tory gentleman of note much in favour with our ascendancy party. He proposed to set up there a national fertilising farm to be named _Omphalos_ with an obelisk hewn and erected after the fashion of Egypt and to offer his dutiful yeoman services for the fecundation of any female of what grade of life soever who should there direct to him with the desire of fulfilling the functions of her natural. Money was no object, he said, nor would he take a penny for his pains. The poorest kitchenwench no less than the opulent lady of fashion, if so be their constructions and their tempers were warm persuaders for their petitions, would find in him their man. For his nutriment he shewed how he would feed himself exclusively upon a diet of savoury tubercles and fish and coneys there, the flesh of these latter prolific rodents being highly recommended for his purpose, both broiled and stewed with a blade of mace and a pod or two of capsicum chillies. After this homily which he delivered with much warmth of asseveration Mr Mulligan in a trice put off from his hat a kerchief with which he had shielded it. They both, it seems, had been overtaken by the rain and for all their mending their pace had taken water, as might be observed by Mr Mulligan's smallclothes of a hodden grey which was now somewhat piebald. His project meanwhile was very favourably entertained by his auditors and won hearty eulogies from all though Mr Dixon of Mary's excepted to it, asking with a finicking air did he purpose also to carry coals to Newcastle. Mr Mulligan however made court to the scholarly by an apt quotation from the classics which, as it dwelt upon his memory, seemed to him a sound and tasteful support of his contention: _Talis ac tanta depravatio hujus seculi, O quirites, ut matresfamiliarum nostrae lascivas cujuslibet semiviri libici titillationes testibus ponderosis atque excelsis erectionibus centurionum Romanorum magnopere anteponunt_, while for those of ruder wit he drove home his point by analogies of the animal kingdom more suitable to their stomach, the buck and doe of the forest glade, the farmyard drake and duck.&#xA;&#xA;Valuing himself not a little upon his elegance, being indeed a proper man of person, this talkative now applied himself to his dress with animadversions of some heat upon the sudden whimsy of the atmospherics while the company lavished their encomiums upon the project he had advanced. The young gentleman, his friend, overjoyed as he was at a passage that had late befallen him, could not forbear to tell it his nearest neighbour. Mr Mulligan, now perceiving the table, asked for whom were those loaves and fishes and, seeing the stranger, he made him a civil bow and said, Pray, sir, was you in need of any professional assistance we could give? Who, upon his offer, thanked him very heartily, though preserving his proper distance, and replied that he was come there about a lady, now an inmate of Horne's house, that was in an interesting condition, poor body, from woman's woe (and here he fetched a deep sigh) to know if her happiness had yet taken place. Mr Dixon, to turn the table, took on to ask of Mr Mulligan himself whether his incipient ventripotence, upon which he rallied him, betokened an ovoblastic gestation in the prostatic utricle or male womb or was due, as with the noted physician, Mr Austin Meldon, to a wolf in the stomach. For answer Mr Mulligan, in a gale of laughter at his smalls, smote himself bravely below the diaphragm, exclaiming with an admirable droll mimic of Mother Grogan (the most excellent creature of her sex though 'tis pity she's a trollop): There's a belly that never bore a bastard. This was so happy a conceit that it renewed the storm of mirth and threw the whole room into the most violent agitations of delight. The spry rattle had run on in the same vein of mimicry but for some larum in the antechamber.&#xA;&#xA;Here the listener who was none other than the Scotch student, a little fume of a fellow, blond as tow, congratulated in the liveliest fashion with the young gentleman and, interrupting the narrative at a salient point, having desired his visavis with a polite beck to have the obligingness to pass him a flagon of cordial waters at the same time by a questioning poise of the head (a whole century of polite breeding had not achieved so nice a gesture) to which was united an equivalent but contrary balance of the bottle asked the narrator as plainly as was ever done in words if he might treat him with a cup of it. _Mais bien sûr_, noble stranger, said he cheerily, _et mille compliments_. That you may and very opportunely. There wanted nothing but this cup to crown my felicity. But, gracious heaven, was I left with but a crust in my wallet and a cupful of water from the well, my God, I would accept of them and find it in my heart to kneel down upon the ground and give thanks to the powers above for the happiness vouchsafed me by the Giver of good things. With these words he approached the goblet to his lips, took a complacent draught of the cordial, slicked his hair and, opening his bosom, out popped a locket that hung from a silk riband, that very picture which he had cherished ever since her hand had wrote therein. Gazing upon those features with a world of tenderness, Ah, Monsieur, he said, had you but beheld her as I did with these eyes at that affecting instant with her dainty tucker and her new coquette cap (a gift for her feastday as she told me prettily) in such an artless disorder, of so melting a tenderness, 'pon my conscience, even you, Monsieur, had been impelled by generous nature to deliver yourself wholly into the hands of such an enemy or to quit the field for ever. I declare, I was never so touched in all my life. God, I thank thee, as the Author of my days! Thrice happy will he be whom so amiable a creature will bless with her favours. A sigh of affection gave eloquence to these words and, having replaced the locket in his bosom, he wiped his eye and sighed again. Beneficent Disseminator of blessings to all Thy creatures, how great and universal must be that sweetest of Thy tyrannies which can hold in thrall the free and the bond, the simple swain and the polished coxcomb, the lover in the heyday of reckless passion and the husband of maturer years. But indeed, sir, I wander from the point. How mingled and imperfect are all our sublunary joys. Maledicity! he exclaimed in anguish. Would to God that foresight had but remembered me to take my cloak along! I could weep to think of it. Then, though it had poured seven showers, we were neither of us a penny the worse. But beshrew me, he cried, clapping hand to his forehead, tomorrow will be a new day and, thousand thunders, I know of a _marchand de capotes_, Monsieur Poyntz, from whom I can have for a livre as snug a cloak of the French fashion as ever kept a lady from wetting. Tut, tut! cries Le Fecondateur, tripping in, my friend Monsieur Moore, that most accomplished traveller (I have just cracked a half bottle AVEC LUI in a circle of the best wits of the town), is my authority that in Cape Horn, _ventre biche_, they have a rain that will wet through any, even the stoutest cloak. A drenching of that violence, he tells me, _sans blague_, has sent more than one luckless fellow in good earnest posthaste to another world. Pooh! A _livre!_ cries Monsieur Lynch. The clumsy things are dear at a sou. One umbrella, were it no bigger than a fairy mushroom, is worth ten such stopgaps. No woman of any wit would wear one. My dear Kitty told me today that she would dance in a deluge before ever she would starve in such an ark of salvation for, as she reminded me (blushing piquantly and whispering in my ear though there was none to snap her words but giddy butterflies), dame Nature, by the divine blessing, has implanted it in our hearts and it has become a household word that _il y a deux choses_ for which the innocence of our original garb, in other circumstances a breach of the proprieties, is the fittest, nay, the only garment. The first, said she (and here my pretty philosopher, as I handed her to her tilbury, to fix my attention, gently tipped with her tongue the outer chamber of my ear), the first is a bath... But at this point a bell tinkling in the hall cut short a discourse which promised so bravely for the enrichment of our store of knowledge.&#xA;&#xA;Amid the general vacant hilarity of the assembly a bell rang and, while all were conjecturing what might be the cause, Miss Callan entered and, having spoken a few words in a low tone to young Mr Dixon, retired with a profound bow to the company. The presence even for a moment among a party of debauchees of a woman endued with every quality of modesty and not less severe than beautiful refrained the humourous sallies even of the most licentious but her departure was the signal for an outbreak of ribaldry. Strike me silly, said Costello, a low fellow who was fuddled. A monstrous fine bit of cowflesh! I'll be sworn she has rendezvoused you. What, you dog? Have you a way with them? Gad's bud, immensely so, said Mr Lynch. The bedside manner it is that they use in the Mater hospice. Demme, does not Doctor O'Gargle chuck the nuns there under the chin. As I look to be saved I had it from my Kitty who has been wardmaid there any time these seven months. Lawksamercy, doctor, cried the young blood in the primrose vest, feigning a womanish simper and with immodest squirmings of his body, how you do tease a body! Drat the man! Bless me, I'm all of a wibbly wobbly. Why, you're as bad as dear little Father Cantekissem, that you are! May this pot of four half choke me, cried Costello, if she ain't in the family way. I knows a lady what's got a white swelling quick as I claps eyes on her. The young surgeon, however, rose and begged the company to excuse his retreat as the nurse had just then informed him that he was needed in the ward. Merciful providence had been pleased to put a period to the sufferings of the lady who was enceinte which she had borne with a laudable fortitude and she had given birth to a bouncing boy. I want patience, said he, with those who, without wit to enliven or learning to instruct, revile an ennobling profession which, saving the reverence due to the Deity, is the greatest power for happiness upon the earth. I am positive when I say that if need were I could produce a cloud of witnesses to the excellence of her noble exercitations which, so far from being a byword, should be a glorious incentive in the human breast. I cannot away with them. What? Malign such an one, the amiable Miss Callan, who is the lustre of her own sex and the astonishment of ours? And at an instant the most momentous that can befall a puny child of clay? Perish the thought! I shudder to think of the future of a race where the seeds of such malice have been sown and where no right reverence is rendered to mother and maid in house of Horne. Having delivered himself of this rebuke he saluted those present on the by and repaired to the door. A murmur of approval arose from all and some were for ejecting the low soaker without more ado, a design which would have been effected nor would he have received more than his bare deserts had he not abridged his transgression by affirming with a horrid imprecation (for he swore a round hand) that he was as good a son of the true fold as ever drew breath. Stap my vitals, said he, them was always the sentiments of honest Frank Costello which I was bred up most particular to honour thy father and thy mother that had the best hand to a rolypoly or a hasty pudding as you ever see what I always looks back on with a loving heart.&#xA;&#xA;To revert to Mr Bloom who, after his first entry, had been conscious of some impudent mocks which he however had borne with as being the fruits of that age upon which it is commonly charged that it knows not pity. The young sparks, it is true, were as full of extravagancies as overgrown children: the words of their tumultuary discussions were difficultly understood and not often nice: their testiness and outrageous _mots_ were such that his intellects resiled from: nor were they scrupulously sensible of the proprieties though their fund of strong animal spirits spoke in their behalf. But the word of Mr Costello was an unwelcome language for him for he nauseated the wretch that seemed to him a cropeared creature of a misshapen gibbosity, born out of wedlock and thrust like a crookback toothed and feet first into the world, which the dint of the surgeon's pliers in his skull lent indeed a colour to, so as to put him in thought of that missing link of creation's chain desiderated by the late ingenious Mr Darwin. It was now for more than the middle span of our allotted years that he had passed through the thousand vicissitudes of existence and, being of a wary ascendancy and self a man of rare forecast, he had enjoined his heart to repress all motions of a rising choler and, by intercepting them with the readiest precaution, foster within his breast that plenitude of sufferance which base minds jeer at, rash judgers scorn and all find tolerable and but tolerable. To those who create themselves wits at the cost of feminine delicacy (a habit of mind which he never did hold with) to them he would concede neither to bear the name nor to herit the tradition of a proper breeding: while for such that, having lost all forbearance, can lose no more, there remained the sharp antidote of experience to cause their insolency to beat a precipitate and inglorious retreat. Not but what he could feel with mettlesome youth which, caring nought for the mows of dotards or the gruntlings of the severe, is ever (as the chaste fancy of the Holy Writer expresses it) for eating of the tree forbid it yet not so far forth as to pretermit humanity upon any condition soever towards a gentlewoman when she was about her lawful occasions. To conclude, while from the sister's words he had reckoned upon a speedy delivery he was, however, it must be owned, not a little alleviated by the intelligence that the issue so auspicated after an ordeal of such duress now testified once more to the mercy as well as to the bounty of the Supreme Being.&#xA;&#xA;Accordingly he broke his mind to his neighbour, saying that, to express his notion of the thing, his opinion (who ought not perchance to express one) was that one must have a cold constitution and a frigid genius not to be rejoiced by this freshest news of the fruition of her confinement since she had been in such pain through no fault of hers. The dressy young blade said it was her husband's that put her in that expectation or at least it ought to be unless she were another Ephesian matron. I must acquaint you, said Mr Crotthers, clapping on the table so as to evoke a resonant comment of emphasis, old Glory Allelujurum was round again today, an elderly man with dundrearies, preferring through his nose a request to have word of Wilhelmina, my life, as he calls her. I bade him hold himself in readiness for that the event would burst anon. 'Slife, I'll be round with you. I cannot but extol the virile potency of the old bucko that could still knock another child out of her. All fell to praising of it, each after his own fashion, though the same young blade held with his former view that another than her conjugial had been the man in the gap, a clerk in orders, a linkboy (virtuous) or an itinerant vendor of articles needed in every household. Singular, communed the guest with himself, the wonderfully unequal faculty of metempsychosis possessed by them, that the puerperal dormitory and the dissecting theatre should be the seminaries of such frivolity, that the mere acquisition of academic titles should suffice to transform in a pinch of time these votaries of levity into exemplary practitioners of an art which most men anywise eminent have esteemed the noblest. But, he further added, it is mayhap to relieve the pentup feelings that in common oppress them for I have more than once observed that birds of a feather laugh together.&#xA;&#xA;But with what fitness, let it be asked of the noble lord, his patron, has this alien, whom the concession of a gracious prince has admitted to civic rights, constituted himself the lord paramount of our internal polity? Where is now that gratitude which loyalty should have counselled? During the recent war whenever the enemy had a temporary advantage with his granados did this traitor to his kind not seize that moment to discharge his piece against the empire of which he is a tenant at will while he trembled for the security of his four per cents? Has he forgotten this as he forgets all benefits received? Or is it that from being a deluder of others he has become at last his own dupe as he is, if report belie him not, his own and his only enjoyer? Far be it from candour to violate the bedchamber of a respectable lady, the daughter of a gallant major, or to cast the most distant reflections upon her virtue but if he challenges attention there (as it was indeed highly his interest not to have done) then be it so. Unhappy woman, she has been too long and too persistently denied her legitimate prerogative to listen to his objurgations with any other feeling than the derision of the desperate. He says this, a censor of morals, a very pelican in his piety, who did not scruple, oblivious of the ties of nature, to attempt illicit intercourse with a female domestic drawn from the lowest strata of society! Nay, had the hussy's scouringbrush not been her tutelary angel, it had gone with her as hard as with Hagar, the Egyptian! In the question of the grazing lands his peevish asperity is notorious and in Mr Cuffe's hearing brought upon him from an indignant rancher a scathing retort couched in terms as straightforward as they were bucolic. It ill becomes him to preach that gospel. Has he not nearer home a seedfield that lies fallow for the want of the ploughshare? A habit reprehensible at puberty is second nature and an opprobrium in middle life. If he must dispense his balm of Gilead in nostrums and apothegms of dubious taste to restore to health a generation of unfledged profligates let his practice consist better with the doctrines that now engross him. His marital breast is the repository of secrets which decorum is reluctant to adduce. The lewd suggestions of some faded beauty may console him for a consort neglected and debauched but this new exponent of morals and healer of ills is at his best an exotic tree which, when rooted in its native orient, throve and flourished and was abundant in balm but, transplanted to a clime more temperate, its roots have lost their quondam vigour while the stuff that comes away from it is stagnant, acid and inoperative.&#xA;The news was imparted with a circumspection recalling the ceremonial usage of the Sublime Porte by the second female infirmarian to the junior medical officer in residence, who in his turn announced to the delegation that an heir had been born, When he had betaken himself to the women's apartment to assist at the prescribed ceremony of the afterbirth in the presence of the secretary of state for domestic affairs and the members of the privy council, silent in unanimous exhaustion and approbation the delegates, chafing under the length and solemnity of their vigil and hoping that the joyful occurrence would palliate a licence which the simultaneous absence of abigail and obstetrician rendered the easier, broke out at once into a strife of tongues. In vain the voice of Mr Canvasser Bloom was heard endeavouring to urge, to mollify, to refrain. The moment was too propitious for the display of that discursiveness which seemed the only bond of union among tempers so divergent. Every phase of the situation was successively eviscerated: the prenatal repugnance of uterine brothers, the Caesarean section, posthumity with respect to the father and, that rarer form, with respect to the mother, the fratricidal case known as the Childs Murder and rendered memorable by the impassioned plea of Mr Advocate Bushe which secured the acquittal of the wrongfully accused, the rights of primogeniture and king's bounty touching twins and triplets, miscarriages and infanticides, simulated or dissimulated, the acardiac _foetus in foetu_ and aprosopia due to a congestion, the agnathia of certain chinless Chinamen (cited by Mr Candidate Mulligan) in consequence of defective reunion of the maxillary knobs along the medial line so that (as he said) one ear could hear what the other spoke, the benefits of anesthesia or twilight sleep, the prolongation of labour pains in advanced gravidancy by reason of pressure on the vein, the premature relentment of the amniotic fluid (as exemplified in the actual case) with consequent peril of sepsis to the matrix, artificial insemination by means of syringes, involution of the womb consequent upon the menopause, the problem of the perpetration of the species in the case of females impregnated by delinquent rape, that distressing manner of delivery called by the Brandenburghers _Sturzgeburt,_ the recorded instances of multiseminal, twikindled and monstrous births conceived during the catamenic period or of consanguineous parents--in a word all the cases of human nativity which Aristotle has classified in his masterpiece with chromolithographic illustrations. The gravest problems of obstetrics and forensic medicine were examined with as much animation as the most popular beliefs on the state of pregnancy such as the forbidding to a gravid woman to step over a countrystile lest, by her movement, the navelcord should strangle her creature and the injunction upon her in the event of a yearning, ardently and ineffectually entertained, to place her hand against that part of her person which long usage has consecrated as the seat of castigation. The abnormalities of harelip, breastmole, supernumerary digits, negro's inkle, strawberry mark and portwine stain were alleged by one as a _prima facie_ and natural hypothetical explanation of those swineheaded (the case of Madame Grissel Steevens was not forgotten) or doghaired infants occasionally born. The hypothesis of a plasmic memory, advanced by the Caledonian envoy and worthy of the metaphysical traditions of the land he stood for, envisaged in such cases an arrest of embryonic development at some stage antecedent to the human. An outlandish delegate sustained against both these views, with such heat as almost carried conviction, the theory of copulation between women and the males of brutes, his authority being his own avouchment in support of fables such as that of the Minotaur which the genius of the elegant Latin poet has handed down to us in the pages of his Metamorphoses. The impression made by his words was immediate but shortlived. It was effaced as easily as it had been evoked by an allocution from Mr Candidate Mulligan in that vein of pleasantry which none better than he knew how to affect, postulating as the supremest object of desire a nice clean old man. Contemporaneously, a heated argument having arisen between Mr Delegate Madden and Mr Candidate Lynch regarding the juridical and theological dilemma created in the event of one Siamese twin predeceasing the other, the difficulty by mutual consent was referred to Mr Canvasser Bloom for instant submittal to Mr Coadjutor Deacon Dedalus. Hitherto silent, whether the better to show by preternatural gravity that curious dignity of the garb with which he was invested or in obedience to an inward voice, he delivered briefly and, as some thought, perfunctorily the ecclesiastical ordinance forbidding man to put asunder what God has joined.&#xA;&#xA;But Malachias' tale began to freeze them with horror. He conjured up the scene before them. The secret panel beside the chimney slid back and in the recess appeared... Haines! Which of us did not feel his flesh creep! He had a portfolio full of Celtic literature in one hand, in the other a phial marked _Poison._ Surprise, horror, loathing were depicted on all faces while he eyed them with a ghostly grin. I anticipated some such reception, he began with an eldritch laugh, for which, it seems, history is to blame. Yes, it is true. I am the murderer of Samuel Childs. And how I am punished! The inferno has no terrors for me. This is the appearance is on me. Tare and ages, what way would I be resting at all, he muttered thickly, and I tramping Dublin this while back with my share of songs and himself after me the like of a soulth or a bullawurrus? My hell, and Ireland's, is in this life. It is what I tried to obliterate my crime. Distractions, rookshooting, the Erse language (he recited some), laudanum (he raised the phial to his lips), camping out. In vain! His spectre stalks me. Dope is my only hope... Ah! Destruction! The black panther! With a cry he suddenly vanished and the panel slid back. An instant later his head appeared in the door opposite and said: Meet me at Westland Row station at ten past eleven. He was gone. Tears gushed from the eyes of the dissipated host. The seer raised his hand to heaven, murmuring: The vendetta of Mananaun! The sage repeated: _Lex talionis_. The sentimentalist is he who would enjoy without incurring the immense debtorship for a thing done. Malachias, overcome by emotion, ceased. The mystery was unveiled. Haines was the third brother. His real name was Childs. The black panther was himself the ghost of his own father. He drank drugs to obliterate. For this relief much thanks. The lonely house by the graveyard is uninhabited. No soul will live there. The spider pitches her web in the solitude. The nocturnal rat peers from his hole. A curse is on it. It is haunted. Murderer's ground.&#xA;&#xA;What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. A score of years are blown away. He is young Leopold. There, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clanbrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas! a thing now of the past!) and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin, shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile, but, more than these, the dark eyes and oleaginous address, brought home at duskfall many a commission to the head of the firm, seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, dwindles to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night: first night, the bridenight. They are entwined in nethermost darkness, the willer with the willed, and in an instant (_fiat_!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but--hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold. Name and memory solace thee not. That youthful illusion of thy strength was taken from thee--and in vain. No son of thy loins is by thee. There is none now to be for Leopold, what Leopold was for Rudolph.&#xA;&#xA;The voices blend and fuse in clouded silence: silence that is the infinite of space: and swiftly, silently the soul is wafted over regions of cycles of generations that have lived. A region where grey twilight ever descends, never falls on wide sagegreen pasturefields, shedding her dusk, scattering a perennial dew of stars. She follows her mother with ungainly steps, a mare leading her fillyfoal. Twilight phantoms are they, yet moulded in prophetic grace of structure, slim shapely haunches, a supple tendonous neck, the meek apprehensive skull. They fade, sad phantoms: all is gone. Agendath is a waste land, a home of screechowls and the sandblind upupa. Netaim, the golden, is no more. And on the highway of the clouds they come, muttering thunder of rebellion, the ghosts of beasts. Huuh! Hark! Huuh! Parallax stalks behind and goads them, the lancinating lightnings of whose brow are scorpions. Elk and yak, the bulls of Bashan and of Babylon, mammoth and mastodon, they come trooping to the sunken sea, _Lacus Mortis_. Ominous revengeful zodiacal host! They moan, passing upon the clouds, horned and capricorned, the trumpeted with the tusked, the lionmaned, the giantantlered, snouter and crawler, rodent, ruminant and pachyderm, all their moving moaning multitude, murderers of the sun.&#xA;&#xA;Onward to the dead sea they tramp to drink, unslaked and with horrible gulpings, the salt somnolent inexhaustible flood. And the equine portent grows again, magnified in the deserted heavens, nay to heaven's own magnitude, till it looms, vast, over the house of Virgo. And lo, wonder of metempsychosis, it is she, the everlasting bride, harbinger of the daystar, the bride, ever virgin. It is she, Martha, thou lost one, Millicent, the young, the dear, the radiant. How serene does she now arise, a queen among the Pleiades, in the penultimate antelucan hour, shod in sandals of bright gold, coifed with a veil of what do you call it gossamer. It floats, it flows about her starborn flesh and loose it streams, emerald, sapphire, mauve and heliotrope, sustained on currents of the cold interstellar wind, winding, coiling, simply swirling, writhing in the skies a mysterious writing till, after a myriad metamorphoses of symbol, it blazes, Alpha, a ruby and triangled sign upon the forehead of Taurus.&#xA;&#xA;Francis was reminding Stephen of years before when they had been at school together in Conmee's time. He asked about Glaucon, Alcibiades, Pisistratus. Where were they now? Neither knew. You have spoken of the past and its phantoms, Stephen said. Why think of them? If I call them into life across the waters of Lethe will not the poor ghosts troop to my call? Who supposes it? I, Bous Stephanoumenos, bullockbefriending bard, am lord and giver of their life. He encircled his gadding hair with a coronal of vineleaves, smiling at Vincent. That answer and those leaves, Vincent said to him, will adorn you more fitly when something more, and greatly more, than a capful of light odes can call your genius father. All who wish you well hope this for you. All desire to see you bring forth the work you meditate, to acclaim you Stephaneforos. I heartily wish you may not fail them. O no, Vincent Lenehan said, laying a hand on the shoulder near him. Have no fear. He could not leave his mother an orphan. The young man's face grew dark. All could see how hard it was for him to be reminded of his promise and of his recent loss. He would have withdrawn from the feast had not the noise of voices allayed the smart. Madden had lost five drachmas on Sceptre for a whim of the rider's name: Lenehan as much more. He told them of the race. The flag fell and, huuh! off, scamper, the mare ran out freshly with 0. Madden up. She was leading the field. All hearts were beating. Even Phyllis could not contain herself. She waved her scarf and cried: Huzzah! Sceptre wins! But in the straight on the run home when all were in close order the dark horse Throwaway drew level, reached, outstripped her. All was lost now. Phyllis was silent: her eyes were sad anemones. Juno, she cried, I am undone. But her lover consoled her and brought her a bright casket of gold in which lay some oval sugarplums which she partook. A tear fell: one only. A whacking fine whip, said Lenehan, is W. Lane. Four winners yesterday and three today. What rider is like him? Mount him on the camel or the boisterous buffalo the victory in a hack canter is still his. But let us bear it as was the ancient won't. Mercy on the luckless! Poor Sceptre! he said with a light sigh. She is not the filly that she was. Never, by this hand, shall we behold such another. By gad, sir, a queen of them. Do you remember her, Vincent? I wish you could have seen my queen today, Vincent said. How young she was and radiant (Lalage were scarce fair beside her) in her yellow shoes and frock of muslin, I do not know the right name of it. The chestnuts that shaded us were in bloom: the air drooped with their persuasive odour and with pollen floating by us. In the sunny patches one might easily have cooked on a stone a batch of those buns with Corinth fruit in them that Periplipomenes sells in his booth near the bridge. But she had nought for her teeth but the arm with which I held her and in that she nibbled mischievously when I pressed too close. A week ago she lay ill, four days on the couch, but today she was free, blithe, mocked at peril. She is more taking then. Her posies tool Mad romp that she is, she had pulled her fill as we reclined together. And in your ear, my friend, you will not think who met us as we left the field. Conmee himself! He was walking by the hedge, reading, I think a brevier book with, I doubt not, a witty letter in it from Glycera or Chloe to keep the page. The sweet creature turned all colours in her confusion, feigning to reprove a slight disorder in her dress: a slip of underwood clung there for the very trees adore her. When Conmee had passed she glanced at her lovely echo in that little mirror she carries. But he had been kind. In going by he had blessed us. The gods too are ever kind, Lenehan said. If I had poor luck with Bass's mare perhaps this draught of his may serve me more propensely. He was laying his hand upon a winejar: Malachi saw it and withheld his act, pointing to the stranger and to the scarlet label. Warily, Malachi whispered, preserve a druid silence. His soul is far away. It is as painful perhaps to be awakened from a vision as to be born. Any object, intensely regarded, may be a gate of access to the incorruptible eon of the gods. Do you not think it, Stephen? Theosophos told me so, Stephen answered, whom in a previous existence Egyptian priests initiated into the mysteries of karmic law. The lords of the moon, Theosophos told me, an orangefiery shipload from planet Alpha of the lunar chain would not assume the etheric doubles and these were therefore incarnated by the rubycoloured egos from the second constellation.&#xA;&#xA;However, as a matter of fact though, the preposterous surmise about him being in some description of a doldrums or other or mesmerised which was entirely due to a misconception of the shallowest character, was not the case at all. The individual whose visual organs while the above was going on were at this juncture commencing to exhibit symptoms of animation was as astute if not astuter than any man living and anybody that conjectured the contrary would have found themselves pretty speedily in the wrong shop. During the past four minutes or thereabouts he had been staring hard at a certain amount of number one Bass bottled by Messrs Bass and Co at Burton-on-Trent which happened to be situated amongst a lot of others right opposite to where he was and which was certainly calculated to attract anyone's remark on account of its scarlet appearance. He was simply and solely, as it subsequently transpired for reasons best known to himself, which put quite an altogether different complexion on the proceedings, after the moment before's observations about boyhood days and the turf, recollecting two or three private transactions of his own which the other two were as mutually innocent of as the babe unborn. Eventually, however, both their eyes met and as soon as it began to dawn on him that the other was endeavouring to help himself to the thing he involuntarily determined to help him himself and so he accordingly took hold of the neck of the mediumsized glass recipient which contained the fluid sought after and made a capacious hole in it by pouring a lot of it out with, also at the same time, however, a considerable degree of attentiveness in order not to upset any of the beer that was in it about the place.&#xA;&#xA;The debate which ensued was in its scope and progress an epitome of the course of life. Neither place nor council was lacking in dignity. The debaters were the keenest in the land, the theme they were engaged on the loftiest and most vital. The high hall of Horne's house had never beheld an assembly so representative and so varied nor had the old rafters of that establishment ever listened to a language so encyclopaedic. A gallant scene in truth it made. Crotthers was there at the foot of the table in his striking Highland garb, his face glowing from the briny airs of the Mull of Galloway. There too, opposite to him, was Lynch whose countenance bore already the stigmata of early depravity and premature wisdom. Next the Scotchman was the place assigned to Costello, the eccentric, while at his side was seated in stolid repose the squat form of Madden. The chair of the resident indeed stood vacant before the hearth but on either flank of it the figure of Bannon in explorer's kit of tweed shorts and salted cowhide brogues contrasted sharply with the primrose elegance and townbred manners of Malachi Roland St John Mulligan. Lastly at the head of the board was the young poet who found a refuge from his labours of pedagogy and metaphysical inquisition in the convivial atmosphere of Socratic discussion, while to right and left of him were accommodated the flippant prognosticator, fresh from the hippodrome, and that vigilant wanderer, soiled by the dust of travel and combat and stained by the mire of an indelible dishonour, but from whose steadfast and constant heart no lure or peril or threat or degradation could ever efface the image of that voluptuous loveliness which the inspired pencil of Lafayette has limned for ages yet to come.&#xA;&#xA;It had better be stated here and now at the outset that the perverted transcendentalism to which Mr S. Dedalus' (Div. Scep.) contentions would appear to prove him pretty badly addicted runs directly counter to accepted scientific methods. Science, it cannot be too often repeated, deals with tangible phenomena. The man of science like the man in the street has to face hardheaded facts that cannot be blinked and explain them as best he can. There may be, it is true, some questions which science cannot answer--at present--such as the first problem submitted by Mr L. Bloom (Pubb. Canv.) regarding the future determination of sex. Must we accept the view of Empedocles of Trinacria that the right ovary (the postmenstrual period, assert others) is responsible for the birth of males or are the too long neglected spermatozoa or nemasperms the differentiating factors or is it, as most embryologists incline to opine, such as Culpepper, Spallanzani, Blumenbach, Lusk, Hertwig, Leopold and Valenti, a mixture of both? This would be tantamount to a cooperation (one of nature's favourite devices) between the _nisus formativus_ of the nemasperm on the one hand and on the other a happily chosen position, _succubitus felix_ of the passive element. The other problem raised by the same inquirer is scarcely less vital: infant mortality. It is interesting because, as he pertinently remarks, we are all born in the same way but we all die in different ways. Mr M. Mulligan (Hyg. et Eug. Doc.) blames the sanitary conditions in which our greylunged citizens contract adenoids, pulmonary complaints etc. by inhaling the bacteria which lurk in dust. These factors, he alleged, and the revolting spectacles offered by our streets, hideous publicity posters, religious ministers of all denominations, mutilated soldiers and sailors, exposed scorbutic cardrivers, the suspended carcases of dead animals, paranoic bachelors and unfructified duennas--these, he said, were accountable for any and every fallingoff in the calibre of the race. Kalipedia, he prophesied, would soon be generally adopted and all the graces of life, genuinely good music, agreeable literature, light philosophy, instructive pictures, plastercast reproductions of the classical statues such as Venus and Apollo, artistic coloured photographs of prize babies, all these little attentions would enable ladies who were in a particular condition to pass the intervening months in a most enjoyable manner. Mr J. Crotthers (Disc. Bacc.) attributes some of these demises to abdominal trauma in the case of women workers subjected to heavy labours in the workshop and to marital discipline in the home but by far the vast majority to neglect, private or official, culminating in the exposure of newborn infants, the practice of criminal abortion or in the atrocious crime of infanticide. Although the former (we are thinking of neglect) is undoubtedly only too true the case he cites of nurses forgetting to count the sponges in the peritoneal cavity is too rare to be normative. In fact when one comes to look into it the wonder is that so many pregnancies and deliveries go off so well as they do, all things considered and in spite of our human shortcomings which often baulk nature in her intentions. An ingenious suggestion is that thrown out by Mr V. Lynch (Bacc. Arith.) that both natality and mortality, as well as all other phenomena of evolution, tidal movements, lunar phases, blood temperatures, diseases in general, everything, in fine, in nature's vast workshop from the extinction of some remote sun to the blossoming of one of the countless flowers which beautify our public parks is subject to a law of numeration as yet unascertained. Still the plain straightforward question why a child of normally healthy parents and seemingly a healthy child and properly looked after succumbs unaccountably in early childhood (though other children of the same marriage do not) must certainly, in the poet's words, give us pause. Nature, we may rest assured, has her own good and cogent reasons for whatever she does and in all probability such deaths are due to some law of anticipation by which organisms in which morbous germs have taken up their residence (modern science has conclusively shown that only the plasmic substance can be said to be immortal) tend to disappear at an increasingly earlier stage of development, an arrangement which, though productive of pain to some of our feelings (notably the maternal), is nevertheless, some of us think, in the long run beneficial to the race in general in securing thereby the survival of the fittest. Mr S. Dedalus' (Div. Scep.) remark (or should it be called an interruption?) that an omnivorous being which can masticate, deglute, digest and apparently pass through the ordinary channel with pluterperfect imperturbability such multifarious aliments as cancrenous females emaciated by parturition, corpulent professional gentlemen, not to speak of jaundiced politicians and chlorotic nuns, might possibly find gastric relief in an innocent collation of staggering bob, reveals as nought else could and in a very unsavoury light the tendency above alluded to. For the enlightenment of those who are not so intimately acquainted with the minutiae of the municipal abattoir as this morbidminded esthete and embryo philosopher who for all his overweening bumptiousness in things scientific can scarcely distinguish an acid from an alkali prides himself on being, it should perhaps be stated that staggering bob in the vile parlance of our lowerclass licensed victuallers signifies the cookable and eatable flesh of a calf newly dropped from its mother. In a recent public controversy with Mr L. Bloom (Pubb. Canv.) which took place in the commons' hall of the National Maternity Hospital, 29, 30 and 31 Holles street, of which, as is well known, Dr A. Horne (Lic. in Midw., F. K. Q. C. P. I.) is the able and popular master, he is reported by eyewitnesses as having stated that once a woman has let the cat into the bag (an esthete's allusion, presumably, to one of the most complicated and marvellous of all nature's processes--the act of sexual congress) she must let it out again or give it life, as he phrased it, to save her own. At the risk of her own, was the telling rejoinder of his interlocutor, none the less effective for the moderate and measured tone in which it was delivered.&#xA;&#xA;Meanwhile the skill and patience of the physician had brought about a happy _accouchement._ It had been a weary weary while both for patient and doctor. All that surgical skill could do was done and the brave woman had manfully helped. She had. She had fought the good fight and now she was very very happy. Those who have passed on, who have gone before, are happy too as they gaze down and smile upon the touching scene. Reverently look at her as she reclines there with the motherlight in her eyes, that longing hunger for baby fingers (a pretty sight it is to see), in the first bloom of her new motherhood, breathing a silent prayer of thanksgiving to One above, the Universal Husband. And as her loving eyes behold her babe she wishes only one blessing more, to have her dear Doady there with her to share her joy, to lay in his arms that mite of God's clay, the fruit of their lawful embraces. He is older now (you and I may whisper it) and a trifle stooped in the shoulders yet in the whirligig of years a grave dignity has come to the conscientious second accountant of the Ulster bank, College Green branch. O Doady, loved one of old, faithful lifemate now, it may never be again, that faroff time of the roses! With the old shake of her pretty head she recalls those days. God! How beautiful now across the mist of years! But their children are grouped in her imagination about the bedside, hers and his, Charley, Mary Alice, Frederick Albert (if he had lived), Mamy, Budgy (Victoria Frances), Tom, Violet Constance Louisa, darling little Bobsy (called after our famous hero of the South African war, lord Bobs of Waterford and Candahar) and now this last pledge of their union, a Purefoy if ever there was one, with the true Purefoy nose. Young hopeful will be christened Mortimer Edward after the influential third cousin of Mr Purefoy in the Treasury Remembrancer's office, Dublin Castle. And so time wags on: but father Cronion has dealt lightly here. No, let no sigh break from that bosom, dear gentle Mina. And Doady, knock the ashes from your pipe, the seasoned briar you still fancy when the curfew rings for you (may it be the distant day!) and dout the light whereby you read in the Sacred Book for the oil too has run low, and so with a tranquil heart to bed, to rest. He knows and will call in His own good time. You too have fought the good fight and played loyally your man's part. Sir, to you my hand. Well done, thou good and faithful servant!&#xA;&#xA;There are sins or (let us call them as the world calls them) evil memories which are hidden away by man in the darkest places of the heart but they abide there and wait. He may suffer their memory to grow dim, let them be as though they had not been and all but persuade himself that they were not or at least were otherwise. Yet a chance word will call them forth suddenly and they will rise up to confront him in the most various circumstances, a vision or a dream, or while timbrel and harp soothe his senses or amid the cool silver tranquility of the evening or at the feast, at midnight, when he is now filled with wine. Not to insult over him will the vision come as over one that lies under her wrath, not for vengeance to cut him off from the living but shrouded in the piteous vesture of the past, silent, remote, reproachful.&#xA;&#xA;The stranger still regarded on the face before him a slow recession of that false calm there, imposed, as it seemed, by habit or some studied trick, upon words so embittered as to accuse in their speaker an unhealthiness, a _flair,_ for the cruder things of life. A scene disengages itself in the observer's memory, evoked, it would seem, by a word of so natural a homeliness as if those days were really present there (as some thought) with their immediate pleasures. A shaven space of lawn one soft May evening, the wellremembered grove of lilacs at Roundtown, purple and white, fragrant slender spectators of the game but with much real interest in the pellets as they run slowly forward over the sward or collide and stop, one by its fellow, with a brief alert shock. And yonder about that grey urn where the water moves at times in thoughtful irrigation you saw another as fragrant sisterhood, Floey, Atty, Tiny and their darker friend with I know not what of arresting in her pose then, Our Lady of the Cherries, a comely brace of them pendent from an ear, bringing out the foreign warmth of the skin so daintily against the cool ardent fruit. A lad of four or five in linseywoolsey (blossomtime but there will be cheer in the kindly hearth when ere long the bowls are gathered and hutched) is standing on the urn secured by that circle of girlish fond hands. He frowns a little just as this young man does now with a perhaps too conscious enjoyment of the danger but must needs glance at whiles towards where his mother watches from the PIAZZETTA giving upon the flowerclose with a faint shadow of remoteness or of reproach (_alles Vergangliche_) in her glad look.&#xA;&#xA;Mark this farther and remember. The end comes suddenly. Enter that antechamber of birth where the studious are assembled and note their faces. Nothing, as it seems, there of rash or violent. Quietude of custody, rather, befitting their station in that house, the vigilant watch of shepherds and of angels about a crib in Bethlehem of Juda long ago. But as before the lightning the serried stormclouds, heavy with preponderant excess of moisture, in swollen masses turgidly distended, compass earth and sky in one vast slumber, impending above parched field and drowsy oxen and blighted growth of shrub and verdure till in an instant a flash rives their centres and with the reverberation of the thunder the cloudburst pours its torrent, so and not otherwise was the transformation, violent and instantaneous, upon the utterance of the word.&#xA;&#xA;Burke's! outflings my lord Stephen, giving the cry, and a tag and bobtail of all them after, cockerel, jackanapes, welsher, pilldoctor, punctual Bloom at heels with a universal grabbing at headgear, ashplants, bilbos, Panama hats and scabbards, Zermatt alpenstocks and what not. A dedale of lusty youth, noble every student there. Nurse Callan taken aback in the hallway cannot stay them nor smiling surgeon coming downstairs with news of placentation ended, a full pound if a milligramme. They hark him on. The door! It is open? Ha! They are out, tumultuously, off for a minute's race, all bravely legging it, Burke's of Denzille and Holles their ulterior goal. Dixon follows giving them sharp language but raps out an oath, he too, and on. Bloom stays with nurse a thought to send a kind word to happy mother and nurseling up there. Doctor Diet and Doctor Quiet. Looks she too not other now? Ward of watching in Horne's house has told its tale in that washedout pallor. Then all being gone, a glance of motherwit helping, he whispers close in going: Madam, when comes the storkbird for thee?&#xA;&#xA;The air without is impregnated with raindew moisture, life essence celestial, glistening on Dublin stone there under starshiny _coelum._ God's air, the Allfather's air, scintillant circumambient cessile air. Breathe it deep into thee. By heaven, Theodore Purefoy, thou hast done a doughty deed and no botch! Thou art, I vow, the remarkablest progenitor barring none in this chaffering allincluding most farraginous chronicle. Astounding! In her lay a Godframed Godgiven preformed possibility which thou hast fructified with thy modicum of man's work. Cleave to her! Serve! Toil on, labour like a very bandog and let scholarment and all Malthusiasts go hang. Thou art all their daddies, Theodore. Art drooping under thy load, bemoiled with butcher's bills at home and ingots (not thine!) in the countinghouse? Head up! For every newbegotten thou shalt gather thy homer of ripe wheat. See, thy fleece is drenched. Dost envy Darby Dullman there with his Joan? A canting jay and a rheumeyed curdog is all their progeny. Pshaw, I tell thee! He is a mule, a dead gasteropod, without vim or stamina, not worth a cracked kreutzer. Copulation without population! No, say I! Herod's slaughter of the innocents were the truer name. Vegetables, forsooth, and sterile cohabitation! Give her beefsteaks, red, raw, bleeding! She is a hoary pandemonium of ills, enlarged glands, mumps, quinsy, bunions, hayfever, bedsores, ringworm, floating kidney, Derbyshire neck, warts, bilious attacks, gallstones, cold feet, varicose veins. A truce to threnes and trentals and jeremies and all such congenital defunctive music! Twenty years of it, regret them not. With thee it was not as with many that will and would and wait and never--do. Thou sawest thy America, thy lifetask, and didst charge to cover like the transpontine bison. How saith Zarathustra? _Deine Kuh Trübsal melkest Du. Nun Trinkst Du die süsse Milch des Euters_. See! it displodes for thee in abundance. Drink, man, an udderful! Mother's milk, Purefoy, the milk of human kin, milk too of those burgeoning stars overhead rutilant in thin rainvapour, punch milk, such as those rioters will quaff in their guzzling den, milk of madness, the honeymilk of Canaan's land. Thy cow's dug was tough, what? Ay, but her milk is hot and sweet and fattening. No dollop this but thick rich bonnyclaber. To her, old patriarch! Pap! _Per deam Partulam et Pertundam nunc est bibendum_!&#xA;&#xA;All off for a buster, armstrong, hollering down the street. Bonafides. Where you slep las nigh? Timothy of the battered naggin. Like ole Billyo. Any brollies or gumboots in the fambly? Where the Henry Nevil's sawbones and ole clo? Sorra one o' me knows. Hurrah there, Dix! Forward to the ribbon counter. Where's Punch? All serene. Jay, look at the drunken minister coming out of the maternity hospal! _Benedicat vos omnipotens Deus, Pater et Filius_. A make, mister. The Denzille lane boys. Hell, blast ye! Scoot. Righto, Isaacs, shove em out of the bleeding limelight. Yous join uz, dear sir? No hentrusion in life. Lou heap good man. Allee samee dis bunch. _En avant, mes enfants_! Fire away number one on the gun. Burke's! Burke's! Thence they advanced five parasangs. Slattery's mounted foot. Where's that bleeding awfur? Parson Steve, apostates' creed! No, no, Mulligan! Abaft there! Shove ahead. Keep a watch on the clock. Chuckingout time. Mullee! What's on you? _Ma mère m'a mariée._ British Beatitudes! _Retamplatan Digidi Boumboum_. Ayes have it. To be printed and bound at the Druiddrum press by two designing females. Calf covers of pissedon green. Last word in art shades. Most beautiful book come out of Ireland my time. _Silentium!_ Get a spurt on. Tention. Proceed to nearest canteen and there annex liquor stores. March! Tramp, tramp, tramp, the boys are (atitudes!) parching. Beer, beef, business, bibles, bulldogs battleships, buggery and bishops. Whether on the scaffold high. Beer, beef, trample the bibles. When for Irelandear. Trample the trampellers. Thunderation! Keep the durned millingtary step. We fall. Bishops boosebox. Halt! Heave to. Rugger. Scrum in. No touch kicking. Wow, my tootsies! You hurt? Most amazingly sorry!&#xA;&#xA;Query. Who's astanding this here do? Proud possessor of damnall. Declare misery. Bet to the ropes. Me nantee saltee. Not a red at me this week gone. Yours? Mead of our fathers for the _Übermensch._ Dittoh. Five number ones. You, sir? Ginger cordial. Chase me, the cabby's caudle. Stimulate the caloric. Winding of his ticker. Stopped short never to go again when the old. Absinthe for me, savvy? _Caramba!_ Have an eggnog or a prairie oyster. Enemy? Avuncular's got my timepiece. Ten to. Obligated awful. Don't mention it. Got a pectoral trauma, eh, Dix? Pos fact. Got bet be a boomblebee whenever he wus settin sleepin in hes bit garten. Digs up near the Mater. Buckled he is. Know his dona? Yup, sartin I do. Full of a dure. See her in her dishybilly. Peels off a credit. Lovey lovekin. None of your lean kine, not much. Pull down the blind, love. Two Ardilauns. Same here. Look slippery. If you fall don't wait to get up. Five, seven, nine. Fine! Got a prime pair of mincepies, no kid. And her take me to rests and her anker of rum. Must be seen to be believed. Your starving eyes and allbeplastered neck you stole my heart, O gluepot. Sir? Spud again the rheumatiz? All poppycock, you'll scuse me saying. For the hoi polloi. I vear thee beest a gert vool. Well, doc? Back fro Lapland? Your corporosity sagaciating O K? How's the squaws and papooses? Womanbody after going on the straw? Stand and deliver. Password. There's hair. Ours the white death and the ruddy birth. Hi! Spit in your own eye, boss! Mummer's wire. Cribbed out of Meredith. Jesified, orchidised, polycimical jesuit! Aunty mine's writing Pa Kinch. Baddybad Stephen lead astray goodygood Malachi.&#xA;&#xA;Hurroo! Collar the leather, youngun. Roun wi the nappy. Here, Jock braw Hielentman's your barleybree. Lang may your lum reek and your kailpot boil! My tipple. _Merci._ Here's to us. How's that? Leg before wicket. Don't stain my brandnew sitinems. Give's a shake of peppe, you there. Catch aholt. Caraway seed to carry away. Twig? Shrieks of silence. Every cove to his gentry mort. Venus Pandemos. _Les petites femmes_. Bold bad girl from the town of Mullingar. Tell her I was axing at her. Hauding Sara by the wame. On the road to Malahide. Me? If she who seduced me had left but the name. What do you want for ninepence? Machree, macruiskeen. Smutty Moll for a mattress jig. And a pull all together. _Ex!_&#xA;&#xA;Waiting, guvnor? Most deciduously. Bet your boots on. Stunned like, seeing as how no shiners is acoming. Underconstumble? He've got the chink _ad lib_. Seed near free poun on un a spell ago a said war hisn. Us come right in on your invite, see? Up to you, matey. Out with the oof. Two bar and a wing. You larn that go off of they there Frenchy bilks? Won't wash here for nuts nohow. Lil chile velly solly. Ise de cutest colour coon down our side. Gawds teruth, Chawley. We are nae fou. We're nae tha fou. Au reservoir, mossoo. Tanks you.&#xA;&#xA;'Tis, sure. What say? In the speakeasy. Tight. I shee you, shir. Bantam, two days teetee. Bowsing nowt but claretwine. Garn! Have a glint, do. Gum, I'm jiggered. And been to barber he have. Too full for words. With a railway bloke. How come you so? Opera he'd like? Rose of Castile. Rows of cast. Police! Some H2O for a gent fainted. Look at Bantam's flowers. Gemini. He's going to holler. The colleen bawn. My colleen bawn. O, cheese it! Shut his blurry Dutch oven with a firm hand. Had the winner today till I tipped him a dead cert. The ruffin cly the nab of Stephen Hand as give me the jady coppaleen. He strike a telegramboy paddock wire big bug Bass to the depot. Shove him a joey and grahamise. Mare on form hot order. Guinea to a goosegog. Tell a cram, that. Gospeltrue. Criminal diversion? I think that yes. Sure thing. Land him in chokeechokee if the harman beck copped the game. Madden back Madden's a maddening back. O lust our refuge and our strength. Decamping. Must you go? Off to mammy. Stand by. Hide my blushes someone. All in if he spots me. Come ahome, our Bantam. Horryvar, mong vioo. Dinna forget the cowslips for hersel. Cornfide. Wha gev ye thon colt? Pal to pal. Jannock. Of John Thomas, her spouse. No fake, old man Leo. S'elp me, honest injun. Shiver my timbers if I had. There's a great big holy friar. Vyfor you no me tell? Vel, I ses, if that ain't a sheeny nachez, vel, I vil get misha mishinnah. Through yerd our lord, Amen.&#xA;&#xA;You move a motion? Steve boy, you're going it some. More bluggy drunkables? Will immensely splendiferous stander permit one stooder of most extreme poverty and one largesize grandacious thirst to terminate one expensive inaugurated libation? Give's a breather. Landlord, landlord, have you good wine, staboo? Hoots, mon, a wee drap to pree. Cut and come again. Right. Boniface! Absinthe the lot. _Nos omnes biberimus viridum toxicum diabolus capiat posterioria nostria_. Closingtime, gents. Eh? Rome boose for the Bloom toff. I hear you say onions? Bloo? Cadges ads. Photo's papli, by all that's gorgeous. Play low, pardner. Slide. _Bonsoir la compagnie_. And snares of the poxfiend. Where's the buck and Namby Amby? Skunked? Leg bail. Aweel, ye maun e'en gang yer gates. Checkmate. King to tower. Kind Kristyann wil yu help yung man hoose frend tuk bungellow kee tu find plais whear tu lay crown of his hed 2 night. Crickey, I'm about sprung. Tarnally dog gone my shins if this beent the bestest puttiest longbreak yet. Item, curate, couple of cookies for this child. Cot's plood and prandypalls, none! Not a pite of sheeses? Thrust syphilis down to hell and with him those other licensed spirits. Time, gents! Who wander through the world. Health all! _a la vôtre_!&#xA;&#xA;Golly, whatten tunket's yon guy in the mackintosh? Dusty Rhodes. Peep at his wearables. By mighty! What's he got? Jubilee mutton. Bovril, by James. Wants it real bad. D'ye ken bare socks? Seedy cuss in the Richmond? Rawthere! Thought he had a deposit of lead in his penis. Trumpery insanity. Bartle the Bread we calls him. That, sir, was once a prosperous cit. Man all tattered and torn that married a maiden all forlorn. Slung her hook, she did. Here see lost love. Walking Mackintosh of lonely canyon. Tuck and turn in. Schedule time. Nix for the hornies. Pardon? Seen him today at a runefal? Chum o' yourn passed in his checks? Ludamassy! Pore piccaninnies! Thou'll no be telling me thot, Pold veg! Did ums blubble bigsplash crytears cos fren Padney was took off in black bag? Of all de darkies Massa Pat was verra best. I never see the like since I was born. _Tiens, tiens_, but it is well sad, that, my faith, yes. O, get, rev on a gradient one in nine. Live axle drives are souped. Lay you two to one Jenatzy licks him ruddy well hollow. Jappies? High angle fire, inyah! Sunk by war specials. Be worse for him, says he, nor any Rooshian. Time all. There's eleven of them. Get ye gone. Forward, woozy wobblers! Night. Night. May Allah the Excellent One your soul this night ever tremendously conserve.&#xA;&#xA;Your attention! We're nae tha fou. The Leith police dismisseth us. The least tholice. Ware hawks for the chap puking. Unwell in his abominable regions. Yooka. Night. Mona, my true love. Yook. Mona, my own love. Ook.&#xA;&#xA;Hark! Shut your obstropolos. Pflaap! Pflaap! Blaze on. There she goes. Brigade! Bout ship. Mount street way. Cut up! Pflaap! Tally ho. You not come? Run, skelter, race. Pflaaaap!&#xA;&#xA;Lynch! Hey? Sign on long o' me. Denzille lane this way. Change here for Bawdyhouse. We two, she said, will seek the kips where shady Mary is. Righto, any old time. _Laetabuntur in cubilibus suis_. You coming long? Whisper, who the sooty hell's the johnny in the black duds? Hush! Sinned against the light and even now that day is at hand when he shall come to judge the world by fire. Pflaap! _Ut implerentur scripturae_. Strike up a ballad. Then outspake medical Dick to his comrade medical Davy. Christicle, who's this excrement yellow gospeller on the Merrion hall? Elijah is coming! Washed in the blood of the Lamb. Come on you winefizzling, ginsizzling, booseguzzling existences! Come on, you dog-gone, bullnecked, beetlebrowed, hogjowled, peanutbrained, weaseleyed fourflushers, false alarms and excess baggage! Come on, you triple extract of infamy! Alexander J Christ Dowie, that's my name, that's yanked to glory most half this planet from Frisco beach to Vladivostok. The Deity ain't no nickel dime bumshow. I put it to you that He's on the square and a corking fine business proposition. He's the grandest thing yet and don't you forget it. Shout salvation in King Jesus. You'll need to rise precious early you sinner there, if you want to diddle the Almighty God. Pflaaaap! Not half. He's got a coughmixture with a punch in it for you, my friend, in his back pocket. Just you try it on." 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<INFO BITRATE="828694" KEY_LYRICS="1 ContributorDrop It Down (feat. Singing Fats) LyricsI rock the old, I rock the young&#xA;I rock the weak, I rock the strong&#xA;Jump up and down, love me some more&#xA;I don't know, never do you no wrong&#xA;&#xA;I rock the old, I rock the young&#xA;I rock the weak, I rock the strong&#xA;Jump up and down, love me some more&#xA;Said no way&#xA;I don't know, never do you no wrong&#xA;&#xA;Drop it down!&#xA;Drop it down!&#xA;Drop it down!&#xA;Drop it down!&#xA;&#xA;Drop it down!&#xA;Drop it down!&#xA;Drop it down!&#xA;Drop it down!&#xA;&#xA;I rock the old, I rock the young&#xA;I rock the weak, I rock the strong&#xA;Jump up and down, love me some more&#xA;I don't know, never do you no wrong&#xA;I rock the old, I rock the young&#xA;I rock the weak, I rock the strong&#xA;Jump up and down, love me some more&#xA;Said no way&#xA;I don't know, never do you no wrong&#xA;&#xA;Drop it down!&#xA;Drop it down!&#xA;Said no way&#xA;Drop it down!&#xA;Drop it down!&#xA;Said no way&#xA;Drop it down!&#xA;&#xA;I rock the old, I rock the young&#xA;I rock the weak, I rock the strong&#xA;Jump up and down, love me some more&#xA;I don't know, never do you no wrong&#xA;&#xA;I rock the old, I rock the young&#xA;I rock the weak, I rock the strong&#xA;Jump up and down, love me some more&#xA;Said no way&#xA;I don't know, never do you no wrong&#xA;&#xA;Drop it down!&#xA;Drop it down!&#xA;Drop it down!&#xA;Drop it down!&#xA;Drop it down!&#xA;&#xA;Drop it down!&#xA;&#xA;Drop it down..." PRODUCER="Signature Recordings" COVERARTID="090/0SAIASCKQODTRCRK3JU2DQL3FRQC" PLAYTIME="333" PLAYTIME_FLOAT="332.413330" IMPORT_DATE="2025/7/5" RELEASE_DATE="2016/1/1" FLAGS="12" FILESIZE="33754"></INFO>
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<INFO BITRATE="1055292" KEY_LYRICS="2 ContributorsGoogle I/O 2014 — Keynote LyricsThe opening keynote of Google I/O 2014 was held on the first day of the conference, 25 June 2014. A lot of new things were announced, including the new Android design language and the Android L developer… Read More Ladies and gentlemen, please welcome Senior Vice President, Android, Chrome and Apps, Sundar Pichai.&#xA;&#xA;&#xA;&#xA;Thank you, everyone. It's great to see all of you. Welcome to Google I/O. Every year, we look forward to this date. We've been hard at work since last I/O evolving our platforms so that developers like you can build amazing experiences. So thank you for joining us in person.&#xA;&#xA;I/O is a pretty global event. We have viewing parties in over 597 locations in 85 countries, in six continents. And there are over one million people watching this on the live stream today. Let's say hello to a few locations.&#xA;&#xA;London. Hello, London.&#xA;&#xA;Let's say hello to Brazil. Everyone is talking about Brazil today. So if it weren't for I/O, I would be there for the World Cup. I'm tempted to shout &amp;quot;goal!&amp;quot;&#xA;&#xA;Finally, let's go to Nigeria, where we are thrilled to have an all-female developer group in Nigeria. We are working hard to elevate women in computer science. So look forward to seeing what they develop one day. In fact, at I/O this year, we are very excited there is over 20% female participation, which is up from 8% last year.&#xA;&#xA;And even more excited, we are joined by over 1,000 women in this room today. So thank you.&#xA;&#xA;Of course, I/O is when we talk about our two large computing platforms, open platforms, Android and Chrome, which are built from the groundup for developers like you. Today, we are going to give you an update on the momentum we are seeing in mobile. We are living in amazing times. So we want to talk about the mobile momentum we see and how we are evolving our platforms to support that momentum. And more importantly, we are beginning to think and evolve our platforms beyond mobile. You will hear about that from us today.&#xA;&#xA;And, finally, we want to talk to you as developers as to how you can achieve success on top of our platforms, including an update on Google Cloud platform and Google Play. So let's get started.&#xA;&#xA;If you look at global smartphone shipments, the numbers are stunning. The industry shipped over 300 million phones last quarter, so they're on track to ship well over a billion phones each year.&#xA;&#xA;So how is Android doing in the face of this momentum? So in the past, we have talked about cumulative activations of Android. We are switching and focusing on 30-day-active users, users who are currently using their Android devices globally. And you can see the number has been doubling every year. We have gone from 220 million to over 530 million as of last year's I/O. We are very excited as of this year's I/O, we are over one billion 30-day-actives users.&#xA;&#xA;The robot is pretty happy as well. So let's internalise what one billion users actually mean. Android users on a given day sent over 20 billion text messages each and every day. More importantly, perhaps, they take around 93 million selfies every day. The team tells me about 31 million of these are duck faces. We estimate Android users take around 1.5 trillion steps per day, and they pull out their phones and check it over 100 billion times each day. Important use cases which we are working on addressing and you'll hear about it later today.&#xA;Developers are building profound experiences on top of smartphones. Stories we hear every day. A few examples. In Kenya, 40% of Kenya's GDP flows through M-PESA, giving unbanked people access to financial transactions throughout the country. NETRA-G, a company uses a smartphone and just off the shelf accessories to measure your eye prescription. And they are as accurate as $50,000 equipment you find in optometrist offices, providing very, very affording care to many people.&#xA;&#xA;And finally, University of Michigan, they are using for their patients, they monitor subtle changes in voice quality using their smartphone to detect early signs of bipolar disorder. So the kind of experiences we are seeing on top of these phones are amazing.&#xA;&#xA;So far, I've been talking about phones. Let's shift to tablets.&#xA;&#xA;We are seeing amazing growth in Android Tablets as well. So there is tremendous adoption of these devices. And if you look at how we are doing vis-à-vis the overall market, Android Tablets accounted for 39% of all shipments two years ago. That number increased to 46% as of last year's I/O.&#xA;&#xA;As of this year's I/O, Android Tablets account for 62% of the overall market. We don't include other variants of Android like Kindle. If you add that, it would go up a few percentage points. You know, these are shipment numbers. Again, we care about usage, so we view these as leading indicators of where usage would be.&#xA;&#xA;If you take a look at tablet usage, we're going to use YouTube as a way — as a proxy to understand usage. A year ago, the total tablet viewership of YouTube, 28% was from Android. That number has gone up, again, to 42%. So we are seeing usage track shipments, and we are very excited people are adopting these devices as well.&#xA;&#xA;Another metric of engagement is app installs. App installs just this year alone on tablet is up by over 200%. So people are really engaging with these devices.&#xA;&#xA;So we are very excited we have a billion users. But we talked about this at last year's I/O. Our goal is to reach the next five billion people in the world. If you look at a map of the world today, all the regions in blue, emerging markets, majority of users don't have a smartphone.&#xA;&#xA;When I go back home to India and other countries like that — thank you — it is exciting to see the impact phones have on people's lives. But it's disappointing that only less than 10% of the population have access to smartphones. We want to change that. So we've been working hard with our ecosystem for — on a very important initiative which we call Android One.&#xA;&#xA;So let me talk to you about Android One.&#xA;&#xA;What we are doing for the first time, if you look at all the OEMs in these countries, each of them has to reinvent the wheel, and in the fast-paced mobile industry, they have to build a new smartphone within nine months. So we want to pool resources and help everyone. So we are working on a set of hardware reference platforms. We identify the components which go into a next-generation smartphone. These are high-quality, affordable smartphones. We qualify vendors so that we provide a turnkey solution for OEMs to more easily build a smartphone.&#xA;&#xA;In addition to hardware, we are working on software as well. So the software on Android One is the same software you see running on Stock Android, Nexus phones and Google Play edition phones. In addition, through Play, we allow OEMs and carriers to add locally-relevant applications on the device which users have full control over.&#xA;&#xA;And finally, we provide full automatic updates, all the software in Android One comes from Google , so we will keep them updated, just like we do with Nexus and Google Play edition phones.&#xA;Let's take a look at one example device which we are working on.&#xA;&#xA;So this is a device with Micromax. You can see it has a 4.5-inch screen. It has features which matters to a country like India: dual sim, removable SD cards and FM radio. I'm used to cutting-edge phones, and I've been using this phone for a while. And it is really good. And it costs less than $100.&#xA;&#xA;We are working with many partners, we are going to be launching this around the world. But we start this journey in India. And we are launching this with three OEMs in India in the fall of this year: Micromax, Karbonn, and Spice. We are also working with carriers in these markets to provide affordable connectivity packages with these devices.&#xA;&#xA;What we are excited is this is a leveraged turnkey solution so that at scale, we can bring high-quality, affordable smartphones so that we can get the next billion people access to these devices. And we can't wait to see the impact that it would have.&#xA;&#xA;So we have talked about the momentum in mobile. The next thing we want to talk to you is about how we are evolving our platforms, Android and Chrome. And today, for the first time since we launched Android with Open SDK, we are going to give you a preview of the upcoming L release. You will be able to download this later on your development devices. We've been working very hard. This is one of the most comprehensive releases we have done. It has over 5,000 new APIs, and we are thinking about L release not just for mobile, but for form factors beyond mobile.&#xA;&#xA;One of the things, as we thought about L, we wanted to take a radical new approach to design. User experiences are evolving rapidly, and we wanted to rethink the user design experience in Android to have a fresh, bold, and new look.&#xA;&#xA;To talk about the design for L, let me invite Matias Duarte.&#xA;&#xA;&#xA;&#xA;Thank you, Sundar. Design is essential in today's world. It defines your experiences and your emotions. So we challenged ourselves to create a design that was not just for Android phones and tablets. We worked together — Android, Chrome, and across all of Google — to craft one consistent vision for mobile, desktop, and beyond. We wanted a design that was clear and simple and that people would intuitively understand.&#xA;&#xA;So we imagined, what if pixels didn't just have colour, but also depth? What if there was an intelligent material that was as simple as paper but could transform and change shape in response to touch? And this led us to a way of thinking that we call material design.&#xA;&#xA;We drew inspiration from paper and ink. However, unlike real paper, our digital material can expand, reform and reshape intelligently. Material has physical surfaces and edges because the human mind is wired at its most primitive level to instinctively understand objects and their relationships. These scenes and shadows provide meaning about what you can touch and how it will move.&#xA;&#xA;In the real world every small change in position and depth creates subtle, but important changes in lighting and shadows. So as part of the L preview, we'll now allow app developers to specify an elevation value for any UI surface and the framework will render it in correct perspective with virtual light sources and real-time shadows.&#xA;&#xA;&#xA;Material design is beautiful and bold because clean typographic layouts are simple and easy to understand. Your content is the focus. So the L preview will allow app developers to easily colourise all framework elements in your app to match the theme to your brand and we're previewing a new support library that we call palette to easily extract colours from images and really put those vivid pictures front and center.&#xA;&#xA;We're giving designers familiar tools like baseline grids that work across screens, grids ensure apps have a consistent rhythm and character and this will allow you to start with a design on a phone and logically and easily bring that same design to tablets and laptops.&#xA;&#xA;Now one design doesn't mean one size fits all. Our guidelines allow you to appropriately adapt the UI, so your users will already know their way around your app no matter what screen they use it on.&#xA;&#xA;And we've also updated our system font Roboto so that designers and developers can use one type face, designed and optimised for every screen from your watch to your laptop to your television.&#xA;&#xA;So now let's talk about animation. It's delightful when your touch is rewarded with motion and material surfaces slide around with the physics of card stock, but they respond to touch with splashes of virtual link that are like ripples in a pond.&#xA;&#xA;As part of the L preview, all of your applications UI building blocks have been updated to include rich, animated touch feedback. And no detail is too small to bring a smile to your face like when the reload button loops around or the playback controls can change.&#xA;&#xA;Finally, in the real world, nothing teleports from one place to another and that's why it's so important to animate every change on screen in a way that makes sense. In the L preview, Android developers will now be able to create seamless animations from any screen to any other between activities and even between apps.&#xA;&#xA;So you're probably wondering how this looks like in practice. We're going to give you a sneak peek at one of our familiar Google applications in the new material design.&#xA;&#xA;Here you can see step by step how we update the design. The typography, the grid changes, and finally the surfaces and bold colours.&#xA;&#xA;And a few small changes make a really big difference. And you can also see how easy it is to take a same design to different screens. Now, I've talked about only a few of the highlights of material design and just some of the APIs that you can try out in the Android L preview.&#xA;&#xA;But as you know, people spend an enormous amount of time on the web and especially the mobile web. Last year at I/O, we announced Polymer, which is a powerful new UI library for the web. Today we're bringing you all of the material design capabilities to the web through Polymer. As a web developer, you will be able to build applications out of material design building blocks with all of the same surfaces, bold graphics and smooth animations at 60 frames per second.&#xA;&#xA;So between the L preview and Polymer, you can bring the same rich, fluid material design to every screen. And to help you take full advantage of this framework, we've also completely redesigned and created one unified set of style guidelines for every screen and for all devices. These guidelines will help designers and developers alike understand best practices and build consistent, beautiful experiences.&#xA;&#xA;We're releasing the first draft of these guidelines as part of our preview today at Google.com/design.&#xA;&#xA;Now that you've seen our new look and feel, I'd like to invite Dave Burke to show you some of the new features in the Android L developer preview.&#xA;&#xA;&#xA;&#xA;All right. So over the last eight months, our team has been busy cooking up the biggest release in the history of Android. And as Sundar mentioned, we've added over 5,000 new APIs touching nearly every aspect of the system.&#xA;&#xA;Now we don't have time to even come close to covering everything in L today. So instead, what I like to do is walk you through some of the highlights of the tremendous steps we're taking on the user experience and on the performance of the Android platform.&#xA;&#xA;so let's start with user experience. Now, bringing material to L is of course a big part of what we're trying to do here. We've added a new material theme, so it's a new style for your application that includes new system widgets, transition animations and animated touch feedback.&#xA;&#xA;We've also added new animation support, so a new drawable for animated ripples, a reveal animator to animate a clipping circle to reveal views and we've extended views to not just have an X and Y component, but also a Z component to provide elevation. So you can float elements of your UI and the framework will cast a real-time shadow for you.&#xA;&#xA;My favorite feature that we've added in support material is the ability to customise activity, entry and exit animations. You can even include &amp;quot;share here&amp;quot; elements. For example, an image that starts in one activity and animates seamlessly through translation and scaling into another.&#xA;&#xA;So let's take a look at this in practice. Let's have a look at now we're all familiar with, which is the phone dialer. Thanks, Marcelo.&#xA;&#xA;Okay. So the first thing you will notice when you fire up the phone dialer are those bold material colours and shadows. And you will see the ripple touch effect as I touch each of the tabs and you get a more subtle material touch effect on the recent calls. You'll see that the dialer button has is elevation sets, so it's floating above the UI and as I tap it you get these really nice delightful animations.&#xA;&#xA;Now another feature we added to support material is something we call nested scrolling and the idea is as I scroll we propagate the scroll events up the view hierarchy and different parts of your views can respond differently. So for example, as I scroll upwards here you will notice that the recent call to Marcelo will start to shrink and disappear, then the search box will start getting pushed upwards and the tabs will lock into place. It's a really nice effect.&#xA;&#xA;So let's go over to the dialer. So it turns out my mom's a big fan of material design. I need to go call her up and tell her about how to set elevations on her views. I know she loves that. So let's get start dialing. You will see that ripple touch effect again emanating out from the buttons. Then when I go to place a call, you will see a view animator and will animate into the — in call screen like so. So it's a really nice effect.&#xA;&#xA;Okay. So that's a quick taster of material in L and what you're seeing here is really a sneak peek of work in progress. We wanted to give you guys early access so you could start bringing material to your apps.&#xA;&#xA;And we also recognise the change in the UI in such a big way will take some time. So we started with a dialer as a showcase. Over the coming summer months, we'll be extending material to all aspects of our apps and the system and the result is going to be a dramatically enhanced, fresh user experience.&#xA;&#xA;Okay. So another area where we've improved the user experience on L is around notifications. One of the most frequent reasons we all take our phone out of our pocket everyday is to respond to incoming notifications. We all do this dozens and dozens of times a day. So we wanted to streamline the process. Everything from the phone buzzing to you acting on the notification.&#xA;&#xA;In L we give you instant interactive access to notifications right from the lock screen. So now you can read, open and dismiss in seconds.&#xA;&#xA;So let's take a look at my device. The first thing you'll see are all my top notifications on the lock screen and we're rendering them as sheets of material, they animate really beautifully. If I touch them you can see that material touch effect.&#xA;&#xA;Now in L, we've improved the way Android organises and prioritises notifications by analyzing this behavior to make sure only the most useful, relevant notifications are presented to you. I can swipe down and I get my full list of notifications. And we've done a clever thing here where we've merged the notification shade, so something that's been in Android since 1.0 with the lock screen.&#xA;&#xA;And so from here I can double tap on a notification to launch the corresponding app, or if there is something I don't need, I can just dismiss with a single swipe. And to unlock the phone, well this is just the notification shade, so you just swipe it away and you're straight into the device. Fast and simple.&#xA;&#xA;We've also introduced a new type of notification in L that we call the heads-up notification. And this can be used to let you know about something urgent without interrupting what you're doing. So let's say I'm playing any new favorite game, Piano Tiles, and I'm going along here, I'd get my highest score ever, and then all of a sudden I get a call from Marcelo. So from here I can keep going or — if I want to act on that like non-script or if I am busy, swipe it away. And then I can go back to my game and get the highest score I ever got in public. Yeah. All right. That's actually my worst score I've ever got.&#xA;&#xA;Okay, anyway, let's move on. So while we've made the notifications more powerful, if you're one of the approximately 15% of people who has a pin or pattern lock you waste many minutes a day cumulatively on that thinly task of entering your pin. So we figured there's got to be a better way.&#xA;&#xA;In L we're introducing a new concept, we call, personal unlocking. And personal unlocking enables the device to determine if it's in a trusted environment, say in the owner's hand or beside the owner on a table. Person unlocking uses signals such as locations you designate, Bluetooth devices that are visible, even your unique voice print. So for example, let's have a look at this device. Thanks Marcelo.&#xA;&#xA;So I currently have a pattern unlock on this device, but because I'm wearing a Bluetooth watch my phone knows it's me who is present and so it doesn't challenge me with an unlock. So for example, if I just swipe up, the phone will unlock just like that.&#xA;&#xA;Now, let me just reset that. If I take any watch off, let me just hand it to Marcelo. Okay. So now my phone can no longer see the watch. And because of that my phone cannot ascertain that's me who is present. As a result, my phone will lock down its security. So now when I go to unlock the device it presents me with a pin lock. It's a really great feature.&#xA;&#xA;So that's a few of the user experience improvements we've made to support material and notifications.&#xA;&#xA;Another area of L where we're significantly improving the user experience is around how we've integrated the mobile web into the platform. So to learn more, let me invited up Avni Shah to the stage.&#xA;&#xA;&#xA;&#xA;Thanks, Dave. A core part of your experience with mobile devices is the mobile web. Just to get a sense of the growth that we've been seeing, at the beginning of last year, we had 27 million monthly active users of Chrome on mobile. Today we have more than 300 million. That's 10x growth. Yeah, it's awesome. It's 10x growth in just the last year alone.&#xA;&#xA;What that means for us is that we need to make the mobile web work well for our developers and our users. Today, I'm going to talk about three ways we're going to do that.&#xA;&#xA;We're enabling material design experiences on the mobile web. We're redesigning recents to help you multitask, and we're extending our capabilities of app indexing to help people get to where they want to go faster.&#xA;&#xA;First let's talk about material design. One of the big parts of your experience with the mobile web is, obviously, the web sites themselves. They need to work well. They need to look great. They need to be fun to use. You heard Matias earlier talking about the philosophy of material design, a bold, consistent, intuitive experience that just works across screens. We've been working really hard at making those experiences not just possible, but the new standard for the mobile web.&#xA;&#xA;To show you what this looks like, my good friend Tom here is going to walk us through an exploration of google.com search results on the mobile web re-envisioned with material design.&#xA;&#xA;So, Tom, let's go ahead and do that search for a &amp;quot;starry night&amp;quot;.&#xA;&#xA;Now, the first thing that you see here is that this panel is rendered as a beautiful material-style card. You notice the use of colour, the title is on a blue background. That was actually programmatically matched to the painting. If Tom clicks on expand the card, you'll notice it filled the screen with a continuous animation. If he scrolls, the header will shrink. It won't pop into place, but it has a smooth animation that just makes sense.&#xA;&#xA;Now let's go ahead and click on the suggestion at the bottom to get more of Van Gogh's artwork. You'll see those search results also smoothly animated into place. Tom is going to continue to give us some demo eye candy over here.&#xA;&#xA;And while this is just an exploration that you're seeing, I want to mention that this is fast, fluid, continuous animation at 60 frames per second. This thing was — just wasn't possible a year ago.&#xA;&#xA;We've been working really hard at improving the performance and predictability of the platform to make things like this possible. For example, this demo shows off the work that we've done on touch latency, giving you as a developer notice the touch events earlier in the frame so you have more time to act.&#xA;&#xA;As Matias mentioned earlier, with Polymer — our UI toolkit for the web — all of you can build web experiences that feel as awesome as this.&#xA;&#xA;The next big area we've been thinking about is how to help you multitask. And we think the recents feature in Android is one way we can actually make this easier, especially as tasks across the web and apps, as they often do. So once again, Tom is going to walk us through the changes here.&#xA;&#xA;So, Tom, let's go ahead and click on the recents icon in the lower right. Now, as Tom scrolls through, the first thing that you will notice is recents has also been grounded in material design. You'll notice the overlapping cards have been rendered with realistic shadows and perspective.&#xA;&#xA;But there is another thing going on here that may not be immediately apparent. Tom's Chrome, they also sit here as well. He's been researching restaurants to go in SF. So he has articles from the New York Times and SF Chronicle, here is individual items. You'll notice the site icons and the fav icons there.&#xA;&#xA;AS he scrolls back of it further, you'll notice he has been researching in the Urbanspoon app, he has docs up opening where he's been collaborating with some friends.&#xA;&#xA;So let's go ahead and click on that doc and see what your friends have to say.&#xA;&#xA;I've heard great things about State Bird Provisions. Let's check out that article here. Now, what you see here as this loads, this is actually loading as a web site in Chrome. You'll notice the URL up at the top. Now Tom pops it back into recents, that page is now listed there, along with all of his other open stuff.&#xA;&#xA;I want to point out what the big difference is here. This is a view you couldn't get before today. If you wanted to get to all your open websites, you'd have to go into Chrome and kind of flip through them there. But by bringing all of your individual Chrome tabs here and listing them in your recents view, we're making it really easy for you to move between the web and apps, making multitasking just that much easier.&#xA;&#xA;And last, but not least, this change to Chrome is actually built on top of a new API in L that allows apps to populate multiple items in recents. So for all you app developers, if this kind of thing makes sense for you, you can make use of it as well.&#xA;&#xA;Going a step further, we're also making it easy for you to find content using Google search, whether it's deep in the web or deep in an app. So last fall, we announced app indexing. As a developer, this capability lets you get to app content, lets you get your users to app content, directly from the search results page. Since then, we've been working on a ton of UI improvements and extending some APIs to make this more powerful.&#xA;&#xA;But let me just give you a quick refresher of what this capability enables. So let's go ahead and do a search for Waterbar Restaurant, I've heard good things about it, over by the Embarcadero. As Tom scrolls through the search results, you'll see close to the top there's a link for the home page to Waterbar. And near the bottom of the screen, there's — oh, actually, in the middle of the screen, there's a result for OpenTable.&#xA;&#xA;Now, what's different about this UI is it's linked to OpenTable instead of going to the website, it's actually going to take us to the OpenTable app, because Tom happens to have the app installed.&#xA;&#xA;So let's go ahead and click on that link. And you'll see it takes us directly to Waterbar within the OpenTable app. Up until now, this was only available to a few applications. But today we're opening it up to all Android app developers globally, along with some tools to get you started.&#xA;&#xA;And going further, if your site requires — sorry, if your app requires your users to sign in, you'll be able to use Google+ sign-in in the coming months to have your public content show up in search as well. You know, we thought this would be even better if we could help your users rediscover content that they've already found in your apps. So we're adding a new API in Google Play services to do just that.&#xA;&#xA;So let's quickly show you how this works. Tom found this really cool 3D tour of the Ferry Building earlier and he wants to get back to it. So starting with the search box on his home screen ,he's going to do a search for Ferry Building. And what you will notice at the bottom of the screen is there are search suggestions for Ferry Building marketplace in the Google Earth app. And this is there because this was the app that he was using when he found that tour before, even if he himself didn't remember. With a single click, he'll get taken directly to the tour of the Ferry Building within the Google Earth app.&#xA;&#xA;Now, this is possible because the app is making its content available based on its user's previous actions. We just showed you this with Google Earth. But any app that utilises this new API will have the same capability. For developers, we think this is a great way for you to help your users rediscover content right when they're looking for it.&#xA;&#xA;With that, I'll hand it back to Dave who is going to take you through more of the enhancements you can look forward to in L.&#xA;&#xA;Dave Burke – Director of Engineering, Android&#xA;&#xA;Thanks, Avni. So we've covered some of the highlights of the user experience. But there's lots of other user experience improvements in L, for example, the new keyboard UI, Do Not Disturb mode, your quick settings and much, much more.&#xA;&#xA;Android Virtual Machine&#xA;&#xA;But in the interest of time, let's move on to the second major theme of L. And that's performance. Let's start with the Android Virtual Machine. So you might remember that we made a very early version of our new runtime, ART (Android Runtime), available as a developer option in KitKat. But we got some really great feedback from you guys, as well as some excellent open source contributions from ARM and Intel and MIPS. And I'm excited to say that we're finally ready to pull the trigger on this bad boy, because the L release runs exclusively on the new ART runtime.&#xA;&#xA;So we wrote ART from the groundup to support a mix of ahead of time (AOT) compile, just-in-time compile and interpreted 6code. It's truly cross-platform, so it supports ARM x86, and MIPS. We put a lot of effort into optimizing ART's back-end compilers. And this has resulted in a 2x improvement performance over Dalvik. And best of all, this one is on us. You don't have to make a single change. All of your app code just gets the performance improvement for free.&#xA;&#xA;ART also has a brand-new garbage collector and memory allocator. So this dramatically reduces the number of pauses and duration of pauses associated with a garbage collection event. As a result, your app runs more smoothly. So if you take a look, for example, at Google Maps on both Dalvik and ART, first you'll notice the number of pauses have reduced from two to one. But also the pause duration has reduced from roughly 10 milliseconds down to about 2 milliseconds to 4 milliseconds. So now it fits comfortably in a desync window. No more application stutters.&#xA;&#xA;And there's more. ART doesn't just bring better performance, it's also more memory efficient. So it's smart about when the app is put into the background, in which case we'll apply a slower but more intensive moving collector to save anything from hundreds of kilobytes to many megabytes.&#xA;&#xA;And finally, ART is fully 64-bit compatible. In fact, we've adapted and optimised the entire platform to take advantage of the new 64-bit architectures. So now you can benefit from larger number of registers, newer instruction sets and increased memory addressable space.&#xA;&#xA;So to take advantage of 64-bit, we've added support for new APIs in the NDK, so ARMv8, x86-64 and MIPS64 and of course if your app is written in JAVA, then it will work with absolutely no modification on new 64-bit hardware.&#xA;&#xA;Okay. So that's CPU performance. The other side of the coin is GPU performance, graphics. And I'm really excited about some of the things that we're doing in L in this area.&#xA;&#xA;So historically, mobile graphics has lagged to desktop by virtue of the fact that mobile GPUs are smaller and more power-constrained. But that's changing quickly. Mobile GPU performance is catching up with console graphics and even PC graphics. So in L, we specifically wanted to close the gap between desktop DX11-class graphics capabilities and mobile. And we're doing that with something we call Android Extension Pack.&#xA;&#xA;So we set out to work with GPU vendors, including NVIDIA, Qualcomm, ARM, and Imagination Technologies, and together we define the Android Extension Pack. So it's a set of features that includes things like tessellation, geometry shaders, computer shaders, and advanced ASTC texture compression.&#xA;&#xA;So let's take a look at the Android Extension Pack in action. And what you're about to see is Epic's Unreal Engine 4 desktop rendering pipeline running on Android L on the latest NVIDIA tablet hardware. Now the Android Extension Pack enables much more advanced shaders, so we can have more realistic environments, more realistic characters, and vastly improved lighting.&#xA;&#xA;So let's go start this off. We have a bit of a flicker here.&#xA;&#xA;Well, if you're squeamish, you might not want to look now.&#xA;&#xA;So you have to excuse some of the flickers. It's a vertical electromagnetic storm up here.&#xA;&#xA;Okay, so as I mentioned, this isn't just cut-scenes, actually live and we can play it through the world. Hopefully we can get that up in a moment. Some of the rendering that you saw that it was truly incredible. So there were really amazing reflections in the water, lighting effects. Tessellation were being used for the smoke effects.&#xA;&#xA;And starting with the L release in the fall, you're going to see new high-end tablets and phones shipping on Android with this level of graphics capability. So quite literally, this is PC gaming graphics in your pocket.&#xA;&#xA;The last performance enhancement I want to take you through is on battery. And we've worked hard to make sure that the battery keeps up with the performance. And of course, there are variety of systems and components that tax the battery on a modern phone or tablets. So Wi-fi radios, cell radios, GPS, GPU, et cetera.&#xA;&#xA;And you might remember we've had some previous efforts to improve quality on other releases, so Project Butter for UI smoothness and Jelly Bean, Project Spell for memory for print in Kitkat.&#xA;&#xA;Well in the same team, and brought to you by those same project naming geniuses, we have Project Volta. And the goal of Project Volta is to optimise how the extensive subsystems of the device are used and to improve overall battery life. So the first thing we did was improve our instrumentation of battery data. You can't improve unless you can measure. So we created the tool that we call Battery Historian. And it helps you visualise on a time axes the battery usage information.&#xA;&#xA;Now you can correlate battery discharge with what was happening to the device at the time. So here's an example of Battery Historian from a real device. And on the top graph, you can see an issue where the radio is waking up approximately every 20 seconds, but Battery Historian helps us quickly identify the issue so we could fix it and therefore improve battery life. In fact, we're using this tool to make this system in Google apps more efficient so — and we can expect a significant battery improvement in L.&#xA;&#xA;We've also added a new JobScheduler API to help you optimise power consumption in your apps. So using the JobScheduler API, you can make your application more efficient by allowing the platform to call less non-urgent network requests from multiple apps. As a result, the platform can keep the radio asleep a higher percentage of the time, thus saving significant power.&#xA;&#xA;So you can use the JobsCheduler API for your app to schedule a maintenance task while the phone is connected to the charger, for example. Or also even just to download application updates. I'm sure you've all had that experience where you're out and about, your battery is about 4%, and then applications start updating themselves. It's like, &amp;quot;No!.&amp;quot; And then finally, we've added a new Battery Saver Mode in L.&#xA;&#xA;So Battery Saver allows you to clock down CPU, the refresh rate, even turn off background data to conserve battery. And you can trigger it manually or configure it to come on automatically when the battery level is low. So Battery Saver is really great if you're about to embark on a long hike or maybe a long protest and, say, you want the battery to last even longer.&#xA;&#xA;So on the Nexus 5 running in Battery Saver mode, you can extend your battery life by up to 90 minutes of usage within a typical single day's use.&#xA;&#xA;So I just gave you a quick whirlwind tour of some of the highlights of L, how we're improving the user experience through steps like improved design, smarter notification, and intuitive authentication. And also the enhancements on the performance side, so faster run time, better graphics, and stronger battery performance.&#xA;&#xA;But I only scratched the surface of L. And as I mentioned at the start, this is our biggest release to date. You're going to find things like better multitasking, Bluetooth 4.1, burst mode camera API, USB audio support and much much more.&#xA;&#xA;Tomorrow morning, we're going to be making the L developer preview SDK available from developer.android.com and also posting early system images for the Nexus 5 and Nexus 7 so you can start developing for L today.&#xA;&#xA;So with that, let me hand back to Sundar. Thank you.&#xA;&#xA;&#xA;&#xA;Thank you, Dave. As Dave said, the L release with 5,000 new APIs is one of our most comprehensive, and we are very excited we are sharing it today.&#xA;&#xA;We have a whole new design with L, tons of UX features, and a whole slew of performance improvements. When you take a step back and you look at what we are doing with Android, the approach we are taking is very unique and distinctive. We aren't building a vertically integrated product. What we are doing is building an open platform at scale. We work with hundreds of partners globally to bring the product and the platform that touches billions of people. And we want to do it in a way in which we are innovating at a very, very fast pace.&#xA;&#xA;If you take a look at the innovation that's happening in Android and if you look at some of the recent announcements from others, you can see that things like custom keyboards, widgets, those things happened in Android four to five years ago. We are working very, very hard to bring an open platform and innovate on it at an unprecedented scale. We want to make sure we ship these features to users as fast as possible. That's where 3google Play Services come in.&#xA;&#xA;Google Play Services ships every six weeks. And 93% of our users are on the latest version of Google Play Services across all versions of Android. In fact, by shipping every six weeks, we in many ways can iterate faster than typical OS release cycles. While it's open platform and we want to innovate fast, we want to make sure it's very, very secure as well. So we take security very seriously.&#xA;&#xA;Let's take an example at malware production. In Google Play, we automatically scan every single application for malware. And if users opt in, we even scan applications from outside of Google Play to make sure they are malware-free. Given the popularity of Android, there's a whole vested industry, given there's a lot at stake around security. But based on every data we see, well, well less than half a percent of users ever run into any malware issues. And increasingly, we are pushing security updates through Google Play. So any security updates related to Google Server communications, we are now pushing those updates through Google Play Services so that we can get them to users within six weeks.&#xA;&#xA;With L, we are also launching factory reset production so that if your phone gets stolen, users have full control to disable their phones.&#xA;&#xA;Finally, privacy is an important part of security. So with L release, for the first time, we have a centralised setting, what we call universal data controls, where users can go and manage their important privacy protections. They can control data that is shared from the device, like location history, et cetera. And so we are doing that in L as well.&#xA;&#xA;So far, we have been talking about L release in the context of mobile phones and tablets. But users increasingly are living in a multiscreen world. You are using other connected devices: the television in your living room, you're increasingly wearing things on your body, you are — when you get into your car, you expect a connected experience. We want to work to create a seamless experience across all these connected devices.&#xA;&#xA;So with L, as well with Chrome, we started laying some foundational principles on how we evolve our platforms to support these new connected experiences. So here are a few principles.&#xA;&#xA;We are making everything contextually aware. We want to understand whether you're at home with your kids and you want to be entertained, or you're at work trying to be productive, or maybe you are traveling. We want to bring the right information to you at the right time. We want the experience to be voice-enabled. We are building the most advanced voice recognition infrastructure in the world. And we want to help users interact with computing devices in an intuitive way. For example, when they are driving or cooking, we want voice to be a major source of input. We want the experience to be seamless. It shouldn't matter which device you were using before. We want to pick up where you left off.&#xA;&#xA;And, finally, users always have their smartphone. So we want to make sure all these connected experiences work based on your smartphone, be it your wearables, be it your car, or like we have shown with Chromecast, via television.&#xA;&#xA;So both with L release and Chrome, we are bringing a whole set of new experiences to many connected screens around you. The first area we are going to talk to you about is wearables.&#xA;&#xA;About three months ago, we launched our preview of Android Wear. We announced a developer SDK, and the reception has been very, very positive. To give you a further update, I'm going to invite David Singleton onto the stage.&#xA;&#xA;&#xA;&#xA;We're right at the beginning in a new phase in the miniaturisation of technology, which means that it's finally possible to make a powerful computer small enough to wear comfortably on your body all day long. And there's a huge opportunity to bring rich user experiences to these devices. And that's why we're building Android Wear as our platform for wearables based on Android.&#xA;&#xA;Android Wear makes it easy for developers to reach users on this new form factor using precisely the same tools we're already familiar with on Android phones and tablets. People will be wearing these small, powerful devices, so style is important. And that's why Android Wear supports both square and circular screens. And we think that there will be a wide variety of fashionable designs.&#xA;&#xA;Sensors will help them understand your context, so they can provide useful information when you need it and help you reach your fitness goals. And as the device that you always have with you, your watch will also provide intelligent answers to spoken questions. And as Dave showed us earlier, act as your key in a multiscreen world.&#xA;&#xA;Across the world, people check their Android phones an average of 125 times every day. And that's why we've designed Android Wear to quickly show you relevant information and make sure you never miss an important message, while letting you stay engaged with the people that you're actually with. We do this by working to understand the context of what you care about while enabling very brief interactions with the device.&#xA;&#xA;Here's a live demo on the LG G watch. You can see that it has an always-on display, that at any given time shows you the most important thing we know for you. So, Jeff, it looks like your flight to Brazil for the World Cup is on time. I guess you do deserve a break after this big demo. And if Jeff wanted to see more, he can simply raise his watch or tap the screen to switch into vibrant, full colour that you're already seeing here.&#xA;&#xA;Throughout the day, if Jeff receives a notification which buzzes his phone, his watch will vibrate on his wrist and show him what's up at a glance, so he won't miss an important message like this one. Swiping up and down navigates you through this stream of cards, which includes information from Google Now, apps running on Jeff's phone, and apps running directly on the wearable itself. And when there's a page indicator, Jeff can swipe horizontally to see more details.&#xA;&#xA;You can see that we've applied material design here. The cards float above beautiful, textured backgrounds. And just like in your phone's notification shade, you can swipe a card away to remove it from your screen. Let's take a look at Jeff's phone. And that notification has disappeared.&#xA;&#xA;Back at the watch face, pressing and holding lets you choose a different one. You can see that there's a broad selection of analog and digital designs in a variety of styles to suit your tastes. Okay. Now that we're acquainted with the overall UI model, let's see how Android Wear can work for you.&#xA;&#xA;Imagine that Jeff has just got up in the morning. He swipes up and sees the weather forecast for the day. His commute's not looking too bad. And, oh, look, Jeff, I guess you need that package for your trip to Brazil. You better not forget to pick it up.&#xA;&#xA;&#xA;&#xA;Okay, Google, remind me to check my mailbox when I get home.&#xA;&#xA;&#xA;&#xA;If we can see Jeff's phone at the same time, you'll see this is immediately synced across. And in this case his watch was smart enough to know where home is. A little later on, as Jeff is arriving at the office, his watch vibrates again with a chat message from one of the team. He can see who it's from and what he's saying, all without having to fumble around and get out his phone. Your watch and your phone stay in sync. When you swipe away a notification on the watch it disappears from the phone as Jeff is showing now.&#xA;&#xA;It's super convenient and apps will stay in sync too. While Jeff is making his lunch, he finds it really hard to get the last peanut butter out of the jar and he comes up with an idea, possibly a very brilliant one that he wants to remember.&#xA;&#xA;&#xA;&#xA;Take a note, double sided peanut butter jar.&#xA;&#xA;&#xA;&#xA;Watch his phone. We'll try that one more time.&#xA;&#xA;&#xA;&#xA;Take a note, double sided peanut butter jar.&#xA;&#xA;&#xA;&#xA;I guess the universe doesn't want there to be a double sided peanut butter jar after all.&#xA;&#xA;So moving along that note would have been saved immediately to his phone and he can get on with his lunch. In the evening Jeff is having dinner with a friend at a restaurant. If he's unfamiliar with one of the ingredients on the menu he can just say…&#xA;&#xA;&#xA;&#xA;What is limburger?&#xA;&#xA;&#xA;&#xA;So it looks like limburger is a type of cheese. Jeff is lactose intolerant, so he'd better order something different or this dinner could go wrong. And when Jeff receives a phone call his watch will vibrate and he can see who is calling at a glance. It's another one of Jeff's co-workers. Now Jeff could get out his phone to answer, but since he's busy he can either swipe to reject the call from his wrist or swipe up to choose from one of these SMS replies. His phone sends the SMS and he's done.&#xA;&#xA;Sometimes you're enjoying dinner so much that you want to avoid any more interruptions. And for that you can set do-not-disturb with a single downward swipe from the top of the screen.&#xA;&#xA;And now Jeff's watch won't buzz again until he wants it to. Later that night Jeff arrives home. Oh, that's right, your package is here. Now that he's at home, the reminder that Jeff created this morning has triggered.&#xA;&#xA;You can also use Android wearables to control other devices around you. Let's listen up with a bit of music.&#xA;&#xA;&#xA;&#xA;Play some music.&#xA;&#xA;&#xA;&#xA;Now you will see that Jeff has music controls on his watch. He can see what song is playing, he can pause the music or skip to the next track. And while it's playing the album art is beautifully displayed right there on his wrist.&#xA;&#xA;Finally at the end of the day it's time for bed.&#xA;&#xA;&#xA;&#xA;Set an alarm for seven AM.&#xA;&#xA;&#xA;&#xA;With glanceable notifications and quick voice actions, Android Wear gives you what you need, right when you need it. Let's take a closer look at some of the contextual information that Android Wear provides when you're traveling. So Jeff's about to leave on that big trip to the World Cup. It's the morning of his flight so his phone is already displaying relevant information for his trip. He can see his flight status, and even show his boarding pass. His hotel address will be there when he needs it and he knows whether or not he will need to pack an umbrella. It does look like it's going to rain in Brazil on Friday.&#xA;&#xA;And once he's in Brazil, Android Wear continues to give him useful, timely information at a glance, whether it's his restaurant reservation, the time back at home so he knows when to call his family or the local bus schedule. And while he's walking around the city, Jeff can see how many steps he's taken today along with a step count history for the week. On devices that support it he can even check his heart rate after a jog.&#xA;&#xA;So we've shown you what Android Wear can do out of the box. We're even more excited to see what developers build on top of this platform. The Android Wear SDK enables you to build glanceable, contextual apps for this new category of device. Let's talk through the capabilities it gives to developers and then we'll show you some examples.&#xA;&#xA;Right off the bat, Android Wear automatically bridges notifications from your Android phone or tablet directly to your watch. Now, Android's notification APIs already allow you to build beautiful user interfaces with big pictures, actions and more. And there are hundreds of thousands of apps delivering billions of these notifications everyday. And now they're available on your wrist.&#xA;&#xA;Back in March, we released a developer preview enabling apps running on the phone to add things like voice replies, have several pages and group notifications in bundles. With these additions you can begin to provide a tailored experience for wearables and we've used these features to add wear support to Google apps like Hangouts and Gmail and there's been a huge response from developers.&#xA;&#xA;The very best wearable apps respond to the user's context, put glanceable cards on the screen and allow the user to take direct actions in just a few seconds. Here is one of my favorite examples. With Pinterest you can follow other people's pins. Pinterest app will let you know when you're near a place that has been pinned by someone you follow. So Jeff's friend Susie loves Korean barbecue and she's somewhat of an authority on the best restaurants in San Francisco. So when Jeff is in the city, Pinterest can notify him that he's near one of Susie's pinned restaurants. The notification will appear on his wrist just like this and it uses pages allowing him to quickly glance at the details, then swipe to see a map. And if he likes it he can start navigation right from his wrist.&#xA;&#xA;This is using Google Maps for mobile which gives you turn by turn navigations on your watch. And it's particularly useful when you are walking and it works with all Android Wear devices. In addition to what's possible with notifications bridged from the phone, today we're making a full Android Wear SDK available which enables you to write code — it's pretty great. It enables you to write code that runs directly on the wearable itself and almost all the APIs that you're already familiar with on Android are available here. That means that you can present fully customised UI, read sensors directly and much, much more.&#xA;&#xA;We're also introducing a new set of APIs in Google Play services that makes it easy for your app to send data between a phone or tablet and a wearable. And we've road tested these APIs with some developers over the past few weeks. Let's take a look at examples of what they built.&#xA;&#xA;Eat24 is an app that makes food ordering both fun and easy. Watch this. Hopefully I'm going to order a pizza in 20 seconds. When it comes to takeout I'm a creature of habit and Eat24 has recognised this and takes advantage of that contextual stream. Around the same time I 2made an order last week it posted a notification suggesting I order again. I can tap on the notification and launch into their full screen UI. And here I'm presented with a beautiful interface that lets me confirm the kind of food I'd like today. Let's stick with pizza. And then I can quickly swipe to see and repeat my last order. Just one more tap to pay. And the pizza is on its way.&#xA;&#xA;I think that clocked in under 20 seconds. Now, you might be wondering how this app got to my watch. Well, all I had to do was install the Eat24 app from the Play Store on my phone. When a watch is connected, the wearable portion of the app is automatically installed and kept up to date on that watch.&#xA;&#xA;I mentioned the new wearable APIs for easy communication between phone and watch. All The Cooks is a social recipes app which has made really great use of these APIs. I don't know about you, but I find it really hard to follow recipes especially when it gets to the tricky bits where everything is happening at the same time. So wouldn't it be more convenient if I could just look down at my watch and see what to do next?&#xA;&#xA;With the All The Cooks app I can choose a recipe — let's go into my favorites and choose beef brisket chili. The recipe will immediately appear on my watch so it's always right there with me. Let's get started.&#xA;&#xA;I've got all the ingredients, so let's start following the steps and now watch the phone carefully. As I move from step to step the phone stays in sync too. And if you're wondering whether or not it's safe to wear your watch while cooking, it's great to know that all the devices we're talking about today are water resistant.&#xA;&#xA;And with All The Cooks, whenever a recipe calls for a timer like this four hours in the oven, I can do that right away on my wrist. So no more burnt dinner.&#xA;&#xA;We saw some great examples of voice actions earlier today. And we believe voice actions will be most useful when they can invoke the best service in any app. We're just getting started with this, but we're making voice available for some key actions on the wearable today and we'll be adding more over the coming months.&#xA;&#xA;Lyft is a transportation service and ride-sharing app that allows you to request a car to pick you up at your exact location. Lyft have implemented our call a car intent so it's really easy to just walk outside and say –&#xA;&#xA;&#xA;&#xA;Okay, Google, call me a car.&#xA;&#xA;&#xA;&#xA;You'll see that lyft is able to determine Jeff's exact location from his phone and presents this confirmation screen so he can verify his address. The app has also made great use of notifications in the stream. You can see when your car has arrived, keep up to date throughout the journey and even rate your driver right from your wrist when you're at your destination. Thanks to all our developers.&#xA;&#xA;Now, we showed a preview of a couple of watches we were working on with our partners back in March. The LG G watch will be available to order later today on the Play Store.&#xA;&#xA;In addition, you might have caught a glimpse of a new device during the demos. We're very happy that Samsung is joining the Android Wear family with the Samsung Gear Live. And the Samsung Gear Live is also available to order later today.&#xA;&#xA;The Moto 360 is the first watch to adopt the round Android Wear UI and it will be available for sale later this summer. Those are just the first three watches. There are many more on the way and we're thrilled to enable developers across the world to build apps for what we believe will be a revolutionary new form-factor.&#xA;&#xA;And now I'd like to invite Patrick Brady on stage to tell you about how we're bringing Android to the car.&#xA;&#xA;&#xA;&#xA;Thank you, David. Isn't that great? Android Wear creates a seamless experience by connecting your Android smartphone to a wearable device. And the result is truly amazing. Wouldn't it be great if all of your devices were this connected? For many of us cars are an integral and essential part of life. They bring us to the grocery store and take us on weekend trips. They bring us to work and take us home.&#xA;&#xA;In fact, in the United States the average commuter spends over one hour in the car everyday. In many ways our cars keep us connected to the physical world around us, but they remain disconnected from our other devices and our digital lives.&#xA;&#xA;So what have drivers done to bridge this divide? Well, even though it's unsafe and in many cases illegal, people use their phones while driving. And reports show that 25% of accidents in the US are caused by people fumbling with gadgets behind the wheel. There's got to be a better way?&#xA;&#xA;So back in January, we announced the Open Automotive Alliance to address this problem and make the connected car a reality. We'd like to show you what we've all been working on. And today we're happy to announce Android Auto.&#xA;&#xA;We've redesigned the Android platform for automotive, making it easier and safer to use the connected apps and services drivers want in the car. We looked at what people do with their phones in the car today. And these things stood out to us. Navigation, communication, music and other forms of streaming media. Android Auto puts this front and center so you don't have to go hunting through the grid of icons to find the apps that are most important to you when you're in the car.&#xA;&#xA;Android Auto is contextually aware to give you the right information right when you need it. And most importantly Android Auto is completely voice enabled so that you can keep your hands on the wheel and your eyes on the road. You know, we really wanted to drive a car up here on stage and show you this live in action, but apparently there are these regulations and logistics that make driving a vehicle in a room packed with 6,000 people a very hard thing to do. So we set one of our engineers on the problem and apparently this is what happens when engineers have access to a blowtorch.&#xA;&#xA;So we're down one test car, but we have a great demo cockpit to show you. And now I am happy to introduce Andrew Brenner, our product manager who will literally drive this demo.&#xA;&#xA;So to start, Andy connects his Android phone to the car and the phone casts Android Auto experience to the car's screen. Andy can now put his phone down and use the familiar car controls, steering wheel buttons, console dials, and touch screens, to control Android Auto. It looks and feels like it's part of the car. But all the apps we see here are running on Andy's phone, which means that the experience gets better when Andy updates his apps or gets a newer, faster phone. This also means that Andy has a personalised experience that he can bring with him into any compatible car.&#xA;&#xA;The first thing Andy sees is the overview screen, which shows personal and contextually relevant destinations, reminders, contacts, and music from Google Now and other apps. One tap and he is navigating or listening to his favorite road trip mix. Andy, why don't you play us some music.&#xA;&#xA;Let's look for a seconds at Play Music. It has been adapted to have simple, glanceable controls for the car. Andy has access to all of his curated play lists, radio stations, albums, and artists, and to all the key features in Google Play music. He can also use voice or the steering wheel controls to control the music in the car, keeping his hands on the wheel. Fantastic. Of course, Android Auto needs great maps and navigation. So let's show you Google Maps.&#xA;&#xA;We all love Google Maps because it's fast, accurate, updated, and it seems to know where everything is. In Android Auto, drivers have access to all of their favorite maps features: great local search, personalised suggestions, live traffic, and, of course, turn-by-turn navigation. And Google Maps for Android Auto is even more powerful because it is completely voice-enabled.&#xA;&#xA;Andy, why don't you take us for a drive?&#xA;&#xA;&#xA;&#xA;How late is the De Young museum open today?&#xA;&#xA;&#xA;&#xA;De Young museum is open from 9h30 AM to 5h15 PM on Wednesday.&#xA;&#xA;&#xA;&#xA;Good, I can go there. Navigate there.&#xA;&#xA;&#xA;&#xA;Navigating to De Young museum…&#xA;&#xA;Head toward Fourth Street Northeast on Main Street and 600 feet, use any lane to turn right onto Fourth Street.&#xA;&#xA;&#xA;&#xA;So Andy was able to start navigation without ever entering an address or taking his hands off the steering wheel. During navigation, instructions are spoken, as you heard, and displayed on the screen in a material card that floats above the map. Great. So that's music and navigation.&#xA;&#xA;What's next? Let's show you voice-enabled messaging.&#xA;&#xA;&#xA;&#xA;New message from Hiroshi Lockheimer. Here it is: Andy, are we there yet?&#xA;&#xA;&#xA;&#xA;As you can see, incoming messages show up as heads-up notifications. So Andy can still see the upcoming 1turn in maps. When he's ready, he can just use the steering wheel voice button to reply.&#xA;&#xA;&#xA;&#xA;Reply.&#xA;&#xA;&#xA;&#xA;What's the message?&#xA;&#xA;&#xA;&#xA;I have no wheels.&#xA;&#xA;&#xA;&#xA;Here's your message to Hiroshi Lockheimer: I have no wheels. Do you want to send it?&#xA;&#xA;&#xA;&#xA;Sure.&#xA;&#xA;&#xA;&#xA;Sending message.&#xA;&#xA;&#xA;&#xA;So we're really excited to bring these great experiences into the car. But we also want you, our developers, to come along for the ride. We know it's not easy to build apps for cars today. There are dozens of different car platforms, input controls, and user interfaces. There is no central way to distribute your app or keep it updated.&#xA;&#xA;Wouldn't it be great if building an app for the car was just like building an app for your smartphone or tablet? Well, we have good news for you. The road ahead is brighter, and today we're announcing the Android Auto SDK so that you — we thought you'd like that. — so that you can just focus on making great apps for the car.&#xA;&#xA;We're starting with a full set of APIs for audio and messaging applications. First, let's talk about audio. We worked with a great set of developers on a prerelease version of the Android Auto SDK to develop some great audio streaming apps that let you listen to music, internet 9radio, news, sports, and podcasts on the go. You can try these apps out live in our demo cars right outside.&#xA;&#xA;Next, let's talk about messaging apps. Andy showed us earlier how he can send text messages using Android Auto completely with his voice. Well, we're opening this up to your messaging apps. So using these APIs, your apps can notify users of incoming messages and allow them to respond using voice. And this is the same API we're using for notifications and remote reply on Android Wear, with just a few lines of code, you can let users know on their wrist or in their car. It's really, really powerful.&#xA;&#xA;So we're really excited about Android Auto, and we think we've found that better way. But I know what you're all thinking: when does the rubber actually meet the road? Well, we're happy to say that you won't have to wait long. The Android Auto SDK will be published soon, and the Android Auto experience will be available to users with the public &amp;quot;L&amp;quot; release later this year. And the excitement in the auto industry has really been growing.&#xA;&#xA;Today, we're happy to announce that over 40 new partners have joined the Open Automotive Alliance. And over 25 car brands have signed up to ship Android Auto in the near future. What's more? The first cars with Android Auto will be rolling off dealer lots before the end of this year. So that's just a peek at Android Auto, an Android experience that's been redesigned for the car, with all of the apps drivers know and love, through an interface that's built for driving.&#xA;&#xA;Now I'd like to welcome Dave Burke back on stage to tell us about android in the living room.&#xA;&#xA;&#xA;&#xA;Thanks, Patrick. It's pretty cool to see what you guys are doing in autos. But some of us don't actually have a car in our living room, wheeled or not. So I'm going to talk about a different form factor, and that's TV.&#xA;&#xA;So TVs are fast becoming smarter and more connected. And really they're becoming computing devices in their own right. So we see a great opportunity to bring some of the strong capabilities of Android, such as voice input, user experience, and content, to the largest screen in your house.&#xA;&#xA;Now, in some ways, TV space is not too dissimilar to the mobile space in 2006. Each TV manufacturer has a different OS with different APIs and programming model, often with limited developer tools. And the cost and friction to developer service to run across multiple TVs is too expensive. As a result, smart TVs are typically limited and not competitive with their mobile cousins. So we wanted to go and change that.&#xA;&#xA;Today, we're announcing Android TV. So this isn't a new platform. That's kind of the point. We're simply giving TV the same level of attention as phones and tablets have traditionally enjoyed. We want you to be able to leverage your existing skills and investment in Android and extend them to TV.&#xA;&#xA;There's now one Android SDK for all form factors. Now, remotes are a core part of the TV experience. And Android TV requires just a d-pad with voice input. And that can be made available as a hardware remote control, as a game controller, or even a virtual controller on a phone or tablet.&#xA;&#xA;So today, I'm going to use the Android TV app on my phone. And the best way to understand Android TV is to just see it in action. So what you're about to see is hot off the press and really just an early look at the TV support that we're adding to the &amp;quot;L&amp;quot; developer preview.&#xA;&#xA;Okay. So let's start with the most integral part of television, Live TV. So in &amp;quot;L,&amp;quot; we added what we call the TV input framework to Android. So it enables Android-based TVs to handle video from sources such as HDMI, TV tuners and IPTV receivers. And the UI provides a unified view of your channels in a familiar channel-hopping UI with the channel information on the top.&#xA;&#xA;Now if you want to do something different, just like every other Android device, you press home. And you'll notice that home overlays on top of the content. So I can keep watching while I browse. But unlike phones and tablets, where the behavior is more task-based, we designed home to be a super simple lean-back experience, because TVs, unlike computers or mobile devices, they're primarily entertainment interfaces. Users don't expect or want complexity from their TV.&#xA;&#xA;So the launcher presents you with a set of content recommendations at the top. Floating over the UI, using that familiar material theme. As I scroll down, you get immediate access to your applications ordered by how often you use them. Scroll down again, you get access to your apps, also ordered by usage order.&#xA;&#xA;Now if I scroll back up to the content recommendations, you can see this is a quick way for me to watch content, the recommendation system is completely open. Any app can publish to it and it's ranked according to your usage patterns. So for example, I am currently binge watching Game of Thrones. I am actually and it will automatically be presented with a recommendation for the next episode like so. So that's the home.&#xA;&#xA;Let's talk about search. Today, people regularly take out their phone to search for something to watch. With Android TV, we decided to build a core search functionality directly into the experience, powered by voice. So, for example, I can just simply say, Breaking Bad. Google will interpret the results, get me a result for the popular TV show. Now, with one click, i can then watch it in Google Play, maybe some TV, or any other service that I have installed.&#xA;&#xA;If I scroll down, you'll see information on cast members. Scroll down again, I get related search terms. Also YouTube clips at the bottom. Now, I can also pivot on cast members. So, for example, I can click on Anna Gunn. I'll get that nice material transition, I get information on the actress. Scroll down, I can get movies and TV shows that she stared in, even YouTube clips of interviews with the actress.&#xA;&#xA;Now the power of Google comes into its own for more abstract queries. For example, I can just say Oscar-nominated movies from 2002. Google will interpret that query, and, of course, get me all my Oscar-nominated movies.&#xA;&#xA;So from here, of course, one click, I can watch it. Now, search of course is backed by Google's Knowledge Graph. So I can ask a question. So, for example, I could say something like: who played Katniss in the Hunger Games? And, of course, the answer is:&#xA;&#xA;&#xA;&#xA;Jennifer Lawrence played Katniss Everdeen in the Hunger Games.&#xA;&#xA;&#xA;&#xA;And again I get maybe some TV shows she's involved in, other related queries and YouTube clips. So that's Google search tailored for your TV.&#xA;&#xA;Let's now take a look at some of the applications. So let me launch Google Play movies in TV first. Now developing for TV means creating a ten-foot user experience, because that's typically how far you're standing or sitting from the screen. In &amp;quot;L,&amp;quot; we've expanded the platform to support a lean-back experience with new framework classes that help you to quickly and easily build fluid cinematic ten-foot user experiences. Our play movies team was able to take their existing tablet app for Android, quickly add the lean-back classes on top of it to produce a great TV experience. They now have the same APK for TV, phones, and tablets.&#xA;&#xA;So what you see here is the browse fragment, part of the lean-back classes, you got nice, slick animations, you got those bold, lean-back — excuse me, material colours. If I then dig into a TV show, I can get more information. This is showing our details view. By the way, if you don't have your remote handy, you can always use your Android Wear watch as a d-pad. For example, let's try this out.&#xA;&#xA;So we've created a little wearable app. So from here, I can actually — I can interact with the TV. So I can go back. Let's go from the watch. Now you see me. I think that we could show. So I click that. And then we can start watching it. Okay. So that's not loading. That's fine.&#xA;&#xA;Okay. So let's move on. So to wrap up, all of these lean-back building blocks are ready for you to use and customise in your own applications as you see fit.&#xA;&#xA;Okay. So next, let's talk about games. People who have traditionally not thought of themselves as gamers frequently download and play games on their phones and tablets. And, in fact, three out of four Android users are playing games, which has helped make the Play Store one of the biggest catalogues of games in the world.&#xA;&#xA;With Android TV, we enable you to take your games to the biggest screen in your house. And the games are getting really good. So, for example, let me fire up one of my favorites, which is Leo's Fortune, with this game pad. And this is a really fun game. It's kind of typical of a modern Android game, it has got gameplay, it's got great graphics, fast and fluid. I also like it because our lead UX designer's name is Leo. He's not quite as cuddly as this guy, but I can definitely see him in a handlebar mustache.&#xA;&#xA;Anyway, so another advantage of Android TV is you can tap into Google Play games to share achievements and leaderboards with friends. You can even play multiplayer games with your friends playing from any device. So for example, I can launch NBA Jam, which is a really great game, and play a multiplayer game with my friend Allen here 4on the sofas. Let's try it out. So he's playing on his tablet. I've got my game controller. Let's try this. So we have a bet on the first person to score is me. Okay. First one to 2. Okay. Let's go. So the first person to do has to buy the other person a beer tonight. Let's go. Hopefully, I can actually score. I'm from Ireland, so I don't really understand this game. Let's try this. Oh! Okay. Did you get 2?&#xA;&#xA;Okay. Last one. Last one. Bear with us. I want free beer tonight. Oh! Yeah! All right. That's a good thing there's a free bar at the after party, Allen. Okay. I hope.&#xA;&#xA;Okay. So that's games. Now, sometimes you just want to cast or send content from your movie — such as movies or music from your phone. So Android TV includes full Google cast support. So you can use it just like a Chromecast. In fact, Android TV enables us to bring Google cast to more TVs.&#xA;&#xA;So, for example, imagine Allen's visiting me house and he wants to share his new favorite Jam with me. He can fire up play music on his phone or tablet and cast it directly to my TV. And, hopefully, his music will appear. I'm always really nervous about what he's actually going to play. So I'm not sure I even want to see this. Okay. That's pretty innocuous. That's cool. Great. So that's cast.&#xA;&#xA;Now, to distribute your applications, we've designed a very TV-centric play store experience. I'll just fire it up here. And the &amp;quot;L&amp;quot; developer preview comes with a sneak peek of TV apps and games to showcase the platform and you'll recognise big names like Netflix and TED as well as some great casual and multiplayer games. The store will open officially in the fall with the launch of &amp;quot;L,&amp;quot; packed with some of the best content available today for Android, tailored, of course, for TV. So that's a quick overview of Android TV.&#xA;&#xA;Android TV is ideal for multiple device types, so everything from built-in televisions to set-top boxes to streaming boxes and gaming consoles. We're working with silicon vendors across the industry, including everyone from Marvel to Intel and more.&#xA;&#xA;Today I'm super excited to announce of the entire 2015 HD and 4K smart TV ranges from Sony and the 2015 ranges of Sharp and TPVision Philips will run on Android TV.&#xA;&#xA;We're also seeing activity in the Pay TV space with Wix, SFR, LGU Plus adopting Android TV, and we'll also be seeing streaming boxes powered by RAZR, Asus and others launching this fall. And the Unreal Engine demo that I showed you earlier, that was running on Android TV with Nvidia's TK1 reference design capable of console style gaming and we expect to see TV products based on that hardware in the fall, too.&#xA;&#xA;Finally, to bootstrap the ecosystem today, we're making a development kit we call ADT1, available through a sign-up page to application developers like yourselves, so you can start developing for TV today. In fact, all the demos you saw were running on ADT1.&#xA;&#xA;So to learn more about Android TV, you can visit developer.android.com/tv. And I mentioned earlier that Google Cast is a core part of the Android TV experience. And as cast gets better, so does Android TV. So to learn more about some of the exciting new developments in Google Cast and Chromecast, let me hand over to Rishi. Thank you.&#xA;&#xA;&#xA;&#xA;Thanks, Dave. So I'm going to give an update on Chromecast. We launched Chromecast last July to deliver a new TV experience that was both simple and powerful. By using devices you already know and love, your phone, your tablet, and your laptop. And for the first time, you had an experience that just worked. All it took was a simple press of a button from your favorite app.&#xA;&#xA;And we've been really happy about the positive reaction we've gotten from both the press and consumers. We've sold millions of devices and consistently outsell all other streaming devices combined in major retail channels like BestBuy.&#xA;&#xA;And recently, we've been able to replicate that success in 18 countries. Today, Chromecast is a top-selling electronics device on Amazon in the US, UK, France, Japan, and Canada.&#xA;&#xA;And as sales have ramped up, usage per device has increased 40%. Already, YouTube sees more active engagement on Chromecast than any other TV streaming product. The model is working.&#xA;&#xA;Now, Chromecast is just the beginning. We want to build an ecosystem of Google Cast-ready apps and Google Cast-ready devices. So that's why we're excited that Google Cast support is coming to Android TV devices as devices roll out later this year.&#xA;&#xA;So let's talk a little bit about developers. We launched Chromecast with five content apps. And since then, we've brought on board many of the top content apps from around the world, including the BBC iPlayer and the Watch ESPN app, which came just in time for the World Cup to kill all productivity of the Chromecast team. Luckily, we have a Brazilian VP.&#xA;&#xA;Google Cast is designed to work with the most popular devices you find in a home today. In fact, in the last 30 days, almost 50% of Chromecasts were used by devices for multiple platforms. That's why in February, we launched the Google Cast SDK across Android, iOS, and Chrome. So now any developer can take their existing mobile or web app and extend it right to the TV.&#xA;&#xA;In just a few months, we have over 6,000 developers registered who are actively building over 10,000 Google Cast apps. So starting to see a lot of momentum. Now, as more and more apps are coming on board and integrating with the SDK, we want to make it even easier for consumers to find your Google Cast-ready app. So today we're announcing new discovery experiences on Android, iOS, and Chrome. Consumers can find these at chromecast.com/apps or from the Chromecast app on your phone, tablet, or laptop. This is one of many improvements we're making to Google Cast to make it even easier to use. For example, one of my favorite features of Chromecast is that it works with my friends and family, because they can use their own devices.&#xA;&#xA;Well, today, we're announcing a new feature to make that even easier by allowing others to cast through to your TV without needing to be on the same Wi-Fi network. So I have AK here on stage with me. And let's say AK is over at my house and he wants to use his phone to share or cast one of his favorite YouTube videos to my TV. Now, normally, I need to share my Wi-Fi password with him. But sometimes they're long and complicated or I don't remember it. In this case, I just don't trust him with the password. But I still wanted to see his great video.&#xA;&#xA;Well, with this new feature, AK can still take out his phone and open up the YouTube app. And you'll see on the top right he's only connected to the cellular network. But you still see the cast button. Simply press the button, and it will allow him to connect to your devices. Now, in a few seconds, his phone will connect to Chromecast through the cloud. And that's it. So now he can control the video, pause the video, play the video, just as if he was on my same wi-fi network.&#xA;&#xA;So how do we do it? We're using a variety of different technologies which allows us to authenticate users in the same room as the Chromecast. And if for whatever reason we can't automatically detect or authenticate you, we'll ask for a pin that will always be present on the screen. Check this part out. This is my favorite part of the video. That's pretty cool.&#xA;&#xA;So now you can invite all your friends over to your house, kickback, and let of them cast to your TV without any friction or hassle. It makes Chromecast an even more awesome experience. Now this is an opt-in feature. So you always have control over who can cast to your TV. We'll be rolling this out to all Android users later this year. And developers will get this for free via the Google Cast SDK.&#xA;&#xA;So we also spent a lot of time thinking about new use cases for the television. For example, today, lots of people talk about the five hours per day people watch TV. What about the 19 hours per day your TV is just a blank, empty screen? With Chromecast, we want to make use of this large, beautiful canvas. So we started with something really simple, a feed of scenic images that's been gradually expanding over time. Today, we're announcing the new Google Cast ambient experience. And we call it backdrop. It just takes a minute to set up, and you can do it from any iOS or Android device. In this case, we're going to use an iPhone 5 for the demo. And we have the feed accelerated just for the demo purposes so you can see more images.&#xA;&#xA;So let's go ahead and open up the Chromecast app. And you'll see backdrop's a new option in the app drawer. And from here, you can personalise the feed to match your own interests and tastes. One of the top feature requests we've gotten is the ability to add your own personal photos to the ambient feed. Well, now you can.&#xA;&#xA;So if we turn on photos, you can select from one or multiple Google+ photo albums. And in a few seconds, you'll start seeing my personal photos show up right on the TV screen. It's that simple. Your TV is now the largest picture frame in the house. Grandparents everywhere are going to love this feature.&#xA;&#xA;So we also have a lot more topics. We want to give you an infinite source of great and beautiful images. One of my favorites is one called Places, which brings geospatial images from Google Maps to your TV. These satellite photos give you a totally different perspective on how you can see the world. It's really amazing. Leave it on for a really long time.&#xA;&#xA;We also have other topics like news and lifestyle and Google+ featured photos. One of my other favorite topics is art, which includes artwork from famous museums and collections from around the world, including the Getty Museum and The National Museum of Women in the Arts. And now my TV's beautiful set of paintings.&#xA;&#xA;Every topic is curated to make sure we're showing high-quality and safe images. And every user has the ability to control which topics show up on the TV. Now, generally, I'm going to leave this in the background of my house. But let's say one of the images catches my eye and I want to learn more — a little bit more info about it. I can use Google voice search to always learn more.&#xA;&#xA;Google, what's on my Chromecast?&#xA;&#xA;For every topic, we'll show a synchronised card. We'll show a synchronised card that will show you relevant information and relevant actions. So in this case, I can learn more about any artists of the painting. Backdrop brings your TV to life even when you're not actively using it. And we're looking forward to working with third-party developers to actually bring in their own topics into the feed. Backdrop will roll out to all Chromecast users later this summer.&#xA;&#xA;So finally one of the big advantages of the Google Cast model is that we can start thinking beyond traditional use cases of the TV like video. For example, your phone and your tablet have unlimited possibilities, and there's many times you want to bring those experiences and extend them to the TV. Well, to help accelerate that shift, we're launching a new Google Cast feature that allows you to mirror any Android device to your television.&#xA;&#xA;So to start mirroring, just go to your Chromecast app on your Android device and select cast screen. And from here everything on your phone will just show up on the TV. It's that simple. No cables or wires needed.&#xA;&#xA;Now we built our own protocol to reduce latency and frame drops, so experience feels really natural and smooth. And now you can share anything on the big screen. So let me give one example, a real life example I had a few months ago, using Google Earth.&#xA;&#xA;I was planning a family trip to Maui later in the year and I wanted to show my four-year-old daughter where Maui is on the map. So instead of huddling around my small phone I ended up opening Google Earth and projecting it on the TV. So let's type in Molokini, one of my favorite snorkeling destinations in Maui. And as you can see it's a totally different experience to navigate the world with my daughter on the biggest screen in the house. You can play with this for hours.&#xA;&#xA;So we'll do one more fun thing. We're actually going to open up the camera app and we're actually going to mirror in live action, which is a little nervous, in live action, all of you on the big screen. It's a lot of fun. So we're working with a large variety of devices from Samsung, from Nexus, HTC and LG, with many more devices coming soon.&#xA;&#xA;We'll be rolling out this initially in beta as devices get updated to the latest version of Google Play services, which will happen over the next few weeks. As you can see, we're really excited to show how the cast model can change how we think about entertainment in the home and we look forward to innovating all of you to make that a reality.&#xA;&#xA;Now I'll pass it back to Sundar.&#xA;&#xA;&#xA;&#xA;Thanks, Rishi. So we have talked so far about wearables, your car and the television in your living room. Another very important device in our lives is our laptop. Our journey here began with Chromebooks. We are seeing tremendous momentum here. We started the journey with one reference device, the CR-48, which we launched about three years ago.&#xA;&#xA;A year later with Samsung and Asus, we launched two devices in two countries. Fast forward to today, we have eight OEMs making 15 devices with many more on the way in 28 countries. Users really love the fundamental insight behind Chromebooks, speed, simplicity and security. All 10 of the top 10 highest rated laptops today in Amazon are all Chromebooks.&#xA;&#xA;We are seeing tremendous traction in education as well. Just this year alone the number of Chromebooks sold to K-12 schools in the United States has grown by 6 times and we are investing a lot more in this area. So let me talk about how we are evolving the Chromebook experience.&#xA;&#xA;As I said earlier, users almost always have a smartphone with them, including when they are using a Chromebook. So we want to increasingly connect these experiences together so that they have a seamless experience across their devices. Let's take a look at what we can do. Dave Kan is going to help me through with some demos. Dave talked earlier about how with the L release you can unlock your phone knowing that it is with you based on what we are doing with the APIs in L.&#xA;&#xA;Well if we can unlock your phone we can also unlock your Chromebook. So every time you approach your Chromebook and your phone is with you, we will automatically unlock your Chromebook and sign you into your favorite applications and services so it works seamlessly.&#xA;&#xA;We have already added Google Now notifications, so the same Google Now cards which you see on your phone you see them on your Chromebook and we're adding a few more things. Let's say you get an incoming phone call. You will start seeing those incoming call notifications on your Chromebook. If you get a text message, you would see those text messages on your Chromebook as well. And I recently had this experience, my phone was in my pocket and running out of battery and my Chromebook popped up a notification and said, your phone is running out of your battery. Simple, delightful experiences to connect your phone and your Chromebook.&#xA;&#xA;As we started working on this, one of the things that struck us is wouldn't it be nice if you could get some of your favorite Android applications which you love on your phone on your Chromebook? So this is a difficult challenge technically, so we've been working on this project for awhile. Our goal is to bring your favorite Android applications in a thoughtful manner to Chromebooks. We want this to be intuitive for users. These applications were built for Android for the phone so we want them to work when there is a mouse, keyboard and touch event et cetera.&#xA;&#xA;For developers we want this to work with as little modifications as possible. So we're in the early days and we're going to show you a preview today and Kan is going to help me with this. So Kan is going to pull his tablet up and what you're seeing on his tablet is Evernote. This is one of his favorite applications and I think he's planning a birthday party there.&#xA;&#xA;Let's switch over to the Chromebook and the same Android application is now available in the launcher on your Chromebook. So you can click that and you get the exact same application. And because you're on a Chromebook you can start making changes to it, you can go to the web, copy, paste, everything just works. We have ported that Android application to run within your Chromebook.&#xA;&#xA;Let's give you one more example. We'll pull a canonical application, an application you see on your phone, like Vine. We now have that application running on your Chromebook Pixel as well. Kan is going to browse through the World Cup channel and you can see how the experience feels native and intuitive on a Chromebook and because the app has access to some of the underlying device APIs, it has access to the camera API, Kan can actually take a clip of himself just like a Vine user and post it straight from his phone.&#xA;&#xA;The final application we want to show to you is Flipboard. It's a beautiful immersive experience and the Android version of the app now comes alive on Chromebooks and you can see how beautiful and immersive this experience is. We are very, very excited about bringing important favorite Android applications for users straight on their Chromebooks so that they can get an even more connected experience. And we are working on bringing our experiences across both Android and Chrome together so that it works in a delightful way for our users.&#xA;&#xA;So far we have talked about bringing our platforms Android and Chrome to all the connected devices in your life so that we can create a great experience across all of them. But there is another very important environment we want to talk to you about as well.&#xA;&#xA;Most of you spend a lot of time in your workplace. We've always had this funny insight at Google that it is the same person at work who is — and it's the same person at home. That's a picture of Matt, which is his work badge. In his spare time he's a lonely planet traveler and he writes books for them. So you can see people have very, very different contexts, yet your computing experience is very fragmented. The way it worked in the PC world is companies gave you a separate laptop for work and a laptop for — you had your own personal laptop. The experience was disconnected. And that model starts breaking down when you start thinking about phones.&#xA;&#xA;No one wants to carry two phones around. So what we are doing is with the L release in Android, we are adding a whole set of APIs to unify this experience. So we're bringing both your experiences so that as a user you can have one experience and both your personal applications and corporate applications can live on the same device. We are doing it thoughtfully by providing underlying data separation so all your personal data is isolated from your corporate stuff and vice versa. So we are providing full data isolation and security which enterprises care about.&#xA;&#xA;As developers, there is no modification needed of your existing apps. All your apps will be available through Google play and companies can buy them in bulk and deploy so you can reach many more users. These are all available in L, but we are wrapping up many of these features as a separate app so that it will also work on prior versions of Android.&#xA;&#xA;And finally, Samsung has done a lot of important work in this area with Knox. And we really want to thank Samsung, they're contributing all of their work in Knox to the Android platform so that we have one consistent story for surprises across Android.&#xA;&#xA;Can I get the next slide? So we're also working with major partners, all major OEMs, names you would recognise, in the fall, to have a certified Android for work program by which we can bring these devices to companies with guaranteed updates and full security. So we are very excited by this journey.&#xA;&#xA;As we bring Android for work, one of the important use cases we care about is productivity. Documents collaboration, which is why we've invested a lot in Google Docs and the whole suite of editors. We've always had great mobile webs for Google Docs and Sheets and today we're also announcing Google Slides so that you can create and share presentations straight from your mobile devices.&#xA;&#xA;One of the common use cases we run into in companies when people use this, is they run into Office files. It's a common experience for all of us and we want to make sure as we bring Android for work, Office files work seamlessly. So we acquired QuickOffice and we've been hard at work integrating QuickOffice into Google Docs and today we are announcing native Office editing built within the Google Docs suite of editors.&#xA;&#xA;Let's take a look. Kan is going to show how this works. I'm sure you're all familiar with getting emails in which you get a Word file. And so if you get a Word file in your email, you can click on it. In the past we would convert it into a Docs file, but we don't anymore and so what you see is a native Word file handled straight within Google Docs and this works for Sheets and Presentations as well. And Kan can make edits to the document and most importantly when he saves it, it saves back as a Word file so that he can send it back to people. So it works seamlessly.&#xA;&#xA;You can always up convert this to Google Docs so that you get advantage of world class collaboration features. One of the common features we get requests on is red lining. So we have done great work to bring modern collaborative approach to red lining and the feature is called Suggested Edits. So just like Google Docs always does, people can add their comments and very easily you can review and accept changes.&#xA;&#xA;So with Suggested Edits, we have modern collaborative features and with built-in native Office, we think our productivity suite is great for the workplace. All our productivity files live in Google Drive. We launched Google Drive about two years ago and today we are very excited to announce Google Drive has over 190,000,030-day active users. These are not registered users, these are 30-day active users and the number has grown over 85% just last year alone. We are bringing all of Google Drive for work functionality to companies as well. And what we are doing is we are encrypting the data both during transit and at rest on our servers. We are providing enterprises full APIs, audit and analytics APIs based on how their employees are using their data across their company.&#xA;&#xA;And finally, it is hassle-free. Unlimited storage for just $10 per user per month. So the combination of Android for work, our Google Doc suite and Google Drive for work really offers a comprehensive suite for companies and joins Google apps and Chromebooks. And as companies are thinking about moving away from traditional Windows architecture we are seeing tremendous momentum. 67 of the top 100 startups have gone Google. 58% of Fortune 500 companies have gone Google. And 72 of the top 100 universities have gone Google.&#xA;&#xA;So we have talked about how we are bringing our platforms Android and Chrome across all your devices not just for your personal life, but also for your workplace. We're going to switch gears now and talk about how you all as developers can build success on top of our platforms.&#xA;&#xA;In fact, we hear amazing stories everyday from corporate startups to students who act as developers and create amazing experiences on top of our platforms. We've put together a video so that you can take a look.&#xA;&#xA;I was incredibly moved when I saw that video the first time and even more excited. All the folks on the video, including those middle school students from Resaca School in Texas are joining us in the audience today.&#xA;&#xA;Thank you. We know these examples are just the tip of the iceberg and we care deeply about evolving our platform so that you can continue to create these amazing experiences. So we're going to talk about that next.&#xA;&#xA;The first is how you can build and scale your applications on top of Google Cloud platform. We've been, within Google, building world-class infrastructure and running large scale services like search, maps, YouTube and Gmail and we are very excited, we're bringing the full power of the Google Cloud platform to developers like you.&#xA;&#xA;To talk about that I'm going to invite Urs Holzle.&#xA;&#xA;&#xA;&#xA;Thank you. Thank you, Sundar. Hi everyone. I am Urs Holzle and my team and I build the Google Cloud platform. And everyday we go to work excited to see what you all are doing with it. And literally everyday there's hundreds of thousands of developers building applications that scale to hundreds of millions of users. And they keep their teams small and they can focus on what they do best because we run the rest of the infrastructure for them.&#xA;&#xA;Let's have a quick look on what about — what the Google Cloud platform is about. First of all, of course we have VMs with compute engine and they are best in class performance and price and you can run whatever code you want. But if you don't want to bother administering machines we also have app engine and app engine makes it incredibly easy to write really high scale applications. That's how Snapchat got to incredible scale without having a single back end developer.&#xA;&#xA;On storage, we offer many options, including of course SQL as a fully managed service. NoSQL, which we invented by the way. It is running billions of queries every hour. And then of course object storage that scales to exabytes. But you cannot just store data, you also want to analyze it and in our platform you have many tools that make it easy for you to analyze data sets without worrying about scalability. For example, with BigQuery you can stream hundreds of thousands of records per second into the cloud and query them interactively with SQL.&#xA;&#xA;And beyond technology we also lead the industry in price and performance. And as hardware gets cheaper we pass on these savings to you so you see Moore's law in the cloud. And moreover you get great sustained usage discount without having to sign up for contracts, without having to make upfront payments or without having to forecast your utilisation for the next three years just to get great pricing.&#xA;&#xA;But of course what really matters to us is seeing what you developers do with our platform. And whether it's Netflix, for storage, Wix, Web Filings, Khan Academy who run their entire business on our cloud, there's a lot going on. And I am going to tell you just two things about two recent new customers.&#xA;&#xA;First, Secret. Secret where a single back end developer, built an application that in two months saw over a thousand fold increase in traffic. And they came to Google because they needed a platform that can handle this kind of hyper scale growth without much hassle. And that's exactly what they got. Or maybe you've seen the debut of Rising Star on ABC last Sunday. It's an interactive music competition where millions of TV viewers vote in real time on the winner. Screenz, the company behind Rising Star is using compute engine and BigQuery for the instant voting app and it's been battled tested to run 1.3 million queries per second.&#xA;&#xA;And at the beginning of each application is a developer who wants to get their idea out to the market as quickly as possible. No matter what it is. But that's why developer productivity is actually very important to us. We try to make our cloud not just highly functional, but also really easy to use. And as you've seen the best mobile apps come with an intelligent back end that's in the cloud. And there's no better place to build that back end than on Google because we have the performance and we have the tools that make it really easy for you to build those applications with small teams and little focus on operations.&#xA;&#xA;And today I'm very excited to show you four new tools, very, very cool new tools that make it really easy to understand your server side application. So please welcome Greg DeMichillie, who is going to show you some demos.&#xA;&#xA;&#xA;&#xA;Thanks, Urs. As part of showing you some of the new features that we are showing for the Cloud platform, I've built a sample application here and this is about as peaceful an application as I know how to build. It allows me to record walks that I'm talking. So this application allows me to record a walk I took through the city, share it with my friends, let them experience the same walk I took and then share comments.&#xA;&#xA;Now since this whole purpose of this application is to share information, obviously I need to store that data somewhere other than my device. And how do I do that? The answer is Cloud Save. Cloud Save is a new simple API that lets me save and retrieve per user information. Now that could be application data, it could be user preferences or setting and I do this with no server side coding. I just do a few lines of client side. And with that my data can be stored in the cloud, it can be retrieved and synchronised to other devices, it can be available offline so that my user doesn't have an internet connection, they can still walk through this walk.&#xA;&#xA;And I'm a cloud guy, so what really gets me excited is that this data is stored in Cloud Data Store which means I have the full access to the cloud platform. I can query that data with BigQuery. I could build web applications that use that data using App Engine or Compute Engine and that's in fact what I've done in this case.&#xA;&#xA;Let me show you the web version of walk share accessing the same walk data. So this is the web version. I took a nice walk out by the Golden Gate Bridge yesterday and recorded it. I can expand the window and I can see the comments. Now if you look at the comments right away you can see that there's something a little funky going on. I have code here to replace common character sequences with emoticons, but if you look at that they're sort of running amuck. I'm putting emoticons where they don't belong. So I've got some sort of bug that I need to find.&#xA;&#xA;So I'm going to flip over here and look at the source code from GitHub for this application. Now this application is running in production. It's not running on one server, it's running on tens or hundreds of servers. And there's no way to debug an application that's running in that kind of environment. At least not until today. So I'm going to click into the debug mode, I am going to click down here and I am going to put a watch point on this line of code.&#xA;&#xA;Now the platform is watching all those servers until one of them actually hits that line of code. So at this point, there's people hitting the traffic. It'll take a few seconds. Take a few seconds. Okay. We'll go and refresh it just to make sure it hits it.&#xA;&#xA;Oh, no. Let's try it again. I'm determined on this one. We'll find that line of code. Going to debug. Set the watch point. Nope. Oh, there it went. I just had to wait long enough. Patience pays off. You'll notice, however, I didn't hit the right comment, because this doesn't show the bug. So I'm actually going to use a conditional watch point and say, “comment.commenter name is Rachel.” And now I'm going to wait a few seconds. And we'll actually hit the breakpoint for that comment, call stack local window. And sure enough, this is the one that's having the problem.&#xA;&#xA;So to fix it, I'm going to go up, and I see here's the code that was being called. I can switch into edit mode and very quickly change this regular expression to be the correct one and learn that I should always have Urs do my code reviews, because he never makes regular expression errors. So that's cloud debugging.&#xA;&#xA;But when I was looking at that application, I also noticed that the application seemed a little slow to me. It seemed like it wasn't really responding right. How do I find out what's happening in production there? Another new feature of the platform is Cloud Tracing.&#xA;&#xA;Cloud Tracing gives me a tracing view of all of the various requests my application was processing and how long they took. I'm going to drill in for comments, and sure enough, when I look at this, I've got some queries here that are taking 200 milliseconds. That really seems long. I'm going to drill into one of them. And I get a view of all the service calls that went into that request. So what appears to be happening here is that I'm doing a bunch of data store operations in sequence instead of doing them in parallel. And that's not really the best practice data store.&#xA;&#xA;So to fix that, I'll switch over to the code for that. I'll edit it. Sure enough, this whole block of code is in a for loop. That's not really the best practice for getting the best performance out of data store. So we will delete all that. And I'll paste in the proper version of the code, which actually, then does all of that as one operation. I can commit the change. It gets rebuilt, I'm in production. I've fixed my performance problem.&#xA;&#xA;Now, I fixed it for one user. How do I know I fixed it for everybody? Well, it turns out Cloud Tracing also gives you the ability to have reports. So this is a report that I've done that compares the latency before and after that change. The blue part is before I made the change. The orange part is after I made the change. So, sure enough, I can see that my curve shifted to the left. My application is in fact faster, not just for one user, but for every user.&#xA;&#xA;So the last thing I want to show you is Cloud Monitoring. Last month, the team from Stackdriver joined Google. And I'm really happy to show you some of the integration we've been working on. One of the hard parts about operating a service in production is building up the monitoring and alerting that you need in order to stay on top of things.&#xA;&#xA;With cloud monitoring, you, of course, get the basic infrastructure type monitoring you'd expect: disks, VMs, that sort of thing. But what's really powerful is, you also get service-level monitoring. We automatically detect what services you're using and give you default dashboards and monitoring. And it's not just for Google services. We automatically detect over a dozen open source packages, such as Redis, in this case and automatically give you intelligent default monitoring for those. So with no additional work, I get a dashboard that helps me stay on top of what's happening in my app in production.&#xA;&#xA;Finally, as everybody who runs a service knows, the last thing you want is your customers to be the first ones to find out that you've got a problem. You want to have alerting in the event of problems. Cloud monitoring includes alerting. So I can go and set custom alerts on any of a variety of metrics whether it's on app engine or compute engine or Redis. In this case, I have an alert set up to tell me if Redis exceeds its memory threshold for more than five minutes and I have a choice of how I want to be notified. Do I want to be emailed or paged or sent a text message? So that's just a very fast preview of four new developer productivity features coming to the cloud platform.&#xA;&#xA;And with that, I'll turn it back over to Urs.&#xA;&#xA;&#xA;&#xA;Thank you, Greg. So you just saw four new features that make it much easier to build and understand your back-end, Cloud Save securely saves and synchronises across devices. No service-side code, just a few lines of client code. Cloud debugger gets you desktop debugging in your server. Debug a live production app with live traffic. Get local stack traces and so on and so on. How cool is that?&#xA;&#xA;Cloud tracing then shows you your latency statistics across different groups. You can compare before and after. And cloud monitoring gets you intelligent monitoring with almost no setup, including, for many popular open source packages.&#xA;&#xA;But now let's go from code to data. Information is being generated at an incredible rate. And, of course, we want you to be able to analyze that information without worrying about scalability.&#xA;&#xA;And today, even when you're using MapReduce, which we invented over a decade ago, it's still cumbersome to write and maintain analytics pipelines. And if you want streaming analytics, you're out of luck. And in most systems, once you have more than a few petabytes, they kind of break down. So we've done analytics at scale for a while, and we've learned a few things.&#xA;&#xA;For one, we don't really use MapReduce anymore. It's great for simple jobs, but it gets too cumbersome as you build pipelines. And, really, everything is an analytic pipeline these days. So what we needed was a new analytic system that scales to exabytes that makes it really easy to write pipelines that optimises these pipelines for you and that lets you use the same code for both batch and streaming analytics.&#xA;&#xA;And today we're announcing just that with Cloud Dataflow. Cloud Dataflow is the result of over a decade of experience in analytics to simply fully manage service, so no machines to worry about. You can create data pipelines for ingesting, transforming, and analyzing arbitrary — arbitrarily large data sets, both in batch and in real time mode. And to see Dataflow in action, I have asked no other than our very own Eric Schmidt to help me look at something that's happening right now, namely, the World Cup. So please welcome Eric Schmidt.&#xA;&#xA;&#xA;&#xA;Thanks, Urs. This demo is about performing sentiment analysis of World Cup matches with Cloud Dataflow. We're going to analyze millions of millions of tweets per match and calculate negative or positive sentiment per team and correlate the sentiment to match data. I'd like to thank the developer relations team at Twitter for the support in using the Twitter and data APIs for this demo.&#xA;&#xA;Cloud Dataflow is an SDK and a managed service for building big and fast parallelised data analysis pipelines. You write a program as a logical set of data transformations to specify your analysis. You then submit the pipeline to the Dataflow service, and that handles all the optimisation, deployment of VMs, scheduling, and monitoring for you.&#xA;&#xA;Now, here's the code for my sentiment pipeline. The Dataflow API provides a simple mechanism for you to add one to many transforms to your data. The first transform extracts a real-time stream of JSON data from Cloud Pub Sub. Now this pipeline is running in streaming mode. However, Dataflow can also be run in batch mode, meaning that I can point this exact same pipeline of – at archive data, say, in BigQuery, and produce the exact same analysis. One pipeline, batch or stream.&#xA;&#xA;Now, let's drill into the second transform, Tweettransformer. Tweettransformer is responsible for the core transformation and mapping of my data. I did serialise the stream of JSON into a tweet object. I translate it, if it's needed, using Google Translate API. And I score the sentiment with a third-party service from Alchemy API.&#xA;&#xA;Now, the part of the syntax that you see here is what parallelises the processing for each step. This parallelisation is optimised for you by the Dataflow service across processes and machines. Now, finally, I apply another transform to calculate the average for all the tweets in a three-minute sliding window. Dataflow provides powerful built-in primitives for doing MapReduce-like and continuous computation operations.&#xA;&#xA;Two lines of code, two lines of code to create a sliding window and to average all the tweets within that window, reducing a massive collection of data down to one record per minute per team. Dataflow handles all of the aging out of my data, shuffling, et cetera. I don't have to worry about that. So, awesome, we have a pipeline.&#xA;&#xA;Let's switch gears and take a look at what this would look like in production. What you see here is my deployed pipeline shown in the Dataflow monitoring UI built right into the cloud developers console. I'm going to go ahead and click in. And you'll notice that the graph correlates one to one to the code that I just showed you, making it easy for you to understand — easy for you to understand your processing topology.&#xA;&#xA;If I scroll down further, I can see other information, for example, the total records of processed. So I started this pipeline this morning right before I went on stage, we processed around 5 million, 5.2 million tweets. And right now I'm running at about 406 records a second. We have lots more headroom with this pipeline. But I wanted to show you that my data is actually flowing.&#xA;&#xA;Now, our goal is to make dataflow monitoring valuable and integrated with the rest of your cloud development pipeline — sorry, cloud development experience.&#xA;&#xA;Now, let's take a look at what we could do with this data. This is a replay of the opening match between Brazil and Croatia. This represents an analysis of millions and millions of tweets and tens of thousands of touch information represented in the match. Now, if I scroll back and forth, I can see something interesting happen at the 71st minute. Brazil scores a goal. But you'll notice in orange, Brazil's sentiment goes down. So this is odd. Typically, the team that scores a goal will have positive sentiment.&#xA;&#xA;Now, if I look in the timeline, there's also some information that's been injected for me by my pipeline that says, “controversial goal — controversial call related to the goal.” So this is giving me some insight as to why there may be some negative sentiment towards Brazil, but I still don't trust my algorithm. So fortunately I've had Dataflow stream all of my raw data into BigQuery so that it can easily perform interactive analysis over very, very large data sets.&#xA;&#xA;Now here is some of the filtered raw data around that 71st, 72nd minute. There you have it. The fans are upset with Brazil related to a bad call by the referee. Now I think I understand my correlation a little bit better. I absolutely love the World Cup. So thanks, Dataflow.&#xA;&#xA;With Clouds Dataflow, you have a fully managed service and unified programming model for classic ETL and continuous analysis over simple or highly complex pipelines in batch or streaming mode.&#xA;&#xA;Back to you, Urs.&#xA;&#xA;&#xA;&#xA;Thank you, Eric. And I'm sure, as all of you know, Switzerland is playing — my own country, Switzerland, is playing at 1:00 p.m. today. And I hope at the end of the day my sentiment is going to be 100.&#xA;&#xA;But to go back to the technical part, I think — i hope you understand now why we stopped using MapReduce years ago. Cloud Dataflow really does for entire pipelines what MapReduce did for a single step, namely, it just makes it very easy. You don't have to worry about scalability. You don't have to worry about parallelism. And it will run faster and scale better than pretty much any other system out there, because we needed it too to solve our own problems.&#xA;&#xA;So whether it's data or code on server or on a mobile device, we try to make your life easier as a developer, more productive, while giving you the best price and the best performance of any cloud. We released hundreds of new features in just the last year, and we're seeing incredible growth, thanks to all of you who are using the platform. And I'm very excited to see what you can do next year with the power of Google behind you. Thank you.&#xA;&#xA;And now I would like to introduce Ellie to talk about Google Play. Ellie?&#xA;&#xA;&#xA;&#xA;Hi, everybody. I'm Ellie. And I'm absolutely thrilled to be talking to you about a few things that we're doing to help you all create amazing user experiences and also grow your businesses.&#xA;&#xA;Now, Google Play is the key to getting your app into the hands of millions of users globally, more users than on any other platform. And google offers app developers a wide range of cross-platform tools, and we build on this every year.&#xA;&#xA;Now, you just heard about the cloud platform. And now I want to talk about a few ways that Google Play is helping app developers differentiate their applications and accelerate momentum. We've been making aggressive investments across development tools, ways to distribute and engage, and new mechanisms to generate robust revenue for your business.&#xA;&#xA;So I'm going to talk today about a few of our efforts in each of these areas, what we're doing to help you develop, what we're doing on distribution, and what we're doing to help you monetise your apps. So let's talk first about development, building a great application.&#xA;&#xA;A key part of this is testing. You've told us that testing can be painful. And we want it to be easy. Today, we are completely thrilled to announce that the Appurify team is joining Google. Appurify offers the most sophisticated mobile device cloud testing service, and more importantly, they're just as passionate as we are about delivering high-quality user experiences. Appurify is leading the way in replicating how your app behaves in the real world and we're excited to help them further scale and bring their expertise to your app development process.&#xA;&#xA;Appurify allows you to test your apps across a wide range of devices. And this is critical if you want to be sure that your app produces consistently amazing results on every type of device, on iOS and Android all over the world. But ensuring quality means more than just device testing. Appurify service can simulate a specific mobile network and it can even simulate what happens if the connection is weak or drops out completely. Appurify also gives you detailed log data on device performance, network issues, power consumption, and stability. And this means your engineering team gets all the information they need to fix the problem, without needing to repro on a local device.&#xA;&#xA;Now, developers tell us that testing is the cornerstone of creating high-quality experiences. And we want to make testing available to as many developers as possible. That's why Appurify will continue to be cross-platform on both iOS and Android and available as a freemium service.&#xA;&#xA;Next, let's talk about building apps that help users get the most out of wearable devices. This is a new area that we're really excited about, as you can tell. Today, we're announcing a platform preview of Google Fit. This is an open platform designed to help users. Yeah! Thank you.&#xA;&#xA;We want to help users keep better track of their fitness goals. So we're providing a single set of APIs to manage fitness data, from apps and sensors, on both cross-platform devices and on wearables.&#xA;&#xA;Now, before Google Fit, I was trying to track and monitor my bike rides through my bike computer and then my weight training through a specialised app, and it was a huge hassle. The information was way too siloed to actually help me. Fit takes away the complexity of handling multiple sources, giving you a unified view of a user's fitness activity. And this helps you create more comprehensive apps.&#xA;&#xA;So if a user grants permission, apps can have access to a user's entire fitness stream to give better recommendations through this additional context. So, for example, Noom is a weight loss coach app and they've been an early partner on Google Fit.&#xA;&#xA;So let's just take a second to point out how the platform has helped Noom to enhance their app. So you'll see that Noom is able to combine my workouts, nutritional information, and my weight. And because it can talk directly to  in scale, it can let me know when my daily cookie habit gets just little bit overboard. So to centralise everything, Google Fit APIs allows fitness apps and brands to share your fitness activity, but only with your explicit permission. That's the key, you are in control, you can choose who you share what with and you can delete your fitness activity whenever you want.&#xA;&#xA;Google Fit APIs are also opening up new access to data coming in from hardware from top fitness brands. For example, Adidas has a collection of smart sensors that they're opening up to developers for the first time. And we're thrilled to announce that Nike is allowing other apps and fitness devices to integrate with Nike Fuel through this API. Nike will be publishing Nike Fuel to the Fit platform, meaning that your app can use it to give better insights into a user's fitness. And, of course, there are many, many, many partners that are joining the Google Fit ecosystem. More partners in the program means you can all create more meaningful experiences for users.&#xA;&#xA;So we're incredibly excited about the potential here for a platform approach in this area. We want to make it so that you can build great fitness experiences with just one API. The platform preview SDK will be available in just a few weeks. So stay tuned.&#xA;&#xA;So next, let's talk about increasing distribution for your apps, growing your user base. And that's where Google Play comes in. So last year, we announced our cross-platform service Google Play Games. And we have been delighted by the response from users and developers.&#xA;&#xA;Google Play Games is now the fastest-growing mobile game network of all time. We have activated over 100 million new users in just the past six months. And Google Play Games connects your game to a concentrated network of people who love games. It makes gaming more fun through services like achievements, leaderboards, multiplayer, game gifts and cloud save. Developers use these to make awesome games and bring players back more frequently boosting their success.&#xA;&#xA;And today, we're announcing new experiences and game services to help you further enhance game play. So first step, we have the new game profile. In the new play games app, your game profile changes automatically based on the games you play and your achievements in each game. This new profile means that each player expresses their own gaming identity and it makes playing games with friends more fun.&#xA;&#xA;Since the launch last year, users have loved saving their play games progress in the cloud. And we're evolving that now into saved games. Users will be able to see bookmarks of their progress in the play games app. So Dave had shown us Leo's Fortune earlier. This is a really fun game and I just started playing it last week. So I can see here in the play games app my saved game with a screen shot of me playing level 3. And we're rolling out a new feature called quests. So quest is an online time-based goal that you can set up in your game, such as collecting a bunch of in-game items on a specific day.&#xA;&#xA;Now we're offering a set of APIs that can run these events for your players and reward them all without you needing to update your game. We have some early games that have started integrating quests and saved games, and we can't wait to see how you are going to integrate these into your games. These features will roll out soon in the next update of Google Play Services and the Play Games app.&#xA;&#xA;Okay. So we've had a look at a few ways that you can build high-quality, differentiated experiences and distribute them to a broad audience. Now let's talk about what Google Play is doing to help you monetise your business. So one popular way that users pay on Google Play is through direct carrier billing. This means charging Google Play purchases directly to the mobile phone bill. Now, we've been working hard, rolling out direct carrier billing to our fastest-growing markets. It's taken off really quickly. We've just expanded coverage with seven new markets for a total of 25 countries.&#xA;&#xA;We're happy to announce that direct carrier billing is now going to be available on more devices, on tablets. So if you have a phone and you've already set up carrier billing, you'll be able to pay for apps, games, movies, music, books, and other content on your tablet, all still paid through that monthly phone bill. It'll even work on tablets that are wi-fi only.&#xA;&#xA;Okay. So there we are, app testing, the Google Fit platform, new Play Games capabilities, and direct carrier billing for tablets. These are four new ways that we can help you to create uniquely delightful experiences for your users. Thank you.&#xA;&#xA;Alright. Back to you, Sundar.&#xA;&#xA;&#xA;&#xA;Thanks, Ellie. We are seeing tremendous momentum in Google Play. And we really take this seriously, because it translates to success for you all. In fact, since last year's I/O, we have paid out over $5 billion to developers on top of Google Play. It's not just the volume of this number, but the rate at which this number is growing. It's increased two and a half times, from $2 billion the year before. So we are seeing tremendous momentum. We are very excited, because it directly translates to developers building their livelihood on top of our platforms.&#xA;&#xA;Of course, you all don't just come to I/O to hear stats like this. You also come because you get your hands on cool new gadgets. So we're going to give you some.&#xA;&#xA;The first is an interesting one. A set of engineers in their 20% time surprised all of us with what you can do just with an off-the-shelf cardboard and your smartphone and the combination takes you into a very, very immersive experience. We're going to hand each and every one of you a cardboard as you walk out from the keynote. And please share your thoughts on hashtag cardboard.&#xA;&#xA;Next, we are very excited about Android Wear. So we are going to give each and every one of you either the LG G watch or the Samsung Gear Live. These are great devices, and I hope you enjoy them. We don't want you to just create experiences for square-faced watches. 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<INFO BITRATE="916673" KEY_LYRICS="5 ContributorsFàbregas’ Career Honours LyricsChelsea FCWinner:&#xA;Premier League: 2014-15&#xA;Football League Cup: 2014–15FC BarcelonaLa Liga: 2012–13&#xA;Copa del Rey: 2011–12&#xA;Supercopa de España: 2011, 2013&#xA;UEFA Super Cup: 2011&#xA;FIFA Club World Cup: 2011&#xA;&#xA;Runner-up:&#xA;La Liga (2): 2011–12, 2013–14&#xA;Copa del Rey: 2013–14&#xA;Supercopa de España: 2012Arsenal FCWinner:&#xA;FA Cup: 2004–05&#xA;FA Community Shield: 2004&#xA;&#xA;Runner-up:&#xA;UEFA Champions League: 2005–06&#xA;Premier League: 2004–05&#xA;Football League Cup (2): 2006–07, 2010–11&#xA;FA Community Shield: 2005SpainWinner:&#xA;FIFA World Cup: 2010&#xA;UEFA European Championship (2): 2008, 2012&#xA;&#xA;Runner-up:&#xA;FIFA Confederations Cup: 2013&#xA;FIFA U-17 World Championship: 2003&#xA;UEFA European Under-17 Football Championship: 2004&#xA;Third place:&#xA;FIFA Confederations Cup: 2009IndividualArsenal:&#xA;PFA Team of the Year (2): 2007–08, 2009–10&#xA;PFA Young Player of the Year: 2007–08&#xA;Premier League Player of the Month (2): January 2007, September 2007&#xA;ESM Team of the Year (2): 2007–08, 2009–10&#xA;Bravo Award: 2006&#xA;Golden Boy: 2006&#xA;UEFA Team of the Year: 2006, 2008&#xA;&#xA;Spain:&#xA;UEFA Euro Team of the Tournament (2): 2008, 2012&#xA;FIFA U-17 World Championship Golden Ball: 2003&#xA;FIFA U-17 World Championship Golden Shoe: 2003&#xA;UEFA European Under-17 Football Championship Golden Player: 2004&#xA;&#xA;Decorations:&#xA;Prince of Asturias Awards: 2010&#xA;Gold Medal of the Royal Order of Sporting Merit: 2011" PRODUCER="2020 Future Retro London" COVERARTID="071/HWFCDXDUS2ZP0BT4PFPABLBY5OBB" PLAYTIME="348" PLAYTIME_FLOAT="347.006653" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="39136"></INFO>
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<INFO BITRATE="648874" KEY_LYRICS="1 ContributorBond City LyricsIt’s funny, all that excitement in Mexico City rang a distant bell&#xA;And now, suddenly, this evening it made perfect sense&#xA;Welcome, James&#xA;My name is Bond, James Bond&#xA;It’s been a long time&#xA;&#xA;My city, your city, bond city, for the last city&#xA;My God city&#xA;Cash city, Nash city, Na8 city, be the Last city&#xA;Being the Lost city&#xA;My city, your city, Bond city, for the Last city&#xA;It’s my God city&#xA;Cash city, Nash city, Na8 city, be the Last city&#xA;Being the Lost city&#xA;&#xA;James on the block, block, Na8 on the street, yeah&#xA;Black bond soldier, I’m the trigger man, man&#xA;I mean the bogeyman, man, bring my gun please, and the car too&#xA;Where my ladies at? I need a new suit, just a black suit&#xA;And a black coupe, where my Rollie at&#xA;I want to watch you, oh I see you&#xA;For the last time, I shot you&#xA;&#xA;Tell me where he is&#xA;He’s everywhere, everywhere&#xA;You protecting someone&#xA;Yeah&#xA;You have my word&#xA;Your word, the word of an assassin&#xA;My city, your city, bond city, for the last city&#xA;My God city&#xA;Cash city, Nash city, Na8 city, be the Last city&#xA;Being the Lost city&#xA;My city, your city, Bond city, for the Last city&#xA;It’s my God city&#xA;Cash city, Nash city, Na8 city, be the Last city&#xA;Being the Lost city&#xA;&#xA;Sitdown in the dark relax with passion, passion&#xA;Silent on the gun, huh, I wanna talk to you, talk to you&#xA;Two words your dead or in jail, is in my DNA got the license to kill&#xA;Gat the stylish to kill, who comes with suits and tie&#xA;He’s going to roll a dice, he’s going to get them girls&#xA;When he choose to pull up, he gat more clearance&#xA;He drives so fuckin fast, push more buttons, eh&#xA;&#xA;JW let me have a word with you&#xA;Now this fellow’s from London England&#xA;He’s an Englishman workin in cooperation with our Boyz&#xA;Wait, I’m just a professional doing my job&#xA;Me too&#xA;&#xA;My city, your city, bond city, for the last city&#xA;My God city&#xA;Cash city, Nash city, Na8 city, be the Last city&#xA;Being the Lost city&#xA;My city, your city, Bond city, for the Last city&#xA;It’s my God city&#xA;Cash city, Nash city, Na8 city, be the Last city&#xA;Being the Lost city&#xA;Mr. Bond, bullets do not kill&#xA;It’s the finger that pulls the trigger&#xA;Exactly" PRODUCER="2020 Future Retro London" COVERARTID="071/HWFCDXDUS2ZP0BT4PFPABLBY5OBB" PLAYTIME="316" PLAYTIME_FLOAT="315.037781" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="25260"></INFO>
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<INFO BITRATE="855292" KEY_LYRICS="2 ContributorsWires Lyrics{Edward Scissortongue}&#xA;Uhh.. bugging.. larvage&#xA;Sit down.. sprockets..&#xA;Fucking hate this guy man&#xA;&#xA;{Jam Baxter}&#xA;Erugh yeah, hard driving, foul, jam baxter&#xA;&#xA;&#xA;Look look, all hail the mechanical wire man&#xA;Sat with the planet like a rat in his iron hands&#xA;The wrath of a giant flan, lathered in vile jam&#xA;(par..) far from a flash in the frying pan&#xA;&#xA;More like the crust on a unwashed pot of gum&#xA;What a month son, come kotch till you pop a lung&#xA;Its got him konked, it's all a little bit solicious&#xA;A little kid light the piff now he's in his innards&#xA;&#xA;When he's not beaten by illogical bitches&#xA;He's eating like a slob as he twitches, oesophagus itches&#xA;Theophany of sprockets and switches&#xA;Words, clicks, pops and forgotten statistics&#xA;&#xA;A lot of logistics, in militant munching&#xA;Clunking, I cried him a river to rust in&#xA;He drank it in one sip, and sat like a dumb prick&#xA;Screaming &amp;quot;beep beep&amp;quot; with a can full of crushed &#xA;&#xA;Hard driving..&#xA;&#xA;(x2)&#xA;It goes mass manufactured electrical odyssey&#xA;Strapped to a gadget, techno-lobotomy&#xA;Snap the elastic, check the commodity&#xA;Wrapped up in plastic, fed to the colony&#xA;&#xA;&#xA;&#xA;Look I ain't even scratching the surface, wrapped in is circuits&#xA;A whole population of languishing hermits&#xA;Trapped in the skirmish with mountainous Daleks&#xA;Grab your silver bullets and your ounces of garlic&#xA;&#xA;The wrong stopping mega biting your neck&#xA;Smell the slime on his breath, selling slices of death&#xA;Tenderising your chest, to my right and my left&#xA;I saw it all sprawling, rise in its mess&#xA;&#xA;And (yes..), I'm being morbid I guess kid&#xA;A field full of green can put it all in perspective&#xA;A gormless collective, digital behemoth&#xA;Ruler of all he surveys with a tray of slop&#xA;Stale crocs, served in a box of data&#xA;He's not your saviour, common slob stocking paper&#xA;Flogging nature with a million MacBooks&#xA;Damn that's a brass look fam he's got mans shook&#xA;&#xA;&#xA;{Edward Scissortongue}&#xA;Seriously, get this guy, out of my house&#xA;Properly like, seriously man&#xA;Sponsored by Strongbow to&#xA;Fumes man&#xA;&#xA;{Ronnie Bosh}  don't forget me&#xA;{Jam Baxter}    K cider, boom&#xA;&#xA;(x2)&#xA;It goes mass manufactured electrical odyssey&#xA;Strapped to a gadget, techno-lobotomy&#xA;Snap the elastic, check the commodity&#xA;Wrapped up in plastic, fed to the colony&#xA;&#xA;&#xA;&#xA;I saw it, all of it, in all its entirety&#xA;On one sunny afternoon crawling inside of me&#xA;Dwarfed by sobriety, ah the irony (shit)&#xA;I still couldn't describe it for the life of me&#xA;Finding the light finally, I'm sat at the summit&#xA;(yeah..) quick as a flash sucked back in the gullet&#xA;The draggle cats scamber on gelatinous rubbish&#xA;Like, come here you fat slapper you love it&#xA;&#xA;Yeah right (yeah right), in a air tight Tupperware&#xA;Nothings there, refrigerated in a rubber lair&#xA;And they love it there, but I was never sure&#xA;Skeletor, laying in bed with a blem of draw&#xA;&#xA;I saw.. the unexplored depths&#xA;Scooped them all out, now there's nothing more left&#xA;But a stubborn sore retch and a motherboard stretched to capacity&#xA;This is what's left of reality.. reality" PRODUCER="2020 Future Retro London" COVERARTID="033/BNOUP4CTH0KK3AYLGOLODEZJDSCC" PLAYTIME="337" PLAYTIME_FLOAT="336.865570" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="35537"></INFO>
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<INFO BITRATE="838481" KEY_LYRICS="1 ContributorLeiterä us dä Schwiiz LyricsChlättere als bueb, e fädere im huet&#xA;E chäpselipistole für die bitches i mim gurt&#xA;Ich bin ziemlich früeh uf die dächer vo de vorstadt&#xA;Vo dä häschs meer gseh häsch dauge guet zuegmacht&#xA;Null drama, mittelstand prosa&#xA;Set design amelie weschte die wiis, zigis chamä chätschä&#xA;Und wenn du huere krass druff bisch chasch sie lah vertätsche&#xA;Und weisch zum abecho vom dach hämmer dstäge gno&#xA;Und scho damals sind erwachseni entägä cho&#xA;Händ üs erchlärt: luеg das spieli das spieled si no hüt&#xA;Und wеnnmer richtig viel gas gäbi warti dobe glück&#xA;Begriffe han ich nüt, glaubt hanich ne nüt&#xA;I ihrne lädergsichter nüt ussert dollar zeiche lüchte&#xA;Doch ziit hanich ja gnueg&#xA;Ich glaub ich bin na muetig, und spieli findich eigentlich no guet&#xA;&#xA;Hook:&#xA;Also gahnich halt die leiterä uf, die leiterä uf, die leiterä us de schwiiz&#xA;Will schinbar isch das leiterlispiel seinzige wos git&#xA;Also gahnich halt die leiterä uf, die leiterä uf, die leiterä us de schwiiz will schinbar isch das leiterlispiel seinzige wos git&#xA;&#xA;Und dlluft wird immer dünner, doch irgendwie au gsünder&#xA;Es schmöckt irgendwie nach himmel&#xA;Es schmöckt irendwie na guet&#xA;Bin mittlerwile gross, und dspieli laufed guet&#xA;Hanes büro ganz elai und die vorhäng meistens zue&#xA;Eleböge dusse, bürotisch pingpong&#xA;Flipchart phalanx, bürger vo sedwyla&#xA;Du muesch dini ziel ha, es bizli empathie ha&#xA;Für jede gits en früehlig, mitarbeiterfüerig&#xA;Und susch es paar guetschii verteile für d bedürfnisfabrik&#xA;Will gschichte ohni geld ended meischtens i de wüeschti&#xA;Ich mach eifach fürschi&#xA;Liebi ufem schrottplatz, büecher ufem schrottplatz&#xA;Blueme ufem schrottplatz, wer will scho es chind sii&#xA;Lug si händ mir erklärt de peter pan isch e erfindig&#xA;Begriffe han ich nüt, glaubt hanich ne nüt&#xA;I ihrne lädergsichter nüt ussert dollar zeiche lüchte&#xA;Doch zit hanich ja gnueg&#xA;Ich glaub ich bin na muetig und spieli findich eigentlich no guet&#xA;Hook:&#xA;Also gahnich halt die leiterä uf, die leiterä uf, die leiterä us de schwiiz&#xA;Will schinbar isch das leiterlispiel seinzige wos git&#xA;Also gahnich halt die leiterä uf, die leiterä uf, die leiterä us de schwiiz will schinbar isch das leiterlispiel seinzige wos git&#xA;&#xA;Und binich ufem mond, wünsch ich eu de tod&#xA;Strasse philosophe kaufed teleskop&#xA;Bürojob päng päng bubblegum platzt&#xA;Cheffe mached dsäck uf und dine isch e chatz&#xA;Mänsche stelled chrüz uf und nagled sich ufs dach&#xA;Priester nagled dtüür zue will dusse gits en chlapf&#xA;Puure ufem schachbrett wechsled ihri taktik&#xA;Und stürmed via highkick gradus uf de thron&#xA;Will binich ufem mond, rüef ich es gaht los&#xA;Strasse philosophe läsed horoskop&#xA;Derivat päng päng bubblegum platzt&#xA;Azüg werded azündt dusse vor de stadt&#xA;Dmensche ränned nackt zrugg id arme vo de nacht&#xA;Spaar verhaued cops, spaar verteiled schnapps&#xA;Spaar rüered de huet da glücklich richtig mond&#xA;Und gsehnd det eine rauche zfriede uf sim thron" PRODUCER="2020 Future Retro London" COVERARTID="033/BNOUP4CTH0KK3AYLGOLODEZJDSCC" PLAYTIME="411" PLAYTIME_FLOAT="410.399628" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="42373"></INFO>
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<INFO BITRATE="983904" KEY_LYRICS="2 ContributorsSuave and Wavey Lyrics&#xA;Say she want a man 6 foot&#xA;5&amp;quot;11 let me breathe if I slap on these air force ones that's one Inch up see height increase&#xA;&#xA;&#xA;Michael jackson walk in the cut&#xA;School days white socks jackups&#xA;She tells me she likes my style&#xA;Moretime I'm an average don&#xA;She tells me i'm looking nice slow down b you flirt too much&#xA;If I'm feeling special Do it like Ronaldo and shoot my shot&#xA;Step back deep breathes shoot hope for the best of luck and Excellent finish top bins clean take her out same eve do you fancy a gent like me&#xA;Michael when she stepping that ain't Jackson that's Kors&#xA;Boujee bad b cute and sweet she don't drink without no straw&#xA;I need me a (ay) one love like Marley&#xA;I don't need three little birds cos them tings there they get all jarring what you know about swiping them cards blue ting round my head like swiper no swiping&#xA;This ting said I glowed up quick like really&#xA;Did I glow or this durag on me?&#xA;Cos back then you used to curve like Roberto Carlos free kicks&#xA;Ain't it funny how things just switched&#xA;They don't care head shaped like a bean&#xA;Man know I shell the flow with ease&#xA;I could take it slow or mean if i ride this beat no Biggie&#xA;And they can't believe its me like say it was all a dream (It was all a dream)&#xA;&#xA;&#xA;Say she want a man 6 foot&#xA;5&amp;quot;11 Let me breathe&#xA;If I slap on these Air force ones one Inch on&#xA;See height increase&#xA;&#xA;I think she wants a guy that's Suave and wavey Hello you know my name is Swave pull Up on a Barbie excuse me darling think I'm tryna be more than mates and this leng one is brown and coco&#xA;Bro bro said Yo thats mine akh&#xA;I'm pissed i know the bro code so it's say no more imma allow that Ay ridin' solo no derulo work hard like Ngolo&#xA;In the booth too cheffy me and Gash that's Rv and Headie&#xA;And I know how bros ting is set if I load this beat then I know he Is ready&#xA;No wait that's mahrez and vardy&#xA;I got them verses coming in quick they coming so fast like a race with Yardies&#xA;Oh wait I meant ferdi&#xA;Brown one from Bengali won't leave me alone like Flipp&#xA;I chase Deniro not loud barbies (allow it)&#xA;Long time since I seen Klizzy moretime my slime my genna&#xA;Bro bro loves coco nizzy's shout Kb  that's bruce no Jenner&#xA;Long time since I seen Klizzy moretime my slime my genna Bro bro loves coco nizzy's shout Kb that's Bruce no Jenner (No Jenner)" PRODUCER="2020 Lobster Theremin" COVERARTID="011/LU0PESDW2ZYA1DUV4OBRDVAP4LRD" PLAYTIME="268" PLAYTIME_FLOAT="267.008148" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="32224"></INFO>
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<INFO BITRATE="929137" KEY_LYRICS="10 ContributorsUnited Public Workers v. Mitchell LyricsThis Supreme Court Case balanced the rights enumerated by the constitution, in particular the 1st, 5th, 9th, and 10th, with the protection of the workings of an orderly democratic society.&#xA;&#xA;The United Public… Read More Citation: 330 U.S. 75&#xA;&#xA;APPEAL FROM THE DISTRICT COURT OF THE UNITED STATES FOR THE DISTRICT OF COLUMBIASyllabus1. Under § 3 of the Act of August 24, 1937, 50 Stat. 752, 28 U.S.C. § 380a, a direct appeal to this Court was taken from a judgment of a district court of three judges denying an injunction in a case involving the constitutionality of a federal statute. The case was not docketed in this Court until after 60 days from the time the appeal was allowed. The steps prescribed by Rule 11 of this Court for obtaining a dismissal were not taken by the appellees.&#xA;&#xA;Held: This Court has jurisdiction of the appeal. Pp. 330 U. S. 84-86.&#xA;&#xA;(a) The provision of 28 U.S.C. § 380a requiring an appeal thereunder to be docketed in this Court within 60 days from the time the appeal is allowed was not intended to vary Rule 11 of this Court, and does not constitute a limitation on the power of this Court to hear this appeal. Pp. 330 U. S. 85-86.&#xA;&#xA;(b) Rule 47 of this Court requires the same practice for appeals under 28 U.S.C. § 380a that Rule 11 does for other appeals. P. 330 U. S. 86.&#xA;&#xA;2. Certain employees of the executive branch of the Federal Government sued for an injunction against the members of the Civil Service Commission to prohibit them from enforcing against such employees § 9(a) of the Hatch Act, 18 U.S.C. Supp. V § 61h, which forbids such employees from taking &amp;quot;any active part in political management or in political campaigns,&amp;quot; and also for a declaratory judgment of the unconstitutionality of this section. They did not allege that they had violated the Act or that they actually were threatened with any disciplinary action, but only that they desire to engage in acts of political management and in political campaigns (specifying the nature of the actions which they wish to take) and are prevented from doing so by fear of dismissal from federal employment.&#xA;&#xA;Held: Their suit does not present a justiciable case or controversy. Pp. 330 U. S. 86-91.&#xA;&#xA;3. Another employee of the executive branch of the Federal Government brought a similar suit, alleging that he actually had committed specific violations of the Act, and that the Commission had charged him with violations and had issued a proposed order for his removal, subject to his right to reply to the charges and to present further evidence in refutation.&#xA;&#xA;Held: His suit presents a justiciable case or controversy. Pp. 330 U. S. 91-94.&#xA;&#xA;(a) Since the employee admits that he violated the Act and that removal from office is therefore mandatory under the Act, there is no question as to exhaustion of administrative remedies. P. 330 U. S. 93.&#xA;&#xA;(b) There being no administrative or statutory review for the Commission's order and no prior proceeding pending in the courts, there is no reason why a declaratory judgment action does not lie, even though constitutional issues are involved. P. 330 U. S. 93.&#xA;&#xA;4. A person employed as a roller in a United States mint acted outside of working hours as a ward executive committeeman of a political party and was politically active on election day as a worker at the polls and as a paymaster for the services of other workers. The Civil Service Commission found that he had taken an &amp;quot;active part in political management or in political campaigns&amp;quot; in violation of § 9 of the Hatch Act, 18 U.S.C.Supp. V § 61h, and Rule 1 of the Commission, and issued an order for his removal from federal employment.&#xA;&#xA;Held: Such a breach of the Hatch Act and Rule 1 of the Commission can be made the basis for disciplinary action without violating the Constitution. Pp. 330 U. S. 94-104.&#xA;(a) Congress has the power to regulate, within reasonable limits, the political conduct of federal employees, in order to promote efficiency and integrity in the public service. Ex parte Curtis, 106 U. S. 371; United States v. Wurzbach, 280 U. S. 396. Pp. 330 U. S. 96-103.&#xA;&#xA;(b) The fundamental human rights guaranteed by the First, Fifth, Ninth and Tenth Amendments are not absolute, and this Court must balance the extent of the guarantee of freedom against a congressional enactment to protect a democratic society against the supposed evil of political partisanship by employees of the Government. Pp. 330 U. S. 95-96.&#xA;&#xA;(c) The Hatch Act permits full participation by federal employees in political decisions at the ballot box, and forbids only the partisan activity deemed offensive to efficiency. P. 330 U. S. 99.&#xA;&#xA;(d) It does not restrict public and private expressions on public affairs, personalities, and matters of public interest, not an objective of party action, so long as the government employee does not direct his activities toward party success. P. 330 U. S. 100.&#xA;&#xA;(e) If political activity by government employees is harmful to the service, the employees, or people dealing with them, it is hardly less so because it takes place after hours. P. 330 U. S. 95.&#xA;&#xA;(f) The prohibition of § 9(a) of the Hatch Act applies without discrimination to all employees of the executive branch of the Government, whether industrial or administrative. P. 330 U. S. 102.&#xA;&#xA;(g) Whatever differences there may be between administrative employees of the Government and industrial workers in its employ are differences in detail for the consideration of Congress, so far as the constitutional power here involved is concerned. P. 330 U. S. 102.&#xA;&#xA;(h) The determination of the extent to which political activities of government employees shall be regulated lies primarily with Congress, and the courts will interfere only when such regulation passes beyond the generally existing conception of governmental power. P. 330 U. S. 102.&#xA;&#xA;5. Acting as ward executive committeeman of a political party and as a worker at the polls is within the prohibitions of § 9 of the Hatch Act and the Civil Service Rules. P. 330 U. S. 103.&#xA;&#xA;56 F.Supp. 621, affirmed.&#xA;&#xA;Certain employees of the executive branch of the Federal Government and a union of such employees sued to enjoin the members of the Civil Service Commission from enforcing the provision of § 9(a) of the Hatch Act, 18 U.S.C. Supp. V § 61h, which forbids such employees to take &amp;quot;any active part in political management or in political campaigns,&amp;quot; and for a declaratory judgment holding the Act unconstitutional. The District Court dismissed the suit. 56 F.Supp. 621. A direct appeal to this Court was taken under § 3 of the Act of August 24, 1937, 50 Stat. 752, 28 U.S.C. § 380a. Affirmed, p. 330 U. S. 104.MR. JUSTICE REED delivered the opinion of the Court.The Hatch Act, * enacted in 1940, declares unlawful certain specified political activities of federal employees.  Section 9 forbids officers and employees in the executive branch of the Federal Government, with exceptions, from taking &amp;quot;any active part in political management or in political campaigns.&amp;quot;  Section 15 declares that the activities theretofore determined by the United States Civil Service Commission to be prohibited to employees in the classified civil service of the United States by the Civil Service Rules shall be deemed to be prohibited to federal employees covered by the Hatch Act.  These sections of the Act cover all federal officers and employees, whether in the classified civil service or not, and a penalty of dismissal from employment is imposed for violation. There is no designation of a single governmental agency for its enforcement.&#xA;&#xA;For many years before the Hatch Act, the Congress had authorized the exclusion of federal employees in the competitive classified service from active participation in political management and political campaigns.  In June, 1938, the congressional authorization for exclusion had been made more effective by a Civil Service Commission disciplinary rule.  That power to discipline members of the competitive classified civil service continues in the Commission under the Hatch Act by virtue of the present applicability of the Executive Order No. 8705, March 5, 1941. The applicable Civil Service Commission rules are printed in the margin.  The only change in the Civil Service Rules relating to political activity, caused by the Hatch Act legislation, that is of significance in this case is the elimination, on March 5, 1941, of the word &amp;quot;privately&amp;quot; from the phrase &amp;quot;to express privately their opinions.&amp;quot; This limitation to private expression had regulated classified personnel since 1907. &#xA;&#xA;The present appellants sought an injunction before a statutory three-judge district court of the District of Columbia against appellees, members of the United States Civil Service Commission, to prohibit them from enforcing against appellants the provisions of the second sentence of § 9(a) of the Hatch Act for the reason that the sentence is repugnant to the Constitution of the United States.  A declaratory judgment of the unconstitutionality of the sentence was also sought.  The sentence referred to reads,&#xA;&amp;quot;No officer or employee in the executive branch of the Federal Government . . . shall take any active part in political management or in political campaigns.&amp;quot;&#xA;&#xA;Various individual employees of the federal executive civil service and the United Public Workers of America,  a labor union with these and other executive employees as members, as a representative of all its members, joined in the suit. It is alleged that the individuals desire to engage in acts of political management and in political campaigns. Their purposes are as stated in the excerpt from the complaint set out in the margin.  From the affidavits it is plain, and we so assume, that these activities will be carried on completely outside of the hours of employment. Appellants challenge the second sentence of § 9(a) as unconstitutional for various reasons. They are set out below in the language of the complaint. &#xA;&#xA;None of the appellants, except George P. Poole, has violated the provisions of the Hatch Act. They wish to act contrary to its provisions and those of 1 of the Civil Service Rules, and desire a declaration of the legally permissible limits of regulation. Defendants moved to dismiss the complaint for lack of a justiciable case or controversy. The District Court determined that each of these individual appellants had an interest in their claimed privilege of engaging in political activities sufficient to give them a right to maintain this suit. United Federal Workers of America (CIO) v. Mitchell, 56 F.Supp. 621, 624. The District Court further determined that the questioned provision of the Hatch Act was valid, and that the complaint therefore failed to state a cause of action. It accordingly dismissed the complaint and granted summary judgment to defendants.&#xA;&#xA;First. The judgment of the District Court was entered on September 26, 1944. An order was duly entered on October 26, 1944, allowing an appeal. 28 U.S.C. § 380a. The same section of the statutes provides:&#xA;&#xA;&amp;quot;In the event that an appeal is taken under this section, the record shall be made up and the case docketed in the Supreme Court of the United States within sixty days from the time such appeal is allowed, under such rules as may be prescribed by the proper courts.&amp;quot;&#xA;&#xA;This appeal was not docketed in this Court until February 2, 1945, a date after the return date of the order under § 380a. Thereafter, the Government suggested a lack of jurisdiction in this Court to consider the appeal because of the failure of appellants to docket the appeal in time. We postponed consideration of our jurisdiction over this appeal to the hearing. We proceed now to a disposition of this question.&#xA;&#xA;To comply with the suggestion of § 380a, this Court adopted Rule 47.  In other cases of appeals, Rule 11 governs docketing.  If Rule 11 applies also to appeals under 380a, we may hear this appeal, for the steps for dismissal required by Rule 11 were not taken by the appellees. This is because, upon the allowance of an appeal by a judge of the district court, as here, Supreme Court Rules 10 and 36, the case is transferred from the district court to this Court and subsequent steps for dismissal or affirmance are to be taken here.  If, however, the above-quoted provision of § 380a as to docketing is a prerequisite to the power of this Court to review, this appeal must fail.&#xA;&#xA;Prior to the passage of § 380a, appeals docketed after the return day were governed by Rule 11, 275 U.S. 602. In principle it has long been in existence.  By the words of the rule, it appears that dismissal for appellant's tardiness in docketing requires a step by the appellee. Even after dismissal for failure to docket, the rule permits this Court to allow the appellant to docket. Nothing in the legislative history which has been called to our attention indicates that Congress intended its docketing provision to vary Rule 11. Direct appeal accomplishes the congressional purpose of expediting review, of course, and is consistent with an unchanged practice as to dismissals. The time to docket may have been enlarged from the conventional return day of Rules 10 and 11 to bring continental uniformity, see Rule 10, or to give time for the preparation of a record which would often be large, and not transcribed or printed. It will not expedite determination of constitutional questions to dismiss appeals because of errors of practice. In fact, the sentence of § 380a on docketing seems deliberately to leave the practice on failure to docket to rules of court. We do not construe the requirement of docketing within sixty days as a limitation on our power to hear this appeal.&#xA;&#xA;So far as our Rule 47 is concerned, we construe it as requiring in accordance with § 380a the docketing in sixty days from the allowance of the appeal, instead of the forty days of our Rule 10, and that, as to dismissals, the first sentence of Rule 47 requires the same practice for appeals under § 380a that Rule 11 does for other appeals. We think it desirable to have sufficient flexibility in the rule to permit extensions of the time for return in the unusual situations that occur when large records are involved. In view of the recognized congressional purpose to quicken review under § 380a, the discretion to delay final hearing allowed under Rule 11 will be exercised only on a definite showing of need therefor to assure fair review. This leads us to hear this appeal. &#xA;&#xA;As is well known, the federal courts established pursuant to Article III of the Constitution do not render advisory opinions.  For adjudication of constitutional issues, &amp;quot;concrete legal issues, presented in actual cases, not abstractions,&amp;quot; are requisite.  This is as true of declaratory judgments as any other field.  These appellants seem clearly to seek advisory opinions upon broad claims of rights protected by the First, Fifth, Ninth and Tenth Amendments to the Constitution. As these appellants are classified employees, they have a right superior to the generality of citizens, compare Fairchild v. Hughes, 258 U. S. 126, but the facts of their personal interest in their civil rights, of the general threat of possible interference with those rights by the Civil Service Commission under its rules, if specified things are done by appellants, does not make a justiciable case or controversy. Appellants want to engage in &amp;quot;political management and political campaigns,&amp;quot; to persuade others to follow appellants' views by discussion, speeches, articles and other acts reasonably designed to secure the selection of appellants' political choices. Such generality of objection is really an attack on the political expediency of the Hatch Act, not the presentation of legal issues. It is beyond the competence of courts to render such a decision. Texas v. Interstate Commerce Commission, 258 U. S. 158, 258 U. S. 162.&#xA;&#xA;The power of courts, and ultimately of this Court, to pass upon the constitutionality of acts of Congress arises only when the interests of litigants require the use of this judicial authority for their protection against actual interference. A hypothetical threat is not enough. We can only speculate as to the kinds of political activity the appellants desire to engage in, or as to the contents of their proposed public statements or the circumstances of their publication. It would not accord with judicial responsibility to adjudge, in a matter involving constitutionality, between the freedom of the individual and the requirements of public order except when definite rights appear upon the one side and definite prejudicial interferences upon the other. &#xA;&#xA;The Constitution allots the nation's judicial power to the federal courts. Unless these courts respect the limits of that unique authority, they intrude upon powers vested in the legislative or executive branches. Judicial adherence to the doctrine of the separation of powers preserves the courts for the decision of issues, between litigants, capable of effective determination. Judicial exposition upon political proposals is permissible only when necessary to decide definite issues between litigants. When the courts act continually within these constitutionally imposed boundaries of their power, their ability to perform their function as a balance for the people's protection against abuse of power by other branches of government remains unimpaired. Should the courts seek to expand their power so as to bring under their jurisdiction ill-defined controversies over constitutional issues, they would become the organ of political theories. Such abuse of judicial power would properly meet rebuke and restriction from other branches. By these mutual checks and balances by and between the branches of government, democracy undertakes to preserve the liberties of the people from excessive concentrations of authority. No threat of interference by the Commission with rights of these appellants appears beyond that implied by the existence of the law and the regulations. Watson v. Buck, supra, p. 313 U. S. 400. We should not take judicial cognizance of the situation presented on the part of the appellants considered in this subdivision of the opinion. These reasons lead us to conclude that the determination of the trial court, that the individual appellants, other than Poole, could maintain this action, was erroneous.&#xA;&#xA;Third. The appellant Poole does present by the complaint and affidavit matters appropriate for judicial determination.  The affidavits filed by appellees confirm that Poole has been charged by the Commission with political activity and a proposed order for his removal from his position adopted subject to his right under Commission procedure to reply to the charges and to present further evidence in refutation.  We proceed to consider the controversy over constitutional power at issue between Poole and the Commission as defined by the charge and preliminary finding, upon one side, and the admissions of Poole's affidavit, upon the other. Our determination is limited to those facts. This proceeding, so limited, meets the requirements of defined rights and a definite threat to interfere with a possessor of the menaced rights by a penalty for an act done in violation of the claimed restraint. &#xA;Because we conclude hereinafter that the prohibition of § 9 of the Hatch Act and Civil Service Rule 1, see notes 2 and | 2 and S. 75fn6|&amp;gt;6 above, are valid, it is unnecessary to consider, as this is a declaratory judgment action, whether or not this appellant sufficiently alleges that an irreparable injury to him would result from his removal from his position.  Nor need we inquire whether or not a court of equity would enforce by injunction any judgment declaring rights.  Since Poole admits that he violated the rule against political activity and that removal from office is therefore mandatory under the act, there is no question as to the exhaustion of administrative remedies. The act provides no administrative or statutory review for the order of the Civil Service Commission. Compare Stark v. Wickard, 321 U. S. 288, 321 U. S. 306-310; Macauley v. Waterman S.S. Corporation, 327 U. S. 540. As no prior proceeding, offering an effective remedy or otherwise, is pending in the courts, there is no problem of judicial discretion as to whether to take cognizance of this case. Brillhart v. Excess Insurance Co., 316 U. S. 491, 316 U. S. 496-497, dissent at 316 U. S. 500; Larson v. General Motors Corporation, 134 F.2d 450, 453. Under such circumstances, we see no reason why a declaratory judgment action, even though constitutional issues are involved, does not lie. See Rules of Civil Procedure, Rule 57. Steele v. Louisville &amp;amp; Nashville Railroad Co., 323 U. S. 192, 323 U. S. 197, 323 U. S. 207; Tunstall v. Brotherhood of 2 and S. 94 Locomotive Firemen &amp;amp; Enginemen, 323 U. S. 210, 323 U. S. 212, et seq.2 and S. 75ast2|&amp;gt;**&#xA;&#xA;Fourth. This brings us to consider the narrow but important point involved in Poole's situation.  Poole's stated offense is taking an &amp;quot;active part in political management or in political campaigns.&amp;quot; He was a ward executive committeeman of a political party, and was politically active on election day as a worker at the polls and a paymaster for the services of other party workers. The issue for decision, and the only one we decide, is whether such a breach of the Hatch Act and Rule 1 of the Commission can, without violating the Constitution, be made the basis for disciplinary action.&#xA;&#xA;When the issue is thus narrowed, the interference with free expression is seen in better proportion as compared with the requirements of orderly management of administrative personnel. Only while the employee is politically active, in the sense of Rule 1, must he withhold expression of opinion on public subjects. See note 6 We assume that Mr. Poole would be expected to comment publicly as committeeman on political matters, so that, indirectly, there is an attenuated interference. We accept appellants' contention that the nature of political rights reserved to the people by the Ninth and Tenth Amendments are involved. The right claimed as inviolate may be stated as the right of a citizen to act as a party official or worker to further his own political views. Thus, we have a measure of interference by the Hatch Act and the Rules with what otherwise would be the freedom of the civil servant under the First, Ninth and Tenth Amendments. And, if we look upon due process as a guarantee of freedom in those fields, there is a corresponding impairment of that right under the Fifth Amendment. Appellants' objections under the Amendments are basically the same.&#xA;&#xA;We do not find persuasion in appellants' argument that such activities during free time are not subject to regulation, even though, admittedly, political activities cannot be indulged in during working hours.  The influence of political activity by government employees, if evil in its effects on the service, the employees or people dealing with them, is hardly less so because that activity takes place after hours. Of course, the question of the need for this regulation is for other branches of government, rather than the courts. Our duty in this case ends if the Hatch Act provision under examination is constitutional.&#xA;&#xA;Of course, it is accepted constitutional doctrine that these fundamental human rights are not absolutes. The requirements of residence and age must be met. The essential rights of the First Amendment in some instances are subject to the elemental need for order without which the guarantees of civil rights to others would be a mockery.  The powers granted by the Constitution to the Federal Government are subtracted from the totality of sovereignty originally in the states and the people. Therefore, when objection is made that the exercise of a federal power infringes upon rights reserved by the Ninth and Tenth Amendments, the inquiry must be directed toward the granted power under which the action of the Union was taken. If granted power is found, necessarily the objection of invasion of those rights, reserved by the Ninth and Tenth Amendments, must fail. Again, this Court must balance the extent of the guarantees of freedom against a congressional enactment to protect a democratic society against the supposed evil of political partisanship by classified employees of government.&#xA;&#xA;As pointed out hereinbefore in this opinion, the practice of excluding classified employees from party offices and personal political activity at the polls has been in effect for several decades. Some incidents similar to those that are under examination here have been before this Court, and the prohibition against certain types of political activity by officeholders has been upheld. The leading case was decided in 1882. Ex parte Curtis, 106 U. S. 371. There, a subordinate United States employee was indicted for violation of an act that forbade employees who were not appointed by the President and confirmed by the Senate from giving or receiving money for political purposes from or to other employees of the government, on penalty of discharge and criminal punishment. Curtis urged that the statute was unconstitutional. This Court upheld the right of Congress to punish the infraction of this law. The decisive principle was the power of Congress, within reasonable limits, to regulate, so far as it might deem necessary, the political conduct of its employees. A list of prohibitions against acts by public officials that are permitted to other citizens was given. This Court said, p. 106 U. S. 373:&#xA;&#xA;&amp;quot;The evident purpose of Congress in all this class of enactments has been to promote efficiency and integrity in the discharge of official duties, and to maintain proper discipline in the public service. Clearly such a purpose is within the just scope of legislative power, and it is not easy to see why the act now under consideration does not come fairly within the legitimate means to such an end.&amp;quot;&#xA;&#xA;The right to contribute money through fellow employees to advance the contributor's political theories was held not to be protected by any constitutional provision. It was held subject to regulation. A dissent by Mr. Justice Bradley emphasized the broad basis of the Court's opinion. He contended that a citizen's right to promote his political views could not be so restricted merely because he was an official of government. &#xA;&#xA;No other member of the Court joined in this dissent. The conclusion of the Court, that there was no constitutional bar to regulation of such financial contributions of public servants, as distinguished from the exercise of political privileges such as the ballot, has found acceptance in the subsequent practice of Congress and the growth of the principle of required political neutrality for classified public servants as a sound element for efficiency.  The conviction that an actively partisan governmental personnel threatens good administration has deepened since Ex parte Curtis. Congress recognizes danger to the service in that political, rather than official, effort may earn advancement, and to the public in that governmental favor may be channeled through political connections. &#xA;&#xA;In United States v. Wurzbach, 280 U. S. 396, the doctrine of legislative power over actions of governmental officials was held valid when extended to members of Congress. The members of Congress were prohibited from receiving contributions for &amp;quot;any political purpose whatever&amp;quot; from any other federal employees. Private citizens were not affected. The argument of unconstitutionality because of interference with the political rights of a citizen by that time was dismissed in a sentence. Compare United States v. Thayer, 209 U. S. 39.&#xA;&#xA;The provisions of § 9 of the Hatch Act and the Civil Service Rule 1 are not dissimilar in purpose from the statutes against political contributions of money. The prohibitions now under discussion are directed at political contributions of energy by government employees. These contributions, too, have a long background of disapproval.  Congress and the President are responsible for an efficient public service. If, in their judgment, efficiency may be best obtained by prohibiting active participation by classified employees in politics as party officers or workers, we see no constitutional objection. &#xA;&#xA;Another Congress may determine that, on the whole, limitations on active political management by federal personnel are unwise. The teaching of experience has evidently led Congress to enact the Hatch Act provisions. To declare that the present supposed evils of political activity are beyond the power of Congress to redress would leave the nation impotent to deal with what many sincere men believe is a material threat to the democratic system. Congress is not politically naive or regardless of public welfare or that of the employees. It leaves untouched full participation by employees in political decisions at the ballot box, and forbids only the partisan activity of federal personnel deemed offensive to efficiency. With that limitation only, employees may make their contributions to public affairs or protect their own interests, as before the passage of the Act.&#xA;&#xA;The argument that political neutrality is not indispensable to a merit system for federal employees may be accepted. But because it is not indispensable does not mean that it is not desirable or permissible. Modern American politics involves organized political parties. Many classifications of government employees have been accustomed to work in politics -- national, state and local -- as a matter of principle or to assure their tenure. Congress may reasonably desire to limit party activity of federal employees so as to avoid a tendency toward a one-party system. It may have considered that parties would be more truly devoted to the public welfare if public servants were not overactive politically.&#xA;&#xA;Appellants urge that federal employees are protected by the Bill of Rights, and that Congress may notenact a regulation providing that no Republican, Jew or Negro shall be appointed to federal office, or that no federal employee shall attend Mass or take any active part in missionary work.None would deny such limitations on congressional power, but, because there are some limitations, it does not follow that a prohibition against acting as ward leader or worker at the polls is invalid. A reading of the Act and Rule 1, notes 2 and | 2 and S. 75fn6|&amp;gt;6, supra, together with the Commission's determination,  shows the wide range of public activities with which there is no interference by the legislation. It is only partisan political activity that is interdicted. It is active participation in political management and political campaigns. Expressions, public or private, on public affairs, personalities and matters of public interest, not an objective of party action, are unrestricted by law so long as the government employee does not direct his activities toward party success.&#xA;&#xA;It is urged, however, that Congress has gone further than necessary in prohibiting political activity to all types of classified employees. It is pointed out by appellants &amp;quot;that the impartiality of many of these is a matter of complete indifference to the effective performance&amp;quot; of their duties.  Mr. Poole would appear to be a good illustration for appellants' argument. The complaint states that he is a roller in the mint. We take it this is a job calling for the qualities of a skilled mechanic, and that it does not involve contact with the public. Nevertheless, if, in free time, he is engaged in political activity, Congress may have concluded that the activity may promote or retard his advancement or preferment with his superiors. Congress may have thought that government employees are handy elements for leaders in political policy to use in building a political machine. For regulation of employees, it is not necessary that the act regulated be anything more than an act reasonably deemed by Congress to interfere with the efficiency of the public service. There are hundreds of thousands of United States employees with positions no more influential upon policy determination than that of Mr. Poole. Evidently, what Congress feared was the cumulative effect on employee morale of political activity by all employees who could be induced to participate actively. It does not seem to us an unconstitutional basis for legislation.&#xA;&#xA;There is a suggestion that administrative workers may be barred constitutionally from political management and political campaigns, while the industrial workers may not be barred constitutionally without an act &amp;quot;narrowly and selectively drawn to define and punish the specific conduct.&amp;quot; A ready answer, it seems to us, lies in the fact that the prohibition of § 9(a) of the Hatch Act &amp;quot;applies without discrimination to all employees, whether industrial or administrative,&amp;quot; and that the Civil Service Rules, by § 15 made a part of the Hatch Act, make clear that industrial workers are covered in the prohibition against political activity. Congress has determined that the presence of government employees, whether industrial or administrative, in the ranks of political party workers is bad. Whatever differences there may be between administrative employees of the government and industrial workers in its employ are differences in detail, so far as the constitutional power under review is concerned. Whether there are such differences, and what weight to attach to them, are all matters of detail for Congress. We do not know whether the number of federal employees will expand or contract; whether the need for regulation of their political activities will increase or diminish. The use of the constitutional power of regulation is for Congress, not for the courts.&#xA;&#xA;We have said that Congress may regulate the political conduct of government employees &amp;quot;within reasonable limits,&amp;quot; even though the regulation trenches to some extent upon unfettered political action. The determination of the extent to which political activities of governmental employees shall be regulated lies primarily with Congress. Courts will interfere only when such regulation passes beyond the generally existing conception of governmental power. That conception develops from practice, history, and changing educational, social and economic conditions. The regulation of such activities as Poole carried on has the approval of long practice by the Commission, court decisions upon similar problems, and a large body of informed public opinion. Congress and the administrative agencies have authority over the discipline and efficiency of the public service. When actions of civil servants, in the judgment of Congress, menace the integrity and the competency of the service, legislation to forestall such danger and adequate to maintain its usefulness is required. The Hatch Act is the answer of Congress to this need. We cannot say, with such a background, that these restrictions are unconstitutional.&#xA;&#xA;Section 15 of the Hatch Act, note 3 above defines an active part in political management or political campaigns as the same activities that the United States Civil Service Commission has determined to be prohibited to classified civil service employees by the provisions of the Civil Service Rules when § 15 took effect July 19, 1940. 54 Stat. 767. The activities of Mr. Poole, as ward executive committeeman and a worker at the polls, obviously fall within the prohibitions of § 9 of the Hatch Act against taking an active part in political management and political campaigns. They are also covered by the prior determinations of the Commission.  We need to examine no further at this time into the validity of the definition of political activity and § 15. &#xA;&#xA;The judgment of the District Court is, accordingly,&#xA;&#xA;Affirmed.&#xA;&#xA;MR. JUSTICE MURPHY and MR. JUSTICE JACKSON took no part in the consideration or decision of this case.&#xA;&#xA;MR. JUSTICE RUTLEDGE dissents as to Poole for the reasons stated by MR. JUSTICE BLACK. He does not pass upon the constitutional questions presented by the other appellants for the reason that he feels the controversy, as to them, is not yet appropriate for the discretionary exercise of declaratory judgment jurisdiction.&#xA;&#xA;* Another controversy under the same act is decided today. Oklahoma v. United States Civil Service Commission, post, p. 330 U. S. 127.&#xA;&#xA;** In Myers v. Bethlehem Shipbuilding Corp., 303 U. S. 41, a declaratory judgment proceeding, p. 303 U. S. 46, prior to the adoption of Rule 57, a proceeding before the NLRB was required. There is statutory judicial review from that Board's decisions, however.&#xA;&#xA;&#xA;&#xA;August 2, 1939, 53 Stat. 1147; July 19, 1940, 54 Stat. 767; 56 Stat. 181, 986; 58 Stat. 136.; 148, 727; 59 Stat. 108, 658; 60 Stat. 937. Only the first two are important for consideration of this case.&#xA;&#xA;&#xA;&#xA;18 U.S.C. § 61h, as amended:&#xA;&#xA;&amp;quot;(a) It shall be unlawful for any person employed in the executive branch of the Federal Government, or any agency or department thereof, to use his official authority or influence for the purpose of interfering with an election or affecting the result thereof. No officer or employee in the executive branch of the Federal Government, or any agency or department thereof, except a part-time officer or part-time employee without compensation or with nominal compensation serving in connection with the existing war effort, other than in any capacity relating to the procurement or manufacture of war material, shall take any active part in political management or in political campaigns. All such persons shall retain the right to vote as they may choose and to express their opinions on all political subjects and candidates. For the purposes of this section the term 'officer' or 'employee' shall not be construed to include (1) the President and Vice President of the United States; (2) persons whose compensation is paid from the appropriation for the office of the President; (3) heads and assistant heads of executive departments; (4) officers who are appointed by the President, by and with the advice and consent of the Senate, and who determine policies to be pursued by the United States in its relations with foreign powers or in the Nationwide administration of Federal laws.&amp;quot;&#xA;&#xA;&amp;quot;(b) Any person violating the provisions of this section shall be immediately removed from the position or office held by him, and thereafter no part of the funds appropriated by any Act of Congress for such position or office shall be used to pay the compensation of such person.&amp;quot;&#xA;&#xA;53 Stat. 1147, 1148; 54 Stat. 767; 56 Stat. 181.&#xA;&#xA;&#xA;&#xA;18 U.S.C. § 610:&#xA;&#xA;&amp;quot;The provisions of this subchapter which prohibit persons to whom such provisions apply from taking any active part in political management or in political campaigns shall be deemed to prohibit the same activities on the part of such persons as the United States Civil Service Commission has heretofore determined are at the time this section takes effect prohibited on the part of employees in the classified civil service of the United States by the provisions of the civil service rules prohibiting such employees from taking any active part in political management or in political campaigns.&amp;quot;&#xA;&#xA;54 Stat. 767, 771.&#xA;&#xA;&#xA;&#xA;See Civil Service Act (1883), § 2, 22 Stat. 403-404:&#xA;&#xA;&amp;quot;SEC. 2. That it shall be the duty of said commissioners: &amp;quot;&#xA;&#xA;&amp;quot;FIRST. To aid the President, as he may request, in preparing suitable rules for carrying this act into effect, and when said rules shall have been promulgated it shall be the duty of all officers of the United States in the departments and offices to which any such rules may relate to aid, in all proper ways, in carrying said rules, and any modifications thereof, into effect.&amp;quot;&#xA;&#xA;&amp;quot;SECOND. And, among other things, said rules shall provide and declare, as nearly as the conditions of good administration will warrant, as follows:&amp;quot;&#xA;&#xA;&amp;quot;* * * *&amp;quot;&#xA;&#xA;&amp;quot;Sixth, that no person in said service has any right to use his official authority or influence to coerce the political action of any person or body.&amp;quot;&#xA;&#xA;5 U.S.C. § 631:&#xA;&#xA;&amp;quot;The President is authorized to . . . establish regulations for the conduct of persons who may receive appointments in the civil service.&amp;quot;&#xA;&#xA;First Annual Report, Civil Service Commission, H.R.Ex.Doc. No. 105, 48th Cong., 1st Sess., p. 45:&#xA;&#xA;&amp;quot;In the exercise of the power vested in the President by the Constitution, and by virtue of the 1753d section of the Revised Statutes, and of the civil service act approved January 16, 1883, the following rules for the regulation and improvement of the executive civil service are hereby amended and promulgated: &amp;quot;&#xA;&#xA;&amp;quot;RULE I&amp;quot;&#xA;&#xA;&amp;quot;No person in said service shall use his official authority or influence either to coerce the political action of any person or body or to interfere with any election.&amp;quot;&#xA;&#xA;Executive Order No. 642, June 3, 1907 (amended to consolidate without changing wording, Executive Order No. 655, June 15, 1907); Twenty-Fourth Annual Report, Civil Service Commission, House Doc. No. 600, 60th Cong., 1st Sess., p. 104:&#xA;&#xA;&amp;quot;Section 1 of Rule I of the civil service rules is hereby amended to read as follows: &amp;quot;&#xA;&#xA;&amp;quot;No person in the Executive civil service shall use his official authority or influence for the purpose of interfering with an election or affecting the result thereof. Persons who, by the provisions of these rules, are in the competitive classified service, while retaining the right to vote as they please and to express privately their opinions on all political subjects, shall take no active part in political management or in political campaigns.&amp;quot;&#xA;&#xA;&#xA;&#xA;Civil Service Rules 15, 3 Fed.Reg. 1525.&#xA;&#xA;&#xA;&#xA;5 CFR, Cum.Supp., § 1.1:&#xA;&#xA;&amp;quot;No interference with elections. No person in the executive civil service shall use his official authority or influence for the purpose of interfering with an election or affecting the results thereof. Persons who by the provisions of the rules in this chapter are in the competitive classified service, while retaining the right to vote as they please and to express their opinion on all political subjects, shall take no active part in political management or in political campaigns.&amp;quot;&#xA;&#xA;Section 15.1:&#xA;&#xA;&amp;quot;Legal appointment necessary to compensation. Whenever the Commission finds, after due notice and opportunity for explanation, that any person has been appointed to or is holding any position, whether by original appointment, promotion, assignment, transfer, or reinstatement, in violation of the Civil Service Act or Rules, or of any Executive order or any regulation of the Commission, or that any employee subject thereto has violated such Act, Rules, orders, or regulations, it shall certify the facts to the proper appointing officer with specific instructions as to discipline or dismissal of the person or employee affected. If the appointing officer fails to carry out the instructions of the Commission within 10 days after receipt thereof, the Commission shall certify the facts to the proper disbursing and auditing officers, and such officers shall make no payment or allowance of the salary or wages of any such person or employee thereafter accruing.&amp;quot;&#xA;&#xA;See E.O. 8705, March 5, 1941, 6 Fed.Reg. 1313.&#xA;&#xA;&#xA;&#xA;See note 4 supra, and 5 CFR § 1.1, June 1, 1938.&#xA;&#xA;A change occurred also in Rule 15. This was to comply with a ruling of the Attorney General that the Hatch Act made removal from office a mandatory penalty for forbidden political activity. 40 Op.A.G., Political Activity by Government Employees, January 8, 1941. See note 5 supra, for Rule 15 prior to Hatch Act.&#xA;&#xA;&#xA;&#xA;See 28 U.S.C. § 380(a); § 11-306 District of Columbia Code.&#xA;&#xA;&#xA;&#xA;Judicial Code § 274d; 28 U.S.C. § 400.&#xA;&#xA;&#xA;&#xA;No contention that appellant, United Public Workers of America (CIO), lacked capacity to bring this action is made by appellees. We need not consider the question here. McCandless v. Furlaud, 293 U. S. 67, 293 U. S. 73-74. See Fishgold v. Sullivan Drydock &amp;amp; Repair Corp., 328 U. S. 275.&#xA;&#xA;&#xA;&#xA;&amp;quot;In discharge of their duties of citizenship, of their right to vote, and in exercise of their constitutional rights of freedom of speech, of the press, of assembly, and the right to engage in political activity, the individual plaintiffs desire to engage in the following acts: write for publication letters and articles in support of candidates for office; be connected editorially with publications which are identified with the legislative program of UFWA  and candidates who support it; solicit votes, aid in getting out voters, act as accredited checker, watcher, or challenger; transport voters to and from the polls without compensation therefor; participate in and help in organizing political parades; initiate petitions, and canvass for the signatures of others on such petitions; serve as party ward committeeman or other party official, and perform any and all acts not prohibited by any provision of law other than the second sentence of Section 9(a) and Section 15 of the Hatch Act, which constitute taking an active part in political management and political campaigns.&amp;quot;&#xA;&#xA;&#xA;&#xA;&amp;quot;The second sentence of Section 9(a) of the Hatch Act is repugnant to the Constitution of the United States as a deprivation of freedom of speech, of the press, and of assembly in violation of the First Amendment.&amp;quot;&#xA;&#xA;&amp;quot;The second sentence of Section 9(a) of the Hatch Act is repugnant to the Constitution of the United States as a deprivation of the fundamental right of the people of the United States to engage in political activity, reserved to the people of the United States by the Ninth and Tenth Amendments.&amp;quot;&#xA;&#xA;&amp;quot;The second sentence of Section 9(a) of the Hatch Act is repugnant to the Constitution of the United States, since it unreasonably prohibits Federal employees from engaging in activities which may be lawfully carried on by persons who are not Federal employees, thus constituting a deprivation of liberty in violation of the Fifth Amendment.&amp;quot;&#xA;&#xA;&amp;quot;The second sentence of Section 9(3) of the Hatch Act is repugnant to the Constitution of the United States since it effects an arbitrary and grossly unreasonable discrimination between employees of the Federal Government in the classified civil service subject to its provisions and employees specifically exempted therefrom, in violation of the Fifth Amendment.&amp;quot;&#xA;&#xA;&amp;quot;The second sentence of Section 9(a) of the Hatch Act is repugnant to the Constitution of the United States since it is so vague and indefinite as to prohibit lawful activities as well as activities which are properly made unlawful by other provisions of law, in violation of the Fifth Amendment.&amp;quot;&#xA;&#xA;&#xA;&#xA;Rules of the Supreme Court of the United States, Rule 47:&#xA;&#xA;&amp;quot;Appeals to this court under the Act of August 24, 1937, shall be governed, as far as may be, by the rules of this court regulating the procedure on appeal in other cases from courts of the United States; . . . The record shall be made up and the case docketed in this court within sixty days from the time the appeal is allowed.&amp;quot;&#xA;&#xA;&#xA;&#xA;Id., Rule 11:&#xA;&#xA;&amp;quot;1. It shall be the duty of the appellant to docket the case and file the record thereof with the clerk of this court by or before the return day, whether, in vacation or in term time. But, for good cause shown, the justice or judge who signed the citation, or any justice of this court, may enlarge the time, before its expiration, the order of enlargement to be filed with the clerk of this court. If the appellant shall fail to comply with this rule, the appellee may have the cause docketed and the appeal dismissed upon producing a certificate, whether in term or vacation, from the clerk of the court wherein the judgment or decree was rendered, stating the case and certifying that such appeal has been duly allowed. And in no case shall the appellant be entitled to docket the cause and file the record after the appeal shall have been dismissed under this rule, unless by special leave of the court.&amp;quot;&#xA;&#xA;&#xA;&#xA;Steps allowed in the district court after the allowance of appeal, such as preparation of the record, extension of time and cost or supersedeas bonds, are for convenience taken in the court possessed of the record. Rules 10, 11 and 36, Supreme Court; Rule 72, Rules of Civil Procedure.&#xA;&#xA;&#xA;&#xA;3 Cranch 239; Bingham v. Morris, 7 Cranch 99; Sparrow v. Strong, 3 Wall. 97, 70 U. S. 103. Compare Griggsby v. Purcell, 99 U. S. 505.&#xA;&#xA;&#xA;&#xA;Compare Georgia Lumber Co. v. Compania, 323 U. S. 334.&#xA;&#xA;&#xA;&#xA;&amp;quot;At this time, when the fate of the entire world is in the balance, I believe it is not only proper but an obligation for all citizens to participate actively in the making of the vital political decisions on which the success of the war and the permanence of the peace to follow so largely depend. For the purpose of participating in the making of these decisions, it is my earnest desire to engage actively in political management and political campaigns. I wish to engage in such activity upon my own time, as a private citizen.&amp;quot;&#xA;&#xA;&amp;quot;I wish to engage in such activities on behalf of those candidates for public office who I believe will best serve the needs of this country, and with the object of persuading others of the correctness of my judgments and of electing the candidates of my choice. This objective I wish to pursue by all proper means, such as engaging in discussion, by speeches to conventions, rallies and other assemblages, by publicizing my views in letters and articles for publication in newspapers and other periodicals, by aiding in the campaign of candidates for political office, by posting banners and posters in public places, by distributing leaflets, by 'ringing doorbells,' by addressing campaign literature, and by doing any and all acts of like character reasonably designed to assist in the election of candidates I favor.&amp;quot;&#xA;&#xA;&amp;quot;I desire to engage in these activities freely, openly, and without concealment. However, I understand that the second sentence of Section 9(a) of the Hatch Act and the Rules of the CSC provide that, if I engage in this activity, the Civil Service Commission will order that I be dismissed from federal employment. Such deprivation of my job in the federal government would be a source of immediate and serious financial loss and other injury to me.&amp;quot;&#xA;&#xA;&amp;quot;At the last Congressional election, I was very much interested in the outcome of the campaign, and offered to help the party of my choice by being a watcher at the polls. I obtained a watcher's certificate, but I was advised that there might be some question of my right to use the certificate and retain my federal employment. Therefore, on November 1, 1943, the day before election, I called the regional office of the Civil Service Commission in Philadelphia and spoke to a person who gave his name as Mr. _____ stated that, if I used my watcher's certificate, the Civil Service Commission would see that I was dismissed from my job at the __________ for violation of the Hatch Act. I therefore, did not use the certificate as I had intended.&amp;quot;&#xA;&#xA;&amp;quot;I believe that Congress may not constitutionally abridge my right to engage in the political activities mentioned above. However, unless the courts prevent the Civil Service Commission from enforcing this unconstitutional law, I will be unable freely to exercise my rights as a citizen.&amp;quot;&#xA;&#xA;(Identifying words omitted.)&#xA;&#xA;&#xA;&#xA;Correspondence &amp;amp; Public Papers of John Jay, Vol. 3, p. 486; Hayburn's Case and notes, 2 Dall. 409; Alabama v. Arizona, 291 U. S. 286, 291 U. S. 291; Alabama State Federation of Labor v. McAdory, 325 U. S. 450, 325 U. S. 461.&#xA;&#xA;&#xA;&#xA;Electric Bond &amp;amp; Share Co. v. Securities and Exchange Commission, 303 U. S. 419, 303 U. S. 443; United States v. Apalachian Electric Power Co., 311 U. S. 377, 311 U. S. 423; Alabama State Federation of Labor v. McAdory, supra, 325 U. S. 461, and cases cited; Coffman v. Breeze Corporations, 323 U. S. 316, 323 U. S. 324, and cases cited.&#xA;&#xA;&#xA;&#xA;Altvater v. Freeman, 319 U. S. 359, 319 U. S. 363.&#xA;&#xA;&#xA;&#xA;It has long been this Court's&#xA;&#xA;&amp;quot;considered practice not to decide abstract, hypothetical or contingent questions, . . . or to decide any constitutional question in advance of the necessity for its decision, . . . or to formulate a rule of constitutional law broader than is required by the precise facts to which it is to be applied, . . . or to decide any constitutional question except with reference to the particular facts to which it is to be applied. . . .&amp;quot;&#xA;&#xA;Alabama State Federation of Labor v. McAdory, 325 U. S. 450, 325 U. S. 461, and cases cited. See Alma Motor Co. v. Timken-Detroit Axle Co., 329 U. S. 129.&#xA;&#xA;&#xA;&#xA;I have for a long time been interested in political activities. Both before and since my employment in the United States Mint, I have taken an active part in political campaigns and political management. In the 28th Ward, the Division in the City of Philadelphia, I am and have been a Ward Executive Committeeman. In that position I have on many occasions taken an active part in political management and political campaigns. I have visited the residents of my Ward and solicited them to support my party and its candidates; I have acted as a watcher at the polls; I have contributed money to help pay its expenses; I have circulated campaign literature, placed banners and posters in public places, distributed leaflets, assisted in organizing political rallies and assemblies, and have done any and all acts which were asked of me in my capacity as a Ward Executive Committeeman. I have engaged in these activities both before and after my employment in the United States Mint. I intend to continue to engage in these activities on my own time as a private citizen, openly, freely, and without concealment.&#xA;&#xA;&amp;quot;However, I have been served with a proposed order of the United States Civil Service Commission, dated January 12, 1944, which advises me that, because of the political activities mentioned above, and for no other reason,&amp;quot;&#xA;&#xA;&amp;quot;it is . . . the opinion of this Commission that George P. Poole, an employee of the United States Mint at Philadelphia, Pennsylvania, has been guilty of political activity in violation of Section 1, Civil Service Rule I,&amp;quot;&#xA;&#xA;&amp;quot;and that, unless I can refute the charges that I have engaged in political activity, I will be dismissed from my position as a Roller in the United States Mint at Philadelphia, Pennsylvania.&amp;quot;&#xA;&#xA;&#xA;&#xA;The tentative charge and finding reads:&#xA;&#xA;&amp;quot;&#xA;I&#xA;&amp;quot;&#xA;&#xA;&amp;quot;It is charged: That . . .&amp;quot;&#xA;&#xA;&amp;quot;The said George P. Poole held the political party office of Democratic Ward Executive Committeeman in the City of Philadelphia, Pennsylvania.&amp;quot;&#xA;&#xA;&amp;quot;The said George P. Poole was politically active by aiding and assisting the Democratic Party in the capacity of worker at the polls on general election day, November 5, 1940, and assisted in the distribution of funds in paying party workers for their services on general election day, November 5, 1940.&amp;quot;&#xA;&#xA;&amp;quot;&#xA;III&#xA;&amp;quot;&#xA;&#xA;&amp;quot;The above-described activity constitutes taking an active part in political management and in a political campaign in contravention of Section 1, Civil Service Rule I, and the regulations adopted by the Commissioners thereunder.&amp;quot;&#xA;&#xA;&#xA;&#xA;Maryland Casualty Co. v. Pacific Coal &amp;amp; Oil Co., 312 U. S. 270, 312 U. S. 273; Altvater v. Freeman, 319 U. S. 359, 319 U. S. 364; Nashville, C. &amp;amp; St. L. Ry. v. Wallace, 288 U. S. 249, 288 U. S. 260.&#xA;&#xA;&#xA;&#xA;28 U.S.C. § 400:&#xA;&#xA;&amp;quot;In cases of actual controversy except with respect to Federal taxes the courts of the United States shall have power upon petition, declaration, complaint, or other appropriate pleadings to declare rights and other legal relations of any interested party petitioning for such declaration, whether or not further relief is or could be prayed, and such declaration shall have the force and effect of a final judgment or decree and be reviewable as such.&amp;quot;&#xA;&#xA;Aetna Life Insurance Co. v. Haworth, 300 U. S. 227, 300 U. S. 241; Nashville, C. &amp;amp; St. L. Ry. v. Wallace, 288 U. S. 249, 288 U. S. 264.&#xA;&#xA;&#xA;&#xA;See White v. Berry, 171 U. S. 366, 171 U. S. 377; In re Sawyer, 124 U. S. 200, 124 U. S. 212.&#xA;&#xA;&#xA;&#xA;We agree with the Government that the complaint does not fail to state a cause of action against the Commission because it seeks relief against the Commission's action under the Hatch Act, instead of Rule 1 of the Commission. So far as Poole's controversy is concerned, the act and the rule are the same.&#xA;&#xA;&#xA;&#xA;In labor-management relationships, it has been recognized by this Court that circumstances might justify the prohibition by employers of union activity by employees on the employer's property, even though carried out during nonworking hours. Republic Aviation Corp. v. National Labor Relations Board, 324 U. S. 793, 324 U. S. 803.&#xA;&#xA;&#xA;&#xA;Chaplinsky v. New Hampshire, 315 U. S. 568, 315 U. S. 571; Cantwell v. Connecticut, 310 U. S. 296, 310 U. S. 304, 310 U. S. 310; Schneider v . State, 308 U. S. 147, 299 U. S. 165; De Jonge v. Oregon, 299 U. S. 353, 299 U. S. 364; Cox v. New Hampshire, 312 U. S. 569, 312 U. S. 574; Prince v. Massachusetts, 321 U. S. 158, 321 U. S. 169; Reynolds v. United States, 98 U. S. 145.&#xA;&#xA;&#xA;&#xA;106 U.S. 106 U. S. 376-77:&#xA;&#xA;&amp;quot;. . . every citizen having the proper qualifications has the right to accept office, and to be a candidate therefor. This is a fundamental right of which the legislature cannot deprive the citizen, nor clog its exercise with conditions that are repugnant to his other fundamental rights. Such a condition I regard that imposed by the law in question to be. It prevents the citizen from cooperating with other citizens of his own choice in the promotion of his political views. . . . The whole thing seems to me absurd. Neither men's mouths nor their purses can be constitutionally tied up in that way.&amp;quot;&#xA;&#xA;&#xA;&#xA;Kaplan, Political Neutrality of the Civil Service, 1 Pub.Pers.Rev. 10; White, Civil Service in the Modern State (1930); Mosher and Kingsley, Public Personnel Administration (1936); White, Government Career Service (1935); Meriam, Public Personnel Problems (1938).&#xA;&#xA;Military personnel is restricted in much the same manner. Army Regulations No. 600-10, p. 5:&#xA;&#xA;&amp;quot;6. Political activities of persons in military service. -- a. General. -- No member of the Army, while on active duty, will use his official authority or influence for the purpose of interfering with an election or affecting the course or outcome thereof. Such persons, while on active duty, retain the right to vote, to express their opinions privately and informally on all political subjects and candidates, and to become candidates for public office as permitted in these regulations. They will not be permitted to participate in any way in political management or political campaigns.&amp;quot;&#xA;&#xA;An interesting discussion of the general subject of interference by federal officers in elections will be found in the Appendix to the Congressional Globe, Dec. 3, 1838-Feb.19, 1839, pp. 157, 160 and 409 411.&#xA;&#xA;&#xA;&#xA;86 Cong.Rec. 2338-2367, 2426-2442, 2696-2723, 2920-2963, 2969-2987, 9360-9380, 9426-9432, 9434-9463.&#xA;&#xA;&#xA;&#xA;Richardson, Messages and Papers of the Presidents (1897), Harrison, vol. IV, p. 52; id. Hayes, vol. VII, pp. 450-51. See note 4 supra.&#xA;&#xA;When, in 1891, New Bedford, Mass., under a rule, removed a policeman for political activity, an opinion by Mr. Justice, then Judge, Holmes disposed summarily of McAuliffe's contention that the rule invaded his right to express his political opinion with the epigram, &amp;quot;The petitioner may have a constitutional right to talk politics, but he has no constitutional right to be a policeman.&amp;quot; McAuliffe v. New Bedford, 155 Mass. 216, 220, 29 N.E. 517.&#xA;&#xA;&#xA;&#xA;Several states have similar provisions. Ala.Code (1940), Tit. 12, § 157; Conn.Gen.Stat. (Supp. 1939), c. 105a § 698e; Ohio Gen.Code (Page, 1937), § 486-23; Pa.Stat.Ann. (Purdon, 1942), Tit. 71, § 41.904; R.I. Acts &amp;amp; Resolves, 1939, p. 118.&#xA;&#xA;&#xA;&#xA;United States Civil Service Commission, Political Activity and Political Assessments, Form 1236, January 1944.&#xA;&#xA;&#xA;&#xA;&amp;quot;In the light of these wide variations in duties and responsibility for public policy and its fair enforcement, a restriction reasonably designed to preserve the impartiality of a Collector of the Revenue, a U.S. Marshal, an FBI or Treasury agent may be utterly absurd and unjustified when applied to a lens grinder, a stock clerk, a machinist, or an elevator operator. It is therefore impossible both to observe reasonable regard for constitutional rights and to enact sweeping prohibitions as to political rights applicable to all Federal employees, whatever the nature of their duties. In dealing with so complicated and varied a subject matter, a hatchet cannot readily be substituted for a scalpel.&amp;quot;&#xA;&#xA;&#xA;&#xA;United States Civil Service Commission, Political Activity and Political Assessments, Form 1236, September, 1939:&#xA;&#xA;&amp;quot;15. Committees. -- Service on or for any political committee or similar organization is prohibited. . . .&amp;quot;&#xA;&#xA;&amp;quot;* * * *&amp;quot;&#xA;&#xA;&amp;quot;20. Activity at the polls and for candidates. -- . . .&amp;quot;&#xA;&#xA;&amp;quot;* * * *&amp;quot;&#xA;&#xA;&amp;quot;It is the duty of an employee to avoid any offensive activity at primary and regular elections. He must refrain from soliciting votes, assisting voters to mark ballots, helping to get out the voters on registration and election days, acting as the accredited checker, watcher, or challenger of any party or faction, assisting in counting the vote, or engaging in any other activity at the polls except the marking and depositing of his own ballot.&amp;quot;&#xA;&#xA;&#xA;&#xA;United States v. Wurzbach, 280 U. S. 396, 280 U. S. 399.&#xA;&#xA;MR. JUSTICE FRANKFURTER, concurring.&#xA;&#xA;The terms of the Act of August 24, 1937, 50 Stat. 751, 752, 28 U.S.C. § 380a, in the light of its history, have convinced me that this case should be dismissed for want of jurisdiction.&#xA;&#xA;In that Act, Congress put a limit to the time within which a case may be docketed here after an appeal below is allowed. Such a limitation by Congress is in the exercise of its power to regulate the appellate jurisdiction of this Court. It is not within our power to enlarge a limit fixed by Congress unless Congress itself gave the Court such dispensing power.&#xA;&#xA;In allowing a direct appeal to this Court from a district court &amp;quot;under such rules as may be prescribed,&amp;quot; Congress did not mean to give this Court power to defeat the considerations of speed in the disposition of controversies involving the constitutionality of federal legislation which led to the specific provision that a case be docketed &amp;quot;within sixty days from the time such appeal is allowed.&amp;quot;&#xA;&#xA;Page 330 U. S. 105&#xA;&#xA;No rule of this Court could disregard the limitations for perfecting an appeal made by Congress. Nor does Rule 47, which was the rule responsive to the Act of August 24, 1937, purport to do so. It merely reasserts the statutory requirement that, in a case like this, &amp;quot;The record shall be made up and the case docketed in this court within sixty days from the time the appeal is allowed.&amp;quot; The introductory part of Rule 47, whereby the Rules of this Court regulating appellate procedure in other cases are adopted &amp;quot;as far as may be,&amp;quot; has ample scope for operation without qualifying the necessity for speedy perfection of an appeal in cases involving constitutionality, so that the validity of acts of Congress may not remain in doubt through protracted litigation. This was a deep concern of Congress and its reason for imposing the sixty-day limitation for perfecting appeals in this class of cases.&#xA;&#xA;But, under compulsion of the Court's assumption of jurisdiction, I reach the merits and join in MR. JUSTICE REED's opinion.&#xA;&#xA;MR. JUSTICE BLACK, dissenting.&#xA;&#xA;The sentence in § 9 of the statute, here upheld, makes it unlawful for any person employed in the executive branch of the Federal Government, with minor numerical exceptions,  to &amp;quot;take any active part in political management or in political campaigns.&amp;quot; The punishment provided&#xA;&#xA;Page 330 U. S. 106&#xA;&#xA;Is immediate discharge and a permanent ban against reemployment in the same position.  The number of federal employees thus barred from political action is approximately three million. Section 12 of the same Act affects the participation in political campaigns of many thousands of state employees.  No one of all these millions of citizens can, without violating this law, &amp;quot;take any active part&amp;quot; in any campaign for a cause or for a candidate if the cause or candidate is &amp;quot;specifically identified with any National or State political party.&amp;quot; Since, under our common&#xA;&#xA;Page 330 U. S. 107&#xA;&#xA;Political practices, most causes and candidates are espoused by political parties, the result is that, because they are paid out of the public treasury, all these citizens who engage in public work can take no really effective part in campaigns that may bring about changes in their lives, their fortunes, and their happiness. &#xA;&#xA;We are not left in doubt as to how numerous and varied are the &amp;quot;activities&amp;quot; prohibited. For § 1 sweepingly describes them as&#xA;&#xA;&amp;quot;the same activities . . . as the United States Civil Service Commission has heretofore determined are at the time this section takes effect prohibited on the part of employees in the classified civil service of the United States. . . .&amp;quot;&#xA;&#xA;Along with the vague and uncertain prior prohibitions of the Commission are these things which the Commission had clearly prohibited: serving as an election officer; publicly expressing political views at a party caucus or political gathering for or against any candidate or cause identified with a party;&#xA;&#xA;Page 330 U. S. 108&#xA;&#xA;Soliciting votes for a party or candidate; participating in a political parade; writing for publication or publishing any letter or article, signed or unsigned, in favor of or against any political party, candidate, or faction; initiating, or canvassing for signatures on, community petitions or petitions to Congress.&#xA;&#xA;In view of these prohibitions, it is little consolation to employees that the Act contradictorily says that they may &amp;quot;express their opinions on all political subjects and candidates.&amp;quot; For this permission to &amp;quot;express their opinions&amp;quot; is, the Commission has rightly said, &amp;quot;subject to the prohibition that employees may not take any active part in . . . political campaigns.&amp;quot; The hopeless contradiction between this privilege of an employee to talk and the prohibition against his talking stands out in the Commission's further warning to all employees that they can express their opinions publicly, but&#xA;&#xA;&amp;quot;Public expression of opinion in such a way as to constitute taking an active part in political management or in political campaigns is accordingly prohibited.&amp;quot;&#xA;&#xA;Thus, whatever opinions employees may dare to express, even secretly, must be at their peril. They cannot know what particular expressions may be reported to the Commission and held by it to be a sufficient political activity to cost them their jobs. Their peril is all the greater because of another warning by the Commission that&#xA;&#xA;&amp;quot;Employees are . . . accountable for political activity by persons other than themselves, including wives or husbands, if, in fact, the employees are thus accomplishing by collusion and indirection what they may not lawfully do directly and openly.&amp;quot;&#xA;&#xA;Thus, are the families of public employees stripped of their freedom of political action. The result is that the sum of political privilege left to government and state employees and their families to take part in political campaigns seems to be this: they may vote in silence; they may carefully and quietly express a political view at&#xA;&#xA;Page 330 U. S. 109&#xA;&#xA;Their peril, and they may become &amp;quot;spectators&amp;quot; (this is the Commission's word) at campaign gatherings, though it may be highly dangerous for them to &amp;quot;second a motion&amp;quot; or let it be known that they agree or disagree with a speaker.&#xA;&#xA;All of the petitioners here challenge the constitutional validity of that sentence of § 9 of the statute which prohibits all federal employees from taking &amp;quot;any active part in political management or in political campaigns&amp;quot; and which, by reference, only sweeps under this prohibition all then-existing civil service regulations. The charge is that this provision, thus supplemented by the regulations, violates the First Amendment by prohibiting freedom of press, speech, and assembly; that it violates the Fifth Amendment because it effects an arbitrary and gross discrimination between government employees covered and those exempted; that it also violates the Fifth Amendment because it is so vague and indefinite as to prohibit lawful activities as well as activities which are properly made unlawful by other provisions of law. Thus, these attacks of Poole and all the other petitioners are identical, namely, that the provision is unconstitutional on its face. The Court decides this question against Poole after holding that his case presents a justiciable controversy. I think Poole's challenge to the constitutionality of the provision should be sustained. And since I agree with MR. JUSTICE DOUGLAS that all the petitioners' complaints state a case or controversy, and show threats of imminent irreparable damages, I think that the contention that the challenged provision is unconstitutional on its face should be sustained as to all of them.&#xA;&#xA;Had this measure deprived five million farmers or a million businessmen of all right to participate in elections, because Congress thought that federal farm or business subsidies might prompt some of them to exercise, or be susceptible to, a corrupting influence on politics or government,&#xA;&#xA;Page 330 U. S. 110&#xA;&#xA;I would not sustain such an Act on the ground that it could be interpreted so as to apply only to some of them. Certainly laws which restrict the liberties guaranteed by the First Amendment should be narrowly drawn to meet the evil aimed at and to affect only the minimum number of people imperatively necessary to prevent a grave and imminent danger to the public.  Furthermore, what federal employees can or cannot do consistently with the various civil service regulations, rules, warnings, etc., is a matter of so great uncertainty that no person can even make an intelligent guess. This was demonstrated by the government's briefs and oral arguments in this case. I would hold that the provision here attacked is too broad, ambiguous, and uncertain in its consequences to be made the basis of removing deserving employees from their jobs. See dissenting opinion, Williams v. North Carolina, 325 U. S. 226, 325 U. S. 261, 325 U. S. 276-278 and cases collected, note 16.&#xA;&#xA;The right to vote and privately to express an opinion on political matters, important though they be, are but parts of the broad freedoms which our Constitution has provided as the bulwark of our free political institutions. Popular government, to be effective, must permit and encourage much wider political activity by all the people.  Real popular government means&#xA;&#xA;&amp;quot;that men may speak as they think on matters vital to them, and that falsehoods may be exposed through the processes of education and discussion . . . Those who won our independence had confidence in the power of free and fearless reasoning and communication of ideas to discover and spread political&#xA;&#xA;Page 330 U. S. 111&#xA;&#xA;And economic truth.&amp;quot;&#xA;&#xA;Thornhill v. Alabama, 310 U. S. 88, 310 U. S. 95. Legislation which muzzles several million citizens threatens popular government not only because it injures the individuals muzzled, but also because of its harmful effect on the body politic in depriving it of the political participation and interest of such a large segment of our citizens. Forcing public employees to contribute money and influence can well be proscribed in the interest of &amp;quot;clean politics&amp;quot; and public administration. But I think the Constitution prohibits legislation which prevents millions of citizens from contributing their arguments, complaints, and suggestions to the political debates which are the essence of our democracy; prevents them from engaging in organizational activity to urge others to vote and take an interest in political affairs; bars them from performing the interested citizen's duty of insuring that his and his fellow citizens' votes are counted. Such drastic limitations on the right of all the people to express political opinions and take political action would be inconsistent with the First Amendment's guaranty of freedom of speech, press, assembly, and petition. And it would violate, or come dangerously close to violating, Article I and the Seventeenth Amendment of the Constitution, which protect the right of the people to vote for their Congressmen and their United States Senators and to have their votes counted. See Ex parte Yarbrough, 110 U. S. 651; United States v. Mosley, 238 U. S. 383; United States v. Classic, 313 U. S. 299, 313 U. S. 314.&#xA;&#xA;There is nothing about federal and state employees as a class which justifies depriving them or society of the benefits of their participation in public affairs. They, like other citizens, pay taxes and serve their country in peace and in war. The taxes they pay and the wars in which they fight are determined by the elected spokesmen of all the people. They come from the same homes, communities, schools, churches, and colleges as do the other&#xA;&#xA;Page 330 U. S. 112&#xA;&#xA;Citizens. I think the Constitution guarantees to them the same right that other groups of good citizens have to engage in activities which decide who their elected representatives shall be.&#xA;&#xA;No statute of Congress has ever before attempted so drastically to stifle the spoken and written political utterances and lawful political activities of federal and state employees as a class. The nearest approach was the Civil Service Act of 1883, 22 Stat. 403-404, which authorized the President to promulgate rules so that, among other things, no government employee should &amp;quot;use his official authority or influence to coerce the political action of any person or body.&amp;quot; In 1907, the Civil Service Commission, purporting to act under authority of the 1883 Act, did, as the Court points out, prohibit civil service employees from taking &amp;quot;an active part in political management or in political campaigns.&amp;quot; But this Court has not approved the statutory power of the Commission to promulgate such a rule, nor has it ever, expressly or by implication, approved the constitutional validity of any such sweeping abridgement of the right of freedom of expression. Neither Ex parte Curtis, 106 U. S. 371, nor United States v. Wurzbach, 280 U. S. 396, lend the slightest support to the present statute. Both of these cases related to statutes which did no more than limit the right of employees to collect money from other employees for political purposes. Indeed, the Curtis decision seems implicitly to have rested on the assumption that many political activities of government employees, beyond merely voting and speaking secretly, would no, and could not, under the Constitution, be impaired by the legislation there at issue. Ex parte Curtis, supra, at 106 U. S. 375.&#xA;&#xA;It is argued that it is in the interest of clean politics to suppress political activities of federal and state employees. It would hardly seem to be imperative to muzzle millions&#xA;&#xA;Page 330 U. S. 113&#xA;&#xA;Of citizens because some of them, if left their constitutional freedoms, might corrupt the political process. All political corruption is not traceable to state and federal employees. Therefore, it is possible that other groups may later be compelled to sacrifice their right to participate in political activities for the protection of the purity of the Government of which they are a part.&#xA;&#xA;It may be true, as contended, that some higher employees, unless restrained, might coerce their subordinates, or that government employees might use their official position to coerce other citizens. But is such a possibility of coercion of a subordinate by his employer limited to governmental employer-employee relationships?  The same quality of argument would support a law to suppress the political freedom of all employees of private employers, and particularly of employers who borrow money or draw subsidies from the Government. Nor does it seem plausible that all of the millions of public employees whose rights to free expression are here stifled might, if they participate in elections, coerce other citizens not employed by the Government or the States. Poole, one of the petitioners here, is a roller in a United States mint. His job is about on a par in terms of political influence with that of most other state, federal, and private business employees. Such jobs generally do not give such employees who hold them sufficient authority to enable them to wield a dangerous or coercive influence on the political world. If the possibility exists that some other public employees may, by reason of their more influential positions, coerce other public employees or other citizens, laws can be drawn to punish the coercers.  It hardly seems consistent with&#xA;&#xA;Page 330 U. S. 114&#xA;&#xA;Our system of equal justice to all to suppress the political and speaking freedom of millions of good citizens because a few bad citizens might engage in coercion. &#xA;&#xA;It may also be true, as contended, that, if public employees are permitted to exercise a full freedom to express their views in political campaigns, some public officials will discharge some employees and grant promotion to others on a political, rather than on a merit, basis. For the same reasons, other public officials, occupying positions of influence, may use their influence to have their own political supporters appointed or promoted. But here again, if the practice of making discharges, promotions, or recommendations for promotions on a political basis is so great an evil as to require legislation, the law could punish those public officials who engage in the practice. To punish millions of employees and to deprive the nation of their contribution to public affairs in order to remove temptation from a proportionately small number of public officials seems, at the least, to be a novel method of suppressing what is thought to be an evil practice.&#xA;&#xA;Our political system, different from many others, rests on the foundation of a belief in rule by the people -- not some, but all the people. Education has been fostered better to fit people for self-expression and good citizenship. In a country whose people elect their leaders and decide great public issues, the voice of none should be suppressed -- at least, such is the assumption of the First Amendment. That Amendment, unless I misunderstand its meaning, includes a command that the Government must, in order to promote its own interest, leave the people at liberty to speak their own thoughts about government, advocate their own favored governmental causes, and work for their own political candidates and parties.&#xA;&#xA;Page 330 U. S. 115&#xA;&#xA;The section of the Act here held valid reduces the constitutionally protected liberty of several million citizens to less than a shadow of its substance. It relegates millions of federal, state, and municipal employees to the role of mere spectators of events upon which hinge the safety and welfare of all the people, including public employees. It removes a sizable proportion of our electorate from full participation in affairs destined to mould the fortunes of the nation. It makes honest participation in essential political activities an offense punishable by proscription from public employment. It endows a governmental board with the awesome power to censor the thoughts, expressions, and activities of law-abiding citizens in the field of free expression, from which no person should be barred by a government which boasts that it is a government of, for, and by the people -- all the people. Laudable as its purpose may be, it seems to me to hack at the roots of a Government by the people themselves, and, consequently, I cannot agree to sustain its validity.&#xA;&#xA;&#xA;&#xA;Those excepted are&#xA;&#xA;&amp;quot;a part-time officer or part-time employee without compensation or with nominal compensation serving in connection with the existing war effort,&amp;quot;&#xA;&#xA;Commonly designated as &amp;quot;Dollar-a-year men,&amp;quot; and&#xA;&#xA;&amp;quot;(1) the President and Vice President of the United States; (2) persons whose compensation is paid from the appropriation for the office of the President; (3) heads and assistant heads of executive departments; (4) officers who are appointed by the President, by and with the advice and consent of the Senate, and who determine policies to be pursued by the United States in its relations with foreign powers or in the Nationwide administration of Federal laws.&amp;quot;&#xA;&#xA;§ 9a; 18 U.S.C. 61h(a), as amended.&#xA;&#xA;&#xA;&#xA;&amp;quot;Any person violating the provisions of this section shall be immediately removed from the position or office held by him, and thereafter no part of the funds appropriated by any Act of Congress for such position or office shall be used to pay the compensation of such person.&amp;quot;&#xA;&#xA;§ 9b; 18 U.S.C. 61h(b).&#xA;&#xA;&#xA;&#xA;All state employees who work for any state agency financed in whole or in part by federal grants or loans are affected by the Act. Section 12a; 18 U.S.C. 61l.&#xA;&#xA;In 1945, the Federal Government paid $865,729,569.15 in grants in aid to states, Annual Report of the Secretary of the Treasury on the State of the Finances, for the fiscal year ended June 30, 1945 (1946) 714, and $688,506,157.11 in direct payments to states for the social security program, public roads and emergency maternity and infant care. Id. at 718. Grants to and expenditures within states, providing direct relief, work relief, and other aid such as the Agricultural Adjustment Program, National Housing Agency annual contributions, etc., totaled $1,353,427,735.68. Id. at 721.&#xA;&#xA;In July, 1946, the number of persons employed by state and local governments totaled approximately 2,754,000, of whom 641,000 were employed in schools and 2,111,000 were nonschool employees. Public Employment in July, 1946, Government Employment, Dept. of Commerce, Bureau of the Census, Vol. 7, No. 3 (1946) 1. A breakdown of county employees is a sample which suggests the proportion state and local whose salaries may be paid in whole or in part by federal funds thus coming under the provisions of this Act. Of a total of 310,000 nonschool county employees in the entire country, 77,000 were employed in highway departments; 4,700 in natural resources; 12,600 in health and sanitation; 40,000 in hospitals; 22,000 in public welfare. County Employment in 1944, Government Employment, op. cit. supra, Vol. 5, No. 2 (1944) 7.&#xA;&#xA;&#xA;&#xA;There are minor exceptions. One concession only is granted those federal employees who live&#xA;&#xA;&amp;quot;in the immediate vicinity of the National Capital in the States of Maryland and Virginia or in municipalities the majority of whose voters are employed by the Government of the United States. . . .&amp;quot;&#xA;&#xA;The Civil Service Commission may &amp;quot;permit&amp;quot; them to participate in campaigns involving the &amp;quot;municipality or political subdivision&amp;quot; in which they reside &amp;quot;to the extent the Commission deems to be in  domestic interest . . . .&amp;quot; Section 16; 18 U.S.C. 61p. A general exception permits participation (1) in an&#xA;&#xA;&amp;quot;election and the preceding campaign if none of the candidates is to be nominated or elected . . . as representing a  party . . . (2) in connection with any question which is not specifically identified with any National or State political party. For the purposes of this section, questions relating to constitutional amendments, referendums, approval of municipal ordinances, and others of a similar character, shall not be deemed to be specifically identified with any National or State political party.&amp;quot;&#xA;&#xA;§ 18, 18 U.S.C. § 61r. The importance and number of political issues thus excepted, e.g., Sunday movies, local school bond issues, location of local parks, election of local officials in whom no political party is interested, are obviously very small.&#xA;&#xA;&#xA;&#xA;Thornhill v. Alabama, 310 U. S. 88; Marsh v. Alabama, 326 U. S. 501; Bridges v. California, 314 U. S. 252, 314 U. S. 260, 314 U. S. 263.&#xA;&#xA;&#xA;&#xA;Some states require that employers pay their employees for the time they spend away from work while voting. See People v. Ford Motor Co., 271 App.Div. 141, 63 N.Y.S.2d 697; Note, Pay While Voting, 47 Col.L.Rev. 135 (1947).&#xA;&#xA;&#xA;&#xA;Many states have laws protecting nongovernment employees from employer interference with their voting independence. See Note, Pay While Voting, 47 Col.L.Rev. 135, 136, note 9 (1947).&#xA;&#xA;&#xA;&#xA;See note 7, supra.&#xA;&#xA;&#xA;&#xA;The Act, in fact, leaves free the higher officials whose positions give them the actual power to coerce subordinates and other citizens not employed by the Government. § 9a; 18 U.S.C. 61h.&#xA;&#xA;MR JUSTICE DOUGLAS, dissenting in part.&#xA;&#xA;I disagree with the Court on two of the four matters decided.&#xA;&#xA;First. There are twelve individual appellants here asking for an adjudication of their rights.  The Court passes on the claim of only one of them, Poole. It declines to pass on the claims of the other eleven on the ground that&#xA;&#xA;Page 330 U. S. 116&#xA;&#xA;They do not present justiciable cases or controversies. With this conclusion, I cannot agree.&#xA;&#xA;It is clear that the declaratory judgment procedure is available in the federal courts only in cases involving actual controversies, and may not be used to obtain an advisory opinion in a controversy not yet arisen. Coffman v. Breeze Corporations, 323 U. S. 316, 323 U. S. 324-325, and cases cited. The requirement of an &amp;quot;actual controversy,&amp;quot; which is written into the statute (Judicial Code § 274d, 28 U.S.C. § 400) and has its roots in the Constitution (Article III, § 2), seems to me to be fully met here.&#xA;&#xA;What these appellants propose to do is plain enough. If they do what they propose to do, it is clear that they will be discharged from their positions. The analysis of the situation by the District Court seems to me to be accurate and conclusive:&#xA;&#xA;&amp;quot;The mere existence of the statute, saying that they shall not engage in political activity, the penalty in the statute that they shall be dismissed if they do, and the warning addressed to them by the Civil Service Commission in their posters, certainly prevent them from engaging in such activity if the statute is constitutional. If the statute is unconstitutional, they are being prevented from things which they have the right to do. If the statute is constitutional, it is mandatory that they be dismissed for doing such things. . . . The provisions of Civil Service Rule XV that, in case of any violation of the Civil Service Act or Rules or of any Executive Order or any regulation of the Commission, the Commission shall certify the facts to the proper appointing officer with specific instructions as to discipline or dismissal, is now controlled by the provisions of the Hatch Act that, in case of violation of Section 9(a) of that Act, dismissal is mandatory.&amp;quot;&#xA;&#xA;56 F.Supp. 621, 624.&#xA;&#xA;Page 330 U. S. 117&#xA;&#xA;Their proposed conduct is sufficiently specific to show plainly that it will violate the Act. The policy of the Commission and the mandate of the Act leave no lingering doubt as to the consequences. &#xA;&#xA;On a discharge, these employees would lose their jobs, their seniority, and other civil service benefits. They could, of course, sue in the Court of Claims. United States v. Lovett, 328 U. S. 303. But the remedy there is a money judgment, not a restoration to the office formerly held. Of course, there might be other remedies available in these situations to determine their rights to the offices from which they are discharged. See White v. Berry, 171 U. S. 366, 171 U. S. 377. But to require these employees first to suffer the hardship of a discharge is not only to make them incur a penalty; it makes inadequate, if not wholly illusory, any legal remedy which they may have.  Men who must sacrifice their means of livelihood in order to test their rights to their jobs must either pursue prolonged and expensive litigation as unemployed persons or pull up their roots, change their life careers, and seek employment in other fields. At least to the average person in the lower income groups, the burden of taking that course&#xA;&#xA;Page 330 U. S. 118&#xA;&#xA;Is irreparable injury,  cf. Ex parte Young, 209 U. S. 123, 209 U. S. 165, no matter how exact the required showing. Cf. Watson v. Buck, 313 U. S. 387, 313 U. S. 400.&#xA;&#xA;The declaratory judgment procedure may not, of course, be used as a substitute for other equitable remedies to defeat a legislative policy, Great Lakes Co. v. Huffman, 319 U. S. 293, 319 U. S. 300-301, or to circumvent the necessity of exhausting administrative remedies. Order of Conductors v. Penn. R. Co., 323 U. S. 166; Macauley v. Waterman S.S. Corp., 327 U. S. 540. But it fills a need, and serves a high function previously &amp;quot;performed rather clumsily by our equitable proceedings and inadequately by the law courts.&amp;quot; H.R.Rep. No. 1264, 73d Cong., 2d Sess., p. 2. &#xA;&#xA;Page 330 U. S. 119&#xA;&#xA;The declaratory judgment procedure is designed &amp;quot;to declare rights and other legal relations of any interested party . . . , whether or not further relief is or could be prayed.&amp;quot; Judicial Code § 274d, 28 U.S.C. § 400. The fact that equity would not restrain a wrongful removal of an officeholder, but would leave the complainant to his legal remedies, White v. Berry, supra, is, therefore, immaterial. A judgment which, without more, adjudicates the status of a person is permissible under the Declaratory Judgment Act. Perkins v. Elg, 307 U. S. 325, 307 U. S. 349-350. The &amp;quot;declaration of a status was perhaps the earliest exercise of this procedure.&amp;quot; H.R.Rep. No. 1264, 73d Cong., 2d Sess., p. 2. The right to hold an office or public position against such threats is a common example of its use.  Borchard, Declaratory Judgments (2d ed.), pp. 858 et seq. Declaratory relief is the singular remedy available here to preserve the status quo while the constitutional rights of these appellants to make these utterances and to engage in these activities are determined. The threat against them is real, not fanciful, immediate, not remote. The case is therefore an actual, not a hypothetical, one. &#xA;&#xA;Page 330 U. S. 120&#xA;&#xA;And the present case seems to me to be a good example of a situation where uncertainty, peril, and insecurity result from imminent and immediate threats to asserted rights.&#xA;&#xA;Since the Court does not reach the constitutionality of the claims of these eleven individual appellants, a discussion of them would seem to be premature.&#xA;&#xA;Second. Poole is not in the administrative category of civil service. He is an industrial worker -- a roller in the mint, a skilled laborer or artisan whose work or functions in no way affect the policy of the agency, nor involve relationships with the public. There is a marked difference in the British treatment of administrative and industrial employees under civil service.  And the difference between the two is, for me, relevant to the problem we have here.&#xA;&#xA;Page 330 U. S. 121&#xA;&#xA;The civil service system has been called &amp;quot;the one great political invention&amp;quot; of nineteenth century democracy.  The intricacies of modern government, the important and manifold tasks it performs, the skill and expertise required, the vast discretionary powers vested in the various agencies, and the impact of their work on individual claimants, as well as on the general welfare, have made the integrity, devotion, and skill of the men and women who compose the system a matter of deep concern of many thoughtful people.  Political fortunes of parties will ebb and flow; top policy men in administrations will come and go; new laws will be passed, and old ones amended or repealed. But those who give continuity to administration, those who contribute the basic skill and efficiency to the daily work of government, and those on whom the new, as well as the old, administration is dependent for smooth functioning of the complicated machinery of modern government are the core of the civil service. If they are beneficiaries of political patronage, rather than professional careerists, serious results might follow -- or so Congress could reasonably believe. Public confidence in the objectivity and integrity of the civil service system might be so weakened as to jeopardize the effectiveness of administrative government. Or it might founder on the rocks of incompetency if every change in political fortunes turned out the incumbents, broke the continuity of administration, and thus interfered with the development of expert management&#xA;&#xA;Page 330 U. S. 122&#xA;&#xA;At the technical levels. Or if the incumbents were political adventurers or party workers, partisanship might color or corrupt the processes of administration of law with which most of the administrative agencies are entrusted.&#xA;&#xA;The philosophy is to develop a civil service which can and will serve loyally and equally well any political party which comes into power. &#xA;&#xA;Those considerations might well apply to the entire group of civil servants in the administrative category -- whether they are those in the so-called expert classification or are clerks, stenographers, and the like. They are the ones who have access to the files, who meet the public, who arrange appointments, who prepare the basic data on which policy decisions are made. Each may be a tributary, though perhaps a small one, to the main stream which we call policy making or administrative action. If the element of partisanship enters into the official activities of any member of the group, it may have its repercussions or effect throughout the administrative process. Thus, in that type of case, there would be much to support the view of the Court that Congress need not undertake to draw the line to include only the more important offices, but can take the precaution of protecting the whole by insulating even the lowest echelon from partisan activities.&#xA;&#xA;So I think that, if the issues tendered by Poole were tendered by an administrative employee, we would have quite a different case. For Poole claims the right to work as a ward executive committeeman, i.e., as an officeholder in a political party.&#xA;&#xA;But Poole, being an industrial worker, is as remote from contact with the public or from policymaking or from the functioning of the administrative process as a charwoman.&#xA;&#xA;Page 330 U. S. 123&#xA;&#xA;The fact that he is in the classified civil service is not, I think, relevant to the question of the degree to which his political activities may be curtailed. He is in a position not essentially different from one who works in the machine shop of a railroad or steamship which the Government runs, or who rolls aluminum in a manufacturing plant which the Government owns and operates. Can all of those categories of industrial employees constitutionally be insulated from American political life? If, at some future time, it should come to pass in this country, as it has in England, that a broad policy of state ownership of basic industries is inaugurated, does this decision mean that all of the hundreds of thousands of industrial workers affected could be debarred from the normal political activity which is one of our valued traditions?&#xA;&#xA;The evils of the &amp;quot;spoils&amp;quot; system do not, of course, end with the administrative group of civil servants. History shows that the political regimentation of government industrial workers produces its own crop of abuses. Those in top policy posts or others in supervisory positions might seek to knit the industrial workers in civil service into a political machine. As a weapon, they might seek to make the advancement of industrial workers dependent on political loyalty, on financial contributions, or on other partisan efforts. Or political activities of these workers might take place on government premises, on government time, or otherwise at government expense. These are specific evils which would require a specific treatment.&#xA;&#xA;There is, however, no showing of any such abuse here. What Poole did, he did on his own, without compulsion or suggestion or invitation from any one higher up. Nor does it appear that what he did was done on government time or on government premises. Moreover, as MR. JUSTICE BLACK points out, laws can be drawn to punish those who use such coercion. See Ex parte Curtis, 106 U. S. 371. Such activity is more than the exercise of&#xA;&#xA;Page 330 U. S. 124&#xA;&#xA;Political prerogatives; it is the use of official power, as well, and, hence, can be restrained or punished. Cf. Bakery Drivers Local v. Wohl, 315 U. S. 769, 315 U. S. 776-777; Thomas v. Collins, 323 U. S. 516, 323 U. S. 543-544.&#xA;&#xA;The question is whether a permissible remedy is complete or partial political sterilization of the industrial group. There is, of course, the possibility of the mobilization, whether voluntary or otherwise, of millions of employees of the Federal Government and federally assisted state agencies for the purpose of maintaining a particular party or group in power. The marked increase in the number of government employees in recent years has accentuated the problem. The difficulty lies in attempting to preserve our democratic way of life by measures which deprive a large segment of the population of all political rights except the right to vote. Absent coercion, improper use of government position or government funds, or neglect or inefficiency in the performance of duty, federal employees have the same rights as other citizens under the Constitution. They are not second-class citizens. If, in the exercise of their rights, they find common political interests and join with each other or other groups in what they conceive to be their interests or the interests of the nation, they are simply doing what any other group might do. In other situations where, the balance was between constitutional rights of individuals and a community interest which sought to qualify those rights, we have insisted that the statute be &amp;quot;narrowly drawn to define and punish specific conduct as constituting a clear and present danger to a substantial interest&amp;quot; of government. Cantwell v. Connecticut, 310 U. S. 296, 310 U. S. 311. And see Murdock v. Pennsylvania, 319 U. S. 105, 319 U. S. 116; Thornhill v. Alabama, 310 U. S. 88, 310 U. S. 104-105.&#xA;&#xA;That seems to me the proper course to follow here. The prohibition in § 9(a) of the Hatch Act against government employees taking an &amp;quot;active part in political management&#xA;&#xA;Page 330 U. S. 125&#xA;&#xA;Or in political campaigns&amp;quot; applies without discrimination to all employees, whether industrial or administrative. The same is true of the Civil Service Rules. See Rules I, § 1, XV, 6 CFR Cum.Supp., §§ 1.1, 15.1. But the supposed evils are both different and narrower in case of industrial workers than they are in the case of the administrative group.  The public interest in the political activity of a machinist or elevator operator or charwoman is a distinct and different problem.  In those cases, the public concern is in the preservation of an unregimented industrial group, in a group free from political pressures of superiors who use their official power for a partisan purpose. Then, official power is misused,&#xA;&#xA;Page 330 U. S. 126&#xA;&#xA;Perverted. The Government is corrupted by making its industrial workers political captives, victims of bureaucratic power, agents for perpetuating one party in power.&#xA;&#xA;Offset against that public concern are the interests of the employees in the exercise of cherished constitutional rights. The nature and importance of those rights have been fully expounded in MR. JUSTICE BLACK's opinion. If those rights are to be qualified by the larger requirements of modern democratic government, the restrictions should be narrowly and selectively drawn to define and punish the specific conduct which constitutes a clear and present danger to the operations of government. It seems plain to me that that evil has its roots in the coercive activity of those in the hierarchy who have the power to regiment the industrial group or who undertake to do so. To sacrifice the political rights of the industrial workers goes far beyond any demonstrated or demonstrable need. Those rights are too basic and fundamental in our democratic political society to be sacrificed or qualified for anything short of a clear and present danger to the civil service system. No such showing has been made in the case of these industrial workers  which justifies their political sterilization, as distinguished from selective measures aimed at the coercive practices on which the spoils system feeds.&#xA;&#xA;&#xA;&#xA;Elkin, Senior Economic Statistician, Railroad Retirement Board; Abelson, Associate Financial Analyst, Social Security Board; Phillips, Labor Economist, War Shipping Administration; Mitchell, Wage Analyst, National War Labor Board; Fagan, Area Director, War Manpower Commission; Winegar, Senior Officer, Bureau of Prisons; Hindin, Procedural Assistant, Federal Security Agency; Rieck, Stock Clerk, Veterans Administration; Poole, Roller, United States Mint; Shane, Lens Griffinder, Frankford Arsenal; Weber, Machinist Specialist, Frankford Arsenal; Tempest, Electric Welder, Philadelphia Navy Yard.&#xA;&#xA;&#xA;&#xA;The case is, therefore, unlike those situations where the Court refused to entertain actions for declaratory judgments, the state of facts being hypothetical in the sense that the challenge was to statutes which had not as yet been construed or their specific application known. See Electric Bond &amp;amp; S. Co. v. Securities and Exchange Commission, 303 U. S. 419, 303 U. S. 443; Alabama State Federation of Labor v. McAdory, 325 U. S. 450.&#xA;&#xA;&#xA;&#xA;Where the legal remedy is adequate, it may be the more appropriate one. Thus, in Coffman v. Breeze Corporations, supra, declaratory relief was denied a licensor of a patent who sued his licensee for an adjudication that the Royalty Adjustment Act was unconstitutional, since it appeared that a suit to recover royalties was an adequate legal remedy, and that the constitutional issues could be litigated there.&#xA;&#xA;&#xA;&#xA;If the prayer for declaratory relief be considered separately from the prayer for an injunction, as it may be, allegations of irreparable injury threatened are not required. Aetna Life Ins. Co. v. Haworth, 300 U. S. 227, 300 U. S. 241.&#xA;&#xA;&#xA;&#xA;As stated in the Senate Report:&#xA;&#xA;&amp;quot;The procedure has been especially useful in avoiding the necessity, now so often present, of having to act at one's peril or to act on one's own interpretation of his rights, or abandon one's rights because of a fear of incurring damages. So now it is often necessary, in the absence of the declaratory judgment procedure, to violate or purport to violate a statute in order to obtain a judicial determination of its meaning or validity. . . . So now it is often necessary to break a contract or a lease, or act upon one's own interpretation of his rights when disputed, in order to present to the court a justifiable  controversy. In jurisdictions having the declaratory judgment procedure, it is not necessary to bring about such social and economic waste and destruction in order to obtain a determination of one's rights . . . There seems little question that, in many situations in the conduct of business, serious disputes occur between parties where, if there were a possibility of obtaining a judicial declaration of rights in a formal action, much economic waste could be avoided, and social peace promoted. Persons now often have to act at their peril, a danger which could be frequently avoided by the ability to sue for a declaratory judgment as to their rights or duties.&amp;quot;&#xA;&#xA;S.Rep. No. 1005, 73d Cong., 2d Sess., pp. 2-3. And see Borchard, Declaratory Judgments (2d ed.) p. 4.&#xA;&#xA;&#xA;&#xA;The case is therefore unlike one where the moving party shows no invasion of his legal rights, but only possible injury to the public (Perkins v. Lukens Steel Co., 310 U. S. 113, 310 U. S. 125), or one where no judicial remedy for the alleged wrong has been created. General Committee v. Missouri-K.-T. R. Co., 320 U. S. 323.&#xA;&#xA;&#xA;&#xA;The following are cases in which the Court has allowed actions for declaratory judgments to be entertained: Aetna Life Ins. Co. v. Haworth, supra, where an insured claimed and the insurance company denied that he had become totally and permanently disabled, and hence was relieved of the obligation to continue the payment of premiums; Currin v. Wallace, 306 U. S. 1, where tobacco warehousemen and auctioneers claimed the Tobacco Inspection Act was unconstitutional; Perkins v. Elg, supra, where one claiming to be a citizen was threatened with deportation as an alien, and had been declined a passport on the same ground; Maryland Casualty Co. v. Pacific Coal &amp;amp; Oil Co., 312 U. S. 270, where a third party was suing an insured, and the insurer sought a judgment that it was not liable to defend the insured nor to indemnify the insured if the third party recovered; Altvater v. Freeman, 319 U. S. 359, where royalties were being demanded and paid under protest and by reason of an injunction; Mercoid Corp. v. Honeywell Co., 320 U. S. 680, where an alleged patent infringer sought a declaration of the invalidity of the patent; Tennessee Coal, I. &amp;amp; R. Co. v. Muscoda Local, 321 U. S. 590, where an employer sued representatives of its employees for an adjudication of whether portal-to-portal pay was due under the Fair Labor Standards Act; Hillsborough v. Cromwell, 326 U. S. 620, where a taxpayer sued in the federal court to have assessments declared invalid on the ground that they violated the Federal Constitution, the state remedy being inadequate to protect the federal right; Katzinger Co. v. Chicago Metallic Mfg. Co., 329 U. S. 394, where a licensee sought a declaration that he owed no royalties because of the invalidity of the patent; Order of Railway Conductors v. Swan, 329 U. S. 520, where it was sought to determine which division of the National Railroad Adjustment Board had jurisdiction over railroad yardmasters. Cf. Railway Mail Assn. v. Corsi, 326 U. S. 88, where a labor membership corporation, which did not admit negroes and was threatened with enforcement of a state statute declaring that practice of labor organizations unlawful, sued in a state court for an adjudication that that statute could not constitutionally be applied to it.&#xA;&#xA;&#xA;&#xA;Report, Committee on Parliamentary, etc., Candidature of Crown Servants (1925), pp. 12, 13.&#xA;&#xA;&#xA;&#xA;Wallas, Human Nature in Politics (2d ed.), p. 263.&#xA;&#xA;&#xA;&#xA;Fish, The Civil Service and The Patronage (1905); Meriam, Public Personnel Problems (1938), ch. XI; Mosher &amp;amp; Kingsley, Public Personnel Administration (1941), ch. XVIII; Kingsley, Representative Bureaucracy (1944), ch. X; Morstein Marx, Public Management in the New Democracy (1940), ch. XIV; Field, Civil Service Law (1939), p. 196; Dawson, The Principle of Official Independence (1922), pp. 90 et seq.; Kaplan, Political Neutrality of the Civil Service, 1 Public Personnel Rev. 10; Chen, The Doctrine of Civil Service Neutrality in Party Conflicts in the United States and Great Britain (1937).&#xA;&#xA;&#xA;&#xA;See Chen, op. cit. supra, note 10, ch. I; Report of President's Committee on Civil Service Improvement, H.Doc. No. 118, 77th Cong., 1st Sess., ch. III.&#xA;&#xA;&#xA;&#xA;See Morstein Marx, op. cit. supra, note 10, pp. 205-206; Report of the Committee on Parliamentary, etc., Candidature of Crown Servants, supra, note 8, p. 32; Finer, The British Civil Service (1937), pp. 203-204.&#xA;&#xA;&#xA;&#xA;As stated in Morstein Marx, op. cit. supra, note 10, pp. 205-206:&#xA;&#xA;&amp;quot;The political neutrality of a postal clerk, of a conductor on the city-owned subway system in New York, of a technician in the Chicago sanitary district, or of an artisan in the labor class does not have the same significance as the political neutrality of the prominent section chiefs of the Department of State or the political neutrality of an assistant to a commissioner in a New York City department. No discussion of the problem which ignores the differences between categories of employees is anything but an academic consideration of the problem. Top officialdom has such marked opportunities of shaping policy that its political behavior must be so neutral as to raise no question of a divergence in point of view between it and the executive officers of government. It is quite proper, therefore, to require the most impeccable political neutrality from such officials. But the average or typical civil servant has no more opportunity in the sphere of policymaking than does the average citizen. He is entrusted with a function ministerial in nature, a routine task almost wholly unaffected by his political point of view. This principle is recognized in the English rule that industrial workers in government employment may stand for election, a privilege denied administrative employees.&amp;quot;&#xA;&#xA;&#xA;&#xA;Whether the Act, being unconstitutional as applied to Poole, could be separably applied to civil service employees in other categories is a question I do not reach." 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<INFO BITRATE="946944" KEY_LYRICS="3 ContributorsPiezz’ ’e core Lyrics&#xA;&#xA;&#xA;Simmo 'o mare futo&#xA;Simmo 'sti parole&#xA;Simmo chello ch'ammo avuto&#xA;Nun era sulo ammore&#xA;Sì, c'hanno spartute&#xA;Ma mo staje vicino a mme&#xA;Te fa male e 'o vuò sapé pecché?&#xA;Simmo piezze 'e core&#xA;D''o stesso core&#xA;&#xA;&#xA;Più che pezzi sono piezze 'e core, piezze 'e core&#xA;Come fosse sangue del mio sangue, Dope One è piezzo 'e core&#xA;Una family in Paradiso che è piezzo 'e core&#xA;In più una family qua sulla Terra che è piezzo 'e core&#xA;Continua a starmi accanto, sei piezzo 'e core&#xA;Sei più che una sorella, sei piezzo 'e core&#xA;Il mio branco m'ha sfamato, siete piezze 'e core&#xA;Ed io non ho dimenticato perché piezzo 'e core&#xA;E non l'ho fatta finita grazie a te, sei piezzo 'e core&#xA;Rap salvavita, non ce n'è, per me sei piezzo 'e core&#xA;Occhi lucidi ad ogni coro, è piezzo 'e core&#xA;La penna, il gospel che fa il blues d'Etta James è piezzo 'e core&#xA;Mi spezza il cuore lei che è piezzo 'e core&#xA;Certe storie in memo rimangono impresse perché piezze 'e core&#xA;Con chi divido questa cena, orgoglio e piezzo 'e core&#xA;Fratelli con un ago in vena, è piezzo 'e core&#xA;&#xA;Simmo 'o mare futo&#xA;Simmo 'sti parole&#xA;Simmo chello ch'ammo avuto&#xA;Nun era sulo ammore&#xA;Sì, c'hanno spartute&#xA;Ma mo staje vicino a mme&#xA;Te fa male e 'o vuò sapé pecché?&#xA;Simmo piezze 'e core&#xA;D''o stesso core&#xA;&#xA;&#xA;Piezze 'e core, pattuglie &#xA;'A ccà nn'ce passe, ccà nun ce trase&#xA;Parlano 'e barre, ma Napule 'e 'mpara&#xA;Se fanno na gara e miscuglio 'e frase&#xA;Piezzo 'e core che va a segno, ccà regna&#xA;Ll'omertà, è na società che se vò piegà&#xA;E se rassegna, fra', regna 'o bicchiere&#xA;Na cosa addeventa possibbile sulo se prove e riprove&#xA;Fin quanno nn'ce cride, sincero&#xA;Manco me vide, nun gglí 'nfreva&#xA;Te vatto ch''e rime, nu sistema&#xA;M'abbatto e deprimo, ma intanto continuo&#xA;Ch''e mane pulite e cu n'iter&#xA;Dope One, nun gglí 'nterra&#xA;Tra crise d'ammore e crise d'affetto&#xA;Maje ditto ca i' so' perfetto&#xA;So' chillo ch'arriva dô ghetto&#xA;Ccà scrivo in dialetto, l'hê 'ntiso ll'accento?&#xA;Na mamma e na figlia ch'aspettano&#xA;'ncopp'a nu lietto nu pate che torna da faticà&#xA;Chesta è 'a visione che caricammo&#xA;So' piezze 'e core, pe carità&#xA;'Mmiez'a 'sta mmerda me truove pe caso&#xA;Sento ripetere 'a solita frase&#xA;&amp;quot;Nun t''a piglià pecché è sulo na fase&amp;quot;&#xA;'A verità dint'ê mmure d''a casa&#xA;'O limite è n'illusione&#xA;'E brivide si te sono&#xA;Vonno fà 'e figlie 'e bucchine&#xA;State chine 'e giallo, Simpson (Bars)&#xA;&#xA;Simmo 'o mare futo&#xA;Simmo 'sti parole&#xA;Simmo chello ch'ammo avuto&#xA;Nun era sulo ammore&#xA;Sì, c'hanno spartute&#xA;Ma mo staje vicino a mme&#xA;Te fa male e 'o vuò sapé pecché?&#xA;Simmo piezze 'e core&#xA;D''o stesso core&#xA;&#xA;&#xA;Simmo 'o mare futo&#xA;Simmo 'sti parole&#xA;Simmo chello ch'ammo avuto&#xA;Nun era sulo ammore&#xA;Sì, c'hanno spartute&#xA;Ma mo staje vicino a mme&#xA;Te fa male e 'o vuò sapé pecché?&#xA;Simmo piezze 'e core&#xA;D''o stesso core&#xA;Simmo piezze 'e core&#xA;Simmo piezze 'e core" PRODUCER="Ice Cream Records" COVERARTID="014/OYFYB1AMXVKRCB21TTM3AQOA5QLD" PLAYCOUNT="1" PLAYTIME="308" PLAYTIME_FLOAT="307.016998" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="35623"></INFO>
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<INFO BITRATE="981671" KEY_LYRICS="1 ContributorPressure Lyrics&#xA;&#xA;&#xA;&#xA;My brain is on the fritz, I'm at my wits&#xA;And I rhyme one line, but can't find another that fits in&#xA;Missing, too many pieces to the puzzle&#xA;Maybe I should buy some alcohol so I can guzzle it down&#xA;To dry my sorrows and borrow some inspiration&#xA;I'm feeling total devastation. This is horrible, it's fucking terrible&#xA;I can't get one done, no fun, it's unbearable&#xA;Sittin' on the floor, bored out of my skull&#xA;Pressure, instead of fresher, I'm getting duller&#xA;No color, it's bad, I can't stand the rain&#xA;No pain, no gain. I must maintain my train of thinking&#xA;Sinking, down the drain into the sewer&#xA;Who were you to say what I'm doing wrong with my song&#xA;Don't trip, get a grip, It's as the tip of my tongue&#xA;About to rip, but lost the thought, I'm too high-strung&#xA;It's like a ball of confusion. Another dimension&#xA;With no direction, beyond comprehension&#xA;Rest for time, I'm racing against the clock&#xA;A mental block, I can't stand the pressure&#xA;&#xA;&#xA;&#xA;Can't session, falling deep into depression&#xA;About to blow a fuse, I could use some suggestions&#xA;Questions dangle as I strangle my binder&#xA;Kind of like war digging deep into my core&#xA;For more creativity, give it the best shot that I got&#xA;Not forgotten, jotting down every thought&#xA;Not stable, I stand firm while shaking ground&#xA;Down on my luck, stuck in a bad situation&#xA;Facing the facts, I sit back in my bed&#xA;Veins bulging out the side of my head&#xA;Eyes are red, dead weight on my shoulders&#xA;When I hold the &#xA;Nothing comes out, no doubt my mind is broken&#xA;Smoking cigarettes, I figure it'll help calm my nerves&#xA;And I'm nervous, feel like I'm out of surface&#xA;Which words to choose to loose my possession on my mission&#xA;Wishing for the best, less pressure&#xA;&#xA;&#xA;&#xA;&#xA;Clenching my fist as I mention the list of tension&#xA;Building on the third verse&#xA;You might have heard worse but I'm cursing and cussing&#xA;Shit, quit your fussing. Man, I'm just discussing&#xA;There's not enough action. Too many distractions&#xA;I ride the side track when I should stay on course&#xA;Not trying to get my face on the cover of the source&#xA;Just forcing, thoughts on to paper with the &#xA;Still haven't made it, complicated like a rubik's cube&#xA;Watching the tube as I slouch on the couch&#xA;Knuckles cracking, lacking financial &#xA;Racking my brain to gain concentration&#xA;Aggravation, must bust the frustration&#xA;Constipation of the dome, home lounging&#xA;Scrounging like a scavenger&#xA;Haven't ya ever been there before (fore)&#xA;Feel the pressure&#xA;" PRODUCER="Fokuz Recordings" COVERARTID="083/TC5LB1BIATMQ5BHG2IX0A1OYRX0A" PLAYTIME="290" PLAYTIME_FLOAT="289.992859" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="34876"></INFO>
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<INFO BITRATE="966819" KEY_LYRICS="2 ContributorsOnce Around The World LyricsIt's a good morning - drag my head up from the eider feathers&#xA;Put on my radio and morning robe - caesar for the day&#xA;It's a good morning - lay the table French cuisine, morning roll and paper&#xA;I'm reading today what's yesterday and heading for the back pages&#xA;Outside, Sunny fields and apple trees. The dragon flies and the bumble bees&#xA;The cherry skies and happy season Laughing birds have reason&#xA;Cos it's A beautiful day and my eyes disbieleve what they're seeing&#xA;&#xA;Before I know it I'm walking the dog - past the butcher's past the store&#xA;Isn't it ridiculous is the theme of the day, madma De Grabo buys imported furs&#xA;You know and the grocer bows his pink skinny head in every town there's a man&#xA;In a wheelchair in every town there's an optical illusion&#xA;&#xA;Out of my head what the hells's going on? Watching - Turning&#xA;The road that lies before me is the key to my day, Watching - Turning&#xA;I'm out on the road and no one can stop me&#xA;Into The safety of my car where no one can break me - Motorway - Motorway&#xA;&#xA;Out in the car park the bodies are mounting&#xA;Bets are amassing, the money's being counted&#xA;The children are playing. The adults confiding Now&#xA;&#xA;Crack the champagne What's the year? Sounds like 1924 down here&#xA;In the good old Summertime I broke my heart down here&#xA;In the good old major's home - Da da da da - da da da da&#xA;Crack the Champagne, shed a tear, feels like 1924 this year&#xA;In the great british Summertime. I lost my love down here&#xA;In the good old major's home&#xA;&#xA;The scottish have invaded our lands again - delving inside&#xA;Take a piece of turf home To show their wives&#xA;Bring in the army !&#xA;Not of the tartan kind Give them all a prize&#xA;&#xA;6 to 4 is on the run, The odds are on. Stephen Cauthen jumped the gun now he's gone&#xA;Willy Carson - done for arson, for burning up the track, the odds are wrong&#xA;Riders jumping, my heart's thumping, the favourite's on his back&#xA;&#xA;It's been a good day and at last - I'm on my way. To keep my heart warm&#xA;I'm sure you enjoyed my day" PRODUCER="Fokuz Recordings" COVERARTID="083/TC5LB1BIATMQ5BHG2IX0A1OYRX0A" PLAYTIME="378" PLAYTIME_FLOAT="377.056793" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="44625"></INFO>
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<INFO BITRATE="916827" KEY_LYRICS="1 ContributorHow SEPTIFIX FIXES All Your Septic Tank Issues Saving You A Small Fortu LyricsSEPTIFIX tabs are septic tank treatment tablets that are solid, environmentally safe, and OXYGEN releasing.&#xA;After you flush them down your toilet, they will easily solve all your septic tank's problems!&#xA;Once they reach your septic tank, they:reduce, then eliminate noxious odors (the smell) extremely fast - in just three to five days!break down and eliminate all organic sludge from septic tanks, including natural oils, grease and organic hydrocarbons.dеstroy all the bad anaerobic bacteria likе e-coli or salmonella and other harmful pathogens which are usually found in septic tanks and can cause many health problems to your family.prevent back-ups, and clogs, and all other associated problems in septic tank systems, including corrosion.reduce, and in many cases, eliminate the need to have your septic tank pumped!By using SEPTIFIX you will save hundreds, if not thousands of dollars each year, because your plumbing will run smoothly and you won't have to worry about calling the pumpers or a plumber for a fix!&#xA;Plus, you'll help protect the environment, because all the water that goes out from your septic system into the environment will be 100% clean and free of chemicals and pollutants.&#xA;https://youtu.be/Pw-8UHSYCPQSo Why Is SEPTIFIX Way More Efficient Than Any Other Septic Tank Treatment?✔️ Our tablets raise oxygen levels throughout the volume of water 75% more than with manual aeration, allowing the live bacteria to thrive for up to 90 days in your septic tank.&#xA;As far as we know, SEPTIFIX is the only oxygen releasing septic tank treatment available on the American market!&#xA;✔️ The Oxygen is released immediately - up to 10 liters of oxygen per tablet, and it reacts with Hydrogen Sulfides (the smells), eliminating all unwanted septic smells after just a few days.&#xA;✔️ SEPTIFIX remaining ingredients will neutralize the pH of the waste water which, when combined with high oxygen concentrations, results in an ideal environment for our aerobic bacterial strains to thrive.&#xA;That's why Septifix' effect on your septic tank system is much longer and much faster than any other septic tank treatment on the market.&#xA;✔️ The technology used inside our SEPTIFIX tabs, enables our tablets to imbed within the sludge layer and treat the entire volume of water from the bottom up, soon after they have dissolved. And so, ALL your septic tank gets cleaned.&#xA;✔️ Because each of our tablets contain over 10 billion aerobic bacteria strains (which is almost 3 times more than all our competitors), this ensures mass reduction in grease build up, sludge, clogs, and all harmful pathogens - like e coli or salmonella, which can form in your septic tank and can cause many health problems to your family are destroyed!&#xA;✔️ Also, all offensive smells are eliminated after just 3 to 5 days!&#xA;✔️ Our SEPTIFIX tablets reduce, and in most cases even ELIMINATES the need to pump your septic system, allowing you to save at least $300 every year!&#xA;✔️ And they help you prevent all possible problems in a septic tank system.&#xA;Order Now  " PRODUCER="The Dreamers Recordings" COVERARTID="121/ZD1S5QCDT2KRDB34BB3MBPPGJSFA" PLAYTIME="369" PLAYTIME_FLOAT="369.000000" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="41423"></INFO>
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<INFO BITRATE="947576" KEY_LYRICS="2 ContributorsNo The Levels Lyrics&#xA;Look, hold tight Nocturnal on this one yeah?&#xA;It's way too fucked, it's way too fucked, I swear to God&#xA;Don't get the intro twisted I swear, look&#xA;Watch, look, where we going? Yeah&#xA;&#xA;&#xA;I'm taking over now&#xA;Been in the game since 2-3 October now&#xA;I'm fucking it up, listen to over now&#xA;I'm setting the pace, how they gonna slow me down?&#xA;Look, it's over clown, I got the skippiest flows in town&#xA;Plus, them niggas can't fuck with my wordplay&#xA;I switch it back, DJ bring it back, why?&#xA;'cos I ain't even wrote this down&#xA;Yes, I've been blessed with a potent sound&#xA;I'm not alike the rest&#xA;I'm something like the best&#xA;You ain't ever heard nothing like me yet&#xA;Bring anyone I bet money, live will set&#xA;Your honey sticking like honey, nice and wet&#xA;Don't lie, you would like to be Ghetts&#xA;Girls love when I'm life in effect&#xA;They can't wait to see me live in the flesh&#xA;Even though I cannot afford no diamond baguettes&#xA;I don't lie, slightly you're vexed&#xA;I can see it in your eyes and your neck&#xA;I'm like, come on dog, your wife is a pest&#xA;Just being a guy makes me a threat&#xA;Just seeking advice can make me inject&#xA;Just being a wife or maybe a friend&#xA;That's maybe a sket&#xA;And I'ma do something I maybe regret&#xA;Later in life, but you know what's popping off later tonight&#xA;Sex, wanna wet her but maybe depress&#xA;Yes, I watch your baby undress&#xA;And it don't take much to make me erect&#xA;And still I don't know her name and her address&#xA;But I know that that's your bitch&#xA;Don't tell me that's your whip&#xA;The same whip in which I lashed your chick&#xA;You rets when I do skets&#xA;I don't wanna catch your shit&#xA;You're dumb, in fact you're thick&#xA;Played at your own game, pack your shit&#xA;No game, but I'm not a no-name, I'm an artist&#xA;Got an advantage&#xA;Burning hot, you ain't got no flame&#xA;I'm black, you're blick&#xA;Plus you're on crack, you're sick&#xA;I don't care if you pack a 45th&#xA;Or you clapped your stick&#xA;Carry on chat more shit and I'ma slap your lips&#xA;Take a phone, dash your chip&#xA;You're just like Bashy&#xA;You don't know if you should act or spit&#xA;I'm back, you're pissed&#xA;Keep running your mouth&#xA;I'll run in your house and kidnap your kids&#xA;&#xA;Faith like Evans&#xA;I'm a survivor, pricks wanna send but get 187&#xA;By the way, you lot talk so much&#xA;I'm surprised that your tongues ain't swelling&#xA;Once again, would somebody tell him?&#xA;I'm gone like say I'm gonna run away jetting&#xA;I'm jetting on a run way&#xA;I can step my level up in one day&#xA;And not only step it up in one way&#xA;And they can't set me up I'm not a dumb brain&#xA;You have better luck getting up on Sunday&#xA;So take my advice and sleep in&#xA;Or get ate by the guys that we bring&#xA;Like a date with your wife is a deep thing&#xA;So the hate on my eyes is 'cos I'm deep in&#xA;You can't wait till I die, but I'm breathing&#xA;No way would you found what you're seeking&#xA;I'm okay, I'm on a grind for a reason&#xA;And you know what's up, I got no time, I'm breezing&#xA;And I know you niggas have got straps but&#xA;The only thing you buss is semen&#xA;Please, you're an overnight badboy&#xA;Where was you when I was on the bus stealing&#xA;Driving at show rooms and drug dealings?&#xA;That's right, I was robbing and thieving&#xA;Ducking and diving, bopping and weaving&#xA;No more mummy providing&#xA;So I was plotting and scheming&#xA;Getting this money from grinding even when I lost my freedom&#xA;Even when the block was freezing&#xA;My socks had Ps in, legit, I forgot the meaning&#xA;Pricks wanna stop me eating&#xA;Stop me breathing&#xA;But I will not be beaten&#xA;So what if it clocks me cheating?&#xA;It's cocky season&#xA;You clowns have got me creasing&#xA;You get aired like, what we breath in&#xA;I get rare, it's hot, it's steaming&#xA;You won't get near, it's done, keep dreaming&#xA;You might get there, keep on, keep believing&#xA;Don't spend every evening sleeping&#xA;I recommend you increase your reading&#xA;Get a pen and release your feelings&#xA;But then again, many men put in more work than a veteran's&#xA;But ain't even eating&#xA;But I'm ahead of the rest, not even-stevens&#xA;I'm so strong right now&#xA;I could fuck little more and not breed a weakling&#xA;And I make it look easy, like I'm just getting Ps for speaking&#xA;I got the street on smash&#xA;Finally I've getting decent gash&#xA;They wanna ride with me like I got Ps to splash&#xA;Hold the 9 mili bitch, read the map&#xA;Holds a mile really quick, easy lash&#xA;Don't want quite to be sick, even flash&#xA;Don't even try silly prick, I'll squeeze the gat&#xA;Yo, my life's pretty sick, read my stats&#xA;Just rhymes, no, these are facts&#xA;I buss .9s and even stab&#xA;Done crime like I never seen my dad&#xA;Sometimes I can be seen in caps&#xA;When the sunshine, still the heat's packed&#xA;Done time, but now I got my freedom back&#xA;Freedom's back, that's the new talk&#xA;And I'm blowing up road like the moonwalk&#xA;I got so many goals but life's too short&#xA;But I'm going for gold like I do sport&#xA;And I'm fully fit, the rest are full of shit&#xA;All I need is beats and I'm fully equipped&#xA;Yeah I roll deep in a ringer (Fuck it)&#xA;'cos some man are bants, so I couldn't be full of this shit&#xA;Yeah I went out of a minger, (Fuck it)&#xA;No long ting, man I bang till the pussy drips&#xA;Yeah I'm an angry nigga (Fuck it)&#xA;&#xA;Top notch, skipping like hopscotch&#xA;Soon, I'm gonna have the whole city locked, watch&#xA;What, you don't know? Willy got dropped&#xA;No directs and so silly, you got lost&#xA;I'm on top, trying to slew me's a long shot&#xA;Write bars non-stop&#xA;Niggas can't wait till my songs drop&#xA;You must be on rocks&#xA;Don't call me cus', you ain't even my long lost&#xA;You'll never know what be a strong cost&#xA;Me and my niggas are all winners&#xA;Been doing this ever since school dinners&#xA;Please don't bread, but you tell me I'm on box&#xA;Let me be wealthy, I want dust&#xA;All these hoes that belled me get longed off&#xA;It's official, I'm back on my grizzle&#xA;No time to slack, not even a little&#xA;I've been on the grind before the first whistles&#xA;So no whatever you're worth, I'm worth triple&#xA;That's why I get checked like it's routine&#xA;But I think like the feds prefer Mitchell&#xA;Pricks wanna see me on the curb, crippled&#xA;But it's not that, I fire the first missile&#xA;The niggas don't want it like when I merk Shizzle&#xA;One line, the wifey's got a third nipple&#xA;Pricks don't like me, they prefer ginnals&#xA;You'll never sight me working in Lidl&#xA;You punks are sweet like you're working with skittles&#xA;I'm back like I'm working with Bizzle&#xA;But I'm not on pop, and what I'm doing is work in a little&#xA;Can't work it out like a permanent riddle&#xA;From front to back I merk raves&#xA;Sorry to say you only murder the middle&#xA;It's really a wrap, you feel me, I'm back&#xA;And you could never peel me, I'm strapped&#xA;I'll get my hands filthy then clap&#xA;Then skillfully blacked, don't tell me you're back&#xA;Still be relaxed&#xA;Got bars but they're not milky, they're flat&#xA;I was off-guard, but I'm not still being slapped&#xA;I'm on point, even with a strong joint&#xA;Chat shit and you will be attacked, that's your choice&#xA;You can talk, it's your voice&#xA;Don't bet you'll still be intact, call your boys&#xA;Watch 'em leave with sore joints&#xA;Know that, I be guilty and that&#xA;So, so, you better get lost before it gets hot&#xA;'cos when it gets hot, you might get a leg short&#xA;And you'll no longer feel free to chat&#xA;So, so, talk again&#xA;And I swear you'll never ever walk again&#xA;I can spit yeah, yeah, no I never been short of flame&#xA;And I can also build beats and rap&#xA;Look down, but now I feel free, I'm haps&#xA;I'm happy I feel free&#xA;Here ain't no niggas wanna run up in my house with the bally and kill me&#xA;Living in a valley with real Gs&#xA;&#xA;Aye MCs yeah? Know the levels yeah? Hah, know the levels, it ain't basic season right now, swear to you, look, look, look&#xA;&#xA;&#xA;What's happening? What's really good cus?&#xA;What's crackling? I be in the hood blud&#xA;Still battling, still trying to push drugs&#xA;So when I see feds, they only see legs&#xA;Yeah I'm still panicking&#xA;And I've left them fakes in the past&#xA;But I still hear snakes in the grass&#xA;Still rattling&#xA;And they're all claiming they blast&#xA;It's nothing but a pain in the arse&#xA;Will it matter when my mixtape's on display like a mannequin?&#xA;Then, then outcomes the album&#xA;I got this shit locked down like falcon&#xA;Yeah, yeah, flows I got a thousand&#xA;And I bet that MCs have said that&#xA;But they really hope that nobody counts them&#xA;They hope that nobody counts them&#xA;&#xA;&#xA;They don't know about Ghetto&#xA;I'm hearing talk about Ghetto&#xA;But they don't know my background&#xA;I'll never back down&#xA;Smoke brown, I back clowns&#xA;I guess I'm too damn proud&#xA;I stack pounds, clap rounds and act foul&#xA;Hands down, that blouse in a man's house&#xA;Mad frown, cap down in a bad town&#xA;Slap down that clown&#xA;I'ma then come in like&#xA;Like, like, yeah that's foul&#xA;Two four and it's all careless now&#xA;Run up in your parents house&#xA;Take more than a fair share then bounce&#xA;Break laws, I don't fear Blair, swear down&#xA;Break jaws and I scare brers with accounts&#xA;Fists or with the bare spray that I found&#xA;Break whores with their ears pierced then I'm out then I'm out&#xA;&#xA;&#xA;And it's G-H-E double T and (O)&#xA;My heart ain't nothing but freezing (Cold)&#xA;And I always walk with the heat on (Road)&#xA;And all I really want is Ps and (Hoes)&#xA;And it's G-H-E double T and (O)&#xA;My heart ain't nothing but freezing (Cold)&#xA;And I always walk with the heat on (Road)&#xA;And all I really want is Ps&#xA;&#xA;&#xA;Look, ain't heard of me? Then you must be deaf&#xA;My name's around town like I must be next&#xA;The rest must be vexed&#xA;Came in the game and lapped them&#xA;Next day went like I jumped three steps&#xA;Don't think 'cos I got rushed you got ammo&#xA;Get rained on like a rusty fence&#xA;Life's short, now I know what my mumzy meant&#xA;She ain't been the same since gumzy went&#xA;Since gumzy went&#xA;I've been more focused&#xA;Money getting stacked, not one P spent but&#xA;Revenge is still a must it won't end till I buss&#xA;Not one chief left, what friend could I trust?&#xA;Some guys are like bitches&#xA;All depends on the month&#xA;When niggas are nervous, tell them to take one deep breath&#xA;No chrome, go home to a comfy bed&#xA;Overstand your whole body&#xA;I'ma have niggas standing over your body&#xA;Like &amp;quot;Damn, he died one fuckery death&#xA;They don't even know what bun he's flexed&amp;quot;&#xA;This boy tried to run, he's next&#xA;No joy, no fun, we vexed&#xA;Oh boy you made a choice so dumb&#xA;Since then I'm attacking your defence&#xA;Nobody ain't been backing me recent&#xA;Slipped a few times&#xA;I'ma make sure it's not a pattern or sequence&#xA;Now what I'm packing be decent&#xA;Feds on my toe, wanna put a nigga back in the prison&#xA;I'm sick, and if you think that's the treatment&#xA;It's not, and I'm not a snitch, fuck an agreement&#xA;&#xA;&#xA;Now we just gotta take it back quickly, so they know&#xA;&#xA;&#xA;I was really good, I'm really hood&#xA;Cock back, I really would&#xA;And leave your brains in your Evisu Hood&#xA;You don't want beef you mook&#xA;So what if you're at least 6 foot?&#xA;Me I beef with a noog&#xA;And I'll leave with your goods&#xA;And it's deep in the hood&#xA;Bodies get found near trees in the woods&#xA;Near trees in the woods&#xA;Me, I'm real, and I see through the book&#xA;And when I see through the book, I'm easily pushed&#xA;I might hide the heat in the bush&#xA;With the guy that don't mind to squeeze from a bush&#xA;All year round, every season, I could&#xA;Call brers down but your people are shook&#xA;Believe that I would&#xA;I don't believe you're a crook&#xA;You're a chief and a theme and a mook&#xA;Don't speak to me puff&#xA;I'm a fiend for the mic and you're the reason I'm hooked&#xA;'cos ain't nothing like squeezing in shubz at fake MCs that I easily shush&#xA;Fake MCs, never me, have a look&#xA;Level and never alike, Peter and Hook&#xA;Them boy forget heat and a juk&#xA;They talk a good game, but speaking is poop&#xA;You can never bury I, many have already tried&#xA;Soundboy, you're a bitch like Kelly Price&#xA;I'm Ghetto, you're any guy, still I won't let it ride&#xA;You can write bars of any kind&#xA;I'll spit ten of mine, and you'll be laughed at&#xA;Like you're 30, and still on petty crime&#xA;You've had your chance, prat&#xA;Me I've been working, yeah I'm not getting signed&#xA;But a mill' or half that&#xA;Tables are turned and still you're getting pied&#xA;Me I'm on a fast track&#xA;I wanna be earning, you're cool with getting by&#xA;That's why you starve prat&#xA;I ain't concerned about you, I'm getting mine&#xA;There's nothing I can't have&#xA;I don't care if you like me or not&#xA;I'm better than some that are signed to the Roc&#xA;Any time, any slot, I'm right for the job&#xA;On the mic, I'm a God, never tired, I'm props&#xA;And there ain't no guys in my squad&#xA;That spit likes say they got the mind of a dog&#xA;You on the other hand, I don't understand&#xA;Spit like say you rat and a frog&#xA;But still I be liking it lots&#xA;'cos I'd rather swing than ride on my todge&#xA;Your bars are like cars, mm right in a moss&#xA;Soundboy killer but fuck live on a box&#xA;You've been a don since 19-what?&#xA;I don't believe you, you lie too much&#xA;Lie in the booth and lie in the beat&#xA;But I don't get it, you never lie to the cops&#xA;&#xA;&#xA;I'm off the rails like a curtain&#xA;24/7 I've been putting the work in&#xA;For certain, I'm merking&#xA;I'm so determined, no one can stop me&#xA;Not even a whirlwind" PRODUCER="Rua Sound" COVERARTID="045/NN2KB5DF1QKTQDI5K30RCYFMZDSD" PLAYTIME="273" PLAYTIME_FLOAT="272.195129" IMPORT_DATE="2025/7/5" RELEASE_DATE="2018/1/1" FLAGS="12" FILESIZE="31645"></INFO>
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<INFO BITRATE="708708" KEY_LYRICS="11 ContributorsNovember 2021 Singles Release Calendar LyricsWELCOME TO GENIUS' NOVEMBER 2021 SINGLES RELEASE CALENDAR!!!&#xA;&#xA;&#xA;&#xA;For November 2021 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights the notable singles released in all genres throughout November 2021.… Read More 11/1&#xA;Cat Power - &amp;quot;Pa Pa Power&amp;quot;&#xA;Curtis Harding - &amp;quot;Explore&amp;quot;&#xA;Flight Facilities - &amp;quot;Heavy&amp;quot; ft. Your Smith&#xA;Maddy Jane - &amp;quot;Island Time&amp;quot;&#xA;Malik Moses &amp;amp; Bas - &amp;quot;Show Me Something&amp;quot;&#xA;Radiohead - &amp;quot;Follow Me Around&amp;quot;&#xA;&#xA;11/2&#xA;Alfie Templeman - &amp;quot;3D Feelings&amp;quot;&#xA;Franz Ferdinand - &amp;quot;Billy Goodbye&amp;quot;&#xA;Grace Carter - &amp;quot;Dark Matter&amp;quot;&#xA;Kandia - &amp;quot;Fight or Flight&amp;quot;&#xA;Kristine Leschper - &amp;quot;Ribbon&amp;quot;&#xA;Matt Citron - &amp;quot;All Dawgs Go 2 Seven Eleven 2 Get Blunt Wraps &amp;amp; Red Blend&amp;quot;&#xA;Sematary - &amp;quot;O Harvest Moon&amp;quot;&#xA;The Stupendium - &amp;quot;We Told You So&amp;quot; ft. Dan Bull, Shwabadi, Rustage &amp;amp; Connor Quest&#xA;Willow Kayne - &amp;quot;Opinion&amp;quot;&#xA;&#xA;11/3&#xA;alt-J - &amp;quot;Get Better&amp;quot;&#xA;Arca - &amp;quot;Prada&amp;quot;&#xA;Arca - &amp;quot;Rakata&amp;quot;&#xA;beaux - &amp;quot;fall forward&amp;quot;&#xA;Dеrivakat - &amp;quot;Froggy Song&amp;quot; ft. BoomerNA&#xA;Diana Ross - &amp;quot;I Still Believе&amp;quot;&#xA;Foxes - &amp;quot;Sky Love&amp;quot;&#xA;IDLES - &amp;quot;Car Crash&amp;quot;&#xA;Jenny Lewis - &amp;quot;Puppy And A Truck&amp;quot;&#xA;Lauren Jauregui - &amp;quot;On Guard&amp;quot; ft. 6LACK&#xA;Lolo Zouaï - &amp;quot;Scooter&amp;quot;&#xA;NEFFEX - &amp;quot;DON'T WANNA LET MYSELF DOWN&amp;quot;&#xA;Omar Apollo - &amp;quot;Bad Life&amp;quot; ft. Kali Uchis&#xA;Santino Le Saint - &amp;quot;Hurricane&amp;quot;&#xA;Santino Le Saint - &amp;quot;Ride or Die&amp;quot;&#xA;Sega Bodega - &amp;quot;I Need Nothing from You&amp;quot;&#xA;Tai Verdes - &amp;quot;Let’s Go to Hell&amp;quot;&#xA;Thomas Headon - &amp;quot;Strawberry Kisses&amp;quot;&#xA;Trevor Daniel - &amp;quot;Dadada&amp;quot;&#xA;U2 - &amp;quot;Your Song Saved My Life&amp;quot;&#xA;vvvvv - &amp;quot;reason&amp;quot; ft. Keyon Christ&#xA;11/4&#xA;ArrDee - &amp;quot;Flowers (Say My Name)&amp;quot;&#xA;Blxst &amp;amp; Charlie Sloth - &amp;quot;Fire in the Booth, Pt. 1&amp;quot;&#xA;Charli XCX - &amp;quot;New Shapes&amp;quot; ft. Christine and the Queens &amp;amp; Caroline Polachek&#xA;Cian Ducrot - &amp;quot;Hello Gorgeous&amp;quot;&#xA;Dancody &amp;amp; 916frosty - &amp;quot;Coachella Vibes (KOZLOW Remix)&amp;quot;&#xA;Fastlife Juke &amp;amp; Stunna 4 Vegas - &amp;quot;Face Card&amp;quot;&#xA;Foals - &amp;quot;Wake Me Up&amp;quot;&#xA;GAWNE - &amp;quot;This Is War&amp;quot; ft. Atlus &amp;amp; Tech N9ne&#xA;Lola Young - &amp;quot;Together in Electric Dreams&amp;quot;&#xA;Peach PRC - &amp;quot;Heavy&amp;quot;&#xA;Rejjie Snow - &amp;quot;Arigato&amp;quot;&#xA;Rich Brian - &amp;quot;New Tooth&amp;quot;&#xA;shame - &amp;quot;This Side of the Sun&amp;quot;&#xA;Skegss - &amp;quot;Bunny Man&amp;quot;&#xA;Tamera - &amp;quot;Good Love&amp;quot; ft. Tay Iwar&#xA;Tiësto - &amp;quot;The Motto&amp;quot; ft. Ava Max&#xA;Whyte Fang - &amp;quot;TIDES&amp;quot;&#xA;yeule - &amp;quot;FriendIy Machine&amp;quot;&#xA;&#xA;11/5&#xA;Akemi Fox - &amp;quot;Carry On&amp;quot;&#xA;Audrey Mika - &amp;quot;Strangers&amp;quot;&#xA;Ayo Beatz &amp;amp; Clean Bandit - &amp;quot;Drive (Remix)&amp;quot; ft. Chip, Russ Millions, French the Kid, Wes Nelson &amp;amp; Topic&#xA;Bella Thorne &amp;amp; Juicy J - &amp;quot;In You&amp;quot;&#xA;BigKayBeezy - &amp;quot;Around And Around&amp;quot;&#xA;Blackstreet - &amp;quot;No Diggity (LLusion Remix)&amp;quot;&#xA;Blac Youngsta - &amp;quot;Anythang&amp;quot;&#xA;Blake Shelton - &amp;quot;We Can Reach the Stars&amp;quot;&#xA;Bobby Shmurda - &amp;quot;Splash&amp;quot;&#xA;City Girls - &amp;quot;Scared&amp;quot;&#xA;Col3trane - &amp;quot;Californication (Feels Like I'm Falling in Love)&amp;quot;&#xA;CXLOE - &amp;quot;New Trick&amp;quot;&#xA;David Guetta - &amp;quot;Family&amp;quot; ft. A Boogie wit da Hoodie &amp;amp; Sofía Reyes&#xA;Desiigner - &amp;quot;Get Back&amp;quot;&#xA;Elle King - &amp;quot;Please Come Home For Christmas&amp;quot;&#xA;Ella Langley - &amp;quot;If You Have To&amp;quot;&#xA;French Montana &amp;amp; Fivio Foreign - &amp;quot;Panicking&amp;quot;&#xA;Friends Only, Kabaka Pyramid &amp;amp; EARTHGANG - &amp;quot;Never Be The Same&amp;quot; ft. Buddy, MediSun &amp;amp; Hector Roots Lewis&#xA;Futuristic - &amp;quot;Don't Wanna Be Famous&amp;quot;&#xA;Gabby Barrett - &amp;quot;Pick Me Up&amp;quot;&#xA;GRAE - &amp;quot;Outta This World&amp;quot;&#xA;Green Day - &amp;quot;Holy Toledo!&amp;quot;&#xA;Hayden James  - Waiting For Nothing&amp;quot; ft. Yaeger&#xA;Hotboii - &amp;quot;Doctor&amp;quot; ft. Lil Tjay&#xA;IV4 - &amp;quot;Stroke&amp;quot; ft. Jeremih&#xA;Jake Miller - &amp;quot;The Opposite&amp;quot;&#xA;Jay Burna &amp;amp; T.I. - &amp;quot;U the Sh*t&amp;quot;&#xA;Keedron Bryant - &amp;quot;Stubborn&amp;quot; ft. Curly J&#xA;​koi - &amp;quot;do you agree?&amp;quot;&#xA;Lil Durk - &amp;quot;Lion Eyes&amp;quot;&#xA;Latto - &amp;quot;Soufside&amp;quot;&#xA;Little Mix - &amp;quot;Between Us&amp;quot;&#xA;LXI Vortex - &amp;quot;war-zone / revenge&amp;quot; ft. Yungboi10k&#xA;Madison Beer - &amp;quot;Room for You&amp;quot;&#xA;Mariah Carey  - &amp;quot;Fall in Love at Christmas&amp;quot; ft. Khalid &amp;amp; Kirk Franklin&#xA;Mickey Guyton - &amp;quot;Have a Little Faith in Me&amp;quot;&#xA;NLE Choppa - &amp;quot;Jumpin&amp;quot; ft. Polo G&#xA;Party Favor - &amp;quot;Whenever You’re Around&amp;quot;&#xA;PnB Rock &amp;amp; DJ Luke Nasty - &amp;quot;HIGH&amp;quot;&#xA;Post Malone &amp;amp; The Weeknd - &amp;quot;One Right Now&amp;quot;&#xA;Rakeem Miles &amp;amp; Chad Hugo - &amp;quot;IT IS WHAT IT IS&amp;quot; ft. Waka Flocka Flame&#xA;RealestK - &amp;quot;Patience&amp;quot;&#xA;Sigrid - &amp;quot;Home to You (This Christmas)&amp;quot;&#xA;Silk Sonic - &amp;quot;Smokin' Out the Window&amp;quot;&#xA;Simple Plan - &amp;quot;The Antidote&amp;quot;&#xA;Slayyyter - &amp;quot;Stupid Boy&amp;quot; ft. Big Freedia&#xA;Smiley - &amp;quot;Breakdown&amp;quot;&#xA;Snoop Dogg - &amp;quot;Murder Music&amp;quot; ft. Benny the Butcher, Jadakiss &amp;amp; Busta Rhymes&#xA;SpotEmGottem - &amp;quot;SRT&amp;quot;&#xA;TheHxliday - &amp;quot;Doses&amp;quot;&#xA;The Wanted - &amp;quot;Stay Another Day&amp;quot;&#xA;Timmy Trumpet, Cascada &amp;amp; Harris &amp;amp; Ford - &amp;quot;Never Let Me Go&amp;quot;&#xA;Thomas Day - &amp;quot;Overplayed&amp;quot;&#xA;Thomas Rhett - &amp;quot;Slow Down Summer&amp;quot;&#xA;Travis Scott - &amp;quot;ESCAPE PLAN&amp;quot;&#xA;Travis Scott - &amp;quot;MAFIA&amp;quot;&#xA;Westlife - &amp;quot;My Hero&amp;quot;&#xA;Whethan - &amp;quot;2 MUCH&amp;quot; ft. Jasiah &amp;amp; KA$HDAMI&#xA;Ye Ali - &amp;quot;Single for the Night&amp;quot;&#xA;Yella Beezy - &amp;quot;I Guess&amp;quot;&#xA;Young Roddy &amp;amp; Conway the Machine - &amp;quot;Out the Hood&amp;quot;&#xA;YSB Tril &amp;amp; Kill Jasper - &amp;quot;Brand New&amp;quot;&#xA;11/6&#xA;Jacquees - &amp;quot;Closure (QueMix)&amp;quot;&#xA;Toosii - &amp;quot;October&amp;quot;&#xA;&#xA;11/8&#xA;30 Deep Grimeyy - &amp;quot;Around&amp;quot;&#xA;EDDISON - &amp;quot;movin different&amp;quot; ft. drownwithtoga&#xA;Lauren Sanderson - &amp;quot;Everyone's Pretentious &amp;amp; I'm Bored&amp;quot;&#xA;NateWantsToBattle - &amp;quot;Young Forever&amp;quot;&#xA;No Rome - &amp;quot;I Want U&amp;quot;&#xA;Slimesito - &amp;quot;Murder She Wrote ...&amp;quot;&#xA;&#xA;11/9&#xA;Arca - &amp;quot;Electra Rex&amp;quot;&#xA;Baby Queen - &amp;quot;Wannabe&amp;quot;&#xA;Bad Suns - &amp;quot;Wishing Fountains&amp;quot;&#xA;BROODS - &amp;quot;Heartbreak&amp;quot;&#xA;Claud - &amp;quot;Tommy&amp;quot;&#xA;Coi Leray - &amp;quot;TWINNEM (Remix)&amp;quot; ft. DaBaby&#xA;Courtney Barnett - &amp;quot;If I Don't Hear from You Tonight&amp;quot;&#xA;Dan + Shay - &amp;quot;Officially Christmas&amp;quot;&#xA;Deko - &amp;quot;Pressure!&amp;quot;&#xA;Donna Missal - &amp;quot;(to me) your face is love&amp;quot;&#xA;Emily Wells - &amp;quot;David's Got a Problem&amp;quot;&#xA;Jenny Hval - &amp;quot;Jupiter&amp;quot;&#xA;JLS - &amp;quot;Postcard&amp;quot;&#xA;Mitski - &amp;quot;The Only Heartbreaker&amp;quot;&#xA;Nilüfer Yanya - &amp;quot;stabilise&amp;quot;&#xA;Placebo - &amp;quot;Surrounded by Spies&amp;quot;&#xA;Remedy - &amp;quot;The Pulpit&amp;quot; ft. Cappadonna, Ghostface Killah &amp;amp; Conway the Machine&#xA;Shamir - &amp;quot;Cisgender&amp;quot;&#xA;Stela Cole - &amp;quot;Walking on the Moon&amp;quot;&#xA;Stunna 4 Vegas - &amp;quot;WTW&amp;quot;&#xA;11/10&#xA;Avril Lavigne - &amp;quot;Bite Me&amp;quot;&#xA;Beau Diako &amp;amp; Etta Bond - &amp;quot;Fretless&amp;quot; ft. Bas&#xA;Bonobo - &amp;quot;Otomo&amp;quot; ft. O'Flynn&#xA;Christina Perri - &amp;quot;here comes the sun&amp;quot;&#xA;​clear eyes, Kevin Garrett &amp;amp; Kemba - &amp;quot;heat of the moment&amp;quot;&#xA;Dan Bull - &amp;quot;Silent Hill&amp;quot;&#xA;DontSleep &amp;amp; Since99 - &amp;quot;Rainbow Runtz&amp;quot;&#xA;EDDISON - &amp;quot;​chrome bruddas&amp;quot; ft. Lei&#xA;Famous Dex - &amp;quot;Dehydrated&amp;quot;&#xA;Gracie Abrams - &amp;quot;Alright&amp;quot;&#xA;Josef Salvat - &amp;quot;I'm Sorry&amp;quot;&#xA;Lucy Dacus - &amp;quot;Thumbs Again&amp;quot;&#xA;Luke Combs - &amp;quot;Doin’ This&amp;quot;&#xA;NEFFEX - &amp;quot;ADDICT&amp;quot;&#xA;OneRepublic - &amp;quot;Sunshine&amp;quot;&#xA;Stereophonics - &amp;quot;Do Ya Feel My Love?&amp;quot;&#xA;Teejay - &amp;quot;Escobar&amp;quot;&#xA;The Wanted - &amp;quot;Colours&amp;quot;&#xA;Yungeen Ace - &amp;quot;Walk Away&amp;quot;&#xA;&#xA;11/11&#xA;Anitta - &amp;quot;Envolver&amp;quot;&#xA;Blu DeTiger - &amp;quot;Blondes&amp;quot;&#xA;BONES UK - &amp;quot;Boys Will Be Girls&amp;quot;&#xA;Brynn Elliott - &amp;quot;Breathe&amp;quot;&#xA;Chrome Sparks &amp;amp; Reo Cragun - &amp;quot;On the Floor&amp;quot;&#xA;Confidence Man - &amp;quot;Holiday&amp;quot;&#xA;COUCOU CHLOE - &amp;quot;WIZZ&amp;quot;&#xA;DROELOE - &amp;quot;Strangers&amp;quot;&#xA;Icewear Vezzo - &amp;quot;Bacc Again&amp;quot;&#xA;Jessica Simpson - &amp;quot;Particles&amp;quot;&#xA;John Legend - &amp;quot;You Deserve It All&amp;quot;&#xA;Let’s Eat Grandma - &amp;quot;Two Ribbons&amp;quot;&#xA;MAJ - &amp;quot;FLY AWAY&amp;quot;&#xA;Maluma - &amp;quot;Mama Tetema&amp;quot; ft. Rayvanny&#xA;ROSALÍA - &amp;quot;LA FAMA&amp;quot; ft. The Weeknd&#xA;Shaybo &amp;amp; NSG - &amp;quot;Don't Play Me&amp;quot;&#xA;Smino - &amp;quot;I Deserve&amp;quot; ft. Nosidam.&#xA;Sophia Scott, Iggy Azalea &amp;amp; Renee Blair - &amp;quot;Knock Yourself Out&amp;quot;&#xA;Tate McRae - &amp;quot;​feel like shit&amp;quot;&#xA;TINI &amp;amp; L-Gante - &amp;quot;Bar&amp;quot;&#xA;YONAKA, WHITENO1SE &amp;amp; DEGO - &amp;quot;Seize the Power (Remix)&amp;quot;&#xA;Yumi Zouma - &amp;quot;Mona Lisa&amp;quot;&#xA;&#xA;11/12&#xA;Aaron Lewis - &amp;quot;Pull Me Under&amp;quot;&#xA;Ace Hood - &amp;quot;Little Light&amp;quot;&#xA;Alan Walker &amp;amp; Winona Oak - &amp;quot;World We Used to Know&amp;quot;&#xA;Amaranthe - &amp;quot;PvP&amp;quot;&#xA;Amber Mark - &amp;quot;Softly&amp;quot;&#xA;ATLiens &amp;amp; Cyclops - &amp;quot;Customer Service&amp;quot;&#xA;Baby Tate - &amp;quot;Dungarees&amp;quot;&#xA;Bando &amp;amp; Isaiah Rashad - &amp;quot;Payday&amp;quot;&#xA;Berner - &amp;quot;Draped Up&amp;quot; ft. Future&#xA;Beyoncé - &amp;quot;Be Alive&amp;quot;&#xA;Bizzy Crook &amp;amp; 42 Dugg - &amp;quot;Played Out&amp;quot;&#xA;Blind Channel - &amp;quot;We Are No Saints&amp;quot;&#xA;Carrie Underwood - &amp;quot;Stretchy Pants&amp;quot;&#xA;CJ - &amp;quot;Red Flag&amp;quot;&#xA;Conor Maynard - &amp;quot;What I Put You Through&amp;quot;&#xA;Cousin Stizz - &amp;quot;Lethal Weapon&amp;quot;&#xA;Dan Bull - &amp;quot;¡Viva La Revolución!&amp;quot;&#xA;Danny Beau - &amp;quot;Picturesque&amp;quot;&#xA;DUSTY LOCANE - &amp;quot;CANES WORLD&amp;quot;&#xA;Dynoro - &amp;quot;Swimming in Your Eyes&amp;quot;&#xA;EDDISON - &amp;quot;GTA&amp;quot;&#xA;ELIO - &amp;quot;SUPERIMPOSE&amp;quot;&#xA;Erica Banks - &amp;quot;Designer&amp;quot;&#xA;ericdoa - &amp;quot;strangers&amp;quot;&#xA;Eva Under Fire - &amp;quot;Unstoppable&amp;quot;&#xA;Fivio Foreign - &amp;quot;Squeeze (Freestyle)&amp;quot;&#xA;Fredo Bang - &amp;quot;Don’t Miss&amp;quot;&#xA;Futuristic &amp;amp; Chris Rivers - &amp;quot;Hol Up&amp;quot;&#xA;gavn! - &amp;quot;Emerald City&amp;quot;&#xA;Germ - &amp;quot;Survivor's Guilt&amp;quot;&#xA;G Flip - &amp;quot;Scream&amp;quot; ft. UPSAHL&#xA;iann dior - &amp;quot;Let You&amp;quot;&#xA;Jasmine Thompson &amp;amp; Calum Scott - &amp;quot;love is just a word&amp;quot;&#xA;Jax - &amp;quot;I Feel Like a Kid Again&amp;quot;&#xA;Jean Deaux - &amp;quot;Every Night After&amp;quot;&#xA;Jessica Mauboy - &amp;quot;Glow&amp;quot;&#xA;Jiubel - &amp;quot;Runnin&amp;quot;&#xA;​​johan lenox - &amp;quot;​You Up?&amp;quot; ft. Ant Clemons&#xA;Joss Stone - &amp;quot;Never Forget My Love&amp;quot;&#xA;Juice WRLD - &amp;quot;Already Dead&amp;quot;&#xA;KBFR - &amp;quot;Break Out The Fight&amp;quot;&#xA;Keb' Mo' - &amp;quot;Lean on Me&amp;quot;&#xA;Kenndog - &amp;quot;Beethoven (Remix)&amp;quot; ft. YN Jay&#xA;Lennon Stella - &amp;quot;Bubble&amp;quot;&#xA;Lil Kapow, Shotgun Willy &amp;amp; ANH - &amp;quot;Breakdance&amp;quot;&#xA;Lil Yachty - &amp;quot;YAE ENERGY&amp;quot;&#xA;Little Boots - &amp;quot;Landline&amp;quot;&#xA;Lul Bob &amp;amp; NoCap - &amp;quot;No One Here&amp;quot;&#xA;Mabel - &amp;quot;Time After Time&amp;quot;&#xA;Mark Tuan - &amp;quot;Last Breath&amp;quot;&#xA;​midwxst - &amp;quot;Care&amp;quot;&#xA;MØ - &amp;quot;Brad Pitt&amp;quot;&#xA;MØ - &amp;quot;Goosebumps&amp;quot;&#xA;Nakkia Gold &amp;amp; DDG - &amp;quot;Trap Santa&amp;quot;&#xA;Nico &amp;amp; Vinz - &amp;quot;Trouble&amp;quot;&#xA;Nija - &amp;quot;On Call&amp;quot;&#xA;NO1-NOAH - &amp;quot;Thank God&amp;quot;&#xA;NOTD &amp;amp; The Band CAMINO - &amp;quot;Never a Good Time&amp;quot;&#xA;Nova Miller - &amp;quot;done&amp;quot;&#xA;Oliver Tree - &amp;quot;Life Goes On (Remix)&amp;quot; ft. Ty Dolla $ign&#xA;Olivia O’Brien - &amp;quot;It's Christmas Time&amp;quot;&#xA;Omah Lay - &amp;quot;Free My Mind&amp;quot;&#xA;Peach Pit - &amp;quot;Look Out!&amp;quot;&#xA;Polo G - &amp;quot;Bad Man (Smooth Criminal)&amp;quot;&#xA;Quelly Woo - &amp;quot;Motion&amp;quot;&#xA;Rhys - &amp;quot;cry over me&amp;quot;&#xA;Rick Ross - &amp;quot;Outlawz&amp;quot; ft. Jazmine Sullivan &amp;amp; 21 Savage&#xA;Rob $tone - &amp;quot;No Handshakes&amp;quot; ft. DOM KENNEDY&#xA;Robin Schulz &amp;amp; Dennis Lloyd - &amp;quot;Young Right Now&amp;quot;&#xA;Royal &amp;amp; the Serpent - &amp;quot;I'M NOT SORRY&amp;quot;&#xA;Russ - &amp;quot;Losin' Control, Pt. 2&amp;quot;&#xA;Ryan Riback - &amp;quot;(Just Can't) Hate U&amp;quot; ft. Dotter&#xA;Sarcastic Sounds - &amp;quot;Song You'll Never Hear&amp;quot; ft. Maisie Peters&#xA;Saweetie - &amp;quot;Get It Girl&amp;quot;&#xA;Shallou - &amp;quot;Here&amp;quot;&#xA;Sharlene - &amp;quot;Dopamina&amp;quot;&#xA;Skott - &amp;quot;It's Not Too Late&amp;quot;&#xA;Sophie and the Giants - &amp;quot;Golden Nights&amp;quot; ft. Benny Benassi, Dardust &amp;amp; Astrality&#xA;Tom the Mail Man - &amp;quot;NOTHINGTOLOSE&amp;quot;&#xA;Teddy Swims - &amp;quot;Please Turn Green&amp;quot;&#xA;Trae tha Truth - &amp;quot;Knots&amp;quot; ft. Quavo&#xA;Tyler Rich - &amp;quot;A Little Bit of You&amp;quot;&#xA;We Are the Catalyst - &amp;quot;More&amp;quot;&#xA;WHOKILLEDXIX - &amp;quot;CUM&amp;quot;&#xA;​​will hyde - &amp;quot;addicted.&amp;quot;&#xA;Why Don't We - &amp;quot;Mistletoe&amp;quot;&#xA;Xoxocouron - &amp;quot;Big Bucks&amp;quot; ft. Lil Boom&#xA;Yungeen Ace &amp;amp; Nuski2Squad - &amp;quot;Don't Know Why&amp;quot;&#xA;&#xA;11/13&#xA;Deko &amp;amp; Yameii Online - &amp;quot;Irrelevant&amp;quot;&#xA;&#xA;11/14&#xA;BabySantana - &amp;quot;Armory&amp;quot; ft. YNW BSlime&#xA;Quada - &amp;quot;Misconception&amp;quot;&#xA;&#xA;11/15&#xA;Lil Peep - &amp;quot;right here&amp;quot; ft. Horse Head&#xA;Jay Critch - &amp;quot;Headlines (Remix)&amp;quot;&#xA;Rod Wave - &amp;quot;By Your Side&amp;quot;&#xA;The Wombats - &amp;quot;Everything I Love Is Going To Die&amp;quot;&#xA;Tory Lanez - &amp;quot;Lady of Namek&amp;quot;&#xA;yvngxchris - &amp;quot;Blood on the Leaves (Remix)&amp;quot; ft. SSGKobe, KA$HDAMI, UnoTheActivist &amp;amp; Ken Car$on&#xA;&#xA;11/16&#xA;2FeetBino - &amp;quot;Can't Contain&amp;quot; ft. Young Nudy&#xA;Big Thief - &amp;quot;Time Escaping&amp;quot;&#xA;D-Block Europe - &amp;quot;Chrome Hearts&amp;quot; ft. Offset&#xA;Intence - &amp;quot;Clutcha&amp;quot;&#xA;Jensen McRae - &amp;quot;My Ego Dies at the End&amp;quot;&#xA;Kacey Musgraves - &amp;quot;Fix You&amp;quot;&#xA;Kali - &amp;quot;MMM MMM (The Remix)&amp;quot; ft. Moneybagg Yo, Latto &amp;amp; ATL Jacob&#xA;Kero Kero Bonito - &amp;quot;The Sneaker Dance&amp;quot;&#xA;Kylie Cantrall - &amp;quot;Switch Phones&amp;quot;&#xA;Ladyhawke - &amp;quot;My Love&amp;quot;&#xA;Matt Citron - &amp;quot;Way Too Hot&amp;quot;&#xA;Ocean Alley - &amp;quot;Touch Back Down&amp;quot;&#xA;Rage of Light - &amp;quot;Breaking Infinity&amp;quot;&#xA;Tamera - &amp;quot;New Hobby&amp;quot;&#xA;Temperance - &amp;quot;Diamanti&amp;quot;&#xA;The Rubens - &amp;quot;Waste a Day&amp;quot;&#xA;&#xA;11/17&#xA;Alex Cameron - &amp;quot;Sara Jo&amp;quot;&#xA;Ashnikko - &amp;quot;Carol of the Bells - Spotify Singles Holiday&amp;quot;&#xA;Bear's Den - &amp;quot;All That You Are&amp;quot;&#xA;Benjamin Francis Leftwich - &amp;quot;Tinsel In the River&amp;quot;&#xA;Cate Le Bon - &amp;quot;Moderation&amp;quot;&#xA;Dylan Sinclair - &amp;quot;Regrets&amp;quot;&#xA;Ego Ella May - &amp;quot;for the both of us&amp;quot;&#xA;EZI - &amp;quot;i'm so tired&amp;quot;&#xA;FLETCHER - &amp;quot;Cherry&amp;quot; ft. Hayley Kiyoko&#xA;GRAACE - &amp;quot;Half Awake&amp;quot;&#xA;Gordi - &amp;quot;Grass Is Blue&amp;quot;&#xA;Highasakite - &amp;quot;Autopsy&amp;quot;&#xA;Highasakite - &amp;quot;Love him anyway&amp;quot;&#xA;Ibeyi &amp;amp; Pa Salieu - &amp;quot;Made of Gold&amp;quot;&#xA;JOY. - &amp;quot;Out of Love&amp;quot;&#xA;​JVKE - &amp;quot;anxiety.&amp;quot;&#xA;K.Flay - &amp;quot;Weirdo&amp;quot;&#xA;Kodie Shane - &amp;quot;Let's Not Fall in Love&amp;quot; ft. Jacquees&#xA;Lila Drew - &amp;quot;Crystal Ball&amp;quot;&#xA;​Lizzy McAlpine - &amp;quot;erase me&amp;quot; ft. Jacob Collier&#xA;MadeinTYO &amp;amp; UnoTheActivist - &amp;quot;Love Myself&amp;quot;&#xA;Matt Citron - &amp;quot;Fire Rain&amp;quot;&#xA;NEFFEX - &amp;quot;THE ITCH&amp;quot; ft. Josh A&#xA;salem ilese - &amp;quot;Hey Siri&amp;quot;&#xA;Taylor Swift - &amp;quot;All Too Well (Sad Girl Autumn Version) - Recorded At Long Pond Studios&amp;quot;&#xA;The Lumineers - &amp;quot;A.M. 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Jadakiss&#xA;​glaive - &amp;quot;​prick&amp;quot;&#xA;half•alive - &amp;quot;Hot Tea&amp;quot;&#xA;HARLOE - &amp;quot;Overthinking&amp;quot; ft. Nile Rodgers&#xA;Hot Chelle Rae - &amp;quot;Heart and Mine&amp;quot;&#xA;Janine - &amp;quot;Crying in the Club&amp;quot;&#xA;Kap G - &amp;quot;Uno Dos Tres&amp;quot;&#xA;Kayla Nicole - &amp;quot;SMA&amp;quot;&#xA;Kenndog - &amp;quot;Beethoven (Remix)&amp;quot; ft. DDG&#xA;Kid Ink - &amp;quot;Karma&amp;quot; ft. Goldiie&#xA;Lady XO - &amp;quot;Told Em&amp;quot;&#xA;Lecrae &amp;amp; 1K Phew - &amp;quot;WILDIN&amp;quot;&#xA;Like Saturn - &amp;quot;getting colder&amp;quot;&#xA;Lil Candy Paint &amp;amp; Bhad Bhabie - &amp;quot;22 (Remix)&amp;quot;&#xA;LPB Poody - &amp;quot;I'm the One&amp;quot;&#xA;Lucki &amp;amp; F1lthy - &amp;quot;NEPTUNE VS INDUSTRY&amp;quot;&#xA;Maia Wright - &amp;quot;Quit Your Job&amp;quot;&#xA;Matt Citron - &amp;quot;I'm Him&amp;quot;&#xA;Masego &amp;amp; Devin Morrison - &amp;quot;Yamz&amp;quot;&#xA;Masked Wolf &amp;amp; Bebe Rexha - &amp;quot;It's You, Not Me (Sabotage)&amp;quot;&#xA;Memoremains - &amp;quot;Not My Fault&amp;quot;&#xA;Morray &amp;amp; Benny the Butcher - &amp;quot;Never Fail&amp;quot;&#xA;Niall Horan &amp;amp; Anne-Marie - &amp;quot;Everywhere&amp;quot;&#xA;NLE Choppa - &amp;quot;I.Y.B.&amp;quot;&#xA;Numbaa 7 - &amp;quot;Murda Who (Remix)&amp;quot; ft. Jackboy&#xA;Oliver Malcolm - &amp;quot;Rolling Stone&amp;quot;&#xA;​phem - &amp;quot;​silly putty&amp;quot;&#xA;R3HAB &amp;amp; Lukas Graham - &amp;quot;Most People&amp;quot;&#xA;Raleigh Ritchie - &amp;quot;Lucky&amp;quot;&#xA;Russell Dickerson - &amp;quot;Home Sweet (Remix)&amp;quot; ft. Lady A&#xA;Saweetie - &amp;quot;Icy Chain&amp;quot;&#xA;Seeb &amp;amp; Nina Nesbitt - &amp;quot;Sweet Dreams &amp;amp; Dynamite&amp;quot;&#xA;Smokepurpp - &amp;quot;Not Your Speed&amp;quot; ft. Lil Gnar&#xA;Smoke DZA - &amp;quot;Arrived&amp;quot;&#xA;Snakehips - &amp;quot;All Over U&amp;quot;&#xA;SprngBrk &amp;amp; Future - &amp;quot;Mushrooms&amp;quot;&#xA;Sub Urban - &amp;quot;PARAMOUR&amp;quot; ft. 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<INFO BITRATE="929736" KEY_LYRICS="88 ContributorsPoet Laureate Infinity LyricsInitially titled “Bar War”, this infamous 1000 Bar song was released via Mic Club Records, to promote For Whom the Beat Tolls. Often stylized PLOO, with OO representing the infinity symbol (∞), the layered… Read More &#xA;I got bored with 4 beats to the measure&#xA;Professor Speech Compressor terminated his tenure to explore more rewarding adventure&#xA;Take a closer look at the bars&#xA;You'll see I'm not behind them or in front of them, I'm one of them&#xA;Started with a 100, the Game spit 3, I said, &amp;quot;Fuck it&#xA;I'ma have to show these niggas something&amp;quot;&#xA;Too easy, who'd believe me if I said that it wasn't?&#xA;The rhyme is a weapon, I bust it, the Brotherhood got me covered&#xA;OP Orders with coordinates where to drop mortars&#xA;I drive forward, sandstorms make my eyes water&#xA;Skull is a submarine hull&#xA;Dolphin phones screen calls from places as far away as A.G.C.R&#xA;The rhymes are raw, deeper than yours&#xA;You crawled before you walked but didn't think about your thoughts before you talked&#xA;We spit for sport, I won you lost&#xA;But you paid them off to nail my corpse to a cross&#xA;This is 'The Greatest Rhyme of All Time' supposedly&#xA;1000 Bars it will probably always be&#xA;Mentally top heavy, not many can rock with me&#xA;Hip Hop could not bench me so they plot to suspend me&#xA;I said, &amp;quot;Nobody benefits, everyone perishes&amp;quot;&#xA;I tell them this, they say, &amp;quot;Here, it's time for your medicine&amp;quot;&#xA;Imagine being fined over a rhyme for stepping over the line&#xA;When I inspired Hova and Nas&#xA;I listened to 44 4's 22 times&#xA;I Gave You Power, God stop my heart if I'm lying&#xA;You like red or white wine? Let's talk about it I'm buying&#xA;Let's talk about the Children of Zion, excuse me if I start crying&#xA;The art of rhyming? I've mastered it certainly, surely&#xA;I'll celebrate capturing it for my taxidermy&#xA;From the streets of New Jersey to Germany&#xA;To the jungles of Angola where most the meat poachers heard of me&#xA;The Ice Truck Killer will be observing me perform surgery&#xA;Ritual widow murder, searching for her urgently&#xA;Mix the blood so it don't coagulate&#xA;The sex magik won't work if the bitch masturbates&#xA;I put her on Cloud 9, look at her face&#xA;A cumulus lenticularis, a capsule in space&#xA;You will become acquainted with my cryptic language&#xA;And my mystic manners, rip spit bananas&#xA;Systematic global geographic systemic neosynapsis&#xA;Reload the graphics, notice I spit it rapid&#xA;Advanced Step in Innovative Mobility&#xA;Most MCs try to clone me lyrically&#xA;My cell chemistry is a mirror of who I am physically&#xA;But my true symmetry is energy&#xA;The Will of Claude Ashur&#xA;The skill of Germaine Father Author Poor Pauper Pastor, more than a rapper&#xA;My body is a human machine, my dreams filter in between&#xA;Just wait until I build my machine&#xA;Kill you with weed vapour, then a taser, then a laser&#xA;Then a maser, then a phaser, then something they call scalar&#xA;That is not dead which can eternally lie&#xA;And with strange aeons even death may die&#xA;But why? coup de grâce for the coup d'État&#xA;In a man made lodge the Moon rays replace God&#xA;I think I've had about enough of your tough talk&#xA;Come over here take my cuffs off, I promise you we'll just talk&#xA;No biting allowed, just bark, don't run, just walk&#xA;Battle Rap there is no such art&#xA;Emotion manifests thought, thought manifests words, actions and reality&#xA;This is not fantasy&#xA;If you question me, you will be detained indefinitely&#xA;Your name will be added to the Blacklist Registry&#xA;I'm a scruffy old man with bloody cold hands&#xA;On my arm is a tattoo of a sully old brand&#xA;If I am not myself, then how would I be?&#xA;If I do not look tell me how will I see?&#xA;The Law of Attraction is attracted to me&#xA;The laws of poetry in action is practiced quite actively&#xA;I look at my face more than anybody else&#xA;I still can't recognize myself&#xA;I don't need anybody but myself&#xA;When I'm rhyming like this I don't need no help&#xA;But, thank you for your purchase, these verses have perennial purpose&#xA;But on the other hand these rappers are worthless&#xA;At least from my interconnected introspective perspective&#xA;The more pretentious, the more apprehensive the sentence&#xA;You are lazy, you wanna be the best, you crazy&#xA;The best train every day of the week&#xA;My lyricism amplifies every letter written&#xA;Rip the Jacker spitting inside Zero Vector Systems&#xA;Brain waves reveal High Yield E&amp;amp;D Fields&#xA;Chew MCs like I'm eating a meal&#xA;A bunch of fake niggas tryna keep it pseudo real&#xA;A bunch of fake King Midas' with fools gold grills&#xA;My microphone was found where the Mayan Sun Stone was&#xA;The Period of Purification in my poems&#xA;Mad Max Beyond Thunderdome under red rock&#xA;It's no use if you can't use what you got&#xA;Buried in a mass grave covered in bones&#xA;My cell phone number's placed on their tombstones&#xA;Your girl Gertrude promised me her servitude&#xA;She better do it, I don't wanna have to hurt you dude&#xA;I eat from the same portion as you&#xA;Just in case you try to poison my food but I want you to&#xA;A deer hunter all year if I could spare summers&#xA;Fucking your whore of a mother in front of her queer husband&#xA;Wide lens, wide mattress, she's an actress&#xA;This is Monster Ball practice, I'm Big Billy Bob Black Angus&#xA;You and I can sit and look at each other&#xA;Tossing knowledge back and forth like we was throwing books at each other&#xA;I don't care if we're not the same colour, nigga I'm your brother&#xA;I don't care what you say nigga, you a nigga lover&#xA;All cultures come from One Mind&#xA;The Universe is not far behind – waves, bars and rhymes&#xA;Motivated by the stars that shine&#xA;Only lower density life forms get lost in time&#xA;I don't care if I make history, I wanna be a part of Infinity&#xA;Look at what your Sun God did to me&#xA;I am energy, I am He spiritually and mentally&#xA;The fools who threw away my jewels offended me&#xA;As we walk through the archived files of all styles&#xA;The East Wing Isle goes on for five miles&#xA;More rappers than fans, more fans wrapped in vans&#xA;Hip Hop will continue to expand&#xA;Poets should be rappers, rappers should be lyricists&#xA;The current industry model collapse imminent&#xA;This is Hollywood Hip Hop&#xA;Celebrities adopt little snot nosed bugaboos from off the block&#xA;Larry King Live, earthquake right outside&#xA;I looked that squarely shouldered man square in his eye&#xA;Poetically paralyzing, where are you? Are you hiding?&#xA;No! I am sandbag diving&#xA;Do not evade question&#xA;Please explain to your viewers how there are space weapons bigger than zeppelins&#xA;How is it so? Tell the people, they need to know&#xA;And if you don't think so, you're a talk show ho&#xA;The grown up who showed up drunk with his own cup stoned as fuck&#xA;Who could tell me that this poem is luck&#xA;You say I'm crazy, I say &amp;quot;So, tell me something I don't know&#xA;Something my psyche profile doesn't show&amp;quot;&#xA;I don't have all the answers, I am not in the know&#xA;I can only see what is above and only from below&#xA;The substratum of reality through the thick cloud canopy&#xA;How can it be Canibus? Answer me!&#xA;I approached the podium and delivered my encomium&#xA;Nobody applauded, the atmosphere was ominous&#xA;They feared I would spit, they don't like when I bust&#xA;The mucus dried up to a pear like crust&#xA;From a very cold place called Faraday Base&#xA;Right next to the South Pole's longest ice strait&#xA;Food supply low, they speak of going above ground to find mo'&#xA;I cry out, &amp;quot;No, do not go!&#xA;Where the fuck are you going?&#xA;400mph wind belts blowing, think for a moment&#xA;We got to wait it out, that's what the training's about&#xA;We have to survive, that's what Germaine is about&amp;quot;&#xA;Arctic geography is conducive to astronomy&#xA;And the study of celestial bodies, follow me&#xA;The sheer size of the academia implied by the rhymes&#xA;Lead them to believe I was lying&#xA;I blasted through the limestone with water mixed with a dissolver&#xA;Then I signalled the remaining cave crawlers&#xA;Dig a hole for the collateral carnage, battle the hardest&#xA;Take out Hip Hop's trash and garbage&#xA;Tunnel boring and jacking, water main tapping&#xA;I sat there drafting a new drainage plan, laughing&#xA;Tough, pliable, relatively reliable&#xA;The vocation of this undertaking is very viable&#xA;My lyrical is chemical radioactive residue&#xA;I can't rest until I accomplish what I was sent to do&#xA;The gross oversimplication of a Jamaican&#xA;In a basement tracing over diagrams for a tape deck&#xA;That evolved into a spaceship that hasn't been made yet&#xA;'Cause I haven't been paid yet, not even one pay check&#xA;I walked through the valley of humiliation&#xA;But Hip Hop started hating, I tried to save them, they wasn't patient&#xA;Responsibility entrusted&#xA;There's only one way for me to prove that I love it, that's why I'm busting&#xA;If you pursue revenge, dig many graves&#xA;Be sure to add your name to the list that you've made&#xA;Musically still producing, I got a couple new things cocooning&#xA;But Poet Laureate's my new shit&#xA;Distinguished English and sophisticated senses&#xA;In sync with the talisman I received from the temptress&#xA;With these lyrics I consecrate the spirit&#xA;Whenever I spit it, concentrate you can hear it&#xA;I've almost perfected this, I'm one word away from excellence&#xA;When I find it I'll begin testing it&#xA;The phenomenal beast, astronomer priest&#xA;When the poles shift the Sun will not rise from the East&#xA;Wilder than the wilderness&#xA;I'm 'bout to show you who wildebeest Williams is, you better be filming this&#xA;A blast so cataclysmic, it warps the time and space within it&#xA;The hours become minutes, the minutes become infinite lyrics&#xA;Poet Laureate spit from the spirit, from the Sirius Star system&#xA;To observe the gods&#xA;My thoughts graduated to the stars to Infinity, listen to the bars&#xA;The Kapellmeister in the battlegrinder created by King Osiris&#xA;My psychic wall larger than China's&#xA;The thirst to rhyme at first hurts like a laborious childbirth&#xA;And sounds like Chinese fireworks&#xA;Several million years into the past&#xA;The primitive future in a world without oil and gas&#xA;Focus on two standards when assessing the threat&#xA;Number 1 is capacity, Number 2 is intent&#xA;The flood was not an obstacle&#xA;I made a raft out of empty milk gallon bottles for survival&#xA;Always remember, meet me in Denver&#xA;Colorado Springs in the Vandenberg welcome center&#xA;Four and a half foot beings with big black eyes&#xA;Try to trap me and extract my rhymes all the time&#xA;I perform a requiem on the eve before Hip Hop ends&#xA;And make amends on behalf of my friends&#xA;Canibus grab the mic like an energized amulet&#xA;Then spit a rap that you can't forget&#xA;Oprah Winfrey don't like rap&#xA;All I got to say about that is she probably don't like black&#xA;I don't blame her, she don't understand it's only entertainment&#xA;She probably wouldn't feel different if she wasn't famous&#xA;She Traded Places  and her opinions started changing&#xA;As Randolph and Mortimer increased her wages&#xA;That alone could make a person racist, if not racist with colour?&#xA;Then material wise how we treat each other&#xA;The head of a lion, the legs of an eagle&#xA;The wings of a dragon, not the sigil, this is for real though&#xA;I sit down and think, when I write I can smell the ink&#xA;I bow before the desert wall of the Sphinx&#xA;The ideas have come from God, even I'm stunned&#xA;1000 Bars from the real Iron Lungs&#xA;I heard Hip Hop was Dead, that's not fair&#xA;Who I talk to? Go he there, Nasir&#xA;Poet Laureate Infinity&#xA;I will forever be the illest lyrically&#xA;Poet Laureate Infinity&#xA;Poet Laureate Infinity&#xA;Poet Laureate Infinity&#xA;This has never been done before in history&#xA;&#xA;&#xA;I procured a small piece of the treasure, collections from a former era&#xA;Dating back to forever, the warrior became protector&#xA;Quoted from the book of the law, I don't govern them&#xA;I summon them, speaking in tongues again&#xA;Started with a trumpet, woodwinds, strings&#xA;The conductor brings the drums in, finger trigger the drum kit&#xA;Other MCs be nervous or something&#xA;Rhymes in abundance, Hip Hop justice, rappers are captured and punished&#xA;Drawn and quartered, liars are denied water, you still alive?&#xA;I repeat in a revised order&#xA;My skull is a submarine hull&#xA;Screen doors protect the motherboard core from extreme heat warp&#xA;My mind dives deep beneath yours&#xA;Poseidon trident seahorse bubbles form I scream with extreme force&#xA;Marinaras Trench detour to Ultima Thule, let me explain what my sonar saw&#xA;Upholding the Holy Rosary, patrolling the open seas at U-Boat speed&#xA;Beneath the Tsunami, where I'm supposed to be&#xA;Industrialists, civilians women and children directly&#xA;Military chiefs, aristocrats in the buildings&#xA;Membership is based off your raw intelligence&#xA;400 screen video editing with hard evidence&#xA;The clinical professor of rhymes from Pepperdine&#xA;Co-signed by GlaxoSmithKline designs&#xA;The Universe provided the lighting to see what I was writing&#xA;The results were blinding, lyrics, timing&#xA;Shut the fuck up and stop whining&#xA;Instinct controls how you think before deciding, so keep vibing&#xA;Swimming naked in the open, a lone shark circles me&#xA;Instead of trying to murder me, it tried to flirt with me&#xA;I got away nervously, talked about it purposefully&#xA;Next time I see it, it's going to have a word with me&#xA;I guess it wasn't meant to be&#xA;Under an assumed identity I resumed PsyOps on the enemy&#xA;USA made, field grade steel face&#xA;Moving at a Canibus pace in the proto subspace&#xA;I am not here to negotiate&#xA;Eliminate the face on the photograph we have in our database&#xA;No emcee could rhyme like this, there's no challenge&#xA;His Poet Laureateship pontificates balance&#xA;This lyrical pyramid was discovered by accident&#xA;I know I could build it faster if I block and tackle it&#xA;Judge me fairly&#xA;Compare me to Dante Alighieri's Purgatorio theory&#xA;Assigned to train and equip to spit who's ready?&#xA;I'll need a volunteer, do I have any?&#xA;Next year I'll get my SPINGS, a master space badge&#xA;After that I'll stop flying fixed wing aircraft&#xA;Most of you will never understand what I mean&#xA;My dreams are broken into storyboard scenes&#xA;Worm screw elevators descending to the bottom of the volcano crater&#xA;Inside the Devil's chamber&#xA;&amp;quot;That is not dead which can eternally lie&#xA;And with strange aeons even death may die&amp;quot;&#xA;The leaders lies got me reassigned, my loyalty was redefined&#xA;They will not be allowed to see the rhymes&#xA;What ought to crawl has learned to walk&#xA;One ought not to think is what Rumsfeld thought&#xA;I'm a take you for a walk through a beautiful place called Honey Swamp&#xA;We'll shoot hoops at Mosquito Lagoon Park&#xA;The whirlpool of gravity traps me&#xA;Still allowing me to circle the M51 galaxy&#xA;Rap for me reduces the stress dramatically&#xA;Negative time produces antigravity&#xA;Inject the gas into the centrifuge mass&#xA;The Teleological Dynamic will enhance&#xA;Watch me wet up your weed then bust up you teeth&#xA;Make you run for your life like there's a bus up the street&#xA;The Dr. and I would meet at 29 palms Joshua street&#xA;I always had a lot to debrief&#xA;Killing my health, killing myself&#xA;Rebuilding myself, nobody feel what I felt&#xA;Modifying the weather from behind a weather shield&#xA;Writing with a feathered quill, getting more ill&#xA;The woman who is there, she will take care of you&#xA;With Nexium, Avodart, Lipitor, and Theraflu&#xA;Rap music profession immunosuppressants&#xA;One question per second, One answer per session&#xA;Hip Hop made me, Hip Hop praise me&#xA;Ain't nothing changed me since 1980&#xA;Involuntary catalepsy, battle me baby&#xA;1000 Bars nigga, after that maybe&#xA;Murder, murder, murder, kill kill kill drills&#xA;Williams was real ill, but now I chill&#xA;An asteroid field where every rock shaped like my seal&#xA;I do it for the civilians, I do it for the soldiers&#xA;Raptors, Comanches, Strykers, Cobras&#xA;Back at the TOC with G.W. Prescott&#xA;Grid location missile lock lift up the block&#xA;I gotta spit 'til the story is told&#xA;It's a gift, this story is a part of my soul&#xA;We shouldn't keep fighting, the Earth is our home&#xA;If we destroy Mother Earth, then where we gon' go?&#xA;Starving in destitution, dying for retribution&#xA;Why would you wanna' blow a hospital? You stupid?&#xA;Why would you not force yourself to make better music?&#xA;Our now fruitless creations used to be in abundance&#xA;Like something harder than Tungsten, break your arm if you punch it&#xA;I ride on a flatbed chariot, 4 ostriches carry it&#xA;I control their movements with lariats&#xA;Polygraphs flutter, the Lovecraft craft lover&#xA;Quoting my favourite Inventor, &amp;quot;I see excitement coming&amp;quot;&#xA;I raise my hand, lightening bolts stream from it&#xA;I see excitement coming, I see excitement coming&#xA;Unsatisfied, I decide to redefine rhyme&#xA;To create product of an applied mind&#xA;They say we're divided, I say we're small minded&#xA;Right after I said it I moved to a small island&#xA;There was no contingency plan given to me&#xA;Tell the motherfucker send his transcripts to me&#xA;Swear your allegiance, the tuition is free&#xA;To be a mini me version with minor abilities&#xA;7.83 hertz from the Earth magnified&#xA;Signal Intelligence emanating from your mind&#xA;At the observatory summit of Mt. Graham&#xA;Looking through this starlight scope in my hand&#xA;Beautiful longitudinal musical lyrics&#xA;Fragments of Olympian Gossip is my vision&#xA;If A is a success in life&#xA;Then A must equal X plus Y plus Z no doubt&#xA;If work equals X and play equals Y&#xA;Then Z must be equal to you shutting your mouth&#xA;Surprisingly got The John Campbell award for writing&#xA;By summarizing that rhyming can be dehumanizing&#xA;From the Kinetic to the Energetic&#xA;To the magnetic, ultra, electro, and uncensored resonance&#xA;I need to be alone&#xA;You cannot comfort me like my poems&#xA;1000 BARS put me in the zone&#xA;The Pope shook, they ransacked Rome and burnt books&#xA;I ran back home to hide mine in the woods&#xA;Salute, I would like to propose this next toast&#xA;To maturation barrels I carved from French Oak&#xA;The minerals where they grow determine the stability of the flow&#xA;I might get drunk and boast&#xA;Corruption is necessary, but tell me who's the beneficiary&#xA;Which one of us will sing Hail Mary?&#xA;Hip Hop supposed to be about endurance&#xA;But every time you rhyme not just when I'm touring&#xA;Acupuncture point or plus, is not enough&#xA;I need more pain so I can pretend to be tough&#xA;The facts too acute to repute, or debate&#xA;My face, is a slim sleek gas mask shape&#xA;My dream was identical seven nights in a row&#xA;I saw a sideways 8 wrapped around a microphone&#xA;The window is closing, from the other side it looks like it's opening&#xA;Where am I trying to go with this?&#xA;Fire and Ash fallout, that's what it's all about&#xA;We must construct a shelter, and then build a wall around it&#xA;All the parents want to do is look at the body but&#xA;It won't happen 'til AFTER the official autopsy&#xA;A good psychological environment for science&#xA;I'm memorizing visualizing peace and quiet&#xA;Father Author Poor Pauper has poor posture&#xA;As filthy as the collar of a dirty grave robber&#xA;This is my unacknowledged special access project&#xA;Time reversed waves in nonlinear optics&#xA;The coral reef is changing from green to amber&#xA;Scientist scramble to come up with new answers&#xA;The truth is well within my sphere of pursuit&#xA;But I'm unprepared to take action just like you&#xA;The innate need for Canibus to be professional&#xA;Make it difficult indeed for me to connect with you&#xA;Greetings and salutations, my equations are inundated with information&#xA;Electro cranial stimulation&#xA;Burn skin off face, burn face off skeletal plate&#xA;Plasma Ray Gun is just one explanation&#xA;Man Made Membrane roofing remediation&#xA;Any and ALL entry points have immigration&#xA;One meter beside the Hubble outside the bubble, the effects of gravity on my&#xA;Muscles were quite subtle&#xA;I do what I want to do, I have always been that way&#xA;Because I have always thinked that way&#xA;Attach the piezoelectric transducer to your computer&#xA;Poet Laureate is the future&#xA;Pulsating lights and sounds surrounds spirits&#xA;Binaural Beats, layered underneath lyrics&#xA;250 thousand cycles per second, for Dolphin hearing&#xA;The electrical optical coupling Gear is effective&#xA;88 Kilometres above the planet&#xA;My rhymes harness a power beyond your understanding&#xA;The Gods began to call me, I looked up&#xA;Stars fell towards me and scorched me to a metaphor freak&#xA;The authentic Command Doctrine of George Washington&#xA;Himself, GW I'm positive it's him&#xA;I proof read my writtens, eat a chicken with the skin missing&#xA;Spend the whole night out binge drinking&#xA;Executive Director of Civic Participation spitting&#xA;First it was vote or die, Now it's don't vote, Why?&#xA;Weed is now legalized are you high?&#xA;Rhymes compartmentalized seperatized to prevent bootlegging pirates&#xA;Be my guest keep trying&#xA;The bird chirps dying in the dirt because the earth is hurt&#xA;But not before I start cursing first&#xA;Not so fast Mr. Iconoclast&#xA;If you don't leave the bottle outside you can't pass&#xA;Gather the evidence, then give it to the President&#xA;Don't reprimand him, ask him for help next, 190&#xA;A lamp with no electrode will not glow&#xA;We need some new bright ideas that we did not know&#xA;You cannot fold under the political pressure&#xA;You must take prudent and precautionary measures&#xA;I think of rhymes in my mind when I autograph sign&#xA;I can't wait to sign an autograph for the last time&#xA;A Luciferian web, everyday we are burying dead&#xA;Every colour in America bled&#xA;Empirical evidence of the greatest collection of Canibus sentences&#xA;You'll never reach the end of it, 200&#xA;Fire and forget, rhyme for respect&#xA;I didn't get that so I wrote Poet Laureate&#xA;The Hubble Space Telescope images changed Bis&#xA;And nothing on this Planet can dissuade this&#xA;They left me dehydrated by the Nile River naked but I made it&#xA;With passion of a Microphone Patriot&#xA;Music is my bread and butter, why should I suffer&#xA;My publicist said she could get me the TIME LIFE cover&#xA;The spin off from the Press should be able to feed you&#xA;But I declined cause I'm familiar what greed can do&#xA;I can not lose or win&#xA;I would only like to be remembered as the dark skinned Lizard King&#xA;Into the bottomless pool of Poetry I plunge&#xA;Let it be said, let it be written, let it be done&#xA;Publicly coming forward with my metaphors to share&#xA;About the space serpents flying around in the troposphere&#xA;Poet Laureate Infinity&#xA;I will forever be the illest lyrically&#xA;Poet Laureate Infinity&#xA;Poet Laureate Infinity&#xA;Poet Laureate Infinity&#xA;This never been done before in history&#xA;&#xA;&#xA;I spit at a thousand KIPS, kilo tons of pressure&#xA;Every letter is measured in such a way you will remember&#xA;December, 21st 2012 is the code&#xA;It was placed on the sunstone to puzzle them&#xA;Starting with some numbers, the code crackers start crunching&#xA;I better have some results by the months end&#xA;Really, Deep Blue computes deeply and does it&#xA;What is the answer to Universe? Read me the numbers&#xA;In the summer the Polar Manitoba's melted by lava&#xA;A team of ER doctors climbed aboard the chopper&#xA;My skull is a submarine hull&#xA;I empty the ballast tanks I could smell the shit from the sea gulls&#xA;The Rear Admirable participated in battle every war, and at least half of my&#xA;Crew were injured every tour&#xA;We thought close support from the Navy Carriers and Air Force would give us&#xA;All what we needed, we were wrong&#xA;Canibus is notably known Globally&#xA;My verbal sorcery somehow talks to the beat&#xA;Lyrically you not ready, dress right dress&#xA;Not messy, my muscle memory make me bomb squad steady&#xA;You can't contend with this when I let it rip&#xA;Eyes, ears, nose &amp;amp; throat specialist Professor Bis&#xA;The sublime chakra one thru nine&#xA;Thru the spine induce the rhyme&#xA;Internal fire produces the high&#xA;Recite 33 3's 33 times&#xA;For 24hrs, 21 thousand Nautical miles&#xA;Ahead of my lifetime I write and recite rhymes&#xA;Deja Vu in the booth is the truth, when you apply it&#xA;Devine design, a miracle of Metallurgy&#xA;Every clergy member from Mecca who heard of me worshipped me&#xA;From the shores of Normandy to the Turkish streets&#xA;To the bluest oceans glowing on the Persian beach&#xA;Nuclear Biological Chemical emergency&#xA;I purchase the beat then mix my spit with the mercury&#xA;The DJ grabs the acetate out the crate&#xA;Mix the dub plate, the BPMs fluctuate&#xA;Nobody can hold me back, my flow bloviates to a spiritual shape&#xA;As I co-create rap, 30&#xA;Cold callous chronic chemical imbalance&#xA;Smoking a chalice in the Rabbit hole with Alice&#xA;The target appears in brackets, I attack it&#xA;Access then egress then quit this rap shit&#xA;Commander of the symphony when man meets ministry&#xA;Finishing my Archeogenetic Rap Facility&#xA;They can't battle me so they'd rather embarrass me&#xA;By being mad at me they commit microphone heresy&#xA;I am still the Master&#xA;As handsome as my unborn Grandson, Rip The Jacker&#xA;Call me grandpa, 40 as odd as it may seem&#xA;The microphone fiend is God of the Hip Hop regime&#xA;Planet Rock Supreme&#xA;Kill you with green Lasers, evaporated weed vapour, Electromagnetic Scalar&#xA;Then something they call a Maser&#xA;&amp;quot;That is not dead which can eternally lie&#xA;And with strange aeons even death may die&amp;quot;&#xA;Meteors fall from the sky, The Mars God looks at my eyes&#xA;Controlling my heart, controlling my mind&#xA;Oh Lord, Tell me what to do, Tell me oh Lord&#xA;I have mastered the art of rhyming I am so bored&#xA;My pain my joy my thoughts I've passed them on thru songs&#xA;Respond to me and I will answer to your call&#xA;Emotion manifests Thought, Thought manifests Words Actions &amp;amp; Reality&#xA;That's how it has to be&#xA;In front of me, on both sides and in back of me&#xA;I hear them talk about battling me in the whispering gallery&#xA;The chain of command blames the unseen hand&#xA;The Galactic Plane has a Galactic Plan&#xA;I look up in the sky to see if God is judging me&#xA;Suddenly I feel Fatima and Medjugorie come to me, 60&#xA;Sitting down at the mixing board/round/banquet table comfortably&#xA;They begin to study me, by showing me worlds I would love to see&#xA;My body did not melt beyond the Van Allen Belt&#xA;I was transformed into a spirit with no shell&#xA;I could move about freely, I rose &amp;amp; I fell&#xA;The coldness of heaven is like the coldness of hell&#xA;Metaphoric Sun Worship, pulling me with planet like inertias&#xA;Words blinking like the text edit cursor&#xA;My sentences are sometimes too sensitive to make sense of it&#xA;Layer upon layer upon layer unedited&#xA;You lazy &amp;amp; you wanna' be the best? You crazy!&#xA;The Best Train EVERYDAY of the week&#xA;Propulsion system is gravity driven, white hot thermal&#xA;External vision, every lyric got a wormhole in it&#xA;Saint Germaine is real, Germaine is a sage for real&#xA;My sigil is the double headed eagle seal&#xA;Normal life is not real, we are cogs in a wheel&#xA;We work we hurt we search we feel&#xA;The microphonist that utilizes the study of Conics&#xA;Circular motion in both the para- and the hyperbolas&#xA;Tiger Woods knows this, everytime he plays golf he shows this&#xA;A true master at the masters in focus&#xA;In my time of need, I am not alone&#xA;I was told in a dream by Cthulhu from his tomb&#xA;Try to hurt me, I'll murder you, lay you down vertical&#xA;Made your life purposeful, germinated the earth with you&#xA;My black goggles, are covered with Bat Guano&#xA;I'll hang from the ceiling and watch you, act hostile I'll pop you&#xA;Rap Music and those who listen to it don't owe me nothing&#xA;I don't want nothing from you, not even your judgement&#xA;The Philosophic maverick the massive knowledge magnet&#xA;Underwater sea lilies are the source of my magic&#xA;Matricidal motherfucker homicidal hustler&#xA;Filibuster, never been a Wikipedia lover&#xA;If I were you I wouldn't waste time reading that rubbish&#xA;It might turn you into a media puppet, but fuck it&#xA;Leviathan divides the suspect zero sign&#xA;Therefore I rhyme for all time&#xA;Metaphor and Rhyme is poetry by design&#xA;But poetry continues outside the timeline&#xA;Unnatural battle ability, the enemy tried to imprison me&#xA;But they would've been better off killing me&#xA;Theoretically Shiaperrelli has mentored me&#xA;With motifs of illuminated speech and wizardry&#xA;Over The Horizon Radar Rhymes&#xA;Patent number 4686605&#xA;Sound pours out of the ground across the land&#xA;Jethro Tull was mauled by the god called Pan&#xA;Creative writing and rhythm, grammar and composition&#xA;Don't ignore me, ignore the fool who tells you not to listen&#xA;To you it shouldn't sound like I'm quitting cause I'm not&#xA;If I am to continue it's up to Hip Hop&#xA;Weary of body and mind, tired of swimming against the tide&#xA;Why swim or walk when I can glide?&#xA;Zero Gravity exercising, requires expert timing, for sky diving&#xA;My call sign is Flying Wing&#xA;An impossible profession&#xA;St. Germaine was made to explain the lesson with a 1000 Bar message&#xA;Now you may go&#xA;You have graduated, now you may know&#xA;Tell the world exactly what you were shown&#xA;Sho nuff, sesame street poems brought to you by Sears Roebuck&#xA;Countdown 48 more months&#xA;Does it amaze me? &amp;quot;NO!&amp;quot; Does it phase me? maybe a little yo&#xA;Gotta' find a way to generate doe&#xA;Promoter won't pay me what I want for a show&#xA;Why do it for free when I'm worth my weight in gold?&#xA;Mind Body &amp;amp; Soul inseparable, incredibly&#xA;Proto plasma recycles the matter perpetually&#xA;Hip Hop became boring, lyrics seem more like a vestigial organ&#xA;But they should be more important&#xA;The diaphragm, the thymus&#xA;Activate the latent powers that reside inside us with 13 chakras&#xA;You get the Guantanamo Bay, the Alcatraz way&#xA;You heard what I say? These pigs gotta' pay!&#xA;I steady my approach, this supposed to be a no fly zone&#xA;Black sheep squadron with strobe light hoes&#xA;The hurricane's eye's open&#xA;Gale winds blowing, Moses on a row boat floating in the ocean&#xA;I figured out, how to save water in a drought&#xA;If we save the right amount I know we can make it out&#xA;The ever expanding mind commanding body do you copy?&#xA;The quantum biology biopsy&#xA;My austere designs are so ahead of their time&#xA;Even when you press rewind your still left behind&#xA;Father Author Poor Pauper, breaths to draw Prana&#xA;In a yoga pose tryna get close to yo mama&#xA;Your ear cartilage has been targeted, The bombing will commence&#xA;Don't be a bitch nigga you started it&#xA;On the Sabbath I write preplanning for the Planet&#xA;Drawing mathematics, suspended in space as holographics&#xA;Scientifically quantifiable megalomaniacal&#xA;Viable style it's like trying to ride a bull&#xA;The lyrical inimical is miserable because I've built a citadel&#xA;Of syllables that made me invincible&#xA;Am I a mad man or a mason? A patriot or a pagan?&#xA;West Coasting in a 64 with Rose Gold Daytons&#xA;The propulsion system matrix is poorly calibrated&#xA;I'm waiting on the parts special order replacements&#xA;Battle Rap is just aimless entertainment&#xA;Second Round Knockout was one of they favourites, Fuck all the haters&#xA;My luck was crushed, I felt like they fronted&#xA;My heart kept pumping, I had to do something&#xA;I turned the page, wrote a turn of phrase&#xA;Verbal X-Rays, they say &amp;quot;I don't burn I blaze&amp;quot;&#xA;Don't look at it like winning or losing, in '98 it was amusing&#xA;But Poet Laureate is my New Shit!&#xA;Time keep on slipping the Ripper keeps ripping&#xA;But right now my image stands still in a prism&#xA;My light reflects like a mirror, I choose to share it&#xA;The Precession of Earth is nearing, I'm preparing&#xA;Assessment and Planning things, should I put mustard on these sandwiches, a&#xA;Fathers job is so challenging&#xA;My pupil size increase, constriction and velocity decrease&#xA;You can't Emcee take a seat&#xA;What are you building Bis? Is it a flying Silver Disk?&#xA;If you ever leave you'll be missed&#xA;I tear thru the Galactic drift, I travel 10 digits in 10 minutes&#xA;Now that's some shit! You think that's fast? Nah....&#xA;That's faster than you think, By the time you blink, the whole Universe shrinks&#xA;A word to the wise, try to keep your eyes in the skies&#xA;And try to keep your ears on my rhymes&#xA;A magic reminder that the fire will not expire&#xA;Pyrus Sidonious gives me energy when I'm tired&#xA;The Sun is so bright my eyes hurt, I'm forced to look downward&#xA;Now I see inside the Earth&#xA;I Thank Mother Gaia for bearing us green grass&#xA;But it won't last we're killing her with greenhouse gas&#xA;You said &amp;quot;the best shouldn't have to ask for respect&amp;quot;&#xA;Is that correct? Yes could you please speak up, I SAID YES!&#xA;I hold Hip Hop responsible&#xA;Every magazine writer that wrote bullshit in their articles&#xA;Gone 'til November? I'll be gone forever&#xA;I made these bars so you could ALL remember&#xA;The illest MC to put it all on the line&#xA;My career was crucified but I'm still alive&#xA;Sky scraper spaceships, wide crater dry lake beds&#xA;&amp;quot;resistance is futile&amp;quot; they said&#xA;I bear clutch the pen, my girlfriends jealous again&#xA;So intimate when I write it's a sin, 200&#xA;My electromagnetic rap flytrap&#xA;There's no way Earth you can get around that&#xA;This is a no brainer, stop the complaining&#xA;If Hip Hop is dead I'm here to save it&#xA;Pages upon pages everything I've created&#xA;The bar was below basic, I had to raise it&#xA;I did it for my Fathers, I did it for my Mothers and my Brothers&#xA;I did it for the world to discover&#xA;My poetry is peaceful, aggressive but regal&#xA;Progressive to the people, I hope the words reach you 210&#xA;Dr. Watson and Crick found an 3rd strand in the DNA helix&#xA;So your not what you think&#xA;Metronome Man will never take commands from the drum&#xA;The beat is my slave and it will behave as I want&#xA;Cheers! I spill beer on my bear skin chairs&#xA;I shed tears I loved Hip Hop all these years&#xA;Poet Laureate Infinity&#xA;I WILL FOREVER BE THE ILLEST LYRICALLY!&#xA;Poet Laureate Infinity&#xA;Poet Laureate Infinity&#xA;Poet Laureate Infinity&#xA;This has never been done before in history&#xA;&#xA;&#xA;Nobody do it better, there ain't a truer Ripper&#xA;I did this separate imagine what we could do together&#xA;Inspired by GOD, inspired by the suffering&#xA;Was it done by a prophet? It must have been, who was it then&#xA;Rip The Jacker, hot but cold blooded&#xA;Many utter the name but very few love him&#xA;33 is the number that enlightens the Brothers&#xA;Insight to the fullest, that could brighten the dullest&#xA;The ramifications are awesome, what should we call it?&#xA;I call it my unacknowledged special access project&#xA;My skull is a submarine hull&#xA;In a cave below ground with a painting of Cthulhu on the wall&#xA;Necronomicon grimoires, open the doors&#xA;The vortex that reaches from here to beyond,10&#xA;The power to control thoughts however remotely&#xA;Through a term I'd like to call &amp;quot;Pulse Detonation Poetry&amp;quot;&#xA;The results from SETI, very interesting&#xA;I briefed the committee they told me to stop the testing&#xA;My team was credited, we turned over the evidence&#xA;But not before I could leverage it, for promotion to President&#xA;Cover me, 8 point sighting device for the eyes&#xA;FIRE!!! Transition if you go dry&#xA;Close your eyes, ritualize, spit your rhymes&#xA;Without trying you can shift your mind&#xA;Canibus altered the sequence nucleotides&#xA;Neuropetides only get high off mature Wine&#xA;Start timing, Atomic Clock keeps time perfectly, 20&#xA;Mrs. Guutoff my band teacher always would work me&#xA;Polyester pants, big fat ass&#xA;I loved that woman so much, I paid attention in class&#xA;My Spanish teacher Mrs Booker had an ass too&#xA;Why am I talking about this to you?&#xA;One day this will be known for now I must wait&#xA;I still love them both, and I never forget a face&#xA;At the time I used my Beta waves more than my Theta waves&#xA;Then there was greater way I learned at a later date&#xA;The rate of learning began burgeoning and wouldn't let up, 30&#xA;Mommy noticed my vocabulary I developed&#xA;Telencephalon olfactory lobes I had to practice&#xA;When a woman has her period I smell it on the mattress&#xA;It got to be difficult for any woman to live with me&#xA;I know my history, but what could that mean specifically?&#xA;The story of Bruce Lee, I died in my sleep&#xA;I was weak, it happens with every girl that I meet&#xA;A Clairvoyant Technique&#xA;Using X-Ray refraction, Not only can I see into the future&#xA;I can see past it, 40&#xA;But I don't know what it means I pass the DataStream along to my team&#xA;They say it's more than a dream&#xA;Killing caused by poisonous vapours, Lasers, Tasers, Masers&#xA;Electromagnetic Scalars&#xA;&amp;quot;That is not dead which can eternally lie&#xA;And with strange aeons even death may die&amp;quot;&#xA;Listen to the rhymes, the rhymes equal pie&#xA;If I had a piece of the pie I could buy Dubai&#xA;Rip The Jacker was born, the bow was drawn&#xA;Spit a 100 bars before you could run 100 yards, 50&#xA;I seen a mushroom to the north, from my porch&#xA;It was odd, every dog in the neighbourhood barked&#xA;You wanna stand there and talk?&#xA;The blast wave gonna' tear more than your roof off, nigga C'mon!&#xA;It is my understanding, that when I'm high I'm channelling&#xA;But when I'm out with the family I am animal handling&#xA;Observe a man who has a third DNA strand&#xA;Or a 5th or a 6th, this is way more advanced&#xA;I remove the veil from in front of me, suddenly&#xA;The roots of my discovery uncovered skulduggery, 60&#xA;I am not innocent, but you cannot punish me&#xA;Cause I know what the world wants to see, tragedy&#xA;What is Germaine determined to ascertain for his self?&#xA;Few of the same ilk have known what I felt&#xA;There's a Proverb that goes &amp;quot;One should know thyself&amp;quot;&#xA;Before one can know the world so I showed myself&#xA;The unidentified submersible, looked like a giant turtle half circle&#xA;Yo, I need to stop smoking purple&#xA;Requested selected elected, but that's only impressive to the experts&#xA;Who know how to manipulate my message, 70&#xA;You lazy and you wanna be the best? I repeat&#xA;Don't talk about consciousness when you are consciousless and weak&#xA;If I die and YOU happen to wake up, I'm still alive&#xA;Please explain my complete life story to my children&#xA;Photo stills of the cryospill&#xA;Solarized film revealed there was a biofield&#xA;Fuck a record deal, my training is real&#xA;Look at the sword I wield, you will taste my steel&#xA;Phase I, sign the MOU, pursue more voters&#xA;There's three more phases that I think you should know, 80&#xA;Phase II, build the force, Phase III, sustain Ops&#xA;Phase IV, transition of Border Patrol Cops&#xA;Do, Re, Mi, Fa, Sol, La, Si-Do&#xA;These are the tones that will activate the ohms&#xA;No telling if it will bring out the best or the worst in you&#xA;It would be a miracle if I was merciful&#xA;Are you food for the moon? Or are you in the mood for doom?&#xA;Furniture moves when I walk into a room&#xA;STRYKER BRIGADE Driver, sometimes I was GUNNER&#xA;Check points required all the concentration I could muster, 90&#xA;Special Weapons And Tactics, Professional Assassin&#xA;I don't know what he does for a living ask him&#xA;I kneel before Congress and beg for money&#xA;Submitting specifics about the operation I'm running&#xA;You gotta' love it, what was it called? The G8 Summit&#xA;&amp;quot;Never heard of it&amp;quot;, no details are public&#xA;The relative radiance of the rhyme makes it shine&#xA;Increasing the star wattage with longer cycle time&#xA;Yeah, I bust the rhymes but I customize the lines&#xA;And by the looks of things I did it just in time, 100&#xA;I marched from the Halls of Montezuma to Tripoli&#xA;Physically this mission objective is killing me&#xA;I submit to the will of the creator willingly&#xA;The possibilities present a probable infinity&#xA;I looked into LL's eyes we both cried&#xA;Meteors immediately fell from the skies&#xA;I've apologized but I can't change who I am&#xA;I can change future, can't budge the past&#xA;Them pretty ass lyrics is for bitches with acrylic&#xA;Only fake niggas catch feelings over silly shit, 110&#xA;SPORTS locked and loaded, zero you in from the pillbox&#xA;Williams! How many kills you got?&#xA;The uniforms match so we all look the same from the sky&#xA;They only time they notice the difference is when we die&#xA;Is dying a wise thing? What about trying?&#xA;What about our family members back home crying?&#xA;Man made weapons Star Ship Captain etc&#xA;George Lucas showed me a full size replica&#xA;We circled for a fly over in a black KIOWA&#xA;5 soldiers including me and a pilot called Noah&#xA;He passed over a top secret dossier folder half opened, 120&#xA;I noticed the words MOSES and CONUS&#xA;MOSES is a new weapon system secret code&#xA;CONUS is the continent of the US, I suppose&#xA;The jump light lit up, Master Chief said &amp;quot;Let's Go!&amp;quot;&#xA;All right men this is what we train for&#xA;Williams you gotta go first, &amp;quot;if you say so, HALO&amp;quot;, High Altitude Stay Low&#xA;Gale Winds blowing, this might be the death of me&#xA;The AIRBORNE unit in the back of me jumped out next to me&#xA;Gold chords from the organ cut down your swordsman&#xA;Tell everybody to shut the fuck up when I'm talking, 130&#xA;[Not in current version: fuel mix rich, human hydrogen slush&#xA;The rhymes are too Christ Complex like for them,]&#xA;The 1000 Bar race at an unrelenting pace&#xA;Just in case Humans ever get to World War 8&#xA;Do you believe in fate? Then how do you know?&#xA;When you finally get there, where will you go?&#xA;This ain't no joke, you think I'm joking&#xA;Everything frozen, melted, destroyed, broken&#xA;Only the chosen find a way out&#xA;Everybody move out! Stay off the main route, 140&#xA;Satellites watch me they think they got me&#xA;Right hands turn left shoulders around but it's not me&#xA;Atmospheric Re-entry a flying sighting, looked like lightening&#xA;Striking blind, what it struck was frying&#xA;Comparative image sharpness between all artists&#xA;I don't think you know what you're about to get involved in&#xA;I'll give a quadrillion dollars to be a partner&#xA;If you are still worshipping money, you are Godless&#xA;Sulphuric Nitric Acid eats through the Labyrinth&#xA;The foundation is cracking, we must take action, 150&#xA;Basic Instruction Before Leaving Earth B.I.B.L.E&#xA;I take shelter in an old Missile Silo&#xA;Hip Hop is blackened pot placed next to a kettle&#xA;With my logo in it, a rigid rehomogenized metal&#xA;Millions of you are unfamiliar with what I'm saying?&#xA;Discuss it with your Chemistry Professor he will praise it&#xA;Tri Quad Quintangulate where did the signal originated?&#xA;Try to find out more information&#xA;The internal atheist outside the MATRIX&#xA;Sophia Stewart offered me a pill and said &amp;quot;take this&amp;quot;&#xA;She asked me if I was followed, I told her I wasn't&#xA;I didn't know the spy that sold me out would be my own cousin&#xA;&amp;quot;A populace uniformed is a populace of slaves&amp;quot;&#xA;Washington didn't say it quite that way&#xA;But it's something like that, you get the point I'm assuming&#xA;Poet Laureate Exclusive New Shit!&#xA;The message said &amp;quot;We should meet somewhere clandestine&amp;quot;&#xA;Professor keep heading East to the Best Western&#xA;Do not loose your bearings, keep checking your direction&#xA;&amp;quot;Start Session point 666 arc seconds&amp;quot;&#xA;The budget is huge, I have doubts about spending it&#xA;Concerning Cyclotronic Resonance, patents are pending it&#xA;Canibus aka &amp;quot;The Spitzberg Beast&amp;quot;&#xA;Gave his Bicentennial Speech on Emerald Peak&#xA;You'll need a first aid kit for the verse I spit&#xA;I am cautiously meticulous but artfully brisk&#xA;A change is beginning every molecule is spinning&#xA;Lyrics imitate the art, art imitates lyrics, can you hear it?&#xA;Signals bounce back and forth like a mirror&#xA;With flawless error, like that forever&#xA;Surface the air radar tells me where they are, 180&#xA;Are they far? I patiently watch the sweep arm&#xA;We can find them but they can't find us&#xA;Just below Mach 3 the rhymes ionizes&#xA;I'm hooked on Hip Hop, I can't live without it&#xA;You can mix this song a thousand ways I don't doubt it&#xA;The daughters of man locked in prison camps&#xA;With the sons of mothers that are too weak to dance&#xA;At least we notice damage, what do we expect&#xA;The coming super storm is gonna wipe us off the map 190&#xA;But that is not possible, that's sounds completely illogical&#xA;You must've been kicked the fuck out of school&#xA;Always remember the Reptilian agenda&#xA;&amp;quot;No Pulse Rendered&amp;quot; in the earthquake's epicentre&#xA;I found fluoride in my water supply&#xA;At the time I felt a total apathy towards dying&#xA;The ungrateful dead reoccurring images playing in my head&#xA;I was told to memorize what I was said&#xA;&amp;quot;With this salt I consecrate this water&#xA;May whatever it touch receive Hallowed LIGHT from THEM&amp;quot;&#xA;&amp;quot;With this sacred water I consecrate this Talisman so that&#xA;It will make ME POET LAUREATE&amp;quot; otherwise I'll be so depressed, oh well no&#xA;Regrets, I been toe to toe with the best, I KNOW the LEDGE&#xA;I accept all cultures colours creeds and races&#xA;Life is Life no taxonomical classification&#xA;No corruption no disruption no destruction no budget no nothing&#xA;It's never that easy you just gotta trust it&#xA;A leader I feel beleaguered to teach the truth&#xA;The Youth will refuse to follow if they don't believe you&#xA;There is strength in numbers there are numbers in strength&#xA;Nothing good comes from hatred, Love's the missing link&#xA;Even if I am in a minority of one&#xA;The truth is still the truth no matter how it's spun&#xA;My mind is prepared, Hip Hop is impaired&#xA;If you disagree with me then yours isn't there&#xA;&#xA;&#xA;I rock rhymes for your pleasure, you listen at your leisure&#xA;I only record it once you listen to it forever&#xA;The fish hook stuck in your jaws, the feedback was not positive&#xA;Human Hominids fishing for compliments&#xA;Started with a nugget, the budget snowballed into something&#xA;Above ground running not underground covered&#xA;Breath easy, regulate the pace see if they love it&#xA;The Poet Laureate puppet with a message from &amp;quot;THE OTHERS&amp;quot;&#xA;The aura describes the forces&#xA;I'm too involved to divorce it, my internal compass points me northward&#xA;My skull is a submarine hull, calling whales with whale song&#xA;Creating basketball size hailstorms&#xA;Water World under water war protected by the Jericho wall&#xA;With surface permutation of the permafrost&#xA;My war birds are grounded, their wings have been burned off&#xA;I'm not concerned though, it's only the first lost&#xA;Poetry Poetry Poetry Poetry Poetry&#xA;Poet Laureate infinity now you know it's me&#xA;Yeti riding a Triceratops with Elephant netting&#xA;Attending Black Widow weddings dressing in gossamer webbing&#xA;Pretending, experimenting, they call me a heretic&#xA;A derelict cherubim seraphim protecting America&#xA;Height, weight, eye colour, skeletal structure was designed&#xA;I circle my flight instructors in the skies as they fly&#xA;22 times, to show them I have plenty new rhymes&#xA;Poet Laureate will prove it to you all in due time&#xA;Don't be upset with Canibus yet, the kid just want respect&#xA;You been a success but what do he get?&#xA;Politics and Perjury bring out the worst in me&#xA;But I don't take it personally, even though it's hurting me&#xA;The key maker turns the key, those observing me keep cursing me&#xA;They aren't worthy of a word from me&#xA;I spit the truth Rip the mic Rip the booth Rip you too&#xA;Rip the Jacker is proof I Ripped through&#xA;It drives me insane when a woman wears lace&#xA;The current gene structure is 46 pair based&#xA;Her heart rumbling and thundering like Captain Nicole Malachowski from an&#xA;Airbase, on a clear day&#xA;Ok I'm a pervert, It's time to fess up&#xA;I might be looking for a leg up, but I won't touch&#xA;Closet sadomasochist sexual pacifist&#xA;I like to role play but I only play masculine&#xA;Victory over injury a victim to misery&#xA;The myriad of my metaphors make me a mystical mystery&#xA;I'm a giant in the industry just over 5 ft&#xA;Even my photo ID don't look like me&#xA;&#xA;The NASA contractor with a satchel of answers&#xA;I passed up the Nobel Peace Prize for my passion&#xA;Democracy Rules Everything Around Me, D.R.E.A.M&#xA;Another fucking acronym, just what I need&#xA;Killing me with phrases that were designed to put me into dazes&#xA;As worthless as my junk mail is&#xA;&amp;quot;That is not dead which can eternally lie&#xA;And with strange aeons even death may die&amp;quot;&#xA;The Squid Faced God is difficult to describe&#xA;Those of weak heart and mind shouldn't even try&#xA;In a town near Kadam and Kakrak Jahlalabad&#xA;I pray in a hut constructed from Sago Palm&#xA;Astoria Oregon Fisherman Poets got lost&#xA;Looking for Paradise, it only exists in the heart&#xA;Cause emotion manifests Thought, Thought manifests Words Actions and Reality&#xA;But what is attracting me?&#xA;The overseer of poetic antiquity&#xA;The Victoria and Albert Museum kept them for me&#xA;Pythagoras, Dionysus, Loki and Pan&#xA;They have enlightened me thru song to understand&#xA;The multiplex meshing multiple messages is too much for me&#xA;Truly there is too much to see&#xA;I'll mix one for you, then one for me&#xA;I'll mix some for the street, mix 'til my thumbs bleed&#xA;A stationary pulley drawing from a wishing well&#xA;The Genie gave me more than three because I listen well&#xA;Conflicted and confused but completely compelled&#xA;To celebrate my birthday alone in the year 2012&#xA;I hope I am not alone, that would be terrible&#xA;If I am celebrating then that would be a miracle&#xA;In a newly ordered world living in shit&#xA;No matter how good or poor your English is&#xA;You lazy and you wanna be the best? You crazy!&#xA;Poet Laureate is reserved for the name G&#xA;E-r-m-a-i-n-e, Will I am, the name that my precious mother gave me&#xA;The world came to know me as Sir William&#xA;The man of steel with a Smallville build with the illest&#xA;Some of my thoughts align with Einstein himself&#xA;I wanna know God's thoughts too, the rest are details&#xA;Lyrical Fitness is no secret of course but&#xA;The secret to creativity is hiding your sources&#xA;Preserve the sanctity of the Soldiers in IRAQ&#xA;Do not blame them and hold their humanity hostage&#xA;Pray for the families that want them home&#xA;Pray for the families abroad that have lost their homes&#xA;Who have lost their faith, who have lost their hope&#xA;Who have lost their point, who have lost their own&#xA;Yo! calm the fuck down, I shouldn't have to curse at you&#xA;Hydrate as much as possible, drink a lot of juice&#xA;Fucking bummer, no armour inside the Hummer&#xA;Gotta hug a motherfucking sandbag for cover&#xA;Now I'm self employed, still gotta pay taxes&#xA;Cashless, bankrupt, ain't got no assets&#xA;From the gutter to the gallows no media coverage&#xA;Cause I don't want it, that's why I'm rarely seen in public&#xA;President Poetry, the popular obedient Pundit&#xA;That's right, you can take this job and shove it&#xA;I dictate a scribe that causes the court stenographer to die&#xA;Brewing hot tea with honey and lime&#xA;How is my driving? Run you off the road smiling&#xA;1-800-RoadRage, Start dialing&#xA;The snake will grow feet and stampede you to your defeat&#xA;You are weak, you lied to us all in your speech&#xA;Symbiotic indeed, the host bleeds&#xA;Parasites attach to feed fulfilling antiquated needs&#xA;Rock climbed the slope shaped like a stop sign&#xA;In record clock time, Hot Lava lock rhymes rock slide topside&#xA;How does one ever really perfect such a craft?&#xA;You're obliged by your curiosity to ask&#xA;Cubism and Futurism writing amusing lyrics&#xA;My opinion of your opinion is you can't be serious&#xA;Test driving my principle findings&#xA;By designing a new style of rhyming you can take home and try out&#xA;A 100 Bars per hour sometimes I doubled the writing secret signature timing&#xA;Was the hardest part to figure out&#xA;Agonizing, the pain of the migraine biting my brain&#xA;And everything inside it I can't explain but I'm trying&#xA;I heard this before, I can't remember who said it&#xA;We hear from 1000 to 20 thousand cycles per second&#xA;Straight out the freak show no pre-show&#xA;Limited oxygen when I rhyme fast you breath slow&#xA;VFR stands for Visual Flight Rules by the Book&#xA;You should know this even though it concern the showbiz&#xA;Because when in Rome, walk as a Roman&#xA;Obviously you can see you've made the wrong choice&#xA;Fraternize but don't do it in the wrong tone of voice&#xA;A bad boy with bad toys made from new alloys&#xA;Readapted from a crashed asteroid&#xA;My shelter is not far, you can borrow what you need&#xA;The bunker doors sequestered beneath the tall tumble weeds&#xA;After the Matrix, Agent Smith continued his movement&#xA;The same bullshit, that humans are major pollutants&#xA;Assemble the Gatlin gun, spin it see if it spun&#xA;Weapons check correct, I'm done - next one&#xA;My rap room is an 8 by 14 underground base&#xA;Hyper cube microphone booth in a vacuum of space&#xA;Extraterrestrial Isotopic ratios&#xA;A broke Scientist in his Lab with no place to go&#xA;All these conscious rappers ain't saying nothing&#xA;Matter fact they have no constituent function&#xA;Mix this record different, you'll hear me call names out&#xA;It's played out but there must be alternative routes&#xA;The Geneva Protocol Advocates are so sloppy&#xA;A human being is not anybody's property&#xA;Reading body language in a Zero Gravity environment&#xA;Is much easier said than done, if your trying it&#xA;Attending the Opera with a Pompous Ego Monster&#xA;I can barely take my eyes off her big old knockers&#xA;Integrated in an existing clothing ensemble&#xA;My Saratoga Suit is Military Garment&#xA;The Quarantine Isolation Unit is where I house it&#xA;My team and I salvage the work of Dr. Fritz Albert&#xA;If the prototype works, there's no telling what I will do&#xA;I'll have to get a new Plane a new Pilot and a Crew&#xA;Creatively I have never been to this level&#xA;First I'll put you in a sideways 8, then a pretzel&#xA;Password please have patience verification&#xA;I repeat, &amp;quot;What's Your Character String Verification?&amp;quot;&#xA;Infrared spectral observation from the Space Station&#xA;Before you take a break, I'll need you to list and name them&#xA;Dock the Kliper Craft at the preliminary designation&#xA;Tracing the Detection of Submicron Radiation&#xA;Do not leave the Orbital Boom Sensor System running&#xA;I heard something called nothing that the Cosmonauts were coming&#xA;The rhymes are in place, General George Case&#xA;And Peter Pace said we had absolutely no time to waste&#xA;Next time we meet this whole song will be a new mix&#xA;For all the Rippers out there who need a new fix&#xA;My father is Jamaican, my mother is British&#xA;Raised to be civic, in the household we spoke Yiddish&#xA;ELF 100 cps, Elephant Hearing&#xA;I'm heading for the clearing, Storm Clouds appearing&#xA;On the back of an Elephant with advanced intelligence&#xA;Like Nikola Tesla, shit!, damn that's a smart Elephant&#xA;Cease fire breach, riot and loot for 3 weeks, don't you see&#xA;Broke niggas never promote peace&#xA;Suzanne Malveaux will interview the polygamist Mr. Bis&#xA;Undisclosed in his home by the cliffs&#xA;I rip shit consistent spit persistent&#xA;The sickness, spit with conviction, promote lyrical fitness&#xA;I'm lost, what version is this?&#xA;Mozart with a flowchart putting together parts of an unknown art&#xA;But coming from my own heart&#xA;Burning a disk, initializing, rhyming and visualizing&#xA;Reaching 1000 Bars and climbing&#xA;Martial Law Research, an all expense paid trip to the dirt&#xA;Several miles deep underneath the Earth&#xA;The Boston Visionary Cell designed my new Lab&#xA;Paul Laffoley engineered a magnificent draft&#xA;Extraordinary men, who meet to review and recommend&#xA;I attend the Gubernatorial that never ends, 190&#xA;We just got a SASO, we call this one the Black Hole&#xA;I'm glad I'm the last to go&#xA;Zionism the answer to your uncensored question&#xA;Guy de Rothschild and his bloodline brethren&#xA;Playing the guitar singing folk songs, speaking my mind&#xA;Nobody could really understand the reason I rhyme&#xA;Infrared direct hit, target bled, proceed to inject the syringe with meds&#xA;That subsequently pinch your leg&#xA;You feel like your an inch from being dead&#xA;But you alive instead, you're really dead your just living in my head&#xA;Fire for effect, smoke out then rest&#xA;Give me a wedge formation, roll out like this&#xA;I will spare no sin, walk in with a scarecrow grin, looking crazy&#xA;Cause that's what you made me&#xA;Classified payloads with no frequency safe modes, no safety&#xA;And I still made time for the ladies&#xA;Ceiling visibility unlimited&#xA;A lyricist river fish surrounded by nigga shrimp&#xA;I'm a killer pimp&#xA;Somebody Hip Hop don't need me&#xA;Nigga I grew up in D.C., I love Lil' Weezy, 210&#xA;Me and Baby got the same name&#xA;We probably got the same blood in our veins, liquid propane&#xA;At the top of the Temple Mount Mosque I look at the Sun&#xA;I just have a few words for everyone&#xA;Everybody bow your heads and say this prayer&#xA;From this moment Hip Hop is united everywhere&#xA;Poet Laureate Infinity&#xA;I will forever be the illest lyrically&#xA;&#xA;Poet Laureate Infinity&#xA;Poet Laureate Infinity&#xA;Poet Laureate Infinity&#xA;This has never been done before in history" PRODUCER="R&amp;S Records" COVERARTID="067/D4GKXABX4MXYGDV2VBLRB4EIWG0C" PLAYTIME="379" PLAYTIME_FLOAT="378.422394" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="43138"></INFO>
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<INFO BITRATE="894826" KEY_LYRICS="1 ContributorThe Mysteries Of Mithra - The Doctrine of the Mithraic Mysteries LyricsTHE DOCTRINE OF THE MITHRAIC MYSTERIES&#xA;&#xA;FOR more than three centuries Mithraism was practised in the remotest provinces of the Roman empire and under the most diverse conditions. It is not to be supposed for a moment that during this long period its sacred traditions remained unchanged, or that the philosophies which one after another swayed the minds of antiquity, or for that matter the political and social conditions of the empire, did not exercise upon them some influence. But undoubted though it be that the Persian Mysteries underwent some modification in the Occident, the inadequacy of the data at our disposal prevents us from following this evolution in its various phases and from distinctly defining the local differences which it may have presented. All that we can do is to sketch in large outlines the character of the doctrines which were taught by it, indicating the additions and revisions which they apparently underwent. Besides, the alterations that it suffered were largely superficial. The identity of the images and hieratical formulas of the most remote periods and places, proves that before the time of its introduction into the Latin countries reformed Mazdaism had already consolidated its theology. Contrary to the ancient Græco-Roman paganism, which&#xA;&#xA;MITHRAIC KRONOS (ÆON OR ZERVAN AKARANA) REPRESENTING BOUNDLESS TIME.The statue here reproduced was found in the, mithræum of Ostia before mentioned, where C. Valerius Heracles and his sons dedicated it in the year 190 A.D. This leontocephalous figure is entirely nude, the body being entwined six times by a serpent, the head of which rests on the skull of the god. Four wings decorated with the symbols of the seasons issue from the back. Each hand holds a key, and the right in addition a long scepter, the symbol of authority, A thunderbolt is engraved on the breast. On the base of the statue may be seen the hammer and tongs of Vulcan, the cock and the pine-cone consecrated to Æsculapius (or possibly to the Sun and to Attis), and the wand of Mercury--all characteristic adjuncts of the Mithraic Saturn, and symbolizing the embodiment in him of the powers of all the gods. (T. et M., p. 238.)&#xA;&#xA;&#xA;&#xA;was an assemblage of practices and beliefs without logical bond, Mithraism had a genuine&#xA;&#xA;Fig. 21.&#xA;MITHRAIC KRONOS OF FLORENCE.&#xA;(T. et M., p. 259.)theology, a dogmatic system, which borrowed from science its fundamental principles. The belief appears generally to prevail that Mithra was the only Iranian god that was introduced into the Occident, and that everything in his religion that does not relate directly to him was adventitious and recent. This is a gratuitous and erroneous supposition. Mithra was accompanied in his migrations by a large representation from the Mazdean Pantheon, and if he was in the eyes of his devotees the principal hero of the religion to which he gave his name, he was nevertheless not its Supreme God.&#xA;&#xA;At the pinnacle of the divine hierarchy and at the origin of things, the Mithraic theology, the heir of that of the Zervanitic Magi, placed boundless Time. Sometimes they would call it Αἰών or Sæculum, Κρόνος or Saturnus; but these appellations were conventional and contingent, for he was considered ineffable, bereft alike of name, sex, and passions. In imitation of his Oriental prototype, he was represented in the likeness of a human monster with the head of a lion and his body enveloped by a serpent. The multiplicity of attributes with which his statues are loaded is in keeping with the kaleidoscopic nature of his character. He bears the scepter and the bolts of divine sovereignty and holds in each hand a key as the monarch of the heavens whose portals he opens. His wings are symbolic of the rapidity of his flight. The reptile whose sinuous folds enwrap him, typifies the tortuous course of the Sun on the ecliptic; the signs of&#xA;&#xA;&#xA;Fig. 22.&#xA;MITHRAIC KRONOS (ÆON, OR INFINITE TIME).Nude leontocephalous figure standing upright on a globe; in each hand a key; four wings; thrice entwined by a serpent, the head of which passes over the skull and is about to enter the mouth. Sketched by Bartoli from a description found in a mithræum discovered in the 16th century in Rome, between the Quirinal and the Viminal. (T. et. M., Fig. 21, p. 196.)&#xA;&#xA;the zodiac engraved on his body and the emblems of the seasons that accompany them, are meant to represent the celestial and terrestrial phenomena that signalize the eternal flight of the years. He creates and destroys all things; he is the Lord and master of the four elements that compose the universe, he virtually unites in his person the power of all the gods, whom he alone has begotten. Sometimes he is identified with Destiny, at others with the primitive light or the primitive fire; while both conceptions rendered it possible for him to be compared with the Supreme Cause of the Stoics,--the heat which pervades all things, which has shaped all things, and which under another aspect was Fatality (Εἱμαρμένη). See Figs. 20-23; also Fig. 49.&#xA;&#xA;The preachers of Mithra sought to resolve the grand problem of the origin of the world by the hypothesis of a series of successive generations. The first principle, according to an ancient belief found in India as well as in Greece, begot a primordial couple, the Heaven and the Earth; and the latter, impregnated by her brother, gave birth to the vast Ocean which was equal in power to its parents, and which appears to have formed with them the supreme triad of the Mithraic Pantheon. The relation of this triad to Kronos or Time from which it had sprung, was not clearly defined; and the starry Heavens of which the revolutions determined, as was believed, the course&#xA;&#xA;&#xA;Fig. 23.&#xA;MITHRAIC LEONTOCEPHALOUS KRONOS.Bas-relief of white marble. Found in the same mithræum as the statue of Figure 22. Naked to the waist; the limbs clothed in wide trousers; the arms extended; and in each hand a torch. From the back four wings issue, two pointing upwards and two downwards, and around each is a serpent. Before the god is a circular burning altar, and from his mouth a band representing his breath extends to the fire of the altar. (T. et M., Fig. 22, p. 196.)&#xA;&#xA;&#xA;of all events, appear at times to have been confounded with the eternal Destiny. These three cosmic divinities were personified under other names less transparent. The Heavens were naught less than Ormazd or Jupiter, the Earth was identified with Speñta-Armaîti or Juno, and the Ocean was similarly called Apâm-Napât or Neptune. Like the Greek theogonies, so the Mithraic traditions narrated that Zeus succeeded Kronos, the king of the first ages, in the government of the world. The bas-reliefs show us this Mazdean Saturn placing in the hands of his son the thunderbolts which were the symbol of his sovereign power. Henceforward Jupiter with his consort Juno was to reign over all the other gods, all of whom owe to this couple their existence.&#xA;&#xA;The Olympian deities were sprung in fact from the marriage of the celestial Jupiter with the terrestrial Juno. Their eldest daughter is Fortune (Fortuna primigenia), who bestows on her worshippers every grace of body and every beauty of soul. Her beneficent generosity is contrasted with Anangke, which represents the unalterable rigor of fate. Themis or the Law, the Moiræ or the Fates, were other personifications of Destiny, which manifests under various forms a character which was susceptible of infinite development. The sovereign couple further gave birth not only to Neptune who became their peer, but to a long line of other immortals: Artagnes or Hercules, whose heroic deeds the sacred hymns celebrated; Shahrîvar or Mars, who was the god of the metals and succored the pious warrior in his combats; Vulcan or Atar, the genius of fire; Mercury, the messenger of Zeus; Bacchus or Haoma, the personification of the plant that furnished the sacred drink; Silvanus or Drvâspa, protector of horses and agriculture; then Anaïtis, the goddess of the fecundating waters, who has been likened to Venus and Cybele and who, presiding over war, was also invoked under the name of Minerva; Diana or Luna, who made the honey which was used in the purifications; Vanaiñiti or Nike, who gave victory to kings; Asha or Arete, perfect virtue; and others besides. This innumerable multitude of divinities was enthroned with Jupiter or Zeus on the sun-tipped summits of Mt. Olympus and composed the celestial court.&#xA;&#xA;Contrasted with this luminous abode, where dwelt the Most High gods in resplendent radiance, was a dark and dismal domain in the bowels of the earth. Here Ahriman or Pluto, born like Jupiter of Infinite Time, reigned with Hecate over the maleficent monsters that had issued from their impure embraces.&#xA;&#xA;These demoniac confederates of the King of Hell then ascended to the assault of Heaven and attempted to dethrone the successor of Kronos; but, shattered like the Greek giants by the ruler of the gods, these rebel monsters were hurled backward into the abyss from&#xA;&#xA;&#xA;Fig. 24.&#xA;FRAGMENTS OF A BAS-RELIEF IN WHITE ITALIAN MARBLE.Found at Virunum, in Noricum, and now in the Historical Museum Rudolfinum, Klagenfurt, Austria. The central part of the monument is entirely destroyed; the head of the sun-god from the left-hand corner alone having been left (see Fig. 11), The left border represents a Hellenized illustration of Ahura-Mazda's struggle with demons, after the manner of the gigantomachy. The lower part of the same fragment exhibits the birth of Mithra. (T. et M., p. 336.)&#xA;&#xA;which they had risen (Figure 24). They made their escape, however, from that place and wandered about on the surface of the earth, there to spread misery and to corrupt the hearts of men, who, in order to ward off the evils that menaced them, were obliged to appease these perverse spirits by offering them expiatory sacrifices. The initiate also knew how by appropriate rites and incantations to enlist them in his service and to employ them against the enemies whose destruction he was meditating.&#xA;&#xA;The gods no longer confined themselves to the ethereal spheres which were their appanage. If theogony represents them as gathered in Olympus around their parents and sovereigns, cosmology exhibits them under another aspect. Their energy filled the world, and they were the active principles of its transformations. Fire, personified in the name of Vulcan, was the most exalted of these natural forces, and it was worshipped in all its manifestations, whether it shone in the stars or in the lightning, whether it animated living creatures, stimulated the growth of plants, or lay dormant in the bowels of the earth. In the deep recesses of the subterranean crypts It burned perpetually on the altars, and its votaries were fearful to contaminate its purity by sacrilegious contact.&#xA;&#xA;They opined with primitive artlessness that fire and water were brother and sister, and they entertained the same superstitious respect for the one as for the other. They worshipped alike the saline floods which filled the deep seas and which were termed indifferently Neptune and Oceanus, the springs that gurgled from the recesses of the earth, the rivers that flowed over its surface, and the placid lakes resplendent in their limpid sheen. A perpetual spring bubbled in the vicinity of the temples, and was the recipient of the homage and the offerings of its visitors. This font perennial (fons perennis) was alike the symbolization of the material and moral boons that the inexhaustible generosity of Infinite Time scattered throughout the universe, and that of the spiritual rejuvenation accorded to wearied souls in the eternity of felicity.&#xA;&#xA;The primitive earth, the nourishing earth, the mother earth (terra mater), fecundated by the waters of Heaven, occupied a like important place, if not in the ritual, at least in the doctrine of this religion; and the four cardinal winds which were correlated with the deified Seasons were invoked as genii to be both feared and loved: feared because they were the capricious arbiters of the temperature, which brought heat or cold, tempests or calms, which alternately moistened and dried the atmosphere, which produced the vegetation of the spring and withered the foliage of the autumn,--and loved as the diverse manifestations of the air itself, which is the principle of all life.&#xA;&#xA;&#xA;In other words, Mithraism deified the four simple bodies which, according to the physics of the ancients, composed the universe. An allegorical group, often reproduced, in which a lion represented fire, a cup water, a serpent the earth, pictured the struggle of the opposing elements, which were constantly devouring one another and whose perpetual transmutations and infinitely variable combinations provoked all the phenomena of nature (Fig. 25).&#xA;&#xA;Hymns of fantastic symbolism celebrated the metamorphoses which the antitheses of these four elements produced in the world. The Supreme God drives a chariot drawn by four steeds which turn ceaselessly round in a fixed circle. The first, which bears on its shining coat the signs of the planets and constellations, is sturdy and agile and traverses the circumference of the fixed circle with extreme velocity; the second, less vigorous and less rapid in its movements, wears a somber robe, of which one side only is illuminated by the rays of the sun; the third proceeds more slowly still; and the fourth turns slowly in the same spot, champing restlessly its steel bit, whilst its companions move round it as round a stationary column in the center. The quadriga turns slowly and unimpeded, regularly completing its eternal course. But at a certain moment the fiery breath of the first horse falling upon the fourth ignites its mane, and its neighbor, exhausted by its efforts, inundates it with torrents of perspiration. Finally,&#xA;Fig. 25.&#xA;GRAND MITHRAIC BAS-RELIEF OF HEDDERNHEIM, GERMANY.In the center Mithra with the two torch-bearers; immediately above, the signs of the Zodiac; immediately above these, Mithra aiming his arrow at the rock (page 138); below the bull a group composed of the lion, the cup, and the servant. For the obverse of this bas-relief, see supra, p. 54. (T. et M., p. 364.)&#xA;&#xA;&#xA;&#xA;a still more remarkable phenomenon takes place. The appearance of the quartette is transformed. The steeds interchange natures in such wise that the substance of all passes over to the most robust and ardent of the group, just as if a sculptor, after having modelled figures in wax, had borrowed the attributes of one to complete the others, and had ended by merging all into a single form. Then, the conquering steed in this divine struggle, having become by his triumph omnipotent, is identified with the charioteer himself. The first horse is the incarnation of fire or ether, the second of air, the third of water, and the fourth of the earth. The accidents which befall the last-mentioned horse, the earth, represent the conflagrations and inundations which have desolated and will in the future desolate our world; and the victory of the first horse is the symbolic image of the final conflict that shall destroy the existing order of all things.&#xA;&#xA;The cosmic quadriga, which draws the suprasensible Cause, has not been figured in the sacred iconography. The latter reserved for a visible god this emblematic group. The votaries of Mithra, like the ancient Persians, adored the Sun that traversed each day in its chariot the spaces of the firmament and sank at dusk extinguishing its fires in the ocean. When it appeared again on the horizon, its brilliant light scattered in flight the spirits of darkness, and it purified all creation, to which its radiance restored life. A like worship was accorded to the Moon, which voyaged in the spheres above on a cart drawn by white bulls. The animal of reproduction and of agriculture had been assigned to the goddess that presided over the increase of plants and the generation of living creatures.&#xA;&#xA;The elements, accordingly, were not the only natural bodies that were deified in the Mysteries. The two luminaries that fecundated nature were worshipped here the same as in primitive Mazdaism, but the conceptions which the Aryas formed of them have been profoundly transformed by the influences of Chaldæan theories.&#xA;&#xA;As we have already said, 1 the ancient belief of the Persians had been forcibly subjected in Babylon to the influence of a theology which was based on the science of its day, and the majority of the gods of Iran had been likened to the stars worshipped in the valley of the Euphrates. They acquired thus a new character entirely different from their original one, and the name of the same deity thus assumed and preserved in the Occident a double meaning. The Magi were unsuccessful in harmonizing these new doctrines with their ancient religion, for the Semitic astrology was as irreconcilable with the naturalism of Iran as it was with the paganism of Greece. But looking upon these contradictions as simple differences of degree in the perception of one and the same truth, the clergy reserved for the élite exclusively the revelation of the original Mazdean doctrines concerning the origin and destiny of man and the world, whilst the multitude were forced to remain content with the brilliant and superficial symbolism inspired by the speculations of the Chaldæans. The astronomical allegories concealed from the curiosity of the vulgar the real scope of the hieratic representations, and the promise of complete illumination, long withheld, fed the ardor of faith with the fascinating allurements of mystery.&#xA;&#xA;The most potent of these sidereal deities, those which were most often invoked and for which were reserved the richest offerings, were the Planets. Conformably to astrological theories, the planets were endowed with virtues and qualities for which it is frequently difficult for us to discover adequate reasons. Each of the planetary bodies presided over a day of the week, to each some one metal was consecrated, each was associated with some one degree in the initiation, and their number has caused a special religious potency to be attributed to the number seven. In descending from the empyrean to the earth, the souls, it was thought, successively received from them their passions and qualities. These planetary bodies were frequently represented on the monuments, now by symbols recalling the elements of which they were formed or the sacrifices which were offered to them, and now under the aspect of the immortal gods throned on the Greek Olympus: Helios, Selene, Ares, Hermes, Zeus, Aphrodite, Kronos. But these images have here an entirely different signification from what they possess when they stand for Ahura-Mazda, Zervan, or the other gods of Mazdaism. Then the personifications of the Heavens or of Infinite Time are not seen in them, but only the luminous stars whose wandering course can be followed amid the constellations. This double system of interpretation was particularly applied to the Sun, conceived now as identical with Mithra and now as distinct from him. In reality there were two solar divinities in the Mysteries, one Iranian and the heir of the Persian Hvare, the other Semitic, the substitute of the Babylonian Shamash, identified with Mithra.&#xA;&#xA;By the side of the planetary gods who have still a double character, purely sidereal divinities received their tribute of homage. The twelve signs of the Zodiac, which in their daily revolution subject creatures to their adverse influences, were represented in all of the mithræums under their traditional aspect (Fig. 26). Each of them was without doubt the object of particular veneration during the month over which it presided, and they were customarily grouped by threes according to the Seasons to which they conformed and with the worship of which theirs was associated. (See also Fig. 49.)&#xA;&#xA;But the signs of the Zodiac were not the only constellations that were incorporated by the priests in their theology. The astronomical method of interpretation, having been&#xA;&#xA;&#xA;Fig. 26.&#xA;MARBLE BAS-RELIEF FOUND IN LONDON.In the center the tauroctonous Mithra with the torch-bearers surrounded by the twelve signs of the Zodiac. In the lower corners busts of the Winds; in the upper corners the Sun on his quadriga and the Moon on a chariot drawn by bulls. The inscription reads: Ulpius Silvanus emeritus leg(ionis) II Aug(ustæ) votum solvit. (that is, honorably discharged at Orange). (T. et M., p. 389.)&#xA;&#xA;once adopted in the Mysteries, was freely extended and made to embrace all possible figures. There was scarcely any object or animal that was not in some way conceived as the symbolic image of a stellar group. Thus the raven, the cup, the dog, and the lion, that ordinarily accompany the group of the tauroctonous Mithra, were readily identified with the constellations of the same name. The two celestial hemispheres that alternately pass above and below the earth were personified and likened to the Dioscuri, who, according to&#xA;&#xA;Fig. 27.&#xA;MITHRAIC CAMEO.After Chiflet, reproduced from C. W. King.&#xA;&#xA;&#xA;&#xA;the Hellenic fable, lived and died by turns. Mythology and erudition were everywhere mingled. The hymns described a hero like the Greek Atlas who bore on his untiring shoulders the globe of Heaven, and who is regarded as the inventor of astronomy. But these demi-gods were relegated to the background; the planets and the signs of the Zodiac never ceased to preserve their incontestable primacy, for it was they above all others, according to the astrologers, that controlled the existence of men and guided the Course of things.&#xA;&#xA;This was the capital doctrine that Babylon introduced into Mazdaism: belief in Fatality,&#xA;&#xA;&#xA;MITHRAIC CAMEO.Showing Mithra born from the rock between the Dioscuri, surrounded by Mithraic symbols, among them the cup and bread of the Eucharist. (Reproduced from Walsh.)&#xA;&#xA;&#xA;&#xA;the conception of an inevitable Destiny controlling the events of this world and inseparably conjoined with the revolution of the starry heavens. This Destiny, identified with Zervan, became the Supreme Being which engendered all things and ruled the universe. The development of the universe is subject to immutable laws and its various parts are united in the most intimate solidarity. The position of the planets, their mutual relations and energies, at every moment different, produce the series of terrestrial phenomena. Astrology, of which these postulates were the dogmas, certainly owes some share of its success to the Mithraic propaganda, and Mithraism is therefore partly responsible for the triumph in the West of this pseudo-science with its long train of errors and terrors.&#xA;&#xA;The rigorous logic of its deductions assured to this stupendous chimera a more complete domination over reflecting minds than the belief in the infernal powers and in the invocation of spirits, although the latter commanded greater sway over popular credulity. The independent power attributed by Mazdaism to the principle of evil afforded justification for all manner of occult practices. Necromancy, oneiromancy, belief in the evil eye and in talismans, in witchcraft and conjurations, in fine, all the puerile and sinister aberrations of ancient paganism, found their justification in the rôle assigned to demons who incessantly interfered in the affairs of men. The Persian Mysteries are not free from the grave reproach of having condoned, if not of having really taught, these various superstitions. And the title &amp;quot;Magus&amp;quot; became in the popular mind, not without good reason, a synonym for &amp;quot;magician.&amp;quot;&#xA;&#xA;Yet neither the conception of an inexorable necessity unpityingly forcing the human race toward an unknown goal, nor even the fear of malevolent spirits bent on its destruction, was competent to attract the multitudes to the altars of the Mithraic gods. The rigor of these somber doctrines was tempered by a belief in benevolent powers sympathizing with the sufferings of mortals. Even the planets were not, as in the didactic works of the theoretical astrologists, cosmic powers whose favorable or sinister influence waxed great or diminished conformably to the revolutions of a circle fixed for all eternity. They were, as in the doctrine of the old Chaldæan religion, divinities that saw and heard, that rejoiced or lamented, whose wrath might be appeased, and whose favor might be gained by prayers and by offerings. The faithful reposed their confidence in the support of these benevolent protectors who combated without respite the powers of evil.&#xA;&#xA;The hymns that celebrated the exploits of the gods have unfortunately almost all perished, and we know these epic traditions only through the monuments which served to illustrate them. Nevertheless, the character of this sacred poetry is recognizable in the débris which has come down to us. Thus, the labors of Verethraghna, the Mazdean Hercules, were chanted in Armenia. It is told here how he strangled the dragons and aided Jupiter in his triumphant combat with the monstrous giants; and like the votaries of the Avesta, the Roman adepts of Mazdaism compared him to a bellicose and destructive boar.&#xA;&#xA;But the hero that enjoyed the greatest rôle in these warlike tales was Mithra. Certain mighty deeds, which in the books of Zoroastrianism were attributed to other divinities, were associated with his person. He had become the center of a cycle of legends which alone explain the preponderant place that was accorded him in this religion. It is because of the astounding feats accomplished by him that this god, who did not hold supreme rank in the celestial hierarchy, has given his name to the Persian Mysteries that were disseminated in the Occident.&#xA;&#xA;For the ancient Magi, Mithra was, as we have seen, the god of light, and as the light is borne by the air he was thought to inhabit the Middle Zone between Heaven and Hell, and for this reason the name of μεσίτης was given to him. In order to signalize this attribute in the ritual, the sixteenth or middle day of each month was consecrated to him. When he was identified with Shamash, 1 his priests in investing him with the appellation of &amp;quot;intermediary&amp;quot; doubtless had in mind the fact that, according to the Chaldæan doctrines, the sun occupied the middle place in the planetary choir. But this middle position was not exclusively a position in space; it was also invested with an important moral significance. Mithra was the&#xA;&#xA;&#xA;Fig. 29.&#xA;&#xA;STATUES OF TORCH-BEARERS.(Museum of Palermo. T. et M., p. 270.)&#xA;&#xA;&#xA;&#xA;&amp;quot;mediator&amp;quot; between the unapproachable and unknowable god that reigned in the ethereal spheres and the human race that struggled and suffered here below. Shamash had already enjoyed analogous functions in Babylon, and the Greek philosophers also saw in the glittering globe that poured down upon this world its light, the ever-present image of the invisible Being, of whom reason alone could conceive the existence.&#xA;&#xA;It was in this adventitious quality of the genius of the solar light that Mithra was best known in the Occident, and his monuments frequently suggest this borrowed character. It was customary to represent him between two youthful figures, one with an uplifted, the other with an inverted, torch. These youths bore the enigmatic epithets of Cauti and Cautopati, and were naught else than the double incarnation of his person (Figs. 18 and 29). These two dadophori, as they were called, and the tauroctonous hero formed together a triad, and in this &amp;quot;triple Mithra&amp;quot; was variously seen either the star of day, whose coming at morn the cock announced, who passed at midday triumphantly into the zenith and at night languorously fell toward the horizon; or the sun which, as it waxed in strength, entered the constellation of Taurus and marked the beginning of spring,--the sun whose conquering ardors fecundated nature in the heart of summer and the sun that afterwards, enfeebled, traversed the sign of the Scorpion and announced the return of winter. From another point of view, one of these torchbearers was regarded as the emblem of heat and of life, and the other as the emblem of cold and of death. Similarly, the tauroctonous group was variously explained with the aid of an astronomical symbolism more ingenious than rational. Yet these sidereal interpretations were nothing more than intellectual diversions designed to amuse the neophytes&#xA;&#xA;Fig. 30.&#xA;MITHRA BORN FROM THE ROCK.Bas-relief found in the crypt of St. Clements at Rome. (T. et M., p. 202.)&#xA;&#xA;prior to their receiving the revelation of the esoteric doctrines that constituted the ancient Iranian legend of Mithra. The story of this legend is lost, but the bas-reliefs recount certain episodes of it, and its contents appear to have been somewhat as follows:&#xA;&#xA;The light bursting from the heavens, which were conceived as a solid vault, became, in the mythology of the Magi, Mithra born from the rock. The tradition ran that the &amp;quot;Generative Rock,&amp;quot; of which a standing image was worshipped in the temples, had given birth to Mithra. on the banks of a river, under the&#xA;&#xA;&#xA;Fig. 31.&#xA;MITHRA BORN FROM THE ROCK.Holding in his hand the Grape which in the West replaced the Haoma of the Persians. (T. et M., p. 231.)&#xA;&#xA;shade of a sacred tree, and that shepherds alone, 1 ensconced in a neighboring mountain, had witnessed the miracle of his entrance into the world. They had seen him issue forth from the rocky mass, his head adorned with a Phrygian cap, armed with a knife, and carrying a torch that had illuminated the somber depths. below (Fig. 30). Worshipfully the shepherds drew near, offering the divine infant the first fruits of their flock and their harvests. But the young hero was naked and exposed to the winds that blew with violence: he had concealed himself in the branches of a fig-tree, and detaching the fruit from the tree with the aid of his knife, he ate of it, and stripping it of its leaves he made himself garments. Thus equipped for the battle, he was able henceforward to measure his strength with the other powers, that peopled the marvellous world into which he had entered. For although the shepherds were pasturing their flocks when he was born, all these things came to pass before there were men on earth.&#xA;&#xA;The god with whom Mithra first measured his strength was the Sun. The latter was compelled to render homage to the superiority of his rival and to receive from him his investiture. His conqueror placed upon his head the radiant crown that he has borne in his daily course ever since his downfall. Then he caused him to rise again, and extending to him his right hand concluded with him a solemn covenant of friendship. And ever after, the two allied heroes faithfully supported each other in all their enterprises (Fig. 32).&#xA;&#xA;The most extraordinary of these epic adventures was Mithra's combat with the bull, the first living creature created by Ormazd. This&#xA;&#xA;Fig. 32.&#xA;FRAGMENT OF THE BAS-RELIEF OF VIRUNUM.Showing scenes from the life of Mithra. Among them Mithra crowning the sun-god with a radiate halo, his ascension in the solar chariot to Heaven, and his smiting the rock from which the waters flowed. (T. et. M., p. 336)&#xA;&#xA;ingenious fable carries us back to the very beginnings of civilization. It could never have risen save among a people of shepherds and&#xA;&#xA;&#xA;Fig. 33.&#xA;THE TAUROCTONOUS (BULL-SLAYING) MITHRA AND THE TAUROPHOROUS (BULL-BEARING) MITHRA; BETWEEN THEM THE DOG.Clay cup found at Lanuvium. (T. et M. Fig. 80, p. 247.)&#xA;&#xA;hunters with whom cattle, the source of all wealth, had become an object of religious veneration. In the eyes of such a people, the capture of a wild bull was an achievement so highly fraught with honor as to be apparently no derogation even for a god.&#xA;&#xA;The redoubtable bull was grazing in a pasture on the mountain-side; the hero, resorting to a bold stratagem, seized it by the horns and succeeded in mounting it. The infuriated quadruped, breaking into a gallop, struggled in vain to free itself from its rider; the latter, although unseated by the bull's mad rush, never for a moment relaxed his hold; he suffered himself to be dragged along, suspended from the horns of the animal, which, finally exhausted by its efforts, was forced to surrender. Its conqueror then seizing it by its hind hoofs, dragged it backwards over a road strewn with obstacles (Fig. 33) into the cave which served as his home.&#xA;&#xA;This painful journey (Transitus) of Mithra became the symbol of human sufferings. But the bull, it would appear, succeeded in making its escape from its prison, and roamed again at large over the mountain pastures. The Sun then sent the raven, his messenger, to carry to his ally the command to slay the fugitive. Mithra received this cruel mission much against his will, but submitting to the decree of Heaven he pursued the truant beast with his agile dog, succeeded in overtaking it just at the moment when it was taking refuge in the cave which it had quitted, and seizing it by the nostrils with one hand, with the other he plunged deep into its flank his hunting-knife. Then came an extraordinary prodigy to pass.&#xA;&#xA;&#xA;Fig. 34.&#xA;TWO BRONZE PLAQUES (VATICAN).The one to the left has the head of Jupiter (Silvanus?). The right hand holds a pine-cone, the left a branch entwined by a serpent. On the right shoulder is an eagle, and the breast is decorated with Mithraic figures in relief: the tauroctonous Mithra, a cup, the head of a ram, and a five-rayed disc. The right-hand bust is that of a bearded Oriental with Phrygian cap, holding in the right hand a pine-cone and in the left a torch entwined by a serpent--a crude piece of work and probably of Asiatic origin. (T. et M. Figs. 97 and 98, p. 260.)&#xA;&#xA;From the body of the moribund victim sprang all the useful herbs and plants that cover the earth with their verdure. From the spinal cord of the animal sprang the wheat that gives us our bread, and from its blood the vine that produces the sacred drink of the Mysteries. In vain did the Evil Spirit launch forth his unclean demons against the anguish-wrung animal, in order to poison in it the very sources of life; the scorpion, the ant, the serpent, strove in vain to consume the genital parts and to drink the blood of the prolific quadruped; but they were powerless to impede the miracle that was enacting. The seed of the bull, gathered and purified by the Moon, produced all the different species of useful animals, and its soul, under the protection of the dog, the faithful companion of Mithra, ascended into the celestial spheres above, where, receiving the honors of divinity, it became under the name of Silvanus the guardian of herds. Thus, through the sacrifice which he had so resignedly undertaken, the tauroctonous hero became the creator of all the beneficent beings on earth; and, from the death which he had caused, was born a new life, more rich and more fecund than the old.&#xA;&#xA;Meanwhile, the first human couple had been called into existence, and Mithra was charged with keeping a watchful eye over this privileged race. It was in vain the Spirit of Darkness invoked his pestilential scourges to destroy it; the god always knew how to balk his mortiferous designs. Ahriman first desolated the land by causing a protracted drought, and its inhabitants, tortured by thirst, implored the aid of his ever-victorious adversary. The divine archer discharged his arrows against a precipitous rock, and here gushed forth from it a spring of living water to which the suppliants thronged to cool their parched palates. 1 But a still more terrible cataclysm followed, which menaced all nature. A universal deluge depopulated the earth, which was overwhelmed by the waters of the rivers and the seas. One man alone, secretly advised by the gods, had constructed a boat and had saved himself, together with his cattle, in an ark which floated on the broad expanse of waters. Then a great conflagration ravaged the world and consumed utterly both the habitations of men and of beasts. But the creatures of Ormazd also ultimately escaped this new peril, thanks to celestial protection, and henceforward the human race was permitted to wax great and multiply in peace.&#xA;&#xA;The heroic period of history was now closed, and the terrestrial mission of Mithra accomplished. In a Last Supper, which the initiated commemorated by mystical love feasts, he celebrated with Helios and the other companions of his labors the termination of their common struggles. Then the gods ascended to the Heavens. Borne by the Sun on his radiant quadriga, Mithra crossed the Ocean, which sought in vain to engulf him (Fig. 35), and took up his habitation with the rest of the immortals.&#xA;&#xA;&#xA;Fig. 35.&#xA;BAS-RELIEF OF APULUM, DACIA.In the center, the tauroctonous Mithra with the two torch-bearers; to the left, Mithra mounted on the bull, and Mithra taurophorous; to the right, a lion stretched lengthwise above a cup (symbols of fire and water). Upper border: Bust of Luna; new-born Mithra reclining near the banks of a stream; shepherd standing, with lambs; bull in a hut and bull in a boat; underneath, the seven altars; Mithra drawing a bow; bust of the Sun. Lower border: Banquet of Mithra and the Sun; Mithra mounting the quadriga of the Sun; the Ocean surrounded by a serpent. (T. et M., p. 309.)&#xA;&#xA;But from the heights of Heaven he never ceased to protect the faithful ones that piously served him.&#xA;&#xA;This mythical recital of the origin of the world enables us to understand the importance which the tauroctonous god enjoyed in his religion, and to comprehend better what the pagan theologians endeavored to express by the title &amp;quot;mediator.&amp;quot; Mithra is the creator to whom Jupiter-Ormazd committed the task of establishing and of maintaining order in nature. He is, to speak in the philosophical language of the times, the Logos that emanated from God and shared His omnipotence; who, after having fashioned the world as demiurge, continued to watch faithfully over it. The primal defeat of Ahriman had not reduced him to absolute impotence; the struggle between the good and the evil was still conducted on earth between the emissaries of the sovereign of Olympus and those of the Prince of Darkness; it raged in the celestial spheres in the opposition of propitious and adverse stars, and it reverberated in the hearts of men,--the epitomes of the universe.&#xA;&#xA;Life is a battle, and to issue forth from it victorious the law must be faithfully fulfilled that the divinity himself revealed to the ancient Magi. What were the obligations that Mithraism imposed upon its followers? What were those &amp;quot;commandments&amp;quot; to which its adepts had to bow in order to be rewarded in the world to come? Our incertitude on these points is extreme, for we have not the shadow of a right to identify the precepts revealed in the Mysteries with those formulated in the Avesta. Nevertheless, it would appear certain that the ethics of the Magi of the Occident had made no concession to the license of the Babylonian cults and that it had still preserved the lofty character of the ethics of the ancient Persians. Perfect purity had remained for them the cult toward which the life of the faithful should tend. Their ritual required repeated lustrations and ablutions, which were believed to wash away the stains of the soul. This catharsis or purification both conformed to the Mazdean traditions and was in harmony with the general tendencies of the age. Yielding to these tendencies, the Mithraists carried their principles even to excess, and their ideals of perfection verged on asceticism. Abstinence from certain foods and absolute continence were regarded as praiseworthy.&#xA;&#xA;Resistance to sensuality was one of the aspects of the combat with the principle of evil. To support untiringly this combat with the followers of Ahriman, who, under multiple forms, disputed with the gods the empire of the world, was the duty of the servitors of Mithra. Their dualistic system was particularly adapted to fostering individual effort and to developing human energy. They did not lose themselves, as did the other sects, in contemplative mysticism; for them, the good dwelt in action. They rated strength higher than gentleness, and preferred courage to lenity. From their long association with barbaric religions, there was perhaps a residue of&#xA;&#xA;&#xA;Fig. 36.&#xA;VOTIVE INSCRIPTION TO MITHRA NABARZE (VICTORIOUS).Found at Sarmizegetusa. (T. et M., p. 231.)&#xA;&#xA;&#xA;cruelty in their ethics. A religion of soldiers, Mithraism exalted the military virtues above all others.&#xA;&#xA;In the war which the zealous champion of piety carries on unceasingly with the malign demons, he is assisted by Mithra. Mithra is the god of help, whom one never invokes in vain, an unfailing haven, the anchor of salvation for mortals in all their trials, the dauntless champion who sustains his devotees in their frailty, through all the tribulations of life. As with the Persians, so here he is still the defender of truth and justice, the protector of holiness, and the intrepid antagonist of the powers of darkness. Eternally young and vigorous, he pursues them without mercy; &amp;quot;always awake, always alert,&amp;quot; it is impossible to surprise him; and from his never-ceasing combats he always emerges the victor. This is the idea that unceasingly occurs in the inscriptions, the idea expressed by the Persian surname Nabarze (Fig. 36), by the Greek and Latin epithets of ἀνίκητος, invictus, insuperabilis. As the god of armies, Mithra caused his protégés to triumph over their barbarous adversaries, and likewise in the moral realm he gave them victory over the instincts of evil, inspired by the Spirit of Falsehood, and he assured them salvation both in this world and in that to come.&#xA;&#xA;Like all the Oriental cults, the Persian Mysteries mingled with their cosmogonic fables and their theological speculations, ideas of deliverance and redemption. They believed in the conscious survival after death of the divine essence that dwells within us, and in punishments and rewards beyond the tomb.&#xA;&#xA;The souls, of which an infinite multitude peopled the habitations of the Most High, descended here below to animate the bodies of men, either because they were compelled by bitter necessity to fall into this material and corrupt world, or because they had dropped of their own accord upon the earth to undertake here the battle against the demons. When after death the genius of corruption took possession of the body, and the soul quitted its human prison, the devas of darkness and the emissaries of Heaven disputed for its possession. A special decree decided whether it was worthy to ascend again into Paradise. If it was stained by an impure life, the emissaries of Ahriman dragged it down to the infernal depths, where they inflicted upon it a thousand tortures; or perhaps, as a mark of its fall, it was condemned to take up its abode in the body of some unclean animal. If, on the contrary, its merits outweighed its faults, it was borne aloft to the regions on high.&#xA;&#xA;The heavens were divided into seven spheres, each of which was conjoined with a planet. A sort of ladder, composed of eight superposed gates, the first seven of which were constructed of different metals, was the symbolic suggestion in the temples, of the road to be followed to reach the supreme region of the fixed stars. To pass from one story to the next, each time the wayfarer had to enter a gate guarded by an angel of Ormazd. The initiates alone, to whom the appropriate formulas had been taught, knew how to appease these inexorable guardians. As the soul traversed these different zones, it rid itself, as one would of garments, of the passions and faculties that it had received in its descent to the earth. It abandoned to the Moon its vital and nutritive energy, to Mercury its desires, to Venus its wicked appetites, to the Sun its intellectual capacities, to Mars its love of war, to Jupiter its ambitious dreams, to Saturn its inclinations. It was naked, stripped of every vice and every sensibility, when it penetrated the eighth heaven to enjoy there, as an essence supreme, and in the eternal light that bathed the gods, beatitude without end. 1&#xA;&#xA;It was Mithra, the protector of truth, that presided over the judgment of the soul after its decease. It was he, the mediator, that served as a guide to his faithful ones in their courageous ascent to the empyrean; he was the celestial father that received them in his resplendent mansion, like children who had returned from a distant voyage.&#xA;&#xA;The happiness reserved for these quintessentialized monads in a spiritual world is rather difficult to conceive, and doubtless this doctrine had but feeble attraction for vulgar minds. Another belief, which was added to the first by a sort of superfœtation, offered the prospect of more material enjoyment. The doctrine of the immortality of the soul was rounded off by the doctrine of the resurrection of the flesh.&#xA;&#xA;The struggle between the principles of good and evil is not destined to continue into all eternity. When the age assigned for its duration shall have rolled away, the scourges sent by Ahriman will compass the destruction of the world. A marvellous bull, analogous to the primitive bull, will then again appear on earth, and Mithra will redescend and reawaken men to life. All will sally forth from the tombs, will assume their former appearance, and recognize one another. Humanity entire will unite in one grand assembly, and the god of truth will separate the good from the bad. Then in a supreme sacrifice, he will immolate the divine bull; will mingle its fat with the consecrated wine, and will offer to the just this miraculous beverage which will endow them all with immortality. Then Jupiter-Ormazd, yielding to the prayers of the beatified ones, will cause to fall from the heavens a devouring fire which will annihilate all the wicked. The defeat of the Spirit of Darkness will be achieved, and in the general conflagration Ahriman and his impure demons will perish and the rejuvenated universe enjoy unto all eternity happiness without end.&#xA;&#xA;We who have never experienced the Mithraic spirit of grace are apt to be disconcerted by the incoherence and absurdity of this body of doctrine, such as it has been shown forth in our reconstruction. A theology at once naive and artificial here combines primitive myths, the naturalistic tendency of which is still transparent, with an astrological system whose logical structure only serves to render its radical falsity all the more palpable. All the impossibilities of the ancient polytheistic fables here subsist side by side with philosophical speculations on the evolution of the universe and the destiny of man. The discordance between tradition and reflection is extremely marked here and it is augmented by the contrariety between the doctrine of fatalism and that of the efficacy of prayer and the need of worship. But this religion, like any other, must not be estimated by its metaphysical verity. It would ill become us to-day to dissect the cold corpse of this faith in order to ascertain its inward organic vices. The important thing is to understand how Mithraism lived and grew great, and why it failed to win the empire of the world.&#xA;&#xA;Its success was in great part undoubtedly due to the vigor of its ethics, which above all things favored action. In an epoch of anarchy and emasculation, its mystics found in its precepts both stimulus and support. The conviction that the faithful ones formed part of a sacred army charged with sustaining with the Principle of Good the struggle against the power of evil, was singularly adapted to provoking their most pious efforts and transforming them into ardent zealots.&#xA;&#xA;The Mysteries exerted another powerful influence, also, in fostering some of the most exalted aspirations of the human soul: the desire for immortality and the expectation of final justice. The hopes of life beyond the tomb which this religion instilled in its votaries were one of the secrets of its power in these troublous times, when solicitude for the life to come disturbed all minds.&#xA;&#xA;But several other sects offered to their adepts just as consoling prospects of a future life. The special attraction of Mithraism dwelt, therefore, in other qualities of its doctrinal system. Mithraism, in fact, satisfied alike both the intelligence of the educated and the hearts of the simple-minded. The apotheosis of Time as First Cause and that of the Sun, its physical manifestation, which maintained on earth heat and light, were highly philosophical conceptions. The worship rendered to the Planets and to the Constellations, the course of which determined terrestrial events, and to the four Elements, whose infinite combinations produced all natural phenomena, is ultimately reducible to the worship of the principles and agents recognized by ancient science, and the theology of the Mysteries was, in this respect, nothing but the religious expression of the physics and astronomy of the Roman world.&#xA;&#xA;This theoretical conformity of revealed dogmas with the accepted ideas of science was calculated to allure cultivated minds, but it had no hold whatever upon the ignorant souls of the populace. These, on the other hand, were eminently amenable to the allurements of a doctrine that deified the whole of physical and tangible reality. The gods were everywhere, and they mingled in every act of life; the fire that cooked the food and warmed the bodies of the faithful, the water that allayed their thirst and cleansed their persons, the very air that they breathed, and the light that illuminated their paths, were the objects of their adoration. Perhaps no other religion ever offered to its sectaries in a higher degree than Mithraism opportunities for prayer and motives for veneration. When the initiated betook himself in the evening to the sacred grotto concealed in the solitude of the forests, at every step new sensations awakened in his heart some mystical emotion. The stars that shone in the sky, the wind that whispered in the foliage, the spring or brook that babbled down the mountain-side, even the earth that he trod under his feet, were in his eyes divine, and all surrounding nature provoked in him a worshipful fear for the infinite forces that swayed the universe." 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<INFO BITRATE="1099222" KEY_LYRICS="2 ContributorsPut ’Dem Up Lyrics&#xA;Mmmm&#xA;&#xA;&#xA;You should know I'm not your enemy&#xA;But you're still aiming, yeah you still aim at me&#xA;Oh no you're not who claim to be&#xA;Your heart is forsaken, so you laid the blame on me&#xA;&#xA;&#xA;I-I-I see danger in your eyes&#xA;(ooh oh ooh ooooh)&#xA;&#xA;&#xA;Put 'em up up up, like a fighter&#xA;Put 'em up up, when I'm down&#xA;Put 'em up up up, even higher&#xA;What goes around, comes around, whohohohoh&#xA;Put 'em up up up, like a fighter&#xA;Put 'em up up, when I'm down&#xA;Put 'em up up up, even higher&#xA;What goes around, comes around, whohohooh&#xA;&#xA;&#xA;What goes around, comes around, whohohooh&#xA;What goes around, comes around, whohohooh&#xA;&#xA;Thinking back to them times and what we used to have&#xA;But now I'm counting this money and getting used to meth&#xA;We stackin' up, all forward, no backing up&#xA;You know this sh't, bad as fuck, y'all homies ain't catching us, right&#xA;The fuck you talking, you see this worked out, we puttin' in&#xA;I'm just getting used to the fact that you look &#xA;And that's what's hurtin' these niggas, been acting worthless, I know that&#xA;She got a ass, she crazy, but that shit worth it, ah&#xA;So best believe that she know she fucking with real ones&#xA;Because she know that I got it, I know she will come&#xA;I swear they know that I got it, as soon as the kill come&#xA;Don't gotta ask, you know the deal, hun&#xA;(Put 'em up!)&#xA;&#xA;&#xA;What goes around, comes around, whohohooh&#xA;What goes around, comes around, whohohooh&#xA;&#xA;(So best believe that she know she fucking with real ones)&#xA;Put 'em up&#xA;Put 'em up up up, like a fighter&#xA;(What goes around, comes around)&#xA;&#xA;&#xA;Put 'em up up up, like a fighter&#xA;Put 'em up up, when I'm down&#xA;Put 'em up up up, even higher&#xA;What goes around, comes around, whohohooh&#xA;Put 'em up up up, like a fighter&#xA;Put 'em up up, when I'm down&#xA;Put 'em up up up, even higher&#xA;What goes around, comes around, whohohooh&#xA;What goes around, comes around, whohohooh&#xA;What goes around, comes around, whohohooh&#xA;What goes around, comes around, whohohooh (alright)&#xA;What goes around, comes around, whohohooh" PRODUCER="© 2017 Exit Records" COVERARTID="016/QAYCHSAEAFLQLAAJTRL0AL4COLIB" PLAYTIME="335" PLAYTIME_FLOAT="334.883728" IMPORT_DATE="2025/7/5" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="45377"></INFO>
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<INFO BITRATE="925376" KEY_LYRICS="1 ContributorNostromo (Chap. 3.9) LyricsDistracted between doubts and hopes, dismayed by the sound of bells pealing out the arrival of Pedrito Montero, Sotillo had spent the morning in battling with his thoughts; a contest to which he was unequal, from the vacuity of his mind and the violence of his passions. Disappointment, greed, anger, and fear made a tumult, in the colonel's breast louder than the din of bells in the town. Nothing he had planned had come to pass. Neither Sulaco nor the silver of the mine had fallen into his hands. He had performed no military exploit to secure his position, and had obtained no enormous booty to make off with. Pedrito Montero, either as friend or foe, filled him with dread. The sound of bells maddened him.&#xA;&#xA;Imagining at first that he might be attacked at once, he had made his battalion stand to arms on the shore. He walked to and fro all the length of the room, stopping sometimes to gnaw the finger-tips of his right hand with a lurid sideways glare fixed on the floor; then, with a sullen, repelling glance all round, he would resume his tramping in savage aloofness. His hat, horsewhip, sword, and revolver were lying on the table. His officers, crowding the window giving the view of the town gate, disputed amongst themselves the use of his field-glass bought last year on long credit from Anzani. It passed from hand to hand, and the possessor for the time being was besieged by anxious inquiries.&#xA;&amp;quot;There is nothing; there is nothing to see!&amp;quot; he would repeat impatiently.&#xA;&#xA;There was nothing. And when the picket in the bushes near the Casa Viola had been ordered to fall back upon the main body, no stir of life appeared on the stretch of dusty and arid land between the town and the waters of the port. But late in the afternoon a horseman issuing from the gate was made out riding up fearlessly. It was an emissary from Senor Fuentes. Being all alone he was allowed to come on. Dismounting at the great door he greeted the silent bystanders with cheery impudence, and begged to be taken up at once to the &amp;quot;muy valliente&amp;quot; colonel.&#xA;Senor Fuentes, on entering upon his functions of Gefe Politico, had turned his diplomatic abilities to getting hold of the harbour as well as of the mine. The man he pitched upon to negotiate with Sotillo was a Notary Public, whom the revolution had found languishing in the common jail on a charge of forging documents. Liberated by the mob along with the other &amp;quot;victims of Blanco tyranny,&amp;quot; he had hastened to offer his services to the new Government.&#xA;&#xA;He set out determined to display much zeal and eloquence in trying to induce Sotillo to come into town alone for a conference with Pedrito Montero. Nothing was further from the colonel's intentions. The mere fleeting idea of trusting himself into the famous Pedrito's hands had made him feel unwell several times. It was out of the question—it was madness. And to put himself in open hostility was madness, too. It would render impossible a systematic search for that treasure, for that wealth of silver which he seemed to feel somewhere about, to scent somewhere near.&#xA;&#xA;But where? Where? Heavens! Where? Oh! why had he allowed that doctor to go! Imbecile that he was. But no! It was the only right course, he reflected distractedly, while the messenger waited downstairs chatting agreeably to the officers. It was in that scoundrelly doctor's true interest to return with positive information. But what if anything stopped him? A general prohibition to leave the town, for instance! There would be patrols!&#xA;&#xA;The colonel, seizing his head in his hands, turned in his tracks as if struck with vertigo. A flash of craven inspiration suggested to him an expedient not unknown to European statesmen when they wish to delay a difficult negotiation. Booted and spurred, he scrambled into the hammock with undignified haste. His handsome face had turned yellow with the strain of weighty cares. The ridge of his shapely nose had grown sharp; the audacious nostrils appeared mean and pinched. The velvety, caressing glance of his fine eyes seemed dead, and even decomposed; for these almond-shaped, languishing orbs had become inappropriately bloodshot with much sinister sleeplessness. He addressed the surprised envoy of Senor Fuentes in a deadened, exhausted voice. It came pathetically feeble from under a pile of ponchos, which buried his elegant person right up to the black moustaches, uncurled, pendant, in sign of bodily prostration and mental incapacity. Fever, fever—a heavy fever had overtaken the &amp;quot;muy valliente&amp;quot; colonel. A wavering wildness of expression, caused by the passing spasms of a slight colic which had declared itself suddenly, and the rattling teeth of repressed panic, had a genuineness which impressed the envoy. It was a cold fit. The colonel explained that he was unable to think, to listen, to speak. With an appearance of superhuman effort the colonel gasped out that he was not in a state to return a suitable reply or to execute any of his Excellency's orders. But to-morrow! To-morrow! Ah! to-morrow! Let his Excellency Don Pedro be without uneasiness. The brave Esmeralda Regiment held the harbour, held—And closing his eyes, he rolled his aching head like a half-delirious invalid under the inquisitive stare of the envoy, who was obliged to bend down over the hammock in order to catch the painful and broken accents. Meantime, Colonel Sotillo trusted that his Excellency's humanity would permit the doctor, the English doctor, to come out of town with his case of foreign remedies to attend upon him. He begged anxiously his worship the caballero now present for the grace of looking in as he passed the Casa Gould, and informing the English doctor, who was probably there, that his services were immediately required by Colonel Sotillo, lying ill of fever in the Custom House. Immediately. Most urgently required. Awaited with extreme impatience. A thousand thanks. He closed his eyes wearily and would not open them again, lying perfectly still, deaf, dumb, insensible, overcome, vanquished, crushed, annihilated by the fell disease.&#xA;&#xA;But as soon as the other had shut after him the door of the landing, the colonel leaped out with a fling of both feet in an avalanche of woollen coverings. His spurs having become entangled in a perfect welter of ponchos he nearly pitched on his head, and did not recover his balance till the middle of the room. Concealed behind the half-closed jalousies he listened to what went on below.&#xA;&#xA;The envoy had already mounted, and turning to the morose officers occupying the great doorway, took off his hat formally.&#xA;&#xA;&amp;quot;Caballeros,&amp;quot; he said, in a very loud tone, &amp;quot;allow me to recommend you to take great care of your colonel. It has done me much honour and gratification to have seen you all, a fine body of men exercising the soldierly virtue of patience in this exposed situation, where there is much sun, and no water to speak of, while a town full of wine and feminine charms is ready to embrace you for the brave men you are. Caballeros, I have the honour to salute you. There will be much dancing to-night in Sulaco. Good-bye!&amp;quot;&#xA;&#xA;But he reined in his horse and inclined his head sideways on seeing the old major step out, very tall and meagre, in a straight narrow coat coming down to his ankles as it were the casing of the regimental colours rolled round their staff.&#xA;&#xA;The intelligent old warrior, after enunciating in a dogmatic tone the general proposition that the &amp;quot;world was full of traitors,&amp;quot; went on pronouncing deliberately a panegyric upon Sotillo. He ascribed to him with leisurely emphasis every virtue under heaven, summing it all up in an absurd colloquialism current amongst the lower class of Occidentals (especially about Esmeralda). &amp;quot;And,&amp;quot; he concluded, with a sudden rise in the voice, &amp;quot;a man of many teeth—'hombre de muchos dientes.' Si, senor. As to us,&amp;quot; he pursued, portentous and impressive, &amp;quot;your worship is beholding the finest body of officers in the Republic, men unequalled for valour and sagacity, 'y hombres de muchos dientes.'&amp;quot;&#xA;&amp;quot;What? All of them?&amp;quot; inquired the disreputable envoy of Senor Fuentes, with a faint, derisive smile.&#xA;&#xA;&amp;quot;Todos. Si, senor,&amp;quot; the major affirmed, gravely, with conviction. &amp;quot;Men of many teeth.&amp;quot;&#xA;The other wheeled his horse to face the portal resembling the high gate of a dismal barn. He raised himself in his stirrups, extended one arm. He was a facetious scoundrel, entertaining for these stupid Occidentals a feeling of great scorn natural in a native from the central provinces. The folly of Esmeraldians especially aroused his amused contempt. He began an oration upon Pedro Montero, keeping a solemn countenance. He flourished his hand as if introducing him to their notice. And when he saw every face set, all the eyes fixed upon his lips, he began to shout a sort of catalogue of perfections: &amp;quot;Generous, valorous, affable, profound&amp;quot;—(he snatched off his hat enthusiastically)—&amp;quot;a statesman, an invincible chief of partisans—&amp;quot; He dropped his voice startlingly to a deep, hollow note—&amp;quot;and a dentist.&amp;quot;&#xA;&#xA;He was off instantly at a smart walk; the rigid straddle of his legs, the turned-out feet, the stiff back, the rakish slant of the sombrero above the square, motionless set of the shoulders expressing an infinite, awe-inspiring impudence.&#xA;&#xA;Upstairs, behind the jalousies, Sotillo did not move for a long time. The audacity of the fellow appalled him. What were his officers saying below? They were saying nothing. Complete silence. He quaked. It was not thus that he had imagined himself at that stage of the expedition. He had seen himself triumphant, unquestioned, appeased, the idol of the soldiers, weighing in secret complacency the agreeable alternatives of power and wealth open to his choice. Alas! How different! Distracted, restless, supine, burning with fury, or frozen with terror, he felt a dread as fathomless as the sea creep upon him from every side. That rogue of a doctor had to come out with his information. That was clear. It would be of no use to him—alone. He could do nothing with it. Malediction! The doctor would never come out. He was probably under arrest already, shut up together with Don Carlos. He laughed aloud insanely. Ha! ha! ha! ha! It was Pedrito Montero who would get the information. Ha! ha! ha! ha!—and the silver. Ha!&#xA;&#xA;All at once, in the midst of the laugh, he became motionless and silent as if turned into stone. He too, had a prisoner. A prisoner who must, must know the real truth. He would have to be made to speak. And Sotillo, who all that time had not quite forgotten Hirsch, felt an inexplicable reluctance at the notion of proceeding to extremities.&#xA;&#xA;He felt a reluctance—part of that unfathomable dread that crept on all sides upon him. He remembered reluctantly, too, the dilated eyes of the hide merchant, his contortions, his loud sobs and protestations. It was not compassion or even mere nervous sensibility. The fact was that though Sotillo did never for a moment believe his story—he could not believe it; nobody could believe such nonsense—yet those accents of despairing truth impressed him disagreeably. They made him feel sick. And he suspected also that the man might have gone mad with fear. A lunatic is a hopeless subject. Bah! A pretence. Nothing but a pretence. He would know how to deal with that.&#xA;&#xA;He was working himself up to the right pitch of ferocity. His fine eyes squinted slightly; he clapped his hands; a bare-footed orderly appeared noiselessly, a corporal, with his bayonet hanging on his thigh and a stick in his hand.&#xA;&#xA;The colonel gave his orders, and presently the miserable Hirsch, pushed in by several soldiers, found him frowning awfully in a broad armchair, hat on head, knees wide apart, arms akimbo, masterful, imposing, irresistible, haughty, sublime, terrible.&#xA;&#xA;Hirsch, with his arms tied behind his back, had been bundled violently into one of the smaller rooms. For many hours he remained apparently forgotten, stretched lifelessly on the floor. From that solitude, full of despair and terror, he was torn out brutally, with kicks and blows, passive, sunk in hebetude. He listened to threats and admonitions, and afterwards made his usual answers to questions, with his chin sunk on his breast, his hands tied behind his back, swaying a little in front of Sotillo, and never looking up. When he was forced to hold up his head, by means of a bayonet-point prodding him under the chin, his eyes had a vacant, trance-like stare, and drops of perspiration as big as peas were seen hailing down the dirt, bruises, and scratches of his white face. Then they stopped suddenly.&#xA;&#xA;Sotillo looked at him in silence. &amp;quot;Will you depart from your obstinacy, you rogue?&amp;quot; he asked. Already a rope, whose one end was fastened to Senor Hirsch's wrists, had been thrown over a beam, and three soldiers held the other end, waiting. He made no answer. His heavy lower lip hung stupidly. Sotillo made a sign. Hirsch was jerked up off his feet, and a yell of despair and agony burst out in the room, filled the passage of the great buildings, rent the air outside, caused every soldier of the camp along the shore to look up at the windows, started some of the officers in the hall babbling excitedly, with shining eyes; others, setting their lips, looked gloomily at the floor.&#xA;&#xA;Sotillo, followed by the soldiers, had left the room. The sentry on the landing presented arms. Hirsch went on screaming all alone behind the half-closed jalousies while the sunshine, reflected from the water of the harbour, made an ever-running ripple of light high up on the wall. He screamed with uplifted eyebrows and a wide-open mouth—incredibly wide, black, enormous, full of teeth—comical.&#xA;&#xA;In the still burning air of the windless afternoon he made the waves of his agony travel as far as the O. S. N. Company's offices. Captain Mitchell on the balcony, trying to make out what went on generally, had heard him faintly but distinctly, and the feeble and appalling sound lingered in his ears after he had retreated indoors with blanched cheeks. He had been driven off the balcony several times during that afternoon.&#xA;&#xA;Sotillo, irritable, moody, walked restlessly about, held consultations with his officers, gave contradictory orders in this shrill clamour pervading the whole empty edifice. Sometimes there would be long and awful silences. Several times he had entered the torture-chamber where his sword, horsewhip, revolver, and field-glass were lying on the table, to ask with forced calmness, &amp;quot;Will you speak the truth now? No? I can wait.&amp;quot; But he could not afford to wait much longer. That was just it. Every time he went in and came out with a slam of the door, the sentry on the landing presented arms, and got in return a black, venomous, unsteady glance, which, in reality, saw nothing at all, being merely the reflection of the soul within—a soul of gloomy hatred, irresolution, avarice, and fury.&#xA;&#xA;The sun had set when he went in once more. A soldier carried in two lighted candles and slunk out, shutting the door without noise.&#xA;&amp;quot;Speak, thou Jewish child of the devil! The silver! The silver, I say! Where is it? Where have you foreign rogues hidden it? Confess or—&amp;quot;&#xA;A slight quiver passed up the taut rope from the racked limbs, but the body of Senor Hirsch, enterprising business man from Esmeralda, hung under the heavy beam perpendicular and silent, facing the colonel awfully. The inflow of the night air, cooled by the snows of the Sierra, spread gradually a delicious freshness through the close heat of the room.&#xA;&amp;quot;Speak—thief—scoundrel—picaro—or—&amp;quot;&#xA;&#xA;Sotillo had seized the riding-whip, and stood with his arm lifted up. For a word, for one little word, he felt he would have knelt, cringed, grovelled on the floor before the drowsy, conscious stare of those fixed eyeballs starting out of the grimy, dishevelled head that drooped very still with its mouth closed askew. The colonel ground his teeth with rage and struck. The rope vibrated leisurely to the blow, like the long string of a pendulum starting from a rest. But no swinging motion was imparted to the body of Senor Hirsch, the well-known hide merchant on the coast. With a convulsive effort of the twisted arms it leaped up a few inches, curling upon itself like a fish on the end of a line. Senor Hirsch's head was flung back on his straining throat; his chin trembled. For a moment the rattle of his chattering teeth pervaded the vast, shadowy room, where the candles made a patch of light round the two flames burning side by side. And as Sotillo, staying his raised hand, waited for him to speak, with the sudden flash of a grin and a straining forward of the wrenched shoulders, he spat violently into his face.&#xA;&#xA;The uplifted whip fell, and the colonel sprang back with a low cry of dismay, as if aspersed by a jet of deadly venom. Quick as thought he snatched up his revolver, and fired twice. The report and the concussion of the shots seemed to throw him at once from ungovernable rage into idiotic stupor. He stood with drooping jaw and stony eyes. What had he done, Sangre de Dios! What had he done? He was basely appalled at his impulsive act, sealing for ever these lips from which so much was to be extorted. What could he say? How could he explain? Ideas of headlong flight somewhere, anywhere, passed through his mind; even the craven and absurd notion of hiding under the table occurred to his cowardice. It was too late; his officers had rushed in tumultuously, in a great clatter of scabbards, clamouring, with astonishment and wonder. But since they did not immediately proceed to plunge their swords into his breast, the brazen side of his character asserted itself. Passing the sleeve of his uniform over his face he pulled himself together, His truculent glance turned slowly here and there, checked the noise where it fell; and the stiff body of the late Senor Hirsch, merchant, after swaying imperceptibly, made a half turn, and came to a rest in the midst of awed murmurs and uneasy shuffling.&#xA;&#xA;A voice remarked loudly, &amp;quot;Behold a man who will never speak again.&amp;quot; And an&#xA;other, from the back row of faces, timid and pressing, cried out—&#xA;&#xA;&amp;quot;Why did you kill him, mi colonel?&amp;quot;&#xA;&#xA;&amp;quot;Because he has confessed everything,&amp;quot; answered Sotillo, with the hardihood of desperation. He felt himself cornered. He brazened it out on the strength of his reputation with very fair success. His hearers thought him very capable of such an act. They were disposed to believe his flattering tale. There is no credulity so eager and blind as the credulity of covetousness, which, in its universal extent, measures the moral misery and the intellectual destitution of mankind. Ah! he had confessed everything, this fractious Jew, this bribon. Good! Then he was no longer wanted. A sudden dense guffaw was heard from the senior captain—a big-headed man, with little round eyes and monstrously fat cheeks which never moved. The old major, tall and fantastically ragged like a scarecrow, walked round the body of the late Senor Hirsch, muttering to himself with ineffable complacency that like this there was no need to guard against any future treacheries of that scoundrel. The others stared, shifting from foot to foot, and whispering short remarks to each other.&#xA;&#xA;Sotillo buckled on his sword and gave curt, peremptory orders to hasten the retirement decided upon in the afternoon. Sinister, impressive, his sombrero pulled right down upon his eyebrows, he marched first through the door in such disorder of mind that he forgot utterly to provide for Dr. Monygham's possible return. As the officers trooped out after him, one or two looked back hastily at the late Senor Hirsch, merchant from Esmeralda, left swinging rigidly at rest, alone with the two burning candles. In the emptiness of the room the burly shadow of head and shoulders on the wall had an air of life.&#xA;&#xA;Below, the troops fell in silently and moved off by companies without drum or trumpet. The old scarecrow major commanded the rearguard; but the party he left behind with orders to fire the Custom House (and &amp;quot;burn the carcass of the treacherous Jew where it hung&amp;quot;) failed somehow in their haste to set the staircase properly alight. The body of the late Senor Hirsch dwelt alone for a time in the dismal solitude of the unfinished building, resounding weirdly with sudden slams and clicks of doors and latches, with rustling scurries of torn papers, and the tremulous sighs that at each gust of wind passed under the high roof. The light of the two candles burning before the perpendicular and breathless immobility of the late Senor Hirsch threw a gleam afar over land and water, like a signal in the night. He remained to startle Nostromo by his presence, and to puzzle Dr. Monygham by the mystery of his atrocious end.&#xA;&#xA;&amp;quot;But why shot?&amp;quot; the doctor again asked himself, audibly. This time he was answered by a dry laugh from Nostromo.&#xA;&#xA;&amp;quot;You seem much concerned at a very natural thing, senor doctor. I wonder why? It is very likely that before long we shall all get shot one after another, if not by Sotillo, then by Pedrito, or Fuentes, or Gamacho. And we may even get the estrapade, too, or worse—quien sabe?—with your pretty tale of the silver you put into Sotillo's head.&amp;quot;&#xA;&#xA;&amp;quot;It was in his head already,&amp;quot; the doctor protested. &amp;quot;I only—&amp;quot;&#xA;&#xA;&amp;quot;Yes. And you only nailed it there so that the devil himself—&amp;quot;&#xA;&#xA;&amp;quot;That is precisely what I meant to do,&amp;quot; caught up the doctor.&#xA;&amp;quot;That is what you meant to do. Bueno. It is as I say. You are a dangerous man.&amp;quot;&#xA;&#xA;Their voices, which without rising had been growing quarrelsome, ceased suddenly. The late Senor Hirsch, erect and shadowy against the stars, seemed to be waiting attentive, in impartial silence.&#xA;&#xA;But Dr. Monygham had no mind to quarrel with Nostromo. At this supremely critical point of Sulaco's fortunes it was borne upon him at last that this man was really indispensable, more indispensable than ever the infatuation of Captain Mitchell, his proud discoverer, could conceive; far beyond what Decoud's best dry raillery about &amp;quot;my illustrious friend, the unique Capataz de Cargadores,&amp;quot; had ever intended. The fellow was unique. He was not &amp;quot;one in a thousand.&amp;quot; He was absolutely the only one. The doctor surrendered. There was something in the genius of that Genoese seaman which dominated the destinies of great enterprises and of many people, the fortunes of Charles Gould, the fate of an admirable woman. At this last thought the doctor had to clear his throat before he could speak.&#xA;&#xA;In a completely changed tone he pointed out to the Capataz that, to begin with, he personally ran no great risk. As far as everybody knew he was dead. It was an enormous advantage. He had only to keep out of sight in the Casa Viola, where the old Garibaldino was known to be alone—with his dead wife. The servants had all run away. No one would think of searching for him there, or anywhere else on earth, for that matter.&#xA;&amp;quot;That would be very true,&amp;quot; Nostromo spoke up, bitterly, &amp;quot;if I had not met you.&amp;quot;&#xA;&#xA;For a time the doctor kept silent. &amp;quot;Do you mean to say that you think I may give you away?&amp;quot; he asked in an unsteady voice. &amp;quot;Why? Why should I do that?&amp;quot;&#xA;&#xA;&amp;quot;What do I know? Why not? To gain a day perhaps. It would take Sotillo a day to give me the estrapade, and try some other things perhaps, before he puts a bullet through my heart—as he did to that poor wretch here. Why not?&amp;quot;&#xA;&#xA;The doctor swallowed with difficulty. His throat had gone dry in a moment. It was not from indignation. The doctor, pathetically enough, believed that he had forfeited the right to be indignant with any one—for anything. It was simple dread. Had the fellow heard his story by some chance? If so, there was an end of his usefulness in that direction. The indispensable man escaped his influence, because of that indelible blot which made him fit for dirty work. A feeling as of sickness came upon the doctor. He would have given anything to know, but he dared not clear up the point. The fanaticism of his devotion, fed on the sense of his abasement, hardened his heart in sadness and scorn.&#xA;&amp;quot;Why not, indeed?&amp;quot; he reechoed, sardonically. &amp;quot;Then the safe thing for you is to kill me on the spot. I would defend myself. But you may just as well know I am going about unarmed.&amp;quot;&#xA;&#xA;&amp;quot;Por Dios!&amp;quot; said the Capataz, passionately. &amp;quot;You fine people are all alike. All dangerous. All betrayers of the poor who are your dogs.&amp;quot;&#xA;&amp;quot;You do not understand,&amp;quot; began the doctor, slowly.&#xA;&#xA;&amp;quot;I understand you all!&amp;quot; cried the other with a violent movement, as shadowy to the doctor's eyes as the persistent immobility of the late Senor Hirsch. &amp;quot;A poor man amongst you has got to look after himself. I say that you do not care for those that serve you. Look at me! After all these years, suddenly, here I find myself like one of these curs that bark outside the walls—without a kennel or a dry bone for my teeth. Caramba!&amp;quot; But he relented with a contemptuous fairness. &amp;quot;Of course,&amp;quot; he went on, quietly, &amp;quot;I do not suppose that you would hasten to give me up to Sotillo, for example. It is not that. It is that I am nothing! Suddenly—&amp;quot; He swung his arm downwards. &amp;quot;Nothing to any one,&amp;quot; he repeated.&#xA;The doctor breathed freely. &amp;quot;Listen, Capataz,&amp;quot; he said, stretching out his arm almost affectionately towards Nostromo's shoulder. &amp;quot;I am going to tell you a very simple thing. You are safe because you are needed. I would not give you away for any conceivable reason, because I want you.&amp;quot;&#xA;&#xA;In the dark Nostromo bit his lip. He had heard enough of that. He knew what that meant. No more of that for him. But he had to look after himself now, he thought. And he thought, too, that it would not be prudent to part in anger from his companion. The doctor, admitted to be a great healer, had, amongst the populace of Sulaco, the reputation of being an evil sort of man. It was based solidly on his personal appearance, which was strange, and on his rough ironic manner—proofs visible, sensible, and incontrovertible of the doctor's malevolent disposition. And Nostromo was of the people. So he only grunted incredulously.&#xA;&#xA;&amp;quot;You, to speak plainly, are the only man,&amp;quot; the doctor pursued. &amp;quot;It is in your power to save this town and . . . everybody from the destructive rapacity of men who—&amp;quot;&#xA;&#xA;&amp;quot;No, senor,&amp;quot; said Nostromo, sullenly. &amp;quot;It is not in my power to get the treasure back for you to give up to Sotillo, or Pedrito, or Gamacho. What do I know?&amp;quot;&#xA;&#xA;&amp;quot;Nobody expects the impossible,&amp;quot; was the answer.&#xA;&#xA;&amp;quot;You have said it yourself—nobody,&amp;quot; muttered Nostromo, in a gloomy, threatening tone.&#xA;&#xA;But Dr. Monygham, full of hope, disregarded the enigmatic words and the threatening tone. To their eyes, accustomed to obscurity, the late Senor Hirsch, growing more distinct, seemed to have come nearer. And the doctor lowered his voice in exposing his scheme as though afraid of being overheard.&#xA;&#xA;He was taking the indispensable man into his fullest confidence. Its implied flattery and suggestion of great risks came with a familiar sound to the Capataz. His mind, floating in irresolution and discontent, recognized it with bitterness. He understood well that the doctor was anxious to save the San Tome mine from annihilation. He would be nothing without it. It was his interest. Just as it had been the interest of Senor Decoud, of the Blancos, and of the Europeans to get his Cargadores on their side. His thought became arrested upon Decoud. What would happen to him?&#xA;&#xA;Nostromo's prolonged silence made the doctor uneasy. He pointed out, quite unnecessarily, that though for the present he was safe, he could not live concealed for ever. The choice was between accepting the mission to Barrios, with all its dangers and difficulties, and leaving Sulaco by stealth, ingloriously, in poverty.&#xA;&#xA;&amp;quot;None of your friends could reward you and protect you just now, Capataz. Not even Don Carlos himself.&amp;quot;&#xA;&#xA;&amp;quot;I would have none of your protection and none of your rewards. I only wish I could trust your courage and your sense. When I return in triumph, as you say, with Barrios, I may find you all destroyed. You have the knife at your throat now.&amp;quot;&#xA;It was the doctor's turn to remain silent in the contemplation of horrible contingencies.&#xA;&#xA;&amp;quot;Well, we would trust your courage and your sense. And you, too, have a knife at your throat.&amp;quot;&#xA;&#xA;&amp;quot;Ah! And whom am I to thank for that? What are your politics and your mines to me—your silver and your constitutions—your Don Carlos this, and Don Jose that—&amp;quot;&#xA;&#xA;&amp;quot;I don't know,&amp;quot; burst out the exasperated doctor. &amp;quot;There are innocent people in danger whose little finger is worth more than you or I and all the Ribierists together. I don't know. You should have asked yourself before you allowed Decoud to lead you into all this. It was your place to think like a man; but if you did not think then, try to act like a man now. Did you imagine Decoud cared very much for what would happen to you?&amp;quot;&#xA;&#xA;&amp;quot;No more than you care for what will happen to me,&amp;quot; muttered the other.&#xA;&#xA;&amp;quot;No; I care for what will happen to you as little as I care for what will happen to myself.&amp;quot;&#xA;&#xA;&amp;quot;And all this because you are such a devoted Ribierist?&amp;quot; Nostromo said in an incredulous tone.&#xA;&#xA;&amp;quot;All this because I am such a devoted Ribierist,&amp;quot; repeated Dr. Monygham, grimly.&#xA;&#xA;Again Nostromo, gazing abstractedly at the body of the late Senor Hirsch, remained silent, thinking that the doctor was a dangerous person in more than one sense. It was impossible to trust him.&#xA;&#xA;&amp;quot;Do you speak in the name of Don Carlos?&amp;quot; he asked at last.&#xA;&#xA;&amp;quot;Yes. I do,&amp;quot; the doctor said, loudly, without hesitation. &amp;quot;He must come forward now. He must,&amp;quot; he added in a mutter, which Nostromo did not catch.&#xA;&#xA;&amp;quot;What did you say, senor?&amp;quot;&#xA;&#xA;The doctor started. &amp;quot;I say that you must be true to yourself, Capataz. It would be worse than folly to fail now.&amp;quot;&#xA;&#xA;&amp;quot;True to myself,&amp;quot; repeated Nostromo. &amp;quot;How do you know that I would not be true to myself if I told you to go to the devil with your propositions?&amp;quot;&#xA;&#xA;&amp;quot;I do not know. Maybe you would,&amp;quot; the doctor said, with a roughness of tone intended to hide the sinking of his heart and the faltering of his voice. &amp;quot;All I know is, that you had better get away from here. Some of Sotillo's men may turn up here looking for me.&amp;quot;&#xA;&#xA;He slipped off the table, listening intently. The Capataz, too, stood up.&#xA;&#xA;&amp;quot;Suppose I went to Cayta, what would you do meantime?&amp;quot; he asked.&#xA;&#xA;&amp;quot;I would go to Sotillo directly you had left—in the way I am thinking of.&amp;quot;&#xA;&#xA;&amp;quot;A very good way—if only that engineer-in-chief consents. Remind him, senor, that I looked after the old rich Englishman who pays for the railway, and that I saved the lives of some of his people that time when a gang of thieves came from the south to wreck one of his pay-trains. It was I who discovered it all at the risk of my life, by pretending to enter into their plans. Just as you are doing with Sotillo.&amp;quot;&#xA;&amp;quot;Yes. Yes, of course. But I can offer him better arguments,&amp;quot; the doctor said, hastily. &amp;quot;Leave it to me.&amp;quot;&#xA;&#xA;&amp;quot;Ah, yes! True. I am nothing.&amp;quot;&#xA;&#xA;&amp;quot;Not at all. You are everything.&amp;quot;&#xA;&#xA;They moved a few paces towards the door. Behind them the late Senor Hirsch preserved the immobility of a disregarded man.&#xA;&amp;quot;That will be all right. I know what to say to the engineer,&amp;quot; pursued the doctor, in a low tone. &amp;quot;My difficulty will be with Sotillo.&amp;quot;&#xA;&#xA;And Dr. Monygham stopped short in the doorway as if intimidated by the difficulty. He had made the sacrifice of his life. He considered this a fitting opportunity. But he did not want to throw his life away too soon. In his quality of betrayer of Don Carlos' confidence, he would have ultimately to indicate the hiding-place of the treasure. That would be the end of his deception, and the end of himself as well, at the hands of the infuriated colonel. He wanted to delay him to the very last moment; and he had been racking his brains to invent some place of concealment at once plausible and difficult of access.&#xA;&#xA;He imparted his trouble to Nostromo, and concluded—&#xA;&#xA;&amp;quot;Do you know what, Capataz? I think that when the time comes and some information must be given, I shall indicate the Great Isabel. That is the best place I can think of. What is the matter?&amp;quot;&#xA;&#xA;A low exclamation had escaped Nostromo. The doctor waited, surprised, and after a moment of profound silence, heard a thick voice stammer out, &amp;quot;Utter folly,&amp;quot; and stop with a gasp.&#xA;&#xA;&amp;quot;Why folly?&amp;quot;&#xA;&#xA;&amp;quot;Ah! You do not see it,&amp;quot; began Nostromo, scathingly, gathering scorn as he went on. &amp;quot;Three men in half an hour would see that no ground had been disturbed anywhere on that island. Do you think that such a treasure can be buried without leaving traces of the work—eh! senor doctor? Why! you would not gain half a day more before having your throat cut by Sotillo. The Isabel! What stupidity! What miserable invention! Ah! you are all alike, you fine men of intelligence. All you are fit for is to betray men of the people into undertaking deadly risks for objects that you are not even sure about. If it comes off you get the benefit. If not, then it does not matter. He is only a dog. Ah! Madre de Dios, I would—&amp;quot; He shook his fists above his head.&#xA;&#xA;The doctor was overwhelmed at first by this fierce, hissing vehemence.&#xA;&#xA;&amp;quot;Well! It seems to me on your own showing that the men of the people are no mean fools, too,&amp;quot; he said, sullenly. &amp;quot;No, but come. You are so clever. Have you a better place?&amp;quot;&#xA;&#xA;Nostromo had calmed down as quickly as he had flared up.&#xA;&#xA;&amp;quot;I am clever enough for that,&amp;quot; he said, quietly, almost with indifference. &amp;quot;You want to tell him of a hiding-place big enough to take days in ransacking—a place where a treasure of silver ingots can be buried without leaving a sign on the surface.&amp;quot;&#xA;&#xA;&amp;quot;And close at hand,&amp;quot; the doctor put in.&#xA;&#xA;&amp;quot;Just so, senor. Tell him it is sunk.&amp;quot;&#xA;&#xA;&amp;quot;This has the merit of being the truth,&amp;quot; the doctor said, contemptuously. &amp;quot;He will not believe it.&amp;quot;&#xA;&#xA;&amp;quot;You tell him that it is sunk where he may hope to lay his hands on it, and he will believe you quick enough. Tell him it has been sunk in the harbour in order to be recovered afterwards by divers. Tell him you found out that I had orders from Don Carlos Gould to lower the cases quietly overboard somewhere in a line between the end of the jetty and the entrance. The depth is not too great there. He has no divers, but he has a ship, boats, ropes, chains, sailors—of a sort. Let him fish for the silver. Let him set his fools to drag backwards and forwards and crossways while he sits and watches till his eyes drop out of his head.&amp;quot;&#xA;&#xA;&amp;quot;Really, this is an admirable idea,&amp;quot; muttered the doctor.&#xA;&#xA;&amp;quot;Si. You tell him that, and see whether he will not believe you! He will spend days in rage and torment—and still he will believe. He will have no thought for anything else. He will not give up till he is driven off—why, he may even forget to kill you. He will neither eat nor sleep. He—&amp;quot;&#xA;&#xA;&amp;quot;The very thing! The very thing!&amp;quot; the doctor repeated in an excited whisper. &amp;quot;Capataz, I begin to believe that you are a great genius in your way.&amp;quot;&#xA;&#xA;Nostromo had paused; then began again in a changed tone, sombre, speaking to himself as though he had forgotten the doctor's existence.&#xA;&amp;quot;There is something in a treasure that fastens upon a man's mind. He will pray and blaspheme and still persevere, and will curse the day he ever heard of it, and will let his last hour come upon him unawares, still believing that he missed it only by a foot. He will see it every time he closes his eyes. He will never forget it till he is dead—and even then——Doctor, did you ever hear of the miserable gringos on Azuera, that cannot die? Ha! ha! Sailors like myself. There is no getting away from a treasure that once fastens upon your mind.&amp;quot;&#xA;&#xA;&amp;quot;You are a devil of a man, Capataz. It is the most plausible thing.&amp;quot;&#xA;&#xA;Nostromo pressed his arm.&#xA;&#xA;&amp;quot;It will be worse for him than thirst at sea or hunger in a town full of people. Do you know what that is? He shall suffer greater torments than he inflicted upon that terrified wretch who had no invention. None! none! Not like me. I could have told Sotillo a deadly tale for very little pain.&amp;quot;&#xA;&#xA;He laughed wildly and turned in the doorway towards the body of the late Senor Hirsch, an opaque long blotch in the semi-transparent obscurity of the room between the two tall parallelograms of the windows full of stars.&#xA;&#xA;&amp;quot;You man of fear!&amp;quot; he cried. &amp;quot;You shall be avenged by me—Nostromo. Out of my way, doctor! Stand aside—or, by the suffering soul of a woman dead without confession, I will strangle you with my two hands.&amp;quot;&#xA;&#xA;He bounded downwards into the black, smoky hall. With a grunt of astonishment, Dr. Monygham threw himself recklessly into the pursuit. At the bottom of the charred stairs he had a fall, pitching forward on his face with a force that would have stunned a spirit less intent upon a task of love and devotion. He was up in a moment, jarred, shaken, with a queer impression of the terrestrial globe having been flung at his head in the dark. But it wanted more than that to stop Dr. Monygham's body, possessed by the exaltation of self-sacrifice; a reasonable exaltation, determined not to lose whatever advantage chance put into its way. He ran with headlong, tottering swiftness, his arms going like a windmill in his effort to keep his balance on his crippled feet. He lost his hat; the tails of his open gaberdine flew behind him. He had no mind to lose sight of the indispensable man. But it was a long time, and a long way from the Custom House, before he managed to seize his arm from behind, roughly, out of breath.&#xA;&#xA;&amp;quot;Stop! Are you mad?&amp;quot;&#xA;&#xA;Already Nostromo was walking slowly, his head dropping, as if checked in his pace by the weariness of irresolution.&#xA;&#xA;&amp;quot;What is that to you? Ah! I forgot you want me for something. Always. Siempre Nostromo.&amp;quot;&#xA;&#xA;&amp;quot;What do you mean by talking of strangling me?&amp;quot; panted the doctor.&#xA;&#xA;&amp;quot;What do I mean? I mean that the king of the devils himself has sent you out of this town of cowards and talkers to meet me to-night of all the nights of my life.&amp;quot;&#xA;&#xA;Under the starry sky the Albergo d'ltalia Una emerged, black and low, breaking the dark level of the plain. Nostromo stopped altogether.&#xA;&amp;quot;The priests say he is a tempter, do they not?&amp;quot; he added, through his clenched teeth.&#xA;&#xA;&amp;quot;My good man, you drivel. The devil has nothing to do with this. Neither has the town, which you may call by what name you please. But Don Carlos Gould is neither a coward nor an empty talker. You will admit that?&amp;quot; He waited. &amp;quot;Well?&amp;quot;&#xA;&#xA;&amp;quot;Could I see Don Carlos?&amp;quot;&#xA;&#xA;&amp;quot;Great heavens! No! Why? What for?&amp;quot; exclaimed the doctor in agitation. &amp;quot;I tell you it is madness. I will not let you go into the town for anything.&amp;quot;&#xA;&#xA;&amp;quot;I must.&amp;quot;&#xA;&#xA;&amp;quot;You must not!&amp;quot; hissed the doctor, fiercely, almost beside himself with the fear of the man doing away with his usefulness for an imbecile whim of some sort. &amp;quot;I tell you you shall not. I would rather——&amp;quot;&#xA;&#xA;He stopped at loss for words, feeling fagged out, powerless, holding on to Nostromo's sleeve, absolutely for support after his run.&#xA;&amp;quot;I am betrayed!&amp;quot; muttered the Capataz to himself; and the doctor, who overheard the last word, made an effort to speak calmly.&#xA;&amp;quot;That is exactly what would happen to you. You would be betrayed.&amp;quot;&#xA;&#xA;He thought with a sickening dread that the man was so well known that he could not escape recognition. The house of the Senor Administrador was beset by spies, no doubt. And even the very servants of the casa were not to be trusted. &amp;quot;Reflect, Capataz,&amp;quot; he said, impressively. . . . &amp;quot;What are you laughing at?&amp;quot;&#xA;&#xA;&amp;quot;I am laughing to think that if somebody that did not approve of my presence in town, for instance—you understand, senor doctor—if somebody were to give me up to Pedrito, it would not be beyond my power to make friends even with him. It is true. What do you think of that?&amp;quot;&#xA;&amp;quot;You are a man of infinite resource, Capataz,&amp;quot; said Dr. Monygham, dismally. &amp;quot;I recognize that. But the town is full of talk about you; and those few Cargadores that are not in hiding with the railway people have been shouting 'Viva Montero' on the Plaza all day.&amp;quot;&#xA;&#xA;&amp;quot;My poor Cargadores!&amp;quot; muttered Nostromo. &amp;quot;Betrayed! Betrayed!&amp;quot;&#xA;&#xA;&amp;quot;I understand that on the wharf you were pretty free in laying about you with a stick amongst your poor Cargadores,&amp;quot; the doctor said in a grim tone, which showed that he was recovering from his exertions. &amp;quot;Make no mistake. Pedrito is furious at Senor Ribiera's rescue, and at having lost the pleasure of shooting Decoud. Already there are rumours in the town of the treasure having been spirited away. To have missed that does not please Pedrito either; but let me tell you that if you had all that silver in your hand for ransom it would not save you.&amp;quot;&#xA;&#xA;Turning swiftly, and catching the doctor by the shoulders, Nostromo thrust his face close to his.&#xA;&#xA;&amp;quot;Maladetta! You follow me speaking of the treasure. You have sworn my ruin. You were the last man who looked upon me before I went out with it. And Sidoni the engine-driver says you have an evil eye.&amp;quot;&#xA;&#xA;&amp;quot;He ought to know. I saved his broken leg for him last year,&amp;quot; the doctor said, stoically. He felt on his shoulders the weight of these hands famed amongst the populace for snapping thick ropes and bending horseshoes. &amp;quot;And to you I offer the best means of saving yourself—let me go—and of retrieving your great reputation. You boasted of making the Capataz de Cargadores famous from one end of America to the other about this wretched silver. But I bring you a better opportunity—let me go, hombre!&amp;quot;&#xA;&#xA;Nostromo released him abruptly, and the doctor feared that the indispensable man would run off again. But he did not. He walked on slowly. The doctor hobbled by his side till, within a stone's throw from the Casa Viola, Nostromo stopped again.&#xA;&#xA;Silent in inhospitable darkness, the Casa Viola seemed to have changed its nature; his home appeared to repel him with an air of hopeless and inimical mystery. The doctor said—&#xA;&#xA;&amp;quot;You will be safe there. Go in, Capataz.&amp;quot;&#xA;&#xA;&amp;quot;How can I go in?&amp;quot; Nostromo seemed to ask himself in a low, inward tone. &amp;quot;She cannot unsay what she said, and I cannot undo what I have done.&amp;quot;&#xA;&amp;quot;I tell you it is all right. Viola is all alone in there. I looked in as I came out of the town. You will be perfectly safe in that house till you leave it to make your name famous on the Campo. I am going now to arrange for your departure with the engineer-in-chief, and I shall bring you news here long before daybreak.&amp;quot;&#xA;&#xA;Dr. Monygham, disregarding, or perhaps fearing to penetrate the meaning of Nostromo's silence, clapped him lightly on the shoulder, and starting off with his smart, lame walk, vanished utterly at the third or fourth hop in the direction of the railway track. Arrested between the two wooden posts for people to fasten their horses to, Nostromo did not move, as if he, too, had been planted solidly in the ground. At the end of half an hour he lifted his head to the deep baying of the dogs at the railway yards, which had burst out suddenly, tumultuous and deadened as if coming from under the plain. That lame doctor with the evil eye had got there pretty fast.&#xA;&#xA;Step by step Nostromo approached the Albergo d'Italia Una, which he had never known so lightless, so silent, before. The door, all black in the pale wall, stood open as he had left it twenty-four hours before, when he had nothing to hide from the world. He remained before it, irresolute, like a fugitive, like a man betrayed. Poverty, misery, starvation! Where had he heard these words? The anger of a dying woman had prophesied that fate for his folly. It looked as if it would come true very quickly. And the leperos would laugh—she had said. Yes, they would laugh if they knew that the Capataz de Cargadores was at the mercy of the mad doctor whom they could remember, only a few years ago, buying cooked food from a stall on the Plaza for a copper coin—like one of themselves.&#xA;&#xA;At that moment the notion of seeking Captain Mitchell passed through his mind. He glanced in the direction of the jetty and saw a small gleam of light in the O.S.N. Company's building. The thought of lighted windows was not attractive. Two lighted windows had decoyed him into the empty Custom House, only to fall into the clutches of that doctor. No! He would not go near lighted windows again on that night. Captain Mitchell was there. And what could he be told? That doctor would worm it all out of him as if he were a child.&#xA;&#xA;On the threshold he called out &amp;quot;Giorgio!&amp;quot; in an undertone. Nobody answered. He stepped in. &amp;quot;Ola! viejo! Are you there? . . .&amp;quot; In the impenetrable darkness his head swam with the illusion that the obscurity of the kitchen was as vast as the Placid Gulf, and that the floor dipped forward like a sinking lighter. &amp;quot;Ola! viejo!&amp;quot; he repeated, falteringly, swaying where he stood. His hand, extended to steady himself, fell upon the table. Moving a step forward, he shifted it, and felt a box of matches under his fingers. He fancied he had heard a quiet sigh. He listened for a moment, holding his breath; then, with trembling hands, tried to strike a light.&#xA;&#xA;The tiny piece of wood flamed up quite blindingly at the end of his fingers, raised above his blinking eyes. A concentrated glare fell upon the leonine white head of old Giorgio against the black fire-place—showed him leaning forward in a chair in staring immobility, surrounded, overhung, by great masses of shadow, his legs crossed, his cheek in his hand, an empty pipe in the corner of his mouth. It seemed hours before he attempted to turn his face; at the very moment the match went out, and he disappeared, overwhelmed by the shadows, as if the walls and roof of the desolate house had collapsed upon his white head in ghostly silence.&#xA;&#xA;Nostromo heard him stir and utter dispassionately the words—&#xA;&#xA;&amp;quot;It may have been a vision.&amp;quot;&#xA;&#xA;&amp;quot;No,&amp;quot; he said, softly. &amp;quot;It is no vision, old man.&amp;quot;&#xA;&#xA;A strong chest voice asked in the dark—&#xA;&#xA;&amp;quot;Is that you I hear, Giovann' Battista?&amp;quot;&#xA;&#xA;&amp;quot;Si, viejo. Steady. Not so loud.&amp;quot;&#xA;&#xA;After his release by Sotillo, Giorgio Viola, attended to the very door by the good-natured engineer-in-chief, had reentered his house, which he had been made to leave almost at the very moment of his wife's death. All was still. The lamp above was burning. He nearly called out to her by name; and the thought that no call from him would ever again evoke the answer of her voice, made him drop heavily into the chair with a loud groan, wrung out by the pain as of a keen blade piercing his breast.&#xA;&#xA;The rest of the night he made no sound. The darkness turned to grey, and on the colourless, clear, glassy dawn the jagged sierra stood out flat and opaque, as if cut out of paper.&#xA;&#xA;The enthusiastic and severe soul of Giorgio Viola, sailor, champion of oppressed humanity, enemy of kings, and, by the grace of Mrs. Gould, hotel-keeper of the Sulaco harbour, had descended into the open abyss of desolation amongst the shattered vestiges of his past. He remembered his wooing between two campaigns, a single short week in the season of gathering olives. Nothing approached the grave passion of that time but the deep, passionate sense of his bereavement. He discovered all the extent of his dependence upon the silenced voice of that woman. It was her voice that he missed. Abstracted, busy, lost in inward contemplation, he seldom looked at his wife in those later years. The thought of his girls was a matter of concern, not of consolation. It was her voice that he would miss. And he remembered the other child—the little boy who died at sea. Ah! a man would have been something to lean upon. And, alas! even Gian' Battista—he of whom, and of Linda, his wife had spoken to him so anxiously before she dropped off into her last sleep on earth, he on whom she had called aloud to save the children, just before she died—even he was dead!&#xA;&#xA;And the old man, bent forward, his head in his hand, sat through the day in immobility and solitude. He never heard the brazen roar of the bells in town. When it ceased the earthenware filter in the corner of the kitchen kept on its swift musical drip, drip into the great porous jar below.&#xA;&#xA;Towards sunset he got up, and with slow movements disappeared up the narrow staircase. His bulk filled it; and the rubbing of his shoulders made a small noise as of a mouse running behind the plaster of a wall. While he remained up there the house was as dumb as a grave. Then, with the same faint rubbing noise, he descended. He had to catch at the chairs and tables to regain his seat. He seized his pipe off the high mantel of the fire-place—but made no attempt to reach the tobacco—thrust it empty into the corner of his mouth, and sat down again in the same staring pose. The sun of Pedrito's entry into Sulaco, the last sun of Senor Hirsch's life, the first of Decoud's solitude on the Great Isabel, passed over the Albergo d'ltalia Una on its way to the west. The tinkling drip, drip of the filter had ceased, the lamp upstairs had burnt itself out, and the night beset Giorgio Viola and his dead wife with its obscurity and silence that seemed invincible till the Capataz de Cargadores, returning from the dead, put them to flight with the splutter and flare of a match.&#xA;&#xA;&amp;quot;Si, viejo. It is me. Wait.&amp;quot;&#xA;&#xA;Nostromo, after barricading the door and closing the shutters carefully, groped upon a shelf for a candle, and lit it.&#xA;&#xA;Old Viola had risen. He followed with his eyes in the dark the sounds made by Nostromo. The light disclosed him standing without support, as if the mere presence of that man who was loyal, brave, incorruptible, who was all his son would have been, were enough for the support of his decaying strength.&#xA;&#xA;He extended his hand grasping the briar-wood pipe, whose bowl was charred on the edge, and knitted his bushy eyebrows heavily at the light.&#xA;&amp;quot;You have returned,&amp;quot; he said, with shaky dignity. &amp;quot;Ah! Very well! I——&amp;quot;&#xA;&#xA;He broke off. Nostromo, leaning back against the table, his arms folded on his breast, nodded at him slightly.&#xA;&#xA;&amp;quot;You thought I was drowned! No! The best dog of the rich, of the aristocrats, of these fine men who can only talk and betray the people, is not dead yet.&amp;quot;&#xA;&#xA;The Garibaldino, motionless, seemed to drink in the sound of the well-known voice. His head moved slightly once as if in sign of approval; but Nostromo saw clearly that the old man understood nothing of the words. There was no one to understand; no one he could take into the confidence of Decoud's fate, of his own, into the secret of the silver. That doctor was an enemy of the people—a tempter. . . .&#xA;&#xA;Old Giorgio's heavy frame shook from head to foot with the effort to overcome his emotion at the sight of that man, who had shared the intimacies of his domestic life as though he had been a grown-up son.&#xA;&#xA;&amp;quot;She believed you would return,&amp;quot; he said, solemnly.&#xA;&#xA;Nostromo raised his head.&#xA;&#xA;&amp;quot;She was a wise woman. How could I fail to come back——?&amp;quot;&#xA;&#xA;He finished the thought mentally: &amp;quot;Since she has prophesied for me an end of poverty, misery, and starvation.&amp;quot; These words of Teresa's anger, from the circumstances in which they had been uttered, like the cry of a soul prevented from making its peace with God, stirred the obscure superstition of personal fortune from which even the greatest genius amongst men of adventure and action is seldom free. They reigned over Nostromo's mind with the force of a potent malediction. And what a curse it was that which her words had laid upon him! He had been orphaned so young that he could remember no other woman whom he called mother. Henceforth there would be no enterprise in which he would not fail. The spell was working already. Death itself would elude him now. . . . He said violently—&#xA;&#xA;&amp;quot;Come, viejo! Get me something to eat. I am hungry! Sangre de Dios! The emptiness of my belly makes me lightheaded.&amp;quot;&#xA;&#xA;With his chin dropped again upon his bare breast above his folded arms, barefooted, watching from under a gloomy brow the movements of old Viola foraging amongst the cupboards, he seemed as if indeed fallen under a curse—a ruined and sinister Capataz.&#xA;&#xA;Old Viola walked out of a dark corner, and, without a word, emptied upon the table out of his hollowed palms a few dry crusts of bread and half a raw onion.&#xA;&#xA;While the Capataz began to devour this beggar's fare, taking up with stony-eyed voracity piece after piece lying by his side, the Garibaldino went off, and squatting down in another corner filled an earthenware mug with red wine out of a wicker-covered demijohn. With a familiar gesture, as when serving customers in the cafe, he had thrust his pipe between his teeth to have his hands free.&#xA;&#xA;The Capataz drank greedily. A slight flush deepened the bronze of his cheek. 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Life lasts too long sometimes.&amp;quot;&#xA;&#xA;&amp;quot;And she herself may not have a roof over her head before many days are out, unless I . . . What do you say? Am I to keep a roof over her head? Am I to try—and save all the Blancos together with her?&amp;quot;&#xA;&#xA;&amp;quot;You shall do it,&amp;quot; said old Viola in a strong voice. &amp;quot;You shall do it as my son would have. . . .&amp;quot;&#xA;&#xA;&amp;quot;Thy son, viejo! .. .. There never has been a man like thy son. Ha, I must try. . . . But what if it were only a part of the curse to lure me on? . . . And so she called upon me to save—and then——?&amp;quot;&#xA;&#xA;&amp;quot;She spoke no more.&amp;quot; The heroic follower of Garibaldi, at the thought of the eternal stillness and silence fallen upon the shrouded form stretched out on the bed upstairs, averted his face and raised his hand to his furrowed brow. &amp;quot;She was dead before I could seize her hands,&amp;quot; he stammered out, pitifully.&#xA;&#xA;Before the wide eyes of the Capataz, staring at the doorway of the dark staircase, floated the shape of the Great Isabel, like a strange ship in distress, freighted with enormous wealth and the solitary life of a man. It was impossible for him to do anything. He could only hold his tongue, since there was no one to trust. The treasure would be lost, probably—unless Decoud. . . . And his thought came abruptly to an end. He perceived that he could not imagine in the least what Decoud was likely to do.&#xA;&#xA;Old Viola had not stirred. 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<INFO BITRATE="1018709" KEY_LYRICS="3 Contributors400 Grader Lyrics&#xA;De va'kke klare, forventa ikke denne varmen&#xA;Men kan vedde på at ingenting vil forbli det samme&#xA;Si meg, har du kjent en flamme, fire hundre grader?&#xA;Og vært i fyr og flamme i fire hundre dager?&#xA;&#xA;&#xA;Du får hun ikke down for noen ting når dere to er sammen (hæ?)&#xA;Du mener hun er kald, det er rart, for jeg kjente varmen huns&#xA;Hun kjente det som hun vil kjenne hele denne uken&#xA;Sånn som Kylie Jenner vet nøyaktig hvordan munnen brukes&#xA;Kunne tjent cash med det, kjørt helt ny Mercedes&#xA;Men noen folk mangler den drivkraften, og få'kke gjort no' med det&#xA;Så bare back up, back up, jeg er innstilt på å tjene nok&#xA;Til å forsikre min familie nå, og så om tjue år (tjue år)&#xA;Det dem gjelder, fant noen slanger blant mine egne&#xA;Når var sist du ringte meg? Å, fordi du ville henge, huh?&#xA;Unnskyldning, unnskyldning, bare spar meg, bray&#xA;Jeg prater om min ekte bruh, bra vi kunne komme helt til dette, da&#xA;&#xA;&#xA;De va'kke klare, forventa ikke denne varmen&#xA;Men kan vedde på at ingenting vil forbli det samme&#xA;Si meg, har du kjent en flamme, fire hundre grader?&#xA;Og vært i fyr og flamme i fire hundre dager?&#xA;De va'kke klare, forventa ikke denne varmen&#xA;Men kan vedde på at ingenting vil forbli det samme&#xA;Si meg, har du kjent en flamme, fire hundre grader?&#xA;Og vært i fyr og flamme i fire hundre dager?&#xA;&#xA;Putter det ned for The West, min homie&#xA;Det der er Beezy sitt testamony&#xA;Disser du oss? Er du festlig, homie?&#xA;Ti om min stil, du er blessed, min homie&#xA;Ikke la noen ta ambisjonene&#xA;Ikke hør på de fuckings demonene&#xA;Når spionene kommer med dronene&#xA;Hold det ett hundre og ha fokus på kronene&#xA;Fire hundre grader som Juvie&#xA;Livet mitt er som en movie&#xA;Holder det G automatisk&#xA;Hvis du hater blir det problematisk&#xA;Veteran, Mr. Biggs som Ronald Isley&#xA;Om digge chicks gir meg BJs? Precisely&#xA;Om jeg er en big deal, baby? Kinda&#xA;G-mixen er en reminda&#xA;&#xA;&#xA;Homie, du kan vedde på at jeg er on fire&#xA;Chicken min er bad, akkurat som Mariah&#xA;Stepper inn i stedet, skrur opp fire hundre grader&#xA;No lie, no lie&#xA;&#xA;&#xA;De va'kke klare, forventa ikke denne varmen&#xA;Men kan vedde på at ingenting vil forbli det samme&#xA;Si meg, har du kjent en flamme, fire hundre grader?&#xA;Og vært i fyr og flamme i fire hundre dager?&#xA;De va'kke klare, forventa ikke denne varmen&#xA;Men kan vedde på at ingenting vil forbli det samme&#xA;Si meg, har du kjent en flamme, fire hundre grader?&#xA;Og vært i fyr og flamme i fire hundre dager? (fire hundre)&#xA;&#xA;Yeah, badstuen er skrudd opp til maks på dere bitches, mayne&#xA;Fire hundre grader oppi denne her&#xA;Setter fyr på disse gatene&#xA;Grrr" PRODUCER="587774 Records DK" COVERARTID="100/EXDZQSCWG4HMKD0VAC0LBEIQN4BD" PLAYTIME="216" PLAYTIME_FLOAT="215.203262" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="26802"></INFO>
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<INFO BITRATE="970027" KEY_LYRICS="3 ContributorsJAMNAPAAR LyricsGhar se nikle Lad-jhagad ke&#xA;Ladke sar pakadke tadpe&#xA;Karte tuutne //&#xA;Sar pe chadke kuutne //&#xA;Ko hai tayyaar maal fuukne //&#xA;Ko, naal tu chale to chal tu&#xA;Faltu mein na machal tu&#xA;Jamnapaar ka safar tu&#xA;Kar tu paar aaj&#xA;Mere sath aaj mere yaar aas-paas khaas-khaas saare badmizaaj&#xA;Fir bhi sabke bas mein aaj sabki jhaanj&#xA;Sabke paas apne raaz&#xA;Tuutne ye Laelaaj!&#xA;&#xA;Aaj bhi (2x)&#xA;Ashiqui tutiono' ko gate pe&#xA;Launde aankhe gadaaye baithe&#xA;Gate pe yu dheet se&#xA;Ladki nikli pichhe se&#xA;Ladka man lagaaye baitha&#xA;Baatcheet puri kyuki&#xA;Ladka dum lagaaye baitha!&#xA;&#xA;Ladka kam kamaaye&#xA;Uska kharcha uske sar pe baitha//&#xA;Ladka ghar chalaaye&#xA;Uska sapna uske man mein baitha //&#xA;Pura kar na paaye&#xA;Uski topi uske sar pe padti sabki fatri&#xA;Bhai dekho tight hai&amp;quot;&#xA;Bhai ne peg lagaaya dekho hone wali fight hai&amp;quot;&#xA;Chhod bhaaga sabka saaya out puuri night hai&amp;quot;&#xA;Sarai-kaale-khan scootiyo'n pe marathon&#xA;Saare bhai apne pichhe sath apne gair kon?&#xA;School bunks kat-te bajte apne rap songs&#xA;Piddu bachcha nikle pichhe se, puchhe &amp;quot;What happened dawg?&amp;quot; sab khairiyat?&#xA;Saare bande hai real&#xA;Main paar karta barrier&#xA;Khata sabke career&amp;quot;&#xA;&#xA;Nayi dilli 92 se aaya ladka tez //&#xA;Chalta market mein&#xA;Dekho iska badhta craze (2x)&#xA;&#xA;Ghar mein ghuste&#xA;Muu se muu pe&#xA;Bhapke padte duusro pe&#xA;Baap mujhse bole tu shuru se&#xA;Fukro ke sath uthna baithna&#xA;Jo karta hai to dekhna&#xA;Main bhi razi mere fefdo pe break na&amp;quot;&#xA;1k se 1 lakh ek song bekna&#xA;Anek jo the fake yaha pe sabke pichhe tekna//&#xA;Main ek khaufnaak hausl-e-viraam hu&#xA;Main bhand kaafile ka palta khaufnaak khaab hu&#xA;Bhot kaam kaaj aaj mere kaandhe par main&#xA;Faasle yu naapu baate kar jo baithu jhaanj kar main&#xA;Kaartoos pass kar be trap wali baatcheet&#xA;BC chhod asli rap wali baatcheet!&#xA;&#xA;Jamnapaari hum hai kam hai lagte tumko gar to&#xA;Karta hu main jo in shabdo se wo tumjo kardo&#xA;Khaali sadta bheja tera shabdkosh se jo bhardu&#xA;Bas mein karke vash mein karke kasht mein main vyast kardu!&#xA;Nasht kardu saare tere hausle //&#xA;Faisle pe faisle adaalate mizaaj mere paitrein&#xA;Main rappero'n ke sar pe chadke maaru aise rehpate!&#xA;Unke gharpe kalpe saare gharpe chalte ghrehkalesh!&#xA;Life meri ash mein&#xA;Baatcheet Cash mein&#xA;Raga chadhta sabke mu pe sabke sarpe hai craze&#xA;Aflatoon drag race dilli 6 ki baatcheet!&#xA;Chaapado se ladte mu se karte baat ni //&#xA;Ye baat ki jo khaal thi wo baat ko pata bhi ni//&#xA;Main baat ko bataadu ulta sabke man ki baat ki//&#xA;Main, bolu baate aam aadmi ki aaj bhi main ashiqui ki baat karta sath Hiphop bhi&amp;quot;&#xA;Hai job meri bhot hi ajeeb si, azeez si, kameen cheez easily main bakta jaise meri jeet hai ye //&#xA;Jamnapaari uchhle apne kadmo'n pe sadmo'n se pare jo bajta dekho&#xA;APNA GEET HAI YE!" PRODUCER="Sub Merchants" COVERARTID="015/PYUKGSBQH3XEMBKVAGTTDVFJJUTB" PLAYTIME="252" PLAYTIME_FLOAT="251.800003" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="30231"></INFO>
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<INFO BITRATE="947027" KEY_LYRICS="1 ContributorGroovy Tuesday LyricsShe says groovy like it's 1969&#xA;Gives me peace and love, makes me feel so fine&#xA;She's got some crazy notions&#xA;But I don't mind at all&#xA;Cause each time she comes around I fall&#xA;For Groovy Tuesday, Groovy Tuesday&#xA;Groovy Tuesday, mmm&#xA;&#xA;Summer breezes running wild through her hair&#xA;Driving through the country, playing games of do or dare&#xA;She's got this thing about her&#xA;A touch of Tuesday Weld&#xA;And I love her more than words can tell&#xA;My Groovy Tuesday, Groovy Tuesday&#xA;Groovy Tuesday, yeah&#xA;&#xA;And she'll call me on the phone sometimes&#xA;Just to tell me silly things&#xA;Like she loves the way The Beatles sound&#xA;When they go &amp;quot;yeah, yeah, yeah.&amp;quot;&#xA;&#xA;(She's so groovy)&#xA;&#xA;I love her more than words can tell&#xA;My Groovy Tuesday, Groovy Tuesday&#xA;Groovy Tuesday, yeah&#xA;Never felt like this before&#xA;Every day I want her more and more&#xA;She's my Tuesday Girl&#xA;She's my postmodern girl" PRODUCER="2020 Astrophonica" COVERARTID="087/XG1GJTBWQYS4VCTKT3KTDO5GE3YC" PLAYTIME="392" PLAYTIME_FLOAT="391.428558" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="45412"></INFO>
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<INFO BITRATE="915980" KEY_LYRICS="11 ContributorsIntro (We the Best) Lyrics&#xA;Tryin to talk to 'em...&#xA;When there's no more music left&#xA;And the lights go out, all you hear is silence&#xA;I'll be that voice&#xA;(Give it to DJ Khaled for doin it&#xA;Y'all the big dog, Pitbull, Terror Squadians - YESSS!!)&#xA;Dade County, it's our time&#xA;The movement's here forever&#xA;And I won't stop 'til I see them devils&#xA;And I won't stop 'til I defeat the devils (nigga!)&#xA;They all told me that I would fail&#xA;They all told me that I would lose&#xA;But I'm right here, and I won't lose&#xA;Can't NOBODY stop me! I'm somebody&#xA;My brother Dre told you to BE somebody&#xA;Carol City know what I'm talkin about&#xA;The movement! (Fuck niggas!)&#xA;I introduce you to..&#xA;&#xA;&#xA;.. Ross!&#xA;We the best of the best, fit of the fittest&#xA;Dead man gon' feel us the way I'm feelin this Phillie&#xA;No really we the best (we the best) and I'm the boss&#xA;Do I still hustle? Yes... I'm Ricky Ross&#xA;Started with the dirt now I'm travellin the world&#xA;In a new silver spurt buyin pieces of the Earth&#xA;Low mileage; don't need some&#xA;No smilin; I'm easin!&#xA;Rollin on that thang thang, when I lane change&#xA;Haters lookin at me crazy, boy I'ma bang bang&#xA;M-I-A yo, we the same gang&#xA;C.C. to Down South, e'rybody slang 'caine&#xA;Don't see another way, if you do show it to me&#xA;Got good green? Green-ass nigga, blow it with me&#xA;Cop me a drop, paint mine real pretty&#xA;100 grand in the Chevy, rep my city&#xA;&#xA;I rep my city like a G's supposed ta&#xA;I rep my city like a G's supposed ta&#xA;I rep my city like a G's supposed ta&#xA;I rep my city like a G.. nigga!&#xA;Can't nobody stop me, I'm somebody&#xA;From this day on you gon' be somebody&#xA;We the best, we don't fear nobody&#xA;The movement nigga, LISTENNN!! " PRODUCER="Copyright Straight Up Breakbeat" COVERARTID="100/E1SEZDD0P3X0QDFQO1KXA03AHWLB" PLAYTIME="572" PLAYTIME_FLOAT="571.288330" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="63974"></INFO>
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<INFO BITRATE="880955" KEY_LYRICS="3 ContributorsMurder Weapons Lyrics&#xA;I handle anna with murder weapons, I'm sweepin' the city&#xA;Haterism they practicin', ho, I bury you bitches&#xA;It ain't no love for you dirty dirties, I'm packin' that thirty&#xA;Under the porch with the camouflage, kickin' and laughin' I'm scopin'&#xA;&#xA;&#xA;Nigga bring it on&#xA;Peep the plan and all them fake ass friends&#xA;Bitch I'm bout my lonesome but that thirty got me drinkin' gin&#xA;Saggin' my pants and muggin' lookin' undereyed wid thirty slugs&#xA;Bustin' wid no mercy hangin' out the hooptie rippin' me and cuz&#xA;Ho, this shit for real, this is the heat that let you know the deal&#xA;Bitch them games you play is make me determine&#xA;Whether should you live&#xA;Shit on bitches fuck 'em&#xA;Fuck the past and present time will hold&#xA;Out for just the money cappin' pussy&#xA;That shit cause the dough&#xA;Lit the strip wid diamonds big buck grill&#xA;But you hate my kind&#xA;Understand this shit can happen any kinda day I'm packin' mine&#xA;What you wanna do? 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<INFO BITRATE="992341" KEY_LYRICS="5 ContributorsPoisson LyricsRefrain/intro:&#xA;Je suis un poisson, je suis un poisson&#xA;Je suis un poisson, j'suis dans l'océan&#xA;Et j'aime les algues, j'aime les algues&#xA;Et j'suis un poisson, j'suis dans l'océan&#xA;Et j'aime les vagues, oui, j'aime les algues&#xA;Je suis un poisson, j'suis dans l'océan&#xA;J'aime les vagues, oui, j'aime les algues&#xA;Et je suis un poisson perdu dans l'océan&#xA;Et puis j'aime les algues, oh que j'aime les algues&#xA;Et puis j'aime les algues&#xA;Et je suis un poisson perdu dans l'océan&#xA;Et puis j'aime les algues, putain, j'aime les algues&#xA;Et puis j'aime les algues, et puis j'aime les algues&#xA;Et je suis un poisson perdu dans l'océan&#xA;Oui je suis un poisson qui adore les algues&#xA;Qui adore les algues et les algues&#xA;Et les algues et les algues et les algues&#xA;Et je suis un poisson perdu dans l'océan&#xA;Et puis j'aime les algues, oh oui, j'aime les algues&#xA;&#xA;Couplet 1:&#xA;Et puis nique les fagg, nique tous les fagget&#xA;Tous les fagg, tous les fagg, et je suis un poisson&#xA;Oui, je suis un poisson&#xA;Et je suis impatient, perdu dans l'océan&#xA;Oui, j'adore les vagues, j'adore les vagues&#xA;Et je suis un poisson, et j'adore les vagues&#xA;Et j'oublie mes phases d'avant&#xA;Refrain:&#xA;Je suis un poisson perdu dans l'océan&#xA;J'aime les algues, oh oui, j'aime les algues&#xA;Refrain!&#xA;Je suis un poisson, je suis dans l'océan&#xA;J'aime les vagues, j'aime les algues&#xA;Je suis un poisson, j'suis dans l'océan&#xA;Et j'aime les vagues, oui, j'aime les algues" PRODUCER="2020 Astrophonica" COVERARTID="091/1O4N1YA5UUOM5A4VQNVADD5EFT2A" PLAYCOUNT="1" PLAYTIME="203" PLAYTIME_FLOAT="202.409653" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="24809"></INFO>
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<INFO BITRATE="974198" KEY_LYRICS="1 ContributorSilly Little Picture Lyrics&#xA;I drew a picture&#xA;A silly little picture&#xA;I gave it to you, (ahhhh)&#xA;I gave it to you&#xA;&#xA;&#xA;But you gave it back&#xA;You gave it back&#xA;When you gave that drawing back I knew it was over, over&#xA;It's over, (over)&#xA;It's over, (over)&#xA;It's over, (over)&#xA;It's over&#xA;&#xA;&#xA;I drew a little drawing&#xA;A silly little drawing&#xA;I gave it to you&#xA;I gave it to you&#xA;&#xA;&#xA;But you gave it back&#xA;You gave it back&#xA;When you gave that drawing back I knew it was over, over&#xA;It's over, (over)&#xA;It's over, (over)&#xA;It's over, (over)&#xA;It's over, over&#xA;&#xA;Girl&#xA;When you tore up that drawing you tore up my heart&#xA;Ripped it in half&#xA;&#xA;Fuck you" PRODUCER="2020 Astrophonica" COVERARTID="091/1O4N1YA5UUOM5A4VQNVADD5EFT2A" PLAYTIME="285" PLAYTIME_FLOAT="284.868744" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="34167"></INFO>
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<INFO BITRATE="977474" KEY_LYRICS="3 ContributorsRetarded LyricsFrom Spaide R.I.P.P.E.R’s album ZombIIe 2&#xA;&#xA;In this song Stevie Stone and Spaide Ripper talk about how they drink so much and do so many drugs they get “retarded”&#xA;I said I'm smokin' on the kush and I'm sippin' on the Henny&#xA;We ran up outta Crown, gotta trade up on the Rémy&#xA;My attitude is fuckin', we connectin' with the Ripper&#xA;We got some college bitches and converted em to strippers&#xA;Now lieutenant go dumb and leave the whole party numb&#xA;We pull the model bitches that a keep a nigga cumin'&#xA;Retarded, retarded got me feelin' like a junkie&#xA;Debatin' takin' some Molly, take a shot of Brass Monkey&#xA;Now I'm here for &#xA; more gettin'&#xA;Try to spark c-conversation&#xA;S-S-Stutter when I'm spittin'&#xA;What I'm missin'?&#xA;(Stevie Stone gone let these nigga know mane)&#xA;Pay attention&#xA;(Strange Music, Zombie mob on these niggas mane)&#xA;Yeah&#xA;Make room&#xA;Clear the way&#xA;Please forgive me, be forgettin' what I say&#xA;Bitch I'm 'bout to be a problem in the game&#xA;Make room for me, for me&#xA;Room for me, for me, room!&#xA;&#xA;&#xA;I might stutter when I talk, cause I'm retarded&#xA;Might lean when I walk, cause I'm retarded&#xA;Make room for me, for me, room for me I'm retarded&#xA;A little drool from my mouth when I talk, cause I'm retarded&#xA;&#xA;If I pop another pill I might wake up in a hearse&#xA;I'm going backwards in time watchin' y'all move in reverse&#xA;Last night I grew wings and was flying over the church&#xA;I'm gone outta orbit, teleported back to Earth&#xA;But my cup still muddy, yeah I'm still sipping Syrup&#xA;I hope my heart don't stop before I finish this verse&#xA;&#xA;I'm on a bad trip, all the walls started melting&#xA;I took another puff of that strong and I started panicking&#xA;Me and Stevie Stone, we froze we look like mannequins&#xA;Ripper he retarded he gone he on that other shit&#xA;Put me in a same category you would put Brotha Lynch&#xA;You can ask my brotha 'nem. In school I was extra bad&#xA;I rode home on the short bus, special class&#xA;I'm so outta order, I'm on that fire water&#xA;I don't know when I'm high, dog I just know when I'm sober" PRODUCER="Copyright Straight Up Breakbeat" COVERARTID="050/SBKIDCC1U1NZ0AMWFYU2C30WLBID" PLAYCOUNT="1" PLAYTIME="279" PLAYTIME_FLOAT="278.586365" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="33334"></INFO>
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<INFO BITRATE="1028945" KEY_LYRICS="1 ContributorEnter the Center Lyrics&#xA;Man Pete Rock&#xA;Pure celebration, for all this generation&#xA;Ha... worldwide&#xA;It gets hot baby, representing, metropolis&#xA;&#xA;&#xA;Hear the nine pound, the dog on a new sound&#xA;I'm here to set it off, no fear to break it down&#xA;Feel my world for all stakes that we claim&#xA;Blaze the slow burn, for the essence in the game&#xA;The +Tru Reign+, some fell upon the one&#xA;Wanna BOOM BAP, I bring style by the ton&#xA;No pain, no fun, let's creep out the mess&#xA;Enter my center where the tormenters rest&#xA;Blessed by thy blessings, to learn a hard lesson&#xA;Protected by the thugs with the large Smith &amp;amp; Wessons&#xA;Got the bombs undressed (woo!)&#xA;Even the low profile to keep the snakes out guessin&#xA;Impressin, with the raw skills my God gave me&#xA;Goin all out son cause nobody can save me&#xA;Crashed the crossroad, so I just flow on&#xA;Comin all out, here's somethin we can grow on&#xA;&#xA;&#xA;C'MON! Ah, into the center of the haze&#xA;Where the style rocks hot, let's get it on the only way&#xA;(It's hot baby) C'MON! Into the center of the haze&#xA;Where the style rocks hot, let's get it on the only way&#xA;&#xA;Feel on the rapture, let the haze catch ya&#xA;The props, the love and the gains is what I'm after&#xA;The raptor, beatin down rappers runnin wild&#xA;See the fullness, feel the pure Mecca child&#xA;The profile to fiend rocks on again&#xA;It's all hot here so go tell your friend&#xA;So he can tell his man and they won't pretend&#xA;Cause the burn so real that they all attend&#xA;My MC show, they break the front do'&#xA;Got the lime Alize for the Player's Club&#xA;Guaranteein all wins like Broadway Joe&#xA;And if you ain't heard, act like you know&#xA;That the, beast from the East is comin for his piece of pie&#xA;I'm in that freak mode, son it's time to do or die&#xA;See you know why, the dope got your mind high&#xA;You gotta stay fly once you come up out the get by&#xA;&#xA; - repeat 2X&#xA;&#xA;&#xA;So as you, analyze me, I paralyze you&#xA;So what'chu gonna do when the one man wreckin crew&#xA;Steps up, I'm +Energizing+, +Everready+&#xA;I rock the beat hard, got a blast for the petty&#xA;If you're ready though, you can come and enter the stage&#xA;And feel the raw wrath, and the pleasures of the rage&#xA;The rampage, my people, will not be televised&#xA;Front if you want kid, we're always recognized&#xA;I, up and rise, my movement's generation&#xA;The penetration, soul sensation&#xA;On to live, that life divine&#xA;Yo I pass to my people or sip the wine&#xA;Cause, time is short, this style gets hard&#xA;Representin to the grave, rough rugged and scarred&#xA;Worldwide! ... Worldwide! So everybody&#xA; - repeat to fade" PRODUCER="Copyright Straight Up Breakbeat" COVERARTID="050/SBKIDCC1U1NZ0AMWFYU2C30WLBID" PLAYTIME="294" PLAYTIME_FLOAT="293.215240" IMPORT_DATE="2025/7/5" RELEASE_DATE="2019/1/1" FLAGS="12" FILESIZE="36922"></INFO>
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<INFO BITRATE="998891" KEY_LYRICS="1 ContributorRunning In The Labyrinth LyricsThe notes are falling now&#xA;Like an heavy thing&#xA;I take this dream, again&#xA;The smile of a new song&#xA;But tears streamed down her face&#xA;But tears streamed down her face&#xA;&#xA;RUNNING IN THE LABYRINTH&#xA;OVER A USELESS TIME&#xA;STEADY HAMMERING&#xA;I WILL FLY AGAIN&#xA;&#xA;And I will be the winner&#xA;Of a raving life&#xA;And I will know the things&#xA;The white and black of death" PRODUCER="Rua Sound" COVERARTID="057/ZVKN2AAJ0MLAWDQQRZVRBHK0UBFC" PLAYTIME="348" PLAYTIME_FLOAT="347.995453" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="42625"></INFO>
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<INFO BITRATE="970511" KEY_LYRICS="7 ContributorsList of NES games LyricsNow you’re playing with power, with this list of NES games.1&#x9;10 Yard Fight&#xA;2&#x9;100 World Story The The Tales on a Watery Wilderness (Hyaku no Sekai no Monogatari)&#xA;3&#x9;1942&#xA;4&#x9;1943&#xA;5&#x9;3D World Runner&#xA;6&#x9;720&#xA;7&#x9;8 Eyes&#xA;8&#x9;A Boy and His Blob&#xA;9&#x9;Abadox&#xA;10&#x9;Action 52&#xA;11&#x9;AD&amp;amp;D Dragons of Flame&#xA;12&#x9;AD&amp;amp;D Dragonstrike&#xA;13&#x9;AD&amp;amp;D Heroes of the Lance&#xA;14&#x9;AD&amp;amp;D Hillsfar&#xA;15&#x9;AD&amp;amp;D Pool of Radiance&#xA;16&#x9;Addams Family&#xA;17&#x9;Adventure Island&#xA;18&#x9;Adventure Island 2&#xA;19&#x9;Adventure Island 3&#xA;20&#x9;Adventure Island 4&#xA;21&#x9;Adventures of Bayou Billy&#xA;22&#x9;Adventures of Dino Riki&#xA;23&#x9;Adventures of Lolo&#xA;24&#x9;Adventures of Lolo 2&#xA;25&#x9;Adventures of Lolo 3&#xA;26&#x9;Adventures of Musashi&#xA;27&#x9;Adventures of Tom Sawyer&#xA;28&#x9;After Burner&#xA;29&#x9;Air Fortress&#xA;30&#x9;Airwolf&#xA;31&#x9;Akira (Japanese Famicon Exclusive)&#xA;32&#x9;Alfred Chicken&#xA;33&#x9;Alien 3&#xA;34&#x9;Alien Syndrome&#xA;35&#x9;Alpha Mission&#xA;36&#x9;Altered Beast&#xA;37&#x9;Amagon&#xA;38&#x9;American Dream&#xA;39&#x9;American Gladiators&#xA;40&#x9;Ankoku Shinwa The Dark Myth&#xA;41&#x9;Antarctic Adventure (Japanese Famicon)&#xA;42&#x9;Anticipation&#xA;43&#x9;Arch Rivals&#xA;44&#x9;Archon&#xA;45&#x9;Arkanoid&#xA;46&#x9;Arkistas Ring&#xA;47&#x9;Armadillo&#xA;48&#x9;Armed Dragon Fantasy Villgust (Famicon Exclusive)&#xA;49&#x9;Astro Fang Super Machine (Japanese Famicon Exclusive)&#xA;50&#x9;Astyanax&#xA;51&#x9;Athena&#xA;52&#x9;Athletic World&#xA;53&#x9;Attack Animal Academy&#xA;54&#x9;Attack of the Killer Tomatoes&#xA;55&#x9;B-Wings&#xA;56&#x9;Baby Boomer&#xA;57&#x9;Back to the Future&#xA;58&#x9;Back to the Future 2 and 3&#xA;59&#x9;Bad Dudes&#xA;60&#x9;Bad Street Brawler&#xA;61&#x9;Balloon Fight&#xA;62&#x9;Banana&#xA;63&#x9;Banana Prince (Japanese Famicon)&#xA;64&#x9;Bandit Kings of Ancient China&#xA;65&#x9;Barbie&#xA;66&#x9;Bard's Tale The&#xA;67&#x9;Base Wars&#xA;68&#x9;Batman&#xA;69&#x9;Batman Return of the Joker&#xA;70&#x9;Batman Returns&#xA;71&#x9;Battle Chess&#xA;72&#x9;Battle of Olympus&#xA;73&#x9;Battle Tank&#xA;74&#x9;Battleship&#xA;75&#x9;Battletoads&#xA;76&#x9;Battletoads &amp;amp; Double Dragon&#xA;77&#x9;Bee 52&#xA;78&#x9;Beetlejuice&#xA;79&#x9;Bible Adventures&#xA;80&#x9;Bible Buffet&#xA;81&#x9;Big Bird Hide and Speek&#xA;82&#x9;Big Foot&#xA;83&#x9;Big Nose Freaks Out&#xA;84&#x9;Big Nose The Caveman&#xA;85&#x9;Bill &amp;amp; Ted's Excellent Adventure&#xA;86&#x9;Bio Miracle Baby Upa&#xA;87&#x9;Bio-Warrior Dan The Inkliezar Battle&#xA;88&#x9;Bionic Commando&#xA;89&#x9;Blades of Steel&#xA;90&#x9;Blades of Steel Classic Series&#xA;91&#x9;Blaster Master&#xA;92&#x9;Bloody Warriors&#xA;93&#x9;Blues Brothers&#xA;94&#x9;Bomberman&#xA;95&#x9;Bomberman 2&#xA;96&#x9;Bonks Adventure&#xA;97&#x9;Boulder Dash&#xA;98&#x9;Bram Stoker's Dracula&#xA;99&#x9;Break Thru&#xA;100&#x9;Bubble Bath Babes&#xA;101&#x9;Bubble Bobble&#xA;102&#x9;Bubble Bobble 2&#xA;103&#x9;Bucky O'Hare&#xA;104&#x9;Bugs Bunny Birthday Blowout&#xA;105&#x9;Bugs Bunny Crazy Castle&#xA;106&#x9;Bump &amp;amp; Jump&#xA;107&#x9;Burai Fighter&#xA;108&#x9;Burger Time&#xA;109&#x9;Cabal&#xA;110&#x9;Cadillac&#xA;111&#x9;California Games&#xA;112&#x9;Captain America &amp;amp; the Avengers&#xA;113&#x9;Captain Comic&#xA;114&#x9;Captain Planet &amp;amp; the Planeteers&#xA;115&#x9;Captain Silver&#xA;116&#x9;Captain Skyhawk&#xA;117&#x9;Captain Tsubasa 2&#xA;118&#x9;Casino Kid&#xA;119&#x9;Casino Kid 2&#xA;120&#x9;Castelian&#xA;121&#x9;Castle of Deceit&#xA;122&#x9;Castle of Dragon&#xA;123&#x9;Castle Quest&#xA;124&#x9;Castlequest&#xA;125&#x9;Castlevania&#xA;126&#x9;Castlevania II Simon's Quest&#xA;127&#x9;Castlevania III Dracula's Curse&#xA;128&#x9;Caveman Games&#xA;129&#x9;Challenge of the Dragon&#xA;130&#x9;Chaos World&#xA;131&#x9;Chester Field (Japanese Famicon Exclusive)&#xA;132&#x9;Chiller&#xA;133&#x9;Chip &amp;amp; Dale Rescue Rangers&#xA;134&#x9;Chip &amp;amp; Dale Rescue Rangers 2&#xA;135&#x9;Choujin Sentai Jetman&#xA;136&#x9;Chronicle of the Radia War&#xA;137&#x9;Chubby Cherub&#xA;138&#x9;Chuka Taisen&#xA;139&#x9;Circus Caper&#xA;140&#x9;City Connection&#xA;141&#x9;Clash at Demonhead&#xA;142&#x9;Classic Concentration&#xA;143&#x9;Cliffhanger&#xA;144&#x9;Clu Clu Land&#xA;145&#x9;Cobra Command&#xA;146&#x9;Cobra Triangle&#xA;147&#x9;Cocoron&#xA;148&#x9;Code Name Viper&#xA;149&#x9;Columbus Golden Dawn&#xA;150&#x9;Commando&#xA;151&#x9;Conan The Mysteries of Time&#xA;152&#x9;Conflict&#xA;153&#x9;Conquest of the Crystal Palace&#xA;154&#x9;Contra&#xA;155&#x9;Contra Force&#xA;156&#x9;Cool World&#xA;157&#x9;Cosmic Epsilon&#xA;158&#x9;Cosmo Genesis&#xA;159&#x9;Cosmo Police Galivan&#xA;160&#x9;Cowboy Kid&#xA;161&#x9;Crash'n the Boys Street Challenge&#xA;162&#x9;Crisis Force&#xA;163&#x9;Crystal Mines&#xA;164&#x9;Crystalis&#xA;165&#x9;Cyberball&#xA;166&#x9;Cybernoid&#xA;167&#x9;Dai Senryaku&#xA;168&#x9;Dark Lord&#xA;169&#x9;Darkman&#xA;170&#x9;Darkwing Duck&#xA;171&#x9;Dash Galaxy in the Alien Asylum&#xA;172&#x9;Day Dreamin' Davey&#xA;173&#x9;Days of Thunder&#xA;174&#x9;Deadly Towers&#xA;175&#x9;Death Race&#xA;176&#x9;Deathbots&#xA;177&#x9;Debias Legendary Space-Time Hero&#xA;178&#x9;Deep Dungeon IV The Black Sorcerer&#xA;179&#x9;Defender II&#xA;180&#x9;Defender of the Crown&#xA;181&#x9;Defenders of Dynatron City&#xA;182&#x9;Deja Vu&#xA;183&#x9;Demon Sword&#xA;184&#x9;Desert Commander&#xA;185&#x9;Destination Earthstar&#xA;186&#x9;Destiny of an Emperor 2 The Story of Zhuge Liang&#xA;187&#x9;Destiny of an Emperor&#xA;188&#x9;Devilman&#xA;189&#x9;Dezaemon&#xA;190&#x9;Dick Tracy&#xA;191&#x9;Die Hard&#xA;192&#x9;Dig Dug II&#xA;193&#x9;Digger T. Rock: Legend of the Lost City&#xA;194&#x9;Dirty Harry&#xA;195&#x9;Disney's Adventures in the Magic Kingdom&#xA;196&#x9;Dizzy the Adventurer&#xA;197&#x9;Donkey Kong&#xA;198&#x9;Donkey Kong 3&#xA;199&#x9;Donkey Kong Classics&#xA;200&#x9;Donkey Kong Jr&#xA;201&#x9;Donkey Kong Jr Math&#xA;202&#x9;Doraemon&#xA;203&#x9;Doraemon The Revenge of Giga Zombie&#xA;204&#x9;Double Dare&#xA;205&#x9;Double Dragon&#xA;206&#x9;Double Dragon II The Revenge&#xA;207&#x9;Double Dragon III The Sacred Stone&#xA;208&#x9;Double Strike&#xA;209&#x9;Dr Chaos&#xA;210&#x9;Dr Jekyll &amp;amp; Mr Hyde&#xA;211&#x9;Dr Jekyll and Mr Hyde&#xA;212&#x9;Dr Mario&#xA;213&#x9;Dragon Ball Dragon Mystery&#xA;214&#x9;Dragon Ball Revival of the Dark Lord&#xA;215&#x9;Dragon Ball Z Assault of the Saiyans&#xA;216&#x9;Dragon Ball Z Gaiden Plan to Eliminate the Saiyans&#xA;217&#x9;Dragon Ball Z III Killer Androids&#xA;218&#x9;Dragon Buster II Seal of Darkness&#xA;219&#x9;Dragon Fighter&#xA;220&#x9;Dragon Ninja&#xA;221&#x9;Dragon Power&#xA;222&#x9;Dragon Scroll - Resurrection of the Demon Dragon&#xA;223&#x9;Dragon Spirit The New Legend&#xA;224&#x9;Dragon Warrior&#xA;225&#x9;Dragon Warrior II&#xA;226&#x9;Dragon Warrior III&#xA;227&#x9;Dragon Warrior IV&#xA;228&#x9;Dragon's Lair&#xA;229&#x9;Dream Master&#xA;230&#x9;Dream Penguin Adventure (Japanese Famicon Exclusive)&#xA;231&#x9;Duck Hunt&#xA;232&#x9;Duck Tales&#xA;233&#x9;Duck Tales II&#xA;234&#x9;Dudes with Attitudes&#xA;235&#x9;Dungeon Magic Sword of the Elements&#xA;236&#x9;Dusty Diamond's All-Star Softball&#xA;237&#x9;Dynowarz The Destruction of Spondylus&#xA;238&#x9;Eggerland Revival of the Labyrinth&#xA;239&#x9;Elevator Action&#xA;240&#x9;Eliminator Boat Duel&#xA;241&#x9;Elysion&#xA;242&#x9;Empire Strikes Back Star Wars&#xA;243&#x9;Esper Corps&#xA;244&#x9;Esper Dream 2&#xA;245&#x9;Excitebike&#xA;246&#x9;Exodus&#xA;247&#x9;F-117A Stealth Fighter&#xA;248&#x9;F-15 City War&#xA;249&#x9;F-16 Strike Eagle&#xA;250&#x9;Famicom Wars&#xA;251&#x9;Family Fued&#xA;252&#x9;Fantastic Adventures of Dizzy&#xA;253&#x9;Fantasy Zone&#xA;254&#x9;Faria&#xA;255&#x9;Faxanadu&#xA;256&#x9;Felix the Cat&#xA;257&#x9;Fester's Quest&#xA;258&#x9;Final Fantasy&#xA;259&#x9;Final Fantasy II&#xA;260&#x9;Final Fantasy III&#xA;261&#x9;Final Mission&#xA;262&#x9;Fire 'n Ice&#xA;263&#x9;Fire Emblem&#xA;264&#x9;Fire Emblem Gaiden&#xA;265&#x9;Fire Hawk&#xA;266&#x9;Fist of the North Star&#xA;267&#x9;Flight of the Intruder&#xA;268&#x9;Flintstones The Rescue of Dino and Hoppy&#xA;269&#x9;Flintstones The Surprise at Dinosaur Peak&#xA;270&#x9;Flying Dragon The Secret Scroll&#xA;271&#x9;Flying Warriors&#xA;272&#x9;Frankenstein The Monster Returns&#xA;273&#x9;Freedom Force&#xA;274&#x9;Friday the 13th&#xA;275&#x9;Fun House&#xA;276&#x9;Future Soldier - Lios&#xA;277&#x9;Fuzzical Fighter&#xA;278&#x9;G I Joe A Real American Hero&#xA;279&#x9;G I Joe The Atlantis Factor&#xA;280&#x9;Galactic Crusader&#xA;281&#x9;Galaga&#xA;282&#x9;Galaxy 5000&#xA;283&#x9;Ganbare Goemon&#xA;284&#x9;Ganbare Goemon 2&#xA;285&#x9;Gargoyle's Quest II&#xA;286&#x9;Gemfire&#xA;287&#x9;Genghis Khan&#xA;288&#x9;Getsu Fuuma Den&#xA;289&#x9;Ghost Hunter&#xA;290&#x9;Ghostbusters&#xA;291&#x9;Ghostbusters II&#xA;292&#x9;Ghosts 'n Goblins&#xA;293&#x9;Ghoul School&#xA;294&#x9;Gilligan's Island&#xA;295&#x9;Go Go Nekketsu Hockey Club&#xA;296&#x9;Godzilla&#xA;297&#x9;Godzilla 2 War of the Monsters&#xA;298&#x9;Golf&#xA;299&#x9;Golgo 13 Top Secret Episode&#xA;300&#x9;Goonies II The&#xA;301&#x9;Gorbyâ€™s Pipeline Great Military Operation&#xA;302&#x9;Gotcha&#xA;303&#x9;Gourmet&#xA;304&#x9;Gradius&#xA;305&#x9;Grand Master&#xA;306&#x9;Gravity Armor Metal Storm&#xA;307&#x9;Great Maze The Master of the Maze&#xA;308&#x9;Great Waldo Search&#xA;309&#x9;Gremlins 2 The New Batch&#xA;310&#x9;Gauntlet&#xA;311&#x9;Gauntlet II&#xA;312&#x9;Guardian Legend The&#xA;313&#x9;Guerilla War&#xA;314&#x9;Gun Smoke&#xA;315&#x9;Gun-Nac&#xA;316&#x9;Gyruss&#xA;317&#x9;Harlem Globetrotters&#xA;318&#x9;Hatris&#xA;319&#x9;Heavy Barrel&#xA;320&#x9;Heavy Shreddin'&#xA;321&#x9;Hello Kitty World&#xA;322&#x9;Hello Kitty's Flower Shop&#xA;323&#x9;Heracles no Eikou II Titan no Metsubo&#xA;324&#x9;Heracles no Eikou Toujin Makyou Den&#xA;325&#x9;Higemaru Seven Islands Adventure&#xA;326&#x9;High Speed&#xA;327&#x9;Hirake Ponkikki&#xA;328&#x9;Hollywood Squares&#xA;329&#x9;Holy Diver&#xA;330&#x9;Home Alone&#xA;331&#x9;Home Alone 2 Lost in New York&#xA;332&#x9;Honoo No Toukyuuji - Dodge Danpei&#xA;333&#x9;Honoo No Toukyuuji - Dodge Danpei 2&#xA;334&#x9;Hook&#xA;335&#x9;Hoops&#xA;336&#x9;Hot Slots&#xA;337&#x9;Hotman&#xA;338&#x9;Hudson Hawk&#xA;339&#x9;Hunt for the Red October&#xA;340&#x9;Hydlide&#xA;341&#x9;I'm Kid Dracula&#xA;342&#x9;Ice Climber&#xA;343&#x9;Ice Hockey&#xA;344&#x9;Ikari Warriors&#xA;345&#x9;Ikari Warriors II Victory Road&#xA;346&#x9;Ikari Warriors III The Rescue&#xA;347&#x9;Image Fight&#xA;348&#x9;Immortal The&#xA;349&#x9;Impossible Mission II&#xA;350&#x9;Incredible Crash Dummies The&#xA;351&#x9;Indiana Jones and the Last Crusade&#xA;352&#x9;Indiana Jones and the Temple of Doom&#xA;353&#x9;Infiltrator&#xA;354&#x9;Insector X&#xA;355&#x9;Iron Tank&#xA;356&#x9;Ironsword Wizards &amp;amp; Warriors II&#xA;357&#x9;Isolated Warrior&#xA;358&#x9;J-League Winning Goal&#xA;359&#x9;Jackal&#xA;360&#x9;Jackie Chan's Action Kung-Fu&#xA;361&#x9;James Bond Jr&#xA;362&#x9;Jaws&#xA;363&#x9;Jeopardy&#xA;364&#x9;Jeopardy 25th Silver Anniversary Edition&#xA;365&#x9;Jeopardy Junior Edition&#xA;366&#x9;Jesus Kyoufu no Bio Monster&#xA;367&#x9;Jetsons Cogswell's Capers&#xA;368&#x9;JJ Jump Out The Epic War - Part II&#xA;369&#x9;Joe &amp;amp; Mac&#xA;370&#x9;Joshua&#xA;371&#x9;Journey to Silius&#xA;372&#x9;Joust&#xA;373&#x9;Joy Mech Fight&#xA;374&#x9;Jungle Book&#xA;375&#x9;Jurassic Park&#xA;376&#x9;Just Breed&#xA;377&#x9;Kabuki Quantum Fighter&#xA;378&#x9;Kabuki-Quantum Fighter&#xA;379&#x9;Kantaro the Pyro's Journey Across the Toukaido&#xA;380&#x9;Karate Champ&#xA;381&#x9;Karate Kid&#xA;382&#x9;Karnov&#xA;383&#x9;Kart Fighter&#xA;384&#x9;Kero Kero Keroppi's Big Adventure&#xA;385&#x9;Kero Kero Keroppi's Great Big Adventure 2 Trouble in Donut Pond&#xA;386&#x9;Keroppi &amp;amp; Keroleen's Splash Bomb&#xA;387&#x9;Kick Master&#xA;388&#x9;Kickle Cubicle&#xA;389&#x9;Kid Icarus&#xA;390&#x9;Kid Klown in Night Mayor World&#xA;391&#x9;Kid Kool&#xA;392&#x9;Kid Niki&#xA;393&#x9;Kid Niki 2 Karakuri Land&#xA;394&#x9;Kid Niki 3&#xA;395&#x9;King Kong Lives - Megaton Punch of Rage&#xA;396&#x9;King Neptune's Adventure&#xA;397&#x9;King of Kings&#xA;398&#x9;King's Knight&#xA;399&#x9;King's Quest V&#xA;400&#x9;Kings of the Beach&#xA;401&#x9;Kinnikuman Muscle Tag Match&#xA;402&#x9;Kirby's Adventure&#xA;403&#x9;Kiwi Kraze&#xA;404&#x9;Klash Ball&#xA;405&#x9;Klax&#xA;406&#x9;Knight Rider&#xA;407&#x9;Knights of the Zodiac Legend of the Gold&#xA;408&#x9;Krazy Kreatures&#xA;409&#x9;Krion Conquest The&#xA;410&#x9;Krusty's Funhouse&#xA;411&#x9;Kung Fu&#xA;412&#x9;Kung Fu Heroes&#xA;413&#x9;Kunio Kun no Nekketsu Soccer League&#xA;414&#x9;Kyoryu Sentai ZyuRanger&#xA;415&#x9;L'Empereur&#xA;416&#x9;Labyrinth&#xA;417&#x9;Laser Invasion&#xA;418&#x9;Last Action Hero&#xA;419&#x9;Last Ninja The&#xA;420&#x9;Last Starfighter The&#xA;421&#x9;Lee Trevino's Fighting Golf&#xA;422&#x9;Legacy of the Wizard&#xA;423&#x9;Legend of Kage&#xA;424&#x9;Legend of the Ghost Lion&#xA;425&#x9;Legend of Zelda&#xA;426&#x9;Legendary Wings&#xA;427&#x9;Legends of the Diamond&#xA;428&#x9;Lemmings&#xA;429&#x9;Lethal Weapon&#xA;430&#x9;Life Force&#xA;431&#x9;Linus Spacehead's Cosmic Crusade&#xA;432&#x9;Little Ghosts&#xA;433&#x9;Little Mermaid The&#xA;434&#x9;Little Nemo The Dream Master&#xA;435&#x9;Little Ninja Brothers&#xA;436&#x9;Little Samson&#xA;437&#x9;Lode Runner&#xA;438&#x9;Lone Ranger The&#xA;439&#x9;Loopz&#xA;440&#x9;Low G-Man&#xA;441&#x9;Lunar Pool&#xA;442&#x9;Lupin the 3rd Pandora's Legacy&#xA;443&#x9;M C Kids&#xA;444&#x9;M U L E&#xA;445&#x9;M U S C L E&#xA;446&#x9;Mach Rider&#xA;447&#x9;Mad Max&#xA;448&#x9;Madara&#xA;449&#x9;Mafat Conspiracy&#xA;450&#x9;Magic of Scheherazade&#xA;451&#x9;Magical Doropie&#xA;452&#x9;Magician&#xA;453&#x9;Magmax&#xA;454&#x9;Maharaja&#xA;455&#x9;Major League Baseball&#xA;456&#x9;Maniac Mansion&#xA;457&#x9;Mappyland&#xA;458&#x9;Marble Madness&#xA;459&#x9;Mario Bros&#xA;460&#x9;Mario is Missing&#xA;461&#x9;Mario's Time Machine&#xA;462&#x9;Marvel's X-Men&#xA;463&#x9;Master Chu and the Drunkard Hu&#xA;464&#x9;Maze of Galious&#xA;465&#x9;Mechanized Attack&#xA;466&#x9;Mega Man&#xA;467&#x9;Mega Man 2&#xA;468&#x9;Mega Man 3&#xA;469&#x9;Mega Man 4&#xA;470&#x9;Mega Man 5&#xA;471&#x9;Mega Man 6&#xA;472&#x9;Mega Man II&#xA;473&#x9;Menace Beach&#xA;474&#x9;Mendel Palace&#xA;475&#x9;Mermaids of Atlantis&#xA;476&#x9;Metal Fighter&#xA;477&#x9;Metal Gear&#xA;478&#x9;Metal Mech&#xA;479&#x9;Metal Storm&#xA;480&#x9;Metroid&#xA;481&#x9;Mickey Mouse 3 - Yume Fuusen&#xA;482&#x9;Mickey Mousecapade&#xA;483&#x9;Mickey's Adventures in Numberland&#xA;484&#x9;Mickey's Safari in Letterland&#xA;485&#x9;Micro Machines&#xA;486&#x9;Mig 29 Soviet Fighter&#xA;487&#x9;Might &amp;amp; Magic Secret of the Inner Sanctum&#xA;488&#x9;Mighty Bomb Jack&#xA;489&#x9;Mighty Final Fight&#xA;490&#x9;Mike Tyson's Punch-Out&#xA;491&#x9;Millipede&#xA;492&#x9;Milon's Secret Castle&#xA;493&#x9;Minelvaton Saga&#xA;494&#x9;Mini Putt&#xA;495&#x9;Mirai Shinwa Jarvas&#xA;496&#x9;Mission Cobra&#xA;497&#x9;Mission Impossible&#xA;498&#x9;Mitsume ga Tooru&#xA;499&#x9;Moai Kun&#xA;500&#x9;Monopoly&#xA;501&#x9;Monster in my Pocket&#xA;502&#x9;Monster Party&#xA;503&#x9;Monster Truck Rally&#xA;504&#x9;Moon Crystal&#xA;505&#x9;Moon Princess Legend&#xA;506&#x9;Moon Ranger&#xA;507&#x9;Motocross Champion&#xA;508&#x9;Motor City Patrol&#xA;509&#x9;Ms Pac-Man&#xA;510&#x9;Muppet Adventure Chaos at the Carnival&#xA;511&#x9;Mutant Virus The&#xA;512&#x9;Mystery Quest&#xA;513&#x9;Nadia - Secret of the Blue Water&#xA;514&#x9;Nakayoshi to Issho&#xA;515&#x9;NARC&#xA;516&#x9;Naughty Kokkun's Gourmet World&#xA;517&#x9;Nekketsu Street Basket - Ganbare Dunk Heroes&#xA;518&#x9;Nightmare on Elmstreet&#xA;519&#x9;Nightshade&#xA;520&#x9;Ninja Boy 2&#xA;521&#x9;Ninja Crusaders&#xA;522&#x9;Ninja Gaiden&#xA;523&#x9;Ninja Gaiden II The Dark Sword of Chaos&#xA;524&#x9;Ninja Gaiden III The Ancient Ship of Doom&#xA;525&#x9;Ninja Jajamaru&#xA;526&#x9;Ninja Jajamaru Galactic Battle&#xA;527&#x9;Ninja Jajamaru Legend of a Demon's Attack Castle of Dreams&#xA;528&#x9;Ninja Jajamaru's Big Adventure&#xA;529&#x9;Ninja Kid&#xA;530&#x9;Nobunaga's Ambition&#xA;531&#x9;Nobunaga's Ambition II&#xA;532&#x9;North and South&#xA;533&#x9;Operation Secret Storm&#xA;534&#x9;Operation Wolf&#xA;535&#x9;Overlord&#xA;536&#x9;P O W Prosoners of War&#xA;537&#x9;P'radikus Conflict&#xA;538&#x9;Paaman 2 Down with the Secret Madou Society&#xA;539&#x9;Pac-Man&#xA;540&#x9;Pac-Mania&#xA;541&#x9;Palamedes&#xA;542&#x9;Panic Restaurant&#xA;543&#x9;Paperboy&#xA;544&#x9;Paperboy 2&#xA;545&#x9;Parallel World&#xA;546&#x9;Parodius Da&#xA;547&#x9;Peacock King&#xA;548&#x9;Peacock King II&#xA;549&#x9;Penguin Kun Wars&#xA;550&#x9;Pescatore&#xA;551&#x9;Pesterminator&#xA;552&#x9;Peter Pan and the Pirates&#xA;553&#x9;Phantom Fighter&#xA;554&#x9;Phoenix Gao's Adventure&#xA;555&#x9;Pinball&#xA;556&#x9;Pinball Quest&#xA;557&#x9;Pinbot&#xA;558&#x9;Pipe Dream&#xA;559&#x9;Pirates&#xA;560&#x9;Platoon&#xA;561&#x9;Popeye&#xA;562&#x9;Popeye's Lingo Game&#xA;563&#x9;PORTOPIA Serial Murder Case The&#xA;564&#x9;Power Blade&#xA;565&#x9;Power Blade 2&#xA;566&#x9;Power Blazer&#xA;567&#x9;Power Punch II&#xA;568&#x9;Predator&#xA;569&#x9;Prince of Persia&#xA;570&#x9;Princess Tomato in the Salad Kingdom&#xA;571&#x9;Princesstual Orgy&#xA;572&#x9;Pro Wrestling&#xA;573&#x9;Puggsley's Scavenger Hunt&#xA;574&#x9;Punch Out&#xA;575&#x9;Punisher The&#xA;576&#x9;Puss 'n Boots Pero's Great Adventure&#xA;577&#x9;Puyo Puyo&#xA;578&#x9;Puzzle&#xA;579&#x9;Puzznic&#xA;580&#x9;Pyramid&#xA;581&#x9;Q*Bert&#xA;582&#x9;Qix&#xA;583&#x9;R C Pro-Am&#xA;584&#x9;R C Pro-Am II&#xA;585&#x9;Racket Attack&#xA;586&#x9;Rad Gravity&#xA;587&#x9;Rad Racer&#xA;588&#x9;Rad Racer II&#xA;589&#x9;Rad Racket Tennis&#xA;590&#x9;Raging Fire - Recca&#xA;591&#x9;Raid 2020&#xA;592&#x9;Raid on Bungeling Bay&#xA;593&#x9;Rainbow Islands&#xA;594&#x9;Rainbow Silkroad&#xA;595&#x9;Rambo&#xA;596&#x9;Rampage&#xA;597&#x9;Rampart&#xA;598&#x9;Remote Control&#xA;599&#x9;Ren &amp;amp; Stimpy Show Buckaroo$&#xA;600&#x9;Renegade&#xA;601&#x9;Rescue Embassy Mission&#xA;602&#x9;Ring King&#xA;603&#x9;River City Ransom&#xA;604&#x9;River City Ransom Zero&#xA;605&#x9;Road Blasters&#xA;606&#x9;Road Runner&#xA;607&#x9;Robin Hood Prince of Thieves&#xA;608&#x9;Robocco Wars&#xA;609&#x9;RoboCop&#xA;610&#x9;RoboCop 2&#xA;611&#x9;RoboCop 3&#xA;612&#x9;RoboDemons&#xA;613&#x9;Robowarrior&#xA;614&#x9;Rock 'n Ball&#xA;615&#x9;Rocket Ranger&#xA;616&#x9;Rocketeer&#xA;617&#x9;Rockin' Kats&#xA;618&#x9;Rocky &amp;amp; Bullwinkle&#xA;619&#x9;Rollerball&#xA;620&#x9;Rollergames&#xA;621&#x9;Rolling Thunder&#xA;622&#x9;Romance of the Three Kingdoms&#xA;623&#x9;Romance of the Three Kingdoms II&#xA;624&#x9;Romancia&#xA;625&#x9;Roundball 2 on 2 Challenge&#xA;626&#x9;Rush 'n Attack&#xA;627&#x9;Rygar&#xA;628&#x9;S C A T&#xA;629&#x9;Saint Seiya - Knights of the Zodiac The Golden Legend - Final Chapter&#xA;630&#x9;Saiyuki World II Evil Spirit of Heaven&#xA;631&#x9;Samurai Pizza Cats&#xA;632&#x9;Sanrio Carnival 2&#xA;633&#x9;Sanrio Cup Pon Pon Volley&#xA;634&#x9;SD Detective Blader&#xA;635&#x9;SD Splatterhouse&#xA;636&#x9;Secret Scout&#xA;637&#x9;Section Z&#xA;638&#x9;Seicross&#xA;639&#x9;Sesame Street 123&#xA;640&#x9;Sesame Street ABC&#xA;641&#x9;Sesame Street ABC - 123&#xA;642&#x9;Sesame Street Big Bird's Hide &amp;amp; Speak&#xA;643&#x9;Sesame Street Countdown&#xA;644&#x9;Shadow of the Ninja&#xA;645&#x9;Shadowgate&#xA;646&#x9;Shatterhand&#xA;647&#x9;Shell Monsters Story&#xA;648&#x9;Shi Kin Jou&#xA;649&#x9;Shingen the Ruler&#xA;650&#x9;Shinobi&#xA;651&#x9;Shinsenden&#xA;652&#x9;Shockwave&#xA;653&#x9;Short Order / Eggsplode&#xA;654&#x9;Shufflepuck Cafe&#xA;655&#x9;Silent Assault&#xA;656&#x9;Silent Service&#xA;657&#x9;Silkworm&#xA;658&#x9;Silva Saga&#xA;659&#x9;Silver Surfer&#xA;660&#x9;Simpsons Bart vs the Space Mutants&#xA;661&#x9;Simpsons Bart vs the World&#xA;662&#x9;Simpsons Bartman Meets Radioactive Man&#xA;663&#x9;Skate or Die&#xA;664&#x9;Skate or Die 2 Search for Double Trouble&#xA;665&#x9;Ski or Die&#xA;666&#x9;Skull &amp;amp; Crossbones&#xA;667&#x9;Sky Kid&#xA;668&#x9;Sky Shark&#xA;669&#x9;Slalom&#xA;670&#x9;Smash T V&#xA;671&#x9;Snake Rattle 'n Roll&#xA;672&#x9;Snake's Revenge Metal Gear II&#xA;673&#x9;Snoopy's Silly Sports Spectacular&#xA;674&#x9;Snow Bros&#xA;675&#x9;Soccer&#xA;676&#x9;Softball Heaven&#xA;677&#x9;Solar Jetman Hunt for the Golden Warpship&#xA;678&#x9;Soldier of Light Photon The Ultimate Game on Planet Earth&#xA;679&#x9;Solitaire&#xA;680&#x9;Solomon's Key&#xA;681&#x9;Solstice&#xA;682&#x9;Space Shuttle Project&#xA;683&#x9;Spartan X 2&#xA;684&#x9;Spelunker&#xA;685&#x9;Spelunker 2&#xA;686&#x9;Spider-Man Return of the Sinister Six&#xA;687&#x9;Spiritual Warfare&#xA;688&#x9;Spooky Kitaro 2 Kitaro vs Yokai Army&#xA;689&#x9;Spooky Kitaro in the Yokai World&#xA;690&#x9;Spot&#xA;691&#x9;Spy Hunter&#xA;692&#x9;Spy vs Spy&#xA;693&#x9;Sqoon&#xA;694&#x9;Stack-Up&#xA;695&#x9;Stanley: The Search for Dr Livingston&#xA;696&#x9;Star Force&#xA;697&#x9;Star Soldier&#xA;698&#x9;Star Trek 25th Anniversary&#xA;699&#x9;Star Trek The Next Generation&#xA;700&#x9;Star Tropics&#xA;701&#x9;Star Tropics II Zoda's Revenge&#xA;702&#x9;Star Voyager&#xA;703&#x9;Star Wars&#xA;704&#x9;Starship Hector&#xA;705&#x9;Stealth ATF&#xA;706&#x9;STED - Starfield of Memorable Relics&#xA;707&#x9;Stinger&#xA;708&#x9;Storehouse No 18&#xA;709&#x9;Street Cop&#xA;710&#x9;Street Fighter 2010 The Final Fight&#xA;711&#x9;Strider&#xA;712&#x9;Stunt Kids&#xA;713&#x9;Sugoro Quest&#xA;714&#x9;Sunday Funday&#xA;715&#x9;Super C&#xA;716&#x9;Super Cars&#xA;717&#x9;Super Dodge Ball&#xA;718&#x9;Super Jeopardy&#xA;719&#x9;Super Mario Bros&#xA;720&#x9;Super Mario Bros 2&#xA;721&#x9;Super Mario Bros 3&#xA;722&#x9;Super Off-Road Ivan &amp;quot;Iron Man&amp;quot; Stewart's&#xA;723&#x9;Super Pitfall&#xA;724&#x9;Super Spy Hunter&#xA;725&#x9;Superman&#xA;726&#x9;Swamp Thing&#xA;727&#x9;Sweet Home&#xA;728&#x9;Sword Master&#xA;729&#x9;Swords &amp;amp; Serpents&#xA;730&#x9;T &amp;amp; C Surf Designs&#xA;731&#x9;Tabo's Tactics&#xA;732&#x9;Tagin Dragon&#xA;733&#x9;Takeshi no Chousenjou&#xA;734&#x9;TaleSpin&#xA;735&#x9;TAO&#xA;736&#x9;Target Renegade&#xA;737&#x9;Technos Samurai - Downtown Special&#xA;738&#x9;Tecmo Bowl&#xA;739&#x9;Tecmo Super Bowl&#xA;740&#x9;Teenage Mutant Ninja Turtles&#xA;741&#x9;Teenage Mutant Ninja Turtles Arcade Game&#xA;742&#x9;Teenage Mutant Ninja Turtles III The Manhattan Project&#xA;743&#x9;Teenage Mutant Ninja Turtles Tournament Fighters&#xA;744&#x9;Terminator&#xA;745&#x9;Terminator 2 Judgement Day&#xA;746&#x9;Terra Cresta&#xA;747&#x9;Tetrastar&#xA;748&#x9;Tetris&#xA;749&#x9;Tetris 2&#xA;750&#x9;The Adventures of Bayou Billy&#xA;751&#x9;The Genius Bakabon&#xA;752&#x9;The Most Dangerous Detectives&#xA;753&#x9;The Three Stooges&#xA;754&#x9;Thunder &amp;amp; Lightning&#xA;755&#x9;Thunderbirds&#xA;756&#x9;Thundercade&#xA;757&#x9;Tiger-Heli&#xA;758&#x9;Tiles of Fate&#xA;759&#x9;Time Lord&#xA;760&#x9;Time Zone&#xA;761&#x9;Times of Lore&#xA;762&#x9;Tiny Toon Adventures&#xA;763&#x9;Tiny Toon Adventures 2 Trouble in Wackyland&#xA;764&#x9;Tiny Toon Adventures Cartoon Workshop&#xA;765&#x9;Titanic&#xA;766&#x9;To the Earth&#xA;767&#x9;Toki&#xA;768&#x9;Tokkyuu Shirei Solbrain&#xA;769&#x9;Tom &amp;amp; Jerry&#xA;770&#x9;Tombs &amp;amp; Treasure&#xA;771&#x9;Toobin'&#xA;772&#x9;Top Gun&#xA;773&#x9;Top Gun The Second Mission&#xA;774&#x9;Total Recall&#xA;775&#x9;Totally Rad&#xA;776&#x9;Touchdown Fever&#xA;777&#x9;Toukon Club&#xA;778&#x9;Town &amp;amp; Country II Thrilla's Surfari&#xA;779&#x9;Toxic Crusaders&#xA;780&#x9;Transformers - 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<INFO BITRATE="995790" KEY_LYRICS="2 ContributorsAnagora LyricsAnagora, fairest&#xA;Spoil of fateful battle,&#xA;Babylonian temples&#xA;Knew thy luring song.&#xA;&#xA;Wrested from barbaric&#xA;Captors for thy beauty,&#xA;Thou wert made a priestess&#xA;At Mylitta's shrine.&#xA;&#xA;Once these flexile fingers&#xA;Clasped in mine so closely,&#xA;Neath the temple's arches&#xA;Thrummed the tabor soft.&#xA;&#xA;Thou hast taught me secrets&#xA;Of the cryptic chambers,&#xA;How the zonahs worship&#xA;In the burning East;&#xA;&#xA;Raptures that my wildest&#xA;Dreaming never pictured,&#xA;Arts of love that charmed me,&#xA;Subtle, new and strange.&#xA;&#xA;Hearken to my earnest&#xA;Prayer, O Aphrodite!&#xA;May the night be doubled&#xA;Now for our delight." PRODUCER="Rua Sound" COVERARTID="057/ZVKN2AAJ0MLAWDQQRZVRBHK0UBFC" PLAYTIME="440" PLAYTIME_FLOAT="439.157928" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="53575"></INFO>
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<INFO BITRATE="658782" KEY_LYRICS="1 ContributorThe Negro (Chap. 1) LyricsAfrica&#xA;&#xA;        &amp;quot;Behold!&#xA;        The Sphinx is Africa. The bond&#xA;        Of Silence is upon her. Old&#xA;        And white with tombs, and rent and shorn;&#xA;        With raiment wet with tears and torn,&#xA;        And trampled on, yet all untamed.&amp;quot;&#xA;&#xA;        MILLER&#xA;&#xA;Africa is at once the most romantic and the most tragic of continents. Its very names reveal its mystery and wide-reaching influence. It is the &amp;quot;Ethiopia&amp;quot; of the Greek, the &amp;quot;Kush&amp;quot; and &amp;quot;Punt&amp;quot; of the Egyptian, and the Arabian &amp;quot;Land of the Blacks.&amp;quot; To modern Europe it is the &amp;quot;Dark Continent&amp;quot; and &amp;quot;Land of Contrasts&amp;quot;; in literature it is the seat of the Sphinx and the lotus eaters, the home of the dwarfs, gnomes, and pixies, and the refuge of the gods; in commerce it is the slave mart and the source of ivory, ebony, rubber, gold, and diamonds. What other continent can rival in interest this Ancient of Days?&#xA;&#xA;There are those, nevertheless, who would write universal history and leave out Africa. But how, asks Ratzel, can one leave out the land of Egypt and Carthage? and Frobenius declares that in future Africa must more and more be regarded as an integral part of the great movement of world history. Yet it is true that the history of Africa is unusual, and its strangeness is due in no small degree to the physical peculiarities of the continent. With three times the area of Europe it has a coast line a fifth shorter. Like Europe it is a peninsula of Asia, curving southwestward around the Indian Sea. It has few gulfs, bays, capes, or islands. Even the rivers, though large and long, are not means of communication with the outer world, because from the central high plateau they plunge in rapids and cataracts to the narrow coastlands and the sea.&#xA;&#xA;The general physical contour of Africa has been likened to an inverted plate with one or more rows of mountains at the edge and a low coastal belt. In the south the central plateau is three thousand or more feet above the sea, while in the north it is a little over one thousand feet. Thus two main divisions of the continent are easily distinguished: the broad northern rectangle, reaching down as far as the Gulf of Guinea and Cape Guardafui, with seven million square miles; and the peninsula which tapers toward the south, with five million square miles.&#xA;&#xA;Four great rivers and many lesser streams water the continent. The greatest is the Congo in the center, with its vast curving and endless estuaries; then the Nile, draining the cluster of the Great Lakes and flowing northward &amp;quot;like some grave, mighty thought, threading a dream&amp;quot;; the Niger in the northwest, watering the Sudan below the Sahara; and, finally, the Zambesi, with its greater Niagara in the southeast. Even these waters leave room for deserts both south and north, but the greater ones are the three million square miles of sand wastes in the north.&#xA;&#xA;More than any other land, Africa lies in the tropics, with a warm, dry climate, save in the central Congo region, where rain at all seasons brings tropical luxuriance. The flora is rich but not wide in variety, including the gum acacia, ebony, several dye woods, the kola nut, and probably tobacco and millet. To these many plants have been added in historic times. The fauna is rich in mammals, and here, too, many from other continents have been widely introduced and used.&#xA;&#xA;Primarily Africa is the Land of the Blacks. The world has always been familiar with black men, who represent one of the most ancient of human stocks. Of the ancient world gathered about the Mediterranean, they formed a part and were viewed with no surprise or dislike, because this world saw them come and go and play their part with other men. Was Clitus the brother-in-law of Alexander the Great less to be honored because he happened to be black? Was Terence less famous? The medieval European world, developing under the favorable physical conditions of the north temperate zone, knew the black man chiefly as a legend or occasional curiosity, but still as a fellow man—an Othello or a Prester John or an Antar.&#xA;&#xA;The modern world, in contrast, knows the Negro chiefly as a bond slave in the West Indies and America. Add to this the fact that the darker races in other parts of the world have, in the last four centuries, lagged behind the flying and even feverish footsteps of Europe, and we face to-day a widespread assumption throughout the dominant world that color is a mark of inferiority.&#xA;&#xA;The result is that in writing of this, one of the most ancient, persistent, and widespread stocks of mankind, one faces astounding prejudice. That which may be assumed as true of white men must be proven beyond peradventure if it relates to Negroes. One who writes of the development of the Negro race must continually insist that he is writing of a normal human stock, and that whatever it is fair to predicate of the mass of human beings may be predicated of the Negro. It is the silent refusal to do this which has led to so much false writing on Africa and of its inhabitants. Take, for instance, the answer to the apparently simple question &amp;quot;What is a Negro?&amp;quot; We find the most extraordinary confusion of thought and difference of opinion. There is a certain type in the minds of most people which, as David Livingstone said, can be found only in caricature and not in real life. When scientists have tried to find an extreme type of black, ugly, and woolly-haired Negro, they have been compelled more and more to limit his home even in Africa. At least nine-tenths of the African people do not at all conform to this type, and the typical Negro, after being denied a dwelling place in the Sudan, along the Nile, in East Central Africa, and in South Africa, was finally given a very small country between the Senegal and the Niger, and even there was found to give trace of many stocks. As Winwood Reade says, &amp;quot;The typical Negro is a rare variety even among Negroes.&amp;quot;&#xA;As a matter of fact we cannot take such extreme and largely fanciful stock as typifying that which we may fairly call the Negro race. In the case of no other race is so narrow a definition attempted. A &amp;quot;white&amp;quot; man may be of any color, size, or facial conformation and have endless variety of cranial measurement and physical characteristics. A &amp;quot;yellow&amp;quot; man is perhaps an even vaguer conception.&#xA;&#xA;In fact it is generally recognized to-day that no scientific definition of race is possible. Differences, and striking differences, there are between men and groups of men, but they fade into each other so insensibly that we can only indicate the main divisions of men in broad outlines. As Von Luschan says, &amp;quot;The question of the number of human races has quite lost its raison d'être and has become a subject rather of philosophic speculation than of scientific research. It is of no more importance now to know how many human races there are than to know how many angels can dance on the point of a needle. Our aim now is to find out how ancient and primitive races developed from others and how races changed or evolved through migration and inter-breeding.&amp;quot;&#xA;&#xA;The mulatto (using the term loosely to indicate either an intermediate type between white and black or a mingling of the two) is as typically African as the black man and cannot logically be included in the &amp;quot;white&amp;quot; race, especially when American usage includes the mulatto in the Negro race.&#xA;&#xA;It is reasonable, according to fact and historic usage, to include under the word &amp;quot;Negro&amp;quot; the darker peoples of Africa characterized by a brown skin, curled or &amp;quot;frizzled&amp;quot; hair, full and sometimes everted lips, a tendency to a development of the maxillary parts of the face, and a dolichocephalic head. This type is not fixed or definite. The color varies widely; it is never black or bluish, as some say, and it becomes often light brown or yellow. The hair varies from curly to a wool-like mass, and the facial angle and cranial form show wide variation.&#xA;&#xA;It is as impossible in Africa as elsewhere to fix with any certainty the limits of racial variation due to climate and the variation due to intermingling. In the past, when scientists assumed one unvarying Negro type, every variation from that type was interpreted as meaning mixture of blood. To-day we recognize a broader normal African type which, as Palgrave says, may best be studied &amp;quot;among the statues of the Egyptian rooms of the British Museum; the larger gentle eye, the full but not over-protruding lips, the rounded contour, and the good-natured, easy, sensuous expression. This is the genuine African model.&amp;quot; To this race Africa in the main and parts of Asia have belonged since prehistoric times.&#xA;&#xA;The color of this variety of man, as the color of other varieties, is due to climate. Conditions of heat, cold, and moisture, working for thousands of years through the skin and other organs, have given men their differences of color. This color pigment is a protection against sunlight and consequently varies with the intensity of the sunlight. Thus in Africa we find the blackest men in the fierce sunlight of the desert, red pygmies in the forest, and yellow Bushmen on the cooler southern plateau.&#xA;&#xA;Next to the color, the hair is the most distinguishing characteristic of the Negro, but the two characteristics do not vary with each other. Some of the blackest of the Negroes have curly rather than woolly hair, while the crispest, most closely curled hair is found among the yellow Hottentots and Bushmen. The difference between the hair of the lighter and darker races is a difference of degree, not of kind, and can be easily measured. If the hair follicles of a China-man, a European, and a Negro are cut across transversely, it will be found that the diameter of the first is 100 by 77 to 85, the second 100 by 62 to 72, while that of the Negro is 100 by 40 to 60. This elliptical form of the Negro's hair causes it to curl more or less tightly.&#xA;&#xA;There have been repeated efforts to discover, by measurements of various kinds, further and more decisive differences which would serve as really scientific determinants of race. Gradually these efforts have been given up. To-day we realize that there are no hard and fast racial types among men. Race is a dynamic and not a static conception, and the typical races are continually changing and developing, amalgamating and differentiating. In this little book, then, we are studying the history of the darker part of the human family, which is separated from the rest of mankind by no absolute physical line, but which nevertheless forms, as a mass, a social group distinct in history, appearance, and to some extent in spiritual gift.&#xA;&#xA;We cannot study Africa without, however, noting some of the other races concerned in its history, particularly the Asiatic Semites. The intercourse of Africa with Arabia and other parts of Asia has been so close and long-continued that it is impossible to-day to disentangle the blood relationships. Negro blood certainly appears in strong strain among the Semites, and the obvious mulatto groups in Africa, arising from ancient and modern mingling of Semite and Negro, has given rise to the term &amp;quot;Hamite,&amp;quot; under cover of which millions of Negroids have been characteristically transferred to the &amp;quot;white&amp;quot; race by some eager scientists.&#xA;&#xA;The earliest Semites came to Africa across the Red Sea. The Phoenicians came along the northern coasts a thousand years before Christ and began settlements which culminated in Carthage and extended down the Atlantic shores of North Africa nearly to the Gulf of Guinea.&#xA;&#xA;From the earliest times the Greeks have been in contact with Africa as visitors, traders, and colonists, and the Persian influence came with Cambyses and others. Roman Africa was bounded by the desert, but at times came into contact with the blacks across the Sahara and in the valley of the Nile. After the breaking up of the Roman Empire the Greek and Latin Christians filtered through Africa, followed finally by a Germanic invasion in 429 A.D.&#xA;&#xA;In the seventh century the All-Mother, Asia, claimed Africa again for her own and blew a cloud of Semitic Mohammedanism all across North Africa, veiling the dark continent from Europe for a thousand years and converting vast masses of the blacks to Islam. The Portuguese began to raise the veil in the fifteenth century, sailing down the Atlantic coast and initiating the modern slave trade. The Spanish, French, Dutch, and English followed them, but as traders in men rather than explorers.&#xA;&#xA;The Portuguese explored the coasts of the Gulf of Guinea, visiting the interior kingdoms, and then passing by the mouth of the Congo proceeded southward. Eventually they rounded the Cape of Good Hope and pursued their explorations as far as the mountains of Abyssinia. This began the modern exploration of Africa, which is a curious fairy tale, and recalls to us the great names of Livingstone, Burton, Speke, Stanley, Barth, Schweinfurth, and many others. In this way Africa has been made known to the modern world.&#xA;The difficulty of this modern lifting of the veil of centuries emphasizes two physical facts that underlie all African history: the peculiar inaccessibility of the continent to peoples from without, which made it so easily possible for the great human drama played here to hide itself from the ears of other worlds; and, on the other hand, the absence of interior barriers—the great stretch of that central plateau which placed practically every budding center of culture at the mercy of barbarism, sweeping a thousand miles, with no Alps or Himalayas or Appalachians to hinder.&#xA;&#xA;With this peculiarly uninviting coast line and the difficulties in interior segregation must be considered the climate of Africa. While there is much diversity and many salubrious tracts along with vast barren wastes, yet, as Sir Harry Johnston well remarks, &amp;quot;Africa is the chief stronghold of the real Devil—the reactionary forces of Nature hostile to the uprise of Humanity. Here Beelzebub, King of the Flies, marshals his vermiform and arthropod hosts—insects, ticks, and nematode worms—which more than in other continents (excepting Negroid Asia) convey to the skin, veins, intestines, and spinal marrow of men and other vertebrates the microorganisms which cause deadly, disfiguring, or debilitating diseases, or themselves create the morbid condition of the persecuted human being, beasts, bird, reptile, frog, or fish.&amp;quot; The inhabitants of this land have had a sheer fight for physical survival comparable with that in no other great continent, and this must not be forgotten when we consider their history.&#xA;&#xA;&#xA;Footnotes&#xA;&#xA; Von Luschan: in Inter-Racial Problems, p. 16.&#xA;&#xA; Johnston: Negro in the New World, pp. 14-15." PRODUCER="2020 Repertoire" COVERARTID="103/HLCPCZCZAQEO0B3FZI5FCKV5JX0D" PLAYTIME="340" PLAYTIME_FLOAT="339.512207" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="27446"></INFO>
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<INFO BITRATE="843094" KEY_LYRICS="7 ContributorsCentro De Acopio Lyrics&#xA;&#xA;&#xA;Suena y se apabulla su bulla&#xA;Cada punchline es una patada de grulla&#xA;Busco sinfonía sencilla que indirectamente humilla&#xA;Al que maquilla sus letras como si fueran de la Octava Milla&#xA;Los segundos son el tss tss del Charles&#xA;Mi credo y mi ley vino de Richi Rey y Ray Charles&#xA;Salto del blues al boogaloo, nativo kung-fu&#xA;A mis papeles los protege Babalú&#xA;No jales el gatillo de esta Magnum&#xA;Mejor protege tu anillo como Gollum&#xA;Reserva tu opinión, trágate este Valium&#xA;No traigo paz y amor, solo la calma del maremagnum&#xA;Tortuga Ninja con Nunchakus&#xA;Sueno sus mocos y los machaco cual macaco&#xA;Viajo por mi espacio&#xA;Solo como Han Solo en el Millenium Falcon&#xA;No les da pa' tarima, máximo llegan a palco&#xA;Piloteamos cabina los otros van en el volcó&#xA;A mí mismo me calco, no les copio&#xA;Somos centro de acopio del verso exacto&#xA;Somos el rayo que da la vida al papel muerto ipso facto&#xA;Mi abuela pregunta que qué es eso que rezo&#xA;Yo le respondo que es la cura pa'l bostezo&#xA;Me dice que estoy flaco por estar buscando estilo obeso&#xA;Yo con orgullo expresó música negra pa'l mestizo&#xA;&#xA;Tengo reflejos para reflejar mi histeria&#xA;Mi historia representa la escoria y no la miseria&#xA;Si está nada influye en evocar buen rap&#xA;Mis rimas estrato alto, mi casa sin revocar, no&#xA;No somos locos del local&#xA;Somos los ebrios de siempre los del parque principal&#xA;Mi estilo marcial no se cambia por un play&#xA;Como vos cualquiera como Cualkiera no hay&#xA;Como Sugar Hill yo soy un &amp;quot;Rapper Delight&amp;quot;&#xA;Vos sos un rapero light que no aguanta un fight de skills&#xA;Un ninja en Medellín hills&#xA;Que intercambia sus punchline por patadas de Bruce Lee (Ouh)&#xA;Como Genius en &amp;quot;Liquid Swords&amp;quot; como Vinnie en &amp;quot;Raw is War&amp;quot;&#xA;Dejo MCs en el paso, aunque no sea mi labor&#xA;Y no me asusto señor&#xA;Si ellos son lluvia pasajera que se vuelve vapor&#xA;Ya me fumé mi propiedad raíz&#xA;Se meten los intrusos y terminan como en Niños del Maíz&#xA;Es &amp;quot;Over Drive&amp;quot; como Nick Wiz&#xA;No retahílas pa' Natalias que no llegan ni a Paris&#xA;Y no me ayudan los astros&#xA;Como Fidel yo los castro&#xA;Con un blues a lo Armstrong&#xA;Sacó la casta ya te dejo las cestas&#xA;Te saluda un Zen Masta' y me retiro sin rastros&#xA;&#xA;Rapeó lo que veo no se me acaban las formas&#xA;La, la ciudad me esconde del sol en las horas diurnas&#xA;Tenemos guardaespaldas que están armados con tornas&#xA;La, la ciudad me esconde del sol en las horas diurnas&#xA;Rapeó lo que veo no se me acaban las formas&#xA;La ciudad me esconde del sol en las horas diurnas&#xA;Tenemos guardaespaldas que están armados con tornas&#xA;La ciudad me esconde del sol en las horas diurnas&#xA;&#xA;&#xA;Anyone&#xA;El Rapiphero&#xA;Mi tiempo libre&#xA;El Arkeólogo en el fósil&#xA;No esperaba encontrar a un ninja blanco&#xA;No se engañe por el color de mi piel. ¿No ha oído la leyenda del niño blanco que se convertirá en el maestro ninja más grande de todos los tiempos?&#xA;No, ¿es usted?&#xA;Hmmm, algunos dicen que si" PRODUCER="2020 Lobster Theremin" COVERARTID="052/UFRTEVAVK1NHOAJMDAJXCFG0OGBC" PLAYCOUNT="1" PLAYTIME="295" PLAYTIME_FLOAT="294.005371" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="30440"></INFO>
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<INFO BITRATE="901546" KEY_LYRICS="4 Contributors2021 Album Release Calendar Ireland LyricsWELCOME TO THE 2021 GENIUS Ireland ALBUM RELEASE CALENDAR!!!&#xA;&#xA;This page highlights the notable albums, EPs, mixtapes, etc, released by Irish artists in all genres throughout 2021. Each page lists the albums… Read More January1/1: Gareth Quinn Redmond &amp;amp; Yurn - Life's Slow Build 🇮🇪✔️&#xA;1/1: Kamino Royale - Walking Next To You 🇮🇪🐚&#xA;4/1: Fields - The Lonesome Accolade 🇮🇪✔️&#xA;6/1: LYRA - The Circle° Sessions 🇮🇪✔️&#xA;8/1: Danny G &amp;amp; The Major 7ths - The Lookout 🇮🇪🐚&#xA;8/1: Turnstiles - The Turnstiles EP 🇮🇪✔️&#xA;8/1: Wovenkin - Hibernate 🇮🇪🐚&#xA;8/1: Delac - Can't Let Go 🇮🇪✔️&#xA;8/1: Adam Garrett - Casual 🇮🇪🐚&#xA;12/1: Stephen Murphy -  A Way Back Home🇮🇪✔️&#xA;15/1: Joe Chester - Under The Ragged Thorn 🇮🇪🐚&#xA;19/1: Curtis Amrein - There’s a River in Your Rhythm 🇮🇪✔️&#xA;20/1: The Walls - Remixed 🇮🇪🐚&#xA;22/1: Bicep - Isles (NI)🐚&#xA;22/1: Strawman &amp;amp; the Jackdaws - FOX 🇮🇪✔️&#xA;25/1: EHCO - Mosaic 🇮🇪🐚&#xA;27/1: Boku - Fortune EP 🇮🇪✔️&#xA;28/1: Kynsy - Things That Don't Exist EP 🇮🇪✔️&#xA;28/1: The Minnows - Californian Poppy (NI)🐚&#xA;29/1: Apella - 1963 🇮🇪🐚&#xA;29/1: 7th Obi - Love &amp;amp; Goodluck 🇮🇪🐚&#xA;29/1: Alex Gough - Bonus Features - Live at the Clinic 🇮🇪🐚&#xA;29/1: Johnny Climax - One Day You'll See 🇮🇪🐚&#xA;29/1: NODEN - Das Funk EP 🇮🇪🐚February5/2: Hel - Haunte (NI)✔️&#xA;5/2: Brad Heidi - The First 🇮🇪🐚&#xA;5/2: Eve Belle - Other Voices Courage (Live Acoustic Session) 🇮🇪✔️&#xA;5/2: Fox Jaw - Covers 🇮🇪🐚&#xA;5/2: Sam Wickens - Watson (NI)✔️&#xA;5/2: Rob de Boer - Early Light 🇮🇪✔️&#xA;5/2: Tiz McNamara - Miami Night Sky 🇮🇪🐚&#xA;5/2: Arvo Party - Heimta EP (NI)✔️&#xA;5/2: Valerie Armstrong - False Bride 🇮🇪🐚&#xA;5/2: Wastefellow - WASTE MATERIAL 001 🇮🇪✔️&#xA;9/2: Anúna - When the War is Over 🇮🇪🐚&#xA;11/2: Declan Doyle - Stress Fractures 🇮🇪🐚&#xA;12/2: God Is An Astronaut - Ghost Tapes #10 🇮🇪✔️&#xA;12/2: Lost Boys - Honey Mustard 🇮🇪🐚&#xA;12/2: Mark Duggan - Just for the Night 🇮🇪✔️&#xA;15/2: cbakl - GIVE ME MY FLOWERS. (NI)🐚&#xA;17/2: Bróna Keogh - Packed My Bags 🇮🇪🐚&#xA;18/2: Hourigan - Cause &amp;amp; Effect 🇮🇪🐚&#xA;19/2: John Blek - Digressions #2 Grounded 🇮🇪🐚&#xA;19/2: Olympío - Void 🇮🇪🐚&#xA;19/2: Sal Dulu - Xompulse 🇮🇪🐚&#xA;19/2: Tertia - Tertia's Mixtape 🇮🇪🐚&#xA;19/2: Christian Cohle - Holy Trouble 🇮🇪✔️&#xA;19/2: Christopher Hockey - Closed System 🇮🇪✔️&#xA;19/2: A. Smyth - Last Animals 🇮🇪🐚&#xA;19/2: Nerves - Time Trial Remixes 🇮🇪🐚&#xA;22/2: Karl Nesbitt - Return&#xA;23/2: Joshua Burnside - Noa Mercier EP (NI)✔️&#xA;24/2: BRÍDÍN - Sea of Stars 🇮🇪🐚&#xA;26/2: LAOISE - Healthy EP 🇮🇪✔️&#xA;26/2: Wild Love - They Call Me Kid 🇮🇪🐚&#xA;26/2: SomeRiseSomeFall - No Simple Highway 🇮🇪🐚&#xA;26/2: Jimbo Jones - The Heat Death of My Hometown 🇮🇪🐚&#xA;26/2: Mac Rose - Sad But I'm Living 🇮🇪🐚&#xA;26/2: Video Blue - The Diving Bell &amp;amp; the Butterfly 🇮🇪🐚&#xA;26/2: Fyünkay - Saccharine&#xA;26/2: Basciville - Hymns to the Air 🇮🇪🐚&#xA;28/2: Ryan Molloy - Tempered 🇮🇪&#xA;28/2: Fia Rua - Behind The Grey 🇮🇪March5/3: Somebody's Child - Hope, Amongst Other Things 🇮🇪🐚&#xA;5/3: Lauren Bird - The Farewell EP (NI)✔️&#xA;5/3: Emét -  Cheers &amp;amp; All The Best (NI)✔️&#xA;5/3: Autumns - Dyslexia Sound System&#xA;5/3: Robert O'Connor - Transcendence (Deluxe) 🇮🇪🐚&#xA;5/3: Laura Elizabeth Hughes - We, Myself, I 🇮🇪&#xA;5/3: The High Kings - Home from Home 🇮🇪🐚&#xA;5/3: Minor Inconvenience - Hubris&#xA;8/3: Anúna - Danny Boy 🇮🇪🐚&#xA;8/3: Edel Meade - Brigids And Patricias&#xA;10/3: Dylan Flynn and the Dead Poets &amp;amp; Culla - Like It Never Happened 🇮🇪🐚&#xA;10/3: Shane O'Neill - No More Clones&#xA;12/3: Megan O’Neill - Getting Comfortable With Uncertainty 🇮🇪✔️&#xA;12/3: Aidan Laird - On My Journey&#xA;12/3: Nicolaas Walle - The Right To Simply Be&#xA;12/3: The Chapters - Reno 🇮🇪&#xA;12/3: The Plastic Cowboys - Splinter&#xA;12/3: SHADEEMUS - Atlantis&#xA;12/3: Shadows of Light &amp;amp; anatu - Crystal Skies 🇮🇪&#xA;12/3: Annabelle - Back To You (Deluxe Edition) (NI)&#xA;12/3: Tim Chadwick - Timothy 🇮🇪🐚&#xA;12/3: Olive On Da Beat - Bandersnatch - EP&#xA;12/3: Susie Blue - Boys Boys Boys&#xA;12/3: Robert O'Connor - Too Late Remixes 🇮🇪🐚&#xA;12/3: THEO - Everyone Starts Somewhere EP 🇮🇪🐚&#xA;14/3: Various Artists - Shamrocks &amp;amp; Shenanigans (The Backline) 🇮🇪&#xA;15/3: The Swedish Railway Orchestra - The Past Is Unpredictable: Select Electronic Recordings 2016 - 2021 🇮🇪&#xA;17/3: U2 - The Virtual Road - U2 Go Home: Live From Slane Castle Ireland EP (Remastered 2021) 🇮🇪🐚&#xA;17/3: The Script - Acoustic Sessions 2 🇮🇪✔️&#xA;18/3: EMBRZ - Together Till It Ends 🇮🇪&#xA;19/3: Owen Lamont - Just Smile&#xA;19/3: Stevie Darragh - Turas 🇮🇪✔️&#xA;19/3: New Pagans - The Seed, The Vessel, The Roots and All (NI)✔️&#xA;19/3: Micheál Quinn - Colours 🇮🇪🐚&#xA;19/3: Chris Haze - Streets in My Mind 🇮🇪🐚&#xA;19/3: Maria Shiel - Fire in the Sea!&#xA;19/3: Nagam - objectif lune&#xA;23/3: Paddy Chambers - Satori&#xA;23/3:  - My Mother’s Star 🇮🇪✔️&#xA;23/3: Saso - Deep Code 🇮🇪✔️&#xA;25/3: U2 - The Virtual Road - Live At Red Rocks: Under A Blood Red Sky EP (Remastered 2021) 🇮🇪🐚&#xA;25/3: Aaron Everything - The Old Ways&#xA;26/3: Those Nervous Animals - The Mission Sessions 🇮🇪&#xA;26/3: AE MAK - Class Exercises&#xA;26/3: For Those I Love - For Those I Love 🇮🇪✔️&#xA;26/3: Emiji - My Journeys 🇮🇪✔️&#xA;26/3: NewDad - Waves 🇮🇪✔️&#xA;26/3: Wild Youth - Forever Girl 🇮🇪✔️&#xA;26/3: Rory Ryan - EP1 🇮🇪&#xA;26/3: Conor Scott - Life Now (NI)🐚&#xA;26/3: Brian Crosby - Imbrium 🇮🇪✔️&#xA;26/3: Bobsleigh Bob - How To Measure A Coastline&#xA;26/3: Cathal Coughlan - Song of Co-Aklan&#xA;26/3: Gavin Fox - On Second Thoughts&#xA;26/3: Hannah Peel - Fir Wave (NI)✔️&#xA;26/3: Host - No Reply 🇮🇪🐚&#xA;26/3: Josh McClorey - Blessings&#xA;26/3: Kʒːlu- Kʒːlu 🇮🇪✔️&#xA;26/3: Sprints - Manifesto 🇮🇪🐚&#xA;26/3: Adam Cats - Aliens&#xA;29/3: Philip Scott - Rodeo&#xA;29/3: Mlau - Locked InApril1/4: U2 - The Virtual Road - PopMart Live From Mexico City Sky EP (Remastered 2021) 🇮🇪✔️&#xA;2/4: anatu - dream until i die 🇮🇪✔️&#xA;2/4: Lowlek - Unsubtle&#xA;2/4: Mount Alaska - Coordinates EP 🇮🇪✔️&#xA;2/4: jay suttin - Yodecahedron&#xA;2/4: Simon Jewell - Breaking All the Rules 🇮🇪✔️&#xA;2/4: John Spillane - 100 Snow White Horses 🇮🇪✔️&#xA;2/4: Seba Safe - Map Runner EP 🇮🇪🐚&#xA;9/4: Anna's Anchor - A Glorious Ruction 🇮🇪✔️&#xA;9/4: Declan O’Rourke - Arrivals 🇮🇪🐚&#xA;9/4: Ava - Wildflower 🇮🇪✔️&#xA;9/4: Beoga - Breathe (NI)✔️&#xA;9/4: Robert John Ardiff - The Corridors of Love 🇮🇪🐚&#xA;9/4: Mick Flannery &amp;amp; Susan O'Neill - Other Voices Courage Presents: Mick Flannery &amp;amp; Susan O'Neill (Live at the Crawford Art Gallery) 🇮🇪🐚&#xA;9/4: Kamino Royale - Sublime &amp;amp; Ridiculous 🇮🇪🐚&#xA;9/4: Martin Connon - What Is Lost&#xA;9/4: Fail Forever - Influenced by Suggestion&#xA;13/4: Comrade Hat - Old Gods, Volume 1 (NI)✔️&#xA;16/4: CADA - Liminal V 🇮🇪&#xA;16/4: Imelda May - 11 Past the Hour 🇮🇪🐚&#xA;16/4: ALYXIS - RUSH EP 🇮🇪&#xA;16/4: Ferals - A Collection Of Unreleased Works 🇮🇪&#xA;16/4: Eomac - Cracks 🇮🇪🐚&#xA;16/4: Nicolas Kluzek - Homage to New Orleans 🇮🇪✔️&#xA;17/4: David Christy Jones - Welcome To Virology 🇮🇪&#xA;20/4: Manyana - NTM 🇮🇪🐚&#xA;20/4: Bicep - Isles (Deluxe) (NI)✔️&#xA;22/4: J Smith - Parentheses (Yurn Remix) 🇮🇪✔️&#xA;23/4: Susan Quirke - Into the Sea 🇮🇪&#xA;23/4: Amerik - Bouquet (NI)&#xA;23/4: Kestine - Reflection&#xA;23/4: Ejeca - Hardcore / Rave Mixtape 001 (NI)&#xA;23/4: John of the Apocalypse - The Sacred Animal 🇮🇪&#xA;23/4: Echtrae - Ghost Season 🇮🇪&#xA;23/4: Damien Lynch - EPW​-​02 🇮🇪✔️&#xA;23/4: Jinx Lennon - Liferafts For Latchicos&#xA;24/4: inalbis - The Wave 🇮🇪✔️&#xA;24/4: The Reflection Box - Notes from the Wonderground&#xA;28/4: Autumn Owls - Three Winters in the Capital&#xA;28/4: The Hitchcock Blondes - The Hitchcock Blondes&#xA;30/4: Bedrooms - Afterglow&#xA;30/4: jehnova &amp;amp; lod - Avenoir&#xA;30/4: Adrian Crowley - The Watchful Eye of the Stars 🇮🇪🐚&#xA;30/4: For Those I Love - For Those I Love (Instrumentals) 🇮🇪&#xA;30/4: The Love Buzz - Here Comes The Scum&#xA;30/4: Outsider YP - ruthless &amp;amp; awkward demo-tape volume 1&#xA;30/4: Róisín Murphy - Crooked Machine 🇮🇪✔️&#xA;30/4: Travi the Native - God Only Calls The House Phone&#xA;30/4: D.McCabe - The One They Couldn't Fix 🇮🇪✔️&#xA;30/4: LG4 Trey - Mental PoisonMay3/5: SubRelic - The Red Feathers&#xA;5/5: Post Punk Podge &amp;amp; The Technohippies - Euphoric Recall 🇮🇪✔️&#xA;7/5: Dara Mac - 21VALENTINE&#xA;7/5: Jack Rua &amp;amp; Saint Taint - I don't Party Enough Anymore&#xA;7/5: God Is An Astronaut - All Is Violent, All Is Bright (Live)&#xA;7/5: Anna Murray - The moon sets and birds cry / 月は落ち、鳥が鳴いて&#xA;7/5: Joshua Burnside - Higher Places (NI)🐚&#xA;7/5: Local Boy - Local Boy Helps Himself 🇮🇪🐚&#xA;7/5: Tara Breen &amp;amp; Pádraig Rynne - Nasc 🇮🇪✔️&#xA;7/5: Owen Denvir - Sticks, Stones &amp;amp; Bones (NI)🐚&#xA;7/5: Peter Doran - Voices 🇮🇪🐚&#xA;7/5: Maria Doyle Kennedy - Fires On The Roof Of Eden 🇮🇪🐚&#xA;7/5: Fears - Oíche 🇮🇪✔️&#xA;7/5: Van Morrison - Latest Record Project Volume 1 (NI)✔️&#xA;7/5: Arvo Party - Devotions IV (NI)✔️&#xA;14/5: Jamie Freed - Lockdown 1 EP&#xA;14/5: Holly Macve - Not The Girl 🇮🇪🐚&#xA;14/5: Scattered Ashes - Parallel Lines&#xA;21/5: anatu - out of our hands&#xA;21/5: SENU- Jetlag&#xA;21/5: Biig Piig - The Sky is Bleeding 🇮🇪✔️&#xA;21/5: The Finns - Livin' the Stream: Livestreams, Vol. 1&#xA;21/5: Ejeca - Free From&#xA;21/5: Robert John Hope - Plasticine Heart&#xA;21/5: NEOMADIC - After Dark 🇮🇪🐚&#xA;21/5: The Yellowhead Project - Master The Monster&#xA;21/5: VerseChorusVerse - what if we won (NI)✔️&#xA;25/5: Bantum - New Leaf 🇮🇪✔️&#xA;28/5: J Smith - (...) And you chose not to laugh 🇮🇪✔️&#xA;28/5: Jim McHugh - Pretending To Wake Up 🇮🇪&#xA;28/5: Elgin - Weightless / Still&#xA;28/5: Trú - No Fixed abode (NI)✔️&#xA;28/5: Auxiliary Phoenix - Petrichor 🇮🇪🐚&#xA;28/5: Louise Gaffney - Not Even Here&#xA;28/5: SHADEEMUS - Eden&#xA;28/5: St. Bishop - Close&#xA;28/5: Ciarán Cooney - RED 🇮🇪✔️&#xA;28/5: Fish Go Deep - This Bit of Earth&#xA;28/5: Elina Felice - Flight Risk 🐚June1/6: Brian Deady - The Healing 🇮🇪🐚&#xA;4/6: modernlove. - lmk (if you wanna see me) 🇮🇪✔️&#xA;4/6: Royal Yellow - Still : Until 🇮🇪🐚&#xA;4/6: Chris Short - Somewhere 🇮🇪🐚&#xA;4/6: The Zen Arcade - High Fidelity 🇮🇪🐚&#xA;4/6: Skinner - Gunge 🇮🇪🐚&#xA;4/6: SORBET - This Was Paradise (NI)✔️&#xA;4/6: THEE U.F.O. - Live – Vol.1 🇮🇪🐚&#xA;4/6: Captain A - Wrens 🇮🇪🐚&#xA;11/6: Smoothboi Ezra - Stuck EP 🇮🇪✔️&#xA;11/6: Outsider Yp &amp;amp; BOYSTELLIES - WHEN THE WORLD ENDS&#xA;11/6: Beats Bakery - Tasty Pop, Vol. 3&#xA;17/6: Arthur Valentine - Splitscreen EP&#xA;18/6: Dani Larkin - Notes For A Maiden Warrior&#xA;18/6: Maeve - Caravaggio in a Corner Store (NI)✔️&#xA;18/6: Lemonade Marinade - Lemonade Marinade&#xA;18/6: Just Wondering - Float Over&#xA;18/6: Keeley - Brave Warrior EP&#xA;18/6: 49th &amp;amp; Main - GOOD LUCK 🇮🇪🐚&#xA;18/6: Conchúr White - Dreamers EP (NI)&#xA;18/6: Lucy Blue - Fishbowl EP 🇮🇪✔️&#xA;18/6: Strings &amp;amp; Things - The Unsolicited Dance 🇮🇪&#xA;23/6: Tuath - Research And Development 🇮🇪🐚&#xA;24/6: Somadrone - Series A 🇮🇪✔️&#xA;25/6: VJ Jaxson - Finding Myself&#xA;25/6: Saint Sister - Where I Should End 🇮🇪✔️&#xA;25/6: Úna Keane - Collaborations 🇮🇪🐚&#xA;25/6: Sour Blood - Good Nevers&#xA;25/6: Damian McGinty - Those Were The Days (NI)🐚&#xA;25/6: moon paw print - The Importance of Flowers (NI)🐚&#xA;25/6: ORIAN - Before It Weighs Us Down&#xA;25/6: Kojaque - Town's Dead 🇮🇪🐚&#xA;25/6: Franki - Rinse, repeat&#xA;25/6: Strange Boy - Holy/Unholy 🇮🇪&#xA;25/6: Picture This - Life In Colour 🇮🇪✔️&#xA;25/6: Cathal Murphy - I'm writing to you, it can be lonely and beautiful at the edges of print (NI)July1/7: Jack DeValera - In the Inbetween&#xA;2/7: Niomí - Susurrus 🇮🇪✔️&#xA;2/7: t-woc - Pantangle 🇮🇪🐚&#xA;2/7: Walk Then Dance - Walk Then Dance 🇮🇪🐚&#xA;2/7: TAYNE - Coherent&#xA;2/7: Sarah-Beth - Loud Demure&#xA;2/7: David Kitt - 20&#xA;2/7: Brendan Tallon - Love In These Times&#xA;2/7: Cosha - Mt. Pleasant 🇮🇪✔️&#xA;5/7: Gaze Is Ghost - Lapis Cobalt Indigo Blue (NI)🐚&#xA;5/7: Air Jackson - Chemistry&#xA;7/7: Ryan Sheridan - Live in Dublin&#xA;8/7: Rosi Lalor - Strange Little Smile&#xA;9/7: Zizou - Piecemeal Pieces&#xA;9/7: Soda Blonda - Small Talk 🇮🇪✔️&#xA;9/7: Rejjie Snow - Baw Baw Black Sheep 🇮🇪✔️&#xA;9/7: ELKAE - Girls Like You Like Me 🇮🇪🐚&#xA;9/7: MATT THE SEEKER - PLANET HEARTBREAK&#xA;9/7: Inhaler - It Won’t Always Be Like This 🇮🇪✔️&#xA;9/7: Four Nights - Bed&#xA;9/7: Andrew Simon McAllister - Nowhere Special (Original Motion Picture Soundtrack) 🇮🇪✔️&#xA;9/7: Odd Numbers - The Golden Éire Tapes Vol. 1&#xA;11/7: Pat Byrne - Into the Light&#xA;16/7: The Academic - Community Spirit EP 🇮🇪✔️&#xA;16/7: Active &amp;amp; Lloyd John - Dear Children EP&#xA;16/7: BK Pepper - From an Empty Castle 🇮🇪✔️&#xA;16/7: SomeRiseSomeFall - Merrengal 🇮🇪🐚&#xA;16/7: Ra Gerra - New Vessels 🇮🇪🐚&#xA;16/7: Paddy Mulcahy - Tidal Oscillations 🇮🇪✔️&#xA;16/7: Joshua Burnside &amp;amp; Laura Quirke - In the Half-light 🇮🇪✔️&#xA;16/7: Pretty Happy - Sluggers Bridge EP 🇮🇪🐚&#xA;16/7: Jenny Hallahan Quartet - This Life&#xA;16/7: KK Lewis - Dreaming&#xA;23/7: Power of Dreams - Auslander 🇮🇪&#xA;23/7: Rowan - Everybody Talks 🇮🇪🐚&#xA;23/7: Bury Me With My Money - Life as It Comes&#xA;23/7: Daithí - Foxglove (Music for a Short Film) 🇮🇪🐚&#xA;23/7: Mike Roche - Anomaly&#xA;23/7: Hugsie - Ara&#xA;28/7: Shiftwork - burn the nightshade oil&#xA;29/7: Ali Comerford - Knots&#xA;30/7: Bicurious - (re​)​constructed 🇮🇪🐚&#xA;30/7: John Francis Flynn - I Would Not Live Always 🇮🇪🐚&#xA;30/7: Meljoann - H.R. 🇮🇪&#xA;30/7: PapaRua - 103&#xA;30/7: Blue Jean Sadness - Death in Bloom&#xA;30/7: Doubting - Doubting 🇮🇪🐚&#xA;30/7: Brian Conniffe, Suzanne Walsh, and Diarmuid MacDiarmada - Four Songs 🇮🇪🐚&#xA;30/7: Alan Finan - The Dwelling EP&#xA;30/7: Lydia Ford - All or Nothing 🇮🇪🐚&#xA;30/7: Matt McGinn - Lessons of War+ (NI)🐚&#xA;30/7: Nnic - Slow Motion Fantasy 🇮🇪🐚&#xA;30/7: True Tides - Behind the Song 🇮🇪🐚&#xA;30/7: Bklava - Autonomy EP 🇮🇪🐚August1/8: Nagam - Youthless Dublin EP&#xA;5/8: Rónán Ó Snodaigh - Tá Go Maith 🇮🇪🐚&#xA;6/8: The Zang! - The Point of No Return (NI)🐚&#xA;6/8: Hannah Peel - Unheard Delia&#xA;6/8: Lea Heart - Lea Heart EP 🇮🇪✔️&#xA;6/8: Lukewarmdaily96 - Cluck&#xA;6/8: Paddy Casey - Turn This Ship Around&#xA;6/8: Mark Geary - Gold EP&#xA;13/8: Aidan Duffy &amp;amp; Emmet O'Connor - Look&#xA;13/8: F.R.U.I.T.Y. - FRUITY&#xA;13/8: Loraine Club - Desire&#xA;13/8: Michael-James - SeaPark&#xA;13/8: Sakara’s Son - Hold Your Breath (NI)&#xA;13/8: Willowjack - Magic Rising&#xA;19/8: milk. - 2, The EP 🇮🇪✔️&#xA;20/8: Villagers - Fever Dreams 🇮🇪✔️&#xA;20/8: Orla Gartland - Woman on the Internet 🇮🇪✔️&#xA;20/8: Molly Burman - Fool Me With Flattery&#xA;20/8: Eddie Vedder, Glen Hansard &amp;amp; Cat Power - Flag Day (Original Soundtrack) 🇮🇪✔️&#xA;20/8: Lewwab - Laser Pop&#xA;20/8: Ward - Strawberry Jam&#xA;20/8: Mano Le Tough - At the Moment&#xA;20/8: Train Room - Hurricane of Love&#xA;23/8: Jennifer Moore - Channels of Time&#xA;26/8: Malaki - Don't Forget to Take Your Medicine&#xA;26/8: TV People - Nothing More&#xA;27/8: Floor Staff - Attention&#xA;27/8: Sean X - Life Of A Lonely Pirate&#xA;27/8: Bríd O Riordan - Scathán mo Shaol&#xA;27/8: Graham O'Hara - When Mountains Get Paved&#xA;27/8: Four in the Morning - Stress Dreams&#xA;27/8: Awkward Z. - End of Summer&#xA;27/8: Ciaran Lavery - Happiness (NI)✔️&#xA;27/8: Damsel - Pride &amp;amp; Joy 🇮🇪&#xA;27/8: Daragh - Young &amp;amp; Stupid&#xA;27/8: Leisure Theory - Momentary Ordinary&#xA;27/8: Leo Miyagee - Act III&#xA;27/8: RuthAnne - The Way I Love YouSeptember3/9: EMBRZ - Moments 🇮🇪✔️&#xA;3/9: Carlton Doom - Binmen, Machines, Insects &amp;amp; More&#xA;3/9: Ryan McMullan - The &amp;quot;Debut&amp;quot; Mix Tape (NI)🐚&#xA;3/9: Hey Rusty - Anorak&#xA;3/9: Jeorge II - Sophisticated Ignorance&#xA;3/9: Department of Forever - No Light To Reflect 🇮🇪✔️&#xA;3/9: Leslie Dowdall - BRIGHTLIGHT&#xA;3/9: modernlove. - monochrome blue 🇮🇪✔️&#xA;3/9: Pop Wallace - Noises Made Figuring Things Out&#xA;3/9: Moxie - The Dawn of Motion&#xA;3/9: Arvo Party - Corpus I (NI)🐚&#xA;3/9: Arvo Party - Corpus II (NI)🐚&#xA;3/9: Joseph Kiernan - Joseph Kiernan&#xA;5/9: Clarity - In A Different Light&#xA;7/9: Davie Furey  - Haunted Streets 🇮🇪🐚&#xA;7/9: Parnell March - Ozone Parade&#xA;10/9: Foy Vance - Signs of Life (NI)✔️&#xA;10/9: Rushes - Glowchild&#xA;10/9: Wax White &amp;amp; Sharpson - Young Fella&#xA;10/9: John Blek - On Ether &amp;amp; Air 🇮🇪🐚&#xA;10/9: Mick Flannery &amp;amp; Susan O'Neill - In the Game 🇮🇪🐚&#xA;15/9: Elephant - Ice Cream&#xA;17/9 Hermitage Green - Hi Generation 🇮🇪🐚&#xA;17/9: James Vincent McMorrow - Grapefruit Season 🇮🇪✔️&#xA;17/9 YourCuzMarcus - Not Real&#xA;17/9 VARLEY - Smalltalk &amp;amp; DMCs🇮🇪✔️&#xA;17/9 Somebody's Child - Staying Sane&#xA;17/9 Conor Furlong - Recurring Dream&#xA;17/9 PRiiCE - 44&#xA;17/9: HousePlants - Dry Goods 🇮🇪✔️&#xA;17/9: HAVVK - Levelling 🇮🇪🐚&#xA;17/9: Dave Flynn - Irish Minimalism 🇮🇪🐚&#xA;24/9: Uppbeat - HI VIZ 🇮🇪🐚&#xA;24/9: Josh McClorey - Sipping Bucky&#xA;24/9: Brigid Mae Power - Burning Your Light 🇮🇪🐚&#xA;24/9: The Crayon Set - Downer Disco 🇮🇪🐚&#xA;24/9: A Ritual Sea - A Ritual Sea 🇮🇪🐚&#xA;24/9: Sharon Corr - The Fool And the Scorpion&#xA;24/9: Automatic Blue - LOOK COOL DEAD&#xA;24/9: Pa Sheehy - The Art of Disappearing 🇮🇪✔️&#xA;24/9: Aimée - From The Heart 🇮🇪✔️&#xA;26/9: Loah - When I Rise Up 🇮🇪✔️&#xA;27/9: Last Survivor - Waste Away&#xA;29/09: Amy Ellen - Only You Will Know&#xA;30/9: Various Artists - In The Echo: Field Recordings from Earlsfort TerraceOctober1/10: Tommy Keyes - Radio Days&#xA;1/10: Fiachna O Braonain - Ghosts (And Other Late Night Tales)&#xA;1/10: Adam Fleming - Taken Seriously 🇮🇪🐚&#xA;1/10: N.O.A.H. - Echoes Of The Night&#xA;1/10: anatu, Zubi &amp;amp; Andrew Ace - iluminada 🇮🇪🐚&#xA;1/10: A Talk In The Dark - Look To The Clouds 🇮🇪✔️&#xA;1/10: Sunken Foal - Two Moon Junction&#xA;1/10: Cherym - Hey Tori&#xA;1/10: Constant Follower - Neither Is, Nor Ever Was&#xA;1/10: Let's Set Sail - Enzo&#xA;4/10: Negro Impacto - Negro Impacto&#xA;6/10: Danny G &amp;amp; the Major 7ths - Ceol For The Soul&#xA;7/10: Craic Boi Mental - Minister 4 Chaos&#xA;8/10: shiv - The Love Interlude 🇮🇪✔️&#xA;8/10: Runah - H.B.M.T. (NI)🐚&#xA;8/10: Uly - vol. 1 - cuan 🇮🇪✔️&#xA;8/10: The Kevin Brady Electric Quartet - Plan B&#xA;8/10: of all living things - On Familiar Ground&#xA;8/10: Elaine Mai - Home 🇮🇪🐚&#xA;8/10: Far Caspian - Ways To Get Out 🇮🇪🐚&#xA;8/10: God Is An Astronaut - Far From Refuge (Live)&#xA;8/10: Rachel Mae Hannon - Like It Is&#xA;8/10: Davey Long - Eitilt&#xA;12/10: Gareth Quinn Redmond - Oscailte&#xA;12/10: The Winter Passing - Live From Semple Stadium&#xA;13/10: All the Queen's Horses - The Dark Below &amp;amp; The Isle of Dogs&#xA;13/10: Julia-Maria - With Me&#xA;15/10: Sarah McQuaid - The St Buryan Sessions&#xA;15/10: David Keenan - WHAT THEN 🇮🇪🐚&#xA;15/10: Maria Kelly - The Sum of the In​-​between 🇮🇪🐚&#xA;15/10: Three Underneath - Three Underneath&#xA;15/10: Inhaler - My Honest Face&#xA;15/10: Christian Wethered - Mon Petit Jardin&#xA;15/10: Christy Dignam - The Man Who Stayed Alive&#xA;15/10: Conn Thornton - Tragedy&#xA;15/10: Eleanor McEvoy - Gimme Some Wine 🇮🇪✔️&#xA;15/10: Ian Ashford &amp;amp; the Solidarity Band - Inheritance&#xA;15/10: Stevie Appleby - EP&#xA;15/10: Damien McGeehan - Kin&#xA;15/10: Derek Ryan - Soft Ground 🇮🇪🐚&#xA;21/10: Enola Gay - Gransha EP 🇮🇪🐚&#xA;22/10: The Pale - Paleanthology&#xA;22/10: Gorgeous Wrecks - Gentle Art of Persuasion 🇮🇪&#xA;22/10: Afterbliss - Unknown Machine&#xA;22/10: The Altered Hours - Convertible&#xA;22/10: Carrie Baxter - What Now&#xA;22/10: Kamino Royale - Sleeping While We Dream&#xA;22/10: Gemma Dunleavy - Up De Flats The Remixes&#xA;22/10: Brí - Hide 🇮🇪🐚&#xA;22/10: NUXSENSE, luthorist &amp;amp; sivv - Time On Earth&#xA;22/10: Ger Eaton - Three By&#xA;26/10: Gerr Walsh - Ghosts of Hope &amp;amp; Magic&#xA;27/10: Bambie Thug - High Romancy&#xA;27/10: Odd Morris - Cityscape the Ballet&#xA;28/10: Blue Fish Diamond - Frozen Stars On The Night&#xA;28/10: Erica Cody - Love &amp;amp; Light 🇮🇪🐚&#xA;28/10: Lisa Gorry - It Was You (And Me)&#xA;29/10: Darragh O'Dea - Tilly &amp;amp; The Postmaster&#xA;29/10: Ruth Mac - Living Room&#xA;29/10: Light Grey - Are You Even Real&#xA;29/10: M(h)aol - Gender Studies EP&#xA;29/10: Tebi Rex - It's Gonna Be Okay&#xA;29/10: Various Artists - Quietly Waiting&#xA;29/10: AIS - Freedom&#xA;29/10: Elbé - Sonder&#xA;31/10: Kid Karate - Hotel Roosevelt&#xA;31/10: Pinhead Reverie - R U N&#xA;?/10: Alison Vard Miller - Silver LiningNovember1/11: Ben Reel - Live @ JJ Smyths&#xA;2/11: Ruttlemush - Strange&#xA;3/11: Lucy Blue - First Man On The Moon 🇮🇪✔️&#xA;4/11: Girl For Sale - Seaspeak&#xA;4/11: Lisa Hannigan - Other Voices Courage Presents: Lisa Hannigan (Live at the National Gallery of Ireland, Dublin, 2020)&#xA;5/11: Reevah - Begin, Again&#xA;5/11: Dan B. Patrick - Streaks of Light&#xA;5/11: Autumns - DSS Dubplate&#xA;5/11: Dark Tropics - Ink&#xA;5/11: Jack O'Rourke - Wild Place&#xA;5/11: Pete Kavanagh - Join Up the Dots&#xA;5/11: Various Artists - Salvation: Inspired by The Cranberries 🇮🇪🐚&#xA;5/11: OWLS - They Kill EP&#xA;5/11: Sky Atlas - Stone&#xA;5/11: Windings - Focus on the Past 5&#xA;7/11: Dermot McKenna - Songs&#xA;10/11: Caoilian Sherlock - Big Child 🇮🇪&#xA;11/11: Aislinn Logan - So It Is EP&#xA;12/11: Ronan Keating - Songs From Home&#xA;12/11: ANDI - Cedar Ward&#xA;12/11: Cat Dowling - Animals&#xA;12/11: The Chieftains - Chronicles: 60 years of The Chieftains&#xA;12/11: Beats Bakery - Corporate Fast Lane (Underscore Series)&#xA;12/11: Marty Mone - Truck and Roll&#xA;12/11: Xona - In My Head&#xA;12/11: Coolgirl - A Far Green Country (Original Documentary Soundtrack)&#xA;12/11:Cosmic - Dirty Runners&#xA;12/11: All The Luck In The World - How the Ash Felt&#xA;15/11: Ordnance Survey - Field Work&#xA;17/11: DYVR - Part Three&#xA;17/11: Lethal Dialect - Songs Of A Dead Dreamer&#xA;19/11: gROUSe - Interpolate&#xA;19/11: Hazey Haze - Epitome&#xA;19/11: Jane Willow - Burn So Bright 🇮🇪&#xA;19/11: Me Auld Flower - The Vaults of Consciousness, Vol. II: An Unholy Amount&#xA;19/11: Shadeemus - Solaris&#xA;19/11: Sion Hill - A State of Permanent Flux&#xA;19/11: Leah Rose - The Sun, The Moon, The Stars&#xA;25/11: Charles Boulevard - Rendez-Vous!&#xA;26/11: Westlife - Wild Dreams&#xA;26/11: Podge Lane - Outer Monologues&#xA;26/11: Denise Chaila - It’s A Mixtape&#xA;26/11: Wyvern Lingo - Awake You Lie (Deluxe)&#xA;26/11: Enda Gallery - Liberation&#xA;26/11: Fontaines D.C. - Live At Kilhaimham Goal&#xA;26/11: Soda Blonde - I Still Have Feelings For You&#xA;26/11: Strangers with Guns - Become a Pope&#xA;26/11: CADA - Fugue StateDecember2/12: MOVMENT - TRANSFORMATION&#xA;3/12: Hilary Woods - Feral Hymns&#xA;3/12: Waiting Space - Live at the Theatre Royal EP&#xA;9/12: Cian Ducrot - Make Believe&#xA;10/12: PercBoi 3000 - Today &amp;amp; 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<INFO BITRATE="1026583" KEY_LYRICS="2 ContributorsFlip the Mic LyricsTrack no. 12 from their first album released in 1998.(Scratching) And I want stop flippin shit until I'm forced to retire because...&#xA;Some cold emcees flip the mic like a drunk driver flips a Mercedes Benz&#xA;It's all about the ends, friends&#xA;I finesse the mic like a young black princess&#xA;To save my youth and reach the black goddess&#xA;Lyrics is tight so I get it buck naked&#xA;But before I wreck it, let her know that she's respected&#xA;Never neglected and always protected&#xA;She can be perfected if I constantly check it&#xA;So 1,2,1,2 - you can't fathom the things that we've been through&#xA;I filled her crown with jewels you can't find in the store&#xA;She's upset about the mini that I mashed on tour&#xA;More raw than what she bargained for&#xA;Sometimes she act up, but I could never throw her on the floor&#xA;I just grip her tight and hopes to get it right&#xA;Then I rock that ass all (scratches) night&#xA;Cause...&#xA;&#xA;This is how you flip the microphone&#xA;How you flip the microphone&#xA;This is how you flip the mic&#xA;&#xA;This is how you flip the microphone&#xA;And I want stop flippin shit until I'm forced to retire because...&#xA;&#xA;I knew had to have since the day I first met her&#xA;Spent the rest of my life writing down ways to get her&#xA;I really didn't know what I was doin back then&#xA;But now my g's so tight I flip her and her friends&#xA;And bring those mic pimps - they ain't no match&#xA;Flippin like tricks, the ones I smash know it's no strings attached&#xA;Fake players, flash trappings, some fall for the booty&#xA;I finesse 'em on they back and aim an inch above the booty&#xA;When I rip, they can get freaky like a porno movie&#xA;I rock it like Jet Li, you beat it like Hong Kong Phooey&#xA;You a cartoon character like Huey, Dewey or Louie&#xA;With the mic thrust I tear it down like a tsunami&#xA;Destroy the walls like a one man army&#xA;That's why you pay to (?) and I funk for free&#xA;You see....&#xA;This is how you flip the microphone&#xA;How you flip the microphone&#xA;This is how you flip the mic&#xA;&#xA;This is how you flip the microphone&#xA;How you flip the microphone&#xA;How you flip the mic&#xA;&#xA;This is how you flip the microphone&#xA;How you flip the microphone&#xA;This is how you flip the mic&#xA;&#xA;(Scratching) I restructure to come bust and rush ya&#xA;(Scratching) With the physical and spiritual tactics&#xA;(Scratching) I restructure to come bust and rush ya&#xA;(Scratching) And I want stop flippin shit until I'm forced to retire because...&#xA;&#xA;I wreck the hundreds across seas&#xA;I even killed emcees for disrespecting my ladies&#xA;The thought of rippin them makes me crazy&#xA;I like it raw like Ol' Dirty so let em have my babies&#xA;My name'll live on for eternity&#xA;When it comes to freakin it I get nasty&#xA;Soundsystems crowd for (uh) me&#xA;Fill em up with gems to teach the babies&#xA;But this is type explicit, so Parental Advisory&#xA;You'll probably never see it on MTV Rockumentary&#xA;Me and she be fighting for justice and equality&#xA;Although her friends still make me horny&#xA;I'm an emcee - flip em if they press up on me&#xA;Everyone I bone did moan and groan&#xA;Cause...&#xA;This is how you flip the microphone, you see&#xA;This is how you flip the microphone&#xA;How you flip the microphone&#xA;This is how you flip the mic&#xA;&#xA;This is how you flip the microphone&#xA;How you flip the microphone&#xA;How you flip the mic&#xA;&#xA;This is how you flip the microphone&#xA;How you flip the microphone&#xA;This is how you flip the mic, flip the mic&#xA;&#xA;Peace... Jeru the Damaja, Perverted Monks, right now&#xA;&#xA;Wit my boys from Grand Central, doin it like that&#xA;Brooklyn, USA - Manchester, UK&#xA;Know what I mean? Across seas... like that&#xA;We out - this is how you flip the microphone&#xA;&#xA;(Scratching) I restructure to come bust and rush ya&#xA;(Scratching) With the physical and spiritual tactics&#xA;(Scratching) I restructure to come bust and rush ya&#xA;(Scratching) The only thing you feel is the pain&#xA;(Scratching) I restructure to come bust and rush ya&#xA;(Scratching) The only thing you feel is the pain&#xA;Grand Central" PRODUCER="2020 Shall Not Fade LTD" COVERARTID="041/JFOUBXAA5YRPTCK0LTH0DXIWPUZB" PLAYCOUNT="1" PLAYTIME="363" PLAYTIME_FLOAT="362.102844" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="45548"></INFO>
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<INFO BITRATE="1000746" KEY_LYRICS="139 ContributorsTranslationsEspañolWestbrook LyricsOn this braggadocious track, J.I.D and A$AP Ferg rap about their emergence into the rap game and their undying loyalty to their family and friends. Over three verses, J.I.D continues the lyrical taunting of… Read More &#xA;Christo, yeah&#xA;&#xA;&#xA;Yo, I was just trying to get me some money the other day&#xA;I been so down on my luck, I'm humble in every way&#xA;I stumbled on every step, mumbled with every breath&#xA;Do not repeat myself, I will not re-&#xA;Okay, good night to the cool kid, say hi to the bad guy&#xA;Eastside mad scientist, we ride, niggas dying&#xA;Women throw pussy at me, I never seen cats flying&#xA;But never say never, never say never, we say whatever&#xA;&#xA;&#xA;I done came up, I done came up (Came up)&#xA;Put your chains up, and your rings up (Rings up)&#xA;Fuck the other side (Fuck ’em), we don't change up (Nah)&#xA;All the homies ride, they can't change us&#xA;I done came up, I done came up (I done came up)&#xA;Switching lanes up, and I’m prayed up&#xA;Fuck the other side, we don't change up (Yeah)&#xA;All the homies ride, you can't change us&#xA;&#xA;&#xA;We hit the pack with the weed in the sack&#xA;In the back, in the black, J.I.D with the gat (Go)&#xA;G's with the jeans on the straps on the scene with the lean, get the cream how you been, where you at? (Go)&#xA;Seen what I seen on the scene with the beam on a rat&#xA;Don't move, there's a thing on your hat (Go)&#xA;Put a hole in that ball team on your hat (Go)&#xA;You a rat, that's a cool thing to a cat (Go)&#xA;Knock it out the park, hear the bing from the bat&#xA;And we get the ring, and I be the king sittin' satin&#xA;Persian rugs so fly, no Aladdin (Go)&#xA;Serving drugs, I got the pen and a pad (Go)&#xA;Serving drugs, I give her dick when she mad&#xA;But she know that I rap, I ain’t got time for the Madden (Go)&#xA;She know that I’m capping, finna snap on these rap niggas&#xA;And they react, you get the rrrat from the ratchet (Go)&#xA;&#xA;I done came up, I done came up (Came up)&#xA;Put your chains up, and your rings up (Rings up)&#xA;Fuck the other side (Fuck 'em), we don’t change up (Nah)&#xA;All the homies ride, they can't change us&#xA;I done came up, I done came up (I done came up)&#xA;Switching lanes up, and I'm prayed up&#xA;Fuck the other side, we don't change up (Yeah)&#xA;All the homies ride, you can’t change us&#xA;&#xA;&#xA;Yeah-ah&#xA;Picture a nigga steppin' into the game that's already lit&#xA;Just add a little coal to flame it (Go)&#xA;Lame niggas, I gotta put it in layman's terms?&#xA;I'm finna murder you niggas, you better spread the word (Go)&#xA;I bled words 'til my head would hurt&#xA;The first to say, it hurts to say, I said it first (Go)&#xA;Live life like a baby that was dead at birth (Go)&#xA;But came alive and fucked the nurses (Go)&#xA;If you don't like it tell a nigga &amp;quot;jump&amp;quot; if you feelin' Kermit&#xA;If you sleepin' on me we can make it permanent (Go)&#xA;And leave 'em stinkin', he a really permeate, he really reeking (Go)&#xA;J.I.D or call me Willie Beamen&#xA;But I'm 'bout the team, everybody eatin' (Go)&#xA;If it's down to me, I'ma do some shit niggas ain't never seen&#xA;Bitch, I dunk the three (Go)&#xA;Ashton Kutcher, who's punkin' me?&#xA;J.I.D the butcher, who want the beef?&#xA;Chop arm, leg, head, package meat&#xA;Sacrificial lamb, satisfactory&#xA;Smack him with the hand, don't talk back to me&#xA;I'ma be the man, I'ma kill a king&#xA;I done been a fan, now I need wings&#xA;I done seen your hand, now I need rings&#xA;&#xA;Okay, I'm fired up, I'm really fired up&#xA;I'm feeling wired up, losing my mind, bruh&#xA;Gimme the time, bruh, 'cause I'm a time bomb&#xA;Coming for mine, bruh, see, what you lyin' for&#xA;Tape him and tie him up, I'm feelin' fired up&#xA;I'm really fired up, wait (Fired up)&#xA;I'm really fired up, I'm feeling wired up, losing my mind, bruh&#xA;Gimme the time, bruh, 'cause I'm a time bomb&#xA;Coming for mine, bruh, see, what you lyin' for&#xA;Tape him and tie him up, I'm feelin' fired up&#xA;I'm really fired up, wait&#xA;Fired up&#xA;&#xA;&#xA;You got two niggas sittin' down to eat, right?&#xA;Niggas sittin' down at the table to eat&#xA;And they got the same food, and they got the same utensils&#xA;You dig what I'm sayin'?&#xA;One nigga let his food go cold watching another nigga eat&#xA;You know what I'm sayin'&#xA;And that's how all this shit be starting, envy&#xA;Another nigga lookin' at what another nigga&#xA;Wanting what another nigga got when he got utensils&#xA;And a share of his own, you dig what I'm sayin'?&#xA;All this started, when a nigga get in power and a nigga be shittin' on a nigga&#xA;That where all this shit be stemming from" PRODUCER="The Dreamers Recordings" COVERARTID="057/ZFLMFTD5R3WP0CCWL1IRBFETISZA" PLAYCOUNT="1" PLAYTIME="319" PLAYTIME_FLOAT="318.003601" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="38961"></INFO>
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<INFO BITRATE="1013521" KEY_LYRICS="1 ContributorNew Music Friday Christian 08/07/20 LyricsWe The Kingdom - Cages&#xA;Lydia Laird - To Be Loved&#xA;Elevation Worship - Graves Into Gardens (Studio)&#xA;Koryn Hawthorne - Speak To Me&#xA;Jason Gray - Glory Days&#xA;Apollo LTD - Patient&#xA;Rend Collective - I CHOOSE TO WORSHIP - WORSHIP CLUB VERSION&#xA;Mack Brock - Savior Of The World&#xA;Tamela Mann - Touch From You&#xA;Passion &amp;amp; Kristian Stanfill- There's Nothing That Our God Can't Do (Reimagined/Tide Electric Remix)&#xA;SEU Worship - Fire In My Bones (Single Version)&#xA;VOUS Worship - He So Loves Me&#xA;Andrew Ripp &amp;amp; Harvest - SOS&#xA;Chris McClarney &amp;amp; Worship Together - I'm Listening&#xA;North Point Worship &amp;amp; Desi Raines - Praise Your Name&#xA;Wildfire Worship Collective - The Light (My Refuge) (feat. 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<INFO BITRATE="956322" KEY_LYRICS="1 Contributor2018 haywoodindahood Listening Log LyricsPretty much the same thing as last year minus my reviews I would type up (and eventually half-ass as time went on).&#xA;&#xA;Oh, and to make things easier not only am I gonna separate by month, I’m also gonna… Read More Last updated: 10/6/2018, 5:16PM MSTOctoberOctober 6Jesse Powell — Jesse Powell (1996)October 5girl in red — chapter 1 (2018)&#xA;Blanca — Shattered (2018)&#xA;LouGotCash (feat. Trippie Redd) — &amp;quot;Too Turnt&amp;quot; (2018)October 4Terri Clark — Raising the Bar (2018)&#xA;Jess Kent — &amp;quot;Girl&amp;quot; (2018)&#xA;Joey Purp — QUARTERTHING (2018)&#xA;Cypress Hill — &amp;quot;Crazy&amp;quot; (2018)&#xA;Brooke Evers (feat. Rachel West &amp;amp; Glen Faria) — &amp;quot;Turn Around&amp;quot; (2018)&#xA;Born Dirty (feat. jstlbby) — &amp;quot;Get Up Get Out&amp;quot; (2018)&#xA;First Aid Kid — Tender Offerings (2018)&#xA;Kap G — no kap (2018)&#xA;Asiahn — &amp;quot;NOLA&amp;quot; (2018)&#xA;Young Dolph — &amp;quot;By Mistake&amp;quot; (2018)&#xA;Charlotte Lawrence — &amp;quot;Stole Your Car&amp;quot; (2018)October 3Howard — Together Alone (2018)&#xA;Joji — &amp;quot;SLOW DANCING IN THE DARK&amp;quot; (2018)&#xA;Joji — &amp;quot;YEAH RIGHT&amp;quot; (2018)&#xA;Brett Young — &amp;quot;Here Tonight&amp;quot; (2018)&#xA;Swizz Beatz (feat. Lil Wayne) — &amp;quot;Pistol on My Side (P.O.M.S)&amp;quot; (2018)&#xA;Lil Baby &amp;amp; Gunna — &amp;quot;Drip Too Hard&amp;quot; (2018)&#xA;Ciara — &amp;quot;Dose&amp;quot; (2018)&#xA;Lana Del Rey — &amp;quot;Mariners Apartment Complex&amp;quot; (2018)&#xA;Tori Kelly — Hiding Place (2018)October 2Noname — Room 25 (2018)&#xA;Wale — Free Lunch (2018)&#xA;Carrie Underwood — Cry Pretty (2018)October 1N/ASeptemberSeptember 30N/ASeptember 29N/ASeptember 28Gucci Mane, Bruno Mars &amp;amp; Kodak Black — &amp;quot;Wake Up in the Sky&amp;quot; (2018)September 27N/ASeptember 26N/ASeptember 25N/ASeptember 24teddy&amp;lt;3 — &amp;quot;Body and Soul&amp;quot; (2018)&#xA;Brynn Elliott — Time of Our Lives (2018)&#xA;Madison Cuningham — &amp;quot;Last Boat to Freedom&amp;quot; (2018)&#xA;Abby Anderson — I'm Good (2018)&#xA;Runaway June — Runaway June (2018)&#xA;Noah Cyrus &amp;amp; Gallant — &amp;quot;Mad at You&amp;quot; (2018)&#xA;Judy Blank — Morning Sun (2018)September 23N/ASeptember 22N/ASeptember 21Kilo Kish — mothe (2018)&#xA;Clairo — &amp;quot;Heaven&amp;quot; (2018)&#xA;Bri Steves — &amp;quot;Ain't Shit&amp;quot; (2018)&#xA;AlunaGeorge (feat. Cautious Clay) — &amp;quot;Superior Emotion&amp;quot; (2018)&#xA;Jessie Reyez — &amp;quot;Fuck Being Friends&amp;quot; (2018)&#xA;Robinson — &amp;quot;Medicine&amp;quot; (2018)&#xA;Waxahatchee — Great Thunder (2018)&#xA;Jillian Jacqueline — Side B (2018)&#xA;Amber Mark (feat. DRAM) — &amp;quot;Put You On&amp;quot; (2018)&#xA;Jeremy Zucker — &amp;quot;comethru&amp;quot; (2018)September 20Chelsea Cutler — &amp;quot;Cold Showers&amp;quot; (2018)&#xA;$uicideBoy$ — I Want to Die in New Orleans (2018)&#xA;T.I. &amp;amp; Yo Gotti — &amp;quot;Wraith&amp;quot; (2018)&#xA;T.I. (feat. Meek Mill) — &amp;quot;Jefe&amp;quot; (2018)&#xA;Various Artists — Sierra Burgess Is a Loser (Original Motion Picture Soundtrack) (2018)September 19Carrie Underwood — &amp;quot;End Up With Me&amp;quot; (2018)&#xA;Dua Lipa — &amp;quot;Want To&amp;quot; (2018)&#xA;Lauren Daigle — Look Up Child (2018)&#xA;Kanye West &amp;amp; Lil Pump — &amp;quot;I Love It&amp;quot; (2018)&#xA;YBN Nahmir, YBN Cordae &amp;amp; YBN Almighty Jay — YBN: The Mixtape (2018)&#xA;Silk City &amp;amp; Dua Lipa (feat. Diplo &amp;amp; Mark Ronson) — &amp;quot;Electricity&amp;quot; (2018)September 18N/ASeptember 17N/ASeptember 16N/ASeptember 15N/ASeptember 146LACK — East Atlanta Love Letter (2018)September 13Ginny Owens (feat. Resound) — Stand with Me&amp;quot; (2018)&#xA;Maddie Simpson — &amp;quot;Love Me Loud&amp;quot; (2018)&#xA;Anna Calvi — Hunter (2018)&#xA;Sage The Gemini (feat. Chris Brown) — &amp;quot;Buss It&amp;quot; (2018)&#xA;Katelyn Tarver — Kool Aid (2018)&#xA;Q Money — Ain't Shit Funny (2018)&#xA;Mick Jenkins — &amp;quot;What Am I to Do&amp;quot; (2018)&#xA;Francesca Battistelli — &amp;quot;Royalty&amp;quot; (2018)&#xA;Passenger — Runaway (2018)September 12Chief Keef (feat. Jenn Em) — &amp;quot;Chiraq&amp;quot; (2018)&#xA;The Game (feat. YG, Ty Dolla $ign &amp;amp; Jeremih) — &amp;quot;Down to Fuck&amp;quot; (2018)&#xA;HoodCelebrityy — Inna Real Life (2018)&#xA;Young Dolph (feat. Key Glock) — &amp;quot;Major&amp;quot; (2018)&#xA;Lloyd — TRU - LP (2018)&#xA;Cassie Scerbo — &amp;quot;Disaster&amp;quot; (2018)&#xA;Blac Youngsta — Fuck Everybody 2 (2018)&#xA;Jillian Jacqueline — &amp;quot;Sad Girls&amp;quot; (2018)&#xA;Terri Clark — &amp;quot;Young as We Are Tonight&amp;quot; (2018)&#xA;Nao (feat. SiR) — &amp;quot;&amp;quot;Make It Out Alive&amp;quot; (2018)&#xA;Tash Sultana — Flow State (2018)September 11Jay Rock (feat. Rich The Kid) — &amp;quot;Rotation 112th (Remix)&amp;quot; (2018)&#xA;Carrie Underwood — &amp;quot;Love Wins&amp;quot; (2018)&#xA;Why Don't We — 8 Letters (2018)&#xA;6ix9ine (feat. Nicki Minaj &amp;amp; Murda Beatz) — &amp;quot;FEFE&amp;quot; (2018)&#xA;6ix9ine &amp;amp; Anuel Aa — &amp;quot;BEBE&amp;quot; (2018)&#xA;Kanye West — &amp;quot;XTCY&amp;quot; (2018)&#xA;Lauv — &amp;quot;Superhero&amp;quot; (2018)&#xA;Eminem — Kamikaze (2018)&#xA;Troye Sivan — Bloom (2018)September 10N/ASeptember 9N/ASeptember 8Pusha T — &amp;quot;The Story of Adidon&amp;quot; (2018)&#xA;Fantasia — Back to Me (2010)&#xA;The Staple Singers — Be Altitude: Respect Yourself (1972)September 7N/ASeptember 6N/ASeptember 5N/ASeptember 4Thouxanbanfauni — The Lost Files (2018)&#xA;MoKenStef — Azz Izz (1995)&#xA;A$AP Ant (feat. A$AP Rocky) — &amp;quot;Mario Cart&amp;quot; (2018)&#xA;A$AP Ant — &amp;quot;Shanghai&amp;quot; (2018)September 3Wallows — &amp;quot;Pleaser&amp;quot; (2017)&#xA;Wallows — &amp;quot;Sun Tan&amp;quot; (2017)&#xA;Wallows — &amp;quot;Uncomfortable&amp;quot; (2017)&#xA;Wallows — &amp;quot;Pulling Leaves off Trees&amp;quot; (2017)&#xA;Wallows — &amp;quot;Underneath the Streetlights in the Winter Outside Your House&amp;quot; (2018)&#xA;Wallows — Spring EP (2018)September 2Raveena — &amp;quot;You Give Me That&amp;quot; (2016)&#xA;Raveena — &amp;quot;Johnny It's the Last Time&amp;quot; (2016)&#xA;Raveena — &amp;quot;Spell&amp;quot; (2017)&#xA;Raveena — &amp;quot;Sweet Time&amp;quot; (2017)&#xA;Raveena — Shanti (2017)&#xA;Raveena — &amp;quot;Wherever U Go&amp;quot; (2018)&#xA;Raveena — &amp;quot;I Won't Mind&amp;quot; (2018)&#xA;Raveena — &amp;quot;Honey&amp;quot; (2018)&#xA;Bandhunta Izzy — &amp;quot;Gummo Freestyle&amp;quot; (2017)&#xA;Tierra Whack — &amp;quot;Niggalodeon&amp;quot; (2015)&#xA;Tierra Whack — Whack World (2018)&#xA;Tierra Whack — &amp;quot;MUMBO JUMBO&amp;quot; (2017)&#xA;Tierra Whack — &amp;quot;Shit Happens&amp;quot; (2017)&#xA;Tierra Whack — &amp;quot;Child Please&amp;quot; (2017)&#xA;Tierra Whack — &amp;quot;Toe Jam&amp;quot; (2017)&#xA;Jungle Brothers — Straight Out the Jungle (1988)&#xA;Sabrina Carpenter — &amp;quot;Thumbs (Acoustic)&amp;quot; (2017)&#xA;Tory Lanez — &amp;quot;I Sip&amp;quot; (2017)&#xA;Maggie Lindemann — &amp;quot;Things&amp;quot; (2016)&#xA;Smooky MarGielaa (feat. Jrich Ent.) — &amp;quot;Shawty&amp;quot; (2017)&#xA;Ronny J (feat. Ski Mask The Slump God) — &amp;quot;Thriller (Forever)&amp;quot; (2017)&#xA;The Girl and the Dreamcatcher — &amp;quot;Written in the Stars&amp;quot; (2015)&#xA;Fancy Cars &amp;amp; Sophie Rose — &amp;quot;Time Machine&amp;quot; (2018)&#xA;Jaira Burns — &amp;quot;High Rollin&amp;quot; (2017)&#xA;Tana Mongeau — &amp;quot;W&amp;quot; (2018)&#xA;Astrid S — &amp;quot;Hyde&amp;quot; (2015)&#xA;Josephina — &amp;quot;Feelings&amp;quot; (2018)&#xA;Joe Moses (feat. Future) — &amp;quot;Back Goin Brazy&amp;quot; (2018)&#xA;Lou — &amp;quot;Beaten&amp;quot; (2018)&#xA;Kristina Bazan — &amp;quot;Out&amp;quot; (2016)&#xA;April + Vista — &amp;quot;How to Get By&amp;quot; (2018)&#xA;Eden Samara — &amp;quot;Upside Down&amp;quot; (2018)&#xA;The Black Eyed Peas — &amp;quot;RING THE ALARM pt.1, pt.2, pt.3&amp;quot; (2018)&#xA;KIIRA (feat. Noah North) — &amp;quot;Last Time&amp;quot; (2017)&#xA;JVZEL — &amp;quot;You Make It Easy&amp;quot; (2018)&#xA;Alyson Stoner — &amp;quot;Who Do You Love&amp;quot; (2018)&#xA;Andy Mineo, Foggieraw &amp;amp; Mannywellz — &amp;quot;Coquito&amp;quot; (2018)&#xA;Foggieraw — &amp;quot;Harry Potter&amp;quot; (2018)&#xA;Foggieraw &amp;amp; Mannywellz — &amp;quot;Different World Type Luv&amp;quot; (2018)&#xA;Carlie Hanson — &amp;quot;Mood&amp;quot; (2018)&#xA;Kero Kero Bonito — &amp;quot;Time Today&amp;quot; (2018)&#xA;Rosie Carney — &amp;quot;Winter&amp;quot; (2017)&#xA;Zilo — &amp;quot;Don't Waste My Time&amp;quot; (2018)&#xA;Confetti — &amp;quot;Right Now&amp;quot; (2018)&#xA;Phoebe Ryan &amp;amp; Quinn XCII — &amp;quot;Middle Finger&amp;quot; (2018)&#xA;Georgi Jacobs — &amp;quot;Ooooohh&amp;quot; (2018)&#xA;Eli Priess (feat. Kareem Pfeifer) — &amp;quot;Back at You&amp;quot; (2018)&#xA;Astrid S — &amp;quot;2AM&amp;quot; (2014)&#xA;Rosie Carney — &amp;quot;Awake Me&amp;quot; (2017)&#xA;ARY — &amp;quot;Already There&amp;quot; (2017)&#xA;Madison Cunningham — &amp;quot;All at Once&amp;quot; (2018)&#xA;Mickey Shiloh (feat. Rowlan) — &amp;quot;1 More Time&amp;quot; (2017)September 1N/AAugustAugust 31N/AAugust 30N/AAugust 29Kiiara — &amp;quot;Gloe&amp;quot; (2018)&#xA;NOTD (feat. Tove Styrke) — &amp;quot;Been There Done That&amp;quot; (2018)&#xA;KYLE (feat. Kehlani &amp;amp; Logic) — &amp;quot;Playinwitme (Remix)&amp;quot; (2018)&#xA;REASON — &amp;quot;Better Dayz&amp;quot; (2018)&#xA;Rosette — &amp;quot;Single for the Summer&amp;quot; (2018)&#xA;Anna Wise &amp;amp; Xavier Omar — &amp;quot;Easy&amp;quot; (2018)&#xA;Dounia — &amp;quot;How I See It&amp;quot; (2018)&#xA;T-Pain (feat. Gucci Mane) — &amp;quot;Might Be&amp;quot; (2018)&#xA;KYLE (feat. Wiz Khalifa) — &amp;quot;Moment&amp;quot; (2018)August 28E-40 — The Gift of Gab (2018)&#xA;Noah Cyrus &amp;amp; Lil Xan — &amp;quot;Live or Die&amp;quot; (2018)&#xA;Tori Kelly (feat. Kirk Franklin) — &amp;quot;Never Alone&amp;quot; (2018)&#xA;Leon Thomas — Genesis (2018)&#xA;Bas — Milky Way (2018)&#xA;Blood Orange — Negro Swan (2018)August 27K1D (feat. Woodie Smalls) — &amp;quot;Yoshi&amp;quot; (2018)&#xA;3 — &amp;quot;Watch Me&amp;quot; (2018)&#xA;Truthcity — &amp;quot;Trap Music in My Uber&amp;quot; (2018)&#xA;Tre Redeau — &amp;quot;Safe Route&amp;quot; (2018)&#xA;Freelance — &amp;quot;Pretty Please&amp;quot; (2018)&#xA;Tee Krispil — One Way Ticket (2018)&#xA;Maesu — &amp;quot;Nothing 2 Lose&amp;quot; (2018)&#xA;Trey Graves — &amp;quot;new thang&amp;quot; (2018)&#xA;Dimez — &amp;quot;New Porsche&amp;quot; (2018)&#xA;Darrein STL — &amp;quot;My Bag&amp;quot; (2018)&#xA;Madd AnarKist (feat. Troy James &amp;amp; Bank Bunz) — &amp;quot;Mxndfxkk&amp;quot; (2018)&#xA;HAWA — &amp;quot;Might Be&amp;quot; (2018)&#xA;OSIYM (feat. Filli Babii) — &amp;quot;Lookin' Like&amp;quot; (2018)&#xA;Son! — &amp;quot;LINGO&amp;quot; (2018)&#xA;Hydra — Lifeboat (2018)&#xA;Sazetrax — &amp;quot;Latency&amp;quot; (2018)&#xA;Blvc Svnd &amp;amp; One Who May Ascend — &amp;quot;Lames&amp;quot; (2018)&#xA;Cero Ismael — &amp;quot;Insane&amp;quot; (2018)&#xA;Gaika — &amp;quot;Immigrant Sons (Pesos &amp;amp; Gas)&amp;quot; (2018)&#xA;ILLYMINIACHI — &amp;quot;Ignita&amp;quot; (2018)&#xA;YTK — &amp;quot;Feel Like That&amp;quot; (2018)&#xA;Kent Loon — &amp;quot;Drone&amp;quot; (2018)&#xA;Huey Supreme — &amp;quot;Dolla Bill&amp;quot; (2018)&#xA;Love-Sadkid — &amp;quot;Control&amp;quot; (2018)&#xA;B. Aull — &amp;quot;Come Down&amp;quot; (2018)&#xA;Why Khaliq — Clearwater (2018)&#xA;chase. &amp;amp; spaceout — #CHASEXSPACEOUT (2018)August 26The O'Jays — Back Stabbers (1972)August 25N/AAugust 24Famous Dex (feat. Drax Project) — &amp;quot;LIGHT&amp;quot; (2018)&#xA;Sarah Reeves — &amp;quot;Always Been You&amp;quot; (2018)&#xA;Cousin Stizz — All Adds Up (2018)&#xA;24hrs (feat. YG) — &amp;quot;Don't Mess&amp;quot; (2018)&#xA;Camila Cabello (feat. Swae Lee) — &amp;quot;Real Friends&amp;quot; (2018)&#xA;Jess Glynne — &amp;quot;All I Am&amp;quot; (2018)&#xA;Lucie Silvas — &amp;quot;E.G.O.&amp;quot; (2018)August 23Blue October — I Hope You're Happy (2018)August 22The New Respects — Before the Sun Goes Down (2018)&#xA;Baauer &amp;amp; Miquela — &amp;quot;Hate Me&amp;quot; (2018)&#xA;SOB X RBE (feat. Shoreline Mafia) — &amp;quot;Da Move&amp;quot; (2018)&#xA;SOB X RBE — &amp;quot;Vibes&amp;quot; (2018)&#xA;Stefflon Don — SECURE (2018)&#xA;Bishop Briggs — &amp;quot;Baby&amp;quot; (2018)&#xA;The 1975 — &amp;quot;TOOTIMETOOTIMETOOTIME&amp;quot; (2018)&#xA;6LACK — &amp;quot;Nonchalant&amp;quot; (2018)August 21Tory Lanez (feat. Bryson Tiller) — &amp;quot;&amp;quot;KeeP IN tOUcH&amp;quot; (2018)&#xA;Jillian Jacqueline (feat. Keith Urban) — &amp;quot;If I Were You&amp;quot; (2018)&#xA;Mitski — Be the Cowboy (2018)&#xA;Aminé — ONEPOINTFIVE (2018)August 20Calvin Harris &amp;amp; Sam Smith (feat. Jessie Reyez) — &amp;quot;Promises&amp;quot; (2018)&#xA;Young Thug &amp;amp; Young Stoner Life Records — Slime Language (2018)&#xA;Ariana Grande — Sweetener (2018)August 19N/AAugust 18N/AAugust 17N/AAugust 16N/AAugust 15Jay Americana — &amp;quot;Burner Phones&amp;quot; (2018)&#xA;8tm — &amp;quot;711&amp;quot; (2018)&#xA;Flavia Abadía — &amp;quot;Trumpets&amp;quot; (2018)&#xA;Brooke Aulani — &amp;quot;Out Loud&amp;quot; (2018)&#xA;PRISTINE BABE — &amp;quot;Moonlight&amp;quot; (2018)&#xA;Lanna — &amp;quot;Maybe&amp;quot; (2018)&#xA;Emeryld — &amp;quot;Honey Bee&amp;quot; (2018)&#xA;Friday Night Plans — &amp;quot;Happy Birthday&amp;quot; (2018)&#xA;Finis Mundi — EVERYTHING AFTER (2018)&#xA;Assa, Esydia &amp;amp; neo — &amp;quot;don't let me fall&amp;quot; (2018)&#xA;Hailey Orion — Deadly. (2018)&#xA;SOLARSUNS &amp;amp; IOLITE — &amp;quot;Break, Burn, Crash&amp;quot; (2018)&#xA;Kwaku Asante — &amp;quot;The Way That You Move&amp;quot; (2018)&#xA;Corbin Dallas — Water (2018)&#xA;Jack Davey — &amp;quot;Undone&amp;quot; (2018)&#xA;Charlie Burg — Two, Moonlight (2018)August 14N/AAugust 13Tirzah — Devotion (2018)&#xA;Black Grapefruit — All My Relations (2018)&#xA;Stefflon Don (feat. Tiggs Da Author) — &amp;quot;Pretty Girl&amp;quot; (2018)&#xA;Elley Duhé — DRAGON MENTALITY (2018)&#xA;Elle King — &amp;quot;Shame&amp;quot; (2018)&#xA;Daniella Mason — &amp;quot;Human&amp;quot; (2018)&#xA;Red Velvet — Summer Magic - Summer Mini Album (2018)&#xA;Kiesza — &amp;quot;Phantom of the Dance Floor&amp;quot; (2018)&#xA;Wafia — &amp;quot;I'm Good&amp;quot; (2018)&#xA;Jessie Reyez — &amp;quot;Sola&amp;quot; (2018)&#xA;Ro James — &amp;quot;Excuse Me&amp;quot; (2018)&#xA;Lola Kirke — Heart Head West (2018)August 12A$AP Rocky &amp;amp; Tyler, The Creator — &amp;quot;POTATO SALAD&amp;quot; (2018)&#xA;FatBran — FatBranuary (2018)&#xA;Bandhunta Izzy — Code Blue (2018)&#xA;Mitski — &amp;quot;Two Slow Dancers&amp;quot; (2018)&#xA;Cassadee Pope — &amp;quot;One More Red Light&amp;quot; (2018)&#xA;Ciara (feat. Tekno) — &amp;quot;Freak Me&amp;quot; (2018)&#xA;Skye &amp;amp; Chris Brown — &amp;quot;Fairytale&amp;quot; (2018)&#xA;Childish Major — &amp;quot;Know Something&amp;quot; (2018)&#xA;R.LUM.R — &amp;quot;I Need to Know&amp;quot; (2018)&#xA;R.LUM.R — &amp;quot;Right Here&amp;quot; (2018)&#xA;Nina Nesbitt — &amp;quot;Loyal to You&amp;quot; (2018)&#xA;Lauren Daigle — &amp;quot;Still Rolling Stones&amp;quot; (2018)&#xA;Nicki Minaj — Queen (2018)August 11Quavo — &amp;quot;W O R K I N M E&amp;quot; (2018)&#xA;Quavo — &amp;quot;B U B B L E G U M&amp;quot; (2018)&#xA;Quavo — &amp;quot;L A M B T A L K&amp;quot; (2018)&#xA;Kirsten Collins — &amp;quot;Sugar Pop Cocaine&amp;quot; (2018)August 10IceBirds — ICEBIRDS PROJECT (2018)August 9Young Nudy — &amp;quot;Crack&amp;quot; (2016)&#xA;Kaycee Shakur — &amp;quot;Think of Something&amp;quot; (2018)&#xA;Ryahn — &amp;quot;Studio&amp;quot; (2018)&#xA;Lotushalves — &amp;quot;Raincheck&amp;quot; (2018)&#xA;The Empress — &amp;quot;Pray on It&amp;quot; (2018)&#xA;Parables of Neptune — Parables of Neptune (2018)&#xA;Tola — &amp;quot;Next to Me&amp;quot; (2018)&#xA;Karun (feat. Blinky Bill) — &amp;quot;Make Believe&amp;quot; (2018)&#xA;JoJo Nichols (feat. Regina Skeeters) — &amp;quot;Love on Repeat&amp;quot; (2018)&#xA;KingJet — &amp;quot;Lifeguard&amp;quot; (2018)&#xA;Abel — &amp;quot;Known&amp;quot; (2018)&#xA;Eli Preiss — &amp;quot;I Want You to Know&amp;quot; (2018)&#xA;Pink Sweat$ — &amp;quot;Honesty&amp;quot; (2018)&#xA;Jesse Fischer — Flipped II (2018)&#xA;Ama Lou — DDD (2018)&#xA;Shenna — &amp;quot;Conversation&amp;quot; (2018)&#xA;marcella — Chapter Two (2018)&#xA;REY — &amp;quot;Bet&amp;quot; (2018)&#xA;Lili K — &amp;quot;Best Friend&amp;quot; (2018)&#xA;Dee Mad — &amp;quot;Along with You&amp;quot; (2018)&#xA;199V — &amp;quot;187 Love&amp;quot; (2018)August 8Jacquees — 4275 (2018)&#xA;Ella Mai — &amp;quot;Trip&amp;quot; (2018)&#xA;K'ron (feat. Ty Dolla $ign) — &amp;quot;No BFs&amp;quot; (2018)&#xA;Buddy — Harlan &amp;amp; Alondra (2018)&#xA;PnB Rock — &amp;quot;ABCD (Friend Zone)&amp;quot; (2018)&#xA;Diana Gordon — Pure (2018)&#xA;The Midnight — &amp;quot;America 2&amp;quot; (2018)&#xA;DJ Holiday (feat. Quavo &amp;amp; 21 Savage) — &amp;quot;2 Seater&amp;quot; (2018)&#xA;Pi'erre Bourne — &amp;quot;Marie Curie&amp;quot; (2018)&#xA;Riley Clemmons — Riley Clemmons (2018)&#xA;CHVRCHES (feat. WEDNESDAY CAMPANELLA) — &amp;quot;Out of My Head&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;Freaking Out&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;Summer Days&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;What She Wants&amp;quot; (2018)&#xA;Kid Ink — &amp;quot;Big Deal&amp;quot; (2018)&#xA;Baka Not Nice — 4Milli (2018)August 7Young Nudy — SlimeBall 3 (2018)&#xA;Tamia — &amp;quot;Deeper&amp;quot; (2018)&#xA;Amanda Shires — To the Sunset (2018)&#xA;Danielle Bradbery &amp;amp; Thomas Rhett — &amp;quot;Goodbye Summer&amp;quot; (2018)&#xA;Silk City, GoldLink &amp;amp; Desiigner — &amp;quot;Loud&amp;quot; (2018)&#xA;H.E.R. — I Used to Know Her: The Prelude (2018)&#xA;J. Cole — &amp;quot;Album of the Year (Freestyle)&amp;quot; (2018)&#xA;Mac Miller — Swimming (2018)&#xA;Bazzi (feat. Camila Cabello) — &amp;quot;Beautiful&amp;quot; (2018)&#xA;Robyn — &amp;quot;Missing U&amp;quot; (2018)&#xA;YG — STAY DANGEROUS (2018)&#xA;Travis Scott — ASTROWORLD (2018)August 6N/AAugust 5Souls of Mischief — 93 'til Infinity (1993)&#xA;The Pharcyde — Bizarre Ride II the Pharcyde (1992)&#xA;Brandy — Brandy (1994)&#xA;OJ da Juiceman — The Otha Side of the Trap... (2009)&#xA;Maisie Peters — &amp;quot;Best I'll Ever Sing&amp;quot; (2018)&#xA;Maisie Peters — &amp;quot;Worst of You&amp;quot; (2018)&#xA;Polo Boy Shawty — Fast Lane (2018)&#xA;Ciara — Basic Instinct (2010)August 4Ne-Yo — Because of You (2007)&#xA;Joe — And Then... (2003)&#xA;Avalon Young — &amp;quot;Sweet Talk&amp;quot; (2018)&#xA;Shaqdi — Colorless (2018)&#xA;Akinyemi &amp;amp; Birocratic — &amp;quot;Time&amp;quot; (2018)&#xA;Ryan Brinnand — &amp;quot;Think of Me&amp;quot; (2018)&#xA;Teon Gibbs — These Are the Times. (2018)&#xA;Cyrax (feat. $ilkMoney) — &amp;quot;Tank&amp;quot; (2018)&#xA;Latasha — &amp;quot;Sumpn&amp;quot; (2018)&#xA;Ily Pineapple — &amp;quot;Spark the Blunt&amp;quot; (2018)&#xA;Majest Nové — &amp;quot;Southern Girl&amp;quot; (2018)&#xA;ayeeii &amp;amp; mikey 2x — &amp;quot;Never Thought&amp;quot; (2018)August 3Deezie Brown — Judith (2018)&#xA;Jaylon Ashaun — &amp;quot;I Got You&amp;quot; (2018)&#xA;B0nds &amp;amp; Fushou. — High Noon (2018)&#xA;80purppp — &amp;quot;Hex&amp;quot; (2018)&#xA;Tass Nasta — &amp;quot;Her&amp;quot; (2018)&#xA;$ly — &amp;quot;Guaponese&amp;quot; (2018)&#xA;Charlie Threads — &amp;quot;Forever and a Day&amp;quot; (2018)&#xA;DWN2EARTH — DWN2EARTH (2018)&#xA;Cakes da Killa &amp;amp; Proper Villains — &amp;quot;Don't Make Cents&amp;quot; (2018)&#xA;Elton — &amp;quot;Callin'&amp;quot; (2018)&#xA;BbyMutha &amp;amp; $hoey — BbyShoe (2018)&#xA;Rawso — &amp;quot;Afraid&amp;quot; (2018)&#xA;Jean Castel — &amp;quot;What Happened to Us&amp;quot; (2018)&#xA;Keelan Mak — &amp;quot;Weigh You Down&amp;quot; (2018)&#xA;ZenAware (feat. Evergreen) — &amp;quot;Ur Cute&amp;quot; (2018)&#xA;Aaron Childs — &amp;quot;No Hobbies&amp;quot; (2018)&#xA;Aaron Childs — &amp;quot;Tangerine&amp;quot; (2018)&#xA;Mikos Da Gawd — &amp;quot;Start Things New&amp;quot; (2018)&#xA;Kylo — &amp;quot;Sometimes&amp;quot; (2018)&#xA;Jamie Lane — &amp;quot;Sink&amp;quot; (2018)&#xA;Small Hours — &amp;quot;Shoe Box&amp;quot; (2018)&#xA;Lhuma — &amp;quot;RUN&amp;quot; (2018)&#xA;Jacob Steele — &amp;quot;Move Like Me&amp;quot; (2018)&#xA;KUNZITE — &amp;quot;MONKS&amp;quot; (2018)&#xA;Trevor Daniel — &amp;quot;Mirror&amp;quot; (2018)&#xA;Aleks Grey — &amp;quot;Let Go&amp;quot; (2018)&#xA;Dena — &amp;quot;Imaginary Friends&amp;quot; (2018)&#xA;GOLDSPACE (feat. Saint Laurant) — &amp;quot;Heavy Hitter&amp;quot; (2018)&#xA;rn — &amp;quot;Hard Hearts&amp;quot; (2018)August 2Kiiara — &amp;quot;Messy&amp;quot; (2018)&#xA;Dierks Bentley — &amp;quot;You Can't Bring Me Down&amp;quot; (2018)&#xA;Bryce Vine (feat. Wale) — &amp;quot;Drew Barrymore&amp;quot; (2018)&#xA;Jade Novah — All Blue (2018)&#xA;Frvrfriday — &amp;quot;Heaven Margiela&amp;quot; (2018)&#xA;JIL — &amp;quot;Virgin Atlantic&amp;quot; (2018)&#xA;Luhcream — Cream of the Crop (2018)&#xA;Rich Forever Music — Rich Forever 3 (2018)&#xA;Jade Bird — &amp;quot;Uh Huh&amp;quot; (2018)&#xA;Catherine McGrath — Talk of This Town (2018)&#xA;Jarren Benton — Yuck Fou (2018)&#xA;Queen Naija — Queen Naija (2018)&#xA;Derek Minor — &amp;quot;Revolution&amp;quot; (2018)&#xA;Tenille Townes — &amp;quot;Somebody's Daughter&amp;quot; (2018)&#xA;Channel Tres — Channel Tres (2018)&#xA;Raiche — &amp;quot;Money Trees&amp;quot; (2018)August 1The Coup — Sorry to Bother You: The Soundtrack (2018)JulyJuly 31Charli XCX — &amp;quot;Girls Night Out&amp;quot; (2018)&#xA;AGNEZ MO (feat. Chris Brown) — &amp;quot;Overdose&amp;quot; (2018)&#xA;Elley Duhé — &amp;quot;WAY DOWN LOW&amp;quot; (2018)July 30VanJess — Silk Canvas (2018)&#xA;Maggie Rogers — &amp;quot;Give a Little&amp;quot; (2018)&#xA;Mac Miller — &amp;quot;What's the Use?&amp;quot; (2018)&#xA;Tyga — &amp;quot;SWISH&amp;quot; (2018)&#xA;BROCKHAMPTON — &amp;quot;1997 DIANA&amp;quot; (2018)&#xA;Denzel Curry — TA13OO (2018)&#xA;The Chainsmokers (feat. Emily Warren) — &amp;quot;Side Effects&amp;quot; (2018)&#xA;Davie Guetta (feat. Anne-Marie) — &amp;quot;Don't Leave Me Alone&amp;quot; (2018)&#xA;ARTY — &amp;quot;Tim&amp;quot; (2018)&#xA;YG (feat. A$AP Rocky) — &amp;quot;HANDGUN&amp;quot; (2018)&#xA;DJ Khaled, Justin Bieber &amp;amp; Quavo (feat. Chance The Rapper) — &amp;quot;No Brainer&amp;quot; (2018)July 29N/AJuly 28Still Woozy (feat. ODIE) — &amp;quot;Lucy&amp;quot; (2018)&#xA;BLVK JVCK (feat. Jessie Reyez) — &amp;quot;Love Me Still&amp;quot; (2018)&#xA;NVDES — &amp;quot;Louì&amp;quot; (2018)&#xA;Matoma (feat. MAX) — &amp;quot;Lonely&amp;quot; (2018)&#xA;Vené &amp;amp; ATL Smook — &amp;quot;Mood&amp;quot; (2017)July 27Childish Gambino — Summer Pack (2018)&#xA;Chelsea Jade — Personal Best (2018)&#xA;Lost Kings (feat. Tove Styrke) — &amp;quot;Stuck&amp;quot; (2018)&#xA;PnB Rock — &amp;quot;Nowadays&amp;quot; (2018)&#xA;GOLDN — once upon a star, Pt. 1 (2018)&#xA;Riley Clemmons — &amp;quot;Hold On&amp;quot; (2018)&#xA;St. Lucia — &amp;quot;Walking Away&amp;quot; (2018)&#xA;The New Respects — &amp;quot;Before the Sun Goes Down&amp;quot; (2018)&#xA;Jessie Reyez — &amp;quot;Apple Juice&amp;quot; (2018)July 26Young Nudy — &amp;quot;Sherbert&amp;quot; (2018)&#xA;070 Shake — &amp;quot;Accusations&amp;quot; (2018)&#xA;Ciara — &amp;quot;Level Up&amp;quot; (2018)&#xA;The 1975 — &amp;quot;Love It If We Made It&amp;quot; (2018)&#xA;DRAM — That's a Girl's Name (2018)&#xA;RaeLynn — &amp;quot;Tailgate&amp;quot; (2018)&#xA;88rising — Head in the Clouds (2018)&#xA;Becky G (feat. French Montana &amp;amp; Farruko) — &amp;quot;Zooted&amp;quot; (2018)&#xA;Billie Eilish �� &amp;quot;you should see me in a crown&amp;quot; (2018)July 25Daye Jack — &amp;quot;Heart Shaped Culdesac&amp;quot; (2018)&#xA;The New Respects — &amp;quot;We Ain't Goin' Nowhere&amp;quot; (2018)&#xA;TK Kravitz — 2.0 (2018)&#xA;Nora Van Elken — &amp;quot;I Told You&amp;quot; (2018)&#xA;Ashe — The Rabbit Hole (2018)&#xA;Daya — &amp;quot;Safe&amp;quot; (2018)&#xA;Charlotte Lawrence — Young (2018)&#xA;Buddy (feat. Ty Dolla $ign) — &amp;quot;Hey Up There&amp;quot; (2018)&#xA;Lil Skies — &amp;quot;World Rage&amp;quot; (2018)&#xA;Yazmin Lacey — When the Sun Dips 90 Degrees (2018)&#xA;Riley Clemmons — &amp;quot;Broke&amp;quot; (2018)&#xA;Priscilla Renea — Coloured (2018)July 24Vacationer — Mindset (2018)&#xA;R. Kelly — &amp;quot;I Admit&amp;quot; (2018)&#xA;Demi Lovato — &amp;quot;Sober&amp;quot; (2018)&#xA;Redman — &amp;quot;I Love Hip Hop&amp;quot; (2018)&#xA;Freddie Gibbs — Freddie (2018)&#xA;Lecrae &amp;amp; Zaytoven — Let the Trap Say Amen (2018)&#xA;Koryn Hawthorne — &amp;quot;Unstoppable&amp;quot; (2018)&#xA;Meghan Trainor — &amp;quot;ALL THE WAYS&amp;quot; (2018)&#xA;PRETTYMUCH — &amp;quot;Summer on You&amp;quot; (2018)July 23Nao — &amp;quot;Another Lifetime&amp;quot; (2018)&#xA;A Boogie Wit da Hoodie — International Artist (2018)&#xA;Rick Ross (feat. Future) — &amp;quot;Green Gucci Suit&amp;quot; (2018)&#xA;6LACK — &amp;quot;Switch&amp;quot; (2018)&#xA;Trippie Redd — &amp;quot;How You Feel&amp;quot; (2018)&#xA;Trippie Redd — &amp;quot;Me Likey&amp;quot; (2018)&#xA;Ariana Grande (feat. Nicki Minaj) — &amp;quot;the light is coming&amp;quot; (2018)&#xA;Teyana Taylor — K.T.S.E. (2018)&#xA;Jaden Smith — &amp;quot;Ghost&amp;quot; (2018)&#xA;Bebe Rexha — Expectations (2018)&#xA;Dan + Shay — Dan + Shay (2018)&#xA;Panic! At the Disco — Pray for the Wicked (2018)July 22N/AJuly 21N/AJuly 20MadeinTYO &amp;amp; MyNamePhin — I Bet U Get This All the Time (2018)&#xA;Hoodrich Pablo Juan &amp;amp; Danny Wolf — HoodWolf 2 (2018)&#xA;Rockstar Marqo — So Icey Marqo (2018)July 19The Internet — Hive Mind (2018)&#xA;RIMON — &amp;quot;Nighttime&amp;quot; (2018)&#xA;RIMON — &amp;quot;Grace&amp;quot; (2018)&#xA;Louis III — &amp;quot;Goosebumps&amp;quot; (2018)&#xA;Wolfskind &amp;amp; Yann Lauren (feat. Moli) — &amp;quot;Give It Up&amp;quot; (2018)&#xA;MOONOVERSUN — &amp;quot;GIRLS/BOYS&amp;quot; (2018)&#xA;Hamond — &amp;quot;Copacabana&amp;quot; (2018)&#xA;Catila — &amp;quot;Call Me&amp;quot; (2018)&#xA;Kiera Please — &amp;quot;Bloom&amp;quot; (2018)&#xA;Jodnyl — &amp;quot;Blood&amp;quot; (2018)&#xA;Ruben Pol — &amp;quot;Bed Sheets&amp;quot; (2018)&#xA;JORDY — &amp;quot;Be with Me&amp;quot; (2018)&#xA;Meghan Waterman — 3AM Conversations (2018)&#xA;Madison Cunningham — &amp;quot;So Long, Frank Lloyd Wright&amp;quot; (2018)&#xA;Madison Cunningham — &amp;quot;Beauty into Clichés&amp;quot; (2018)&#xA;The Score — &amp;quot;Glory&amp;quot; (2018)&#xA;lovelytheband — &amp;quot;emotion&amp;quot; (2018)&#xA;lovelytheband — &amp;quot;alone time&amp;quot; (2018)&#xA;88rising (feat. NIKI) — &amp;quot;Warpaint&amp;quot; (2018)&#xA;Shy Glizzy — &amp;quot;Free 3&amp;quot; (2018)&#xA;Casanova — COMMISSARY (2018)July 18Alessia Cara — &amp;quot;A Little More&amp;quot; (2018)&#xA;Alessia Cara — &amp;quot;Growing Pains&amp;quot; (2018)&#xA;Tyler, The Creator — &amp;quot;BRONCO&amp;quot; (2018)&#xA;Aaron Cole — &amp;quot;Off My Back&amp;quot; (2018)&#xA;The Interrupters — Fight the Good Fight (2018)&#xA;cleopatrick — &amp;quot;youth&amp;quot; (2018)&#xA;Mitski — &amp;quot;Nobody&amp;quot; (2018)&#xA;Yung Bans — Yung Bans Vol. 5 (2018)&#xA;Wiz Khalifa (feat. Problem) — &amp;quot;Gin and Drugs&amp;quot; (2018)&#xA;Charli XCX — &amp;quot;No Angel&amp;quot; (2018)&#xA;Charli XCX — &amp;quot;Focus&amp;quot; (2018)&#xA;A$AP Ferg — &amp;quot;Verified&amp;quot; (2018)&#xA;Axwell /\ Ingrosso (feat. RØMANS) — &amp;quot;Dancing Alone&amp;quot; (2018)&#xA;Gorillaz — The Now Now (2018)July 17Florence + The Machine — High as Hope (2018)&#xA;Shea Diamond — Seen It All (2018)&#xA;A$AP Ferg — &amp;quot;Not the Boy&amp;quot; (2018)&#xA;Mozzy — &amp;quot;Pure in the Pack&amp;quot; (2018)&#xA;Trae Tha Truth — 48 Hours Later (2018)&#xA;Let's Eat Grandma — I'm All Ears (2018)&#xA;AWWZ (feat. Yaw Mini &amp;amp; F. Dowell) — &amp;quot;Visa&amp;quot; (2018)&#xA;YK Osiris — &amp;quot;Timing&amp;quot; (2018)&#xA;Jay Park (feat. GASHI &amp;amp; Rich The Kid) — &amp;quot;FSU&amp;quot; (2018)&#xA;teddy&amp;lt;3 — &amp;quot;I Was in a Cult&amp;quot; (2018)&#xA;Caly Bevier — &amp;quot;Head Held High&amp;quot; (2018)&#xA;Dave East &amp;amp; Rick Ross — &amp;quot;Fresh Prince of Belaire&amp;quot; (2018)&#xA;Skooly (feat. Lil Xan) — &amp;quot;Crazy Shit&amp;quot; (2018)July 16Chris Lane — &amp;quot;Hero&amp;quot; (2018)&#xA;Why Don't We — &amp;quot;Hooked&amp;quot; (2018)&#xA;Why Don't We — &amp;quot;Talk&amp;quot; (2018)&#xA;Lil Pump — &amp;quot;Drug Addicts&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;Freaking Out&amp;quot; (2018)&#xA;A R I Z O N A — &amp;quot;Summer Days&amp;quot; (2018)&#xA;Lil Yachty (feat. Cardi B &amp;amp; Offset) — &amp;quot;Who Want the Smoke?&amp;quot; (2018)&#xA;Justin Timberlake — &amp;quot;SoulMate&amp;quot; (2018)&#xA;Future &amp;amp; Zaytoven — BEASTMODE 2 (2018)&#xA;Meek Mill — Legends of the Summer (2018)&#xA;Goonew — BIG64 (2018)July 15Childish Gambino — &amp;quot;Awaken, My Love!&amp;quot; (2016)&#xA;Shoreline Mafia — ShorelineDoThatShit (2018)&#xA;Juice WRLD — JuiceWRLD 9 9 9 (2017)&#xA;Diego Money — Welcome to IceLand (2015)&#xA;The Carters — EVERYTHING IS LOVE (2018)&#xA;Nas — NASIR (2018)&#xA;Drake — Scorpion (2018)July 14N/AJuly 13N/AJuly 12rum.gold — &amp;quot;Where There’s Smoke&amp;quot; (2018)&#xA;Hamzaa — &amp;quot;Stranded Love&amp;quot; (2018)&#xA;Lexus — &amp;quot;Sounds Good&amp;quot; (2018)&#xA;MADANII — &amp;quot;Rosemvry&amp;quot; (2018)&#xA;Lndfk — &amp;quot;LOVE BOMBING” (2018)&#xA;Gian Camp — LOST IN TRANSLATION (2018)&#xA;Taylor Eve (feat. OYABUN) — &amp;quot;Like You&amp;quot; (2018)&#xA;yuzu blur — &amp;quot;Home Soon&amp;quot; (2018)&#xA;Kwaku — &amp;quot;Fake&amp;quot; (2018)&#xA;Aysha Monet — Don’t Forget (2018)&#xA;Charles Freeman — ANODYNE (2018)&#xA;Daz Rinko (feat. Rahel) — &amp;quot;Sweetie&amp;quot; (2018)&#xA;Daz Rinko — &amp;quot;Vanilla Ice&amp;quot; (2018)&#xA;HolyGxd — &amp;quot;Ugly&amp;quot; (2018)&#xA;Rey King — &amp;quot;Tijuana&amp;quot; (2018)&#xA;Nosninja — Riverside Beat Tape (2018)&#xA;Yutes — &amp;quot;Push&amp;quot; (2018)&#xA;BinoBossBricks &amp;amp; Scooter on the Beat — &amp;quot;Poppin Tags&amp;quot; (2018)&#xA;Marceon Jacobs — &amp;quot;No Losses&amp;quot; (2018)&#xA;Ben James — &amp;quot;Like Me&amp;quot; (2018)&#xA;2u4u — &amp;quot;Gurl&amp;quot; (2018)&#xA;KING JAE — &amp;quot;DRAMA&amp;quot; (2018)&#xA;Serious Klein — &amp;quot;Coochie Money&amp;quot; (2018)&#xA;The Real Ice — &amp;quot;BAG for MY BAG&amp;quot; (2018)&#xA;Aja9 — &amp;quot;Treat Yo’Self&amp;quot; (2018)&#xA;NOAAON — &amp;quot;Summer Clearance&amp;quot; (2018)&#xA;Yaffle (feat. Linying) — &amp;quot;Summer&amp;quot; (2018)&#xA;JT Soul — &amp;quot;LOUD&amp;quot; (2018)July 11All That Glitters (feat. Chaz Mason) — &amp;quot;I’ll Wait for You&amp;quot; (2018)&#xA;Elephant Heart — &amp;quot;HIYA&amp;quot; (2018)&#xA;CHAMPANE (feat. CATALI) — &amp;quot;Down Low&amp;quot; (2018)&#xA;Natalie — Shameful (2018)&#xA;Ukweli (feat. Karun) — &amp;quot;Roses&amp;quot; (2018)&#xA;Ash (feat. starRo) — &amp;quot;Lover Friend&amp;quot; (2018)&#xA;Mina &amp;amp; Kit Moro — Goodbye (2018)&#xA;ChrisLee — &amp;quot;Found Her&amp;quot; (2018)&#xA;Jae.T — &amp;quot;Yo Body&amp;quot; (2018)&#xA;Emilia Anastazja — &amp;quot;Under My Skin&amp;quot; (2018)&#xA;GREGarious (feat. Akacia) — &amp;quot;Sticks &amp;amp; Stones&amp;quot; (2018)&#xA;Lottie Jade — &amp;quot;South Side&amp;quot; (2018)&#xA;Nizzy (feat. Pvpi Strz) — &amp;quot;Rice n Peas&amp;quot; (2018)&#xA;SqueakPIVOT (feat. Xone White) — &amp;quot;Perfect for U&amp;quot; (2018)&#xA;Black Grapefruit — &amp;quot;Mind&amp;quot; (2018)&#xA;Mei Mei — &amp;quot;Livin in the Truth&amp;quot; (2018)&#xA;HALP (feat. Anthony Russo) — &amp;quot;Hurt Myself&amp;quot; (2018)&#xA;Frex — &amp;quot;History&amp;quot; (2018)&#xA;Kean Farrar — &amp;quot;Heartthrob&amp;quot; (2018)&#xA;Parisalexa — Flexa (2018)&#xA;Forrest. — &amp;quot;Your Soul&amp;quot; (2018)&#xA;Shane Reis &amp;amp; God.Damn.Chan — VEIB (2018)&#xA;Zac Ace — Testing Ground. (2018)July 10Latrell James — &amp;quot;Okay&amp;quot; (2018)&#xA;Vonathan — &amp;quot;Mac Attack&amp;quot; (2018)&#xA;FEYI — &amp;quot;F@%&amp;amp; WITH A DIME&amp;quot; (2018)&#xA;A-Reece, Ecco &amp;amp; Wordz — &amp;quot;Better Luck Next Time&amp;quot; (2018)&#xA;Kevoe West — &amp;quot;Stoner&amp;quot; (2018)&#xA;Patches (feat. Namesake.) — &amp;quot;show goes on&amp;quot; (2018)&#xA;ZER0 — &amp;quot;Orphus&amp;quot; (2018)&#xA;Clyde Guevara — &amp;quot;Higher Vibration&amp;quot; (2018)&#xA;Svlm — &amp;quot;Day Dreaming&amp;quot; (2018)&#xA;emoniFela — Day Camp for Dreamers (2018)&#xA;happytree &amp;amp; late late — CANVAS (2018)&#xA;frumhere — are you lost? (2018)&#xA;Renzo — 2359 (2018)July 9Whinnie Williams — “Violet” (2018)&#xA;John Conception — “So Bad” (2018)&#xA;yù yī (feat. Ellen) — “Peaches” (2018)&#xA;TS Graye — “MY2” (2018)&#xA;Rushes — &amp;quot;Wave” (2018)&#xA;s7erre (feat. Elysa) — “So Bad” (2018)&#xA;Haula — “Trouble” (2018)July 8Diego Money &amp;amp; StoopidXoolin — Stoopid Ice Volume One (2016)July 7Chance Peña — “Sun Goes Down” (2018)&#xA;Holow (feat. Lucile) — “Spotlight” (2018)&#xA;Ivy Rei — “Say It to My Face” (2018)&#xA;Miriam — “Off That Thing” (2018)&#xA;DJ Young &amp;amp; Krista — “Nvm (Never Mine)” (2018)&#xA;BAYLA — “Monster” (2018)&#xA;Arthur Wimble — “Miss You” (2018)&#xA;ICELANDIA — “Miracle Caught on Camera” (2018)&#xA;Amber Simone — “Loving You” (2018)&#xA;BLANKSY — “Love Won’t Save Me” (2018)&#xA;CC Clarke — “A Little More” (2018)&#xA;Spectrum &amp;amp; Ria Choony — “Home” (2018)&#xA;Korky Buchek (feat. Kymie) — “Higher” (2018)&#xA;Dominique Tey — “Heartstream” (2018)&#xA;A$AP Rocky (feat. Moby) — “A$AP Forever” (2018)&#xA;Juice WRLD — Too Soon.. (2018)&#xA;Bruno Mars — It’s Better If You Don’t Understand (2010)July 6Diego Money &amp;amp; MexikoDro — Plug Money (2015)&#xA;Louis Bordeaux — “Do What I Do” (2018)&#xA;DeathbyRomy — “DeathWish” (2018)&#xA;Vera Hotsauce — “Bottoms Up” (2018)&#xA;MĀX — “Wrong Guy” (2018)&#xA;James Blake (feat. MistaDC) — “Vegas Girl” (2018)&#xA;David Hopperman (feat. Wes Writer) — “Don’t Stop” (2018)&#xA;Lodola — “Cover It Up” (2018)&#xA;Lava La Rue — “Widdit” (2018)&#xA;A. Rell — “What If I Did It” (2018)&#xA;Pediko — “Ticket to Go” (2018)&#xA;PatricKxxLee — “So &amp;amp; So” (2018)&#xA;Caliray1k —&amp;quot; Run Up the Band” (2018)&#xA;Myke Bogan (feat. Khary) — “Pickathon” (2018)&#xA;Ozadya — Oz Life (2018)July 5YBN Cordae — “Old Niggas” (2018)&#xA;Shwiggy (feat. 198o8) — “Might Troll” (2018)&#xA;Hella Sketchy — “Losing Control” (2018)&#xA;10cellphones (feat. Swoop) — “Kicking Doors” (2018)&#xA;ppgcasper (feat. Eera) — “Headache” (2018)&#xA;Dontae (feat. Cal) — “Flipmode” (2018)&#xA;Caine Casket — “Domino” (2018)&#xA;Felixx — “Diddy” (2018)&#xA;CloutBoi TJ — CloutBoi! (2018)July 4N/AJuly 3Macca Wiles — “AWOL” (2018)&#xA;Tommy Savo — “2 ROCKS” (2018)&#xA;Frex — “y u gotta” (2018)&#xA;Laura Roy — “Temporary” (2018)&#xA;Ego Ella May — “Table for One” (2018)&#xA;Linae — “Sweet Sweat” (2018)&#xA;Ebz the Artist — “Say It” (2018)&#xA;Choc — “Same” (2018)&#xA;loftii — leaving us (2018)&#xA;Ricks Art — “Kiss N Tell” (2018)&#xA;Levine Lale — “Keep Up” (2018)&#xA;Melo-Zed — Eleven (2018)&#xA;Blossom &amp;amp; Ripley Snell (feat. Neill Von Tally) — “casting couch” (2018)&#xA;Love — “Black Coffee” (2018)&#xA;Love — “3” (2018)&#xA;Paige Bea — “Your Echo” (2018)&#xA;Brad O’Neill — “Unexpected” (2018)&#xA;Deflo &amp;amp; Lliam Taylor (feat. Awa) — “Spotlight” (2018)July 2Delaney Kai &amp;amp; Kyoto Black — “Sounds” (2018)&#xA;Taylor Reed — “Say You Won’t” (2018)&#xA;Camille Trust — “Move On” (2018)&#xA;Liv Keegan — “Just My Type” (2018)&#xA;Natasha Fisher — “If I Could I Would” (2018)&#xA;iiola — “don’t shut me up” (2018)&#xA;JONNA — “Black Tears” (2018)&#xA;TARI (feat. Lani Rose) — “Best for You” (2018)&#xA;Nodfather — “Thoughts” (2018)&#xA;Brett — “Therapy” (2018)&#xA;Ra’Shaun — “She Told Me” (2018)&#xA;S7EAZE — “Don’t Test Me” (2018)&#xA;M.R — “Calling” (2018)&#xA;Xander — “Better or Worse” (2018)&#xA;Ric Wilson — BANBA (2018)&#xA;Adamn Killa — Adamn Everlasting (In Loving Memory of Jalen) (2018)&#xA;GNGR — “Without You” (2018)&#xA;Star Martin — “Walls” (2018)&#xA;Trevor Daniel — “Wake Up” (2018)&#xA;BR3 (feat. Jacquees) — “Used to This” (2018)&#xA;p-rallel (feat. Yiigaa &amp;amp; Finn Foxell) — “Signs” (2018)&#xA;gny — Present (2018)&#xA;Sameik Moore — “Bounce” (2018)&#xA;Adreyn Cash — “Angel’s Lie” (2018)&#xA;Parker Louis — All Good Things, Pt. One (2018)&#xA;Tru — “Young &amp;amp; Reckless” (2018)&#xA;Bae Louie — “Wonderful” (2018)&#xA;Rokusho (feat. Inga &amp;amp; Stille) — “Wishing for You” (2018)&#xA;bêlla — “sorry if u misunderstood” (2018)&#xA;SVĒ — “Njne1 (Not Just Anyone)” (2018)&#xA;Shaeane — “Bag of Bones” (2018)&#xA;Shaeane — “Joker” (2018)&#xA;Olloway — “August” (2018)&#xA;Light Gun Fire (feat. Marta Carvallo) — “All on You” (2018)&#xA;Ruuth — “All About” (2018)&#xA;Lil Candy Paint — “Sleep at Night” (2018)&#xA;Lord Narf (feat. Meltycanon) — “Rent” (2018)&#xA;Luxe — “Nothing to Me” (2018)&#xA;Vuyo — “Lord Knows” (2018)July 1Student 1 — Drag (2018)&#xA;brakence — hypnagogia (2018)&#xA;Loski — “I Been” (2018)JuneJune 30Cashwaveyboiz — waves (2018)&#xA;Sudan Archives — &amp;quot;Nont for Sale&amp;quot; (2018)&#xA;NDAI — &amp;quot;Nobody's Ting&amp;quot; (2018)&#xA;Allen Ritter — &amp;quot;Never Leave&amp;quot; (2018)&#xA;Diamonique Jackson — &amp;quot;Give Me a Sign&amp;quot; (2018)&#xA;HMLT (feat. TiKA) — &amp;quot;Gary&amp;quot; (2018)&#xA;Notifi — &amp;quot;Dramamine&amp;quot; (2018)&#xA;IVYxM — &amp;quot;But You&amp;quot; (2018)&#xA;Mogillah (feat. Georgia Anne Muldrow &amp;amp; Flote) — &amp;quot;Birds Eye's View&amp;quot; (2018)&#xA;Lfalfa — &amp;quot;What It Means&amp;quot; (2018)&#xA;Irie Lee — &amp;quot;Van Gogh&amp;quot; (2018)&#xA;Kiki Ireland — &amp;quot;Timid&amp;quot; (2018)&#xA;Manana — &amp;quot;Think About You&amp;quot; (2018)&#xA;Lunadira — &amp;quot;STUCK WITH YOU&amp;quot; (2018)&#xA;LOONY — &amp;quot;A Small Flame&amp;quot; (2018)&#xA;Kaptain Jay — &amp;quot;Skittle&amp;quot; (2018)&#xA;Kaptain Jay — &amp;quot;Night Out&amp;quot; (2018)&#xA;cktrl — SAG Playlist 1 (2018)&#xA;Yakul — &amp;quot;Realigned&amp;quot; (2018)&#xA;Shakale Davis — Note to Self (2018)June 29SAFE — &amp;quot;No Answer&amp;quot; (2018)&#xA;Bobby Earth — &amp;quot;Mood&amp;quot; (2018)&#xA;Tmmrw — &amp;quot;Lowkey&amp;quot; (2018)&#xA;PROMKNGHT — &amp;quot;Like I Do&amp;quot; (2018)&#xA;Asiah — Know Me (2018)&#xA;Hugo Joe &amp;amp; MexikoDro — Hugo Dro (2018)&#xA;Pro Reese — Fresh Off a Break Up (2018)&#xA;PxRRY — &amp;quot;FaLL BacK&amp;quot; (2018)&#xA;Kaycee Shakur — Divination (2018)&#xA;Fallon Favors — Destiny (2018)June 28Diego Money — Diego World (2018)&#xA;Haley Daniels — &amp;quot;Delirious&amp;quot; (2018)&#xA;Rabino — &amp;quot;Crocodile&amp;quot; (2018)&#xA;Easton — &amp;quot;Blue Love&amp;quot; (2018)&#xA;KC.. — Bare, Vol. 1 (2018)&#xA;TeaMarrr — &amp;quot;Bent Hella&amp;quot; (2018)&#xA;Swiss Army — Paris Mountain (2018)June 27N/AJune 26PYRMDPLAZA — The Void (2018)&#xA;Nfromthewave — &amp;quot;Pashun&amp;quot; (2018)&#xA;My Friend Alan — &amp;quot;Falling&amp;quot; (2018)&#xA;MadeByKuya — Universal (2018)&#xA;Jordana — &amp;quot;Body&amp;quot; (2018)&#xA;Jordan Dennis (feat. Blasko) — &amp;quot;Crumbs&amp;quot; (2018)&#xA;falcxne — &amp;quot;Slowly&amp;quot; (2018)&#xA;Dream League Soccer — &amp;quot;So I Broke Her Heart&amp;quot; (2018)&#xA;Coco Reilly — &amp;quot;Define You&amp;quot; (2018)&#xA;Bella Boo — Fire (2018)June 25Pi'erre Bourne — &amp;quot;Planet Namek&amp;quot; (2018)&#xA;Tim Atlas — All Talk! (2018)&#xA;KILLY — Surrender Your Soul (2018)&#xA;Calum Scott — Only Human (2018)June 24B.o.B — The Upside Down (2018)&#xA;Phoelix — TEMPO (2018)June 23N/AJune 22N/AJune 21N/AJune 20Niko Khale — Free Mind Rich Thoughts (2018)&#xA;Smerz — Have fun (2018)&#xA;Jonathan McReynolds — Make Room (2018)&#xA;Lawren — Get Your Change (2018)&#xA;Pouya — FIVE FIVE (2018)&#xA;Nap Eyes — I'm Bad Now (2018)&#xA;Acid Dad — Acid Dad (2018)June 19R.LUM.R — ALTERIMAGE (2018)&#xA;Jimi Hendrix — Both Sides of the Sky (2018)&#xA;Various Artists — A Wrinkle in Time (Original Motion Picture Soundtrack) (2018)&#xA;What So Not — Not All the Beautiful Things (2018)June 18YFN Lucci — Ray Ray from Summerhill (2018)&#xA;Wale — Self Promotion EP (2018)&#xA;The Voidz — &amp;quot;Coul as a Ghoul&amp;quot; (2018)&#xA;Valee (feat. Jeremih) — &amp;quot;Womp Womp&amp;quot; (2018)&#xA;Tee Grizzley — Activated (2018)&#xA;Stalley — &amp;quot;Chains Mr. T&amp;quot; (2018)June 17Sonta — &amp;quot;Ride for You&amp;quot; (2018)&#xA;Sonta — &amp;quot;Wishes&amp;quot; (2018)&#xA;Sonta — &amp;quot;Dream Girl&amp;quot; (2018)&#xA;Sonta — &amp;quot;Lovers N Friends&amp;quot; (2018)June 16Sonta — &amp;quot;Cut It (Remix)&amp;quot; (2018)&#xA;Sonta — &amp;quot;Hopeful&amp;quot; (2015)&#xA;Sonta — &amp;quot;MMMM&amp;quot; (2015)&#xA;Sonta — &amp;quot;Medicine (Remix)&amp;quot; (2018)&#xA;Sonta — &amp;quot;Letter from Sonta&amp;quot; (2018)&#xA;Sonta — &amp;quot;Screwed Up (Boo'd Up Remix)&amp;quot; (2018)&#xA;Sonta — &amp;quot;All I Want Is You (For Christmas)&amp;quot; (2016)&#xA;Sonta — &amp;quot;Hard to Love&amp;quot; (2017)&#xA;Sonta — &amp;quot;How You Gonna Act Like That&amp;quot; (2016)June 15Sonta — In My Feelings (Re-release) (2018)&#xA;Selena Gomez — &amp;quot;Back to You&amp;quot; (2018)&#xA;Sarah Louise — Deeper Woods (2018)&#xA;Sabrina Carpenter &amp;amp; Jonas Blue — &amp;quot;Alien (Acoustic)&amp;quot; (2018)&#xA;Rita Ora (feat. Cardi B, Bebe Rexha &amp;amp; Charli XCX) — &amp;quot;Girls&amp;quot; (2018)June 14Nina Nesbitt — &amp;quot;The Sun Will Come Up, The Seasons Will Change&amp;quot; (2018)&#xA;Marian Hill — Unusual (2018)&#xA;La Luz — Floating Features (2018)&#xA;Joji — &amp;quot;Yeah Right&amp;quot; (2018)June 13Jackie Hill Perry — Crescendo (2018)&#xA;Dierks Bentley — &amp;quot;You Can't Bring Me Down&amp;quot; (2018)&#xA;City Girls — PERIOD (2018)&#xA;Charlie Puth — Voicenotes (2018)&#xA;BJ The Chicago Kid — The Opening Ceremony (2018)&#xA;Beach House — 7 (2018)June 12Marqo 2 Fresh — Live Fast Die Young (2015)&#xA;MPR Tito — Rixh Blxxd (2018)&#xA;Lil Dude — ME (2018)&#xA;Playboi Carti — &amp;quot;Been Ballin&amp;quot; (2017)&#xA;Playboi Carti — &amp;quot;Arm &amp;amp; Leg&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Tragic&amp;quot; (2016)&#xA;Playboi Carti — &amp;quot;They Go Off&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Tank&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Supersonic&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Movin' Different&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Let 'Em In&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Kick&amp;quot; (2018)&#xA;Playboi Carti — &amp;quot;Drop&amp;quot; (2018)&#xA;Playboi Carti &amp;amp; SosaMann — &amp;quot;In the Lobby&amp;quot; (2018)&#xA;Ski Mask The Slump God — Get Dough Presents Ski Mask The Slump God (2018)&#xA;Polo Boy Shawty — On the Track (2017)&#xA;Redd Coldhearted — Coldhearted EP (2017)&#xA;Slim 400 — Foe Reala (2018)&#xA;Yung Mal &amp;amp; Lil Quill — Kids of the 6 (2017)&#xA;Yung Mal &amp;amp; Lil Quill — SOUF6 (2018)June 11Hoodrich Pablo Juan — &amp;quot;MONY Walk&amp;quot; (2018)&#xA;Yung Mal &amp;amp; Lil Quill — Blessed Lil Bastards (2017)&#xA;Rich Forever Music — Rich Forever 2 (2016)&#xA;Rich Forever Music — Rich Forever Music: The Mixtape (2016)&#xA;Rich The Kid — Dabbin Fever (2015)&#xA;Rich The Kid — Flexxin on Purpose (2015)&#xA;Rich The Kid — Keep Flexin (2016)&#xA;Lil B — Platinum Flame (2018)June 10Frvrfriday — WHOISFRIDAY (2018)&#xA;KIDS SEE GHOSTS — KIDS SEE GHOSTS (2018)&#xA;Youngr — &amp;quot;Lost in Translation&amp;quot; (2018)&#xA;YourWelcome Shon — &amp;quot;Summa Hood Laude&amp;quot; (2018)&#xA;SUMR CAMP — &amp;quot;24-7&amp;quot; (2018)&#xA;Tove Lo (feat. Charli XCX, Icona Pop, Elliphant &amp;amp; ALMA) — &amp;quot;bitches&amp;quot; (2018)&#xA;Dagny — &amp;quot;Used to You&amp;quot; (2018)&#xA;NEEDTOBREATHE — &amp;quot;Bullets&amp;quot; (2018)&#xA;Erin Rae — Putting on Airs (2018)&#xA;Snail Mail — Lush (2018)&#xA;Tyler, The Creator — &amp;quot;435&amp;quot; (2018)&#xA;Jeremih &amp;amp; Ty Dolla $ign — &amp;quot;The Light&amp;quot; (2018)&#xA;Chelsea Cutler — Sleeping With Roses (2018)&#xA;Kamiyah (feat. ScHoolboy Q) — &amp;quot;Addicted to Ballin'&amp;quot; (2018)&#xA;DeJ Loaf &amp;amp; Leon Bridges — &amp;quot;Liberated&amp;quot; (2018)&#xA;Rich The Kid — &amp;quot;Bring It Back&amp;quot; (2018)&#xA;Various Artists — SUPERFLY (Original Motion Picture Soundtrack) (2018)&#xA;Tory Lanez &amp;amp; Ozuna — &amp;quot;Pa Mi&amp;quot; (2018)&#xA;Lykke Li — so sad so sexy (2018)&#xA;Little Big Town — &amp;quot;Summer Fever&amp;quot; (2018)&#xA;JZVEL — &amp;quot;Tired Af&amp;quot; (2018)June 9Jorja Smith — Lost &amp;amp; Found (2018)&#xA;Ne-Yo — GOOD MAN (2018)June 8Bali Baby &amp;amp; Rockstar Marqo — Sosa &amp;amp; Tony: The Movie (2018)&#xA;CosaNostra Kidd — Wham (2018)June 7Rich The Kid — Trap Talk (2016)&#xA;André 3000 — Look Ma No Hands (2018)&#xA;Stalone — Uropa (2018)&#xA;Middle Kids — Lost Friends (2018)&#xA;Kirsten Collins — &amp;quot;Rainbows&amp;quot; (2018)&#xA;Kirsten Collins — &amp;quot;BAD&amp;quot; (2018)&#xA;Jade Novah — &amp;quot;Next to You&amp;quot; (2018)&#xA;Dan + Shay — &amp;quot;Alone Together&amp;quot; (2018)&#xA;CASS — &amp;quot;Not for Sale&amp;quot; (2018)&#xA;lil aaron — ROCK$TAR FAMOU$ (2018)&#xA;Cautious Clay — RESONANCE (2018)&#xA;YBN Almighty Jay — &amp;quot;2 Tone Drip&amp;quot; (2018)&#xA;Lil Skies (feat. Yung Pinch) — &amp;quot;I Know You&amp;quot; (2018)June 6Freedom Fry — Classic (2018)&#xA;Future (feat. Yung Bans) — &amp;quot;Bag&amp;quot; (2018)&#xA;Natalie Prass — The Future and the Past (2018)&#xA;Sarah Reeves — &amp;quot;Easy&amp;quot; (2018)&#xA;Rex Orange County &amp;amp; Randy Newman — &amp;quot;You've Got a Friend in Me&amp;quot; (2018)&#xA;Liz Vice — Save Me (2018)&#xA;MNEK (feat. Hailee Steinfeld) — &amp;quot;Colour&amp;quot; (2018)&#xA;Third Party — &amp;quot;Free&amp;quot; (2018)&#xA;Mac Miller — &amp;quot;Programs&amp;quot; (2018)&#xA;A$AP Ferg — &amp;quot;Harlem Anthem&amp;quot; (2018)&#xA;Black Thought — Streams of Thought Vol. 1 (2018)&#xA;Lauv — I met you when I was 18. (the playlist) (2018)&#xA;The 1975 — &amp;quot;Give Yourself a Try&amp;quot; (2018)&#xA;Big Freedia — 3rd Ward Bounce (2018)&#xA;Florida Georgia Line — &amp;quot;Colorado&amp;quot; (2018)&#xA;Florida Georgia Line — &amp;quot;Simple&amp;quot; (2018)June 5Sabrina Carpenter — &amp;quot;Almost Love&amp;quot; (2018)&#xA;Kanye West — ye (2018)&#xA;Jade Bird — &amp;quot;Furious&amp;quot; (2018)&#xA;Meiko — Playing Favorites (2018)&#xA;Jessie J — R.O.S.E. (Empowerment) (2018)&#xA;Riley Clemmons — &amp;quot;Better for It (2018)&#xA;DREAMERS — &amp;quot;SCREWS&amp;quot; (2018)&#xA;NIKI — Zephyr (2018)June 4Parliament — Medicaid Fraud Dogg (2018)&#xA;Zaytoven — Trapholizay (2018)&#xA;Fortunate Ones — Hold Fast (2018)&#xA;Lindsay Ell — The Continuum Project (2018)&#xA;Sudan Archives — Sink (2018)&#xA;NDAI — &amp;quot;Time Heals All Wounds&amp;quot; (2018)&#xA;Maggie Rogers — &amp;quot;Fallingwater&amp;quot; (2018)&#xA;Naji — Act I (2018)June 3Silk — Silk (1995)June 2N/AJune 1Young Nudy (feat. 21 Savage) — &amp;quot;Since When&amp;quot; (2018)&#xA;D.O.D — &amp;quot;Glow&amp;quot; (2018)&#xA;The New Respects — &amp;quot;Freedom&amp;quot; (2018)&#xA;Clairo — diary 001 (2018)&#xA;Jorja Smith — &amp;quot;February 3rd&amp;quot; (2018)&#xA;Juice WRLD — Goodbye &amp;amp; Good Riddance (2018)MayMay 31Pusha T — DAYTONA (2018)&#xA;CHVRCHES — Love Is Dead (2018)&#xA;Shawn Mendes — Shawn Mendes (2018)&#xA;Drake — &amp;quot;I'm Upset&amp;quot; (2018)May 30The Internet — &amp;quot;Roll! (Burbank Funk) (KAYTRANADA Remix)&amp;quot; (2018)&#xA;Blue October — &amp;quot;Colors Collide&amp;quot; (2018)&#xA;nobigdyl. — &amp;quot;twenty eighteen&amp;quot; (2018)&#xA;nobigdyl. — &amp;quot;psycho heart!&amp;quot; (2018)&#xA;Jay Rock — &amp;quot;WIN&amp;quot; (2018)&#xA;Chaos Chaos — Chaos Chaos (2018)&#xA;Temi Omi (feat. Tierra Whack) — &amp;quot;Pull Up on You&amp;quot; (2018)&#xA;Alex Da Kid (feat. H.E.R. &amp;amp; Rapsody) — &amp;quot;Go&amp;quot; (2018)&#xA;KYLE — Light of Mine (2018)&#xA;Christina Aguilera (feat. Demi Lovato) — &amp;quot;Fall in Line&amp;quot; (2018)&#xA;Lil Baby — Harder Than Ever (2018)&#xA;Pharrell Williams &amp;amp; Camila Cabello — &amp;quot;Sangria Wine&amp;quot; (2018)May 29NIKI — &amp;quot;I Like U&amp;quot; (2018)&#xA;NIKI — &amp;quot;See U Never&amp;quot; (2018)&#xA;NIKI — &amp;quot;Chilly&amp;quot; (2018)&#xA;NIKI — &amp;quot;Vintage&amp;quot; (2018)&#xA;ORKID — &amp;quot;So Rude&amp;quot; (2018)&#xA;TOMI — &amp;quot;Coming Around&amp;quot; (2018)&#xA;Natalie Prass — &amp;quot;Lost&amp;quot; (2018)&#xA;Now, Now — &amp;quot;MJ&amp;quot; (2018)&#xA;Jennifer Hudson — &amp;quot;I'll Fight&amp;quot; (2018)&#xA;Ashe — &amp;quot;Choirs&amp;quot; (2018)&#xA;THEY. — &amp;quot;Ain't the Same&amp;quot; (2018)&#xA;Sabrina Carpenter &amp;amp; Jonas Blue — &amp;quot;Alien (M-22 Remix)&amp;quot; (2018)&#xA;Terrance Escobar (feat. Thouxanbanfauni) — &amp;quot;*D 4 L*&amp;quot; (2018)&#xA;Mike Jones — &amp;quot;All on Me&amp;quot; (2018)&#xA;A$AP Ferg &amp;amp; Elle Fanning — &amp;quot;Moon River&amp;quot; (2018)&#xA;Jasmine Thompson — &amp;quot;Lonely Together&amp;quot; (2018)&#xA;Houndmouth — &amp;quot;This Party&amp;quot; (2018)&#xA;Ginny Owens — &amp;quot;Remind Me&amp;quot; (2018)&#xA;Jean Deaux — &amp;quot;Energy&amp;quot; (2018)&#xA;morgxn — &amp;quot;me without you&amp;quot; (2018)&#xA;Gallant — &amp;quot;Doesn't Matter&amp;quot; (2018)&#xA;Chantel Jeffries (feat. Offset &amp;amp; Vory) — &amp;quot;Wait&amp;quot; (2018)&#xA;Tee Grizzley (feat. Chris Brown) — &amp;quot;Fuck It Off&amp;quot; (2018)&#xA;Wiz Khalifa (feat. Gucci Mane) — &amp;quot;Real Rich&amp;quot; (2018)&#xA;Jessie Reyez — &amp;quot;Body Count&amp;quot; (2018)&#xA;Troye Sivan — &amp;quot;Bloom&amp;quot; (2018)&#xA;Julia Michaels (feat. Trippie Redd) — &amp;quot;Jump&amp;quot; (2018)&#xA;Jess Glynne — &amp;quot;I'll Be There&amp;quot; (2018)&#xA;Dan + Shay — &amp;quot;All to Myself&amp;quot; (2018)&#xA;Charlie Puth (feat. Kehlani) — &amp;quot;Done for Me&amp;quot; (2018)&#xA;Charlie Puth — &amp;quot;The Way I Am&amp;quot; (2018)&#xA;Florence + The Machine — &amp;quot;Hunger&amp;quot; (2018)&#xA;Travis Scott (feat. Lil Uzi Vert &amp;amp; Kanye West) — &amp;quot;Watch&amp;quot; (2018)&#xA;Shawn Mendes (feat. Khalid) — &amp;quot;Youth&amp;quot; (2018)May 28N/AMay 27N/AMay 26A$AP Rocky — TESTING (2018)May 25N/AMay 24N/AMay 23N/AMay 22N/AMay 21N/AMay 20N/AMay 19Various Artists — Boomerang Soundtrack (1992)&#xA;Foggieraw — &amp;quot;Prolly&amp;quot; (2018)&#xA;BRYN (feat. Yung Fume) — &amp;quot;Pull Up&amp;quot; (2018)May 18Desiigner — L.O.D. (2018)May 17N/AMay 16N/AMay 15N/AMay 14N/AMay 13N/AMay 12April + Vista — &amp;quot;Own2&amp;quot; (2018)&#xA;Amy Grant — &amp;quot;Say It With a Kiss&amp;quot; (2018)&#xA;Jodeci — The Show, the After-Party, the Hotel (1995)May 11Playboi Carti — Die Lit (2018)May 10Leon Bridges — Good Thing (2018)&#xA;Rob $tone — Young Rob $tone (2018)&#xA;Jeremy Zucker — glisten (2018)&#xA;Yung Gravy — Snow Cougar (2018)&#xA;Amber Mark — Conexão (2018)May 9BlocBoy JB — SIMI (2018)&#xA;6 Dogs &amp;amp; Danny Wolf — 6 Wolves (2018)&#xA;Slim Jxmmi — Jxmtro (2018)&#xA;Swae Lee — Swaecation (2018)&#xA;Rae Sremmurd — SR3MM (2018)&#xA;Tove Styrke — Sway (2018)May 8Playboi Carti — &amp;quot;Foreign&amp;quot; (2018)&#xA;L.A. Salami — The City of Bootmakers (2018)&#xA;Laura Veirs — The Lookout (2018)&#xA;Jim Jones — Wasted Talent (2018)&#xA;nothing,nowhere. — ruiner (2018)May 7Pete Rock &amp;amp; C.L. Smooth — The Main Ingredient (1994)&#xA;Childish Gambino — &amp;quot;This Is America&amp;quot; (2018)&#xA;Madeline Kenney — Night Night at the First Landing (2017)&#xA;Annmarie — Tripolar (2018)&#xA;Georgi Jacobs — &amp;quot;Hard to Love&amp;quot; (2018)&#xA;Elle Teresa — KAWAII BUBBLY LOVELY (2018)May 6702 — No Doubt (1996)&#xA;A$AP Ferg — Still Striving (2017)&#xA;Madeline Kenney — Signals (2016)&#xA;21 Savage &amp;amp; Metro Boomin — Savage Mode (2016)&#xA;Trippie Redd — A Love Letter to You (2017)&#xA;Wintertime — I Know What You Did Last Winter (2016)&#xA;Cassy London — Realm (2017)May 5Cassy London — &amp;quot;Wonderland&amp;quot; (2016)&#xA;Diego Money — Go Diego EP (2017)May 4Diego Money — Diego &amp;amp; Friends (2017)&#xA;Evangeline Joy — Verbatim (2013)&#xA;Karen Waldrup — &amp;quot;Warm in Your Sunshine&amp;quot; (2017)&#xA;Phoebe Ryan — James (2017)&#xA;Nadia — Rebel (2017)&#xA;Jxck Kelly — &amp;quot;Nancy&amp;quot; (2018)&#xA;Jxck Kelly — &amp;quot;Nothing&amp;quot; (2018)&#xA;K. Cero — Songs About You (2017)&#xA;Soduh — The Crocodile (2018)May 3Phoebe Ryan — Mine EP (2015)&#xA;Ashaya — November (2016)&#xA;Evan Diamond — &amp;quot;Intersections&amp;quot; (2018)&#xA;Vai Petri — &amp;quot;Criminal&amp;quot; (2018)&#xA;Vai Petri — &amp;quot;Let Live&amp;quot; (2017)&#xA;Analisa Corral — Sugar Pills - Pack 1 (2018)&#xA;Kara Elyse — &amp;quot;Take Control&amp;quot; (2018)&#xA;Aced Spade (feat. Lé, Kiim Bosh, D. Laflair &amp;amp; Marko Stat$) — &amp;quot;Outta Sight&amp;quot; (2018)May 2Carnage — Battered Bruised &amp;amp; Bloody (2018)&#xA;Ciaran Lavery — Sweet Decay (2018)&#xA;Robert Glasper Experiment — Robert Glasper x KAYTRANADA: The ArtScience Remixes (2018)&#xA;Robotaki — Science (2018)&#xA;Skizzy Mars — are you OK? (2018)&#xA;Bazzi — COSMIC (2018)May 1Famous Dex — Dex Meets Dexter (2018)&#xA;The Aces — When My Heart Felt Volcanic (2018)&#xA;The Longshot — The Longshot EP (2018)&#xA;Luniz — No Pressure (2018)&#xA;Ski Mask The Slump God — Beware the Book of Eli (2018)&#xA;Kanye West — &amp;quot;Lift Yourself&amp;quot; (2018)&#xA;Cardi B — Invasion of Privacy (2018)&#xA;Serayah — Addicted (2018)&#xA;Sigrid — Raw (2018)&#xA;Smokepurpp &amp;amp; Murda Beatz — Bless Yo Trap (2018)&#xA;Young Thug — Hear No Evil (2018)&#xA;isaac gracie — isaac gracie (2018)&#xA;Sofi Tukker — Treehouse (2018)&#xA;Alyson Stoner — &amp;quot;God's Plan&amp;quot; (2018)&#xA;Moon Taxi (feat. Sofi Tukker) — &amp;quot;Two High (Sofi Tukker Remix)&amp;quot; (2018)&#xA;Terri Clark &amp;amp; Dallas Smith — &amp;quot;One Drink Ago&amp;quot; (2018)&#xA;Ne-Yo, Bebe Rexha &amp;amp; Stefflon Don — &amp;quot;PUSH BACK&amp;quot; (2018)&#xA;Daryl Hall &amp;amp; John Oates (feat. Train) — &amp;quot;Philly Forget Me Not&amp;quot; (2018)&#xA;THEY. &amp;amp; DEAN — &amp;quot;Dante's Creek (deantrbl Remix)&amp;quot; (2018)&#xA;Nelly (feat. Jacquees) — &amp;quot;Freaky with You&amp;quot; (2018)&#xA;Amine (feat. Injury Reserve) — &amp;quot;Campfire&amp;quot; (2018)&#xA;Ralo &amp;amp; P.Skud — &amp;quot;Don't Worry&amp;quot; (2018)&#xA;Bebe Rexha — &amp;quot;Meant to Be (Acoustic)&amp;quot; (2018)&#xA;Jenny Hval — &amp;quot;Spells&amp;quot; (2018)&#xA;Calpurnia — &amp;quot;Louie&amp;quot; (2018)&#xA;DREAMS — &amp;quot;Silence&amp;quot; (2018)&#xA;Gang Gang Dance — &amp;quot;Lotus (edit)&amp;quot; (2018)&#xA;Royce da 5'9&amp;quot; (feat. Ashley Sorrell) — &amp;quot;Stay Woke&amp;quot; (2018)AprilApril 30Chaos Chaos — &amp;quot;Pink Politics&amp;quot; (2018)&#xA;La Luz — &amp;quot;The Creature&amp;quot; (2018)&#xA;REMMI — &amp;quot;Desperate&amp;quot; (2018)&#xA;Couros — &amp;quot;Young&amp;quot; (2018)&#xA;Highasakite — &amp;quot;Out of Order&amp;quot; (2018)&#xA;Mavi Phoenix — &amp;quot;Yellow&amp;quot; (2018)&#xA;TOMI — &amp;quot;Every Morning I Feel Like Running Away&amp;quot; (2018)&#xA;Wet — &amp;quot;Soften&amp;quot; (2018)&#xA;Asteph — &amp;quot;No One Will Smile&amp;quot; (2018)&#xA;AUGUST 08 — &amp;quot;Lately&amp;quot; (2018)&#xA;Alae — &amp;quot;Stone Cold&amp;quot; (2018)&#xA;Jackson Penn — &amp;quot;Babylon&amp;quot; (2018)&#xA;Morgan Wallen — &amp;quot;Happy Hour&amp;quot; (2018)&#xA;Allen Stone — &amp;quot;Brown Eyed Lover&amp;quot; (2018)&#xA;Higher Brothers &amp;amp; DJ Snake — &amp;quot;Made in China&amp;quot; (2018)&#xA;The Shires — &amp;quot;The Hard Way&amp;quot; (2018)&#xA;Dierks Bentley — &amp;quot;The Mountain&amp;quot; (2018)&#xA;Kideko — &amp;quot;Good Thing&amp;quot; (2018)&#xA;Marian Hill — &amp;quot;Wish You Would&amp;quot; (2018)&#xA;Powers Pleasant (feat. Joey Bada$$ &amp;amp; A$AP Ferg) — &amp;quot;Pull Up&amp;quot; (2018)&#xA;Tritonal (feat. Riley Clemmons) — &amp;quot;Out My Mind (Club Mix)&amp;quot; (2018)&#xA;Bearson (feat. Ashe) — &amp;quot;Get Lost&amp;quot; (2018)&#xA;Cole Swindell  — &amp;quot;Somebody's Been Drinkin'&amp;quot; (2018)&#xA;Ekali &amp;amp; Medasin (feat. Elohim) — &amp;quot;Forever&amp;quot; (2018)&#xA;Christopher — &amp;quot;Bad&amp;quot; (2018)&#xA;Amy Shark — &amp;quot;I Said Hi&amp;quot; (2018)&#xA;50 Cent (feat. PnB Rock) — &amp;quot;Crazy&amp;quot; (2018)&#xA;SATICA — &amp;quot;Inner Child&amp;quot; (2018)&#xA;DJ Megan Ryte (feat. Tory Lanez &amp;amp; HoodCelebrityy) — &amp;quot;On &amp;amp; On&amp;quot; (2018)&#xA;John Splithoff — &amp;quot;Raye&amp;quot; (2018)&#xA;Gavin James — &amp;quot;Always&amp;quot; (2018)&#xA;Aries — &amp;quot;SAYONARA&amp;quot; (2018)&#xA;Juice WRLD — &amp;quot;All Girls Are the Same&amp;quot; (2018)&#xA;Brandy Burnette &amp;amp; Dwilly (feat. Kayo Genesis) — &amp;quot;Hands Down&amp;quot; (2018)&#xA;BATE (feat. Blake Rose &amp;amp; Radio 3000) — &amp;quot;One I Love&amp;quot; (2018)&#xA;Florence + the Machine — &amp;quot;Sky Full of Song&amp;quot; (2018)&#xA;Cash Cash (feat. Abir) — &amp;quot;Finest Hour&amp;quot; (2018)&#xA;Louis the Child (feat. Wafia) — &amp;quot;Better Not&amp;quot; (2018)&#xA;5 Seconds of Summer — &amp;quot;Youngblood&amp;quot; (2018)&#xA;ZAYN — &amp;quot;Let Me&amp;quot; (2018)&#xA;G-Eazy (feat. Yo Gotti &amp;amp; YBN Nahmir) — &amp;quot;1942&amp;quot; (2018)&#xA;Gianna Adams — I Don't Know (2018)&#xA;Drake — &amp;quot;Nice for What&amp;quot; (2018)&#xA;Catherine McGrath — &amp;quot;Wild&amp;quot; (2018)&#xA;Trinidad Cordova — &amp;quot;Even If&amp;quot; (2018)&#xA;Youngr — &amp;quot;Drive&amp;quot; (2018)&#xA;Marshmello &amp;amp; Anne-Marie (feat. A Boogie Wit da Hoodie) — &amp;quot;FRIENDS (A Boogie Wit da Hoodie Remix)&amp;quot; (2018)April 29Empress Of — Trust Me Baby / In Dreams (2018)&#xA;Derek Minor (feat. Dre Murray, Chino Dollaz &amp;amp; Anesha Birchett) — &amp;quot;Decisions&amp;quot; (2018)&#xA;Phora — &amp;quot;Come Thru&amp;quot; (2018)&#xA;nobigdyl. — &amp;quot;enemies?&amp;quot; (2018)&#xA;Patrick Paige II (feat. Syd &amp;amp; Kari Faux) — &amp;quot;On My Mind / Charge It to the Game&amp;quot; (2018)&#xA;Nicki Minaj — &amp;quot;Chun-Li&amp;quot; (2018)&#xA;King Princess — &amp;quot;Talia&amp;quot; (2018)&#xA;Swae Lee (feat. Slim Jxmmi) — &amp;quot;Guatemala&amp;quot; (2018)&#xA;Lil Pump — &amp;quot;Esskeetit&amp;quot; (2018)&#xA;Bebe Rexha (feat. Quavo) — &amp;quot;2 Souls on Fire&amp;quot; (2018)&#xA;Bebe Rexha — &amp;quot;Ferrari&amp;quot; (2018)&#xA;Nicki Minaj — &amp;quot;Barbie Tingz&amp;quot; (2018)&#xA;Keith Urban — Graffiti U (2018)&#xA;Half Waif — Lavender (2018)&#xA;Janelle Monáe — Dirty Computer (2018)&#xA;We Are Scientists — Megaplex (2018)&#xA;Cicada Rhythm — Everywhere I Go (2018)&#xA;Twin Shadow — Caer (2018)April 28Elohim — Elohim (2018)&#xA;Sarah Reeves — Easy Never Needed You (2018)&#xA;Buzzy Lee — Facepaint (2018)&#xA;XXXTENTACION — ? (2018)&#xA;Anne-Marie — Speak Your Mind (2018)&#xA;SahBabii (feat. 21 Savage) — &amp;quot;Outstanding&amp;quot; (2018)&#xA;Peso da Mafia — &amp;quot;About Us&amp;quot; (2018)&#xA;Codes — GO DOWN / THAT CRACK (2018)April 27NEEDTOBREATHE — &amp;quot;Darling&amp;quot; (2018)&#xA;Kailee Morgue — &amp;quot;Fuck U&amp;quot; (2018)&#xA;Meg Myers — &amp;quot;Numb&amp;quot; (2018)&#xA;Shea Diamond — &amp;quot;Keisha Complexion&amp;quot; (2018)&#xA;A Boogie Wit da Hoodie — &amp;quot;Right Moves&amp;quot; (2018)&#xA;Tee Grizzley (feat. Lil Yachty) — &amp;quot;2 Vaults&amp;quot; (2018)&#xA;Aloe Blacc — &amp;quot;Brooklyn in the Summer&amp;quot; (2018)&#xA;The Internet — &amp;quot;Roll! (Burbank Funk)&amp;quot; (2018)&#xA;Clairo — &amp;quot;4EVER&amp;quot; (2018)&#xA;Jason Mraz — &amp;quot;Have It All&amp;quot; (2018)&#xA;Imagine Dragons — Evolve (2017)&#xA;Onyx — Black Rock (2018)&#xA;Young Scooter — Trippple Cross (2018)April 26Towkio — WWW. (2018)&#xA;Black Milk — FEVER (2018)&#xA;Blac Youngsta — 223 (2018)&#xA;Quinn XCII — The Story of Us (Deluxe Tracks) (2018)&#xA;Quinn XCII — The Story of Us (2017)April 25J. Cole — &amp;quot;Want You to Fly&amp;quot; (2017)&#xA;Skool Boy (Skoolie 300) — After Skool Vol. 1 (2009)April 24S. Carey — Hundred Acres (2018)&#xA;SOB X RBE — GANGIN (2018)&#xA;Kodak Black — Heart Break Kodak (HBK) (2018)&#xA;Rockstar Marqo — Fuck Rap'n (2018)&#xA;The Dopplegangaz — &amp;quot;Fajita Effect&amp;quot; (2018)&#xA;Ugly God — just a lil something before the album... (2018)April 23E-40 &amp;amp; B-Legit — Connected and Respected (2018)&#xA;ALLBLACK — Outcalls (2018)&#xA;Katelyn Tarver — &amp;quot;LY4L&amp;quot; (2018)&#xA;Jade Bird — &amp;quot;Cathedral (Acoustic)&amp;quot; (2017)&#xA;Princess Nokia — A Girl Cried Red (2018)&#xA;Tinashe — Joyride (2018)&#xA;The Paper Kites — On the Train Ride Home (2018)&#xA;Mýa — T.K.O. (The Knock Out) (2018)&#xA;Bishop Briggs — Church of Scars (2018)&#xA;Lord Huron — Vide Noir (2018)&#xA;The Chainsmokers — Sick Boy (2018)&#xA;Sasha Sloan — sad girl (2018)&#xA;Anna Leone — Wandered Away (2018)&#xA;Carrie Underwood — &amp;quot;Cry Pretty&amp;quot; (2018)&#xA;Lykke Li — deep end / hard rain (2018)&#xA;PRETTYMUCH — PRETTYMUCH an EP (2018)April 22A$AP TyY — Best Kept Secret (2016)&#xA;A$AP TyY — Troubles of the World (2018)&#xA;A$AP Rocky — &amp;quot;Herojuana Blunts&amp;quot; (2018)&#xA;Thouxanbanfauni — The EXFiles (2017)&#xA;XVL Hendrix — Blessings &amp;amp; a Curse 2 (2018)&#xA;Thouxanbanfauni — Heavy Weight Champ (2017)&#xA;Flatbush ZOMBiES — Vacation in Hell (2018)April 21Migo Domingo — Menace II Society (2018)&#xA;A$AP Ant — The Best of A$AP Ant 2017 (2018)&#xA;Off Bloom — &amp;quot;Love Actually&amp;quot; (2018)&#xA;Halsey (feat. Stefflon Don) — &amp;quot;Alone (Calvin Harris Remix)&amp;quot; (2018)&#xA;Jack &amp;amp; Jack — &amp;quot;Stay with Me&amp;quot; (2018)&#xA;JGrrey — &amp;quot;Growing&amp;quot; (2018)&#xA;FIDLAR — &amp;quot;Alcohol&amp;quot; (2018)&#xA;Mahalia — &amp;quot;No Reply&amp;quot; (2018)&#xA;AURORA — &amp;quot;Queendom&amp;quot; (2018)&#xA;Channel Tres — &amp;quot;Controller&amp;quot; (2018)&#xA;Hobo Johnson — &amp;quot;Peach Scone&amp;quot; (2018)&#xA;Calvin Harris &amp;amp; Dua Lipa — &amp;quot;One Kiss&amp;quot; (2018)&#xA;Wiz Khalifa — &amp;quot;420 Freestyle&amp;quot; (2018)&#xA;Schilly (feat. Nessly) — &amp;quot;Higher&amp;quot; (2018)&#xA;Caitie Hurst — &amp;quot;How Could I Be Silent&amp;quot; (2018)&#xA;Vacationer — &amp;quot;Being Here&amp;quot; (2018)&#xA;KB — &amp;quot;No Chains&amp;quot; (2018)&#xA;Cam — &amp;quot;Palace (Cover)&amp;quot; (2018)&#xA;L.I.F.T — &amp;quot;WANNA DIE&amp;quot; (2018)&#xA;Anik Khan (feat. Burna Boy &amp;amp; Sango) — &amp;quot;Oh My&amp;quot; (2018)&#xA;Naughty Boy, RAY BLK &amp;amp; Wyclef Jean — &amp;quot;All or Nothing&amp;quot; (2018)&#xA;Hyphen Hyphen — &amp;quot;KND&amp;quot; (2018)&#xA;Rae Sremmurd (feat. Travis Scott) — &amp;quot;CLOSE&amp;quot; (2018)&#xA;Jeremy Zucker (feat. Chelsea Cutler) — &amp;quot;better off&amp;quot; (2018)&#xA;6 Dogs (feat. Lil Skies) — &amp;quot;Off the Gas&amp;quot; (2018)&#xA;Jean Deaux — &amp;quot;SSN (They Say)&amp;quot; (2018)&#xA;CRUISR — &amp;quot;Mind Eraser&amp;quot; (2018)&#xA;Anne-Marie — &amp;quot;2002&amp;quot; (2018)&#xA;Caitie Hurst — &amp;quot;Nothing to Hide&amp;quot; (2018)&#xA;Leon Bridges — &amp;quot;Beyond&amp;quot; (2018)&#xA;iZNiiK — &amp;quot;round the world&amp;quot; (2018)&#xA;BURNS (feat. Maluma &amp;amp; Rae Sremmurd) — &amp;quot;Hands on Me&amp;quot; (2018)&#xA;A Boogie Wit da Hoodie (feat. Tory Lanez) — &amp;quot;Best Friend&amp;quot; (2018)&#xA;Khalid, 6LACK &amp;amp; Ty Dolla $ign — &amp;quot;OTW&amp;quot; (2018)&#xA;Prince — &amp;quot;Nothing Compares 2 U&amp;quot; (2018)&#xA;VHS Collection — &amp;quot;One&amp;quot; (2018)&#xA;Courtney Barnett — &amp;quot;City Looks Pretty&amp;quot; (2018)&#xA;VanJess — &amp;quot;Addicted&amp;quot; (2018)&#xA;Casey Veggies (feat. Wiz Khalifa) — &amp;quot;Show Off&amp;quot; (2018)&#xA;Bas (feat. Correy C) — &amp;quot;Pinball II&amp;quot; (2018)&#xA;Shae Jacobs — &amp;quot;Space&amp;quot; (2018)&#xA;Confetti — &amp;quot;When I Grow Up&amp;quot; (2018)&#xA;Bahari — &amp;quot;Savage&amp;quot; (2018)&#xA;Sauce Walka — &amp;quot;No Recess&amp;quot; (2018)&#xA;Warhol.SS — &amp;quot;Birds Nest&amp;quot; (2018)April 20Billie Eilish &amp;amp; Khalid — &amp;quot;lovely&amp;quot; (2018)&#xA;Russ (feat. Jessie Reyez) — &amp;quot;Basement&amp;quot; (2018)&#xA;Janelle Monáe — &amp;quot;I Like That&amp;quot; (2018)&#xA;Ariana Grande — &amp;quot;no tears left to cry&amp;quot; (2018)&#xA;J. Cole — KOD (2018)April 19Yung Bans — Yung Bans Vol. 4 (2018)&#xA;Berhana — &amp;quot;Whole Wide World&amp;quot; (2018)&#xA;RuthAnne — &amp;quot;The Vow&amp;quot; (2018)&#xA;Ray LaMontagne — &amp;quot;Such a Simple Thing&amp;quot; (2018)&#xA;Sarah Reeves — &amp;quot;Something About You&amp;quot; (2018)&#xA;BlocBoy JB (feat. 21 Savage) — &amp;quot;Rover 2.0&amp;quot; (2018)&#xA;San Holo (feat. Taska Black) — &amp;quot;Right Here, Right Now&amp;quot; (2018)&#xA;Underoath — &amp;quot;Rapture&amp;quot; (2018)&#xA;Snail Mail — &amp;quot;Pristine&amp;quot; (2018)&#xA;Mr. Popular — &amp;quot;Price Is Right&amp;quot; (2018)&#xA;Marc Scibilia — &amp;quot;Over You&amp;quot; (2018)&#xA;Eminem (feat. Kehlani) — &amp;quot;Nowhere Fast (Extended Version)&amp;quot; (2018)&#xA;Steve Angello &amp;amp; Sam Martin — &amp;quot;Nothing Scares Me Anymore&amp;quot; (2018)&#xA;Thandi Phoenix — &amp;quot;My Way&amp;quot; (2018)&#xA;Steve Aoki &amp;amp; Quintino — &amp;quot;Mayhem&amp;quot; (2018)&#xA;CVIRO &amp;amp; GXNXVS — &amp;quot;Lady&amp;quot; (2018)&#xA;Chloe x Halle — The Kids Are Alright (2018)&#xA;Alec King — &amp;quot;Keep It Real&amp;quot; (2018)&#xA;Spencer Ludwig — &amp;quot;Just Wanna Dance&amp;quot; (2018)&#xA;Goody Grace — Infinite (2018)&#xA;joan — &amp;quot;i loved you first&amp;quot; (2018)&#xA;Ernest K., Case Arnold &amp;amp; Bryant Taylorr — &amp;quot;I Love My City&amp;quot; (2018)&#xA;Jack &amp;amp; Jack — &amp;quot;I Don't Know&amp;quot; (2018)&#xA;Nightly — &amp;quot;Holding On&amp;quot; (2018)&#xA;Bazzi — &amp;quot;Honest&amp;quot; (2018)&#xA;Hiss Golden Messenger — Hiss Golden Messenger Meets Spacebomb (2018)&#xA;FINNEAS — &amp;quot;Heaven&amp;quot; (2018)&#xA;No Jumper (feat. Tay-K &amp;amp; BlocBoy JB) — &amp;quot;Hard&amp;quot; (2018)&#xA;070 Shake — Glitter (2018)&#xA;Sonta — In My Feelings (2017)&#xA;Jason Aldean — &amp;quot;Gettin' Warmed Up&amp;quot; (2018)&#xA;NONONO — &amp;quot;Friends&amp;quot; (2018)&#xA;kiLL edward — &amp;quot;Tidal Wave (just a little reference)&amp;quot; (2018)&#xA;Two Door Cinema Club — Four Words to Stand On (2018)&#xA;Kodaline — &amp;quot;Follow Your Fire&amp;quot; (2018)&#xA;David Guetta &amp;amp; Sia — &amp;quot;Flames&amp;quot; (2018)&#xA;Golden Features — &amp;quot;Falling Out&amp;quot; (2018)&#xA;Let's Eat Grandma — &amp;quot;Falling into Me&amp;quot; (2018)&#xA;Mishegas — &amp;quot;Episodes&amp;quot; (2018)&#xA;Grizfolk — &amp;quot;Endless Summer&amp;quot; (2018)April 18Trouble &amp;amp; Mike WiLL Made-It — Edgewood (2018)&#xA;CHVRCHES — &amp;quot;Miracle&amp;quot; (2018)&#xA;Ski Mask The Slump God — &amp;quot;SKIMeetsWorld&amp;quot; (2018)&#xA;ELEL — &amp;quot;Early in the Morning&amp;quot; (2018)&#xA;Snow Patrol — &amp;quot;Don't Give In&amp;quot; (2018)&#xA;Sheck Wes — &amp;quot;Do That&amp;quot; (2018)&#xA;Marian Hill — &amp;quot;Differently&amp;quot; (2018)&#xA;Ryan Hurd — &amp;quot;Diamonds or Twine&amp;quot; (2018)&#xA;Autograf (feat. Lils &amp;amp; Bonsai Mammal) — &amp;quot;Dead Soon&amp;quot; (2018)&#xA;Lil Skies (feat. Rich The Kid) — &amp;quot;Creeping&amp;quot; (2018)&#xA;Burak Yeter — &amp;quot;Crash&amp;quot; (2018)&#xA;Keith Urban (feat. Julia Michaels) — &amp;quot;Coming Home&amp;quot; (2018)&#xA;Diplo — California (2018)&#xA;NEEDTOBREATHE — &amp;quot;Bridges Burn&amp;quot; (2018)&#xA;E^ST — &amp;quot;Blowjob&amp;quot; (2018)&#xA;SHY Martin — &amp;quot;Bad in Common&amp;quot; (2018)&#xA;The Shadowboxers — Apollo (2018)&#xA;Vory — &amp;quot;9.22&amp;quot; (2018)&#xA;The Aces — &amp;quot;Waiting for You&amp;quot; (2018)&#xA;Zaytoven (feat. Yung Cakes) — &amp;quot;Time Too&amp;quot; (2018)&#xA;Mike Jones — &amp;quot;Some Show Me Love&amp;quot; (2018)&#xA;Pete Rock (feat. Amxxr) — &amp;quot;Rap Caviar&amp;quot; (2018)&#xA;RaeLynn — &amp;quot;Queens Don't&amp;quot; (2018)&#xA;SD — Pay Attention (2018)&#xA;Noname (feat. Sniperghini) — &amp;quot;Nikey&amp;quot; (2018)&#xA;The Neighbourhood — The Neighbourhood (2018)&#xA;Jose Guapo — Lingo 2: The Return (2018)&#xA;Chief Keef — The Leek Volume 4 (2018)April 17Lil Yachty — Lil Boat 2 (2018)&#xA;Migos (feat. Hoodrich Pablo Juan) — &amp;quot;Migo Pablo&amp;quot; (2018)&#xA;Foggieraw — Fogtavious Vandross (2018)&#xA;Gravediggaz — &amp;quot;Enter the Graveyard Chamber&amp;quot; (2018)&#xA;Cautious Clay — &amp;quot;Cold War (Stripped)&amp;quot; (2018)&#xA;AJR — &amp;quot;Burn the House Down&amp;quot; (2018)&#xA;Waka Flocka Flame, Zaytoven &amp;amp; Big Bank — The Brick House Boyz (2018)&#xA;Halsey (feat. Big Sean &amp;amp; Stefflon Don) — &amp;quot;Alone&amp;quot; (2018)&#xA;Mary Chapin Carpenter — Sometimes Just the Sky (2018)April 16Frank Ocean — Endless (2016)&#xA;Her — Her (2018)&#xA;Zhané — Pronounced Jah-Nay (1994)&#xA;LSG — Levert.Sweat.Gill (1997)&#xA;Cardi B — &amp;quot;Be Careful&amp;quot; (2018)April 15Tove Styrke (feat. Björn Yttling) — &amp;quot;Say My Name (Acoustic Version)&amp;quot; (2017)&#xA;Tove Styrke — &amp;quot;... Baby One More Time&amp;quot; (2015)&#xA;Tove Styrke — &amp;quot;liability (demo)&amp;quot; (2017)&#xA;Tove Styrke — &amp;quot;Mistakes&amp;quot; (2017)&#xA;Tove Styrke — &amp;quot;Changed My Mind&amp;quot; (2018)&#xA;Tove Styrke — &amp;quot;Say My Name&amp;quot; (2017)&#xA;Tove Styrke — &amp;quot;On the Low&amp;quot; (2018)&#xA;OutKast — Southernplayalisticadillacmuzik (1994)&#xA;Steffany Gretzinger — Blackout (2018)April 14N/AApril 13Doja Cat — Amala (2018)&#xA;A Tribe Called Quest — Beats, Rhymes and Life (1996)&#xA;A Tribe Called Quest — Midnight Marauders (1993)&#xA;Jean Grae &amp;amp; Quelle Chris  — Everything's Fine (2018)April 12Ashley McBryde — Girl Going Nowhere (2018)April 11Craig Mack (feat. Q-Tip) — &amp;quot;Get Down (Q-Tip Remix)&amp;quot; (1994)&#xA;Damar Jackson — Unfaithful (2018)&#xA;The Voidz — Virtue (2018)April 10DJ Esco — KOLORBLIND (2018)&#xA;Bloodboy — &amp;quot;Is Now a Good Time to Ruin Your Life?&amp;quot; (2018)&#xA;Kylie Minogue — &amp;quot;Raining Glitter&amp;quot; (2018)&#xA;Hinds — &amp;quot;Finally Floating&amp;quot; (2018)&#xA;Andra Day — &amp;quot;I Wish I Knew How It Would Feel to Be Free&amp;quot; (2018)&#xA;CHVRCHES — &amp;quot;Never Say Die&amp;quot; (2018)&#xA;Tinashe (feat. Ty Dolla $ign &amp;amp; French Montana) — &amp;quot;Me So Bad&amp;quot; (2018)&#xA;Billie Eilish — &amp;quot;bitches broken hearts&amp;quot; (2018)&#xA;Grace VanderWaal — &amp;quot;Clearly&amp;quot; (2018)&#xA;Tori Kelly (feat. The HamilTones) — &amp;quot;Help Us to Love&amp;quot; (2018)&#xA;Lizzo — &amp;quot;Fitness&amp;quot; (2018)&#xA;Cassadee Pope — &amp;quot;Take You Home&amp;quot; (2018)&#xA;Jessie Reyez (feat. Daniel Caesar) — &amp;quot;Figures, a Reprise&amp;quot; (2018)April 9Henry Green — Shift (2018)April 8N/AApril 7A$AP Rocky (feat. BlocBoy JB) — &amp;quot;Bad Company&amp;quot; (2018)&#xA;Ty Dolla $ign (feat. Gucci Mane &amp;amp; Quavo) - &amp;quot;Pineapple&amp;quot; (2018)&#xA;ARTY — &amp;quot;Rain&amp;quot; (2018)&#xA;Tyler, The Creator — &amp;quot;OKRA&amp;quot; (2018)&#xA;Lauv — &amp;quot;Chasing Fire&amp;quot; (2018)April 6Hayley Kiyoko — Expectations (2018)April 5Rich The Kid — The World Is Yours (2018)&#xA;Kacey Musgraves — Golden Hour (2018)&#xA;The Weeknd — My Dear Melancholy, (2018)&#xA;Louisa (feat. 2 Chainz) — &amp;quot;YES&amp;quot; (2018)&#xA;Alyson Stoner — &amp;quot;When It's Right&amp;quot; (2018)April 4D'Angelo — Brown Sugar (1995)&#xA;Troop — Attitude (1989)April 3Christopher Williams — Changes (1992)April 2Guy — The Future (1990)&#xA;Silk — Lose Control (1992)April 1DJ SpinKing (feat. A$AP Ferg, Tyga, Velous &amp;amp; Jeremih) — &amp;quot;Adult Swim&amp;quot; (2014)&#xA;Busta Rhymes &amp;amp; Q-Tip — The Abstract and the Dragon (2013)MarchMarch 31H-Town — Fever for da Flavor (1993)March 30The Internet — Feel Good (2013)&#xA;The Internet — Ego Death (2015)March 29N/AMarch 28N/AMarch 27N/AMarch 26N/AMarch 25N/AMarch 24Belly (feat. YG) — &amp;quot;4 Days&amp;quot; (2018)&#xA;Thirty Seconds to Mars (feat. A$AP Rocky) — &amp;quot;One Track Mind&amp;quot; (2018)&#xA;Kacey Musgraves — &amp;quot;High Horse&amp;quot; (2018)&#xA;Shawn Mendes — &amp;quot;Lost in Japan&amp;quot; (2018)&#xA;grandson — &amp;quot;thoughts &amp;amp; prayers&amp;quot; (2018)&#xA;Panic! At the Disco — Say Amen for Silver Linings (2018)&#xA;KYLE (feat. Kehlani) — &amp;quot;Playinwitme&amp;quot; (2018)&#xA;Amara La Negra — &amp;quot;Insecure&amp;quot; (2018)&#xA;Keith Urban (feat. Julia Michaels) — &amp;quot;Coming Home&amp;quot; (2018)&#xA;Shawn Mendes — &amp;quot;In My Blood&amp;quot; (2018)March 23at Wendys — We Beefin? (2018)&#xA;Tove Styrke — Kiddo (2018)&#xA;Warhol.SS — Where's Warhol? (2017)&#xA;MadeinTYO — True's World (2017)&#xA;StaRR Lyfe — &amp;quot;Fuck Tomi Lahren (Shut Up Bitch)&amp;quot; (2016)&#xA;Warhol.SS — Warhol 16' (2017)&#xA;Warhol.SS — 3200 (2017)&#xA;Jeremih — The Chocolate Box (2018)March 22Playboi Carti — &amp;quot;Shake N Bake&amp;quot; (2018)&#xA;Sammie — Series 31873.0 (2018)&#xA;Marshmello (feat. Leah Culver) — &amp;quot;Fly&amp;quot; (2018)&#xA;Steffany Gretzinger — &amp;quot;Save Me&amp;quot; (2018)&#xA;Jason Derulo — &amp;quot;Colors&amp;quot; (2018)&#xA;FLETCHER — &amp;quot;I Believe You&amp;quot; (2018)&#xA;KYLE — &amp;quot;To the Moon&amp;quot; (2018)&#xA;Vince Staples — &amp;quot;Get the Fuck Off My Dick&amp;quot; (2018)&#xA;DROELOE — &amp;quot;Many Words&amp;quot; (2018)&#xA;Buddy (feat. A$AP Ferg) — &amp;quot;Black&amp;quot; (2018)&#xA;Phora — &amp;quot;Boss Up&amp;quot; (2018)&#xA;The Knocks (feat. Foster The People) — &amp;quot;Ride or Die&amp;quot; (2018)&#xA;Neko Case — &amp;quot;Hell-On&amp;quot; (2018)&#xA;REMMI — &amp;quot;Minimum Wage&amp;quot; (2018)&#xA;morgxn — &amp;quot;translucent&amp;quot; (2018)&#xA;Ashley Monroe — &amp;quot;Paying Attention&amp;quot; (2018)&#xA;The Aces — &amp;quot;Just Like That&amp;quot; (2018)&#xA;Sauce Walka — &amp;quot;OK&amp;quot; (2018)&#xA;Trinidad James — &amp;quot;T.I.B.E. (This Is Black Excellence)&amp;quot; (2018)&#xA;Bankroll Fresh — &amp;quot;Whole 4&amp;quot; (2018)&#xA;Loote — &amp;quot;Your Side of the Bed&amp;quot; (2018)&#xA;JP Saxe — &amp;quot;The Few Things&amp;quot; (2018)&#xA;Years &amp;amp; Years — &amp;quot;Sanctify&amp;quot; (2018)&#xA;Alison Wonderland — &amp;quot;No&amp;quot; (2018)&#xA;Wifisfuneral — &amp;quot;25 Lighters&amp;quot; (2018)&#xA;Johnny Yukon — &amp;quot;Lonely&amp;quot; (2018)&#xA;Yoke Lore — &amp;quot;Fake You&amp;quot; (2018)&#xA;Sjowgren — &amp;quot;Beginners&amp;quot; (2018)&#xA;Barns Courtney — &amp;quot;Sinners&amp;quot; (2018)&#xA;Brett Castro — &amp;quot;Much About Sadness&amp;quot; (2018)&#xA;Louis The Child (feat. Joey Purp) — &amp;quot;Shake Something&amp;quot; (2018)&#xA;Jordan Hollywood — &amp;quot;Cash Out&amp;quot; (2018)&#xA;Parquet Courts — &amp;quot;Wide Awake&amp;quot; (2018)&#xA;Wet — &amp;quot;There's a Reason&amp;quot; (2018)&#xA;Liv Dawson — &amp;quot;Talk&amp;quot; (2018)&#xA;Dermot Kennedy — &amp;quot;Young &amp;amp; Free&amp;quot; (2018)&#xA;Beach House — &amp;quot;Dive&amp;quot; (2018)&#xA;Jon Hopkins — &amp;quot;Emerald Rush&amp;quot; (2018)&#xA;Sofi Tukker — &amp;quot;Baby I'm a Queen&amp;quot; (2018)&#xA;TRACES — &amp;quot;Before I Wilt&amp;quot; (2018)&#xA;Spazz Cardigan — &amp;quot;Episode&amp;quot; (2018)&#xA;CXLOE — &amp;quot;Monster&amp;quot; (2018)March 21Necklace — &amp;quot;Easy&amp;quot; (2018)&#xA;George Ezra — &amp;quot;Hold My Girl&amp;quot; (2018)&#xA;Sea Girls — &amp;quot;Eat Me Whole&amp;quot; (2018)&#xA;Shaylen — &amp;quot;Take It Back&amp;quot; (2018)&#xA;Salt Cathedral — &amp;quot;No Love&amp;quot; (2018)&#xA;Lil Jay Brown — Money Luvin Youngin: The Lick Tape (2018)&#xA;John Wic — One Gunman (2018)&#xA;Famous Dex &amp;amp; Polo Boy Shawty — When Polo Met Dexter (2018)March 20Astrid S — Party's Over (Acoustic) (2017)&#xA;Bell Biv DeVoe — Poison (1990)&#xA;Mobb Deep — The Infamous Archives (2007)&#xA;Sy Ari da Kid — After the Heartbreak (2018)March 19Jonathan Wilson — Rare Birds (2018)&#xA;Current Joys — A Different Age (2018)March 18Cape Cope — How to Socialise &amp;amp; Make Friends (2018)March 17N/AMarch 16N/AMarch 15Sabrina Carpenter &amp;amp; Jonas Blue — &amp;quot;Alien&amp;quot; (2018)&#xA;Katie Herzig — Moment of Bliss (2018)March 14Haley Heynderickx — I Need to Start a Garden (2018)March 13The Breeders — All Nerve (2018)&#xA;Waka Flocka Flame — Benjamin Flocka (2011)March 12Moby — Everything Was Beautiful, and Nothing Hurt (2018)&#xA;The Undercover Dream Lovers — In Real Time (2018)&#xA;Larry June — You're Doing Good (2018)&#xA;Moss Kena — Found You in 06 (2018)&#xA;JOY. — Six (2018)March 11N/AMarch 10Mikky Ekko — ADVANCE COPY EP (2018)&#xA;Margaret Glaspy — Born Yesterday (2018)&#xA;Valee — GOOD Job, You Found Me (2018)&#xA;Soccer Mommy — Clean (2018)March 9Nessly — Wildflower (2018)&#xA;ALMA — Heavy Rules Mixtape (2018)&#xA;Superorganism — Superorganism (2018)&#xA;Lucius — NUDES (2018)&#xA;Mt. Joy — Mt. Joy (2018)March 8Tory Lanez — MEMORIES DON'T DIE (2018)March 7B5 — B5 (2005)&#xA;Digable Planets — Blowout Comb (1994)March 6Digable Planets — Reachin' (A New Refutation of Time and Space) (1993)&#xA;B2K — B2K (2002)March 5Sophie Rose — &amp;quot;Pink Lipstick&amp;quot; (2018)&#xA;Subway — Good Times (1995)&#xA;Katelyn Tarver — &amp;quot;Never Fade&amp;quot; (2018)&#xA;Casey Veggies (feat. 03 Greedo) — &amp;quot;Broke&amp;quot; (2018)&#xA;UnoTheActivist (feat. Rich The Kid) — &amp;quot;Fabo (Remix)&amp;quot; (2018)&#xA;Madge — &amp;quot;Fight or Flight Club&amp;quot; (2018)&#xA;Frankie Simone — &amp;quot;War Paint&amp;quot; (2018)&#xA;Funky Craig &amp;amp; Tommie Sunshine — &amp;quot;Where the Drums At&amp;quot; (2018)&#xA;BOBI ANDONOV — &amp;quot;Smoke&amp;quot; (2018)&#xA;Molly Moore — &amp;quot;Tough Love&amp;quot; (2018)&#xA;Maths Time Joy (feat. Flores) — &amp;quot;Going Nowhere&amp;quot; (2018)&#xA;What So Not (feat. Winona Oak) — &amp;quot;Beautiful&amp;quot; (2018)&#xA;Saba — &amp;quot;Busy&amp;quot; (2018)&#xA;TV Noise (feat. Drew Love) — &amp;quot;Run&amp;quot; (2018)&#xA;Now, Now — &amp;quot;AZ&amp;quot; (2018)&#xA;Amber Mark — &amp;quot;Love Me Right&amp;quot; (2018)&#xA;Northern Faces — &amp;quot;Firecracker&amp;quot; (2018)&#xA;Carlos Vara — &amp;quot;Numb&amp;quot; (2018)&#xA;The Neighbourhood — &amp;quot;Nervous&amp;quot; (2018)&#xA;pronoun — &amp;quot;run&amp;quot; (2018)&#xA;XXXTENTACION — &amp;quot;changes&amp;quot; (2018)&#xA;Young Fathers — &amp;quot;Toy&amp;quot; (2018)&#xA;EBEN — &amp;quot;LAMBO&amp;quot; (2018)&#xA;Fickle Friends — &amp;quot;Wake Me Up&amp;quot; (2018)&#xA;XXXTENTACION — &amp;quot;SAD!&amp;quot; (2018)&#xA;Zaytoven (feat. Ty Dolla $ign, Jeremih &amp;amp; OJ da Juiceman) — &amp;quot;What You Think&amp;quot; (2018)&#xA;Hoodrich Pablo Juan (feat. Gucci Mane) — &amp;quot;We Don't Luv Em (Remix)&amp;quot; (2018)&#xA;Smooky MarGielaa — &amp;quot;Smooky's Story&amp;quot; (2018)&#xA;Sauce Walka — &amp;quot;Sauce Baby&amp;quot; (2018)&#xA;Lil Yachty (feat. Digital Nas) — &amp;quot;Revenge&amp;quot; (2018)&#xA;Flatbush Zombies — &amp;quot;Headstone&amp;quot; (2018)&#xA;Kap G &amp;amp; Hoodrich Pablo Juan — &amp;quot;Boss Luv&amp;quot; (2018)&#xA;Jose Guapo (feat. Young Scooter) — &amp;quot;Blame It on the Streets&amp;quot; (2018)&#xA;Miriam Bryant — &amp;quot;Black Car&amp;quot; (2018)&#xA;nothing,nowhere. — &amp;quot;hammer&amp;quot; (2018)&#xA;Coast Modern — &amp;quot;Electric Feel&amp;quot; (2018)&#xA;Godsmack — &amp;quot;Bulletproof&amp;quot; (2018)&#xA;The Moondoggies — &amp;quot;Sick in Bed&amp;quot; (2018)&#xA;Hawthorne Heights — &amp;quot;Pink Hearts&amp;quot; (2018)&#xA;Everette — &amp;quot;Slow Roll&amp;quot; (2018)&#xA;Natalie Prass — &amp;quot;Short Court Style&amp;quot; (2018)&#xA;Fedel — Gold Package (2018)&#xA;The Blaze — &amp;quot;HEAVEN&amp;quot; (2018)&#xA;The Kills — &amp;quot;Steppin' Razor&amp;quot; (2018)&#xA;The Kills — &amp;quot;List of Demands (Reparations)&amp;quot; (2018)March 4Little Dragon — &amp;quot;Best Friends&amp;quot; (2018)&#xA;Ryan Kinder — &amp;quot;Leap of Faith&amp;quot; (2018)&#xA;Smokepurpp &amp;amp; Murda Beatz — &amp;quot;123&amp;quot; (2018)&#xA;Tom Misch (feat. De La Soul) — &amp;quot;It Runs Through Me&amp;quot; (2018)&#xA;SG Lewis — &amp;quot;Coming Up&amp;quot; (2018)&#xA;Rudy Mancuso &amp;amp; Maia Mitchell — &amp;quot;Magic&amp;quot; (2018)&#xA;Jordan Davis — &amp;quot;Going 'Round&amp;quot; (2018)&#xA;LA Riots — Do Your Thing/All Good (2018)&#xA;Joyner Lucas &amp;amp; Chris Brown — &amp;quot;Stranger Things&amp;quot; (2018)&#xA;Fisher — &amp;quot;Crowd Control&amp;quot; (2018)&#xA;MVEK — &amp;quot;Tongue&amp;quot; (2018)&#xA;Flo Rida — &amp;quot;Dancer&amp;quot; (2018)&#xA;Jack White — &amp;quot;Over and Over and Over&amp;quot; (2018)&#xA;Gucci Mane (feat. Migos &amp;amp; Lil Yachty) — &amp;quot;Solitaire&amp;quot; (2018)&#xA;Meghan Trainor — &amp;quot;No Excuses&amp;quot; (2018)&#xA;CHVRCHES (feat. Matt Berninger) — &amp;quot;My Enemy&amp;quot; (2018)&#xA;DJ Khaled (feat. JAY Z, Future &amp;amp; Beyoncé) — &amp;quot;Top Off&amp;quot; (2018)&#xA;Zapp — Zapp II (1982)&#xA;Illegal — The Untold Truth (1993)&#xA;Another Bad Creation — It Ain't What U Wear, It's How U Play It (1993)&#xA;Another Bad Creation — Coolin' at the Playground Ya Know! (1991)&#xA;Zapp — Zapp (1980)&#xA;Marqo 2 Fresh — Marqo da Monster (2016)&#xA;N II U — N II U (1994)March 3Young Nudy (feat. Hoodrich Pablo Juan) — &amp;quot;Do It&amp;quot; (2016)&#xA;RX Peso — Rixh Drugs (2018)March 2Playboi Carti — &amp;quot;Shawty in Love&amp;quot; (2018)&#xA;Confetti — &amp;quot;People Suck&amp;quot; (2018)&#xA;Max Frost — &amp;quot;Good Morning&amp;quot; (2018)&#xA;Svrcina — &amp;quot;Whispers&amp;quot; (2018)&#xA;Ramz — &amp;quot;Power&amp;quot; (2018)&#xA;Jake Miller (feat. Jabbar Hakeem) — &amp;quot;The Girl That's Underneath&amp;quot; (2018)&#xA;Sigala (feat. Paloma Faith) — &amp;quot;Lullaby&amp;quot; (2018)&#xA;VanJess (feat. Berhana &amp;amp; Leikeli47) — &amp;quot;Easy&amp;quot; (2018)&#xA;Yung Fume &amp;amp; Zaytoven (feat. Young Nudy) — &amp;quot;Something Else&amp;quot; (2018)&#xA;Timeflies — &amp;quot;Are You Down&amp;quot; (2018)&#xA;Pentatonix — &amp;quot;Havana&amp;quot; (2018)&#xA;Tritonal (feat. Riley Clemmons) — &amp;quot;Out My Mind&amp;quot; (2018)&#xA;Preme — &amp;quot;No Defeat&amp;quot; (2018)&#xA;Ski Mask The Slump God — &amp;quot;DoIHaveTheSause?&amp;quot; (2018)&#xA;Sophie Simmons — &amp;quot;Black Mirror&amp;quot; (2018)&#xA;The Night Game — &amp;quot;Bad Girls Don't Cry&amp;quot; (2018)&#xA;Clara Mae — &amp;quot;I Forgot&amp;quot; (2018)&#xA;George Taylor — &amp;quot;Stay Warm&amp;quot; (2018)&#xA;KLP (feat. Milwaukee Banks) — &amp;quot;Carried Away&amp;quot; (2018)&#xA;Hembree — &amp;quot;Continents&amp;quot; (2018)&#xA;Carlie Hanson — &amp;quot;Us&amp;quot; (2018)&#xA;Vancouver Sleep Clinic — &amp;quot;Ayahuasca&amp;quot; (2018)&#xA;Alex Lustig (feat. Akacia) — &amp;quot;In the End&amp;quot; (2018)&#xA;Robinson — &amp;quot;Nothing to Regret&amp;quot; (2018)&#xA;Nessly (feat. Joji) — &amp;quot;Make It Right&amp;quot; (2018)&#xA;NoMBE (feat. Big Data) — &amp;quot;Drama&amp;quot; (2018)&#xA;RAYE, Mabel &amp;amp; Stefflon Don — &amp;quot;Cigarette&amp;quot; (2018)&#xA;Riz La Vie — &amp;quot;Napkins&amp;quot; (2018)&#xA;JOHN.k — &amp;quot;Best of Me&amp;quot; (2018)&#xA;Yuno — &amp;quot;No Going Back&amp;quot; (2018)&#xA;Emma McGrath — &amp;quot;Love You Better&amp;quot; (2018)&#xA;Superorganism — &amp;quot;Reflections on the Screen&amp;quot; (2018)&#xA;King Princess — &amp;quot;1950&amp;quot; (2018)&#xA;Mickey Shiloh (feat. Rami Beatz) — &amp;quot;Funny When&amp;quot; (2018)&#xA;Jade Bird — &amp;quot;Lottery (Acoustic)&amp;quot; (2018)&#xA;Ray J (feat. Kid Ink) — &amp;quot;Feeling Like Love&amp;quot; (2018)&#xA;Foggieraw (feat. DJ Yung Vamp) — &amp;quot;Moncler Bubble&amp;quot; (2018)&#xA;The Aces — &amp;quot;Lovin Is Bible&amp;quot; (2018)&#xA;Noel Gallagher's High Flying Birds — &amp;quot;God Help Us All (Demo Version)&amp;quot; (2018)&#xA;Nohidea &amp;amp; killedmyself — &amp;quot;and then, it swallowed me&amp;quot; (2018)&#xA;Spice 1 — &amp;quot;2 Many Movies&amp;quot; (2018)&#xA;Haux — &amp;quot;Ricochet&amp;quot; (2018)&#xA;Ashley Monroe — &amp;quot;Hands on You&amp;quot; (2018)&#xA;Zilo — &amp;quot;Keep Up Wimi&amp;quot; (2018)&#xA;24hrs (feat. Lil Pump) — &amp;quot;Lie Detector&amp;quot; (2018)&#xA;Janelle Monáe — &amp;quot;Django Jane&amp;quot; (2018)&#xA;GASHI — &amp;quot;1134&amp;quot; (2018)&#xA;CeeLo Green — &amp;quot;Brick Road&amp;quot; (2018)&#xA;Lewis Capaldi (feat. Jessie Reyez) — &amp;quot;Rush&amp;quot; (2018)&#xA;Kacey Musgraves — &amp;quot;Space Cowboy&amp;quot; (2018)&#xA;Bishop Briggs — &amp;quot;White Flag&amp;quot; (2018)&#xA;5 Seconds of Summer — &amp;quot;Want You Back&amp;quot; (2018)&#xA;Bazzi — &amp;quot;Gone&amp;quot; (2018)&#xA;David Guetta, Martin Garrix &amp;amp; Brooks — &amp;quot;Like I Do&amp;quot; (2018)&#xA;Kacey Musgraves — &amp;quot;Buterflies&amp;quot; (2018)&#xA;Janelle Monáe — &amp;quot;Make Me Feel&amp;quot; (2018)&#xA;Logic — &amp;quot;44 More&amp;quot; (2018)&#xA;Post Malone (feat. Ty Dolla $ign) — &amp;quot;Psycho&amp;quot; (2018)&#xA;Stalley — Tell the Truth Shame the Devil, Vol. 2 (2018)&#xA;Stalley — Tell the Truth Shame the Devil (2017)&#xA;Cautious Clay — Blood Type (2018)March 1Holly Miranda — Mutual Horse (2018)&#xA;Caroline Rose — LONER (2018)&#xA;Bea Miller — aurora (2018)FebruaryFebruary 28B.o.B — B.o.B Presents: The Adventures of Bobby Ray (2010)&#xA;Young Nudy — Nudy Land (2017)&#xA;Beyoncé — B'Day (2006)&#xA;DENM — Is Whatever (2018)February 27Snoop Dogg— 220 (2018)&#xA;Kendrick Lamar, The Weeknd &amp;amp; SZA — Black Panther: The Album (Music from and Inspired By) (2018)&#xA;Young Nudy — Slime Ball 2 (2017)&#xA;Young Nudy — Slime Ball (2016)February 26Tinashe — Aquarius (2014)&#xA;Fat Joe &amp;amp; Remy Ma (feat. French Montana, InfaRed, Snoop Dogg, The Game &amp;amp; E-40) — &amp;quot;All the Way Up (Westside Remix)&amp;quot; (2016)&#xA;Pale Waves  — ALL THE THINGS I NEVER SAID (2018)&#xA;Kero Kero Bonito — TOTEP (2018)&#xA;Sonder — Into (2017)&#xA;Ravyn Lenae — Crush EP (2018)&#xA;Charlotte Day Wilson — Stone Woman (2018)&#xA;Good Gas — Good Gas, Vol. 1 EP (2018)&#xA;2 Chainz — The Play Don't Care Who Makes It (2018)&#xA;BoA — ONE SHOT, TWO SHOT - The 1st Mini Album (2018)February 256ix9ine — DAY69 (2018)&#xA;Various Artists — Fifty Shades Freed (Original Motion Picture Soundtrack) (2018)&#xA;A$AP Ant — The Prelude (2018)&#xA;Hoodrich Pablo Juan &amp;amp; Brodinski — The Matrix (2018)February 24Scrape Gang Marcos (feat. Marqo 2 Fresh) — &amp;quot;Went to Sleep&amp;quot; (2017)&#xA;Timbaland &amp;amp; Magoo — Welcome to Our World (1997)&#xA;Playa — Cheers 2 U (1998)&#xA;Tha Dogg Pound — Dogg Food (1995)&#xA;Madilyn Bailey — Wiser EP (2016)&#xA;Pi'erre Bourne — &amp;quot;Hacked My Instagram, Pts. 1 &amp;amp; 2&amp;quot; (2017)February 23DrugRixh Hect (RX Hector) — Hector Vol. 1 (2017)&#xA;Flatlinerz — U.S.A. (1994)&#xA;Gravediggaz — 6 Feet Deep (1994)&#xA;Joe — All That I Am (1997)&#xA;Amil — A.M.I.L. (All Money Is Legal) (2000)February 22Wale — Summer on Sunset (2016)&#xA;Ray J — All I Feel (2008)&#xA;Valerie June — For the Loved &amp;amp; Loveless (2018)&#xA;Madison McFerrin — Finding Foundations Vol. II (2018)February 21DrugRixh Hect (RX Hector) — Ian Never Had Shit (2016)&#xA;Ugly God (feat. PnB Rock) — &amp;quot;Imma Dog&amp;quot; (2018)&#xA;Sean Paul &amp;amp; David Guetta (feat. Becky G) — &amp;quot;Mad Love&amp;quot; (2018)&#xA;Tory Lanez — &amp;quot;B.I.D&amp;quot; (2018)&#xA;Wale — &amp;quot;All Star Break Up&amp;quot; (2018)&#xA;Tinashe (feat. Future) — &amp;quot;Faded Love&amp;quot; (2018)&#xA;YG — &amp;quot;Suu Whoop&amp;quot; (2018)February 20Kim Petras — &amp;quot;Heart to Break&amp;quot; (2018)&#xA;Sammi Sanchez (feat. Reykon) — &amp;quot;Pum Pum&amp;quot; (2018)&#xA;SOPHIE — &amp;quot;Faceshopping&amp;quot; (2018)&#xA;Derek Minor — &amp;quot;It Is What It Is&amp;quot; (2018)&#xA;Madilyn Bailey — &amp;quot;Tetris&amp;quot; (2018)&#xA;Sofia Reyes (feat. Jason Derulo &amp;amp; De La Ghetto) — &amp;quot;1, 2, 3&amp;quot; (2018)&#xA;The Neighbourhood — &amp;quot;Void&amp;quot; (2018)&#xA;PRETTYMUCH — &amp;quot;10,000 Hours&amp;quot; (2018)&#xA;Lauv — &amp;quot;Getting Over You&amp;quot; (2018)&#xA;Khalid &amp;amp; Normani — &amp;quot;Love Lies&amp;quot; (2018)&#xA;Frank Ocean — &amp;quot;Moon River&amp;quot; (2018)&#xA;A$AP Rocky (feat. 21 Savage, Gucci Mane &amp;amp; London on da Track) — &amp;quot;Cocky&amp;quot; (2018)&#xA;Pi'erre Bourne — &amp;quot;Honeyberry&amp;quot; (2017)&#xA;Pi'erre Bourne — &amp;quot;Hacked My Instagram&amp;quot; (2018)February 19N/AFebruary 18N/AFebruary 17N/AFebruary 16N/AFebruary 15Alyson Stoner — &amp;quot;Someone to Call My Lover&amp;quot; (2018)February 14Rome — Rome (1997)February 13DJ Paul &amp;amp; Lord Infamous — Come With Me to Hell: Part 1 (Remastered) (2014)&#xA;6LACK — &amp;quot;Cutting Ties&amp;quot; (2018)&#xA;Mindless Behavior — All Around the World (2013)&#xA;DJ Paul &amp;amp; Lord Infamous — Come With Me to Hell 2 (1995)&#xA;Joe — Ain't Nothin' Like Me (2007)February 12DJ Paul &amp;amp; Lord Infamous — Come With Me to Hell (1994)&#xA;Marshmello &amp;amp; Anne-Marie — &amp;quot;FRIENDS&amp;quot; (2018)&#xA;Lotto Savage — Don Slaughter (2016)&#xA;Monica — After the Storm (2003)&#xA;Gianna Adams (feat. Jhen) — &amp;quot;Fallen&amp;quot; (2018)February 11Thouxanbanfauni — Heavy (2015)&#xA;Thouxanbanfauni — Untitled (2016)&#xA;Brandy — Afrodisiac (2004)&#xA;August Alsina — Testimony (2014)&#xA;Thouxanbanfauni — Heavier EP (2015)&#xA;Thouxanbanfauni — 34 EP (2016)&#xA;Keith Sweat (feat. K-Ci) — &amp;quot;How Many Ways&amp;quot; (2018)&#xA;Parliament (feat. Scarface) — &amp;quot;I'm Gon Make U Sick O'Me&amp;quot; (2018)&#xA;Trinidad James — &amp;quot;Zion&amp;quot; (2018)&#xA;K. Michelle (feat. Nathan Jain) — &amp;quot;Make This Song Cry (Nathan Jain Remix)&amp;quot; (2018)&#xA;Hoodrich Pablo Juan (feat. Lil Dude &amp;amp; Goonew) — &amp;quot;Take Down&amp;quot; (2018)&#xA;Sherwood Marty — &amp;quot;Wild'n&amp;quot; (2018)&#xA;MadeinTYO — &amp;quot;Picture Me Rollin&amp;quot; (2018)&#xA;Snoop Dogg (feat. Tye Tribbett) — &amp;quot;You&amp;quot; (2018)&#xA;Onyx (feat. Skyzoo) — &amp;quot;Ima Fuckin Rockstar&amp;quot; (2018)February 10Jennifer Lopez — &amp;quot;Us&amp;quot; (2018)&#xA;The Aces — &amp;quot;Volcanic Love&amp;quot; (2018)&#xA;Tedashii — &amp;quot;Smile&amp;quot; (2018)&#xA;Fireflight — &amp;quot;I Won't Look Back&amp;quot; (2018)&#xA;Dorothy — &amp;quot;Who Do You Love&amp;quot; (2018)&#xA;Sonder — &amp;quot;One Night Only&amp;quot; (2018)&#xA;grandson — &amp;quot;Overdose&amp;quot; (2018)&#xA;Au/Ra — &amp;quot;Panic Room&amp;quot; (2018)&#xA;King Combs (feat. Chris Brown) — &amp;quot;Love You Better&amp;quot; (2018)&#xA;Ne-Yo — &amp;quot;GOOD MAN&amp;quot; (2018)&#xA;Rich The Kid — &amp;quot;Plug Walk&amp;quot; (2018)&#xA;Noah Cyrus (feat. MØ) — &amp;quot;We Are...&amp;quot; (2018)&#xA;A-Trak &amp;amp; Falcons (feat. Young Thug &amp;amp; 24hrs) — &amp;quot;Ride for Me&amp;quot; (2018)&#xA;Brent Faiyaz — &amp;quot;Make Luv&amp;quot; (2018)&#xA;Calvin Harris (feat. PARTYNEXTDOOR) — &amp;quot;Nuh Ready Nuh Ready&amp;quot; (2018)&#xA;Billy Paul — 360 Degrees of Billy Paul (1972)&#xA;Justin Timberlake — The 20/20 Experience - 2 of 2 (2013)February 9Goonew — Goonwick (2018)&#xA;Miilkbone — da' Miilkrate (1995)February 8Justin Timberlake — The 20/20 Experience (2010)&#xA;ARY — &amp;quot;Childhood Dreams&amp;quot; (2017)&#xA;Bell Biv DeVoe — &amp;quot;Gangsta&amp;quot; (1993)&#xA;Anjali World — Brave New World (2015)&#xA;Sabrina Carpenter — &amp;quot;Smoke and Fire&amp;quot; (2016)&#xA;Hodgy — Fireplace: TheNotTheOtherSide (2016)&#xA;The Aces — I Don't Like Being Honest (2017)&#xA;69 Boyz — 199Quad (1994)&#xA;Keyshia Cole — 11:11 Reset (2017)February 7The Isley Brothers — 3+3 (1973)&#xA;Mike Jones — Who Is Mike Jones? (Screwed &amp;amp; Chopped) (2005)&#xA;Da Youngsta's — I'll Make U Famous (1995)&#xA;Twista — Adrenaline Rush (1997)February 63LW — 3LW (2000)&#xA;Beyoncé — 4 (2012)&#xA;R. Kelly — 12 Play (1993)&#xA;B.O.N.E. Enterpri$e (Bone Thugs-N-Harmony) — Faces of Death (1993)&#xA;Mindless Behavior — #1 Girl (2011)February 5Nebu Kiniza — &amp;quot;Gassed Up&amp;quot; (2016)&#xA;Charlotte Lawrence — &amp;quot;The Finish Line&amp;quot; (2014)&#xA;Charlotte Lawrence — &amp;quot;Ever After&amp;quot; (2015)&#xA;Jahi Winston — &amp;quot;Shine&amp;quot; (2017)&#xA;Teairra Marí — &amp;quot;Deserve&amp;quot; (2014)&#xA;School Gyrls (FOREVER) — A Very School Gyrls Holla-Day (2010)&#xA;A1 (feat. Chris Brown &amp;amp; Ty Dolla $ign) — &amp;quot;Always&amp;quot; (2017)&#xA;Kendrick Lamar — DAMN. (2017)&#xA;Chance The Rapper — Coloring Book (2016)&#xA;Booby Gibson (feat. Brooke Valentine) — &amp;quot;Nobody Knows&amp;quot; (2017)&#xA;Migos &amp;amp; Hoodrich Pablo Juan — &amp;quot;I Can&amp;quot; (2017)&#xA;Migos — Culture (2017)&#xA;Zoey Dollaz — M'ap Boule (2017)&#xA;Ski Mask The Slump God — YouWillRegret (Reloaded) (2018)&#xA;Brontë — &amp;quot;Salt&amp;quot; (2017)&#xA;Hailee Steinfeld &amp;amp; BloodPop® — &amp;quot;Capital Letters&amp;quot; (2018)&#xA;Brontë — &amp;quot;You've Got a Ticket&amp;quot; (2017)February 4Playboi Carti &amp;amp; Lil Uzi Vert — &amp;quot;Break the Bank&amp;quot; (2017)&#xA;Bishop Briggs — &amp;quot;Never Tear Us Apart&amp;quot; (2018)&#xA;Quinn XCII — &amp;quot;Iron &amp;amp; Steel&amp;quot; (2018)&#xA;Brandi Carlile — &amp;quot;Whatever You Do&amp;quot; (2018)&#xA;Sarah Reeves — &amp;quot;Feel the Waters&amp;quot; (2018)&#xA;Busta Rhymes (feat. Missy Elliott &amp;amp; Kelly Rowland) — &amp;quot;Get It&amp;quot; (2018)&#xA;Rick Ross (feat. T-Pain &amp;amp; Kodak Black) — &amp;quot;Florida Boy&amp;quot; (2018)&#xA;RaeLynn — &amp;quot;Festival&amp;quot; (2018)&#xA;The Weeknd &amp;amp; Kendrick Lamar — &amp;quot;Pray for Me&amp;quot; (2018)&#xA;Molly Parden — &amp;quot;Who Did You Leave for Me&amp;quot; (2018)&#xA;Caitlyn Canty — &amp;quot;Motel&amp;quot; (2018)&#xA;Caroline Rose — &amp;quot;Getting to Me&amp;quot; (2018)&#xA;Fitness — &amp;quot;Matter of Time&amp;quot; (2018)&#xA;Thunderpussy — &amp;quot;Torpedo Love&amp;quot; (2018)&#xA;Trinidad Cardona — &amp;quot;Dinero&amp;quot; (2018)&#xA;Doja Cat — &amp;quot;Roll With Us&amp;quot; (2018)&#xA;TK Kravitz (feat. Jacquees) — &amp;quot;Ocean&amp;quot; (2018)&#xA;CLOVES — &amp;quot;Bringing the House Down&amp;quot; (2018)&#xA;3LAU &amp;amp; Nevve — &amp;quot;On My Own&amp;quot; (2018)&#xA;Sasha Sloan — &amp;quot;Normal&amp;quot; (2018)&#xA;Bone Thugs-N-Harmony — Strength &amp;amp; Loyalty (2007)February 3Tay-K — &amp;quot;After You&amp;quot; (2018)&#xA;SWV — It's About Time (1992)&#xA;Sammie — Coming of Age (2017)&#xA;Mariah Carey — The Emancipation of Mimi (2005)February 2Members Only — Members Only, Vol. 3 (2017)&#xA;Jeremih &amp;amp; Chance The Rapper — Merry Christmas Lil' Mama (Re-Wrapped) (2017)&#xA;Private Club Records — ILUVTPC V1 (2017)&#xA;Sauce Walka — Holy Sauce (2016)&#xA;Chris Brown, OHB &amp;amp; Section Boyz — Attack the Block (2016)&#xA;Goonew — Certified Goon (2017)&#xA;Chris Brown &amp;amp; OHB — Before da Trap: Nights in Tarzana (2016)February 1Zoedajit — &amp;quot;Dracula&amp;quot; (2017)&#xA;24hrs — &amp;quot;RUNNIN 3X&amp;quot; (2016)&#xA;24hrs — &amp;quot;Last Man&amp;quot; (2016)&#xA;YRN Lingo — Strawberry (2017)&#xA;YRN Lingo — Coming for Your Ice (2015)&#xA;YRN Lingo — Blue Ski (2016)&#xA;Plies — The Pussy Monster (2008)&#xA;YRN Lingo — Red Ski (2015)JanuaryJanuary 31Mango Foo — Ear Hustling (2016)&#xA;Charlotte Lawrence — &amp;quot;Seventeen&amp;quot; (2017)&#xA;Moon Taxi — Let the Record Play (2018)&#xA;Emmanuel Hudson &amp;amp; Phillip Hudson — Ratchet Du Soleil (2014)&#xA;SiR — November (2018)January 30Ray J &amp;amp; Chris Brown — Burn My Name (2017)&#xA;Fall Out Boy — M A N  I  A (2018)&#xA;Noname — Telefone (2016)January 29YRN Lingo — Lingo Mufasa (2017)&#xA;Famous Dex — Read About It (2017)&#xA;UnoTheActivist — Sorry for the Wait (Brooke's Interlude) (2017)&#xA;Kailee Morgue — Medusa (2018)&#xA;Julia Michaels — &amp;quot;Heaven&amp;quot; (2018)&#xA;Charlotte Lawrence — &amp;quot;Sleep Talking&amp;quot; (2017)&#xA;LEYYA — Sauna (2018)&#xA;Caitlyn Smith — Starfire (2018)&#xA;MILCK — This Is Not the End (2018)&#xA;First Aid Kit — Ruins (2018)&#xA;For All Seasons — Clarity (2018)January 28Ivy Sole — Eden (2016)&#xA;Ivy Sole — West (2017)January 27UnoTheActivist — Gift of Gab (2015)&#xA;UnoTheActivist &amp;amp; Thouxanbanfauni — For Christ Sake (2015)&#xA;Ravyn Lenae — Moon Shoes EP (2016)&#xA;A$AP Ant — &amp;quot;Racks on Me&amp;quot; (2017)&#xA;Tory Ruperto — Ruined (2018)January 26Rayana Jay — Morning After (2017)&#xA;Charlotte Lawrence — &amp;quot;You're the One That I Want&amp;quot; (2017)&#xA;Kent Jones — &amp;quot;Merengue&amp;quot; (2018)&#xA;Ace Hood — &amp;quot;Uber&amp;quot; (2018)&#xA;Charlotte Day Wilson — &amp;quot;Nothing New&amp;quot; (2018)&#xA;The Aces — &amp;quot;Fake Nice&amp;quot; (2018)&#xA;I'm With Her — &amp;quot;Overland&amp;quot; (2018)&#xA;IDK (feat. Leo Gee) — &amp;quot;Vlone&amp;quot; (2018)&#xA;Charlotte Lawrence — &amp;quot;Just the Same&amp;quot; (2018)&#xA;Elohim — &amp;quot;Fuck Your Money&amp;quot; (2018)&#xA;Zaytoven — Trapping Made It Happen (2017)&#xA;Beyoncé — LEMONADE (2016)&#xA;Various Artists — Damn Son Where'd You F!nd Th!s: Elevate &amp;amp; Extravagant Edition (2018)&#xA;Marqo 2 Fresh — 30 Nights in LA (2018)&#xA;Bruno Mars — &amp;quot;The Lazy Song (Single Version)&amp;quot; (2011)&#xA;Bruno Mars — Doo—Wops &amp;amp; Hooligans (2010)January 25Jamila Woods — HEAVN (2017)&#xA;Tammy Rivera — &amp;quot;All These Kisses&amp;quot; (2017)&#xA;Pell — girasoul (2017)&#xA;Alina Baraz (feat. Khalid) — &amp;quot;Electric&amp;quot; (2017)&#xA;Tammy Rivera (feat. Rico Love) — &amp;quot;Only One&amp;quot; (2017)January 24Ta-ku &amp;amp; Wafia — (m)edian (2016)&#xA;Queen Naija — &amp;quot;Medicine&amp;quot; (2017)&#xA;LIVVIA (feat. Quavo) — &amp;quot;Catch a Body&amp;quot; (2018)January 23Wafia — XXIX (2015)&#xA;Casey Veggies — Customized Greatly Vol. 2 (2009)&#xA;Sandra Lynn — Fight (2018)&#xA;Lil Dude — Martin Luther Luciano (2018)January 22Casey Veggies — Customized Greatly Vol. 1 (2007)&#xA;Tinashe (feat. Iggy Azalea) — &amp;quot;All Hands on Deck (Remix)&amp;quot; (2015)January 21Taylor Swift — reputation (2017)&#xA;Jay Z — 4:44 (2017)&#xA;Sonder — Sheath (2016)&#xA;Sonder — Undone (2016)&#xA;Sonder — Victoria (2016)January 20Wafia — VIII (2018)&#xA;Fredo Santana — Fredo Kruger (2013)&#xA;AZ — Doe or Die (1995)&#xA;Eazy-E — It's On (Dr. Dre) 187um Killa (1993)&#xA;Tyler, The Creator — &amp;quot;Fuck Love&amp;quot; (2009)&#xA;TTDD (Tyler, The Creator, Taco, Domo Genesis &amp;amp; Jasper Dolphin) — &amp;quot;Love in da Mall&amp;quot; (2010)&#xA;Mac Bari — &amp;quot;Fuck Bron Bron&amp;quot; (2016)&#xA;Fredo Santana — It's a Scary Site (2012)&#xA;Toni Braxton — &amp;quot;Deadwood&amp;quot; (2017)&#xA;Earl St. Clair — &amp;quot;Christmas Without You&amp;quot; (2017)&#xA;Anderson East — &amp;quot;Girlfriend&amp;quot; (2018)&#xA;Drake — Scary Hours (2018)&#xA;Remy Ma (feat. Chris Brown) — &amp;quot;Melanin Magic (Pretty Brown)&amp;quot; (2018)&#xA;Nipsey Hussle (feat. YG) — &amp;quot;Last Time That I Checc'd&amp;quot; (2018)&#xA;Lucy Dacus — &amp;quot;Addictions&amp;quot; (2018)&#xA;Kassi Ashton — &amp;quot;California, Missouri&amp;quot; (2018)&#xA;Lolo Zouaï — &amp;quot;Blue&amp;quot; (2018)&#xA;Betty Who — &amp;quot;Ignore Me&amp;quot; (2018)&#xA;Rita Ora — &amp;quot;PROUD&amp;quot; (2018)&#xA;Bella Thorne — &amp;quot;Burn So Bright&amp;quot; (2018)&#xA;Ugly God &amp;amp; Jacin Trill — &amp;quot;lettetznow&amp;quot; (2018)&#xA;Arty (feat. April Bender) — &amp;quot;Sunrise&amp;quot; (2018)&#xA;Keith Urban — &amp;quot;Parallel Love&amp;quot; (2018)&#xA;The Chainsmokers — &amp;quot;Sick Boy&amp;quot; (2018)&#xA;Troye Sivan — &amp;quot;The Good Side&amp;quot; (2018)&#xA;Justin Timberlake — &amp;quot;Supplies&amp;quot; (2018)January 19OG Maco &amp;amp; Key! — Give Em Hell (2014)&#xA;Various Artists — Above the Rim Soundtrack (1994)&#xA;Ludacris — Battle of the Sexes (2010)&#xA;Jack Mushroom — One Up (2012)January 18MC Lyte — Ain't No Other (1993)&#xA;Heltah Skeltah — Nocturnal (1996)&#xA;Tinashe (feat. Offset) — &amp;quot;No Drama&amp;quot; (2018)January 17Tyler, The Creator — &amp;quot;Sleep Freestyle&amp;quot; (2009?)&#xA;Chris Brown — Heartbreak on a Full Moon Deluxe Edition: Cuffing Season - 12 Days of Christmas (2017)January 16Yaggfu Front — Action Packed Adventure! (1993)&#xA;Channel Live — Station Identification (1995)January 15Chris Brown — Royalty (2015)&#xA;Keith Ape &amp;amp; Ski Mask The Slump God — &amp;quot;Achoo!&amp;quot; (2017)&#xA;No Plug (feat. 21 Savage) — &amp;quot;A Savage&amp;quot; (2017)&#xA;Flatbush ZOMBiES (feat. Deadcats) — &amp;quot;Aries&amp;quot; (2016)&#xA;Miranda Cosgrove — &amp;quot;Dancing Crazy&amp;quot; (2010)&#xA;Miranda Cosgrove — &amp;quot;Raining Sunshine&amp;quot; (2009)&#xA;Katy Perry (feat. Skip Marley) — &amp;quot;Chained to the Rhythm&amp;quot; (2017)&#xA;Kap G — &amp;quot;Rings&amp;quot; (2017)&#xA;Kate Kay Es — &amp;quot;Working&amp;quot; (2017)&#xA;Nebu Kiniza (feat. Lil Yachty) — &amp;quot;Wake Up&amp;quot; (2017)&#xA;Jessie J — &amp;quot;Queen&amp;quot; (2017)&#xA;Teenage Wrist — &amp;quot;Swallow&amp;quot; (2017)&#xA;Sigrid — &amp;quot;Strangers&amp;quot; (2017)&#xA;John Legend — &amp;quot;Woodstock&amp;quot; (2017)&#xA;Pell — &amp;quot;chirpin'&amp;quot; (2017)&#xA;MILCK — &amp;quot;Quiet&amp;quot; (2017)&#xA;Nipsey Hussle (feat. Swizz Beatz) — &amp;quot;Been Down&amp;quot; (2017)&#xA;DJ Premier (feat. A$AP Ferg) — &amp;quot;Our Streets&amp;quot; (2017)&#xA;Smooky MarGielaa — &amp;quot;Hood&amp;quot; (2017)&#xA;PLAZA — &amp;quot;Pick Up&amp;quot; (2017)&#xA;Gorillaz (feat. Little Simz) — &amp;quot;Garage Palace&amp;quot; (2017)&#xA;autumn keys — &amp;quot;i can't move&amp;quot; (2016)&#xA;CLAY — &amp;quot;Forgotten How to Fly&amp;quot; (2017)&#xA;Clean Bandit (feat. Julia Michaels) — &amp;quot;I Miss You&amp;quot; (2017)&#xA;Happy Sometimes — &amp;quot;Love for the Weekend&amp;quot; (2017)&#xA;Alina Baraz — &amp;quot;Lavender and Velvet&amp;quot; (2017)&#xA;Alina Baraz — &amp;quot;Buzzin&amp;quot; (2017)&#xA;Lamb Saga (feat. Pi'erre Bourne) — &amp;quot;You Neva Know&amp;quot; (2014)&#xA;DrugRixh Scarfo da Plug (Scarfo da Plug)  — &amp;quot;Happier&amp;quot; (2017)&#xA;Hayley Kiyoko — &amp;quot;Sleepover&amp;quot; (2017)&#xA;Kate Kay Es — &amp;quot;Love Too Hard&amp;quot; (2017)&#xA;Tyga — &amp;quot;Temperature&amp;quot; (2017)&#xA;The Black Eyed Peas — &amp;quot;STREET LIVIN'&amp;quot; (2018)&#xA;K CAMP — &amp;quot;Cranberry Juice&amp;quot; (2018)&#xA;Chris Bloom — &amp;quot;Learning Curve&amp;quot; (2017)&#xA;Smooky MarGielaa — &amp;quot;Money Talk&amp;quot; (2017)&#xA;PLAZA — &amp;quot;All Mine&amp;quot; (2017)&#xA;YG (feat. DJ Mustard) — &amp;quot;Pop It, Shake It&amp;quot; (2017)&#xA;Haley Georgia — &amp;quot;Shots&amp;quot; (2017)&#xA;Katelyn Tarver — &amp;quot;Planez&amp;quot; (2016)&#xA;Rachel Platten — &amp;quot;Broken Glass&amp;quot; (2017)&#xA;Kiiara (feat. Felix Snow) — &amp;quot;Whippin&amp;quot; (2017)&#xA;Gianna Adams — &amp;quot;Dear Santa&amp;quot; (2017)&#xA;Alessia Cara — &amp;quot;How Far I'll Go&amp;quot; (2016)&#xA;24hrs — &amp;quot;You Know&amp;quot; (2016)&#xA;24hrs (feat. Gucci Mane) — &amp;quot;Not Impressed&amp;quot; (2016)&#xA;Spiffy Global (feat. Rizzoo Rizzoo &amp;amp; Sauce Walka) — &amp;quot;Spill Wit It&amp;quot; (2017)&#xA;Smooky MarGielaa — &amp;quot;The Judge&amp;quot; (2017)&#xA;Jazmine Sullivan (feat. Bryson Tiller) — &amp;quot;Insecure&amp;quot; (2017)&#xA;Willow — &amp;quot;F Q—C # 7&amp;quot; (2015)&#xA;Willow — &amp;quot;I Am Me&amp;quot; (2012)&#xA;Louisa Johnson — &amp;quot;Forever Young&amp;quot; (2015)&#xA;Alicia Eris — &amp;quot;Sweet Kill&amp;quot; (2018)&#xA;Smooky MarGielaa — &amp;quot;Vlone Flex&amp;quot; (2018)January 14Chris Brown &amp;amp; Tyga — Fan of a Fan: The Album (2015)&#xA;Camila Cabello — Camila (2018)January 13The Neighbourhood — To Imagine (2018)&#xA;The Neighbourhood — Hard (2017)&#xA;Jade Bird — Something American (2017)&#xA;Creek Boyz — &amp;quot;Trap Digits&amp;quot; (2018)&#xA;Justine Skye — &amp;quot;Heaven&amp;quot; (2018)&#xA;Hayley Kiyoko — &amp;quot;Curious&amp;quot; (2018)&#xA;Rhye — &amp;quot;Song for You&amp;quot; (2018)&#xA;GASHI — &amp;quot;Used to Be&amp;quot; (2018)&#xA;First Aid Kit — &amp;quot;Ruins&amp;quot; (2018)&#xA;Audrey Assad — &amp;quot;Drawn to You&amp;quot; (2018)&#xA;Jade Bird — &amp;quot;Lottery&amp;quot; (2018)January 12Dua Lipa — &amp;quot;IDGAF&amp;quot; (2018)&#xA;Codes — Club Meditation (2018)&#xA;Eminem (feat. 2 Chainz &amp;amp; Phresher) — &amp;quot;Chloraseptic (Remix)&amp;quot; (2018)&#xA;Kali Uchis (feat. 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<INFO BITRATE="810636" KEY_LYRICS="18 ContributorsAugust 2022 Singles Release Calendar LyricsWELCOME TO GENIUS' AUGUST 2022 SINGLES RELEASE CALENDAR!!!&#xA;&#xA;&#xA;&#xA;For August 2022 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights the notable singles released in all genres throughout August 2022. Each… Read More 8/1&#xA;Bad Suns &amp;amp; PVRIS - &amp;quot;Maybe You Saved Me&amp;quot;&#xA;JAWNY - &amp;quot;strawberry chainsaw&amp;quot;&#xA;陳健安 (On Chan) - &amp;quot;創作者的派對 (The Creator's Shower)&amp;quot;&#xA;Sarah Close - &amp;quot;Love Ain't Meant To Hurt&amp;quot;&#xA;&#xA;8/2&#xA;Bill Wurtz - &amp;quot;i like to wear soft clothing (cause it makes me feel like i'm rough in comparison)&amp;quot;&#xA;Hot Chip - &amp;quot;Freakout / Release&amp;quot;&#xA;KAYTRANADA &amp;amp; Anderson .Paak - &amp;quot;Twin Flame&amp;quot;&#xA;​​paopao &amp;amp; Dalex - &amp;quot;ea diache&amp;quot;&#xA;RichaadEB - &amp;quot;Master of Puppets&amp;quot; ft. LittleVMills&#xA;ROBI &amp;amp; Jay Wheeler - &amp;quot;Garabatos&amp;quot;&#xA;Sheryl Crow - &amp;quot;Circles&amp;quot;&#xA;&#xA;8/3&#xA;Dragonette - &amp;quot;New Suit&amp;quot;&#xA;Duncan Laurence - &amp;quot;Electric Life&amp;quot;&#xA;Eladio Carrión - &amp;quot;Que Cojones&amp;quot;&#xA;Fumez The Engineer &amp;amp; T Global - &amp;quot;Plugged In Freestyle&amp;quot;&#xA;Hazel English - &amp;quot;Hamilton&amp;quot;&#xA;Mr Eazi - &amp;quot;Personal Baby&amp;quot;&#xA;MUST DIE! - &amp;quot;GRAVEBLOOM&amp;quot;&#xA;Sports Team - &amp;quot;The Drop&amp;quot;&#xA;Stella Donnelly - &amp;quot;How Was Your Day?&amp;quot;&#xA;The Midnight - &amp;quot;Brooklyn. Friday. Love.&amp;quot;&#xA;The 1975 - &amp;quot;Happiness&amp;quot;&#xA;8/4&#xA;Baauer - &amp;quot;Let Me Love U&amp;quot;&#xA;Buni - &amp;quot;Gruesome&amp;quot;&#xA;Feid - &amp;quot;Si Te La Encuentras Por Ahí&amp;quot;&#xA;Headie One, Abra Cadabra &amp;amp; Bandokay - &amp;quot;Can't Be Us&amp;quot;&#xA;Kapla y Miky - &amp;quot;Flete&amp;quot;&#xA;KAWALi - &amp;quot;Let It Rip&amp;quot;&#xA;Kenia OS - &amp;quot;Todo My Love&amp;quot;&#xA;Lil Macks - &amp;quot;Luv Songs&amp;quot;&#xA;Miky Woodz - &amp;quot;Conexiones&amp;quot;&#xA;mxmtoon - &amp;quot;kaleidoscope&amp;quot;&#xA;NSG &amp;amp; MHD - &amp;quot;In Da Car&amp;quot;&#xA;Nutcase22 - &amp;quot;Swing&amp;quot;&#xA;Okay Kaya - &amp;quot;Spinal Tap&amp;quot; ft. Deem Spencer &amp;amp; Michael Wolever&#xA;&#xA;8/5&#xA;$NOT - &amp;quot;Immaculate&amp;quot;&#xA;Adam Melchor - &amp;quot;Turnham Green&amp;quot;&#xA;Ben Rector &amp;amp; Thomas Rhett - &amp;quot;What Makes A Man&amp;quot;&#xA;benny blanco, BTS &amp;amp; Snoop Dogg - &amp;quot;​Bad Decisions&amp;quot;&#xA;Beyoncé &amp;amp; Madonna - &amp;quot;BREAK MY SOUL (THE QUEENS REMIX)&amp;quot;&#xA;blackbear &amp;amp; The Used - &amp;quot;toxic energy&amp;quot;&#xA;Brynn Cartelli - &amp;quot;Girl Code&amp;quot;&#xA;Carly Rae Jepsen - &amp;quot;Beach House&amp;quot;&#xA;Cate - &amp;quot;Manic Pixie Dream Girl&amp;quot;&#xA;COUCOU CHLOE - &amp;quot;WIZZ (COBRAH Remix)&amp;quot;&#xA;DeathbyRomy - &amp;quot;No Mercy&amp;quot;&#xA;DJ Khaled - &amp;quot;STAYING ALIVE&amp;quot; ft. Drake &amp;amp; Lil Baby&#xA;DUCKWRTH &amp;amp; Syd - &amp;quot;Ce Soir&amp;quot;&#xA;Duke Deuce - &amp;quot;JUST SAY THAT (Remix)&amp;quot; ft. Glorilla &amp;amp; Quavo&#xA;HRVY - &amp;quot;I Wish I Could Hate You&amp;quot;&#xA;Icewear Vezzo - &amp;quot;It's All on You&amp;quot; ft. Kodak Black&#xA;Joel Corry - &amp;quot;History&amp;quot; ft. Becky Hill&#xA;John K - &amp;quot;Guitars and Drugs&amp;quot;&#xA;John Legend - &amp;quot;All She Wanna Do&amp;quot; ft. Saweetie&#xA;John Newman - &amp;quot;Holy Love (Scott Forshaw Remix)&amp;quot;&#xA;Kay-O - &amp;quot;Thinking&amp;quot;&#xA;Kelsea Ballerini - &amp;quot;THE LITTLE THINGS&amp;quot;&#xA;KSI - &amp;quot;Not Over Yet&amp;quot; ft. Tom Grennan&#xA;KYLE - &amp;quot;I Literally Never Think About You&amp;quot;&#xA;Lil Tecca - &amp;quot;Faster&amp;quot;&#xA;Madonna &amp;amp; Saucy Santana - &amp;quot;MATERIAL GWORRLLLLLLLL!&amp;quot;&#xA;Maisie Peters - &amp;quot;Blonde&amp;quot;&#xA;Maroon 5 - &amp;quot;One Light (Remix)&amp;quot; ft. Bantu, Latto &amp;amp; BLEU&#xA;MIKA - &amp;quot;Grace Kelly (Clean Bandit Remix)&amp;quot;&#xA;NGHTMRE - &amp;quot;Trials&amp;quot; ft. IDK&#xA;NIKI - &amp;quot;High School in Jakarta&amp;quot;&#xA;Oliver Tree &amp;amp; Robin Schulz - &amp;quot;Miss You&amp;quot;&#xA;Olivia O'Brien - &amp;quot;Bitch Back&amp;quot; ft. FLETCHER&#xA;Omar Apollo - &amp;quot;Highlight&amp;quot;&#xA;OneRepublic - &amp;quot;I Ain't Worried (Acoustic)&amp;quot;&#xA;Panic! at the Disco - &amp;quot;Local God&amp;quot;&#xA;Pitbull &amp;amp; Play-N-Skillz - &amp;quot;Party of a Lifetime&amp;quot;&#xA;Quinn XCII  - &amp;quot;Backpack&amp;quot;&#xA;Robbie Williams - &amp;quot;Lost (XXV)&amp;quot;&#xA;Serrini - &amp;quot;靜靜 (Shhhhh)&amp;quot;&#xA;Steve Aoki, Timmy Trumpet &amp;amp; DJ Aligator - &amp;quot;The Whistle&amp;quot;&#xA;The Killers - &amp;quot;boy&amp;quot;&#xA;The Weeknd - &amp;quot;Best Friends (Remix)&amp;quot; ft. Summer Walker&#xA;THEY. - &amp;quot;Lonely&amp;quot; ft. Bino Rideaux&#xA;Tiësto &amp;amp; Charli XCX - &amp;quot;Hot In It (Tiësto’s Hotter Mix)&amp;quot;&#xA;Trippie Redd - &amp;quot;BIG 14&amp;quot; ft. Moneybagg Yo &amp;amp; Offset&#xA;Unlike Pluto - &amp;quot;Rain On My Happy Days&amp;quot;&#xA;WILLOW - &amp;quot;hover like a GODDESS&amp;quot;&#xA;YSN Flow - &amp;quot;FYB!&amp;quot;&#xA;YUNGBLUD - &amp;quot;The Emperor&amp;quot;&#xA;8/7&#xA;AbzSav - &amp;quot;Blindspot&amp;quot;&#xA;Double Lz &amp;amp; GRM Daily - &amp;quot;Daily Duppy&amp;quot;&#xA;&#xA;8/8&#xA;B-Lovee - &amp;quot;Wicked&amp;quot;&#xA;Jae Camilo - &amp;quot;COMO YO QUIERA&amp;quot;&#xA;Poppy Ajudha - &amp;quot;NO!&amp;quot;&#xA;Rae Sremmurd - &amp;quot;Community Dick&amp;quot; ft. Flo Milli&#xA;Rod Wave - &amp;quot;Alone&amp;quot;&#xA;SOPHY 王嘉儀 - &amp;quot;自然變態 (SLNBDY)&amp;quot;&#xA;&#xA;8/9&#xA;DaBaby - &amp;quot;TOUGH SKIN&amp;quot;&#xA;Danger Mouse &amp;amp; Black Thought - &amp;quot;Strangers&amp;quot; ft. A$AP Rocky &amp;amp; Run The Jewels&#xA;Ezra Furman - &amp;quot;Poor Girl a Long Way From Heaven&amp;quot;&#xA;JID &amp;amp; Kenny Mason - &amp;quot;Dance Now&amp;quot;&#xA;Marlon Williams - &amp;quot;Easy Does It&amp;quot;&#xA;Mia Rodriguez - &amp;quot;I LUV U&amp;quot;&#xA;Mykki Blanco, Saul Williams &amp;amp; MNEK - &amp;quot;Steps&amp;quot;&#xA;Pixey - &amp;quot;I'm Just High&amp;quot;&#xA;Pixies - &amp;quot;Vault of Heaven&amp;quot;&#xA;Rex Orange County - &amp;quot;THREAT&amp;quot;&#xA;林家謙 (Terence Lam) - &amp;quot;邊一個發明了ENCORE&amp;quot;&#xA;Tessa Violet - &amp;quot;Kitchen Song&amp;quot;&#xA;8/10&#xA;Alvvays - &amp;quot;Easy On Your Own?&amp;quot;&#xA;Banoffee - &amp;quot;Angel Girl&amp;quot;&#xA;Black Honey - &amp;quot;Charlie Bronson&amp;quot;&#xA;Broken Bells - &amp;quot;Saturdays&amp;quot;&#xA;Gia Ford - &amp;quot;A Car Crash For Two&amp;quot;&#xA;張蔓姿 (Gigi Cheung) - &amp;quot;關於纏綿 (Just You And Me)&amp;quot;&#xA;Editors - &amp;quot;Kiss&amp;quot;&#xA;girlpuppy - &amp;quot;I Want To Be There&amp;quot;&#xA;Little Dragon - &amp;quot;Frisco&amp;quot;&#xA;Loyle Carner - &amp;quot;Georgetown&amp;quot; ft. John Agard&#xA;Mark Owen - &amp;quot;Magic&amp;quot;&#xA;Mia Wray - &amp;quot;Evidence&amp;quot;&#xA;PinkPantheress &amp;amp; Sam Gellaitry - &amp;quot;Picture in my mind&amp;quot;&#xA;Santigold - &amp;quot;Shake&amp;quot;&#xA;The Tallest Man On Earth - &amp;quot;Metal Firecracker&amp;quot;&#xA;Thelma Plum - &amp;quot;The Brown Snake&amp;quot;&#xA;Tones and I - &amp;quot;Charlie&amp;quot;&#xA;泳兒 (Vincy Chan) - &amp;quot;18部半 (18½)&amp;quot;&#xA;Yeah Yeah Yeahs - &amp;quot;Burning&amp;quot;&#xA;&#xA;8/11&#xA;Anitta &amp;amp; Maluma - &amp;quot;El Que Espera&amp;quot;&#xA;C1 - &amp;quot;Simon Says&amp;quot; ft. Chinx (OS)&#xA;Cordae - &amp;quot;So With That&amp;quot;&#xA;Cordae - &amp;quot;Unaccpetable&amp;quot;&#xA;daine - &amp;quot;BOYTHOTS&amp;quot;&#xA;Danna Paola - &amp;quot;XT4S1S&amp;quot;&#xA;Fizzler - &amp;quot;Please Stay&amp;quot;&#xA;Fumez The Engineer &amp;amp; Tremz - &amp;quot;Plugged In Freestyle&amp;quot;&#xA;Gia Woods &amp;amp; BAYLI - &amp;quot;Spend It&amp;quot;&#xA;Kojo Funds - &amp;quot;Do You Mind&amp;quot;&#xA;Nobeat, KHEA &amp;amp; Ingratax - &amp;quot;Medio Crazy Remix&amp;quot; ft. Rusherking, FMK, Juhn&#xA;PacmanTV &amp;amp; Alz Hendrix - &amp;quot;The Str8 Drop&amp;quot;&#xA;Peach PRC - &amp;quot;Forever Drunk&amp;quot;&#xA;Sainté - &amp;quot;Arrogant&amp;quot;&#xA;Workrate - &amp;quot;Attention&amp;quot;&#xA;&#xA;8/12&#xA;Afrojack &amp;amp; Black V Neck - &amp;quot;Day N Night&amp;quot; ft. Muni Long&#xA;Alexander Oscar - &amp;quot;Light Me Up&amp;quot;&#xA;ALMA - &amp;quot;I Forgive Me&amp;quot;&#xA;Ari Lennox - &amp;quot;Hoodie&amp;quot;&#xA;Armin van Buuren &amp;amp; Gareth Emery - &amp;quot;Forever &amp;amp; Always&amp;quot; ft. Owl City&#xA;B.o.B - &amp;quot;N***a Now&amp;quot; ft. Tech N9ne&#xA;Babyface - &amp;quot;Seamless&amp;quot; ft. Kehlani&#xA;Babyface Ray - &amp;quot;Anotha One&amp;quot;&#xA;BigKayBeezy - &amp;quot;Paraphernalia&amp;quot;&#xA;BigWalkDog - &amp;quot;Skywalka&amp;quot;&#xA;Billen Ted - &amp;quot;People Ain't Dancing&amp;quot; ft. Kah-Lo&#xA;Black Birdie - &amp;quot;i can't feel&amp;quot;&#xA;Chappell Roan - &amp;quot;Femininomenon&amp;quot;&#xA;Cian Ducrot &amp;amp; Ella Henderson - &amp;quot;All For You&amp;quot;&#xA;DaBaby - &amp;quot;WAITRESS&amp;quot;&#xA;David Guetta &amp;amp; Benny Benassi - &amp;quot;Satisfaction&amp;quot;&#xA;Death Cab For Cutie - &amp;quot;Foxglove Through the Clearcut&amp;quot;&#xA;Desiigner - &amp;quot;Jaguar&amp;quot;&#xA;Ebhoni - &amp;quot;That’s Your Problem (STANK HOEZ)&amp;quot;&#xA;EDEN - &amp;quot;Sci-Fi&amp;quot;&#xA;ella jane - &amp;quot;How Do I Lose You&amp;quot;&#xA;Elohim &amp;amp; Nitti Gritti - &amp;quot;Float Away&amp;quot;&#xA;Fabolous &amp;amp; French Montana - &amp;quot;SAY LESS&amp;quot;&#xA;First Aid Kit - &amp;quot;Out of My Head&amp;quot;&#xA;GAYLE - &amp;quot;indieedgycool&amp;quot;&#xA;Jack &amp;amp; Jack - &amp;quot;Runaway&amp;quot;&#xA;Jade Novah - &amp;quot;Trip&amp;quot;&#xA;Jake Miller - &amp;quot;Keep Her&amp;quot;&#xA;Jenevieve - &amp;quot;Love Quotes&amp;quot;&#xA;Jessie Reyez - &amp;quot;MUTUAL FRIEND&amp;quot;&#xA;Johan Lenox - &amp;quot;Dumb&amp;quot;&#xA;Jon Vinyl - &amp;quot;Entice Me&amp;quot;&#xA;Jordan Davis - &amp;quot;Next Thing You Know&amp;quot;&#xA;Joshua Bassett - &amp;quot;Smoke Slow&amp;quot;&#xA;KAMILLE - &amp;quot;Weight Loss&amp;quot;&#xA;Kate Nash - &amp;quot;Wasteman&amp;quot;&#xA;Kid Ink - &amp;quot;Dead Wrong&amp;quot;&#xA;KWAYE - &amp;quot;Be Easy&amp;quot;&#xA;Little Big Town - &amp;quot;Better Love&amp;quot;&#xA;Lost Kings - &amp;quot;Under The Influence&amp;quot; ft. Jordan Shaw&#xA;Maggie Lindemann - &amp;quot;self sabotage&amp;quot;&#xA;Maximillian - &amp;quot;I'm Not Me&amp;quot;&#xA;M.I.A. - &amp;quot;Popular&amp;quot;&#xA;Mitch James - &amp;quot;motions&amp;quot;&#xA;Morray - &amp;quot;Ticket&amp;quot;&#xA;Nicki Minaj - &amp;quot;Super Freaky Girl&amp;quot;&#xA;NOTD &amp;amp; Kiiara - &amp;quot;What's With the Roses&amp;quot;&#xA;Prezioso &amp;amp; Laurell - &amp;quot;Havana&amp;quot;&#xA;Quinn Lewis - &amp;quot;Rocket Science&amp;quot;&#xA;Ronald Isley &amp;amp; The Isley Brothers - &amp;quot;Make Me Say It Again, Girl&amp;quot; ft. Beyoncé&#xA;ROZES - &amp;quot;Heart on Fire&amp;quot;&#xA;Sean Kingston - &amp;quot;Side&amp;quot;&#xA;Shallou &amp;amp; ayokay - &amp;quot;Us&amp;quot;&#xA;Sonia Stein - &amp;quot;Every Time Africa Plays&amp;quot;&#xA;Sorana - &amp;quot;Wild Girls&amp;quot;&#xA;St. Lucia - &amp;quot;Hey Now&amp;quot;&#xA;SYML - &amp;quot;Lost Myself&amp;quot;&#xA;Toosii - &amp;quot;Lonely&amp;quot;&#xA;Trannos &amp;amp; Eleni Foureira - &amp;quot;Egw &amp;amp; Esy&amp;quot;&#xA;Transviolet - &amp;quot;Love and Power&amp;quot;&#xA;Tyga, Jhené Aiko &amp;amp; Pop Smoke - &amp;quot;Sunshine&amp;quot;&#xA;Unlike Pluto - &amp;quot;If It's Vengeance You Want&amp;quot;&#xA;Victoria Canal - &amp;quot;swan song&amp;quot;&#xA;Wrabel &amp;amp; Sadie Jean - &amp;quot;hurts like hell&amp;quot;&#xA;YG - &amp;quot;Toxic&amp;quot;&#xA;&#xA;8/13&#xA;Skeng - &amp;quot;Day Break&amp;quot;&#xA;&#xA;8/14&#xA;Akz - &amp;quot;Touring (Freestyle)&amp;quot;&#xA;&#xA;8/15&#xA;方皓玟 (Charmaine Fong) - &amp;quot;Hey u&amp;quot;&#xA;Chief Keef - &amp;quot;Chief So&amp;quot;&#xA;Johnny Orlando - &amp;quot;coping (1621)&amp;quot;&#xA;Phoebe Green - &amp;quot;Crying in the Club&amp;quot;&#xA;​tana &amp;amp; Lancey Foux - &amp;quot;swaggin like this&amp;quot;&#xA;&#xA;8/16&#xA;Billy Idol - &amp;quot;Cage&amp;quot;&#xA;chloe moriondo - &amp;quot;Fruity&amp;quot;&#xA;Emilia - &amp;quot;La Chain&amp;quot;&#xA;Kane Brown - &amp;quot;Go Around&amp;quot;&#xA;Maya Hawke - &amp;quot;Sweet Tooth&amp;quot;&#xA;Mura Masa, Pa Salieu &amp;amp; Skillibeng - &amp;quot;blessing me (Remix)&amp;quot; ft. Kali Uchis&#xA;Panic! at the Disco - &amp;quot;Don't Let the Light Go Out&amp;quot;&#xA;serpentwithfeet - &amp;quot;I'm Pressed&amp;quot;&#xA;The Beths - &amp;quot;Knees Deep&amp;quot;&#xA;The Wombats - &amp;quot;Is This What It Feels Like To Feel Like This?&amp;quot;&#xA;&#xA;8/17&#xA;42 Dugg - &amp;quot;IDGAF&amp;quot;&#xA;Boy In Space - &amp;quot;Lean On&amp;quot;&#xA;Cautious Clay - &amp;quot;Camp Anonymous&amp;quot;&#xA;Chloe George - &amp;quot;Runaway Blue&amp;quot;&#xA;Circa Waves - &amp;quot;Hell On Earth&amp;quot;&#xA;Daya - &amp;quot;Her&amp;quot;&#xA;Demi Lovato - &amp;quot;29&amp;quot;&#xA;DMA'S - &amp;quot;I Don't Need To Hide&amp;quot;&#xA;HotBoy Wes - &amp;quot;God Forgives, I Don't&amp;quot;&#xA;Kali - &amp;quot;Wet&amp;quot;&#xA;姜濤 (Keung To) - &amp;quot;風雨不改 (Rain Or Shine)&amp;quot;&#xA;Kita Alexander - &amp;quot;Ocean Blue&amp;quot;&#xA;Lissie - &amp;quot;Sad&amp;quot;&#xA;New Hope Club - &amp;quot;Call Me a Quitter&amp;quot;&#xA;New Hope Club - &amp;quot;Whatever&amp;quot;&#xA;Private Zero &amp;amp; Kayem2x - &amp;quot;In Da Function&#xA;Röyksopp - &amp;quot;Oh, Lover&amp;quot; ft. Susanne Sundfør&#xA;Ruel - &amp;quot;YOU AGAINST YOURSELF&amp;quot;&#xA;Skullcrusher - &amp;quot;Quiet the Room&amp;quot;&#xA;Skullcrusher - &amp;quot;They Quiet the Room&amp;quot;&#xA;SOHN - &amp;quot;M.I.A.&amp;quot;&#xA;&#xA;8/18&#xA;38 Shamz - &amp;quot;Poppin&amp;quot;&#xA;Anitta - &amp;quot;Lobby&amp;quot; ft. Missy Elliott&#xA;Camilo &amp;amp; Grupo Firme - &amp;quot;Alaska&amp;quot;&#xA;CG5 - &amp;quot;Lonely King&amp;quot;&#xA;Darren Hayes - &amp;quot;All You Pretty Things&amp;quot;&#xA;Dayglow - &amp;quot;Deep End&amp;quot;&#xA;Fivio Foreign - &amp;quot;London Freestyle&amp;quot;&#xA;Fumez The Engineer &amp;amp; Sixty - &amp;quot;Sixty x Fumez The Engineer - Plugged In&amp;quot;&#xA;JBee - &amp;quot;24's&amp;quot;&#xA;K-Trap - &amp;quot;Spoilt&amp;quot;&#xA;Maisie Peters - &amp;quot;Good Enough&amp;quot;&#xA;Nicki Minaj - &amp;quot;Super Freaky Girl (Roman Remix)&amp;quot;&#xA;Nicole Favre - &amp;quot;Parará (Ya Estás Aquí)&amp;quot; ft. Antonio José&#xA;PacmanTV &amp;amp; Strika - &amp;quot;The Hotspot&amp;quot;&#xA;SIX60 - &amp;quot;Before You Leave&amp;quot;&#xA;Sneakbo - &amp;quot;They Wanna Know&amp;quot;&#xA;&#xA;8/19&#xA;88rising &amp;amp; MILLI - &amp;quot;Mind Games&amp;quot; ft. Jackson Wang (王嘉爾)&#xA;Bazzi - &amp;quot;Heaven&amp;quot;&#xA;bbno$ - &amp;quot;sophisticated&amp;quot;&#xA;Big Time Rush - &amp;quot;Dale Pa' Ya&amp;quot; ft. Maffio&#xA;BLACKPINK - &amp;quot;Pink Venom&amp;quot;&#xA;Blake Shelton - &amp;quot;No Body&amp;quot;&#xA;Bryce Vine - &amp;quot;Moonrock&amp;quot;&#xA;Dynoro - &amp;quot;Live and Die&amp;quot; ft. Sophie Simmons&#xA;elijah​ woods - &amp;quot;Everything Everywhere Always&amp;quot;&#xA;EMELINE - &amp;quot;STRUT&amp;quot;&#xA;Ericka Jane - &amp;quot;To The Beat Of Your Heart&amp;quot;&#xA;Futuristic - &amp;quot;Dead to Me&amp;quot; ft. Loveless&#xA;Grace Davies - &amp;quot;Already Gone&amp;quot;&#xA;Gramthart - &amp;quot;Real Waste&amp;quot;&#xA;Greentea Peng - &amp;quot;Look To Him&amp;quot;&#xA;陳柏宇 (Jason Chan) - &amp;quot;命盡頭 (End Of Life)&amp;quot;&#xA;Jean Dawson - &amp;quot;3 HEADS*&amp;quot;&#xA;Kai Whiston - &amp;quot;T.F.J.&amp;quot;&#xA;Låpsley - &amp;quot;Dial Two Seven&amp;quot;&#xA;LeAnn Rimes - &amp;quot;awakening&amp;quot;&#xA;Lil Tecca - &amp;quot;Treesha&amp;quot;&#xA;LINK - &amp;quot;Beyond&amp;quot;&#xA;LØLØ - &amp;quot;u turn me on (but u give me depression)&amp;quot;&#xA;Lost Frequencies - &amp;quot;Chemical High&amp;quot;&#xA;Lukas Graham - &amp;quot;Wish You Were Here&amp;quot; ft. Khalid&#xA;Macklemore - &amp;quot;MANIAC&amp;quot; ft. Windser&#xA;Maddie &amp;amp; Tae - &amp;quot;Spring Cleaning&amp;quot;&#xA;Maluma - &amp;quot;28&amp;quot;&#xA;MOD SUN - &amp;quot;Battle Scars&amp;quot;&#xA;Offset - &amp;quot;54321&amp;quot;&#xA;PJ Harvey &amp;amp; Tim Phillips - &amp;quot;Who by Fire&amp;quot;&#xA;Powfu - &amp;quot;washing off the blood&amp;quot;&#xA;Ramz - &amp;quot;Ma Bizniz Trips R Ur Holidays&amp;quot;&#xA;R3HAB &amp;amp; Laidback Luke - &amp;quot;Weekend On a Tuesday&amp;quot;&#xA;Red Hot Chili Peppers - &amp;quot;Tippa My Tongue&amp;quot;&#xA;石山街 (Rock Hill Street) - &amp;quot;Happy Song&amp;quot;&#xA;Sara Kays - &amp;quot;Watching TV&amp;quot;&#xA;Sam Ryder - &amp;quot;Somebody&amp;quot;&#xA;Seafret - &amp;quot;Running Out of Love&amp;quot;&#xA;Shayfer James - &amp;quot;Ferryman&amp;quot; ft. Will Wood&#xA;Sophie and the Giants - &amp;quot;We Own The Night&amp;quot;&#xA;STARSET - &amp;quot;Waiting on the Sky to Change&amp;quot; ft. Breaking Benjamin&#xA;Stefflon Don - &amp;quot;Clockwork&amp;quot; ft. Spice&#xA;Tatiana Hazel - &amp;quot;Talk&amp;quot;&#xA;The Backseat Lovers - &amp;quot;Growing/Dying&amp;quot;&#xA;The Struts - &amp;quot;Fallin' With Me&amp;quot;&#xA;Tokischa, Anuel AA &amp;amp; Ñengo Flow - &amp;quot;Delincuente&amp;quot;&#xA;Unlike Pluto - &amp;quot;My Life Away&amp;quot;&#xA;Yves V &amp;amp; Conor Maynard - &amp;quot;Don't Hurt Me (What Is Love)&amp;quot;&#xA;Zedd, Maren Morris &amp;amp; BEAUZ - &amp;quot;Make You Say&amp;quot;&#xA;Алексей Кру., TimPlay &amp;amp; DENDY - &amp;quot;Разоблачили&amp;quot;&#xA;&#xA;8/22&#xA;22Gz - &amp;quot;Why Would I Lack?&amp;quot; ft. SPMB Bills&#xA;Alice Boman - &amp;quot;Feels Like a Dream&amp;quot; ft. Perfume Genius&#xA;Ambré - &amp;quot;gotta move on&amp;quot;&#xA;周國賢 (Endy Chow) - &amp;quot;太平道 (Peace Avenue)&amp;quot;&#xA;The National - &amp;quot;Weird Goodbyes&amp;quot; ft. Bon Iver&#xA;&#xA;8/23&#xA;Bianca - &amp;quot;Halley's Comet&amp;quot;&#xA;Bill Wurtz - &amp;quot;​the ending&amp;quot;&#xA;Born Trappy - &amp;quot;Unconditional Love&amp;quot;&#xA;Julia Jacklin - &amp;quot;Be Careful With Yourself&amp;quot;&#xA;L7NNON &amp;amp; Tion Wayne - &amp;quot;Kim N Kanye&amp;quot;&#xA;Melody's Echo Chamber - &amp;quot;Unfold&amp;quot;&#xA;NAV - &amp;quot;Wrong Decisions&amp;quot;&#xA;Nina Nesbitt - &amp;quot;Colours of You&amp;quot;&#xA;Ruth B. - &amp;quot;Paper Airplanes&amp;quot;&#xA;&#xA;8/24&#xA;03 Greedo &amp;amp; Mike Free - &amp;quot;Drop Down&amp;quot;&#xA;BiC Fizzle - &amp;quot;B.A.N&amp;quot;&#xA;Cash Cobain - &amp;quot;BACK IT UP&amp;quot; ft. Tata&#xA;Fabolous &amp;amp; Jim Jones - &amp;quot;RICH HUSTLE&amp;quot;&#xA;Fredo Bang - &amp;quot;Addy&amp;quot;&#xA;Gus Dapperton - &amp;quot;Landslide&amp;quot;&#xA;鄭欣宜 (Joyce Cheng) - &amp;quot;Glitterfalls&amp;quot;&#xA;Kevin Gates - &amp;quot;Major League&amp;quot;&#xA;LANY - &amp;quot;Congrats&amp;quot;&#xA;Lil Pump - &amp;quot;I'm Back&amp;quot;&#xA;Magdalena Bay - &amp;quot;All You Do&amp;quot;&#xA;RAYE - &amp;quot;Black Mascara&amp;quot;&#xA;Reuben Vincent - &amp;quot;Geechie Suede&amp;quot;&#xA;Sasha Alex Sloan - &amp;quot;As It Was&amp;quot;&#xA;Sasha Alex Sloan - &amp;quot;Thank You (Spotify Singles)&amp;quot;&#xA;Teddy Swims - &amp;quot;Don’t Stop Believin’&amp;quot;&#xA;Tegan and Sara - &amp;quot;Faded Like a Feeling&amp;quot;&#xA;The Amazons - &amp;quot;There's a Light&amp;quot;&#xA;The Beaches - &amp;quot;Orpheus&amp;quot;&#xA;TheRealSullyG - &amp;quot;The Tax Write-Off Song&amp;quot;&#xA;&#xA;8/25&#xA;Ben Kessler - &amp;quot;Just Like Me&amp;quot;&#xA;Booter Bee - &amp;quot;Bnb&amp;quot;&#xA;Call Me Karizma - &amp;quot;Burn&amp;quot; ft. 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<INFO BITRATE="974863" KEY_LYRICS="2 ContributorsAgain Lyrics&#xA;Yo, yo&#xA;And when me say, me say again&#xA;Long long time, me no come-a-come again&#xA;Every time me touch up on the riddim, problem&#xA;Run go tell your bredrin, me say run go tell your friend&#xA;We are the remedy, I wheel up the ting&#xA;Me say again&#xA;Long long time, me no come-a-come again&#xA;Every time me touch up on the riddim, problem&#xA;Understand I know you like it (Hear them call out)&#xA;Pull it up and rewind it&#xA;&#xA;&#xA;Aye, yo, they ain't ever badder than me&#xA;You ain't ever met a realer killer MC&#xA;Name hold weight, that's a hundred MT&#xA;Lick off a shot and leave the clip empty&#xA;How you mean? How you mean?&#xA;You ain't messing with the team&#xA;Bruddas loving off my ting, they see me in their dreams&#xA;Busting out the jeans, get it popping like the seam&#xA;Laser beam, laser beam&#xA;You ain't messing with the team&#xA;&#xA;&#xA;Yo, yo&#xA;And when me say, me say again&#xA;Long long time, me no come-a-come again&#xA;Every time me touch up on the riddim, problem&#xA;Run go tell your bredrin, me say run go tell your friend&#xA;We are the remedy, I wheel up the ting&#xA;Me say again&#xA;Long long time, me no come-a-come again&#xA;Every time me touch up on the riddim, problem&#xA;Understand I know you like it (Hear them call out)&#xA;Pull it up and rewind it&#xA;&#xA;(Soundboy)&#xA;Let it go, let it go&#xA;Let it go&#xA;&#xA;&#xA;Boom&#xA;Every time they see me when I step into the room&#xA;Pulling out the camera, see the flash and do the zoom&#xA;You know it's a madness when I'm mashing up the tune&#xA;Blud I'll spin your favourite rapper, man I'll send him to the moon&#xA;Long long time, good to see you, see you soon&#xA;Still a rapper, still a actor, been a trapper, been a goon&#xA;Diss me by the morning, they won't live to see the noon&#xA;Va-va-voom, va-va-voom&#xA;&#xA;&#xA;Yo, yo&#xA;And when me say, me say again&#xA;Long long time, me no come-a-come again&#xA;Every time me touch up on the riddim, problem&#xA;Run go tell your bredrin, me say run go tell your friend&#xA;We are the remedy, I wheel up the ting&#xA;Me say again&#xA;Long long time, me no come-a-come again&#xA;Every time me touch up on the riddim, problem&#xA;Understand I know you like it (Hear them call out)&#xA;Pull it up and rewind it&#xA;&#xA;See me, me, me, me, see the eat, gyal all come&#xA;See me, me, me, me, &#xA;So calm down, you don't really want no &#xA;And you don't wanna take this ting too far now&#xA;&#xA;&#xA;Yo, yo&#xA;And when me say, me say again&#xA;Long long time, me no come-a-come again&#xA;Every time me touch up on the riddim, problem&#xA;Run go tell your bredrin, me say run go tell your friend&#xA;We are the remedy, I wheel up the ting" PRODUCER="(P) 2020 Sony Music Entertainment UK Limited" COVERARTID="041/JZXNSLA5SOKSDDI5Q33DBTZFPNSA" PLAYTIME="204" PLAYTIME_FLOAT="203.241364" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="24633"></INFO>
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<INFO BITRATE="864885" KEY_LYRICS="4 ContributorsSlums Lyrics“Slums” is a heartfelt collaboration between an incarcerated YNW Melly and his manager, 100K Track. It was first announced via a now-deleted Instagram post in early February 2022. Melly’s part of the track… Read More &#xA;To accept charges (Yeah)&#xA;And consent to this recorded call (Gari, chop that shit up)&#xA;Press one to ****, thank you for using Securus (DeepHartt beats)&#xA;You may start the conversation now&#xA;Yo (Yung Shad, you killed this track)&#xA;What it is, man? You good?&#xA;Yeah, dog, motherfucking vibing, man&#xA;I'm in New York right now tryna lay this bitch down&#xA;(Hey, Track, you ran off with this one)&#xA;&#xA;&#xA;I'm straight up out the slums&#xA;Comin' straight up out the slums&#xA;Comin' straight up out the slums&#xA;A lot of people don't make it where I'm from&#xA;I wanted deep pockets, instead, I got a deep heart&#xA;I play in hands, I was thrilled, I never switch cars&#xA;I get emotional every time I think about my parents&#xA;Never cared 'bout comin' first 'cause I was built to last&#xA;They stay the strongest when you at your lowest&#xA;Never made excuses, won't ever show it&#xA;Givin' all I got, I'm goin' all in&#xA;I'm takin' on a loss and turnin' in a win&#xA;Straight up out the slums&#xA;I'm straight up out the slums&#xA;Comin' straight up out the slums&#xA;A lot of people don't make it where I'm from&#xA;Straight up out the slums&#xA;A long way where we come&#xA;Straight up out the slums&#xA;We're all waitin' from the slums&#xA;&#xA;I'll wait, now I got them callin'&#xA;It be the ones you really love you gotta question&#xA;Never give up on yourself 'cause it's a time thing&#xA;And stay down 'til you shine, it's gon' fall in&#xA;Be the one you count on, don't let 'em count you out&#xA;And throw away your fears, don't even speak it out your mouth&#xA;And when they throwin' stones, pick it up and build a house&#xA;And never keep your head down, belief gon' come with doubt&#xA;Before this shine ten, now the ten you go through rain&#xA;And tell me what's joy if you never experienced pain&#xA;Championship dreams come and work during the season&#xA;You can't forget the goal. when you make it, don't start sleeping&#xA;And Melly, you a hero I just wanna let you know&#xA;To see you hold it down in a cell, man, you the GOAT&#xA;Until you get home, I keep a phone for me to pick up&#xA;And being your big brother one of the things that I'm proud of (I love you)&#xA;&#xA;&#xA;I'm straight up out the slums&#xA;Comin' straight up out the slums&#xA;Comin' straight up out the slums&#xA;A lot of people don't make it where I'm from&#xA;I wanted deep pockets, instead, I got a deep heart&#xA;I play in hands, I was thrilled, I never switch cars&#xA;I get emotional every time I think about my parents&#xA;Never cared 'bout comin' first 'cause I was built to last&#xA;They stay the strongest when you at your lowest&#xA;Never made excuses, won't ever show it&#xA;Givin' all I got, I'm goin' all in&#xA;I'm takin' on a loss and turnin' in a win&#xA;Straight up out the slums&#xA;I'm straight up out the slums&#xA;Comin' straight up out the slums&#xA;A lot of people don't make it where I'm from&#xA;Straight up out the slums&#xA;A long way where we come&#xA;Straight up out the slums&#xA;We're all waitin' from the slums" PRODUCER="YAM Recordings" COVERARTID="053/VFRBXKAO44XMGCZUR2TLDX2HRTRD" PLAYTIME="308" PLAYTIME_FLOAT="307.200012" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="32555"></INFO>
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<INFO BITRATE="959235" KEY_LYRICS="1 ContributorWar in the Streets LyricsSoldiers&#xA;Marching in the streets&#xA;I hear the stomping of their feet&#xA;I'm obliged here to stay&#xA;The night burns brightly into day&#xA;&#xA;Generals command the troops&#xA;Civilians build rebellion groups&#xA;See the rage in every face&#xA;What they’ll do, is far from grace&#xA;They keep their weapons at their chests&#xA;Holding high the local flag&#xA;&#xA;&#xA;Bullets flying through the air&#xA;Bodies falling - nobody cares&#xA;People dying - more and more&#xA;If you see this, then you'll know&#xA;(It's) war in the streets&#xA;&#xA;Battlefields are drenched in blood&#xA;Childrеn faces full of mud&#xA;Holocaust! Fight to survive&#xA;Hostages try to bе alive&#xA;Both sides are closed the freedom door&#xA;And carry on to be at war&#xA;&#xA;Bullets flying through the air&#xA;Bodies falling - nobody cares&#xA;People dying - more and more&#xA;If you see this, then you’ll know&#xA;(It's) war in the streets&#xA;&#xA;&#xA;Bullets flying through the air&#xA;Bodies falling - nobody cares&#xA;People dying - more and more&#xA;If you see this, then you'll know&#xA;(It's) war in the streets" PRODUCER="(P) 2020 Hooversound Recordings" COVERARTID="021/VAE2AHB0WREHWD4RPD3KBFMGRG5B" PLAYTIME="223" PLAYTIME_FLOAT="222.800003" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="26635"></INFO>
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<INFO BITRATE="1044155" KEY_LYRICS="3 ContributorsTime Is Hardcore Lyrics&#xA;The past is, the past is, the past is a bastard&#xA;Keeps asking for favours&#xA;And turning up half-cut at family parties&#xA;With the same old excuses&#xA;Breaking all the furniture&#xA;And changing the music&#xA;Can't wrench nothing out of yesterday, it's gone&#xA;How do you settle that score?&#xA;Got you like a soldier in peace time desperate for war&#xA;'Cause what was real then isn't real anymore&#xA;&#xA;&#xA;Keep spinning or stop in your tracks, keep grinning&#xA;Or let it all smash, keep winning&#xA;Or give it all back, keep running&#xA;Or let it go flat, let it go&#xA;No, you won't get it back&#xA;Keep spinning or stop in your tracks, keep grinning&#xA;Or let it all smash, keep winning&#xA;Or give it all back, keep running&#xA;Or let it go flat, let it go&#xA;No, you won't get it back&#xA;&#xA;&#xA;Wе've come a long, long, long, long way&#xA;From the start&#xA;Wе've come a long, long, long, long way&#xA;From the start&#xA;And even if we fall from grace&#xA;We get back up&#xA;We've come a long, long way&#xA;We've come a long, long way&#xA;&#xA;Yeah-ah-ah-ah oh&#xA;Yeah-ah-ah-ah oh&#xA;Time is hardcore&#xA;Yeah-ah-ah-ah oh&#xA;&#xA;&#xA;Forwards the whole day, backwards the whole night&#xA;Wake up with yesterday's shadow and hold tight to nothing&#xA;Slow flight to nowhere&#xA;Ready to jump but there's no air&#xA;It's all made of glass and steel&#xA;Proof is real&#xA;Get it embossed on the gold-plated wheel&#xA;Spin it until it reveals the reason you don't feel to feel&#xA;Held up by decisions you make&#xA;It's a mistake but it isn't too late&#xA;Somewhere it's morning, call it, it's bait&#xA;I'm the genuine article in a world of superior fakes&#xA;How very internet of you&#xA;The right-on-o-meter is striking a thousand&#xA;I want bliss, lean in, kiss&#xA;Feel bass in face and lips&#xA;Exist, exist or, if not that, then this&#xA;Look, I was in a gold robe, beaming&#xA;The light was intense and the strength I was feeling&#xA;Was swimming lengths in my veins I believed in love&#xA;The way of all flesh had decreed it love&#xA;The way of all flesh had decreed it love&#xA;The way of all flesh had decreed it love&#xA;&#xA;Keep spinning or stop in your tracks, keep grinning&#xA;Or let it all smash, keep winning&#xA;Or give it all back, keep running&#xA;Or let it go flat, let it go&#xA;No, you won't get it back&#xA;Keep spinning or stop in your tracks, keep grinning&#xA;Or let it all smash, keep winning&#xA;Or give it all back, keep running&#xA;Or let it go flat, let it go&#xA;No, you won't get it back&#xA;&#xA;&#xA;We've come a long, long, long, long way&#xA;From the start&#xA;We've come a long, long, long, long way&#xA;From the start&#xA;And even if we fall from grace&#xA;We get back up&#xA;We've come a long, long way&#xA;We've come a long, long way&#xA;&#xA;&#xA;Yeah-ah-ah-ah oh&#xA;Yeah-ah-ah-ah oh&#xA;How very internet of you&#xA;Time is hardcore&#xA;Hardcore&#xA;Hardcore" PRODUCER="℗ 2020 3Beat Productions Limited" COVERARTID="006/GIQVKKD134TLTAYQVYSKBVICEY3A" PLAYTIME="224" PLAYTIME_FLOAT="223.786118" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="28907"></INFO>
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<INFO BITRATE="902555" KEY_LYRICS="3 ContributorsJAMNAPAAR LyricsGhar se nikle Lad-jhagad ke&#xA;Ladke sar pakadke tadpe&#xA;Karte tuutne //&#xA;Sar pe chadke kuutne //&#xA;Ko hai tayyaar maal fuukne //&#xA;Ko, naal tu chale to chal tu&#xA;Faltu mein na machal tu&#xA;Jamnapaar ka safar tu&#xA;Kar tu paar aaj&#xA;Mere sath aaj mere yaar aas-paas khaas-khaas saare badmizaaj&#xA;Fir bhi sabke bas mein aaj sabki jhaanj&#xA;Sabke paas apne raaz&#xA;Tuutne ye Laelaaj!&#xA;&#xA;Aaj bhi (2x)&#xA;Ashiqui tutiono' ko gate pe&#xA;Launde aankhe gadaaye baithe&#xA;Gate pe yu dheet se&#xA;Ladki nikli pichhe se&#xA;Ladka man lagaaye baitha&#xA;Baatcheet puri kyuki&#xA;Ladka dum lagaaye baitha!&#xA;&#xA;Ladka kam kamaaye&#xA;Uska kharcha uske sar pe baitha//&#xA;Ladka ghar chalaaye&#xA;Uska sapna uske man mein baitha //&#xA;Pura kar na paaye&#xA;Uski topi uske sar pe padti sabki fatri&#xA;Bhai dekho tight hai&amp;quot;&#xA;Bhai ne peg lagaaya dekho hone wali fight hai&amp;quot;&#xA;Chhod bhaaga sabka saaya out puuri night hai&amp;quot;&#xA;Sarai-kaale-khan scootiyo'n pe marathon&#xA;Saare bhai apne pichhe sath apne gair kon?&#xA;School bunks kat-te bajte apne rap songs&#xA;Piddu bachcha nikle pichhe se, puchhe &amp;quot;What happened dawg?&amp;quot; sab khairiyat?&#xA;Saare bande hai real&#xA;Main paar karta barrier&#xA;Khata sabke career&amp;quot;&#xA;&#xA;Nayi dilli 92 se aaya ladka tez //&#xA;Chalta market mein&#xA;Dekho iska badhta craze (2x)&#xA;&#xA;Ghar mein ghuste&#xA;Muu se muu pe&#xA;Bhapke padte duusro pe&#xA;Baap mujhse bole tu shuru se&#xA;Fukro ke sath uthna baithna&#xA;Jo karta hai to dekhna&#xA;Main bhi razi mere fefdo pe break na&amp;quot;&#xA;1k se 1 lakh ek song bekna&#xA;Anek jo the fake yaha pe sabke pichhe tekna//&#xA;Main ek khaufnaak hausl-e-viraam hu&#xA;Main bhand kaafile ka palta khaufnaak khaab hu&#xA;Bhot kaam kaaj aaj mere kaandhe par main&#xA;Faasle yu naapu baate kar jo baithu jhaanj kar main&#xA;Kaartoos pass kar be trap wali baatcheet&#xA;BC chhod asli rap wali baatcheet!&#xA;&#xA;Jamnapaari hum hai kam hai lagte tumko gar to&#xA;Karta hu main jo in shabdo se wo tumjo kardo&#xA;Khaali sadta bheja tera shabdkosh se jo bhardu&#xA;Bas mein karke vash mein karke kasht mein main vyast kardu!&#xA;Nasht kardu saare tere hausle //&#xA;Faisle pe faisle adaalate mizaaj mere paitrein&#xA;Main rappero'n ke sar pe chadke maaru aise rehpate!&#xA;Unke gharpe kalpe saare gharpe chalte ghrehkalesh!&#xA;Life meri ash mein&#xA;Baatcheet Cash mein&#xA;Raga chadhta sabke mu pe sabke sarpe hai craze&#xA;Aflatoon drag race dilli 6 ki baatcheet!&#xA;Chaapado se ladte mu se karte baat ni //&#xA;Ye baat ki jo khaal thi wo baat ko pata bhi ni//&#xA;Main baat ko bataadu ulta sabke man ki baat ki//&#xA;Main, bolu baate aam aadmi ki aaj bhi main ashiqui ki baat karta sath Hiphop bhi&amp;quot;&#xA;Hai job meri bhot hi ajeeb si, azeez si, kameen cheez easily main bakta jaise meri jeet hai ye //&#xA;Jamnapaari uchhle apne kadmo'n pe sadmo'n se pare jo bajta dekho&#xA;APNA GEET HAI YE!" PRODUCER="Sub Merchants" COVERARTID="115/TTETNZDVFVW2LDWPNIKVDLP313CC" PLAYTIME="239" PLAYTIME_FLOAT="238.974197" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="26806"></INFO>
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<INFO BITRATE="938705" KEY_LYRICS="2 ContributorsChapter 29 Lyrics                                                        I&#xA;&#xA;    THE assurance of Tanis Judique's friendship fortified Babbitt's self-approval. At the Athletic Club he became experimental. Though Vergil Gunch was silent, the others at the Roughnecks' Table came to accept Babbitt as having, for no visible reason, &amp;quot;turned crank.&amp;quot; They argued windily with him, and he was cocky, and enjoyed the spectacle of his interesting martyrdom. He even praised Seneca Doane. Professor Pumphrey said that was carrying a joke too far; but Babbitt argued, &amp;quot;No! Fact! I tell you he's got one of the keenest intellects in the country. Why, Lord Wycombe said that—&amp;quot;&#xA;&#xA;    &amp;quot;Oh, who the hell is Lord Wycombe? What you always lugging him in for? You been touting him for the last six weeks!&amp;quot; protested Orville Jones.&#xA;&#xA;    &amp;quot;George ordered him from Sears-Roebuck. You can get those English high-muckamucks by mail for two bucks apiece,&amp;quot; suggested Sidney Finkelstein.&#xA;&#xA;    &amp;quot;That's all right now! Lord Wycombe, he's one of the biggest intellects in English political life. As I was saying: Of course I'm conservative myself, but I appreciate a guy like Senny Doane because—&amp;quot;&#xA;&#xA;    Vergil Gunch interrupted harshly, &amp;quot;I wonder if you are so conservative? I find I can manage to run my own business without any skunks and reds like Doane in it!&amp;quot;&#xA;&#xA;    The grimness of Gunch's voice, the hardness of his jaw, disconcerted Babbitt, but he recovered and went on till they looked bored, then irritated, then as doubtful as Gunch.&#xA;&#xA;    II&#xA;&#xA;    He thought of Tanis always. With a stir he remembered her every aspect. His arms yearned for her. &amp;quot;I've found her! I've dreamed of her all these years and now I've found her!&amp;quot; he exulted. He met her at the movies in the morning; he drove out to her flat in the late afternoon or on evenings when he was believed to be at the Elks. He knew her financial affairs and advised her about them, while she lamented her feminine ignorance, and praised his masterfulness, and proved to know much more about bonds than he did. They had remembrances, and laughter over old times. Once they quarreled, and he raged that she was as &amp;quot;bossy&amp;quot; as his wife and far more whining when he was inattentive. But that passed safely.&#xA;&#xA;    Their high hour was a tramp on a ringing December afternoon, through snow-drifted meadows down to the icy Chaloosa River. She was exotic in an astrachan cap and a short beaver coat; she slid on the ice and shouted, and he panted after her, rotund with laughter.... Myra Babbitt never slid on the ice.&#xA;&#xA;    He was afraid that they would be seen together. In Zenith it is impossible to lunch with a neighbor's wife without the fact being known, before nightfall, in every house in your circle. But Tanis was beautifully discreet. However appealingly she might turn to him when they were alone, she was gravely detached when they were abroad, and he hoped that she would be taken for a client. Orville Jones once saw them emerging from a movie theater, and Babbitt bumbled, &amp;quot;Let me make you 'quainted with Mrs. Judique. Now here's a lady who knows the right broker to come to, Orvy!&amp;quot; Mr. Jones, though he was a man censorious of morals and of laundry machinery, seemed satisfied.&#xA;&#xA;    His predominant fear—not from any especial fondness for her but from the habit of propriety—was that his wife would learn of the affair. He was certain that she knew nothing specific about Tanis, but he was also certain that she suspected something indefinite. For years she had been bored by anything more affectionate than a farewell kiss, yet she was hurt by any slackening in his irritable periodic interest, and now he had no interest; rather, a revulsion. He was completely faithful—to Tanis. He was distressed by the sight of his wife's slack plumpness, by her puffs and billows of flesh, by the tattered petticoat which she was always meaning and always forgetting to throw away. But he was aware that she, so long attuned to him, caught all his repulsions. He elaborately, heavily, jocularly tried to check them. He couldn't.&#xA;&#xA;    They had a tolerable Christmas. Kenneth Escott was there, admittedly engaged to Verona. Mrs. Babbitt was tearful and called Kenneth her new son. Babbitt was worried about Ted, because he had ceased complaining of the State University and become suspiciously acquiescent. He wondered what the boy was planning, and was too shy to ask. Himself, Babbitt slipped away on Christmas afternoon to take his present, a silver cigarette-box, to Tanis. When he returned Mrs. Babbitt asked, much too innocently, &amp;quot;Did you go out for a little fresh air?&amp;quot;&#xA;    &amp;quot;Yes, just lil drive,&amp;quot; he mumbled.&#xA;&#xA;    After New Year's his wife proposed, &amp;quot;I heard from my sister to-day, George. She isn't well. I think perhaps I ought to go stay with her for a few weeks.&amp;quot;&#xA;&#xA;    Now, Mrs. Babbitt was not accustomed to leave home during the winter except on violently demanding occasions, and only the summer before, she had been gone for weeks. Nor was Babbitt one of the detachable husbands who take separations casually He liked to have her there; she looked after his clothes; she knew how his steak ought to be cooked; and her clucking made him feel secure. But he could not drum up even a dutiful &amp;quot;Oh, she doesn't really need you, does she?&amp;quot; While he tried to look regretful, while he felt that his wife was watching him, he was filled with exultant visions of Tanis.&#xA;&#xA;    &amp;quot;Do you think I'd better go?&amp;quot; she said sharply.&#xA;&#xA;    &amp;quot;You've got to decide, honey; I can't.&amp;quot;&#xA;&#xA;    She turned away, sighing, and his forehead was damp.&#xA;&#xA;    Till she went, four days later, she was curiously still, he cumbrously affectionate. Her train left at noon. As he saw it grow small beyond the train-shed he longed to hurry to Tanis.&#xA;&#xA;    &amp;quot;No, by golly, I won't do that!&amp;quot; he vowed. &amp;quot;I won't go near her for a week!&amp;quot;&#xA;&#xA;    But he was at her flat at four.&#xA;&#xA;    III&#xA;&#xA;    He who had once controlled or seemed to control his life in a progress unimpassioned but diligent and sane was for that fortnight borne on a current of desire and very bad whisky and all the complications of new acquaintances, those furious new intimates who demand so much more attention than old friends. Each morning he gloomily recognized his idiocies of the evening before. With his head throbbing, his tongue and lips stinging from cigarettes, he incredulously counted the number of drinks he had taken, and groaned, &amp;quot;I got to quit!&amp;quot; He had ceased saying, &amp;quot;I WILL quit!&amp;quot; for however resolute he might be at dawn, he could not, for a single evening, check his drift.&#xA;&#xA;    He had met Tanis's friends; he had, with the ardent haste of the Midnight People, who drink and dance and rattle and are ever afraid to be silent, been adopted as a member of her group, which they called &amp;quot;The Bunch.&amp;quot; He first met them after a day when he had worked particularly hard and when he hoped to be quiet with Tanis and slowly sip her admiration.&#xA;&#xA;    From down the hall he could hear shrieks and the grind of a phonograph. As Tanis opened the door he saw fantastic figures dancing in a haze of cigarette smoke. The tables and chairs were against the wall.&#xA;    &amp;quot;Oh, isn't this dandy!&amp;quot; she gabbled at him. &amp;quot;Carrie Nork had the loveliest idea. She decided it was time for a party, and she 'phoned the Bunch and told 'em to gather round. . . . George, this is Carrie.&amp;quot;&#xA;&#xA;    &amp;quot;Carrie&amp;quot; was, in the less desirable aspects of both, at once matronly and spinsterish. She was perhaps forty; her hair was an unconvincing ash-blond; and if her chest was flat, her hips were ponderous. She greeted Babbitt with a giggling &amp;quot;Welcome to our little midst! Tanis says you're a real sport.&amp;quot;&#xA;&#xA;    He was apparently expected to dance, to be boyish and gay with Carrie, and he did his unforgiving best. He towed her about the room, bumping into other couples, into the radiator, into chair-legs cunningly ambushed. As he danced he surveyed the rest of the Bunch: A thin young woman who looked capable, conceited, and sarcastic. Another woman whom he could never quite remember. Three overdressed and slightly effeminate young men—soda-fountain clerks, or at least born for that profession. A man of his own age, immovable, self-satisfied, resentful of Babbitt's presence.&#xA;&#xA;    When he had finished his dutiful dance Tanis took him aside and begged, &amp;quot;Dear, wouldn't you like to do something for me? I'm all out of booze, and the Bunch want to celebrate. Couldn't you just skip down to Healey Hanson's and get some?&amp;quot;&#xA;&#xA;    &amp;quot;Sure,&amp;quot; he said, trying not to sound sullen.&#xA;&#xA;    &amp;quot;I'll tell you: I'll get Minnie Sonntag to drive down with you.&amp;quot; Tanis was pointing to the thin, sarcastic young woman.&#xA;&#xA;    Miss Sonntag greeted him with an astringent &amp;quot;How d'you do, Mr. Babbitt. Tanis tells me you're a very prominent man, and I'm honored by being allowed to drive with you. Of course I'm not accustomed to associating with society people like you, so I don't know how to act in such exalted circles!&amp;quot;&#xA;&#xA;    Thus Miss Sonntag talked all the way down to Healey Hanson's. To her jibes he wanted to reply &amp;quot;Oh, go to the devil!&amp;quot; but he never quite nerved himself to that reasonable comment. He was resenting the existence of the whole Bunch. He had heard Tanis speak of &amp;quot;darling Carrie&amp;quot; and &amp;quot;Min Sonntag—she's so clever—you'll adore her,&amp;quot; but they had never been real to him. He had pictured Tanis as living in a rose-tinted vacuum, waiting for him, free of all the complications of a Floral Heights.&#xA;&#xA;    When they returned he had to endure the patronage of the young soda-clerks. They were as damply friendly as Miss Sonntag was dryly hostile. They called him &amp;quot;Old Georgie&amp;quot; and shouted, &amp;quot;Come on now, sport; shake a leg&amp;quot; . . . boys in belted coats, pimply boys, as young as Ted and as flabby as chorus-men, but powerful to dance and to mind the phonograph and smoke cigarettes and patronize Tanis. He tried to be one of them; he cried &amp;quot;Good work, Pete!&amp;quot; but his voice creaked.&#xA;&#xA;    Tanis apparently enjoyed the companionship of the dancing darlings; she bridled to their bland flirtation and casually kissed them at the end of each dance. Babbitt hated her, for the moment. He saw her as middle-aged. He studied the wrinkles in the softness of her throat, the slack flesh beneath her chin. The taut muscles of her youth were loose and drooping. Between dances she sat in the largest chair, waving her cigarette, summoning her callow admirers to come and talk to her. (&amp;quot;She thinks she's a blooming queen!&amp;quot; growled Babbitt.) She chanted to Miss Sonntag, &amp;quot;Isn't my little studio sweet?&amp;quot; (&amp;quot;Studio, rats! It's a plain old-maid-and-chow-dog flat! Oh, God, I wish I was home! I wonder if I can't make a getaway now?&amp;quot;)&#xA;&#xA;    His vision grew blurred, however, as he applied himself to Healey Hanson's raw but vigorous whisky. He blended with the Bunch. He began to rejoice that Carrie Nork and Pete, the most nearly intelligent of the nimble youths, seemed to like him; and it was enormously important to win over the surly older man, who proved to be a railway clerk named Fulton Bemis.&#xA;&#xA;    The conversation of the Bunch was exclamatory, high-colored, full of references to people whom Babbitt did not know. Apparently they thought very comfortably of themselves. They were the Bunch, wise and beautiful and amusing; they were Bohemians and urbanites, accustomed to all the luxuries of Zenith: dance-halls, movie-theaters, and roadhouses; and in a cynical superiority to people who were &amp;quot;slow&amp;quot; or &amp;quot;tightwad&amp;quot; they cackled:&#xA;&#xA;    &amp;quot;Oh, Pete, did I tell you what that dub of a cashier said when I came in late yesterday? Oh, it was per-fect-ly priceless!&amp;quot;&#xA;    &amp;quot;Oh, but wasn't T. D. stewed! Say, he was simply ossified! What did Gladys say to him?&amp;quot;&#xA;&#xA;    &amp;quot;Think of the nerve of Bob Bickerstaff trying to get us to come to his house! Say, the nerve of him! Can you beat it for nerve? Some nerve I call it!&amp;quot;&#xA;&#xA;    &amp;quot;Did you notice how Dotty was dancing? Gee, wasn't she the limit!&amp;quot;&#xA;&#xA;    Babbitt was to be heard sonorously agreeing with the once-hated Miss Minnie Sonntag that persons who let a night go by without dancing to jazz music were crabs, pikers, and poor fish; and he roared &amp;quot;You bet!&amp;quot; when Mrs. Carrie Nork gurgled, &amp;quot;Don't you love to sit on the floor? It's so Bohemian!&amp;quot; He began to think extremely well of the Bunch. When he mentioned his friends Sir Gerald Doak, Lord Wycombe, William Washington Eathorne, and Chum Frink, he was proud of their condescending interest. He got so thoroughly into the jocund spirit that he didn't much mind seeing Tanis drooping against the shoulder of the youngest and milkiest of the young men, and he himself desired to hold Carrie Nork's pulpy hand, and dropped it only because Tanis looked angry.&#xA;&#xA;    When he went home, at two, he was fully a member of the Bunch, and all the week thereafter he was bound by the exceedingly straitened conventions, the exceedingly wearing demands, of their life of pleasure and freedom. He had to go to their parties; he was involved in the agitation when everybody telephoned to everybody else that she hadn't meant what she'd said when she'd said that, and anyway, why was Pete going around saying she'd said it?&#xA;&#xA;    Never was a Family more insistent on learning one another's movements than were the Bunch. All of them volubly knew, or indignantly desired to know, where all the others had been every minute of the week. Babbitt found himself explaining to Carrie or Fulton Bemis just what he had been doing that he should not have joined them till ten o'clock, and apologizing for having gone to dinner with a business acquaintance.&#xA;&#xA;    Every member of the Bunch was expected to telephone to every other member at least once a week. &amp;quot;Why haven't you called me up?&amp;quot; Babbitt was asked accusingly, not only by Tanis and Carrie but presently by new ancient friends, Jennie and Capitolina and Toots.&#xA;&#xA;    If for a moment he had seen Tanis as withering and sentimental, he lost that impression at Carrie Nork's dance. Mrs. Nork had a large house and a small husband. To her party came all of the Bunch, perhaps thirty-five of them when they were completely mobilized. Babbitt, under the name of &amp;quot;Old Georgie,&amp;quot; was now a pioneer of the Bunch, since each month it changed half its membership and he who could recall the prehistoric days of a fortnight ago, before Mrs. Absolom, the food-demonstrator, had gone to Indianapolis, and Mac had &amp;quot;got sore at&amp;quot; Minnie, was a venerable leader and able to condescend to new Petes and Minnies and Gladyses.&#xA;&#xA;    At Carrie's, Tanis did not have to work at being hostess. She was dignified and sure, a clear fine figure in the black chiffon frock he had always loved; and in the wider spaces of that ugly house Babbitt was able to sit quietly with her. He repented of his first revulsion, mooned at her feet, and happily drove her home. Next day he bought a violent yellow tie, to make himself young for her. He knew, a little sadly, that he could not make himself beautiful; he beheld himself as heavy, hinting of fatness, but he danced, he dressed, he chattered, to be as young as she was . . . as young as she seemed to be.&#xA;&#xA;    IV&#xA;&#xA;    As all converts, whether to a religion, love, or gardening, find as by magic that though hitherto these hobbies have not seemed to exist, now the whole world is filled with their fury, so, once he was converted to dissipation, Babbitt discovered agreeable opportunities for it everywhere.&#xA;&#xA;    He had a new view of his sporting neighbor, Sam Doppelbrau. The Doppelbraus were respectable people, industrious people, prosperous people, whose ideal of happiness was an eternal cabaret. Their life was dominated by suburban bacchanalia of alcohol, nicotine, gasoline, and kisses. They and their set worked capably all the week, and all week looked forward to Saturday night, when they would, as they expressed it, &amp;quot;throw a party;&amp;quot; and the thrown party grew noisier and noisier up to Sunday dawn, and usually included an extremely rapid motor expedition to nowhere in particular.&#xA;&#xA;    One evening when Tanis was at the theater, Babbitt found himself being lively with the Doppelbraus, pledging friendship with men whom he had for years privily denounced to Mrs. Babbitt as a &amp;quot;rotten bunch of tin-horns that I wouldn't go out with, rot if they were the last people on earth.&amp;quot; That evening he had sulkily come home and poked about in front of the house, chipping off the walk the ice-clots, like fossil footprints, made by the steps of passers-by during the recent&#xA;snow.&#xA;&#xA;    Howard Littlefield came up snuffling.&#xA;&#xA;    &amp;quot;Still a widower, George?&amp;quot;&#xA;&#xA;    &amp;quot;Yump. Cold again to-night.&amp;quot;&#xA;&#xA;    &amp;quot;What do you hear from the wife?&amp;quot;&#xA;&#xA;    &amp;quot;She's feeling fine, but her sister is still pretty sick.&amp;quot;&#xA;&#xA;    &amp;quot;Say, better come in and have dinner with us to-night, George.&amp;quot;&#xA;&#xA;    &amp;quot;Oh—oh, thanks. Have to go out.&amp;quot;&#xA;&#xA;    Suddenly he could not endure Littlefield's recitals of the more interesting statistics about totally uninteresting problems. He scraped at the walk and grunted.&#xA;&#xA;    Sam Doppelbrau appeared.&#xA;&#xA;    &amp;quot;Evenin', Babbitt. Working hard?&amp;quot;&#xA;&#xA;    &amp;quot;Yuh, lil exercise.&amp;quot;&#xA;&#xA;    &amp;quot;Cold enough for you to-night?&amp;quot;&#xA;&#xA;    &amp;quot;Well, just about.&amp;quot;&#xA;&#xA;    &amp;quot;Still a widower?&amp;quot;&#xA;&#xA;    &amp;quot;Uh-huh.&amp;quot;&#xA;&#xA;    &amp;quot;Say, Babbitt, while she's away—I know you don't care much for booze-fights, but the Missus and I'd be awfully glad if you could come in some night. Think you could stand a good cocktail for once?&amp;quot;&#xA;&#xA;    &amp;quot;Stand it? Young fella, I bet old Uncle George can mix the best cocktail in these United States!&amp;quot;&#xA;&#xA;    &amp;quot;Hurray! That's the way to talk! Look here: There's some folks coming to the house to-night, Louetta Swanson and some other live ones, and I'm going to open up a bottle of pre-war gin, and maybe we'll dance a while. Why don't you drop in and jazz it up a little, just for a change?&amp;quot;&#xA;&#xA;    &amp;quot;Well—What time they coming?&amp;quot;&#xA;&#xA;    He was at Sam Doppelbrau's at nine. It was the third time he had entered the house. By ten he was calling Mr. Doppelbrau &amp;quot;Sam, old hoss.&amp;quot;&#xA;&#xA;    At eleven they all drove out to the Old Farm Inn. Babbitt sat in the back of Doppelbrau's car with Louetta Swanson. Once he had timorously tried to make love to her. Now he did not try; he merely made love; and Louetta dropped her head on his shoulder, told him what a nagger Eddie was, and accepted Babbitt as a decent and well-trained libertine.&#xA;&#xA;    With the assistance of Tanis's Bunch, the Doppelbraus, and other companions in forgetfulness, there was not an evening for two weeks when he did not return home late and shaky. With his other faculties blurred he yet had the motorist's gift of being able to drive when he could scarce walk; of slowing down at corners and allowing for approaching cars. He came wambling into the house. If Verona and Kenneth Escott were about, he got past them with a hasty greeting, horribly aware of their level young glances, and hid himself up-stairs. He found when he came into the warm house that he was hazier than he had believed. His head whirled. He dared not lie down. He tried to soak out the alcohol in a hot bath. For the moment his head was clearer but when he moved about the bathroom his calculations of distance were wrong, so that he dragged down the towels, and knocked over the soap-dish with a clatter which, he feared, would betray him to the children. Chilly in his dressing-gown he tried to read the evening paper. He could follow every word; he seemed to take in the sense of things; but a minute afterward he could not have told what he had been reading. When he went to bed his brain flew in circles, and he hastily sat up, struggling for self-control. At last he was able to lie still, feeling only a little sick and dizzy—and enormously ashamed. To hide his &amp;quot;condition&amp;quot; from his own children! To have danced and shouted with people whom he despised! To have said foolish things, sung idiotic songs, tried to kiss silly girls! Incredulously he remembered that he had by his roaring familiarity with them laid himself open to the patronizing of youths whom he would have kicked out of his office; that by dancing too ardently he had exposed himself to rebukes from the rattiest of withering women. As it came relentlessly back to him he snarled, &amp;quot;I hate myself! God how I hate myself!&amp;quot; But, he raged, &amp;quot;I'm through! No more! Had enough, plenty!&amp;quot;&#xA;&#xA;    He was even surer about it the morning after, when he was trying to be grave and paternal with his daughters at breakfast. At noontime he was less sure. He did not deny that he had been a fool; he saw it almost as clearly as at midnight; but anything, he struggled, was better than going back to a life of barren heartiness. At four he wanted a drink. He kept a whisky flask in his desk now, and after two minutes of battle he had his drink. Three drinks later he began to see the Bunch as tender and amusing friends, and by six he was with them . . . and the tale was to be told all over.&#xA;&#xA;    Each morning his head ached a little less. A bad head for drinks had been his safeguard, but the safeguard was crumbling. Presently he could be drunk at dawn, yet not feel particularly wretched in his conscience—or in his stomach—when he awoke at eight. No regret, no desire to escape the toil of keeping up with the arduous merriment of the Bunch, was so great as his feeling of social inferiority when he failed to keep up. To be the &amp;quot;livest&amp;quot; of them was as much his ambition now as it had been to excel at making money, at playing golf, at motor-driving, at oratory, at climbing to the McKelvey set. But occasionally he failed.&#xA;&#xA;    He found that Pete and the other young men considered the Bunch too austerely polite and the Carrie who merely kissed behind doors too embarrassingly monogamic. As Babbitt sneaked from Floral Heights down to the Bunch, so the young gallants sneaked from the proprieties of the Bunch off to &amp;quot;times&amp;quot; with bouncing young women whom they picked up in department stores and at hotel coatrooms. Once Babbitt tried to accompany them. There was a motor car, a bottle of whisky, and for him a grubby shrieking cash-girl from Parcher and Stein's. He sat beside her and worried. He was apparently expected to &amp;quot;jolly her along,&amp;quot; but when she sang out, &amp;quot;Hey, leggo, quit crushing me cootie-garage,&amp;quot; he did not quite know how to go on. They sat in the back room of a saloon, and Babbitt had a headache, was confused by their new slang looked at them benevolently, wanted to go home, and had a drink—a good many drinks.&#xA;&#xA;    Two evenings after, Fulton Bemis, the surly older man of the Bunch, took Babbitt aside and grunted, &amp;quot;Look here, it's none of my business, and God knows I always lap up my share of the hootch, but don't you think you better watch yourself? You're one of these enthusiastic chumps that always overdo things. D' you realize you're throwing in the booze as fast as you can, and you eat one cigarette right after another? Better cut it out for a while.&amp;quot;&#xA;&#xA;    Babbitt tearfully said that good old Fult was a prince, and yes, he certainly would cut it out, and thereafter he lighted a cigarette and took a drink and had a terrific quarrel with Tanis when she caught him being affectionate with Carrie Nork.&#xA;&#xA;    Next morning he hated himself that he should have sunk into a position where a fifteenth-rater like Fulton Bemis could rebuke him. He perceived that, since he was making love to every woman possible, Tanis was no longer his one pure star, and he wondered whether she had ever been anything more to him than A Woman. And if Bemis had spoken to him, were other people talking about him? He suspiciously watched the men at the Athletic Club that noon. It seemed to him that they were uneasy. They had been talking about him then? He was angry. He became belligerent. He not only defended Seneca Doane but even made fun of the Y. M. C. A, Vergil Gunch was rather brief in his answers.&#xA;&#xA;    Afterward Babbitt was not angry. He was afraid. He did not go to the next lunch of the Boosters' Club but hid in a cheap restaurant, and, while he munched a ham-and-egg sandwich and sipped coffee from a cup on the arm of his chair, he worried.&#xA;&#xA;    Four days later, when the Bunch were having one of their best parties, Babbitt drove them to the skating-rink which had been laid out on the Chaloosa River. After a thaw the streets had frozen in smooth ice. Down those wide endless streets the wind rattled between the rows of wooden houses, and the whole Bellevue district seemed a frontier town. Even with skid chains on all four wheels, Babbitt was afraid of sliding, and when he came to the long slide of a hill he crawled down, both brakes on. Slewing round a corner came a less cautious car. It skidded, it almost raked them with its rear fenders. In relief at their escape the Bunch—Tanis, Minnie Sonntag, Pete, Fulton Bemis—shouted &amp;quot;Oh, baby,&amp;quot; and waved their hands to the agitated other driver. Then Babbitt saw Professor Pumphrey laboriously crawling up hill, afoot, Staring owlishly at the revelers. He was sure that Pumphrey recognized him and saw Tanis kiss him as she crowed, &amp;quot;You're such a good driver!&amp;quot;&#xA;&#xA;    At lunch next day he probed Pumphrey with &amp;quot;Out last night with my brother and some friends of his. Gosh, what driving! Slippery 's glass. Thought I saw you hiking up the Bellevue Avenue Hill.&amp;quot;&#xA;&#xA;    &amp;quot;No, I wasn't—I didn't see you,&amp;quot; said Pumphrey, hastily, rather guiltily.&#xA;&#xA;    Perhaps two days afterward Babbitt took Tanis to lunch at the Hotel Thornleigh. She who had seemed well content to wait for him at her flat had begun to hint with melancholy smiles that he must think but little of her if he never introduced her to his friends, if he was unwilling to be seen with her except at the movies. He thought of taking her to the &amp;quot;ladies' annex&amp;quot; of the Athletic Club, but that was too dangerous. He would have to introduce her and, oh, people might misunderstand and—He compromised on the Thornleigh.&#xA;&#xA;    She was unusually smart, all in black: small black tricorne hat, short black caracul coat, loose and swinging, and austere high-necked black velvet frock at a time when most street costumes were like evening gowns. Perhaps she was too smart. Every one in the gold and oak restaurant of the Thornleigh was staring at her as Babbitt followed her to a table. He uneasily hoped that the head-waiter would give them a discreet place behind a pillar, but they were stationed on the center aisle. Tanis seemed not to notice her admirers; she smiled at Babbitt with a lavish &amp;quot;Oh, isn't this nice! What a peppy-looking orchestra!&amp;quot; Babbitt had difficulty in being lavish in return, for two tables away he saw Vergil Gunch. All through the meal Gunch watched them, while Babbitt watched himself being watched and lugubriously tried to keep from spoiling Tanis's gaiety. &amp;quot;I felt like a spree to-day,&amp;quot; she rippled. &amp;quot;I love the Thornleigh, don't you? It's so live and yet so—so refined.&amp;quot;&#xA;&#xA;    He made talk about the Thornleigh, the service, the food, the people he recognized in the restaurant, all but Vergil Gunch. There did not seem to be anything else to talk of. He smiled conscientiously at her fluttering jests; he agreed with her that Minnie Sonntag was &amp;quot;so hard to get along with,&amp;quot; and young Pete &amp;quot;such a silly lazy kid, really just no good at all.&amp;quot; But he himself had nothing to say. He considered telling her his worries about Gunch, but—&amp;quot;oh, gosh, it was too much work to go into the whole thing and explain about Verg and everything.&amp;quot;&#xA;&#xA;    He was relieved when he put Tanis on a trolley; he was cheerful in the familiar simplicities of his office.&#xA;&#xA;    At four o'clock Vergil Gunch called on him.&#xA;&#xA;    Babbitt was agitated, but Gunch began in a friendly way:&#xA;&#xA;    &amp;quot;How's the boy? Say, some of us are getting up a scheme we'd kind of like to have you come in on.&amp;quot;&#xA;&#xA;    &amp;quot;Fine, Verg. Shoot.&amp;quot;&#xA;&#xA;    &amp;quot;You know during the war we had the Undesirable Element, the Reds and walking delegates and just the plain common grouches, dead to rights, and so did we for quite a while after the war, but folks forget about the danger and that gives these cranks a chance to begin working underground again, especially a lot of these parlor socialists. Well, it's up to the folks that do a little sound thinking to make a conscious effort to keep bucking these fellows. Some guy back East has organized a society called the Good Citizens' League for just that purpose. Of course the Chamber of Commerce and the American Legion and so on do a fine work in keeping the decent people in the saddle, but they're devoted to so many other causes that they can't attend to this one problem properly. But the Good Citizens' League, the G. C. L., they stick right to it. Oh, the G. C. L. has to have some other ostensible purposes—frinstance here in Zenith I think it ought to support the park-extension project and the City Planning Committee—and then, too, it should have a social aspect, being made up of the best people—have dances and so on, especially as one of the best ways it can put the kibosh on cranks is to apply this social boycott business to folks big enough so you can't reach 'em otherwise. Then if that don't work, the G. C. L. can finally send a little delegation around to inform folks that get too flip that they got to conform to decent standards and quit shooting off their mouths so free. Don't it sound like the organization could do a great work? We've already got some of the strongest men in town, and of course we want you in. How about it?&amp;quot;&#xA;&#xA;    Babbitt was uncomfortable. He felt a compulsion back to all the standards he had so vaguely yet so desperately been fleeing. He fumbled:&#xA;&#xA;    &amp;quot;I suppose you'd especially light on fellows like Seneca Doane and try to make 'em—&amp;quot;&#xA;&#xA;    &amp;quot;You bet your sweet life we would! Look here, old Georgie: I've never for one moment believed you meant it when you've defended Doane, and the strikers and so on, at the Club. I knew you were simply kidding those poor galoots like Sid Finkelstein.... At least I certainly hope you were kidding!&amp;quot;&#xA;&#xA;    &amp;quot;Oh, well—sure—Course you might say—&amp;quot; Babbitt was conscious of how feeble he sounded, conscious of Gunch's mature and relentless eye. &amp;quot;Gosh, you know where I stand! I'm no labor agitator! I'm a business man, first, last, and all the time! But—but honestly, I don't think Doane means so badly, and you got to remember he's an old friend of mine.&amp;quot;&#xA;&#xA;    &amp;quot;George, when it comes right down to a struggle between decency and the security of our homes on the one hand, and red ruin and those lazy&#xA;&#xA;dogsplotting for free beer on the other, you got to give up even old friendships. 'He that is not with me is against me.'&amp;quot;&#xA;&#xA;    &amp;quot;Ye-es, I suppose—&amp;quot;&#xA;&#xA;    &amp;quot;How about it? Going to join us in the Good Citizens' League?&amp;quot;&#xA;&#xA;    &amp;quot;I'll have to think it over, Verg.&amp;quot;&#xA;&#xA;    &amp;quot;All right, just as you say.&amp;quot; Babbitt was relieved to be let off so easily, but Gunch went on: &amp;quot;George, I don't know what's come over you; none of us do; and we've talked a lot about you. For a while we figured out you'd been upset by what happened to poor Riesling, and we forgave you for any fool thing you said, but that's old stuff now, George, and we can't make out what's got into you.&#xA;&#xA;    Personally, I've always defended you, but I must say it's getting too much for me. All the boys at the Athletic Club and the Boosters' are sore, the way you go on deliberately touting Doane and his bunch of hell-hounds, and talking about being liberal—which means being wishy-washy—and even saying this preacher guy Ingram isn't a professional free-love artist. And then the way you been carrying on personally! Joe Pumphrey says he saw you out the other night with a gang of totties, all stewed to the gills, and here to-day coming right into the Thornleigh with a—well, she may be all right and a perfect lady, but she certainly did look like a pretty gay skirt for a fellow with his wife out of town to be taking to lunch. Didn't look well. What the devil has come over you, George?&amp;quot;&#xA;&#xA;    &amp;quot;Strikes me there's a lot of fellows that know more about my personal business than I do myself!&amp;quot;&#xA;&#xA;    &amp;quot;Now don't go getting sore at me because I come out flatfooted like a friend and say what I think instead of tattling behind your back, the way a whole lot of 'em do. I tell you George, you got a position in the community, and the community expects you to live up to it. And—Better think over joining the Good Citizens' League. See you about it later.&amp;quot;&#xA;&#xA;    He was gone.&#xA;&#xA;    That evening Babbitt dined alone. He saw all the Clan of Good Fellows peering through the restaurant window, spying on him. Fear sat beside him, and he told himself that to-night he would not go to Tanis's flat; and he did not go . . . till late." PRODUCER="2020 Future Retro London" COVERARTID="015/PQQ1DKCWSBODRBNRQ4JODQJ4N4LA" PLAYTIME="363" PLAYTIME_FLOAT="363.000000" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="41995"></INFO>
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<ENTRY MODIFIED_DATE="2025/7/5" MODIFIED_TIME="45862" AUDIO_ID="AWIRERERERERERERERERERERERMiIjIzMzIiMzMiIyMzIiMzKv///v/8//7/ru//3//v///9/f/9/////9/f7//v//7//HNEM0NUQ1RDNURDNDRERDRDVX///+///////f7//v/////v7u/////+//7/3///7//v/+/4UzJERERDNERDIiIiISIiNFb//////////////////////7//////////////////////+Wd3Z2hneHd3ZnZmdmZ2doiP/////////////////////////////////////////////8ZUVmVmdlVWZVVFVVVWVVVmRDIiIiERAAAAAAAAAA==" TITLE="You're the One" ARTIST="Pete Cannon Tim Reaper"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Jungle Junction EC 25/:" FILE="144 - Pete Cannon, Tim Reaper - You're the One.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="847313" KEY_LYRICS="7 ContributorsGrotty Lyrics&#xA;I owe my mate's mum a bit of gardening&#xA;Chill with her son and yo I still beg your pardoning&#xA;Lazy little shitbag&#xA;Naked in a wigwam&#xA;I paid to get a ticket, still break in with a wristband&#xA;Maybe you're a big man&#xA;Perhaps you've done a bit of bird&#xA;Maybe you're the type of man to slap about a bit of skirt&#xA;Either that or some kind of dickhead with the fitted words&#xA;To wriggle out the thinnest situation when it thickens first&#xA;I know that you're the biggest of pricks&#xA;Cos you're listening to this&#xA;With your missus and kids&#xA;Getting sticky as a Rizla hitting whiskey and spliffs&#xA;Head spinning like a Frisbee in a twister the bits&#xA;So listen to this&#xA;Shove a pair of scissors in your gob&#xA;Pull your pants down and fucking scare the missus with your nob&#xA;Get delicious with the cod&#xA;I'm never fishing with a rod&#xA;I'll be getting in the kipper like I'm pickling the lot&#xA;&#xA;&#xA;Yo&#xA;Smoking a spliff with a pregnant bitch at a bus-stop&#xA;Whether I pass it on all depends on if I get sucked off&#xA;'Bout to spend the child benefits at the pub hop&#xA;Back on the bus to hers and tell her kids they can FUCK OFF!&#xA;Raid their lunchbox just to jack a jam sandwich&#xA;Vag magnet&#xA;I'm leavin' your gatty slab slanted&#xA;Dab hand with a slapper's fanny, I'm fantastic&#xA;Stash my package in a fat lass' back passage&#xA;Make these rappers feel inferior when Lunar's here&#xA;There ain't no-one to compare me to&#xA;It's too unfair&#xA;Chewing there, gurning&#xA;A dreadlock in my pubic hair&#xA;Holding up a cardboard sign saying &amp;quot;it's rude to stare&amp;quot;&#xA;Stoned and lazy, never on top form&#xA;They kicked me out of school and told me I'm a lost cause&#xA;So many wrong thoughts in my brain it's gone warped&#xA;I watch porn with a limp dick eating popcorn&#xA;&#xA;If rappers are like MS-DOS&#xA;I'm the next Xbox&#xA;Quicker, more game...&#xA;Sinners, pure flames&#xA;Disagree I bet you're more ignorant than redneck cops&#xA;And that's word to Big Bird and Thora Hird&#xA;Me killing it as standard as verse chorus verse chorus verse&#xA;Awesome work&#xA;Unless you're a boring nerd&#xA;And all you heard was distorted dirt&#xA;In which case&#xA;Do us all a big favour&#xA;Push a switchblade&#xA;In your rib cage&#xA;With haste&#xA;Fuck your mixtape&#xA;You a bitch, mate&#xA;Go eat some fingers fishcakes with your shit mates&#xA;It's a testosterone fuelled romp&#xA;Your boo wants some hot goo like she's got the fondue on&#xA;Ooh. Wrong&#xA;Too. Strong&#xA;New. Song&#xA;Huge. Thong&#xA;&#xA;I bring the bangers, its ya boy known as Pete Cannon&#xA;One look at me girls get the wet salmon&#xA;You rap multisyllable bars with bare boys&#xA;I do a show, fuck a sket and nick her sex toys&#xA;Like I wanna hear thoughts in my rap music&#xA;Fuck you with your dick, this is rap music&#xA;It's easily to the bant, this is rap music&#xA;Balls out when I rap, this is rap music&#xA;I was digging before you had pubes donny&#xA;You sample MP3s you fucking goon dummies&#xA;Know I'm as hip-hop as hard as it comes&#xA;Keep a spare one in my house, just to grate to my drums&#xA;I keep it one way only. Fresh haircut&#xA;Trimmed up beard and some Mach3 nuts&#xA;Master of all trades, yeah you're damn right sluts&#xA;I do the beats, do the bars, do the mix and do the cuts&#xA;WHAT!?" PRODUCER="2020 Future Retro London" COVERARTID="098/C5HYRFATOV1E1DQDB5ZKCWRY4TWD" PLAYTIME="354" PLAYTIME_FLOAT="353.970428" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="37020"></INFO>
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<ENTRY MODIFIED_DATE="2025/7/5" MODIFIED_TIME="45862" AUDIO_ID="AZMkQzMzIiIkVEQzMyIiIkRURDMzMzNFVURDMzMzNY////////////////////////////////////////////////////////9X/////////////////////////////////////////////////////////////////////////////yIiIiIiIiIiIiIiIiIiIzMyMzMzIyMjMjMyMzMl//////////////////dv/////////////////////////////////////////////////////////4dmZmZWVmd3ZmZmZmZndVVERERERGVVREREREREMyIREQAAAA==" TITLE="For the Headstrong" ARTIST="Response Tim Reaper"><LOCATION DIR="/:Users/:bogda/:Music/:TIDAL/:Playlist/:Jungle Junction EC 25/:" FILE="145 - Response, Tim Reaper - For the Headstrong.flac" VOLUME="C:" VOLUMEID="1ac0c10f"></LOCATION>
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<INFO BITRATE="749227" KEY_LYRICS="1 ContributorBeen Down Lyrics&#xA;Aye, coming at it with a catch&#xA;It's always been provided&#xA;Been deciding since the day I found out who’s deciding&#xA;The best that ever came, now you know who’s time it is&#xA;The rhyme don’t skip, my body gets thinking ‘bout how divine this is&#xA;Little bit of skill and whole lot of progress&#xA;Calculate and demonstrate ability, who’s got next?&#xA;BG, JS, GN, process&#xA;Dumb Love, dumb beat, that was Lionzed&#xA;I’m an addict, but just add it and the math is automatic&#xA;I’d rather have the habit of saturating pages with this rap&#xA;This rap is what I’d never fathom&#xA;Rather have the half the blessings after this life but it’s massive&#xA;I grind in all my life, not for what I call depravity&#xA;You’re living on Earth, so no wonder you feel a cavity&#xA;It’s driving to insanity, the way I’m being candidly&#xA;Looking to the road is the only thing now driving me&#xA;&#xA;&#xA;EMSRY been down since the get go&#xA;I think I’ll grow up if my mom says so&#xA;Pose like a model, put it on VSCO&#xA;My bar is set low just like a limbo&#xA;Keep the crew together since the eighth grade&#xA;We forever making tunes if we can get some more plays&#xA;Step up levels, I told B he gon’ need some free days&#xA;Lookin’ better, go to the stu’ to get some headspace&#xA;I’m bout my business don’t play now&#xA;‘Bout to go mitten to LA, wow&#xA;We the illest call a doctor stay away, blaow&#xA;Who you thought it was? EMSRY been down&#xA;Wearing black like I’m emo have to reload cause I wrote it&#xA;And then rewrote just to avoid another zero&#xA;Turning eighteen, get the cappuccino, head to the casino, with amigos, over the hills like we are Chino, that’s how roll&#xA;&#xA;&#xA;&#xA;Yo, I ain’t apathetic, the work ethic prophetic&#xA;And copacetic, not to mention your message pathetic&#xA;EMSRY been down just to mess with, so I can’t be sympathetic&#xA;Get a head start - there ain’t no time to be given&#xA;To other things, can’t complain, can’t contain&#xA;The dreams that I’ve got, thinking there ain’t no time to waste&#xA;All the other rappers talking that they go and chase&#xA;While I’m focused in on my goals everyday&#xA;And if I’m not in love, I don’t spin it&#xA;I just go put it in a box, just wishin’ it&#xA;Would hit it and play the beat 'till I hear it in my sleep&#xA;Sleep? &amp;quot;I don’t sleep”&#xA;What you mean?&#xA;Have you considered maybe you’re at is where you belong?&#xA;I hope I’m dead wrong, and the next song will show how you’re headstrong&#xA;But the response to these songs will show work undergone&#xA;How is everyone slept on?&#xA;Prove it and get the ride along&#xA;&#xA;&#xA;Posing like I’m bout to post it on the gram (aye)&#xA;I was told that soon I’m gonna be the man (aye)&#xA;Not about to hold you, this’ll make some fans (aye)&#xA;I was ‘posed to make some plans, only have a plan A&#xA;Uh, who you thought it was though?&#xA;I ain’t trippin' when I say we gotta go bro&#xA;We get complaints in the residential&#xA;Then froze before anyone would ever know&#xA;If we’re being honest, I don’t really wanna talk&#xA;Real talk, call me, I'll just take it to the Boss&#xA;That’s false, I’ll decline so honestly just get got&#xA;Pop off, ‘fore I put sauce in your eyeballs (what?)&#xA;BG on the beat, Yoshi with the pics&#xA;Got the team and you know I got the drip&#xA;We messy with it, flip it, never got the time to risk it&#xA;We specific to the rhythm, keep it timid, ‘til we victors then we dip&#xA;Yeah, we dip" PRODUCER="2020 Future Retro London" COVERARTID="098/C5HYRFATOV1E1DQDB5ZKCWRY4TWD" PLAYTIME="403" PLAYTIME_FLOAT="402.509033" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="37221"></INFO>
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<INFO BITRATE="928255" KEY_LYRICS="1 Contributor​primordia’s gate Lyrics&#xA;Washing my soul, primordia&#xA;Soothe my ba, euphoria&#xA;Words of Thoth in memoriam&#xA;Dua Djehuty Gloria&#xA;Washing my soul, primordia&#xA;Soothe my ba, euphoria&#xA;Words of Thoth in memoriam&#xA;Dua Djehuty Gloria&#xA;&#xA;&#xA;Sacred Glossolalia, emanation outer gods&#xA;I'm self reated from the church, forever forsaken&#xA;Prophet energy ancient, shine in the darkest places of your soul and taste it&#xA;Spiritual sight sensations, I am the thrice greatest&#xA;String vibration of the quantum sea, secret cadence of Atlantis priest&#xA;Emerald tablets under lock and kеy, with my voice I unlock the trees&#xA;With my God, ain't no stopping me&#xA;I am truly a gnostic king, Ophidian of androgyny&#xA;Wеlcome to my cosmology, wear the emerald of mythology&#xA;Heka bless my odyssey, came to Thoth like a prophecy&#xA;I'm his host, living prodigy&#xA;This primordia birth bring this litany to a close&#xA;Broke an ancient curse, I am Lucioth" PRODUCER="Fokuz Recordings" COVERARTID="087/XW5M0KD4PDQ0YC2SJE00DJZQPAGC" PLAYTIME="390" PLAYTIME_FLOAT="389.847076" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="44429"></INFO>
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<INFO BITRATE="856933" KEY_LYRICS="6 ContributorsLa route sera longue Lyrics&#xA;&#xA;&#xA;Écrire ma peine, chanter nos douleurs&#xA;Toutes les couleurs de la terre sont nos couleurs&#xA;Où sont nos ailes ? Qui sont les couleuvres ?&#xA;Aucune lumière ne pénètre la lourdeur&#xA;Chante de tout cœur, prouve qu'on existe&#xA;Ranime la force et nos rêves d'exil&#xA;Quand le règne flippe la répression s’excite&#xA;Quand les temps deviennent crise on mieux voit qui se déguise et la vision s'aiguise&#xA;Éclate l'armure qui t'as p't'être convaincu que la vie est grise&#xA;Apaiser son âme la tâche est ardue&#xA;Aligne le soleil et la lune comme l’éclipse&#xA;Dieu est témoin on s'en sort au mérite&#xA;Aucune victoire sans galère, on s'en bas les c' si l'ordre est injuste&#xA;Impossible d'obéir, la Terre n'est pas à nous c'est nous qui sommes à elle&#xA;J'rappelle, paradis des hommes perdus, sacrifiant la peau pour la paix&#xA;Petit grain de sable dans l'univers dans lequel résonne les cris de détresse de la Terre&#xA;Non le temps c'est pas de l'argent, sera libre vraiment celui qui n'a pas peur de la perdre&#xA;Qui reste lui même, marche avec le vent, l'esprit ouvert et grand comme le cœur de chaque mère&#xA;&#xA;&#xA;Même si la route sera longue&#xA;Je sème des graines je rappelle&#xA;J'ai pris la plume pour apaiser ta peine&#xA;Clamer bien fort tout ce qui nous exaspère&#xA;Je chante pour nos âmes&#xA;La route sera longue&#xA;J'rap c'qui nous trotte dans la tête&#xA;C'qui déborde de nos cœurs, je rappe la Terre&#xA;La rage, la peine, j'enflamme, j'apaise je clame l'alerte&#xA;Je rappe rappelle&#xA;&#xA;Une plume à la main, j'rap rappelle&#xA;Un son venu des entrailles de ma tête&#xA;Je suis venu, j'ai vu car j'ai marché partout&#xA;Où mon cœur et mon instinct m'ont dit de le faire&#xA;Des milliers de visages, des milliers de sourires&#xA;Des tas de villages aux couleurs de la Terre&#xA;Transparence de cœur, des souvenirs en pagaille&#xA;Qui me donnent la force de jamais lâcher l'affaire&#xA;Trop têtue, trop fidèle, trop idéaliste&#xA;Pourtant j'ai vu l'idéal, bien concret, dans ces contrées&#xA;Que le système tyrannise, ce système pro-guerre propage esprit conquérant&#xA;Des milliers, des millions, des milliards d'cicatrices&#xA;Si Babylone détruit on combat qu'en créant&#xA;En aimant son prochain comme un frère où un fils&#xA;Si on se réveille, on se libère de la peur qu'en aimant&#xA;J'rap j'rappelle, l'humanité sans héritage construit sa tour de Babel&#xA;Là où il faut que les cœurs redeviennent plexiglas&#xA;Pour espérer monter les échelons de la bête&#xA;Tout le monde se nique car rien n'est équitable&#xA;Et pour que ça tienne y'a besoin de ta tête&#xA;Que se lève l'humanité véritable&#xA;Au lieu de laisser les écrans nous bouffer la tête&#xA;&#xA;&#xA;Même si la route sera longue&#xA;Je sème des graines je rappelle&#xA;J'ai pris la plume pour apaiser ta peine&#xA;Clamer bien fort tout ce qui nous exaspère&#xA;Je chante pour nos âmes&#xA;La route sera longue&#xA;J'rap c'qui nous trotte dans la tête&#xA;C'qui déborde de nos cœurs, je rappe la Terre&#xA;La rage, la peine, j'enflamme, j'apaise je clame l'alerte&#xA;Je rappe rappelle&#xA;&#xA;Chaque seconde fait partie du décompte&#xA;Tout ce qui vit porte en lui, une porte qui mène à l'intérieur des mondes&#xA;Le manque de pardon, quant à lui, nourrit nos propres démons&#xA;Transmute ta haine, faut beaucoup d'amour pour pouvoir dissiper ses ombres&#xA;Après l'hiver, vient le printemps, chaque âme a son horloge et ses propres saisons&#xA;J'rap j'rappelle, regard vers l'âme, découvre tes richesses avant que Dieu te rappelle&#xA;Ton incarnation c'est ton cadeau ton présent pourquoi vivre pour le regard des autres ou d'un tel&#xA;Rien n'est pire que de vivre loin de soi-même&#xA;Emmitouflé(e) derrière un manque de paraître&#xA;Respire ton âme avant de quitter la Terre&#xA;Incarne ton être avant que tout s'arrête&#xA;&#xA;&#xA;Même si la route sera longue&#xA;Je sème des graines je rappelle&#xA;J'ai pris la plume pour apaiser ta peine&#xA;Clamer bien fort tout ce qui nous exaspère&#xA;Je chante pour nos âmes&#xA;La route sera longue&#xA;J'rap c'qui nous trotte dans la tête&#xA;C'qui déborde de nos cœurs, je rappe la Terre&#xA;La rage, la peine, j'enflamme, j'apaise je clame l'alerte&#xA;Je rappe rappelle" PRODUCER="Fokuz Recordings" COVERARTID="087/XW5M0KD4PDQ0YC2SJE00DJZQPAGC" PLAYTIME="305" PLAYTIME_FLOAT="304.200012" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="32079"></INFO>
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<INFO BITRATE="958473" KEY_LYRICS="3 ContributorsDabOnMyBlade LyricsThey be talking so funny&#xA;Thats why, i dream about money&#xA;I wanna smoke 'purple jonny'&#xA;On the back of buggatty...&#xA;&#xA;...well i&#xA;Hit my &amp;quot;ninja dab&amp;quot;&#xA;With my &amp;quot;jutsu flex&amp;quot;&#xA;In the crowd of fakes&#xA;I dont give a shit&#xA;&#xA;Kyubi, bang it!&#xA;&#xA;I dont wanna bother&#xA;Cuz of their pother&#xA;Fake — every other&#xA;What the fuck, brother?&#xA;&#xA;Wiggaz broke, but talking money&#xA;Chrisy Breezy, ima 'run it'&#xA;Wiggaz jump, like fucking 'gummy'&#xA;Turn it louder, make it stunning..&#xA;&#xA;..bitch!&#xA;What the fuck is this?&#xA;I be on my ninja shit&#xA;You be fighting with your life&#xA;You may brake your fuckin fists&#xA;Ive got 'chakra shadow flow'&#xA;Check you out? man, i dont know..&#xA;Not your shit again&#xA;Ain't no funny, man&#xA;Finna get high&#xA;Finna watch that anime(delay)&#xA;&#xA;&#xA;Im in on the place like &amp;quot;shing&amp;quot;&#xA;You dab on my blade&#xA;My ninjaz lit, wanna lean&#xA;Syrop on a suede&#xA;Hidden village smoke trees&#xA;'hokage gang'&#xA;If your city gone east&#xA;They dab on my blade&#xA;&#xA;&#xA;Im in on the place like &amp;quot;shing&amp;quot;&#xA;You dab on my blade&#xA;My ninjaz lit, wanna lean&#xA;They dab on my blade&#xA;Hidden village smoke trees&#xA;It dabs on my blade&#xA;If your city gone east....&#xA;...ya ya ya!&#xA;&#xA;Stuck on this shit, my mood goin adown&#xA;Ya making me nervous, fucking around&#xA;Get out my way, shit gets on my brain,..&#xA;...but ya keep doing it fucking again&#xA;&#xA;Well, i 'bang bang' than i 'shing shing' and done&#xA;From the Shangyang, to tha SaintP, get some&#xA;Say it 'outloud', let the world hear you out&#xA;Gonna 'blow, pow!' till my head hits the crown(chi-ching)&#xA;&#xA;Wana 'bow wow'? ima shut puppies mouth&#xA;Freaky muthafuckin ninja, with a hundred styles&#xA;Im the black fox, running over god damn clouds&#xA;Ima hit tha skies, than i eat tha sun&#xA;&#xA;Better hide my eyes, cuz it shines so bright&#xA;I just want you dead, with a 'god damned might'&#xA;'kamikaze beat', so i chase it right&#xA;Than i grab it, shake it, kill it with a dinomite" PRODUCER="Fokuz Recordings" COVERARTID="070/GWIVJSB2YCPGFBMW2FJTBNG1TI1D" PLAYTIME="361" PLAYTIME_FLOAT="360.289307" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="42225"></INFO>
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<INFO BITRATE="1035670" KEY_LYRICS="8 Contributorsguilt Lyrics&#xA;I can't forgive myself for the things I've done&#xA;It's like every bad decision I've made has led me to this point&#xA;Guess it's all my fault that I've grown into a man I hate&#xA;And now I'm all alone (Blame it on me)&#xA;This excessive guilt is making me feel sick (And I can't seem)&#xA;To escape my own reality&#xA;&#xA;&#xA;Give me a break&#xA;&#xA;&#xA;I've had enough of all the fucking what-ifs&#xA;And constant overthinking&#xA;'Cause I'm about to lose my mind over some stupid shit&#xA;Trying so hard to accept my mistakes, my regrets&#xA;Yet hеre I am with the same thoughts stuck in my hеad&#xA;So, go ahead and blame it on me (I already do anyway)&#xA;It's just who I am&#xA;&#xA;&#xA;I'm unable to change the way I think&#xA;A broken record of the same old things&#xA;I've tried to bury, and I know it doesn't make any sense&#xA;But I can't forgive what I can't forget&#xA;'Cause of the guilt that keeps on weighing me down&#xA;It's like my, it's like my inner voice is telling me lies&#xA;So now I'm, so now I'm fighting every feeling inside&#xA;Before I spiral down to where I wanna fucking die&#xA;&#xA;Always ending up in the same place, over and over again&#xA;Damn, I just can't believe I am&#xA;Always ending up in the same place&#xA;Over and over a-&#xA;&#xA;&#xA;I wish I could forget all that I've done wrong&#xA;It's like every bad decision I've made has led me to this point&#xA;And now I'm all alone without knowing what to do or say&#xA;It's hard to explain&#xA;&#xA;&#xA;But it's so easy being hard on yourself when you're not well&#xA;And to turn to self-blame when it's in your DNA&#xA;&#xA;&#xA;(Blame it on me) This excessive guilt makes me feel sick&#xA;(And I) Can't fucking seem to set myself free" PRODUCER="Fokuz Recordings" COVERARTID="070/GWIVJSB2YCPGFBMW2FJTBNG1TI1D" PLAYTIME="341" PLAYTIME_FLOAT="340.865112" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="43164"></INFO>
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<INFO BITRATE="999410" KEY_LYRICS="2 ContributorsArabian Nights,Vol. 2 (Chap. 3) LyricsTale of King Omar Bin Al-Nu'uman and His Sons Sharrkan and Zau Al-Makan&#xA;&#xA;And What Befel Them of Things Seld-Seen and Peregrine.&#xA;&#xA;The King asked her, &amp;quot;And what was their story?&amp;quot; and she answered: It hath reached me, O auspicious King, that there was in the City of Safety, Baghdad, before the Caliphate of Abd al-Malik bin Marwán, a King, Omar bin al-Nu'umán highs, who was of the mighty giants and had subjected the Chosroës of Persia and the Kaysars of Eastern Rome; for none could warm himself at his fire; nor could any avail to meet him in the field of foray and fray; and, when he was angered, there came forth from his nostrils sparks of flame. He had made himself King over all quarters, and Allah had subjected to him all His creatures; his word went forth to all great cities and his hosts had harried the farthest lands. East and West had come under his command with whatsoever regions lay interspersed between them, Hind and Sind and Sin, the Holy Land, Al-Hijaz, the rich mountains of Al-Yaman and the archipelagos of India and China. Moreover, he reigned supreme over the north country and Diyár Bakr, or Mesopotamia, and over Sudán, the Eastern Negro land and the Islands of the Ocean, and all the far famed rivers of the earth, Sayhún and Jayhún, Nile and Euphrates. He sent envoys and ambassadors to capitals the most remote, to provide him with true report; and they would bring back tidings of justice and peace, with assurance of loyalty and obedience and of prayers in the pulpits for King Omar bin al-Nu'uman; for he was, O Ruler of the Age, a right noble King; and there came to him presents of rarities and toll and tribute from all lands of his governing. This mighty monarch had a son yclept Sharrkan, who was likest of all men to his father and who proved himself one of the prodigies of his time for subduing the brave and bringing his contemporaries to bane and ban. For this his father loved him with love so great none could be greater, and made him heir to the kingdom after himself. This Prince grew up till he reached man's estate and was twenty years old, and Allah subjected His servants to him, by reason of his great might and prowess in battle. Now his father, King Omar, had four wives legally married, but Allah had vouchsafed him no son by them, save Sharrkan, whom he had begotten upon one of them, and the rest were barren. Moreover he had three hundred and sixty concubines, after the number of days in the Coptic year, who were of all nations; and he had furnished for each and every a private chamber within his own palace. For he had built twelve pavilions, after the number of the months, each containing thirty private chambers, which thus numbered three hundred and three score, wherein he lodged his handmaids: and he appointed according to law for each one her night, when he lay with her and came not again to her for a full year; and on this wise he abode for a length of time. Meanwhile his son Sharrkan was making himself renowned in all quarters of the world and his father was proud of him and his might waxed and grew mightier; so that he passed all bounds and bore himself masterfully and took by storm castles and cities. Presently, by decree of the Decreer, a handmaid among the handmaids of Omar bin Nu'uman became pregnant; and, her pregnancy being announced to the Harim, the King was informed thereof; whereupon he rejoiced with exceeding joy and said, &amp;quot;Haply it will be a son, and so all my offspring will be males!&amp;quot; Then he documented the date of her conception and entreated her with all manner of kindness. But when the tidings came to Sharrkan, he was troubled and the matter seemed to him a sore one and a grievous; and he said, &amp;quot;Verily one cometh who shall dispute with me the sovereignty:&amp;quot; so quoth he to himself, &amp;quot;If this concubine bear a male child I will kill it:&amp;quot; but he kept that intention hidden in his heart. Such was the case with Sharrkan; but what happened in the matter of the damsel was as follows. She was a Roumiyah, a Greek girl, by name Sofiyah or Sophia, whom the King of Roum and Lord of Cæsarea had sent to King Omar as a present, together with great store of gifts and of rarities: she was the fairest of favour and loveliest of all his handmaids and the most regardful of her honour; and she was gifted with a wit as penetrating as her presence was fascinating. Now she had served the King on the night of his sleeping with her, saying to him, &amp;quot;O King! I desire of the God of the Heavens that he bless thee this night with a male child by me, so I may bring him up with the best of rearing, and enable him to reach man's estate perfect in intelligence, good manners and prudent bearing&amp;quot;—a speech which much pleased the King. During her pregnancy she was instant in prayer, fervently supplicating the Lord to bless her with a goodly male child and make his birth easy to her; and Allah heard her petition so that after her months were accomplished she sat safely upon the birth stool. Now the King had deputed a eunuch to let him know if the child she should bring forth were male or female; and in like way his son Sharrkan had sent one to bring him tidings of the same. In due time Sophia was delivered of a child, which the midwives examined and found to be a girl with a face sheenier than the moon. So they announced this to all present in the room, whereupon the King's messenger carried the news to him; and Sharrkan's eunuch did the like with his master who rejoiced with exceeding joy. But, after the two had departed, quoth Sophia to the midwives, &amp;quot;Wait with me awhile, for I feel as if there were still somewhat in my womb.&amp;quot; Then she cried out and the pains of child bed again took her; and Allah made it easy to her and she gave birth to a second child. The wise women looked at it and found it a boy like the full moon, with forehead flower white, and cheek ruddy bright with rosy light; whereupon the mother rejoiced, as did the eunuchs and attendants and all the company; and Sophia was delivered of the after birth whilst all in the palace sent forth the trill of joy. The rest of the concubines heard it and envied her lot; and the tidings reached Omar son of Al- Nu'uman, who was glad and rejoiced at the excellent news. Then he rose and went to her and kissed her head, after which he looked at the boy; and, bending over him, kissed him, whilst the damsels struck the tabors and played on instruments of music; and the King gave order that the boy should be named Zau al-Makán and his sister Nuzhat al-Zamán. They answered &amp;quot;Hearing and obedience,&amp;quot; and did his bidding; so he appointed wet nurses and dry nurses and eunuchs and attendants to serve them; and assigned them rations of sugar and diet drinks and unguents and else beside, beyond the power of tongue to rehearse. Moreover the people of Baghdad, hearing that Allah had blessed their King with issue, decorated the city and made proclamation of the glad tidings with drum and tom tom; and the Emirs and Wazirs and high dignitaries came to the palace and wished King Omar bin al-Nu'uman joy of his son, Zau al-Makan, and of his daughter Nuzhat al-Zaman, wherefore he thanked them and bestowed on them dresses of honour and further favoured them with gifts, and dealt largesse to all, gentle and simple, who were present. After this fashion he did for four days full told, and he lavished upon Sophia raiment and ornaments and great store of wealth; and, every few days he would send a messenger to ask after her and the new-borns. And when four years had gone by, he provided her with the wherewithal to rear the two children carefully and educate them with the best of instructions. All this while his son Sharrkan knew not that a male child had been born to his father, Omar son of Al-Nu'uman, having news only that he had been blessed with the birth of Nuzhat al-Zaman; and they hid the intelligence from him, until days and years had sped by, whilst he was busied in battling with the brave and fighting single handed against the knights. One day, as King Omar was sitting in his palace, his Chamberlains came in to him and, kissing the ground before him, said, &amp;quot;O King there be come Ambassadors from the King of Roum, Lord of Constantinople the Great, and they desire admission to thee and submission to thy decree: if the King commend us to introduce them we will so do; and, if not, there is no disputing his behest.&amp;quot; He bade them enter and, when they came in, he turned to them and, courteously receiving them, asked them of their case, and what was the cause of their coming. They kissed the ground before him and said, &amp;quot;O King glorious and strong! O lord of the arm that is long! know that he who despatched us to thee is King Afrídún, Lord of Ionia land and of the Nazarene armies, the sovereign who is firmly established in the empery of Constantinople, to acquaint thee that he is now waging fierce war and fell with a tyrant and a rebel, the Prince of Casarea; and the cause of this war is as follows. One of the Kings of the Arabs in past time, during certain of his conquests, chanced upon a hoard of the time of Alexander, whence he removed wealth past compute; and, amongst other things, three round jewels, big as ostrich eggs, from a mine of pure white gems whose like was never seen by man. Upon each were graven characts in Ionian characters, and they have many virtues and properties, amongst the rest that if one of these jewels be hung round the neck of a new-born child, no evil shall befal him and he shall neither wail, nor shall fever ail him as long as the jewel remain without fail. When the Arab King laid hands upon them and learned their secrets, he sent to King Afridun presents of certain rarities and amongst them the three jewels afore mentioned; and he equipped for the mission two ships, one bearing the treasure and the other men of might to guard it from any who might offer hindrance on the high seas, albeit well assured that none would dare waylay his vessels, for that he was King of the Arabs, and more by token that their course lay over waters subject to the King of Constantinople and they were bound to his port; nor were there on the shores of that sea any save the subjects of the Great King, Afridun. The two ships set out and voyaged till they drew near our city, when there sallied out on them certain corsairs from that country and amongst them troops from the Prince of Caesarea, who took all the treasures and rarities in the ships, together with the three jewels, and slew the crews. When our King heard of this, he sent an army against them, but they routed it; then he marched a second and a stronger but they put this also to flight,—whereupon the King waxed wroth and swore that he would not go forth against them save in his own person at the head of his whole army; nor would he turn back from them till he had left Caesarea, of Armenia in ruins and had laid waste all the lands and cities over which her Prince held sway. So he sent us to the Lord of the age and the time, Sultan Omar bin al-Nu'uman, King of Baghdad and of Khorasan, desiring that he aid us with an army, so may honour and glory accrue to him; and he hath also forwarded by us somewhat of various kinds of presents, and of the King's grace he beggeth their acceptance and the friendly boon of furtherance.&amp;quot; Then the Ambassadors kissed the ground before him,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Forty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that, after the Ambassadors and retinue from the Constantinopolitan King had kissed the ground before Omar and had delivered their embassage, they brought out the presents, which were fifty damsels of the choicest from Graecia-land, and fifty Mamelukes in tunics of brocade, belted with girdles of gold and silver, each wearing in his ears hoops of gold with pendants of fine pearls costing a thousand ducats every one. The girls were adorned in like fashion and were clad in stuffs worth a treasury of money. When the King saw them, he rejoiced in them and accepted them; then he bade the Ambassadors be honourably entreated and, summoning his Wazirs, took counsel with them of what he should do. Herewith rose up among them a Wazir, an ancient man, Dandan highs, who kissed the ground before Omar and said, &amp;quot;O King, there is nothing better to do in this matter than equip an army valiant and victorious, and set over it thy son Sharrkan with us as his lieutenants; and this rede commendeth itself to me on two counts; first, because the King of Roum hath invoked thine assistance and hath sent thee gifts which thou hast accepted; and, secondly, because while no enemy dareth attack our country, thine army may go forth safely and, should it succour the King of Graecia-land and defeat his foe, the glory will be thine. Moreover, the news of it will be noised abroad in all cities and countries and especially, when the tidings shall reach the Islands of the Ocean and the Kings of Mauritania shall hear it, they will send thee offerings of rarities and pay thee tribute of money.&amp;quot; The King pleased by the Wazir's words and approving his rede, gave him a dress of honour and said to him, &amp;quot;Of the like of thee should Kings ask counsel, and it seemeth fit that thou shouldst conduct the van of our army and our son Sharrkan command the main battle.&amp;quot; Then he sent for his son who came and kissed ground before him and sat down; and he expounded to him the matter, telling him what the Ambassadors and the Wazir Dandan had said, and he charged him to take arms and equip himself for the campaign, enjoining him not to gainsay Dandan in aught he should do. Moreover, he ordered him to pick out of his army ten thousand horsemen, armed cap-à-pie and inured to onset and stress of war. Accordingly, Sharrkan arose on the instant, and chose out a myriad of horsemen, after which he entered his palace and mustered his host and distributed largesse to them, saying, &amp;quot;Ye have delay of three days.&amp;quot; They kissed the earth before him in obedience to his commands and began at once to lay in munitions, and provide provisions for the occasion; whilst Sharrkan repaired to the armouries and took therefrom whatsoever he required of arms and armour, and thence to the stable where he chose horses of choice blood and others. When the appointed three days were ended, the army drew out to the suburbs of Baghdad city; and King Omar came forth to take leave of his son who kissed the ground before him and received from the King seven parcels of money. Then he turned to Danden and commended to his care the army of his son; and the Wazir kissed the ground before him and answered, &amp;quot;I hear and I obey;&amp;quot; and lastly he charged Sharrkan that he should consult the Wazir on all occasions, which he promised to do. After this, the King returned to his city and Sharrkan ordered the officers to muster their troops in battle array. So they mustered them and their number was ten thousand horsemen, besides footmen and camp followers. Then they loaded their baggage on their beasts and the war drums beat and the trumpets blared and the bannerols and standards were unfurled, whilst Sharrkan mounted horse, with the Wazir Dandan by his side, and the colours fluttering over their heads. So the host fared forth and stinted not faring, with the ambassadors preceding them, till day departed and night drew nigh, when they alighted and encamped for the night. And as soon as Allah caused the morn tomorrow, they mounted and tried on, guided by the Ambassadors, for a space of twenty days; and by the night of the twenty first they came to a fine and spacious Wady well grown with trees and shrubbery. Here Sharrkan ordered them to alight and commanded a three days' halt, so they dismounted and pitched their tents, spreading their camp over the right and the left slopes of the extensive valley, whilst the Wazir Dandan and the Ambassadors of King Afridun pitched in the sole of the Wady. As for Sharrkan, he tarried behind them for awhile till all had dismounted and had dispersed themselves over the valley sides; he then slacked the reins of his steed, being minded to explore the Wady and to mount guard in his own person, because of his father's charge and owing to the fact that they were on the frontier of Graecia land and in the enemy's country. So he rode out alone after ordering his armed slaves and his body guard to camp near the Wazir Dandan, and he fared on along the side of the valley till a fourth part of the night was passed, when he felt tired and drowsiness overcame him, so that he could no longer urge horse with heel. Now he was accustomed to take rest on horseback; so when slumber overpowered him, he slept and the steed ceased not going on with him till half the night was spent and entered one of the thickets which was dense with growth; but Sharrkan awoke not until his horse stumbled over wooded ground. Then he started from sleep and found himself among the trees, and the moon arose and shone brightly over the two horizons, Eastern and Western. He was startled when he found himself alone in this place and said the say which ne'er yet shamed its sayer, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great!&amp;quot; But as he rode on, in fear of wild beasts, behold, the moon spread her glad light over a meadow as if it were of the meads of Paradise; and he heard pleasant voices and a loud noise of talk and laughter captivating the senses of men. So King Sharrkan alighted and, tying his steed to one of the trees, went over a little way till he came upon a stream and heard a woman talking in Arabic and saying, &amp;quot;Now by the crush of the Messiah, this is not well of you! but whose utters a word, I will throw her and truss her up with her own girdle!&amp;quot; He kept walking in the direction of the sound and when he reached the further side he looked and behold, a stream was gushing and flowing, and antelopes at large were frisking and roving, and wild cattle amid the pasture moving, and birds expressed joy and gladness in their divers tongues, and that place was purfled with all manner flowers and green herbs, even as a poet described it in these couplets,&#xA;&#xA;&amp;quot;Most beautiful is earth in budding bloom, * When lucid waters&#xA;            course through plain and wood:&#xA;No work but His th' All great, th' All glorious, * Giver of all&#xA;            gifts, Giver of all good!&amp;quot;&#xA;&#xA;And as Sharrkan considered the place, he saw in it a Christian Monastery within whose enceinte a castle towered high in air catching the light of the moon. Through the midst of the convent passed a stream, the water flowing amongst its gardens; and upon the bank sat the woman whose voice he had heard, while before her stood ten handmaids like moons and wearing various sorts of raiment and ornaments that dazed and dazzled the beholder, high bosomed virgins, as saith of them the poet in these couplets,&#xA;&#xA;&amp;quot;The mead is bright with what is on't * Of merry maidens&#xA;            debonnair:&#xA;Double its beauty and its grace * Those trooping damsels slender-&#xA;           fair:&#xA;Virgins of graceful swimming gait * Ready with eye and lip to&#xA;            ensnare;&#xA;And like the tendril'd vine they loose * The rich profusion of&#xA;            their hair:&#xA;Shooting their shafts and arrows from * Beautiful eyes beyond&#xA;          compare;&#xA;Overpowering and transpiercing * Every froward adversaire.&amp;quot;&#xA;Sharrkan gazed upon the ten girls and saw in their midst a lady like the moon at fullest, with ringleted hair and forehead sheeny white, and eyes wondrous wide and black and bright, and temple locks like the scorpion's tail; and she was perfect in essence and attributes, as the poet said of her in these couplets,&#xA;&#xA;&amp;quot;She beamed on my sight with a wondrous glance, * And her&#xA;            straight slender stature enshamed the lance:&#xA;She burst on my sight with cheeks rosy red, * Where all manner of&#xA;            beauties have habitance:&#xA;And the locks on her forehead were lowering as night * Whence&#xA;            issues a dawn tide of happiest chance.&amp;quot;&#xA;&#xA;Then Sharrkan heard her say to the handmaids, &amp;quot;Come ye on, that I may wrestle with you and gravel you, ere the moon set and the dawn break!&amp;quot; So each came up to her in turn and she grounded them forthright, and pinioned them with their girdles, and ceased not wrestling and pitching them until she had overthrown one and all. Then there turned to her an old woman who was before her, and the beldam said as in wrath, &amp;quot;O strumpet, cost thou glory in grounding these girls? Behold I am an old woman, yet have I thrown them forty times! So what hast thou to boast of? But if thou have the strength to wrestle with me, stand up that I may grip thee and set thy head between thy heels!&amp;quot; The young lady smiled at her words, but she was filled with inward wrath, and she jumped up and asked, &amp;quot;O my lady Zat al-Dawahi, by the truth of the Messiah, wilt thou wrestle with me in very deed, or dost thou jest with me?&amp;quot;; and she answered, &amp;quot;Yea,&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Forty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the young lady asked Zat al-Dawahi, &amp;quot;By the truth of the Messiah, wilt wrestle with me or dost jest?&amp;quot;, and she answered, &amp;quot;Yea, I will wrestle with thee in very deed&amp;quot; (Sharrkan looking on the while), the damsel cried, &amp;quot;Rise up for the fall an thou have spunk so to do.&amp;quot; When the old woman heard this, she raged with exceeding rage, and her body hair stood on end like the bristles of a fretful hedgehog. Then she sprang to her feet, whilst the damsel stood up to her, and said, &amp;quot;Now by the truth of the Messiah, I will not wrestle with thee unless I be naked, Mistress whore!&amp;quot; So she loosed her petticoat trousers and, putting her hand under her clothes, tore them off her body; then twisted up a silken kerchief into cord shape, girt it round her middle and became as she were a scald head If ritah or a spotted snake. With this she inclined towards the damsel and said, &amp;quot;Do thou as I have done.&amp;quot; All this time, Sharrkan was gazing at the twain, and laughing at the beldam's loathly semblance. So the damsel leisurely rose and, taking a sash of Yamani stuff, passed it twice round her waist, then she tucked up her trousers and displayed two calves of alabaster carrying a mound of crystal, smooth and rounded, and a stomach which exhaled musk from its dimples, as it were a bed of Nu'uman's anemones; and breasts like double pomegranates. Then the old woman leant towards her, and the two laid hold either of each, while Sharrkan raised his head Heavenwards and prayed Allah that the belle might beat the beldam. Presently the young woman get beneath the old woman; and, gripping her waist cloth with the left and circling her neck with the right hand, hoisted her off the ground with both; whereupon the old woman strove to free herself and, in so doing fell on her back arsiversy, with her legs high in air and her hairy bush between them showed manifest in the moonshine; furthermore she let fly two great farts one of which blew up the dust from the earth's face and the other steamed up to the gate of Heaven. Sharrkan laughed till he fell back upon the ground. Then he arose and, baring his brand looked right and left, but he saw no one save the old woman sprawling on her back, and said to himself, &amp;quot;He lied not who named thee Lady of Calamities! Verily thou knewest her prowess by her performance upon the others.&amp;quot; So he drew near them to hear what should pass between them. Then the young lady went up to the old one and, throwing a wrapper of thin silk upon her nakedness, helped her to don her clothes and made excuses saying, &amp;quot;O my lady Zat al- Dawahi, I intended only to throw thee and not all this, but thou triedst to twist out of my hands; so laud to Allah for safety!&amp;quot; She returned her no answer, but rose in her shame and walked away till out of sight, leaving the handmaids prostrate and pinioned, with the fair damsel standing amongst them. Quoth Sharrkan to himself, &amp;quot;Every luck hath its cause. Sleep did not fall upon me nor the war horse bear me hither save for my good fortune; for doubtless this maid and what is with her shall become booty to me.&amp;quot; So he made towards his steed and mounted and heeled him on, when he sped as the shaft speeds from the bow and in his hand he still hent his brand bare of sheath, which he brandished shouting the while his war cry, &amp;quot;Allah is All mighty!&amp;quot; When the damsel saw him she sprang to her feet and, taking firm stand on the bank of the stream, whose breadth was six ells, the normal cubits, made one bound and landed clear on the farther side, where she turned and cried out with a loud voice, &amp;quot;Who art thou, O thou fellow, that breakest in upon our privacy and pastime, and that too hanger in hand as if charging a host? Whence camest thou and whither art thou going? Speak sooth, for truth will stand thee in good stead, and lie not, for lies come of villein breed Doubtless thou hast wandered this night from thy way, that thou chancedst upon this place whence escape were the greatest of mercies; for thou art now in an open plain and, did we shout but a single shout, would come to our rescue four thousand knights. So tell me what thou wantest; and if thou wouldst only have us set thee on the right road, we will do so.&amp;quot; When Sharrkan heard her words he replied, &amp;quot;I am a stranger of the Moslems, who fared forth this night single handed, seeking for spoil; nor could this moonlight show me a fairer booty than these ten maidens; so I shall seize them and rejoin my comrades with them.&amp;quot; Quoth she, &amp;quot;I would have thee know that as for the booty thou hast not come at it; and, as for the handmaids, by Allah, they shall never be thy spoil. Have I not told thee that to lie is villein vile?&amp;quot; Quoth he, &amp;quot;The wise man is he who taketh warning by others.&amp;quot; Thereupon quoth she, &amp;quot;By the truth of the Messiah, did I not fear that thy death would be on my hands, I would shout a shout should fill the mead for thee with war steeds and with men of might, but I take pity upon the stranger. So, if thou seek booty, I require of thee that thou alight from thy steed and swear to me, by thy faith, that thou wilt not advance against me aught like arms in hand, and we will wrestle, I and thou. If thou throw me, set me on thy steed and take all of us to thy booty; but if I throw thee, thou shalt become under my command. Swear this to me, for I fear thy treachery: indeed it hath become a common saw, 'Where Perfidy is innate there Trust is a weakly mate.' Now an thou wilt swear I will return and draw near to thee and tackle thee.&amp;quot; Answered Sharrkan (and indeed he lusted to seize her and said in his soul, &amp;quot;Truly she knoweth not that I am a champion of champions&amp;quot;); &amp;quot;Swear me by what oath thou wilt and by what thou deemest most binding, and I will not approach thee with aught till thou hast made thy preparation and sayest, 'Draw near that I wrestle with thee.' If thou throw me, I have money where withal to ransom myself; and if I throw thee, 'twill be booty and booty enough for me!&amp;quot; Rejoined the damsel, &amp;quot;I am content herewith!&amp;quot; and Sharrkan was astounded at her words and said, &amp;quot;And by the truth of the Apostle (whom Allah bless and keep!) I too am content on the other part!&amp;quot; Then said she, &amp;quot;Swear to me by Him who sprite in body dight and dealt laws to rule man kind aright, that thou wilt not offer me aught of violence save by way of wrestling; else mayst thou die without the pale of Al- Islam.&amp;quot; Sharrkan replied, &amp;quot;By Allah! were a Kazi to swear me, even though he were a Kazi of the Kazis, he would not impose upon me such an oath as this!&amp;quot; Then he sware to her by all she named and tied his steed to a tree; but he was drowned in the sea of thought, saying in himself, &amp;quot;Praise be to Him who fashioned her from dirty water!&amp;quot; Then he girt himself and made ready for wrestling, and said to her, &amp;quot;Cross the stream to me;&amp;quot; but she replied, &amp;quot;It is not for me to come over to thee: if thou wilt, pass thou over here to me.&amp;quot; &amp;quot;I cannot do that,&amp;quot; quoth he, and quoth she, &amp;quot;O boy, I will come across to thee.&amp;quot; So she tucked up her skirts and, leaping, landed on the other side of the stream by his side; whereupon he drew near to her and bent him forwards and clapped palms. But he was confounded by her beauty and loveliness; for he saw a shape which the Hand of Power had tanned with the dye leaves of the Jann, which had been fostered by the Hand of Beneficence and fanned by the Zephyrs of fair fortune and whose birth a propitious ascendant had greeted. Then she called out to him, &amp;quot;O Moslem, come on and let us wrestle ere the break of morning,&amp;quot; and tucked up her sleeves from a forearm like fresh curd, which illumined the whole place with its whiteness; and Sharrkan was dazzled by it. Then he bent forwards and clapped his palms by way of challenge, she doing the like, and caught hold of her, and the two grappled and gripped and interlocked hands and arms. Presently he shifted his hands to her slender waist, when his finger tips sank into the soft folds of her middle, breeding languishment, and he fell a trembling like the Persian reed in the roaring gale. So she lifted him up and, throwing him to the ground, sat upon his breast with hips and hinder cheeks like mounds of sand, for his soul had lost mastery over his senses. Then she asked him, &amp;quot;O Moslem! the slaying of Nazarenes is lawful to you folk; what then hast thou to say about being slain thyself?&amp;quot;; and he answered, &amp;quot;O my lady, thy speech as regards slaying me is not other than unlawful; for our prophet Mohammed (whom Allah bless and preserve!) prohibited the slaying of women and children, old men and monks!&amp;quot; &amp;quot;As it was thus revealed to your Prophet,&amp;quot; she replied, &amp;quot;it behoveth us to render the equivalent of his mercy; so rise. I give thee thy life, for generosity is never lost upon the generous.&amp;quot; Then she got off his breast and he rose and stood shaking the dust from his head against the owners of the curved rib, even women; and she said to him, &amp;quot;Be not ashamed; but verily one who entereth the land of Roum in quest of booty, and cometh to assist Kings against Kings, how happeneth it that he hath not strength enough to defend himself from one made out of the curved rib?&amp;quot; &amp;quot;'Twas not for lack of strength in me,&amp;quot; he answered; &amp;quot;nor didst thou throw me by thy force; it was thy loveliness overthrew me; so if thou wilt grant me another bout, it will be of thy courtesy.&amp;quot; She laughed and said, &amp;quot;I grant thee thy request: but these handmaids have long been pinioned and their arms and sides are weary, and it were only right I should loose them, for haply this next wrestling bout will be long.&amp;quot; Then she went to the slave girls and, unbinding them, said to them in the tongue of Greece, &amp;quot;Get ye to some safe place, till I foil this Moslem's lust and longing for you.&amp;quot; So they went away, whilst Sharrkan kept gazing at them and they kept turning to look at the two. Then each approached the adversary and he set his breast against hers, but when he felt waist touch waist, his strength failed him; and she, waxing ware of this, lifted him with her hands swiftlier than the blinding leven-flash, and threw him to the ground. He fell on his back, and then she said to him, &amp;quot;Rise: I give thee thy life a second time. I spared thee in the first count because of thy Prophet, for that he made unlawful the slaying of women; and I do so on the second count because of thy weakliness and the greenness of thine years and thy strangerhood; but I charge thee, if there be in the Moslem army sent by Omar bin al-Nu'uman to succour the King of Constantinople, a stronger than thou, send him hither and tell him of me: for in wrestling there are shifts and trips, catches and holds, such as the feint or falsing and the snap or first grip, the hug, the feet-catch, the thigh Lite, the jostle and the leg-lock.&amp;quot; &amp;quot;By Allah, O my lady,&amp;quot; quoth Sharrkan (and indeed he was highly incensed against her), &amp;quot;had I been Master al-Safdí, Master Mohammed Kimál or Ibn al-Saddí, as they were in their prime, I had kept no note of these shifts thou mentionest; for O my mistress, by Allah, thou hast not grassed me by thy strength, but by the blandishments of thy back parts; for we men of Mesopotamia so love a full formed thigh that nor sense was left me nor foresight. But now, an thou wish, thou shalt try a third fall with me while my wits are about me, and this last match is allowed me by the laws of the game which sayeth the best of three: moreover I have regained my presence of mind.&amp;quot; When she heard his words she said to him, &amp;quot;Hast thou not had a belly full of this wrestling, O vanquished one? However come on, an thou wilt; but know that this must be the last round.&amp;quot; Then she bent forward and challenged him and Sharrkan did likewise, setting to it in real earnest and being right cautious about the throw: so the two strove awhile and the damsel found in him a strength such as she had not observed before and said to him, &amp;quot;O Moslem, thou art now on thy mettle.&amp;quot; &amp;quot;Yes,&amp;quot; he replied, &amp;quot;thou knowest that there remaineth to me but this one round, after which each of us will wend a different way.&amp;quot; She laughed and he laughed too; then she overreached at his thigh and caught firm hold of it unawares, which made him greet the ground and fall full on his back. She laughed at him and said, &amp;quot;Art thou an eater of bran? Thou are like a Badawi's bonnet which falleth off with every touch or else the Father of Winds that droppeth before a puff of air. Fie upon thee, O thou poor thing!&amp;quot; adding, &amp;quot;Get thee back to the Moslem army and send us other than thyself, for thou fairest of thews; and proclaim for us, among the Arabs and Persians, the Turks and Daylamites, whoso hath might in him, let him come to us.&amp;quot; Then she made a spring and landed on the other side of the stream and said to Sharrkan, laughing, &amp;quot;Parting with thee is right grievous to me, O my lord; but get thee to thy mates before dawn, lest the Knights come upon thee and pick thee up on their lance points. Thou hast no strength to defend thee against a woman, so how couldst thou hold thine own amongst men of might and Knights?&amp;quot; Sharrkan was confounded and called to her (as she turned from him making towards the convent), &amp;quot;O my lady, wilt thou go away and leave the miserable stranger, the broken hearted slave of love?&amp;quot; So she turned to him laughing and said, &amp;quot;What is thy want? I will grant thee thy prayer.&amp;quot; &amp;quot;Have I set foot in thy country and tasted the sweetness of thy courtesy,&amp;quot; replied he, &amp;quot;and shall I return without eating of thy victual and tasting thy hospitality; I who have become one of thy servitors!&amp;quot; &amp;quot;None baulk kindliness save the base,&amp;quot; she rejoined, &amp;quot;honour us in Allah's name, on my head and eyes be it! Mount thy steed and ride along the brink of the stream over against me, for now thou art my guest.&amp;quot; At this Sharrkan was glad and, hastening back to his horse, mounted and walked him abreast of her, and she kept faring on till they came to a drawbridge built of beams of the white poplar, hung by pullies and steel chains and made fast with hooks and padlocks. When Sharrkan looked, he saw awaiting her upon the bridge the same ten handmaids whom she had thrown in the wrestling bouts; and, as she came up to them, she said to one in the Greek tongue, &amp;quot;Arise and take the reins of his horse and conduct him across into the convent.&amp;quot; So she went up to Sharrkan and led him over, much puzzled and perturbed with what he saw, and saying to himself, &amp;quot;O would that the Wazir Dandan were here with me that his eyes might look upon these fairest of favours.&amp;quot; Then he turned to the young lady and said to her, &amp;quot;O marvel of loveliness, now I have two claims upon thee; first the claim of good fellowship, and secondly for that thou hast carried me to thy home and offered me thy hospitality. I am now under thy commandance and thy guidance; so do me one last favour by accompanying me to the lands of Al-Islam; where thou shalt look upon many a lion hearted warrior and thou shalt learn who I am.&amp;quot; When she heard this she was angered and said to him, &amp;quot;By the truth of the Messiah, thou hast proved thyself with me a man of keen wit; but now I see what mischief there is in thy heart, and how thou canst permit thyself a speech which proveth thy traitorous intent. How should I do as thou sayest, when I wot that if I came to that King of yours, Omar bin al- Nu'uman, I should never get free from him? For truly he hath not the like of me or behind his city walls or within his palace halls, Lord of Baghdad and of Khorasan though he be, who hath built for himself twelve pavilions, in number as the months of the year, and in each a concubine after the number of the days; and if I come to him he would not prove shy of me, for your folk believe I am lawful to have and to hold as is said in your writ, 'Or those women whom your right hand shall possess as slaves.' So how canst thou speak thus to me? As for thy saying, 'Thou shalt look upon the braves of the Moslems,' by the truth of the Messiah, thou sayest that which is not true, for I saw your army when it reached our land, these two days ago; and I did not see that your ordinance was the ordinance of Kings, but I beheld only a rabble of tribesmen gathered together. And as to thy words, 'Thou shalt know who I am,' I did not do thee kindness because of thy dignity but out of pride in myself; and the like of thee should not talk thus to the like of me, even wert thou Sharrkan, Omar bin al- Nu'uman's son, the prowess name in these days!&amp;quot; &amp;quot;Knowest thou Sharrkan?&amp;quot; asked he; and she answered Yes! and I know of his coming with an army numbering ten thousand horsemen; also that he was sent by his sire with this force to gain prevalence for the King of Constantinople.&amp;quot; &amp;quot;O my lady,&amp;quot; said Sharrkan, &amp;quot;I adjure thee by thy religion, tell me the cause of all this, that sooth may appear to me clear of untruth, and with whom the fault lies.&amp;quot; &amp;quot;Now by the virtue of thy faith,&amp;quot; she replied, &amp;quot;did I not fear lest the news of me be bruited abroad that I am of the daughters of Roum, I would adventure myself and sally forth single handed against the ten thousand horsemen and slay their leader, the Wazir Dandan and vanquish their champion Sharrkan. Nor would aught of shame accrue to me thereby, for I have read books and studied the rules of good breeding in the language of the Arabs. But I have no need to vaunt my own prowess to thee, more by token as thou hast proved in thy proper person my skill and strength in wrestling; and thou hast learnt my superiority over other women. Nor, indeed, had Sharrkan himself been here this night and it were said to him, 'Clear this stream,' could he have done it; and I only long and lust that the Messiah would throw him into my hands in this very convent, that I might go forth to him in the habit of a man and drag him from his saddle seat and make him my captive and lay him in bilboes.&amp;quot;- -And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Forty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Nazarene damsel said to Sharrkan (and he listening impatiently enow), &amp;quot;Verily if Sharrkan fell into my hands, I would go forth to him in the habit of a man and drag him from his saddle seat and make him my captive and lay him in bilboes,&amp;quot; pride and passion and knightly jealousy took possession of him and he desired to discover and declare himself and to lay on load; but her loveliness restrained him and he began repeating,&#xA;&#xA;&amp;quot;An faulty of one fault the Beauty prove, * Her charms a thousand advocates shall move.&amp;quot;&#xA;&#xA;So she went up and Sharrkan after her; and, when he saw the maiden's back and hinder cheeks that clashed against each other, like rollers in the rolling sea, he extemporised these couplets:- -&#xA;&#xA;&amp;quot;For her sins is a pleader that brow, * And all hearts its fair&#xA;             pleading must bow:&#xA;When I saw it I cried, &amp;quot;To night * The moon at its fullest doth&#xA;            show;&#xA;Tho' Balkis' own Ifrit try a bout, * Spite his force she&#xA;            would deal him a throw.&amp;quot;&#xA;The two fared on till they reached a gate over which rose a marble archway. This she opened and ushered Sharrkan into a long vestibule, vaulted with ten connected arches, from each of which hung a crystal lamp glistening like a spark of fire. The handmaids met her at the further end bearing wax candles of goodly perfume, and wearing on their heads golden fillets crusted with all manner bezel gems, and went on before her (Sharrkan still following), till they reached the inner convent. There the Moslem saw couches and sofas ranged all around, one opposite the other and all over hung with curtains flowered in gold. The monastery floor was paved with every kind of vari coloured marbles and mosaic work, and in the midst stood a basin that held four and twenty jetting fountains of gold, whence the water ran like molten silver; whilst at the upper end stood a throne spread with silks fit only for Kings. Then said the damsel, &amp;quot;Ascend, O my lord, this throne.&amp;quot; So he went up to it and sat down and she withdrew to remain absent for some time. Sharrkan asked of her from one of the servants who answered him, &amp;quot;She hath gone to her dormitory; but we will serve thee even as she ordered.&amp;quot; So they set before him viands of rare varieties, and he ate his sufficiency, when they brought him a basin of gold and an ewer of silver, and he washed his hands. Then his thoughts reverted to his army, knowing not what had befallen it in his absence and calling to mind also how he had forgotten his father's injunctions: so he was troubled about his case, repenting of what he had done till the dawn broke and the day appeared; when he lamented and sighed and became drowned in sea of sadness and repeated,&#xA;&#xA;&amp;quot;I am not lost to prudence, but indeed * Here I'm bewildered,&#xA;            what shall be my rede?&#xA;Would any aid me in mine ails of love, * By my own might and&#xA;            sleight would I be free'd:&#xA;But ah! my heart is lost and passion-shent: * To none save Allah&#xA;          can I trust my need!&amp;quot;&#xA;&#xA;When he ended his verse behold, there came up to him a rare show and a fair, more than twenty maidens like crescents encompassing the young lady, who shone in their midst as the full moon among the constellations guarding and girding her. She was clad in brocades befitting Kings; her breasts were like twin pomegranates, a woven zone set with all kinds of jewels tightly clasped her waist which expanded below into jutting hips; and her hinder cheeks stood out as a mound of crystal supporting a silvern shaft. When Sharrkan looked at her his wits went nigh to fly away from him with delight; and he forgot army and Wazir as he gazed on her fair head decked and dight with a net work of pearls set off by divers sorts of gems. Handmaids on her right and handmaids on her left bore her train, as she paced with dainty graceful gait in all the pride of seemlihead. He sprang to his feet seeing such beauty and loveliness, and cried aloud, &amp;quot;Beware and beware of that zone rarely fair!&amp;quot; and broke out into these couplets,&#xA;&#xA;&amp;quot;With heavy back parts, high breasts delicate, * And lissome form&#xA;           that sways with swimming gait&#xA;She deftly hides love longing in her breast; * But I may never&#xA;           hide its ban and bate&#xA;While hosts of followers her steps precede, * Like pearls&#xA;            now necklaced and now separate.&amp;quot;&#xA;&#xA;She gazed upon him for a long time and considered him till she was assured of him, when she came up to him and said, &amp;quot;In very sooth the place is honoured and illumined by thee, O Sharrkan! How sped thy night, O hero, after we went away and left thee?&amp;quot;; adding, &amp;quot;Verily lying is a vile thing and a shameful, especially in great Kings! and thou art Crown Prince Sharrkan, son and heir of King Omar bin al-Nu'uman; so henceforth make no secret of thy rank and condition, nor let me hear aught from thee but the truth; for leasing bequeatheth hate and despite. And as thou art pierced by the shaft of Fate, be resignation thine and abide content to wait.&amp;quot; When he heard her words he saw that artifice availed him naught and he acknowledged the truth, saying, &amp;quot;I am Sharrkan, bin Omar bin al-Nu'uman, whom fortune hath afflicted and cast into this place; so whatso thou willest, do it in my case!&amp;quot; She hung her head groundwards a long while, then turned to him and said, &amp;quot;Be of good cheer and let thine eyes be cool and clear; for thou art the guest of my hospitality, and bread and salt hath made a tie between me and thee; wherefore thou art in my ward and under my safeguard. Have no fear for, by the truth of the Messiah, if all on earth sought to do thee hurt they should not come at thee, till life had left my body for thy sake: indeed thou art now under the charge of the Messiah and of me.&amp;quot; Hereat she sat her down by his side and fell to playing with him, till his alarm subsided and he knew that had she desired to slay him, she would have done so during the past night. Presently she bespoke in the Grecian tongue one of her slave girls, who went away and soon came back bringing a beaker and a tray of food; but Sharrkan abstained from eating and said to himself, &amp;quot;Haply she hath put somewhat in this meat.&amp;quot; She knew what was in his thought; so she turned to him and said, &amp;quot;By the truth of the Messiah, the case is not on such wise, nor is there aught in this meat of what thou suspectest! Had my mind been set on slaying thee, I had slain thee ere now.&amp;quot; Then she walked up to the tray and ate of every dish a mouthful; where upon Sharrkan came forward and ate too. She was pleased at this and both ate till they were satisfied. They washed their hands and after that she rose and ordered a handmaid to bring perfumes and herbs of sweet savour, wines of all colours and kinds and a wine-service with vessels of gold, silver and crystal. She filled a first goblet and drank it off before offering it to him, even as she had done with the food: then she crowned a second and handed it to him. He drank and she said to him, &amp;quot;O Moslem, see how thou art here in all solace and delight of life!&amp;quot; And she ceased not to drink and ply him with drink, till he took leave of his wits,- -And Shahrazad perceived the dawn of day, and ceased saying her permitted say.&#xA;&#xA;When it was the Forty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the damsel ceased not to drink and ply Sharrkan with drink till he took leave of his wits, for the wine and the intoxication of love he bore her. Presently she said to the slave girl, &amp;quot;O Marjanah! bring us some instruments of music!&amp;quot; &amp;quot;To hear is to obey,&amp;quot; said the hand maid and going out, returned in the twinkling of an eye with a Damascus lute, a Persian harp, a Tartar pipe, and an Egyptian dulcimer. The young lady took the lute and, after tuning each several string, began in gentle undersong to sing, softer than zephyr's wing and sweeter than Tasmin spring, with heart safe and secure from everything the couplets following,&#xA;&#xA;&amp;quot;Allah assain those eyne! What streams of blood they shed! * How&#xA;           many an arrowy glance those lids of thine have sped.&#xA;I love all lovers who to lovers show them cure; * 'Twere wrong to&#xA;           rue the love in wrong head born and bred:&#xA;Haply fall hapless eye for thee no sleeping kens! * Heaven help&#xA;          the hapless heart by force of thee misled!&#xA;Thou doomest me to death who art my king, and I * Ransom with&#xA;          life the deemster who would doom me dead.&amp;quot;&#xA;Thereupon each and every of the maidens rose up and taking an instrument, played and recited couplets in the Roumi tongue; then their mistress sang also and seeing Sharrkan in ecstasies asked him, &amp;quot;O Moslem, dost thou understand what I say?&amp;quot;; and he answered, &amp;quot;Nay, my ecstasy cometh from the beauty of thy finger sips.&amp;quot; She laughed and continued, &amp;quot;If I sing to thee in Arabic what wouldst thou do?&amp;quot; &amp;quot;I should no longer,&amp;quot; quoth he, &amp;quot;be master of my senses.&amp;quot; Then she took an instrument and, changing the measure, began singing these verses,&#xA;&#xA;&amp;quot;The smack of parting's myrrh to me, * How, then, bear patience'&#xA;            aloë?&#xA;I'm girt by ills in trinity * Severance, distance,&#xA;             cruelty!&#xA;My freedom stole that fairest she, * And parting irks me&#xA;            bitterly.&amp;quot;&#xA;&#xA;When she ended her verse, she looked at Sharrkan and found him lost to existence, and he lay for a while stretched at full length and prone among the maidens. Then he revived and, remembering the songs, again inclined to mirth and merriment; and the twain returned to their wine and wassail, and continued their playing and toying, their pastime and pleasure till day ceased illuminating and night drooped her wing. Then the damsel went off to her dormitory and when Sharrkan asked after her they answered, &amp;quot;She is gone to her sleeping chamber,&amp;quot; whereto he rejoined, &amp;quot;Under Allah's ward and His good guard!&amp;quot; As soon as it was morning, a handmaid came to him and said to him, &amp;quot;My mistress biddeth thee to her.&amp;quot; So he rose and followed her and, as he drew near her lodging, the damsels welcomed him with smitten tabrets and songs of greeting, and led him through a great door of ivory studded with pearls and jewels. Thence they passed with him into a tall and spacious hall, at the upper end of which was a wide dais carpeted with all kinds of silks, and round it open lattices commanding a view of trees and streams. About the saloon were figures carved in human form, and fashioned on such wise that the air passed through them and set in motion musical instruments within, so that the beholder would fancy they spoke. Here sat the young lady, looking at the figures; but when she saw Sharrkan, she sprang to her feet and, taking him by the hand, made him sit down by her side, and asked him how he had passed the night. He blessed her and the two sat talking awhile till she asked him, &amp;quot;Knowest thou aught touching lovers and slaves of love?&amp;quot;; and he answered &amp;quot;Yes! I wot somewhat in verse on that matter.&amp;quot; &amp;quot;Let me hear it,&amp;quot; quoth she, so he began quoting,&#xA;&#xA;&amp;quot;Pleasure and health, good cheer, good appetite * To Azzah,&#xA;           freest with our name and fame!&#xA;By Allah! would I near her off she flies * At tangent, granting&#xA;           less the more I claim:&#xA;I dote on Azzah, but when clear I off * My rivals, clears me too&#xA;           that dearest dame;&#xA;Like wandering wight that chose for shade a cloud * Which, ere&#xA;            siesta done, thin air became.&amp;quot;&#xA;&#xA;When she heard this she said, &amp;quot;Verily Al-Kuthayyir was conspicuous for sweet speech and chaste, and he was superlative in his praise of Azzah when he sang&amp;quot; (and she began to recite),&#xA;&#xA;&amp;quot;Did Azzah deal behest to Sun o' noon, * The judge had judged her&#xA;             beauty's bestest boon;&#xA;And girls who come to me and carp at her, * God make their rosy&#xA;           cheeks her sandal-shoon!&#xA;&#xA;And indeed,&amp;quot; quoth she, &amp;quot;'twas said that Azzah boasted exceeding beauty and loveliness.&amp;quot; Then she asked Sharrkan saying, &amp;quot;O Prince, cost thou know aught of Jamil's verses to Buthaynah? if so repeat to us somewhat of them;&amp;quot; and he answered, &amp;quot;Yes, I know them better than any;&amp;quot; whereupon he began repeating these couplets,&#xA;&#xA;&amp;quot;Jamil, in Holy war go fight!&amp;quot; to me they say: * What war save&#xA;            fight for fair ones would I e'er essay?&#xA;To me their every word and work are mere delight, * And martyrs&#xA;           crepe I all they slay in fight and fray:&#xA;An ask I, 'O Buthaynah! what's this love, I pray, * Which eats&#xA;            my heart?' quoth she ' 'Twill stay for ever and aye!'&#xA;And when I cry, 'Of wits return some small display * For daily&#xA;            use,' quoth she, 'Far, far 'tis fled away!&#xA;Thou seekst my death; naught else thy will can satisfy * While I&#xA;             no goal espy save thee and thee alway.'&amp;quot;&#xA;&#xA;&amp;quot;Thou hast spoken right well,&amp;quot; said she, &amp;quot;O King's son, and Jamil also spoke excellently well. But what would Buthaynah have done with him that he saith in his hemistich,&#xA;&#xA;'Thou seekst my death; naught else thy will can satisfy?'&amp;quot;&#xA;&#xA;&amp;quot;O my lady,&amp;quot; quoth Sharrkan, &amp;quot;she willed to do him what thou willest to do with me, and even that will not satisfy thee.&amp;quot; She laughed at his opportune reply and they ceased not carousing till Day put out her light and Night came in darkness dight. Then she rose and went to her dormitory and slept, while Sharrkan slept in his place till morning dawned. As soon as he awoke, the hand maids came to him with tabrets and other instruments of mirth and merriment, as wont; and, kissing the ground between his hands, said to him, &amp;quot;Bismillah! in Allah's name be so kind as to come: our mistress biddeth thee to her presence!&amp;quot; So he rose and accompanied the slave girls who surrounded him, playing on tabrets and other instruments of music, till they passed from that saloon into another and a yet more spacious hall, decorated with pictured likenesses and figures of birds and beasts, passing all description. Sharrkan marvelled at the art and artifice of the place and began reciting,&#xA;&#xA;&amp;quot;He plucks fruits of her necklace in rivalry, * And her breast-&#xA;           pearls that bedded in gold mine lie.&#xA;Pure water on silvern bars is her brow, * And her cheeks show&#xA;             roses with rubies vie:&#xA;Meseems in her eyne that the violet's hue * Lies purpling set in&#xA;            the Ithmid's dye.&amp;quot;&#xA;When the lady saw Sharrkan, she stood up to him in honour and,&#xA;taking his hand, seated him by her side and asked, &amp;quot;O son of King&#xA;Omar bin al-Nu'uman, hast thou any cunning in the game of chess?&amp;quot;&#xA;&amp;quot;Yes,&amp;quot; he answered, &amp;quot;but do not thou with me as said the poet,&#xA;'I speak and longing love upties me and unties me; * Till with&#xA;             her honey dew of inner lip she plies me:&#xA;I brought the chess board and my liefest lover plays me * With&#xA;            white and black, but black cum white ne'er satisfies&#xA;             me:&#xA;'Twas as if King for Castle I were fain to place me * Till wilful&#xA;             loss of game atwixt two queens surprise me:&#xA;And if I seek to read intent in eyes that eye me * Oh man! that&#xA;             glance askance with hint of wish defies me.'&amp;quot;&#xA;&#xA;Then she brought the chessboard and played with him; but Sharrkan, instead of looking at her moves, kept gazing at her fair mouth, and putting knight in place of elephant and elephant instead of knight. She laughed and said to him, &amp;quot;If thy play be after this fashion, thou knowest naught of the game.&amp;quot; &amp;quot;This is only our first,&amp;quot; replied he, &amp;quot;judge not by this bout.&amp;quot; When she beat him he replaced the pieces in position and played again with her; but she beat him a second time, a third, a fourth and a fifth. So she turned to him and said, &amp;quot;Thou art beaten in everything;&amp;quot; and he replied, &amp;quot;O my lady, how should one playing with the like of thee avoid being beaten?&amp;quot; Then she bade bring food, and they ate and washed their hands; after which the wine was set before them and they drank. Presently, she took the dulcimer, for her hand was cunning in smiting it, and she began repeating to an accompaniment these couplets,&#xA;&#xA;&amp;quot;Twixt the close tied and open wide no medium Fortune knoweth, *&#xA;            Now ebb and flow then flow and ebb this wise her likeness&#xA;             showeth.&#xA;Then drink her wine the syne she's thine and smiling thou dost&#xA;             find her * Anon she'll fall and fare away when all thy good&#xA;             forth goeth.&amp;quot;&#xA;&#xA;They ceased not to carouse till nightfall and this day was pleasanter even than the first. When darkness set in, the lady betook her to her dormitory, leaving him alone with the hand maids; so he threw himself on the ground and slept till dawn, when the damsels came to him with tambourines and other instruments according to custom. Seeing them he roused him hastily and sat up; and they carried him to their mistress, who came to meet him and, taking him by the hand, seated him by her side. Then she asked him how he had passed his night, whereat he prayed that her life be prolonged; and she took the lute and sang to it these verses which she improvised,&#xA;&#xA;&amp;quot;Ne'er incline thee to part * Which embitters the heart&#xA;E'en the sun when he sets * Shall in pallor depart.&amp;quot;&#xA;&#xA;While they were solacing themselves after this fashion, behold, there arose a great and sudden clamour, and a confused crowd of knights and men rushed in, holding drawn swords that glittered and gleamed in their hands, and cried aloud in the Grecian tongue &amp;quot;Thou hast fallen into our hands, O Sharrkan, so make thee sure of death!&amp;quot; When he heard this, he said to himself, &amp;quot;By Allah, she hath entrapped me and held me in play, till her men should come. These are the Knights with whom she threatened me; but 'tis I who have thrown myself into this strait.&amp;quot; Then he turned towards the young lady to reproach her, but saw that she had changed colour and her face was pale; and she sprang to her feet and asked the crowd, &amp;quot;Who are ye?&amp;quot; &amp;quot;O most gracious Princess and peerless onion pearl,&amp;quot; answered the leading Knight, &amp;quot;dost thou weet who is yon man by thy side?&amp;quot; &amp;quot;Not I,&amp;quot; she replied, &amp;quot;who may he be?&amp;quot; Quoth the Patrician, &amp;quot;This is of towns the highwayman! This is he who rideth in the horseman's van! This is Sharrkan, son of King Omar bin al-Nu'uman! This is he that forceth fortalice and penetrateth every impregnable place! The news of him reached King Hardub, thy father, by report of the ancient dame Zat al- Dawahi; and thy sire, our sovereign, hath made sure that thou hast rendered good service to the army of the Greeks by taking captive this ominous lion.&amp;quot; When she heard this, she looked at the Knight and asked him, &amp;quot;What be thy name?&amp;quot; and he answered, &amp;quot;I am Másúrah, son of thy slave Mausúrah bin Káshardah, Knight of Knights.&amp;quot; &amp;quot;And how?&amp;quot; quoth she, &amp;quot;durst thou enter my presence without leave?&amp;quot; Quoth he, &amp;quot;O my lady, when I came to the gate, none forbade me, neither chamberlain nor porter, but all the door keepers rose and forewent us as of wont; although, when others come, they leave them standing at the gate while they ask permission to admit them. But this is not a time for long talking, when the King is expecting our return with this Prince, the scorpion sting of the Islamitic host, that he may kill him and drive back his men whither they came, without the bane of battling with them.&amp;quot; &amp;quot;These words be ill words,&amp;quot; rejoined the Princess, &amp;quot;and Dame Zat al-Dawahi lied, avouching an idle thing and a vain, whereof she weeteth not the truth; for by the virtue of the Messiah, this man who is with me is not Sharrkan, nor is he a captive, but a stranger who came to us seeking our hospitality, and I made him my guest. So even were we assured that this be Sharrkan and were it proved to us that it is he beyond a doubt, I say it would ill befit mine honour that I should deliver into your hands one who hath entered under my protection. So make me not a traitor to my guest and a disgrace among men; but return to the King, my father, and kiss the ground before him, and inform him that the case is contrariwise to the report of the Lady Zat al-Dawahi.&amp;quot; &amp;quot;O Abrízah,&amp;quot; replied Masurah, the Knight, &amp;quot;I cannot return to the King's majesty without his debtor and enemy.&amp;quot; Quoth she (and indeed she had waxed very wroth). &amp;quot;Out on thee! Return to him with my answer, and no blame shall befal thee!&amp;quot; Quoth Masurah, &amp;quot;I will not return without him.&amp;quot; Thereupon her colour changed and she exclaimed, &amp;quot;Exceed not in talk and vain words; for verily this man had not come in to us, were he not assured that he could of himself and single handed make head against an hundred riders; and if I said to him, 'Thou art Sharrkan, son of King Omar bin al-Nu'uman,' he would answer, 'Yes.' But 'tis not of your competence to let or hinder him; for if you do so, he will not turn back from you till he hath slain all that are in this place. Behold, here he is by my side, and I will bring him before you sword and targe in hand.&amp;quot; &amp;quot;Albeit I were safe from thy wrath,&amp;quot; answered Masurah the Knight, &amp;quot;I am not safe from that of thy father, and when I see him, I shall sign to the Knights to take him captive, and we will carry him to the King bound and in abject sort.&amp;quot; When she heard this, she said, &amp;quot;The matter shall not pass thus, for 'twould be blazoning mere folly. This man is but one and ye are an hundred Knights: so if you would attack him come out against him, one after one, that it may appear to the King which is the valiant amongst you.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fiftieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Princess Abrizah said to the Knight, &amp;quot;This man is but one, and ye are an hundred: so if ye would attack him, come out against him, one after one, that it may appear to the King which is the valiant.&amp;quot; Quoth Masurah, the Knight, &amp;quot;By the truth of the Messiah, thou sayest sooth, and none but I shall sally out against him first.&amp;quot; Quoth she, &amp;quot;Wait till I go to him and acquaint him with the case and hear what answer he will make. If he consent, 'tis well; but if he refuse, ye shall on no wise come to him, for I and my hand maids and whosoever is in the convent will be his ransom.&amp;quot; So she went to Sharrkan and told him the news, whereat he smiled and knew that she had not informed any of the Emirs; but that tidings of him had been bruited and blazed abroad, till the report reached the King, against her wish and intent. So he again began reproaching himself and said, &amp;quot;How came I to adventure and play with my life by coming to the country of the Greeks?&amp;quot; But hearing the young lady's proposal he said to her, &amp;quot;Indeed their onset, one after one, would be overburdensome to them. Will they not come out against me, ten by ten?&amp;quot; &amp;quot;That would be villainy,&amp;quot; said she; &amp;quot;Let one have at one.&amp;quot; When he heard this, he sprang to his feet and made for them with his sword and battle gear; and Masurah, the Knight, also sprang up and bore down upon him. Sharrkan met him like a lion and delivered a shoulder cut which clove him to the middle, and the blade came out gleaming and glittering from his back and bowels. When the lady beheld that swashingblow, Sharrkan's might was magnified in her sight and she knew that when she overthrew him in the wrestle it was not by her strength but by her beauty and loveliness. So she turned to the Knights and said, &amp;quot;Take wreak for your chief!&amp;quot; Thereupon out came the slain man's brother, a fierce and furious Knight, and rushed upon Sharrkan, who delayed not, but smote him also with the shoulder cut and the sword came out glittering from his vitals. Then cried the Princess, &amp;quot;O ye servants of the Messiah, avenge your comrade!&amp;quot; So they ceased not charging down upon him, one after one; and Sharrkan also ceased not playing upon them with the blade, till he had slain fifty Knights, the lady looking on the while. And Allah cast a panic into the hearts of the survivors, so that they held back and dared not meet him in the duello, but fell upon him in a body; and he laid on load with heart firmer than a rock, and smote them and trod them down like straw under the threshing sled, till he had driven sense and soul out of them. Then the Princess called aloud to her damsels, saying, &amp;quot;Who is left in the convent?&amp;quot;; and they replied, &amp;quot;None but the gate keepers;&amp;quot; whereupon she went up to Sharrkan and took him to her bosom, he doing the same, and they returned to the palace, after he had made an end of the melee. Now there remained a few of the Knights hiding from him in the cells of the monastery, and when the Princess saw this she rose from Sharrkan's side and left him for a while, but presently came back clad in closely meshed coat of ring mail and holding in her hand a fine Indian scymitar. And she said, &amp;quot;Now by the truth of the Messiah, I will not be a niggard of myself for my guest; nor will I abandon him though for this I abide a reproach and a by word in the land of the Greeks.&amp;quot; Then she took reckoning of the dead and found that he had slain fourscore of the Knights, and other twenty had taken to flight. When she saw what work he had made with them she said to him, &amp;quot;Allah bless thee, O Sharrkan! The Cavaliers may well glory in the like of thee.&amp;quot; Then he rose and wiping his blade clean of the blood of the slain began reciting these couplets,&#xA;&#xA;&amp;quot;How oft in the mellay I've cleft the array, * And given their&#xA;             bravest to lions a prey:&#xA;Ask of me and of them when I proved me prow * O'er creation, on&#xA;             days of the foray and fray:&#xA;When I left in the onslaught their lions to lie * On the sands of&#xA;             the low lands in fieriest day.&amp;quot;&#xA;&#xA;When he ended his verse, the Princess came up to him with smiles and kissed his hand; then she doffed her hauberk and he said to her, &amp;quot;O lady mine, wherefore didst thou don that coat of mail and bare thy brand?&amp;quot; &amp;quot;To guard thee against these caitiffs,&amp;quot; she replied. Then she summoned the gate keepers and asked them, &amp;quot;How came ye to admit the King's Knights into my dwelling without leave of me?&amp;quot;; and they answered, &amp;quot;O Princess, it is not our custom to ask leave of thee for the King's messengers, and especially for the chief of his Knights.&amp;quot; Quoth she, &amp;quot;I think ye were minded only to disgrace me and murder my guest;&amp;quot; and bade Sharrkan smite their necks. He did so and she cried to the rest of her servants, &amp;quot;Of a truth, they deserved even more than that!&amp;quot; Then turning to Sharrkan, she said to him, &amp;quot;Now that there hath become manifest to thee what was concealed, thou shalt be made acquainted with my history. Know, then, that I am the daughter of King Hardub of Roum; my name is Abrizah and the ancient dame, yclept Zat al-Dawahi, is my grandmother by the sword side. She it certainly is who told my father of thee, and as surely she will compass a sleight to slay me, more by token as thou hast slain my father's chivalry and it is noised abroad that I have separated myself from the Nazarenes and have become no better than I should be with the Moslems. Wherefore it were wiser that I leave this dwelling while Zat al-Dawahi is on my track; but I require of thee the like kindness and courtesy I have shown thee, for enmity will presently befal between me and my father on thine account. So do not thou neglect to do aught that I shall say to thee, remembering all this betided me not save by reason of thee.&amp;quot; Hearing her words, Sharrkan joyed greatly; his breast broadened and his wits flew from him for delight, and he said, &amp;quot;By Allah, none shall come at thee, while life is in my bosom! But hast thou patience to bear parting from thy parents and thy people?&amp;quot; &amp;quot;Even so,&amp;quot; she answered; and Sharrkan swore to her and the two plighted their troth. Then said she, &amp;quot;Now is my heart at ease; but there remaineth one other condition for thee.&amp;quot; &amp;quot;What is it?&amp;quot; asked he and she answered, &amp;quot;It is that thou return with thy host to thine own country.&amp;quot; Quoth he, &amp;quot;O lady mine, my father, King Omar bin al- Nu'uman, sent me to wage war upon thy sire, on account of the treasure he plundered from the King of Constantinople, and amongst the rest three great jewels, noted givers of good fortune.&amp;quot; Quoth she, &amp;quot;Cheer thy heart and clear thine eyes: I will tell thee the whole of the tale and the cause of our feud with the King of Constantinople. Know that we have a yearly festival, highs the Convent Feast, whereat Kings from all quarters and the noblest women are wont to congregate; thither also come merchants and traders with their wives and families, and the visitors abide there seven days. I was wont to be one of them; but, when there befel enmity between us, my father forbade me to be present at the festival for the space of seven years. One year, it chanced that amongst the daughters of the great who resorted to the patron, as was their custom, came a daughter of the King of Constantinople, a beautiful girl called Sophia. They tarried at the monastery six days and on the seventh the folk went their ways; but Sophia said, 'I will not return to Constantinople save by water.' So they equipped for her a ship in which she embarked with her suite; and making sail they put out to sea; but as they were voyaging behold, a contrary wind caught them and drove the vessel from her course till, as Fate and Fortune would have it, she fell in with a Nazarene craft from the Camphor Island carrying a crew of five hundred armed Franks, who had been cruising about a long time. When they sighted the sails of the ship, wherein Sophia and her women were, they gave chase in all haste and in less than an hour they came up with her, then they laid the grappling irons aboard her and captured her. Then taking her in tow they made all sail for their own island and were but a little distant from it when the wind veered round and, splitting their sails, drove them on to a shoal which lies off our coast. Thereupon we sallied forth and, looking on them as spoil driven to us by Fate, boarded and took them; and, slaying the men, made prize of the wreck, wherein we found the treasures and rarities in question and forty maidens, amongst whom was the King's daughter, Sophia. After the capture we carried the Princess and her women to my father, not knowing her to be a daughter of King Afridun of Constantinople; and he chose out for himself ten including her; and divided the rest among his dependents. Presently he set apart five damsels, amongst whom was the King s daughter, and sent them to thy father, King Omar bin al-Nu'uman, together with other gifts, such as broadcloth and woollen stuffs and Grecian silks. Thy father accepted them and chose out from amongst the five girls Sophia, daughter of King Afridun; nor did we hear more of her till the beginning of this year, when her father wrote to my father in words unfitting for me to repeat, rebuking him with menaces and saying to him: Two years ago, you plundered a ship of ours which had been seized by a band of Frankish pirates in which was my daughter, Sophia, attended by her maidens numbering some threescore. Yet ye informed me not thereof by messenger or otherwise; nor could I make the matter public, lest reproach befal me amongst the Kings, by reason of my daughter's honour. So I concealed my case till this year, when I wrote to certain Frankish corsairs and sought news of my daughter from the Kings of the Isles. They replied, 'By Allah we carried her not forth of thy realm; but we have heard that King Hardub rescued her from certain pirates. And they told me the whole tale.' Then he added in the writing which he writ to my father: 'Except you wish to be at feud with me and design to disgrace me and dishonour my daughter, you will, the instant my letter reacheth you, send my daughter back to me. But if you slight my letter and disobey my commandment, I will assuredly make you full return for your foul dealing and the baseness of your practices.' When my father read this letter and understood the contents, it vexed him and he regretted not having known that Sophia, King Afridun's daughter, was among the captured damsels, that he might have sent her back to her sire; and he was perplexed about the case because, after so long a time, he could not send to King Omar bin al-Nu'uman and demand her back from him, especially as he had lately heard that Heaven had granted him boon of babe by this Sophia. So when we pondered that truth, we knew that this letter was none other than a grievous calamity; and my father found nothing for it but to write an answer to King Afridun, making his excuses and swearing to him by strong oaths that he knew not his daughter to be among the bevy of damsels in the ship and setting forth how he had sent her to King Omar bin al Nu'uman, who had gotten the blessing of issue by her. When my father's reply reached King Afridun he rose up and sat down, and roared and foamed at the mouth crying:—'What! shall he take captive my daughter and even her with slave girls and pass her on from hand to hand sending her for a gift to Kings, and they lie with her without marriage contract? By the Messiah and the true Faith,' said he, 'I will not desist till I have taken my blood vengeance for this and have wiped out my shame; and indeed I will do a deed which the chroniclers shall chronicle after me!' So he bided his time till he devised a device and laid notable toils and snares, when he sent an embassy to thy father, King Omar, to tell him that which thou hast heard: accordingly thy father equipped thee and an army with thee and sent thee to King Afridun, whose object is to seize thee and thine army to boot. As for the three jewels whereof he told thy father when asking his aid, there was not one soothfast word in that matter, for they were with Sophia, his daughter; and my father took them from her, when he got possession of her and of her maidens, and gave them to me in free gift, and they are now with me. So go thou to thy host and turn them back ere they be led deep into, and shut in by, the land of the bevy of damsels in the ship and setting forth the Franks and the country of the Greeks; for as soon as you have come far enough into their interior, they will stop the roads upon you and there will be no escape for you till the Day of retribution and retaliation. I know that thy troops are still halting where thou leftest them, because thou didst order a three days' rest; withal they have missed thee all this time and they wot not what to do.&amp;quot; When Sharrkan heard her words, he was absent awhile in thought; then he kissed Princess Abrizah's hand and said, &amp;quot;Praise be to Allah who hath bestowed thee on me and appointed thee to be the cause of my salvation and the salvation of whoso is with me! But 'tis grievous to me to part from thee and I know not what will become of thee after my departure.&amp;quot; &amp;quot;Go now to thine army,&amp;quot; she replied, &amp;quot;and turn them back, while ye are yet near your own country. If the envoys be still with them, lay hands on them and keep them, that the case may be made manifest to you; and, after three days, I will be with you all and we will enter Baghdad together.&amp;quot; As he turned to depart she said, &amp;quot;Forget not the compact which is between me and thee,&amp;quot; then she rose to bid him farewell and embrace him and quench the fire of desire, so she took leave of him and, throwing her arms round his neck, wept with exceeding weeping, and repeated these verses,&#xA;&#xA;&amp;quot;I bade adieu, my right hand wiped my tears away, * The while my&#xA;             left hand held her in a close embrace:&#xA;'Fearest thou naught,' quoth she, 'of shame?' I answered 'Nay, *&#xA;             The lover's parting day is lover's worst disgrace.'&amp;quot;&#xA;&#xA;Then Sharrkan left her and walked down from the convent. They brought his steed, so he mounted and rode down stream to the drawbridge which he crossed and presently threaded the woodland paths and passed into the open meadow. As soon as he was clear of the trees he was aware of horsemen which made him stand on the alert, and he bared his brand and rode cautiously, but as they drew near and exchanged curious looks he recognized them and behold, it was the Wazir Dandan and two of his Emirs. When they saw him and knew him, they dismounted and saluting him, asked the reason of his absence; whereupon he told them all that had passed between him and Princess Abrizah from first to last. The Wazir returned thanks to Almighty Allah for his safety and said, &amp;quot;Let us at once leave these lands; for the envoys who came with us are gone to inform the King of our approach, and haply he will hasten to fall on us and take us prisoners.&amp;quot; So Sharrkan cried to his men to saddle and mount, which they did and, setting out at once, they stinted not faring till they reached the sole of the valley wherein the host lay. The Ambassadors meanwhile had reported Sharrkan's approach to their King, who forthright equipped a host to lay hold of him and those with him. But Sharrkan, escorted by the Wazir Dandan and the two Emirs, had no sooner sighted the army, than he raised the cry &amp;quot;March! March!&amp;quot; They took horse on the instant and fared through the first day and second and third day, nor did they cease faring for five days; at the end of which time they alighted in a well wooded valley, where they rested awhile. Then they again set out and stayed not riding for five and twenty days which placed them on the frontiers of their own country. Here, deeming themselves safe, they halted to rest; and the country people came out to them with guest gifts for the men and provender and forage for the beasts. They tarried there two days after which, as all would be making for their homes, Sharrkan put the Wazir Dandan in command, bidding him lead the host back to Baghdad. But he himself remained behind with an hundred riders, till the rest of the army had made one day's march: then he called &amp;quot;To horse!&amp;quot; and mounted with his hundred men. They rode on two parasangs' space till they arrived at a gorge between two mountains and lo! there arose before them a dark cloud of sand and dust. So they checked their steeds awhile till the dust opened and lifted, discovering beneath it an hundred cavaliers, lion faced and in mail coats cased. As soon as they drew within earshot of Sharrkan and his meiny they cried out to them, saying, &amp;quot;By the virtue of John and Mary, we have won to our wish! We have been following you by forced marches, night and day, till we forewent you to this place. So dismount and lay down your arms and yield yourselves, that we may grant you your lives.&amp;quot; When Sharrkan heard this, his eyes stood out from his head and his cheeks flushed red and he said 'How is it, O. Nazarene dogs, ye dare enter our country and overmatch our land? And doth not this suffice you, but ye must adventure yourselves and address us in such unseemly speech? Do you think to escape out of our hands and return to your country?&amp;quot; Then he shouted to his hundred horsemen, &amp;quot;Up and at these hounds, for they even you in number!&amp;quot; So saying, he bared his sabre and bore down on them, he and his, but the Franks met them with hearts firmer than rocks, and wight dashed against wight, and knight dashed upon knight, and hot waxed the fight, and sore was the affright, and nor parley nor cries of quarter helped their plight; and they stinted not to charge and to smite, right hand meeting right, nor to hack and hew with blades bright white, till day turned to night and gloom oppressed the sight. Then they drew apart and Sharrkan mustered his men and found none wounded save four only, who showed hurts but not death hurts. Said he to them, &amp;quot;By Allah, my life long have I waded in the clashing sea of fight and I have met many a gallant sprite, but none so unfrightened of the sword that smites and the shock of men that affrights like these valiant Knights!&amp;quot; &amp;quot;Know, O King,&amp;quot; said they, that there is among them a Frankish cavalier who is their leader and, indeed, he is a man of valour and fatal is his spear thrust: but, by Allah, he spares us great and small; for whoso falls into his hands he lets him go and forbears to slay him. By Allah, had he willed he had killed us all.&amp;quot; Sharrkan was astounded when he heard what the Knight had done and such high report of him, so he said, &amp;quot;When the morn shall morrow, we will draw out and defy them, for we are an hundred to their hundred; and we will seek aid against them from the Lord of the Heavens.&amp;quot; So they rested that night in such intent; whilst the Franks gathered round their Captain and said, &amp;quot;Verily this day we did not win our will of these;&amp;quot; and he replied, &amp;quot;At early dawn when the morrow shall morn, we will draw out and challenge them, one after one.&amp;quot; They also rested in that mind, and both camps kept guard until Almighty Allah sent the light of day dawn. Thereupon King Sharrkan and his hundred riders took horse and rode forth to the plain, where they found the Franks ranged in line of battle; and Sharrkan said to his followers, &amp;quot;Our foes have determined like ourselves to do their devoir; so up and at them and lay on load.&amp;quot; Then came forth an Herald of the Franks and cried out, saying, &amp;quot;Let there be no general engagement betwixt us this day, save by the duello, a champion of yours against a champion of ours.&amp;quot; Whereupon one of Sharrkan's riders dashed out from the ranks and crave between the two lines crying, &amp;quot;Ho! who is for smiting? Let no dastard engage me this day nor niderling!&amp;quot; Hardly had he made an end of his vaunt, when there sallied forth to him a Frankish cavalier, armed cap-à-pie and clad in a surcoat of gold stuff, riding on a grey white steed, and he had no hair on his cheeks. He urged his charger on to the midst of the battle plain and the two fell to derring do of cut and thrust, but it was not long before the Frank foined the Moslem with the lance point; and, toppling him from his steed, took him prisoner and led him off crestfallen. His folk rejoiced in their comrade and, forbidding him to go out again to the field, sent forth another, to whom sallied out another Moslem, brother to the captive, and offered him battle. The two fell to, either against other, and fought for a little while, till the Frank bore down upon the Moslem and, falsing him with a feint, tumbled him by a thrust of the lance heel from his destrier and took him prisoner. After this fashion the Moslems ceased not dashing forwards, one after one, and the Franks to unhorse them and take them captive, till day departed and the night with darkness upstarted. Now they had captured of the Moslems twenty cavaliers, and when Sharrken saw this, it was grievous to him and he mustered his men and said to them, &amp;quot;What is this thing that hath befallen us? To- morrow, I myself will go forth to the field and offer singular combat to their chief and learn what is the cause of his entering our land and warn him against doing battle with our band. If he persist, we will punish him with death, and if he prove peaceable we will make peace with him.&amp;quot; They righted on this wise till Allah Almighty caused the morn to dawn, when mounted the twain and drew up for battle fain; and Sharrkan was going forth to the plain, but behold, more than one half of the Franks dismounted and remained on foot before one of them who was mounted, till they reached the midst of the battle plain. Sharrken looked at that horseman and lo! he was their chief. He was clad in a surcoat of blue satin and a close ringed mail shirt; his face was as the moon when it rises and no hair was upon his cheeks. He hent in hand an Indian scymitar and he rode a sable steed with a white blaze on brow, like a dirham; and he smote the horse with heel till he stood almost in the midst of the field when, signing to the Moslems, he cried out in fluent Arab speech &amp;quot;Ho, Sharrkan! Ho, son of Omar bin al- Nu'uman! Ho, thou who forcest fortalice and overthrowest cities and countries! up and out to battle bout, and blade single handed wield with one who halves with thee the field! Thou art Prince of thy people and I am Prince of mine; and whoso overcometh his adversary, him let the other's men obey and come under his sway.&amp;quot; Hardly had he ended his speech, when out came Sharrkan with a heart full of fury, and urging his steed into the midst of the field, closed like a raging lion with the Frank who encountered him with wariness and steadfastness and met him with the meeting of warriors. Then they fell to foining and hewing, and they stinted not of onset and offset, and give and take, as they were two mountains clashing together or two seas together dashing; nor did they cease fighting until day darkened and night starkened. Then they drew apart and each returned to his own party; but as soon as Sharrkan foregathered with his comrades, he said, &amp;quot;Never looked I on the like of this cavalier: he hath one quality I have not yet seen in any and this it is that, when his foemen uncovereth a place for the death blow, he reverseth his weapon and smiteth with the lance-heel! In very deed I know not what will be the issue 'twixt him and me; but 'tis my wish that we had in our host his like and the like of his men.&amp;quot; Then he went to his rest for the night and, when morning dawned, the Frank came forth and rode down to the mid field, where Sharrkan met him; and they fell to fighting and to wheeling, left and right; and necks were stretched out to see the sight, nor did they stint from strife and sword play and lunge of lance with main and might, till the day turned to night and darkness overwhelmed the light. Then the twain drew asunder and returned each to his own camp, where both related to their comrades what had befallen them in the duello; and at last the Frank said to his men, &amp;quot;Tomorrow shall decide the matter!&amp;quot; So they both passed that night restfully till dawn; and, as soon as it was day, they mounted and each bore down on other and ceased not to fight till half the day was done. Then the Frank bethought him of a ruse; first urging his steed with heel and then checking him with the rein, so that he stumbled and fell with his rider; thereupon Sharrkan threw himself on the foe, and would have smitten him with the sword fearing lest the strife be prolonged, when the Frank cried out to him, &amp;quot;O Sharrkan, champions are not wont to do thus! This is the act of a man accustomed to be beaten by a woman.&amp;quot; When Sharrkan heard this, he raised his eyes to the Frank's face and gazing steadfastly at him, recognized in him Princess Abrizah with whom that pleasant adventure had befallen him in the convent; whereupon he cast brand from hand and, kissing the earth before her, asked her, &amp;quot;What moved thee to a deed like this?&amp;quot;; and she answered, &amp;quot;I desired to prove thy prowess afield and test thy doughtiness in tilting and jousting. These that are with me are my handmaids, and they are all clean maids; yet they have vanquished thy horsemen in fair press and stress of plain; and had not my steed stumbled with me, thou shouldst have seen my might and prowess in combat.&amp;quot; Sharrkan smiled at her speech and said, &amp;quot;Praise be to Allah for safety and for my reunion with thee, O Queen of the age!&amp;quot; Then she cried out to her damsels to loose the twenty captives of Sharrkan's troop and dismount. They did as she bade and came and kissed the earth before her and Sharrkan who said to them, &amp;quot;It is the like of you that Kings keep in store for the need hour.&amp;quot; Then he signed to his comrades to salute the Princess; so all alighted and kissed the earth before her, for they knew the story. After this, the whole two hundred took horse, and fared on night and day for six days' space, till they drew near to Baghdad, when they halted and Sharrkan bade Abrizah and her handmaids doff the Frankish garb that was on them,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan bade Princess Abrizah and her damsels doff the garb that was on them and don the garments of daughters of Greece; and thus did they. Then he despatched a company of his companions to Baghdad to acquaint his father Omar bin al-Nu'uman, with his arrival and report that he was accompanied by Princess Abrizah, daughter of King Hardub, Lord of Graecia-land. They halted forthright in the place they had reached, and Sharrkan also halted and all righted there; and when Almighty Allah made morning dawn, Sharrkan and his company and Abrizah and her company took horse and fared on towards the city; when lo! on the way they met the Wazir Dandan, who had come out amongst a thousand horse to honour Abrizah and Sharrkan, by especial commandment of King Omar Son of Al- Nu'uman. When the two drew near, they turned towards them and kissed ground before them; then they mounted again and escorted them into the city and went up with them to the palace. Sharrkan walked in to his father, who rose and embraced him and questioned him of his case. So he told him all that Abrizah had told him, and what had passed between them and said, &amp;quot;She hath parted from her sire and departed from her reign and hath chosen to take part with us and make her abode with us; and indeed,&amp;quot; he said to his father, &amp;quot;the King of Constantinople hath plotted to do us a mischief, because of his daughter Sophia, for that the King of Greece had made known to him her story and the cause of her being given to thee; and he (the Grecian King) not knowing her to be daughter of King Afridun, Lord of Constantinople; and, had he known that, he would not have bestowed her upon thee, but he would have restored her to her parent. And of a verity,&amp;quot; he continued, &amp;quot;we were saved from these perils only by the Lady Abrizah, and never saw we a more valiant than she.&amp;quot; And he went on to tell his father all that had passed from first to last of the wrestling and the single fighting. When King Omar heard the story of Sharrkan, Abrizah was exalted in his eyes, and he longed to see her and question her. Thereupon Sharrkan went out to her and said, &amp;quot;The King calleth for thee;&amp;quot; she replied, &amp;quot;I hear and I obey;&amp;quot; and he took her and brought her in to his father, who was seated on his throne and who, having dismissed his high officers, was attended only by his eunuchs. The Princess entered and kissing the ground between his hands, saluted him in choice terms. He was amazed at her eloquent speech and thanked her for her dealing with his son Sharrkan and bade her be seated. So she sat down and unveiled her face; and, when the King saw her beauty, his reason fled his head and he made her draw near and showed her favour, appointing her an especial palace for herself and her damsels, and assigning them solde and allowances. Then began he to ask her of the three jewels aforesaid, and she answered, &amp;quot;Here be they with me, O King of the age!&amp;quot; So saying, she rose and going to her lodging, unpacked her baggage and from it brought out a box and from the box a casket of gold. She opened the casket and taking out those three jewels, kissed them and gave them to the King. Then she went away bearing his heart with her. After her going the King sent for his son Sharrkan and gave him one jewel of the three, and when he enquired of the other two replied, &amp;quot;O my son! I mean to give one to thy brother Zau al-Makan, and the other to thy sister Nuzhat al- Zaman.&amp;quot; But when Sharrkan heard that he had a brother (for to that time he knew only of his sister) he turned to his sire and said to him, &amp;quot;O King, hast thou a son other than myself?&amp;quot; He answered, &amp;quot;Yes, and he is now six years old;&amp;quot; adding that his name was Zau al- Makan and that he and Nuzhat al-Zaman were twins, born at a birth. This news was grievous to Sharrkan, but he kept his secret and said, &amp;quot;The bless- ing of Allah Most High be upon them!&amp;quot;, and he cast the jewel from his hand and shook the dust off his clothes. Quoth the King, &amp;quot;How do I see thee change thy manner when hearing of this, considering that after me thou becomes&amp;quot; heir of the kingdom. Of a truth the troops have sworn to thee and the Emirs and Grandees have taken the oath of succession to thee; and this one of the three jewels is thine.&amp;quot; Sharrkan bowed his head to the ground and was ashamed to bandy words with his parent so he accepted the jewel and went away, knowing not what to do for exceeding wrath, and stayed not walking till he had entered Abrizah's palace. As he approached she stood up to meet him and thanked him for what he had done and prayed for blessings on him and his sire. Then she sat down and seated him by her side; but when he had taken his place she saw rage in his face and questioned him, whereupon he told her that Allah had blessed his father with two children by Sophia, a boy and a girl, and that he had named the boy Zau al-Makan and the girl Nuzhat al-Zaman; adding, &amp;quot;He hath kept the other two jewels for them and hath given me one of thine, so I left it behind; I knew naught of Zau al-Makan's birth till this day, and the twain are now six years old. So when I learnt this, wrath possessed me; and I tell thee the reason of my rage and hide nothing from thee. But now I fear lest my father take thee to wife, for he loveth thee and I saw in him signs of desire for thee: so what wilt thou say, if he wish this?&amp;quot; Quoth she, &amp;quot;Know, O Sharrkan, that thy father hath no dominion over me, nor can he have me without my consent; and if he prevail over me by force, I will take my own life. As for the three jewels, it was not my intent that he should give any of them to either of his children and I had no thought but that he would lay them up in his treasury with his things of price; but now I desire of thy favour that thou make me a present of the jewel which he gave thee, if thou have accepted it.&amp;quot; &amp;quot;Hearkening and obedience,&amp;quot; replied Sharrkan, and gave it to her. Then said she, &amp;quot;Fear nothing,&amp;quot; and talked with him awhile and continued, &amp;quot;I fear lest my father hear that I am with you and sit not patiently under my loss, but do his endeavours to find me; and to that end he may ally himself with King Afridun, on account of his daughter Sophia, and both come on thee with armies and so there befal great turmoil.&amp;quot; When Sharrken heard these words, he said to her, &amp;quot;O my lady, if it please thee to sojourn with us, take no thought of them; though there gather together against us all that be on land and on sea.&amp;quot; &amp;quot; 'Tis well,&amp;quot; rejoined she; &amp;quot;if ye entreat me fair, I will tarry with you, and if ye deal evilly by me, I will depart from you.&amp;quot; Then she bade her slave maidens bring food; so they set the tables, and Sharrkan ate a little and went away to his own house, disturbed and perturbed. Such was his case; but regarding the affairs of his father, Omar bin al-Nu'uman, after dismissing his son Sharrkan he arose and, taking the other two jewels, betook himself to the Lady Sophia, who stood up when she saw him and remained standing till he was seated. Presently, his two children, Zau al-Makan and Nuzhat al-Zaman, came to him and he kissed them and hung a jewel round each one's neck, at which they rejoiced and kissed his hands. Then went they to their mother, who joyed in their joy and wished the King long life; so he asked her, &amp;quot;Why hast thou not informed me all this time that thou art the daughter of King Afridun, Lord of Constantinople, that I might have honoured thee still more and enlarged thee in dignity and raised thy rank?&amp;quot; &amp;quot;O King,&amp;quot; answered Sophia, &amp;quot;and what could I desire greater or higher than this my standing with thee, overwhelmed as I am with thy favours and thy benefits? And, furthermore, Allah hath blessed me with two children by thee, a son and a daughter.&amp;quot; Her reply pleased the King and after leaving her, he set apart for her and her children a wondrous fine palace. Moreover, he appointed for them eunuchs and attendants and doctors of law and doctors of philosophy and astrologers and physicians and surgeons to do them service; and in every way he redoubled his favour and entreated them with the best of treatment. And presently he returned to the palace of his dominion and to his Court where he distributed justice among the lieges. So far concerning him and Sophia and her children; but in the matter of Abrizah the King was greatly occupied with love of her and burnt with desire of her night and day; and every night, he would go in to her and converse with her and pay his court to her, but she gave him no answer, only saying, &amp;quot;O King of the age! I have no desire for men at this present.&amp;quot; When he saw her withdraw from him, his passion waxed hotter and his longing and pining increased until, when weary of this, he summoned his Wazir Dandan and, opening his very heart to him, told him of his love for Princess Abrizah, daughter of Hardub, and informed him how she refused to yield to his wishes and how desire for her was doing him to die, for that he could get no grace of her. The Wazir, hearing these words, said to the King, &amp;quot;As soon as it is dark night, take thou a piece of Bhang the measure of a miskal, about an ounce, and go in to her and drink somewhat of wine with her. When the hour of ending the carousel shall draw near, fill her a last cup and dropping therein the Bhang, give it to her to drink, and she will not reach her sleeping chamber ere the drug take effect on her. Then do thou go in to her and take thy will of her; and such is my advice.&amp;quot; &amp;quot;Thy rede is aright,&amp;quot; quoth the King, and seeking his treasury, he took thence a piece of concentrated Bhang, if an elephant smelt it he would sleep from year to year. This he put in his bosom pocket and waited till some little of the night went by, when he betook himself to the palace of Princess Abrizah, who seeing him stood up to receive him; but he bade her sit down. So she sat down, and he sat by her, and he began to talk with her of wine and wassail, whereupon she furnished the carousing table and placed it before him. Then she set on the drinking vessels and lighted the candles and ordered to bring dried fruits and sweet meats and all that pertaineth to drinking. So they fell to tippling and the King ceased not to pledge her till drunkenness crept into her head; and seeing this he took out the bit of Bhang from his pocket and, holding it between his fingers, filled a cup with his own hand and drank it off. Then filling a second he said, &amp;quot;To thy companionship!&amp;quot;; and dropped the drug into her cup, she knowing naught of it. She took it and drank it off; then she rose and went to her sleeping chamber. He waited for less than an hour till he was assured that the dose had taken effect on her and had robbed her of her senses, when he went in to her and found her thrown on her back: and she had doffed her petticoat trousers and the air raised the skirt of her shift and discovered what was between her thighs. When the King saw the state of things and found a lighted candle at her head and another at her feet, shining upon what her thighs enshrined he took leave of his five senses for lust and Satan seduced him and he could not master himself, but put off his trousers and fell upon her and abated her maiden head. Then he rose off her and went to one of her women, by name Marjánah, and said, &amp;quot;Go in to thy lady and speak with her.&amp;quot; So she went in to her mistress and found her lying on her back insensible, with the blood running down to the calves of her legs, whereupon she took a kerchief and wiped away the blood and lay by her that night. As soon as Almighty Allah brought the dawn, the handmaid Marjanah washed her mistress's hands and feet and brought rose water and bathed her face and mouth with it, where upon she sneezed and yawned and cast up from her inside that bit of Bhang like a bolus. Then she revived and washed her hands and mouth and said to Marjanah, &amp;quot;Tell me what hath befallen me.&amp;quot; So she told her what had passed and how she had found her, lying on her back, with the blood running down, wherefore she knew that King Omar bin al-Nu'uman had lain with her and had undone her and taken his will of her. At this she grieved with exceeding grief and retired into privacy, saying to her damsels, &amp;quot;Deny me to whoso would come in to me and say to him that I am ill, till I see what Allah will do with me.&amp;quot; Presently the news of her sickness came to the King; so he sent her sherbets and sugar electuaries. Some months she thus passed in solitude, during which time the King's flame cooled and his desire for her was quenched, so that he abstained from her. Now she had conceived by him, and when the months of child breeding had gone by, her pregnancy appeared and her belly swelled, and the world was straitened upon her, so she said to her handmaid Marjanah, &amp;quot;Know that it is not the folk who have wronged me, but I who sinned against my own self in that I left my father and mother and country. Indeed, I abhor life, for my spirit is broken and neither courage nor strength is left me. I used, when I mounted my steed, to have the mastery of him, but now I am unable to ride. If I be brought to bed among them I shall be dishonoured before my hand women and every one in the palace will know that he hath taken my maidenhead in the way of shame; and if I return to my father, with what face shall I meet him or with what face shall I have recourse to him? How well quoth the poet,&#xA;&#xA;'Say, what shall solace one who hath nor home nor stable stead *&#xA;             Nor cup companion, nor a cup, nor place to house his head?'&amp;quot;&#xA;&#xA;Marjanah answered her, &amp;quot;It is thine to command; I will obey;&amp;quot; and Abrizah said, &amp;quot;I desire at once to leave this place secretly, so that none shall know of me but thou; and return to my father and my mother, for when flesh stinketh, there is naught for it but its own folk and Allah shall do with me e'en as He will.&amp;quot; &amp;quot;O Princess,&amp;quot; Marjanah replied, &amp;quot;what thou wouldest do is well.&amp;quot; Then she made matters ready and kept her secret and waited for some days till the King went out to chase and hunt, and his son Sharrkan betook himself to certain of the fortresses to sojourn there awhile. Then said she to Marjanah, &amp;quot;I wish to set out this night, but how shall I do against my destiny? For already I feel the pangs of labour and child birth, and if I abide other four or five days, I shall be brought to bed here, and I shall be unable to travel to my country. But this is what was written on my forehead.&amp;quot; Then she considered awhile, and said to Marjanah, &amp;quot;Look us out a man who will go with us and serve us by the way, for I have no strength to bear arms.&amp;quot; &amp;quot;By Allah, O my lady,&amp;quot; replied Marjanah, &amp;quot;I know none but a black slave called Al- Ghazbán, who is one of the slaves of King Omar bin al- Nu'uman; he is a valiant wight, and he keepeth guard at our palace gate. The King appointed him to attend us, and indeed we have overwhelmed him with our favours; so, lookye, I will go out and speak with him of this matter, and promise him some monies and tell him that, if he have a mind to tarry with us, I will marry him to whom he will. He told me before to day that he had been a highwayman; so if he consent to us we shall win our wish and reach to our own land.&amp;quot; She rejoined, &amp;quot;Call him that I may talk with him;&amp;quot; whereupon Marjanah fared forth and said to the slave, 'O Ghazban, Allah prosper thee, so thou fall in with what my lady saith to thee!&amp;quot; Then she took him by the hand and brought him to the Princess, whose hands he kissed but as she beheld him, her heart took fright at him. &amp;quot;How ever,&amp;quot; she said to herself, &amp;quot;of a truth, Need giveth the law;&amp;quot; and she approached to speak with him, yet her heart started away from him. Presently she said, &amp;quot;O Ghazban, say me, wilt thou help me against the perfidies of Fortune and conceal my secret if I discover it to thee?&amp;quot; When the slave saw her, his heart was taken by storm and he fell in love with her forthright and could not but reply; &amp;quot;O my mistress, whatsoever thou biddest me do, I will not depart therefrom.&amp;quot; Quoth she, &amp;quot;I would have thee take me at this hour and take this my handmaid and saddle us two camels and two of the King's horses and set on each horse a saddle bag of goods and somewhat of provaunt, and go with us to our own country; where, if thou desire to abide with us, I will marry thee to her thou shalt choose of my handmaidens, or, if thou prefer return to thine own land, we will marry thee and give thee whatso thou desires&amp;quot; after thou hast taken of money what shall satisfy thee.&amp;quot; When Al Ghazban, heard this, he rejoiced with great joy and replied, &amp;quot;O my lady, I will serve both of you with mine eyes and will go at once and saddle the horses.&amp;quot; Then he went away gladsome and saying to himself, &amp;quot;I shall get my will of them and if they will not yield to me, I will kill them both and take their riches.&amp;quot; But he kept this his intent to himself, and presently returned with two camels and three head of horses, one of which he rode, and Princess Abrizah made Marjanah mount the second she mounting the third, albeit she was in labour pains and possessed not her soul for anguish. And the slave ceased not travelling with them night and day through the passes of the mountains, till there remained but musingly march between them and their own country; when the travail pangs came upon Abrizah and she could no longer resist; so she said to Al-Ghazban, &amp;quot;Set me down, for the pains of labour are upon me;&amp;quot; and cried to Marjanah, &amp;quot;Do thou alight and sit by me and deliver me.&amp;quot; Then Marjanah dismounted from her horse, and Al-Ghazban did in like sort, and they made fast the bridles and helped the Princess to dismount, for she was aswoon from excess of anguish. When Al-Ghazban saw her on the ground, Satan entered into him and he drew his falchion and brandishing it in her face, said &amp;quot;O my lady, vouchsafe me thy favours.&amp;quot; Hearing these words she turned to him and said, &amp;quot;It remaineth for me only that I yield me to negro slaves, after having refused Kings and Braves!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Princess Abrizah said to the black slave Al Ghazban, &amp;quot;It remaineth for me only that I yield me to negro slaves, after having refused Kings and Braves!&amp;quot; And she was wroth with him and cried, &amp;quot;Woe to thee! what words are these thou sayest? Out on thee, and talk not thus in my presence and know that I will never consent to what thou sayest, though I drink the cup of death. Wait till I have cast my burden and am delivered of the after birth, and then, if thou be able thereto, do with me as thou wilt; but, an thou leave not lewd talk at this time assuredly I will slay myself with my own hand and quit the world and be at peace from all this.&amp;quot; And she began reciting extempore,&#xA;&#xA;&amp;quot;O spare me, thou Ghazban, indeed enow for me * Are heavy strokes&#xA;            of time, mischance and misery!&#xA;Whoredom my Lord forfends to all humanity; * Quoth He, 'Who&#xA;           breaks my bidding Hell for home shall see!'&#xA;And if thou leave not suing me to whoredom's way * Against th'&#xA;          Almighty's choicest gift, my chastity,&#xA;Upon my tribesmen I with might and main will call * And gather&#xA;          all, however far or near they be;&#xA;And with Yamáni blade were I in pieces hewn, * Ne'er shall he&#xA;           sight my face who makes for villeiny,&#xA;The face of free born come of noble folk and brave; * What then&#xA;            can be to me the seed of whoreson slave?&amp;quot;&#xA;&#xA;When Ghazban heard these lines he was wroth exceedingly; his eyes reddened with blood and his face became a dusty grey; his nostrils swelled, his lips protruded and the repulsiveness of his aspect redoubled. And he repeated these couplets,&#xA;&#xA;&amp;quot;Ho thou, Abrizah, mercy! leave me not for I * Of thy love and&#xA;             Yamáni glance the victim lie&#xA;My heart is cut to pieces by thy cruelty, * My body wasted and my&#xA;                   patience done to die:&#xA;From glances ravishing all hearts with witchery * Reason far&#xA;           flies, the while desire to thee draws nigh;&#xA;Though at thy call should armies fill the face of earth * E'en&#xA;           now I'd win my wish and worlds in arms defy!&amp;quot;&#xA;&#xA;When Abrizah heard these words, she wept with sore weeping and said to him, &amp;quot;Woe to thee, O Ghazban! How dareth the like of thee to address me such demand, O base born and obscene bred? Dost thou deem all folk are alike?&amp;quot; When the vile slave heard this from her, he waxt more enraged and his eyes grew redder: and he came up to her and smiting her with the sword on her neck wounded her to the death. Then he drove her horse before him with the treasure and made off with himself to the mountains. Such was the case with Al-Ghazban; but as regards Abrizah, she gave birth to a son, like the moon, and Marjanah took the babe and did him the necessary offices and laid him by his mother's side; and lo and behold! the child fastened to its mother's breast and she dying. When Marjanah saw this, she cried out with a grievous cry and rent her raiment and cast dust on her head and buffeted her cheeks till blood flowed, saying, &amp;quot;Alas, my mistress! Alas, the pity of it! Thou art dead by the hand of a worthless black slave, after all thy knightly prowess!&amp;quot; And she ceased not weeping when suddenly a great cloud of dust arose and walled the horizon; but, after awhile, it lifted and discovered a numerous conquering host. Now this was the army of King Hardub, Princess Abrizah's father, and the cause of his coming was that when he heard of his daughter and her handmaids having fled to Baghdad, and that they were with King Omar bin al- Nu'uman, he had come forth, leading those with him, to seek tidings of her from travellers who might have seen her with the King. When he had gone a single day's march from his capital, he espied three horse men afar off and made towards them, intending to ask whence they came and seek news of his daughter. Now these three whom he saw at a distance were his daughter and Marjanah and the slave Al- Ghazban; and he made for them to push inquiry. Seeing this the villain blackamoor feared for himself; so he killed Abrizah and fled for his life. When they came up, King Hardub saw his daughter lying dead and Marjanah weeping over her, and he threw himself from his steed and fell fainting to the ground. All the riders of his company, the Emirs and Waxirs, took foot and forth right pitched their tents on the mountain and set up for the King a great pavilion, domed and circular, without which stood the grandees of the realm. When Marjanah saw her master, she at once recognized him and her tears redoubled; and, when he came to himself, he questioned her and she told him all that had passed and said, &amp;quot;Of a truth he that hath slain thy daughter is a black slave belonging to King Omar bin al-Nu'uman, and she informed him how Sharrkan's father had dealt with the Princess. When King Hardub heard this, the world grew black in his sight and he wept with sore weeping. Then he called for a litter and, therein laying his dead daughter, returned to Caesarea and carried her into the palace, where he went in to his mother, Zat al-Dawahi, and said to that Lady of Calamities, &amp;quot;Shall the Moslems deal thus with my girl? Verily King Omar bin al-Nu'uman despoiled her of her honour by force, and after this, one of his black slaves slew her. By the truth of the Messiah, I will assuredly take blood revenge for my daughter and clear away from mine honour the stain of shame; else will I kill myself with mine own hand!&amp;quot; And he wept passing sore. Quoth his mother, &amp;quot;None other than Marjanah killed thy daughter, for she hated her in secret;&amp;quot; and she continued to her son, &amp;quot;Fret not for taking the blood wit of thy daughter, for, by the truth of the Messiah, I will not turn back from King Omar bin al-Nu'uman till I have slain him and his sons; and of a very truth I will do with him a deed, passing the power of Sage and Knight, whereof the chroniclers shall tell chronicles in all countries and in every place: but needs must thou do my bidding in all I shall direct, for whoso be firmly set on the object of his desire shall surely compass his desire.&amp;quot; &amp;quot;By the virtue of the Messiah,&amp;quot; replied he, &amp;quot;I will not cross thee in aught thou shalt say.&amp;quot; Then quoth she, &amp;quot;Bring me a number of hand maids, high bosomed virgins, and summon the wise men of the age and let them teach them philosophy and the rules of behaviour before Kings, and the art of conversation and making verses; and let them talk with them of all manner science and edifying knowledge. And the sages must be Moslems, that they may teach them the language and traditions of the Arabs, together with the history of the Caliphs and the ancient annals of the Kings of Al-Islam; and if we persevere in this for four years' space, we shall gain our case. So possess thy soul in patience and wait; for one of the Arabs saith, 'If we take man bote after years forty the time were short to ye.' When we have taught the girls these things, we shall be able to work our will with our foe, for he doteth on women and he hath three hundred and sixty concubines, whereto are now added an hundred of the flowers of thy handmaidens who were with thy daughter, she that hath found mercy. As soon as I have made an end of their education, as described to thee, I will take them and set out with them in person.&amp;quot; When King Hardub heard his mother's words, he rejoiced and arose and kissed her head; and at once despatched messengers and couriers to lands sundry and manifold to fetch him Moslem sages. They obeyed his commands and fared to far countries and thence brought him the sages and the doctors he sought. When these came into presence, he honoured them with notable honorurs and bestowed dresses on them and appointed to them stipends and allowances and promised them much money whenas they should have taught the damsels. Then he committed the handmaidens to their hands—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-third Night.&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the sages and the doctors stood in presence of King Hardub, he honoured them with notable honours and committed the hand maidens to their hands, enjoining that these be instructed in all manner of knowledge, philosophy and polite accomplishments; and they set themselves to do his bidding. Such was the case with King Hardub; but as for King Omar bin al Nu'uman, when he returned from coursing and hunting and entered his palace, he sought Princess Abrizah but found her not, nor any one knew of her nor could any give him news of her. This was grievous to him and he said, &amp;quot;How could the lady leave the palace unknown of any? Had my kingdom been at stake in this case, it were in perilous condition there being none to govern it! I will never again go to sport and hunt till I have stationed at the gates those who shall keep good guard over them!&amp;quot; And he was sore vexed and his breast was straitened for the loss of Princess Abrizah. Hereupon behold, his son Sharrkan returned from his journey; and the father told him what had happened, and informed him how the lady had fled, whilst he was chasing and hunting, whereat he grieved with exceeding grief. Then King Omar took to visiting his children every day and making much of them and brought them learned men and doctors to teach them, appointing for them stipends. When Sharrkan saw this, he raged with exceeding rage and envied thereupon his brother and sister till the signs of chagrin appeared in his face and he ceased not to languish by reason of this matter: so one day his father said to him, &amp;quot;Why do I see thee grown weak in body and yellow of face?&amp;quot; &amp;quot;O my father,&amp;quot; replied Sharrkan, &amp;quot;every time I see thee fondle my brother and sister and make much of them, jealousy seizeth on me, and I fear lest it grow on me till I slay them and thou slay me in return. And this is the reason of my weakness of body and change of complexion. But now I crave of thy favour that thou give me one of thy castles outlying the rest, that I may abide there the remnant of my life, for as the sayer of bywords saith, 'Absence from my friend is better and fitter for me'; and, 'Whatso eye doth not perceive, that garreth not heart to grieve.'&amp;quot; And he bowed his head towards the ground. When King Omar bin al-Nu'uman heard his words and knew the cause of his ailment and of his being broken down, he soothed his heart and said to him, &amp;quot;O my son, I grant thee this and I have not in my reign a greater than the Castle of Damascus, and the government of it is thine from this time.&amp;quot; Thereupon he forthright summoned his secretaries of state and bade them write Sharrkan's patent of investiture to the viceroyalty of Damascus of Syria. And when they had written it, he equipped him and sent with him the Wazir Dandan, and invested him with the rule and government and gave him instructions as to policy and regulations; and took leave of him, and the grandees and officers of state did likewise, and he set out with his host. When he arrived at Damascus, the townspeople beat the drums and blew the trumpets and decorated the city and came out to meet him in great state; whilst all the notables and grandees paced in procession, and those who stood to the right of the throne walked on his right flank, and the others to the left. Thus far concerning Sharrkan; but as regards his father, Omar bin al- Nu'uman, soon after the departure of his son, the children's tutors and governors presented themselves before him and said to him, &amp;quot;O our lord, thy children have now learnt knowledge and they are completely versed in the rules of manners and the etiquette of ceremony.&amp;quot; The King rejoiced thereat with exceeding joy and conferred bountiful largesse upon the learned men, seeing Zau al- Makan grown up and flourishing and skilled in horsemanship. The Prince had reached the age of fourteen and he occupied himself with piety and prayers, loving the poor, the Olema and the Koran students, so that all the people of Baghdad loved him, men and women. One day, the procession of the Mahmil of Irák passed round Baghdad before its departure for the pilgrimage to Meccah and visitation of the tomb of the Prophet (whom Allah bless and preserve!). When Zau al-Makan the Mahmil procession he was seized with longing desire to become a pilgrim, so he went in to his sire and said, &amp;quot;I come to ask thy leave to make the pilgrimage.&amp;quot; But his father forbade him saying, &amp;quot;Wait till next year and I will go and thou too.&amp;quot; When the Prince saw that the matter was postponed, he betook himself to his sister Nuzhat al-Zaman, whom he found standing at prayer. As soon as she had ended her devotions he said to her, &amp;quot;I am dying with desire of pilgrimage to the Holy House of Allah at Meccah and to visit the tomb of the Prophet, upon whom be peace! I asked my father's leave, but he forbade me that, so I mean to take privily somewhat of money and set out on the pilgrimage without his knowledge.&amp;quot; &amp;quot;Allah upon thee,&amp;quot; exclaimed she, &amp;quot;take me with thee and deprive me not of visitation to the tomb of the Prophet, whom Allah bless and keep!&amp;quot; And he answered, &amp;quot;As soon as it is dark night, do thou come forth from this place, without telling any.&amp;quot; Accordingly,When it was the middle of the night she arose and took somewhat of money and donned a man's habit; and she ceased not walking to the palace gate, where she found Zau al-Makan with camels ready for marching. So he mounted and mounted her; and the two fared on till they were in the midst of the Iraki pilgrim-party, and they ceased not marching and Allah wrote safety for them, till they entered Meccah the Holy and stood upon Arafát and performed the pilgrimage rites. Then they made a visitation to the tomb of the Prophet (whom Allah bless and assain!) and thought to return with the pilgrims to their native land. But Zau al-Makan said to his sister, &amp;quot;O my sister, it is in my mind to visit the Holy House, Jerusalem, and Abraham the Friend of Allah (on whom be peace!).&amp;quot; &amp;quot;I also desire so to do,&amp;quot; replied she. So they agreed upon this and he fared forth and took passage for himself and her and they made ready and set out in the ship with a company of Jerusalem palmers. That very night the sister fell sick of an aguish chill, and was grievously ill but presently recovered, after which the brother also sickened. She tended him during his malady and they ceased not wayfaring till they arrived at Jerusalem, but the fever increased on him and he grew weaker and weaker. They alighted at a Khan and there hired a lodging; but Zau al- Makan's sickness ceased not to increase on him, till he was wasted with leanness and became delirious. At this, his sister was greatly afflicted and exclaimed, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! This is the decree of Allah!&amp;quot; They sojourned in that place awhile, his weakness ever increasing and she attending him and buying necessaries for him and for herself, till all the money she had was expended and she became so poor that she had not so much as a dirham left. Then she sent a servant of the Khan to the bazar with some of her clothes, and he sold them and she spent the price upon her brother; then sold she something more and she ceased not selling all she had, piece by piece, till nothing was left but an old rug. Whereupon she wept and exclaimed, &amp;quot;Verily is Allah the Orderer of the past and the future!&amp;quot; Presently her brother said to her, &amp;quot;O my sister, I feel recovery drawing near and my heart longeth for a little roast meat.&amp;quot; &amp;quot;By Allah! O my brother,&amp;quot; replied she, &amp;quot;I have no face to beg; but tomorrow I will enter some rich man's house and serve him and earn somewhat for our living.&amp;quot; Then she bethought herself awhile and said, &amp;quot;Of a truth 'tis hard for me to leave thee and thou in this state, but I must despite myself!&amp;quot; He rejoined, &amp;quot;Allah forbid! Thou wilt be put to shame; but there is no Majesty and there is no Might save in Allah!&amp;quot; And he wept and she wept too. Then she said, &amp;quot;O my brother, we are strangers who have dwelt here a full year, but none hath yet knocked at our door. Shall we then die of hunger? I know no resource but that I go out and do service and earn somewhat to keep us alive, till thou recover from thy sickness, when we will travel back to our native land.&amp;quot; She sat weeping awhile and he wept too, propped upon his elbow. Then Nuzhat al-Zaman arose and, veiling her head with a bit of camlet, which had been of the cameleer's clothes and which the owner had forgotten and left with them; she kissed the head of her brother and embraced him and went forth from him, weeping and knowing not whither she should wend. And she stinted not going and her brother Zau al-Makan awaiting her return till the supper time; but she came not, and he watched for her till the morning morrowed but still she returned not; and this endured till two days went by. He was greatly troubled thereat and his heart fluttered for her, and hunger was sore upon him. At last he left the chamber and, calling the servant of the caravanserai, said, &amp;quot;I wish thee to bear me to the bazar.&amp;quot; So he carried him to the market street and laid him down there; and the people of Jerusalem gathered round him and were moved to tears seeing his condition. He signed to them begging for somewhat to eat; so they brought him some money from certain of the merchants who were in the bazar, and bought food and fed him therewith; after which they carried him to a shop, where they spread him a mat of palm leaves and set an ewer of water at his head. When night fell, all the folk went away, sore concerned for him and, in the middle of the night, he called to mind his sister and his sickness redoubled on him, so that he abstained from eating and drinking and became insensible to the world around him. Then the bazar people arose and took for him from the merchants thirty seven dirhams, and hiring a camel, said to the driver, &amp;quot;Carry this sick man to Damascus and leave him in the hospital; haply he may be cured and recover health.&amp;quot; &amp;quot;On my head be it!&amp;quot; replied the camel man; but he said to himself, &amp;quot;How shall I take this sick man to Damascus, and he nigh upon death?&amp;quot; So he carried him away to a place and hid with him till the night, when he threw him down on the ash heap near the fire hole of a Hammam and went his way. When morning dawned the Stoker of the bath came to his work and, finding Zau al-Makan cast on his back, exclaimed, &amp;quot;Why did they not throw their dead body anywhere but here?&amp;quot; So saying, he gave him a kick and he moved; whereupon quoth the Fireman, &amp;quot;Some one of you who hath eaten a bit of Hashish and hath thrown himself down in whatso place it be!&amp;quot; Then he looked at his face and saw his hairless cheeks and his grace and comeliness; so he took pity on him and knew that he was sick and a stranger in the land. And he cried, &amp;quot;There is no Majesty and there is no Might save in Allah! verily, I have sinned against this youth, for indeed the Prophet (whom Allah bless and keep!) enjoineth honour to the stranger, more especially when the stranger is sick.&amp;quot; Then he carried him home and went in with him to his wife and bade her tend him. So she spread him a sleeping rug and set a cushion under his head, then warmed water for him and washed therewith his hands and feet and face. Meanwhile, the Stoker went to the market and bought some rose water and sugar, and sprinkled Zau al-Makan's face with the water and gave him to drink of the sherbet. Then he fetched a clean shirt and put it on him. With this, Zau al-Makan sniffed the zephyr of health and recovery returned to him; and he sat up and leant against the pillow. Hereat the Fireman rejoiced and exclaimed, &amp;quot;Praise be to Allah for the welfare of this youth! O Allah, I beseech Thee by Thy knowledge of hidden things, that Thou make the salvation of this youth to be at my hands!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Fireman exclaimed, &amp;quot;O Allah, I beseech Thee of Thy knowledge of hidden things, that Thou make this young man's life the work of my hands!&amp;quot; And he ceased not to nurse him for three days, giving him to drink of sherbet of sugar and willow flower water and rose water; and doing him all manner of service and kindness, till health began to return to his body and Zau al-Makan opened his eyes. Presently came in the Fireman and, seeing him sitting up and showing signs of amendment, said to him, &amp;quot;What is now thy state, O my son?&amp;quot; &amp;quot;Praise be to Allah,&amp;quot; replied Zau al-Makan, &amp;quot;I am well and like to recover, if such be the will of Allah Almighty at this time.&amp;quot; The Stoker praised the Lord of All for this and, wending fast to the market, bought ten chickens, which he carried to his wife and said, &amp;quot;Kill two of these for him every day, one at dawn of day and the other at fall of day.&amp;quot; So she rose up and killed a fowl and brought it to him boiled, and fed him with the flesh and made him drink its broth. When he had done eating, she fetched hot water and he washed his hands and lay back upon the pillow, whereupon she covered him up with the coverlet, and he slept till the time of the mid afternoon prayer. Then she arose and killed another fowl and boiled it; after which she cut it up and, bringing it to Zau al-Makan, said, &amp;quot;Eat, O my son!&amp;quot; While he was eating; behold, her husband entered and seeing her feeding him, sat down at his head and said to him, &amp;quot;How is it with thee now, O my son?&amp;quot; &amp;quot;Thanks be to Allah for recovery!&amp;quot; he replied: &amp;quot;may the Almighty requite thee thy kindness to me.&amp;quot; At this the Fireman rejoiced and going out, bought sherbet of violets and rose water and made him drink it. Now the Stoker used to work at the Hammam all day for a wage of five dirhams, whereof he spent every day, for Zau al-Makan, one dirham upon sugar and sherbet of rose water and willow flower water, and another dirham for fowls; and he ceased not to entreat him thus kindly during a whole month, till the traces of illness ceased from him and he was once more sound and whole. Thereupon the Fireman and his wife rejoiced and asked him, &amp;quot;O my son, wilt thou go with me to the bath?&amp;quot;; whereto he answered, &amp;quot;Yes!&amp;quot; So the Stoker went to the bazar and fetched a donkey boy, and he mounted Zau al-Makan on the ass and supported him in the saddle till they came to the bath. Then he made him sit down and seated the donkey boy in the furnace-room and went forth to the market and bought Iote leaves and lupin-flour, with which he returned to the bath and said to Zau al-Makan, &amp;quot;O my master, in Allah's name, walk in and I will wash thy body.&amp;quot; So they entered the inner room of the bath, and the Fireman took to rubbing Zau al-Makan's legs and began to wash his body with the leaves and meal, when there came to them a bathman, whom the bath keeper had sent to Zau al-Makan; and he, seeing the Stoker washing and rubbing him, said, &amp;quot;This is doing injury to the keeper's rights.&amp;quot; Replied the Fireman, &amp;quot;The master overwhelmeth us with his favours!&amp;quot; Then the bathman proceeded to shave Zau al-Makan's head, after which he and the Stoker washed themselves and returned to the house, where he clad Zau al-Makan in a shirt of fine stuff and a robe of his own; and gave him a handsome turband and girdle and a light kerchief which he wound about his neck. Meanwhile the Fireman's wife had killed and cooked two chickens; so, as soon as Zau al-Makan entered and seated himself on the carpet, the husband arose and, dissolving sugar in willow flower water, made him drink of it. Then he brought the food tray and, cutting up the chickens, fed him with the flesh and gave him the broth to drink till he was satisfied; when he washed his hands and praised Allah for recovery, and said to the Fireman, &amp;quot;Thou art he whom the Almighty vouchsafed to me and made the cause of my cure!&amp;quot; &amp;quot;Leave this talk,&amp;quot; replied the other, &amp;quot;and tell us the cause of thy coming to this city and whence thou art. Thy face showeth signs of gentle breeding.&amp;quot; &amp;quot;Tell me first how thou camest to fall in with me,&amp;quot; said Zau al-Makan; &amp;quot;and after I will tell thee my story.&amp;quot; Rejoined the Fireman, &amp;quot;As for that, I found thee lying on the rubbish heap by the door of the fire house, as I went to my work near the morning, and knew not who had thrown thee there. So I carried thee home with me; and this is all my tale.&amp;quot; Quoth Zau al-Makan, &amp;quot;Glory to Him who quickeneth the bones, though they be rotten! Indeed, O my brother, thou hast not done good save to one worthy of it, and thou shalt presently gather its fruitage.&amp;quot; And he added, &amp;quot;But where am I now?&amp;quot; &amp;quot;Thou art in the city of Jerusalem,&amp;quot; replied the Stoker; where upon Zau al-Makan called to mind his strangerhood and remembered his separation from his sister and wept. Then he discovered his secret to the Fireman and told him his story and began repeating,&#xA;&#xA;&amp;quot;In love they bore me further than my force would go, * And for&#xA;            them made me suffer resurrection throe:&#xA;Oh, have compassion, cruel! on this soul of mine * Which, since&#xA;            ye fared, is pitied by each envious foe;&#xA;Nor grudge the tender mercy of one passing glance * My case to&#xA;            lighten, easing this excess of woe:&#xA;Quoth I 'Heart, bear this loss in patience!' Patience cried *&#xA;             'Take heed! no patience in such plight I'm wont to show.' &amp;quot;&#xA;&#xA;Then he redoubled his weeping, and the Fireman said to him, &amp;quot;Weep not, but rather praise Allah for safety and recovery.&amp;quot; Asked Zau al-Makan, &amp;quot;How far is it hence to Damascus?&amp;quot; Answered the other, &amp;quot;Six days' journey.&amp;quot; Then quoth Zau al-Makan, &amp;quot;Wilt thou send me thither?&amp;quot; &amp;quot;O my lord,&amp;quot; quoth the Stoker, &amp;quot;how can I allow thee to go alone, and thou a youth and a stranger to boot? If thou would journey to Damascus, I am one who will go with thee; and if my wife will listen to and obey me and accompany me, I will take up my abode there; for it is no light matter to part with thee.&amp;quot; Then said he to his wife, &amp;quot;Wilt thou travel with me to Damascus of Syria or wilt thou abide here, whilst I lead this my lord thither and return to thee? For he is bent upon going to Damascus of Syria and, by Allah, it is hard to me to part with him, and I fear for him from highway men.&amp;quot; Replied she, &amp;quot;I will go with you both;&amp;quot; and he rejoined, &amp;quot;Praised be Allah for accord, and we have said the last word!&amp;quot; Then he rose and selling all his own goods and his wife's gear,—And Shahrazad perceived the dawn of day and ceased saying her permitted say,&#xA;&#xA;When it was the Fifty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Fire man and his wife agreed with Zau al-Makan to travel with him Damascus wards. Then the Stoker sold his goods and his wife's gear and bought a camel and hired an ass for Zau al-Makan; and they set out, and ceased not wayfaring for six days till they reached Damascus. And they arrived there towards eventide; when the Fireman went forth and, as was his wont, bought some meat and drink. They had dwelt but five days in Damascus, when his wife sickened and, after a short illness, was translated to the mercy of Almighty Allah. Her death was a heavy matter to Zau al-Makan, for he was grown used to her as she had tended him assiduously; and the Fireman grieved for her with excessive grief. Presently the Prince turned to the Stoker and finding him mourning, said to him, &amp;quot;Grieve not, for at this gate we must all go in.&amp;quot; Replied he, &amp;quot;Allah make weal thy lot, O my son! Surely He will compensate us with His favours and cause our mourning to cease. What sayst thou, O my son, about our walking abroad to view Damascus and cheer thy spirits?&amp;quot; Replied Zau al-Makan, &amp;quot;Thy will is mine.&amp;quot; So the Fireman arose and placed his hand in that of Zau al- Makan and the two walked on till they came to the stables of the Viceroy of Damascus, where they found camels laden with chests and carpets and brocaded stuffs, and horses ready saddled and Bactrian dromedaries, while Mamelukes and negro slaves and folk in a hubbub were running to and fro. Quoth Zau al-Makan, &amp;quot;I wonder to whom belong all these chattels and camels and stuffs!&amp;quot; So he asked one of the eunuchs, &amp;quot;Whither this dispatching?'' and he answered, &amp;quot;These are presents sent by the Emir of Damascus to King Omar bin al-Nu'uman, with the tribute of Syria.&amp;quot; Now when Zau al-Makan heard his father's name his eyes brimmed over with tears, and he began repeating,&#xA;&#xA;&amp;quot;Oh ye gone from the gaze of these ridded eyne, * Ye whose sight&#xA;             in my spirit shall ever dwell!&#xA;Your charms are gone, but this heart of me * Hath no sweet, and&#xA;             no pleasures its sour dispel;&#xA;If Allah's grace make us meet again, * In long drawn love-tale my&#xA;             love I'll tell.&amp;quot;&#xA;&#xA;And when he had ended his verse, he wept and the Fireman said to him, &amp;quot;O my son, we hardly believed that thy health had returned; so take heart and do not weep, for I fear a relapse for thee.&amp;quot; And he ceased not comforting and cheering him, whilst Zau al-Makan sighed and moaned over his strangerhood and separation from his sister and his family; and tears streamed from his eyes and he recited these couplets,&#xA;&#xA;&amp;quot;Get thee provaunt in this world ere thou wend upon thy way, *&#xA;           And know how surely Death descends thy life lot to waylay:&#xA;All thy worldly goods are pride and the painfullest repine; * All&#xA;           thy worldly life is vexing, of thy soul in vain display:&#xA;Say is not worldly wone like a wanderer's place of rest, * Where&#xA;           at night he 'nakhs' his camels and moves off at dawn&#xA;           of day?&amp;quot;&#xA;&#xA;And he continued to weep and wail over his separation; whilst the Fireman also bewept the loss of his wife, yet ceased not to comfort Zau al-Makan till morning dawned. When the sun rose, he said to him, &amp;quot;Meseemeth thou yearnest for thy native land?&amp;quot; &amp;quot;Yes,&amp;quot; replied Zau al-Makan, &amp;quot;and I can no longer tarry here; so I will commend thee to Allah's care and set out with these folk and journey with them, little by little, till I come to my mother land.&amp;quot; Said the Stoker, &amp;quot;And I with thee; for of a truth I cannot bear to part with thee. I have done thee kindly service and I mean to complete it by tending thee on thy travel.&amp;quot; At this, Zau al-Makan rejoiced and said, &amp;quot;Allah abundantly requite thee for me!&amp;quot; and was pleased with the idea of their travelling together. The Fireman at once went forth and bought another ass, selling the camel; and laid in his provaunt and said to Zau al-Makan, &amp;quot;This is for thee to ride by the way; and, when thou art weary of riding, thou canst dismount and walk.&amp;quot; Said Zau al-Makan, &amp;quot;May Allah bless thee and aid me to requite thee! for verily thou hast dealt with me more lovingly than one with his brother.&amp;quot; Then he waited till it was dark night, when he laid the provisions and baggage on that ass and set forth upon their journey. This much befel Zau al-Makan and the Fireman; but as regards what happened to his sister Nuzhat al-Zaman, when she left her brother in the Khan where they abode and, wrapped in the old camlet, went out to seek service with some one, that she might earn wherewithal to buy him the roast meat he longed for, she fared on, weeping and knowing not whither to go, whilst her mind was occupied with thoughts of her brother and of her family and her native land. So she implored Allah Almighty to do away with these calamities from them and began versifying,&#xA;&#xA;&amp;quot;Dark falls the night and Passion comes sore pains to gar me&#xA;            dree, * And pine upstirs those ceaseless pangs which work my&#xA;           tormentry,&#xA;And cease not separation flames my vitals to consume, * And&#xA;           drives me on destruction way this sorrow's ecstacy&#xA;And longing breeds me restlessness; desire for ever fires, * And&#xA;          tears to all proclaim what I would keep in secrecy&#xA;No cunning shift is known to me a meeting to secure, * That I may&#xA;            quit this sickly state, may cure my malady:&#xA;The love which blazeth in my heart is fed with fancy fuel, * The&#xA;           lover from its hell of fire must bear Hell's agony!&#xA;O thou who blamest me for all befel me, 'tis enough, * Patient I&#xA;           bear what ever wrote the Reed of Doom for me:&#xA;By Love I swear I'll never be consoled, no, never more; * I swear&#xA;             the oath of Love's own slaves who know no perjury:&#xA;O Night, to chroniclers of Love the news of me declare; * That&#xA;           sleep hath fed mine eyelids of thy knowledge witness bear!&amp;quot;&#xA;&#xA;Then she walked on, weeping and turning right and left as she went, when behold, there espied her an old Badawi who had come into the town from the desert with wild Arabs other five. The old man took note of her and saw that she was lovely, but she had nothing on her head save a piece of camlet, and, marvelling at her beauty, he said to himself, &amp;quot;This charmer dazzleth men's wits but she is in squalid condition, and whether she be of the people of this city or she be a stranger, I needs must have her.&amp;quot; So he followed her, little by little, till he met her face to face and stopped the way before her in a narrow lane, and called out to her, asking her case, and said, &amp;quot;Tell me, O my little daughter! art thou a free woman or a slave?&amp;quot; When she heard this, she said to him, &amp;quot;By thy life, do not add to my sorrows!&amp;quot; Quoth he, &amp;quot;Allah hath blessed me with six daughters, of whom five died and only one is left me, the youngest of all; and I came to ask thee if thou be of the folk of this city or a stranger; that I might take thee and carry thee to her, to bear her company so as to divert her from pining for her sisters. If thou have no kith and kin, I will make thee as one of them and thou and she shall be as my two children.&amp;quot; Nuzhat al-Zaman bowed her head in bashfulness when she heard what he said and communed with herself, &amp;quot;Haply I may trust myself to this old man.&amp;quot; Then she said to him, &amp;quot;O nuncle, I am a maiden of the Arabs and a stranger and I have a sick brother; but I will go with thee to thy daughter on one condition, which is, that I may spend only the day with her and at night may return to my brother. If thou strike this bargain I will fare with thee, for I am a stranger and I was high in honour among my tribe, and I awoke one morning to find myself vile and abject. I came with my brother from the land of Al-Hijaz and I fearless he know not where I am.&amp;quot; When the Badawi heard this, he said to himself, &amp;quot;By Allah, I have got my desire!&amp;quot; Then he turned to her and replied, &amp;quot;There shall none be dearer to me than thou; I wish thee only to bear my daughter company by day and thou shalt go to thy brother at earliest nightfall. Or, if thou wilt, bring him over to dwell with us.&amp;quot; And the Badawi ceased not to console her heart and coax her, till she trusted in him and agreed to serve him. Then he walked on before her and, when she followed him, he winked to his men to go in advance and harness the dromedaries and load them with their packs and place upon them water and provisions, ready for setting out as soon as he should come up with the camels. Now this Badawi was a base born churl, a highway thief and a traitor to the friend he held most fief, a rogue in grain, past master of plots and chicane. He had no daughter and no son and was only passing through the town when, by the decree of the Decreer, he fell in with this unhappy one. And he ceased not to hold her in converse on the highway till they came without the city of Jerusalem and, when outside, he joined his companions and found they had made ready the dromedaries. So the Badawi mounted a camel, having seated Nuzhat al-Zaman behind him and they rode on all night. Then she knew that the Badawi's proposal was a snare and that he had tricked her; and she continued weeping and crying out the whole night long, while they journeyed on making for the mountains, in fear any should see them. Now when it was near dawn, they dismounted from their dromedaries and the Badawi came up to Nuzhat al-Zaman and said to her, &amp;quot;O city strumpet, what is this weeping? By Allah, an thou hold not thy peace, I will beat thee to death, O thou town filth!&amp;quot; When she heard this she loathed life and longed for death; so she turned to him and said, &amp;quot;O accursed old man, O gray beard of hell, how have I trusted thee and thou hast played me false, and now thou wouldst torture me?&amp;quot; When he heard her reply he cried out, &amp;quot;O lazy baggage, dost thou dare to bandy words with me?&amp;quot; And he stood up to her and beat her with a whip, saying, &amp;quot;An thou hold not thy peace, I will kill thee!&amp;quot; So she was silent awhile, then she called to mind her brother and the happy estate she had been in and she shed tears secretly. Next day, she turned to the Badawi and said to him, &amp;quot;How couldst thou play me this trick and lure me into these bald and stony mountains, and what is thy design with me?&amp;quot; When he heard her words he hardened his heart and said to her, &amp;quot;O lazy baggage of ill omen and insolent! wilt thou bandy words with me?&amp;quot; and he took the whip and came down with it on her back till she felt faint. Then she bowed down over his feet and kissed them; and he left beating her and began reviling her and said, &amp;quot;By the rights of my bonnet, if I see or hear thee weeping, I will cut out thy tongue and stuff it up thy coynte, O thou city filth!&amp;quot; So she was silent and made him no reply, for the beating pained her; but sat down with her arms round her knees and, bowing her head upon her collar, began to look into her case and her abasement after her lot of high honour; and the beating she had endured; and she called to mind her brother and his sickness and forlorn condition, and how they were both strangers in a far country, which crave her tears down her cheeks and she wept silently and began repeating,&#xA;&#xA;&amp;quot;Time hath for his wont to upraise and debase, * Nor is lasting&#xA;           condition for human race:&#xA;In this world each thing hath appointed turn; * Nor may man&#xA;            transgress his determined place:&#xA;How long these perils and woes? Ah woe * For a life, all woeful&#xA;            in parlous case!&#xA;Allah bless not the days which have laid me low * I' the world,&#xA;            with disgrace after so much grace!&#xA;My wish is baffled, my hopes cast down, * And distance forbids me&#xA;             to greet his face:&#xA;O thou who passeth that dear one's door, * Say for me, these&#xA;             tears shall flow evermore!&amp;quot;&#xA;&#xA;When she had finished her verses, the Badawi came up to her and, taking compassion on her, bespoke her kindly and wiped away her tears. Then he gave her a barley scone and said, &amp;quot;I love not one who answereth at times when I am in wrath: so henceforth give me no more of these impertinent words and I will sell thee to a good man like myself, who will do well with thee, even as I have done.&amp;quot; &amp;quot;Yes; whatso thou doest is right,&amp;quot; answered she; and when the night was longsome upon her and hunger burnt her, she ate very little of that barley bread. In the middle of the night the Badawi gave orders for departure,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Badawi gave the barley scone to Nuzhat al-Zaman and promised he would sell her to a good man like himself, she replied, &amp;quot;Whatso thou doest is right!&amp;quot; and, about midnight when hunger burned her, she ate a very little of that barley bread and the Badawi ordered his party to set out; so they loaded their loads and he mounted a camel setting Nuzhat al-Zaman behind him. Then they journeyed and ceased not journeying for three days, till they entered the city of Damascus and alighted at the Sultan's Khan, hard by the Viceroy's Gate. Now she had lost her colour by grief and the fatigue of such travelling, and she ceased not to weep over her misfortunes. So the Badawi came up to her and said, &amp;quot;O thou city filth, by the right of my bonnet, if thou leave not this weeping, I will sell thee to none but a Jew!&amp;quot; Then he arose and took her by the hand and carried her to a chamber, and walked off to the bazar, and he went round to, the merchants who dealt in slave girls, and began to parley with them, saying, &amp;quot;I have brought a slave girl whose brother fell ill, and I sent him to my people about Jerusalem, that they might tend him till he is cured. As for her I want to sell her, but after the dog her brother fell sick, the separation from him was grievous to her, and since then she doth nothing but weep, and now I wish that whoso is minded to buy her of me speak softly to her and say, 'Thy brother is with me in Jerusalem ill'; and I will be easy with him about her price.&amp;quot; Then one of the merchants came up to him and asked, &amp;quot;How old is she?&amp;quot; He answered &amp;quot;She is a virgin, just come to marriageable age, and she is endowed with sense and breeding and wit and beauty and loveliness. But from the day I sent her brother to Jerusalem, her heart hath been yearning for him, so that her beauty is fallen away and her value lessened.&amp;quot; Now when the merchant heard this, he set forth with the Badawi and said, &amp;quot;O Shaykh of the Arabs, I will go with thee and buy of thee this girl whom thou praisest so highly for wit and manners and beauty and loveliness; and I will pay thee her price but it must be upon conditions which if thou accept, I will give thee ready money, and if thou accept not I will return her to thee.&amp;quot; Quoth the Badawi, &amp;quot;An thou wilt, take her up to the Sultan Sharrkan, son of Omar bin al-Nu'uman lord of Baghdad and of the land of Khorasan, and condition me any conditions thou likest, for when thou hast brought her before King Sharrkan, haply she will please him, and he will pay thee her price and a good profit for thyself to boot.&amp;quot; Rejoined the merchant, &amp;quot;It happens that I have just now something to ask from him, and it is this that he write me an order upon the office, exempting me from custom dues and also that he write me a letter of recommendation to his father, King Omar bin al-Nu'uman. So if he take the girl, I will weigh thee out her price at once.&amp;quot; &amp;quot;I agree with thee to this condition,&amp;quot; answered the Badawi. So they returned together to the place where Nuzhat al-Zaman was and the wild Arab stood at the chamber door and called out, saying, &amp;quot;O Nájiyah!&amp;quot; which was the name wherewith he had named her. When she heard him, she wept and made no answer. Then he turned to the merchant and said to him, &amp;quot;There she sitteth; go to her and look at her and speak to her kindly as I enjoined thee.&amp;quot; So the trader went up to her in courteous wise and saw that she was wondrous beautiful and loveable, especially as she knew the Arabic tongue; and he said to the Badawi, &amp;quot;If she be even as thou saddest, I shall get of the Sultan what I will for her.&amp;quot; Then he bespake her, &amp;quot;Peace be on thee, my little maid! How art thou?&amp;quot; She turned to him and replied, &amp;quot;This also was registered in the Book of Destiny.&amp;quot; Then she looked at him and, seeing him to be a man of respectable semblance with a handsome face, she said to herself, &amp;quot;I believe this one cometh to buy me;&amp;quot; and she continued, &amp;quot;If I hold aloof from him, I shall abide with my tyrant and he will do me to death with beating. In any case, this person is handsome of face and maketh me hope for better treatment from him than from my brute of a Badawi. May be he cometh only to hear me talk; so I will give him a fair answer.&amp;quot; All this while her eyes were fixed on the ground; then she raised them to him and said in a sweet voice, &amp;quot;And upon thee be peace, O my lord, and Allah's mercy and His benediction! This is what is commanded of the Prophet, whom Allah bless and preserve! As for thine enquiry how I am, if thou wouldst know my case, it is such as thou wouldst not wish but to thy foe.&amp;quot; And she held her peace. When the merchant heard what she said, his fancy took wings for delight in her and, turning to the Badawi, he asked him, &amp;quot;What is her price, for indeed she is noble?&amp;quot; Thereupon the Badawi waxed angry and answered, &amp;quot;Thou wilt turn me the girl's head with this talk! Why dost thou say that she is noble, while she is of the scum of slave girls and of the refuse of folk? I will not sell her to thee!&amp;quot; When the merchant heard this, he knew the man to be weak of wits and said to him, &amp;quot;Calm thyself, for I will buy her of thee with these blemishes thou mentionest.&amp;quot; &amp;quot;And how much wilt thou give me for her?&amp;quot; enquired the Badawi. Replied the merchant, &amp;quot;Name thy price for her: none should name the son save his sire.&amp;quot; Rejoined the Badawi, &amp;quot;None shall name it but thou thyself.&amp;quot; Quoth the merchant to himself, &amp;quot;This wildling is a rudesby and a maggotty head. By Allah, I cannot tell her price, for she hath won my heart with her fair speech and good looks; and, if she can read and write, it will be complete fair luck to her and to her purchaser. But this Badawi does not know her worth.&amp;quot; Then he turned and said to him, &amp;quot;O Shaykh of the Arabs, I will give thee in ready money, clear of the tax and the Sultan's dues, two hundred gold pieces.&amp;quot; Now when the Badawi heard this, he flew into a violent rage and cried at the merchant, saying, &amp;quot;Get up and go thy ways! By Allah, wert thou to offer me two hundred diners for the bit of camlet she weareth, I would not sell it to thee. And now I will not sell her, but will keep her by me, to pasture the camels and grind my grist.&amp;quot; And he cried out to her, saying, &amp;quot;Come here, thou stinkard! I will not sell thee.&amp;quot; Then he turned to the merchant and said to him, &amp;quot;I used to think thee a man of judgment; but, by the right of my bonnet, if thou begone not from me, I will let thee hear what shall not please thee!&amp;quot; Quoth the merchant to himself, &amp;quot;Of a truth this Badawi is mad and knoweth not her value, and I will say no more to him about her price at the present time; for by Allah, were he a man of sense, he would not say, 'By the rights of my bonnet!' By the Almighty, she is worth the kingdom of the Chosroës and I have not her price by me, but if he ask even more, I will give him what he will, though it be all my goods.&amp;quot; Then he turned and said to him, &amp;quot;O Shaykh of the Arabs, take patience and calm thyself and tell me what clothes she hath with thee?&amp;quot; Cried the Badawi, &amp;quot;And what hath the baggage to do with clothes? By Allah, this camlet in which she is wrapped is ample for her.&amp;quot; &amp;quot;With thy leave,&amp;quot; said the merchant, &amp;quot;I will unveil her face and examine her even as folk examine slave girls whom they think of buying.&amp;quot; Replied the other, &amp;quot;Up and do what thou wilt and Allah keep thy youth! Examine her outside and inside and, if thou wilt, strip off her clothes and look at her when she is naked.&amp;quot; Quoth the trader, &amp;quot;Allah forfend! I will look at naught save her face.&amp;quot; Then he went up to her and was put to shame by her beauty and loveliness,—And Shahrazed perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Fifty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the merchant went up to Nuzhat al-Zaman and was put to shame by her beauty and loveliness, so he sat by her side and asked her, &amp;quot;O my mistress, what is thy name?&amp;quot; She answered, &amp;quot;Doss thou ask what is my name this day or what it was before this day?&amp;quot; Thereupon the merchant enquired, &amp;quot;Hast thou then two names: to day's and yesterday's?&amp;quot; &amp;quot;Yes,&amp;quot; replied she, &amp;quot;my name in the past was Nuzhat al-Zaman, the Delight of the Age; but my name at this present is Ghussat al-Zaman, the Despight of the Age.&amp;quot; When the merchant heard this his eyes brimmed over with tears and quoth he to her, &amp;quot;Hast thou not a sick brother?&amp;quot; &amp;quot;Ay by Allah, O my lord, I have,&amp;quot; quoth she, &amp;quot;but fortune hath parted me and him and he lieth sick in Jerusalem.&amp;quot; The merchant's head was confounded at the sweetness of her speech and he said to himself, &amp;quot;Verily, the Badawi spake the truth of her.&amp;quot; Then she called to mind her brother and his sickness and his strangerhood and her separation from him in his hour of weakness and her not knowing what had befallen him; and she thought of all that had happened to her with the Badawi and of her severance from her mother and father and native land; and the tears coursed down her cheeks and fast as they started they dropped; and she began reciting,&#xA;&#xA;&amp;quot;Allah, where'er thou be, His aid impart * To thee, who distant&#xA;             dwellest in my heart!&#xA;Allah be near thee how so far thou fare; * Ward off all shifts of&#xA;            Time, all dangers thwart!&#xA;Mine eyes are desolate for thy vanisht sight, * And start my&#xA;            tears-ah me, how fast they start!&#xA;Would Heaven I kenned what quarter or what land * Homes thee, and&#xA;           in what house and tribe thou art&#xA;A fount of life thou drain in greenth of rose, * While drink I&#xA;             tear drops for my sole desert?&#xA;An thou 'joy slumber in those hours, when I * Peel 'twixt my side&#xA;           and couch coals' burning smart?&#xA;All things were easy save to part from thee, * For my sad heart&#xA;           this grief is hard to dree.&amp;quot;&#xA;&#xA;When the merchant heard her verses, he wept and put out his hand to wipe away the tears from her cheeks; but she let down her veil over her face, saying, &amp;quot;Heaven forbid, O my lord!'' Then the Badawi, who was sitting at a little distance watching them, saw her cover her face from the merchant while about to wipe the tears from her cheeks; and he concluded that she would have hindered him from handling her: so he rose and running to her, dealt her, with a camel's halter he had in his hand, such a blow on the shoulders that she fell to the ground on her face. Her eyebrow struck a stone which cut it open, and the blood streamed down her cheeks; whereupon she screamed a loud scream and felt faint and wept bitterly. The merchant was moved to tears for her and said in himself, &amp;quot;There is no help for it but that I buy this damsel, though at her weight in gold, and free her from this tyrant.&amp;quot; And he began to revile the Badawi whilst Nazhat al- Zaman lay in sensible. When she came to herself, she wiped away the tears and blood from her face; and she bound up her head: then, raising her glance to heaven, she besought her Lord with a sorrowful heart and began repeating,&#xA;&#xA;&amp;quot;And pity one who erst in honour throve, * And now is fallen into&#xA;             sore disgrace.&#xA;She weeps and bathes her cheeks with railing tears, * And asks&#xA;            'What cure can meet this fatal case?'&amp;quot;&#xA;&#xA;When she had ended her verse, she turned to the merchant and said in an undertone, &amp;quot;By the Almighty, do not leave me with a tyrant who knoweth not Allah the Most High! If I pass this night in his place, I shall kill myself with my own hand: save me from him, so Allah save thee from Gehenna-fire.&amp;quot; Then quoth the merchant to the Badawi, &amp;quot;O Shaykh of the Arabs, this slave is none of thine affair; so do thou sell her to me for what thou wilt.&amp;quot; &amp;quot;Take her,&amp;quot; quoth the Badawi, &amp;quot;and pay me down her price, or I will carry her back to the camp and there set her to feed the camels and gather their dung.&amp;quot; Said the merchant, &amp;quot;I will give thee fifty thousand diners for her.&amp;quot; &amp;quot;Allah will open!&amp;quot; replied the Badawi. &amp;quot;Seventy thousand,&amp;quot; said the merchant. &amp;quot;Allah will open!&amp;quot; repeated the Badawi: &amp;quot;this is not the capital spent upon her, for she hath eaten with me barley bread to the value of ninety thousand gold pieces.&amp;quot; The merchant rejoined, &amp;quot;Thou and thine and all thy tribe in the length of your lives have not eaten a thousand ducats' worth of barley; but I will say thee one word, wherewith if thou be not satisfied, I will set the Viceroy of Damascus on thee and he will take her from thee by force.&amp;quot; The Badawi continued, &amp;quot;Say on!&amp;quot; &amp;quot;An hundred thousand,&amp;quot; quoth the merchant. &amp;quot;I have sold her to thee at that price,&amp;quot; answered the Badawi; &amp;quot;I shall be able to buy salt with her.&amp;quot; The merchant laughed and, going to his lodgings, brought the money and put it into the hand of the Badawi, who took it and made off, saying to himself, &amp;quot;Needs must I go to Jerusalem where, haply, I shall happen on her brother, and I will bring him here and sell him also.&amp;quot; So he mounted and journeyed till he arrived at Jerusalem, where he went to the Khan and asked for Zau al-Makan, but could not find him. Such was the case with him; but for what regards the merchant and Nazhat al-Zaman, when he took her he threw some of his clothes over her and carried her to his lodgings,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the trader saved Nuzhat al-Zaman from the Badawi and bore her to his lodgings and robed her in the richest raiment, he went down with her to the bazar, where he bought her what ornaments she chose and put them in a satin bag, which he set before her, saying, &amp;quot;All is for thee and I ask nothing of thee in return but that, when I lead thee to the Sultan, Viceroy of Damascus, thou acquaint him with the price I paid for thee, albeit it was little compared with thy value: and, if seeing thee he buy thee of me, thou tell him how I have dealt with thee and ask of him for me a royal patent, and a written recommendation wherewith I can repair to his father, King Omar bin al-Nu'uman, Lord of Baghdad, to the intent that he may forbid the tax on my stuffs or any other goods in which I traffic.&amp;quot; When she heard his words, she wept and sobbed, and the merchant said to her, &amp;quot;O my lady, I observe that, every time I mention Baghdad, thine eyes are tearful: is there any one there whom thou lovest? If it be a trader or the like, tell me; for I know all the merchants and so forth there and, if thou wouldst send him a message, I will bear it for thee.&amp;quot; Replied she, &amp;quot;By Allah, I have no acquaintance among merchant folk and the like! I know none there but King Omar bin Nu'uman, Lord of Baghdad.&amp;quot; When the merchant heard her words, he laughed and rejoiced with exceeding joy and said in himself, &amp;quot;By Allah, I have won my wish!&amp;quot; Then he said to her, &amp;quot;Hast thou been shown to him in time past?&amp;quot; She answered, &amp;quot;No, but I was brought up with his daughter and he holdeth me dear and I have high honour with him; so if thou wouldst have the King grant thee thy desire, give me ink case and paper and I will write thee a letter; and when thou reachest the city of Baghdad, do thou deliver it into the hand of King Omar bin al-Nu'uman and say to him, 'Thy handmaid, Nuzhat al-Zaman, would have thee to know that the chances and changes of the nights and days have struck her as with a hammer, and have smitten her so that she hath been sold from place to place, and she sendeth thee her salams.' And, if he ask further of her, say that I am now with the Viceroy at Damascus.&amp;quot; The merchant wondered at her eloquence, and his affection for her increased and he said to her I cannot but think that men have played upon thine understanding and sold thee for money. Tell me, dost thou know the Koran by heart?&amp;quot; &amp;quot;Yes,&amp;quot; answered she; &amp;quot;and I am also acquainted with philosophy and medicine and the prolegomena of science and the commentaries of Galen, the physician, on the canons of Hippocrates; and I have commented him and I have read the Tazkirah and have commented the Burhán; and I have studied the Simples of Ibn Baytár, and I have something to say of the canon of Meccah, by Avicenna. I can ree riddles and can solve ambiguities, and discourse upon geometry and am skilled in anatomy I have read the books of the Sháfi'í school and the Traditions of the Prophet and syntax; and I can argue with the Olema and discourse of all manner learning. Moreover I am skilled in logic and rhetoric and arithmetic and the making of talismans and almanacs, and I know thoroughly the Spiritual Sciences and the times appointed for religious duties and I understand all these branches of knowledge.&amp;quot; Then quoth she to the merchant, &amp;quot;Bring me ink case and paper, that I write thee a letter which shall aid thee on thy journey to Baghdad and enable thee to do without passports.&amp;quot; Now when the merchant heard this, he cried out &amp;quot;Brava! Brava! Then O happy he in whose palace thou shalt! Thereupon he brought her paper and ink case and a pen of brass and bussed the earth before her face to do her honour. She took a sheet and handled the reed and wrote therewith these verses,&#xA;&#xA;&amp;quot;I see all power of sleep from eyes of me hath flown; * Say, did&#xA;           thy parting teach these eyne on wake to wone?&#xA;What makes thy memory light such burnings in my heart? * Hath&#xA;            every lover strength such memories to own?&#xA;How sweet the big dropped cloud which rained on summer day; *&#xA;            'Tis gone and ere I taste its sweets afar 'tis flown:&#xA;I pray the wind with windy breath to bring some news * From thee,&#xA;            to lover wightwi' love so woe begone&#xA;Complains to thee a lover of all hope forlorn, * For parting&#xA;             pangs can break not only heart but stone.&amp;quot;&#xA;&#xA;And when she had ended writing the verses she continued, &amp;quot;These words are from her who saith that melancholy destroyeth her and that watching wasteth her; in the murk of whose night is found no light and darkness and day are the same in her sight. She tosseth on the couch of separation and her eyes are blackened with the pencils of sleeplessness; she watcheth the stars arise and into the gloom she strains her eyes: verily, sadness and leanness have consumed her strength and the setting forth of her case would run to length. No helper hath she but tears and she reciteth these verses,&#xA;&#xA;'No ring dove moans from home on branch in morning light, * But&#xA;             shakes my very frame with sorrow's killing might:&#xA;No lover sigheth for his love or gladdeth heart * To meet his&#xA;             mate, but breeds in me redoubled blight&#xA;I bear my plaint to one who has no ruth for me, * Ah me, how Love&#xA;             can part man's mortal frame and sprite!' &amp;quot;&#xA;Then her eyes welled over with tears, and she wrote also these two couplets,&#xA;&#xA;&amp;quot;Love smote my frame so sore on parting day, * That severance&#xA;             severed sleep and eyes for aye.&#xA;I waxt so lean that I am still a man, * But for my speaking, thou&#xA;             wouldst never say.&amp;quot;&#xA;&#xA;Then she shed tears and wrote at the foot of the sheet, &amp;quot;This cometh from her who is far from her folk and her native land, the sorrowful hearted woman Nuzhat al-Zaman.&amp;quot; In fine, she folded the sheet and gave it to the merchant, who took it and kissed it and understood its contents and exclaimed, &amp;quot;Glory to Him who fashioned thee!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Fifty-ninth Night,&#xA;&#xA;She said, It reached me, O auspicious King, that Nuzhat al-Zaman wrote the letter and gave it to the merchant; and he took it and read it and understood the contents and exclaimed, &amp;quot;Glory to Him who fashioned thee!&amp;quot; Then he redoubled his kindness and made himself pleasant to her all that day, and when night came he sallied out to the bazar and bought some food, wherewith he fed her; after which he carried her to the Hammam and said to the bath woman, &amp;quot;As soon as thou hast made an end of washing her head, dress her and send and let me know of it.&amp;quot; And she replied &amp;quot;Hearing is obeying.&amp;quot; Meanwhile he fetched food and fruit and wax candles and set them on the bench in the outer room of the bath; and when the tire woman had done washing her, she dressed her and led her out of the bath and seated her on the bench. Then she sent to tell the merchant, and Nuzhat al-Zaman went forth to the outer room, where she found the tray spread with food and fruit. So she ate and the tire woman with her, and gave the rest to the people and keeper of the bath. Then she slept till the morning, and the merchant lay the night in a place apart from her. When he aroused himself from sleep he came to her and waking her, presented her with a shift of fine stuff and a head kerchief worth a thousand diners, a suit of Turkish embroidery and walking boots purfled with red gold and set with pearls and gems. Moreover, he hung in each of her ears a circlet of gold with a fine pearl therein, worth a thousand diners, and threw round her neck a collar of gold with bosses of garnet and a chain of amber beads that hung down between her breasts over her navel. Now to this chain were attached ten balls and nine crescents, and each crescent had in its midst a bezel of ruby, and each ball a bezel of balass: the value of the chain was three thousand diners and each of the balls was priced at twenty thousand dirhams, so that the dress she wore was worth in all a great sum of money. When she had put these on, the merchant bade her adorn herself, and she adorned herself to the utmost beauty; then she let fall her fillet over her eyes and she fared forth with the merchant preceding her. But when folk saw her, all wondered at her beauty and exclaimed, &amp;quot;Blessed be Allah, the most excellent Creator! O lucky the man in whose house the hall be!&amp;quot; And the trader ceased not walking (and she behind him) till they entered the palace of Sultan Sharrkan; when he sought an audience and, kissing the earth between his hands, said, &amp;quot;O auspicious King, I have brought thee a rare gift, unmatched in this time and richly gifted with beauty and with good qualities.&amp;quot; Quoth the King, &amp;quot;Let me see it.&amp;quot; So the merchant went out and brought her, she following him till he made her stand before King Sharrkan. When he beheld her, blood yearned to blood, though she had been parted from him in childhood and though he had never seen her, having only heard a long time after her birth that he had a sister called Nuzhat al- Zaman and a brother Zau al-Makan, he having been jealous of them, because of the succession. And such was the cause of his knowing little about them. Then, having placed her before the presence, the merchant said, &amp;quot;O King of the age, besides being peerless in her time and beauty and loveliness, she is also versed in all learning, sacred and profane, including the art of government and the abstract sciences.&amp;quot; Quoth the King to the trader, &amp;quot;Take her price, according as thou boughtest her, and go thy ways.&amp;quot; &amp;quot;I hear and I obey,&amp;quot; replied the merchant; &amp;quot;but first write me a patent, exempting me for ever from paying tithe on my merchandise.&amp;quot; Said the King, &amp;quot;I will do this, but first tell me what price thou paidest for her.&amp;quot; Said the merchant, &amp;quot;I bought her for an hundred thousand diners, and her clothes cost me another hundred thousand.&amp;quot; When the Sultan heard these words, he declared, &amp;quot;I will give thee a higher price than this for her;&amp;quot; and, calling his treasurer, said to him, &amp;quot;Pay this merchant three hundred and twenty thousand ducats; so will he have an hundred and twenty thousand diners profit.&amp;quot; Thereupon the Sultan summoned the four Kazis and paid him the money in their presence and then he said, &amp;quot;I call you to witness that I free this my slave girl and purpose to marry her.&amp;quot; So the Kazis wrote out the deed of emancipation and the contract of marriage, when the Sultan scattered much gold on the heads of those present; and the pages and the eunuchs picked up this largesse. Then, after paying him his monies, Sharrkan bade them write for the merchant a perpetual patent, exempting him from toll, tax or tithe upon his merchandise and forbidding each and every in all his government to molest him, and lastly bestowed on him a splendid dress of honour.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixtieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Sharrkan bade them write for the merchant a mandate, after paying him his monies; and they wrote a perpetual patent, exempting him from the tithe upon his merchandise and forbidding any in his government to molest him; and lastly bestowed upon him a splendid dress of honour. Then all about him retired, and none remained save the Kazis and the merchant, whereupon said he to the judges, &amp;quot;I wish you to hear such discourse from this damsel as may prove her knowledge and accomplishments in all aimed for her by this trader, that we ascertain the truth of his assertions.&amp;quot; They answered, &amp;quot;There is no evil in that!&amp;quot;; and he commanded the curtain to be let down between him and those with him and the maiden and those with her; and the women about the damsel behind the curtains began to wish her joy and kiss her hands and feet, when they learned that she was become the King's wife. Then they came round her and took off her dresses easing her of the weight of her clothes and began to look upon her beauty and loveliness. Presently the wives of the Emirs and Wazirs heard that King Sharrkan had bought a hand maiden unmatched for her beauty and learning and philosophy and account keeping, and versed in all branches of knowledge, that he had paid for her three hundred and twenty thousand dinars, and that he had set her free and had written a marriage contract with her and had summoned the four Kazis to make trial of her, how she would answer all their questions and hold disputetion with them. So they asked leave of their husbands and repaired to the palace wherein was Nuzhat al- Zaman. When they came in to her, they found the eunuchs standing before her; and, as soon as she saw the wives of the Emirs and Wazirs and Grandees of the realm coming to call upon her, she arose to them on her feet and met them with courtesy, her handmaidens standing behind her, and she received them saying, &amp;quot;Ye be welcome!&amp;quot; The while she smiled in their faces so as to win their hearts; and she promised them all manner of good and seated them in their proper stations, as if she had been brought up with them; so all wondered at her beauty and loveliness and said to one another, &amp;quot;This damsel is none other than a Queen, the daughter of a King.&amp;quot; Then they sat down, magnifying her worth and said to her, &amp;quot;O our lady, this our city is illumined by thee, and our country and abode and birth place and reign are honoured by thy presence. The kingdom indeed is thy kingdom and the palace is thy palace, and we all are thy handmaids; so, by Allah, do not shut us out from thy favours and the sight of thy beauty.&amp;quot; And she thanked them for this. All this while the curtains were let down between Nuzhat al-Zaman and the women with her, on the one side, and King Sharrkan and the four Kazis and the merchant seated by him on the other. Presently King Sharrkan called to her and said, &amp;quot;O Queen, the glory of thine age, this merchant hath described thee as being learned and accomplished; and he claimeth that thou art skilled in all branches of knowledge, even to astrology: so let us hear something of all this he hath mentioned, and favour us with a short discourse on such subjects.&amp;quot; She replied, saying: &amp;quot;O King, to hear is to obey. The first subjects whereof I will treat are the art of government and the duties of Kings and what behoveth governors of command meets according to religious law, and what is incumbent on them in respect of satisfactory speech and manners. Know then, O King, that all men's works tend either to religious or to laical life, for none attaineth to religion save through this world, because it is the best road to futurity. Now the works of this world are not ordered save by the doings of its people, and men's doings are divided into four divisions, government, commerce, husbandry and craftsmanship. Now government requireth perfect administration with just and true judgment; for government is the pivot of the edifice of the world, which world is the road to futurity; since Allah Almighty hath made the world for His servants as viaticum to the traveller for the attainment of his goal; and it befitteth each man that he receive of it such measure as shall bring him to Allah, and that he follow not herein his own mind and his individual lust. If folk would take of worldly goods with justice and equity, all cause of contention would be cut off; but they take thereof with violence ant after their own desires, and their persistence therein giveth rise to contentions; so they have need of the Sultan, that he do justice between them and order their affairs; and, if the King restrain not his folk from one another, the strong will drive the weak to the wall. Hence Ardeshir saith, 'Religion and Kingship be twins'; religion is a hidden treasure and the King is its keeper; and the Divine Ordinances and men's intelligence point out that it behoveth the people to adopt a Sultan who shall withhold oppressor from oppressed and do the weak justice against the strong and restrain the violence of the proud and the rebels against rule. For know, O King, that according to the measure of the Sultan's good morals, even so will be the time; as saith the Apostle of Allah (on whom be peace and salvation!), 'There be two classes who, if they be good, the people will be good; and if they be bad, the people will be bad, even the Olema and the Emirs.' And it is said by a certain sage, 'There be three kinds of Kings, the King of the Faith, the King who protecteth things to which reverence is due, and the King of his own lusts.' The King of the Faith obligeth his subjects to follow their faith, and it behoveth he be the most faithful, for it is by him that they take pattern in the things of the Faith; and it becometh the folk to obey him in whatso he commandeth according to Divine Ordinance; but he shall hold the discontented in the same esteem as the contented, because of submission to the decrees of Destiny. As for the King who protecteth things to be reverenced, he upholdeth the things of the Faith and of the World and compelleth his folk to follow the Divine Law and to preserve the rights of humanity; and it fitteth him to unite Pen and Sword; for whoso declineth from what Pen hath written his feet slip and the King shall rectify his error with the sharp Sword and dispread his justice over all mankind. As for the King of his own lusts, he hath no religion but the following his desire and, as he feareth not the wrath of his Lord who set him on the throne, so his Kingdom inclineth to deposition and the end of his pride is in the house of perdition. And sages say, 'The King hath need of many people, but the people have need of but one King' wherefore it beseemeth that he be well acquainted with their natures, that he reduce their discord to concord, that with his justice be encompass them all and with his bounties overwhelm them all. And know, O King, that Ardeshir, styled Jamr Shadíd, or the Live Coal, third of the Kings of Persia, conquered the whole world and divided it into four divisions and, for this purpose, get for himself four seal rings, one for each division. The first seal was that of the sea and the police of prohibition and on it was written, Alterna lives. The second was the seal of tribute and of the receipt of monies, and on it was written, Building up. The third was the seal of the provisioning department and on it was written, Plenty. The fourth was the seal of the oppressed, and on it was written, Justice. And these usages remained valid in Persia until the revelation of Al-Islam. Chosroës also wrote his son, who was with the army, 'Be not thou too open handed with thy troops, or they will be too rich to need thee.'—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-first night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Chosroës wrote his son, 'Be not thou too open handed with thy troops, or they will be too rich to need thee; nor be thou niggardly with them, or they will murmur against thee. Give thy giving deliberately and confer thy favours advisedly; open thy hand to them in time of success and stint them not in time of distress.' There is a legend that a desert Arab came once to the Caliph Al- Mansúr and said, 'Starve thy dog and he shall follow thee.' When the Caliph heard his words, he was enraged with the Arab, but Abu 'l-Abbás of Tús said to him, 'I fear that if some other than thou should show him a scone, the dog would follow him and leave thee alone.' Thereupon the Caliph Al-Mansur's wrath subsided and he knew that the wild Arab had intended no offence and ordered him a present. And know, O King, that Abd al-Malik bin Marwán wrote to his brother Abd al-Azíz, when he despatched him to Egypt, as follows, 'Pay heed to thy Secretaries and thy Chamberlains, for the Secretaries will acquaint thee with estate fished matters and the Chamberlains with matters of official ceremony, whilst thine expenditure will make thy troops known to thee.' Omar bin Al-Khattáb (whom Allah accept!) when engaging a servant was in the habit of conditioning him with four conditions; the first that he should not ride the baggage beasts, the second that he should not wear fine clothes, the third that he should not eat of the spoil and the fourth that he should not put off praying till after the proper period. It is said that there is no wealth more profitable than understanding, and there is no understanding like common sense and prudence, and there is no prudence like piety; that there is no means of drawing near to God like good morals, no measure like good breeding, no traffic like good works and no profit like earning the Divine favour; that there is no temperance like standing within the limits of the law, no science like that of meditation, no worship like obeying the Divine commends, no faith like modesty, no calculation like self abasement and no honour like knowledge. So guard the head and what it containeth and the belly and what it compriseth; and think of death and doom ere it ariseth. Saith Ali (whose face Allah honour!), 'Beware of the wickedness of women and be on thy guard against them: consult them not in aught; but grudge not complaisance to them, lest they greed for intrigue.' And eke quoth he, 'Whoso leaveth the path of moderation his wits become perplexed'; and there be rules for this which we will mention, if it be Allah's will. And Omar (whom Allah accept!) saith, 'There are three kinds of women, firstly the true believing, Heaven fearing, love full and fruit full, who helpeth her mate against fate, not helping fate against her mate; secondly, she who loveth her children but no more and, lastly, she who is a shackle Allah setteth on the neck of whom He will.' Men be also three: the wise when he exerciseth his own judgement; the wiser who, when befalleth somewhat whereof he knoweth not the issue, seeketh folk of good counsel and acteth by their advice; and the unwise irresolute ignoring the right way nor heeding those who would guide him straight. Justice is indispensable in all things; even slave girls have need of justice; and men quote as an instance highway robbers who live by violenting mankind, for did they not deal equitably among themselves and observe justice in dividing their booty, their order would fall to pieces. In short, for the rest, the Prince of noble qualities is Beneficence cum Benevolence; and how excellent is the saying of the poet,&#xA;&#xA;By open hand and ruth the youth rose to his tribe's command; * Go and do likewise for the same were easy task to thee.'&#xA;&#xA;And quoth another,&#xA;&#xA;'In ruth and mildness surety lies and mercy wins respect, * And&#xA;             Truth is best asylum for the man of soothfast soul:&#xA;Whoso for wealth of gold would win and wear the world's good&#xA;             word, * On glory's course must ever be the first to gain the&#xA;             goal.'&amp;quot;&#xA;&#xA;And Nazhat al-Zaman discoursed upon the policy of Kings till the bystanders said, &amp;quot;Never have we seen one reason of rule and government like this damsel! Haply she will let us hear some discourse upon subject other than this.&amp;quot; When she heard their words and understood them she said, &amp;quot;As for the chapter of good breeding, it is wide of comprehension, being a compend of things perfect. Now it so happened that one day there came to the Caliph Mu'áwiyah one of his companions, who mentioned the people of Irak and the goodness of their wit; and the Caliph's wife Maysún, mother of Yezíd, heard his words. So, when he was gone, she said to the Caliph, 'O Prince of the Faithful, I would thou let some of the people of Irak come in and talk to thee, that I may hear their discourse.' Therewith Mu'awiyah said to his attendants, 'See who is at the door?' And they answered, 'The Banu Tamim.' 'Let them come in,' said he. So they came in and with them Al-Ahnáf son of Kays. Then quoth Mu'awiyah, 'Enter, O Abu Bahr,' and drew a curtain between himself and Maysun, that she might hear what they said without being seen herself; then he said to Al-Ahnaf, 'O Son of the Sea, draw near and tell me what counsel thou hast for me.' Quoth Al-Ahnaf, 'Part thy hair and trim thy moustachio and pare thy nails and pluck thine armpits and shave thy pubes and ever use the toothstick because therein be two and seventy virtues, and make the Ghusl or complete ablution on Friday, as an expiation for all between the Fridays.'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Ahnaf bin Kays replied to Al-Mu'awiyah's question, 'And ever use the toothstick, because therein be two end seventy virtues and make the complete Friday ablution as an expiation for all between the two Fridays.' Quoth Mu'awiyah, 'What is thy counsel to thyself?' 'To set my feet firmly on the ground, to move them deliberately and watch over them with mine eyes!' 'How dost thou order thyself when thou goest in to one not of the nobles of thy tribe?' 'I lower mine eyes modestly and I salute first; I avoid what concerneth me not and I spare my words!' 'And how when thou goest in to thine equals?' 'I give ear to them when they speak and I do not assail them when they err!' 'When thou goest in to thy chiefs?' 'I salute without making any sign and await the reply: if they bid me draw near, I draw near, and if they draw off from me I withdraw!' 'How dost thou with thy wife?' Quoth Ahnaf, 'Excuse me from answering this, O Commander of the Faithful!'; but Mu'awiyah cried, 'I conjure thee inform me.' He said, 'I entreat her kindly and show her familiarity and am large in expenditure, for woman was created of a crooked rib.' 'And how dost thou when thou hast a mind to lie with her?' 'I bid her perfume herself and kiss her till she is moved to desire; then, should it be as thou knowest, I throw her on her back. If the seed abide in her womb I say, 'O Allah make it blessed and let it not be a wastrel, but fashion it into the best of fashions!' Then I rise from her to ablution and first I pour water over my hands and then over my body and lastly, I praise Allah for the joy He hath given me.' Said Mu'awiyah, 'Thou hast answered right well and now tell me what be thy requirements?' Said Ahnaf, 'I would have thee rule thy subjects in the fear of Allah and do even handed justice between them.' Thereupon Ahnaf rose to his feet and left the Caliph's presence, and when he had gone Maysun said, 'Were there but this man in Irak, he would suffice to it.' Then continued Nuzhat al-Zaman, &amp;quot;And all this is a section of the chapter of good breeding, and know O King, that Muaykib was intendant of the public treasury during the Caliphate of Omar bin al-Khattáb,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, &amp;quot;Know, O King, that Mu'aykib was intendant of the public treasury during the Caliphate of Omar bin al-Khattab; and it so befel him that he saw Omar's son and gave him a dirham out of the treasury. Thereupon, quoth Mu'aykib, 'I returned to my own house, and while I was sitting there behold, a messenger came to me from Omar and I was afraid and went to him, and when I came into his presence, in his hand was the dirham I had given his son. He said to me, 'Woe to thee Mu'aykib! I have found somewhat concerning thy soul.' I asked 'And what is that?'; and he answered, 'It is that thou hast shown thyself a foe to the followers of Mohammed (on whom be peace and salvation!) in the matter of this dirham, and thou wilt have to account for it on Resurrection Day.' And Omar also wrote a letter to Abú Músá al-Ashári as follows, 'When these presents reach thee, give the people what is theirs and remit to me the rest.' And he did so. Now when Othman succeeded to the Caliphate, he wrote a like letter to Abu Musa, who did his bidding and sent him the tribute accordingly, and with it came Ziyád. And when Ziyad laid the tribute before Othman, the Caliph's son came in and took a dirham, whereupon Ziyad shed tears. Othman asked 'Why weepest thou?'; and Ziyad answered, 'I once brought Omar bin al-Khattab the like of this and his son took a dirham, where upon Omar bade snatch it from his hand. Now thy son hath taken of the tribute, yet I have seen none say aught to him or snatch the money from him.' Then Othman cried, 'And where wilt thou find the like of Omar?' Again Zayd bin Aslam relates of his father that he said, 'I went out one night with Omar till we approached a blazing fire. Quoth Omar, 'O Aslam, I think these must be travellers who are suffering from the cold. Come, let us join them.' So we walked on till we came to them and behold! we found a woman who had lighted a fire under a cauldron and by her side were two children, both a wailing. Said Omar, 'Peace be with you, O folk of light (for it was repugnant to him to say 'folk of fire'), what aileth you?' Said she, 'The cold and the night trouble us.' He asked, 'What aileth these little people that they weep?'; and she answered, 'They are hungry.' He enquired, 'And what is in this cauldron?'; and she replied, 'It is what I quiet them withal, and Allah will question Omar bin al- Khattab of them, on the Day of Doom.' He said, 'And what should Omar know of their case?' 'Why then,' rejoined she, 'should he manage people's affairs and yet be unmindful of them?' Thereupon Omar turned to me (continned Aslam) and cried, 'Come with us!' So we set off running till we reached the pay department of his treasury, where he took out a sack containing flour and a pot holding fat and said to me, 'Load these on my back!' Quoth I, 'O Commander of the Faithful, I will carry them for thee.' He rejoined, 'Wilt thou bear my load for me on the Day of Resurrection?' So I put the things on his back, and we set off, running, till we threw down the sack hard by her. Then he took out some of the flour and put it in the cauldron; and, saying to the woman, 'Leave it to me,' he began blowing the fire under the cauldron. Now he was a long bearded man and I saw the smoke issuing from between the hairs of his beard till the flour was cooked, when he took some of the fat and threw it in and said to the woman, 'Bed them while I cool it for them.' So they fell to eating till they had eaten their fill, and he left the rest with her. Then he turned to me and said, 'O Aslam, I see it was indeed hunger made them weep; and I am glad I did not go away ere I found out the cause of the light I saw.'—And Shahrazad per ceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, &amp;quot;It is related that Omar passed by a flock of sheep, kept by a Mameluke, and asked him to sell him a sheep. He answered, 'They are not mine.' 'Thou art the man I sought,' said Omar, and bought him and freed him; whereupon the slave exclaimed, 'O Allah, as thou hast bestowed on me the lesser emancipation; so vouchsafe me the greater!' It is also said that Omar bin al- Khattab was wont to give his servants sweet milk and himself eat coarse fare, and to clothe them softly and himself wear rough garments. He rendered unto all men their due, and exceeded in his giving to them. He once gave a man four thousand dirhams and added thereto a thousand, wherefore it was said to him, 'Why dost thou not increase to thy son as thou increasest to this man?' He answered, 'This man's father stood firm at the battle day of Ohod.' Al-Hasan relates that Omar once came back from foray with much money, and that Hafsah approached him and said, 'O Commander of the Faithful, the due of kinship!' 'O Hafsah!' replied he, 'verily Allah hath enjoined us to satisfy the dues of kinship, but not with the monies of the True Believers. Indeed, thou pleasest&amp;quot; thy family, but thou angerest thy father.' And she went away trailing her skirts. The son of Omar said, 'I implored the Lord to show me my father one year after his death, till at last I saw him wiping the sweat from his brow and asked him, 'How is it with thee, O my father?' He answered, 'But for my Lord's mercy thy father surely had perished.' Then said Nuzhat al-Zaman, &amp;quot;Hear, O auspicious King, the second division of the first chapter of the instances of the followers of the Apostle and other holy men. Saith Al Hasan al-Basrí, Not a soul of the sons of Adam goeth forth of the world without regretting three things,- failure to enjoy what he hath amassed, failure to compass what he hoped, failure to provide himself with sufficient viaticum for that hereto he goeth. It was said of Sufyan, 'Can a man be a religious and yet possess wealth?' He replied, 'Yes, so he be patient when grieved and be thankful when he hath received.' Abdullah bin Shaddád, being about to die, sent for his son Mohammed and admonished him, saying, 'O my son, I see the Summoner of Death summoning me, and so I charge thee to fear Allah both in public and private, to praise Allah and to be soothfastin thy speech, for such praise bringeth increase of prosperity, and piety in itself is the best of provision for the next world; even as saith one of the poets,&#xA;&#xA;'I see not happiness lies in gathering gold; * The man most pious&#xA;is man happiest:&#xA;In truth the fear of God is best of stores, * And God shall make&#xA;the pious choicely blest.'&#xA;Then quoth Nuzhat al-Zaman, &amp;quot;Let the King also give ear to these notes from the second section of the first chapter.&amp;quot; He asked her 'What be they?'; and she answered, &amp;quot;When Omar bin Abd al-Azíz succeeded to the Caliphate, he went to his household and laying hands on all that was in their hold, put it into the public treasury. So the Banu Umayyah flew for aid to his father's sister, Fátimah, daughter of Marwan, and she sent to him saying, 'I must needs speak to thee.' So she came to him by night and, when he had made her alight from her beast and sit down, he said to her, 'O aunt, it is for thee to speak first, since thou hast some thing to ask: tell me then what thou wouldst with me.' Replied she, 'O Commander of the Faithful, it is thine to speak first, for thy judgment perceiveth that which is hidden from the intelligence of others.' Then said Omar, 'Of a verity Allah Almighty sent Mohammed as a blessing to some and a bane to others; and He elected for him those with him, and commissioned him as His Apostle and took him to Himself,'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued thus, &amp;quot;Said Omar, 'Verily Allah commissioned as His Apostle Mohammed (upon whom be the benediction of Allah and His salvation!), for a blessing to some and a bane to others; and He elected for him those with him and took him to Himself, leaving the people a stream whereof they might drink. After him Abu Bakr the Truth teller became Caliph and he left the river as it was, doing what was pleasing to Allah. Then arose Omar and worked a work and strove in holy war and strife where of none might do the like. But when Othman arose to power he diverted a streamlet from the stream, and Mu'awiyah in his turn diverted from it several streamlets; and without ceasing in like manner, Yezid and the Banu Marwán such as Abd al-Malik and Walíd and Sulaymán drew away water from the stream, and the main course dried up, till rule devolved upon me, and now I am minded to restore the stream to its normal condition.' When Fatimah heard this, she said, 'I came wishing only to speak and confer with thee, but if this be thy word, I have nothing to say to thee.' Then she returned to the Ommiades and said to them, 'Now take ye the consequences of your act when ye allied yourselves by marriage with Omar bin al-Khattab.' And it is also said that when Omar was about to die, he gathered his children round him, and Maslamah bin Abd al-Malik said to him, 'O Prince of the Faithful, how wilt thou leave thy children paupers and thou their protector? None can hinder thee in thy lifetime from giving them what will suffice them out of the treasury; and this indeed were better than leaving the good work to him who shall rule after thee.' Omar looked at him with a look of wrath and wonder and presently replied, 'O Maslamah, I have defended them from this sin all the days of my life, and shall I make them miserable after my death? Of a truth my sons are like other men, either obedient to Almighty Allah who will prosper them, or disobedient and I will not help them in their disobedience. Know, O Maslamah, that I was present, even as thou, when such an one of the sons of Marwanwas buried, and I fell asleep by him and saw him in a dream given over to one of the punishments of Allah, to whom belong Honour and Glory! This terrified me and made me tremble, and I vowed to Allah, that if ever I came to power, I would not do such deeds as the dead man had done. I have striven to fulfil this vow all the length of my life and I hope to die in the mercy of my Lord.' Quoth Maslamah, 'A certain man died and I was present at his burial, and when all was over I fell asleep and I saw him as a sleeper seeth a dream, walking in a garden of flowing waters clad in white clothes. He came up to me and said: 'O Maslamah, it is for the like of this that rulers should rule.' Many are the instances of this kind, and quoth one of the men of authority, 'I used to milk the ewes in the Caliphate of Omar bin Abd al-Aziz, and one day I met a shepherd, among whose sheep I saw a wolf or wolves. I thought them to be dogs, for I had never before seen wolves; so I asked, 'What dost thou with these dogs?' 'They are not dogs, but wolves,' answered the shepherd. Quoth I, 'Can wolves be with sheep and not hurt them?' Quoth he, 'When the head is whole, the body is whole.' Omar bin Abd al-Aziz once preached from a pulpit of clay and, after praising and glorifying Allah Almighty, said three words as follows, 'O folk, make clean your inmost hearts, that your outward lives may be dean to your brethren, and abstain ye from the things of the world. Know that between us and Adam there is no one man alive among the dead. Dead are Abd al- Malik and those who forewent him, and Omar also shall die and those who forewent him.' Asked Maslamah, 'O Commander of the Faithful, an we set a pillow behind thee, wilt thou lean on it a little while?' But Omar answered, 'I fear lest it be a fault about my neck on Resurrection Day.' Then he gasped with the death rattle and fell back in a faint; whereupon Fatimah cried out, saying, 'Ho, Maryam! Ho, Muzahim! Ho, such an one! Look to this man!' And she began to pour water on him weeping, till he revived from his swoon; and, seeing her in tears said to her, 'What causeth thee to weep, O Fatimah?' She replied, 'O Commander of the Faithful, I saw thee lying prostrate before us and thought of thy prostration in death before Almighty Allah, of thy departure from the world and of thy separation from us. This is what made me weep.' Answered he, 'Enough, O Fatimah, for indeed thou exceedest.' Then he would have risen, but fell down and Fatimah strained him to her and said, 'Thou art to me as my father and my mother, O Commander of the Faithful! We cannot speak to thee, all of us.' Then quoth Nuzhat al-Zaman to her brother Sharrkan and the four Kazis, &amp;quot;Here endeth the second section of the first chapter.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman said to her brother Sharrkan and the four Kazis, &amp;quot;Here endeth the second section of the first chapter. And it so happened that Omar bin Abd al-Aziz wrote to the people of the festival at Meccah as follows, 'I call Allah to witness, in the Holy Month, in the Holy City and on the day of the Greater Pilgrimage, that I am innocent of your oppression and of his wrongs that doth wrong you, in that I have neither commanded this nor purposed it, neither hath any report of aught thereof hitherto reached me, nor have I compassed any knowledge thereof; and I trust that a cause for pardon will be found in that none hath authority from me to oppress any man, for I shall assuredly be questioned concerning every one oppress. And if any of my officers swerve from the right and act otherwise than the Holy Book and the Traditions of the Apostle do authorise, obey him not so that he may return to the way of righteousness.' He said also (Allah accept of him!), 'I do not wish to be relieved from death, because it is the supreme thing for which the True Believer is rewarded.' Quoth one of authority, 'I went to the Prince of the Faithful, Omarbin Abd al-Aziz, who was then Caliph, and saw before him twelve dirhams, which he ordered for deposit in the public treasury. So I said to him, 'O Commander of the Faithful, thou impoverishest thy children and reducest them to beggary having nothing whereon to live. An thou wouldst appoint somewhat by will to them and to those who are poor of the people of thy house, it were well.' 'Draw near to me,' answered he: so I drew near to him and he said, 'Now as for thy saying, 'Thou beggarest thy children; provide for them and for the poor of thy household,' it is without reason; for Allah of a truth will replace me to my children and to the poor of my house, and He will be their guardian. Verily, they are like other men; he who feareth Allah, right soon will Allah provide for him a happy issue, and he that is addicted to sins, I will not up hold him in his sin against Allah.' Then he summoned his sons who numbered twelve, and when he beheld them his eyes dropped tears and presently he said to them, 'Your Father is between two things; either ye will be well to do, and your parent will enter the fire, or ye will be poor and your parent will enter Paradise; and your father's entry into Paradise is liefer to him than that ye should be well to do. So arise and go, Allah be your helper, for to Him I commit your affairs!' Khálid bin Safwán said, 'Yúsuf bin Omar accompanied me to Hishám bin Abd al-Malik, and as I met him he was coming forth with his kinsmen and attendants. He alighted and a tent was pitched for him. When the people had taken their seats, I came up to the side of the carpet whereon he sat reclining and looked at him; and, waiting till my eyes met his eyes, bespoke him thus, 'May Allah fulfil His bounty to thee, O Commander of the Faithful, I have an admonition for thee, which hath come down to us from the history of the Kings preceding thee!' At this, he sat up whenas he had been reclining and said to me, 'Bring what thou hast, O son of Safwan!' Quoth I, 'O Commander of the Faithful, one of the Kings before thee went forth in a time before this thy time, to this very country and said to his companions, 'Saw ye ever any state like mine and say me, hath such case been given to any man even as it hath been given unto me?' Now there was with him a man of those who survive to bear testimony to Truth; upholders of the Right and wayfarers in its highway, and he said to him, 'O King, thou askest of a grave matter. Wilt thou give me leave to answer?' 'Yes,' replied the King, and the other said, 'Dost thou judge thy present state to be short lasting or ever lasting?' 'It is temporary,' replied the King. 'How then,' rejoined the man, 'do I see thee exulting in that which thou wilt enjoy but a little while and whereof thou wilt be questioned for a long while and for the rendering an account whereof thou shalt be as a pledge which is pawned?' Quoth the King, 'Whither shall I flee and what must I seek for me?' 'That thou abide in thy kingship,' replied the other, 'or else robe thee in rags and apply thyself to obey Almighty Allah thy Lord until thine appointed hour. I will come to thee again at daybreak.' Khalid bin Safwan further relates that the man knocked at the door at dawn and behold, the King had put off his crown and resolved to become an anchorite, for the stress of his exhortation. When Hishám bin Abd al-Malik heard this, he wept till his beard was wet, and, bidding his rich apparel be put off, shut himself up in his palace. Then the grandees and dependents came to Khalid and said, 'What is this thou hast done with the Commander of the Faithful? Thou hast troubled his pleasure and disturbed his life!' Then quoth Nuzhat al-Zaman, addressing herself to Sharrkan, &amp;quot;How many instances of admonition are there not in this chapter! Of a truth I cannot report all appertaining to this head in a single sitting,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman continued, speaking to Sharrkan, &amp;quot;Know, O King, that in this chapter be so many instances of admonition that of a truth I cannot report all appertaining to this head in a single sitting but, with length of days, O King of the age, all will be well.&amp;quot; There said the Kazis, &amp;quot;O King, of a truth this damsel is the wonder of the world, and of our age the unique pearl! Never heard we her like in the length of time or in the length of our lives.&amp;quot; And they called down blessings on the King and went away. Then Sharrkan turned to his attendants and said, &amp;quot;Begin ye to prepare the marriage festival and make ready food of all kinds.&amp;quot; So they forthright did his bidding as regards the viands, and he commanded the wives of the Emirs and Wazirs and Grandees depart not until the time of the wedding banquet and of the unveiling of the bride. Hardly came the period of afternoon prayer when the tables were spread with whatso heart can desire or eye can delight in of roast meats and geese and fowls; and the subjects ate till they were satisfied. Moreover, Sharrkan had sent for all the singing women of Damascus and they were present, together with every slave girl of the King and of the notables who knew how to sing. And they went up to the palace in one body. When the evening came and darkness starkened they lighted candles, right and left, from the gate of the citadel to that of the palace; and the Emirs and Wazirs and Grandees marched past before King Sharrkan, whilst the singers and the tire women took the damsel to dress and adorn her, but found she needed no adornment. Meantime King Sharrkan went to the Hammam and coming out, sat down on his seat of estate, whilst they paraded the bride before him in seven different dresses: after which they eased her of the weight of her raiment and ornaments and gave such injunctions as are enjoined upon virgins on their wedding nights. Then Sharrkan went in unto her and took her maidenhead; and she at once conceived by him and, when she announced it, he rejoiced with exceeding joy and commanded the savants to record the date of her conception. On the morrow he went forth and seated himself on his throne, and the high officers came in to him and gave him joy. Then he called his private secretary and bade him write a letter to his father, King Omar bin al-Nu'uman, saying that he had bought him a damsel, who excels in learning and good breeding and who is mistress of all kinds of knowledge. Moreover he wrote, &amp;quot;There is no help but that I send her to Baghdad to visit my brother Zau al-Makan and my sister Nuzhat al-Zaman. I have set her free and married her and she hath conceived by me.&amp;quot; And he went on to praise her wit and salute his brother and sister together with the Wazir Dandan and all the Emirs. Then he sealed the letter and despatched it to his father by a post courier who was absent a whole month, after which time he returned with the answer and presented it in the presence. Sharrkan took it and read as follows, &amp;quot;After the usual Bismillah, this is from the afflicted distracted man, from him who hath lost his children and home by bane and ban, King Omar bin al- Nu'uman, to his son Sharrkan. Know that, since thy departure from me, the place is become contracted upon me, so that no longer I have power of patience nor can I keep my secret: and the cause thereof is as follows. It chanced that when I went forth to hunt and course Zau al-Makan sought my leave to fare Hijaz wards, but I, fearing for him the shifts of fortune, forbade him therefrom until the next year or the year after. My absence while sporting and hunting endured for a whole month&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Sixty-eighth night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Omar bin al-Nu'uman wrote in his letter, &amp;quot;My absence while sporting and hunting endured for a whole month, and when I returned I found that thy brother and sister had taken somewhat of money and had set out with the pilgrim caravan for pilgrimage by stealth. When I knew this, the wide world narrowed on me, O my son! but I awaited the return of the caravan, hoping that haply they would come back with it. Accordingly, when the palmers appeared I asked concerning the twain, but they could give me no news of them; so I donned mourning for them, being heavy at heart, and in sleep I have no part and I am drowned in the tears of my eyes.&amp;quot; Then he wrote in verse,&#xA;&#xA;&amp;quot;That pair in image quits me not one single hour, * Whom in my&#xA;             heart's most honourable place I keep:&#xA;Sans hope of their return I would not live one hour, * Without my&#xA;             dreams of them I ne'er would stretch me in sleep.&amp;quot;&#xA;&#xA;The letter went on, &amp;quot;And after the usual salutations to thee and thine, I command thee neglect no manner of seeking news of them for indeed this is a shame to us.&amp;quot; When Sharrkan read the letter he felt grief for his father and joy for the loss of his brother and sister. Then he took the missive and went in with it to Nuzhat al-Zaman who knew not that he was her brother, nor he that she was his sister, albeit he often visited her both by night and by day till the months were accomplished and she sat down on the stool of delivery. Allah made the child birth easy to her and she bare a daughter, whereupon she sent for Sharrkan and seeing him she said to him, &amp;quot;This is thy daughter: name her as thou wilt.&amp;quot; Quoth he, &amp;quot;It is usual to name children on the seventh day after birth.&amp;quot; Then he bent over the child to kiss it and he saw, hung about its neck, a jewel, which he knew at once for one of those which Princess Abrizah had brought from the land of the Greeks. Now when he saw the jewel hanging from his babe's neck he recognised it right well, his senses fled and wrath seized on him; his eyes rolled in rage and he looked at Nuzhat al- Zaman and said to her, &amp;quot;Whence hadst thou this jewel, O slave girl?&amp;quot; When she heard this from Sharrkan she replied, &amp;quot;I am thy lady, and the lady of all in thy palace! Art thou not ashamed to say to me Slave girl? I am a Queen, daughter of King Omar bin al-Nu'uman.&amp;quot; Hearing this, he was seized with trembling and hung his head earthwards,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Sixty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan heard these words, his heart fluttered and his colour waxed yellow and he was seized with trembling and he hung his head earthwards, for he knew that she was his sister by the same father. Then he lost his senses; and, when he revived, he abode in amazement, but did not discover his identity to her and asked, O my lady, say, art thou in sooth the daughter of King Omar bin al- Nu'uman?&amp;quot; &amp;quot;Yes,&amp;quot; answered she; and he continued, &amp;quot;Tell me the cause of thy leaving thy sire and of thy being sold for a slave.&amp;quot; So she related to him all that had befallen her from beginning to end, how she had left her brother sick in the Sanctified City, Jerusalem, and how the Badawi had kidnapped her and had sold her to the trader. When Sharrkan heard this, he was certified of her being his sister on the sword side and said to himself, &amp;quot;How can I have my sister to wife? By Allah, needs must I marry her to one of my chamberlains; and, if the thing get wind, I will declare that I divorced her before consummation and married her to my Chief Chamberlain.&amp;quot; Then he raised his head and sighing said, &amp;quot;O Nuzhat al-Zaman, thou art my very sister and I cry: 'I take refuge with Allah from this sin whereinto we have fallen,' for I am Sharrkan, son of Omar bin al-Nu'uman.&amp;quot; She looked at him and knew he spoke the truth; and, becoming as one demented, she wept and buffeted her face, exclaiming, &amp;quot;There is no Majesty and there is no Might save in Allah! Verily have we fallen into mortal sin! What shall I do and what shall I say to my father and my mother when they ask me, Whence hadst thou thy daughter?&amp;quot; Quoth Sharrkan, &amp;quot;It were meetest that I marry thee to my Chamberlain and let thee bring up my daughter in his house, that none may know thou be my sister. This hath befallen us from Almighty Allah for a purpose of his own, and nothing shall cover us but thy marriage with this Chamberlain, ere any know.&amp;quot; Then he fell to comforting her and kissing her head and she asked him, &amp;quot;What wilt thou call the girl?&amp;quot; &amp;quot;Call her Kuzia Fakán,&amp;quot; answered he. Then he gave the mother in marriage to the Chief Chamberlain, and transferred her to his house with the child, which they reared on the laps of the slave girls, and fed with milk and dosed with powders. Now all this occurred whilst the brother, Zau al-Makan, still tarried with the Fireman at Damascus. One day there came to King Sharrkan a courier from his father, with a letter which he took and read and found therein, &amp;quot;After the Bismillah know, O beloved King, that I am afflicted with sore affliction for the loss of my children: sleep ever faileth me and wakefulness ever assaileth me. I send thee this letter that, as soon as thou receivest it, thou make ready the monies and the tribute, and send them to us, together with the damsel whom thou hast bought and taken to wife; for I long to see her and hear her discourse; more especially because there hath come to us from Roumland an old woman of saintly bearing and with her be five damsels high bosomed virgins, endowed with knowledge and good breeding and all arts and sciences befitting mortals to know; and indeed tongue faileth me to describe this old woman and these who with her wend; for of a truth they are compendiums of perfections in learning and accomplishments. As soon as I saw them I loved them, and I wished to have them in my palace and in the compass of my hand; for none of the Kings owneth the like of them; so I asked the old woman their price and she answered, 'I will not sell them but for the tribute of Damascus.' And I, by Allah, did not hold this price exorbitant, indeed it is but little, for each one of them is worth the whole valuation. So I agreed to that and took them into my palace, and they remain in my possession. Wherefore do thou forward the tribute to us that the woman may return to her own country; and send to us the damsel to the end that she may dispute with them before the doctors; and, if she prevail over them, I will return her to thee accompanied by the tribute of Baghdad.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that King Omar son of Al-Nu'uman said in his letter, &amp;quot;And send to us the damsel to the end that she may dispute with them before the doctors and, if she prevail over them, I will return her to thee accompanied with the tribute of Baghdad.&amp;quot; As soon as Sharrkan knew the contents, he went in to his brother in law and said to him, &amp;quot;Bring the damsel to whom I married thee;&amp;quot; and when she came he showed her the letter and said, &amp;quot;O my sister! what answer wouldst thou advise me make to this letter?&amp;quot; Replied she, &amp;quot;Seek advice from thyself!&amp;quot; and presently added (for she yearned after her people and her native land), &amp;quot;Send me together with my husband the Chamberlain, to Baghdad, that I may tell my father my tale and let him know whatso befel me with the Badawi who sold me to the merchant, and that I also inform him how thou boughtest me of the trader and gavest me in marriage to the Chamberlain, after setting me free.&amp;quot; &amp;quot;Be it so,&amp;quot; replied Sharrkan. Then Sharrkan took his daughter, Kuzia Fakan, and committed her to the charge of the wet nurses and the eunuchs, and he made ready the tribute in haste, bidding the Chamberlain travel with the Princess and the treasure to Baghdad. He also furnished him two travelling litters one for himself and the other for his wife. And the Chamberlain replied, &amp;quot;To hear is to obey.&amp;quot; Moreover Sharrkan collected camels and mules and wrote a letter to his father and committed it to the Chamberlain; then he bade farewell to his sister, after he had taken the jewel from her and hung it round his daughter's neck by a chain of pure gold; and she and her husband set out for Baghdad the same night. Now it so happened that Zau al-Makan and his friend the Fireman had come forth from the hut in which they were, to see the spectacle, and they beheld camels and Bukhti dromedaries and bât-mules and torches and lanterns alight; and Zau al-Makan enquired about the loads and their owner and was told that it was the tribute of Damascus going to King Omar bin al-Nu'uman, Lord of the City of Baghdad. He then asked, &amp;quot;Who be the leader of the caravan?&amp;quot; and they answered, &amp;quot;The Head Chamberlain who hath married the damsel so famous for learning and science.&amp;quot; Thereupon Zau al-Makan wept with bitter weeping and was minded of his mother and his father and his sister and his native land, and he said to the Stoker, &amp;quot;I will join this caravan and, little by little, will journey homewards.&amp;quot; Quoth the Fireman, &amp;quot;I would not suffer thee to travel single handed from the Holy City to Damascus, then how shall I be sure of thy safety when thou farest for Baghdad? But I will go with thee and care for thee till thou effectest thine object.&amp;quot; &amp;quot;With joy and good will,&amp;quot; answered Zau al-Makan. Then the Fireman get him ready for the journey and hired an ass and threw saddle bags over it and put therein something of provaunt; and, when all was prepared, he awaited the passage of the caravan. And presently the Chamberlain came by on a dromedary and his footmen about him. Then Zau al-Ma ken mounted the ass and said to his companion, &amp;quot;Do thou mount with me.&amp;quot; But he replied, &amp;quot;Not so: I will be thy servant.&amp;quot; Quoth Zau al-Makan, &amp;quot;There is no help for it but thou ride awhile.&amp;quot; &amp;quot;'Tis well,&amp;quot; quoth the Stoker; &amp;quot;I will ride when I grow tired.&amp;quot; Then said Zau al-Makan, &amp;quot;O my brother, soon shalt thou see how I will deal with thee, when I come to my own folk.&amp;quot; So they fared on till the sun rose and,When it was the hour of the noonday sleep the Chamberlain called a halt and they alighted and reposed and watered their camels. Then he gave the signal for departure and, after five days, they came to the city of Hamáh, where they set down and made a three days' halt;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that they halted in the city of Hamah three days; they then fared forwards and ceased not travelling till they reached another city. Here also they halted three days and thence they travelled till they entered the province Diyár Bakr. Here blew on them the breezes of Baghdad, and Zau al-Makan bethought him of his father and mother and native land, and how he was returning to his sire without his sister: so he wept and sighed and complained, and his regrets grew on him, and he began improvising these couplets,&#xA;&#xA;&amp;quot;Sweetheart! How long must I await by so long suffering teed? *&#xA;            Nor cometh messenger to tell me where thou dost abide:&#xA;Ah me! in very sooth our meeting time was short enow: * Would&#xA;            Heaven shorter prove to me the present parting-tide!&#xA;Now trend my hand and open my robe and thou within shall sight *&#xA;            How wasted are the limbs of me and yet the waste I hide:&#xA;When say they 'Comfort take for loss of love' I but reply * 'By&#xA;            Allah, till the Day of Doom no comfort shall betide!' &amp;quot;&#xA;&#xA;Thereupon said to him the Fireman, &amp;quot;Leave this weeping and wailing, for we are near the Chamberlain's tent.&amp;quot; Quoth Zau al- Makan, &amp;quot;Needs must I recite somewhat of verse; haply it may quench the fire of my heart.&amp;quot; &amp;quot;Allah upon thee,&amp;quot; cried the other, &amp;quot;cease this lamentation till thou come to shine own country; then do what thou wilt, and I will be with thee wherever thou art.&amp;quot; Replied Zau al-Makan, &amp;quot;By Allah! I cannot forbear from this!&amp;quot; Then he turned his face towards Baghdad and the moon was shining brightly and shedding her light on the place, and Nuzhat al-Zaman could not sleep that night, but was restless and called to mind her brother and wept. And while she was in tears, he heard Zau al-Makan weeping and improvising the following distichs,&#xA;&#xA;'Al-Yaman's leven-gleam I see, * And sore despair&#xA;            despaireth me&#xA;For friend who erst abode wi' me * Crowning my cup with gladdest&#xA;           gree:&#xA;It minds me o' one who jilted me * To mourn my bitter liberty.&#xA;Say sooth, thou fair sheet lightning! shall * We meet once more&#xA;           in joy and glee?&#xA;O blamer! spare to me thy blame * My Lord hath sent this dule to&#xA;            dree,&#xA;Of friend who left me, fain to flee; * Of Time that breeds&#xA;            calamity:&#xA;All bliss hath fled the heart of me * Since Fortune proved mine&#xA;            enemy.&#xA;He brimmed a bowl of merest pine, * And made me drain the&#xA;            dregs, did he:&#xA;I see me, sweetheart, dead and gone * Ere I again shall gaze on&#xA;           thee.&#xA;Time! prithee bring our childhood back, * Restore our happy&#xA;            infancy,&#xA;When joy and safety 'joyed we * From shafts that now they shoot&#xA;            at me!&#xA;Who aids the hapless stranger wight, * That nights in fright and&#xA;            misery,&#xA;That wastes his days in lonely grief, * For 'Time's&#xA;             Delight' no more must be?&#xA;Doomed us despite our will to bear * The hands of base bores cark&#xA;             and care.&amp;quot;&#xA;&#xA;When he ended his verse he cried out and fell down in a fainting fit. This is how it fared with him; but as regards Nuzhat al- Zaman, when she heard that voice in the night, her heart was at rest and she rose and in her joy she called the Chief Eunuch, who said to her, &amp;quot;What is thy will?&amp;quot; Quoth she, &amp;quot;Arise and bring me him who recited verses but now.&amp;quot; Replied he, &amp;quot;Of a truth I did not hear him&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Nuzhat Al-Zaman heard her brother reciting, she called the Chief Eunuch and said to him, &amp;quot;Go, fetch me the man who is repeating this poetry!&amp;quot; Replied he, &amp;quot;Of a truth I heard him not and I wot him not and folks are all sleeping.&amp;quot; But she said, &amp;quot;Whomsoever thou seest awake, he is the reciter.&amp;quot; So he went, yet found none on wake save the Stoker; for Zau al-Makan was still insensible, and when his companion saw the Eunuch standing by his head he was afraid of him. Then said the Eunuch, &amp;quot;Art thou he who repeated poetry but now and my lady heard him?&amp;quot; The Stoker fancied that the dame was wroth with the reciter; and, being afraid, he replied, &amp;quot;By Allah, 'twas not I!&amp;quot; Rejoined the Eunuch, &amp;quot;Who then was the reciter?: point him out to me. Thou must know who it was, seeing that thou art awake.&amp;quot; The Fireman feared for Zau al- Makan and said in himself, &amp;quot;Haply the Eunuch will do him some hurt&amp;quot;; so he answered, &amp;quot;By Allah, I know not who it was.&amp;quot; Said the Eunuch, &amp;quot;By Allah, thou liest, for there is none on wake here but thou! So needs must thou know him.&amp;quot; &amp;quot;By Allah,&amp;quot; replied the Fireman, &amp;quot;I tell thee the truth!: some passer by, some wayfarer must have recited the verses and disturbed me and kept me awake; Allah requite him!&amp;quot; Quoth the Eunuch, &amp;quot;If thou happen upon him, point him out to me and I will lay hands on him and bring him to the door of our lady's litter or do thou take him with thine own hand.&amp;quot; Said the Fireman, &amp;quot;Go thou back and I will bring him to thee.&amp;quot; So the Eunuch left him and went his ways; and, going in to his mistress, told her all this and said to her, &amp;quot;None knoweth who it was; it must have been some passer by, some wayfarer.&amp;quot; And she was silent. Meanwhile, Zau al-Makan came to himself and saw that the moon had reached the middle Heavens; the breath of the dawn breeze breathed upon him and his heart was moved to longing and sadness; so he cleared his throat and was about to recite verses, when the Fire man asked him, &amp;quot;What wilt thou do?&amp;quot; Answered Zau al-Makan, &amp;quot;I have a mind to repeat somewhat of poetry, that I may quench therewith the fire of my heart.&amp;quot; Quoth the other, &amp;quot;Thou knowest not what befel me whilst thou wast a faint, and how I escaped death only by beguiling the Eunuch.&amp;quot; &amp;quot;Tell me what happened,&amp;quot; quoth Zau al-Makan. Replied the Stoker, &amp;quot;Whilst thou wast aswoon there came up to me but now an Eunuch, with a long staff of almond tree wood in his hand, who took to looking in all the people's faces, as they lay asleep, and asked me who it was recited the verses, finding none awake but myself. I told him in reply it was some passerby, some wayfarer; so he went away and Allah delivered me from him; else had he killed me. But first he said to me, 'If thou hear him again, bring him to us.'&amp;quot; When Zau al-Makan heard this he wept and said, &amp;quot;Who is it would forbid me to recite? I will surely recite, befal me what may; for I am near mine own land and care for none.&amp;quot; Rejoined the Fireman, &amp;quot;Thy design is naught save to lose thy life;&amp;quot; and Zau al-Makan retorted, &amp;quot;Needs must I recite verses.&amp;quot; &amp;quot;Verily,&amp;quot; said the Stoker, &amp;quot;needs must there be a parting between me and thee in this place, albeit;I had intended not to leave thee, till I had brought thee to thy native city and reunited thee with thy mother and father. Thou hast now tarried with me a year and a half and I have never harmed thee in aught. What ails thee, then, that thou must needs recite verses, seeing that we are tired out with walking and watching and all the folk are asleep, for they require sleep to rest them of their fatigue?&amp;quot; But Zau al-Makan answered, &amp;quot;I will not be turned away from my purpose.&amp;quot; Then grief moved him and he threw off concealment and began repeating these couplets,&#xA;&#xA;&amp;quot;Stand thou by the homes and hail the lords of the ruined stead;&#xA;          * Cry thou for an answer, belike reply to thee shall be&#xA;           sped:&#xA;If the night and absence irk thy spirit kindle a torch * Wi'&#xA;           repine; and illuminate the gloom with a gleaming greed:&#xA;If the snake of the sand dunes hiss, I shall marvel not at all!&#xA;           * Let him bite so I bite those beauteous lips of the&#xA;           luscious red:&#xA;O Eden, my soul hath fled in despite of the maid I love: * Had I&#xA;           lost hope of Heaven my heart in despair were dead.&amp;quot;&#xA;And he also improvised the two following distichs,&#xA;&#xA;&amp;quot;We were and were the days enthralled to all our wills, *&#xA;           Dwelling in union sweet and homed in fairest site:&#xA;Who shall restore the home of the beloved, where showed * Light&#xA;            of the Place for aye conjoined with Time's&#xA;            Delight?''&#xA;&#xA;And as he ceased his verses, he shrieked three shrieks and fell senseless to the ground and the Fireman rose and covered him. When Nuzhat al-Zaman heard the first improvisation, she called to mind her father and her mother and her brother and their whilome home; then she wept and cried at the Eunuch and said to him, &amp;quot;Woe to thee! He who recited the first time hath recited a second time and I heard him hard by. By Allah, an thou fetch him not to me, I will assuredly rouse the Chamberlain on thee, and he shall beat thee and cast thee out. But take these hundred diners and give them to the singer and bring him to me gently, and do him no hurt. If he refuse, hand to him this purse of a thousand diners, then leave him and return to me and tell me, after thou hast informed thyself of his place and his calling and what countryman he is. Return quickly and linger not.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Nuzhat al- Zaman sent the Eunuch to make enquiries concerning the singer and said, &amp;quot;Beware how thou come back to me and report, I could not find him.&amp;quot; So the Eunuch went out and laid about the people and trod in their tents, but found none awake, all being asleep for weariness, till he came to the Stoker and saw him sitting up, with his head uncovered. So he drew near and seizing him by the hand, said to him, &amp;quot;It was thou didst recite the verses!&amp;quot; The Fireman was afeard for his life and replied, &amp;quot;No, by Allah, O chief of the people, it was not I!&amp;quot; But the Eunuch said, &amp;quot;I will not leave thee till thou show me who it was that recited the verses, for I dread returning to my lady without him.&amp;quot; Now when the Fireman heard these words he feared for Zau al-Makan and wept with exceeding weeping and said to the Eunuch, &amp;quot;By Allah, it was not I, and I know him not. I only heard some passer by, some wayfarer, recite verses: so do not thou commit sin on me, for I am a stranger and come from the Holy City of Jerusalem; and Abraham, the friend of Allah, be with you all.&amp;quot; &amp;quot;Rise up and fare with me,&amp;quot; rejoined the Eunuch, &amp;quot;and tell my lady this with thine own mouth, for I have seen none awake save thyself.&amp;quot; Quoth the Stoker, &amp;quot;Hast thou not come and seen me sitting in the place where I now am, and dost thou not know my station? Thou wottest none can stir from his place, except the watchman seize him. So go thou to thy station and if thou again meet any one after this hour reciting aught of poetry, whether he be near or far, it will be I or some one I know, and thou shalt not learn of him but by me.&amp;quot; Then he kissed the Eunuch's head and spake him fair till he went away; but the Castrato fetched a round and, returning secretly, came and stood behind the Fireman, fearing to go back to his mistress without tidings. As soon as he was gone, the Stoker arose and aroused Zau al-Makan and said to him, &amp;quot;Come, sit up, that I may tell thee what hath happened.&amp;quot; So Zau al-Makan sat up, and his companion told him what had passed, and he answered, &amp;quot;Let me alone; I will take no heed of this and I care for none, for I am mine own country.&amp;quot; Quoth the Stoker, &amp;quot;Why wilt thou obey thy flesh and the devil? If thou fear no one, I fear for thee and for my life, so Allah upon thee! recite nothing more of verses till thou come to thine own land. Indeed, I had not deemed thee so ill conditioned. Dost thou not know that this lady is the wife; of the Chamberlain and is minded to chastise thee for disturbing her? Belike, she is ill or restless for fatigue of the journey and the distance of the place from her home, and this is the second time she hath sent the Eunuch to look for thee.&amp;quot; However Zau al-Makan paid no heed to the Fireman's words but cried out a third time and began versifying with these couplets,&#xA;&#xA;&amp;quot;I fly the carper's injury,* Whose carping sorely vexeth me:&#xA;He chides and taunts me, wotting not * He burns me but more&#xA;            grievously.&#xA;The blamer cries 'He is consoled!' * I say, 'My own dear&#xA;            land to see:'&#xA;They ask, 'Why be that land so dear?' * I say, 'It taught me in&#xA;            love to be:'&#xA;They ask, 'What raised its dignity?' * I say, 'What made my&#xA;            ignomy:'&#xA;Whate'er the bitter cup I drain, * Far be fro' me that land to&#xA;             flee:&#xA;Nor will I bow to those who blame, * And for such love would deal&#xA;             me shame.&#xA;&#xA;Hardly had he made an end of his verses and come to a conclusion, when the Eunuch (who had heard him from his hiding place at his head) came up to him; whereupon the Fireman flea end stood afar off to see what passed between them. Then said the Eunuch to Zau al-Makan, &amp;quot;Peace be with thee, O my lord!&amp;quot; &amp;quot;And on thee be peace,&amp;quot; replied Zau al-Makan, &amp;quot;and the mercy of Allah and His blessings!&amp;quot; &amp;quot;O my lord,&amp;quot; continued the Eunuch—-And Shahrazad perceived the dawn of day and ceased to say her permitted say,&#xA;&#xA;When it was the Seventy-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Eunuch said to Zau al-Makan, &amp;quot;O my lord, I have sought thee these several times this night, for my mistress biddeth thee to her.&amp;quot; Quoth Zau al- Makan, &amp;quot;And who be this bitch that seeketh for me? Allah curse her and curse her husband with her!&amp;quot; And he began to revile the Eunuch, who could make him no answer, because his mistress had charged him to do Zau al-Makan no hurt, nor bring him save of his own especial free will; and, if he would not accompany him, to give him the thousand diners. So the Castrato began to speak him fair and say to him, &amp;quot;O my lord, take this purse and go with me. We will do thee no upright, O my son, nor wrong thee in aught; but our object is that thou bend thy gracious steps with me to my mistress, to receive her answer and return in weal and safety: and thou shalt have a handsome present as one who bringeth good news.&amp;quot; When Zau al- Makan heard this, he arose and went with the Eunuch and walked among the sleeping folk, stepping over them; whilst the Fireman followed after them from afar, and kept his eye upon him and said to himself, &amp;quot;Alas the pity of his youth! Tomorrow they will hang him.&amp;quot; And he ceased not following them till he approached their station, without any observing him. Then he stood still and said, &amp;quot;How base it will be of him, if he say it was I who bade him recite the verses!&amp;quot; This was the case of the Stoker; but as regards what befel Zau al-Makan, he ceased not walking with the Eunuch till he reached his station and the Castrato went in to Nuzhat al-Zaman and said, &amp;quot;O my lady, I have brought thee him whom thou soughtest, and he is a youth, fair of face and bearing the marks of wealth and gentle breeding.&amp;quot; When she heard this, her heart fluttered and she cried, &amp;quot;Let him recite some verses, that I may hear him near hand, and after ask him his name and his condition and his native land.&amp;quot; Then the Eunuch went out to Zau al-Makan and said to him, &amp;quot;Recite what verses thou knowest, for my lady is here hard by, listening to thee, and after I will ask thee of thy name and thy native country and thy condition.&amp;quot; Replied he, &amp;quot;With love and gladness but, an thou ask my name, it is erased and my trace is unplaced and my body a waste. I have a story, the beginning of which is not known nor can the end of it be shown, and behold, I am even as one who hath exceeded in wine drinking and who hath not spared himself; one who is afflicted with distempers and who wandereth from his right mind, being perplexed about his case and drowned in the sea of thought.&amp;quot; When Nuzhat al-Zaman heard this, she broke out into excessive weeping and sobbing, and said to the Eunuch, &amp;quot;Ask him if he have parted from one he loveth even as his mother or father.&amp;quot; The Castrato asked as she bade him, and Zau al-Makan replied, &amp;quot;Yes, I have parted from every one I loved: but the dearest of all to me was my sister, from whom Fate hath separated me.&amp;quot; When Nuzhat al- Zaman heard this, she exclaimed, &amp;quot;Allah Almighty reunite him with what he loveth!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Nuzhat al-Zaman heard his words she said, &amp;quot;Allah reunite him with what he loveth!&amp;quot; Then quoth she to the Eunuch, &amp;quot;Tell him to let me hear somewhat anent his separation from his countrymen and his country.&amp;quot; The Eunuch did so, and Zau al-Makan sighed heavily and began repeating these couplets,&#xA;&#xA;&amp;quot;Is not her love a pledge by all mankind confest? * The house&#xA;            that hometh Hinda be forever blest'&#xA;Her love all levels; man can reck of naught beside; * Naught or&#xA;           before or after can for man have zest&#xA;'Tis though the vale is paved with musk and ambergris * That day&#xA;           when Hinda's footstep on its face is prest:&#xA;Hail to the beauty of our camp, the pride of folk, * The dearling&#xA;           who en' Slaves all hearts by her behest:&#xA;Allah on 'Time's Delight' send large dropped clouds that teem *&#xA;           With genial rain but bear no thunder in their breast.&amp;quot;&#xA;And also these,&#xA;&#xA;&amp;quot;I vow to Allah if at home I sight * My sister Nuzhat al-Zamani&#xA;           highs&#xA;I'll pass the days in joyance and delight * Mid bashful minions,&#xA;             maidens soft and white:&#xA;To sound of harps in various modes they smite * Draining the&#xA;            bowl, while eyes rain lively light&#xA;'Neath half closed lids, a sipping lips red bright * By stream&#xA;            bank flowing through my garden site.&amp;quot;&#xA;&#xA;When he had finished his verse, Nuzhat al-Zaman lifted up a skirt of the litter curtain and looked at him. As soon as her eyes fell on his face, she knew him for certain and cried out, &amp;quot;O my brother! O Zau al-Makan!&amp;quot; He also looked at her and knew her and cried out, &amp;quot;O my sister! O Nuzhat al-Zaman!&amp;quot; Then she threw herself upon him and he gathered her to his bosom and the twain fell down in a fainting fit. When the Eunuch saw this case, he wondered at them and throwing over them somewhat to cover them, waited till they should recover. After a while they came to themselves, and Nuzhat al-Zaman rejoiced with exceeding joy: oppression and depression left her and gladness took the mastery of her, and she repeated these verses,&#xA;&#xA;&amp;quot;Time sware my life should fare in woeful waste; * Forsworn art&#xA;           Time, expiate thy sin in haste!&#xA;Comes weal and comes a welcome friend to aid; * To him who brings&#xA;           good news, rise, gird thy waist&#xA;I spurned old world tales of Eden bliss; * Till came I&#xA;            Kausar on those lips&#xA;&#xA;When Zau al-Makan heard this, he pressed his sister to his breast; tears streamed from his eyes for excess of joy and he repeated these couplets,&#xA;&#xA;&amp;quot;Long I lamented that we fell apart, * While tears repentant&#xA;            railed from these eyne;&#xA;And sware, if Time unite us twain once more, * 'Severance' shall&#xA;            never sound from tongue of mine:&#xA;Joy hath so overwhelmed me that excess * Of pleasure from mine&#xA;            eyes draws gouts of brine:&#xA;Tears, O mine eyes, have now become your wont * Ye weep for&#xA;            pleasure and you weep for pine!&amp;quot;&#xA;&#xA;They sat awhile at the litter door till she said to him, &amp;quot;Come with me into the litter and tell me all that hath befallen thee, and I will tell thee what happened to me.&amp;quot; So they entered and Zau al-Maken said, &amp;quot;Do thou begin thy tale.&amp;quot; Accordingly she told him all that had come to her since their separation at the Khan and what had happened to her with the Badawi; how the merchant had bought her of him and had taken her to her brother Sharrkan and had sold her to him; how he had freed her at the time of buying; how he had made a marriage contract with her and had gone in to her and how the King, their sire, had sent and asked for her from Sharrkan. Then quoth she, &amp;quot;Praised be Allah who hath vouchsafed thee to me and ordained that, even as we left our father together, so together shall we return to him!&amp;quot; And she added, &amp;quot;Of a truth my brother Sharrkan gave me in marriage to this Chamberlain that he might carry me to my father. And this is what befel me from first to last; so now tell me how it hath fared with thee since I left thee.&amp;quot; Thereupon he told her all that had happened to him from beginning to end; and how Allah vouchsafed to send the Fireman to him, and how he had journeyed with him and spent his money on him and had served him night and day. She praised the Stoker for this and Zau al-Makan added, &amp;quot;Of a truth, O my sister, this Fireman hath dealt with me in such benevolent wise as would not lover with lass nor sire with son, for that he fasted and gave me to eat, and he walked whilst he made me ride; and I owe my life to him.&amp;quot; Said she, &amp;quot;Allah willing, we will requite him for all this, according to our power.&amp;quot; Then she called the Eunuch, who came and kissed Zau al- Makan's hand, and she said, &amp;quot;Take thy reward for glad tidings, O face of good omen! It was thy hand reunited me with my brother; so the purse I gave thee and all in it are thine. But now go to thy master and bring him quickly to me.&amp;quot; The Castrato rejoiced and, going in to the Chamberlain, him to his mistress. Accordingly, he came in to his wife and finding Zau al-Makan with her, asked who he was. So she told him all that had befallen them both, first and last, and added, &amp;quot;Know, O Chamberlain, that thou hast married no slave girl; far from it, thou hast taken to wife the daughter of King Omar bin al-Nu'uman for I am Nuzhat al- Zaman, and this is my brother, Zau al-Makan.&amp;quot; When the Chamberlain heard the story he knew it to be sooth, and its manifest truth appeared to him and he was certified that he was become King Omar bin al-Nu'uman's son in law, so he said to himself, &amp;quot; 'Twill be my fate to be made viceroy of some province.&amp;quot; Then he went up to Zau al-Makan and gave him joy of his safety and reunion with his sister, and bade his servants forthwith make him ready a tent and one of the best of his own horses to ride. Thereupon said Nuzhat al-Zaman, &amp;quot;We are now near our country and I would be left alone with my brother, that we may enjoy each other's company and take our fill of it ere we reach Baghdad; for we have been parted a long, long time.&amp;quot; &amp;quot;Be it as thou biddest,&amp;quot; replied the Chamberlain, and, going forth from them, sent them wax candles and various kinds of sweetmeats, together with three suits of the costliest for Zau al-Makan. Then he returned to the litter and related the good he had done and Nuzhat al-Zaman said to him, &amp;quot;Bid the Eunuch bring me the Fireman and give him a horse to ride and ration him with a tray of food morning and evening, and let him be forbidden to leave us.&amp;quot; The Chamberlain called the Castrato and charged him to do accordingly; so he replied, &amp;quot;I hear and I obey;&amp;quot; and he took his pages with him and went out in search of the Stoker till he found him in the rear of the caravan, girthing his ass and preparing for flight. The tears were running adown his cheeks, out of fear for his life and grief for his separation from Zau al-Makan; and he was saying to himself, &amp;quot;Indeed, I warned him for the love of Allah, but he would not listen to me; Oh would I knew what is become of him!&amp;quot; Ere he had done speaking the Eunuch was standing by his head whilst the pages surrounded him The Fireman turned and seeing the Eunuch and the pages gathered around him became yellow with fear,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Stoker girthed his ass for flight and bespake himself, saying, &amp;quot;Oh would I knew what is become of him!&amp;quot;; ere he had done speaking the Castrato was standing by his head and his side muscles quivered for fear and he lifted up his voice and cried, &amp;quot;Verily he knoweth not the value of the good offices I have done him! I believe he hath denounced me to the Eunuch (hence these pages et about me) and he hath made me an accomplice in his crime.&amp;quot; Then the effeminated one cried at him, saying, &amp;quot;Who was it recited the verses? O liar! why didst thou say, 'I never repeated these couplets, nor do I know who repeated them;' when it was thy companion? But now I will not leave thee between this place and Baghdad, and what betideth thy comrade shall betide thee.&amp;quot; Quoth the Fireman, &amp;quot;What I feared hath befallen me.&amp;quot; And he repeated this couplet,&#xA;&#xA;&amp;quot;'Twas as I feared the coming ills discerning: * But unto Allah we are all returning.&amp;quot;&#xA;&#xA;Then the Eunuch cried upon the pages, saying, &amp;quot;Take him off the ass.&amp;quot; So they carried him along with the caravan, surrounded by the pages, as the white contains the black of the eye; and the Castrato said to them, &amp;quot;If a hair of him be lost, you will be lost with it.&amp;quot; And he bade them privily treat him with honour and not humiliate him. But when the Stoker saw himself beset by the pages, he despaired of his life and turning to the Eunuch, said to him, &amp;quot;O Chief, I am neither this youth's brother nor am I akin to him, nor is he sib to me; but I was a Fireman in a Hammam and found him cast out, in his sickness, on the dung heap.&amp;quot; Then the caravan fared on and the Stoker wept and imagined in himself a thousand things, whilst the Eunuch walked by his side and told him nothing, but said to him, &amp;quot;Thou disturbedst our mistress by reciting verses, thou and this youth: but fear nothing for thy self;&amp;quot; and kept laughing at him the while to himself. Whenever the caravan halted, they served him with food, and he and the Castrato ate from one dish. Then the Eunuch bade his lads bring a gugglet of sugared sherbet and, after drinking himself, gave it to the Fireman, who drank; but all the while his tears never dried, out of fear for his life and grief for his separation from Zau al-Makan and for what had befallen them in their strangerhood. So they both travelled on with the caravan, whilst the Chamberlain now rode by the door of his wife's litter, in attendance on Zau al-Makan and his sister, and now gave an eye to the Fireman; and Nuzhat al-Zaman and her brother occupied themselves with converse and mutual condolence; and they ceased not after this fashion till they came within three days' journey from Baghdad. Here they alighted at eventide and rested till the morning morrowed; and as they awoke and they were about to load the beasts, behold, there appeared afar off a great cloud of dust that darkened the firmament till it became black as gloomiest night. Thereupon the Chamberlain cried out to them, &amp;quot;Stay, and your loading delay!&amp;quot;; then, mounting with his Mamelukes, rode forward in the direction of the dust cloud. When they drew near, suddenly appeared under it a numerous conquering host like the full tide sea, with flags and standards, drums and kettledrums, horsemen and footmen. The Chamberlain marvelled at this; and when the troops saw him, there detached itself from amongst them a plump of five hundred cavaliers, who fell upon him and his suite and surrounded them, five for one; whereupon said he to them, &amp;quot;What is the matter and what are these troops, that ye do this with us?&amp;quot; Asked they, &amp;quot;Who art thou; and whence comest thou, and whither art thou bound?&amp;quot; and he answered, &amp;quot;I am the Chamberlain of the Emir of Damascus, King Sharrkan, son of Omar bin al-Nu'uman, Lord of Baghdad and of the land of Khorasan, and I bring tribute and presents from him to his father in Baghdad.&amp;quot; When the horsemen heard his words they let their head kerchiefs fall over their faces and wept, saying, &amp;quot;In very sooth King Omar is dead and he died not but of poison. So fare ye forwards; no harm shall befal you till you join his Grand Wazir, Dandan.&amp;quot; Now when the Chamberlain heard this, he wept sore and exclaimed, &amp;quot;Oh for our disappointment in this our journey!&amp;quot; Then he and all his suite wept till they had come up with the host and sought access to the Wazir Dandan, who granted an interview and called a halt and, causing his pavilion to be pitched, sat down on a couch therein and commanded to admit the Chamberlain. Then he bade him be seated and questioned him; and he replied that he was Chamberlain to the Emir of Damascus and was bound to King Omar with presents and the tribute of Syria. The Wazir, hearing the mention of King Omar's name, wept and said, &amp;quot;King Omar is dead by poison, and upon his dying the folk fell out amongst themselves as to who should succeed him, until they were like to slay one another on this account; but the notables and grandees and the four Kazis interposed and all the people agreed to refer the matter to the decision of the four judges and that none should gainsay them. So it was agreed that we go to Damascus and fetch thence the King's son, Sharrkan, and make him Sultan over his father's realm. And amongst them were some who would have chosen the cadet, Zau Al-Makan, for, quoth they, his name be Light of the Place, and he hath a sister Nuzhat al-Zaman highs, the Delight of the Time; but they set out five years ago for Al-Hijaz and none wotteth what is become of them.&amp;quot; When the Chamberlain heard this, he knew; that his wife had told him the truth of her adventures; and he grieved with sore grief for the death of King Omar, albeit he joyed with exceeding joy, especially at the arrival of Zau al-Makan, for that he would now become Sultan of Baghdad in his father's stead—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan's Chamberlain heard of the death of King Omar bin al- Nu'uman he mourned, but he rejoiced because of his wife and her brother Zau al-Makan who would become Sultan of Baghdad in his father's stead. So he turned to the Wazir Dandan and said to him, &amp;quot;Verily your tale is a wonder of wonders! Know, O Chief Wazir, that here, where you have encountered me, Allah hath given you rest from fatigue and bringeth you your desire after the easiest of fashions, for that His Almighty Will restoreth to you Zau al-Makan and his sister Nuzhat al-Zaman; whereby we will settle the matter as we easily can.&amp;quot; When the Minister heard these words he rejoiced with great joy and said, &amp;quot;O Chamberlain, tell me the tale of the twain and what befel them and the cause of their long absence.&amp;quot; So he repeated to him the whole story and told him that Nuzhat al-Zaman was his wife and related to him the adventures of Zau al-Makan from first to last. As soon as he had ended his tale, the Wazir sent for the Emirs and Wazirs and Chief Officers and acquainted them with the matter; whereat they rejoiced with great joy and wondered at the happy chance. Then they gathered in a body and went in to the Chamberlain and did their service to him, kissing the ground between his hands; and the Wazir Dandan also rose and went out to meet him and stood before him in honour. After this, the Chamberlain held on that day a Divan council; and he and the Wazir sat upon a throne, whilst all the Emirs and Grandees and Officers of State took their places before them, according to their several ranks. Then they melted sugar in rose water and drank, after which the Emirs sat down to hold council and permitted the rest of the host to mount and ride forward leisurely, till they should make an end of their debate and overtake them. So the officers kissed the ground between their hands and mounting, rode onwards, preceded by the standards of war. When the grandees had finished their conference, they took horse and rejoined the host; and the Chamberlain approached the Wazir Dandan and said, &amp;quot;I deem it well to ride on before you, and precede you, that I may get ready a place for the Sultan and notify him of your coming and of your choosing him as Sultan over the head of his brother Sharrkan.&amp;quot; &amp;quot;Aright thou reckest,&amp;quot; answered the Wazir Then the Chamberlain rose up in haste and Dandan also stood up to do him honour and brought him presents, which he conjured him to accept. In similar guise did all the Emirs and Grandees and Officers of State, bringing him gifts and calling down blessings on him and saying to him, &amp;quot;Haply thou wilt mention our case to Sultan Zau al-Makan and speak to him to continue us in our dignities.&amp;quot; The Chamberlain promised all they required and bade his pages be ready to march, whereupon the Wazir Dandan sent with him tents and bade the tent pitchers set them up at a day's journey from the city. And they did his bidding. Then the Chamberlain mounted and rode forward, full of joy and saying to himself, &amp;quot;How blessed is this gurney!&amp;quot;, and indeed his wife was exalted in his eyes, she and her brother Zau al-Makan. They made all haste over their wayfare, till they reached a place distant a day's journey from Baghdad, where the Chamberlain called a halt for rest, and bade his men alight and make ready a sitting place for the Sultan Zau al-Makan, son of King Omar bin al-Nu'uman, while he rode forward with his Mamelukes and, alighting at a distance from Nuzhat al-Zaman's litter, commanded the eunuchs to ask leave of admission to the presence. They did so and she gave permission; whereupon he went in to her and conversed with her and her brother; and told them of the death of their father; and of Zau al-Makan, how the heads of the people had made him King over them in the stead of his sire; and he gave them joy of the kingdom. They both wept for their father and asked the manner of his being killed; but the Chamberlain answered, &amp;quot;The news rests with the Wazir Dandan who will be here tomorrow leading all the host; and it only remaineth for thee, O King, to do what they counsel, since they have unanimously chosen thee Sultan; for if thou do not this, they will choose some one else and thou canst not be sure of thy life with another Sultan. Haply he will kill thee, or discord may befal between you twain and the kingdom pass out of the hands of both.&amp;quot; Zau al-Makan bowed his head awhile and then said, &amp;quot;I accept this position;&amp;quot; for indeed there was no refusing; and he was certified that the Chamberlain had counselled him well and wisely and set him on the right way. Then he added, &amp;quot;O my uncle, how shall I do with my brother Sharrkan?&amp;quot; &amp;quot;O my son,&amp;quot; replied the Chamberlain, &amp;quot;thy brother will be Sultan of Damascus and thou Sultan of Baghdad; so take heart of grace and get ready thy case.&amp;quot; Zau al-Makan accepted this and the Chamberlain presented him with a suit of royal raiment and a dagger of state, which the Wazir Dandan had brought with him; then leaving him he bade the tent pitchers choose a spot of rising ground and set up thereon a spacious pavilion, wherein the Sultan might sit to receive the Emirs and Grandees. Moreover he ordered the kitcheners to cook rich viands and serve them and he commanded the water carriers to dispose the water troughs. They did as he bade them and presently arose a cloud of dust from the ground and spread till it walled the horizon round. After awhile, the dust dispersed and there appeared under it the army of Baghdad and Khorasan, a conquering host like the full tide sea.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Seventy-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Chamberlain bade the tent pitchers set up a pavilion spacious enough to receive the subjects flocking to their Sultan, they planted a splendid Sháhmiyánah befitting Kings. And as they ended their labours behold, a dust cloud spired aloft and the breeze made it lift and beneath it showed a conquering host; and presently it appeared that this was the army of Baghdad and Khorasan preceded by the Wazir Dandan. And in it all rejoiced at the accession of the &amp;quot;Light of the Place.&amp;quot; Now Zau al-Makan had donned robes of royal estate and girt himself with the sword of state: so the Chamberlain brought him a steed and he mounted surrounded by the Mamelukes and all the company from the tents on foot, to do him service, and he rode on until he came to the great pavilion, where he sat down and he laid the royal dagger across his thighs, whilst the Chamberlain stood in attendance on him and his armed slaves stationed themselves under the entrance awning of the Shahmiyanah, with drawn swords in their hands. Presently, up came the troops and the host and craved admission so the Chamberlain went in to Zau al-Makan and asked his leave whereupon he bade admit them, ten by ten. The Chamberlain acquainted them with the King's commands, to which they replied, &amp;quot;We hear and we obey;&amp;quot; and all drew up before the pavilion entrance. Then he took ten of them and carried them through the vestibule into the presence of Sultan Zau al-Makan, whom when they saw, they were awed; but he received them with most gracious kindness and promised them all good. So they gave him joy of his safe return and invoked Allah's blessings upon him after which they took the oath of fealty never to gainsay him in aught and they kissed ground before him and withdrew. Then other ten entered and he entreated them as he had entreated the ethers; and they ceased not to enter, ten by ten, till none was left but the Wazir Dandan. Lastly the Minister went in and kissed the ground before Zau al-Makan, who rose to meet him, saying, &amp;quot;Welcome, O Wazir and sire sans peer! Verily, thine acts are those of a counsellor right dear, and judgement and foreseeing clear are in the hands of the Subtle of Lere.&amp;quot; Then bade he the Chamberlain forthwith go out and cause the tables to be spread and order all the troops thereto. So they came and ate and drank. Moreover the Sultan commanded his Wazir Dandan call a ten days' halt of the army, that he might be private with him and learn from him how and wherefore his father had been slain. The Wazir obeyed the commands of the Sultan with submission and wished him eternity of glory and said, &amp;quot;This needs must be!&amp;quot; He then repaired to the heart of the encampment and ordered the host to halt ten days. They did as he bade them and, moreover, he gave them leave to divert themselves and ordered that none of the lords in waiting should attend upon the King for service during the space of three days. Then the Wazir went to the Sultan and reported all to him, and Zau al-Makan waited until nightfall, when he went in to his sister Nuzhat al-Zaman and asked her, &amp;quot;Dost thou know the cause of my father's murder or not?&amp;quot; &amp;quot;I have no knowledge of the cause,&amp;quot; she answered, and drew a silken curtain before herself, whilst Zau al-Makan seated himself without the curtain and commanded the Wazir to the presence and, when he came, said to him, &amp;quot;I desire thou relate to me in detail the cause of the killing of my sire, King Omar bin al-Nu'uman!&amp;quot; &amp;quot;Know then, O King,&amp;quot; replied Dandan, &amp;quot;that King Omar bin al- Nu'uman, when he returned to Baghdad from his chasing and hunting and entered the city, enquired for thee and thy sister, but could not find you and knew that you twain had gone on the Pilgrimage; whereat he was greatly grieved and much angered, and his breast was straitened and he abode thus half a year, seeking news of you from all who came and went but none could give him any tidings. Now while we were in attendance upon him one day, after a whole year had sped since ye were lost to his sight, lo! there came to us an ancient dame with signs of being a devotee, accompanied by five damsels, high bosomed virgins like moons, endowed with such beauty and loveliness as tongue faileth to describe; and, to crown their perfections of comeliness, they could read the Koran and were versed in various kinds of learning and in the histories of bygone peoples. Then that old woman sought audience of the King, and he bade admit her; whereupon she entered the presence and kissed the ground between his hands. I was then sitting by his side and he, seeing in her the signs of asceticism and devoutness, made her draw near and take seat hard by him. And when she had sat down she addressed him and said, 'Know, O King, that with me are five damsels, whose like no King among the Kings possesseth; for they are endowed with wit and beauty and loveliness and perfection. They read the Koran—and the Traditions and are skilled in all manner of learning and in the history of bygone races. They stand here between thy hands to do thee service, O King of the Age, and it is by trial that folk are prized or despised. 'Thy father, who hath found mercy; looked at the damsels and their favour pleased him; so he said to them, Let each and every of you make me hear something of what she knoweth anent the history of the folk of yore and of peoples long gone before!'—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Seventy-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan said unto King Zau al-Makan, &amp;quot;Thy father, who hath found mercy, glanced at the damsels and their favour pleased him and he said to them, 'Let each and every of you make me hear something of what she knoweth anent the history of the folk of yore and of peoples long gone before!' Thereupon one of them came forward and, kissing the ground before him, spake as follows 'Know, O King, that it behoveth one of good breeding to eschew impertinence and adorn himself with excellencies, and observe the Divine injunctions and avoid mortal sins; and to this he should apply himself with the assiduity of one who, if he stray therefrom, falleth into perdition; for the foundation of good breeding is virtuous behaviour. And know that the chief cause and reason of man's existence is the endeavour after life everlasting, and the right way thereto is the service of Allah. Wherefore it behoveth thee to deal beneficently with the people: and swerve not from this canon, for the mightier men are in dignity, the more their need of prudence and foresight; and indeed Monarchs need this more than the many, for the general cast themselves into affairs, without taking thought to the issue thereof. Be thou prodigal of thy life and thy good in the way of Allah, and know that, if an enemy dispute with thee, thou mayst dispute with him and refute him with proofs and be proof against him; but as for thy friend, there is none can judge between thee and him save righteousness and fair dealing. Choose, therefore, thy friend for thyself, after thou hast proved him. If he be of the brotherhood of futurity, let him be zealous in observing the externals of the Holy Law and versed in its inner meaning, as far as may be; and if he be of the brotherhood of the world, let him be free born, sincere, neither a fool nor a perverse, for the fool man is such that even his parents might well flee from him, and a liar cannot be a true friend. Indeed the word, Siddík ('friend') deriveth from Sidk ('truth') that welleth up from the bottom of the heart; and how can this be the case, when falsehood is manifest upon the tongue? And know, that the observance of the Law profiteth him who practiseth it: so love thy brother, if he be of this quality and do not cast him off, even if thou see in him that which irketh thee, for a friend is not I like a wife, whom one can divorce and re-marry: nay, his heart is like glass: once broken, it may not be mended. And Allah bless him who saith,&#xA;&#xA;'Ware how thou hurtest man with hurt of heart; * 'Tis hard to win&#xA;             thee back the heart offended:&#xA;For hearts indeed, whence love is alien made, * Like broken glass&#xA;             may nevermore be mended.'&#xA;&#xA;The maiden continued and concluded with pointing out to us what sages say, 'The best of brethren is he who is the most constant in good counsel; the best of action is that which is fairest in its consequence, and the best of praise is not that which is in the mouths of men. It is also said, 'It behoveth not the servant to neglect thanking Allah especially for two favours, health and reason.' Again it is said, 'Whoso honoureth himself, his lust is a light matter to him, and he who maketh much of his small troubles, Allah afflicteth him with the greater; he who obeyeth his own inclination neglecteth his duties and he who listeneth to the slanderer loseth the true friend. He who thinketh well of thee, do thou fulfill his thought of thee. He who exceedeth in contention sinneth, and he who against upright standeth not on ward, is not safe from the sword. Now will I tell thee somewhat of the duties of Kazis and judges. Know, O King, that no judgement serveth the cause of justice save it be given after proof positive, and it behoveth the judge to treat all people on the same level, to the intent that the great may not hunger for oppression nor the small despair of justice. Furthermore he should extract proof from the complainant and impose an oath upon the defendant; and mediation is admissible between Moslems, except it be a compromise sanctioning the unlawful or forbidding the lawful. If thou shalt have done aught during the day, of which thy reason is doubtful but thy good intention is proved, thou (O Kazi) shouldst revert to the right, for to do justice is a religious obligation and to return to that which is right is better than persistence in wrong. Then (O judge) thou shouldest study precedents and the law of the case and do equal justice between the suitors, withal fixing thine eyes upon the truth and committing thine affair to Allah (be He extolled and exalted!). And require thou proof of the complainant, and if he adduce evidence let him have due benefit of it; and if not, put the defendant to his oath; for this is the ordinance of Allah. Receive thou the testimony of competent Moslem witnesses, one against other, for Almighty Allah hath commanded judges to judge by externals, He Himself taking charge of the inner and secret things. It behoveth the judge also to avoid giving judge meet, whilst suffering from stress of pain or hunger, and that in his decisions between folk he seek the face of Allah Almighty for he whose intent is pure and who is at peace with himself, Allah shall guarantee him against what is between him and the people.' Quoth al-Zuhri, 'There are three things for which, if they be found in a Kazi, he should be deposed; namely, if he honour the base, if he love praise and if he fear dismissal. And Omar bin Abd al-Aziz once deposed a Kazi, who asked him, 'Why hast thou dismissed me? It hath reached me,' answered Omar, 'that thy converse is greater than thy condition.' It is said also that Iskandar said to his Kazi, 'I have invested thee with this function and committed to thee in it my soul and mine honour and my manliness; so do thou guard it with thy sense and thine understanding.' To his Cook he said, 'Thou art the Sultan of my body; so look thou tender it as thine own self.' To his Secretary he said, 'Thou art the controller of my wit: so do thou watch over me in what thou writest for me and from me.'&amp;quot; Thereupon the first damsel backed out from the presence and a second damsel came forward.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eightieth Night,&#xA;&#xA;She continued, It hath reached me, O auspicious King, that the Wazir Dandan said to Zau al-Makan, &amp;quot;Thereupon the first damsel backed out from the presence and a second damsel came forward and, kissing the ground seven times before the King thy father, spake as follows, 'The sage Lukmán said to his son, 'There be three who are known only in three several cases; the merciful man is unknown save in time of wrath, the brave only in battle, and thy friend in time of need.' It is said that the oppressor shall be depress though by people praised, and that the oppress is at rest though by people blamed. Quoth Allah Almighty, 'Assuredly deem not that those who rejoice in what they have done, and who love to be praised for what they have not done, shall escape reckoning of punishment: indeed there is reserved for them a grievous penalty.' And he said (on whom be salvation and salutation!), 'Works are according to intention and to each man is attributed that which he intendeth.' He said also, 'In the body is a part which being sound the rest is sound, and which being unsound the whole is unsound.' And this is the heart. Now this heart is the most marvellous of what is in man, since it is that which ordereth his whole affair: If covetise stir in it, desire destroyeth him, and if affliction master it, anguish slayeth him; if anger rage in it, danger is hard upon him; if it be blest with contentment, he is safe from discontent; if fear surprise it, he is full of mourning; and if calamity overtake it, affliction betideth him. If a man gain the use of wealth, peradventure he is diverted thereby from the remembrance of his Lord; if poverty choke him his heart is distracted by woe, or if disquietude waste his heart, weakness causeth him to fall. Thus, in any case, nothing profiteth him but that he be mindful of Allah and occupy himself with gaining his livelihood in this world and securing his place in the next. It was asked of a certain sage, 'Who is the most ill conditioned of men?'; and he answered, 'The man whose lusts master his manhood and whose mind soareth over high, so that his knowledge dispreadeth and his excuse diminisheth; and how excellently saith the poet,&#xA;&#xA;Freest am I of all mankind fro' meddling wight * Who, seeing&#xA;            others err, self error ne'er can sight:&#xA;Riches and talents are but loans to creature lent, * Each wears&#xA;            the cloak of that he bears in breast and sprite:&#xA;If by mistaken door attempt on aught thou make, * Thou shalt go&#xA;            wrong and if the door be right, go right!'&#xA;&#xA;Continued the maiden, 'As for anecdotes of devotees, quoth Hisham bin Bashar, 'I asked Omar bin Ubayd, What is true piety?'; and he answered, 'The Apostle of Allah (to whom be salutation and salvation!) hath explained it when he sayeth, The pious is he who forgetteth not the grave nor calamity and who preferreth that which endureth to that which passeth away; who counteth not the morrow as of his days but reckoneth himself among the dead.' And it is related that Abu Zarr used to say, Want is dearer to me than wealth, and unheal is dearer to me than health.' Quoth one of the listeners, 'May Allah have mercy on Abu Zarr!'. For my part, I say, 'Whoso putteth his trust in the goodness of the election of Almighty Allah should be content with that condition which Allah hath chosen for him.' Quoth one of the Companions of the Prophet, 'Ibn Abi Aufa once prayed with us the dawn prayer. When he had done, he recited, 'O Thou Enwrapped!' till he came to where Allah saith, 'When there shall be a trumping on the trumpet,' and fell down dead. It is said that Sabit al-Banani wept till he well nigh lost his eyes. They brought him a man to medicine him who said to him, 'I will cure thee, provided thou obey my bidding' Asked Sabit, 'In what matter?' Quoth the leach, 'In that thou leave weeping!' 'What is the worth of mine eyes?', rejoined Sabit, 'if they do not weep?' Quoth a man to Mohammed bin Abdillah, 'Exhort thou me!'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-first Night,&#xA;&#xA;She continued, It hath reached me, O auspicious King, that the Wazir Dandan said to Zau al-Makan, &amp;quot;Thus spake the second hand maid to the King who hath found mercy, Omar bin al-Nu'uman. 'Quoth a man to Mohammed bin Abdillah, Exhort thou me!' 'I exhort thee,' replied he, 'to be a self ruler, an abstainer in this world, and in the next a greedy slave.' 'How so?' asked the other and Mohammed answered, 'The abstinent man in this world conquereth both the world that is and the world to come.' And quoth Ghaus bin Abdillah, 'There were two brothers among the sons of Israel, one of whom said to the other, 'What be the most perilous thing thou hast done?' Replied the brother, 'I once came upon a nest of young birds; so I took out one and threw it back into the nest; but among the chickens were some which drew apart from it. This is the most perilous thing I ever did; now what be the most perilous thing thou hast ever done?' He rejoined, 'When I arise for prayer I am fearful that it is only for the sake of the reward.' Now their father heard these words and exclaimed, 'O Allah, an say they sooth take them to Thyself!' It was declared by one of the wise men, 'Verily, these were of the most virtuous of children.' Quoth Sa'íd bin Jubayr, 'I was once in company with Fuzalah bin 'Ubaydand said to him, 'Exhort thou me!, Replied he, 'Bear in mind these two necessaries, Shun syntheism and harm not any of Allah's creatures.' And he repeated these two couplets,&#xA;&#xA;'Be as thou wilt, for Allah still is bounteous Lord, * And care&#xA;            dispeller dread not therefore bane and ban&#xA;To two things only never draw thee nigh, nor give * Partner to&#xA;            Allah trouble to thy brother man.'&#xA;And how well saith the poet,&#xA;&#xA;'An thou of pious works a store neglect * And after death meet&#xA;             one who did collect,&#xA;Thou shalt repent thou diddest not as he, * Nor madest ready as&#xA;             he did elect.'&#xA;&#xA;Then the third damsel came forward, after the second had with drawn, and said, 'Of a truth, the chapter of piety is exceeding wide; but I will mention what occurreth to me thereof, concerning the pious of old. Quoth a certain holy man, 'I congratulate myself in death, though I am not assured of rest therein, save that I know death interveneth between a man and his works; so I hope for the doubling of good works and the docking off of ill works.' And Ita'a al Salami, when he had made an end of an exhortation, was wont to tremble and grieve and weep sore; and as they asked him why he did this he answered, 'I desire to enter upon a grave matter, and it is the standing up before Almighty Allah to do in accordance with my exhortation.' In similar guise Zayn al-Abidín, son of Al-Husayn, was wont to tremble when he rose to pray. Being asked the cause of this, he replied, 'Know ye not before whom I stand and whom I address?' It is said that there lived near Sufyán al-Thauri a blind man who, when the month of Ramazan came, went out with the folk to pray, but remained silent and hung back. Said Sufyan, 'On the Day of Resurrection he shall come with the people of the Koran and they will be distinguished by increase of honour from their fellows.' Quoth Sufyan, 'Were the soul established in the heart as befitteth, it would fly away for joy and pining for Paradise, and for grief and fear of hell-fire.' It is related also of Sufyan Al-Thauri that he said, 'To look upon the face of a tyrant is a sin.' Then the third damsel retired and came for ward the fourth, who said, 'Here am I to treat of sundry traditions of pious men which suggest themselves to me. It is related that Bishr Barefoot said, 'I once heard Khálid say, 'Beware of secret polytheism.' I asked, 'What may secret polytheism be?'; and he answered, 'When one of you in praying prolong his inclinations and prostrations till a cause of impurity come upon him.' And one of the sages said, 'Doing works of weal expiateth what is ill.' Quoth Ibrahim, 'I supplicated Bishr Barefoot to acquaint me with some theological mysteries; but he said, 'O my son, this knowledge it behoveth us not to teach to every one; of every hundred five, even as the legal alms upon money.' Said Ibrahim, 'I thought his reply excellent and approved of it and while I was praying behold, Bishr was also praying: so I stood behind him making the prayer bow till the Mu'ezzin called his call. Then rose a man of tattered appearance and said, O folk, beware of a truth which bringeth unweal, for there is no harm in a lie bringing weal, and in time of need no choice we heed: speech booteth not in the absence of good qualities even as silence hurteth not in the presence of good. Presently I saw Bishr drop a danik, so I picked it up and exchanged it for a dirham which I gave him. Quoth he, 'I will not take it.' Quoth I, 'It is perfectly lawful change'; but he rejoined 'I cannot take in exchange the riches of the present world for those of the future world.' It is related also that Bishr Barefoot's sister once went to Ahmad bin Hanbal&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to bespeak Zau al-Makan on this wise, &amp;quot;And quoth the maiden to thy father, 'Bishr Barefoot's sister once went to Ahmad bin Hanbal and said to him, 'O Imam of the Faith, we are a family that spin thread by night and work for our living by day; and oftentimes the cressets of the watch of Baghdad pass by and we on the roof spinning by their light. Is this forbidden to us?' Asked Ahmad:'Who are thou?' 'I am the sister of Bishr Barefoot,' answered she. Rejoined the Iman, 'O household of Bishr, I shall never cease to drink full draughts of piety from your hearts.' Quoth one of the sages, 'When Allah willeth well to His servant He openeth upon him the gate of action.' Málik bin Dinár, when he passed through the bazar and saw aught he desired, was wont to say, 'O soul, take patience, for I will not accord to thee what thou desirest.' He said also (Allah accept him!), 'The salvation of the soul lies in resistance to it and its damnation in submission to it.' Quoth Mansúr bin Ammár, 'I made a pilgrimage and was faring Meccahwards by way of Cufa, and the night was overcast, when I heard a voice crying out from the deeps of the darkness saying, 'O Allah, I swear by Thy Greatness and Thy Glory, I meant not through my disobedience to transgress against Thee; for indeed I am not ignorant of Thee; but my fault is one Thou didst foreordain to me from eternity without beginning; so do Thou pardon my transgression, for indeed I disobeyed Thee of my ignorance!' When he had made an end of his prayer he recited aloud the verse, 'O true believers, save your souls and those of your families from the fire whose fuel is men and stones.' Then I heard a fall, but not knowing what it was I passed on. When the morning morrowed, as we went our way, behold, we fell in with a funeral train, followed by an old woman whose strength had left her. I asked her of the dead, and she answered, 'This is the funeral of a man who passed by us yesterday whilst my son was standing at prayer and after his prayers he recited a verse from the Book of Allah Almighty when the man's gall bladder burst and he fell dead.' Therewith the fourth damsel retired and the fifth came forward and said, 'I here will also repeat what occurreth to me regarding the acts of devotees in olden time. Maslamah bin Dinár used to say, 'By making sound the secret thoughts, sins great and small are covered'; and, 'when the servant of Allah is resolved to leave sinning, victory cometh to him.' Also quoth he, 'Every worldly good which doth not draw one nearer to Allah is a calamity, for a little of this world distracteth from a mickle of the world to come and a mickle of the present maketh thee forget the whole of the future.' It was asked of Abú Házim, 'Who is the most prosperous of men?'; and he answered, 'Whoso spendeth his life in submission to Allah.' The other enquired, 'And who is the most foolish of mankind?' 'Whoso selleth his future for the worldly goods of others,' replied Abu Hazim. It is reported of Moses (on whom be peace!) that when he came to the waters of Midian he exclaimed, 'O Lord, verily I stand in need of the good which thou shalt send down to me.' And he asked of his Lord and not of his folk. There came two damsels and he drew water for them both and allowed not the shepherds to draw first. When the twain returned, they informed their father Shu'ayb (on whom be peace!) who said, 'Haply, he is hungry,' adding to one of them, 'Go back to him and bid him hither.' Now when she came to Moses, she veiled her face and said, 'My father biddeth thee to him that he may pay thee thy wage for having drawn water for us.' Moses was averse to this and was not willing to follow her. Now she was a woman large in the back parts, and the wind blowing upon her garment covered the hinder cheeks to Moses; which when Moses saw, he lowered his eyes and said to her, 'Get thee behind while I walk in front.' So she followed him till he entered the house of Shu'ayb where supper was ready.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;Now, quoth the fifth damsel to thy sire, 'When Moses (on whom be peace!) entered the home of Shu'ayb where supper was ready, Shu'ayb said to him, 'O Moses, I desire to pay thee thy wage for having drawn water for these two.' But Moses answered, 'I am of a household which selleth nothing of the fashion of the next world for what is on earth of gold and silver.' Then quoth Shu'ayb, 'O youth! nevertheless thou art my guest, and it is my wont and that of my forbears to honour the guest by setting food before him.' So Moses sat down and ate. Then Shu'ayb hired Moses for eight pilgrimages, that is to say, eight years, and made his wage marriage with one of his two daughters, and Moses' service to him was to stand for her dowry. As saith the Holy Writ of him, 'Verily I will give thee one of these my two daughters in marriage, on condition that thou serve me for hire eight pilgrimages: and if thou fulfil ten years, it is in thine own breast; for I seek not to impose a hardship on thee.' A certain man once said to one of his friends whom he had not met for many days, 'Thou hast made me desolate, for that I have not seen thee this long while.' Quoth the other, 'I have been distracted from thee by Ibn Shiháb: dost thou know him?' Quoth his friend, 'Yes, he hath been my neighbour these thirty years, but I have never spoken to him.' He replied, 'Verily thou forgettest Allah in forgetting—thy neighbour! If thou lovedst Allah thou wouldst love thy neighbour. Knowest thou not that a neighbour hath a claim upon his neighbour, even as the right of kith and kin?' Said Huzayfah, 'We entered Meccah with Ibráhím bin Adham, and Shakík al-Balkhí was also making a pilgrimage that year. Now we met whilst circumambulating the Ka'abah and Ibrahim said to Shakik, 'What is your fashion in your country?' Replied Shakik, 'When we are blest with our daily bread we eat, and when we hunger we take patience.' 'This wise,' said Ibrahim, 'do the dogs of Balkh; but we, when blest with plenty, do honour to Allah and when an hungered we thank Him.' And Shakik seated himself before Ibrahim and said to him, 'Thou art my master.' Also said Mohammed bin Imrán, 'A man once asked of Hátim the Deaf 'What maketh thee to trust in Allah?' 'Two things,' answered he, 'I know that none save myself shall eat my daily bread, so my heart is at rest as to that; and I know that I was not created without the knowledge of Allah, and am abashed before Him.' Then the fifth damsel retired and the ancient dame came forward and, kissing the ground before thy father nine times, said, 'Thou hast heard, O King, what these all have spoken on the subject of piety; and I will follow their example in relating what hath reached me of the famous men of past times. It is said that the Imam al-Sháfi'í departed the night into three portions, the first for study, the second for sleep and the third for prayer. The Imam Abú Hanífah was wont also to pass half the night in prayer. One&#xA;&#xA;day a man pointed him out to another, as he walked by and remarked, 'Yonder man watcheth the whole night.' When he heard this Abu Hanifah said, 'I was abashed before Allah to hear myself praised for what was not in me'; so after this he used to watch the whole night. And one of the Sages hath said,&#xA;&#xA;'Who seeketh for pearl in the Deep dives deep; * Who on high would hie robs his night of sleep.'&#xA;&#xA;Al-Rabí a relates that Al-Shafi'i used to recite the whole Koran seventy times during the month of Ramazan, and that in his daily prayers. Quoth Al-Shafi'i (Allah accept him!), 'During ten years I never ate my fill of barley bread, for fullness hardeneth the heart and deadeneth the wit and induceth sleep and enfeebleth one from standing up to pray.' It is reported of Abdullah bin Mohammed al-Sakrá that he said, 'I was once talking with Omar and he observed to me, 'Never saw I a more God fearing or eloquent man than Mohammed bin Idris al-Shafi'i.' It so happened I went out one day with Al-Háris bin Labíb al-Saffár, who was a disciple of Al-Muzani and had a fine voice and he read the saying of the Almighty, 'This shall be a day whereon they shall not speak to any purpose, nor shall they be permitted to excuse themselves.' I saw Al-Shafi'i's colour change; his skin shuddered with horripilation, he was violently moved and he fell down in a fainting fit When he revived he said, 'I take refuge with Allah from the stead of the liars and the lot of the negligent! O Allah, before whom the hearts of the wise abase themselves, O Allah, of Thy bene ficence accord to me the remission of my sins, adorn me with the curtain of Thy protection and pardon me my shortcomings, by the magnanimity of Thy Being!' Then I rose and went away. Quoth one of the pious, 'When I entered Baghdad, Al-Shafi'i was there. So I sat down on the river bank to make the ablution before prayer; and behold, there passed me one who said, 'O youth, make thy Wuzu-ablution well and Allah will make it well for thee in this world and in the next.' I turned and lo! there was a man behind whom came a company of people. So I hastened to finish my ablution and followed him. Presently, he turned and asked me, 'Say, dost thou want aught?' 'Yes,' answered I, 'I desire that thou teach me somewhat of that which Allah Almighty hath taught thee.' He said, 'Know then that whoso believeth in Allah shall be saved, and whoso jealously loveth his faith shall be delivered from destruction, and whoso practiseth abstinence in this world, his eyes shall be solaced on the morrow of death. Shall I tell thee any more?' I replied, 'Assuredly;' and he continued, 'Be thou of the world that is, heedless; and of the world to come, greediest. Be truthful in all thy dealings, and thou shalt be saved with the Salvationists.' Then he went on and I asked about him and was told that he was the Imam Al-Shafi'i. Al-Shafi'i was wont to remark, 'I love to see folk profit by this learning of mine, on condition that nothing of it be attributed to me.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;The old woman bespake thy sire, saying, 'The Imam Al-Shafi'i was wont to remark, I love to see folk profit by this learning of mine on condition that nothing of it be attributed to me.' He also said, 'I never disputed with any one, but I would that Almighty Allah should give him the knowledge of the Truth and aid him to dispread it: nor did I ever dispute with anyone at all but for the showing forth of the Truth, and I reck not whether Allah manifest it by my tongue or by His.' He said also (whom Allah accept!), 'If thou fear to grow conceited of thy lore, then bethink thee Whose grace thou seekest and for what good thou yearnest and what punishment thou dreadest.' It was told to Abu Hanífah that the Commander of the Faithful, Abú Ja'afar al-Mansúr, had appointed him Kazi and ordered him a salary of ten thousand dirhams; but he would not accept of this; and, when the day came on which the money was to be paid him, he prayed the dawn prayer, then covered his head with his robe—and spoke not. When the Caliph's messenger came with the money, he went in to the Imam and accosted him, but he would not speak to him. So the messenger said, 'Verily this money is lawfully thine.' 'I know that it is lawfully mine,' replied he: 'but I abhor that the love of tyrants get a hold upon my heart.' Asked the other, 'If thou go in to them canst thou not guard thyself from loving them?' Answered Abu Hanifah, 'Can I look to enter the sea without my clothes being wet?' Another of Al-Shafi'i's sayings (Allah accept him!) is,&#xA;&#xA;'Oh soul of me, an thou accept my rede, * Thou shalt be wealthy&#xA;           and of grace entire:&#xA;Cast off ambitious hopes and vain desires, * How many a death was&#xA;            done by vain desire!'&#xA;&#xA;Among the sayings of Sufyán al-Thaurí, with which he admonished Ali bin al-Hasan al-Salami was, 'Be thou a man of truth and 'ware lies and treachery and hypocrisy and pride. Be not indebted save to Him who is merciful to His debtors; and let thine associate be one who shall dissociate thee from the world. Be ever mindful of death and be constant in craving pardon of Allah and in beseeching of Allah peace for what remaineth of thy life. Counsel every True Believer, when he asketh thee concerning the things of his faith; and beware of betraying a Believer, for whoso betrayeth a Believer, betrayeth Allah and His Apostle. Avoid dissensions and litigation; and leave that which causeth doubt in thee for things which breed no doubt: so shalt thou be at peace. Enjoin beneficence and forbid malevolence: so shalt thou be loved of Allah. Adorn thine inner man and Allah shall adorn thine outer man. Accept the excuse of him who excuseth self to thee and hate not any one of the Moslems. Draw near unto those who withdraw from thee and excuse those that misuse thee: so shalt thou be the friend of the Prophets. Let thine affairs, both public and private, be in Allah's charge, and fear Him with the fear of one who knoweth he is dead and who fareth towards Resurrection and Judgement stead between the hands of the Lord of Dread; and remember that to one of two houses thou art sped, either for Heavens eterne or to the Hell fires that burn.' Thereupon the old woman sat down beside the damsels. Now when thy father, who hath found mercy, heard their discourse, he knew that they were the most accomplished of the people of their time; and, seeing their beauty and loveliness and the extent of their wisdom and lore, he showed them all favour. Moreover, he turned to the ancient dame and treated her with honour, and set apart for her and her damsels the palace which had lodged Princess Abrizah, daughter of the King of Greece, to which he bade carry all the luxuries they needed. They abode with him ten days and the old woman abode with them; and, whenever the King visited them, he found her absorbed in prayer, watching by night and fasting by day; whereby love of her took hold upon his heart and he said to me, 'O Wazir, verily this old woman is of the pious, and awe of her is strong in my heart.' Now on the eleventh day, the King visited her, that he might pay her the price of the damsels; but she said to him, 'O King, know that the price of these maidens surpasseth the competence of men; indeed I seek not for them either gold or silver or jewels, be it little or much.' Now when thy father heard these words he wondered and asked her, 'O my lady and what is their price?'; whereto she answered, 'I will not sill them to thee save on condition that thou fast, watching by night a whole month, and abstaining by day, all for the love of Allah Almighty; and, if thou do this, they are thy property to use in thy palace as thou please.' So the King wondered at the perfection of her rectitude and piety and abnegation; she was magnified in his eyes and he said, 'Allah make this pious woman to profit us!' Then he agreed with her to fast for a month as she had stipulated, and she said to him, 'I will help thee with the prayers I pray for thee and now bring me a gugglet of water.' They brought one and she took it and recited over it and muttered spells, and sat for an hour speaking in speech no one understood or knew aught thereof. Lastly she covered it with a cloth and, sealing it with her signet ring, gave it to thy sire, saying, 'When thou hast fasted the first ten days, break thy fast on the eleventh night with what is in this gugglet, for it will root out the love of the world from thy heart and fill it with light and faith. As for me, tomorrow I will go forth to my brethren, the Invisible Controuls, for I yearn after them, and I will return to thee when the first ten days are past. Thy father took the gugglet and arose and set it apart in a closet of his palace, then locked the door and put the key in his pocket. Next day the King fasted and the old woman went her ways.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan thus continued to Zau al-Makan, &amp;quot;Now when came the day for the Sultan's fast, the old woman went her ways. And after he had accomplished the ten days thereof, on the eleventh he opened the gugglet and drank what was therein and found it cordial to his stomach. Within the second ten days of the month the old woman returned, bringing sweetmeats wrapped in a green leaf, like no leaf of known tree. She went in to thy sire and saluted him; and, when he saw her, he rose to her saying, 'Welcome, O pious lady!' 'O King,' quoth she, 'the Invisible Controuls salute thee, for I told them of thee, and they rejoiced in thee and have sent thee their Halwá, which is of the sweetmeats of the other world. Do thou break thy fast on it at the end of the day.' The King rejoiced at this with great joy, and exclaimed, 'Praised be Allah, who hath given me brethren of the Invisible World!' Thereupon he thanked the ancient dame and kissed her hands; and he honoured her and the damsels with exceeding honour. She went forth for the twenty days of thy father's fast at the end of which time she came to him and said, 'Know, O King, that I told the Invisible Controuls of the love which is between me and thee, and informed them how I had left the maidens with thee, and they were glad that the damsels should belong to a King like thee; for they were wont, when they saw them, to be strenuous in offering on their behalf prayers and petitions ever granted. So I would fain carry them to the Invisible Controuls that they may benefit by the breath of their favour, and peradventure, they shall not return to thee without some treasure of the treasures of the earth, that thou, after completing thy fast, mayst occupy thyself with their raiment and help thyself by the money they shall bring thee, to the extent of thy desires.' When thy sire heard her words, he thanked her for them and said, 'Except that I fear to cross thee, I would not accept the treasure or aught else; but when wilt thou set out with them?' Replied she, 'On the seven and twentieth night; and I will bring them back to thee at the head of the month, by which time thou wilt have accomplished thy fast and they will have had their courses and be free from impurity; and they shall become thine and be at thy disposal. By Allah, each damsel of them is worth many times thy kingdom!' He said, 'I know it, O pious lady!' Then quoth the old woman, 'There is no help but that thou send with them someone in thy palace who is dear to thee, that she may find solace and seek a blessing of the Invisible Controuls.' Quoth he, 'I have a Greek slave called Sophia, by whom I have been blessed with two children, a girl and a boy; but they were lost; years ago. Take her with thee that she may get the blessing'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Wazir Dandan continued to Zau al-Makan, &amp;quot;Quoth thy sire to the ancient woman when she demanded the handmaids of him, 'I have a Greek slave called Sophia, by whom I have been blest with two children, a girl and a boy, but they were lost years ago; so take her with thee, haply she may get the benediction and, belike, the Invisible Controuls will sue Allah for her that her two children may be restored to her.' 'Thou hast said well,' replied she; 'for that indeed was her grievousest want.' Thy sire gave not over finishing his fast till the old woman said to him, 'O my son, I am going to the Invisible Controuls; so bring me Sophia.' Accordingly, he summoned her and she came forthright, and he delivered her to the old woman who mixed her up with the other damsels. Then she went in to her chamber and bringing out a sealed cup, presented it to the Sultan saying, 'On the thirtieth day, do thou repair to the Hammam and when thou comest out, enter one of the closets in thy palace and drink what is in this cup. Then sleep, and thou shalt attain what thou seekest, and peace be with thee'! Thereat the King was glad and thanked her and kissed her hands. Quoth she, 'I commend thee to Allah's care;' whereat quoth he, 'And when shall I see thee again, O pious lady? In very sooth I love not to part with thee.' Then she called down blessings on him and departed with the five damsels and the Queen; whilst the King fasted after her departure other three days, till the month ended, when he arose and went to the Hammam and coming out shut himself up in a closet of his palace, commanding that none should go in to him. There, after making fast the door, he drank what was in the cup and lay down to sleep; and we sat awaiting him till the end of the day, but he did not come out and we said, 'Perchance he is tired with the bath and with watching by night and fasting by day; wherefore he sleepeth.' So we waited till next day; but still he did not come forth. Then we stood at the closet door and cried aloud so haply he might awake and ask what was the matter. But nothing came of that; so at last we lifted up the door; and, going in, found him dead, with his flesh torn into strips and bits and his bones broken. When we saw him in this condition it was grievous to us, and we took up the cup and found within its cover a piece of paper whereon was inscribed, 'Whoso doeth evil leaveth no regrets, and this be the reward of him who playeth traitor with the daughters of Kings and who debaucheth them; and we make known to all who fall upon this scroll that Sharrkan, when he came to our country, seduced our Queen Abrizah; nor did that suffice him but he must needs take her from us and bring her to you. Then he sent her away in company of a black slave who slew her, and we found her lying dead on the desert sward and thrown out to wild beasts. This be no kingly deed, and he who did this is requited with naught but what he merited. So do ye suspect none of having killed him, for no one slew him but the cunning witch, whose name is Zat al-Dawahi. And behold, I have taken the King's wife, Sophia, and have carried her to her father, Afridun King of Constantinople. Moreover, there is no help for it but that we wage war upon you and kill you and take your country from you, and ye shall be cut off even to the last man, nor shall a living soul be spared by Death nor one who bloweth fire with his breath, save he who Cross and Belt worshippeth.' When we read this paper, we knew that the ancient woman had beguiled us and carried out her plot against us: whereupon we cried aloud and buffeted our faces and wept sore when weeping availed us naught. And the troops fell out as to whom they should make Sultan; some would have thee, and others would have thy brother Sharrkan; and we ceased not to dispute about this for the space of a month, at the end of which certain of us drew together and agreed to repair to thy brother Sharrkan: so we set out and journeyed on till we fell in with thee. And such is the manner of the death of Sultan Omar bin al-Nu'uman!&amp;quot; Now when the Wazir Dandan had made an end of his story, Zau al- Makan and his sister, Nuzhat al-Zaman wept; and the Chamberlain, who wept also, said to Zau al-Makan, &amp;quot;O King, weeping will avail thee naught; nor shall aught profit thee but that thou harden thy heart and strengthen thy stress and establish thy sovranty; for verily whoso leaveth the like of thee is not dead.&amp;quot; Thereupon Zau al-Makan gave over his weeping and caused his throne to be set up without the pavilion, and then commanded the army to pass in review order before him. And the Chamberlain sat by his side and all the armour-bearers behind him, whilst the Wazir Dandan and the rest of the Emirs and Grandees stood each in his individual stead. Then quoth King Zau al-Makan to the Minister Dandan, &amp;quot;Inform me concerning my sire's treasures;&amp;quot; and he replied, &amp;quot;I hear and I obey;&amp;quot; and gave him to know of the late King's hoards and monies, and what was in the treasury of amassed wealth and jewels, and acquainted him with other precious things. So Zau al-Makan opened his hand to the army, and gave a sumptuous robe of honour to the Wazir Dandan, saying, &amp;quot;Thou continues&amp;quot; in office. Whereupon Dandan kissed the ground before him and wished him long life. Then he bestowed dresses on the Emirs, after which he said to the Chamberlain, &amp;quot;Bring out before me the tribute of Damascus that is with thee.&amp;quot; So he was shown the chests of money and rarities and jewels, when he took them and parted them all amongst the troops,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Zau al- Makan ordered the Chamberlain to bring out before him what he had brought of the tribute of Damascus; and, when he was shown the chests of money and rarities and jewels, he took them and parted them all amongst the troops, till nothing was left. And the Emirs kissed the ground before him and wished him long life, saying, &amp;quot;Never saw we a King, who gave the like of these gifts.&amp;quot; Then all went away to their tents and when it was morning he gave orders for marching. So they marched for three days, till, on the fourth day, they drew near to Baghdad. When they entered the city, they found it decorated, and Zau al-Makan, the Sultan, went up to his father's palace and sat down on the throne, whilst the Emirs of the army and the Wazir Dandan and the Chamberlain of Damascus stood between his hands. Then he bade his private secretary write a writ to his brother Sharrkan, acquainting him with all that had passed, from first to last, and he concluded, &amp;quot;As soon as thou hast read this letter, make ready thine affair and join us with thine army, that we may turn to Holy War upon the Infidels and take man bote for our father and wipe out the stain upon our honour.&amp;quot; Then he folded the letter and sealed it with his seal ring and said to the Minister Dandan, &amp;quot;None shall carry this letter but thou; and it behoveth thee speak my brother fair and say to him, 'If thou have a mind to thy father's kingdom, it is thine, and thy brother shall be Viceroy for thee in Damascus; for to this effect am I instructed by him.'&amp;quot; So the Wazir went down from before him and made ready for his march. Then Zau al-Makan bade set apart a magnificent house for the Fireman and furnished it with the best of furniture and long is the tale of that Fireman. Presently Zau al-Makan went out chasing and hunting and, as he was returning to Baghdad, one of the Emirs presented him with blood horses and with beauteous handmaids whose description the tongue evades. One of the damsels pleased him: so he went in unto her and knew her that night, and she conceived by him forthright. After a while, the Wazir Dandan returned from his journey, bringing him news of his brother Sharrkan and that he was then on his way to him, and said, &amp;quot;It were fitting thou go forth to meet him.&amp;quot; Zau al- Makan replied, &amp;quot;I hear and I consent;&amp;quot; and riding forth with his Grandees a day's journey from Baghdad, he pitched his pavilions there awaiting his brother. Next morning appeared King Sharrkan amid the army of Syria, a horseman of might, a lion fierce in fight, a prow and doughty knight. As the squadrons drew nigh and the dust clouds came hard by and the troops rode up with banners on high, Zau al-Makan and those with him pushed forward to meet Sharrkan and his men; and when Zau al-Makan saw his brother, he desired to dismount, but Sharrkan conjured him not to do on this wise, and himself footed it, and walked a few paces towards him. As soon as he reached Zau al-Makan, the new Sultan threw himself upon him, and Sharrkan embraced him and wept with great weeping and the twain condoled with each other. Then they mounted and rode onward, they and their troops, till they reached Baghdad, where they alighted and went up to the royal palace and there they passed that night, and when next morning came, Zau al- Makan went forth and bade summon the troops from all parts, and proclaimed a Holy War and a Razzia. They then awaited the coming of the levies from each quarter of the kingdom, and every one who came they entreated with honour and promised him all manner of good; till in so doing a full month had sped, and the fighting men flocked to them in a continuous body. Then Sharrkan said to Zau al-Makan, &amp;quot;O my brother, tell me thy history.&amp;quot; So he told him all that had befallen him from first to last, including the benevolent dealing of the Fireman with him. Asked Sharrkan, 'Hast thou requited his kindness?&amp;quot;; and he answered, &amp;quot;O my brother! I have not rewarded him as yet, but Inshallah! I will recompense him whenas I return from this raid&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Eighty-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan asked his brother Zau al-Makan, &amp;quot;Hast thou requited the Fireman for his kindness?&amp;quot;; and he answered, &amp;quot;O my brother, I have not rewarded him as yet, but Inshallah! I will recompense him whenas I return from this raid and find time so to do.&amp;quot; Therewith Sharrkan was certified that his sister, Nuzhat al-Zaman, had told him the whole truth; but he concealed what had passed between them and offered his salutation to her by her husband the Chamberlain. She sent him back her greeting, calling down blessings on him and enquiring after her daughter Kuzia-Fakan, to which he replied that the maiden was well and in the best of health and safety. Where upon she praised Almighty Allah and gave him thanks. Then Sharrkan went to his brother to take counsel with him for departure; and Zau al-Makan said, &amp;quot;O my brother, as soon as the army is complete and the Arabs have come in from all parts, we will march forth.&amp;quot; So he bade make ready the commissariat and prepare munitions of war and went in to his wife, who was now five months gone with child; and he put under her astrologers and mathematicians, to whom he appointed stipends and allowances. Then he set out three months after the arrival of the army of Syria, and as soon as the Arabs were come in and the troops were assembled from all directions; and, as he fared forth, he was followed by the warriors and the united host. Now the name of the General of the Daylam army was Rustam and that of the General of the army of the Turks Bahram. And Zau al- Makan marched in mid host and on his right was his brother Sharrkan, and on his left the Chamberlain his brother-in-law. So the squadrons broke up and pushed forward and the battalions and companies filed past in battle array, till the whole army was in motion. They ceased not to fare on for the space of a month, and each body dismounted at its own ground and there rested every week three days (for the host was great); and they advanced in this order till they came to the country of the Greeks. Then the people of the villages and hamlets and the poorer sort took fright at them and fled to Constantinople. But when King Afridun heard the tidings he arose and betook himself to Zat al-Dawahi, the same who had contrived the stratagem, and had travelled to Baghdad and had slain King Omar bin Al-Nu'uman; and who after carrying off her slaves and Queen Sophia, had returned with them all to her native land. Now when she had been restored to her son, the King of Greece, and felt herself safe, she said to King Hardub, &amp;quot;Cool thine eyes; for I have avenged by blood the shame of thy daughter Abrizah, and have killed Omar bin al-Nu'uman and have brought back Sophia. So now let us go to the King of Constantinople and carry to him his daughter and acquaint him with what hath happened, that all of us be on guard and prepare our forces; and I will fare with thee to King Afridun, Lord of Constantinople, for I opine that the Moslems will not await our attack.&amp;quot; Said Hardub, &amp;quot;Tarry thou till they draw near our country, that we may make us ready meantime and assemble our power.&amp;quot; Accordingly they took to levying their forces and preparing for war, and, when the news of the Moslems' advance reached them, they were prepared for defence; and Zat al Dawahi had preceded them. Now when she and her son arrived at Constantinople, the King of Kings, Afridun, hearing of the approach of Hardub, King of the Greeks, came forth to meet him and asked how it was with him and the cause of his visit. So Hardub acquainted him with the cunning doings of his mother, Zat al-Dawahi, how she had slain the Moslem King and recovered from him Queen Sophia, and had said, &amp;quot;The Moslems have assembled their forces and are on their way to attack us, wherefore it behoveth that we two join hands in single band and meet them.&amp;quot; Now King Afridun rejoiced in the return of his daughter and the killing of King Omar bin al-Nu'uman; and he sent to all countries seeking succour and acquainting the folk with the cause of slaying the Moslem King. So the Nazarene troops flocked to him and three months were not past ere the army of the Greeks was complete, besides which there joined themselves to him Franks from all their lands, French, Germans and Ragusans, with men of Zara, Venetians, Genoese, and all the hosts of the Yellow Faces; and, when the gathering was at its full, earth was straitened on them by reason of their multitude. Then Afridun, the Great King, ordered a march; so they set out and ceased not to defile through the city for ten days. They fared on till they reached the Wady highs Al-Nu'uman, a broad sided vale hard by the Salt Sea, where they halted three days; and on the fourth they were about to set out again, when news came that the army of Al-Islam on them press, and the defenders of the faith of Mohammed, of Men the Best. So they halted in it other three days, and on the eighth they espied a dust cloud which towered till it walled the whole land; nor was an hour of the day past ere that dust began to drift and was torn to shreds in the lift, and pierced through its shades the starry radiance of lance and the white levee of blades. Presently there appeared beneath it the banners Islamitan and the ensigns Mahometan; the horsemen urged forward, like the letting loose of seas that surged, clad in mail, as they were mackerel-back clouds which the moon enveil; whereupon the two hosts clashed, like two torrents on each other dashed. Eyes fell upon eyes; and the first to seek combat singular was the Wazir Dandan, he and the army of Syria, numbering thirty thousand bridles, and with him were the General of the Turks, and the General of Daylam, Rustam and Bahram, amid twenty thousand horse, behind whom came the men from the shores of the Salt Sea, clad in iron mail, as they were full moons that past through a night o'ercast. Then the Nazarene host called out on Jesus and Mary, and the defiled Cross and they heaped themselves upon the Wazir Dandan and those with him of the Syrian host. Now all this was in pursuance of a stratagem devised by that ancient woman Zat al-Dawahi; for, before his departure, King Afridun had gone in to her and asked her, &amp;quot;How shall I do and what plan shall I pursue?; it is thou hast caused this great distress to us;&amp;quot; and she had answered, &amp;quot;O great King and mighty Cohen! I will teach thee a trick would baffle Iblis himself, though he summon to his assistance all his grisly hosts.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Eighty-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, all this was a stratagem of the ancient woman, for that the King before his departure had gone to her and asked, &amp;quot;How shall I do and what plan shall I pursue? it is thou hast caused this great distress to us!&amp;quot; And she had answered, &amp;quot;O great King and mighty Cohen, I will teach thee a trick would baffle the Devil himself though he summon to his assistance all his grisly hosts. It is that thou send fifty thousand men going down in ships, and sailing over the sea to the Mountain of Smoke; and there let them land and stir not till {he standards of Al-Islam come upon thee, when do thou up and at them. Then bid the troops from the seaward sally out upon the Moslems and take them in rear, whilst we confront them from the landward. So not one of them shall escape, and our sorrows shall tease and peace abide with us.&amp;quot; Now the counsel of this ancient woman commended itself to King Afridun, and he replied, &amp;quot;Right is the recking thou reckest, O Princess of wits and recourse of Kings and Cohens warring for their blood wit!&amp;quot; So when the army of Al-Islam came upon them in chat valley, before they knew of it the flames began to burn up the tents and the swords in men's bodies to make rents. Then hurried up the army of Baghdad and Khorasan who numbered one hundred and twenty thousand horse, with Zau al-Makan in the front of war. When the host of the Infidels that lay by the sea saw them, they sallied out against them and followed in their tracks; and when Zau al- Makan espied this he cried out to his men, &amp;quot;Turn back to the Infidels, O People of the Chosen Apostle, and slay those who deny and hate the authority of the Compassionating, the Compassionate!&amp;quot; So they turned and fought with the Christians. Then Sharrkan marched up with another corps of the Moslem host, some hundred thousand men, whilst the Infidels numbered nigh upon a thousand and six hundred thousand men. When the Moslems were united, their hearts were strengthened and they cried out, saying, &amp;quot;Verily Allah hath pro mised us victory, and to the Infidels hath assigned defeat.&amp;quot; And they clashed together with sword and spear. Now Sharrkan tare through rank and row and raged among the masses of the foe, fighting so fierce a fight as to make children grey grow; nor did he cease tourneying among the infidel horde and working havoc among them with the keen edged sword, shouting &amp;quot;Allaho Akbar!&amp;quot; (Allah is Most Great) till he drove back the host to the coast. Then failed the force of the foe and Allah gave victory to the faith of Al-Islam, and folk fought folk, drunken without strong drink till they slew of the Infidels in this affair forty and five thousand, while of the Moslems but three thousand and five hundred fell. Moreover, the Lion of the Faith, King Sharrkan, and his brother, Zau al-Makan, slept not that night, but occupied themselves with congratulating their braves and with looking to the wounded and with assuring the army of victory and salvation and promise of reward in the world to come. Thus far concerning the Moslem; but as regards King Afridun, Lord of Constantinople and Sovran of Roum, and Zat Al-Dawahi, they assembled the Emirs of the host and said to them, &amp;quot;Verily, we had worked our will and solaced our hearts, but our over confidence in our numbers, and that only, defeated us.&amp;quot; Then quoth to them the ancient one, the Lady of Calamities, &amp;quot;In very sooth nought shall profit you, except ye draw you nigh unto the Messiah and put your trust in the True Belief, for, by the virtue of the Messiah, the whole strength of the Moslem host lieth in that Satan, King Sharrkan.&amp;quot; &amp;quot;Tomorrow,&amp;quot; said King Afridun, &amp;quot;I have resolved to draw up in battle array and to send out against them that redoubtable cavalier, Lúká bin Shamlút; for if King Sharrkan come forth as a champion to fight single handed, our man will slay him and will slay the other Moslem Knights, till not one is left. And I purpose this night to sacre you all with the Holy Incense.&amp;quot; When the Emirs heard these words they kissed the ground before him. Now the incense which he designated was the excrement of the Chief Patriarch, the denier, the defiler of the Truth, and they sought for it with such instance, and they so highly valued it that the high priests of the Greeks used to send it to all the countries of the Christians in silken wraps after mixing it with musk and ambergris. Hearing of it Kings would pay a thousand gold pieces for every dram and they sent for and sought it to fumigate brides withal; and the Chief Priests and the great Kings were wont to use a little of it as collyrium for the eyes and as a remedy in sickness and colic; and the Patriarchs used to mix their own skite with it, for that the skite of the Chief Patriarch could not suffice for ten countries. So, as soon as dawn was seen and the morning shone with its shine and sheen, the horsemen ran to their spears full keen, and King Afridun,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninetieth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, as soon as dawn was seen and the morning shone with its shine and sheen, the horsemen ran to their spears full keen and King Afridun summoned his chief Knights and Nobles and invested them with dresses of honour; and, drawing the sign of the cross on their brows, incensed them with the incense which as aforesaid was the skite of the Chief Patriarch, the Cohen, the Heresiarch. This incensing done, he called for Luka bin Shamlut, surnamed the Sword of the Messiah; and, after fumigating him and rubbing his palate with the Holy Merde, caused him to snuff it and smeared his cheeks and anointed his moustaches with the rest. Now there was no stouter champion in the land of Roum than this accursed Luka, nor any better at bending of bow or sway of sword or lunge with lance on the day of devoir; but he was foul of favour, for his face was as the face of an ass, his shape that of an ape and his look as the look of a malignant snake: his presence was grievouser than parting from the beloved make; and blacker than night was his blackness and more fetid than the lion was his breath for foulness; more crooked than a bow was his crookedness and grimmer than the leopard was his ugliness, and he was branded with the mark of the Infidels on face. After this he came up to King Afridun and kissed his feet and stood before him; and the King said to him, &amp;quot;I desire thou go out against Sharrkan, King of Damascus, son of Omar bin al-Nu'uman, and deliver us from this affliction.&amp;quot; Quoth Luka, &amp;quot;Hearkening and obedience;&amp;quot; and the King made the sign of the cross on his forehead and felt assured of help from Heaven being near hand. Then Luka went out from the presence and the accursed one mounted a sorrel horse; he was clad in a red robe and a hauberk of gold set with jewels, and he bore a trident spear, as he were Iblis the damned on the day of drewing out his hosts war to darraign. Then he rode forward, he and his horde of Infidels, even as though they were driving to the Fire, preceded by a herald, crying aloud in the Arabic tongue and saying, &amp;quot;Ho, sect of Mohammed (upon whom be salutation and salvation!), let none of you come out but your champion Sharrkan, the Sword of Al-Islam, Lord of Damascus in Shám!&amp;quot; Nor had he made an end of speaking, when arose a tumult in the plain; all the people heard the strain and the whole moving bodies of the armies twain called to mind the Day of Complain. Then the cowards trembled and all necks turned towards the sound, and lo! it was King Sharrkan, son of King Omar bin al-Nu'uman. For when his brother, Zau al-Makan, saw that accursed one push out on the plain, and heard the pursuivant, he turned to Sharrkan and said to him, &amp;quot;Of a surety they seek for thee.&amp;quot; Said he, &amp;quot;Should it so be, 'twere most pleasing to me.&amp;quot; So when they made sure of the matter and heard the herald crying in the plain, &amp;quot;Let none of you come out against me save Sharrkan,&amp;quot; they knew this cursed Luka to be champion of the land of Roum who had sworn to sweep the earth clean of Moslems. Now he was one of the greatest of villains, a wretch who caused hearts to pain; and the DayIamites, Turks and Kurds dreaded his might and main. Presently Sharrkan crave at him like a lion angry grim, mounted on a courser like a wild gazelle flying snell and slim; and coming nigh to him made the spear he hent to shake as it were a darting snake, and recited these couplets,&#xA;&#xA;&amp;quot;I have a sorrel steed, whose pride is fain to bear the rein, *&#xA;             Shall give thee what thou likest not and make thee feel his&#xA;             main:&#xA;I have a handy limber spear full bright and keen of point, * Upon&#xA;             whose shaft the dam of Death her throny seat hath ta'en:&#xA;I have a trenchant glaive of Hind; and, when I bare its face * Of&#xA;             scabbard&amp;quot; veil, from out its brow the rays of levee rain.&amp;quot;&#xA;&#xA;Luka understood not the sense of his speech nor did he apprehend the vehemence of the verse; but he smote his forehead with his hand, in honour of the Cross drawn thereon and kissed it; then he couched his throw spear and ran at Sharrkan. But first he tossed the javelin with one hand in air to such height that it was lost to the spectators' sight; and, catching it with the other hand as do the jugglers, hurled it at Sharrkan. It flew from his grasp like a shooting star and folk clamoured and feared for Sharrkan; but, as the spear flew near him, he put out his hand and caught it in full flight to the amazement of all who saw the sight. Then he shook it with the hand that took it till it was well nigh broken, and hurled it so high into the welkin that it disappeared from view. As it descended, he caught it again with the other hand, in less than the twinkling of an eye, and cried out from his heart core, saying, &amp;quot;By the truth of Him who created the sevenfold skies, I will assuredly make this cursed wight a byword for mankind to despise!&amp;quot; Then threw he the throw spear at Luka, who thought to do as Sharrkan had done and put forth his hand to trend it in mid flight; but Sharrkan prevented him, and sped at him a second throw spear which smote him and the point fell on his forehead, in the very centre of the sign of the Cross, and Allah hurried his soul to the Fire and Dwelling place dire. But when the Infidels saw Luka bin Shamlut fall slain, they buffeted their faces and they cried, &amp;quot;Alas!&amp;quot; and &amp;quot;Woe worth the day!&amp;quot; and called for aid upon the Abbots of the monasteries,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-first Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Infidels saw Luka bin Shamlut fall slain, they buffeted their faces and cried, &amp;quot;Alas!&amp;quot; and &amp;quot;Woe worth the day!&amp;quot; and called upon the Abbots of the monasteries and cried, &amp;quot;Where be the crosses?&amp;quot; So the Religious offered up prayers and the Christians all drew together against Sharrkan; and, brandishing their scymitars and lances, rushed forward to the attack. Then army met army and breasts fell under hoof, whilst spear and sword ruled the day and forearms and wrists grew weak and the coursers seemed created without legs; nor did the herald of-war cease calling to fight, till arms were aweary and day took flight and night came on with darkness dight. So the two hosts drew apart, whilst every brave staggered like a drunken knave, for that with so much cut and thrust they strave; and the place was choked with the slain; fell were the wounds and the hurt knew not by whom they fell. Then Sharrkan joined his brother, Zau al-Makan, and the Chamberlain and the Wazir Dandan, and said to them, &amp;quot;Verily Allah hath opened a door for the Infidels to fall, praised be the Lord of the Worlds one and all!&amp;quot; Replied Zau al-Makan, &amp;quot;Let us never cease to praise Allah, for that He hath dispelled trouble from the Arab and the Ajam. Indeed the folk, generation after generation, shall tell of thy derring do against the accursed Luka, the falsifier of the Evangel; of thy catching the throng spear in mid-flight, and how the enemy of Allah among men thou didst smite; and thy fame shall endure until the end of time.&amp;quot; Then said Sharrkan, &amp;quot;Harkye, O grand Chamberlain and doughty Capitayne!&amp;quot; and he answered, &amp;quot;Adsum!&amp;quot; Quoth Sharrkan, &amp;quot;Take with thee the Wazir Dandan and twenty thousand horse, and lead them seven parasangs towards the sea, and force the march till ye shall have come near the shore, and there remain only two parasangs between thee and the foe. Then ambush ye in the hollows of the ground till ye hear the tumult of the Infidels disembarking from their ships; and the war cry from every side strike your ear and ye know that the sabres have begun labour between us and them; and, whenso ye see our troops falling back, as if defeated, and all the Infidels following them, as well those in front as those from the seaward and the tents, do ye still lie in wait for them: but as soon as ye see the standard with the words, There is no god but the God, and Mohammed is God's Apostle (on whom be salutation and salvation!), then up with the green banner, and do your endeavour and fall on their rear and shout, 'Alla ho Akbar! Allah is most Great!' and circle round that they may not interpose between the retreating army and the sea.&amp;quot; He replied, &amp;quot;To hear is to obey!&amp;quot;; and forthright they agreed upon this matter and they went forth. Now the Chamberlain took with himself the Wazir Dandan and twenty thousand men even as Sharrkan had commanded. As soon as dawned the morn, the troops sprung to horse when they had donned their armour gear and drawn the scymitar and slung the spear. Then the Christians dispread themselves over hill and dale and the Ecclesiasts cried out and all heads were bared, and those in the ships hoisted the Cross at their mast heads and began making for shore from every side, and landed their horses and get them ready for fight and fray, whilst the sword blades glittered bright and the javelins glanced like levee light on mail shirt white; and all joined fight and the grind mill of Death whirled round and ground those who fought from horse and aground: heads from bodies flew end tongues mute grew and eyes no vision knew. Scymitars strave with utmost strain and heads flew over the battle plain; gall bladders crave and wrists were shorn in twain; steeds plashed in pools of gore and beards were gripped right sore; the host of Al-Islam called out, saying, &amp;quot;On the Prince of Mankind be blessings and peace, and to the Compassionate glory and praise, which ne'er shall cease, for His boons which aye increase;&amp;quot; and the host of the Infidels shouted, &amp;quot;Glory to the Cross and the Belt and the vine press juice, and the wine presser and the Priests and the Monks and the Festival of Palms and the Metropolitan!&amp;quot; Now Zau al-Makan and Sharrkan held back and their troops gave way and feigned flight from before the enemy, while the Infidel array pressed hard upon them deeming them in rout, and made ready to foin and hew. Then the meiny of the Moslems raised their voices, reciting the first verses of the Chapter of the Cow, whilst the dead were trampled under hoofs of steeds, and the heralds of the Greeks cried out, &amp;quot;Ho, servants of the Messiah! Ho, people of the True Faith! Ho, followers of the Primate! Verily Divine grace upon you opes; for see, the hosts of Al Islam like birds with broken wings incline to elope! So turn ye not to them your backs, but let your swords cleave deep in their necks and hold not your hands from them, else are ye outcasts from the Messiah, Mary's son, who spoke even when a cradled one!&amp;quot; Now Afridun, King of Constantinople, deemed that the Infidels were victorious, knowing not that this was but a clever stratagem of the Moslems, and sent to King Hardub of Roum congratulations on success, adding, &amp;quot;Availed us naught but the Holy Merde of the Arch Patriarch, whose fragrance exhaled from the beards and mustachios of the slaves of the Cross near and far; and I swear, by the Miracles of the Messiah; and by thy daughter Abrizah, the Nazarene, the Mariolater; and by the Waters of Baptism, that I will not leave upon the earth a single defender of Al- Islam! And to the bitter end will I carry out this plan.&amp;quot; So the messenger betook himself with the address to King Hardub, whilst the Infidels called to one another saying, &amp;quot;Take we vengeance wreak for Luka!&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Infidels called to one another, saying, &amp;quot;Take we vengeance wreak for Luka!&amp;quot; while Hardub King of Greece cried aloud, &amp;quot;Ho, to our revenge for Abrizah!&amp;quot; Thereupon King Zau al-Makan shouted &amp;quot;Ho, servants of the Requiting King!: smite the children of denial and disobedience with the blanch of sword and the brown of spear!&amp;quot; So the Moslems returned to the Infidels and plied them with the keen edged scymitar, whilst their herald cried aloud, &amp;quot;Up, and at the foes of the Faith, all ye who love the Prophet Elect, with hope of salvation on the Day of Fear, to win favour of the Bountiful, the Forgiving One; for verily the Garden of Paradise is under the shadow of swords!&amp;quot; And behold, Sharrkan and his men charged down upon the Infidels and cut off their retreat and wheeled and tourneyed among the ranks; when lo! a knight of goodly presence opened a passage through the army of Unbelievers and circled hither and thither amongst the Deniers, cutting and thrusting and covering the ground with heads and trunks, so that the Faithless feared him and their necks bent under his lunge and hew. He was girt with two swords, his glances and his brand, and he was armed with two lances, one of bamboo cane and the other his straight wand like shape; and his flowing hair stood him in stead of many warriors, even as saith the poet,&#xA;&#xA;&amp;quot;Laud not long hair, except it be dispread * In two fold&#xA;            locks, on day of fight and fray,&#xA;O'er youth who bears his lance 'twixt flank and thigh, * From&#xA;             many a whis kered knight to win the day.&amp;quot;&#xA;And as singeth another,&#xA;&#xA;&amp;quot;I say to him, what while he slings his sword, * 'For sword shall&#xA;             serve those looks that sword like show!'&#xA;Says he, 'My sabre looks for those I love, * My sword for those&#xA;             who sweets of love unknow!'&amp;quot;&#xA;&#xA;When Sharrkan saw him, he said to him, &amp;quot;I conjure thee by the Koran and the attributes of the Compassionate One, O Champion of the Champions! tell me who thou art: for verily by thy deeds this day thou hast pleased the Requiting King, whom one thing distracteth not from other thing; in that thou hast been discomforting the children of impiety and in rebellion revelling.&amp;quot; Then cried the Cavalier to him saying, &amp;quot;Thou art he who madest brother covenant with me but yesterday: how quickly thou hast forgotten me!&amp;quot; Thereupon he withdrew his mouth veil, so that what was hidden of his beauty was disclosed, and lo! it was none other than Zau al-Makan. Then Sharrkan rejoiced in his brother, save that he feared for him the rush of fighting and the crush of braves a smiting; and this for two reasons, the first, his tender age and exposure to the evil eye, and the second, that his safety was to the kingdom the greater of the two overshadowing wings. So he said to him, &amp;quot;O King! thou riskest thy life, so join thy steed to mine; in very sooth I fear for thee from the foe; and better thou stint hazarding thyself forth of these squadrons, that we may shoot at the enemy thine unerring shaft.&amp;quot; Quoth Zau al-Makan, &amp;quot;I desire to even thee in fray and I will not be niggard of myself before thee in the melay.&amp;quot; Then the host of Al-Islam, heaping itself upon the Infidels, girt them on all sides, warred on them a right Holy War, and brake the power of the children of impiety and pride and stowre. But King Afridun sighed when he saw the evil wreak that had fallen on the Greek, and they turned their backs from fight and addressed themselves to flight, making for the ships, when lo! there came out upon them from the seacoast another host, led by the Minister Dandan, the champion who was wont to make champions bite the dust, and to lay load on them with cut and thrust. Nor less came forth the Emir Bahram, Lord of the Provinces of Sham, amid twenty thousand horse doughty of arm; and the host of Al-Islam pressed them in front and on flank and wrought them grievous harm. Then a body of the Moslems turned against those who in the ships remained, and perdition on them rained, till they threw themselves into the main, and they slew of them many slain, more than a hundred thousand noblemen, nor was one of their champions, great or small, saved from bale and bane. Moreover, they took their ships, with all the money and treasure and cargo, save a score of keel, and the Moslems got that loot whose like was never gotten in by gone years; nor was such cut and thrust ever heard of by men's ears. Now amongst the booty were fifty thousand horses, besides treasure and spoil past reckoning and arithmetic, whereat the Moslems rejoiced with an exceeding joy for that Allah had given them victory and protection. Such was the case with them; but as regards the fugitive Infidels they soon reached Constantinople, whither the tidings preceded them that King Afridun had prevailed over the Moslems; so quoth the ancient dame, Zat al-Dawahi, &amp;quot;I know that my son Hardub, King of Roum, is no runagate and that he feareth not the Islamitic hosts, but will restore the whole world to the Nazarene faith.&amp;quot; Then she bade the Great King, Afridun, give command that the city be decorated, and the people held festival high and drank their wines drunkenly and knew not the decrees of Destiny. Now whilst they were in the midst of their rejoicings, behold, the raven of dule and downfall croaked over them, and up came the twenty fugitive ships wherein was the King of Cæsarea. So King Afridun, Lord of Constantinople, met them on the sea shore, and they told him all that had befallen them from the Moslem, and they wept sore and groaned and moaned; and rejoicing at weal was turned into dismay for unheal; and they informed him concerning Luka son of Shamlut, how calamity had betided him and how Death had shot him with his shaft. Thereat the horrors of Doomday rose upon King Afridun, and he knew that there was no making straight their crook. Then came up from them the sound of weeping and wailing; the city was full of men mourning and the keepers were keening, and sighs and cries were heard from all sides. And when King Hardub of Greece met King Afridun he told him the truth of the case and how the flight of the Moslems was by way of stratagem and deceit, and said to him, &amp;quot;Look not to see any of the army, save those who have already reached thee.&amp;quot; When King Afridun heard these words he fell down in a fainting fit, with his nose under his feet; and, as soon as he revived, he exclaimed, &amp;quot;Surely the Messiah was wroth with them that he caused the Moslems to prevail over them!&amp;quot; Then came the Arch Patriarch sadly to the King who said to him, &amp;quot;O our father, annihilation hath overtaken our army and the Messiah hath punished us!&amp;quot; Replied the Patriarch, &amp;quot;Grieve not nor feel concerned, for it cannot be but that one of you have sinned against the Messiah, and all have been punished for his offence; but now we will read prayers for you in the churches, that the Mohammeden hosts may be repelled from you.&amp;quot; After which the old woman, Zat al-Dawahi, came to Afridun and said to him, &amp;quot;O King, verily the Moslem hosts are many, and we shall never overcome them save by wile: wherefore I purpose to work upon them by guile and repair to this army of Al-Islam, haply I may win my wish of their leader and slay their champion, even as I slew his father. If my stratagem succeed in his case, not one of the host he leads shall return to his native land, for all are strong only because of him; but I desire to have some Christian dwellers of Syria, such as go out every month and year to sell their goods, that they may help me (for this they can do) in carrying out my plan.&amp;quot; Replied the King, &amp;quot;Be it so whenever thou wilt.&amp;quot; So she bade fetch an hundred men, natives of Najrán, in Sham, and the King asked them, &amp;quot;Have ye not heard what hath befallen the Christians with the Moslems?&amp;quot; &amp;quot;Yes,&amp;quot; answered they; and he rejoined, &amp;quot;Know ye that this woman hath devoted her life to the Messiah and purposeth to go forth with you, disguised as Monotheists and Mohammedans, to work out a device which shall profit us and hinder the Moslem from us: say, then, are ye also willing to devote yourselves to the Anointed and I will give you a quintal of gold? He of you who escapeth shall have the money, and him of you who dieth will the Messiah reward.&amp;quot; &amp;quot;O King,&amp;quot; replied they, &amp;quot;we will devote our lives to the Messiah, and we will be thy sacrifice.&amp;quot; Thereupon the old woman took all she required of aromatic roots and placed them in water which she boiled over the fire till the black essence of them was extracted. She waited till the decoction was cold, then dipped the corner of a long kerchief therein and stained her face therewith. Moreover, she donned over her clothes a long gaberdine with an embroidered border and took in her hand a rosary, and afterwards went in to King Afridun, who knew her not, nor did any of his companions know her, till she discovered herself to them: and there was none in the assembly but who thanked and praised her for her cunning; and her son rejoiced and said, &amp;quot;May the Messiah never fail thee!&amp;quot; Thereupon she took with her the Syrian Christians, and set out for the army of Baghdad.— And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Afridun heard these words, he fell into a fainting fit with his nose under his feet; and, as soon as he revived, fear fluttered the scrotum below his belly and he complained to the ancient dame, Zat al-Dawahi. Now this accursed old woman was a witch of the witches, past mistress in sorcery and deception; wanton and wily, deboshed and deceptious; with foul breath, red eyelids, yellow cheeks, dull brown face, eyes bleared, mangy body, hair grizzled, back humped, skin withered and wan and nostrils which ever ran. But she had studied the scriptures of Al-Islam and had made the Pilgrimage to the Holy House of Meccah and all this that she might come to the knowledge of the Mohammedan ordinances and the miraculous versets of the Koran; and she had professed Judaism in the Holy City of Jerusalem for two years' space, that she might master the magic of men and demons; so that she was a plague of plagues and a pest of pests, wrong headed as to belief and to no religion fief. Now the chief reason of her sojourn with her son, King Hardub of Greece, was on account of the slave virgins at his court: for she was given to tribadism and could not exist without sapphism or she went mad: so if any damsel pleased her, she was wont to teach her the art of rubbing clitoris against clitoris and would anoint her with saffron till she fainted away for excess of volupty. Whoso obeyed her she was wont to favour and make her son incline towards her; but whoso repelled her she would contrive to destroy; and so she abode for a length of time. This was known to Marjanah and Rayhánah and Utrijah, the handmaids of Abrizah, and their Princess loathed the old woman and abhorred to lie with her, because of the rank smell from her armpits, the stench of her fizzles more fetid than carrion, and the roughness of her hide coarser than palm fibre. She was wont to bribe those who rubbed parts with her by means of jewels and instructions; but Abrizah held aloof from her and sought refuge with the Omnipotent, the Omniscient; for, by Allah, right well quoth the poet,&#xA;&#xA;&amp;quot;Ho thou who grovellest low before the great * Nor over fording&#xA;             lesser men dost blench&#xA;Who gildest dross by dirham gathering, * No otter scent disguises&#xA;             carrion stench!&#xA;&#xA;And now to return to the story of her stratagem and the woes of her working. Presently she departed, taking the chief Nazarenes with their hosts, and turned towards the army of the Moslems. Whereupon King Hardub went in to King Afridun and said to him, &amp;quot;O King, we have no need of the Chief Patriarch nor of his prayers, but will consult my mother's counsel and observe what she will do with her craft unending against the Moslem hosts; for these are marching with all their power, they will soon be upon us and they will encircle us on all sides.&amp;quot; When King Afridun heard this, terror took hold upon his heart and he wrote letters, without stay or delay, to all the nations of the Nazarenes, saying, &amp;quot;It behoveth none of the Messiahites or Cross knights to hold back, especially the folk of the strongholds and forts: but let them all come to us, foot and horse, women and children, for the Moslem hosts already tread our soil. So haste! haste ye! ere what we fear to us here appear.&amp;quot; Thus much concerning them; but regarding the work of the old woman, Zat al-Dawahi; when she went forth from the city with her suite, she clad them in the clothing of Moslem merchants, having provided herself with an hundred mules carrying stuffs of Antioch, such as goldwoven satins and royal brocades and so forth. And she had taken a letter from King Afridun to the following effect: &amp;quot;These be merchantmen from the land of Sham who have been with us: so it besitteth none to do them harm or hindrance, nor take tax and tithe of them, till they reach their homes and safe places, for by merchants a country flourisheth, and these are no men of war nor of ill faith.&amp;quot; Then quoth the accursed Zat al-Dawahi to those with her, &amp;quot;Verily I wish to work out a plot for the destruction of the Moslem.&amp;quot; Replied they, &amp;quot;O Queen, command us whatso thou wilt; we are at thy disposal and may the Messiah never disappoint thy dealings!&amp;quot; Then she donned a gown of fine white wool and rubbed her forehead, till she made a great mark as of a scar and anointed it with an ointment of her own fashion, so that it shone with prodigious sheen. Now the old hag was lean bodied and hollow eyed, and she bound her legs tightly round with cords just above her feet, till she drew near the Moslem camp, when she unwound them, leaving their marks deeply embedded in her ankles. Then she anointed the wheels with dragon's blood and bade her companions beat her with a severe beating, and set her in a chest and, quoth she, &amp;quot;Cry abroad the Refrain of Unity, nor fear from it aught of damage!&amp;quot; Replied they, &amp;quot;How can we beat thee, who be our sovereign lady, Zat al-Dawahi, mother of the King we glory in?&amp;quot; Then said she, &amp;quot;We blame not nor deal reproach to him who goeth to the jakes, and in need evil becometh good deed. When ye have set me in the chest, take it and make it one of the bales and place it on mule back and fare forth with it and the other goods through the Moslem camp, and fear ye no blame. And if any of the Moslems hinder you, give up the mules and their lading and be take yourselves to their King, Zau al-Makan, and implore his protection saying, 'We were in the land of the Infidels and they took nothing from us, but wrote us a passport, that none shall do us hindrance or work our mischance.' If he ask you, 'What profit had ye of your property in the land of Roum?' answer him, 'We profited in the deliverance of a pious man, who had been bound down in an underground cell nigh fifteen years, crying out for help yet none helped him. Nay, the Infidels tortured him night and day. We knew not this; but, after we had tarried in Constantinople for some time, having sold our goods and bought others in their stead, we determined on and made ready for a return to our native land. We spent that night conversing about our journey and when day broke, we saw figured upon the wall a human form and as we drew nigh it, behold, it moved and said, 'O Moslems, is there amongst you one who is minded to woo the favour of the Lord of the three Worlds?' 'How so?' asked we; and the figure answered, 'Know that Allah hath made me speak to you, to the intent that your faith be fortified, and that your belief embolden you and that you may go forth of the country of the Infidels and repair to the Moslem host; for with them wones the Sword of the Com passionate One, of our Age the Champion, King Sharrkan, by whom He shall conquer Constantinople town and destroy the sect of the Nazarene. And when ye shall have journeyed three days, you will find an hermitage known as the Hermitage of the ascetic Matruhina and containing a cell; visit it with pure intent and contrive to arrive there by force of will, for therein is a Religious from the Holy City, Jerusalem, by name Abdullah, and he is one of the devoutest of mankind, endowed with the power of working saintly miracles such as dispel doubts and obscurity. Certain of the monks seized him by fraud and shut him up in a souterrain where he hath lain a long time. By his deliverance you will please the Lord of Faithful Men, for such release is better than fighting for the Faith.'&amp;quot; Now when the ancient dame and those with her had agreed upon such words, she said, &amp;quot;As soon as that which I impart shall reach the ears of King Sharrkan, say him further, 'Hearing this from that image we knew that the holy man'&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the old woman, Zat al-Dawahi, and those with her had agreed upon such words, she said, &amp;quot;Now as soon as that which I impart shall reach the ears of King Sharrkan say him further, 'Hearing these words from that image we knew that the holy man was indeed of the chiefest devotees and Allah's servants of purest qualities; so we made three days' march till we came in sight of that hermitage, and then we went up to it and passed the day in buying and selling, as is the wont of merchants. As soon as day had departed our sight and night was come to darken light, we repaired to the cell wherein was the dungeon, and we heard the holy man, after chanting some verses of the Koran, repeat the following couplets,&#xA;&#xA;'My heart disheartened is, my breast is strait, * And sinks my&#xA;            soul in sea of bale and bate&#xA;Unless escape be near I soon shall die; * And Death were better&#xA;             than this doleful strait:&#xA;O Lightning an thou light my home and folk, * An their still&#xA;             brighter charms thy shine abate,&#xA;Say, what my path to meet them, being barred * By wars, and&#xA;             barricado'd succour's gate?'&#xA;&#xA;&amp;quot;When once ye have brought me into the Moslem camp, and I mix with them you shall see,&amp;quot; the old woman continued, &amp;quot;how I will make shift to beguile them and slay them all, even to the last man.&amp;quot; The Nazarenes hearing whet she said, kissed her hands and set her in the chest, after they had beaten her with a grievous beating in obedience to her commands, for they saw it was incumbent on them to do her bidding in this; then they all made for the Moslem host as hath erst been said. Such was the case with the damned hag, Zat al-Dawahi and her companions; but as regards the Mohammeden army, they indeed, after Allah had given them victory over their enemies and they had plundered everything in the ships of money and hoards, all sat down to converse with one another and Zau al-Makan said to his brother Sharrkan, &amp;quot;Verily, Allah hath granted us to prevail because of our just dealing and discipline and concord amongst ourselves; wherefore continue, O Sharrkan, to obey my commandment, in submission to Allah (be He exalted and extolled!), for I mean to slay ten Kings in blood revenge for my sire, to cut the throat of fifty thousand Greeks and to enter Constantinople.&amp;quot; Replied Sharrkan, &amp;quot;My life be thy ransom against death! Needs must I follow out the Holy War, though I wone many a year in their country. But I have, O my brother, in Damascus a daughter, named Kuzia Fakan, whom I love heartily for she is one of the marvels of the time and she will soon be of age.' Said Zau al-Makan, &amp;quot;And I also have left my wife with child and near her time, nor do I know what Allah will vouchsafe me by her. But promise me, O my brother, that if Allah bless me with a son, thou wilt grant me thy daughter for wife to him, and make covenant with me and pledge me thy faith thereon.&amp;quot; &amp;quot;With love and good will, replied Sharrkan; and, stretching out his hand to his brother, he said, If she bring thee a son, I will give him my daughter Kuzia Fakan, to wife.&amp;quot; At this Zau al-Makan rejoiced, and they fell to congratulating each other on the victory over the enemy. And the Wazir Dandan also congratulated the two brothers and said to them, &amp;quot;Know, O ye Kings, that Allah hath given us the victory, for that we have devoted our lives to Him (be He exalted and ex tolled!); and we have left our homes and households; and it is my counsel that we follow up the foe and press upon him and harass him, so haply Allah shall enable us to win our wishes, and we shall destroy our enemies, branch and root. If it please you, do ye go down in these ships and sail over the sea, whilst we fare forward by land and bear the brunt of battle and the thrust of fight.&amp;quot; And the Minister Dandan ceased not to urge them to combat and repeated his words who said,&#xA;&#xA;&amp;quot;To slay my foes is chiefest bliss I wist, * And on the courser's&#xA;            back be borne a list;&#xA;Comes promising tryst a messenger from friend * Full oft, when&#xA;            comes the friend withouten tryst.&amp;quot;&#xA;And these words of another,&#xA;&#xA;&amp;quot;War for my mother (an I live) I'll take; * Spear for my brother;&#xA;           scymitar for sire&#xA;With every shag haired brave who meets his death * Smiling, till&#xA;           won from Doom his dear desire!&amp;quot;&#xA;&#xA;And when the Wazir ended his verses, he said, &amp;quot;Praise be to Him who aided us dear victory to uphold and who hath given us spoil of silver and fine gold!&amp;quot; Then Zau al-Makan commanded the army to depart; and they fared on forcing their marches for Constantinople, till they came to a wide and spacious champaign, full of all things fair and fain, with wild cattle frisking and gazelles pacing to and fro across the plain. Now they had traversed great deserts and drink had been six days cut off from them, when they drew near this meadow and saw therein waters founting and ripe fruits daunting and that land as it were Paradise; for it had donned its adornments and decked itself. Gently waved the branches of its trees drunken with the new wine of the dew, and combined with the nectar of Tasnim the soft breathings of the morning breeze. Mind and gazer were confounded by its beauty, even as saith the poet,&#xA;&#xA;&amp;quot;Behold this lovely garden! 'tis as though * Spring o'er its&#xA;           frame her greeny cloak had spread.&#xA;Looking with fleshly eyne, thou shalt but sight * A lake whose&#xA;            waters balance in their bed,&#xA;But look with spirit eyes and lo! shalt see * Glory in every&#xA;           leaf o'erwaves thy head.&amp;quot;&#xA;&#xA;And as another saith,&#xA;&#xA;&amp;quot;The stream's a cheek by sunlight rosy dyed, * Whose down&#xA;          is creeping shade of tamarisk stems&#xA;Round legs of tree trunks waveless roll in rings * Silvern, and&#xA;           blossoms are the diadems.&amp;quot;&#xA;&#xA;When Zau al-Makan saw this champaign, with its trees bowing and its flowers blooming and its birds warbling, he called to his brother Sharrkan and said, &amp;quot;O my brother, verily in Damascus is naught the like of this place. We will not march from it save after three days, that we may take rest ourselves and that the army of Al-Islam may regain strength and their souls be fortified to encounter the blamed Infidels.&amp;quot; So they halted therein and while camping behold, they heard a noise of voices from afar, and Zau al-Makan asked the cause thereof, and was answered that a caravan of merchants from the Land of Syria had halted there to rest and that the Moslem troops had come on them and had haply seized something of the goods which they had brought from the country of the Infidels. After a while up came the merchants, crying out and appealing to the King for aidance. When Zau al- Makan saw this, he bade them be brought before him and, when in presence they said to him, &amp;quot;O King, we have been in the country of the Infidels and they plundered us of nothing: why then do our brothers the Moslems despoil our goods, and we in their own land? Of a truth when we saw your troops, we went up to them and they robbed us of what we had with us and we have now reported to thee all that hath befallen us.&amp;quot; Thereupon they brought out to him the letter of the King of Constantinople, and Sharrkan read it and said, &amp;quot;We will presently restore to you what hath been taken from you; but yet it behoveth you not to carry merchandise to the country of the Infidels.&amp;quot; Replied they, &amp;quot;O our Lord, in very sooth Allah despatched us thither that we might win what Gházi never won the like of, not even thou in all thy razzias.&amp;quot; Asked Sharrkan, &amp;quot;What was it ye won?&amp;quot; &amp;quot;O King,&amp;quot; answered they, &amp;quot;we will not tell thee save in private; for if this matter be noised among the folk, haply it may come to the ears of some, and this will be the cause of our ruin and of the ruin of all Moslems who resort to the land of the Greeks.&amp;quot; Now they had hidden the chest wherein was the damned Zat al- Dawahi. So Zau al-Makan and his brother brought them to a private place, where they laid bare to both of them the story of the devotee, and wept till they made the two Kings weep.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the Nazarenes who wore merchants' weed, when brought to a private place by Zau al-Makan and his brother Sharrkan, laid bare to both of them the story of the devotee and wept till they made the two Kings weep and repeated to them all which had been taught by the old witch Zat al-Dawahi. Thereupon Sharrkan's heart yearned to the devotee and he was moved to ruth for him and was fired with zeal for the service of Almighty Allah. So quoth he to them, &amp;quot;Did ye rescue this holy man or is he still in the hermitage?&amp;quot; Quoth they, &amp;quot;We delivered him and slew the hermit, fearing for our lives; after which we made haste to fly for dread of death; but a trusty man told us that in this hermitage are quintals of gold and silver and stones of price.&amp;quot; Then they fetched the chest and brought out the accursed old woman, as she were a cassia pod for excess of blackness and leanness, and she was laden with the same fetters and shackles. When Zau al-Makan and the bystanders saw her, they took her for a man of the best of Allah's devotees and surpassing in pious qualities, more especially because of the shining of her forehead for the ointment wherewith she had anointed her face. So Zau al-Makan and Sharrkan wept sore; then they rose up in honour and kissed her hands and feet, sobbing aloud: but she signed to them and said, &amp;quot;Cease this weeping and hear my words. Hereat they dried their tears in obedience to her bidding, and she said, &amp;quot;Know ye both that I was content to accept what my Lord did unto me, for I kenned that the affliction which befel me was a trial from Him (be He exalted and extolled!); and whoso hath not patience under calamity and tribulation, for him there is no coming to the delights of Paradise. I had indeed supplicated Him that I might return to my native land, not as a compensation for the sufferings decreed to me, but that I might die under the horse hoofs of warriors fighting for the Faith who, being slain in fray, live again without suffering death.&amp;quot; Then she repeated the following couplets,&#xA;&#xA;&amp;quot;Our Fort is Tor, and flames the fire of fight: * Moses&#xA;            art thou and this is time for aid:&#xA;Cast down thy rod, 'twill swallow all they wrought, * Nor dread&#xA;            for men their ropes be vipers made.&#xA;For Chapters read on fight day lines of foes, * And on their&#xA;            necks 'grave versets wi' thy blade!&amp;quot;&#xA;&#xA;When the old woman had ended her verse, her eyes overflowed with tears and her forehead under the unguent shone like gleaming light, and Sharrkan rose and kissed her hand and caused food be brought before her: but she refused it, saying, &amp;quot;I have not broken my fast by day for fifteen years; and how should I break it at such a time when my Lord hath been bountiful to me in delivering me from the captivity of the Infidels and removing from me that which was more grievous to me than torment of fire? I will wait till sun down.&amp;quot; So when it was nightfall, Sharrkan and Zau al-Makan came and served her with food and said, &amp;quot;Eat, O ascetic!&amp;quot; But she said, &amp;quot;This is no time for eating; it is the time for worshipping the Requiting King.&amp;quot; Then she stood up in the prayer niche and remained praying till the night was spent; and she ceased not to do after this fashion for three days and nights, sitting not but at the time of the Salám or salutation ending with several prayers. When Zau al- Makan saw her on this wise, firm belief in her get hold of his heart and he said to Sharrkan, &amp;quot;Cause a tent of perfumed leather to be pitched for this Religious, and appoint a body servant to wait upon him.&amp;quot; On the fourth day she called for food; so they brought her all kinds of meats that could seduce the sense or delight the sight; but of all this she would eat only a scone with salt. Then she again turned to her fast and, as the night came, she rose anew to pray; when Sharrkan said to Zau al-Makan, &amp;quot;Verily, this man carrieth renunciation of the world to the extreme of renouncing, and, were it not for this Holy War, I would join myself to him and worship Allah in his service, till I came before His presence. And now I desire to enter his tent and talk with him for an hour.&amp;quot; Quoth Zau al-Makan, &amp;quot;And I also: tomorrow we sally forth to fight against Constantinople, and we shall find no time like the present.&amp;quot; Said the Wazir Dandan, &amp;quot;And I no less desire to see this ascetic; haply he will pray for me that I find death in this Holy War and come to the presence of my Lord, for I am aweary of the world.&amp;quot; So as soon as night had darkened, they repaired to the tent of that witch, Zat al-Dawahi; and, seeing her standing to pray, they drew near her and fell a weeping for pity of her; but she paid no heed to them till midnight was past, when she ended her orisons by pronouncing the salutation. Then she turned to them and after wishing them long life, asked them &amp;quot;Wherefore come ye?&amp;quot;, whereto they answered, &amp;quot;O thou holy man! diddest thou not hear us weep around thee?&amp;quot; She rejoined, &amp;quot;To him who standeth in the presence of Allah, remaineth no existence in time, either for hearing any or for seeing aught about him.&amp;quot; Quoth they, &amp;quot;We would have thee recount to us the cause of thy captivity and pray for us this night, for that will profit us more than the possession of Constantinople.&amp;quot; Now when she heard their words she said, &amp;quot;By Allah, were ye not the Emirs of the Moslems, I would not relate to you aught of this at any time; for I complain not but to Allah alone. However, to you I will relate the circumstances of my captivity. Know, then, that I was in the saintly City of Jerusalem with certain ecstatics and inspired men, and did not magnify myself among them, for that Allah (be He exalted and extolled!) had endowed me with humility and abnegation, till I chanced to go down to the sea one night and walked upon the water. Then entered into me pride; whence I know not, and I said to myself, 'Who like me can walk the water?' And my heart from that time hardened and Allah afflicted me with the love of travel. So I journeyed to Roum land and visited every part for a whole year, and left no place but therein I worshiped Allah. When I came to this spot, I clomb the mountain and saw there an hermitage, inhabited by a monk called Matrubina, who, when he sighted me, came out and kissed my hands and feet and said, 'Verily, I have seen thee since thou enteredst the land of the Greeks, and thou hast filled me with longing for the land of Al-Islam.' Then he took my hand and carried me into that hermitage, and brought me to a dark room; and, when I entered it unawares, he locked the door on me and left me there forty days, without meat or drink; for it was his intent to kill me by delay. It chanced one day, that a Knight called Dakianús came to the hermitage, accompanied by ten squires and his daughter Tamásil, a girl whose beauty was incom parable. When they entered that hermitage, the monk Matruhina told them of me, and the Knight said, 'Bring him out, for surely there is not on him a bird's meal of meat.' So they opened the door of the dark room and found me standing in the niche, praying and reciting the Koran and glorifying Allah and humbling myself before the Almighty. When they saw me in this state Matrohina exclaimed, 'This man is indeed a sorcerer of the sorcerers!'; and hearing his words, they all came in on me, Dakianus and his company withal, and they beat me with a grievous beating, till I desired death and reproached myself, saying, 'This is his reward who exalteth himself and who prideth himself on that which Allah hath vouchsafed to him, beyond his own competence! And thou, O my soul, verily self esteem and arrogance have crept into thee. Dost thou not know that pride angereth the Lord and hardeneth the heart and bringeth men to the Fire?' Then they laid me in fetters and returned me to my place which was the dungeon under ground. Every three days, they threw me down a scone of barley bread and a draught of water; and every month or two the Knight came to the hermitage. Now his daughter Tamasil had grown up, for she was nine years old when I first saw her, and fifteen years passed over me in captivity, so that she had reached her four and twentieth year. There is not in our land nor in the land of the Greeks a fairer than she, and her father feared lest the King take her from him; for she had vowed herself to the Messiah and rode with Dakianus in the habit of a cavalier, so that albeit none might compare with her in loveliness, no one who saw her knew her for a woman. And her father had laid up his monies in this hermitage, every one who had aught of price or treasured hoard being wont to deposit it therein; and I saw there all manner of gold and silver and jewels and precious vessels and rarities, none may keep count of them save Almighty Allah. Now ye are worthier of these riches than those Infidels; so lay hands on that which is in the hermitage and divide it among the Moslems and especially on fighters in the Holy War. When these merchants came to Constantinople and sold their merchandise, that image which is on the wall spoke to them, by grace of a marvel which Allah granted to me; so they made for that hermitage and slew Matruhina, after torturing him with most grievous torments, and dragging him by the beard, till he showed them the place where I was; when they took me and found no path but flight for dread of death. Now tomorrow night Tamasil will visit that hermitage as is her habit, and her father and his squires will come after her, as he feareth for her; so, if ye would witness these things, take me with you and I will deliver to you the monies and the riches of the Knight Dakianus which be in that mountain; for I saw them bring out vessels of gold and silver to drink therefrom, and I heard a damsel of their company sing to them in Arabic and well-away! that so sweet a voice should not be busied in chaunting the Koran. If, then, ye will; enter into that hermitage and hide there against the coming of Dakianus and his daughter; and take her, for she is fit only for the King of the Age, Sharrkan, or King Zau al-Makan.&amp;quot; Thereat they all rejoiced with the exception of the Wazir Dandan, who put scant faith in her story, for her words took no hold on his reason, and signs of doubt in her and disbelief showed in his face. Yet he was confounded at her discourse, but he feared to speak with her for awe of the King. Then quoth the ancient dame, Zat al-Dawahi, &amp;quot;Verily, I fear lest the Knight come and, seeing these troops encamped in the meadow, be afraid to enter the hermitage.&amp;quot; So Zau al-Makan ordered the army to march upon Constantinople and said, &amp;quot;I have resolved to take with me an hundred horse and many mules and make for that mountain, where we will load the beasts with the monies which be in the hermitage.&amp;quot; Then he sent at once for the Chief Chamberlain whom they brought into the presence; and he summoned likewise the leaders of the Turks and Daylamites and said, &amp;quot;As soon as it is dawn, do ye set forth for Constantinople; and thou, O Chamberlain, shalt take my place in council and contrivance, while thou, O Rustam, shalt be my brother's deputy in battle. But let none know that we are not with you and after three days we will rejoin you.&amp;quot; Then he chose out an hundred of the doughtiest riders, and he and Sharrkan and the Minister Dandan set out for the hermitage, and the hundred horsemen led the mules with chests for transporting the treasure.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan and his brother, Zau al-Makan and the Wazir Dandan set off with an hundred horse for the hermitage described to them by that accursed Zat al-Dawahi, and they took with them mules and chests for transporting the treasure. Now as soon as dawned the morn, the Chamberlain signalled to the host an order for departure, and they set out thinking that the two Kings and the Wazir were with them; knowing not that the three had made for the monastery. Such was the case with the host, but as regards the two Kings and the Minister, they tarried in their place till the end of that day. Now the Infidels who were with Zat al-Dawahi took their departure privily, after they had gone in to her and kissed her hands and feet and obtained her leave to march. So she not only gave them permission but also taught them all she minded of wile and guile. And when it was dark night, she arose and went in to Zau al-Makan and his companions and said to them, &amp;quot;Come, let us set out for the mountain, and take with you a few men at arms.&amp;quot; They obeyed her and left five horsemen at the foot of the mountain, whilst the rest rode on before Zat al-Dawahi, who gained new strength for excess of joy, so that Zau al-Makan said, &amp;quot;Glory be to Him who sustaineth this holy man, whose like we never saw!&amp;quot; Now the witch had written a letter to the King of Constantinople and despatched it on the wings of a bird, acquainting him with what had passed and ending, &amp;quot;I wish thee to send me ten thousand horsemen of the bravest of the Greeks and let them steal along the foot of the mountains with caution, lest the host of Al-Islam get sight of them; and, when they reach the hermitage, let them ambush themselves there, till I come to them with the Moslem King and his brother, for I shall inveigle them and will bring them thither, together with the Wazir and an hundred horse and no more, that I may presently deliver to them the crosses which be in the hermitage. I am resolved to slay the Monk Matruhina, since my scheme cannot be carried out but by taking his life. If my plot work well, not one of the Moslems shall return to his own country; no, not a living wight nor one who blows the fire alight; and Matruhina shall be a sacrifice for the followers of the Nazarene faith and the servants of the Cross, and praise be to the Messiah, first and last.&amp;quot; When this letter reached Constantinople, the keeper of the carrier pigeons carried it to King Afridun, who read it and forthwith inspected his host and equipped ten thousand cavaliers with horses and dromedaries and mules and provaunt and bade them repair to that hermitage and, after reaching the tower, to hide therein. Thus far concerning them; but as regards King Zau al-Makan and his brother Sharrkan and the Wazir Dandan and the escort, when they reached the hermitage they entered and met the Monk Matruhina, who came out to see who and what they were; whereupon quoth that pious man Zat al-Dawahi, &amp;quot;Slay this damned fellow.&amp;quot; So they smote him with their swords and made him drink the cup of death. Then the accursed old woman carried them to the place of offerings and ex votos, and brought out to them treasures and precious things more than she had described to them; and after gathering the whole together, they set the booty in chests and loaded the mules therewith. As for Tamasil, she came not, she or her father, for fear of the Moslems; so Zau al-Makan tarried there, awaiting her all that day and the next and a third, till Sharrkan said to him, &amp;quot;By Allah, I am troubled anent the army of Al-Islam, for I know not what is become of them.&amp;quot; His brother replied, &amp;quot;And I also am concerned for them: we have come by this great treasure and I do not believe that Tamasil or any one else will approach the hermitage, after that befel which hath befallen the host of the Christians. It behoveth us, then, to content ourselves with what Allah hath given us and depart; so haply He will help us conquer Constantinople.&amp;quot; Accordingly they came down from the mountain, while Zat al-Dawahi was impotent to oppose their march for fear of betraying her deceit; and they fared forwards till they reached the head of a defile, where the old woman had laid an ambush for them with the ten thousand horse. As soon as these saw the Moslems they encircled them from all sides, couching lance and baring the white sabre blade; and the Infidels shouted the watch word of their faithless Faith and set the shafts of their mischief astring. When Zau al-Makan and his brother Sharrkan and the Minister Dandan looked upon this host, they saw that it was a numerous army and said, &amp;quot;Who can have given these troops information of us?&amp;quot; Replied Sharrkan, &amp;quot;O my brother, this be no time for talk; this is the time for smiting with swords and shooting with shafts) so gird up your courage and hearten your hearts, for this strait is like a street with two gates; though, by the virtue of the Lord of Arabs and Ajams, were not the place so narrow I would bring them to naught, even though they were an hundred thousand men!&amp;quot; Said Zau al-Makan, &amp;quot;Had we wotted this we would have brought with us five thousand horse;&amp;quot; and the Wazir Dandan continued, &amp;quot;If we had ten thousand horse they had availed us naught in these narrows; but Allah will succour us against them. I know this defile and its straitness, and I know there be many places of refuge in it; for I have been here on razzia with King Omar bin al-Nu'uman, what while we besieged Constantinople. We abode in this place, and here is water colder than snow. So come, let us push out of this defile ere the Infidel host increase on us and get the start of us to the mountain top, whence they will hurl down rocks upon us, and we powerless to come at them.&amp;quot; So they began hurrying on to get out of those narrows; but the pious man, Zat al-Dawahi, looked at them and said, &amp;quot;What is it ye fear, ye who have vowed yourselves to the Lord, and to working His will? By Allah, I abode imprisoned underground for fifteen years, yet never gainsaid the Almighty in aught he did with me! Fight ye in Allah's way; so whoever of you is slain Paradise shall be his abode, and whoso slayeth, his striving shall be to his honour.&amp;quot; When they heard from the ascetic these words, their care and anxiety ceased from them and they stood firm till the Infidels charged down from all sides, whilst the swords played upon their necks and the cup of death went round amongst them. The Moslems fought for the service of Allah a right good fight, and wrought upon His foes with sway of sword and lunge of lance; whilst Zau al-Makan smote upon the men and garred the knights bite the dust and their heads from their bodies take flight, five by five and ten by ten, till he had done to death a number of them past numbering and an accompt beyond counting. Now while so doing, he looked at the accursed old woman who was waving her sword and heartening them, and all who feared fled to her for shelter; but she was also signing the Infidels to slay Sharrkan. So troop after troop rushed on him with design to do him die; but each troop that charged, he charged and drove back; and when another troop attacked him he repelled the assault with the sword in their backs; for he thought it was the devotee's blessing that gave him the vic tory, and he said in himself, &amp;quot;Verily on this holy men Allah looketh with eyes of His favour and strengtheneth my prowess against the Infidels with the purity of his pious intent: for I see that they fear me and cannot prevail against me, but every one who assaileth me turneth tail and taketh flight.&amp;quot; So they battled the rest of the day and, when night fell, the Moslems took refuge in a cave of that defile being weary with stress of war and cast of stone: and that day were slain of them five and forty. And when they were gathered together, they sought the devotee, but could find no trace of him; and this was grievous to them and they said, &amp;quot;Belike, he hath died a martyr.&amp;quot; Quoth Sharrkan, &amp;quot;I saw him heartening the horsemen with divine instances and using as talisman verses of Holy Writ.&amp;quot; Now while they were talking, behold, the accursed old woman, Zat al-Dawahi, stood before them, hending in hand the head of the Chief Captain of the ten thousand horse, a noble knight, a champion fierce in fight and a Satan for blight. One of the Turks had slain him with an arrow, and Allah hurried his soul to the fire; and when the Infidels saw what that Moslem had done with their leader, they all fell on him and wrought his bane and hewed him in pieces with their swords, and Allah hurried his soul to Heaven. Then the accursed old woman cut off that Knight's head and brought it and threw it at the feet of Sharrkan and Zau al-Makan and the Wazir Dandan. Now when Sharrkan sew her, he sprang up hastily before her and exclaimed, &amp;quot;Praised be Allah for thy safety and for our sighting thee, O holy man and devout champion of the Religion!&amp;quot; Replied she, O my son, I have sought martyrdom this day, and have thrown my life away amid the Infidel array, but they feared me with dismay. When ye dispersed, I waxed jealous for your honour; so I rushed on the Chief Knight their leader, albeit he was a match for a thousand horse, and I smote him till I severed head from trunk. Not one of the Infidels could near me; so I brought his head to you,&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the Ninety-seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the damned witch, Zat al-Dawahi, took the head of the Knight, the leader of the twenty thousand Infidels, she brought it and threw it down before Zau al-Makan and his brother Sharrkan and the Wazir Dandan, saying, &amp;quot;When I saw your condition, I waxed jealous for your honour; so I rushed on the Chief Knight and smote him with the sword till I severed head from trunk. And none could near me, so I brought his head to you, that you may be strengthened in Holy War and work out with your swords the will of the Lord of the Faithful. And now I purpose leaving you to strive against the Infidels, whilst I go to your army, though they be at the gates of Constantinople, and return with twenty thousand horse to destroy these Unfaithfuls.&amp;quot; Quoth Sharrkan, &amp;quot;How wilt thou pass to them, O thou holy man, seeing that the valley is blocked up on all sides by the Miscreants?&amp;quot; Quoth the accursed hag, &amp;quot;Allah will veil me from their eyes and they shall not sight me; nor, if any saw me, would he dare to attack me at that time, for I shall be as one non existing, absorbed in Allah, and He will fend off from me His foes.&amp;quot; &amp;quot;Thou sayest sooth, O holy man,&amp;quot; rejoined Sharrkan, &amp;quot;for indeed I have been witness of that; so, if thou can pass out at the first of the night, 'twill be best for us.&amp;quot; Replied she, &amp;quot;I will set out at this very hour and, if thou desire, thou shalt go with me and none shall see thee. Furthermore if thy brother also have a mind to go with us we will take him, but none else; for the shadow of a saint can cover only twain.&amp;quot; Sharrkan said, &amp;quot;As for me I will not leave my comrades; but, if my brother will, there is no harm in his going with thee and setting us free of this strait; for he is the stronghold of the Moslems and the sword of the Lord of the three Worlds; and if it be his pleasure, let him take with him the Wazir Dandan, or whom else he may elect and send us ten thousand horse to succour us against these caitiffs.&amp;quot; So after debate they agreed on this and the old woman said, &amp;quot;Give me leisure to go before you and consider the condition of the Infidels, if they be asleep or awake.&amp;quot; Quoth they, &amp;quot;We will not go forth save with thee and trust our affair to Allah.&amp;quot; &amp;quot;If I do your bidding,&amp;quot; replied she, &amp;quot;blame me not but blame yourselves; for it is my rede that you await me till I bring you tidings of the case.&amp;quot; Then said Sharrkan, &amp;quot;Go to them and delay not from us, for we shall be awaiting thee.&amp;quot; Thereupon she fared forth and Sharrkan turned to his brother addressing him and said, &amp;quot;Were not this holy man a miracle worker, he had never slain yonder furious knight. This is proof sufficient of the ascetic's power; and of a truth the pride of the Infidels is laid low by the slaying of this cavalier, for he was violent, an evil devil and a stubborn.&amp;quot; Now whilst they were thus devising of the mighty works of the devotee, behold, the accursed Zat al-Dawahi came upon them and promised them victory over the Unbelievers; wherefor they thanked her (not knowing that all this was wile and guile) and the damned hag asked, &amp;quot;Where be the King of the Age, Zau al-Makan, and the Minister Dandan?&amp;quot; Answered he, &amp;quot;Here am I!&amp;quot; Take with thee thy Wazir,&amp;quot; said she, &amp;quot;and follow after me, that we may fare forth to Constantinople.&amp;quot; Now she had acquainted the Infidels with the cheat she had put upon the Moslems, and they rejoiced with exceeding great joy, and said, Our hearts will not be contented till we shall have slain their King in return for the Knight's death; because we had no stouter rider than he;&amp;quot; and they added (bespeaking the ill omened hag as she told them her plan of faring to the land of the Moslems), &amp;quot;When thou bringest him to us, we will bear him to King Afridun.&amp;quot; Then she went out and went out with her Zau al-Makan and the Minister Dandan, and she walked on before the two saying, &amp;quot;Fare forth with the blessing of Almighty Allah!&amp;quot; So they did her bidding, for the shaft of Pate and Fortune of man's lot had shot them, and she ceased not leading them both through the midst of the Grecian camp, till they came to the defile, the narrow pass aforesaid, whilst the Infidel enemy watched them, but did them no hindrance; for the infernal old woman had enjoined this. Now when Zau al-Makan and the Wazir Dandan saw that the Infidel host offered them no let and stay and yet had them in sight, the Wazir exclaimed, &amp;quot;By Allah, this is one of the holy man's saintly miracles! and doubtless he be of the elect.&amp;quot; Rejoined Zau al-Makan, &amp;quot;By Allah, I think the Infidels be naught but blind, for we see them and they see us not.&amp;quot; And while they were thus praising the holy man and recounting his mighty works and his piety and his prayers, behold, the Infidels charged down on them from all sides and surrounded them and seized them, saying, &amp;quot;Is there anyone else with you twain, that we may seize upon him too?&amp;quot; And the Wazir Dandan replied, &amp;quot;See you not yon other man that is before us? ' Replied the Unbelievers, &amp;quot;By the truth of the Messiah and the Monks, and the Primate and the Metropolitan, we see none save you two!&amp;quot; Then Zau Al-Makan said, &amp;quot;By Allah, this is a chastisement decreed to us by Almighty Allah!&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-eighth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when the Unfaithful had seized upon King Zau al-Makan and the Wazir Dandan, they said to the two, &amp;quot;Is there anyone else with you twain, that we may seize upon him also?&amp;quot; And the Wazir Dandan replied, &amp;quot;See you not yon other man who be with us?&amp;quot; They rejoined, &amp;quot;By the truth of the Messiah and the Monks and the Primate and the Metropolitan, we see none save you two!&amp;quot; Then the Infidels laid shackles on their feet and set men to guard them during the night, whilst Zat al-Dawahi fared on and disappeared from their sight. So they fell to lamenting and saying to each other, &amp;quot;Verily, the opposing of pious men leadeth to greater distress than this, and we are punished by the strait which hath befallen us.&amp;quot; So far concerning Zau al-Makan and the Wazir Dandan; but as regards King Sharrkan, he passed that night in the cavern with his comrades, and when dawned the day and he had prayed the morn prayer, he and his men made ready to do battle with the Infidel and he heartened them and promised them all good. Then they sallied out till they were hard upon the Unbelievers and, when these saw them from afar, they cried out to them, saying, &amp;quot;O Moslems, we have taken captives your Sultan and your Wazir who hath the ordering of your affairs; and except ye leave off fighting us, we will slay you to the last man; but an you yield yourselves we will take you to our King, who will make peace with you on condition that you quit our country and return home and harm us in naught, and we will do you no harm in aught. If ye accept, it will be well for you; but if ye refuse there remaineth nothing for you but death. So we have told you sooth, and this is our last word to you.&amp;quot; Now when Sharrkan heard this and was certified of the captivity of his brother and the Wazir Dandan, he was weighed down with woe and wept; his force failed him and, making sure of death, he said to himself, &amp;quot;Would I knew the cause of their capture! Did they fail of respect to the holy man or disobey him, or what was the matter?&amp;quot; Then they sprang up to battle with the Unbelievers and slew great numbers of them. The brave was known that day from craven men, and sword and spear were dyed with bloody stain; for the Infidels flocked up on them, as flies flock to drink, from hill and from plain; but Sharrkan and his men ceased not to wage the fight of those who fear not to die, nor let death hinder them from the pursuit of victory, till the valley ran gore and earth was full of the slain she bore. And when night fell the armies separated each making for his own place; and the Moslems returned to the cavern where gain and loss were manifest to them: few remained of them and there was no dependence for them but on Allah and the scymitar. Now there had been slain of them that day five and thirty men of the chiefest Emirs, and they had killed thousands of the Infidels, footmen and fighters on horse. When Sharrkan saw this, the case was grievous to him and he asked his comrades &amp;quot;What shall we do?&amp;quot;; whereto all answered, &amp;quot;That which Almighty Allah willeth shall befal us.&amp;quot; On the morning of the second day, Sharrkan said to the remnant of his troop, &amp;quot;If ye go forth to fight, not one of you will remain alive and we have but little left of food and water; so I deem ye would do better to bare your brands and go forth and stand at the mouth of this cavern, to hinder any from entering. Haply the holy man may have reached the Moslem host, and may return with ten thousand horses to succour us in fight with the Infidels, for belike the Unfaithful may have failed to see him and those with him.&amp;quot; They said, This were the better course to take, and of its expediency no doubt we make.&amp;quot; So the troop went out and held the cavern mouth standing by its walls; and every one of the Infidels who sought to enter in, they slew. Thus did they fend off the foe from the gape of the cave and they patiently supported all such assaults, till day was done and night came on dusky and dun;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the Ninety-ninth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that the army of the Moslems held the cavern mouth and stood by its walls and they fended off the foe, and every one of the Infidels attempted to charge them, him they slew; and they patiently supported all such assaults till day was done and night came on dusky and dun, by which time King Sharrkan had only five and twenty men and no more left. Then quoth the Infidels to one another, &amp;quot;When shall these battle days have an end? We are weary of warring the Moslems.&amp;quot; And quoth one of them, &amp;quot;Up and at them, for there remain of them but five and twenty men! If we cannot prevail on them to fight, let us light a fire upon them; and if they submit themselves and yield to us, we will take them prisoners; but if they refuse we will leave them for fuel to the fire, so shall they become to men of foreseeing mind a warning dire. May the Messiah on their fathers have no grace, and may the sojourn of the Nazarenes be for them no abiding place!&amp;quot; So they carried fuel to the jaws of the cavern and set fire to it. Thereupon Sharrkan and his companions made sure of perdition and yielded themselves prisoners. And while they were in this condition, lo! the knight their captain said to those who counselled their slaughter, &amp;quot;It is not for any save for King Afridun to kill them, that he may gratify his wrath; therefore it behoveth us to keep them in durance by us till the morrow, when we will journey with them to Constantinople and deliver them to our King, who shall deal with them as he please.&amp;quot; Said they, &amp;quot;This is the right course;&amp;quot; and he commanded to pinion them and set guards over them. Then, as soon as it was black night, the Infidels busied themselves with feasting and making festival; and they called for wine and drank it till all fell upon their backs. Now Sharrkan and his brother, Zau al-Makan, were in confinement and so also were his companion knights; whereupon the elder turned to the younger brother and said to him, &amp;quot;O my brother, how win free?&amp;quot; &amp;quot;By Allah,&amp;quot; replied Zau al Makan, &amp;quot;I know not; for here we be like birds in cage.&amp;quot; Then Sharrkan waxed wroth and sighed for excess of rage and stretched himself, till his pinion bonds brass asunder; whereupon being free he arose and went up to the Captain of the guard, and taking from his pocket the keys of the fetters, freed Zau al-Makan and the Wazir Dandan and the rest of his men. Then he turned to the two and said, &amp;quot;I desire to slay three of these Infidels and take and don their dress, we three; so that we shall be guised as Greeks and we will pass through them, with out their knowing us, and fare forth to our own force.&amp;quot; Replied Zau al-Makan, &amp;quot;This is no safe counsel for if we kill them, I fear some of their comrades may hear their shrieks and the foe be aroused upon us and kill us. 'Twere the surer way to pass out of the defile.&amp;quot; So they agreed upon this and set out; and, when they had left the head of the strait a little distance behind, they saw horses picketed and the riders sleeping: and Sharrkan said to his brother, &amp;quot;Better we take each one of us a steed.&amp;quot; There were five and twenty horsemen, so they took five and twenty horses, whilst Allah sent sleep upon the Infidels for a purpose He knew and the Faithful mounted and fared on till they were out of reach. Meanwhile Sharrkan set to gathering from the Infidels as many weapons, swords, and spears, as were wanted. And while they took saddle and struck forwards none of the Infidels supposed that anyone could release Zau al-Makan and his brother and their men; or that their prisoners had power to escape. Now when all the captives were safe from the Unfaithful, Sharrkan came up with his comrades, and found them awaiting his arrival, on coals of flame, expecting him in anxious grame, so he turned to them and said, &amp;quot;Feel no fear since Allah protecteth us. I have that to propose which haply shall effect our purpose.&amp;quot; &amp;quot;What is it?&amp;quot; asked they and he answered, &amp;quot;I desire that ye all climb to the mountain top and cry out with one voice, 'Allaho Akbar!' and ye add, 'The army of Al Islam is upon you! Allaho Akbar!' This wise their company will surely be dissolved nor will they find out the trick for they are drunk, but they will think that the Moslem troops have encompassed them about on all sides and have mingled with them; so they will fall on one another brand in hand during the confusion of drunkenness and sleep, and we will cleave them asunder with their own swords and the scymitar will go round amongst them till dawn.&amp;quot; Replied Zau al-Makan, &amp;quot;This plan is not good; we should do better to make our way to our army and speak not a word; for if we cry out 'Allaho Akbar,' they will wake and fall on us and not one of us will escape.&amp;quot; Rejoined Sharrkan, &amp;quot;By Allah, though they should awake tis no matter, and I long that ye fall in with my plan, for naught save good can come of it!&amp;quot; So they agreed thereon and clomb the mountain and shouted, &amp;quot;Allaho Akbar!&amp;quot; And hills and trees and rocks reworded their Allaho Akbar for fear of the Almighty. But when the Kafirs heard this slogan they cried out to one another,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundredth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan spake thus, &amp;quot;I long that ye fall in with this my plan, for naught save good can come of it.&amp;quot; So they agreed thereon and clomb the mountain head and shouted, &amp;quot;Allaho Akbar!&amp;quot;; and hills and trees and rocks re worded their Allaho Akbar for fear of the Almighty. The Infidels heard it and cried out one to other and donned their armour and said, &amp;quot;The foe is upon us, by the truth of the Messiah!&amp;quot; Then they fell on one another and slew of their own men more than any knoweth save Almighty Allah. As soon as it was dawn, they sought for the captives, but found no trace of them, and their captains said, &amp;quot;They who did this were the prisoners in our possession; up, then, and after them in all haste till ye overtake them, when we will make them quaff the cup of requital; and let not fright nor the panic of sudden awaking possess you.&amp;quot; So they took horse and rode after the fugitives and it wanted but an eye twinkling before they overtook them and surrounded them. Now when Zau al-Makan saw this, he was seized with increase of terror and said to his brother, &amp;quot;What I feared would come, is come upon us, and now it remaineth only for us to fight for the Faith.&amp;quot; But Sharrkan preferred to hold his peace. Then Zau al- Makan and his companions rushed down from the hill crest, shouting, &amp;quot;Allaho Akbar!&amp;quot; and his men repeated the war cry and addressed themselves to fight and to sell their lives in the service of the Lord of Faithful Men; and while they were in this case, behold, they heard many voices voicing, &amp;quot;There is no god but the God! God is most great! Salutation and salvation upon the Apostle, the Bringer of glad Tidings, the Bearer of bad Tidings!'' So they turned towards the direction of the sound and saw a company of Moslems who believed in one God, pushing towards them, whereat their hearts were heartened and Sharrkan charged upon the Infidels crying out, &amp;quot;There is no god but the God! God is most great! he and those with him, so that earth quaked as with an earthquake and the Unbeliever host brake asunder and fled into the mountains and the Moslems followed them with lunge and blow; and Zau al-Makan and his comrades of the Moslems ceased not to smite the hosts of the Infidel foe, and parted heads from bodies till day darkened and night coming on starkened sight. Thereupon the Moslems drew together and passed the night in congratulations, and, when morning dawned and daybreak shone with its shine and sheen, they saw Bahram, the captain of the Daylamites, and Rustam, the captain of the Turks, advancing to join them, with twenty thousand cavaliers like lions grim. As soon as they saw Zau al-Makan, the riders dismounted and saluted him, and kissed ground between his hands when he said to them, &amp;quot;Rejoice ye in the glad tidings of the victory of the Moslem and the discomfiture of the tribe of Unbelievers!&amp;quot; Then they gave one another joy of their deliverance and of the greatness of their reward after Resurrection Day. Now the cause of the coming of the succours to that place was this. When the Emir Bahram and the Emir Rustam and the Chief Chamberlain, with the Moslem host and flags flaunting high ahead, came in sight of Constantinople they saw that the Nazarenes had mounted the walls and manned the towers and the forts, and had set all their defenders in order of defence, as soon as they learned of the approach of the host of Al-Islam and the banners Mohammedan, and they heard the clash of arms and the noise of war voices and tramp of horse hoofs and from their look outs they beheld the Moslems, with their standards and ensigns of the Faith of Unity under the dust clouds and lo! they were like a flight of locusts or rain clouds raining rain, and the voices of the Moslems chanting the Koran and glorifying the Compassionate One, struck their ears. Now the Infidels knew of the approach of this host through Zat al-Dawahi with her craft and whoredom, calumny and contrivance. And the armies of Al-Islam drew near, as it were the swollen sea, for the multitude of footmen and horsemen and women and children. Then quoth the General of the Turks to the General of the Daylamites, &amp;quot;O Emir, of a truth, we are in jeopardy from the multitude of the foe who is on the walls. Look at yonder bulwarks and at this world of folk like the seas that clash with dashing billows. Indeed yon Infidel outnumbereth us an hundredfold and we cannot be safe from spies who may inform them that we are without a Sultan. In very sooth, we run danger from these enemies, whose numbers may not be told and whose resources none can withhold, especially in the absence of King Zau al-Makan and his brother Sharrkan and the illustrious Wazir Dandan. If they know of this, they will be emboldened to attack us in their absence and with the sword they will annihilate us to the last man; not one of us safety shall see. So it is my counsel that thou take ten thousand riders of the allies and the Turks, and march them to the hermitage of Matruhina and the meadow of Malúkhiná in quest of our brothers and comrades. If thou act by my advice, it may be we shall approve ourselves the cause of their deliverance, in case they be hard pressed by the Infidels; and if thou act not, blame will not attach to me. But, an ye go, it behoveth that ye return quickly, for ill suspicion is part of prudence.&amp;quot; The Emir aforesaid fell in with his counsel; so they chose twenty thousand horse and they set out covering the roads and making for the monastery above mentioned. So much for the cause of their coming; but as regards the ancient dame, Zat al-Dawahi, as soon as she had delivered Sultan Zau al-Makan and his brother Sharrkan and the Wazir Dandan into the hands of the Infidels, the foul whore mounted a swift steed, saying to the Faithless, &amp;quot;I design to rejoin the Moslem army which is at Constantinople and contrive for their destruction; for I will inform them that their chiefs are dead, and when they hear that from me, their joining will be disjointed and the cord of their confederation cut and their host scattered. Then will I go to King Afridun, Lord of Constantinople, and to my son Hardub, King of Roum, and relate to them their tidings and they will sally forth on the Moslems with their troops and will destroy them and will not leave one of them alive.&amp;quot; So she mounted and struck across country on her good steed all the livelong night; and, when day dawned, appeared the armies of Bahram and Rustam advancing towards her. So she turned into a wayside brake and hid her horse among the trees and she walked a while saying to herself, &amp;quot;Haply the Moslem hosts be returning, routed, from the assault of Constantinople.&amp;quot; However, as she drew near them she looked narrowly and made sure that their standards were not reversed, and she knew that they were coming not as conquered men, but fearing for their King and comrades. When she was assured of this, she hastened towards them, running at speed, like a devil of ill rede, till reaching them she cried out, &amp;quot;Haste ye! haste ye! O soldiers of the Compassionate One, hasten to the Holy War against the hosts of Satan!&amp;quot; When Bahram saw her he dismounted and kissed the ground before her and asked her, &amp;quot;O friend of Allah what is behind thee?&amp;quot; Answered she, &amp;quot;Question not of sad case and sore condition; for when our comrades had taken the treasure from the hermitage of Matruhina, and designed to win their way Constantinople wards, thereupon came out on them a driving host and a dreadful of the Infidels.&amp;quot; And the damned witch repeated to them the story to fill them with trouble and terror, adding, &amp;quot;The most of them are dead, and there are but five and twenty men left.&amp;quot; Said Bahram, &amp;quot;O holy man! when didst thou leave them?&amp;quot; &amp;quot;But this night,&amp;quot; replied she. He cried, &amp;quot;Glory be to Allah! to Him who hath rolled up the far distance for thee like a rug, so that thou hast sped thus walking upon thy feet and props upon a mid-rib of palm-tree! But thou art one of the saints which fly like birds when inspired and possessed by His directions.&amp;quot; Then he mounted his horse, and he was perplexed and confounded by what he had heard from the beldam so strong in lies and ill calumnies, and he said, &amp;quot;There is no Majesty and there is no Might save in Allah, the Glorious, the Great! Verily our labour is lost and our hearts are heavy within us, for our Sultan is a prisoner and those who are with him.&amp;quot; Then they cut across the country, wide and side, night and day, and when morning dawned they reached the head of the defile and saw Zau al-Makan and Sharrkan shouting. &amp;quot;There is no god but the God! Allaho Akbar! and Salutation and Salvation upon the Congratulator, the Comminator.&amp;quot; Whereupon he and his drove at the Unbelievers and whelmed them, as the rain torrent whelms the waste; and cried out their war cries, till fear get hold of the prowess Knights and the mountains were cloven in affright. And when shone the day and showed its shine and sheen, the breeze of morning blew upon them sweet and fragrant, and each recognised other as hath been said before. Then they kissed the ground before the King and before his brother Sharrkan, who told them all that had befallen the party in the cave. Now thereat they marvelled and said to one another, &amp;quot;Hasten we back to Constantinople, for we left our companions there, and our hearts are with them.&amp;quot; So they hurried departure, commending themselves to the Subtle, the All-wise, and Zau al-Makan exhorted the Moslems to steadfast- ness and versified in the following couplets,&#xA;&#xA;&amp;quot;Be praises mine to all praiseworthy Thee, * O Lord, who stinted&#xA;            not mine aid to be!&#xA;Though was I lost abroad, Thou west to me * Strongest support&#xA;            which vouchsafed victory:&#xA;Thou gav'st me wealth and reign and goodly gifts, * And slungest&#xA;            con quering sword of valiancy:&#xA;Thou mad'st me blest beneath Thy kingly shade, * Engraced with&#xA;            generous boons dealt fain and free:&#xA;Thou savedst *from every fear I feared, by aid * Of my Wazir, the&#xA;            Age's noblest he!&#xA;Garred us Thy grace in fight to throw the Greek, * Who yet came&#xA;             back dight in War's cramoisie:&#xA;Then made I feint to fly from out the fight; * But like grim lion&#xA;           turning made them flee,&#xA;And left on valley sole my foemen, drunk * Not with old&#xA;           wine but Death-cup's revelry:&#xA;Then came the Saintly Hermit, and he showed * His marvels wrought&#xA;            for town and wold to see;&#xA;When slew they hero-wights who woke to dwell * In Eden bowers&#xA;           wherein sweet rill-lets well.&amp;quot;&#xA;&#xA;But, when Zau al-Makan had made an end of versifying, his brother Sharrkan congratulated him on his safety and thanked him for the deeds he had done; after which both set out forcing their marches to rejoin their army.—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and First Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that Sharrkan congratulated his brother, Zau al-Makan, on his safety and thanked him for the deeds he had done; after which both set out forcing their marches to rejoin their army. Such was their case; but as regards the old woman, Zat al-Dawahi, after she had foregathered with the hosts of Rustam and Bahram, she returned to the coppice, where she took her steed and mounted and sped on at speed, till she drew near the Moslem army that beleaguered Constantinople, when she lighted down from her destrier and led it to the pavilion tent of the Chief Chamberlain. And when he saw her, he stood up to her in honour and signed to her with his right hand and said, &amp;quot;Welcome O pious recluse!&amp;quot; Then he questioned her of what had befallen, and she repeated to him her disquieting lies and deluding calumnies, saying, &amp;quot;In sooth I fear for the Emir Rustam, and the Emir Bahram, for that I met them and theirs on the way and sent them and their following to relieve the King and his companions. Now there are but twenty thousand horse and the Unbelievers outnumber them; so I would have thee at this moment send off the rest of thy troops at full speed to their suc cour, lest they be slain to the last man.&amp;quot; And she cried to them, &amp;quot;Haste! Haste!&amp;quot; When the Chamberlain and the Moslems heard these words, their spirits fell and they wept; but Zat al-Dawahi said to them, &amp;quot;Ask aidance of Allah and bear patiently this triburation; for ye have the example of those who have been before you of the people of Mohammed; and Paradise with its palaces is laid out by Allah for those who die martyrs; and needs must all die, but most praiseworthy is dying while fighting for the Faith.&amp;quot; The Chamberlain, hearing this speech of the accursed old woman, called for the Emir Bahram's brother, a knight by name Tarkash; and, choosing out for him ten thousand horse, riders famed for force, bade him set out at once. So he fared forth and marched all that day and the whole of the next night, till he neared the Moslems. When daylight dawned, Sharrkan saw the dust cloud about them and feared for the men of Al-Islam and said, &amp;quot;If these troops which are coming upon us be Moslem men our victory is assured by them; but, if these be Nazarenes, there is no gainsaying Destiny's decrees.&amp;quot; Then he turned to his brother, Zau al- Makan, and said, Never fear, for with my life I will ransom thee from death. If these be Mohammedan troops, then were it an increase of heavenly favours; but, if they be our foes, there is no help save that we fight them. Yet do I long to meet the Holy Man ere I die, so I may beg him to pray that I die not save by death of martyrdom.&amp;quot; Whilst the twain were thus speaking, behold, there appeared the banners inscribed with the words, &amp;quot;There is no god but the God and Mohammed is the Apostle of God;&amp;quot; and Sharrkan cried out, &amp;quot;How is it with the Moslems?&amp;quot; &amp;quot;All are sound and safe,&amp;quot; replied they, &amp;quot;and we came not but out of concern for you.&amp;quot; Then the Chief of the army dismounted and, kissing ground before Sharrkan, asked, &amp;quot;O my lord, how be the Sultan and the Wazir Dandan and Rustam and my brother Bahram; are they all in safety?&amp;quot; He answered, &amp;quot;All well; but who brought thee tidings of us?&amp;quot; Quoth Tarkash; &amp;quot;It was the Holy Man who told us that he had met my brother Bahram and Rustam and had sent them both to you and he also assured us that the Infidels had encompassed you and out numbered you; but I see not the case save the contrary thereof and that you are victorious.&amp;quot; They questioned him, &amp;quot;And how did the Holy Man reach you?&amp;quot;; and he replied, &amp;quot;Walking on his feet and he had compassed in a day and a night, ten days' journey for a well girt horseman.&amp;quot; &amp;quot;There is no doubt but that he is a Saint of Allah,&amp;quot; said Sharrkan, &amp;quot;but where is he now?&amp;quot; They rejoined, &amp;quot;We left him with our troops, the folk of the Faith, moving them to do battle with the rebels and the Faithless.&amp;quot; Thereat Sharrkan rejoiced and all thanked Allah for their own deliverance and the safety of the Holy Man; and commended the dead to His mercy saying, &amp;quot;This was writ in the Book.&amp;quot; Then they set out making for Constantinople by forced marches, and whilst they were on this enterprise, behold, a dust cloud arose to such height that it walled the two horizons, the eastern and the western, from man's sight and the day was darkened by it to night. But Sharrkan looked at it and said, &amp;quot;Verily, I fear lest this be the Infidels who have routed the army of Al-Islam for that this dust walleth the world, east and west, and hideth the two horizons, north and south.&amp;quot; Presently appeared under the dust a pillar of darkness, blacker than the blackness of dismal days; nor ceased to come upon them that column more dreadful than the dread of the Day of Doom. Horse and foot hastened up to look at it and know the terrors of the case, when behold, they saw it to be the recluse aforesaid; so they thronged round him to kiss his hands and he cried out, &amp;quot;O people of the Best of Mankind, the lamp which shineth in darkness blind, verily the Infidels have outwitted the Moslems by guile, for they fell upon the host of the One God whilst they deemed themselves safe from the Faithless, and attacked them in their tents and made a sore slaughter of them what while they looked for no wile; so hasten to the aid of the Believers in the unity of God, and deliver them from those who deny Him!&amp;quot; Now when Sharrkan heard these words, his heart flew from his breast with sore trouble; and, alighting from his steed in amazement, he kissed the Recluse's hands and feet. On like wise did his brother, Zau al-Makan, and the rest of the foot and horse troops; except the Wazir Dandan, who dismounted not but said, &amp;quot;By Allah, my heart flieth from this devotee, for I never knew show of devotion to religion that bred not bane. So leave him and rejoin your comrades the Moslems, for this man is of the outcasts from the gate of the mercy of the Lord of the Three Worlds! How often have I here made razzias with King Omar bin al-Nu'uman and trodden the earth of these lands!&amp;quot; Said Sharrkan, &amp;quot;Put away from thee such evil thought, hast thou not seen this Holy Man exciting the Faithful to fight, and holding spears and swords light? So slander him not, for backbiting is blameable and poisoned is the flesh of the pious. Look how he inciteth us to fight the foe; and, did not Almighty Allah love him, He had cast him aforetime into fearful torment.&amp;quot; Then Sharrkan bade bring a Nubian mule for the ascetic to ride and said, &amp;quot;Mount, O pious man, devout and virtuous!&amp;quot; But the devotee refused to ride and feigned self denial, that he might attain his end; and they knew not that this holy personage was like him of whom the poet saith,&#xA;&#xA;&amp;quot;He prayeth and he fasteth for an end he doth espy; * When once his end is safely won then fast and prayer good bye.&amp;quot;&#xA;&#xA;So the devotee ceased not to walk among the horsemen and the footmen, like a wily fox meditating guile, and began to uplift her voice, chanting the Koran and praising the Compassionate One. And they continued pressing forward till they approached the camp of Al-Islam, where Sharrkan found the Moslem in conquered plight and the Chamberlain upon the brink of falling back in flight, whilst the sword of Greece havoc dight among the Faithful, the righteous and those who work upright,—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Second Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Sharrkan saw the Moslems in conquered plight and the Chamberlain upon the brink of retreat and flight and the sword havoc dight among the righteous and the workers of upright, the cause of this weakness among the Moslems was that the accursed old woman, Zat al- Dawahi, the foe of the Faith, after seeing that Bahram and Rustam had set forward with their troops to join Sharrkan and his brother Zau al-Makan, repaired to the camp of the Mahometans before Constantinople and caused the mission of the Emir Tarkash, as hath been before said. In this her purpose was to divide the Moslem forces the better to weaken them. Then she left them and entered Constantinople, and called with a loud voice on the knights of the Greeks, saying, &amp;quot;Let me down a cord that I may tie thereto this letter, and do ye bear it to your King Afridun, that he may read it and to my son King Hardub that they both do what is written therein of bidding and forbidding.&amp;quot; So they let down for her a string and she tied thereto a letter whose purport was the following: &amp;quot;From the terriblest of tribulations and the chiefest of all calamities, Zat al-Dawahi, to King Afridun greeting. But afterwards, of a truth I have contrived a device for destroying the Moslems; so bide ye quiet and content. I have cozened and captured their Sultan and the Wazir Dandan; and then I returned to their camp and acquainted them therewith, whereby their pride had a fall and their withers were wrung. And I have so wrought upon the host 'leaguering Constantinople that they have sent ten thousand men under the Emir Tarkash to succour the capitves, of whom there be now left but few; it is therefore my object that ye sally forth against them with all your power while this day endureth; and that ye fall on them in their tents and that ye leave them not till ye shall have slain them to the last man; for, verily the Messiah looketh down upon you and the Blessed Virgin favoureth you; and I hope of the Messiah that he forget not what deed I have done.&amp;quot; When her letter came to King Afridun, he rejoiced with great joyance; and, sending at once for King Hardub of Greece, son of Zat al-Dawahi, read the letter to him as soon as he came,whereathe was exceeding glad and said, &amp;quot;See my mother's craft; verily it dispenseth with swords, and her aspect standeth in stead of the terrors of the Day of Dread.&amp;quot; Rejoined Afridun, &amp;quot;May the Messiah not bereave us of thy venerable parent nor deprive her of her wile and guile!&amp;quot; Then he bade the Knights give orders for sallying outside the city, and the news was noised abroad in Constantinople. So the Nazarenes and the cohorts of the Cross burst forth and unsheathed their keen sabres in their numbers, shouting out their professions of impiety and heresies, and blaspheming the Lord of all Creatures. When the Chamberlain saw the sally, he said, &amp;quot;Behold, the Greek is upon us and they surely have learned that our Sultan is far away; and haply they have attacked us, for that the most part of our troops have marched to the succour of King Zau al-Makan!&amp;quot; Therewith he waxed wroth and cried out, &amp;quot;Ho, soldiers of Al-Islam and favourers of the True Faith, an you flee you are lost, but if ye stand fast, ye win! Know ye that valiancy lieth in endurance of outrance and that no case is so strait but that the Almighty is able to make it straight; Allah assain you and look upon you with eyes of compassion fain!&amp;quot; Thereupon the Moslems cried out, &amp;quot;Allaho Akbar!&amp;quot; and the believer in the One God shouted his slogan, and whirled the mill wheels of fight with cutting and thrusting in main and might; scymitars and spears played sore and the plains and valleys were swamped with gore. The priests and monks priested it, tight girding their girdles and uplifting the Crucifixes, while the Moslem shouted out the professions of the Requiting King and verses of the Koran began to sing. The hosts of the Compassion are One fought against the legions of Satan; and head flew from body of man, while the good Angels hovered above the people of the Chosen Prophet, nor did the sword cease to smite till the day darkened and night came on and starkened. Now the miscreants had encompassed the Moslems and made sure of escaping the pains that awaited them; and the Faithless greeded for victory over the Faithful until day dawned and dazzled. There upon the Chamberlain mounted, he and his men, trusting thee Allah would help them to victory; and host was mingled with host and battle rose a foot and took post. And heads flew from trunks whilst the brave stood fast in stead; the craven turned tail and fled; and the Judge of death judged and sentence sped, so that the champions fell from their saddles slain and corpses cumbered meadow and plain. Then the Moslem began to give ground and rearwards bent; and the Greek took possession of some of their tents; whereupon the Moslems were about to break and retreat and take flight, when meanwhile behold, up came Sharrkan with the rest of the host of Al-Islam and the standards of the Believers in Unity. And having come up with them, he charged the Infidels; and followed him Zau al-Makan and the Wazir Dandan and the Emirs Bahram and Rustam with his brother Tarkash. When the foe saw this, they lost head and their reason fled, and the dust clouds towered till they covered the country whilst the righteous Believers joined their pious comrades. Then Sharrkan accosted the Chamberlain and praised him for his steadfastness; and he in turn gave the Prince joy of his timely succour and his gaining the day. Thereat the Moslems were glad and their hearts were heartened; so they rushed upon their enemies and devoted themselves to Allah in their Fight for the Faith. But when the Idolaters beheld the standards Mohammedan and there on the profession of Faith Islamitan, proclaiming the Unity, they shrieked &amp;quot;Woe!&amp;quot; and &amp;quot;Ruin!&amp;quot; and besought succour of the Patriarchs of the Monasteries. Then fell they to calling upon John and Mary and the Cross abhorrent and stayed their hands from slaughter, whilst King Afridun went up to consult King Hardub of Greece, for the two Kings stood one at the head of each wing, right and left. Now there was with them also a famous cavalier, Lawiya highs, who commanded the centre; and they drew out in battle array, but indeed they were full of alarm and affray. Meanwhile, the Moslems aligned their forces and thereupon Sharrkan came to his brother, Zau al-Makan, and said, &amp;quot;O King of the Age, doubtless they mean to champion it, and that is also the object of our desire; but it is my wish to push forward the stoutest hearted of our fighters, for by forethought is one half of life wrought.&amp;quot; Replied the Sultan, &amp;quot;As thou wilt, O companion of good counsel!&amp;quot; &amp;quot;It is my wish,&amp;quot; added Sharrkan, &amp;quot;to stand in mid line opposite the Infidel, with the Wazir Dandan on my left and thee on my right, whilst the Emir Bahram leads the dexter wing and the Emir Rustam leads the wing sinistral; and thou, O mighty King, shalt be under the standards and the ensigns, for that thou art the pillar of our defence; upon thee, after Allah, is our dependence and we will all be thy ransom from aught that can harm thee.&amp;quot; Zau al-Makan thanked him therefor, and the slogan arose and the sabre was drawn; but, as things stood thus, behold, there came forth a cavalier from the ranks of Roum; and, as he drew near, they saw that he was mounted on a slow paced she mule, fleeing with her master from the shock of swords. Her housings were of white silk covered by a prayer-carpet of Cash mere stuff, and on her back sat a Shaykh, an old man of comely presence and reverend aspect, garbed in a gown of white wool. He stinted not pushing her and hurrying her on till he came near the Moslem and said, &amp;quot;I am an ambassador to you all, and an ambassador hath naught to do save to deliver; so give me safe conduct and permit of speech, that I communicate to you my message.&amp;quot; Replied Sharrkan, &amp;quot;Thou art in safety: fear neither sway of sword nor lunge of lance.&amp;quot; Thereupon the old man dismounted and, taking the Cross from his neck, placed it before the Sultan and humbled himself with much humility. Then quoth to him the Moslems, &amp;quot;What is with thee of news?&amp;quot;; and quoth he, &amp;quot;I am an ambassador from King Afridun, for I counselled him to avert the destruction of all these frames of men and temples of the Compassionate One; and to him it seemed righteous to stay the shedding of blood and limit it to the encounter of two knights in shock of fight singular; so he agreed to that and he saith to you, 'Verily, I will ransom my army with my life; so let the Moslem King do as I do and with his life ransom his host. And if he kill me, there will be no stay left in the army of Roum, and if I kill him, there will be no stability with the Moslems.&amp;quot; When Sharrkan heard this he said, &amp;quot;O monk, I agree to that, for it is just nor may it be gainsaid; and behold, I will meet him in duello and do with him derring do, for I am Champion of the Faithful even as he is Champion of the Faithless; and if he slay me, he will have won the day and naught will remain for the Moslems forces save flight. So return to him, O thou monk, and say that the single combat shall take place to morrow, for this day we have come off our journey and are aweary; but after rest neither reproach nor blame fear ye.&amp;quot; So the monk returned (and he rejoicing) to King Afridun and King Hardub, and told them both what Sharrkan had said, whereat King Afridun was glad with exceeding gladness and fell from him anxiety and sadness, and he said to himself, &amp;quot;No doubt but this Sharrkan is their doughtiest swayer of the sword and the dourest at lunge of lance; and when I shall have slain him, their hearts will be disheartened and their strength will be shattered.&amp;quot; Now Zat al-Dawahi had written to King Afridun of that and had told him how Sharrkan was a Knight of the Braves and the bravest of knights and had warned him against him; but Afridun was a stalwart cavalier who fought in many a fashion; he could hurl rocks and throw spears and smite with the iron mace and he feared not the prowess of the prow. So when he heard the report of the monk that Sharrkan agreed to the duello, he was like to fly for exceeding joy because he had self confidence and he knew that none could with stand him. The Infidels passed that night in joy and jubilee and wine bibbing; and, as soon as it was dawn, the two armies drew out with the swart of spear and the blanch of blade. And behold a cavalier rode single handed into the plain, mounted on a steed of purest strain, and for foray and fray full ready and fain. And that Knight had limbs of might and he was clad in an iron cuirass made for stress of fight. On his breast he wore a jewelled mirror and in his hand he bore a keen scymitar and his lance of Khalanj wood, the curious work of the Frank, weighing a quintal. Then the rider uncovered his face and cried out, saying, &amp;quot;Whoso knoweth me verily hath enough of me, and whoso knoweth me not right soon shall ken who I be. I am Afridun the overwhelmed by the well omened Shawáhi, Zat al-Dawahi.&amp;quot; But he had not ended speaking ere Sharrkan, the Champion of the Moslems, fared forth to meet him, mounted on a sorrel horse worth a thousand pieces of red gold with accoutrements purfled in pearls and precious stone; and he bore in baldrick a blade of watered Indian steel that through necks shore and made easy the hard and sore. He crave his charger between the two hosts in line whilst the horsemen all fixed on him their eyne, and he cried out to Afridun, &amp;quot;Woe to thee, O accursed! dost thou deem me one of the horsemen thou hast overta'en who cannot stand against thee on battle plain?&amp;quot; Then each rushed upon other and they bashed together like two mountains crashing or two billows dash ing and clashing: they advanced and retreated; and drew together and withdrew; and stinted not of fray and fight and weapon play, and strife and stay, with stroke of sword and lunge of lance. Of the two armies looking on, some said, &amp;quot;Sharrkan is victor!&amp;quot; and others, &amp;quot;Afridun will conquer!&amp;quot;; and the two riders stayed not their hands from the hustle until ceased the clamour and the bustle; and the dust columns rose and the day waned and the sun waxed yellow and wan. Then cried out King Afridun to Sharrkan, saying, &amp;quot;By the truth of the Messiah and the Faith which is no liar, thou art nought save a doughty rider and a stalwart fighter; but thou art fraudful and thy nature is not that of the noble. I ken thy work is other than praiseworthy nor is thy prowess that of a Prince; for thy people behave to thee as though thou wert a slave; and see! they bring thee out a charger which is not thine, that thou mayst mount and return to the fight. But by the truth of my Faith, thy fighting irketh and fatigueth me and I am weary of cutting and thrusting with thee; and if thou purpose to lay on load with me to night, thou wouldst not change aught of thy harness nor thy horse, till thou approve to the cavaliers, thy generous blood and skill in brunt.&amp;quot; When Sharrkan heard him say these words concerning his own folk behaving to him though he were a slave, he waxt wroth and turned towards his men, meaning to sign to them and bid them not prepare him change of harness or horse, when lo! Afridun shook his throw spear high in air and cast it at Sharrkan. Now when the Moslem turned his back, he found none of the men near him, and he knew this to be a trick of the accursed Infidel; so he wheeled round in haste and behold, the javelin came at him, so he swerved from it, till his head was bent low as his saddle bow. The weapon grazed his breast, and pierced the skin of his chest, for Sharrkan was high bosomed: whereupon he gave one cry and swooned away. Thereat the accursed Afridun was joyful, thinking he had slain him; and shouted to the Infidels bidding them rejoice, whereat the Faithless were encouraged and the Faithful wept. When Zau al-Makan saw his brother reeling in selle so that he well nigh fell, he despatched cavaliers towards him and the braves hurried to his aid and came up with him. Thereupon the Infidels drove at the Moslems; the two hosts joined battle and the two lines were mingled, whilst the keen scymitar of Al-Yaman did good work. Now the first to reach Sharrkan was the Wazir Dandan,—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Third Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Zau al-Makan saw that the accursed Infidel had struck with javelin his brother Sharrkan, he deemed him dead, and despatched cavaliers towards him; and the first to reach him were the Wazir Dandan and the Emir of the Turks, Bahram, and the Emir of the Daylamites, Rustam. They found him falling from his horse; so they stayed him in his saddle and returned with him to his brother, Zau al-Makan; then they gave him in charge to his pages, and went again to do the work of cut and thrust. So the strife redoubled and the weapons together clashed and ceased not bate and debate and naught was to be seen but blood flowing and necks bowing; nor did the swords cease on the napes of men to make play nor the strife to rage with more and more affray, till the most part of the night was past away and the two hosts were aweary of the mellay. So they called a truce and each army returned to its tents, whilst all the Infidels repaired to King Afridun and kissed the ground before him, and the priests and monks wished him joy of his victory over Sharrkan. Then the King fared for Constantinople and sat upon the throne of his realm, when King Hardub came to him and said, &amp;quot;May the Messiah strengthen thy fore arm and never cease to be thy helper and hearken to what prayers my pious mother, Zat al-Dawahi, shall pray for thee! Know that the Moslems can make no stay without Sharrkan.&amp;quot; Replied Afridun, &amp;quot;To morrow shall end the affair when to fight I fare: I will seek Zau al-Makan and slay him, and their army shall turn tail and of flight shall avail.&amp;quot; Such was the case with the Kafirs; but as regards the host of Al-Islam, when Zau al-Makan returned to his tent, he thought of naught but his brother and, going into the pavilion, found him in evil case and sore condition; whereupon he summoned for counsel the Wazir Dandan and Rustam and Bahram. When they entered, they opined to assemble the physicians that they might medicine Sharrkan, and they wept and said, &amp;quot;The world will not readily afford his like!&amp;quot; and they watched by him all that night, and about the later hours came to them the Recluse in tears. When Zau al-Makan saw him, he rose in honour; and the Religious stroked Sharrkan's wound with his hand, chanting somewhat of the Koran and repeating by way of talisman some of the verses of the Compassionate One. And the pretender ceased not to watch over him till dawn, when he came to himself and, opening his eyes, moved his tongue in his mouth and spake. At this Zau al-Makan rejoiced, saying, &amp;quot;Of a truth the blessing of the Holy Man hath taken effect on him!&amp;quot; And Sharrkan said, &amp;quot;Praised be Allah for recovery; indeed, I am well at this hour. That accursed one played me false; and, but that I swerved aside lighter than lightening, the throw spear had pierced through my breast. So praised be Allah for saving me! And how is it with the Moslems?&amp;quot; Answered Zau al-Makan, &amp;quot;All are weeping for thee.&amp;quot; Quoth Sharrkan, &amp;quot;I am well and in good case; but where is the Holy Man?&amp;quot; Now he was sitting by him and said, &amp;quot;At thy head.&amp;quot; So the Prince turned to him and kissed his hand when he said, &amp;quot;O my son! Be of good patience and Allah shall increase thy reward; for the wage is measured by the work.&amp;quot; Sharrkan rejoined, &amp;quot;Pray for me,&amp;quot; and he prayed for him. As soon as morning dawned and day brake in shine and sheen, the Moslems sallied out to the plain and the Kafirs made ready to thrust and cut. Then the Islamite host advanced and offered fight with weapons ready dight, and King Zau al-Makan and Afridun made to charge one at other. But when Zau al-Makan fared forth into the field, there came with him the Wazir Dandan and the Chamberlain and Bahram, saying, &amp;quot;We will be thy sacrifice.&amp;quot; He replied, &amp;quot;By the Holy House and Zemzem and the Place! I will not be stayed from going forth against these wild asses.&amp;quot; And when he rode out into the field he played with sword and spear till riders marvelled and both armies wondered; then he rushed upon the foe's right wing and of it slew two knights and in like manner he dealt with the left wing. Presently he stayed his steed in the midst of the field and cried out, &amp;quot;Where is Afridun, that I may make him taste the cup of disgrace?&amp;quot; But when King Hardub saw the case he conjured Afridun not to attack him, saying, &amp;quot;O King, yesterday it was thy turn to fight: it is mine to day. I care naught for his prowess.&amp;quot; So he rushed out towards Zau al-Makan brand in hand and under him a stallion like Abjar, which was Antar's charger and its coat was jet black even as saith the poet,&#xA;&#xA;&amp;quot;On the glancing racer outracing glance * He speeds, as though he&#xA;            would collar Doom:&#xA;His steed's black coat is of darkest jet, * And likest Night in&#xA;            her nightliest gloom:&#xA;Whose neigh sounds glad to the hearer's ears * Like thunders&#xA;             rolling in thun d'rous boom:&#xA;If he race the wind he will lead the way, * And the lightning&#xA;             flash will behind him loom.''&#xA;&#xA;Then each rushed upon the opponent, parrying blows and proving the marvellous qualities were stored in him; and they fell to drawing on and withdrawing till the breasts of the bystanders were straitened and they were weary of waiting for the event. At last Zau al-Makan cried out his war cry and rushed upon Hardub, King of Cæsarea, and struck him a stroke that shore head from trunk and slew him on the spot. When the Infidels saw this, they charged in a body, compact and united, upon Zau al-Makan, who met them amidfield, and they engaged in hewing and foining, till blood ran in rills. Then the Moslems cried out, &amp;quot;Allaho Akbar!&amp;quot; (God is most Great) and &amp;quot;There is no god but the God!&amp;quot;, and invoked salvation for the Prophet, the Bringer of Glad Tidings, the Bearer of Bad Tidings. And there befel a great fight, but Allah assigned victory to the Faithful and defeat to the Faithless. The Wazir Dandan shouted, &amp;quot;Take your blood revenge for King Omar bin al Nu'uman and his son Sharrkan!&amp;quot;; and bared his head and cried out to the Turks. Now there were by his side more than twenty thousand horse, and all charged with him as men, when the Faithless found naught to save their lives but flight. So they turned tail to fly while the biting sabre wrought its havoc and the Moslems slew of them that day some fifty thousand horse and took more than that number: much folk also were slain while going in at the gates, for the flock was great. Then the Greeks hove to the doors and swarmed up the walls to await the assault; and in fine the Moslem hosts returned to their tents aided to glory and victory, and King Zau al-Makan went in to his brother whom he found in most joyous case. So he made a prostration of thanks to the Bountiful and the Exalted; and then he came forward and gave Sharrkan joy of his recovery. Answered he, &amp;quot;Verily we are all under the benediction of this Religious, holy and righteous, nor would you have been victorious, but for his accepted orisons; indeed all day he remained at prayer to invoke victory on the Moslems.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Fourth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when Zau al- Makan went in to his brother Sharrkan, he found him sitting with the Holy Man by his side; so he rejoiced and drew near him and gave him joy of his recovery. Answered he, &amp;quot;Verily we are all under the benediction of this Recluse nor would you have been victorious but for his prayers, indeed he felt no fear this day and he ceased not supplication for the Moslems. I found strength return to me, when I heard your 'Allaho Akbar,' for then I knew you to be victorious over your enemies. But now recount to me, O my brother, what befel thee.&amp;quot; So he told him all that had passed between him and the accursed Hardub and related how he had slain him and sent him to the malediction of Allah; and Sharrkan praised him and thanked him for his prowess. When Zat al-Dawahi heard tell of her son's death (and she still drest as a devotee), her face waxed yellow and her eyes ran over with railing tears: she kept her counsel, however, and feigned to the Moslems that she was glad and wept for excess of joy. But she said to herself, &amp;quot;By the truth of the Messiah, there remaineth no profit of my life, if I burn not his heart for his brother, Sharrkan, even as he hath burned my heart for King Hardub, the mainstay of Christendom and the hosts of Crossdom!&amp;quot; Still she kept her secret. And the Wazir Dandan and King Zau al-Makan and the Chamberlain remained sitting with Sharrkan till they had dressed and salved his wound; after which they gave him medicines and he began to recover strength; whereat they joyed with exceeding joy and told the troops who congratulated themselves, saying, &amp;quot;To morrow he will ride with us and do manly devoir in the siege.&amp;quot; Then said Sharrkan to them, &amp;quot;Ye have fought through all this day and are aweary of fight; so it behoveth that you return to your places and sleep and not sit up.&amp;quot; They accepted his counsel and then each went away to his own pavilion, and none remained with Sharrkan but a few servants and the old woman Zat al-Dawahi. He talked with her through part of the night, then he stretched himself to rest: and his servants did likewise and presently sleep overcame them all and they lay like the dead. Such was the case with Sharrkan and his men; but as regards the old woman she alone abode awake while they slumbered in the tent and, looking at Sharrkan she presently saw that he was drowned in sleep. Thereupon she sprang to her feet, as she were a scald she bear or a speckled snake, and drew from her waist cloth a dagger so poisoned that if laid thereon it would have melted a rock. Then she unsheathed the poniard and went up to Sharrkan's head and she drew the knife across his throat and severed his weasand and hewed off his head from his body. And once more she sprang to her feet; and, going the round of the sleeping servants, she cut off their heads also, lest they should awake. Then she left the tent and made for the Sultan's pavilion, but finding the guards on the alert, turned to that of the Wazir Dandan. Now she found him reading the Koran and when his sight fell upon her he said, &amp;quot;Welcome to the Holy Man!&amp;quot; Hearing this from the Wazir, her heart trembled and she said, &amp;quot;The reason of my coming hither at this time is that I heard the voice of a saint amongst Allah's Saints and am going to him.&amp;quot; Then she turned her back, but the Wazir said to himself, &amp;quot;By Allah, I will follow our Devotee this night!&amp;quot; So he rose and walked after her; but when the accursed old woman sensed his footsteps, she knew that he was following her: wherefore she feared the disgrace of discovery and said in herself, &amp;quot;Unless I serve some trick upon him he will disgrace me.&amp;quot; So she turned and said to him from afar, &amp;quot;Ho, thou Wazir, I am going in search of this Saint that I may learn who he is; and, after learning this much, I will ask his leave for thee to visit him. Then I will come back and tell thee: for I fear thine accompanying me, without having his permission, lest he take umbrage at me seeing thee in my society.&amp;quot; Now when the Wazir heard these words, he was ashamed to answer her; so he left her and returned to his tent, and would have slept; but sleep was not favourable to him and the world seemed heaped upon him. Presently he rose and went forth from the tent saying in himself, &amp;quot;I will go to Sharrkan and chat with him till morning.&amp;quot; But when he entered into Sharrkan's pavilion, he found the blood running like an aqueduct and saw the servants lying with their throats cut like beasts for food. At this he cried a cry which aroused all who were asleep; the folk hastened to him and, seeing the blood streaming, set up a clamour of weeping and wailing. Then the noise awoke the Sultan, who enquired what was the matter, and it was said to him, &amp;quot;Sharrkan thy brother and his servants are murthered.&amp;quot; So he rose in haste and entered the tent, and found the Wazir Dandan shrieking aloud and he saw his brother's body without a head. Thereat he swooned away and all the troops crowded around him, weeping and crying out, and so remained for a while, till he came to himself, when he looked at Sharrkan and wept with sore weeping, while the Wazir and Rustam and Bahram did the like. But the Chamberlain cried and lamented more than the rest and asked leave to absent himself, such was his alarm. Then said Zau al-Makan, &amp;quot;Know ye who did this deed and how is it I see not the Devotee, him who the things of this world hath put away?&amp;quot; Quoth the Wazir, &amp;quot;And who should have been the cause of this affliction, save that Devotee, that Satan? By Allah, my heart abhorred him from the first, because I know that all who pretend to be absorbed in practices religious are vile and treacherous!&amp;quot; And he repeated to the King the tale of how he would have followed the Religious, but he forbade him, whereupon the folk broke out into a tumult of weeping and lamentation and humbled themselves before Him who is ever near, Him who ever answereth prayer, supplicating that He would cause the false Devotee who denied Allah's testimony to fall into their hands. Then they laid Sharrken out and buried him in the mountain aforesaid and mourned over his far-famed virtues.—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Fifth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that they laid Sharrkan out and buried him in the mountain aforesaid and mourned over his far-famed virtues. Then they looked for the opening of the city gate; but it opened not and no sign of men appeared to them on the walls; whereat they wondered with exceeding wonder. But King Zau al-Makan said, &amp;quot;By Allah, I will not turn back from them, though I sit here for years and years, till I take blood revenge for my brother Sharrkan and waste Constantinople and kill the King of the Nazarenes, even if death overcome me and I be at rest from this woeful world!&amp;quot; Then he bade be brought out the treasure taken from the Monastery of Matruhina; and mustered the troops and divided the monies among them, and he left not one of them but he gave him gifts which contented him. Moreover, he assembled in the presence three hundred horse of every division and said to them, &amp;quot;Do ye send supplies to your households, for I am resolved to abide by this city, year after year, till I have taken man bote for my brother Sharrkan, even if I die in this stead.&amp;quot; And when the army heard these words and had received his gifts of money they replied, &amp;quot;To hear is to obey!&amp;quot; Thereupon he summoned couriers and gave them letters and charged them to deliver the same, together with the monies, to the soldiers' families and inform them that all were safe and satisfied, and acquaint them saying, &amp;quot;We are encamped before Constantinople and we will either destroy it or die; and, albeit we be obliged to abide here months and years, we will not depart hence till we take it.&amp;quot; Moreover, he bade the Wazir Dandan write to his sister, Nuzhat al-Zaman, and said to him, &amp;quot;Acquaint her with what hath befallen us, and what be our situation and commend my child to her care since that, when I went out to war, my wife was near her delivery and by this time she must needs have been brought to bed; and if she hath given birth to a boy, as I have heard say, hasten your return and bring me the acceptable news.&amp;quot; Then he gave them somewhat of money, which they pouched and set out at once; and all the people flocked forth to take leave of them and entrust them with the monies and the messages. After they had departed, Zau al-Makan turned to the Wazir Dandan and commanded him to advance with the army against the city walls. So the troops pushed forward, but found none on the ramparts, whereat they marvelled, while Zau al-Makan was troubled at the case, for he deeply mourned the severance from his brother Sharrkan and he was sore perturbed about that traitor the Ascetic. In this condition they abode three days without seeing anyone. So far concerning the Moslems; but as regards the Greeks and the cause of their refusing to fight during these three days the case was this. As soon as Zat al-Dawahi had slain Sharrkan, she hastened her march and reached the walls of Constantinople, where she called out in the Greek tongue to the guards to throw her down a rope. Quoth they, &amp;quot;Who art thou?&amp;quot;; and quoth she, &amp;quot;I am Zat al- Dawahi.&amp;quot; They knew her and let down a cord to which she tied herself and they drew her up; and, when inside the city, she went in to the King Afridun and said to him, &amp;quot;What is this I hear from the Moslems? They say that my son King Hardub is slain.&amp;quot; He answered, &amp;quot;Yes;&amp;quot; and she shrieked out and wept right grievously and ceased not weeping thus till she made Afridun and all who were present weep with her. Then she told the King how she had slain Sharrkan and thirty of his servants, whereat he rejoiced and thanked her; and, kissing her hands, exhorted her to resignation for the loss of her son. Said she, &amp;quot;By the truth of the Messiah, I will not rest content with killing that dog of the Moslem dogs in blood revenge for my son, a King of the Kings of the age! Now there is no help for it but that I work some guile and I contrive a wile whereby to slay the Sultan Zau al-Makan and the Wazir Dandan and the Chamberlain and Rustam and Bahram and ten thousand cavaliers of the army of Al-Islam; for it shall never be said that my son's head be paid with the bloodwit of Sharrkan's head; no, never!&amp;quot; Then said she to King Afridun, &amp;quot;Know, O King of the Age, that it is my wish to set forth mourning for my son and to cut my Girdle and to break the Crosses.&amp;quot; Replied Afridun, &amp;quot;Do what thou desire; I will not gainsay thee in aught. And if thou prolong thy mourning for many days it were a little thing; for though the Moslems resolve to beleaguer us years and years, they will never win their will of us nor gain aught of us save trouble and weariness.&amp;quot; Then the Accursed One (when she had ended with the calamity she had wrought and the ignominies which in herself she had thought) took ink case and paper and wrote thereon: &amp;quot;From Shawahi, Zat al- Dawahi, to the host of the Moslems. Know ye that I entered your country and duped by my cunning your nobles and at first hand I slew your King Omar bin al-Nu'uman in the midst of his palace. Moreover, I slew, in the affair of the mountain pass and of the cave, many of your men; and the last I killed were Sharrkan and his servants. And if fortune do not stay me and Satan obey me, I needs must slay me your Sultan and the Wazir Dandan, for I am she who came to you in disguise of a Recluse and who heaped upon you my devices and deceits. Wherefore, an you would be in safety after this, fare ye forth at once; and if you seek your own destruction cease not abiding for the nonce; and though ye tarry here years and years, ye shall not do your desire on us. And so peace be yours!&amp;quot; After writing her writ she devoted three days to mourning for King Hardub; arid, on the fourth, she called a Knight and bade him take the letter and make it fast to a shaft and shoot it into the Moslem camp. When this was done, she entered the church and gave herself up to weeping and wailing for the loss of her son, saying to him who took the kingship after him, &amp;quot;Nothing will serve me but I must kill Zau al-Makan and all the nobles of Al-Islam.&amp;quot; Such was the case with her; but as regards what occurred to the Moslems, all passed three days in trouble and anxiety, and on the fourth when gazing at the walls behold, they saw a knight holding a bow and about to shoot an arrow along whose side a letter was bound. So they waited till he had shot it among them and the Sultan bade the Wazir Dandan take the missive and read it. He perused it accordingly; and, when Zau al-Makan heard it to end and understood its purport, his eyes filled with tears and he shrieked for agony at her perfidy; and the Minister Dandan said, &amp;quot;By Allah, my heart shrank from her!&amp;quot; Quoth the Sultan, &amp;quot;How could this whore play her tricks upon us twice? But by the Almighty I will not depart hence till I fill her cleft with molten lead and jail her with the jailing of a bird encaged, then bind her with her own hair and crucify her over the gate of Constantinople.&amp;quot; And he called to mind his brother and wept with excessive weeping. But when Zat al-Dawahi arrived amongst the Infidels and related to them her adventures at length, they rejoiced at her safety and at the slaying of Sharrkan. There upon the Moslems addressed themselves again to the siege of the city and the Sultan promised his men that, if it should be taken, he would divide its treasures among them in equal parts. But he dried not his tears grieving for his brother till his body was wasted and sick, growing thin as a tooth pick. Presently the Wazir Dandan came in to him and said, &amp;quot;Be of good cheer and keep thine eyes cool and clear; in very sooth thy brother died not but because his hour was come, and there is no profit in this mourning. How well saith the poet,&#xA;&#xA;&amp;quot;Whatso is not to be no sleight shall bring to pass; * What is to&#xA;             be without a failure shall become;&#xA;Soon the becoming fortune shall be found to be, * And Folly's&#xA;             brother shall abide forlorn and glum.&amp;quot;&#xA;&#xA;Wherefore do thou leave this weeping and wailing and hearten thy heart to bear arms.&amp;quot; He replied, &amp;quot;O Wazir, my heart is heavy for the death of my father and my brother and for our absence from hearth and home; and my mind is concerned for my subjects.&amp;quot; Thereupon the Wazir and the bystanders wept; but they ceased not from pushing forward the siege of Constantinople for a length of days. And they being thus, behold, news arrived from Baghdad, by one of the Emirs to the effect that the King's wife had been blessed with a boy, and that his sister, Nuzhat al-Zaman, had named him Kánmákán. Moreover, that the boy bid fair to be famous, already showing wondrous signs and marvellous tokens; and that she had commanded the Olema and the preachers to pray for mother and child from the pulpits and bless them in all wise; furthermore that the twain were well, that the land had enjoyed abundant rains, and that his comrade the Fireman was established in all prosperity, with eunuchs and slaves to wait upon him; but that he was still ignorant of what had befallen him. And she ended with the greeting of peace. Then quoth Zau al- Makan to the Wazir Dandan, &amp;quot;Now is my back strengthened for that I have been blest with a son whose name is Kanmakan.&amp;quot;—And Shahrazad perceived the dawn of day and ceased saying her permitted say.&#xA;&#xA;When it was the One Hundred and Sixth Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when they brought him the news of his wife having borne him a boy child, Zau al- Makan rejoiced with great joy and cried, &amp;quot;Now is my back strengthened, for that I have been blessed with a son whose name is Kanmakan.&amp;quot; And he spake to the Wazir Dandan, saying, &amp;quot;I am minded to leave this mourning and order perfections of the Koran for my brother and command almsdeeds on his account.&amp;quot; Quoth the Wazir, &amp;quot;Thy design is good.&amp;quot; Thereupon he caused tents to be pitched over his brother's tomb; so they raised them and gathered together such of the men at arms as could repeat the Koran; and some began reciting the Holy volume; whilst others chanted litanies containing the names of Allah, and thus they did till the morning. Then Zau al-Makan went up to the grave of his brother Sharrkan and poured forth copious tears, and improvised these couplets,&#xA;&#xA;&amp;quot;They bore him bier'd, and all who followed wept * With Moses'&#xA;         shrieks what day o'erhead shook Tor;&#xA;Till reached the grave which Pate had made his home, * Dug in&#xA;           men's souls who one sole God adore:&#xA;Ne'er had I thought before to see my joy * Borne on the bier&#xA;           which heads of bearers bore:&#xA;Ah no! nor ere they homed thee in the dust * That stars of&#xA;           heaven earth ever covered o'er.&#xA;Is the tomb dweller hostage of a stead, * Where light and&#xA;            splendour o'er thy face shall pour?&#xA;Praise to restore his life her word hath pledged: * Cribbed and&#xA;           confined he shall dispread the more!&amp;quot;&#xA;&#xA;When Zau al-Makan had made an end of his versifying he wept and wept with him all the troops; then he came to the grave and threw himself upon it wild with woe, and the Wazir repeated the words of the poet,&#xA;&#xA;&amp;quot;Pain leaving life that fleets thou hast th' eternal won; * Thou&#xA;            didst as whilom many a doer like thee hath done&#xA;Leftest this worldly house without reproach or blame; * Ah, may&#xA;            th' ex change secure thee every benison!&#xA;Thou west from hostile onset shield and firm defence, * For us to&#xA;            baffle shafts and whistling spears to shun.&#xA;I see this world is only cheat and vanity, * Where man naught&#xA;           else must seek but please the Truthful One:&#xA;Th' Empyrean's Lord allow thee bower of heavenly bliss, * And wi'&#xA;            thy faithful friends The Guide show goodly wone:&#xA;I bid thee last good e'en with sigh of bitter grief, * Seeing the&#xA;             West in woe for lack of Easting Sun.&amp;quot;&#xA;&#xA;&#xA;When the Wazir Dandan had finished his reciting, he wept with sore weeping and the tears rained from his eyes like cushioned pearls. Then came forward one who had been of Sharrkan's boon companions in his cups and he wept till ran in rills the drops, and he enumerated the dead man's generous qualities, reciting the following pentastichs,&#xA;&#xA;&#xA;&amp;quot;Where gone is Bounty since thy hand is turned to clay? * And I&#xA;             in misery lie since thou west ta'en away.&#xA;See'st not, O litter guide (Heaven keep thee glad and&#xA;             gay!), * How tears adorn my cheeks, these furrowed wrinkles&#xA;             fray?&#xA;                        A sight to joy shine eyes and fill thee with&#xA;                        dismay.&#xA;By Allah ne'er this heart within I spoke of thee; * Ah no! nor&#xA;             dared my sight to see thy brilliancy:&#xA;Save that my tear drops sorest wound have garred me dree * Yea!&#xA;             and if e'er on other rest these eyne of me,&#xA;                        May yearning draw their reins nor suffer sleep to see.&amp;quot;&#xA;&#xA;&#xA;And when the man stinted reciting, Zau al-Makan and the Minister Dandan wept and the whole army was moved to tears; after which all retired to their tents, and the King turning to the Wazir took counsel with him concerning the conduct of the campaign. On this wise the two passed days and nights, while Zau al-Makan was weighed down with grief and mourning till at last he said, &amp;quot;I long to hear stories and adventures of Kings and tales of lover folk enslaved by love; haply Allah may make this to solace that which is on my heart of heavy anxiety, and stint and stay my weeping and wailing.&amp;quot; Quoth the Wazir, &amp;quot;If naught can dispel thy trouble but hearing curious tales of Kings and people long gone before and stories of folk enslaved by love of yore, and so forth, this thing were easy, for I had no other business, in the lifetime of thy father (who hath found mercy) than to relate stories and to repeat verses to him. This very night I will tell thee a tale of a lover and his beloved, so shall thy breast be broadened.&amp;quot; When Zau al-Makan heard these words from the Minister, his heart was set upon that which had been promised to him and he did nothing but watch for the coming of the night, that he might hear what the Wazir Dandan had to tell of the Kings of yore and distracted lovers long gone before. And hardly would he believe that night had fallen ere he bade light the wax candles and the lamps and bring all that was needful of meat and drink and perfume gear, and what not; and when all was in presence, he summoned the Wazir Dandan, and the Emirs Rustam and Bahram and Tarkash and the Grand Chamberlain; then waited till the whole party was seated before him; whereupon he turned to the Minister and said, &amp;quot;Know, O Wazir, that night is come and hath let down over us its veil of gloom, and we desire that thou tell us those tales which thou promisedst us.&amp;quot; Replied the Wazir, &amp;quot;With joy and good will.&amp;quot;—And Shahrazad perceived the dawn of day and ceased to say her permitted say.&#xA;&#xA;When it was the One Hundred and Seventh Night,&#xA;&#xA;She said, It hath reached me, O auspicious King, that when King Zau Al-Makan summoned the Wazir and the Chamberlain and Rustam and Bahram, he turned towards the Minister Dandan and said, &amp;quot;Know, O Wazir, that night is come and hath let down over us its veil of gloom, and we desire that thou tell us those tales which thou promisedst us.&amp;quot; Replied the Wazir, &amp;quot;With love and gladness! Know, O auspicious King, that there reached my ears a relation of a lover and a loved one and of the discourse between them and what befel them of things rare and fair, a story such as repelleth care from the heart and dispelleth sorrow like unto that of the patriarch Jacob; and it is as follows&amp;quot;:&#xA;&#xA;Footnotes:&#xA;&#xA;&#xA; This knightly tale, the longest in the Nights (xliv.— cxlv.), about one-eighth of the whole, does not appear in the Bres. Edit. Lane, who finds it &amp;quot;objectionable,&amp;quot; reduces it to two of its episodes, Azíz-cum-Azízah and Táj al-Mulúk. On the other hand it has been converted into a volume (8vo, pp. 240) &amp;quot;Scharkan, Conte Arabe,&amp;quot; etc. Traduit par M. Asselan Riche, etc. Paris: Dondey-Dupré. 1829. It has its longueurs and at times is longsome enough; but it is interesting as a comparison between the chivalry of Al-Islam and European knight-errantry. Although all the characters are fictitious the period is evidently in the early crusading days. Cæsarea, the second capital of Palestine, taken during the Caliphate of Omar (A.H. 19) and afterwards recovered, was fortified in A.H. 353 = 963 as a base against the Arabs by the Emperor Phocas, the Arab. &amp;quot;Nakfúr&amp;quot; i.e. Nicephorus. In A.H. 498=1104, crusading craft did much injury by plundering merchantmen between Egypt and Syria, to which allusion is found in the romance. But the story teller has not quite made up his mind about which Cæsarea he is talking, and M. Riche tells us that Césarée is a &amp;quot;ville de la Mauritanie, en Afrique&amp;quot; (p. 20).&#xA;&#xA; The fifth Ommiade Caliph reign. A.H. 65-86 = 685-704.&#xA;&#xA; This does not merely mean that no one was safe from his wrath: or, could approach him in the heat of fight: it is a reminiscence of the masterful &amp;quot;King Kulayb,&amp;quot; who established game-laws in his dominions and would allow no man to approach his camp-fire. Moreover the Jinn lights a fire to decoy travellers, but if his victim be bold enough to brave him, he invites him to take advantage of the heat.&#xA;&#xA; China.&#xA;&#xA; The Jaxartes and the Bactrus (names very loosely applied).&#xA;&#xA; In full &amp;quot;Sharrun kána&amp;quot; i.e. an evil (Sharr) has come to being (kána) that is, &amp;quot;bane to the foe&amp;quot; a pagan and knightly name. The hero of the Romance &amp;quot;Al-Dalhamah&amp;quot; is described as a bitter gourd (colocynth), a viper, a calamity.&#xA;&#xA; This is a Moslem law (Koran chaps. iv. bodily borrowed from the Talmud) which does not allow a man to marry one wife unless he can carnally satisfy her. Moreover he must distribute his honours equally and each wife has a right to her night unless she herself give it up. This was the case even with the spouses of the Prophet; and his biography notices several occasions when his wives waived their rights in favour of one another M. Riche kindly provides the King with la piquante francaise (p. 15).&#xA;&#xA; So the celebrated mosque in Stambul, famed for being the largest church in the world is known to the Greeks as &amp;quot;Agia (pron. Aya) Sophia&amp;quot; and to Moslems as &amp;quot;Aye Sofíyeh&amp;quot; (Holy Wisdom) i.e. the Logos or Second Person of the Trinity (not a Saintess). The sending a Christian girl as a present to a Moslem would, in these days, be considered highly scandalous. But it was done by the Mukaukis or Coptic Governor of Egypt (under Heraclius) who of course hated the Greeks. This worthy gave two damsels to Mohammed; one called Sírín and the other Máriyah (Maria) whom the Prophet reserved for his especial use and whose abode is still shown at Al-Medinah. The Rev. Doctor Badger (loc. cit. p. 972) gives the translation of an epistle by Mohammed to this Mukaukis, written in the Cufic character ( ? ?) and sealed &amp;quot;Mohammed, The Apostle of Allah.&amp;quot; My friend seems to believe that it is an original, but upon this subject opinions will differ. It is, however, exceedingly interesting, beginning with &amp;quot;Bismillah,&amp;quot; etc., and ending (before the signature) with a quotation from the Koran (iii. 57); and it may be assumed as a formula addressee to foreign potentates by a Prophet who had become virtually &amp;quot;King of Arabia.&amp;quot;&#xA;&#xA; This prayer before &amp;quot;doing the deed of kind&amp;quot; is, I have said, Moslem as well Christian.&#xA;&#xA; Exodus i. 16, quoted by Lane (M. E., chaps. xxvii.).&#xA;Torrens in his Notes cites Drayton's &amp;quot;Moon-calf':—&#xA;            Bring forth the birth-stool—no, let it alone;&#xA;            She is so far beyond all compass grown,&#xA;            Some other new device us needs must stead,&#xA;            Or else she never can be brought to bed.&#xA;It is the &amp;quot;groaning-chair&amp;quot; of Poor Robin's Almanac (1676) and we find it alluded to in Boccaccio, the classical sedile which according to scoffers has formed the papal chair (a curule seat) ever since the days of Pope Joan, when it has been held advisable for one of the Cardinals to ascertain that His Holiness possesses all the instruments of virility. This &amp;quot;Kursí al-wiládah&amp;quot; is of peculiar form on which the patient is seated. A most interesting essay might be written upon the various positions preferred during delivery, e.g. the wild Irish still stand on all fours, like the so-called &amp;quot;lower animals.&amp;quot; Amongst the Moslems of Waday, etc., a cord is hung from the top of the hut, and the woman in labour holds on to it standing with her legs apart, till the midwife receives the child.&#xA;&#xA; Some Orientalists call &amp;quot;lullilooing&amp;quot; the trilling cry, which is made by raising the voice to its highest pitch and breaking it by a rapid succession of touches on the palate with the tongue-tip, others &amp;quot;Ziraleet&amp;quot; and Zagaleet, and one traveller tells us that it began at the marriage-festival of Isaac and Rebecca (!). Arabs term it classically &amp;quot;Tahlíl&amp;quot; and vulgarly &amp;quot;Zaghrutah&amp;quot; (Plur. Zaghárit) and Persians &amp;quot;Kil.&amp;quot; Finally in Don Quixote we have &amp;quot;Lelilies,&amp;quot; the battle-cry of the Moors (Duffield iii. 289). Dr. Buchanan likens it to a serpent uttering human sounds, but the good missionary heard it at the festival of Jagannath. (Pilgrimage iii. 197 )&#xA;&#xA; i.e. &amp;quot;Light of the Place&amp;quot; (or kingdom) and &amp;quot;Delight of the&#xA;Age.&amp;quot;&#xA;&#xA; It is utterly absurd to give the old heroic Persian name Afridun or Furaydun, the destroyer of Zohák or Zahhák to a Greek, but such anachronisms are characteristic of The Nights and are evidently introduced on purpose. See Boccaccio, ix. 9.&#xA;&#xA; Arab. &amp;quot;Yunán&amp;quot; lit. Ionia, which applies to all Greece, insular and continental, especially to ancient Greece.&#xA;&#xA; In 1870 I saw at Sidon a find of some hundreds of gold&#xA;&amp;quot;Philippi&amp;quot; and &amp;quot;Alexanders.&amp;quot;&#xA;&#xA; M. Riche has (p. 21), &amp;quot;Ces talismans travaillés par le ciseau du célèbre Califaziri,&amp;quot; adding in a note, &amp;quot;Je pense que c'est un sculpteur Arabe.&amp;quot;&#xA;&#xA; This periphrase, containing what seems to us a useless negative, adds emphasis in Arabic.&#xA;&#xA; This bit of geographical information is not in the Bull&#xA;Edit.&#xA;&#xA; In Pers. = a tooth, the popular word.&#xA;&#xA; This preliminary move, called in Persian Nakl-i Safar, is generally mentioned. So the Franciscan monks in California, when setting out for a long journey through the desert, marched three times round the convent and pitched tents for the night under its walls.&#xA;&#xA; In Arab. &amp;quot;Khazinah&amp;quot; or &amp;quot;Khaznah&amp;quot; lit. a treasure, representing 1,000 &amp;quot;Kís&amp;quot; or purses (each=£5). The sum in the text is 7,000 purses X 5=£35,000.&#xA;&#xA; Travellers often prefer such sites because they are sheltered from the wind, and the ground is soft for pitching tents; but many have come to grief from sudden torrents following rain.&#xA;&#xA; Arab &amp;quot;Ghábah&amp;quot; not a forest in our sense of the word, but a place where water sinks and the trees (mostly Mimosas), which elsewhere are widely scattered, form a comparatively dense growth and collect in thickets. These are favourite places for wild beasts during noon-heats.&#xA;&#xA; At various times in the East Jews and Christians were ordered to wear characteristic garments, especially the Zunnár or girdle.&#xA;&#xA; The description is borrowed from the Coptic Convent, which invariably has an inner donjon or keep. The oldest monastery in the world is Mar Antonios (St. Anthony the Hermit) not far from Suez. (Gold Mines of Midian, p. 85.)&#xA;&#xA; &amp;quot;Dawáhí,&amp;quot; plur. of Dáhiyah = a mishap. The title means &amp;quot;Mistress of Misfortunes&amp;quot; or Queen of Calamities (to the enemy); and the venerable lady, as will be seen, amply deserved her name, which is pronounced Zát al-Dawáhí.&#xA;&#xA; Arab. &amp;quot;Kunfuz&amp;quot;=hedgehog or porcupine.&#xA;&#xA; These flowers of speech are mere familiarities, not insults. In societies where the sexes are separated speech becomes exceedingly free. &amp;quot;Étourdie que vous êtes,&amp;quot; says M. Riche, toning down the text.&#xA;&#xA; Arab. &amp;quot;Zirt,&amp;quot; a low word. The superlative &amp;quot;Zarrát&amp;quot; (fartermost) or, &amp;quot;Abu Zirt&amp;quot; (Father of farts) is a facetious term among the bean-eating Fellahs and a deadly insult amongst the Badawin (Night ccccx.). The latter prefer the word Taggáa (Pilgrimage iii. 84). We did not disdain the word in farthingale=pet en air.&#xA;&#xA; Arab. &amp;quot;kicked&amp;quot; him, i.e. with the sharp corner of the shovel-stirrup. I avoid such expressions as &amp;quot;spurring&amp;quot; and &amp;quot;pricking over the plain,&amp;quot; because apt to give a wrong idea.&#xA;&#xA; Arab. &amp;quot;Allaho Akbar!&amp;quot; the classical Moslem slogan.&#xA;&#xA; Arab horses are never taught to leap, so she was quite safe on the other side of a brook nine feet broad.&#xA;&#xA; &amp;quot;Batrík&amp;quot; (vulg. Bitrík)=patricius, a title given to&#xA;Christian knights who commanded ten thousand men; the Tarkhan (or&#xA;Nobb) heading four thousand, and the Kaumas (Arab. Káid) two&#xA;hundred. It must not be confounded with Batrak (or&#xA;Batrik)=patriarcha. (Lane's Lex.)&#xA;&#xA; Arab. &amp;quot;Kázi al-Kuzát,&amp;quot; a kind of Chief Justice or Chancellor. The office wag established under the rule of Harun al Rashid, who so entitled Abú Yúsuf Ya'akab al-Ansári: therefore the allusion is anachronistic. The same Caliph also caused the Olema to dress as they do still.&#xA;&#xA; The allusion is Koranic: &amp;quot;O men, if ye be in doubt concerning the resurrection, consider that He first created you of the dust of the ground (Adam), afterwards of seed&amp;quot; (chaps. xxii.). But the physiological ideas of the Koran are curious. It supposes that the Mani or male semen is in the loins and that of women in the breast bone (chaps Ixxxvi.); that the mingled seed of the two (chaps. Ixxvi.) fructifies the ovary and that the child is fed through the navel with menstruous blood, hence the cessation of the catamenia. Barzoi (Kalilah and Dímnah) says:— &amp;quot;Man's seed, falling into the woman's womb, is mixed with her seed and her blood: when it thickens and curdles the Spirit moves it and it turns about like liquid cheese; then it solidifies, its arteries are formed, its limbs constructed and its joints distinguished. If the babe is a male, his face is placed towards his mother's back; if a female, towards her belly.&amp;quot; (P. 262, Mr. L G.N. Keith- Falconer's translation.) But there is a curious prolepsis of the spermatozoa-theory. We read (Koran chaps. vii.), &amp;quot;Thy Lord drew forth their posterity from the loins of the sons of Adam;&amp;quot; and the commentators say that Allah stroked Adam's back and extracted from his loins all his posterity, which shall ever be, in the shape of small ants; these confessed their dependence on God and were dismissed to return whence they came.&amp;quot; From this fiction it appears (says Sale) that the doctrine of pre-existence is not unknown to the Mohammedans, and there is some little conformity between it and the modern theory of generatio ex animalculis in semine marium. The poets call this Yaum-i-Alast = the Day of Am-I-not (-your Lord)? which Sir William Jones most unhappily translated &amp;quot;Art thou not with thy Lord ?&amp;quot; (Alasta bi Rabbi- kum); fand they produce a grand vision of unembodied spirits appearing in countless millions before their Creator.&#xA;&#xA; The usual preliminary of a wrestling bout.&#xA;&#xA; In Eastern wrestling this counts as a fair fail. So Ajax fell on his back with Ulysses on his breast. (Iliad xxxii., 700, etc.)&#xA;&#xA; So biting was allowed amongst the Greeks in the , the final struggle on the ground.&#xA;&#xA; Supposed to be names of noted wrestlers. &amp;quot;Kayim&amp;quot; (not El-Kim as Torrens has it) is a term now applied to a juggler or &amp;quot;professor&amp;quot; of legerdemain who amuses people in the streets with easy tricks. (Lane, M. E., chaps. xx.)&#xA;&#xA; Lit. &amp;quot;laughed in his face&amp;quot; which has not the unpleasant meaning it bears in English.&#xA;&#xA; Arab. &amp;quot;Abu riyáh&amp;quot;=a kind of child's toy. It is our &amp;quot;bull-roarer&amp;quot; well known in Australia and parts of Africa.&#xA;&#xA; The people of the region south of the Caspian which is called &amp;quot;Sea of Daylam.&amp;quot; It has a long history; for which see D'Herbelot, s.v. &amp;quot;Dilem.&amp;quot;&#xA;&#xA; Coptic convents in Egypt still affect these drawbridges over the keep-moat.&#xA;&#xA; Koran iv., xxii. etc., meaning it is lawful to marry women taken in war after the necessary purification although their husbands be still living. This is not permitted with a free woman who is a True Believer. I have noted that the only concubine slave-girl mentioned in the Koran are these &amp;quot;captives possessed by the right hand.&amp;quot;&#xA;&#xA; The Amazonian dame is a favourite in folk-lore and is an ornament to poetry from the Iliad to our modern day. Such heroines, apparently unknown to the Pagan Arabs, were common in the early ages of Al-Islam as Ockley and Gibbon prove, and that the race is not extinct may be seen in my Pilgrimage (iii. 55) where the sister of Ibn Rumi resolved to take blood revenge for her brother.&#xA;&#xA; And Solomon said, &amp;quot;O nobles, which of you will bring me her throne ?&amp;quot; A terrible genius (i.e. an If rit of the Jinn named Dhakwan or the notorious Sakhr) said, &amp;quot; I will bring it unto thee before thou arise from thy seat (of justice); for I am able to perform it, and may be trusted&amp;quot; (Koran, xxvii. 38-39). Balkís or Bilkís (says the Durrat al-Ghawwás) daughter of Hozád bin Sharhabíl, twenty-second in the list of the rulers of Al- Yaman, according to some murdered her husband, and became, by Moslem ignorance, the Biblical &amp;quot; Queen of Sheba.&amp;quot; The Abyssinians transfer her from Arabian Saba to Ethiopia and make her the mother by Solomon of Menelek, their proto-monarch; thus claiming for their royalties an antiquity compared with which all reigning houses in the world are of yesterday. The dates of the Tabábi'ah or Tobbas prove that the Bilkis of history ruled Al-Yaman in the early Christian era.&#xA;&#xA; Arab. &amp;quot;Fass,&amp;quot; fiss or fuss; the gem set in a ring; also applied to a hillock rounded en cabochon. In The Nights it is used to signify &amp;quot;a fine gem.&amp;quot;&#xA;&#xA; This prominence of the glutæi muscles is always insisted upon, because it is supposed to promise well in a bed-fellow. In Somali land where the people are sub- steatopygous, a rich young man, who can afford such luxury, will have the girls drawn up in line and choose her to wife who projects furthest behind&#xA;&#xA; The &amp;quot;bull&amp;quot; is only half mine.&#xA;&#xA; A favourite Arab phrase, the &amp;quot;hot eye&amp;quot; is one full of tears.&#xA;&#xA; i.e., &amp;quot;Coral,&amp;quot; coral branch, a favourite name for a slave-girl, especially a negress. It is the older &amp;quot;Morgiana.&amp;quot; I do not see why Preston in Al-Haríni's &amp;quot;Makamah (Séance) of Singar&amp;quot; renders it pearls, because Golius gives &amp;quot;small pearls,&amp;quot; when it is evidently &amp;quot;coral.&amp;quot; Richardson (Dissert. xlviii.) seems to me justified in finding the Pari (fairy) Marjan of heroic Persian history reflected in the Fairy Morgain who earned off King Arthur after the battle of Camelon.&#xA;&#xA; Arab. &amp;quot;'Ud Jalaki&amp;quot;=Jalak or Jalik being a poetical and almost obsolete name of Damascus.&#xA;&#xA; The fountain in Paradise whose water shall be drunk with &amp;quot;pure&amp;quot; wine mixed and sealed with musk (for clay). It is so called because it comes from the &amp;quot;Sanam&amp;quot; (Sanima, to be high) boss or highest ridge of the Moslem Heaven (Koran lv. 78 and lxxxiii. 27). Mr. Rodwell says &amp;quot;it is conveyed to the highest apartments in the Pavilions of Paradise.&amp;quot; (?)&#xA;&#xA; This &amp;quot;hysterical&amp;quot; temperament is not rare even amongst the bravest Arabs.&#xA;&#xA; An idea evidently derived from the Æolipyla (olla animatoria) the invention of Hero Alexandrinus, which showed that the ancient Egyptians could apply the motive force of steam.&#xA;&#xA; Kuthayyir ibn Abi Jumah, a poet and far-famed Ráwí or Tale-reciter, mentioned by Ibn Khallikan he lived at Al-Medinah and sang the attractions of one Azzah, hence his soubriquet Sáhib (lover of) Azzah. As he died in A. H. 105 (=726), his presence here is a gross anachronism the imaginary Sharrkan flourished before the Caliphate of Abd al-Malik bin Marwán A. H. 65-86.&#xA;&#xA; Jamíl bin Ma'amar, a poet and lover contemporary with&#xA;Al-Kuthayrir.&#xA;&#xA; Arab. &amp;quot;Tafazzal,&amp;quot; a word of frequent use in conversation=&amp;quot;favour me,&amp;quot; etc.&#xA;&#xA; The word has a long history. From the Gr. or is the Lat. stibium; while the Low Latin &amp;quot;antimonium&amp;quot; and the Span. Althimod are by metathesis for Al-Ithmid. The dictionaries define the substance as a stone from which antimony is prepared, but the Arabs understand a semi-mythical mineral of yellow colour which enters into the veins of the eyes and gives them Iynx-like vision. The famous Anz nicknamed Zarká (the blue eyed) of Yamámah (Province) used it; and, according to some, invented Kohl. When her (protohistoric) tribe Jadis had destroyed all the rival race of Tasm, except Ribáh ibn Murrah; the sole survivor fled to the Tobba of Al-Yaman, who sent a host to avenge him. The king commanded his Himyarites to cut tree-boughs and use them as screens (again Birnam wood). Zarká from her Utum, or peel-tower, saw the army three marches off and cried, &amp;quot;O folk, either trees or Himyar are coming upon you!&amp;quot; adding, in Rajaz verse:—&#xA;&#xA;I swear by Allah that trees creep onward, or that Himyar beareth somewhat which he draweth along!&#xA;&#xA;She then saw a man mending his sandal. But Jadis disbelieved; Cassandra was slain and, when her eyes were cut out the vessels were found full of Ithmid. Hence Al-Mutanabbi sang:&#xA;&#xA;&amp;quot;Sharper-sighted than Zarká of Jau&amp;quot; (Yamámah).&#xA;&#xA;See C. de Perceval i. 101; Arab. Prov. i. 192; and Chenery p. 381.&#xA;(The Assemblies of Al-Hariri; London, Williams and Norgate, 1867).&#xA;I have made many enquiries into the true nature of Ithmid and&#xA;failed to learn anything: on the Upper Nile the word is=Kohl.&#xA;&#xA; The general colour of chessmen in the East, where the game is played on a cloth more often than a board.&#xA;&#xA; Arab. &amp;quot;Al-fil,&amp;quot; the elephant=the French fol or fou and our bishop. I have derived &amp;quot;elephant&amp;quot; from Píl (old Persian, Sansk. Pilu) and Arab. Fil, with the article Al-Fil, whence the Greek the suffix—as being devoted to barbarous words as Obod-as (Al Ubayd), Aretas (Al-Háris), etc. Mr. Isaac Taylor (The Alphabet i. 169), preserves the old absurdity of &amp;quot;eleph-ant or ox-like (!) beast of Africa.&amp;quot; Prof. Sayce finds the word al-ab (two distinct characters) in line 3, above the figure of an (Indian) elephant, on the black obelisk of Nimrod Mound, and suggests an Assyrian derivation.&#xA;&#xA; Arab. &amp;quot;Shaukat&amp;quot; which may also mean the &amp;quot;pride&amp;quot; or &amp;quot;mainstay&amp;quot; (of the army).&#xA;&#xA; Lit. &amp;quot;smote him on the tendons of his neck.&amp;quot; This is the famous shoulder-cut (Tawash shuh) which, with the leg-cut (Kalam), formed, and still forms, the staple of Eastern attack with the sword.&#xA;&#xA; Arab. &amp;quot;Dirás.&amp;quot; Easterns do not thresh with flails. The material is strewed over a round and smoothed floor of dried mud in the open air and threshed by different connivances. In Egypt the favourite is a chair-like machine called &amp;quot;Norag,&amp;quot; running on iron plates and drawn by bulls or cows over the corn. Generally, however, Moslems prefer the old classical , the Tribulum of Virgil and Varro, a slipper-shaped sled of wood garnished on the sole with large-headed iron nails, or sharp fragments of flint or basalt. Thus is made the &amp;quot;Tibn&amp;quot; or straw, the universal hay of the East, which our machines cannot imitate.&#xA;&#xA; These numbers appear to be grossly exaggerated, but they were possible in the days of sword and armour: at the battle of Saffayn the Caliph Ali is said to have cut down five hundred and twenty-three men in a single night.&#xA;&#xA; Arab. &amp;quot;Bika'á&amp;quot;: hence the &amp;quot;Buka'ah&amp;quot; or Clesyria.&#xA;&#xA; Richardson in his excellent dictionary (note 103) which modern priggism finds &amp;quot;unscientific &amp;quot; wonderfully derives this word from Arab. &amp;quot;Khattáf,&amp;quot; a snatcher (i.e. of women), a ravisher. It is an evident corruption of &amp;quot;captivus&amp;quot; through Italian and French&#xA;&#xA; These periodical and fair-like visitations to convents are still customary; especially amongst the Christians of Damascus.&#xA;&#xA; Camphor being then unknown.&#xA;&#xA; The &amp;quot;wrecker&amp;quot; is known all over the world; and not only barbarians hold that ships driven ashore become the property of the shore&#xA;&#xA; Arab. &amp;quot;Jokh&amp;quot;: it is not a dictionary word, but the only term in popular use for European broadcloth.&#xA;&#xA; The second person plural is used because the writer would involve the subjects of his correspondent in the matter.&#xA;&#xA; This part of the phrase, which may seem unnecessary to the European, is perfectly intelligible to all Orientalists. You may read many an Eastern letter and not understand it. Compare Boccacoo iv. 1.&#xA;&#xA; i.e. he was greatly agitated&#xA;&#xA; In text &amp;quot;Li-ajal a al-Taudi'a,&amp;quot; for the purpose of farewelling, a low Egyptianism; emphatically a &amp;quot;Kalám wáti.&amp;quot; (Pilgrimage thee iii. 330.)&#xA;&#xA; In the Mac. Edit. Sharrkan speaks, a clerical error.&#xA;&#xA; The Farsakh (Germ. Stunde) a measure of time rather than distance, is an hour's travel or its equivalent, a league, a meile=three English stat. miles. The word is still used in Persia its true home, but not elsewhere. It is very old, having been determined as a lineal measure of distance by Herodotus (ii. 5 and 6 ; v. 53), who computes it at 30 furlongs (=furrow-lengths, 8 to the stat. mile). Strabo (xi.) makes it range from 40 to 60 stades (each=606 feet 9 inches), and even now it varies between 1,500 to 6,000 yards. Captain Francklin (Tour to Persia) estimates it = about four miles. (Pilgrimage ii. 113.)&#xA;&#xA; Arab. &amp;quot;Ashhab.&amp;quot; Names of colours are few amongst semi civilised peoples, but in Arabia there is a distinct word for every shade of horseflesh.&#xA;&#xA; She had already said to him &amp;quot;Thou art beaten in everything!&amp;quot;&#xA;&#xA; Showing that she was still a Christian.&#xA;&#xA; This is not Badawi sentiment: the honoratioren amongst wild people would scorn such foul play; but amongst the settled Arabs honour between men and women is unknown and such &amp;quot;hocussing&amp;quot; would be held quite fair.&#xA;&#xA; The table of wine, in our day, is mostly a japanned tray with glasses and bottles, saucers of pickles and fruits and, perhaps, a bunch of flowers and aromatic herbs. During the Caliphate the &amp;quot;wine-service&amp;quot; was on a larger scale.&#xA;&#xA; Here the &amp;quot;Bhang&amp;quot; (almost a generic term applied to hellebore, etc.) may be hyoscyamus or henbane. Yet there are varieties of Cannabis, such as the Dakha of South Africa capable of most violent effect. I found the use of the drug well known to the negroes of the Southern United States and of the Brazil, although few of their owners had ever heard of it.&#xA;&#xA; Amongst Moslems this is a reference to Adam who first &amp;quot;sinned against himself,' and who therefore is called &amp;quot; Safíyu'llah,&amp;quot; the Pure of Allah. (Pilgrimage iii. 333.)&#xA;&#xA; Meaning, an angry, violent man.&#xA;&#xA; Arab. &amp;quot;Inshád,&amp;quot; which may mean reciting the verse of another or improvising one's own. In Modern Egypt &amp;quot;Munshid&amp;quot; is the singer or reciter of poetry at Zikrs (Lane M. E. chaps. xxiv.). Here the verses are quite bad enough to be improvised by the hapless Princess.&#xA;&#xA; The negro skin assumes this dust colour in cold, fear, concupiscence and other mental emotions.&#xA;&#xA; He compares her glance with the blade of a Yamani sword, a lieu commun of Eastern poetry. The weapons are famous in The Nights; but the best sword-cutlery came from Persia as the porcelain from China to Sana'á. Here, however, is especial allusion as to the sword &amp;quot;Samsam&amp;quot; or &amp;quot;Samsamah.&amp;quot; It belonged to the Himyarite Tobba, Amru bin Ma'ad Kurb, and came into the hands of Harun al-Rashid. When the Emperor of the Greeks sent a present of superior sword-blades to him by way of a brave, the Caliph, in the presence of the Envoys, took &amp;quot;Samsam&amp;quot; in hand and cut the others in twain as if they were cabbages without the least prejudice to the edge of &amp;quot;Samsam.&amp;quot;&#xA;&#xA; This touch of pathos is truly Arab. So in the &amp;quot;Romance of Dalhamah&amp;quot; (Lane, M. E. xxiii.) the infant Gundubah sucks the breast of its dead mother and the King exclaims, &amp;quot;If she had committed this crime she would not be affording the child her milk after she was dead.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Sadda'l-Aktár,&amp;quot; a term picturesque enough to be preserved in English. &amp;quot;Sadd,&amp;quot; I have said, is a wall or dyke, the term applied to the great dam of water- plants which obstructs the navigation of the Upper Nile, the lilies and other growths floating with the current from the (Victoria) Nyanza Lake. I may note that we need no longer derive from India the lotus-llily so extensively used by the Ancient Egyptians and so neglected by the moderns that it has well nigh disappeared. All the Central African basins abound in the Nymphæa and thence it found its way down the Nile Valley.&#xA;&#xA; Arab. &amp;quot;Al Marhúmah&amp;quot;: equivalent to our &amp;quot;late lamented.&amp;quot;&#xA;&#xA; Vulgarly pronounced &amp;quot;Mahmal,&amp;quot; and by Egyptians and Turks &amp;quot;Mehmel.&amp;quot; Lane (M. E. xxiv.) has figured this queenly litter and I have sketched and described it in my Pilgrimage (iii. 12).&#xA;&#xA; For such fits of religious enthusiasm see my Pilgrimage (iii. 254).&#xA;&#xA; &amp;quot;Irák&amp;quot; (Mesopotamia) means &amp;quot;a level country beside the banks of a ever.&amp;quot;&#xA;&#xA; &amp;quot;Al Kuds,&amp;quot; or &amp;quot;Bays al-Mukaddas,&amp;quot; is still the popular name of Jerusalem, from the Heb. Yerushalaim ha-Kadushah (legend on shekel of Simon Maccabeus).&#xA;&#xA; &amp;quot;Follow the religion of Abraham&amp;quot; says the Koran (chaps. iii. 89). Abraham, titled &amp;quot;Khalílu'llah,&amp;quot; ranks next in dignity to Mohammed, preceding Isa, I need hardly say that his tomb is not in Jerusalem nor is the tomb itself at Hebron ever visited. Here Moslems (soi disant) are allowed by the jealousies of Europe to close and conceal a place which belongs to the world, especially to Jews and Christians. The tombs, if they exist, lie in a vault or cave under the Mosque.&#xA;&#xA; Abá, or Abáyah, vulg. Abayah, is a cloak of hair, goat's or camel's; too well known to require description.&#xA;&#xA; Arab. &amp;quot;Al-Wakkád,&amp;quot; the man who lights and keeps up the bath-fires.&#xA;&#xA; Arab. &amp;quot;Má al-Khaláf&amp;quot; (or &amp;quot;Khiláf&amp;quot;) a sickly perfume but much prized, made from the flowers of the Salix Ægyptiaca.&#xA;&#xA; Used by way of soap; like glasswort and other plants.&#xA;&#xA; i.e., &amp;quot;Thou art only just recovered.&amp;quot;&#xA;&#xA; To &amp;quot;Nakh&amp;quot; is to gurgle &amp;quot;Ikh! Ikh!&amp;quot; till the camel kneels. Hence the space called &amp;quot;Barr al-Manákhah&amp;quot; in Al-Medinah (Pilgrimage i. 222, ii. 91). There is a regular camel vocabulary amongst the Arabs, made up like our &amp;quot;Gee&amp;quot; (go ye!), etc. of significant words worn down.&#xA;&#xA; Arab. &amp;quot;Laza,&amp;quot; the Second Hell provided for Jews.&#xA;&#xA; The word has been explained (vol. i. 112). It is trivial, not occurring in the Koran which uses &amp;quot;Arabs of the Desert ;&amp;quot; &amp;quot;Arabs who dwell in tents,&amp;quot; etc. (chaps. ix. and xxxiii.). &amp;quot;A'arábi&amp;quot; is the classical word and the origin of &amp;quot;Arab&amp;quot; is disputed. According to Pocock (Notæ Spec. Hist. Arab.): &amp;quot;Diverse are the opinions concerning the denomination of the Arabs; but the most certain of all is that which draws it from Arabah, which is part of the region of Tehama (belonging to Al-Medinah Pilgrimage ii. 118), which their father Ismail afterwards inhabited.&amp;quot; Tehamah (sierra caliente) is the maritime region of Al Hijaz, the Moslems Holy Land; and its &amp;quot;Arabah,&amp;quot; a very small tract which named a very large tract, must not be confounded, as some have done, with the Wady Arabah, the ancient outlet of the Dead Sea. The derivation of &amp;quot;Arab&amp;quot; from &amp;quot;Ya'arab&amp;quot; a fancied son of Joktan is mythological. In Heb. Arabia may be called &amp;quot;Eretz Ereb&amp;quot; (or &amp;quot;Arab&amp;quot;)=land of the West; but in Arabic &amp;quot;Gharb&amp;quot; (not Ereb) is the Occident and the Arab dates long before the Hebrew.&#xA;&#xA; &amp;quot;When thine enemy extends his hand to thee, cut it off if thou can, or kiss it,&amp;quot; wisely said Caliph al-Mansur.&#xA;&#xA; The Tartur was a peculiar turban worn by the Northern Arabs and shown in old prints. In modern Egypt the term is applied to the tall sugar-loaf caps of felt affected mostly by regular Dervishes. Burckhardt (Proverbs 194 and 398) makes it the high cap of felt or fur proper to the irregular cavalry called Dely or Delaty. In Dar For (Darfour) &amp;quot;Tartur&amp;quot; is a conical cap adorned with beads and cowries worn by the Manghwah or buffoon who corresponds with the Egyptian &amp;quot;Khalbús&amp;quot; or &amp;quot;Maskharah&amp;quot; and the Turkish &amp;quot;Sutari.&amp;quot; For an illustration see Plate iv. fig. 10 of Voyage au Darfour par Mohammed El Tounsy (The Tunisian), Paris, Duprat, 1845.&#xA;&#xA; The term is picturesque and true; we say &amp;quot;gnaw,&amp;quot; which is not so good.&#xA;&#xA; Here, meaning an Elder, a Chief, etc.; the word has been almost naturalised in English. I have noted that Abraham was the first &amp;quot;Shaykh.&amp;quot;&#xA;&#xA; This mention of weighing suggests the dust of Dean Swift and the money of the Gold Coast It was done, I have said, because the gold coin, besides being &amp;quot;sweated&amp;quot; was soft and was soon worn down.&#xA;&#xA; Fem. of Nájí (a deliverer, a saviour)=Salvadora.&#xA;&#xA; This, I have noted, is according to Koranic command (chaps. iv. 88). &amp;quot;When you are saluted with a salutation, salute the person with a better salutation.&amp;quot; The longer answer to &amp;quot;Peace be with (or upon) thee! &amp;quot; is still universally the custom. The &amp;quot;Salem&amp;quot; is so differently pronounced by every Eastern nation that the observant traveller will easily make of it a Shibboleth.&#xA;&#xA; The Badawi, who was fool as well as rogue, begins to fear that he has kidnapped a girl of family.&#xA;&#xA; These examinations being very indecent are usually done in strictest privacy. The great point is to make sure of virginity.&#xA;&#xA; This is according to strict Moslem law: the purchaser may not look at the girl's nakedness till she is his, and he ought to manage matters through an old woman.&#xA;&#xA; Lit. wrath; affliction which chokes; in Hindustani it means simply anger.&#xA;&#xA; i.e. Heaven forbid I be touched by a strange man.&#xA;&#xA; Used for fuel and other purposes, such as making &amp;quot;doss stick.&amp;quot;&#xA;&#xA; Arab &amp;quot;Yaftah'Allah&amp;quot; the offer being insufficient. The rascal is greedy as a Badaw and moreover he is a liar, which the Badawi is not.&#xA;&#xA; The third of the four great Moslem schools of Theology, taking its name from the Imam al-Sháfi'í (Mohammed ibn Idrís) who died in Egypt A.H. 204, and lies buried near Cairo. (Sale's Prel. Disc. sect. viii.)&#xA;&#xA; The Moslem form of Cabbala, or transcendental philosophy of the Hebrews.&#xA;&#xA; Arab. &amp;quot;Bakh&amp;quot; the word used by the Apostle to Ali his son-in-law. It is the Latin &amp;quot;Euge.&amp;quot;&#xA;&#xA; Readers, who read for amusement, will do well to &amp;quot;skip&amp;quot; the fadaises of this highly educated young woman.&#xA;&#xA; There are three Persian Kings of this name (Artaxerxes)&#xA;which means &amp;quot;Flour and milk,&amp;quot; or &amp;quot;high lion.&amp;quot; The text alludes to&#xA;Ardeshir Babegan, so called because he married the daughter of&#xA;Babak the shepherd, founder of the Sassanides in A.D. 202. See&#xA;D,Herberot, and the Dabistan.&#xA;&#xA; Alluding to the proverb, &amp;quot;Folk follow their King's faith,&amp;quot;&#xA;&amp;quot;Cujus regio ejus religio&amp;quot; etc.&#xA;&#xA; Second Abbaside, A.H. 136-158 (=754-775).&#xA;&#xA; The celebrated companion of Mohammed who succeeded Abu Bakr in the Caliphate (A.H. 13-23=634-644). The Sunnis know him as Al-Adil the Just, and the Shiahs detest him for his usurpation, his austerity and harshness. It is said that he laughed once and wept once. The laugh was caused by recollecting how he ate his dough-gods (the idols of the Hanifah tribe) in The Ignorance. The tears were drawn by remembering how he buried alive his baby daughter who, while the grave was being dug, patted away the dust from his hair and beard. Omar was doubtless a great man, but he is one of the most ungenial figures in Moslem history which does not abound in genialities. To me he suggests a Puritan, a Covenanter of the sourest and narrowest type; and I cannot wonder that the Persians abhor him, and abuse him on all occasions.&#xA;&#xA; The austere Caliph Omar whose scourge was more feared than the sword was the - author of the celebrated saying &amp;quot;Consult them (feminines) and do clear contrary-wise.&amp;quot;&#xA;&#xA; Our &amp;quot;honour amongst thieves.&amp;quot;&#xA;&#xA; The sixth successor of Mohammed and founder of the Banu Umayyah or Ommiades, called the &amp;quot;sons of the little mother&amp;quot; from their eponymus (A.H. 41-60=661-680). For his Badawi wife Maysun, and her abuse of her husband, see Pilgrimage iii. 262.&#xA;&#xA; Shaykh of the noble tribe, or rather nation, Banu Tamím and a notable of the day, surnamed, no one knows why, &amp;quot;Sire of the Sea.&amp;quot;&#xA;&#xA; This is essential for cleanliness in hot lands: however much the bath may be used, the body-pile and lower hair, if submitted to a microscope, will show more or less sordes adherent. The axilla-hair is plucked because if shaved the growing pile causes itching and the depilatories are held deleterious. At first vellication is painful but the skin becomes used to it. The pecten is shaved either without or after using depilatories, of which more presently. The body-pile is removed by &amp;quot;Takhfíf&amp;quot;; the Libán Shámi (Syrian incense), a fir- gum imported from Scio, is melted and allowed to cool in the form of a pledget. This is passed over the face and all the down adhering to it is pulled up by the roots (Burckhardt No. 420). Not a few Anglo-Indians have adopted these precautions&#xA;&#xA; This Caliph was a tall, fair, handsome man of awe-inspiring aspect. Omar used to look at him and say, &amp;quot;This is the Cæsar of the Arabs,&amp;quot; while his wife called him a &amp;quot;fatted ass.&amp;quot;&#xA;&#xA; The saying is attributed to Abraham when &amp;quot;exercised&amp;quot; by the unkindly temper of Sarah; &amp;quot;woman is made hard and crooked like a rib;&amp;quot; and the modern addition is, &amp;quot;whoso would straighten her, breaketh her.&amp;quot;&#xA;&#xA; i.e. &amp;quot;When ready and in erection.&amp;quot;&#xA;&#xA; &amp;quot;And do first (before going in to your wives) some act which may be profitable unto your souls&amp;quot; or, for you: soul's good. (Koran, chaps. ii. 223.) Hence Ahnaf makes this prayer.&#xA;&#xA; It was popularly said that &amp;quot;Truth-speaking left Omar without a friend.&amp;quot; Entitled &amp;quot;The Just&amp;quot; he was murdered by Abu Lúlúah, alias Fírúz, a (Magian ?) slave of Al-Maghírah for denying him justice.&#xA;&#xA; Governor of Bassorah under the first four Caliphs. See&#xA;D'Herbelot s.v. &amp;quot;Aschári.&amp;quot;&#xA;&#xA; Ziyad bin Abi Sufyan, illegitimate brother of the Caliph&#xA;Mu'awiyah afterwards governor of Bassorah, Cufa and Al-Hijaz.&#xA;&#xA; The seditions in Kufah were mainly caused by the wilful nepotism of Caliph Othman bin Asákir which at last brought about his death. His main quality seems to have been personal beauty: &amp;quot;never was seen man or woman of fairer face than he and he was the most comely of men:&amp;quot; he was especially famed for beautiful teeth which in old age he bound about with gold wire. He is described as of middling stature, large- limbed, broad shouldered, fleshy of thigh and long in the fore-arm which was hairy. His face inclined to yellow and was pock-marked; his beard was full and his curly hair, which he dyed yellow, fell below his ears. He is called &amp;quot;writer of the Koran&amp;quot; from his edition of the M.S., and &amp;quot;Lord of the two Lights&amp;quot; because he married two of the Prophet's daughters, Rukayyah and Umm Kulthum; and, according to the Shi'ahs who call him Othman-i-Lang or&amp;quot; limping Othman,&amp;quot; he vilely maltreated them. They justify his death as the act of an Ijmá' al-Muslimín, the general consensus of Moslems which ratifies &amp;quot;Lynch law.&amp;quot; Altogether Othman is a mean figure in history.&#xA;&#xA; &amp;quot;Nár&amp;quot; (fire) is a word to be used delicately from its connection with Gehenna. You say, e.g. &amp;quot;bring me a light, a coal (bassah)&amp;quot; etc.; but if you say &amp;quot;bring me fire! &amp;quot; the enemy will probably remark &amp;quot;He wanteth fire even before his time!&amp;quot; The slang expression would be &amp;quot;bring the sweet.&amp;quot; (Pilgrimage i. 121.)&#xA;&#xA; Omar is described as a man of fair complexion, and very ruddy, but he waxed tawny with age, when he also became bald and grey. He had little hair on the cheeks but a long mustachio with reddish ends. In stature he overtopped the people and was stout as he was tall. A popular saying of Mohammed's is, &amp;quot;All (very) long men are fools save Omar, and all (very) short men are knaves save Ali.&amp;quot; The Persians, who abhor Omar, compare every lengthy, ungainly, longsome thing with him; they will say, &amp;quot;This road never ends, like the entrails of Omar.&amp;quot; We know little about Ali's appearance except that he was very short and stout, broad and full-bellied with a tawny complexion and exceedingly hairy, his long beard, white as cotton, filling all the space between his shoulders. He was a &amp;quot;pocket. Hercules,&amp;quot; and incredible tales, like that about the gates of Khaybar, are told of his strength. Lastly, he was the only Caliph who bequeathed anything to literature: his &amp;quot;Cantiloquium&amp;quot; is famous and he has left more than one mystical and prophetic work. See Ockley for his &amp;quot;Sentences&amp;quot; and D'Herbelot s. D. &amp;quot;Ali&amp;quot; and &amp;quot;Gebr.&amp;quot; Ali is a noble figure in Moslem history.&#xA;&#xA; The emancipation from the consequences of his sins; or it may mean a holy death.&#xA;&#xA; Battle fought near Al-Medinah A.D. 625. The word is derived from &amp;quot;shad&amp;quot; (one). I have described the site in my Pilgrimage, (vol. ii. 227).&#xA;&#xA; &amp;quot;Haphsa&amp;quot; in older writers; Omar's daughter and one of Mohammed's wives, famous for her connection with the manuscripts of the Koran. From her were (or claimed to be) descended the Hafsites who reigned in Tunis and extended their power far and wide over the Maghrib (Mauritania), till dispossessed by the Turks.&#xA;&#xA; i.e. humbly without the usual strut or swim: it corresponds with the biblical walking or going softly. (I Kings xxi. 27; Isaiah xxxviii. 15, etc.)&#xA;&#xA; A theologian of the seventh and eighth centuries.&#xA;&#xA; i.e. to prepare himself by good works, especially alms-giving, for the next world.&#xA;&#xA; A theologian of the eighth century.&#xA;&#xA; Abd al-Aziz was eighth Ommiade (regn. A.H. 99=717) and the fifth of the orthodox, famed for a piety little known to his house. His most celebrated saying was, &amp;quot; Be constant in meditation on death: if thou bein straitened case 'twill enlarge it, and if in affluence 'twill straiten it upon thee.&amp;quot; He died. poisoned, it is said, in A.H 101,&#xA;&#xA; Abu Bakr originally called Abd al-Ka'abah (slave of the Ka'abah) took the name of Abdullah and was surnamed Abu Bakr (father of the virgin) when Mohammed, who before had married only widows, took to wife his daughter, the famous or infamous Ayishah. &amp;quot;Bikr&amp;quot; is the usual form, but &amp;quot;Bakr,&amp;quot; primarily meaning a young camel, is metaphorically applied to human youth (Lane's Lex. s. c.). The first Caliph was a cloth-merchant, like many of the Meccan chiefs. He is described as very fair with bulging brow, deep set eyes and thin-checked, of slender build and lean loined, stooping and with the backs of his hands fleshless. He used tinctures of Henna and Katam for his beard. The Persians who hate him, call him &amp;quot;Pir-i-Kaftár,&amp;quot; the old she-hyaena, and believe that he wanders about the deserts of Arabia in perpetual rut which the males must satisfy.&#xA;&#xA; The second, fifth, sixth and seventh Ommiades.&#xA;&#xA; The mother of Omar bin Abd al-Aziz was a granddaughter of&#xA;Omar bin al-Khattab.&#xA;&#xA; Brother of this Omar's successor, Yezid II.&#xA;&#xA; So the Turkish proverb &amp;quot;The fish begins to stink at the head.&amp;quot;&#xA;&#xA; Calling to the slaves.&#xA;&#xA; When the &amp;quot;Day of Arafat&amp;quot; (9th of Zú'l-Hijjah) falls upon a Friday. For this Hajj al- Akbar see my Pilgrimage iii. 226. It is often confounded by writers (even by the learned M. Caussin de Perceval) with the common Pilgrimage as opposed to the Umrah, or &amp;quot; Lesser Pilgrimage&amp;quot; (ibid. iii. 342, etc.). The latter means etymologically cohabiting with a woman in her father's house as opposed to 'Ars or leading her to the husband's home: it is applied to visiting Meccah and going through all the pilgrim-rites but not at the Pilgrimage-season. Hence its title &amp;quot;Hajj al-Asghar&amp;quot; the &amp;quot;Lesser Hajj.&amp;quot; But &amp;quot;Umrah&amp;quot; is also applied to a certain ceremony between the hills Safá (a large hard rock) and Marwah (stone full of flints), which accompanies the Hajj and which I have described (ibid. iii. 344). At Meccah I also heard of two places called Al-Umrah, the Greater in the Wady Fátimah and the Lesser half way nearer the city (ibid. iii. 344).&#xA;&#xA; A fair specimen of the unworthy egoism which all religious systems virtually inculcate Here a pious father leaves his children miserable to save his own dirty soul.&#xA;&#xA; Chief of the Banú Tamín, one of the noblest of tribes, derived from Tamím, the uncle of Kuraysh (Koreish); hence the poets sang:—&#xA;&#xA;             There cannot be a son nobler than Kuraysh,&#xA;             Nor an uncle nobler than Tamím.&#xA;&#xA;The high minded Tamín is contrasted with the mean-spirited Kays, who also gave rise to a tribe; and hence the saying concerning one absolutely inconsistent, &amp;quot;Art thou now Tamín and then Kays?&amp;quot;&#xA;&#xA; Surnamed Al-Sakafi, Governor of Al-Yaman and Irak.&#xA;&#xA; Tenth Ommiade (regn. A H. 105-125 = 724-743).&#xA;&#xA; Or &amp;quot;clothe thee in worn-out clothes&amp;quot; i.e. &amp;quot;Become a Fakir&amp;quot; or religious mendicant.&#xA;&#xA; This gratuitous incest in ignorance injures the tale and is as repugnant to Moslem as to Christian taste.&#xA;&#xA; The child is named either on the day of its birth or on that day week. The father whispers it in the right ear, often adding the Azán or prayer-call, and repeating in the left ear the &amp;quot;Ikámah&amp;quot; or Friday sentence. There are many rules for choosing names according to the week-day, the ascendant planet, the &amp;quot;Sortes Coranicæ,&amp;quot; etc.&#xA;&#xA; Amongst Moslems as amongst Christians there are seven deadly sins: idolatry, murder, falsely charging modest women with unchastity, robbing orphans, usury, desertion in Holy War and disobedience to parents. The difference between the two creeds is noteworthy. And the sage knows only three, intemperance, ignorance and egoism.&#xA;&#xA; Meaning, &amp;quot;It was decreed by Destiny; so it came to pass,&amp;quot; appropriate if not neat.&#xA;&#xA; The short, stout, dark, long-haired and two-bunched camel from &amp;quot;Bukhtar&amp;quot; (Bactria), the &amp;quot;Eastern&amp;quot; (Bakhtar) region on the Amu or Jayhun (Oxus) River; afterwards called Khorasan. The two-humped camel is never seen in Arabia except with northern caravans, and to speak of it would be a sore test of Badawi credulity.&#xA;&#xA; &amp;quot;Kaylúlah&amp;quot; is the &amp;quot;forty-winks&amp;quot; about noon: it is a Sunnat or Practice of the Prophet who said, &amp;quot;Make the mid-day siesta, for verily at this hour the devils sleep not.&amp;quot; &amp;quot;Aylúlain&amp;quot; is slumbering after morning prayers (our &amp;quot;beauty-sleep&amp;quot;), causing heaviness andid leness: &amp;quot;Ghaylúlah&amp;quot; is dozing about 9 a.m. engendering poverty and wretchedness: &amp;quot;Kaylúlah&amp;quot; (with the guttural Kaf) is sleeping before evening prayers and &amp;quot;Faylúlah&amp;quot; is slumbering after sunset—both held to be highly detrimental. (Pilgrimage ii 49.)&#xA;&#xA; The Biblical &amp;quot;Hamath&amp;quot; (Hightown) too well known to require description. It is still famous for the water-wheels mentioned by al-Hariri (assembly of the Banu Harám).&#xA;&#xA; When they say, &amp;quot;The levee flashes bright on the hills of&#xA;Al-Yaman,&amp;quot; the allusion is to the south quarter, where&#xA;summer-lightning is seen. Al-Yaman (always with the article) means,&#xA;I have said, the right-hand region to one facing the rising sun and&#xA;Al-Sham (Syria) the left-hand region.&#xA; Again &amp;quot;he&amp;quot; for &amp;quot;she,&amp;quot; in delicacy and jealousy of making public the beauty or conditions of the &amp;quot;veiled sex.&amp;quot; Even public singers would hesitate to use a feminine pronoun. As will be seen however, the rule is not invariably kept and hardly ever in Badawi poetry.&#xA;&#xA; The normal pun on &amp;quot;Nuzhat al-Zaman&amp;quot; = Delight of the Age or Time.&#xA;&#xA; The reader will find in my Pilgrimage (i. 305) a sketch of the Takht-rawan or travelling-litter, in which pilgrimesses are wont to sleep.&#xA;&#xA; In poetry it holds the place of our Zephyr; end the &amp;quot;Bád- i-Sabá&amp;quot;=Breeze o' the morn, Is much addressed by Persian poets.&#xA;&#xA; Here appears the nervous, excitable, hysterical Arab temperament which is almost phrensied by the neighbourhood of a home from which he had run away.&#xA;&#xA; Zau al-Makan and Nuzhat al-Zaman.&#xA;&#xA; The idea is essentially Eastern, &amp;quot;A lion at home and a lamb abroad&amp;quot; is the popular saying.&#xA;&#xA; Arab. &amp;quot;Hubb al-Watan&amp;quot; (= love of birthplace, patriotism) of which the Tradition says &amp;quot;Min al-Imán&amp;quot; (=is part of man's religion).&#xA;&#xA; He is supposed to speak en prince; and he yields to a prayer when he spurns a command.&#xA;&#xA; In such caravans each party must keep its own place under pain of getting into trouble with the watchmen and guards.&#xA;&#xA; Mr. Payne (ii. 109) borrows this and the next quotation from the Bull Edit. i. 386.&#xA;&#xA; For the expiation of inconsiderate oaths see Koran (chaps. v.). I cannot but think that Al-Islam treats perjury too lightly: all we can say is-that it improves upon Hinduism which practically seems to leave the punishment to the gods.&#xA;&#xA; &amp;quot;Kausar,&amp;quot; as has been said, represents the classical nectar, the Amrita of the Hindus.&#xA;&#xA; From Bull Edit. i. 186. The couplet in the Mac. Edit. i. 457 is very wildly applied.&#xA;&#xA; The &amp;quot;insula&amp;quot; of Sancho Panza.&#xA;&#xA; This should have assured him that he stood in no danger.&#xA;&#xA; Here ends the wearisome tale of the brother and sister, and the romance of chivalry begins once more with the usual Arab digressions.&#xA;&#xA; I have derived this word from the Persian &amp;quot;rang&amp;quot;=colour, hue, kind.&#xA;&#xA; Otherwise all would be superseded, like U. S. officials under a new President.&#xA;&#xA; Arab. &amp;quot;Nímshah&amp;quot; from the Pers. Nímchah, a &amp;quot;half-sword,&amp;quot; a long dagger worn in the belt. Richardson derives it from Namsh, being freckled (damasked).&#xA;&#xA; The Indian term for a tent large enough to cover a troop of cavalry.&#xA;&#xA; Arab. &amp;quot;Marhúm&amp;quot; a formula before noticed. It is borrowed from the Jewish, &amp;quot;of blessed memory&amp;quot; (after the name of the honoured dead, Prov. x. 17.); with the addition of &amp;quot;upon whom be peace,&amp;quot; as opposed to the imprecation, &amp;quot;May the name of the wicked rot!&amp;quot;&#xA;&#xA; The speeches of the five damsels should be read only by students.&#xA;&#xA; i.e. Those who look for &amp;quot;another and a better.&amp;quot;&#xA;&#xA; The title of Caliph Abu Bakr because he bore truthful witness to the Apostle's mission or, others say, he confirmed the &amp;quot;Mi'ráj&amp;quot; or nocturnal journey to Heaven.&#xA;&#xA; All this is Koranic (chaps. ii., etc.).&#xA;&#xA; This may have applied more than once to &amp;quot;hanging judges&amp;quot; in the Far West.&#xA;&#xA; A traditionist and jurisconsult of Al-Medinah in the seventh and eighth centuries.&#xA;&#xA; The Alexander of the Koran and Eastern legends, not to be confounded with the Alexander of Macedon. He will be noticed in a future Night.&#xA;&#xA; Æsop, according to the Arabs: of him or rather of the two&#xA;Lukmans, more presently.&#xA;&#xA; Koran ii. 185.&#xA;&#xA; Mohammed.&#xA;&#xA; One of the Asháb or Companions of Mohammed.&#xA;&#xA; A noted traditionist at Cufa in the seventh century.&#xA;&#xA; Koran, chaps. lxxiv. I (and verse 8 follows). The Archangel Gabriel is supposed to address Mohammed and not a few divines believe this Surah (chapter) to have been first revealed. Mr. Rodwell makes it No. ii. following the Fatrah or silent interval which succeeded No. xcvi. &amp;quot;Clots of Blood.&amp;quot; See his 2nd Edit. p. 3 for further details.&#xA;&#xA; i.e. dangerous to soul-health.&#xA;&#xA; In the Mac. Edit. &amp;quot;Abd&amp;quot; for &amp;quot;Sa'id.&amp;quot; The latter was a black and a native of Cufa during the first century (A.H ) and is still famous as a traditionist.&#xA;&#xA; Arab. &amp;quot;Shirk,&amp;quot; giving a partner to Allah, attending chiefly to Christians and idolaters and in a minor degree to Jews and Guebres. We usually English it by &amp;quot;polytheism,&amp;quot; which is clumsy and conveys a wrong idea&#xA;&#xA; Grandson of the Caliph Ali. He is one of the Imams&#xA;(High-priests) of the Shi'ah school.&#xA;&#xA; An eminent traditionist of the eighth century (A.D.).&#xA;&#xA; The prayers of the Fast-month and Pilgrimage-month are often said in especial places outside the towns and cities; these are the Indian Id(Eed-)gáh. They have a screen of wall about a hundred yards long with a central prayer-niche and the normal three steps for the preacher; and each extremity is garnished with an imitation minaret. They are also called Namáz-gah and one is sketched by Herklots (Plate iii. fig. 2). The object of the trips thither in Zu'l-Ka'adah and Zu'l-Hijjah is to remind Moslems of the &amp;quot;Ta'aríf,&amp;quot; or going forth from Meccah to Mount Arafat.&#xA;&#xA; Arab. &amp;quot;Al-Háfi,&amp;quot; which in Egyptian means sore-footed as well. He was an ascetic of the eighth and ninth centuries (A.D.). He relates a tradition of the famous soldier saint Khálid bin Walíd who lies buried like the poet Ka'ab al-Ahbár near Hums (Emessa) once the Botia, Phrygia, Abdera, Suabia of Syria now Halbun (pronounced Halbáun) near Damascus. I cannot explain how this Kuraysh noble (a glorious figure in Moslem history) is claimed by the Afghans as one of their countrymen and made to speak Pukhtu or Pushtu, their rough old dialect of Persian. The curious reader will consult my Pilgrimage iii. 322 for the dialogue between Mohammed and Khalid. Again there is general belief in Arabia that the English sent a mission to the Prophet, praying that Khalid might be despatched to proselytise them: unfortunately Mohammed was dead and the &amp;quot;Ingríz&amp;quot; ratted. It is popularly held that no armed man can approach Khalid's grave; but I suppose my revolver did not count.&#xA;&#xA; When he must again wash before continuing prayer.&#xA;&#xA; Bin Adham; another noted ascetic of the eighth century.&#xA;Those curious about these unimportant names will consult the great&#xA;Biographical Dictionary of Ibn Khallikan, translated by Baron&#xA;MacGuckin de Slane (1842-45).&#xA;&#xA; Thus making Bishr the &amp;quot;Imám&amp;quot; (artistes) lit. one who stands in front. In Koran xvii. 74 it means &amp;quot;leader&amp;quot;: in ii. 118 Allah makes Abraham an &amp;quot;Imam to mankind.&amp;quot;&#xA;&#xA; A favourite sentiment in the East: we find it at the very beginning of Sa'di's Gulistan: better a weal-bringing lie than a harm-dealing truth.&#xA;&#xA; A penny, one sixth of the drachma.&#xA;&#xA; Founder of the Hanbali, fourth (in date) of the four orthodox Moslem schools. The Caliph al-Mu'atasim bi'llah, son of Harun al-Rashid, who believed the Koran to have been created and not a Logos (whatever that may be), co-eternal with Allah, scourged this Imam severely for &amp;quot;differing in opinion&amp;quot; (A.H. 220=833). In fact few of the notable reverends of that day escaped without a caress of the scourge or the sword.&#xA;&#xA; A learned man of the eighth century at Bassorah (A.D.).&#xA;&#xA; A traditionist of Khorasan in the ninth century (A.D.).&#xA;&#xA; &amp;quot;Azal,&amp;quot; opp. to &amp;quot;Abad,&amp;quot; eternity without end, infinity.&#xA;&#xA; Koran lxvi. 6.&#xA;&#xA; A traditionist of Al-Medinah, eighth century (A.D.).&#xA;&#xA; Arab. &amp;quot;Músá&amp;quot;: the Egyptian word was &amp;quot;Mesu,&amp;quot; the &amp;quot;child&amp;quot; or the &amp;quot;boy&amp;quot; (brought up in the palace?), and the Hebrews made it &amp;quot;Mosheh&amp;quot; or &amp;quot;one drawn out of the water;&amp;quot; &amp;quot;Mu&amp;quot; in Egypt being water, the Arab &amp;quot;Ma&amp;quot;; whence probably the moderns have derived the dim. &amp;quot;Moyeh ,&amp;quot; vulg. Egyptian for water.&#xA;&#xA; Koran, chaps. xxviii.: Shu'ayb is our Jethro: Koran, chaps. vii. and xi. Mr. Rodwell suggests (p. 101) that the name has been altered from Hobab (Numb. x. 29).&#xA;&#xA; Arab. &amp;quot;Taub&amp;quot; (Saub), the long shirt popularly written in English Tobe and pronounced so by Egyptians. It is worn by both sexes (Lane, M. E. chaps. i. &amp;quot;Tob&amp;quot;) in Egypt, and extends into the heart of Moslem Africa: I can compare it with nothing but a long nightgown dyed a dirty yellow by safflower and about as picturesque as a carter's smock-frock.&#xA;&#xA; There is nothing of this in the Koran; and it is a most unhappy addition, as Moses utterly and pretentiously ignored a &amp;quot;next world.&amp;quot;&#xA;&#xA; Koran xxviii. 22-27. Mohammed evidently confounded the contract between Laban and Jacob. (Gen. xxix. 15-39.)&#xA;&#xA; So says Al-Hariri (Ass. of Sasan), &amp;quot;The neighbour before the house and the traveller before the journey.&amp;quot; In certain cities the neighbourhood is the real detective police, noting every action and abating scandals (such as orgies, etc.) with a strong hand and with the full consent of public opinion and of the authorities. This loving the neighbour shows evident signs of being borrowed from Christianity.&#xA;&#xA; Al-Asamm a theologian of Balkh, ninth century (A.D.).&#xA;&#xA; The founder of the Senior School, for which see Sale Prel.&#xA;Disc. sect. viii.&#xA;&#xA; Thus serving the Lord by sinning against his own body.&#xA;&#xA; An Egyptian doctor of the law (ninth century).&#xA;&#xA; Koran lxxvii. 35, 36. This is one of the earliest and most poetical chapters of the book.&#xA;&#xA; Abu Hanifah was scourged for refusing to take office and was put to death in prison, it is said by poison (A.H. 150=A.D. 767), for a judicial sentence authorising rebellion against the second Abbaside, Al-Mansur, surnamed Abu'l-Dawánik (Father of Pence) for his exceeding avarice.&#xA;&#xA; &amp;quot;Lá rayba fí-hi&amp;quot; says the Koran (ii. 1) of itself; and the saying is popularly applied to all things of the Faith.&#xA;&#xA; Arab. &amp;quot;Rivál al-Ghayb,&amp;quot; somewhat like the &amp;quot;Himalayan Brothers&amp;quot; of modern superstition. See Herklots (Qanoon-e-Islam) for a long and careful description of these &amp;quot;Mardán-i-Ghayb&amp;quot; (Pers.), a &amp;quot;class of people mounted on clouds,&amp;quot; invisible, but moving in a circular orbit round the world, and suggesting the Hindu &amp;quot;Lokapálas.&amp;quot; They should not be in front of the traveller nor on his right, but either behind or on his left hand. Hence tables, memorial couplets and hemistichs are required to ascertain the station, without which precaution journeys are apt to end badly.&#xA;&#xA; A sweetmeat before noticed.&#xA;&#xA; Door hinges in the east are two projections for the top and bottom of the leaf playing in hollows of the lintel and threshold. It appears to be the primitive form, for we find it in the very heart of Africa. In the basaltic cities of the Hauran, where the doors are of thick stone, they move easily on these pins. I found them also in the official (not the temple)City of Palmyra, but all broken.&#xA;&#xA; The effect of the poison and of the incantation which accompanied it.&#xA;&#xA; King Omar who had raped her. My sympathies are all with the old woman who nightly punished the royal lecher.&#xA;&#xA; Arab. &amp;quot;Zunnár,&amp;quot; the Gr. . Christians and Jews were compelled by the fanatical sumptuary laws of the Caliph Al- Mutawakkil (AD. 856) to wear a broad leather belt in public, hence it became a badge of the Faith. Probably it was confounded with the &amp;quot;Janeo&amp;quot; (Brahmanical thread) and the Parsi sacred girdle called Kashti. (Dabistan i, 297, etc.). Both Mandeville and La Brocquière speak of &amp;quot;Christians of the Girdle, because they are all girt above,&amp;quot; intending Jacobites or Nestorians.&#xA;&#xA; &amp;quot;Siláh dár&amp;quot; (Arab. and Pers.)=a military officer of high rank; literally an &amp;quot;armour-bearer,&amp;quot; chosen for velour and trustworthiness. So Jonathan had a &amp;quot;young man&amp;quot; (brave) who bare his armour (I Sam. xiv. 1, 6 and 7); and Goliath had a man that bare the shield before him (ibid. xvii. 7, 41). Men will not readily forget the name of Sulayman Agha, called the Silahdar, in Egypt. (Lane M. E. chaps. iv.)&#xA;&#xA; It will be told afterwards.&#xA;&#xA; The elder brother thus showed himself a vassal and proved himself a good Moslem by not having recourse to civil war.&#xA;&#xA; Arab. &amp;quot;Ghazwah,&amp;quot; the corrupt Gallicism, now&#xA;Europeanised=raid, foray.&#xA; Turk in modern parlance means a Turkoman, a pomade: the settled people call themselves Osmanli or Othmanli. Turkoman=Turk- like.&#xA;&#xA; Arab. &amp;quot;Nimsá;&amp;quot; southern Germans, Austrians; from the Slav. &amp;quot;Nemica&amp;quot; (any Germans), literally meaning &amp;quot;The dumb&amp;quot; (nemac), because they cannot speak Slav.&#xA;&#xA; Arab. &amp;quot;Dubárá&amp;quot; from the Slav. &amp;quot;Dubrovnik,&amp;quot; from &amp;quot;Dub&amp;quot; (an oak) and &amp;quot;Dubrava&amp;quot; (an oak forest). Ragusa, once a rival of Venice, gave rise to the word &amp;quot;Argosy.&amp;quot; D'Herbelot calls it &amp;quot;Dobravenedik&amp;quot; or &amp;quot;Good Venice,&amp;quot; the Turkish name, because it paid tribute when Venice would not (?).&#xA;&#xA; Arab. &amp;quot;Jawarnah,&amp;quot; or, &amp;quot;Júrnah&amp;quot; evidently Zara, a place of many names, Jadera (Hirtius de Bell. Alex. cap. 13), Jadra, Zadra (whence the modern term), Diadora, Diadosca and Jadrossa. This important Liburnian city sent forth many cruisers in crusading days; hence the Arabs came to know its name.&#xA;&#xA; Arab. &amp;quot;Banu'l-Asfar;&amp;quot; which may mean &amp;quot;Pale faces,&amp;quot; in the sense of &amp;quot;yeller girls&amp;quot; (New Orleans) and that intended by North American Indians, or, possibly, the peoples with yellow (or rather tow-coloured) hair we now call Russians. The races of Hindostan term the English not &amp;quot;white men,&amp;quot; but &amp;quot;red men;&amp;quot; and the reason will at once be seen by comparing a Britisher with a high-caste Nágar Brahman whose face is of parchment colour as if he had drunk exsangue cuminum. The Yellow-faces of the text correspond with the Sansk. &amp;quot;Svetadvipa&amp;quot;—Whiteman's Land.&#xA;&#xA; Arab. &amp;quot;Al-Musakhkham.&amp;quot; No Moslem believes that Isa was crucified and a favourite fancy is that Judas, changed to the likeness of Jesus, thus paid for his treason. (Evangel. Barnabæ.) Hence the resurrection is called not &amp;quot;Kiyámah&amp;quot; but &amp;quot;Kumámah&amp;quot;=rubbish. This heresy about the Cross they share with the Docetes, &amp;quot;certain beasts in the shape of men&amp;quot; (says Ignatius), who held that a phantom was crucified. So far the Moslems are logical, for &amp;quot;Isa,&amp;quot; being angelically, miraculously and immaculately conceived, could not be; but they contradict themselves when they hold a vacant place near Mohammed's tomb for the body of Isa after his second coming as a forerunner to Mohammed and Doomday. (Pilgrimage ii. 89.)&#xA;&#xA; A diviner, priest, esp. Jewish, and not belonging to the tribe of Levi.&#xA;&#xA; Again the coarsest word &amp;quot;Khara.&amp;quot; The allusion is to the&#xA;vulgar saying, &amp;quot;Thou eatest skite!&amp;quot; (i.e. thou talkest nonsense).&#xA;Decent English writers modify this to, &amp;quot;Thou eatest dirt:&amp;quot; and Lord&#xA;Beaconsfield made it ridiculous by turning it into &amp;quot;eating sand.&amp;quot;&#xA; These silly scandals, which cause us only to smile, excite&#xA;Easterns to fury. I have seen a Moslem wild with rage on hearing a&#xA;Christian parody the opening words of the Koran, &amp;quot;Bismillahi 'l-&#xA;Rahmáni 'l-Rahím, Mismish wa Kamar al-din,&amp;quot; roughly translated,&#xA;&#xA;&amp;quot;In the name of Allah, the Compassionating, the Compassionate! Apricots and marmalede.&amp;quot; The idea of the Holy Merde might have been suggested by the Hindus: see Mandeville, of the archiprotopapaton (prelate) carrying ox-dung and urine to the King, who therewith anoints his brow and breast, &amp;amp;c. And, incredible to relate, this is still practiced after a fashion by the Parsis, one of the most progressive and the sharpest witted of Asiatic races.&#xA;&#xA; Meaning that he had marked his brow with a cross (of ashes?) as certain do on Ash Wednesday.&#xA;&#xA; Syria, the &amp;quot;left-hand land&amp;quot; as has before been explained. The popular saying about its people is &amp;quot;Shámi shúmi!&amp;quot;—the Syrian is small potatoes (to render the sense Americanicè). Nor did Syrus, the slave in Roman days, bear the best of names. In Al-Hijaz the Syrian is addressed &amp;quot;Abú Shám&amp;quot; (Father of Syria) and insulted as &amp;quot;Abuser of the Salt&amp;quot; (a traitor). Yet many sayings of Mohammed are recorded in honour of Syria, and he sometimes used Syriac words. Such were &amp;quot;Bakh, bakh&amp;quot; (=euge, before noticed), and &amp;quot;Kakh,&amp;quot; a congener of the Latin Cacus and Caca which our day has docked to &amp;quot;cack.&amp;quot; (Pilgrimage iii. 115)&#xA;&#xA; Koran xiv. 34. &amp;quot;They (Unbelievers) shall be thrown therein (i.e., the House of Perdition=Hell); and an unhappy dwelling shall it be.&amp;quot;&#xA;&#xA; The leg-cut is a prime favourite with the Eastern Sworder, and a heavy two-handed blade easily severs a horse's leg.&#xA;&#xA; Mohammed repeatedly declared (Koran lxi.) that the Christians had falsified the passage (&amp;quot;I go to my Father and the Paraclete shall come,&amp;quot; John xvi. 7) promising the advent of the Comforter, (ibid. xiv. 20; xv. 26) by substituting the latter word for glorious, renowned, i.e., Ahmed or Mohammed=the praised one. This may have been found in the Arabic translation of the Gospels made by Warakah, cousin to Mohammed's first wife; and hence in Koran lxi. we find Jesus prophesying of an Apostle &amp;quot;whose name shall be Ahmad.&amp;quot; The word has consequently been inserted into the Arabic Gospel of Saint Barnabas (Dabistan iii. 67). Moslems accept the Pentateuch, the Psalter and the Gospel; but assert (Koran, passim.) that all extant copies have been hopelessly corrupted, and they are right. Moses, to whom the Pentateuch is attributed, notices his own death and burial—&amp;quot;the mair the miracle,&amp;quot; said the old Scotch lady. The &amp;quot;Psalms of David&amp;quot; range over a period of some five hundred years, and there are three Isaiahs who pass with the vulgar for one. The many apocryphal Gospels, all of which have been held genuine and canonical at different times and in different places, prove that the four, which are still in use, were retained because they lack the manifest absurdities of their discarded rivals.&#xA;&#xA; Arab. &amp;quot; Labbayka; &amp;quot; the Pilgrimage-cry (Night xxii.) which in Arabic is,&#xA;&#xA;Labbayk' Allahumma, Labbayk'!&#xA;Lá Sharíka lake, Labbayk'!&#xA;Inna 'l-hamda w'al ni'amata lake wa'l mulk!&#xA;Labbayk' Allahumma, Labbayk'!&#xA;&#xA;Some add &amp;quot;Here am I, and I honour Thee, the son of Thy two slaves; beneficence and good are all between Thy hands.&amp;quot;With the &amp;quot;Talbiyah&amp;quot; the pilgrims should bless the Prophet, pray Allah to grant Heaven and exclaim, &amp;quot;By Thy mercy spare us from the pains of Hell-fire!&amp;quot; (Pilgrimage iii. 232.) Labbayka occurs in the verses attributed to Caliph Ali; so labba=he faced, and yalubbu=it faces (as one house faces another); lastly, he professed submission to Allah; in which sense, together with the verbal noun &amp;quot;Talbiyah,&amp;quot; it is used by Al- Hanri (Pref. and Ass. of Su'adah).&#xA;&#xA; Arab. &amp;quot;Kissís&amp;quot; (plur. Kusús) from .&#xA;&#xA; Koran ii. The &amp;quot;red cow&amp;quot; is evidently the &amp;quot;red heifer&amp;quot; of&#xA;Barnabas, chaps. vii.&#xA;&#xA; Arab. &amp;quot;Al-Jásalík&amp;quot;= .&#xA;&#xA; This is from the first &amp;quot;Gospel of Infancy,&amp;quot; wherein Jesus said to his mother, &amp;quot;Verily I am Jesus, the Son of God, the Word which thou hast brought forth, as the Angel Gabriel did declare unto thee; and my Father hath sent me to save the world&amp;quot; (chaps. i. 2.). The passage is virtually quoted in the Koran (chaps. iii. 141), of course omitting &amp;quot; the Son of God&amp;quot;&#xA;&#xA; Mohammed allowed his locks to grow down to his ear-lobes but never lower.&#xA;&#xA; Arab. &amp;quot;Lisám&amp;quot; I have explained as a covering for the lower face, made by drawing over it the corner of the head-kerchief (Pilgrimage i. 346). The Lisám of the African Tawárik hoods the eyes so that a man must turn up his face to see, and swathes all the lower half, leaving only the nose exposed. And this is worn by many men by night as well as by day, doubtless to avoid the evil eye. The native Sultans of Darfur, like those of Bornu and others further west, used white muslin as a face-wrap: hence, too, the ceremonies when spitting, etc., etc. The Kúfiyah or head-kerchief of the Arabs soon reached Europe and became in Low Latin Cuphia; in Spanish Escofia; in Ital. Cuffia or Scuffia; in French Escoffion, Scofion (Reine Marguerite) Coëffe (une pellicule, marque de bonheur) Coiffe and Coife, &amp;amp;c.; the Scotch Curch or Coif, opposed to the maiden snood, and, lastly our Sergeant-at-Law's Coif. Littré, the Learned, who in erudition was né coiffé, has missed this obvious derivation.&#xA;&#xA; &amp;quot;Cutting,&amp;quot; throughout the book, alludes to the scymitar with which Arabs never give point; and &amp;quot;thrusting&amp;quot; to the footman's spear and the horseman's lance.&#xA;&#xA; A popular phrase, I repeat, for extreme tenor and consternation.&#xA;&#xA; The name usually applies to a well-known district and city of Al Yaman, where &amp;quot;Koss the eloquent&amp;quot; was bishop in Mohammed's day: the Negiran of D'Herbelot. Here, however, it is the Syrian Najrán (Nejrân of Missionary Porter's miserable Handbook), now a wretched village near the volcanic Lajjá, about one hundred and twenty miles direct south of Damascus and held by Druzes and Christians.&#xA;&#xA; The Kantár (quintal) of 100 ratls (Ibs.) =98-99 Ibs. avoir.&#xA;&#xA; Arab. &amp;quot;Juráb (bag) mi'adat- ih (of his belly),&amp;quot; the &amp;quot;curdling of the testicles&amp;quot; in fear is often mentioned.&#xA;&#xA; Clearly alluding to the magic so deeply studied by mediæval Jews.&#xA;&#xA; Arab. &amp;quot;Sahákah,&amp;quot; lit. rubbing. The Moslem Harem is a great school for this &amp;quot;Lesbian (which I would call Atossan) love &amp;quot;; but the motive of the practice lies deeper. As amongst men the mixture of the feminine with the masculine temperament leads to sodomy, so the reverse makes women prefer their own sex. These tribades are mostly known by peculiarities of form and features, hairy cheeks and upper lips, gruff voices, hircine odour and the large projecting clitoris with erectile powers known to the Arabs as &amp;quot;bazar&amp;quot; hence Tabzír=circumcision or amputation of such clitoris. Burckhardt (Prov. 436) translates &amp;quot; Bazarah&amp;quot; by slut or wench. He adds &amp;quot; it originally signifies the labia which the Cairenes also entice Zambúr and which are cut off in girlhood.&amp;quot; See also Lane, Lex. s.v.; Tabzír. Both writers confuse excision of the nymphæ with circumcision of the clitoris (Zambúr) Al-Siyúti (Kitab al-Izá' fi'Ilm al-Nikah) has a very interesting chapter on Sapphic venery, which is well known to Europe as proved by such works as &amp;quot;Gamiani,&amp;quot; and &amp;quot;Anandria ou Confessions de Mademoiselle Sappho, avec la Clef,&amp;quot; Lesbos, 1718. Onanism is fatally prevalent: in many Harems and girls' schools tallow candles and similar succedanea are vainly forbidden and bananas when detected are cut into four so as to be useless; of late years, however, China has sent some marvellous artificial phalli of stuffed bladder, horn and even caoutchouc, the latter material of course borrowed from Europe.&#xA;&#xA; This is considered a powerful aphrodisiac in the East. Hence male devotees are advised to avoid tile &amp;quot;two reds,&amp;quot; i.e. meat and wine; while the &amp;quot;two reds,&amp;quot; which corrupt women, are gold and saffron, that is perfumery. Hence also the saying of Mohammed:— &amp;quot;Perfumes for men should have scent and not colour; for women should have colour and not scent.&amp;quot; (Mishkát al-Masábíh ii. 361.)&#xA;&#xA;&#xA; These are the &amp;quot;Hibás&amp;quot; or thin cords of wool which the&#xA;Badawi binds round his legs, I believe to keep off cramp.&#xA;(Pilgrimage iii. 78).&#xA;&#xA; Crying out &amp;quot;La iláha illa 'llah.&amp;quot; (There is no god but the&#xA;God.); technically called &amp;quot;Tahlíl.&amp;quot;&#xA;&#xA; i.e. Men, angels and devils, the &amp;quot;Triloka&amp;quot; (triple people) of the Hindus. Alamín (plur.), never Alamayn (dual), is the Triregno denoted by the papal Tiara, the three Christian kingdoms being Heaven, Hell and Purgatory.&#xA;&#xA; Matrahinna or Mit-Rahinah is a well-known village near Memphis, the name being derived from the old Egyptian Minat-ro- hinnu, the port at the mouth of the canal. Let me remark that two of these three words, &amp;quot;Minat&amp;quot; and &amp;quot;Ru,&amp;quot; are still common in &amp;quot; Aryan&amp;quot; Persian.&#xA;&#xA; Kirámat, a sign, a prodigy, opposed to Mu'ujizah, a miracle wrought by a prophet. The Sufis explain this thaumaturgy by Allah changing something of Nature's ordinary course in favour of an especial worshipper, and, after a fashion, this is Catholic doctrine (See Dabistan, iii. 173).&#xA;&#xA; Koran, x. 25, &amp;quot;until the earth receive its vesture and be adorned with various plants.&amp;quot;&#xA;&#xA; i.e. the young hair sprouting on the boy's cheek.&#xA;&#xA; A fighter for the faith and now a title which follows the name, e.g. Osmán Páshá Ghází, whom the English press dubbed &amp;quot;Ghazi Osman.&amp;quot;&#xA;&#xA; That is the King of Constantinople.&#xA;&#xA; Cassia fistularis, a kind of carob: &amp;quot; Shambar&amp;quot; is the&#xA;Arab. form of the Persian &amp;quot; Chambar.&amp;quot;&#xA;&#xA; Koran, ii. 149. Hence the vulgar idea that Martyrs are still alive in the flesh. See my Pilgrimage (ii. 110 and elsewhere) for the romantic and picturesque consequences of that belief. The Commentators (Jalál al-Dín, etc.) play tricks with the Koranic words, &amp;quot; they (martyrs) are not dead but living&amp;quot; (iii. 179) by placing the happy souls in the crops of green birds which eat of the fruits and drink of the waters of Paradise; whereas the reprobates and the (very) wicked are deposited in black birds which drain the sanies and the boiling waters of Hell. Amongst the Greeks a body remaining entire long after death suggests Anathema Maranatha: it is the contrary with Catholic Christians (Boccaccio iv. 5, of the Pot of Basil). Concerning this creed see Maundrell, Letter of 1698.&#xA;&#xA; Tor is &amp;quot;Mount Sinai&amp;quot; in the Koran (xcv. 1). I have only to repeat my opinion concerning the present site so called: &amp;quot;It is evident that Jebel Serbal dates only from the early days of Coptic Christianity; that Jebel Musa, its Greek rival, rose after the visions of Helena in the fourth century; whilst the building of the Convent by Justinian belongs to A.D 527. Ras Safsáfah, its rival to the north, is an affair of yesterday, and may be called the invention of Robinson; and Jebel Katerina, to the south is the property of Rüppell&amp;quot; (Midian Revisited i., 237). I would therefore call the &amp;quot;Sinaitic&amp;quot; Peninsula, Peninsula of Paran in old days and Peninsula of Tor (from its chief port) in our time. It is still my conviction that the true Mount Sinai will be found in Jabal Aráif, or some such unimportant height to the north of the modern Hajj- road from Suez to Akabah. Even about the name (which the Koran writes &amp;quot;Sainá&amp;quot; and &amp;quot;Sínín&amp;quot;) there is a dispute: It is usually derived from the root &amp;quot;Sanah&amp;quot;=sentis, a bush; but this is not satisfactory. Our eminent Assyriologist, Professor Sayce, would connect it with &amp;quot;Sin,&amp;quot; the Assyrian Moon- god as Mount Nebo with the Sun-god and he expects to find there the ruins of a Lunar temple as a Solar fane stands on Ba'al Zapuna (Baal Zephon) or the classical Mount Casius.&#xA;&#xA; Alluding to the miracle of Aaron's rod (the gift of Jethro) as related in the Koran (chapts. vii. 1., xx., etc.), where the Egyptian sorcerers threw down thick ropes which by their magic twisted and coiled like serpents.&#xA;&#xA; Arab. &amp;quot;Ayát&amp;quot; lit. &amp;quot;signs,&amp;quot; here &amp;quot;miracles of the truth,&amp;quot; 1. c. Koranic versets as opposed to chapters. The ranks of the enemy represent the latter, sword-cuts the former—a very persuasive mode of preaching.&#xA;&#xA; Lane (M. E. chapt.. iii.) shows by a sketch the position of the worshipper during this &amp;quot;Salám&amp;quot; which is addressed, some say, to the guardian angels, others suppose to all brother-believers and angels.&#xA;&#xA; i.e., where the Syrians found him.&#xA;&#xA; i.e., Dedianus Arabised; a name knightly and plebian.&#xA;&#xA; In such tales the Wazir is usually the sharp-witted man, contrasting with the &amp;quot;dummy,&amp;quot; or master.&#xA;&#xA; Carrier-pigeons were extensively used at this time. The Caliph Al-Násir li-Díni lláh (regn. A.H. 575=1180) was, according to Ibn Khaldún, very fond of them. The moderns of Damascus still affect them. My successor, Mr. Consul Kirby Green, wrote an excellent report on pigeon-fancying at Damascus. The so-called Maundeville or Mandeville in A. D. 1322 speaks of carrier-pigeons in Syria as a well-known mode Of intercourse between lord and lord.&#xA;&#xA; Mohammed who declared &amp;quot;There is no monkery in Al-Islam,&amp;quot; and who virtually abolished the priest, had an especial aversion to the shaveling (Ruhbán). But the &amp;quot;Gens æterna in quâ nemo nascitur&amp;quot; (Pliny v. 17) managed to appear even in Al-lslam, as Fakirs,, Dervishes, Súfis, etc. Of this more hereafter.&#xA;&#xA; i.e. her holiness would act like a fascinating talisman.&#xA;&#xA; The &amp;quot;smoking out&amp;quot; practice is common amongst the Arabs: hence Marshal Pelissier's so- called &amp;quot; barbarity.&amp;quot; The Public is apt to forget that on a campaign the general's first duty is to save his own men by any practice which the laws of fair warfare do not absolutely forbid.&#xA;&#xA; i.e. Mohammed, who promised Heaven and threatened Hell.&#xA;&#xA; Arab. &amp;quot;Ahr&amp;quot; or &amp;quot;ihr,&amp;quot; fornication or adultery, i.e., irreligion, infidelity as amongst the Hebrews (Isaiah xxiii.17).&#xA;&#xA; A sign of defeat.&#xA;&#xA; In English &amp;quot;last night&amp;quot;: I have already noted that the Moslem day, like the Jewish and the Scandinavian, begins at sundown; and &amp;quot;layl &amp;quot; a night, is often used to denote the twenty- four hours between sunset and sunset, whilst &amp;quot;yaum,&amp;quot; a day, would by us be translated in many cases &amp;quot;battle-day.&amp;quot;&#xA;&#xA; Iterum the &amp;quot;Himalayan Brothers.&amp;quot;&#xA;&#xA; Again, Mohammed who promised Good to the Good, and vice versâ.&#xA;&#xA; They are sad doggrel like most of the pièces d'occasion inserted in The Nights.&#xA;&#xA; Here &amp;quot;Kahwah&amp;quot; (coffee) is used in its original sense of strong old wine. The derivation is &amp;quot;Akhá&amp;quot;=fastidire fecit, causing disinclination for food, the Matambre (kill- hunger) of the Iberians. In old days the scrupulous called coffee &amp;quot;Kihwah&amp;quot; in order to distinguish it from 'Kakwah,&amp;quot; wine.&#xA;&#xA; i.e. Mohammed, a common title.&#xA;&#xA; That is, fatal to the scoffer and the impious.&#xA;&#xA; Equivalent to our &amp;quot;The Devil was sick,&amp;quot; etc.&#xA;&#xA; i.e. to the enemy: the North American Indians (so called) use similar forms of &amp;quot;inverted speech&amp;quot;; and the Australian aborigines are in no way behind them.&#xA;&#xA; See Vol. i., p. 154 (Night xvi.).&#xA;&#xA; Arab. &amp;quot;Sauf,&amp;quot; a particle denoting a near future whereas&#xA;&amp;quot;Sa-&amp;quot; points to one which may be very remote.&#xA;&#xA; From the root &amp;quot;Shanh&amp;quot;=having a fascinating eye, terrifying. The Irish call the fascinater &amp;quot;eybitter&amp;quot; and the victim (who is also rhymed to death) &amp;quot;eybitten.&amp;quot;&#xA;&#xA; i.e., not like the noble-born, strong in enduring the stress of fight.&#xA;&#xA; i.e., of Abraham. For the Well Zemzem and the Place of Abraham see my Pilgrimage (iii. 171-175, etc.), where I described the water as of salt-bitter taste, like that of Epsom (iii. 203). Sir William Muir (in his excellent life of Mahomet, I. cclviii.) remarks that &amp;quot;the flavour of stale water bottled up for months would not be a criterion of the same water freshly drawn;&amp;quot; but soldered tins-full of water drawn a fortnight before are to be had in Calcutta and elsewhere after Pilgrimage time; and analysis would at once detect the salt.&#xA;&#xA; Racing was and is a favourite pastime with those hippomanists, the Arabs; but it contrasts strongly with our civilised form being a trial of endurance rather than of speed. The Prophet is said to have limited betting in these words, &amp;quot;There shall be no wagering save on the Kuff (camel's foot), the Hafir (hoof of horse, ass, etc.) or the Nasal (arrow-pile or lance head).&amp;quot;&#xA;&#xA; In the Mac. Edit. &amp;quot;Arman&amp;quot;=Armenia, which has before occurred. The author or scribe here understands by &amp;quot;Cæsarea&amp;quot; not the old Turris Stratonis, Herod's city called after Augustus, but Cæsareia the capital of Cappadocia (Pliny, vi. 3), the royal residence before called Mazaca (Strabo).&#xA;&#xA; An idiom meaning &amp;quot;a very fool.&amp;quot;&#xA;&#xA; i.e. Kána (was) má (that which) was (kána).&#xA;&#xA; A son being &amp;quot;the lamp of a dark house.&amp;quot;&#xA;&#xA; When the Israelites refused to receive the Law (the souls of all the Prophets even those unborn being present at the Covenant), Allah tore up the mountain (Sinai which is not mentioned) by the roots and shook it over their heads to terrify them, saying, &amp;quot;Receive the Law which we have given you with a resolution to keep it&amp;quot; (Koran chaps. xlx. 170). Much of this story is from the Talmud (Abodah Sar. 2, 2, Tract Sabbath, etc.) whence Al-Islam borrowed so much of its Judaism, as it took Christianity from the Apocryphal New Testament. This tradition is still held by the Israelites, says Mr. Rodwell (p. 333) who refers it to a misunderstanding of Exod. xix. 17, rightly rendered in the E. version &amp;quot;at the nether part of the mountain.&amp;quot;&#xA;&#xA; Arab. &amp;quot;Azghán&amp;quot; = the camel-litters in which women travel.&#xA;&#xA; i.e. to joy foes and dismay friends.&#xA;&#xA; Whose eyes became white (i.e. went blind) with mourning for his son Joseph (Koran, chaps. xii. 84). He recovered his sight when his face was covered with the shirt which Gabriel had given to the youth after his brethren had thrown him into the well." PRODUCER="Fokuz Recordings" COVERARTID="070/GWIVJSB2YCPGFBMW2FJTBNG1TI1D" PLAYCOUNT="1" PLAYTIME="337" PLAYTIME_FLOAT="336.598022" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="41659"></INFO>
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<INFO BITRATE="1083598" KEY_LYRICS="8 Contributorsguilt Lyrics&#xA;I can't forgive myself for the things I've done&#xA;It's like every bad decision I've made has led me to this point&#xA;Guess it's all my fault that I've grown into a man I hate&#xA;And now I'm all alone (Blame it on me)&#xA;This excessive guilt is making me feel sick (And I can't seem)&#xA;To escape my own reality&#xA;&#xA;&#xA;Give me a break&#xA;&#xA;&#xA;I've had enough of all the fucking what-ifs&#xA;And constant overthinking&#xA;'Cause I'm about to lose my mind over some stupid shit&#xA;Trying so hard to accept my mistakes, my regrets&#xA;Yet hеre I am with the same thoughts stuck in my hеad&#xA;So, go ahead and blame it on me (I already do anyway)&#xA;It's just who I am&#xA;&#xA;&#xA;I'm unable to change the way I think&#xA;A broken record of the same old things&#xA;I've tried to bury, and I know it doesn't make any sense&#xA;But I can't forgive what I can't forget&#xA;'Cause of the guilt that keeps on weighing me down&#xA;It's like my, it's like my inner voice is telling me lies&#xA;So now I'm, so now I'm fighting every feeling inside&#xA;Before I spiral down to where I wanna fucking die&#xA;&#xA;Always ending up in the same place, over and over again&#xA;Damn, I just can't believe I am&#xA;Always ending up in the same place&#xA;Over and over a-&#xA;&#xA;&#xA;I wish I could forget all that I've done wrong&#xA;It's like every bad decision I've made has led me to this point&#xA;And now I'm all alone without knowing what to do or say&#xA;It's hard to explain&#xA;&#xA;&#xA;But it's so easy being hard on yourself when you're not well&#xA;And to turn to self-blame when it's in your DNA&#xA;&#xA;&#xA;(Blame it on me) This excessive guilt makes me feel sick&#xA;(And I) Can't fucking seem to set myself free" PRODUCER="Fokuz Recordings" COVERARTID="013/NIJ2XXDBFNLWYDIRVC4AAZC1SCEB" PLAYTIME="270" PLAYTIME_FLOAT="269.333008" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="35710"></INFO>
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<INFO BITRATE="1065351" KEY_LYRICS="1 ContributorDB=A LyricsRiding the hooptee&#xA;Smoking nothing but trees&#xA;As my mind runs free&#xA;It distorts my reality&#xA;Killing my brain cells in actuality&#xA;The medicine for my insanity&#xA;With toned down thoughts&#xA;Making mends to knots&#xA;Inside my mind just brewing&#xA;Like in a evil witches pot&#xA;Just slightly misconstruing&#xA;Each and every plot&#xA;Confusing&#xA;Enfusing&#xA;Never on the end of loosing&#xA;Taking shot after shot&#xA;Like rap videos on the yacht&#xA;In that small 3 min slot&#xA;Building each persons wish&#xA;You simply can't just dismiss&#xA;On the abyss&#xA;Of this forsaken bliss&#xA;Just take wiz’s advice&#xA;And just live life&#xA;Take chances and roll the dice&#xA;Run with it and ignite&#xA;Don’t get down keep up the fight&#xA;If you so dare dream of the lights&#xA;Live it and breath it to the end of the nights&#xA;Even when your not at top flight&#xA;Do you in others despite&#xA;Forget the complexion&#xA;Make your own injection&#xA;Spread it like the HIV infection&#xA;Prepare them for the incision&#xA;To take them on this mission&#xA;Fill each mind with your own diction&#xA;An elaborate description&#xA;With pictures and antidotes&#xA;Just like the Egyptians&#xA;Making your thoughts float&#xA;Just leaving your mark&#xA;It’s a voyage you must embark&#xA;Take a harpoon for all the sharks&#xA;All they do is bark&#xA;Promise this then that&#xA;Its just some bs trap&#xA;Figuratively show them the strap&#xA;Not taking just any crap&#xA;Make your style unique&#xA;Even if they call you a freak&#xA;For grabbing he ass cheeks&#xA;Spreading them on a plate to eat&#xA;But don’t get caught up with honeys&#xA;All they want is money&#xA;At first it sounds funny&#xA;Those mooching ass hoes&#xA;Are not dummies&#xA;Using their next score&#xA;Fuck them when they implore&#xA;And ask what for&#xA;Sorry I don’t pay for a whore&#xA;Then just ignore&#xA;So keep on dreaming&#xA;Never stop believing&#xA;It’s the formula to start achieving&#xA;Db=a&#xA;The great life example&#xA;Without the scandals&#xA;Way too hot to handle&#xA;Keeping it in your mind&#xA;Let it sit and bubble&#xA;The gears will start the grind&#xA;To keep other in the rubble" PRODUCER="Fokuz Recordings" COVERARTID="013/NIJ2XXDBFNLWYDIRVC4AAZC1SCEB" PLAYTIME="314" PLAYTIME_FLOAT="313.726044" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="40884"></INFO>
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<INFO BITRATE="1038472" KEY_LYRICS="4 ContributorsCharron vs DNA LyricsA surprise bout between two of the best freestylers in battle rap. DNA and Charron had six days to prepare after Shotgun Suge had passport issues getting into Canada. That match would later be held at the PG… Read More &#xA;I feel like I’m being set up, I lost respect&#xA;Even with no prep I’ll still rock correct&#xA;Y’all were about to see Shotgun’s death&#xA;I would’ve embarrassed Suge, pocket check!&#xA;No respect for each other, I’ll rearrange DNA’s molecular structure&#xA;I usually bring jokes that are reckless and gutter&#xA;I’ll fuck anything that walks&#xA;So I won’t talk about having sex with your mother&#xA;You lost to Shine, Big T, not impressive&#xA;You keep getting beat like you got bondage fetish&#xA;Yo Dizaster can I get the numbers to all your ex’s?&#xA;So I can continue to run through your sloppy seconds?&#xA;Check this, I’m pissed Shotgun didn’t show up but god you’re a hoe&#xA;You’re the real shotgun, it takes 3 cocks for you to blow&#xA;Yeah, I’m on a roll, I’ll expose DNA like the Maury Povich show&#xA;Cause he wouldn’t be shit without Clips like Tosh.0&#xA;I know by himself this guy can’t harm me&#xA;It’s like your Sheen invited party&#xA;You’re only winning when you get lines from Charlie&#xA;He’ll claim that he’ll shoot me with a fictional Glock&#xA;You’re like Organik with the title, you ain’t ever gonna give me a shot&#xA;Forgive my amateur dreams, it’s like you spit in my face&#xA;I wanted the champ that this league was too bitch to replace&#xA;I put on with Canada taking trips to the states&#xA;I went on 106 and made up for Bishop’s mistakes&#xA;It’s Mr. 106, finally flipped the card&#xA;Beating dudes writtens, freestyling is really hard&#xA;Yo 'Cane, it’s crazy how much alike we really are&#xA;We both won 5 G’s without writing a single bar&#xA;Crazy when I slide, they can’t contain me I’m a monster&#xA;I will take ya fucking head off and I’ll play a game of soccer&#xA;I say you shouldn’t play cause I’ll straight up change your roster&#xA;I’m taking DNA out The Game like Jayceon Taylor’s doctor&#xA;My flow tighter, Charron freestyling I’m a known sniper&#xA;Fuck DNA, yo Clips... I’m after his ghostwriter&#xA;Yo your last battle is kind of tragic, I think Smack had to buy a casket&#xA;Punchlines, cause like Houdini you died from Magic&#xA;You have the worst setups, making stupid mistakes&#xA;OCD putting you in your place&#xA;And with that dentistry, dude's a disgrace&#xA;Corey Charron just told the tooth to your face&#xA;&#xA;Even though he won on 106&#xA;Him mentioning that shit about a championship, I think that y’all lame&#xA;Why the fuck would Organik give you a shot&#xA;When you already lost to the champion Arcane?&#xA;See me, I got punches all the time I can’t respect that&#xA;So you supposed to be Suge and be gangsta, nigga?&#xA;Pocket check back!&#xA;Now what’s popping Toronto?&#xA;I know y’all finally happy to see DNA again&#xA;And shit, I’m happy too&#xA;Cause this the first time they put the Canadian Savior versus a Canadian&#xA;My last battle was with The Saurus&#xA;Some might say I lost...wait/weight&#xA;That’s a big stretch&#xA;Did all that running last year&#xA;But still found a casket that fit Ness/fitness&#xA;His bitch be on my dick, if you take it personal; train her/trainer&#xA;You’ll be long gone, if it’s beef it’s something you can try ‘cept/tricep&#xA;When I pull up it’s a must you’ll/muscle get hit with these four arms/forearms&#xA;See y’all may know him as Suge&#xA;But since Jim/gym backed out on the card he owe/cardio&#xA;For them dishing that purse out&#xA;So to save y’all rep I showed up so this whole event could workout&#xA;Soon as they set up this battle, DNA versus Charron&#xA;I said yeah, it was no question&#xA;I told ‘em it took no time to book it&#xA;Knowing the fans would be hyped like, “Yeah, I finally took it”&#xA;You had a chance to get 5 thou on a grand prix and at time you couldn’t&#xA;It’s no biggie cause over hip-hop you died from Bulletz&#xA;Me I get that 9 and pull it, after that you ain’t look the same&#xA;We know you sweet so it explains why you couldn’t beat Suge or Cane/sugar cane&#xA;Me? I’m good with aim&#xA;These bullets will park in son/Parkinson&#xA;When that 9’ll spray shots&#xA;And leave this Canadian shaking like Michael J. Fox&#xA;In that third round I schooled you 'bout your father, Peter&#xA;I swear I lost it son&#xA;And since he got Young Money it’s only right I give Cory Gunz&#xA;I was taught when it’s war to/water ride like Downey Park&#xA;Since he’s a nerd I won’t say I got that 45 or let that 40 spark&#xA;Just know if it’s beef you should never surrender&#xA;Cause I’ll rip him all apart and show y’all how&#xA;Y’all don’t need a singer to get rid of Corey Hart/heart&#xA;It’s Round 1, it’s getting hot in here&#xA;And World Domination 4, y’all know my slogan&#xA;(GET EM THE FUCK OUTTA HERE!)&#xA;NO! Get some real rappers in the game the fuck in here!&#xA;He’s a lame, y’all should’ve got me a bigger name the fuck in here!&#xA;Organik, I want the winner of Pat Stay and Arcane the fuck in here!&#xA;I need that title shot!&#xA;Somebody bring me that chain the fuck in here!&#xA;&#xA;Yo you’re the wackest in Smack you can’t start to get worse&#xA;It’s getting crazy, you’re Brenda’s Baby, you’ve been garbage since birth&#xA;You ain’t got no bars that’s tough&#xA;I respect Hollow, Charlie, Lux&#xA;But a lot of y’all just suck&#xA;I’ll fuck Don Demarco up!&#xA;This chump battled Diz', son doesn’t matter&#xA;You tricked him with a Canadian gimmick&#xA;The way you function is backwards&#xA;Now you ask 'Ganik for thousands of bucks as a rapper&#xA;You’re George Bush, getting gassed after setting up a Dizaster&#xA;Yo Drake don’t look out any further&#xA;No Amanda Bynes, this pussy’s getting murdered&#xA;You think I don’t have guns? Did you ask around?&#xA;I tutored the bouncer's son, he didn’t pat me down&#xA;We usually battle on the ground, get clapped right now&#xA;Your brains blown out on stage like Danny Brown&#xA;I’ll step to you for the revenue&#xA;It’s a stomp down, no F'in (Ephin) Crew&#xA;I’m sending troops to execute&#xA;Head removed, mid air resembling a red balloon&#xA;Exit wounds, put you on ice while I’m next to you&#xA;The ending of the 22’s getting hotter than a Titanic engine room&#xA;I’m in an aggressive mood&#xA;I will dent his tooth&#xA;And beg you to&#xA;Get this dude&#xA;In another dentist room&#xA;Summon every special move on Tekken 2&#xA;Hit ‘em with the force of a Mack truck while I’m masked up like MF Doom&#xA;C’mon DNA, get in the loop&#xA;I’ll toss your mother in a pool; vegetable soup&#xA;You got booed in front of Eminem, murdered for choking&#xA;You put the mic down, you should learn how to hold it&#xA;You pulled a Tim Duncan verse your opponent&#xA;You couldn’t handle the Heat in the Spur of the moment&#xA;Hoeish, you ain’t really gonna scrap&#xA;It’s like a mixed shawarma, beef with this chicken and it’s a wrap&#xA;You admit on tracks you never gripped a gat&#xA;You do gun lines cause they’re easy to write and kids react&#xA;Your bars are like your new tooth when it’s back&#xA;Cause you need something false in your mouth just to bridge the gap&#xA;You’re Charlie’s bitch, he clowns this queer&#xA;Every time he kicks you out the couch you tear&#xA;You called the cops to remove him from the house this year&#xA;Like, “Y’all know my slogan, GET HIM THE FUCK OUTTA HERE!”&#xA;Nah, get his face the fuck outta here, get his brain the fuck outta here&#xA;Get his something, something, choo choo train the fuck outta here&#xA;His mom interrupts like &amp;quot;Shoot ‘em with your blade&amp;quot; the fuck outta here&#xA;That’s my slogan ma’, get her crippled legs the fuck outta here&#xA;Nah, get DNA the fuck outta here&#xA;Nah, get Arcane the fuck outta here&#xA;You had that line?&#xA;Nah, get Pat Stay the fuck outta here!&#xA;See, I just rebuttaled his whole line, get DNA the fuck outta here&#xA;Give me my title shot and I’ll get the chain the fuck outta here!&#xA;&#xA;I said, Charron I respect you for getting gangsta with me&#xA;Now you supposed to be this tough white boy and his dudes fronting&#xA;But you let Dizaster come to ya city, call Canadians faggots&#xA;And you didn't do nothing&#xA;Now at World Domination 2 you battled Cruger&#xA;And he exposed you for having a fake girlfriend on Facebook&#xA;And I know that shit touched his heart&#xA;Cause everybody in that crowd saw how his face looked&#xA;The president hooked you up and you did that shit all for looks&#xA;And even though that was ya first lady, you still couldn’t get in Laura Bush&#xA;If they offered him a prostitute he probably would cop one&#xA;But it makes sense why he dated Laura&#xA;Cause they both had issues with a Shotty and Shotgun&#xA;So for you having a fake girlfriend just shows that you a actual geek&#xA;Got no confidence, low self esteem and you a rapper that’s weak&#xA;Laura starred in a horror movie even though that shit only lasted a week&#xA;She was in London riding Shotty like the passenger seat&#xA;And since Charron don’t have sex y’all shouldn’t spaz or gas him/orgasm&#xA;Cause Organik gave him his chance to be on the top&#xA;He tried to help this dick&#xA;See you was on the verge and/virgin this pussy couldn’t sell a bit/celibate&#xA;Me, if I see men/semen I lay techs/latex cause they mad twat&#xA;So you can come squirting with 60 9’s&#xA;My whole team throwing back shots&#xA;My flow is too raw for Trevor, I kilt him on the real though&#xA;And since he don’t roll with real gangstas or Gs&#xA;Then I’ll be strapped when I’ll be coming for Deal doe/dildo&#xA;Me and you got a Vendetta, I guess they thought I wouldn’t spaz on dude&#xA;Y’all probably figured Charron would go off&#xA;And I wouldn’t Blackout too&#xA;See when I got a Vengence&#xA;I’m bound to reap Carnage with that black 9&#xA;So the ending result is&#xA;Y’all be seeing him in the hospital hooked up to a Flatline&#xA;Why else y’all think Organik booked me for World Domination for?&#xA;To have the best performance, kill Charron at World Domination 4&#xA;See you tried to rebuttal my shit so get Shotty Horroh the fuck outta here&#xA;Get ya fake ass relationship, get Laura the fuck outta here&#xA;You wanna act crazy, get the spark the fuck outta here&#xA;Lose that chain and everything from 106 and Park the fuck outta here&#xA;Get everything from ya house, ya crib, to ya dog the fuck outta here&#xA;Had that nigga over there had to help you fuck bitches on tour the fuck outta here&#xA;I’ll expose you til niggas know to choke you the fuck outta here&#xA;Y’all don’t respect him, get him and if y’all don’t like him&#xA;Then y’all niggas should understand&#xA;Y’all should get the country the fuck in here&#xA;Canada y’all real, it’s ugly the fuck in here&#xA;You just Organik’s worker, get this flunky the fuck outta here!&#xA;&#xA;&#xA;He said he’s coming for a dildo&#xA;Slow it down, he’s cumming for a dildo&#xA;No, no, you really need to function this now&#xA;He’s coming for a dildo, get it, I don’t even need to rebuttal this round&#xA;Talking all this shit, it’s nothing profound&#xA;You said I’m celibate? Yeah, cause I ain’t fucking around&#xA;You battled my main bitch Tarsi&#xA;Playing the piano’s all you do hater&#xA;You bring up Tarsi again, you’ll end up in the newspaper&#xA;When I get Laura to start shooting like Tomb Raider&#xA;I could kill D on the spot&#xA;You should be thankful for this league that we got&#xA;I know why you’re here, you ain’t loyal to King Of The Dot&#xA;It’s cause Smack does bad business and Summer Madness 3 is a flop&#xA;You threaten me with weapons like that shit’s scary&#xA;It doesn’t faze me, they’re imaginary&#xA;Fuck it, I’ll do a line about the gats I carry&#xA;I’m Charles Ramsey, break into ya crib with that big mac&#xA;Now I got a man to bury/Amanda Berry&#xA;It’s scary you’re the best replacement&#xA;I could kill you with little preparation&#xA;I had a casket for Suge, but that pussy could never make it&#xA;So I’m putting DNA in someone else’s boxes like artificial insemination&#xA;That faggot Suge couldn’t take me at the best&#xA;He didn’t show cause I’d straight beat him to death&#xA;Fuck that I’ll roll out to Grape Street with some vets&#xA;And run him out of Jersey like Jay-Z did the Nets&#xA;Suge, as a man you can’t escape it&#xA;If you whine/wine I’ll turn a grape into a California raisin&#xA;Yo Lush, I’ll fly out to Cali with some Grape Crips&#xA;And tap Suge’s pockets at Battle of the Bay 6&#xA;Stop telling girls that Drake is your dad&#xA;He’s not a fan of your music, the songs you’ve made are just sad&#xA;No artist would collab, you’re painfully bad&#xA;Even Dexter Morgan wouldn’t bring DNA to the lab&#xA;Damn he’s from the mean streets, bro it’s rough&#xA;He once saw a kid-napping, so he woke him up&#xA;Nah I ain’t on that joking stuff&#xA;I’m rolling up to put him in a Cobra clutch&#xA;To lay the beat down like Tony Touch&#xA;Call up some Crip friends if there’s chrome to touch&#xA;I’ll have you ducking a Hollow like Loaded Lux&#xA;But enough of that&#xA;Where are your guns that’ll leave me in a casket?&#xA;Taking pictures with your sister’s the only time I seen you with a ratchet&#xA;I don’t look hip-hop so birdies are chirping&#xA;They won’t give me props even though I’ve earned and deserved it&#xA;They know I’m on tour with all the girls that I’m working&#xA;They see an introverted reflection and it hurts and disturbs them&#xA;If you’re afraid to be my fan cause you think I’m a nerd or a virgin&#xA;Who followed his dreams&#xA;Then all that it means is you’re insecure as a person&#xA;Put your money where your mouth is, we used to spit on the block&#xA;Put on our own cash whether we win it or not&#xA;All of your battles are promo and it’s pissing me off&#xA;Cause Smack rappers are bitches that can’t admit that they lost&#xA;There ain't a sike or handshake left&#xA;I just bodied DNA and Pat Stay’s next!&#xA;&#xA;&#xA;Y’all niggas know I’m ill with the freestyles, so I can rap it faster&#xA;Nigga fuck trying to squirt a clip, I don’t got time for this virgin bitch, you’re Jaz The Rapper&#xA;Before you try to step in the lane with me?&#xA;Nigga you killing me&#xA;I’d rather lose a battle, but first you gotta lose your virginity&#xA;See this nigga tried to spit ill bars like he’s Einstein&#xA;And said I can’t admit a loss like I’m from Smack&#xA;Stupid, I started in Grind Time&#xA;You know what, let’s switch it, we could respect that shit&#xA;I’m happy he got in front of the stage&#xA;So now when I get these bars, I can direct (Drect) that shit&#xA;First of all, honestly you need to stop it&#xA;Judged battle number one, I took a W off Profit&#xA;Now he was tight saying it ain’t my day&#xA;A month later I had another judged battle against AKA&#xA;So what is he talking, getting ill&#xA;Saying I don’t take judged battles I start ‘em&#xA;I even took a judged battle in Florida and lost to Farnum&#xA;So now they wanna get crazy saying don’t test me&#xA;I even lost to a Canadian in a judged battle, Loe Pesci&#xA;So now he gon talk like it’s on and they know this is on&#xA;When I couldn’t lose another battle so I battled Rone&#xA;And you saw with the props so y’all know I’m the bomb&#xA;Now I remember this shit just like yesterday&#xA;I landed right down in London, right in JFK&#xA;And as soon as I got there I watched his battle versus HFK&#xA;Now first I was like, “This dude is crazy, this shit is cool”&#xA;Til I saw him getting personal with his friend and I’m like, “this kid’s a fool”&#xA;Cause in the hood loyalty with friends is one of the biggest rules&#xA;And you sacrificed that to try to get a million views&#xA;That’s why when I saw these fans laughing&#xA;I was looking like it ain’t all that funny&#xA;Cause he should get hit with a Hollow&#xA;For not knowing it’s Loyalty Over Money&#xA;This nigga was spreading rumors doing shit that was worse than a chick&#xA;Trying to disrespect ya man saying stuff that was hurtful and shit&#xA;You took your time to design those rhymes with every verse that you spit&#xA;So let me ask you was that $400 worth all of that personal shit?&#xA;I guess not, the closest you see me and Charlie Clips battle is that 2 on 2&#xA;Cause we friends til it’s over&#xA;When I got personal with Dizaster it’s cause I didn’t like him&#xA;I thought that beef would never be over&#xA;Even though we cool now&#xA;It’s a saying I keep in my head til I’m dead in a coma&#xA;You supposed to keep your friends close, but ya enemies closer&#xA;See Charron, I’ll give it to you&#xA;You nice, you can freestyle, all ya lyrics is hard&#xA;But you got no loyalty that’s what stops you from being a legitimate star&#xA;HFK gave you advice, probably help you finish ya bars&#xA;And to get a buzz you name dropped and dissed ‘em like Kendrick Lamar&#xA;That’s why everybody in Canada can’t fuck with you&#xA;If ya parents watched that battle, both of them would feel uncomfortable&#xA;You do that shit to me&#xA;I’ll hit you with an uppercut and start punching you&#xA;Even though we the same age, by the looks of things&#xA;You got a lot of growing up to do&#xA;You a boy, I’m a man, I’m Eminem, you a Stan&#xA;I’m your palm, I'm a hand, you HBO, I’m On-Demand&#xA;Now these niggas wanna talk about -&#xA;Now you and Summer Madness wanna talk about Smack fucking up&#xA;Cause now he think he got stars too&#xA;He said it’s Bars Over Names&#xA;But he forgot I’m a nigga with a name and I got bars too&#xA;Now I just put Corey in a box with that 9 and Glock&#xA;And Organik I won’t be back until I get that title shot&#xA;Time nigga!&#xA;Sike! 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<INFO BITRATE="1090277" KEY_LYRICS="45 ContributorsRolling 110 Deep Lyrics&#xA;Trackateering Music&#xA;Man, y'all did it with this one here, y'all&#xA;People love to use that quote, &amp;quot;I'm doin' it for the culture&amp;quot;&#xA;But what culture is that that you're talking about?&#xA;The one that you claim as a hip-hop artist&#xA;But won't do the research on hip-hop history&#xA;Or the one where you disrespect, disconnect&#xA;And disregard the founding fathers?&#xA;But you know what? Whatever it is, it don't even matter&#xA;'Cause as long as I'm alive&#xA;I'ma show and prove where this culture came from&#xA;And what it's really all about&#xA;I got you, my nigga, yo, ayo&#xA;&#xA;&#xA;Count to ten and then come in shootin' (Yeah)&#xA;Fuck peace, Silverback the new Huey Newton (D-Block)&#xA;I feel it, it's in the air, white cop with a stare&#xA;New judge in the chair, this shit hittin' the fan (Woo)&#xA;But me, I'ma be smart and legalize my shit&#xA;And I ain't leavin' the house without that in my hand (Ahh)&#xA;And it ain't only the cops, it's niggas on your block (Uh-huh)&#xA;That talk like a lil' bitch and act like they your man&#xA;&#xA;&#xA;Somethin' like Kris Parker, my Uzi weigh a ton&#xA;Hundred niggas on the track, then you know I'll be the one&#xA;To tell niggas to suck cock, run and get a gun&#xA;It's old P, new P, prob'ly layin' in the sun&#xA;Prob'ly on a P.I., if I call you king&#xA;I ain't talkin' 'bout rap, nigga, that status go to B.I&#xA;You can fuck around and get burnt like a C.I&#xA;More bars than jail, nigga, who tryna get a V.I?&#xA;&#xA;You dealing with stock owners, conversation with stockbrokers&#xA;Make a call for coco, smokin' dope from my crop grower&#xA;The block know us, kush got a funky sock odor&#xA;How could you not notice? I come from that rock culture (Rock)&#xA;Star of the squad but they cannot coach (At all)&#xA;Louis Vuitton holster, this for my niggas in the cell&#xA;And on they wall, they got a Nicki Minaj poster&#xA;The talk's over, no drive-by's, we walked over&#xA;&#xA;&#xA;COB bandana tied to the end of the AR&#xA;Iller than they are, rhymes so sick, give 'em the day off&#xA;This is the chaos, Nicolas Cage, face off&#xA;The dark knight, I make it a dark night when I'm gettin' that K off&#xA;Better than whoever done it, even officers better run it&#xA;With the drum, I got a technique that'll give twelve a hundred&#xA;Now the tables turn, to whom it may concern&#xA;I used to control more shooters than David Stern&#xA;With Lucifer, hater burn&#xA;&#xA;&#xA;Yo, I was in the park spray-painting on the platform&#xA;Patent leather top ten, Space Invader hats on&#xA;Eighty-something, I've been a threat for that long&#xA;Where a lot of people get poked up and clapped on&#xA;My job really putting on for the city&#xA;You get popped like a wheelie for saying some old silly shit&#xA;Tell me it'll be safer to say it in Swahili&#xA;They be wheeling you away if you say it in South Philly&#xA;&#xA;Look, thirty shots, I'm shootin' to peel his top (Huh?)&#xA;When them niggas sending shots, they shootin' to get the spot&#xA;That I'm in, nigga (Hahaha)&#xA;You know what it is when I spin the block (Uh-huh)&#xA;Uppin' this Draco, the witness is still in shock (Brrr!)&#xA;Fluffin' a brick of this yayo, I tilt the pot (Whip)&#xA;Tuckin' this fifth, you play with me, you getting shot (Boom, boom, boom, boom)&#xA;Yeah, niggas still waiting for me to drop (Uh-huh)&#xA;I robbed niggas for they base and sold easy rock (Ha)&#xA;&#xA;&#xA;Fur coats and magnums&#xA;Come through the hall with the big blammers&#xA;Bentaygas parked, let me handle this&#xA;Jewelry that's flashy, jeans is a thousand, we slick nasty&#xA;Pull out a hundred in your housing&#xA;Yeah, it's raw lingo in a Kangol&#xA;Dutch lit, nuts big as shit, taste the rainbow (Ayo, yo!)&#xA;Put your paper up and threaten shit&#xA;Or tie something up, send some messages&#xA;&#xA;&#xA;Ayo, ayo, I used to tell a maid, &amp;quot;Sunny side up&amp;quot;&#xA;Basement, a chainsaw, money tied up&#xA;Paper bag over his head, so  let the crocs out&#xA;Wave a whole chicken by his legs near the croc's mouth&#xA;Sweating bullets in the tip, blow torching his flesh&#xA;I seen his face melt, drip gooey shit on his chest&#xA;Watch this motherfucker beg for mercy&#xA;Shoulda let his wiz suck my dick for that time he jerked me&#xA;&#xA;The soldier I rolls with the coldest clique&#xA;Call me prototype, never had a mold to fit&#xA;My clothes is dipped, my bros is lit&#xA;Only time you been sick is when the COVID hit&#xA;Better get in line, I chop the bass like I'm pitching dimes&#xA;Code name Coffee Bean how I hit the grind&#xA;Precision design, exquisite with the vivid shine&#xA;I'm like a European watch on a different time&#xA;&#xA;&#xA;I used to run around with a MAC-10&#xA;Back when I was 20 years old, that was back then (30)&#xA;30 clip in the 40, move yayo like 50&#xA;Man, I hustle like Nip in the Rolling 60s&#xA;I was born in the 70's, grew up in the 80's&#xA;Got the MAC-90, then I went crazy&#xA;Do the mathematics, y'all can't compete (100)&#xA;All by myself, I'm 100 deep&#xA;&#xA;&#xA;I was on the first 50, now the powers at a dollar&#xA;Politician pushing tracks in it, mayor, I president in it&#xA;Til it's humbling, think you grounded and get punished&#xA;This the second time Slay needed my two cents to keep it a hundred&#xA;How you want it? Fake and be a martyr for this matrix?&#xA;They gon turn up the AC then charge you for the blankets&#xA;Lux verse mean, got you stuck standing there&#xA;Like you at a stop sign waiting for it to turn green, what you mean?&#xA;&#xA;&#xA;My soul is never for sale&#xA;My youngin' just did a twelve, he home, he ringing bells&#xA;Wish him well, me and mines on different times&#xA;Decline from nigga crimes, I'm fine just spitting rhymes&#xA;Read the signs, body language is loud&#xA;Cowards hang with the crowd, I ain't never changing my style&#xA;Then and now, before that was all that&#xA;Fall back, official is what you call that&#xA;&#xA;&#xA;I be that Third Coast legend, Dirty South icon&#xA;Shuttin' shit down, soon as they cut my mic on&#xA;From the first bar down to the last syllable&#xA;Niggas that thought they were immortal find out they killable&#xA;Once I see blood, I'm like a Great White&#xA;Catch you slippin' on a late night and it's no bark, straight bite&#xA;Watch you bleed out as reality starts to sink in&#xA;You tried the Triple OG (Bitch) what was you thinking?&#xA;&#xA;&#xA;I give the coke to your crew, the butter's crazy&#xA;Fallopian tube, just cut it baby&#xA;Gordo butterfly collar cover the Cubans&#xA;She need pads like Ewing, I hope you know what you doin' (Look)&#xA;Some paid 4-5 serious&#xA;I come through, 4-5, serious&#xA;Slay got me Shade 45 Sirius&#xA;Gold frame shades 45, Siri&#xA;&#xA;&#xA;I used to be up in a tunnel like a hundred deep&#xA;Screamin', &amp;quot;Nine Trey, Su-Woo&amp;quot; with a bunch of Bs&#xA;Never tied up shoes, but every night we would run the streets&#xA;Nigga, fuck growlin', it was nights I heard my stomach speak&#xA;Then I started pumpin' that bass like they done a beat&#xA;Never let shit slide 'cause they might think somethin' sweet&#xA;Nigga, it's July, shots get hot like summer heat&#xA;When I pop up, niggas turn vegan, they never wanted beef&#xA;&#xA;&#xA;I know these streets with my eyes closed, so my worst fear is to die slow&#xA;Lie low, 'cause in '05 you flipped to five-o&#xA;And I know, 'cause if Alpo did it to Rich&#xA;For some bricks, word to Flex, he had no reason to lie, po'&#xA;Aight though, we ain't gotta dwell on the past&#xA;Devilish laugh, arrow spins I'm ahead of the crash&#xA;Better to clash, when you handle your beef, settle it fast&#xA;Metal and mask but still keep an elegant class&#xA;&#xA;&#xA;Who the greatest all time? Where them niggas reside?&#xA;I seen all fifty names, man them niggas done lied&#xA;I take the first forty-eight, make them niggas retire&#xA;Last two we could joust, make them niggas my squad&#xA;Fuck them, let's see how the ladies fare&#xA;Swerve on these bitches like I'm settin' my baby hair&#xA;They feel a type way, but they never gon' take it there&#xA;They tryna keep it cute 'cause they know that it's safer there&#xA;They wouldn't dare&#xA;&#xA;&#xA;I can't explain what I dealt with&#xA;Know it was all weak and creep and stealth shit&#xA;When I come from under the belt with a metal shit&#xA;Forever Brownsville, numb, I never felt shit (You're as cold as ice)&#xA;I still got that real world charm, nigga, be alarmed&#xA;Body armor on, warmer in my palm (NYC)&#xA;Where you get the storm before the calm&#xA;(M.O.P.) OG and we treat it like Vietnam&#xA;&#xA;&#xA;My generation drank forty ounces of Old English to ease the pain&#xA;Y'all niggas drink White Claws, nigga, we ain't the same (kahm-kahm)&#xA;It's curfew whenever I come through (kahm-kahm)&#xA;Kill the fuckery, them niggas can't fuck with me (come on!)&#xA;I'm really 'bout it in the war&#xA;Taxiderm' your bitch head, mount it on the wall (it's M.O.)&#xA;Throw it up, nigga, we stand tall (it's M.O.)&#xA;You know what the fuck we stand for, it's M.O&#xA;&#xA;&#xA;Too many niggas in here, but never follow the script&#xA;It's movie time, release the clip and have 'em doin' a flip&#xA;Off-white Virgil, need a whip with the interior Crip&#xA;On any given goal to slide, nigga, minus the slip&#xA;Checkin' niggas outta line, like it ain't nothin' to skip&#xA;Step in my section trying to flex and end up gettin' you stripped&#xA;Too many niggas watered down, might go to sinking they ship&#xA;And if it's beef, I come to trip, I never pull up and dip&#xA;It's Precious season, nigga&#xA;&#xA;&#xA;Walkin' in the storm, my face had the hatred in it&#xA;Mons had the colorful money with the staples in it&#xA;Grew up street and I stay committed (Yeah)&#xA;Movin' white back and forth over green like table tennis&#xA;Guap was pourin' in, my Glock was roarin'&#xA;At nineteen, shots hit you like hydroxychloroquine&#xA;I'm still forty with the forty close&#xA;In the 840 playin' new E-40 with some horny hoes&#xA;&#xA;&#xA;(Yeah) Finally, y'all been waiting&#xA;To hear a verse for the economy stimulation&#xA;With Bible verses forsaken and tribal authorization&#xA;We marchin' as we awaken the mobsters across the nation&#xA;Ask doubles next to ride&#xA;The show gun with Shogun to testify&#xA;Fasho son, we hold somethin' that electrifies&#xA;N-1 L-B, no one left behind, pause it&#xA;&#xA;&#xA;Where I grew up in the world of Pop to give you the shot&#xA;When I vodka, the glocka Blocka! and blew the dot&#xA;You want attention? I'll give you the spot&#xA;And run up on your favorite artist aimin' at him, like, &amp;quot;Do the drop&amp;quot;&#xA;I smack the cobble out a gobblin' blogger&#xA;Togglin' robbers with my saliva as hot as a pot of lava&#xA;And guapa, my mob has been on the sly since Yo Gabba Gabba&#xA;Trying to get the drop guava, interior baklava&#xA;&#xA;&#xA;Straight out the Bronx, straight off the fall&#xA;Straight off the motherfucking claw for who's settin' it off&#xA;Blocks where they spark a lot, click with the Glock a lot&#xA;Catch you at the parking lot, park you in your parking spot&#xA;Niggas know it's sex money, flex money, they do a lot&#xA;What's better than more letters and buddha spots?&#xA;Buck fifties for niggas that don't do a lot&#xA;Go ahead and get your shooter, get your shooter shot&#xA;&#xA;&#xA;Shaq Dies', front if you want&#xA;Flow through the spirit of Kobe, I don't puff on no blunts&#xA;My estate got a shuttle, you punks&#xA;Funny thing I got places in my place I ain't discover in months (Months)&#xA;I naturally hover above 'em, I'm Kal-El&#xA;Touchdown in the arena, the crowd yell&#xA;And if they want beef, I'm ringing the cowbell&#xA;This crispy cream make 'em ring like they found Mel&#xA;&#xA;&#xA;Jones, and I don't need no introduction&#xA;I'm the best, pound for pound, it's no discussion&#xA;Seen some mass destruction, this how I leave niggas area&#xA;Me, Shaq and Gunz, nothin' scarier&#xA;A nightmare on Elm Street when I hit the booth&#xA;A motivational speaker when I spit the truth&#xA;Come down to Pensacola if you need some proof&#xA;I could mess your smile up like a missin' tooth&#xA;Ahead of my time, but still in a league of my own&#xA;I tried to quit, but they just won't leave me alone&#xA;If you ain't got the right price, stop callin' my phone&#xA;M-mister, y'all must've forgot the king of the throne&#xA;&#xA;&#xA;Aw man! Ayo Kay!&#xA;Ayo what up Red Alert?&#xA;I don't think they ready for this&#xA;Well they better tool up cause I ain't done!&#xA;&#xA;&#xA;When you hear the shots&#xA;I'm not documenting, I'm 2Pac-umenting&#xA;I'm one of the Beatles, how I'm whippin' from that Lennon&#xA;Bye-bye, hater, real niggas winning&#xA;The 4th of July don't tell me I'm independent (Nah!)&#xA;I'm killing it, bro, my motive locomotive&#xA;Zero to ninety-nine like my Netflix loaded (Get em'!)&#xA;Telling your boss brick city boys is fire&#xA;Never mind, half of y'all be talking through the wire&#xA;&#xA;&#xA;Media slandered me, so that's why I'm slayin' you niggas&#xA;Never knew what hit him, got the doctor X-rayin' you niggas&#xA;Turned you to a victim, man, I sprinkle some yay' on you niggas&#xA;They thinkin' it's drug-related, gotta weigh on you niggas&#xA;All on the radio with the beef, got 'em sweatin' like they was Keith&#xA;And it's never gonna be peace, I'm shooting up your album release&#xA;Baggin' bricks with your niece, come and get you a piece&#xA;I'm taking responsibility for the murder increase, it's Buck&#xA;&#xA;&#xA;Kay wanted me to be one of the buck because I been a buck&#xA;Back when a pack of Newports was a buck, I was a young buck&#xA;On the corner of Monarch, kids from Far Rock hoppin' over the turnstile&#xA;To set up shop up top by the Jamaican spot&#xA;My joints have been a bop, from vinyl, cassettes, CDs and streams&#xA;On every Martin Luther Boulevard, they payin' homage to the shooter from Queens&#xA;Right now you wanna be this cracker from Queens&#xA;Fact though, I'm covered from special fleece to my Wallaby Supremes&#xA;&#xA;&#xA;This one image is unblemished without one gimmick&#xA;Your line of scrimmage, I cross it in one sentence&#xA;The core writer for those that lost sight&#xA;Of the promenade, now heed the words of the poor righteous&#xA;That build with mathematics for those whose path is empty&#xA;But y'all know math was in me for the past half a century&#xA;Now do the knowledge how the real writers do it&#xA;Cause I want the smoke, charcoal, and lighter fluid&#xA;&#xA;&#xA;Talk shit, but I could back up game&#xA;The way you silly motherfuckers on the mic talk the same old same&#xA;How you wouldn't hesitate to kill, buck, rack, attack&#xA;Ask him if he said to Shan, he said, &amp;quot;FUCK THAT!&amp;quot;&#xA;Bullshit, I'm not the one to get with&#xA;Pressure gets so violent, givin' a fuck what I hit&#xA;I play your songs like a lullaby that put me to sleep&#xA;And I sing it like a pussy that's this deep&#xA;&#xA;&#xA;KRS is big and scary&#xA;I'm that legend, getting cream, legendary&#xA;Hear me, I rocked this, shocked this, hip-hop this&#xA;I woke and I wake up, these rappers are not this&#xA;The hotness, I would knock some of these rappers out&#xA;But you can hear they already unconscious&#xA;I got this, on the top list, fake, I'm not this&#xA;Temple of Hip-Hop, rising to the top, kid&#xA;&#xA;&#xA;Every verse is a persecution, it's murder music&#xA;You get cursed, the room is like army, they get the hearses movin'&#xA;Fire shit, you get burned and ruined, it's burnin' fuses&#xA;Bunch of designer, heard a human loses, deserve these bruises (Go)&#xA;Nobody tellin' me that it could ever be somebody better&#xA;I got a vendetta, I mean every word, every letter&#xA;Ahead of my time and you know not to ever put me in position&#xA;Designed to put these rappers out of commission&#xA;All I spit is dope and after this, y'all gon' need intervention&#xA;Taking it back to that driving ambition&#xA;&#xA;&#xA;Look up to Twista how I be killing 'em like I'm in Wimbledon&#xA;I make a sweep when I'm doing the murdering&#xA;I put the cinnamon up in the pendulum&#xA;Minimum damage I would never do, I dead 'em like a barbiturates&#xA;Omnivorous with the flow, it don't matter which bar I bit you with&#xA;I could reorganize the confusion of a child Pharaoh&#xA;Now munch on that food for thought from a piss poor pimp from the ghetto&#xA;Hmm, I am approaching so I hope you're using a radar&#xA;Causing beautiful chaos in this unusual séance&#xA;&#xA;&#xA;Itchy trigger finger, watch me finger fuck it, niggas bust and&#xA;Squeeze the biscuit, hit him in his English muffin, repercussion&#xA;Call the homies, niggas spray the corner, now they fallin'&#xA;On the white sheet and bars, drag rappers by they wife beater&#xA;Drama King told me &amp;quot;Drag, go stupid,&amp;quot; so Imma go stupid&#xA;Made this fitted cap a drop top, almost mini couped it&#xA;Stick shift, automatic, automatic big clip, round clip&#xA;Hit a nigga while I downshift, yeah&#xA;&#xA;&#xA;It's me again, all I be is when, never if&#xA;If you see a lens, it's probably CNN or a gif&#xA;I could rat-a-tatter, your brain matter get scattered&#xA;And served up on a platter, they call it data, baiting cappers&#xA;I'm more like Beta Kappa, I'm great like your great great grandma&#xA;And they wanna protect with this Great Lake grammar&#xA;It's Rivers, that's why I gotta be called, decide if you fall&#xA;Or have to wear a thought or break a side of the law&#xA;And fight for yours&#xA;&#xA;&#xA;We a hundred deep, don't give a fuck 'bout your capacity&#xA;They tell me who they favorite, I ain't hatin' but they trash to me&#xA;Y'all know this my world so I'ma hold it down like gravity&#xA;I'm bitin', that's a casualty, I'm blowin' out your cavities&#xA;Keep a pocket rocket for the people pocket watchin'&#xA;Pull up with a Glock and cock it, got you beggin' not to pop it&#xA;Y'all gotta stop, I want more cash and more fast&#xA;I went on a run like I'm all gas from all bad&#xA;&#xA;&#xA;You're dealing with a locksmith, my mindset is too meticulous&#xA;Rhymes melt when I sing like the wings from Kid Icarus&#xA;Every rap is indicative, diction is like a diction&#xA;I'm ditching that status quo to inhabit flows that I stitched in&#xA;You're pitching garbage, each comment is like a gauntlet&#xA;A conscious effort to execute rappers that try to test it&#xA;Ingest them and exit through my excrement through my intestine&#xA;Intestinal fortitude afforded you is what you left with&#xA;&#xA;&#xA;I don't smoke but stay with a cig like Mary-Kate Olsen&#xA;'Cause my patience short as D Brees or DeRozan&#xA;I ain't a Fashion Nova model that swallow rappers for follows&#xA;Just for mentions on blogs with flaws like it Apollo&#xA;But keep the toolie, pockets blue like Tookie, patience short as Uzi&#xA;You a groupie, you a rat like Mickey, you look like a goofy&#xA;Out your kufi, yeah you out your top, thinkin' you gon' move me&#xA;You like Sookie, you suck dick for chips, I'm too rich and choosy, bitch&#xA;&#xA;&#xA;I ain't gotta tell you what I've done, who I am or where I'm from&#xA;If you don't know it by now then you just dumb&#xA;I ain't got no pistols, inf beams, choppers or no Dracos&#xA;No car, no girlie, beams or no bankrolls&#xA;I buy shares, land, LLCs and payrolls&#xA;Kuwaiti and Bahraini dinar, gold bouillon&#xA;Mutual funds, nigga, fuck a dollar and a peso&#xA;I got seven investors that'll invest when I say so&#xA;&#xA;&#xA;Hey yo, max eight lines, I wrote this spinning a yarn though&#xA;Foul mind, the villainous Queens, Lance Feurtado&#xA;Mean face Murcielago, over god flows&#xA;Salute that, shit on schedule like it's Jumu'ah&#xA;I don't do the work, I just stuff bags to pass shooters&#xA;Let the foreign skirt, squeeze semi and let it squirt&#xA;All the facts, all the chow now, getting rich off of merch&#xA;Laser beams, I done turn niggas' Foamposites to red bottoms&#xA;&#xA;&#xA;Yeah I'm underrated and I never sold my soul&#xA;And I never switched slang to sound southern when the game changed&#xA;Niggas say they real, til you see 'em on the real&#xA;Then you find out they a bitch ass nigga, just with a record deal&#xA;For real, the internet gon' get these niggas killed&#xA;Hide behind that keyboard cuz, gon' make some blood spill&#xA;Your insecurity gon' make this .45 open up your mind and bring enlightenment&#xA;And then you'll have more clarity&#xA;&#xA;&#xA;If I roll a hundred deep, it's two hundred fists, two hundred feet&#xA;At least a hundred guns so every nigga get one apiece&#xA;Bitch, I'll piss on the tombstone you underneath&#xA;This sick, don't play this shit if your stomach weak&#xA;I can stomach beef, I done faced danger&#xA;I squeeze like a waist trainer then you will lose stomach meat&#xA;I run the streets, so when Cass scheme, that mean&#xA;They gotta get shot like a mandatory vaccine&#xA;&#xA;&#xA;Out of sight, out of mind, til I creep up behind&#xA;Double barrel shots you out, everything on your mind&#xA;Figure that, like the next line you tryna consider&#xA;But you careful so you dumb down, you ain't no spitter&#xA;Then you post, you got beef, tell me you ain't no hitter&#xA;You a tweeter, who mouth flame more than his heater&#xA;From the days of the park jams, blowin' the tweeters&#xA;Rugged raps with a DJ cut in the meetings&#xA;&#xA;&#xA;G-G-Get 'em!&#xA;Let me give you facts, before CashApp&#xA;I was frontin' niggas workin', they was bringing cash back&#xA;Before Instagram was selling up instant grams&#xA;Connect 'em and I can never fuck with no middle man&#xA;Before the fake jewelry and niggas with all the cappin'&#xA;40 karats in my Philly, this nigga was all platinum&#xA;Huh? You little niggas in the way&#xA;This million dollar payday's me and my nigga Kay Slay&#xA;&#xA;&#xA;It's the West Coastin', New Yorkin', low-ridin', Crip-walkin' nigga&#xA;Anyone can get it, masked like the pandemic&#xA;Niggas mad I don't pick up, I got multiple phones&#xA;Slay took a month to find me, got multiple homes&#xA;Pop off, my black talons will bullet your vest&#xA;(Gun noises) 300 blackout, fully suppressed&#xA;Cut through your cold crew like a saw blade&#xA;Then up at Mr. Chow's eatin' saute&#xA;&#xA;&#xA;Jersey Journal, where the next signal infernal&#xA;And eat chicken with friction before I try 'em, kidnap the colonel&#xA;Trigger title, trigger finger, trigger treacherous&#xA;Double shots of extortion, exercise to an exorcist&#xA;Exercise my freedom, beat 'em when I leave 'em, eat 'em&#xA;Even when the odds ain't even, I get even&#xA;With Kay Slay, fuck they play, the rebirth and replay&#xA;Mr. Slap-Your-Favorite-DJ, this all has changed on eBay&#xA;It's Jers'!&#xA;&#xA;&#xA;Top billing how we Gizmo and Milk shit&#xA;Grimy crimies, did all the dirt and the filth with&#xA;Yeah, my young buck days was on the real strip&#xA;Fillmore Slim shit, straight off a film strip&#xA;I ran through more fine women than Wilt did&#xA;Superstars, chem fills bitches with some soft and silk lips&#xA;Made a killing off of dealing that real fix&#xA;Numbers like a pinball wizard, tilly-tilt shit&#xA;&#xA;&#xA;I'm the product of Frank White&#xA;Whoever acting tough gets stage frights&#xA;Getting clearer visions of grave sights&#xA;So get my cake right, something in the bake and it ain't light&#xA;Or something in your face and it ain't life&#xA;So don't play with me, Hell gates await&#xA;When I come to the 8th, I shoot it faithfully&#xA;And tell Mitch to pray for me&#xA;Slay with the AK nigga, that's my speciality&#xA;Brooklyn forever, M.A.F.I.A 'til the death of me&#xA;&#xA;&#xA;Look, for my next verse I done left Earth&#xA;The internet done triple my net worth off a sweatshirt&#xA;Expert, I let the TECs work, your neck chirp&#xA;Been a devil, bench press metal, I'm doin' chest work&#xA;One of the deepest, see you've been warned&#xA;Please believe you're now lookin' at Jesus in human form&#xA;I'm Jet Li, respect me like you speakin' to Scooter Braun&#xA;The newest legend in the league, I lead with my shootin' arm&#xA;It's Payne&#xA;&#xA;&#xA;All you assholes finished, I don't have those limits&#xA;You'll get this work in all black, it's a black-owned business&#xA;But you cats don't get it, that's why I'm stunting on you newbies&#xA;Your father was a super fan, your mother was a groupie&#xA;That's why I trip like, &amp;quot;Who you tryna rap with?&amp;quot;&#xA;Sounding nothing like yourself, who you tryna catfish?&#xA;Like you bodied that shit, shut your lying ass lips&#xA;Do I look like I been playing nigga? Colin Kaepernick, motherfucker&#xA;&#xA;&#xA;You got the memo, murder game is my M.O. (Fact though)&#xA;Lurk the frontline, not from out of the window (No!)&#xA;Take a life, then take your jewels for a memento&#xA;You make it to the outro, you got to pay for the intro&#xA;Like a nympho, ain't fuckin' around, I ain't (I'm not)&#xA;Shoota a sure shot, like a D in the paint&#xA;Don't need a long stick, just a .38, I'm straight&#xA;One dome shot, that's how I show restraint (Shoota!)&#xA;&#xA;&#xA;They like damn we ain't heard from you in a minute&#xA;Shit get great from my present see bitch I'm gifted&#xA;They said it's only right they callin' me cold see I'm the sickest&#xA;I heard it just like Curse of the Lottery you hoes is scripted&#xA;Don't get it twisted me and you was a difference&#xA;I'm a superstar you role playin' bitches is pimpin'&#xA;Oh and did I mention, keep me up out your mentions&#xA;You bitches ain't soldiers y'all just be wantin' attention&#xA;&#xA;&#xA;Hey yo New York, get the money, five boroughs of death&#xA;My dude was called, where's the money, fire, birds and meth (Hey!)&#xA;Hood Bunny, Bugs Bunny, Iceberg, and Sweats&#xA;First baguettes, Big Stepper learn the steps&#xA;Earn respect with connects 'cause my word was kept (Yes!)&#xA;Swerve the 'Vette like Sean Paul for more medicine&#xA;Fur gon' slip, like I don't spit, burn the blessed&#xA;The truth, 2Pac jewels like I serve them wet&#xA;Vado!&#xA;&#xA;&#xA;This homicide was prophesized before I was a toddler's size&#xA;Any job nigga, I am overqualified&#xA;I'm the kind of nigga whose cloth it be hard to find&#xA;Integrity? I put mine over dollar signs&#xA;A nigga play me, then he out his mind&#xA;As long as my niggas is winnin', I ain't gotta shine&#xA;If you can't see I'm a G, then you kinda blind&#xA;Die 'fore you disrespect me, nigga, bottom line&#xA;&#xA;&#xA;Return of the barbaric barbarian bar spitter&#xA;Bar 9 bar guns ballin' like bar mitzvah&#xA;You bar 9 your bars done I'm Barific&#xA;My bars gifted real rapper my bars Christmas&#xA;Cooked like a bar &amp;amp; grill I spit these bars in your grill&#xA;Homer bluehead keep a mag I'm Bart Simpson&#xA;My bars mention muscle bars I'm bar benchin'&#xA;Ted Danson have a beer and cheer these bars pimpin'&#xA;&#xA;&#xA;I see these niggas flex as if I ain't one of the best at this&#xA;And wonder why I'm attacking the mic like a pessimist&#xA;My name should be next to excellence, bless the globe&#xA;With the pestilence, like methodin', and put in work like a Mexican&#xA;A record for killin' tracks, somethin' like John Gotti&#xA;What he have, like 19? I just caught 99 bodies&#xA;Slay, I'm sorry, I know this hip-hop camaraderie&#xA;But since nobody bodied me, don't accept my apology&#xA;&#xA;&#xA;Stop chasing props niggas, top niggas march&#xA;By the cops, followed hot blocks, they pop niggas&#xA;I ain't one of you niggas, I'm a pair of Gators&#xA;You a pair of Uggs, you ugly but you comfortable nigga&#xA;I'm the OG, pre-Cardi nigga, the diamond in the back&#xA;Cadillac black, Pretty Ricky, Maserati nigga&#xA;The god-body, rock a party nigga&#xA;That can socially distance your head from your motherfuckin body nigga&#xA;&#xA;&#xA;I'm so Bronx, nigga, my middle name is Jonas&#xA;BX microphonist, also known as&#xA;The Bronx bomber, comma, hip-hop's Barack Obama&#xA;Osama, Dalai Lama, either way gon' be some drama&#xA;I'm the one even your momma fall for&#xA;I'm droppin' the bat and take it first nigga ball four&#xA;I'm roundin' the bases while niggas trip over they shoelaces&#xA;With they screwfaces, mic broke in two places&#xA;&#xA;&#xA;100 deep, know how we roll&#xA;Find where a nigga sleep, blowing out peepholes&#xA;Nothing never been sweet but we icy cold&#xA;Put a price on niggas' head for that shit you said&#xA;Got back so we boomerang, watch what you say&#xA;Hot shit'll spray, in a box you will lay&#xA;Know the Mobb be the gang with the Drama King&#xA;Always gonna hold it down, that's what I promised P&#xA;&#xA;&#xA;I did it, y'all forgot, I'm still with the scripture&#xA;Every bar has a plot and these lines are configurate&#xA;The mind over mine over mind over the pendant&#xA;I am signing on the plot I will put 'em in the blender&#xA;A dope spitter with a pro black agenda&#xA;Supported by the black referendum&#xA;And this only a sliver of the splendor&#xA;Homie it's the sensei&#xA;A dope boy with a flow no lo contendere&#xA;&#xA;&#xA;They told me pussy and paper go together like problems and pistols&#xA;I'm a problem to pussies who want to play with my issue&#xA;I'm pullin' rappers close, that shit you wrote was half-ass&#xA;I'm way past first class, laugh when your hearse pass&#xA;I Kill 'em with kindness, King EDI the highest&#xA;Me, Noble, Slay, you can see we the flyest&#xA;We load the spray, pussy niggas retire&#xA;100 deep, now you can watch us rise up&#xA;&#xA;&#xA;When 'Rock the Bells' dropped, I was locked into hip hop&#xA;Fresh off the porch with my brother Sean's boom box&#xA;Around the same time when I heard Illmatic&#xA;I was on my block, sellin' long dimes to the addicts, yeah&#xA;I remember back when Rae dropped the purple tape&#xA;We was young Outlawz, tryna raise the murder rate&#xA;Me against the world when I first heard Doggystyle&#xA;Still screamin' &amp;quot;Fuck the world, doggystyle&amp;quot;&#xA;&#xA;&#xA;No more mumble rap, back to that boom bap&#xA;No cap, I'm in the trap where the goons at&#xA;Peace to all my niggas up top, getting them lunes back&#xA;Salute to the brother of me and my nigga Loon back&#xA;Harlem World's finest, let's be honest&#xA;You don't gotta give me dap, nigga, just pay homage&#xA;Peep my steps, always keep the piece on deck&#xA;I'm from the danger zone where we handle beef by death, nigga&#xA;&#xA;&#xA;Everybody's an opp, plenty bodies'll drop&#xA;Slay hit me up, told me body the block&#xA;Go ape the whole eight, no way they hold weight&#xA;They so fake, okay? I won't play, ya don't say?&#xA;Kay shit, basic when they spit&#xA;Face it, we not only the zone, we the matrix&#xA;Your algorithm rhythm off balance&#xA;I'm 'bout to start the &amp;quot;We don't care if you die&amp;quot; challange&#xA;&#xA;&#xA;Live from the Wire but I reside in the A&#xA;You admire the attire, I am sighin' today&#xA;No Jaden but I'm Lord Raiden&#xA;Show you with all the cadence&#xA;Lightning in my tips, with these scripts, I'm full paid in&#xA;And what a great game in heaven, boosted my cranium&#xA;Bars became za induced with titanium&#xA;Stars beyond Mars, the truth, I'm so empty&#xA;With six spliffs in the booth, it hits like Vibranium&#xA;&#xA;&#xA;Ayo Kay Slay, we can't let the BS slide&#xA;The game ain't been the same since DS died&#xA;Got five niggas jumping out the GS5&#xA;Will leave my gun smoking like a PS5&#xA;DS5 the street rap, somebody tell me where the streets at&#xA;This that shit to make the heat clap&#xA;From my niggas selling cheap packs&#xA;Them niggas keep straps, the Onyx is the kings of that street rap&#xA;&#xA;&#xA;It is Sticky, don't make me put my hands on you&#xA;Nigga, I could tell you what each one of my fingers do&#xA;My pinky finger, that's with the pink ring at&#xA;And my ring finger, never put a ring on that&#xA;And my middle finger? That's how I feel about that&#xA;I use my index finger to make that thing clap&#xA;And my thumb, I ain't got a use for that&#xA;So I put it in a bitch ass while I fuck her from the back&#xA;&#xA;&#xA;What you lames claim is relevant ain't&#xA;The culture's five elements, felons pistol whip your pelican vapes&#xA;I shoulda named the metal Baretta the Drake&#xA;Givin' em back to back hits 'til your skeleton breaks&#xA;Yo take a new era super head in my Wraith&#xA;Givin' me fitted call it the 7 and 1-8&#xA;Each one of my bars smoke ya whole 16&#xA;How you trap in your mom's necklace and wear big jeans?&#xA;&#xA;&#xA;I ace the motherfuckin' track like a pro's supposed to&#xA;I'm blowin' up in this bitch, you know, Apollonia&#xA;And anytime I did a rhyme, I did it for the culture&#xA;The doctor said I need a culture, I might have the 'rona&#xA;I beat the shit and now I'm like a hundred times stronger&#xA;Run for the block and flippin' rocks to a stock holder&#xA;Hold my composure, bring my hand up when the shots over&#xA;A hundred deep with the soldiers, and we shoulder to shoulder&#xA;&#xA;&#xA;Yo, I live a DJ's dream, hearin' fans scream&#xA;Cash in my hand green, they wanted to ban me&#xA;'Cause most of it was tax free, at last, me and Slay connect&#xA;Niggas know the outcome&#xA;We got mixtapes with features better than your album&#xA;Bounce Master with the Street Sweeper&#xA;For you heat seekers and them double D cup ladies and IG divas&#xA;My mixtape gave your boyfriend power&#xA;Holla at me when y'all got my flowers (Bounce)&#xA;&#xA;&#xA;I'm Junior Reid, I run these streets&#xA;Killin' all these hip-hop beat&#xA;Hey, I just can't be defeat&#xA;One blood family, we came here to eat&#xA;Murder!&#xA;When I roll, you know I roll deep&#xA;My hand stay strong and you know we don't cheat&#xA;Trap for the money and you know we don't sleep&#xA;&#xA;&#xA;If it's beef and we don't make up after talkin'&#xA;It's a high chance you gon' be wearing makeup in the coffin&#xA;I think of Busta Rhymes the way that the cops flamin' us&#xA;Like &amp;quot;put your hands where I can see before it get dangerous&amp;quot;&#xA;Fuck twelve and whoever gave 'em information&#xA;State property parties, you want a invitation?&#xA;You don't wanna do that, family&#xA;Them people gon' have to move your family, it ain't a movie y'all&#xA;&#xA;&#xA;You woke up a sleeping giant, there's no one breathing this fire&#xA;It's me, I'm known globally mostly for being violent&#xA;I'm closing up both of your eyelids cause no one seeing me rhyming&#xA;Fuck quarantine, I'm outside, I'm a morbid beast on the mic&#xA;These are more than schemes that I'm writing&#xA;It's for the fiends and the piper&#xA;New cocoa leaf, it ain't Pyrex, hoping that they don't die next&#xA;Shoutout to street sweeper, I breathe ether, my team G'd up&#xA;The streets need us like cheap heaters and clean sneakers&#xA;&#xA;&#xA;Wais P, you should have gave me the whole song (Why?)&#xA;'Cause I'm doper than the shit Demi Lovato overdosed on&#xA;Put a ho on every corner you post on, poison potion&#xA;Give you my life on every track that I spoke on&#xA;Blow bullets 'til the barrel is hot enough to cook coke on&#xA;Phasers photon, never on stun, give you the whole drum&#xA;Wanna know why I'm on the second run? I go dumb&#xA;Plus a hundred rounds beats fifty in any gun&#xA;&#xA;&#xA;I can spot the lies in they lines, what lines in they eyes&#xA;Is fear, you hear? A coward cries when he dies&#xA;I was down now I'm up, they surprised by my rise&#xA;I've been out, fresh fade, bitches thought that I was Nas&#xA;Lord please forgive me, I'm a sinner&#xA;Sweat suits, gold ropes swinging like a 80s dope dealer&#xA;Trust me, I get iller, underneath the chinchilla&#xA;The street sweeper, Kay Slay with a hundred killers&#xA;&#xA;&#xA;Always been disrespectful, never been polite&#xA;Slay got me on the record with a bunch of niggas I don't like (I really don't though)&#xA;Them niggas corny, and their verses is not hard&#xA;Probably like ten rappers on this record that I got robbed&#xA;I'm the truth, I'm just realizing my worth&#xA;Niggas gon' turn this shit off after they hear my verse (I don't blame 'em)&#xA;And fuck whoever feel disrespected&#xA;Niggas gon' be mad Kay Slay put me on this record (Ah)&#xA;&#xA;&#xA;The best ever, bulletproof, the vest leather&#xA;Head shot, talkin' big bags of cheddar&#xA;Harlem, we run shit, you fags sleep&#xA;Cemetery, last stop, your bag's deep&#xA;Six feet, gun and a mask, my team creep&#xA;Mausoleum, you can see 'em, your team's sleep&#xA;Harlem, mob style, we run shit&#xA;Sheet rock, bury niggas for dumb shit&#xA;&#xA;&#xA;Grenades, bombs and rocket launchers&#xA;The smell of dead bodies, the odor comes back to haunt ya&#xA;Gucci vests from Dapper Dan, mountains of blow on a glass table&#xA;Look like a goddamn avalanche&#xA;Construction bags of snow, one scale&#xA;One doctor just in case your blood pressure fail&#xA;We got diesel, weed, coke and lean by the pail&#xA;Two phones next to that old bitch out in Wales&#xA;&#xA;&#xA;Show a sign, force on the course, it's authentic&#xA;You cross the sauce, try to be boss, get lost in it&#xA;That's a early retirement, call it a forced finish&#xA;Fuck a Porsche with horse, I put your horse with Porsche in it&#xA;Nigga Mike Cee, syllable, syllabicate&#xA;Syllabicate, it's so real, realize, realization&#xA;Realization, realize, real&#xA;S-Syllabicate, s-syllabicate, syllables, Mike Cee&#xA;&#xA;&#xA;I swear to God if I die tonight, I'm taking a few niggas with me&#xA;My little man just came home doing 5 so I gave him 50&#xA;I ain't gave his Dior back meaning I got this Llama with me&#xA;Run Scott my papers 50 sellin' bricks I don't fuck with dizzies&#xA;Keep a lot of shooters outside it's gon be hard to clip me&#xA;Before I surrender to God and Mississippi&#xA;Got these bitches being my mule to get some bigger titties&#xA;Falling cost me 260 got another 60 with me&#xA;&#xA;&#xA;Fuck y'all, thought I better talk, caught up a narrative&#xA;I sat back watching you tryna figure what bag it is&#xA;Imagine if I came back, Super Lover with savages&#xA;And put a tilting was building change the average of marriages&#xA;Cause she's still after me due to audio in audacity&#xA;For cardio and the tune grooving room at capacity&#xA;When parties over, we boom boom, for you it's gravity&#xA;A tragedy, by two masterpieces causing catastrophe&#xA;&#xA;&#xA;You could have a hundred verses from my hundred persons&#xA;But this one emerges&#xA;And it's curtains when you get to squirting on a piece of Birkin&#xA;Detroit is a mindset, as soon as the verse ends, you rewind it&#xA;Knowing that the Drama King was behind it&#xA;I'm Page Kennedy don't let the last man escape&#xA;Get your ass kicked by a movie star that looks more like an asterisk&#xA;Get your bifocal lens&#xA;You a fighter that wouldn't even punch vocals in&#xA;&#xA;&#xA;I spit stupid, you just stupid&#xA;Don't even walk off your porch, you should just stoop it&#xA;You too bitch for this goon shit, it ain't just music&#xA;We shoot you and jam to your death, no Rick Rubin&#xA;Yo my gun blow drumroll, til it unload&#xA;Or til the gun broke, then punch holes through a chump's soul&#xA;I'm muggin', it's just jokes, I'm friendly and shit&#xA;Get higher it's the highway to heaven, I'll send you a lift&#xA;&#xA;&#xA;(Gunplay) 7.62s, nigga never left clues&#xA;Crib looking like a motherfuckin evidence room&#xA;And I keep a street sweeper, nothing less than this broom&#xA;And that's only when I'm in a fuckin excellent mood&#xA;I got four nine-pieces on a four-door panel&#xA;Louis open-toed sandals, overdose on those samples&#xA;Living legend in the 'jects, nigga daddy every threat&#xA;Homie died in his holster, got the weapon, never left&#xA;&#xA;&#xA;The pandemic got niggas searching for endemic&#xA;You either win or you a dub, fuck the club, don't get it fucked up&#xA;It's still paid for the bin&#xA;And you just gotta find a fucking way in&#xA;Now we gonna see who's a boss&#xA;And rise above the COVID or take a fucking loss&#xA;Wear the mask or don't, I don't give a fuck&#xA;I'ma still get a buck and a gold medal, I will never settle&#xA;&#xA;&#xA;I be the block (Dynamite) so hit the sheets to the streets&#xA;Like playing games with Jamar's will beat your feet&#xA;I'ma drop a straight 8 for my nigga Kay's beat&#xA;We go back like Fat Jack my nigga Harlem heat&#xA;Got bodies for a throttle smashing King Midas&#xA;Put the drip in the game drop jewels and pop bottles&#xA;I'm valedictorian ask any historian&#xA;I'm back from streets you pullin' up in that Delorean&#xA;&#xA;&#xA;I'ma keep the knowledge, yeah, two cyphers&#xA;(Keep it a hundred) Lord J and Kay Slay, that's two triflers&#xA;We roll deep when we hold heat&#xA;Stay away or get sprayed with a new virus&#xA;They manufactured a new crisis&#xA;With plans to capture your third iris&#xA;I stand with the stature of the bird ibis&#xA;I'm like Dawoodi when I'm doing my duty (facts)&#xA;&#xA;&#xA;I'm from where Big and Hov came Pop Smoke cocaine&#xA;Rope slayin' over coats and them dope rope chains&#xA;Bed-Stuy Veteran fella been ridin'&#xA;Better than I've ever been America's bidin'&#xA;Harris no comparison since&#xA;So don't let that fly shit go to your head like Mike Pence&#xA;I got seniority Francis Sorority&#xA;Sonja Blade bitch just respect my athority&#xA;&#xA;&#xA;Lets take it back to the essence where it all began (Yeah)&#xA;Hip-hop, the original man (C'mon)&#xA;First emcee ain't my claim to fame&#xA;'Cause I been getting money, ain't a damn thing changed&#xA;I'm Coke La Rock and I'm still on the scene (Let's go)&#xA;The true OG to the culture you're in (Okay)&#xA;Bronx legend, respect the crown&#xA;And pay homage where it started, we call it the Boogie Down&#xA;&#xA;&#xA;I'm from the era catching cabs on Broadway&#xA;Put 'em on hold, ride around town all day&#xA;Way before the Uber and a Lyft it was OJ&#xA;Do the kickstep, man, just like Kid Play&#xA;We're on the east side like DJ Kay Slay&#xA;Smoke your chronic up, Snoop Dogg and Dr. Dre&#xA;Sprinkle my man, E-40, he from the bay&#xA;Yo I say butter man and you say Parkay&#xA;&#xA;&#xA;Smooth B kick shit Pelé like soccer&#xA;You that man in the middle, cockblocker&#xA;I been a G, never been a sucker&#xA;I don't hide, never scared, not a ducker&#xA;Above the Rim like I'm in Harlem at the Rucker&#xA;Motherfucker, I'm thorough with this&#xA;I ring bells around the world every borough with this&#xA;&#xA;&#xA;Always had the bands like Coi Leray&#xA;So I'm young enough to relate to the YouTubers&#xA;Old enough to still date a few cougars&#xA;Yet the struggle became a weapon for me&#xA;So success became a separate story&#xA;But them cheques, got 'em checkered for me&#xA;Shit, I'm shooting from Steph' territory&#xA;And I get more love than Diddy's license&#xA;We rollin' a hundred deep, and I'm the city's nicest&#xA;&#xA;&#xA;Look, I'm Tommy Egan in the Honda weaving&#xA;Leave your Mama grieving for the non-believing&#xA;On the deacon, Dominican mommy ganja steaming&#xA;Bomb with demons that'll take your chain and go to pond to peacing&#xA;I quit trapping cause my music is dope&#xA;You might've saw me in the lane but I'm truly the goat&#xA;You try to tell him calm down, bro was doing the most&#xA;They left him in the hospital with a tube in his throat&#xA;&#xA;&#xA;I trap with the guys knowing I'ma capitalize&#xA;But slaps I'ma drive to DC those capital rides&#xA;Put rappin' aside I got yak and captions to buy&#xA;She smashin' up lines so big they look like capital I's&#xA;We back in the times so start us here you back in the pines&#xA;Snap but I'm fine the Henny and the gas intertwine&#xA;I smash and I grind got the work stashed with the 9&#xA;I'm where they'll put you on a shirt like a fasion design&#xA;&#xA;&#xA;Yo!&#xA;You from the hood Uptown Queens New York&#xA;Save the milk cereal with the fork&#xA;Scraped the plate and now get the fuck out my way&#xA;We on the grind yes I got a lot on my mind&#xA;Back in the days I used to wanna punch them in face&#xA;I changed my ways and now I just wanna get paid&#xA;Smoking haze out a trombone Nicholas Cage&#xA;Fire tire is burning times is turning&#xA;&#xA;&#xA;Kaflow Kaboom rolling a hundred deep&#xA;Ever since a young wolf, I always hunted sheep&#xA;I already killed all the wolves that wanted beef&#xA;Seen a nigga brains on the floor and it made ya stomach weak&#xA;I'm from the streets where they brag about puttin' you underneath&#xA;A lot of niggas gon' get shot before the summer reach&#xA;Take you to the balcony, hang you from your feet&#xA;My office hours are from nine to five, not from one to three&#xA;&#xA;&#xA;A living legend like Slay on The Box&#xA;The big dime baby I'm like Jay to the opps&#xA;Purple Coogi Purple Tape I'm like Rae to the opps&#xA;When it time it ain't the mink then i'm playin' the fox&#xA;I'm sorry king of these Pradas and not Adidas&#xA;NDF We the mob and I'm the leader free the opps&#xA;Fear the law, get money, and flee the cops&#xA;Fuck the judge fuck the feds cause they the opps&#xA;&#xA;&#xA;Sickening, street smart but the flow ignorant&#xA;Henchmen, but never wear no Jimmy when I'm hittin' it&#xA;Big up to the game, bookstores, no more memberships&#xA;Shout out to the cub and Dior, free the innocent&#xA;Outlaw, live by often, I would die for&#xA;I get all the blame, someone get shot, they say it's my fault&#xA;So when they talk, I just pay 'em never mind&#xA;Cause when I spot em, I'ma dot em like the letter I&#xA;&#xA;&#xA;I'm Toussaint Louverture, unfamiliar? Google more&#xA;Gurkha out the humidor, wise man who fool 'em all&#xA;Prove 'em wrong, told Kay Slay I would do the song&#xA;Move along if you ain't about that communion, dawg&#xA;Through the fog and darkness, the world be in peril&#xA;'Til we expel the devils and renew the godly process&#xA;I'm blessed, not pressed but I'm vexed, the game culture&#xA;Brothers obeyin' other suckers who ain't of us&#xA;We reppin' that red, black and green, that's a thing&#xA;Like Pythagorean themes that put data in the machines&#xA;The latter means I saw a lot, Earth a tourist spot&#xA;Still we universal beings, this rehearsal VN&#xA;P.S., we turn T-shirts to tuxedos&#xA;With flowers from the mall with no GMOs or cheat codes&#xA;The power is in lovin' the death of your own ego&#xA;O.E. go, that's that Brooklyn&#xA;&#xA;&#xA;Who really the best rapper since Pun ain't here?&#xA;Y'all know the answer to that when Bamz in here&#xA;The most underrated, the most hated, the most doing the most&#xA;The most almost famous, the most favorite&#xA;Bodega getting them chips again, what happened?&#xA;First class back from Switzerland, no capping&#xA;I'm the voice they wanna silence, who said it's late?&#xA;It's perfect timing&#xA;Load up the Uzi, headshot, take the diamond&#xA;&#xA;&#xA;In the car with 2 blicks them shits got 3 attempts on it&#xA;You gon be the first full body&#xA;Toe tag zip em up the doc won't stitch em up&#xA;Sucka ass niggas been lollipops&#xA;Spin the block twice won't leave til a body drop&#xA;My influence in the hood is impeccable&#xA;Stir fry something turn a nigga to a vegetable&#xA;*gunshot sounds*&#xA;Hello!&#xA;&#xA;&#xA;It's P dot T dot K nigga&#xA;I'm back looking for drama I'm here to slay niggas&#xA;NYC tryna be A niggas&#xA;Blatant only way you figured out to get paid nigga&#xA;And let them niggas have they own style&#xA;And act like you niggas really from home&#xA;You know that where they shit was grown&#xA;And leave that drill shit alone too&#xA;Before the shot gets to drilling you&#xA;Nigga!&#xA;&#xA;&#xA;These rappers hoein' now, doin' anything to get papes&#xA;Even my DMs like a bitch to do a mixtape&#xA;I be killin' shit, I need a sponsorship from Ruger&#xA;Been ahead of my time, it's like I rhyme from the future&#xA;If niggas want trouble, homie, the trouble suit us&#xA;Ran up on you snakes, got me feeling like Medusa&#xA;They say they from the Bay, I'm nowhere specific&#xA;But those that don't know, nigga it's a difference&#xA;&#xA;&#xA;It's getting real hard to eat, no time to argue&#xA;Blow a driveway through your chest, let it park you&#xA;The broads done rip apart you&#xA;Sunset dark you, leave you hard to recharge, it'll restart you&#xA;No cinema like our own theatre scarier&#xA;Big Dubez, King Kirk, Brando, three of the thieves&#xA;Period, lyricists, storytellin'&#xA;Cordelen, split your fuckin' watermelon&#xA;&#xA;&#xA;4D! I go up top they take enough shots (enough shot)&#xA;Now I'm home, we see what's up then (home now)&#xA;Let you tell it, you Teddy Bruckshot&#xA;All I'm hearing is Teddy Ruxpin&#xA;Trust and believe, sleep on the D's&#xA;Get tough then, mics, I crush them&#xA;Causin' disruption, we talkin' a tusslin'&#xA;Figure four rap, nigga, fuck all the fussin'&#xA;End of discussion&#xA;&#xA;&#xA;I been livin' on the road for the past week (For real)&#xA;Makin' more moves than an athlete (Uh huh)&#xA;I'm from the backstreets where they pack heat&#xA;I deliver, got more drop offs than a taxi&#xA;Hated by the ones who love, shit's weird&#xA;I been seein' six figures for like six years&#xA;Young boy goin' dumb and he 'bout to go dumber&#xA;Two sticks on him, he think he a drummer&#xA;&#xA;&#xA;A fist up for black people, our lives matter&#xA;Like your life, but my life, they won't understand it&#xA;Traumatic stress on my hands, this is from being captured&#xA;Mutilated like castration, part of them chapters&#xA;But this a never ending story, them pages continue&#xA;My shade part of that food chain minus the menu&#xA;It's deeply rooted in genetics, the past that we've been through&#xA;Original Hebrew, got me feelin' it sacrificial&#xA;&#xA;&#xA;I got the power I'm putting in, punching the clock like the '99&#xA;'89 before that seventy-five&#xA;When I was around and I first rhymed&#xA;While many searched hard for punchlines&#xA;I had some that you cannot find&#xA;Had some that you can't rehearse&#xA;All I had to do was voice a verse, the Kay Slay show&#xA;&#xA;&#xA;Fuck chill, I think it's time that people really know&#xA;What's real, nobody else get to spin it&#xA;I know these haters won't condone, everything I own&#xA;Pointed at the throne, and I don't care who's sittin' in it&#xA;Bank on that, nobody son trust&#xA;After the clashes and the ashes come dust&#xA;You came for the fame, you gotta do what one must&#xA;But me, I'm only here to eradicate the unjust&#xA;Real talk, motherfuckers the worst&#xA;They ain't grow into fuck niggas, they were suckers from birth&#xA;Rub shoulders and then it's over, you touch 'em you cursed&#xA;I can't wait to put love in reverse&#xA;The verse woulda been iller if it wasn't for Slay&#xA;He said &amp;quot;'Sau it's for the culture, not today&amp;quot;&#xA;I said &amp;quot;Cool, and usually you're always right&#xA;But just remember culture vultures ain't always white&amp;quot;&#xA;&#xA;&#xA;DJ Kay Slay, the drama king&#xA;Rolling 110 deep&#xA;That's right!&#xA;It had to be done!&#xA;Everything revolves 360°&#xA;What comes around goes around&#xA;Bring it back to the talent over popularity&#xA;Start talkin' to the people&#xA;Instead of about the people&#xA;Don't test me&#xA;You fuck around next time&#xA;I do rolling 200 deep on you motherfuckers!" 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<INFO BITRATE="1089581" KEY_LYRICS="76 ContributorsApril 2019 Album Release Calendar LyricsWELCOME TO GENIUS' APRIL 2019 ALBUM RELEASE CALENDAR!!!&#xA;&#xA;&#xA;&#xA;For April 2019 singles releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights the notable albums, EPs, mixtapes, etc, released in all genres throughout… Read More 4/1&#xA;Cheb Rubën - Blackmetalmafia - 16/16&#xA;CHEN (EXO) - April, and a flower - 6/6&#xA;IZ*ONE - HEART*IZ - 8/8&#xA;Visión Nocturna - El vigilante - 7/7&#xA;&#xA;4/2&#xA;sad boy with a laptop - Wander - 7/7&#xA;West Side Highway - In My Dreams - 2/2&#xA;&#xA;4/3&#xA;BAND-MAIKO - BAND-MAIKO - 7/7&#xA;BoA - My Love/AMOR - 2/2&#xA;Devin Morrison - Bussin' - 10/11&#xA;PassCode - CLARITY - 13/13&#xA;Tory Lanez - International Fargo - 5/5&#xA;&#xA;4/4&#xA;A$AP Ant - Addie Izzo - 5/5&#xA;Conway - Everybody Is F.O.O.D. 3 - 8/8&#xA;MARINA - LOVE - 8/8&#xA;&#xA;4/5&#xA;A1 - Turbulence - 14/14&#xA;Ady Suleiman - Thoughts &amp;amp; Moments Vol. 1 Mixtape - 8/8&#xA;Anitta - Kisses - 10/10&#xA;Alejandro Sanz - #ELDISCO - 10/10&#xA;BLACKPINK - Kill This Love EP - 5/5&#xA;Brooks &amp;amp; Dunn - Reboot - 12/12&#xA;​bülow - Crystalline - 7/7&#xA;Calvin Harris - I'm Not Alone 2019 - EP - 4/4&#xA;Circa Waves - What's It Like Over There? - 10/10&#xA;DJ DB405 - Trillden United - 1/14&#xA;Elle Fanning - Teen Spirit (Original Motion Picture Soundtrack) - 14/14&#xA;Eluveitie - Ategnatos - 16/16&#xA;Gangway - Whatever It Is - 5/10&#xA;GIRLI - Odd One Out - 9/9&#xA;Good Morning - The Option - 8/8&#xA;GRiZ - Ride Waves - 14/14&#xA;Hedegaard - OBLIVION - 7/7&#xA;ITSOKTOCRY - POSHBOY! - 11/11&#xA;Ivan B - Remains - 16/16&#xA;Jai Wolf - The Cure to Loneliness - 12/12&#xA;James Hersey - Innerverse - 8/8&#xA;Jasmine Thompson - Colour - EP - 5/5&#xA;Joep Beving - Henosis - 23/23&#xA;Jordin Sparks &amp;amp; Elijah Blake - 1990 Forever - 4/4&#xA;Khalid - Free Spirit - 17/17&#xA;Kings Kaleidoscope - Zeal - 13/13&#xA;Lady Lamb - Even in the Tremor - 11/11&#xA;Lee Fields &amp;amp; The Expressions - It Rains Love - 10/10&#xA;Lena - Only Love, L - 13/13&#xA;Lil Cobaine - Hollywood Love Life - 8/8&#xA;Lissie - When I'm Alone: The Piano Retrospective - 11/11&#xA;Lone Wild - Lone Wild - 14/14&#xA;Luke Sital-Singh - A Golden State - 10/10&#xA;Matt Maeson - Bank On The Funeral - 12/12&#xA;Matt Simons - After the LandsIide - 12/12&#xA;Miguel - Te Lo Dije - 5/5&#xA;New Order - Movement (Definitive) - 26/26&#xA;Periphery - Periphery IV: HAIL STAN - 9/9&#xA;PNL - Deux frères - 18/18&#xA;PUP - Morbid Stuff - 11/11&#xA;Ramriddlz - Ramreaper - 13/13&#xA;Reba McEntire - Stronger Than the Truth - 12/12&#xA;Romeo Santos - Utopía - 13/13&#xA;Sara Bareilles - Amidst the Chaos - 12/12&#xA;Social Club Misfits - MOOD. - 5/5&#xA;Tayla Parx - We Need To Talk - 15/15&#xA;The Alchemist - Rapper's Best Friend 5: An Instrumental Series - 12/12&#xA;The Drums - Brutalism - 10/10&#xA;Tiësto - Together - EP - 10/10&#xA;Tyler Ramsey - For the Morning - 1/10&#xA;Weyes Blood - Titanic Rising - 10/10&#xA;Yung Garzi - nothing to something - 5/5&#xA;Yung Van - Blackwater - 15/15&#xA;4/6&#xA;D.NADIE - Dreamless - 7/7&#xA;&#xA;4/7&#xA;SosMula - KLEAN UP KREW - 2/2&#xA;&#xA;4/10&#xA;Kira Kosarin - Off Brand - 7/7&#xA;Omar Apollo - Friends - 7/7&#xA;Powfu - Some Boring, Love Stories, Pt. 3 - 4/4&#xA;Prod3am - Solo 1.5 - 4/4&#xA;Supa Bwe - Just Say Thank You - 7/7&#xA;&#xA;4/11&#xA;Always Never - where now - EP - 4/4&#xA;Kevin Abstract - ARIZONA baby - EP - 3/3&#xA;&#xA;4/12&#xA;88GLAM - 88GLAM2.5 - 16/16&#xA;Aaron Lewis - State I'm In - 10/10&#xA;All Tvvins - Just to Exist - 10/10&#xA;Anderson .Paak - Ventura - 11/11&#xA;Andy Black - The Ghost of Ohio - 12/12&#xA;Armin van Buuren &amp;amp; Shapov - Trilogy EP -3/3&#xA;Baby Soulja - Still Standing - 8/8&#xA;Band of Skulls - Love Is All You Love - 2/12&#xA;Based Savage - Basedworld - 1/9&#xA;Bruce Hornsby - Absolute Zero - 10/10&#xA;BTS - Map of the Soul: Persona - 7/7&#xA;Caskey - Black Sheep 4 - 18/18&#xA;Damien Jurado - In the Shape of a Storm - 10/10&#xA;​dePresno - Technicolor - 7/7&#xA;Diabolic &amp;amp; Vanderslice - Collusion - 7/11&#xA;Emma Bunton - My Happy Place - 10/10&#xA;Emily Reo - Only You Can See It - 10/10&#xA;Fontaines D.C. - Dogrel - 11/11&#xA;Glen Hansard - This Wild Willing - 12/12&#xA;​iann dior - nothings ever good enough - 7/7&#xA;Intellexual - Intellexual - 12/12&#xA;Inter Arma - Sulphur English - 9/9&#xA;Jesse Rutherford - GARAGEB&amp;amp; - 12/12&#xA;Jessie Buckley - Wild Rose (Original Motion Picture Soundtrack) - 21/21&#xA;John Paul White - The Hurting Kind - 10/10&#xA;Katie Noel - Rap The South - 11/11&#xA;KSI &amp;amp; Randolph - New Age - 10/10&#xA;Leaving Austin - Southern Gold - 6/6&#xA;LSD - LABRINTH, SIA &amp;amp; DIPLO PRESENT… LSD - 10/10&#xA;Matrix &amp;amp; Futurebound - Mystery Machine - 16/16&#xA;M Huncho - Utopia - 14/14&#xA;Mark Guiliana - BEAT MUSIC! 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<INFO BITRATE="1013467" KEY_LYRICS="1 ContributorGet It Poppin’ Lyrics&#xA;Hip hop.  Dub-L&#xA;&#xA;&#xA;Hip hopping (Come on), show stopping (Come on), body rocking&#xA;Ayyo, let’s get it popping (Come on)&#xA;Flow’s rocking (Come on).  It’s no option&#xA;Get up off the wall.  Come on.  Start popping&#xA;&#xA;&#xA;My whole doctrine is my show popping&#xA;With my foes watching, holding my Johnny Cochran&#xA;(Yo, you know what?).  Hell no.  I never met him&#xA;Your dogs don’t bite—they bark but let me pet ‘em&#xA;Now let me wet ‘em with the flow, correct that “Ayyo”&#xA;Connect that fatal blow that make the crowd say “Ho!”&#xA;Screaming for gardening tools, rake in the dough&#xA;With the whole world watching my back like J Lo&#xA;I’m real like the rent you paying and since you staying&#xA;I’mma kill it with the instrumental playing&#xA;Ghetto fab on the D Train with yellow pad&#xA;Jotting down lines hard to catch like yellow cabs&#xA;Mellow mad, hyperactively sad, bipolar&#xA;High solar energy—ask my dad&#xA;Hard rocks front knowing they was pebbles once&#xA;Blasting guns at garbage cans—they be popping, jump&#xA;&#xA;Hip hopping (Come on), show stopping (Come on), body rocking&#xA;Ayyo, let’s get it popping (Come on)&#xA;Flow’s rocking (Come on).  It’s no option&#xA;Get up off the wall.  Come on.  Start popping&#xA;Hip hopping (Come on), show stopping (Come on), body rocking&#xA;Ayyo, let’s get it popping (Come on)&#xA;Flow’s rocking (Come on).  It’s no option&#xA;Get up off the wall.  Come on.  Start walking&#xA;&#xA;&#xA;Yo, hit me on a three-way before ShowTime&#xA;MCs hung out to dry get clotheslined&#xA;I got guns on fire—I’m a hot shot&#xA;Wrap my fist in tissue, bust ya snotbox&#xA;I’m a quiet, shy kid who incites riot&#xA;Took my styles to fat farm and went on a diet&#xA;Don’t be scared.  Be very afraid&#xA;Before I chop your face off with a rusty, ruckus blade&#xA;Bubble like hippo snot.  On point like rhino horns&#xA;Dropping hot wax (“Get slapped!”)—the vinyl’s warm&#xA;I jam sick like Shaq with the flu&#xA;What would you do?  Get blazed or start a barbecue?&#xA;I’m a patient kid that don’t use big words&#xA;Consider me a waiter, player—you will get served&#xA;If I holler at you, I’ll get arrested for my vocals&#xA;And you probably think I write rhymes, don’t you?&#xA;&#xA;Hip hopping (Come on), show stopping (Come on), body rocking&#xA;Ayyo, let’s get it popping (Come on)&#xA;Flow’s rocking (Come on).  It’s no option&#xA;Get up off the wall.  Come on.  Start walking&#xA;Hip hopping (Come on), show stopping (Come on), body rocking&#xA;Ayyo, let’s get it popping (Come on)&#xA;Flow’s rocking (Come on).  It’s no option&#xA;Get up off the wall.  Come on.  Start bopping&#xA;&#xA;&#xA;Hip hopping.  Get hip hopping (Come on)&#xA;Hip hopping.  Get it popping (Come on)&#xA;&#xA;&#xA;I’m Tai Chi, Tae Bo, Tae Kwon Do&#xA;Thai stick, chocolate, on some lit hydro&#xA;My style’s mad cow—beef, you dead, man&#xA;Screaming on you (Sissies) like X Clan&#xA;Y’all deserve a eye scuff for trash talk (Go ‘head)&#xA;Push you wig with you face smashed in the dashboard&#xA;And it’s asphalt—y’all bitch made cats don’t drop shit!&#xA;Like Somalians with oxygen in they stomach&#xA;When I defecate, go investigate my shit&#xA;And see the corns I ate last time I spit&#xA;Rip jims in blue star format.  You hot?&#xA;(No you not).  I’ll turn your grill into a North Face doormat&#xA;Let’s get it popping!  It’s on and I ain’t stopping&#xA;I’m here to fuck the game up like Dennis Rodman&#xA;And I’m the “Old Joke,” but this is serious&#xA;(See, clown).  Let’s get up.  I’ll catch you on the rebound (Blao)&#xA;&#xA;Hip hopping (Come on), show stopping (Come on), body rocking&#xA;Ayyo, let’s get it popping (Come on)&#xA;Flow’s rocking (Come on).  It’s no option&#xA;Get up off the wall.  Come on.  Start walking&#xA;Hip hopping (Come on), show stopping (Come on), body rocking&#xA;Ayyo, let’s get it popping (Come on)&#xA;Flow’s rocking (Come on).  It’s no option&#xA;Get up off the wall.  Come on.  Start popping&#xA;&#xA;&#xA;Hip hopping (Get it popping).  JS-1&#xA;Hip hopping (Get it popping).  C-Rayz Walz&#xA;Hip hopping (Get it popping).  Dub-L (Come on, come on)&#xA;Get it popping (Start dropping).  Stronghold&#xA;Get it popping&#xA;Popping&#xA;Hip hopping" PRODUCER="Fokuz Recordings" COVERARTID="105/J1ED01DY0SCHCCEPTGFACUFBMBJD" PLAYTIME="314" PLAYTIME_FLOAT="313.726044" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="39092"></INFO>
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<INFO BITRATE="1087754" KEY_LYRICS="12 ContributorsSeptember 2021 Singles Release Calendar LyricsWELCOME TO GENIUS' SEPTEMBER 2021 SINGLES RELEASE CALENDAR!!!&#xA;&#xA;&#xA;&#xA;For September 2021 album releases, visit this page&#xA;&#xA;&#xA;&#xA;This page highlights the notable singles released in all genres throughout September… Read More 9/1&#xA;APRE - &amp;quot;All Mine&amp;quot;&#xA;BiC Fizzle - &amp;quot;On God&amp;quot; ft. Gucci Mane &amp;amp; Cootie&#xA;Chase Atlantic &amp;amp; Maggie Lindemann - &amp;quot;OHMAMI (Remix)&amp;quot;&#xA;Citizen Soldier - &amp;quot;Empty Cup&amp;quot;&#xA;Cozy J &amp;amp; C Way - &amp;quot;One Kiss&amp;quot;&#xA;Damon Albarn - &amp;quot;Particles&amp;quot;&#xA;Dappy, M24 &amp;amp; BackRoad Gee - &amp;quot;Antigua&amp;quot;&#xA;Father - &amp;quot;Only Built 4 Hermès Linx&amp;quot; ft. Tony Shhnow&#xA;Foolio - &amp;quot;Run Down&amp;quot; ft. Rico Cartel&#xA;Injury Reserve - &amp;quot;Superman That&amp;quot;&#xA;Kota the Friend - &amp;quot;96 Bulls&amp;quot;&#xA;Lil Gnar - &amp;quot;Hurricane Freestyle&amp;quot;&#xA;Little Simz - &amp;quot;Point and Kill&amp;quot; ft. Obongjayar&#xA;Meek Mill - &amp;quot;Blue Notes 2&amp;quot; ft. Lil Uzi Vert&#xA;NEFFEX - &amp;quot;IT'S ONLY WORTH IT IF YOU WORK FOR IT&amp;quot;&#xA;Rudimental, The Game &amp;amp; D Double E - &amp;quot;Instajets&amp;quot; ft. BackRoad Gee&#xA;Runnner - &amp;quot;Snowplow&amp;quot;&#xA;Shy Glizzy &amp;amp; Glizzy Gang - &amp;quot;Mood Switch&amp;quot; ft. No Savage&#xA;SoFaygo - &amp;quot;Let's Lose Our Minds&amp;quot;&#xA;Sting - &amp;quot;If It's Love&amp;quot;&#xA;Valley - &amp;quot;oh shit...are we in love?&amp;quot;&#xA;Wet - &amp;quot;Clеmentine&amp;quot;&#xA;Yak Gotti - &amp;quot;Cha Cha Slide&amp;quot;&#xA;Yamеii Online - &amp;quot;HEARTLESS&amp;quot;&#xA;Yung Mal - &amp;quot;Get Right&amp;quot;&#xA;9/2&#xA;Broods - &amp;quot;Piece of My Mind&amp;quot;&#xA;Call Me Karizma - &amp;quot;Black Leather&amp;quot;&#xA;Charli XCX - &amp;quot;Good Ones&amp;quot;&#xA;DaBaby - &amp;quot;Wockesha (Freestyle)&amp;quot;&#xA;Daddy Yankee - &amp;quot;MÉTELE AL PERREO&amp;quot;&#xA;FINNEAS - &amp;quot;The 90s&amp;quot;&#xA;KIRBY - &amp;quot;Coconut Oil&amp;quot;&#xA;M Huncho - &amp;quot;Breadwinner&amp;quot;&#xA;Mak Sauce &amp;amp; Lil Yachty - &amp;quot;Wocky My Lover&amp;quot;&#xA;Matilda Mann - &amp;quot;Stranger (for now)&amp;quot;&#xA;Oliver Tree &amp;amp; Little Big - &amp;quot;Turn It Up&amp;quot; ft. Tommy Cash&#xA;&#xA;9/3&#xA;404vincent - &amp;quot;Exposure&amp;quot; ft. PmBata&#xA;ABBA - &amp;quot;I Still Have Faith in You&amp;quot;&#xA;ABBA - &amp;quot;Don't Shut Me Down&amp;quot;&#xA;Adekunle Gold &amp;amp; Davido - &amp;quot;High&amp;quot;&#xA;​ayokay - &amp;quot;I Still Need You&amp;quot;&#xA;Badflower - &amp;quot;Johnny Wants to Fight&amp;quot;&#xA;Bankrol Hayden - &amp;quot;Cabo (Remix)&amp;quot; ft. KA$HDAMI &amp;amp; DDG&#xA;Beast in Black - &amp;quot;Moonlight Rendezvous&amp;quot;&#xA;Bobby Shmurda - &amp;quot;No Time for Sleep (Freestyle)&amp;quot;&#xA;Carrie Underwood &amp;amp; Dan + Shay - &amp;quot;Only Us&amp;quot;&#xA;CORPSE &amp;amp; Night Lovell - &amp;quot;HOT DEMON B!TCHES NEAR U!!!&amp;quot;&#xA;Diana Ross - &amp;quot;If the World Just Danced&amp;quot;&#xA;Etta Bond - &amp;quot;How Could I Forget You&amp;quot;&#xA;Florrie - &amp;quot;Human&amp;quot;&#xA;Frawley - &amp;quot;No One Can Fix Me&amp;quot;&#xA;G Flip - &amp;quot;Waiting Game&amp;quot; ft. renforshort&#xA;Honest Men - &amp;quot;A Spectrum&amp;quot;&#xA;Hot Milk - &amp;quot;Split Personality&amp;quot;&#xA;HRVY - &amp;quot;Runaway With It&amp;quot;&#xA;Jason Derulo - &amp;quot;Acapulco&amp;quot;&#xA;JayDaYoungan - &amp;quot;All Rise&amp;quot;&#xA;Jesse McCartney - &amp;quot;Party for Two&amp;quot;&#xA;JLS - &amp;quot;Eternal Love&amp;quot;&#xA;JVKE - &amp;quot;This is What Falling in Love Feels Like&amp;quot;&#xA;Kaitlyn Dever &amp;amp; Ben Platt - &amp;quot;Only Us&amp;quot;&#xA;Lil Duval - &amp;quot;Sexy&amp;quot; ft. Boosie Badazz&#xA;Lily Rose - &amp;quot;I Don't Smoke&amp;quot;&#xA;Little Mix - &amp;quot;Love (Sweet Love)&amp;quot;&#xA;MOD SUN - &amp;quot;Down&amp;quot; ft. Travis Barker&#xA;mol$ - &amp;quot;lavender&amp;quot;&#xA;Ms Banks - &amp;quot;Go Low&amp;quot;&#xA;Offset Jim - &amp;quot;Members Only&amp;quot;&#xA;Portion - &amp;quot;WAVE&amp;quot;&#xA;Powfu &amp;amp; KNOWN. - &amp;quot;soda stream sky&amp;quot;&#xA;Punctual &amp;amp; KREAM - &amp;quot;Want You Bad&amp;quot;&#xA;Ralo - &amp;quot;Fall Apart&amp;quot; ft. T.I. &amp;amp; 2 Chainz&#xA;Rezz &amp;amp; Deathpact - &amp;quot;Chemical Bond&amp;quot;&#xA;Riton &amp;amp; RAYE - &amp;quot;I Don't Want You&amp;quot;&#xA;Ronski, Larry June &amp;amp; Berner - &amp;quot;Cookie Jar&amp;quot;&#xA;Sasha Keable &amp;amp; Jorja Smith - &amp;quot;Killing Me&amp;quot;&#xA;Shordie Shordie - &amp;quot;$1000&amp;quot;&#xA;Skylar Grey - &amp;quot;Partly Cloudy with a Chance of Tears&amp;quot;&#xA;Smoko Ono - &amp;quot;Winners&amp;quot; ft. Joey Purp, Yxng Bane &amp;amp; Chance the Rapper&#xA;Sofia Carson &amp;amp; My Little Pony - &amp;quot;Glowin' Up&amp;quot;&#xA;Tate McRae - &amp;quot;that way (Remix)&amp;quot; ft. Jeremy Zucker&#xA;The Stupendium - &amp;quot;Room for Improvement&amp;quot;&#xA;Thouxanbanfauni &amp;amp; MDMA - &amp;quot;Bust Back&amp;quot; ft. Gavo&#xA;Tia Carys &amp;amp; Toddla T - &amp;quot;Hangman&amp;quot;&#xA;​tobi lou - &amp;quot;WIDE open&amp;quot;&#xA;Unlike Pluto - &amp;quot;Sailing Colors&amp;quot;&#xA;UPSAHL - &amp;quot;LUNATIC&amp;quot;&#xA;Xan Griffin - &amp;quot;Mountain Drive&amp;quot;&#xA;Young McFly, Webbz &amp;amp; Boldy James - &amp;quot;Multifaceted&amp;quot;&#xA;ZillaKami - &amp;quot;Not Worth It&amp;quot;&#xA;9/4&#xA;osquinn - &amp;quot;MVI_7080&amp;quot;&#xA;&#xA;9/6&#xA;Deb Never - &amp;quot;Funky&amp;quot;&#xA;Stereophonics - &amp;quot;Hanging on Your Hinges&amp;quot;&#xA;The Band CAMINO - &amp;quot;I Think I Like You&amp;quot;&#xA;&#xA;9/7&#xA;Big Thief - &amp;quot;Certainty&amp;quot;&#xA;Common - &amp;quot;Majesty (Where We Gonna Take It)&amp;quot; ft. PJ&#xA;Holly Humberstone - &amp;quot;Scarlett&amp;quot;&#xA;Kate Nash - &amp;quot;Horsie&amp;quot;&#xA;Kevin Gates - &amp;quot;Trust (Freestyle)&amp;quot;&#xA;koi - &amp;quot;security&amp;quot;&#xA;Maxo Kream - &amp;quot;Big Persona&amp;quot; ft. Tyler, the Creator&#xA;Molly Payton - &amp;quot;When Skies Were Always Blue&amp;quot;&#xA;MUNA - &amp;quot;Silk Chiffon&amp;quot; ft. Phoebe Bridgers&#xA;Radiohead - &amp;quot;If You Say the Word&amp;quot;&#xA;Temperance - &amp;quot;Pure Life Unfolds&amp;quot;&#xA;Yard Act - &amp;quot;The Overload&amp;quot;&#xA;YEBBA - &amp;quot;All I Ever Wanted&amp;quot;&#xA;Yumi Zouma - &amp;quot;Give It Hell&amp;quot;&#xA;&#xA;9/8&#xA;Andy Grammer - &amp;quot;Damn It Feels Good to Be Me&amp;quot;&#xA;Bad Wolves - &amp;quot;Lifeline&amp;quot;&#xA;Catalyst Crime - &amp;quot;Condemn Me To Chaos&amp;quot;&#xA;Curtis Harding - &amp;quot;Can't Hide It&amp;quot;&#xA;Darren Criss - &amp;quot;Happy Holidays / The Holiday Season&amp;quot;&#xA;Epica - &amp;quot;Unchain Utopia (Omega Alive)&amp;quot;&#xA;Fickle Friends - &amp;quot;Love You to Death&amp;quot;&#xA;Gryffin &amp;amp; LOVA - &amp;quot;Piece of Me&amp;quot;&#xA;KA$HDAMI - &amp;quot;Public&amp;quot;&#xA;Kate Bollinger - &amp;quot;Shadows&amp;quot;&#xA;Lana Del Rey - &amp;quot;Arcadia&amp;quot;&#xA;Lil Mexico - &amp;quot;Different Kind&amp;quot; ft. Pooh Shiesty&#xA;Lil Mexico - &amp;quot;No More&amp;quot;&#xA;NEFFEX - &amp;quot;INSPIRED&amp;quot;&#xA;Remi Wolf - &amp;quot;Guerrilla&amp;quot;&#xA;Remi Wolf - &amp;quot;Sexy Villain&amp;quot;&#xA;Rvssian, Rauw Alejandro &amp;amp; Chris Brown - &amp;quot;Nostálgico&amp;quot;&#xA;Sam Fender - &amp;quot;Get You Down&amp;quot;&#xA;Sega Bodega - &amp;quot;Only Seeing God When I Come&amp;quot;&#xA;Sleigh Bells - &amp;quot;True Seekers&amp;quot;&#xA;The Band CAMINO - &amp;quot;Who Do You Think You Are?&amp;quot;&#xA;The Darkness - &amp;quot;Nobody Can See Me Cry&amp;quot;&#xA;The Vaccines - &amp;quot;Jump Off the Top&amp;quot;&#xA;Tirzah - &amp;quot;Hive Mind&amp;quot; ft. Coby Sey&#xA;9/9&#xA;Alicia Keys - &amp;quot;LALA (Unlocked)&amp;quot; ft. Swae Lee&#xA;ARY - &amp;quot;Birthday&amp;quot;&#xA;Calboy - &amp;quot;She Know (In Too Deep)&amp;quot;&#xA;Camo! - &amp;quot;CHRISTMAS LIGHTS&amp;quot;&#xA;Camo! - &amp;quot;LOAD IT UP&amp;quot;&#xA;DaBaby &amp;amp; Lil Wayne - &amp;quot;Lonely&amp;quot;&#xA;Dave - &amp;quot;Verdansk (Survival Mode)&amp;quot;&#xA;Digga D - &amp;quot;2K17&amp;quot;&#xA;Farina, Lil Durk &amp;amp; Play-N-Skillz - &amp;quot;Nueva Vida&amp;quot;&#xA;G-Eazy - &amp;quot;The Announcement&amp;quot;&#xA;Icewear Vezzo - &amp;quot;5 Milli&amp;quot;&#xA;Ignea - &amp;quot;Mermaids&amp;quot; ft. Ersedu&#xA;Jack River - &amp;quot;We Are the Youth&amp;quot;&#xA;Jasmine Thompson - &amp;quot;after goodbye&amp;quot;&#xA;Josie Man - &amp;quot;Stormy Skies (Diamonds)&amp;quot;&#xA;Kelvyn Colt - &amp;quot;Emotions&amp;quot;&#xA;Logic1000 - &amp;quot;What You Like&amp;quot; ft. Yunè Pinku&#xA;Lume - &amp;quot;Venus&amp;quot;&#xA;Mozzy - &amp;quot;Straight to 4th&amp;quot;&#xA;Odeal - &amp;quot;Mr Workerman&amp;quot;&#xA;Olivia Nelson - &amp;quot;Morning&amp;quot;&#xA;RAY BLK - &amp;quot;Over You&amp;quot; ft. Stefflon Don&#xA;Sabrina Carpenter - &amp;quot;Skinny Dipping&amp;quot;&#xA;Sam Hunt - &amp;quot;23&amp;quot;&#xA;​SSGKobe - &amp;quot;Murakami&amp;quot;&#xA;The Agonist - &amp;quot;Remnants in Time&amp;quot;&#xA;Thomas Headon - &amp;quot;Nobody Has To Know&amp;quot;&#xA;Troye Sivan - &amp;quot;Angel Baby&amp;quot;&#xA;&#xA;9/10&#xA;27CLUB - &amp;quot;down bad&amp;quot;&#xA;3ohBlack &amp;amp; Gunna - &amp;quot;Paper Cuts&amp;quot;&#xA;ADE - &amp;quot;Bradley Beal&amp;quot;&#xA;Alaina Castillo - &amp;quot;Lips&amp;quot;&#xA;Alice Merton - &amp;quot;Hero&amp;quot;&#xA;Alice Merton - &amp;quot;Island&amp;quot;&#xA;Aly &amp;amp; AJ - &amp;quot;Get Over Here&amp;quot;&#xA;Ari Lennox - &amp;quot;Pressure&amp;quot;&#xA;Armin van Buuren &amp;amp; Davina Michelle - &amp;quot;Hold On&amp;quot;&#xA;Azealia Banks - &amp;quot;Tarantula&amp;quot;&#xA;Bahari - &amp;quot;Ways of Love&amp;quot;&#xA;BIGBABYGUCCI - &amp;quot;Weird (Extended)&amp;quot; ft. Bernard Jabs &amp;amp; Nessly&#xA;Bino Rideaux - &amp;quot;NO MAKEUP&amp;quot; ft. King Combs&#xA;Blake Rose - &amp;quot;Movie&amp;quot;&#xA;Bullet for My Valentine - &amp;quot;Shatter&amp;quot;&#xA;Camila Cabello - &amp;quot;Don't Go Yet (Major Lazer Remix)&amp;quot;&#xA;Central Cee - &amp;quot;Obsessed with You&amp;quot; ft. PinkPantheress&#xA;Charlotte OC - &amp;quot;Mexico&amp;quot;&#xA;Cheat Codes &amp;amp; All Time Low - &amp;quot;Ghost Story&amp;quot;&#xA;Chelsea Cutler - &amp;quot;Calling All Angels&amp;quot; ft. Quinn XCII&#xA;Chloë - &amp;quot;Have Mercy&amp;quot;&#xA;Christopher - &amp;quot;If It Weren't for You&amp;quot;&#xA;Chronic Law - &amp;quot;Private Class&amp;quot;&#xA;Clara Mae - &amp;quot;Crash&amp;quot;&#xA;Cousin Stizz - &amp;quot;Say Dat&amp;quot;&#xA;DC The Don - &amp;quot;WHAT NOW?&amp;quot;&#xA;Drippin So Pretty - &amp;quot;Dior&amp;quot;&#xA;DVBBS - &amp;quot;Victory&amp;quot; ft. YBN Nahmir&#xA;Ed Sheeran - &amp;quot;Shivers&amp;quot;&#xA;Elderbrook - &amp;quot;I'll Find My Way to You&amp;quot;&#xA;Emma Steinbakken - &amp;quot;Sorry&amp;quot;&#xA;Eva Under Fire - &amp;quot;Comatose&amp;quot; ft. Jonathan Dörr&#xA;Far Caspian - &amp;quot;Attempt&amp;quot;&#xA;Fivio Foreign - &amp;quot;Story Time&amp;quot;&#xA;Geowulf - &amp;quot;I've Been Over It&amp;quot;&#xA;Ghastly &amp;amp; Misdom - &amp;quot;Vibe&amp;quot;&#xA;​guccihighwaters - &amp;quot;​lately&amp;quot;&#xA;HARLOE - &amp;quot;Liquid Truth&amp;quot;&#xA;HD4President &amp;amp; 2 Chainz - &amp;quot;Touch Down 2 Cause Hell (Bow Bow Bow) &amp;quot; ft. Fredo Bang&#xA;Hey Violet - &amp;quot;Bitter Pill&amp;quot;&#xA;Jake Miller - &amp;quot;I Forgot About You&amp;quot;&#xA;James Blunt - &amp;quot;Love Under Pressure&amp;quot;&#xA;John-Robert - &amp;quot;Good Company&amp;quot;&#xA;Josef Salvat - &amp;quot;I'm Sorry&amp;quot;&#xA;JP Cooper - &amp;quot;We Cry&amp;quot;&#xA;Kwamie Liv - &amp;quot;Take It Back ( I Want More)&amp;quot;&#xA;KYLE &amp;amp; Dougie F - &amp;quot;Optimistic&amp;quot;&#xA;Kyle Dion - &amp;quot;Parmesan&amp;quot;&#xA;Landon Cube - &amp;quot;Wasted Youth&amp;quot;&#xA;LÉON - &amp;quot;Dancer&amp;quot;&#xA;Lil Boom - &amp;quot;Bloom of a Flower&amp;quot;&#xA;Lil Poppa - &amp;quot;Love &amp;amp; War (Remix)&amp;quot; ft. Queen Naija&#xA;lilbubblegum &amp;amp; ciscaux - &amp;quot;west side story&amp;quot;&#xA;Mario Judah - &amp;quot;Remember Your Name&amp;quot;&#xA;Mimi Webb - &amp;quot;24/5&amp;quot;&#xA;Moaning Lisa - &amp;quot;Too Many&amp;quot;&#xA;MONSTA X - &amp;quot;ONE DAY&amp;quot;&#xA;Moses Sumney - &amp;quot;Can't Believe It&amp;quot; ft. Sam Gendel&#xA;Nico Santos - &amp;quot;Would I Lie to You&amp;quot;&#xA;Pia Mia - &amp;quot;730&amp;quot;&#xA;PRETTYMUCH - &amp;quot;I Don't Wanna Leave&amp;quot; ft. Jeremih&#xA;Quin NFN - &amp;quot;How I Came&amp;quot; ft. Big Yavo&#xA;R3HAB &amp;amp; Jonas Blue - &amp;quot;Sad Boy&amp;quot; ft. Ava Max &amp;amp; Kylie Cantrall&#xA;Rachel Chinouriri - &amp;quot;If Only&amp;quot;&#xA;RiFF RAFF, Yelawolf &amp;amp; Nakani - &amp;quot;Moss (Remix)&amp;quot; ft. Suicideyear&#xA;Rob49 - &amp;quot;Pent House (Remix)&amp;quot; ft. Babyface Ray&#xA;Rosa Linn - &amp;quot;KING&amp;quot; ft. Kiiara&#xA;ROSIE - &amp;quot;Social Stamina&amp;quot;&#xA;Russ - &amp;quot;Utah Freestyle&amp;quot;&#xA;Shallou - &amp;quot;Heartaches&amp;quot;&#xA;Sofía Reyes &amp;amp; Becky G - &amp;quot;Mal de Amores&amp;quot;&#xA;Sonia Stein - &amp;quot;Mercury Retrograde&amp;quot;&#xA;Surf - &amp;quot;Give My Last&amp;quot; ft. Yeat&#xA;Syd &amp;amp; Smino - &amp;quot;Right Track&amp;quot;&#xA;SZA - &amp;quot;The Anonymous Ones&amp;quot;&#xA;Tai Verdes &amp;amp; 24kGoldn - &amp;quot;A-O-K&amp;quot;&#xA;Tay B - &amp;quot;Rich All My Life&amp;quot; ft. Lil Baby&#xA;Taylor Gang, Young Deji &amp;amp; Feezy - &amp;quot;Oh Wow&amp;quot; ft. Wiz Khalifa&#xA;Tems - &amp;quot;Crazy Tings&amp;quot;&#xA;Thomston - &amp;quot;Honeymoon&amp;quot;&#xA;Tom Gregory - &amp;quot;Footprints&amp;quot;&#xA;twenty one pilots - &amp;quot;Heathens/Trees (Livestream Version)&amp;quot;&#xA;Uncle Murda - &amp;quot;So What?&amp;quot;&#xA;Vengaboys - &amp;quot;1999 (I Wanna Go Back)&amp;quot;&#xA;Walker Hayes - &amp;quot;Fancy Like (Remix)&amp;quot; ft. Kesha&#xA;WSTRN - &amp;quot;Wonder Woman&amp;quot;&#xA;YoungBoy Never Broke Again - &amp;quot;Life Support&amp;quot;&#xA;Zak Abel - &amp;quot;Less of a Man&amp;quot;&#xA;&#xA;9/11&#xA;Freddie Gibbs - &amp;quot;Vice Lord Poetry&amp;quot;&#xA;glaive - &amp;quot;rigor mortis (555)&amp;quot;&#xA;Sena Kana &amp;amp; Ty Dolla $ign - &amp;quot;Show Me&amp;quot;&#xA;&#xA;9/12&#xA;Deko - &amp;quot;NEVER FELT LIKE THIS&amp;quot;&#xA;Sada Baby - &amp;quot;Buckhead Bounty&amp;quot;&#xA;&#xA;9/13&#xA;Coca Vango - &amp;quot;Bond No. 9&amp;quot; ft. Lil Quill&#xA;James Blake - &amp;quot;Famous Last Words&amp;quot;&#xA;Okay Kaya - &amp;quot;If I Can Help Somebody&amp;quot;&#xA;SEBii - &amp;quot;DONOrr&amp;quot;&#xA;&#xA;9/14&#xA;88rising &amp;amp; Ylona Garcia - &amp;quot;Don't Go Changing&amp;quot;&#xA;Banoffee - &amp;quot;Never Get to Fuck Any1&amp;quot;&#xA;Dounia - &amp;quot;Smoke &amp;amp; Slow Dance&amp;quot;&#xA;Hatchie - &amp;quot;This Enchanted&amp;quot;&#xA;​iann dior - &amp;quot;V12&amp;quot; ft. Lil Uzi Vert&#xA;KEY! &amp;amp; CHASETHEMONEY - &amp;quot;Rollin&amp;quot;&#xA;Mg Lil Bubba - &amp;quot;Plates On My Table&amp;quot; ft. Lil Jairmy&#xA;NO1-NOAH - &amp;quot;Bounce&amp;quot;&#xA;Remy Ma - &amp;quot;GodMother&amp;quot;&#xA;St. Vincent - &amp;quot;The Nowhere Inn&amp;quot;&#xA;&#xA;9/15&#xA;Carly Pearce &amp;amp; Ashley McBryde - &amp;quot;Never Wanted to Be That Girl&amp;quot;&#xA;Citizen Soldier - &amp;quot;Bedroom Ceiling&amp;quot;&#xA;Comethazine - &amp;quot;Spinback&amp;quot;&#xA;​dvr &amp;amp; Kenny Beats - &amp;quot;​lowlife&amp;quot;&#xA;Emeli Sandé - &amp;quot;Family&amp;quot;&#xA;Foxes - &amp;quot;Sister Ray&amp;quot;&#xA;grandson &amp;amp; Jessie Reyez - &amp;quot;Rain (Remix)&amp;quot; ft. Idris Elba&#xA;Kehlani - &amp;quot;Altar&amp;quot;&#xA;Kitty Ca$h - &amp;quot;Just Fine&amp;quot; ft. Kiana Ledé&#xA;KUČKA - &amp;quot;Down by the Water&amp;quot;&#xA;Lil Gotit - &amp;quot;Father's Day&amp;quot; ft. Lil PJ&#xA;LILHUDDY - &amp;quot;Partycrasher&amp;quot;&#xA;Magdalena Bay - &amp;quot;You Lose!&amp;quot;&#xA;Marian Hill - &amp;quot;it never ends&amp;quot;&#xA;NEFFEX - &amp;quot;A YEAR AGO&amp;quot;&#xA;Self Esteem - &amp;quot;Moody&amp;quot;&#xA;Skillet - &amp;quot;Surviving the Game&amp;quot;&#xA;Snail Mail - &amp;quot;Valentine&amp;quot;&#xA;StaySolidRocky - &amp;quot;Lucky&amp;quot;&#xA;&#xA;9/16&#xA;Bring Me the Horizon - &amp;quot;DiE4u&amp;quot;&#xA;CUCO - &amp;quot;Under the Sun&amp;quot;&#xA;​dearleo - &amp;quot;White Lie Vigilante&amp;quot; ft. Cold Hart&#xA;Dreamer Boy - &amp;quot;KEEP THE PACE&amp;quot;&#xA;GIRLI - &amp;quot;Ruthless&amp;quot;&#xA;half•alive - &amp;quot;Make of It&amp;quot;&#xA;Headie One - &amp;quot;Beggars Can't Be Choosers&amp;quot;&#xA;Namasenda - &amp;quot;Finish Him&amp;quot; ft. Joey LaBeija&#xA;TyFontaine - &amp;quot;ILML&amp;quot;&#xA;&#xA;9/17&#xA;Alec Benjamin - &amp;quot;Older&amp;quot;&#xA;Ashley Kutcher - &amp;quot;Fake Bitches&amp;quot;&#xA;Baker Boy - &amp;quot;Butterflies&amp;quot;&#xA;Bhad Bhabie - &amp;quot;Miss Understood&amp;quot;&#xA;Birds of Tokyo - &amp;quot;Superglue&amp;quot;&#xA;Busy Signal - &amp;quot;Too Trickify&amp;quot;&#xA;Cassadee Pope - &amp;quot;Tomorrow Night&amp;quot;&#xA;CJ - &amp;quot;Réplica&amp;quot; ft. El Alfa&#xA;CMTEN - &amp;quot;turn ur back on me&amp;quot; ft. grimtweakr&#xA;Derivakat &amp;amp; Netrum - &amp;quot;Finally Find You&amp;quot;&#xA;DDG - &amp;quot;Rucci&amp;quot;&#xA;Dijon - &amp;quot;Many Times&amp;quot;&#xA;DOPE LEMON - &amp;quot;Stingray Pete&amp;quot;&#xA;Drakeo the Ruler &amp;amp; 24kGoldn - &amp;quot;Spaceship&amp;quot;&#xA;D Smoke &amp;amp; SiR - &amp;quot;Common Sense&amp;quot;&#xA;G-Eazy - &amp;quot;Breakdown&amp;quot; ft. Demi Lovato&#xA;H.E.R. - &amp;quot;Find a Way (Remix)&amp;quot; ft. Lil Durk &amp;amp; Lil Baby&#xA;J4CKG - &amp;quot;Down Like That&amp;quot;&#xA;Jeremy Zucker - &amp;quot;Therapist&amp;quot;&#xA;Jon Bellion - &amp;quot;I FEEL IT&amp;quot; ft. Burna Boy&#xA;Jonas Brothers - &amp;quot;Who's in Your Head&amp;quot;&#xA;JUMEX - &amp;quot;Lonely Summer&amp;quot;&#xA;K CAMP - &amp;quot;Stars Aligned Freestyle&amp;quot;&#xA;Kyla La Grange - &amp;quot;Set You Free&amp;quot;&#xA;Lakeyah &amp;amp; Tee Grizzley - &amp;quot;313-414&amp;quot; ft. DJ Drama&#xA;LEISURE - &amp;quot;Flipside&amp;quot;&#xA;Loui - &amp;quot;Don’t Play&amp;quot; ft. Shordie Shordie&#xA;Lukas Graham - &amp;quot;Call My Name&amp;quot;&#xA;Majid Jordan - &amp;quot;Summer Rain&amp;quot;&#xA;Matt U Johnson - &amp;quot;Pon Fire&amp;quot; ft. Karl Wolf &amp;amp; Snoop Dogg&#xA;Ned Kelly &amp;amp; Surf - &amp;quot;Happy Hour&amp;quot;&#xA;Nuski2Squad - &amp;quot;Vacant&amp;quot;&#xA;Ofenbach &amp;amp; Ella Henderson - &amp;quot;Hurricane&amp;quot;&#xA;Party Favor &amp;amp; Elohim - &amp;quot;Losing My Mind&amp;quot;&#xA;Placebo - &amp;quot;Beautiful James&amp;quot;&#xA;RARE Sound, True Story Gee &amp;amp; Seddy Hendrix - &amp;quot;Just in Case&amp;quot;&#xA;Running Touch - &amp;quot;Ceilings&amp;quot;&#xA;Russ - &amp;quot;When This Was All New&amp;quot;&#xA;Sam Smith &amp;amp; Summer Walker - &amp;quot;You Will Be Found&amp;quot;&#xA;Santino Le Saint - &amp;quot;Love, Drugs, Anarchy&amp;quot;&#xA;Savage Ga$p &amp;amp; MC Virgins - &amp;quot;drunk texting my ex&amp;quot;&#xA;Steve Aoki &amp;amp; Armin van Buuren - &amp;quot;Music Means Love Forever&amp;quot;&#xA;Taylor Swift - &amp;quot;Wildest Dreams (Taylor's Version)&amp;quot;&#xA;Teddy Swims - &amp;quot;Bed on Fire (Remix)&amp;quot; ft. Ingrid Andress&#xA;Thouxanbanfauni - &amp;quot;Big Bandz&amp;quot; ft. MDMA&#xA;Tony Bennett &amp;amp; Lady Gaga - &amp;quot;Love for Sale&amp;quot;&#xA;Tony Gunnz &amp;amp; Sada Baby - &amp;quot;Kim Reynolds&amp;quot;&#xA;Tory Lanez - &amp;quot;Gyalis (Remix)&amp;quot;&#xA;Unlike Pluto - &amp;quot;Belladonna&amp;quot;&#xA;WALK THE MOON - &amp;quot;DNA (The Keys)&amp;quot;&#xA;WALK THE MOON - &amp;quot;Fire in Your House&amp;quot;&#xA;We Are the Catalyst - &amp;quot;Drowning&amp;quot;&#xA;Whethan - &amp;quot;THINK YOU RIGHT&amp;quot; ft. ericdoa &amp;amp; glaive&#xA;Wiki - &amp;quot;Promised&amp;quot; ft. MIKE&#xA;Xhristian, Only Vengeance &amp;amp; BIGBABYGUCCI - &amp;quot;Bad&amp;quot;&#xA;YoungBoy Never Broke Again - &amp;quot;On My Side&amp;quot;&#xA;Yung Bans - &amp;quot;Blow Her Back Out&amp;quot; ft. KA$HDAMI&#xA;Yung Gravy &amp;amp; TrippyThaKid - &amp;quot;Steppin' on the Beat&amp;quot;&#xA;Zombie Juice - &amp;quot;VMA's&amp;quot; ft. Smoke DZA&#xA;&#xA;9/18&#xA;G-Eazy - &amp;quot;Let It Be (Freestyle)&amp;quot; ft. OG Maco&#xA;Jay Gwuapo - &amp;quot;Blah Blah Blah&amp;quot;&#xA;redfield - &amp;quot;Rectify&amp;quot;&#xA;&#xA;9/19&#xA;Lil Playah - &amp;quot;Money Hungry!&amp;quot;&#xA;&#xA;9/20&#xA;Biffy Clyro - &amp;quot;A Hunger in Your Haunt&amp;quot;&#xA;chloe mk - &amp;quot;Slide&amp;quot;&#xA;Coi Leray - &amp;quot;TWINNEM&amp;quot;&#xA;Keith Urban - &amp;quot;Crimson Blue&amp;quot;&#xA;Let's Eat Grandma - &amp;quot;Hall of Mirrors&amp;quot;&#xA;Ruby Fields - &amp;quot;Bottle'o&amp;quot;&#xA;T.I. - &amp;quot;Fuck Em&amp;quot; ft. Lil Jon&#xA;The Lumineers - &amp;quot;BRIGHTSIDE&amp;quot;&#xA;&#xA;9/21&#xA;Bad Suns - &amp;quot;When the World Was Mine&amp;quot;&#xA;Dan Bull - &amp;quot;A Good World Spoiled&amp;quot;&#xA;JayDaYoungan - &amp;quot;First Day Out (LLC Freestyle)&amp;quot;&#xA;J. 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<INFO BITRATE="1024122" KEY_LYRICS="2 Contributorssummer nights Lyrics&#xA;Metro boomin want some more nigga!&#xA;Go go go go summer nights arent the same&#xA;Crying fuming moans from the bed&#xA;I can't feel the fucking pain im numb&#xA;&#xA;&#xA;Mr mr bitch mr knocking&#xA;Snitch well well helo bitch&#xA;What you here for my dick summer nights sex in here&#xA;Fill up the room with my bear&#xA;&#xA;&#xA;Can't feel the fucking pain im numb&#xA;Can't feel the fucking pain im numb&#xA;I guess im dumb like yo mom when we fucked&#xA;&#xA;&#xA;Summer nights feel the pain with fright bitch helo high dick in you&#xA;Its fright&#xA;&#xA;&#xA;Can't feel the fucking pain im numb&#xA;Can't feel the fucking pain im numb&#xA;I guess im dumb like yo mom when we fucked&#xA;&#xA;Tru colors baby moma&#xA;Patern dick up in your anus my mom is in saturn&#xA;&#xA;&#xA;Can't feel the fucking pain im numb&#xA;Can't feel the fucking pain im numb&#xA;I guess im dumb likе yo mom when we fucked&#xA;&#xA;&#xA;Mr mr bitch mr knocking&#xA;Snitch wеll well helo bitch&#xA;What you here for my dick summer nights sex in here&#xA;Fill up the room with my bear&#xA;&#xA;&#xA;Can't feel the fucking pain im numb&#xA;Can't feel the fucking pain im numb&#xA;I guess im dumb like yo mom when we fucked&#xA;&#xA;&#xA;Welcome to summer night camp where you watch porn all frighted&#xA;From the horror oh jesus i love you&#xA;More&#xA;&#xA;&#xA;Can't feel the fucking pain im numb&#xA;Can't feel the fucking pain im numb&#xA;I guess im dumb like yo mom when we fucked&#xA;&#xA;Im mr easy painted like wheezy outa here feezy pussy ussy cussy bitch!&#xA;&#xA;&#xA;Can't feel the fucking pain im numb&#xA;Can't feel the fucking pain im numb&#xA;I guess im dumb like yo mom when we fucked&#xA;&#xA;&#xA;Sumer summer summer nights nights&#xA;Fight high pipe die&#xA;&#xA;&#xA;Can't feel the fucking pain im numb&#xA;Can't feel the fucking pain im numb&#xA;I guess im dumb like yo mom when we fucked&#xA;&#xA;&#xA;Jumping off percs THEY LURk AHHH!" PRODUCER="Fokuz Recordings" COVERARTID="105/J1ED01DY0SCHCCEPTGFACUFBMBJD" PLAYTIME="314" PLAYTIME_FLOAT="313.726044" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="39498"></INFO>
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<INFO BITRATE="1075535" KEY_LYRICS="1 ContributorDeCypher Tha Khaos vs. Penewyse LyricsRound: Penewyse&#xA;Keese hit my phone, one rounder. Pep Rally.&#xA;I'ma need you to go beserk...but Kelz said it's a business and you was late last time...I need that 50 first.&#xA;Nah deadass...&#xA;Now it's a walkdown DE in front of Cypher you get the 50 first.&#xA;Drive by half outta 100 you the 50 first.&#xA;Semi work like Coming to America using text to break down DeCypher just don't get outta character.&#xA;Slow your role...or DeCypher the dots on your dash like Moorse Code Camera at an intersection light up the pole.&#xA;SteeCItyGhoul? Get hollow tips out a largе barrel or *punch* Steel outside the building turn a ghoul to a gargoylе.&#xA;Small world.&#xA;I'm from the projects, brick houses that hold weight.&#xA;Pitbulls with no leash.&#xA;Bikes with pegs and no brakes.&#xA;You think I give a fuck with these hands? I'll do you trife.&#xA;A 1 2 will leave goodnight or lose your life in the Ruger sight.&#xA;After I air pocket in the metal like a sewage pipe.&#xA;These punches feel different like when the gloves is fittings.&#xA;Fiends as fly as the plug because they drug expensive.&#xA;Gloves and smithens, poster child by the nose of the mag this a snub edition.&#xA;Alistor Morgan, I give you something to die for the four rise...nah pistol whip 'til your face swollen.&#xA;Won't look right to your guys,&#xA;Funeral beautiful, family couldn't stand to see DeCypher sore eyes.&#xA;Bitch we Murda4Hire, know to bust a can cause Our Society caught a 45 brotha man.&#xA;I'll up and blam...&#xA;No way...this bitch just fuckin' jammed.&#xA;Have him tied up thrown in a fuckin' van.&#xA;Last scene Morgan in trenches like Hustle Man...&#xA;I call my guttas and say calistenics...you be smart to sit up and dip or he push up with a Cal extended.&#xA;Your bitch caught in the way, wild protection in the middle of the beef like a cow intestine.&#xA;Bullseye!&#xA;When I up and blast you get a headshot, see that's the upper half and your bitch will get a leg shot..&#xA;It was no mistaking your baby calf.&#xA;I'll do the dash.&#xA;Wide body, need all sorts of space.&#xA;Nah...shots outside the Ac sent with the mil, foreign plates.&#xA;Showing love, with the right to bear arms wherever Morgan state.&#xA;I orchestrate the death if you play me, turn DeCypher to a deadbeat and freestyle to the EKG...&#xA;And ARP have you DIE on your DOB cause I'll leave ONE in your TOP.&#xA;Competition for any opp, it's glock extensions.&#xA;For that pay-per-view Pene put your ass in a calm position!&#xA;Anger and rage on a dangerous stage...&#xA;Red dot for a red eye when I'm spraying the gauge or 21 savage.&#xA;Facing the blade!&#xA;Green light on the Mac 11 it ain't stopping...the first two died when the gauge popped him but whoever 3rd caught a high point.&#xA;Clay Thompson.&#xA;Kill this nigga, I'm bout to...&#xA;The baby blow...Choutsu.&#xA;Off this Za here, they'll cover up Steel City like Zao Fu.&#xA;Anime bars should never fail.&#xA;Word to shadow these knuckles move at sonic speed, pay attention to details.&#xA;DeCypher? The Ghoul?&#xA;Evil that feeds on a corpse...he'll be found with the dead.&#xA;He can see it clear through Khaos after something blew in a round in his head.&#xA;Crazy, a psychopath can leave you scarred mentally.&#xA;Fuck your sympathy.&#xA;There's more pain in my memory.&#xA;The drive had no control in and out the trenches I though it was it for me...&#xA;My teammate committed suicide the night of the playoffs, I remember that shit vividly.&#xA;My homeboy got thrown off a building so off the top hit differently...&#xA;You kiddin' me?&#xA;My homegirl died givin' birth, she had the worst delivery!&#xA;Bullets break down bricks, think what it do to your bone.&#xA;Raising the chrome, vision with a bird.&#xA;Raven Simone.&#xA;Almost lost my brother and grandmother I'm making it known.&#xA;They gave me DeCypher the Khaos at Homecoming when I had to DeCypher the Khaos at home.&#xA;I'm from over East.&#xA;I run the streets where the steppas be.&#xA;A penny face up is good luck until you next to me!&#xA;Round: DeCypher Tha Khaos&#xA;5 days that's the amount of time I'm spending on this lame.&#xA;Started out with Benji and now I only got a penny to my name…&#xA;I'm finna go insane well maybe slightly retarded guys.&#xA;Regardless.&#xA;My revolution will be modernized, tell him lies but tonight true colors you'll see revealed.&#xA;I'd hope that you in the field.&#xA;Everybody who back Penny better be ready to be his shield.&#xA;I come from the block…&#xA;Was no complaints when they made me face you but this does nothing for my stock.&#xA;So in reality I can't be faithful.&#xA;Dawg, watching you is like basic cable.&#xA;Penny! You're worth less than what it takes to make you!&#xA;Break who?&#xA;It's your death if this ain't the best you.&#xA;Male DNA get X'd and Wyze in a test tube&#xA;The rest of Ys in a pool of red, alphabet soup.&#xA;Found this scoundrel in a lounge and let the Tec shoot!&#xA;Gave a whole new meaning to Pennywise popped up in the rest room…&#xA;If you wonder why you have less food&#xA;You tried to eat but I denied your supper.&#xA;So why you muster the courage to battle me knowing my rhymes above ya.&#xA;Loose relations in his statements, connect the dots inside his structure…&#xA;Line him up&#xA;Nina fine I stuff her&#xA;30 in the 9 on Wyze: atomic number.&#xA;Find your hunger!&#xA;Make sure the food Halall and not Haram my brother.&#xA;After I prey on him, cover it up, like Islamic mothers.&#xA;Now I can't tell you how to rap but it's more he can say.&#xA;Bro there's levels.&#xA;Support in this game only sustains if your pen suspenseful.&#xA;I paint pictures for the soul like Dorian Grey.&#xA;Penny Dreadful.&#xA;Pennywise a punk, he really don't got no heavy metal.&#xA;Heavy metal? I grab the axe slice into his flesh.&#xA;I'm a different type of author, Wyze sentenced to death.&#xA;A Steven King character where he getting his rep.&#xA;Penny's came from another bitch name, that's identity theft!&#xA;This niggas a bitch!&#xA;He made it to discussions so now the heater wavin' in the public!&#xA;Spontaneous combustion.&#xA;He in the grave you niggas dug him.&#xA;Sharing your battles once as the messages in threads isn't getting anywhere if the passion isn't there.&#xA;Your name Penny and Penny wise you ain't catching what I said.&#xA;If you keep putting that link in faces you gotta leave an impression in their heads.&#xA;Otherwise...&#xA;This'a be a one round body like Charlie Clips.&#xA;Soon as I saw the card she sent I knew I could flip with a bat on Penny, I'm Harvey Dent.&#xA;This your death site.&#xA;Get your neck spiked, I don't trust keeping him alive.&#xA;You fed type.&#xA;Rifle with the laser got a red sight.&#xA;Soon as Penewyze open his mouth– DEAD LIGHTS!&#xA;I'm not stopping til your soul is broke, you down to your last penny.&#xA;You won't last Penny, they gas penny.&#xA;If this continue I'm splitting him, they can call you half penny.&#xA;How long can he last when he got this fake ass penning and dumb flow if life begins at 30 Judith Barsi yours is ending with 1-0.&#xA;If we don't rob him proper. For a penny get pene got the pen he got worth pennies the point imma pin he a pending prop depending on what Pene’s not.&#xA;Cop a custom chop: we saw who came the furthest?&#xA;And what can coincide is getting PENNY DROPPED.&#xA;4Ks is in your future.&#xA;I'm hoping to see your business flock and the business you can get it for next to nothing like Penny stock.&#xA;I don't care how much you got for the petty cash you gettin' stabbed.&#xA;Your momma gotta pay for the wake, won't get a Penny back!&#xA;All because you accepted this…as something that could categorize as spam in the requesting list.&#xA;Who you ever hit, when’s your precipice, where you been at,&#xA;What your record did, why they sent me him?&#xA;I just hit you with 5 Ws you’ll never get!&#xA;I don't know what your perception is.&#xA;You not what your squad says!&#xA;I'm chopping this fraud neck!&#xA;You a clown Penewyze would get shot in the projects!&#xA;I come from the fucking trenches, I know I don't look it but you know how many I saw die.&#xA;Over love, blood and drugs the reasons nigga all kinds.&#xA;Fiends seem to be the only escape from they harsh life.&#xA;Them summers had Impact, Roc been opening doors for the dark side.&#xA;I'm from the ice burgh like Hemmingway.&#xA;That umbrella over my head created heavy rain.&#xA;When he's wet beneath the blue suburban skies it learns him why to stay in Penny lane." 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<INFO BITRATE="763193" KEY_LYRICS="1 ContributorMissing Lyrics&#xA;M6 is whipping this up on that thing&#xA;Swidom, kill them, yeah, yeah, yeah&#xA;Jimmy&#xA;&#xA;&#xA;Just got the pack, now it's missing (Missing)&#xA;My whole cake and four in a midgets (Four in a midgets)&#xA;No brekky, I'm dealing with dinners (With dinners)&#xA;I'ma ride more trees than Christmas (Hella trees)&#xA;Why these sales so inner?&#xA;'Nough times, gotta tell them, &amp;quot;Mind your business&amp;quot; (Mind your business)&#xA;Have you seen a man go swimming?&#xA;A so-called bad boy just turned victim (Victim)&#xA;Just got the pack, now it's missing (Missing)&#xA;My whole cake and four in a midgets (Four in a midgets)&#xA;No brekky, I'm dealing with dinners (With dinners)&#xA;I'ma ride more trees than Christmas (Hella trees)&#xA;Why these salеs so inner?&#xA;'Nough times, gotta tell thеm, &amp;quot;Mind your business&amp;quot; (Mind your business)&#xA;Have you seen a man go swimming?&#xA;A so-called bad boy just turned victim&#xA;&#xA;&#xA;Look, I'm sinning daily, gotta keep suttin for my safety (Mh-hmm)&#xA;Consistency is key, been having some clean runs lately (Some clean runs)&#xA;I love making paper, but this paper can't change me (Of course not)&#xA;More time, I'm taking backroad 'cah the boydem love lurk on the main street (Lurky)&#xA;I've had cases piling, nine gang shelling down Wireless (Shelling)&#xA;Bro swerved them, nosey sales asking questions like he wired (Like he wired)&#xA;Bro said it's timing (Timing), just lay low and keep climbing (Keep climbing)&#xA;I ain't tryna get myself drawn out, but sometime beef gets exciting (Mh-hmm)&#xA;Drop on the opps, gon' find him&#xA;Teeth in the stick (Baow), gon' bite him (Baow), thunder and lightning&#xA;Deciding the ride is frightening (Frightening)&#xA;But suttin gets touched, man's smiling (Smiling)&#xA;I don't care how long this shift gets, I'm outside when I'm tired (When I'm tired)&#xA;I'm outside when it's frying (When it's frying), I stay on my block, never hiding (Uh-huh)&#xA;&#xA;Just got the pack, now it's missing (Missing)&#xA;My whole cake and four in a midgets (Four in a midgets)&#xA;No brekky, I'm dealing with dinners (With dinners)&#xA;I'ma ride more trees than Christmas (Hella trees)&#xA;Why these sales so inner?&#xA;'Nough times, gotta tell them, &amp;quot;Mind your business&amp;quot; (Mind your business)&#xA;Have you seen a man go swimming?&#xA;A so-called bad boy just turned victim (Victim)&#xA;Just got the pack, now it's missing (Missing)&#xA;My whole cake and four in a midgets (Four in a midgets)&#xA;No brekky, I'm dealing with dinners (With dinners)&#xA;I'ma ride more trees than Christmas (Hella trees)&#xA;Why these sales so inner?&#xA;'Nough times, gotta tell them, &amp;quot;Mind your business&amp;quot; (Mind your business)&#xA;Have you seen a man go swimming?&#xA;A so-called bad boy just turned victim&#xA;&#xA;&#xA;Gotta make shit right (Gotta make shit right)&#xA;Balance in rapping, trap then my hand on the scale&#xA;Residue on my nails, same day I got my hand on the mic&#xA;What a life (What a life)&#xA;From running through doors to sitting on bus on tour&#xA;Smoking weed 'til I'm fried, chatting shit with the guys&#xA;True say it's hot, so we gotta take time&#xA;Sliding the block must be bright (Must be bright)&#xA;Must of lost your mind, trespassing is suicide (Suicide)&#xA;Look, I'm in the stu' more time (Ugh)&#xA;And there's never a day I'm offline (Never)&#xA;Try test it, come try (Come try)&#xA;Have you got yours 'cause I got mine? 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<INFO BITRATE="1023210" KEY_LYRICS="6 ContributorsThe Call of Cthulhu (III: The Madness from the Sea) Lyrics(Found Among the Papers of the Late Francis Wayland Thurston, of Boston)&#xA;&#xA; Of such great powers or beings there may be conceivably a survival… a survival of a hugely remote period when… consciousness was… Read More If heaven ever wishes to grant me a boon, it will be a total effacing of the results of a mere chance which fixed my eye on a certain stray piece of shelf-paper. It was nothing on which I would naturally have stumbled in the course of my daily round, for it was an old number of an Australian journal, the Sydney Bulletin for April 18, 1925. It had escaped even the cutting bureau which had at the time of its issuance been avidly collecting material for my uncle's research.&#xA;&#xA;I had largely given over my inquiries into what Professor Angell called the &amp;quot;Cthulhu Cult&amp;quot;, and was visiting a learned friend in Paterson, New Jersey; the curator of a local museum and a mineralogist of note. Examining one day the reserve specimens roughly set on the storage shelves in a rear room of the museum, my eye was caught by an odd picture in one of the old papers spread beneath the stones. It was the Sydney Bulletin I have mentioned, for my friend had wide affiliations in all conceivable foreign parts; and the picture was a half-tone cut of a hideous stone image almost identical with that which Legrasse had found in the swamp.&#xA;Eagerly clearing the sheet of its precious contents, I scanned the item in detail; and was disappointed to find it of only moderate length. What it suggested, however, was of portentous significance to my flagging quest; and I carefully tore it out for immediate action.&#xA;&#xA;It read as follows:Mystery Derelict Found at Sea&#xA;&#xA;Vigilant Arrives With Helpless Armed New Zealand Yacht in Tow. One Survivor and Dead Man Found Aboard. Tale of Desperate Battle and Deaths at Sea. Rescued Seaman Refuses Particulars of Strange Experience. Odd Idol Found in His Possession. Inquiry to Follow.&#xA;The Morrison Co.'s freighter Vigilant, bound from Valparaiso, arrived this morning at its wharf in Darling Harbour, having in tow the battled and disabled but heavily armed steam yacht Alert of Dunedin, N.Z., which was sighted April 12th in S. Latitude 34°21', W. Longitude 152°17', with one living and one dead man aboard.&#xA;&#xA;The Vigilant left Valparaiso March 25th, and on April 2nd was driven considerably south of her course by exceptionally heavy storms and monster waves. On April 12th the derelict was sighted; and though apparently deserted, was found upon boarding to contain one survivor in a half-delirious condition and one man who had evidently been dead for more than a week. The living man was clutching a horrible stone idol of unknown origin, about one foot in height, regarding whose nature authorities at Sydney University, the Royal Society, and the Museum in College Street all profess complete bafflement, and which the survivor says he found in the cabin of the yacht, in a small carved shrine of common pattern.&#xA;&#xA;This man, after recovering his senses, told an exceedingly strange story of piracy and slaughter. He is Gustaf Johansen, a Norwegian of some intelligence, and had been second mate of the two-masted schooner Emma of Auckland, which sailed for Callao February 20th with a complement of eleven men. The Emma, he says, was delayed and thrown widely south of her course by the great storm of March 1st, and on March 22nd, in S. Latitude 49°51' W. Longitude 128°34', encountered the Alert, manned by a queer and evil-looking crew of Kanakas and half-castes. Being ordered peremptorily to turn back, Capt. Collins refused; whereupon the strange crew began to fire savagely and without warning upon the schooner with a peculiarly heavy battery of brass cannon forming part of the yacht's equipment. The Emma's men showed fight, says the survivor, and though the schooner began to sink from shots beneath the water-line they managed to heave alongside their enemy and board her, grappling with the savage crew on the yacht's deck, and being forced to kill them all, the number being slightly superior, because of their particularly abhorrent and desperate though rather clumsy mode of fighting.&#xA;&#xA;Three of the Emma's men, including Capt. Collins and First Mate Green, were killed; and the remaining eight under Second Mate Johansen proceeded to navigate the captured yacht, going ahead in their original direction to see if any reason for their ordering back had existed. The next day, it appears, they raised and landed on a small island, although none is known to exist in that part of the ocean; and six of the men somehow died ashore, though Johansen is queerly reticent about this part of his story, and speaks only of their falling into a rock chasm. Later, it seems, he and one companion boarded the yacht and tried to manage her, but were beaten about by the storm of April 2nd, From that time till his rescue on the 12th the man remembers little, and he does not even recall when William Briden, his companion, died. Briden's death reveals no apparent cause, and was probably due to excitement or exposure. Cable advices from Dunedin report that the Alert was well known there as an island trader, and bore an evil reputation along the waterfront, It was owned by a curious group of half-castes whose frequent meetings and night trips to the woods attracted no little curiosity; and it had set sail in great haste just after the storm and earth tremors of March 1st. Our Auckland correspondent gives the Emma and her crew an excellent reputation, and Johansen is described as a sober and worthy man. The admiralty will institute an inquiry on the whole matter beginning tomorrow, at which every effort will be made to induce Johansen to speak more freely than he has done hitherto.This was all, together with the picture of the hellish image; but what a train of ideas it started in my mind! Here were new treasuries of data on the Cthulhu Cult, and evidence that it had strange interests at sea as well as on land. What motive prompted the hybrid crew to order back the Emma as they sailed about with their hideous idol? What was the unknown island on which six of the Emma's crew had died, and about which the mate Johansen was so secretive? What had the vice-admiralty's investigation brought out, and what was known of the noxious cult in Dunedin? And most marvelous of all, what deep and more than natural linkage of dates was this which gave a malign and now undeniable significance to the various turns of events so carefully noted by my uncle?&#xA;&#xA;March 1st—or February 28th according to the International Date Line—the earthquake and storm had come. From Dunedin the Alert and her noisome crew had darted eagerly forth as if imperiously summoned, and on the other side of the earth poets and artists had begun to dream of a strange, dank Cyclopean city whilst a young sculptor had moulded in his sleep the form of the dreaded Cthulhu. March 23rd the crew of the Emma landed on an unknown island and left six men dead; and on that date the dreams of sensitive men assumed a heightened vividness and darkened with dread of a giant monster's malign pursuit, whilst an architect had gone mad and a sculptor had lapsed suddenly into delirium! And what of this storm of April 2nd—the date on which all dreams of the dank city ceased, and Wilcox emerged unharmed from the bondage of strange fever? What of all this—and of those hints of old Castro about the sunken, star-born Old Ones and their coming reign; their faithful cult and their mastery of dreams? Was I tottering on the brink of cosmic horrors beyond man's power to bear? If so, they must be horrors of the mind alone, for in some way the second of April had put a stop to whatever monstrous menace had begun its siege of mankind's soul.&#xA;&#xA;That evening, after a day of hurried cabling and arranging, I bade my host adieu and took a train for San Francisco. In less than a month I was in Dunedin; where, however, I found that little was known of the strange cult-members who had lingered in the old sea-taverns. Waterfront scum was far too common for special mention; though there was vague talk about one inland trip these mongrels had made, during which faint drumming and red flame were noted on the distant hills. In Auckland I learned that Johansen had returned with yellow hair turned white after a perfunctory and inconclusive questioning at Sydney, and had thereafter sold his cottage in West Street and sailed with his wife to his old home in Oslo. Of his stirring experience he would tell his friends no more than he had told the admiralty officials, and all they could do was to give me his Oslo address.&#xA;&#xA;After that I went to Sydney and talked profitlessly with seamen and members of the vice-admiralty court. I saw the Alert, now sold and in commercial use, at Circular Quay in Sydney Cove, but gained nothing from its non-committal bulk. The crouching image with its cuttlefish head, dragon body, scaly wings, and hieroglyphed pedestal, was preserved in the Museum at Hyde Park; and I studied it long and well, finding it a thing of balefully exquisite workmanship, and with the same utter mystery, terrible antiquity, and unearthly strangeness of material which I had noted in Legrasse's smaller specimen. Geologists, the curator told me, had found it a monstrous puzzle; for they vowed that the world held no rock like it. Then I thought with a shudder of what Old Castro had told Legrasse about the Old Ones; &amp;quot;They had come from the stars, and had brought Their images with Them.&amp;quot;&#xA;Shaken with such a mental resolution as I had never before known, I now resolved to visit Mate Johansen in Oslo. Sailing for London, I reembarked at once for the Norwegian capital; and one autumn day landed at the trim wharves in the shadow of the Egeberg. Johansen's address, I discovered, lay in the Old Town of King Harold Haardrada, which kept alive the name of Oslo during all the centuries that the greater city masqueraded as &amp;quot;Christiana.&amp;quot; I made the brief trip by taxicab, and knocked with palpitant heart at the door of a neat and ancient building with plastered front. A sad-faced woman in black answered my summons, and I was stung with disappointment when she told me in halting English that Gustaf Johansen was no more.&#xA;&#xA;He had not long survived his return, said his wife, for the doings at sea in 1925 had broken him. He had told her no more than he told the public, but had left a long manuscript—of &amp;quot;technical matters&amp;quot; as he said—written in English, evidently in order to guard her from the peril of casual perusal. During a walk through a narrow lane near the Gothenburg dock, a bundle of papers falling from an attic window had knocked him down. Two Lascar sailors at once helped him to his feet, but before the ambulance could reach him he was dead. Physicians found no adequate cause the end, and laid it to heart trouble and a weakened constitution. I now felt gnawing at my vitals that dark terror which will never leave me till I, too, am at rest; &amp;quot;accidentally&amp;quot; or otherwise. Persuading the widow that my connection with her husband's &amp;quot;technical matters&amp;quot; was sufficient to entitle me to his manuscript, I bore the document away and began to read it on the London boat.&#xA;It was a simple, rambling thing—a naive sailor's effort at a post-facto diary—and strove to recall day by day that last awful voyage. I cannot attempt to transcribe it verbatim in all its cloudiness and redundance, but I will tell its gist enough to show why the sound of the water against the vessel's sides became so unendurable to me that I stopped my ears with cotton.&#xA;Johansen, thank God, did not know quite all, even though he saw the city and the Thing, but I shall never sleep calmly again when I think of the horrors that lurk ceaselessly behind life in time and in space, and of those unhallowed blasphemies from elder stars which dream beneath the sea, known and favoured by a nightmare cult ready and eager to loose them upon the world whenever another earthquake shall heave their monstrous stone city again to the sun and air.&#xA;&#xA;Johansen's voyage had begun just as he told it to the vice-admiralty. The Emma, in ballast, had cleared Auckland on February 20th, and had felt the full force of that earthquake-born tempest which must have heaved up from the sea-bottom the horrors that filled men's dreams. Once more under control, the ship was making good progress when held up by the Alert on March 22nd, and I could feel the mate's regret as he wrote of her bombardment and sinking. Of the swarthy cult-fiends on the Alert he speaks with significant horror. There was some peculiarly abominable quality about them which made their destruction seem almost a duty, and Johansen shows ingenuous wonder at the charge of ruthlessness brought against his party during the proceedings of the court of inquiry. Then, driven ahead by curiosity in their captured yacht under Johansen's command, the men sight a great stone pillar sticking out of the sea, and in S. Latitude 47°9', W. Longitude 126°43', come upon a coastline of mingled mud, ooze, and weedy Cyclopean masonry which can be nothing less than the tangible substance of earth's supreme terror—the nightmare corpse-city of R'lyeh, that was built in measureless aeons behind history by the vast, loathsome shapes that seeped down from the dark stars. There lay great Cthulhu and his hordes, hidden in green slimy vaults and sending out at last, after cycles incalculable, the thoughts that spread fear to the dreams of the sensitive and called imperiously to the faithful to come on a pilgrimage of liberation and restoration. All this Johansen did not suspect, but God knows he soon saw enough!&#xA;I suppose that only a single mountain-top, the hideous monolith-crowned citadel whereon great Cthulhu was buried, actually emerged from the waters. When I think of the extent of all that may be brooding down there I almost wish to kill myself forthwith. Johansen and his men were awed by the cosmic majesty of this dripping Babylon of elder daemons, and must have guessed without guidance that it was nothing of this or of any sane planet. Awe at the unbelievable size of the greenish stone blocks, at the dizzying height of the great carven monolith, and at the stupefying identity of the colossal statues and bas-reliefs with the queer image found in the shrine on the Alert, is poignantly visible in every line of the mate's frightened description.&#xA;Without knowing what futurism is like, Johansen achieved something very close to it when he spoke of the city; for instead of describing any definite structure or building, he dwells only on broad impressions of vast angles and stone surfaces—surfaces too great to belong to anything right or proper for this earth, and impious with horrible images and hieroglyphs. I mention his talk about angles because it suggests something Wilcox had told me of his awful dreams. He said that the geometry of the dream-place he saw was abnormal, non-Euclidean, and loathsomely redolent of spheres and dimensions apart from ours. Now an unlettered seaman felt the same thing whilst gazing at the terrible reality.&#xA;&#xA;Johansen and his men landed at a sloping mud-bank on this monstrous Acropolis, and clambered slipperily up over titan oozy blocks which could have been no mortal staircase. The very sun of heaven seemed distorted when viewed through the polarising miasma welling out from this sea-soaked perversion, and twisted menace and suspense lurked leeringly in those crazily elusive angles of carven rock where a second glance showed concavity after the first showed convexity.&#xA;Something very like fright had come over all the explorers before anything more definite than rock and ooze and weed was seen. Each would have fled had he not feared the scorn of the others, and it was only half-heartedly that they searched—vainly, as it proved—for some portable souvenir to bear away.&#xA;&#xA;It was Rodriguez the Portuguese who climbed up the foot of the monolith and shouted of what he had found. The rest followed him, and looked curiously at the immense carved door with the now familiar squid-dragon bas-relief. It was, Johansen said, like a great barn-door; and they all felt that it was a door because of the ornate lintel, threshold, and jambs around it, though they could not decide whether it lay flat like a trap-door or slantwise like an outside cellar-door. As Wilcox would have said, the geometry of the place was all wrong. One could not be sure that the sea and the ground were horizontal, hence the relative position of everything else seemed phantasmally variable.&#xA;&#xA;Briden pushed at the stone in several places without result. Then Donovan felt over it delicately around the edge, pressing each point separately as he went. He climbed interminably along the grotesque stone moulding—that is, one would call it climbing if the thing was not after all horizontal—and the men wondered how any door in the universe could be so vast. Then, very softly and slowly, the acre-great lintel began to give inward at the top; and they saw that it was balanced.&#xA;&#xA;Donovan slid or somehow propelled himself down or along the jamb and rejoined his fellows, and everyone watched the queer recession of the monstrously carven portal. In this phantasy of prismatic distortion it moved anomalously in a diagonal way, so that all the rules of matter and perspective seemed upset.&#xA;&#xA;The aperture was black with a darkness almost material. That tenebrousness was indeed a positive quality; for it obscured such parts of the inner walls as ought to have been revealed, and actually burst forth like smoke from its aeon-long imprisonment, visibly darkening the sun as it slunk away into the shrunken and gibbous sky on flapping membraneous wings. The odour rising from the newly opened depths was intolerable, and at length the quick-eared Hawkins thought he heard a nasty, slopping sound down there. Everyone listened, and everyone was listening still when It lumbered slobberingly into sight and gropingly squeezed Its gelatinous green immensity through the black doorway into the tainted outside air of that poison city of madness.&#xA;&#xA;Poor Johansen's handwriting almost gave out when he wrote of this. Of the six men who never reached the ship, he thinks two perished of pure fright in that accursed instant. The Thing cannot be described—there is no language for such abysms of shrieking and immemorial lunacy, such eldritch contradictions of all matter, force, and cosmic order. A mountain walked or stumbled. God! What wonder that across the earth a great architect went mad, and poor Wilcox raved with fever in that telepathic instant? The Thing of the idols, the green, sticky spawn of the stars, had awaked to claim his own. The stars were right again, and what an age-old cult had failed to do by design, a band of innocent sailors had done by accident. After vigintillions of years great Cthulhu was loose again, and ravening for delight.&#xA;&#xA;Three men were swept up by the flabby claws before anybody turned. God rest them, if there be any rest in the universe. They were Donovan, Guerrera, and Angstrom. Parker slipped as the other three were plunging frenziedly over endless vistas of green-crusted rock to the boat, and Johansen swears he was swallowed up by an angle of masonry which shouldn't have been there; an angle which was acute, but behaved as if it were obtuse. So only Briden and Johansen reached the boat, and pulled desperately for the Alert as the mountainous monstrosity flopped down the slimy stones and hesitated, floundering at the edge of the water.&#xA;&#xA;Steam had not been suffered to go down entirely, despite the departure of all hands for the shore; and it was the work of only a few moments of feverish rushing up and down between wheel and engines to get the Alert under way. Slowly, amidst the distorted horrors of that indescribable scene, she began to churn the lethal waters; whilst on the masonry of that charnel shore that was not of earth the titan Thing from the stars slavered and gibbered like Polypheme cursing the fleeing ship of Odysseus. Then, bolder than the storied Cyclops, great Cthulhu slid greasily into the water and began to pursue with vast wave-raising strokes of cosmic potency. Briden looked back and went mad, laughing shrilly as he kept on laughing at intervals till death found him one night in the cabin whilst Johansen was wandering deliriously.&#xA;&#xA;But Johansen had not given out yet. Knowing that the Thing could surely overtake the Alert until steam was fully up, he resolved on a desperate chance; and, setting the engine for full speed, ran lightning-like on deck and reversed the wheel. There was a mighty eddying and foaming in the noisome brine, and as the steam mounted higher and higher the brave Norwegian drove his vessel head on against the pursuing jelly which rose above the unclean froth like the stern of a daemon galleon. The awful squid-head with writhing feelers came nearly up to the bowsprit of the sturdy yacht, but Johansen drove on relentlessly. There was a bursting as of an exploding bladder, a slushy nastiness as of a cloven sunfish, a stench as of a thousand opened graves, and a sound that the chronicler could not put on paper. For an instant the ship was befouled by an acrid and blinding green cloud, and then there was only a venomous seething astern; where—God in heaven!—the scattered plasticity of that nameless sky-spawn was nebulously recombining in its hateful original form, whilst its distance widened every second as the Alert gained impetus from its mounting steam.&#xA;&#xA;That was all. After that Johansen only brooded over the idol in the cabin and attended to a few matters of food for himself and the laughing maniac by his side. He did not try to navigate after the first bold flight, for the reaction had taken something out of his soul. Then came the storm of April 2nd, and a gathering of the clouds about his consciousness. There is a sense of spectral whirling through liquid gulfs of infinity, of dizzying rides through reeling universes on a comets tail, and of hysterical plunges from the pit to the moon and from the moon back again to the pit, all livened by a cachinnating chorus of the distorted, hilarious elder gods and the green, bat-winged mocking imps of Tartarus.&#xA;Out of that dream came rescue—the Vigilant, the vice-admiralty court, the streets of Dunedin, and the long voyage back home to the old house by the Egeberg. He could not tell—they would think him mad. He would write of what he knew before death came, but his wife must not guess. Death would be a boon if only it could blot out the memories.&#xA;That was the document I read, and now I have placed it in the tin box beside the bas-relief and the papers of Professor Angell. With it shall go this record of mine—this test of my own sanity, wherein is pieced together that which I hope may never be pieced together again. I have looked upon all that the universe has to hold of horror, and even the skies of spring and the flowers of summer must ever afterward be poison to me. But I do not think my life will be long. As my uncle went, as poor Johansen went, so I shall go. I know too much, and the cult still lives.&#xA;&#xA;Cthulhu still lives, too, I suppose, again in that chasm of stone which has shielded him since the sun was young. His accursed city is sunken once more, for the Vigilant sailed over the spot after the April storm; but his ministers on earth still bellow and prance and slay around idol-capped monoliths in lonely places. 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<INFO BITRATE="718036" KEY_LYRICS="4 ContributorsBalderdash LyricsRickRatt The Mystic&#xA;DJ&#xA;All the major labels need to see this&#xA;RickRatt The Mystic&#xA;DJ&#xA;&#xA;&#xA;Boy who he really run it (Me)&#xA;I'm just tryna get a milli I can feel it coming (Money)&#xA;DJ I'm the don (D)&#xA;In my city folks don't even miss me when I'm gone (J)&#xA;Cause they know I'll be back (Yup)&#xA;There's a part of me that's stuck inside this cul-de-sac (Forever)&#xA;This is not a track (Nope)&#xA;This is DJ playing balderdash (DJ)&#xA;&#xA;&#xA;Left to my own devices&#xA;Thats when all my bars seem to come out the nicest (True)&#xA;I need my legend license (I do)&#xA;They was tryna talk wild thats when the tension tightens&#xA;Why don't you look at that&#xA;DJ Lucas at the top and I ain't looking back&#xA;This is not a track (Nope)&#xA;This me explaining how the fuck I wanna rap (Rap)&#xA;And I'm not scared of hate (I'm not)&#xA;I'm scared that when I die Char won't know how to drop these tapes (Fuck)&#xA;So I'm gon' teach her now (Yup)&#xA;I should be a social worker how I'm reaching out (Clean)&#xA;I took the bleakest route (Clean clean)&#xA;It just seemed suited for the person that they seem to doubt (DJ)&#xA;I don't wanna change, all my cupholders still have a lot of change&#xA;Girl I'm not deranged, we was just living a life that I could not sustain&#xA;I'm from where J Mascis wrote &amp;quot;Feel the Pain&amp;quot;&#xA;I'm off them drugs boy I don't feel a thang (DJ)&#xA;They say I rap weird (DJ)&#xA;I'm still that same Lucas Kendall since cat ears (Way back)&#xA;It's Eric on the beat, we tryna inherit every house up on this fucking street&#xA;&#xA;Boy who he really run it (Who run it?)&#xA;I'm just tryna get a milli I can feel it coming (Money)&#xA;DJ I'm the don (DJ)&#xA;In my city folks don't even miss me when I'm gone (Nope)&#xA;Cause they know I'll be back (I will)&#xA;There's a part of me that's stuck inside this cul-de-sac (Forever)&#xA;This is not a track (What)&#xA;This is DJ playing balderdash (DJ)&#xA;&#xA;&#xA;My homies all wasted clean&#xA;I'm just rolling big bleeps in a small basement (Dope)&#xA;It's all about placement (Yup)&#xA;Got a whole bunch of feelings It's not all hatred (Nope)&#xA;But it's not love either (D)&#xA;It'd be naive of us to think there's only one reaper (J)&#xA;This shit go much deeper (DJ)&#xA;I'm the underground art rap Justin Bieber (Flex)&#xA;Mixed with Tim Burton (Clean)&#xA;You can look into my eyes and tell I've been working (I have)&#xA;I can look into your eyes and tell you've been hurting (Sad)&#xA;I ain't listening to no one boy I been perfect (True)&#xA;When you come to Western Mass you know who's really ruling (What?)&#xA;A lot of people talk that talk I don't know who they fooling (No one)&#xA;Cause they ain't fooling me (Nope)&#xA;I ain't ever tried to be the guy it's cool to be (DJ)&#xA;&#xA;Boy who he really run it (Me)&#xA;I'm just tryna get a milli I can feel it coming (Money)&#xA;DJ I'm the don (Yup)&#xA;In my city folks don't even miss me when I'm gone (DJ)&#xA;Cause they know I'll be back (I will)&#xA;There's a part of me that's stuck inside this cul-de-sac (Forever)&#xA;This is not a track (Nope)&#xA;This is DJ playing balderdash (DJ)&#xA;&#xA;Big bleep music&#xA;DJ&#xA;RickRatt The Mystic" PRODUCER="2021 Lobster Theremin" COVERARTID="119/XTVZZCB5MNW5RDNMOR2ZCIOMCLTA" PLAYTIME="385" PLAYTIME_FLOAT="384.273468" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="33839"></INFO>
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<INFO BITRATE="806653" KEY_LYRICS="4 ContributorsDJ Screw Freestyle List LyricsDJ Screw was a hell of a workaholic and recorded 280 tapes with screw mixes. This makes him a valuable source for transcriptions, additionaly his catalog on RG is very limited. Because of this I will try to… Read More SKIP TO: A I B I C I D I E I F I G I H I I I J I K I L I M I N I O I P I Q I R I S I T I U I V I W I X I Y I ZListAA Screw Track Feat. Big Moe, Dat Boy Grace &amp;amp; Wood done!&#xA;Afro Puffs (Freestyle) Feat. Big Mello, K.B. &amp;amp; Repeat Offendent&#xA;All For Da Money (Freestyle) Feat. Poo Man&#xA;Another (Freestyle) Feat. Grace, Z-Ro, Big Jut &amp;amp; LOS&#xA;At Your Best (Freestyle) Feat. Big E &amp;amp; LaroBBig Poppa (Freestyle) Feat. Big Steve, Lil' Keke, Fat Pat &amp;amp; Treble Treb&#xA;Big Poppa (Remix) (Freestyle) Feat. Tim, Lil' Dex, D Hill &amp;amp; Poo Man&#xA;Bitches Ain't Shit (Freestyle) Feat. Lil' Keke &amp;amp; Big Pokey&#xA;Bitches Ain't Shit (Freestyle) Feat. 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Big Duck, Big Jut &amp;amp; Lil' Charlie&#xA;Come And Take A Ride (Freestyle) Feat. Stick 1, Big Hawk &amp;amp; Kiwi&#xA;Come Up To My Room (Freestyle) Feat. Lil' Randy &amp;amp; Big LennyDDa Funk Is Your Mind (Freestyle) Feat. Fat Pat, Lil' Keke &amp;amp; Duke Duke&#xA;Da Streets Ain't Right (Freestyle) Feat. Ron' O, Lil' Randy, Screw, Mark &amp;amp; Frail&#xA;Digga Bigga Ditch (Freestyle) Feat. Lil' Boo, King, Shorty Mac &amp;amp; Big Troy&#xA;Down Wit My Nigga (Freestyle) Feat. Lil' Keke, Big Pokey &amp;amp; BirdEFFor Those Who Like To Groove (Freestyle) Feat. E.S.G.&#xA;400 Degreez (Freestyle) Feat. Lil' Randy&#xA;4 Eyez 2 Heads (Freestyle) Feat. Lil' Boo&#xA;4 Eyes 2 Heads &amp;amp; Let's Play House (Freestyle) Feat. Pimp C &amp;amp; Bun B&#xA;Freaky Note (Freestyle) Feat. E.S.G, Lil' T, Lil' C.&#xA;Freakin' You (Freestyle) Feat. Dave, Fat Pat &amp;amp; Lil' Boo&#xA;Freshest MC (Freestyle) Feat. Lil' Dex, D Hill, Tim, Poo Man &amp;amp; Lil' Boo&#xA;Friends (Freestyle) Feat. King, Big Troy, Lil' Boo &amp;amp; Fat Pat&#xA;Friends (Freestyle Part 2) Feat. Pimp C &amp;amp; PoppyGGangsta Strut (Freestyle) Feat. Fat Pat done!&#xA;Ghetto Smile (Freestyle) Feat. C-Note, Will-Lean, Head, Lil' 3rd, Lil' Shane, Cripper Jr.&#xA;Give It 2 You (Freestyle) Feat. Fat Pat, Lil' Keke, Lil' Boo, Dave &amp;amp; Screw&#xA;Gulf Coast (Freestyle) Feat. Big Nate, T-Money, Gaylou &amp;amp; J.P.HHand That Rocks The Cradle (Freestyle) Feat. Lil' Keke, Dave, Lil' Boo &amp;amp; Fat Pat&#xA;Hangin' (Freestyle) Feat. Fooly Wayne &amp;amp; Fat Pat&#xA;Havin' Thangs (Freestyle) Feat. Stick 1, Lil' Keke, 380 D &amp;amp; Lil' Pop&#xA;Havin' Thangs (Freestyle) Feat. Lil' Keke, Money Mon, Brock, Boo, Lil' Pop, Duke &amp;amp; Fester&#xA;Hellraiser (Freestyle) Hard Jarv, Mike D, Big Pokey &amp;amp; Big Moe&#xA;Here I Go (Freestyle) Feat. Mike D, Clay-Doe, C-Note &amp;amp; Tito&#xA;Hit 'Em Wit Da Hee (Freestyle) Feat. D-Pac, K-Luv, Big Moe &amp;amp; K-Luv&#xA;Hoo Bangin' (Freestyle) Feat. Big Moe, Lil' 3rd, Gator, C-Note &amp;amp; Head&#xA;Homies &amp;amp; Thugs (Freestyle) Feat. Will-Lean, Lil' O, T-Bone, Stick 1 &amp;amp; Big BabyIIf I Could Change (Freestyle) Feat. Big Pokey, Lil' Keke &amp;amp; Big Jut&#xA;If I Ruled The World Freestyle Feat. Dat Boy Grace, Big Jut, Los, DJ Screw &amp;amp; Big D&#xA;I Got 5 On It (Freestyle) Feat. Lil' Keke, Big Hawk, Kay Kay &amp;amp; DJ Screw&#xA;I Got 5 On It (Freestyle) Feat. Poosy Lee, Jason &amp;amp; Howard&#xA;I Got 5 On It (Freestyle) Feat. Lil' Keke, Big Pokey &amp;amp; Bird&#xA;I Got 5 On It (Freestyle) Feat. Duck, Jut, D, Slim, Lil' Charlie, Grace, Lil' Black &amp;amp; Screw&#xA;I Know I Got Skillz (Freestyle) Feat. Jason &amp;amp; Tee Lee&#xA;I'm A Hoe (Freestyle) Feat. Lil' T&#xA;I Miss My Homies (Freestyle) Feat. Mike D &amp;amp; Screw  done!&#xA;I Need A Bitch (Freestyle) Feat. Big Pokey, Big Jay, Screw. Mike J &amp;amp; Lil' Dex&#xA;It's Goin' Down (Freestyle) Feat. Scott, Lil' T, Jazzy &amp;amp; Ro&#xA;I Wanna Be Free (Freestyle) Feat. Fat PatJJuicy (Freestyle) Feat. Fat Pat, Lil' Keke &amp;amp; Stick 1KKeepin' It Live (Freestyle) Feat. Lil' Keke, Fat Pat, Bird &amp;amp; Man Poo &amp;amp; Shorty Mac&#xA;Keep On Keepin' On (Freestyle) Feat. Lil' Keke, Shorty Mac &amp;amp; ACT&#xA;Keep On Keepin' On (Freestyle) Feat. Grace, Big Jut, Screw, LOS &amp;amp; Al-D&#xA;Keep On Keepin' On (Freestyle)Feat.  Ice Hott, Poppy, Screw, Skibo &amp;amp; Spider&#xA;Keep On Keepin' On (Freestyle) Feat. Dat Boy Grace &amp;amp; Pimp C&#xA;Keep They Heads Ringin' (Freestyle) Big Wood, Pokey, Dave, King, Big Troy, Big HawkLLet's Go Dippin' (Freestyle) Feat. Lil' T, E.S.G. &amp;amp; Stick 1&#xA;Live And Die For Hip Hop (Freestyle) Icy Hott, Spider &amp;amp; Poppy&#xA;Love's Gonna Get Cha (Freestyle Part 1) Feat. Lil' Keke, Big Pokey &amp;amp; BirdMMakin' Cash Forever (Freestyle) Feat. Key Money, JP., Gayloo &amp;amp; Big Nate&#xA;Money And The Power (Freestyle) Feat. Jason &amp;amp; Tee Lee&#xA;Funkdafied (Freestyle) Feat. Lil' Keke&#xA;More Bounce To Da Ounce (Freestyle) Feat. Mike D, BP, Big Moe, Clay-Doe, ACT, Poppy, Shorty Mac &amp;amp; Screw&#xA;Murder Man (Freestyle) Feat. Kay Kay &amp;amp; PoppyNOOne Day (Freestyle) Feat. Icey Hott, Skibo, Poppy, Pharoah &amp;amp; Brock&#xA;One Day (Freestyle) Feat. Big Moe, Key-C, Big Pokey &amp;amp; Haircut Joe&#xA;One Life To Live Feat. Al D, Dat Boy Grace &amp;amp; Wood&#xA;1 Luv (Freestyle) Feat. Lil' Pop, Haircut Joe, Pete, Big Pokey, Tori &amp;amp; Sherro&#xA;One More Chance (Freestyle) Feat. Fat Pat, Lil' KeKe, Lil' Boo &amp;amp; Dave&#xA;Only You (Freestyle) Feat. Big Moe, Key-C, Mooch, Lenny &amp;amp; Mark&#xA;Outro (Freestyle) Feat. Lil' BooPPockets Full Of Stones (Freestyle) Feat. Grace &amp;amp; Big JutQRReason For Rhyme (Freestyle) Feat. Big Hawk &amp;amp; ESG&#xA;Ring My Bell (Freestyle) Feat. 380-D, Toe, Baytown &amp;amp; Al BS7 Years (Freestyle) Feat. Big Pokey&#xA;7 Years (Freestyle) Feat. 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<INFO BITRATE="866259" KEY_LYRICS="3 ContributorsSpecial Request Lyrics&#xA;Now here come a special request to all Rockfort-ites&#xA;And also to all of you ites dem-a (Murder style)&#xA;Special dedication to all you Waterford-ites&#xA;And all the Waterhouse-ites (Murder style)&#xA;&#xA;&#xA;For hey, he-hey, hey-he-he-hey&#xA;A mi say yow, cha yow, cha yow-oi-oi-oi&#xA;I say, di gun, I tell you it's a dangerous weapon&#xA;Say, gun, I tell you, man, it is a dangerous weapon&#xA;For that deh situation are pollution&#xA;For that deh sin thing a kill out Jah nation&#xA;A coming right ya now fi set a eradication&#xA;A how can really live, must have better nation&#xA;&#xA;&#xA;Cah mi say oy, oh-oy, ska-diddley-diddley&#xA;Mi say bumma, ska-didldey-diddley, cah diddley&#xA;&#xA;&#xA;Cah mi say, hold and pull up, operator, hold and pull up&#xA;For this ya deejay come fi make di dance full up&#xA;Hold and pull up, mi say operator&#xA;For little later, mi say, it will be greater&#xA;An' little after that mi gone go catch mi dawta&#xA;A box in a one corner, mi are murderer&#xA;Mi bubble pon top, mi say mi bubble underneath&#xA;An' look up all di dreadlocks, Lord-our-God, him so neat&#xA;A fi mi dawta, mi say she look so sweet&#xA;For dem ya dawta, dem come fi rock Reggae beat&#xA;&#xA;Cah mi say, hold and pull up, operator, beg you pull up (Lord)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;Mi have a dawta, dem call her bubbler&#xA;An' that deh dawta are real scorcher&#xA;I tell you right ya now say she are murderer&#xA;Anywhere she go, say, she are entertainer&#xA;&#xA;&#xA;Cah mi say, hold and pull up, operator, beg you pull up (Lord)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;For special request to out to di Rockfort-ites&#xA;For special request to out to di  ites&#xA;An' special request to out to di Waterhouse-ites&#xA;An' special request to out to di Waterford-ites&#xA;&#xA;&#xA;Cah mi say, hold and pull up, operator, beg you pull up (Lord)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;For any girl mi meet, mi say dem look so sweet&#xA;You look at pon her back, mi say she gone done her frock&#xA;You look pon her foot, mi say she gone done her shoes&#xA;For dem ya girl, I tell you, say you just can't refuse (Lord)&#xA;&#xA;Hold and pull up, operator, beg you pull up (Boyo)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;Cah long time dem no hear mi a chat (Lord)&#xA;Cah mi say, long time dem no hear mi a chat&#xA;But Jah man, mi a tell you say mi come on right back&#xA;Jah man, mi a tell you say mi come on right back&#xA;For dis ya deejay are di cream of chi crop&#xA;An' fi mi juice a weh mi drink are good soursap&#xA;An' little after that mi say mi gone at love shop&#xA;An' little after that mi gone go buy mi night cap (Boyo)&#xA;&#xA;&#xA;Cah mi say, hold and pull up, operator, beg you pull up (Boyo)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;For special request to out to di Rockfort-ites&#xA;Cah special request to out to di Waterford-ites&#xA;Cah special request to out to di Waterhouse-ites&#xA;An' special request to out to di  ites (Bumma)&#xA;&#xA;&#xA;Lord-our-God, mi say dem want mi get mad (Boyo)&#xA;Lord-our-God, mi say dem want mi get mad&#xA;But look in a mi eye, mi said mi eye, it so red&#xA;An' look upon mi height, mi say you sight mi natty dread&#xA;An' little after that, mi say, mi gone in a mi bed&#xA;Jah man, Jah man, Jah man, mi say mi feelin' so red (Lord)&#xA;&#xA;Lord-our-God, dem want fi really get mi mad (Boyo)&#xA;Lord-our-God, dem really want fi get mi mad (Boyo)&#xA;So hold up, operator, beg you hold up&#xA;Cah mi say, pull up, operator, beg you pull up&#xA;Tell 'em, a mi say ribbit an' flash it, mi say rub it-a&#xA;Onion, skellion, time, come again, have a listen" PRODUCER="(P) 2021 Hooversound Recordings" COVERARTID="022/WAR1X2ABXKGIYBSYHYU3CCK2PGXD" PLAYTIME="370" PLAYTIME_FLOAT="369.961151" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="39463"></INFO>
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<INFO BITRATE="882927" KEY_LYRICS="2 ContributorsQuiet Storm LyricsHere I am all alone&#xA;No one to talk to 'cause you're gone&#xA;Without you here the nights are long&#xA;So I turn the radio on&#xA;Hope they play my favorite song&#xA;&#xA;I called on the line&#xA;To make a special request&#xA;And I say it all on the radio&#xA;To the girl I love the best&#xA;From me to you, ooh&#xA;&#xA;Quiet storm&#xA;(Oh, yeah, yeah, oh, oh, oh)&#xA;Quiet storm&#xA;(Oh, you, you, you, you, ooh, ooh, ooh)&#xA;&#xA;Quiet storm&#xA;Sending, sending out my song to you&#xA;On a quiet storm, baby&#xA;No, oh, oh, oh, oh, oh&#xA;&#xA;You so near but yet so far&#xA;The music is soothing&#xA;But I still need to be where you are&#xA;So baby, I'm ready, the feeling is real&#xA;I wanna do things so baby, please say you will&#xA;I called on the line&#xA;To make a special request&#xA;And I say it all on the radio&#xA;To the girl I love the best&#xA;From me to you, ooh&#xA;&#xA;Quiet storm, oh, baby, quiet storm&#xA;Mr. DJ, play my favorite song&#xA;(Play my favorite song)&#xA;Please, quiet Storm, oh, oh, oh, oh&#xA;&#xA;I just want my girl to know&#xA;How much I need her&#xA;(How much I need her, want her)&#xA;How much I want her&#xA;(How much I need her, oh, my baby)&#xA;Play my favorite song&#xA;&#xA;Quiet storm&#xA;&#xA;See it's getting late and she needs to know&#xA;That I miss her, I love her, I need her, I want her&#xA;(I love her so)&#xA;I got to let her know, hey, hey, hey&#xA;(Hey, hey, hey)&#xA;Somebody play my song&#xA;(Somebody play my song)&#xA;Play my song for me&#xA;(Play my song for me)&#xA;And my lady, I gotta let her know&#xA;I'm never gonna let her go, oh&#xA;&#xA;Well, well&#xA;Well, well, well&#xA;This one's for you, oh&#xA;No, oh, ooh, ooh&#xA;&#xA;Send it out, sing it loud&#xA;I'll play it on the line&#xA;(On a special request)&#xA;I want to send it to my baby&#xA;(Send it out, sing it loud)&#xA;&#xA;Said I been waiting too long&#xA;(Waiting too long)&#xA;I need I need to hear my favorite song&#xA;(You know I need, you know I need, play, play)&#xA;Play it, Mr. DJ, won't you play my favorite song?&#xA;&#xA;Play my favorite song&#xA;Play my favorite song&#xA;Play my favorite song&#xA;Play my favorite song&#xA;Play my favorite song&#xA;Play my favorite song" PRODUCER="(P) 2021 Hooversound Recordings" COVERARTID="022/WAR1X2ABXKGIYBSYHYU3CCK2PGXD" PLAYTIME="315" PLAYTIME_FLOAT="314.480377" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="34234"></INFO>
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<INFO BITRATE="990033" KEY_LYRICS="2 ContributorsReservoir Dogs LyricsVerse 1 – Az Izz&#xA;&#xA;I ain't never been loved, if I was I wouldn't recognize it&#xA;My pen’s my gun, my brain just weaponized it&#xA;This itchy finger I got, must exercise it&#xA;Talkin' sloppy seconds, bitch you my second side bitch&#xA;Imma' marry Rihanna have a baby with Tracee Ellis Ross&#xA;You could tell its boss, you hella' soft, fell and lost, I'm in the loft&#xA;The livin' room’s where I park my Porsche&#xA;Feet cocked up gas gas, peanut butter breath&#xA;Took two totes, had to stutter step&#xA;Good smoke, Good smoke&#xA;Made a brother wept&#xA;Drivin' in circles, damn I made another left&#xA;Vegan Vegan Vegan that’s my lifestyle&#xA;I’m with the shit turned demon right now&#xA;Don’t try me nigga try what you believe in&#xA;I’m a heathen I suggest you be easy pipe down&#xA;You might drown, put in a box in your night gown&#xA;Bein' a hype clown, in a white gown&#xA;Ah your momma watchin' your ass get wiped down&#xA;By a nigga that’s light brown&#xA;Welcome to my town&#xA;&#xA;Hook 1 - Speed Walton&#xA;I’m higher than the plane yeah we’re takin' off&#xA;Better let the dogs out the reservoir&#xA;I unlocked the new level, ‘bout to raise the bar&#xA;Never front we are who we say we are&#xA;Yeah we do this on a regular x 4&#xA;&#xA;Verse 2 - Cymarshall Law&#xA;&#xA;I should start a camp I make you wanna start a chant&#xA;Two words you should never put together are Cymar and can’t&#xA;My music give you the screw face so much you forget how to smile&#xA;I’m defying the odds so much, it’s going out of style&#xA;My style is peace but you heard of war&#xA;Well I destroy my opponents with the universal Law&#xA;I got Cy Vision like Cyclops from the X-Men&#xA;And my West Indian massive know  say that me no beg friend&#xA;And if you haven’t yet you’ll feel my energy soon&#xA;Because my vibe speaks before it even enters the room&#xA;I come with a set of rare skills&#xA;That’s like finding a pair of skates with square wheels&#xA;Rhyme inventor, knew it was my time to enter&#xA;My aim to spit flame with the brain of Nikola Tesla&#xA;When you see the Cy logo know there’s nothing you can do to Mar&#xA;I’m the Sun with a gun every line defines a shooting star&#xA;&#xA;Hook 2 – Speed Walton&#xA;I’m higher than the plane yeah we’re takin' off&#xA;Better let the dogs out the reservoir&#xA;I unlocked the new level, ‘bout to raise the bar&#xA;Never front we are who we say we are&#xA;Yeah we do this on a regular x 4&#xA;&#xA;Verse 3 – Speed Walton&#xA;&#xA;Niggas hopin' that I lose this with their bankin' on&#xA;Tryin' to steal my formula&#xA;Gettin' their plankton on&#xA;I am no crusty crab, what the hell you on&#xA;World renowned on the microphone&#xA;I’m who your favourite rapper tryin' to clone&#xA;Hater pipe down, and let a nigga zone&#xA;Flow deadly like a head shot from the chrome&#xA;Break frail rappers down to their chromosomes&#xA;Frustration in my tone Cincinnati home&#xA;You can probably catch me daily where the killers roam&#xA;Where niggas claim blocks&#xA;And die over land that the Freemasons own&#xA;I’m real, these other rappers silicone&#xA;Easy to crush like Styrofoam&#xA;Sensation in the underground&#xA;Leader of the free world&#xA;Hook 3 – Speed Walton&#xA;&#xA;I’m higher than the plane yeah we’re takin' off&#xA;Better let the dogs out the reservoir&#xA;I unlocked the new level, ‘bout to raise the bar&#xA;Never front we are who we say we are&#xA;Yeah we do this on a regular x 4&#xA;&#xA;Verse 4 - Quip&#xA;&#xA;Rhyme author, seen by few like flyin' saucer&#xA;Jesus nah basilisk, how I walk the water&#xA;Different aura, got stomped out Adiadoras&#xA;Lyrical slaughter, from A to Z no Richard Porter&#xA;Like the Torah ya got the story backwards&#xA;Futuristic, what I present a push ya wig past tense&#xA;No cappin' rappin' what they lack in craftin'&#xA;Don’t need arm bars to have ‘em tap in&#xA;What happen, what they gone say if I get it shakin' like alcoholics on the wagon&#xA;No compassion, we clashin', I’m a Vet you a has been&#xA;But who’s askin', grave digga', no diary of a madman, what’s crackin'&#xA;&#xA;Hook 4 - Speed Walton&#xA;&#xA;I’m higher than the plane yeah we’re takin' off&#xA;Better let the dogs out the reservoir&#xA;I unlocked the new level, ‘bout to raise the bar&#xA;Never front we are who we say we are&#xA;Yeah we do this on a regular x 4" PRODUCER="Mystery City" COVERARTID="112/QT33PNCMZDYVCAUYHIBSD4KMKHEA" PLAYTIME="281" PLAYTIME_FLOAT="280.979431" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="34172"></INFO>
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<INFO BITRATE="933554" KEY_LYRICS="2 ContributorsTranslationsEnglishEspañolTwista, Kanye West &amp;amp; Jamie Foxx - Slow Jamz (Traduzione Italiana)PortuguêsРусский (Russian)Twista, Kanye West &amp;amp; Jamie Foxx - Slow Jamz (Svensk Översättning) Lyrics&#xA;Kanye, det är Foxx, mannen&#xA;Jag ville bara säga jag pratade med tjejerna, du vet&#xA;Och vi lägger inte tillräckligt stor vikt på damerna ibland&#xA;Du vet, jag pratade med den här tjejen&#xA;Hon pratade om musiken snabbt i klubben du vet&#xA;Hon måste dricka vatten för hon är törstig&#xA;Hon dansade till typ 92 hundra sånger&#xA;Det är ingen som verkligen försöker ta reda på vad hon känner&#xA;Typ hur hon känner, du vet, vet du vad hon sa till mig?&#xA;(Kommer du vara?) Kolla, det här sa hon&#xA;(Säger att du kommer vara) Ooh, ooh, ooh, ooh, oooh&#xA;&#xA;&#xA;Hon sa hon vill ha lite Marvin Gaye, lite Luther Vandross&#xA;Lite Anite kommer starta festen rätt&#xA;(Kommer du vara, kommer du vara, kommer du vara&#xA;Kommer du vara, kommer du vara, men men men men)&#xA;Hon sa hon vill ha lite Ready for the World, lite New Edition&#xA;Lite Minnie Riperton kommer starta festen rätt&#xA;(Kommer du vara, kommer du vara, kommer du vara&#xA;Kommer du vara, kommer du vara, men men men men)&#xA;&#xA;&#xA;Det kommer det definitivt att göra!&#xA;Vet du vad jag sa till henne?&#xA;&#xA;Jag sa till henne att kommer över in hennes nya bil, ta med några vänner du är okej med&#xA;Jag tar med min coola bil, sen vill jag att du strippar&#xA;Kolla du är min nya brud, så dags att börja köra&#xA;Hon tar tag, kallar som Biggie som Shyne hem&#xA;Jag svär att hon har bra hem, varför ljuger hon alltid?&#xA;Säger att dem är diamant, när hon vet de är strass&#xA;Hon har en ljus hyad vän som ser ut som Michael Jackson&#xA;Har en mörk hyad vän som ser ut som Michael Jackson&#xA;Jag spela Ready for the World, hon var redo för lite action&#xA;Min bror sa du är inte vild så du ska bevisa att min man har fel&#xA;Jag ska spela Vandross, du kommer ta dina byxor av&#xA;Jag ska spela Gladys Knight, jag och du ska göra något rätt&#xA;&#xA;&#xA;Hon sa hon vill ha lite Marvin Gaye, lite Luther Vandross&#xA;Lite Anite kommer starta festen rätt&#xA;(Kommer du vara, kommer du vara, kommer du vara&#xA;Kommer du vara, kommer du vara, men men men men)&#xA;Hon sa hon vill ha lite Ready for the World, lite New Edition&#xA;Lite Minnie Riperton kommer starta festen rätt&#xA;(Kommer du vara, kommer du vara, kommer du vara&#xA;Kommer du vara, kommer du vara, men men men men)&#xA;&#xA;&#xA;Smokey Robinson, Smokey Robinson&#xA;Freddie Jackson, allt, allt (Men men men men)&#xA;Smokey Robinson, Ashford &amp;amp; Simpson (Kommer du vara)&#xA;Starta festen, starta festen rätt&#xA;Ja det kommer det, ja det kommet det (Men men men men)&#xA;Al Green, oh! Green, ohh yeah!&#xA;Oooh!!!&#xA;Vad vet du om Isley Brothers?&#xA;&#xA;Nu Kanye, jag vet jag sa till dig att sakta ner, baby&#xA;Det är okej, allt är okej, det är vackert&#xA;Men nu vill jag att du gör det snabbare baby&#xA;Kan du snälla? Gör det snabbare, baby, gör det snabbare!&#xA;Fan, baby; jag kan inte göra det så snabbt... men jag vet någon som kan, Twista!&#xA;&#xA;&#xA;Fick dig titta på glittret på mina händer och vrist&#xA;Medans jag lutar tillbaks och röker på mitt cannabis&#xA;När det kommer till att rocka rytmen som Marvin och Luther&#xA;Jag kan se att du inte gillar Kan Man och Twist&#xA;I min Chi och jag dricker Hennessy, spelar lite R&amp;amp;B&#xA;Medans jag röker en, du kan se att jag är G&#xA;Och allt är (Men men men men)&#xA;Kom med mig och drick lite Evelyn Champagne&#xA;Du visste inte Twista kunde göra det som the Whispers?&#xA;Kommer till rödljuset, flytta den till några Isleys&#xA;Fälgarna rör sig fortfarande så jag bumpar lite Spinners&#xA;Medans jag röker en, glider genom gatan&#xA;Spelar R&amp;amp;B och jag har hätta på 23s&#xA;Och jag gör det (Men men men men)&#xA;Med min Earth in the Wind röker Fire&#xA;Låt mig få dina lakan blöta medans vi lyssnar på Keith Sweat&#xA;Gör dig förvirrad med Maze&#xA;Att uppfylla alla våra frestelser&#xA;Långsamt lyssnade, har djupt sex&#xA;Du är redo för världen tjejen, kom igen gå med mig&#xA;Jag rör dig över hela din kropp baby säg inte nej till mig&#xA;Och varje ögonblick kontrollerar mig&#xA;Jag älskar sättet du håller mig när jag lyssnar på Jodeci&#xA;Och när jag kommer hem till dig och får dig på fyra&#xA;Lyssnar du på Teddy Pendergrass&#xA;Jag knulla dig bakifrån, till melodin och red den långsamt&#xA;Nu jag måste gå snabbt, men jag ska avsluta sist&#xA;Oavsett hur mycket av en ligist du ser&#xA;Spottar jag fortfarande som R&amp;amp;B, kom till klubben med mig&#xA;Och när Luther kommer  på hoppas jag du gillar mig&#xA;Och fortfarande är kär i mig, okej&#xA;&#xA;Nu Kanye, jag vet jag sa till dig att sakta ner, baby&#xA;Det är okej, allt är okej, det är vackert&#xA;Men nu vill jag att du gör det snabbare baby&#xA;Kan du snälla? Gör det snabbare, baby, gör det snabbare!&#xA;Fan, baby; jag kan inte göra det så snabbt... men jag vet någon som kan, Twista!&#xA;&#xA;&#xA;Sly och Välkommen till familjen (Sly och Välkommen till familjen)&#xA;Låt oss sätta igång den här festen (Låt oss sätta igång den här festen)&#xA;Sly och Välkommen till familjen (Sly och Välkommen till familjen)&#xA;Låt oss sätta igång vår fest (Låt oss sätta igång vår fest)&#xA;Earth, Wind, and Fire, baby (Earth, Wind, and Fire, baby)&#xA;Låt oss ta det högre, älskling (Låt oss ta det högre, älskling)&#xA;Låt oss sätta, låt oss sätta igång den här festen&#xA;&#xA;&#xA;Hon sa hon vill ha lite Marvin Gaye, lite Luther Vandross&#xA;Lite Anite kommer starta festen rätt&#xA;(Kommer du vara, kommer du vara, kommer du vara&#xA;Kommer du vara, kommer du vara, men men men men)&#xA;Hon sa hon vill ha lite Ready for the World, lite New Edition&#xA;Lite Minnie Riperton kommer starta festen rätt&#xA;(Kommer du vara, kommer du vara, kommer du vara&#xA;Kommer du vara, kommer du vara, men men men men)" PRODUCER="(P) 2020 Hooversound Recordings" COVERARTID="119/X1ICV2AZAI0YJDTADDKLD4EOKYGC" PLAYTIME="196" PLAYTIME_FLOAT="195.586777" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="22808"></INFO>
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<INFO BITRATE="733061" KEY_LYRICS="46 ContributorsUlysses (Chap. 18 - Penelope) LyricsTIME : none&#xA;&#xA;SCENE : the bed&#xA;&#xA;ORGAN : flesh&#xA;&#xA;ART : none&#xA;&#xA;COLOR : none&#xA;&#xA;SYMBOL : earth&#xA;&#xA;TECHNIQUE : monologueYES BECAUSE HE NEVER DID A THING LIKE THAT BEFORE AS ASK TO get his breakfast in bed with a couple of eggs since the City arms hotel when he used to be pretending to be laid up with a sick voice doing his highness to make himself interesting to that old faggot Mrs Riordan that he thought he had a great leg of and she never left us a farthing all for masses for herself and her soul greatest miser ever was actually afraid to lay out 4d for her methylated spirit telling me all her ailments she had too much old chat in her about politics and earthquakes and the end of the world let us have a bit of fun first God help the world if all the women were her sort down on bathing-suits and lownecks of course nobody wanted her to wear I suppose she was pious because no man would look at her twice I hope I'll never be like her a wonder she didnt want us to cover our faces but she was a welleducated woman certainly and her gabby talk about Mr Riordan here and Mr Riordan there I suppose he was glad to get shut of her and her dog smelling my fur and always edging to get up under my petticoats especially then still I like that in him polite to old women like that and waiters and beggars too hes not proud out of nothing but not always if ever he got anything really serious the matter with him its much better for them go into a hospital where everything is clean but I suppose Id have to dring it into him for a month yes and then wed have a hospital nurse next thing on the carpet have him staying there till they throw him out or a nun maybe like the smutty photo he has shes as much a nun as Im not yes because theyre so weak and puling when theyre sick they want a woman to get well if his nose bleeds youd think it was O tragic and that dyinglooking one off the south circular when he sprained his foot at the choir party at the sugarloaf Mountain the day I wore that dress Miss Stack bringing him flowers the worst old ones she could find at the bottom of the basket anything at all to get into a mans bedroom with her old maids voice trying to imagine he was dying on account of her to never see thy face again though he looked more like a man with his beard a bit grown in the bed father was the same besides I hate bandaging and dosing when he cut his toe with the razor paring his corns afraid hed get blood poisoning but if it was a thing I was sick then wed see what attention only of course the woman hides it not to give all the trouble they do yes he came somewhere Im sure by his appetite anyway love its not or hed be off his feed thinking of her so either it was one of those night women if it was down there he was really and the hotel story he made up a pack of lies to hide it planning it Hynes kept me who did I meet ah yes I met do you remember Menton and who else who let me see that big babbyface I saw him and he not long married flirting with a young girl at Pooles Myriorama and turned my back on him when he slinked out looking quite conscious what harm but he had the impudence to make up to me one time well done to him mouth almighty and his boiled eyes of all the big stupoes I ever met and thats called a solicitor only for I hate having a long wrangle in bed or else if its not that its some little bitch or other he got in with somewhere or picked up on the sly if they only knew him as well as I do yes because the day before yesterday he was scribbling something a letter when I came into the front room for the matches to show him Dignams death in the paper as if something told me and he covered it up with the blottingpaper pretending to be thinking about business so very probably that was it to somebody who thinks she has a softy in him because all men get a bit like that at his age especially getting on to forty he is now so as to wheedle any money she can out of him no fool like an old fool and then the usual kissing my bottom was to hide it not that I care two straws who he does it with or knew before that way though Id like to find out so long as I dont have the two of them under my nose all the time like that slut that Mary we had in Ontario terrace padding out her false bottom to excite him bad enough to get the smell of those painted women off him once or twice I had a suspicion by getting him to come near me when I found the long hair on his coat without that one when I went into the kitchen pretending he was drinking water 1 woman is not enough for them it was all his fault of course ruining servants then proposing that she could eat at our table on Christmas if you please O no thank you not in my house stealing my potatoes and the oysters 2/6 per doz going out to see her aunt if you please common robbery so it was but I was sure he had something on with that one it takes me to find out a thing like that he said you have no proof it was her proof O yes her aunt was very fond of oysters but I told her what I thought of her suggesting me to go out to be alone with her I wouldnt lower myself to spy on them the garters I found in her room the Friday she was out that was enough for me a little bit too much I saw too that her face swelled up on her with temper when I gave her her weeks notice better do without them altogether do out the rooms myself quicker only for the damn cooking and throwing out the dirt I gave it to him anyhow either she or me leaves the house I couldnt even touch him if I thought he was with a dirty barefaced liar and sloven like that one denying it up to my face and singing about the place in the W C too because she knew she was too well off yes because he couldnt possibly do without it that long so he must do it somewhere and the last time he came on my bottom when was it the night Boylan gave my hand a great squeeze going along by the Tolka in my hand there steals another I just pressed the back of his like that with my thumb to squeeze back singing the young May Moon shes beaming love because he has an idea about him and me hes not such a fool he said Im dining out and going to the Gaiety though Im not going to give him the satisfaction in any case God knows hes change in a way not to be always and ever wearing the same old hat unless I paid some nicelooking boy to do it since I cant do it myself a young boy would like me Id confuse him a little alone with him if we were Id let him see my garters the new ones and make him turn red looking at him seduce him I know what boys feel with that down on their cheek doing that frigging drawing out the thing by the hour question and answer would you do this that and the other with the coalman yes with a bishop yes I would because I told him about some Dean or Bishop was sitting beside me in the jews Temples gardens when I was knitting that woollen thing a stranger to Dublin what place was it and so on about the monuments and he tired me out with statues encouraging him making him worse than he is who is in your mind now tell me who are you thinking of who is it tell me his name who tell me who the German Emperor is it yes imagine Im him think of him can you feel him trying to make a whore of me what he never will he ought to give it up now at this age of his life simply ruination for any woman and no satisfaction in it pretending to like it till he comes and then finish it off myself anyway and it makes your lips pale anyhow its done now once and for all with all the talk of the world about it people make its only the first time after that its just the ordinary do it and think no more about it why cant you kiss a man without going and marrying him first you sometimes love to wildly when you feel that way so nice all over you you cant help yourself I wish some man or other would take me sometime when hes there and kiss me in his arms theres nothing like a kiss long and hot down to your soul almost paralyses you then I hate that confession when I used to go to Father Corrigan he touched me father and what harm if he did where and I said on the canal bank like a fool but whereabouts on your person my child on the leg behind high up was it yes rather high up was it where you sit down yes O Lord couldnt he say bottom right out and have done with it what has that got to do with it and did you whatever way he put it I forget no father and I always think of the real father what did he want to know for when I already confessed it to God he had a nice fat hand the palm moist always I wouldnt mind feeling it neither would he Id say by the bullneck in his horsecollar I wonder did he know me in the box I could see his face he couldnt see mine of course hed never turn or let on still his eyes were red when his father died theyre lost for a woman of course must be terrible when a man cries let alone them Id like to be embraced by one in his vestments and the smell of incense off him like the pope besides theres no danger with a priest if youre married hes too careful about himself then give something to H H the pope for a penance I wonder was he satisfied with me one thing I didnt like his slapping me behind going away so familiarly in the hall though I laughed Im not a horse or an ass am I I suppose he was thinking of his father I wonder is he awake thinking of me or dreaming am I in it who gave him that flower he said he bought he smelt of some kind of drink not whisky or stout or perhaps the sweety kind of paste they stick their bills up with some liquor Id like to sip those richlooking green and yellow expensive drinks those stagedoor johnnies drink with the opera hats I tasted one with my finger dipped out of that American that had the squirrel talking stamps with father he had all he could do to keep himself from falling asleep after the last time we took the port and potted meat it had a fine salty taste yes because I felt lovely and tired myself and fell asleep as sound as a top the moment I popped straight into bed till that thunder woke me up as if the world was coming to an end God be merciful to us I thought the heavens were coming down about us to punish when I blessed myself and said a Hail Mary like those awful thunderbolts in Gibraltar and they come and tell you theres no God what could you do if it was running and rushing about nothing only make an act of contrition the candle I lit that evening in Whitefriars street chapel for the month of May see it brought its luck though hed scoff if he heard because he never goes to church mass or meeting he says your soul you have no soul inside only grey matter because he doesnt know what it is to have one yes when I lit the lamp yes because he must have come 3 or 4 times with that tremendous big red brute of a thing he has I thought the vein or whatever the dickens they call it was going to burst though his nose is not so big after I took off all my things with the blinds down after my hours dressing and perfuming and combing it like iron or some kind of a thick crowbar standing all the time he must have eaten oysters I think a few dozen he was in great singing voice no I never in all my life felt anyone had one the size of that to make you feel full up he must have eaten a whole sheep after whats the idea making us like that with a big hole in the middle of us like a Stallion driving it up into you because thats all they want out of you with that determined vicious look in his eye I had to halfshut my eyes still he hasnt such a tremendous amount of spunk in him when I made him pull it out and do it on me considering how big it is so much the better in case any of it wasnt washed out properly the last time I let him finish it in me nice invention they made for women for him to get all the pleasure but if someone gave them a touch of it themselves theyd know what I went through with Milly nobody would believe cutting her teeth too and Mina Purefoys husband give us a swing out of your whiskers filling her up with a child or twins once a year as regular as the clock always with a smell of children off her the one they called budgers or something like a nigger with a shock of hair on it Jesusjack the child is a black the last time I was there a squad of them falling over one another and bawling you couldnt hear your ear supposed to be healthy not satisfied till they have us swollen out like elephants or I dont know what supposing I risked having another not off him though still if he was married I m sure hed have a fine strong child but I dont know Poldy has more spunk in him yes thatd be awfully jolly I suppose it was meeting Josie Powell and the funeral and thinking about me and Boylan set him off well he can think what he likes now if thatll do him any good I know they were spooning a bit when I came on the scene he was dancing and sitting out with her the night of Georgina Simpsons housewarming and then he wanted to ram it down my neck on account of not liking to see her a wallflower that was why we had the standup row over politics he began it not me when he said about Our Lord being a carpenter at last he made me cry of course a woman is so sensitive about everything I was fuming with myself after for giving in only for I knew he was gone on me and the first socialist he said He was he annoyed me so much I couldnt put him into a temper still he knows a lot of mixed up things especially about the body and the insides I often wanted to study up that myself what we have inside us in that family physician I could always hear his voice talking when the room was crowded and watch him after that I pretended I had on a coolness with her over him because he used to be a bit on the jealous side whenever he asked who are you going to and I aid over to Floey and he made me the present of lord Byrons poems and the three pairs of gloves so that finished that I could quite easily get him to make it up any time I know how Id even supposing he got in with her again and was going out to see her somewhere Id know if he refused to eat the onions I know plenty of ways ask him to tuck down the collar of my blouse or touch him with my veil and gloves on going out 1 kiss then would send them all spinning however alright well seen then let him go to her she of course would only be too delighted to pretend shes mad in love with him that I wouldnt so much mind Id just go to her and ask her do you love him and look her square in the eyes she couldnt fool me but he might imagine he was and make a declaration with his plabbery kind of a manner to her like he did to me though I had the devils own job to get it out of him though I liked him for that it showed he could hold in and wasnt to be got for the asking he was on the pop of asking me too the night in the kitchen I was rolling the potato cake theres something I want to say to you only for I put him off letting on I was in a temper with my hands and arms full of pasty flour in any case I let out too much the night before talking of dreams so I didnt want to let him know more than was good for him she used to be always embracing me Josie whenever he was there meaning him of course glauming me over and when I said I washed up and down as far as possible asking me did you wash possible the women are always egging on to that putting it on thick when hes there they know by his sly eye blinking a bit putting on the indifferent when they come out with something the kind he is what spoils him I dont wonder in the least because he was very handsome at that time trying to look like lord Byron I said I liked though he was too beautiful for a man and he was a little before we got engaged afterwards though she didnt like it so much the day I was in fits of laughing with the giggles I couldnt stop about all my hairpins falling one after another with the mass of hair I had youre always in great humour she said yes because it grigged her because she knew what it meant because I used to tell her a good bit of what went on between us not all but just enough to make her mouth water but that wasnt my fault she didnt darken the door much after we were married I wonder what shes got like now after living with that dotty husband of hers she had her face beginning to look drawn and run down the last time I saw her she must have been just after a row with him because I saw on the moment she was edging to draw down a conversation about husbands and talk about him to run him down what was it she told me O yes that sometimes he used to go to bed with his muddy boots on when the maggot takes him just imagine having to get into bed with a thing like that that might murder you any moment what a man well its not the one way everyone goes mad Poldy anyway whatever he does always wipes his feet on the mat when he comes in wet or shine and always blacks his own boots too and he always takes off his hat when he comes up in the street like that and now hes going about in his slippers to look for #10000 for a postcard up up O Sweetheart May wouldnt a thing like that simply bore you stiff to extinction actually too stupid even to take his boots off now what could you make of a man like that Id rather die 20 times over than marry another of their sex of course hed never find another woman like me to put up with him the way I do know me come sleep with me yes and he knows that too at the bottom of his heart take that Mrs Maybrick that poisoned her husband for what I wonder in love with some other man yet it was found out on her wasnt she the downright villain to go and do a thing like that of course some men can be dreadfully aggravating drive you mad and always the worst word in the world what do they ask us to marry them for if were so bad as all that comes to yes because they cant get on without us white Arsenic she put in his tea off flypaper wasnt it I wonder why they call it that if I asked him hed say its from the Greek leave us as wise as we were before she must have been madly in love with the other fellow to run the chance of being hanged O she didnt care if that was her nature what could she do besides theyre not brutes enough to go and hang a woman surely are they&#xA;theyre all so different Boylan talking about the shape of my foot he noticed at once even before he was introduced when I was in the D B C with Poldy laughing and trying to listen I was waggling my foot we both ordered 2 teas and plain bread and butter I saw him looking with his two old maids of sisters when I stood up and asked the girl where it was what do I care with it dropping out of me and that black closed breeches he made me buy takes you half an hour to let them down wetting all myself always with some brandnew fad every other week such a long one I did I forgot my suede gloves on the seat behind that I never got after some robber of a woman and he wanted me to put it in the Irish Times lost in the ladies lavatory D B C Dame street finder return to Mrs Marion Bloom and I saw his eyes on my feet going out through the turning door he was looking when I looked back and I went there for tea 2 days after in the hope but he wasnt now how did that excite him because I was crossing them when we were in the other room first he meant the shoes that are too tight to walk in my hand is nice like that if I only had a ring with the stone for my month a nice aquamarine Ill stick him for one and a gold bracelet I dont like my foot so much still I made him spend once with my foot the night after Goodwins botchup of a concert so cold and windy it was well we had that rum in the house to mull and the fire wasnt black out when he asked to take off my stockings lying on the hearthrug in Lombard street well and another time it was my muddy boots hed like me to walk in all the horses dung I could find but of course hes not natural like the rest of the world that I what did he say I could give 9 points in 10 to Katty Lanner and beat her what does that mean I asked him I forget what he said because the stoppress edition just passed and the man with the curly hair in the Lucan dairy thats so polite I think I saw his face before somewhere I noticed him when I was tasting the butter so I took my time Bartell dArcy too that he used to make fun of when he commenced kissing me on the choir stairs after I sang Gounods Ave Maria what are we waiting for O my heart kiss me straight on the brow and part which is my brown part he was pretty hot for all his tinny voice too my low notes he was always raving about if you can believe him I liked the way he used his mouth singing then he said wasnt it terrible to do that there in a place like that I dont see anything so terrible about it Ill tell him about that some day not now and surprise him ay and Ill take him there and show him the very place too we did it so now there you are like it or lump it he thinks nothing can happen without him knowing he hadnt an idea about my mother till we were engaged otherwise hed never have got me so cheap as he did he was 10 times worse himself anyhow begging me to give him a tiny bit cut off my drawers that was the evening coming along Kenilworth square he kissed me in the eye of my glove and I had to take it off asking me questions is it permitted to inquire the shape of my bedroom so I let him keep it as if I forgot it to think of me when I saw him slip it into his pocket of course hes mad on the subject of drawers thats plain to be seen always skeezing at those brazenfaced things on the bicycles with their skirts blowing up to their navels even when Milly and I were out with him at the open air fete that one in the cream muslin standing right against the sun so he could see every atom she had on when he saw me from behind following in the rain I saw him before he saw me however standing at the corner of the Harolds cross road with a new raincoat on him with the muffler in the Zingari colours to show off his complexion-and the brown hat looking slyboots as usual what was he doing there where hed no business they can go and get whatever they like from anything at all with a skirt on it and were not to ask any questions but they want to know where were you where are you going I could feel him coming along skulking after me his eyes on my neck he had been keeping away from the house he felt it was getting too warm for him so I half turned and stopped then he pestered me to say yes till I took off my glove slowly watching him he said my openwork sleeves were too cold for the rain anything for an excuse to put his hand anear me drawers drawers the whole blessed time till I promised to give him the pair off my doll to carry about in his waistcoat pocket O Maria santissima he did look a big fool dreeping in the rain splendid set of teeth he had made me hungry to look at them and beseeched of me to lift the orange petticoat I had on with sunray pleats that there was nobody he Said hed kneel down in the wet if I didnt so persevering he would too and ruin his new raincoat you never know what freak theyd take alone with you theyre so savage for it if anyone was passing so I lifted them a bit and touched his trousers outside the way I used to Gardner after with my ring hand to keep him from doing worse where it was too public I was dying to find out was he circumcised he was shaking like a jelly all over they want to do everything too quick take all the pleasure out if it and father waiting all the time for his dinner he told me to say I left my purse in the butchers and had to go back for it what a Deceiver then he wrote me that letter with all those words in it how could he have the face to any woman after his company manners making it so awkward after when we met asking me have I offended you with my eyelids down of course he saw I wasnt he had a few brains not like that other fool Henry Doyle he was always breaking or tearing something in the charades I hate an unlucky man and if I knew what it meant of course I had to say no for form sake dont understand you I said and wasnt it natural so it is of course it used to be written up with a picture of a womans on that wall in Gibraltar with that word I couldnt find anywhere only for children seeing it too young then writing a letter every morning sometimes twice a day I liked the way he made love then he knew the way to take a woman when he sent me the 8 big poppies because mine was the 8th then I wrote the night he kissed my heart at Dolphins barn I couldnt describe it simply it makes you feel like nothing on earth but he never knew how to embrace well like Gardner I hope hell come on Monday as he said at the same time four I hate people who come at all hours answer the door you think its the vegetables then its somebody and you all undressed or the door of the filthy sloppy kitchen blows open the day old frostyface Goodwin called about the concert in Lombard street and I just after dinner all flushed and tossed with boiling old stew dont look at me professor I had to say Im a fright yes but he was a real old gent in his way it was impossible to be more respectful nobody to say youre out you have to peep out through the blind like the messengerboy today I thought it was a putoff first him sending the port and the peaches first and I was just beginning to yawn with nerves thinking he was trying to make a fool of me when I knew his tattarrattat at the door he must have been a bit late because it was 1/4 after 3 when I saw the 2 Dedalus girls coming from school I never know the time even that watch he gave me never seems to go properly Id want to get it looked after when I threw the penny to that lame sailor for England home and beauty when I was whistling there is a charming girl I love and I hadnt even put on my clean shift or powdered myself or a thing then this day week were to go to Belfast just as well he has to go to Ennis his fathers anniversary the 27th it wouldnt be pleasant if he did suppose our rooms at the hotel were beside each other and any fooling went on in the new bed I couldnt tell him to stop and not bother me with him in the next room or perhaps some protestant clergyman with a cough knocking on the wall then he wouldnt believe next day we didnt do something its all very well a husband but you cant fool a lover after me telling him we never did anything of course he didnt believe me no its better hes going where he is besides something always happens with him the time going to the Mallow Concert at Maryborough ordering boiling soup for the two of us then the bell rang out he walks down the platform with the soup splashing about taking spoonfuls of it hadnt he the nerve and the waiter after him making a holy show of us screeching and confusion for the engine to start but he wouldnt pay till he finished it the two gentlemen in the 3rd class Carriage said he was quite right so he was too hes so pigheaded sometimes when he gets a thing into his head a good job he was able to open the carriage door with his knife or theyd have taken us on to Cork I suppose that was done out of revenge on him O I love jaunting in a train or a car with lovely soft cushions I wonder will he take a 1st class for me he might want to do it in the train by tipping the guard well O I suppose therell be the usual idiots of men gaping at us with their eyes as stupid as ever they can possibly be that was an exceptional man that common workman that left us alone in the carriage that day going to Howth Id like to find out something about him 1 or 2 tunnels perhaps then you have to look out of the window all the nicer then coming back suppose I never came back what would they say eloped with him that gets you on on the stage the last concert I sang at where its over a year ago when was it St Teresas hall Clarendon St little chits of missies they have now singing Kathleen Kearney and her like on account of father being in the army and my singing the absentminded beggar and wearing a brooch for lord Roberts when I had the map of it all and Poldy not Irish enough was it him managed it this time I wouldnt put it past him like he got me on to sing in the Stabat Mater by going around saying he was putting Lead Kindly Light to music I put him up to that till the jesuits found out he was a freemason thumping the piano lead Thou me on copied from some old opera yes and he was going about with some of them Sinner Fein lately or whatever they call themselves talking his usual trash and nonsense he says that little man he showed me without the neck is very intelligent the coming man Griffith is he well he doesnt look it thats all I can say still it must have been him he knew there was a boycott I hate the mention of politics after the war that Pretoria and Ladysmith and Bloemfontein where Gardner Lieut Stanley G 8th Bn 2nd East Lancs Rgt of enteric fever he was a lovely fellow in khaki and just the right height over me Im sure he was brave too he said I was lovely the evening we kissed goodbye at the canal lock my Irish beauty he was pale with excitement about going away or wed be seen from the road he couldnt stand properly and I so hot as I never felt they could have made their peace in the beginning or old oom Paul and the rest of the old Krugers go and fight it out between them instead of dragging on for years killing any finelooking men there were with their fever if he was even decently shot it wouldnt have been so bad I love to see a regiment pass in review the first time I saw the Spanish cavalry at La Roque it was lovely after looking across the bay from Algeciras all the lights of the rock like fireflies or those sham battles on the 15 acres the Black Watch with their kilts in time at the march past the 10th hussars the prince of Wales own or the lancers O the lancers theyre grand or the Dublins that won Tugela his father made his money over selling the horses for the cavalry well he could buy me a nice present up in Belfast after what I gave theyve lovely linen up there or one of those nice kimono things I must buy a mothball like I had before to keep in the drawer with them it would be exciting going around with him shopping buying those things in a new city better leave this ring behind want to keep turning and turning to get it over the knuckle there or they might bell it round the town in their papers or tell the police on me but theyd think were married O let them all go and smother themselves for the fat lot I care he has plenty of money and hes not a marrying man so somebody better get it out of him if I could find out whether he likes me I looked a bit washy of course when I looked close in the handglass powdering a mirror never gives you the expression besides scrooching down on me like that all the time with his big hipbones hes heavy too with his hairy chest for this heat always having to lie down for them better for him put it into me from behind the way Mrs Mastiansky told me her husband made her like the dogs do it and stick out her tongue as far as ever she could and he so quiet and mild with his tingating either can you ever be up to men the way it takes them lovely stuff in that blue suit he had on and stylish tie and socks with the skyblue silk things on them hes certainly welloff I know by the cut his clothes have and his heavy watch but he was like a perfect devil for a few minutes after he came back with the stop press tearing up the tickets and swearing blazes because he lost 20 quid he said he lost over that outsider that won and half he put on for me on account of Lenehans tip cursing him to the lowest pits that sponger he was making free with me after the Glencree dinner coming back that long joult over the featherbed mountain after the lord Mayor looking at me with his dirty eyes Val Dillon that big heathen I first noticed him at dessert when I was cracking the nuts with my teeth I wished I could have picked every morsel of that chicken out of my fingers it was so tasty and browned and as tender as anything only for I didnt want to eat everything on my plate those forks and fishslicers were hallmarked silver too I wish I had some I could easily have slipped a couple into my muff when I was playing with them then always hanging out of them for money in a restaurant for the bit you put down your throat we have to be thankful for our mangy cup of tea itself as a great compliment to be noticed the way the world is divided in any case if its going to go on I want at least two other good chemises for one thing and but I dont know what kind of drawers he likes none at all I think didnt he say yes and half the girls in Gibraltar never wore them either naked as God made them that Andalusian singing her Manola she didnt make much secret of what she hadnt yes and the second pair of silkette stockings is laddered after one days wear I could have brought them back to Lewers this morning and kick up a row and made that one change them only not to upset myself and run the risk of walking into him and ruining the whole thing and one of those kidfitting corsets Id want advertised cheap in the Gentlewoman with elastic gores on the hips he saved the one I have but thats no good what did they say they give a delightful figure line 11/6 obviating that unsightly broad appearance across the lower back to reduce flesh my belly is a bit too big Ill have to knock off the stout at dinner or am I getting too fond of it the last they sent from ORourkes was as flat as a pancake he makes his money easy Larry they call him the old mangy parcel he sent at Xmas a cottage cake and a bottle of hogwash he tried to palm off as claret that he couldnt get anyone to drink God spare his spit for fear hed die of the drouth or I must do a few breathing exercises I wonder is that antifat any good might overdo it thin ones are not so much the fashion now garters that much I have the violet pair I wore today thats all he bought me out of the cheque he got on the first O no there was the face lotion I finished the last of yesterday that made my skin like new I told him over and over again get that made up in the same place and dont forget it God only knows whether he did after all I said to him Ill know by the bottle anyway if not I suppose Ill only have to wash in my piss like beeftea or chickensoup with some of that opoponax and violet I thought it was beginning to look coarse or old a bit the skin underneath is much finer where it peeled off there on my finger after the burn its a pity it isnt all like that and the four paltry handkerchiefs about 6/- in all sure you cant get on in this world without style all going in food and rent when I get it Ill lash it around I tell you in fine style I always want to throw a handful of tea into the pot measuring and mincing if I buy a pair of old brogues itself do you like those new shoes yes how much were they Ive no clothes at all the brown costume and the skirt and jacket and the one at the cleaners 3 whats that for any woman cutting up this old hat and patching up the other the men wont look at you and women try to walk on you because they know youve no man then with all the things getting dearer every day for the 4 years more I have of life up to 35 no Im what am I at all Ill be 33 in September will I what O well look at that Mrs Galbraith shes much older than me I saw her when I was out last week her beautys on the wane she was a lovely woman magnificent head of hair on her down to her waist tossing it back like that like Kitty OShea in Grantham street 1st thing I did every morning to look across see her combing it as if she loved it and was full of it pity I only got to know her the day before we left and that Mrs Langtry the Jersey Lily the prince of Wales was in love with I suppose hes like the first man going the roads only for the name of a king theyre all made the one way only a black mans Id like to try a beauty up to what was she 45 there was some funny story about the jealous old husband what was it all and an oyster knife he went no he made her wear a kind of a tin thing around her and the prince of Wales yes he had the oyster knife cant be true a thing like that like some of those books he brings me the works of Master Francois somebody supposed to be a priest about a child born out of her ear because her bumgut fell out a nice word for any priest to write and her a-e as if any fool wouldnt know what that meant I hate that pretending of all things with the old blackguards face on him anybody can see its not true and that Ruby and Fair Tyrants he brought me that twice I remember when I came to page 50 the part about where she hangs him up out of a hook with a cord flagellate sure theres nothing for a woman in that all invention made up about he drinking the champagne out of her slipper after the ball was over like the infant Jesus In the crib at Inchicore in the Blessed Virgins arms sure no woman could have a child that big taken out of her and I thought first it came out of her side because how could she go to the chamber when she wanted to and she a rich lady of course she felt honoured H. R. H. he was in Gibraltar the year I was born I bet he found lilies there too where he planted the tree he planted more than that in his time he might have planted me too if hed come a bit sooner then I wouldnt be here as I am he ought to chuck that Freeman with the paltry few shillings he knocks out of it and go into an office or something where hed get regular pay or a bank where they could put him up on a throne to count the money all the day of course he prefers plottering about the house so you cant stir with him any side whats your programme today I wish hed even smoke a pipe like father to get the smell of a man or pretending to be mooching about for advertisements when he could have been in Mr Cuffes still only for what he did then sending me to try and patch it up I could have got him promoted there to be the manager he gave me a great mirada once or twice first he was as stiff as the mischief really and truly Mrs Bloom only I felt rotten simply with the old rubbishy dress that I lost the leads out of the tails with no cut in it but theyre coming into fashion again I bought it simply to please him I knew it was no good by the finish pity I changed my mind of going to Todd and Burns as I said and not Lees it was just like the shop itself rummage sale a lot of trash I hate those rich shops get on your nerves nothing kills me altogether only he thinks he knows a great lot about a womans dress and cooking mathering everything he can scour off the shelves into it if I went by his advices every blessed hat I put on does that suit me yes take that thats alright the one like a wedding cake standing up miles off my head he said suited me or the dishcover one coming down on my backside on pins and needles about the shop girl in that place in Grafton street I had the misfortune to bring him into and she as insolent as ever she could be with her smirk saying Im afraid were giving you too much trouble whats she there for but I stared it out of her yes he was awfully stiff and no wonder but he changed the second time he looked Poldy pigheaded as usual like the soup but I could see him looking very hard at my chest when he stood up to open the door for me it was nice of him to show me out in any case Im extremely sorry Mrs Bloom believe me without making it too marked the first time after him being insulted and me being supposed to be his wife I just half smiled I know my chest was out that way at the door when he said Im extremely sorry and Im sure you were&#xA;&#xA;&#xA;yes I think he made them a bit firmer sucking them like that so long be made me thirsty titties he calls them I had to laugh yes this one anyhow stiff the nipple gets for the least thing Ill get him to keep that up and Ill take those eggs beaten up with marsala fatten them out for him what are all those veins and things curious the way its made 2 the same in case of twins theyre supposed to represent beauty placed up there like those statues in the museum one of them pretending to hide it with her hand are they so beautiful of course compared with what a man looks like with his two bags full and his other thing hanging down out of him or sticking up at you like a hatrack no wonder they hide it with a cabbageleaf the woman is beauty of course thats admitted when he said I could pose for a picture naked to some rich fellow in Holles street when he lost the job in Helys and I was selling the clothes and strumming in the coffee palace would I be like that bath of the nymph with my hair down yes only shes younger or Im a little like that dirty bitch in that Spanish photo he has the nymphs used they go about like that I asked him that disgusting Cameron highlander behind the meat market or that other wretch with the red head behind the tree where the statue of the fish used to be when I was passing pretending he was pissing standing out for me to see it with his babyclothes up to one side the Queens own they were a nice lot its well the Surreys relieved them theyre always trying to show it to you every time nearly I passed outside the mens greenhouse near the Harcourt street station just to try some fellow or other trying to catch my eye or if it was 1 of the 7 wonders of the world O and the stink of those rotten places the night coming home with Poldy after the Comerfords party oranges and lemonade to make you feel nice and watery I went into 1 of them it was so biting cold I couldnt keep it when was that 93 the canal was frozen yes it was a few months after a pity a couple of the Camerons werent there to see me squatting in the mens place meadero I tried to draw a picture of it before I tore it up like a sausage or something I wonder theyre not afraid going about of getting a kick or a bang or something there and that word met something with hoses in it and he came out with some jawbreakers about the incarnation he never can explain a thing simply the way a body can understand then he goes and burns the bottom out of the pan all for his Kidney this one not so much theres the mark of his teeth still where he tried to bite the nipple I had to scream out arent they fearful trying to hurt you I had a great breast of milk with Milly enough for two what was the reason of that he said I could have got a pound a week as a wet nurse all swelled out the morning that delicate looking student that stopped in No 28 with the Citrons Penrose nearly caught me washing through the window only for I snapped up the towel to my face that was his studenting hurt me they used to weaning her till he got doctor Brady to give me the Belladonna prescription I had to get him to suck them they were so hard he said it was sweeter and thicker than cows then he wanted to milk me into the tea well hes beyond everything I declare somebody ought to put him in the budget if I only could remember the one half of the things and write a book out of it the works of Master Poldy yes and its so much smoother the skin much an hour he was at them Im sure by the clock like some kind of a big infant I had at me they want everything in their mouth all the pleasure those men get out of a woman I can feel his mouth O Lord I must stretch myself I wished he was here or somebody to let myself go with and come again like that I feel all fire inside me or if I could dream it when he made me spend the 2nd time tickling me behind with his finger I was coming for about 5 minutes with my legs round him I had to hug him after O Lord I wanted to shout out all sorts of things fuck or shit or anything at all only not to look ugly or those lines from the strain who knows the way hed take it you want to feel your way with a man theyre not all like him thank God some of them want you to be so nice about it I noticed the contrast he does it and doesnt talk I gave my eyes that look with my hair a bit loose from the tumbling and my tongue between my lips up to him the savage brute Thursday Friday one Saturday two Sunday three O Lord I cant wait till Monday&#xA;&#xA;frseeeeeeeefronnnng train somewhere whistling the strength those engines have in them like big giants and the water rolling all over and out of them all sides like the end of Loves old sweeeetsonnnng the poor men that have to be out all the night from their wives and families in those roasting engines stifling it was today Im glad I burned the half of those old Freemans and Photo bits leaving things like that lying around hes getting very careless and threw the rest of them up in the W C Ill get him to cut them tomorrow for me instead of having them there for the next year to get a few pence for them have him asking wheres last Januarys paper and all those old overcoats I bundled out of the hall making the place hotter than it is the rain was lovely just after my beauty sleep I thought it was going to get like Gibraltar my goodness the heat there before the levanter came on black as night and the glare of the rock standing up in it like a big giant compared with their 3 Rock mountain they think is so great with the red sentries here and there the poplars and they all whitehot and the mosquito nets and the smell of the rainwater in those tanks watching the sun all the time weltering down on you faded all that lovely frock fathers friend Mrs Stanhope sent me from the B Marche Paris what a shame my dearest Doggerina she wrote on what she was very nice whats this her other name was just a P C to tell you I sent the little present have just had a jolly warm bath and feel a very clean dog now enjoyed it wogger she called him wogger wd give anything to be back in Gib and hear you sing in old Madrid or Waiting Concone is the name of those exercises he bought me one of those new some word Icouldn't make out shawls amusing things but tear for the least thing still theyre lovely I think dont you will always think of the lovely teas we had together scrumptious currant scones and raspberry wafers I adore well now dearest Doggerina be sure and write soon kind she left out regards to your father also Captain Grove with love yrs affly x x x x x she didnt look a bit married just like a girl he was years older than her wogger he was awfully fond of me when he held down the wire with his foot for me to step over at the bullfight at La Linea when that matador Gomez was given the bulls ear clothes we have to wear whoever invented them expecting you to walk up Killiney hill then for example at that picnic all staysed up you cant do a blessed thing in them in a crowd run or jump out of the way thats why I was afraid when that other ferocious old Bull began to charge the banderillos with the sashes and the 2 things in their hats and the brutes of men shouting bravo toro sure the women were as bad in their nice white mantillas ripping all the whole insides out of those poor horses I never heard of such a thing in all my life yes he used to break his heart at me taking off the dog barking in bell lane poor brute and it sick what became of them ever I suppose theyre dead long ago the 2 of them its like all through a mist makes you feel so old I made the scones of course I had everything all to myself then a girl Hester we used to compare our hair mine was thicker than hers she showed me how to settle it at the back when I put it up and whats this else how to make a knot on a thread with the one hand we were like cousins what age was I then the night of the storm I slept in her bed she had her arms round me then we were fighting in the morning with the pillow what fun he was watching me whenever he got an opportunity at the band on the Alameda esplanade when I was with father and Captain Grove I looked up at the church first and then at the windows then down and our eyes met I felt something go through me like all needles my eyes were dancing I remember after when I looked at myself in the glass hardly recognised myself the change I had a splendid skin from the sun and the excitement like a rose I didn't get a wink of sleep it wouldnt have been nice on account of her but I could have stopped it in time she gave me the Moonstone to read that was the first I read of Wilkie Collins East Lynne I read and the shadow of Ashlydyat Mrs Henry Wood Henry Dunbar by that other woman I lent him afterwards with Mulveys photo in it so as he see I wasnt without and Lord Lytton Eugene Aram Molly bawn she gave me by Mrs Hungerford on account of the name I dont like books with a Molly in them like that one he brought me about the one from Flanders a whore always shoplifting anything she could cloth and stuff and yards of it this blanket is too heavy on me thats better I havent even one decent nightdress this thing gets all rolled up under me besides him and his fooling thats better I used to be weltering then in the heat my shift drenched with the sweat stuck in the cheeks of my bottom on the chair when I stood up they were so fattish and firm when I got up on the sofa cushions to see with my clothes up and the bugs tons of them at night and the mosquito nets I couldnt read a line Lord how long ago it seems centuries of course they never come back and she didnt put her address right on it either she may have noticed her wogger people were always going away and we never I remember that day with the waves and the boats with their high heads rocking and the swell of the ship those Officers uniforms on shore leave made me seasick he didnt say anything he was very serious I had the high buttoned boots on and my skirt was blowing she kissed me six or seven times didnt I cry yes I believe I did or near it my lips were taittering when I said goodbye she had a Gorgeous wrap of some special kind of blue colour on her for the voyage made very peculiarly to one side like and it was extremely pretty it got as dull as the devil after they went I was almost planning to run away mad out of it somewhere were never easy where we are father or aunt or marriage waiting always waiting to guiiiide him toooo me waiting nor speeeed his flying feet their damn guns bursting and booming all over the shop especially the Queens birthday and throwing everything down in all directions if you didnt open the windows when general Ulysses Grant whoever he was or did supposed to be some great fellow landed off the ship and old Sprague the consul that was there from before the flood dressed up poor man and he in mourning for the son then the same old reveille in the morning and drums rolling and the unfortunate poor devils of soldiers walking about with messtins smelling the place more than the old longbearded jews in their jellibees and levites assembly and sound clear and gunfire for the men to cross the lines and the warden marching with his keys to lock the gates and the bagpipes and only Captain Groves and father talking about Rorkes drift and Plevna and sir Garnet Wolseley and Gordon at Khartoum lighting their pipes for them everytime they went out drunken old devil with his grog on the windowsill catch him leaving any of it picking his nose trying to think of some other dirty story to tell up in a corner but he never forgot himself when I was there sending me out of the room on some blind excuse paying his compliments the Bushmills whisky talking of course but hed do the same to the next woman that came along I supposed he died of galloping drink ages ago the days like years not a letter from a living soul except the odd few I posted to myself with bits of paper in them so bored sometimes I could fight with my nails listening to that old Arab with the one eye and his heass of an instrument singing his heah heah aheah all my compriments on your hotchapotch of your heass as bad as now with the hands hanging off me looking out of the window if there was a nice fellow even in the opposite house that medical in Holles street the nurse was after when I put on my gloves and hat at the window to show I was going out not a notion what I meant arent they thick never understand what you say even youd want to print it up on a big poster for them not even if you shake hands twice with the left he didnt recognise me either when I half frowned at him outside Westland row chapel where does their great intelligence come in Id like to know grey matter they have it all in their tail if you ask me those country gougers up in the City Arms intelligence they had a damn sight less than the bulls and cows they were selling the meat and the coalmans bell that noisy bugger trying to swindle me with the wrong bill he took out of his hat what a pair of paws and pots and pans and kettles to mend any broken bottles for a poor man today and no visitors or post ever except his cheques or some advertisement like that wonderworker they sent him addressed dear Madam only his letter and the card from Milly this morning see she wrote a letter to him who did I get the last letter from O Mrs Dwenn now whatever possessed her to write after so many years to know the recipe I had for pisto madrileno Floey Dillon since she wrote to say she was married to a very rich architect if Im to believe all I hear with a villa and eight rooms her father was an awfully nice man he was near seventy always good humour well now Miss Tweedy or Miss Gillespie theres the pyannyer that was a solid silver coffee service he had too on the mahogany sideboard then dying so far away I hate people that have always their poor story to tell everybody has their own troubles that poor Nancy Blake died a month ago of acute pneumonia well I didnt know her so well as all that she was Floeys friend more than mine its a bother having to answer he always tells me the wrong things and no stops to say like making a speech your sad bereavement sympathy I always make that mistake and newphew with 2 double yous in I hope hell write me a longer letter the next time if its a thing he really likes me O thanks be to the great God I got somebody to give me what I badly wanted to put some heart up into me youve no chances at all in this place like you used long ago I wish somebody would write me a love-letter his wasnt much and I told him he could write what he liked yours ever Hugh Boylan in Old Madrid silly women believe love is sighing I am dying still if he wrote it I suppose thered be some truth in it true or no it fills up your whole day and life always something to think about every moment and see it all around you like a new world I could write the answer in bed to let him imagine me short just a few words not those long crossed letters Atty Dillon used to write to the fellow that was something in the four courts that jilted her after out of the ladies letterwriter when I told her to say a few simple words he could twist how he liked not acting with precipit precipitancy with equal candour the greatest earthly happiness answer to a gentlemans proposal affirmatively my goodness theres nothing else its all very fine for them but as for being a woman as soon as youre old they might as well throw you out in the bottom of the ash pit.&#xA;&#xA;Mulveys was the first when I was in bed that morning and Mrs Rubio brought it in with the coffee she stood there standing when I asked her to hand me and I pointing at them I couldnt think of the word a hairpin to open it with ah horquilla disobliging old thing and it staring her in the face with her switch of false hair on her and vain about her appearance ugly as she was near 80 or a 100 her face a mass of wrinkles with all her religion domineering because she never could get over the Atlantic fleet coming in half the ships of the world and the Union Jack flying with all her carabineros because 4 drunken English sailors took all the rock from them and because I didnt run into mass often enough in Santa Maria to please her with her shawl up on her except when there was a marriage on with all her miracles of the saints and her black blessed virgin with the silver dress and the sun dancing 3 times on Easter Sunday morning and when the priest was going by with the bell bringing the vatican to the dying blessing herself for his Majestad an admirer he signed it I near jumped out of my skin I wanted to pick him up when I saw him following me along the Calle Real in the shop window then he tipped me just in passing I never thought hed write making an appointment I had it inside my petticoat bodice all day reading it up in every hole and corner while father was up at the drill instructing to find out by the handwriting or the language of stamps singing I remember shall I wear a white rose and I wanted to put on the old stupid clock to near the time he was the first man kissed me under the Moorish wall my sweetheart when a boy it never entered my head what kissing meant till he put his tongue in my mouth his mouth was sweetlike young I put my knee up to him a few times to learn the way what did I tell him I was engaged for fun to the son of a Spanish nobleman named Don Miguel de la Flora and he believed that I was to be married to him in 3 years time theres many a true word spoken in jest there is a flower that bloometh a few things I told him true about myself just for him to be imagining the Spanish girls he didnt like I suppose one of them wouldnt have him I got him excited he crushed all the flowers on my bosom he brought me he couldnt count the pesetas and the perragordas till I taught him Cappoquin he came from he said on the Blackwater but it was too short then the day before he left May yes it was May when the infant king of Spain was born Im always like that in the spring Id like a new fellow every year up on the tiptop under the rockgun near OHaras tower I told him it was struck by lightning and all about the old Barbary apes they sent to Clapham without a tail careering all over the show on each others back Mrs Rubio said she was a regular old rock scorpion robbing the chickens out of Inces farm and throw stones at you if you went anear he was looking at me I had that white blouse on open at the front to encourage him as much as I could without too openly they were just beginning to be plump I said I was tired we lay over the firtree cove a wild place I suppose it must be the highest rock in existence the galleries and casemates and those frightful rocks and Saint Michaels cave with the icicles or whatever they call them hanging down and ladders all the mud plotching my boots Im sure thats the way down the monkeys go under the sea to Africa when they die the ships out far like chips that was the Malta boat passing Yes the sea and the sky you could do what you liked lie there for ever he caressed them outside they love doing that its the roundness there I was leaning over him with my white ricestraw hat to take the newness out of it the left side of my face the best my blouse open for his last day transparent kind of shirt he had I could see his chest pink he wanted to touch mine with his for a moment but I wouldn't let him he was awfully put out first for fear you never know consumption or leave me with a child embarazada that old servant Ines told me that one drop even if it got into you at all after I tried with the Banana but I was afraid it might break and get lost up in me somewhere yes because they once took something down out of a woman that was up there for years covered with limesalts theyre all mad to get in there where they come out of youd think they could never get far enough up and then theyre done with you in a way till the next time yes because theres a wonderful feeling there all the time so tender how did we finish it off yes O yes I pulled him off into my handkerchief pretending not to be excited but I opened my legs I wouldnt let him touch me inside my petticoat I had a skirt opening up the side I tortured the life out of him first tickling him I loved rousing that dog in the hotel rrrsssst awokwokawok his eyes shut and a bird flying below us he was shy all the same I liked him like that morning I made him blush a little when I got over him that way when I unbuttoned him and took his out and drew back the skin it had a kind of eye in it theyre all Buttons men down the middle on the wrong side of them Molly darling he called me what was his name Jack Joe Harry Mulvey was it yes I think a lieutenant he was rather fair he had a laughing kind of a voice so I went around to the whatyoucallit everything was whatyoucallit moustache had he he said hed come back Lord its just like yesterday to me and if I was married hed do it to me and I promised him yes faithfully Id let him block me now flying perhaps hes dead or killed or a Captain or admiral its nearly 20 years if I said firtree cove he would if he came up behind me and put his hands over my eyes to guess who I might recognise him hes young still about 40 perhaps hes married some girl on the black water and is quite changed they all do they havent half the character a woman has she little knows what I did with her beloved husband before he ever dreamt of her in broad daylight too in the sight of the whole world you might say they could have put an article about it in the Chronicle I was a bit wild after when I blew out the old bag the biscuits were in from Benady Bros and exploded it Lord what a bang all the woodcocks and pigeons screaming coming back the same way that we went over middle hill round by the old guardhouse and the jews burial place pretending to read out the Hebrew on them I wanted to fire his pistol he said he hadnt one he didnt know what to make of me with his peaked cap on that he always wore crooked as often as I settled it straight H M S Calypso swinging my hat that old Bishop that spoke off the altar his long preach about womans higher functions about girls now riding the bicycle and wearing peak caps and the new woman bloomers God send him sense and me more money I suppose theyre called after him I never thought that would be my name Bloom when I used to write it in print to see how it looked on a visiting card or practising for the butcher and oblige M Bloom youre looking blooming Josie used to say after I married him well its better than Breen or Briggs does brig or those awful names with bottom in them Mrs Ramsbottom or some other kind of a bottom Mulvey I wouldnt go mad about either or suppose I divorced him Mrs Boylan my mother whoever she was might have given me a nicer name the Lord knows after the lovely one she had Lunita Laredo the fun we had running along Willis road to Europa point twisting in and out all round the other side of Jersey they were shaking and dancing about in my blouse like Millys little ones now when she runs up the stairs I loved looking down at them I was jumping up at the pepper trees and the white poplars pulling the leaves off and throwing them at him he went to India he was to write the voyages those men have to make to the ends of the world and back its the least they might get a squeeze or two at a woman while they can going out to be drowned or blown up somewhere I went up windmill hill to the flats that Sunday morning with Captain Rubios that was dead spyglass like the sentry had he said hed have one or two from on board I wore that frock from the B Marche Paris and the coral necklace the straits shining I could see over to Morocco almost the bay of Tangierwhite and the At!as mountain with snow on it and the straits like a river so clear Harry Molly Darling I was thinking of him on the sea all the time after at mass when my petticoat began to slip down at the elevation weeks and weeks I kept the handkerchief under my pillow for the smell of him there was no decent perfume to be got in that Gibraltar only that cheap peau despagne that faded and left a stink on you more than anything else I wanted to give him a memento he gave me that clumsy Claddagh ring for luck that I gave Gardner going to South Africa where those Boers killed him with their war and fever but they were well beaten all the same as if it brought its bad luck with it like an opal or pearl must have been pure 16 carat gold because it was very heavy I can see his face clean shaven Frseeeeeeeeeeeeeeeeeeeefrong that train again weeping tone once in the dear deaead days beyond recall close my eyes breath my lips forward kiss sad look eyes open piano ere oer the world the mists began I hate that istsbeg comes loves sweet soooooooooong Ill let that out full when I get in front of the footlights again Kathleen Kearney and her lot of squealers Miss This Miss That Miss Theother lot of sparrowfarts skitting around talking about politics they know as much about as my backside anything in the world to make themselves someway interesting Irish homemade beauties soldiers daughter am ay and whose are you bootmakers and publicans I beg your pardon coach I thought you were a wheelbarrow theyd die down dead off their feet if ever they got a chance of walking down the Alameda on an officers arm like me on the bandnight my eyes flash my bust that they havent passion God help their poor head I knew more about men and life when I was 15 than theyll all know at 50 they dont know how to sing a song like that Gardner said no man could look at my mouth and teeth smiling like that end not think of it I was afraid he mightnt like my accent first he so English all father left me in spite of his stamps Ive my mothers eyes and figure anyhow he always said theyre so snotty about themselves some of those cads he wasnt a bit like that he was dead gone on my lips let them get a husband first thats fit to be looked at and a daughter like mine or see if they can excite a swell with money that can pick and choose whoever he wants like Boylan to do it 4 or 5 times locked in each others arms or the voice either I could have been a prima donna only I married him comes loooves old deep down chin back not too much make it double My Ladys Bower is too long for an encore about the moated grange at twilight and vaulted rooms yes Ill sing Winds that blow from the south that he gave after the choirstairs performance Ill change that lace on my black dress to show off my bubs and Ill yes by God Ill get that big fan mended make them burst with envy my hole is itching me always when I think of him I feel I want to I feel some wind in me better go easy not wake him have him at it again slobbering after washing every bit of myself back belly and sides if we had even a bath itself or my own room anyway I wish hed sleep in some bed by himself with his cold feet on me give us room even to let a fart God or do the least thing better yes hold them like that a bit on my side piano quietly sweeeee theres that train far away pianissimo eeeeeeee one more song that was a relief wherever you be let your wind go free who knows if that pork chop I took with my cup of tea after was quite good with the heat I couldnt smell anything off it Im sure that queerlooking man in the porkbutchers is a great rogue I hope that lamp is not smoking fill my nose up with smuts better than having him leaving the gas on all night I couldnt rest easy in my bed in Gibraltar even getting up to see why am I so damned nervous about that though I like it in the winter its more company O Lord it was rotten cold too that winter when I was only about ten was I yes I had the big doll with all the funny clothes dressing her up and undressing that icy wind skeeting across from those mountains the something Nevada sierra nevada standing at the fire with the little bit of a short shift I had up to heat myself I loved dancing about in it then make a race back into bed Im sure that fellow opposite used to be there the whole time watching with the lights out in the summer and I in my skin hopping around I used to love myself then stripped at the washstand dabbing and creaming only when it came to the chamber performance I put out the light too so then there were 2 of us Goodbye to my sleep for this night anyhow I hope hes not going to get in with those medicals leading him astray to imagine hes young again coming in at 4 in the morning it must be if not more still he had the manners not to wake me what do they find to gabber about all night squandering money and getting drunker and drunker couldnt they drink water then he starts giving us his orders for eggs and tea Findon haddy and hot buttered toast I suppose well have him sitting up like the king of the country pumping the wrong end of the spoon up and down in his egg wherever he learned that from and I love to hear him falling up the stairs of a morning with the cups rattling on the tray and then play with the cat she rubs up against you for her own sake I wonder has she fleas shes as bad as a woman always licking and lecking but I hate their claws I wonder do they see anything that we cant staring like that when she sits at the top of the stairs so long and listening as I wait always what a robber too that lovely fresh plaice I bought I think Ill get a bit of fish tomorrow or today is it Friday yes I will with some blancmange with black currant jam like long ago not those 2 lb pots of mixed plum and apple from the London and Newcastle Williams and Woods goes twice as far only for the bones I hate those eels cod yes Ill get a nice piece of cod Im always getting enough for 3 forgetting anyway Im sick of that everlasting butchers meat from Buckleys loin chops and leg beef and rib steak and scrag of mutton and calfs pluck the very name is enough or a picnic suppose we all gave 5/- each and or let him pay and invite some other woman for him who Mrs Fleming and drive out to the furry glen or the strawberry beds wed have him examining all the horses toenails first like he does with the letters no not with Boylan there yes with some cold veal and ham mixed sandwiches there are little houses down at the bottom of the banks there on purpose but its as hot as blazes he says not a bank holiday anyhow I hate those ruck of Mary Ann coalboxes out for the day Whit Monday is a cursed day too no wonder that bee bit him better the seaside but Id never again in this life get into a boat with him after him at Bray telling the boatmen he knew how to row if anyone asked could he ride the steeplechase for the gold cup hed say yes then it came on to get rough the old thing crookeding about and the weight all down my side telling me to pull the right reins now pull the left and the tide all swamping in floods in through through the bottom and his oar slipping out of the stirrupits a mercy we werent all drowned he can swim of course me no theres no danger whatsoever keep yourself calm in his flannel trousers Id like to have tattered them down off him before all the people and give him what that one calls flagellate till he was black and blue do him all the good in the world only for that longnosed chap I dont know who he is with that other beauty Burke out of the City Arms hotel was there spying around as usual on the slip always where he wasnt wanted if there was a row on you vomit a better face there was no love lost between us thats I consolation I wonder what kind is that book he brought me Sweets of Sin by a gentleman of fashion some other Mr de Kock I suppose the people gave him that nickname going about with his tube from one woman to another I couldnt even change my new white shoes all ruined with the saltwater and the hat I had with that feather all blowy and tossed on me how annoying and provoking because the smell of the sea excited me of course the sardines and the bream in Catalan bay round the back of the rock they were fine all silver in the fishermens baskets old Luigi near a hundred they said came from Genoa and the tall old chap with the earrings I dont like a man you have to climb up to go get at I suppose theyre all dead and rotten long ago besides I dont like being alone in this big barracks of a place at night I suppose Ill have to put up with it I never brought a bit of salt in even when we moved in the confusion musical academy he was going to make on the first floor drawingroom with a brassplate or Blooms private hotel he suggested go and ruin himself altogether the way his father did down in Ennis like all the things he told father he was going to do and me but I saw through him telling me all the lovely places we could go for the honeymoon Venice by moonlight with the gondolas and the lake of Como he had a picture cut out of some paper of and mandolines and lanterns O how nice I said whatever I liked he was going to do immediately if not sooner will you be my man will you carry my can he ought to get a leather medal with a putty rim for all the plans he invents then leaving us here all day you never know what old beggar at the door for a crust with his long story might be a tramp and put his foot in the way to prevent me shutting it like that picture of that hardened criminal he was called in Lloyds Weekly News 20 years in jail then he comes out and murders an old woman for her mofley imagine his poor wife or mother or whoever she is such a face youd run miles away from I couldnt rest easy till I bolted all the doors and windows to make sure but its worse again being locked up like in a prison or a madhouse they ought to be all shot or the cat of nine tails a big brute like that that would attack a poor old woman to murder her in her bed Id cut them off so I would not that hed be much use still better than nothing the night I was sure I heard burglars in the kitchen and he went down in his shirt with a candle and a poker as if he was looking for a mouse as white as a sheet frightened out of his wits making as much noise as he possibly could for the burglars benefit there isnt much to steal indeed the Lord knows still its the feeling especially now with Milly away such an idea for him to send the girl down there to learn to take photographs on account of his grandfather instead of sending her to Skerrys academy where shed have to learn not like me getting all at school only hed do a thing like that all the same on account of me and Boylan thats why he did it Im certain the way he plots and plans everything out I couldnt turn round with her in the place lately unless I bolted the door first gave me the fidgets coming in without knocking first when I put the chair against the door just as I was washing myself there below with the glove get on your nerves then doing the loglady all day put her in a glasscase with two at a time to look at her if he knew she broke off the hand off that little gimcrack statue with her roughness and carelessness before she left that I got that little Italian boy to mend so that you cant see the join for 2 shillings wouldnt even teem the potatoes for you of course shes right not to ruin her hands I noticed he was always talking to her lately at the table explaining things in the paper and she pretending to understand sly of course that comes from his side of the house and helping her into her coat but if there was anything wrong with her its me shed tell not him he Cant say I pretend things can he Im too honest as a matter of fact I suppose he thinks Im finished out and laid on the shelf well Im not no nor anything like it well see well see now shes well on for flirting too with Tom Devans two sons imitating me whistling with those romps of Murray girls calling for her can Milly come out please shes in great demand to pick what they can out of her round in Nelson street riding Harry Devans bicycle at night its as well he sent her where she is she was just getting out of bounds wanting to go on the skatingrink and smoking their cigarettes through their nose I smelt it off her dress when I was biting off the thread of the button I sewed on to the bottom of her jacket she couldnt hide much from me I tell you only I oughtnt to have stitched it and it on her it brings a parting and the last plumpudding too split in 2 halves see it comes out no matter what they say her tongue is a bit too long for my taste your blouse is open too low she says to me the pan calling the kettle blackbottom and I had to tell her no! to cock her legs up like that on show on the windowsill before all the people passing they all look at her like me when I was her age of course any old rag looks well on you then a great touchmenot too in her own way at the Only Way in the Theatre royal take your foot away out of that I hate people touching me afraid of her life Id crush her skirt with the pleats a lot of that touching must go on in theatres in the crush in the dark theyre always trying to wiggle up to you that fellow in the pit at the pit at the Gaiety for Beerbohm Tree in Trilby the last time Ill ever go there to be squashed like that for any Trilby or her barebum every two minutes tipping me there and looking away hes a bit daft I think I saw him after trying to get near two stylish dressed ladies outside Switzers window at the same little game I recognised him on the moment the face and everything but he didn't remember me and she didnt even want me to kiss her at the Broadstone going away well I hope shell get someone to dance attendance on her the way I did when she was down with the mumps her glands swollen wheres this and wheres that of course she cant feel anything deep yet I never came properly till I was what 22 or so it went into the wrong place always only the usual girls nonsense and giggling that Conny Connolly writing to her in white ink on black paper sealed with sealingwax though she clapped when the curtain came down because he looked so handsome then we had Martin Harvey for breakfast dinner and supper I thought to myself afterwards it must be real love if a man gives up his life for her that way for nothing I suppose there are few men like that left its hard to believe in it though unless it really happened to me the majority of them with not a particle of love in their natures to find two people like that nowadays full up of each other that would feel the same way as you do theyre usually a bit foolish in the head his father must have been a bit queer to go and poison himself after her still poor old man I suppose he felt lost always making love to my things too the few old rags I have wanting to put her hair up at 15 my powder too only ruin her skin on her shes time enough for that all her life after of course shes restless knowing shes pretty with her lips so red a pity they wont stay that way I was too but theres no use going to the fair with the thing answering me like a fishwoman when I asked to go for a half a stone of potatoes the day we met Mrs Joe Gallaher at the trottingmatches and she pretended not to see us in her trap with Friery the solicitor we werent grand enough till I gave her 2 damn fine cracks across the ear for herself take that now for answering me like that and that for your impudence she had me that exasperated of course contradicting I was badtempered too because how was it there was a weed in the tea or I didnt sleep the night before cheese I ate was it and I told her over and over again not to leave knives crossed like that because she has nobody to command her as she said herself well if he doesnt correct her faith I will that was the last time she turned on the teartap I was just like that myself they darent order me about the place its his fault of course having the two of us slaving here instead of getting in a woman long ago am I ever going to have a proper servant again of course then shed see him coming Id have to let her know or shed revenge it arent they a nuisance that old Mrs Fleming you have to be walking round after her putting the things into her hands sneezing and farting into the pots well of course shes old she cant help it a good job I found that rotten old smelly dishcloth that got lost behind the dresser I knew there was something and opened the window to let out the smell bringing in his friends to entertain them like the night he walked home with a dog if you please that might have been mad especially Simon Dedalus son his father such a criticiser with his glasses up with his tall hat on him at the cricket match and a great big hole in his sock one thing laughing at the other and his son that got all those prizes for whatever he won them in the intermediate imagine climbing over the railings if anybody saw him that knew us wonder he didnt tear a big hole in his grand funeral trousers as if the one nature gave wasnt enough for anybody hawking him down into the dirty old kitchen now is he right in his head I ask pity it wasn't washing day my old pair of drawers might have been hanging up too on the line on exhibition for all hed ever care with the ironmould mark the stupid old bundle burned on them he might think was something else and she never even rendered down the fat I told her and now shes going such as she was on account of her paralysed husband getting worse theres always something wrong with them disease or they have to go under an operation or if its not that its drink and he beats her Ill have to hunt around again for someone every day I get up theres some new thing on sweet God sweet God well when Im stretched out dead in my grave I suppose Ill have some peace I want to get up a minute if Im let wait O Jesus wait yes that thing has come on me yes now wouldnt that afflict you of course all the poking and rooting and ploughing he had up in me now what am I to do Friday Saturday Sunday wouldnt that pester the soul out of a body unless he likes it some men do God knows theres always something wrong with us 5 days every 3 or 4 weeks usual monthly auction isnt it simply sickening that night it came on me like that the one and only time we were in a box that Michael Gunn gave him to see Mrs Kendal and her husband at the Gaiety something he did about insurance for him Drimmies I was fit to be tied though I wouldnt give in with that gentleman of fashion staring down at me with his glasses and him the other side of me talking about Spinoza and his soul thats dead I suppose millions of years ago I smiled the best I could all in a swamp leaning forward as if I was interested having to sit it out then to the last tag I wont forget that wife of Scarli in a hurry supposed to be a fast play about adultery that idiot in the gallery hissing the woman adulteress he shouted I suppose he went and had a woman in the next lane running round all the back ways after to make up for it I wish he had what I had then hed boo I bet the cat itself is better off than us have we too much blood up in us or what O patience above its pouring out of me like the sea anyhow he didnt make me pregnant as big as he is I dont want to ruin the clean sheets the clean linen I wore brought it on too damn it damn it and they always want to see a stain on the bed to know youre a virgin for them all thats troubling them theyre such fools too you could be a widow or divorced 40 times over a daub of red ink would do or blackberry juice no thats too purply O Jamesy let me up out of this pooh sweets of sin whoever suggested that business for women what between clothes and cooking and children this damned old bed too jingling like the dickens I suppose they could hear us away over the other side of the park till I suggested to put the quilt on the floor with the pillow under my bottom I wonder is it nicer in the day I think it is easy I think Ill cut all this hair off me there scalding me I might look like a young girl wouldnt he get the great suckin the next time he turned up my clothes on me Id give anything to see his face wheres the chamber gone easy Ive a holy horror of its breaking under me after that old commode I wonder was I too heavy sitting on his knee I made him sit on the easychair purposely when I took off only my blouse and skirt first in the other room he was so busy where he oughtnt to be he never felt me I hope my breath was sweet after those kissing comfits easy God I remember one time I could scout it out straight whistling like a man almost easy O Lord how noisy I hope theyre bubbles on it for a wad of money from some fellow Ill have to perfume it in the morning dont forget I bet he never saw a better pair of thighs than that look how white they are the smoothest place is right there between this bit here how soft like a peach easy God I wouldnt mind being a man and get up on a lovely woman O Lord what a row youre making like the jersey lily easy O how the waters come down at Lahore&#xA;&#xA;who knows is there anything the matter with my insides or have I something growing in me getting that thing like that every week when was it last I Whit Monday yes its only about 3 weeks I ought to go to the doctor only it would be like before I married him when I had that white thing coming from me and Floey made me go to that dry old stick Dr Collins for womens diseases on Pembroke road your vagina he called it I suppose thats how he got all the gilt mirrors and carpets getting round those rich ones off Stephens green running up to him for every little fiddlefaddle her vagina and her cochinchina theyve money of course so theyre all right I wouldnt marry him not if he was the last man in the world besides there something queer about their children always smelling around those filthy bitches all sides asking me if what I did had an offensive odour what did he want me to do but the one thing gold maybe what a question if I smathered it all over his wrinkly old face for him with all my compriment I suppose hed know then and could you pass it easily pass what I thought he was talking about the rock of Gibraltar the way he puts it thats a very nice invention too by the way only I like letting myself down after in the hole as far as I can squeeze and pull the chain then to flush it nice cool pins and needles still theres something in it I suppose I always used to know by Millys when she was a child whether she had worms or not still all the same paying him for that how much is that doctor one guinea please and asking me had I frequent omissions where do those old fellows get all the words they have omissions with his shortsighted eyes on me cocked sideways I wouldnt trust him too far to give me chloroform or God knows what else still I liked him when he sat down to write the thing out frowning so severe his nose intelligent like that you be damned you lying strap O anything no matter who except an idiot he was clever enough to spot that of course that was all thinking of him and his mad crazy letters my Precious one everything connected with your glorious Body everything underlined that comes from it is a thing of beauty and of joy for ever something he got out of some nonsensical book that he had me always at myself 4 or 5 times a day sometimes and I said I hadnt are you sure O yes I said I am quite sure in a way that shut him up I knew what was coming next only natural weakness it was he excited me I dont know how the first night ever we met when I was living in Rehoboth terrace we stood staring at one another for about 10 minutes as if we met somewhere I suppose on account of my being jewess looking after my mother he used to amuse me the things he said with the half sloothering smile on him and all the Doyles said he was going to stand for a member of Parliament O wasnt I the born fool to believe all his blather about home rule and the land league sending me that long strool of a song out of the Huguenots to sing in French to be more classy O beau pays de la Touraine that I never even sang once explaining and rigmaroling about religion and persecution he wont let you enjoy anything naturally then might he as a great favour the very 1st opportunity he got a chance in Brighton square running into my bedroom pretending the ink got on his hands to wash it off with the Albion milk and sulphur soap I used to use and the gelatine still round it O I laughed myself sick at him that day Id better not make an all night sitting on this affair they ought to make chambers a natural size so that a woman could sit on it properly he kneels down to do it I suppose there isnt in all creation another man with the habits he has look at the way hes sleeping at the foot of the bed how can he without a hard bolster its well he doesnt kick or he might knock out all my teeth breathing with his hand on his nose like that Indian god he took me to show one wet Sunday in the museum in Kildare street all yellow in a pinafore lying on his side on his hand with his ten toes sticking out that he said was a bigger religion than the jews and Our Lords both put together all over Asia imitating him ashes always imitating everybody I suppose he used to sleep at the foot of the bed too with his big square feet up in his wifes mouth damn this stinking thing anyway wheres this those napkins are ah yes I know I hope the old press doesnt creak ah I knew it would hes sleeping hard had a good time somewhere still she must have given him great value for his money of course he has to pay for it from her O this nuisance of a thing I hope theyll have something better for us in the other world tying ourselves up God help us thats all right for tonight now the lumpy old jingly bed always reminds me of old Cohen I suppose he scratched himself in it often enough and he thinks father bought it from Lord Napier that I used to admire when I was a little girl because I told him easy piano O I like my bed God here we are as bad as ever after 16 years how many houses were we in at all Raymond Terrace and Ontario terrace and Lombard street and Holles street and he goes about whistling every time were on the run again his huguenots or the frogs march pretending to help the men with our 4 sticks of furniture and then the City Arms hotel worse and worse says Warden Daly that charming place on the landing always somebody inside praying then leaving all their stinks after them always know who was in there last every time were just getting on right something happens or he puts his big foot in it Thoms and Helys and Mr Cuffes and Drimmies either hes going to be run into prison over his old lottery tickets that was to be all our salvations or he goes and gives impudence well have him coming home with the sack soon out of the Freeman too like the rest on account of those Sinner Fein or the Freemasons then well see if the little man he showed me dribbling along in the wet all by himself round by Coadys lane will give him much consolation that he says is so capable and sincerely Irish he is indeed judging by the sincerity of the trousers I saw on him wait theres Georges church bells wait 3 quarters the hour wait 2 oclock well thats a nice hour of the night for him to be coming home at to anybody climbing down into the area if anybody saw him Ill knock him off that little habit tomorrow first Ill look at his shirt to see or Ill see if he has that French letter still in his pocketbook I suppose he thinks I dont know deceitful men all their 20 pockets arent enough for their lies then why should we tell them even if its the truth they dont believe you then tucked up in bed like those babies in the Aristocrats Masterpiece he brought me another time as if we hadnt enough of that in real life without some old Aristocrat or whatever his name is disgusting you more with those rotten pictures children with two heads and no legs thats the kind of villainy theyre always dreaming about with not another thing in their empty heads they ought to get slow poison the half of them then tea and toast for him buttered on both sides and newlaid eggs I suppose Im nothing any more when I wouldnt let him lick me in Holles street one night man man tyrant as ever for the one thing he slept on the floor half the night naked the way the jews used when somebody dies belonged to them and wouldnt eat any breakfast or speak a word wanting to be petted so I thought I stood out enough for one time and let him he does it all wrong too thinking only of his own pleasure his tongue is too flat or I dont know what he forgets that we then I dont Ill make him do it again if he doesnt mind himself and lock him down to sleep in the coalcellar with the blackbeetles I wonder was it her Josie off her head with my castoffs hes such a born liar too no hed never have the courage with a married woman thats why he wants me and Boylan though as for her Denis as she calls him that forlornlooking spectacle you couldn't call him a husband yes its some little bitch hes got in with even when I was with him with Milly at the College races that Hornblower with the childs bonnet on the top on his nob let us into by the back way he was throwing his sheeps eyes at those two doing skirt duty up and down I tried to wink at him first no use of course and thats the way his money goes this is the fruits of Mr Paddy Dignam yes they were all in great style at the grand funeral in the paper Boylan brought in if they saw a real officers funeral thatd be something reversed arms muffled drums the poor horse walking behind in black L Bloom and Tom Kernan that drunken little barrelly man that bit his tongue off falling down the mens W C drunk in some place or other and Martin Cunningham and the two Dedaluses and Fanny MCoys husband white head of cabbage skinny thing with a turn in her eye trying to sing my songs shed want to be born all over again and her old green dress with the lowneck as she cant attract them any other way like dabbling on a rainy day I see it all now plainly and they call that friendship killing and then burying one another and they all with their wives and families at home more especially Jack Power keeping that barmaid he does of course his wife always sick or going to be sick or just getting better of it and hes a good-looking man still though hes getting a bit grey over the ears theyre a nice lot all of them well theyre not going to get my husband again into their clutches if I can help it making fun of him then behind his back I know well when he goes on with his idiotics because he has sense enough not to squander every penny piece he earns down their gullets and looks after his wife and family goodfornothings poor Paddy Dignam all the same Im sorry in a way for him what are his wife and 5 children going to do unless he was insured comical little teetotum always stuck up in some pub corner and her or her son waiting Bill Bailey wont you please come home her widows weeds wont improve her appearance theyre awfully becoming though if youre goodlooking what men wasn't he yes he was at the Glencree dinner and Ben Dollard base barreltone the night he borrowed the swallowtail to sing out of in Holles street squeezed and squashed into them and grinning all over his big Dolly face like a wellwhipped childs botty didnt he look a balmy ballocks sure enough that must have been a spectacle on the stage imagine paying 5/- in the preserved seats for that to see him and Simon Dedalus too he was always turning up half screwed singing the second verse first the old love is the new was one of his so sweetly sang the maiden on the hawthorn bough he was always on for flirtyfying too when I sang Maritana with him at Freddy Mayers private opera he had a delicious glorious voice Phoebe dearest goodbye sweetheart he always sang it not like Bartell dArcy sweet tart goodbye of course he had the gift of the voice so there was no art in it all over you like a warm showerbath O Maritana wildwood flower we sang splendidly though it was a bit too high for my register even transposed and he was married at the time to May Goulding but then hed say or do something to knock the good out of it hes a widower now I wonder what sort is his son he says hes an author and going to be a university professor of Italian and Im to take lessons what is he driving at now showing him my photo its not good of me I ought to have got it taken in drapery that never looks out of fashion still I look young in it I wonder he didnt make him a present of it altogether and me too after all why not I saw him driving down to the Kingsbridge station with his father and mother I was in mourning thats 11 years ago now yes hed be 11 though what was the good in going into mourning for what was neither one thing nor the other of course he insisted hed go into mourning for the cat I suppose hes a man now by this time he was an innocent boy then and a darling little fellow in his lord Fauntleroy suit and curly hair like a prince on the stage when I saw him at Mat Dillons he liked me too I remember they all do wait by God yes wait yes hold on he was on the cards this morning when I laid out the deck union with a young stranger neither dark nor fair you met before I thought it meant him but hes no chicken nor a stranger either besides my face was turned the other way what was the 7th card after that the 10 of spaces for a Journey by land then there was a letter on its way and scandals too the 3 queens and the 8 of diamonds for a rise in society yes wait it all came out and 2 red 8s for new garments look at that and didnt I dream something too yes there was something about poetry in it I hope he hasnt long greasy hair hanging into his eyes or standing up like a red Indian what do they go about like that for only getting themselves and their poetry laughed at I always liked poetry when I was a girl first I thought he was a poet like Byron and not an ounce of it in his composition I thought he was quite different I wonder is he too young hes about wait 88 I was married 88 Milly is 15 yesterday 89 what age was he then at Dillons 5 or 6 about 88 I suppose hes 20 or more Im not too old for him if hes 23 or 24 I hope hes not that stuck up university student sort no otherwise he wouldnt go sitting down in the old kitchen with him taking Eppss cocoa and taking of course he pretended to understand it all probably he told him he was out of Trinity college hes very young to be a professor I hope hes not a professor like Goodwin was he was a patent professor of John Jameson they all write about some woman in their poetry well I suppose he wont find many like me where softly sighs of love the light guitar where poetry is in the air the blue sea and the moon shining so beautifully coming back on the nightboat from Tarifa the lighthouse at Europa point the guitar that fellow played was so expressive will I never go back there again all new faces two glancing eyes a lattice hid Ill sing that for him theyre my eyes if hes anything of a poet two eyes as darkly bright as loves own star arent those beautiful words as loves young star itll be a change the Lord knows to have an intelligent person to talk to about yourself not always listening to him and Billy Prescotts ad and Keyess ad and Tom the Devils ad then, if anything goes wrong in their business we have to suffer Im sure hes very distinguished Id like to meet a man like that God not those other ruck besides hes young those fine young men I could see down in Margate strand bathing place from the side of the rock standing up in the sun naked like a God or something and then plunging into the sea with them why arent all men like that thered be some consolation for a woman like that lovely little statue he bought I could look at him all-day long curly head and his shoulders his finger up for you to listen theres real beauty and poetry for you I often felt I wanted to kiss him all over also his lovely young cock there so simply I wouldnt mind taking him in my mouth if nobody was looking as if it was asking you to suck it so clean and white he looked with his boyish face I would too in 1/2 a minute even if some of it went down what its only like gruel or the dew theres no danger besides hed be so clean compared with those pigs of men I suppose never dream of washing it from 1 years end to the other the most of them only thats what gives the women the moustaches Im sure itll be grand if I can only get in with a handsome young poet at my age Ill throw them the 1st thing in the morning till I see if the wishcard comes out or Ill try pairing the lady herself and see if he comes out Ill read and study all I can find or learn a bit off by heart if I knew who he likes so he wont think me stupid if he thinks all women are the same and I can teach him the other part Ill make him feel all over him till he half faints under me then hell write about me lover and mistress publicly too with our 2 photographs in all the papers when he becomes famous O but then what am I going to do about him though&#xA;&#xA;no thats no way for him has he no manners nor no refinement nor no nothing in his nature slapping us behind like that on my bottom because I didn't call him Hugh the ignoramus that doesnt know poetry from a cabbage thats what you get for notkeeping them in their proper place pulling off his shoes and trousers there on the chair before me so barefaced without even asking permission and standing out that vulgar way in the half of a shirt they wear to be admired like a priest or a butcher or those old hypocrites in the time of Julius Caesar of course hes right enough in his way to pass the time as a joke sure you might as well be in bed with what with a lion God Im sure hed have something better to say for himself an old Lion would O well I suppose its because they were so plump and tempting in my short petticoat he couldnt resist they excite myself sometimes its well for men all the amount of pleasure they get off a womans body were so round and white for them always I wished I was one myself for a change just to try with that thing they have swelling upon you so hard and at the same time so soft when you touch it my uncle John has a thing long I heard those cornerboys saying passing the corner of Marrowbone lane my aunt Mary has a thing hairy because it was dark and they knew a girl was passing it didnt make me blush why should it either its only nature and he puts his thing long into my aunt Marys hairy etcetera and turns out to be you put the handle in a sweepingbrush men again all over they can pick and choose what they please a married woman or a fast widow or a girl for their different tastes like those houses round behind Irish street no but were to be always chained up theyre not going to be chaining me up no damn fear once I start I tell you for stupid husbands jealousy why cant we all remain friends over it instead of quarrelling her husband found it out what they did together well naturally and if he did can he undo it hes coronado anyway whatever he does and then he going to the other mad extreme about the wife in Fair Tyrants of course the man never even casts a 2nd thought on the husband or wife either its the woman he wants and he gets her what else were we given all those desires for Id like to know I cant help it if Im young still can I its a wonder Im not an old shrivelled hag before my time living with him so cold never embracing me except sometimes when hes asleep the wrong end of me not knowing I suppose who he has any man thatd kiss a womans bottom Id throw my hat at him after that hed kiss anything unnatural where we havent 1 atom of any kind of expression in us all of us the same 2 lumps of lard before ever I do that to a man pfooh the dirty brutes the mere thought is enough I kiss the feet of you senorita theres some sense in that didnt he kiss our halldoor yes he did what a madman nobody understands his cracked ideas but me still of course a woman wants to be embraced 20 times a day almost to make her look young no matter by who so long as to be in love or loved by somebody if the fellow you want isnt there sometimes by the Lord God I was thinking would I go around by the quays there some dark evening where nobodyd know me and pick up a sailor off the sea thatd be hot on for it and not care a pin whose I was only to do it off up in a gate somewhere or one of those wildlooking gipsies in Rathfarnham had their camp pitched near the Bloomfield laundry to try and steal our things if they could I only sent mine there a few times for the name model laundry sending me back over and over some old ones old stockings that blackguardlooking fellow with the fine eyes peeling a switch attack me in the dark and ride me up against the wall without a word or a murderer anybody what they do themselves the fine gentlemen in their silk hats that K C lives up somewhere this way coming out of Hardwicke lane the night he gave us the fish supper on account of winning over the boxing match of course it was for me he gave it I knew him by his gaiters and the walk and when I turned round a minute after just to see there was a woman after coming out of it too some filthy prostitute then he goes home to his wife after that only I suppose the half of those sailors are rotten again with disease O move over your big carcass out of that for the love of Mike listen to him the winds that waft my sighs to thee so well he may sleep and sigh the great Suggester Don Poldo de la Flora if he knew how he came out on the cards this morning hed have something to sigh for a dark man in some perplexity between 2 7s too in prison for Lord knows what he does that I dont know and Im to be slooching around down in the kitchen to get his lordship his breakfast while hes rolled up like a mummy will I indeed did you ever see me running Id just like to see myself at it show them attention and they treat you like dirt I dont care what anybody says itd be much better for the world to be governed by the women in it you wouldnt see women going and killing one another and slaughtering when do you ever see women rolling around drunk like they do or gambling every penny they have and losing it on horses yes because a woman whatever she does she knows where to stop sure they wouldn't be in the world at all only for us they dont know what it is to be a woman and a mother how could they where would they all of them be if they hadnt all a mother to look after them what I never had thats why I suppose hes running wild now out at night away from his books and studies and not living at home on account of the usual rowdy house I suppose well its a poor case that those that have a fine son like that theyre not satisfied and I none was he not able to make one it wasnt my fault we came together when I was watching the two dogs up in her behind in the middle of the naked street that disheartened me altogether I suppose I oughtnt to have buried him in that little woolly jacket I knitted crying as was but give it to some poor child but I knew well Id never have another our 1st death too it was we were never the same since O Im not going to think myself into the glooms about that any more I wonder why he wouldnt stay the night I felt all the time it was somebody strange he brought in instead of roving around the city meeting God knows who nightwalkers and pickpockets his poor mother wouldnt like that if she was alive ruining himself for life perhaps still its a lovely hour so silent I used to love coming home after dances the air of the night they have friends they can talk to weve none either he wants what he wont get or its some woman ready to stick her knife in you I hate that in women no wonder they treat us the way they do we are a dreadful lot of bitches I suppose its all the troubles we have makes us so snappy Im not like that he could easy have slept in there on the sofa in the other room suppose he was as shy as a boy he being so young hardly 20 of me in the next room hed have heard me on the chamber arrah what harm Dedalus I wonder its like those names in Gibraltar Delapaz Delagracia they had the devils queer names there father Vial plana of Santa Maria that gave me the rosary Rosales y OReilly in the Calle las Siete Revueltas and Pisimbo and Mrs Opisso in Governor street O what a name Id go and drown myself in the first river if I had a name like her O my and all the bits of streets Paradise ramp and Bedlam ramp and Rodgers ramp and Crutchetts ramp and the devils gap steps well small blame to me if I am a harumscarum I know I am a bit I declare to God I dont feel a day older than then I wonder could I get my tongue round any of the Spanish como esta usted muy bien gracias y usted see I haven't forgotten it all I thought I had only for the grammar a noun is the name of any person place or thing pity I never tried to read that novel cantankerous Mrs Rubio lent me by Valera with the questions in it all upside down the two ways I always knew wed go away in the end I can tell him the Spanish and he tell me the Italian then hell see Im not so ignorant what a pity he didnt stay Im sure the poor fellow was dead tired and wanted a good sleep badly I could have brought him in his breakfast in bed with a bit of toast so long as I didnt do it on the knife for bad luck or if the woman was going her rounds with the watercress and something nice and tasty there are a few olives in the kitchen he might like I never could bear the look of them in Abrines I could do the criada the room looks all right since I changed it the other way you see something was telling me all the time Id have to introduce myself not knowing me from Adam very funny wouldnt it Im his wife or pretend we were in Spain with him half awake without a Gods notion where he is dos huevos estrellados senor Lord the cracked things come into my head sometimes itd be great fun supposing he stayed with us why not theres the room upstairs empty and Millys bed in the back room he could do his writing and studies at the table in there for all the scribbling he does at it and if he wants to read in bed in the morning like me as hes making the breakfast for I he can make it for 2 Im sure Im not going to take in lodgers off the street for him if he takes a gesabo of a house like this Id love to have a long talk with an intelligent well-educated person Id have to get a nice pair of red slippers like those Turks with the fez used to sell or yellow and a nice semitransparent morning gown that I badly want or a peachblossom dressing jacket like the one long ago in Walpoles only 8/6 or 18/6 Ill just give him one more chance Ill get up early in the morning Im sick of Cohens old bed in any case I might go over to the markets to see all the vegetables and cabbages and tomatoes and carrots and all kinds of splendid fruits all coming in lovely and fresh who knows whod be the 1st man Id meet theyre out looking for it in the morning Mamy Dillon used to say they are and the night too that was her massgoing Id love a big juicy pear now to melt in your mouth like when I used to be in the longing way then Ill throw him up his eggs and tea in the moustachecup she gave him to make his mouth bigger I suppose hed like my nice cream too I know what Ill do Ill go about rather gay not too much singing a bit now and then mi fa pieti Masetto then Ill start dressing myself to go out presto non son pill forte Ill put on my best shift and drawers let him have a good eyeful out of that to make his micky stand for him Ill let him know if thats what he wanted that his wife is fucked yes and damn well fucked too up to my neck nearly not by him 5 or 6 times handrunning theres the mark of his spunk on the clean sheet I wouldnt bother to even iron it out that ought to satisfy him if you dont believe me feel my belly unless I made him stand there and put him into me Ive a mind to tell him every scrap and make him do it in front of me serve him right its all his own fault if I am an adulteress as the thing in the gallery said O much about it if thats all the harm ever we did in this vale of tears God knows its not much doesnt everybody only they hide it I suppose thats what a woman is supposed to be there for or He wouldnt have made us the way He did so attractive to men then if he wants to kiss my bottom Ill drag open my drawers and bulge it right out in his face as large as life he can stick his tongue 7 miles up my hole as hes there my brown part then Ill tell him I want #1 or perhaps 30/- Ill tell him I want to buy underclothes then if he gives me that well he wont be too bad I dont want to soak it all out of him like other women do I could often have written out a fine cheque for myself and write his name on it for a couple of pounds a few times he forgot to lock it up besides he wont spend it Ill let him do it off on me behind provided he doesnt smear all my good drawers O I suppose that cant be helped Ill do the indifferent I or 2 questions Ill know by the answers when hes like that he cant keep a thing back I know every turn in him Ill tighten my bottom well and let out a few smutty words smellrump or lick my shit or the first mad thing comes into my head then Ill suggest about yes O wait now sonny my turn is coming Ill be quite gay and friendly over it O but I was forgetting this bloody pest of a thing pfooh you wouldn't know which to laugh or cry were such a mixture of plum and apple no Ill have to wear the old things so much the better itll be more pointed hell never know whether he did it nor not there thats good enough for you any old thing at all then Ill wipe him off me just like a business his omission then Ill go out Ill have him eyeing up at the ceiling where is she gone now make him want me thats the only way a quarter after what an unearthly hour I suppose theyre just getting up in China now combing out their pigtails for the day well soon have the nuns ringing the angelus theyve nobody coming in to spoil their sleep except an odd priest or two for his night office the alarmclock next door at cockshout clattering the brains out of itself let me see if I can dose off 1 2 3 4 5 what kind of flowers are those they invented like the stars the wallpaper in Lombard street was much nicer the apron he gave me was like that something only I only wore it twice better lower this lamp and try again so as I can get up early Ill go to Lambes there beside Findlaters and get them to send us some flowers to put about the place in case he brings him home tomorrow today I mean no no Fridays an unlucky day first I want to do the place up someway the dust grows in it I think while Im asleep then we can have music and cigarettes I can accompany him first I must clean the keys of the piano with milk whatll I wear shall I wear a white rose or those fairy cakes in Liptons I love the smell of a rich big shop at 71/2d a lb or the other ones with the cherries in them and the pinky sugar lid a couple of lbs of course a nice plant for the middle of the table Id get that cheaper in wait wheres this I saw them not long ago I love flowers Id love to have the whole place swimming in roses God of heaven theres nothing like nature the wild mountains then the sea and the waves rushing then the beautiful country with fields of oats and wheat and all kinds of things and all the fine cattle going about that would do your heart good to see rivers and lakes and flowers all sorts of shapes and smells and colours springing up even out of the ditches primroses and violets nature it is as for them saying theres no God I wouldnt give a snap of my two fingers for all their learning why dont they go and create something I often asked him atheists or whatever they call themselves go and wash the cobbles off themselves first then they go howling for the priest and they dying and why why because theyre afraid of hell on account of their bad conscience ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharans and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes." 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<INFO BITRATE="827486" KEY_LYRICS="3 ContributorsDoin It Well Lyrics(Intro)&#xA;Takin' the time on it&#xA;Puttin' it down on it&#xA;Spin it around on it, for me&#xA;&#xA;(Verse)&#xA;Hey, luv, can I holla at ya for a second?&#xA;Know you tired being disrespected..&#xA;Know you tired feeling disconnected..&#xA;Uninvested.. Yea, the sex is cool but the intellect is missing&#xA;Let me get up in yo mentals, see where yo head at&#xA;See where you're headed in life, not where your bed at?&#xA;So if I throw that kit-kat, but give that kit-kat a break&#xA;Will sit &amp;amp; chit-chat, you know, this-that&#xA;We'll get back to that, don't move too fast&#xA;Harder to hold a combo than to get some easy ass&#xA;That's the easy A, B you gon' C the D&#xA;Here we go, get to the F'in', but that's eventually&#xA;I gotta keep it G, I'm tryna take you higher&#xA;I'm tryna make you think, forplay can be inspiring&#xA;And I know just what you need&#xA;So baby won't you come and roll with me?!&#xA;I go chu!&#xA;&#xA;(Hook)&#xA;I just wanna take you, touch, but you doin' it well&#xA;Yea, you doin' it well, tell me it's mine&#xA;Why you doin' it well, you doin' it&#xA;Doin' it well, take yo time&#xA;You doin' it well, you doin' it&#xA;Tell me it's mine, why you doin' it well, you doin' it&#xA;(Verse)&#xA;Hey, luv, tell hommie not to wait up&#xA;Straight up, I'mma show you what a man is made up&#xA;Self sufficient, independent, bills all payed up&#xA;Gimme yo math, can count on me, I'm like a calculator&#xA;I want you, we ain't trippin' if you got it baby&#xA;I got you, take you round the world and flaunt you&#xA;If you wid it, pack yo shit, we can dip like Fondue&#xA;Off the records, you a big deal, who are you signed to?&#xA;Ain't runnin' no game, I keep it 100&#xA;In love wit yo brain, irresistible woman&#xA;You're invisible woman, nah, they ain't seein' you&#xA;You are visionly stunnin', mentally too&#xA;Haters Winnie the Poo, just gotta bear wid it&#xA;Yea, I'm stingy with chu, &amp;amp; I ain't sharing it&#xA;&amp;amp; I just know just what u need, so baby won't you just come roll with me?!&#xA;I got chu!&#xA;&#xA;(Hook)&#xA;I just wanna take you, touch, but you doin' it well&#xA;Yea, you doin' it well, tell me it's mine&#xA;Why you doin' it well, you doin' it&#xA;Doin' it well, take yo time&#xA;You doin' it well, you doin' it&#xA;Tell me it's mine, why you doin' it well, you doin' it&#xA;(Verse)&#xA;Hey luv, we've been together for a minute now&#xA;I think its time i get up in it now&#xA;I think its time i show you how a winner finish now&#xA;Eat chu up for dessert because we finished with our dinner now" PRODUCER="WNCL Recordings" COVERARTID="040/IRW1HHASDIVLYAVLLWHCCPZ40D3D" PLAYTIME="376" PLAYTIME_FLOAT="375.652191" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="38028"></INFO>
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<INFO BITRATE="783122" KEY_LYRICS="1 ContributorGame LyricsBae, yeah&#xA;Ahora somos los dueños del game&#xA;Dont fuck with me, you know that&#xA;I dont  play, yeah&#xA;Somos reales, smocking everyday&#xA;What you wanna say&#xA;&#xA;Bae, yeah&#xA;Ahora somos los dueños del game&#xA;Dont fuck with me, you know that&#xA;I dont  play, yeah&#xA;Somos reales, smocking everyday&#xA;What you wanna say&#xA;&#xA;Si no puedes verme&#xA;Look the sky, uhh&#xA;I gonna be a legend&#xA;If i dead, yeah&#xA;&#xA;Hago lo que amo&#xA;Sorry mama dont cry&#xA;Tenemos el flow&#xA;Tenemos style&#xA;Sonamos duro sin splice&#xA;&#xA;Estoy picante como wassabi&#xA;Exclusivo como un ferrari&#xA;El niño lindo quе le gusta a las mamis&#xA;El party sigue en еl afterparty&#xA;Hey, you know me, L.I.V&#xA;Punchline en tu face&#xA;Mohamed Ali&#xA;No soy de la NBA&#xA;Pero soy MVP&#xA;Highway to hell, ACDC yeah&#xA;&#xA;El mood leyenda like a rolling, rolling stone&#xA;All my lyrics on your mind feels like a gun&#xA;You girl call my name, when she is alone&#xA;Yo no me hice, así nací yo tengo el don&#xA;&#xA;El mood leyenda like a rolling, rolling stone&#xA;All my lyrics on your mind feels like a gun&#xA;You girl call my name, when she is alone&#xA;Yo no me hice, así nací&#xA;&#xA;Yo tengo el flavor for you and for your lady&#xA;The new slim shady&#xA;Baby soy nuevo aunque parezca OG&#xA;Y si tiran la mala rest in peace&#xA;&#xA;Rockeando como pa' los tiempos de Kiss&#xA;John Cena en la WWE&#xA;Las puertas cerradas and i got the key&#xA;Fpsh, jaia, como Bruce Lee&#xA;Bae, yeah&#xA;Ahora somos los dueños del game&#xA;Dont fuck with me, you know that&#xA;I dont  play, yeah&#xA;Somos reales, smocking everyday&#xA;What you wanna say&#xA;&#xA;Bae, yeah&#xA;Ahora somos los dueños del game&#xA;Dont fuck with me, you know that&#xA;I dont  play, yeah&#xA;Somos reales, smocking everyday&#xA;What you wanna say" PRODUCER="7th Storey Projects" COVERARTID="008/IQYNE5AT1QJDVCPSGECJCC2OLTOD" PLAYCOUNT="1" PLAYTIME="414" PLAYTIME_FLOAT="413.383392" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="40044"></INFO>
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<INFO BITRATE="869287" KEY_LYRICS="4 ContributorsNew Music Friday 06/22/18 LyricsEvery Friday, Spotify compiles the hottest and most notable recent releases. If you want to discover new music and keep up with the freshest songs, listen to the playlist below and read the annotated lyrics.&#xA;… Read More G-Eazy - Drop&#xA;Ariana Grande - the light is coming (feat. Nicki Minaj)&#xA;Panic! At The Disco - Dancing's Not A Crime&#xA;Bebe Rexha - Self Control&#xA;Meek Mill - Stay Woke (feat. Miguel)&#xA;Juice WRLD - Legends&#xA;Paul McCartney - Come On To Me&#xA;Jaden Smith - GHOST&#xA;Cheat Codes - Only You&#xA;Alec Benjamin - The Boy In The Bubble&#xA;6LACK - Switch&#xA;Toby Green - Ready&#xA;Dan + Shay - What Keeps You Up At Night&#xA;Marshmello - Rooftops&#xA;Robin Schulz - Oh Child&#xA;Trippie Redd - Me Likey&#xA;PRETTYMUCH - Summer on You&#xA;NEIKED - Old School Love&#xA;Jack River - Confess&#xA;Meghan Trainor - ALL THE WAYS&#xA;Charlotte Lawrence - I Bet&#xA;Wiz Khalifa - Hopeless Romantic (feat. Swae Lee)&#xA;NF - WHY&#xA;Tash Sultana - Salvation&#xA;Bryce Vine - On the Ball&#xA;Lecrae - 2 Sides Of The Game&#xA;Jax Jones - Ring Ring (feat. Mabel &amp;amp; Rich The Kid)&#xA;Daya - Safe&#xA;Chris Lane - Drunk People&#xA;R3HAB - Wrong Move&#xA;KAWALA - Mighty River&#xA;Amy Shark - Psycho&#xA;Gallant - Doesn't Matter (feat. A$AP Ferg)&#xA;Real Friends - Smiling On The Surface&#xA;St. Lucia - A Brighter Love - Edit&#xA;Cardi B - I Like It - Dillon Francis Remix&#xA;Yellow Claw - Another Life&#xA;Wet - You're Not Wrong&#xA;Fuego - Como Yo&#xA;Buddy - Hey Up There&#xA;G Herbo - Swervo&#xA;COTIS - All Night&#xA;A Boogie Wit da Hoodie - Pretending (feat. Jessie Reyez)&#xA;Years &amp;amp; Years - Palo Santo&#xA;Tory Lanez - Talk To Me (with Rich The Kid)&#xA;Paul McCartney - I Don't Know&#xA;Florence + The Machine - Big God&#xA;Michael Brun - Soweto&#xA;Stars Go Dim - Pieces&#xA;Gorillaz - Hollywood (feat. Snoop Dogg &amp;amp; Jamie Principle)&#xA;Aaron Taos - Voodoo&#xA;Goody Grace - Judas&#xA;Code Orange - The Hunt (feat. Corey Taylor)&#xA;Ashe - Real Love&#xA;Joy Oladokun - Sober&#xA;The Love Language - New Amsterdam&#xA;Nine Inch Nails - Ahead of Ourselves&#xA;The O'My's - Starship&#xA;Rakim - King's Paradise&#xA;Gryffin - Just For A Moment (feat. Iselin)&#xA;Peter CottonTale - Forever Always&#xA;Rick Ross - Green Gucci Suit&#xA;DJ Snake - Let's Get Ill&#xA;Elley Duhé - LOST MY MIND&#xA;Jacob Sartorius - Hooked On A Feeling&#xA;GIVERS - Love Is Like A Fire&#xA;MorMor - Find Colour&#xA;Kevin George - She Don't Love Me&#xA;Dillon Francis - Look At That Butt&#xA;Billy Raffoul - 1975&#xA;Demi Lovato - Sober&#xA;Ryan Beatty - Camo&#xA;Nora Van Elken - I Told You&#xA;Lizzo - Boys&#xA;Kamasi Washington - Street Fighter Mas&#xA;Miya Folick - Stock Image&#xA;JMSN - Talk Is Cheap&#xA;Skepta - Energy (Stay Far Away)&#xA;Kölsch - HAL&#xA;Iris Temple - Tear U Down&#xA;Spazz Cardigan - Nerves&#xA;London Richards - Fall Again&#xA;MONA - All I've Known&#xA;Sophie Simmons - Paper Cut&#xA;Cosmo's Midnight - Talk to Me&#xA;The New Respects - We Ain’t Goin’ Nowhere&#xA;LeAnn Rimes - Borrowed (Re-Imagined)&#xA;Glassio - New York, New York II&#xA;Natti Natasha - Quien Sabe&#xA;Kungs - Be Right Here&#xA;The White Panda - Hands On Me (feat. Loote)&#xA;The Last Artful, Dodgr - Win Is Enough&#xA;Brandi Carlile - Hallelujah - Recorded at Spotify Studios NYC&#xA;Tom Walker - My Way&#xA;AS IT IS - The Stigma (Boys Don’t Cry)&#xA;SLANG - Richest Man In The World&#xA;Charlie Heat - Celebrate Life&#xA;We The Kings - On My Love&#xA;Koryn Hawthorne - Down Goes Rome&#xA;Adam Beyer - Your Mind" PRODUCER="Myor Massiv" COVERARTID="106/KT01MRBYZCMUICK3BUX2CX4VOOKC" PLAYTIME="330" PLAYTIME_FLOAT="330.000000" IMPORT_DATE="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="35221"></INFO>
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<INFO BITRATE="828156" KEY_LYRICS="1 ContributorCSI LyricsReady4jerri :&#xA;With a little of faith&#xA;At the end of the day we'll all be okay&#xA;I said what i said&#xA;And that is the truth&#xA;So why is the blame&#xA;Nigga's can't change it&#xA;Don't really care&#xA;So what is the gain&#xA;Who is this Ready&#xA;Pop the confetti&#xA;He chose to be sober&#xA;Instead of the addy&#xA;Invite with a baddie&#xA;Calling me daddy&#xA;Head to a party&#xA;Picked up with a caddy&#xA;Jerri got lucky&#xA;His time went away&#xA;From where he did came&#xA;They chop with machetes&#xA;&#xA;Red Line Savage :&#xA;I'm doing the chase&#xA;I'm banking my chase&#xA;Getting that cash&#xA;Getting that loot&#xA;Getting the bag huh&#xA;Chasing the cash yuh&#xA;Ready4jerri :&#xA;Improving my knowledge&#xA;How you do that&#xA;Grab us a book (hey what)&#xA;Be sure 'bout that (that)&#xA;I made this beat&#xA;I know how to cook (ready)&#xA;&#xA;Red Line Savage :&#xA;My nigga can cook&#xA;Frying pan, he'll slap your&#xA;Bitch ass with a fucking frying pan&#xA;&#xA;Ready4jerri :&#xA;Austin&#xA;Give me the verse back&#xA;Me and then you&#xA;We taking our turns&#xA;Boston&#xA;That's where the heat at&#xA;Nigga's finna blew&#xA;No matter what crew&#xA;&#xA;Red Line Savage :&#xA;My nigga jerri a producing, look at you Medusa, Turn you to stone, like your wrist up, fucking your bitch up, flooding my wrist up, Dunking on niggas LeBron&#xA;Riding  this  mustang  like I'm in the 80's sweet and Sadie, your bitchy ass baby mama think I'm fucking crazy,  making this cash on the daily, Promoting my shit keepin it in motion, My girl sippin on water but I'm sipping on the magical potion, you ashy you need some lotion, That's not an option, ima pop ya, put you in the fuckin auction, I can buy me a nigga, with My feet up in the Tommy figer, Stanking the cash getting that bag, my shit gonna last, I'm coming out on top and out last, my numbers don't cap like a capalist they moving fast, revving my gas to 50, smokin that gas at the age of 50&#xA;&#xA;Ready4jerri :&#xA;Age of fifty&#xA;Nigga you crazy (hah)&#xA;Don't even think you can reach it and make it&#xA;Let's go&#xA;&#xA;Red Line Savage :&#xA;Doing a lap like the running man, I'm still tryna make about a hunnid man , Venice , Dennis the menace, don't  live in the Venice, but I live near the A, Eating on that fish fillet, stacking and racking the pay, all you niggas chasing the cash, getting the bag, addicted to poppin them tags, (yeah , wait what) , these speakers be boomin 395 , my niggas stay with the exclusive ride, my ride or dies, bitch u gonna die, Slanging 380 , riding  lil baby, checking my amount like dababy, Lambo Truck , riding 95, these bitches are  shy, revving my gas with this bass, my girl stay giving top like a fucking face yuh" PRODUCER="Flatlife Records" COVERARTID="104/IHO05YD54IE0SC12PHXPB3AA4D3C" PLAYTIME="292" PLAYTIME_FLOAT="291.701935" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="29608"></INFO>
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<INFO BITRATE="787035" KEY_LYRICS="3 ContributorsBad News Lyrics&#xA;Mandiggy D-rapht cut strings of the zither, we thick as thieves&#xA;None quicker than the blistering speed of these mischievous fiends&#xA;The team rip at the seams of what you think and believe&#xA;Till it’s a mystery too hidden for you to perceive&#xA;Blink and you’re missing imperative information&#xA;Pertaining to the position of a twisted machine&#xA;That exhibit proficiency that’s still picking up steam&#xA;While others in the midst of the scene are swimming upstream&#xA;Finger on kill switch crippling citizens&#xA;The sickest kids in any particular instances&#xA;Minute for minute, more serious incidents&#xA;Than Israel up against Palestinian militants&#xA;&#xA;&#xA;Thorn in your side when you're trying to relax&#xA;You don't want that, we bad news&#xA;In the corner of your mind every time you hear the track&#xA;Yeah we back, we bad news&#xA;Messengers of madness, the baddest&#xA;Looser than lassoes, testing your taboos&#xA;Attacking, smashing with passion&#xA;Like a full metal jacket, get it we bad news&#xA;&#xA;&#xA;Now it's sunny. but inside it's raining flames&#xA;Created by statements made by deranged patrons&#xA;Impatient outpatients, taking in our medication&#xA;At least till it get us wasted&#xA;&#xA;See I seem a little crazy, insane on stage rain dance&#xA;Like I’m a native Indian ain’t the same&#xA;As anyone on your playlist, everyone tryna play this&#xA;Little game where they claim that they named and arranged&#xA;And they wrote every single note on my album&#xA;I ain't no nostalgic ghost of thousand&#xA;Christmas pasts but I will run through your houses&#xA;With untouchable presents in your relatives' lounge rooms&#xA;Yo what up Mr. Drapht?&#xA;Well hello there Robert, cool borrow your key card?&#xA;I got a sea of fucking people on my back&#xA;That thinking I got the cash as soon as I got the plaque (nah)&#xA;Talk about those selfish friendships&#xA;Acting like it's two-thousand-twelve and the world's ending&#xA;(Each to their own bud) l know but&#xA;It‘s just disheartening when friends with throw you under your own bus&#xA;So much for loyalty&#xA;Just another fish in the sea in a scene of BP oil rigs&#xA;Kill 'em by kilometres only milliseconds to kill em&#xA;Lllzilla and Syllabollix in session&#xA;&#xA;&#xA;Thorn in your side when you're trying to relax&#xA;You don't want that, we bad news&#xA;In the corner of your mind every time you hear the track&#xA;Yeah we back, we bad news&#xA;Messengers of madness, the baddest&#xA;Looser than lassoes, testing your taboos&#xA;Attacking, smashing with passion&#xA;Like a full metal jacket, get it we bad news&#xA;&#xA;As everything rises another resident&#xA;Wrestles with great heights, hi, I'm suicidal hey&#xA;Well I lie awake late writing about&#xA;How my life's great and hate societies weight&#xA;Reprobate, rapscallion, ratbag scallywags&#xA;Flagrant vagrant scoundrels prowling habitats&#xA;Alley cats, in the shadows, clutching a battleaxe&#xA;Swingin indiscriminate wherever shitty rappers at!&#xA;Living beyond rules the tomfoolers&#xA;Playing the industry for a joke like Scott Dools is&#xA;Jesters in the kings court but at the same time&#xA;Pestering the king poisoning his eighth wife&#xA;Entered the cemetery late night&#xA;And buried her next to Jimmy Recard’s temporary grave site&#xA;Mantrizzle within a mile of a mic&#xA;Will cause more casualties than Paul when he stage dive!&#xA;&#xA;&#xA;Thorn in your side when you're trying to relax&#xA;You don't want that, we bad news&#xA;In the corner of your mind every time you hear the track&#xA;Yeah we back, we bad news&#xA;Messengers of madness, the baddest&#xA;Looser than lassoes, testing your taboos&#xA;Attacking, smashing with passion&#xA;Like a full metal jacket, get it we bad news&#xA;&#xA;Big ups Mr D-rapht&#xA;Mantreazy in the house&#xA;Big shouts to the whole Syllabolix &#xA;Uh, hold tight " PRODUCER="Cat In The Bag" COVERARTID="069/FSKENAAM1ZBSYALIBQK5DIVH5QCB" PLAYCOUNT="1" PLAYTIME="367" PLAYTIME_FLOAT="366.293274" IMPORT_DATE="2025/7/5" LAST_PLAYED="2025/7/5" RELEASE_DATE="2020/1/1" FLAGS="12" FILESIZE="35328"></INFO>
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<INFO BITRATE="1002335" KEY_LYRICS="2 ContributorsChapter 3 Lyrics   Some business of the worldly and literary kind held the hopeful traveler-to-be back in Munich for another two weeks after that walk. Finally he gave orders to prepare his country house for him within four weeks and then one day between the middle and the end of May he took the night train to Trieste, where he only stopped for twenty-four hours and the next day embarked for Pola. What he was looking for was the unfamiliar and unrelated, which was indeed reached rather easily and so he stayed on a celebrated Adriatic island, situated not far from the Istrian coast, with a gaily ragged people that conversed in an alien-sounding language and with picturesquely broken cliffs where the sea was open. Unfortunately, heavy rain and an oppressive atmosphere, a parochial and completely Austrian company in the hotel and the lack of calm and easy communion with the sea which only a soft-sloping and sandy beach can afford, caused him distress, prevented in him the feeling that he had reached his destination; an innermost calling of his, he did not know to where, caused him alarm, he studied the passenger ship routes, he looked around searchingly, and all of a sudden, at the same time surprising and expected, his destination became clear to him. When one wanted to see something without equal, the romantically different, where would one go? There could be no question about it. What was he supposed to do here? He had erred. He should have had traveled to that other location in the first place. He did not hesitate to immediately cancel his abortive stay on the island. One-and-a-half weeks after his arrival on the island, at hazy dawn a fast launch took him and his luggage back to the military harbor and there he only went ashore to directly step onto the damp deck of a ship bound for Venice.&#xA;&#xA;   It was a vehicle under an Italian flag, stricken with years, outmoded, serene, and somber. In a cave-like, artificially-lit berth, into which Aschenbach had been instantly ushered with grinning courtesy by a humpbacked and dirty sailor after setting foot onto the ship, there sat a behind a table with his hat slanted on his head and with a cigarette butt between his lips a goatish man who had the physiognomy of an old-fashioned circus director, who with artificially easy demeanor registered the nationalities of the travelers and handed them their tickets. &amp;quot;To Venice!&amp;quot; he repeated Aschenbach's request, straightening his arm and pushing the quill into the pulpy remains of an inclined inkstand. &amp;quot;First class to Venice! Here you are, sir!&amp;quot; And he wrote with huge loops, dispensed some blue sand from a can onto the writing, let the sand run into a clay bowl, folded the paper with yellow and bony fingers and continued his writing. &amp;quot;A happily chosen destination!&amp;quot; he chattered meanwhile. &amp;quot;Ah, Venice! A magnificent city! A city full of irresistible attraction to the well-educated, both due to its history and its present charms!&amp;quot; The smooth dispatch of his movements and the empty talk that accompanied them had something stupefying and distracting, almost as if he feared the passenger might waver in his determination to go to Venice. He speedily cashed the money and let the change fall onto the dirty tablecloth with the dexterity of a croupier. &amp;quot;Have a nice day, sir!&amp;quot; he said with a thespian bow. &amp;quot;It is my honor to convey you. . . Next please!&amp;quot; he cried with a raised arm, pretending his business was lively even though there was nobody else around who needed a ticket. Aschenbach returned onto the deck.&#xA;&#xA;   Leaning with one arm on the handrail, he contemplated both the idle people who were mooching at the pier to witness the ship's departure and his fellow passengers. Those of the second class were crouching on the foredeck, using boxes and bundles as seats. A group of young people formed the company of the first deck, apparently tradesman's apprentices from Pola who had merrily united for a trip to Italy. They made a lot of fuss about themselves and their enterprise, chattered, laughed, contentedly enjoyed their own gesticulating and mocked those colleagues, who, portfolios tucked under their arms, were walking along the street to pursue their business and who made threatening gestures to the departing. One in a bright yellow, excessively fashionable summer suit, red tie, and a boldly bent up panama hat, exceeded all the others with his shrill voice and gayness. No sooner had Aschenbach set eyes on him than he realized with a kind of terror that this ephebe was false. He was ancient, there could be no doubt about it. Wrinkles surrounded his mouth and eyes. The meek crimson of his cheeks was makeup, that brown hair below the colorfully-banded straw hat was a wig, his neck was dilapidated and sinewy, his moustache was dyed, his yellowish and complete set of teeth which he laughingly presented was a cheap counterfeit, and his hands with signet rings on both index fingers were that of a very old man. With a shudder Aschenbach looked at him and his communion with his friends. Did they not know or notice they he was elderly, that he was wrongfully appropriating their garish dress, fraudulently played one of theirs? As if nothing had happened, seemingly out of habit, they tolerated him among themselves, treated him as an equal, answered his teasing nudges without disgust. How could that be? Aschenbach covered his forehead with his hand and closed his eyes that were burning from a lack of sleep.&#xA;&#xA;   He felt as if reality was becoming unreal, as if a dreamlike enchantment had begun, a shift of the world into the inexplicable, which perhaps could be opposed by closing his eyes and then taking another look. But in that moment he became aware of a sensation of floating and strangely startled he realized that the heavy and dark mass of the ship had detached itself from the quay. Inch by inch, with the engine running alternately forwards and backwards, the strip of dirtily iridescent water between the ship's hull and the shore widened, and after some stodgy maneuvers, the steamer's bow was pointing towards the open sea. Aschenbach went over the the starboard side, where the humpbacked sailor had prepared a deck chair for him and a steward in a spotted dress coat awaited his orders.&#xA;&#xA;   The sky was gray, the wind moist; the harbor and the islands had receded, and soon land was no longer visible. A snow of coal dust, soaked with humidity, settled on the freshly-scrubbed deck that refused to dry. After about an hour the tent roof was deployed, as it had begun to rain.&#xA;&#xA;   Wrapped in his coat, a book in his lap, the traveler rested and time seemed to fly. The rain had ceased; the linen roof was removed. The horizon was complete. Beneath the broad cupola of the sky the enormous disc of the barren sea extended all around; but in that empty, measureless space our sense of time also suffers, and we daze in the disorienting shapelessness. Strange and shade-like creatures, the senescent dandy, the goat-bearded man from below decks, traipsed with vague gestures and confused dream- words through the mind of the reclining artist, and eventually he fell asleep.&#xA;&#xA;   At noon he was required to venture below into the corridor-like dining hall, which was bordered on by the sleeping bunks, eating the ordered meal at a long table, on the other side of which the apprentices, including the senex, had been drinking heavily with the jolly captain since ten o'clock. The meal was meager and he quickly finished it. He wanted to go outside, to look at the sky: if maybe it would brighten in the direction of Venice.&#xA;&#xA;   He did not anticipate anything else, for the city had always received him with splendor. But the sky and the sea remained cloudy and leaden, at times a fog-like drizzle fell, and slowly he accepted that he would, reaching it by water, discover a vastly different Venice from that which he had approached over land. He stood next to the foremast, gazing into the distance, expecting to see land. He thought of that melancholy-enthusiastic poet who had met the cupolas and bell towers of his dreams in this place, he quietly recalled some of the products of that awe-stricken, happy, and sad mood and moved by that ready-made emotion he wondered whether he, although more somber and tired than then, would meet that state of rapture and confusion a second time.&#xA;&#xA;   Then to his right the soft-sloping shore appeared, fishing boats made the sea lively, the Lido came into view, the steamer passed it on the right, gliding slowly through the channel of the same name and close to the lagoon it came to a rest entirely in full view of the poor and gaudy houses, since the barge of the sanitary service had to be met.&#xA;&#xA;   An hour passed before it materialized. One had reached one's destination and yet one had not; there was no hurry and yet one soon got impatient. The youths of Pola, perhaps also drawn to the military trumpet signals that echoed over the waters, had come on deck, and, enthusiastic from the Asti they had drunken, they cheered the Bersaglieri who were being drilled there. But it was repugnant to witness the state into which his faux communion with youth had brought the overdressed old man. His old and faded brain had not been able to resist the liquor to the same degree as the real youths, he was hopelessly drunk. Looking stupidly around, a cigarette between his trembling fingers, he swayed, barely able to keep his balance, pulled to and fro by his intoxication. Because he would have fallen down at the very first step, he did not dare to move, yet still displayed a sorry cockiness, holding on to everyone who approached him, speaking with a slur, winking, giggling, raising his ringed and wrinkled index finger to tease ridiculously, and licking the corners of his mouth in the most distastefully ambiguous manner. Aschenbach watched him with an expression of anger, and again he got a feeling of unreality, as if the world showed a small but definite tendency to slip into the peculiar and grotesque; a sensation which the resumption of the pounding work of the engine kept him from exploring fully, as the ship returned to its course through the San Marco canal. So he again set eyes on the most astounding landing, that blinding composition of fantastic architecture, which the Republic has to offer the awestruck looks of the approaching seafarer: the light grandeur of the Palace and the Bridge of Sighs, the columns topped with the lion and the saint close to the shore, the flauntingly projecting flank of St Mark's, the view of St Mark's Clock, and thus contemplating he thought that arriving in Venice from the train station was like entering a palace through the servants' entrance and that one should always, like himself, travel across the ocean to the most improbable of cities.&#xA;&#xA;   The engine stopped, gondolas approached, the accommodation ladder was low-ered, the customs officials came aboard and carried out their duty; the debarkation could begin. Aschenbach made it clear that he desired a gondola to bring him and his luggage to the landing of the smaller steamers that cruise between the city and the Lido; because he wanted a room close to the sea. His wish is approved and hollered towards the water, where the gondoliers are quarreling in dialect. He is unable to descend, as his trunk is taken with great effort down the ladder-like stairs.&#xA;&#xA;   So he cannot get away for several minutes from the intrusiveness of the ghastly old man, who is compelled by his drunkenness to bid the foreigner good-bye. &amp;quot;We are wishing a most enjoyable stay One hopes to be remembered well! Au revoir, excusez and bonjour, Your Excellency!&amp;quot; His mouth is watering, he winks, licks the corners of his mouth and the dyed moustache on his lips is ruffled up. &amp;quot;Our compliments,&amp;quot; he continues with two fingertips at his mouth, &amp;quot;our compliments to your sweetheart, the most lovely and beautiful sweetheart. . . &amp;quot; And suddenly the upper row of his false teeth drops onto his tongue. Aschenbach was able to escape. &amp;quot;To your sweetheart, the most pretty sweetheart,&amp;quot; he heard in hollow and somewhat obstructed speech behind his back while he descended the ladder.&#xA;&#xA;   Who would not have had to fight a slight unease, a secret resentment and trepidation when one, for the first or after a long time, had to get into a Venetian gondola? That strange vehicle, which seems unchanged from more fanciful times and which is so strangely black like normally only coffins are, reminds one of silent and criminal adventures in the lapping night, furthermore it is reminiscent of death itself, the bier, the drab funeral and the final, wordless ride. And has one noticed that the coffin-black-varnished, black-upholstered chair in such a barge is the softest, most luxurious, most deeply relaxing seat in the whole world? Aschenbach noticed it when he took his place at the feet of the gondolier, with his luggage orderly arranged at the front of the gondola. The rowers were still quarreling, in a raw and incomprehensible way, with menacing gestures. But the peculiar quietude of the city on the sea seemed to absorb and disembody their voices and to disperse them above the water. It was fairly hot in the harbor. Touched by the warm scirocco, seated on tender cushions, the traveler closed his eyes to enjoy that kind of unusual and sweet lassitude. The trip will be short, he thought; oh would it last forever! The noiseless rocking let him put a distance between himself and that boisterous jostle.&#xA;   How it became even more still around him all the time! Nothing could be heard except the lapping of the oar, the hollow impact of the waves against the tip of the gondola, that stood erect, dark and like a spear above the water and a third thing, the whispering and murmuring of the gondolier, who was talking to himself between his clenched teeth in occasional outbursts. Aschenbach raised his head and with a slight bemusement he noticed that the lagoon around him widened and the his course was towards the open sea. Therefore it seemed he should not relax too much but instead supervise the carrying out of his orders.&#xA;&#xA;   —&amp;quot;To the steamship landing, please!&amp;quot; he said, turning over his shoulder. The murmuring ceased. He got no reply.&#xA;&#xA;   —&amp;quot;To the steamship landing!&amp;quot; he repeated and turned around completely to look up into the gondolier's face, who was standing behind him, a little elevated, in front of the pale sky. It was a man of unpleasing, even violent physiognomy, dressed in blue sailor's garb, girded with a yellow sash and with a shapeless straw hat that had begun to dissolve at its edges slanted on his head. The form of his face, his blond and curly moustache below the stubby nose did not make him look very Italian. Although of relatively slender build, so that he did not seem particularly suited to his trade, he showed great energy when he used his whole body to drive the oar at every beat. A few times the exertion caused him to withdraw his lips and expose his white teeth. With his gaze fixed above the guest and his reddish eyebrows wrinkled he replied in a determined, almost harsh tone:&#xA;&#xA;   — &amp;quot;You are going to the Lido.&amp;quot;&#xA;&#xA;Aschenbach replied:&#xA;&#xA;   —&amp;quot;Indeed. But I only wanted the gondola to take me to St Mark's    Square.&#xA;   I wish to go with the vaporetto.&amp;quot;&#xA;&#xA;   —&amp;quot;You cannot go with the vaporetto, sir.&amp;quot;&#xA;&#xA;   -&amp;quot;And why not?&amp;quot;&#xA;&#xA;   —&amp;quot;Because the vaporetto does not transport luggage.&amp;quot;&#xA;&#xA;   That was correct; Aschenbach remembered. He was silent. But the brusque, boastful, uncharacteristic behavior of that man seemed intolerable. He said: He remained taciturn. The oar was lapping, the water clashed dully against the bow. And the talking and murmuring resumed: the gondolier was speaking to himself between his teeth.&#xA;&#xA;   What had to be done? Alone on the water with the strangely disobedient, unsettlingly determined man the traveler did not see a way to force upon him his will. And how softly he could be seated if he did not protest. Had he not wished that the trip should take longer, or forever? It was most prudent to let things take their course, and besides it was most comfortable. A spell of torpidity seemed to emanate from that low and black seat, so tenderly rocked by the oar beats of the defiant gondolier in his back. The notion of having fallen into the hands of a rogue streaked dreamlike through Aschenbach's mind — unable to summon his senses for active defense. Less appetizing was the possibility that this was just an act of extortion. A certain feeling of duty, the realization that one had to guard against such a thing, allowed him to make another effort. He asked:&#xA;&#xA;   —&amp;quot;How much do you want for the fare?&amp;quot;&#xA;&#xA;   And looking above him the gondolier responded:&#xA;   -&amp;quot;You will pay.&amp;quot;&#xA;&#xA;   It was clear what had to be replied to this. Aschenbach said    mechanically:&#xA;&#xA;   —&amp;quot;I will pay you nothing, nothing at all if you take me somewhere    I did not want to go.&amp;quot;&#xA;&#xA;   —&amp;quot;You want to go to the Lido.&amp;quot;&#xA;&#xA;   —&amp;quot;But not with you.&amp;quot;&#xA;&#xA;   —&amp;quot;I row you well.&amp;quot;&#xA;&#xA;   That much is true, thought Aschenbach and relaxed again. It is true, you are rowing me well. Even if you are trying to get my money and would kill me with a quick blow of the oar, you would have rowed me well. But nothing of the sort happened. Even some company appeared, a boat with musical mendicants, men and women, singing to the accompaniment of guitars and mandolins, coming obtrusively close to the gondola, filling the quietude above the waters with their mercenary tunes. Aschenbach threw a few coins into the hat that was presented. They fell silent and rowed away. And the murmuring of the gondolier was perceptible&#xA;once more.&#xA;&#xA;   And so one arrived, rocked by the backwash of a steamer headed for the city. Two municipal officers, hands clasped behind their backs, their heads facing the lagoon, were walking back and forth at the shore. Aschenbach got off the gondola at the pier, with help from the old man with his grappling hook who seems to be present on all Venetian landings; and because he did not have enough coins he entered the hotel which was situated across from the landing, to exchange some money and reward the gondolier as he pleased. He is served in the lobby, he returns, find his luggage on a cart at the quay, and the gondola and gondolier have disappeared.&#xA;&#xA;   —&amp;quot;He has taken off,&amp;quot; said the old man with the grappling hook. &amp;quot;A very bad man, a man without a license, dear sir. He is the only gondolier without a license. The others have telephoned here. He saw that he was being expected. So he took off.&amp;quot;&#xA;&#xA;   Aschenbach shrugged his shoulders.&#xA;&#xA;   —&amp;quot;The sir has had a free ride,&amp;quot; said the old man and presented his hat. Aschenbach threw in some coins. He gave orders to take his luggage to the Hotel des Bains and followed the cart through the alleyway, that white-blossoming alley, which, bordered by taverns, bazaars, and bed and breakfasts, runs across the island to the beach.&#xA;&#xA;   He entered the sprawling hotel from the rear, from the garden terrace and went through the lobby to the office. Because he had been announced, he was greeted with servile complicity. A manager, a diminutive, soft-spoken, ingratiatingly courteous man with a black moustache and a frock coat in the French style, accompanied him in the elevator to the third floor and showed him his room, a pleasant room with cherry furniture, decorated with heavily fragrant flowers and which had tall windows affording a view of the sea. He stepped close to one of them, after the manager had taken his leave, and while behind him his luggage was carried in, he surveyed the beach which lay deserted in the afternoon and the sunless sea at high tide sending its crouched and elongated waves in a steady rhythm against the shore.&#xA;&#xA;   The observations and encounters of the solitary and mute one are at the same time more blurry and more distinctive than those of the more sociable person, his thoughts more substantial, stranger, and never without a trace of sadness. Images and perceptions that would be easy to dismiss with a laugh, a short exchange of words, occupy him excessively and grow deeper and more important in silence, become experience, adventure, emotion. Solitude favors the original, the daringly and otherworldly beautiful, the poem. But it also favors the wrongful, the extreme, the absurd, and the forbidden. — Thus the unusual incidences on the journey were still disconcerting to the traveler, the horrible old man with his blabbering about a sweetheart, the gondolier who had not received payment. Without obstructing reason or giving any real food for thought, they were still extremely bizarre and possibly so bewildering because of that contradiction. In between he greeted the sea with his eyes and delighted in the knowledge that Venice could be so quickly and easily reached. Finally he turned, washed his face, gave some orders to the chambermaid to improve his comfort and had the green-liveried Swiss elevator attendant take him to the ground floor.&#xA;   He took his tea on the seaside terrace, then descended and walked a good distance along the shore in the direction of the Hotel Excelsior. Upon his return it appeared to be time to dress for dinner. He did that slowly and with diligence, yet found himself still too early in the dining hall, where a group of hotel guests, un-known to each other and in feigned disinterest, had congregated in the expectation of a meal. He picked up a paper, seated himself in a club chair and contemplated the company which differed in a most agreeable way from that during his earlier stay on the island.&#xA;&#xA;   A wide and all-encompassing horizon opened itself out. Muffled sounds from many different languages were mixing. The omnipresent dinner jacket, the uniform of the civilized world, gathered all facets of human variety into one orderly whole. One saw the dry and elongated face of the American, the large Russian family, English ladies, German children with French nannies. The Slavic component appeared to predominate. Polish was spoken right next to him.&#xA;&#xA;   It was a group of adolescents and bare adults, under the supervision of a governess around a small table: three young girls, perhaps between fifteen and seventeen, and a long-haired boy of about fourteen years. With astonishment Aschenbach noticed that the boy was perfectly beautiful. His countenance — pale and gracefully reserved, surrounded by honey-colored locks, with its evenly sloped nose, the lovely mouth, the expression of alluring and divine earnestness, was reminiscent of Greek statues from the most noble period, and with all its perfection of form it had such a personal appeal that the onlooker thought he had never encountered anything similar either in nature or in art. What else was striking was an apparently deliberate contrast between the educational guidelines after which the children were dressed and kept in general. The exterior of the girls, the oldest of which could be taken for an adult, was tart and chaste to the point of disfigurement. A uniform monastic garb, shale-toned, of average length, sober and consciously unbecoming, with white collars as the only bright spot, suppressed and made impossible any pleasingness of figure. The smooth hair that appeared to be glued to the head gave their faces a featurelessness and nunlike lack of expression. It seemed certain this was the work of a mother, and naturally it did not occur to her to apply that same paedagogic severity that pertained to the girls to the boy also. Mellowness and affection visibly ruled his existence. One had abstained from cutting his arresting hair; like the statue of the Boy with Thorn it curled onto the forehead, over the ears, and even more so in the nape. An English sailor suit, the voluminous sleeves of which were tapered towards the ends and which surrounded the delicate joints of his still childlike and narrow hands, contributed, with its strings, bows, and embroideries, an air of wealth and fastidiousness. He was sitting, in semiprofile from Aschenbach's point of view, one foot in front of the other, with an elbow leaning on the armrest of his basket chair, his cheek comforted by his closed hand, in an attitude of relaxed decorum and completely without the submissive stiffness that his sisters seemed to be used to. Was he sick? Because the white of his skin contrasted like ivory with the golden somberness of the adjacent curls. Or was he simply a coddled favorite child, carried by partial and capricious devotion? Aschenbach was inclined to believe that. Almost every artistic individual has a luxurious and treacherous propensity to recognize beauty- creating inequity and to render homage to aristocratic entitlement.&#xA;&#xA;   A waiter went around and announced the readiness of the meal in English. Slowly the society disappeared through the glass door into the dining room. Latecomers passed by, arriving from the vestibule or the elevator. Inside the serving had begun, but the young Poles remained seated around the little tables and Aschenbach, sitting snugly in his chair, not to mention having a favorable view of something beautiful, lingered along with them.&#xA;&#xA;   The governess, a stocky dame with a reddish face, finally gave the signal to rise. With lifted eyebrows she shoved back her chair and bowed, when a tall lady, dressed in white and gray and richly attired with pearls, entered the room. She comported herself with coolness and restraint, the arrangement of her lightly powdered hair and the style of her dress were of that simplicity which always rules good taste where devoutness is considered an element of noblesse. She could have been the wife of a high-ranking German official. Something extravagant only entered her appearance through her jewelry, which seemed extremely expensive and consisted of earrings and a triple, very long necklace of cherry-sized, mildly shimmering pearls.&#xA;&#xA;   The children had arisen promptly. They kissed their mother's hand, who looked above their heads with an aloof smile of her well-groomed but slightly tired and sharp-nosed face and addressed a few words in French to the governess. Then she proceeded towards the glass door. The children followed her: the girls ordered by age, then the governess, and finally the boy. For some unknown reason he turned around before crossing the threshold and since nobody else was present, his curiously dark-gray eyes met those of Aschenbach, who, with the newspaper on his lap and deep in his thoughts, had traced the group.&#xA;&#xA;   What he had seen was certainly not remarkable in its details. One had not gone to table before the mother, one had waited for her, greeted her and observed the usual customs on entering the dining room. But somehow all that was presented with such a deliberate accentuation of manners, commitment, and self-respect that Aschenbach felt strangely moved by it. He hesitated for a few moments and then also went into the dining room and had himself seated, unfortunately quite far from the Polish family as he observed with regret.&#xA;&#xA;   Exhausted and yet in mental commotion, he entertained himself with abstract, even transcendental subjects during dinner, mulled the mysterious link between the orderly and the individual for human beauty to appear, departed from there to think about the general problems of form and art and eventually found his thoughts and findings to resemble certain apparently fortuitous ideas in a dream, that on closer inspection reveal themselves to be completely stale and unworkable. After the meal he went into the park that was filled with evening smells and smoked, sometimes sitting, sometimes walking, then he went to bed even though it was still early and spent the night in sleep that was consistently deep, but enlivened by dreams of the most varied kinds.&#xA;&#xA;   The weather had not improved on the next day. A land breeze was stirring. Under a pale and overcast sky the sea lay in dull quietness, shrunken so to say, with a soberingly clear horizon and so far removed from the beach than it exposed several large sandbanks. When Aschenbach opened his window, he believed to sense the putrid smell of the lagoon.&#xA;&#xA;   Discontent befell him. Already he considered departing. Once, a few years ago, this kind of weather had, after two sunny spring weeks, struck him and had impacted his mood in such a way that he had had to flee from Venice. Did not again that febrile listlessness, that pressure in the temples, that heaviness of the eyelids make themselves known? Moving to a new lodging for another time would be tiresome; but if the wind did not change direction, he would not stay. Just in case he did not fully unpack his luggage. At nine o'clock he ate breakfast in the special room that was reserved for that use, between the lobby and the dining room.&#xA;&#xA;   In the buffet room that ceremonial silence reigned that is part of the ambition of every great hotel. The waiters tiptoed around while serving. A clattering of the tea service, a half-whispered word was all that could be heard. In a corner, diagonally across from the door and two tables apart from him, Aschenbach noticed the Polish girls with their governess. Very upright, the ash blond hair newly flattened and with red eyes, in stiff dresses made of blue linen with little white collars and cuffs they sat there and handed each other the jam. They had almost finished their breakfast. The boy was absent.&#xA;&#xA;   Aschenbach smiled to himself. &amp;quot;So, my little Phaeacian!&amp;quot; he thought. &amp;quot;You seem to possess the privilege of sleeping in.&amp;quot; And suddenly merry he recited the line from a poem below his breath:&#xA;&#xA;   &amp;quot;Jewelry, a hot bath, and rest have often made a difference.&amp;quot;&#xA;&#xA;   He ate without hurry, received some letters from the porter, who had come to the room with his cap taken off, and opened a few of them while smoking a cigarette. So it happened that he still witnessed the entrance of the long sleeper who was already expected at the other table.&#xA;&#xA;   He came in through the glass door and ambled through the silence diagonally across the room to his sisters' table. His walk was very graceful, both in his stance and in the movement of the knees, the way his feet touched the ground, very light, at the same time tender and proud and made more appealing through the childlike self-consciousness with which he looked up and down two times while crossing the room. Smiling, with a soft word in his fuzzy-sounding language he took his place, and now that he presented the onlooker with his full profile, Aschenbach was taken by surprise again, even frightened by the godlike beauty of that human child. That day the lad was wearing a light suit of blue and white fabric with a bow of red silk on his breast and a simple white collar. Above that collar, which did not even fit the rest of the suit very elegantly, the flower of his crown rested with unequaled charm — the head of Eros, with the yellowish tint of Parisian marble, with exquisite and somber brows, temples and ear covered by the dark and soft curls of his hair.&#xA;&#xA;   Well, well, thought Aschenbach with that cool approval of the specialist, with which artists at times cloak their transports of delight in the face of a masterwork. And further he thought: Truly, are not the sea and the beach waiting for me, I will remain here as long as you! So he went across the hall, greeted by the waiters, along the great terrace and straight over the boardwalk to the private beach reserved for hotel guests. He let the barefoot old man, who was, in his linen pants, sailor's blouse, and straw hat, working as a bath attendant there, show him his little beach hut, had a chair and table taken from inside and put in front of it on the wooden platform and made himself comfortable in the deck chair, which he had put up a bit closer to the sea in the wax-yellow sand.&#xA;&#xA;   The scene at the beach, that picture of carefree and sensual enjoyment next to the sea, entertained and delighted him as always. The gray and even ocean was enlivened by wading children, swimmers, garish figures, others, who were laying on sandbanks with their arms folded under their heads. Some were rowing small boats in red and blue without a keel, capsizing with roaring laughter. In front of the row of beach huts, whose platforms were like little verandas, there was playful motion and lazy rest, visits and chattering, careful early morning elegance but also nudity, which pertly took pleasure in the freedom of the place. Closer to the sea, lone figures were strolling on the moist and firm sand in white dressing gowns or in voluminous, colorful garb. An intricate sand castle to Aschenbach's right, built by children, was sporting all around tiny flags of many different countries. Vendors of mussels, pies, and fruit were on their knees spreading out their goods. On the left, in front of a hut that stood at a right angle to the other ones and was the endpoint of the beach on that side, a Russian family was camping: men with beards and large teeth, mellow and idle women, a Baltic damsel, who was sitting in front of an easel and was painting the sea with intermittent cries of despair, two benevolent and ugly children, an old maidservant with a kerchief and tenderly servile slave manners. In grateful appreciation they were living there, always calling out the names of the unruly youngsters, jesting for a long time with the old man thanks to a few words of Italian, buying sweets, kissing each other on the cheeks, and generally not caring about any onlookers.&#xA;&#xA;   So I will stay, Aschenbach thought. Where could it be better? And with his hands folded in his lap he allowed his eyes to wander in the vastness of the sea, his gaze slipping, becoming blurred, and breaking in the monotonous mist of nothingness. He loved the ocean for important reasons: out of the desire for tranquility harbored by the hard-working artist, who seeks to conceal himself from the multitude of possibilities by embracing the simple and immense; out of a forbidden proclivity for the unordered, the immeasurable, the eternal, the void that was made even more attractive by running counter to his work. To find peace in the presence of the faultless is the desire of the one who seeks excellence; and is not nothingness a form of perfection? While he was dreaming into the deepness of space, he suddenly became aware of a human figure close to the shoreline and when he collected his glance from the unlimited, it turned out to be the beautiful boy, who, coming from the left, was crossing the sand before him. He was barefoot, ready for wading, his slender legs bared till above the knees, advancing slowly, but so nimbly and proudly as if he was used to walking without footwear and he surveyed the huts. No sooner had he noticed the peaceful Russian family than his face was clouded by a tempest of scorn and disdain. His brow darkened, his mouth was lifted, between the lips and the cheeks an embittered tearing took place, and his eyebrows were so heavily wrinkled that they made the eyes appear sunken in and let them speak the evil and somber language of hatred. He averted his glance, beheld them another time, made a fiercely dismissive gesture with his shoulder and turned his back unto the enemy.&#xA;&#xA;   A sort of tenderness or terror, something like shame or respect caused Asch-enbach to turn away as if he had seen nothing; because the serious observer of a casual passion refuses to admit his impressions even to himself. But he was delighted and shocked at the same time: that is, elated. This childish fanaticism which was directed at the most benign slab of life — it made the divinely vacant a part of the human order; it made nature's precious work of art, that had only been fit to be an eyeful, seem worthy of a deeper sympathy; and it gave the already striking personage of the youth a historico-political backdrop that allowed him to be taken seriously in spite of his age.&#xA;&#xA;   Still turned away, Aschenbach listened to the boy's speech, his high-pitched and somewhat feeble voice, with which he tried to announce himself to his comrades playing at the sand castle. The replies consisted in calling him by his real name or a pet name and Aschenbach paid interested attention, without being able to hear them perfectly, to two melodic syllables like &amp;quot;Adgio&amp;quot; or more frequently &amp;quot;Adgiu&amp;quot; with a vocatively-stretched &amp;quot;oo&amp;quot; sound at the end. He delighted in the tone of it, he found its pleasantness befitting the thing it described, repeated it below his breath and contently moved on to his letters and other paperwork.&#xA;&#xA;   His little writing case on his lap, he began to pen assorted correspondence. But after about a quarter of an hour had passed, it occurred to him how unfortunate it was to let this situation, the most delightful he had known, pass by like that. He moved aside his writing utensils, returned to the sea, and after a short while, seated on his deck chair and distracted by the voices of the children who were working on the sand castle, he turned his head to the right to further investigate the comings and goings of the marvelous Adgio.&#xA;&#xA;   His glance immediately discovered him; the red bow on his breast was difficult to miss. Occupied with the others in furnishing an old plank as a drawbridge for the sand castle, he gave loud orders for that endeavor, emphasizing his commands with movements of his head. With him there were about ten comrades in all, boys and girls, some of his age and some younger, speaking in Polish, French, and languages of the Balkans. But it was his name that was heard most often. Obviously he was popular, courted, admired. One of them, a stocky lad who was called &amp;quot;Jaschu,&amp;quot; with black, slicked-back hair and in a linen suit, appeared to be his closest servant and confidant. When the daily work on the sand edifice had finished, they ambled along the beach in each other's arms, and the one called &amp;quot;Jaschu&amp;quot; placed a kiss on the beautiful Adgio's cheek.&#xA;&#xA;   Aschenbach was tempted to make a threatening gesture with the finger to Jaschu. &amp;quot;I advise you, Critobulus,&amp;quot; he thought smilingly, &amp;quot;to leave for a year! Because it will take as much time for you to recover.&amp;quot; And then he went on to eat a breakfast of very large and ripe strawberries which he had obtained from a vendor. It had gotten very hot, although the Sun had been unable to penetrate the layer of haze in the sky. Lassitude immobilized the mind, while the senses were taking pleasure in the immense and deadening spectacle of the silent sea. To divine, to explore which name it might be that sounded a bit like &amp;quot;Adgio&amp;quot; was considered by the earnest man a fitting and absolutely filling task and occupation. With the help of some Polish remembrances he decided that it had to be &amp;quot;Tadzio,&amp;quot; short for &amp;quot;Tadeusz&amp;quot; and &amp;quot;Tadziu&amp;quot; in the vocative. Tadzio was bathing. Aschenbach, who had lost him from his sight, found his head, his arm, with which he made rowing motions, far away out on the sea; because it was quite shallow for a great distance. But immediately there was concern about him, female voices were calling out for him from the huts, exclaiming again that word which was like a password at the beach and that, with its soft sound and its drawn out &amp;quot;oo&amp;quot; sound at the end, had something both sweet and wild about it: &amp;quot;Tadziu, Tadziu!&amp;quot; He obeyed, he ran through the flood, causing the water to foam with his legs, his head tilted backwards; and to witness how the lively figure, pretty and harsh in a not-yet-manly way, with dripping curls and handsome like a youthful god, ascended from the watery depths of sky and sea: That sight induced mythical connotations, he was like a poem about ancient times, the birth of form and the genesis of the gods. Aschenbach intently listened to that song that came from inside; and again he thought that it was good to be here and that he wanted to stay.&#xA;&#xA;   Later Tadzio lay, exhausted from his bathing, on the sand, wrapped in white linen which was tucked under the right shoulder, resting with his head on his bare arm; and even when Aschenbach was not looking at him but read a few pages in his book, he almost never forgot the recumbent and that he only had to turn his head slightly to the right to catch sight of the admirable. It almost seemed to him as if he was guarding the resting boy — occupied with his own things and yet with unwavering vigilance for that supreme specimen to his right, not far from him. And a fatherly awe, the complete devotion of the one who tries to create beauty to the one who is endowed with it filled and moved his heart.&#xA;&#xA;   At noon he departed from the beach, returned to the hotel, and took the elevator to his room. Inside he spent some time in front of the mirror and studied his gray hair, his weary and sharply-cut face. In that moment he thought of his fame, and how many people looked up to him for his ability to always find the right words and graceful phrases — he called to witness all the successes his gifts had given him that he could think of and even considered his knighthood. Then he went down to the dining room and took a meal at his little table. When he entered the elevator afterwards, young people jostled into that tiny hovering cubbyhole, who were also coming from breakfast, and Tadzio joined them. He stood very close to Aschenbach, for the first time close enough that Aschenbach was afforded a more intimate look with all details. Someone addressed the lad, and while he replied with an unimaginably lovely smile, he already stepped out at the second floor, walking backwards, with downcast eyes. Beauty makes one shy, thought Aschenbach and mulled why this would be the case. He had in fact noticed that Tadzio's teeth were not quite as pleasant; slightly jagged and pale, without the sheen of health and of a strangely translucent quality as in someone with anemia. He is a bit frail, he is sickly, thought Aschenbach. He will probably not live very long. And he declined to account for the feeling of satisfaction and calmness that accompanied that notion.&#xA;&#xA;   He spent two hours in his room and took the vaporetto across the foul-smelling lagoon to Venice in the afternoon. He got out at St Mark's Square, took his tea there and then commenced a walk through the city, according to his local schedule. But it was this walk which caused a total reversal in his mood and his decisions.&#xA;&#xA;   A revolting sultriness could be felt in the alleys, the air was so heavy that the odors that emanated from the apartments, stores, and cookshops, like those of hot oil, clouds of perfume and many more, remained fixed like clouds without dispersing. Cigarette smoke hung in one place and only gradually escaped. The jostle in the narrow streets was a burden, not an enjoyment to the stroller. The longer he walked, the more that disgusting condition took hold over him which is effected by the sea breeze and the scirocco and which is excitement and fatigue at the same time. He began to sweat unpleasantly. The eyes ceased to function, his chest felt tight, he was febrile, his pulse was pounding in his head. He fled from the business district to the quarters of the poor: there mendicants pursued him and the fetid stench from the canals made breathing even more difficult. In a quiet spot, one of those forgotten fairy tale places that can be found in the heart of Venice, resting next to a well, he dabbed dry his forehead and came to realize that he had to go somewhere else.&#xA;&#xA;   For the second time and permanently the city had proven to be very harmful to him in that kind of weather. Stubborn holding out seemed unreasonable, the probability of the wind changing direction was unknown. A quick decision had to be made. To return home already was not an option. Neither his summer nor winter quarters were ready for his arrival. But not only in Venice there were the sea and the beach, and in other places they could be found without the evil ingredients of the lagoon and its febrile effusion. He recalled a small seaside resort not far from Trieste, which had been praised. Why not go there? And that immediately, so that this change of location would still be worthwhile. He affirmed his decision and arose. At the next gondola landing he took a vehicle to convey him, through the dull labyrinth of the canals, below delicate marble balconies surrounded by lion sculptures, around slippery corners, along sorrowful palace facades with large company signs, which were mirrored in the garbage-topped water, to St Mark's. He had trouble getting there because the gondolier, who received payment from lace and glass manufacturers, tried to get him to do sightseeing and shopping and when the bizarre trip through Venice began to cast its spell, the mercenary spirit of the sunken queen contributed to an unpleasant sobering of the senses.&#xA;&#xA;   Back in the hotel he let the clerks in the office know that unforeseen circumstances required him to leave the very next morning. This was found regrettable, his bill was prepared. He had dinner and spent the balmy evening reading journals on the rear terrace. Before going to sleep he completely prepared his trunk for the next day.&#xA;&#xA;   He did not sleep very well as he was concerned about the impending departure. When he opened the window on the next morning the sky was still overcast but the air seemed refreshed, and — now his remorse began. Was this cancellation not hasty and in error, the conduct of an ill and unimportant state? Had he waited just a little more, had he made one more try to adapt to the Venetian atmosphere or considered the possibility that the weather might improve, then he could experience now, instead of haste and waste, a morning at the beach just like the day before. Too late. Now he had to continue wanting what he had wanted before. He got dressed and went down for breakfast at eight o'clock.&#xA;&#xA;   The buffet room was still deserted when he entered. Solitary figures appeared while he was waiting for what he had ordered. With the tea cup at his lips, he saw the Polish girls with their governess come into the room; austere and full of morning freshness, but with red eyes they paraded to their table in the corner. In the very next moment the porter approached and reminded him it was time to go. The car was waiting to transport him and other travelers to the Hotel &amp;quot;Excelsior&amp;quot; from where the motor launch would carry everyone through a private canal to the station. Time was pressing. — Aschenbach replied that time did not press at all. More than an hour remained until his train left. He did not like the habit of hotels to kick out their guests before their time and told the porter to let him finish his breakfast in peace. The man retreated hesitantly, only to reappear five minutes later. The car could wait no longer. Then he should drive away and take his luggage with him, Aschenbach responded angrily. He himself would, in due time, use the public steamer and would take care of his departure himself. The employee bowed. Aschenbach, relieved to have diverted the unwelcome exhortations, finished his meal unhurriedly, and even had the waiter bring him the daily newspaper. Time had grown quite short when he arose. It just so happened that Tadzio crossed&#xA;the threshold that very moment.&#xA;&#xA;   Walking towards the table of his family, he crossed paths with Aschenbach, cast down his glance before the gray-haired man, only to look at him softly in his lovely way and passed. &amp;quot;Adieu, Tadzio!&amp;quot; thought Aschenbach. &amp;quot;It was all too brief.&amp;quot; And as he, contrary to his usual habit, formed the words with his lips, he added: &amp;quot;God bless you!&amp;quot; — Next he organized his departure, gave tips, was bid farewell by the little soft-spoken manager in the French frock coat and left the hotel on foot as he had arrived to take the white-blossoming alley across the island to the steamship landing, followed by the manservant carrying his hand luggage. He reaches it, he takes a seat — and what followed was an odyssey through all shades of regret.&#xA;&#xA;   It was the familiar trip across the lagoon, passing St Mark's, up the Grand Canal. Aschenbach was seated on the circular bench at the bow, leaning with his arm upon the handrail, shading his eyes from the Sun. The municipal gardens retreated, the piazzetta opened out once more in princely charm and was left behind, next came the great row of palaces, and behind the bend of the waterway the magnificent arch of the Rialto Bridge appeared. The departing looked on, and his heart was torn. The atmosphere of the city, that slightly putrid smell which he had so sought to escape from — he breathed it now in deep, tenderly painful breaths. Was it possible that he did not know or had not taken into account how much he was attached to all of this? What had been a half-regretful, tiny doubt about the Tightness of his decision now became a real pain, a desperation of the soul, so bitter that it brought tears to his eyes and of which he said to himself that he could not have foreseen it. What seemed to him so hard to bear, even intolerable, was apparently the notion that he would never again set eyes on Venice, that this would be a permanent farewell. Since it had been proven a second time that the city made him sick, as he had to leave it in a hurry again, he would have to consider it an impossible and forbidden place that was too much for him and where it made no sense to go back to. He even felt that, if he departed now, shame and defiance would keep him from ever seeing the city again, the demands of which on his body he had been unable to meet twice; and this discrepancy between his desire and physical potency suddenly appeared so grave and important to the senescent, the corporeal defeat so unacceptable and the need to prevent it at all costs so imperative, that he could not understand how he could have given in so easily and without a fight.&#xA;&#xA;   In the meantime the steamer approached the station and pain and perplexity increased until a state of confusion was reached. Departure seems impossible to the tormented soul, but so does staying. Absolutely torn that way he enters the station. It is already rather late, he has no time to lose if he wants to catch his train. He wants it and he wants it not. But time presses, it pushes him forward; he hastens to get his ticket and searches the jostle of the hall for the local officer of the hotel company. The man is found and reports that the large trunk has already been shipped. Already shipped? Yes, exactly — to Como. To Como? And after some heated discussion of irate questions and sheepish replies it emerges that the trunk, together with some other luggage, had been sent from the Hotel &amp;quot;Excelsior&amp;quot; into the completely wrong direction.&#xA;&#xA;   Aschenbach found it difficult to keep the expected expression on his face. An adventurous joy and unbelievable happiness moved him almost as in a fit. The employee ran off to possibly still hold the trunk back, but as surmised he returned unsuccessfully. So Aschenbach declared that he would not leave without his trunk but instead wanted to return to the Hotel des Bains to wait for it there. Was the motor launch of the society still at the station? The man affirmed that it was still there. He ordered the ticket clerk to take back the ticket, he swore to telegraph and that no expense would be spared to get back the trunk as soon as possible, and — so the odd thing took place that the traveler, twenty minutes after his arrival at the station, found himself again on the Grand Canal on his way back to the Lido.&#xA;&#xA;   Wondrously improbable, embarrassing, comically dreamlike experience: To see those places again within the hour from which one had tearfully departed forever, thanks to twists of fate! Foaming at the bow, maneuvering with dexterity between the gondolas and steamers, the fast little vehicle bolted towards its destination, while its passenger, under a mask of enraged resignation, hid the fearfully wanton attitude of a runaway boy. From time to time he was still moved to laughter about his misfortune that could not have been more timely. Explanations had to be given, surprised expressions had to be braved — and then all was well again, he said to himself, an accident had been prevented, a grave error corrected and everything he had believed to have left behind could be his again for as long as he desired. . . Did the speedy ride fool him or had the wind indeed turned and was now blowing from the sea?&#xA;&#xA;   The waves lapped against the concrete walls of the narrow canal, which leads across the island to the Hotel &amp;quot;Excelsior&amp;quot;. A horseless omnibus was expecting the returning one and transported him on a road far above the undulating sea back to the Hotel des Bains. The little moustached manager came down the stairs to greet him.&#xA;&#xA;   Softly ingratiating he regretted the incident, called it very embarrassing for the hotel, but fully supported Aschenbach's decision to await the trunk here. Of course his room was already occupied, but a different one, no worse, would be available. u Pas de chance, monsieur&amp;quot; said the Swiss elevator operator with a smile as they went up. And so the refugee took quarters again, in a room that was almost identical to first one in terms of the view and furnishings.&#xA;&#xA;   Weary and deadened from the chaos of that strange morning, he distributed the contents of his hand luggage in the room and sat down in an armchair next to the open window. The ocean had taken on a pale green color, the air seemed thinner and more pure, the beach with its boats and huts more colorful, even though the sky was still gray. Aschenbach looked outside, his hands folded in his lap, content to be back, shaking his head about his fickleness, his lack of knowledge about his own desires. So he sat maybe for an hour, resting and lost in mindless reverie. At noon he spotted Tadzio who, in a striped linen suit with a red bow, returned to the hotel via the wooden path. Aschenbach immediately recognized him, before he had even really looked at him, and wanted to think of something like: &amp;quot;Look, Tadzio, there you are again!&amp;quot; But in the same moment he felt the casual greeting sink and become silent in the face of the truth of his heart — felt the excitement of his blood, the joy and pain in his soul and realized that the farewell had been so taxing because of Tadzio.&#xA;&#xA;   He sat in utter silence, entirely unobserved on his high vantage point and looked inside of himself. The expression on his face had become enlivened, his eyebrows were moving up, an attentive, curious, and witty smile tensed his mouth. Then he raised his head and made with his arms, which had been hanging limply over the armrests of the chair, a slowly circular and raising motion, palms turned forward, as if suggesting an opening and extending of the arms. It was a willingly welcoming, calmly accepting gesture." PRODUCER="Refreshers" COVERARTID="027/1U2L31ATJKDDIACD3X3DBM2KEY0C" PLAYTIME="393" PLAYTIME_FLOAT="392.240173" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="48264"></INFO>
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<INFO BITRATE="648348" KEY_LYRICS="17 ContributorsTranslationsPortuguêskeep steady Lyrics&#xA;(Go, go to the moon)&#xA;&#xA;&#xA;Outside with my niggas, we doin' the most&#xA;Grams on the table, yeah, I been gone&#xA;At the base and shawty, she tryna bend it over&#xA;Keep steady, I told 'em I'm on one&#xA;Why you tryna make me be the bad guy?&#xA;Why you tellin' people that? Bitch, you a damn liar&#xA;Pop me a X, young nigga feelin' paralyzed&#xA;We on go, can't stop, fuck a red light&#xA;&#xA;&#xA;I throw a hundred-fifty for the nails&#xA;I might put a bad bitch in Chanel&#xA;I pull back when the shit feel real&#xA;She want the Molly, she want the pills&#xA;I throw a hundred-fifty for the nails (Yeah)&#xA;I might put a bad bitch in Chanel&#xA;I pull back when thе shit feel real (Yeah)&#xA;She want thе Molly, she want the pills (Yeah, yeah, yeah)&#xA;&#xA;&#xA;We gon' have to see how this shit pan out&#xA;A nigga tryna keep it lowkey, I can't stand out&#xA;But I got money bands on me when I walk out&#xA;It's fuck you, stand on it, I don't give a fuck now&#xA;Fuck, get money, ice on me with a buss down&#xA;Whole gang goin' crazy when I touch down&#xA;Just me and you in a bed be goin' dumb&#xA;Off the liquor she tryna get knocked down&#xA;Roll it up, roll it up, niggas talk 'bout the kid like they knowin' sum&#xA;She hop on the dick my legs goin' numb, yeah&#xA;She hop on the dick that bitch goin' dumb (Yeah)&#xA;We got drums and sticks in the back, yeah, my young niggas loaded&#xA;Put the team on my back and I told 'em a nigga ain't foldin'&#xA;&#xA;I throw a hundred-fifty for the nails&#xA;I might put a bad bitch in Chanel&#xA;I pull back when the shit feel real&#xA;She want the Molly, she want the pills&#xA;I throw a hundred-fifty for the nails&#xA;I might put a bad bitch in Chanel (Ooh)&#xA;I pull back when the shit feel real (Yeah)&#xA;She want the Molly, she want the pills (Yeah, yeah, yeah)&#xA;&#xA;&#xA;She want the Molly, she want the pills" PRODUCER="Deep Jungle Records" COVERARTID="089/ZWEK2UB2JL5J4ARYQKIYBYK2M3ZC" PLAYTIME="337" PLAYTIME_FLOAT="336.213348" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="26755"></INFO>
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<INFO BITRATE="636379" KEY_LYRICS="19 ContributorsFat Racks Pt. 2 Lyrics&#xA;Gang&#xA;Yeah&#xA;Phew, phew&#xA;Gang, skinny nigga, fat racks, I'm out the way&#xA;ShittyBoyz, Dog Shit Militia, what's the deal, Tyler?&#xA;Gas burning like some sage&#xA;Yeah, stayin' out the way (Ayy, Will)&#xA;Gang, ayy, ski&#xA;&#xA;&#xA;Skinny nigga, fat racks, stayin' the fuck up out the way (Gang)&#xA;White Runtz inside my blunt, that bitch burnin' like some sage&#xA;No, I ain't doing shit for you if that shit don't get me paid&#xA;Bad bitch, she got her toes done and her edges slayed&#xA;I'm on the beat, I'm in that mode, nigga, you can't stop the rain&#xA;Make sure that my family straight before I ever buy a chain (On gang)&#xA;In the booth, my feet kicked up, I'm kissin' Mary Jane (Out my body)&#xA;You won't catch me in the mix, I'm stayin' in my own lane&#xA;You won't catch me in the mix, but you can catch me with your bitch (With ya bitch)&#xA;Nah, this ain't dirty money, all my money be legit (My shit legit)&#xA;In the booth, I'm smoking Sour Patch, feeling like that kid (Like that kid)&#xA;I just took a nigga bitch, yeah, I hit her with that rizz (Yeah)&#xA;Yeah, I'm feeling like a pimple 'cause I'm finna pop my shit&#xA;If you ever took my ho, it ain't no pressure 'bout that bitch&#xA;Ain't no gas inside his blunt, buddy must be smokin' mid&#xA;You ain't tryna get no money, you ain't standin' on no biz&#xA;Take a look inside my pocket, I got racks inside my pants&#xA;I been gettin' to that money, nigga, feelin' like that man (Feel like the man)&#xA;Take your bitch and get behind her, yeah, then I do my dance (Yeah)&#xA;Time to have them labels callin', nigga, tryna get them bands&#xA;Nah, I don't fuck with niggas, you might think I'm in the Klan&#xA;Run that my money up, make sure my family straight, yeah, that's the plan&#xA;I ain't have to take your bitch, turned your ho into a fan&#xA;Take the ho out to the beach, she gettin' freaky on the sand&#xA;Pennywise inside my blunt, hit that shit, it make you float&#xA;I'm out the way, I'm with your bitch and she tryna drive the boat (Drive the boat)&#xA;I'm either out here chasin' cake or talkin' shit up in the 'yo (I'm in the 'yo)&#xA;I can't wait to rock the stage, you know I'm tryna kick the door&#xA;Rubi Rose or Jayda Wayda, man, fuck it, I want both&#xA;Had to cut lil' mama off because she always do the most&#xA;I been kissin' Mary Jane, think I'm 'bout to overdose&#xA;I been steppin' on they neck, I got the rap game in a choke&#xA;&#xA;I won't wife a bitch, I'm high as hell up on the rings of Saturn&#xA;Pop like it's Wakanda, hit the hood, I gotta feed the panther&#xA;How you thirty with zero hustle? Like, shit, we need some answers&#xA;Fully switch, survive this bitch, about the chance of beating cancer&#xA;Running so historic, just look up, you ain't even peep the banners&#xA;Sippin' purple rain, R.I.P Prince, you drinking green like Lantern&#xA;Only got some money when it's tax time, I done seen this pattern&#xA;Akhi caught a hat, then lit a square, it's just to calm his nerves&#xA;Your bitch was front row in my concert, she knew all the words&#xA;Used to do it through the window, now I hit the mall and splurge&#xA;Jefe walked in with a pint of Quagen, I done caught the urge&#xA;Bitch, it's the militia, it ain't shit to call my dogs and purge&#xA;Thirty somethin' 'Woods a day, might catch me spark a log in church&#xA;God forgive me though&#xA;Just discovered my family tree, I came from billy GOATs&#xA;I'm the same me, whether I'm solo or we fifty strong&#xA;Rollin 'round with sixty shots, I hop out up in Nipsey row&#xA;You know what time it is, balaclava and Dickies on&#xA;Where everybody money go? I guess them stimmies gone&#xA;What goes around, it comes around, life like a boomerang&#xA;Tyler, that's lil' brodie, touch him, bet your block a shooting range&#xA;Dražen Petrović, I hit all net, the Glock got super range&#xA;Doggie woke up in a mid-life crisis, don't know who to blame&#xA;Thinking, &amp;quot;Who gon' help me?&amp;quot;&#xA;Independent as a fuck, I'm thinkin', &amp;quot;Who gon' shelve me?&amp;quot;&#xA;I put that shit on from head to toe, can't even do the selfie&#xA;Seven-seater wrapped with presidential tint, I'm movin' stealthy&#xA;Bounce around like Super Mario, I think the shrooms gon' melt me&#xA;Had me locked up in Nebraska, now I'm in the A&#xA;Yeah, I'm out on bond, I'm out the way, but in the way&#xA;Zaza to the face, but I ain't done, I keep one rolled&#xA;Feel like Roddy Piper, got the rap game in a sleeper hold, ayy, ayy&#xA;&#xA;Yeah, I got the rap game in a choke, nigga&#xA;Gang, yeah&#xA;Ski" PRODUCER="Deep Jungle Records" COVERARTID="089/ZWEK2UB2JL5J4ARYQKIYBYK2M3ZC" PLAYTIME="357" PLAYTIME_FLOAT="356.466675" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="27839"></INFO>
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<INFO BITRATE="853207" KEY_LYRICS="1 ContributorFrozen Serpents Lyrics&#xA;Pop a pill in a Uber and I slide&#xA;Yo bitch on me for the night she Gon ride&#xA;Say she knew me in the past different lives&#xA;We ain't tripping but she picking up the vibes&#xA;&#xA;Pop a pill in a Uber and I slide&#xA;Yo bitch on me for the night she Gon ride&#xA;Say she knew me in the past different lives&#xA;We ain't tripping but she picking up the vibes&#xA;&#xA;&#xA;So many snakes&#xA;I'm smoking that serpent&#xA;Poison be Durban (Yea)&#xA;So many fakes&#xA;I think they deserve the way I that I burn em (Yea)&#xA;Slaying these saints &#xA;This bitch is unheard of like she a virgin (Yea)&#xA;I got what it takes&#xA;And I'ma keep working till I get murdered&#xA;I'm on my bat shit rap shit&#xA;Yeah they wanna see me in a casket&#xA;Blacklist,  like I'm robbing niggas basking&#xA;In the glory of ratchetness active in this story&#xA;If he want it back we tax him and his shorty&#xA;That's cream nigga that's ice&#xA;I see the sun at night&#xA;Why you acting like a beast just for the hype&#xA;Nigga that's not your type&#xA;You pussy be lying no stripes on a tiger&#xA;My wood need a lighter&#xA;I'm hitting a birdie the crowd never silent&#xA;If he want a problem slide through we not hiding&#xA;My mind is so rough dig it up its a diamond&#xA;You niggas can't climb up to this type climate&#xA;My wrist so froze it's cold on this island&#xA;I'm gone, that's ice&#xA;My city, like vice&#xA;Her nose, so white&#xA;That's power, alright&#xA;My touch electrifies&#xA;There's nothing to deny i kill the pussy do or die&#xA;My mind is stuck on suicide it's up to you to make it right&#xA;&#xA;Pop a pill in a Uber and I slide&#xA;Yo bitch on me for the night she Gon ride&#xA;Say she knew me in the past different lives&#xA;We ain't tripping but she picking up the vibes&#xA;&#xA;&#xA;Its time again you kill my pain&#xA;The party never ends why you acting so strange&#xA;Hotel sex until you faint&#xA;Lied to your friends to pretend that you changed&#xA;&#xA;&#xA;Back and forth&#xA;Pass the torch&#xA;Ask for more&#xA;Praying you never give up&#xA;Task force dashboard 100 miles an hour like they'll never get us&#xA;Fuck them all&#xA;Fuck them all&#xA;Midnight brawl hit them till they crawl&#xA;Songs of psalms, on my arm&#xA;Baby I don't fear no one (Ay)&#xA;I guess I'm still thinking and wondering bout' the mistakes&#xA;This isn't no movie&#xA;There wasn't no acting but damn there was so many takes&#xA;And you expected me to save the world&#xA;While controlling our fate&#xA;Way too much on my plate&#xA;Even superman needs his Lois lane&#xA;But I gotta see if it's real, cause everybody like lying now&#xA;I gotta stick to myself everybody like me dying out&#xA;And I gotta get away&#xA;I gotta find my space&#xA;But baby I like your taste&#xA;Just for you I might stay" PRODUCER="3AM Eternal" COVERARTID="011/L2NAKPDCOULCJDWLQZ2NAI2LLHTD" PLAYTIME="348" PLAYTIME_FLOAT="348.000000" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="36322"></INFO>
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<INFO BITRATE="768853" KEY_LYRICS="5 ContributorsI am Prepared to Die LyricsBetween the years 1963 and 1964 10 leaders of the ANC were tried for sabotage against the South African Government, in what was known as the Rivonia Trial.&#xA;&#xA;Rivonia is a suburb of Johannesburgg.&#xA;&#xA;Nelson… Read More I am the first accused. I hold a bachelor's degree in arts and practised as an attorney in Johannesburg for a number of years in partnership with Oliver Tambo. I am a convicted prisoner serving five years for leaving the country without a permit and for inciting people to go on strike at the end of May 1961.&#xA;&#xA;At the outset, I want to say that the suggestion made by the state in its opening that the struggle in South Africa is under the influence of foreigners or communists is wholly incorrect. I have done whatever I did, both as an individual and as a leader of my people, because of my experience in South Africa and my own proudly felt African background, and not because of what any outsider might have said.&#xA;&#xA;In my youth in the Transkei I listened to the elders of my tribe telling stories of the old days. Amongst the tales they related to me were those of wars fought by our ancestors in defence of the fatherland. The names of Dingane and Bambata, Hintsa and Makana, Squngthi and Dalasile, Moshoeshoe and Sekhukhuni, were praised as the glory of the entire African nation. I hoped then that life might offer me the opportunity to serve my people and make my own humble contribution to their freedom struggle. This is what has motivated me in all that I have done in relation to the charges made against me in this case.&#xA;&#xA;Having said this, I must deal immediately and at some length with the question of violence. Some of the things so far told to the court are true and some are untrue. I do not, however, deny that I planned sabotage. I did not plan it in a spirit of recklessness, nor because I have any love of violence. I planned it as a result of a calm and sober assessment of the political situation that had arisen after many years of tyranny, exploitation, and oppression of my people by the whites.&#xA;&#xA;I admit immediately that I was one of the persons who helped to form Umkhonto we Sizwe, and that I played a prominent role in its affairs until I was arrested in August 1962.&#xA;&#xA;In the statement which I am about to make I shall correct certain false impressions which have been created by state witnesses. Amongst other things, I will demonstrate that certain of the acts referred to in the evidence were not and could not have been committed by Umkhonto. I will also deal with the relationship between the African National Congress and Umkhonto, and with the part which I personally have played in the affairs of both organisations. I shall deal also with the part played by the Communist Party. In order to explain these matters properly, I will have to explain what Umkhonto set out to achieve; what methods it prescribed for the achievement of these objects, and why these methods were chosen. I will also have to explain how I became involved in the activities of these organisations.&#xA;&#xA;I deny that Umkhonto was responsible for a number of acts which clearly fell outside the policy of the organisation, and which have been charged in the indictment against us. I do not know what justification there was for these acts, but to demonstrate that they could not have been authorised by Umkhonto, I want to refer briefly to the roots and policy of the organisation.&#xA;&#xA;I have already mentioned that I was one of the persons who helped to form Umkhonto. I, and the others who started the organisation, did so for two reasons. Firstly, we believed that as a result of Government policy, violence by the African people had become inevitable, and that unless responsible leadership was given to canalise and control the feelings of our people, there would be outbreaks of terrorism which would produce an intensity of bitterness and hostility between the various races of this country which is not produced even by war. Secondly, we felt that without violence there would be no way open to the African people to succeed in their struggle against the principle of white supremacy. All lawful modes of expressing opposition to this principle had been closed by legislation, and we were placed in a position in which we had either to accept a permanent state of inferiority, or to defy the government. We chose to defy the law. We first broke the law in a way which avoided any recourse to violence; when this form was legislated against, and then the government resorted to a show of force to crush opposition to its policies, only then did we decide to answer violence with violence.&#xA;&#xA;But the violence which we chose to adopt was not terrorism. We who formed Umkhonto were all members of the African National Congress, and had behind us the ANC tradition of non-violence and negotiation as a means of solving political disputes. We believe that South Africa belongs to all the people who live in it, and not to one group, be it black or white. We did not want an interracial war, and tried to avoid it to the last minute. If the court is in doubt about this, it will be seen that the whole history of our organisation bears out what I have said, and what I will subsequently say, when I describe the tactics which Umkhonto decided to adopt. I want, therefore, to say something about the African National Congress.&#xA;&#xA;The African National Congress was formed in 1912 to defend the rights of the African people which had been seriously curtailed by the South Africa Act, and which were then being threatened by the Native Land Act. For thirty-seven years - that is until 1949 - it adhered strictly to a constitutional struggle. It put forward demands and resolutions; it sent delegations to the Government in the belief that African grievances could be settled through peaceful discussion and that Africans could advance gradually to full political rights. But white governments remained unmoved, and the rights of Africans became less instead of becoming greater. In the words of my leader, Chief Luthuli, who became President of the ANC in 1952, and who was later awarded the Nobel Peace Prize:&#xA;&#xA;&amp;quot;Who will deny that thirty years of my life have been spent knocking in vain, patiently, moderately, and modestly at a closed and barred door? What have been the fruits of moderation? The past thirty years have seen the greatest number of laws restricting our rights and progress, until today we have reached a stage where we have almost no rights at all.&amp;quot;&#xA;&#xA;Even after 1949, the ANC remained determined to avoid violence. At this time, however, there was a change from the strictly constitutional means of protest which had been employed in the past. The change was embodied in a decision which was taken to protest against apartheid legislation by peaceful, but unlawful, demonstrations against certain laws. Pursuant to this policy the ANC launched the Defiance Campaign, in which I was placed in charge of volunteers. This campaign was based on the principles of passive resistance. More than 8,500 people defied apartheid laws and went to jail. Yet there was not a single instance of violence in the course of this campaign on the part of any defier. I and nineteen colleagues were convicted for the role which we played in organising the campaign, but our sentences were suspended mainly because the judge found that discipline and non-violence had been stressed throughout. This was the time when the volunteer section of the ANC was established, and when the word 'Amadelakufa' was first used: this was the time when the volunteers were asked to take a pledge to uphold certain principles. Evidence dealing with volunteers and their pledges has been introduced into this case, but completely out of context. The volunteers were not, and are not, the soldiers of a black army pledged to fight a civil war against the whites. They were, and are, dedicated workers who are prepared to lead campaigns initiated by the ANC to distribute leaflets, to organise strikes, or do whatever the particular campaign required. They are called volunteers because they volunteer to face the penalties of imprisonment and whipping which are now prescribed by the legislature for such acts.&#xA;&#xA;During the defiance campaign, the Public Safety Act and the Criminal Law Amendment Act were passed. These statutes provided harsher penalties for offences committed by way of protests against laws. Despite this, the protests continued and the ANC adhered to its policy of non-violence. In 1956, 156 leading members of the Congress alliance, including myself, were arrested on a charge of high treason and charges under the Suppression of Communism Act. The non-violent policy of the ANC was put in issue by the state, but when the court gave judgement some five years later, it found that the ANC did not have a policy of violence. We were acquitted on all counts, which included a count that the ANC sought to set up a communist state in place of the existing regime. The government has always sought to label all its opponents as communists. This allegation has been repeated in the present case, but as I will show, the ANC is not, and never has been, a communist organisation.&#xA;In 1960 there was the shooting at Sharpeville, which resulted in the proclamation of a state of emergency and the declaration of the ANC as an unlawful organisation. My colleagues and I, after careful consideration, decided that we would not obey this decree. The African people were not part of the government and did not make the laws by which they were governed. We believed in the words of the Universal Declaration of Human Rights, that 'the will of the people shall be the basis of authority of the government,' and for us to accept the banning was equivalent to accepting the silencing of the Africans for all time. The ANC refused to dissolve, but instead went underground. We believed it was our duty to preserve this organisation which had been built up with almost fifty years of unremitting toil. I have no doubt that no self-respecting white political organisation would disband itself if declared illegal by a government in which it had no say.&#xA;&#xA;In 1960 the government held a referendum which led to the establishment of the republic. Africans, who constituted approximately 70 per cent of the population of South Africa, were not entitled to vote, and were not even consulted about the proposed constitutional change. All of us were apprehensive of our future under the proposed white republic, and a resolution was taken to hold an all-in African conference to call for a national convention, and to organise mass demonstrations on the eve of the unwanted republic, if the government failed to call the convention. The conference was attended by Africans of various political persuasions. I was the secretary of the conference and undertook to be responsible for organising the national stay-at-home which was subsequently called to coincide with the declaration of the republic. As all strikes by Africans are illegal, the person organising such a strike must avoid arrest. I was chosen to be this person, and consequently I had to leave my home and family and my practice and go into hiding to avoid arrest.&#xA;&#xA;The stay-at-home, in accordance with ANC policy, was to be a peaceful demonstration. Careful instructions were given to organisers and members to avoid any recourse to violence. The government's answer was to introduce new and harsher laws, to mobilise its armed forces, and to send saracens, armed vehicles, and soldiers into the townships in a massive show of force designed to intimidate the people. This was an indication that the government had decided to rule by force alone, and this decision was a milestone on the road to Umkhonto.&#xA;&#xA;Some of this may appear irrelevant to this trial. In fact, I believe none of it is irrelevant because it will, I hope, enable the court to appreciate the attitude eventually adopted by the various persons and bodies concerned in the National Liberation Movement. When I went to jail in 1962, the dominant idea was that loss of life should be avoided. I now know that this was still so in 1963.&#xA;&#xA;I must return to June 1961. What were we, the leaders of our people, to do? Were we to give in to the show of force and the implied threat against future action, or were we to fight it and, if so, how?&#xA;&#xA;We had no doubt that we had to continue the fight. Anything else would have been abject surrender. Our problem was not whether to fight, but was how to continue the fight. We of the ANC had always stood for a non-racial democracy, and we shrank from any action which might drive the races further apart than they already were. But the hard facts were that fifty years of non-violence had brought the African people nothing but more and more repressive legislation, and fewer and fewer rights. It may not be easy for this court to understand, but it is a fact that for a long time the people had been talking of violence - of the day when they would fight the white man and win back their country - and we, the leaders of the ANC, had nevertheless always prevailed upon them to avoid violence and to pursue peaceful methods. When some of us discussed this in May and June of 1961, it could not be denied that our policy to achieve a non-racial state by non-violence had achieved nothing, and that our followers were beginning to lose confidence in this policy and were developing disturbing ideas of terrorism.&#xA;&#xA;It must not be forgotten that by this time violence had, in fact, become a feature of the South African political scene. There had been violence in 1957 when the women of Zeerust were ordered to carry passes; there was violence in 1958 with the enforcement of cattle culling in Sekhukhuniland; there was violence in 1959 when the people of Cato Manor protested against pass raids; there was violence in 1960 when the government attempted to impose Bantu authorities in Pondoland. Thirty-nine Africans died in these disturbances. In 1961 there had been riots in Warmbaths, and all this time the Transkei had been a seething mass of unrest. Each disturbance pointed clearly to the inevitable growth among Africans of the belief that violence was the only way out - it showed that a government which uses force to maintain its rule teaches the oppressed to use force to oppose it. Already small groups had arisen in the urban areas and were spontaneously making plans for violent forms of political struggle. There now arose a danger that these groups would adopt terrorism against Africans, as well as whites, if not properly directed. Particularly disturbing was the type of violence engendered in places such as Zeerust, Sekhukhuniland, and Pondoland amongst Africans. It was increasingly taking the form, not of struggle against the government - though this is what prompted it - but of civil strife amongst themselves, conducted in such a way that it could not hope to achieve anything other than a loss of life and bitterness.&#xA;&#xA;At the beginning of June 1961, after a long and anxious assessment of the South African situation, I, and some colleagues, came to the conclusion that as violence in this country was inevitable, it would be unrealistic and wrong for African leaders to continue preaching peace and non-violence at a time when the government met our peaceful demands with force.&#xA;&#xA;This conclusion was not easily arrived at. It was only when all else had failed, when all channels of peaceful protest had been barred to us, that the decision was made to embark on violent forms of political struggle, and to form Umkhonto we Sizwe. We did so not because we desired such a course, but solely because the government had left us with no other choice. In the Manifesto of Umkhonto published on 16 December 1961, which is exhibit AD, we said:&#xA;&#xA;&amp;quot;The time comes in the life of any nation when there remain only two choices - submit or fight. That time has now come to South Africa. We shall not submit and we have no choice but to hit back by all means in our power in defence of our people, our future, and our freedom.&amp;quot;&#xA;&#xA;This was our feeling in June of 1961 when we decided to press for a change in the policy of the National Liberation Movement. I can only say that I felt morally obliged to do what I did.&#xA;&#xA;We who had taken this decision started to consult leaders of various organisations, including the ANC. I will not say whom we spoke to, or what they said, but I wish to deal with the role of the African National Congress in this phase of the struggle, and with the policy and objectives of Umkhonto we Sizwe.&#xA;&#xA;As far as the ANC was concerned, it formed a clear view which can be summarised as follows:&#xA;It was a mass political organisation with a political function to fulfil. Its members had joined on the express policy of non-violence.&#xA;&#xA;· Because of all this, it could not and would not undertake violence. This must be stressed. One cannot turn such a body into the small, closely knit organisation required for sabotage. Nor would this be politically correct, because it would result in members ceasing to carry out this essential activity: political propaganda and organisation. Nor was it permissible to change the whole nature of the organisation.&#xA;&#xA;· On the other hand, in view of this situation I have described, the ANC was prepared to depart from its fifty-year-old policy of non-violence to this extent that it would no longer disapprove of properly controlled violence. Hence members who undertook such activity would not be subject to disciplinary action by the ANC.&#xA;&#xA;I say 'properly controlled violence' because I made it clear that if I formed the organisation I would at all times subject it to the political guidance of the ANC and would not undertake any different form of activity from that contemplated without the consent of the ANC. And I shall now tell the court how that form of violence came to be determined.&#xA;&#xA;As a result of this decision, Umkhonto was formed in November 1961. When we took this decision, and subsequently formulated our plans, the ANC heritage of non-violence and racial harmony was very much with us. We felt that the country was drifting towards a civil war in which blacks and whites would fight each other. We viewed the situation with alarm. Civil war could mean the destruction of what the ANC stood for; with civil war, racial peace would be more difficult than ever to achieve. We already have examples in South African history of the results of war. It has taken more than fifty years for the scars of the South African War to disappear. How much longer would it take to eradicate the scars of inter-racial civil war, which could not be fought without a great loss of life on both sides?&#xA;&#xA;The avoidance of civil war had dominated our thinking for many years, but when we decided to adopt violence as part of our policy, we realised that we might one day have to face the prospect of such a war. This had to be taken into account in formulating our plans. We required a plan which was flexible and which permitted us to act in accordance with the needs of the times; above all, the plan had to be one which recognised civil war as the last resort, and left the decision on this question to the future. We did not want to be committed to civil war, but we wanted to be ready if it became inevitable.&#xA;&#xA;Four forms of violence were possible. There is sabotage, there is guerrilla warfare, there is terrorism, and there is open revolution. We chose to adopt the first method and to exhaust it before taking any other decision.&#xA;&#xA;In the light of our political background the choice was a logical one. Sabotage did not involve loss of life, and it offered the best hope for future race relations. Bitterness would be kept to a minimum and, if the policy bore fruit, democratic government could become a reality. This is what we felt at the time, and this is what we said in our manifesto (exhibit AD):&#xA;&#xA;&amp;quot;We of Umkhonto we Sizwe have always sought to achieve liberation without bloodshed and civil clash. We hope, even at this late hour, that our first actions will awaken everyone to a realisation of the disastrous situation to which the nationalist policy is leading. We hope that we will bring the government and its supporters to their senses before it is too late, so that both the government and its policies can be changed before matters reach the desperate state of civil war.&amp;quot;&#xA;&#xA;The initial plan was based on a careful analysis of the political and economic situation of our country. We believed that South Africa depended to a large extent on foreign capital and foreign trade. We felt that planned destruction of power plants, and interference with rail and telephone communications, would tend to scare away capital from the country, make it more difficult for goods from the industrial areas to reach the seaports on schedule, and would in the long run be a heavy drain on the economic life of the country, thus compelling the voters of the country to reconsider their position.&#xA;&#xA;Attacks on the economic life-lines of the country were to be linked with sabotage on government buildings and other symbols of apartheid. These attacks would serve as a source of inspiration to our people. In addition, they would provide an outlet for those people who were urging the adoption of violent methods and would enable us to give concrete proof to our followers that we had adopted a stronger line and were fighting back against government violence.&#xA;&#xA;In addition, if mass action were successfully organised, and mass reprisals taken, we felt that sympathy for our cause would be roused in other countries, and that greater pressure would be brought to bear on the South African government.&#xA;&#xA;This then was the plan. Umkhonto was to perform sabotage, and strict instructions were given to its members right from the start, that on no account were they to injure or kill people in planning or carrying out operations. These instructions have been referred to in the evidence of 'Mr X' and 'Mr Z.'&#xA;The affairs of the Umkhonto were controlled and directed by a national high command, which had powers of co-option and which could, and did, appoint regional commands. The high command was the body which determined tactics and targets and was in charge of training and finance. Under the high command there were regional commands which were responsible for the direction of the local sabotage groups. Within the framework of the policy laid down by the national high command, the regional commands had authority to select the targets to be attacked. They had no authority to go beyond the prescribed framework and thus had no authority to embark upon acts which endangered life, or which did not fit into the overall plan of sabotage. For instance, Umkhonto members were forbidden ever to go armed into operation. Incidentally, the terms high command and regional command were an importation from the Jewish national underground organisation Irgun Zvai Leumi, which operated in Israel between 1944 and 1948.&#xA;&#xA;Umkhonto had its first operation on 16 December 1961, when Government buildings in Johannesburg, Port Elizabeth and Durban were attacked. The selection of targets is proof of the policy to which I have referred. Had we intended to attack life we would have selected targets where people congregated and not empty buildings and power stations. The sabotage which was committed before 16 December 1961 was the work of isolated groups and had no connection whatever with Umkhonto. In fact, some of these and a number of later acts were claimed by other organisations.&#xA;&#xA;The Manifesto of Umkhonto was issued on the day that operations commenced. The response to our actions and manifesto among the white population was characteristically violent. The government threatened to take strong action, and called upon its supporters to stand firm and to ignore the demands of the Africans. The whites failed to respond by suggesting change; they responded to our call by suggesting the laager.&#xA;&#xA;In contrast, the response of the Africans was one of encouragement. Suddenly there was hope again. Things were happening. People in the townships became eager for political news. A great deal of enthusiasm was generated by the initial successes, and people began to speculate on how soon freedom would be obtained. But we in Umkhonto weighed up the white response with anxiety. The lines were being drawn. The whites and blacks were moving into separate camps, and the prospects of avoiding a civil war were made less. The white newspapers carried reports that sabotage would be punished by death. If this was so, how could we continue to keep Africans away from terrorism?&#xA;&#xA;Already scores of Africans had died as a result of racial friction. In 1920 when the famous leader, Masabala, was held in Port Elizabeth jail, twenty-four of a group of Africans who had gathered to demand his release were killed by the police and white civilians. In 1921 more than one hundred Africans died in the Bulhoek affair. In 1924 over two hundred Africans were killed when the Administrator of South-West Africa led a force against a group which had rebelled against the imposition of dog tax. On 1 May 1950, eighteen Africans died as a result of police shootings during the strike. On 21 March 1960, sixty-nine unarmed Africans died at Sharpeville.&#xA;&#xA;How many more Sharpevilles would there be in the history of our country? And how many more Sharpevilles could the country stand without violence and terror becoming the order of the day? And what would happen to our people when that stage was reached? In the long run we felt certain we must succeed, but at what cost to ourselves and the rest of the country? And if this happened, how could black and white ever live together again in peace and harmony? These were the problems that faced us, and these were our decisions.&#xA;&#xA;Experience convinced us that rebellion would offer the government limitless opportunities for the indiscriminate slaughter of our people. But it was precisely because the soil of South Africa is already drenched with the blood of innocent Africans that we felt it our duty to make preparations as a long-term undertaking to use force in order to defend ourselves against force. If war were inevitable, we wanted the fight to be conducted on terms most favourable to our people. The fight which held out prospects best for us and the least risk of life to both sides was guerrilla warfare. We decided, therefore, in our preparations for the future, to make provision for the possibility of guerrilla warfare.&#xA;&#xA;All whites undergo compulsory military training, but no such training was given to Africans. It was in our view essential to build up a nucleus of trained men who would be able to provide the leadership which would be required if guerrilla warfare started. We had to prepare for such a situation before it became too late to make proper preparations. It was also necessary to build up a nucleus of men trained in civil administration and other professions, so that Africans would be equipped to participate in the government of this country as soon as they were allowed to do so.&#xA;&#xA;At this stage it was decided that I should attend the conference of the Pan-African Freedom Movement for central, east, and southern Africa, which was to be held early in 1962 in Addis Ababa, and, because of our need for preparation, it was also decided that, after the conference, I would undertake a tour of the African states with a view to obtaining facilities for the training of soldiers, and that I would also solicit scholarships for the higher education of matriculated Africans. Training in both fields would be necessary, even if changes came about by peaceful means. Administrators would be necessary who would be willing and able to administer a non-racial state and so would men be necessary to control the army and police force of such a state.&#xA;&#xA;It was on this note that I left South Africa to proceed to Addis Ababa as a delegate of the ANC. My tour was a success. Wherever I went I met sympathy for our cause and promises of help. All Africa was united against the stand of white South Africa, and even in London I was received with great sympathy by political leaders, such as Mr Gaitskell and Mr Grimond. In Africa I was promised support by such men as Julius Nyerere, now President of Tanganyika; Mr Kawawa, then Prime Minister of Tanganyika; Emperor Haile Selassie of Ethiopia; General Abboud, President of the Sudan; Habib Bourguiba, President of Tunisia; Ben Bella, now President of Algeria; Modibo Keita, President of Mali; Leopold Senghor, President of Senegal; Sekou Toure, President of Guinea; President Tubman of Liberia; and Milton Obote, Prime Minister of Uganda. It was Ben Bella who invited me to visit Oujda, the Headquarters of the Algerian Army of National Liberation, the visit which is described in my diary, one of the exhibits.&#xA;&#xA;I started to make a study of the art of war and revolution and, whilst abroad, underwent a course in military training. If there was to be guerrilla warfare, I wanted to be able to stand and fight with my people and to share the hazards of war with them. Notes of lectures which I received in Algeria are contained in exhibit 16, produced in evidence. Summaries of books on guerrilla warfare and military strategy have also been produced. I have already admitted that these documents are in my writing, and I acknowledge that I made these studies to equip myself for the role which I might have to play if the struggle drifted into guerrilla warfare. I approached this question as every African nationalist should do. I was completely objective. The court will see that I attempted to examine all types of authority on the subject - from the east and from the west, going back to the classic work of Clausewitz, and covering such a variety as Mao Tse Tung and Che Guevara on the one hand, and the writings on the Anglo-Boer War on the other. Of course, these notes are merely summaries of the books I read and do not contain my personal views.&#xA;&#xA;I also made arrangements for our recruits to undergo military training. But here it was impossible to organise any scheme without the cooperation of the ANC offices in Africa. I consequently obtained the permission of the ANC in South Africa to do this. To this extent then there was a departure from the original decision of the ANC, but it applied outside South Africa only. The first batch of recruits actually arrived in Tanganyika when I was passing through that country on my way back to South Africa.&#xA;&#xA;I returned to South Africa and reported to my colleagues on the results of my trip. On my return I found that there had been little alteration in the political scene save that the threat of a death penalty for sabotage had now become a fact. The attitude of my colleagues in Umkhonto was much the same as it had been before I left. They were feeling their way cautiously and felt that it would be a long time before the possibilities of sabotage were exhausted. In fact, the view was expressed by some that the training of recruits was premature. This is recorded by me in the document which is exhibit R.14. After a full discussion, however, it was decided to go ahead with the plans for military training because of the fact that it would take many years to build up a sufficient nucleus of trained soldiers to start a guerrilla campaign, and whatever happened, the training would be of value.&#xA;&#xA;· With thanks to the Nelson Mandela Foundation" PRODUCER="3AM Eternal" COVERARTID="011/L2NAKPDCOULCJDWLQZ2NAI2LLHTD" PLAYTIME="313" PLAYTIME_FLOAT="312.006531" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="29389"></INFO>
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<INFO BITRATE="717850" KEY_LYRICS="1 ContributorGNU General Public License Version 2.0 LyricsGNU General Public License v2.0 - GNU Project - Free Software Foundation (FSF)GNU GENERAL PUBLIC LICENSEVersion 2, June 1991Copyright (C) 1989, 1991 Free Software Foundation, Inc.&#xA;51 Franklin Street, Fifth Floor, Boston, MA  02110-1301, USA&#xA;&#xA;Everyone is permitted to copy and distribute verbatim copies&#xA;of this license document, but changing it is not allowed.&#xA;PreambleThe licenses for most software are designed to take away your freedom to share and change it.  By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software--to make sure the software is free for all its users.  This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it.  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To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all.&#xA;&#xA;The precise terms and conditions for copying, distribution and&#xA;modification follow.TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION0.&#xA;This License applies to any program or other work which contains&#xA;a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License.  The &amp;quot;Program&amp;quot;, below, refers to any such program or work, and a &amp;quot;work based on the Program&amp;quot; means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language.  (Hereinafter, translation is included without limitation in the term &amp;quot;modification&amp;quot;.)  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SHOULD THE&#xA;PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING,&#xA;REPAIR OR CORRECTION.&#xA;&#xA;&#xA;12.&#xA;IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING&#xA;WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR&#xA;REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,&#xA;INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING&#xA;OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED&#xA;TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY&#xA;YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER&#xA;PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE&#xA;POSSIBILITY OF SUCH DAMAGES.END OF TERMS AND CONDITIONSHow to Apply These Terms to Your New ProgramsIf you develop a new program, and you want it to be of the greatest&#xA;possible use to the public, the best way to achieve this is to make it&#xA;free software which everyone can redistribute and change under these terms.&#xA;&#xA;&#xA;&#xA;To do so, attach the following notices to the program.  It is safest&#xA;to attach them to the start of each source file to most effectively&#xA;convey the exclusion of warranty; and each file should have at least&#xA;the &amp;quot;copyright&amp;quot; line and a pointer to where the full notice is found.one line to give the program's name and an idea of what it does.&#xA;Copyright (C) yyyy  name of author&#xA;&#xA;This program is free software; you can redistribute it and/or&#xA;modify it under the terms of the GNU General Public License&#xA;as published by the Free Software Foundation; either version 2&#xA;of the License, or (at your option) any later version.&#xA;&#xA;This program is distributed in the hope that it will be useful,&#xA;but WITHOUT ANY WARRANTY; without even the implied warranty of&#xA;MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the&#xA;GNU General Public License for more details.&#xA;&#xA;You should have received a copy of the GNU General Public License&#xA;along with this program; if not, write to the Free Software&#xA;Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA  02110-1301, USA.&#xA;Also add information on how to contact you by electronic and paper mail.&#xA;&#xA;&#xA;&#xA;If the program is interactive, make it output a short notice like this&#xA;when it starts in an interactive mode:Gnomovision version 69, Copyright (C) year name of author&#xA;Gnomovision comes with ABSOLUTELY NO WARRANTY; for details&#xA;type `show w'.  This is free software, and you are welcome&#xA;to redistribute it under certain conditions; type `show c'&#xA;for details.&#xA;The hypothetical commands `show w' and `show c' should show&#xA;the appropriate parts of the General Public License.  Of course, the&#xA;commands you use may be called something other than `show w' and&#xA;`show c'; they could even be mouse-clicks or menu items--whatever&#xA;suits your program.&#xA;&#xA;&#xA;&#xA;You should also get your employer (if you work as a programmer) or your&#xA;school, if any, to sign a &amp;quot;copyright disclaimer&amp;quot; for the program, if&#xA;necessary.  Here is a sample; alter the names:Yoyodyne, Inc., hereby disclaims all copyright&#xA;interest in the program `Gnomovision'&#xA;(which makes passes at compilers) written&#xA;by James Hacker.&#xA;&#xA;signature of Ty Coon, 1 April 1989&#xA;Ty Coon, President of Vice&#xA;This General Public License does not permit incorporating your program into proprietary programs.  If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library.  If this is what you want to do, use the GNU Lesser General Public License instead of this License." 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<INFO BITRATE="781700" KEY_LYRICS="1 Contributor152 LyricsUh&#xA;Yeah&#xA;Yeah&#xA;Yeah&#xA;Uh&#xA;&#xA;I used to re up off One Fifty-two&#xA;Skipped school so I could hit One Fifty-two&#xA;Check my watch what time it is One Fifty-two&#xA;Can't say no names but he had that sticky that’s that goo&#xA;I used to re up off One Fifty-two&#xA;Skipped school so I could hit One Fifty-two&#xA;Check my watch what time it is One Fifty-two&#xA;Can't say no names but he had that sticky that's that goo&#xA;&#xA;Aye this was back when I road my bike&#xA;A teenager just trying to get right&#xA;Got right how could I go wrong?&#xA;Even as a teen I would blow strong&#xA;Break it down don’t care how long it takes&#xA;Got money to make no breaks all gas no brakes&#xA;Smoke eighths to the face I want smoke I embracе&#xA;Mary Jane taste great I cannot еscape&#xA;I bake the whip like making grits&#xA;Give a fuck if that's making sense&#xA;All my nugs are dense Indica I love the scent&#xA;Hit my plug like what it do then I pull up One Fifty-two&#xA;He never ask who you he know me I'm making moves&#xA;I used to re up off One Fifty-two&#xA;Skipped school so I could hit One Fifty-two&#xA;Check my watch what time it is One Fifty-two&#xA;Can't say no names but he had that sticky that's that goo&#xA;I used to re up off One Fifty-two&#xA;Skipped school so I could hit One Fifty-two&#xA;Check my watch what time it is One Fifty-two&#xA;Can't say no names but he had that sticky that's that goo&#xA;&#xA;Eww Eww Eww that's that goo that’s so nasty&#xA;Get it for the low but I’m still taxing&#xA;Cause I'm in the County and I know they got that&#xA;Eyes low trapping in my Boston Sox hat&#xA;Rack after Rack like I’m stacking up some ribs&#xA;Pack after pack get the stacks then I dip&#xA;Time to re up first thing in the morning we up&#xA;Up and away can't see us&#xA;Know the whole word wanna be us&#xA;But it ain't that easy gotta get money believe me&#xA;Make sure it ain't never leaving&#xA;Save up for a rainy day&#xA;I love to blaze up on rainy days&#xA;Shine bright take the rain away&#xA;High as fuck might fade away&#xA;Long as I get paid today&#xA;Give a fuck what you say&#xA;Facts though Suggs on the track get tackled&#xA;None of ya’ll fucking with my rap flow&#xA;This easy to me no hassle&#xA;Hunna Gang stronger than a task force&#xA;Be careful what you ask for&#xA;Time to re up I need more&#xA;Maybe this time I'll need four&#xA;I'm not sure&#xA;I used to re up off One Fifty-two&#xA;Skipped school so I could hit One Fifty-two&#xA;Check my watch what time it is One Fifty-two&#xA;Can't say no names but he had that sticky that's that goo&#xA;I used to re up off One Fifty-two&#xA;Skipped school so I could hit One Fifty-two&#xA;Check my watch what time it is One Fifty-two&#xA;Can't say no names but he had that sticky that's that goo" PRODUCER="3AM Eternal" COVERARTID="011/L2NAKPDCOULCJDWLQZ2NAI2LLHTD" PLAYTIME="331" PLAYTIME_FLOAT="330.001984" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="31567"></INFO>
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<INFO BITRATE="869564" KEY_LYRICS="3 ContributorsSpecial Request Lyrics&#xA;Now here come a special request to all Rockfort-ites&#xA;And also to all of you ites dem-a (Murder style)&#xA;Special dedication to all you Waterford-ites&#xA;And all the Waterhouse-ites (Murder style)&#xA;&#xA;&#xA;For hey, he-hey, hey-he-he-hey&#xA;A mi say yow, cha yow, cha yow-oi-oi-oi&#xA;I say, di gun, I tell you it's a dangerous weapon&#xA;Say, gun, I tell you, man, it is a dangerous weapon&#xA;For that deh situation are pollution&#xA;For that deh sin thing a kill out Jah nation&#xA;A coming right ya now fi set a eradication&#xA;A how can really live, must have better nation&#xA;&#xA;&#xA;Cah mi say oy, oh-oy, ska-diddley-diddley&#xA;Mi say bumma, ska-didldey-diddley, cah diddley&#xA;&#xA;&#xA;Cah mi say, hold and pull up, operator, hold and pull up&#xA;For this ya deejay come fi make di dance full up&#xA;Hold and pull up, mi say operator&#xA;For little later, mi say, it will be greater&#xA;An' little after that mi gone go catch mi dawta&#xA;A box in a one corner, mi are murderer&#xA;Mi bubble pon top, mi say mi bubble underneath&#xA;An' look up all di dreadlocks, Lord-our-God, him so neat&#xA;A fi mi dawta, mi say she look so sweet&#xA;For dem ya dawta, dem come fi rock Reggae beat&#xA;&#xA;Cah mi say, hold and pull up, operator, beg you pull up (Lord)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;Mi have a dawta, dem call her bubbler&#xA;An' that deh dawta are real scorcher&#xA;I tell you right ya now say she are murderer&#xA;Anywhere she go, say, she are entertainer&#xA;&#xA;&#xA;Cah mi say, hold and pull up, operator, beg you pull up (Lord)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;For special request to out to di Rockfort-ites&#xA;For special request to out to di  ites&#xA;An' special request to out to di Waterhouse-ites&#xA;An' special request to out to di Waterford-ites&#xA;&#xA;&#xA;Cah mi say, hold and pull up, operator, beg you pull up (Lord)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;For any girl mi meet, mi say dem look so sweet&#xA;You look at pon her back, mi say she gone done her frock&#xA;You look pon her foot, mi say she gone done her shoes&#xA;For dem ya girl, I tell you, say you just can't refuse (Lord)&#xA;&#xA;Hold and pull up, operator, beg you pull up (Boyo)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;Cah long time dem no hear mi a chat (Lord)&#xA;Cah mi say, long time dem no hear mi a chat&#xA;But Jah man, mi a tell you say mi come on right back&#xA;Jah man, mi a tell you say mi come on right back&#xA;For dis ya deejay are di cream of chi crop&#xA;An' fi mi juice a weh mi drink are good soursap&#xA;An' little after that mi say mi gone at love shop&#xA;An' little after that mi gone go buy mi night cap (Boyo)&#xA;&#xA;&#xA;Cah mi say, hold and pull up, operator, beg you pull up (Boyo)&#xA;Hold and pull up, operator, beg you pull up&#xA;&#xA;&#xA;For special request to out to di Rockfort-ites&#xA;Cah special request to out to di Waterford-ites&#xA;Cah special request to out to di Waterhouse-ites&#xA;An' special request to out to di  ites (Bumma)&#xA;&#xA;&#xA;Lord-our-God, mi say dem want mi get mad (Boyo)&#xA;Lord-our-God, mi say dem want mi get mad&#xA;But look in a mi eye, mi said mi eye, it so red&#xA;An' look upon mi height, mi say you sight mi natty dread&#xA;An' little after that, mi say, mi gone in a mi bed&#xA;Jah man, Jah man, Jah man, mi say mi feelin' so red (Lord)&#xA;&#xA;Lord-our-God, dem want fi really get mi mad (Boyo)&#xA;Lord-our-God, dem really want fi get mi mad (Boyo)&#xA;So hold up, operator, beg you hold up&#xA;Cah mi say, pull up, operator, beg you pull up&#xA;Tell 'em, a mi say ribbit an' flash it, mi say rub it-a&#xA;Onion, skellion, time, come again, have a listen" PRODUCER="!K7 Music" COVERARTID="059/1N3NNSDG00ALABTB2PXHASAQBFQA" PLAYTIME="369" PLAYTIME_FLOAT="368.092865" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="39387"></INFO>
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<INFO BITRATE="923369" KEY_LYRICS="6 ContributorsOn the Watch LyricsSir Leicester and Lady Deadlock retreat from Paris to Chesney Wold.  Lady Deadlock is, of course, utterly bored with high society no matter where she goes.&#xA;&#xA;Dickens parodies the archaic, lumbering beast that… Read More It has left off raining down in Lincolnshire at last, and Chesney Wold has taken heart. Mrs. Rouncewell is full of hospitable cares, for Sir Leicester and my Lady are coming home from Paris. The fashionable intelligence has found it out and communicates the glad tidings to benighted England. It has also found out that they will entertain a brilliant and distinguished circle of the ELITE of the BEAU MONDE (the fashionable intelligence is weak in English, but a giant refreshed in French) at the ancient and hospitable family seat in Lincolnshire.&#xA;&#xA;For the greater honour of the brilliant and distinguished circle, and of Chesney Wold into the bargain, the broken arch of the bridge in the park is mended; and the water, now retired within its proper limits and again spanned gracefully, makes a figure in the prospect from the house. The clear, cold sunshine glances into the brittle woods and approvingly beholds the sharp wind scattering the leaves and drying the moss. It glides over the park after the moving shadows of the clouds, and chases them, and never catches them, all day. It looks in at the windows and touches the ancestral portraits with bars and patches of brightness never contemplated by the painters. Athwart the picture of my Lady, over the great chimney-piece, it throws a broad bend-sinister of light that strikes down crookedly into the hearth and seems to rend it.&#xA;&#xA;Through the same cold sunshine and the same sharp wind, my Lady and Sir Leicester, in their travelling chariot (my Lady's woman and Sir Leicester's man affectionate in the rumble), start for home. With a considerable amount of jingling and whip-cracking, and many plunging demonstrations on the part of two bare-backed horses and two centaurs with glazed hats, jack-boots, and flowing manes and tails, they rattle out of the yard of the Hotel Bristol in the Place Vendome and canter between the sun-and-shadow-chequered colonnade of the Rue de Rivoli and the garden of the ill-fated palace of a headless king and queen, off by the Place of Concord, and the Elysian Fields, and the Gate of the Star, out of Paris.&#xA;&#xA;Sooth to say, they cannot go away too fast, for even here my Lady Dedlock has been bored to death. Concert, assembly, opera, theatre, drive, nothing is new to my Lady under the worn-out heavens. Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits.&#xA;&#xA;She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob's dream!&#xA;&#xA;Sir Leicester is generally in a complacent state, and rarely bored. When he has nothing else to do, he can always contemplate his own greatness. It is a considerable advantage to a man to have so inexhaustible a subject. After reading his letters, he leans back in his corner of the carriage and generally reviews his importance to society.&#xA;&#xA;&amp;quot;You have an unusual amount of correspondence this morning?&amp;quot; says my Lady after a long time. She is fatigued with reading. Has almost read a page in twenty miles.&#xA;&#xA;&amp;quot;Nothing in it, though. Nothing whatever.&amp;quot;&#xA;&#xA;&amp;quot;I saw one of Mr. Tulkinghorn's long effusions, I think?&amp;quot;&#xA;&#xA;&amp;quot;You see everything,&amp;quot; says Sir Leicester with admiration.&#xA;&#xA;&amp;quot;Ha!&amp;quot; sighs my Lady. &amp;quot;He is the most tiresome of men!&amp;quot;&#xA;&#xA;&amp;quot;He sends—I really beg your pardon—he sends,&amp;quot; says Sir Leicester, selecting the letter and unfolding it, &amp;quot;a message to you. Our stopping to change horses as I came to his postscript drove it out of my memory. I beg you'll excuse me. He says—&amp;quot; Sir Leicester is so long in taking out his eye-glass and adjusting it that my Lady looks a little irritated. &amp;quot;He says 'In the matter of the right of way—' I beg your pardon, that's not the place. He says—yes! Here I have it! He says, 'I beg my respectful compliments to my Lady, who, I hope, has benefited by the change. Will you do me the favour to mention (as it may interest her) that I have something to tell her on her return in reference to the person who copied the affidavit in the Chancery suit, which so powerfully stimulated her curiosity. I have seen him.'&amp;quot;&#xA;&#xA;My Lady, leaning forward, looks out of her window.&#xA;&amp;quot;That's the message,&amp;quot; observes Sir Leicester.&#xA;&#xA;&amp;quot;I should like to walk a little,&amp;quot; says my Lady, still looking out of her window.&#xA;&#xA;&amp;quot;Walk?&amp;quot; repeats Sir Leicester in a tone of surprise.&#xA;&#xA;&amp;quot;I should like to walk a little,&amp;quot; says my Lady with unmistakable distinctness. &amp;quot;Please to stop the carriage.&amp;quot;&#xA;&#xA;The carriage is stopped, the affectionate man alights from the rumble, opens the door, and lets down the steps, obedient to an impatient motion of my Lady's hand. My Lady alights so quickly and walks away so quickly that Sir Leicester, for all his scrupulous politeness, is unable to assist her, and is left behind. A space of a minute or two has elapsed before he comes up with her. She smiles, looks very handsome, takes his arm, lounges with him for a quarter of a mile, is very much bored, and resumes her seat in the carriage.&#xA;&#xA;The rattle and clatter continue through the greater part of three days, with more or less of bell-jingling and whip-cracking, and more or less plunging of centaurs and bare-backed horses. Their courtly politeness to each other at the hotels where they tarry is the theme of general admiration. Though my Lord IS a little aged for my Lady, says Madame, the hostess of the Golden Ape, and though he might be her amiable father, one can see at a glance that they love each other. One observes my Lord with his white hair, standing, hat in hand, to help my Lady to and from the carriage. One observes my Lady, how recognisant of my Lord's politeness, with an inclination of her gracious head and the concession of her so-genteel fingers! It is ravishing!&#xA;&#xA;The sea has no appreciation of great men, but knocks them about like the small fry. It is habitually hard upon Sir Leicester, whose countenance it greenly mottles in the manner of sage-cheese and in whose aristocratic system it effects a dismal revolution. It is the Radical of Nature to him. Nevertheless, his dignity gets over it after stopping to refit, and he goes on with my Lady for Chesney Wold, lying only one night in London on the way to Lincolnshire.&#xA;&#xA;Through the same cold sunlight, colder as the day declines, and through the same sharp wind, sharper as the separate shadows of bare trees gloom together in the woods, and as the Ghost's Walk, touched at the western corner by a pile of fire in the sky, resigns itself to coming night, they drive into the park. The rooks, swinging in their lofty houses in the elm-tree avenue, seem to discuss the question of the occupancy of the carriage as it passes underneath, some agreeing that Sir Leicester and my Lady are come down, some arguing with malcontents who won't admit it, now all consenting to consider the question disposed of, now all breaking out again in violent debate, incited by one obstinate and drowsy bird who will persist in putting in a last contradictory croak. Leaving them to swing and caw, the travelling chariot rolls on to the house, where fires gleam warmly through some of the windows, though not through so many as to give an inhabited expression to the darkening mass of front. But the brilliant and distinguished circle will soon do that.&#xA;&#xA;Mrs. Rouncewell is in attendance and receives Sir Leicester's customary shake of the hand with a profound curtsy.&#xA;&#xA;&amp;quot;How do you do, Mrs. Rouncewell? I am glad to see you.&amp;quot;&#xA;&#xA;&amp;quot;I hope I have the honour of welcoming you in good health, Sir Leicester?&amp;quot;&#xA;&#xA;&amp;quot;In excellent health, Mrs. Rouncewell.&amp;quot;&#xA;&#xA;&amp;quot;My Lady is looking charmingly well,&amp;quot; says Mrs. Rouncewell with another curtsy.&#xA;My Lady signifies, without profuse expenditure of words, that she is as wearily well as she can hope to be.&#xA;&#xA;But Rosa is in the distance, behind the housekeeper; and my Lady, who has not subdued the quickness of her observation, whatever else she may have conquered, asks, &amp;quot;Who is that girl?&amp;quot;&#xA;&#xA;&amp;quot;A young scholar of mine, my Lady. Rosa.&amp;quot;&#xA;&#xA;&amp;quot;Come here, Rosa!&amp;quot; Lady Dedlock beckons her, with even an appearance of interest. &amp;quot;Why, do you know how pretty you are, child?&amp;quot; she says, touching her shoulder with her two forefingers.&#xA;&#xA;Rosa, very much abashed, says, &amp;quot;No, if you please, my Lady!&amp;quot; and glances up, and glances down, and don't know where to look, but looks all the prettier.&#xA;&#xA;&amp;quot;How old are you?&amp;quot;&#xA;&#xA;&amp;quot;Nineteen, my Lady.&amp;quot;&#xA;&#xA;&amp;quot;Nineteen,&amp;quot; repeats my Lady thoughtfully. &amp;quot;Take care they don't spoil you by flattery.&amp;quot;&#xA;&#xA;&amp;quot;Yes, my Lady.&amp;quot;&#xA;&#xA;My Lady taps her dimpled cheek with the same delicate gloved fingers and goes on to the foot of the oak staircase, where Sir Leicester pauses for her as her knightly escort. A staring old Dedlock in a panel, as large as life and as dull, looks as if he didn't know what to make of it, which was probably his general state of mind in the days of Queen Elizabeth.&#xA;&#xA;That evening, in the housekeeper's room, Rosa can do nothing but murmur Lady Dedlock's praises. She is so affable, so graceful, so beautiful, so elegant; has such a sweet voice and such a thrilling touch that Rosa can feel it yet! Mrs. Rouncewell confirms all this, not without personal pride, reserving only the one point of affability. Mrs. Rouncewell is not quite sure as to that. Heaven forbid that she should say a syllable in dispraise of any member of that excellent family, above all, of my Lady, whom the whole world admires; but if my Lady would only be &amp;quot;a little more free,&amp;quot; not quite so cold and distant, Mrs. Rouncewell thinks she would be more affable.&#xA;&#xA;&amp;quot;'Tis almost a pity,&amp;quot; Mrs. Rouncewell adds—only &amp;quot;almost&amp;quot; because it borders on impiety to suppose that anything could be better than it is, in such an express dispensation as the Dedlock affairs—&amp;quot;that my Lady has no family. If she had had a daughter now, a grown young lady, to interest her, I think she would have had the only kind of excellence she wants.&amp;quot;&#xA;&#xA;&amp;quot;Might not that have made her still more proud, grandmother?&amp;quot; says Watt, who has been home and come back again, he is such a good grandson.&#xA;&amp;quot;More and most, my dear,&amp;quot; returns the housekeeper with dignity, &amp;quot;are words it's not my place to use—nor so much as to hear—applied to any drawback on my Lady.&amp;quot;&#xA;&#xA;&amp;quot;I beg your pardon, grandmother. But she is proud, is she not?&amp;quot;&#xA;&#xA;&amp;quot;If she is, she has reason to be. The Dedlock family have always reason to be.&amp;quot;&#xA;&#xA;&amp;quot;Well,&amp;quot; says Watt, &amp;quot;it's to be hoped they line out of their prayer-books a certain passage for the common people about pride and vainglory. Forgive me, grandmother! Only a joke!&amp;quot;&#xA;&#xA;&amp;quot;Sir Leicester and Lady Dedlock, my dear, are not fit subjects for joking.&amp;quot;&#xA;&#xA;&amp;quot;Sir Leicester is no joke by any means,&amp;quot; says Watt, &amp;quot;and I humbly ask his pardon. I suppose, grandmother, that even with the family and their guests down here, there is no objection to my prolonging my stay at the Dedlock Arms for a day or two, as any other traveller might?&amp;quot;&#xA;&#xA;&amp;quot;Surely, none in the world, child.&amp;quot;&#xA;&#xA;&amp;quot;I am glad of that,&amp;quot; says Watt, &amp;quot;because I have an inexpressible desire to extend my knowledge of this beautiful neighbourhood.&amp;quot;&#xA;&#xA;He happens to glance at Rosa, who looks down and is very shy indeed. But according to the old superstition, it should be Rosa's ears that burn, and not her fresh bright cheeks, for my Lady's maid is holding forth about her at this moment with surpassing energy.&#xA;&#xA;My Lady's maid is a Frenchwoman of two and thirty, from somewhere in the southern country about Avignon and Marseilles, a large-eyed brown woman with black hair who would be handsome but for a certain feline mouth and general uncomfortable tightness of face, rendering the jaws too eager and the skull too prominent. There is something indefinably keen and wan about her anatomy, and she has a watchful way of looking out of the corners of her eyes without turning her head which could be pleasantly dispensed with, especially when she is in an ill humour and near knives. Through all the good taste of her dress and little adornments, these objections so express themselves that she seems to go about like a very neat she-wolf imperfectly tamed. Besides being accomplished in all the knowledge appertaining to her post, she is almost an Englishwoman in her acquaintance with the language; consequently, she is in no want of words to shower upon Rosa for having attracted my Lady's attention, and she pours them out with such grim ridicule as she sits at dinner that her companion, the affectionate man, is rather relieved when she arrives at the spoon stage of that performance.&#xA;&#xA;Ha, ha, ha! She, Hortense, been in my Lady's service since five years and always kept at the distance, and this doll, this puppet, caressed—absolutely caressed—by my Lady on the moment of her arriving at the house! Ha, ha, ha! &amp;quot;And do you know how pretty you are, child?&amp;quot; &amp;quot;No, my Lady.&amp;quot; You are right there! &amp;quot;And how old are you, child! And take care they do not spoil you by flattery, child!&amp;quot; Oh, how droll! It is the BEST thing altogether.&#xA;&#xA;In short, it is such an admirable thing that Mademoiselle Hortense can't forget it; but at meals for days afterwards, even among her countrywomen and others attached in like capacity to the troop of visitors, relapses into silent enjoyment of the joke—an enjoyment expressed, in her own convivial manner, by an additional tightness of face, thin elongation of compressed lips, and sidewise look, which intense appreciation of humour is frequently reflected in my Lady's mirrors when my Lady is not among them.&#xA;&#xA;All the mirrors in the house are brought into action now, many of them after a long blank. They reflect handsome faces, simpering faces, youthful faces, faces of threescore and ten that will not submit to be old; the entire collection of faces that have come to pass a January week or two at Chesney Wold, and which the fashionable intelligence, a mighty hunter before the Lord, hunts with a keen scent, from their breaking cover at the Court of St. James's to their being run down to death. The place in Lincolnshire is all alive. By day guns and voices are heard ringing in the woods, horsemen and carriages enliven the park roads, servants and hangers-on pervade the village and the Dedlock Arms. Seen by night from distant openings in the trees, the row of windows in the long drawing-room, where my Lady's picture hangs over the great chimney-piece, is like a row of jewels set in a black frame. On Sunday the chill little church is almost warmed by so much gallant company, and the general flavour of the Dedlock dust is quenched in delicate perfumes.&#xA;&#xA;The brilliant and distinguished circle comprehends within it no contracted amount of education, sense, courage, honour, beauty, and virtue. Yet there is something a little wrong about it in despite of its immense advantages. What can it be?&#xA;&#xA;Dandyism? There is no King George the Fourth now (more the pity) to set the dandy fashion; there are no clear-starched jack-towel neckcloths, no short-waisted coats, no false calves, no stays. There are no caricatures, now, of effeminate exquisites so arrayed, swooning in opera boxes with excess of delight and being revived by other dainty creatures poking long-necked scent-bottles at their noses. There is no beau whom it takes four men at once to shake into his buckskins, or who goes to see all the executions, or who is troubled with the self-reproach of having once consumed a pea. But is there dandyism in the brilliant and distinguished circle notwithstanding, dandyism of a more mischievous sort, that has got below the surface and is doing less harmless things than jack-towelling itself and stopping its own digestion, to which no rational person need particularly object?&#xA;&#xA;Why, yes. It cannot be disguised. There ARE at Chesney Wold this January week some ladies and gentlemen of the newest fashion, who have set up a dandyism—in religion, for instance. Who in mere lackadaisical want of an emotion have agreed upon a little dandy talk about the vulgar wanting faith in things in general, meaning in the things that have been tried and found wanting, as though a low fellow should unaccountably lose faith in a bad shilling after finding it out! Who would make the vulgar very picturesque and faithful by putting back the hands upon the clock of time and cancelling a few hundred years of history.&#xA;&#xA;There are also ladies and gentlemen of another fashion, not so new, but very elegant, who have agreed to put a smooth glaze on the world and to keep down all its realities. For whom everything must be languid and pretty. Who have found out the perpetual stoppage. Who are to rejoice at nothing and be sorry for nothing. Who are not to be disturbed by ideas. On whom even the fine arts, attending in powder and walking backward like the Lord Chamberlain, must array themselves in the milliners' and tailors' patterns of past generations and be particularly careful not to be in earnest or to receive any impress from the moving age.&#xA;&#xA;Then there is my Lord Boodle, of considerable reputation with his party, who has known what office is and who tells Sir Leicester Dedlock with much gravity, after dinner, that he really does not see to what the present age is tending. A debate is not what a debate used to be; the House is not what the House used to be; even a Cabinet is not what it formerly was. He perceives with astonishment that supposing the present government to be overthrown, the limited choice of the Crown, in the formation of a new ministry, would lie between Lord Coodle and Sir Thomas Doodle—supposing it to be impossible for the Duke of Foodle to act with Goodle, which may be assumed to be the case in consequence of the breach arising out of that affair with Hoodle. Then, giving the Home Department and the leadership of the House of Commons to Joodle, the Exchequer to Koodle, the Colonies to Loodle, and the Foreign Office to Moodle, what are you to do with Noodle? You can't offer him the Presidency of the Council; that is reserved for Poodle. You can't put him in the Woods and Forests; that is hardly good enough for Quoodle. What follows? That the country is shipwrecked, lost, and gone to pieces (as is made manifest to the patriotism of Sir Leicester Dedlock) because you can't provide for Noodle!&#xA;&#xA;On the other hand, the Right Honourable William Buffy, M.P., contends across the table with some one else that the shipwreck of the country—about which there is no doubt; it is only the manner of it that is in question—is attributable to Cuffy. If you had done with Cuffy what you ought to have done when he first came into Parliament, and had prevented him from going over to Duffy, you would have got him into alliance with Fuffy, you would have had with you the weight attaching as a smart debater to Guffy, you would have brought to bear upon the elections the wealth of Huffy, you would have got in for three counties Juffy, Kuffy, and Luffy, and you would have strengthened your administration by the official knowledge and the business habits of Muffy. All this, instead of being as you now are, dependent on the mere caprice of Puffy!&#xA;&#xA;As to this point, and as to some minor topics, there are differences of opinion; but it is perfectly clear to the brilliant and distinguished circle, all round, that nobody is in question but Boodle and his retinue, and Buffy and HIS retinue. These are the great actors for whom the stage is reserved. A People there are, no doubt—a certain large number of supernumeraries, who are to be occasionally addressed, and relied upon for shouts and choruses, as on the theatrical stage; but Boodle and Buffy, their followers and families, their heirs, executors, administrators, and assigns, are the born first-actors, managers, and leaders, and no others can appear upon the scene for ever and ever.&#xA;&#xA;In this, too, there is perhaps more dandyism at Chesney Wold than the brilliant and distinguished circle will find good for itself in the long run. For it is, even with the stillest and politest circles, as with the circle the necromancer draws around him—very strange appearances may be seen in active motion outside. With this difference, that being realities and not phantoms, there is the greater danger of their breaking in.&#xA;&#xA;Chesney Wold is quite full anyhow, so full that a burning sense of injury arises in the breasts of ill-lodged ladies'-maids, and is not to be extinguished. Only one room is empty. It is a turret chamber of the third order of merit, plainly but comfortably furnished and having an old-fashioned business air. It is Mr. Tulkinghorn's room, and is never bestowed on anybody else, for he may come at any time. He is not come yet. It is his quiet habit to walk across the park from the village in fine weather, to drop into this room as if he had never been out of it since he was last seen there, to request a servant to inform Sir Leicester that he is arrived in case he should be wanted, and to appear ten minutes before dinner in the shadow of the library-door. He sleeps in his turret with a complaining flag-staff over his head, and has some leads outside on which, any fine morning when he is down here, his black figure may be seen walking before breakfast like a larger species of rook.&#xA;&#xA;Every day before dinner, my Lady looks for him in the dusk of the library, but he is not there. Every day at dinner, my Lady glances down the table for the vacant place that would be waiting to receive him if he had just arrived, but there is no vacant place. Every night my Lady casually asks her maid, &amp;quot;Is Mr. Tulkinghorn come?&amp;quot;&#xA;&#xA;Every night the answer is, &amp;quot;No, my Lady, not yet.&amp;quot;&#xA;&#xA;One night, while having her hair undressed, my Lady loses herself in deep thought after this reply until she sees her own brooding face in the opposite glass, and a pair of black eyes curiously observing her.&#xA;&#xA;&amp;quot;Be so good as to attend,&amp;quot; says my Lady then, addressing the reflection of Hortense, &amp;quot;to your business. You can contemplate your beauty at another time.&amp;quot;&#xA;&#xA;&amp;quot;Pardon! It was your Ladyship's beauty.&amp;quot;&#xA;&#xA;&amp;quot;That,&amp;quot; says my Lady, &amp;quot;you needn't contemplate at all.&amp;quot;&#xA;&#xA;At length, one afternoon a little before sunset, when the bright groups of figures which have for the last hour or two enlivened the Ghost's Walk are all dispersed and only Sir Leicester and my Lady remain upon the terrace, Mr. Tulkinghorn appears. He comes towards them at his usual methodical pace, which is never quickened, never slackened. He wears his usual expressionless mask—if it be a mask—and carries family secrets in every limb of his body and every crease of his dress. Whether his whole soul is devoted to the great or whether he yields them nothing beyond the services he sells is his personal secret. He keeps it, as he keeps the secrets of his clients; he is his own client in that matter, and will never betray himself.&#xA;&#xA;&amp;quot;How do you do, Mr. Tulkinghorn?&amp;quot; says Sir Leicester, giving him his hand.&#xA;&#xA;Mr. Tulkinghorn is quite well. Sir Leicester is quite well. My Lady is quite well. All highly satisfactory. The lawyer, with his hands behind him, walks at Sir Leicester's side along the terrace. My Lady walks upon the other side.&#xA;&#xA;&amp;quot;We expected you before,&amp;quot; says Sir Leicester. A gracious observation. As much as to say, &amp;quot;Mr. Tulkinghorn, we remember your existence when you are not here to remind us of it by your presence. We bestow a fragment of our minds upon you, sir, you see!&amp;quot;&#xA;&#xA;Mr. Tulkinghorn, comprehending it, inclines his head and says he is much obliged.&#xA;&#xA;&amp;quot;I should have come down sooner,&amp;quot; he explains, &amp;quot;but that I have been much engaged with those matters in the several suits between yourself and Boythorn.&amp;quot;&#xA;&#xA;&amp;quot;A man of a very ill-regulated mind,&amp;quot; observes Sir Leicester with severity. &amp;quot;An extremely dangerous person in any community. A man of a very low character of mind.&amp;quot;&#xA;&#xA;&amp;quot;He is obstinate,&amp;quot; says Mr. Tulkinghorn.&#xA;&#xA;&amp;quot;It is natural to such a man to be so,&amp;quot; says Sir Leicester, looking most profoundly obstinate himself. &amp;quot;I am not at all surprised to hear it.&amp;quot;&#xA;&#xA;&amp;quot;The only question is,&amp;quot; pursues the lawyer, &amp;quot;whether you will give up anything.&amp;quot;&#xA;&#xA;&amp;quot;No, sir,&amp;quot; replies Sir Leicester. &amp;quot;Nothing. I give up?&amp;quot;&#xA;&#xA;&amp;quot;I don't mean anything of importance. That, of course, I know you would not abandon. I mean any minor point.&amp;quot;&#xA;&#xA;&amp;quot;Mr. Tulkinghorn,&amp;quot; returns Sir Leicester, &amp;quot;there can be no minor point between myself and Mr. Boythorn. If I go farther, and observe that I cannot readily conceive how ANY right of mine can be a minor point, I speak not so much in reference to myself as an individual as in reference to the family position I have it in charge to maintain.&amp;quot;&#xA;&#xA;Mr. Tulkinghorn inclines his head again. &amp;quot;I have now my instructions,&amp;quot; he says. &amp;quot;Mr. Boythorn will give us a good deal of trouble—&amp;quot;&#xA;&#xA;&amp;quot;It is the character of such a mind, Mr. Tulkinghorn,&amp;quot; Sir Leicester interrupts him, &amp;quot;TO give trouble. An exceedingly ill-conditioned, levelling person. A person who, fifty years ago, would probably have been tried at the Old Bailey for some demagogue proceeding, and severely punished—if not,&amp;quot; adds Sir Leicester after a moment's pause, &amp;quot;if not hanged, drawn, and quartered.&amp;quot;&#xA;&#xA;Sir Leicester appears to discharge his stately breast of a burden in passing this capital sentence, as if it were the next satisfactory thing to having the sentence executed.&#xA;&#xA;&amp;quot;But night is coming on,&amp;quot; says he, &amp;quot;and my Lady will take cold. My dear, let us go in.&amp;quot;&#xA;&#xA;As they turn towards the hall-door, Lady Dedlock addresses Mr. Tulkinghorn for the first time.&#xA;&#xA;&amp;quot;You sent me a message respecting the person whose writing I happened to inquire about. It was like you to remember the circumstance; I had quite forgotten it. Your message reminded me of it again. I can't imagine what association I had with a hand like that, but I surely had some.&amp;quot;&#xA;&#xA;&amp;quot;You had some?&amp;quot; Mr. Tulkinghorn repeats.&#xA;&#xA;&amp;quot;Oh, yes!&amp;quot; returns my Lady carelessly. &amp;quot;I think I must have had some. And did you really take the trouble to find out the writer of that actual thing—what is it!—affidavit?&amp;quot;&#xA;&#xA;&amp;quot;Yes.&amp;quot;&#xA;&#xA;&amp;quot;How very odd!&amp;quot;&#xA;&#xA;They pass into a sombre breakfast-room on the ground floor, lighted in the day by two deep windows. It is now twilight. The fire glows brightly on the panelled wall and palely on the window-glass, where, through the cold reflection of the blaze, the colder landscape shudders in the wind and a grey mist creeps along, the only traveller besides the waste of clouds.&#xA;&#xA;My Lady lounges in a great chair in the chimney-corner, and Sir Leicester takes another great chair opposite. The lawyer stands before the fire with his hand out at arm's length, shading his face. He looks across his arm at my Lady.&#xA;&#xA;&amp;quot;Yes,&amp;quot; he says, &amp;quot;I inquired about the man, and found him. And, what is very strange, I found him—&amp;quot;&#xA;&#xA;&amp;quot;Not to be any out-of-the-way person, I am afraid!&amp;quot; Lady Dedlock languidly anticipates.&#xA;&#xA;&amp;quot;I found him dead.&amp;quot;&#xA;&#xA;&amp;quot;Oh, dear me!&amp;quot; remonstrated Sir Leicester. Not so much shocked by the fact as by the fact of the fact being mentioned.&#xA;&#xA;&amp;quot;I was directed to his lodging—a miserable, poverty-stricken place—and I found him dead.&amp;quot;&#xA;&#xA;&amp;quot;You will excuse me, Mr. Tulkinghorn,&amp;quot; observes Sir Leicester. &amp;quot;I think the less said—&amp;quot;&#xA;&#xA;&amp;quot;Pray, Sir Leicester, let me hear the story out&amp;quot; (it is my Lady speaking). &amp;quot;It is quite a story for twilight. How very shocking! Dead?&amp;quot;&#xA;&#xA;Mr. Tulkinghorn re-asserts it by another inclination of his head. &amp;quot;Whether by his own hand—&amp;quot;&#xA;&#xA;&amp;quot;Upon my honour!&amp;quot; cries Sir Leicester. &amp;quot;Really!&amp;quot;&#xA;&#xA;&amp;quot;Do let me hear the story!&amp;quot; says my Lady.&#xA;&#xA;&amp;quot;Whatever you desire, my dear. But, I must say—&amp;quot;&#xA;&#xA;&amp;quot;No, you mustn't say! Go on, Mr. Tulkinghorn.&amp;quot;&#xA;&#xA;Sir Leicester's gallantry concedes the point, though he still feels that to bring this sort of squalor among the upper classes is really—really—&#xA;&#xA;&amp;quot;I was about to say,&amp;quot; resumes the lawyer with undisturbed calmness, &amp;quot;that whether he had died by his own hand or not, it was beyond my power to tell you. I should amend that phrase, however, by saying that he had unquestionably died of his own act, though whether by his own deliberate intention or by mischance can never certainly be known. The coroner's jury found that he took the poison accidentally.&amp;quot;&#xA;&#xA;&amp;quot;And what kind of man,&amp;quot; my Lady asks, &amp;quot;was this deplorable creature?&amp;quot;&#xA;&#xA;&amp;quot;Very difficult to say,&amp;quot; returns the lawyer, shaking his head. &amp;quot;He had lived so wretchedly and was so neglected, with his gipsy colour and his wild black hair and beard, that I should have considered him the commonest of the common. The surgeon had a notion that he had once been something better, both in appearance and condition.&amp;quot;&#xA;&#xA;&amp;quot;What did they call the wretched being?&amp;quot;&#xA;&#xA;&amp;quot;They called him what he had called himself, but no one knew his name.&amp;quot;&#xA;&#xA;&amp;quot;Not even any one who had attended on him?&amp;quot;&#xA;&#xA;&amp;quot;No one had attended on him. He was found dead. In fact, I found him.&amp;quot;&#xA;&#xA;&amp;quot;Without any clue to anything more?&amp;quot;&#xA;&#xA;&amp;quot;Without any; there was,&amp;quot; says the lawyer meditatively, &amp;quot;an old portmanteau, but—No, there were no papers.&amp;quot;&#xA;&#xA;During the utterance of every word of this short dialogue, Lady Dedlock and Mr. Tulkinghorn, without any other alteration in their customary deportment, have looked very steadily at one another—as was natural, perhaps, in the discussion of so unusual a subject. Sir Leicester has looked at the fire, with the general expression of the Dedlock on the staircase. The story being told, he renews his stately protest, saying that as it is quite clear that no association in my Lady's mind can possibly be traceable to this poor wretch (unless he was a begging-letter writer), he trusts to hear no more about a subject so far removed from my Lady's station.&#xA;&#xA;&amp;quot;Certainly, a collection of horrors,&amp;quot; says my Lady, gathering up her mantles and furs, &amp;quot;but they interest one for the moment! Have the kindness, Mr. Tulkinghorn, to open the door for me.&amp;quot;&#xA;&#xA;Mr. Tulkinghorn does so with deference and holds it open while she passes out. She passes close to him, with her usual fatigued manner and insolent grace. They meet again at dinner—again, next day—again, for many days in succession. Lady Dedlock is always the same exhausted deity, surrounded by worshippers, and terribly liable to be bored to death, even while presiding at her own shrine. Mr. Tulkinghorn is always the same speechless repository of noble confidences, so oddly but of place and yet so perfectly at home. They appear to take as little note of one another as any two people enclosed within the same walls could. But whether each evermore watches and suspects the other, evermore mistrustful of some great reservation; whether each is evermore prepared at all points for the other, and never to be taken unawares; what each would give to know how much the other knows—all this is hidden, for the time, in their own hearts." PRODUCER="!K7 Music" COVERARTID="059/1N3NNSDG00ALABTB2PXHASAQBFQA" PLAYTIME="330" PLAYTIME_FLOAT="329.959991" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="37535"></INFO>
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<INFO BITRATE="796867" KEY_LYRICS="2 ContributorsA Visit from Albertine (Chapter 2) Lyrics                                        CHAPTER TWO&#xA;&#xA;A VISIT FROM ALBERTINE — PROSPECT OF RICH BRIDES FOR CERTAIN FRIENDS OF SAINT-LOUP — THE WIT OF THE GUERMANTES, AS DISPLAYED BEFORE THE PRINCESSE DE PARME — A STRANGE VISIT TO M. DE CHARLUS — HIS CHARACTER PUZZLES ME MORE AND MORE — THE RED SHOES OF THE DUCHESS&#xA;&#xA;   Albeit it was simply a Sunday in autumn, I had been born again, life lay intact before me, for that morning, after a succession of mild days, there had been a cold mist which had not cleared until nearly midday. A change in the weather is sufficient to create the world and oneself anew. Formerly, when the wind howled in my chimney, I would listen to the blows which it struck on the iron trap with as keen an emotion as if, like the famous bow-taps with which the C Minor Symphony opens, they had been the irresistible appeal of a mysterious destiny. Every change in the aspect of nature offers us a similar transformation by adapting our desires so as to harmonise with the new form of things. The mist, from the moment of my awakening, had made of me, instead of the centrifugal being which one is on fine days, a self-centred man, longing for the chimney corner and the nuptial couch, a shivering Adam in quest of a sedentary Eve, in this different world&#xA;&#xA;   Between the soft grey tint of a morning landscape and the taste of a cup of chocolate I tried to account for all the originality of the physical, intellectual and moral life which I had taken with me, about a year earlier, to Doncières, and which, blazoned with the oblong form of a bare hillside — always present even when it was invisible — formed in me a series of pleasures entirely distinct from all others, incommunicable to my friends, in the sense that the impressions, richly interwoven with one another, which gave them their orchestral accompaniment were a great deal more characteristic of them, to my subconscious mind, than any facts that I might have related. From this point of view the new world in which the mist of this morning had immersed me was a world already known to me (which only made it more real) and forgotten for some time (which restored all its novelty). And I was able to look at several of the pictures of misty landscapes which my memory had acquired, notably a series of ‘Mornings at Doncières,’ including my first morning there in barracks and another, in a neighbouring country house, where I had gone with Saint-Loup to spend the night: in which from the windows, whose curtains I had drawn back at daybreak, before getting into bed again, in the first a trooper, in the second (on the thin margin of a pond and a wood all the rest of which was engulfed in the uniform and liquid softness of the mist) a coachman busy polishing a strap had appeared to me like those rare figures, scarcely visible to the eye obliged to adapt itself to the mysterious vagueness of their half-lights, which emerge from an obliterated fresco&#xA;&#xA;   It was from my bed that I was looking this afternoon at these pictorial memories, for I had gone back to bed to wait until the hour came at which, taking advantage of the absence of my parents, who had gone for a few days to Combray, I proposed to get up and go to a little play which was being given that evening in Mme. de Villeparisis’s drawing-room. Had they been at home I should perhaps not have ventured to go out; my mother in the delicacy of her respect for my grandmother’s memory, wished the tokens of regret that were paid to it to be freely and sincerely given; she would not have forbidden me this outing, she would have disapproved of it. From Combray, on the other hand, had I consulted her wishes, she would not have replied in a melancholy: “Do just as you like; you are old enough now to know what is right or wrong,” but, reproaching herself for having left me alone in Paris, and measuring my grief by her own, would have wished for it distractions of a sort which she would have refused to herself, and which she persuaded herself that my grandmother, solicitous above all things for my health and the preservation of my nervous balance, would have advised me to take&#xA;&#xA;   That morning the furnace of the new steam heater had for the first time been lighted. Its disagreeable sound — an intermittent hiccough — had no part whatsoever in my memories of Doncières. But its prolonged encounter, in me this afternoon, with them was to give it so lasting an affinity with them that whenever, after succeeding more or less in forgetting it, I heard the central heater hiccough again it reminded me of them&#xA;&#xA;   There was no one else in the house but Françoise. The grey light, falling like a fine rain on the earth, wove without ceasing a transparent web through which the Sunday holiday-makers appeared in a silvery sheen. I had flung to the foot of my bed the Figaro, for which I had been sending out religiously every morning, ever since I had sent in an article which it had not yet printed; despite the absence of the sun, the intensity of the daylight was an indication that we were still only half-way through the afternoon. The tulle window-curtains, vaporous and friable as they would not have been on a fine day, had that same blend of beauty and fragility that dragon flies’ wings have, and Venetian glass. It depressed me all the more that I should be spending this Sunday by myself because I had sent a note that morning to Mlle, de Stermaria. Robert de Saint-Loup, whom his mother had at length succeeded in parting — after painful and abortive attempts — from his mistress, and who immediately afterwards had been sent to Morocco in the hope of his there forgetting one whom he had already for some little time ceased to love, had sent me a line, which had reached me the day before, announcing his arrival, presently, in France for a short spell of leave. As he would only be passing through Paris (where his family were doubtless afraid of seeing him renew relations with Rachel), he informed me, to shew me that he had been thinking of me, that he had met at Tangier Mile, or rather Mme. (for she had divorced her husband three months after their marriage) de Stermaria. And Robert, remembering what I had told him at Balbec, had asked her, on my behalf, to arrange a meeting. She would be delighted to dine with me, she had told him, on one of the evenings which, before her return to Brittany, she would be spending in Paris. He warned me to lose no time in writing to Mme. de Stermaria, for she would certainly have arrived before I got his letter. This had corne as no surprise to me, even although I had had no news of him since, at the time of my grandmother’s last illness, he had accused me of perfidy and treachery. It had then been quite easy to see what must have happened. Rachel, who liked to provoke his jealousy — she had other reasons also for wishing me harm — had persuaded her lover that I had made a dastardly attempt to have relations with her in his absence. It is probable that he continued to believe in the truth of this allegation, but he had ceased to be in love with her, which meant that its truth or falsehood had become a matter of complete indifference to him, and our friendship alone remained. When, on meeting him again, I attempted to speak to him about his attack on me his sole answer was a cordial and friendly smile, which gave him the air of begging my pardon; then he turned the conversation to something else. All this was not to say that he did not, a little later, see Rachel occasionally when he was in Paris. The fellow-creatures who have played a leading part in one’s life very rarely disappear from it suddenly with any finality. They return to take their old place in it at odd moments (so much so as to lead people to believe in a renewal of old love) before leaving it for ever. Saint-Loup’s breach with Rachel had very soon become less painful to him, thanks to the soothing pleasure that was given him by her incessant demands for money. Jealousy, which prolongs the course of love, is not capable of containing many more ingredients than are the other forms of imagination. If one takes with one, when one starts on a journey, three or four images which incidentally one is sure to lose on the way (such as the lilies and anemones heaped on the Ponte Vecchio, or the Persian church shrouded in mist), one’s trunk is already pretty full. When one parts from a mistress one would be just as glad, until one has begun to forget her, that she should not become the property of three or four potential protectors whom one has in one’s mind’s eye, of whom, that is to say, one is jealous: all those whom one does not so picture count for nothing. Now frequent demands for money from a cast-off mistress no more give one a complete idea of her life than charts shewing a high temperature would of her illness. But the latter would at any rate be an indication that she was ill, and the former furnish a presumption, vague enough, it is true, that the forsaken one, or forsaker (whichever she be) cannot have found anything very remarkable in the way of rich protectors. And so each demand is welcomed with the joy which a lull produces in the jealous one’s sufferings, while he responds to it at once by dispatching money, for naturally he does not like to think of her being in want of anything, except lovers (one of the three lovers he has in his mind’s eye), until time has enabled him to regain his composure and he can learn without the slightest emotion the name of his successor. Sometimes Rachel came in so late at night that she could ask her former lover’s permission to lie down beside him until the morning. This was a great comfort to Robert, for it refreshed his memory of how they had, after all, lived in intimacy together merely to see that even if he took the greater part of the bed for himself it did not in the least interfere with her sleep. He realised that she was more comfortable, lying close to his body, than she would have been elsewhere, that she felt herself, by his side — even in an hotel — to be in a bedroom known of old, in which the force of habit prevails and one sleeps better. He felt that his shoulders, his limbs, all of him were for her, even when he was unduly restless, from sleeplessness or from having to get up in the night things so entirely usual that they could not disturb her, and that the perception of them added still further to her sense of repose&#xA;&#xA;   To revert to where we were, I had been all the more disquieted by Robert’s letter in that I could read between the lines what he had not ventured to write more explicitly. “You can most certainly ask her to dine in a private room,” he told me. “She is a charming young person, a delightful nature you will get on splendidly with her, and I am sure you will have a capital evening together.” As my parents were returning at the end of the week on Saturday or Sunday, and as after that I should be forced to dine every evening at home, I had written at once to Mme. de Stermaria, proposing any evening that might suit her, up to Friday. A message was brought back that I should hear from her in writing the same evening, about eight o’clock. The time would have passed quickly enough if I had had, during the afternoon that separated me from her letter, the help of a visit from anyone else. When the hours pass wrapped in conversation one ceases to count, or indeed to notice them, they vanish, and suddenly it is a long way beyond the point at which it escaped you that there reappears the nimble truant time. But if we are alone, our preoccupation, by bringing before us the still distant and incessantly awaited moment with the frequency and uniformity of a ticking pendulum, divides, or rather multiplies the hours by all the minutes which, had we been with friends, we should not have counted. And confronted, by the incessant return of my desire, with the ardent pleasure which I was going to taste — not for some days though, alas! — in Mme. de Stermaria’s company, this afternoon, which I should have to spend by myself, seemed to me very empty and very melancholy&#xA;&#xA;   Every now and then I heard the sound of the lift coming up, but it was followed by a second sound, not that for which I was hoping, namely the sound of its coming to a halt at our landing, but another very different sound which the lift made in continuing its progress to the floors above and which, because it so often meant the desertion of my floor when I was expecting a visitor, remained for me at other times, even when I had no wish to see anyone, a sound lugubrious in itself, in which there echoed, as it were, a sentence of solitary confinement. Weary, resigned, busy for several hours still over its immemorial task, the grey day stitched its shimmering needlework of light and shade, and it saddened me to think that I was to be left alone with a thing that knew me no more than would a seamstress who, installed by the window so as to see better while she finished her work, paid no attention to the person present with her in the room. Suddenly, although I had heard no bell, Françoise opened the door to let in Albertine, who came forward smiling, silent, plump, containing in the fulness of her body, made ready so that I might continue living them, come in search of me, the days we had spent together at that Balbec to which I had never since returned. No doubt, whenever we see again a person with whom our relations — however trivial they may have been — are altered, it is like a juxtaposition of two different periods. For this, we do not require that a former mistress should come to call upon us as a friend, all that we need is the visit to Paris of a person whom we had known in the daily round of some particular kind of life, and that this life should have ceased for us, were it no more than a week ago. On each of Albertine’s smiling, questioning, blushing features I could read the questions: “And Madame de Villeparisis? And the dancing-master? And the pastry-cook?” When she sat down her back seemed to be saying: “Gracious! There’s no cliff here; you don’t mind if I sit down beside you, all the same, as I used to do at Balbec?” She was like an enchantress handing me a mirror that reflected time. In this she was like all the people whom we seldom see now but with whom at one time we lived on more intimate terms. With Al-bertine, however, there was something more than this. Certainly, even at Balbec, in our daily encounters, I had always been surprised when she came in sight, so variable was her appearance from day to day. But now it was difficult to recognise her. Cleared of the pink vapour that used to bathe them, her features had emerged like those of a statue. She had another face, or rather she had a face at last; her body too had grown. There remained scarcely anything now of the shell in which she had been enclosed and on the surface of which, at Balbec, her future outline had been barely visible&#xA;&#xA;   This time, Albertine had returned to Paris earlier than usual. As a rule she came only in the spring, which meant that, already disturbed for some weeks past by the storms that were beating down the first flowers, I did not distinguish, in the elements of the pleasure that I felt, the return of Albertine from that of the fine weather. It was enough that I should be told that she was in Paris and that she had called at the house, for me to see her again like a rose flowering by the sea. I cannot say whether it was the desire for Balbec or for herself that overcame me at such moments; possibly my desire for her was itself a lazy, cowardly, and incomplete method of possessing Balbec, as if to possess a thing materially, to take up one’s abode in a town, were equivalent to possessing it spiritually. Besides, even materially, when she was no longer posed by my imagination before a horizon of sea, but sitting still in a room with me, she seemed to me often a very poor specimen of a rose, so poor, indeed, that I would gladly have shut my eyes in order not to observe this or that blemish of its petals, and to imagine instead that I was inhaling the salt air on the beach&#xA;&#xA;   I must say it at this point, albeit I was not then aware of what was to happen only later on. Certainly, it is more reasonable to devote one’s life to women than to postage stamps or old snuff-boxes, even to pictures or statues. Only the example of other collectors should be a warning to us to make changes, to have not one woman only but several. Those charming suggestions in which a girl abounds of a sea-beach, of the braided hair of a statue in church, of an old print, of everything that makes one see and admire in her, whenever she appears, a charming composition, those suggestions are not very stable. Live with a woman altogether and you will soon cease to see any of the things that made you love her; though I must add that these two sundered elements can be reunited by jealousy. If, after a long period of life in common, I was to end by seeing nothing more in Albertine than an ordinary woman, an intrigue between her and some person whom she had loved at Balbec would still suffice, perhaps, to reincorporate in her, to amalgamate the beach and the unrolling of the tide. Only, as these secondary suggestions no longer captivate our eyes, it is to the heart that they are perceptible and fatal. We cannot, under so dangerous a form, regard the repetition of the miracle as a thing to be desired. But I am anticipating the course of years. And here I need only state my regret that I did not have the sense simply to have kept my collection of women as people keep their collections of old quizzing glasses, never so complete, in their cabinet, that there is not room always for another and rarer still&#xA;&#xA;   Departing from the customary order of her holiday movements, this year she had come straight from Balbec, where furthermore she had not stayed nearly so late as usual. It was a long time since I had seen her, and as I did not know even by name the people with whom she was in the habit of mixing in Paris, I could form no impression of her during the periods in which she abstained from coming to see me. These lasted often for quite a time. Then, one fine day, in would burst Albertine whose rosy apparitions and silent visits left me little if any better informed as to what she might have been doing in an interval which remained plunged in that darkness of her hidden life which my eyes felt little anxiety to pierce&#xA;&#xA;   This time, however, certain signs seemed to indicate that some new experience must have entered into that life. And yet, perhaps, all that one was entitled to conclude from them was that girls change very rapidly at the age which Albertine had now reached. For instance, her intellect was now more in evidence, and on my reminding her of the day when she had insisted with so much ardour on the superiority of her idea of making Sophocles write: “My dear Racine,” she was the first to laugh, quite wholeheartedly, at her own stupidity. “Andrée was quite right; it was stupid of me,” she admitted. “Sophocles ought to have begun: ‘Sir.’” I replied that the ‘Sir,’ and ‘Dear Sir,’ of Andrée were no less comic than her own ‘My dear Racine,’ or Gisèle’s ‘My dear Friend,’ but that after all the really stupid people were the Professors who still went on making Sophocles write letters to Racine. Here, however, Albertine was unable to follow me. She could not see in what the silliness consisted; her intelligence was dawning, but had not fully developed. There were other more attractive novelties in her; I felt, in this same pretty girl who had just sat down by my bed, something that was different; and in those lines which, in one’s eyes and other features, express one’s general attitude towards life, a change of front, a partial conversion, as though there had now been shattered those resistances against which I had hurled my strength in vain at Balbec, one evening, now remote in time, on which we formed a couple symmetrical with but the converse of our present arrangement, since then it had lieen she who was lying down and I who sat by her bedside. Wishing and not venturing to make certain whether now she would let herself be kissed, every time that she rose to go I asked her to stay beside me a little longer. This was a concession not very easy to obtain, for albeit she had nothing to do (otherwise she would have rushed from the house) she was a person methodical in her habits and moreover not very gracious towards me, scarcely to be at ease in my company, and yet each time, after looking at her watch, she sat down again at my request until finally she had spent several hours with me without my having asked her for anything; the things I was saying to her followed logically those that I had said during the hours before, and bore no relation to what I was thinking about, what I desired from her, remained indefinitely parallel. There is nothing like desire for preventing the thing one says from bearing any resemblance to what one has in one’s mind. Time presses, and yet it seems as though we were seeking to gain time by speaking of subjects absolutely alien to that by which we are obsessed. We then arrange that the sentence which we should like to utter shall be accompanied, or rather preluded, by a gesture, supposing that is to say that we have not to give ourselves the pleasure of an immediate demonstration and to gratify the curiosity we feel as to the reactions which will follow it, without a word said, without even a ‘By your leave,’ already made this gesture. Certainly I was not in the least in love with Albertine; child of the mists outside, she could merely content the imaginative desire which the change of weather had awakened in me and which was midway between the desires that are satisfied by the arts of the kitchen and of monumental sculpture respectively, for it made me dream simultaneously of mingling with my flesh a substance different and warm, and of attaching at some point to my outstretched body a body divergent, as the body of Eve barely holds by the feet to the side of Adam, to whose body hers is almost perpendicular, in those romanesque bas-reliefs on the church at Balbec which represent in so noble and so reposeful a fashion, still almost like a classical frieze, the Creation of Woman; God in them is everywhere followed, as by two ministers, by two little angels in whom the visitor recognises — like winged, swarming summer creatures which winter has surprised and spared — cupids from Herculaneum, still surviving well into the thirteenth century, and winging their last slow flight, weary but never failing in the grace that might be expected of them, over the whole front of the porch&#xA;   As for this pleasure which by accomplishing my desire would have set me free from these meditations and which I should have sought quite as readily from any other pretty woman, had I been asked upon what — in the course of this endless flow of talk throughout which I took care to keep from Albertine the one thing that was in my mind — was based my optimistic hypothesis with regard to her possible complaisances, I should perhaps have answered that this hypothesis was due (while the forgotten outlines of Albertine’s voice retraced for me the contour of her personality) to the apparition of certain words which did not form part of her vocabulary, or at least not in the acceptation which she now gave them. Thus she said to roe that Elstir was stupid, and, on my protesting:&#xA;&#xA;    “You don’t understand,” she replied, smiling, “I mean that it was stupid of him to behave like that; of course I know he’s quite a distinguished Person, really.”&#xA;&#xA;   Similarly, wishing to say of the Fontainebleau golf club that it was smart, she declared: “They are quite a selection.”&#xA;&#xA;   Speaking of a duel that I had fought, she said of my seconds: “What very choice seconds,” and looking at my face confessed that she would like to see me ‘wear a moustache.’ She even went so far (and my chance appeared then enormous) as to announce, in a phrase of which I would have sworn that she was ignorant a year earlier, that since she had last seen Gisèle there had passed a certain ‘lapse of time.’ This was not to say that Albertine had not already possessed, when I was at Balbec, a quite adequate assortment of those expressions which reveal at once that one’s people are in easy circumstances, and which, year by year, a mother passes on to her daughter just as she bestows on her, gradually, as the girl grows up, on important occasions, her own jewels. It was evident that Albertine had ceased to be a little girl when one day, to express her thanks for a present which a strange lady had given her, she had said: “I am quite confused.” Mme. Bontemps could not help looking across at her husband whose comment was:&#xA;&#xA;   “Gad, she’s old for fourteen.”&#xA;&#xA;   The approach of nubility had been more strongly marked still when Albertine, speaking of another girl whose tone was bad, said: “One can’t even tell whether she’s pretty, she paints her face a foot thick.” Finally, though still a schoolgirl, she already displayed the manner of a grown woman of her upbringing and station when she said, of some one whose face twitched: “I can’t look at him, because it makes me want to do the same,” or, if some one else were being imitated: “The absurd thing about it is that when you imitate her voice you look exactly like her.” All these are drawn from the social treasury. But it did not seem to me possible that Albertine’s natural environment could have supplied her with ‘distinguished,’ used in the sense in which my father would say of a colleague whom he had not actually met, but whose intellectual attainments he had heard praised: “It appears he’s quite a distinguished person.” ‘Selection,’ even when used of a golf club, seemed to me as incompatible with the Simonet family as it would be if preceded by the adjective ‘Natural,’ with a text published centuries before the researches of Darwin. ‘Lapse of time’ struck me as being of better augury still. Finally there appeared the evidence of certain upheavals, the nature of which was unknown to me, but sufficient to justify me in all my hopes when Albertine announced, with the satisfaction of a person whose opinion is by no means to be despised:&#xA;&#xA;    “To my mind, that is the best thing that could possibly happen. I regard it as the best solution, the stylish way out.”&#xA;&#xA;   This was so novel, so manifestly an alluvial deposit giving one to suspect such capricious wanderings over soil hitherto unknown to her, that on hearing the words ‘to my mind’ I drew Albertine towards me, and at ‘I regard’ made her sit on the side of my bed&#xA;&#xA;   No doubt it does happen that women of moderate culture, on marrying well-read men, receive such expressions as part of their paraphernalia. And shortly after the metamorphosis which follows the wedding night, when they begin to pay calls, and talk shyly to the friends of their girlhood, one notices with surprise that they have turned into matrons if, in deciding that some person is intelligent, they sound both l’s in the word; but that is precisely the sign of a change of state, and I could see a difference when I thought of the vocabulary of the Albertine I had known of old — a vocabulary in which the most daring flights were to say of any unusual person: ‘He’s a type,’ or, if you suggested a game of cards to her: ‘I’ve no money to lose,’ or again, if any of her friends were to reproach her, in terms which she felt to be undeserved: ‘That really is magnificent!’ an expression dictated in such cases by a sort of middle-class tradition almost as old as the Magnificat itself, and one which a girl slightly out of temper and confident that she is in the right employs, as the saying is, ‘quite naturally,’ that is to say because she has learned the words from her mother, just as she has learned to say her prayers or to greet a friend. All these expressions Mme. Bontemps had imparted to her at the same time as her hatred of the Jews and her feeling for black, which was always suitable and becoming, indeed without any formal instruction, but as the piping of the parent goldfinches serves as a model for that of the young ones, recently hatched, so that they in turn grow into true goldfinches also. But when all was said, ‘selection’ appeared to me of alien growth and ‘I regard’ encouraging. Albertine was no longer the same; which meant that she would not perhaps act, would not react in the same way&#xA;&#xA;   Not only did I no longer feel any love for her, but I had no longer to consider, as I should have had at Balbec, the risk of shattering in her an affection for myself, which no longer existed. There could be no doubt that she had long since become quite indifferent to me. I was well aware that to her I was in no sense a member now of the ‘little band’ into which I had at one time so anxiously sought and had then been so happy to have secured admission. Besides, as she had no longer even, as in Balbec days, an air of frank good nature, I felt no serious scruples: still I believe that what made me finally decide was another philological discovery. As, continuing to add fresh links to the external chain of talk behind which I hid my intimate desire, I spoke, having Albertine secure now on the corner of my bed, of one of the girls of the little band, one smaller than the rest, whom, nevertheless, I had thought quite pretty, “Yes,” answered Albertine, “she reminds me of a little mousmé.” There had been nothing in the world to shew, when I first knew Albertine, that she had ever heard the wordmousmé. It was probable that, had things followed their normal course, she would never have learned it, and for my part I should have seen no cause for regret in that, for there is no more horrible word in the language. The mere sound of it makes one’s teeth ache as they do when one has put too large a spoonful of ice in one’s mouth. But coming from Albertine, as she sat there looking so pretty, not even ‘mousmé‘ could strike me as unpleasant. On the contrary, I felt it to be a revelation, if not of an outward initiation, at any rate of an inward evolution. Unfortunately it was now time for me to bid her good-bye if I wished her to reach home in time for her dinner, and myself to be out of bed and dressed in time for my own. It was Françoise who was getting it ready; she did not like having to keep it back, and must already have found it an infringement of one of the articles of her code that Albertine, in the absence of my parents, should be paying me so prolonged a visit, and one which was going to make everything late. But before ‘mousmé‘ all these arguments fell to the ground and I hastened to say:&#xA;&#xA;    “Just fancy; I’m not in the least ticklish; you can go on tickling me for an hour on end and I won’t even feel it.”&#xA;&#xA;    “Really?”&#xA;&#xA;    “I assure you.”&#xA;   She understood, doubtless, that this was the awkward expression of a desire on my part, for, like a person who offers to give you an introduction for which you have not ventured to ask him, though what you have said has shewn him that it would be of great service to you&#xA;&#xA;    “Would you like me to try?” she inquired, with womanly meekness&#xA;&#xA;    “Just as you like, but you would be more comfortable if you lay down properly on the bed.”&#xA;&#xA;    “Like that?”&#xA;&#xA;    “No; get right on top.”&#xA;&#xA;    “You’re sure I’m not too heavy?”&#xA;&#xA;   As she uttered these words the door opened and Françoise, carrying a lamp, came in. Albertine had just time to fling herself back upon her chair. Perhaps Françoise had chosen this moment to confound us, having been listening at the door or even peeping through the keyhole. But there was no need to suppose anything of the sort; she might have scorned to assure herself, by the use of her eyes, of what her instinct must plainly enough have detected, for by dint of living with me and my parents her fears, her prudence, her alertness, her cunning had ended by giving her that instinctive and almost prophetic knowledge of us all that the mariner has of the sea, the quarry of the hunter, and, of the malady, if not the physician, often at any rate the patient. The amount of knowledge that she managed to acquire would have astounded a stranger, and with as good reason as does the advanced state of certain arts and sciences among the ancients, seeing that there was practically no source of information open to them. (Her sources were no larger. They were a few casual remarks forming barely a twentieth part of our conversation at dinner, caught on the wing by the butler and inaccurately transmitted to the kitchen.) Again, her mistakes were due, like theirs, like the fables in which Plato believed, rather to a false conception of the world and to preconceived ideas than to the insufficiency of the materials at her disposal. Only the other day, has it not been possible for the most important discoveries as to the habits of insects to be made by a scientist who had access to no laboratory and used no instruments of any sort? But if the drawbacks arising from her menial position had not prevented her from acquiring a stock of learning indispensable to the art which was its ultimate goal — and which consisted in putting us to confusion by communicating to us the results of her discoveries — the limitations under which she worked had done more; in this case the impediment, not content with merely not paralysing the flight of her imagination, had greatly strengthened it. Of course Françoise never let slip any artificial device, those for example of diction and attitude. Since (if she never believed what we said to her, hoping that she would believe it) she admitted without any shadow of doubt the truth of anything that any person of her own condition in life might tell her, however absurd, which might at the same time prove shocking to our ideas, just as her way of listening to our assertions bore witness to her incredulity, so the accents in which she reported (the use of indirect speech enabling her to hurl the most deadly insults at us with impunity) the narrative of a cook who had told her how she had threatened her employers, and won from them, by treating them before all the world like dirt, any number of privileges and concessions, shewed that the story was to her as gospel. Françoise went so far as to add: “I’m sure, if I had been the mistress I should have been quite vexed.” In vain might we, despite our scant sympathy at first with the lady on the fourth floor, shrug our shoulders, as though at an unlikely fable, at this report of so shocking an example; in making it the teller was able to speak with the crushing, the lacerating force of the most unquestionable, most irritating affirmation&#xA;&#xA;   But above all, just as great writers often attain to a power of concentration from which they would have been dispensed under a system of political liberty or literary anarchy, when they are bound by the tyranny of a monarch or of a school of poetry, by the severity of prosodie laws or of a state religion, so Françoise, not being able to reply to us in an explicit fashion, spoke like Tiresias and would have written like Tacitus. She managed to embody everything that she could not express directly in a sentence for which we could not find fault with her without accusing ourselves, indeed in less than a sentence, in a silence, in the way in which she placed a thing in a room&#xA;&#xA;   Thus when I happened to leave, by accident, on my table, among a pile of other letters, one which it was imperative that she should not see, because, let us say, it referred to her with a dislike which afforded a presumption of the same feeling towards her in the recipient as in the writer, that evening, if I came home with a troubled conscience and went straight to my room, there on top of my letters, neatly arranged in a symmetrical pile, the compromising document caught my eye as it could not possibly have failed to catch the eye of Françoise, placed by her right at the top, almost separated from the rest, in a prominence that was a form of speech, that had an eloquence all its own, and, as I stood in the doorway, made me shudder like a cry. She excelled in the preparation of these scenic effects, intended so to enlighten the spectator, in her absence, that he already knew that she knew everything when in due course she made her appearance. She possessed, for thus making an inanimate object speak, the art, at once inspired and painstaking, of Irving or Frédéric Lemaître. On this occasion, holding over Albertine and myself the lighted lamp whose searching beams missed none of the still visible depressions which the girl’s body had hollowed in the counterpane, Françoise made one think of a picture of ‘Justice throwing light upon Crime.’ Albertine’s face did not suffer by this illumination. It revealed on her cheeks the same sunny burnish that had charmed me at Balbec. This face of Albertine, the general effect of Which sometimes was, out of doors, a sort of milky pallor, now shewed, according as the lamp shone on them, surfaces so dazzlingly, so uniformly coloured, so firm, so glowing that one might have compared them to the sustained flesh tints of certain flowers. Taken aback meanwhile by the unexpected entry of Françoise, I exclaimed:&#xA;&#xA;    “What? The lamp already? I say, the light is strong!”&#xA;&#xA;   My object, as may be imagined, was by the second of these ejaculations to account for my confusion, by the first to excuse my lateness in rising. Françoise replied with a cruel ambiguity:&#xA;&#xA;    “Do you want me to extinglish it?”&#xA;&#xA;    “— guish!” Albertine slipped into my ear, leaving me charmed by the familiar vivacity with which, taking me at once for teacher and for accomplice, she insinuated this psychological affirmation as though asking a grammatical question. When Françoise had left the room and Albertine was seated once again on my bed:&#xA;    “Do you know what I’m afraid of?” I asked her. “It is that if we go on like this I may not be able to resist the temptation to kiss you.”&#xA;&#xA;    “That would be a fine pity.”&#xA;&#xA;   I did not respond at once to this invitation, which another man might even have found superfluous, for Albertine’s way of pronouncing her words was so carnal, so seductive that merely in speaking to you she seemed to be caressing you. A word from her was a favour, and her conversation covered you with kisses. And yet it was highly attractive to me, this invitation. It would have been so, indeed, coming from any pretty girl of Albertine’s age; but that Albertine should be now so accessible to me gave me more than pleasure, brought before my eyes a series of images that bore the stamp of beauty. I recalled the original Albertine standing between me and the beach, almost painted upon a background of sea, having for me no more real existence than those figures seen on the stage, when one knows not whether one is looking at the actress herself who is supposed to appear, at an understudy who for the moment is taking her principal’s part, or at a mere projection from a lantern. Then the real woman had detached herself from the luminous mass, had come towards me, with the sole result that I had been able to see that she had nothing in real life of that amorous facility which one supposed to be stamped upon her in the magic pictures. I had learned that it was not possible to touch her, to embrace her, that one might only talk to her, that’ for me she was no more a woman than the jade grapes, an inedible decoration at one time in fashion on dinner tables, are really fruit. And now she was appearing to me in a third plane, real as in the second experience that I had had of her but facile as in the first; facile, and all the more deliciously so in that I had so long imagined that she was not. My surplus knowledge of life (of a life less uniform, less simple than I had at first supposed it to be) inclined me provisionally towards agnosticism. What can one positively affirm, when the thing that one thought probable at first has then shewn itself to be false and in the third instance turns out true? And alas, I was not yet at the end of my discoveries with regard to Albertine. In any case, even if there had not been the romantic attraction of this disclosure of a greater wealth of planes revealed one after another by life (an attraction the opposite of that which Saint-Loup had felt during our dinners at Rivebelle on recognising beneath the mask with which the course of existence had overlaid them, in a calm face, features to which his lips had once been pressed), the knowledge that to kiss Albertine’s cheeks was a possible thing was a pleasure perhaps greater even than that of kissing them. What a difference between possessing a woman to whom one applies one’s body alone, because she is no more than a piece of flesh, and possessing the girl whom one used to see on the beach with her friends on certain days without even knowing why one saw her on those days and not on others, which made one tremble to think that one might not see her again. Life had obligingly revealed to one in its whole extent the romance of this little girl, had lent one, for the study of her, first one optical instrument, then another, and had added to one’s carnal desire an accompaniment which multiplied it an hundredfold and diversified it with those other desires, more spiritual and less easily assuaged, which do not emerge from their torpor, leaving carnal desire to move by itself, when it aims only at the conquest of a piece of flesh, but which to gain possession of a whole tract of memories, whence they have felt the wretchedness of exile, rise in a tempest round about it, enlarge, extend it, are unable to follow it to the accomplishment, the assimilation, impossible in the form in which it is looked for, of an immaterial reality, but wait for this desire halfway and at the moment of recollection, of return furnish it afresh with their escort; to kiss, instead of the cheeks of the first comer, however cool and fresh they might be, but anonymous, with no secret, with no distinction, those of which I had so long been dreaming, would be to know the taste, the savour of a colour on which I had endlessly gazed. One has seen a woman, a mere image in the decorative setting of life, like Albertine, outlined against the sea, and then one has been able to take that image, to detach it, to bring it close to oneself, gradually to discern its solidity, its colours, as though one had placed it behind the glasses of a stereoscope. It is for this reason that the women who are a little difficult, whose resistance one does not at once overcome, of whom one does not indeed know at first whether one ever will overcome it, are alone interesting. For to know them, to approach them, to conquer them is to make fluctuate in form, in dimensions, in relief the human image, is an example of relativity in the appreciation of an image which it is delightful to see afresh when it has resumed the slender proportions of a silhouette in the setting of one’s life. The women one meets first of all in a brothel are of no interest because they remain invariable&#xA;&#xA;   In addition, Albertine preserved, inseparably attached to her, all my impressions of a series of seascapes of which I was particularly fond. I felt that it was possible for me, on the girl’s two cheeks, to kiss the whole of the beach at Balbec&#xA;&#xA;    “If you really don’t mind my kissing you, I would rather put it off for a little and choose a good moment. Only you mustn’t forget that you’ve said I may. I shall want a voucher: ‘Valid for one kiss.’”&#xA;&#xA;    “Shall I have to sign it?”&#xA;&#xA;    “But if I took it now, should I be entitled to another later on?”&#xA;&#xA;    “You do make me laugh with your vouchers; I shall issue a new one every now and then.”&#xA;&#xA;    “Tell me; just one thing more. You know, at Balbec, before I had been introduced to you, you used often to have a hard, calculating look; you can’t tell me what you were thinking about when you looked like that?”&#xA;&#xA;    “No; I don’t remember at all.”&#xA;&#xA;    “Wait; this may remind you: one day your friend Gisèle put her feet together and jumped over the chair an old gentleman was sitting in. Try to remember what was in your mind at that moment.”&#xA;&#xA;    “Gisèle was the one we saw least of; she did belong to the band, I suppose, but not properly. I expect I thought that she was very ill-bred and common.”&#xA;&#xA;    “Oh, is that all?”&#xA;&#xA;   I should certainly have liked, before kissing her, to be able to fill her afresh with the mystery which she had had for me on the beach before I knew her, to find latent in her the place in which she had lived earlier still; for that, at any rate, if I knew nothing of it, I could substitute all my memories of our life at Balbec, the sound of the waves rolling up and breaking beneath my window, the shouts of the children. But when I let my eyes glide over the charming pink globe of her cheeks, the gently curving surfaces of which ran up to expire beneath the first foothills of her piled black tresses which ran in undulating mountain chains, thrust out escarped ramparts and moulded the hollows of deep valleys, I could not help saying to myself: “Now at last, after failing at Balbec, I am going to learn the fragrance of the secret rose that blooms in Albertine’s cheeks, and, since the cycles through which we are able to make things and people pass in the course of our existence are comparatively few, perhaps I ought now to regard mine as nearing its end when, having made to emerge from its remoteness the flowering face that I had chosen from among all others, I shall have brought it into this new plane in which I shall at last acquire a tactual experience of it with my lips.” I told myself this because I believed that there was such a thing as knowledge acquired by the lips; I told myself that I was going to know the taste of this fleshly rose, because I had never stopped to think that man, a creature obviously less rudimentary in structure than the sea-urchin or even the whale, is nevertheless still unprovided with a certain number of essential organs, and notably possesses none that will serve for kissing. The place of this absent organ he supplies with his lips, and thereby arrives perhaps at a slightly more satisfying result than if he were reduced to caressing the beloved with a horny tusk. But a pair of lips, designed to convey to the palate the taste of whatever whets the appetite, must be content, without ever realising their mistake or admitting their disappointment, with roaming over the surface and with coming to a halt at the barrier of the impenetrable but irresistible cheek. Besides, at such moments, at the actual contact between flesh and flesh, the lips, even supposing them to become more expert and better endowed, could taste no better probably the savour which nature prevents their ever actually grasping, for in that desolate zone in which they are unable to find their proper nourishment, they are alone; the sense of sight, then that of smell have long since deserted them. To begin with, as my mouth began gradually to approach the cheeks which my eyes had suggested to it that it should kiss, my eyes, changing their position, saw a different pair of cheeks; the throat, studied at closer range and as though through a magnifying glass shewed in its coarse grain a robustness which modified the character of the face&#xA;&#xA;   Apart from the most recent applications of the art of photography — which set crouching at the foot of a cathedral all the houses which, time and again, when we stood near them, have appeared to us to reach almost to the height of the towers, drill and deploy like a regiment, in file, in open order, in mass, the same famous and familiar structures, bring into actual contact the two columns on the Piazzetta which a moment ago were so far apart, thrust away the adjoining dome of the Salute, and in a pale and toneless background manage to include a whole immense horizon within the span of a bridge, in the embrasure of a window, among the leaves of a tree that stands in the foreground and is portrayed in a more vigorous tone, give successively as setting to the same church the arched walls of all the others — I can think of nothing that can so effectively as a kiss evoke from what we believe to be a thing with one definite aspect, the hundred other things which it may equally well be since each is related to a view of it no less legitimate. In short, just as at Balbec Albertine had often appeared to me different, so now, as if, wildly accelerating the speed of the changes of aspect and changes of colouring which a person presents to us in the course of our various encounters, I had sought to contain them all in the space of a few seconds so as to reproduce experimentally the phenomenon which diversifies the individuality of a fellow creature, and to draw out one from another, like a nest of boxes, all the possibilities that it contains, in this brief passage of my lips towards her cheek it was ten Albertines that I saw; this single girl being like a goddess with several heads, that which I had last seen, if I tried to approach it, gave place to another. At least so long as I had not touched it, that head, I could still see it, a faint perfume reached me from it. But alas — for in this matter of kissing our nostrils and eyes are as ill placed as our lips are shaped — suddenly my eyes ceased to see; next, my nose, crushed by the collision, no longer perceived any fragrance, and, without thereby gaining any clearer idea of the taste of the rose of my desire, I learned, from these unpleasant signs, that at last I was in the act of kissing Albertine’s cheek&#xA;&#xA;   Was it because we were enacting — as may be illustrated by the rotation of a solid body — the converse of our scene together at Balbec, because it was I, now, who was lying in bed and she who sat beside me, capable of evading any brutal attack and of dictating her pleasure to me, that she allowed me to take so easily now what she had refused me on the former occasion with so forbidding a frown? (No doubt from that same frown the voluptuous expression which her face assumed now at the approach of my lips differed only by a deviation of its lines immeasurably minute but one in which may be contained all the disparity that there is between the gesture of ‘finishing off’ a wounded man and that of bringing him relief, between a sublime and a hideous portrait.) Not knowing whether I had to give the credit, and to feel grateful for this change of attitude to some unwitting benefactor who in these last months, in Paris or at Balbec, had been working on my behalf, I supposed that the respective positions in which we were now placed might account for it. It was quite another explanation, however, that Albertine offered me; this, in short: “Oh, well, you see, that time at Balbec I didn’t know you properly. For all I knew, you might have meant mischief.” This argument left me in perplexity. Albertine was no doubt sincere in advancing it. So difficult is it for a woman to recognise in the movements of her limbs, in the sensations felt by her body in the course of an intimate conversation with a friend, the unknown sin into which she would tremble to think that a stranger was planning her fall&#xA;&#xA;   In any case, whatever the modifications that had occurred at some recent time in her life, which might perhaps have explained why it was that she now readily accorded to my momentary and purely physical desire what at Balbec she had with horror refused to allow to my love, another far more surprising manifested itself in Albertine that same evening as soon as her caresses had procured in me the satisfaction which she could not have failed to notice, which, indeed, I had been afraid might provoke in her the instinctive movement of revulsion and offended modesty which Gilberte had given at a corresponding moment behind the laurel shrubbery in the Champs-Elysées&#xA;&#xA;   The exact opposite happened. Already, when I had first made her lie on my bed and had begun to fondle her, Albertine had assumed an air which I did not remember in her, of docile good will, of an almost childish simplicity. Obliterating every trace of her customary anxieties and interests, the moment preceding pleasure, similar in this respect to the moment after death, had restored to her rejuvenated features what seemed like the innocence of earliest childhood. And no doubt everyone whose special talent is suddenly brought into play becomes modest, devoted, charming; especially if by this talent he knows that he is giving us a great pleasure, he is himself happy in the display of it, anxious to present it to us in as complete a form as possible. But in this new expression on Albertine’s face there was more than a mere profession of disinterestedness, conscience, generosity, a sort of conventional and unexpected devotion; and it was farther than to her own childhood, it was to the infancy of the race that she had reverted. Very different from myself who had looked for nothing more than a physical alleviation, which I had finally secured, Albertine seemed to feel that it would indicate a certain coarseness on her part were she to seem to believe that this material pleasure could be unaccompanied by a moral sentiment or was to be regarded as terminating anything. She, who had been in so great a hurry a moment ago, now, presumably because she felt that kisses implied love and that love took precedence of all other duties, said when I reminded her of her dinner:&#xA;&#xA;    “Oh, but that doesn’t matter in the least; I have plenty of time.”&#xA;&#xA;   She seemed embarrassed by the idea of getting up and going immediately after what had happened, embarrassed by good manners, just as Françoise when, without feeling thirsty, she had felt herself bound to accept with a seemly gaiety the glass of wine which Jupien offered her, would never have dared to leave him as soon as the last drops were drained, however urgent the call of duty. Albertine — and this was perhaps, with another which the reader will learn in due course, one of the reasons which bad made me unconsciously desire her — was one of the incarnations of the little French peasant whose type may be seen in stone at Saint-André-des-Champs. As in Françoise, who presently nevertheless was to become her deadly enemy, I recognised in her a courtesy towards friend and stranger, a sense of decency, of respect for the bedside&#xA;&#xA;   Françoise who, after the death of my aunt, felt obliged to speak only in a plaintive tone, would, in the months that preceded her daughter’s marriage, have been quite shocked if, when the young couple walked out together, the girl had not taken her lover’s arm. Albertine lying motionless beside me said:&#xA;&#xA;    “What nice hair you have; what nice eyes; you are a dear boy.”&#xA;&#xA;   When, after pointing out to her that it was getting late, I added: “You don’t believe me?” she replied, what was perhaps true but could be so only since the minute before and for the next few hours:&#xA;&#xA;    “I always believe you.”&#xA;&#xA;   She spoke to me of myself, my family, my social position. She said: “Oh, I know your parents know some very nice people. You are a friend of Robert Forestier and Suzanne Delage.” For the moment these names conveyed absolutely nothing to me. But suddenly I remembered that I had indeed played as a child in the Champs-Elysées with Robert Forestier, whom I had never seen since then. As for Suzanne Delage, she was the great-niece of Mme. Blatin, and I had once been going to a dancing lesson, and had even promised to take a small part in a play that was being acted in her mother’s drawing-room. But the fear of being sent into fits of laughter, and of a bleeding nose, had made me decline, so that I had never set eyes on her. I had at the most a vague idea that I had once heard that the Swanns’ governess with the feather in her hat had at one time been with the Delages, but perhaps it was only a sister of this governess, or a friend. I protested to Albertine that Robert Forestier and Suzanne Delage occupied a very small place in my life. “That may be; but your mothers are friends, I can place you by that. I often pass Suzanne Delage in the Avenue de Messine, I admire her style.” Our mothers were acquainted only in the imagination of Mme. Bontemps, who having heard that I had at one time played with Robert Forestier, to whom, it appeared, I used to recite poetry, had concluded from that that we were bound by family ties. She could never, I gathered, hear my mother’s name mentioned without observing: “Oh, yes, she is in the Delage Forestier set,” giving my parents a good mark which they had done nothing to deserve&#xA;&#xA;   Apart from this, Albertine’s social ideas were fatuous in the extreme. She regarded the Simonnets with a double ‘n’ as inferior not only to the Simonets with a single ‘n’ but to everyone in the world. That some one else should bear the same name as yourself without belonging to your family is an excellent reason for despising him. Of course there are exceptions. It may happen that two Simonnets (introduced to one another at one of those gatherings where one feels the need to converse, no matter on what subject, and where moreover one is instinctively well disposed towards strangers, for instance in a funeral procession on its way to the cemetery), finding that they have the same name, will seek with a mutual friendliness though without success to discover a possible connexion. But that is only an exception. Plenty of people are of dubious character, but we either know nothing or care nothing about them. If, however, a similarity of names brings to our door letters addressed to them, or vice versa, we at once feel a mistrust, often justified, as to their moral worth. We are afraid of being confused with them, we forestall the mistake by a grimace of disgust when anyone refers to them in our hearing. When we read our own name, as borne by them, in the newspaper, they seem to have usurped it. The transgressions of other members of the social organism leave us cold. We lay the burden of them more heavily upon our namesakes. The hatred which we bear towards the other Simonnets is all the stronger in that it is not a personal feeling but has been transmitted by heredity. After the second generation we remember only the expression of disgust with which our grandparents used to refer to the other Simonnets, we know nothing of the reason, we should not be surprised to learn that it had begun with a murder. Until, as is not uncommon, the time comes when a male and female Simonnet, who are not related in any way, are joined together in matrimony and so repair the breach&#xA;&#xA;   Not only did Albertine speak to me of Robert Forestier and Suzanne Delage, but spontaneously, with that impulse to confide which the approximation of two human bodies creates, that is to say at first, before it has engendered a special duplicity and reticence in one person towards the other, she told me a story about her own family and one of Andrée’s uncles, as to which, at Balbec, she had refused to utter a word; thinking that now she ought not to appear to have any secrets in which I might not share. From this moment, had her dearest friend said anything to her against me, she would have made it her duty to inform me. I insisted upon her going home, and finally she did go, but so ashamed on my account at my discourtesy that she laughed almost as though to apologise for me, as a hostess to whose party you have gone without dressing makes the best of you but is offended nevertheless&#xA;&#xA;    “Are you laughing at me?” I inquired&#xA;&#xA;    “I am not laughing, I am smiling at you,” she replied lovingly. “When am I going to see you again?” she went on, as though declining to admit that what had just happened between us, since it is generally the crowning consummation, might not be at least the prelude to a great friendship, a friendship already existing which we should have to discover, to confess, and which alone could account for the surrender we had made of ourselves&#xA;&#xA;    “Since you give me leave, I shall send for you when I can.” I dared not let her know that I was subordinating everything else to the chance of seeing Mme. de Stermaria. “It will have to be at short notice, unfortunately,” I went on, “I never know beforehand. Would it be possible for me to send round for you in the evenings, when I am free?”&#xA;&#xA;    “It will be quite possible in a little while, I am going to have a latch-key of my own. But just at present it can’t be done. Anyhow I shall come round to-morrow or next day in the afternoon. You needn’t see me if you’re busy.”&#xA;&#xA;   On reaching the door, surprised that I had not anticipated her, she offered me her cheek, feeling that there was no need now for any coarse physical desire to prompt us to kiss one another. The brief relations in which we had just indulged being of the sort to which an absolute intimacy and a heartfelt choice often tend, Albertine had felt it incumbent upon her to improvise and add provisionally to the kisses which we had exchanged on my bed the sentiment of which those kisses would have been the symbol for a knight and his lady such as they might have been conceived in the mind of a gothic minstrel&#xA;&#xA;   When she had left me, this young Picard, who might have been carved on his porch by the image-maker of Saint-André-des-Champs, Françoise brought me a letter which filled me with joy, for it was from Mme. de Stermaria, who accepted my invitation to dinner. From Mme. de Stermaria, that was to say for me not so much from the real Mme. de Stermaria as from her of whom I had been thinking all day before Albertine’s arrival. It is the terrible deception of love that it begins by engaging us in play not with a woman of the external world but with a puppet fashioned and kept in our brain, the only form of her moreover that we have always at our disposal, the only one that we shall ever possess, one which the arbitrary power of memory, almost as absolute as that of imagination, may have made as different from the real woman as had been from the real Balbec the Balbec of my dreams; an artificial creation to which by degrees, and to our own hurt, we shall force the real woman into resemblance&#xA;&#xA;   Albertine had made me so late that the play had just finished when I entered Mme. de Villeparisis’s drawing-room; and having little desire to be caught in the stream of guests who were pouring out, discussing the great piece of news, the separation, said to be already effected, of the Duc de Guermantes from his wife, I had, until I should have an opportunity of shaking hands with my hostess, taken my seat on an empty sofa in the outer room, when from the other, in which she had no doubt had her chair in the very front row of all, I saw emerging, majestic, ample and tall in a flowing gown of yellow satin upon which stood out in relief huge black poppies, the Duchess herself. The sight of her no longer disturbed me in the least. There had been a day when, laying her hands on my forehead (as was her habit when she was afraid of hurting my feelings) and saying: “You really must stop hanging about trying to meet Mme. de Guermantes. All the neighbours are talking about you. Besides, look how ill your grandmother is, you really have something more serious to think about than waylaying a woman who only laughs at you,” in a moment, like a hypnotist who brings one back from the distant country in which one imagined oneself to be, and opens one’s eyes for one, or like the doctor who, by recalling one to a sense of duty and reality, cures one of an imaginary disease in which one has been indulging one’s fancy, my mother had awakened me from an unduly protracted dream. The rest of the day had been consecrated to a last farewell to this malady which I was renouncing; I had sung, for hours on end and weeping as I sang, the sad words of Schubert’s Adieu:&#xA;&#xA;   Farewell, strange voices call thee&#xA;   Away from me, dear sister of the angels&#xA;&#xA;And then it had finished. I had given up my morning walks, and with so little difficulty that I thought myself justified in the prophecy (which we shall see was to prove false later on) that I should easily grow accustomed in the course of my life to ceasing to see a woman. And when, shortly afterwards, Françoise had reported to me that Jupien, anxious to enlarge his business, was looking for a shop in the neighbourhood, wishing to find one for him (quite happy, moreover, when strolling along a street which already from my bed I had heard luminously vociferous like a peopled beach, to see behind the raised iron shutters of the dairies the young milk-girls with their white sleeves), I had been able to begin these excursions again. Nor did I feel the slightest constraint; for I was conscious that I was no longer going out with the object of seeing Mme. de Guermantes; much as a married woman who takes endless precautions so long as she has a lover, from the day on which she has broken with him leaves his letters lying about, at the risk of disclosing to her husband an infidelity which ceased to alarm her the moment she ceased to be guilty of it. What troubled me now was the discovery that almost every house sheltered some unhappy person. In one the wife was always in tears because her husband was unfaithful to her. In the next it was the other way about. In another a hardworking mother, beaten black and blue by a drunkard son, was endeavouring to conceal her sufferings from the eyes of the neighbours. Quite half of the human race was in tears. And when I came to know the people who composed it I saw that they were so exasperating that I asked myself whether it might not be the adulterous husband and wife (who were so simply because their lawful happiness had been withheld from them, and shewed themselves charming and faithful to everyone but their respective wife and husband) who were in the right. Presently I ceased to have even the excuse of being useful to Jupien for continuing my morning wanderings. For we learned that the cabinet-maker in our courtyard, whose workrooms were separated from Jupien’s shop only by the flimsiest of partitions, was shortly to be ‘given notice’ by the Duke’s agent because his hammering made too much noise. Jupien could have hoped for nothing better; the workrooms had a basement for storing timber, which communicated with our cellars. He could keep his coal in this, he could knock down the partition, and would then have a huge shop all in one room. But even without the amusement of house-hunting on his behalf I had continued to go out every day before luncheon, just as Jupien himself, finding the rent that M. de Guermantes was asking him exorbitant, was allowing the premises to be inspected in the hope that,discouraged by his failure to find a tenant, the Duke would resign himself to accepting a lower offer. Françoise, noticing that, even at an hour when no prospective tenant was likely to call, the porter left the door of the empty shop on the latch, scented a trap laid by him to entice the young woman who was engaged to the Guer — mantes footman (they would find a lovers’ retreat there) and to catch them red-handed&#xA;&#xA;   However that might be, and for all that I had no longer to find Jupien a new shop, I still went out before luncheon. Often, on these excursions, I met M. de Norpois. It would happen that, conversing as he walked with a colleague, he cast at me a glance which after making a thorough scrutiny of my person returned to his companion without his having smiled at me or given me any more sign of recognition than if he had never set eyes on me before. For, with these eminent diplomats, looking at you in a certain way is intended to let you know not that they have seen you but that they have not seen you and that they have some serious question to discuss with the colleague who is accompanying them. A tall woman whom I frequently encountered near the house was less discreet with me. For in spite of the fact that I did not know her, she would turn round to look at me, would wait for me, unavailingly, before shop windows, smile at me as though she were going to kiss me, make gestures indicative of a complete surrender. She resumed an icy coldness towards me if anyone appeared whom she knew. For a long time now in these morning walks, thinking only of what I had to do, were it but the most trivial purchase of a newspaper, I had chosen the shortest way, with no regret were it outside the ordinary course which the Duchess followed in her walks, and if on the other hand it lay along that course, without either compunction or concealment, because it no longer appeared to me the forbidden way on which I should snatch from an ungrateful woman the favour of setting eyes on her against her will. But it had never occurred to me that my recovery, when it restored me to a normal attitude towards Mme. de Guermantes, would have a corresponding effect on her, and so render possible a friendliness, even a friendship in which I no longer felt any interest. Until then, the efforts of the entire world banded together to bring me into touch with her would have been powerless to counteract the evil spell that is cast by an ill-starred love. Fairies more powerful than mankind have decreed that in such cases nothing can avail us until the day on which we have uttered sincerely and from our hearts the formula: “I am no longer in love.” I had been vexed with Saint-Loup for not having taken me to see his aunt. But he was no more capable than anyone else of breaking an enchantment. So long as I was in love with Mme. de Guermantes, the marks of politeness that ï received from others, their compliments actually distressed me, not only because they did not come from her but because she would never hear of them. And yet even if she had known of them it would not have been of the slightest use to me. Indeed, among the lesser auxiliaries to success in iove, an absence, the declining of an invitation to dinner, an unintentional, unconscious harshness are of more service than all the cosmetics and fine clothes in the world. There would be plenty of social success, were people taught upon these lines the art of succeeding&#xA;&#xA;   As she swept through the room in which I was sitting, her mind filled with thoughts of friends whom I did not know and whom she would perhaps be meeting presently at some other party, Mme. de Guermantes caught sight of me on my sofa, genuinely indifferent and seeking only to be polite whereas while I was in love I had tried so desperately, without ever succeeding, to assume an air of indifference; she swerved aside, came towards me and, reproducing the smile she had worn that evening at the Opéra-Comique, which the unpleasant feeling of being cared for by some one for whom she did not care was no longer there to obliterate: “No, don’t move; you don’t mind if I sit down beside you for a moment?” she asked, gracefully gathering in her immense skirt which otherwise would have covered the entire sofa&#xA;&#xA;   Of less stature than she, who was further expanded by the volume of her gown, I was almost brushed by her exquisite bare arm round which a faint, innumerable down rose in perpetual smoke like a golden mist, and by the fringe of her fair tresses which wafted their fragrance over me. Having barely room to sit down, she could not turn easily to face me, and so obliged to look straight before her rather than in my direction, assumed the sort of dreamy, sweet expression one sees in a portrait&#xA;&#xA;    “Have you any news of Robert?” she inquired&#xA;&#xA;   At that moment Mme. de Villeparisis entered the room&#xA;&#xA;    “Well, Sir, you arrive at a fine time, when we do see you here for once in a way!” And noticing that I was talking to her niece, concluding, perhaps, that we were more intimate than she had supposed: “But don’t let me interrupt your conversation with Oriane,” she went on, and (for these good offices as pander are part of the duties of the perfect hostess): “You wouldn’t care to dine with her here on Thursday?”&#xA;&#xA;   It was the day on which I was to entertain Mme. de Stermaria, so I declined&#xA;“Saturday, then?”&#xA;&#xA;   As my mother was returning on Saturday or Sunday, it would never do for me not to stay at home every evening to dine with her; I therefore declined this invitation also&#xA;&#xA;    “Ah, you’re not an easy person to get hold of.”&#xA;&#xA;    “Why do you never come to see me?” inquired Mme. de Guermantes when Mme. de Villeparisis had left us to go and congratulate the performers and present the leading lady with a bunch of roses upon which the hand that offered it conferred all its value, for it had cost no more than twenty francs. (This, incidentally, was as high as she ever went when an artist had performed only once. Those who gave their services at all her afternoons and evenings throughout the season received roses painted by the Marquise.)&#xA;&#xA;    “It’s such a bore that we never see each other except in other people’s houses. Since you won’t meet me at dinner at my aunt’s, why not come and dine with me?” Various people who had stayed to the last possible moment, upon one pretext or another, but were at length preparing to leave, seeing that the Duchess had sat down to talk to a young man on a seat so narrow as just to contain them both, thought that they must have been misinformed, that it was the Duchess, and not the Duke, who was seeking a separation, and on my account. Whereupon they hastened to spread abroad this intelligence. I had better grounds than anyone to be aware of its falsehood. But I was myself surprised that at one of those difficult periods in which a separation that is not yet completed is beginning to take effect, the Duchess, instead of withdrawing from society should go out of her way to invite a — person whom she knew so slightly. The suspicion crossed my mind that it had been the Duke alone who had been opposed to her having me in the house, and that now that he was leaving her she saw no further obstacle to her surrounding herself with the people that she liked&#xA;&#xA;   A minute earlier I should have been stupefied had anyone told me that Mme. de Guermantes was going to ask me to call on her, let alone to dine with her. I might be perfectly aware that the Guermantes drawing-room could not furnish those particular refinements which I had extracted from the name of its occupants, the fact that it had been forbidden ground to me, by obliging me to give it the same kind of existence that we give to the drawing-rooms of which we have read the description in a novel, or seen the image in a dream, made me, even when I was certain that it was just like any other, imagine it as quite different. Between myself and it was the barrier at which reality ends. To dine with the Guermantes was like travelling to a place I had long wished to see, making a desire emerge from my brain and take shape before my eyes, forming acquaintance with a dream. At the most, I might have supposed that it would be one of those dinners to which one’s hosts invite one with: “Do come; there’ll beabsolutely nobody but ourselves,” pretending to attribute to the pariah the alarm which they themselves feel at the thought of his mixing with their other friends, seeking indeed to convert into an enviable privilege, reserved for their intimates alone, the quarantine of the outsider, hopelessly uncouth, whom they are befriending. I felt on the contrary that Mme. de Guermantes was anxious for me to enjoy the most delightful society that she had to offer me when she went on, projecting as she spoke before my eyes as it were the violet-hued loveliness of a visit to Fabrice’s aunt with the miracle of an introduction to Count Mosca:&#xA;&#xA;    “On Friday, now, couldn’t you? There are just a few people coming; the Princesse de Parme, who is charming, not that I’d ask you to meet anyone who wasn’t nice.”&#xA;&#xA;   Discarded in the intermediate social grades which are engaged in a perpetual upward movement, the family still plays an important part in certain stationary grades, such as the lower middle class and the semi-royal aristocracy, which latter cannot seek to raise itself since above it, from its own special point of view, there exists nothing higher. The friendship shewn me by her ‘aunt Villeparisis’ and Robert had perhaps made me, for Mme. de Guermantes and her friends, living always upon themselves and in the same little circle, the object of a curious interest of which I had no suspicion&#xA;&#xA;   She had of those two relatives a familiar, everyday, homely knowledge, of a sort, utterly different from what we imagine, in which if we happen to be comprised in it, so far from our actions being at once ejected, like the grain of dust from the eye or the drop of water from the windpipe, they are capable of remaining engraved, and will still be related and discussed years after we ourselves have forgotten them, in the palace in which we are astonished to find them preserved, like a letter in our own handwriting among a priceless collection of autographs&#xA;&#xA;   People who are merely fashionable may set a guard upon doors which are too freely invalided. But the Guermantes door was not that. Hardly ever did a stranger have occasion to pass by it. If, for once in a way, the Duchess had one pointed out to her, she never dreamed of troubling herself about the social increment that he would bring, since this was a thing that she conferred and could not receive. She thought only of his real merits. Both Mme. de Villeparisis and Saint-Loup had testified to mine Doubtless she might not have believed them if she had not at the same time observed that they could never manage to secure me when they wanted me, and therefore that I attached no importance to worldly things, which seemed to the Duchess a sign that the stranger was to be numbered among what she called ‘nice people.’&#xA;&#xA;   It was worth seeing, when one spoke to her of women for whom she did not care, how her face changed as soon as one named, in connexion with one of these, let us say, her sister-in-law. “Oh, she is charming!” the Duchess would exclaim in a judicious, confident tone. The only reason that she gave was that this lady had declined to be introduced to the Marquise de Chaussegros and the Princesse de Silistrie. She did not add that the lady had declined also an introduction to herself, the Duchesse de Guermantes. This had, nevertheless, been the case, and ever since the mind of the Duchess had been at work trying to unravel the motives of a woman who was so hard to know, she was dying to be invited to call on her. People in society are so accustomed to be sought after that the person who shuns them seems to them a phoenix and at once monopolises their attention. Was the true motive in the mind of Mme. de Guermantes for thus inviting me (now that I was no longer in love with her) that I did not run after her relatives, although apparently run after myself by them? I cannot say. In any case, having made up her mind to invite me, she was anxious to do me the honours of the best company at her disposal and to keep away those of her friends whose presence might have dissuaded me from coming again, those whom she knew to be boring. I had not known to what to attribute her change of direction, when I had seen her deviate from her stellar path, come to sit down beside me and had heard her invite me to dinner, the effect of causes unknown for want of a special sense to enlighten us in this respect. We picture to ourselves the people who know us but slightly — such as, in my case, the Duchesse de Guermantes — as thinking of us only at the rare moments at which they set eyes on us. As a matter of fact this ideal oblivion in which we picture them as holding us is a purely arbitrary conception on our part. So that while, in our solitary silence, like that of a cloudless night, we imagine the various queens of society pursuing their course in the heavens at an infinite distance, we cannot help an involuntary start of dismay or pleasure if there falls upon us from that starry height, like a meteorite engraved with our name which we supposed to be unknown on Venus or Cassiopeia, an invitation to dinner or a piece of malicious gossip&#xA;&#xA;   Perhaps now and then when, following the example of the Persian princes who, according to the Book of Esther, made their scribes read out to them the registers in which were enrolled the names of those of their subjects who had shewn zeal in their service, Mme. de Guermantes consulted her list of the well-disposed, she had said to herself, on coming to my name: “A man we must ask to dine some day.” But other thoughts had distracted her&#xA;&#xA;   (Beset by surging cares, a Prince’s mind&#xA;   Towards fresh matters ever is inclined)&#xA;&#xA;   until the moment when she had caught sight of me sitting alone like Mordecai at the palace gate; and, the sight of me having refreshed her memory, sought, like Ahasuerus, to lavish her gifts upon me&#xA;&#xA;   I must at the same time add that a surprise of a totally different sort was to follow that which I had felt on hearing Mme. de Guermantes ask me to dine with her. Since I had decided that it would shew greater modesty, on my part, and gratitude also not to conceal this initial surprise, but rather to exaggerate my expression of the delight that it gave me, Mme. de Guermantes, who was getting ready to go on to another, final party, had said to me, almost as a justification and for fear of my not being quite certain who she was, since I appeared so astonished at being invited to dine with her: “You know I’m the aunt of Robert de Saint-Loup, who is such a friend of yours; besides we have met before.” In replying that I was aware of this I added that I knew also M. de Charlus, “who had been very good to me at Balbec and in Paris.” Mme. de Guermantes appeared dumbfoundered, and her eyes seemed to turn, as though for a verification of this statement, to some page, already filled and turned, of her internal register of events. “What, so you know Palamède, do you?” This name assumed on the lips of Mme. de Guermantes a great charm, due to the instinctive simplicity with which she spoke of a man who was socially so brilliant a figure, but for her was no more than her brother-in-law and the cousin with whom she had grown up. And on the confused greyness which the life of the Duchesse de Guermantes was for me this name, Palamède, shed as it were the radiance of long summer days on which she had played with him as a girl, at Guermantes, in the garden. Moreover, in this long outgrown period in their lives, Oriane de Guermantes and her cousin Palamède had been very different from what they had since become; M. de Charlus in particular, entirely absorbed in the artistic pursuits from which he had so effectively restrained himself in later life that I was stupefied to learn that it was he who had painted the huge fan with black and yellow irises which the Duchess was at this moment unfurling. She could also have shewn me a little sonatina which he had once composed for her. I was completely unaware that the Baron possessed all these talents, of which he never spoke. Let me remark in passing that M. de Charlus did not at all relish being called ‘Palamède’ by his family. That the form ‘Mémé’ might not please him one could easily understand. These stupid abbreviations are a sign of the utter inability of the aristocracy to appreciate its own Poetic beauty (in Jewry, too, we may see the same defect, since a nephew of Lady Israels, whose name was Moses, was commonly known as ‘Momo’) concurrently with its anxiety not to appear to attach any importance to what is aristocratic. Now M. de Charlus had, in this connexion, a greater wealth of poetic imagination and a more blatant pride. But the reason for his distaste for ‘Mémé’ could not be this, since it extended also to the fine name Palamède. The truth was that, considering, knowing himself to come of a princely stock, he would have liked his brother and sister-in-law to refer to him as ‘Charlus,’ just as Queen Marie-Amélie and Duc d’Orléans might have spoken of their sons and grandsons, brothers and nephews as ‘Joinville, Nemours, Chartres, Paris.’&#xA;&#xA;    “What a humbug Mémé is!” she exclaimed. “We talked to him about you for hours; he told us that he would be delighted to make your acquaintance, just as if he had never set eyes on you. You must admit he’s odd, and — though it’s not very nice of me to say such a thing about a brother-in-law I’m devoted to, and really do admire immensely — a trifle mad at times.”&#xA;&#xA;   I was struck by the application of this last epithet to M. de Charlus, and said to myself that this half-madness might perhaps account for certain things, such as his having appeared so delighted by his own proposal that I should ask Bloch to castigate his mother. I decided that, by reason not only of the things he said but of the way in which he said them, M. de Charlus must be a little mad. The first time that one listens to a barrister or an actor, one is surprised by his tone, so different from the conversational. But, observing that everyone else seems to find this quite natural, one says nothing about it to other people, one says nothing in fact to oneself, one is content with appreciating the degree of talent shewn. At the most, one may think, of an actor at the Théâtre-Français: “Why, instead of letting his raised arm fall naturally, did he make it drop in a series of little jerks broken by pauses for at least ten minutes?” or of a Labori: “Why, whenever he opened his mouth, did he utter those tragic, unexpected sounds to express the simplest things?” But as everybody admits these actions to be necessary and obvious one is not shocked by them. So, upon thinking it over, one said to oneself that M. de Charlus spoke of himself with undue emphasis in a tone which was not in the least that of ordinary speech. It seemed as though one might have at any moment interrupted him with: “But why do you shout so? Why are you so offensive?” only everyone seemed to have tacitly agreed that it was all right. And one took one’s place in the circle which applauded his outbursts. But certainly, at certain moments, a stranger might have thought that he was listening to the ravings of a maniac&#xA;&#xA;    “But are you sure you’re not thinking of some one else? Do you really mean my brother-in-law Palamède?” went on the Duchess, a trace of impertinence grafted upon her natural simplicity&#xA;&#xA;   I replied that I was absolutely sure, and that M. de Charlus must have failed to catch my name&#xA;&#xA;    “Oh well! I shall leave you now,” said Mme. de Guermantes, as though she regretted the parting. “I must look in for a moment at the Princesse de Ligne’s. You aren’t going on there? No? You don’t care for parties? You’re very wise, they are too boring for words. If only I hadn’t got to go. But she’s my cousin; it wouldn’t be polite. I am sorry, selfishly, for my own sake, because I could have taken you there, and brought you back afterwards, too. So I shall say good-bye now, and look forward to Friday.”&#xA;&#xA;   That M. de Charlus should have blushed to be seen with me by M. d’Argencourt was all very well. But that to his own sister-in-law, who had so high an opinion of him besides, he should deny all knowledge of me, knowledge which was perfectly natural seeing that I was a friend of both his aunt and his nephew, was a thing that I could not understand&#xA;&#xA;   I shall end my account of this incident with the remark that from one point of view there was in Mme. de Guermantes a true greatness which consisted in her entirely obliterating from her memory what other people would have only partially forgotten. Had she never seen me waylaying her, following her, tracking her down as she took her morning walks, had she never responded to my daily salute with an angry impatience, had she never refused Saint-Loup when he begged her to invite me to her house, she could not have greeted me now in a nobler or more gracious manner. Not only did she waste no time in retrospective explanations, in hints, allusions or ambiguous smiles, not only was there in her present affability, without any harking back to the past, without any reticence, something as proudly rectilinear as her majestic stature, but the resentment which she might have felt against anyone in the past was so entirely reduced to ashes, the ashes were themselves cast so utterly from her memory, or at least from her manner, that on studying her face whenever she had occasion to treat with the most exquisite simplification what in so many other people would have been a pretext for reviving stale antipathies and recriminations one had the impression of an intense purity of mind&#xA;&#xA;   But if I was surprised by the modification that had occurred in her opinion of me, how much more did it surprise me to find a similar but ever so much greater change in my feeling for her. Had there not been a time during which I could regain life and strength only if — always building new castles in the air! — I had found some one who would obtain for me an invitation to her house and, after this initial boon, would procure many others for my increasingly exacting heart? It was the impossibility of finding any avenue there that had made me leave Paris for Doncières to visit Robert de Saint-Loup. And now it was indeed by the consequence of a letter from him that I was agitated, but on account this time of Mme. de Stermaria, not of Mme. de Guermantes&#xA;&#xA;   Let me add further, to conclude my account of this party, that there Occurred at it an incident, contradicted a few days later, which continued to puzzle me, interrupted for some time my friendship with Bloch, and constitutes in itself one of those curious paradoxes the explanation of which will be found in the next part of this work. At this party at Mme. de Villeparisis’s, Bloch kept on boasting to me about the friendly attentions shewn him by M. de Charlus, who, when he passed him in the street, looked him straight in the face as though he recognised him, was anxious to know him personally, knew quite well who he was. I smiled at first, Bloch having expressed so vehemently at Balbec his contempt for the said M. de Charlus. And I supposed merely that Bloch, like his father in the Case of Bergotte, knew the Baron ‘without actually knowing him,’ and that what he took for a friendly glance was due to absent-mindedness. But finally Bloch became so precise and appeared so confident that on two or three occasions M. de Charlus had wished to address him that, remembering that I had spoken of my friend to the Baron, who had, as we walked away together from this very house, as it happened, asked me various questions about him, I came to the conclusion that Bloch was not lying that M. de Charlus had heard his name, realised that he was my friend’ and so forth. And so, a little later, at the theatre one evening, I asked M! de Charlus if I might introduce Bloch to him, and, on his assenting, went in search of my friend. But as soon as M. de Charlus caught sight of him an expression of astonishment, instantly repressed, appeared on his face where it gave way to a blazing fury. Not only did he not offer Bloch his hand but whenever Bloch spoke to him he replied in the most insolent manner, in an angry and wounding tone. So that Bloch, who, according to his version, had received nothing until then from the Baron but smiles, assumed that I had not indeed commended but disparaged him in the short speech in which, knowing M. de Charlus’s liking for formal procedure, I had told him about my friend before bringing him up to be introduced. Bloch left us, his spirit broken, like a man who has been trying to mount a horse which is always ready to take the bit in its teeth, or to swim against waves which continually dash him back on the shingle, and did not speak to me again for six months&#xA;&#xA;   The days that preceded my dinner with Mme. de Stermaria were for me by no means delightful, in fact it was all I could do to live through them. For as a general rule, the shorter the interval is that separates us from our planned objective, the longer it seems to us, because we apply to it a more minute scale of measurement, or simply because it occurs to us to measure it at all. The Papacy, we are told, reckons by centuries, and indeed may not think perhaps of reckoning time at all, since its goal is in eternity. Mine was no more than three days off; I counted by seconds, I gave myself up to those imaginings which are the first movements of caresses, of caresses which it maddens us not to be able to make the woman herself reciprocate and complete — those identical caresses, to the exclusion of all others. And, as a matter of fact, it is true that, generally speaking, the difficulty of attaining to the object of a desire enhances that desire (the difficulty, not the impossibility, for that suppresses it altogether), yet in the case of a desire that is wholly physical the certainty that it will be realised, at a fixed and not distant point in time, is scarcely less exciting than uncertainty; almost as much as an anxious doubt, the absence of doubt makes intolerable the period of waiting for the pleasure that is bound to come, because it makes of that suspense an innumerably rehearsed accomplishment and by the frequency of our proleptic representations divides time into sections as minute as could be carved by agony. What I required was to possess Mme. de Stermaria, for during the last few days, with an incessant activity, my desires had been preparing this pleasure, in my imagination, and this pleasure alone, for any other kind (pleasure, that is, taken with another woman) would not have been ready, pleasure being but the realisation of a previous wish, and of one which is not always the same, but changes according to the endless combinations of one’s fancies, the accidents of one’s memory, the state of one’s temperament, the variability of one’s desires, the most recently granted of which lie dormant until the disappointment of their satisfaction has been to some extent forgotten; I should not have been prepared, I had already turned from the main road of general desires and had ventured along the bridle-path of a particular desire; I should have had — in order to wish for a different assignation — to retrace my steps too far before rejoining the main road and taking another path. To take possession of Mme. de Stermaria on the island in the Bois de Boulogne where I had asked her to dine with me, this was the pleasure that I imagined to myself afresh every moment. It would have automatically perished if I had dined on that island without Mme. de Stermaria; but perhaps as greatly diminished had I dined, even with her, somewhere else. Besides, the attitudes in which one pictures a pleasure to oneself exist previously to the woman, to the type of woman required to give one that pleasure. They dictate the pleasure, and the place as well, and on that account bring to the fore alternatively, in our capricious fancy, this or that woman, this or that scene, this or that room, which in other weeks we should have dismissed with contempt. Child of the attitude that produced her, one woman will not appeal to us without the large bed in which we find peace by her side, while others, to be caressed with a more secret intention, require leaves blown by the wind, water rippling in the night, are as frail and fleeting as they&#xA;&#xA;   No doubt in the past, long before I received Saint-Loup’s letter and when there was as yet no question of Mme. de Stermaria, the island in the Bois had seemed to me to be specially designed for pleasure, because I had found myself going there to taste the bitterness of having no pleasure to enjoy in its shelter. It is to the shores of the lake from which one goes to that island, and along which, in the last weeks of summer, those ladies of Paris who have not yet left for the country take the air, that, not knowing where to look for her, or if indeed she has not already left Paris, one wanders in the hope of seeing the girl go by with whom one fell in love at the last ball of the season, whom one will not have a chance of meeting again in any drawing-room until the following spring. Feeling it to be at least the eve, if not the morrow, of the beloved’s departure, one follows along the brink of the shivering water those attractive paths by which already a first red leaf is blooming like a last rose, one scans that horizon where, by a device the opposite of that employed in those panoramas beneath whose domed roofs the wax figures in the foreground impart to the painted canvas beyond them the illusory appearance of depth and mass, our eyes, passing without any transition from the cultivated park to the natural heights of Meudon and the Mont Valérien, do not know where to set the boundary, and make the natural country trespass upon the handiwork of the gardener, of which they project far beyond its own limits the artificial charm; like those rare birds reared in the open in a botanical garden which every day in the liberty of their winged excursions sally forth to strike, among the surrounding woods, an exotic note. Between the last festivity of summer and one’s winter exile, one ranges anxiously that romantic world of chance encounters and lover’s melancholy, and one would be no more surprised to learn that it was situated outside the mapped universe than if, at Versailles, looking down from the terrace, an observatory round which the clouds are massed against a blue sky in the manner of Van der Meulen, after having thus risen above the bounds of nature, one were informed that, there where nature begins again at the end of the great canal, the villages which one just could not make out, on a horizon as dazzling as the sea, were called Fleurus or Nimègue&#xA;&#xA;   And then, the last carriage having rolled by, when one feels with a throb of pain that she will not come now, one goes to dine on the island; above the shivering poplars which suggest endless mysteries of evening though without response, a pink cloud paints a last touch of life in the tranquil sky. A few drops of rain fall without noise on the water, ancient but still in its diyine infancy coloured always by the weather and continually forgetting the reflexions of clouds and flowers. And after the geraniums have vainly striven, by intensifying the brilliance of their scarlet, to resist the gathering darkness, a mist rises to envelop the now slumbering island; one walks in the moist dimness along the water’s edge, where at the most the silent passage of a swan startles one like, in a bed, at night, the eyes, for a moment wide open, and the swift smile of a child whom one did not suppose to be awake. Then one would like to have with one a loving companion, all the more as one feels oneself to be alone and can imagine oneself to be far away from the world&#xA;&#xA;   But to this island, where even in summer there was often a mist, how much more gladly would I have brought Mme. de Stermaria now that the cold season, the back end of autumn had come. If the weather that had prevailed since Sunday had not by itself rendered grey and maritime the scenes in which my imagination was living — as other seasons made them balmy, luminous, Italian — the hope of, in a few days’ time, making Mme. de Stermaria mine would have been quite enough to raise, twenty times in an hour, a curtain of mist in my monotonously lovesick imagination. In any event the mist, which since yesterday had risen even in Paris, not only made me think incessantly of the native place of the young woman whom I had invited to dine with me, but, since it was probable that, far more thickly than in the streets of the town, it must after sunset be invading the Bois, especially the shores of the lake, I thought that it would make the Swans’ Island, for me, something like that Breton island the marine and misty atmosphere of which had always enwrapped in my mind like a garment the pale outline of Mme. de Stermaria. Of course when we are young, at the age I had reached at the period of my walks along the Méséglise way, our desires, our faith bestow on a woman’s clothing an individual personality, an ultimate quintessence. We pursue reality. But by dint of allowing it to escape we end by noticing that, after all those vain endeavours which have led to nothing, something solid subsists, which is what we have been seeking. We begin to separate, to recognise what we love, we try to procure it for ourselves, be it only by a stratagem. Then, in the absence of our vanished faith, costume fills the gap, by means of a deliberate illusion. I knew quite well that within half an hour of home I should not find myself in Brittany. But in walking arm in arm with Mme. de Stermaria in the dusk of the island, by the water’s edge, I should be acting like other men who, unable to penetrate the walls of à convent, do at least, before enjoying a woman, clothe her in the habit of a nun&#xA;&#xA;   I could even look forward to hearing, as I sat with the lady, the lapping of waves, for, on the day before our dinner, a storm broke over Paris. I was beginning to shave myself before going to the island to engage the room (albeit at this time of year the island was empty and the restaurant deserted) and order the food for our dinner next day when Françoise came in to tell me that Albertine had called. I made her come in at once, indifferent to her finding me disfigured by a bristling chin, her for whom at Balbec I had never felt smart enough and who had cost me then as much agitation and distress as Mme. de Stermaria was costing me now. The latter, I was determined, must go away with the best possible impression from our evening together. Accordingly I asked Albertine to come with me there and then to the island to order the food. She to whom one gives everything is so quickly replaced by another that one is surprised to find oneself giving all that one has, afresh, at every moment, without any hope of future reward. At my suggestion the smiling rosy face beneath Albertine’s flat cap, which came down very low, to her eyebrows, seemed to hesitate. She had probably other plans; if so she sacrificed them willingly, to my great satisfaction, for I attached the utmost importance to my having with me a young housewife who would know a great deal more than myself about ordering dinner&#xA;&#xA;   It is quite true that she had represented something utterly different for me at Balbec. But our intimacy, even when we do not consider it close enough at the time, with a woman with whom we are in love creates between her and us, in spite of the shortcomings that pain us while our love lasts, social ties which outlast our love and even the memory of our love. Then, in her who is nothing more for us than a means of approach, an avenue towards others, we are just as astonished and amused to learn from our memory what her name meant originally to that other creature which we then were as if, after giving a cabman an address in the Boulevard des Capucines or the Rue du Bac, thinking only of the person whom we are going to see there, we remind ourself that the names were once those of, respectively, the Capuchin nuns whose convent stood on the site and the ferry across the Seine&#xA;&#xA;   At the same time, my Balbec desires had so generously ripened Albertine’s body, had gathered and stored in it savours so fresh and sweet that, as we drove through the Bois, while the wind like a careful gardener shook the trees, brought down the fruit, swept up the fallen leaves, I said to myself that had there been any risk of Saint-Loup’s being mistaken, or of my having misunderstood his letter, so that my dinner with Mme. de Stermaria might lead to no satisfactory result, I should have made an appointment for the same evening, later on, with Albertine, so as to forget, for a purely voluptuous hour, as I held in my arms a body of which my curiosity had long since computed, weighed up all the possible charms in which now it abounded, the emotions and perhaps the regrets of this first phase of love for Mme. de Stermaria. And certainly if I could have supposed that Mme de Stermaria would not grant me any of her favours at our first meeting, I should have formed a slightly depressing picture of my evening with her. I knew too well from experience how the two stages which occur in us in the first phase of our love for a woman whom we have desired without knowing her, loving in her rather the particular kind of existence in which she is steeped than her still unfamiliar self — how distorted is the reflexion of those two stages in the world of facts, that is to say not in ourselves any longer but in our meetings with her. We have, without ever having talked to her, hesitated, tempted as we were by the poetic charm which she represented for us. Shall it be this woman or another? And lo, our dreams become fixed round about her, cease to have any separate existence from her. The first meeting with her which will shortly follow should reflect this dawning love. Nothing of the sort. As if it were necessary that our material life should have its first period also, in love with her already, we talk to her in the most trivial fashion: “I asked you to dine on this island because I thought the surroundings would amuse you. I’ve nothing particular to say to you, don’t you know. But it’s rather damp, I’m afraid, and you may find it cold —” “Oh, no, not at all!” “You just say that out of politeness. Very well, Madame, I shall allow you to battle against the cold for another quarter of an hour, as I don’t want to bother you, but in fifteen minutes I shall carry you off by force. I don’t want to have you catching a chill.” And without another word said we take her home, remembering nothing about her, at the most a certain look in her eyes, but thinking only of seeing her again. Well, at our second meeting (when we do not find even that look, our sole memory of her, but nevertheless have been thinking only of seeing her again), the first stage is passed. Nothing has happened in the interval. And yet, instead of talking about the comfort or want of comfort of the restaurant, we say, without our words appearing to surprise the new person, who seems to us positively plain but to whom we should like to think that people were talking about us at every moment in her life: “We are going to have our work cut out to overcome all the obstacles in our way. Do you think we shall be successful? Do you suppose that we can triumph over our enemies — live happily ever afterwards, and all that sort of thing?” But these conversational openings, trivial to begin with, then hinting at love, would not be required; I could trust Saint-Loup’s letter for that. Mme. de Stermaria would yield herself to me from the first, I should have no need therefore to engage Albertine to come to me, as a makeshift, later in the evening. It would be superfluous; Robert never exaggerated, and his letter was explicit&#xA;&#xA;   Albertine spoke hardly at all, conscious that my thoughts were elsewhere. We went a little way on foot into the greenish, almost submarine grotto of a dense mass of trees, on the domed tops of which we heard the wind sweep and the rain pelt. I trod underfoot dead leaves which, like shells, were trampled into the soil, and poked with my stick at fallen chestnuts prickly as sea-urchins&#xA;&#xA;   On the boughs the last clinging leaves, shaken by the wind, followed it only as far as their stems would allow, but sometimes these broke, and they fell to the ground, along which they coursed to overtake it. I thought with joy how much more remote still, if this weather lasted, the island would be on the morrow — and in any case quite deserted. We returned to our carriage and, as the storm had passed off, Albertine asked me to take her on to Saint-Cloud. As on the ground the drifting leaves so up above the clouds were chasing the wind. And a stream of migrant evenings, of which a sort of conic section cut through the sky made visible the successive layers, pink, blue and green, were gathered in readiness for departure to warmer climes. To obtain a closer view of a marble goddess who had been carved in the act of leaping from her pedestal and, alone in a great wood which seemed to be consecrated to her, filled it with the mythological terror, half animal, half divine, of her frenzied bounding, Albertine climbed a grassy slope while I waited for her in the road. She herself, seen thus from below, no longer coarse and plump as, a few days earlier, on my bed when the grain of her throat became apparent in the lens of my eye as it approached her person, but chiselled and delicate, seemed a little statue on which our happy hours together at Balbec had left their patina. When I found myself alone again at home, and remembered that I had taken a drive that afternoon with Albertine, that I was to dine in two days’ time with Mme. de Guermantes and that I had to answer a letter from Gilberte, three women each of whom I had once loved, I said to myself that our social existence is, like an artist’s studio, filled with abandoned sketches in which we have fancied for a moment that we could set down in permanent form our need of a great love, but it did not occur to me that sometimes, if the sketch be not too old, it may happen that we return to it and make of it a work wholly different, and possibly more important than what we had originally planned&#xA;&#xA;   The next day was cold and fine; winter was in the air — indeed the season was so far advanced that it had seemed miraculous that we should find in the already pillaged Bois a few domes of gilded green. When I awoke I saw, as from the window of the barracks at Doncières, a uniform, dead white mist which hung gaily in the sunlight, consistent and sweet as a web of spun sugar. Then the sun withdrew, and the mist thickened still further in the afternoon. Night fell early, I made ready for dinner, but it was still too soon to start; I decided to send a carriage for Mme. de Stermaria. I did not like to go for her in it myself, not wishing to force my company on her, but I gave the driver a note for her in which I asked whether she would mind my coming to call for her. While I waited for her answer I lay down on my bed, shut my eyes for a moment, then opened them again. Over the top of the curtains there was nothing now but a thin strip of daylight which grew steadily fainter. I recognised that wasted hour, the large ante-room of pleasure, the dark, delicious emptiness of which I had learned at Balbec to know and to enjoy when, alone in my room as I was now, while all the rest were at dinner, I saw without regret the daylight fade from above my curtains, knowing that, presently, after a night of arctic brevity, it was to be resuscitated in a more dazzling brightness in the lighted rooms of Rivebelle. I sprang from my bed, tied my black necktie, passed a brush over my hair, final gestures of a belated tidying carried out at Balbec with my mind not on myself but on the women whom I should see at Rivebelle while I smiled at them in anticipation in the mirror that stood across a corner of my room, gestures which, on that account, had continued to herald a form of entertainment in which music and lights would be mingled. Like magic signs they summoned, nay rather presented this entertainment already; thanks to them I had, of its intoxicating frivolous charm as complete an enjoyment as I had had at Combray, in the month of July, when I heard the hammer-blows ring on the packing cases and enjoyed, in the coolness of my darkened room, a sense of warmth and sunshine&#xA;&#xA;   Also, it was no longer exactly Mme. de Stermaria that I should have wished most to see. Forced now to spend my evening with her, I should have preferred, as it was almost the last before the return of my parents that it should remain free and myself try instead to find some of the women from Rivebelle. I gave my hands one more final wash and, my sense of pleasure keeping me on the move, dried them as I walked through the shuttered dining-room. It appeared to have a door open on to the lighted hall but what I had taken for the bright chink of the door, which as a matter of fact was closed, was only the gleaming reflexion of my towel in a mirror that had been laid against the wall in readiness to be fixed in its place before Mamma’s return. I thought of all the other illusions of the sort which I had discovered in different parts of the house, and which were not optical only, for when we first came there I had supposed that our next-door neighbour kept a dog on account of the continuous, almost human yapping which came from a certain pipe in the kitchen whenever the tap was turned on. And the door on to the outer landing never closed by itself, very gently, caught by a draught on the staircase, without rendering those broken, voluptuous, whimpering passages which sound over the chant of the pilgrims towards the end of Overture to Tannhäuser. I had, moreover, just as I had put my towel back on its rail, an opportunity of hearing a fresh rendering of this brilliant symphonic fragment, for at a peal of the bell I hurried out to open the door to the driver who had come with Mme. de Stermaria’s answer. I thought that his message would be: “The lady is downstairs,” or “The lady is waiting.” But he had a letter in his hand. I hesitated for a moment before looking to see what Mme. de Stermaria had written, who, while she held the pen in her hand, might have been anything but was now, detached from herself, an engine of fate, pursuing a course alone, which she was utterly powerless to alter. I asked the driver to wait downstairs for a moment, although he was cursing the fog. As soon as he had gone I opened the envelope. On her card, inscribed Vicomtesse Alix de. Stermaria, my guest had written: “Am so sorry — am unfortunately prevented from dining with you this evening on the island in the Bois. Had been so looking forward to it. Will write you a proper letter from Stermaria. Very sorry. Kindest regards.” I stood motionless, stunned by the shock that I had received. At my feet lay the card and envelope, fallen like the spent cartridge from a gun when the shot has been fired. I picked them up, tried to analyse her message. “She says that she cannot dine with me on the island in the Bois. One might gather from that that she would dine with me somewhere else. I shall not be so indiscreet as to go and fetch her, but, after all, that is quite a reasonable interpretation.” And from that island in the Bois, as for the last few days my thoughts had been installed there beforehand with Mme. de Stermâria, I could not succeed in bringing them back to where I was. My desire responded automatically to the gravitational force which had been pulling it now for so many hours on end, and in spite of this message, too recent to counteract that force, I went on instinctively getting ready to start, just as a student, although ploughed by the examiners, tries to answer one question more. At last I decided to tell Françoise to go down and pay the driver. I went along the passage without finding her, I passed through the dining-room, where suddenly my feet ceased to sound on the bare boards as they had been doing and were hushed to a silence which, even before I had realised the explanation of it, gave me a feeling of suffocation and confinement. It was the carpets which, in view of my parents’ return, the servants had begun to put down again, those carpets which look so well on bright mornings when amid their disorder the sun stays and waits for you like a friend come to take you out to luncheon in the country, and casts over them the dappled light and shade of the forest, but which now on the contrary were the first installation of the wintry prison from which, obliged as I should be to live, to take my meals at home, I should no longer be free now to escape when I chose&#xA;&#xA;    “Take care you don’t slip, Sir; they’re not tacked yet,” Françoise called to me. “I ought to have lighted up. Oh, dear, it’s the end of ‘Sectember’ already, the fine days are over.” In no time, winter; at the corner of a window, as in a Galle glass, a vein of crusted snow; and even in the Champs-Elysées, instead of the girls one waits to see, nothing but solitary sparrows&#xA;&#xA;   What added to my distress at not seeing Mme. de Stermâria was that her answer led me to suppose that whereas, hour by hour, since Sunday, I had been living for this dinner alone, she had presumably never given it a second thought. Later on I learned of an absurd love match that she had suddenly made with a young man whom she must already have been seeing at this time, and who had presumably made her forget my invitation. For if she had remembered it she would surely never have waited for the carriage which I was not, for that matter, supposed to be sending for her, to inform me that she was otherwise engaged. My dreams of a young feudal maiden on a misty island had cleared the way to a still non-existent love. Now my disappointment, my rage, my desperate desire to recapture her who had just refused me were able, by bringing my sensibility into play, to make definite the possible love which until then my imagination alone had — and that more loosely — offered me&#xA;&#xA;   How many are there in our memories, how many more have we forgotten, of these faces of girls and young women, all different, to which we have added a certain charm and a frenzied desire to see them again only because at the last moment they eluded us? In the case of Mme. de Stermaria there was a good deal more than this, and it was enough now to make me love her for me to see her again so that I might refresh those impressions, so vivid but all too brief, which my memory would not, without such refreshment, have the strength to keep alive when we were apart. Circumstances decided against me; I did not see her again. It was not she that I loved, but it might well have been. And one of the things that made most cruel, perhaps, the great love which was presently to come to me was that when I thought of this evening I used to say to myself that my love might, given a slight modification of very ordinary circumstances, have been directed elsewhere, to Mme. de Stermaria; its application to her who inspired it in me so soon afterwards was not therefore — as I so longed so needed to believe — absolutely necessary and predestined&#xA;&#xA;   Françoise had left me by myself in the dining-room with the remark that it was foolish of me to stay there before she had lighted the fire. She went to get me some dinner, for even before the return of my parents, from this very evening, my seclusion was to begin. I caught sight of a huge bundle of carpets, still rolled up, and leaning against one end of the sideboard, and burying my head in it, swallowing its dust with my own tears, as the Jews used to cover their heads with ashes in times of mourning, I began to sob. I shuddered not only because the room was cold, but because a distinct lowering of temperature (against the danger and — I should add, perhaps — the by no means disagreeable sensation of which we make no attempt to react) is brought about by a certain kind of tears which fall from our eyes, drop by drop, like a fine, penetrating, icy rain, and seem as though never would they cease to flow. Suddenly I heard a voice:&#xA;&#xA;    “May I come in? Françoise told me you would be in the dining-room. I looked in to see whether you would care to come out and dine somewhere, if it isn’t bad for your throat — there’s a fog outside you could cut with a knife.”&#xA;&#xA;   It was — arrived in Paris that morning, when I imagined him to be still in Morocco or on the sea — Robert de Saint-Loup&#xA;&#xA;   I have already said (as a matter of fact, it was Robert himself who, at Balbec, had helped me, quite without meaning it, to arrive at this conclusion) what I think about friendship: to wit that it is so small a thing that I find it hard to understand how men with some claim to genius — Nietzsche, for instance — can have been such simpletons as to ascribe to it a certain intellectual value, and consequently to deny themselves friendships in which intellectual esteem would have no part. Yes, it has always been a surprise to me to find a man who carried sincerity towards himself to so high a pitch as to cut himself off, by a scruple of conscience, from Wagner’s music, imagining that the truth could ever be attained by the mode of expression, naturally vague and inadequate, which our actions in general and acts of friendship in particular furnish, or that there could be any kind of significance in the fact of one’s leaving one’s work to go and see a friend and shed tears with him on hearing the false report that the Louvre was burned. I had got so far, at Balbec, as to find that the pleasure of playing with a troop of girls is less destructive of the spiritual life, to which at least it remains alien, than friendship, the whole effort of which is directed towards making us sacrifice the one real and (save by the channel of art) incommunicable part of ourself to a superficial self which finds — not, like the other, any joy in itself, but rather a vague, sentimental attraction in the feeling that it is being supported by external props, hospitably entertained by a strange personality, through which, happy in the protection that is afforded it there, it makes its own comfort radiate in warm approval, and marvels at qualities which it would denounce as faults and seek to correct in itself. Moreover the scorners of friendship can, without illusion and not without remorse, be the finest friends in the world, just as an artist carrying in his brain a masterpiece and feeling that his duty is rather to live and carry on his work, nevertheless, so as not to be thought or to run the risk of actually being selfish, gives his life for a vain cause, and gives it all the more gallantly in that the reasons for which he would have preferred not to give it were disinterested. But whatever might be my opinion of friendship, to mention only the pleasure that it procured me, of a quality so mediocre as to be like something halfway between physical exhaustion and mental boredom, there is no brew so deadly that it cannot at certain moments, become precious and invigorating by giving us just the stimulus that was necessary, the warmth that we cannot generate in ourselves&#xA;&#xA;   The thought of course never entered my mind now of asking Saint-Loup to take me (as, an hour earlier, I had been longing to go) to see some of the Rivebelle women; the scar left by my disappointment with Mme. de Stermaria was too recent still to be so easily healed, but at the moment when I had ceased to feel in my heart any reason for happiness Saint-Loup’s bursting in upon me was like a sudden apparition of kindness, mirth, life, which were external to me, no doubt, but offered themselves to me, asked only to be made mine. He did not himself understand my shout of gratitude, my tears of affection. And yet is there anything more unaccountably affecting than one of those friends, be he diplomat, explorer, airman or soldier like Saint-Loup, who, having to start next day for the country, from where they will go on heaven knows where, seem to form for themselves, in the evening which they devote to us, an impression which we are astonished both to find, so rare and fleeting is it, can be so pleasant to them, and, since it does so delight them, not to see them prolong farther or repeat more often. A meal with us, an event so natural in itself, affords these travellers the same strange and exquisite pleasure as our boulevards give to an Asiatic. We set off together to dine, and as I went downstairs I thought of Doncières where every evening I used to meet Robert at his restaurant, and the little dining-rooms there that I had forgotten. I remembered one of these to which I had never given a thought, and which was not in the hotel where Saint-Loup dined but in another, far humbler, a cross between an inn and a boarding-house, where the waiting was done by the landlady and one of her servants. I had been forced to take shelter there once from a snowstorm. Besides, Robert was not to be dining at the hotel that evening and I had not cared to go any farther. My food was brought to me, upstairs, in a little room with bare wooden walls. The lamp went out during dinner and the servant lighted a couple of candles. I, pretending that I could not see very well as I held out my plate, while she helped me to potatoes, took her bare fore-arm in my hand, as though to guide her. Seeing that she did not withdraw it, I began to fondle it, then, without saying a word, pulled her bodily to me, blew out the candles and told her to feel in my pocket for some money. For the next few days physical pleasure seemed to me to require, to be properly enjoyed, not only this servant but the timbered dining-room, so remote and lonely. And yet it was to the other, in which Saint-Loup and his friends dined, that I returned every evening, from force of habit and in friendship for them, until I left Doncières. But even of this hotel, where he took his meals with his friends, I had long ceased to think; we make little use of our experience, we leave unconsumed in the summer dusk or precocious nights of winter the hours in which it had seemed to us that there might nevertheless be contained some element of tranquillity or pleasure. But those hours are not altogether wasted. When, in their turn, come and sing to us fresh moments of pleasure, which by themselves would pass by equally bare in outline, the others recur, bringing with them the groundwork, the solid consistency of a rich orchestration. They are in this way prolonged into one of those types of happiness which we recapture only now and again but which continue to exist; in the present instance the type was that of forsaking everything else to dine in comfortable surroundings, which by the help of memory embody in a scene from nature suggestions of the rewards of travel, with a friend who is going to stir our dormant life with all his energy, his affection, to communicate to us an emotional pleasure, very different from anything that we could derive from our own efforts or from social distractions; we are going to exist solely for him, to utter vows of friendship which, born within the confines of the hour, remaining imprisoned in it, will perhaps not be kept on the morrow but which I need have no scruple in taking before Saint-Loup since, with a courage into which there entered a great deal of common sense and the presentiment that friendship cannot explore its own depths, on the morrow he would be gone&#xA;&#xA;   If as I came downstairs I lived over again the evenings at Doncières, when we reached the street, in a moment the darkness, now almost total, in which the fog seemed to have put out the lamps, which one could make out, glimmering very faintly, only when close at hand, took me back to I could not say what arrival, by night, at Combray, when the streets there were still lighted only at long intervals and one felt one’s way through a darkness moist, warm, consecrated, like that of a Christmas manger, just visibly starred here and there by a wick that burned no brighter than a candle. Between that year — to which I could ascribe no precise date — of my Combray life and the evenings at Rivebelle which had, an hour earlier, been reflected above my drawn curtains, what a world of differences! I felt on perceiving them an enthusiasm which might have borne fruit had I been left alone and would then have saved me the unnecessary round of many wasted years through which I was yet to pass before there was revealed to me that invisible vocation of which these volumes are the history. Had the revelation come to me this evening, the carriage in which I sat would have deserved to rank as more memorable with me than Dr. Percepied’s, on the box seat of which I had composed that little sketch — on which, as it happened, I had recently laid my hands, altered it and sent it in vain to theFigaro — of the spires of Martinville. Is it because we live over our past years not in their continuous sequence, day by day, but in a memory that fastens upon the coolness or sun-parched heat of some morning or afternoon, receives the shadow of some solitary place, is enclosed, immovable, arrested, lost, remote from all others, because, therefore, the changes gradually wrought not only in the world outside but in our dreams and our evolving character (changes which have imperceptibly carried us through life from one to another, wholly different time), are of necessity eliminated, that, if we revive another memory taken from a different year, we find between the two, thanks to lacunae, to vast stretches of oblivion, as it were the gulf of a difference in altitude or the incompatibility of two divers qualities, that of the air we breathe and the colour of the scene before our eyes? But between one and another of the memories that had now come to me in turn of Combray, of Doncières and of Rivebelle, I was conscious at the moment of more than a distance in time, of the distance that there would be between two separate universes the material elements in which were not the same. If I had sought to reproduce the element in which appeared carven my most trivial memories of Rivebelle, I should have had to streak with rosy veins, to render at once translucent, compact, refreshing, resonant a substance hitherto analogous to the coarse dark sandstone walls of Combray. But Robert having finished giving his instructions to the driver joined me now in the carriage. The ideas that had appeared before me took flight. Ideas are goddesses who deign at times to make themselves visible to a solitary mortal, at a turning in the road, even in his bedroom while he sleeps, when they, standing framed in the doorway, bring him the annunciation of their tidings. But as soon as a companion joins him they vanish, in the society of his fellows no man has ever beheld them. And I found myself cast back upon friendship. When he first appeared Robert had indeed warned me that there was a good deal of fog outside, but while we were indoors, talking, it had grown steadily thicker. It was no longer merely the light mist which I had looked forward to seeing rise from the island and envelop Mme. de Stermaria and myself. A few feet away from us the street lamps were blotted out and then it was night, as dark as in the open fields, in a forest, or rather on a mild Breton island whither I would fain have gone; I lost myself, as on the stark coast of some. Northern sea where one risks one’s life twenty times over before coming to the solitary inn; ceasing to be a mirage for which one seeks, the fog became one of those dangers against which one has to fight, so that we had, in finding our way and reaching a safe haven, the difficulties, the anxiety and finally the joy which safety, so little perceived by him who is not threatened with the loss of it, gives to the perplexed and benighted traveller. One thing only came near to destroying my pleasure during our adventurous ride, owing to the angry astonishment into which it flung me for a moment, “You know, I told Bloch,” Saint-Loup suddenly informed me, “that you didn’t really think all that of him, that you found him rather vulgar at times. I’m like that, you see, I want people to know where they stand,” he wound up with a satisfied air and in a tone which brooked no reply. I was astounded. Not only had I the most absolute confidence in Saint-Loup, in the loyalty of his friendship, and he had betrayed it by what he had said to Bloch, but it seemed to me that he of all men ought to have been restrained from doing so, by his defects as well as by his good qualities, by that astonishing veneer of breeding which was capable of carrying politeness to what was positively a want of frankness. His triumphant air, was it what we assume to cloak a certain embarrassment in admitting a thing which we know that we ought not to have done, or did it mean complete unconsciousness; stupidity making a virtue out of a defect which I had not associated with him; a passing fit of ill humour towards me prompting him to make an end of our friendship, or the notation in words of a passing fit of ill humour in the company of Bloch to whom he had felt that he must say something disagreeable, even although I should be compromised by it? However that might be, his face was seared, while he uttered this vulgar speech, by a frightful sinuosity which I saw on it once or twice only in all the time I knew him, and which, beginning by running more or less down the middle of his face, when it came to his lips twisted them, gave them a hideous expression of baseness, almost of bestiality, quite transitory and no doubt inherited. There must have been at such moments, which recurred probably not more than once every other year, a partial eclipse of his true self by the passage across it of the personality of some ancestor whose shadow fell on him. Fully as much as his satisfied air, the words: “I want people to know where they stand,” encouraged the same doubt and should have incurred a similar condemnation. I felt inclined to say to him that if one wants people to know where they stand one ought to confine these outbursts of frankness to one’s own affairs and not to acquire a too easy merit at the expense of others. But by this time the carriage had stopped outside the restaurant, the huge front of which, glazed and streaming with light, alone succeeded in piercing the darkness. The fog itself, beside the comfortable brightness of the lighted interior, seemed to be waiting outside on the pavement to shew one the way in with the joy of servants whose faces reflect the hospitable instincts of their master; shot with the most delicate shades of light, it pointed the way like the pillar of fire which guided the Children of Israel. Many of whom, as it happened, were to be found inside. For this was the place to which Bloch and his friends had long been in the habit, maddened by a hunger as famishing as the Ritual Fast, which at least occurs only once a year, for coffee and the satisfaction of political curiosity, of repairing in the evenings. Every mental excitement creating a value that overrides others, a quality superior to the rest of one’s habits, there is no taste at all keenly developed that does not thus gather round it a society which it unites and in which the esteem of his fellows is what each of its members seeks before anything else from life. Here, in their café, be it in a little provincial town, you will find impassioned music-lovers; the greater part of their time, all their spare cash is spent in chamber-concerts, in meetings for musical discussion, in cafés where one finds oneself among musical people and rubs shoulders with the members of the orchestra. Others, keen upon flying, seek to stand well with the old waiter in the glazed bar perched on top of the aerodrome; sheltered from the wind as in the glass cage of a lighthouse, they can follow in the company of an airman who is not going up that day the evolutions of a pilot practising loops, while another, invisible a moment ago, comes suddenly swooping down to land with the great winged roar of an Arabian roc. The little group which met to try to perpetuate, to explore the fugitive emotions aroused by the Zola trial attached a similar importance to this particular café. But they were not viewed with favour by the young nobles who composed the rest of its patrons and had taken possession of a second room, separated from the other only by a flimsy parapet topped with a row of plants. These looked upon Dreyfus and his supporters as traitors, albeit twenty-five years later, ideas having had time to classify themselves and Dreyfusism to acquire, in the light of history, a certain distinction, the sons, dance-mad Bolshevists, of these same young nobles were to declare to the ‘intellectuals’ who questioned them that undoubtedly, had they been alive at the time, they would have stood up for Dreyfus, without having any clearer idea of what the great Case had been about than Comtesse Edmond de Pourtalès or the Marquise de Galliffet, other luminaries already extinct at the date of their birth. For on the night of the fog the noblemen of the café, who were in^ due course to become the fathers of these young intellectuals, Dreyfusards in retrospect, were still bachelors. Naturally the idea of a rich marriage was present in the minds of all their families, but none of them had yet brought such a marriage off. While still potential, the only effect of this rich marriage, the simultaneous ambition of several of them (there were indeed several heiresses in view, but after all the number of big dowries was considerably below that of the aspirants to them), was to create among these young men a certain amount of rivalry&#xA;&#xA;   As ill luck would have it, Saint-Loup remaining outside for a minute to explain to the driver that he was to call for us again after dinner, I had to make my way in by myself. In the first place, once I had involved myself in the spinning door, to which I was not accustomed, I began to fear that I should never succeed in escaping from it. (Let me note here for the benefit of lovers of verbal accuracy that the contrivance in question, despite its peaceful appearance, is known as a ‘revolver,’ from the English ‘revolving door.’) This evening the proprietor, not venturing either to brave the elements outside or to desert his customers, remained standing near the entrance so as to have the pleasure of listening to the joyful complaints of the new arrivals, all aglow with the satisfaction of people who have had difficulty in reaching a place and have been afraid of losing their way. The smiling cordiality of his welcome was, however, dissipated by the sight of a stranger incapable of disengaging himself from the rotating sheets of glass. This flagrant sign of social ignorance made him knit his brows like an examiner who has a good mind not to utter the formula: Dignus est intrare. As a crowning error I went to look for a seat in the room set apart for the nobility, from which he at once expelled me, indicating to me, with a rudeness to which all the waiters at once conformed, a place in the other room. This was all the less to my liking because the seat was in the middle of a crowded row and I had opposite me the door reserved for the Hebrews which, as it did not revolve, opening and shutting at every moment kept me in a horrible draught. But the proprietor declined to move me, saying: “No, Sir, I cannot have the whole place upset for you.” Presently, however, he forgot this belated and troublesome guest, captivated as he was by the arrival of each newcomer who, before calling for his beer, his wing of cold chicken or his hot grog (it was by now long past dinner-time), must first, as in the old romances, pay his scot by relating his adventure at the moment of his entry into this asylum of warmth and security where the contrast with the perils just escaped made that gaiety and sense of comradeship prevail which create a cheerful harmony round the campfire&#xA;&#xA;   One reported that his carriage, thinking it had got to the Pont de la Concorde, had circled three times round the Invalides, another that his, in trying to make its way down the Avenue des Champs-Elysées, had driven into a clump of trees at the Rond Point, from which it had taken him three quarters of an hour to get clear. Then followed lamentations upon the fog, the cold, the deathly stillness of the streets, uttered and received with the same exceptionally jovial air, which was accounted for by the pleasant atmosphere of the room which, except where I sat, was warm, the dazzling light which set blinking eyes already accustomed to not seeing, and the buzz of talk which restored their activity to deafened ears&#xA;&#xA;   It was all the newcomers could do to keep silence. The singularity of the mishaps which each of them thought unique burned their tongues, and their eyes roved in search of some one to engage in conversation. The proprietor himself lost all sense of social distinction. “M. le Prince de Foix lost his way three times coming from the Porte Saint-Martin,” he was not afraid to say with a laugh, actually pointing out, as though introducing one to the other, the illustrious nobleman to an Israelite barrister, who, on any evening but this, would have been divided from him by a barrier far harder to surmount than the ledge of greenery. “Three times — fancy that!” said the barrister, touching his hat. This note of personal interest was not at all to the Prince’s liking. He formed one of an aristocratic group for whom the practice of impertinence, even at the expense of their fellow-nobles when these were not of the very highest rank, seemed the sole possible occupation. Not to acknowledge a bow, and, if the polite stranger repeated the offence, to titter with sneering contempt or fling back one’s head with a look of fury, to pretend not to know some elderly man who might have done them a service, to reserve their handclasp for dukes and the really intimate friends of dukes whom the latter introduced to them, such was the attitude of these young men, and especially of the Prince de Foix. Such an attitude was encouraged by the ill-balanced mentality of early manhood (a period in which, even in the middle class, one appears ungrateful and behaves like a cad because, having forgotten for months to write to a benefactor after he has lost his wife, one then ceases to nod to him in the street so as to simplify matters), but it was inspired above all by an over-acute caste snobbishness. It is true that, after the fashion of certain nervous affections the symptoms of which grow less pronounced in later life, this snobbishness was on the whole to cease to express itself in so offensive a form in these men who had been so intolerable when young. Once youth is outgrown, it is seldom that anyone remains hidebound by insolence. He had supposed it to be the only thing in the world; suddenly he discovers, for all the Prince that he is, that there also are such things as music, literature, even standing for parliament. The scale of human values is correspondingly altered and he joins in conversation with people whom at one time he would have slain with a glare of lightning. Which is fortunate for those of the latter who have had the patience to wait, and whose character is sufficiently formed — if one may so put it — for them to feel pleasure in receiving in their forties the civility and welcome that had been coldly withheld from them at twenty&#xA;&#xA;   As I have mentioned the Prince de Foix, it may not be inconsequent here to add that he belonged to a set of a dozen or fifteen young men and to an inner group of four. The dozen or fifteen shared this characteristic (which the Prince lacked, I fancy) that each of them faced the world in a dual aspect. Up to their own eyes in debt, they were of no account in those of their tradesmen, notwithstanding the pleasure these took in addressing them as ‘Monsieur le Comte,’ ‘Monsieur le Marquis,’ ‘Monsieur le Duc.’ They hoped to retrieve their fortunes by means of the famous rich marriage (‘money-bags’ as the expression still was) and, as the fat dowries which they coveted numbered at the most four or five, several of them would be silently training their batteries on the same damsel. And the secret would be so well kept that when one of them, on arriving at the café, announced: “My dear fellows, I am too fond of you all not to tell you of my engagement to Mlle. d’Ambresac,” there was a general outburst, more than one of the others imagining that the marriage was as good as settled already between Mlle. d’Ambresac and himself, and not having enough self-control to stifle a spontaneous cry of stupefaction and rage. “So you like the idea of marriage, do you Bibi?” the Prince de Châtellerault could not help exclaiming, letting his fork drop in his surprise and despair, for he had been fully expecting the engagement of this identical Mlle. d’Ambresac to be announced, but with himself, Châtellerault, as her bridegroom. And heaven only knew all that his father had cunningly hinted to the Ambresacs against Bibi’s mother. “So you think it’ll be fun, being married, do you?” he was impelled to repeat his question to Bibi, who, better prepared to meet it, for he had had plenty of time to decide on the right attitude to adopt since the engagement had reached the semi-official stage, replied with a smile: “What pleases me is not the idea of marriage, which never appealed much to me, but marrying Daisy d’Ambresac, whom I think charming.” In the time taken up by this response M. de Châtellerault had recovered his composure, but he was thinking that he must at the earliest possible moment execute a change of front in the direction of Mlle. de la Canourque or Miss Foster, numbers two and three on the list of heiresses, pacify somehow the creditors who were expecting the Ambresac marriage and finally explain to the people to whom he too had declared that Mlle. d’Ambresac was charming that this marriage was all very well for Bibi, but that he himself would have had all his family down on him like a ton of bricks if he had married her. Mme. Soléon (he decided to say) had actually announced that she would not have them in her house&#xA;&#xA;   But if in the eyes of tradesmen, proprietors of restaurants and the like they seemed of little account, conversely, being creatures of dual personality, the moment they appeared in society they ceased to be judged by the decay of their fortunes and the sordid occupations by which they sought to repair them. They became once more M. le Prince this, M. le Duc that and were reckoned only in terms of their quarterings. A duke who was prac^ tically a multi-millionaire and seemed to combine in his own person every possible distinction gave precedence to them because, the heads of their various houses, they were by descent sovereign princes of minute territories in which they were entitled to coin money and so forth. Often in this café one of them lowered his eyes when another came in so as not to oblige the newcomer to greet him. This was because in his imaginative pursuit of riches he had invited a banker to dine. Every time that a man about town enters into relations, on this footing, with a banker, the latter leaves him the poorer by a hundred thousand francs, which does not prevent the man about town from at once repeating the process with another. We continue to burn candles in churches and to consult doctors&#xA;&#xA;   But the Prince de Foix, who was rich already, belonged not only to this fashionable set of fifteen or so young men, but to a more exclusive and inseparable group of four which included Saint-Loup. These were never asked anywhere separately, they were known as the four gigolos, they were always to be seen riding together, in country houses their hostesses gave them communicating bedrooms, with the result that, especially as they were all four extremely good looking, rumours were current as to the extent of their intimacy. I was in a position to give these the lie direct so far as Saint-Loup was concerned. But the curious thing is that if, later on, one was to learn that these rumours were true of all four, each of the quartet had been entirely in the dark as to the other three. And yet each of them had done his utmost to find out about the others, to gratify a desire or (more probably) a resentment, to prevent a marriage or to secure a hold over the friend whose secret he discovered. A fifth (for in these groups of four there are never four only) had joined this Platonic party who was more so than any of the others. But religious scruples restrained him until long after the group had broken up, and he himself was a married man, the father of a family, fervently praying at Lourdes that the next baby might be a boy or a girl, and spending the intervals of procreation in the pursuit of soldiers&#xA;&#xA;   Despite the Prince’s code of manners, the fact that the barrister’s comment, though uttered in his hearing, had not been directly addressed to him made him less angry than he would otherwise have been. Besides, this evening was somewhat exceptional. Finally, the barrister had no more prospect of coming to know the Prince de Foix than the cabman who had driven that noble lord to the restaurant. The Prince felt, accordingly, that he might allow himself to reply, in an arrogant tone, as though speaking to some one ‘off stage,’ to this stranger who, thanks to the fog, was in the position of a travelling companion whom one meets at some seaside place at the ends of the earth, scoured by all the winds of heaven or shrouded in mist: “Losing your way’s nothing; the trouble is, you can’t find it again.” The wisdom of this aphorism impressed the proprietor, for he had already heard it several times in the course of the evening&#xA;&#xA;   He was, in fact, in the habit of always comparing what he heard or read with an already familiar canon, and felt his admiration aroused if he could detect no difference. This state of mind is by no means to be ignored, for, applied to political conversations, to the reading of newspapers, it forms public opinion and thereby makes possible the greatest events in history. An aggregation of German landlords, simply by being impressed by a customer or a newspaper when he or it said that France, England and Russia were ‘out to crush’ Germany, made war, at the time of Agadir, possible, even if no war occurred. Historians, if they have not been wrong to abandon the practice of attributing the actions of peoples to the will of kings, ought to substitute for the latter the psychology of the person of no importance&#xA;&#xA;   In politics the proprietor of this particular café had for some time now concentrated his pupil-teacher’s mind on certain particular details of the Dreyfus case. If he did not find the terms that were familiar to him in the conversation of a customer or the columns of a newspaper he would pronounce the article boring or the speaker insincere. The Prince de Foix, however, impressed him so forcibly that he barely gave him time to finish what he was saying. “That’s right, Prince, that’s right,” (which meant neither more nor less than ‘repeated without a mistake’) “that’s exactly how it is!” he exclaimed, expanding, like people in the Arabian Nights ‘to the limit of repletion.’ But the Prince had by this time vanished into the smaller room. Then, as life resumes its normal course after even the most sensational happenings, those who had emerged from the sea of fog began to order whatever they wanted to eat or drink; among them a party of young men from the Jockey Club who, in view of the abnormality of the situation, had no hesitation in taking their places at a couple of tables in the big room, and were thus quite close to me. So the cataclysm had established even between the smaller room and the bigger, among all these people stimulated by the comfort of the restaurant after their long wanderings across the ocean of fog, a familiarity from which I alone was excluded, not unlike the spirit that must have prevailed in Noah’s ark. Suddenly I saw the landlord’s body whipped into a series of bows, the head waiters hurrying to support him in a full muster which drew every eye towards the door. “Quick, send Cyprien here, lay a table for M. le Marquis de Saint-Loup,” cried the proprietor, for whom Robert was not merely a great nobleman possessing a real importance even in the eyes of the Prince de Foix, but a client who drove through life four-in-hand, so to speak, and spent a great deal of money in this restaurant. The customers in the big room looked on with interest, those in the small room shouted simultaneous greetings to their friend as he finished wiping his shoes. But just as he was about to make his way into the small room he caught sight of me in the big one. “Good God,” he exclaimed, “what on earth are you doing there? And with the door wide open too?” he went on, with an angry glance at the proprietor, who ran to shut it, throwing the blame on his staff: “I’m always telling them to keep it shut.”&#xA;&#xA;   I had been obliged to shift my own table and to disturb others which stood in the way in order to reach him. “Why did you move? Would you sooner dine here than in the little room? Why, my poor fellow, you’re freezing. You will oblige me by keeping that door locked;” he turned to the proprietor. “This very instant, M. le Marquis; the gentlemen will have to go out of this room through the other, that is all.” And the better to shew his zeal he detailed for this operation a head waiter and several satel lites, vociferating the most terrible threats of punishment were it not properly carried out. He began to shew me exaggerated marks of respect so as to make me forget that these had begun not upon my arrival but only after that of Saint-Loup, while, lest I should think them to have been prompted by the friendliness shewn me by his rich and noble client he gave me now and again a surreptitious little smile which seemed to indicate a regard that was wholly personal&#xA;&#xA;   Something said by one of the diners behind me made me turn my head for a moment. I had caught, instead of the words: “Wing of chicken, excellent; and a glass of champagne, only not too dry,” the unexpected: “I should prefer glycerine. Yes, hot, excellent.” I wanted to see who the ascetic was that was inflicting upon himself such a diet. I turned quickly back to Saint-Loup so as not to be recognised by the man of strange appetite. It was simply a doctor, whom I happened to know, and of whom another customer, taking advantage of the fog to buttonhole him here in the café, was asking his professional advice. Like stockbrokers, doctors employ the first person singular&#xA;&#xA;   Meanwhile I was studying Saint-Loup, and my thoughts took a line of their own. They were in this café, I had myself known at other times, plenty of foreigners, intellectuals, budding geniuses of all sorts, resigned to the laughter excited by their pretentious capes, their 1830 neckties and still more by the clumsiness of their movements, going so far as to provoke that laughter in order to shew that they paid no heed to it, who yet were men of real intellectual and moral worth, of an extreme sensibility. They repelled — the Jews among them principally, the unassimilated Jews, that is to say, for with the other kind we are not concerned — those who could not endure any oddity or eccentricity of appearance (as Bloch repelled Al-bertine). Generally speaking, one realised afterwards that if they had against them hair worn too long, noses and eyes that were too big, stilted theatrical gestures, it was puerile to judge them by these only, they had plenty of intelligence and spirit and were men to whom, in the long run, one could become closely attached. Among the Jews especially there were few whose parents and kinsfolk had not a warmth of heart, a breadth of mind in comparison with which Saint-Loup’s mother and the Duc de Guermantes cut the poorest of figures by their sereness, their skin-deep religiosity which denounced only the most open scandals, their apology for a Christianity which led invariably (by the unexpected channel of a purely calculating mind) to an enormously wealthy marriage. But in Saint-Loup, when all was said, however the faults of his relatives might be combined in a fresh creation of character, there reigned the most charming openness of mind and heart. And whenever (it must be frankly admitted, to the undying glory of France) these qualities are found in a man who is purely French, be he noble or plebeian, they flower — flourish would be too strong a word, for a sense of proportion persists and also a certain restraint — with a grace which the foreign visitor, however estimable he may be, does not present to us. Of these intellectual and moral qualities others undoubtedly have their share, and if we have first to overcome what repels us and what makes us smile they remain no less precious. But it is all the same a pleasant thing, and one which is perhaps exclusively French that what is fine from the standpoint of equity, what is of value to the heart and mind should be first of all attractive to the eyes, charmingly coloured, consummately chiselled, should express outwardly as well in substance as in form an inward perfection. I studied Saint-Loup’s features and said to myself that it is a thing to be glad of when there is no lack of bodily grace to prepare one for the graces within, and when the winged nostrils are spread as delicately and with as perfect a design as the wings of the little butterflies that hover over the field-flowers round Combray; and that the true opus francigenum, the secret of which was not lost in the thirteenth century, the beauty of which would not be lost with the destruction of our churches, consists not so much in the stone angels of Saint-André-des-Champs as in the young sons of France, noble, citizen or peasant, whose faces are carved with that delicacy and boldness which have remained as traditional there as on the famous porch, but are creative still as well&#xA;&#xA;   After leaving us for a moment in order to supervise personally the barring of the door and the ordering of our dinner (he laid great stress on our choosing ‘butcher’s meat,’ the fowls being presumably nothing to boast of) the proprietor came back to inform us that M. le Prince de Foix would esteem it a favour if M. le Marquis would allow him to dine at a table next to ours. “But they are all taken,” objected Robert, casting an eye over the tables which blocked the way to mine. “That doesn’t matter in the least, if M. le Marquis would like it, I can easily ask these people to move to another table. It is always a pleasure to do anything for M. le Marquis!” “But you must decide,” said Saint-Loup to me. “Foix is a good fellow, he may bore you or he may not; anyhow he’s not such a fool as most of them.” I told Robert that of course I should like to meet his friend but that now that I was for once in a way dining with him and was so entirely happy, I should be just as well pleased to have him all to myself. “He’s got a very fine cloak, the Prince has,” the proprietor broke in upon our deliberation. “Yes, I know,” said Saint-Loup. I wanted to tell Robert that M. de Charlus had disclaimed all knowledge of me to his sister-in-law, and to ask him what could be the reason of this, but was prevented by the arrival of M. de Foix. Come to see whether his request had been favourably received, we caught sight of him standing beside our table. Robert introduced us, but did not hide from his friend that as we had things to talk about he would prefer not to be disturbed. The Prince withdrew, adding to the farewell bow which he made me a smile which, pointed at Saint-Loup, seemed to transfer to him the responsibility for the shortness of a meeting which the Prince himself would have liked to see prolonged. As he turned to go, Robert, struck, it appeared, by a sudden idea, dashed off after his friend, with a “Stay where you are and get on with your dinner, I shall be back in a moment,” to me; and vanished into the smaller room. I was pained to hear the smart young men sitting near me, whom I did not know, repeat the most absurd and malicious stories about the young Hereditary Grand Duke of Luxembourg (formerly Comte de Nassau) whom I had met at Balbec and who had shewn me such delicate marks of sympathy at the time of my grandmother’s illness. According to one of these young me he had said to the Duchesse de Guermantes: “I expect everyone to get up when my wife passes,” to which the Duchess had retorted (with as little truth, had she said any such thing, as humour, the grandmother of the young Princess having always been the very pink of propriety): “Get up when your wife passes, do they? Well, that’s a change from her grandmother’s day. She expected the gentlemen to lie down.” Then some one alleged that, having gone down to see his aunt the Princesse de Luxembourg at Balbec, and put up at the Grand Hotel, he had complained to the manager there (my friend) that the royal standard of Luxembourg was not flown in front of the hotel, over the sea. And that this flag being less familiar and less generally in use than the British or Italian, it had taken him several days to procure one, greatly to the young Grand Duke’s annoyance. I did not believe a word of this story, but made up my mind, as soon as I went to Balbec, to inquire of the manager, so as to make certain that it was a pure invention. While waiting for Saint-Loup to return I asked the proprietor to get me some bread. “Certainly, Monsieur le Baron!” “I am not a Baron,” I told him. “Oh, beg pardon, Monsieur le Comte!” I had no time to lodge a second protest which would certainly have promoted me to the rank of marquis; faithful to his promise of an immediate return, Saint-Loup reappeared in the doorway carrying over his arm the thick vicuna cloak of the Prince de Foix, from whom I guessed that he had borrowed it in order to keep me warm. He signed to me not to get up, and came towards me, but either my table would have to be moved again or I must change my seat if he was to get to his. Entering the big room he sprang lightly on to one of the red plush benches which ran round its walls and on which, apart from myself, there were sitting only three or four of the young men from the Jockey Club, friends of his own, who had not managed to find places in the other room. Between the tables and the wall electric wires were stretched at a certain height; without the least hesitation Saint-Loup jumped nimbly over them like a horse in a steeplechase; embarrassed that it should be done wholly for my benefit and to save me the trouble of a slight movement, I was at the same time amazed at the precision with which my friend performed this exercise in lévitation; and in this I was not alone; for, albeit they would probably have had but little admiration for a similar display on the part of a more humbly born and less generous client, the proprietor and his staff stood fascinated, like racegoers in the enclosure; one underling, apparently rooted to the ground, stood there gaping with a dish in his hand for which a party close beside him were waiting; and when Saint-Loup, having to get past his friends, climbed on the narrow ledge behind them and ran along it, balancing himself with his arms, discreet applause broke from the body of the room. On coming to where I was sitting he stopped short in his advance with the precision of a tributary chieftain before the throne of a sovereign, and, stooping down, handed to me with an air of courtesy and submission the vicuna cloak which, a moment later, having taken his place beside me, without my having to make a single movement he arranged as a light but warm shawl about my shoulders&#xA;&#xA;    “By the way, while I think of it, my uncle Charlus has something to say to you. I promised I’d send you round to him to-morrow evening.”&#xA;&#xA;    “I was just going to speak to you about him. But to-morrow evening I am dining with your aunt Guermantes.”&#xA;&#xA;    “Yes there’s a regular beanfeast to-morrow at Oriane’s. I’m not asked. But my uncle Palamède doesn’t want you to go there. You can’t get out of it, I suppose? Well, anyhow, go on to my uncle’s afterwards. I’m sure he really does want to see you. Look here, you can easily manage to get there by eleven. Eleven o’clock; don’t forget; I’ll let him know. He’s very touchy. If you don’t turn up he’ll never forgive you. And Oriane’s parties are always over quite early. If you are only going to dine there you can quite easily be at my uncle’s by eleven. I ought really to go and see Oriane, about getting shifted from Morocco; I want an exchange. She is so nice about all that sort of thing, and she can get anything she likes out of General de Saint-Joseph, who runs that branch. But don’t say anything about it to her. I’ve mentioned it to the Princesse de Parme, everything will be all right. Interesting place, Morocco. I could tell you all sorts of things. Very fine lot of men out there. One feels they’re on one’s own level, mentally.”&#xA;&#xA;    “You don’t think the Germans are going to go to war about it?”&#xA;&#xA;    “No; they’re annoyed with us, as after all they have every right to be. But the Emperor is out for peace. They are always making us think they want war, to force us to give in. Pure bluff, you know, like poker. The Prince of Monaco, one of Wilhelm’s agents, comes and tells us in confidence that Germany will attack us. Then we give way. But if we didn’t give way, there wouldn’t be war in any shape or form. You have only to think what a comic spectacle a war would be in these days. It’d be a bigger catastrophe than the Flood and the Götterdämmerung rolled in one. Only it wouldn’t last so long.”&#xA;&#xA;   He spoke to me of friendship, affection, regret, albeit like all visitors of his sort he was going off the next morning for some months, which he was to spend in the country, and would only be staying a couple of nights in Paris on his way back to Morocco (or elsewhere); but the words which he thus let fall into the heated furnace which my heart was this evening kindled a pleasant glow there. Our infrequent meetings, this one in particular, have since formed a distinct episode in my memories. For him, as for me, this was the evening of friendship. And yet the friendship that I felt for him at this moment was scarcely, I feared (and felt therefore some remorse at the thought), what he would have liked to inspire. Filled still with the pleasure that I had had in seeing him come bounding towards me and gracefully pause on arriving at his goal, I felt that this pleasure lay in my recognising that each of the series of movements which he had developed against the wall, along the bench, had its meaning, its cause in Saint-Loup’s own personal nature, possibly, but even more in that which by birth and upbringing he had inherited from his race&#xA;&#xA;   A certainty of taste in the region not of beauty but manners, which when he was faced by a novel combination of circumstances enabled the man of breeding to grasp at once — like a musician who has been asked to play a piece he has never seen — the feeling, the motions that were required, and to apply the appropriate mechanism and technique; which then allowed this taste to display itself without the constraint of any other consideration, by which the average young man of the middle class would have been paralysed, from fear as well of making himself ridiculous in the eyes of strangers by his disregard of convention as of appearing too deferential in the eyes of his friends; the place of this constraint being taken in Robert by a lofty disdain which certainly he had never felt in his heart but which he had received by inheritance in his body, and which had moulded the attitudes of his ancestors to a familiarity with their inferiors which, they imagined, could only flatter and enchant those to whom it was displayed; lastly, a noble liberality which, taking no account of his boundless natural advantages (lavish expenditure in this restaurant had succeeded in making him, here as elsewhere, the most fashionable customer and the general favourite, a position which was underlined by the deference shewn him throughout the place not only by the waiters but by all its most exclusive young patrons), led him to trample them underfoot, just as he had, actually and symbolically, trodden upon those benches decked with purple, like a triumphal way which pleased my friend only because it enabled him more gracefully and swiftly to arrive at my side; such were the qualities, essential to aristocracy, which through the husk of this body, not opaque and vague as mine would have been, but significant and limpid, transmitted as through a work of art the industrious, energetic force which had created it and rendered the movements of this lightfoot course which Robert had pursued along the wall intelligible and charming as those of a row of knights upon a marble frieze. “Alas!” Robert might have thought, “was it worth while to have grown up despising birth, honouring only justice and intellect, choosing outside the ranks of the friends provided for me companions who were awkward and ill-dressed, provided they had the gift of eloquence, only for the sole personality apparent in me, which is to remain a treasured memory, to be not that which my will, with the most praiseworthy effort, has fashioned in my likeness, but one which is not of my making, which is not even myself, which I have always disliked and striven to overcome; was it worth while to love my chosen friend as I have loved him, for the greatest pleasure that he can find in me to be that of discovering something far more general than myself, a pleasure which is not in the least (as he says, though he cannot seriously believe it) one of the pleasures of friendship, but an intellectual and detached, a sort of artistic pleasure?” This is what I am now afraid that Saint-Loup may at times have thought. If so, he was mistaken. If he had not (as he steadfastly had) cherished something more lofty than the suppleness innate in his body, if he had not kept aloof for so long from the pride that goes with noble birth, there would have been something more studied, a certain heaviness in his very agility, a self-important vulgarity in his manners. As with Mme. de Villeparisis a strong vein of seriousness had been necessary for her to give in her conversation and in her Memoirs a sense of the frivolous, which is intellectual, so, in order that Saint-Loup’s body might be indwelt by so much nobility, the latter had first to desert a mind that was aiming at higher things, and, reabsorbed into his body, to be fixed there in unconscious, noble lines. In this way his distinction of mind was not absent from a bodily distinction which otherwise would not have been complete. An artist has no need to express his mind directly in his work for it to express the quality of that mind; it has indeed been said that the highest praise of God consists in the denial of Him by the atheist, who finds creation so perfect that it can dispense with a creator. And I was quite well aware that it was not merely a work of art that I was admiring in this young man unfolding along the wall the frieze of his flying course; the young Prince (a descendant of Catherine de Foix, Queen of Navarre and grand-daughter of Charles VII) whom he had just left for my sake, the endowments, by birth and fortune, which he was laying at my feet, the proud and shapely ancestors who survived in the assurance, the agility, the courtesy with which he now arranged about my shivering body the warm woollen cloak, were not all these like friends of longer standing in his life, by whom I might have expected that we should be permanently kept apart, and whom, on the contrary, he was sacrificing to me by a choice which one can make only in the loftiest places of the mind, with that sovereign liberty of which Robert’s movements were the presentment and in which is realised perfect friendship?&#xA;&#xA;   How much familiar intercourse with a Guermantes — in place of the distinction that it had in Robert, because there the inherited scorn of humanity was but the outer garment, become an unconscious charm, of a real moral humility — could disclose of vulgar arrogance I had had an opportunity of seeing, not in M. de Charlus, in whom certain characteristic faults, for which I had been unable, so far, to account, were overlaid upon his aristocratic habits, but in the Duc de Guermantes. And yet he too, in the general impression of commonness which had so strongly repelled my grandmother when she had met him once, years earlier, at Mme. de Villeparisis’s, included glimpses of historic grandeur of which I became conscious when I went to dine in his house, on the evening following that which I had spent with Saint-Loup&#xA;&#xA;   They had not been apparent to me either in himself or in the Duchess when I had met them first in their aunt’s drawing-room, any more than I had discerned, on first seeing her, the differences that set Berma apart from her fellow-players, all the more that in her the individuality was infinitely more striking than in any social celebrity, such distinctions becoming more marked in proportion as the objects are more real, more conceivable by the intellect. And yet, however slight the shades of social distinction may be (and so slight are they that when an accurate portrayer like Sainte-Beuve tries to indicate the shades of difference between the salons of Mme. Geoffrin, Mme. Récamier and Mme. de Boigne, they appear so much alike that the cardinal truth which, unknown to the author, emerges from his investigations is the vacuity of that form of life), with them, and for the same reason as with Berma, when the Guermantes had ceased to impress me and the tiny drop of their originality was no longer vaporised by my imagination, I was able to distil and analyse it, imponderable as it was&#xA;&#xA;   The Duchess having made no reference to her husband when she talked to me at her aunt’s party, I wondered whether, in view of the rumours of a divorce that were current, he would be present at the dinner. But my doubts were speedily set at rest, for through the crowd of footmen who stood about in the hall and who (since they must until then have regarded me much as they regarded the children of the evicted cabinet-maker, that is to say with more fellow-feeling perhaps than their master but as a person incapable of being admitted to his house) must have been asking themselves to what this social revolution could be due, I saw slip towards me M. de Guermantes himself, who had been watching for my arrival so as to receive me upon his threshold and take off my greatcoat with his own hands&#xA;&#xA;    “Mme. de Guermantes will be as pleased as punch,” he greeted me in a glibly persuasive tone. “Let me help you off with your duds.” (He felt it to be at once companionable and comic to employ the speech of the people.) “My wife was just the least bit afraid you might fail us, although you had fixed a date. We’ve been saying to each other all day long: ‘Depend upon it, he’ll never turn up.’ I am bound to say, Mme. de Guermantes was a better prophet than I was. You are not an easy man to get hold of, and I was quite sure you were going to play us false.” And the Duke was so bad a husband, so brutal even (people said), that one felt grateful to him, as one feels grateful to wicked people for their occasional kindness of heart, for those words ‘Mme. de Guermantes’ with which he appeared to be spreading out over the Duchess a protecting wing, that she might be but one flesh with him. Meanwhile, taking me familiarly by the hand, he began to lead the way, to introduce me into his household. Just as some casual phrase may delight us coming from the lips of a peasant if it points to the survival of a local tradition, shews the trace of some historic event unknown, it may be, to him who thus alludes to it; so this politeness on the part of M. de Guermantes, which, moreover, he was to continue to shew me throughout the evening, charmed me as a survival of habits of many centuries’ growth, habits of the seventeenth century in particular. The people of bygone ages seem to us infinitely remote. We do not feel justified in ascribing to them any underlying intention apart from those to which they give formal expression; we are amazed when we come upon a sentiment more or less akin to what we are feeling to-day in a Homeric hero, or upon a skilful tactical feint in Hannibal, during the buttle of Cannae, where he let his flank be driven back in order to take the enemy by surprise and surround him; it would seem that we imagined the epic poet and the Punic general as being as remote from ourselves as an animal seen in a zoological garden. Even in certain personages of the court of Louis XIV, when we find signs of courtesy in the letters written by them to some man of inferior rank who could be of no service to them whatever, they leave us bewildered because they reveal to us suddenly, as existing among these great gentlemen, a whole world of beliefs to which they never give any direct expression but which govern their conduct, and especially the belief that they are bound in politeness to feign certain sentiments and to carry out with the most scrupulous care certain obligations of friendship&#xA;&#xA;   This imagined remoteness of the past is perhaps one of the things that enable us to understand how even great writers have found an inspired beauty in the works of mediocre mystifiers, such as Macpherson’s Ossian. We so little expected to learn that bards long dead could have modern ideas that we marvel if in what we believe to be an ancient Gaelic ode we come upon one which we should have thought, at the most, ingenious in a contemporary. A translator of talent has simply to add to an ancient writer whom he presents to us more or less faithfully reproduced fragments which, signed with a contemporary name and published separately, would seem entertaining only; at once he imparts a moving grandeur to his poet, who is thus made to play upon the keyboards of several ages at once. This translator was capable only of a mediocre book, if that book had been published as his original work. Given out as a translation, it seems that of a masterpiece. The past not merely is not fugitive, it remains present. It is not within a few months only after the outbreak of a war that laws passed without haste can effectively influence its course, it is not within fifteen years only after a crime which has remained obscure that a magistrate can still find the vital evidence which will throw a light on it; after hundreds and thousands of years the scholar who has been studying in a distant land the place-names, the customs of the inhabitants, may still extract from them some legend long anterior to the Christian era, already unintelligible, if not actually forgotten, at the time of Herodotus, which in the name given to a rock, in a religious rite, dwells surrounded by the present, like an emanation of greater density, immemorial and stable. There was similarly an emanation, though far less ancient, of the life of the court, if not in the manners of M. de Guermantes, which were often vulgar, at least in the mind that controlled them. I was to breathe this again, like the odour of antiquity, when I joined him a little later in the drawing-room. For I did not go there at once&#xA;&#xA;   As we left the outer hall, I had mentioned to M. de Guermantes that I was extremely anxious to see his Elstirs. “I am at your service. Is M. Elstir a friend of yours, then? If so, it is most vexing, for I know him slightly; he is a pleasant fellow, what our fathers used to call an ‘honest fellow’; I might have asked him to honour us with his company, and to dine tonight. I am sure he would have been highly flattered at being invited to spend the evening in your society.” Very little suggestive of the old order when he tried thus to assume its manner, the Duke relapsed unconsciously into it. After inquiring whether I wished him to shew me the pictures, he conducted me to them, gracefully standing aside for me at each door, apologising when, to shew me the way, he was obliged to precede me, a little scene which (since the days when Saint-Simon relates that an ancestor of the Guermantes did him the honours of his town house with the same punctilious exactitude in the performance of the frivolous duties of a gentleman) must, before coming gradually down to us, have been enacted by many other Guermantes for numberless other visitors. And as I had said to the Duke that I would like very much to be left alone for a few minutes with the pictures, he discreetly withdrew, telling me that I should find him in the drawing-room when I was ready&#xA;&#xA;   Only, once I was face to face with the Elstirs, I completely forgot about dinner and the time; here again as at Balbec I had before me fragments of that strangely coloured world which was no more than the projection, the way of seeing things peculiar to that great painter, which his speech in no way expressed. The parts of the walls that were covered by paintings from his brush, all homogeneous with one another, were like the luminous images of a magic lantern, which would have been in this instance the brain of the artist, and the strangeness of which one could never have suspected so long as one had known only the man, which was like seeing the iron lantern boxing its lamp before any coloured slide had been slid into its groove. Among these pictures several of the kind that seemed most absurd to ordinary people interested me more than the rest because they recreated those optical illusions which prove to us that we should never succeed in identifying objects if we did not make some process of reasoning intervene How often, when driving in the dark, do we not come upon a long, lighted street which begins a few feet away from us, when what we have actually before our eyes is nothing but a rectangular patch of wall with a bright light falling on it, which has given us the mirage of depth. In view of which is it not logical, not by any artifice of symbolism but by a sincere return to the very root of the impression, to represent one thing by that other for which, in the flash of a first illusion, we mistook it? Surfaces and volumes are in reality independent of the names of objects which our memory imposes on them after we have recognised them. Elstir attempted to wrest from what he had just felt what he already knew, his effort had often been to break up that aggregate of impressions which we call vision&#xA;&#xA;   The people who detested these ‘horrors’ were astonished to find that Elstir admired Chardin, Perroneau, any number of painters whom they, the ordinary men and women of society, liked. They did not take into account that Elstir had had to make, for his own part, in striving to reproduce reality (with the particular index of his taste for certain lines of approach), the same effort as a Chardin or a Perroneau and that consequently, when he ceased to work for himself, he admired in them attempts of the same order, fragments anticipatory so to speak of works of his own. Nor did these society people include in their conception of Elstir’s work that temporal perspective which enabled them to like, or at least to look without discomfort at Chardin’s painting. And yet the older among them might have reminded themselves that in the course of their lives they had seen gradually, as the years bore them away from it, the unbridgeable gulf between what they considered a masterpiece by Ingres and what, they had supposed, must remain for ever a ‘horror’ (Manet’sOlympia, for example) shrink until the two canvases seemed like twins. But we learn nothing from any lesson because we have not the wisdom to work backwards from the particular to the general, and imagine ourselves always to be going through an experience which is without precedents in the past&#xA;&#xA;   I was moved by the discovery in two of the pictures (more realistic, these, and in an earlier manner) of the same person, in one in evening dress in his own drawing-room, in the other wearing a frock coat and tall hat at some popular regatta where he had evidently no business to be, which proved that for Elstir he was not only a regular sitter but a friend, perhaps a patron whom it pleased him (just as Carpaccio used to introduce prominent figures, and in speaking likenesses, from contemporary life in Venice) to introduce into his pictures, just as Beethoven, too, found pleasure in inscribing at the top of a favourite work the beloved name of the Archduke Rudolph. There was something enchanting about this waterside carnival. The river, the women’s dresses, the sails of the boats, the innumerable reflexions of one thing and another came crowding into this little square panel of beauty which Elstir had cut out of a marvellous afternoon. What delighted one in the dress of a woman who had stopped for a moment in the dance because it was hot and she was out of breath was irresistible also in the same way in the canvas of a motionless sail, in the water of the little harbour, in the wooden bridge, in the leaves of the trees and in the sky. As in one of the pictures that I had seen at Balbec, the hospital, as beautiful beneath its sky of lapis lazuli as the cathedral itself, seemed (more bold than Elstir the theorician, then Elstir the man of taste, the lover of things mediaeval) to be intoning: “There is no such thing as gothic, there is no such thing as a masterpiece; this tasteless hospital is just as good as the glorious porch,” so I now heard: “The slightly vulgar lady at whom a man of discernment would refrain from glancing as he passed her by, would except from the poetical composition which nature has set before him — her dress is receiving the same light as the sail of that boat, and there are no degrees of value and beauty; the commonplace dress and the sail, beautiful in itself, are two mirrors reflecting the same gleam; the value is all in the painter’s eye.” This eye had had the skill to arrest for all time the motion of the hours at this luminous instant, when the lady had felt hot and had stopped dancing, when the tree was fringed with a belt of shadow, when the sails seemed to be slipping over a golden glaze. But just because the depicted moment pressed on one with so much force, this so permanent canvas gave one the most fleeting impression, one felt that the lady would presently move out of it, the boats drift away, the night draw on, that pleasure comes to an end, that life passes and that the moments illuminated by the convergence, at once, of so many lights do not recur. I recognized yet another aspect, quite different it is true, of what the moment means in a series of water-colours of mythological subjects, dating from Elstir’s first period, which also adorned this room. Society people who held ‘advanced’ views on art went ‘as far as’ this earliest manner, but no further. These were certainly not the best work that he had done, but already the sincerity with which the subject had been thought out melted its natural coldness. Thus the Muses, for instance, were represented as it might be creatures belonging to a species now fossilised, but creatures which it would not have been surprising in mythological times to see pass in the evening, in twos or threes, along some mountain path. Here and there a poet, of a race that had also a peculiar interest for the zoologist (characterised by a certain sexlessness) strolled with a Muse, as one sees in nature creatures of different but of kindred species consort together. In one of these water-colours one saw a poet wearied by long wanderings on the mountains, whom a Centaur, meeting him and moved to pity by his weakness, had taken on his back and was carrying home. In more than one other, the vast landscape (in which the mythical scene, the fabulous heroes, occupied a minute place and were almost lost) was rendered, from the mountain tops to the sea, with an exactitude which told one more than the hour, told one to the very minute what time of day ft was, thanks to the precise angle of the setting sun, to the fleeting fidelity of the shadows. In this way the artist managed to give, by making it instantaneous, a sort of historical reality, as of a thing actually lived, to the symbol of his fable, painted it and set it at a definite point in the past&#xA;&#xA;   While I was examining Elstir’s paintings the bell, rung by arriving guests had been pealing uninterruptedly, and had lulled me into a pleasing unconsciousness. But the silence which followed its clangour and had already lasted for some time succeeded — less rapidly, it is true — in awakening me from my dream, as the silence that follows Lindor’s music arouses Bartolo from his sleep. I was afraid that I had been forgotten, that they had sat down to dinner, and hurried to the drawing-room. At the door of the Elstir gallery I found a servant waiting for me, white-haired, though whether with age or powder I cannot say, with the air of a Spanish Minister, but treating me with the same respect that he would have shewn to a King. I felt from his manner that he must have been waiting for at least an hour, and I thought with alarm of the delay I had caused in the service of dinner, especially as I had promised to be at M. de Charlus’s by eleven&#xA;&#xA;   The Spanish Minister (though I also met on the way the footman persecuted by the porter, who, radiant with delight when I inquired after his girl, told me that the very next day they were both to be off duty, so that he would be able to spend the whole day with her, and extolled the generosity of Madame la Duchesse) conducted me to the drawing-room, where I was afraid of finding M. de Guermantes in an ill humour. He welcomed me, on the contrary, with a joy that was evidently to a certain extent artificial and dictated by politeness, but was also sincere, prompted both by his stomach which so long a delay had begun to famish, and his consciousness of a similar impatience in all his other guests, who completely filled the room. Indeed I heard afterwards that I had kept them waiting for nearly three-quarters of an hour. The Duc de Guermantes probably thought that to prolong the general torment for two minutes more would not intensify it and that, politeness having driven him to postpone for so long the moment of moving into the dining-room, this politeness would be more complete if, by not having dinner announced immediately, he could succeed in persuading me that I was not late, and that they had not been waiting for me. And so he asked me, as if we had still an hour before dinner and some of the party had not yet arrived, what I thought of his Elstirs. But at the same time, and without letting the cravings of his stomach become apparent, so as not to lose another moment, he, in concert with the Duchess, proceeded to the ceremony of introduction. Then only I perceived that there had occurred round about me, me who until this evening, save for my novitiate in Mme. Swann’s drawing-room, had been accustomed, in my mother’s homes, at Combray and in Paris, to the manners, either protecting or defensive, of the grim ladies of our middle-world, who treated me as a child, a change of surroundings comparable to that which introduces Parsifal suddenly into the midst of the Flower-Maidens. Those who surrounded me now, their bosoms entirely bare (the naked flesh appeared on either side of a sinuous spray of mimosa or behind the broad petals of a rose) could not murmur a word of greeting without at the same time bathing me in long, caressing glances, as though shyness alone restrained them from kissing me. Many of them were nevertheless highly respectable from the moral standpoint; many, not all, for the most virtuous had not for those of a lighter vein the same repulsion that my mother would have felt. The caprices of one’s conduct, denied by saintlier friends, in the face of the evidence, seemed in the Guermantes world to matter far less than the relations which one had been able to maintain. One pretended not to know that the body of one’s hostess was at the disposal of all comers, provided that her visiting list showed no gaps. As the Duke put himself out not at all for his other guests (of whom he had long known everything that there was to know, and they of him) but quite markedly for me, whose kind of superiority, being outside his experience, inspired in him something akin to the respect which the great nobleman of the court of Louis XIV used to feel for his plebeian Ministers, he evidently considered that the fact of my not knowing his other guests mattered not at all — to me at least, though it might to them — and while I was anxious, on his account, as to the impression that I was going to make on them he was thinking only of how his friends would impress me&#xA;&#xA;   At the very outset I found myself completely bewildered. No sooner had I entered the drawing-room than M. de Guermantes, without even allowing me time to shake hands with the Duchess, had led me, as though I were a delightful surprise to the person in question to whom he seemed to be saying: “Here’s your friend! You see, I’m bringing him to you by the scruff of his neck,” towards a lady of smallish stature. Whereupon, long before, thrust forward by the Duke, I had reached her chair, the lady had begun to flash at me continuously from her large, soft, dark eyes the thousand smiles of understanding which we address to an old friend who perhaps has not recognised us. As this was precisely my case and I could not succeed in calling to mind who she was I averted my eyes from her as I approached so as not to have to respond until our introduction should have released me from my predicament. Meanwhile the lady continued to maintain in unstable equilibrium the smile intended for myself. She looked as though she were anxious to be relieved of it and to hear me say: “Oh, but this is a pleasure! Mamma will be pleased when I tell her I’ve met you!” I was as impatient to learn her name as she was to see that I did finally greet her, fully aware of what I was doing, so that the smile which she was holding on indefinitely, like the note of a tuning-fork, might at length be let go. But M. de Guermantes managed things so badly (to my mind, at least) that I seemed to have heard only my own name uttered and was given no clue to the identity of my unknown friend, to whom it never occurred to tell me herself what her name was, so obvious did the grounds of our intimacy, which baffled me completely, seem to her. Indeed, as soon as I had come within reach, she did not offer me her hand, but took mine in a familiar clasp, and spoke to me exactly as though I had been equally conscious with herself of the pleasant memories to which her mind reverted. She told me how sorry Albert (who, I gathered, was her son) would be to have missed seeing me. I tried to remember who, among the people I had known as boys, was called Albert, and could think only of Bloch, but this could not be Bloch’s mother that I saw before me since she had been dead for some time. In vain I struggled to identify the past experience common to herself and me to which her thoughts had been carried back. But I could no more distinguish it through the translucent jet of her large, soft pupils which allowed only her smile to pierce their surface than one can distinguish a landscape that lies on the other side of a smoked glass, even when the sun is blazing on it. She asked me whether my father was not working too hard, if I would not come to the theatre some evening with Albert, if I was stronger now, and as my replies, stumbling through the mental darkness in which I was plunged, became distinct only to explain that I was not feeling well that evening, she pushed forward a chair for me herself, going to all sorts of trouble which I was not accustomed to see taken by my parents’ friends. At length the clue to the riddle was furnished me by the Duke: “She thinks you’re charming,” he murmured in my ear, which felt somehow that it had heard these words before. They were what Mme. de Villeparisis had said to my grandmother and myself after we had made the acquaintance of the Princesse de Luxembourg. Everything became clear; the lady I now saw had nothing in common with Mme. de Luxembourg, but from the language of him who thus served me with her I could discern the nature of the animal. It was a Royalty. She had never before heard of either my family or myself, but, a scion of the noblest race and endowed with the greatest fortune in the world (for, a daughter of the Prince de Parme, she had married a cousin of equal princelihood), she sought always, in gratitude to her Creator, to testify to her neighbour, however poor or lowly he might be, that she did not look down upon him. Really, I might have guessed this from her smile. I had seen the Princesse de Luxembourg buy little rye-cakes on the beach at Balbec to give to my grandmother, as though to a caged deer in the zoological garden. But this was only the second Princess of the Blood Royal to whom I had been presented, and I might be excused my failure to discern in her the common factors of the friendliness of the great. Besides, had not they themselves gone out of their way to warn me not to count too much on this friendliness, since the Duchesse de Guermantes, who had waved me so effusive a greeting with her gloved hand at the Opéra-Comique, had appeared furious when I bowed to her in the street, like people who, having once given somebody a sovereign, feel that this has set them free from any further obligation toward him. As for M. de Charlus, his ups and downs were even more sharply contrasted. While in the sequel I have known, as the reader will learn, Highnesses and Majesties of another sort altogether, Queens who play the Queen and speak not after the conventions of their kind but like the Queens in Sardou’s plays&#xA;&#xA;   If M. de Guermantes had been in such haste to present me, it was because the presence at a party of anyone not personally known to a Royal Personage is an intolerable state of things which must not be prolonged for a single instant. It was similar to the haste which Saint-Loup had shewn in making me introduce him to my grandmother. By the same token, by a fragmentary survival of the old life of the court which is called social courtesy and is not superficial, in which, rather, by a centripetal reversion, it is the surface that becomes essential and profound, the Due and Duchesse de Guermantes regarded as a duty more essential than those (which one at least of the pair neglected often enough) of charity, chastity, pity and justice, as a more unalterable law that of never addressing the Princesse de Parme save in the third person&#xA;&#xA;   Having never yet in my life been to Parma (a pilgrimage I had been anxious to make ever since certain Easter holidays long ago), to meet its Princess, who, I knew, owned the finest palace in that matchless city, where, moreover, everything must be in keeping, isolated as it was from the rest of the world, within the polished walls, in the atmosphere, stifling as a breathless summer evening on the Piazza of a small town in Italy, of its compact and almost cloying name, would surely have substituted in a flash for what I had so often tried to imagine all that did really exist at Parma in a sort of partial arrival there, without my having to stir from Paris, of myself; it was in the algebraical expression of a journey to the city of Correggio a simple equation, so to speak, of that unknown quantity. But if I had for many years past — like a perfumer impregnating a solid mass of grease with scent — made this name, Princesse de Parme, absorb the fragrance of thousands of violets, in return, when I set eyes on the Princess, who, until then I should have sworn, must be the Sanseverina herself, a second process began which was not, I may say, completed until several months had passed, and consisted in expelling, by means of fresh chemical combinations, all the essential oil of violets and all the Stendhalian fragrance from the name of the Princess, and in implanting there, in their place, the image of a little dark woman, taken up with good works, of a friendliness so humble that one felt at once in how exalted a pride that friendliness had its roots. Moreover, while, barring a few points of difference, she was exactly like any other great lady, she was as little Stendhalian as is, for example, in Paris, in the Europe quarter, the Rue de Parme, which bears far less resemblance to the name of Parma than to any or all of the neighbouring streets, and reminds one not nearly so much of the Charterhouse in which Fabrice ends his days as of the waiting room in the Saint-Lazare station&#xA;&#xA;   Her friendliness sprang from two causes. The first and more general was the education which this daughter of Kings had received. Her mother (not merely allied by blood to all the royal families of Europe but furthermore — in contrast to the Ducal House of Parma — richer than any reigning Princess) had instilled into her from her earliest childhood the arrogantly humble precepts of an evangelical snobbery; and to-day every line of the daughter’s face, the curve of her shoulders, the movements of her arms seemed to repeat the lesson: “Remember that if God has caused you to be born on the steps of a throne you ought not to make that a reason for looking down upon those to whom Divine Providence has willed (wherefore His Name be praised) that you should be superior by birth and fortune. On the contrary, you must suffer the little ones. Your ancestors were Princes of Treves and Juliers from the year 647: God has decreed in His bounty that you should hold practically all the shares in the Suez Canal and three times as many Royal Dutch as Edmond de Rothschild; your pedigree in a direct line has been established by genealogists from the year 63 of the Christian Era; you have as sisters-in-law two Empresses. Therefore never seem, in your speech, to be recalling these great privileges, not that they are precarious (for nothing can alter antiquity of race, while the world will always need petrol), but because it is useless to point out that you are better born than other people or that your investments are all gilt-edged, since everyone knows these facts already. Be helpful to the needy. Furnish to all those whom the bounty of Heaven has done you the favour of placing beneath you as much as you can give them without forfeiture of your rank, that is to say help in the form of money, even your personal service by their sickbeds, but never (bear well in mind) invite them to your parties, which would do them no possible good and, by weakening your own position, would diminish the efficacy of your benevolent activities.”&#xA;&#xA;   And so even at the moments when she could not do good the Princess endeavoured to shew, or rather to let it be thought, by all the external signs of dumb language, that she did not consider herself superior to the people among whom she found herself thrown. She treated each of them with that charming courtesy with which well-bred people treat their inferiors and was continually, to make herself useful, pushing back her chair so as to leave more room, holding my gloves, offering me all those services which would demean the proud spirit of a commoner but are very willingly rendered by sovereign ladies or, instinctively and by force of professional habit, by retired servants&#xA;&#xA;   But already the Duke, who seemed in a hurry to complete the round of introduction, had led me off to another of the flower-maidens. On hearing her name I told her that I had passed by her country house, not far from Balbec. “Oh, I should have been so pleased to take you over it,” she informed me, almost in a whisper, to enhance her modesty, but in a tone of deep feeling, steeped in regret for the loss of an opportunity to enjoy a quite exceptional pleasure; and went on, with a meaning glance: “I do hope you will come again some day. But I must say that what would interest you more still would be my aunt Brancas’s place. It was built by Mansard; it is the jewel of the province.” It was not only she herself who would have been glad to shew me over her house, but her aunt Brancas would have been no less delighted to do me the honours of hers, or so I was assured by this lady who thought evidently that, especially at a time when the land shewed a tendency to pass into the hands of financiers who had no knowledge of the world, it was important that the great should keep up the exalted traditions of lordly hospitality, by speeches which involved them in nothing. It was also because she sought, like everyone in her world, to say the things which would give most pleasure to the person she was addressing, to give him the highest idea of himself, to make him think that he flattered people by writing to them, that he honoured those who entertained him, that everyone was burning to know him. The desire to give other people this comforting idea of themselves does, it must be admitted, exist even among the middle classes. We find there that kindly disposition, in the form of an individual merit compensating for some other defect, not alas among the most trusty male friends but at any rate among the most agreeable female companions. But there anyhow it blooms only in isolated patches. In an important section of the aristocracy, on the other hand, this characteristic has ceased to be individual; cultivated by education, sustained by the idea of a personal greatness which can fear no humiliation, which knows no rival, is aware that by being pleasant it can make people happy and delights in doing so, it has become the generic feature of a class. And even those whom personal defects of too incompatible a kind prevent from keeping it in their hearts bear the unconscious trace of it in their vocabulary or their gesticulation&#xA;&#xA;    “She is a very good creature,” said the Duc de Guermantes, of the Princesse de Parme, “and she can play the ‘great lady’ when she likes, better than anyone.”&#xA;&#xA;   While I was being introduced to the ladies, one of the gentlemen of the party had been shewing various signs of agitation: this was Comte Hannibal de Bréauté-Consalvi. Arriving late, he had not had time to investigate the composition of the party, and when I entered the room, seeing in me a guest who was not one of the Duchess’s regular circle and must therefore have some quite extraordinary claim to admission, installed his monocle beneath the groined arch of his eyebrow, thinking that this would be a great help to him in discovering what manner of man I was. He knew that Mme. de Guermantes possessed (the priceless appanage of truly superior women) what was called a ‘salon,’ that is to say added occasionally to the people of her own set some celebrity who had recently come into prominence by the discovery of a new cure for something or the production of a masterpiece. The Faubourg Saint-Germain had not yet recovered from the shock of learning that, to the reception which she had given to meet the King and Queen of England, the Duchess had not been afraid to invite M. Détaille. The clever women of the Faubourg who had not been invited were inconsolable, so deliciously thrilling would it have been to come into contact with that strange genius. Mme. de Courvoisier made out that M. Ribot had been there as well, but this was a pure invention, designed to make people believe that Oriane was aiming at an Embassy for her husband. Finally, a last straw of scandal, M. de Guermantes, with a gallantry that would have done credit to Marshal Saxe, had repaired to the green-room of the Comédie Française, and had begged Mlle. Reichemberg to come and recite before the King, which having come to pass constituted an event without precedent in the annals of routs. Remembering all these surprises, which, moreover, had his entire approval, his own presence being not merely an ornament but, in the same way as that of the Duchesse de Guermantes, a consecration to any drawing-room, M. de Bréauté, when he asked himself who I could be, felt that the field of exploration was very wide. For a moment the name of M. Widor flashed before his mind, but he decided that I was not old enough to be an organist, and M. Widor not striking enough to be ‘asked out.’ It seemed on the whole more plausible to regard me simply as the new Attaché at the Swedish Legation of whom he had heard, and he was preparing to ask me for the latest news of Oscar, by whom he had several times been very hospitably received; but when the Duke, in introducing me, had mentioned my name to M. de Bréauté, the latter, finding that name to be completely unknown to him had no longer any doubt that, being where I was, I must be a celebrity Of some sort. Oriane would certainly never invite anyone who was not, and had the art of attracting men who were in the public eye to her house, in a ratio that of course never exceeded one per cent, otherwise she would have lowered its tone. M. de Bréauté began, therefore, to lick his chops and to sniff the air greedily, his appetite whetted not only by the good dinner upon which he could count, but by the character of the party, which my presence could not fail to make interesting, and which would furnish him with a topic for brilliant conversation next day at the Duc de Chartres’s luncheon-table. He had not yet settled in his own mind whether I was the man who had just been making those experiments with a serum to cure cancer, or the author of the new ‘curtain-raiser’ then in rehearsal at the Théâtre Français; but, a great intellectual, a great collector of ‘travellers’ tales,’ he continued an ever increasing display of reverences, signs of mutual understanding, smiles filtered through the glass of his monocle; either in the mistaken idea that a man of my standing would esteem him more highly if he could manage to instil into me the illusion that for him, the Comte de Bréauté-Consalvi, the privileges of the mind were no less deserving of respect than those of birth; or simply from the need to express and difficulty of expressing his satisfaction, in his ignorance of the language in which he ought to address me, just as if, in fact, he had found himself face to face with one of the ‘natives’ of an undiscovered country on which his keel had grounded, natives from whom, in the hope of ultimate profit, he would endeavour, observing with interest the while their quaint customs and without interrupting his demonstrations of friendship, or like them uttering loud cries, to obtain ostrich eggs and spices in exchange for his glass beads. Having responded as best I could to his joy, I shook hands next with the Duc de Chatellerault, whom I had already met at Mme. de Villeparisis’s, who, he informed me, was as ‘cunning as they made ’em.’ He was typically Guermantes in the fairness of his hair, his arched profile, the points where the skin of his cheeks lost colour, all of which may be seen in the portraits of that family which have come down to us from the sixteenth and seventeenth centuries. But, as I was no longer in love with the Duchess, her reincarnation in the person of a young man offered me no attraction. I interpreted the hook made by the Duc de Chatellerault’s nose, as if it had been the signature of a painter whose work I had long studied but who no longer interested me in the least. Next, I said good evening also to the Prince de Foix, and to the detriment of my knuckles, which emerged crushed and mangled, let them be caught in a vice which was the German handclasp, accompanied by an ironical or good-natured smile, of the Prince von Faffenheim, M. de Norpois’s friend, who, by virtue of the mania for nicknames which prevailed in this set, was known so universally as Prince Von that he himself used to sign his letters ‘Prince Von,’ or, when he wrote to his intimates, ‘Von.’ And yet this abbreviation was understandable, in view of his triple-barrelled name. It was less easy to grasp the reasons which made ‘Elizabeth’ be replaced, now by ‘Lili,’ now by ‘Bebeth,’ just as another world swarmed with ‘Kikis.’ One can realise that these people, albeit in most respects idle and light-minded enough, might have come to adopt ‘Quiou’ in order not to waste the precious time that it would have taken them to pronounce ‘Montesquieu.’ But it is not so easy to see what they saved by naming one of their cousins ‘Dinand’ instead of ‘Ferdinand.’ It must not be thought, however, that in the invention of nicknames the Guermantes invariably proceed to curtail or reduplicate syllables. Thus two sisters, the Comtesse de Montpeyroux and the Vicomtesse de Vélude, who were both of them enormously stout, invariably heard themselves addressed, without the least trace of annoyance on their part or of amusement on other people’s, so long established was the custom, as ‘Petite’ and ‘Mignonne.’ Mme. de Guermantes, who adored Mme. de Montpeyroux, would, if her friend had been seriously ill, have flown to the sister with tears in her eyes and exclaimed: “I hear Petite is dreadfully bad!” Mme. de l’Eclin, who wore her hair in bands that entirely hid her ears, was never called anything but ‘The Empty Stomach’; in some cases people simply added an ‘a’ to the last or first name of the husband to indicate the wife. The most miserly, most sordid, most inhuman man in the Faubourg having been christened Raphael, his charmer, his flower springing also from the rock always signed herself ‘Raphaela’— but these are merely a few specimens taken from innumerable rules, to which we can always return later on, if the occasion offers, and explain some of them. I then asked the Duke to present me to the Prince d’Agrigente. “What! Do you mean to say you don’t know our excellent Gri-gri!” cried M. de Guermantes, and gave M. d’Agrigente my name. His own, so often quoted by Françoise, had always appeared to me like a transparent sheet of coloured glass through which I beheld, struck, on the shore of the violet sea, by the slanting rays of a golden sun, the rosy marble cubes of an ancient city of which I had not the least doubt that the Prince — happening for a miraculous moment to be passing through Paris — was himself, as luminously Sicilian and gloriously mellowed, the absolute sovereign. Alas, the vulgar drone to whom I was introduced, and who wheeled round to bid me good evening with a ponderous ease which he considered elegant, was as independent of his name as of any work of art that he might have owned without bearing upon his person any trace of its beauty, without, perhaps, ever having stopped to examine it. The Prince d’Agrigente was so entirely devoid of anything princely, anything that might make one think of Girgenti that one was led to suppose that his name, entirely distinct from himself, bound by no ties to his person, had had the power of attracting to itself the whole of whatever vague poetical element there might have been in this man as in any other, and isolating it, after the operation, in the enchanted syllables. If any such operation had been performed, it had certainly been done most efficiently, for there remained not an atom of charm to be drawn from this kinsman of Guermantes. With the result that he found himself at one and the same time the only man in the world who was Prince d’Agrigente and the man who, of all the men in the world was, perhaps, least so. He was, for all that, very glad to be what he was, but as a banker is glad to hold a number of shares in a mine without caring whether the said mine answers to the charming name of Ivanhoe or Primrose, or is called merely the Premier. Meanwhile, as these introductions, which it has taken me so long to recount but which, beginning as I entered the room, had lasted only a few seconds, were coming to an end, and Mme. de Guermantes, in an almost suppliant tone, was saying to me: “I am sure Basin is tiring you, dragging you round like that; we are anxious for you to know our friends, but we are a great deal more anxious not to tire you, so that you may come again often,” the Duke, with a somewhat awkward and timid wave of the hand, gave (as he would gladly have given it at any time during the last hour, filled for me by the contemplation of his Elstirs) the signal that dinner might now be served&#xA;&#xA;   I should add that one of the guests was still missing, M. de Grouchy, whose wife, a Guermantes by birth, had arrived by herself, her husband being due to come straight from the country, where he had been shooting all day. This M. de Grouchy, a descendant of his namesake of the First Empire, of whom it has been said, quite wrongly, that his absence at the start of the Battle of Waterloo was the principal cause of Napoleon’s defeat, came of an excellent family which, however, was not good enough in the eyes of certain fanatics for blue blood. Thus the Prince de Guermantes, whose own tastes, in later life, were to prove more easily satisfied, had been in the habit of saying to his nieces: “What a misfortune for that poor Mme. de Guermantes” (the Vicomtesse de Guermantes, Mme. de Grouchy’s mother) “that she has never succeeded in marrying any of her children.” “But, uncle, the eldest girl married M. de Grouchy.” “I do not call that a husband! However, they say that your uncle François has proposed for the youngest one, so perhaps they won’t all die old maids.” No sooner was the order to serve dinner given than with a vast gyratory whirr, multiple and simultaneous, the double doors of the dining-room swung apart; a chamberlain with the air of a Lord Chamberlain bowed before the Princesse de Parme and announced the tidings “Madame is served,” in a tone such as he would have employed to say “Madame is dead,” which, however, cast no gloom over the assembly for it was with an air of unrestrained gaiety and as, in summer, at ‘Robinson’ that the couples moved forward one behind another to the dining-room, separating when they had reached their places where footmen thrust their chairs in behind them; last of all, Mme. de Guermantes advanced upon me, that I might lead her to the table, and without my feeling the least shadow of the timidity that I might have feared, for, like a huntress to whom her great muscular prowess has made graceful motion an easy thing, observing no doubt that I had placed myself on the wrong side of her, she pivoted with such accuracy round me that I found her arm resting on mine and attuned in the most natural way to a rhythm of precise and noble movements. I yielded to these with all the more readiness in that the Guermantes attached no more importance to them than does to learning a truly learned man in whose company one is less alarmed than in that of a dunce; other doors opened through which there entered the steaming soup, as though the dinner were being held in a puppet-theatre of skilful mechanism where the belated arrival of the young guest set, on a signal from the puppet-master, all the machinery in motion&#xA;&#xA;   Timid and not majestically sovereign had been this signal from the Duke, to which had responded the unlocking of that vast, ingenious, subservient and sumptuous clockwork, mechanical and human. The indecision of his gesture did not spoil for me the effect of the spectacle that was attendant upon it. For I could feel that what had made it hesitating and embarrassed was the fear of letting me see that they were waiting only for myself to begin dinner and that they had been waiting for some time, just as Mme. de Guermantes was afraid that after looking at so many pictures I would find it tiring and would be hindered from taking my ease among them if her husband engaged me in a continuous flow of introductions. So that it was the absence of grandeur in this gesture that disclosed its true grandeur. As, also, did that indifference shewn by the Duke to the splendour of his surroundings, in contrast to his deference towards a guest, however insignificant, whom he desired to honour&#xA;&#xA;   Not that M. de Guermantes was not in certain respects thoroughly commonplace, shewing indeed some of the absurd weaknesses of a man with too much money, the arrogance of an upstart, which he certainly was not. But just as a public official or a priest sees his own humble talents multiplied to infinity (as a wave is by the whole mass of the sea which presses behind it) by those forces on which they can rely, the Government of France and the Catholic Church, so M. de Guermantes was borne on by that other force, aristocratic courtesy in its truest form. This courtesy drew the line at any number of people. Mme. de Guermantes would not have asked to her house Mme. de Cambremer, or M. de Forcheville. But the moment that anyone (as was the case with me) appeared eligible for admission into the Guermantes world, this courtesy revealed treasures of hospitable simplicity more splendid still, were that possible, than those historic rooms, or the marvellous furniture that had remained in them&#xA;&#xA;   When he wished to give pleasure to anyone, M. de Guermantes possessed, in this way, for making his guest for the moment the principal person present, an art which made the most of the circumstances and the place. No doubt at Guermantes his ‘distinctions’ and ‘favours’ would have assumed another form. He would have ordered his carriage to take me for a drive, alone with himself, before dinner. Such as they were, one could not help feeling touched by his manners as one is in reading memoirs of the period by those of Louis XIV when he replies good-naturedly, smiling and almost with a bow, to some one who has come to solicit his favour. It must however in both instances be borne in mind that this ‘politeness’ did not go beyond the strict meaning of the word&#xA;&#xA;   Louis XIV (with whom the sticklers for pure nobility of his day find fault, nevertheless, for his scant regard for etiquette, so much so that, according to Saint-Simon, he was only a very minor king, as kings go, when compared with such monarchs as Philippe de Valois or Charles V), has the most minute instructions drawn up so that Princes of the Blood and Ambassadors may know to what sovereigns they ought to give precedence. In certain cases, in view of the impossibility of arriving at a decision a compromise is arranged by which the son of Louis XIV, Monseigneur, shall entertain certain foreign sovereigns only out of doors, in the open air, so that it may not be said that in entering the house one has preceded the other; and the Elector Palatine, entertaining the Duc de Chevreuse at dinner, pretends, so as not to have to make way for his guest, to be taken ill, and dines with him indeed, but dines lying down, thus avoiding the difficulty. M. le Duc evading opportunities of paying his duty to Monsieur the latter, on the advice of the King, his brother, who is moreover extremely attached to him, seizes an excuse for making his cousin attend his levee and forcing him to pass him his shirt. But as soon as the feeling is deep, when the heart is involved, this rule of duty, so inflexible when politeness only is at stake, changes entirely. A few hours after the death of his brother, one of the people whom he most dearly loved, when Monsieur, in the words of the Duc de Montfort, is ‘still warm,’ we find Louis XIV singing snatches from operas, astonished that the Duchesse de Bourgogne, who has difficulty in concealing her grief, should be looking so woe-begone, and, desiring that the gaiety of the court shall be at once resumed, so that his courtiers may be encouraged to sit down to the tables, ordering the Duc de Bourgogne to start a game of brelan. Well, not only in his social and concentrated activities, but in the most spontaneous utterances, the ordinary preoccupations of M. de Guermantes, the use he made of his time, one found a similar contrast; the Guermantes were no more susceptible than other mortals to grief; one might indeed say that their actual sensibility was lower; on the other hand one saw their names every day in the social columns of the Gaulois on account of the prodigious number of funerals at which they would have felt it a neglect of duty not to have their presence recorded. As the traveller discovers, almost unaltered, the houses roofed with turf, the terraces which may have met the eyes of Xenophon or Saint Paul, so in the manners of M. de Guermantes, a man who melted one’s heart by his courtesy and revolted it by his harshness, I found still intact after the lapse of more than two centuries that deviation typical of court life under Louis XIV which transfers all scruples of conscience from matters of the affections and morality and applies them to purely formal questions&#xA;&#xA;   The other reason for the friendliness shewn me by the Princesse de Parme was of a more personal kind. It was that she was convinced beforehand that everything that she saw at the Duchesse de Guermantes’s, people and things alike, was of a quality superior to that of anything that she had at home. It is true that in all the other houses of her acquaintance she behaved as if this had been the case; over the simplest dish, the most ordinary flowers, she was not satisfied with going into ecstasies, she would ask leave to send round next morning, to copy the recipe or to examine the variety of blossom, her head cook or head gardener, gentlemen with large salaries who kept their own carriages and were deeply humiliated at having to come to inquire after a dish they despised or to take notes of a kind of carnation that was not half so fine, had not such ornamental streaks, did not produce so large a blossom as those which they had long been growing for her at home. But if in the Princess, wherever she went, this astonishment at the sight of the most commonplace things was assumed, and intended to shew that she did not derive from the superiority of her rank and riches a pride forbidden by her early instructors, habitually dissembled by her mother and intolerable in the sight of her Creator, it was, on the other hand, in all sincerity that she regarded the drawing-room of the Duchesse de Guermantes as a privileged place in which she could pass only from surprise to delight. To a certain extent, for that matter, though not nearly enough to justify this state of mind, the Guermantes were different from the rest of noble society, they were rarer and more refined. They had given me at first sight the opposite impression; I had found them vulgar, similar to all other men and women, but because before meeting them I had seen in them, as in Balbec, in Florence, in Parma, only names. Evidently, in this drawing-room, all the women whom I had imagined as being like porcelain figures were even more like the great majority of women. But, in the same way as Balbec or Florence, the Guermantes, after first disappointing the imagination because they resembled their fellow-creatures rather than their name, could subsequently, though to a less degree, appeal to the intellect by certain distinctive characteristics. Their bodily structure, the colour — a peculiar pink that merged at times into violet — of their skins, a certain almost flashing fairness of the finely spun hair, even in the men, on whom it was massed in soft golden tufts, half a wall-growing lichen, half a catlike fur (a luminous sparkle to which corresponded a certain brilliance of intellect, for if people spoke of the Guermantes complexion, the Guermantes hair, they spoke also of the wit of the Guermantes, as of the wit of the Mortemarts — a certain social quality whose superior fineness was famed even before the days of Louis XIV and all the more universally recognised since they published the fame of it themselves), all this meant that in the material itself, precious as that might be, in which one found them embedded here and there, the Guermantes remained recognisable, easy to detect and to follow, like the veins whose paleness streaks a block of jasper or onyx, or, better still, like the pliant waving of those tresses of light whose loosened hairs run like flexible rays along the sides of a moss-agate&#xA;&#xA;   The Guermantes — those at least who were worthy of the name — were not only of a quality of flesh, of hair, of transparency of gaze that was exquisite, but had a way of holding themselves, of walking, of bowing, of looking at one before they shook one’s hand, of shaking hands, which made them as different in all these respects from an ordinary person in society as he in turn was from a peasant in a smock. And despite their friendliness one asked oneself: “Have they not indeed the right, though they waive it, when they see us walk, bow, leave a room, do any of those things which when performed by them become as graceful as the flight of a swallow or the bending of a rose on its stem, to think: ‘These people are of another race than ours, and we are, we, the true lords of creation.’?” Later on, I realised that the Guermantes did indeed regard me as being of another race, but one that aroused their envy because I possessed merits of which I knew nothing and which they professed to regard as alone important. Later still I came to feel that this profession of faith was only half sincere and that in them scorn or surprise could be coexistent with admiration and envy The physical flexibility essential to the Guermantes was twofold; thanks to one of its forms, constantly in action, at any moment and if, for example, a male Guermantes were about to salute a lady, he produced a silhouette of himself made from the unstable equilibrium of a series of asymmetrical movements with nervous compensations, one leg dragging a little either on purpose or because, having been broken so often in the hunting-field, it imparted to his trunk in its effort to keep pace with the other a deviation to which the upward thrust of one shoulder gave a counterpoise, while the monocle settled itself before his eye, raising an eyebrow just as the tuft of hair on the forehead was lowered in the formal bow; the other flexibility, like the form of the wave, the wind or the ocean track which is preserved on the shell or the vessel, was so to speak stereotyped in a sort of fixed mobility, curving the arched nose which, beneath the blue, protruding eyes, above the over-thin lips, from which, in the women, there emerged a raucous voice, recalled the fabulous origin attributed in the sixteenth century by the complaisance of parasitic and Hellenising genealogists to his race, ancient beyond dispute, but not to the degree of antiquity which they claimed when they gave as its source the mythological impregnation of a nymph by a divine Bird&#xA;&#xA;   The Guermantes were just as idiomatic from the intellectual as from the physical point of view. With the exception of Prince Gilbert (the husband with antiquated ideas of ‘Marie-Gilbert,’ who made his wife sit on his left when they drove out together because her blood, though royal, was inferior to his own)— but he was an exception and furnished, behind his back, a perpetual laughing-stock to the rest of the family, who had always fresh anecdotes to tell of him — the Guermantes, while living in the pure cream of aristocracy, affected to take no account of nobility. The theories of the Duchesse de Guermantes, who, to tell the truth, by dint of being a Guermantes, became to a certain extent something different and more attractive, subordinated everything else so completely to intellect, and were in politics so socialistic that one asked oneself where in her mansion could be hiding the familiar spirit whose duty it was to ensure the maintenance of the aristocratic standard of living, and which, always invisible but evidently crouching at one moment in the entrance hall, at another in the drawing-room, at a third in her dressing-room, reminded the servants of this woman who did not believe in titles to address her as Mme. la Duchesse, reminding also herself who cared only for reading and had no respect for persons to go out to dinner with her sister-in-law when eight o’clock struck, and to put on a low gown&#xA;&#xA;   The same familiar spirit represented to Mme. de Guermantes the social duties of duchesses, of the foremost among them, that was, who like herself were multi-millionaires, the sacrifice to boring tea, dinner and evening parties of hours in which she might have read interesting books, as unpleasant necessities like rain, which Mme. de Guermantes accepted, letting play on them her biting humour, but without seeking in any way to justify her acceptance of them. The curious accident by which the butler of Mme. de Guermantes invariably said “Madame la Duchesse” to this woman who believed only in the intellect did not however appear to shock her. Never had it entered her head to request him to address her simply as ‘Madame.’ Giving her the utmost benefit of the doubt one might have supposed that, thinking of something else at the time, she had heard only the word ‘Madame’ and that the suffix appended to it had not caught her attention. Only, though she might feign deafness, she was not dumb. In fact, whenever she had a message to give to her husband she would say to the butler: “Remind Monsieur le Duc —”&#xA;&#xA;   The familiar spirit had other occupations as well, one of which was to inspire them to talk morality. It is true that there were Guermantes who went in for intellect and Guermantes who went in for morals, and that these two classes did not as a rule coincide. But the former kind — including a Guermantes who had forged cheques, who cheated at cards and was the most delightful of them all, with a mind open to every new and sound idea — spoke even more eloquently upon morals than the others, and in the same strain as Mme. de Villeparisis, at the moments in which the familiar spirit expressed itself through the lips of the old lady. At corresponding moments one saw the Guermantes adopt suddenly a tone almost as old-ladylike, as genial and (as they themselves had more charm) more touching than that of the Marquise, to say of a servant: “One feels that she has a thoroughly sound nature, she’s not at all a common girl, she must come of decent parents, she is certainly a girl who has never gone astray.” At such moments the familiar spirit took the form of an intonation. But at times it could be bearing also, the expression on a face, the same in the Duchess as in her grandfather the Marshal, a sort of undefinable convulsion (like that of the Serpent, the genius of the Carthaginian family of Barca) by which my heart had more than once been set throbbing, on my morning walks, when before I had recognised Mme. de Guermantes I felt her eyes fastened upon me from the inside of a little dairy. This familiar spirit had intervened in a situation which was far from immaterial not merely to the Guermantes but to the Courvoisiers, the rival faction of the family and, though of as good blood as the Guermantes (it was, indeed, through his Courvoisier grandmother that the Guermantes explained the obsession which led the Prince de Guermantes always to speak of birth and titles as though those were the only things that mattered), their opposite in every respect. Not only did the Courvoisiers not assign to intelligence the same importance as the Guermantes, they had not the same idea of it. For a Guermantes (even were he a fool) to be intelligent meant to have a sharp tongue, to be capable of saying cutting things, to ‘get away with it’; but it meant also the capacity to hold one’s own equally in painting, music, architecture, to speak English. The Courvoisiers had formed a less favourable impression of intelligence, and unless one were actually of their world being intelligent was almost tantamount to ‘having probably murdered one’s father and mother.’ For them intelligence was the sort of burglar’s jemmy by means of which people one did not know from Adam forced the doors of the most reputable drawing-rooms, and it was common knowledge among the Courvoisiers that you always had to pay in the long run for having ‘those sort’ of people in your house. To the most trivial statements made by intelligent people who were not ‘in society’ the Courvoisiers opposed a systematic distrust. Some one having on one occasion remarked: “But Swann is younger than Palamède,”—“He says so, at any rate, and if he says it you may be sure it’s because he thinks it is to his interest!” had been Mme. de Gallardon’s retort. Better still, when some one said of two highly distinguished foreigners whom the Guermantes had entertained that one of them had been sent in first because she was the elder: “But is she really the elder?” Mme. de Gallardon had inquired, not positively as though that sort of person did not have any age but as if presumably devoid of civil or religious status, of definite traditions, they were both more or less young, like two kittens of the same litter between which only a veterinary surgeon was competent to decide. The Courvoisiers, more than the Guermantes, maintained also in a certain sense the integrity of the titled class thanks at once to the narrowness of their minds and the bitterness of their hearts. Just as the Guermantes (for whom, below the royal families and a few others like the Lignes, the La Trémoïlles and so forth, all the rest were lost in a common rubbish-heap) were insolent towards various people of long descent who lived round Guermantes, simply because they paid no attention to those secondary distinctions by which the Courvoisiers were enormously impressed, so the absence of such distinctions affected them little. Certain women who did not hold any specially exalted rank in their native provinces but, brilliantly married, rich, good-looking, beloved of Duchesses, were for Paris, where people are never very well up in who one’s ‘father and mother’ were, an excellent and exclusive piece of ‘imported goods.’ It might happen, though not commonly, that such women were, through the channel of the Princesse de Parme or by virtue of their own attractions, received by certain Guermantes. But with regard to these the indignation of the Courvoisiers knew no bounds. Having to meet, between five and six in the afternoon, at their cousin’s, people with whose relatives their own relatives did not care to be seen mixing down in the Perche became for them an ever-increasing source of rage and an inexhaustible fount of rhetoric. The moment, for instance, when the charming Comtesse G——-entered the Guermantes drawing-room, the face of Mme. de Villebon assumed exactly the expression that would have befitted it had she been called to recite the line:&#xA;&#xA;   And should but one stand fast, that one were surely I&#xA;&#xA;   a line which for that matter was unknown to her. This Courvoisier had consumed almost every Monday an éclair stuffed with cream within a few feet of the Comtesse G— — but to no consequence. And Mme. de Villebon confessed in secret that she could not conceive how her cousin Guermantes could allow a woman into her house who was not even in the second-best society of Châteaudun. “I really fail to see why my cousin should make such a fuss about whom she knows; it’s making a perfect farce of society!” concluded Mme. de Villebon with a change of facial expression, this time a sly smile of despair, which, in a charade, would have been interpreted rather as indicating another line of poetry, though one with which she was no more familiar than with the first:&#xA;&#xA;   Grâce aux Dieux mon malheur passe mon espérance&#xA;&#xA;   We may here anticipate events to explain that the persévérance, (which rhymes, in the following line with espérance) shewn by Mme. de Villebon in snubbing Mme. G——-was not entirely wasted. In the eyes of Mme. G——— it invested Mme. de Villebon with a distinction so supreme, though purely imaginary, that when the time came for Mme. G——-‘s daughter, who was the prettiest girl and the greatest heiress in the ballrooms of that season, to marry, people were astonished to see her refuse all the Dukes in succession. The fact was that her mother, remembering the weekly humiliations she had had to endure in the Rue de Grenelle on account of Chateaudun could think of only one possible husband for her daughter — a Villebon son&#xA;&#xA;   A single point at which Guermantes and Courvoisiers converged was the art (one, for that matter, of infinite variety) of marking distances. The Guermantes manners were not absolutely uniform towards everyone. And yet, to take an example, all the Guermantes, all those who really were Guermantes, when you were introduced to them proceeded to perform a sort of ceremony almost as though the fact that they held out their hands to you had been as important as the conferring of an order of knighthood. At the moment when a Guermantes, were he no more than twenty, but treading already in the footsteps of his ancestors, heard your name uttered by the person who introduced you, he let fall on you as though he had by no means made up his mind to say “How d’ye do?” a gaze generally blue, always of the coldness of a steel blade which he seemed ready to plunge into the deepest recesses of your heart. Which was a matter of fact what the Guermantes imagined themselves to be doing, each of them regarding himself as a psychologist of the highest order. They thought moreover that they increased by this inspection the affability of the salute which was to follow it, and would not be rendered you without full knowledge of your deserts. All this occurred at a distance from yourself which, little enough had it been a question of a passage of arms, seemed immense for a handclasp, and had as chilling an effect in this connexion as in the other, so that when the Guermantes, after a rapid twisting thrust that explored the most intimate secrets of your soul and laid bare your title to honour, had deemed you worthy to associate with him thereafter, his hand, directed towards you at the end of an arm stretched out to its fullest extent, appeared to be presenting a rapier at you for a single combat, and that hand was in fact placed so far in advance of the Guermantes himself at that moment that when he afterwards bowed his head it was difficult to distinguish whether it was yourself or his own hand that he was saluting. Certain Guermantes, lacking the sense of proportion, or being incapable of refraining from repeating themselves incessantly, went further and repeated this ceremony afresh every time that they met you. Seeing that they had no longer any need to conduct the preliminary psychological investigation for which the ‘familiar spirit’ had delegated its powers to them and the result of which they had presumably kept in mind, the insistence of the perforating gaze preceding the handclasp could be explained only by the automatism which their gaze had acquired or by some power of fascination which they believed themselves to possess. The Courvoisiers whose physique was different, had tried in vain to assimilate that searching gaze and had had to fall back upon a lordly stiffness or a rapid indifference On the other hand, it was from the Courvoisiers that certain very exceptional Guermantes of the gentler sex seemed to have borrowed the feminine form of greeting. At the moment when you were presented to one of these she made you a sweeping bow in which she carried towards you, almost to an angle of forty-five degrees, her head and bust, the rest of her body (which came very high, up to the belt which formed a pivot) remaining stationary. But no sooner had she projected thus towards you the upper part of her person than she flung it backwards beyond the vertical line by a sudden retirement through almost the same angle. This subsequent withdrawal neutralised what appeared to have been conceded to you; the ground which you believed yourself to have gained did not even remain a conquest, as in a duel; the original positions were retained. This same annulment of affability by the resumption of distance (which was Courvoisier in origin and intended to shew that the advances made in the first movement were no more than a momentary feint) displayed itself equally clearly, in the Courvoisier ladies as in the Guermantes, in the letters which you received from them, at any rate in the first period of your acquaintance. The ‘body’ of the letter might contain sentences such as one writes only (you would suppose) to a friend, but in vain might you have thought yourself entitled to boast of being in that relation to the lady, since the letter began with ‘Monsieur,’ and ended with ‘Croyez monsieur à mes sentiments distingués.’ After which, between this cold opening and frigid conclusion which altered the meaning of all the rest, there might come in succession (were it a reply to a letter of condolence from yourself) the most touching pictures of the grief which the Guermantes lady had felt on losing her sister, of the intimacy that had existed between them, of the beauty of the place in which she was staying, of the consolation that she found in the charm of her young children, all this amounted to no more than a letter such as one finds in printed collections, the intimate character of which implied, however, no more intimacy between yourself and the writer than if she had been the Younger Pliny or Mme. de Simiane&#xA;&#xA;   It is true that certain Guermantes ladies wrote to you from the first as ‘My dear friend,’ or ‘My friends’; these were not always the most simple natured among them, but rather those who, living only in the society of kings and being at the same time ‘light,’ assumed in their pride the certainty that everything which came from themselves gave pleasure and in their corruption the habit of setting no price upon any of the satisfactions that they had to offer. However, since to have had a common ancestor in the reign of Louis XIII was enough to make a young Guermantes say, in speaking of the Marquise de Guermantes: “My aunt Adam,” the Guermantes were so numerous a clan that, even among these simple rites, that for example of the bow upon introduction to a stranger, there existed a wide divergence. Each subsection of any refinement had its own, which was handed down from parents to children like the prescription for a liniment or a special way of making jam. Thus it was that we saw Saint-Loup’s handclasp thrust out as though involuntarily at the moment of his hearing one’s name, without any participation by his eyes, without the addition of a bow. Any unfortunate commoner who for a particular reason — which, for that matter, very rarely occurred — was presented to anyone of the Saint-Loup subsection racked his brains over this abrupt minimum of a greeting, which deliberately assumed the appearance of non-recognition, to discover what in the world the Guermantes — male or female — could have against him. And he was highly surprised to learn that the said Guermantes had thought fit to write specially to the introducer to tell him how delighted he or she had been with the stranger, • whom he or she looked forward to meeting again. As specialised as the mechanical gestures of Saint-Loup were the complicated and rapid capers (which M. de Charlus condemned as ridiculous) of the Marquis de Fierbois, the grave and measured paces of the Prince de Guermantes. But it is impossible to describe here the richness of the choreography of the Guermantes ballet owing to the sheer length of the cast&#xA;&#xA;   To return to the antipathy which animated the Courvoisiers against the Duchesse de Guermantes, they might have had the consolation of feeling sorry for her so long as she was still unmarried, for she was then comparatively poor. Unfortunately, at all times and seasons, a sort of fuliginous emanation, quite sut generis, enveloped, hid from the eye the wealth of the Courvoisiers which, however great it might be, remained obscure. In vain might a young Courvoisier with an ample dowry find a most eligible bridegroom; it invariably happened that the young couple had no house of their own in Paris, ‘came up to stay’ in the season with his parents, and for the rest of the year lived down in the country in the thick of a society that may have been unadulterated but was also quite undistinguished. Whereas a Saint-Loup who was up to the eyes in debt dazzled Doncières with his carriage-horses, a Courvoisier who was extremely rich always went in the tram. Similarly (though of course many years earlier) Mlle, de Guermantes (Oriane), who had scarcely a penny to her name, created more stir with her clothes than all the Courvoisiers put together. The really scandalous things she said gave a sort of advertisement to her style of dressing and doing her hair. She had had the audacity to say to the Russian Grand Duke: “Well, Sir, I hear you would like to have Tolstoy murdered?” at a dinner-party to which none of the Courvoisiers, not that any of them knew very much about Tolstoy, had been asked. They knew little more about Greek writers, if we may judge by the Dowager Duchesse de Gallardon (mother-in-law of the Princesse de Gallardon who at that time was still a girl) who, not having been honoured by Oriane with a single visit in five years, replied to some one who asked her the reason for this abstention: “It seems she recites Aristotle” (meaning Aristophanes) “in society. I cannot allow that sort of thing in my house!”&#xA;&#xA;   One can imagine how greatly this ‘sally’ by Mlle. de Guermantes upon Tolstoy, if it enraged the Courvoisiers, delighted the Guermantes, and by derivation everyone who was not merely closely but even remotely attached to them. The Dowager Comtesse d’Argencourt (née Seineport) who entertained a little of everything, because she was a blue-stocking and in spite of her son’s being a terrible snob, repeated the saying before her literary friends with the comment: “Oriane de Guermantes, you know; she’s as fine as amber, as mischievous as a monkey, there’s nothing she couldn’t do if she chose, her water-colours are worthy of a great painter and she writes better verses than most of the great poets, and as for family, don’t you know, you couldn’t imagine anything better, her grandmother was Mlle, de Montpensier, and she is the eighteenth Oriane de Guermantes in succession, without a single misalliance; it’s the purest blood, the oldest in the whole of France.” And so the sham men of letters, those demi-intellectuals who went to Mme. d’Argencourt’s, forming a mental picture of Oriane de Guermantes, whom they would never have an opportunity to know personally, as something more wonderful and more extraordinary than Princess Badroulbadour, not only felt themselves ready to die for her on learning that so noble a person glorified Tolstoy above all others, but felt also quickening with a fresh strength in their minds their own love of Tolstoy, their longing to fight against Tsarism. These liberal ideas might have grown faint in them, they might have begun to doubt their importance, no longer venturing to confess to holding them, when suddenly from Mlle, de Guermantes herself, that is to say from a girl so indisputably cultured and authorised to speak, who wore her hair flat on her brow (a thing that no Courvoisier would ever have consented to do), came this vehement support. A certain number of realities, good or bad in themselves, gain enormously in this way by receiving the adhesion of people who are in authority over us. For instance among the Courvoisiers the rites of affability in a public thoroughfare consisted in a certain bow, very ugly and far from affable in itself but which people knew to be the distinguished way of bidding a person good day, with the result that everyone else, suppressing the instinctive smile of welcome on his own face, endeavoured to imitate these frigid gymnastics. But the Guermantes in general and Oriane in particular, while better conversant than anyone with these rites, did not hesitate, if they caught sight of you from a carriage, to greet you with a sprightly wave of the hand, and in a drawing-room, leaving the Courvoisiers to make their stiff and imitative bows, sketched charming reverences in the air, held out their hands as though to a comrade with a smile from their blue eyes, so that suddenly, thanks to the Guermantes, there entered into the substance of smartness, until then a little hollow and dry, everything that you would naturally have liked and had compelled yourself to forego, a genuine welcome, the effusion of a true friendliness, spontaneity. It is in a similar fashion (but by a rehabilitation which this time is scarcely justified) that people who carry in themselves an instinctive taste for bad music and for melodies, however commonplace, which have in them something easy and caressing, succeed, by dint of education in symphonic culture, in mortifying that appetite. But once they have arrived at this point, when, dazzled — and rightly so — by the brilliant orchestral colouring of Richard Strauss, they see that musician adopt with an indulgence worthy of Auber the most vulgar motifs, what those people originally admired finds suddenly in so high an authority a justification which delights them, and they let themselves be enchanted without scruple and with a twofold gratitude, when they listen to Salomé, by what it would have been impossible for them to admire in Les Diamants de la Couronne. Authentic or not, the retort made by Mlle, de Guermantes to the Grand Duke, retailed from house to house, furnished an opportunity to relate the excessive smartness with which Oriane had been turned out at the dinner-party in question. But if such splendour (and this is precisely what rendered it unattainable by the Courvoisiers) springs not from wealth but from prodigality, the latter does nevertheless last longer if it enjoys the constant support of the former, which allows it to spend all its fire. Given the principles openly advertised not. only by Oriane but by Mlle, de Villeparisis, namely that nobility does not count, that it is ridiculous to bother one’s head about rank, that wealth does not necessarily mean happiness, that intellect, heart, talent are alone of importance, the Courvoisiers were justified in hoping that, as a result of the training she had received from the Marquise, Oriane would marry some one who was not in society, an artist, a fugitive from justice, a scallawag, a free-thinker, that she would pass definitely into the category of what the Courvoisiers called ‘detrimentals.’ They were all the more justified in this hope since, inasmuch as Mme. de Villeparisis was at this very moment, from the social point of view, passing through an awkward crisis (none of the few bright stars whom I was to meet in her drawing-room had as yet reappeared there), she professed an intense horror of the society which was thus holding her aloof. Even when she referred to her nephew the Prince de Guermantes, whom she did still see, she could never make an end of mocking at him because he was so infatuated about his pedigree. But the moment it became a question of finding a husband for Oriane, it had been no longer the principles publicly advertised by aunt and niece that had controlled the operations, it had been the mysterious ‘familiar spirit’ of their race. As unerringly as if Mme. de Villeparisis and Oriane had never spoken of anything but rent-rolls and pedigrees in place of literary merit and depth of character, and as if the Marquise, for the space of a few days, had been — as she would ultimately be — dead and on her bier, in the church of Combray, where each member of the family would be reduced to a mere Guermantes, with a forfeiture of individuality and baptismal names to which there testified on the voluminous black drapery of the pall the single ‘G’ in purple surmounted by the ducal coronet, it was on the wealthiest man and the most nobly born, on the most eligible bachelor of the Faubourg Saint-Germain, on the eldest son of the Duc de Guermantes, the Prince des Laumes, that the familiar spirit had let fall the choice of the intellectual, the critical, the evangelical Mme. de Villeparisis. And for a couple of hours, on the day of the wedding, Mme. de Villeparisis received in her drawing-room all the noble persons at whom she had been in the habit of sneering, at whom she indeed sneered still to the various plebeian intimates whom she had invited and on whom the Prince des Laumes promptly left cards, preparatory to ‘cutting the cable’ in the following year. And then, making the Courvoisiers’ cup of bit terness overflow, the same old maxims, which made out intellect and talent to be the sole claims to social pre-eminence, resumed their doctrinal fore in the household of the Princesse des Laumes immediately after her mar riage. And in this respect, be it said in passing, the point of view which Saint-Loup upheld when he lived with Rachel, frequented the friends of Rachel, would have liked to marry Rachel, implied — whatever the horror that it inspired in the family — less falsehood than that of the Guermantes young ladies in general, preaching the virtues of intellect, barely admitting the possibility of anyone’s questioning the equality of mankind, all of which ended at a given point in the same result as if they had professed the opposite principles, that is to say in marriage to an extremely wealthy duke. Saint-Loup did, on the contrary, act in conformity with his theories which led people to say that he was treading in evil ways. Certainly from the moral standpoint Rachel was not altogether satisfactory. But it is by no means certain whether, if she had been some person no more worthy but a duchess or the heiress to many millions, Mme. de Marsantes would not have been in favour of the match&#xA;&#xA;   Well, to return to Mme. des Laumes (shortly afterwards Duchesse de Guermantes, on the death of her father-in-law), it was the last agonising straw upon the backs of the Courvoisiers that the theories of the young Princess, remaining thus lodged in her speech, should not in any sense be guiding her conduct; with the result that this philosophy (if one may so call it) in no way impaired the aristocratic smartness of the Guermantes drawing-room. No doubt all the people whom Mme. de Guermantes did not invite imagined that it was because they were not clever enough, and some rich American lady who had never had any book in her possession except a little old copy, never opened, of Parny’s poems, arranged because it was of the ‘period’ upon one of the tables in her inner room, shewed how much importance she attached to the things of the mind by the devouring gaze which she fastened on the Duchesse de Guermantes when that lady made her appearance at the Opera. No doubt, also, Mme. de Guermantes was sincere when she selected a person on account of his or her intellect. When she said of a woman: “It appears, she’s quite charming!” or of a man that he was the “cleverest person in the world,” she imagined herself to have no other reason for consenting to receive them than this charm or cleverness, the familiar spirit not interposing itself at this last moment; more deeply rooted, stationed at the obscure entry of the region in which the Guermantes exercised their judgment, this vigilant spirit precluded them from finding the man clever or the woman charming if they had no social value, actual or potential. The man was pronounced learned, but like a dictionary, or, on the contrary, common, with the mind of a commercial traveller, the woman pretty, but with a terribly bad style, or too talkative. As for the people who had no definite position, they were simply dreadful — such snobs! M. de Bréauté, whose country house was quite close to Guermantes, mixed with no one below the rank of Highness. But he laughed at them in his heart and longed only to spend his days in museums. Accordingly Mme. de Guermantes was indignant when anyone spoke of M. de Bréauté as a snob. “A snob! Babal! But, my poor friend, you must be mad, it’s just the opposite. He loathes smart people; he won’t let himself be introduced to anyone. Even in my house! If I ask him to meet some one he doesn’t know, he swears at me all the time.” This was not to say that, even in practice, the Guermantes did not adopt an entirely different attitude towards cleverness from the Courvoisiers. In a positive sense, this difference between the Guermantes and the Courvoisiers had begun already to bear very promising fruit. Thus the Duchesse de Guermantes, enveloped moreover in a mystery which had set so many poets dreaming of her at a respectful distance, had given that party to which I have already referred, at which the King of England had enjoyed himself more thoroughly than anywhere else, for she had had the idea, which would never have occurred to a Courvoisier mind, of inviting, and the audacity, from which a Courvoisier courage would have recoiled, to invite, apart from the personages already mentioned, the musician Gaston Lemaire and the dramatist Grandmougin. But it was pre-eminently from the negative point of view that intellectuality made itself felt. If the necessary coefficient of cleverness and charm declined steadily as the rank of the person who sought an invitation from the Princesse des Laumes became more exalted, vanishing into zero when he or she was one of the principal Crowned Heads of Europe, conversely the farther they fell below this royal level the higher the coefficient rose. For instance at the Princesse de Parme’s parties there were a number of people whom her Royal Highness invited because she had known them as children, or because they were related to some duchess, or attached to the person of some Sovereign, they themselves being quite possibly ugly, boring or stupid; well, with a Courvoisier any of the reasons: “a favourite of the Princesse de Parme,” “a niece on the mother’s side of the Duchesse d’Arpajon,” “spends three months every year with the Queen of Spain,” would have been sufficient to make her invite such people to her house, but Mme. de Guermantes, who had politely acknowledged their bows for ten years at the Princesse de Parme’s, had never once allowed them to cross her threshold, considering that the same rule applied to a drawing-room in a social as in a material sense, where it only needed a few pieces of furniture which had no particular beauty but were left there to fill the room and as a sign of the owner’s wealth, to render it hideous. Such a drawing-room resembled a book in which the author could not refrain from the use of language advertising his own learning, brilliance, fluency. Like a book, like a house, the quality of a ‘salon,’ thought Mme. de Guermantes — and rightly — is based on the corner-stone of sacrifice&#xA;&#xA;   Many of the friends of the Princesse de Parme, with whom the Duchesse de Guermantes had confined herself for years past to the same conventional greeting, or to returning their cards, without ever inviting them to her parties or going to theirs, complained discreetly of these omissions to her Highness who, on days when M. de Guermantes came by himself to see her, passed on a hint to him. But the wily nobleman, a bad husband to the Duchess in so far as he kept mistresses, but her most tried and trusty friend in everything that concerned the good order of her drawing-room (and her own wit, which formed its chief attraction), replied: “But doe my wife know her? Indeed! Oh, well, I daresay she does. But the truth is, Ma’am, that Oriane does not care for women’s conversation. She lives surrounded by a court of superior minds — I am not her husband, I am only the first footman. Except for quite a small number, who are all of them very clever indeed, women bore her. Surely, Ma’am, your Highness with all her fine judgment is not going to tell me that the Marquise de Souvré has any brains. Yes, I quite understand, the Princess receives her out of kindness. Besides, your Highness knows her. You tell me that Oriane has met her; it is quite possible, but once or twice at the most I assure you. And then, I must explain to your Highness, it is really a little my fault as well. My wife is very easily tired, and she is so anxious to be friendly always that if I allowed her she would never stop going to see people. Only yesterday evening she had a temperature, she was afraid of hurting the Duchesse de Bourbon’s feelings by not going to see her. I had to shew my teeth, I assure you; I positively forbade them to bring the carriage round. Do you know, Ma’am, I should really prefer not to mention to Oriane that you have spoken to me about Mme. de Souvré. My wife is so devoted to your Highness, she will go round at once to invite Mme. de Souvré to the house; that will mean another call to be paid, it will oblige us to make friends with the sister, whose husband I know quite well. I think I shall say nothing at all about it to Oriane, if the Princess has no objection. That will save her a great deal of strain and excitement. And I assure you that it will be no loss to Mme. de Souvré. She goes everywhere, moves in the most brilliant circles. You know, we don’t entertain at all, really, just a few little friendly dinners, Mme. de Souvré would be bored to death.” The Princesse de Parme, innocently convinced that the Duc de Guermantes would not transmit her request to his Duchess, and dismayed by her failure to procure the invitation that Mme. de Souvré sought, was all the more flattered to think that she herself was one of the regular frequenters of so exclusive a household. No doubt this satisfaction had its drawbacks also. Thus whenever the Princesse de Parme invited Mme. de Guermantes to her own parties she had to rack her brains to be sure that there was no one else on her list whose presence might offend the Duchess and make her refuse to come again&#xA;&#xA;   On ordinary evenings (after dinner, at which she invariably entertained at a very early hour, for she clung to old customs, a small party) the drawing-room of the Princesse de Parme was thrown open to her regular guests, and, generally speaking, to all the higher ranks of the aristocracy, French and foreign. The order of her receptions was as follows: on issuing from the dining-room the Princess sat down on a sofa before a large round table and chatted with the two most important of the ladies who had dined with her, or else cast her eyes over a magazine, or sometimes played cards (or pretended to play, adopting a German court custom), either a game of patience by herself or selecting as her real or pretended partner some prominent personage. By nine o’clock the double doors of the big drawing-room were in a state of perpetual agitation, opening and shutting and opening again to admit the visitors who had dined quietly at home (or if they had dined in town hurried from their café promising to return later, since they intended only to go in at one door and out at the other) in order to conform with the Princess’s time-table. She, meanwhile, her mind fixed on her game or conversation, made a show of not seeing the new arrivals, and it was not until they were actually within reach of her that she rose graciously from her seat, with a friendly smile for the women. The latter thereupon sank before the upright Presence in a courtesy which was tantamount to a genuflexion, so as to bring their lips down to the level of the beautiful hand which hung very low, and to kiss it. But at that moment the Princess, just as if she had been every time surprised by a formality with which nevertheless she was perfectly familiar, raised the kneeling figure as though by main force, and with incomparable grace and sweetness, and kissed her on both cheeks. A grace and sweetness that were conditional, you may say, upon the meekness with which the arriving guest inclined her knee. Very likely; and it seems that in a society without distinctions of rank politeness would vanish, not, as is generally supposed, from want of breeding, but because from one class would have vanished the deference due to a distinction which must be imaginary to be effective, and, more completely still, from the other class the affability in the distribution of which one is prodigal so long as one knows it to be, to the recipient, of an untold value which, in a world based on equality, would at once fall to nothing like everything that has only a promissory worth. But this disappearance of politeness in a reconstructed society is by no means certain, and we are at times too ready to believe that the present is the only possible state of things. People of first-rate intelligence have held the opinion that a Republic could not have any diplomacy or foreign alliances, and, more recently, that the peasant class would not tolerate the separation of Church and State. After all, the survival of politeness in a society levelled to uniformity would be no more miraculous than the practical success of the railway or the use of the aeroplane in war. Besides, even if politeness were to vanish, there is nothing to shew that this would be a misfortune. Lastly, would not society become secretly more hierarchical as it became outwardly more democratic? This seems highly probable. The political power of the Popes has grown enormously since they ceased to possess either States or an Army; our cathedrals meant far less to a devout Catholic of the seventeenth century than they mean to an atheist of the twentieth, and if the Princesse de Parme had been the sovereign ruler of a State, no doubt I should have felt myself impelled to speak of her almost as I should speak of a President of the Republic, that is to say not at all&#xA;&#xA;   As soon as the postulant had been raised from the ground and embraced by the Princess, the latter resumed her seat and returned to her game of patience, but first of all, if the newcomer were of any importance, held her for a moment in conversation, making her sit down in an armchair&#xA;&#xA;   When the room became too crowded the lady in waiting who had to control the traffic cleared the floor by leading the regular guests into an immense hall on to which the drawing-room opened, a hall filled with portraits and minor trophies of the House of Bourbon. The intimate friends of the Princess would then volunteer for the part of guide and would repeat interesting anecdotes, to which the young people had not the patience to listen, more interested in the spectacle of living Royalties (with the possibility of having themselves presented to them by the lady in waiting and the maids of honour) than in examining the relics of dead Sovereigns. Too much occupied with the acquaintances which they would be able to form and the invitations it might perhaps be possible to secure, they knew absolutely nothing, even in after-years, of what there was in this priceless museum of the archives of the Monarchy, and could only recall confusedly that it was decorated with cacti and giant palms which gave this centre of social elegance a look of the palmarium in the Jardin d’Acclimatation&#xA;&#xA;   Naturally the Duchesse de Guermantes, by way of self-mortification, did occasionally appear on these evenings to pay an ‘after dinner’ call on the Princess, who kept her all the time by her side, while she rallied the Duke. But on evenings when the Duchess came to dine, the Princess took care not to invite her regular party, and closed her doors to the world on rising from table, for fear lest a too liberal selection of guests might offend the exacting Duchess. On such evenings, were any of the faithful who had not received warning to present themselves on the royal doorstep, they would be informed by the porter: “Her Royal Highness is not at home this evening,” and would turn away. But, long before this, many of the Princess’s friends had known that, on the day in question, they would not be asked to her house. These were a special set of parties, a privilege barred to so many who must have longed for admission. The excluded could, with a practical certainty, enumerate the roll of the elect, and would say irritably among themselves: “You know, of course, that Oriane de Guermantes never goes anywhere without her entire staff.” With the help of this body the Princesse de Parme sought to surround the Duchess as with a protecting rampart against those persons the chance of whose making a good impression on her was at all doubtful. But with several of the Duchess’s favourites, with several members of this glittering ‘staff,’ the Princesse de Parme resented having to go out of her way to shew them attentions, seeing that they paid little or no attention to herself. No doubt the Princess was fully prepared to admit that it was possible to derive more enjoyment in the company of the Duchesse de Guermantes than in her own. She could not deny that there was always a ‘crush’ on the Duchess’s at-home days, or that she herself often met there three or four royal personages who thought it sufficient to leave their cards upon her. And in vain might she commit to memory Oriane’s witty sayings, copy her gowns, serve at her own tea parties the same strawberry tarts, there were occasions on which she was left by herself all afternoon with a lady in waiting and some foreign Counsellor of Legation. And so whenever (as had been the case with Swann, for instance, at an earlier period) there was anyone who never let a day pass without going to spend an hour or two at the Duchess’s and paid a call once in two years on the Princesse de Parme, the latter felt no great desire, even for the sake of amusing Oriane, to make to this Swann or whoever he was the ‘advances’ of an invitation to dinner. In a word, having the Duchess in her house was for the Princess a source of endless perplexity, so haunted was she by the fear that Oriane would find fault with everything. But in return, and for the same reason, when the Princesse de Parme came to dine with Mme. de Guermantes she could be certain beforehand that everything would be perfect, delightful, she had only one fear which was that of her own inability to understand, remember, give satisfaction, her inability to assimilate new ideas and people. On this account my presence aroused her attention and excited her cupidity, just as might a new way of decorating the dinner-table with festoons of fruit, uncertain as she was which of the two it might be — the table decorations or my presence — that was the more distinctively one of those charms, the secret of the success of Oriane’s parties, and in her uncertainty firmly resolved to try at her own next dinner-party to introduce them both. What for that matter fully justified the enraptured curiosity which the Princesse de Parme brought to the Duchess’s house was that element — amusing, dangerous, exciting — into which the Princess used to plunge with a combination of anxiety, shock and delight (as at the seaside on one of those days of ‘big waves’ of the danger of which the bathing-masters warn us, simply and solely because none of them knows how to swim), from which she used to emerge terrified, happy, rejuvenated, and which was known as the wit of the Guermantes. The wit of the Guermantes — a thing as non-existent as the squared circle, according to the Duchess who regarded herself as the sole Guermantes to possess it — was a family reputation like that of the pork pies of Tours or the biscuits of Rheims. No doubt (since an intellectual peculiarity does not employ for its perpetuation the same channels as a shade of hair or complexion) certain intimate friends of the Duchess who were not of her blood were nevertheless endowed with this wit, which on the other hand had failed to permeate the minds of various Guermantes, too refractory to assimilate wit of any kind. The holders, not related to the Duchess, of this Guermantes wit had generally the characteristic feature of having been brilliant men, fitted for a career to which, whether it were in the arts, diplomacy, parliamentary eloquence or the army, they had preferred the life of a small and intimate group. Possibly this preference could be explained by a certain want of originality, of initiative, of will power, of health or of luck, or possibly by snobbishness&#xA;&#xA;   With certain people (though these, it must be admitted, were the exception) if the Guermantes drawing-room had been the stumbling-block in their careers, it had been without their knowledge. Thus a doctor, a painter and a diplomat of great promise had failed to achieve success in the careers for which they were nevertheless more brilliantly endowed than most of their competitors because their friendship with the Guermantes had the result that the two former were regarded as men of fashion and the third as a reactionary, which had prevented each of the three from winning the recognition of his colleagues. The mediaeval gown and red cap which are still donned by the electoral colleges of the Faculties are (or were at least, not so long since) something more than a purely outward survival from a narrow-minded past, from a rigid sectarianism. Under the cap with its golden tassels, like the High Priest in the conical mitre of the Jews, the ‘Professors’ were still, in the years that preceded the Dreyfus case, fast rooted in rigorously pharisaical ideas. Du Boulbon was at heart an artist, but was safe because he did not care for society. Cottard was always at the Verdurins’. But Mme. Verdurin was a patient; besides, he was protected by his vulgarity; finally, at his own house he entertained no one outside the Faculty, at banquets over which there floated an aroma of carbolic. But in powerful corporations, where moreover the rigidity of their prejudices is but the price that must be paid for the noblest integrity, the most lofty conceptions of morality, which weaken in an atmosphere that, more tolerant, freer at first, becomes very soon dissolute, a Professor in his gown of scarlet satin faced with ermine, like that of a Doge (which is to say a Duke) of Venice enshrined in the Ducal Palace, was as virtuous, as deeply attached to noble principles, but as unsparing of any alien element as that other Duke, excellent but terrible, whom we know as M. de Saint-Simon. The alien, here, was the wordly doctor, with other manners, other social relations. To make good, the unfortunate of whom we are now speaking, so as not to be accused by his colleagues of looking down on them (the strange ideas of a man of fashion!) if he concealed from them his Duchesse de Guermantes, hoped to disarm them by giving mixed dinner-parties in which the medical element was merged in the fashionable. He was unaware that in so doing he signed his own death-warrant, or rather he discovered this later, when the Council of Ten had to fill a vacant chair, and it was invariably the name of another doctor, more normal, it might be obviously inferior, that leaped from the fatal urn, when their ‘Veto’ thundered from the ancient Faculty, as solemn, as absurd and as terrible as the ‘Juro’ that spelled the death of Molière. So too with the painter permanently labelled man of fashion, when fashionable people who dabbled in art had succeeded in making themselves be labelled artists; so with the diplomat who had too many reactionary associations&#xA;&#xA;   But this case was the rarest of all. The type of distinguished man who formed the main substance of the Guermantes drawing-room was that of people who had voluntarily (or so at least they supposed) renounced all else, everything that was incompatible with the wit of the Guermantes, with the courtesy of the Guermantes, with that indefinable charm odious to any ‘Corporation’ however little centralised&#xA;&#xA;   And the people who were aware that in days gone by one of these frequenters of the Duchess’s drawing-room had been awarded the gold medal of the Salon, that another, Secretary to the Bar Council, had made a brilliant start in the Chamber, that a third had ably served France as Chargé d’Affaires, might have been led to regard as ‘failures’ people who had done nothing more now for twenty years. But there were few who were thus ‘well-informed,’ and the parties concerned would themselves have been the last to remind people, finding these old distinctions to be now valueless, in the light of this very Guermantes spirit of wit: for did not this condemn respectively as a bore or an usher, and as a counter-jumper a pair of eminent Ministers, one a trifle solemn, the other addicted to puns, of whose praises the newspapers were always full but in whose company Mme. de Guermantes would begin to yawn and shew signs of impatience if the imprudence of a hostess had placed either of them next to her at the dinner-table. Since being a statesman of the first rank was in no sense a recommendation to the Duchess’s favour, those of her friends who had definitely abandoned the ‘Career’ or the ‘Service,’ who had never stood for the Chamber, felt, as they came day after day to have luncheon and talk with their great friend, or when they met her in the houses of Royal Personages, of whom for that matter they thought very little (or at least they said so), that they themselves had chosen the better part, albeit their melancholy air, even in the midst of the gaiety, seemed somehow to challenge the soundness of this opinion&#xA;&#xA;   It must be recognised also that the refinement of social life, the subtlety of conversation at the Guermantes’ did also contain, exiguous as it may have been, an element of reality. No official title was equivalent to the approval of certain chosen friends of Mme. de Guermantes, whom the most powerful Ministers had been unable to attract to their houses. If in this drawing-room so many intellectual ambitions, such noble efforts even had been for ever buried, still at least from their dust the rarest blossoms of civilised society had taken life. Certainly men of wit, Swann for instance, regarded themselves as superior to men of genuine worth, whom they despised, but that was because what the Duchesse de Guermantes valued above everything else was not intellect; it was, according to her, that superior, more exquisite form of the human intellect exalted to a verbal variety of talent — wit. And long ago at the Verdurins’ when Swann condemned Brichot and Elstir, one as a pedant and the other as a clown, despite all the learning of one and the other’s genius, it was the infiltration of the Guermantes spirit that had led him to classify them so. Never would he have dared to present either of them to the Duchess, conscious instinctively of the air with which she would have listened to Brichot’s monologues and Elstir’s hair-splittings, the Guermantes spirit regarding pretentious and prolix speech, whether in a serious or a farcical vein, as alike of the most intolerable imbecility&#xA;&#xA;   As for the Guermantes of the true flesh and blood, if the Guermantes spirit had not absorbed them as completely as we see occur in, to take an example, those literary circles in which everyone shares a common way of pronouncing his words, of expressing his thoughts, and consequently of thinking, it was certainly not because originality is stronger in purely social groups or presents any obstacle there to imitation. But imitation depends not merely upon the absence of any unconquerable originality but also demands a relative fineness of ear which enables one first of all to discern what one is afterwards to imitate. Whereas there were several Guermantes in whom this musical sense was as entirely lacking as in the Courvoisiers&#xA;&#xA;   To take as an instance what is called, in another sense of the word imitation, ‘giving imitations’ (or among the Guermantes was called ‘taking off’), Mme. de Guermantes might succeed in this to perfection, the Courvoisiers were as incapable of appreciating her as if they had been a tribe of rabbits instead of men and women, because they had never had the sense to observe the particular defect or accent that the Duchess was endeavouring to copy. When she ‘gave an imitation’ of the Duc de Limoges, the Courvoisiers would protest: “Oh, no, he doesn’t really speak like that! I met him again only yesterday at dinner at Bebeth’s; he talked to me all evening and he didn’t speak like that at all!” whereas the Guermantes of any degree of culture exclaimed: “Gad, what fun Oriane is! The odd part of it is that when she is copying him she looks exactly like him! I feel I’m listening to him. Oriane, do give us a little more Limoges!” Now these Guermantes (and not necessarily the few really outstanding members of the clan who when the Duchess imitated the Duc de Limoges, would say admiringly’ “Oh, you really have got him,” or “You do get him,”) might indeed be del void of wit according to Mme. de Guermantes (and in this respect she was right); yet, by dint of hearing and repeating her sayings they had come to imitate more or less her way of expressing herself, of criticising people of what Swann, like the Duke himself, used to call her ‘phrasing’ of things so that they presented in their conversation something which to the Courvoisiers appeared ‘fearfully like’ Oriane’s wit and was treated by them collectively as the ‘wit of the Guermantes.’ As these Guermantes were to her not merely kinsfolk but admirers, Oriane (who kept the rest of the family rigorously at arm’s-length and now avenged by her disdain the insults that they had heaped upon her in her girlhood) went to call on them now and then, generally in company with the Duke, in the season, when she drove out with him. These visits were historic events. The heart began to beat more rapidly in the bosom of the Princesse d’Epinay, who was ‘at home’ in her big drawing-room on the ground floor, when she perceived afar off, like the first glow of an innocuous fire, or the ‘reconnaissances’ of an unexpected invasion, making her way across the courtyard slowly, in a diagonal course, the Duchess crowned with a ravishing hat and holding atilt a sunshade from which there rained down a summer fragrance. “Why, here comes Oriane,” she would say, like an ‘On guard!’ intended to convey a prudent warning to her visitors, so that they should have time to beat an orderly retreat, to clear the rooms without panic. Half of those present dared not remain, and rose at once to go. “But no, why? Sit down again, I insist on keeping you a little longer,” said the Princess in a careless tone and seemingly at her ease (to shew herself the great lady) but in a voice that suddenly rang false. “But you may want to talk to each other.” “Really, you’re in a hurry? Oh, very well, I shall come and see you,” replied the lady of the house to those whom she was just as well pleased to see depart. The Duke and Duchess gave a very civil greeting to people whom they had seen there regularly for years, without for that reason coming to know them any better, while these in return barely said good day to them, thinking this more discreet. Scarcely had they left the room before the Duke began asking good-naturedly who they were, so as to appear to be taking an interest in the intrinsic quality of people whom he himself, owing to the cross-purposes of fate or the wretched state of Oriane’s nerves, never saw in his own house. “Tell me, who was that little woman in the pink hat?” “Why, my dear cousin, you have seen her hundreds of times, she’s the Vicomtesse de Tours, who was a Lamarzelle.” “But, do you know, she’s quite good-looking; she seems clever too; if it weren’t for a little flaw in her upper lip she’d be a regular charmer. If there’s a Vicomte de Tours, he can’t have any too bad a time. Oriane, do you know what those eyebrows and the way her hair grows reminded me of? Your cousin Hedwige de Ligne.” The Duchesse de Guermantes, who languished whenever people spoke of the beauty of any woman other than herself, let the conversation drop. She bad reckoned without the weakness her husband had for letting it be seen that he knew all about the people who did not come to his house, whereby be believed that he shewed himself to be more seriously minded than his wife. ‘“But,” he resumed suddenly with emphasis, “you mentioned the name Lamarzelle. I remember, when I was in the Chamber, hearing a really remarkable speech made . . . ” “That was the uncle of the young woman you saw just now.” “Indeed! What talent! No, my dear girl,” he assured the Vicomtesse d’Egremont, whom Mme. de Guermantes could not endure, but who, refusing to stir from the Princesse d’Epinay’s drawing-room where she willingly humbled herself to play the part of parlour-maid (and was ready to slap her own parlour-maid on returning home), stayed there, confused, tearful, but stayed when the ducal couple were in the room, took their cloaks, tried to make herself useful, offered discreetly to withdraw into the next room, “you are not to make tea for us, let us just sit and talk quietly, we are simple souls, really, honestly. Besides,” he went on, turning to the Princesse d’Epinay (leaving the Egremont lady blushing, humble, ambitious and full of zeal), “we can only give you a quarter of an hour.” This quarter of an hour was entirely taken up with a sort of exhibition of the witty things which the Duchess had said during the previous week, and to which she herself would certainly not have referred had not her husband, with great adroitness, by appearing to be rebuking her with reference to the incidents that had provoked them, obliged her as though against her will to repeat them&#xA;&#xA;   The Princesse d’Epinay, who was fond of her cousin and knew that she had a weakness for compliments, went into ecstasies over her hat, her sunshade, her wit. “Talk to her as much as you like about her clothes,” said the Duke in the sullen tone which he had adopted and now tempered with a sardonic smile so that his resentment should not be taken seriously, “but for heaven’s sake don’t speak of her wit, I should be only too glad not to have so witty a wife. You are probably alluding to the shocking pun she made about my brother Palamède,” he went on, knowing quite well that the Princess and the rest of the family had not yet heard this pun, and delighted to have an opportunity of shewing off his wife. “In the first place I consider it unworthy of a person who has occasionally, I must admit, said some quite good things, to make bad puns, but especially about my brother, who is very susceptible, and if it is going to lead to his quarrelling with me, that would really be too much of a good thing.” “But we never heard a word about it! One of Oriane’s puns! It’s sure to be delicious. Oh, do tell us!” “No, no,” the Duke went on, still sulking though with a broader smile, “I’m so glad you haven’t heard it. Seriously, I’m very fond of my brother.” “Listen, Basin,” broke in the Duchess, the moment having come for her to take up her husband’s cue, “I can’t think why you should say that it might annoy Palamède, you know quite well it would do nothing of the sort. He is far too intelligent to be vexed by a stupid joke which has nothing offensive about it. You are making them think I said something nasty; I simply uttered a remark which was not in the least funny, it is you who make it seem important by losing your temper over it. I don’t understand you.” “You are making us terribly excited, what is it all about?” “Oh, obviously nothing serious!” cried M. de Guermantes. “You may have heard that my brother offered to give Brézé, the place he got from his wife, to his sister Marsantes.” “Yes, but we were told that she didn’t want it, she didn’t care for that part of the country, the climate didn’t suit her.” “Very well, some one had been telling my wife all that and saying that if my brother was giving this place to our sister it was not so much to please her as to tease her. ‘He’s such a teaser, Charlus,’ was what they actually said. Well, you know Brézé, it’s a royal domain, I should say it’s worth millions, it used to be part of the crown lands, it includes one of the finest forests in the whole of France. There are plenty of people who would be only too delighted to be teased to that tune. And so when she heard the word ‘teaser’ applied to Charlus because he was giving away such a magnificent property, Oriane could not help exclaiming, without meaning anything, I must admit, there wasn’t a trace of ill-nature about it, for it came like a flash of lightning: ‘Teaser, teaser? Then he must be Teaser Augustus.’ You understand,” he went on, resuming his sulky tone, having first cast a sweeping glance round the room in order to judge the effect of his wife’s witticism — and in some doubt as to the extent of Mme. d’Epinay’s acquaintance with ancient history, “you understand, it’s an allusion to Augustus Caesar, the Roman Emperor; it’s too stupid, a bad play on words, quite unworthy of Oriane. And then, you see, I am more circumspect than my wife, if I haven’t her wit, I think of the consequences; if anyone should be so ill-advised as to repeat the remark to my brother there’ll be the devil to pay. All the more,” he went on, “because as you know Palamède is very high and mighty, and very fussy also, given to gossip and all that sort of thing, so that quite apart from the question of his giving away Brézé you must admit that ‘Teaser Augustus’ suits him down to the ground. That is what justifies my wife’s remarks; even when she is inclined to stoop to what is almost vulgar, she is always witty and does really describe people.”&#xA;&#xA;   And so, thanks on one occasion to ‘Teaser Augustus,’ on another to something else, the visits paid by the Duke and Duchess to their kinsfolk replenished the stock of anecdotes, and the emotion which these visits aroused lasted long after the departure of the sparkling lady and her ‘producer.’ Her hostess would begin by going over again with the privileged persons who had been at the entertainment (those who had remained in the room) the clever things that Oriane had said. “You hadn’t heard ‘Teaser Augustus’?” asked the Princesse d’Epinay. “Yes,” replied the Marquise de Baveno, blushing as she spoke, “the Princesse de Sarsina (the La Rochefoucauld one) mentioned it to me, not quite in the same words. But of course it was far more interesting to hear it repeated like that with my cousin in the room,” she went on, as though speaking of a song that had been accompanied by the composer himself. “We were speaking of Oriane’s latest — she was here just now,” her hostess greeted a visitor who would be plunged in despair at not having arrived an hour earlier. “What! Has Oriane been here?” “Yes, you ought to have come a little sooner,” the Princesse d’Epinay informed her, not in reproach but letting her understand all that her clumsiness had made her miss. It was her fault alone if she had not been present at the Creation of the World or at Mme. Carvalho’s last performance. “What do you think of Oriane’s latest? I must say, I do enjoy ‘Teaser Augustus’,” and the ‘saying’ would be served up again cold next day at luncheon before a few intimate friends who were invited on purpose, and would reappear under various sauces throughout the week. Indeed the Princess happening in the course of that week to pay her annual visit to the Princesse de Parme seized the opportunity to ask whether her Royal Highness had heard the pun, and repeated it to her. “Ah! Teaser Augustus,” said the Princesse de Parme, her eyes bulging with an instinctive admiration, which begged however for a complementary elucidation which Mme. d’Epinay was not loath to furnish. “I must say, ‘Teaser Augustus’ pleases me enormously as a piece of ‘phrasing’,” she concluded. As a matter of fact the word ‘phrasing’ was not in the least applicable to this pun, but the Princesse d’Epinay, who claimed to have assimilated her share of the Guermantes spirit, had borrowed from Oriane the expressions ‘phrased’ and ‘phrasing’ and employed them without much discrimination. New the Princesse de Parme, who was not at all fond of Mme. d’Epinay, whom she considered plain, knew to be miserly and believed, on the authority of the Courvoisiers, to be malicious, recognised this word ‘phrasing’ which she had heard used by Mme. de Guermantes but would not by herself have known how or when to apply. She received the impression that it was in fact its ‘phrasing’ that formed the charm of ‘Teaser Augustus’ and, without altogether forgetting her antipathy towards the plain and miserly lady, could not repress a burst of admiration for a person endowed to such a degree with the Guermantes spirit, so strong that she was on the point of inviting the Princesse d’Epinay to the Opera. She was held in check only by the reflexion that it would be wiser perhaps to consult Mme. de Guermantes first. As for Mme. d’Epinay, who, unlike the Courvoisiers, paid endless attentions to Oriane and was genuinely fond of her but was jealous of her exalted friends and slightly irritated by the fun which the Duchess used to make of her before everyone on account of her meanness, she reported on her return home what an effort it had required to make the Princesse de Parme grasp the point of ‘Teaser Augustus,’ and declared what a snob Oriane must be to number such a goose among her friends. “I should never have been able to see much of the Princesse de Parme even if I had cared to,” she informed the friends who were dining with her. “M. d’Epinay would not have allowed it for a moment, because of her immorality,” she explained, alluding to certain purely imaginary excesses on the part of the Princess. “But even if I had had a husband less strict in his views, I must say I could never have made friends with her. I don’t know how Oriane can bear to see her every other day, as she does. I go there once a year, and it’s all I can do to sit out my call.” As for those of the Courvoisiers who happened to be at Victurnienne’s on the day of Mme. de Guermantes’s visit, the arrival of the Duchess generally put them to flight owing to the exasperation they felt at the ‘ridiculous salaams’ that were made to her there. One alone remained on the afternoon of ‘Teaser Augustus.’ He did not entirely see the point, but he did see part of it, being an educated man. And the Courvoisiers went about repeating that Oriane had called uncle Palarned ‘Caesar Augustus,’ which was, according to them, a good enough descrin tion of him, but why all this endless talk about Oriane, they went on People couldn’t make more fuss about a queen. “After all, what is Oriane? I don’t say that the Guermantes aren’t an old family, but the Courvoisiers are every bit as good in rank, antiquity, marriages. We mustn’t forget that on the Field of the Cloth of Gold, when the King of England asked François I who was the noblest of the lords there present, ‘Sire,’ said the King of France, ‘Courvoisier.’” But even if all the Courvoisiers had stayed in the room to hear them, Oriane’s sayings would have fallen on deaf ears, since the incidents that usually gave occasion for those sayings would have been regarded by them from a totally different point of view. If, for instance, a Courvoisier found herself running short of chairs, in the middle of a party, or if she used the wrong name in greeting a guest whose face she did not remember, or if one of her servants said something stupid, the Courvoisier, extremely annoyed, flushed, quivering with excitement, would deplore so unfortunate an occurrence. And when she had a visitor in the room and Oriane was expected, she would say in a tone anxiously and imperiously questioning: “Do you know her?”, fearing that if the visitor did not know her his presence might make an unfortunate impression on Oriane. But Mme. de Guermantes on the contrary extracted from such incidents opportunities for stories which made the Guermantes laugh until the tears streamed down their cheeks, so that one was obliged to envy her her having run short of chairs, having herself made or having allowed her servant to make a blunder, having had at her party some one whom nobody knew, as one is obliged to be thankful that great writers have been kept at a distance by men and betrayed by women when their humiliations and their sufferings have been if not the direct stimulus of their genius, at any rate the subject matter of their works&#xA;&#xA;   The Courvoisiers were incapable of rising to the level of the spirit of innovation which the Duchesse de Guermantes introduced into the life of society and, by adapting it, following an unerring instinct, to the necessities of the moment, made into something artistic where the purely rational application of cut and dried rules would have given as unfortunate results as would greet a man who, anxious to succeed in love or in politics, was to reproduce in his own daily life the exploits of Bussy d’Amboise. If the Courvoisiers gave a family dinner or a dinner to meet some prince, the addition of a recognised wit, of some friend of their son seemed to them an anomaly capable of producing the direst consequences. A Courvoisier whose father had been a Minister of the Empire having to give an afternoon party to meet Princesse Mathilde deduced by a geometrical formula that she could invite no one but Bonapartists. Of whom she knew practically none. All the smart women of her acquaintance, all the amusing men were ruthlessly barred because, from their Legitimist views or connexions, they might easily, according to Courvoisier logic, give offence to the Imperial Highness. The latter, who in her own house entertained the flower of the Faubourg Saint-Germain, was quite surprised when she found at Mme. de Courvoisier’s only a notorious old sponger whose husband had been an Imperial Prefect, the widow of the Director of Posts and sundry others known for their loyalty to Napoleon, their stupidity and their dullness. Princesse Mathilde, however, in no way stinted the generous and refreshing shower of her sovereign grace over these miserable scarecrows whom the Duchesse de Guermantes, for her part, took good care not to invite when it was her turn to entertain the Princess, but substituted for them without any abstract reasoning about Bonapartism the most brilliant coruscation of all the beauties, all the talents, all the celebrities, who, the exercise of some subtle sixth sense made her feel, would be acceptable to the niece of the Emperor even when they belonged actually to the Royal House. There was not lacking indeed the Due d’Aumale, and when on withdrawing the Princess, raising Mme. de Guermantes from the ground where she had sunk in a curtsey and was trying to kiss the august hand, embraced her on both cheeks, it was from the bottom of her heart that she was able to assure the Duchess that never had she spent a happier afternoon nor seen so delightful a party. The Princesse de Parme was Courvoisier in her incapacity for innovation in social matters, but unlike the Courvoisiers the surprise that was perpetually caused her by the Duchesse de Guermantes engendered in her not, as in them, antipathy but admiration. This astonishment was still farther enhanced by the infinitely backward state of the Princess’s education. Mme. de Guermantes was herself a great deal less advanced than she supposed. But it was enough for her to have gone a little beyond Mme. de Parme to stupefy that lady, and, as the critics of each generation confine themselves to maintaining the direct opposite of the truths admitted by their predecessors, she had only to say that Flaubert, that archenemy of the bourgeois, had been bourgeois through and through, or that there was a great deal of Italian music in Wagner, to open before the Princess, at the cost of a nervous exhaustion which recurred every time, as before the eyes of a swimmer in a stormy sea, horizons that seemed to her unimaginable and remained for ever vague. A stupefaction caused also by the paradoxes uttered with relation not only to works of art but to persons of their acquaintance and to current social events. No doubt the incapacity that prevented Mme. de Parme from distinguishing the true wit of the Guermantes from certain rudimentarily acquired forms of that wit (which made her believe in the high intellectual worth of certain, especially certain female Guermantes, of whom she was bewildered on hearing the Duchess confide to her with a smile that they were mere blockheads) was one of the causes of the astonishment which the Princess always felt on hearing Mme. de Guermantes criticise other people. But there was another cause also, one which I, who knew at this time more books than people and literature better than life, explained to myself by thinking that the Duchess, living this wordly life the idleness and sterility of which are to a true social activity what criticism, in art, is to creation, extended to the persons who surrounded her the instability of point of view, the uneasy thirst of the reasoner who to assuage a mind that has grown too dry goes in search of no matter what paradox that is still fairly new, and will make no bones about upholding the refreshing opinion that the really great Iphigénie is Piccini’s and not Gluck’s, at a pinch the true Phèdre that of Pradon&#xA;&#xA;   When a woman who was intelligent, educated, witty had married a shy bumpkin whom one saw but seldom and never heard, Mme. de Guermantes one fine day would find a rare intellectual pleasure not only in decrying the wife but in ‘discovering’ the husband. In the Cambremer household for example, if she had lived in that section of society at the time, she would have decreed that Mme. de Cambremer was stupid, and that the really interesting person, misunderstood, delightful, condemned to silence by a chattering wife but himself worth a thousand of her, was the Marquis, and the Duchess would have felt on declaring this the same kind of refreshment as the critic who, after people have for seventy years been admiring Hernani, confesses to a preference for Le Lion Amoureux. And from this same morbid need of arbitrary novelties, if from her girlhood everyone had been pitying a model wife, a true saint, for being married to a scoundrel, one fine day Mme. de Guermantes would assert that this scoundrel was perhaps a frivolous man but one with a heart of gold, whom the implacable harshness of his wife had driven to do the most inconsistent things. I knew that it is not only over different works, in the long course of centuries, but over different parts of the same work that criticism plays, thrusting back into the shadow what for too long has been thought brilliant, and making emerge what has appeared to be doomed to permanent obscurity. I had not only seen Bellini, Winterhalter, the Jesuit architects, a Restoration cabinetmaker come to take the place of men of genius who were called ‘worn out,’ simply because they had worn out the lazy minds of the intellectuals, as neurasthenics are always worn out and always changing; I had seen preferred in Sainte-Beuve alternately the critic and the poet, Musset rejected so far as his poetry went save for a few quite unimportant little pieces. No doubt certain essayists are mistaken when they set above the most famous scenes in Le Cid or Polyeucte some speech from Le Menteur which, like an old plan, furnishes information about the Paris of the day, but their predilection, justified if not by considerations of beauty at least by a documentary interest, is still too rational for our criticism run mad. It will barter the whole of Molière for a line fromL’Etourdi, and even when it pronounces Wagner’s Tristan a bore will except a ‘charming note on the horns’ at the point where the hunt goes by. This depravation of taste helped me to understand that of which Mme. de Guermantes gave proof when she decided that a man of their world, recognised as a good fellow but a fool, was a monster of egoism, sharper than people thought — that another widely known for his generosity might be the personification of avarice, that a good mother paid no attention to her children, and that a woman generally supposed to be vicious was really actuated by the noblest feelings. As though spoiled by the nullity of life in society, the intelligence and perception of Mme. de Guermantes were too vacillating for disgust not to follow pretty swiftly in the wake of infatuation (leaving her still ready to feel herself attracted afresh by the kind of cleverness which she had in turn sought out and abandoned) and for the charm which she had felt in some warm-hearted man not to change, if he came too often to see her, sought too freely from her directions which she was incapable of giving him, into an irritation which she believed to be produced by her admirer but which was in fact due to the utter impossibility of finding pleasure when one does nothing else than seek it. The variations of the Duchess’s judgment spared no one, except her husband. He alone had never been in love with her, in him she had always felt an iron character, indifferent to the caprices that she displayed, contemptuous of her beauty, violent, of a will that would never bend, the sort under which alone nervous people can find tranquillity. M. de Guermantes on the other hand, pursuing a single type of feminine beauty but seeking it in mistresses whom he constantly replaced, had, once he had left them, and to express derision of them, only an associate, permanent and identical, who irritated him often by her chatter but as to whom he knew that everyone regarded her as the most beautiful, the most virtuous, the cleverest, the best-read member of the aristocracy, as a wife whom he, M. de Guermantes, was only too fortunate to have found, who cloaked all his irregularities, entertained like no one else in the world, and upheld for their drawing-room its position as the premier in the Faubourg Saint-Germain. This common opinion he himself shared; often moved to ill-humour against her, he was proud of her. If, being as niggardly as he was fastidious, he refused her the most trifling sums for her charities or for the servants, yet he insisted upon her wearing the most sumptuous clothes and driving behind the best horses in Paris. Whenever Mme. de Guermantes had just perpetrated, with reference to the merits and defects, which she suddenly transposed, of one of their friends, a new and succulent paradox, she burned to make trial of it before people capable of relishing it, to bring out its psychological originality and to set its epigrammatic brilliance sparkling. No doubt these new opinions embodied as a rule no more truth than the old, often less; but this very element, arbitrary and incalculable, of novelty which they contained conferred on them something intellectual which made the communication of them exciting. Only the patient on whom the Duchess was exercising her psychological skill was generally an intimate friend as to whom those people to whom she longed to hand on her discovery were entirely unaware that he was not still at the apex of her favour; thus the reputation that Mme. de Guermantes had of being an incomparable friend, sentimental, tender and devoted, made it difficult for her to launch the attack herself; she could at the most intervene later on, as though under constraint, by uttering a response to appease, to contradict in appearance but actually to support a partner who had taken it on himself to provoke her; this was precisely the part in which M. de Guermantes excelled&#xA;&#xA;   As for social activities, it was yet another form of pleasure, arbitrary and spectacular, that Mme. de Guermantes felt in uttering, with regard to them, those unexpected judgments which pricked with an incessant and exquisite feeling of surprise the Princesse de Parme. But with this one of the Duchess’s pleasures it was not so much with the help of literary criticism as by following political life and the reports of parliamentary debates that I tried to understand in what it might consist. The successive and contradictory edicts by which Mme. de Guermantes continually reversed the scale of values among the people of her world no longer sufficing to distract her, she sought also in the manner in which she ordered her own social behaviour, in which she recorded her own most trivial decisions on points of fashion, to taste those artificial emotions, to fulfil those adventitious obligations which stimulate the perceptions of Parliaments and gain hold of the minds of politicians. We know that when a Minister explains to the Chamber that he believed himself to be acting rightly in following a line of conduct which does, as a matter of fact, appear quite straightforward to the commonsense person who next morning in his newspaper reads the report of the sitting, this commonsense reader does nevertheless feel himself suddenly stirred and begins to doubt whether he has been right in approving the Minister’s conduct when he sees that the latter’s speech was listened to with the accompaniment of a lively agitation and punctuated with expressions of condemnation such as: “It’s most serious!” ejaculated by a Deputy whose name and titles are so long, and followed in the report by movements so emphatic that in the whole interruption the words “It’s most serious!” occupy less room than a hemistich does in an alexandrine. For instance in the days when M. de Guermantes, Prince des Laumes, sat in the Chamber, one used to read now and then in the Paris newspapers, albeit it was intended primarily for the Méséglise division, to shew the electors there that they had not given their votes to an inactive or voiceless mandatory:&#xA;&#xA;    (Monsieur de Guermantes-Bouillon, Prince des Laumes: “This is serious!” “Hear, hear!” from the Centre and some of the Right benches, loud exclamations from the Extreme Left.)&#xA;&#xA;   The commonsense reader still retains a gleam of faith in the sage Minister, but his heart is convulsed with a fresh palpitation by the first words of the speaker who rises to reply:&#xA;&#xA;    “The astonishment, it is not too much to say the stupor” (keen sensation on the Right side of the House) “that I have felt at the words of one who is still, I presume, a member of the Government” (thunder of applause) . . . Several Under-Secretaries of State for Posts and Telegraphs without Deputies then crowded round the Ministerial bench. Then rising from his seat, nodded his head in the affirmative&#xA;&#xA;   This ‘thunder of applause’ carries away the last shred of resistance in the mind of the commonsense reader; he discovers to be an insult to the Chamber, monstrous in fact, a course of procedure which in itself is of no importance; it may be some normal action such as arranging that the rich shall pay more than the poor, bringing to light some piece of injustice, preferring peace to war; he will find it scandalous and will see in it an offence to certain principles to which as a matter of fact he had never given a thought, which are not engraved on the human heart, but which move him forcibly by reason of the acclamations which they provoke and the compact majorities which they assemble&#xA;&#xA;   It must at the same time be recognised that this subtlety of the politician which served to explain to me the Guermantes circle, and other groups in society later on, is nothing more than the perversion of a certain fineness of interpretation often described as ‘reading between the lines.’ If in representative assemblies there is absurdity owing to perversion of this quality, there is equally stupidity, through the want of it, in the public who take everything ‘literally,’ who do not suspect a dismissal when a high dignitary is relieved of his office ‘at his own request,’ and say: “He cannot have been dismissed, since it was he who asked leave to retire,”— a defeat when the Russians by a strategic movement withdraw upon a stronger position that has been prepared beforehand, a refusal when, a Province having demanded its independence from the German Emperor, he grants it religious autonomy. It is possible, moreover (to return to these sittings of the Chamber), that when they open the Deputies themselves are like the commonsense person who will read the published report. Learning that certain workers on strike have sent their delegates to confer with a Minister, they may ask one another innocently: “There now, I wonder what they can have been saying; let’s hope it’s all settled,” at the moment when the Minister himself mounts the tribune in a solemn silence which has already brought artificial emotions into play. The first words of the Minister: “There is no necessity for me to inform the Chamber that I have too high a sense of what is the duty of the Government to have received a deputation of which the authority entrusted to me could take no cognisance,” produce a dramatic effect, for this was the one hypothesis which the commonsense of the Deputies had not imagined. But precisely because of its dramatic effect it is greeted with such applause that it is only after several minutes have passed that the Minister can succeed in making himself heard, the Minister who will receive on returning to his place on the bench the congratulations of his colleagues. We are as deeply moved as on the day when the same Minister failed to invite to a big official reception the President of the Municipal Council who was supporting the Opposition, and declare that on this occasion as on the other he has acted with true statesmanship&#xA;&#xA;   M. de Guermantes at this period in his life had, to the great scandal of the Courvoisiers, frequently been among the crowd of Deputies who came forward to congratulate the Minister. I have heard it said afterwards that even at a time when he was playing a fairly important part in the Chamber and was being thought of in connexion with Ministerial office or an Embassy he was, when a friend came to ask a favour of him, infinitely more simple, behaved politically a great deal less like the important political personage than anyone else who did not happen to be Duc de Guermantes. For if he said that nobility made no difference, that he regarded his fellow Deputies as equals, he did not believe it for a moment. He sought, pretended to value but really despised political importance, and as he remained in his own eyes M. de Guermantes it did not envelop his person in that dead weight of high office which makes other politicians unapproachable. And in this way his pride guarded against every assault not only his manners which were of an ostentatious familiarity but also such true simplicity as he might actually have&#xA;&#xA;   To return to those artificial and moving decisions such as are made by politicians, Mme. de Guermantes was no less disconcerting to the Guermantes, the Courvoisiers, the Faubourg in general and, more than anyone, the Princesse de Parme by her habit of issuing unaccountable decrees behind which one could feel to be latent principles which impressed one all the more, the less one expected them. If the new Greek Minister have a fancy dress ball, everyone chose a costume and asked everyone else what the Duchess would wear. One thought that she would appear as the Duchesse de Bourgogne, another suggested as probable the guise of Princess of Dujabar, a third Psyche. Finally, a Courvoisier having asked her: “What are you going to wear, Oriane?” provoked the one response of which nobody had thought: “Why, nothing at all!” which at once set every tongue wagging, as revealing Oriane’s opinion as to the true social position of the new Greek Minister and the proper attitude to adopt towards him, that is to say the opinion which ought to have been foreseen namely that a duchess ‘was not expected’ to attend the fancy dress bali given by this new Minister: “I do not see that there is any necessity to go to the Greek Minister’s; I do not know him; I am not a Greek; why should I go to these people’s house, I have nothing to do with them?” said the Duchess. “But everybody will be there, they say it’s going to be charming!” cried Mme. de Gallardon. “Still, it’s just as charming sometimes to sit by one’s own fireside,” replied Mme. de Guermantes. The Courvoisiers could not get over this, but the Guermantes, without copying it, approved of their cousin’s attitude. “Naturally, everybody isn’t in a position like Oriane to break with all the conventions. But if you look at it in one way you can’t say she was actually wrong in wishing to shew that we are going rather far in flinging ourselves at the feet of all these foreigners who appear from heaven knows where.” Naturally, knowing the stream of comment which one or other attitude would not fail to provoke, Mme. de Guermantes took as much pleasure in appearing at a party to which her hostess had not dared to count on her coming as in staying at home or spending the evening at the play with her husband on the night of a party to which ‘everybody was going,’ or, again, when people imagined that she would eclipse the finest diamonds with some historic diadem, by stealing into the room without a single jewel, and in another style of dress than what had been, wrongly, supposed to be essential to the occasion. Albeit she was anti-Dreyfusard (while retaining her belief in the innocence of Dreyfus, just as she spent her life in the social world believing only in abstract ideas) she had created an enormous sensation at a party at the Princesse de Ligne’s, first of all by remaining seated after all the ladies had risen to their feet as General Mercier entered the room, and then by getting up and in a loud voice asking for her carriage when a Nationalist orator had begun to address the gathering, thereby shewing that she did not consider that society was meant for talking politics; all heads were turned towards her at a Good Friday concert at which, although a Voltairean, she had not remained because she thought it indecent to bring Christ upon the stage. We know how important, even for the great queens of society, is that moment of the year at which the round of entertainment begins: so much so that the Marquise d’Amoncourt, who, from a need to say something, a form of mania, and also from want of perception, was always making a fool of herself, had actually replied to somebody who had called to condole with her on the death of her father, M. de Montmorency: “What makes it sadder still is that it should come at a time when one’s mirror is simply stuffed with cards!” Very well, at this point in the social year, when people invited the Duchesse de Guermantes to dinner, making every effort to see that she was not already engaged, she declined, for the one reason of which nobody in society would ever have thought; she was just starting on a cruise among the Norwegian fjords, which were so interesting. People in society were stupefied, and, without any thought of following the Duchess’s example, derived nervertheless from her action that sense of relief which one has in reading Kant when after the most rigorous demonstration of determinism one finds that above the world of necessity there is the world of freedom. Every invention of which no one has ever thought before excites the interest even of people who can derive no benefit from it. That of steam navigation was a small thing compared with the employment of steam navigation at that sedentary time of year called ‘the season.’ The idea that anyone could voluntarily renounce a hundred dinners or luncheons, twice as many afternoon teas, three times as many evening parties, the most brilliant Mondays at the Opera and Tuesdays at the Français to visit the Norwegian fjords seemed to the Courvoisiers no more explicable than the idea of Twenty Thousand Leagues Under the Sea, but conveyed to them a similar impression of independence and charm. So that not a day passed on which somebody might not be heard to ask, not merely: “You’ve heard Oriane’s latest joke?” but “You know Oriane’s latest?” and on ‘Oriane’s latest’ as on ‘Oriane’s latest joke’ would follow the comment: “How typical of Oriane!” “Isn’t that pure Oriane?” Oriane’s latest might be, for instance, that, having to write on behalf of a patriotic society to Cardinal X — Bishop of Macon (whom M. de Guermantes when he spoke of him invariably called ‘Monsieur de Mascon,’ thinking this to be ‘old French’), when everyone was trying to imagine what form the letter would take, and had no difficulty as to the opening words, the choice lying between ‘Eminence,’ and ‘Monseigneur,’ but was puzzled as to the rest, Oriane’s letter, to the general astonishment, began: ‘Monsieur le Cardinal,’ following an old academic form, or: ‘My Cousin,’ this term being in use among the Princes of the Church, the Gsermantes and Crowned Heads, who prayed to God to take each and all of them into ‘His fit and holy keeping.’ To start people on the topic of an ‘Oriane’s latest’ it was sufficient that at a performance at which all Paris was present and a most charming play was being given, when they looked for Mme. de Guermantes in the boxes of the Princesse de Parme, the Princesse de Guermantes, countless other ladies who had invited her, they discovered her sitting by herself, in black, with a tiny hat on her head, in a stall in which she had arrived before the curtain rose. “You hear better, when it’s a play that’s worth listening to,” she explained, to the scandal of the Courvoisiers and the admiring bewilderment of the Guermantes and the Princesse de Parme, who suddenly discovered that the ‘fashion’ of hearing the beginning of a play was more up to date, was a proof of greater originality and intelligence (which need not astonish them, coming from Oriane) than that of arriving for the last act after a big dinner-party and ‘going on’ somewhere first. Such were the various kinds of surprise for which the Princesse de Parme knew that she ought to be prepared if she put a literary or social question to Mme. de Guermantes, one result of which was that during these dinner-parties at Oriane’s her Royal Highness never ventured upon the slightest topic save with the uneasy and enraptured prudence of the bather emerging from between two breakers&#xA;&#xA;   Among the elements which, absent from the three or four other more or less equivalent drawing-rooms that set the fashion for the Faubourg Saint-Germain, differentiated from them that of the Duchesse de Guermantes, just as Leibniz allows that each monad, while reflecting the entire universe, adds to it something of its own, one of the least attractive was regularly furnished by one or two extremely good-looking women who had no title to be there apart from their beauty and the use that M. de Guermantes had made of them, and whose presence revealed at once, as does in other drawing-rooms that of certain otherwise unaccountable pictures, that in this household the husband was an ardent appreciator of feminine graces. They were all more or less alike, for the Duke had a taste for large women, at once statuesque and loose-limbed, of a type half-way between the Venus of Milo and the Samothracian Victory; often fair, rarely dark, sometimes auburn, like the most recent, who was at this dinner, that Vicomtesse d’Arpajon whom he had loved so well that for a long time he had obliged her to send him as many as ten telegrams daily (which slightly annoyed the Duchess), corresponded with her by carrier pigeon when he was at Guermantes, and from whom moreover he had long been so incapable of tearing himself away that, one winter which he had had to spend at Parma, he travelled back regularly every week to Paris, spending two days in the train, in order to see her&#xA;&#xA;   As a rule these handsome ‘supers’ had been his mistresses but were no longer (as was Mme. d’Arpajon’s case) or were on the point of ceasing to be so. It may well have been that the importance which the Duchess enjoyed in their sight and the hope of being invited to her house, though they themselves came of thoroughly aristocratic, but still not quite first-class stock, had prompted them, even more than the good looks and generosity of the Duke, to yield to his desires. Not that the Duchess would have placed any insuperable obstacle in the way of their crossing her threshold: she was aware that in more than one of them she had found an ally, thanks to whom she had obtained a thousand things which she wanted but which M. de Guermantes pitilessly denied his wife so long as he was not in love with some one else. And so the reason why they were not invited by the Duchess until their intimacy with the Duke was already far advanced lay principally in the fact that he, every time that he had embarked on the deep waters of love, had imagined nothing more than a brief flirtation, as a reward for which he considered an invitation from his wife to be more than adequate. And yet he found himself offering this as the price of far less, for a first kiss in fact, because a resistance upon which he had never reckoned had been brought into play or because there had been no resistance. In love it often happens that gratitude, the desire to give pleasure, makes us generous beyond the limits of what the other person’s expectation and self-interest could have anticipated. But then the realisation of this offer was hindered by conflicting circumstances. In the first place, all the women who had responded to M. de Guermantes’s love, and sometimes even when they had not yet surrendered themselves to him, he had, one after another, segregated from the world. He no longer allowed them to see anyone, spent almost all his time in their company, looked after the education of their children to whom now and again, if one was to judge by certain speaking likenesses later on, he had occasion to present a little brother or sister. And so if, at the start of the connexion, the prospect of an introduction to Mme. de Guermantes, which had never crossed the mind of the Duke, had entered considerably into the thoughts of his mistress, their connexion had by itself altered the whole of the lady’s point of view; the Duke was no longer for her merely the husband of the smartest woman in Paris, but a man with whom his new mistress was in love, a man moreover who had given her the means and the inclination for a more luxurious style of living and had transposed the relative importance in her mind of questions of social and of material advantage; while now and then a composite jealousy, into which all these factors entered, of Mme. de Guermantes animated the Duke’s mistresses. But this case was the rarest of all; besides, when the day appointed for the introduction at length arrived (at a point when as a rule the Duke had lost practically all interest in the matter, his actions, like everyone’s else, being generally dictated by previous actions the prime motive of which had already ceased to exist), it frequently happened that it was Mme. de Guermantes who had sought the acquaintance of the mistress in whom she hoped, and so greatly needed, to discover, against her dread husband, a valuable ally. This is not to say that, save at rare moments, in their own house, where, when the Duchess talked too much, he let fall a few words or, more dreadful still, preserved a silence which rendered her speechless, M. de Guermantes failed in his outward relations with his wife to observe what are called the forms. People who did not know them might easily misunderstand. Sometimes between the racing at Deauville, the course of waters and the return to Guermantes for the shooting, in the few weeks which people spend in Paris, since the Duchess had a liking for café-concerts, the Duke would go with her to spend the evening at one of these. The audience remarked at once, in one of those little open boxes in which there is just room for two, this Hercules in his ‘smoking’ (for in France we give to everything that is more or less British the one name that it happens not to bear in England), his monocle screwed in his eye, in his plump but finely shaped hand, on the ring-finger of which there glowed a sapphire, a plump cigar from which now and then he drew a puff of smoke, keeping his eyes for the most part on the stage but, when he did let them fall upon the audience in which there was absolutely no one whom he knew, softening them with an air of gentleness, reserve, courtesy and consideration. When a verse struck him as amusing and not too indecent, the Duke would turn round with a smile to his wife, letting her share, by a twinkle of good-natured understanding, the innocent merriment which the new song had aroused in himself. And the spectators might believe that there was no better husband in the world than this, nor anyone more enviable than the Duchess — that woman outside whom every interest in the Duke’s life lay, that woman with whom he was not in love, to whom he had been consistently unfaithful; when the Duchess felt tired, they saw M. de Guermantes rise, put on her cloak with his own hands, arranging her necklaces so that they did not catch in the lining, and clear a path for her to the street with an assiduous and respectful attention which she received with the coldness of the woman of the world who sees in such behaviour simply conventional politeness, at times even with the slightly ironical bitterness of the disabused spouse who has no illusion left to shatter. But despite these externals (another element of that politeness which has made duty evolve from the depths of our being to the surface, at a period already remote but still continuing for its survivors) the life of the Duchess was by no means easy. M. de Guermantes never became generous or human save for a new mistress who would take, as it generally happened, the Duchess’s part; the latter saw becoming possible for her once again generosities towards inferiors, charities to the poor, even for herself, later on, a new and sumptuous motor-car. But from the irritation which developed as a rule pretty rapidly in Mme. de Guermantes at people whom she found too submissive the Duke’s mistresses were not exempt. Presently the Duchess grew tired of them. Simultaneously, at this moment, the Duke’s intimacy with Mme. d’Arpajon was drawing to an end. Another mistress dawned on the horizon&#xA;&#xA;   No doubt the love which M. de Guermantes had had for each of them in succession would begin one day to make itself felt afresh; in the first place, this love in dying bequeathed them, like beautiful marbles — marbles beautiful to the Duke, become thus in part an artist, because he had loved them and was sensitive now to lines which he would not have appreciated without love — which brought into juxtaposition in the Duchess’s drawing-room their forms long inimical, devoured by jealousies and quarrels, and finally reconciled in the peace of friendship; besides, this friendship itself was an effect of the love which had made M. de Guermantes observe in those who were his mistresses virtues which exist in every human being but are perceptible only to the sensual eye, so much so that the ex-mistrêss, become ‘the best of comrades’ who would do anything in the world for one, is as recognised a type as the doctor or father who is not a doctor or a father but a friend. But during a period of transition the woman whom M. de Guermantes was preparing to abandon bewailed her lot, made scenes, shewed herself exacting, appeared indiscreet, became a nuisance. The Duke began to take a dislike to her. Then Mme. de Guermantes had an opportunity to bring into prominence the real or imagined defects of a person who annoyed her. Known as a kind woman, Mme. de Guermantes received the telephone messages, the confidences, the tears of the abandoned mistress and made no complaint. She laughed at them, first with her husband, then with a few chosen friends. And imagining that this pity which she shewed for the poor wretch gave her the right to make fun of her, even to her face, whatever the lady might say, provided it could be included among the attributes of the character for absurdity which the puke and Duchess had recently fabricated for her, Mme. de Guermantes had no hesitation in exchanging with her husband a glance of ironical connivance&#xA;&#xA;   Meanwhile, as she sat down to table, the Princesse de Parme remembered that she had thought of inviting a certain other Princess to the Opera, and, wishing to be assured that this would not in any way offend Mme. de Guermantes, was preparing to sound her. At this moment there entered M. de Grouchy, whose train, owing to some block on the line, had been held up for an hour. He made what excuses he could. His wife, had she been a Courvoisier, would have died of shame. But Mme. de Grouchy was not a Guermantes for nothing. As her husband was apologising for being late:&#xA;&#xA;    “I see,” she broke in, “that even in little things arriving late is a tradition in your family.”&#xA;&#xA;    “Sit down, Grouchy, and don’t let them pull your leg,” said the Duke&#xA;&#xA;    “I hope I move with the times, still I must admit that the Battle of Waterloo had its points, since it brought about the Restoration of the Bourbons, and better still in a way which made them unpopular. But you seem to be a regular Nimrod!”&#xA;&#xA;    “Well, as a matter of fact, I have had quite a good bag. I shall take the liberty of sending the Duchess six brace of pheasants to-morrow.”&#xA;&#xA;   An idea seemed to flicker in the eyes of Mme. de Guermantes. She insisted that M. de Grouchy must not give himself the trouble of sending the pheasants. And making a sign to the betrothed footman with whom I had exchanged a few words on my way from the Elstir room:&#xA;&#xA;    “Poullein,” she told him, “you will go to-morrow and fetch M. le Comte’s pheasants and bring them straight back — you won’t mind, will you, Grouchy, if I make a few little presents. Basin and I can’t eat a whole dozen by ourselves.”&#xA;&#xA;    “But the day after to-morrow will be soon enough,” said M. de Grouchy&#xA;&#xA;    “No, to-morrow suits me better,” the Duchess insisted&#xA;&#xA;   Poullein had turned pale; his appointment with his sweetheart would have to be missed. This was quite enough for the diversion of the Duchess, who liked to appear to be taking a human interest in everyone. “I know it’s your day out,” she went on to Poullein, “all you’ve got to do is to change with Georges; he can take to-morrow off and stay in the day after.”&#xA;&#xA;   But the day after, Poullein’s sweetheart would not be free. A holiday then was of no account to him. As soon as he was out of the room, everyone complimented the Duchess on the interest she took in her servants. “But I only behave towards them as I like people to behave to me.” “That’s just it. They can say they’ve found a good place with you.” “Oh, nothing so very wonderful. But I think they all like me. That one is a little annoying because he’s in love. He thinks it incumbent on him to go about with a long face.”&#xA;&#xA;   At this point Poullein reappeared. “You’re quite right,” said M. de Grouchy, “he doesn’t look much like smiling. With those fellows one has to be good but not too good.” “I admit I’m not a very dreadful mistress. He’ll have nothing to do all day but call for your pheasants, sit in the house doing nothing and eat his share of them.” “There are plenty of people who would be glad to be in his place,” said M. de Grouchy, for envy makes men blind&#xA;&#xA;    “Oriane,” began the Princesse de Parme, “I had a visit the other day from your cousin Heudicourt; of course she’s a highly intelligent woman — she’s a Guermantes, one can say no more, but they tell me she has a spitel ful tongue.” The Duke fastened on his wife a slow gaze of deliberate stupefaction. Mme. de Guermantes began to smile. Gradually the Princess became aware of their pantomime. “But . . . do you mean to say you don’t agree with me?” she stammered with growing uneasiness. “Really Ma’am, it’s too good of you to pay any attention to Basin’s faces. Now’ Basin, you’re not to hint nasty things about our cousins.” “He thinks her too wicked?” inquired the Princess briskly. “Oh, dear me, no!” replied the Duchess. “I don’t know who told your Highness that she was spiteful. On the contrary, she’s an excellent creature who never said any harm of anyone, or did any harm to any one.” “Ah!” sighed Mme. de Parme, greatly relieved. “I must say I never noticed anything myself. But I know it’s often difficult not to be a little spiteful when one is so full of wit . . . ” “Ah! Now that is a quality of which she has even less.” “Less wit?” asked the stupefied Princess. “Come now, Oriane,” broke in the Duke in a plaintive tone, casting to right and left of him a glance of amusement, “you heard the Princess tell you that she was a superior woman.” “But isn’t she?” “Superior in chest measurement, at any rate.” “Don’t listen to him, Ma’am, he’s not sincere; she’s as stupid as a (h’m) goose,” came in a loud and rasping voice from Mme. de Guermantes, who, a great deal more ‘old French’ even than the Duke when he was not trying, did often deliberately seek to be, but in a manner the opposite of the lace-neckcloth, deliquescent style of her husband and in reality far more subtle, by a sort of almost peasant pronunciation which had a harsh and delicious flavour of the soil. “But she’s the best woman in the world. Besides, I don’t really know that one can call it stupidity when it’s carried to such a point as that. I don’t believe I ever met anyone quite like her; she’s a case for a specialist, there’s something pathological about her, she’s a sort of ‘innocent’ or ‘cretin’ or an ‘arrested development,’ like the people you see in melodramas, or in L’Arlésienne. I always ask myself, when she comes to see me, whether the moment may not have arrived at which her intelligence is going to dawn, which makes me a little nervous always.” The Princess was lost in admiration of these utterances but remained stupefied by the preceding verdict. “She repeated to me — and so did Mme. d’Epinay — what you said about ‘Teaser Augustus.’ It’s delicious,” she put in&#xA;&#xA;   M. de Guermantes explained the joke to me. I wanted to tell him that his brother, who pretended not to know me, was expecting me that same evening at eleven o’clock. But I had not asked Robert whether I might mention this engagement, and as the fact that M. de Charlus had practically fixed it with me himself directly contradicted what he had told the Duchess I judged it more tactful to say nothing. “‘Teaser Augustus’ was not bad,” said M. de Guermantes, “but Mme. d’Heudicourt probably did not tell you a far better thing that Oriane said to her the other day in reply to an invitation to luncheon.” “No, indeed! Do tell me!” “Now Basin, you keep quiet; in the first place, it was a stupid remark, and it will make the Princess think me inferior even to my fool of a cousin. Though I don’t know why I should call her my cousin. She’s one of Basin’s cousins. Still, I believe she is related to me in some sort of way.” “Oh!” cried the Princesse de Parme, at the idea that she could possibly think Mme. de Guermantes stupid, and protesting helplessly that nothing could ever lower the Duchess from the place she held in her estimation. “Besides we have already subtracted from her the quality of wit; as what I said to her tends to deny her certain other good qualities also, it seems to me inopportune to repeat it.” “‘Deny her!’ ‘Inopportune!’ How well she expresses herself!” said the Duke with a pretence of irony, to win admiration for the Duchess. “Now, then, Basin, you’re not to make fun of your wife.” “I should explain to your Royal Highness,” went on the Duke, “that Oriane’s cousin may be superior, good, stout, anything you like to mention, but she is not exactly — what shall I say — lavish.” “No, I know, she’s terribly close-fisted,” broke in the Princess. “I should not have ventured to use the expression, but you have hit on exactly the right word. You can see it in her house-keeping, and especially in the cooking, which is excellent, but strictly rationed.” “Which leads to some quite amusing scenes,” M. de Bréauté interrupted him. “For instance, my dear Basin, I was down at Heudicourt one day when you were expected, Oriane and yourself. They had made the most elaborate preparations when, during the afternoon, a footman brought in a telegram to say that you weren’t coming.” “That doesn’t surprise me!” said the Duchess, who not only was difficult to secure, but liked people to know as much. “Your cousin read the telegram, was duly distressed, then immediately, without losing her head, telling herself that there was no point in going to unnecessary expense for so unimportant a gentleman as myself, called the footman back. ‘Tell the cook not to put on the chicken!’ she shouted after him. And that evening I heard her asking the butler: ‘Well? What about the beef that was left over yesterday? Aren’t you going to let us have that?’” “All the same, one must admit that the cheer you get there is of the very best,” said the Duke, who fancied that in using this language he shewed himself to belong to the old school. “I don’t know any house where one gets better food.” “Or less,” put in the Duchess. “It is quite wholesome and quite enough for what you would call a vulgar yokel like myself,” went on the Duke, “one keeps one’s appetite.” “Oh, if it’s to be taken as a cure, it’s certainly more hygienic than sumptuous. Not that it’s as good as all that,” added Mme. de Guermantes, who was not at all pleased that the title of ‘best table in Paris’ should be awarded to any but her own. “With my cousin it’s just the same as with those costive authors who hatch out every fifteen years a one-act play or a sonnet. The sort of thing people call a little masterpiece, trifles that are perfect gems, in fact the one thing I loathe most in the world. The cooking at Zénaïde’s is not bad, but you would think it more ordinary if she was less parsimonious. There are some things her cook does quite well, and others that he spoils. I have had some thoroughly bad dinners there, as in most houses, only they’ve done me less harm there because the stomach is, after all, more sensitive to quantity than to quality.” “Well, to get on with the story,” the Duke concluded “Zénaïde insisted that Oriane should go to luncheon there, and as my wife is not very fond of going out anywhere she resisted, wanted to be sure that under the pretence of a quiet meal she was not being trapped into some great banquet, and tried in vain to find out who else were to be of the party. ‘You must come,’ Zénaïde insisted, boasting of all the good things there would be to eat. ‘You are going to have a purée of chestnuts, I need say no more than that, and there will be seven littlebouchées à la reine.’ ‘Seven little bouchées!’ cried Oriane, ‘that means that we shall be at least eightl’” There was silence for a few seconds, and then the Princess having seen the point let her laughter explode like a peal of thunder. “Ah! ‘Then we shall be eight,’— it’s exquisite. How very well phrased!” she said, having by a supreme effort recaptured the expression she had heard used by Mme. d’Epinay, which this time was more appropriate. “Oriane, that was very charming of the Princess, she said your remark was well phrased.” “But, my dear, you’re telling me nothing new. I know how clever the Princess is,” replied Mme. de Guermantes, who readily assimilated a remark when it was uttered at once by a Royal Personage and in praise of her own wit. “I am very proud that Ma’am should appreciate my humble phrasings. I don’t remember, though, that I ever did say such a thing, and if I did it must have been to flatter my cousin, for if she had ordered seven ‘mouthfuls,’ the mouths, if I may so express myself, would have been a round dozen if not more.”&#xA;&#xA;    “She used to have all M. de Bornier’s manuscripts,” went on the Princess, still speaking of Mme. d’Heudicourt, and anxious to make the most of the excellent reasons she might have for associating with that lady. “She must have dreamed it, I don’t believe she ever even know him,” said the Duchess. “What is really interesting about him is that he kept up a correspondence with people of different nationalities at the same time,” put in the Vicomtesse d’Arpajon who, allied to the principal ducal and even reigning families of Europe, was always glad that people should be reminded of the fact. “Surely, Oriane,” said M. de Guermantes, with ulterior purpose, “you can’t have forgotten that dinner-party where you had M. de Bornier sitting next to you!” “But, Basin,” the Duchess interrupted him, “if you mean to inform me that I knew M. de Bornier, why of course I did, he even called upon me several times, but I could never bring myself to invite him to the house because I should always have been obliged to have it disinfected afterwards with formol. As for the dinner you mean, I remember it only too well, but it was certainly not at Zénaïde’s, who never set eyes on Bornier in her life, and would probably think if you spoke to her of the Fille de Roland that you meant a Bonaparte Princess who was said at one time to be engaged to the son of the King of Greece; no, it was at the Austrian Embassy. Dear Hoyos imagined he was giving me a great treat by planting on the chair next to mine that pestiferous academician. I quite thought I had a squadron of mounted police sitting beside me. I was obliged to stop my nose as best I could, all through dinner; until the gruyère came round I didn’t dare to breathe.” M. de Guermantes, whose secret object was attained, made a furtive examination of his guests’ faces to judge the effect of the Duchess’s pleasantry. “You were speaking of correspondence; I must say, I thought Gambetta’s admirable,” she went on, to shew that she was not afraid to be found taking an interest in a proletarian and a radical. M. de Bréauté, who fully appreciated the brilliance of this feat of daring, gazed round him with an eye at once flashing and affectionate, after which he wiped his monocle&#xA;&#xA;    “Gad, it’s infernally dull that Fille de Roland,” said M. de Guermantes, with the satisfaction which he derived from the sense of his own superiority to a work which had bored him so, perhaps also from the suave mari magno feeling one has in the middle of a good dinner, when one recalls so terrible an evening in the past. “Still, there were some quite good lines in it, and a patriotic sentiment.”&#xA;&#xA;   I let it be understood that I had no admiration for M. de Bornier. “Indeed! You have some fault to find with him?” the Duke asked with a note of curiosity, for he always imagined when anyone spoke ill of a man that it must be on account of a personal resentment, just as to speak well of a woman marked the beginning of a love-affair. “I see you’ve got your knife into him. What did he do to you? You must tell us. Why yes, there must be some skeleton in the cupboard or you wouldn’t run him down. It’s long-winded, the Fille de Roland, but it’s quite strong in parts.” “Strong is just the right word for an author who smelt like that,” Mme. de Guermantes broke in sarcastically. “If this poor boy ever found himself face to face with him, I can quite understand that he carried away an impression in his nostrils!” “I must confess, though, to Ma’am,” the Duke went on, addressing the Princesse de Parme, “that quite apart from theFille de Roland, in literature and even in music I am terribly old-fashioned; no old nightingale can be too stale for my taste. You won’t believe me, perhaps, but in the evenings, if my wife sits down to the piano, I find myself calling for some old tune by Auber or Boieldieu, or even Beethoven! That’s the sort of thing that appeals to me. As for Wagner, he sends me to sleep at once.” “You are wrong there,” said Mme. de Guermantes, “in spite of his insufferable long-windedness, Wagner was a genius. Lohengrin is a masterpiece. Even in Tristan there are some amusing passages scattered about. And the Chorus of Spinners in the Flying Dutchman is a perfect marvel.” “A’n’t I right, Babal,” said M. de Guermantes, turning to M. de Bréauté, “what we like is:&#xA;&#xA;   Les rendez-vous de noble compagnie&#xA;   Se donnent tous en ce charmant séjour&#xA;&#xA;It’s delicious. And Fra Diavolo, and the Magic Flute, and the Chalet, and the Marriage of Figaro, and the Diamants de la Couronne — there’s music for you! It’s the same thing in literature. For instance, I adore Balzac, theBal de Sceaux, the Mohicans de Paris.” “Oh, my dear, if you are going to begin about Balzac, we shall never hear the end of it; do wait, keep it for some evening when Mémé‘s here. He’s even better, he knows it all by heart.” Irritated by his wife’s interruption, the Duke held her for some seconds under the fire of a menacing silence. And his huntsman’s eyes reminded me of a brace of loaded pistols. Meanwhile Mme. d’Arpajon had been exchanging with the Princesse de Parme, upon tragic and other kinds of poetry, a series of remarks which did not reach me distinctly until I caught the following from Mme. d’Arpajon: “Oh, Ma’am is sure to be right; I quite admit he makes the world seem ugly, because he’s unable to distinguish between ugliness and beauty, or rather because his insufferable vanity makes him believe that everything he says is beautiful; I agree with your Highness that in the piece we are speaking of there are some ridiculous things, quite unintelligible, errors of taste, that it is difficult to understand, that it’s as much trouble to read as if it was written in Russian or Chinese, for of course it’s anything in the world but French, still when one has taken the trouble, how richly one is rewarded, it’s so full of imagination!” Of this little lecture I had missed the opening sentences. I gathered in the end not only that the poet incapable of distinguishing between beauty and ugliness was Victor Hugo, but furthermore that the poem which was as difficult to understand as Chinese or Russian was&#xA;&#xA;   Lorsque l’enfant paraît, le cercle de famille&#xA;   Applaudit à grands cris&#xA;&#xA;A piece dating from the poet’s earliest period, and perhaps even nearer to Mme. Deshoulières than to the Victor Hugo of the Légende des Siècles. Far from condemning Mme. d’Arpajon as absurd, I saw her (the only one, at that table so matter-of-fact, so nondescript, at which I had sat down with such keen disappointment), I saw her in my mind’s eye crowned with that lace cap, with the long spiral ringlets falling from it on either side, which was worn by Mme. de Rémusat, Mme. de Broglie, Mme. de Saint-Aularie, all those distinguished women who in their fascinating letters quote with so much learning and so aptly passages from Sophocles, Schiller and theImitation, but in whom the earliest poetry of the Romantics induced the alarm and exhaustion inseparable for my grandmother from the latest verses of Stéphane Mallarmé. “Mme. d’Arpajon is very fond of poetry,” said the Princesse de Parme to her hostess, impressed by the ardent tone in which the speech had been delivered. “No; she knows absolutely nothing about it,” replied Mme. de Guermantes in an undertone, taking advantage of the fact that Mme. d’Arpajon, who was dealing with an objection raised by General de Beautreillis, was too much intent upon what she herself was saying to hear what was being murmured by the Duchess. “She has become literary since she’s been forsaken. I can tell your Highness that it is I who have to bear the whole burden of it because it is to me that she comes in floods of tears whenever Basin hasn’t been to see her, which is practically every day. And yet it isn’t my fault, after all, if she bores him, and I can’t force him to go to her, although I would rather he were a little more faithful to her, because then I shouldn’t see quite so much of her myself. But she drives him crazy, and there’s nothing extraordinary in that. She isn’t a bad sort, but she’s boring to a degree you can’t imagine. And all this because Basin took it into his head for a year or so to play me false with her. And to have in addition a footman who has fallen in love with a little street-walker and goes about with a long face if I don’t request the young person to leave her profitable pavement for half an hour and come to tea with me! Oh! Life really is too tedious!” the Duchess languorously concluded. Mme. d’Arpajon bored M. de Guermantes principally because he had recently fallen in love with another, whom I discovered to be the Marquise de Surgis-le-Duc. At this moment the footman who had been deprived of his holiday was waiting at table. And it struck me that, still disconsolate, he was doing it with a good deal of difficulty, for I noticed that, in handing the dish to M. de Châtellerault, he performed his task so awkwardly that the Duke’s elbow came in contact several times with his own. The young Duke was not in the least annoyed with the blushing footman, but looked up at him rather with a smile in his clear blue eyes. This good humour seemed to me on the guest’s part to betoken a kindness of heart. But the persistence of his smile led me to think that, aware of the servant’s discomfiture, what he felt was perhaps really a malicious joy. “But, my dear, you know you’re not revealing any new discovery when you tell us about Victor Hugo,” went on the Duchess, this time addressing Mme. d’Arpajon whom she had just seen turn away from the General with a troubled air. “You mustn’t expect to launch that young genius. Everybody knows that he has talent. What is utterly detestable is the Victor Hugo of the last stage, the Légende des Siècles, I forget all their names. But in the Feuilles d’Automne, the Chants du Crépuscule, there’s a great deal that’s the work of a poet, a true poet! Even in theContemplations,” went on the Duchess, whom none of her listeners dared to contradict, and with good reason, “there are still some quite pretty things. But I confess that I prefer not to venture farther than theCrepuscule! And then in the finer poems of Victor Hugo, and there really are some, one frequently comes across an idea, even a profound idea.” And with the right shade of sentiment, bringing out the sorrowful thought with the full strength of her intonation, planting it somewhere beyond the sound of her voice, and fixing straight in front of her a charming, dreamy gaze, the Duchess said slowly: “Take this:&#xA;&#xA;   La douleur est un fruit&#xA;   .Dieu ne le fait pas croître&#xA;   Sur la branche trop faible encor pour le porter&#xA;&#xA;Or, better still:&#xA;&#xA;   Les morts durent bien peu&#xA;   Hélas, dans le cercueil ils tombent en poussière&#xA;   Moins vite qu’en nos coeurs!”&#xA;&#xA;And, while a smile of disillusionment contracted with a graceful undulation her sorrowing lips, the Duchess fastened on Mme. d’Arpajon the dreaming gaze of her charming, clear blue eyes. I was beginning to know them, as well as her voice, with its heavy drawl, its harsh savour. In those eyes and in that voice, I recognised much of the life of nature round Combray. Certainly, in the affectation with which that voice brought into prominence at times a rudeness of the soil there was more than one element: the wholly provincial origin of one branch of the Guermantes family, which had for long remained more localised, more hardy, wilder, more provoking than the rest; and also the usage of really distinguished people, and of witty people who know that distinction does not consist in mincing speech, and the usage of nobles who fraternise more readily with their peasants than with the middle classes; peculiarities all of which the regal position of Mme. de Guermantes enabled her to display more easily to bring out with every sail spread. It appears that the same voice existed also in certain of her sisters whom she detested, and who, less intelligent than herself and almost plebeianly married, if one may coin this adverb to speak of unions with obscure noblemen, entrenched on their provincial estates, or, in Paris, in a Faubourg Saint-Germain of no brilliance, possessed this voice also but had bridled it, corrected it, softened it so far as lay in their power, just as it is very rarely that any of us presumes on his own originality and does not apply himself diligently to copying the most approved models. But Oriane was so much more intelligent, so much richer, above all, so much more in fashion than her sisters, she had so effectively, when Princesse des Laumes, behaved just as she pleased in the company of the Prince of Wales, that she had realised that this discordant voice was an attraction, and had made of it, in the social order, with the courage of originality rewarded by success, what in the theatrical order a Réjane, a Jeanne Granier (which implies no comparison, naturally, between the respective merits and talents of those two actresses) had made of theirs, something admirable and distinctive which possibly certain Réjane and Granier sisters, whom no one has ever known, strove to conceal as a defect&#xA;&#xA;   To all these reasons for displaying her local originality, the favourite writers of Mme. de Guermantes — Mérimée, Meilhac and Halévy — had brought in addition, with the respect for what was natural, a feeling for the prosaic by which she attained to poetry and a spirit purely of society which called up distant landscapes before my eyes. Besides, the Duchess was fully capable, adding to these influences an artistic research of her own, of having chosen for the majority of her words the pronunciation that seemed to her most ‘He de France,’ most ‘Champenoise,’ since, if not quite to the same extent as her sister-in-law Marsantes, she rarely used anything but the pure vocabulary that might have been employed by an old French writer. And when one was tired of the composite patchwork of modern speech, it was, albeit one was aware that she expressed far fewer ideas, a thorough relaxation to listen to the talk of Mme. de Guermantes — almost the same feeling, if one was alone with her and she restrained and clarified still further her flow of words, as one has on hearing an old song. Then, as I looked at, as I listened to Mme. de Guermantes, I could see, a prisoner in the perpetual and quiet afternoon of her eyes, a sky of the He de France or of Champagne spread itself, grey-blue, oblique, with the same angle of inclination as in the eyes of Saint-Loup&#xA;&#xA;   Thus, by these several formations, Mme. de Guermantes expressed at once the most ancient aristocratic France, then, from a far later source, the manner in which the Duchesse de Broglie might have enjoyed and found fault with Victor Hugo under the July Monarchy, and, finally, a keen taste for the literature that sprang from Mérimée and Meilhac. The first of these formations attracted me more than the second, did more to console me for the disappointments of my pilgrimage to and arrival in the Faubourg Saint-Germain, so different from what I had imagined it to be; but even the second I preferred to the last. For, so long as Mme. de Guermantes was being, almost spontaneously, a Guermantes and nothing more, her Pailleronism, her taste for the younger Dumas were reflected and deliberate. As this taste was the opposite of my own, she was productive, to my mind, of literature when she talked to me of the Faubourg Saint-Germain, and never seemed to me so stupidly Faubourg Saint-Germain as when she was talking literature&#xA;&#xA;   Moved by this last quotation, Mme. d’Arpajon exclaimed: “’Ces reliques du coeur ont aussi leur poussière!’ Sir, you must write that down for me on my fan,” she said to M. de Guermantes. “Poor woman, I feel sorry for her!” said the Princesse de Parme to Mme. de Guermantes. “No, really, Ma’am, you must not be soft-hearted, she has only got what she deserves.” “But — you’ll forgive me for saying this to you — she does really love him all the same!” “Oh, not at all; she isn’t capable of it; she thinks she loves him just as she thought just now she was quoting Victor Hugo, when she repeated a line from Musset. Listen,” the Duchess went on in a tone of melancholy, “nobody would be more touched than myself by any true sentiment. But let me give you an instance. Only yesterday, she made a terrible scene with Basin. Your Highness thinks perhaps that it was because he’s in love with other women, because he no longer loves her; not in the least, it was because he won’t put her sons down for the Jockey. Does Ma’am call that the behaviour of a woman in love? No; I will go farther;” Mme. de Guermantes added with precision, “she is a person of singular insensibility.” Meanwhile it was with an eye sparkling with satisfaction that M. de Guermantes had listened to his wife talking about Victor Hugo ‘point-blank’ and quoting his poetry. The Duchess might frequently annoy him; at moments like this he was proud of her. “Oriane is really extraordinary. She can talk about anything, she has read everything. She could not possibly have guessed that the conversation this evening would turn on Victor Hugo. Whatever subject you take up, she is ready for you, she can hold her own with the most learned scholars. This young man must be quite captivated.”&#xA;&#xA;    “Do let us change the conversation,” Mme. de Guermantes went on, “because she’s dreadfully susceptible. You will think me quite old-fashioned,” she began, turning to me. “I know that nowadays it’s considered a weakness to care for ideas in poetry, poetry with some thought in it.” “Old-fashioned?” asked the Princesse de Parme, quivering with the slight thrill sent through her by this new wave which she had not expected, albeit she knew that the conversation of the Duchesse de Guermantes always held in store for her these continuous and delightful shocks, that breath-catching panic, that wholesome exhaustion after which her thoughts instinctively turned to the necessity of taking a footbath in a dressing cabin and a brisk walk to ‘restore her circulation.’&#xA;&#xA;    “For my part, no, Oriane,” said Mme. de Brissac, “I don’t in the least object to Victor Hugo’s having ideas, quite the contrary, but I do object to his seeking for them in sheer monstrosities. After all, it was he who accustomed us to ugliness in literature. There are quite enough ugly things already in real life. Why can’t we be allowed at least to forget it while we are reading. A distressing spectacle, from which we should turn away in real life, that is what attracts Victor Hugo.”&#xA;&#xA;    “Victor Hugo is not as realistic as Zola though, surely?” asked the Princesse de Parme. The name of Zola did not stir a muscle on the face of M. de Beautreillis. The General’s anti-Dreyfusism was too deep-rooted for him to seek to give expression to it. And his good-natured silence when anyone broached these topics moved the profane heart as a proof of the same delicacy that a priest shews in avoiding any reference to your religious duties, a financier when he takes care not to recommend your investing in the companies which he himself controls, a strong man when he behaves with lamblike gentleness and does not hit you in the jaw. “I know you’re related to Admiral Jurien de la Gravière,” was murmured to me with an air of connivance by Mme. de Varambon, the lady in waiting to the Princesse de Parme, an excellent but limited woman, procured for the Princess in the past by the Duke’s mother. She had not previously uttered a word to me, and I could never afterwards, despite the admonitions of the Princess and my own protestations, get out of her mind the idea that I was in some way connected with the Academician Admiral, who was a complete stranger to me. The obstinate persistence of the Princesse de Parme’s lady in waiting in seeing in me a nephew of Admiral Jurien de la Gravière was in itself quite an ordinary form of silliness. But the mistake she made was only a crowning instance of all the other mistakes, less serious, more elaborate, unconscious or deliberate, which accompany one’s name on the label which society writes out and attaches to one. I remember that a friend of the Guermantes who had expressed a keen desire to meet me gave me as the reason that I was a great friend of his cousin, Mme. de Chaussegros. “She is a charming person, she’s so fond of you.” I scrupulously, though quite vainly, insisted on the fact that there must be some mistake, as I did not know Mme. de Chaussegros. “Then it’s her sister you know; it comes to the same thing. She met you in Scotland.” I had never been in Scotland, and took the futile precaution, in my honesty, of letting my informant know this. It was Mme. de Chaussegros herself who had said that she knew me, and no doubt sincerely believed it, as a result of some initial confusion, for from that time onwards she never failed to hold out her hand to me whenever she saw me. And as, after all, the world in which I moved was precisely that in which Mme. de Chaussegros moved my modesty had neither rhyme nor reason. To say that I was intimate with the Chaussegros was, literally, a mistake, but from the social point of view was to state an equivalent of my position, if one can speak of the social position of so young a man as I then was. It therefore mattered not in the least that this friend of the Guermantes should tell me only things that were false about myself, he neither lowered nor exalted me (from the worldly point of view) in the idea which he continued to hold of me. And when all is said, for those of us who are not professional actors the tedium of living always in the same character is removed for a moment, as if we were to go on the boards, when another person forms a false idea of us, imagines that we are friends with a lady whom we do not know and are reported to have met in the course of a delightful tour of a foreign country which we have never made. Errors that multiply themselves and are harmless when they have not the inflexible rigidity of this one which had been committed, and continued for the rest of her life to be committed, in spite of my denials, by the imbecile lady in waiting to Mme. de Parme, rooted for all time in the belief that I was related to the tiresome Admiral Jurien de la Gravière. “She is not very strong in her head,” the Duke confided to me, “and besides, she ought not to indulge in too many libations. I fancy, she’s slightly under the influence of Bacchus.” As a matter of fact Mme. de Varambon had drunk nothing but water, but the Duke liked to find scope for his favourite figures of speech. “But Zola is not a realist, Ma’am, he’s a poet!” said Mme. de Guermantes, drawing inspiration from the critical essays which she had read in recent years and adapting them to her own personal genius. Agreeably buffeted hitherto, in the course of this bath of wit, a bath stirred for herself, which she was taking this evening and which, she considered, must be particularly good for her health, letting herself be swept away by the waves of paradox which curled and broke one after another, before this, the most enormous of them all, the Princesse de Parme jumped for fear of being knocked over. And it was in a choking voice, as though she were quite out of breath, that she now gasped: “Zola a poet!” “Why, yes,” answered the Duchess with a laugh, entranced by this display of suffocation. “Your Highness must have remarked how he magnifies everything he touches. You will tell me that he touches just what — perish the thought! But he makes it into something colossal. His is the epic dungheap. He is the Homer of the sewers! He has not enough capitals to print Cambronne’s word.” Despite the extreme exhaustion which she was beginning to feel, the Princess was enchanted; never had she felt better. She would not have exchanged for an invitation to Schonbrunn, albeit that was the one thing that really flattered her, these divine dinner-parties at Mme. de Guermantes’s, made invigorating by so liberal a dose of attic salt. “He writes it with a big C,” cried Mme. d’Arpajon. “Surely with a big M, I think, my dear,” replied Mme. de Guermantes, exchanging first with her husband a merry glance which implied: “Did you ever hear such an idiot?” “Wait a minute, now.” Mme. de Guermantes turned to me, fixing on me a tender, smiling gaze, because, as an accomplished hostess, she was anxious to display her own knowledge of the artist who interested me specially, to give me, if I required it, an opportunity for exhibiting mine. “Wait,” she urged me, gently waving her feather fan, so conscious was she at this moment that she was performing in full the duties of hospitality, and, that she might be found wanting in none of them, making a sign also to the servants to help me to more of the asparagus and mousseline sauce: “wait, now, I do believe that Zola has actually written an essay on Elstir, the painter whose things you were looking at just now — the only ones of his, really, that I care for,” she concluded. As a matter of fact sh hated Elstir’s work, but found a unique quality in anything that was in her own house. I asked M. de Guermantes if he knew the name of the gentleman in the tall hat who figured in the picture of the crowd and whom I recognised as the same person whose portrait the Guermantes also had and had hung beside the other, both dating more or less from the same early period in which Elstir’s personality was not yet completely established and he derived a certain inspiration from Manet. “Good Lord, yes,” he replied, “I know it’s a fellow who is quite well-known and no fool either in his own line, but I have no head for names. I have it on the tip of my tongue, Monsieur. . . . Monsieur. . . . oh, well, it doesn’t matter, I can’t remember it. Swann would be able to tell you, it was he who made Mme. de Guermantes buy all that stuff; she is always too good-natured, afraid of hurting people’s feelings if she refuses to do things; between ourselves, I believe he’s landed us with a lot of rubbish. What I can tell you is that the gentleman you mean has been a sort of Maecenas to M. Elstir, he started him and has often helped him out of tight places by ordering pictures from him. As a compliment to this man — if you can call that sort of thing a compliment — he has painted him standing about among that crowd, where with his Sunday-go-to-meeting look he creates a distinctly odd effect. He may be a big gun in his own way but he is evidently not aware of the proper time and place for a top hat. With that thing on his head, among all those bare-headed girls, he looks like a little country lawyer on the razzle-dazzle. But tell me, you seem quite gone on his pictures. If I had only known, I should have got up the subject properly. Not that there’s any need to rack one’s brains over the meaning of M. Elstir’s work, as one would for Ingres’s Source or the Princes in the Towier by Paul Delaroche. What one appreciates in his work is that it’s shrewdly observed, amusing, Parisian, and then one passes on to the next thing. One doesn’t need to be an expert to look at that sort of thing. I know of course that they’re merely sketches, still, I don’t feel myself that he puts enough work into them. Swann was determined that we should buy aBundle of Asparagus. In fact it was in the house for several days. There was nothing else in the picture, a bundle of asparagus exactly like what you’re eating now. But I must say I declined to swallow M. Elstir’s asparagus. He asked three hundred francs for them. Three hundred francs for a bundle of asparagus. A louis, that’s as much as they’re worth, even if they are out of season. I thought it a bit stiff. When he puts real people into his pictures as well, there’s something rather caddish, something detrimental about him which does not appeal to me. I am surprised to see a delicate mind, a superior brain like yours admire that sort of thing.” “I don’t know why you should say that, Basin,” interrupted the Duchess, who did not like to hear people run down anything that her rooms contained. “I am by no means prepared to admit that there’s nothing distinguished in Elstir’s pictures. You have to take it or leave it. But it’s not always lacking in talent. And you must admit that the ones I bought are singularly beautiful.” “Well, Oriane, in that style of thing I’d a thousand times rather have the little study by M. Vibert we saw at the water-colour exhibition. There’s nothing much in it, if you like, you could take it in the palm of your hand, but you can see the man’s clever through and through: that unwashed scarecrow of a missionary standing before the sleek prelate who is making his little dog do tricks, it’s a perfect little poem of subtlety, and in fact goes really deep.” “I believe you know M. Elstir,” the Duchess went on to me, “as a man, he’s quite pleasant.” “He is intelligent,” said the Duke; “one is surprised, when one talks to him, that his painting should be so vulgar.” “He is more than intelligent, he is really quite clever,” said the Duchess in the confidently critical tone of a person who knew what she was talking about. “Didn’t he once start a portrait of you, Oriane?” asked the Princesse de Parme. “Yes, in shrimp pink,” replied Mme. de Guermantes, “but that’s not going to hand his name down to posterity. It’s a ghastly thing; Basin wanted to have it destroyed.” This last statement was one which Mme. de Guermantes often made. But at other times her appreciation of the picture was different: “I do not care for his painting, but he did once do a good portrait of me.” The former of these judgments was addressed as a rule to people who spoke to the Duchess of her portrait, the other to those who did not refer to it and whom therefore she was anxious to inform of its existence. The former was inspired in her by coquetry, the latter by vanity. “Make a portrait of you look ghastly! Why, then it can’t be a portrait, it’s a falsehood; I don’t know one end of a brush from the other, but I’m sure if I were to paint you, merely putting you down as I see you, I should produce a masterpiece,” said the Princesse de Parme ingenuously. “He sees me probably as I see myself, without any allurements,” said the Duchesse de Guermantes, with the look, melancholy, modest and coaxing, which seemed to her best calculated to make her appear different from what Elstir had portrayed. “That portrait ought to appeal to Mme. de Gallardon,” said the Duke. “Because she knows nothing about pictures?” asked the Princesse de Parme, who knew that Mme. de Guermantes had an infinite contempt for her cousin. “But she’s a very good woman, isn’t she?” The Duke assumed an air of profound astonishment. “Why, Basin, don’t you see the Princess is making fun of you?” (The Princess had never dreamed of doing such a thing.) “She knows as well as you do that Gallardonette is an old poison,” went on Mme. de Guermantes, whose vocabulary, limited as a rule to all these old expressions, was as savoury as those dishes which it is possible to come across in the delicious books of Pampille, but which have in real life become so rare, dishes where the jellies, the butter, the gravy, the quails are all genuine, permit of no alloy, where even the salt is brought specially from the salt-marshes of Brittany; from her accent, her choice of words, one felt that the basis of the Duchess’s conversation came directly from Guermantes. In this way the Duchess differed profoundly from her nephew Saint-Loup, the prey of so many new ideas and expressions; it is difficult, when one’s mind is troubled by the ideas of Kant and the longings of Baudelaire, to write the exquisite French of Henri IV, which meant that the very purity of the Duchess’s language was a sign of limitation, and that, in her, both her intelligence and her sensibility had remained proof against all innovation. Here again, Mme. de Guermantes’s mind attracted me just because of what it excluded was exactly the content of my own thoughts) and by everything which by virtue of that exclusion, it had been able to preserve, that seductive vigour of the supple bodies which no exhausting necessity to think no moral anxiety or nervous trouble has deformed. Her mind, of a formation so anterior to my own, was for me the equivalent of what had been offered me by the procession of the girls of the little band along the seashore Mme. de Guermantes offered me, domesticated and held in subjection by her natural courtesy, by the respect due to another person’s intellectual worth, all the energy and charm of a cruel little girl of one of the noble families round Combray who from her childhood had been brought up in the saddle, tortured cats, gouged out the eyes of rabbits, and; albeit she had remained a pillar of virtue, might equally well have been, a good few years ago now, the most brilliant mistress of the Prince de Sagan. Only she was incapable of realising what I had sought for in her, the charm of her historic name, and the tiny quantity of it that I had found in her, a rustic survival from Guermantes. Were our relations founded upon a misunderstanding which could not fail to become manifest as soon as my homage, instead of being addressed to the relatively superior woman that she believed herself to be, should be diverted to some other woman of equal mediocrity and breathing the same unconscious charm? A misunderstanding so entirely natural, and one that will always exist between a young dreamer like myself and a woman of the world, one however that profoundly disturbs him, so long as he has not yet discovered the nature of his imaginative faculties and has not acquired his share of the inevitable disappointments which he is destined to find in people, as in the theatre, in his travels and indeed in love. M. de Guermantes having declared (following upon Elstir’s asparagus and those that were brought round after the financière chicken) that green asparagus grown in the open air, which, as has been so quaintly said by the charming writer who signs himself E. de Clermont-Tonnerre, “have not the impressive rigidity of their sisters,” ought to be eaten with eggs: “One man’s meat is another man’s poison, as they say,” replied M. de Bréauté. “In the province of Canton, in China, the greatest delicacy that can be set before one is a dish of ortolan’s eggs completely rotten.” M. de Bréauté, the author of an essay on the Mormons which had appeared in the Revue des Deux Mondes, moved in none but the most aristocratic circles, but among these visited only such as had a certain reputation for intellect, with the result that from his presence, were it at all regular, in a woman’s house one could tell that she had a ‘salon.’ He pretended to a loathing of society, and assured each of his duchesses in turn that it was for the sake of her wit and beauty that he came to see her. They all believed him. Whenever, with death in his heart, he resigned himself to attending a big party at the Princesse de Parme’s, he summoned them all to accompany him, to keep up his courage, and thus appeared only to be moving in the midst of an intimate group. So that his reputation as an intellectual might survive his worldly success, applying certain maxims of the Guermantes spirit, he would set out with ladies of fashion on long scientific expeditions at the height of the dancing season, and when a woman who was a snob, and consequently still without any definite position, began to go everywhere, he would put a savage obstinacy into his refusal to know her, to allow himself to be introduced to her. His hatred of snobs was a derivative of his snobbishness, but made the simpletons (in other words, everyone) believe that he was immune from snobbishness. “Babal always knows everything,” exclaimed the Duchesse de Guermantes. “I think it must be charming, a country where you can be quite sure that your dairyman will supply you with really rotten eggs, eggs of the year of the comet. I can see myself dipping my bread and butter in them. I must say, you get the same thing at aunt Madeleine’s” (Mme. de Villeparisis’s) “where everything’s served in a state of putrefaction, eggs included.” Then, as Mme. d’Arpajon protested, “But my dear Phili, you know it as well as I do. You can see the chicken in the egg. What I can’t understand is how they manage not to fall out. It’s not an omelette you get there, it’s a poultry-yard. You were so wise not to come to dinner there yesterday, there was a brill cooked in carbolic! I assure you, it wasn’t a dinner-table, it was far more like an operating-table. Really, Norpois carries loyalty to the pitch of heroism. He actually asked for more!” “I believe I saw you at dinner there the time she made that attack on M. Bloch” (M. de Guermantes, perhaps to give to an Israelite name a more foreign sound, pronounced the ‘ch’ in Bloch not like a ‘k’ but as in the German ‘hoch’) “when he said about some poit” (poet) “or other that he was sublime. Châtellerault did his best to break M. Bloch’s shins, the fellow didn’t understand in the least and thought my nephew’s kick was aimed at a young woman sitting opposite him.” (At this point, M. de Guermantes coloured slightly.) “He did not realise that he was annoying our aunt by his ‘sublimes’ chucked about all over the place like that. In short, aunt Madeleine, who doesn’t keep her tongue in her pocket, turned on him with: ‘Indeed, Sir, and what epithet do you keep for M. de Bousset?’” (M. de Guermantes thought that, when one mentioned a famous name, the use of ‘Monsieur’ and a particle was eminently ‘old school.’) “That put him in his place, all right.” “And what answer did this M. Bloch make?” came in a careless tone from Mme. de Guermantes, who, running short for the moment of original ideas, felt that she must copy her husband’s teutonic pronunciation. “Ah! I can assure you, M. Bloch did not wait for any more, he’s still running.” “Yes, I remember quite well seeing you there that evening,” said Mme. de Guermantes with emphasis as though, coming from her, there must be something in this reminiscence highly flattering to myself. “It is always so interesting at my aunt’s. At the last party she gave, which was, of course, when I met you, I meant to ask you whether that old gentleman who went past where we were, sitting wasn’t François Coppée. You must know who everyone is,” she went on, sincerely envious of my relations with poets and poetry, and also out of ‘consideration’ for myself, the wish to establish in a better position in the eyes of her other guests a young man so well versed in literature. I assured the Duchess that I had not observed any celebrities at Mme. de Villeparisis’s party. “What!” she replied with a bewilderment which revealed that her respect for men of letters and her contempt for society were more superficial than she said, perhaps even than she thought, “What! There were no famous authors there! You astonish me! Why, I saw all sorts of quite impossible people!” I remembered the evening in question distinctly owing to an entirely trivial incident that had occurred at the party. Mme. de Villeparisis had introduced Bloch to Mme. Alphonse de Rothschild, but my friend had not caught the name and, thinking he was talking to an old English lady who was a trifle mad had replied only in monosyllables to the garrulous conversation of the historic beauty, when Mme. de Villeparisis in making her known to some one else uttered, quite distinctly this time: “The Baronne Alphonse de Rothschild.” Thereupon there had coursed suddenly and simultaneously through Bloch’s arteries so many ideas of millions and of social importance, which it would have been more prudent to subdivide and separate, that he had undergone, so to speak, a momentary failure of heart and brain alike, and cried aloud in the dear old lady’s presence: “If I’d only known!” an exclamation the silliness of which kept him from sleeping for at least a week afterwards. His remark was of no great interest, but I remembered it as a proof that sometimes in this life, under the stress of an exceptional emotion, people do say what is in their minds. “I fancy Mme. de Villeparisis is not absolutely . . . moral,” said the Princesse de Parme, who knew that the best people did not visit the Duchess’s aunt, and, from what the Duchess herself had just been saying, that one might speak freely about her. But, Mme. de Guermantes not seeming to approve of this criticism, she hastened to add: “Though, of course, intellect carried to that degree excuses everything.” “But you take the same view of my aunt that everyone else does,” replied the Duchess, “which is, really, quite mistaken. It’s just what Mémé was saying to me only yesterday.” She blushed; a reminiscence unknown to me filmed her eyes. I formed the supposition that M. de Charlus had asked her to cancel my invitation, as he had sent Robert to ask me not to go to her house. I had the impression that the blush — equally incomprehensible to me — which had tinged the Duke’s cheek when he made some reference to his brother could not be attributed to the same cause. “My poor aunt — she will always have the reputation of being a lady of the old school, of sparkling wit and uncontrolled passions. And really there’s no more middle-class, serious, commonplace mind in Paris. She will go down as a patron of the arts, which means to say that she was once the mistress of a great painter, though he was never able to make her understand what a picture was; and as for her private life, so far from being a depraved woman, she was so much made for marriage, so conjugal from her cradle that, not having succeeded in keeping a husband, who incidentally was a cad, she has never had a love-affair which she hasn’t taken just as seriously as if it were holy matrimony, with the same susceptibilities, the same quarrels, the same fidelity. By which token, those relations are often the most sincere; you’ll find, in fact, more inconsolable lovers than husbands.” “Yet, Oriane, if you take the case of your brother-in-law Palamède you were speaking about just now; no mistress in the world could ever dream of being mourned as that poor Mme. de Charlus has been.” “Ah!” replied the Duchess, “Your Highness must permit me to be not altogether of her opinion. People don’t all like to be mourned in the same way, each of us has his preferences.” “Still, he did make a regular cult of her after her death. It is true that people sometimes do for the dead what they would not have done for the living.” “For one thing,” retorted Mme. de Guermantes in a dreamy tone which belied her teasing purpose, “we go to their funerals, which we never do for the living!” M. de Guermantes gave a sly glance at M. de Bréauté as though to provoke him into laughter at the Duchess’s wit. “At the same time I frankly admit,” went on Mme. de Guermantes, “that the manner in which I should like to be mourned by a man I loved would not be that adopted by my brother-in-law.” The Duke’s face darkened. He did not like to hear his wife utter rash judgments, especially about M. de Charlus. “You are very particular. His grief set an example to everyone,” he reproved her stiffly. But the Duchess had in dealing with her husband that sort of boldness which animal tamers shew, or people who live with a madman and are not afraid of making him angry. “Oh, very well, just as you like — he does set an example, I never said he didn’t, he goes every day to the cemetery to tell her how many people he has had to luncheon, he misses her enormously, but — as he’d mourn for a cousin, a grandmother, a sister. It is not the grief of a husband. It is true that they were a pair of saints, which makes it all rather exceptional.” M. de Guermantes, infuriated by his wife’s chatter, fixed on her with a terrible immobility a pair of eyes already loaded. “I don’t wish to say anything against poor Mémé, who, by the way, could not come this evening,” went on the Duchess, “I quite admit there’s no one like him, he’s delightful; he has a delicacy, a warmth of heart that you don’t as a rule find in men. He has a woman’s heart, Mémé has!” “What you say is absurd,” M. de Guermantes broke in sharply. “There’s nothing effeminate about Mémé, I know nobody so manly as he is.” “But I am not suggesting that he’s the least bit in the world effeminate. Do at least take the trouble to understand what I say,” retorted the Duchess. “He’s always like that the moment anyone mentions his brother,” she added, turning to the Princesse de Parme. “It’s very charming, it’s a pleasure to hear him. There’s nothing so nice as two brothers who are fond of each other,” replied the Princess, as many a humbler person might have replied, for it is possible to belong to a princely race by birth and at the same time to be mentally affiliated to a race that is thoroughly plebeian&#xA;&#xA;    “As we’re discussing your family, Oriane,” said the Princess, “I saw your nephew Saint-Loup yesterday; I believe he wants to ask you to do something for him.” The Duc de Guermantes bent his Olympian brow. When he did not himself care to do a service, he preferred his wife not to assume the responsibility for it, knowing that it would come to the same thing in the end and that the people to whom the Duchess would be obliged to apply would put this concession down to the common account of the household, just as much as if it had been asked of them by the husband alone. “Why didn’t he tell me about it himself?” said the Duchess. “He was here yesterday and stayed a couple of hours, and heaven only knows what a bore he managed to make himself. He would be no stupider than anyone else if he had only the sense, like many people we know, to be content with being a fool. It’s his veneer of knowledge that’s so terrible. He wants to preserve an open mind — open to all the things he doesn’t understand. He talks to you about Morocco. It’s appalling.”&#xA;&#xA;    “He can’t go back there, because of Rachel,” said the Prince de Foix “Surely, now that they’ve broken it off,” interrupted M. de Bréauté. “So far from breaking it off, I found her a couple of days ago in Robert’s rooms, they didn’t look at all like people who’d quarrelled, I can assure you,” replied the Prince de Foix, who loved to spread abroad every rumour that could damage Robert’s chances of marrying, and might for that matter have been misled by one of the intermittent resumptions of a connexion that was practically at an end&#xA;&#xA;    “That Rachel was speaking to me about you, I see her like that in the mornings, on the way to the Champs-Elysées; she’s a kind of head-in-air, as you say, what you call ‘unlaced,’ a sort of ‘Dame aux Camélias,’ only figuratively speaking, of course.” This speech was addressed to me by Prince Von, who liked always to appear conversant with French literature and Parisian catchwords&#xA;&#xA;    “Why, that’s just what it was — Morocco!” exclaimed the Princess, flinging herself into this opening. “What on earth can he want in Morocco?” asked M. de Guermantes sternly; “Oriane can do absolutely nothing for him there, as he knows perfectly well.” “He thinks he invented strategy,” Mme. de Guermantes pursued the theme, “and then he uses impossible words for the most trivial things, which doesn’t prevent him from making blots all over his letters. The other day he announced that he’d been given some sublime potatoes, and that he’d taken a sublime stage box.” “He speaks Latin,” the Duke went one better. “What! Latin?” the Princesse gasped. “‘Pon my soul he does! Ma’am can ask Oriane if I’m not telling the truth.” “Why, of course, Ma’am; the other day he said to us straight out, without stopping to think: ‘I know of no more touching example of sic transit gloria mundi.’ I can repeat the phrase now to your Highness because, after endless inquiries and by appealing to linguists, we succeeded in reconstructing it, but Robert flung it out without pausing for breath, one could hardly make out that there was Latin in it, he was just like a character in the Malade Imaginaire. And all this referred simply to the death of the Empress of Austria!” “Poor woman!” cried the Princess, “what a delicious creature she was.” “Yes,” replied the Duchess, “a trifle mad, a trifle headstrong, but she was a thoroughly good woman, a nice, kind-hearted lunatic; the only thing I could never make out about her was why she had never managed to get her teeth made to fit her; they always came loose half-way through a sentence and she was obliged to stop short or she’d have swallowed them.” “That Rachel was speaking to me about you, she told me that young Saint-Loup worshipped you, that he was fonder of you than he was of her,” said Prince Von to me, devouring his food like an ogre as he spoke, his face scarlet, his teeth bared by his perpetual grin. “But in that case she must be jealous of me and hate me,” said I. “Not at all, she told me all sorts of nice things about you. The Prince de Foix’s mistress would perhaps be jealous if he preferred you to her. You don’t understand? Come home with me, and I’ll explain it all to you.” “I’m afraid I can’t, I’m going on to M. de Charlus at eleven.” “Why, he sent round to me yesterday to ask me to dine with him this evening, but told me not to come after a quarter to eleven. But if you must go to him, at least come with me as far as the Théâtre Français, you will be in the periphery,” said the Prince, who thought doubtless that this last word meant ‘proximity’ or possibly ‘centre.’&#xA;&#xA;   But the bulging eyes in his coarse though handsome red face frightened me and I declined, saying that a friend was coming to call for me. This reply seemed to me in no way offensive. The Prince, however, apparently formed a different impression of it for he did not say another word to me&#xA;&#xA;    “I really must go and see the Queen of Naples; what a grief it must be to her,” said (or at least appeared to me to have said) the Princesse de Parme. For her words had come to me only indistinctly through the intervening screen of those addressed to me, albeit in an undertone, by Prince Von, who had doubtless been afraid, if he spoke louder, of being overheard by the Prince de Foix. “Oh, dear, no!” replied the Duchess, “I don’t believe it has been any grief at all.” “None at all! You do always fly to extremes so, Oriane,” said M. de Guermantes, resuming his part of the cliff which by standing up to the wave forces it to fling higher its crest of foam. “Basin knows even better than I that I’m telling the truth,” replied the Duchess, “but he thinks he’s obliged to look severe because you are present, Ma’am, and he’s afraid of my shocking you.” “Oh, please, no, I beg of you,” cried the Princesse de Parme, dreading the slightest alteration on her account of these delicious Fridays at the Duchesse de Guermantes’s, this forbidden fruit which the Queen of Sweden herself had not yet acquired the right to taste. “Why, it was Basin himself that she told, when he said to her with a duly sorrowful expression: ‘But the Queen is in mourning; for whom, pray, is it a great grief to your Majesty?’—‘No, it’s not a deep mourning, it’s a light mourning, quite a light mourning, it’s my sister.’ The truth is, she’s delighted about it, as Basin knows perfectly well, she invited us to a party that very evening, and gave me two pearls. I wish she could lose a sister every day! So far from weeping for her sister’s death, she was in fits of laughter over it. She probably says to herself, like Robert, ‘sic transit ——’ I forget how it goes on,” she added modestly, knowing how it went on perfectly well&#xA;&#xA;   In saying all this Mme. de Guermantes was only being witty, and with complete insincerity, for the Queen of Naples, like the Duchesse d’Alençon, also doomed to a tragic fate, had the warmest heart in the world and mourned quite sincerely for her kinsfolk. Mme. de Guermantes knew those noble Bavarian sisters, her cousins, too well not to be aware of this. “He would like not to go back to Morocco,” said the Princesse de Parme, alighting hurriedly again upon the perch of Robert’s name which had been held out to her, quite unintentionally, by Mme. de Guermantes. “I believe you know General de Monserfeuil.” “Very slightly,” replied the Duchess, who was an intimate friend of the officer in question. The Princess explained what it was that Saint-Loup wanted. “Good gracious, yes, if I see him — it is possible that I may meet him,” the Duchess replied, so as not to appear to be refusing, the occasions of her meeting General de Monserfeuil seeming to extend rapidly farther apart as soon as it became a question of her asking him for anything. This uncertainty did not, however, satisfy the Duke, who interrupted his wife: “You know perfectly well you won’t seeing him, Oriane, and besides you have already asked him for two thing which he hasn’t done. My wife has a passion for doing good turns to people,” he went on, growing more and more furious, in order to force the Princess to withdraw her request, without there being any question made of his wife’s good nature and so that Mme. de Parme should throw the blame back upon his own character, which was essentially obstructive. “Robert could get anything he wanted out of Monserfeuil. Only, as he happens not to know himself what he wants, he gets us to ask for it because he knows there’s no better way of making the whole thing fall through. Oriane has asked too many favours of Monserfeuil. A request from her now would be a reason for him to refuse.” “Oh, in that case, it would be better if the Duchess did nothing,” said Mme. de Parme&#xA;&#xA;    “Obviously!” the Duke closed the discussion. “Poor General, he’s been defeated again at the elections,” said the Princess, so as to turn the conversation from Robert. “Oh, it’s nothing serious, it’s only the seventh time,” said the Duke, who, having been obliged himself to retire from politics, quite enjoyed hearing of other people’s failures at the polls. “He has consoled himself by giving his wife another baby.” “What! Is that poor Mme. de Monserfeuil in an interesting condition again?” cried the Princess&#xA;&#xA;    “Why, of course,” replied the Duke, “that’s the one division where the poor General has never failed to get in.”&#xA;&#xA;   In the period that followed I was continually to be invited, were it with a small party only, to these repasts at which I had at one time imagined the guests as seated like the Apostles in the Sainte-Chapelle. They did assemble there indeed, like the early Christians, not to partake merely of a material nourishment, which incidentally was exquisite, but in a sort of social Eucharist; so that in the course of a few dinner-parties I assimilated the acquaintance of all the friends of my hosts, friends to whom they presented me with a shade of benevolent patronage so marked (as a person for whom they had always had a sort of parental affection) that there was not one among them who would not have felt himself to be failing in his duty to the Duke and Duchess if he had given a ball without including my name on his list, and at the same time, while I sipped one of those Yquems which lay concealed in the Guermantes cellars, I tasted ortolans dressed according to each of the different recipes which the Duke himself used to elaborate and modified with prudence. However, for one who had already set his knees more than once beneath the mystic board, the consumption of the latter was not indispensable. Old friends of M. and Mme. de Guermantes came in to see them after dinner, ‘with the tooth-picks,’ as Mme. Swann would have said, without being expected, and took in winter a cup of tilleul in the lighted warmth of the great drawing-room, in summer a glass of orangeade in the darkness of the little rectangular strip of garden outside. There was no record of anything else, among the Guermantes, in these evenings in the garden, but orangeade. It had a sort of ritual meaning. To have added other refreshments would have seemed to be falsifying the tradition, just as a big at-home in the Faubourg Saint-Germain ceases to be an at-home if there is a play also, or music. You must be supposed to have come simply — though there be five hundred of you — to pay a call on, let us say, the Princesse de Guermantes. People marvelled at my influence because I was able to procure the addition to this orangeade of a jug containing the juice of stewed cherries or stewed pears. I took a dislike on this account to the Prince d’Agrigente, who was like all the people who, lacking in imagination but not in covetousness, take a keen interest in what one is drinking and ask if they may taste a little of it themselves. Which meant that, every time, M. d’Agrigente, by diminishing my ration, spoiled my pleasure. For this fruit juice can never be provided in sufficient quantities to quench one’s thirst for it. Nothing is less cloying than these transpositions into flavour of the colour of a fruit which when cooked seems to have travelled backwards to the past season of its blossoming. Blushing like an orchard in spring, or, it may be, colourless and cool like the zephyr beneath the fruit-trees, the juice lets itself be breathed and gazed into one drop by drop, and M. d’Agrigente prevented me, regularly, from taking my fill of it. Despite these distillations the traditional orangeade persisted like the tilleul. In these humble kinds, the social communion was none the less administered. In this respect, doubtless, the friends of M. and Mme. de Guermantes had, after all, as I had originally imagined, remained more different from the rest of humanity than their outward appearance might have misled me into supposing. Numbers of elderly men came to receive from the Duchess, together with the invariable drink, a welcome that was often far from cordial. Now this could not have been due to snobbishness, they themselves being of a rank to which there was none superior; nor to love of splendour; they did love it perhaps, but on less stringent social conditions might have been enjoying a glittering example of it, for on these same evenings the charming wife of a colossally rich financier would have given anything in the world to have them among the brilliant shooting-party she was giving for a couple of days for the King of Spain. They had nevertheless declined her invitation, and had come round without fail to inquire whether Mme. de Guermantes was at home. They were not even certain of finding there opinions that conformed entirely with their own, or sentiments of any great warmth; Mme. de Guermantes let fall now and then, on the Dreyfus case, on the Republic, the Laws against Religion, or even in an undertone on themselves, their weaknesses, the dullness of their conversation, comments which they had to appear not to notice. No doubt, if they kept up their habit of coming there, it was owing to their superfine training as epicures in things worldly, to their clear consciousness of the prime and perfect quality of the social dish, with its familiar, reassuring, sappy savour, free from blend or taint, with the origin and history of which they were as well aware as she who served them with it, remaining more ‘noble’ in this respect than they themselves imagined. Now, on this occasion, among the visitors to whom I was introduced after dinner, it so happened that there was that General de Monserfeuil of whom the Princesse de Parme had been speaking, while Mme. de Guermantes, of whose drawing-room he was one of the regular frequenters, had not known that he was going to be there that evening. He bowed before me, on hearing my name, as though I had been the President of the Supreme War Council. I had supposed it to be simply from some deep-rooted unwillingness to oblige, in which the Duke, as in wit if not in love, was his wife’s accomplice, that the Duchess had practically refused to recommend her nephew to M. de Monserfeuil. And I saw in this an indifference all the more blameworthy in that I seemed to have gathered from a few words let fall by the Princess that Robert was in a post of danger from which it would be prudent to have him removed. But it was by the genuine malice of Mme. de Guermantes that I was revolted when, the Princesse de Parme having timidly suggested that she might say something herself and on her own responsibility to the General, the Duchess did everything in her power to dissuade her. “But Ma’am,” she cried, “Monserfeuil has no sort of standing or influence whatever with the new Government. You would be wasting your breath.” “I think he can hear us,” murmured the Princess, as a hint to the Duchess not to speak so loud. Without lowering her voice: “Your Highness need not be afraid, he’s as deaf as a post,” said the Duchess, every word reaching the General distinctly. “The thing is, I believe M. de Saint-Loup is in a place that is not very safe,” said the Princess. “What is one to do?” replied the Duchess. “He’s in the same boat as everybody else, the only difference being that it was he who originally asked to be sent there. Besides, no, it’s not really dangerous; if it was, you can imagine how anxious I should be to help. I, should have spoken to Saint-Joseph about it during dinner. He has far more influence, and he’s a real worker. But, as you see, he’s gone now. Still, asking him would be less awkward than going to this one, who has; three of his sons in Morocco just now and has refused to apply for them to be exchanged; he might raise that as an objection. Since your Highness insists on it, I shall speak to Saint-Joseph — if I see him again, or to Beautreillis. But if I don’t see either of them, you mustn’t waste your pity on Robert. It was explained to us the other day exactly where he is. I’m sure he couldn’t wish for a better place.”&#xA;&#xA;    “What a pretty flower, I’ve never seen one like it; there’s no one like you, Oriane, for having such marvellous things in your house,” said the Princesse de Parme, who, fearing that General de Monserfeuil might have overheard the Duchess, sought now to change the conversation. I looked and recognised a plant of the sort that I had watched Elstir painting. “I am so glad you like them; they are charming, do look at their little purple velvet collars; the only thing against them is — as may happen with people who are very pretty and very nicely dressed — they have a hideous name and a horrid smell. In spite of which I am very fond of them. But what is rather sad is that they are dying.” “But they’re growing in a pot, they aren’t cut flowers,” said the Princess. “No,” answered the Duchess with a smile, “but it comes to the same thing, as they’re all ladies. It’s a kind of plant where the ladies and the gentlemen don’t both grow on the same stalk. I’m like people who keep a lady dog. I have to find a husband for my flowers. Otherwise I shan’t have any young ones!” “How very strange. Do you mean to say that in nature . . .?” “Yes! There are certain insects whose duty it is to bring about the marriage, as they do with Sovereigns, by proxy, without the bride and bridegroom ever having set eyes on one another. And so, I assure you, I always tell my man to put my plant out in the window as often as possible, on the courtyard side and the garden side turn about, in the hope that the necessary insect will arrive. But the odds are too great. Fancy, he has first to have been seen by a person of the same species and the opposite sex, and he must then have taken it into his head to come and leave cards at the house. He hasn’t appeared so far, I believe my plant can still qualify for the white flower of a blameless life, but I must say a little immodesty would please me better. It’s just the same with that fine tree we have in the courtyard; he will die childless because he belongs to a kind that’s very rare in these latitudes. In his case, it’s the wind that’s responsible for consummating the marriage, but the wall is a trifle high.” “By Jove, yes,” said M. de Bréauté, “you ought to take just a couple of inches off the top, that will be quite enough. There are certain operations one ought to know how to perform. The flavour of vanilla we tasted in the excellent ice you gave us this evening, Duchess, comes from a plant called the vanilla tree. This plant produces flowers which are both male and female, but a sort of solid wall set up between them prevents any communication. And so we could never get any fruit from them until a young Negro, a native of Réunion, by the name of Albins, which by the way is rather an odd name for a black man since it means ‘white,’ had the happy thought of using the point of a needle to bring the separate organs into contact.” “Babal, you’re divine, you know everything,” cried the Duchess. “But you yourself, Oriane, have told me things I had no idea of,” the Princesse de Parme assured her. “I must explain to your Highness that it is Swann who has always talked to me all about botany. Sometimes when we were too bored to go to a tea-party or a concert we would set off for the country, and he would shew me extraordinary marriages between flowers, which was far more amusing than going to human marriages — no wedding-breakfast and no crowd in the sacristy. We never had time to go very far. Now that motor-cars have come in, it Would be delightful. Unfortunately, in the interval he himself has made an even more astonishing marriage, which makes everything very difficult. Oh, Ma’am, life is a dreadful business, we spend our whole time doing things that bore us, and when by mere chance we come across somebody with whom we could go and look at something really interesting, he has to make a marriage like Swann’s. Faced with the alternatives of giving up my botanical expeditions and being obliged to call upon a degrading person, I chose the former calamity. Besides, when it comes to that, there was no need to go quite so far. It seems that here, in my own little bit of garden, more odd things happen in broad daylight than at midnight — in the Bois de Boulogne! Only they attract no attention, because among flowers it’s all done quite simply, you see a little orange shower, or else a very dusty fly coming to wipe its feet or take a bath before crawling into a flower. And that does the trick!” “The cabinet the plant is standing on is splendid, too; it’s Empire, I think,” said the Princess, who, not being familiar with the works of Darwin and his followers, was unable to grasp the point of the Duchess’s pleasantries. “It’s lovely, isn’t it? I’m so glad Ma’am likes it,” replied the Duchess, “it’s a magnificent piece. I must tell you that I’ve always adored the Empire style, even when it wasn’t in fashion. I remember at Guermantes I got into terrible disgrace with my mother-in-law because I told them to bring down from the attics all the splendid Empire furniture Basin had inherited from the Montesquious, and used it to furnish the wing we lived in.” M. de Guermantes smiled. He must nevertheless have remembered that the course of events had been totally different. But, the witticisms of the Princesse des Laumes at the expense of her mother-in-law’s bad taste having been a tradition during the short time in which the Prince was in love with his wife, his love for the latter had been outlasted by a certain contempt for the intellectual inferiority of the former, a contempt which, however, went hand in hand with a considerable attachment and respect. “The Iénas have the same armchair with Wedgwood medallions, it’s a lovely thing, but I prefer my own;” said the Duchess, with the same air of impartiality as if she had been the possessor of neither of the articles under discussion. “I know, of course, that they’ve some marvellous things which I haven’t got.” The Princesse de Parme remained silent. “But it’s quite true; your Highness hasn’t seen their collection. Oh, you ought really to come there one day with me, it’s one of the most magnificent things in Paris. You’d say it was a museum come to life.” And since this suggestion was one of the most ‘Guermantes’ of the Duchess’s audacities, inasmuch as the lénas were for the Princesse de Parme rank usurpers, their son bearing like her own the title of Duc de Guastalla, Mme. de Guermantes in thus launching it could not refrain (so far did the love that she bore for her own originality prevail over the deference due to the Princesse de Parme) from casting at her other guests a smiling glance of amusement. They too made an effort to smile, at once frightened, bewildered, and above all delighted to think that they were being ear-witnesses of Oriane’s very ‘latest’ and could carry it away with them ‘red hot.’ They were only half shocked, knowing that the Duchess had the knack of strewing the ground with all the Courvoisier prejudices to achieve a vital success more thrilling and more enjoyable. Had she not, within the last few years, brought together Princesse Mathilde and that Due d’Aumale who had written to the Princess’s own brother the famous letter: “In my family all the men are brave and the women chaste”? And inasmuch as Princes remain princely even at those moments when they appear anxious to forget that they are, the Due d’Aumale and Princesse Mathilde had enjoyed themselves so greatly at Mme. de Guermantes’s that they had thereafter formed a defensive alliance, with that faculty for forgetting the past which Louis XVIII shewed when he took as his Minister Fouché, who had voted the death of his brother. Mme. de Guermantes was now nourishing a similar project of arranging a meeting between Princesse Murât and the Queen of Naples. In the meantime, the Princesse de Parme appeared as embarrassed as might have been the heirs-apparent to the Thrones of the Netherlands and Belgium, styled respectively Prince of Orange and Duke of Brabant, had one offered to present to them M. de Mailly Nesle, Prince d’Orange, and M. de Charlus, Due de Brabant. But, before anything further could happen, the Duchess, whom Swann and M. de Charlus between them (albeit the latter was resolute in ignoring the lénas’ existence) had with great difficulty succeeded in making admire the Empire style, exclaimed: “Honestly, Ma’am, I can’t tell you how beautiful you will think it! I must confess that the Empire style has always had a fascination for me. But at the lénas’ it is really like a hallucination. That sort of — what shall I say — reflux from the Expedition to Egypt, and also the sweep forward into our own times from Antiquity, all those things that invade our houses, the Sphinxes that come to crouch at the feet of the sofas, the serpents coiled round candelabra, a huge Muse who holds out a little torch for you to play at bouillotte, or has quietly climbed on to the mantelpiece and is leaning against your clock; and then all the Pompeian lamps, the little boat-shaped beds which look as if they had been found floating on the Nile so that you expect to see Moses climb out of them, the classical chariots galloping along the bed tables. . . . ” “They’re not very comfortable to sit in, those Empire chairs,” the Princess ventured. “No,” the Duchess agreed, “but,” she at once added, insisting on the point with a smile: “I like being uncomfortable on those mahogany seats covered with ruby velvet or green silk. I like that discomfort of the warrior who understands nothing but the curule chair and in the middle of his principal drawing-room crosses his fasces and piles his laurels. I can assure you that at the Iénas’ one doesn’t stop to think for a moment of how comfortable one is, when one sees in front of one a great strapping wench of a Victory painted in fresco on the wall. My husband is going to say that I’m a very bad Royalist, but I’m terribly disaffected, as you know, I can assure you that in those people’s house one comes to love all the big N’s and all the bees. Good gracious, after all for a good many years under our Kings we weren’t exactly surfeited with glory, and so these warriors who brought home so many crowns that they stuck them even on the arms of the chairs, I must say I think it’s all rather fetching! Your Highness ought really.” “Why, my dear, if you think so,” said the Princess, “but it seems to me that it won’t be easy.” “But Ma’am will find that it will all go quite smoothly. They are very good people, and no fools. We took Mme. de Chevreuse there,” added the Duchess, knowing the force of this example, “she was enchanted. The son is really very pleasant. I’m going to say something that’s not quite proper,” she went on, “but he has a bedroom, and more especially a bed in it, in which I should love to sleep — without him! What is even less proper is that I went to see him once when he was ill and lying in it. By his side on the frame of the bed was moulded a long Siren, stretched out at full length, a lovely thing with a mother-of-pearl tail and some sort of lotus flowers in her hand. I assure you,” went on Mme. de Guermantes, reducing the speed of her utterances to bring into even bolder relief the words which she had the air of modelling with the pout of her fine lips, drawing them out with her long expressive hands, directing on the Princess as she spoke a gentle, steady and searching gaze, “that with the palms and the golden crown at the side, it was most moving, it was just the arrangement of Gustave Moreau’s Death and the Young Man (your Highness must know that great work, of course).” The Princesse de Parme, who did not know so much as the painter’s name, made violent movements with her head and smiled ardently, in order to manifest her admiration for his picture. But the intensity of her mimicry could not fill the place of that light which is absent from our eyes so long as we do not understand what people are trying to tell us. “A good-looking boy, I believe?” she asked. “No for he’s just like a tapir. The eyes are a little those of a Queen Hortense on a screen. But he has probably come to the conclusion that it is rather absurd for a man to develop such a resemblance, and it is lost in the encaustic surface of his cheeks which give him really rather a Mameluke appearance. You feel that the polisher must call round every morning. Swann,” she went on, reverting to the bed of the young Duke, “was struck by the resemblance between this Siren and Gustave Moreau’s Death. But apart from that,” she added, her speech becoming more rapid though still serious, so as to provoke more laughter, “there was nothing really that could strike us, for it was only a cold in the head, and the young man made a marvellous recovery.” “They say he’s a snob?” put in M. de Bréauté, with a malicious twinkle, expecting to be answered with the same precision as though he had said: “They tell me that he has only four fingers on his right hand; is that so?” “G— ood g — racious, n — o,” replied Mme. de Guermantes with a smile of benign indulgence. “Perhaps just the least little bit of a snob in appearance, because he’s extremely young, but I should be surprised to hear that he was really, for he’s intelligent,” she added, as though there were to her mind some absolute incompatibility between snobbishness and intelligence. “He has wit, too, I’ve known him to be quite amusing,” she said again, laughing with the air of an epicure and expert, as though the act of declaring that a person could be amusing demanded a certain expression of merriment from the speaker, or as though the Duc de Guastalla’s sallies were recurring to her mind as she spoke. “Anyway, as he never goes anywhere, he can’t have much field for his snobbishness,” she wound up, forgetting that this was hardly encouraging the Princesse de Parme to make overtures. “I cannot help wondering what the Prince de Guermantes, who calls her Mme. Iéna, will say if he hears that I’ve been to see her.” “What!” cried the Duchess with extraordinary vivacity. “Don’t you know that it was we who gave up to Gilbert” (she bitterly regretted that surrender now) “a complete card-room done in the Empire style which came to us from Quiou-Quiou, and is an absolute marvel! There was no room for it here, though I think it would look better here than it does with him. It’s a thing of sheer beauty, half Etruscan, half Egyptian. . . . ” “Egyptian?” queried the Princess, to whom the word Etruscan conveyed little. “Well, really, you know, a little of both. Swann told us that, he explained it all to me, only you know I’m such a dunce. But then, Ma’am, what one has to bear in mind is that the Egypt of the Empire cabinetmakers has nothing to do with the historical Egypt, nor their Roman with the Romans nor their Etruria. . . . ” “Indeed,” said the Princess. “No, it’s like what they used to call a Louis XV costume under the Second Empire, when Anna de Monchy and dear Brigode’s mother were girls. Basin was talking to you just now about Beethoven. We heard a thing of his played the other day which was really quite good, though a little stiff, with a Russian theme in it. It’s pathetic to think that he believed it to be Russian. In the same way as the Chinese painters believed they were copying Bellini. Besides, even in the same country, whenever anybody begins to look at things in a way that is slightly novel, nine hundred and ninety-nine people out of a thousand are totally incapable of seeing what he puts before them. It takes at least forty years before they can manage to make it out.” “Forty years!” the Princess cried in alarm. “Why, yes,” went on the Duchess, adding more and more to her words (which were practically my own, for I had just been expressing a similar idea to her), thanks to her way of pronouncing them, the equivalent of what on the printed page is called italics: “it’s like a sort of first isolated individual of a species which does not yet exist but is going to multiply in the future, an individual endowed with a kind of sense which the human race of his generation does not possess. I can hardly give myself as an instance because I, on the contrary, have always loved any interesting production from the very start, however novel it might be. But really, the other day I was with the Grand Duchess in the Louvre and we happened to pass before Manet’s Olympia. Nowadays nobody is in the least surprised by it. It looks just like an Ingres! And yet, heaven only knows how many spears I’ve had to break for that picture, which I don’t altogether like but which is unquestionably the work of somebody.” “And is the Grand Duchess well?” inquired the Princesse de Parme, to whom the Tsar’s aunt was infinitely more familiar than Manet’s model. “Yes; we talked about you. After all,” she resumed, clinging to her idea, “the fact of the matter is, as my brother-in-law Palamède always says, that one has between oneself and the rest of the world the barrier of a strange language. Though I admit that there’s no one it’s quite so true of as Gilbert. If it amuses you to go to the Iénas’, you have far too much sense to let your actions be governed by what that poor fellow may think, who is a dear, innocent creature, but really lives in a different world. I feel myself nearer, more akin to my coachman, my horses even, than to a man who keeps on harking back to what people would have thought under Philip the Bold or Louis the Fat. Just fancy, when he goes for a walk in the country, he takes a stick to drive the peasants out of his way, quite in a friendly spirit, saying: ‘Get on, clowns!’ Really, I’m just as much surprised when he speaks to me as if I heard myself addressed by one of the ‘recumbents’ on the old gothic tombs. It’s all very well that animated gravestone’s being my cousin; he frightens me, and the only idea that comes into my head is to let him stay in his Middle Ages. Apart from that, I quite admit that he’s never assassinated anyone.” “I’ve just been seeing him at dinner at Mme. de Villeparisis’s,” said the General, but without either smiling at or endorsing the Duchess’s pleasantries. “Was M. de Norpois there?” asked Prince Von, whose mind still ran on the Academy of Moral Sciences. “Why, yes;” said the General. “In fact, he was talking about your Emperor.” “It seems, the Emperor William is highly intelligent, but he does not care for Elstir’s painting. Not that I’m saying this against him,” said the Duchess, “I quite share his point of view. Although Elstir has done a fine portrait of me. You don’t know it? It’s not in the least like me, but it’s a remarkable piece of work. He is interesting while one’s sitting to him. He has made me like a little old woman It’s after the style of the Regents of the Hospital, by Hals. I expect you know those sublimities, to borrow my nephew’s favourite expression,” the Duchess turned to myself, gently flapping her fan of black feathers. More than erect on her chair, she flung her head nobly backwards, for, while always a great lady, she was a trifle inclined to play the great lady also. I said that I had been once to Amsterdam and The Hague, but that to avoid confusing my mind, as my time was limited, I had left out Haarlem. “Ah! The Hague! What a gallery!” cried M. de Guermantes. I said to him that he had doubtless admired Vermeer’s Street in Delft. But the Duke was less erudite than arrogant. Accordingly he contented himself with replying in a tone of sufficiency, as was his habit whenever anyone spoke to him of a picture in a gallery, or in the Salon, which he did not remember having seen. “If it’s to be seen, I saw it!” “What? You’ve been to Holland, and you never visited Haarlem!” cried the Duchess. “Why, even if you had only a quarter of an hour to spend in the place, they’re an extraordinary thing to have seen, those Halses. I don’t mind saying that a person who only caught a passing glimpse of them from the top of a tramway-car without stopping, supposing they were hung out to view in the street, would open his eyes pretty wide.” This utterance shocked me as indicating a misconception of the way in which artistic impressions are formed in our minds, and because it seemed to imply that our eye is in that case simply a recording machine which takes instantaneous photographs&#xA;&#xA;   M. de Guermantes, rejoicing that she should be speaking to me with so competent a knowledge of the subjects that interested me, gazed at the illustrious bearing of his wife, listened to what she was saying about Franz Hals, and thought: “She rides rough-shod over everything! Our young friend can go home and say that he’s had before his eyes a great lady of the old school, in the full sense of the word, the like of whom couldn’t be found anywhere to-day.” Thus I beheld the pair of them, withdrawn from that name Guermantes in which long ago I had imagined them leading an unimaginable life, now just like other men and other women, lingering, only, behind their contemporaries a little way, and that not evenly, as in so many households of the Faubourg, where the wife has had the good taste to stop at the golden, the husband the misfortune to come down to the pinchbeck age of history, she remaining still Louis XV while her partner is pompously Louis-Philippe. That Mme. de Guermantes should be like other women had been for me at first a disappointment; it was now, by a natural reaction and with all these good wines to help, almost a miracle. A Don John of Austria, an Isabella d’Esté, situated for us in the world of names, have as little communication with the great pages of history as the Méséglise way had with the Guermantes. Isabella d’Esté was no doubt in reality a very minor Princess, similar to those who under Louis XIV obtained no special place at Court. But seeming to us to be of a unique and therefore incomparable essence, we cannot conceive of her as being any less in greatness, so that a supper-party with Louis XIV would appear to us only to be rather interesting, whereas with Isabella d’Este we should find ourselves, were we to meet her, gazing with our own eyes on a supernatural heroine of romance. Well, after we have, in studying Isabella d’Esté, in transplanting her patiently from this world of fairyland into that of history, established the fact that her life, her thought contained nothing of that mysterious strangeness which had been suggested to us by her name, once this disappointment is complete we feel a boundless gratitude to this Princess for having had, of Mantegna’s paintings, a knowledge almost equal to that, hitherto despised by us and put, as Françoise would have said, lower than the dirt, of M. Lafenestre. After having scaled the inaccessible heights of the name Guermantes, on descending the inner slope of the life of the Duchess, I felt on finding there the names, familiar elsewhere, of Victor Hugo, Franz Hals and, I regret to say, Vibert, the same astonishment that an explorer, after having taken into account, to imagine the singularity of the native customs in some wild valley of Central America or Northern Africa, its geographical remoteness, the strangeness of its flora, feels on discovering, once he has made his way through a hedge of giant aloes or manchineels, inhabitants who (sometimes indeed among the ruins of a Roman theatre and beneath a column dedicated to Venus) are engaged in reading Mérope or Alzire. And similarly, so remote, so distinct from, so far superior to the educated women of the middle classes whom I had known, the similar culture by which Mme. de Guermantes had made herself, with no ulterior motive, to gratify no ambition, descend to the level of people whom she would never know, had the character — meritorious, almost touching by virtue of being wholly useless — of an erudition in Phoenician antiquities in a politician or a doctor. “I might have shewn you a very fine one,” said Mme. de Guermantes, still speaking of Hals, “the finest in existence, some people say, which was left to me by a German cousin. Unfortunately, it turned out to be ‘enfeoffed’ in the castle — you don’t know the expression, nor I either,” she added, with her fondness for making jokes (which made her, she thought, seem modern) at the expense of the old customs to which nevertheless she was unconsciously but keenly attached. “I am glad you have seen my Elstirs, but, I must admit, I should have been a great deal more glad if I could have done you the honours of my Hals, this ‘enfeoffed’ picture.” “I know the one,” said Prince Von, “it’s the Grand Duke of Hesse’s Hals.” “Quite so; his brother married my sister,” said M. de Guermantes, “and his mother and Oriane’s were first cousins as well.” “But so far as M. Elstir is concerned,” the Prince went on, “I shall take the liberty of saying, without having any opinion of his work, which I do not know, that the hatred with which the Emperor pursues him ought not, it seems to me, to be counted against him. The Emperor is a man of marvellous intelligence.” “Yes, I’ve met him at dinner twice, once at my aunt Sagan’s and once at my aunt Radziwill’s, and I must say I found him quite unusual. I didn’t find him at all simple! But there is something amusing about him, something ‘forced,’” she detached the word, “like a green carnation, that is to say a thing that surprises me and docs not please me enormously, a thing it is surprising that anyone should have been able to create but which I feel would have been just as well uncreated. I trust I’m not shocking you.” “The Emperor is a man of astounding intelligence,” resumed the Prince, “he is passionately fond of the arts he has for works of art a taste that is practically infallible, if a thing is good he spots it at once and takes a dislike to it. If he detests anything there can be no more doubt about it, the thing is excellent.“Everyone smiled. “You set my mind at rest,” said the Duchess. “I should be inclined to compare the Emperor,” went on the Prince, who, not knowing how to pronounce the word archaeologist (that is to say, as though it were spelt ‘arkeologist’), never missed an opportunity of using it, “to an old archaeologist” (but the Prince said ‘arsheologist’) “we have in Berlin. If you put him in front of a genuine Assyrian antique, he weeps. But if it is a modern sham, if it is not really old, he does not weep. And so, when they want to know whether an arsheological piece is really old, they take it to the old arsheologist. If he weeps, they buy the piece for the Museum. If his eyes remain dry, they send it back to the dealer, and prosecute him for fraud. Well, every time I dine at Potsdam, if the Emperor says to me, of a play: ‘Prince, you must see that, it’s a work of genius,’ I make a note not to go to it; and when I hear him fulminating against an exhibition, I rush to see it at the first possible opportunity.” “Norpois is in favour of an Anglo-French understanding, isn’t he?” said M. de Guermantes. “What use would that be to you?” asked Prince Von, who could not endure the English, in a tone at once of irritation and cunning. “The English are so schtubid. I know, of course, that it would not be as soldiers that they would help you. But one can judge them, all the same, by the stupidity of their Generals. A friend of mine was talking the other day to Botha, you know, the Boer leader. He said to my friend: ‘It’s terrible, an army like that. I rather like the English, as a matter of fact, but just imagine that I, who am only a peasant, have beaten them in every battle. And in the last, when I gave way before a force twenty times the strength of my own, while I myself surrendered, because I had to, I managed to take two thousand prisoners! That was good enough, because I was only commanding an army of farmers, but if those poor fools ever have to stand up against a European army, one trembles to think what may happen to them!’ Besides, you have only to see how their King, whom you know as well as I do, passes for a great man in England.” I barely listened to these stories, stories of the kind that M. de Norpois used to tell my father; they supplied no food for my favourite train of thought; and besides, even had they possessed the elements which they lacked, they would have had to be of a very exciting quality for my inner life to awaken during those hours in which I dwelt in my skin, my well-brushed hair, my starched shirt-front, in which, that is to say, I could feel nothing of what constituted for me the pleasure of life. “Oh, I don’t agree with you at all,” said Mme. de Guermantes, who felt that the German Prince was wanting in tact, “I find King Edward charming, so simple, and much cleverer than people think. And the Queen is, even now, the most beautiful thing I’ve ever seen in the world.” “But, Madame la Duchesse,” said the Prince, who was losing his temper and did not see that he was giving offence, “you must admit that if the Prince of Wales had been an ordinary person there isn’t a club that wouldn’t have blackballed him, and nobody would have been willing to shake hands with him. The Queen is charming, exceedingly sweet and limited. But after all there is something shocking about a royal couple who are literally kept by their subjects, who get the big Jewish financiers to foot all the bills they ought to pay themselves, and create them Baronets in return. It’s like the Prince of Bulgaria . . . ” “He’s our cousin,” put in the Duchess. “He’s a clever fellow.” “He’s mine, too, but we don’t think him a good fellow on that account. No, it is us you ought to make friends with, it’s the Emperor’s dearest wish, but he insists on its coming from the heart. He says: ‘What I want to see is a hand clasped in mine, not waving a hat in the air.’ With that, you would be invincible. It would be more practical than the Anglo-French friendship M. de Norpois preaches.” “You know him, of course,” the Duchess said, turning to me, so as not to leave me out of the conversation. Remembering that M. de Norpois had said that I had once looked as though I wanted to kiss his hand, thinking that he had no doubt repeated this story to Mme. de Guermantes, and in any event could have spoken of me to her only with malice, since in spite of his friendship with my father he had not hesitated to make me appear so ridiculous, I did not do what a man of the world would have done. He would have said that he detested M. de Norpois, and had let him see it; he would have said this so as to give himself the appearance of being the deliberate cause of the Ambassador’s slanders, which would then have been no more than lying and calculated reprisals. I said, on the other hand, that, to my great regret, I was afraid that M. de Norpois did not like me. “You are quite mistaken,” replied the Duchess, “he likes you very much indeed. You can ask Basin, for if people give me the reputation of only saying nice things, he certainly doesn’t. He will tell you that we have never heard Norpois speak about anyone so kindly as he spoke to us of you. And only the other day he was wanting to give you a fine post at the Ministry. As he knew that you were not very strong and couldn’t accept it, he had the delicacy not to speak of his kind thought to your father, for whom he has an unbounded admiration.” M. de Norpois was quite the last person whom I should have expected to do me any practical service. The truth was that, his being a mocking and indeed somewhat malicious spirit, those people who had let themselves be taken in as I had by his outward appearance of a Saint Louis delivering justice beneath an oak-tree, by the sounds, easily modulated to pity, that emerged from his somewhat too tuneful lips, believed in a deliberate betrayal when they learned of a slander uttered at their expense by a man who had always seemed to put his whole heart into his speech. These slanders were frequent enough with him. But that did not prevent him from feeling attractions, from praising the people he liked and taking pleasure in shewing that he could be of use to them. “Not that I’m in the least surprised at his appreciating you,” said Mme. de Guermantes, “he’s an intelligent man. And I can quite understand,” she added, for the benefit of the rest of the party, making allusion to a purpose of marriage of which I had heard nothing, “that my aunt, who has long ceased to amuse him as an old mistress, may not seem of very much use to him as a young wife. Especially as I understand that even as a mistress she has ceased for years now to serve any practical purpose, she is more wrapped up in her devotions than anv thing else. Boaz-Norpois can say, in the words of Victor Hugo:&#xA;&#xA;           Voilà longtemps que celle avec qui j’ai dormi&#xA;           O Seigneur, a quitté ma couche pour la vôtre!&#xA;&#xA;   Really, my poor aunt is like the artists of the advanced guard who have stood out all their lives against the Academy, and in the end start a little academy of their own, or the unfrocked priests who get up a little private religion. They should either keep their frocks, or not stick to their profession. And who knows,” went on the Duchess with a meditative air, “it may be in preparation for her widowhood, there’s nothing sadder than the weeds one’s not entitled to wear.” “Ah! If Mme. de Villeparisis were to become Mme. de Norpois, I really believe our cousin Gilbert would take to his bed,” said General de Monserfeuil. “The Prince de Guermantes is a charming man, but he is, really, very much taken up with questions of birth and manners,” said the Princesse de Parme. “I went down to spend a few days with them in the country, when the Princess, unfortunately, was ill in bed. I was accompanied by Petite.” (This was a nickname that was given to Mme. d’Hunolstein because she was enormously stout.) “The Prince came to meet me at the foot of the steps, and pretended not to see Petite. We went up to the first floor, to the door into the reception rooms, and then, stepping back to make way for me, he said: ‘Oh, how d’ye do, Mme. d’Hunolstein?’ (he always calls her that now, since her separation) pretending to have caught sight of Petite for the first time, so as to shew her that he had not come down to receive her at the foot of the steps.” “That doesn’t surprise me in the least. I don’t need to tell you,” said the Duke, who regarded himself as extremely modern, more contemptuous than anyone in the world of mere birth, and in fact a Republican, “that I have not many ideas in common with my cousin. Ma’am can imagine that we are just about as much agreed on most subjects as day and night. But I must say that if my aunt were to marry Norpois, for once I should be of Gilbert’s opinion. To be the daughter of Florimond de Guise, and then to make a marriage like that would be enough, as the saying is, to make a cat laugh; what more can I say?” These last words, which the Duke uttered as a rule in the middle of a sentence, were here quite superfluous. But he felt a perpetual need to be saying them which made him postpone them to the end of a speech if he had found no place for them elsewhere. They were for him, among other things, almost a question of prosody. “Remember, though,” he added, “that the Norpois are gallant gentlemen with a good place, of a good stock.”&#xA;&#xA;    “Listen to me, Basin, it’s really not worth your while to poke fun at Gilbert if you’re going to speak the same language as he does,” said Mme. de Guermantes, for whom the ‘goodness’ of a family, no less than that of a wine, consisted in its age. But, less frank than her cousin and more subtle than her husband, she made a point of never in her conversation playing false to the Guermantes spirit, and despised rank in her speech while ready to honour it by her actions. “But aren’t you some sort of cousins?” asked General de Monserfeuil. “I seem to remember that Norpois married a La Rochefoucauld.” “Not in that way at all, she belonged to the branch of the Ducs de La Rochefoucauld, my grandmother came from the Ducs de Doudeauville. She was own grandmother to Edouard Coco, the wisest man in the family,” replied the Duke, whose views of wisdom were somewhat superficial, “and the two branches haven’t intermarried since Louis XIV’s time; the connexion would be rather distant.”&#xA;&#xA;    “I say, that’s interesting; I never knew that,” said the General. “However,” went on M. de Guermantes, “his mother, I believe, was the sister of the Duc de Montmorency, and had originally been married to a La Tour d’Auvergne. But as those Montmorencys are barely Montmorencys, while those La Tour d’Auvergnes are not La Tour d’Auvergnes at all, I cannot see that it gives him any very great position. He says — and this should be more to the point — that he’s descended from Saintrailles, and as we ourselves are in a direct line of descent. . . . ”&#xA;&#xA;   There was at Combray a Rue de Saintrailles, to which I had never given another thought. It led from the Rue de la Bretonnerie to the Rue de l’Oiseau. And as Saintrailles, the companion of Joan of Arc, had, by marrying a Guermantes, brought into that family the County of Combray, his arms were quartered with those of Guermantes at the foot of one of the windows in Saint-Hilaire. I saw again a vision of dark sandstone steps, while a modulation of sound brought to my ears that name, Guermantes, in the forgotten tone in which I used to hear it long ago, so different from that in which it was used to signify the genial hosts with whom I was dining this evening. If the name, Duchesse de Guermantes, was for me a collective name, it was so not merely in history, by the accumulation of all the women who had successively borne it, but also in the course of my own short life, which had already seen, in this single Duchesse de Guermantes, so many different women superimpose themselves, each one vanishing as soon as the next had acquired sufficient consistency. Words do not change their meaning as much in centuries as names do for us in the space of a few years. Our memory and our heart are not large enough to be able to remain faithful. We have not room enough, in our mental field, to keep the dead there as well as the living. We are obliged to build over what has gone before and is brought to light only by a chance excavation, such as the name Saintrailles had just wrought in my mind. I felt that it would be useless to explain all this, and indeed a little while earlier I had lied by implication in not answering when M. de Guermantes said to me: “You don’t know our old wheedler?” Perhaps he was quite well aware that I did know him, and it was only from good breeding that he did not press the question&#xA;&#xA;   Mme. de Guermantes drew me out of my meditation. “Really, I find all that sort of thing too deadly. Listen, it’s not always as boring as this at my parties. I hope that you will soon come and dine again as a compensation, with no pedigrees next time,” she murmured, incapable both of appreciating the kind of charm which I could find in her house and of having sufficient humility to be content to appeal to me only as a herbarium, filled with plants of another day&#xA;&#xA;   What Mme. de Guermantes believed to be disappointing my expectations was on the contrary what in the end — for the Duke and the General went on to discuss pedigrees now without stopping — saved my evening from becoming a complete disappointment. How could I have felt otherwise until now? Each of my fellow-guests at dinner, smothering the mysterious name under which I had only at a distance known and dreamed of them with a body and with a mind similar or inferior to those of all the people I knew, had given me the impression of flat vulgarity which the view on entering the Danish port of Elsinore would give to any passionate admirer of Hamlet. No doubt those geographical regions and that ancient past which put forest glades and gothic belfries into their names had in a certain measure formed their faces, their intellects and their prejudices, but survived in them only as does the cause in the effect, that is to say as a thing possible for the brain to extract but in no way perceptible to the imagination&#xA;&#xA;   And these old-time prejudices restored in a flash to the friends of M. and Mme. de Guermantes their vanished poetry. Assuredly, the motions in the possession of nobles, which make of them the scholars, the etymologists of the language not of words but of names (and this, moreover, relatively only to the ignorant mass of the middle classes, for if at the same level of mediocrity a devout Catholic would be better able to stand questioning upon the details of the Liturgy than a free-thinker, on the other hand an anti-clerical archaeologist can often give points to his parish priest on everything connected even with the latter’s own church), those notions, if we are going to confine ourselves to the truth, that is to say to the spirit, had not for these great gentlemen the charm that they would have had for a man of simple birth. They knew perhaps better than myself that the Duchesse de Guise was Princess of Cleves, of Orleans and of Porcien, and all the rest, but they had known, long before they knew all these names, the face of the Duchesse de Guise which thenceforward the names reflected back to them. I had begun with the fairy — were she fated shortly to perish — they with the woman&#xA;&#xA;   In middle-class families one sometimes sees jealousies spring up if the younger sister is married before the elder. So the aristocratic world, Courvoisiers especially but Guermantes also, reduced its ennobled greatness to simple domestic superiorities, by a system of child’s-play which I had me’ originally (and this gave it for me its sole charm) in books. Is it not just as though Tallemant des Réaux were speaking of the Guermantes, and not of the Rohans, when he relates with evident satisfaction how M. de Guéménée cried to his brother: “You can come in here; this is not the Louvre!” and said of the Chevalier de Rohan (because he was a natural son of the Duc de Clermont): “At any rate, he’s a Prince.” The only thing that distressed me in all this talk was to find that the absurd stories which were being circulated about the charming Hereditary Grand Duke of Luxembourg found as much credence in this drawing-room as they had among Saint-Loup’s friends. Plainly it was an epidemic that would not last longer than perhaps a year or two but had meanwhile infected everyone. People repeated the same old stories, or enriched them with others equally untrue. I gathered that the Princesse de Luxembourg herself, while apparently defending her nephew, supplied weapons for the assault. “You are wrong to stand up for him,” M. de Guermantes told me, as Saint-Loup had told me before. “Why, without taking into consideration the opinion of our family, who are unanimous about him, you have only to talk to his servants, and they, after all, are the people who know him best. M. de Luxembourg gave his little Negro page to his nephew. The Negro came back in tears: ‘Grand Duke beaten me; me no bad boy; Grand Duke naughty man,’ it’s really too much. And I can speak with some knowledge, he’s Oriane’s cousin.” I cannot, by the way, say how many times in the course of this evening I heard the word ‘cousin’ used. On the one hand, M. de Guermantes, almost at every name that was mentioned, exclaimed: “But he’s Oriane’s cousin!” with the sudden joy of a man who, lost in a forest, reads at the ends of a pair of arrows pointing in opposite directions on a metal plate, and followed by quite a low number of kilometres, the words: “Belvédère Casimir-Perier” and “Croix du Grand-Veneur,” and gathers from them that he is on the right road. On the other hand the word cousin was employed in a wholly different connexion (which was here the exception to the prevailing rule) by the Turkish Ambassadress, who had come in after dinner. Devoured by social ambition and endowed with a real power of assimilating knowledge, she would pick up with equal facility the story of the Retreat of the Ten Thousand or the details of sexual perversion among birds. It would have been impossible to ‘stump’ her on any of the most recent German publications, whether they dealt with political economy, mental aberrations, the various forms of onanism, or the philosophy of Epicurus. She was, incidentally, a dangerous person to listen to, for, perpetually in error, she would point out to you as being of the loosest morals women of irreproachable virtue, would put you on your guard against a gentleman whose intentions were perfectly honourable, and would tell you anecdotes of the sort that seem always to have come out of a book, not so much because they are serious as because they are so wildly improbable&#xA;&#xA;   She was at this period little received in society. She had been going for some weeks now to the houses of women of real social brilliance, such as the Duchesse de Guermantes, but as a general rule had confined herself, of necessity, in the noblest families, to obscure scions whom the Guermantes had ceased to know. She hoped to give herself a really fashionable air by quoting the most historic names of the little-known people who were her friends. At once M. de Guermantes, thinking that she was referring to people who frequently dined at his table, quivered with joy at finding himself once more in sight of a landmark and shouted the rallying-cry: “But he’s Oriane’s cousin! I know him as well as I know my own name. He lives in the Rue Vaneau. His mother was Mlle. d’Uzés.” The Ambassadress was obliged to admit that her specimen had been drawn from smaller game. She tried to connect her friends with those of M. de Guermantes by cutting across his track: “I know quite well who’ you mean. No, it’s not those ones, they’re cousins.” But this cross-current launched by the unfortunate Ambassadress ran but a little way. For M. de Guermantes, losing interest, answered: “Oh, then I don’t know who’ you’re talking about.” The Ambassadress offered no reply, for if she never knew anyone nearer than the ‘cousins’ of those whom she ought to have known in person, very often these ‘cousins’ were not even related at all. Then from the lips of M. de Guermantes, would flow a fresh wave of “But she’s Oriane’s cousin!” words which seemed to have for the Duke the same practical value as certain epithets, convenient to the Roman poets because they provided them with dactyls or spondees for their hexameters. At least the explosion of: “But she’s Oriane’s cousin!” appeared to me quite natural when applied to the Princesse de Guermantes, who was indeed very closely related to the Duchess. The Ambassadress did not seem to care for this Princess. She said to me in an undertone: “She is stupid. No, she is not so beautiful as all that. That claim is usurped. Anyhow,” she went on, with an air at once reflective, rejecting and decided, “I find her most uncongenial.” But often the cousinship extended a great deal further than this, Mme. de Guermantes making it a point of honour to address as ‘Aunt’ ladies with whom it would have been impossible to find her an ancestress in common without going back at least to Louis XV; just as, whenever the ‘hardness’ of the times brought it about that a multimillionairess married a prince whose great-great-grandfather had espoused, as had Oriane’s also, a daughter of Louvois, one of the chief joys of the fair American was to be able, after a first visit to the Hôtel de Guermantes, where she was, incidentally, more or less coldly received and hotly cross-examined, to say ‘Aunt’ to Mme. de Guermantes, who allowed her to do so with a maternal smile. But little did it concern me what birth meant for M. de Guermantes and M. de Monserfeuil; in the conversations which they held on the subject I sought only for a poetic pleasure. Without being conscious of it themselves, they procured me this pleasure as might a couple of labourers or sailors speaking of the soil or the tides, realities too little detached from their own lives for them to be capable of enjoying the beauty which personally I proceeded to extract from them&#xA;&#xA;   Sometimes rather than of a race it was of a particular fact, of a date that a name reminded me. Hearing M. de Guermantes recall that M. de Bréauté‘s mother had been a Choiseul and his grandmother a Lucinge, I fancied I could see beneath the commonplace shirt with its plain pearl studs, bleeding still in two globes of crystal, those august relics, the hearts of Mme. de Praslin and of the Duc de Berri. Others were more voluptuous: the fine and flowing hair of Mme. de Tallien or Mme. de Sabran&#xA;&#xA;   Better informed than his wife as to what their ancestors had been, M. de Guermantes found himself the possessor of memories which gave to his conversation a fine air of an ancient mansion stripped of its real treasures but still full of pictures, authentic, indifferent and majestic, which taken as a whole look remarkably well. The Prince d’Agrigente having asked why Prince Von had said, in speaking of the Due d’Aumale, ‘my uncle,’ M. de Guermantes had replied: “Because his mother’s brother, the Duke of Wurttemberg, married a daughter of Louis-Philippe.” At once I was lost in contemplation of a casket, such as Carpaccio or Memling used to paint, from its first panel in which the Princess, at the wedding festivities of her brother the Duc d’Orléans, appeared wearing a plain garden dress to indicate her resentment at having seen the return, empty-handed, of the ambassadors who had been sent to sue on her behalf for the hand of the Prince of Syracuse, down to the last, in which she had just given birth to a son, the Duke of Württemberg (the first cousin of the Prince whom I had met at dinner), in that castle called Fantaisie, one of those places which are as aristocratic as certain families. They, moreover, outlasting a single generation of men, see attached to themselves more than one historical personage. In this one, especially, survive side by side memories of the Margravine of Bayreuth, of this other somewhat fantastic Princess (the Duc d’Orléans’s sister), to whom it was said that the name of her husband’s castle made a distinct appeal, of the King of Bavaria, and finally of Prince Von, to whom it was simply his own postal address, at which he had just asked the Duc de Guermantes to write to him, for he had succeeded to it, and let it only during the Wagner festivals, to the Prince de Polignac, another delightful ‘fantasist.’ When M. de Guermantes, to explain how he was related to Mme. d’Arpajon, was obliged, going so far and so simply, to climb the chain formed by the joined hands of three or five ancestresses back to Marie-Louise or Colbert, it was still the same thing in each case; a great historical event appeared only in passing, masked, unnatural, reduced, in the name of a property, in the Christian names of a woman, so selected because she was the granddaughter of Louis-Philippe and Marie-Amélie, considered no longer as King and Queen of the French, but merely in the extent to which in their capacity as grandparents they bequeathed a heritage. (We see for other reasons in a gazetteer of the works of Balzac, where the most illustrious personages figure only according to their connexion with the Comédie Humaine, Napoleon occupy a space considerably less than that allotted to Rastignac, and occupy that space solely because he once spoke to the young ladies of Cinq-Cygne.) Similarly the aristocracy, in its heavy structure, pierced with rare windows, admitting a scanty daylight, shewing the same incapacity to soar but also the same massive and blind force as the architecture of the romanesque age, embodies all our history, immures it, beetles over it&#xA;&#xA;   Thus the empty spaces of my memory were covered by degrees with names which in taking order, in composing themselves with relation to one another, in linking themselves to one another by an increasingly numerous connexion, resembled those finished works of art in which there is not one touch that is isolated, in which every part in turn receives from the rest a justification which it confers on them&#xA;&#xA;   M. de Luxembourg’s name having come up again in the course of the conversation, the Turkish Ambassadress told us how, the young bride’s grandfather (he who had made that immense fortune out of flour and cereals) having invited M. de Luxembourg to luncheon, the latter had written to decline, putting on the envelope: “M. So-and-So, Miller,” to which the grandfather had replied: “I am all the more disappointed that you were not able to come, my dear friend, because I should have been able to enjoy your society quite intimately, for we were quite an intimate party, just ourselves, and there would have been only the Miller, his Son, and you.” This story was not merely utterly distasteful to me, who knew the impossibility of my dear M. de Nassau’s writing to the grandfather of his wife (whose fortune, moreover, he was expecting to inherit) and addressing him as ‘Miller’; but furthermore its stupidity became glaring from the start, the word ‘Miller’ having obviously been dragged in only to lead up to the title of La Fontaine’s fable. But there is in the Faubourg Saint-Germain a silliness so great, when it is aggravated by malice, that they decided that the letter had been sent and that the grandfather, as to whom at once everyone confidently declared that he was a remarkable man, had shewn a prettier wit than his grandson-in-law. The Duc de Châtellerault tried to take advantage of this story to tell the one that I had heard in the café: “Everyone had to lie down!”— but scarcely had he begun, or reported M. de Luxembourg’s pretension that in his wife’s presence M. de Guermantes ought to stand up, when the Duchess stopped him with the protest: “No, he is very absurd, but not as bad as that.” I was privately convinced that all these stories at the expense of M. de Luxembourg were equally untrue, and that whenever I found myself face to face with any of th reputed actors or spectators I should hear the same contradiction. I asked myself, nevertheless, whether the contradiction just uttered by Mme. de Guermantes had been inspired by regard for truth or by self-esteem. In either event the latter quality succumbed to malice, for she went on, with a laugh: “Not that I haven’t had my little fling at him too, for he invited me to luncheon, wishing to make me know the Grand Duchess of Luxembourg, which is how he has the good taste to describe his wife when he’s writing to his aunt. I sent a reply expressing my regret, and adding: As for the ‘Grand Duchess of Luxembourg’ (in inverted commas), tell her that if she is coming to see me I am at home every Thursday after five. I have even had another little fling. Happening to be at Luxembourg, I telephoned, asking him to ring me up. His Highness was going to luncheon, had just risen from luncheon, two hours went by and nothing happened; so then I employed another method: ‘Will you tell the Comte de Nassau to come and speak to me?’ Cut to the quick, he was at the instrument that very minute.” Everyone laughed at the Duchess’s story, and at other analogous, that is to say (I am convinced of it) equally untrue stories, for a man more intelligent, better, more refined, in a word more exquisite than this Luxembourg-Nassau I have never met. The sequel will shew that it was I who was in the right. I must admit that, in the midst of her onslaught, Mme. de Guermantes had still a kind word for him. “He was not always like that,” she informed us. “Before he went off his head, like the man in the story-book who thinks he’s become king, he was no fool, and indeed in the early days of his engagement he used to speak of it in really quite a nice way, as something he could never have dreamed of: ‘It’s just like a fairy-tale; I shall have to make my entry into Luxembourg in a fairy coach,’ he said to his uncle d’Ornessan, who answered — for you know it’s not a very big place, Luxembourg: ‘A fairy coach! I’m afraid, my dear fellow, you’d never get it in. I should suggest that you take a goat carriage.’ Not only did this not annoy Nassau, but he was the first to tell us the story, and to laugh at it.” “Ornessan is a witty fellow, and he’s every rea — son to be; his mother was a Montjeu. lie’s in a very bad way now, poor Ornessan.” This name had the magic virtue of interrupting the flow of stale witticisms which otherwise would have gone on for ever. In fact, M. de Guermantes had to explain that M. d’Ornessan’s great-grandmother had been the sister of Marie de Castille Montjeu, the wife of Timoléon de Lorraine, and consequently Oriane’s aunt, with the result that the conversation drifted back to genealogies, while the idiot of a Turkish Ambassadress breathed in my ear: “You appear to be very much in the Duke’s good books; have a care!” and, on my demanding an explanation: “I mean to say, you understand what I mean, he’s a man to whom one could safely entrust one’s daughter, but not one’s son.” Now if ever, on the contrary, a man existed who was passionately and exclusively a lover of women, it was certainly the Duc de Guermantes. The state of error, the falsehood fatuously believed to be the truth, were for the Ambassadress like a vital element out of which she could not move. “His brother Mémé, who is, as it happens, for other reasons altogether” (he did not bow to her) “profoundly uncongenial to me, is genuinely distressed by the Duke’s morals. So is their aunt Villeparisis. Ah, now, her I adore! There is a saint of a woman for you, the true type of the great ladies of the past. It’s not only her actual virtue that’s so wonderful but her restraint. She still says ‘Monsieur’ to the Ambassador Norpois whom she sees every day, and who, by the way, left an excellent impression behind him in Turkey.”&#xA;&#xA;   I did not even reply to the Ambassadress, in order to listen to the genealogies. They were not all of them important. There came up indeed in the course of the conversation one of those unexpected alliances, which, M. de Guermantes informed me, was a misalliance, but not without charm, for, uniting under the July Monarchy the Duc de Guermantes and the Duc de Fezensac with the two irresistible daughters of an eminent navigator, it gave the two Duchesses the exciting novelty of a grace exotically middle-class, ‘Louisphilippically’ Indian. Or else, under Louis XIV, a Norpois had married the daughter of the Duc de Mortenart, whose illustrious title struck, in the remoteness of that epoch, the name — which I had found colourless and might have supposed to be modern — of Norpois, carving deeply upon it the beauty of an old medal. And in these cases, moreover, it was not only the less well-known name that benefited by the association; the other, grown commonplace by the fact of its lustre, struck me more forcibly in this novel and more obscure aspect, just as among the portraits painted by a brilliant colourist the most striking is sometimes one that is all in black. The sudden mobility with which all these names seemed to me to have been endowed, as they sprang to take their places by the side of others from which I should have supposed them to be remote, was due not to my ignorance alone; the country-dances which they were performing in my mind they had carried out no less spontaneously at those epochs in which a title, being always attached to a piece of land, used to follow it from one family to another, so much so that, for example, in the fine feudal structure that is the title of Duc de Nemours or Duc de Chevreuse, I was able to discover successively hidden, as in the hospitable abode of a hermit-crab, a Guise, a Prince of Savoy, an Orléans, a Luynes. Sometimes several remained in competition for a single shell: for the Principality of Orange the Royal House of the Netherlands and MM. de Mailly-Nesle for the Duchy of Brabant the Baron de Charlus and the Royal House of Belgium, various others for the titles of Prince of Naples, Duke of Parma Duke of Reggio. Sometimes it was the other way; the shell had been so’ long uninhabited by proprietors long since dead that it had never occurred to me that this or that name of a country house could have been, at an epoch which after all was comparatively recent, the name of a family. And so, when M. de Guermantes replied to a question put to him by M. de Monserfeuil: “No, my cousin was a fanatical Royalist; she was the daughter of the Marquis de Féterne, who played a certain part in the Chouan rising,” on seeing this name Féterne, which had been for me, since my stay at Balbec, the name of a country house, become, what I had never dreamed that it could possibly be, a family name, I felt the same astonishment as in reading a fairy-tale, where turrets and a terrace come to life and turn into men and women. In this sense of the words, we may say that history, even mere family history, gives life to the old stones of a house. There have been in Parisian society men who played as considerable a part in it, who were more sought after for their distinction or for their wit, who were equally well born as the Duc de Guermantes or the Duc de La Trémoïlle. They have now fallen into oblivion because, as they left no descendants, their name which we no longer hear sounds like a name unknown; at most, the name of a thing beneath which we never think to discover the name of any person, it survives in some country house, some remote village. The day is not distant when the traveller who, in the heart of Burgundy, stops in the little village of Charlus to look at its church, if he has not sufficient industry or is in too great a hurry to examine its tombstones, will go away ignorant that this name, Charlus, was that of a man who ranked with the highest in the land. This thought reminded me that it was time to go, and that while I was listening to M. de Guermantes talking pedigrees, the hour was approaching at which I had promised to call upon his brother. “Who knows,” I continued to muse, “whether one day Guermantes itself may not appear nothing more than a place-name, save to the archaeologists who, stopping by chance at Combray and standing beneath the window of Gilbert the Bad, have the patience to listen to the account given them by Theodore’s successor or to read the Cure’s guide?” But so long as a great name is not extinct it keeps in the full light of day those men and women who bear it; and there can be no doubt that, to a certain extent, the interest which the illustriousness of these families gave them in my eyes lay in the fact that one can, starting from to-day, follow their ascending course, step by step, to a point far beyond the fourteenth century, recover the diaries and correspondence of all the forebears of M. de Charlus, of the Prince d’Agrigente, of the Princesse de Parme, in a past in which an impenetrable night would cloak the origins of a middle-class family, and in which we make out, in the luminous backward projection of a name, the origin and persistence of certain nervous characteristics, certain vices, the disorders of one or another Guermantes. Almost identical pathologically with their namesakes of the present day, they excite from century to century the startled interest of their correspondents, whether these be anterior to the Princess Palatine and Mme. de Motteville, or subsequent to the Prince de Ligne&#xA;&#xA;   However, my historical curiosity was faint in comparison with my aesthetic pleasure. The names cited had the effect of disincarnating the Duchess’s guests, whom, for all they might call themselves Prince d’Agrigente or de Cystira, their mask of flesh and of a common intelligence or want of intelligence had transformed into ordinary mortals, so much so that I had made my landing on the ducal door-mat not as upon the threshold (as I had supposed) but as at the farthest confines of the enchanted world of names. The Prince d’Agrigente himself, as soon as I heard that his mother had been a Damas, a granddaughter of the Duke of Modena, was delivered, as from an unstable chemical alloy, from the face and speech that prevented one from recognising him, and went to form with Damas and Modena, which themselves were only titles, a combination infinitely more seductive. Each name displaced by the attractions of another, with which I had never suspected it of having any affinity, left the unalterable position which it had occupied in my brain, where familiarity had dulled it, and, speeding to join the Mortemarts, the Stuarts or the Bourbons, traced with them branches of the most graceful design and an ever-changing colour. The name Guermantes itself received from all the beautiful names — extinct, and so all the more glowingly rekindled — with which I learned only now that it was connected, a new sense and purpose, purely poetical. At the most, at the extremity of each spray that burgeoned from the exalted stem, I could see it flower in some face of a wise king or illustrious princess, like the sire of Henri IV or the Duchesse de Longueville. But as these faces, different in this respect from those of the party around me, were not discoloured for me by any trace of physical experience or fashionable mediocrity, they remained, in their handsome outlines and rainbow iridescence, homogeneous with those names which at regular intervals, each of a different hue, detached themselves from the genealogical tree of Guermantes, and disturbed with no foreign or opaque matter the buds — pellucid, alternate, many-coloured — which (like, in the old Jesse windows, the ancestors of Jesus) blossomed on either side of the tree of glass&#xA;&#xA;   Already I had made several attempts to slip away, on account, more than for any other reason, of the triviality which my presence at it imparted to the gathering, albeit it was one of those which I had long imagined as being so beautiful — as it would doubtless have been had there been no inconvenient witness present. At least my departure would permit the other guests, once the profane intruder was no longer among them, to constitute themselves at length into a secret conclave. They would be free to celebrate the mysteries for the celebration of which they had met together, for it could obviously not have been to talk of Franz Hals or of avarice, and to talk of them in the same way as people talk in middle-class society. They uttered nothing but trivialities, doubtless because I was in the room, and I felt with some compunction, on seeing all these pretty women kept apart, that I was preventing them by my presence from carrying on, in the most precious of its drawing-rooms, the mysterious life of the Faubourg Saint-Germain. But this departure which I was trying at every moment to effect, M. and Mme. de Guermantes carried the spirit of self-sacrifice so far as to postpone, by keeping me in the room. A more curious thing still, several of the ladies who had come hurrying, delighted, beautifully dressed, with constellations of jewels, to be present at a party which, through my fault only, differed in no essential point from those that are given elsewhere than in the Faubourg Saint-Germain, any more than one feels oneself at Balbec to be in a town that differs from what one’s eyes are accustomed to see — several of these ladies retired not at all disappointed, as they had every reason to be, but thanking Mme. de Guermantes most effusively for the delightful evening which they had spent, as though on the other days, those on which I was not present, nothing more used to occur&#xA;&#xA;   Was it really for the sake of dinners such as this that all these people dressed themselves up and refused to allow the penetration of middle-class women into their so exclusive drawing-rooms — for dinners such as this? The same, had I been absent? The suspicion flashed across my mind for a moment, but it was too absurd. Plain commonsense enabled me to brush it aside. And then, if I had adopted it, what would have been left of the name Guermantes, already so degraded since Combray?&#xA;&#xA;   It struck me that these flower-maidens were, to a strange extent, either ready to be pleased with another person or anxious to make that person pleased with them, for more than one of them, to whom I had not uttered, during the whole course of the evening, more than two or three casual remarks, the stupidity of which had left me blushing, made a point, before leaving the drawing-room, of coming to tell me, fastening on me her fine caressing eyes, straightening as she spoke the garland of orchids that followed the curve of her bosom, what an intense pleasure it had been to her to make my acquaintance, and to speak to me — a veiled allusion to an invitation to dinner — of her desire to ‘arrange something’ after she had ‘fixed a day’ with Mme. de Guermantes. None of these flower ladies left the room before the Princesse de Parme. The presence of that lady — one must never depart before Royalty — was one of the two reasons, neither of which I had guessed, for which the Duchess had insisted so strongly on my remaining. As soon as Mme. de Parme had risen, it was like a deliverance. Each of the ladies having made a genuflexion before the Princess, who raised her up from the ground, they received from her, in a kiss, and like a benediction which they had craved kneeling, the permission to ask for their cloaks and carriages. With the result that there followed, at the front door, a sort of stentorian recital of great names from the History of France. The Princesse de Parme had forbidden Mme. de Guermantes to accompany her downstairs to the hall for fear of her catching cold, and the Duke had added: “There, Oriane, since Ma’am gives you leave, remember what the doctor told you.”&#xA;&#xA;    “I am sure the Princesse de Parme was most pleased to take dinner with you.” I knew the formula. The Duke had come the whole way across the drawing-room in order to utter it before me with an obliging, concerned air, as though he were handing me a diploma or offering me a plateful of biscuits. And I guessed from the pleasure which he appeared to be feeling as he spoke, and which brought so sweet an expression momentarily into his face, that the effort which this represented for him was of the kind which he would continue to make to the very end of his life, like one of those honorific and easy posts which, even when paralytic, one is still allowed to retain&#xA;&#xA;   Just as I was about to leave, the lady in waiting reappeared in the drawing-room, having forgotten to take away some wonderful carnations, sent up from Guermantes, which the Duchess had presented to Mme. de Parme. The lady in waiting was somewhat flushed, one felt that she had just been receiving a scolding, for the Princess, so kind to everyone else, could not contain her impatience at the stupidity of her attendant. And so the latter picked up the flowers and ran quickly, but to preserve her air of ease and independence flung at me as she passed: “The Princess says I’m keeping her waiting; she wants to be gone, and to have the carnations as well. Good lord! I’m not a little bird, I can’t be in two places at once.”&#xA;&#xA;   Alas! the rule of not leaving before Royalty was not the only one. I could not depart at once, for there was another: this was that the famous lavishness, unknown to the Courvoisiers, with which the Guermantes, whether opulent or practically ruined, excelled in entertaining their friends, was not only a material lavishness, of the kind that I had often experienced with Robert de Saint-Loup, but also a lavish display of charming words, of courteous actions, a whole system of verbal elegance supplied from a positive treasure-house within. But as this last, in the inactivity of fashionable existence, must remain unemployed, it expanded at times, sought an outlet in a sort of fugitive effusion, all the more intense, which might, in Mme. de Guermantes, have led one to suppose a genuine affection for oneself. Which she did, for that matter, feel at the moment when she let it overflow, for she found then in the society of the friend, man or woman, with whom she happened to be a sort of intoxication, in no way sensual, similar to that which music produces in certain people; she would suddenly detach a flower from her bodice, or a medallion, and present it to someone with whom she would have liked to prolong the evening, with a melancholy feeling the while that such a prolongation could have led to nothing but idle talk, into which nothing could have passed of the nervous pleasure, the fleeting emotion, similar to the first warm days of spring in the impression they leave behind them of exhaustion and regret. As for the friend, it did not do for him to put too implicit a faith in the promises, more exhilarating than anything he had ever heard, tendered by these women who, because they feel with so much more force the sweetness of a moment, make of it, with a delicacy, a nobility of which normally constituted creatures are incapable, a compelling masterpiece of grace and goodness, and have no longer anything of themselves left to give when the next moment has arrived. Their affection does not outlive the exaltation that has dictated it; and the subtlety of mind which had then led them to divine all the things that you wished to hear and to say them to you will permit them just as easily, a few days later, to seize hold of your absurdities and use them to entertain another of their visitors with whom they will then be in the act of enjoying one of those ‘musical moments’ which are so brief&#xA;&#xA;   In the hall where I asked a footman for my snowboots which I had brought as a precaution against the snow, several flakes of which had already fallen, to be converted rapidly into slush, not having realised that they were hardly fashionable, I felt, at the contemptuous smile on all sides, a shame which rose to its highest pitch when I saw that Mme. de Parme had not gone and was watching me put on my American ‘rubbers.’ The Princess came towards me. “Oh! What a good idea,” she exclaimed, “it’s so practical! There’s a sensible man for you. Madame, we shall have to get a pair of those,” she went on to her lady in waiting, while the mockery of the footmen turned to respect and the other guests crowded round me to inquire where I had managed to find these marvels. “With those on, you will have nothing to fear even if it starts snowing again and you have a long way to go. You’re independent of the weather,” said the Princess to me. “Oh! If it comes to that, your Royal Highness can be reassured,” broke in the lady in waiting with a knowing air, “it will not snow again.” “What do you know about it, Madame?” came witheringly from the excellent Princesse de Parme, who alone could succeed in piercing the thick skin of her lady in waiting. “I can assure your Royal Highness, it cannot snow again. It is a physical impossibility.” “But why?” “It cannot snow any more, they have taken the necessary steps to prevent it, they have put down salt in the streets!” The simple-minded lady did not observe either the anger of the Princess or the mirth of the rest of her audience, for instead of remaining silent she said to me with a genial smile, paying no heed to my repeated denials of any connexion with Admiral Jurien de la Gravière: “Not that it matters, after all. This gentleman must have stout sea-legs. What’s bred in the bone!”&#xA;&#xA;   Then, having escorted the Princesse de Parme to her carriage, M. de Guermantes said to me, taking hold of my greatcoat: “Let me help you into your skin.” He had ceased even to smile when he employed this expression, for those that were most vulgar had for that very reason, because of the Guermantes affectation of simplicity, become aristocratic&#xA;&#xA;   An exaltation that sank only into melancholy, because it was artificial, was what I also, although quite differently from Mme. de Guermantes, felt once I had finally left her house, in the carriage that was taking me to that of M. de Charlus. We can at pleasure abandon ourselves to one or other of two forces of which one rises in ourselves, emanates from our deepest impressions, the other comes to us from without. The first carries with it naturally a joy, the joy that springs from the life of the creator. The other current, that which endeavours to introduce into us the movement by which persons external to ourselves are stirred, is not accompanied by pleasure; but we can add a pleasure to it, by the shock of reaction, in an intoxication so feigned that it turns swiftly into boredom, into melancholy, whence the gloomy faces of so many men of fashion, and all those nervous conditions which may make them end in suicide. Well, in the carriage which was taking me to M. de Charlus, I was a prey to this second sort of exaltation, widely different from that which is given us by a personal impression, such as I had received in other carriages, once at Combray, in Dr. Percepied’s gig, from which I had seen painted against the setting sun the spires of Martinville, another day at Balbec, in Mme. de Villeparisis’s barouche, when I strove to identify the reminiscence that was suggested to me by an avenue of trees. But in this third carriage, what I had before my mind’s eye were those conversations that had seemed to me so tedious at Mme. de Guermante’s dinner-table, for example Prince Von’s stories about the German Emperor, General Botha and the British Army. I had slipped them into the frame of the internal stereoscope through the lenses of which, once we are no longer ourselves, once, endowed with the spirit of society, we no longer wish to receive our life save from other people, we cast into relief what they have said and done. Like a tipsy man filled with tender feeling for the waiter who has been serving him, I marvelled at my good fortune, a good fortune not realised by me, it is true, at the actual moment, in having dined with a person who knew William II so well, and had told stories about him that were — upon my word — really witty. And, as I repeated to myself, with the Prince’s German accent, the story of General Botha, I laughed out loud, as though this laugh, like certain kinds of applause which increase one’s inward admiration, were necessary to the story as a corroboration of its comic element. Through the magnifying lenses even those of Mme. de Guermantes’s pronouncements which had struck me as being stupid (as for example that on the Hals pictures which one ought to see from the top of a tramway-car) took on a life, a depth that were extraordinary. And I must say that, even if this exaltation was quick to subside, it was not altogether unreasonable. Just as there may always come a day when we are glad to know the person whom we despise more than anyone in the world because he happens to be connected with a girl with whom we are in love, to whom he can introduce us, and thus offers us both utility and gratification, attributes in each of which we should have supposed him to be entirely lacking, so there is no conversation, any more than there are personal relations, from which we can be certain that we shall not one day derive some benefit. What Mme. de Guermantes had said to me about the pictures which it would be interesting to see, even from a tramway-car, was untrue, but it contained a germ of truth which was of value to me later on&#xA;&#xA;   Similarly the lines of Victor Hugo which I had heard her quote were, it must be admitted, of a period earlier than that in which he became something more than a new man, in which he brought to light, in the order of evolution, a literary species till then unknown, endowed with more complex organs than any then in existence. In these first poems, Victor Hugo is still a thinker, instead of contenting himself, like Nature, with supplying food for thought. His ‘thoughts’ he at that time expressed in the most direct form, almost in the sense in which the Duke employed the word when, feeling it to be out of date and a nuisance that the guests at his big parties at Guermantes should, in the visitors’ book, append to their signatures a philosophico-poetical reflexion, he used to warn novices in an appealing tone: “Your name, my dear fellow, but no ‘thoughts’ please!” Well, it was these ‘thoughts’ of Victor Hugo (almost as entirely absent from the Légende des Siècles as ‘airs,’ as ‘melodies’ are from Wagner’s later manner) that Mme. de Guermantes admired in the early Hugo. Nor was she altogether wrong. They were touching, and already round about them, without their form’s having yet the depth which it was to acquire only in later years, the rolling tide of words and of richly articulated rhymes put them beyond comparison with the lines that one might discover in a Corneille, for example, lines in which a Romanticism that is intermittent, restrained and so all the more moving, nevertheless has not at all penetrated to the physical sources of life, modified the unconscious and generalisable organism in which the idea is latent. And so I had been wrong in confining myself, hitherto, to the later volumes of Hugo. Of the earlier, of course, it was only a fractional part that Mme. de Guermantes used to embellish her conversation. But simply by quoting in this way an isolated line one multiplies its power of attraction tenfold. The lines that had entered or returned to my mind during this dinner magnetised in turn, summoned to themselves with such force the poems in the heart of which they were normally embedded, that my magnetised hands could not hold out for longer than forty-eight hours against the force that drew them towards the volume in which were bound up the Orientales and the Chants du Crépuscule. I cursed Franchise’s footman for having made a present to his native village of my copy of the Feuilles d’Automne, and sent him off, with not a moment to be lost, to procure me another. I read these volumes from cover to cover and found peace of mind only when I suddenly came across, awaiting me in the light in which she had bathed them, the lines that I had heard Mme. de Guermantes quote. For all these reasons, conversations with the Duchess resembled the discoveries that we make in the library of a country house, out of date, incomplete, incapable of forming a mind, lacking in almost everything that we value, but offering us now and then some curious scrap of information, for instance the quotation of a fine passage which we did not know and as to which we are glad to remember in after years that we owe our knowledge of it to a stately mansion of the great. We are then, by having found Balzac’s preface to the Chartreuse, or some unpublished letters of Joubert, tempted to exaggerate the value of the life we led there, the sterile frivolity of which, for this windfall of a single evening, we forget&#xA;&#xA;   From this point of view, if the fashionable world had been unable, at the first moment, to provide what my imagination expected, and must consequently strike me first of all by what it had in common with all the other worlds rather than by its difference, still it revealed itself to me by degrees as something quite distinct. Great noblemen are almost the only people of whom one learns as much as one does of peasants; their conversation is adorned with everything that concerns the land, houses, as people used to live in them long ago, old customs, everything of which the world of money is profoundly ignorant. Even supposing that the aristocrat most moderate in his aspirations has finally overtaken the period in which he lives, his mother, his uncles, his great-aunts keep him in touch, when he recalls his childhood, with the conditions of a life almost unknown today. In the death-chamber of a contemporary corpse Mme. de Guermantes would not have pointed out, but would immediately have perceived, all the lapses from the traditional customs. She was shocked to see at a funeral women mingling with the men, when there was a particular ceremony which ought to be celebrated for the women. As for the pall, the use of which Bloch would doubtless have believed to be confined to coffins, on account of the pall bearers of whom one reads in the reports of funerals, M. de Guermantes could remember the time when, as a child, he had seen it borne at the wedding of M. de Mailly-Nesle. While Saint-Loup had sold his priceless ‘Genealogical Tree,’ old portraits of the Bouillons, letters of Louis XIII, in order to buy Carrières and furniture in the modern style, M. and Mme. de Guermantes, moved by a sentiment in which the burning love of art may have played only a minor part, and which left them themselves more insignificant than before, had kept their marvellous Boule furniture, which presented a picture attractive in a different way to an artist. A literary man would similarly have been enchanted by their conversation, which would have been for him — for one hungry man has no need of another to keep him company — a living dictionary of all those expressions which every day are becoming more and more forgotten: Saint-Joseph cravats, children dedicated to the Blue, and so forth, which one finds to-day only among those people who have constituted themselves the friendly and benevolent custodians of the past. The pleasure that a writer, more than among other writers, feels among them is not without danger, for there is a risk of his coming to believe that the things of the past have a charm in themselves, of his transferring them bodily into his work, still-born in that case, exhaling a tedium for which he consoles himself with the reflexion: “It is attractive because it’s true; that is how people do talk.” These aristocratic conversations had moreover the charm, with Mme. de Guermantes, of being couched in excellent French. For this reason they made permissible on the Duchess’s part her hilarity at the words ‘viaticum,’ ‘cosmic,’ ‘pythian,’ ‘pre-eminent,’ which Saint-Loup used to employ — as, similarly, at his Bing furniture&#xA;&#xA;   When all was said, very different in this respect from what I had been able to feel before the hawthorns, or when I tasted a crumb of madeleine, the stories that I had heard at Mme. de Guermantes’s remained alien to me. Entering for a moment into me, who was only physically possessed by them, one would have said that, being of a social, not an individual nature, they were impatient to escape. I writhed in my seat in the carriage like the priestess of an oracle. I looked forward to another dinner-party at which I might myself become a sort of Prince Von to Mme. de Guermantes, and repeat them. In the meantime they made my lips quiver as I stammered them to myself, and I tried in vain to bring back and concentrate a mind that was carried away by a centrifugal force. And so it was with a feverish impatience not to have to bear the whole weight of them any longer by myself in a carriage where, for that matter, I atoned for the lack of conversation by soliloquising aloud, that I rang the bell at M. de Charlus’s door, and it was in long monologues with myself, in which I rehearsed everything that I was going to tell him and gave scarcely a thought to what he might have to say to me, that I spent the whole of the time during which I was kept waiting in a drawing-room into which a footman shewed me and where I was incidentally too much excited to look at what it contained. I felt so urgent a need that M. de Charlus should listen to the stories which I was burning to tell him that I was bitterly disappointed to think that the master of the house was perhaps in bed, and that I might have to go home to sleep off by myself my drunkenness of words. I had just noticed, in fact, that I had been twenty-five minutes — that they had perhaps forgotten about me — in this room of which, despite this long wait, I could at the most have said that it was very big, greenish in colour, and contained a large number of portraits. The need to speak prevents one not merely from listening but from seeing things, and in this case the absence of any description of my external surroundings is tantamount to a description of my internal state. I was preparing to leave the room to try to get hold of some one, and if I found no one to make my way back to the hall and have myself let out, when, just as I had risen from my chair and taken a few steps across the mosaic parquet of the floor, a manservant came in, with a troubled expression: “Monsieur le Baron has been engaged all evening, Sir,” he told me. “There are still several people waiting to see him. I am doing everything I possibly can to get him to receive you, I have already telephoned up twice to the secretary.” “No; please don’t bother. I had an appointment with M. le Baron, but it is very late already, and if he is busy this evening I can come back another day.” “Oh no, Sir, you must not go away,” cried the servant. “M. le Baron might be vexed. I will try again.” I was reminded of the things I had heard about M. de Charlus’s servants and their devotion to their master. One could not quite say of him as of the Prince de Conti that he sought to give pleasure as much to the valet as to the Minister, but he had shewn such skill in making of the least thing that he asked of them a sort of personal favour that at night, when, his body-servants assembled round him at a respectful distance, after running his eye over them he said: “Coignet, the candlestick!” or “Ducret, the nightshirt!” it was with an envious murmur that the rest used to withdraw, jealous of him who had been singled out by his master’s favour. Two of them, indeed, who could not abide one another, used to try to snatch the favour each from his rival by going on the most flimsy pretext with a message to the Baron, if he had gone upstairs earlier than usual, in the hope of being invested for the evening with the charge of candlestick or nightshirt. If he addressed a few words directly to one of them on some subject outside the scope of his duty, still more if in winter, in the garden, knowing that one of his coachmen had caught cold, he said to him, after ten minutes: “Put your cap on!” the others would not speak to the fellow again for a fortnight, in their jealousy of the great distinction that had been conferred on him. I waited ten minutes more, and then, after requesting me not to stay too long as M. le Baron was tired and had had to send away several most important people who had made appointments with him many days before, they admitted me to his presence. This setting with which M. de Charlus surrounded himself seemed to me a great deal less impressive than the simplicity of his brother Guermantes, but already the door stood open, I could see the Baron, in a Chinese dressing-gown, with his throat bare, lying upon a sofa. My eye was caught at the same moment by a tall hat, its nap flashing like a mirror, which had been left on a chair with a cape, as though the Baron had but recently come in. The valet withdrew. I supposed that M. de Charlus would rise to greet me. Without moving a muscle he fixed on me a pair of implacable eyes. I went towards him, I said good evening; he did not hold out his hand, made no reply, did not ask me to take a chair. After a moment’s silence I asked him, as one would ask an ill-mannered doctor, whether it was necessary for me to remain standing. I said this without any evil intention, but my words seemed only to intensify the cold fury on M. de Charlus’s face. I was not aware, as it happened, that at home, in the country, at the Château de Charlus, he was in the habit, after dinner (so much did he love to play the king) of sprawling in an armchair in the smoking-room, letting hi3 guests remain standing round him. He would ask for a light from one, offer a cigar to another and then, after a few minutes’ interval, would say: “But Argencourt, why don’t you sit down? Take a chair, my dear fellow,” and so forth, having made a point of keeping them standing simply to remind them that it was from himself that permission came to them to be seated. “Put yourself in the Louis XIV seat,” he answered me with an imperious air, as though rather to force me to move away farther from himself than to invite me to be seated. I took an armchair which was comparatively near. “Ah! so that is what you call a Louis XIV seat, is it? I can see you have been well educated,” he cried in derision. I was so much taken aback that I did not move, either to leave the house, as I ought to have done, or to change my seat, as he wished. “Sir,” he next said to me, weighing each of his words, to the more impertinent of which he prefixed a double yoke of consonants, “the interview which I have condescended to grant you at the request of a person who desires to be nameless, will mark the final point in our relations. I shall not conceal from you that I had hoped for better things! I should perhaps be forcing the sense of the words a little, which one ought not to do, even with people who are ignorant of their value, simply out of the respect due to oneself, were I to tell you that I had felt a certain attraction towards you. I think, however, that benevolence, in its most actively protecting sense, would exceed neither what I felt nor what I was proposing to display. I had, immediately on my return to Paris, given you to understand, while you were still at Balbec, that you could count upon me.” I who remembered with what a torrent of abuse M. de Charlus had parted from me at Balbec made an instinctive gesture of contradiction. “What!” he cried with fury, and indeed his face, convulsed and white, differed as much from his ordinary face as does the sea when on a morning of storm one finds instead of its customary smiling surface a thousand serpents writhing in spray and foam, “do you mean to pretend that you did not receive my message — almost a declaration — that you were to remember me? What was there in the way of decoration round the cover of the book that I sent you?” “Some very pretty twined garlands with tooled ornaments,” I told him. “Ah!” he replied, with an air of scorn, “these young Frenchmen know little of the treasures of our land. What would be said of a young Berliner who had never heard of the Walküre? Besides, you must have eyes to see and see not, since you yourself told me that you had stood for two hours in front of that particular treasure. I can see that you know no more about flowers than you do about styles; don’t protest that you know about styles,” he cried in a shrill scream of rage, “you can’t even tell me what you are sitting on. You offer your hindquarters a Directorychauffeuse as a Louis XIV bergère. One of these days you’ll be mistaking Mme. de Villeparisis’s knees for the seat of the rear, and a fine mess you’ll make of things then. It’s precisely the same; you didn’t even recognise on the binding of Bergotte’s book the lintel of myosotis over the door of Balbec church. Could there be any clearer way of saying to you: ‘Forget me not!’?” I looked at M. de Charlus. Undoubtedly his magnificent head, though repellent, yet far surpassed that of any of his relatives; you would have called him an Apollo grown old; but an olive-hued, bilious juice seemed ready to start from the corners of his evil mouth; as for intellect, one could not deny that his, over a vast compass, had taken in many things which must always remain unknown to his brother Guermantes. But whatever the fine words with which he coloured all his hatreds, one felt that, even if there was now an offended pride, now a disappointment in love, or a rancour, or sadism, a love of teasing, a fixed obsession, this man was capable of doing murder, and of proving by force of logic that he had been right in doin^ it and was still superior by a hundred cubits in moral stature to his brother, his sister-in-law, or any of the rest. “Just as, in Velazquez’sLances,” he went on, “the victor advances towards him who is the humbler in rank, as is the duty of every noble nature, since I was everything and you were nothing, it was I who took the first steps towards you. You have made an idiotic reply to what it is not for me to describe as an act of greatness. But I have not allowed myself to be discouraged. Our religion inculcates patience. The patience I have shewn towards you will be counted, I hope, to my credit, and also my having only smiled at what might be denounced as impertinence, were it within your power to offer any impertinence to me who surpass you in stature by so many cubits; but after all, Sir, all this is now neither here nor there. I have subjected you to the test which the one eminent man of our world has ingeniously named the test of excessive friendliness, and which he rightly declares to be the most terrible of all, the only one that can separate the good grain from the tares. I could scarcely reproach you for having undergone it without success, for those who emerge from it triumphant are very few. But at least, and this is the conclusion which I am entitled to draw from the last words that we shall exchange on this earth, at least I intend to hear nothing more of your calumnious fabrications.” So far, I had never dreamed that M. de Charlus’s rage could have been caused by an unflattering remark which had been repeated to him; I searched my memory; I had not spoken about him to anyone. Some evil-doer had invented the whole thing. I protested to-M. de Charlus that I had said absolutely nothing about him. “I don’t think I can have annoyed you by saying to Mme. de Guermantes that I was a friend of yours.” He gave a disdainful smile, made his voice climb to the supreme pitch of its highest register, and there, without strain, attacking the shrillest and most insolent note: “Oh! Sir,” he said, returning by the most gradual stages to a natural intonation, and seeming to revel as he went in the oddities of this descending scale, “I think that you are doing yourself an injustice when you accuse yourself of having said that we were friends. I do not look for any great verbal accuracy in anyone who could readily mistake a piece of Chippendale for a rococo chaire, but really I do not believe,” he went on, with vocal caresses that grew more and more winning and brought to hover over his lips what was actually a charming smile, “I do not believe that you can ever have said, or thought, that we were frlends! As for your having boasted that you had been presented to me, had talked to me, knew me slightly, had obtained, almost without solicitation, the prospect of coming one day under my protection, I find it on the contrary very natural and intelligent of you to have done so. The extreme difference in age that there is between us enables me to recognise without absurdity that thatpresentation, those talks, that vague prospect of future relations were for you, it is not for me to say an honour, but still, when all is said and done, an advantage as to which I consider that your folly lay not in divulging it but in not having had the sense to keep it. I will go so far as to say,” he went on, passing abruptly for a moment from his arrogant wrath to a gentleness so tinged with melancholy that I expected him to burst into tears, “that when you left unanswered the proposal I made to you here in Paris it seemed to me so unheard-of an act on your part, coming from you who had struck me as well brought up and of a good bourgeois family,” (on this adjective alone his voice sounded a little whistle of impertinence) “that I was foolish enough to imagine all the excuses that never really happen, letters miscarrying, addresses copied down wrong. I can see that on my part it was great foolishness, but Saint Bonaventure preferred to believe that an ox could fly rather than that his brother was capable of lying. Anyhow, that is all finished now, the idea did not attract you, there is no more to be said. It seems to me only that you might have brought yourself,” (and there was a genuine sound of weeping in his voice) “were it only out of consideration for my age, to write to me. I had conceived and planned for you certain infinitely seductive things, which I had taken good care not to tell you. You have preferred to refuse without knowing what they were; that is your affair. But, as I tell you, one can always write. In your place, and indeed in my own, I should have done so. I like my place, for that reason, better than yours — I say ‘for that reason’ because I believe that we are all equal, and I have more fellow-feeling for an intelligent labourer than for many of our dukes. But I can say that I prefer my place to yours, because what you have done, in the whole course of my life, which is beginning now to be a pretty long one, I am conscious that I have never done.” His head was turned away from the light, and I could not see if his eyes were dropping tears as I might have supposed from his voice. “I told you that I had taken a hundred steps towards you; the only effect of that has been to make you retire two hundred from me. Now it is for me to withdraw, and we shall know one another no longer. I shall retain not your name but your story, so that at moments when I might be tempted to believe that men have good hearts, good manners, or simply the intelligence not to allow an unparalleled opportunity to escape them, I may remember that that is ranking them too highly. No, that you should have said that you knew me, when it was true — for henceforward it ceases to be true — I regard that as only natural, and I take it as an act of homage, that is to say something pleasant. Unfortunately, elsewhere and in other circumstances, you have uttered remarks of a very different nature.” “Sir, I swear to you that I have said nothing that could insult you.” “And who says that I am insulted?” he cried with fury, flinging himself into an erect posture on the seat on which hitherto he had been reclining motionless, while, as the pale frothing serpents stiffened in his face, his voice became alternately shrill and grave, like the deafening onrush of a storm. (The force with which he habitually spoke, which used to make strangers turn round in the street, was multiplied an hundredfold, as is a musical forte if, instead of being played on the piano, it is played by an orchestra, and changed into afortissimo as well. M. de Charlus roared.) “Do you suppose that it is within your power to insult me? You evidently are not aware to whom you are speaking? Do you imagine that the envenomed spittle of five hundred little gentlemen of your type, heaped one upon another, would succeed in slobbering so much as the tips of my august toes?” A moment before this my desire to persuade M. de Charlus that I had never said, nor heard anyone else say any evil of him had given place to a mad rage, caused by the words which were dictated to him solely, to my mind, by his colossal pride. Perhaps they were indeed the effect, in part at any rate, of this pride. Almost all the rest sprang from a feeling of which I was then still ignorant, and for which I could not therefore be blamed for not making due allowance. I could at least, failing this unknown element, have mingled with his pride, had I remembered the words of Mme. de Guermantes, a trace of madness. But at that moment the idea of madness never even entered my head. There was in him, according to me, only pride, in me there was only fury. This fury (at the moment when M. de Charlus ceased to shout, in order to refer to his august toes, with a majesty that was accompanied by a grimace, a nausea of disgust at his obscure blasphemers), this fury could contain itself no longer. With an impulsive movement, I wanted to strike something, and, a lingering trace of discernment making me respect the person of a man so much older than myself, and even, in view of their dignity as works of art, the pieces of German porcelain that were grouped around him, I flung myself upon the Baron’s new silk hat, dashed it to the ground, trampled upon it, began blindly pulling it to pieces, wrenched off the brim, tore the crown in two, without heeding the vociferations of M. de Charlus, which continued to sound, and, crossing the room to leave it, opened the door. One on either side of it, to my intense stupefaction, stood two footmen, who moved slowly away, so as to appear only to have been casually passing in the course of their duty. (I afterwards learned their names; one was called Burnier, the other Charmel.) I was not taken in for a moment by this explanation which their leisurely gait seemed to offer me. It was highly improbable; three others appeared to me to be less so; one that the Baron sometimes entertained guests against whom, as he might happen to need assistance (but why?), he deemed it necessary to keep reinforcements posted close at hand. The second was that, drawn by curiosity, they had stopped to listen at the keyhole, not thinking that I should come out so quickly. The third, that, the whole of the scene which M. de Charlus had made with me having been prepared and acted, he had himself told them to listen, from a love of the spectacular combined, perhaps, with a ‘nunc crudimini‘ from which each would derive a suitable profit&#xA;&#xA;   My anger had not calmed that of M. de Charlus, my departure from the room seemed to cause him acute distress; he called me back, made his servants call me back, and finally, forgetting that a moment earlier, when he spoke of his ‘august toes,’ he had thought to make me a witness of his own deification, came running after me at full speed, overtook me in the hall, and stood barring the door. “There, now,” he said, “don’t be childish; come back for a minute; he who loveth well chasteneth well, and if I have chastened you well it is because I love you well.” My anger had subsided; I let the word ‘chasten’ pass, and followed the Baron, who, summoning a footman, ordered him without a trace of self-consciousness to clear away the remains of the shattered hat, which was replaced by another. “If you will tell me, Sir, who it is that has treacherously maligned me,” I said to M. de Charlus, “I will stay here to learn his name and to confute the impostor.” “Who? Do you not know? Do you retain no memory of the things you say? Do you think that the people who do me the service of informing me of those things do not begin by demanding secrecy? And do you imagine that I am going to betray a person to whom I have given my promise?” “Sir, is it impossible then for you to tell me?” I asked, racking my brains in a final effort to discover (and discovering no one) to whom I could have spoken about M. de Charlus. “You did not hear me say that I had given a promise of secrecy to my informant?” he said in a snapping voice. “I see that with your fondness for abject utterances you combine one for futile persistence. You ought to have at least the intelligence to profit by a final conversation, and so to speak as to say something that does not mean precisely nothing.” “Sir,” I replied, moving away from him, “you insult me; I am unarmed, because you are several times my age, we are not equally matched; on the other hand, I cannot convince you; I have already sworn to you that I have said nothing.” “I am lying, then, am I?” he cried in a terrifying tone, and with a bound forwards that brought him within a yard of myself. “Some one has misinformed you.” Then in a gentle, affectionate, melancholy voice, as in those symphonies which are played without any break between the different movements, in which a gracefulscherzo, amiable and idyllic, follows the thunder-peals of the opening pages: “It is quite possible,” he told me. “Generally speaking, a remark repeated at second hand is rarely true. It is your fault if, not having profited by the opportunities of seeing me which I had held out to you, you have not furnished me, by that open speech of daily intercourse which creates confidence, with the unique and sovereign remedy against a spoken word which made you out a traitor. Either way, true or false, the remark has done its work. I can never again rid myself of the impression it made on me. I cannot even say that he who chasteneth well loveth well, for I have chastened you well enough but I no longer love you.” While saying this he had forced me to sit down and had rung the bell. A different footman appeared. “Bring something to drink and order the brougham.” I said that I was not thirsty and besides had a carriage waiting. “They have probably paid him and sent him away,” he told me, “you needn’t worry about that. I am ordering a carriage to take you home. . . . If you’re anxious about the time . . . I could have given you a room here. . . . ” I said that my mother would be uneasy. “Ah! Of course, yes. Well, true or false, the remark has done its work. My affection, a trifle premature, had flowered too soon, and, like those apple trees of which you spoke so poetically at Balbec, it has been unable to withstand the first frost.” If M. de Charlus’s affection for me had not been destroyed, he could hardly have acted differently, since, while assuring me that we were no longer acquainted, he made me sit down, drink, asked me to stay the night, and was going now to send me home. He had indeed an air of dreading the moment at which he must part from me and find himself alone, that sort of slightly anxious fear which his sister-in-law and cousin Guermantes had appeared to me to be feeling when she had tried to force me to stay a little longer, with something of the same momentary fondness for myself, of the same effort to prolong the passing minute. “Unfortunately,” he went on, “I have not the power to make blossom again what has once been destroyed. My affection for you is quite dead. Nothing can revive it. I believe that it is not unworthy of me to confess that I regret it. I always feel myself to be a little like Victor Hugo’s Boaz: ‘I am widowed and alone, and the darkness gathers o’er me.’”&#xA;&#xA;   I passed again with him through the big green drawing-room. I told him, speaking quite at random, how beautiful I thought it. “Ain’t it?” he replied. “It’s a good thing to be fond of something. The woodwork is Bagard. What is rather charming, d’you see, is that it was made to match the Beauvais chairs and the consoles. You observe, it repeats the same decorative design. There used to be only two places where you could see this, the Louvre and M. d’Hinnisdal’s house. But naturally, as soon as I had decided to come and live in this street, there cropped up an old family house of the Chimays which nobody had ever seen before because it came here expressly for me. On the whole, it’s good. It might perhaps be better, but after all it’s not bad. Some pretty things, ain’t there? These are portraits of my uncles, the King of Poland and the King of England, by Mignard. But why am I telling you all this? You must know it as well as I do, you were waiting in this room. No? Ah, then they must have put you in the blue drawing-room,” he said with an air that might have been either impertinence, on the score of my want of interest, or personal superiority, in not having taken the trouble to ask where I had been kept waiting. “Look now, in this cabinet I have all the hats worn by Mlle. Elisabeth, by the Princesse de Lamballe, and by the Queen. They don’t interest you, one would think you couldn’t see. Perhaps you are suffering from an affection of the optic nerve. If you like this kind of beauty better, here is a rainbow by Turner beginning to shine out between these two Rembrandts, as a sign of our reconciliation. You hear: Beethoven has come to join him.” And indeed one could hear the first chords of the third part of the Pastoral Symphony, ‘Joy after the Storm,’ performed somewhere not far away, on the first landing no doubt, by a band of musicians. I innocently inquired how they happened to be playing that, and who the musicians were. “Ah, well, one doesn’t know. One never does know. They are unseen music. Pretty, ain’t it?” he said to me in a slightly impertinent tone, which, nevertheless, suggested somehow the influence and accent of Swann. “But you care about as much for it as a fish does for little apples. You want to go home, regardless of any want of respect for Beethoven or for me. You are uttering your own judgment and condemnation,” he added, with an affectionate and mournful air, when the moment had come for me to go. “You will excuse my not accompanying you home, as good manners ordain that I should,” he said to me. “Since I have decided not to see you again, spending five minutes more in your company would make very little difference to me. But I am tired, and I have a great deal to do.” And then, seeing that it was a fine night: “Very well, yes, I will come in the carriage, there is a superb moon which I shall go on to admire from the Bois after I have taken you home. What, you don’t know how to shave; even on a night when you’ve been dining out, you have still a few hairs here,” he said, taking my chin between two fingers, so to speak magnetised, which after a moment’s resistance ran up to my ears, like the fingers of a barber. “Ah! It would be pleasant to look at the ‘blue light of the moon’ in the Bois with some one like yourself,” he said to me with a sudden and almost involuntary gentleness, then, in a sadder tone: “For you are nice, all the same; you could be nicer than anyone,” he went on, laying his hand in a fatherly way on my shoulder. “Originally, I must say that I found you quite insignificant.” I ought to have reflected that he must find me so still. I had only to recall the rage with which he had spoken to me, barely half an hour before. In spite of this I had the impression that he was, for the moment, sincere, that his kindness of heart was prevailing over what I regarded as an almost delirious condition of susceptibility and pride. The carriage was waiting beside us, and still he prolonged the conversation. “Come along,” he said abruptly, “jump in, in five minutes we shall be at your door. And I shall bid you a good night which will cut short our relations, and for all time. It is better, since we must part for ever, that we should do so, as in music, on a perfect chord.” Despite these solemn affirmations that we should never see one another again, I could have sworn that M. de Charlus, annoyed at having forgotten himself earlier in the evening and afraid of having hurt my feelings, would not have been displeased to see me once again. Nor was I mistaken, for, a moment later: “There, now,” he said, “if I hadn’t forgotten the most important thing of all. In memory of your grandmother, I have had bound for you a curious edition of Mme. de Sévigné. That is what is going to prevent this from being our last meeting. One must console oneself with the reflexion that complicated affairs are rarely settled in a day. Just look how long they took over the Congress of Vienna.” “But I could call for it without disturbing you,” I said obligingly. “Will you hold your tongue, you little fool,” he replied with anger, “and not give yourself a grotesque appearance of regarding as a small matter the honour of being probably (I do not say certainly, for it will perhaps be one of my servants who hands you the volumes) received by me.” Then, regaining possession of himself: “I do not wish to part from you on these words. No dissonance, before the eternal silence of the dominant.” It was for his own nerves that he seemed to dread an immediate return home after harsh words of dissension. “You would not care to come to the Bois?” he addressed me in a tone not so much interrogative as affirmative, and that not, as it seemed to me, because he did not wish to make me the offer but because he was afraid that his self-esteem might meet with a refusal. “Oh, very well,” he went on, still postponing our separation, “it is the moment when, as Whistler says, the bourgeois go to bed” (perhaps he wished now to capture me by my self-esteem) “and the right time to begin to look at things. But you don’t even know who Whistler was!” I changed the conversation and asked him whether the Princesse d’Iéna was an intelligent person. M. de Charlus stopped me, and, adopting the most contemptuous tone that I had yet heard him use, “Oh! There, Sir,” he informed me, “you are alluding to an order of nomenclature with which I have no concern. There is perhaps an aristocracy among the Tahitians, but I must confess that I know nothing about it. The name which you have just mentioned, strangely enough, did sound in my ears only a few days ago. Some one asked me whether I would condescend to allow them to present to me the young Duc de Guastalla. The request astonished me, for the Duc de Guastalla has no need to get himself presented to me, for the simple reason that he is my cousin, and has known me all his life; he is the son of the Princesse de Parme, and, as a young kinsman of good upbringing, he never fails to come and pay his respects to me on New Year’s Day. But, on making inquiries, I discovered that it was not my relative who was meant but the son of the person in whom you are interested. As there exists no Princess of that title, I supposed that my friend was referring to some poor wanton sleeping under the Pont d’Iéna, who had picturesquely assumed the title of Princesse d’Iéna, just as one talks about the Panther of the Batignolles, or the Steel King. But no, the reference was to a rich person who possesses some remarkable furniture which I had seen and admired at an exhibition, and which has this advantage over the name of its owner that it is genuine. As for this self-styled Duc de Guastalla, he, I supposed, must be my secretary’s stockbroker; one can procure so many things with money. But no; it was the Emperor, it appears, who amused himself by conferring on these people a title which simply was not his to give. It was perhaps a sign of power, or of ignorance, or of malice; in any case, I consider, it was an exceedingly scurvy trick to play on these unconscious usurpers. But really, I cannot help you by throwing any light on the matter; my knowledge begins and ends with the Faubourg Saint-Germain, where, among all the Courvoisiers and Gallardons, you will find, if you can manage to secure an introduction, plenty of mangy old cats taken straight out of Balzac who will amuse you. Naturally, all that has nothing to do with the position of the Princesse de Guermantes, but without me and my ‘Open, Sesame’ her portals are unapproachable.” “It is really very lovely, isn’t it, Sir, the Princesse de Guermantes’s mansion?” “Oh, it’s not very lovely. It’s the loveliest thing in the world. Next to the Princess herself, of course.” “The Princesse de Guermantes is better than the Duchesse de Guermantes?” “Oh! There’s no comparison.” (It is to be observed that, whenever people in society have the least touch of imagination, they will crown or dethrone, to suit their affections or their quarrels, those whose position appeared most solid and unalterably fixed.)&#xA;&#xA;    “The Duchesse de Guermantes” (possibly, in not calling her ‘Oriane,’ he wished to set a greater distance between her and myself) “is delightful, far superior to anything you can have guessed. But, after all, she is incommensurable with her cousin. The Princess is exactly what the people in the Markets might imagine Princess Metternich to have been, but old Metternich believed she had started Wagner, because she knew Victor Maurel. The Princesse de Guermantes, or rather her mother, knew the man himself. Which is a distinction, not to mention the incredible beauty of the lady. And the Esther gardens alone!” “One can’t see them?” “No, you would have to be invited, but they never invite anyone unless I intervene.” But at once withdrawing, after casting it at me, the bait of this offer, he held out his hand, for we had reached my door. “My part is played, Sir, I will simply add these few words. Another person will perhaps some day offer you his affection, as I have done. Let the present example serve for your instruction. Do not neglect it. Affection is always precious. What one cannot do by oneself in this life, because there are things which one cannot ask, nor do, nor wish, nor learn by oneself, one can do in company, and without needing to be Thirteen, as in Balzac’s story, or Four, as in The Three Musketeers. Good-bye.”&#xA;&#xA;   He must have been feeling tired and have abandoned the idea of going to look at the moonlight, for he asked me to tell his coachman to drive home. At once he made a sharp movement as though he had changed his mind. But I had already given the order, and, so as not to lose any more time, went across now to ring the bell, without its entering my head that I had been meaning to tell M. de Charlus, about the German Emperor and General Botha, stories which had been an hour ago such an obsession but which his unexpected and crushing reception had sent flying far out of my mind&#xA;&#xA;   On entering my room I saw on my desk a letter which Franchise’s young footman had written to one of his friends and had left lying there. Now that my mother was away, there was no liberty which he had the least hesitation in taking; I was the more to blame of the two for taking that of reading the letter which, without an envelope, lay spread out before me and (which was my sole excuse) seemed to offer itself to my eye&#xA;&#xA;    “Dear Friend and Cousin&#xA;&#xA;    “I hope this finds you in good health, and the same with all the young folk, particularly my young godson Joseph whom I have not yet had the pleasure of meeting but whom I prefer to you all as being my godson, these relics of the heart they have their dust also, upon their blest remains let us not lay our hands. Besides dear friend and cousin who can say that to-morrow you and your dear wife my cousin Marie, will not both of you be cast headlong down into the bottom of the sea, like the sailor clinging to the mast on high, for this life is but a dark valley. Dear friend I must tell you that my principal occupation, which will astonish you I am certain, is now poetry which I love passionately, for one must somehow pass the time away. And so dear friend do not be too surprised if I have not answered your last letter before now, in place of pardon let oblivion come. As you are aware, Madame’s mother has passed away amid unspeakable sufferings which fairly exhausted her as she saw as many as three doctors. The day of her interment was a great day for all Monsieur’s relations came in crowds as well as several Ministers. It took them more than two hours to get to the cemetery, which will make you all open your eyes pretty wide in your village for they certainly won’t do as much for mother Michu. So all my life to come can be but one long sob. I am amusing myself enormously with the motorcycle of which I have recently learned. What would you say, my dear friends, if I arrived suddenly like that at full speed at Les Ecorces. But on that head I shall no more keep silence for I feel that the frenzy of grief sweeps its reason away. I am associating with the Duchesse de Guermantes, people whose very names you have never heard in our ignorant villages. Therefore it is with pleasure that I am going to send the works of Racine, of Victor Hugo, of Pages Choisies de Chenedolle, of Alfred de Musset, for I would cure the land in which I saw the light of ignorance which leads unerringly to crime. I can think of nothing more to say to you and send you like the pelican wearied by a long flight my best regards as well as to your wife my godson and your sister Rose. May it never be said of her: And Rose she lived only as live the roses, as has been said by Victor Hugo, the sonnet of Arvers, Alfred de Musset, all those great geniuses who for that cause have had to die upon the blazing scaffold like Jeanne d’Arc. Hoping for your next letter soon, receive my kisses like those of a brother&#xA;&#xA;    “Périgot (Joseph).”&#xA;&#xA;   We are attracted by every form of life which represents to us something unknown and strange, by a last illusion still unshattered. In spite of this, the mysterious utterances by means of which M. de Charlus had led me to imagine the Princesse de Guermantes as an extraordinary creature, different from anyone that I knew, were not sufficient to account for the stupefaction in which I was plunged, speedily followed by the fear that I might be the victim of some bad joke planned by some one who wanted to send me to the door of a house to which I had not been invited, when, about two months after my dinner with the Duchess and while she was at Cannes, having opened an envelope the appearance of which had not led me to suppose that it contained anything out of the common, I read the following words engraved on a card: “The Princesse de Guermantes,née Duchesse en Bavière, At Home, the ——-th.” No doubt to be invited to the Princesse de Guermantes’s was perhaps not, from the social point of view, any more difficult than to dine with the Duchess, and my slight knowledge of heraldry had taught me that the title of Prince is not superior to that of Duke. Besides, I told myself that the intelligence of a society woman could not be essentially so heterogeneous to that of her congeners as M. de Charlus made out, nor so heterogeneous to that of any one other woman in society. But my imagination, like Elstir engaged upon rendering some effect of perspective without reference to a knowledge of the laws of nature which he might quite well possess, depicted for me not what I knew but what it saw; what it saw, that is to say what the name shewed it. Now, even before I had met the Duchess, the name Guermantes preceded by the title of Princess, like a note or a colour or quantity, profoundly modified from the surrounding values by the mathematical or aesthetic sign that governs it, had already suggested to me something entirely different. With that title one finds one’s thoughts straying instinctively to the memoirs of the days of Louis XIII and Louis XIV, the English Court, the Queen of Scots, the Duchesse d’Aumale; and I imagined the town house of the Princesse de Guermantes as more or less frequented by the Duchesse de Longueville and the great Condé, whose presence there rendered it highly improbable that I should ever make my way into it&#xA;&#xA;   Many of the things that M. de Charlus had told me had driven a vigorous spur into my imagination and, making it forget how much the reality had disappointed me at Mme. de Guermantes’s (people’s names are in this respect like the names of places), had swung it towards Oriane’s cousin. For that matter, M. de Charlus misled me at times as to the imaginary value and variety of people in society only because he was himself at times misled. And this, perhaps, because he did nothing, did not write, did not paint, did not even read anything in a serious and thorough manner. But, superior by several degrees to the people in society, if it was from them and the spectacle they afforded that he drew the material for his conversation, he was not for that reason understood by them. Speaking as an artist, he could at the most reveal the fallacious charm of people in society. But reveal it to artists alone, with relation to whom he might be said to play the part played by the reindeer among the Esquimaux. This precious animal plucks for them from the barren rocks lichens and mosses which they themselves could neither discover nor utilise, but which, once they have been digested by the reindeer, become for the inhabitants of the far North a nourishing form of food&#xA;&#xA;   To which I may add that the pictures which M. de Charlus drew of society were animated with plenty of life by the blend of his ferocious hatreds and his passionate affections. Hatreds directed mainly against the young men, adoration aroused principally by certain women&#xA;&#xA;   If among these the Princesse de Guermantes was placed by M. de Charlus upon the most exalted throne, his mysterious words about the ‘unapproachable Aladdin’s palace’ in which his cousin dwelt were not sufficient to account for my stupefaction. Apart from whatever may be due to the divers subjective points of view, of which I shall have to speak later, in these artificial magnifications, the fact remains that there is a certain objective reality in each of these people, and consequently a difference among them. And how, when it comes to that, could it be otherwise? The humanity with which we consort and which bears so little resemblance to our dreams is, for all that, the same that, in the Memoirs, in the Letters of eminent persons, we have seen described and have felt a desire to know. The old man of complete insignificance whom we met at dinner is the same who wrote that proud letter, which (in a book on the War of 1870) we read with emotion, to Prince Friedrich-Karl. We are bored at a dinner-table because our imagination is absent, and because it is bearing us company we are interested in a book. But the people in question are the same. We should like to have known Mme. de Pompadour, who was so valuable a patron of the arts, and we should have been as much bored in her company as among the modern Egerias, at whose houses we cannot bring ourselves to pay a second call, so uninteresting do we find them. The fact remains, nevertheless, that these differences do exist. People are never exactly similar to one another, their mode of behaviour with regard to ourselves, at, one might say, the same level of friendship, reveals differences which, in the end, offer compensations. When I knew Mme. de Montmorency, she loved to say unpleasant things to me, but if I was in need of a service she would squander, in the hope of obtaining it for me effectively, all the credit at her disposal, without counting the cost. Whereas some other woman, Mme. de Guermantes for example, would never have wished to hurt my feelings, never said anything about me except what might give me pleasure, showered on me all those tokens of friendship which formed the rich manner of living, morally, of the Guermantes, but, had I asked her for the least thing above and beyond that, would not have moved an inch to procure it for me, as in those country houses where one has at one’s disposal a motor-car and a special footman, but where it is impossible to obtain a glass of cider, for which no provision has been made in the arrangements for a party. Which was for me the true friend, Mme. de Montmorency, so glad always to annoy me and always so ready to oblige, or Mme. de Guermantes, distressed by the slightest offence that might have been given me and incapable of the slightest effort to be of use to me? The types of the human mind are so varied, so opposite, not only in literature but in society, that Baudelaire and Mérimée are not the only people who have the right to despise one another mutually. These peculiarities continue to form in everyone a system of attitudes, of speech, of actions, so coherent, so despotic, that when we are in the presence of anyone his or her system seems to us superior to the rest. With Mme. de Guermantes, her words, deduced like a theorem from her type of mind, seemed to me the only ones that could possibly be said. And I was, at heart, of her opinion when she told me that Mme. de Montmorency was stupid and kept an open mind towards all the things she did not understand, or when, having heard of some spiteful remark by that lady, she said: “That is what you call a good woman; it is what I call a monster.” But this tyranny of the reality which confronts us, this preponderance of the lamplight which turns the dawn — already distant — as pale as the faintest memory, disappeared when I was away from Mme. de Guermantes, and a different lady said to me, putting herself on my level and reckoning the Duchess as placed far below either of us: “Oriane takes no interest, really, in anything or anybody,” or even (what in the presence of Mme. de Guermantes it would have seemed impossible to believe, so loudly did she herself proclaim the opposite): “Oriane is a snob.” Seeing that no mathematical process would have enabled one to convert Mme. d’Arpajon and Mme. de Montpensier into commensurable quantities, it would have been impossible for me to reply, had anyone asked me which of the two seemed to me superior to the other&#xA;&#xA;   Now, among the peculiar characteristics of the drawing-room of the Princesse de Guermantes, the one most generally quoted was a certain exclusiveness, due in part to the royal birth of the Princess, but especially to the almost fossilised rigidity of the aristocratic prejudices of the Prince, prejudices which, incidentally, the Duke and Duchess had made no scruple about deriding in front of me, and which naturally were to make me regard it as more improbable than ever that I should have been invited to a party by this man who reckoned only in royalties and dukes, and at every dinner-party made a scene because he had not been put in the place to which he would have been entitled under Louis XIV, a place which, thanks to his immense erudition in matters of history and genealogy, he was the only person who knew. For this reason, many of the people in society placed to the credit of the Duke and Duchess the differences which distinguished them from their cousins. “The Duke and Duchess are far more modern, far more intelligent, they don’t think of nothing, like the other couple, but how many quarterings one has, their house is three hundred years in advance of their cousins’,” were customary remarks, the memory of which made me tremble as I looked at the card of invitation, to which they gave a far greater probability of its having been sent me by some practical joker&#xA;&#xA;   If the Duke and Duchess had not been still at Cannes, I might have tried to find out from them whether the invitation which I had received was genuine. This state of doubt in which I was plunged was not due, as I flattered myself for a time by supposing, to a sentiment which a man of fashion would not have felt and which, consequently, a writer, even if he belonged apart from his writership to the fashionable caste, ought to reproduce in order to be thoroughly ‘objective’ and to depict each class differently. I happened, in fact, only the other day, in a charming volume of memoirs, to come upon the record of uncertainties analogous to those which the Princesse de Guermantes’s card made me undergo. “Georges and I” (or “Hély and I,” I have not the book at hand to verify the reference) “were so keen to be asked to Mme. Delessert’s that, having received an invitation from her, we thought it prudent, each of us independently, to make certain that we were not the victims of an April fool.” Now, the writer is none other than the Comte d’Haussonville (he who married the Duc de Broglie’s daughter) and the other young man who ‘independently’ makes sure that he is not having a practical joke played on him is, according to whether he is called Georges or Hély, one or other of the two inseparable friends of M. d’Haussonville, either M. d’Harcourt or the Prince de Chalais&#xA;&#xA;   The day on which the party was to be given at the Princesse de Guermantes’s, I learned that the Duke and Duchess had just returned to Paris. The Princess’s ball would not have brought them back, but one of their cousins was seriously ill, and moreover the Duke was greatly taken up with a revel which was to be held the same night, and at which he himself was to appear as Louis XI and his wife as Isabel of Bavaria. And I determined to go and see her that morning. But, having gone out early, they had not yet returned; I watched first of all from a little room, which had seemed to me to be a good look-out post, for the arrival of their carriage. As a matter of fact I had made a singularly bad choice in my observatory from which I could barely make out our courtyard, but I did see into several others, and this, though of no value to me, occupied my mind for a time. It is not only in Venice that one has those outlooks on to several houses at once which have proved so tempting to painters; it is just the same in Paris. Nor do I cite Venice at random. It is of its poorer quarters that certain poor quarters of Paris make one think, in the morning, with their tall, wide chimneys to which the sun imparts the most vivid pinks, the brightest reds; it is a whole garden that flowers above the houses, and flowers in such a variety of tints that one would call it, planted on top of the town, the garden of a tulip-fancier of Delft or Haarlem. And then also, the extreme proximity of the houses, with their windows looking opposite one another on to a common courtyard, makes of each casement the frame in which a cook sits dreamily gazing down at the ground below, in which farther off a girl is having her hair combed by an old woman with the face, barely distinguishable in the shadow, of a witch: thus each courtyard provides for the adjoining house, by suppressing all sound in its interval, by leaving visible a series of silent gestures in a series of rectangular frames, glazed by the closing of the windows, an exhibition of a hundred Dutch paintings hung in rows. Certainly from the Hôtel de Guermantes one did not have the same kind of view, but one had curious views also, especially from the strange trigonometrical point at which I had placed myself and from which one’s gaze was arrested by nothing nearer than the distant heights formed by the comparatively vague plots of ground which preceded, on a steep slope, the mansion of the Marquise de Plassac and Mme. de Tresmes, cousins (of the most noble category) of M. de Guermantes, whom I did not know. Between me and this house (which was that of their father, M. de Bréquigny) nothing but blocks of buildings of low elevation, facing in every conceivable direction, which, without blocking the view, increased the distance with their diagonal perspective. The red-tiled turret of the coach-house in which the Marquis de Frécourt kept his carriages did indeed end in a spire that rose rather higher, but was so slender that it concealed nothing, and made one think of those picturesque old buildings in Switzerland which spring up in isolation at the foot of a mountain. All these vague and divergent points on which my eyes rested made more distant apparently than if it had been separated from us by several streets or by a series of foothills the house of Mme. de Plassac, actually quite near but chimerically remote as in an Alpine landscape. When its large paned windows, glittering in the sunlight like flakes of rock crystal, were thrown open so as to air the rooms, one felt, in following from one floor to the next the footmen whom it was impossible to see clearly but who were visibly shaking carpets, the same pleasure as when one sees in a landscape by Turner or Elstir a traveller in a mail-coach, or a guide, at different degrees of altitude on the Saint-Gothard. But from this point of view in which I had ensconced myself I should have been in danger of not seeing M. or Mme. de Guermantes come in, so that when in the afternoon I was free to resume my survey I simply stood on the staircase, from which the opening of the carriage-gate could not escape my notice, and it was on this staircase that I posted myself, albeit there did not appear there, so entrancing with their footmen rendered minute by distance and busily cleaning, the Alpine beauties of the Bréquigny-Tresmes mansion. Now this wait on the staircase was to have for me consequences so considerable, and to reveal to me a picture no longer Turneresque but ethical, of so great importance, that it is preferable to postpone the account of it for a little while by interposing first that of my visit to the Guermantes when I knew that they had come home. It was the Duke alone who received me in the library. As I went in there came out a little man with snow-white hair, a look of poverty, a little black neckcloth such as was worn by the lawyer at Combray and by several of my grandfather’s friends, but of a more timid aspect than they, who, making me a series of profound bows, refused absolutely to go downstairs until I had passed him. The Duke shouted after him from the library something which I did not understand, and the other responded with further bows, addressed to the wall, for the Duke could not see him, but endlessly repeated nevertheless, like the purposeless smiles on the faces of people who are talking to one over the telephone; he had a falsetto voice, and saluted me afresh with the humility of a man of business. And he might, for that matter, have been a man of business from Combray, so much was he in the style, provincial, out of date and mild, of the small folk, the modest elders of those parts. “You shall see Oriane in a minute,” the Duke told me when I had entered the room. “As Swann is coming in presently and bringing her the proofs of his book on the coinage of the Order of Malta, and, what is worse, an immense photograph he has had taken shewing both sides of each of the coins, Oriane preferred to get dressed early so that she can stay with him until it’s time to go out to dinner. We have such a heap of things in the house already that we don’t know where to put them all, and I ask myself where on earth we are going to stick this photograph. But I have too good-natured a wife, who is too fond of giving people pleasure. She thought it would be polite to ask Swann to let her see side by side on one sheet the heads of all those Grand Masters of the Order whose medals he has found at Rhodes. I said Malta, didn’t I, it is Rhodes, but it’s all the same Order of Saint John of Jerusalem. As a matter of fact, she is interested in them only because Swann makes a hobby of it. Our family is very much mixed up in the whole story; even at the present day, my brother, whom you know, is one of the highest dignitaries in the Order of Malta. But I might have told all that to Oriane, she simply wouldn’t have listened to me. On the other hand, it was quite enough that Swann’s researches into the Templars (it’s astonishing the passion that people of one religion have for studying others) should have led him on to the history of the Knights of Rhodes, who succeeded the Templars, for Oriane at once to insist on seeing the heads of these Knights. They were very small fry indeed compared with the Lusignans, Kings of Cyprus, from whom we descend in a direct line. But so far, as Swann hasn’t taken them up, Oriane doesn’t care to hear anything about the Lusignans.” I could not at once explain to the Duke why I had come. What happened was that several relatives or friends, including Mme. de Silistrie and the Duchesse de Montrose, came to pay a call on the Duchess, who was often at home before dinner, and not finding her there stayed for a short while with the Duke. The first of these ladies (the Princesse de Silistrie), simply attired, with a dry but friendly manner, carried a stick in her hand. I was afraid at first that she had injured herself, or was a cripple. She was on the contrary most alert. She spoke regretfully to the Duke of a first cousin of his own — not on the Guermantes side, but more illustrious still, were that possible — whose health, which had been in a grave condition for some time past, had grown suddenly worse. But it was evident that the Duke, while full of pity for his cousin’s lot, and repeating “Poor Mama! He’s such a good fellow!” had formed a favourable prognosis. The fact was that the dinner at which the Duke was to be present amused him, the big party at the Princesse de Guermantes’s did not bore him, but above all he was to go on at one o’clock in the morning with his wife to a great supper and costume ball, with a view to which a costume of Louis XI for himself, and one of Isabel of Bavaria for his wife were waiting in readiness. And the Duke was determined not to be disturbed amid all these gaieties by the sufferings of the worthy Amanien d’Osmond. Two other ladies carrying sticks, Mme. de Plassac and Mme. de Tresmes, both daughters of the Comte de Bréquigny, came in next to pay Basin a visit, and declared that cousin Mama’s state left no room now for hope. The Duke shrugged his shoulders, and to change the conversation asked whether they were going that evening to Marie-Gilbert’s. They replied that they were not, in view of the state of Amanien who was in his last agony, and indeed they had excused themselves from the dinner to which the Duke was going, the other guests at which they proceeded to enumerate: the brother of King Theodosius, the Infanta Maria Concepcion, and so forth. As the Marquis d’Osmond was less nearly related to them than he was to Basin, their ‘defection’ appeared to the Duke to be a sort of indirect reproach aimed at his own conduct. And so, albeit they had come down from the heights of the Bréquigny mansion to see the Duchess (or rather to announce to her the alarming character, incompatible for his relatives with attendance at social gatherings, of their cousin’s illness) they did not stay long, and, each armed with her alpenstock, Walpurge and Dorothée (such were the names of the two sisters) retraced the craggy path to their citadel. I never thought of asking the Guermantes what was the meaning of these sticks, so common in a certain part of the Faubourg Saint-Germain. Possibly, looking upon the whole parish as their domain, and not caring to hire cabs, they were in the habit of taking long walks, for which some old fracture, due to immoderate indulgence in the chase, and to the falls from horseback which are often the fruit of that indulgence, or simply rheumatism caused by the dampness of the left bank and of old country houses made a stick necessary. Perhaps they had not set out upon any such long expedition through the quarter, but, having merely come down into their garden (which lay at no distance from that of the Duchess) to pick the fruit required for stewing, had looked in on their way home to bid good evening to Mme. de Guermantes, though without going so far as to bring a pair of shears or a watering-can into her house. The Duke appeared touched that I should have come to see them so soon after their return to Paris. But his face grew dark when I told him that I had come to ask his wife to find out whether her cousin really had invited me. I had touched upon one of those services which M. and Mme. de Guermantes were not fond of rendering. The Duke explained to me that it was too late, that if the Princess had not sent me an invitation it would make him appear to be asking her for one, that his cousins had refused him one once before, and he had no wish to appear either directly or indirectly to be interfering with their visiting list, be ‘meddling’; finally, he could not even be sure that he and his wife, who were dining out that evening, would not come straight home afterwards, that in that case their best excuse for not having gone to the Princess’s party would be to conceal from her the fact of their return to Paris, instead of hastening to inform her of it, as they must do if they sent her a note, or spoke to her over the telephone about me, and certainly too late to be of any use, since, in all probability, the Princess’s list of guests would be closed by now. “You’ve not fallen foul of her in any way?” he asked in a suspicious tone, the Guermantes living in a constant fear of not being informed of the latest society quarrels, and so of people’s trying to climb back into favour on their shoulders. Finally, as the Duke was in the habit of taking upon himself all decisions that might seem not very good-natured: “Listen, my boy,” he said to me suddenly, as though the idea had just come into his head, “I would really rather not mention at all to Oriane that you have been speaking to me about it. You know how kind-hearted she is; besides, she has an enormous regard for you, she would insist on sending to ask her cousin, in spite of anything I might say to the contrary, and if she is tired after dinner, there will be no getting out of it, she will be forced to go to the party. No, decidedly, I shall say nothing to her about it. Anyhow, you will see her yourself in a minute. But not a word about that matter, I beg of you. If you decide to go to the party, I have no need to tell you what a pleasure it will be to us to spend the evening there with you.” The motives actuating humanity are too sacred for him before whom they are invoked not to bow to them, whether he believes them to be sincere or not; I did not wish to appear to be weighing in the balance for a moment the relative importance of my invitation and the possible tiredness of Mme. de Guermantes, and I promised not to speak to her of the object of my visit, exactly as though I had been taken in by the little farce which M. de Guermantes had performed for my benefit. I asked him if he thought there was any chance of my seeing Mme. de Stermaria at the Princess’s. “Why, no,” he replied with the air of an expert; “I know the name you mention, from having seen it in lists of club members, it is not at all the type of person who goes to Gilbert’s. You will see nobody there who is not excessively proper and intensely boring, duchesses bearing titles which one thought were extinct years ago and which they have revived for the occasion, all the Ambassadors, heaps of Coburgs, foreign royalties, but you mustn’t hope for the ghost of a Stermaria. Gilbert would be taken ill at the mere thought of such a thing&#xA;&#xA;    “Wait now, you’re fond of painting, I must shew you a superb picture I bought from my cousin, partly in exchange for the Elstirs, which frankly did not appeal to us. It was sold to me as a Philippe de Champaigne, but I believe myself that it’s by some one even greater. Would you like to know my idea? I believe it to be a Velazquez, and of the best period,” said the Duke, looking me boldly in the eyes, whether to learn my impression or in the hope of enhancing it. A footman came in. “Mme. la Duchesse has told me to ask M. le Duc if M. le Duc will be so good as to see M. Swann, as Mme. la Duchesse is not quite ready.” “Shew M. Swann in,” said the Duke, after looking at his watch and seeing that he had still a few minutes before he need go to dress. “Naturally my wife, who told him to come, is not ready. There’s no use saying anything before Swann about Marie-Gilbert’s party,” said the Duke. “I don’t know whether he’s been invited. Gilbert likes him immensely, because he believes him to be the natural grandson of the Duc de Berri, but that’s a long story. (Otherwise, you can imagine! My cousin, who falls in a fit if he sees a Jew a mile off.) But now, don’t you see, the Dreyfus case has made things more serious. Swann ought to have realised that he more than anyone must drop all connexion with those fellows, instead of which he says the most offensive things.” The Duke called back the footman to know whether the man who had been sent to inquire at cousin Osmond’s had returned. His plan was as follows: as he believed, and rightly, that his cousin was dying, he was anxious to obtain news of him before his death, that is to say before he was obliged to go into mourning. Once covered by the official certainty that Amanien was still alive, he could go without a thought to his dinner, to the Prince’s party, to the midnight revel at which he would appear as Louis XI, and had made the most exciting assignation with a new mistress, and would make no more inquiries until the following day, when his pleasures would be at an end. Then one would put on mourning if the cousin had passed away in the night. “No, M. le Duc, he is not back yet.” “What in the Name of God! Nothing is ever done in this house till the last minute,” cried the Duke, at the thought that Amanien might still be in time to ‘croak’ for an evening paper, and so make him miss his revel. He sent for the Temps, in which there was nothing. I had not seen Swann for a long time, and asked myself at first whether in the old days he used to clip his moustache, or had not his hair brushed up vertically in front, for I found in him something altered; it was simply that he was indeed greatly ‘altered’ because he was very ill, and illness produces in the face modifications as profound as are created by growing a beard or by changing the line of one’s parting. (Swann’s illness was the same that had killed his mother, who had been attacked by it at precisely the age which he had now reached. Our existences are in truth, owing to heredity, as full of cabalistic ciphers, of horoscopic castings as if there really were sorcerers in the world. And just as there is a certain duration of life for humanity in general, so there is one for families in particular, that is to say, in any one family, for the members of it who resemble one another.) Swann was dressed with an elegance which, like that of his wife, associated with what he now was what he once had been. Buttoned up in a pearl-grey frockcoat which emphasised the tallness of his figure, slender, his white gloves stitched in black, he carried a grey tall hat of a specially wide shape which Delion had ceased now to make except for him, the Prince de Sagan, the Marquis de Modène, M. Charles Haas and Comte Louis de Turenne. I was surprised at the charming smile and affectionate handclasp with which he replied to my greeting, for I had imagined that after so long an interval he would not recognise me at once; I told him of my astonishment; he received it with a shout of laughter, a trace of indignation and a further grip of my hand, as if it were throwing doubt on the soundness of his brain or the sincerity of his affection to suppose that he did not know me. And yet that was what had happened; he did not identify me, as I learned long afterwards, until several minutes later when he heard my name mentioned. But no change in his face, in his .speech, in the things he said to me betrayed the discovery which a chance word from M. de Guermantes had enabled him to make, with such mastery, with such absolute sureness did he play the social game. He brought to it, moreover, that spontaneity in manners and personal initiative, even in his style of dress, which characterised the Guermantes type. Thus it was that the greeting which the old clubman, without recognising me, had given me was not the cold and stiff greeting of the man of the world who was a pure formalist, but a greeting full of a real friendliness, of a true charm, such as the Duchesse de Guermantes, for instance, possessed (carrying it so far as to smile at you first, before you had bowed to her, if she met you in the street), in contrast to the more mechanical greeting customary among the ladies of the Faubourg Saint-Germain. In the same way, again, the hat which, in conformity with a custom that was beginning to disappear, he laid on the floor by his feet, was lined with green leather, a thing not usually done, because, according to him, this kept the hat much cleaner, in reality because it was highly becoming. “Now, Charles, you’re a great expert, come and see what I’ve got to shew you, after which, my boys, I’m going to ask your permission to leave you together for a moment while I go and change my clothes, besides, I expect Oriane won’t be long now.” And he shewed his ‘Velazquez’ to Swann. “But it seems to me that I know this,” said Swann with the grimace of a sick man for whom the mere act of speaking requires an effort. “Yes,” said the Duke, turned serious by the time which the expert took in expressing his admiration. “You have probably seen it at Gilbert’s.” “Oh, yes, of course, I remember.” “What do you suppose it is?” “Oh, well, if it cornes from Gilbert’s, it is probably one of your ancestors,” said Swann with a blend of irony and deference towards a form of greatness which he would have felt it impolite and absurd to despise, but to which for reasons of good taste he preferred to make only a playful reference&#xA;&#xA;    “To be sure, it is,” said the Duke bluntly. “It’s Boson, the I forget how manieth de Guermantes. Not that I care a damn about that. You know I’m not as feudal as my cousin. I’ve heard the names mentioned of Rigaud, Mignard, Velazquez even!” he went on, fastening on Swann the gaze of an inquisitor and executioner in an attempt at once to read into his mind and to influence his response. “Well,” he concluded, for when he was led to provoke artificially an opinion which he desired to hear, he had the faculty, after a few moments, of believing that it had been spontaneously uttered; “come, now, none of your flattery, do you think it’s by one of those big masters I’ve mentioned?” “Nnnnno,” said Swann. “But after all, I know nothing about these things, it’s not for me to decide who daubed the canvas. But you’re a dilettante, a master of the subject, to whom do you attribute it? You’re enough of an expert to have some idea. What would you put it down as?” Swann hesitated for a moment before the picture, which obviously he thought atrocious. “A bad joke!” he replied with a smile at the Duke who could not check an impulsive movement of rage. When this had subsided: “Be good fellows, both of you, wait a moment for Oriane, I must go and put on my swallow-tails and then I’ll join you. I shall send word to my good woman that you’re both waiting for her.” I talked for a minute or two with Swann about the Dreyfus case, and asked him how it was that all the Guermantes were anti-Dreyfusards. “In the first place because at heart all these people are anti-Semites,” replied Swann, who, all the same, knew very well from experience that certain of them were not, but, like everyone who supports any cause with ardour, preferred, to explain the fact that other people did not share his opinion, to suppose in them a preconceived reason, a prejudice against which there was nothing to be done, rather than reasons which might permit of discussion. Besides, having come to the premature term of his life, like a weary animal that is goaded on, he cried out against these persecutions and was returning to the spiritual fold of his fathers. “Yes, the Prince de Guermantes,” I said, “it is true, I’ve heard that he was anti-semitic.” “Oh, that fellow! I wasn’t even thinking about him. He carries it to such a point that when he was in the army and had a frightful toothache he preferred to grin and bear it rather than go to the only dentist in the district, who happened to be a Jew, and later on he allowed a wing of his castle which had caught fire to be burned to the ground, because he would have had to send for extinguishers to the place next door, which belongs to the Rothschilds.” “Are you going to be there this evening, by any chance?” “Yes,” Swann replied, “although I am far too tired. But he sent me a wire to tell me that he has something to say to me. I feel that I shall be too unwell in the next few days to go there or to see him at home; it would upset me, so I prefer to get it over at once.” “But the Duc de Guermantes is not anti-semitic?” “You can see quite well that he is, since he’s an anti-Dreyfusard,” replied Swann, without noticing the logical fallacy. “That doesn’t prevent my being very sorry that I disappointed the man — what am I saying? The Duke, I mean — by not admiring his Mignard or whatever he calls it.” “But at any rate,” I went on, reverting to the Dreyfus case, “the Duchess, she, now, is intelligent.” “Yes, she is charming. To my mind, however, she was even more charming when she was still known as the Princesse des Laumes. Her mind has become somehow more angular, it was all much softer in the juvenile great lady, but after all, young or old, men or women, what can you expect, all these people belong to a different race, one can’t have a thousand years of feudalism in one’s blood with impunity. Naturally they imagine that it counts for nothing in their opinions.” “All the same, Robert de Saint-Loup is a Dreyfusard.” “Ah! So much the better, all the more as you know that his mother is extremely ‘and.’ I had heard that he was, but I wasn’t certain of it. That gives me a great deal of pleasure. It doesn’t surprise me, he’s highly intelligent. It’s a great thing, that is.”&#xA;&#xA;   Dreyfusism had brought to Swann an extraordinary simplicity of mind and had imparted to his way of looking at things an impulsiveness, an inconsistency more noticeable even than had been the similar effects of his marriage to Odette; this new loss of caste would have been better described as a recasting, and was entirely to his credit, since it made him return to the ways in which his forebears had trodden and from which he had turned aside to mix with the aristocracy. But Swann, just at the very moment when with such lucidity it had been granted to him, thanks to the gifts he had inherited from his race, to perceive a truth that was still hidden from people of fashion, shewed himself nevertheless quite comically blind. He subjected afresh all his admirations and all his contempts to the test of a new criterion, Dreyfusism. That the anti-Dreyfusism of Mme. Bontemps should have made him think her a fool was no more astonishing than that, when he was first married, he should have thought her intelligent. It was not very serious either that the new wave reached also his political judgments and made him lose all memory of having treated as a man with a price, a British spy (this latter was an absurdity of the Guermantes set), Clemenceau, whom he declared now to have always stood up for conscience, to be a man of iron, like Comely. “No, no, I never told you anything of the sort. You’re thinking of some one else.” But, sweeping past his political judgments, the wave overthrew in Swann his literary judgments also, and even affected his way of pronouncing them. Barrés had lost all his talent, and even the books of his early days were feeble, one could hardly read them again. “You try, you’ll find you can’t struggle to the end. What a difference from Clemenceau! Personally, I am not anticlerical, but when you compare them together you must see that Barrés is invertebrate. He’s a very great fellow, is old Clemenceau. How he knows the language!” However, the anti-Dreyfusards were in no position to criticise these follies. They explained that one was a Dreyfusard by one’s being of Jewish origin. If a practising Catholic like Saniette stood out also for a fresh trial, that was because he was buttonholed by Mme. Verdurin, who behaved like a wild Radical. She was out above all things against the ‘frocks.’ Saniette was more fool than knave, and had no idea of the harm that the Mistress was doing him. If you pointed out that Brichot was equally a friend of Mme. Verdurin and was a member of the Patrie Française, that was because he was more intelligent. “You see him occasionally?” I asked Swann, referring to Saint-Loup. “No, never. He wrote to me the other day hoping that I would ask the Duc de Mouchy and various other people to vote for him at the Jockey, where for that matter he got through like a letter through the post.” “In spite of the Case!” “The question was never raised. However I must tell you that since all this business began I never set foot in the place.”&#xA;&#xA;   M. de Guermantes returned, and was presently joined by his wife, all ready now for the evening, tall and proud in a gown of red satin the skirt of which was bordered with spangles. She had in her hair a long ostrich feather dyed purple, and over her shoulders a tulle scarf of the same red as her dress. “How nice it is to have one’s hat lined with leather,” said the Duchess, whom nothing escaped. “However, with you, Charles, everything is always charming, whether it’s what you wear or what you say what you read or what you do.” Swann meanwhile, without apparently listening, was considering the Duchess as he would have studied the canvas of a master, and then sought her gaze, making with his lips the grimace which implies: ‘The devil!’ Mme. de Guermantes rippled with laughter. “So my clothes please you? I’m delighted. But I must say that they don’t please me much,” she went on with a sulking air. “Good Lord, what a bore it is to have to dress up and go out when one would ever so much rather stay at home!” “What magnificent rubies!” “Ah! my dear Charles, at least one can see that you know what you’re talking about, you’re not like that brute Monserfeuil who asked me if they were real. I must say that I’ve never seen anything quite like them. They were a present from the Grand Duchess. They’re a little too large for my liking, a little too like claret glasses filled to the brim, but I’ve put them on because we shall be seeing the Grand Duchess this evening at Marie-Gilbert’s,” added Mme. de Guermantes, never suspecting that this assertion destroyed the force of those previously made by the Duke. “What’s on at the Princess’s?” inquired Swann. “Practically nothing,” the Duke hastened to reply, the question having made him think that Swann was not invited. “What’s that, Basin? When all the highways and hedgerows have been scoured? It will be a deathly crush. What will be pretty, though,” she went on, looking wistfully at Swann, “if the storm I can feel in the air now doesn’t break, will be those marvellous gardens. You know them, of course. I was there a month ago, at the time when the lilacs were in flower, you can’t have any idea how lovely they were. And then the fountain, really, it’s Versailles in Paris.” “What sort of person is the Princess?” I asked. “Why, you know quite well, you’ve seen her here, she’s as beautiful as the day, also rather an idiot. Very nice, in spite of all her Germanic high-and-mightiness, full of good nature and stupid mistakes.” Swann was too subtle not to perceive that the Duchess, in this speech, was trying to shew the ‘Guermantes wit,’ and at no great cost to herself, for she was only serving up in a less perfect form an old saying of her own. Nevertheless, to prove to the Duchess that he appreciated her intention to be, and as though she had really succeeded in being, funny, he smiled with a slightly forced air, causing me by this particular form of insincerity the same feeling of awkwardness that used to disturb me long ago when I heard my parents discussing with M. Vinteuil the corruption of certain sections of society (when they knew very well that a corruption far greater sat enthroned at Montjouvain), Legrandin colouring his utterances for the benefit of fools, choosing delicate epithets which he knew perfectly well would not be understood by a rich or smart but illiterate public. “Come now, Oriane, what on earth are you saying?” broke in M. de Guermantes. “Marie a fool? Why, she has read everything, she’s as musical as a fiddle.” “But, my poor little Basin, you’re as innocent as a new-born babe. As if one could not be all that, and rather an idiot as well. Idiot is too strong a word; no, she’s in the clouds, she’s Hesse-Darmstadt, Holy Roman Empire, and! wa-wa-wa. Her pronunciation alone makes me tired. But I quite admit that she’s a charming loony. Simply the idea of stepping down from her German throne to go and marry, in the most middle-class way, a private citizen. It is true that she chose him! Yes, it’s quite true,” she went on, turning to me, “you don’t know Gilbert. Let me give you an idea of him, he took to his bed once because I had left a card on Mme. Carnot. But, my little Charles,” said the Duchess, changing the conversation when she saw that the story of the card left on the Carnots appeared to irritate M. de Guermantes, “you know, you’ve never sent me that photograph of our Knights of Rhodes, whom I’ve learned to love through you, and I am so anxious to make their acquaintance.” The Duke meanwhile had not taken his eyes from his wife’s face. “Oriane, you might at least tell the story properly and not cut out half. I ought to explain,” he corrected, addressing Swann, “that the British Ambassadress at that time, who was a very worthy woman, but lived rather in the moon and was in the habit of making up these odd combinations, conceived the distinctly quaint idea of inviting us with the President and his wife. We were — Oriane herself was rather surprised, especially as the Ambassadress knew quite enough of the people we knew not to invite us, of all things, to so ill-assorted a gathering. There was a Minister there who is a swindler, however I pass over all that, we had not been warned in time, were caught in the trap, and, I’m bound to admit, all these people behaved most civilly to us. Only, once was enough. Mme. de Guermantes, who does not often do me the honour of consulting me, felt it incumbent upon her to leave a card in the course of the following week at the Elysée. Gilbert may perhaps have gone rather far in regarding it as a stain upon our name. But it must not be forgotten that, politics apart, M. Carnot, who for that matter filled his post quite adequately, was the grandson of a member of the Revolutionary Tribunal which caused the death of eleven of our people in a single day.” “In that case, Basin, why did you go every week to dine at Chantilly? The Due d’Aumale was just as much the grandson of a member of the Revolutionary Tribunal, with this difference, that Carnot was a brave man and Philippe Egalité a wretched scoundrel.” “Excuse my interrupting you to explain that I did send the photograph,” said Swann. “I can’t understand how it hasn’t reached you.” “It doesn’t altogether surprise me,” said the Duchess, “my servants tell me only what they think fit. They probably do not approve of the Order of Saint John.” And she rang the bell. “You, know, Oriane, that when I used to go to Chantilly it was without enthusiasm.” “Without enthusiasm, but with a nightshirt in a bag, in case the Prince asked you to stay, which for that matter he very rarely did, being a perfect cad like all the Orléans lot. Do you know who else are to be dining at Mme. de Saint-Euverte’s?” Mme. de Guermantes asked her husband. “Besides the people you know already, she’s asked at the last moment King Theodosius’s brother.” At these tidings the Duchess’s features breathed contentment and her speech boredom. “Oh, good heavens, more princes!” “But that one is well-mannered and intelligent,” Swann suggested. “Not altogether, though,” replied the Duchess, apparently seeking for words that would give more novelty to the thought expressed. “Have you ever noticed with princes that the best-mannered among them are not really well-mannered? They must always have an opinion about everything. Then, as they have none of their own, they spend the first half of their lives asking us ours and the other half serving it up to us secondhand. They positively must be able to say that one piece has been well played and the next not so well. When there is no difference. Listen, this little Theodosius junior (I forget his name) asked me what one called an orchestral motif. I replied,” said the Duchess, her eyes sparkling while a laugh broke from her beautiful red lips: “‘One calls it an orchestral motif.’ I don’t think he was any too well pleased, really. Oh, my dear Charles,” she went on, “what a bore it can be, dining out. There are evenings when one would sooner die! It is true that dying may be perhaps just as great a bore, because we don’t know what it’s like.” A servant appeared. It was the young lover who used to have trouble with the porter, until the Duchess, in her kindness of heart, brought about an apparent peace between them. “Am I to go up this evening to inquire for M. le Marquis d’Osmond?” he asked. “Most certainly not, nothing before to-morrow morning. In fact I don’t want you to remain in the house to-night. The only thing that will happen will be that his footman, who knows you, will come to you with the latest report and send you out after us. Get off, go anywhere you like, have a woman, sleep out, but I don’t want to see you here before to-morrow morning.” An immense joy overflowed from the footman’s face. He would at last be able to spend long hours with his ladylove, whom he had practically ceased to see ever since, after a final scene with the porter, the Duchess had considerately explained to him that it would be better, to avoid further conflicts, if he did not go out at all. He floated, at the thought of having an evening free at last, in a happiness which the Duchess saw and guessed its reason. She felt, so to speak, a tightening of the heart and an itching in all her limbs at the sight of this happiness which an amorous couple were snatching behind her back, concealing themselves from her, which left her irritated and jealous. “No, Basin, let him stay here; I say, he’s not to stir out of the house.” “But, Oriane, that’s absurd, the house is crammed with servants, and you have the costumier’s people coming as well at twelve to dress us for this show. There’s absolutely nothing for him to do, and he’s the only one who’s a friend of Mama’s footman; I would a thousand times rather get him right away from the house.” “Listen, Basin, let me do what I want, I shall have a message for him to take in the evening, as it happens, I can’t tell yet at what time. In any case you’re not to go out of the house for a single instant, do you hear?” she said to the despairing footman. If there were continual quarrels, and if servants did not stay long with the Duchess, the person to whose charge this guerrilla warfare was to be laid was indeed irremovable, but it was not the porter; no doubt for the rougher tasks, for the martyrdoms that it was more tiring to inflict, for the quarrels which ended in blows, the Duchess entrusted the heavier instruments to him; but even then he played his part without the least suspicion that he had been cast for it. Like the household servants, he admired the Duchess for her kindness of heart; and footmen of little discernment who came back, after leaving her service, to visit Françoise used to say that the Duke’s house would have been the finest ‘place’ in Paris if it had not been for the porter’s lodge. The Duchess ‘played’ the lodge on them, just as at different times clericalism, freemasonry, the Jewish peril have been played on the public. Another footman came into the room. “Why have not they brought up the package that M. Swann sent here? And, by the way (you’ve heard, Charles, that Mama is seriously ill?), Jules went up to inquire for news of M. le Marquis d’Osmond: has he come back yet?” “He’s just come this instant, M. le Duc. They’re waiting from one moment to the next for M. le Marquis to pass away.” “Ah! He’s alive!” exclaimed the Duke with a sigh of relief. “That’s all right, that’s all right: sold again, Satan! While there’s life there’s hope,” the Duke announced to us with a joyful air. “They’ve been talking about him as though he were dead and buried. In a week from now he’ll be fitter than I am.” “It’s the Doctors who said that he wouldn’t last out the evening. One of them wanted to call again during the night. The head one said it was no use. M. le Marquis would be dead by then; they’ve only kept him alive by injecting him with camphorated oil.” “Hold your tongue, you damned fool,” cried the Duke in a paroxysm of rage. “Who the devil asked you to say all that? You haven’t understood a word of what they told you.” “It wasn’t me they told, it was Jules.” “Will you hold your tongue!” roared the Duke, and, turning to Swann, “What a blessing he’s still alive! He will regain his strength gradually, don’t you know. Still alive, after being in such a critical state, that in itself is an excellent sign. One mustn’t expect everything at once. It can’t be at all unpleasant, a little injection of camphorated oil.” He rubbed his hands. “He’s alive; what more could anyone want? After going through all that he’s gone through, it’s a great step forward. Upon my word, I envy him having such a temperament. Ah! these invalids, you know, people do all sorts of little things for them that they don’t do for us. Now to-day there was a devil of a cook who sent me up a leg of mutton with béarnaise sauce — it was done to a turn, I must admit, but just for that very reason I took so much of it that it’s still lying on my stomach. However, that doesn’t make people come to inquire for me as they do for dear Amanien. We do too much inquiring. It only tires him. We must let him have room to breathe. They’re killing the poor fellow by sending round to him all the time.” “Well,” said the Duchess to the footman as he was leaving the room, “I gave orders for the envelope containing a photograph which M. Swann sent me to be brought up here.” “Madame la Duchesse, it is so large that I didn’t know if I could get it through the door. We have left it in the hall. Does Madame la Duchesse wish me to bring it up?” “Oh, in that case, no; they ought to have told me, but if it’s so big I shall see it in a moment when I come downstairs.” “I forgot to tell Mme. la Duchesse that Mme. la Comtesse Mole left a card this morning for Mme. la Duchesse.” “What, this morning?” said the Duchess with an air of disapproval, feeling that so young a woman ought not to take the liberty of leaving cards in the morning. “About ten o’clock, Madame la Duchesse.” “Shew me the cards.” “In any case, Oriane, when you say that it was a funny idea on Marie’s part to marry Gilbert,” went on the Duke, reverting to the original topic of conversation, “it is you who have an odd way of writing history. If either of them was a fool, it was Gilbert, for having married of all people a woman so closely related to the King of the Belgians, who has usurped the name of Brabant which belongs to us. To put it briefly, we are of the same blood as the Hesses, and of the elder branch. It is always stupid to talk about oneself,” he apologised to me, “but after all, whenever we have been not only at Darmstadt, but even at Cassel and all over Electoral Hesse, the Landgraves have always, all of them, been most courteous in giving us precedence as being of the elder branch.” “But really, Basin, you don’t mean to tell me that a person who was a Major in every regiment in her country, who had been engaged to the King of Sweden . . . ” “Oriane, that is too much; anyone would think that you didn’t know that the King of Sweden’s grandfather was tilling the soil at Pau when we had been ruling the roost for nine hundred years throughout the whole of Europe.” “That doesn’t alter the fact that if somebody were to say in the street: ‘Hallo, there’s the King of Sweden,’ everyone would at once rush to see him as far as the Place de la Concorde, and if he said: ‘There’s M. de Guermantes,’ nobody would know who M. de Guermantes was.” “What an argument!” “Besides, I never can understand how, once the title of Duke of Brabant has passed to the Belgian Royal Family, you can continue to claim it.”&#xA;&#xA;   The footman returned with the Comtesse Mole’s card, or rather what she had left in place of a card. Alleging that she had none on her, she had taken from her pocket a letter addressed to herself, and keeping the contents had handed in the envelope which bore the inscription: ‘La Comtesse Mole.’ As the envelope was rather large, following the fashion in notepaper which prevailed that year, this manuscript ‘card’ was almost twice the size of an ordinary visiting card. “That is what people call Mme. Mole’s ‘simplicity,’” said the Duchess ironically. “She wants to make us think that she had no cards on her, and to shew her originality. But we know all about that, don’t we, my little Charles, we are quite old enough and quite original enough ourselves to see through the tricks of a little lady who has only been going about for four years. She is charming, but she doesn’t seem to me, all the same, to be quite ‘big’ enough to imagine that she can take the world by surprise with so little effort as merely leaving an envelope instead of a card and leaving it at ten o’clock in the morning. Her old mother mouse will shew her that she knows a thing or two about that.” Swann could not help smiling at the thought that the Duchess, who was, incidentally, a trifle jealous of Mme. Mole’s success, would find it quite in accordance with the ‘Guermantes wit’ to make some impertinent retort to her visitor. “So far as the title of Duc de Brabant is concerned, I’ve told you a hundred times, Oriane . . . ” the Duke continued, but the Duchess, without listening, cut him short. “But, my little Charles, I’m longing to see your photograph.” “Ah! Extinctor draconis latrator Anubis,” said Swann. “Yes, it was so charming what you said about that when you were comparing the Saint George at Venice. But I don’t understand: why Anubis?” “What’s the one like who was an ancestor of Babal?” asked M. de Guermantes. “You want to see his bauble?” retorted his wife, dryly, to shew she herself scorned the pun. “I want to see them all,” she added. “Listen, Charles, let us wait downstairs till the carriage comes,” said the Duke; “you can pay your call on us in the hall, because my wife won’t let us have any peace until she’s seen your photograph. I am less impatient, I must say,” he added with a satisfied air. “I am not easily moved myself, but she would see us all dead rather than miss it.” “I am entirely of your opinion, Basin,” said the Duchess, “let us go into the hall; we shall at least know why we have come down from your study, while we shall never know how we have come down from the Counts of Brabant.” “I’ve told you a hundred times how the title came into the House of Hesse,” said the Duke (while we were going downstairs to look at the photograph, and I thought of those that Swann used to bring me at Combray), “through the marriage of a Brabant in 1241 with the daughter of the last Landgrave of Thuringia and Hesse, so that really it is the title of Prince of Hesse that came to the House of Brabant rather than that of Duke of Brabant to the House of Hesse. You will remember that our battle-cry was that of the Dukes of Brabant: ‘Limbourg to her conqueror!’ until we exchanged the arms of Brabant for those of Guermantes, in which I think myself that we were wrong, and the example of the Gramonts will not make me change my opinion.” “But,” replied Mme. de Guermantes, “as it is the King of the Belgians who is the conqueror . . . Besides the Belgian Crown Prince calls himself Duc de Brabant.” “But, my dear child, your argument will not hold water for a moment. You know as well as I do that there are titles of pretension which can perfectly well exist even if the territory is occupied by usurpers. For instance, the King of Spain describes himself equally as Duke of Brabant, claiming in virtue of a possession less ancient than ours, but more ancient than that of the King of the Belgians. He calls himself also Duke of Burgundy, King of the Indies Occidental and Oriental, and Duke of Milan. Well, he is no more in possession of Burgundy, the Indies or Brabant than I possess Brabant myself, or the Prince of Hesse either, for that matter. The King of Spain likewise proclaims himself King of Jerusalem, as does the Austrian Emperor, and Jerusalem belongs to neither one nor the other.” He stopped for a moment with an awkward feeling that the mention of Jerusalem might have embarrassed Swann, in view of ‘current events,’ but only went on more rapidly: “What you said just now might be said of anyone. We were at one time Dukes of Aumale, a duchy that has passed as regularly to the House of France as Joinville and Chevreuse have to the House of Albert. We make no more claim to those titles than to that of Marquis de Noirmoutiers, which was at one time ours, and became perfectly regularly the appanage of the House of La Trémoïlle, but because certain cessions are valid, it does not follow that they all are. For instance,” he went on, turning to me, “my sister-in-law’s son bears the title of Prince d’Agrigente, which comes to us from Joan the Mad, as that of Prince de Tarente comes to the La Trémoïlles. Well, Napoleon went and gave this title of Tarente to a soldier, who may have been admirable in the ranks, but in doing so the Emperor was disposing of what belonged to him even less than Napoleon III when he created a Duc de Montmorency, since Périgord had at least a mother who was a Montmorency, while the Tarente of Napoleon I had no more Tarente about him than Napoleon’s wish that he should become so. That did not prevent Chaix d’Est-Ange, alluding to our uncle Condé, from asking the Procurer Impérial if he had picked up the title of Duc de Montmorency in the moat of Vincennes.”&#xA;&#xA;    “Listen, Basin, I ask for nothing better than to follow you to the ditches of Vincennes, or even to Tarante. And that reminds me, Charles, of what I was going to say to you when you were telling me about your Saint George at Venice. We have an idea, Basin and I, of spending next spring in Italy and Sicily. If you were to come with us, just think what a difference it would make! I’m not thinking only of the pleasure of seeing you, but imagine, after all you’ve told me so often about the remains of the Norman Conquest and of ancient history, imagine what a trip like that would become if you came with us! I mean to say that even Basin — what am I saying, Gilbert — would benefit by it, because I feel that even his claims to the throne of Naples and all that sort of thing would interest me if they were explained by you in old romanesque churches in little villages perched on hills like primitive paintings. But now we’re going to look at your photograph. Open the envelope,” said the Duchess to a footman. “Please, Oriane, not this evening; you can look at it to-morrow,” implored the Duke, who had already been making signs of alarm to me on seeing the huge size of the photograph. “But I like to look at it with Charles,” said the Duchess, with a smile at once artificially concupiscent and psychologically subtle, for in her desire to be friendly to Swann she spoke of the pleasure which she would have in looking at the photograph as though it were the pleasure an invalid feels he would find in eating an orange, or as though she had managed to combine an escapade with her friends with giving information to a biographer as to some of her favourite pursuits. “All right, he will come again to see you, on purpose,” declared the Duke, to whom his wife was obliged to yield. “You can spend three hours in front of it, if that amuses you,” he added ironically. “But where are you going to stick a toy of those dimensions?” “Why, in my room, of course. I like to have it before my eyes.” “Oh, just as you please; if it’s in your room, probably I shall never see it,” said the Duke, without thinking of the revelation he was thus blindly making of the negative character of his conjugal relations. “Very well, you will undo it with the greatest care,” Mme. de Guermantes told the servant, multiplying her instructions out of politeness to Swann. “And see that you don’t crumple the envelope, either.” “So even the envelope has got to be respected!” the Duke murmured to me, raising his eyes to the ceiling. “But, Swann,” he added, “I, who am only a poor married man and thoroughly prosaic, what I wonder at is how on earth you managed to find an envelope that size. Where did you pick it up?” “Oh, at the photographer’s; they’re always sending out things like that. But the man is a fool, for I see he’s written on it ‘The Duchesse de Guermantes,’ without putting ‘Madame.’” “I’ll forgive him for that,” said the Duchess carelessly; then, seeming to be struck by a sudden idea which enlivened her, checked a faint smile; but at once returning to Swann: “Well, you don’t say whether you’re coming to Italy with us?” “Madame, I am really afraid that it will not be possible.” “Indeed! Mme. de Montmorency is more fortunate. You went with her to Venice and Vicenza. She told me that with you one saw things one would never see otherwise, things no one had ever thought of mentioning before, that you shewed her things she had never dreamed of, and that even in the well-known things she had been able to appreciate details which without you she might have passed by a dozen times without ever noticing. Obviously, she has been more highly favoured than we are to be. . . . You will take the big envelope from M. Swann’s photograph,” she said to the servant, “and you will hand it in, from me, this evening at half past ten at Mme. la Comtesse Mole’s.” Swann laughed. “I should like to know, all the same,” Mme. de Guermantes asked him, “how, ten months before the time, you can tell that a thing will be impossible.” “My dear Duchess, I will tell you if you insist upon it, but, first of all, you can see that I am very ill.” “Yes, my little Charles, I don’t think you look at all well. I’m not pleased with your colour, but I’m not asking you to come with me next week, I ask you to come in ten months. In ten months one has time to get oneself cured, you know.” At this point a footman came in to say that the carriage was at the door. “Come, Oriane, to horse,” said the Duke, already pawing the ground with impatience as though he were himself one of the horses that stood waiting outside. “Very well, give me in one word the reason why you can’t come to Italy,” the Duchess put it to Swann as she rose to say good-bye to us. “But, my dear friend, it’s because I shall then have been dead for several months. According to the doctors I consulted last winter, the thing I’ve got — which may, for that matter, carry me off at any moment — won’t in any case leave me more than three or four months to live, and even that is a generous estimate,” replied Swann with a smile, while the footman opened the glazed door of the hall to let the Duchess out. “What’s that you say?” cried the Duchess, stopping for a moment on her way to the carriage, and raising her fine eyes, their melancholy blue clouded by uncertainty. Placed for the first time in her life between two duties as incompatible as getting into her carriage to go out to dinner and shewing pity for a man who was about to die, she could find nothing in the code of conventions that indicated the right line to follow, and, not knowing which to choose, felt it better to make a show of not believing that the latter alternative need be seriously considered, so as to follow the first, which demanded of her at the moment less effort, and thought that the best way of settling the conflict would be to deny that any existed. “You’re joking,” she said to Swann. “It would be a joke in charming taste,” replied he ironically. “I don’t know why I am telling you this; I have never said a word to you before about my illness. But as you asked me, and as now I may die at any moment . . . But whatever I do I mustn’t make you late; you’re dining out, remember,” he added, because he knew that for other people their own social obligations took precedence of the death of a friend, and could put himself in her place by dint of his instinctive politeness. But that of the Duchess enabled her also to perceive in a vague way that the dinner to which she was going must count for less to Swann than his own death. And so, while continuing on her way towards the carriage, she let her shoulders droop, saying: “Don’t worry about our dinner. It’s not of any importance!” But this put the Duke in a bad humour, who exclaimed: “Come, Oriane, don’t stop there chattering like that and exchanging your jeremiads with Swann; you know very well that Mme. de Saint-Euverte insists on sitting down to table at eight o’clock sharp. We must know what you propose to do; the horses have been waiting for a good five minutes. I beg your pardon, Charles,” he went on, turning to Swann, “but it’s ten minutes to eight already. Oriane is always late, and it will take us more than five minutes to get to old Saint-Euverte’s.” Mme. de Guermantes advanced resolutely towards the carriage and uttered a last farewell to Swann. “You know, we can talk about that another time; I don’t believe a word you’ve been saying, but we must discuss it quietly. I expect they gave you a dreadful fright, come to luncheon, whatever day you like” (with Mme. de Guermantes things always resolved themselves into luncheons), “you will let me know your day and time,” and, lifting her red skirt, she set her foot on the step. She was just getting into the carriage when, seeing this foot exposed, the Duke cried in a terrifying voice: “Oriane, what have you been thinking of, you wretch? You’ve kept on your black shoes! With a red dress! Go upstairs quick and put on red shoes, or rather,” he said to the footman, “tell the lady’s maid at once to bring down a pair of red shoes.” “But, my dear,” replied the Duchess gently, annoyed to see that Swann, who was leaving the house with me but had stood back to allow the carriage to pass out in front of us, could hear, “since we are late.” “No, no, we have plenty of time. It is only ten to; it won’t take us ten minutes to get to the Parc Monceau. And, after all, what would it matter? If we turned up at half past eight they’d have to wait for us, but you can’t possibly go there in a red dress and black shoes. Besides, we shan’t be the last, I can tell you; the Sassenages are coming, and you know they never arrive before twenty to nine.” The Duchess went up to her room. “Well,” said M. de Guermantes to Swann and myself, “we poor, down-trodden husbands, people laugh at us, but we are of some use all the same. But for me, Oriane would have been going out to dinner in black shoes.” “It’s not unbecoming,” said Swann, “I noticed the black shoes and they didn’t offend me in the least.” “I don’t say you’re wrong,” replied the Duke, “but it looks better to have them to match the dress. Besides, you needn’t worry, she would no sooner have got there than she’d have noticed them, and I should have been obliged to come home and fetch the others. I should have had my dinner at nine o’clock. Good-bye, my children,” he said, thrusting us gently from the door, “get away, before Oriane comes down again. It’s not that she doesn’t like seeing you both. On the contrary, she’s too fond of your company. If she finds you still here she will start talking again, she is tired out already, she’ll reach the dinner-table quite dead. Besides, I tell you frankly, I’m dying of hunger. I had a wretched luncheon this morning when I came from the train. There was the devil of a béarnaise sauce, I admit, but in spite of that I shan’t be at all sorry, not at all sorry to sit down to dinner. Five minutes to eight! Oh, women, women! She’ll give us both indigestion before to-morrow. She is not nearly as strong as people think.” The Duke felt no compunction at speaking thus of his wife’s ailments and his own to a dying man, for the former interested him more, appeared to him more important. And so it was simply from good breeding and good fellowship that, after politely shewing us out, he cried ‘from off stage,’ in a stentorian voice from the porch to Swann, who was already in the courtyard: “You, now, don’t let yourself be taken in by the doctors’ nonsense, damn them. They’re donkeys. You’re as strong as the Pont Neuf. You’ll live to bury us all!”" PRODUCER="PRSPCT Recordings" COVERARTID="058/0FIUDRBGTO0KQBABYSABDLCQSTQB" PLAYTIME="384" PLAYTIME_FLOAT="383.019226" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="38121"></INFO>
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<INFO BITRATE="997220" KEY_LYRICS="4 ContributorsLa Familia Lyrics&#xA;They can get to anyone, anywhere&#xA;The Firm&#xA;Fox, AZ, Nature, Cormega, Escobar&#xA;We're gonna break this Firm&#xA;And when we break 'em&#xA;Their life as they know it will be over&#xA;Trackmasters&#xA;&#xA;&#xA;Ill Na Na capo, The Firm, team Gestapo&#xA;36 moves, 37 ways, triple days, triple pays&#xA;Nana, Fox Boogie, Firm mama&#xA;Conniver, Lady Godiva or Scarlet whichever O'Hara&#xA;It's hazardous, we lace the Lazarus&#xA;Dip and probably find her behind the liner, three Na Na's&#xA;So, what the deal, pah? I kill for these three, for real&#xA;You soft 'cause you bustin' off, nigga, to get ya rocks off&#xA;The Pharaoh, the crime organized, mad De Niro&#xA;And six-point-one-five to zero like a hero&#xA;Team — let’s roll on 'em&#xA;Watch 'em turn bitch, 'Mega stole on 'em&#xA;That's how we play this, I slay this&#xA;Copped the pair of fours and the shit is yours, really&#xA;‘Cause Pretty had the nigga leery, mad dipped it&#xA;Nas — you flipped this, Sos’ with VSO's twisted&#xA;We separate the real from the bitched up&#xA;We switched up our Gator stroke, though&#xA;Ill skin color coco, we loco&#xA;Love is love, toke the tre' ocho&#xA;Status Illmatic, whatever, raw dealer for real-er&#xA;Baby girl, yeah, it's La Familia&#xA;I'd die in a minute for 'em&#xA;Sosa dipped the four-point-six Range Rover to Villanova&#xA;From Castellano to Colombo, easy to Genovese&#xA;Firm stay jiggy, trash Shabazz&#xA;I swear, you know the García, straight cop threes&#xA;Can't knock these in drop threes, we cop cheese&#xA;&#xA;Peep the diagnosis, properly supply the dosage&#xA;Who leave 'em stuck like parole hoes and freeze the focus?&#xA;When I squeeze, your pleads is hopeless, you wet, though&#xA;I jet from the block, niggas spot me like UFO's&#xA;Dressed in Lo, jump in the Q, front for who?&#xA;No need to stress it, though&#xA;Smokin' my weed, countin' decimals&#xA;Recognize this, real thugs respect violence&#xA;1-9-9-6, some would rather dry snitch&#xA;Coruptfully, my whole team be screamin', &amp;quot;Fuck the beasts!&amp;quot;&#xA;Some are spare guns, shootin' fair ones in the public streets&#xA;Believe the worst, so it seems the whole team's cursed&#xA;We tortured, trained to hold heat and squeeze first&#xA;Never end in tales, when niggas fall but some prevail&#xA;With fate holdin' us together like four Navy war SEALs&#xA;Must I start pullin' jux, or place my trust in God?&#xA;Forced to cover my face, cameras help the case get solved&#xA;Your faith dissolves when ya up against the next comin'&#xA;For now, focus on Nature, bet I wet somethin'&#xA;&#xA;&#xA;I'd die for my niggas&#xA;Stick you for pies and lie for my niggas&#xA;Plead guilty, get the chair and fry for my niggas&#xA;It's essential that we all is A-Alike in mental&#xA;We've been through life, cold-blood, livin' sinful&#xA;Though we learned from old thugs that made it&#xA;Peeped how they played it, we rated and evaluated&#xA;Calculated the ages we be, the days that we see&#xA;Chips freely, beyond whips and TV’s&#xA;Stock bonds, loot flipped the CD’s&#xA;But niggas hate to see you on top&#xA;They'd rather be you, what not&#xA;I keep the Desert Eagle pump cocked&#xA;Spot the vic' in this guy quick, why pop shit?&#xA;My niggas leave ya shot quick in a hop skip&#xA;Specialize in fly shit&#xA;VS on my breath, while niggas gossip on the Thai stick&#xA;I'm on some Doe or Die shit&#xA;&#xA;Check my lingo, and all the white ice that make my rings glow&#xA;I seen doe, got a dime wife from San' Domingo&#xA;Face it — it's mathematics basics, far from fake shit&#xA;My mind is sacred, my skin shine like a Cuban bracelet&#xA;Egyptian Pharaoh, potent ganja used to get me paro&#xA;Now I inhale from gunshots through my double barrel&#xA;Beneath the ground is how the sound travel, so what have you?&#xA;Keep in mind — Feds won't stop until they grab you&#xA;Used to bust guns, now it's just stocks and trust funds&#xA;G's and CD's so my seed could soon touch some&#xA;The foulness I once provoked is now behind me&#xA;It's gonna take more than sellin' coke now to bind me&#xA;It had me thinkin', &amp;quot;I gotta kill to keep from sinkin'&amp;quot;&#xA;That connive way of life that keep live niggas from Lincoln&#xA;I saw it comin', that's why I slowed down from dumbin'&#xA;Most of my crew is runnin', can't even afford the summons" PRODUCER="PRSPCT Recordings" COVERARTID="058/0FIUDRBGTO0KQBABYSABDLCQSTQB" PLAYTIME="259" PLAYTIME_FLOAT="258.875000" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="31780"></INFO>
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<INFO BITRATE="729823" KEY_LYRICS="2 ContributorsA Visit from Albertine (Chapter 2) Lyrics                                        CHAPTER TWO&#xA;&#xA;A VISIT FROM ALBERTINE — PROSPECT OF RICH BRIDES FOR CERTAIN FRIENDS OF SAINT-LOUP — THE WIT OF THE GUERMANTES, AS DISPLAYED BEFORE THE PRINCESSE DE PARME — A STRANGE VISIT TO M. DE CHARLUS — HIS CHARACTER PUZZLES ME MORE AND MORE — THE RED SHOES OF THE DUCHESS&#xA;&#xA;   Albeit it was simply a Sunday in autumn, I had been born again, life lay intact before me, for that morning, after a succession of mild days, there had been a cold mist which had not cleared until nearly midday. A change in the weather is sufficient to create the world and oneself anew. Formerly, when the wind howled in my chimney, I would listen to the blows which it struck on the iron trap with as keen an emotion as if, like the famous bow-taps with which the C Minor Symphony opens, they had been the irresistible appeal of a mysterious destiny. Every change in the aspect of nature offers us a similar transformation by adapting our desires so as to harmonise with the new form of things. The mist, from the moment of my awakening, had made of me, instead of the centrifugal being which one is on fine days, a self-centred man, longing for the chimney corner and the nuptial couch, a shivering Adam in quest of a sedentary Eve, in this different world&#xA;&#xA;   Between the soft grey tint of a morning landscape and the taste of a cup of chocolate I tried to account for all the originality of the physical, intellectual and moral life which I had taken with me, about a year earlier, to Doncières, and which, blazoned with the oblong form of a bare hillside — always present even when it was invisible — formed in me a series of pleasures entirely distinct from all others, incommunicable to my friends, in the sense that the impressions, richly interwoven with one another, which gave them their orchestral accompaniment were a great deal more characteristic of them, to my subconscious mind, than any facts that I might have related. From this point of view the new world in which the mist of this morning had immersed me was a world already known to me (which only made it more real) and forgotten for some time (which restored all its novelty). And I was able to look at several of the pictures of misty landscapes which my memory had acquired, notably a series of ‘Mornings at Doncières,’ including my first morning there in barracks and another, in a neighbouring country house, where I had gone with Saint-Loup to spend the night: in which from the windows, whose curtains I had drawn back at daybreak, before getting into bed again, in the first a trooper, in the second (on the thin margin of a pond and a wood all the rest of which was engulfed in the uniform and liquid softness of the mist) a coachman busy polishing a strap had appeared to me like those rare figures, scarcely visible to the eye obliged to adapt itself to the mysterious vagueness of their half-lights, which emerge from an obliterated fresco&#xA;&#xA;   It was from my bed that I was looking this afternoon at these pictorial memories, for I had gone back to bed to wait until the hour came at which, taking advantage of the absence of my parents, who had gone for a few days to Combray, I proposed to get up and go to a little play which was being given that evening in Mme. de Villeparisis’s drawing-room. Had they been at home I should perhaps not have ventured to go out; my mother in the delicacy of her respect for my grandmother’s memory, wished the tokens of regret that were paid to it to be freely and sincerely given; she would not have forbidden me this outing, she would have disapproved of it. From Combray, on the other hand, had I consulted her wishes, she would not have replied in a melancholy: “Do just as you like; you are old enough now to know what is right or wrong,” but, reproaching herself for having left me alone in Paris, and measuring my grief by her own, would have wished for it distractions of a sort which she would have refused to herself, and which she persuaded herself that my grandmother, solicitous above all things for my health and the preservation of my nervous balance, would have advised me to take&#xA;&#xA;   That morning the furnace of the new steam heater had for the first time been lighted. Its disagreeable sound — an intermittent hiccough — had no part whatsoever in my memories of Doncières. But its prolonged encounter, in me this afternoon, with them was to give it so lasting an affinity with them that whenever, after succeeding more or less in forgetting it, I heard the central heater hiccough again it reminded me of them&#xA;&#xA;   There was no one else in the house but Françoise. The grey light, falling like a fine rain on the earth, wove without ceasing a transparent web through which the Sunday holiday-makers appeared in a silvery sheen. I had flung to the foot of my bed the Figaro, for which I had been sending out religiously every morning, ever since I had sent in an article which it had not yet printed; despite the absence of the sun, the intensity of the daylight was an indication that we were still only half-way through the afternoon. The tulle window-curtains, vaporous and friable as they would not have been on a fine day, had that same blend of beauty and fragility that dragon flies’ wings have, and Venetian glass. It depressed me all the more that I should be spending this Sunday by myself because I had sent a note that morning to Mlle, de Stermaria. Robert de Saint-Loup, whom his mother had at length succeeded in parting — after painful and abortive attempts — from his mistress, and who immediately afterwards had been sent to Morocco in the hope of his there forgetting one whom he had already for some little time ceased to love, had sent me a line, which had reached me the day before, announcing his arrival, presently, in France for a short spell of leave. As he would only be passing through Paris (where his family were doubtless afraid of seeing him renew relations with Rachel), he informed me, to shew me that he had been thinking of me, that he had met at Tangier Mile, or rather Mme. (for she had divorced her husband three months after their marriage) de Stermaria. And Robert, remembering what I had told him at Balbec, had asked her, on my behalf, to arrange a meeting. She would be delighted to dine with me, she had told him, on one of the evenings which, before her return to Brittany, she would be spending in Paris. He warned me to lose no time in writing to Mme. de Stermaria, for she would certainly have arrived before I got his letter. This had corne as no surprise to me, even although I had had no news of him since, at the time of my grandmother’s last illness, he had accused me of perfidy and treachery. It had then been quite easy to see what must have happened. Rachel, who liked to provoke his jealousy — she had other reasons also for wishing me harm — had persuaded her lover that I had made a dastardly attempt to have relations with her in his absence. It is probable that he continued to believe in the truth of this allegation, but he had ceased to be in love with her, which meant that its truth or falsehood had become a matter of complete indifference to him, and our friendship alone remained. When, on meeting him again, I attempted to speak to him about his attack on me his sole answer was a cordial and friendly smile, which gave him the air of begging my pardon; then he turned the conversation to something else. All this was not to say that he did not, a little later, see Rachel occasionally when he was in Paris. The fellow-creatures who have played a leading part in one’s life very rarely disappear from it suddenly with any finality. They return to take their old place in it at odd moments (so much so as to lead people to believe in a renewal of old love) before leaving it for ever. Saint-Loup’s breach with Rachel had very soon become less painful to him, thanks to the soothing pleasure that was given him by her incessant demands for money. Jealousy, which prolongs the course of love, is not capable of containing many more ingredients than are the other forms of imagination. If one takes with one, when one starts on a journey, three or four images which incidentally one is sure to lose on the way (such as the lilies and anemones heaped on the Ponte Vecchio, or the Persian church shrouded in mist), one’s trunk is already pretty full. When one parts from a mistress one would be just as glad, until one has begun to forget her, that she should not become the property of three or four potential protectors whom one has in one’s mind’s eye, of whom, that is to say, one is jealous: all those whom one does not so picture count for nothing. Now frequent demands for money from a cast-off mistress no more give one a complete idea of her life than charts shewing a high temperature would of her illness. But the latter would at any rate be an indication that she was ill, and the former furnish a presumption, vague enough, it is true, that the forsaken one, or forsaker (whichever she be) cannot have found anything very remarkable in the way of rich protectors. And so each demand is welcomed with the joy which a lull produces in the jealous one’s sufferings, while he responds to it at once by dispatching money, for naturally he does not like to think of her being in want of anything, except lovers (one of the three lovers he has in his mind’s eye), until time has enabled him to regain his composure and he can learn without the slightest emotion the name of his successor. Sometimes Rachel came in so late at night that she could ask her former lover’s permission to lie down beside him until the morning. This was a great comfort to Robert, for it refreshed his memory of how they had, after all, lived in intimacy together merely to see that even if he took the greater part of the bed for himself it did not in the least interfere with her sleep. He realised that she was more comfortable, lying close to his body, than she would have been elsewhere, that she felt herself, by his side — even in an hotel — to be in a bedroom known of old, in which the force of habit prevails and one sleeps better. He felt that his shoulders, his limbs, all of him were for her, even when he was unduly restless, from sleeplessness or from having to get up in the night things so entirely usual that they could not disturb her, and that the perception of them added still further to her sense of repose&#xA;&#xA;   To revert to where we were, I had been all the more disquieted by Robert’s letter in that I could read between the lines what he had not ventured to write more explicitly. “You can most certainly ask her to dine in a private room,” he told me. “She is a charming young person, a delightful nature you will get on splendidly with her, and I am sure you will have a capital evening together.” As my parents were returning at the end of the week on Saturday or Sunday, and as after that I should be forced to dine every evening at home, I had written at once to Mme. de Stermaria, proposing any evening that might suit her, up to Friday. A message was brought back that I should hear from her in writing the same evening, about eight o’clock. The time would have passed quickly enough if I had had, during the afternoon that separated me from her letter, the help of a visit from anyone else. When the hours pass wrapped in conversation one ceases to count, or indeed to notice them, they vanish, and suddenly it is a long way beyond the point at which it escaped you that there reappears the nimble truant time. But if we are alone, our preoccupation, by bringing before us the still distant and incessantly awaited moment with the frequency and uniformity of a ticking pendulum, divides, or rather multiplies the hours by all the minutes which, had we been with friends, we should not have counted. And confronted, by the incessant return of my desire, with the ardent pleasure which I was going to taste — not for some days though, alas! — in Mme. de Stermaria’s company, this afternoon, which I should have to spend by myself, seemed to me very empty and very melancholy&#xA;&#xA;   Every now and then I heard the sound of the lift coming up, but it was followed by a second sound, not that for which I was hoping, namely the sound of its coming to a halt at our landing, but another very different sound which the lift made in continuing its progress to the floors above and which, because it so often meant the desertion of my floor when I was expecting a visitor, remained for me at other times, even when I had no wish to see anyone, a sound lugubrious in itself, in which there echoed, as it were, a sentence of solitary confinement. Weary, resigned, busy for several hours still over its immemorial task, the grey day stitched its shimmering needlework of light and shade, and it saddened me to think that I was to be left alone with a thing that knew me no more than would a seamstress who, installed by the window so as to see better while she finished her work, paid no attention to the person present with her in the room. Suddenly, although I had heard no bell, Françoise opened the door to let in Albertine, who came forward smiling, silent, plump, containing in the fulness of her body, made ready so that I might continue living them, come in search of me, the days we had spent together at that Balbec to which I had never since returned. No doubt, whenever we see again a person with whom our relations — however trivial they may have been — are altered, it is like a juxtaposition of two different periods. For this, we do not require that a former mistress should come to call upon us as a friend, all that we need is the visit to Paris of a person whom we had known in the daily round of some particular kind of life, and that this life should have ceased for us, were it no more than a week ago. On each of Albertine’s smiling, questioning, blushing features I could read the questions: “And Madame de Villeparisis? And the dancing-master? And the pastry-cook?” When she sat down her back seemed to be saying: “Gracious! There’s no cliff here; you don’t mind if I sit down beside you, all the same, as I used to do at Balbec?” She was like an enchantress handing me a mirror that reflected time. In this she was like all the people whom we seldom see now but with whom at one time we lived on more intimate terms. With Al-bertine, however, there was something more than this. Certainly, even at Balbec, in our daily encounters, I had always been surprised when she came in sight, so variable was her appearance from day to day. But now it was difficult to recognise her. Cleared of the pink vapour that used to bathe them, her features had emerged like those of a statue. She had another face, or rather she had a face at last; her body too had grown. There remained scarcely anything now of the shell in which she had been enclosed and on the surface of which, at Balbec, her future outline had been barely visible&#xA;&#xA;   This time, Albertine had returned to Paris earlier than usual. As a rule she came only in the spring, which meant that, already disturbed for some weeks past by the storms that were beating down the first flowers, I did not distinguish, in the elements of the pleasure that I felt, the return of Albertine from that of the fine weather. It was enough that I should be told that she was in Paris and that she had called at the house, for me to see her again like a rose flowering by the sea. I cannot say whether it was the desire for Balbec or for herself that overcame me at such moments; possibly my desire for her was itself a lazy, cowardly, and incomplete method of possessing Balbec, as if to possess a thing materially, to take up one’s abode in a town, were equivalent to possessing it spiritually. Besides, even materially, when she was no longer posed by my imagination before a horizon of sea, but sitting still in a room with me, she seemed to me often a very poor specimen of a rose, so poor, indeed, that I would gladly have shut my eyes in order not to observe this or that blemish of its petals, and to imagine instead that I was inhaling the salt air on the beach&#xA;&#xA;   I must say it at this point, albeit I was not then aware of what was to happen only later on. Certainly, it is more reasonable to devote one’s life to women than to postage stamps or old snuff-boxes, even to pictures or statues. Only the example of other collectors should be a warning to us to make changes, to have not one woman only but several. Those charming suggestions in which a girl abounds of a sea-beach, of the braided hair of a statue in church, of an old print, of everything that makes one see and admire in her, whenever she appears, a charming composition, those suggestions are not very stable. Live with a woman altogether and you will soon cease to see any of the things that made you love her; though I must add that these two sundered elements can be reunited by jealousy. If, after a long period of life in common, I was to end by seeing nothing more in Albertine than an ordinary woman, an intrigue between her and some person whom she had loved at Balbec would still suffice, perhaps, to reincorporate in her, to amalgamate the beach and the unrolling of the tide. Only, as these secondary suggestions no longer captivate our eyes, it is to the heart that they are perceptible and fatal. We cannot, under so dangerous a form, regard the repetition of the miracle as a thing to be desired. But I am anticipating the course of years. And here I need only state my regret that I did not have the sense simply to have kept my collection of women as people keep their collections of old quizzing glasses, never so complete, in their cabinet, that there is not room always for another and rarer still&#xA;&#xA;   Departing from the customary order of her holiday movements, this year she had come straight from Balbec, where furthermore she had not stayed nearly so late as usual. It was a long time since I had seen her, and as I did not know even by name the people with whom she was in the habit of mixing in Paris, I could form no impression of her during the periods in which she abstained from coming to see me. These lasted often for quite a time. Then, one fine day, in would burst Albertine whose rosy apparitions and silent visits left me little if any better informed as to what she might have been doing in an interval which remained plunged in that darkness of her hidden life which my eyes felt little anxiety to pierce&#xA;&#xA;   This time, however, certain signs seemed to indicate that some new experience must have entered into that life. And yet, perhaps, all that one was entitled to conclude from them was that girls change very rapidly at the age which Albertine had now reached. For instance, her intellect was now more in evidence, and on my reminding her of the day when she had insisted with so much ardour on the superiority of her idea of making Sophocles write: “My dear Racine,” she was the first to laugh, quite wholeheartedly, at her own stupidity. “Andrée was quite right; it was stupid of me,” she admitted. “Sophocles ought to have begun: ‘Sir.’” I replied that the ‘Sir,’ and ‘Dear Sir,’ of Andrée were no less comic than her own ‘My dear Racine,’ or Gisèle’s ‘My dear Friend,’ but that after all the really stupid people were the Professors who still went on making Sophocles write letters to Racine. Here, however, Albertine was unable to follow me. She could not see in what the silliness consisted; her intelligence was dawning, but had not fully developed. There were other more attractive novelties in her; I felt, in this same pretty girl who had just sat down by my bed, something that was different; and in those lines which, in one’s eyes and other features, express one’s general attitude towards life, a change of front, a partial conversion, as though there had now been shattered those resistances against which I had hurled my strength in vain at Balbec, one evening, now remote in time, on which we formed a couple symmetrical with but the converse of our present arrangement, since then it had lieen she who was lying down and I who sat by her bedside. Wishing and not venturing to make certain whether now she would let herself be kissed, every time that she rose to go I asked her to stay beside me a little longer. This was a concession not very easy to obtain, for albeit she had nothing to do (otherwise she would have rushed from the house) she was a person methodical in her habits and moreover not very gracious towards me, scarcely to be at ease in my company, and yet each time, after looking at her watch, she sat down again at my request until finally she had spent several hours with me without my having asked her for anything; the things I was saying to her followed logically those that I had said during the hours before, and bore no relation to what I was thinking about, what I desired from her, remained indefinitely parallel. There is nothing like desire for preventing the thing one says from bearing any resemblance to what one has in one’s mind. Time presses, and yet it seems as though we were seeking to gain time by speaking of subjects absolutely alien to that by which we are obsessed. We then arrange that the sentence which we should like to utter shall be accompanied, or rather preluded, by a gesture, supposing that is to say that we have not to give ourselves the pleasure of an immediate demonstration and to gratify the curiosity we feel as to the reactions which will follow it, without a word said, without even a ‘By your leave,’ already made this gesture. Certainly I was not in the least in love with Albertine; child of the mists outside, she could merely content the imaginative desire which the change of weather had awakened in me and which was midway between the desires that are satisfied by the arts of the kitchen and of monumental sculpture respectively, for it made me dream simultaneously of mingling with my flesh a substance different and warm, and of attaching at some point to my outstretched body a body divergent, as the body of Eve barely holds by the feet to the side of Adam, to whose body hers is almost perpendicular, in those romanesque bas-reliefs on the church at Balbec which represent in so noble and so reposeful a fashion, still almost like a classical frieze, the Creation of Woman; God in them is everywhere followed, as by two ministers, by two little angels in whom the visitor recognises — like winged, swarming summer creatures which winter has surprised and spared — cupids from Herculaneum, still surviving well into the thirteenth century, and winging their last slow flight, weary but never failing in the grace that might be expected of them, over the whole front of the porch&#xA;   As for this pleasure which by accomplishing my desire would have set me free from these meditations and which I should have sought quite as readily from any other pretty woman, had I been asked upon what — in the course of this endless flow of talk throughout which I took care to keep from Albertine the one thing that was in my mind — was based my optimistic hypothesis with regard to her possible complaisances, I should perhaps have answered that this hypothesis was due (while the forgotten outlines of Albertine’s voice retraced for me the contour of her personality) to the apparition of certain words which did not form part of her vocabulary, or at least not in the acceptation which she now gave them. Thus she said to roe that Elstir was stupid, and, on my protesting:&#xA;&#xA;    “You don’t understand,” she replied, smiling, “I mean that it was stupid of him to behave like that; of course I know he’s quite a distinguished Person, really.”&#xA;&#xA;   Similarly, wishing to say of the Fontainebleau golf club that it was smart, she declared: “They are quite a selection.”&#xA;&#xA;   Speaking of a duel that I had fought, she said of my seconds: “What very choice seconds,” and looking at my face confessed that she would like to see me ‘wear a moustache.’ She even went so far (and my chance appeared then enormous) as to announce, in a phrase of which I would have sworn that she was ignorant a year earlier, that since she had last seen Gisèle there had passed a certain ‘lapse of time.’ This was not to say that Albertine had not already possessed, when I was at Balbec, a quite adequate assortment of those expressions which reveal at once that one’s people are in easy circumstances, and which, year by year, a mother passes on to her daughter just as she bestows on her, gradually, as the girl grows up, on important occasions, her own jewels. It was evident that Albertine had ceased to be a little girl when one day, to express her thanks for a present which a strange lady had given her, she had said: “I am quite confused.” Mme. Bontemps could not help looking across at her husband whose comment was:&#xA;&#xA;   “Gad, she’s old for fourteen.”&#xA;&#xA;   The approach of nubility had been more strongly marked still when Albertine, speaking of another girl whose tone was bad, said: “One can’t even tell whether she’s pretty, she paints her face a foot thick.” Finally, though still a schoolgirl, she already displayed the manner of a grown woman of her upbringing and station when she said, of some one whose face twitched: “I can’t look at him, because it makes me want to do the same,” or, if some one else were being imitated: “The absurd thing about it is that when you imitate her voice you look exactly like her.” All these are drawn from the social treasury. But it did not seem to me possible that Albertine’s natural environment could have supplied her with ‘distinguished,’ used in the sense in which my father would say of a colleague whom he had not actually met, but whose intellectual attainments he had heard praised: “It appears he’s quite a distinguished person.” ‘Selection,’ even when used of a golf club, seemed to me as incompatible with the Simonet family as it would be if preceded by the adjective ‘Natural,’ with a text published centuries before the researches of Darwin. ‘Lapse of time’ struck me as being of better augury still. Finally there appeared the evidence of certain upheavals, the nature of which was unknown to me, but sufficient to justify me in all my hopes when Albertine announced, with the satisfaction of a person whose opinion is by no means to be despised:&#xA;&#xA;    “To my mind, that is the best thing that could possibly happen. I regard it as the best solution, the stylish way out.”&#xA;&#xA;   This was so novel, so manifestly an alluvial deposit giving one to suspect such capricious wanderings over soil hitherto unknown to her, that on hearing the words ‘to my mind’ I drew Albertine towards me, and at ‘I regard’ made her sit on the side of my bed&#xA;&#xA;   No doubt it does happen that women of moderate culture, on marrying well-read men, receive such expressions as part of their paraphernalia. And shortly after the metamorphosis which follows the wedding night, when they begin to pay calls, and talk shyly to the friends of their girlhood, one notices with surprise that they have turned into matrons if, in deciding that some person is intelligent, they sound both l’s in the word; but that is precisely the sign of a change of state, and I could see a difference when I thought of the vocabulary of the Albertine I had known of old — a vocabulary in which the most daring flights were to say of any unusual person: ‘He’s a type,’ or, if you suggested a game of cards to her: ‘I’ve no money to lose,’ or again, if any of her friends were to reproach her, in terms which she felt to be undeserved: ‘That really is magnificent!’ an expression dictated in such cases by a sort of middle-class tradition almost as old as the Magnificat itself, and one which a girl slightly out of temper and confident that she is in the right employs, as the saying is, ‘quite naturally,’ that is to say because she has learned the words from her mother, just as she has learned to say her prayers or to greet a friend. All these expressions Mme. Bontemps had imparted to her at the same time as her hatred of the Jews and her feeling for black, which was always suitable and becoming, indeed without any formal instruction, but as the piping of the parent goldfinches serves as a model for that of the young ones, recently hatched, so that they in turn grow into true goldfinches also. But when all was said, ‘selection’ appeared to me of alien growth and ‘I regard’ encouraging. Albertine was no longer the same; which meant that she would not perhaps act, would not react in the same way&#xA;&#xA;   Not only did I no longer feel any love for her, but I had no longer to consider, as I should have had at Balbec, the risk of shattering in her an affection for myself, which no longer existed. There could be no doubt that she had long since become quite indifferent to me. I was well aware that to her I was in no sense a member now of the ‘little band’ into which I had at one time so anxiously sought and had then been so happy to have secured admission. Besides, as she had no longer even, as in Balbec days, an air of frank good nature, I felt no serious scruples: still I believe that what made me finally decide was another philological discovery. As, continuing to add fresh links to the external chain of talk behind which I hid my intimate desire, I spoke, having Albertine secure now on the corner of my bed, of one of the girls of the little band, one smaller than the rest, whom, nevertheless, I had thought quite pretty, “Yes,” answered Albertine, “she reminds me of a little mousmé.” There had been nothing in the world to shew, when I first knew Albertine, that she had ever heard the wordmousmé. It was probable that, had things followed their normal course, she would never have learned it, and for my part I should have seen no cause for regret in that, for there is no more horrible word in the language. The mere sound of it makes one’s teeth ache as they do when one has put too large a spoonful of ice in one’s mouth. But coming from Albertine, as she sat there looking so pretty, not even ‘mousmé‘ could strike me as unpleasant. On the contrary, I felt it to be a revelation, if not of an outward initiation, at any rate of an inward evolution. Unfortunately it was now time for me to bid her good-bye if I wished her to reach home in time for her dinner, and myself to be out of bed and dressed in time for my own. It was Françoise who was getting it ready; she did not like having to keep it back, and must already have found it an infringement of one of the articles of her code that Albertine, in the absence of my parents, should be paying me so prolonged a visit, and one which was going to make everything late. But before ‘mousmé‘ all these arguments fell to the ground and I hastened to say:&#xA;&#xA;    “Just fancy; I’m not in the least ticklish; you can go on tickling me for an hour on end and I won’t even feel it.”&#xA;&#xA;    “Really?”&#xA;&#xA;    “I assure you.”&#xA;   She understood, doubtless, that this was the awkward expression of a desire on my part, for, like a person who offers to give you an introduction for which you have not ventured to ask him, though what you have said has shewn him that it would be of great service to you&#xA;&#xA;    “Would you like me to try?” she inquired, with womanly meekness&#xA;&#xA;    “Just as you like, but you would be more comfortable if you lay down properly on the bed.”&#xA;&#xA;    “Like that?”&#xA;&#xA;    “No; get right on top.”&#xA;&#xA;    “You’re sure I’m not too heavy?”&#xA;&#xA;   As she uttered these words the door opened and Françoise, carrying a lamp, came in. Albertine had just time to fling herself back upon her chair. Perhaps Françoise had chosen this moment to confound us, having been listening at the door or even peeping through the keyhole. But there was no need to suppose anything of the sort; she might have scorned to assure herself, by the use of her eyes, of what her instinct must plainly enough have detected, for by dint of living with me and my parents her fears, her prudence, her alertness, her cunning had ended by giving her that instinctive and almost prophetic knowledge of us all that the mariner has of the sea, the quarry of the hunter, and, of the malady, if not the physician, often at any rate the patient. The amount of knowledge that she managed to acquire would have astounded a stranger, and with as good reason as does the advanced state of certain arts and sciences among the ancients, seeing that there was practically no source of information open to them. (Her sources were no larger. They were a few casual remarks forming barely a twentieth part of our conversation at dinner, caught on the wing by the butler and inaccurately transmitted to the kitchen.) Again, her mistakes were due, like theirs, like the fables in which Plato believed, rather to a false conception of the world and to preconceived ideas than to the insufficiency of the materials at her disposal. Only the other day, has it not been possible for the most important discoveries as to the habits of insects to be made by a scientist who had access to no laboratory and used no instruments of any sort? But if the drawbacks arising from her menial position had not prevented her from acquiring a stock of learning indispensable to the art which was its ultimate goal — and which consisted in putting us to confusion by communicating to us the results of her discoveries — the limitations under which she worked had done more; in this case the impediment, not content with merely not paralysing the flight of her imagination, had greatly strengthened it. Of course Françoise never let slip any artificial device, those for example of diction and attitude. Since (if she never believed what we said to her, hoping that she would believe it) she admitted without any shadow of doubt the truth of anything that any person of her own condition in life might tell her, however absurd, which might at the same time prove shocking to our ideas, just as her way of listening to our assertions bore witness to her incredulity, so the accents in which she reported (the use of indirect speech enabling her to hurl the most deadly insults at us with impunity) the narrative of a cook who had told her how she had threatened her employers, and won from them, by treating them before all the world like dirt, any number of privileges and concessions, shewed that the story was to her as gospel. Françoise went so far as to add: “I’m sure, if I had been the mistress I should have been quite vexed.” In vain might we, despite our scant sympathy at first with the lady on the fourth floor, shrug our shoulders, as though at an unlikely fable, at this report of so shocking an example; in making it the teller was able to speak with the crushing, the lacerating force of the most unquestionable, most irritating affirmation&#xA;&#xA;   But above all, just as great writers often attain to a power of concentration from which they would have been dispensed under a system of political liberty or literary anarchy, when they are bound by the tyranny of a monarch or of a school of poetry, by the severity of prosodie laws or of a state religion, so Françoise, not being able to reply to us in an explicit fashion, spoke like Tiresias and would have written like Tacitus. She managed to embody everything that she could not express directly in a sentence for which we could not find fault with her without accusing ourselves, indeed in less than a sentence, in a silence, in the way in which she placed a thing in a room&#xA;&#xA;   Thus when I happened to leave, by accident, on my table, among a pile of other letters, one which it was imperative that she should not see, because, let us say, it referred to her with a dislike which afforded a presumption of the same feeling towards her in the recipient as in the writer, that evening, if I came home with a troubled conscience and went straight to my room, there on top of my letters, neatly arranged in a symmetrical pile, the compromising document caught my eye as it could not possibly have failed to catch the eye of Françoise, placed by her right at the top, almost separated from the rest, in a prominence that was a form of speech, that had an eloquence all its own, and, as I stood in the doorway, made me shudder like a cry. She excelled in the preparation of these scenic effects, intended so to enlighten the spectator, in her absence, that he already knew that she knew everything when in due course she made her appearance. She possessed, for thus making an inanimate object speak, the art, at once inspired and painstaking, of Irving or Frédéric Lemaître. On this occasion, holding over Albertine and myself the lighted lamp whose searching beams missed none of the still visible depressions which the girl’s body had hollowed in the counterpane, Françoise made one think of a picture of ‘Justice throwing light upon Crime.’ Albertine’s face did not suffer by this illumination. It revealed on her cheeks the same sunny burnish that had charmed me at Balbec. This face of Albertine, the general effect of Which sometimes was, out of doors, a sort of milky pallor, now shewed, according as the lamp shone on them, surfaces so dazzlingly, so uniformly coloured, so firm, so glowing that one might have compared them to the sustained flesh tints of certain flowers. Taken aback meanwhile by the unexpected entry of Françoise, I exclaimed:&#xA;&#xA;    “What? The lamp already? I say, the light is strong!”&#xA;&#xA;   My object, as may be imagined, was by the second of these ejaculations to account for my confusion, by the first to excuse my lateness in rising. Françoise replied with a cruel ambiguity:&#xA;&#xA;    “Do you want me to extinglish it?”&#xA;&#xA;    “— guish!” Albertine slipped into my ear, leaving me charmed by the familiar vivacity with which, taking me at once for teacher and for accomplice, she insinuated this psychological affirmation as though asking a grammatical question. When Françoise had left the room and Albertine was seated once again on my bed:&#xA;    “Do you know what I’m afraid of?” I asked her. “It is that if we go on like this I may not be able to resist the temptation to kiss you.”&#xA;&#xA;    “That would be a fine pity.”&#xA;&#xA;   I did not respond at once to this invitation, which another man might even have found superfluous, for Albertine’s way of pronouncing her words was so carnal, so seductive that merely in speaking to you she seemed to be caressing you. A word from her was a favour, and her conversation covered you with kisses. And yet it was highly attractive to me, this invitation. It would have been so, indeed, coming from any pretty girl of Albertine’s age; but that Albertine should be now so accessible to me gave me more than pleasure, brought before my eyes a series of images that bore the stamp of beauty. I recalled the original Albertine standing between me and the beach, almost painted upon a background of sea, having for me no more real existence than those figures seen on the stage, when one knows not whether one is looking at the actress herself who is supposed to appear, at an understudy who for the moment is taking her principal’s part, or at a mere projection from a lantern. Then the real woman had detached herself from the luminous mass, had come towards me, with the sole result that I had been able to see that she had nothing in real life of that amorous facility which one supposed to be stamped upon her in the magic pictures. I had learned that it was not possible to touch her, to embrace her, that one might only talk to her, that’ for me she was no more a woman than the jade grapes, an inedible decoration at one time in fashion on dinner tables, are really fruit. And now she was appearing to me in a third plane, real as in the second experience that I had had of her but facile as in the first; facile, and all the more deliciously so in that I had so long imagined that she was not. My surplus knowledge of life (of a life less uniform, less simple than I had at first supposed it to be) inclined me provisionally towards agnosticism. What can one positively affirm, when the thing that one thought probable at first has then shewn itself to be false and in the third instance turns out true? And alas, I was not yet at the end of my discoveries with regard to Albertine. In any case, even if there had not been the romantic attraction of this disclosure of a greater wealth of planes revealed one after another by life (an attraction the opposite of that which Saint-Loup had felt during our dinners at Rivebelle on recognising beneath the mask with which the course of existence had overlaid them, in a calm face, features to which his lips had once been pressed), the knowledge that to kiss Albertine’s cheeks was a possible thing was a pleasure perhaps greater even than that of kissing them. What a difference between possessing a woman to whom one applies one’s body alone, because she is no more than a piece of flesh, and possessing the girl whom one used to see on the beach with her friends on certain days without even knowing why one saw her on those days and not on others, which made one tremble to think that one might not see her again. Life had obligingly revealed to one in its whole extent the romance of this little girl, had lent one, for the study of her, first one optical instrument, then another, and had added to one’s carnal desire an accompaniment which multiplied it an hundredfold and diversified it with those other desires, more spiritual and less easily assuaged, which do not emerge from their torpor, leaving carnal desire to move by itself, when it aims only at the conquest of a piece of flesh, but which to gain possession of a whole tract of memories, whence they have felt the wretchedness of exile, rise in a tempest round about it, enlarge, extend it, are unable to follow it to the accomplishment, the assimilation, impossible in the form in which it is looked for, of an immaterial reality, but wait for this desire halfway and at the moment of recollection, of return furnish it afresh with their escort; to kiss, instead of the cheeks of the first comer, however cool and fresh they might be, but anonymous, with no secret, with no distinction, those of which I had so long been dreaming, would be to know the taste, the savour of a colour on which I had endlessly gazed. One has seen a woman, a mere image in the decorative setting of life, like Albertine, outlined against the sea, and then one has been able to take that image, to detach it, to bring it close to oneself, gradually to discern its solidity, its colours, as though one had placed it behind the glasses of a stereoscope. It is for this reason that the women who are a little difficult, whose resistance one does not at once overcome, of whom one does not indeed know at first whether one ever will overcome it, are alone interesting. For to know them, to approach them, to conquer them is to make fluctuate in form, in dimensions, in relief the human image, is an example of relativity in the appreciation of an image which it is delightful to see afresh when it has resumed the slender proportions of a silhouette in the setting of one’s life. The women one meets first of all in a brothel are of no interest because they remain invariable&#xA;&#xA;   In addition, Albertine preserved, inseparably attached to her, all my impressions of a series of seascapes of which I was particularly fond. I felt that it was possible for me, on the girl’s two cheeks, to kiss the whole of the beach at Balbec&#xA;&#xA;    “If you really don’t mind my kissing you, I would rather put it off for a little and choose a good moment. Only you mustn’t forget that you’ve said I may. I shall want a voucher: ‘Valid for one kiss.’”&#xA;&#xA;    “Shall I have to sign it?”&#xA;&#xA;    “But if I took it now, should I be entitled to another later on?”&#xA;&#xA;    “You do make me laugh with your vouchers; I shall issue a new one every now and then.”&#xA;&#xA;    “Tell me; just one thing more. You know, at Balbec, before I had been introduced to you, you used often to have a hard, calculating look; you can’t tell me what you were thinking about when you looked like that?”&#xA;&#xA;    “No; I don’t remember at all.”&#xA;&#xA;    “Wait; this may remind you: one day your friend Gisèle put her feet together and jumped over the chair an old gentleman was sitting in. Try to remember what was in your mind at that moment.”&#xA;&#xA;    “Gisèle was the one we saw least of; she did belong to the band, I suppose, but not properly. I expect I thought that she was very ill-bred and common.”&#xA;&#xA;    “Oh, is that all?”&#xA;&#xA;   I should certainly have liked, before kissing her, to be able to fill her afresh with the mystery which she had had for me on the beach before I knew her, to find latent in her the place in which she had lived earlier still; for that, at any rate, if I knew nothing of it, I could substitute all my memories of our life at Balbec, the sound of the waves rolling up and breaking beneath my window, the shouts of the children. But when I let my eyes glide over the charming pink globe of her cheeks, the gently curving surfaces of which ran up to expire beneath the first foothills of her piled black tresses which ran in undulating mountain chains, thrust out escarped ramparts and moulded the hollows of deep valleys, I could not help saying to myself: “Now at last, after failing at Balbec, I am going to learn the fragrance of the secret rose that blooms in Albertine’s cheeks, and, since the cycles through which we are able to make things and people pass in the course of our existence are comparatively few, perhaps I ought now to regard mine as nearing its end when, having made to emerge from its remoteness the flowering face that I had chosen from among all others, I shall have brought it into this new plane in which I shall at last acquire a tactual experience of it with my lips.” I told myself this because I believed that there was such a thing as knowledge acquired by the lips; I told myself that I was going to know the taste of this fleshly rose, because I had never stopped to think that man, a creature obviously less rudimentary in structure than the sea-urchin or even the whale, is nevertheless still unprovided with a certain number of essential organs, and notably possesses none that will serve for kissing. The place of this absent organ he supplies with his lips, and thereby arrives perhaps at a slightly more satisfying result than if he were reduced to caressing the beloved with a horny tusk. But a pair of lips, designed to convey to the palate the taste of whatever whets the appetite, must be content, without ever realising their mistake or admitting their disappointment, with roaming over the surface and with coming to a halt at the barrier of the impenetrable but irresistible cheek. Besides, at such moments, at the actual contact between flesh and flesh, the lips, even supposing them to become more expert and better endowed, could taste no better probably the savour which nature prevents their ever actually grasping, for in that desolate zone in which they are unable to find their proper nourishment, they are alone; the sense of sight, then that of smell have long since deserted them. To begin with, as my mouth began gradually to approach the cheeks which my eyes had suggested to it that it should kiss, my eyes, changing their position, saw a different pair of cheeks; the throat, studied at closer range and as though through a magnifying glass shewed in its coarse grain a robustness which modified the character of the face&#xA;&#xA;   Apart from the most recent applications of the art of photography — which set crouching at the foot of a cathedral all the houses which, time and again, when we stood near them, have appeared to us to reach almost to the height of the towers, drill and deploy like a regiment, in file, in open order, in mass, the same famous and familiar structures, bring into actual contact the two columns on the Piazzetta which a moment ago were so far apart, thrust away the adjoining dome of the Salute, and in a pale and toneless background manage to include a whole immense horizon within the span of a bridge, in the embrasure of a window, among the leaves of a tree that stands in the foreground and is portrayed in a more vigorous tone, give successively as setting to the same church the arched walls of all the others — I can think of nothing that can so effectively as a kiss evoke from what we believe to be a thing with one definite aspect, the hundred other things which it may equally well be since each is related to a view of it no less legitimate. In short, just as at Balbec Albertine had often appeared to me different, so now, as if, wildly accelerating the speed of the changes of aspect and changes of colouring which a person presents to us in the course of our various encounters, I had sought to contain them all in the space of a few seconds so as to reproduce experimentally the phenomenon which diversifies the individuality of a fellow creature, and to draw out one from another, like a nest of boxes, all the possibilities that it contains, in this brief passage of my lips towards her cheek it was ten Albertines that I saw; this single girl being like a goddess with several heads, that which I had last seen, if I tried to approach it, gave place to another. At least so long as I had not touched it, that head, I could still see it, a faint perfume reached me from it. But alas — for in this matter of kissing our nostrils and eyes are as ill placed as our lips are shaped — suddenly my eyes ceased to see; next, my nose, crushed by the collision, no longer perceived any fragrance, and, without thereby gaining any clearer idea of the taste of the rose of my desire, I learned, from these unpleasant signs, that at last I was in the act of kissing Albertine’s cheek&#xA;&#xA;   Was it because we were enacting — as may be illustrated by the rotation of a solid body — the converse of our scene together at Balbec, because it was I, now, who was lying in bed and she who sat beside me, capable of evading any brutal attack and of dictating her pleasure to me, that she allowed me to take so easily now what she had refused me on the former occasion with so forbidding a frown? (No doubt from that same frown the voluptuous expression which her face assumed now at the approach of my lips differed only by a deviation of its lines immeasurably minute but one in which may be contained all the disparity that there is between the gesture of ‘finishing off’ a wounded man and that of bringing him relief, between a sublime and a hideous portrait.) Not knowing whether I had to give the credit, and to feel grateful for this change of attitude to some unwitting benefactor who in these last months, in Paris or at Balbec, had been working on my behalf, I supposed that the respective positions in which we were now placed might account for it. It was quite another explanation, however, that Albertine offered me; this, in short: “Oh, well, you see, that time at Balbec I didn’t know you properly. For all I knew, you might have meant mischief.” This argument left me in perplexity. Albertine was no doubt sincere in advancing it. So difficult is it for a woman to recognise in the movements of her limbs, in the sensations felt by her body in the course of an intimate conversation with a friend, the unknown sin into which she would tremble to think that a stranger was planning her fall&#xA;&#xA;   In any case, whatever the modifications that had occurred at some recent time in her life, which might perhaps have explained why it was that she now readily accorded to my momentary and purely physical desire what at Balbec she had with horror refused to allow to my love, another far more surprising manifested itself in Albertine that same evening as soon as her caresses had procured in me the satisfaction which she could not have failed to notice, which, indeed, I had been afraid might provoke in her the instinctive movement of revulsion and offended modesty which Gilberte had given at a corresponding moment behind the laurel shrubbery in the Champs-Elysées&#xA;&#xA;   The exact opposite happened. Already, when I had first made her lie on my bed and had begun to fondle her, Albertine had assumed an air which I did not remember in her, of docile good will, of an almost childish simplicity. Obliterating every trace of her customary anxieties and interests, the moment preceding pleasure, similar in this respect to the moment after death, had restored to her rejuvenated features what seemed like the innocence of earliest childhood. And no doubt everyone whose special talent is suddenly brought into play becomes modest, devoted, charming; especially if by this talent he knows that he is giving us a great pleasure, he is himself happy in the display of it, anxious to present it to us in as complete a form as possible. But in this new expression on Albertine’s face there was more than a mere profession of disinterestedness, conscience, generosity, a sort of conventional and unexpected devotion; and it was farther than to her own childhood, it was to the infancy of the race that she had reverted. Very different from myself who had looked for nothing more than a physical alleviation, which I had finally secured, Albertine seemed to feel that it would indicate a certain coarseness on her part were she to seem to believe that this material pleasure could be unaccompanied by a moral sentiment or was to be regarded as terminating anything. She, who had been in so great a hurry a moment ago, now, presumably because she felt that kisses implied love and that love took precedence of all other duties, said when I reminded her of her dinner:&#xA;&#xA;    “Oh, but that doesn’t matter in the least; I have plenty of time.”&#xA;&#xA;   She seemed embarrassed by the idea of getting up and going immediately after what had happened, embarrassed by good manners, just as Françoise when, without feeling thirsty, she had felt herself bound to accept with a seemly gaiety the glass of wine which Jupien offered her, would never have dared to leave him as soon as the last drops were drained, however urgent the call of duty. Albertine — and this was perhaps, with another which the reader will learn in due course, one of the reasons which bad made me unconsciously desire her — was one of the incarnations of the little French peasant whose type may be seen in stone at Saint-André-des-Champs. As in Françoise, who presently nevertheless was to become her deadly enemy, I recognised in her a courtesy towards friend and stranger, a sense of decency, of respect for the bedside&#xA;&#xA;   Françoise who, after the death of my aunt, felt obliged to speak only in a plaintive tone, would, in the months that preceded her daughter’s marriage, have been quite shocked if, when the young couple walked out together, the girl had not taken her lover’s arm. Albertine lying motionless beside me said:&#xA;&#xA;    “What nice hair you have; what nice eyes; you are a dear boy.”&#xA;&#xA;   When, after pointing out to her that it was getting late, I added: “You don’t believe me?” she replied, what was perhaps true but could be so only since the minute before and for the next few hours:&#xA;&#xA;    “I always believe you.”&#xA;&#xA;   She spoke to me of myself, my family, my social position. She said: “Oh, I know your parents know some very nice people. You are a friend of Robert Forestier and Suzanne Delage.” For the moment these names conveyed absolutely nothing to me. But suddenly I remembered that I had indeed played as a child in the Champs-Elysées with Robert Forestier, whom I had never seen since then. As for Suzanne Delage, she was the great-niece of Mme. Blatin, and I had once been going to a dancing lesson, and had even promised to take a small part in a play that was being acted in her mother’s drawing-room. But the fear of being sent into fits of laughter, and of a bleeding nose, had made me decline, so that I had never set eyes on her. I had at the most a vague idea that I had once heard that the Swanns’ governess with the feather in her hat had at one time been with the Delages, but perhaps it was only a sister of this governess, or a friend. I protested to Albertine that Robert Forestier and Suzanne Delage occupied a very small place in my life. “That may be; but your mothers are friends, I can place you by that. I often pass Suzanne Delage in the Avenue de Messine, I admire her style.” Our mothers were acquainted only in the imagination of Mme. Bontemps, who having heard that I had at one time played with Robert Forestier, to whom, it appeared, I used to recite poetry, had concluded from that that we were bound by family ties. She could never, I gathered, hear my mother’s name mentioned without observing: “Oh, yes, she is in the Delage Forestier set,” giving my parents a good mark which they had done nothing to deserve&#xA;&#xA;   Apart from this, Albertine’s social ideas were fatuous in the extreme. She regarded the Simonnets with a double ‘n’ as inferior not only to the Simonets with a single ‘n’ but to everyone in the world. That some one else should bear the same name as yourself without belonging to your family is an excellent reason for despising him. Of course there are exceptions. It may happen that two Simonnets (introduced to one another at one of those gatherings where one feels the need to converse, no matter on what subject, and where moreover one is instinctively well disposed towards strangers, for instance in a funeral procession on its way to the cemetery), finding that they have the same name, will seek with a mutual friendliness though without success to discover a possible connexion. But that is only an exception. Plenty of people are of dubious character, but we either know nothing or care nothing about them. If, however, a similarity of names brings to our door letters addressed to them, or vice versa, we at once feel a mistrust, often justified, as to their moral worth. We are afraid of being confused with them, we forestall the mistake by a grimace of disgust when anyone refers to them in our hearing. When we read our own name, as borne by them, in the newspaper, they seem to have usurped it. The transgressions of other members of the social organism leave us cold. We lay the burden of them more heavily upon our namesakes. The hatred which we bear towards the other Simonnets is all the stronger in that it is not a personal feeling but has been transmitted by heredity. After the second generation we remember only the expression of disgust with which our grandparents used to refer to the other Simonnets, we know nothing of the reason, we should not be surprised to learn that it had begun with a murder. Until, as is not uncommon, the time comes when a male and female Simonnet, who are not related in any way, are joined together in matrimony and so repair the breach&#xA;&#xA;   Not only did Albertine speak to me of Robert Forestier and Suzanne Delage, but spontaneously, with that impulse to confide which the approximation of two human bodies creates, that is to say at first, before it has engendered a special duplicity and reticence in one person towards the other, she told me a story about her own family and one of Andrée’s uncles, as to which, at Balbec, she had refused to utter a word; thinking that now she ought not to appear to have any secrets in which I might not share. From this moment, had her dearest friend said anything to her against me, she would have made it her duty to inform me. I insisted upon her going home, and finally she did go, but so ashamed on my account at my discourtesy that she laughed almost as though to apologise for me, as a hostess to whose party you have gone without dressing makes the best of you but is offended nevertheless&#xA;&#xA;    “Are you laughing at me?” I inquired&#xA;&#xA;    “I am not laughing, I am smiling at you,” she replied lovingly. “When am I going to see you again?” she went on, as though declining to admit that what had just happened between us, since it is generally the crowning consummation, might not be at least the prelude to a great friendship, a friendship already existing which we should have to discover, to confess, and which alone could account for the surrender we had made of ourselves&#xA;&#xA;    “Since you give me leave, I shall send for you when I can.” I dared not let her know that I was subordinating everything else to the chance of seeing Mme. de Stermaria. “It will have to be at short notice, unfortunately,” I went on, “I never know beforehand. Would it be possible for me to send round for you in the evenings, when I am free?”&#xA;&#xA;    “It will be quite possible in a little while, I am going to have a latch-key of my own. But just at present it can’t be done. Anyhow I shall come round to-morrow or next day in the afternoon. You needn’t see me if you’re busy.”&#xA;&#xA;   On reaching the door, surprised that I had not anticipated her, she offered me her cheek, feeling that there was no need now for any coarse physical desire to prompt us to kiss one another. The brief relations in which we had just indulged being of the sort to which an absolute intimacy and a heartfelt choice often tend, Albertine had felt it incumbent upon her to improvise and add provisionally to the kisses which we had exchanged on my bed the sentiment of which those kisses would have been the symbol for a knight and his lady such as they might have been conceived in the mind of a gothic minstrel&#xA;&#xA;   When she had left me, this young Picard, who might have been carved on his porch by the image-maker of Saint-André-des-Champs, Françoise brought me a letter which filled me with joy, for it was from Mme. de Stermaria, who accepted my invitation to dinner. From Mme. de Stermaria, that was to say for me not so much from the real Mme. de Stermaria as from her of whom I had been thinking all day before Albertine’s arrival. It is the terrible deception of love that it begins by engaging us in play not with a woman of the external world but with a puppet fashioned and kept in our brain, the only form of her moreover that we have always at our disposal, the only one that we shall ever possess, one which the arbitrary power of memory, almost as absolute as that of imagination, may have made as different from the real woman as had been from the real Balbec the Balbec of my dreams; an artificial creation to which by degrees, and to our own hurt, we shall force the real woman into resemblance&#xA;&#xA;   Albertine had made me so late that the play had just finished when I entered Mme. de Villeparisis’s drawing-room; and having little desire to be caught in the stream of guests who were pouring out, discussing the great piece of news, the separation, said to be already effected, of the Duc de Guermantes from his wife, I had, until I should have an opportunity of shaking hands with my hostess, taken my seat on an empty sofa in the outer room, when from the other, in which she had no doubt had her chair in the very front row of all, I saw emerging, majestic, ample and tall in a flowing gown of yellow satin upon which stood out in relief huge black poppies, the Duchess herself. The sight of her no longer disturbed me in the least. There had been a day when, laying her hands on my forehead (as was her habit when she was afraid of hurting my feelings) and saying: “You really must stop hanging about trying to meet Mme. de Guermantes. All the neighbours are talking about you. Besides, look how ill your grandmother is, you really have something more serious to think about than waylaying a woman who only laughs at you,” in a moment, like a hypnotist who brings one back from the distant country in which one imagined oneself to be, and opens one’s eyes for one, or like the doctor who, by recalling one to a sense of duty and reality, cures one of an imaginary disease in which one has been indulging one’s fancy, my mother had awakened me from an unduly protracted dream. The rest of the day had been consecrated to a last farewell to this malady which I was renouncing; I had sung, for hours on end and weeping as I sang, the sad words of Schubert’s Adieu:&#xA;&#xA;   Farewell, strange voices call thee&#xA;   Away from me, dear sister of the angels&#xA;&#xA;And then it had finished. I had given up my morning walks, and with so little difficulty that I thought myself justified in the prophecy (which we shall see was to prove false later on) that I should easily grow accustomed in the course of my life to ceasing to see a woman. And when, shortly afterwards, Françoise had reported to me that Jupien, anxious to enlarge his business, was looking for a shop in the neighbourhood, wishing to find one for him (quite happy, moreover, when strolling along a street which already from my bed I had heard luminously vociferous like a peopled beach, to see behind the raised iron shutters of the dairies the young milk-girls with their white sleeves), I had been able to begin these excursions again. Nor did I feel the slightest constraint; for I was conscious that I was no longer going out with the object of seeing Mme. de Guermantes; much as a married woman who takes endless precautions so long as she has a lover, from the day on which she has broken with him leaves his letters lying about, at the risk of disclosing to her husband an infidelity which ceased to alarm her the moment she ceased to be guilty of it. What troubled me now was the discovery that almost every house sheltered some unhappy person. In one the wife was always in tears because her husband was unfaithful to her. In the next it was the other way about. In another a hardworking mother, beaten black and blue by a drunkard son, was endeavouring to conceal her sufferings from the eyes of the neighbours. Quite half of the human race was in tears. And when I came to know the people who composed it I saw that they were so exasperating that I asked myself whether it might not be the adulterous husband and wife (who were so simply because their lawful happiness had been withheld from them, and shewed themselves charming and faithful to everyone but their respective wife and husband) who were in the right. Presently I ceased to have even the excuse of being useful to Jupien for continuing my morning wanderings. For we learned that the cabinet-maker in our courtyard, whose workrooms were separated from Jupien’s shop only by the flimsiest of partitions, was shortly to be ‘given notice’ by the Duke’s agent because his hammering made too much noise. Jupien could have hoped for nothing better; the workrooms had a basement for storing timber, which communicated with our cellars. He could keep his coal in this, he could knock down the partition, and would then have a huge shop all in one room. But even without the amusement of house-hunting on his behalf I had continued to go out every day before luncheon, just as Jupien himself, finding the rent that M. de Guermantes was asking him exorbitant, was allowing the premises to be inspected in the hope that,discouraged by his failure to find a tenant, the Duke would resign himself to accepting a lower offer. Françoise, noticing that, even at an hour when no prospective tenant was likely to call, the porter left the door of the empty shop on the latch, scented a trap laid by him to entice the young woman who was engaged to the Guer — mantes footman (they would find a lovers’ retreat there) and to catch them red-handed&#xA;&#xA;   However that might be, and for all that I had no longer to find Jupien a new shop, I still went out before luncheon. Often, on these excursions, I met M. de Norpois. It would happen that, conversing as he walked with a colleague, he cast at me a glance which after making a thorough scrutiny of my person returned to his companion without his having smiled at me or given me any more sign of recognition than if he had never set eyes on me before. For, with these eminent diplomats, looking at you in a certain way is intended to let you know not that they have seen you but that they have not seen you and that they have some serious question to discuss with the colleague who is accompanying them. A tall woman whom I frequently encountered near the house was less discreet with me. For in spite of the fact that I did not know her, she would turn round to look at me, would wait for me, unavailingly, before shop windows, smile at me as though she were going to kiss me, make gestures indicative of a complete surrender. She resumed an icy coldness towards me if anyone appeared whom she knew. For a long time now in these morning walks, thinking only of what I had to do, were it but the most trivial purchase of a newspaper, I had chosen the shortest way, with no regret were it outside the ordinary course which the Duchess followed in her walks, and if on the other hand it lay along that course, without either compunction or concealment, because it no longer appeared to me the forbidden way on which I should snatch from an ungrateful woman the favour of setting eyes on her against her will. But it had never occurred to me that my recovery, when it restored me to a normal attitude towards Mme. de Guermantes, would have a corresponding effect on her, and so render possible a friendliness, even a friendship in which I no longer felt any interest. Until then, the efforts of the entire world banded together to bring me into touch with her would have been powerless to counteract the evil spell that is cast by an ill-starred love. Fairies more powerful than mankind have decreed that in such cases nothing can avail us until the day on which we have uttered sincerely and from our hearts the formula: “I am no longer in love.” I had been vexed with Saint-Loup for not having taken me to see his aunt. But he was no more capable than anyone else of breaking an enchantment. So long as I was in love with Mme. de Guermantes, the marks of politeness that ï received from others, their compliments actually distressed me, not only because they did not come from her but because she would never hear of them. And yet even if she had known of them it would not have been of the slightest use to me. Indeed, among the lesser auxiliaries to success in iove, an absence, the declining of an invitation to dinner, an unintentional, unconscious harshness are of more service than all the cosmetics and fine clothes in the world. There would be plenty of social success, were people taught upon these lines the art of succeeding&#xA;&#xA;   As she swept through the room in which I was sitting, her mind filled with thoughts of friends whom I did not know and whom she would perhaps be meeting presently at some other party, Mme. de Guermantes caught sight of me on my sofa, genuinely indifferent and seeking only to be polite whereas while I was in love I had tried so desperately, without ever succeeding, to assume an air of indifference; she swerved aside, came towards me and, reproducing the smile she had worn that evening at the Opéra-Comique, which the unpleasant feeling of being cared for by some one for whom she did not care was no longer there to obliterate: “No, don’t move; you don’t mind if I sit down beside you for a moment?” she asked, gracefully gathering in her immense skirt which otherwise would have covered the entire sofa&#xA;&#xA;   Of less stature than she, who was further expanded by the volume of her gown, I was almost brushed by her exquisite bare arm round which a faint, innumerable down rose in perpetual smoke like a golden mist, and by the fringe of her fair tresses which wafted their fragrance over me. Having barely room to sit down, she could not turn easily to face me, and so obliged to look straight before her rather than in my direction, assumed the sort of dreamy, sweet expression one sees in a portrait&#xA;&#xA;    “Have you any news of Robert?” she inquired&#xA;&#xA;   At that moment Mme. de Villeparisis entered the room&#xA;&#xA;    “Well, Sir, you arrive at a fine time, when we do see you here for once in a way!” And noticing that I was talking to her niece, concluding, perhaps, that we were more intimate than she had supposed: “But don’t let me interrupt your conversation with Oriane,” she went on, and (for these good offices as pander are part of the duties of the perfect hostess): “You wouldn’t care to dine with her here on Thursday?”&#xA;&#xA;   It was the day on which I was to entertain Mme. de Stermaria, so I declined&#xA;“Saturday, then?”&#xA;&#xA;   As my mother was returning on Saturday or Sunday, it would never do for me not to stay at home every evening to dine with her; I therefore declined this invitation also&#xA;&#xA;    “Ah, you’re not an easy person to get hold of.”&#xA;&#xA;    “Why do you never come to see me?” inquired Mme. de Guermantes when Mme. de Villeparisis had left us to go and congratulate the performers and present the leading lady with a bunch of roses upon which the hand that offered it conferred all its value, for it had cost no more than twenty francs. (This, incidentally, was as high as she ever went when an artist had performed only once. Those who gave their services at all her afternoons and evenings throughout the season received roses painted by the Marquise.)&#xA;&#xA;    “It’s such a bore that we never see each other except in other people’s houses. Since you won’t meet me at dinner at my aunt’s, why not come and dine with me?” Various people who had stayed to the last possible moment, upon one pretext or another, but were at length preparing to leave, seeing that the Duchess had sat down to talk to a young man on a seat so narrow as just to contain them both, thought that they must have been misinformed, that it was the Duchess, and not the Duke, who was seeking a separation, and on my account. Whereupon they hastened to spread abroad this intelligence. I had better grounds than anyone to be aware of its falsehood. But I was myself surprised that at one of those difficult periods in which a separation that is not yet completed is beginning to take effect, the Duchess, instead of withdrawing from society should go out of her way to invite a — person whom she knew so slightly. The suspicion crossed my mind that it had been the Duke alone who had been opposed to her having me in the house, and that now that he was leaving her she saw no further obstacle to her surrounding herself with the people that she liked&#xA;&#xA;   A minute earlier I should have been stupefied had anyone told me that Mme. de Guermantes was going to ask me to call on her, let alone to dine with her. I might be perfectly aware that the Guermantes drawing-room could not furnish those particular refinements which I had extracted from the name of its occupants, the fact that it had been forbidden ground to me, by obliging me to give it the same kind of existence that we give to the drawing-rooms of which we have read the description in a novel, or seen the image in a dream, made me, even when I was certain that it was just like any other, imagine it as quite different. Between myself and it was the barrier at which reality ends. To dine with the Guermantes was like travelling to a place I had long wished to see, making a desire emerge from my brain and take shape before my eyes, forming acquaintance with a dream. At the most, I might have supposed that it would be one of those dinners to which one’s hosts invite one with: “Do come; there’ll beabsolutely nobody but ourselves,” pretending to attribute to the pariah the alarm which they themselves feel at the thought of his mixing with their other friends, seeking indeed to convert into an enviable privilege, reserved for their intimates alone, the quarantine of the outsider, hopelessly uncouth, whom they are befriending. I felt on the contrary that Mme. de Guermantes was anxious for me to enjoy the most delightful society that she had to offer me when she went on, projecting as she spoke before my eyes as it were the violet-hued loveliness of a visit to Fabrice’s aunt with the miracle of an introduction to Count Mosca:&#xA;&#xA;    “On Friday, now, couldn’t you? There are just a few people coming; the Princesse de Parme, who is charming, not that I’d ask you to meet anyone who wasn’t nice.”&#xA;&#xA;   Discarded in the intermediate social grades which are engaged in a perpetual upward movement, the family still plays an important part in certain stationary grades, such as the lower middle class and the semi-royal aristocracy, which latter cannot seek to raise itself since above it, from its own special point of view, there exists nothing higher. The friendship shewn me by her ‘aunt Villeparisis’ and Robert had perhaps made me, for Mme. de Guermantes and her friends, living always upon themselves and in the same little circle, the object of a curious interest of which I had no suspicion&#xA;&#xA;   She had of those two relatives a familiar, everyday, homely knowledge, of a sort, utterly different from what we imagine, in which if we happen to be comprised in it, so far from our actions being at once ejected, like the grain of dust from the eye or the drop of water from the windpipe, they are capable of remaining engraved, and will still be related and discussed years after we ourselves have forgotten them, in the palace in which we are astonished to find them preserved, like a letter in our own handwriting among a priceless collection of autographs&#xA;&#xA;   People who are merely fashionable may set a guard upon doors which are too freely invalided. But the Guermantes door was not that. Hardly ever did a stranger have occasion to pass by it. If, for once in a way, the Duchess had one pointed out to her, she never dreamed of troubling herself about the social increment that he would bring, since this was a thing that she conferred and could not receive. She thought only of his real merits. Both Mme. de Villeparisis and Saint-Loup had testified to mine Doubtless she might not have believed them if she had not at the same time observed that they could never manage to secure me when they wanted me, and therefore that I attached no importance to worldly things, which seemed to the Duchess a sign that the stranger was to be numbered among what she called ‘nice people.’&#xA;&#xA;   It was worth seeing, when one spoke to her of women for whom she did not care, how her face changed as soon as one named, in connexion with one of these, let us say, her sister-in-law. “Oh, she is charming!” the Duchess would exclaim in a judicious, confident tone. The only reason that she gave was that this lady had declined to be introduced to the Marquise de Chaussegros and the Princesse de Silistrie. She did not add that the lady had declined also an introduction to herself, the Duchesse de Guermantes. This had, nevertheless, been the case, and ever since the mind of the Duchess had been at work trying to unravel the motives of a woman who was so hard to know, she was dying to be invited to call on her. People in society are so accustomed to be sought after that the person who shuns them seems to them a phoenix and at once monopolises their attention. Was the true motive in the mind of Mme. de Guermantes for thus inviting me (now that I was no longer in love with her) that I did not run after her relatives, although apparently run after myself by them? I cannot say. In any case, having made up her mind to invite me, she was anxious to do me the honours of the best company at her disposal and to keep away those of her friends whose presence might have dissuaded me from coming again, those whom she knew to be boring. I had not known to what to attribute her change of direction, when I had seen her deviate from her stellar path, come to sit down beside me and had heard her invite me to dinner, the effect of causes unknown for want of a special sense to enlighten us in this respect. We picture to ourselves the people who know us but slightly — such as, in my case, the Duchesse de Guermantes — as thinking of us only at the rare moments at which they set eyes on us. As a matter of fact this ideal oblivion in which we picture them as holding us is a purely arbitrary conception on our part. So that while, in our solitary silence, like that of a cloudless night, we imagine the various queens of society pursuing their course in the heavens at an infinite distance, we cannot help an involuntary start of dismay or pleasure if there falls upon us from that starry height, like a meteorite engraved with our name which we supposed to be unknown on Venus or Cassiopeia, an invitation to dinner or a piece of malicious gossip&#xA;&#xA;   Perhaps now and then when, following the example of the Persian princes who, according to the Book of Esther, made their scribes read out to them the registers in which were enrolled the names of those of their subjects who had shewn zeal in their service, Mme. de Guermantes consulted her list of the well-disposed, she had said to herself, on coming to my name: “A man we must ask to dine some day.” But other thoughts had distracted her&#xA;&#xA;   (Beset by surging cares, a Prince’s mind&#xA;   Towards fresh matters ever is inclined)&#xA;&#xA;   until the moment when she had caught sight of me sitting alone like Mordecai at the palace gate; and, the sight of me having refreshed her memory, sought, like Ahasuerus, to lavish her gifts upon me&#xA;&#xA;   I must at the same time add that a surprise of a totally different sort was to follow that which I had felt on hearing Mme. de Guermantes ask me to dine with her. Since I had decided that it would shew greater modesty, on my part, and gratitude also not to conceal this initial surprise, but rather to exaggerate my expression of the delight that it gave me, Mme. de Guermantes, who was getting ready to go on to another, final party, had said to me, almost as a justification and for fear of my not being quite certain who she was, since I appeared so astonished at being invited to dine with her: “You know I’m the aunt of Robert de Saint-Loup, who is such a friend of yours; besides we have met before.” In replying that I was aware of this I added that I knew also M. de Charlus, “who had been very good to me at Balbec and in Paris.” Mme. de Guermantes appeared dumbfoundered, and her eyes seemed to turn, as though for a verification of this statement, to some page, already filled and turned, of her internal register of events. “What, so you know Palamède, do you?” This name assumed on the lips of Mme. de Guermantes a great charm, due to the instinctive simplicity with which she spoke of a man who was socially so brilliant a figure, but for her was no more than her brother-in-law and the cousin with whom she had grown up. And on the confused greyness which the life of the Duchesse de Guermantes was for me this name, Palamède, shed as it were the radiance of long summer days on which she had played with him as a girl, at Guermantes, in the garden. Moreover, in this long outgrown period in their lives, Oriane de Guermantes and her cousin Palamède had been very different from what they had since become; M. de Charlus in particular, entirely absorbed in the artistic pursuits from which he had so effectively restrained himself in later life that I was stupefied to learn that it was he who had painted the huge fan with black and yellow irises which the Duchess was at this moment unfurling. She could also have shewn me a little sonatina which he had once composed for her. I was completely unaware that the Baron possessed all these talents, of which he never spoke. Let me remark in passing that M. de Charlus did not at all relish being called ‘Palamède’ by his family. That the form ‘Mémé’ might not please him one could easily understand. These stupid abbreviations are a sign of the utter inability of the aristocracy to appreciate its own Poetic beauty (in Jewry, too, we may see the same defect, since a nephew of Lady Israels, whose name was Moses, was commonly known as ‘Momo’) concurrently with its anxiety not to appear to attach any importance to what is aristocratic. Now M. de Charlus had, in this connexion, a greater wealth of poetic imagination and a more blatant pride. But the reason for his distaste for ‘Mémé’ could not be this, since it extended also to the fine name Palamède. The truth was that, considering, knowing himself to come of a princely stock, he would have liked his brother and sister-in-law to refer to him as ‘Charlus,’ just as Queen Marie-Amélie and Duc d’Orléans might have spoken of their sons and grandsons, brothers and nephews as ‘Joinville, Nemours, Chartres, Paris.’&#xA;&#xA;    “What a humbug Mémé is!” she exclaimed. “We talked to him about you for hours; he told us that he would be delighted to make your acquaintance, just as if he had never set eyes on you. You must admit he’s odd, and — though it’s not very nice of me to say such a thing about a brother-in-law I’m devoted to, and really do admire immensely — a trifle mad at times.”&#xA;&#xA;   I was struck by the application of this last epithet to M. de Charlus, and said to myself that this half-madness might perhaps account for certain things, such as his having appeared so delighted by his own proposal that I should ask Bloch to castigate his mother. I decided that, by reason not only of the things he said but of the way in which he said them, M. de Charlus must be a little mad. The first time that one listens to a barrister or an actor, one is surprised by his tone, so different from the conversational. But, observing that everyone else seems to find this quite natural, one says nothing about it to other people, one says nothing in fact to oneself, one is content with appreciating the degree of talent shewn. At the most, one may think, of an actor at the Théâtre-Français: “Why, instead of letting his raised arm fall naturally, did he make it drop in a series of little jerks broken by pauses for at least ten minutes?” or of a Labori: “Why, whenever he opened his mouth, did he utter those tragic, unexpected sounds to express the simplest things?” But as everybody admits these actions to be necessary and obvious one is not shocked by them. So, upon thinking it over, one said to oneself that M. de Charlus spoke of himself with undue emphasis in a tone which was not in the least that of ordinary speech. It seemed as though one might have at any moment interrupted him with: “But why do you shout so? Why are you so offensive?” only everyone seemed to have tacitly agreed that it was all right. And one took one’s place in the circle which applauded his outbursts. But certainly, at certain moments, a stranger might have thought that he was listening to the ravings of a maniac&#xA;&#xA;    “But are you sure you’re not thinking of some one else? Do you really mean my brother-in-law Palamède?” went on the Duchess, a trace of impertinence grafted upon her natural simplicity&#xA;&#xA;   I replied that I was absolutely sure, and that M. de Charlus must have failed to catch my name&#xA;&#xA;    “Oh well! I shall leave you now,” said Mme. de Guermantes, as though she regretted the parting. “I must look in for a moment at the Princesse de Ligne’s. You aren’t going on there? No? You don’t care for parties? You’re very wise, they are too boring for words. If only I hadn’t got to go. But she’s my cousin; it wouldn’t be polite. I am sorry, selfishly, for my own sake, because I could have taken you there, and brought you back afterwards, too. So I shall say good-bye now, and look forward to Friday.”&#xA;&#xA;   That M. de Charlus should have blushed to be seen with me by M. d’Argencourt was all very well. But that to his own sister-in-law, who had so high an opinion of him besides, he should deny all knowledge of me, knowledge which was perfectly natural seeing that I was a friend of both his aunt and his nephew, was a thing that I could not understand&#xA;&#xA;   I shall end my account of this incident with the remark that from one point of view there was in Mme. de Guermantes a true greatness which consisted in her entirely obliterating from her memory what other people would have only partially forgotten. Had she never seen me waylaying her, following her, tracking her down as she took her morning walks, had she never responded to my daily salute with an angry impatience, had she never refused Saint-Loup when he begged her to invite me to her house, she could not have greeted me now in a nobler or more gracious manner. Not only did she waste no time in retrospective explanations, in hints, allusions or ambiguous smiles, not only was there in her present affability, without any harking back to the past, without any reticence, something as proudly rectilinear as her majestic stature, but the resentment which she might have felt against anyone in the past was so entirely reduced to ashes, the ashes were themselves cast so utterly from her memory, or at least from her manner, that on studying her face whenever she had occasion to treat with the most exquisite simplification what in so many other people would have been a pretext for reviving stale antipathies and recriminations one had the impression of an intense purity of mind&#xA;&#xA;   But if I was surprised by the modification that had occurred in her opinion of me, how much more did it surprise me to find a similar but ever so much greater change in my feeling for her. Had there not been a time during which I could regain life and strength only if — always building new castles in the air! — I had found some one who would obtain for me an invitation to her house and, after this initial boon, would procure many others for my increasingly exacting heart? It was the impossibility of finding any avenue there that had made me leave Paris for Doncières to visit Robert de Saint-Loup. And now it was indeed by the consequence of a letter from him that I was agitated, but on account this time of Mme. de Stermaria, not of Mme. de Guermantes&#xA;&#xA;   Let me add further, to conclude my account of this party, that there Occurred at it an incident, contradicted a few days later, which continued to puzzle me, interrupted for some time my friendship with Bloch, and constitutes in itself one of those curious paradoxes the explanation of which will be found in the next part of this work. At this party at Mme. de Villeparisis’s, Bloch kept on boasting to me about the friendly attentions shewn him by M. de Charlus, who, when he passed him in the street, looked him straight in the face as though he recognised him, was anxious to know him personally, knew quite well who he was. I smiled at first, Bloch having expressed so vehemently at Balbec his contempt for the said M. de Charlus. And I supposed merely that Bloch, like his father in the Case of Bergotte, knew the Baron ‘without actually knowing him,’ and that what he took for a friendly glance was due to absent-mindedness. But finally Bloch became so precise and appeared so confident that on two or three occasions M. de Charlus had wished to address him that, remembering that I had spoken of my friend to the Baron, who had, as we walked away together from this very house, as it happened, asked me various questions about him, I came to the conclusion that Bloch was not lying that M. de Charlus had heard his name, realised that he was my friend’ and so forth. And so, a little later, at the theatre one evening, I asked M! de Charlus if I might introduce Bloch to him, and, on his assenting, went in search of my friend. But as soon as M. de Charlus caught sight of him an expression of astonishment, instantly repressed, appeared on his face where it gave way to a blazing fury. Not only did he not offer Bloch his hand but whenever Bloch spoke to him he replied in the most insolent manner, in an angry and wounding tone. So that Bloch, who, according to his version, had received nothing until then from the Baron but smiles, assumed that I had not indeed commended but disparaged him in the short speech in which, knowing M. de Charlus’s liking for formal procedure, I had told him about my friend before bringing him up to be introduced. Bloch left us, his spirit broken, like a man who has been trying to mount a horse which is always ready to take the bit in its teeth, or to swim against waves which continually dash him back on the shingle, and did not speak to me again for six months&#xA;&#xA;   The days that preceded my dinner with Mme. de Stermaria were for me by no means delightful, in fact it was all I could do to live through them. For as a general rule, the shorter the interval is that separates us from our planned objective, the longer it seems to us, because we apply to it a more minute scale of measurement, or simply because it occurs to us to measure it at all. The Papacy, we are told, reckons by centuries, and indeed may not think perhaps of reckoning time at all, since its goal is in eternity. Mine was no more than three days off; I counted by seconds, I gave myself up to those imaginings which are the first movements of caresses, of caresses which it maddens us not to be able to make the woman herself reciprocate and complete — those identical caresses, to the exclusion of all others. And, as a matter of fact, it is true that, generally speaking, the difficulty of attaining to the object of a desire enhances that desire (the difficulty, not the impossibility, for that suppresses it altogether), yet in the case of a desire that is wholly physical the certainty that it will be realised, at a fixed and not distant point in time, is scarcely less exciting than uncertainty; almost as much as an anxious doubt, the absence of doubt makes intolerable the period of waiting for the pleasure that is bound to come, because it makes of that suspense an innumerably rehearsed accomplishment and by the frequency of our proleptic representations divides time into sections as minute as could be carved by agony. What I required was to possess Mme. de Stermaria, for during the last few days, with an incessant activity, my desires had been preparing this pleasure, in my imagination, and this pleasure alone, for any other kind (pleasure, that is, taken with another woman) would not have been ready, pleasure being but the realisation of a previous wish, and of one which is not always the same, but changes according to the endless combinations of one’s fancies, the accidents of one’s memory, the state of one’s temperament, the variability of one’s desires, the most recently granted of which lie dormant until the disappointment of their satisfaction has been to some extent forgotten; I should not have been prepared, I had already turned from the main road of general desires and had ventured along the bridle-path of a particular desire; I should have had — in order to wish for a different assignation — to retrace my steps too far before rejoining the main road and taking another path. To take possession of Mme. de Stermaria on the island in the Bois de Boulogne where I had asked her to dine with me, this was the pleasure that I imagined to myself afresh every moment. It would have automatically perished if I had dined on that island without Mme. de Stermaria; but perhaps as greatly diminished had I dined, even with her, somewhere else. Besides, the attitudes in which one pictures a pleasure to oneself exist previously to the woman, to the type of woman required to give one that pleasure. They dictate the pleasure, and the place as well, and on that account bring to the fore alternatively, in our capricious fancy, this or that woman, this or that scene, this or that room, which in other weeks we should have dismissed with contempt. Child of the attitude that produced her, one woman will not appeal to us without the large bed in which we find peace by her side, while others, to be caressed with a more secret intention, require leaves blown by the wind, water rippling in the night, are as frail and fleeting as they&#xA;&#xA;   No doubt in the past, long before I received Saint-Loup’s letter and when there was as yet no question of Mme. de Stermaria, the island in the Bois had seemed to me to be specially designed for pleasure, because I had found myself going there to taste the bitterness of having no pleasure to enjoy in its shelter. It is to the shores of the lake from which one goes to that island, and along which, in the last weeks of summer, those ladies of Paris who have not yet left for the country take the air, that, not knowing where to look for her, or if indeed she has not already left Paris, one wanders in the hope of seeing the girl go by with whom one fell in love at the last ball of the season, whom one will not have a chance of meeting again in any drawing-room until the following spring. Feeling it to be at least the eve, if not the morrow, of the beloved’s departure, one follows along the brink of the shivering water those attractive paths by which already a first red leaf is blooming like a last rose, one scans that horizon where, by a device the opposite of that employed in those panoramas beneath whose domed roofs the wax figures in the foreground impart to the painted canvas beyond them the illusory appearance of depth and mass, our eyes, passing without any transition from the cultivated park to the natural heights of Meudon and the Mont Valérien, do not know where to set the boundary, and make the natural country trespass upon the handiwork of the gardener, of which they project far beyond its own limits the artificial charm; like those rare birds reared in the open in a botanical garden which every day in the liberty of their winged excursions sally forth to strike, among the surrounding woods, an exotic note. Between the last festivity of summer and one’s winter exile, one ranges anxiously that romantic world of chance encounters and lover’s melancholy, and one would be no more surprised to learn that it was situated outside the mapped universe than if, at Versailles, looking down from the terrace, an observatory round which the clouds are massed against a blue sky in the manner of Van der Meulen, after having thus risen above the bounds of nature, one were informed that, there where nature begins again at the end of the great canal, the villages which one just could not make out, on a horizon as dazzling as the sea, were called Fleurus or Nimègue&#xA;&#xA;   And then, the last carriage having rolled by, when one feels with a throb of pain that she will not come now, one goes to dine on the island; above the shivering poplars which suggest endless mysteries of evening though without response, a pink cloud paints a last touch of life in the tranquil sky. A few drops of rain fall without noise on the water, ancient but still in its diyine infancy coloured always by the weather and continually forgetting the reflexions of clouds and flowers. And after the geraniums have vainly striven, by intensifying the brilliance of their scarlet, to resist the gathering darkness, a mist rises to envelop the now slumbering island; one walks in the moist dimness along the water’s edge, where at the most the silent passage of a swan startles one like, in a bed, at night, the eyes, for a moment wide open, and the swift smile of a child whom one did not suppose to be awake. Then one would like to have with one a loving companion, all the more as one feels oneself to be alone and can imagine oneself to be far away from the world&#xA;&#xA;   But to this island, where even in summer there was often a mist, how much more gladly would I have brought Mme. de Stermaria now that the cold season, the back end of autumn had come. If the weather that had prevailed since Sunday had not by itself rendered grey and maritime the scenes in which my imagination was living — as other seasons made them balmy, luminous, Italian — the hope of, in a few days’ time, making Mme. de Stermaria mine would have been quite enough to raise, twenty times in an hour, a curtain of mist in my monotonously lovesick imagination. In any event the mist, which since yesterday had risen even in Paris, not only made me think incessantly of the native place of the young woman whom I had invited to dine with me, but, since it was probable that, far more thickly than in the streets of the town, it must after sunset be invading the Bois, especially the shores of the lake, I thought that it would make the Swans’ Island, for me, something like that Breton island the marine and misty atmosphere of which had always enwrapped in my mind like a garment the pale outline of Mme. de Stermaria. Of course when we are young, at the age I had reached at the period of my walks along the Méséglise way, our desires, our faith bestow on a woman’s clothing an individual personality, an ultimate quintessence. We pursue reality. But by dint of allowing it to escape we end by noticing that, after all those vain endeavours which have led to nothing, something solid subsists, which is what we have been seeking. We begin to separate, to recognise what we love, we try to procure it for ourselves, be it only by a stratagem. Then, in the absence of our vanished faith, costume fills the gap, by means of a deliberate illusion. I knew quite well that within half an hour of home I should not find myself in Brittany. But in walking arm in arm with Mme. de Stermaria in the dusk of the island, by the water’s edge, I should be acting like other men who, unable to penetrate the walls of à convent, do at least, before enjoying a woman, clothe her in the habit of a nun&#xA;&#xA;   I could even look forward to hearing, as I sat with the lady, the lapping of waves, for, on the day before our dinner, a storm broke over Paris. I was beginning to shave myself before going to the island to engage the room (albeit at this time of year the island was empty and the restaurant deserted) and order the food for our dinner next day when Françoise came in to tell me that Albertine had called. I made her come in at once, indifferent to her finding me disfigured by a bristling chin, her for whom at Balbec I had never felt smart enough and who had cost me then as much agitation and distress as Mme. de Stermaria was costing me now. The latter, I was determined, must go away with the best possible impression from our evening together. Accordingly I asked Albertine to come with me there and then to the island to order the food. She to whom one gives everything is so quickly replaced by another that one is surprised to find oneself giving all that one has, afresh, at every moment, without any hope of future reward. At my suggestion the smiling rosy face beneath Albertine’s flat cap, which came down very low, to her eyebrows, seemed to hesitate. She had probably other plans; if so she sacrificed them willingly, to my great satisfaction, for I attached the utmost importance to my having with me a young housewife who would know a great deal more than myself about ordering dinner&#xA;&#xA;   It is quite true that she had represented something utterly different for me at Balbec. But our intimacy, even when we do not consider it close enough at the time, with a woman with whom we are in love creates between her and us, in spite of the shortcomings that pain us while our love lasts, social ties which outlast our love and even the memory of our love. Then, in her who is nothing more for us than a means of approach, an avenue towards others, we are just as astonished and amused to learn from our memory what her name meant originally to that other creature which we then were as if, after giving a cabman an address in the Boulevard des Capucines or the Rue du Bac, thinking only of the person whom we are going to see there, we remind ourself that the names were once those of, respectively, the Capuchin nuns whose convent stood on the site and the ferry across the Seine&#xA;&#xA;   At the same time, my Balbec desires had so generously ripened Albertine’s body, had gathered and stored in it savours so fresh and sweet that, as we drove through the Bois, while the wind like a careful gardener shook the trees, brought down the fruit, swept up the fallen leaves, I said to myself that had there been any risk of Saint-Loup’s being mistaken, or of my having misunderstood his letter, so that my dinner with Mme. de Stermaria might lead to no satisfactory result, I should have made an appointment for the same evening, later on, with Albertine, so as to forget, for a purely voluptuous hour, as I held in my arms a body of which my curiosity had long since computed, weighed up all the possible charms in which now it abounded, the emotions and perhaps the regrets of this first phase of love for Mme. de Stermaria. And certainly if I could have supposed that Mme de Stermaria would not grant me any of her favours at our first meeting, I should have formed a slightly depressing picture of my evening with her. I knew too well from experience how the two stages which occur in us in the first phase of our love for a woman whom we have desired without knowing her, loving in her rather the particular kind of existence in which she is steeped than her still unfamiliar self — how distorted is the reflexion of those two stages in the world of facts, that is to say not in ourselves any longer but in our meetings with her. We have, without ever having talked to her, hesitated, tempted as we were by the poetic charm which she represented for us. Shall it be this woman or another? And lo, our dreams become fixed round about her, cease to have any separate existence from her. The first meeting with her which will shortly follow should reflect this dawning love. Nothing of the sort. As if it were necessary that our material life should have its first period also, in love with her already, we talk to her in the most trivial fashion: “I asked you to dine on this island because I thought the surroundings would amuse you. I’ve nothing particular to say to you, don’t you know. But it’s rather damp, I’m afraid, and you may find it cold —” “Oh, no, not at all!” “You just say that out of politeness. Very well, Madame, I shall allow you to battle against the cold for another quarter of an hour, as I don’t want to bother you, but in fifteen minutes I shall carry you off by force. I don’t want to have you catching a chill.” And without another word said we take her home, remembering nothing about her, at the most a certain look in her eyes, but thinking only of seeing her again. Well, at our second meeting (when we do not find even that look, our sole memory of her, but nevertheless have been thinking only of seeing her again), the first stage is passed. Nothing has happened in the interval. And yet, instead of talking about the comfort or want of comfort of the restaurant, we say, without our words appearing to surprise the new person, who seems to us positively plain but to whom we should like to think that people were talking about us at every moment in her life: “We are going to have our work cut out to overcome all the obstacles in our way. Do you think we shall be successful? Do you suppose that we can triumph over our enemies — live happily ever afterwards, and all that sort of thing?” But these conversational openings, trivial to begin with, then hinting at love, would not be required; I could trust Saint-Loup’s letter for that. Mme. de Stermaria would yield herself to me from the first, I should have no need therefore to engage Albertine to come to me, as a makeshift, later in the evening. It would be superfluous; Robert never exaggerated, and his letter was explicit&#xA;&#xA;   Albertine spoke hardly at all, conscious that my thoughts were elsewhere. We went a little way on foot into the greenish, almost submarine grotto of a dense mass of trees, on the domed tops of which we heard the wind sweep and the rain pelt. I trod underfoot dead leaves which, like shells, were trampled into the soil, and poked with my stick at fallen chestnuts prickly as sea-urchins&#xA;&#xA;   On the boughs the last clinging leaves, shaken by the wind, followed it only as far as their stems would allow, but sometimes these broke, and they fell to the ground, along which they coursed to overtake it. I thought with joy how much more remote still, if this weather lasted, the island would be on the morrow — and in any case quite deserted. We returned to our carriage and, as the storm had passed off, Albertine asked me to take her on to Saint-Cloud. As on the ground the drifting leaves so up above the clouds were chasing the wind. And a stream of migrant evenings, of which a sort of conic section cut through the sky made visible the successive layers, pink, blue and green, were gathered in readiness for departure to warmer climes. To obtain a closer view of a marble goddess who had been carved in the act of leaping from her pedestal and, alone in a great wood which seemed to be consecrated to her, filled it with the mythological terror, half animal, half divine, of her frenzied bounding, Albertine climbed a grassy slope while I waited for her in the road. She herself, seen thus from below, no longer coarse and plump as, a few days earlier, on my bed when the grain of her throat became apparent in the lens of my eye as it approached her person, but chiselled and delicate, seemed a little statue on which our happy hours together at Balbec had left their patina. When I found myself alone again at home, and remembered that I had taken a drive that afternoon with Albertine, that I was to dine in two days’ time with Mme. de Guermantes and that I had to answer a letter from Gilberte, three women each of whom I had once loved, I said to myself that our social existence is, like an artist’s studio, filled with abandoned sketches in which we have fancied for a moment that we could set down in permanent form our need of a great love, but it did not occur to me that sometimes, if the sketch be not too old, it may happen that we return to it and make of it a work wholly different, and possibly more important than what we had originally planned&#xA;&#xA;   The next day was cold and fine; winter was in the air — indeed the season was so far advanced that it had seemed miraculous that we should find in the already pillaged Bois a few domes of gilded green. When I awoke I saw, as from the window of the barracks at Doncières, a uniform, dead white mist which hung gaily in the sunlight, consistent and sweet as a web of spun sugar. Then the sun withdrew, and the mist thickened still further in the afternoon. Night fell early, I made ready for dinner, but it was still too soon to start; I decided to send a carriage for Mme. de Stermaria. I did not like to go for her in it myself, not wishing to force my company on her, but I gave the driver a note for her in which I asked whether she would mind my coming to call for her. While I waited for her answer I lay down on my bed, shut my eyes for a moment, then opened them again. Over the top of the curtains there was nothing now but a thin strip of daylight which grew steadily fainter. I recognised that wasted hour, the large ante-room of pleasure, the dark, delicious emptiness of which I had learned at Balbec to know and to enjoy when, alone in my room as I was now, while all the rest were at dinner, I saw without regret the daylight fade from above my curtains, knowing that, presently, after a night of arctic brevity, it was to be resuscitated in a more dazzling brightness in the lighted rooms of Rivebelle. I sprang from my bed, tied my black necktie, passed a brush over my hair, final gestures of a belated tidying carried out at Balbec with my mind not on myself but on the women whom I should see at Rivebelle while I smiled at them in anticipation in the mirror that stood across a corner of my room, gestures which, on that account, had continued to herald a form of entertainment in which music and lights would be mingled. Like magic signs they summoned, nay rather presented this entertainment already; thanks to them I had, of its intoxicating frivolous charm as complete an enjoyment as I had had at Combray, in the month of July, when I heard the hammer-blows ring on the packing cases and enjoyed, in the coolness of my darkened room, a sense of warmth and sunshine&#xA;&#xA;   Also, it was no longer exactly Mme. de Stermaria that I should have wished most to see. Forced now to spend my evening with her, I should have preferred, as it was almost the last before the return of my parents that it should remain free and myself try instead to find some of the women from Rivebelle. I gave my hands one more final wash and, my sense of pleasure keeping me on the move, dried them as I walked through the shuttered dining-room. It appeared to have a door open on to the lighted hall but what I had taken for the bright chink of the door, which as a matter of fact was closed, was only the gleaming reflexion of my towel in a mirror that had been laid against the wall in readiness to be fixed in its place before Mamma’s return. I thought of all the other illusions of the sort which I had discovered in different parts of the house, and which were not optical only, for when we first came there I had supposed that our next-door neighbour kept a dog on account of the continuous, almost human yapping which came from a certain pipe in the kitchen whenever the tap was turned on. And the door on to the outer landing never closed by itself, very gently, caught by a draught on the staircase, without rendering those broken, voluptuous, whimpering passages which sound over the chant of the pilgrims towards the end of Overture to Tannhäuser. I had, moreover, just as I had put my towel back on its rail, an opportunity of hearing a fresh rendering of this brilliant symphonic fragment, for at a peal of the bell I hurried out to open the door to the driver who had come with Mme. de Stermaria’s answer. I thought that his message would be: “The lady is downstairs,” or “The lady is waiting.” But he had a letter in his hand. I hesitated for a moment before looking to see what Mme. de Stermaria had written, who, while she held the pen in her hand, might have been anything but was now, detached from herself, an engine of fate, pursuing a course alone, which she was utterly powerless to alter. I asked the driver to wait downstairs for a moment, although he was cursing the fog. As soon as he had gone I opened the envelope. On her card, inscribed Vicomtesse Alix de. Stermaria, my guest had written: “Am so sorry — am unfortunately prevented from dining with you this evening on the island in the Bois. Had been so looking forward to it. Will write you a proper letter from Stermaria. Very sorry. Kindest regards.” I stood motionless, stunned by the shock that I had received. At my feet lay the card and envelope, fallen like the spent cartridge from a gun when the shot has been fired. I picked them up, tried to analyse her message. “She says that she cannot dine with me on the island in the Bois. One might gather from that that she would dine with me somewhere else. I shall not be so indiscreet as to go and fetch her, but, after all, that is quite a reasonable interpretation.” And from that island in the Bois, as for the last few days my thoughts had been installed there beforehand with Mme. de Stermâria, I could not succeed in bringing them back to where I was. My desire responded automatically to the gravitational force which had been pulling it now for so many hours on end, and in spite of this message, too recent to counteract that force, I went on instinctively getting ready to start, just as a student, although ploughed by the examiners, tries to answer one question more. At last I decided to tell Françoise to go down and pay the driver. I went along the passage without finding her, I passed through the dining-room, where suddenly my feet ceased to sound on the bare boards as they had been doing and were hushed to a silence which, even before I had realised the explanation of it, gave me a feeling of suffocation and confinement. It was the carpets which, in view of my parents’ return, the servants had begun to put down again, those carpets which look so well on bright mornings when amid their disorder the sun stays and waits for you like a friend come to take you out to luncheon in the country, and casts over them the dappled light and shade of the forest, but which now on the contrary were the first installation of the wintry prison from which, obliged as I should be to live, to take my meals at home, I should no longer be free now to escape when I chose&#xA;&#xA;    “Take care you don’t slip, Sir; they’re not tacked yet,” Françoise called to me. “I ought to have lighted up. Oh, dear, it’s the end of ‘Sectember’ already, the fine days are over.” In no time, winter; at the corner of a window, as in a Galle glass, a vein of crusted snow; and even in the Champs-Elysées, instead of the girls one waits to see, nothing but solitary sparrows&#xA;&#xA;   What added to my distress at not seeing Mme. de Stermâria was that her answer led me to suppose that whereas, hour by hour, since Sunday, I had been living for this dinner alone, she had presumably never given it a second thought. Later on I learned of an absurd love match that she had suddenly made with a young man whom she must already have been seeing at this time, and who had presumably made her forget my invitation. For if she had remembered it she would surely never have waited for the carriage which I was not, for that matter, supposed to be sending for her, to inform me that she was otherwise engaged. My dreams of a young feudal maiden on a misty island had cleared the way to a still non-existent love. Now my disappointment, my rage, my desperate desire to recapture her who had just refused me were able, by bringing my sensibility into play, to make definite the possible love which until then my imagination alone had — and that more loosely — offered me&#xA;&#xA;   How many are there in our memories, how many more have we forgotten, of these faces of girls and young women, all different, to which we have added a certain charm and a frenzied desire to see them again only because at the last moment they eluded us? In the case of Mme. de Stermaria there was a good deal more than this, and it was enough now to make me love her for me to see her again so that I might refresh those impressions, so vivid but all too brief, which my memory would not, without such refreshment, have the strength to keep alive when we were apart. Circumstances decided against me; I did not see her again. It was not she that I loved, but it might well have been. And one of the things that made most cruel, perhaps, the great love which was presently to come to me was that when I thought of this evening I used to say to myself that my love might, given a slight modification of very ordinary circumstances, have been directed elsewhere, to Mme. de Stermaria; its application to her who inspired it in me so soon afterwards was not therefore — as I so longed so needed to believe — absolutely necessary and predestined&#xA;&#xA;   Françoise had left me by myself in the dining-room with the remark that it was foolish of me to stay there before she had lighted the fire. She went to get me some dinner, for even before the return of my parents, from this very evening, my seclusion was to begin. I caught sight of a huge bundle of carpets, still rolled up, and leaning against one end of the sideboard, and burying my head in it, swallowing its dust with my own tears, as the Jews used to cover their heads with ashes in times of mourning, I began to sob. I shuddered not only because the room was cold, but because a distinct lowering of temperature (against the danger and — I should add, perhaps — the by no means disagreeable sensation of which we make no attempt to react) is brought about by a certain kind of tears which fall from our eyes, drop by drop, like a fine, penetrating, icy rain, and seem as though never would they cease to flow. Suddenly I heard a voice:&#xA;&#xA;    “May I come in? Françoise told me you would be in the dining-room. I looked in to see whether you would care to come out and dine somewhere, if it isn’t bad for your throat — there’s a fog outside you could cut with a knife.”&#xA;&#xA;   It was — arrived in Paris that morning, when I imagined him to be still in Morocco or on the sea — Robert de Saint-Loup&#xA;&#xA;   I have already said (as a matter of fact, it was Robert himself who, at Balbec, had helped me, quite without meaning it, to arrive at this conclusion) what I think about friendship: to wit that it is so small a thing that I find it hard to understand how men with some claim to genius — Nietzsche, for instance — can have been such simpletons as to ascribe to it a certain intellectual value, and consequently to deny themselves friendships in which intellectual esteem would have no part. Yes, it has always been a surprise to me to find a man who carried sincerity towards himself to so high a pitch as to cut himself off, by a scruple of conscience, from Wagner’s music, imagining that the truth could ever be attained by the mode of expression, naturally vague and inadequate, which our actions in general and acts of friendship in particular furnish, or that there could be any kind of significance in the fact of one’s leaving one’s work to go and see a friend and shed tears with him on hearing the false report that the Louvre was burned. I had got so far, at Balbec, as to find that the pleasure of playing with a troop of girls is less destructive of the spiritual life, to which at least it remains alien, than friendship, the whole effort of which is directed towards making us sacrifice the one real and (save by the channel of art) incommunicable part of ourself to a superficial self which finds — not, like the other, any joy in itself, but rather a vague, sentimental attraction in the feeling that it is being supported by external props, hospitably entertained by a strange personality, through which, happy in the protection that is afforded it there, it makes its own comfort radiate in warm approval, and marvels at qualities which it would denounce as faults and seek to correct in itself. Moreover the scorners of friendship can, without illusion and not without remorse, be the finest friends in the world, just as an artist carrying in his brain a masterpiece and feeling that his duty is rather to live and carry on his work, nevertheless, so as not to be thought or to run the risk of actually being selfish, gives his life for a vain cause, and gives it all the more gallantly in that the reasons for which he would have preferred not to give it were disinterested. But whatever might be my opinion of friendship, to mention only the pleasure that it procured me, of a quality so mediocre as to be like something halfway between physical exhaustion and mental boredom, there is no brew so deadly that it cannot at certain moments, become precious and invigorating by giving us just the stimulus that was necessary, the warmth that we cannot generate in ourselves&#xA;&#xA;   The thought of course never entered my mind now of asking Saint-Loup to take me (as, an hour earlier, I had been longing to go) to see some of the Rivebelle women; the scar left by my disappointment with Mme. de Stermaria was too recent still to be so easily healed, but at the moment when I had ceased to feel in my heart any reason for happiness Saint-Loup’s bursting in upon me was like a sudden apparition of kindness, mirth, life, which were external to me, no doubt, but offered themselves to me, asked only to be made mine. He did not himself understand my shout of gratitude, my tears of affection. And yet is there anything more unaccountably affecting than one of those friends, be he diplomat, explorer, airman or soldier like Saint-Loup, who, having to start next day for the country, from where they will go on heaven knows where, seem to form for themselves, in the evening which they devote to us, an impression which we are astonished both to find, so rare and fleeting is it, can be so pleasant to them, and, since it does so delight them, not to see them prolong farther or repeat more often. A meal with us, an event so natural in itself, affords these travellers the same strange and exquisite pleasure as our boulevards give to an Asiatic. We set off together to dine, and as I went downstairs I thought of Doncières where every evening I used to meet Robert at his restaurant, and the little dining-rooms there that I had forgotten. I remembered one of these to which I had never given a thought, and which was not in the hotel where Saint-Loup dined but in another, far humbler, a cross between an inn and a boarding-house, where the waiting was done by the landlady and one of her servants. I had been forced to take shelter there once from a snowstorm. Besides, Robert was not to be dining at the hotel that evening and I had not cared to go any farther. My food was brought to me, upstairs, in a little room with bare wooden walls. The lamp went out during dinner and the servant lighted a couple of candles. I, pretending that I could not see very well as I held out my plate, while she helped me to potatoes, took her bare fore-arm in my hand, as though to guide her. Seeing that she did not withdraw it, I began to fondle it, then, without saying a word, pulled her bodily to me, blew out the candles and told her to feel in my pocket for some money. For the next few days physical pleasure seemed to me to require, to be properly enjoyed, not only this servant but the timbered dining-room, so remote and lonely. And yet it was to the other, in which Saint-Loup and his friends dined, that I returned every evening, from force of habit and in friendship for them, until I left Doncières. But even of this hotel, where he took his meals with his friends, I had long ceased to think; we make little use of our experience, we leave unconsumed in the summer dusk or precocious nights of winter the hours in which it had seemed to us that there might nevertheless be contained some element of tranquillity or pleasure. But those hours are not altogether wasted. When, in their turn, come and sing to us fresh moments of pleasure, which by themselves would pass by equally bare in outline, the others recur, bringing with them the groundwork, the solid consistency of a rich orchestration. They are in this way prolonged into one of those types of happiness which we recapture only now and again but which continue to exist; in the present instance the type was that of forsaking everything else to dine in comfortable surroundings, which by the help of memory embody in a scene from nature suggestions of the rewards of travel, with a friend who is going to stir our dormant life with all his energy, his affection, to communicate to us an emotional pleasure, very different from anything that we could derive from our own efforts or from social distractions; we are going to exist solely for him, to utter vows of friendship which, born within the confines of the hour, remaining imprisoned in it, will perhaps not be kept on the morrow but which I need have no scruple in taking before Saint-Loup since, with a courage into which there entered a great deal of common sense and the presentiment that friendship cannot explore its own depths, on the morrow he would be gone&#xA;&#xA;   If as I came downstairs I lived over again the evenings at Doncières, when we reached the street, in a moment the darkness, now almost total, in which the fog seemed to have put out the lamps, which one could make out, glimmering very faintly, only when close at hand, took me back to I could not say what arrival, by night, at Combray, when the streets there were still lighted only at long intervals and one felt one’s way through a darkness moist, warm, consecrated, like that of a Christmas manger, just visibly starred here and there by a wick that burned no brighter than a candle. Between that year — to which I could ascribe no precise date — of my Combray life and the evenings at Rivebelle which had, an hour earlier, been reflected above my drawn curtains, what a world of differences! I felt on perceiving them an enthusiasm which might have borne fruit had I been left alone and would then have saved me the unnecessary round of many wasted years through which I was yet to pass before there was revealed to me that invisible vocation of which these volumes are the history. Had the revelation come to me this evening, the carriage in which I sat would have deserved to rank as more memorable with me than Dr. Percepied’s, on the box seat of which I had composed that little sketch — on which, as it happened, I had recently laid my hands, altered it and sent it in vain to theFigaro — of the spires of Martinville. Is it because we live over our past years not in their continuous sequence, day by day, but in a memory that fastens upon the coolness or sun-parched heat of some morning or afternoon, receives the shadow of some solitary place, is enclosed, immovable, arrested, lost, remote from all others, because, therefore, the changes gradually wrought not only in the world outside but in our dreams and our evolving character (changes which have imperceptibly carried us through life from one to another, wholly different time), are of necessity eliminated, that, if we revive another memory taken from a different year, we find between the two, thanks to lacunae, to vast stretches of oblivion, as it were the gulf of a difference in altitude or the incompatibility of two divers qualities, that of the air we breathe and the colour of the scene before our eyes? But between one and another of the memories that had now come to me in turn of Combray, of Doncières and of Rivebelle, I was conscious at the moment of more than a distance in time, of the distance that there would be between two separate universes the material elements in which were not the same. If I had sought to reproduce the element in which appeared carven my most trivial memories of Rivebelle, I should have had to streak with rosy veins, to render at once translucent, compact, refreshing, resonant a substance hitherto analogous to the coarse dark sandstone walls of Combray. But Robert having finished giving his instructions to the driver joined me now in the carriage. The ideas that had appeared before me took flight. Ideas are goddesses who deign at times to make themselves visible to a solitary mortal, at a turning in the road, even in his bedroom while he sleeps, when they, standing framed in the doorway, bring him the annunciation of their tidings. But as soon as a companion joins him they vanish, in the society of his fellows no man has ever beheld them. And I found myself cast back upon friendship. When he first appeared Robert had indeed warned me that there was a good deal of fog outside, but while we were indoors, talking, it had grown steadily thicker. It was no longer merely the light mist which I had looked forward to seeing rise from the island and envelop Mme. de Stermaria and myself. A few feet away from us the street lamps were blotted out and then it was night, as dark as in the open fields, in a forest, or rather on a mild Breton island whither I would fain have gone; I lost myself, as on the stark coast of some. Northern sea where one risks one’s life twenty times over before coming to the solitary inn; ceasing to be a mirage for which one seeks, the fog became one of those dangers against which one has to fight, so that we had, in finding our way and reaching a safe haven, the difficulties, the anxiety and finally the joy which safety, so little perceived by him who is not threatened with the loss of it, gives to the perplexed and benighted traveller. One thing only came near to destroying my pleasure during our adventurous ride, owing to the angry astonishment into which it flung me for a moment, “You know, I told Bloch,” Saint-Loup suddenly informed me, “that you didn’t really think all that of him, that you found him rather vulgar at times. I’m like that, you see, I want people to know where they stand,” he wound up with a satisfied air and in a tone which brooked no reply. I was astounded. Not only had I the most absolute confidence in Saint-Loup, in the loyalty of his friendship, and he had betrayed it by what he had said to Bloch, but it seemed to me that he of all men ought to have been restrained from doing so, by his defects as well as by his good qualities, by that astonishing veneer of breeding which was capable of carrying politeness to what was positively a want of frankness. His triumphant air, was it what we assume to cloak a certain embarrassment in admitting a thing which we know that we ought not to have done, or did it mean complete unconsciousness; stupidity making a virtue out of a defect which I had not associated with him; a passing fit of ill humour towards me prompting him to make an end of our friendship, or the notation in words of a passing fit of ill humour in the company of Bloch to whom he had felt that he must say something disagreeable, even although I should be compromised by it? However that might be, his face was seared, while he uttered this vulgar speech, by a frightful sinuosity which I saw on it once or twice only in all the time I knew him, and which, beginning by running more or less down the middle of his face, when it came to his lips twisted them, gave them a hideous expression of baseness, almost of bestiality, quite transitory and no doubt inherited. There must have been at such moments, which recurred probably not more than once every other year, a partial eclipse of his true self by the passage across it of the personality of some ancestor whose shadow fell on him. Fully as much as his satisfied air, the words: “I want people to know where they stand,” encouraged the same doubt and should have incurred a similar condemnation. I felt inclined to say to him that if one wants people to know where they stand one ought to confine these outbursts of frankness to one’s own affairs and not to acquire a too easy merit at the expense of others. But by this time the carriage had stopped outside the restaurant, the huge front of which, glazed and streaming with light, alone succeeded in piercing the darkness. The fog itself, beside the comfortable brightness of the lighted interior, seemed to be waiting outside on the pavement to shew one the way in with the joy of servants whose faces reflect the hospitable instincts of their master; shot with the most delicate shades of light, it pointed the way like the pillar of fire which guided the Children of Israel. Many of whom, as it happened, were to be found inside. For this was the place to which Bloch and his friends had long been in the habit, maddened by a hunger as famishing as the Ritual Fast, which at least occurs only once a year, for coffee and the satisfaction of political curiosity, of repairing in the evenings. Every mental excitement creating a value that overrides others, a quality superior to the rest of one’s habits, there is no taste at all keenly developed that does not thus gather round it a society which it unites and in which the esteem of his fellows is what each of its members seeks before anything else from life. Here, in their café, be it in a little provincial town, you will find impassioned music-lovers; the greater part of their time, all their spare cash is spent in chamber-concerts, in meetings for musical discussion, in cafés where one finds oneself among musical people and rubs shoulders with the members of the orchestra. Others, keen upon flying, seek to stand well with the old waiter in the glazed bar perched on top of the aerodrome; sheltered from the wind as in the glass cage of a lighthouse, they can follow in the company of an airman who is not going up that day the evolutions of a pilot practising loops, while another, invisible a moment ago, comes suddenly swooping down to land with the great winged roar of an Arabian roc. The little group which met to try to perpetuate, to explore the fugitive emotions aroused by the Zola trial attached a similar importance to this particular café. But they were not viewed with favour by the young nobles who composed the rest of its patrons and had taken possession of a second room, separated from the other only by a flimsy parapet topped with a row of plants. These looked upon Dreyfus and his supporters as traitors, albeit twenty-five years later, ideas having had time to classify themselves and Dreyfusism to acquire, in the light of history, a certain distinction, the sons, dance-mad Bolshevists, of these same young nobles were to declare to the ‘intellectuals’ who questioned them that undoubtedly, had they been alive at the time, they would have stood up for Dreyfus, without having any clearer idea of what the great Case had been about than Comtesse Edmond de Pourtalès or the Marquise de Galliffet, other luminaries already extinct at the date of their birth. For on the night of the fog the noblemen of the café, who were in^ due course to become the fathers of these young intellectuals, Dreyfusards in retrospect, were still bachelors. Naturally the idea of a rich marriage was present in the minds of all their families, but none of them had yet brought such a marriage off. While still potential, the only effect of this rich marriage, the simultaneous ambition of several of them (there were indeed several heiresses in view, but after all the number of big dowries was considerably below that of the aspirants to them), was to create among these young men a certain amount of rivalry&#xA;&#xA;   As ill luck would have it, Saint-Loup remaining outside for a minute to explain to the driver that he was to call for us again after dinner, I had to make my way in by myself. In the first place, once I had involved myself in the spinning door, to which I was not accustomed, I began to fear that I should never succeed in escaping from it. (Let me note here for the benefit of lovers of verbal accuracy that the contrivance in question, despite its peaceful appearance, is known as a ‘revolver,’ from the English ‘revolving door.’) This evening the proprietor, not venturing either to brave the elements outside or to desert his customers, remained standing near the entrance so as to have the pleasure of listening to the joyful complaints of the new arrivals, all aglow with the satisfaction of people who have had difficulty in reaching a place and have been afraid of losing their way. The smiling cordiality of his welcome was, however, dissipated by the sight of a stranger incapable of disengaging himself from the rotating sheets of glass. This flagrant sign of social ignorance made him knit his brows like an examiner who has a good mind not to utter the formula: Dignus est intrare. As a crowning error I went to look for a seat in the room set apart for the nobility, from which he at once expelled me, indicating to me, with a rudeness to which all the waiters at once conformed, a place in the other room. This was all the less to my liking because the seat was in the middle of a crowded row and I had opposite me the door reserved for the Hebrews which, as it did not revolve, opening and shutting at every moment kept me in a horrible draught. But the proprietor declined to move me, saying: “No, Sir, I cannot have the whole place upset for you.” Presently, however, he forgot this belated and troublesome guest, captivated as he was by the arrival of each newcomer who, before calling for his beer, his wing of cold chicken or his hot grog (it was by now long past dinner-time), must first, as in the old romances, pay his scot by relating his adventure at the moment of his entry into this asylum of warmth and security where the contrast with the perils just escaped made that gaiety and sense of comradeship prevail which create a cheerful harmony round the campfire&#xA;&#xA;   One reported that his carriage, thinking it had got to the Pont de la Concorde, had circled three times round the Invalides, another that his, in trying to make its way down the Avenue des Champs-Elysées, had driven into a clump of trees at the Rond Point, from which it had taken him three quarters of an hour to get clear. Then followed lamentations upon the fog, the cold, the deathly stillness of the streets, uttered and received with the same exceptionally jovial air, which was accounted for by the pleasant atmosphere of the room which, except where I sat, was warm, the dazzling light which set blinking eyes already accustomed to not seeing, and the buzz of talk which restored their activity to deafened ears&#xA;&#xA;   It was all the newcomers could do to keep silence. The singularity of the mishaps which each of them thought unique burned their tongues, and their eyes roved in search of some one to engage in conversation. The proprietor himself lost all sense of social distinction. “M. le Prince de Foix lost his way three times coming from the Porte Saint-Martin,” he was not afraid to say with a laugh, actually pointing out, as though introducing one to the other, the illustrious nobleman to an Israelite barrister, who, on any evening but this, would have been divided from him by a barrier far harder to surmount than the ledge of greenery. “Three times — fancy that!” said the barrister, touching his hat. This note of personal interest was not at all to the Prince’s liking. He formed one of an aristocratic group for whom the practice of impertinence, even at the expense of their fellow-nobles when these were not of the very highest rank, seemed the sole possible occupation. Not to acknowledge a bow, and, if the polite stranger repeated the offence, to titter with sneering contempt or fling back one’s head with a look of fury, to pretend not to know some elderly man who might have done them a service, to reserve their handclasp for dukes and the really intimate friends of dukes whom the latter introduced to them, such was the attitude of these young men, and especially of the Prince de Foix. Such an attitude was encouraged by the ill-balanced mentality of early manhood (a period in which, even in the middle class, one appears ungrateful and behaves like a cad because, having forgotten for months to write to a benefactor after he has lost his wife, one then ceases to nod to him in the street so as to simplify matters), but it was inspired above all by an over-acute caste snobbishness. It is true that, after the fashion of certain nervous affections the symptoms of which grow less pronounced in later life, this snobbishness was on the whole to cease to express itself in so offensive a form in these men who had been so intolerable when young. Once youth is outgrown, it is seldom that anyone remains hidebound by insolence. He had supposed it to be the only thing in the world; suddenly he discovers, for all the Prince that he is, that there also are such things as music, literature, even standing for parliament. The scale of human values is correspondingly altered and he joins in conversation with people whom at one time he would have slain with a glare of lightning. Which is fortunate for those of the latter who have had the patience to wait, and whose character is sufficiently formed — if one may so put it — for them to feel pleasure in receiving in their forties the civility and welcome that had been coldly withheld from them at twenty&#xA;&#xA;   As I have mentioned the Prince de Foix, it may not be inconsequent here to add that he belonged to a set of a dozen or fifteen young men and to an inner group of four. The dozen or fifteen shared this characteristic (which the Prince lacked, I fancy) that each of them faced the world in a dual aspect. Up to their own eyes in debt, they were of no account in those of their tradesmen, notwithstanding the pleasure these took in addressing them as ‘Monsieur le Comte,’ ‘Monsieur le Marquis,’ ‘Monsieur le Duc.’ They hoped to retrieve their fortunes by means of the famous rich marriage (‘money-bags’ as the expression still was) and, as the fat dowries which they coveted numbered at the most four or five, several of them would be silently training their batteries on the same damsel. And the secret would be so well kept that when one of them, on arriving at the café, announced: “My dear fellows, I am too fond of you all not to tell you of my engagement to Mlle. d’Ambresac,” there was a general outburst, more than one of the others imagining that the marriage was as good as settled already between Mlle. d’Ambresac and himself, and not having enough self-control to stifle a spontaneous cry of stupefaction and rage. “So you like the idea of marriage, do you Bibi?” the Prince de Châtellerault could not help exclaiming, letting his fork drop in his surprise and despair, for he had been fully expecting the engagement of this identical Mlle. d’Ambresac to be announced, but with himself, Châtellerault, as her bridegroom. And heaven only knew all that his father had cunningly hinted to the Ambresacs against Bibi’s mother. “So you think it’ll be fun, being married, do you?” he was impelled to repeat his question to Bibi, who, better prepared to meet it, for he had had plenty of time to decide on the right attitude to adopt since the engagement had reached the semi-official stage, replied with a smile: “What pleases me is not the idea of marriage, which never appealed much to me, but marrying Daisy d’Ambresac, whom I think charming.” In the time taken up by this response M. de Châtellerault had recovered his composure, but he was thinking that he must at the earliest possible moment execute a change of front in the direction of Mlle. de la Canourque or Miss Foster, numbers two and three on the list of heiresses, pacify somehow the creditors who were expecting the Ambresac marriage and finally explain to the people to whom he too had declared that Mlle. d’Ambresac was charming that this marriage was all very well for Bibi, but that he himself would have had all his family down on him like a ton of bricks if he had married her. Mme. Soléon (he decided to say) had actually announced that she would not have them in her house&#xA;&#xA;   But if in the eyes of tradesmen, proprietors of restaurants and the like they seemed of little account, conversely, being creatures of dual personality, the moment they appeared in society they ceased to be judged by the decay of their fortunes and the sordid occupations by which they sought to repair them. They became once more M. le Prince this, M. le Duc that and were reckoned only in terms of their quarterings. A duke who was prac^ tically a multi-millionaire and seemed to combine in his own person every possible distinction gave precedence to them because, the heads of their various houses, they were by descent sovereign princes of minute territories in which they were entitled to coin money and so forth. Often in this café one of them lowered his eyes when another came in so as not to oblige the newcomer to greet him. This was because in his imaginative pursuit of riches he had invited a banker to dine. Every time that a man about town enters into relations, on this footing, with a banker, the latter leaves him the poorer by a hundred thousand francs, which does not prevent the man about town from at once repeating the process with another. We continue to burn candles in churches and to consult doctors&#xA;&#xA;   But the Prince de Foix, who was rich already, belonged not only to this fashionable set of fifteen or so young men, but to a more exclusive and inseparable group of four which included Saint-Loup. These were never asked anywhere separately, they were known as the four gigolos, they were always to be seen riding together, in country houses their hostesses gave them communicating bedrooms, with the result that, especially as they were all four extremely good looking, rumours were current as to the extent of their intimacy. I was in a position to give these the lie direct so far as Saint-Loup was concerned. But the curious thing is that if, later on, one was to learn that these rumours were true of all four, each of the quartet had been entirely in the dark as to the other three. And yet each of them had done his utmost to find out about the others, to gratify a desire or (more probably) a resentment, to prevent a marriage or to secure a hold over the friend whose secret he discovered. A fifth (for in these groups of four there are never four only) had joined this Platonic party who was more so than any of the others. But religious scruples restrained him until long after the group had broken up, and he himself was a married man, the father of a family, fervently praying at Lourdes that the next baby might be a boy or a girl, and spending the intervals of procreation in the pursuit of soldiers&#xA;&#xA;   Despite the Prince’s code of manners, the fact that the barrister’s comment, though uttered in his hearing, had not been directly addressed to him made him less angry than he would otherwise have been. Besides, this evening was somewhat exceptional. Finally, the barrister had no more prospect of coming to know the Prince de Foix than the cabman who had driven that noble lord to the restaurant. The Prince felt, accordingly, that he might allow himself to reply, in an arrogant tone, as though speaking to some one ‘off stage,’ to this stranger who, thanks to the fog, was in the position of a travelling companion whom one meets at some seaside place at the ends of the earth, scoured by all the winds of heaven or shrouded in mist: “Losing your way’s nothing; the trouble is, you can’t find it again.” The wisdom of this aphorism impressed the proprietor, for he had already heard it several times in the course of the evening&#xA;&#xA;   He was, in fact, in the habit of always comparing what he heard or read with an already familiar canon, and felt his admiration aroused if he could detect no difference. This state of mind is by no means to be ignored, for, applied to political conversations, to the reading of newspapers, it forms public opinion and thereby makes possible the greatest events in history. An aggregation of German landlords, simply by being impressed by a customer or a newspaper when he or it said that France, England and Russia were ‘out to crush’ Germany, made war, at the time of Agadir, possible, even if no war occurred. Historians, if they have not been wrong to abandon the practice of attributing the actions of peoples to the will of kings, ought to substitute for the latter the psychology of the person of no importance&#xA;&#xA;   In politics the proprietor of this particular café had for some time now concentrated his pupil-teacher’s mind on certain particular details of the Dreyfus case. If he did not find the terms that were familiar to him in the conversation of a customer or the columns of a newspaper he would pronounce the article boring or the speaker insincere. The Prince de Foix, however, impressed him so forcibly that he barely gave him time to finish what he was saying. “That’s right, Prince, that’s right,” (which meant neither more nor less than ‘repeated without a mistake’) “that’s exactly how it is!” he exclaimed, expanding, like people in the Arabian Nights ‘to the limit of repletion.’ But the Prince had by this time vanished into the smaller room. Then, as life resumes its normal course after even the most sensational happenings, those who had emerged from the sea of fog began to order whatever they wanted to eat or drink; among them a party of young men from the Jockey Club who, in view of the abnormality of the situation, had no hesitation in taking their places at a couple of tables in the big room, and were thus quite close to me. So the cataclysm had established even between the smaller room and the bigger, among all these people stimulated by the comfort of the restaurant after their long wanderings across the ocean of fog, a familiarity from which I alone was excluded, not unlike the spirit that must have prevailed in Noah’s ark. Suddenly I saw the landlord’s body whipped into a series of bows, the head waiters hurrying to support him in a full muster which drew every eye towards the door. “Quick, send Cyprien here, lay a table for M. le Marquis de Saint-Loup,” cried the proprietor, for whom Robert was not merely a great nobleman possessing a real importance even in the eyes of the Prince de Foix, but a client who drove through life four-in-hand, so to speak, and spent a great deal of money in this restaurant. The customers in the big room looked on with interest, those in the small room shouted simultaneous greetings to their friend as he finished wiping his shoes. But just as he was about to make his way into the small room he caught sight of me in the big one. “Good God,” he exclaimed, “what on earth are you doing there? And with the door wide open too?” he went on, with an angry glance at the proprietor, who ran to shut it, throwing the blame on his staff: “I’m always telling them to keep it shut.”&#xA;&#xA;   I had been obliged to shift my own table and to disturb others which stood in the way in order to reach him. “Why did you move? Would you sooner dine here than in the little room? Why, my poor fellow, you’re freezing. You will oblige me by keeping that door locked;” he turned to the proprietor. “This very instant, M. le Marquis; the gentlemen will have to go out of this room through the other, that is all.” And the better to shew his zeal he detailed for this operation a head waiter and several satel lites, vociferating the most terrible threats of punishment were it not properly carried out. He began to shew me exaggerated marks of respect so as to make me forget that these had begun not upon my arrival but only after that of Saint-Loup, while, lest I should think them to have been prompted by the friendliness shewn me by his rich and noble client he gave me now and again a surreptitious little smile which seemed to indicate a regard that was wholly personal&#xA;&#xA;   Something said by one of the diners behind me made me turn my head for a moment. I had caught, instead of the words: “Wing of chicken, excellent; and a glass of champagne, only not too dry,” the unexpected: “I should prefer glycerine. Yes, hot, excellent.” I wanted to see who the ascetic was that was inflicting upon himself such a diet. I turned quickly back to Saint-Loup so as not to be recognised by the man of strange appetite. It was simply a doctor, whom I happened to know, and of whom another customer, taking advantage of the fog to buttonhole him here in the café, was asking his professional advice. Like stockbrokers, doctors employ the first person singular&#xA;&#xA;   Meanwhile I was studying Saint-Loup, and my thoughts took a line of their own. They were in this café, I had myself known at other times, plenty of foreigners, intellectuals, budding geniuses of all sorts, resigned to the laughter excited by their pretentious capes, their 1830 neckties and still more by the clumsiness of their movements, going so far as to provoke that laughter in order to shew that they paid no heed to it, who yet were men of real intellectual and moral worth, of an extreme sensibility. They repelled — the Jews among them principally, the unassimilated Jews, that is to say, for with the other kind we are not concerned — those who could not endure any oddity or eccentricity of appearance (as Bloch repelled Al-bertine). Generally speaking, one realised afterwards that if they had against them hair worn too long, noses and eyes that were too big, stilted theatrical gestures, it was puerile to judge them by these only, they had plenty of intelligence and spirit and were men to whom, in the long run, one could become closely attached. Among the Jews especially there were few whose parents and kinsfolk had not a warmth of heart, a breadth of mind in comparison with which Saint-Loup’s mother and the Duc de Guermantes cut the poorest of figures by their sereness, their skin-deep religiosity which denounced only the most open scandals, their apology for a Christianity which led invariably (by the unexpected channel of a purely calculating mind) to an enormously wealthy marriage. But in Saint-Loup, when all was said, however the faults of his relatives might be combined in a fresh creation of character, there reigned the most charming openness of mind and heart. And whenever (it must be frankly admitted, to the undying glory of France) these qualities are found in a man who is purely French, be he noble or plebeian, they flower — flourish would be too strong a word, for a sense of proportion persists and also a certain restraint — with a grace which the foreign visitor, however estimable he may be, does not present to us. Of these intellectual and moral qualities others undoubtedly have their share, and if we have first to overcome what repels us and what makes us smile they remain no less precious. But it is all the same a pleasant thing, and one which is perhaps exclusively French that what is fine from the standpoint of equity, what is of value to the heart and mind should be first of all attractive to the eyes, charmingly coloured, consummately chiselled, should express outwardly as well in substance as in form an inward perfection. I studied Saint-Loup’s features and said to myself that it is a thing to be glad of when there is no lack of bodily grace to prepare one for the graces within, and when the winged nostrils are spread as delicately and with as perfect a design as the wings of the little butterflies that hover over the field-flowers round Combray; and that the true opus francigenum, the secret of which was not lost in the thirteenth century, the beauty of which would not be lost with the destruction of our churches, consists not so much in the stone angels of Saint-André-des-Champs as in the young sons of France, noble, citizen or peasant, whose faces are carved with that delicacy and boldness which have remained as traditional there as on the famous porch, but are creative still as well&#xA;&#xA;   After leaving us for a moment in order to supervise personally the barring of the door and the ordering of our dinner (he laid great stress on our choosing ‘butcher’s meat,’ the fowls being presumably nothing to boast of) the proprietor came back to inform us that M. le Prince de Foix would esteem it a favour if M. le Marquis would allow him to dine at a table next to ours. “But they are all taken,” objected Robert, casting an eye over the tables which blocked the way to mine. “That doesn’t matter in the least, if M. le Marquis would like it, I can easily ask these people to move to another table. It is always a pleasure to do anything for M. le Marquis!” “But you must decide,” said Saint-Loup to me. “Foix is a good fellow, he may bore you or he may not; anyhow he’s not such a fool as most of them.” I told Robert that of course I should like to meet his friend but that now that I was for once in a way dining with him and was so entirely happy, I should be just as well pleased to have him all to myself. “He’s got a very fine cloak, the Prince has,” the proprietor broke in upon our deliberation. “Yes, I know,” said Saint-Loup. I wanted to tell Robert that M. de Charlus had disclaimed all knowledge of me to his sister-in-law, and to ask him what could be the reason of this, but was prevented by the arrival of M. de Foix. Come to see whether his request had been favourably received, we caught sight of him standing beside our table. Robert introduced us, but did not hide from his friend that as we had things to talk about he would prefer not to be disturbed. The Prince withdrew, adding to the farewell bow which he made me a smile which, pointed at Saint-Loup, seemed to transfer to him the responsibility for the shortness of a meeting which the Prince himself would have liked to see prolonged. As he turned to go, Robert, struck, it appeared, by a sudden idea, dashed off after his friend, with a “Stay where you are and get on with your dinner, I shall be back in a moment,” to me; and vanished into the smaller room. I was pained to hear the smart young men sitting near me, whom I did not know, repeat the most absurd and malicious stories about the young Hereditary Grand Duke of Luxembourg (formerly Comte de Nassau) whom I had met at Balbec and who had shewn me such delicate marks of sympathy at the time of my grandmother’s illness. According to one of these young me he had said to the Duchesse de Guermantes: “I expect everyone to get up when my wife passes,” to which the Duchess had retorted (with as little truth, had she said any such thing, as humour, the grandmother of the young Princess having always been the very pink of propriety): “Get up when your wife passes, do they? Well, that’s a change from her grandmother’s day. She expected the gentlemen to lie down.” Then some one alleged that, having gone down to see his aunt the Princesse de Luxembourg at Balbec, and put up at the Grand Hotel, he had complained to the manager there (my friend) that the royal standard of Luxembourg was not flown in front of the hotel, over the sea. And that this flag being less familiar and less generally in use than the British or Italian, it had taken him several days to procure one, greatly to the young Grand Duke’s annoyance. I did not believe a word of this story, but made up my mind, as soon as I went to Balbec, to inquire of the manager, so as to make certain that it was a pure invention. While waiting for Saint-Loup to return I asked the proprietor to get me some bread. “Certainly, Monsieur le Baron!” “I am not a Baron,” I told him. “Oh, beg pardon, Monsieur le Comte!” I had no time to lodge a second protest which would certainly have promoted me to the rank of marquis; faithful to his promise of an immediate return, Saint-Loup reappeared in the doorway carrying over his arm the thick vicuna cloak of the Prince de Foix, from whom I guessed that he had borrowed it in order to keep me warm. He signed to me not to get up, and came towards me, but either my table would have to be moved again or I must change my seat if he was to get to his. Entering the big room he sprang lightly on to one of the red plush benches which ran round its walls and on which, apart from myself, there were sitting only three or four of the young men from the Jockey Club, friends of his own, who had not managed to find places in the other room. Between the tables and the wall electric wires were stretched at a certain height; without the least hesitation Saint-Loup jumped nimbly over them like a horse in a steeplechase; embarrassed that it should be done wholly for my benefit and to save me the trouble of a slight movement, I was at the same time amazed at the precision with which my friend performed this exercise in lévitation; and in this I was not alone; for, albeit they would probably have had but little admiration for a similar display on the part of a more humbly born and less generous client, the proprietor and his staff stood fascinated, like racegoers in the enclosure; one underling, apparently rooted to the ground, stood there gaping with a dish in his hand for which a party close beside him were waiting; and when Saint-Loup, having to get past his friends, climbed on the narrow ledge behind them and ran along it, balancing himself with his arms, discreet applause broke from the body of the room. On coming to where I was sitting he stopped short in his advance with the precision of a tributary chieftain before the throne of a sovereign, and, stooping down, handed to me with an air of courtesy and submission the vicuna cloak which, a moment later, having taken his place beside me, without my having to make a single movement he arranged as a light but warm shawl about my shoulders&#xA;&#xA;    “By the way, while I think of it, my uncle Charlus has something to say to you. I promised I’d send you round to him to-morrow evening.”&#xA;&#xA;    “I was just going to speak to you about him. But to-morrow evening I am dining with your aunt Guermantes.”&#xA;&#xA;    “Yes there’s a regular beanfeast to-morrow at Oriane’s. I’m not asked. But my uncle Palamède doesn’t want you to go there. You can’t get out of it, I suppose? Well, anyhow, go on to my uncle’s afterwards. I’m sure he really does want to see you. Look here, you can easily manage to get there by eleven. Eleven o’clock; don’t forget; I’ll let him know. He’s very touchy. If you don’t turn up he’ll never forgive you. And Oriane’s parties are always over quite early. If you are only going to dine there you can quite easily be at my uncle’s by eleven. I ought really to go and see Oriane, about getting shifted from Morocco; I want an exchange. She is so nice about all that sort of thing, and she can get anything she likes out of General de Saint-Joseph, who runs that branch. But don’t say anything about it to her. I’ve mentioned it to the Princesse de Parme, everything will be all right. Interesting place, Morocco. I could tell you all sorts of things. Very fine lot of men out there. One feels they’re on one’s own level, mentally.”&#xA;&#xA;    “You don’t think the Germans are going to go to war about it?”&#xA;&#xA;    “No; they’re annoyed with us, as after all they have every right to be. But the Emperor is out for peace. They are always making us think they want war, to force us to give in. Pure bluff, you know, like poker. The Prince of Monaco, one of Wilhelm’s agents, comes and tells us in confidence that Germany will attack us. Then we give way. But if we didn’t give way, there wouldn’t be war in any shape or form. You have only to think what a comic spectacle a war would be in these days. It’d be a bigger catastrophe than the Flood and the Götterdämmerung rolled in one. Only it wouldn’t last so long.”&#xA;&#xA;   He spoke to me of friendship, affection, regret, albeit like all visitors of his sort he was going off the next morning for some months, which he was to spend in the country, and would only be staying a couple of nights in Paris on his way back to Morocco (or elsewhere); but the words which he thus let fall into the heated furnace which my heart was this evening kindled a pleasant glow there. Our infrequent meetings, this one in particular, have since formed a distinct episode in my memories. For him, as for me, this was the evening of friendship. And yet the friendship that I felt for him at this moment was scarcely, I feared (and felt therefore some remorse at the thought), what he would have liked to inspire. Filled still with the pleasure that I had had in seeing him come bounding towards me and gracefully pause on arriving at his goal, I felt that this pleasure lay in my recognising that each of the series of movements which he had developed against the wall, along the bench, had its meaning, its cause in Saint-Loup’s own personal nature, possibly, but even more in that which by birth and upbringing he had inherited from his race&#xA;&#xA;   A certainty of taste in the region not of beauty but manners, which when he was faced by a novel combination of circumstances enabled the man of breeding to grasp at once — like a musician who has been asked to play a piece he has never seen — the feeling, the motions that were required, and to apply the appropriate mechanism and technique; which then allowed this taste to display itself without the constraint of any other consideration, by which the average young man of the middle class would have been paralysed, from fear as well of making himself ridiculous in the eyes of strangers by his disregard of convention as of appearing too deferential in the eyes of his friends; the place of this constraint being taken in Robert by a lofty disdain which certainly he had never felt in his heart but which he had received by inheritance in his body, and which had moulded the attitudes of his ancestors to a familiarity with their inferiors which, they imagined, could only flatter and enchant those to whom it was displayed; lastly, a noble liberality which, taking no account of his boundless natural advantages (lavish expenditure in this restaurant had succeeded in making him, here as elsewhere, the most fashionable customer and the general favourite, a position which was underlined by the deference shewn him throughout the place not only by the waiters but by all its most exclusive young patrons), led him to trample them underfoot, just as he had, actually and symbolically, trodden upon those benches decked with purple, like a triumphal way which pleased my friend only because it enabled him more gracefully and swiftly to arrive at my side; such were the qualities, essential to aristocracy, which through the husk of this body, not opaque and vague as mine would have been, but significant and limpid, transmitted as through a work of art the industrious, energetic force which had created it and rendered the movements of this lightfoot course which Robert had pursued along the wall intelligible and charming as those of a row of knights upon a marble frieze. “Alas!” Robert might have thought, “was it worth while to have grown up despising birth, honouring only justice and intellect, choosing outside the ranks of the friends provided for me companions who were awkward and ill-dressed, provided they had the gift of eloquence, only for the sole personality apparent in me, which is to remain a treasured memory, to be not that which my will, with the most praiseworthy effort, has fashioned in my likeness, but one which is not of my making, which is not even myself, which I have always disliked and striven to overcome; was it worth while to love my chosen friend as I have loved him, for the greatest pleasure that he can find in me to be that of discovering something far more general than myself, a pleasure which is not in the least (as he says, though he cannot seriously believe it) one of the pleasures of friendship, but an intellectual and detached, a sort of artistic pleasure?” This is what I am now afraid that Saint-Loup may at times have thought. If so, he was mistaken. If he had not (as he steadfastly had) cherished something more lofty than the suppleness innate in his body, if he had not kept aloof for so long from the pride that goes with noble birth, there would have been something more studied, a certain heaviness in his very agility, a self-important vulgarity in his manners. As with Mme. de Villeparisis a strong vein of seriousness had been necessary for her to give in her conversation and in her Memoirs a sense of the frivolous, which is intellectual, so, in order that Saint-Loup’s body might be indwelt by so much nobility, the latter had first to desert a mind that was aiming at higher things, and, reabsorbed into his body, to be fixed there in unconscious, noble lines. In this way his distinction of mind was not absent from a bodily distinction which otherwise would not have been complete. An artist has no need to express his mind directly in his work for it to express the quality of that mind; it has indeed been said that the highest praise of God consists in the denial of Him by the atheist, who finds creation so perfect that it can dispense with a creator. And I was quite well aware that it was not merely a work of art that I was admiring in this young man unfolding along the wall the frieze of his flying course; the young Prince (a descendant of Catherine de Foix, Queen of Navarre and grand-daughter of Charles VII) whom he had just left for my sake, the endowments, by birth and fortune, which he was laying at my feet, the proud and shapely ancestors who survived in the assurance, the agility, the courtesy with which he now arranged about my shivering body the warm woollen cloak, were not all these like friends of longer standing in his life, by whom I might have expected that we should be permanently kept apart, and whom, on the contrary, he was sacrificing to me by a choice which one can make only in the loftiest places of the mind, with that sovereign liberty of which Robert’s movements were the presentment and in which is realised perfect friendship?&#xA;&#xA;   How much familiar intercourse with a Guermantes — in place of the distinction that it had in Robert, because there the inherited scorn of humanity was but the outer garment, become an unconscious charm, of a real moral humility — could disclose of vulgar arrogance I had had an opportunity of seeing, not in M. de Charlus, in whom certain characteristic faults, for which I had been unable, so far, to account, were overlaid upon his aristocratic habits, but in the Duc de Guermantes. And yet he too, in the general impression of commonness which had so strongly repelled my grandmother when she had met him once, years earlier, at Mme. de Villeparisis’s, included glimpses of historic grandeur of which I became conscious when I went to dine in his house, on the evening following that which I had spent with Saint-Loup&#xA;&#xA;   They had not been apparent to me either in himself or in the Duchess when I had met them first in their aunt’s drawing-room, any more than I had discerned, on first seeing her, the differences that set Berma apart from her fellow-players, all the more that in her the individuality was infinitely more striking than in any social celebrity, such distinctions becoming more marked in proportion as the objects are more real, more conceivable by the intellect. And yet, however slight the shades of social distinction may be (and so slight are they that when an accurate portrayer like Sainte-Beuve tries to indicate the shades of difference between the salons of Mme. Geoffrin, Mme. Récamier and Mme. de Boigne, they appear so much alike that the cardinal truth which, unknown to the author, emerges from his investigations is the vacuity of that form of life), with them, and for the same reason as with Berma, when the Guermantes had ceased to impress me and the tiny drop of their originality was no longer vaporised by my imagination, I was able to distil and analyse it, imponderable as it was&#xA;&#xA;   The Duchess having made no reference to her husband when she talked to me at her aunt’s party, I wondered whether, in view of the rumours of a divorce that were current, he would be present at the dinner. But my doubts were speedily set at rest, for through the crowd of footmen who stood about in the hall and who (since they must until then have regarded me much as they regarded the children of the evicted cabinet-maker, that is to say with more fellow-feeling perhaps than their master but as a person incapable of being admitted to his house) must have been asking themselves to what this social revolution could be due, I saw slip towards me M. de Guermantes himself, who had been watching for my arrival so as to receive me upon his threshold and take off my greatcoat with his own hands&#xA;&#xA;    “Mme. de Guermantes will be as pleased as punch,” he greeted me in a glibly persuasive tone. “Let me help you off with your duds.” (He felt it to be at once companionable and comic to employ the speech of the people.) “My wife was just the least bit afraid you might fail us, although you had fixed a date. We’ve been saying to each other all day long: ‘Depend upon it, he’ll never turn up.’ I am bound to say, Mme. de Guermantes was a better prophet than I was. You are not an easy man to get hold of, and I was quite sure you were going to play us false.” And the Duke was so bad a husband, so brutal even (people said), that one felt grateful to him, as one feels grateful to wicked people for their occasional kindness of heart, for those words ‘Mme. de Guermantes’ with which he appeared to be spreading out over the Duchess a protecting wing, that she might be but one flesh with him. Meanwhile, taking me familiarly by the hand, he began to lead the way, to introduce me into his household. Just as some casual phrase may delight us coming from the lips of a peasant if it points to the survival of a local tradition, shews the trace of some historic event unknown, it may be, to him who thus alludes to it; so this politeness on the part of M. de Guermantes, which, moreover, he was to continue to shew me throughout the evening, charmed me as a survival of habits of many centuries’ growth, habits of the seventeenth century in particular. The people of bygone ages seem to us infinitely remote. We do not feel justified in ascribing to them any underlying intention apart from those to which they give formal expression; we are amazed when we come upon a sentiment more or less akin to what we are feeling to-day in a Homeric hero, or upon a skilful tactical feint in Hannibal, during the buttle of Cannae, where he let his flank be driven back in order to take the enemy by surprise and surround him; it would seem that we imagined the epic poet and the Punic general as being as remote from ourselves as an animal seen in a zoological garden. Even in certain personages of the court of Louis XIV, when we find signs of courtesy in the letters written by them to some man of inferior rank who could be of no service to them whatever, they leave us bewildered because they reveal to us suddenly, as existing among these great gentlemen, a whole world of beliefs to which they never give any direct expression but which govern their conduct, and especially the belief that they are bound in politeness to feign certain sentiments and to carry out with the most scrupulous care certain obligations of friendship&#xA;&#xA;   This imagined remoteness of the past is perhaps one of the things that enable us to understand how even great writers have found an inspired beauty in the works of mediocre mystifiers, such as Macpherson’s Ossian. We so little expected to learn that bards long dead could have modern ideas that we marvel if in what we believe to be an ancient Gaelic ode we come upon one which we should have thought, at the most, ingenious in a contemporary. A translator of talent has simply to add to an ancient writer whom he presents to us more or less faithfully reproduced fragments which, signed with a contemporary name and published separately, would seem entertaining only; at once he imparts a moving grandeur to his poet, who is thus made to play upon the keyboards of several ages at once. This translator was capable only of a mediocre book, if that book had been published as his original work. Given out as a translation, it seems that of a masterpiece. The past not merely is not fugitive, it remains present. It is not within a few months only after the outbreak of a war that laws passed without haste can effectively influence its course, it is not within fifteen years only after a crime which has remained obscure that a magistrate can still find the vital evidence which will throw a light on it; after hundreds and thousands of years the scholar who has been studying in a distant land the place-names, the customs of the inhabitants, may still extract from them some legend long anterior to the Christian era, already unintelligible, if not actually forgotten, at the time of Herodotus, which in the name given to a rock, in a religious rite, dwells surrounded by the present, like an emanation of greater density, immemorial and stable. There was similarly an emanation, though far less ancient, of the life of the court, if not in the manners of M. de Guermantes, which were often vulgar, at least in the mind that controlled them. I was to breathe this again, like the odour of antiquity, when I joined him a little later in the drawing-room. For I did not go there at once&#xA;&#xA;   As we left the outer hall, I had mentioned to M. de Guermantes that I was extremely anxious to see his Elstirs. “I am at your service. Is M. Elstir a friend of yours, then? If so, it is most vexing, for I know him slightly; he is a pleasant fellow, what our fathers used to call an ‘honest fellow’; I might have asked him to honour us with his company, and to dine tonight. I am sure he would have been highly flattered at being invited to spend the evening in your society.” Very little suggestive of the old order when he tried thus to assume its manner, the Duke relapsed unconsciously into it. After inquiring whether I wished him to shew me the pictures, he conducted me to them, gracefully standing aside for me at each door, apologising when, to shew me the way, he was obliged to precede me, a little scene which (since the days when Saint-Simon relates that an ancestor of the Guermantes did him the honours of his town house with the same punctilious exactitude in the performance of the frivolous duties of a gentleman) must, before coming gradually down to us, have been enacted by many other Guermantes for numberless other visitors. And as I had said to the Duke that I would like very much to be left alone for a few minutes with the pictures, he discreetly withdrew, telling me that I should find him in the drawing-room when I was ready&#xA;&#xA;   Only, once I was face to face with the Elstirs, I completely forgot about dinner and the time; here again as at Balbec I had before me fragments of that strangely coloured world which was no more than the projection, the way of seeing things peculiar to that great painter, which his speech in no way expressed. The parts of the walls that were covered by paintings from his brush, all homogeneous with one another, were like the luminous images of a magic lantern, which would have been in this instance the brain of the artist, and the strangeness of which one could never have suspected so long as one had known only the man, which was like seeing the iron lantern boxing its lamp before any coloured slide had been slid into its groove. Among these pictures several of the kind that seemed most absurd to ordinary people interested me more than the rest because they recreated those optical illusions which prove to us that we should never succeed in identifying objects if we did not make some process of reasoning intervene How often, when driving in the dark, do we not come upon a long, lighted street which begins a few feet away from us, when what we have actually before our eyes is nothing but a rectangular patch of wall with a bright light falling on it, which has given us the mirage of depth. In view of which is it not logical, not by any artifice of symbolism but by a sincere return to the very root of the impression, to represent one thing by that other for which, in the flash of a first illusion, we mistook it? Surfaces and volumes are in reality independent of the names of objects which our memory imposes on them after we have recognised them. Elstir attempted to wrest from what he had just felt what he already knew, his effort had often been to break up that aggregate of impressions which we call vision&#xA;&#xA;   The people who detested these ‘horrors’ were astonished to find that Elstir admired Chardin, Perroneau, any number of painters whom they, the ordinary men and women of society, liked. They did not take into account that Elstir had had to make, for his own part, in striving to reproduce reality (with the particular index of his taste for certain lines of approach), the same effort as a Chardin or a Perroneau and that consequently, when he ceased to work for himself, he admired in them attempts of the same order, fragments anticipatory so to speak of works of his own. Nor did these society people include in their conception of Elstir’s work that temporal perspective which enabled them to like, or at least to look without discomfort at Chardin’s painting. And yet the older among them might have reminded themselves that in the course of their lives they had seen gradually, as the years bore them away from it, the unbridgeable gulf between what they considered a masterpiece by Ingres and what, they had supposed, must remain for ever a ‘horror’ (Manet’sOlympia, for example) shrink until the two canvases seemed like twins. But we learn nothing from any lesson because we have not the wisdom to work backwards from the particular to the general, and imagine ourselves always to be going through an experience which is without precedents in the past&#xA;&#xA;   I was moved by the discovery in two of the pictures (more realistic, these, and in an earlier manner) of the same person, in one in evening dress in his own drawing-room, in the other wearing a frock coat and tall hat at some popular regatta where he had evidently no business to be, which proved that for Elstir he was not only a regular sitter but a friend, perhaps a patron whom it pleased him (just as Carpaccio used to introduce prominent figures, and in speaking likenesses, from contemporary life in Venice) to introduce into his pictures, just as Beethoven, too, found pleasure in inscribing at the top of a favourite work the beloved name of the Archduke Rudolph. There was something enchanting about this waterside carnival. The river, the women’s dresses, the sails of the boats, the innumerable reflexions of one thing and another came crowding into this little square panel of beauty which Elstir had cut out of a marvellous afternoon. What delighted one in the dress of a woman who had stopped for a moment in the dance because it was hot and she was out of breath was irresistible also in the same way in the canvas of a motionless sail, in the water of the little harbour, in the wooden bridge, in the leaves of the trees and in the sky. As in one of the pictures that I had seen at Balbec, the hospital, as beautiful beneath its sky of lapis lazuli as the cathedral itself, seemed (more bold than Elstir the theorician, then Elstir the man of taste, the lover of things mediaeval) to be intoning: “There is no such thing as gothic, there is no such thing as a masterpiece; this tasteless hospital is just as good as the glorious porch,” so I now heard: “The slightly vulgar lady at whom a man of discernment would refrain from glancing as he passed her by, would except from the poetical composition which nature has set before him — her dress is receiving the same light as the sail of that boat, and there are no degrees of value and beauty; the commonplace dress and the sail, beautiful in itself, are two mirrors reflecting the same gleam; the value is all in the painter’s eye.” This eye had had the skill to arrest for all time the motion of the hours at this luminous instant, when the lady had felt hot and had stopped dancing, when the tree was fringed with a belt of shadow, when the sails seemed to be slipping over a golden glaze. But just because the depicted moment pressed on one with so much force, this so permanent canvas gave one the most fleeting impression, one felt that the lady would presently move out of it, the boats drift away, the night draw on, that pleasure comes to an end, that life passes and that the moments illuminated by the convergence, at once, of so many lights do not recur. I recognized yet another aspect, quite different it is true, of what the moment means in a series of water-colours of mythological subjects, dating from Elstir’s first period, which also adorned this room. Society people who held ‘advanced’ views on art went ‘as far as’ this earliest manner, but no further. These were certainly not the best work that he had done, but already the sincerity with which the subject had been thought out melted its natural coldness. Thus the Muses, for instance, were represented as it might be creatures belonging to a species now fossilised, but creatures which it would not have been surprising in mythological times to see pass in the evening, in twos or threes, along some mountain path. Here and there a poet, of a race that had also a peculiar interest for the zoologist (characterised by a certain sexlessness) strolled with a Muse, as one sees in nature creatures of different but of kindred species consort together. In one of these water-colours one saw a poet wearied by long wanderings on the mountains, whom a Centaur, meeting him and moved to pity by his weakness, had taken on his back and was carrying home. In more than one other, the vast landscape (in which the mythical scene, the fabulous heroes, occupied a minute place and were almost lost) was rendered, from the mountain tops to the sea, with an exactitude which told one more than the hour, told one to the very minute what time of day ft was, thanks to the precise angle of the setting sun, to the fleeting fidelity of the shadows. In this way the artist managed to give, by making it instantaneous, a sort of historical reality, as of a thing actually lived, to the symbol of his fable, painted it and set it at a definite point in the past&#xA;&#xA;   While I was examining Elstir’s paintings the bell, rung by arriving guests had been pealing uninterruptedly, and had lulled me into a pleasing unconsciousness. But the silence which followed its clangour and had already lasted for some time succeeded — less rapidly, it is true — in awakening me from my dream, as the silence that follows Lindor’s music arouses Bartolo from his sleep. I was afraid that I had been forgotten, that they had sat down to dinner, and hurried to the drawing-room. At the door of the Elstir gallery I found a servant waiting for me, white-haired, though whether with age or powder I cannot say, with the air of a Spanish Minister, but treating me with the same respect that he would have shewn to a King. I felt from his manner that he must have been waiting for at least an hour, and I thought with alarm of the delay I had caused in the service of dinner, especially as I had promised to be at M. de Charlus’s by eleven&#xA;&#xA;   The Spanish Minister (though I also met on the way the footman persecuted by the porter, who, radiant with delight when I inquired after his girl, told me that the very next day they were both to be off duty, so that he would be able to spend the whole day with her, and extolled the generosity of Madame la Duchesse) conducted me to the drawing-room, where I was afraid of finding M. de Guermantes in an ill humour. He welcomed me, on the contrary, with a joy that was evidently to a certain extent artificial and dictated by politeness, but was also sincere, prompted both by his stomach which so long a delay had begun to famish, and his consciousness of a similar impatience in all his other guests, who completely filled the room. Indeed I heard afterwards that I had kept them waiting for nearly three-quarters of an hour. The Duc de Guermantes probably thought that to prolong the general torment for two minutes more would not intensify it and that, politeness having driven him to postpone for so long the moment of moving into the dining-room, this politeness would be more complete if, by not having dinner announced immediately, he could succeed in persuading me that I was not late, and that they had not been waiting for me. And so he asked me, as if we had still an hour before dinner and some of the party had not yet arrived, what I thought of his Elstirs. But at the same time, and without letting the cravings of his stomach become apparent, so as not to lose another moment, he, in concert with the Duchess, proceeded to the ceremony of introduction. Then only I perceived that there had occurred round about me, me who until this evening, save for my novitiate in Mme. Swann’s drawing-room, had been accustomed, in my mother’s homes, at Combray and in Paris, to the manners, either protecting or defensive, of the grim ladies of our middle-world, who treated me as a child, a change of surroundings comparable to that which introduces Parsifal suddenly into the midst of the Flower-Maidens. Those who surrounded me now, their bosoms entirely bare (the naked flesh appeared on either side of a sinuous spray of mimosa or behind the broad petals of a rose) could not murmur a word of greeting without at the same time bathing me in long, caressing glances, as though shyness alone restrained them from kissing me. Many of them were nevertheless highly respectable from the moral standpoint; many, not all, for the most virtuous had not for those of a lighter vein the same repulsion that my mother would have felt. The caprices of one’s conduct, denied by saintlier friends, in the face of the evidence, seemed in the Guermantes world to matter far less than the relations which one had been able to maintain. One pretended not to know that the body of one’s hostess was at the disposal of all comers, provided that her visiting list showed no gaps. As the Duke put himself out not at all for his other guests (of whom he had long known everything that there was to know, and they of him) but quite markedly for me, whose kind of superiority, being outside his experience, inspired in him something akin to the respect which the great nobleman of the court of Louis XIV used to feel for his plebeian Ministers, he evidently considered that the fact of my not knowing his other guests mattered not at all — to me at least, though it might to them — and while I was anxious, on his account, as to the impression that I was going to make on them he was thinking only of how his friends would impress me&#xA;&#xA;   At the very outset I found myself completely bewildered. No sooner had I entered the drawing-room than M. de Guermantes, without even allowing me time to shake hands with the Duchess, had led me, as though I were a delightful surprise to the person in question to whom he seemed to be saying: “Here’s your friend! You see, I’m bringing him to you by the scruff of his neck,” towards a lady of smallish stature. Whereupon, long before, thrust forward by the Duke, I had reached her chair, the lady had begun to flash at me continuously from her large, soft, dark eyes the thousand smiles of understanding which we address to an old friend who perhaps has not recognised us. As this was precisely my case and I could not succeed in calling to mind who she was I averted my eyes from her as I approached so as not to have to respond until our introduction should have released me from my predicament. Meanwhile the lady continued to maintain in unstable equilibrium the smile intended for myself. She looked as though she were anxious to be relieved of it and to hear me say: “Oh, but this is a pleasure! Mamma will be pleased when I tell her I’ve met you!” I was as impatient to learn her name as she was to see that I did finally greet her, fully aware of what I was doing, so that the smile which she was holding on indefinitely, like the note of a tuning-fork, might at length be let go. But M. de Guermantes managed things so badly (to my mind, at least) that I seemed to have heard only my own name uttered and was given no clue to the identity of my unknown friend, to whom it never occurred to tell me herself what her name was, so obvious did the grounds of our intimacy, which baffled me completely, seem to her. Indeed, as soon as I had come within reach, she did not offer me her hand, but took mine in a familiar clasp, and spoke to me exactly as though I had been equally conscious with herself of the pleasant memories to which her mind reverted. She told me how sorry Albert (who, I gathered, was her son) would be to have missed seeing me. I tried to remember who, among the people I had known as boys, was called Albert, and could think only of Bloch, but this could not be Bloch’s mother that I saw before me since she had been dead for some time. In vain I struggled to identify the past experience common to herself and me to which her thoughts had been carried back. But I could no more distinguish it through the translucent jet of her large, soft pupils which allowed only her smile to pierce their surface than one can distinguish a landscape that lies on the other side of a smoked glass, even when the sun is blazing on it. She asked me whether my father was not working too hard, if I would not come to the theatre some evening with Albert, if I was stronger now, and as my replies, stumbling through the mental darkness in which I was plunged, became distinct only to explain that I was not feeling well that evening, she pushed forward a chair for me herself, going to all sorts of trouble which I was not accustomed to see taken by my parents’ friends. At length the clue to the riddle was furnished me by the Duke: “She thinks you’re charming,” he murmured in my ear, which felt somehow that it had heard these words before. They were what Mme. de Villeparisis had said to my grandmother and myself after we had made the acquaintance of the Princesse de Luxembourg. Everything became clear; the lady I now saw had nothing in common with Mme. de Luxembourg, but from the language of him who thus served me with her I could discern the nature of the animal. It was a Royalty. She had never before heard of either my family or myself, but, a scion of the noblest race and endowed with the greatest fortune in the world (for, a daughter of the Prince de Parme, she had married a cousin of equal princelihood), she sought always, in gratitude to her Creator, to testify to her neighbour, however poor or lowly he might be, that she did not look down upon him. Really, I might have guessed this from her smile. I had seen the Princesse de Luxembourg buy little rye-cakes on the beach at Balbec to give to my grandmother, as though to a caged deer in the zoological garden. But this was only the second Princess of the Blood Royal to whom I had been presented, and I might be excused my failure to discern in her the common factors of the friendliness of the great. Besides, had not they themselves gone out of their way to warn me not to count too much on this friendliness, since the Duchesse de Guermantes, who had waved me so effusive a greeting with her gloved hand at the Opéra-Comique, had appeared furious when I bowed to her in the street, like people who, having once given somebody a sovereign, feel that this has set them free from any further obligation toward him. As for M. de Charlus, his ups and downs were even more sharply contrasted. While in the sequel I have known, as the reader will learn, Highnesses and Majesties of another sort altogether, Queens who play the Queen and speak not after the conventions of their kind but like the Queens in Sardou’s plays&#xA;&#xA;   If M. de Guermantes had been in such haste to present me, it was because the presence at a party of anyone not personally known to a Royal Personage is an intolerable state of things which must not be prolonged for a single instant. It was similar to the haste which Saint-Loup had shewn in making me introduce him to my grandmother. By the same token, by a fragmentary survival of the old life of the court which is called social courtesy and is not superficial, in which, rather, by a centripetal reversion, it is the surface that becomes essential and profound, the Due and Duchesse de Guermantes regarded as a duty more essential than those (which one at least of the pair neglected often enough) of charity, chastity, pity and justice, as a more unalterable law that of never addressing the Princesse de Parme save in the third person&#xA;&#xA;   Having never yet in my life been to Parma (a pilgrimage I had been anxious to make ever since certain Easter holidays long ago), to meet its Princess, who, I knew, owned the finest palace in that matchless city, where, moreover, everything must be in keeping, isolated as it was from the rest of the world, within the polished walls, in the atmosphere, stifling as a breathless summer evening on the Piazza of a small town in Italy, of its compact and almost cloying name, would surely have substituted in a flash for what I had so often tried to imagine all that did really exist at Parma in a sort of partial arrival there, without my having to stir from Paris, of myself; it was in the algebraical expression of a journey to the city of Correggio a simple equation, so to speak, of that unknown quantity. But if I had for many years past — like a perfumer impregnating a solid mass of grease with scent — made this name, Princesse de Parme, absorb the fragrance of thousands of violets, in return, when I set eyes on the Princess, who, until then I should have sworn, must be the Sanseverina herself, a second process began which was not, I may say, completed until several months had passed, and consisted in expelling, by means of fresh chemical combinations, all the essential oil of violets and all the Stendhalian fragrance from the name of the Princess, and in implanting there, in their place, the image of a little dark woman, taken up with good works, of a friendliness so humble that one felt at once in how exalted a pride that friendliness had its roots. Moreover, while, barring a few points of difference, she was exactly like any other great lady, she was as little Stendhalian as is, for example, in Paris, in the Europe quarter, the Rue de Parme, which bears far less resemblance to the name of Parma than to any or all of the neighbouring streets, and reminds one not nearly so much of the Charterhouse in which Fabrice ends his days as of the waiting room in the Saint-Lazare station&#xA;&#xA;   Her friendliness sprang from two causes. The first and more general was the education which this daughter of Kings had received. Her mother (not merely allied by blood to all the royal families of Europe but furthermore — in contrast to the Ducal House of Parma — richer than any reigning Princess) had instilled into her from her earliest childhood the arrogantly humble precepts of an evangelical snobbery; and to-day every line of the daughter’s face, the curve of her shoulders, the movements of her arms seemed to repeat the lesson: “Remember that if God has caused you to be born on the steps of a throne you ought not to make that a reason for looking down upon those to whom Divine Providence has willed (wherefore His Name be praised) that you should be superior by birth and fortune. On the contrary, you must suffer the little ones. Your ancestors were Princes of Treves and Juliers from the year 647: God has decreed in His bounty that you should hold practically all the shares in the Suez Canal and three times as many Royal Dutch as Edmond de Rothschild; your pedigree in a direct line has been established by genealogists from the year 63 of the Christian Era; you have as sisters-in-law two Empresses. Therefore never seem, in your speech, to be recalling these great privileges, not that they are precarious (for nothing can alter antiquity of race, while the world will always need petrol), but because it is useless to point out that you are better born than other people or that your investments are all gilt-edged, since everyone knows these facts already. Be helpful to the needy. Furnish to all those whom the bounty of Heaven has done you the favour of placing beneath you as much as you can give them without forfeiture of your rank, that is to say help in the form of money, even your personal service by their sickbeds, but never (bear well in mind) invite them to your parties, which would do them no possible good and, by weakening your own position, would diminish the efficacy of your benevolent activities.”&#xA;&#xA;   And so even at the moments when she could not do good the Princess endeavoured to shew, or rather to let it be thought, by all the external signs of dumb language, that she did not consider herself superior to the people among whom she found herself thrown. She treated each of them with that charming courtesy with which well-bred people treat their inferiors and was continually, to make herself useful, pushing back her chair so as to leave more room, holding my gloves, offering me all those services which would demean the proud spirit of a commoner but are very willingly rendered by sovereign ladies or, instinctively and by force of professional habit, by retired servants&#xA;&#xA;   But already the Duke, who seemed in a hurry to complete the round of introduction, had led me off to another of the flower-maidens. On hearing her name I told her that I had passed by her country house, not far from Balbec. “Oh, I should have been so pleased to take you over it,” she informed me, almost in a whisper, to enhance her modesty, but in a tone of deep feeling, steeped in regret for the loss of an opportunity to enjoy a quite exceptional pleasure; and went on, with a meaning glance: “I do hope you will come again some day. But I must say that what would interest you more still would be my aunt Brancas’s place. It was built by Mansard; it is the jewel of the province.” It was not only she herself who would have been glad to shew me over her house, but her aunt Brancas would have been no less delighted to do me the honours of hers, or so I was assured by this lady who thought evidently that, especially at a time when the land shewed a tendency to pass into the hands of financiers who had no knowledge of the world, it was important that the great should keep up the exalted traditions of lordly hospitality, by speeches which involved them in nothing. It was also because she sought, like everyone in her world, to say the things which would give most pleasure to the person she was addressing, to give him the highest idea of himself, to make him think that he flattered people by writing to them, that he honoured those who entertained him, that everyone was burning to know him. The desire to give other people this comforting idea of themselves does, it must be admitted, exist even among the middle classes. We find there that kindly disposition, in the form of an individual merit compensating for some other defect, not alas among the most trusty male friends but at any rate among the most agreeable female companions. But there anyhow it blooms only in isolated patches. In an important section of the aristocracy, on the other hand, this characteristic has ceased to be individual; cultivated by education, sustained by the idea of a personal greatness which can fear no humiliation, which knows no rival, is aware that by being pleasant it can make people happy and delights in doing so, it has become the generic feature of a class. And even those whom personal defects of too incompatible a kind prevent from keeping it in their hearts bear the unconscious trace of it in their vocabulary or their gesticulation&#xA;&#xA;    “She is a very good creature,” said the Duc de Guermantes, of the Princesse de Parme, “and she can play the ‘great lady’ when she likes, better than anyone.”&#xA;&#xA;   While I was being introduced to the ladies, one of the gentlemen of the party had been shewing various signs of agitation: this was Comte Hannibal de Bréauté-Consalvi. Arriving late, he had not had time to investigate the composition of the party, and when I entered the room, seeing in me a guest who was not one of the Duchess’s regular circle and must therefore have some quite extraordinary claim to admission, installed his monocle beneath the groined arch of his eyebrow, thinking that this would be a great help to him in discovering what manner of man I was. He knew that Mme. de Guermantes possessed (the priceless appanage of truly superior women) what was called a ‘salon,’ that is to say added occasionally to the people of her own set some celebrity who had recently come into prominence by the discovery of a new cure for something or the production of a masterpiece. The Faubourg Saint-Germain had not yet recovered from the shock of learning that, to the reception which she had given to meet the King and Queen of England, the Duchess had not been afraid to invite M. Détaille. The clever women of the Faubourg who had not been invited were inconsolable, so deliciously thrilling would it have been to come into contact with that strange genius. Mme. de Courvoisier made out that M. Ribot had been there as well, but this was a pure invention, designed to make people believe that Oriane was aiming at an Embassy for her husband. Finally, a last straw of scandal, M. de Guermantes, with a gallantry that would have done credit to Marshal Saxe, had repaired to the green-room of the Comédie Française, and had begged Mlle. Reichemberg to come and recite before the King, which having come to pass constituted an event without precedent in the annals of routs. Remembering all these surprises, which, moreover, had his entire approval, his own presence being not merely an ornament but, in the same way as that of the Duchesse de Guermantes, a consecration to any drawing-room, M. de Bréauté, when he asked himself who I could be, felt that the field of exploration was very wide. For a moment the name of M. Widor flashed before his mind, but he decided that I was not old enough to be an organist, and M. Widor not striking enough to be ‘asked out.’ It seemed on the whole more plausible to regard me simply as the new Attaché at the Swedish Legation of whom he had heard, and he was preparing to ask me for the latest news of Oscar, by whom he had several times been very hospitably received; but when the Duke, in introducing me, had mentioned my name to M. de Bréauté, the latter, finding that name to be completely unknown to him had no longer any doubt that, being where I was, I must be a celebrity Of some sort. Oriane would certainly never invite anyone who was not, and had the art of attracting men who were in the public eye to her house, in a ratio that of course never exceeded one per cent, otherwise she would have lowered its tone. M. de Bréauté began, therefore, to lick his chops and to sniff the air greedily, his appetite whetted not only by the good dinner upon which he could count, but by the character of the party, which my presence could not fail to make interesting, and which would furnish him with a topic for brilliant conversation next day at the Duc de Chartres’s luncheon-table. He had not yet settled in his own mind whether I was the man who had just been making those experiments with a serum to cure cancer, or the author of the new ‘curtain-raiser’ then in rehearsal at the Théâtre Français; but, a great intellectual, a great collector of ‘travellers’ tales,’ he continued an ever increasing display of reverences, signs of mutual understanding, smiles filtered through the glass of his monocle; either in the mistaken idea that a man of my standing would esteem him more highly if he could manage to instil into me the illusion that for him, the Comte de Bréauté-Consalvi, the privileges of the mind were no less deserving of respect than those of birth; or simply from the need to express and difficulty of expressing his satisfaction, in his ignorance of the language in which he ought to address me, just as if, in fact, he had found himself face to face with one of the ‘natives’ of an undiscovered country on which his keel had grounded, natives from whom, in the hope of ultimate profit, he would endeavour, observing with interest the while their quaint customs and without interrupting his demonstrations of friendship, or like them uttering loud cries, to obtain ostrich eggs and spices in exchange for his glass beads. Having responded as best I could to his joy, I shook hands next with the Duc de Chatellerault, whom I had already met at Mme. de Villeparisis’s, who, he informed me, was as ‘cunning as they made ’em.’ He was typically Guermantes in the fairness of his hair, his arched profile, the points where the skin of his cheeks lost colour, all of which may be seen in the portraits of that family which have come down to us from the sixteenth and seventeenth centuries. But, as I was no longer in love with the Duchess, her reincarnation in the person of a young man offered me no attraction. I interpreted the hook made by the Duc de Chatellerault’s nose, as if it had been the signature of a painter whose work I had long studied but who no longer interested me in the least. Next, I said good evening also to the Prince de Foix, and to the detriment of my knuckles, which emerged crushed and mangled, let them be caught in a vice which was the German handclasp, accompanied by an ironical or good-natured smile, of the Prince von Faffenheim, M. de Norpois’s friend, who, by virtue of the mania for nicknames which prevailed in this set, was known so universally as Prince Von that he himself used to sign his letters ‘Prince Von,’ or, when he wrote to his intimates, ‘Von.’ And yet this abbreviation was understandable, in view of his triple-barrelled name. It was less easy to grasp the reasons which made ‘Elizabeth’ be replaced, now by ‘Lili,’ now by ‘Bebeth,’ just as another world swarmed with ‘Kikis.’ One can realise that these people, albeit in most respects idle and light-minded enough, might have come to adopt ‘Quiou’ in order not to waste the precious time that it would have taken them to pronounce ‘Montesquieu.’ But it is not so easy to see what they saved by naming one of their cousins ‘Dinand’ instead of ‘Ferdinand.’ It must not be thought, however, that in the invention of nicknames the Guermantes invariably proceed to curtail or reduplicate syllables. Thus two sisters, the Comtesse de Montpeyroux and the Vicomtesse de Vélude, who were both of them enormously stout, invariably heard themselves addressed, without the least trace of annoyance on their part or of amusement on other people’s, so long established was the custom, as ‘Petite’ and ‘Mignonne.’ Mme. de Guermantes, who adored Mme. de Montpeyroux, would, if her friend had been seriously ill, have flown to the sister with tears in her eyes and exclaimed: “I hear Petite is dreadfully bad!” Mme. de l’Eclin, who wore her hair in bands that entirely hid her ears, was never called anything but ‘The Empty Stomach’; in some cases people simply added an ‘a’ to the last or first name of the husband to indicate the wife. The most miserly, most sordid, most inhuman man in the Faubourg having been christened Raphael, his charmer, his flower springing also from the rock always signed herself ‘Raphaela’— but these are merely a few specimens taken from innumerable rules, to which we can always return later on, if the occasion offers, and explain some of them. I then asked the Duke to present me to the Prince d’Agrigente. “What! Do you mean to say you don’t know our excellent Gri-gri!” cried M. de Guermantes, and gave M. d’Agrigente my name. His own, so often quoted by Françoise, had always appeared to me like a transparent sheet of coloured glass through which I beheld, struck, on the shore of the violet sea, by the slanting rays of a golden sun, the rosy marble cubes of an ancient city of which I had not the least doubt that the Prince — happening for a miraculous moment to be passing through Paris — was himself, as luminously Sicilian and gloriously mellowed, the absolute sovereign. Alas, the vulgar drone to whom I was introduced, and who wheeled round to bid me good evening with a ponderous ease which he considered elegant, was as independent of his name as of any work of art that he might have owned without bearing upon his person any trace of its beauty, without, perhaps, ever having stopped to examine it. The Prince d’Agrigente was so entirely devoid of anything princely, anything that might make one think of Girgenti that one was led to suppose that his name, entirely distinct from himself, bound by no ties to his person, had had the power of attracting to itself the whole of whatever vague poetical element there might have been in this man as in any other, and isolating it, after the operation, in the enchanted syllables. If any such operation had been performed, it had certainly been done most efficiently, for there remained not an atom of charm to be drawn from this kinsman of Guermantes. With the result that he found himself at one and the same time the only man in the world who was Prince d’Agrigente and the man who, of all the men in the world was, perhaps, least so. He was, for all that, very glad to be what he was, but as a banker is glad to hold a number of shares in a mine without caring whether the said mine answers to the charming name of Ivanhoe or Primrose, or is called merely the Premier. Meanwhile, as these introductions, which it has taken me so long to recount but which, beginning as I entered the room, had lasted only a few seconds, were coming to an end, and Mme. de Guermantes, in an almost suppliant tone, was saying to me: “I am sure Basin is tiring you, dragging you round like that; we are anxious for you to know our friends, but we are a great deal more anxious not to tire you, so that you may come again often,” the Duke, with a somewhat awkward and timid wave of the hand, gave (as he would gladly have given it at any time during the last hour, filled for me by the contemplation of his Elstirs) the signal that dinner might now be served&#xA;&#xA;   I should add that one of the guests was still missing, M. de Grouchy, whose wife, a Guermantes by birth, had arrived by herself, her husband being due to come straight from the country, where he had been shooting all day. This M. de Grouchy, a descendant of his namesake of the First Empire, of whom it has been said, quite wrongly, that his absence at the start of the Battle of Waterloo was the principal cause of Napoleon’s defeat, came of an excellent family which, however, was not good enough in the eyes of certain fanatics for blue blood. Thus the Prince de Guermantes, whose own tastes, in later life, were to prove more easily satisfied, had been in the habit of saying to his nieces: “What a misfortune for that poor Mme. de Guermantes” (the Vicomtesse de Guermantes, Mme. de Grouchy’s mother) “that she has never succeeded in marrying any of her children.” “But, uncle, the eldest girl married M. de Grouchy.” “I do not call that a husband! However, they say that your uncle François has proposed for the youngest one, so perhaps they won’t all die old maids.” No sooner was the order to serve dinner given than with a vast gyratory whirr, multiple and simultaneous, the double doors of the dining-room swung apart; a chamberlain with the air of a Lord Chamberlain bowed before the Princesse de Parme and announced the tidings “Madame is served,” in a tone such as he would have employed to say “Madame is dead,” which, however, cast no gloom over the assembly for it was with an air of unrestrained gaiety and as, in summer, at ‘Robinson’ that the couples moved forward one behind another to the dining-room, separating when they had reached their places where footmen thrust their chairs in behind them; last of all, Mme. de Guermantes advanced upon me, that I might lead her to the table, and without my feeling the least shadow of the timidity that I might have feared, for, like a huntress to whom her great muscular prowess has made graceful motion an easy thing, observing no doubt that I had placed myself on the wrong side of her, she pivoted with such accuracy round me that I found her arm resting on mine and attuned in the most natural way to a rhythm of precise and noble movements. I yielded to these with all the more readiness in that the Guermantes attached no more importance to them than does to learning a truly learned man in whose company one is less alarmed than in that of a dunce; other doors opened through which there entered the steaming soup, as though the dinner were being held in a puppet-theatre of skilful mechanism where the belated arrival of the young guest set, on a signal from the puppet-master, all the machinery in motion&#xA;&#xA;   Timid and not majestically sovereign had been this signal from the Duke, to which had responded the unlocking of that vast, ingenious, subservient and sumptuous clockwork, mechanical and human. The indecision of his gesture did not spoil for me the effect of the spectacle that was attendant upon it. For I could feel that what had made it hesitating and embarrassed was the fear of letting me see that they were waiting only for myself to begin dinner and that they had been waiting for some time, just as Mme. de Guermantes was afraid that after looking at so many pictures I would find it tiring and would be hindered from taking my ease among them if her husband engaged me in a continuous flow of introductions. So that it was the absence of grandeur in this gesture that disclosed its true grandeur. As, also, did that indifference shewn by the Duke to the splendour of his surroundings, in contrast to his deference towards a guest, however insignificant, whom he desired to honour&#xA;&#xA;   Not that M. de Guermantes was not in certain respects thoroughly commonplace, shewing indeed some of the absurd weaknesses of a man with too much money, the arrogance of an upstart, which he certainly was not. But just as a public official or a priest sees his own humble talents multiplied to infinity (as a wave is by the whole mass of the sea which presses behind it) by those forces on which they can rely, the Government of France and the Catholic Church, so M. de Guermantes was borne on by that other force, aristocratic courtesy in its truest form. This courtesy drew the line at any number of people. Mme. de Guermantes would not have asked to her house Mme. de Cambremer, or M. de Forcheville. But the moment that anyone (as was the case with me) appeared eligible for admission into the Guermantes world, this courtesy revealed treasures of hospitable simplicity more splendid still, were that possible, than those historic rooms, or the marvellous furniture that had remained in them&#xA;&#xA;   When he wished to give pleasure to anyone, M. de Guermantes possessed, in this way, for making his guest for the moment the principal person present, an art which made the most of the circumstances and the place. No doubt at Guermantes his ‘distinctions’ and ‘favours’ would have assumed another form. He would have ordered his carriage to take me for a drive, alone with himself, before dinner. Such as they were, one could not help feeling touched by his manners as one is in reading memoirs of the period by those of Louis XIV when he replies good-naturedly, smiling and almost with a bow, to some one who has come to solicit his favour. It must however in both instances be borne in mind that this ‘politeness’ did not go beyond the strict meaning of the word&#xA;&#xA;   Louis XIV (with whom the sticklers for pure nobility of his day find fault, nevertheless, for his scant regard for etiquette, so much so that, according to Saint-Simon, he was only a very minor king, as kings go, when compared with such monarchs as Philippe de Valois or Charles V), has the most minute instructions drawn up so that Princes of the Blood and Ambassadors may know to what sovereigns they ought to give precedence. In certain cases, in view of the impossibility of arriving at a decision a compromise is arranged by which the son of Louis XIV, Monseigneur, shall entertain certain foreign sovereigns only out of doors, in the open air, so that it may not be said that in entering the house one has preceded the other; and the Elector Palatine, entertaining the Duc de Chevreuse at dinner, pretends, so as not to have to make way for his guest, to be taken ill, and dines with him indeed, but dines lying down, thus avoiding the difficulty. M. le Duc evading opportunities of paying his duty to Monsieur the latter, on the advice of the King, his brother, who is moreover extremely attached to him, seizes an excuse for making his cousin attend his levee and forcing him to pass him his shirt. But as soon as the feeling is deep, when the heart is involved, this rule of duty, so inflexible when politeness only is at stake, changes entirely. A few hours after the death of his brother, one of the people whom he most dearly loved, when Monsieur, in the words of the Duc de Montfort, is ‘still warm,’ we find Louis XIV singing snatches from operas, astonished that the Duchesse de Bourgogne, who has difficulty in concealing her grief, should be looking so woe-begone, and, desiring that the gaiety of the court shall be at once resumed, so that his courtiers may be encouraged to sit down to the tables, ordering the Duc de Bourgogne to start a game of brelan. Well, not only in his social and concentrated activities, but in the most spontaneous utterances, the ordinary preoccupations of M. de Guermantes, the use he made of his time, one found a similar contrast; the Guermantes were no more susceptible than other mortals to grief; one might indeed say that their actual sensibility was lower; on the other hand one saw their names every day in the social columns of the Gaulois on account of the prodigious number of funerals at which they would have felt it a neglect of duty not to have their presence recorded. As the traveller discovers, almost unaltered, the houses roofed with turf, the terraces which may have met the eyes of Xenophon or Saint Paul, so in the manners of M. de Guermantes, a man who melted one’s heart by his courtesy and revolted it by his harshness, I found still intact after the lapse of more than two centuries that deviation typical of court life under Louis XIV which transfers all scruples of conscience from matters of the affections and morality and applies them to purely formal questions&#xA;&#xA;   The other reason for the friendliness shewn me by the Princesse de Parme was of a more personal kind. It was that she was convinced beforehand that everything that she saw at the Duchesse de Guermantes’s, people and things alike, was of a quality superior to that of anything that she had at home. It is true that in all the other houses of her acquaintance she behaved as if this had been the case; over the simplest dish, the most ordinary flowers, she was not satisfied with going into ecstasies, she would ask leave to send round next morning, to copy the recipe or to examine the variety of blossom, her head cook or head gardener, gentlemen with large salaries who kept their own carriages and were deeply humiliated at having to come to inquire after a dish they despised or to take notes of a kind of carnation that was not half so fine, had not such ornamental streaks, did not produce so large a blossom as those which they had long been growing for her at home. But if in the Princess, wherever she went, this astonishment at the sight of the most commonplace things was assumed, and intended to shew that she did not derive from the superiority of her rank and riches a pride forbidden by her early instructors, habitually dissembled by her mother and intolerable in the sight of her Creator, it was, on the other hand, in all sincerity that she regarded the drawing-room of the Duchesse de Guermantes as a privileged place in which she could pass only from surprise to delight. To a certain extent, for that matter, though not nearly enough to justify this state of mind, the Guermantes were different from the rest of noble society, they were rarer and more refined. They had given me at first sight the opposite impression; I had found them vulgar, similar to all other men and women, but because before meeting them I had seen in them, as in Balbec, in Florence, in Parma, only names. Evidently, in this drawing-room, all the women whom I had imagined as being like porcelain figures were even more like the great majority of women. But, in the same way as Balbec or Florence, the Guermantes, after first disappointing the imagination because they resembled their fellow-creatures rather than their name, could subsequently, though to a less degree, appeal to the intellect by certain distinctive characteristics. Their bodily structure, the colour — a peculiar pink that merged at times into violet — of their skins, a certain almost flashing fairness of the finely spun hair, even in the men, on whom it was massed in soft golden tufts, half a wall-growing lichen, half a catlike fur (a luminous sparkle to which corresponded a certain brilliance of intellect, for if people spoke of the Guermantes complexion, the Guermantes hair, they spoke also of the wit of the Guermantes, as of the wit of the Mortemarts — a certain social quality whose superior fineness was famed even before the days of Louis XIV and all the more universally recognised since they published the fame of it themselves), all this meant that in the material itself, precious as that might be, in which one found them embedded here and there, the Guermantes remained recognisable, easy to detect and to follow, like the veins whose paleness streaks a block of jasper or onyx, or, better still, like the pliant waving of those tresses of light whose loosened hairs run like flexible rays along the sides of a moss-agate&#xA;&#xA;   The Guermantes — those at least who were worthy of the name — were not only of a quality of flesh, of hair, of transparency of gaze that was exquisite, but had a way of holding themselves, of walking, of bowing, of looking at one before they shook one’s hand, of shaking hands, which made them as different in all these respects from an ordinary person in society as he in turn was from a peasant in a smock. And despite their friendliness one asked oneself: “Have they not indeed the right, though they waive it, when they see us walk, bow, leave a room, do any of those things which when performed by them become as graceful as the flight of a swallow or the bending of a rose on its stem, to think: ‘These people are of another race than ours, and we are, we, the true lords of creation.’?” Later on, I realised that the Guermantes did indeed regard me as being of another race, but one that aroused their envy because I possessed merits of which I knew nothing and which they professed to regard as alone important. Later still I came to feel that this profession of faith was only half sincere and that in them scorn or surprise could be coexistent with admiration and envy The physical flexibility essential to the Guermantes was twofold; thanks to one of its forms, constantly in action, at any moment and if, for example, a male Guermantes were about to salute a lady, he produced a silhouette of himself made from the unstable equilibrium of a series of asymmetrical movements with nervous compensations, one leg dragging a little either on purpose or because, having been broken so often in the hunting-field, it imparted to his trunk in its effort to keep pace with the other a deviation to which the upward thrust of one shoulder gave a counterpoise, while the monocle settled itself before his eye, raising an eyebrow just as the tuft of hair on the forehead was lowered in the formal bow; the other flexibility, like the form of the wave, the wind or the ocean track which is preserved on the shell or the vessel, was so to speak stereotyped in a sort of fixed mobility, curving the arched nose which, beneath the blue, protruding eyes, above the over-thin lips, from which, in the women, there emerged a raucous voice, recalled the fabulous origin attributed in the sixteenth century by the complaisance of parasitic and Hellenising genealogists to his race, ancient beyond dispute, but not to the degree of antiquity which they claimed when they gave as its source the mythological impregnation of a nymph by a divine Bird&#xA;&#xA;   The Guermantes were just as idiomatic from the intellectual as from the physical point of view. With the exception of Prince Gilbert (the husband with antiquated ideas of ‘Marie-Gilbert,’ who made his wife sit on his left when they drove out together because her blood, though royal, was inferior to his own)— but he was an exception and furnished, behind his back, a perpetual laughing-stock to the rest of the family, who had always fresh anecdotes to tell of him — the Guermantes, while living in the pure cream of aristocracy, affected to take no account of nobility. The theories of the Duchesse de Guermantes, who, to tell the truth, by dint of being a Guermantes, became to a certain extent something different and more attractive, subordinated everything else so completely to intellect, and were in politics so socialistic that one asked oneself where in her mansion could be hiding the familiar spirit whose duty it was to ensure the maintenance of the aristocratic standard of living, and which, always invisible but evidently crouching at one moment in the entrance hall, at another in the drawing-room, at a third in her dressing-room, reminded the servants of this woman who did not believe in titles to address her as Mme. la Duchesse, reminding also herself who cared only for reading and had no respect for persons to go out to dinner with her sister-in-law when eight o’clock struck, and to put on a low gown&#xA;&#xA;   The same familiar spirit represented to Mme. de Guermantes the social duties of duchesses, of the foremost among them, that was, who like herself were multi-millionaires, the sacrifice to boring tea, dinner and evening parties of hours in which she might have read interesting books, as unpleasant necessities like rain, which Mme. de Guermantes accepted, letting play on them her biting humour, but without seeking in any way to justify her acceptance of them. The curious accident by which the butler of Mme. de Guermantes invariably said “Madame la Duchesse” to this woman who believed only in the intellect did not however appear to shock her. Never had it entered her head to request him to address her simply as ‘Madame.’ Giving her the utmost benefit of the doubt one might have supposed that, thinking of something else at the time, she had heard only the word ‘Madame’ and that the suffix appended to it had not caught her attention. Only, though she might feign deafness, she was not dumb. In fact, whenever she had a message to give to her husband she would say to the butler: “Remind Monsieur le Duc —”&#xA;&#xA;   The familiar spirit had other occupations as well, one of which was to inspire them to talk morality. It is true that there were Guermantes who went in for intellect and Guermantes who went in for morals, and that these two classes did not as a rule coincide. But the former kind — including a Guermantes who had forged cheques, who cheated at cards and was the most delightful of them all, with a mind open to every new and sound idea — spoke even more eloquently upon morals than the others, and in the same strain as Mme. de Villeparisis, at the moments in which the familiar spirit expressed itself through the lips of the old lady. At corresponding moments one saw the Guermantes adopt suddenly a tone almost as old-ladylike, as genial and (as they themselves had more charm) more touching than that of the Marquise, to say of a servant: “One feels that she has a thoroughly sound nature, she’s not at all a common girl, she must come of decent parents, she is certainly a girl who has never gone astray.” At such moments the familiar spirit took the form of an intonation. But at times it could be bearing also, the expression on a face, the same in the Duchess as in her grandfather the Marshal, a sort of undefinable convulsion (like that of the Serpent, the genius of the Carthaginian family of Barca) by which my heart had more than once been set throbbing, on my morning walks, when before I had recognised Mme. de Guermantes I felt her eyes fastened upon me from the inside of a little dairy. This familiar spirit had intervened in a situation which was far from immaterial not merely to the Guermantes but to the Courvoisiers, the rival faction of the family and, though of as good blood as the Guermantes (it was, indeed, through his Courvoisier grandmother that the Guermantes explained the obsession which led the Prince de Guermantes always to speak of birth and titles as though those were the only things that mattered), their opposite in every respect. Not only did the Courvoisiers not assign to intelligence the same importance as the Guermantes, they had not the same idea of it. For a Guermantes (even were he a fool) to be intelligent meant to have a sharp tongue, to be capable of saying cutting things, to ‘get away with it’; but it meant also the capacity to hold one’s own equally in painting, music, architecture, to speak English. The Courvoisiers had formed a less favourable impression of intelligence, and unless one were actually of their world being intelligent was almost tantamount to ‘having probably murdered one’s father and mother.’ For them intelligence was the sort of burglar’s jemmy by means of which people one did not know from Adam forced the doors of the most reputable drawing-rooms, and it was common knowledge among the Courvoisiers that you always had to pay in the long run for having ‘those sort’ of people in your house. To the most trivial statements made by intelligent people who were not ‘in society’ the Courvoisiers opposed a systematic distrust. Some one having on one occasion remarked: “But Swann is younger than Palamède,”—“He says so, at any rate, and if he says it you may be sure it’s because he thinks it is to his interest!” had been Mme. de Gallardon’s retort. Better still, when some one said of two highly distinguished foreigners whom the Guermantes had entertained that one of them had been sent in first because she was the elder: “But is she really the elder?” Mme. de Gallardon had inquired, not positively as though that sort of person did not have any age but as if presumably devoid of civil or religious status, of definite traditions, they were both more or less young, like two kittens of the same litter between which only a veterinary surgeon was competent to decide. The Courvoisiers, more than the Guermantes, maintained also in a certain sense the integrity of the titled class thanks at once to the narrowness of their minds and the bitterness of their hearts. Just as the Guermantes (for whom, below the royal families and a few others like the Lignes, the La Trémoïlles and so forth, all the rest were lost in a common rubbish-heap) were insolent towards various people of long descent who lived round Guermantes, simply because they paid no attention to those secondary distinctions by which the Courvoisiers were enormously impressed, so the absence of such distinctions affected them little. Certain women who did not hold any specially exalted rank in their native provinces but, brilliantly married, rich, good-looking, beloved of Duchesses, were for Paris, where people are never very well up in who one’s ‘father and mother’ were, an excellent and exclusive piece of ‘imported goods.’ It might happen, though not commonly, that such women were, through the channel of the Princesse de Parme or by virtue of their own attractions, received by certain Guermantes. But with regard to these the indignation of the Courvoisiers knew no bounds. Having to meet, between five and six in the afternoon, at their cousin’s, people with whose relatives their own relatives did not care to be seen mixing down in the Perche became for them an ever-increasing source of rage and an inexhaustible fount of rhetoric. The moment, for instance, when the charming Comtesse G——-entered the Guermantes drawing-room, the face of Mme. de Villebon assumed exactly the expression that would have befitted it had she been called to recite the line:&#xA;&#xA;   And should but one stand fast, that one were surely I&#xA;&#xA;   a line which for that matter was unknown to her. This Courvoisier had consumed almost every Monday an éclair stuffed with cream within a few feet of the Comtesse G— — but to no consequence. And Mme. de Villebon confessed in secret that she could not conceive how her cousin Guermantes could allow a woman into her house who was not even in the second-best society of Châteaudun. “I really fail to see why my cousin should make such a fuss about whom she knows; it’s making a perfect farce of society!” concluded Mme. de Villebon with a change of facial expression, this time a sly smile of despair, which, in a charade, would have been interpreted rather as indicating another line of poetry, though one with which she was no more familiar than with the first:&#xA;&#xA;   Grâce aux Dieux mon malheur passe mon espérance&#xA;&#xA;   We may here anticipate events to explain that the persévérance, (which rhymes, in the following line with espérance) shewn by Mme. de Villebon in snubbing Mme. G——-was not entirely wasted. In the eyes of Mme. G——— it invested Mme. de Villebon with a distinction so supreme, though purely imaginary, that when the time came for Mme. G——-‘s daughter, who was the prettiest girl and the greatest heiress in the ballrooms of that season, to marry, people were astonished to see her refuse all the Dukes in succession. The fact was that her mother, remembering the weekly humiliations she had had to endure in the Rue de Grenelle on account of Chateaudun could think of only one possible husband for her daughter — a Villebon son&#xA;&#xA;   A single point at which Guermantes and Courvoisiers converged was the art (one, for that matter, of infinite variety) of marking distances. The Guermantes manners were not absolutely uniform towards everyone. And yet, to take an example, all the Guermantes, all those who really were Guermantes, when you were introduced to them proceeded to perform a sort of ceremony almost as though the fact that they held out their hands to you had been as important as the conferring of an order of knighthood. At the moment when a Guermantes, were he no more than twenty, but treading already in the footsteps of his ancestors, heard your name uttered by the person who introduced you, he let fall on you as though he had by no means made up his mind to say “How d’ye do?” a gaze generally blue, always of the coldness of a steel blade which he seemed ready to plunge into the deepest recesses of your heart. Which was a matter of fact what the Guermantes imagined themselves to be doing, each of them regarding himself as a psychologist of the highest order. They thought moreover that they increased by this inspection the affability of the salute which was to follow it, and would not be rendered you without full knowledge of your deserts. All this occurred at a distance from yourself which, little enough had it been a question of a passage of arms, seemed immense for a handclasp, and had as chilling an effect in this connexion as in the other, so that when the Guermantes, after a rapid twisting thrust that explored the most intimate secrets of your soul and laid bare your title to honour, had deemed you worthy to associate with him thereafter, his hand, directed towards you at the end of an arm stretched out to its fullest extent, appeared to be presenting a rapier at you for a single combat, and that hand was in fact placed so far in advance of the Guermantes himself at that moment that when he afterwards bowed his head it was difficult to distinguish whether it was yourself or his own hand that he was saluting. Certain Guermantes, lacking the sense of proportion, or being incapable of refraining from repeating themselves incessantly, went further and repeated this ceremony afresh every time that they met you. Seeing that they had no longer any need to conduct the preliminary psychological investigation for which the ‘familiar spirit’ had delegated its powers to them and the result of which they had presumably kept in mind, the insistence of the perforating gaze preceding the handclasp could be explained only by the automatism which their gaze had acquired or by some power of fascination which they believed themselves to possess. The Courvoisiers whose physique was different, had tried in vain to assimilate that searching gaze and had had to fall back upon a lordly stiffness or a rapid indifference On the other hand, it was from the Courvoisiers that certain very exceptional Guermantes of the gentler sex seemed to have borrowed the feminine form of greeting. At the moment when you were presented to one of these she made you a sweeping bow in which she carried towards you, almost to an angle of forty-five degrees, her head and bust, the rest of her body (which came very high, up to the belt which formed a pivot) remaining stationary. But no sooner had she projected thus towards you the upper part of her person than she flung it backwards beyond the vertical line by a sudden retirement through almost the same angle. This subsequent withdrawal neutralised what appeared to have been conceded to you; the ground which you believed yourself to have gained did not even remain a conquest, as in a duel; the original positions were retained. This same annulment of affability by the resumption of distance (which was Courvoisier in origin and intended to shew that the advances made in the first movement were no more than a momentary feint) displayed itself equally clearly, in the Courvoisier ladies as in the Guermantes, in the letters which you received from them, at any rate in the first period of your acquaintance. The ‘body’ of the letter might contain sentences such as one writes only (you would suppose) to a friend, but in vain might you have thought yourself entitled to boast of being in that relation to the lady, since the letter began with ‘Monsieur,’ and ended with ‘Croyez monsieur à mes sentiments distingués.’ After which, between this cold opening and frigid conclusion which altered the meaning of all the rest, there might come in succession (were it a reply to a letter of condolence from yourself) the most touching pictures of the grief which the Guermantes lady had felt on losing her sister, of the intimacy that had existed between them, of the beauty of the place in which she was staying, of the consolation that she found in the charm of her young children, all this amounted to no more than a letter such as one finds in printed collections, the intimate character of which implied, however, no more intimacy between yourself and the writer than if she had been the Younger Pliny or Mme. de Simiane&#xA;&#xA;   It is true that certain Guermantes ladies wrote to you from the first as ‘My dear friend,’ or ‘My friends’; these were not always the most simple natured among them, but rather those who, living only in the society of kings and being at the same time ‘light,’ assumed in their pride the certainty that everything which came from themselves gave pleasure and in their corruption the habit of setting no price upon any of the satisfactions that they had to offer. However, since to have had a common ancestor in the reign of Louis XIII was enough to make a young Guermantes say, in speaking of the Marquise de Guermantes: “My aunt Adam,” the Guermantes were so numerous a clan that, even among these simple rites, that for example of the bow upon introduction to a stranger, there existed a wide divergence. Each subsection of any refinement had its own, which was handed down from parents to children like the prescription for a liniment or a special way of making jam. Thus it was that we saw Saint-Loup’s handclasp thrust out as though involuntarily at the moment of his hearing one’s name, without any participation by his eyes, without the addition of a bow. Any unfortunate commoner who for a particular reason — which, for that matter, very rarely occurred — was presented to anyone of the Saint-Loup subsection racked his brains over this abrupt minimum of a greeting, which deliberately assumed the appearance of non-recognition, to discover what in the world the Guermantes — male or female — could have against him. And he was highly surprised to learn that the said Guermantes had thought fit to write specially to the introducer to tell him how delighted he or she had been with the stranger, • whom he or she looked forward to meeting again. As specialised as the mechanical gestures of Saint-Loup were the complicated and rapid capers (which M. de Charlus condemned as ridiculous) of the Marquis de Fierbois, the grave and measured paces of the Prince de Guermantes. But it is impossible to describe here the richness of the choreography of the Guermantes ballet owing to the sheer length of the cast&#xA;&#xA;   To return to the antipathy which animated the Courvoisiers against the Duchesse de Guermantes, they might have had the consolation of feeling sorry for her so long as she was still unmarried, for she was then comparatively poor. Unfortunately, at all times and seasons, a sort of fuliginous emanation, quite sut generis, enveloped, hid from the eye the wealth of the Courvoisiers which, however great it might be, remained obscure. In vain might a young Courvoisier with an ample dowry find a most eligible bridegroom; it invariably happened that the young couple had no house of their own in Paris, ‘came up to stay’ in the season with his parents, and for the rest of the year lived down in the country in the thick of a society that may have been unadulterated but was also quite undistinguished. Whereas a Saint-Loup who was up to the eyes in debt dazzled Doncières with his carriage-horses, a Courvoisier who was extremely rich always went in the tram. Similarly (though of course many years earlier) Mlle, de Guermantes (Oriane), who had scarcely a penny to her name, created more stir with her clothes than all the Courvoisiers put together. The really scandalous things she said gave a sort of advertisement to her style of dressing and doing her hair. She had had the audacity to say to the Russian Grand Duke: “Well, Sir, I hear you would like to have Tolstoy murdered?” at a dinner-party to which none of the Courvoisiers, not that any of them knew very much about Tolstoy, had been asked. They knew little more about Greek writers, if we may judge by the Dowager Duchesse de Gallardon (mother-in-law of the Princesse de Gallardon who at that time was still a girl) who, not having been honoured by Oriane with a single visit in five years, replied to some one who asked her the reason for this abstention: “It seems she recites Aristotle” (meaning Aristophanes) “in society. I cannot allow that sort of thing in my house!”&#xA;&#xA;   One can imagine how greatly this ‘sally’ by Mlle. de Guermantes upon Tolstoy, if it enraged the Courvoisiers, delighted the Guermantes, and by derivation everyone who was not merely closely but even remotely attached to them. The Dowager Comtesse d’Argencourt (née Seineport) who entertained a little of everything, because she was a blue-stocking and in spite of her son’s being a terrible snob, repeated the saying before her literary friends with the comment: “Oriane de Guermantes, you know; she’s as fine as amber, as mischievous as a monkey, there’s nothing she couldn’t do if she chose, her water-colours are worthy of a great painter and she writes better verses than most of the great poets, and as for family, don’t you know, you couldn’t imagine anything better, her grandmother was Mlle, de Montpensier, and she is the eighteenth Oriane de Guermantes in succession, without a single misalliance; it’s the purest blood, the oldest in the whole of France.” And so the sham men of letters, those demi-intellectuals who went to Mme. d’Argencourt’s, forming a mental picture of Oriane de Guermantes, whom they would never have an opportunity to know personally, as something more wonderful and more extraordinary than Princess Badroulbadour, not only felt themselves ready to die for her on learning that so noble a person glorified Tolstoy above all others, but felt also quickening with a fresh strength in their minds their own love of Tolstoy, their longing to fight against Tsarism. These liberal ideas might have grown faint in them, they might have begun to doubt their importance, no longer venturing to confess to holding them, when suddenly from Mlle, de Guermantes herself, that is to say from a girl so indisputably cultured and authorised to speak, who wore her hair flat on her brow (a thing that no Courvoisier would ever have consented to do), came this vehement support. A certain number of realities, good or bad in themselves, gain enormously in this way by receiving the adhesion of people who are in authority over us. For instance among the Courvoisiers the rites of affability in a public thoroughfare consisted in a certain bow, very ugly and far from affable in itself but which people knew to be the distinguished way of bidding a person good day, with the result that everyone else, suppressing the instinctive smile of welcome on his own face, endeavoured to imitate these frigid gymnastics. But the Guermantes in general and Oriane in particular, while better conversant than anyone with these rites, did not hesitate, if they caught sight of you from a carriage, to greet you with a sprightly wave of the hand, and in a drawing-room, leaving the Courvoisiers to make their stiff and imitative bows, sketched charming reverences in the air, held out their hands as though to a comrade with a smile from their blue eyes, so that suddenly, thanks to the Guermantes, there entered into the substance of smartness, until then a little hollow and dry, everything that you would naturally have liked and had compelled yourself to forego, a genuine welcome, the effusion of a true friendliness, spontaneity. It is in a similar fashion (but by a rehabilitation which this time is scarcely justified) that people who carry in themselves an instinctive taste for bad music and for melodies, however commonplace, which have in them something easy and caressing, succeed, by dint of education in symphonic culture, in mortifying that appetite. But once they have arrived at this point, when, dazzled — and rightly so — by the brilliant orchestral colouring of Richard Strauss, they see that musician adopt with an indulgence worthy of Auber the most vulgar motifs, what those people originally admired finds suddenly in so high an authority a justification which delights them, and they let themselves be enchanted without scruple and with a twofold gratitude, when they listen to Salomé, by what it would have been impossible for them to admire in Les Diamants de la Couronne. Authentic or not, the retort made by Mlle, de Guermantes to the Grand Duke, retailed from house to house, furnished an opportunity to relate the excessive smartness with which Oriane had been turned out at the dinner-party in question. But if such splendour (and this is precisely what rendered it unattainable by the Courvoisiers) springs not from wealth but from prodigality, the latter does nevertheless last longer if it enjoys the constant support of the former, which allows it to spend all its fire. Given the principles openly advertised not. only by Oriane but by Mlle, de Villeparisis, namely that nobility does not count, that it is ridiculous to bother one’s head about rank, that wealth does not necessarily mean happiness, that intellect, heart, talent are alone of importance, the Courvoisiers were justified in hoping that, as a result of the training she had received from the Marquise, Oriane would marry some one who was not in society, an artist, a fugitive from justice, a scallawag, a free-thinker, that she would pass definitely into the category of what the Courvoisiers called ‘detrimentals.’ They were all the more justified in this hope since, inasmuch as Mme. de Villeparisis was at this very moment, from the social point of view, passing through an awkward crisis (none of the few bright stars whom I was to meet in her drawing-room had as yet reappeared there), she professed an intense horror of the society which was thus holding her aloof. Even when she referred to her nephew the Prince de Guermantes, whom she did still see, she could never make an end of mocking at him because he was so infatuated about his pedigree. But the moment it became a question of finding a husband for Oriane, it had been no longer the principles publicly advertised by aunt and niece that had controlled the operations, it had been the mysterious ‘familiar spirit’ of their race. As unerringly as if Mme. de Villeparisis and Oriane had never spoken of anything but rent-rolls and pedigrees in place of literary merit and depth of character, and as if the Marquise, for the space of a few days, had been — as she would ultimately be — dead and on her bier, in the church of Combray, where each member of the family would be reduced to a mere Guermantes, with a forfeiture of individuality and baptismal names to which there testified on the voluminous black drapery of the pall the single ‘G’ in purple surmounted by the ducal coronet, it was on the wealthiest man and the most nobly born, on the most eligible bachelor of the Faubourg Saint-Germain, on the eldest son of the Duc de Guermantes, the Prince des Laumes, that the familiar spirit had let fall the choice of the intellectual, the critical, the evangelical Mme. de Villeparisis. And for a couple of hours, on the day of the wedding, Mme. de Villeparisis received in her drawing-room all the noble persons at whom she had been in the habit of sneering, at whom she indeed sneered still to the various plebeian intimates whom she had invited and on whom the Prince des Laumes promptly left cards, preparatory to ‘cutting the cable’ in the following year. And then, making the Courvoisiers’ cup of bit terness overflow, the same old maxims, which made out intellect and talent to be the sole claims to social pre-eminence, resumed their doctrinal fore in the household of the Princesse des Laumes immediately after her mar riage. And in this respect, be it said in passing, the point of view which Saint-Loup upheld when he lived with Rachel, frequented the friends of Rachel, would have liked to marry Rachel, implied — whatever the horror that it inspired in the family — less falsehood than that of the Guermantes young ladies in general, preaching the virtues of intellect, barely admitting the possibility of anyone’s questioning the equality of mankind, all of which ended at a given point in the same result as if they had professed the opposite principles, that is to say in marriage to an extremely wealthy duke. Saint-Loup did, on the contrary, act in conformity with his theories which led people to say that he was treading in evil ways. Certainly from the moral standpoint Rachel was not altogether satisfactory. But it is by no means certain whether, if she had been some person no more worthy but a duchess or the heiress to many millions, Mme. de Marsantes would not have been in favour of the match&#xA;&#xA;   Well, to return to Mme. des Laumes (shortly afterwards Duchesse de Guermantes, on the death of her father-in-law), it was the last agonising straw upon the backs of the Courvoisiers that the theories of the young Princess, remaining thus lodged in her speech, should not in any sense be guiding her conduct; with the result that this philosophy (if one may so call it) in no way impaired the aristocratic smartness of the Guermantes drawing-room. No doubt all the people whom Mme. de Guermantes did not invite imagined that it was because they were not clever enough, and some rich American lady who had never had any book in her possession except a little old copy, never opened, of Parny’s poems, arranged because it was of the ‘period’ upon one of the tables in her inner room, shewed how much importance she attached to the things of the mind by the devouring gaze which she fastened on the Duchesse de Guermantes when that lady made her appearance at the Opera. No doubt, also, Mme. de Guermantes was sincere when she selected a person on account of his or her intellect. When she said of a woman: “It appears, she’s quite charming!” or of a man that he was the “cleverest person in the world,” she imagined herself to have no other reason for consenting to receive them than this charm or cleverness, the familiar spirit not interposing itself at this last moment; more deeply rooted, stationed at the obscure entry of the region in which the Guermantes exercised their judgment, this vigilant spirit precluded them from finding the man clever or the woman charming if they had no social value, actual or potential. The man was pronounced learned, but like a dictionary, or, on the contrary, common, with the mind of a commercial traveller, the woman pretty, but with a terribly bad style, or too talkative. As for the people who had no definite position, they were simply dreadful — such snobs! M. de Bréauté, whose country house was quite close to Guermantes, mixed with no one below the rank of Highness. But he laughed at them in his heart and longed only to spend his days in museums. Accordingly Mme. de Guermantes was indignant when anyone spoke of M. de Bréauté as a snob. “A snob! Babal! But, my poor friend, you must be mad, it’s just the opposite. He loathes smart people; he won’t let himself be introduced to anyone. Even in my house! If I ask him to meet some one he doesn’t know, he swears at me all the time.” This was not to say that, even in practice, the Guermantes did not adopt an entirely different attitude towards cleverness from the Courvoisiers. In a positive sense, this difference between the Guermantes and the Courvoisiers had begun already to bear very promising fruit. Thus the Duchesse de Guermantes, enveloped moreover in a mystery which had set so many poets dreaming of her at a respectful distance, had given that party to which I have already referred, at which the King of England had enjoyed himself more thoroughly than anywhere else, for she had had the idea, which would never have occurred to a Courvoisier mind, of inviting, and the audacity, from which a Courvoisier courage would have recoiled, to invite, apart from the personages already mentioned, the musician Gaston Lemaire and the dramatist Grandmougin. But it was pre-eminently from the negative point of view that intellectuality made itself felt. If the necessary coefficient of cleverness and charm declined steadily as the rank of the person who sought an invitation from the Princesse des Laumes became more exalted, vanishing into zero when he or she was one of the principal Crowned Heads of Europe, conversely the farther they fell below this royal level the higher the coefficient rose. For instance at the Princesse de Parme’s parties there were a number of people whom her Royal Highness invited because she had known them as children, or because they were related to some duchess, or attached to the person of some Sovereign, they themselves being quite possibly ugly, boring or stupid; well, with a Courvoisier any of the reasons: “a favourite of the Princesse de Parme,” “a niece on the mother’s side of the Duchesse d’Arpajon,” “spends three months every year with the Queen of Spain,” would have been sufficient to make her invite such people to her house, but Mme. de Guermantes, who had politely acknowledged their bows for ten years at the Princesse de Parme’s, had never once allowed them to cross her threshold, considering that the same rule applied to a drawing-room in a social as in a material sense, where it only needed a few pieces of furniture which had no particular beauty but were left there to fill the room and as a sign of the owner’s wealth, to render it hideous. Such a drawing-room resembled a book in which the author could not refrain from the use of language advertising his own learning, brilliance, fluency. Like a book, like a house, the quality of a ‘salon,’ thought Mme. de Guermantes — and rightly — is based on the corner-stone of sacrifice&#xA;&#xA;   Many of the friends of the Princesse de Parme, with whom the Duchesse de Guermantes had confined herself for years past to the same conventional greeting, or to returning their cards, without ever inviting them to her parties or going to theirs, complained discreetly of these omissions to her Highness who, on days when M. de Guermantes came by himself to see her, passed on a hint to him. But the wily nobleman, a bad husband to the Duchess in so far as he kept mistresses, but her most tried and trusty friend in everything that concerned the good order of her drawing-room (and her own wit, which formed its chief attraction), replied: “But doe my wife know her? Indeed! Oh, well, I daresay she does. But the truth is, Ma’am, that Oriane does not care for women’s conversation. She lives surrounded by a court of superior minds — I am not her husband, I am only the first footman. Except for quite a small number, who are all of them very clever indeed, women bore her. Surely, Ma’am, your Highness with all her fine judgment is not going to tell me that the Marquise de Souvré has any brains. Yes, I quite understand, the Princess receives her out of kindness. Besides, your Highness knows her. You tell me that Oriane has met her; it is quite possible, but once or twice at the most I assure you. And then, I must explain to your Highness, it is really a little my fault as well. My wife is very easily tired, and she is so anxious to be friendly always that if I allowed her she would never stop going to see people. Only yesterday evening she had a temperature, she was afraid of hurting the Duchesse de Bourbon’s feelings by not going to see her. I had to shew my teeth, I assure you; I positively forbade them to bring the carriage round. Do you know, Ma’am, I should really prefer not to mention to Oriane that you have spoken to me about Mme. de Souvré. My wife is so devoted to your Highness, she will go round at once to invite Mme. de Souvré to the house; that will mean another call to be paid, it will oblige us to make friends with the sister, whose husband I know quite well. I think I shall say nothing at all about it to Oriane, if the Princess has no objection. That will save her a great deal of strain and excitement. And I assure you that it will be no loss to Mme. de Souvré. She goes everywhere, moves in the most brilliant circles. You know, we don’t entertain at all, really, just a few little friendly dinners, Mme. de Souvré would be bored to death.” The Princesse de Parme, innocently convinced that the Duc de Guermantes would not transmit her request to his Duchess, and dismayed by her failure to procure the invitation that Mme. de Souvré sought, was all the more flattered to think that she herself was one of the regular frequenters of so exclusive a household. No doubt this satisfaction had its drawbacks also. Thus whenever the Princesse de Parme invited Mme. de Guermantes to her own parties she had to rack her brains to be sure that there was no one else on her list whose presence might offend the Duchess and make her refuse to come again&#xA;&#xA;   On ordinary evenings (after dinner, at which she invariably entertained at a very early hour, for she clung to old customs, a small party) the drawing-room of the Princesse de Parme was thrown open to her regular guests, and, generally speaking, to all the higher ranks of the aristocracy, French and foreign. The order of her receptions was as follows: on issuing from the dining-room the Princess sat down on a sofa before a large round table and chatted with the two most important of the ladies who had dined with her, or else cast her eyes over a magazine, or sometimes played cards (or pretended to play, adopting a German court custom), either a game of patience by herself or selecting as her real or pretended partner some prominent personage. By nine o’clock the double doors of the big drawing-room were in a state of perpetual agitation, opening and shutting and opening again to admit the visitors who had dined quietly at home (or if they had dined in town hurried from their café promising to return later, since they intended only to go in at one door and out at the other) in order to conform with the Princess’s time-table. She, meanwhile, her mind fixed on her game or conversation, made a show of not seeing the new arrivals, and it was not until they were actually within reach of her that she rose graciously from her seat, with a friendly smile for the women. The latter thereupon sank before the upright Presence in a courtesy which was tantamount to a genuflexion, so as to bring their lips down to the level of the beautiful hand which hung very low, and to kiss it. But at that moment the Princess, just as if she had been every time surprised by a formality with which nevertheless she was perfectly familiar, raised the kneeling figure as though by main force, and with incomparable grace and sweetness, and kissed her on both cheeks. A grace and sweetness that were conditional, you may say, upon the meekness with which the arriving guest inclined her knee. Very likely; and it seems that in a society without distinctions of rank politeness would vanish, not, as is generally supposed, from want of breeding, but because from one class would have vanished the deference due to a distinction which must be imaginary to be effective, and, more completely still, from the other class the affability in the distribution of which one is prodigal so long as one knows it to be, to the recipient, of an untold value which, in a world based on equality, would at once fall to nothing like everything that has only a promissory worth. But this disappearance of politeness in a reconstructed society is by no means certain, and we are at times too ready to believe that the present is the only possible state of things. People of first-rate intelligence have held the opinion that a Republic could not have any diplomacy or foreign alliances, and, more recently, that the peasant class would not tolerate the separation of Church and State. After all, the survival of politeness in a society levelled to uniformity would be no more miraculous than the practical success of the railway or the use of the aeroplane in war. Besides, even if politeness were to vanish, there is nothing to shew that this would be a misfortune. Lastly, would not society become secretly more hierarchical as it became outwardly more democratic? This seems highly probable. The political power of the Popes has grown enormously since they ceased to possess either States or an Army; our cathedrals meant far less to a devout Catholic of the seventeenth century than they mean to an atheist of the twentieth, and if the Princesse de Parme had been the sovereign ruler of a State, no doubt I should have felt myself impelled to speak of her almost as I should speak of a President of the Republic, that is to say not at all&#xA;&#xA;   As soon as the postulant had been raised from the ground and embraced by the Princess, the latter resumed her seat and returned to her game of patience, but first of all, if the newcomer were of any importance, held her for a moment in conversation, making her sit down in an armchair&#xA;&#xA;   When the room became too crowded the lady in waiting who had to control the traffic cleared the floor by leading the regular guests into an immense hall on to which the drawing-room opened, a hall filled with portraits and minor trophies of the House of Bourbon. The intimate friends of the Princess would then volunteer for the part of guide and would repeat interesting anecdotes, to which the young people had not the patience to listen, more interested in the spectacle of living Royalties (with the possibility of having themselves presented to them by the lady in waiting and the maids of honour) than in examining the relics of dead Sovereigns. Too much occupied with the acquaintances which they would be able to form and the invitations it might perhaps be possible to secure, they knew absolutely nothing, even in after-years, of what there was in this priceless museum of the archives of the Monarchy, and could only recall confusedly that it was decorated with cacti and giant palms which gave this centre of social elegance a look of the palmarium in the Jardin d’Acclimatation&#xA;&#xA;   Naturally the Duchesse de Guermantes, by way of self-mortification, did occasionally appear on these evenings to pay an ‘after dinner’ call on the Princess, who kept her all the time by her side, while she rallied the Duke. But on evenings when the Duchess came to dine, the Princess took care not to invite her regular party, and closed her doors to the world on rising from table, for fear lest a too liberal selection of guests might offend the exacting Duchess. On such evenings, were any of the faithful who had not received warning to present themselves on the royal doorstep, they would be informed by the porter: “Her Royal Highness is not at home this evening,” and would turn away. But, long before this, many of the Princess’s friends had known that, on the day in question, they would not be asked to her house. These were a special set of parties, a privilege barred to so many who must have longed for admission. The excluded could, with a practical certainty, enumerate the roll of the elect, and would say irritably among themselves: “You know, of course, that Oriane de Guermantes never goes anywhere without her entire staff.” With the help of this body the Princesse de Parme sought to surround the Duchess as with a protecting rampart against those persons the chance of whose making a good impression on her was at all doubtful. But with several of the Duchess’s favourites, with several members of this glittering ‘staff,’ the Princesse de Parme resented having to go out of her way to shew them attentions, seeing that they paid little or no attention to herself. No doubt the Princess was fully prepared to admit that it was possible to derive more enjoyment in the company of the Duchesse de Guermantes than in her own. She could not deny that there was always a ‘crush’ on the Duchess’s at-home days, or that she herself often met there three or four royal personages who thought it sufficient to leave their cards upon her. And in vain might she commit to memory Oriane’s witty sayings, copy her gowns, serve at her own tea parties the same strawberry tarts, there were occasions on which she was left by herself all afternoon with a lady in waiting and some foreign Counsellor of Legation. And so whenever (as had been the case with Swann, for instance, at an earlier period) there was anyone who never let a day pass without going to spend an hour or two at the Duchess’s and paid a call once in two years on the Princesse de Parme, the latter felt no great desire, even for the sake of amusing Oriane, to make to this Swann or whoever he was the ‘advances’ of an invitation to dinner. In a word, having the Duchess in her house was for the Princess a source of endless perplexity, so haunted was she by the fear that Oriane would find fault with everything. But in return, and for the same reason, when the Princesse de Parme came to dine with Mme. de Guermantes she could be certain beforehand that everything would be perfect, delightful, she had only one fear which was that of her own inability to understand, remember, give satisfaction, her inability to assimilate new ideas and people. On this account my presence aroused her attention and excited her cupidity, just as might a new way of decorating the dinner-table with festoons of fruit, uncertain as she was which of the two it might be — the table decorations or my presence — that was the more distinctively one of those charms, the secret of the success of Oriane’s parties, and in her uncertainty firmly resolved to try at her own next dinner-party to introduce them both. What for that matter fully justified the enraptured curiosity which the Princesse de Parme brought to the Duchess’s house was that element — amusing, dangerous, exciting — into which the Princess used to plunge with a combination of anxiety, shock and delight (as at the seaside on one of those days of ‘big waves’ of the danger of which the bathing-masters warn us, simply and solely because none of them knows how to swim), from which she used to emerge terrified, happy, rejuvenated, and which was known as the wit of the Guermantes. The wit of the Guermantes — a thing as non-existent as the squared circle, according to the Duchess who regarded herself as the sole Guermantes to possess it — was a family reputation like that of the pork pies of Tours or the biscuits of Rheims. No doubt (since an intellectual peculiarity does not employ for its perpetuation the same channels as a shade of hair or complexion) certain intimate friends of the Duchess who were not of her blood were nevertheless endowed with this wit, which on the other hand had failed to permeate the minds of various Guermantes, too refractory to assimilate wit of any kind. The holders, not related to the Duchess, of this Guermantes wit had generally the characteristic feature of having been brilliant men, fitted for a career to which, whether it were in the arts, diplomacy, parliamentary eloquence or the army, they had preferred the life of a small and intimate group. Possibly this preference could be explained by a certain want of originality, of initiative, of will power, of health or of luck, or possibly by snobbishness&#xA;&#xA;   With certain people (though these, it must be admitted, were the exception) if the Guermantes drawing-room had been the stumbling-block in their careers, it had been without their knowledge. Thus a doctor, a painter and a diplomat of great promise had failed to achieve success in the careers for which they were nevertheless more brilliantly endowed than most of their competitors because their friendship with the Guermantes had the result that the two former were regarded as men of fashion and the third as a reactionary, which had prevented each of the three from winning the recognition of his colleagues. The mediaeval gown and red cap which are still donned by the electoral colleges of the Faculties are (or were at least, not so long since) something more than a purely outward survival from a narrow-minded past, from a rigid sectarianism. Under the cap with its golden tassels, like the High Priest in the conical mitre of the Jews, the ‘Professors’ were still, in the years that preceded the Dreyfus case, fast rooted in rigorously pharisaical ideas. Du Boulbon was at heart an artist, but was safe because he did not care for society. Cottard was always at the Verdurins’. But Mme. Verdurin was a patient; besides, he was protected by his vulgarity; finally, at his own house he entertained no one outside the Faculty, at banquets over which there floated an aroma of carbolic. But in powerful corporations, where moreover the rigidity of their prejudices is but the price that must be paid for the noblest integrity, the most lofty conceptions of morality, which weaken in an atmosphere that, more tolerant, freer at first, becomes very soon dissolute, a Professor in his gown of scarlet satin faced with ermine, like that of a Doge (which is to say a Duke) of Venice enshrined in the Ducal Palace, was as virtuous, as deeply attached to noble principles, but as unsparing of any alien element as that other Duke, excellent but terrible, whom we know as M. de Saint-Simon. The alien, here, was the wordly doctor, with other manners, other social relations. To make good, the unfortunate of whom we are now speaking, so as not to be accused by his colleagues of looking down on them (the strange ideas of a man of fashion!) if he concealed from them his Duchesse de Guermantes, hoped to disarm them by giving mixed dinner-parties in which the medical element was merged in the fashionable. He was unaware that in so doing he signed his own death-warrant, or rather he discovered this later, when the Council of Ten had to fill a vacant chair, and it was invariably the name of another doctor, more normal, it might be obviously inferior, that leaped from the fatal urn, when their ‘Veto’ thundered from the ancient Faculty, as solemn, as absurd and as terrible as the ‘Juro’ that spelled the death of Molière. So too with the painter permanently labelled man of fashion, when fashionable people who dabbled in art had succeeded in making themselves be labelled artists; so with the diplomat who had too many reactionary associations&#xA;&#xA;   But this case was the rarest of all. The type of distinguished man who formed the main substance of the Guermantes drawing-room was that of people who had voluntarily (or so at least they supposed) renounced all else, everything that was incompatible with the wit of the Guermantes, with the courtesy of the Guermantes, with that indefinable charm odious to any ‘Corporation’ however little centralised&#xA;&#xA;   And the people who were aware that in days gone by one of these frequenters of the Duchess’s drawing-room had been awarded the gold medal of the Salon, that another, Secretary to the Bar Council, had made a brilliant start in the Chamber, that a third had ably served France as Chargé d’Affaires, might have been led to regard as ‘failures’ people who had done nothing more now for twenty years. But there were few who were thus ‘well-informed,’ and the parties concerned would themselves have been the last to remind people, finding these old distinctions to be now valueless, in the light of this very Guermantes spirit of wit: for did not this condemn respectively as a bore or an usher, and as a counter-jumper a pair of eminent Ministers, one a trifle solemn, the other addicted to puns, of whose praises the newspapers were always full but in whose company Mme. de Guermantes would begin to yawn and shew signs of impatience if the imprudence of a hostess had placed either of them next to her at the dinner-table. Since being a statesman of the first rank was in no sense a recommendation to the Duchess’s favour, those of her friends who had definitely abandoned the ‘Career’ or the ‘Service,’ who had never stood for the Chamber, felt, as they came day after day to have luncheon and talk with their great friend, or when they met her in the houses of Royal Personages, of whom for that matter they thought very little (or at least they said so), that they themselves had chosen the better part, albeit their melancholy air, even in the midst of the gaiety, seemed somehow to challenge the soundness of this opinion&#xA;&#xA;   It must be recognised also that the refinement of social life, the subtlety of conversation at the Guermantes’ did also contain, exiguous as it may have been, an element of reality. No official title was equivalent to the approval of certain chosen friends of Mme. de Guermantes, whom the most powerful Ministers had been unable to attract to their houses. If in this drawing-room so many intellectual ambitions, such noble efforts even had been for ever buried, still at least from their dust the rarest blossoms of civilised society had taken life. Certainly men of wit, Swann for instance, regarded themselves as superior to men of genuine worth, whom they despised, but that was because what the Duchesse de Guermantes valued above everything else was not intellect; it was, according to her, that superior, more exquisite form of the human intellect exalted to a verbal variety of talent — wit. And long ago at the Verdurins’ when Swann condemned Brichot and Elstir, one as a pedant and the other as a clown, despite all the learning of one and the other’s genius, it was the infiltration of the Guermantes spirit that had led him to classify them so. Never would he have dared to present either of them to the Duchess, conscious instinctively of the air with which she would have listened to Brichot’s monologues and Elstir’s hair-splittings, the Guermantes spirit regarding pretentious and prolix speech, whether in a serious or a farcical vein, as alike of the most intolerable imbecility&#xA;&#xA;   As for the Guermantes of the true flesh and blood, if the Guermantes spirit had not absorbed them as completely as we see occur in, to take an example, those literary circles in which everyone shares a common way of pronouncing his words, of expressing his thoughts, and consequently of thinking, it was certainly not because originality is stronger in purely social groups or presents any obstacle there to imitation. But imitation depends not merely upon the absence of any unconquerable originality but also demands a relative fineness of ear which enables one first of all to discern what one is afterwards to imitate. Whereas there were several Guermantes in whom this musical sense was as entirely lacking as in the Courvoisiers&#xA;&#xA;   To take as an instance what is called, in another sense of the word imitation, ‘giving imitations’ (or among the Guermantes was called ‘taking off’), Mme. de Guermantes might succeed in this to perfection, the Courvoisiers were as incapable of appreciating her as if they had been a tribe of rabbits instead of men and women, because they had never had the sense to observe the particular defect or accent that the Duchess was endeavouring to copy. When she ‘gave an imitation’ of the Duc de Limoges, the Courvoisiers would protest: “Oh, no, he doesn’t really speak like that! I met him again only yesterday at dinner at Bebeth’s; he talked to me all evening and he didn’t speak like that at all!” whereas the Guermantes of any degree of culture exclaimed: “Gad, what fun Oriane is! The odd part of it is that when she is copying him she looks exactly like him! I feel I’m listening to him. Oriane, do give us a little more Limoges!” Now these Guermantes (and not necessarily the few really outstanding members of the clan who when the Duchess imitated the Duc de Limoges, would say admiringly’ “Oh, you really have got him,” or “You do get him,”) might indeed be del void of wit according to Mme. de Guermantes (and in this respect she was right); yet, by dint of hearing and repeating her sayings they had come to imitate more or less her way of expressing herself, of criticising people of what Swann, like the Duke himself, used to call her ‘phrasing’ of things so that they presented in their conversation something which to the Courvoisiers appeared ‘fearfully like’ Oriane’s wit and was treated by them collectively as the ‘wit of the Guermantes.’ As these Guermantes were to her not merely kinsfolk but admirers, Oriane (who kept the rest of the family rigorously at arm’s-length and now avenged by her disdain the insults that they had heaped upon her in her girlhood) went to call on them now and then, generally in company with the Duke, in the season, when she drove out with him. These visits were historic events. The heart began to beat more rapidly in the bosom of the Princesse d’Epinay, who was ‘at home’ in her big drawing-room on the ground floor, when she perceived afar off, like the first glow of an innocuous fire, or the ‘reconnaissances’ of an unexpected invasion, making her way across the courtyard slowly, in a diagonal course, the Duchess crowned with a ravishing hat and holding atilt a sunshade from which there rained down a summer fragrance. “Why, here comes Oriane,” she would say, like an ‘On guard!’ intended to convey a prudent warning to her visitors, so that they should have time to beat an orderly retreat, to clear the rooms without panic. Half of those present dared not remain, and rose at once to go. “But no, why? Sit down again, I insist on keeping you a little longer,” said the Princess in a careless tone and seemingly at her ease (to shew herself the great lady) but in a voice that suddenly rang false. “But you may want to talk to each other.” “Really, you’re in a hurry? Oh, very well, I shall come and see you,” replied the lady of the house to those whom she was just as well pleased to see depart. The Duke and Duchess gave a very civil greeting to people whom they had seen there regularly for years, without for that reason coming to know them any better, while these in return barely said good day to them, thinking this more discreet. Scarcely had they left the room before the Duke began asking good-naturedly who they were, so as to appear to be taking an interest in the intrinsic quality of people whom he himself, owing to the cross-purposes of fate or the wretched state of Oriane’s nerves, never saw in his own house. “Tell me, who was that little woman in the pink hat?” “Why, my dear cousin, you have seen her hundreds of times, she’s the Vicomtesse de Tours, who was a Lamarzelle.” “But, do you know, she’s quite good-looking; she seems clever too; if it weren’t for a little flaw in her upper lip she’d be a regular charmer. If there’s a Vicomte de Tours, he can’t have any too bad a time. Oriane, do you know what those eyebrows and the way her hair grows reminded me of? Your cousin Hedwige de Ligne.” The Duchesse de Guermantes, who languished whenever people spoke of the beauty of any woman other than herself, let the conversation drop. She bad reckoned without the weakness her husband had for letting it be seen that he knew all about the people who did not come to his house, whereby be believed that he shewed himself to be more seriously minded than his wife. ‘“But,” he resumed suddenly with emphasis, “you mentioned the name Lamarzelle. I remember, when I was in the Chamber, hearing a really remarkable speech made . . . ” “That was the uncle of the young woman you saw just now.” “Indeed! What talent! No, my dear girl,” he assured the Vicomtesse d’Egremont, whom Mme. de Guermantes could not endure, but who, refusing to stir from the Princesse d’Epinay’s drawing-room where she willingly humbled herself to play the part of parlour-maid (and was ready to slap her own parlour-maid on returning home), stayed there, confused, tearful, but stayed when the ducal couple were in the room, took their cloaks, tried to make herself useful, offered discreetly to withdraw into the next room, “you are not to make tea for us, let us just sit and talk quietly, we are simple souls, really, honestly. Besides,” he went on, turning to the Princesse d’Epinay (leaving the Egremont lady blushing, humble, ambitious and full of zeal), “we can only give you a quarter of an hour.” This quarter of an hour was entirely taken up with a sort of exhibition of the witty things which the Duchess had said during the previous week, and to which she herself would certainly not have referred had not her husband, with great adroitness, by appearing to be rebuking her with reference to the incidents that had provoked them, obliged her as though against her will to repeat them&#xA;&#xA;   The Princesse d’Epinay, who was fond of her cousin and knew that she had a weakness for compliments, went into ecstasies over her hat, her sunshade, her wit. “Talk to her as much as you like about her clothes,” said the Duke in the sullen tone which he had adopted and now tempered with a sardonic smile so that his resentment should not be taken seriously, “but for heaven’s sake don’t speak of her wit, I should be only too glad not to have so witty a wife. You are probably alluding to the shocking pun she made about my brother Palamède,” he went on, knowing quite well that the Princess and the rest of the family had not yet heard this pun, and delighted to have an opportunity of shewing off his wife. “In the first place I consider it unworthy of a person who has occasionally, I must admit, said some quite good things, to make bad puns, but especially about my brother, who is very susceptible, and if it is going to lead to his quarrelling with me, that would really be too much of a good thing.” “But we never heard a word about it! One of Oriane’s puns! It’s sure to be delicious. Oh, do tell us!” “No, no,” the Duke went on, still sulking though with a broader smile, “I’m so glad you haven’t heard it. Seriously, I’m very fond of my brother.” “Listen, Basin,” broke in the Duchess, the moment having come for her to take up her husband’s cue, “I can’t think why you should say that it might annoy Palamède, you know quite well it would do nothing of the sort. He is far too intelligent to be vexed by a stupid joke which has nothing offensive about it. You are making them think I said something nasty; I simply uttered a remark which was not in the least funny, it is you who make it seem important by losing your temper over it. I don’t understand you.” “You are making us terribly excited, what is it all about?” “Oh, obviously nothing serious!” cried M. de Guermantes. “You may have heard that my brother offered to give Brézé, the place he got from his wife, to his sister Marsantes.” “Yes, but we were told that she didn’t want it, she didn’t care for that part of the country, the climate didn’t suit her.” “Very well, some one had been telling my wife all that and saying that if my brother was giving this place to our sister it was not so much to please her as to tease her. ‘He’s such a teaser, Charlus,’ was what they actually said. Well, you know Brézé, it’s a royal domain, I should say it’s worth millions, it used to be part of the crown lands, it includes one of the finest forests in the whole of France. There are plenty of people who would be only too delighted to be teased to that tune. And so when she heard the word ‘teaser’ applied to Charlus because he was giving away such a magnificent property, Oriane could not help exclaiming, without meaning anything, I must admit, there wasn’t a trace of ill-nature about it, for it came like a flash of lightning: ‘Teaser, teaser? Then he must be Teaser Augustus.’ You understand,” he went on, resuming his sulky tone, having first cast a sweeping glance round the room in order to judge the effect of his wife’s witticism — and in some doubt as to the extent of Mme. d’Epinay’s acquaintance with ancient history, “you understand, it’s an allusion to Augustus Caesar, the Roman Emperor; it’s too stupid, a bad play on words, quite unworthy of Oriane. And then, you see, I am more circumspect than my wife, if I haven’t her wit, I think of the consequences; if anyone should be so ill-advised as to repeat the remark to my brother there’ll be the devil to pay. All the more,” he went on, “because as you know Palamède is very high and mighty, and very fussy also, given to gossip and all that sort of thing, so that quite apart from the question of his giving away Brézé you must admit that ‘Teaser Augustus’ suits him down to the ground. That is what justifies my wife’s remarks; even when she is inclined to stoop to what is almost vulgar, she is always witty and does really describe people.”&#xA;&#xA;   And so, thanks on one occasion to ‘Teaser Augustus,’ on another to something else, the visits paid by the Duke and Duchess to their kinsfolk replenished the stock of anecdotes, and the emotion which these visits aroused lasted long after the departure of the sparkling lady and her ‘producer.’ Her hostess would begin by going over again with the privileged persons who had been at the entertainment (those who had remained in the room) the clever things that Oriane had said. “You hadn’t heard ‘Teaser Augustus’?” asked the Princesse d’Epinay. “Yes,” replied the Marquise de Baveno, blushing as she spoke, “the Princesse de Sarsina (the La Rochefoucauld one) mentioned it to me, not quite in the same words. But of course it was far more interesting to hear it repeated like that with my cousin in the room,” she went on, as though speaking of a song that had been accompanied by the composer himself. “We were speaking of Oriane’s latest — she was here just now,” her hostess greeted a visitor who would be plunged in despair at not having arrived an hour earlier. “What! Has Oriane been here?” “Yes, you ought to have come a little sooner,” the Princesse d’Epinay informed her, not in reproach but letting her understand all that her clumsiness had made her miss. It was her fault alone if she had not been present at the Creation of the World or at Mme. Carvalho’s last performance. “What do you think of Oriane’s latest? I must say, I do enjoy ‘Teaser Augustus’,” and the ‘saying’ would be served up again cold next day at luncheon before a few intimate friends who were invited on purpose, and would reappear under various sauces throughout the week. Indeed the Princess happening in the course of that week to pay her annual visit to the Princesse de Parme seized the opportunity to ask whether her Royal Highness had heard the pun, and repeated it to her. “Ah! Teaser Augustus,” said the Princesse de Parme, her eyes bulging with an instinctive admiration, which begged however for a complementary elucidation which Mme. d’Epinay was not loath to furnish. “I must say, ‘Teaser Augustus’ pleases me enormously as a piece of ‘phrasing’,” she concluded. As a matter of fact the word ‘phrasing’ was not in the least applicable to this pun, but the Princesse d’Epinay, who claimed to have assimilated her share of the Guermantes spirit, had borrowed from Oriane the expressions ‘phrased’ and ‘phrasing’ and employed them without much discrimination. New the Princesse de Parme, who was not at all fond of Mme. d’Epinay, whom she considered plain, knew to be miserly and believed, on the authority of the Courvoisiers, to be malicious, recognised this word ‘phrasing’ which she had heard used by Mme. de Guermantes but would not by herself have known how or when to apply. She received the impression that it was in fact its ‘phrasing’ that formed the charm of ‘Teaser Augustus’ and, without altogether forgetting her antipathy towards the plain and miserly lady, could not repress a burst of admiration for a person endowed to such a degree with the Guermantes spirit, so strong that she was on the point of inviting the Princesse d’Epinay to the Opera. She was held in check only by the reflexion that it would be wiser perhaps to consult Mme. de Guermantes first. As for Mme. d’Epinay, who, unlike the Courvoisiers, paid endless attentions to Oriane and was genuinely fond of her but was jealous of her exalted friends and slightly irritated by the fun which the Duchess used to make of her before everyone on account of her meanness, she reported on her return home what an effort it had required to make the Princesse de Parme grasp the point of ‘Teaser Augustus,’ and declared what a snob Oriane must be to number such a goose among her friends. “I should never have been able to see much of the Princesse de Parme even if I had cared to,” she informed the friends who were dining with her. “M. d’Epinay would not have allowed it for a moment, because of her immorality,” she explained, alluding to certain purely imaginary excesses on the part of the Princess. “But even if I had had a husband less strict in his views, I must say I could never have made friends with her. I don’t know how Oriane can bear to see her every other day, as she does. I go there once a year, and it’s all I can do to sit out my call.” As for those of the Courvoisiers who happened to be at Victurnienne’s on the day of Mme. de Guermantes’s visit, the arrival of the Duchess generally put them to flight owing to the exasperation they felt at the ‘ridiculous salaams’ that were made to her there. One alone remained on the afternoon of ‘Teaser Augustus.’ He did not entirely see the point, but he did see part of it, being an educated man. And the Courvoisiers went about repeating that Oriane had called uncle Palarned ‘Caesar Augustus,’ which was, according to them, a good enough descrin tion of him, but why all this endless talk about Oriane, they went on People couldn’t make more fuss about a queen. “After all, what is Oriane? I don’t say that the Guermantes aren’t an old family, but the Courvoisiers are every bit as good in rank, antiquity, marriages. We mustn’t forget that on the Field of the Cloth of Gold, when the King of England asked François I who was the noblest of the lords there present, ‘Sire,’ said the King of France, ‘Courvoisier.’” But even if all the Courvoisiers had stayed in the room to hear them, Oriane’s sayings would have fallen on deaf ears, since the incidents that usually gave occasion for those sayings would have been regarded by them from a totally different point of view. If, for instance, a Courvoisier found herself running short of chairs, in the middle of a party, or if she used the wrong name in greeting a guest whose face she did not remember, or if one of her servants said something stupid, the Courvoisier, extremely annoyed, flushed, quivering with excitement, would deplore so unfortunate an occurrence. And when she had a visitor in the room and Oriane was expected, she would say in a tone anxiously and imperiously questioning: “Do you know her?”, fearing that if the visitor did not know her his presence might make an unfortunate impression on Oriane. But Mme. de Guermantes on the contrary extracted from such incidents opportunities for stories which made the Guermantes laugh until the tears streamed down their cheeks, so that one was obliged to envy her her having run short of chairs, having herself made or having allowed her servant to make a blunder, having had at her party some one whom nobody knew, as one is obliged to be thankful that great writers have been kept at a distance by men and betrayed by women when their humiliations and their sufferings have been if not the direct stimulus of their genius, at any rate the subject matter of their works&#xA;&#xA;   The Courvoisiers were incapable of rising to the level of the spirit of innovation which the Duchesse de Guermantes introduced into the life of society and, by adapting it, following an unerring instinct, to the necessities of the moment, made into something artistic where the purely rational application of cut and dried rules would have given as unfortunate results as would greet a man who, anxious to succeed in love or in politics, was to reproduce in his own daily life the exploits of Bussy d’Amboise. If the Courvoisiers gave a family dinner or a dinner to meet some prince, the addition of a recognised wit, of some friend of their son seemed to them an anomaly capable of producing the direst consequences. A Courvoisier whose father had been a Minister of the Empire having to give an afternoon party to meet Princesse Mathilde deduced by a geometrical formula that she could invite no one but Bonapartists. Of whom she knew practically none. All the smart women of her acquaintance, all the amusing men were ruthlessly barred because, from their Legitimist views or connexions, they might easily, according to Courvoisier logic, give offence to the Imperial Highness. The latter, who in her own house entertained the flower of the Faubourg Saint-Germain, was quite surprised when she found at Mme. de Courvoisier’s only a notorious old sponger whose husband had been an Imperial Prefect, the widow of the Director of Posts and sundry others known for their loyalty to Napoleon, their stupidity and their dullness. Princesse Mathilde, however, in no way stinted the generous and refreshing shower of her sovereign grace over these miserable scarecrows whom the Duchesse de Guermantes, for her part, took good care not to invite when it was her turn to entertain the Princess, but substituted for them without any abstract reasoning about Bonapartism the most brilliant coruscation of all the beauties, all the talents, all the celebrities, who, the exercise of some subtle sixth sense made her feel, would be acceptable to the niece of the Emperor even when they belonged actually to the Royal House. There was not lacking indeed the Due d’Aumale, and when on withdrawing the Princess, raising Mme. de Guermantes from the ground where she had sunk in a curtsey and was trying to kiss the august hand, embraced her on both cheeks, it was from the bottom of her heart that she was able to assure the Duchess that never had she spent a happier afternoon nor seen so delightful a party. The Princesse de Parme was Courvoisier in her incapacity for innovation in social matters, but unlike the Courvoisiers the surprise that was perpetually caused her by the Duchesse de Guermantes engendered in her not, as in them, antipathy but admiration. This astonishment was still farther enhanced by the infinitely backward state of the Princess’s education. Mme. de Guermantes was herself a great deal less advanced than she supposed. But it was enough for her to have gone a little beyond Mme. de Parme to stupefy that lady, and, as the critics of each generation confine themselves to maintaining the direct opposite of the truths admitted by their predecessors, she had only to say that Flaubert, that archenemy of the bourgeois, had been bourgeois through and through, or that there was a great deal of Italian music in Wagner, to open before the Princess, at the cost of a nervous exhaustion which recurred every time, as before the eyes of a swimmer in a stormy sea, horizons that seemed to her unimaginable and remained for ever vague. A stupefaction caused also by the paradoxes uttered with relation not only to works of art but to persons of their acquaintance and to current social events. No doubt the incapacity that prevented Mme. de Parme from distinguishing the true wit of the Guermantes from certain rudimentarily acquired forms of that wit (which made her believe in the high intellectual worth of certain, especially certain female Guermantes, of whom she was bewildered on hearing the Duchess confide to her with a smile that they were mere blockheads) was one of the causes of the astonishment which the Princess always felt on hearing Mme. de Guermantes criticise other people. But there was another cause also, one which I, who knew at this time more books than people and literature better than life, explained to myself by thinking that the Duchess, living this wordly life the idleness and sterility of which are to a true social activity what criticism, in art, is to creation, extended to the persons who surrounded her the instability of point of view, the uneasy thirst of the reasoner who to assuage a mind that has grown too dry goes in search of no matter what paradox that is still fairly new, and will make no bones about upholding the refreshing opinion that the really great Iphigénie is Piccini’s and not Gluck’s, at a pinch the true Phèdre that of Pradon&#xA;&#xA;   When a woman who was intelligent, educated, witty had married a shy bumpkin whom one saw but seldom and never heard, Mme. de Guermantes one fine day would find a rare intellectual pleasure not only in decrying the wife but in ‘discovering’ the husband. In the Cambremer household for example, if she had lived in that section of society at the time, she would have decreed that Mme. de Cambremer was stupid, and that the really interesting person, misunderstood, delightful, condemned to silence by a chattering wife but himself worth a thousand of her, was the Marquis, and the Duchess would have felt on declaring this the same kind of refreshment as the critic who, after people have for seventy years been admiring Hernani, confesses to a preference for Le Lion Amoureux. And from this same morbid need of arbitrary novelties, if from her girlhood everyone had been pitying a model wife, a true saint, for being married to a scoundrel, one fine day Mme. de Guermantes would assert that this scoundrel was perhaps a frivolous man but one with a heart of gold, whom the implacable harshness of his wife had driven to do the most inconsistent things. I knew that it is not only over different works, in the long course of centuries, but over different parts of the same work that criticism plays, thrusting back into the shadow what for too long has been thought brilliant, and making emerge what has appeared to be doomed to permanent obscurity. I had not only seen Bellini, Winterhalter, the Jesuit architects, a Restoration cabinetmaker come to take the place of men of genius who were called ‘worn out,’ simply because they had worn out the lazy minds of the intellectuals, as neurasthenics are always worn out and always changing; I had seen preferred in Sainte-Beuve alternately the critic and the poet, Musset rejected so far as his poetry went save for a few quite unimportant little pieces. No doubt certain essayists are mistaken when they set above the most famous scenes in Le Cid or Polyeucte some speech from Le Menteur which, like an old plan, furnishes information about the Paris of the day, but their predilection, justified if not by considerations of beauty at least by a documentary interest, is still too rational for our criticism run mad. It will barter the whole of Molière for a line fromL’Etourdi, and even when it pronounces Wagner’s Tristan a bore will except a ‘charming note on the horns’ at the point where the hunt goes by. This depravation of taste helped me to understand that of which Mme. de Guermantes gave proof when she decided that a man of their world, recognised as a good fellow but a fool, was a monster of egoism, sharper than people thought — that another widely known for his generosity might be the personification of avarice, that a good mother paid no attention to her children, and that a woman generally supposed to be vicious was really actuated by the noblest feelings. As though spoiled by the nullity of life in society, the intelligence and perception of Mme. de Guermantes were too vacillating for disgust not to follow pretty swiftly in the wake of infatuation (leaving her still ready to feel herself attracted afresh by the kind of cleverness which she had in turn sought out and abandoned) and for the charm which she had felt in some warm-hearted man not to change, if he came too often to see her, sought too freely from her directions which she was incapable of giving him, into an irritation which she believed to be produced by her admirer but which was in fact due to the utter impossibility of finding pleasure when one does nothing else than seek it. The variations of the Duchess’s judgment spared no one, except her husband. He alone had never been in love with her, in him she had always felt an iron character, indifferent to the caprices that she displayed, contemptuous of her beauty, violent, of a will that would never bend, the sort under which alone nervous people can find tranquillity. M. de Guermantes on the other hand, pursuing a single type of feminine beauty but seeking it in mistresses whom he constantly replaced, had, once he had left them, and to express derision of them, only an associate, permanent and identical, who irritated him often by her chatter but as to whom he knew that everyone regarded her as the most beautiful, the most virtuous, the cleverest, the best-read member of the aristocracy, as a wife whom he, M. de Guermantes, was only too fortunate to have found, who cloaked all his irregularities, entertained like no one else in the world, and upheld for their drawing-room its position as the premier in the Faubourg Saint-Germain. This common opinion he himself shared; often moved to ill-humour against her, he was proud of her. If, being as niggardly as he was fastidious, he refused her the most trifling sums for her charities or for the servants, yet he insisted upon her wearing the most sumptuous clothes and driving behind the best horses in Paris. Whenever Mme. de Guermantes had just perpetrated, with reference to the merits and defects, which she suddenly transposed, of one of their friends, a new and succulent paradox, she burned to make trial of it before people capable of relishing it, to bring out its psychological originality and to set its epigrammatic brilliance sparkling. No doubt these new opinions embodied as a rule no more truth than the old, often less; but this very element, arbitrary and incalculable, of novelty which they contained conferred on them something intellectual which made the communication of them exciting. Only the patient on whom the Duchess was exercising her psychological skill was generally an intimate friend as to whom those people to whom she longed to hand on her discovery were entirely unaware that he was not still at the apex of her favour; thus the reputation that Mme. de Guermantes had of being an incomparable friend, sentimental, tender and devoted, made it difficult for her to launch the attack herself; she could at the most intervene later on, as though under constraint, by uttering a response to appease, to contradict in appearance but actually to support a partner who had taken it on himself to provoke her; this was precisely the part in which M. de Guermantes excelled&#xA;&#xA;   As for social activities, it was yet another form of pleasure, arbitrary and spectacular, that Mme. de Guermantes felt in uttering, with regard to them, those unexpected judgments which pricked with an incessant and exquisite feeling of surprise the Princesse de Parme. But with this one of the Duchess’s pleasures it was not so much with the help of literary criticism as by following political life and the reports of parliamentary debates that I tried to understand in what it might consist. The successive and contradictory edicts by which Mme. de Guermantes continually reversed the scale of values among the people of her world no longer sufficing to distract her, she sought also in the manner in which she ordered her own social behaviour, in which she recorded her own most trivial decisions on points of fashion, to taste those artificial emotions, to fulfil those adventitious obligations which stimulate the perceptions of Parliaments and gain hold of the minds of politicians. We know that when a Minister explains to the Chamber that he believed himself to be acting rightly in following a line of conduct which does, as a matter of fact, appear quite straightforward to the commonsense person who next morning in his newspaper reads the report of the sitting, this commonsense reader does nevertheless feel himself suddenly stirred and begins to doubt whether he has been right in approving the Minister’s conduct when he sees that the latter’s speech was listened to with the accompaniment of a lively agitation and punctuated with expressions of condemnation such as: “It’s most serious!” ejaculated by a Deputy whose name and titles are so long, and followed in the report by movements so emphatic that in the whole interruption the words “It’s most serious!” occupy less room than a hemistich does in an alexandrine. For instance in the days when M. de Guermantes, Prince des Laumes, sat in the Chamber, one used to read now and then in the Paris newspapers, albeit it was intended primarily for the Méséglise division, to shew the electors there that they had not given their votes to an inactive or voiceless mandatory:&#xA;&#xA;    (Monsieur de Guermantes-Bouillon, Prince des Laumes: “This is serious!” “Hear, hear!” from the Centre and some of the Right benches, loud exclamations from the Extreme Left.)&#xA;&#xA;   The commonsense reader still retains a gleam of faith in the sage Minister, but his heart is convulsed with a fresh palpitation by the first words of the speaker who rises to reply:&#xA;&#xA;    “The astonishment, it is not too much to say the stupor” (keen sensation on the Right side of the House) “that I have felt at the words of one who is still, I presume, a member of the Government” (thunder of applause) . . . Several Under-Secretaries of State for Posts and Telegraphs without Deputies then crowded round the Ministerial bench. Then rising from his seat, nodded his head in the affirmative&#xA;&#xA;   This ‘thunder of applause’ carries away the last shred of resistance in the mind of the commonsense reader; he discovers to be an insult to the Chamber, monstrous in fact, a course of procedure which in itself is of no importance; it may be some normal action such as arranging that the rich shall pay more than the poor, bringing to light some piece of injustice, preferring peace to war; he will find it scandalous and will see in it an offence to certain principles to which as a matter of fact he had never given a thought, which are not engraved on the human heart, but which move him forcibly by reason of the acclamations which they provoke and the compact majorities which they assemble&#xA;&#xA;   It must at the same time be recognised that this subtlety of the politician which served to explain to me the Guermantes circle, and other groups in society later on, is nothing more than the perversion of a certain fineness of interpretation often described as ‘reading between the lines.’ If in representative assemblies there is absurdity owing to perversion of this quality, there is equally stupidity, through the want of it, in the public who take everything ‘literally,’ who do not suspect a dismissal when a high dignitary is relieved of his office ‘at his own request,’ and say: “He cannot have been dismissed, since it was he who asked leave to retire,”— a defeat when the Russians by a strategic movement withdraw upon a stronger position that has been prepared beforehand, a refusal when, a Province having demanded its independence from the German Emperor, he grants it religious autonomy. It is possible, moreover (to return to these sittings of the Chamber), that when they open the Deputies themselves are like the commonsense person who will read the published report. Learning that certain workers on strike have sent their delegates to confer with a Minister, they may ask one another innocently: “There now, I wonder what they can have been saying; let’s hope it’s all settled,” at the moment when the Minister himself mounts the tribune in a solemn silence which has already brought artificial emotions into play. The first words of the Minister: “There is no necessity for me to inform the Chamber that I have too high a sense of what is the duty of the Government to have received a deputation of which the authority entrusted to me could take no cognisance,” produce a dramatic effect, for this was the one hypothesis which the commonsense of the Deputies had not imagined. But precisely because of its dramatic effect it is greeted with such applause that it is only after several minutes have passed that the Minister can succeed in making himself heard, the Minister who will receive on returning to his place on the bench the congratulations of his colleagues. We are as deeply moved as on the day when the same Minister failed to invite to a big official reception the President of the Municipal Council who was supporting the Opposition, and declare that on this occasion as on the other he has acted with true statesmanship&#xA;&#xA;   M. de Guermantes at this period in his life had, to the great scandal of the Courvoisiers, frequently been among the crowd of Deputies who came forward to congratulate the Minister. I have heard it said afterwards that even at a time when he was playing a fairly important part in the Chamber and was being thought of in connexion with Ministerial office or an Embassy he was, when a friend came to ask a favour of him, infinitely more simple, behaved politically a great deal less like the important political personage than anyone else who did not happen to be Duc de Guermantes. For if he said that nobility made no difference, that he regarded his fellow Deputies as equals, he did not believe it for a moment. He sought, pretended to value but really despised political importance, and as he remained in his own eyes M. de Guermantes it did not envelop his person in that dead weight of high office which makes other politicians unapproachable. And in this way his pride guarded against every assault not only his manners which were of an ostentatious familiarity but also such true simplicity as he might actually have&#xA;&#xA;   To return to those artificial and moving decisions such as are made by politicians, Mme. de Guermantes was no less disconcerting to the Guermantes, the Courvoisiers, the Faubourg in general and, more than anyone, the Princesse de Parme by her habit of issuing unaccountable decrees behind which one could feel to be latent principles which impressed one all the more, the less one expected them. If the new Greek Minister have a fancy dress ball, everyone chose a costume and asked everyone else what the Duchess would wear. One thought that she would appear as the Duchesse de Bourgogne, another suggested as probable the guise of Princess of Dujabar, a third Psyche. Finally, a Courvoisier having asked her: “What are you going to wear, Oriane?” provoked the one response of which nobody had thought: “Why, nothing at all!” which at once set every tongue wagging, as revealing Oriane’s opinion as to the true social position of the new Greek Minister and the proper attitude to adopt towards him, that is to say the opinion which ought to have been foreseen namely that a duchess ‘was not expected’ to attend the fancy dress bali given by this new Minister: “I do not see that there is any necessity to go to the Greek Minister’s; I do not know him; I am not a Greek; why should I go to these people’s house, I have nothing to do with them?” said the Duchess. “But everybody will be there, they say it’s going to be charming!” cried Mme. de Gallardon. “Still, it’s just as charming sometimes to sit by one’s own fireside,” replied Mme. de Guermantes. The Courvoisiers could not get over this, but the Guermantes, without copying it, approved of their cousin’s attitude. “Naturally, everybody isn’t in a position like Oriane to break with all the conventions. But if you look at it in one way you can’t say she was actually wrong in wishing to shew that we are going rather far in flinging ourselves at the feet of all these foreigners who appear from heaven knows where.” Naturally, knowing the stream of comment which one or other attitude would not fail to provoke, Mme. de Guermantes took as much pleasure in appearing at a party to which her hostess had not dared to count on her coming as in staying at home or spending the evening at the play with her husband on the night of a party to which ‘everybody was going,’ or, again, when people imagined that she would eclipse the finest diamonds with some historic diadem, by stealing into the room without a single jewel, and in another style of dress than what had been, wrongly, supposed to be essential to the occasion. Albeit she was anti-Dreyfusard (while retaining her belief in the innocence of Dreyfus, just as she spent her life in the social world believing only in abstract ideas) she had created an enormous sensation at a party at the Princesse de Ligne’s, first of all by remaining seated after all the ladies had risen to their feet as General Mercier entered the room, and then by getting up and in a loud voice asking for her carriage when a Nationalist orator had begun to address the gathering, thereby shewing that she did not consider that society was meant for talking politics; all heads were turned towards her at a Good Friday concert at which, although a Voltairean, she had not remained because she thought it indecent to bring Christ upon the stage. We know how important, even for the great queens of society, is that moment of the year at which the round of entertainment begins: so much so that the Marquise d’Amoncourt, who, from a need to say something, a form of mania, and also from want of perception, was always making a fool of herself, had actually replied to somebody who had called to condole with her on the death of her father, M. de Montmorency: “What makes it sadder still is that it should come at a time when one’s mirror is simply stuffed with cards!” Very well, at this point in the social year, when people invited the Duchesse de Guermantes to dinner, making every effort to see that she was not already engaged, she declined, for the one reason of which nobody in society would ever have thought; she was just starting on a cruise among the Norwegian fjords, which were so interesting. People in society were stupefied, and, without any thought of following the Duchess’s example, derived nervertheless from her action that sense of relief which one has in reading Kant when after the most rigorous demonstration of determinism one finds that above the world of necessity there is the world of freedom. Every invention of which no one has ever thought before excites the interest even of people who can derive no benefit from it. That of steam navigation was a small thing compared with the employment of steam navigation at that sedentary time of year called ‘the season.’ The idea that anyone could voluntarily renounce a hundred dinners or luncheons, twice as many afternoon teas, three times as many evening parties, the most brilliant Mondays at the Opera and Tuesdays at the Français to visit the Norwegian fjords seemed to the Courvoisiers no more explicable than the idea of Twenty Thousand Leagues Under the Sea, but conveyed to them a similar impression of independence and charm. So that not a day passed on which somebody might not be heard to ask, not merely: “You’ve heard Oriane’s latest joke?” but “You know Oriane’s latest?” and on ‘Oriane’s latest’ as on ‘Oriane’s latest joke’ would follow the comment: “How typical of Oriane!” “Isn’t that pure Oriane?” Oriane’s latest might be, for instance, that, having to write on behalf of a patriotic society to Cardinal X — Bishop of Macon (whom M. de Guermantes when he spoke of him invariably called ‘Monsieur de Mascon,’ thinking this to be ‘old French’), when everyone was trying to imagine what form the letter would take, and had no difficulty as to the opening words, the choice lying between ‘Eminence,’ and ‘Monseigneur,’ but was puzzled as to the rest, Oriane’s letter, to the general astonishment, began: ‘Monsieur le Cardinal,’ following an old academic form, or: ‘My Cousin,’ this term being in use among the Princes of the Church, the Gsermantes and Crowned Heads, who prayed to God to take each and all of them into ‘His fit and holy keeping.’ To start people on the topic of an ‘Oriane’s latest’ it was sufficient that at a performance at which all Paris was present and a most charming play was being given, when they looked for Mme. de Guermantes in the boxes of the Princesse de Parme, the Princesse de Guermantes, countless other ladies who had invited her, they discovered her sitting by herself, in black, with a tiny hat on her head, in a stall in which she had arrived before the curtain rose. “You hear better, when it’s a play that’s worth listening to,” she explained, to the scandal of the Courvoisiers and the admiring bewilderment of the Guermantes and the Princesse de Parme, who suddenly discovered that the ‘fashion’ of hearing the beginning of a play was more up to date, was a proof of greater originality and intelligence (which need not astonish them, coming from Oriane) than that of arriving for the last act after a big dinner-party and ‘going on’ somewhere first. Such were the various kinds of surprise for which the Princesse de Parme knew that she ought to be prepared if she put a literary or social question to Mme. de Guermantes, one result of which was that during these dinner-parties at Oriane’s her Royal Highness never ventured upon the slightest topic save with the uneasy and enraptured prudence of the bather emerging from between two breakers&#xA;&#xA;   Among the elements which, absent from the three or four other more or less equivalent drawing-rooms that set the fashion for the Faubourg Saint-Germain, differentiated from them that of the Duchesse de Guermantes, just as Leibniz allows that each monad, while reflecting the entire universe, adds to it something of its own, one of the least attractive was regularly furnished by one or two extremely good-looking women who had no title to be there apart from their beauty and the use that M. de Guermantes had made of them, and whose presence revealed at once, as does in other drawing-rooms that of certain otherwise unaccountable pictures, that in this household the husband was an ardent appreciator of feminine graces. They were all more or less alike, for the Duke had a taste for large women, at once statuesque and loose-limbed, of a type half-way between the Venus of Milo and the Samothracian Victory; often fair, rarely dark, sometimes auburn, like the most recent, who was at this dinner, that Vicomtesse d’Arpajon whom he had loved so well that for a long time he had obliged her to send him as many as ten telegrams daily (which slightly annoyed the Duchess), corresponded with her by carrier pigeon when he was at Guermantes, and from whom moreover he had long been so incapable of tearing himself away that, one winter which he had had to spend at Parma, he travelled back regularly every week to Paris, spending two days in the train, in order to see her&#xA;&#xA;   As a rule these handsome ‘supers’ had been his mistresses but were no longer (as was Mme. d’Arpajon’s case) or were on the point of ceasing to be so. It may well have been that the importance which the Duchess enjoyed in their sight and the hope of being invited to her house, though they themselves came of thoroughly aristocratic, but still not quite first-class stock, had prompted them, even more than the good looks and generosity of the Duke, to yield to his desires. Not that the Duchess would have placed any insuperable obstacle in the way of their crossing her threshold: she was aware that in more than one of them she had found an ally, thanks to whom she had obtained a thousand things which she wanted but which M. de Guermantes pitilessly denied his wife so long as he was not in love with some one else. And so the reason why they were not invited by the Duchess until their intimacy with the Duke was already far advanced lay principally in the fact that he, every time that he had embarked on the deep waters of love, had imagined nothing more than a brief flirtation, as a reward for which he considered an invitation from his wife to be more than adequate. And yet he found himself offering this as the price of far less, for a first kiss in fact, because a resistance upon which he had never reckoned had been brought into play or because there had been no resistance. In love it often happens that gratitude, the desire to give pleasure, makes us generous beyond the limits of what the other person’s expectation and self-interest could have anticipated. But then the realisation of this offer was hindered by conflicting circumstances. In the first place, all the women who had responded to M. de Guermantes’s love, and sometimes even when they had not yet surrendered themselves to him, he had, one after another, segregated from the world. He no longer allowed them to see anyone, spent almost all his time in their company, looked after the education of their children to whom now and again, if one was to judge by certain speaking likenesses later on, he had occasion to present a little brother or sister. And so if, at the start of the connexion, the prospect of an introduction to Mme. de Guermantes, which had never crossed the mind of the Duke, had entered considerably into the thoughts of his mistress, their connexion had by itself altered the whole of the lady’s point of view; the Duke was no longer for her merely the husband of the smartest woman in Paris, but a man with whom his new mistress was in love, a man moreover who had given her the means and the inclination for a more luxurious style of living and had transposed the relative importance in her mind of questions of social and of material advantage; while now and then a composite jealousy, into which all these factors entered, of Mme. de Guermantes animated the Duke’s mistresses. But this case was the rarest of all; besides, when the day appointed for the introduction at length arrived (at a point when as a rule the Duke had lost practically all interest in the matter, his actions, like everyone’s else, being generally dictated by previous actions the prime motive of which had already ceased to exist), it frequently happened that it was Mme. de Guermantes who had sought the acquaintance of the mistress in whom she hoped, and so greatly needed, to discover, against her dread husband, a valuable ally. This is not to say that, save at rare moments, in their own house, where, when the Duchess talked too much, he let fall a few words or, more dreadful still, preserved a silence which rendered her speechless, M. de Guermantes failed in his outward relations with his wife to observe what are called the forms. People who did not know them might easily misunderstand. Sometimes between the racing at Deauville, the course of waters and the return to Guermantes for the shooting, in the few weeks which people spend in Paris, since the Duchess had a liking for café-concerts, the Duke would go with her to spend the evening at one of these. The audience remarked at once, in one of those little open boxes in which there is just room for two, this Hercules in his ‘smoking’ (for in France we give to everything that is more or less British the one name that it happens not to bear in England), his monocle screwed in his eye, in his plump but finely shaped hand, on the ring-finger of which there glowed a sapphire, a plump cigar from which now and then he drew a puff of smoke, keeping his eyes for the most part on the stage but, when he did let them fall upon the audience in which there was absolutely no one whom he knew, softening them with an air of gentleness, reserve, courtesy and consideration. When a verse struck him as amusing and not too indecent, the Duke would turn round with a smile to his wife, letting her share, by a twinkle of good-natured understanding, the innocent merriment which the new song had aroused in himself. And the spectators might believe that there was no better husband in the world than this, nor anyone more enviable than the Duchess — that woman outside whom every interest in the Duke’s life lay, that woman with whom he was not in love, to whom he had been consistently unfaithful; when the Duchess felt tired, they saw M. de Guermantes rise, put on her cloak with his own hands, arranging her necklaces so that they did not catch in the lining, and clear a path for her to the street with an assiduous and respectful attention which she received with the coldness of the woman of the world who sees in such behaviour simply conventional politeness, at times even with the slightly ironical bitterness of the disabused spouse who has no illusion left to shatter. But despite these externals (another element of that politeness which has made duty evolve from the depths of our being to the surface, at a period already remote but still continuing for its survivors) the life of the Duchess was by no means easy. M. de Guermantes never became generous or human save for a new mistress who would take, as it generally happened, the Duchess’s part; the latter saw becoming possible for her once again generosities towards inferiors, charities to the poor, even for herself, later on, a new and sumptuous motor-car. But from the irritation which developed as a rule pretty rapidly in Mme. de Guermantes at people whom she found too submissive the Duke’s mistresses were not exempt. Presently the Duchess grew tired of them. Simultaneously, at this moment, the Duke’s intimacy with Mme. d’Arpajon was drawing to an end. Another mistress dawned on the horizon&#xA;&#xA;   No doubt the love which M. de Guermantes had had for each of them in succession would begin one day to make itself felt afresh; in the first place, this love in dying bequeathed them, like beautiful marbles — marbles beautiful to the Duke, become thus in part an artist, because he had loved them and was sensitive now to lines which he would not have appreciated without love — which brought into juxtaposition in the Duchess’s drawing-room their forms long inimical, devoured by jealousies and quarrels, and finally reconciled in the peace of friendship; besides, this friendship itself was an effect of the love which had made M. de Guermantes observe in those who were his mistresses virtues which exist in every human being but are perceptible only to the sensual eye, so much so that the ex-mistrêss, become ‘the best of comrades’ who would do anything in the world for one, is as recognised a type as the doctor or father who is not a doctor or a father but a friend. But during a period of transition the woman whom M. de Guermantes was preparing to abandon bewailed her lot, made scenes, shewed herself exacting, appeared indiscreet, became a nuisance. The Duke began to take a dislike to her. Then Mme. de Guermantes had an opportunity to bring into prominence the real or imagined defects of a person who annoyed her. Known as a kind woman, Mme. de Guermantes received the telephone messages, the confidences, the tears of the abandoned mistress and made no complaint. She laughed at them, first with her husband, then with a few chosen friends. And imagining that this pity which she shewed for the poor wretch gave her the right to make fun of her, even to her face, whatever the lady might say, provided it could be included among the attributes of the character for absurdity which the puke and Duchess had recently fabricated for her, Mme. de Guermantes had no hesitation in exchanging with her husband a glance of ironical connivance&#xA;&#xA;   Meanwhile, as she sat down to table, the Princesse de Parme remembered that she had thought of inviting a certain other Princess to the Opera, and, wishing to be assured that this would not in any way offend Mme. de Guermantes, was preparing to sound her. At this moment there entered M. de Grouchy, whose train, owing to some block on the line, had been held up for an hour. He made what excuses he could. His wife, had she been a Courvoisier, would have died of shame. But Mme. de Grouchy was not a Guermantes for nothing. As her husband was apologising for being late:&#xA;&#xA;    “I see,” she broke in, “that even in little things arriving late is a tradition in your family.”&#xA;&#xA;    “Sit down, Grouchy, and don’t let them pull your leg,” said the Duke&#xA;&#xA;    “I hope I move with the times, still I must admit that the Battle of Waterloo had its points, since it brought about the Restoration of the Bourbons, and better still in a way which made them unpopular. But you seem to be a regular Nimrod!”&#xA;&#xA;    “Well, as a matter of fact, I have had quite a good bag. I shall take the liberty of sending the Duchess six brace of pheasants to-morrow.”&#xA;&#xA;   An idea seemed to flicker in the eyes of Mme. de Guermantes. She insisted that M. de Grouchy must not give himself the trouble of sending the pheasants. And making a sign to the betrothed footman with whom I had exchanged a few words on my way from the Elstir room:&#xA;&#xA;    “Poullein,” she told him, “you will go to-morrow and fetch M. le Comte’s pheasants and bring them straight back — you won’t mind, will you, Grouchy, if I make a few little presents. Basin and I can’t eat a whole dozen by ourselves.”&#xA;&#xA;    “But the day after to-morrow will be soon enough,” said M. de Grouchy&#xA;&#xA;    “No, to-morrow suits me better,” the Duchess insisted&#xA;&#xA;   Poullein had turned pale; his appointment with his sweetheart would have to be missed. This was quite enough for the diversion of the Duchess, who liked to appear to be taking a human interest in everyone. “I know it’s your day out,” she went on to Poullein, “all you’ve got to do is to change with Georges; he can take to-morrow off and stay in the day after.”&#xA;&#xA;   But the day after, Poullein’s sweetheart would not be free. A holiday then was of no account to him. As soon as he was out of the room, everyone complimented the Duchess on the interest she took in her servants. “But I only behave towards them as I like people to behave to me.” “That’s just it. They can say they’ve found a good place with you.” “Oh, nothing so very wonderful. But I think they all like me. That one is a little annoying because he’s in love. He thinks it incumbent on him to go about with a long face.”&#xA;&#xA;   At this point Poullein reappeared. “You’re quite right,” said M. de Grouchy, “he doesn’t look much like smiling. With those fellows one has to be good but not too good.” “I admit I’m not a very dreadful mistress. He’ll have nothing to do all day but call for your pheasants, sit in the house doing nothing and eat his share of them.” “There are plenty of people who would be glad to be in his place,” said M. de Grouchy, for envy makes men blind&#xA;&#xA;    “Oriane,” began the Princesse de Parme, “I had a visit the other day from your cousin Heudicourt; of course she’s a highly intelligent woman — she’s a Guermantes, one can say no more, but they tell me she has a spitel ful tongue.” The Duke fastened on his wife a slow gaze of deliberate stupefaction. Mme. de Guermantes began to smile. Gradually the Princess became aware of their pantomime. “But . . . do you mean to say you don’t agree with me?” she stammered with growing uneasiness. “Really Ma’am, it’s too good of you to pay any attention to Basin’s faces. Now’ Basin, you’re not to hint nasty things about our cousins.” “He thinks her too wicked?” inquired the Princess briskly. “Oh, dear me, no!” replied the Duchess. “I don’t know who told your Highness that she was spiteful. On the contrary, she’s an excellent creature who never said any harm of anyone, or did any harm to any one.” “Ah!” sighed Mme. de Parme, greatly relieved. “I must say I never noticed anything myself. But I know it’s often difficult not to be a little spiteful when one is so full of wit . . . ” “Ah! Now that is a quality of which she has even less.” “Less wit?” asked the stupefied Princess. “Come now, Oriane,” broke in the Duke in a plaintive tone, casting to right and left of him a glance of amusement, “you heard the Princess tell you that she was a superior woman.” “But isn’t she?” “Superior in chest measurement, at any rate.” “Don’t listen to him, Ma’am, he’s not sincere; she’s as stupid as a (h’m) goose,” came in a loud and rasping voice from Mme. de Guermantes, who, a great deal more ‘old French’ even than the Duke when he was not trying, did often deliberately seek to be, but in a manner the opposite of the lace-neckcloth, deliquescent style of her husband and in reality far more subtle, by a sort of almost peasant pronunciation which had a harsh and delicious flavour of the soil. “But she’s the best woman in the world. Besides, I don’t really know that one can call it stupidity when it’s carried to such a point as that. I don’t believe I ever met anyone quite like her; she’s a case for a specialist, there’s something pathological about her, she’s a sort of ‘innocent’ or ‘cretin’ or an ‘arrested development,’ like the people you see in melodramas, or in L’Arlésienne. I always ask myself, when she comes to see me, whether the moment may not have arrived at which her intelligence is going to dawn, which makes me a little nervous always.” The Princess was lost in admiration of these utterances but remained stupefied by the preceding verdict. “She repeated to me — and so did Mme. d’Epinay — what you said about ‘Teaser Augustus.’ It’s delicious,” she put in&#xA;&#xA;   M. de Guermantes explained the joke to me. I wanted to tell him that his brother, who pretended not to know me, was expecting me that same evening at eleven o’clock. But I had not asked Robert whether I might mention this engagement, and as the fact that M. de Charlus had practically fixed it with me himself directly contradicted what he had told the Duchess I judged it more tactful to say nothing. “‘Teaser Augustus’ was not bad,” said M. de Guermantes, “but Mme. d’Heudicourt probably did not tell you a far better thing that Oriane said to her the other day in reply to an invitation to luncheon.” “No, indeed! Do tell me!” “Now Basin, you keep quiet; in the first place, it was a stupid remark, and it will make the Princess think me inferior even to my fool of a cousin. Though I don’t know why I should call her my cousin. She’s one of Basin’s cousins. Still, I believe she is related to me in some sort of way.” “Oh!” cried the Princesse de Parme, at the idea that she could possibly think Mme. de Guermantes stupid, and protesting helplessly that nothing could ever lower the Duchess from the place she held in her estimation. “Besides we have already subtracted from her the quality of wit; as what I said to her tends to deny her certain other good qualities also, it seems to me inopportune to repeat it.” “‘Deny her!’ ‘Inopportune!’ How well she expresses herself!” said the Duke with a pretence of irony, to win admiration for the Duchess. “Now, then, Basin, you’re not to make fun of your wife.” “I should explain to your Royal Highness,” went on the Duke, “that Oriane’s cousin may be superior, good, stout, anything you like to mention, but she is not exactly — what shall I say — lavish.” “No, I know, she’s terribly close-fisted,” broke in the Princess. “I should not have ventured to use the expression, but you have hit on exactly the right word. You can see it in her house-keeping, and especially in the cooking, which is excellent, but strictly rationed.” “Which leads to some quite amusing scenes,” M. de Bréauté interrupted him. “For instance, my dear Basin, I was down at Heudicourt one day when you were expected, Oriane and yourself. They had made the most elaborate preparations when, during the afternoon, a footman brought in a telegram to say that you weren’t coming.” “That doesn’t surprise me!” said the Duchess, who not only was difficult to secure, but liked people to know as much. “Your cousin read the telegram, was duly distressed, then immediately, without losing her head, telling herself that there was no point in going to unnecessary expense for so unimportant a gentleman as myself, called the footman back. ‘Tell the cook not to put on the chicken!’ she shouted after him. And that evening I heard her asking the butler: ‘Well? What about the beef that was left over yesterday? Aren’t you going to let us have that?’” “All the same, one must admit that the cheer you get there is of the very best,” said the Duke, who fancied that in using this language he shewed himself to belong to the old school. “I don’t know any house where one gets better food.” “Or less,” put in the Duchess. “It is quite wholesome and quite enough for what you would call a vulgar yokel like myself,” went on the Duke, “one keeps one’s appetite.” “Oh, if it’s to be taken as a cure, it’s certainly more hygienic than sumptuous. Not that it’s as good as all that,” added Mme. de Guermantes, who was not at all pleased that the title of ‘best table in Paris’ should be awarded to any but her own. “With my cousin it’s just the same as with those costive authors who hatch out every fifteen years a one-act play or a sonnet. The sort of thing people call a little masterpiece, trifles that are perfect gems, in fact the one thing I loathe most in the world. The cooking at Zénaïde’s is not bad, but you would think it more ordinary if she was less parsimonious. There are some things her cook does quite well, and others that he spoils. I have had some thoroughly bad dinners there, as in most houses, only they’ve done me less harm there because the stomach is, after all, more sensitive to quantity than to quality.” “Well, to get on with the story,” the Duke concluded “Zénaïde insisted that Oriane should go to luncheon there, and as my wife is not very fond of going out anywhere she resisted, wanted to be sure that under the pretence of a quiet meal she was not being trapped into some great banquet, and tried in vain to find out who else were to be of the party. ‘You must come,’ Zénaïde insisted, boasting of all the good things there would be to eat. ‘You are going to have a purée of chestnuts, I need say no more than that, and there will be seven littlebouchées à la reine.’ ‘Seven little bouchées!’ cried Oriane, ‘that means that we shall be at least eightl’” There was silence for a few seconds, and then the Princess having seen the point let her laughter explode like a peal of thunder. “Ah! ‘Then we shall be eight,’— it’s exquisite. How very well phrased!” she said, having by a supreme effort recaptured the expression she had heard used by Mme. d’Epinay, which this time was more appropriate. “Oriane, that was very charming of the Princess, she said your remark was well phrased.” “But, my dear, you’re telling me nothing new. I know how clever the Princess is,” replied Mme. de Guermantes, who readily assimilated a remark when it was uttered at once by a Royal Personage and in praise of her own wit. “I am very proud that Ma’am should appreciate my humble phrasings. I don’t remember, though, that I ever did say such a thing, and if I did it must have been to flatter my cousin, for if she had ordered seven ‘mouthfuls,’ the mouths, if I may so express myself, would have been a round dozen if not more.”&#xA;&#xA;    “She used to have all M. de Bornier’s manuscripts,” went on the Princess, still speaking of Mme. d’Heudicourt, and anxious to make the most of the excellent reasons she might have for associating with that lady. “She must have dreamed it, I don’t believe she ever even know him,” said the Duchess. “What is really interesting about him is that he kept up a correspondence with people of different nationalities at the same time,” put in the Vicomtesse d’Arpajon who, allied to the principal ducal and even reigning families of Europe, was always glad that people should be reminded of the fact. “Surely, Oriane,” said M. de Guermantes, with ulterior purpose, “you can’t have forgotten that dinner-party where you had M. de Bornier sitting next to you!” “But, Basin,” the Duchess interrupted him, “if you mean to inform me that I knew M. de Bornier, why of course I did, he even called upon me several times, but I could never bring myself to invite him to the house because I should always have been obliged to have it disinfected afterwards with formol. As for the dinner you mean, I remember it only too well, but it was certainly not at Zénaïde’s, who never set eyes on Bornier in her life, and would probably think if you spoke to her of the Fille de Roland that you meant a Bonaparte Princess who was said at one time to be engaged to the son of the King of Greece; no, it was at the Austrian Embassy. Dear Hoyos imagined he was giving me a great treat by planting on the chair next to mine that pestiferous academician. I quite thought I had a squadron of mounted police sitting beside me. I was obliged to stop my nose as best I could, all through dinner; until the gruyère came round I didn’t dare to breathe.” M. de Guermantes, whose secret object was attained, made a furtive examination of his guests’ faces to judge the effect of the Duchess’s pleasantry. “You were speaking of correspondence; I must say, I thought Gambetta’s admirable,” she went on, to shew that she was not afraid to be found taking an interest in a proletarian and a radical. M. de Bréauté, who fully appreciated the brilliance of this feat of daring, gazed round him with an eye at once flashing and affectionate, after which he wiped his monocle&#xA;&#xA;    “Gad, it’s infernally dull that Fille de Roland,” said M. de Guermantes, with the satisfaction which he derived from the sense of his own superiority to a work which had bored him so, perhaps also from the suave mari magno feeling one has in the middle of a good dinner, when one recalls so terrible an evening in the past. “Still, there were some quite good lines in it, and a patriotic sentiment.”&#xA;&#xA;   I let it be understood that I had no admiration for M. de Bornier. “Indeed! You have some fault to find with him?” the Duke asked with a note of curiosity, for he always imagined when anyone spoke ill of a man that it must be on account of a personal resentment, just as to speak well of a woman marked the beginning of a love-affair. “I see you’ve got your knife into him. What did he do to you? You must tell us. Why yes, there must be some skeleton in the cupboard or you wouldn’t run him down. It’s long-winded, the Fille de Roland, but it’s quite strong in parts.” “Strong is just the right word for an author who smelt like that,” Mme. de Guermantes broke in sarcastically. “If this poor boy ever found himself face to face with him, I can quite understand that he carried away an impression in his nostrils!” “I must confess, though, to Ma’am,” the Duke went on, addressing the Princesse de Parme, “that quite apart from theFille de Roland, in literature and even in music I am terribly old-fashioned; no old nightingale can be too stale for my taste. You won’t believe me, perhaps, but in the evenings, if my wife sits down to the piano, I find myself calling for some old tune by Auber or Boieldieu, or even Beethoven! That’s the sort of thing that appeals to me. As for Wagner, he sends me to sleep at once.” “You are wrong there,” said Mme. de Guermantes, “in spite of his insufferable long-windedness, Wagner was a genius. Lohengrin is a masterpiece. Even in Tristan there are some amusing passages scattered about. And the Chorus of Spinners in the Flying Dutchman is a perfect marvel.” “A’n’t I right, Babal,” said M. de Guermantes, turning to M. de Bréauté, “what we like is:&#xA;&#xA;   Les rendez-vous de noble compagnie&#xA;   Se donnent tous en ce charmant séjour&#xA;&#xA;It’s delicious. And Fra Diavolo, and the Magic Flute, and the Chalet, and the Marriage of Figaro, and the Diamants de la Couronne — there’s music for you! It’s the same thing in literature. For instance, I adore Balzac, theBal de Sceaux, the Mohicans de Paris.” “Oh, my dear, if you are going to begin about Balzac, we shall never hear the end of it; do wait, keep it for some evening when Mémé‘s here. He’s even better, he knows it all by heart.” Irritated by his wife’s interruption, the Duke held her for some seconds under the fire of a menacing silence. And his huntsman’s eyes reminded me of a brace of loaded pistols. Meanwhile Mme. d’Arpajon had been exchanging with the Princesse de Parme, upon tragic and other kinds of poetry, a series of remarks which did not reach me distinctly until I caught the following from Mme. d’Arpajon: “Oh, Ma’am is sure to be right; I quite admit he makes the world seem ugly, because he’s unable to distinguish between ugliness and beauty, or rather because his insufferable vanity makes him believe that everything he says is beautiful; I agree with your Highness that in the piece we are speaking of there are some ridiculous things, quite unintelligible, errors of taste, that it is difficult to understand, that it’s as much trouble to read as if it was written in Russian or Chinese, for of course it’s anything in the world but French, still when one has taken the trouble, how richly one is rewarded, it’s so full of imagination!” Of this little lecture I had missed the opening sentences. I gathered in the end not only that the poet incapable of distinguishing between beauty and ugliness was Victor Hugo, but furthermore that the poem which was as difficult to understand as Chinese or Russian was&#xA;&#xA;   Lorsque l’enfant paraît, le cercle de famille&#xA;   Applaudit à grands cris&#xA;&#xA;A piece dating from the poet’s earliest period, and perhaps even nearer to Mme. Deshoulières than to the Victor Hugo of the Légende des Siècles. Far from condemning Mme. d’Arpajon as absurd, I saw her (the only one, at that table so matter-of-fact, so nondescript, at which I had sat down with such keen disappointment), I saw her in my mind’s eye crowned with that lace cap, with the long spiral ringlets falling from it on either side, which was worn by Mme. de Rémusat, Mme. de Broglie, Mme. de Saint-Aularie, all those distinguished women who in their fascinating letters quote with so much learning and so aptly passages from Sophocles, Schiller and theImitation, but in whom the earliest poetry of the Romantics induced the alarm and exhaustion inseparable for my grandmother from the latest verses of Stéphane Mallarmé. “Mme. d’Arpajon is very fond of poetry,” said the Princesse de Parme to her hostess, impressed by the ardent tone in which the speech had been delivered. “No; she knows absolutely nothing about it,” replied Mme. de Guermantes in an undertone, taking advantage of the fact that Mme. d’Arpajon, who was dealing with an objection raised by General de Beautreillis, was too much intent upon what she herself was saying to hear what was being murmured by the Duchess. “She has become literary since she’s been forsaken. I can tell your Highness that it is I who have to bear the whole burden of it because it is to me that she comes in floods of tears whenever Basin hasn’t been to see her, which is practically every day. And yet it isn’t my fault, after all, if she bores him, and I can’t force him to go to her, although I would rather he were a little more faithful to her, because then I shouldn’t see quite so much of her myself. But she drives him crazy, and there’s nothing extraordinary in that. She isn’t a bad sort, but she’s boring to a degree you can’t imagine. And all this because Basin took it into his head for a year or so to play me false with her. And to have in addition a footman who has fallen in love with a little street-walker and goes about with a long face if I don’t request the young person to leave her profitable pavement for half an hour and come to tea with me! Oh! Life really is too tedious!” the Duchess languorously concluded. Mme. d’Arpajon bored M. de Guermantes principally because he had recently fallen in love with another, whom I discovered to be the Marquise de Surgis-le-Duc. At this moment the footman who had been deprived of his holiday was waiting at table. And it struck me that, still disconsolate, he was doing it with a good deal of difficulty, for I noticed that, in handing the dish to M. de Châtellerault, he performed his task so awkwardly that the Duke’s elbow came in contact several times with his own. The young Duke was not in the least annoyed with the blushing footman, but looked up at him rather with a smile in his clear blue eyes. This good humour seemed to me on the guest’s part to betoken a kindness of heart. But the persistence of his smile led me to think that, aware of the servant’s discomfiture, what he felt was perhaps really a malicious joy. “But, my dear, you know you’re not revealing any new discovery when you tell us about Victor Hugo,” went on the Duchess, this time addressing Mme. d’Arpajon whom she had just seen turn away from the General with a troubled air. “You mustn’t expect to launch that young genius. Everybody knows that he has talent. What is utterly detestable is the Victor Hugo of the last stage, the Légende des Siècles, I forget all their names. But in the Feuilles d’Automne, the Chants du Crépuscule, there’s a great deal that’s the work of a poet, a true poet! Even in theContemplations,” went on the Duchess, whom none of her listeners dared to contradict, and with good reason, “there are still some quite pretty things. But I confess that I prefer not to venture farther than theCrepuscule! And then in the finer poems of Victor Hugo, and there really are some, one frequently comes across an idea, even a profound idea.” And with the right shade of sentiment, bringing out the sorrowful thought with the full strength of her intonation, planting it somewhere beyond the sound of her voice, and fixing straight in front of her a charming, dreamy gaze, the Duchess said slowly: “Take this:&#xA;&#xA;   La douleur est un fruit&#xA;   .Dieu ne le fait pas croître&#xA;   Sur la branche trop faible encor pour le porter&#xA;&#xA;Or, better still:&#xA;&#xA;   Les morts durent bien peu&#xA;   Hélas, dans le cercueil ils tombent en poussière&#xA;   Moins vite qu’en nos coeurs!”&#xA;&#xA;And, while a smile of disillusionment contracted with a graceful undulation her sorrowing lips, the Duchess fastened on Mme. d’Arpajon the dreaming gaze of her charming, clear blue eyes. I was beginning to know them, as well as her voice, with its heavy drawl, its harsh savour. In those eyes and in that voice, I recognised much of the life of nature round Combray. Certainly, in the affectation with which that voice brought into prominence at times a rudeness of the soil there was more than one element: the wholly provincial origin of one branch of the Guermantes family, which had for long remained more localised, more hardy, wilder, more provoking than the rest; and also the usage of really distinguished people, and of witty people who know that distinction does not consist in mincing speech, and the usage of nobles who fraternise more readily with their peasants than with the middle classes; peculiarities all of which the regal position of Mme. de Guermantes enabled her to display more easily to bring out with every sail spread. It appears that the same voice existed also in certain of her sisters whom she detested, and who, less intelligent than herself and almost plebeianly married, if one may coin this adverb to speak of unions with obscure noblemen, entrenched on their provincial estates, or, in Paris, in a Faubourg Saint-Germain of no brilliance, possessed this voice also but had bridled it, corrected it, softened it so far as lay in their power, just as it is very rarely that any of us presumes on his own originality and does not apply himself diligently to copying the most approved models. But Oriane was so much more intelligent, so much richer, above all, so much more in fashion than her sisters, she had so effectively, when Princesse des Laumes, behaved just as she pleased in the company of the Prince of Wales, that she had realised that this discordant voice was an attraction, and had made of it, in the social order, with the courage of originality rewarded by success, what in the theatrical order a Réjane, a Jeanne Granier (which implies no comparison, naturally, between the respective merits and talents of those two actresses) had made of theirs, something admirable and distinctive which possibly certain Réjane and Granier sisters, whom no one has ever known, strove to conceal as a defect&#xA;&#xA;   To all these reasons for displaying her local originality, the favourite writers of Mme. de Guermantes — Mérimée, Meilhac and Halévy — had brought in addition, with the respect for what was natural, a feeling for the prosaic by which she attained to poetry and a spirit purely of society which called up distant landscapes before my eyes. Besides, the Duchess was fully capable, adding to these influences an artistic research of her own, of having chosen for the majority of her words the pronunciation that seemed to her most ‘He de France,’ most ‘Champenoise,’ since, if not quite to the same extent as her sister-in-law Marsantes, she rarely used anything but the pure vocabulary that might have been employed by an old French writer. And when one was tired of the composite patchwork of modern speech, it was, albeit one was aware that she expressed far fewer ideas, a thorough relaxation to listen to the talk of Mme. de Guermantes — almost the same feeling, if one was alone with her and she restrained and clarified still further her flow of words, as one has on hearing an old song. Then, as I looked at, as I listened to Mme. de Guermantes, I could see, a prisoner in the perpetual and quiet afternoon of her eyes, a sky of the He de France or of Champagne spread itself, grey-blue, oblique, with the same angle of inclination as in the eyes of Saint-Loup&#xA;&#xA;   Thus, by these several formations, Mme. de Guermantes expressed at once the most ancient aristocratic France, then, from a far later source, the manner in which the Duchesse de Broglie might have enjoyed and found fault with Victor Hugo under the July Monarchy, and, finally, a keen taste for the literature that sprang from Mérimée and Meilhac. The first of these formations attracted me more than the second, did more to console me for the disappointments of my pilgrimage to and arrival in the Faubourg Saint-Germain, so different from what I had imagined it to be; but even the second I preferred to the last. For, so long as Mme. de Guermantes was being, almost spontaneously, a Guermantes and nothing more, her Pailleronism, her taste for the younger Dumas were reflected and deliberate. As this taste was the opposite of my own, she was productive, to my mind, of literature when she talked to me of the Faubourg Saint-Germain, and never seemed to me so stupidly Faubourg Saint-Germain as when she was talking literature&#xA;&#xA;   Moved by this last quotation, Mme. d’Arpajon exclaimed: “’Ces reliques du coeur ont aussi leur poussière!’ Sir, you must write that down for me on my fan,” she said to M. de Guermantes. “Poor woman, I feel sorry for her!” said the Princesse de Parme to Mme. de Guermantes. “No, really, Ma’am, you must not be soft-hearted, she has only got what she deserves.” “But — you’ll forgive me for saying this to you — she does really love him all the same!” “Oh, not at all; she isn’t capable of it; she thinks she loves him just as she thought just now she was quoting Victor Hugo, when she repeated a line from Musset. Listen,” the Duchess went on in a tone of melancholy, “nobody would be more touched than myself by any true sentiment. But let me give you an instance. Only yesterday, she made a terrible scene with Basin. Your Highness thinks perhaps that it was because he’s in love with other women, because he no longer loves her; not in the least, it was because he won’t put her sons down for the Jockey. Does Ma’am call that the behaviour of a woman in love? No; I will go farther;” Mme. de Guermantes added with precision, “she is a person of singular insensibility.” Meanwhile it was with an eye sparkling with satisfaction that M. de Guermantes had listened to his wife talking about Victor Hugo ‘point-blank’ and quoting his poetry. The Duchess might frequently annoy him; at moments like this he was proud of her. “Oriane is really extraordinary. She can talk about anything, she has read everything. She could not possibly have guessed that the conversation this evening would turn on Victor Hugo. Whatever subject you take up, she is ready for you, she can hold her own with the most learned scholars. This young man must be quite captivated.”&#xA;&#xA;    “Do let us change the conversation,” Mme. de Guermantes went on, “because she’s dreadfully susceptible. You will think me quite old-fashioned,” she began, turning to me. “I know that nowadays it’s considered a weakness to care for ideas in poetry, poetry with some thought in it.” “Old-fashioned?” asked the Princesse de Parme, quivering with the slight thrill sent through her by this new wave which she had not expected, albeit she knew that the conversation of the Duchesse de Guermantes always held in store for her these continuous and delightful shocks, that breath-catching panic, that wholesome exhaustion after which her thoughts instinctively turned to the necessity of taking a footbath in a dressing cabin and a brisk walk to ‘restore her circulation.’&#xA;&#xA;    “For my part, no, Oriane,” said Mme. de Brissac, “I don’t in the least object to Victor Hugo’s having ideas, quite the contrary, but I do object to his seeking for them in sheer monstrosities. After all, it was he who accustomed us to ugliness in literature. There are quite enough ugly things already in real life. Why can’t we be allowed at least to forget it while we are reading. A distressing spectacle, from which we should turn away in real life, that is what attracts Victor Hugo.”&#xA;&#xA;    “Victor Hugo is not as realistic as Zola though, surely?” asked the Princesse de Parme. The name of Zola did not stir a muscle on the face of M. de Beautreillis. The General’s anti-Dreyfusism was too deep-rooted for him to seek to give expression to it. And his good-natured silence when anyone broached these topics moved the profane heart as a proof of the same delicacy that a priest shews in avoiding any reference to your religious duties, a financier when he takes care not to recommend your investing in the companies which he himself controls, a strong man when he behaves with lamblike gentleness and does not hit you in the jaw. “I know you’re related to Admiral Jurien de la Gravière,” was murmured to me with an air of connivance by Mme. de Varambon, the lady in waiting to the Princesse de Parme, an excellent but limited woman, procured for the Princess in the past by the Duke’s mother. She had not previously uttered a word to me, and I could never afterwards, despite the admonitions of the Princess and my own protestations, get out of her mind the idea that I was in some way connected with the Academician Admiral, who was a complete stranger to me. The obstinate persistence of the Princesse de Parme’s lady in waiting in seeing in me a nephew of Admiral Jurien de la Gravière was in itself quite an ordinary form of silliness. But the mistake she made was only a crowning instance of all the other mistakes, less serious, more elaborate, unconscious or deliberate, which accompany one’s name on the label which society writes out and attaches to one. I remember that a friend of the Guermantes who had expressed a keen desire to meet me gave me as the reason that I was a great friend of his cousin, Mme. de Chaussegros. “She is a charming person, she’s so fond of you.” I scrupulously, though quite vainly, insisted on the fact that there must be some mistake, as I did not know Mme. de Chaussegros. “Then it’s her sister you know; it comes to the same thing. She met you in Scotland.” I had never been in Scotland, and took the futile precaution, in my honesty, of letting my informant know this. It was Mme. de Chaussegros herself who had said that she knew me, and no doubt sincerely believed it, as a result of some initial confusion, for from that time onwards she never failed to hold out her hand to me whenever she saw me. And as, after all, the world in which I moved was precisely that in which Mme. de Chaussegros moved my modesty had neither rhyme nor reason. To say that I was intimate with the Chaussegros was, literally, a mistake, but from the social point of view was to state an equivalent of my position, if one can speak of the social position of so young a man as I then was. It therefore mattered not in the least that this friend of the Guermantes should tell me only things that were false about myself, he neither lowered nor exalted me (from the worldly point of view) in the idea which he continued to hold of me. And when all is said, for those of us who are not professional actors the tedium of living always in the same character is removed for a moment, as if we were to go on the boards, when another person forms a false idea of us, imagines that we are friends with a lady whom we do not know and are reported to have met in the course of a delightful tour of a foreign country which we have never made. Errors that multiply themselves and are harmless when they have not the inflexible rigidity of this one which had been committed, and continued for the rest of her life to be committed, in spite of my denials, by the imbecile lady in waiting to Mme. de Parme, rooted for all time in the belief that I was related to the tiresome Admiral Jurien de la Gravière. “She is not very strong in her head,” the Duke confided to me, “and besides, she ought not to indulge in too many libations. I fancy, she’s slightly under the influence of Bacchus.” As a matter of fact Mme. de Varambon had drunk nothing but water, but the Duke liked to find scope for his favourite figures of speech. “But Zola is not a realist, Ma’am, he’s a poet!” said Mme. de Guermantes, drawing inspiration from the critical essays which she had read in recent years and adapting them to her own personal genius. Agreeably buffeted hitherto, in the course of this bath of wit, a bath stirred for herself, which she was taking this evening and which, she considered, must be particularly good for her health, letting herself be swept away by the waves of paradox which curled and broke one after another, before this, the most enormous of them all, the Princesse de Parme jumped for fear of being knocked over. And it was in a choking voice, as though she were quite out of breath, that she now gasped: “Zola a poet!” “Why, yes,” answered the Duchess with a laugh, entranced by this display of suffocation. “Your Highness must have remarked how he magnifies everything he touches. You will tell me that he touches just what — perish the thought! But he makes it into something colossal. His is the epic dungheap. He is the Homer of the sewers! He has not enough capitals to print Cambronne’s word.” Despite the extreme exhaustion which she was beginning to feel, the Princess was enchanted; never had she felt better. She would not have exchanged for an invitation to Schonbrunn, albeit that was the one thing that really flattered her, these divine dinner-parties at Mme. de Guermantes’s, made invigorating by so liberal a dose of attic salt. “He writes it with a big C,” cried Mme. d’Arpajon. “Surely with a big M, I think, my dear,” replied Mme. de Guermantes, exchanging first with her husband a merry glance which implied: “Did you ever hear such an idiot?” “Wait a minute, now.” Mme. de Guermantes turned to me, fixing on me a tender, smiling gaze, because, as an accomplished hostess, she was anxious to display her own knowledge of the artist who interested me specially, to give me, if I required it, an opportunity for exhibiting mine. “Wait,” she urged me, gently waving her feather fan, so conscious was she at this moment that she was performing in full the duties of hospitality, and, that she might be found wanting in none of them, making a sign also to the servants to help me to more of the asparagus and mousseline sauce: “wait, now, I do believe that Zola has actually written an essay on Elstir, the painter whose things you were looking at just now — the only ones of his, really, that I care for,” she concluded. As a matter of fact sh hated Elstir’s work, but found a unique quality in anything that was in her own house. I asked M. de Guermantes if he knew the name of the gentleman in the tall hat who figured in the picture of the crowd and whom I recognised as the same person whose portrait the Guermantes also had and had hung beside the other, both dating more or less from the same early period in which Elstir’s personality was not yet completely established and he derived a certain inspiration from Manet. “Good Lord, yes,” he replied, “I know it’s a fellow who is quite well-known and no fool either in his own line, but I have no head for names. I have it on the tip of my tongue, Monsieur. . . . Monsieur. . . . oh, well, it doesn’t matter, I can’t remember it. Swann would be able to tell you, it was he who made Mme. de Guermantes buy all that stuff; she is always too good-natured, afraid of hurting people’s feelings if she refuses to do things; between ourselves, I believe he’s landed us with a lot of rubbish. What I can tell you is that the gentleman you mean has been a sort of Maecenas to M. Elstir, he started him and has often helped him out of tight places by ordering pictures from him. As a compliment to this man — if you can call that sort of thing a compliment — he has painted him standing about among that crowd, where with his Sunday-go-to-meeting look he creates a distinctly odd effect. He may be a big gun in his own way but he is evidently not aware of the proper time and place for a top hat. With that thing on his head, among all those bare-headed girls, he looks like a little country lawyer on the razzle-dazzle. But tell me, you seem quite gone on his pictures. If I had only known, I should have got up the subject properly. Not that there’s any need to rack one’s brains over the meaning of M. Elstir’s work, as one would for Ingres’s Source or the Princes in the Towier by Paul Delaroche. What one appreciates in his work is that it’s shrewdly observed, amusing, Parisian, and then one passes on to the next thing. One doesn’t need to be an expert to look at that sort of thing. I know of course that they’re merely sketches, still, I don’t feel myself that he puts enough work into them. Swann was determined that we should buy aBundle of Asparagus. In fact it was in the house for several days. There was nothing else in the picture, a bundle of asparagus exactly like what you’re eating now. But I must say I declined to swallow M. Elstir’s asparagus. He asked three hundred francs for them. Three hundred francs for a bundle of asparagus. A louis, that’s as much as they’re worth, even if they are out of season. I thought it a bit stiff. When he puts real people into his pictures as well, there’s something rather caddish, something detrimental about him which does not appeal to me. I am surprised to see a delicate mind, a superior brain like yours admire that sort of thing.” “I don’t know why you should say that, Basin,” interrupted the Duchess, who did not like to hear people run down anything that her rooms contained. “I am by no means prepared to admit that there’s nothing distinguished in Elstir’s pictures. You have to take it or leave it. But it’s not always lacking in talent. And you must admit that the ones I bought are singularly beautiful.” “Well, Oriane, in that style of thing I’d a thousand times rather have the little study by M. Vibert we saw at the water-colour exhibition. There’s nothing much in it, if you like, you could take it in the palm of your hand, but you can see the man’s clever through and through: that unwashed scarecrow of a missionary standing before the sleek prelate who is making his little dog do tricks, it’s a perfect little poem of subtlety, and in fact goes really deep.” “I believe you know M. Elstir,” the Duchess went on to me, “as a man, he’s quite pleasant.” “He is intelligent,” said the Duke; “one is surprised, when one talks to him, that his painting should be so vulgar.” “He is more than intelligent, he is really quite clever,” said the Duchess in the confidently critical tone of a person who knew what she was talking about. “Didn’t he once start a portrait of you, Oriane?” asked the Princesse de Parme. “Yes, in shrimp pink,” replied Mme. de Guermantes, “but that’s not going to hand his name down to posterity. It’s a ghastly thing; Basin wanted to have it destroyed.” This last statement was one which Mme. de Guermantes often made. But at other times her appreciation of the picture was different: “I do not care for his painting, but he did once do a good portrait of me.” The former of these judgments was addressed as a rule to people who spoke to the Duchess of her portrait, the other to those who did not refer to it and whom therefore she was anxious to inform of its existence. The former was inspired in her by coquetry, the latter by vanity. “Make a portrait of you look ghastly! Why, then it can’t be a portrait, it’s a falsehood; I don’t know one end of a brush from the other, but I’m sure if I were to paint you, merely putting you down as I see you, I should produce a masterpiece,” said the Princesse de Parme ingenuously. “He sees me probably as I see myself, without any allurements,” said the Duchesse de Guermantes, with the look, melancholy, modest and coaxing, which seemed to her best calculated to make her appear different from what Elstir had portrayed. “That portrait ought to appeal to Mme. de Gallardon,” said the Duke. “Because she knows nothing about pictures?” asked the Princesse de Parme, who knew that Mme. de Guermantes had an infinite contempt for her cousin. “But she’s a very good woman, isn’t she?” The Duke assumed an air of profound astonishment. “Why, Basin, don’t you see the Princess is making fun of you?” (The Princess had never dreamed of doing such a thing.) “She knows as well as you do that Gallardonette is an old poison,” went on Mme. de Guermantes, whose vocabulary, limited as a rule to all these old expressions, was as savoury as those dishes which it is possible to come across in the delicious books of Pampille, but which have in real life become so rare, dishes where the jellies, the butter, the gravy, the quails are all genuine, permit of no alloy, where even the salt is brought specially from the salt-marshes of Brittany; from her accent, her choice of words, one felt that the basis of the Duchess’s conversation came directly from Guermantes. In this way the Duchess differed profoundly from her nephew Saint-Loup, the prey of so many new ideas and expressions; it is difficult, when one’s mind is troubled by the ideas of Kant and the longings of Baudelaire, to write the exquisite French of Henri IV, which meant that the very purity of the Duchess’s language was a sign of limitation, and that, in her, both her intelligence and her sensibility had remained proof against all innovation. Here again, Mme. de Guermantes’s mind attracted me just because of what it excluded was exactly the content of my own thoughts) and by everything which by virtue of that exclusion, it had been able to preserve, that seductive vigour of the supple bodies which no exhausting necessity to think no moral anxiety or nervous trouble has deformed. Her mind, of a formation so anterior to my own, was for me the equivalent of what had been offered me by the procession of the girls of the little band along the seashore Mme. de Guermantes offered me, domesticated and held in subjection by her natural courtesy, by the respect due to another person’s intellectual worth, all the energy and charm of a cruel little girl of one of the noble families round Combray who from her childhood had been brought up in the saddle, tortured cats, gouged out the eyes of rabbits, and; albeit she had remained a pillar of virtue, might equally well have been, a good few years ago now, the most brilliant mistress of the Prince de Sagan. Only she was incapable of realising what I had sought for in her, the charm of her historic name, and the tiny quantity of it that I had found in her, a rustic survival from Guermantes. Were our relations founded upon a misunderstanding which could not fail to become manifest as soon as my homage, instead of being addressed to the relatively superior woman that she believed herself to be, should be diverted to some other woman of equal mediocrity and breathing the same unconscious charm? A misunderstanding so entirely natural, and one that will always exist between a young dreamer like myself and a woman of the world, one however that profoundly disturbs him, so long as he has not yet discovered the nature of his imaginative faculties and has not acquired his share of the inevitable disappointments which he is destined to find in people, as in the theatre, in his travels and indeed in love. M. de Guermantes having declared (following upon Elstir’s asparagus and those that were brought round after the financière chicken) that green asparagus grown in the open air, which, as has been so quaintly said by the charming writer who signs himself E. de Clermont-Tonnerre, “have not the impressive rigidity of their sisters,” ought to be eaten with eggs: “One man’s meat is another man’s poison, as they say,” replied M. de Bréauté. “In the province of Canton, in China, the greatest delicacy that can be set before one is a dish of ortolan’s eggs completely rotten.” M. de Bréauté, the author of an essay on the Mormons which had appeared in the Revue des Deux Mondes, moved in none but the most aristocratic circles, but among these visited only such as had a certain reputation for intellect, with the result that from his presence, were it at all regular, in a woman’s house one could tell that she had a ‘salon.’ He pretended to a loathing of society, and assured each of his duchesses in turn that it was for the sake of her wit and beauty that he came to see her. They all believed him. Whenever, with death in his heart, he resigned himself to attending a big party at the Princesse de Parme’s, he summoned them all to accompany him, to keep up his courage, and thus appeared only to be moving in the midst of an intimate group. So that his reputation as an intellectual might survive his worldly success, applying certain maxims of the Guermantes spirit, he would set out with ladies of fashion on long scientific expeditions at the height of the dancing season, and when a woman who was a snob, and consequently still without any definite position, began to go everywhere, he would put a savage obstinacy into his refusal to know her, to allow himself to be introduced to her. His hatred of snobs was a derivative of his snobbishness, but made the simpletons (in other words, everyone) believe that he was immune from snobbishness. “Babal always knows everything,” exclaimed the Duchesse de Guermantes. “I think it must be charming, a country where you can be quite sure that your dairyman will supply you with really rotten eggs, eggs of the year of the comet. I can see myself dipping my bread and butter in them. I must say, you get the same thing at aunt Madeleine’s” (Mme. de Villeparisis’s) “where everything’s served in a state of putrefaction, eggs included.” Then, as Mme. d’Arpajon protested, “But my dear Phili, you know it as well as I do. You can see the chicken in the egg. What I can’t understand is how they manage not to fall out. It’s not an omelette you get there, it’s a poultry-yard. You were so wise not to come to dinner there yesterday, there was a brill cooked in carbolic! I assure you, it wasn’t a dinner-table, it was far more like an operating-table. Really, Norpois carries loyalty to the pitch of heroism. He actually asked for more!” “I believe I saw you at dinner there the time she made that attack on M. Bloch” (M. de Guermantes, perhaps to give to an Israelite name a more foreign sound, pronounced the ‘ch’ in Bloch not like a ‘k’ but as in the German ‘hoch’) “when he said about some poit” (poet) “or other that he was sublime. Châtellerault did his best to break M. Bloch’s shins, the fellow didn’t understand in the least and thought my nephew’s kick was aimed at a young woman sitting opposite him.” (At this point, M. de Guermantes coloured slightly.) “He did not realise that he was annoying our aunt by his ‘sublimes’ chucked about all over the place like that. In short, aunt Madeleine, who doesn’t keep her tongue in her pocket, turned on him with: ‘Indeed, Sir, and what epithet do you keep for M. de Bousset?’” (M. de Guermantes thought that, when one mentioned a famous name, the use of ‘Monsieur’ and a particle was eminently ‘old school.’) “That put him in his place, all right.” “And what answer did this M. Bloch make?” came in a careless tone from Mme. de Guermantes, who, running short for the moment of original ideas, felt that she must copy her husband’s teutonic pronunciation. “Ah! I can assure you, M. Bloch did not wait for any more, he’s still running.” “Yes, I remember quite well seeing you there that evening,” said Mme. de Guermantes with emphasis as though, coming from her, there must be something in this reminiscence highly flattering to myself. “It is always so interesting at my aunt’s. At the last party she gave, which was, of course, when I met you, I meant to ask you whether that old gentleman who went past where we were, sitting wasn’t François Coppée. You must know who everyone is,” she went on, sincerely envious of my relations with poets and poetry, and also out of ‘consideration’ for myself, the wish to establish in a better position in the eyes of her other guests a young man so well versed in literature. I assured the Duchess that I had not observed any celebrities at Mme. de Villeparisis’s party. “What!” she replied with a bewilderment which revealed that her respect for men of letters and her contempt for society were more superficial than she said, perhaps even than she thought, “What! There were no famous authors there! You astonish me! Why, I saw all sorts of quite impossible people!” I remembered the evening in question distinctly owing to an entirely trivial incident that had occurred at the party. Mme. de Villeparisis had introduced Bloch to Mme. Alphonse de Rothschild, but my friend had not caught the name and, thinking he was talking to an old English lady who was a trifle mad had replied only in monosyllables to the garrulous conversation of the historic beauty, when Mme. de Villeparisis in making her known to some one else uttered, quite distinctly this time: “The Baronne Alphonse de Rothschild.” Thereupon there had coursed suddenly and simultaneously through Bloch’s arteries so many ideas of millions and of social importance, which it would have been more prudent to subdivide and separate, that he had undergone, so to speak, a momentary failure of heart and brain alike, and cried aloud in the dear old lady’s presence: “If I’d only known!” an exclamation the silliness of which kept him from sleeping for at least a week afterwards. His remark was of no great interest, but I remembered it as a proof that sometimes in this life, under the stress of an exceptional emotion, people do say what is in their minds. “I fancy Mme. de Villeparisis is not absolutely . . . moral,” said the Princesse de Parme, who knew that the best people did not visit the Duchess’s aunt, and, from what the Duchess herself had just been saying, that one might speak freely about her. But, Mme. de Guermantes not seeming to approve of this criticism, she hastened to add: “Though, of course, intellect carried to that degree excuses everything.” “But you take the same view of my aunt that everyone else does,” replied the Duchess, “which is, really, quite mistaken. It’s just what Mémé was saying to me only yesterday.” She blushed; a reminiscence unknown to me filmed her eyes. I formed the supposition that M. de Charlus had asked her to cancel my invitation, as he had sent Robert to ask me not to go to her house. I had the impression that the blush — equally incomprehensible to me — which had tinged the Duke’s cheek when he made some reference to his brother could not be attributed to the same cause. “My poor aunt — she will always have the reputation of being a lady of the old school, of sparkling wit and uncontrolled passions. And really there’s no more middle-class, serious, commonplace mind in Paris. She will go down as a patron of the arts, which means to say that she was once the mistress of a great painter, though he was never able to make her understand what a picture was; and as for her private life, so far from being a depraved woman, she was so much made for marriage, so conjugal from her cradle that, not having succeeded in keeping a husband, who incidentally was a cad, she has never had a love-affair which she hasn’t taken just as seriously as if it were holy matrimony, with the same susceptibilities, the same quarrels, the same fidelity. By which token, those relations are often the most sincere; you’ll find, in fact, more inconsolable lovers than husbands.” “Yet, Oriane, if you take the case of your brother-in-law Palamède you were speaking about just now; no mistress in the world could ever dream of being mourned as that poor Mme. de Charlus has been.” “Ah!” replied the Duchess, “Your Highness must permit me to be not altogether of her opinion. People don’t all like to be mourned in the same way, each of us has his preferences.” “Still, he did make a regular cult of her after her death. It is true that people sometimes do for the dead what they would not have done for the living.” “For one thing,” retorted Mme. de Guermantes in a dreamy tone which belied her teasing purpose, “we go to their funerals, which we never do for the living!” M. de Guermantes gave a sly glance at M. de Bréauté as though to provoke him into laughter at the Duchess’s wit. “At the same time I frankly admit,” went on Mme. de Guermantes, “that the manner in which I should like to be mourned by a man I loved would not be that adopted by my brother-in-law.” The Duke’s face darkened. He did not like to hear his wife utter rash judgments, especially about M. de Charlus. “You are very particular. His grief set an example to everyone,” he reproved her stiffly. But the Duchess had in dealing with her husband that sort of boldness which animal tamers shew, or people who live with a madman and are not afraid of making him angry. “Oh, very well, just as you like — he does set an example, I never said he didn’t, he goes every day to the cemetery to tell her how many people he has had to luncheon, he misses her enormously, but — as he’d mourn for a cousin, a grandmother, a sister. It is not the grief of a husband. It is true that they were a pair of saints, which makes it all rather exceptional.” M. de Guermantes, infuriated by his wife’s chatter, fixed on her with a terrible immobility a pair of eyes already loaded. “I don’t wish to say anything against poor Mémé, who, by the way, could not come this evening,” went on the Duchess, “I quite admit there’s no one like him, he’s delightful; he has a delicacy, a warmth of heart that you don’t as a rule find in men. He has a woman’s heart, Mémé has!” “What you say is absurd,” M. de Guermantes broke in sharply. “There’s nothing effeminate about Mémé, I know nobody so manly as he is.” “But I am not suggesting that he’s the least bit in the world effeminate. Do at least take the trouble to understand what I say,” retorted the Duchess. “He’s always like that the moment anyone mentions his brother,” she added, turning to the Princesse de Parme. “It’s very charming, it’s a pleasure to hear him. There’s nothing so nice as two brothers who are fond of each other,” replied the Princess, as many a humbler person might have replied, for it is possible to belong to a princely race by birth and at the same time to be mentally affiliated to a race that is thoroughly plebeian&#xA;&#xA;    “As we’re discussing your family, Oriane,” said the Princess, “I saw your nephew Saint-Loup yesterday; I believe he wants to ask you to do something for him.” The Duc de Guermantes bent his Olympian brow. When he did not himself care to do a service, he preferred his wife not to assume the responsibility for it, knowing that it would come to the same thing in the end and that the people to whom the Duchess would be obliged to apply would put this concession down to the common account of the household, just as much as if it had been asked of them by the husband alone. “Why didn’t he tell me about it himself?” said the Duchess. “He was here yesterday and stayed a couple of hours, and heaven only knows what a bore he managed to make himself. He would be no stupider than anyone else if he had only the sense, like many people we know, to be content with being a fool. It’s his veneer of knowledge that’s so terrible. He wants to preserve an open mind — open to all the things he doesn’t understand. He talks to you about Morocco. It’s appalling.”&#xA;&#xA;    “He can’t go back there, because of Rachel,” said the Prince de Foix “Surely, now that they’ve broken it off,” interrupted M. de Bréauté. “So far from breaking it off, I found her a couple of days ago in Robert’s rooms, they didn’t look at all like people who’d quarrelled, I can assure you,” replied the Prince de Foix, who loved to spread abroad every rumour that could damage Robert’s chances of marrying, and might for that matter have been misled by one of the intermittent resumptions of a connexion that was practically at an end&#xA;&#xA;    “That Rachel was speaking to me about you, I see her like that in the mornings, on the way to the Champs-Elysées; she’s a kind of head-in-air, as you say, what you call ‘unlaced,’ a sort of ‘Dame aux Camélias,’ only figuratively speaking, of course.” This speech was addressed to me by Prince Von, who liked always to appear conversant with French literature and Parisian catchwords&#xA;&#xA;    “Why, that’s just what it was — Morocco!” exclaimed the Princess, flinging herself into this opening. “What on earth can he want in Morocco?” asked M. de Guermantes sternly; “Oriane can do absolutely nothing for him there, as he knows perfectly well.” “He thinks he invented strategy,” Mme. de Guermantes pursued the theme, “and then he uses impossible words for the most trivial things, which doesn’t prevent him from making blots all over his letters. The other day he announced that he’d been given some sublime potatoes, and that he’d taken a sublime stage box.” “He speaks Latin,” the Duke went one better. “What! Latin?” the Princesse gasped. “‘Pon my soul he does! Ma’am can ask Oriane if I’m not telling the truth.” “Why, of course, Ma’am; the other day he said to us straight out, without stopping to think: ‘I know of no more touching example of sic transit gloria mundi.’ I can repeat the phrase now to your Highness because, after endless inquiries and by appealing to linguists, we succeeded in reconstructing it, but Robert flung it out without pausing for breath, one could hardly make out that there was Latin in it, he was just like a character in the Malade Imaginaire. And all this referred simply to the death of the Empress of Austria!” “Poor woman!” cried the Princess, “what a delicious creature she was.” “Yes,” replied the Duchess, “a trifle mad, a trifle headstrong, but she was a thoroughly good woman, a nice, kind-hearted lunatic; the only thing I could never make out about her was why she had never managed to get her teeth made to fit her; they always came loose half-way through a sentence and she was obliged to stop short or she’d have swallowed them.” “That Rachel was speaking to me about you, she told me that young Saint-Loup worshipped you, that he was fonder of you than he was of her,” said Prince Von to me, devouring his food like an ogre as he spoke, his face scarlet, his teeth bared by his perpetual grin. “But in that case she must be jealous of me and hate me,” said I. “Not at all, she told me all sorts of nice things about you. The Prince de Foix’s mistress would perhaps be jealous if he preferred you to her. You don’t understand? Come home with me, and I’ll explain it all to you.” “I’m afraid I can’t, I’m going on to M. de Charlus at eleven.” “Why, he sent round to me yesterday to ask me to dine with him this evening, but told me not to come after a quarter to eleven. But if you must go to him, at least come with me as far as the Théâtre Français, you will be in the periphery,” said the Prince, who thought doubtless that this last word meant ‘proximity’ or possibly ‘centre.’&#xA;&#xA;   But the bulging eyes in his coarse though handsome red face frightened me and I declined, saying that a friend was coming to call for me. This reply seemed to me in no way offensive. The Prince, however, apparently formed a different impression of it for he did not say another word to me&#xA;&#xA;    “I really must go and see the Queen of Naples; what a grief it must be to her,” said (or at least appeared to me to have said) the Princesse de Parme. For her words had come to me only indistinctly through the intervening screen of those addressed to me, albeit in an undertone, by Prince Von, who had doubtless been afraid, if he spoke louder, of being overheard by the Prince de Foix. “Oh, dear, no!” replied the Duchess, “I don’t believe it has been any grief at all.” “None at all! You do always fly to extremes so, Oriane,” said M. de Guermantes, resuming his part of the cliff which by standing up to the wave forces it to fling higher its crest of foam. “Basin knows even better than I that I’m telling the truth,” replied the Duchess, “but he thinks he’s obliged to look severe because you are present, Ma’am, and he’s afraid of my shocking you.” “Oh, please, no, I beg of you,” cried the Princesse de Parme, dreading the slightest alteration on her account of these delicious Fridays at the Duchesse de Guermantes’s, this forbidden fruit which the Queen of Sweden herself had not yet acquired the right to taste. “Why, it was Basin himself that she told, when he said to her with a duly sorrowful expression: ‘But the Queen is in mourning; for whom, pray, is it a great grief to your Majesty?’—‘No, it’s not a deep mourning, it’s a light mourning, quite a light mourning, it’s my sister.’ The truth is, she’s delighted about it, as Basin knows perfectly well, she invited us to a party that very evening, and gave me two pearls. I wish she could lose a sister every day! So far from weeping for her sister’s death, she was in fits of laughter over it. She probably says to herself, like Robert, ‘sic transit ——’ I forget how it goes on,” she added modestly, knowing how it went on perfectly well&#xA;&#xA;   In saying all this Mme. de Guermantes was only being witty, and with complete insincerity, for the Queen of Naples, like the Duchesse d’Alençon, also doomed to a tragic fate, had the warmest heart in the world and mourned quite sincerely for her kinsfolk. Mme. de Guermantes knew those noble Bavarian sisters, her cousins, too well not to be aware of this. “He would like not to go back to Morocco,” said the Princesse de Parme, alighting hurriedly again upon the perch of Robert’s name which had been held out to her, quite unintentionally, by Mme. de Guermantes. “I believe you know General de Monserfeuil.” “Very slightly,” replied the Duchess, who was an intimate friend of the officer in question. The Princess explained what it was that Saint-Loup wanted. “Good gracious, yes, if I see him — it is possible that I may meet him,” the Duchess replied, so as not to appear to be refusing, the occasions of her meeting General de Monserfeuil seeming to extend rapidly farther apart as soon as it became a question of her asking him for anything. This uncertainty did not, however, satisfy the Duke, who interrupted his wife: “You know perfectly well you won’t seeing him, Oriane, and besides you have already asked him for two thing which he hasn’t done. My wife has a passion for doing good turns to people,” he went on, growing more and more furious, in order to force the Princess to withdraw her request, without there being any question made of his wife’s good nature and so that Mme. de Parme should throw the blame back upon his own character, which was essentially obstructive. “Robert could get anything he wanted out of Monserfeuil. Only, as he happens not to know himself what he wants, he gets us to ask for it because he knows there’s no better way of making the whole thing fall through. Oriane has asked too many favours of Monserfeuil. A request from her now would be a reason for him to refuse.” “Oh, in that case, it would be better if the Duchess did nothing,” said Mme. de Parme&#xA;&#xA;    “Obviously!” the Duke closed the discussion. “Poor General, he’s been defeated again at the elections,” said the Princess, so as to turn the conversation from Robert. “Oh, it’s nothing serious, it’s only the seventh time,” said the Duke, who, having been obliged himself to retire from politics, quite enjoyed hearing of other people’s failures at the polls. “He has consoled himself by giving his wife another baby.” “What! Is that poor Mme. de Monserfeuil in an interesting condition again?” cried the Princess&#xA;&#xA;    “Why, of course,” replied the Duke, “that’s the one division where the poor General has never failed to get in.”&#xA;&#xA;   In the period that followed I was continually to be invited, were it with a small party only, to these repasts at which I had at one time imagined the guests as seated like the Apostles in the Sainte-Chapelle. They did assemble there indeed, like the early Christians, not to partake merely of a material nourishment, which incidentally was exquisite, but in a sort of social Eucharist; so that in the course of a few dinner-parties I assimilated the acquaintance of all the friends of my hosts, friends to whom they presented me with a shade of benevolent patronage so marked (as a person for whom they had always had a sort of parental affection) that there was not one among them who would not have felt himself to be failing in his duty to the Duke and Duchess if he had given a ball without including my name on his list, and at the same time, while I sipped one of those Yquems which lay concealed in the Guermantes cellars, I tasted ortolans dressed according to each of the different recipes which the Duke himself used to elaborate and modified with prudence. However, for one who had already set his knees more than once beneath the mystic board, the consumption of the latter was not indispensable. Old friends of M. and Mme. de Guermantes came in to see them after dinner, ‘with the tooth-picks,’ as Mme. Swann would have said, without being expected, and took in winter a cup of tilleul in the lighted warmth of the great drawing-room, in summer a glass of orangeade in the darkness of the little rectangular strip of garden outside. There was no record of anything else, among the Guermantes, in these evenings in the garden, but orangeade. It had a sort of ritual meaning. To have added other refreshments would have seemed to be falsifying the tradition, just as a big at-home in the Faubourg Saint-Germain ceases to be an at-home if there is a play also, or music. You must be supposed to have come simply — though there be five hundred of you — to pay a call on, let us say, the Princesse de Guermantes. People marvelled at my influence because I was able to procure the addition to this orangeade of a jug containing the juice of stewed cherries or stewed pears. I took a dislike on this account to the Prince d’Agrigente, who was like all the people who, lacking in imagination but not in covetousness, take a keen interest in what one is drinking and ask if they may taste a little of it themselves. Which meant that, every time, M. d’Agrigente, by diminishing my ration, spoiled my pleasure. For this fruit juice can never be provided in sufficient quantities to quench one’s thirst for it. Nothing is less cloying than these transpositions into flavour of the colour of a fruit which when cooked seems to have travelled backwards to the past season of its blossoming. Blushing like an orchard in spring, or, it may be, colourless and cool like the zephyr beneath the fruit-trees, the juice lets itself be breathed and gazed into one drop by drop, and M. d’Agrigente prevented me, regularly, from taking my fill of it. Despite these distillations the traditional orangeade persisted like the tilleul. In these humble kinds, the social communion was none the less administered. In this respect, doubtless, the friends of M. and Mme. de Guermantes had, after all, as I had originally imagined, remained more different from the rest of humanity than their outward appearance might have misled me into supposing. Numbers of elderly men came to receive from the Duchess, together with the invariable drink, a welcome that was often far from cordial. Now this could not have been due to snobbishness, they themselves being of a rank to which there was none superior; nor to love of splendour; they did love it perhaps, but on less stringent social conditions might have been enjoying a glittering example of it, for on these same evenings the charming wife of a colossally rich financier would have given anything in the world to have them among the brilliant shooting-party she was giving for a couple of days for the King of Spain. They had nevertheless declined her invitation, and had come round without fail to inquire whether Mme. de Guermantes was at home. They were not even certain of finding there opinions that conformed entirely with their own, or sentiments of any great warmth; Mme. de Guermantes let fall now and then, on the Dreyfus case, on the Republic, the Laws against Religion, or even in an undertone on themselves, their weaknesses, the dullness of their conversation, comments which they had to appear not to notice. No doubt, if they kept up their habit of coming there, it was owing to their superfine training as epicures in things worldly, to their clear consciousness of the prime and perfect quality of the social dish, with its familiar, reassuring, sappy savour, free from blend or taint, with the origin and history of which they were as well aware as she who served them with it, remaining more ‘noble’ in this respect than they themselves imagined. Now, on this occasion, among the visitors to whom I was introduced after dinner, it so happened that there was that General de Monserfeuil of whom the Princesse de Parme had been speaking, while Mme. de Guermantes, of whose drawing-room he was one of the regular frequenters, had not known that he was going to be there that evening. He bowed before me, on hearing my name, as though I had been the President of the Supreme War Council. I had supposed it to be simply from some deep-rooted unwillingness to oblige, in which the Duke, as in wit if not in love, was his wife’s accomplice, that the Duchess had practically refused to recommend her nephew to M. de Monserfeuil. And I saw in this an indifference all the more blameworthy in that I seemed to have gathered from a few words let fall by the Princess that Robert was in a post of danger from which it would be prudent to have him removed. But it was by the genuine malice of Mme. de Guermantes that I was revolted when, the Princesse de Parme having timidly suggested that she might say something herself and on her own responsibility to the General, the Duchess did everything in her power to dissuade her. “But Ma’am,” she cried, “Monserfeuil has no sort of standing or influence whatever with the new Government. You would be wasting your breath.” “I think he can hear us,” murmured the Princess, as a hint to the Duchess not to speak so loud. Without lowering her voice: “Your Highness need not be afraid, he’s as deaf as a post,” said the Duchess, every word reaching the General distinctly. “The thing is, I believe M. de Saint-Loup is in a place that is not very safe,” said the Princess. “What is one to do?” replied the Duchess. “He’s in the same boat as everybody else, the only difference being that it was he who originally asked to be sent there. Besides, no, it’s not really dangerous; if it was, you can imagine how anxious I should be to help. I, should have spoken to Saint-Joseph about it during dinner. He has far more influence, and he’s a real worker. But, as you see, he’s gone now. Still, asking him would be less awkward than going to this one, who has; three of his sons in Morocco just now and has refused to apply for them to be exchanged; he might raise that as an objection. Since your Highness insists on it, I shall speak to Saint-Joseph — if I see him again, or to Beautreillis. But if I don’t see either of them, you mustn’t waste your pity on Robert. It was explained to us the other day exactly where he is. I’m sure he couldn’t wish for a better place.”&#xA;&#xA;    “What a pretty flower, I’ve never seen one like it; there’s no one like you, Oriane, for having such marvellous things in your house,” said the Princesse de Parme, who, fearing that General de Monserfeuil might have overheard the Duchess, sought now to change the conversation. I looked and recognised a plant of the sort that I had watched Elstir painting. “I am so glad you like them; they are charming, do look at their little purple velvet collars; the only thing against them is — as may happen with people who are very pretty and very nicely dressed — they have a hideous name and a horrid smell. In spite of which I am very fond of them. But what is rather sad is that they are dying.” “But they’re growing in a pot, they aren’t cut flowers,” said the Princess. “No,” answered the Duchess with a smile, “but it comes to the same thing, as they’re all ladies. It’s a kind of plant where the ladies and the gentlemen don’t both grow on the same stalk. I’m like people who keep a lady dog. I have to find a husband for my flowers. Otherwise I shan’t have any young ones!” “How very strange. Do you mean to say that in nature . . .?” “Yes! There are certain insects whose duty it is to bring about the marriage, as they do with Sovereigns, by proxy, without the bride and bridegroom ever having set eyes on one another. And so, I assure you, I always tell my man to put my plant out in the window as often as possible, on the courtyard side and the garden side turn about, in the hope that the necessary insect will arrive. But the odds are too great. Fancy, he has first to have been seen by a person of the same species and the opposite sex, and he must then have taken it into his head to come and leave cards at the house. He hasn’t appeared so far, I believe my plant can still qualify for the white flower of a blameless life, but I must say a little immodesty would please me better. It’s just the same with that fine tree we have in the courtyard; he will die childless because he belongs to a kind that’s very rare in these latitudes. In his case, it’s the wind that’s responsible for consummating the marriage, but the wall is a trifle high.” “By Jove, yes,” said M. de Bréauté, “you ought to take just a couple of inches off the top, that will be quite enough. There are certain operations one ought to know how to perform. The flavour of vanilla we tasted in the excellent ice you gave us this evening, Duchess, comes from a plant called the vanilla tree. This plant produces flowers which are both male and female, but a sort of solid wall set up between them prevents any communication. And so we could never get any fruit from them until a young Negro, a native of Réunion, by the name of Albins, which by the way is rather an odd name for a black man since it means ‘white,’ had the happy thought of using the point of a needle to bring the separate organs into contact.” “Babal, you’re divine, you know everything,” cried the Duchess. “But you yourself, Oriane, have told me things I had no idea of,” the Princesse de Parme assured her. “I must explain to your Highness that it is Swann who has always talked to me all about botany. Sometimes when we were too bored to go to a tea-party or a concert we would set off for the country, and he would shew me extraordinary marriages between flowers, which was far more amusing than going to human marriages — no wedding-breakfast and no crowd in the sacristy. We never had time to go very far. Now that motor-cars have come in, it Would be delightful. Unfortunately, in the interval he himself has made an even more astonishing marriage, which makes everything very difficult. Oh, Ma’am, life is a dreadful business, we spend our whole time doing things that bore us, and when by mere chance we come across somebody with whom we could go and look at something really interesting, he has to make a marriage like Swann’s. Faced with the alternatives of giving up my botanical expeditions and being obliged to call upon a degrading person, I chose the former calamity. Besides, when it comes to that, there was no need to go quite so far. It seems that here, in my own little bit of garden, more odd things happen in broad daylight than at midnight — in the Bois de Boulogne! Only they attract no attention, because among flowers it’s all done quite simply, you see a little orange shower, or else a very dusty fly coming to wipe its feet or take a bath before crawling into a flower. And that does the trick!” “The cabinet the plant is standing on is splendid, too; it’s Empire, I think,” said the Princess, who, not being familiar with the works of Darwin and his followers, was unable to grasp the point of the Duchess’s pleasantries. “It’s lovely, isn’t it? I’m so glad Ma’am likes it,” replied the Duchess, “it’s a magnificent piece. I must tell you that I’ve always adored the Empire style, even when it wasn’t in fashion. I remember at Guermantes I got into terrible disgrace with my mother-in-law because I told them to bring down from the attics all the splendid Empire furniture Basin had inherited from the Montesquious, and used it to furnish the wing we lived in.” M. de Guermantes smiled. He must nevertheless have remembered that the course of events had been totally different. But, the witticisms of the Princesse des Laumes at the expense of her mother-in-law’s bad taste having been a tradition during the short time in which the Prince was in love with his wife, his love for the latter had been outlasted by a certain contempt for the intellectual inferiority of the former, a contempt which, however, went hand in hand with a considerable attachment and respect. “The Iénas have the same armchair with Wedgwood medallions, it’s a lovely thing, but I prefer my own;” said the Duchess, with the same air of impartiality as if she had been the possessor of neither of the articles under discussion. “I know, of course, that they’ve some marvellous things which I haven’t got.” The Princesse de Parme remained silent. “But it’s quite true; your Highness hasn’t seen their collection. Oh, you ought really to come there one day with me, it’s one of the most magnificent things in Paris. You’d say it was a museum come to life.” And since this suggestion was one of the most ‘Guermantes’ of the Duchess’s audacities, inasmuch as the lénas were for the Princesse de Parme rank usurpers, their son bearing like her own the title of Duc de Guastalla, Mme. de Guermantes in thus launching it could not refrain (so far did the love that she bore for her own originality prevail over the deference due to the Princesse de Parme) from casting at her other guests a smiling glance of amusement. They too made an effort to smile, at once frightened, bewildered, and above all delighted to think that they were being ear-witnesses of Oriane’s very ‘latest’ and could carry it away with them ‘red hot.’ They were only half shocked, knowing that the Duchess had the knack of strewing the ground with all the Courvoisier prejudices to achieve a vital success more thrilling and more enjoyable. Had she not, within the last few years, brought together Princesse Mathilde and that Due d’Aumale who had written to the Princess’s own brother the famous letter: “In my family all the men are brave and the women chaste”? And inasmuch as Princes remain princely even at those moments when they appear anxious to forget that they are, the Due d’Aumale and Princesse Mathilde had enjoyed themselves so greatly at Mme. de Guermantes’s that they had thereafter formed a defensive alliance, with that faculty for forgetting the past which Louis XVIII shewed when he took as his Minister Fouché, who had voted the death of his brother. Mme. de Guermantes was now nourishing a similar project of arranging a meeting between Princesse Murât and the Queen of Naples. In the meantime, the Princesse de Parme appeared as embarrassed as might have been the heirs-apparent to the Thrones of the Netherlands and Belgium, styled respectively Prince of Orange and Duke of Brabant, had one offered to present to them M. de Mailly Nesle, Prince d’Orange, and M. de Charlus, Due de Brabant. But, before anything further could happen, the Duchess, whom Swann and M. de Charlus between them (albeit the latter was resolute in ignoring the lénas’ existence) had with great difficulty succeeded in making admire the Empire style, exclaimed: “Honestly, Ma’am, I can’t tell you how beautiful you will think it! I must confess that the Empire style has always had a fascination for me. But at the lénas’ it is really like a hallucination. That sort of — what shall I say — reflux from the Expedition to Egypt, and also the sweep forward into our own times from Antiquity, all those things that invade our houses, the Sphinxes that come to crouch at the feet of the sofas, the serpents coiled round candelabra, a huge Muse who holds out a little torch for you to play at bouillotte, or has quietly climbed on to the mantelpiece and is leaning against your clock; and then all the Pompeian lamps, the little boat-shaped beds which look as if they had been found floating on the Nile so that you expect to see Moses climb out of them, the classical chariots galloping along the bed tables. . . . ” “They’re not very comfortable to sit in, those Empire chairs,” the Princess ventured. “No,” the Duchess agreed, “but,” she at once added, insisting on the point with a smile: “I like being uncomfortable on those mahogany seats covered with ruby velvet or green silk. I like that discomfort of the warrior who understands nothing but the curule chair and in the middle of his principal drawing-room crosses his fasces and piles his laurels. I can assure you that at the Iénas’ one doesn’t stop to think for a moment of how comfortable one is, when one sees in front of one a great strapping wench of a Victory painted in fresco on the wall. My husband is going to say that I’m a very bad Royalist, but I’m terribly disaffected, as you know, I can assure you that in those people’s house one comes to love all the big N’s and all the bees. Good gracious, after all for a good many years under our Kings we weren’t exactly surfeited with glory, and so these warriors who brought home so many crowns that they stuck them even on the arms of the chairs, I must say I think it’s all rather fetching! Your Highness ought really.” “Why, my dear, if you think so,” said the Princess, “but it seems to me that it won’t be easy.” “But Ma’am will find that it will all go quite smoothly. They are very good people, and no fools. We took Mme. de Chevreuse there,” added the Duchess, knowing the force of this example, “she was enchanted. The son is really very pleasant. I’m going to say something that’s not quite proper,” she went on, “but he has a bedroom, and more especially a bed in it, in which I should love to sleep — without him! What is even less proper is that I went to see him once when he was ill and lying in it. By his side on the frame of the bed was moulded a long Siren, stretched out at full length, a lovely thing with a mother-of-pearl tail and some sort of lotus flowers in her hand. I assure you,” went on Mme. de Guermantes, reducing the speed of her utterances to bring into even bolder relief the words which she had the air of modelling with the pout of her fine lips, drawing them out with her long expressive hands, directing on the Princess as she spoke a gentle, steady and searching gaze, “that with the palms and the golden crown at the side, it was most moving, it was just the arrangement of Gustave Moreau’s Death and the Young Man (your Highness must know that great work, of course).” The Princesse de Parme, who did not know so much as the painter’s name, made violent movements with her head and smiled ardently, in order to manifest her admiration for his picture. But the intensity of her mimicry could not fill the place of that light which is absent from our eyes so long as we do not understand what people are trying to tell us. “A good-looking boy, I believe?” she asked. “No for he’s just like a tapir. The eyes are a little those of a Queen Hortense on a screen. But he has probably come to the conclusion that it is rather absurd for a man to develop such a resemblance, and it is lost in the encaustic surface of his cheeks which give him really rather a Mameluke appearance. You feel that the polisher must call round every morning. Swann,” she went on, reverting to the bed of the young Duke, “was struck by the resemblance between this Siren and Gustave Moreau’s Death. But apart from that,” she added, her speech becoming more rapid though still serious, so as to provoke more laughter, “there was nothing really that could strike us, for it was only a cold in the head, and the young man made a marvellous recovery.” “They say he’s a snob?” put in M. de Bréauté, with a malicious twinkle, expecting to be answered with the same precision as though he had said: “They tell me that he has only four fingers on his right hand; is that so?” “G— ood g — racious, n — o,” replied Mme. de Guermantes with a smile of benign indulgence. “Perhaps just the least little bit of a snob in appearance, because he’s extremely young, but I should be surprised to hear that he was really, for he’s intelligent,” she added, as though there were to her mind some absolute incompatibility between snobbishness and intelligence. “He has wit, too, I’ve known him to be quite amusing,” she said again, laughing with the air of an epicure and expert, as though the act of declaring that a person could be amusing demanded a certain expression of merriment from the speaker, or as though the Duc de Guastalla’s sallies were recurring to her mind as she spoke. “Anyway, as he never goes anywhere, he can’t have much field for his snobbishness,” she wound up, forgetting that this was hardly encouraging the Princesse de Parme to make overtures. “I cannot help wondering what the Prince de Guermantes, who calls her Mme. Iéna, will say if he hears that I’ve been to see her.” “What!” cried the Duchess with extraordinary vivacity. “Don’t you know that it was we who gave up to Gilbert” (she bitterly regretted that surrender now) “a complete card-room done in the Empire style which came to us from Quiou-Quiou, and is an absolute marvel! There was no room for it here, though I think it would look better here than it does with him. It’s a thing of sheer beauty, half Etruscan, half Egyptian. . . . ” “Egyptian?” queried the Princess, to whom the word Etruscan conveyed little. “Well, really, you know, a little of both. Swann told us that, he explained it all to me, only you know I’m such a dunce. But then, Ma’am, what one has to bear in mind is that the Egypt of the Empire cabinetmakers has nothing to do with the historical Egypt, nor their Roman with the Romans nor their Etruria. . . . ” “Indeed,” said the Princess. “No, it’s like what they used to call a Louis XV costume under the Second Empire, when Anna de Monchy and dear Brigode’s mother were girls. Basin was talking to you just now about Beethoven. We heard a thing of his played the other day which was really quite good, though a little stiff, with a Russian theme in it. It’s pathetic to think that he believed it to be Russian. In the same way as the Chinese painters believed they were copying Bellini. Besides, even in the same country, whenever anybody begins to look at things in a way that is slightly novel, nine hundred and ninety-nine people out of a thousand are totally incapable of seeing what he puts before them. It takes at least forty years before they can manage to make it out.” “Forty years!” the Princess cried in alarm. “Why, yes,” went on the Duchess, adding more and more to her words (which were practically my own, for I had just been expressing a similar idea to her), thanks to her way of pronouncing them, the equivalent of what on the printed page is called italics: “it’s like a sort of first isolated individual of a species which does not yet exist but is going to multiply in the future, an individual endowed with a kind of sense which the human race of his generation does not possess. I can hardly give myself as an instance because I, on the contrary, have always loved any interesting production from the very start, however novel it might be. But really, the other day I was with the Grand Duchess in the Louvre and we happened to pass before Manet’s Olympia. Nowadays nobody is in the least surprised by it. It looks just like an Ingres! And yet, heaven only knows how many spears I’ve had to break for that picture, which I don’t altogether like but which is unquestionably the work of somebody.” “And is the Grand Duchess well?” inquired the Princesse de Parme, to whom the Tsar’s aunt was infinitely more familiar than Manet’s model. “Yes; we talked about you. After all,” she resumed, clinging to her idea, “the fact of the matter is, as my brother-in-law Palamède always says, that one has between oneself and the rest of the world the barrier of a strange language. Though I admit that there’s no one it’s quite so true of as Gilbert. If it amuses you to go to the Iénas’, you have far too much sense to let your actions be governed by what that poor fellow may think, who is a dear, innocent creature, but really lives in a different world. I feel myself nearer, more akin to my coachman, my horses even, than to a man who keeps on harking back to what people would have thought under Philip the Bold or Louis the Fat. Just fancy, when he goes for a walk in the country, he takes a stick to drive the peasants out of his way, quite in a friendly spirit, saying: ‘Get on, clowns!’ Really, I’m just as much surprised when he speaks to me as if I heard myself addressed by one of the ‘recumbents’ on the old gothic tombs. It’s all very well that animated gravestone’s being my cousin; he frightens me, and the only idea that comes into my head is to let him stay in his Middle Ages. Apart from that, I quite admit that he’s never assassinated anyone.” “I’ve just been seeing him at dinner at Mme. de Villeparisis’s,” said the General, but without either smiling at or endorsing the Duchess’s pleasantries. “Was M. de Norpois there?” asked Prince Von, whose mind still ran on the Academy of Moral Sciences. “Why, yes;” said the General. “In fact, he was talking about your Emperor.” “It seems, the Emperor William is highly intelligent, but he does not care for Elstir’s painting. Not that I’m saying this against him,” said the Duchess, “I quite share his point of view. Although Elstir has done a fine portrait of me. You don’t know it? It’s not in the least like me, but it’s a remarkable piece of work. He is interesting while one’s sitting to him. He has made me like a little old woman It’s after the style of the Regents of the Hospital, by Hals. I expect you know those sublimities, to borrow my nephew’s favourite expression,” the Duchess turned to myself, gently flapping her fan of black feathers. More than erect on her chair, she flung her head nobly backwards, for, while always a great lady, she was a trifle inclined to play the great lady also. I said that I had been once to Amsterdam and The Hague, but that to avoid confusing my mind, as my time was limited, I had left out Haarlem. “Ah! The Hague! What a gallery!” cried M. de Guermantes. I said to him that he had doubtless admired Vermeer’s Street in Delft. But the Duke was less erudite than arrogant. Accordingly he contented himself with replying in a tone of sufficiency, as was his habit whenever anyone spoke to him of a picture in a gallery, or in the Salon, which he did not remember having seen. “If it’s to be seen, I saw it!” “What? You’ve been to Holland, and you never visited Haarlem!” cried the Duchess. “Why, even if you had only a quarter of an hour to spend in the place, they’re an extraordinary thing to have seen, those Halses. I don’t mind saying that a person who only caught a passing glimpse of them from the top of a tramway-car without stopping, supposing they were hung out to view in the street, would open his eyes pretty wide.” This utterance shocked me as indicating a misconception of the way in which artistic impressions are formed in our minds, and because it seemed to imply that our eye is in that case simply a recording machine which takes instantaneous photographs&#xA;&#xA;   M. de Guermantes, rejoicing that she should be speaking to me with so competent a knowledge of the subjects that interested me, gazed at the illustrious bearing of his wife, listened to what she was saying about Franz Hals, and thought: “She rides rough-shod over everything! Our young friend can go home and say that he’s had before his eyes a great lady of the old school, in the full sense of the word, the like of whom couldn’t be found anywhere to-day.” Thus I beheld the pair of them, withdrawn from that name Guermantes in which long ago I had imagined them leading an unimaginable life, now just like other men and other women, lingering, only, behind their contemporaries a little way, and that not evenly, as in so many households of the Faubourg, where the wife has had the good taste to stop at the golden, the husband the misfortune to come down to the pinchbeck age of history, she remaining still Louis XV while her partner is pompously Louis-Philippe. That Mme. de Guermantes should be like other women had been for me at first a disappointment; it was now, by a natural reaction and with all these good wines to help, almost a miracle. A Don John of Austria, an Isabella d’Esté, situated for us in the world of names, have as little communication with the great pages of history as the Méséglise way had with the Guermantes. Isabella d’Esté was no doubt in reality a very minor Princess, similar to those who under Louis XIV obtained no special place at Court. But seeming to us to be of a unique and therefore incomparable essence, we cannot conceive of her as being any less in greatness, so that a supper-party with Louis XIV would appear to us only to be rather interesting, whereas with Isabella d’Este we should find ourselves, were we to meet her, gazing with our own eyes on a supernatural heroine of romance. Well, after we have, in studying Isabella d’Esté, in transplanting her patiently from this world of fairyland into that of history, established the fact that her life, her thought contained nothing of that mysterious strangeness which had been suggested to us by her name, once this disappointment is complete we feel a boundless gratitude to this Princess for having had, of Mantegna’s paintings, a knowledge almost equal to that, hitherto despised by us and put, as Françoise would have said, lower than the dirt, of M. Lafenestre. After having scaled the inaccessible heights of the name Guermantes, on descending the inner slope of the life of the Duchess, I felt on finding there the names, familiar elsewhere, of Victor Hugo, Franz Hals and, I regret to say, Vibert, the same astonishment that an explorer, after having taken into account, to imagine the singularity of the native customs in some wild valley of Central America or Northern Africa, its geographical remoteness, the strangeness of its flora, feels on discovering, once he has made his way through a hedge of giant aloes or manchineels, inhabitants who (sometimes indeed among the ruins of a Roman theatre and beneath a column dedicated to Venus) are engaged in reading Mérope or Alzire. And similarly, so remote, so distinct from, so far superior to the educated women of the middle classes whom I had known, the similar culture by which Mme. de Guermantes had made herself, with no ulterior motive, to gratify no ambition, descend to the level of people whom she would never know, had the character — meritorious, almost touching by virtue of being wholly useless — of an erudition in Phoenician antiquities in a politician or a doctor. “I might have shewn you a very fine one,” said Mme. de Guermantes, still speaking of Hals, “the finest in existence, some people say, which was left to me by a German cousin. Unfortunately, it turned out to be ‘enfeoffed’ in the castle — you don’t know the expression, nor I either,” she added, with her fondness for making jokes (which made her, she thought, seem modern) at the expense of the old customs to which nevertheless she was unconsciously but keenly attached. “I am glad you have seen my Elstirs, but, I must admit, I should have been a great deal more glad if I could have done you the honours of my Hals, this ‘enfeoffed’ picture.” “I know the one,” said Prince Von, “it’s the Grand Duke of Hesse’s Hals.” “Quite so; his brother married my sister,” said M. de Guermantes, “and his mother and Oriane’s were first cousins as well.” “But so far as M. Elstir is concerned,” the Prince went on, “I shall take the liberty of saying, without having any opinion of his work, which I do not know, that the hatred with which the Emperor pursues him ought not, it seems to me, to be counted against him. The Emperor is a man of marvellous intelligence.” “Yes, I’ve met him at dinner twice, once at my aunt Sagan’s and once at my aunt Radziwill’s, and I must say I found him quite unusual. I didn’t find him at all simple! But there is something amusing about him, something ‘forced,’” she detached the word, “like a green carnation, that is to say a thing that surprises me and docs not please me enormously, a thing it is surprising that anyone should have been able to create but which I feel would have been just as well uncreated. I trust I’m not shocking you.” “The Emperor is a man of astounding intelligence,” resumed the Prince, “he is passionately fond of the arts he has for works of art a taste that is practically infallible, if a thing is good he spots it at once and takes a dislike to it. If he detests anything there can be no more doubt about it, the thing is excellent.“Everyone smiled. “You set my mind at rest,” said the Duchess. “I should be inclined to compare the Emperor,” went on the Prince, who, not knowing how to pronounce the word archaeologist (that is to say, as though it were spelt ‘arkeologist’), never missed an opportunity of using it, “to an old archaeologist” (but the Prince said ‘arsheologist’) “we have in Berlin. If you put him in front of a genuine Assyrian antique, he weeps. But if it is a modern sham, if it is not really old, he does not weep. And so, when they want to know whether an arsheological piece is really old, they take it to the old arsheologist. If he weeps, they buy the piece for the Museum. If his eyes remain dry, they send it back to the dealer, and prosecute him for fraud. Well, every time I dine at Potsdam, if the Emperor says to me, of a play: ‘Prince, you must see that, it’s a work of genius,’ I make a note not to go to it; and when I hear him fulminating against an exhibition, I rush to see it at the first possible opportunity.” “Norpois is in favour of an Anglo-French understanding, isn’t he?” said M. de Guermantes. “What use would that be to you?” asked Prince Von, who could not endure the English, in a tone at once of irritation and cunning. “The English are so schtubid. I know, of course, that it would not be as soldiers that they would help you. But one can judge them, all the same, by the stupidity of their Generals. A friend of mine was talking the other day to Botha, you know, the Boer leader. He said to my friend: ‘It’s terrible, an army like that. I rather like the English, as a matter of fact, but just imagine that I, who am only a peasant, have beaten them in every battle. And in the last, when I gave way before a force twenty times the strength of my own, while I myself surrendered, because I had to, I managed to take two thousand prisoners! That was good enough, because I was only commanding an army of farmers, but if those poor fools ever have to stand up against a European army, one trembles to think what may happen to them!’ Besides, you have only to see how their King, whom you know as well as I do, passes for a great man in England.” I barely listened to these stories, stories of the kind that M. de Norpois used to tell my father; they supplied no food for my favourite train of thought; and besides, even had they possessed the elements which they lacked, they would have had to be of a very exciting quality for my inner life to awaken during those hours in which I dwelt in my skin, my well-brushed hair, my starched shirt-front, in which, that is to say, I could feel nothing of what constituted for me the pleasure of life. “Oh, I don’t agree with you at all,” said Mme. de Guermantes, who felt that the German Prince was wanting in tact, “I find King Edward charming, so simple, and much cleverer than people think. And the Queen is, even now, the most beautiful thing I’ve ever seen in the world.” “But, Madame la Duchesse,” said the Prince, who was losing his temper and did not see that he was giving offence, “you must admit that if the Prince of Wales had been an ordinary person there isn’t a club that wouldn’t have blackballed him, and nobody would have been willing to shake hands with him. The Queen is charming, exceedingly sweet and limited. But after all there is something shocking about a royal couple who are literally kept by their subjects, who get the big Jewish financiers to foot all the bills they ought to pay themselves, and create them Baronets in return. It’s like the Prince of Bulgaria . . . ” “He’s our cousin,” put in the Duchess. “He’s a clever fellow.” “He’s mine, too, but we don’t think him a good fellow on that account. No, it is us you ought to make friends with, it’s the Emperor’s dearest wish, but he insists on its coming from the heart. He says: ‘What I want to see is a hand clasped in mine, not waving a hat in the air.’ With that, you would be invincible. It would be more practical than the Anglo-French friendship M. de Norpois preaches.” “You know him, of course,” the Duchess said, turning to me, so as not to leave me out of the conversation. Remembering that M. de Norpois had said that I had once looked as though I wanted to kiss his hand, thinking that he had no doubt repeated this story to Mme. de Guermantes, and in any event could have spoken of me to her only with malice, since in spite of his friendship with my father he had not hesitated to make me appear so ridiculous, I did not do what a man of the world would have done. He would have said that he detested M. de Norpois, and had let him see it; he would have said this so as to give himself the appearance of being the deliberate cause of the Ambassador’s slanders, which would then have been no more than lying and calculated reprisals. I said, on the other hand, that, to my great regret, I was afraid that M. de Norpois did not like me. “You are quite mistaken,” replied the Duchess, “he likes you very much indeed. You can ask Basin, for if people give me the reputation of only saying nice things, he certainly doesn’t. He will tell you that we have never heard Norpois speak about anyone so kindly as he spoke to us of you. And only the other day he was wanting to give you a fine post at the Ministry. As he knew that you were not very strong and couldn’t accept it, he had the delicacy not to speak of his kind thought to your father, for whom he has an unbounded admiration.” M. de Norpois was quite the last person whom I should have expected to do me any practical service. The truth was that, his being a mocking and indeed somewhat malicious spirit, those people who had let themselves be taken in as I had by his outward appearance of a Saint Louis delivering justice beneath an oak-tree, by the sounds, easily modulated to pity, that emerged from his somewhat too tuneful lips, believed in a deliberate betrayal when they learned of a slander uttered at their expense by a man who had always seemed to put his whole heart into his speech. These slanders were frequent enough with him. But that did not prevent him from feeling attractions, from praising the people he liked and taking pleasure in shewing that he could be of use to them. “Not that I’m in the least surprised at his appreciating you,” said Mme. de Guermantes, “he’s an intelligent man. And I can quite understand,” she added, for the benefit of the rest of the party, making allusion to a purpose of marriage of which I had heard nothing, “that my aunt, who has long ceased to amuse him as an old mistress, may not seem of very much use to him as a young wife. Especially as I understand that even as a mistress she has ceased for years now to serve any practical purpose, she is more wrapped up in her devotions than anv thing else. Boaz-Norpois can say, in the words of Victor Hugo:&#xA;&#xA;           Voilà longtemps que celle avec qui j’ai dormi&#xA;           O Seigneur, a quitté ma couche pour la vôtre!&#xA;&#xA;   Really, my poor aunt is like the artists of the advanced guard who have stood out all their lives against the Academy, and in the end start a little academy of their own, or the unfrocked priests who get up a little private religion. They should either keep their frocks, or not stick to their profession. And who knows,” went on the Duchess with a meditative air, “it may be in preparation for her widowhood, there’s nothing sadder than the weeds one’s not entitled to wear.” “Ah! If Mme. de Villeparisis were to become Mme. de Norpois, I really believe our cousin Gilbert would take to his bed,” said General de Monserfeuil. “The Prince de Guermantes is a charming man, but he is, really, very much taken up with questions of birth and manners,” said the Princesse de Parme. “I went down to spend a few days with them in the country, when the Princess, unfortunately, was ill in bed. I was accompanied by Petite.” (This was a nickname that was given to Mme. d’Hunolstein because she was enormously stout.) “The Prince came to meet me at the foot of the steps, and pretended not to see Petite. We went up to the first floor, to the door into the reception rooms, and then, stepping back to make way for me, he said: ‘Oh, how d’ye do, Mme. d’Hunolstein?’ (he always calls her that now, since her separation) pretending to have caught sight of Petite for the first time, so as to shew her that he had not come down to receive her at the foot of the steps.” “That doesn’t surprise me in the least. I don’t need to tell you,” said the Duke, who regarded himself as extremely modern, more contemptuous than anyone in the world of mere birth, and in fact a Republican, “that I have not many ideas in common with my cousin. Ma’am can imagine that we are just about as much agreed on most subjects as day and night. But I must say that if my aunt were to marry Norpois, for once I should be of Gilbert’s opinion. To be the daughter of Florimond de Guise, and then to make a marriage like that would be enough, as the saying is, to make a cat laugh; what more can I say?” These last words, which the Duke uttered as a rule in the middle of a sentence, were here quite superfluous. But he felt a perpetual need to be saying them which made him postpone them to the end of a speech if he had found no place for them elsewhere. They were for him, among other things, almost a question of prosody. “Remember, though,” he added, “that the Norpois are gallant gentlemen with a good place, of a good stock.”&#xA;&#xA;    “Listen to me, Basin, it’s really not worth your while to poke fun at Gilbert if you’re going to speak the same language as he does,” said Mme. de Guermantes, for whom the ‘goodness’ of a family, no less than that of a wine, consisted in its age. But, less frank than her cousin and more subtle than her husband, she made a point of never in her conversation playing false to the Guermantes spirit, and despised rank in her speech while ready to honour it by her actions. “But aren’t you some sort of cousins?” asked General de Monserfeuil. “I seem to remember that Norpois married a La Rochefoucauld.” “Not in that way at all, she belonged to the branch of the Ducs de La Rochefoucauld, my grandmother came from the Ducs de Doudeauville. She was own grandmother to Edouard Coco, the wisest man in the family,” replied the Duke, whose views of wisdom were somewhat superficial, “and the two branches haven’t intermarried since Louis XIV’s time; the connexion would be rather distant.”&#xA;&#xA;    “I say, that’s interesting; I never knew that,” said the General. “However,” went on M. de Guermantes, “his mother, I believe, was the sister of the Duc de Montmorency, and had originally been married to a La Tour d’Auvergne. But as those Montmorencys are barely Montmorencys, while those La Tour d’Auvergnes are not La Tour d’Auvergnes at all, I cannot see that it gives him any very great position. He says — and this should be more to the point — that he’s descended from Saintrailles, and as we ourselves are in a direct line of descent. . . . ”&#xA;&#xA;   There was at Combray a Rue de Saintrailles, to which I had never given another thought. It led from the Rue de la Bretonnerie to the Rue de l’Oiseau. And as Saintrailles, the companion of Joan of Arc, had, by marrying a Guermantes, brought into that family the County of Combray, his arms were quartered with those of Guermantes at the foot of one of the windows in Saint-Hilaire. I saw again a vision of dark sandstone steps, while a modulation of sound brought to my ears that name, Guermantes, in the forgotten tone in which I used to hear it long ago, so different from that in which it was used to signify the genial hosts with whom I was dining this evening. If the name, Duchesse de Guermantes, was for me a collective name, it was so not merely in history, by the accumulation of all the women who had successively borne it, but also in the course of my own short life, which had already seen, in this single Duchesse de Guermantes, so many different women superimpose themselves, each one vanishing as soon as the next had acquired sufficient consistency. Words do not change their meaning as much in centuries as names do for us in the space of a few years. Our memory and our heart are not large enough to be able to remain faithful. We have not room enough, in our mental field, to keep the dead there as well as the living. We are obliged to build over what has gone before and is brought to light only by a chance excavation, such as the name Saintrailles had just wrought in my mind. I felt that it would be useless to explain all this, and indeed a little while earlier I had lied by implication in not answering when M. de Guermantes said to me: “You don’t know our old wheedler?” Perhaps he was quite well aware that I did know him, and it was only from good breeding that he did not press the question&#xA;&#xA;   Mme. de Guermantes drew me out of my meditation. “Really, I find all that sort of thing too deadly. Listen, it’s not always as boring as this at my parties. I hope that you will soon come and dine again as a compensation, with no pedigrees next time,” she murmured, incapable both of appreciating the kind of charm which I could find in her house and of having sufficient humility to be content to appeal to me only as a herbarium, filled with plants of another day&#xA;&#xA;   What Mme. de Guermantes believed to be disappointing my expectations was on the contrary what in the end — for the Duke and the General went on to discuss pedigrees now without stopping — saved my evening from becoming a complete disappointment. How could I have felt otherwise until now? Each of my fellow-guests at dinner, smothering the mysterious name under which I had only at a distance known and dreamed of them with a body and with a mind similar or inferior to those of all the people I knew, had given me the impression of flat vulgarity which the view on entering the Danish port of Elsinore would give to any passionate admirer of Hamlet. No doubt those geographical regions and that ancient past which put forest glades and gothic belfries into their names had in a certain measure formed their faces, their intellects and their prejudices, but survived in them only as does the cause in the effect, that is to say as a thing possible for the brain to extract but in no way perceptible to the imagination&#xA;&#xA;   And these old-time prejudices restored in a flash to the friends of M. and Mme. de Guermantes their vanished poetry. Assuredly, the motions in the possession of nobles, which make of them the scholars, the etymologists of the language not of words but of names (and this, moreover, relatively only to the ignorant mass of the middle classes, for if at the same level of mediocrity a devout Catholic would be better able to stand questioning upon the details of the Liturgy than a free-thinker, on the other hand an anti-clerical archaeologist can often give points to his parish priest on everything connected even with the latter’s own church), those notions, if we are going to confine ourselves to the truth, that is to say to the spirit, had not for these great gentlemen the charm that they would have had for a man of simple birth. They knew perhaps better than myself that the Duchesse de Guise was Princess of Cleves, of Orleans and of Porcien, and all the rest, but they had known, long before they knew all these names, the face of the Duchesse de Guise which thenceforward the names reflected back to them. I had begun with the fairy — were she fated shortly to perish — they with the woman&#xA;&#xA;   In middle-class families one sometimes sees jealousies spring up if the younger sister is married before the elder. So the aristocratic world, Courvoisiers especially but Guermantes also, reduced its ennobled greatness to simple domestic superiorities, by a system of child’s-play which I had me’ originally (and this gave it for me its sole charm) in books. Is it not just as though Tallemant des Réaux were speaking of the Guermantes, and not of the Rohans, when he relates with evident satisfaction how M. de Guéménée cried to his brother: “You can come in here; this is not the Louvre!” and said of the Chevalier de Rohan (because he was a natural son of the Duc de Clermont): “At any rate, he’s a Prince.” The only thing that distressed me in all this talk was to find that the absurd stories which were being circulated about the charming Hereditary Grand Duke of Luxembourg found as much credence in this drawing-room as they had among Saint-Loup’s friends. Plainly it was an epidemic that would not last longer than perhaps a year or two but had meanwhile infected everyone. People repeated the same old stories, or enriched them with others equally untrue. I gathered that the Princesse de Luxembourg herself, while apparently defending her nephew, supplied weapons for the assault. “You are wrong to stand up for him,” M. de Guermantes told me, as Saint-Loup had told me before. “Why, without taking into consideration the opinion of our family, who are unanimous about him, you have only to talk to his servants, and they, after all, are the people who know him best. M. de Luxembourg gave his little Negro page to his nephew. The Negro came back in tears: ‘Grand Duke beaten me; me no bad boy; Grand Duke naughty man,’ it’s really too much. And I can speak with some knowledge, he’s Oriane’s cousin.” I cannot, by the way, say how many times in the course of this evening I heard the word ‘cousin’ used. On the one hand, M. de Guermantes, almost at every name that was mentioned, exclaimed: “But he’s Oriane’s cousin!” with the sudden joy of a man who, lost in a forest, reads at the ends of a pair of arrows pointing in opposite directions on a metal plate, and followed by quite a low number of kilometres, the words: “Belvédère Casimir-Perier” and “Croix du Grand-Veneur,” and gathers from them that he is on the right road. On the other hand the word cousin was employed in a wholly different connexion (which was here the exception to the prevailing rule) by the Turkish Ambassadress, who had come in after dinner. Devoured by social ambition and endowed with a real power of assimilating knowledge, she would pick up with equal facility the story of the Retreat of the Ten Thousand or the details of sexual perversion among birds. It would have been impossible to ‘stump’ her on any of the most recent German publications, whether they dealt with political economy, mental aberrations, the various forms of onanism, or the philosophy of Epicurus. She was, incidentally, a dangerous person to listen to, for, perpetually in error, she would point out to you as being of the loosest morals women of irreproachable virtue, would put you on your guard against a gentleman whose intentions were perfectly honourable, and would tell you anecdotes of the sort that seem always to have come out of a book, not so much because they are serious as because they are so wildly improbable&#xA;&#xA;   She was at this period little received in society. She had been going for some weeks now to the houses of women of real social brilliance, such as the Duchesse de Guermantes, but as a general rule had confined herself, of necessity, in the noblest families, to obscure scions whom the Guermantes had ceased to know. She hoped to give herself a really fashionable air by quoting the most historic names of the little-known people who were her friends. At once M. de Guermantes, thinking that she was referring to people who frequently dined at his table, quivered with joy at finding himself once more in sight of a landmark and shouted the rallying-cry: “But he’s Oriane’s cousin! I know him as well as I know my own name. He lives in the Rue Vaneau. His mother was Mlle. d’Uzés.” The Ambassadress was obliged to admit that her specimen had been drawn from smaller game. She tried to connect her friends with those of M. de Guermantes by cutting across his track: “I know quite well who’ you mean. No, it’s not those ones, they’re cousins.” But this cross-current launched by the unfortunate Ambassadress ran but a little way. For M. de Guermantes, losing interest, answered: “Oh, then I don’t know who’ you’re talking about.” The Ambassadress offered no reply, for if she never knew anyone nearer than the ‘cousins’ of those whom she ought to have known in person, very often these ‘cousins’ were not even related at all. Then from the lips of M. de Guermantes, would flow a fresh wave of “But she’s Oriane’s cousin!” words which seemed to have for the Duke the same practical value as certain epithets, convenient to the Roman poets because they provided them with dactyls or spondees for their hexameters. At least the explosion of: “But she’s Oriane’s cousin!” appeared to me quite natural when applied to the Princesse de Guermantes, who was indeed very closely related to the Duchess. The Ambassadress did not seem to care for this Princess. She said to me in an undertone: “She is stupid. No, she is not so beautiful as all that. That claim is usurped. Anyhow,” she went on, with an air at once reflective, rejecting and decided, “I find her most uncongenial.” But often the cousinship extended a great deal further than this, Mme. de Guermantes making it a point of honour to address as ‘Aunt’ ladies with whom it would have been impossible to find her an ancestress in common without going back at least to Louis XV; just as, whenever the ‘hardness’ of the times brought it about that a multimillionairess married a prince whose great-great-grandfather had espoused, as had Oriane’s also, a daughter of Louvois, one of the chief joys of the fair American was to be able, after a first visit to the Hôtel de Guermantes, where she was, incidentally, more or less coldly received and hotly cross-examined, to say ‘Aunt’ to Mme. de Guermantes, who allowed her to do so with a maternal smile. But little did it concern me what birth meant for M. de Guermantes and M. de Monserfeuil; in the conversations which they held on the subject I sought only for a poetic pleasure. Without being conscious of it themselves, they procured me this pleasure as might a couple of labourers or sailors speaking of the soil or the tides, realities too little detached from their own lives for them to be capable of enjoying the beauty which personally I proceeded to extract from them&#xA;&#xA;   Sometimes rather than of a race it was of a particular fact, of a date that a name reminded me. Hearing M. de Guermantes recall that M. de Bréauté‘s mother had been a Choiseul and his grandmother a Lucinge, I fancied I could see beneath the commonplace shirt with its plain pearl studs, bleeding still in two globes of crystal, those august relics, the hearts of Mme. de Praslin and of the Duc de Berri. Others were more voluptuous: the fine and flowing hair of Mme. de Tallien or Mme. de Sabran&#xA;&#xA;   Better informed than his wife as to what their ancestors had been, M. de Guermantes found himself the possessor of memories which gave to his conversation a fine air of an ancient mansion stripped of its real treasures but still full of pictures, authentic, indifferent and majestic, which taken as a whole look remarkably well. The Prince d’Agrigente having asked why Prince Von had said, in speaking of the Due d’Aumale, ‘my uncle,’ M. de Guermantes had replied: “Because his mother’s brother, the Duke of Wurttemberg, married a daughter of Louis-Philippe.” At once I was lost in contemplation of a casket, such as Carpaccio or Memling used to paint, from its first panel in which the Princess, at the wedding festivities of her brother the Duc d’Orléans, appeared wearing a plain garden dress to indicate her resentment at having seen the return, empty-handed, of the ambassadors who had been sent to sue on her behalf for the hand of the Prince of Syracuse, down to the last, in which she had just given birth to a son, the Duke of Württemberg (the first cousin of the Prince whom I had met at dinner), in that castle called Fantaisie, one of those places which are as aristocratic as certain families. They, moreover, outlasting a single generation of men, see attached to themselves more than one historical personage. In this one, especially, survive side by side memories of the Margravine of Bayreuth, of this other somewhat fantastic Princess (the Duc d’Orléans’s sister), to whom it was said that the name of her husband’s castle made a distinct appeal, of the King of Bavaria, and finally of Prince Von, to whom it was simply his own postal address, at which he had just asked the Duc de Guermantes to write to him, for he had succeeded to it, and let it only during the Wagner festivals, to the Prince de Polignac, another delightful ‘fantasist.’ When M. de Guermantes, to explain how he was related to Mme. d’Arpajon, was obliged, going so far and so simply, to climb the chain formed by the joined hands of three or five ancestresses back to Marie-Louise or Colbert, it was still the same thing in each case; a great historical event appeared only in passing, masked, unnatural, reduced, in the name of a property, in the Christian names of a woman, so selected because she was the granddaughter of Louis-Philippe and Marie-Amélie, considered no longer as King and Queen of the French, but merely in the extent to which in their capacity as grandparents they bequeathed a heritage. (We see for other reasons in a gazetteer of the works of Balzac, where the most illustrious personages figure only according to their connexion with the Comédie Humaine, Napoleon occupy a space considerably less than that allotted to Rastignac, and occupy that space solely because he once spoke to the young ladies of Cinq-Cygne.) Similarly the aristocracy, in its heavy structure, pierced with rare windows, admitting a scanty daylight, shewing the same incapacity to soar but also the same massive and blind force as the architecture of the romanesque age, embodies all our history, immures it, beetles over it&#xA;&#xA;   Thus the empty spaces of my memory were covered by degrees with names which in taking order, in composing themselves with relation to one another, in linking themselves to one another by an increasingly numerous connexion, resembled those finished works of art in which there is not one touch that is isolated, in which every part in turn receives from the rest a justification which it confers on them&#xA;&#xA;   M. de Luxembourg’s name having come up again in the course of the conversation, the Turkish Ambassadress told us how, the young bride’s grandfather (he who had made that immense fortune out of flour and cereals) having invited M. de Luxembourg to luncheon, the latter had written to decline, putting on the envelope: “M. So-and-So, Miller,” to which the grandfather had replied: “I am all the more disappointed that you were not able to come, my dear friend, because I should have been able to enjoy your society quite intimately, for we were quite an intimate party, just ourselves, and there would have been only the Miller, his Son, and you.” This story was not merely utterly distasteful to me, who knew the impossibility of my dear M. de Nassau’s writing to the grandfather of his wife (whose fortune, moreover, he was expecting to inherit) and addressing him as ‘Miller’; but furthermore its stupidity became glaring from the start, the word ‘Miller’ having obviously been dragged in only to lead up to the title of La Fontaine’s fable. But there is in the Faubourg Saint-Germain a silliness so great, when it is aggravated by malice, that they decided that the letter had been sent and that the grandfather, as to whom at once everyone confidently declared that he was a remarkable man, had shewn a prettier wit than his grandson-in-law. The Duc de Châtellerault tried to take advantage of this story to tell the one that I had heard in the café: “Everyone had to lie down!”— but scarcely had he begun, or reported M. de Luxembourg’s pretension that in his wife’s presence M. de Guermantes ought to stand up, when the Duchess stopped him with the protest: “No, he is very absurd, but not as bad as that.” I was privately convinced that all these stories at the expense of M. de Luxembourg were equally untrue, and that whenever I found myself face to face with any of th reputed actors or spectators I should hear the same contradiction. I asked myself, nevertheless, whether the contradiction just uttered by Mme. de Guermantes had been inspired by regard for truth or by self-esteem. In either event the latter quality succumbed to malice, for she went on, with a laugh: “Not that I haven’t had my little fling at him too, for he invited me to luncheon, wishing to make me know the Grand Duchess of Luxembourg, which is how he has the good taste to describe his wife when he’s writing to his aunt. I sent a reply expressing my regret, and adding: As for the ‘Grand Duchess of Luxembourg’ (in inverted commas), tell her that if she is coming to see me I am at home every Thursday after five. I have even had another little fling. Happening to be at Luxembourg, I telephoned, asking him to ring me up. His Highness was going to luncheon, had just risen from luncheon, two hours went by and nothing happened; so then I employed another method: ‘Will you tell the Comte de Nassau to come and speak to me?’ Cut to the quick, he was at the instrument that very minute.” Everyone laughed at the Duchess’s story, and at other analogous, that is to say (I am convinced of it) equally untrue stories, for a man more intelligent, better, more refined, in a word more exquisite than this Luxembourg-Nassau I have never met. The sequel will shew that it was I who was in the right. I must admit that, in the midst of her onslaught, Mme. de Guermantes had still a kind word for him. “He was not always like that,” she informed us. “Before he went off his head, like the man in the story-book who thinks he’s become king, he was no fool, and indeed in the early days of his engagement he used to speak of it in really quite a nice way, as something he could never have dreamed of: ‘It’s just like a fairy-tale; I shall have to make my entry into Luxembourg in a fairy coach,’ he said to his uncle d’Ornessan, who answered — for you know it’s not a very big place, Luxembourg: ‘A fairy coach! I’m afraid, my dear fellow, you’d never get it in. I should suggest that you take a goat carriage.’ Not only did this not annoy Nassau, but he was the first to tell us the story, and to laugh at it.” “Ornessan is a witty fellow, and he’s every rea — son to be; his mother was a Montjeu. lie’s in a very bad way now, poor Ornessan.” This name had the magic virtue of interrupting the flow of stale witticisms which otherwise would have gone on for ever. In fact, M. de Guermantes had to explain that M. d’Ornessan’s great-grandmother had been the sister of Marie de Castille Montjeu, the wife of Timoléon de Lorraine, and consequently Oriane’s aunt, with the result that the conversation drifted back to genealogies, while the idiot of a Turkish Ambassadress breathed in my ear: “You appear to be very much in the Duke’s good books; have a care!” and, on my demanding an explanation: “I mean to say, you understand what I mean, he’s a man to whom one could safely entrust one’s daughter, but not one’s son.” Now if ever, on the contrary, a man existed who was passionately and exclusively a lover of women, it was certainly the Duc de Guermantes. The state of error, the falsehood fatuously believed to be the truth, were for the Ambassadress like a vital element out of which she could not move. “His brother Mémé, who is, as it happens, for other reasons altogether” (he did not bow to her) “profoundly uncongenial to me, is genuinely distressed by the Duke’s morals. So is their aunt Villeparisis. Ah, now, her I adore! There is a saint of a woman for you, the true type of the great ladies of the past. It’s not only her actual virtue that’s so wonderful but her restraint. She still says ‘Monsieur’ to the Ambassador Norpois whom she sees every day, and who, by the way, left an excellent impression behind him in Turkey.”&#xA;&#xA;   I did not even reply to the Ambassadress, in order to listen to the genealogies. They were not all of them important. There came up indeed in the course of the conversation one of those unexpected alliances, which, M. de Guermantes informed me, was a misalliance, but not without charm, for, uniting under the July Monarchy the Duc de Guermantes and the Duc de Fezensac with the two irresistible daughters of an eminent navigator, it gave the two Duchesses the exciting novelty of a grace exotically middle-class, ‘Louisphilippically’ Indian. Or else, under Louis XIV, a Norpois had married the daughter of the Duc de Mortenart, whose illustrious title struck, in the remoteness of that epoch, the name — which I had found colourless and might have supposed to be modern — of Norpois, carving deeply upon it the beauty of an old medal. And in these cases, moreover, it was not only the less well-known name that benefited by the association; the other, grown commonplace by the fact of its lustre, struck me more forcibly in this novel and more obscure aspect, just as among the portraits painted by a brilliant colourist the most striking is sometimes one that is all in black. The sudden mobility with which all these names seemed to me to have been endowed, as they sprang to take their places by the side of others from which I should have supposed them to be remote, was due not to my ignorance alone; the country-dances which they were performing in my mind they had carried out no less spontaneously at those epochs in which a title, being always attached to a piece of land, used to follow it from one family to another, so much so that, for example, in the fine feudal structure that is the title of Duc de Nemours or Duc de Chevreuse, I was able to discover successively hidden, as in the hospitable abode of a hermit-crab, a Guise, a Prince of Savoy, an Orléans, a Luynes. Sometimes several remained in competition for a single shell: for the Principality of Orange the Royal House of the Netherlands and MM. de Mailly-Nesle for the Duchy of Brabant the Baron de Charlus and the Royal House of Belgium, various others for the titles of Prince of Naples, Duke of Parma Duke of Reggio. Sometimes it was the other way; the shell had been so’ long uninhabited by proprietors long since dead that it had never occurred to me that this or that name of a country house could have been, at an epoch which after all was comparatively recent, the name of a family. And so, when M. de Guermantes replied to a question put to him by M. de Monserfeuil: “No, my cousin was a fanatical Royalist; she was the daughter of the Marquis de Féterne, who played a certain part in the Chouan rising,” on seeing this name Féterne, which had been for me, since my stay at Balbec, the name of a country house, become, what I had never dreamed that it could possibly be, a family name, I felt the same astonishment as in reading a fairy-tale, where turrets and a terrace come to life and turn into men and women. In this sense of the words, we may say that history, even mere family history, gives life to the old stones of a house. There have been in Parisian society men who played as considerable a part in it, who were more sought after for their distinction or for their wit, who were equally well born as the Duc de Guermantes or the Duc de La Trémoïlle. They have now fallen into oblivion because, as they left no descendants, their name which we no longer hear sounds like a name unknown; at most, the name of a thing beneath which we never think to discover the name of any person, it survives in some country house, some remote village. The day is not distant when the traveller who, in the heart of Burgundy, stops in the little village of Charlus to look at its church, if he has not sufficient industry or is in too great a hurry to examine its tombstones, will go away ignorant that this name, Charlus, was that of a man who ranked with the highest in the land. This thought reminded me that it was time to go, and that while I was listening to M. de Guermantes talking pedigrees, the hour was approaching at which I had promised to call upon his brother. “Who knows,” I continued to muse, “whether one day Guermantes itself may not appear nothing more than a place-name, save to the archaeologists who, stopping by chance at Combray and standing beneath the window of Gilbert the Bad, have the patience to listen to the account given them by Theodore’s successor or to read the Cure’s guide?” But so long as a great name is not extinct it keeps in the full light of day those men and women who bear it; and there can be no doubt that, to a certain extent, the interest which the illustriousness of these families gave them in my eyes lay in the fact that one can, starting from to-day, follow their ascending course, step by step, to a point far beyond the fourteenth century, recover the diaries and correspondence of all the forebears of M. de Charlus, of the Prince d’Agrigente, of the Princesse de Parme, in a past in which an impenetrable night would cloak the origins of a middle-class family, and in which we make out, in the luminous backward projection of a name, the origin and persistence of certain nervous characteristics, certain vices, the disorders of one or another Guermantes. Almost identical pathologically with their namesakes of the present day, they excite from century to century the startled interest of their correspondents, whether these be anterior to the Princess Palatine and Mme. de Motteville, or subsequent to the Prince de Ligne&#xA;&#xA;   However, my historical curiosity was faint in comparison with my aesthetic pleasure. The names cited had the effect of disincarnating the Duchess’s guests, whom, for all they might call themselves Prince d’Agrigente or de Cystira, their mask of flesh and of a common intelligence or want of intelligence had transformed into ordinary mortals, so much so that I had made my landing on the ducal door-mat not as upon the threshold (as I had supposed) but as at the farthest confines of the enchanted world of names. The Prince d’Agrigente himself, as soon as I heard that his mother had been a Damas, a granddaughter of the Duke of Modena, was delivered, as from an unstable chemical alloy, from the face and speech that prevented one from recognising him, and went to form with Damas and Modena, which themselves were only titles, a combination infinitely more seductive. Each name displaced by the attractions of another, with which I had never suspected it of having any affinity, left the unalterable position which it had occupied in my brain, where familiarity had dulled it, and, speeding to join the Mortemarts, the Stuarts or the Bourbons, traced with them branches of the most graceful design and an ever-changing colour. The name Guermantes itself received from all the beautiful names — extinct, and so all the more glowingly rekindled — with which I learned only now that it was connected, a new sense and purpose, purely poetical. At the most, at the extremity of each spray that burgeoned from the exalted stem, I could see it flower in some face of a wise king or illustrious princess, like the sire of Henri IV or the Duchesse de Longueville. But as these faces, different in this respect from those of the party around me, were not discoloured for me by any trace of physical experience or fashionable mediocrity, they remained, in their handsome outlines and rainbow iridescence, homogeneous with those names which at regular intervals, each of a different hue, detached themselves from the genealogical tree of Guermantes, and disturbed with no foreign or opaque matter the buds — pellucid, alternate, many-coloured — which (like, in the old Jesse windows, the ancestors of Jesus) blossomed on either side of the tree of glass&#xA;&#xA;   Already I had made several attempts to slip away, on account, more than for any other reason, of the triviality which my presence at it imparted to the gathering, albeit it was one of those which I had long imagined as being so beautiful — as it would doubtless have been had there been no inconvenient witness present. At least my departure would permit the other guests, once the profane intruder was no longer among them, to constitute themselves at length into a secret conclave. They would be free to celebrate the mysteries for the celebration of which they had met together, for it could obviously not have been to talk of Franz Hals or of avarice, and to talk of them in the same way as people talk in middle-class society. They uttered nothing but trivialities, doubtless because I was in the room, and I felt with some compunction, on seeing all these pretty women kept apart, that I was preventing them by my presence from carrying on, in the most precious of its drawing-rooms, the mysterious life of the Faubourg Saint-Germain. But this departure which I was trying at every moment to effect, M. and Mme. de Guermantes carried the spirit of self-sacrifice so far as to postpone, by keeping me in the room. A more curious thing still, several of the ladies who had come hurrying, delighted, beautifully dressed, with constellations of jewels, to be present at a party which, through my fault only, differed in no essential point from those that are given elsewhere than in the Faubourg Saint-Germain, any more than one feels oneself at Balbec to be in a town that differs from what one’s eyes are accustomed to see — several of these ladies retired not at all disappointed, as they had every reason to be, but thanking Mme. de Guermantes most effusively for the delightful evening which they had spent, as though on the other days, those on which I was not present, nothing more used to occur&#xA;&#xA;   Was it really for the sake of dinners such as this that all these people dressed themselves up and refused to allow the penetration of middle-class women into their so exclusive drawing-rooms — for dinners such as this? The same, had I been absent? The suspicion flashed across my mind for a moment, but it was too absurd. Plain commonsense enabled me to brush it aside. And then, if I had adopted it, what would have been left of the name Guermantes, already so degraded since Combray?&#xA;&#xA;   It struck me that these flower-maidens were, to a strange extent, either ready to be pleased with another person or anxious to make that person pleased with them, for more than one of them, to whom I had not uttered, during the whole course of the evening, more than two or three casual remarks, the stupidity of which had left me blushing, made a point, before leaving the drawing-room, of coming to tell me, fastening on me her fine caressing eyes, straightening as she spoke the garland of orchids that followed the curve of her bosom, what an intense pleasure it had been to her to make my acquaintance, and to speak to me — a veiled allusion to an invitation to dinner — of her desire to ‘arrange something’ after she had ‘fixed a day’ with Mme. de Guermantes. None of these flower ladies left the room before the Princesse de Parme. The presence of that lady — one must never depart before Royalty — was one of the two reasons, neither of which I had guessed, for which the Duchess had insisted so strongly on my remaining. As soon as Mme. de Parme had risen, it was like a deliverance. Each of the ladies having made a genuflexion before the Princess, who raised her up from the ground, they received from her, in a kiss, and like a benediction which they had craved kneeling, the permission to ask for their cloaks and carriages. With the result that there followed, at the front door, a sort of stentorian recital of great names from the History of France. The Princesse de Parme had forbidden Mme. de Guermantes to accompany her downstairs to the hall for fear of her catching cold, and the Duke had added: “There, Oriane, since Ma’am gives you leave, remember what the doctor told you.”&#xA;&#xA;    “I am sure the Princesse de Parme was most pleased to take dinner with you.” I knew the formula. The Duke had come the whole way across the drawing-room in order to utter it before me with an obliging, concerned air, as though he were handing me a diploma or offering me a plateful of biscuits. And I guessed from the pleasure which he appeared to be feeling as he spoke, and which brought so sweet an expression momentarily into his face, that the effort which this represented for him was of the kind which he would continue to make to the very end of his life, like one of those honorific and easy posts which, even when paralytic, one is still allowed to retain&#xA;&#xA;   Just as I was about to leave, the lady in waiting reappeared in the drawing-room, having forgotten to take away some wonderful carnations, sent up from Guermantes, which the Duchess had presented to Mme. de Parme. The lady in waiting was somewhat flushed, one felt that she had just been receiving a scolding, for the Princess, so kind to everyone else, could not contain her impatience at the stupidity of her attendant. And so the latter picked up the flowers and ran quickly, but to preserve her air of ease and independence flung at me as she passed: “The Princess says I’m keeping her waiting; she wants to be gone, and to have the carnations as well. Good lord! I’m not a little bird, I can’t be in two places at once.”&#xA;&#xA;   Alas! the rule of not leaving before Royalty was not the only one. I could not depart at once, for there was another: this was that the famous lavishness, unknown to the Courvoisiers, with which the Guermantes, whether opulent or practically ruined, excelled in entertaining their friends, was not only a material lavishness, of the kind that I had often experienced with Robert de Saint-Loup, but also a lavish display of charming words, of courteous actions, a whole system of verbal elegance supplied from a positive treasure-house within. But as this last, in the inactivity of fashionable existence, must remain unemployed, it expanded at times, sought an outlet in a sort of fugitive effusion, all the more intense, which might, in Mme. de Guermantes, have led one to suppose a genuine affection for oneself. Which she did, for that matter, feel at the moment when she let it overflow, for she found then in the society of the friend, man or woman, with whom she happened to be a sort of intoxication, in no way sensual, similar to that which music produces in certain people; she would suddenly detach a flower from her bodice, or a medallion, and present it to someone with whom she would have liked to prolong the evening, with a melancholy feeling the while that such a prolongation could have led to nothing but idle talk, into which nothing could have passed of the nervous pleasure, the fleeting emotion, similar to the first warm days of spring in the impression they leave behind them of exhaustion and regret. As for the friend, it did not do for him to put too implicit a faith in the promises, more exhilarating than anything he had ever heard, tendered by these women who, because they feel with so much more force the sweetness of a moment, make of it, with a delicacy, a nobility of which normally constituted creatures are incapable, a compelling masterpiece of grace and goodness, and have no longer anything of themselves left to give when the next moment has arrived. Their affection does not outlive the exaltation that has dictated it; and the subtlety of mind which had then led them to divine all the things that you wished to hear and to say them to you will permit them just as easily, a few days later, to seize hold of your absurdities and use them to entertain another of their visitors with whom they will then be in the act of enjoying one of those ‘musical moments’ which are so brief&#xA;&#xA;   In the hall where I asked a footman for my snowboots which I had brought as a precaution against the snow, several flakes of which had already fallen, to be converted rapidly into slush, not having realised that they were hardly fashionable, I felt, at the contemptuous smile on all sides, a shame which rose to its highest pitch when I saw that Mme. de Parme had not gone and was watching me put on my American ‘rubbers.’ The Princess came towards me. “Oh! What a good idea,” she exclaimed, “it’s so practical! There’s a sensible man for you. Madame, we shall have to get a pair of those,” she went on to her lady in waiting, while the mockery of the footmen turned to respect and the other guests crowded round me to inquire where I had managed to find these marvels. “With those on, you will have nothing to fear even if it starts snowing again and you have a long way to go. You’re independent of the weather,” said the Princess to me. “Oh! If it comes to that, your Royal Highness can be reassured,” broke in the lady in waiting with a knowing air, “it will not snow again.” “What do you know about it, Madame?” came witheringly from the excellent Princesse de Parme, who alone could succeed in piercing the thick skin of her lady in waiting. “I can assure your Royal Highness, it cannot snow again. It is a physical impossibility.” “But why?” “It cannot snow any more, they have taken the necessary steps to prevent it, they have put down salt in the streets!” The simple-minded lady did not observe either the anger of the Princess or the mirth of the rest of her audience, for instead of remaining silent she said to me with a genial smile, paying no heed to my repeated denials of any connexion with Admiral Jurien de la Gravière: “Not that it matters, after all. This gentleman must have stout sea-legs. What’s bred in the bone!”&#xA;&#xA;   Then, having escorted the Princesse de Parme to her carriage, M. de Guermantes said to me, taking hold of my greatcoat: “Let me help you into your skin.” He had ceased even to smile when he employed this expression, for those that were most vulgar had for that very reason, because of the Guermantes affectation of simplicity, become aristocratic&#xA;&#xA;   An exaltation that sank only into melancholy, because it was artificial, was what I also, although quite differently from Mme. de Guermantes, felt once I had finally left her house, in the carriage that was taking me to that of M. de Charlus. We can at pleasure abandon ourselves to one or other of two forces of which one rises in ourselves, emanates from our deepest impressions, the other comes to us from without. The first carries with it naturally a joy, the joy that springs from the life of the creator. The other current, that which endeavours to introduce into us the movement by which persons external to ourselves are stirred, is not accompanied by pleasure; but we can add a pleasure to it, by the shock of reaction, in an intoxication so feigned that it turns swiftly into boredom, into melancholy, whence the gloomy faces of so many men of fashion, and all those nervous conditions which may make them end in suicide. Well, in the carriage which was taking me to M. de Charlus, I was a prey to this second sort of exaltation, widely different from that which is given us by a personal impression, such as I had received in other carriages, once at Combray, in Dr. Percepied’s gig, from which I had seen painted against the setting sun the spires of Martinville, another day at Balbec, in Mme. de Villeparisis’s barouche, when I strove to identify the reminiscence that was suggested to me by an avenue of trees. But in this third carriage, what I had before my mind’s eye were those conversations that had seemed to me so tedious at Mme. de Guermante’s dinner-table, for example Prince Von’s stories about the German Emperor, General Botha and the British Army. I had slipped them into the frame of the internal stereoscope through the lenses of which, once we are no longer ourselves, once, endowed with the spirit of society, we no longer wish to receive our life save from other people, we cast into relief what they have said and done. Like a tipsy man filled with tender feeling for the waiter who has been serving him, I marvelled at my good fortune, a good fortune not realised by me, it is true, at the actual moment, in having dined with a person who knew William II so well, and had told stories about him that were — upon my word — really witty. And, as I repeated to myself, with the Prince’s German accent, the story of General Botha, I laughed out loud, as though this laugh, like certain kinds of applause which increase one’s inward admiration, were necessary to the story as a corroboration of its comic element. Through the magnifying lenses even those of Mme. de Guermantes’s pronouncements which had struck me as being stupid (as for example that on the Hals pictures which one ought to see from the top of a tramway-car) took on a life, a depth that were extraordinary. And I must say that, even if this exaltation was quick to subside, it was not altogether unreasonable. Just as there may always come a day when we are glad to know the person whom we despise more than anyone in the world because he happens to be connected with a girl with whom we are in love, to whom he can introduce us, and thus offers us both utility and gratification, attributes in each of which we should have supposed him to be entirely lacking, so there is no conversation, any more than there are personal relations, from which we can be certain that we shall not one day derive some benefit. What Mme. de Guermantes had said to me about the pictures which it would be interesting to see, even from a tramway-car, was untrue, but it contained a germ of truth which was of value to me later on&#xA;&#xA;   Similarly the lines of Victor Hugo which I had heard her quote were, it must be admitted, of a period earlier than that in which he became something more than a new man, in which he brought to light, in the order of evolution, a literary species till then unknown, endowed with more complex organs than any then in existence. In these first poems, Victor Hugo is still a thinker, instead of contenting himself, like Nature, with supplying food for thought. His ‘thoughts’ he at that time expressed in the most direct form, almost in the sense in which the Duke employed the word when, feeling it to be out of date and a nuisance that the guests at his big parties at Guermantes should, in the visitors’ book, append to their signatures a philosophico-poetical reflexion, he used to warn novices in an appealing tone: “Your name, my dear fellow, but no ‘thoughts’ please!” Well, it was these ‘thoughts’ of Victor Hugo (almost as entirely absent from the Légende des Siècles as ‘airs,’ as ‘melodies’ are from Wagner’s later manner) that Mme. de Guermantes admired in the early Hugo. Nor was she altogether wrong. They were touching, and already round about them, without their form’s having yet the depth which it was to acquire only in later years, the rolling tide of words and of richly articulated rhymes put them beyond comparison with the lines that one might discover in a Corneille, for example, lines in which a Romanticism that is intermittent, restrained and so all the more moving, nevertheless has not at all penetrated to the physical sources of life, modified the unconscious and generalisable organism in which the idea is latent. And so I had been wrong in confining myself, hitherto, to the later volumes of Hugo. Of the earlier, of course, it was only a fractional part that Mme. de Guermantes used to embellish her conversation. But simply by quoting in this way an isolated line one multiplies its power of attraction tenfold. The lines that had entered or returned to my mind during this dinner magnetised in turn, summoned to themselves with such force the poems in the heart of which they were normally embedded, that my magnetised hands could not hold out for longer than forty-eight hours against the force that drew them towards the volume in which were bound up the Orientales and the Chants du Crépuscule. I cursed Franchise’s footman for having made a present to his native village of my copy of the Feuilles d’Automne, and sent him off, with not a moment to be lost, to procure me another. I read these volumes from cover to cover and found peace of mind only when I suddenly came across, awaiting me in the light in which she had bathed them, the lines that I had heard Mme. de Guermantes quote. For all these reasons, conversations with the Duchess resembled the discoveries that we make in the library of a country house, out of date, incomplete, incapable of forming a mind, lacking in almost everything that we value, but offering us now and then some curious scrap of information, for instance the quotation of a fine passage which we did not know and as to which we are glad to remember in after years that we owe our knowledge of it to a stately mansion of the great. We are then, by having found Balzac’s preface to the Chartreuse, or some unpublished letters of Joubert, tempted to exaggerate the value of the life we led there, the sterile frivolity of which, for this windfall of a single evening, we forget&#xA;&#xA;   From this point of view, if the fashionable world had been unable, at the first moment, to provide what my imagination expected, and must consequently strike me first of all by what it had in common with all the other worlds rather than by its difference, still it revealed itself to me by degrees as something quite distinct. Great noblemen are almost the only people of whom one learns as much as one does of peasants; their conversation is adorned with everything that concerns the land, houses, as people used to live in them long ago, old customs, everything of which the world of money is profoundly ignorant. Even supposing that the aristocrat most moderate in his aspirations has finally overtaken the period in which he lives, his mother, his uncles, his great-aunts keep him in touch, when he recalls his childhood, with the conditions of a life almost unknown today. In the death-chamber of a contemporary corpse Mme. de Guermantes would not have pointed out, but would immediately have perceived, all the lapses from the traditional customs. She was shocked to see at a funeral women mingling with the men, when there was a particular ceremony which ought to be celebrated for the women. As for the pall, the use of which Bloch would doubtless have believed to be confined to coffins, on account of the pall bearers of whom one reads in the reports of funerals, M. de Guermantes could remember the time when, as a child, he had seen it borne at the wedding of M. de Mailly-Nesle. While Saint-Loup had sold his priceless ‘Genealogical Tree,’ old portraits of the Bouillons, letters of Louis XIII, in order to buy Carrières and furniture in the modern style, M. and Mme. de Guermantes, moved by a sentiment in which the burning love of art may have played only a minor part, and which left them themselves more insignificant than before, had kept their marvellous Boule furniture, which presented a picture attractive in a different way to an artist. A literary man would similarly have been enchanted by their conversation, which would have been for him — for one hungry man has no need of another to keep him company — a living dictionary of all those expressions which every day are becoming more and more forgotten: Saint-Joseph cravats, children dedicated to the Blue, and so forth, which one finds to-day only among those people who have constituted themselves the friendly and benevolent custodians of the past. The pleasure that a writer, more than among other writers, feels among them is not without danger, for there is a risk of his coming to believe that the things of the past have a charm in themselves, of his transferring them bodily into his work, still-born in that case, exhaling a tedium for which he consoles himself with the reflexion: “It is attractive because it’s true; that is how people do talk.” These aristocratic conversations had moreover the charm, with Mme. de Guermantes, of being couched in excellent French. For this reason they made permissible on the Duchess’s part her hilarity at the words ‘viaticum,’ ‘cosmic,’ ‘pythian,’ ‘pre-eminent,’ which Saint-Loup used to employ — as, similarly, at his Bing furniture&#xA;&#xA;   When all was said, very different in this respect from what I had been able to feel before the hawthorns, or when I tasted a crumb of madeleine, the stories that I had heard at Mme. de Guermantes’s remained alien to me. Entering for a moment into me, who was only physically possessed by them, one would have said that, being of a social, not an individual nature, they were impatient to escape. I writhed in my seat in the carriage like the priestess of an oracle. I looked forward to another dinner-party at which I might myself become a sort of Prince Von to Mme. de Guermantes, and repeat them. In the meantime they made my lips quiver as I stammered them to myself, and I tried in vain to bring back and concentrate a mind that was carried away by a centrifugal force. And so it was with a feverish impatience not to have to bear the whole weight of them any longer by myself in a carriage where, for that matter, I atoned for the lack of conversation by soliloquising aloud, that I rang the bell at M. de Charlus’s door, and it was in long monologues with myself, in which I rehearsed everything that I was going to tell him and gave scarcely a thought to what he might have to say to me, that I spent the whole of the time during which I was kept waiting in a drawing-room into which a footman shewed me and where I was incidentally too much excited to look at what it contained. I felt so urgent a need that M. de Charlus should listen to the stories which I was burning to tell him that I was bitterly disappointed to think that the master of the house was perhaps in bed, and that I might have to go home to sleep off by myself my drunkenness of words. I had just noticed, in fact, that I had been twenty-five minutes — that they had perhaps forgotten about me — in this room of which, despite this long wait, I could at the most have said that it was very big, greenish in colour, and contained a large number of portraits. The need to speak prevents one not merely from listening but from seeing things, and in this case the absence of any description of my external surroundings is tantamount to a description of my internal state. I was preparing to leave the room to try to get hold of some one, and if I found no one to make my way back to the hall and have myself let out, when, just as I had risen from my chair and taken a few steps across the mosaic parquet of the floor, a manservant came in, with a troubled expression: “Monsieur le Baron has been engaged all evening, Sir,” he told me. “There are still several people waiting to see him. I am doing everything I possibly can to get him to receive you, I have already telephoned up twice to the secretary.” “No; please don’t bother. I had an appointment with M. le Baron, but it is very late already, and if he is busy this evening I can come back another day.” “Oh no, Sir, you must not go away,” cried the servant. “M. le Baron might be vexed. I will try again.” I was reminded of the things I had heard about M. de Charlus’s servants and their devotion to their master. One could not quite say of him as of the Prince de Conti that he sought to give pleasure as much to the valet as to the Minister, but he had shewn such skill in making of the least thing that he asked of them a sort of personal favour that at night, when, his body-servants assembled round him at a respectful distance, after running his eye over them he said: “Coignet, the candlestick!” or “Ducret, the nightshirt!” it was with an envious murmur that the rest used to withdraw, jealous of him who had been singled out by his master’s favour. Two of them, indeed, who could not abide one another, used to try to snatch the favour each from his rival by going on the most flimsy pretext with a message to the Baron, if he had gone upstairs earlier than usual, in the hope of being invested for the evening with the charge of candlestick or nightshirt. If he addressed a few words directly to one of them on some subject outside the scope of his duty, still more if in winter, in the garden, knowing that one of his coachmen had caught cold, he said to him, after ten minutes: “Put your cap on!” the others would not speak to the fellow again for a fortnight, in their jealousy of the great distinction that had been conferred on him. I waited ten minutes more, and then, after requesting me not to stay too long as M. le Baron was tired and had had to send away several most important people who had made appointments with him many days before, they admitted me to his presence. This setting with which M. de Charlus surrounded himself seemed to me a great deal less impressive than the simplicity of his brother Guermantes, but already the door stood open, I could see the Baron, in a Chinese dressing-gown, with his throat bare, lying upon a sofa. My eye was caught at the same moment by a tall hat, its nap flashing like a mirror, which had been left on a chair with a cape, as though the Baron had but recently come in. The valet withdrew. I supposed that M. de Charlus would rise to greet me. Without moving a muscle he fixed on me a pair of implacable eyes. I went towards him, I said good evening; he did not hold out his hand, made no reply, did not ask me to take a chair. After a moment’s silence I asked him, as one would ask an ill-mannered doctor, whether it was necessary for me to remain standing. I said this without any evil intention, but my words seemed only to intensify the cold fury on M. de Charlus’s face. I was not aware, as it happened, that at home, in the country, at the Château de Charlus, he was in the habit, after dinner (so much did he love to play the king) of sprawling in an armchair in the smoking-room, letting hi3 guests remain standing round him. He would ask for a light from one, offer a cigar to another and then, after a few minutes’ interval, would say: “But Argencourt, why don’t you sit down? Take a chair, my dear fellow,” and so forth, having made a point of keeping them standing simply to remind them that it was from himself that permission came to them to be seated. “Put yourself in the Louis XIV seat,” he answered me with an imperious air, as though rather to force me to move away farther from himself than to invite me to be seated. I took an armchair which was comparatively near. “Ah! so that is what you call a Louis XIV seat, is it? I can see you have been well educated,” he cried in derision. I was so much taken aback that I did not move, either to leave the house, as I ought to have done, or to change my seat, as he wished. “Sir,” he next said to me, weighing each of his words, to the more impertinent of which he prefixed a double yoke of consonants, “the interview which I have condescended to grant you at the request of a person who desires to be nameless, will mark the final point in our relations. I shall not conceal from you that I had hoped for better things! I should perhaps be forcing the sense of the words a little, which one ought not to do, even with people who are ignorant of their value, simply out of the respect due to oneself, were I to tell you that I had felt a certain attraction towards you. I think, however, that benevolence, in its most actively protecting sense, would exceed neither what I felt nor what I was proposing to display. I had, immediately on my return to Paris, given you to understand, while you were still at Balbec, that you could count upon me.” I who remembered with what a torrent of abuse M. de Charlus had parted from me at Balbec made an instinctive gesture of contradiction. “What!” he cried with fury, and indeed his face, convulsed and white, differed as much from his ordinary face as does the sea when on a morning of storm one finds instead of its customary smiling surface a thousand serpents writhing in spray and foam, “do you mean to pretend that you did not receive my message — almost a declaration — that you were to remember me? What was there in the way of decoration round the cover of the book that I sent you?” “Some very pretty twined garlands with tooled ornaments,” I told him. “Ah!” he replied, with an air of scorn, “these young Frenchmen know little of the treasures of our land. What would be said of a young Berliner who had never heard of the Walküre? Besides, you must have eyes to see and see not, since you yourself told me that you had stood for two hours in front of that particular treasure. I can see that you know no more about flowers than you do about styles; don’t protest that you know about styles,” he cried in a shrill scream of rage, “you can’t even tell me what you are sitting on. You offer your hindquarters a Directorychauffeuse as a Louis XIV bergère. One of these days you’ll be mistaking Mme. de Villeparisis’s knees for the seat of the rear, and a fine mess you’ll make of things then. It’s precisely the same; you didn’t even recognise on the binding of Bergotte’s book the lintel of myosotis over the door of Balbec church. Could there be any clearer way of saying to you: ‘Forget me not!’?” I looked at M. de Charlus. Undoubtedly his magnificent head, though repellent, yet far surpassed that of any of his relatives; you would have called him an Apollo grown old; but an olive-hued, bilious juice seemed ready to start from the corners of his evil mouth; as for intellect, one could not deny that his, over a vast compass, had taken in many things which must always remain unknown to his brother Guermantes. But whatever the fine words with which he coloured all his hatreds, one felt that, even if there was now an offended pride, now a disappointment in love, or a rancour, or sadism, a love of teasing, a fixed obsession, this man was capable of doing murder, and of proving by force of logic that he had been right in doin^ it and was still superior by a hundred cubits in moral stature to his brother, his sister-in-law, or any of the rest. “Just as, in Velazquez’sLances,” he went on, “the victor advances towards him who is the humbler in rank, as is the duty of every noble nature, since I was everything and you were nothing, it was I who took the first steps towards you. You have made an idiotic reply to what it is not for me to describe as an act of greatness. But I have not allowed myself to be discouraged. Our religion inculcates patience. The patience I have shewn towards you will be counted, I hope, to my credit, and also my having only smiled at what might be denounced as impertinence, were it within your power to offer any impertinence to me who surpass you in stature by so many cubits; but after all, Sir, all this is now neither here nor there. I have subjected you to the test which the one eminent man of our world has ingeniously named the test of excessive friendliness, and which he rightly declares to be the most terrible of all, the only one that can separate the good grain from the tares. I could scarcely reproach you for having undergone it without success, for those who emerge from it triumphant are very few. But at least, and this is the conclusion which I am entitled to draw from the last words that we shall exchange on this earth, at least I intend to hear nothing more of your calumnious fabrications.” So far, I had never dreamed that M. de Charlus’s rage could have been caused by an unflattering remark which had been repeated to him; I searched my memory; I had not spoken about him to anyone. Some evil-doer had invented the whole thing. I protested to-M. de Charlus that I had said absolutely nothing about him. “I don’t think I can have annoyed you by saying to Mme. de Guermantes that I was a friend of yours.” He gave a disdainful smile, made his voice climb to the supreme pitch of its highest register, and there, without strain, attacking the shrillest and most insolent note: “Oh! Sir,” he said, returning by the most gradual stages to a natural intonation, and seeming to revel as he went in the oddities of this descending scale, “I think that you are doing yourself an injustice when you accuse yourself of having said that we were friends. I do not look for any great verbal accuracy in anyone who could readily mistake a piece of Chippendale for a rococo chaire, but really I do not believe,” he went on, with vocal caresses that grew more and more winning and brought to hover over his lips what was actually a charming smile, “I do not believe that you can ever have said, or thought, that we were frlends! As for your having boasted that you had been presented to me, had talked to me, knew me slightly, had obtained, almost without solicitation, the prospect of coming one day under my protection, I find it on the contrary very natural and intelligent of you to have done so. The extreme difference in age that there is between us enables me to recognise without absurdity that thatpresentation, those talks, that vague prospect of future relations were for you, it is not for me to say an honour, but still, when all is said and done, an advantage as to which I consider that your folly lay not in divulging it but in not having had the sense to keep it. I will go so far as to say,” he went on, passing abruptly for a moment from his arrogant wrath to a gentleness so tinged with melancholy that I expected him to burst into tears, “that when you left unanswered the proposal I made to you here in Paris it seemed to me so unheard-of an act on your part, coming from you who had struck me as well brought up and of a good bourgeois family,” (on this adjective alone his voice sounded a little whistle of impertinence) “that I was foolish enough to imagine all the excuses that never really happen, letters miscarrying, addresses copied down wrong. I can see that on my part it was great foolishness, but Saint Bonaventure preferred to believe that an ox could fly rather than that his brother was capable of lying. Anyhow, that is all finished now, the idea did not attract you, there is no more to be said. It seems to me only that you might have brought yourself,” (and there was a genuine sound of weeping in his voice) “were it only out of consideration for my age, to write to me. I had conceived and planned for you certain infinitely seductive things, which I had taken good care not to tell you. You have preferred to refuse without knowing what they were; that is your affair. But, as I tell you, one can always write. In your place, and indeed in my own, I should have done so. I like my place, for that reason, better than yours — I say ‘for that reason’ because I believe that we are all equal, and I have more fellow-feeling for an intelligent labourer than for many of our dukes. But I can say that I prefer my place to yours, because what you have done, in the whole course of my life, which is beginning now to be a pretty long one, I am conscious that I have never done.” His head was turned away from the light, and I could not see if his eyes were dropping tears as I might have supposed from his voice. “I told you that I had taken a hundred steps towards you; the only effect of that has been to make you retire two hundred from me. Now it is for me to withdraw, and we shall know one another no longer. I shall retain not your name but your story, so that at moments when I might be tempted to believe that men have good hearts, good manners, or simply the intelligence not to allow an unparalleled opportunity to escape them, I may remember that that is ranking them too highly. No, that you should have said that you knew me, when it was true — for henceforward it ceases to be true — I regard that as only natural, and I take it as an act of homage, that is to say something pleasant. Unfortunately, elsewhere and in other circumstances, you have uttered remarks of a very different nature.” “Sir, I swear to you that I have said nothing that could insult you.” “And who says that I am insulted?” he cried with fury, flinging himself into an erect posture on the seat on which hitherto he had been reclining motionless, while, as the pale frothing serpents stiffened in his face, his voice became alternately shrill and grave, like the deafening onrush of a storm. (The force with which he habitually spoke, which used to make strangers turn round in the street, was multiplied an hundredfold, as is a musical forte if, instead of being played on the piano, it is played by an orchestra, and changed into afortissimo as well. M. de Charlus roared.) “Do you suppose that it is within your power to insult me? You evidently are not aware to whom you are speaking? Do you imagine that the envenomed spittle of five hundred little gentlemen of your type, heaped one upon another, would succeed in slobbering so much as the tips of my august toes?” A moment before this my desire to persuade M. de Charlus that I had never said, nor heard anyone else say any evil of him had given place to a mad rage, caused by the words which were dictated to him solely, to my mind, by his colossal pride. Perhaps they were indeed the effect, in part at any rate, of this pride. Almost all the rest sprang from a feeling of which I was then still ignorant, and for which I could not therefore be blamed for not making due allowance. I could at least, failing this unknown element, have mingled with his pride, had I remembered the words of Mme. de Guermantes, a trace of madness. But at that moment the idea of madness never even entered my head. There was in him, according to me, only pride, in me there was only fury. This fury (at the moment when M. de Charlus ceased to shout, in order to refer to his august toes, with a majesty that was accompanied by a grimace, a nausea of disgust at his obscure blasphemers), this fury could contain itself no longer. With an impulsive movement, I wanted to strike something, and, a lingering trace of discernment making me respect the person of a man so much older than myself, and even, in view of their dignity as works of art, the pieces of German porcelain that were grouped around him, I flung myself upon the Baron’s new silk hat, dashed it to the ground, trampled upon it, began blindly pulling it to pieces, wrenched off the brim, tore the crown in two, without heeding the vociferations of M. de Charlus, which continued to sound, and, crossing the room to leave it, opened the door. One on either side of it, to my intense stupefaction, stood two footmen, who moved slowly away, so as to appear only to have been casually passing in the course of their duty. (I afterwards learned their names; one was called Burnier, the other Charmel.) I was not taken in for a moment by this explanation which their leisurely gait seemed to offer me. It was highly improbable; three others appeared to me to be less so; one that the Baron sometimes entertained guests against whom, as he might happen to need assistance (but why?), he deemed it necessary to keep reinforcements posted close at hand. The second was that, drawn by curiosity, they had stopped to listen at the keyhole, not thinking that I should come out so quickly. The third, that, the whole of the scene which M. de Charlus had made with me having been prepared and acted, he had himself told them to listen, from a love of the spectacular combined, perhaps, with a ‘nunc crudimini‘ from which each would derive a suitable profit&#xA;&#xA;   My anger had not calmed that of M. de Charlus, my departure from the room seemed to cause him acute distress; he called me back, made his servants call me back, and finally, forgetting that a moment earlier, when he spoke of his ‘august toes,’ he had thought to make me a witness of his own deification, came running after me at full speed, overtook me in the hall, and stood barring the door. “There, now,” he said, “don’t be childish; come back for a minute; he who loveth well chasteneth well, and if I have chastened you well it is because I love you well.” My anger had subsided; I let the word ‘chasten’ pass, and followed the Baron, who, summoning a footman, ordered him without a trace of self-consciousness to clear away the remains of the shattered hat, which was replaced by another. “If you will tell me, Sir, who it is that has treacherously maligned me,” I said to M. de Charlus, “I will stay here to learn his name and to confute the impostor.” “Who? Do you not know? Do you retain no memory of the things you say? Do you think that the people who do me the service of informing me of those things do not begin by demanding secrecy? And do you imagine that I am going to betray a person to whom I have given my promise?” “Sir, is it impossible then for you to tell me?” I asked, racking my brains in a final effort to discover (and discovering no one) to whom I could have spoken about M. de Charlus. “You did not hear me say that I had given a promise of secrecy to my informant?” he said in a snapping voice. “I see that with your fondness for abject utterances you combine one for futile persistence. You ought to have at least the intelligence to profit by a final conversation, and so to speak as to say something that does not mean precisely nothing.” “Sir,” I replied, moving away from him, “you insult me; I am unarmed, because you are several times my age, we are not equally matched; on the other hand, I cannot convince you; I have already sworn to you that I have said nothing.” “I am lying, then, am I?” he cried in a terrifying tone, and with a bound forwards that brought him within a yard of myself. “Some one has misinformed you.” Then in a gentle, affectionate, melancholy voice, as in those symphonies which are played without any break between the different movements, in which a gracefulscherzo, amiable and idyllic, follows the thunder-peals of the opening pages: “It is quite possible,” he told me. “Generally speaking, a remark repeated at second hand is rarely true. It is your fault if, not having profited by the opportunities of seeing me which I had held out to you, you have not furnished me, by that open speech of daily intercourse which creates confidence, with the unique and sovereign remedy against a spoken word which made you out a traitor. Either way, true or false, the remark has done its work. I can never again rid myself of the impression it made on me. I cannot even say that he who chasteneth well loveth well, for I have chastened you well enough but I no longer love you.” While saying this he had forced me to sit down and had rung the bell. A different footman appeared. “Bring something to drink and order the brougham.” I said that I was not thirsty and besides had a carriage waiting. “They have probably paid him and sent him away,” he told me, “you needn’t worry about that. I am ordering a carriage to take you home. . . . If you’re anxious about the time . . . I could have given you a room here. . . . ” I said that my mother would be uneasy. “Ah! Of course, yes. Well, true or false, the remark has done its work. My affection, a trifle premature, had flowered too soon, and, like those apple trees of which you spoke so poetically at Balbec, it has been unable to withstand the first frost.” If M. de Charlus’s affection for me had not been destroyed, he could hardly have acted differently, since, while assuring me that we were no longer acquainted, he made me sit down, drink, asked me to stay the night, and was going now to send me home. He had indeed an air of dreading the moment at which he must part from me and find himself alone, that sort of slightly anxious fear which his sister-in-law and cousin Guermantes had appeared to me to be feeling when she had tried to force me to stay a little longer, with something of the same momentary fondness for myself, of the same effort to prolong the passing minute. “Unfortunately,” he went on, “I have not the power to make blossom again what has once been destroyed. My affection for you is quite dead. Nothing can revive it. I believe that it is not unworthy of me to confess that I regret it. I always feel myself to be a little like Victor Hugo’s Boaz: ‘I am widowed and alone, and the darkness gathers o’er me.’”&#xA;&#xA;   I passed again with him through the big green drawing-room. I told him, speaking quite at random, how beautiful I thought it. “Ain’t it?” he replied. “It’s a good thing to be fond of something. The woodwork is Bagard. What is rather charming, d’you see, is that it was made to match the Beauvais chairs and the consoles. You observe, it repeats the same decorative design. There used to be only two places where you could see this, the Louvre and M. d’Hinnisdal’s house. But naturally, as soon as I had decided to come and live in this street, there cropped up an old family house of the Chimays which nobody had ever seen before because it came here expressly for me. On the whole, it’s good. It might perhaps be better, but after all it’s not bad. Some pretty things, ain’t there? These are portraits of my uncles, the King of Poland and the King of England, by Mignard. But why am I telling you all this? You must know it as well as I do, you were waiting in this room. No? Ah, then they must have put you in the blue drawing-room,” he said with an air that might have been either impertinence, on the score of my want of interest, or personal superiority, in not having taken the trouble to ask where I had been kept waiting. “Look now, in this cabinet I have all the hats worn by Mlle. Elisabeth, by the Princesse de Lamballe, and by the Queen. They don’t interest you, one would think you couldn’t see. Perhaps you are suffering from an affection of the optic nerve. If you like this kind of beauty better, here is a rainbow by Turner beginning to shine out between these two Rembrandts, as a sign of our reconciliation. You hear: Beethoven has come to join him.” And indeed one could hear the first chords of the third part of the Pastoral Symphony, ‘Joy after the Storm,’ performed somewhere not far away, on the first landing no doubt, by a band of musicians. I innocently inquired how they happened to be playing that, and who the musicians were. “Ah, well, one doesn’t know. One never does know. They are unseen music. Pretty, ain’t it?” he said to me in a slightly impertinent tone, which, nevertheless, suggested somehow the influence and accent of Swann. “But you care about as much for it as a fish does for little apples. You want to go home, regardless of any want of respect for Beethoven or for me. You are uttering your own judgment and condemnation,” he added, with an affectionate and mournful air, when the moment had come for me to go. “You will excuse my not accompanying you home, as good manners ordain that I should,” he said to me. “Since I have decided not to see you again, spending five minutes more in your company would make very little difference to me. But I am tired, and I have a great deal to do.” And then, seeing that it was a fine night: “Very well, yes, I will come in the carriage, there is a superb moon which I shall go on to admire from the Bois after I have taken you home. What, you don’t know how to shave; even on a night when you’ve been dining out, you have still a few hairs here,” he said, taking my chin between two fingers, so to speak magnetised, which after a moment’s resistance ran up to my ears, like the fingers of a barber. “Ah! It would be pleasant to look at the ‘blue light of the moon’ in the Bois with some one like yourself,” he said to me with a sudden and almost involuntary gentleness, then, in a sadder tone: “For you are nice, all the same; you could be nicer than anyone,” he went on, laying his hand in a fatherly way on my shoulder. “Originally, I must say that I found you quite insignificant.” I ought to have reflected that he must find me so still. I had only to recall the rage with which he had spoken to me, barely half an hour before. In spite of this I had the impression that he was, for the moment, sincere, that his kindness of heart was prevailing over what I regarded as an almost delirious condition of susceptibility and pride. The carriage was waiting beside us, and still he prolonged the conversation. “Come along,” he said abruptly, “jump in, in five minutes we shall be at your door. And I shall bid you a good night which will cut short our relations, and for all time. It is better, since we must part for ever, that we should do so, as in music, on a perfect chord.” Despite these solemn affirmations that we should never see one another again, I could have sworn that M. de Charlus, annoyed at having forgotten himself earlier in the evening and afraid of having hurt my feelings, would not have been displeased to see me once again. Nor was I mistaken, for, a moment later: “There, now,” he said, “if I hadn’t forgotten the most important thing of all. In memory of your grandmother, I have had bound for you a curious edition of Mme. de Sévigné. That is what is going to prevent this from being our last meeting. One must console oneself with the reflexion that complicated affairs are rarely settled in a day. Just look how long they took over the Congress of Vienna.” “But I could call for it without disturbing you,” I said obligingly. “Will you hold your tongue, you little fool,” he replied with anger, “and not give yourself a grotesque appearance of regarding as a small matter the honour of being probably (I do not say certainly, for it will perhaps be one of my servants who hands you the volumes) received by me.” Then, regaining possession of himself: “I do not wish to part from you on these words. No dissonance, before the eternal silence of the dominant.” It was for his own nerves that he seemed to dread an immediate return home after harsh words of dissension. “You would not care to come to the Bois?” he addressed me in a tone not so much interrogative as affirmative, and that not, as it seemed to me, because he did not wish to make me the offer but because he was afraid that his self-esteem might meet with a refusal. “Oh, very well,” he went on, still postponing our separation, “it is the moment when, as Whistler says, the bourgeois go to bed” (perhaps he wished now to capture me by my self-esteem) “and the right time to begin to look at things. But you don’t even know who Whistler was!” I changed the conversation and asked him whether the Princesse d’Iéna was an intelligent person. M. de Charlus stopped me, and, adopting the most contemptuous tone that I had yet heard him use, “Oh! There, Sir,” he informed me, “you are alluding to an order of nomenclature with which I have no concern. There is perhaps an aristocracy among the Tahitians, but I must confess that I know nothing about it. The name which you have just mentioned, strangely enough, did sound in my ears only a few days ago. Some one asked me whether I would condescend to allow them to present to me the young Duc de Guastalla. The request astonished me, for the Duc de Guastalla has no need to get himself presented to me, for the simple reason that he is my cousin, and has known me all his life; he is the son of the Princesse de Parme, and, as a young kinsman of good upbringing, he never fails to come and pay his respects to me on New Year’s Day. But, on making inquiries, I discovered that it was not my relative who was meant but the son of the person in whom you are interested. As there exists no Princess of that title, I supposed that my friend was referring to some poor wanton sleeping under the Pont d’Iéna, who had picturesquely assumed the title of Princesse d’Iéna, just as one talks about the Panther of the Batignolles, or the Steel King. But no, the reference was to a rich person who possesses some remarkable furniture which I had seen and admired at an exhibition, and which has this advantage over the name of its owner that it is genuine. As for this self-styled Duc de Guastalla, he, I supposed, must be my secretary’s stockbroker; one can procure so many things with money. But no; it was the Emperor, it appears, who amused himself by conferring on these people a title which simply was not his to give. It was perhaps a sign of power, or of ignorance, or of malice; in any case, I consider, it was an exceedingly scurvy trick to play on these unconscious usurpers. But really, I cannot help you by throwing any light on the matter; my knowledge begins and ends with the Faubourg Saint-Germain, where, among all the Courvoisiers and Gallardons, you will find, if you can manage to secure an introduction, plenty of mangy old cats taken straight out of Balzac who will amuse you. Naturally, all that has nothing to do with the position of the Princesse de Guermantes, but without me and my ‘Open, Sesame’ her portals are unapproachable.” “It is really very lovely, isn’t it, Sir, the Princesse de Guermantes’s mansion?” “Oh, it’s not very lovely. It’s the loveliest thing in the world. Next to the Princess herself, of course.” “The Princesse de Guermantes is better than the Duchesse de Guermantes?” “Oh! There’s no comparison.” (It is to be observed that, whenever people in society have the least touch of imagination, they will crown or dethrone, to suit their affections or their quarrels, those whose position appeared most solid and unalterably fixed.)&#xA;&#xA;    “The Duchesse de Guermantes” (possibly, in not calling her ‘Oriane,’ he wished to set a greater distance between her and myself) “is delightful, far superior to anything you can have guessed. But, after all, she is incommensurable with her cousin. The Princess is exactly what the people in the Markets might imagine Princess Metternich to have been, but old Metternich believed she had started Wagner, because she knew Victor Maurel. The Princesse de Guermantes, or rather her mother, knew the man himself. Which is a distinction, not to mention the incredible beauty of the lady. And the Esther gardens alone!” “One can’t see them?” “No, you would have to be invited, but they never invite anyone unless I intervene.” But at once withdrawing, after casting it at me, the bait of this offer, he held out his hand, for we had reached my door. “My part is played, Sir, I will simply add these few words. Another person will perhaps some day offer you his affection, as I have done. Let the present example serve for your instruction. Do not neglect it. Affection is always precious. What one cannot do by oneself in this life, because there are things which one cannot ask, nor do, nor wish, nor learn by oneself, one can do in company, and without needing to be Thirteen, as in Balzac’s story, or Four, as in The Three Musketeers. Good-bye.”&#xA;&#xA;   He must have been feeling tired and have abandoned the idea of going to look at the moonlight, for he asked me to tell his coachman to drive home. At once he made a sharp movement as though he had changed his mind. But I had already given the order, and, so as not to lose any more time, went across now to ring the bell, without its entering my head that I had been meaning to tell M. de Charlus, about the German Emperor and General Botha, stories which had been an hour ago such an obsession but which his unexpected and crushing reception had sent flying far out of my mind&#xA;&#xA;   On entering my room I saw on my desk a letter which Franchise’s young footman had written to one of his friends and had left lying there. Now that my mother was away, there was no liberty which he had the least hesitation in taking; I was the more to blame of the two for taking that of reading the letter which, without an envelope, lay spread out before me and (which was my sole excuse) seemed to offer itself to my eye&#xA;&#xA;    “Dear Friend and Cousin&#xA;&#xA;    “I hope this finds you in good health, and the same with all the young folk, particularly my young godson Joseph whom I have not yet had the pleasure of meeting but whom I prefer to you all as being my godson, these relics of the heart they have their dust also, upon their blest remains let us not lay our hands. Besides dear friend and cousin who can say that to-morrow you and your dear wife my cousin Marie, will not both of you be cast headlong down into the bottom of the sea, like the sailor clinging to the mast on high, for this life is but a dark valley. Dear friend I must tell you that my principal occupation, which will astonish you I am certain, is now poetry which I love passionately, for one must somehow pass the time away. And so dear friend do not be too surprised if I have not answered your last letter before now, in place of pardon let oblivion come. As you are aware, Madame’s mother has passed away amid unspeakable sufferings which fairly exhausted her as she saw as many as three doctors. The day of her interment was a great day for all Monsieur’s relations came in crowds as well as several Ministers. It took them more than two hours to get to the cemetery, which will make you all open your eyes pretty wide in your village for they certainly won’t do as much for mother Michu. So all my life to come can be but one long sob. I am amusing myself enormously with the motorcycle of which I have recently learned. What would you say, my dear friends, if I arrived suddenly like that at full speed at Les Ecorces. But on that head I shall no more keep silence for I feel that the frenzy of grief sweeps its reason away. I am associating with the Duchesse de Guermantes, people whose very names you have never heard in our ignorant villages. Therefore it is with pleasure that I am going to send the works of Racine, of Victor Hugo, of Pages Choisies de Chenedolle, of Alfred de Musset, for I would cure the land in which I saw the light of ignorance which leads unerringly to crime. I can think of nothing more to say to you and send you like the pelican wearied by a long flight my best regards as well as to your wife my godson and your sister Rose. May it never be said of her: And Rose she lived only as live the roses, as has been said by Victor Hugo, the sonnet of Arvers, Alfred de Musset, all those great geniuses who for that cause have had to die upon the blazing scaffold like Jeanne d’Arc. Hoping for your next letter soon, receive my kisses like those of a brother&#xA;&#xA;    “Périgot (Joseph).”&#xA;&#xA;   We are attracted by every form of life which represents to us something unknown and strange, by a last illusion still unshattered. In spite of this, the mysterious utterances by means of which M. de Charlus had led me to imagine the Princesse de Guermantes as an extraordinary creature, different from anyone that I knew, were not sufficient to account for the stupefaction in which I was plunged, speedily followed by the fear that I might be the victim of some bad joke planned by some one who wanted to send me to the door of a house to which I had not been invited, when, about two months after my dinner with the Duchess and while she was at Cannes, having opened an envelope the appearance of which had not led me to suppose that it contained anything out of the common, I read the following words engraved on a card: “The Princesse de Guermantes,née Duchesse en Bavière, At Home, the ——-th.” No doubt to be invited to the Princesse de Guermantes’s was perhaps not, from the social point of view, any more difficult than to dine with the Duchess, and my slight knowledge of heraldry had taught me that the title of Prince is not superior to that of Duke. Besides, I told myself that the intelligence of a society woman could not be essentially so heterogeneous to that of her congeners as M. de Charlus made out, nor so heterogeneous to that of any one other woman in society. But my imagination, like Elstir engaged upon rendering some effect of perspective without reference to a knowledge of the laws of nature which he might quite well possess, depicted for me not what I knew but what it saw; what it saw, that is to say what the name shewed it. Now, even before I had met the Duchess, the name Guermantes preceded by the title of Princess, like a note or a colour or quantity, profoundly modified from the surrounding values by the mathematical or aesthetic sign that governs it, had already suggested to me something entirely different. With that title one finds one’s thoughts straying instinctively to the memoirs of the days of Louis XIII and Louis XIV, the English Court, the Queen of Scots, the Duchesse d’Aumale; and I imagined the town house of the Princesse de Guermantes as more or less frequented by the Duchesse de Longueville and the great Condé, whose presence there rendered it highly improbable that I should ever make my way into it&#xA;&#xA;   Many of the things that M. de Charlus had told me had driven a vigorous spur into my imagination and, making it forget how much the reality had disappointed me at Mme. de Guermantes’s (people’s names are in this respect like the names of places), had swung it towards Oriane’s cousin. For that matter, M. de Charlus misled me at times as to the imaginary value and variety of people in society only because he was himself at times misled. And this, perhaps, because he did nothing, did not write, did not paint, did not even read anything in a serious and thorough manner. But, superior by several degrees to the people in society, if it was from them and the spectacle they afforded that he drew the material for his conversation, he was not for that reason understood by them. Speaking as an artist, he could at the most reveal the fallacious charm of people in society. But reveal it to artists alone, with relation to whom he might be said to play the part played by the reindeer among the Esquimaux. This precious animal plucks for them from the barren rocks lichens and mosses which they themselves could neither discover nor utilise, but which, once they have been digested by the reindeer, become for the inhabitants of the far North a nourishing form of food&#xA;&#xA;   To which I may add that the pictures which M. de Charlus drew of society were animated with plenty of life by the blend of his ferocious hatreds and his passionate affections. Hatreds directed mainly against the young men, adoration aroused principally by certain women&#xA;&#xA;   If among these the Princesse de Guermantes was placed by M. de Charlus upon the most exalted throne, his mysterious words about the ‘unapproachable Aladdin’s palace’ in which his cousin dwelt were not sufficient to account for my stupefaction. Apart from whatever may be due to the divers subjective points of view, of which I shall have to speak later, in these artificial magnifications, the fact remains that there is a certain objective reality in each of these people, and consequently a difference among them. And how, when it comes to that, could it be otherwise? The humanity with which we consort and which bears so little resemblance to our dreams is, for all that, the same that, in the Memoirs, in the Letters of eminent persons, we have seen described and have felt a desire to know. The old man of complete insignificance whom we met at dinner is the same who wrote that proud letter, which (in a book on the War of 1870) we read with emotion, to Prince Friedrich-Karl. We are bored at a dinner-table because our imagination is absent, and because it is bearing us company we are interested in a book. But the people in question are the same. We should like to have known Mme. de Pompadour, who was so valuable a patron of the arts, and we should have been as much bored in her company as among the modern Egerias, at whose houses we cannot bring ourselves to pay a second call, so uninteresting do we find them. The fact remains, nevertheless, that these differences do exist. People are never exactly similar to one another, their mode of behaviour with regard to ourselves, at, one might say, the same level of friendship, reveals differences which, in the end, offer compensations. When I knew Mme. de Montmorency, she loved to say unpleasant things to me, but if I was in need of a service she would squander, in the hope of obtaining it for me effectively, all the credit at her disposal, without counting the cost. Whereas some other woman, Mme. de Guermantes for example, would never have wished to hurt my feelings, never said anything about me except what might give me pleasure, showered on me all those tokens of friendship which formed the rich manner of living, morally, of the Guermantes, but, had I asked her for the least thing above and beyond that, would not have moved an inch to procure it for me, as in those country houses where one has at one’s disposal a motor-car and a special footman, but where it is impossible to obtain a glass of cider, for which no provision has been made in the arrangements for a party. Which was for me the true friend, Mme. de Montmorency, so glad always to annoy me and always so ready to oblige, or Mme. de Guermantes, distressed by the slightest offence that might have been given me and incapable of the slightest effort to be of use to me? The types of the human mind are so varied, so opposite, not only in literature but in society, that Baudelaire and Mérimée are not the only people who have the right to despise one another mutually. These peculiarities continue to form in everyone a system of attitudes, of speech, of actions, so coherent, so despotic, that when we are in the presence of anyone his or her system seems to us superior to the rest. With Mme. de Guermantes, her words, deduced like a theorem from her type of mind, seemed to me the only ones that could possibly be said. And I was, at heart, of her opinion when she told me that Mme. de Montmorency was stupid and kept an open mind towards all the things she did not understand, or when, having heard of some spiteful remark by that lady, she said: “That is what you call a good woman; it is what I call a monster.” But this tyranny of the reality which confronts us, this preponderance of the lamplight which turns the dawn — already distant — as pale as the faintest memory, disappeared when I was away from Mme. de Guermantes, and a different lady said to me, putting herself on my level and reckoning the Duchess as placed far below either of us: “Oriane takes no interest, really, in anything or anybody,” or even (what in the presence of Mme. de Guermantes it would have seemed impossible to believe, so loudly did she herself proclaim the opposite): “Oriane is a snob.” Seeing that no mathematical process would have enabled one to convert Mme. d’Arpajon and Mme. de Montpensier into commensurable quantities, it would have been impossible for me to reply, had anyone asked me which of the two seemed to me superior to the other&#xA;&#xA;   Now, among the peculiar characteristics of the drawing-room of the Princesse de Guermantes, the one most generally quoted was a certain exclusiveness, due in part to the royal birth of the Princess, but especially to the almost fossilised rigidity of the aristocratic prejudices of the Prince, prejudices which, incidentally, the Duke and Duchess had made no scruple about deriding in front of me, and which naturally were to make me regard it as more improbable than ever that I should have been invited to a party by this man who reckoned only in royalties and dukes, and at every dinner-party made a scene because he had not been put in the place to which he would have been entitled under Louis XIV, a place which, thanks to his immense erudition in matters of history and genealogy, he was the only person who knew. For this reason, many of the people in society placed to the credit of the Duke and Duchess the differences which distinguished them from their cousins. “The Duke and Duchess are far more modern, far more intelligent, they don’t think of nothing, like the other couple, but how many quarterings one has, their house is three hundred years in advance of their cousins’,” were customary remarks, the memory of which made me tremble as I looked at the card of invitation, to which they gave a far greater probability of its having been sent me by some practical joker&#xA;&#xA;   If the Duke and Duchess had not been still at Cannes, I might have tried to find out from them whether the invitation which I had received was genuine. This state of doubt in which I was plunged was not due, as I flattered myself for a time by supposing, to a sentiment which a man of fashion would not have felt and which, consequently, a writer, even if he belonged apart from his writership to the fashionable caste, ought to reproduce in order to be thoroughly ‘objective’ and to depict each class differently. I happened, in fact, only the other day, in a charming volume of memoirs, to come upon the record of uncertainties analogous to those which the Princesse de Guermantes’s card made me undergo. “Georges and I” (or “Hély and I,” I have not the book at hand to verify the reference) “were so keen to be asked to Mme. Delessert’s that, having received an invitation from her, we thought it prudent, each of us independently, to make certain that we were not the victims of an April fool.” Now, the writer is none other than the Comte d’Haussonville (he who married the Duc de Broglie’s daughter) and the other young man who ‘independently’ makes sure that he is not having a practical joke played on him is, according to whether he is called Georges or Hély, one or other of the two inseparable friends of M. d’Haussonville, either M. d’Harcourt or the Prince de Chalais&#xA;&#xA;   The day on which the party was to be given at the Princesse de Guermantes’s, I learned that the Duke and Duchess had just returned to Paris. The Princess’s ball would not have brought them back, but one of their cousins was seriously ill, and moreover the Duke was greatly taken up with a revel which was to be held the same night, and at which he himself was to appear as Louis XI and his wife as Isabel of Bavaria. And I determined to go and see her that morning. But, having gone out early, they had not yet returned; I watched first of all from a little room, which had seemed to me to be a good look-out post, for the arrival of their carriage. As a matter of fact I had made a singularly bad choice in my observatory from which I could barely make out our courtyard, but I did see into several others, and this, though of no value to me, occupied my mind for a time. It is not only in Venice that one has those outlooks on to several houses at once which have proved so tempting to painters; it is just the same in Paris. Nor do I cite Venice at random. It is of its poorer quarters that certain poor quarters of Paris make one think, in the morning, with their tall, wide chimneys to which the sun imparts the most vivid pinks, the brightest reds; it is a whole garden that flowers above the houses, and flowers in such a variety of tints that one would call it, planted on top of the town, the garden of a tulip-fancier of Delft or Haarlem. And then also, the extreme proximity of the houses, with their windows looking opposite one another on to a common courtyard, makes of each casement the frame in which a cook sits dreamily gazing down at the ground below, in which farther off a girl is having her hair combed by an old woman with the face, barely distinguishable in the shadow, of a witch: thus each courtyard provides for the adjoining house, by suppressing all sound in its interval, by leaving visible a series of silent gestures in a series of rectangular frames, glazed by the closing of the windows, an exhibition of a hundred Dutch paintings hung in rows. Certainly from the Hôtel de Guermantes one did not have the same kind of view, but one had curious views also, especially from the strange trigonometrical point at which I had placed myself and from which one’s gaze was arrested by nothing nearer than the distant heights formed by the comparatively vague plots of ground which preceded, on a steep slope, the mansion of the Marquise de Plassac and Mme. de Tresmes, cousins (of the most noble category) of M. de Guermantes, whom I did not know. Between me and this house (which was that of their father, M. de Bréquigny) nothing but blocks of buildings of low elevation, facing in every conceivable direction, which, without blocking the view, increased the distance with their diagonal perspective. The red-tiled turret of the coach-house in which the Marquis de Frécourt kept his carriages did indeed end in a spire that rose rather higher, but was so slender that it concealed nothing, and made one think of those picturesque old buildings in Switzerland which spring up in isolation at the foot of a mountain. All these vague and divergent points on which my eyes rested made more distant apparently than if it had been separated from us by several streets or by a series of foothills the house of Mme. de Plassac, actually quite near but chimerically remote as in an Alpine landscape. When its large paned windows, glittering in the sunlight like flakes of rock crystal, were thrown open so as to air the rooms, one felt, in following from one floor to the next the footmen whom it was impossible to see clearly but who were visibly shaking carpets, the same pleasure as when one sees in a landscape by Turner or Elstir a traveller in a mail-coach, or a guide, at different degrees of altitude on the Saint-Gothard. But from this point of view in which I had ensconced myself I should have been in danger of not seeing M. or Mme. de Guermantes come in, so that when in the afternoon I was free to resume my survey I simply stood on the staircase, from which the opening of the carriage-gate could not escape my notice, and it was on this staircase that I posted myself, albeit there did not appear there, so entrancing with their footmen rendered minute by distance and busily cleaning, the Alpine beauties of the Bréquigny-Tresmes mansion. Now this wait on the staircase was to have for me consequences so considerable, and to reveal to me a picture no longer Turneresque but ethical, of so great importance, that it is preferable to postpone the account of it for a little while by interposing first that of my visit to the Guermantes when I knew that they had come home. It was the Duke alone who received me in the library. As I went in there came out a little man with snow-white hair, a look of poverty, a little black neckcloth such as was worn by the lawyer at Combray and by several of my grandfather’s friends, but of a more timid aspect than they, who, making me a series of profound bows, refused absolutely to go downstairs until I had passed him. The Duke shouted after him from the library something which I did not understand, and the other responded with further bows, addressed to the wall, for the Duke could not see him, but endlessly repeated nevertheless, like the purposeless smiles on the faces of people who are talking to one over the telephone; he had a falsetto voice, and saluted me afresh with the humility of a man of business. And he might, for that matter, have been a man of business from Combray, so much was he in the style, provincial, out of date and mild, of the small folk, the modest elders of those parts. “You shall see Oriane in a minute,” the Duke told me when I had entered the room. “As Swann is coming in presently and bringing her the proofs of his book on the coinage of the Order of Malta, and, what is worse, an immense photograph he has had taken shewing both sides of each of the coins, Oriane preferred to get dressed early so that she can stay with him until it’s time to go out to dinner. We have such a heap of things in the house already that we don’t know where to put them all, and I ask myself where on earth we are going to stick this photograph. But I have too good-natured a wife, who is too fond of giving people pleasure. She thought it would be polite to ask Swann to let her see side by side on one sheet the heads of all those Grand Masters of the Order whose medals he has found at Rhodes. I said Malta, didn’t I, it is Rhodes, but it’s all the same Order of Saint John of Jerusalem. As a matter of fact, she is interested in them only because Swann makes a hobby of it. Our family is very much mixed up in the whole story; even at the present day, my brother, whom you know, is one of the highest dignitaries in the Order of Malta. But I might have told all that to Oriane, she simply wouldn’t have listened to me. On the other hand, it was quite enough that Swann’s researches into the Templars (it’s astonishing the passion that people of one religion have for studying others) should have led him on to the history of the Knights of Rhodes, who succeeded the Templars, for Oriane at once to insist on seeing the heads of these Knights. They were very small fry indeed compared with the Lusignans, Kings of Cyprus, from whom we descend in a direct line. But so far, as Swann hasn’t taken them up, Oriane doesn’t care to hear anything about the Lusignans.” I could not at once explain to the Duke why I had come. What happened was that several relatives or friends, including Mme. de Silistrie and the Duchesse de Montrose, came to pay a call on the Duchess, who was often at home before dinner, and not finding her there stayed for a short while with the Duke. The first of these ladies (the Princesse de Silistrie), simply attired, with a dry but friendly manner, carried a stick in her hand. I was afraid at first that she had injured herself, or was a cripple. She was on the contrary most alert. She spoke regretfully to the Duke of a first cousin of his own — not on the Guermantes side, but more illustrious still, were that possible — whose health, which had been in a grave condition for some time past, had grown suddenly worse. But it was evident that the Duke, while full of pity for his cousin’s lot, and repeating “Poor Mama! He’s such a good fellow!” had formed a favourable prognosis. The fact was that the dinner at which the Duke was to be present amused him, the big party at the Princesse de Guermantes’s did not bore him, but above all he was to go on at one o’clock in the morning with his wife to a great supper and costume ball, with a view to which a costume of Louis XI for himself, and one of Isabel of Bavaria for his wife were waiting in readiness. And the Duke was determined not to be disturbed amid all these gaieties by the sufferings of the worthy Amanien d’Osmond. Two other ladies carrying sticks, Mme. de Plassac and Mme. de Tresmes, both daughters of the Comte de Bréquigny, came in next to pay Basin a visit, and declared that cousin Mama’s state left no room now for hope. The Duke shrugged his shoulders, and to change the conversation asked whether they were going that evening to Marie-Gilbert’s. They replied that they were not, in view of the state of Amanien who was in his last agony, and indeed they had excused themselves from the dinner to which the Duke was going, the other guests at which they proceeded to enumerate: the brother of King Theodosius, the Infanta Maria Concepcion, and so forth. As the Marquis d’Osmond was less nearly related to them than he was to Basin, their ‘defection’ appeared to the Duke to be a sort of indirect reproach aimed at his own conduct. And so, albeit they had come down from the heights of the Bréquigny mansion to see the Duchess (or rather to announce to her the alarming character, incompatible for his relatives with attendance at social gatherings, of their cousin’s illness) they did not stay long, and, each armed with her alpenstock, Walpurge and Dorothée (such were the names of the two sisters) retraced the craggy path to their citadel. I never thought of asking the Guermantes what was the meaning of these sticks, so common in a certain part of the Faubourg Saint-Germain. Possibly, looking upon the whole parish as their domain, and not caring to hire cabs, they were in the habit of taking long walks, for which some old fracture, due to immoderate indulgence in the chase, and to the falls from horseback which are often the fruit of that indulgence, or simply rheumatism caused by the dampness of the left bank and of old country houses made a stick necessary. Perhaps they had not set out upon any such long expedition through the quarter, but, having merely come down into their garden (which lay at no distance from that of the Duchess) to pick the fruit required for stewing, had looked in on their way home to bid good evening to Mme. de Guermantes, though without going so far as to bring a pair of shears or a watering-can into her house. The Duke appeared touched that I should have come to see them so soon after their return to Paris. But his face grew dark when I told him that I had come to ask his wife to find out whether her cousin really had invited me. I had touched upon one of those services which M. and Mme. de Guermantes were not fond of rendering. The Duke explained to me that it was too late, that if the Princess had not sent me an invitation it would make him appear to be asking her for one, that his cousins had refused him one once before, and he had no wish to appear either directly or indirectly to be interfering with their visiting list, be ‘meddling’; finally, he could not even be sure that he and his wife, who were dining out that evening, would not come straight home afterwards, that in that case their best excuse for not having gone to the Princess’s party would be to conceal from her the fact of their return to Paris, instead of hastening to inform her of it, as they must do if they sent her a note, or spoke to her over the telephone about me, and certainly too late to be of any use, since, in all probability, the Princess’s list of guests would be closed by now. “You’ve not fallen foul of her in any way?” he asked in a suspicious tone, the Guermantes living in a constant fear of not being informed of the latest society quarrels, and so of people’s trying to climb back into favour on their shoulders. Finally, as the Duke was in the habit of taking upon himself all decisions that might seem not very good-natured: “Listen, my boy,” he said to me suddenly, as though the idea had just come into his head, “I would really rather not mention at all to Oriane that you have been speaking to me about it. You know how kind-hearted she is; besides, she has an enormous regard for you, she would insist on sending to ask her cousin, in spite of anything I might say to the contrary, and if she is tired after dinner, there will be no getting out of it, she will be forced to go to the party. No, decidedly, I shall say nothing to her about it. Anyhow, you will see her yourself in a minute. But not a word about that matter, I beg of you. If you decide to go to the party, I have no need to tell you what a pleasure it will be to us to spend the evening there with you.” The motives actuating humanity are too sacred for him before whom they are invoked not to bow to them, whether he believes them to be sincere or not; I did not wish to appear to be weighing in the balance for a moment the relative importance of my invitation and the possible tiredness of Mme. de Guermantes, and I promised not to speak to her of the object of my visit, exactly as though I had been taken in by the little farce which M. de Guermantes had performed for my benefit. I asked him if he thought there was any chance of my seeing Mme. de Stermaria at the Princess’s. “Why, no,” he replied with the air of an expert; “I know the name you mention, from having seen it in lists of club members, it is not at all the type of person who goes to Gilbert’s. You will see nobody there who is not excessively proper and intensely boring, duchesses bearing titles which one thought were extinct years ago and which they have revived for the occasion, all the Ambassadors, heaps of Coburgs, foreign royalties, but you mustn’t hope for the ghost of a Stermaria. Gilbert would be taken ill at the mere thought of such a thing&#xA;&#xA;    “Wait now, you’re fond of painting, I must shew you a superb picture I bought from my cousin, partly in exchange for the Elstirs, which frankly did not appeal to us. It was sold to me as a Philippe de Champaigne, but I believe myself that it’s by some one even greater. Would you like to know my idea? I believe it to be a Velazquez, and of the best period,” said the Duke, looking me boldly in the eyes, whether to learn my impression or in the hope of enhancing it. A footman came in. “Mme. la Duchesse has told me to ask M. le Duc if M. le Duc will be so good as to see M. Swann, as Mme. la Duchesse is not quite ready.” “Shew M. Swann in,” said the Duke, after looking at his watch and seeing that he had still a few minutes before he need go to dress. “Naturally my wife, who told him to come, is not ready. There’s no use saying anything before Swann about Marie-Gilbert’s party,” said the Duke. “I don’t know whether he’s been invited. Gilbert likes him immensely, because he believes him to be the natural grandson of the Duc de Berri, but that’s a long story. (Otherwise, you can imagine! My cousin, who falls in a fit if he sees a Jew a mile off.) But now, don’t you see, the Dreyfus case has made things more serious. Swann ought to have realised that he more than anyone must drop all connexion with those fellows, instead of which he says the most offensive things.” The Duke called back the footman to know whether the man who had been sent to inquire at cousin Osmond’s had returned. His plan was as follows: as he believed, and rightly, that his cousin was dying, he was anxious to obtain news of him before his death, that is to say before he was obliged to go into mourning. Once covered by the official certainty that Amanien was still alive, he could go without a thought to his dinner, to the Prince’s party, to the midnight revel at which he would appear as Louis XI, and had made the most exciting assignation with a new mistress, and would make no more inquiries until the following day, when his pleasures would be at an end. Then one would put on mourning if the cousin had passed away in the night. “No, M. le Duc, he is not back yet.” “What in the Name of God! Nothing is ever done in this house till the last minute,” cried the Duke, at the thought that Amanien might still be in time to ‘croak’ for an evening paper, and so make him miss his revel. He sent for the Temps, in which there was nothing. I had not seen Swann for a long time, and asked myself at first whether in the old days he used to clip his moustache, or had not his hair brushed up vertically in front, for I found in him something altered; it was simply that he was indeed greatly ‘altered’ because he was very ill, and illness produces in the face modifications as profound as are created by growing a beard or by changing the line of one’s parting. (Swann’s illness was the same that had killed his mother, who had been attacked by it at precisely the age which he had now reached. Our existences are in truth, owing to heredity, as full of cabalistic ciphers, of horoscopic castings as if there really were sorcerers in the world. And just as there is a certain duration of life for humanity in general, so there is one for families in particular, that is to say, in any one family, for the members of it who resemble one another.) Swann was dressed with an elegance which, like that of his wife, associated with what he now was what he once had been. Buttoned up in a pearl-grey frockcoat which emphasised the tallness of his figure, slender, his white gloves stitched in black, he carried a grey tall hat of a specially wide shape which Delion had ceased now to make except for him, the Prince de Sagan, the Marquis de Modène, M. Charles Haas and Comte Louis de Turenne. I was surprised at the charming smile and affectionate handclasp with which he replied to my greeting, for I had imagined that after so long an interval he would not recognise me at once; I told him of my astonishment; he received it with a shout of laughter, a trace of indignation and a further grip of my hand, as if it were throwing doubt on the soundness of his brain or the sincerity of his affection to suppose that he did not know me. And yet that was what had happened; he did not identify me, as I learned long afterwards, until several minutes later when he heard my name mentioned. But no change in his face, in his .speech, in the things he said to me betrayed the discovery which a chance word from M. de Guermantes had enabled him to make, with such mastery, with such absolute sureness did he play the social game. He brought to it, moreover, that spontaneity in manners and personal initiative, even in his style of dress, which characterised the Guermantes type. Thus it was that the greeting which the old clubman, without recognising me, had given me was not the cold and stiff greeting of the man of the world who was a pure formalist, but a greeting full of a real friendliness, of a true charm, such as the Duchesse de Guermantes, for instance, possessed (carrying it so far as to smile at you first, before you had bowed to her, if she met you in the street), in contrast to the more mechanical greeting customary among the ladies of the Faubourg Saint-Germain. In the same way, again, the hat which, in conformity with a custom that was beginning to disappear, he laid on the floor by his feet, was lined with green leather, a thing not usually done, because, according to him, this kept the hat much cleaner, in reality because it was highly becoming. “Now, Charles, you’re a great expert, come and see what I’ve got to shew you, after which, my boys, I’m going to ask your permission to leave you together for a moment while I go and change my clothes, besides, I expect Oriane won’t be long now.” And he shewed his ‘Velazquez’ to Swann. “But it seems to me that I know this,” said Swann with the grimace of a sick man for whom the mere act of speaking requires an effort. “Yes,” said the Duke, turned serious by the time which the expert took in expressing his admiration. “You have probably seen it at Gilbert’s.” “Oh, yes, of course, I remember.” “What do you suppose it is?” “Oh, well, if it cornes from Gilbert’s, it is probably one of your ancestors,” said Swann with a blend of irony and deference towards a form of greatness which he would have felt it impolite and absurd to despise, but to which for reasons of good taste he preferred to make only a playful reference&#xA;&#xA;    “To be sure, it is,” said the Duke bluntly. “It’s Boson, the I forget how manieth de Guermantes. Not that I care a damn about that. You know I’m not as feudal as my cousin. I’ve heard the names mentioned of Rigaud, Mignard, Velazquez even!” he went on, fastening on Swann the gaze of an inquisitor and executioner in an attempt at once to read into his mind and to influence his response. “Well,” he concluded, for when he was led to provoke artificially an opinion which he desired to hear, he had the faculty, after a few moments, of believing that it had been spontaneously uttered; “come, now, none of your flattery, do you think it’s by one of those big masters I’ve mentioned?” “Nnnnno,” said Swann. “But after all, I know nothing about these things, it’s not for me to decide who daubed the canvas. But you’re a dilettante, a master of the subject, to whom do you attribute it? You’re enough of an expert to have some idea. What would you put it down as?” Swann hesitated for a moment before the picture, which obviously he thought atrocious. “A bad joke!” he replied with a smile at the Duke who could not check an impulsive movement of rage. When this had subsided: “Be good fellows, both of you, wait a moment for Oriane, I must go and put on my swallow-tails and then I’ll join you. I shall send word to my good woman that you’re both waiting for her.” I talked for a minute or two with Swann about the Dreyfus case, and asked him how it was that all the Guermantes were anti-Dreyfusards. “In the first place because at heart all these people are anti-Semites,” replied Swann, who, all the same, knew very well from experience that certain of them were not, but, like everyone who supports any cause with ardour, preferred, to explain the fact that other people did not share his opinion, to suppose in them a preconceived reason, a prejudice against which there was nothing to be done, rather than reasons which might permit of discussion. Besides, having come to the premature term of his life, like a weary animal that is goaded on, he cried out against these persecutions and was returning to the spiritual fold of his fathers. “Yes, the Prince de Guermantes,” I said, “it is true, I’ve heard that he was anti-semitic.” “Oh, that fellow! I wasn’t even thinking about him. He carries it to such a point that when he was in the army and had a frightful toothache he preferred to grin and bear it rather than go to the only dentist in the district, who happened to be a Jew, and later on he allowed a wing of his castle which had caught fire to be burned to the ground, because he would have had to send for extinguishers to the place next door, which belongs to the Rothschilds.” “Are you going to be there this evening, by any chance?” “Yes,” Swann replied, “although I am far too tired. But he sent me a wire to tell me that he has something to say to me. I feel that I shall be too unwell in the next few days to go there or to see him at home; it would upset me, so I prefer to get it over at once.” “But the Duc de Guermantes is not anti-semitic?” “You can see quite well that he is, since he’s an anti-Dreyfusard,” replied Swann, without noticing the logical fallacy. “That doesn’t prevent my being very sorry that I disappointed the man — what am I saying? The Duke, I mean — by not admiring his Mignard or whatever he calls it.” “But at any rate,” I went on, reverting to the Dreyfus case, “the Duchess, she, now, is intelligent.” “Yes, she is charming. To my mind, however, she was even more charming when she was still known as the Princesse des Laumes. Her mind has become somehow more angular, it was all much softer in the juvenile great lady, but after all, young or old, men or women, what can you expect, all these people belong to a different race, one can’t have a thousand years of feudalism in one’s blood with impunity. Naturally they imagine that it counts for nothing in their opinions.” “All the same, Robert de Saint-Loup is a Dreyfusard.” “Ah! So much the better, all the more as you know that his mother is extremely ‘and.’ I had heard that he was, but I wasn’t certain of it. That gives me a great deal of pleasure. It doesn’t surprise me, he’s highly intelligent. It’s a great thing, that is.”&#xA;&#xA;   Dreyfusism had brought to Swann an extraordinary simplicity of mind and had imparted to his way of looking at things an impulsiveness, an inconsistency more noticeable even than had been the similar effects of his marriage to Odette; this new loss of caste would have been better described as a recasting, and was entirely to his credit, since it made him return to the ways in which his forebears had trodden and from which he had turned aside to mix with the aristocracy. But Swann, just at the very moment when with such lucidity it had been granted to him, thanks to the gifts he had inherited from his race, to perceive a truth that was still hidden from people of fashion, shewed himself nevertheless quite comically blind. He subjected afresh all his admirations and all his contempts to the test of a new criterion, Dreyfusism. That the anti-Dreyfusism of Mme. Bontemps should have made him think her a fool was no more astonishing than that, when he was first married, he should have thought her intelligent. It was not very serious either that the new wave reached also his political judgments and made him lose all memory of having treated as a man with a price, a British spy (this latter was an absurdity of the Guermantes set), Clemenceau, whom he declared now to have always stood up for conscience, to be a man of iron, like Comely. “No, no, I never told you anything of the sort. You’re thinking of some one else.” But, sweeping past his political judgments, the wave overthrew in Swann his literary judgments also, and even affected his way of pronouncing them. Barrés had lost all his talent, and even the books of his early days were feeble, one could hardly read them again. “You try, you’ll find you can’t struggle to the end. What a difference from Clemenceau! Personally, I am not anticlerical, but when you compare them together you must see that Barrés is invertebrate. He’s a very great fellow, is old Clemenceau. How he knows the language!” However, the anti-Dreyfusards were in no position to criticise these follies. They explained that one was a Dreyfusard by one’s being of Jewish origin. If a practising Catholic like Saniette stood out also for a fresh trial, that was because he was buttonholed by Mme. Verdurin, who behaved like a wild Radical. She was out above all things against the ‘frocks.’ Saniette was more fool than knave, and had no idea of the harm that the Mistress was doing him. If you pointed out that Brichot was equally a friend of Mme. Verdurin and was a member of the Patrie Française, that was because he was more intelligent. “You see him occasionally?” I asked Swann, referring to Saint-Loup. “No, never. He wrote to me the other day hoping that I would ask the Duc de Mouchy and various other people to vote for him at the Jockey, where for that matter he got through like a letter through the post.” “In spite of the Case!” “The question was never raised. However I must tell you that since all this business began I never set foot in the place.”&#xA;&#xA;   M. de Guermantes returned, and was presently joined by his wife, all ready now for the evening, tall and proud in a gown of red satin the skirt of which was bordered with spangles. She had in her hair a long ostrich feather dyed purple, and over her shoulders a tulle scarf of the same red as her dress. “How nice it is to have one’s hat lined with leather,” said the Duchess, whom nothing escaped. “However, with you, Charles, everything is always charming, whether it’s what you wear or what you say what you read or what you do.” Swann meanwhile, without apparently listening, was considering the Duchess as he would have studied the canvas of a master, and then sought her gaze, making with his lips the grimace which implies: ‘The devil!’ Mme. de Guermantes rippled with laughter. “So my clothes please you? I’m delighted. But I must say that they don’t please me much,” she went on with a sulking air. “Good Lord, what a bore it is to have to dress up and go out when one would ever so much rather stay at home!” “What magnificent rubies!” “Ah! my dear Charles, at least one can see that you know what you’re talking about, you’re not like that brute Monserfeuil who asked me if they were real. I must say that I’ve never seen anything quite like them. They were a present from the Grand Duchess. They’re a little too large for my liking, a little too like claret glasses filled to the brim, but I’ve put them on because we shall be seeing the Grand Duchess this evening at Marie-Gilbert’s,” added Mme. de Guermantes, never suspecting that this assertion destroyed the force of those previously made by the Duke. “What’s on at the Princess’s?” inquired Swann. “Practically nothing,” the Duke hastened to reply, the question having made him think that Swann was not invited. “What’s that, Basin? When all the highways and hedgerows have been scoured? It will be a deathly crush. What will be pretty, though,” she went on, looking wistfully at Swann, “if the storm I can feel in the air now doesn’t break, will be those marvellous gardens. You know them, of course. I was there a month ago, at the time when the lilacs were in flower, you can’t have any idea how lovely they were. And then the fountain, really, it’s Versailles in Paris.” “What sort of person is the Princess?” I asked. “Why, you know quite well, you’ve seen her here, she’s as beautiful as the day, also rather an idiot. Very nice, in spite of all her Germanic high-and-mightiness, full of good nature and stupid mistakes.” Swann was too subtle not to perceive that the Duchess, in this speech, was trying to shew the ‘Guermantes wit,’ and at no great cost to herself, for she was only serving up in a less perfect form an old saying of her own. Nevertheless, to prove to the Duchess that he appreciated her intention to be, and as though she had really succeeded in being, funny, he smiled with a slightly forced air, causing me by this particular form of insincerity the same feeling of awkwardness that used to disturb me long ago when I heard my parents discussing with M. Vinteuil the corruption of certain sections of society (when they knew very well that a corruption far greater sat enthroned at Montjouvain), Legrandin colouring his utterances for the benefit of fools, choosing delicate epithets which he knew perfectly well would not be understood by a rich or smart but illiterate public. “Come now, Oriane, what on earth are you saying?” broke in M. de Guermantes. “Marie a fool? Why, she has read everything, she’s as musical as a fiddle.” “But, my poor little Basin, you’re as innocent as a new-born babe. As if one could not be all that, and rather an idiot as well. Idiot is too strong a word; no, she’s in the clouds, she’s Hesse-Darmstadt, Holy Roman Empire, and! wa-wa-wa. Her pronunciation alone makes me tired. But I quite admit that she’s a charming loony. Simply the idea of stepping down from her German throne to go and marry, in the most middle-class way, a private citizen. It is true that she chose him! Yes, it’s quite true,” she went on, turning to me, “you don’t know Gilbert. Let me give you an idea of him, he took to his bed once because I had left a card on Mme. Carnot. But, my little Charles,” said the Duchess, changing the conversation when she saw that the story of the card left on the Carnots appeared to irritate M. de Guermantes, “you know, you’ve never sent me that photograph of our Knights of Rhodes, whom I’ve learned to love through you, and I am so anxious to make their acquaintance.” The Duke meanwhile had not taken his eyes from his wife’s face. “Oriane, you might at least tell the story properly and not cut out half. I ought to explain,” he corrected, addressing Swann, “that the British Ambassadress at that time, who was a very worthy woman, but lived rather in the moon and was in the habit of making up these odd combinations, conceived the distinctly quaint idea of inviting us with the President and his wife. We were — Oriane herself was rather surprised, especially as the Ambassadress knew quite enough of the people we knew not to invite us, of all things, to so ill-assorted a gathering. There was a Minister there who is a swindler, however I pass over all that, we had not been warned in time, were caught in the trap, and, I’m bound to admit, all these people behaved most civilly to us. Only, once was enough. Mme. de Guermantes, who does not often do me the honour of consulting me, felt it incumbent upon her to leave a card in the course of the following week at the Elysée. Gilbert may perhaps have gone rather far in regarding it as a stain upon our name. But it must not be forgotten that, politics apart, M. Carnot, who for that matter filled his post quite adequately, was the grandson of a member of the Revolutionary Tribunal which caused the death of eleven of our people in a single day.” “In that case, Basin, why did you go every week to dine at Chantilly? The Due d’Aumale was just as much the grandson of a member of the Revolutionary Tribunal, with this difference, that Carnot was a brave man and Philippe Egalité a wretched scoundrel.” “Excuse my interrupting you to explain that I did send the photograph,” said Swann. “I can’t understand how it hasn’t reached you.” “It doesn’t altogether surprise me,” said the Duchess, “my servants tell me only what they think fit. They probably do not approve of the Order of Saint John.” And she rang the bell. “You, know, Oriane, that when I used to go to Chantilly it was without enthusiasm.” “Without enthusiasm, but with a nightshirt in a bag, in case the Prince asked you to stay, which for that matter he very rarely did, being a perfect cad like all the Orléans lot. Do you know who else are to be dining at Mme. de Saint-Euverte’s?” Mme. de Guermantes asked her husband. “Besides the people you know already, she’s asked at the last moment King Theodosius’s brother.” At these tidings the Duchess’s features breathed contentment and her speech boredom. “Oh, good heavens, more princes!” “But that one is well-mannered and intelligent,” Swann suggested. “Not altogether, though,” replied the Duchess, apparently seeking for words that would give more novelty to the thought expressed. “Have you ever noticed with princes that the best-mannered among them are not really well-mannered? They must always have an opinion about everything. Then, as they have none of their own, they spend the first half of their lives asking us ours and the other half serving it up to us secondhand. They positively must be able to say that one piece has been well played and the next not so well. When there is no difference. Listen, this little Theodosius junior (I forget his name) asked me what one called an orchestral motif. I replied,” said the Duchess, her eyes sparkling while a laugh broke from her beautiful red lips: “‘One calls it an orchestral motif.’ I don’t think he was any too well pleased, really. Oh, my dear Charles,” she went on, “what a bore it can be, dining out. There are evenings when one would sooner die! It is true that dying may be perhaps just as great a bore, because we don’t know what it’s like.” A servant appeared. It was the young lover who used to have trouble with the porter, until the Duchess, in her kindness of heart, brought about an apparent peace between them. “Am I to go up this evening to inquire for M. le Marquis d’Osmond?” he asked. “Most certainly not, nothing before to-morrow morning. In fact I don’t want you to remain in the house to-night. The only thing that will happen will be that his footman, who knows you, will come to you with the latest report and send you out after us. Get off, go anywhere you like, have a woman, sleep out, but I don’t want to see you here before to-morrow morning.” An immense joy overflowed from the footman’s face. He would at last be able to spend long hours with his ladylove, whom he had practically ceased to see ever since, after a final scene with the porter, the Duchess had considerately explained to him that it would be better, to avoid further conflicts, if he did not go out at all. He floated, at the thought of having an evening free at last, in a happiness which the Duchess saw and guessed its reason. She felt, so to speak, a tightening of the heart and an itching in all her limbs at the sight of this happiness which an amorous couple were snatching behind her back, concealing themselves from her, which left her irritated and jealous. “No, Basin, let him stay here; I say, he’s not to stir out of the house.” “But, Oriane, that’s absurd, the house is crammed with servants, and you have the costumier’s people coming as well at twelve to dress us for this show. There’s absolutely nothing for him to do, and he’s the only one who’s a friend of Mama’s footman; I would a thousand times rather get him right away from the house.” “Listen, Basin, let me do what I want, I shall have a message for him to take in the evening, as it happens, I can’t tell yet at what time. In any case you’re not to go out of the house for a single instant, do you hear?” she said to the despairing footman. If there were continual quarrels, and if servants did not stay long with the Duchess, the person to whose charge this guerrilla warfare was to be laid was indeed irremovable, but it was not the porter; no doubt for the rougher tasks, for the martyrdoms that it was more tiring to inflict, for the quarrels which ended in blows, the Duchess entrusted the heavier instruments to him; but even then he played his part without the least suspicion that he had been cast for it. Like the household servants, he admired the Duchess for her kindness of heart; and footmen of little discernment who came back, after leaving her service, to visit Françoise used to say that the Duke’s house would have been the finest ‘place’ in Paris if it had not been for the porter’s lodge. The Duchess ‘played’ the lodge on them, just as at different times clericalism, freemasonry, the Jewish peril have been played on the public. Another footman came into the room. “Why have not they brought up the package that M. Swann sent here? And, by the way (you’ve heard, Charles, that Mama is seriously ill?), Jules went up to inquire for news of M. le Marquis d’Osmond: has he come back yet?” “He’s just come this instant, M. le Duc. They’re waiting from one moment to the next for M. le Marquis to pass away.” “Ah! He’s alive!” exclaimed the Duke with a sigh of relief. “That’s all right, that’s all right: sold again, Satan! While there’s life there’s hope,” the Duke announced to us with a joyful air. “They’ve been talking about him as though he were dead and buried. In a week from now he’ll be fitter than I am.” “It’s the Doctors who said that he wouldn’t last out the evening. One of them wanted to call again during the night. The head one said it was no use. M. le Marquis would be dead by then; they’ve only kept him alive by injecting him with camphorated oil.” “Hold your tongue, you damned fool,” cried the Duke in a paroxysm of rage. “Who the devil asked you to say all that? You haven’t understood a word of what they told you.” “It wasn’t me they told, it was Jules.” “Will you hold your tongue!” roared the Duke, and, turning to Swann, “What a blessing he’s still alive! He will regain his strength gradually, don’t you know. Still alive, after being in such a critical state, that in itself is an excellent sign. One mustn’t expect everything at once. It can’t be at all unpleasant, a little injection of camphorated oil.” He rubbed his hands. “He’s alive; what more could anyone want? After going through all that he’s gone through, it’s a great step forward. Upon my word, I envy him having such a temperament. Ah! these invalids, you know, people do all sorts of little things for them that they don’t do for us. Now to-day there was a devil of a cook who sent me up a leg of mutton with béarnaise sauce — it was done to a turn, I must admit, but just for that very reason I took so much of it that it’s still lying on my stomach. However, that doesn’t make people come to inquire for me as they do for dear Amanien. We do too much inquiring. It only tires him. We must let him have room to breathe. They’re killing the poor fellow by sending round to him all the time.” “Well,” said the Duchess to the footman as he was leaving the room, “I gave orders for the envelope containing a photograph which M. Swann sent me to be brought up here.” “Madame la Duchesse, it is so large that I didn’t know if I could get it through the door. We have left it in the hall. Does Madame la Duchesse wish me to bring it up?” “Oh, in that case, no; they ought to have told me, but if it’s so big I shall see it in a moment when I come downstairs.” “I forgot to tell Mme. la Duchesse that Mme. la Comtesse Mole left a card this morning for Mme. la Duchesse.” “What, this morning?” said the Duchess with an air of disapproval, feeling that so young a woman ought not to take the liberty of leaving cards in the morning. “About ten o’clock, Madame la Duchesse.” “Shew me the cards.” “In any case, Oriane, when you say that it was a funny idea on Marie’s part to marry Gilbert,” went on the Duke, reverting to the original topic of conversation, “it is you who have an odd way of writing history. If either of them was a fool, it was Gilbert, for having married of all people a woman so closely related to the King of the Belgians, who has usurped the name of Brabant which belongs to us. To put it briefly, we are of the same blood as the Hesses, and of the elder branch. It is always stupid to talk about oneself,” he apologised to me, “but after all, whenever we have been not only at Darmstadt, but even at Cassel and all over Electoral Hesse, the Landgraves have always, all of them, been most courteous in giving us precedence as being of the elder branch.” “But really, Basin, you don’t mean to tell me that a person who was a Major in every regiment in her country, who had been engaged to the King of Sweden . . . ” “Oriane, that is too much; anyone would think that you didn’t know that the King of Sweden’s grandfather was tilling the soil at Pau when we had been ruling the roost for nine hundred years throughout the whole of Europe.” “That doesn’t alter the fact that if somebody were to say in the street: ‘Hallo, there’s the King of Sweden,’ everyone would at once rush to see him as far as the Place de la Concorde, and if he said: ‘There’s M. de Guermantes,’ nobody would know who M. de Guermantes was.” “What an argument!” “Besides, I never can understand how, once the title of Duke of Brabant has passed to the Belgian Royal Family, you can continue to claim it.”&#xA;&#xA;   The footman returned with the Comtesse Mole’s card, or rather what she had left in place of a card. Alleging that she had none on her, she had taken from her pocket a letter addressed to herself, and keeping the contents had handed in the envelope which bore the inscription: ‘La Comtesse Mole.’ As the envelope was rather large, following the fashion in notepaper which prevailed that year, this manuscript ‘card’ was almost twice the size of an ordinary visiting card. “That is what people call Mme. Mole’s ‘simplicity,’” said the Duchess ironically. “She wants to make us think that she had no cards on her, and to shew her originality. But we know all about that, don’t we, my little Charles, we are quite old enough and quite original enough ourselves to see through the tricks of a little lady who has only been going about for four years. She is charming, but she doesn’t seem to me, all the same, to be quite ‘big’ enough to imagine that she can take the world by surprise with so little effort as merely leaving an envelope instead of a card and leaving it at ten o’clock in the morning. Her old mother mouse will shew her that she knows a thing or two about that.” Swann could not help smiling at the thought that the Duchess, who was, incidentally, a trifle jealous of Mme. Mole’s success, would find it quite in accordance with the ‘Guermantes wit’ to make some impertinent retort to her visitor. “So far as the title of Duc de Brabant is concerned, I’ve told you a hundred times, Oriane . . . ” the Duke continued, but the Duchess, without listening, cut him short. “But, my little Charles, I’m longing to see your photograph.” “Ah! Extinctor draconis latrator Anubis,” said Swann. “Yes, it was so charming what you said about that when you were comparing the Saint George at Venice. But I don’t understand: why Anubis?” “What’s the one like who was an ancestor of Babal?” asked M. de Guermantes. “You want to see his bauble?” retorted his wife, dryly, to shew she herself scorned the pun. “I want to see them all,” she added. “Listen, Charles, let us wait downstairs till the carriage comes,” said the Duke; “you can pay your call on us in the hall, because my wife won’t let us have any peace until she’s seen your photograph. I am less impatient, I must say,” he added with a satisfied air. “I am not easily moved myself, but she would see us all dead rather than miss it.” “I am entirely of your opinion, Basin,” said the Duchess, “let us go into the hall; we shall at least know why we have come down from your study, while we shall never know how we have come down from the Counts of Brabant.” “I’ve told you a hundred times how the title came into the House of Hesse,” said the Duke (while we were going downstairs to look at the photograph, and I thought of those that Swann used to bring me at Combray), “through the marriage of a Brabant in 1241 with the daughter of the last Landgrave of Thuringia and Hesse, so that really it is the title of Prince of Hesse that came to the House of Brabant rather than that of Duke of Brabant to the House of Hesse. You will remember that our battle-cry was that of the Dukes of Brabant: ‘Limbourg to her conqueror!’ until we exchanged the arms of Brabant for those of Guermantes, in which I think myself that we were wrong, and the example of the Gramonts will not make me change my opinion.” “But,” replied Mme. de Guermantes, “as it is the King of the Belgians who is the conqueror . . . Besides the Belgian Crown Prince calls himself Duc de Brabant.” “But, my dear child, your argument will not hold water for a moment. You know as well as I do that there are titles of pretension which can perfectly well exist even if the territory is occupied by usurpers. For instance, the King of Spain describes himself equally as Duke of Brabant, claiming in virtue of a possession less ancient than ours, but more ancient than that of the King of the Belgians. He calls himself also Duke of Burgundy, King of the Indies Occidental and Oriental, and Duke of Milan. Well, he is no more in possession of Burgundy, the Indies or Brabant than I possess Brabant myself, or the Prince of Hesse either, for that matter. The King of Spain likewise proclaims himself King of Jerusalem, as does the Austrian Emperor, and Jerusalem belongs to neither one nor the other.” He stopped for a moment with an awkward feeling that the mention of Jerusalem might have embarrassed Swann, in view of ‘current events,’ but only went on more rapidly: “What you said just now might be said of anyone. We were at one time Dukes of Aumale, a duchy that has passed as regularly to the House of France as Joinville and Chevreuse have to the House of Albert. We make no more claim to those titles than to that of Marquis de Noirmoutiers, which was at one time ours, and became perfectly regularly the appanage of the House of La Trémoïlle, but because certain cessions are valid, it does not follow that they all are. For instance,” he went on, turning to me, “my sister-in-law’s son bears the title of Prince d’Agrigente, which comes to us from Joan the Mad, as that of Prince de Tarente comes to the La Trémoïlles. Well, Napoleon went and gave this title of Tarente to a soldier, who may have been admirable in the ranks, but in doing so the Emperor was disposing of what belonged to him even less than Napoleon III when he created a Duc de Montmorency, since Périgord had at least a mother who was a Montmorency, while the Tarente of Napoleon I had no more Tarente about him than Napoleon’s wish that he should become so. That did not prevent Chaix d’Est-Ange, alluding to our uncle Condé, from asking the Procurer Impérial if he had picked up the title of Duc de Montmorency in the moat of Vincennes.”&#xA;&#xA;    “Listen, Basin, I ask for nothing better than to follow you to the ditches of Vincennes, or even to Tarante. And that reminds me, Charles, of what I was going to say to you when you were telling me about your Saint George at Venice. We have an idea, Basin and I, of spending next spring in Italy and Sicily. If you were to come with us, just think what a difference it would make! I’m not thinking only of the pleasure of seeing you, but imagine, after all you’ve told me so often about the remains of the Norman Conquest and of ancient history, imagine what a trip like that would become if you came with us! I mean to say that even Basin — what am I saying, Gilbert — would benefit by it, because I feel that even his claims to the throne of Naples and all that sort of thing would interest me if they were explained by you in old romanesque churches in little villages perched on hills like primitive paintings. But now we’re going to look at your photograph. Open the envelope,” said the Duchess to a footman. “Please, Oriane, not this evening; you can look at it to-morrow,” implored the Duke, who had already been making signs of alarm to me on seeing the huge size of the photograph. “But I like to look at it with Charles,” said the Duchess, with a smile at once artificially concupiscent and psychologically subtle, for in her desire to be friendly to Swann she spoke of the pleasure which she would have in looking at the photograph as though it were the pleasure an invalid feels he would find in eating an orange, or as though she had managed to combine an escapade with her friends with giving information to a biographer as to some of her favourite pursuits. “All right, he will come again to see you, on purpose,” declared the Duke, to whom his wife was obliged to yield. “You can spend three hours in front of it, if that amuses you,” he added ironically. “But where are you going to stick a toy of those dimensions?” “Why, in my room, of course. I like to have it before my eyes.” “Oh, just as you please; if it’s in your room, probably I shall never see it,” said the Duke, without thinking of the revelation he was thus blindly making of the negative character of his conjugal relations. “Very well, you will undo it with the greatest care,” Mme. de Guermantes told the servant, multiplying her instructions out of politeness to Swann. “And see that you don’t crumple the envelope, either.” “So even the envelope has got to be respected!” the Duke murmured to me, raising his eyes to the ceiling. “But, Swann,” he added, “I, who am only a poor married man and thoroughly prosaic, what I wonder at is how on earth you managed to find an envelope that size. Where did you pick it up?” “Oh, at the photographer’s; they’re always sending out things like that. But the man is a fool, for I see he’s written on it ‘The Duchesse de Guermantes,’ without putting ‘Madame.’” “I’ll forgive him for that,” said the Duchess carelessly; then, seeming to be struck by a sudden idea which enlivened her, checked a faint smile; but at once returning to Swann: “Well, you don’t say whether you’re coming to Italy with us?” “Madame, I am really afraid that it will not be possible.” “Indeed! Mme. de Montmorency is more fortunate. You went with her to Venice and Vicenza. She told me that with you one saw things one would never see otherwise, things no one had ever thought of mentioning before, that you shewed her things she had never dreamed of, and that even in the well-known things she had been able to appreciate details which without you she might have passed by a dozen times without ever noticing. Obviously, she has been more highly favoured than we are to be. . . . You will take the big envelope from M. Swann’s photograph,” she said to the servant, “and you will hand it in, from me, this evening at half past ten at Mme. la Comtesse Mole’s.” Swann laughed. “I should like to know, all the same,” Mme. de Guermantes asked him, “how, ten months before the time, you can tell that a thing will be impossible.” “My dear Duchess, I will tell you if you insist upon it, but, first of all, you can see that I am very ill.” “Yes, my little Charles, I don’t think you look at all well. I’m not pleased with your colour, but I’m not asking you to come with me next week, I ask you to come in ten months. In ten months one has time to get oneself cured, you know.” At this point a footman came in to say that the carriage was at the door. “Come, Oriane, to horse,” said the Duke, already pawing the ground with impatience as though he were himself one of the horses that stood waiting outside. “Very well, give me in one word the reason why you can’t come to Italy,” the Duchess put it to Swann as she rose to say good-bye to us. “But, my dear friend, it’s because I shall then have been dead for several months. According to the doctors I consulted last winter, the thing I’ve got — which may, for that matter, carry me off at any moment — won’t in any case leave me more than three or four months to live, and even that is a generous estimate,” replied Swann with a smile, while the footman opened the glazed door of the hall to let the Duchess out. “What’s that you say?” cried the Duchess, stopping for a moment on her way to the carriage, and raising her fine eyes, their melancholy blue clouded by uncertainty. Placed for the first time in her life between two duties as incompatible as getting into her carriage to go out to dinner and shewing pity for a man who was about to die, she could find nothing in the code of conventions that indicated the right line to follow, and, not knowing which to choose, felt it better to make a show of not believing that the latter alternative need be seriously considered, so as to follow the first, which demanded of her at the moment less effort, and thought that the best way of settling the conflict would be to deny that any existed. “You’re joking,” she said to Swann. “It would be a joke in charming taste,” replied he ironically. “I don’t know why I am telling you this; I have never said a word to you before about my illness. But as you asked me, and as now I may die at any moment . . . But whatever I do I mustn’t make you late; you’re dining out, remember,” he added, because he knew that for other people their own social obligations took precedence of the death of a friend, and could put himself in her place by dint of his instinctive politeness. But that of the Duchess enabled her also to perceive in a vague way that the dinner to which she was going must count for less to Swann than his own death. And so, while continuing on her way towards the carriage, she let her shoulders droop, saying: “Don’t worry about our dinner. It’s not of any importance!” But this put the Duke in a bad humour, who exclaimed: “Come, Oriane, don’t stop there chattering like that and exchanging your jeremiads with Swann; you know very well that Mme. de Saint-Euverte insists on sitting down to table at eight o’clock sharp. We must know what you propose to do; the horses have been waiting for a good five minutes. I beg your pardon, Charles,” he went on, turning to Swann, “but it’s ten minutes to eight already. Oriane is always late, and it will take us more than five minutes to get to old Saint-Euverte’s.” Mme. de Guermantes advanced resolutely towards the carriage and uttered a last farewell to Swann. “You know, we can talk about that another time; I don’t believe a word you’ve been saying, but we must discuss it quietly. I expect they gave you a dreadful fright, come to luncheon, whatever day you like” (with Mme. de Guermantes things always resolved themselves into luncheons), “you will let me know your day and time,” and, lifting her red skirt, she set her foot on the step. She was just getting into the carriage when, seeing this foot exposed, the Duke cried in a terrifying voice: “Oriane, what have you been thinking of, you wretch? You’ve kept on your black shoes! With a red dress! Go upstairs quick and put on red shoes, or rather,” he said to the footman, “tell the lady’s maid at once to bring down a pair of red shoes.” “But, my dear,” replied the Duchess gently, annoyed to see that Swann, who was leaving the house with me but had stood back to allow the carriage to pass out in front of us, could hear, “since we are late.” “No, no, we have plenty of time. It is only ten to; it won’t take us ten minutes to get to the Parc Monceau. And, after all, what would it matter? If we turned up at half past eight they’d have to wait for us, but you can’t possibly go there in a red dress and black shoes. Besides, we shan’t be the last, I can tell you; the Sassenages are coming, and you know they never arrive before twenty to nine.” The Duchess went up to her room. “Well,” said M. de Guermantes to Swann and myself, “we poor, down-trodden husbands, people laugh at us, but we are of some use all the same. But for me, Oriane would have been going out to dinner in black shoes.” “It’s not unbecoming,” said Swann, “I noticed the black shoes and they didn’t offend me in the least.” “I don’t say you’re wrong,” replied the Duke, “but it looks better to have them to match the dress. Besides, you needn’t worry, she would no sooner have got there than she’d have noticed them, and I should have been obliged to come home and fetch the others. I should have had my dinner at nine o’clock. Good-bye, my children,” he said, thrusting us gently from the door, “get away, before Oriane comes down again. It’s not that she doesn’t like seeing you both. On the contrary, she’s too fond of your company. If she finds you still here she will start talking again, she is tired out already, she’ll reach the dinner-table quite dead. Besides, I tell you frankly, I’m dying of hunger. I had a wretched luncheon this morning when I came from the train. There was the devil of a béarnaise sauce, I admit, but in spite of that I shan’t be at all sorry, not at all sorry to sit down to dinner. Five minutes to eight! Oh, women, women! She’ll give us both indigestion before to-morrow. She is not nearly as strong as people think.” The Duke felt no compunction at speaking thus of his wife’s ailments and his own to a dying man, for the former interested him more, appeared to him more important. And so it was simply from good breeding and good fellowship that, after politely shewing us out, he cried ‘from off stage,’ in a stentorian voice from the porch to Swann, who was already in the courtyard: “You, now, don’t let yourself be taken in by the doctors’ nonsense, damn them. They’re donkeys. You’re as strong as the Pont Neuf. 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<INFO BITRATE="808194" KEY_LYRICS="5 Contributors2017 haywoodindahood Listening Log LyricsOn this page, you’ll see all the new (and old) albums, mixtapes and (should there be any) standalone singles I have listened to (in its entirety) for the year and ratings on each individual track with the… Read More Last updated: 12/23/2017, 7:26 PM MSTJanuaryMarqo 2 Fresh - Rockstar/Trapstar (2017)&#xA;Hoodrich Pablo Juan - Designer Drugz (2015)FebruaryIZA Lach - Flower in the Jungle (2014)&#xA;IZA Lach - P A I N K I L L E R (2014)&#xA;brandUn DeShay - Volume: One! For the Money (2008)&#xA;Tori Kelly - Handmade Songs by Tori Kelly (2012)&#xA;Mobb Deep - The Infamous (1995)&#xA;Odd Future - The Odd Future Tape (2008)&#xA;The Civil Wars - Poison &amp;amp; Wine EP (2009)&#xA;I Smell Panties - I Smell Panties EP (2008)&#xA;Shawty Lo - I'm da Man 2 (2007)&#xA;Meghan Trainor - Title (2015)&#xA;The Super D3Shay - The Super D3Shay EP (2009)&#xA;The Jet Age of Tomorrow - Can I Hold Your Hand?! (2010)&#xA;Lucy Hale - Road Between (2014)&#xA;Hoodrich Pablo Juan (feat. Lil Dude) - &amp;quot;Hoodrich DC Freestyle&amp;quot; (2017)&#xA;Plies - 100% Real Nigga (2005)&#xA;Three 6 Mafia - Live by Yo Rep (B.O.N.E. Dis) (1995)&#xA;The Black Keys - El Camino (2011)&#xA;Lil Meta - So Icey Grinch (2008)&#xA;Lil Meta - Meta Myers (2010)&#xA;Hoodrich Pablo Juan - MONY POWR RSPT: Designer and Drugz Edition (2015)&#xA;Hoodrich Pablo Juan (feat. Skippa da Flippa) - &amp;quot;Still the Same Nigga&amp;quot; (2017)&#xA;Alyson Stoner - While You Were Sleeping (2016)&#xA;Warren G - Regulate... G Funk Era (1994)&#xA;Tori Kelly - Foreword (2013)&#xA;brandUn DeShay - Volume: Two! For the Show (2009)MarchThe Civil Wars - Barton Hollow (2011)&#xA;brandUn DeShay - Your Favorite! MixTape (2009)&#xA;Shai - ...If I Ever Fall in Love (1992)&#xA;Bone Thugs-N-Harmony - Creepin on ah Come Up (1994)&#xA;Aaliyah - Age Ain't Nothing But a Number (1994)&#xA;Groove Theory - Groove Theory (1995)&#xA;Waka Flocka Flame - Salute Me or Shoot Me (2009)&#xA;The Civil Wars - The Civil Wars (2013)&#xA;Immature - On Our Worst Behavior (1992)&#xA;Dr. Dre - The Chronic (1992)&#xA;Aaliyah - One in a Million (1996)&#xA;The Notorious B.I.G. - Ready to Die (1994)&#xA;The Notorious B.I.G. - &amp;quot;Who Shot Ya?&amp;quot; (1995)&#xA;The Notorious B.I.G. - Life After Death (1997)&#xA;Jurrarri - Jurrarri tha Kid, Pt. 3: Yellow Diamonds (2009)&#xA;Meghan Trainor - Thank You (2016)&#xA;Earl Sweatshirt - Earl (2010)&#xA;Earl Sweatshirt - I Don't Like Shit, I Don't Go Outside (2015)&#xA;Alyson Stoner - Beat the System (2011)&#xA;Tyler, The Creator - &amp;quot;Fuck Santa&amp;quot; (2008)&#xA;brandUn DeShay - &amp;quot;Imaginary Weekend With Her&amp;quot; (2009)&#xA;Brandon Hines - Love Music... Falling In, Falling Out (2006)&#xA;Queen Latifah - Black Reign (1993)&#xA;Kiiara - low kii savage (2016)&#xA;Kacy Hill - Bloo (2015)&#xA;Kacy Hill - &amp;quot;Lion&amp;quot; (2016)&#xA;Tori Kelly - &amp;quot;Don't You Worry 'Bout a Thing&amp;quot; (2016)&#xA;Ariana Grande - Christmas &amp;amp; Chill (2015)&#xA;Ice Cube - AmeriKKKa's Most Wanted (1990)&#xA;Usher - Usher (1994)&#xA;2Pac - Me Against the World (1995)&#xA;Bone Thugs-N-Harmony - E. 1999 Eternal (1995)&#xA;Total Devastation - Total Devastation (1993)&#xA;The Underachievers - The Lords of Flatbush (2013)&#xA;A Tribe Called Quest - People's Instinctive Travels and the Paths of Rhythm (1990)&#xA;A Tribe Called Quest - The Low End Theory (1991)&#xA;Tyler, The Creator - Bastard (2009)&#xA;Immature - Playtyme Is Over (1994)&#xA;The Black Keys - Turn Blue (2014)&#xA;Frank Ocean - Endless (2016)AprilBruno Mars - 24K Magic (2016)&#xA;Kendrick Lamar - &amp;quot;HUMBLE.&amp;quot; (2017)&#xA;Kendrick Lamar - &amp;quot;The Heart Part 4&amp;quot; (2017)&#xA;Kendrick Lamar - untitled unmastered. (2016)&#xA;Drake - More Life (2017)&#xA;Immature - We Got It (1995)&#xA;Ashanti - Ashanti (2002)&#xA;Usher - 8701 (2001)&#xA;Usher - Confessions (2004)&#xA;A$AP Mob - Cozy Tapes Vol. 1: Friends - (2016)&#xA;Raekwon - Only Built 4 Cuban Linx... (1995)&#xA;Smif-N-Wessun - Dah Shinin' (1995)&#xA;Nas - Illmatic (1994)&#xA;Cierra Ramirez - Discreet (2016)&#xA;Flatbush ZOMBiES - 3001: A Laced Odyssey (2016)&#xA;Kilo Kish - Homeschool (2012)&#xA;Trey Songz - Tremaine (2017)&#xA;Syd - Fin (2017)&#xA;Hoodrich Pablo Juan &amp;amp; Jose Guapo - Million Dollar Plugs (2015)&#xA;Trey Songz - Ready (2009)&#xA;A$AP Rocky - LONG.LIVE.A$AP (2013)&#xA;Michael Jackson - Thriller (1982)&#xA;Trey Songz - Passion, Pain &amp;amp; Pleasure (2010)&#xA;Matt Martians - The Drum Chord Theory (2017)&#xA;Trey Songz - Chapter V (2012)&#xA;Michael Jackson - Off the Wall (1979)&#xA;Michael Jackson - Bad (1987)&#xA;Michael Jackson - Dangerous (1991)&#xA;Flatbush ZOMBiES - BetterOffDEAD (2013)&#xA;Rebecca Black - &amp;quot;Foolish&amp;quot; (2017)&#xA;J. Cole - 4 Your Eyez Only (2016)&#xA;Tyler, The Creator - Goblin (2011)&#xA;brandUn DeShay - &amp;quot;It's Ok Pt. 2&amp;quot; (2015)MayBryson Tiller - T R A P S O U L (2015)&#xA;Hoodrich Pablo Juan &amp;amp; Danny Wolf - HoodWolf (2017)&#xA;Alessia Cara - Know-It-All (2015)&#xA;Calvin Harris (feat. Young Thug, Pharrell Williams, and Ariana Grande) - &amp;quot;Heatstroke&amp;quot; (2017)&#xA;Louisa Johnson - &amp;quot;Best Behaviour&amp;quot; (2017)&#xA;Calvin Harris (feat. Migos and Frank Ocean) - &amp;quot;Slide&amp;quot; (2017)&#xA;Kygo (feat. Selena Gomez) - &amp;quot;It Ain't Me&amp;quot; (2017)&#xA;Gorillaz (feat. Popcaan) - &amp;quot;Saturnz Barz&amp;quot; (2017)&#xA;CeeLo Green - &amp;quot;Music to My Soul&amp;quot; (2015)&#xA;Shyheim - AKA the Rugged Child (1994)&#xA;Da Youngsta's - Somethin 4 da Youngsta's (1992)&#xA;Kris Kross - Totally Krossed Out (1992)&#xA;DrugRixh Pe$o, Diego Dose, Bloody Tito &amp;amp; Hoodrich Pablo Juan - 1'5 (2016)&#xA;Hailee Steinfeld - HAIZ (2015)JunebrandUn DeShay - &amp;quot;All That I'm Asking&amp;quot; (2013)&#xA;Gucci Mane - Droptopwop (2017)&#xA;Sabrina Carpenter - EVOLution (2016)&#xA;Sabrina Carpenter - Can't Blame a Girl for Trying (2014)&#xA;Sabrina Carpenter - Eyes Wide Open (2015)&#xA;Cam - Welcome to Cam Country (2015)&#xA;Waka Flocka Flame &amp;amp; Slim Dunkin - Twin Towers (2009)&#xA;Miranda Cosgrove - Sparks Fly (2010)&#xA;Miranda Cosgrove - About You Now (2009)&#xA;Cam - Untamed (2015)&#xA;Miranda Cosgrove - High Maintenance (2011)&#xA;Black Moon - Enta da Stage (1993)&#xA;Anna Wise - The Feminine: Act I (2016)&#xA;Tinashe - Amethyst (2015)&#xA;Snoop Dogg - Doggystyle (1993)&#xA;brandUn DeShay - Volume: Three! To Get Ready (2010)&#xA;Kacy Hill - &amp;quot;Like a Woman&amp;quot; (2017)&#xA;Bryson Tiller - True to Self (2017)&#xA;A$AP Mob (feat. A$AP Rocky, Playboi Carti, Quavo, Lil Uzi Vert, and Frank Ocean) - &amp;quot;RAF&amp;quot; (2017)&#xA;Da Youngsta's - The Aftermath (1993)&#xA;Da Youngsta's - No Mercy (1994)&#xA;Earl Sweatshirt - Doris (2013)&#xA;Onyx - Bacdafucup (1993)&#xA;Onyx - All We Got Iz Us (1995)&#xA;Pete Rock &amp;amp; C.L. Smooth - Mecca and the Soul Brother (1992)JulyAJR (feat. Louisa Johnson) - &amp;quot;Weak (Stay Strong Mix)&amp;quot; (2017)&#xA;Jeremih - Jeremih (2009)&#xA;The Jet Age of Tomorrow - Journey to the 5th Echelon (2010)&#xA;Ariana Grande - Yours Truly (2013)&#xA;Sabrina Carpenter - &amp;quot;Why&amp;quot; (2017)&#xA;Johnny Cinco &amp;amp; Hoodrich Pablo Juan - Poppi Seed Connect: Da Grand Hu$$le (2015)&#xA;J. Cole - 2014 Forest Hills Drive (2014)&#xA;J. Cole - &amp;quot;everybody dies&amp;quot; (2016)&#xA;Louisa Johnson - &amp;quot;So Good&amp;quot; (2016)&#xA;Ariana Grande - My Everything (2014)&#xA;Anna Wise - The Feminine: Act II (2017)&#xA;All-4-One - All-4-One (1994)&#xA;NexXthursday (feat. Quavo and Lil Yachty) - &amp;quot;Sway (Remix)&amp;quot; (2017)&#xA;Hoodrich Pablo Juan (feat. MadeinTYO) - &amp;quot;B.M.F.&amp;quot; (2017)&#xA;Arrested Development - 3 Years, 5 Months and 2 Days in the Life Of... (1992)&#xA;All-4-One - And the Music Speaks (1995)&#xA;Calvin Harris - Funk Wav Bounces Vol. 1 (2017)&#xA;A$AP Mob (feat. A$AP Nast and Method Man) - &amp;quot;Trillmatic&amp;quot; (2013)&#xA;Tyler, The Creator - Flower Boy (2017)&#xA;Bloods &amp;amp; Crips - Bangin' on Wax (1993)&#xA;RaeLynn - WildHorse (2017)&#xA;2 Chainz - Pretty Girls Like Trap Music (2017)&#xA;A$AP Rocky - AT.LONG.LAST.A$AP (2015)&#xA;Dixie Chicks - Wide Open Spaces (1998)&#xA;Mobb Deep - Hell on Earth (1996)&#xA;J. 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<INFO BITRATE="902975" KEY_LYRICS="63 ContributorsTranslationsEspañolMyth Lyrics“Nothing happens to shatter the perfect surface,” The Guardian said in a review of Beach House’s fourth album, Bloom. It wasn’t meant as a compliment. But that bright, mirror-like surface is what makes “Myth”… Read More &#xA;Drifting in and out, you see the road you're on&#xA;It came rollin' down your cheek, you say just what you mean&#xA;And in-between, it's never as it seems&#xA;&#xA;&#xA;Help me to name it&#xA;Help me to name it&#xA;&#xA;&#xA;If you built yourself a myth, you'd know just what to give&#xA;What comes after this momentary bliss?&#xA;The consequence of what you do to me&#xA;&#xA;&#xA;Help me to name it&#xA;Help me to name it&#xA;&#xA;&#xA;Found yourself in a new direction&#xA;Arrows fallin' from the sun&#xA;Canyon callin', would they come to greet you?&#xA;Let you know you're not the only one&#xA;&#xA;&#xA;Can't keep hangin' on to what is dead and gone&#xA;If you built yourself a myth, you'd know just what to give&#xA;Materialize or let the ashes fly&#xA;&#xA;Help me to name it&#xA;Help me to name it" PRODUCER="Western Lore" COVERARTID="069/FSIEYUAAXXOAEAFLYJYFDQI41BBD" PLAYTIME="463" PLAYTIME_FLOAT="462.920013" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="51607"></INFO>
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<INFO BITRATE="802595" KEY_LYRICS="2 ContributorsIf Only Lyrics&#xA;If only I could, just see her again&#xA;Just to feel her again, just to taste her again&#xA;&#xA;I know&#xA;&#xA;We made everything better, just to watch it come undone&#xA;Better off if I forget her, now you know I'm not the one&#xA;&#xA;I'm not the one&#xA;&#xA;Yeah, I heard you found someone&#xA;Yeah, I heard you found someone&#xA;Yeah, you heard I found someone&#xA;Said you didn’t give a fuck but you're just acting tough&#xA;&#xA;I’m not the one&#xA;&#xA;Now you know I'm not the one&#xA;Now I know you’re not the one&#xA;&#xA;I'm not the one&#xA;&#xA;&#xA;You always say too much, then you take it all back&#xA;How could you forget all the times we had&#xA;Why am I the one you haunt&#xA;Take me by the hand, pull me to the edge&#xA;Now my fates all in your hand&#xA;Push or pull, which do you want&#xA;Turn the light down low&#xA;You disappear, where do you go&#xA;Just wanna hold you close&#xA;One more time, all I can do is hope&#xA;I know&#xA;&#xA;If only I could&#xA;Just see her again&#xA;Just to feel her again&#xA;Just to taste her again&#xA;&#xA;I know&#xA;&#xA;Still trying to forget her, even though she held the gun&#xA;As my body hit the ground, would you kill the one you loved&#xA;I'm not the one&#xA;&#xA;Yeah, I heard you found someone&#xA;Yeah, I heard you found someone&#xA;Yeah, you heard I found someone&#xA;Said you didn’t give a fuck, but you're just acting tough&#xA;&#xA;I'm not the one&#xA;&#xA;Now you know I'm not the one&#xA;Now I know you're not the one&#xA;&#xA;I'm not the one&#xA;&#xA;&#xA;You always say too much, then you take it all back&#xA;How could you forget all the times we had&#xA;Why am I the one you haunt&#xA;Take me by the hand, pull me to the edge&#xA;Now my fates all in your hand&#xA;Push or pull, which do you want&#xA;If only just one last time, yeah" PRODUCER="(P) 2021 UIQ" COVERARTID="063/5JKZLJAMCEUUECJG2DTNALXSZVAD" PLAYTIME="293" PLAYTIME_FLOAT="292.682953" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="28814"></INFO>
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<INFO BITRATE="893523" KEY_LYRICS="1 ContributorWhat You Want Lyrics&#xA;Turn up your radio dial this now the jam zone&#xA;I’m making tracks homie serving their lacks until the amps blown&#xA;With the kind of flows you can’t clone&#xA;My tight poems sewing the game up putting the clamps on&#xA;Never fake made for tv&#xA;Real and i’m coming with skills fans camping out 3 days to see me&#xA;My whole click tighter than a beanie&#xA;Removing our foes ready to prove it to those who don’t believe me&#xA;When I was young thinking of a way to ball&#xA;I came with a rap style that’ll fade them all&#xA;Stayed true when I did it never had to switch&#xA;Now my crew done came up from a rag to rich&#xA;Rock sold out shows for a piece of mayo&#xA;Got my own record company and beats for sale&#xA;Excel when I get on it sound tight now don’t it&#xA;I see the look in your eyes you know you want it&#xA;You know you want it&#xA;&#xA;&#xA;We got what you want we got what you need we got what you want&#xA;This is what you want (what you want – come on) this is what you need (what you need come on) this is what you want (you know you want it you know you want it)&#xA;&#xA;&#xA;Tina jones doper than him and him&#xA;Cause they’re debted like the letter that stan wrote to eminem&#xA;Rap hard but still i’m feminine&#xA;While you walk i move quicker than black thought’s adrenaline&#xA;My momma call me when she need a grand&#xA;Got my own money forget all that oh honey i need a man&#xA;If i’m on this fixin’ to be the jam&#xA;Flow with the jones’ forever you can bet ima’ never leave the fam&#xA;Ladies and gentlemen we came to rock&#xA;Your radio’s on fire cause we blazin’ hot&#xA;Thank God cause he gave me everything i got&#xA;Some of you shame to say it i’m a shame to not&#xA;Why you wanna try to claim the block&#xA;Ain't it better for us coming together like a chain and lock&#xA;You aught to feel like the pain in pot when i get on it&#xA;Quit trying to front you know you want you know you want it you want it&#xA;&#xA;We got what you want we got what you need we got what you want&#xA;This is what you want (what you want – come on) this is what you need (what you need come on) this is what you want (you know you want it you know you want it)&#xA;&#xA;&#xA;See what you know about this an orthodox modern day doc holiday&#xA;Spot a phoney bout’ a mile away&#xA;Give you what you need on sight not just a poet but&#xA;I was mcing before the tough got goin&#xA;Ima showem Lord evil spirits will get defeated&#xA;They been sleeping so long i’m feeling kind of postripedic&#xA;Where the needle at don’t inject but just rap&#xA;Say my crew don’t mack so gailey hit em’ with a&#xA;They homie solo told me always hustle like a fast break&#xA;Do it how you do it like if you was on your last leg&#xA;Thanks black crew move like xlax slide city to city&#xA;Sleep on the bus the we out cause&#xA;Next spot gotta be blessed gotta be blown&#xA;Deliver blows to all of my foes and yell jones&#xA;First ones to show and the last ones to leave&#xA;Anybody disagree we gonna’ give you what you need&#xA;&#xA;&#xA;We got what you want we got what you need we got what you want&#xA;This is what you want (what you want – come on) this is what you need (what you need come on) this is what you want (you know you want it you know you want it)" PRODUCER="Dance Trax" COVERARTID="025/ZA4VBBBXLETVHDAKI5R1APT3USTB" PLAYTIME="463" PLAYTIME_FLOAT="462.268494" IMPORT_DATE="2025/7/5" RELEASE_DATE="2021/1/1" FLAGS="12" FILESIZE="50519"></INFO>
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<INFO BITRATE="863339" KEY_LYRICS="1 ContributorSYRACUSE LyricsG U I L T Y&#xA;&#xA;1. ITACHI&#xA;2. HIVER A TOKYO&#xA;3. ABARAI ok&#xA;5. PRELUDE ok&#xA;6. SOLEIL PLEURE ok&#xA;7. INTERLUDE&#xA;&#xA;&#xA;&#xA;1. ITACHI&#xA;2. KOBA ok&#xA;3. ABARAI ok&#xA;5. PRELUDE ok&#xA;6. SOLEIL PLEURE ok&#xA;7. INTERLUDE&#xA;Dans la vidéo 1.2.3 soleil faire une annonce pour la suite du projet&#xA;8. GUILTY ok&#xA;9. IKIGAI ok&#xA;10. LA COULEUR DE L'ABIME ok&#xA;11. HANJO MASAMUNE ok&#xA;12. HIVER A TOKYO feat SHANKSOU&#xA;13. BRULE ok&#xA;14. TES YEUX ok&#xA;15. MON COEUR ET MON AME ok&#xA;16. DERNIERE DANSE&#xA;17 . VALHALLA MAP1 Bonus Track&#xA;&#xA;&#xA;TE LE DIRE&#xA;&#xA;&#xA;G U I L T Y&#xA;&#xA;ITACHI&#xA;1. GUILTY                                               OK&#xA;2. KOBA                                                 OK&#xA;3. IKIGAI                                                 OK&#xA;4. HONJO MASAMUNE                        OK&#xA;5. PRELUDE                                           OK&#xA;6. SOLEIL PLEURE                                OK&#xA;7. INTERLUDE&#xA;8 TES YEUX&#xA;9. CAOMAO&#xA;10. MON COEUR ET MON AME              OK&#xA;11. HIVER A TOKYO feat Shanksou         OK&#xA;12.  BRULE&#xA;13. DERNIERE DANSE                              OK&#xA;&#xA;JEUNE DE PAROLE&#xA;&#xA;LA COULEUR DE L'ABIME&#xA;SILENCE DE PLOMB&#xA;1. GUILTY&#xA;2. KOBA&#xA;3. HONJO MASAMUNE ( beatswitch )&#xA;4. PRELUDE&#xA;5. SOLEIL PLEURE&#xA;6. CAOMAO&#xA;7. INTERLUDE&#xA;8. MON COEUR ET MON AME&#xA;9. BRULE&#xA;10. HIVER A TOKYO&#xA;11. DERNIERE DANSE&#xA;&#xA;&#xA;&#xA;7. INTERLUDE&#xA;8. LA VIE DE RONIN&#xA;9. GANONDORF&#xA;10. MON COEUR ET MON AME&#xA;11. BRULE&#xA;12.HIVER A TOKYO&#xA;13. DERNIERE DANSE&#xA;Cǎomào£&#xA;&#xA;&#xA;A FAIRE !!!!!!&#xA;Finir maquette bonheur&#xA;Finir son , TRUMPET refrain  + couplet TOBI et SHANKSOU&#xA;NOUVELLE ALBUM&#xA;&#xA;1. WAKANDA&#xA;2. GRIOT&#xA;3. Gran torino feat IA&#xA;4. TERRIFIER feat SHANKSOU&#xA;&#xA;3. Kamelo's vira feat IA&#xA;4&#xA;&#xA;J'avais juste besoin d'un peu d'amour , pour exister&#xA;&#xA;&#xA;&#xA;&#xA;A PEUT ETRE FAIRE&#xA;Finir CAOMAO&#xA;&#xA;&#xA;Elle me&#xA;Dans tous les camps&#xA;&#xA;Baby , j'aime quand tu te déhanche&#xA;J'en , vient sentir le 22&#xA;&#xA;Un cavu&#xA;Elle est pas difficile&#xA;Elle voudrait son BBL pour noël&#xA;&#xA;Elle a l’regard qui tue&#xA;Mouvemеnt calibré&#xA;J'te veux pour la nuit , l'cœur n'a jamais dansé&#xA;Pas d’stress, quе d’la vibe et du feu&#xA;&#xA;Tous les badman veulent tenter leur chance&#xA;&#xA;Quand j'revient du charbon&#xA;Pas dans l’romance&#xA;&#xA;Monté une horloge&#xA;&#xA;J'vais play toute la nuit , tout est sous contrat&#xA;&#xA;C'est toi qu'elle follow , c'est moi la baise&#xA;&#xA;M I G O S&#xA;J'ai tout les logs , ouais j'ai toute les Keys&#xA;La forme de mon coeur est une Pyramide&#xA;&#xA;J'ai les parts du business, j’ai l’respect des vrais, t’as serré les mains sales, moi j’ai lavé les plaies&#xA;Tu vis pour les stats, qui ont aucun impact, t’as marqué des buts, moi j'ai briser des pactes&#xA;Guider&#xA;J'connais l'odeur de la haine , mais l'parfum restera toujours le même&#xA;On avancera pas sans lever l’épée&#xA;&#xA;W A K A N D A&#xA;&#xA;&#xA;&#xA;&#xA;J’suis l’noir dans l'noir entre les battements&#xA;L'emprise , La Haine du Moyen Orient&#xA;Je vie chaque jours comme si j'allais tout perdre&#xA;Du plomb dans l'crane , les autres ils gamberge&#xA;&#xA;Comme un Sample , le cœur n'a jamais dansé&#xA;Ils vont twerker sur l'triangle de Gizeh&#xA;J'suis grand macho , l'préférer des Tass&#xA;Je les aime vilaine , avec tres peu d'strass&#xA;J'suis plus bankable que muriot&#xA;J'fait chanter , j'fait chanter les Griot&#xA;&#xA;Le monde appartient a celui qui se lève tôt&#xA;Pour ca que je me suis jamais endormi&#xA;&#xA;C'est le moulin rouge , strass&#xA;&#xA;Quand tu crois que c'est la bonne&#xA;&#xA;J'ai mis les rimes en Hit , l'abime en chapitre&#xA;&#xA;Décoré par des chaines ,  la vie n'est une chienne&#xA;Qu'a cela tienne&#xA;&#xA;&#xA;&#xA;J'vais enculer l'rap une énième fois&#xA;J'vais fermer les portes derrière moi&#xA;&#xA;&#xA;&#xA;J'encule le rap tout les ans&#xA;&#xA;&#xA;J'vais fermer les portes derrière moi&#xA;&#xA;&#xA;&#xA;Gizeh&#xA;&#xA;&#xA;&#xA;Gamos , palace&#xA;&#xA;&#xA;&#xA;Tu cries pour exister, j’parle pour disparaître, t’as mis le vide en hit, moi l’abîme en chapitre&#xA;&#xA;J’suis l’noir dans l'noir entre les battements&#xA;&#xA;I9ls vivent pour les Noble&#xA;&#xA;T’as mis l’amour en boucle comme un sample trop usé, j’ai mis ma haine en stéréo, l’cœur n’a jamais dansé.”&#xA;&#xA;Masterpiece&#xA;&#xA;Décoré avec des chaines&#xA;&#xA;Parfois je m'egard je ressemble a Freeze&#xA;&#xA;J'suis plus bankable&#xA;Griot&#xA;&#xA;Mon enfer sur terre&#xA;&#xA;Ton futur est mort il ressemble a Freeze&#xA;&#xA;Jvais fermer les portes derrière moi&#xA;&#xA;&#xA;GBS&#xA;Elle t'aime pas pour s'que tes , mais pour tous se que tu as&#xA;&#xA;Les poches pleines , mais le cœur est en croix&#xA;&#xA;&#xA;&#xA;STM&#xA;&#xA;J’porte mes cicatrices comme des œuvres&#xA;Le game en otage , on laisse aucune  preuve&#xA;Les poches pleines, mais le cœur est en croix&#xA;&#xA;&#xA;&#xA;Cœur bétonné&#xA;&#xA;&#xA;Les poches pleines, mais le cœur est en croix&#xA;&#xA;Mon cœur est creux, mon âme est pleine&#xA;Pleine de haine, pleine de chaînes&#xA;&#xA;&#xA;I N T R O  ( ITACHI )&#xA;Papa est de retour , les sortir du top un par un&#xA;J'ai réussi ma vie , j'ai foiré tout mes examens&#xA;Et puis merde , ouais fuck l'école j'compter par réussir t'façon&#xA;Dans le droit chemin comme Verstappen , j'resterai en pole position&#xA;GTA génération , j'me suis fait seul , aucun patron&#xA;J'crois que je suis tomber sur un OS , J'ai cru voir Gerard sur Pharos&#xA;Justice au 22 long riffle  c'est comme ca qu'on protège les gosse&#xA;&#xA;REFRAIN&#xA;J'taf dur , peut être trop , j'laisse des empreintes carbones&#xA;J'ai les tenues bleu marine dans ma poche comme Falcone&#xA;J'taf dur , peut être trop , j'laisse des empreintes carbones&#xA;J'ai les tenues bleu marine dans ma poche comme Falcone&#xA;&#xA;COUPLET 2&#xA;J'serai absent comme Optimus j'reviendrai toujours au Prime&#xA;J'me demande pas si elle suce , mais si elle vient de grand ligne&#xA;Petit j'rêver d'être dictateur , un peu comme Genshin Khan&#xA;Fils d'pep attire l'audience méttons Jack Lang au flamme&#xA;Sur le beat je l'évite , je l'invite dans la suite&#xA;J'fait preuve d'hostérité&#xA;Ne cotoie que l'elite , dans le fond je l'evite&#xA;Dit moi la vérité&#xA;Sans équipe , pas de leak , dans un noir poétique&#xA;C'est la mentalité&#xA;On ne pense , on médite , on avance , on récite&#xA;Si dieux la décider&#xA;&#xA;M'ettais la derniere ferrari&#xA;&#xA;&#xA;VEGA ABARAI&#xA;&#xA;COUPLET 1&#xA;J'fait grossir l'écurie , 1001 chevaux comme Ferrari&#xA;J'voit très peu la lumière , je suis dans l'ombre comme l'Akatsuki&#xA;Dans l'bat pour un dernier casse  , j'prend Tokyo et Nairobi&#xA;J'ai trop tendu la mains , plus je la tend , plus j'fait des ennemies&#xA;La voix du feu , la voix de dieux , la route est longue , entre deux puits&#xA;Évite les mouvement religieux , avant que le passé s'reproduit&#xA;J'suis sur mon 31 , frai , comme Renji Abarai&#xA;J'suis jamais rassasié , J'mange les GOATS c'est que du bétail&#xA;&#xA;REFRAIN X2&#xA;&amp;quot;C'est toujours de ma faute&amp;quot;&#xA;J'serais ni des leurs ni des vôtres&#xA;Ici la vie est bien trop woke&#xA;J'partirai comme Alfred Hitchcock&#xA;&#xA;COUPLET 2&#xA;Piano black , noir sont les notes&#xA;Y'a peu d'Etoile demande a Spock&#xA;J'revient du futur dit le Doc&#xA;Y'a plus de concu ,  plus de Goats&#xA;On est adepte de magie noir , Severus , Salazar Sepentar&#xA;Fuck la résistance , j'connais que Guilty sur l'étendards&#xA;J'ai pris l'ciel en otage , loin de ses yeux couleur Topaze&#xA;Je n'ai pas vraiment tourner la page , on s'reverra après l'orage&#xA;J'ai grandi , J'me suis fait seul comme un gosse sans héritage&#xA;L'important, c'est pas la chute , c'qui compte c'est l'atterrissage&#xA;&#xA;REFRAIN X2&#xA;&amp;quot;C'est toujours de ma faute&amp;quot;&#xA;J'serais ni des leurs ni des vôtres&#xA;Ici la vie est bien trop woke&#xA;J'partirai comme Alfred Hitchcock&#xA;&#xA;COUPLET 3&#xA;J'les ai grailles en moins d'24H , j'ai pas eu besoin du Guide Michelin&#xA;Cette été je vous met sous Frozen , la vérité j'vous met bien&#xA;J'ai souvent été déçu , bien sure que les chats ne font pas des chiens&#xA;Etre milliardaire ca me dit plus rien , comme Elon sous salut Arien&#xA;&#xA;Elon sous salut Nazi&#xA;&#xA;&#xA;&#xA;Bails&#xA;&#xA;J'te jure que n'est pas moi le méchant&#xA;&#xA;&#xA;&#xA;Dans thriller , comme Alfred Hitchcock&#xA;&#xA;&#xA;&#xA;J'veux une poupée d'plus comme Milla lapidus&#xA;&#xA;&#xA;Note&#xA;Cote&#xA;&#xA;Allégeance a l'empereur Sith , on laisse aucune chance au Jedi&#xA;&#xA;&#xA;&#xA;J'pourrait leur tendre la main&#xA;&#xA;La voix du feu , la voix de dieux , la route est longue , entre deux puits&#xA;Évite les mouvement religieux , avant que le passé s'reproduit&#xA;J'suis sur mon 31 , frai , comme Renji Abarai&#xA;Allégeance a l'empereur Sith , on laisse aucune chance au Jedi&#xA;Pas d'concurrent a notre table , j'les préfère entre deux planches&#xA;Tant que la go est pilotable , j'veux rien savoir de sa science&#xA;&#xA;J'ai d'jà un cerveaux et des couilles , j'prend Tokyo et Nairobi&#xA;&#xA;PRE REFRAIN&#xA;J'taf dur , peut être trop , j'laisse des empreintes carbones&#xA;J'ai les tenues bleu marine dans ma poche comme Falcone&#xA;J'taf dur , peut être trop , j'laisse des empreintes carbones&#xA;J'ai les tenues bleu marine dans ma poche comme Falcone&#xA;&#xA;REFRAIN&#xA;J'serai absent comme Optimus j'reviendrai toujours au Prime&#xA;J'me demande pas si elle suce , mais si elle vient de grand ligne&#xA;Petit j'rêver d'être dictateur , un peu comme Genshin Khan&#xA;Fils d'pep attire l'audience méttons Jack Lang au flamme&#xA;&#xA;Papa est de retour , les sortir du top un par un&#xA;J'ai pas eu besoin du guide Michelin&#xA;&#xA;L'amour , j'en n'ai que faire , j'ai d'ja les yeux de ma Méré&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Mon texte est 3eme Dan , j'laisse très peu d'chance au Jedi&#xA;Pas d'concurrent a notre table , j'les préfère entre deux planches&#xA;Tant que la go est pilotable , j'veux rien savoir de sa science&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;On est adepte de magie noir , Severus , Salazar Sepentar&#xA;Fuck la résistance , j'connais que Guilty sur l'étendards&#xA;J'ai pris l'ciel en otage , loin de ses yeux couleur Topaze&#xA;Je n'ai pas vraiment tourner la page , on s'reverra après l'orage&#xA;J'veux l'empire de Moff Gideon , les principes de Gustavo Fring&#xA;Viens caresser ma lampe , fait connaissance avec mes Djinns&#xA;J'ai traversé les flammes , appris&#xA;&#xA;&#xA;Dans les couloirs du temps , jean reno&#xA;Mon cœur est creux, mon âme est pleine , comme le gros cul de cette chienne&#xA;&#xA;Les poches pleines , les bras en croix , j'connais visage&#xA;&#xA;&#xA;&#xA;&#xA;J'ai fait tomber ler mur de berlin&#xA;Historien&#xA;&#xA;&#xA;Mon cœur est creux, mon âme est pleine , comme le gros cul de cette chienne&#xA;&#xA;&#xA;Les poches , le coeur en croix , puée d'poix&#xA;&#xA;Hérétique , fuck les table périodique&#xA;&#xA;&#xA;&#xA;GROSSE INTRO&#xA;&#xA;Epée de Damoclès , Plastron grecque et lorica&#xA;Nul n'est Baron d'la drogue sans sa Blanco Griselda&#xA;J'ai confiance qu'en nos blasons , écu noir et grand pavillon&#xA;On reprends le contrôle de tout , sous le térébinthe comme Gédéon&#xA;Les bureaucrates des marionnettes , sont façonner par Gepetto ( you know)&#xA;Sur un long bureau ovale , sniff la C comme Pinocchio&#xA;J'me déplace que dans les airs j'connais très peu d'cheminots&#xA;Si j'me dénonce a la police , j'demande Raquel Murillo&#xA;Qu'une religion et j'y croit dur , je porte la croix comme Athelstan&#xA;On vend en gros , pas au kilos , mes ennemies sont des chiens d'la douane&#xA;Petit et grands sur l'ile Epstein , j'appelle Depardieu a la bar&#xA;La fin des temps , l'début de tout , m'reste que mes couilles et mon cigare&#xA;Fumée épaisse des pays de l'est , c'est pas Monaco , gros c'est Bagdad&#xA;Si ca me diss je répondrai , sans l'aide de dieux , sans le Djihad&#xA;Je raconte la violence en musique , Guy picciotto des Fugazi&#xA;J'adore remué la merde , j'suis plus d'se monde , Je m'appelle Charlie&#xA;&#xA;COUPLET 1&#xA;Papa est de retour , j'serai bon , cruel comme Jafar&#xA;J'suis dans toutes les têtes , J'multiplie l'point rouge sur l'radar&#xA;J'm'éloigne de tout ses traitres , tout s'que je touche en devient de l'art&#xA;Épargne moi tes louanges , j'veux rien , ni des lauriers d'césar&#xA;Epée de Damoclès , Plastron grecque et lorica&#xA;Nul n'est Baron d'la drogue sans sa Blanco Griselda&#xA;J'ai confiance qu'en nos blasons , écu noir et grand pavillon&#xA;On reprends le contrôle de tout , sous le térébinthe comme Gédéon&#xA;Les bureaucrates des marionnettes , sont façonner par Gepetto ( you know)&#xA;Sur un long bureau ovale , sniff la C comme Pinocchio&#xA;J'me déplace que dans les airs j'connais très peu d'cheminots&#xA;Si j'me dénonce a la police , j'demande Raquel Murillo&#xA;&#xA;J'ai bruler tellement de cierge&#xA;&#xA;REFRAIN&#xA;Vue sur le ciel&#xA;Jusqu'à se que les dieux me rappelle&#xA;Ma belle&#xA;J'resterai fidèle a moi même&#xA;Ils veulent la paix dans l'monde , L'occidental et l'empire Russe&#xA;Moi J'veux une poupée d'plus comme Milla Lapidus&#xA;Remplie de peine&#xA;Qui t'regarde comme une chienne&#xA;&#xA;&#xA;&#xA;J'ai gratter Guilty , Papyrus&#xA;&#xA;Moi J'veux une poupée d'plus comme Milla Lapidus&#xA;&#xA;&#xA;Essuie tes larmes&#xA;&#xA;J'resterai fidele au cartel&#xA;&#xA;REFRAIN 1m53&#xA;La faute a qui&#xA;&#xA;&#xA;&#xA;&#xA;REFRAIN&#xA;On veux faire fortune , toucher de l'or et des fesses&#xA;J'ai gratter Guilty , sur du Papyrus&#xA;On les aime bonne , brune , au regards de tigresse&#xA;J'veux une poupée russe , comme Milla Lapidus&#xA;&#xA;Papa est d'retour , s'que je touche devient de l'art&#xA;J'attend les vautour , cruel comme Jafar&#xA;J'ai multiplier l'point rouge sur l'radar&#xA;J'veux pas d'tes louanges , des lauriers d'césar&#xA;Deux jet - pro sur un ans , tu sais que je tient toujours parole&#xA;J'ai d'ja les couplets et les stem' de Loverboy&#xA;Ton rappeur préférer en couverture de playboy&#xA;J'ai réussi l'rap mais j'ai rater l'école&#xA;Plus j'enfonce le pieux , plus y s'rappellerons de moi&#xA;J'ai fait fondre toute l'or et la couronne des rois&#xA;J'veux pas d'héritier , en vrai j'me suffit&#xA;&#xA;&#xA;&#xA;&#xA;OOKD&#xA;&#xA;&#xA;Ton rappeur preferer en couverture de playboy&#xA;J'ai toujours de l'avance j'ai d'ja les stems de Loverboy&#xA;J'ai 1000 et 1 problème , j'ai toujours raison quand j'ai tord&#xA;Mes mains sont faites pour le sale , les siennes faite pour l'or&#xA;La vérité sort toujours d'la bouche des enfants&#xA;Avale la vérité , fait le plein de carburant&#xA;J'fait des crops circle dans l'fond d'mon cercueil&#xA;J'ai des pot'ca , cerise dans l'fond de mon porte feuille&#xA;&#xA;REFRAIN&#xA;Narcotrafiquant  , K.E.N le survivant&#xA;Je suis le rouge et noir du Milan , Le klu klux klan&#xA;Ma poupée est russe et le bolide est Boche&#xA;Tes tomber sur un os , comme Gerard sur Pharos&#xA;&#xA;Ferrari la fait rougir , j'te promet l'meilleur et l'pire&#xA;Et t'elle un petit homme c'est en elle que je vais grandir&#xA;Elle aime les Bling bling , les armes soviétiques&#xA;La ficelle de son string , sert aussi d'élastique&#xA;Attendu comme le prochain GTA , ou comme le messie&#xA;En cendre réduit , comme les flammes de Pompéi&#xA;J'vais creuser une brèche dans son regard de tigresse&#xA;J'reprendrai l'école quand j'aurai une maitresse&#xA;&#xA;REFRAIN&#xA;Narcotrafiquant  , K.E.N le survivant&#xA;Je suis le rouge et noir du Milan , Le klu klux klan&#xA;Ma poupée est russe et le bolide est Boche&#xA;Tes tomber sur un os , comme Gerard sur Pharos&#xA;&#xA;&#xA;The business is business&#xA;&#xA;The business Is business&#xA;&#xA;Attendu comme GTA&#xA;&#xA;J'ai vu passer&#xA;&#xA;Comme Gerard sur Pharos&#xA;&#xA;Les doss on arrose&#xA;&#xA;J'suis rabbin comme Jacob&#xA;J'suis attendu comme GTA 6&#xA;&#xA;&#xA;Je suis le Ying , le yang&#xA;&#xA;J'ai vu passer Gerard sur Pharos , Adios&#xA;J'veux une poupée d'plus comme Milla Lapidus&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Noir mat comme Jaguar&#xA;&#xA;&#xA;&#xA;J'fait des crop circle , dans l'fond d'mon cercueil&#xA;&#xA;&#xA;Je ne suis jamais parti&#xA;On recharger les batterie&#xA;&#xA;On contrôle les opps au 22 long riffle&#xA;&#xA;&#xA;&#xA;J'suis gracier dieux merci&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Tes vieux regarder Texas Ranger&#xA;&#xA;HIVER A TOKYO&#xA;&#xA;J'm'allume un gros Cubain , ciselé dans l'bec&#xA;Le glock dans le ciré , comme un Ouzbek&#xA;Fuck l'industrie comme Tom sawyer&#xA;2K25 J'serai l'men of the year&#xA;On est de retour pour gâcher leur fêtes&#xA;J'suis guitarisé , j'suis le chef d'orchestre&#xA;On s'fait l'amour le jours on se check&#xA;On s'marie deux fois comme Ben Affleck&#xA;J'brule mon cuir , j'retourne pas ma veste&#xA;Les trahisons finissent au fond de l'eau&#xA;Les vitrines m'appelle , me partage la peste&#xA;En bas des tours lumière de Tokyo&#xA;J'ai plus que des putes pour l'reste j'ai plus l'time&#xA;J'vois l'monde mourir a travers les flammes&#xA;L'OCEAN gagne toujours sous le Sunshine&#xA;Comme Shanksou , sur Sunny dans grand line&#xA;&#xA;J'ai plus vraiment , tant d'haine qu'avant&#xA;Comprend maintenant , que je donne de l'amour&#xA;Blanc&#xA;&#xA;&#xA;Juste un instant , j'donne plus d'amour&#xA;&#xA;&#xA;As de détours&#xA;Sans&#xA;&#xA;Fumons l'afghan , avenue des champs&#xA;&#xA;J'ai plus autant , de haine qu'avant&#xA;Juste un instant , fuyions l'amour&#xA;Sans&#xA;&#xA;Faisont des tals&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Si tes en chienne de fesse&#xA;&#xA;Sur les projecteyur d hollywood&#xA;L'OCEAN gagne toujours sous le Sunshine&#xA;Comme Shanksou , sur Sunny dans grand line&#xA;&#xA;&#xA;Grand line&#xA;&#xA;&#xA;Entre nous c'est confidentiel , on fera l'tour des plus beaux hotels&#xA;A force de se bruler les ailes , j'finirait comme enfant du soleil&#xA;&#xA;&#xA;Vintage&#xA;&#xA;Comme un Origami , il se plierons sous la pression&#xA;&#xA;&#xA;Jusqu'a se que la relation se déchire&#xA;&#xA;J'écrie prélude , avec un verre a la mains&#xA;&#xA;Sous le sunshine&#xA;&#xA;J'coupe le teuch a l'épée bigoron&#xA;Tu peux refaire tes seuf , peut être qu'ils rebondirons&#xA;La pilule bleu c'est pour les faibles , Shell&#xA;&#xA;J'reve d'un petit coin chill&#xA;&#xA;A vis dans l'utérus , pas d'oracle sans Morpheus&#xA;Demande a mon Djinn si j'suis un Saint , j'connais ni l'pape ni Confucius&#xA;La guerre fait couler beaucoup d'encres&#xA;Mon glock a fait des petits , une demi douzaine dans la chambre&#xA;&#xA;J'te laisse une dernière volonté , est se que ta écouter Fitna ?&#xA;&#xA;&#xA;SUNSHINE https://www.youtube.com/watch?v=o5ZPiJq9pz0&#xA;&#xA;Veulent nous tuer a petit feu , dans les cendres&#xA;&#xA;Échecs&#xA;Fumée épaisse , une jolie clope au bec&#xA;&#xA;&#xA;Échecs&#xA;&#xA;&#xA;Mes poches ont toute les couleurs du Pantone&#xA;&#xA;Ferrari la fait rougir , j'te promet l'meilleur et l'pire&#xA;Et t'elle un petit homme c'est en elle que je vais grandir&#xA;Elle aime les Bling bling , grosse liasse , c'est fantastique&#xA;La ficelle de son string , sert aussi d'élastique&#xA;Y'a pas de princesse Peach ,  ici les salopes sorte en crop&#xA;Un peu d'ADN de shit sur le nizo de mes clopes&#xA;Nous tuer a petit feu , continuer de nous les vendent&#xA;Pour nous arrêter , gros , il faudra nous pendre&#xA;&#xA;Je m'était dit que c'était finis , que J'passerai ma vie sous le Sunshine&#xA;En vrai tout les moyens sont bon pour éradiquer toute la racaille&#xA;&#xA;Sicario sous cigarillos&#xA;On échelonne , sur le code pantone&#xA;&#xA;&#xA;&#xA;&#xA;Banzai&#xA;Bankai&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;PATTE BLANCHE&#xA;&#xA;Patte blanche , Piston , armé tout les plugs&#xA;OK&#xA;Pas c'chance fiston , on ne née pas un Thug&#xA;OK&#xA;Patte blanche , Piston , armé tout les plugs&#xA;OK&#xA;Pas c'chance fiston , on ne née pas un Thug&#xA;OK&#xA;&#xA;Roule , roule&#xA;Rouler comme un cône&#xA;Ouais..&#xA;Roule , roule&#xA;Rouler comme un cône&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;CAOMAO&#xA;&#xA;J'finis mon oinj , car la suite fera couler de l'encre&#xA;J'égalise les tarots , a partir de la y'a balle au balle au centre&#xA;J'suis perdu , j'dois faire un choix , entre les femmes et l'argent&#xA;Elle aime l'écusson sur ma caisse , surtout quand il est allemand&#xA;Ca se mélange a toute les sauces , l'rap est devenue une orgie&#xA;On graisse la patte au boss , pour un date au mont Fuji&#xA;O.P.S , la bonne époque , j'élimine avant la sieste&#xA;J'peux dormir sur mes deux glocks , c'pas eux qui me remplisse l'assiette&#xA;Et si t'insulte les daronnes , on répond comme O - DOG&#xA;J'récupérer mes logs&#xA;&#xA;REFRAIN&#xA;J'taf dur , peut être trop , j'laisse des empreintes carbones&#xA;J'ai les tenues bleu marine dans ma poche comme Falcone&#xA;J'serai absent comme Optimus j'reviendrai toujours au Prime&#xA;J'me demande pas si elle suce , mais si elle vient de grand ligne&#xA;&#xA;J'suis avec elle sur grandligne&#xA;&#xA;J'fait grossir l'écurie , si j'rejoint l'Akatsuki&#xA;J'ai d'jà un cerveaux et des couilles , j'prend Tokyo et Nairobi&#xA;La voix du feu , la voix de dieux , la route est longue , entre deux puits&#xA;Évite les mouvement religieux , avant que le passé s'reproduit&#xA;J'suis sur mon 31 , frai , comme Renji Abarai&#xA;Mon texte est 3eme Dan , j'laisse très peu d'chance au Jedi&#xA;Pas d'concurrent a notre table , j'les préfère entre deux planches&#xA;Tant que la go est pilotable , j'veux rien savoir de sa science&#xA;J'serais bon , impitoyable , confidence pour confidence&#xA;S'qui s'passe est plutôt noir , c'plus manoir que Maison Blanche&#xA;&#xA;Ton rappeur préférer fait la couverture de Playboy&#xA;La mienne est sur FORBES , Cote a Mayweather Floyd&#xA;&#xA;J'ai mille et un problème , j'toujours raison quand j'ai tords&#xA;&#xA;Moi j'veux une poupée d'plus comme Milla Lapidus&#xA;&#xA;&#xA;J'compte bien aiguisé mon jab pour reprendre la maison blanche&#xA;&#xA;Le cœur sous céllo , je pilote dans la ville&#xA;Car je n'avais pas le profil&#xA;&#xA;J'connais que le chaos&#xA;Envoie les métaux&#xA;&#xA;&#xA;&#xA;&#xA;Si j'te le dit c'est dans les yeux , la mienne aussi&#xA;&#xA;Shay&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Mauvais garcon comme Renji Abarai&#xA;&#xA;&#xA;Mes shakra&#xA;&#xA;&#xA;Hannibal Cortes&#xA;&#xA;&#xA;On prend place comme Capone&#xA;&#xA;Optimus&#xA;Une tonne de paperasse&#xA;&#xA;Tes dans la sauce&#xA;&#xA;On m'dit de reprendre la partie , elle ne sais jamais arrêter&#xA;&#xA;J'laisse les tass en chienneté,  J'récupérer mes logs&#xA;&#xA;Ops , après la sieste&#xA;&#xA;&#xA;DERNIERE DANSE&#xA;&#xA;COUPLET 1&#xA;On m'dit de reprendre la partie , elle ne sais jamais arrêter&#xA;Comment veux tu que je souris , mon cœur est lapidé&#xA;Sentiments nous affaiblie , j'trop peu a t'en donner&#xA;Notre histoire n'durera qu'une nuit , j'ai une sale mentalité&#xA;Des larmes sur le piano , désaccordé&#xA;Je l'aime et je la fuis , l'histoire ne pouvais pas durer&#xA;A s'en bruler les doigts , a vivre sans foi ni loi&#xA;Aucune d'entre elle me soumettra , si se n'est Baur Esperanza&#xA;&#xA;REFRAIN&#xA;On s'envoie sur les roses..&#xA;J'suis pas seulement triste pour toi&#xA;J'ai aussi mon ego&#xA;Donc vas la faire a d'autre&#xA;Si j'suis le plus gros des salauds&#xA;&#xA;Plonger dans le chaos&#xA;&#xA;Le monde est un fleau&#xA;&#xA;Donc vas la faire a d'autre&#xA;Si j'suis le plus gros des salauds&#xA;&#xA;J’écris des vers pour vider l’âme, comme si chaque rime pouvait laver mes drames&#xA;Quand la lumière est sur Gotham , la mer s'agite , d'un bleu flux océane&#xA;&#xA;COUPLET 2&#xA;J'ai vu les flammes , s'éteindre et se rallumer&#xA;Mon ciel est gris , le cœur capitonné&#xA;Elle savais très bien qu'au fond j'partirez&#xA;Comme si le monde , le temps s'était figer&#xA;Ils voient la carapace , jamais les cicatrices&#xA;J'suis tomber sur un AS , mais elle encore me résiste&#xA;Pres du bord mais loin des strass , j'ai du poison dans mon Lys&#xA;Notre futur est une impasse , j'suis bloquer dans la matrice&#xA;&#xA;&#xA;&#xA;&#xA;J'pourrait t'dire tellement d'chose , au quel tu ne croirai pas&#xA;&#xA;&#xA;Quand plus rien de sens&#xA;&#xA;Près loin des strass&#xA;&#xA;Quand plus rien n'a de sens&#xA;Diligence&#xA;Efface&#xA;&#xA;&#xA;Abysse&#xA;&#xA;Comment veux tu que je te donne se que tu voulez&#xA;J'ai mis les voiles , a dit qu'elle m'attendrai&#xA;Depuis notres a chaviré&#xA;Puis s'en vient les dramas&#xA;&#xA;J'ai un cœur de pierre , très noir , capitonné&#xA;J'peux pas tomber dans l'oublie&#xA;&#xA;&#xA;Des larmes sur le piano , désaccordé&#xA;&#xA;Mon phrasé se veux nouer&#xA;&#xA;&#xA;Quand ca vas pas , je souris , seul dieux pour nous éclairer&#xA;J'ai une sale mentalité&#xA;&#xA;Chantier&#xA;&#xA;&#xA;&#xA;&#xA;REFRAIN&#xA;On s'envoie sur les roses..&#xA;J'suis pas seulement triste pour toi&#xA;Le monde est un fleau&#xA;&#xA;Donc vas la faire a d'autre&#xA;Si j'suis le plus gros des salauds&#xA;&#xA;Fleau&#xA;&#xA;Des larmes sur le piano , désaccordé&#xA;&#xA;&#xA;T'voulais rentrer dans ma tète&#xA;Tu n'as trouver aucune faille&#xA;&#xA;&#xA;Je le suis&#xA;&#xA;Désaccordé je le suis  , comme piano&#xA;&#xA;Tes yeux me tienne a flot&#xA;D&#xA;&#xA;&#xA;&#xA;K O B A / OK&#xA;&#xA;COUPLET 1&#xA;On est soudé comme la mafia ou comme un gang des yakuza&#xA;Allégeance a qui de droit , j'ai mon petit ange , mon lion de Judas&#xA;A devoir continuer ainsi , cette relation nous brulera&#xA;J'resterai debout ne t'inquiète pas , jusqu'à se que le ciel me foudroie&#xA;On souris au paparazzi , On fuis comme Lady Diana&#xA;Avant la chute , c'était sympa , J'ai cuit mon vin au feu grégeois&#xA;J'était de la famille Don juan , j'était plutôt bon séducteur&#xA;Maintenant que je suis arriver en haut personne descendra l'ascenseur&#xA;&#xA;REFRAIN&#xA;Ils mettent des bites dans leurs bouches , j'leur met des canons cylindrique&#xA;J'peux pas m'éloigner du top, j'ai un bracelet électronique&#xA;D'puis le début j'suis rester vrai , rien ne change c'est le même combat&#xA;Pour la survis de notre espèce on prends les armes comme KOBA&#xA;&#xA;COUPLET&#xA;&#xA;J'aime pas les flammes , j'les préfère a l'Olympe&#xA;Y'a pas d'restau étoilé , on est bien mieux dans l'cul d'une timp&#xA;J'ai pris des couteaux dans l'dos , j'prendrai des balles dans l'plastron&#xA;J'grille les feu , on prends la ville , a chaque projets j'monte d'échelon&#xA;Beaucoup d'bavure dans la rue , vous êtes les nouveaux double S&#xA;Pour de l'oseille tu donne ton cul , sang de l'ennemie sur mes BBS&#xA;J'me ressert du Bourbon , j'libère les plugs au bastion&#xA;Ramenez moi ma Cendrillon , que je lui enseigne les partitions&#xA;Apres l'heure c'est plus l'heure prenez vos places au Credo&#xA;On nous surnomme les Avengers , fin d'année , on ressert l'étaux&#xA;Y'a pas de bouton reset , quand tu merde c'est pour la vie&#xA;Comme chroniqueur de merde , j'appelle Benjamin Castaldi&#xA;&#xA;REFRAIN&#xA;Ils mettent des bites dans leurs bouches , j'leur met des canons cylindrique&#xA;J'peux pas m'éloigner du top, j'ai un bracelet électronique&#xA;D'puis le début j'suis rester vrai , rien ne change c'est le même combat&#xA;Pour la survis de notre espèce on prends les armes comme KOBA&#xA;&#xA;&#xA;&#xA;L'amour le vrai&#xA;&#xA;&#xA;J'te laisse une dernière volonté , est se que ta écouter Fitna&#xA;&#xA;J'ai chambrer toutes les douilles , mais pour la suite y te faut des couilles&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Couper la racine a la souche , de l'usine a états clinique&#xA;Humain ou animaux , rien ne change , c'est le même combat&#xA;Pour la survis de notre espèce on prends armes comme KOBA&#xA;&#xA;&#xA;J'suis sacrée dictateur , comme Giuseppe Garibaldi&#xA;&#xA;&#xA;J'aime trop la femme , c'est ma malédiction&#xA;Pour calmer mes ardeurs , les OPPS me jouerons du violon&#xA;Apres l'heure c'est plus l'heure prenez vos places au Credo&#xA;On nous surnomme les Avengers , fin d'année , on ressert l'étaux&#xA;Faites prier les fils de putes , canon remington pour la messe&#xA;On t'aimera si tes une peste même si tes en chienne de fesse&#xA;Le nouveaux monde c'est l'Asile , c'est comme pourrir dans un chenil&#xA;Dans les plus grosse audiences , j'reviendrai comme le Bigdil&#xA;A vie dans le Billboard , vient que je te présente my world&#xA;Tu sais les salauds dans mon genre , quand tu t'attache t'en veux encore&#xA;Soit pas timide prends moi la mains comme ton alliance elles sont faites d'or&#xA;Devant le vide on y est bien , quand on y est sur le bord&#xA;&#xA;REFRAIN&#xA;Ils mettent des bites dans leurs bouches , j'leur met des canons cylindrique&#xA;Couper la racine a la souche , de l'usine a états clinique&#xA;Humain ou animaux , rien ne change , c'est le même combat&#xA;Pour la survis de notre espèce on prends armes comme KOBA&#xA;&#xA;J'aime pas les flammes , j'les préfère a l'Olympe&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;C'est juste l'apéro&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Liberer les fils de pute&#xA;&#xA;&#xA;Cendrillon&#xA;Partitions&#xA;&#xA;&#xA;L O V E R B O Y&#xA;&#xA;JETLAG&#xA;HELLCAT&#xA;&#xA;&#xA;&#xA;J'baigne dans l'biz&#xA;Vende de ola peaux d'bizon&#xA;&#xA;I K I G A I I&#xA;&#xA;COUPLET 1&#xA;Que des plans A  , Pas d'system D , quand on est dans la merde , la scène passe en replay&#xA;On tournera que dans les plus grands films , Scorsese , Damien Léoné&#xA;J'veux ma Bianca Censori , mais juste un peu plus censuré&#xA;Bientôt le retour des croix gammes , on nique la grand mère a Kanye&#xA;Tapis rouge marche de Canne , je suis la faite entrer l'accusé&#xA;Je sème l'enfer la ou je passe , tout les Jedi seront défait&#xA;J'vais remettre chaque clown dans son cirque et chaque icone a son Stan&#xA;Avant que j'arrive dans le rap , c'était déjà bien borderline&#xA;A vie dans le Billboard , vient que je te présente my world&#xA;Tu sais les salauds dans mon genre , quand tu t'attache t'en veux encore&#xA;Soit pas timide prends moi la mains comme ton alliance elles sont faites d'or&#xA;Devant le vide on y est bien , quand on y est sur le bord&#xA;&#xA;REFRAIN&#xA;Je leurs ai tout donner , y pensais j'était finis , y sont eux tord&#xA;Maintenant l'rap c'est devenu Frenchishore&#xA;J'vais tout leurs prendre , jusqu'à que la haine se répande&#xA;Pour nous arrêter , gros , il faudra nous pendre&#xA;&#xA;&#xA;Elle aime l'oseille , les gros cachets , je lui donnerai peut être un bouquet de fleur&#xA;Elle veut faire ca vie avec moi , mais combien prends tu pour une heure&#xA;Apparition forte éclaté , en feat c'est plus BDSM&#xA;A continuer d'râper sans thème , j'ai faner toute les chrysanthèmes&#xA;L'avenir appartient a celui qui payent ses ardoises&#xA;Les contours a la craie , dans nos cœur c'est Alcatraz&#xA;La vie n'est pas un fleuve tranquille , elle est rempli d'épine&#xA;Noir et blanc , Charli Chaplin , j'veux pas la vie d'moine Shaolin&#xA;Les vrais sont avec nous , les autres sont sous une pluie d'afghan&#xA;Les mains sales pour faire de l'argent , J'veux la mains Selmy Baristan&#xA;Le rap ma ouvert toutes les portes , il me donne son cul comme une escorte&#xA;L'époque des rônins c'était bien , mais bien meilleur avec du vin&#xA;&#xA;&#xA;On reconnais les challengers , a ceux qui iront jusqu'au bout&#xA;Fiancé a la mort , j'ai besoin de rien j'ai déjà tout&#xA;&#xA;Tu sais qui y'a a un diamant entre ses jambes , quand le plomb est l'prix d'une Tass&#xA;Elle ne partirons pas , dans leurs vie , j'rajoute des strass&#xA;Et si le vent est contre nous , on changera pas nos positions&#xA;Solitaire , j'traine avec les loups , eux volerons avec les pigeons&#xA;On n'repousse pas l'inévitable , on s'habitue quand l'sol est stable&#xA;J'vais encore baiser l'game , j'vais d'avance plaider coupable&#xA;Plus vive sera la flamme et plus nombreuse seront les cendres&#xA;Je n'enseigne que la victoire , le mental comme Alexandre&#xA;X&#xA;Faudra nous pendre&#xA;&#xA;TES YEUX&#xA;&#xA;Notre histoire dans le deathnote , j'te descend , tu remonte en Bolt&#xA;Elle ma laisser que son odeur et du rouge a lèvre sur mon colt&#xA;Plus vive sera la flamme et plus nombreuse seront les cendres&#xA;Je n'enseigne que la victoire , le mental comme Alexandre&#xA;Si la vie est comme une rose , faut des épines pour l'apprécier&#xA;Ici le ciel tire au Morose , les étoiles peinent a s'dévoiler&#xA;Pour arriver au paradis le chemin est parsemé d'escale&#xA;Si dieu n'veut que le bien , quand est se qu'il nous écarte du mal&#xA;&#xA;REFRAIN&#xA;Quand j'tes que tout allez bien&#xA;J'te mentai dans les yeux&#xA;Qu'on en pensais que s'eloignez&#xA;Sa nous rendrai plus heureux&#xA;Dans la vie , seule le temps nous détruit&#xA;Un , un a perdre des amis&#xA;Si je chavire , m'endormirai a jamais&#xA;Ouais , ouais , Ouais..&#xA;&#xA;PONT&#xA;Nos larmes ont rempli des Océans&#xA;Donc dit moi quand tourne le vent&#xA;On y pense , c'est jamais suffisant&#xA;On voudrait avoir plus de temps&#xA;J'aurai voulu que tu vive une éternité&#xA;J'ai peu foi en l'humanité&#xA;La pages se tourne , et restera&#xA;Un chapitre jamais terminer&#xA;Ta vie est et restera&#xA;Un chapitre jamais terminé&#xA;&#xA;COUPLET 2&#xA;Cercle restreint et silencieux comme le canon de mon glock&#xA;J'avance avec les vrai , j'ai du respect , j'suis patriote&#xA;On n’pleure pas nos défaites, on les grave avec le temps&#xA;Règne animal , ennemie en tète , aucun d'nous ne restera sur le banc&#xA;On ne joue pas avec la vie , comme l'on joue avec le feu&#xA;Les liens sont temporaire , j'aime ni les aurevoir ,  les adieux&#xA;Habituer a tout gâcher , j'connais que le sourire de judas&#xA;Pourquoi leur donner de l'importance si moi même je n'en n'ai pas&#xA;&#xA;&#xA;&#xA;Habituer a tout gâcher , j'connais que le sourire de judas&#xA;&#xA;J'ai vu passer tellement d'adieux&#xA;&#xA;&#xA;Habituer a&#xA;&#xA;J'ai grandi sur du Goldorak&#xA;&#xA;Noir et blanc&#xA;&#xA;Leurs bite ont le syndrome de Peter pan&#xA;&#xA;Mon époque est baroque&#xA;&#xA;&#xA;Diplômé&#xA;&#xA;Comme le Denzel de training Day&#xA;&#xA;&#xA;J'avance avec les vrai , quand beaucoup attende ma chute&#xA;J’ai marché sur des ruines&#xA;J’vis dans l’doute, entre deux vices&#xA;Entre deux verres&#xA;Ils m’sourient comme Judas&#xA;&#xA;On n’pleure pas nos défaites, on les grave avec le temps&#xA;&#xA;Les liens sont temporaire , j'ai vu tellement d'adieux&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Épine&#xA;&#xA;&#xA;Je les aime plutôt morose , ici le marchant de glace est Banquier&#xA;&#xA;&#xA;Peut être que j't'aimai bien&#xA;&#xA;&#xA;Sous une pluie de sentiments&#xA;&#xA;&#xA;Je m'était dit que c'était finis , que J'passerai ma vie sous le Sunshine&#xA;&#xA;Te rappelle tu , quand&#xA;&#xA;Nos larmes ont rempli des Océans&#xA;&#xA;Quand j'tai dit que tout aller bien&#xA;En vrai ,  j'te mentais dans les yeux&#xA;&#xA;A penser que je pourrais vivre loin d'eux&#xA;J'pensais que sa me rendrai beaucoup plus heureux&#xA;&#xA;&#xA;&#xA;&#xA;Les grands fume les petit , petit l'on cracher des flammes , flammes&#xA;Était dans la cours des grands , j'était a la cours des dames , dames&#xA;J'serais gentil dictateur , je gouvernerai comme Genshin Khan , Khan&#xA;J'ai battu mon Sensei , car ici c'est 15eme Dan , Dan&#xA;&#xA;COUPLET 2&#xA;&#xA;On est adepte de magie noir , Severus , Salazar Sepentar&#xA;Fuck la résistance , j'connais que Guilty sur l'étendards&#xA;J'ai pris l'ciel en otage , loin de ses yeux couleur Topaze&#xA;Je n'ai pas vraiment tourner la page , on s'reverra après l'orage&#xA;J'veux l'empire de Moff Gideon , les principes de Gustavo Fring&#xA;Viens caresser ma lampe , fait connaissance avec mes Djinns&#xA;&#xA;REFRAIN MODIF&#xA;L'avenir appartient a celui qui payent ses ardoises&#xA;Les contours a la craie , dans nos cœur c'est Alcatraz&#xA;La vie n'est pas un fleuve tranquille , elle est rempli d'épine&#xA;Noir et blanc , Charli Chaplin , j'veux pas la vie d'moine Shaolin&#xA;Les grands fume les petit , petit l'on cracher des flammes , flammes&#xA;Était dans la cours des grands , j'était a la cours des dames , dames&#xA;J'serais gentil dictateur , je gouvernerai comme Genshin Khan , Khan&#xA;J'ai battu mon Sensei , car ici c'est 15eme Dan , Dan&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;D'eloigner tout mes Djins&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;J'veux l'empire de Gustavo Fring et l'armée a Moff  Gideon&#xA;&#xA;&#xA;&#xA;&#xA;Fable&#xA;Dans la musique j'ai pedigree , J'ai grillé les priorités&#xA;&#xA;On n'repousse pas l'inévitable , on s'habitue quand l'sol est stable&#xA;&#xA;Dans la musique j'ai pedigree , J'ai grillé les priorités&#xA;&#xA;&#xA;&#xA;&#xA;Fossé&#xA;&#xA;&#xA;J'ai grandi a coup de fouet , donc je mourraie a l'épée&#xA;&#xA;&#xA;&#xA;MEN OF THE YEAR&#xA;&#xA;VEGA - TKO&#xA;&#xA;C'est toujours celle des autres&#xA;Mais c'est peut être de ma faute&#xA;&#xA;Rien ne sert d'hésiter&#xA;Avec toi c'est toujours le meme refdrain&#xA;Les apaches&#xA;&#xA;Éternel&#xA;&#xA;COUPLET 1&#xA;Elle hante mes nuits tout les jours , j'attend encore ton appel&#xA;J'connais pas grand chose a l'amour , Mais que faire , quand il tombe du ciel&#xA;On prendra la fuite au matin , le monde nous attend certains&#xA;Tu sais que je lâcherai tout pour toi , Cupidon est un assassins&#xA;C'est toujours celle des autres , mais c'est peut être de ma faute&#xA;Sauf si tes encore des nôtres , je n'en ramènerai plus d'autre&#xA;On fera la première page des journaux&#xA;On descend la Dom - Pé au goulot&#xA;J'ai pas de temps a perdre moi&#xA;Sur mes vingt doigts&#xA;&#xA;MCMA&#xA;Mon cœur et mon âme&#xA;On s'était promis un instant de fuir l'orage&#xA;Tes mains se balade sur mon corps , me prenne en otage&#xA;Profitons - en , l'temps m'est compté , je ne suis que de passage&#xA;Je n'ai rien pu faire , tes dans ma tète , c'est du sabotage&#xA;&#xA;COUPLET 2&#xA;Quand tu prends possession de moi , que veux tu que je fasse moi j'pas comme les autres&#xA;On fera des banques guitarisé , j'veux que tu sois ma Taylor Swift&#xA;Entre nous sa ne fonctionnera jamais , faut que tu sois réaliste&#xA;On fera toutes les positions , pour finir au Panthéon&#xA;Je ne viens que rarement les mains vide , tu connais la chanson&#xA;Du jours ou lendemain j'pourrai partir mais t'aime le danger&#xA;Sous mon bureau ou au balcon chaque tirs est cadencé&#xA;&#xA;J'ai ramener les munitions&#xA;&#xA;&#xA;, comme les pétales couleur Améthyste&#xA;&#xA;&#xA;Tes une pente glissante&#xA;Propositions&#xA;On peut faire toutes les position&#xA;Pour finir au panthéon&#xA;&#xA;On fera des banques , jouons de la guitares&#xA;&#xA;&#xA;&#xA;&#xA;MDMA&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Mais nos chemins se sont égarer&#xA;Sur leur passage&#xA;&#xA;&#xA;C’est un combat qu’on perd quand on se laisse emporter par les vagues&#xA;Mille morceaux&#xA;Passé le primtemps&#xA;Perdu dans les étoiles, ma vie se drape de brume&#xA;Il n'y avais aucune faille&#xA;Sous un ciel Azur , les ombres te dessinent&#xA;&#xA;J'ai fait des erreurs dans la vie , et je souris bêtement&#xA;&#xA;&#xA;&#xA;COUPLET 1&#xA;Quand tombe la nuit , tous deux sur le rivage&#xA;Le soleil se couche , dessine ton visage&#xA;J'sais pas si c'est lui , ou bien c'est l'autre&#xA;J'ai fait de mieux , c'est pas de ma faute&#xA;Sous un ciel Azur , ma vie se drape dans la brume - ume&#xA;Elle nous prends tout , elle nous consume et nous écu - ume&#xA;Comment sa vie , est t'elle maintenant , moi je l'aimerai par tout les temps&#xA;Elle jouer de son corps et de ses yeux j'était devant&#xA;J'suis pas une fille facile , j'veux qu'on avance doucement&#xA;On met un point a la rupture , a la souffrance qu'en l'abrégeant&#xA;Pourquoi moi et pas une autre des femmes y'en n'a des millions&#xA;Je tes chercher dans mes rêves , mais tu n'etait qu'une illusion&#xA;&#xA;PRE REFRAIN&#xA;Le diamant dans mon cœur , vaut plus que celui sur ta bague&#xA;C’est un combat qu’on perd quand on se laisse emporter par les vagues&#xA;Tu t'attendais a quoi , on s'consomme en une nuit comme un ticket de métro&#xA;Tes mon reflet dans l’eau et même ton tel a changer de numéro&#xA;&#xA;REFRAIN&#xA;Tu as connu l'enfer , tu es rester trop longtemps sous la pluie&#xA;Ils t'ont fait la misère , a tord a travers , n'ramène que des ennuis&#xA;A trop jouer dans les flammes , notre film est devenue une tragédie&#xA;A continuer de se voir , c'est ton petit cœur que l'on détruit&#xA;&#xA;COUPLET 2&#xA;Le monde est a nous et pas a quelqu'un d'autre&#xA;Je ne nous vois dans un brasier , de l'autre coté j'serai peut être des vôtres&#xA;Sous les cerisiers en fleur , j'ai miser toutes les chances sur toi&#xA;J'tes qu'un mauvais garçon je n'ai connu que des filles de joie&#xA;Elle m'dit que c'est mieux pour tout le monde si l'on s'arrête la&#xA;Qu'un jours ou l'autre , fait comme un autre , tu recommencera&#xA;Et tout les pots cassées , dit moi qui c'est qui les paiera&#xA;&#xA;&#xA;&#xA;&amp;quot;je t’aime&amp;quot; se noyait dans la souffrance&#xA;Quand tu part tard le soir , tu me ramène que des ennuie&#xA;&#xA;&#xA;Hantai ses nuit&#xA;&#xA;&#xA;On se perdais peu a peu&#xA;Les promesses volent en éclats, t'étais l'aube dans ma guerre&#xA;Qu'est se que l'on vas devenir&#xA;Quand son sourire n'est plus assez&#xA;Le monde nous m'appartient&#xA;Si l'amour est une quête , il m'faudrait 9 vies pour la vivre&#xA;&#xA;J'sais pas si c'est ou c'est l'autre qui me fui&#xA;&#xA;J'ai connu l'enfer , j'suis rester trop longtemps sous la pluie&#xA;&#xA;Elle m'dit c'est mieux pour tout le monde si l'on s'arrête la&#xA;Tes pas un bien&#xA;&#xA;&#xA;Elle m'dit &amp;quot;tes pas un mec bien&amp;quot;&#xA;&#xA;&#xA;REFRAIN&#xA;&#xA;Sabre laser pas d'katana , les samurai&#xA;Attendent ma chute&#xA;J'suis pas certains de pouvoir mettre le feu entre ses yeux&#xA;&#xA;Mon c��ur part en cavale&#xA;&#xA;Milles lieux&#xA;MAGAZINE PLAYBOY , FRENCHISHORE&#xA;Une par une&#xA;Rempli mon graal&#xA;&#xA;&#xA;&#xA;Homme dangereux&#xA;Mon coeur a la dérive &amp;lt;&#xA;&#xA;&#xA;INTRO&#xA;C'était la vie d'Tony..&#xA;&#xA;C'était la vie d'Tony..&#xA;Le silence n'est pas un oublie&#xA;A sombrer dans la folie..&#xA;Dans les rues de Rivoli&#xA;Dis moi y'a quoi&#xA;Dis moi y'a quoi après la mort&#xA;Si j'ai raison , c'est que j'ai peut être tord&#xA;Imagine le monde si l'on s'endors&#xA;Et si la vie vaut tout les scores&#xA;J'ai fait du mal , je souffre aussi&#xA;J'ai fait du mal je souffre aussi&#xA;&#xA;&#xA;Nous seront deux au valhalla&#xA;J'ai perdu leurs traces , j'les rejoindrai au valhalla&#xA;Méfie toi des autres , dans se milieu c'est tous des hyènes&#xA;J'ai briser des vies , depuis c'est plus la même&#xA;On avance , on oublie&#xA;C'est vrai&#xA;Pendant que je fui mienne&#xA;Étale pas ta vie , dans se milieu c'est tous des hyènes&#xA;On s'prend plus la tète , le monde est a nous  , s'que tu veux j'te l'achète&#xA;Une balle dans la tète , c'est le meilleur moyens pour qu'ils paie leurs dettes&#xA;&#xA;&#xA;INTRO&#xA;C'était la vie d'Tony..&#xA;&#xA;C'était soit les sirènes ou bien la mort&#xA;Mon cœur a la dérive , le reste m'importe peu&#xA;J'ai rempli mon graal d'haine et d'amour&#xA;Une prison mental , des allez retours&#xA;J'suis le déluge , tes le beaux temps , ici bas plus rien n'nous attend&#xA;J'ai fait du grabuge , fait couler l'sang , j'te jure que je suis plus le même qu'avant&#xA;J'ai vu le monde , ternis sans toi , je perd la tète , je garde la foi&#xA;Chaque secondes , m'éloigne de toi , je suis perdu , je dois faire un choix&#xA;&#xA;PRE REFRAIN&#xA;J'suis plus certains de lui mettre mon silencieux entre ses yeux&#xA;J'te donnerai l'OCEAN , mais donne moi plus de temps&#xA;Quand nos âmes se dévoilent , j'pourrait perdre le signal&#xA;&#xA;REFRAIN&#xA;Si j'ai fui l'enfer , s'pour partir au paradis&#xA;Le ciel est en colère , abrite toi sous mon parapluie&#xA;On s'aime , on s'fait la guerre , on s'réchauffe , on se refroidi&#xA;Mais comme j'ai rien pu faire , j'ai finis souvent trahis&#xA;Ils s'oppose , me repousse&#xA;Comme un glock dans la bouche&#xA;Faite qu'il brule , brule&#xA;Gadamn , j'suis coupable de quoi&#xA;D'vouloir une dernière fois&#xA;Une nuit dans ses bras&#xA;&#xA;PONT&#xA;J'ai vu sa vie s'écrouler aussi bas que les décombres&#xA;&#xA;Tokyo la nuit , entre ruelles et néons&#xA;L'esprit d'un rônin , donc jamais nous ne plieront&#xA;J'lui ai tout donner , elle est parti sans un mot&#xA;Tu est la couleur qui manque a mon tableau&#xA;Je tes tout pardonner , même le plus grand des pêchés&#xA;Pourquoi résister , si je meurt a coup d'épée&#xA;&#xA;&#xA;Et si tu saigne de l'intérieur , c'est pas d'ma faute&#xA;Au bord du gouffre , si ta peur , c'est moi qui saute&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;J'ai fuis le destin , pour réécrire l'histoire&#xA;&#xA;&#xA;C'est toi et moi , contre les autres&#xA;&#xA;&#xA;&#xA;Mon sabre est ma plume&#xA;&#xA;&#xA;&#xA;Étale pas ta vie , dans se milieu c'est tous des hyènes&#xA;On s'prend plus la tète , on connais d'jà le thème&#xA;Dit moi y'a quoi ? y'a quoi après la mort&#xA;J'ai 1001 problèmes , J'toujours raison quand j'ai tord&#xA;&#xA;&#xA;&#xA;Dans les rues de Shibuya, sous les néons et la brume&#xA;J’ai l’esprit d’un rônin, perdu mais jamais à la dérive&#xA;&#xA;&#xA;Ma plume est mon sabre&#xA;C'est des Origami , ils se plieront sous la pression&#xA;&#xA;Comme un Origami , il se plierons sous la pression&#xA;&#xA;Disparait si l'on s'endors&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Regarde au fond d'ton cœur&#xA;&#xA;&#xA;&#xA;&#xA;Passerait des heures&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;Et quand j'y pense , Se monde m'attriste..&#xA;Plus d'importance , s'il me résiste&#xA;&#xA;Sens&#xA;&#xA;Sévère&#xA;On se refroidi&#xA;&#xA;Contraire&#xA;&#xA;Tragédie&#xA;&#xA;Fier empathie&#xA;&#xA;Repère&#xA;&#xA;&#xA;Le fer qui tousse&#xA;&#xA;VEGA - PRELUDE&#xA;&#xA;Notre histoire dans le deathnote , j'te descend , tu remonte en Bolt&#xA;Elle ma laisser que son odeur et du rouge a lèvre sur mon colt&#xA;Plus vive sera la flamme et plus nombreuse seront les cendres&#xA;Je n'enseigne que la victoire , le mental comme Alexandre&#xA;Je nous souhaite la grâce de dieux et a tous ceux que j'ai perdu&#xA;J'espère que tout vas bien , mais le ciel ne me répond plus&#xA;A vie dans le Billboard , vient que je te présente my world&#xA;Tu sais les salauds dans mon genre , quand tu t'attache t'en veux encore&#xA;Soit pas timide prends moi la mains comme ton alliance elles sont faites d'or&#xA;Devant le vide on y est bien , quand on y est sur le bord&#xA;Si la vie est comme une rose , faut des épines pour l'apprécier&#xA;Je les aime plutôt morose , ici le marchant de glace est Banquier&#xA;&#xA;&#xA;VEGA - GOLDORAK&#xA;&#xA;Hotel piana , ceinture H&#xA;Chez nous l'sang fuse comme la gouache&#xA;Dix gorilla , pas d'sécu&#xA;Album noir , donc invaincu&#xA;Le passé c'est présent , hère the futur Is back&#xA;Back to the future&#xA;&#xA;&#xA;&#xA;&#xA;T'avais juste besoin d'un peu d'chaleur&#xA;&#xA;Se brulé&#xA;Fenêtre&#xA;&#xA;&#xA;Cette année papa revient , les sortir du top un par un&#xA;&#xA;J'ai grandi sur du Goldorak&#xA;&#xA;Dans le terrifier&#xA;&#xA;Ditent aurevoir a jean marie , khadaffi&#xA;&#xA;&#xA;&#xA;&#xA;S O L E I L   P L E U R E&#xA;&#xA;COUPLET 1&#xA;J'ai longuement jouer avec  , mais l'amour n'est pas un jeux&#xA;J'pourrai passer des heures a écarté la mer en deux&#xA;On pourrait réchauffer nos cœur , mais l'avenir en décide ainsi&#xA;J'pense a toutes ses conquête qui ont fait tomber la pluie&#xA;A danser tard sous les néons&#xA;T'avais laisser v'là les lésions&#xA;Quand l'bonheur n'est qu'une Obsession&#xA;Qu'une Obsession ..&#xA;Dans un monde ou tout s'achète , je fui le mal pour le paraitre&#xA;Je me consume dans les filles modestes jusqu'à presque disparaitre&#xA;Si l'avenir veut encore de nous , bien l'on reconstruira tout&#xA;J'veux que tu soit mon diamant brut , l'épisode avant la chute&#xA;&#xA;REFRAIN&#xA;J'donne trop d'amour , pas a celle ci&#xA;J'perd la raison , mais l'mensonge mené a l'hérésie&#xA;Déni d'bravoure , sous ecstasy&#xA;J'leur ferait la cours , qu'importe le prix de leurs paradis&#xA;J'les veulent toute c'pas un problème&#xA;J'ai changer de voie  , mais toute les routes mènes a la tienne&#xA;J'suis qu'un salaud je ne change pas d'avis&#xA;Vivement l'hiver , que la neige tombe jours comme de nuit&#xA;&#xA;Soleil pleure..&#xA;Ton sourire m'appartient , t'sais les autres c'est que des chiens&#xA;Ton cœur n'aime plus personne , sache que tu manquera au miens&#xA;J'suis peut pas celui que tu pensais&#xA;On passera la nuit a baiser&#xA;Donc dis moi toute la vérité&#xA;La vérité..&#xA;Elle sais qu'je vais encore gâcher la fête , j'veux pas que l'histoire se répète&#xA;T'es la force derrière mes faiblesses , parsemé de haine , de maladresse&#xA;Si l'on s'enfonce dans les ténèbres , l'on sera ni riche ni célèbre&#xA;J'veux que tu soit mon diamant brut , l'épisode avant la chute&#xA;&#xA;REFRAIN&#xA;J'donne trop d'amour , pas a celle ci&#xA;J'perd la raison , mais l'mensonge mené a l'hérésie&#xA;Déni d'bravoure , sous ecstasy&#xA;J'leur ferait la cours , qu'importe le prix de leurs paradis&#xA;J'les veulent toute c'pas un problème&#xA;J'ai changer de voie  , mais toute les routes mènes a la tienne&#xA;J'suis qu'un salaud je ne change pas d'avis&#xA;Vivement l'hiver , que la neige tombe jours comme de nuit&#xA;&#xA;Je cherche encore la fille parfaite&#xA;&#xA;&#xA;J'leurs écarterai la mer en deux&#xA;&#xA;&#xA;&#xA;J'ai fui l'amour&#xA;&#xA;&#xA;Mais le sommeil mène a l'hérésie &amp;lt;&#xA;&#xA;Nous&#xA;&#xA;&#xA;&#xA;Vider les chargeurs&#xA;&#xA;&#xA;&#xA;Mes ennemies devant Dallas&#xA;&#xA;Nous c'etait Goldorak&#xA;&#xA;On envoie des mange mort&#xA;&#xA;Chez nous y'a pas de vagues , on règle le problème maintenant&#xA;&#xA;&#xA;T'avais xxxx j'avais le code du jet pack&#xA;&#xA;&#xA;Y'avais pas d'insta nous c'etait Goldorak&#xA;&#xA;On a des Antichar , fuck les apaches&#xA;&#xA;Pas d'héritage&#xA;&#xA;J'sors du Merche ils se les arrache&#xA;&#xA;&#xA;Dix gorilla , pas d'secu&#xA;&#xA;On sort les golgot , remet en désordre&#xA;&#xA;&#xA;Fume le nizo d'&#xA;Résidus&#xA;&#xA;Futur is back&#xA;Époque Goldorak&#xA;&#xA;&#xA;J'fait pas crédit , paye en cash&#xA;&#xA;Faire du shopping&#xA;&#xA;VEGA - SOLEIL PLEURE&#xA;&#xA;Des drills sur les canines , le nez plongé dans la farine&#xA;Ca bounce quand ca wipin , j'ai plusieurs femmes donc plusieurs djins&#xA;Elle sais que c'est nous l'Elite donc oublie de rester par principe&#xA;Se rappelle de nos ébats , écartée les cuisses sur du Mobb Deep&#xA;A quel point je suis censée te le dire , a quel point j'suis sincère&#xA;Il n'y a plus de nous qui tienne donc reprends tes affaires&#xA;Tu es la prunelle de mes yeux , il n'y a qu'en toi que je me sens heureux&#xA;Tu n'était pas la première , donc tu ne sera jamais la dernière&#xA;Cœur en ruine , remplie d'résine ,  l'on s'était promis l'impossible&#xA;Tes serments c'est la routine , aucun n'sont écrie sur la Bible&#xA;On a d'abord casser la gueule des chiens qui tourner autour de toi&#xA;Il n' y a que pour les fils de putes qu'y avais pas de remède adéquat&#xA;Le bien le mal c'est plus des proies quand bien même l'on aurait plus l'choix&#xA;Des culs d'obus , le mont d'Etna , dans notre empire l'on s'en passera&#xA;La chrysanthème , lier par une chaine , L'amour , la haine lié par une chienne&#xA;Le regard vide face a l'oublie , Je serai ton cœur , ton requiem&#xA;&#xA;&#xA;Je suis venue pour dérober ton cœur , pas un braquage c'est un hold up&#xA;On a la cote c'est toi ma dope , c'est nous contre eux , monte dans la chop&#xA;La fête n'est jamais finis , même suivis par les cops&#xA;Prends deux minutes qu'on s'en grille une&#xA;J'suis bourrée d'tune , j'ai vla les opps&#xA;Ils m’ont appris à sourire, j’ai dû apprendre à souffrir seul&#xA;J'attend très peu du futur tant qu'ils m'écarte des mauvais œils&#xA;J’ai connu Dieu dans mes erreurs, j’ai vu le diable dans leurs conseils&#xA;Une seule chose est sure , la vie n'vaut plus rien sans l'oseille&#xA;J'suis rentrer dans sa tête et dans son cœur en ski alpin&#xA;Notre histoire n'aura pas d'fin si je deviens faible , j'ai plus d'instinct&#xA;Je ne dors plus , car Les seuls rêves qu’on touche, c’est ceux qu’on vend&#xA;J'te marierai sur l'toit du monde , a ton doigt l'plus gros des diamant&#xA;J'te le promet.. même si la vie nous sépare&#xA;&#xA;&#xA;Attend toujours que je la réveille&#xA;&#xA;Le mal est en moi comme un hôte qui paye pas loyer&#xA;J’la rends heureuse qu’avec des larmes , on n'prends même plus l'temps d's'écouter&#xA;&#xA;&#xA;J’ai connu Dieu dans mes erreurs, j’ai vu le diable dans leurs conseils&#xA;&#xA;&#xA;A vis dans l'utérus , pas d'oracle sans Morpheus&#xA;Demande a mon Djinn si j'suis un Saint , j'connais ni l'pape ni Confucius&#xA;La guerre fait couler beaucoup d'encres&#xA;Mon glock a fait des petits , une demi douzaine dans la chambre&#xA;&#xA;&#xA;&#xA;&#xA;La défaite c'est les Rōnin , pas aujourd'hui , peut être demain&#xA;Notre histoire n'aura pas d'fin si je deviens faible , j'ai plus d'instinct&#xA;&#xA;L’amour rend aveugle, j’l’ai vu quand j’ai ouvert les yeux&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;J'suis bien plus solide qu'avant , j'ai plusieurs forme comme celle d'Aslan&#xA;J'te marierai sur l'toit du monde , a ton doigt l'plus gros des diamant&#xA;&#xA;&#xA;Dynastie attire la révolte , mais comme l'on sème se qu'on récolte&#xA;&#xA;J'la descend elle remonte en Bolt , j'ai du rouge a lèvre sur mon colt&#xA;Dynastie attire la révolte , mais comme l'on sème se qu'on récolte&#xA;Dragon de jade , si j'ai plus pieds , je m'en remettrai a dieux&#xA;Dis moi toute la vérité , oui dis le moi mais dans les yeux&#xA;La défaite c'est les Rōnin , pas aujourd'hui , peut être demain&#xA;Notre histoire n'aura pas d'fin si je deviens faible , j'ai plus d'instinct&#xA;L'on en deviendrait parano ,quand la nuit tombe , joue du piano&#xA;De jours , ma dulciné et moi , on fait des banques en Gran Torino&#xA;Tout les ans sur un album , comme Syracuse aux portes de Rome&#xA;Tu sais que ta réussi ta vie , quand ton histoire tient sur 3 tomes&#xA;Ma Tite-peu réchauffera le trône , emparons nous de l'arkenstone&#xA;L'hiver vient , moi aussi , j'attend le buffet d'puis l'automne&#xA;&#xA;Dragon de jade&#xA;Bonnie Parker&#xA;Cyrano&#xA;&#xA;&#xA;&#xA;Elle voudrait que je la console&#xA;&#xA;&#xA;&#xA;Souvent je ris jaune quand je suis stone , comme Syracuse aux portes de Rome&#xA;Tu sais que tu t'invente une vie , quand ton histoire tient sur 3 tomes&#xA;Ma Tite-peu réchauffera le trône , emparons nous de l'arkenstone&#xA;L'hiver vient , moi aussi , j'attend le buffet d'puis l'automne&#xA;&#xA;&#xA;&#xA;Mon sang est noir comme Natblida&#xA;&#xA;Devant l'asphalte&#xA;&#xA;Goldorak&#xA;&#xA;On a d'abord casser la gueule des fils de putes&#xA;La vie est courte&#xA;&#xA;&#xA;&#xA;&#xA;On est soudé comme la mafia ou comme un gang des yakuza&#xA;Allégeance a qui de droit , j'ai mon petit ange , mon lion de Judas&#xA;A devoir continuer ainsi , cette relation nous brulera&#xA;J'resterai debout ne t'inquiète pas , jusqu'à se que le ciel me foudroie&#xA;On souris au paparazzi , On fuis comme Lady Diana&#xA;Avant la chute , c'était sympa , Je cuit mon vin au feu grégeois&#xA;J'était de la famille Don juan , j'était plutôt bon séducteur&#xA;Maintenant que je suis arriver en haut personne descendra l'ascenseur&#xA;Dans l'rap J'suis la vitrine , tes la bannière , tes dépassé&#xA;Plus j'avance , plus j'prends du Blé , je leurs rajoutes des T.I.G&#xA;Tapis rouge , marche de Canne , j'suis la , faite entrer l'accusé&#xA;Mon texte est 3e Dan , Tes un Jedi , donc je tes défait&#xA;&#xA;&#xA;&#xA;&#xA;COUPLET&#xA;On vas tellement baiser l'rap , qu'ils reviendra toujours comme ton ex&#xA;J'ai plus l'temps de d'penser m'faut des racks , sa position m'laisse perplexe&#xA;Vos rappeurs devienne fou , s'mette a faire des jeunes de paroles&#xA;J'ai commencé d'en bas , j'suis donc de la meilleur école&#xA;Mamamia , j'ai la tète qui danse le Mia&#xA;Alléluia , tout m'réussi j'peux pas me Téra&#xA;Le BBL ca paye plus , elle vend ses ieps pour de l'oseille&#xA;Fait moi toutes les positions , apprends moi a toucher le ciel&#xA;Entre nous pas de parenthèse j'ferait tout pour te mettre a l'aise&#xA;Mais la belle n'est pas bête droit devant j'suis tomber dans son piège&#xA;&#xA;Cette nuit ca groove , j'crois j'suis tomber sur une louve&#xA;Même si j'approuve , j'me demande pourquoi tu l'ouvre&#xA;Dans sa tète tout se mélanger , je n'ai donc pu jamais renoncé&#xA;J'suis qu'un Salaud ,  fait pas ta Beyoncé&#xA;Dans le chaos , je ne fait plus qu'avancer&#xA;&#xA;Les bayonnés a L'épée , leurs mise a mort passe en replay&#xA;&#xA;Déranger&#xA;&#xA;Faite qu'il neige&#xA;&#xA;Pourquoi tu l'ouvre&#xA;&#xA;&#xA;Dans l'intercepteur , T.I.E , j'rentre dans leurs tète quand j'suis loin d'eux&#xA;&#xA;La fame&#xA;&#xA;J'serai sacré&#xA;&#xA;Grand esprits dans les jauges les plus hautes&#xA;&#xA;&#xA;&#xA;J'serai ni des leurs , j'serai ni des votre&#xA;&#xA;J'pisserai&#xA;&#xA;&#xA;Du haut de l'himalaya&#xA;&#xA;Dans l'intercepteur , T.I.E , j'rentre dans leurs tète quand j'suis loin d'eux&#xA;&#xA;&#xA;Comme un paria&#xA;&#xA;Les ti-peu devienne fou&#xA;J'suis la meilleur école&#xA;&#xA;Tu fais des jeunes de paroles&#xA;J'suis la meilleur école&#xA;Mamamia , j'ai la tète qui danse le Mia&#xA;&#xA;&#xA;Que son cul restera ouvert pour toujours&#xA;&#xA;Qu'son cul ressemble a l'enfer&#xA;&#xA;&#xA;Tu fais des jeunes de paroles&#xA;Mamamia , j'ai 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<INFO BITRATE="972957" KEY_LYRICS="3 ContributorsGold Dust - Shy FX Re-Edit LyricsIt's like gold dust&#xA;You hear me coming through your speakers&#xA;You see me mashing up your airwaves&#xA;I know you can't get enough of my sound&#xA;&#xA;It's like gold dust&#xA;You hear me coming through your speakers&#xA;You see me blagging up your airwaves&#xA;I know you can't get enough of my sound&#xA;&#xA;There's no place to hide&#xA;So stop the fight - I'm gonna get it&#xA;All this runnin' from me baby&#xA;You're gonna regret it&#xA;I can't understand why you can't free yourself and let it&#xA;Go, go, go, go&#xA;&#xA;Got you in my palm, now listen good, you can't escape it&#xA;Bring you to my world and we'll see if you can take it&#xA;Don't you be afraid, I know you're strong enough to make it&#xA;Go, go, go, go&#xA;&#xA;It's like gold dust&#xA;You hear me coming through your speakers&#xA;You see me mashing up your airwaves&#xA;I know you can't get enough of my sound&#xA;It's like gold dust&#xA;You hear me coming through your speakers&#xA;You see me blagging up your airwaves&#xA;I know you can't get enough of my sound&#xA;&#xA;Everything your life's been searching for is in this direction&#xA;Come a little closer&#xA;Don't you feel the intersection?&#xA;We gon' take you down and then we gonna keep you sweating&#xA;Go, go, go, go&#xA;&#xA;Take you to a realm, you never known it's nonexistent&#xA;You won't hear it coming, no matter how hard you listen&#xA;Can't predict the hype we bring when we play our position&#xA;Go, go, go&#xA;&#xA;I don't know where you are from, what you're running from, oh&#xA;Oh, you won't free up yourself and fly&#xA;&#xA;People, put your hands up in the air, I know you like it&#xA;Don't you fight it, I can see you're high and all excited&#xA;Flying through the night, we going up, better hold tight it&#xA;Go, go, go, go&#xA;&#xA;Now we got the style and energy that you desire&#xA;Let me see you jump up, come on, with me - let's go higher&#xA;Climbing up the speakers, we gon' set this place on fire&#xA;Go, go, go&#xA;It's like gold dust&#xA;You hear me coming through your speakers&#xA;You see me mashing up your airwaves&#xA;I know you can't get enough of my sound&#xA;&#xA;It's like gold dust&#xA;You hear me coming through your speakers&#xA;You see me blagging up your airwaves&#xA;I know you can't get en-&#xA;&#xA;Runnin' and you're runnin'&#xA;And you're runnin' and you're runnin' away, away, away, boy&#xA;You keep runnin' and you're runnin'&#xA;And you're runnin' and you're runnin' away, away, away, boy&#xA;You keep runnin' and you're runnin'&#xA;And you're runnin' and you're runnin' away, away, away, boy&#xA;You keep runnin' and you're runnin'&#xA;And you're runnin' and you're runnin' away&#xA;Go, go, go" PRODUCER="1995 Party On The Moon ltd" COVERARTID="009/JIF5VSDOAHQIFBH5VIJKA3HKVBID" PLAYTIME="335" PLAYTIME_FLOAT="334.129272" IMPORT_DATE="2025/7/5" RELEASE_DATE="1995/1/1" FLAGS="12" FILESIZE="39755"></INFO>
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<INFO BITRATE="962404" KEY_LYRICS="3 ContributorsStars Lyrics&#xA;We were like shooting stars&#xA;We went up in flames&#xA;If I never had this heart&#xA;I wouldn't feel this way&#xA;Some say we went too far&#xA;They don't understand our game&#xA;If you were to take my hand&#xA;I wouldn't change a thing&#xA;I wouldn't change a thing&#xA;I wouldn't change a thing&#xA;&#xA;&#xA;And for the first time it felt like the world was right on side&#xA;Elevate on wing&#xA;I think it certainly comes from the heart&#xA;Sure ain't no coincidence&#xA;We're moving up, breathing in, reaching out, taking flight&#xA;Rolling over fear&#xA;And if we take it too far to come back again&#xA;I don't mind&#xA;&#xA;&#xA;We were like shooting stars&#xA;We went up in flames&#xA;If I never had this heart&#xA;I wouldn't feel this way&#xA;Let's run away from here&#xA;We'll leave the world behind&#xA;I could dry away your tears&#xA;We'll have the world in time&#xA;Hope will stand the test of time&#xA;Like every mountain high&#xA;Hope is in the heart of mine&#xA;Like every mountain, mountain&#xA;Hope is in the heart of mine&#xA;Like every mountain, mountain&#xA;&#xA;And for the first time it felt like the world was right on side&#xA;Elevate on wing&#xA;I think it certainly comes from the heart&#xA;Sure ain't no coincidence&#xA;We're moving up, breathing in, reaching out, taking flight&#xA;Rolling over fear&#xA;And if we take it too far to come back again&#xA;I don't mind&#xA;&#xA;&#xA;Let's leave the rest of the world just come fly with me" PRODUCER="A.R.T Inc. under exclusive license to Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="304" PLAYTIME_FLOAT="303.731354" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="35864"></INFO>
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<INFO BITRATE="1021494" KEY_LYRICS="1 ContributorNotre Dame LyricsOn me&#xA;Look what done happened to Andy&#xA;He tried to suppress&#xA;Now he's reloading&#xA;So, somebody stop him&#xA;He's gonna take all of this shit to the head&#xA;Go preach&#xA;To someone who's willing to listen&#xA;I'll get, instead, after I did everything that I did&#xA;Follow into my footsteps&#xA;You'll wish you were dead&#xA;And that's on me&#xA;Pull yourself together and you're gonna be alright&#xA;Nothing's closer than the bond between me and my fam&#xA;We tight&#xA;Hold yourself and watch your back&#xA;'Cause there's no one to rely&#xA;I was told I had two options&#xA;So, I had to pick a side&#xA;I don't hold the picket fence&#xA;I jump&#xA;And that's a do or die&#xA;Officers put me into the cuffs&#xA;And I had to comply&#xA;When I got out, I still ain't get any type of text reply&#xA;Guess, that girl, she still don't want me&#xA;So, I'm headed back inside (yeah!)&#xA;Obviously I can't obtain nothin'&#xA;If not some sense of pride&#xA;All my friends are dead and gone&#xA;They reachin' for the 'what' and 'why'&#xA;Out of service&#xA;'Cause their numbers cancelled when they crossed the line&#xA;I can't go back to that person&#xA;'Cause they're with another guy&#xA;What?&#xA;And what I'm supposed to with that information?&#xA;I got shit up my basement I don't talk about&#xA;No lie&#xA;It's driving me crazy&#xA;The stories I've been erasing&#xA;What am I supposed to make of it?&#xA;Everything, dawg&#xA;The source is overpowered&#xA;Something like Ebony Maw&#xA;I was up against it&#xA;I was just seventeen, dawg&#xA;I was unruly&#xA;And I was ahead of the law&#xA;Yeah&#xA;(Yeah, yeah!)&#xA;So, mess wit' me, dawg&#xA;(Mess wit' me, mess with me)&#xA;I don't really like to fight&#xA;But they testin' me, dawg&#xA;(Testin' me)&#xA;Dissociation gonna rise and then better me, dawg&#xA;You don't even know&#xA;But how would you know that I've been arrested a lot?&#xA;(How would you know that?)&#xA;How could you know?&#xA;My frown is so low&#xA;It come and it goes&#xA;(Aye)&#xA;Probably a reason that I just be restin' a lot&#xA;(But why would you go there?)&#xA;I just enter through the exit and waste time to stall&#xA;This ain't a cope (nope)&#xA;Image too broke (down)&#xA;For me to grow (up)&#xA;Like you to like&#xA;Like me to go&#xA;Watch when it snow&#xA;It wouldn't stick&#xA;Commes des garçons&#xA;Aye&#xA;Look&#xA;But I don't wanna have to say goodbye&#xA;I don't wanna have to lie again&#xA;I don't wanna have to save a life&#xA;When I am cooped up in the lion's den&#xA;This life ain't nothin' but to age or die&#xA;We're getting older as the time commenced&#xA;Honestly, I'm fuckin' scared to fly&#xA;Can't say the same about my lighter friends&#xA;Existential thoughts to bear in mind&#xA;Crying in my house, I'm high again&#xA;I would like to keep it all 1k with you if you ever said &amp;quot;Hi&amp;quot; again&#xA;Never have no time to clarify&#xA;Honestly, we're busy cyclin'&#xA;Going through all of the motions, phases&#xA;Searchin' for a bit of righteousness&#xA;Some people may prefer to coast the plain&#xA;And search for everything it's hiding in&#xA;Man, I couldn't be on no &amp;quot;Notre Dame&amp;quot;&#xA;I need me everything she tryna give&#xA;&#xA;Guess, that girl, she still don't want me&#xA;So, I'm headed back inside&#xA;Obviously I can't obtain nothin'&#xA;If not some sense of pride&#xA;All my friends are dead and gone&#xA;They reachin' for the 'what' and 'why'&#xA;Out of service&#xA;'Cause they're numbers cancelled when they crossed the line&#xA;I can't go back to that person 'cause they're-" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="317" PLAYTIME_FLOAT="316.744171" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="39679"></INFO>
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<INFO BITRATE="995588" KEY_LYRICS="11 ContributorsLoaded Lux vs. Rum Nitty LyricsHeadlining event of N.O.M.E. 14. A match up that the fans have been requesting for years.&#xA;Two of the best writers in the history of battle rap finally meet, and even though the N.O.M.E. series tends to be one… Read More &#xA;What's up Red?&#xA;What you got on my 40 homie?&#xA;&#xA;This for my niggas up north on that jack Mac&#xA;First Smack back, we got a nigga to back smack&#xA;Naaah, this the nigga that smack back with the bum payments, slum wages&#xA;Lookin' at you yesterday I bet your safe haven a weigh station&#xA;Prolly why you was talkin' to me all dirty in them Spaces&#xA;Clean house&#xA;I'ma take y'all (k)night and shine him, I'ma wash y'all little shootin' stars in front of a son (sun) bathin'&#xA;And I'ma bake him&#xA;But I'm cold, for this cream, everything go in an ice box&#xA;Soon as I got the scoop it was Rum Raisin (raisin')&#xA;Nitty got a gun&#xA;Oh shoot&#xA;Just don't hit the messenger&#xA;I'm in the building whether you elevate or (elevator) step it up I'm the ceilin'&#xA;A body turned blue got sealed in&#xA;With yellow tape, stretchin', plus death inchin' up&#xA;Sent to me to (centimeter) to do a number on, that's a ruler, to whom he don't measure up&#xA;It's levels to the platform&#xA;Inform those you sound clever to&#xA;I set this up&#xA;I want action&#xA;Can he make the director's cut?&#xA;Well I'ma ask him&#xA;As soon as Jamie Foxx Show&#xA;Why you in here actin' like you really be gettin' Fancy?&#xA;Well I'm the main attraction&#xA;Why wouldn't he be extra, you regular&#xA;You a blue collar worker in here talkin' like you The Terminator&#xA;Nigga you was just at the register&#xA;Where Geechi at? I wanna speak to the manager!&#xA;Who makin' sure your drawer (you draw) right?&#xA;How was your Target practice&#xA;My bad, I messed that up&#xA;Can we take it from the T-Top?&#xA;Cause I heard Rambo here was in a Wal-Mart vest up front&#xA;Cash or credit sir?&#xA;People come from out of town, you price check 'em huh?&#xA;Who you gettin' loud with over the speaker for?&#xA;You soft, your  schedule tough&#xA;But this where you take that one time off&#xA;You was never a marksman&#xA;Your Life Eddie and Martin&#xA;I don't really see the bars, but how many times we gotta hear about the Gun Lines boss?&#xA;I'm cockin' back the hammer&#xA;I'm pullin' the trigger...on a scanner&#xA;That's the bar code&#xA;You should know the bar code&#xA;Rap how you roll&#xA;This what happens when they come for exposure and get exposed&#xA;You a shooter in battle rap&#xA;Not out there where the trap is at&#xA;I just want the people at home to have the facts&#xA;Now that we've established that&#xA;You just rap when your choppers chop&#xA;Don't let Geechi put that battery in your back to get cracked in ya copper top&#xA;You and JC ain't gonna do nothin' but get popped and lock&#xA;Cop a squat when the gang ride&#xA;All you gonna spin is a narrative, you ain't shot the block&#xA;I'm not ya op'&#xA;Them killers got real bodies under they belt&#xA;You ain't put nothin' away but them shopping carts in that Wal-Mart parking lot&#xA;Kai Cenat&#xA;You just chattin'&#xA;Stop the shit&#xA;I want your real life nigga, not the script, be descript (descriptive)&#xA;Them punches don't give us answers, River Dancer, you gon' have to kick it up a notch for this&#xA;What size of mitts that I'm shockin' him wit'?&#xA;If all Nitty do is punch, then battle rap as a sport for you might not be the pick&#xA;I should put him in a box, in (boxing) a fit&#xA;I'm top of the list&#xA;You done nit pick with the wrong one this time, get me?&#xA;You thinkin' this shit was gonna be all face masks and bubble baths&#xA;You the underclass punchin' bag, that's just a scab&#xA;Some will brag like you this big killer&#xA;18-wheeler&#xA;Yeah, cause when you go to deliver all that filler gettin' boxed up&#xA;How else you gonna stop, load it (Loaded)?&#xA;Man if you don't keep that shit truckin' past&#xA;This where we crush the gas&#xA;Without a CDL I'm a doctor doin' BBL, I'm in here cuttin' ass&#xA;Just for laughs&#xA;I ain't even lyrical&#xA;I'm a conscious nigga findin' out it's all spiritual&#xA;You a body, I'm just tryin' out material&#xA;The view aerial but I do burials&#xA;The fans can vote (devote) all they want&#xA;Eff the numbers, an Alien can't show God a new miracle (numerical)&#xA;It's hysterical&#xA;I baited him and he confirmed, didn't he?&#xA;I've been Loaded Lux since you sucked on big mama firm titty&#xA;And it's still my turn Nitty (maternity)&#xA;I burn cities&#xA;'Til you recognize the house back&#xA;You waited and got dated like a couple that went together in the 80's&#xA;He out matched&#xA;Harlem the town, ask about me&#xA;We battled on the block&#xA;Don't tell me nothin' about no App you up&#xA;This a natural born killer whaling (whale) on some farm raised tilapia&#xA;Cujo in the cage, latch is up&#xA;Back him up&#xA;All you is is big punches and haymakers&#xA;I'm that too plus the body work with the combinations&#xA;Your story got holes in it, I can see the spaces&#xA;Like a hockey mask&#xA;{Lux does the Jason music, while also sounding like he's laughing}&#xA;Cause every killer y'all thinkin' is next to me is not a Jason (adjacent)&#xA;No debatin'&#xA;Ain't no debatin'&#xA;Ain't no casualties to no pistols you firin'&#xA;Photo galleries when we picture you slidin', man&#xA;You know why they made this event private?&#xA;There's a difference between general raps and when the general raps, private&#xA;You sittin' by the guy that hire spirits&#xA;If I could spare it, they say sheriff the town without a sheriff&#xA;It's not a hearin' (hearing)&#xA;Listen, it's not snitchin'&#xA;But you stand to witness what I'm appearin'&#xA;The atmosphere get etheric&#xA;Lux a skydiving instructor&#xA;All that plain (plane) shit is out when I'm airin'&#xA;I gotta care for the modern era, it's a lotta errors&#xA;This why this Smack vet do errands&#xA;I done accessed new clearance (nuclear)&#xA;I gotta talk to a nigga like that bathroom mirror&#xA;These my sons, man&#xA;Looking up at the sun flarin' his eyes knowin' when alive he could never get near it&#xA;Just wear it&#xA;You know a Phoenix gotta die to rise, right Arizona?&#xA;So stop comparin'&#xA;Cause you don't know what state the God he in (guardian), that's apparent (a parent)&#xA;It's a brawl in Alabama, you gotta cheer (chair) up&#xA;So what we lost that Caffeine hype, nigga that's life&#xA;He dies, you showcase it, that's how it writes&#xA;Stop cryin' 'bout the lyrics let's dance&#xA;Somebody gotta move the body like Shakira&#xA;Pallbearer, I'm too advanced&#xA;Don't nobody care about Rum punches but ya drunk unc' at the cookout holdin' the red cup up&#xA;Bout to pour-&#xA;Got to switch up like some Michael Jackson skin&#xA;Before and after pics, you be blackin' but still pale in comparison&#xA;The nerve of you askin', &amp;quot;Who the culture got?&amp;quot;&#xA;Look here Robocop&#xA;You here to hold the spot&#xA;The fans is picturin' me and Hitman nigga, who this photo op', man?&#xA;They gon' post cropped ya top in the next debate&#xA;It's just another kid findin' out Santa Claus and wrestlin' fake man&#xA;But I believe the children are the future&#xA;Teach 'em well and let them lead the way&#xA;&#xA;{Lux impression}&#xA;&amp;quot;The spinal fracture back to do work like a chiropractor&#xA;My disc slippin'&#xA;Well let me realign you back into a time...when it was slim pickings on gym fitness, I hope you can dig it&#xA;Cause you up here takin' a risk (wrist) tryin' to make the cut&#xA;Well I got news (noose) for ya&#xA;They waitin' on the lines I kick the chair&#xA;Somebody should've told you to hang it up but I'm gonna give you this work and&#xA;You gon' do the job&#xA;I already told you nigga once&#xA;If you put me on the rooftop with Mr. Suicide, we already know who's finna jump&amp;quot;&#xA;&#xA;I'm finna roll you niggas up&#xA;Y'all don't learn&#xA;'Til you at his funeral service cryin' out to God so hurt&#xA;Even the pastor gonna be choked up readin' Genesis 1; that's all first verse&#xA;I'ma kill him, and go to prison, do all my term&#xA;Get straight through that sentence like a highlighter, you can mark my words&#xA;Let me start my verse&#xA;Cause I ain't even heat up yet, the heat up next&#xA;Warning shot, let it fly over Loaded (overloaded) like Aaliyah jet&#xA;Show me respect&#xA;Cause I ain't one of these rookies from the Spaces&#xA;From 2013 I've been cookin' on these stages&#xA;How he looked at as the greatest?&#xA;Only come out one a year like a birthday candle&#xA;And I've been puttin' on for ages&#xA;You don't say shit&#xA;But let y'all tell it, &amp;quot;Beloved the GOAT&amp;quot;, God tier, one of the top sellers&#xA;Escorted Deontay Wilder to the ring, we was all cheerin'&#xA;Next time a box will (boxer) get walked out by you will be a pallbearer&#xA;I saw killings&#xA;Pops gone, I got dead homies, I wish I could see my moms livin'&#xA;I'm God fearin'&#xA;Sometimes I talk to myself like, &amp;quot;Look at you emotional&amp;quot;, cause I done really lost niggas&#xA;And all that I got left is to stare at they photo on the wall, the large picture&#xA;Let me talk witchu&#xA;They gave me one rule&#xA;&amp;quot;All that punchin' ain't gon' cut it. You gon' have to body Loaded with substance&amp;quot;, like a drug mule&#xA;I got a ton, fool&#xA;Get murdered urgent, I'm sure you heard it&#xA;I said, &amp;quot;Body Loaded like a drug mule&amp;quot;&#xA;Cause you about to Get This Work in person&#xA;I'm never gon' play, not a second I waste&#xA;We can take this shit down to the wire, like electrical tape&#xA;Leave you brain dead, comatose, for several days&#xA;People askin', &amp;quot;Where 'Everything Healthy' at?&amp;quot; - in a vegetable state&#xA;I step with the greats, you can't tell me, &amp;quot;He's the GOAT&amp;quot;&#xA;This bitch gotta dress up and still can't hold it down, like Marilyn Monroe&#xA;This is ether&#xA;He only do that shit to get noticed, this bitch a diva&#xA;For his next (necks) bit- Dracula...you gotta listen cleaner&#xA;Next (necks) show- massage therapist, a tension (attention) seeker&#xA;My pen is cleaner&#xA;I've been through hella wars&#xA;PTSD keep me paranoid but I'm ready for it, we settle scores&#xA;You want smoke, tell a boy, we'll teleport&#xA;Pull up on the corner, like a TV dinner, but it's Healthy Choice&#xA;Peep the metaphor, I'm dead nice&#xA;I drop bombs you can't even connect, you can't compare types&#xA;That's the problem&#xA;People really confusin' shadow boxin' with air strikes&#xA;Don't you dare try, save that noise&#xA;I'm so serious I don't even gotta raise my voice&#xA;You gonna make me drop the gun and use the blade by choice&#xA;Knife Loaded, swipe Loaded, slay y'all boy&#xA;Slice Loaded, dice Loaded, I think I made my point&#xA;What's the chaos for?&#xA;I'ma embarrass him, then bury him&#xA;Glock, modified to a fully, we blitz areas&#xA;He had a Boost and then it was Crickets, it gets scarier&#xA;Sprints won't be mobile again cause we switch carriers&#xA;Jab!&#xA;You don't got lines like that, supportin' actor&#xA;Jab!&#xA;The GOAT got the poles (polls/pose) in the air, it's a Jordan statue&#xA;Jab!&#xA;I'ma pill (peel) pop, that's the plan Beas' (Plan B), they goin' to be mourning (morning) after&#xA;Overhand!&#xA;I can picture Loaded in the Cloud like a storage backup&#xA;Backup, cause this ain't even ground&#xA;That one nigga you always keep around that be speakin' loud gon' catch a heated round&#xA;Then he get found&#xA;At the bottom of the ocean floor by reef Lux, (reflux) you better try to keep it down&#xA;What he about?&#xA;I met niggas, that got locked, hit the yard and became well killers&#xA;It's no help given&#xA;We talkin' 25 with an L, he killed the man in the cell and they gave him a braille written&#xA;That means they bumped it up to a death (deaf) sentence&#xA;What you gon' say?&#xA;Smack got me in 360 deals, not knowin'?&#xA;I'm battlin' little names gettin' little change that's why my lil' stock lowered?&#xA;I didn't put my Foot down that last time and you ran real Miles on us?&#xA;How lately Rum been gettin' watered down, but somehow I still got Loaded&#xA;Hit the crib, slide on him&#xA;Crash in with the goons, drag you to the room&#xA;Tie dawg (dog) up in front of the kids, it's an animal balloon&#xA;Them little bastards get it too&#xA;You gonna see them die in the flesh&#xA;So turn ya head, try not to look Loaded; sobriety test&#xA;And you followin' next&#xA;They finna lose you too&#xA;You laid up in a hospital, can't even move you through&#xA;They gotta feed you through tubes&#xA;He paralyzed, can only function in his mind like Ray's Boom Boom Room&#xA;The tools shoot through him, I had the gun smokin'&#xA;I can empty everything in the clip just in one motion&#xA;Unloaded, laid out, witcha blood flowin'&#xA;How the fuck is they gonna get the large picture, when you can' get up Loaded (uploaded)&#xA;You done Loaded&#xA;You can't keep it-&#xA;&#xA;And  you just keep gettin' away with this shit&#xA;It's pure robbery&#xA;You wacker than a hit from a mob beat, this shit is ungodly&#xA;How can you put all that conviction into that fiction, like that man?&#xA;It's beyond me&#xA;It just don't hold my soul, it don't pump wit' the heartbeat&#xA;You can't talk down to real kings 'bout crowns wit' false teeth&#xA;Man brace (embrace) yaself, that don't make the cut&#xA;They think you sharp, me?&#xA;What I'm 'posed to draw from a nigga straight lyin' (line)&#xA;That's not a Harvey?&#xA;At best that's an erasable Sharpie&#xA;This a one on one you bring ya whole Family to the Feud&#xA;Son, Think Like A Man if you gon' be on top shinin', that's Steve with the baldy&#xA;But this how you come across&#xA;Peep&#xA;&amp;quot;Drive-by, never-ending cycle&#xA;Ghostrider on the Harley&#xA;The stick out, ketchup stains at an all white party&#xA;Get Out&#xA;Jordans peel (Peele) when I shoot, or the pick out&#xA;Questlove afro from The Roots&amp;quot;&#xA;Man, this what this shit 'bout?&#xA;Well here's some truth man&#xA;Rum, you tough like...I don't know&#xA;A man tryin' to get used to callin' his son &amp;quot;pretty&amp;quot;&#xA;That's all a one tricky pony he molded as a life for the wife and the young kitty&#xA;That want Disney&#xA;They come through the airport, see the billboards, we in the city&#xA;Of Orlando&#xA;They put you in the shack (Shaq) and told you to make Magic with that&#xA;He missed the point, and funny&#xA;This ain't never been a harder way (Hardaway) to get the little one Pennies&#xA;I knew you was gun silly, but this ain't the shot&#xA;What you forgot?&#xA;You took a whole 720 deal and thought&#xA;Cause your spending was doubling this was hustlin'&#xA;Bum Nitty, you gotta stop&#xA;Ya tumblin' man&#xA;The shit they makin' you go through, &amp;quot;Rum&amp;quot; gotta be short for &amp;quot;rummage&amp;quot;&#xA;Your name should be synonymous with a nigga who ain't got it&#xA;When every dollar spent you acknowledge him&#xA;Example, just go wit' me&#xA;Ehhhh, it may seem like a small thing but it's no Biggie man&#xA;I'm talking, you down to lint balls, pause, no Nitty&#xA;Y'all niggas be actin' real fucked up man, no Nitty&#xA;You talkin' way outta pocket youngin', no Nitty&#xA;It's been hard on the family lately, unc' broke down today, pause, no Nitty&#xA;Phoenix, these the type of players y'all got representin' the city&#xA;I'ma straight son (Sun) 'em&#xA;Cornell, you been corny&#xA;This the cornball, the big bunion&#xA;You been cold frontin'&#xA;For the win (wind), chill out, this nigga ain't gon' shoot the breeze&#xA;We didn't need no live stream discussion to see you behind a Drac' (Drake) is a big act (Ak), nigga please man&#xA;The creatives waitin'&#xA;They wanna see me talk about how you been stealin' my greatness&#xA;And taking from other creatives the natives forgot&#xA;You GrindTime, King Of The Dot stages to get the wages, I saw the plot&#xA;Wait man&#xA;First it was SONS, L.S.C., Writer's Bloque, Team Homi, E.F.B&#xA;All you missin' is the big boat or some waves kid&#xA;How many crews (cruise) you been on more than white women in their middle ages, man?&#xA;So called, trigger bracin'&#xA;Outlaw, drawin' on everything, then we found out the nigga tracin'&#xA;You copied the whole layout from young Blood&#xA;Blueprint on your maintenance&#xA;You're not an architect, you art collect, you robbin' just confiscatin'&#xA;No, you a con' for skatin', with a nigga whole demonstration&#xA;The hand gestures and the faces he makin'&#xA;You're A.I. generated&#xA;Android ass nigga, you imitatin', you emulatin'&#xA;You a mimic, straight simulation, I think you fakin'&#xA;Revelation&#xA;I saw how that battle with Donte went, the altercation&#xA;So when you sayin' the sticks is drummin', you just playin'&#xA;Oh you just bangin' for a plate then&#xA;How did I miss the cymbals (symbols)?&#xA;They gave you bands for Roc(k) and when it kick off you just basin'&#xA;You a stepper alright nigga&#xA;Twork ain't teach you nothin'?&#xA;Purses is the only thing you should be worryin' about clutchin'&#xA;Always talkin' this strap, nigga ya strapped for fundin'&#xA;You ain't gon' touch nothin' but ya ribs ya broke bitch, ya bluffin'&#xA;&amp;quot;The Alien gon' up it&amp;quot;&#xA;Fuck it let's get abducted&#xA;Off top, I put everything you build under construction, short stop&#xA;I'm a sure shot&#xA;You with a Loaded gunman, and went to punch it'&#xA;E.T.'s crash landin', 'bout to get his whole ship busted, I'm destructive&#xA;Cold blooded, when there's smoke, can't back out like the rear muffler&#xA;Ear hustler&#xA;Gotta muzzle it, it's car troublin', I put you on a flat bed in Harlem Hospital&#xA;Yeah I told 'em, we rumbling&#xA;This humblin'&#xA;When you got to bring a nigga down to Earth to ya higher intelligence, I be dumbin'&#xA;&amp;quot;It was all lookin' up like a space cadet&amp;quot;- 'til it wasn't&#xA;What you wanted?&#xA;Nigga this that one on one in the dungeon&#xA;You can't run to the crowd, you sold it&#xA;But ain't nothin' solid about the scripts you publish&#xA;I lift the cover&#xA;Line for line get laid flat, the fans can't pump it&#xA;You gonna run outta gas without some substance&#xA;Nigga, I'm layered like an onion, homeslice&#xA;Type, food for thought you ain't bred (bread) to break a piece of&#xA;I'm brick oven&#xA;Which of 'em?&#xA;They swear Rum could cook, but it's missin' lovin'&#xA;And I couldn't wait to see you like a distant cousin, nigga&#xA;Home front need structure&#xA;When the phone buzzin' 'til the ring&#xA;A fighter hear the bell, hop, up for the bag and it turn out to be luggage&#xA;Pack 'em up, your career's sufferin'&#xA;Nigga you ain't ballin', reality shows, Iman Shumpert&#xA;Nigga, shit used to be jumpin'&#xA;The Geechi put you on like a sweater&#xA;You can use Every Fuccin' Bar from your team&#xA;Danny Myers, JC, nigga ChatGPT, whoever&#xA;I'm like, &amp;quot;Whatever.&amp;quot;&#xA;I'm too clever&#xA;Don't nobody splice it better, I've been nice forever&#xA;Ain't gonna be no cool run ins (Cool Runnings) with these youngins despite the era (error)&#xA;They bobsled teams, when it's time to slide they all gotta go right (write) together&#xA;Now they want to jump him, cause I'm big voiced&#xA;David Ruffin they English muffin&#xA;Pounds on 'em like a Brit', figures&#xA;He got all the tea but ain't gettin' to the crumpets&#xA;Nigga, you lunchin'&#xA;With your Five Guys on your side, punk you chicken with the nugget&#xA;Small fry, you little munchkin&#xA;Kermit The Frog lookin' muthafuckin' here with The Muppets&#xA;You E.F.B. niggas ain't gon' do nothin'&#xA;For you but stand in the background&#xA;Look at 'em, and blend in with the production&#xA;Smack gon' watch his server get wiped, the program ain't runnin'&#xA;It's no wonder&#xA;He ain't got trouble shootin' (troubleshooting), his chips are down&#xA;How can he even function?&#xA;Your bitch is funky, the kids is hungry&#xA;He on stage, all day, flippin' names, but can't flip no money&#xA;What happened?&#xA;Lincoln, Jackson, Jefferson, Grant, Benjamin Franklin&#xA;You didn't have nothin' for that?&#xA;Bum Nitty&#xA;Fuck ya soliloquys nigga&#xA;We all gotta work and pay village fees&#xA;I could care less about how much you dress like a 90's Wu-Tang member&#xA;He ain't no Killer B's (Beas')&#xA;Just cause Hitman passed him a little Chrome .22, I'ma get through him with ease (Eaz')&#xA;I'm to B.I.G. for these little C's (Lil' Ceas)&#xA;I'm mountain tall, they been countin' small&#xA;Rum out here lookin' like the last call for alcohol&#xA;Fake nigga, you gonna die broke in the casket&#xA;You a magician with a hat trick&#xA;You still got bunny ears out of all that tappin' nigga&#xA;It's a waste of my mothafuckin' time nigga&#xA;&#xA;I think I can be the GOAT if I'm focused&#xA;I done gave y'all classic performances and so many moments&#xA;Against some of the coldest opponents&#xA;Truthfully I wanted to kill Mook first, cause bro just be trollin'&#xA;I would've overly smoked him&#xA;You would've seen me shoot a murder (Murda) on cam' like Brandon Lee, it wasn't even supposed to be Loaded&#xA;You know this shit over, you get what you give&#xA;You didn't even catch the double I just did when I said, &amp;quot;Murda on Cam&amp;quot;&#xA;But It Is What It Is, on my kids&#xA;He should stop tryin'&#xA;That old ass hoodie don't mean he cannot die&#xA;Fans cappin', really out here actin' like the grey matter but let me give you a piece of my mind&#xA;I'm top five, and I don't play 'bout my pay&#xA;I've been in situations just prayin' that we make it back safe&#xA;I done sent weight to each state, I done put work on the New York strip like Worcestershire sauce&#xA;I can't even say what's at stake (steak)&#xA;Life made me that way, but I'm no one's idle&#xA;I told my kids, &amp;quot;Do as I say. Not as I do&#xA;I won't misguide you or leave you lonely either.&amp;quot;&#xA;It's black fathers leaving mothers every day, there's no denial&#xA;They ditch they sons, just hit and run like Holiday Heart but I broke the cycle&#xA;Loaded rifle&#xA;I up this bitch, 100 clip&#xA;Punishment, pummel shit, it spit fast like Pun and shit&#xA;No pun in this&#xA;Steal blowin'&#xA;Peel (pill) Loaded with iron, it's a supplement&#xA;I'm really from this shit&#xA;I know niggas that before they ride they get loaded and snort a line&#xA;Young niggas&#xA;And when the shorties slide they get the shortest time&#xA;Bein' they were fortified they're doin' four to five&#xA;They picked the homie up for the homicide he told 'em lies&#xA;They even had surveillance footage&#xA;He just prayin' they don't rewind it and find it there's more to find&#xA;I'm mortified&#xA;Tell this avid diva I'llpull up straight where he stay&#xA;In a mood for doom&#xA;My guns snug, I don't even think you can relate&#xA;He said, &amp;quot;it's evil to live backwards&amp;quot;, that's some lame shit to say&#xA;Well I'll pop out the Civic holdin' the SKS at eye level, cause this could go the same either way&#xA;Hold up, you may get it late&#xA;I said, &amp;quot;pop&amp;quot;, &amp;quot;Civic&amp;quot;, &amp;quot;SKS&amp;quot;, &amp;quot;eye&amp;quot; &amp;quot;level&amp;quot;, they all go the same either way&#xA;I'm dangerous, don't play&#xA;This for my niggas in Hell&#xA;Waitin' on mail and ain't got they bail yet&#xA;Gettin' swole in the cell&#xA;Doin' full sets in jails (gels) like a nail tech&#xA;I know they felt that&#xA;You tryin' to escape the hood life still&#xA;To foot my bills it was fake prescriptions, they thought they had a good price deal&#xA;I got 'em, them ain't even the real OxyContin's&#xA;Smartie, they just look like pills&#xA;My dope, had the fiends feelin' it&#xA;They were stackin' cans for change, tryin' to get a refill of it&#xA;Some would donate blood, sell (cell) to the plasma center like screen mirroring&#xA;The streets serious&#xA;We try not to become what we seen&#xA;Battle rap saved a lot of lost niggas that was stuck in the streets&#xA;You created something elite&#xA;I was a student of Grey Hoodie Lux, I really studied his speech&#xA;He was the teacher, you don't gotta ask (Axe) if I was under the wing, it's no Secret&#xA;So watch as I turn up a Degree&#xA;From 902 to 903&#xA;You 'bout to see me hit my highest point, I'm a punchin' machine&#xA;You 'bout to get all the smoke&#xA;And take so many punches the fans yellin' (get off the rope!)&#xA;Tell V12 I murk niggas&#xA;Get rid of the body, put him in the dirt, he in the Earth missin'&#xA;The lookin' for him on the worst mission&#xA;Have you on the website for missin' persons&#xA;Puttin' V12 in the search engine&#xA;We work different&#xA;This your top 5 vet?&#xA;He not quite prep&#xA;I don't even get why you be sayin' 'Talk Dirty' when you ain't had a hot line (hotline) yet&#xA;How he the best?&#xA;I think cuz hella lame&#xA;I'm 'bout to put it all in your catcher's mitt, you say stuff hella strange&#xA;Straight up sellin' game&#xA;Tryin' to sound smart like, &amp;quot;It's in my molecules to get at 'em (atom)&amp;quot;&#xA;You make up everything&#xA;I don't ever play&#xA;When I heard I had Lux I had to rethink&#xA;Fans told me I needed to be in mean shape&#xA;Hit the mountain so I can breathe straight&#xA;Protein shakes, lean steak, show restraint for weeks straight&#xA;I told Daylyt, &amp;quot;I'm cook 'Everything Healthy' so much, he probably gon' need a cheat Day'&amp;quot;&#xA;Please play&#xA;I get to creepin' with this lil' Glock&#xA;Catch the two liters (leaders) in high altitude, now this ringin' in ya ears, Pop&#xA;Killshot&#xA;If you ever test me, you'd be dead already&#xA;I pull somethin' with a hairpin, it's light triggered, like epilepsy&#xA;I'm forever ready&#xA;You know your fam' don't rap and you man don't slack&#xA;Fuck Lux, he sent Pop back&#xA;Now he gon' have to stand on that&#xA;Rap&#xA;&#xA;&#xA;I'ma clip these niggas in all venues&#xA;This where war gets you&#xA;Remember before the battle I asked you for that Wal-Mart job application...cause I'm 'bout to mop the floor witchu&#xA;And if you kick the bucket, my shift continues&#xA;I'm chefin' a body, if you don't get the menu&#xA;Well it's perspective prolly&#xA;The levels I be leapin' you can't reach to perceive it with a weak Wi-Fi receiver if your mental connection foggy&#xA;Copy?&#xA;It might make the message choppy&#xA;Damn near top secret- tell everybody&#xA;You the pick that pushed me&#xA;Why wouldn't I get my lick back? pussy&#xA;Backpacker&#xA;Who couldn't get to the duffle bag&#xA;We from the original SMACK chapter, App rapper&#xA;You make me look wack to have to tell a chick I'm battlin' Rum Nitty, Hitman backup&#xA;And her ask me, &amp;quot;Who that?&amp;quot; after&#xA;The fact that you're not even a factor to tear through&#xA;But this what God tier do, nigga&#xA;Die for even havin' the thought, I dare (idea) you&#xA;Act like you don't know who the truth is&#xA;This is exclusive&#xA;It get abusive, I even tried hittin' Ozempic, I won't lose it&#xA;You confusing the me that went to preach and give a speech&#xA;I weeded out the sativa leaf to get relief&#xA;They 'bout to see the end of cuh' (Indica)&#xA;He in Hell (inhale)&#xA;But Heaven knows (nose) he in my house, I'm just makin' him the center piece&#xA;Disrespectin' the penmanship, there's penalties&#xA;You just rhymes nigga, technique, ability&#xA;My scribes describe, breach what's discrete, disguised&#xA;I should get metaphysics, physically&#xA;You finicky&#xA;I put symmetry to the imagery&#xA;I'm tryin' to draw the line- nigga I'm out front like a Widow's Peak&#xA;You don't know a producer this hungry, I ain't skip a beat&#xA;Slap the Mario coins out this lyin' nigga teeth to jog his memory&#xA;They lined you up to dry and I'ma ring him out like a Sonic the Hedgehog injury&#xA;He on bended knee&#xA;I don't care if you write (right) more than spellcheck, nigga&#xA;You goin' under the wing like El Chapo findin' out no bail set&#xA;The way you out here talkin' like a sales rep&#xA;You better be nice with them hands like a nail tech&#xA;I can smell threats, make it known&#xA;Rum, put the gin aside (genocide) it's 'bout to get worse than Israel did to Palestine&#xA;He think he home&#xA;Til I dock the, spaceship by the taxi spot&#xA;The Alien out here lookin' like an astronaut&#xA;And can't nobody on the stream defend it&#xA;I seen your business it seems offensive&#xA;To think he pimpin', lettin' people pump this&#xA;&amp;quot;He's all about the culture&amp;quot;&#xA;What y'all deem commitment is interestingly enough, just a means of interest&#xA;I mean (Amin) your new found Ace was hot for you, fever pitchin'&#xA;'Bout how you, be assisting all the victims that's dyin' to get in the game&#xA;Bleedin' the benches, is this what they bumpin'?&#xA;But I'm a &amp;quot;clench the series&amp;quot; type of nigga though&#xA;Why I care about who on the sideline suckin' they teeth is clenchin'&#xA;Just for mentions&#xA;This some bullshit you tryin' to make a play off (playoff)&#xA;And it's gonna be season endin'&#xA;It's not a game nigga&#xA;You back slidin' out on payments&#xA;Skippin' out on obligations&#xA;You wasn't thinkin' 'bout how that other league event went?&#xA;Fees, expenses, deeds unmentioned&#xA;Uhhh, how the fuck they couldn't keep you locked in?&#xA;You ain't never been in a key position&#xA;Co-star, you just felt free to mention&#xA;That Troy gotta screen intentions, Beas' a witness&#xA;You gotta show Chico the cheat code on the cheat sheets you gettin'&#xA;But keep forgettin'&#xA;They think you makin' offers&#xA;No nigga you takin' orders, we work different&#xA;You gotta ask, I tell Smack what I need per mission (permission)&#xA;Ebony know&#xA;Harlem over everything (h.o.e.)&#xA;You'se a hoe, nigga&#xA;Yeah I hear y'all connection Bluetooth&#xA;All the while you tryin' to air (ear) the plug; stoop stoop&#xA;That's why I know she the only big Hustle you knew was in a sleeping bag with your Yogi Bear aye Boo Boo&#xA;You'se a Goof Troop&#xA;She said you ain't shit, but good at eatin' ass like it's in the food group&#xA;Cuz, you even did it while she was a SuWoo&#xA;Chill gang&#xA;I'm still neutral to this new truth&#xA;'Bout how you can't even keep it real yourself&#xA;You out here rockin' fake Jordans with the cheesy tags, that's what you do&#xA;You're usual&#xA;And you beat for cash not from YouTube, I'm gon' whoop yo' ass&#xA;Live Pay-Per-View proof&#xA;Gettin' home delivered&#xA;Mr. turn hopes to shivers, broke his vision&#xA;It'll line you like you folded picture&#xA;You thought this shit was all pretty waters, flowin' rivers&#xA;I'll walk a nigga down, it's motion sickness&#xA;Road collision&#xA;I'll knock the cool out ya bop nigga&#xA;Buckle his whole agenda&#xA;Tonight, yo' bitch gon' talk to you like an older sister&#xA;In sober centers&#xA;Somebody get over here and tell Hustle to hold her liquor&#xA;Nigga, are you Insane?&#xA;Tellin' me how I got a game&#xA;Of power that empowers, I let down my guard and trust 'em&#xA;It was after the Aye Verb battle I looked at you, you started blushin'&#xA;Comin' up to me, tellin' me how much I influenced your becoming&#xA;Yada yada, somethin' somethin'&#xA;I wanna thank you so much Beloved&#xA;Then you get in here and talk like you walked up out of a coma all of a sudden&#xA;It's fresh concussions, I'm just adjustin'&#xA;Cause I'm no florist, but I saw it, how you gave me my flowers with hidden colors&#xA;It's what I read (red), cause who doesn't? (dozen)&#xA;Like don't say (Doce), you don't say? But on the subject&#xA;History shows a rose'll (Rosa) will get you parked (Park) for frontin', nigga bust (bus) it&#xA;I texted you, &amp;quot;bet&amp;quot;, what you read? B.E.T. or somethin'?&#xA;Entertain me or not man&#xA;When the pride on a Crippy's shoulders was all chippy but he iffy&#xA;It's sticky, Loaded on a card like a Giphy, he picky&#xA;As the NFL on Draft Day&#xA;When there's money in it but he feel he (Philly)&#xA;Could lose to every Buck gettin' it&#xA;I saw it knock the fun out of Gilly&#xA;Your chances, is Cate Blanchett&#xA;But plant as if they Pun/Biggie, ya dumb skinny&#xA;Hip Hop Is Real&#xA;I thought me and Mook set the bar when we discussed Remy&#xA;Nah, y'all talked all this Rum Nitty then brung Henny&#xA;How much can he metal with my reign (rain), I don't let the rust get me&#xA;Sun City, gang member&#xA;At heart you a fun hippy&#xA;Lookin' like Lil' Smitty with the drug kitty&#xA;I know a E(ric) Holder when I see one, you shitty cuz, really&#xA;I said I was gonna beat the diarrhea down this nigga leg&#xA;Aw man that's enough to freak out like a drunk Diddy&#xA;You just props for the desktop&#xA;And the mobile screens&#xA;Keyboard warriors on the social feed&#xA;I don't believe&#xA;I know my team&#xA;This shit get thick we gon' shake like Ovaltine&#xA;Nigga I don't believe, you into all that&#xA;Your war batch more matched line for line, you know, call backs&#xA;You a hard back, these dog scraps&#xA;Like the nigga I whipped before you but aye, these are the Car Fax (facts)&#xA;I've never seen you in a picture without a hat&#xA;Nigga you all cap&#xA;With the bald patch&#xA;That's a bar gap&#xA;Beloved 3 in stores too&#xA;And I drop joints on you like Ong-Bak&#xA;I will battle anyone on the card with this hand of Jesus nigga&#xA;Don't you ever throw rocks at the sun&#xA;(You can't reach it)&#xA;&#xA;&#xA;Aye! You an outsider&#xA;They said he was better when he went by &amp;quot;Pop&amp;quot;, niggas couldn't out rhyme him&#xA;He was really outside every 'bout fightin'&#xA;So fuck a costume, this bitch gotta go back to bein' &amp;quot;Pop&amp;quot; like Ms. Doubtfire&#xA;Let me talk to the vulture that was once considered a leader but then got Hollywood on us&#xA;You spent most of your career dodgin' the soldiers, not givin' shots to opponents&#xA;You got lost in the moment&#xA;That's the reason why Rex, ICE and niggas like Hollow is GOATed&#xA;You wasn't even a warrior on your own league like Arsonal showed it&#xA;On camera he put on this act cause the audience on him&#xA;Don't keep that same energy when he Offset knowin' you fathered the culture (Kulture)&#xA;You got absent on ya seed&#xA;But only to return when you seen what battle rap actually could be&#xA;You like that deadbeat father that came back around when his son got drafted to the league&#xA;Let Pastor Nitty preach&#xA;Open up a chapter&#xA;How many of us lost brothers have you actually tried to save in real life knowin' that we damaged?&#xA;When you battled Tsu Surf did you pull him to the side and give him some of that knowledge?&#xA;Or was it only for the camera?&#xA;You playin' with us, we know&#xA;You would've thought a Harlem nigga that was Paid In Full like Ace would've tried to save him from that RICO&#xA;But it's only for the Cam'&#xA;How are you not ashamed?&#xA;Out here callin' niggas &amp;quot;bad fathers&amp;quot; like it's all a game&#xA;And we never seen you in the same room wit' yo' son; Mama Payne&#xA;Dawg a lame&#xA;He all for fame&#xA;Be off the 'cane&#xA;A coat thief&#xA;Shall I proceed (pro seed)? Bronny James&#xA;You do a lot of sucka shit, disguised as other men&#xA;Are you a Farrakhan, Brother Polite or Charleston White?&#xA;Cause I (eye) was wonderin', I don't fuck wit' him&#xA;You can't lie to me&#xA;Actin' like you some pro black activist on your Panther tip that fight for peace&#xA;Why don't you jump in all black, fight police?&#xA;You wasn't protesting for George Floyd&#xA;Our people really in dire need (kneed)&#xA;Open your eyes and see, he's a snake in fact&#xA;You need your spirit healed, I'm tryin' to fix pop's soul (popped sole), like a VaporMax&#xA;I hate ya raps&#xA;You do a lot of random shit&#xA;Against Calicoe it was a three piece and Jordan 12's&#xA;Nigga you can't match a fit?&#xA;You some tacky bitch&#xA;Nigga had on a suit and taxi's like The Pursuit Of Happiness&#xA;Savageness&#xA;This man be trollin'&#xA;He be gettin' up there lookin' like Huey Newton, niggas just laugh at Loaded&#xA;I don't know why the Black Panther went out like that on stage for (4); Chadwick Boseman&#xA;I have to smoke him&#xA;I'ma do him bad for y'all&#xA;I'm GOATed&#xA;So you gotta be one brave man Loaded, like a human cannonball&#xA;After all, what I now notice is takin' a picture of Calico's ass wild brodie&#xA;I had to tell him now&#xA;I figured the only reason you kept the file&#xA;Is cause you wanted to be down, Loaded (downloaded)&#xA;Wow brodie&#xA;You kept the pic and then you shared the shit&#xA;That make me think 'Everything Healthy' downlow, like a food pyramid&#xA;We got tools in the whip, on high alert&#xA;These switches? Illegal, you gotta know where to buy it first&#xA;Like fireworks&#xA;Most of the shit I got, not even allowed (a loud) Pop like these silencers&#xA;When it's time for work? Fuck a hater&#xA;I won't argue, I'ma pop the trunk for starters, like jumper cables&#xA;Mom at the gravesite cryin', &amp;quot;They took my baby&amp;quot;&#xA;At the tombstone, drop to her knees like The Undertaker&#xA;You fuckin' crazy?&#xA;What's the problem with niggas?&#xA;If we would've battled on a buildin' he would've probably quit it&#xA;I mean try fightin' and bow out, on the roof top like Lottery Ticket&#xA;Bombin' on niggas, this .40 open up&#xA;Stomach shot, 'Everything Healthy' spillin' out, it's a cornucopia&#xA;I'm smokin' cuz&#xA;I put a bullet in your top tight&#xA;I got a workout routine like Lux too, I do pullups at the stop light&#xA;You all hype, jump if ya want&#xA;I have ya body missin'&#xA;They haven't found cuz in a month, they persistent though&#xA;They ain't givin' up on the hunt&#xA;If you know anything about the Apollo stump, then your Lux (lucks) in the trunk&#xA;You'll get slumped&#xA;Most of your opponents, you 30'd (3-0)&#xA;But the last two won (2-1) Loaded&#xA;It's like comparin' 30 Nits (Nittys) to one Loaded&#xA;I told him, &amp;quot;I'ma grab the 30 clip to unload it&amp;quot;&#xA;You done Loaded&#xA;You don't believe me I'll show you&#xA;All three I'm goin postal&#xA;When it comes to the rooftop I got the Juice, I ain't even gon' hold you&#xA;I told you&#xA;You can't keep it real yourself-" PRODUCER="Vandal Records" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="352" PLAYTIME_FLOAT="351.085724" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="42882"></INFO>
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<INFO BITRATE="939897" KEY_LYRICS="1 ContributorTranslations한국어 (Korean)RomanizationALICE- MILKY WAY (English Translation) Lyrics&#xA;You are my Milky Way, oh-oh&#xA;&#xA;&#xA;Step by step&#xA;Walking in sync with you&#xA;My heart feels like it's floating&#xA;Feels like I've fallen&#xA;Even while hesitating&#xA;Blushing at your sweet voice&#xA;Thump, thump, thump, thump, thump, thump&#xA;*What should I do?*&#xA;&#xA;&#xA;My heart flutters&#xA;It's pounding&#xA;Like the protagonist in a fairy tale&#xA;&#xA;&#xA;Every day filled with you&#xA;My inner Milky Way&#xA;Always&#xA;Holding hands tight&#xA;Like stars in the night sky&#xA;Shining only on you&#xA;One love&#xA;Unchanging only love&#xA;&#xA;You are my Milky Way&#xA;Oh, yeah, yeah, yeah&#xA;&#xA;&#xA;Give me your smile (Your smile)&#xA;Even your excited look&#xA;I want to create so many&#xA;Feels like I'm dreaming&#xA;Even with your pouty face&#xA;Melting at your sweet words&#xA;I don't know, I don't know, I don't know, I don't know, I don't know, I don't know&#xA;I'm falling deeper and deeper&#xA;&#xA;&#xA;My head is slightly&#xA;Spinning around (Around)&#xA;Like a scene from a movie&#xA;&#xA;&#xA;Every day filled with you&#xA;My inner Milky Way (Milky Way)&#xA;Always&#xA;Holding hands tight&#xA;Like stars in the night sky (Like)&#xA;Shining only on you&#xA;One love&#xA;Unchanging only love&#xA;&#xA;Ooh&#xA;Milky Way&#xA;Yeah&#xA;&#xA;&#xA;Dizzy with hesitation, just a bit more&#xA;I'll muster up my courage&#xA;Step by step, I'll get closer&#xA;Baby, now because of you&#xA;My universe&#xA;Revolves only around you&#xA;Yeah, yeah&#xA;&#xA;&#xA;Our shining every day (Oh-woah)&#xA;Eternal Milky Way (Ah-ah)&#xA;Always&#xA;It will sparkle (It will)&#xA;In a rainbow-colored world (World)&#xA;Drawing only you&#xA;One love&#xA;The only one and only love&#xA;&#xA;&#xA;You are my Milky Way (Milky Way)&#xA;Oh, yeah, yeah, yeah&#xA;I promise, like stars in the night sky (Oh-oh)&#xA;Shining only on you&#xA;One love (Yeah)&#xA;Unchanging only love&#xA;You are my Milky Way (Milky Way)&#xA;Oh, yeah, yeah, yeah" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="249" PLAYTIME_FLOAT="248.375870" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="28679"></INFO>
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<INFO BITRATE="1089671" KEY_LYRICS="4 ContributorsTension LyricsNow, the past seems so far away&#xA;Where did all this tension come from? (tension, tension)&#xA;&#xA;I can't find the reason why&#xA;I'm still trying for more&#xA;Tried so hard to let you go&#xA;But this can't be ignored&#xA;&#xA;I still want more (I still want)&#xA;I still want more (I still want)&#xA;I still want more&#xA;&#xA;Tension&#xA;Tension&#xA;Tension&#xA;Tension&#xA;&#xA;I can't find the reason why&#xA;I'm still trying for more&#xA;Tried so hard to let you go&#xA;But this can't be ignored&#xA;&#xA;I still want more (I still want)&#xA;I still want more (I still want)&#xA;More tension&#xA;I still want more&#xA;Tension" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="287" PLAYTIME_FLOAT="286.996552" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="38356"></INFO>
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<INFO BITRATE="1068325" KEY_LYRICS="3 ContributorsNaipe Lyrics&#xA;(Hey, Only Perk) No hablen así, na-na-na, na&#xA;(Hey, ah, Dizzy, Dizzy Shit) Que yo se las sé de pana&#xA;Si yo sé que ustedes son rana' (Harry Nach)&#xA;Y le' va a sonar el ra-ta-ta (Uh)&#xA;&#xA;&#xA;Hey, rum rum, llegamo’ en la Turbo Sport&#xA;Si nos miran feo aquí se la hacemo’ short&#xA;La' prenda’ son Versace y Christian Dior&#xA;'Tamo' elevando como arriba 'e un ascensor&#xA;Le apuntamo’ con el láser de la Glock&#xA;Andamo’ a poca lu’, andamo’ por debajo 'el sol&#xA;A tu perra en el party la pongo en four&#xA;You know, poca' palabra' para buen entendedor&#xA;Dándole color, y un color pa' que no razones (Na)&#xA;Tеnemo' hecho', también tenеmo' razone'&#xA;Fumando Gelato y jugando con su' pezone'&#xA;Con los menority haciendo unas misione'&#xA;Ey, par de persecucione', par de perse, pa' que se impresionen&#xA;Se muere to' el que me mencione&#xA;'Tamo dándole el corte, ma', como se supone (Ja, ja)&#xA;&#xA;&#xA;No hablen así, na-na-na-na&#xA;Que yo se las sé de pana&#xA;Si yo sé que ustedes son rana'&#xA;Y le' va a sonar el ra-ta-ta, uh&#xA;No hablen así, na-na-na-na (Ah)&#xA;Que yo se las sé de pana&#xA;Si yo sé que ustedes son rana'&#xA;Y le' hago sonar el ra-ta-ta&#xA;&#xA;En la' primera' divisione', ma', pa' que tú te de' cuenta de lo que aquí pasa (Uh)&#xA;Esto' andan pa' la' masa'&#xA;Galáctico, somo' de la NASA&#xA;No pasa na', no pasa naipe&#xA;Soy tu taita, respeta el torque, uh&#xA;Son chorete', pero torpe'&#xA;Calma'o que se le' viene el contragolpe, brr&#xA;A poca lu', bajo el agua, glu, glu&#xA;Juicy Bobaloo&#xA;Vo' sa'i, psycho social, my club&#xA;Y a tu hoe la tengo 'esnu'&#xA;¿'Esnu'? 'Esnu'a&#xA;Seis cinco, la puta se insinúa, uh&#xA;La gata 'tá piquetu'a, ah&#xA;Te robo y pa' la fuga (Gang)&#xA;&#xA;&#xA;No hablen así, na-na-na-na&#xA;Que yo se las sé de pana&#xA;Si yo sé que ustedes son rana'&#xA;Y le' va a sonar el ra-ta-ta, uh&#xA;No hablen así, na-na-na-na (Ah)&#xA;Que yo se las sé de pana&#xA;Si yo sé que ustedes son rana'&#xA;Y le' hago sonar el ra-ta-ta&#xA;&#xA;Hey, Only, Only, Only Perk, hey&#xA;Only Perk&#xA;Ja, ja&#xA;Dizzy, 369&#xA;Harry Nach&#xA;Pablo Feliú en lo' controle-le, le-le-le-le'&#xA;Hey, le' pasé por la-la-la-la-la-la-la-la'o&#xA;Ah" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="309" PLAYTIME_FLOAT="308.957092" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="40473"></INFO>
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<INFO BITRATE="1034150" KEY_LYRICS="1 Contributor​b-ball roundup Lyrics&#xA;&#xA;&#xA;Ladies and gentlemen, boys and girls&#xA;My name is Gabriel Jacob Luansing&#xA;They call me mr. master because I told them to&#xA;Back with another ultra b-ball round up&#xA;&#xA;Well, the talk of b-ball Twitter tonight&#xA;Is none other than Dedgin Stairwell&#xA;Rookie point guard out o' BYU&#xA;Now starting for the Alabama Drainsnakes&#xA;&#xA;After a shaky start to his b-ball career&#xA;Averaging negative three points in his first eight games&#xA;Dedgin has been a bucket since&#xA;Blowout after blowout on this road tour&#xA;A fifty-nine-point win in Providence against the Kibosh&#xA;A seventy-four-point clobbering for the Qubits in Iowa&#xA;And on Sunday, ninety-one to zero&#xA;The Lakers didn't even attempt a shot&#xA;All thanks to a Herculean shouldering of the team by Stairwell&#xA;No less than twenty-two makes from behind the arc&#xA;In each of those games, tickling his opponents on defense&#xA;The kid is scorching&#xA;But tonight, BBA history has been made&#xA;The Drainsnakes pulverize the Fort Worth Titties&#xA;And Dedgin Stairwell walks out of the LexisNexis Dome&#xA;With the league's first ever quadruple-double&#xA;Got him two Wilt Chamberlain papers and everything&#xA;You're seein' the highlights now&#xA;&#xA;&#xA;K'Armpit Welk at the tip-off. Dedgin secures it&#xA;Immediately yeets it from half court and buries it. Awful play&#xA;Stairwell up top, directing traffic&#xA;Pretends like he's having menstrual cramps&#xA;No look pass to the cutting Byufio O'hellno&#xA;He lays it up and in. Fantastic vision&#xA;Titties on a fast break. Dedgin relentless with that tickling&#xA;Forces a turnover and, mom get the camera&#xA;A front handspring dunky brewster, goodness&#xA;K'Armpit posted inside, K'Armpit Welk&#xA;In his fourth year as a Drainsnake, he has such a cute butt&#xA;Nice feed from Dedgin, and the big man gets an easy deuce&#xA;Start of the fourth quarter&#xA;Dedgin is now wearing a wedding dress&#xA;Bulk Jedwards guarding him&#xA;Solid effort, but Stairwell gets him Memphis Jookin'&#xA;And splits both of his shins open&#xA;Dedgin lets it fly and flushes for three&#xA;He's got nine hundred&#xA;And we'll leave it at that&#xA;We would just show the whole game again&#xA;If you want all the highlights&#xA;And it should be said as well:&#xA;Fort Worth went down swingin'&#xA;Y'know, the hustle was there&#xA;Coach Kurzweil always making his players feel gaslit&#xA;But... such is b-ball. Final score: Titties: eighty-nine&#xA;Drainsnakes: two thousand six hundred and thirty one&#xA;The almighty Dedgin Stairwell:&#xA;One thousand one hundred and twenty points&#xA;One thousand and fifty four assists&#xA;Two... rebounds. I had the honor of speaking to Dedgin&#xA;After his metric whale of a game to get his thoughts&#xA;&#xA;&#xA;Dedgin, you lost your fucking mind tonight&#xA;How does it feel to score that many god damn points?&#xA;&#xA;I couldn't do it without my team, y'know&#xA;K'Armpit, Byufio, Cheech. Everybody was goin' in&#xA;And it just made me wanna be a better b-baller&#xA;&#xA;Dedgin, you were a bare ass fart at the beginning of the year&#xA;What the hell happened?&#xA;Just a lot of practice, y'know&#xA;Been working a lot on my tickling and my midrange&#xA;And I'm glad it's starting to show&#xA;&#xA;Dedgin, what's the plan for your next game&#xA;With the Annapolis Moonies?&#xA;&#xA;Steroids&#xA;&#xA;Congratulations, Dedgin. Sports&#xA;&#xA;Thank you. Sports&#xA;&#xA;&#xA;Well there you have it folks&#xA;Dedgin Stairwell is on drugs&#xA;And they are definitely enhancing... his performance&#xA;That's all I got for you tonight from the world o' b-ball&#xA;I'm mr. master. Here same place, same time tomorrow&#xA;For another ultra b-ball roundup. Stay curious" PRODUCER="Dispatch Recordings" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="313" PLAYTIME_FLOAT="312.496063" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="39633"></INFO>
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<INFO BITRATE="1147021" KEY_LYRICS="2 ContributorsForevergreen Lyrics&#xA;Let go of your heart&#xA;To reach this destination&#xA;On your own&#xA;The warmth has been taken&#xA;Away from you&#xA;Sudden implications&#xA;Through and through&#xA;&#xA;&#xA;It brings you, brings you to me&#xA;We can find them&#xA;Coming back from &#xA;You'll be evergreen&#xA;Evergreen&#xA;We can find them&#xA;Coming back from &#xA;You'll be evergreen&#xA;Evergreen&#xA;&#xA;&#xA;Let go of your heart&#xA;Without hesitation&#xA;Tonight you are&#xA;Raising expectations&#xA;But you won't breathe&#xA;The warmth has been taken&#xA;You're so in need&#xA;Running back, it brings you to me&#xA;It brings you, brings you to me&#xA;It brings you, brings you to me&#xA;&#xA;&#xA;We can find them&#xA;Coming back from &#xA;You'll be evergreen&#xA;Evergreen&#xA;We can find them&#xA;Coming back from &#xA;You'll be evergreen&#xA;Evergreen" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYCOUNT="3" PLAYTIME="275" PLAYTIME_FLOAT="274.261353" IMPORT_DATE="2025/7/13" LAST_PLAYED="2025/9/30" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="38582"></INFO>
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<INFO BITRATE="1040940" KEY_LYRICS="1 ContributorRgShows Offical Song Lyrics🎶 &amp;quot;Welcome to RgShows&amp;quot; 🎶&#xA;(A high-energy, upbeat anthem for streamers and movie lovers!)&#xA;&#xA;&#xA;🎬 Welcome to the show, it's time to dive in!&#xA;Crystal-clear movies, let the fun begin!&#xA;1080p, 4K, yeah, we keep it high&#xA;Blockbusters and series, watchin’ ‘em fly!&#xA;&#xA;&#xA;No paywalls, no limits, just hit play&#xA;Stream it live or download—your way!&#xA;Anime vibes, sub or dub&#xA;One click, and you're feelin’ the love!&#xA;&#xA;&#xA;🎶 RgShows, let’s go!&#xA;Movies, TV, live streams—whoa!&#xA;IPTV, games so wild&#xA;Everything free, stay for a while!&#xA;(RgShows—your world in 4K!)&#xA;&#xA;&#xA;🎮 429 games, take your pick&#xA;Arcade to action, play ‘em real quick!&#xA;AI chat, let’s make some waves&#xA;Torrent search for the ones you crave!&#xA;&#xA;Watch parties, bring your crew&#xA;Screen share magic, it's all for you!&#xA;Customize, personalize&#xA;Make it yours, let’s maximize!&#xA;&#xA;&#xA;🎶 RgShows, let’s go!&#xA;Movies, TV, live streams—whoa!&#xA;IPTV, games so wild&#xA;Everything free, stay for a while!&#xA;(RgShows—your world in 4K!)&#xA;&#xA;&#xA;🚀 No sign-ups, no stress, just press play&#xA;Your ultimate home, every night, every day!&#xA;RgShows, it's all for free&#xA;This is your world, so stream with me!" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="304" PLAYTIME_FLOAT="303.923798" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="38800"></INFO>
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<INFO BITRATE="886032" KEY_LYRICS="2 ContributorsSpace Girl (Bonus Track) LyricsMy mama told me&#xA;I should never venture into space&#xA;But I did, I did, I did&#xA;She said no Terran girl&#xA;Could trust the Martian race&#xA;But I did, I did, I did&#xA;&#xA;A rocket pilot asked me&#xA;On a voyage to go&#xA;And I was so romantic&#xA;I couldn't say no&#xA;That he was just a servo robot&#xA;How was I to know?&#xA;So I did, I did, I did&#xA;&#xA;She told me never venture out&#xA;Among the asteroids&#xA;But I did, I did, I did&#xA;She said the Milky Way&#xA;Was something to avoid&#xA;So I did, I did, I did&#xA;&#xA;She said that Venus was too hot&#xA;And Saturn not much fun&#xA;And bug-eyed monsters tended to be&#xA;Just a trifle dumb&#xA;She said I'd need a blaster&#xA;And a needle freezer gun&#xA;And I did, I did, I did&#xA;My mama told me&#xA;Never trust a space engineer&#xA;But I did, I did, I did&#xA;She said freefall and superdrive&#xA;Would surely cost me dear&#xA;And they did, they did, they did&#xA;&#xA;I've been as far in hyperspace&#xA;As anybody can&#xA;I've travelled through the time warp&#xA;On the Psychlo Plan&#xA;They say a gal must travel&#xA;For to find her superman&#xA;And I did, I did, I did" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="263" PLAYTIME_FLOAT="262.706635" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="28595"></INFO>
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<INFO BITRATE="914077" KEY_LYRICS="4 ContributorsWilson Fisk Lyrics&#xA;Too many niggas poundin' they chest but don't got the heart for this&#xA;What happens when a hunter turns prey and is bein' targeted?&#xA;It's marvelous, they drawin' your guns but don't know the art of it&#xA;Regardless if you stayed in your lane&#xA;Embraced when them charges hit&#xA;Yeah, you wonder what started this&#xA;Who cares if you think Satan or God exist?&#xA;The road just gon' scatter soon as the dark is lit&#xA;The genesis, using alcohol and then blowin' cartridges&#xA;Percentages, how many gon' make it when they know you fatherless?&#xA;Yeah, who you know that say it is harsh as this?&#xA;A full blown narcissist, number one on a author’s list (Number one)&#xA;Yeah, they say livin' life is the hardest risk&#xA;But losing’s not the opposite of winnin', it’s just a part of it&#xA;But you don’t see the arc of it&#xA;My highs is the reason all of the stars exist&#xA;But misery’s lavish without the heartlessness&#xA;Yeah, all that hate is gas in my furnace&#xA;Erase your past and you’ll learn ain’t no fire without an arsonist&#xA;(Let's go...)&#xA;&#xA;&#xA;Huh, huh&#xA;Ayo, I know you want me locked up in a cage with a bunkie&#xA;Until my hair turn gray from old age and I’m grumpy&#xA;But instead I'm evading the country&#xA;Got a catalog that paid me, 100K what I made from it monthly&#xA;Stay away from the haters and flunkies&#xA;See me with a fat bitch 'cause they pay what they weigh when they chunky&#xA;I don’t know why these haters is comfy&#xA;Remember days I was hungry, couldn't smoke 'cause it gave us the munchies&#xA;Never sign a deal, I’m afraid of them companies&#xA;Refuse to let these labels display us as monkeys&#xA;Huh, niggas afraid to confront me&#xA;Y’all better jump me, remember I ride with a K in the front seat&#xA;I bogard like I’m related to Humphrey&#xA;Every phone call I make nothin' less than one key&#xA;Don't know why these radios bump me&#xA;In reality, I’m just a kingpin, I was raised by a junkie&#xA;TRUST" PRODUCER="Flexout Audio" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="352" PLAYTIME_FLOAT="351.194794" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="39369"></INFO>
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<INFO BITRATE="976245" KEY_LYRICS="1 ContributorEmpty Love Lyrics&#xA;All the love and the lust&#xA;Fell away to the dust&#xA;In a rush of rage&#xA;Come a loose, help me pray for better days&#xA;No blue goodbyes&#xA;For you and I&#xA;&#xA;&#xA;You fill my heart&#xA;With empty love&#xA;With empty love&#xA;With empty love&#xA;This empty love&#xA;This empty love&#xA;This empty love&#xA;&#xA;&#xA;Pray for better days&#xA;All the lights on the waves&#xA;Swallow me in the great blue wonder&#xA;Will you even care?&#xA;No blue goodbyes&#xA;For you and I&#xA;&#xA;&#xA;You fill my heart&#xA;With empty love&#xA;With empty love&#xA;With empty love&#xA;This empty love&#xA;This empty love&#xA;This empty love&#xA;&#xA;Rushing through your veins&#xA;Take my blood&#xA;Cut me up&#xA;Got to find a way to tear ourselves apart&#xA;Even with empty love&#xA;Wherever we turn&#xA;We will never overcome&#xA;Now you deserve someone&#xA;To fill your heart&#xA;&#xA;&#xA;With empty love&#xA;With empty love&#xA;With empty love&#xA;This empty love&#xA;This empty love&#xA;This empty love&#xA;With empty love&#xA;With empty love&#xA;With empty love&#xA;This empty love&#xA;This empty love&#xA;This empty love&#xA;&#xA;&#xA;Pray for better days" PRODUCER="Counter Records" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="339" PLAYTIME_FLOAT="338.979736" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="40577"></INFO>
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<INFO BITRATE="1034881" KEY_LYRICS="5 ContributorsTenderless Lyrics&#xA;Dance along with me&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;&#xA;&#xA;Move slow&#xA;Whisper in your broken tones&#xA;And dance along with me&#xA;Unfold&#xA;Skin to soul, I'll take it all&#xA;Lay your weight on me&#xA;&#xA;I never meant, I never meant to be so tenderless&#xA;So far removed, so far removed within this silent place&#xA;I never meant, I never meant to be so tenderless&#xA;So far removed, so far removed within this silent place&#xA;&#xA;&#xA;Lay down your load&#xA;Come burn your throne&#xA;Forget it all, recline&#xA;Just for a while&#xA;&#xA;Just let these colours fade&#xA;&#xA;&#xA;I never meant, I never meant to be so tenderless&#xA;So far removed, so far removed within this silent place&#xA;I never meant, I never meant to be so tenderless&#xA;So far removed, so far removed within this silent place&#xA;&#xA;&#xA;See I can feel this space between us&#xA;All these fights and blind eyes that keep us away&#xA;And I'm tired of my mistakes&#xA;And I never meant to be this way&#xA;&#xA;Move slow&#xA;Whisper in your broken toes&#xA;And dance along with me&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)&#xA;(Dance along with me)" PRODUCER="Medschool Music" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="291" PLAYTIME_FLOAT="290.234833" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="36846"></INFO>
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<INFO BITRATE="1032592" KEY_LYRICS="1 ContributorWish List Lyrics“Wish List”, featured on Anile’s EP Allergens, using strong percussion and jazzy melodies, soon found its way on the Forza Horizon 3 Soundtrack to be used on Hospital radio.This song is an instrumental" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="298" PLAYTIME_FLOAT="297.413300" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="37669"></INFO>
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<INFO BITRATE="1041295" KEY_LYRICS="5 ContributorsTonight Lyrics&#xA;Wooooooo!&#xA;Yo, hawk is out!&#xA;Brick out here, you know I'm sayin'?&#xA;Yo, you better bundle up&#xA;&#xA;&#xA;We livin' in a cold world, even in the Summer time&#xA;And I ain't talking about the Farenheit&#xA;Naw!&#xA;I'm talking how the life ain't fair and the height of the fare&#xA;Keep hiking here and there, from there to here&#xA;Back then I had a grin from ear to ear&#xA;Now the corn price triple per ear&#xA;Triple your fear&#xA;Can't afford to get my head gassed up&#xA;Let alone my whip&#xA;I need a loan just to go round trip&#xA;And there is a war going on and nobody is safe&#xA;Cause the thiefs in the night still hitting your safe&#xA;With the cameras on blast, see this look on my face?&#xA;For security, I'm feelin' like my freedom's replaced&#xA;While your cut runneth over, all I want is a taste&#xA;I ain't trying to stay sober cause things are so sobering&#xA;God knows how what makes rain and but brings&#xA;Fuck your hairbrained schemes and things&#xA;Man&#xA;&#xA;Tonight, you are stars shining brighter than before&#xA;Tomorrow, here come trouble knocking at your door&#xA;&#xA;&#xA;We living in a cold world, especially in the Summer time&#xA;No, I ain't talking about the Celsius&#xA;Nuh-uh, I'm talking how the cells keep swellin' with felons&#xA;And said felons that didn't use they melons&#xA;And suffer for what they sellin'&#xA;And the cellphones keep excelling&#xA;They even got Excel, Word, Quicktime&#xA;You can hear a quick rhyme, and&#xA;Youtube Scorsese's whole cutting room floor&#xA;Check the score and the scores more&#xA;Things like this you couldn't do even one score or one day before&#xA;Not to mention all the pussy galore&#xA;So with the future so bright, you gotta wear shades&#xA;To contrast the shadows, prepare for battle&#xA;That takes place daily in your hearts and minds&#xA;Distractions keep you outflanked&#xA;Don't let your dickhead have your brain outranked&#xA;You picked a gunfight, bring more than your shame&#xA;Cause ain't nobody shooting blanks&#xA;&#xA;&#xA;&#xA;We living in a cold world, like The Day After Tomorrow&#xA;The day before yesterday we could have borrowed time&#xA;And been fine with some peace of mind&#xA;But now the last minutes are spent with such sorrow&#xA;And varioius theorists claim it's the Age of Aquarius&#xA;Now hear this: this era might be the scariest&#xA;We near this brink of being extinct, and yet still pushing on so precarious&#xA;The mystery god, he probably watching people like reality TV&#xA;That's so so hilarious&#xA;So much drama and the folks claimin' a moral high-ground&#xA;Get found livin foul and nefarious&#xA;I'm still tryin' to ride the road less traveled&#xA;Without catching a flat from all of that gravel&#xA;And Nu marks the spot to connect the dots&#xA;With kick, snares and high hats&#xA;I lick shots, it's like that&#xA;&#xA;" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="254" PLAYTIME_FLOAT="253.990707" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="32467"></INFO>
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<INFO BITRATE="1008609" KEY_LYRICS="1 ContributorNorth Winds LyricsYou have only one focal point to feel&#xA;As as long as you point like &#xA;On a curvature of sixty degrees&#xA;To it’s normal  at thirty eight &#xA;Toward the capital of  clear&#xA;&#xA;&#xA;&#xA;Ohhh&#xA;&#xA;You have only one focal point to feel&#xA;As as long as you point like &#xA;On a curvature of sixty degrees&#xA;To it’s normal  at thirty eight &#xA;Toward the capital of&#xA;&#xA;&#xA;&#xA;Ooh&#xA;Come on&#xA;Come on&#xA;Come on&#xA;&#xA;Ohh&#xA;&#xA;You have only one focal point to feel&#xA;As as long as you point like &#xA;On a curvature of sixty degrees&#xA;To it’s normal  at thirty eight &#xA;Toward the capital of &#xA;Sixty degrees&#xA;Sixty degrees&#xA;Sixty degrees" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="314" PLAYTIME_FLOAT="313.656677" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="38798"></INFO>
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<INFO BITRATE="1000425" KEY_LYRICS="1 ContributorKilled on Camera LyricsIf you pause it on the right frame&#xA;You can actually see the moment of death&#xA;It's blood sport for “thoughts and prayers” kinda folks&#xA;Who like their injustice shaken not stirred&#xA;How can you empathize, with inequality&#xA;When all your friends are white and make 6 figures?&#xA;OMG, let’s burst that candy flavored rage bubble&#xA;After clicking the terms of agreement on your new iPhone&#xA;&#xA;Killed on camera&#xA;To amuse the bored&#xA;Killed on camera&#xA;And the masses demand more&#xA;&#xA;If the penalty for a crime is a hefty fine&#xA;Then that law don't exist for the rich&#xA;‘Coz they believe their absurd brainwashing&#xA;Justifies committing their convenient atrocities&#xA;Bullets and stones may break your bones&#xA;But policy will slowly wear you down&#xA;You're underclass in a system that don’t want you to vote&#xA;With a constitution that does not apply to your skin tone&#xA;&#xA;Killed on camera&#xA;To amuse the bored&#xA;Killed on camera&#xA;And the masses demand more&#xA;This is gunna end real bad&#xA;But whitey's back on the moon&#xA;This is still gunna end real bad&#xA;Distort the facts coz they trigger you&#xA;&#xA;No happy-ever-afters this time&#xA;Smash that glass slipper where the sun don't shine&#xA;Let them eat razor cake, wash it down with bleach&#xA;Pumping poison into inflatable blowjob lips&#xA;Regardless of their political persuasion&#xA;Those lying maggots want more power&#xA;You might achieve a heroic American death&#xA;But be assured that the money will live happily ever after&#xA;&#xA;Killed on camera&#xA;To amuse the bored&#xA;Killed on camera&#xA;And the masses demand more&#xA;&#xA;This ain't the future you prayed for&#xA;This is the future you paid for&#xA;We're just the hosts who bled the most&#xA;Now we're all just empty shells" PRODUCER="Metalheadz Music" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="343" PLAYTIME_FLOAT="342.507751" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="42009"></INFO>
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<INFO BITRATE="946212" KEY_LYRICS="1 ContributorMarion Lyrics&#xA;On a night where you're so&#xA;Contemplating you want to go home&#xA;Cause these harsh winds&#xA;And this orange glow&#xA;&#xA;In the background we'll stand&#xA;With these cameras held in our hands&#xA;Flashes like fireworks in your eyes&#xA;And polaroid pictures of emerald skies&#xA;&#xA;&#xA;Oh, Marion, won't you&#xA;Take my hand so you can&#xA;Oh, Marion, won't you&#xA;Take my hand so you can&#xA;&#xA;Follow, so&#xA;Follow, so&#xA;Follow, so&#xA;Follow&#xA;&#xA;&#xA;Where the dust from your eyes&#xA;Holds the ground where your home lies&#xA;Cause these guidelines won't hold&#xA;What the storm's about to throw down&#xA;When you're ready, we'll go&#xA;Down to the light&#xA;But we'll step outside and it's&#xA;No longer night&#xA;Cause the storm's been and gone&#xA;But stay now, won't you&#xA;&#xA;&#xA;Oh, Marion, won't you&#xA;Take my hand so you can&#xA;Oh, Marion, won't you&#xA;Take my hand so you can&#xA;&#xA;Follow, so&#xA;Follow, so&#xA;Follow, so&#xA;Follow&#xA;&#xA;Take my hand so you can&#xA;Oh, Marion, won't you&#xA;Take my hand so you can&#xA;&#xA;Follow, so&#xA;Follow, so&#xA;Follow, so&#xA;Follow" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="420" PLAYTIME_FLOAT="419.420593" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="48626"></INFO>
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<INFO BITRATE="1053818" KEY_LYRICS="2 ContributorsHold on a While Lyrics&#xA;I might not need the same&#xA;Although the right it seems&#xA;I can hold on a while&#xA;Hold on a while&#xA;&#xA;&#xA;You might not need a second version&#xA;A way to fall down to earth&#xA;There might not be enough devotion&#xA;A place to feel free to roam&#xA;&#xA;&#xA;I might not need the same&#xA;Although the right it seems&#xA;I can hold on a while&#xA;Hold on a while&#xA;&#xA;&#xA;It might not be the same emotion&#xA;Another day of filling time&#xA;While freedom weighs upon your shoulders&#xA;A love that grows colourblind&#xA;&#xA;&#xA;We all move unchained with feelings&#xA;Out of the show you call my name&#xA;It's in the colour they invented&#xA;We enfold our every move&#xA;&#xA;I might not need the same&#xA;Although the right it seems&#xA;I can hold on a while&#xA;Hold on a while" PRODUCER="Shogun Audio" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="271" PLAYTIME_FLOAT="270.344818" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="34958"></INFO>
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<INFO BITRATE="921217" KEY_LYRICS="1 ContributorKing of Hearts LyricsChained to a throne: a divergent condition&#xA;Nothing to have control of&#xA;Leading no one but feared by all&#xA;His visions will thrive&#xA;&#xA;Predictor of wars, a master of statecraft&#xA;Lonely is the strong&#xA;Faceless and wild, the last of his kind&#xA;No dreams can come true&#xA;&#xA;He's ruled with an iron hand&#xA;Drowning between walls of glass&#xA;Looking through his window to the coming clouds above&#xA;Straight through the heart he stabs with words of dread&#xA;&#xA;King of hearts, bringer of war&#xA;A voice of glory, royal and divine&#xA;King of hearts, majestic but pale&#xA;Seer of time&#xA;&#xA;Furiously he escapes the pеnitentiary&#xA;Thrilled by detеrmination&#xA;No strength to live without his jar&#xA;He's half man, he's half ghost&#xA;&#xA;Chased and caught, weakened and fainting&#xA;From exposure to the air&#xA;Not reaching the queen he screams&#xA;Doomed, back in his cage&#xA;He is ruled with an iron hand&#xA;Drowning between walls of glass&#xA;Rise and fall, on and on, forever&#xA;&#xA;King of hearts, bringer of war&#xA;A voice of glory, royal and divine&#xA;King of hearts, majestic but pale&#xA;Seer of time and entire truth&#xA;&#xA;Escaper&#xA;Driven by love and lust&#xA;Runner&#xA;Brightly shines the moon tonight&#xA;&#xA;King of hearts, bringer of war&#xA;A voice of glory, royal and divine&#xA;King of hearts, majestic but pale&#xA;Seer of time&#xA;King of hearts, bringer of war&#xA;A voice of glory, royal and divine&#xA;King of hearts, majestic but pale&#xA;Seer of time and entire truth" PRODUCER="Blu Mar Ten Music" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="311" PLAYTIME_FLOAT="310.772552" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="35129"></INFO>
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<INFO BITRATE="905450" KEY_LYRICS="11 ContributorsFinnegan’s Wake (Chap. 2.3) LyricsIt may not or maybe a no concern of the Guinnesses but.&#xA;&#xA;That the fright of his light in tribalbalbutience hides aback in the doom of the balk of the deaf but that the height of bis life from a bride’s eye stammpunct is when a man that means a moun-tain barring his distance wades a lymph that plays the lazy win — ning she likes yet that pride that bogs the party begs the glory of a wake while the scheme is like your rumba round me garden, allatheses, with perhelps the prop of a prompt to them, was now or never in Etheria Deserta, as in Grander Suburbia, with Finn-fannfawners, ruric or cospolite, for much or moment indispute.&#xA;&#xA;Whyfor had they, it is Hiberio–Miletians and Argloe–Noremen, donated him, birth of an otion that was breeder to sweatoslaves, as mysterbolder, forced in their waste, and as for Ibdullin what of Himana, that their tolvtubular high fidelity daildialler, as modern as tomorrow afternoon and in appearance up to the minute (hearing that anybody in that ruad duchy of Wollinstown schemed to halve the wrong type of date) equipped with supershielded um-brella antennas for distance getting and connected by the magnetic links of a Bellini–Tosti coupling system with a vitaltone speaker, capable of capturing skybuddies, harbour craft emittences, key clickings, vaticum cleaners, due to woman formed mobile or man made static and bawling the whowle hamshack and wobble down in an eliminium sounds pound so as to serve him up a mele-goturny marygoraumd, eclectrically filtered for allirish earths and ohmes. This harmonic condenser enginium (the Mole) they caused to be worked from a magazine battery (called the Mimmim Bimbim patent number 1132, Thorpetersen and Synds, Joms-borg, Selverbergen) which was tuned up by twintriodic singul — valvulous pipelines (lackslipping along as if their liffing deepunded on it) with a howdrocephalous enlargement, a gain control of circumcentric megacycles ranging from the antidulibnium onto the serostaatarean. They finally caused, or most leastways brung it about somehows(that)the pip of the lin(to)pinnatrate inthro an auricular forfickle (known as the Vakingfar sleeper, mono-fractured by Piaras UaRhuamhaighaudhlug, tympan founder Eustache Straight, Bauliaughacleeagh) a meatous conch culpable of cunduncing Naul and Santry and the forty routs of Corthy with the concertiums of the Brythyc Symmonds Guild, the Ropemakers Reunion, the Variagated Peddlars Barringoy Bni-brthirhd, the Askold Olegsonder Crowds of the O’Keef–Rosses ant Rhosso–Keevers of Zastwoking, the Ligue of Yahooth o.s.v. so as to lall the bygone dozed they arborised around, up his corpular fruent and down his reuctionary buckling, hummer, enville and cstorrap (the man of Iren, thore’s Curlymane for you!), lill the lubberendth of his otological life.&#xA;&#xA;House of call is all their evenbreads though its cartomance hallucinate like an erection in the night the mummery of whose deed, a lur of Nur, immerges a mirage in a merror, for it is where by muzzinmessed for one watthour, bilaws below, till time jings pleas, that host of a bottlefilled, the bulkily hulkwight, hunter’s pink of face, an orel orioled, is in.on a bout to be unbulging an o’connell’s, the true one, all seethic, a luckybock, pledge of the stoup, whilom his canterberry bellseyes wink wickeding indtil the teller, oyne of an oustman in skull of skand. Yet is it, this ale of man, for him, our hubuljoynted, just a tug and a fistful as for Culsen, the Patagoreyan, chieftain of chokanchuckers and his moyety joyant, under the foamer dispensation when he pullupped the turfeycork by the greats of gobble out of Lougk Neagk. When, pressures be to our hoary frother, the pop gave his sullen bulletaction and, bilge, sled a movement of catharic emulsipotion down the sloppery slide of a slaunty to tilted lift-ye-landsmen. Allamin. Which in the ambit of its orbit heaved a sink her sailer alongside of a drink her drainer from the basses brothers, those two theygottheres.&#xA;&#xA;It was long after once there was a lealand in the luffing ore it was less after lives thor a toyler in the tawn at all ohr it was note before he drew out the moddle of Kersse by jerkin his dressing but and or it was not before athwartships he buttonhaled the Norweeger’s capstan.&#xA;So he sought with the lobestir claw of his propencil the clue of the wickser in his ear. O, lord of the barrels, comer forth from Anow (I have not mislaid the key of Efas–Taem), O, Ana, bright lady, comer forth from Thenanow (I have not left temptation in the path of the sweeper of the threshold), O!&#xA;&#xA;But first, strongbowth, they would deal death to a drinking. Link of a leadder, dubble in it, slake your thirdst thoughts awake with it. Our svalves are svalves aroon! We rescue thee, O Baass, from the damp earth and honour thee. O Connibell, with mouth burial! So was done, neat and trig. Up draught and whet them!&#xA;&#xA;— Then sagd he to the ship’s husband. And in his translaten-tic norjankeltian. Hwere can a ketch or hook alive a suit and sowterkins? Soot! sayd the ship’s husband, knowing the language, here is tayleren. Ashe and Whitehead, closechop, successor to. Ahorror, he sayd, canting around to that beddest his friend, the tayler, for finixed coulpure, chunk pulley muchy chink topside numpa one sellafella, fake an capstan make and shoot! Manning to sayle of clothse for his lady her master whose to be precised of a peer of trouders under the pattern of a cassack. Let me prove, I pray thee, but this once, sazd Mengarments, saving the mouth-brand from his firepool. He spit in his faist (beggin): he tape the raw baste (paddin): he planked his pledge (as dib is a dab): and he tog his fringe sleeve (buthock lad, fur whale). Alloy for allay and this toolth for that soolth. Lick it and like it. A barter, a parter. And plenty good enough, neighbour Norreys, every bit and grain. And the ship’s husband brokecurst after him to hail the lugger. Stolp, tief, stolp, come bag to Moy Eireann! And the Norweeger’s capstan swaradeed, some blowfish out of schooling: All lykkehud! Below taiyor he ikan heavin sets. But they broken waters and they made whole waters at they surfered bark to the lots of his vauce. And aweigh he yankered on the Norgean run so that seven sailend sonnenrounders was he breastbare to the brina-bath, where bottoms out has fatthoms full, fram Franz Jos‚ Land til Cabo Thormendoso, evenstarde and risingsoon. Up the Rivor Tanneiry and down the Golfe Desombres. Farety days and fearty nights. Enjoy yourself, O maremen! And the tides made, veer and haul, and the times marred, rear and fall, and, holey bucket, dinned he raign!&#xA;&#xA;— Hump! Hump! bassed the broaders-inlaugh with a quick piddysnip that wee halfbit a second.&#xA;— I will do that, sazd Kersse, mainingstaying the rigout for her wife’s lairdship. Nett sew? they hunched back at the earpicker.&#xA;But old sporty, as endth lord, in ryehouse reigner, he nought feared crimp or cramp of shore sharks, plotsome to getsome. It was whol niet godthaab of errol Loritz off his Cape of Good Howthe and his trippertrice loretta lady, a maomette to his monetone, with twy twy twinky her stone hairpins, only not, if not, a queen of Prancess their telling tabled who was for his seeming a casket through the heavenly, nay, heart of the sweet (had he hows would he keep her as niece as a fiddle!) but in the mealtub it was wohl yeas sputsbargain what, rarer of recent, an occasional conformity, he, with Muggleton Muckers, alwagers allalong most certainly allowed, as pilerinnager’s grace to peti-tionists of right, of the three blend cupstoomerries with their customed spirits, the Gill gob, the Burklley bump, the Wallisey wanderlook, having their ceilidhe gailydhe in his shaunty irish. Group drinkards maaks grope thinkards or how reads rotary, jewr of a chrestend, respecting the otherdogs churchees, so long plubs will be plebs but plabs by low frequency amplification may later agree to have another. For the people of the shed are the sure ads of all quorum. Lorimers and leathersellers, skinners and salters, pewterers and paperstainers, parishclerks, fletcherbowyers, girdlers, mercers, cordwainers and first, and not last, the weavers. Our library he is hoping to ye public.&#xA;Innholder, upholder.&#xA;— Sets on sayfohrt! Go to it, agitator! they bassabosuned over the flowre of their hoose. Godeown moseys and skeep thy beeble bee!&#xA;— I will do that, acordial, by mine hand, sazd Kersse, piece Cod, and in the flap of a jacket, ructified after his nap of a blankit their o’cousin, as sober as the ship’s husband he was one my god-father when he told me saw whileupon I am now well and jurily sagasfide after the boonamorse the widower, according to rider, following pnomoneya, he is consistently blown to Adams. So help me boyg who keeps the book!&#xA;Whereofter, behest his suzerain law the Thing and the pilsener had the baar, Recknar Jarl, (they called him Roguenor, Irl call him) still passing the change-a-pennies, pengeypigses, a several sort of coyne in livery, pushed their whisper in his hairing, (seemed, a some shipshep’s sottovoxed stalement, a dearagadye, to hasvey anyone doing duty for duff point of dorkland compors) the same to the good ind ast velut discharge after which he had exemptied more than orphan for the ballast of his nurtural life. And threw a cast. A few pigses and hare you are and no chicking, tribune’s tribute, if you guess mimic miening. Meanly in his lewd-brogue take your tyon coppels token, with this good sixtric from-mine runbag of juwels. Nummers that is summus that is toptip that is bottombay that is Twomeys that is Digges that is Heres. In the frameshape of hard mettles. For we all would fain make glories. It is minely well mint.&#xA;Thus as count the costs of liquid courage, a bullyon gauger, stowed stivers pengapung in bulk in hold (fight great finnence! brayvoh, littIe bratton!) keen his kenning, the queriest of the crew, with that fellow fearing for his own misshapes, should he be himpself namesakely a foully fallen dissentant from the peripu-lator, sued towerds Meade–Reid and Lynn–Duff, rubbing the hodden son of a pookal, leaden be light, lather be dry and it be drownd on all the ealsth beside, how the camel and where the deiffel or when the finicking or why the funicking, who caused the scaffolding to be first removed you give orders, babeling, were their reidey meade answer when on the cutey (the cores-pondent) in conflict of evidence drew a kick at witness but (missed) and for whom in the dyfflun’s kiddy removed the planks they were wanted, boob.&#xA;Bump!&#xA;Bothallchoractorschumminaroundgansumuminarumdrum-strumtruminahumptadumpwaultopoofoolooderamaunsturnup!&#xA;— Did do a dive, aped one.&#xA;— Propellopalombarouter, based two.&#xA;— Rutsch is for rutterman ramping his roe, seed three. Where the muddies scrimm ball. Bimbim bimbim. And the maidies scream all. Himhim himhim.&#xA;And forthemore let legend go lore of it that mortar scene so cwympty dwympty what a dustydust it razed arboriginally but, luck’s leap to the lad at the top of the ladder, so sartor’s risorted why the sinner the badder! Ho ho ho hoch! La la la lach! Hillary rillarry gibbous grist to our millery! A pushpull, qq: quiescence, pp: with extravent intervulve coupling.. The savest lauf in the world. Paradoxmutose caring, but here in a present booth of Balla-clay, Barthalamou, where their dutchuncler mynhosts and serves them dram well right for a boors’ interior (homereek van hohm-ryk) that salve that selver is to screen its auntey and has ringround as worldwise eve her sins (pip, pip, pip) willpip futurepip feature apip footloose pastcast with spareshins and flash substittles of noirse-made-earsy from a nephew mind the narrator but give the devil his so long as those sohns of a blitzh call the tuone tuone and thonder alout makes the thurd. Let there be. Due.&#xA;— That’s all murtagh purtagh but whad ababs his dopter? sissed they who were onetime ungkerls themselves, (when the youthel of his yorn shook the bouchal in his bed) twilled along-side in wiping the Ace assatiated with their wetting. The lappel of his size? His ros in sola velnere and he sicckumed of homnis terrars. She wends to scoulas in her slalpers. There were no pea-nats in her famalgia so no wumble she tumbled for his famas roalls davors. Don’t him forget! A butcheler artsed out of Cullege Trainity. Diddled he daddle a drop of the cradler on delight mebold laddy was stetched? Knit wear? And they addled, (or ere the cry of their tongues would be uptied dead) Shufflebotham asidled, plus his ducks fore his drills, an inlay of a liddle more lining maught be licensed all at ones, be these same tokens, for-giving a brass rap, sneither a whole length nor a short shift so full as all were concerned.&#xA;&#xA;Burniface, shiply efter, shoply after, at an angle of lag, let flow, brabble brabble and brabble, and so hostily, heavyside breathing, came up with them and, check me joule, shot the three tailors, butting back to Moyle herring, bump as beam and buttend, roller and reiter, after the diluv’s own deluge, the seasant samped as skibber breezed in, tripping, dripping, threw the sheets in the wind, the tights of his trunks at tickle to tackle and his rubmelucky truss rehorsing the pouffed skirts of his overhawl. He’d left his stickup in his hand to show them none ill feeling. Whatthough for all appentices it had a mushroom on it. While he faced them front to back, Then paraseuls round, quite taken atack, sclaiming, Howe cools Eavybrolly!&#xA;&#xA;— Good marrams, sagd he, freshwatties and boasterdes all, as he put into bierhiven, nogeysokey first, cabootle segund, jilling to windwards, as he made straks for that oerasound the snarsty weg for Publin, so was his horenpipe lug in the lee off their mouths organs, with his tilt too taut for his tammy all a slaunter and his wigger on a wagger with its tag tucked. Up. With a good eastering and a good westering. And he asked from him how the hitch did do this my fand sulkers that mone met the Kidballacks which he suttonly remembered also where the hatch was he endnew strandweys he’s that fond sutchenson, a penincular fraimd of mind, fordeed he was langseling to talka holt of hems, clown toff, tye hug fliorten. Cablen: Clifftop. Shelvling tobay oppe-long tomeadow. Ware cobbles. Posh.&#xA;— Skibbereen has common inn, by pounautique, with poke-way paw, and sadder raven evermore, telled shinshanks lauwering frankish for his kicker who, through the medium of gallic&#xA;— Pukkelsen, tilltold. That with some our prowed invisors how their ulstravoliance led them infroraids, striking down and landing alow, against our aerian insulation resistance, two boards that beached, ast one, wid-ness thane and tysk and hanry. Prepatrickularly all, they summed. Kish met. Bound to. And for landlord, noting, nodding, a coast to moor was cause to mear. Besides proof plenty, over proof While they either took a heft. Or the other swore his eric. Heaved two, spluiced the menbrace. Heirs at you, Brewinbaroon! Weth a whistle for methanks.&#xA;— Good marrams and good merrymills, sayd good mothers gossip, bobbing his bowing both ways with the bents and skerries, when they were all in the old walled of Kinkincaraborg (and that they did overlive the hot air of Montybunkum upon the coal blasts of Mitropolitos let there meeds be the hourihorn), hibernia-ting after seven oak ages, fearsome where they were he had gone dump in the doomering this tide where the peixies would pickle him down to the button of his seat and his sess old soss Erinly into the boelgein with the help of Divy and Jorum’s locquor and shut the door after him to make a rarely fine Ran’s cattle of fish. Morya Mortimor! Allapalla overus! Howoft had the ballshee tried! And they laying low for his home gang in that eeriebleak mead, with fireball feast and turkeys tumult and paupers patch to provide his bum end. The foe things your niggerhead needs to be fitten for the Big Water. He made the sign of the ham-mer. God’s drought, he sayd, after a few daze, thinking of all those bliakings, how leif pauses! Here you are back on your haw-kins, from Blasil the Brast to our povotogesus portocall, the furt on the turn of the hurdies, slave to trade, vassal of spices and a dragon-the-market, and be turbot, lurch a stripe, as were you soused methought out of the mackerel. Eldsfells! sayd he. A kumpavin on iceslant! Here’s open handlegs for one old faulker from the hame folk here in you’s booth! So sell me gundy, sagd the now waging cappon, with a warry posthumour’s expletion, shoots ogos shootsle him or where’s that slob? A bit bite of keesens, he sagd, til Dennis, for this jantar (and let the dobblins roast perus,) or a stinger, he sagd, t. d., on a doroughbread ken-nedy’s for Patriki San Saki on svo fro or my old relogion’s out of tiempor and when I’m soured to the tipple you can sink me lead, he sagd, and, if I get can, sagd he, a pusspull of tomtar-tarum. Thirst because homing hand give. Allkey dallkey, sayd the shop’s housebound, for he was as deep as the north star (and could tolk sealer’s solder into tankar’s tolder) as might have sayd every man to his beast, and a treat for the trading scow, my cater million falls to you and crop feed a stall! Afram. And he got and gave the ekspedient for Hombreyhambrey wilcomer what’s the good word. He made the sign on the feaster. Cloth be laid! And a disk of osturs for the swanker! Allahballah! He was the care-lessest man I ever see but he sure had the most sand. One fish — ball with fixings! For a dan of a ven of a fin of-a son of a gun of a gombolier. Ekspedient, sayd he, sonnur mine, Shackleton Sul-ten! Opvarts and at ham, or this ogry Osler will oxmaul us all, sayd he, like one familiar to the house, while Waldemar was heeling it and Maldemaer was toeing it, soe syg he was walking from the bowl at his food and the meer crank he was waiting for the tow of his turn. Till they plied him behaste on the fare. Say wehrn!&#xA;— Nohow did he kersse or hoot alike the suit and solder skins, minded first breachesmaker with considerable way on and&#xA;— Humpsea dumpsea, the munchantman, secondsnipped cutter the curter.&#xA;— A ninth for a ninth. Take my worth from it. And no mistaenk, they thricetold the taler and they knew the whyed for too. The because of his sosuch. Uglymand fit himshemp but throats fill us all! And three’s here’s for repeat of the unium! Place the scaurs wore on your groot big bailey bill, he apullajibed, the O’Colonel Power, latterly distented from the O’Conner Dan, so promonitory himself that he was obliffious of the headth of hosth that rosed before him, from Sheeroskouro, under its zembliance of mardal mansk, like a dun darting dullemitter, with his moultain haares stuck in plostures upon it, (do you kend yon peak with its coast so green?) still trystfully acape for her his gragh knew well in pre- cious memory and that proud grace to her, in gait a movely water, of smile a coolsome cup, with that rarefied air of a Montmalency and her quick little breaths and her climbing colour. Take thee live will save thee wive? I’ll think uplon, lilady. Should anerous enthroproise call homovirtue, duinnafear! The ghem’s to the ghoom be she nere zo zma. Obsit nemon! Floodlift, her ancient of rights regaining, so yester yidd, even remembrance. And greater grown then in the trifle of her days, a mouse, a mere tittle, trots offwith the whole panoromacron picture. Her young-free yoke stilling his wandercursus, jilt the spin of a curl and jolt the broadth of a buoy. The Annexandreian captive conquest. Ethna Prettyplume, Hooghly Spaight. Him her first lap, her his fast pal, for ditcher for plower, till deltas twoport. While this glowworld’s lump is gloaming off and han in hende will grow. Through simpling years where the lowcasts have aten of amilikan honey and datish fruits and a bannock of barley on Tham the Thatcher’s palm. O wanderness be wondernest and now! Listen-eath to me, veils of Mina! He would withsay, nepertheloss, that is too me mean. I oldways did me walsh and preechup ere we set to sope and fash. Now eats the vintner over these contents oft with his sad slow munch for backonham. Yet never shet it the brood of aurowoch, not for legions of donours of Gamuels. I have performed the law in truth for the lord of the law, Taif Alif I have held out my hand for the holder of my heart in Anna-polis, my youthrib city. Be ye then my protectors unto Mussa — botomia before the guards of the city. Theirs theres is a gentle — meants agreement. Womensch plodge. To slope through heather till the foot. Join Andersoon and Co. If the flowers of speech valed the springs of me rising the hiker I hilltapped the murk I mist my blezzard way. Not a knocker on his head nor a nick-number on the manyoumeant. With that coldtbrundt natteldster wefting stinks from Alpyssinia, wooving nihilnulls from Memo-land and wolving the ulvertones of the voice. But his spectrem onlymergeant crested from the irised sea in plight, calvitousness, loss, nngnr, gliddinyss, unwill and snorth. It might have been what you call your change of my life but there’s the chance of a night for my lifting. Hillyhollow, valleylow! With the sounds and the scents in the morning.&#xA;— I shot be shoddied, throttle me, fine me cowheel for ever, usquebauched the ersewild aleconner, for bringing briars to Bem-bracken and ringing rinbus round Demetrius for, as you wrinkle wryghtly, bully bluedomer, it’s a suirsite’s stircus haunting hes-teries round old volcanoes. We gin too gnir and thus plinary indulgence makes collemullas of us all. But Time is for talerman tasting his tap. Tiptoptap, Mister Maut.&#xA;He made one summery (Cholk and murble in lonestime) of his the three swallows like he was muzzling Moselems and torched up as the faery pangeant fluwed down the hisophenguts, a slake for the quicklining, to the tickle of his tube and the twobble of his fable, O, fibbing once upon a spray what a queer and queasy spree it was. Plumped.&#xA;Which both did. Prompt. Eh, chrystal holder? Save Ampster-dampster that had rheumaniscences in his netherlumbs.&#xA;— By the drope in his groin, Ali Slupa, thinks the cappon, plumbing his liners, we were heretofore.&#xA;— And be the coop of his gobbos, Reacher the Thaurd, thinks your girth fatter, apopo of his buckseaseilers, but where’s Horace’s courtin troopsers?&#xA;— I put hem behind the oasthouse, sagd Pukkelsen, tuning wound on the teller, appeased to the cue, that double dyode dealered, and he’s wallowing awash swill of the Tarra water. And it marinned down his gargantast trombsathletic like the marousers of the gulpstroom. The kersse of Wolafs on him, shitateyar, he sagd in the fornicular, and, at weare or not at weare, I’m sigen no stretcher, for I carsed his murhersson goat in trotthers with them newbuckle-noosers behigh in the fire behame in the oasthouse. Hops! sagd he.&#xA;— Smoke and coke choke! lauffed till the tear trickled drown a thigh the loafers all but a sheep’s whosepants that swished to the lord he hadn’t and the starer his story was talled to who felt that, the fierifornax being thurst on him motophosically, as Omar sometime notes, such a satuation, debauchly to be watched for, would empty dempty him down to the ground.&#xA;— And hopy tope! sagd he, anded the enderer, now dyply hypnotised or hopeseys doper himself. And kersse him, sagd he, after inunder tarrapoulling, and the shines he cuts, shinar, the screeder, the stitchimesnider, adepted to nosestorsioms in his budinholder, cummanisht, sagd he, (fouyoufoukou!) which goes in the ways smooking publics, sagd he, bomboosting to be in thelitest civille row faction for a dubblebrasterd navvygaiterd, (flick off that hvide aske, big head!) sagd he, the big bag of my hamd till hem, tollerloon, sagd he, with his pudny bun brofkost when he walts meet the bangd. I will put his fleas of wood in the flour, and he sagd, behunt on the oatshus, the not wellmade one, sagd he, the kersse of my armsore appal this most unmentionablest of men (mundering eeriesk, if he didn’t scalded him all the shimps names in his gitter!) a coathemmed gusset sewer, sagd he, his first cudgin is an innvalet in the unitred stables which is not feed tonights a kirtle offal fisk and he is that woe worstered wastended shootmaker whatever poked a noodle in a clouth!&#xA;So for the second tryon all the meeting of the acarras had it. How he hised his bungle oar his shourter and cut the pinter offhis pourer and lay off for Fellagulphia in the farning. From his dhruimadhreamdhrue back to Brighten-pon-the-Baltic, from our lund’s rund turs bag til threathy hoeres a wuke. Ugh!&#xA;— Stuff, Taaffe, stuff! interjoked it his wife’s hopesend to the boath of them consistently. Come back to May Aileen.&#xA;— Ild luck to it! blastfumed the nowraging scamptail, in flating furies outs trews his cammelskins, the flashlight of his ire wackering from the eyewinker on his masttop. And aye far he fared from Afferik Arena and yea near he night till Blawland Bearring, baken be the brazen sun, buttered be the snows. And the sea shoaled and the saw squalled. And, soaking scupper, didn’t he drain&#xA;A pause.&#xA;Infernal machinery (serial number: Bullysacre, dig care a dig) having thus passed the buck to billy back from jack (finder the keeper) as the baffling yarn sailed in circles it was now high tide for the reminding pair of snipers to be suitably punished till they had, like the pervious oelkenner done, liquorally no more powers to their elbow. Ignorinsers’ bliss, therefore, their not to say rifle butt target, none too wisefolly, poor fish, (he is eating, he is spun, is milked, he dives) upholding a lampthorne of lawstift as wand of welcome to all men in bonafay, (and the corollas he so has saved gainsts the virus he has thus injected!) discoastedself to that kipsie point of its Dublin bar there, breaking and entering, from the outback’s dead heart, Glasthule Bourne or Boehernapark Nolagh, by wattsismade or bianconi, astraylians in island, a wellknown tall hat blown in between houses by a nightcap of that silk or it might be a black velvet and a kiber galler dragging his hunker, were signalling gael warnings towards Wazwollenzee Haven to give them their beerings, east circular route or elegant central highway. Open, ’tis luck will have it! Lifeboat Alloe, Noeman’s Woe, Hircups Emptybolly! With winkles whelks and cocklesent jelks. Let be buttercup eve lit by night in the Phoenix! Music. And old lotts have funn at Flammagen’s ball. Till Irinwakes from Slumber Deep. How they succeeded by courting daylight in saving darkness he who loves will see.&#xA;Business. His bestness. Copeman helpen.&#xA;Contrescene.&#xA;He cupped his years to catch me’s to you in what’s yours as minest to hissent, giel as gail, geil as gaul, Odorozone, now our-menial servent, blanding rum, milk and toddy with I hand it to you. Saying whiches, see his bow on the hapence, with a pat-tedyr but digit here, he scooped the hens, hounds and horses biddy by bunny, with an arc of his covethand, saved from the drohnings they might oncounter, untill his cubid long, to hide in dry. Aside. Your sows tin the topple, dodgers, trink me dregs! Zoot!&#xA;And with the gust of a spring alice the fossickers and swaggelers with him on the hoof from down under piked forth desert roses in that mulligar scrub.&#xA;Reenter Ashe Junior. Peiwei toptip, nankeen pontdelounges. Gives fair day. Cheroot. Cheevio!&#xA;Off.&#xA;— Take off thatch whitehat (lo, Kersse come in back bespoking of loungeon off the Boildawl stuumplecheats for rushirishis Irush-lrish, dangieling his old Conan over his top gallant shouldier so was, lao yiu shao, he’s like more look a novicer on the nevay).&#xA;— Tick off that whilehot, you scum of a botch, (of Kersse who, as he turned out, alas, hwen ching hwan chang, had been mocking his hollaballoon a sample of the costume of the country).&#xA;— Tape oaf that saw foull and sew wrong, welsher, you suck of a thick, stock and the udder, and confiteor yourself (for bekersse he had cuttered up and misfutthered in the most multiplest manner for that poor old bridge’s masthard slouch a shook of cloakses the wise, hou he pouly hung hoang tseu, his own fitther couldn’t nose him).&#xA;Chorus: With his coate so graye. And his pounds that he pawned from the burning.&#xA;— And, haikon or hurlin, who did you do at doyle today, my horsey dorksey gentryman. Serge Mee, suit! sazd he, tersey ker-sey. And when Tersse had sazd this Kersse stood them the whole koursse of training how the whole blazy raze acurraghed, from lambkinsback to sliving board and from spark to phoenish. And he tassed him tartly and he sassed him smartly, tig for tager, strop for stripe, as long as there’s a lyasher on a kyat. And they peered him beheld on the pyre.&#xA;And it was so. Behold.&#xA;— Same capman no nothing horces two feller he feller go where. Isn’t that effect? gig for gag, asked there three newcom-mers till knockingshop at the ones upon a topers who, while in admittance to that impedance, as three as they were there, they had been malttreating themselves to their health’s contempt.&#xA;— That’s fag for fig, metinkus, confessed, mhos for mhos, those who, would it not be for that dielectrick, were upon the point of obsoletion, and at the brink of from the pillary of the Nilsens and from the statutes of the Kongbullies and from the millestones of Ovlergroamlius libitate nos, Domnial!&#xA;— And so culp me goose, he sazd, szed the ham muncipated of the first course, recoursing, all cholers and coughs with his beauw on the bummell, the bugganeering wanderducken, he sazd, (that his pumps may ship awhoyle shandymound of the dussard), the coarsehair highsaydighsayman, there’s nice tugs he looks, (how you was, Ship Alouset?) he sazd, the bloedaxe bloodooth baltxe-bec, that is crupping into our raw lenguage navel through the lumbsmall of his hawsehole, he sazd, donconfounder him, voyaging after maidens, belly jonah hunting the polly joans, and the hurss of all portnoysers befaddle him, he sazd, till I split in his flags, he sazd, one to one, the landslewder, after Donnerbruch fire. Reefer was a wenchman. One can smell off his wetsments how he is coming from a beach of promisck. Where is that old muttiny, shall I ask? Free kicks he will have from me, turncoats, in Bar Bartley if I wars a fewd years ago. Meistr Capteen Gaascooker, a salestrimmer! As he was soampling me ledder, like pulp, and as I was trailing his fumbelums, like hulp, he’ll fell the fall of me faus, he sazd, like yulp! The goragorridgorballyed pushkalsson, he sazd, with his bellows pockets fulled of potchtatos and his fox in a stomach, a disagrees to his ramskew coddlelecherskithers’ zirkuvs, drop down dead and deaf, and there is never a teilwrmans in the feof fife of Iseland or in the wholeabelongd of Skunkinabory from Drumadunderry till the rumnants of Mecckrass, could milk a colt in thrushes foran furrow follower width that a hole in his tale and that hell of a hull of a hill of a camelump bakk. Fadgest-fudgist!&#xA;Upon this dry call of selenium cell (that horn of lunghalloon, Riland’s in peril!) with its doomed crack of the old damn ukonnen power insound in it the lord of the saloom, as if for a flash sala-magunnded himself, listed his tummelumpsk pack and hearinat presently returned him, ambilaterally alleyeoneyesed, from their uppletoned layir to his beforetime guests, that bunch of palers on their round, timemarching and petrolling how, who if they were abound to loose a laugh (Toni Lampi, you booraascal!) they were abooned to let it as the leashed they might do when they felt (O, the wolf he’s on the walk, sees his sham cram bokk!) their joke was coming home to them, the steerage way for stabling, ghus-torily spoeking, gen and gang, dane and dare, like the dud spuk of his first foetotype (Trolldedroll, how vary and likely!), the filli-bustered, the fully bellied. With the old sit in his shoulders, and the new satin atlas onder his uxter, erning his breadth to the swelt of his proud and, picking up the emberose of the lizod lights, his tail toiled of spume and spawn, and the bulk of him, and hulk of him as whenever it was he reddled a ruad to riddle a rede from the sphinxish pairc while Ede was a guardin, ere love a side issue. They hailed him cheeringly, their encient, the murrainer, and wallruse, the merman, ye seal that lubs you lassers, Thallasee or Tullafilmagh, when come of uniform age.&#xA;— Heave, coves, emptybloddy!&#xA;And ere he could catch or hook or line to suit their saussyskins, the lumpenpack. Underbund was overraskelled. As&#xA;— Sot! sod the tailors opsits from their gabbalots, change all that whole set. Shut down and shet up. Our set, our set’s allohn.&#xA;And they poured em behoiled on the fire. Scaald!&#xA;Rowdiose wodhalooing. Theirs is one lessonless missage for good and truesirs. Will any persen bereaved to be passent bring-back or rumpart to the Hoved politymester. Clontarf, one love, one fear. Ellers for the greeter glossary of code, callen hom: Finucane–Lee, Finucane–Law.&#xA;Am. Dg.&#xA;Welter focussed.&#xA;Wind from the nordth. Warmer towards muffinbell, Lull.&#xA;As our revelant Colunnfiller predicted in last mount’s chattiry sermon, the allexpected depression over Schiumdinebbia, a bygger muster of veirying precipitation and haralded by faugh sicknells, (hear kokkenhovens ekstras!) and umwalloped in an unusuable suite of clouds, having filthered through the middelhav of the same gorgers’ kennel on its wage wealthwards and incursioned a sotten retch of low pleasure, missed in some parts but with lucal drizzles, the outlook for tomarry (Streamstress Mandig) beamed brider, his ability good.&#xA;What hopends to they?&#xA;Giant crash in Aden. Birdflights confirm abbroaching nub- tials. Burial of Lifetenant–Groevener Hatchett, R.I.D. Devine’s Previdence.&#xA;Ls. De.&#xA;Art thou gainous sense uncompetite! Limited. Anna Lynchya Pourable! One and eleven. United We Stand, even many offered. Don’t forget. I wish auspicable thievesdayte for the stork dyrby. It will be a thousand’s a won paddies. And soon to bet. On drums of bliss. With hapsalap troth, hipsalewd prudity, hopesalot hon-nessy, hoopsaloop luck. After when from midnights unwards the fourposter harp quartetto. (Kiskiviikko, Kalastus. Torstaj, tanssia. Perjantaj, peleja. Lavantaj ja Sunnuntaj, christianismus kirjallisuus, kirjallisuus christianismus.) Whilesd this pellover his finnisch.&#xA;— Comither, ahorace, thou mighty man of valour, elderman adaptive of Capel Ysnod, and tsay-fong tsei-foun a laun bricks-number till I’ve fined you a faulter-inlaw, to become your son — to-be, gentlemens tealer, generalman seelord, gosse and bosse, hunguest and horasa, jonjemsums both, in sailsmanship, szed the head marines talebearer, then sayd the ships gospfather in the scat story to the husband’s capture and either you does or he musts ant this moment same, sayd he, so let laid pacts be being betving ye, he sayd, by my main makeshift, he sayd, one fisk and one flesk, as flat as, Aestmand Addmundson you, you’re iron slides and so hompety domp as Paddley Mac Namara here he’s a hardy canooter, for the two breasts of Banba are her soilers and her toilers, if thou wilt serve Idyall as thou hast sayld. Brothers Boathes, brothers Coathes, ye have swallen blooders’ oathes. And Gophar sayd unto Glideon and sayd he to the nowedding captain, the rude hunner-able Humphrey, who was praying god of clothildies by the seven bosses of his trunktarge he would save bucklesome when she wooed belove on him, comeether, sayd he, my merrytime mare-lupe, you wutan whaal, sayd he, into the shipfolds of our quad — rupede island, bless madhugh, mardyk, luusk and cong! Blass Neddos bray! And no more of your maimed acts after this with your kowtoros and criados to every tome, thick and heavy, and our onliness of his revelance to your ultitude. The illfollowable staying in wait for you with the winning word put into his mouth or be the hooley tabell, as Horrocks Toler hath most cares to call it, I’ll rehearse your comeundermends and first mardhyr you en-tirely. As puck as that Paddeus picked the pun and left the lollies off the foiled. A Trinity judge will crux your boom. Pat is the man for thy. Ay ay! And he pured him beheild of the ouishguss, mingling a sign of the cruisk. I popetithes thee, Ocean, sayd he, Oscarvaughther, sayd he, Erievikkingr, sayd he, intra trifum triforium trifoliorum, sayd he, onconditionally, forfor furst of giel-gaulgalls and hero chief explunderer of the clansakiltic, sayd he, the streameress mastress to the sea aase cuddycoalman’s and let this douche for you as a wholly apuzzler’s and for all the puk-kaleens to the wakes of you, sayd he, out of the hellsinky of the howtheners and be danned to ye, sayd he, into our roomyo connellic relation, sayd he, from which our this pledge is given, Tera truly ternatrine if not son towards thousand like expect chrisan athems to which I osker your godhsbattaring, saelir, for as you gott kvold whereafter a gooden diggin and with gooder enscure from osion buck fared agen fairioes feuded hailsohame til Edar in that the loyd mave hercy on your sael! Anomyn and awer. Spickinusand.&#xA;— Nansense, you snorsted? he was haltid considerable agenst all religions overtrow so hworefore the thokkurs pokker the big-bug miklamanded storstore exploder would he be whulesalesolde daadooped by Priest Gudfodren of the sacredhaunt suit in Diaeblen–Balkley at Domnkirk Saint Petricksburg? But ear this:&#xA;— And here, aaherra, my rere admirable peadar poulsen, sayd he, consistently, to the secondnamed sutor, my lately lamented sponsorship, comesend round that wine and lift your horn, sayd he, to show you’re a skolar for, winter you likes or not, we brought your summer with us and, tomkin about your lief eurek-ason and his undishcovery of americle, be the rolling forties, he sayd, and on my sopper crappidamn, as Harris himself says, to let you in on some crismion dottrin, here is the ninethest pork of a man whisk swimmies in Dybblin water from Ballscodden easthmost till Thyrston’s Lickslip and, sayd he, (whiles the heart of Lukky Swayn slaughed in his icebox for to think of all the soorts of smukklers he would behave in juteyfrieze being forelooper to her) praties peel to our goodsend Brandonius, filius of a Cara, spouse to Fynlogue, he has the nicesth pert of a nittlewoman in the house, la chito, la chato, la Charmadouiro, Tina-bat-Talur, cif for your fob and a tesura astore for you, eslucylamp aswhen the surge seas sombren, that he daughts upon of anny livving plusquebelle, to child and foster, that’s the lippeyear’s wonder of Totty go, Newschool, two titty too at win winnie won, tramity trimming and funnity fare, with a grit as hard as the trent of the thimes but a touch as saft as the dee in flooing and never a Hyderow Jenny the like of her lightness at look and you leap, rheadoromanscing long evmans invairn, about little Anny Roners and all the Lavinias of ester yours and pleding for them to herself in the periglus glatsch hangs over her trickle bed, it’s a piz of fortune if it never falls from the stuffel, and, when that mallaura’s over till next time and all the prim rossies are out dressparading and the tubas tout tout for the glowru of their god, making every Dinny dingle after her down the Dargul dale and (wait awhile, blusterbuss, you’re marchadant too forte and don’t start furlan your ladins till you’ ve learned the lie of her landuage!), when it’s summwer calding and she can hear the pianutunar beyant the bayondes in Combria sleepytalking to the Wiltsh muntons, titting out through her droemer window for the flyend of a touchman over the wishtas of English Strand, when Kilbarrack bell pings saksalaisance that Concessas with Sinbads may (pong!), where our dollimonde sees the phantom shape of Mr Fortunatus Wright since winksome Miss Bulkeley made loe to her wrecker and he took her to be a rover, O, and playing house of ivary dower of gould and gift you soil me peepat my prize, which its a blue loogoont for her in a bleakeyed seusan if she can’t work her mireiclles and give Norgeyborgey good airish timers, while her fresh racy turf is kindly kindling up the lovver with the flu, with a roaryboaryellas would set an Ei-weddyng on fire, let aloon an old Humpopolamos with the boomar — poorter on his brain, aiden bay scye and dye, aasbukividdy, twentynine to her dozen and coocoo him didulceydovely to his old cawcaws huggin and munin for his strict privatear which there’s no pure rube like an ool pool roober when your pullar beer turns out Bruin O’Luinn and beat his barge into a battering pram with her wattling way for cubblin and, be me fairy fay, sayd he, the marriage mixter, to Kersse, Son of Joe Ashe, her coax-fonder, wiry eyes and winky hair, timkin abeat your Andraws Meltons and his lovsang of the short and shifty, I will turn my thinks to things alove and I will speak but threes ones, sayd he, my truest patrions good founter, poles a port and zones asunder, tie up in hates and repeat at luxure, you can better your tooblue prodestind arson, tyler bach, after roundsabouts and donochs and the volumed smoke, though the clonk in his stumble strikes warn, and were he laid out on that counter there like a Slavocrates amongst his skippies, when it comes to the ride onerable, sayd he, that’s to make plain Nanny Ni Sheeres a full Dinamarqueza, and all needed for the lay, from the hursey on the montey with the room in herberge down to forkpiece and bucklecatch, (Elding, my elding! and Lif, my lif!) in the pravacy of the pirmanocturne, hap, sayd he, at that meet hour of night, and hop, sayd he, ant the fyrsty annas everso thried (whiles the breath of Huppy Hulles-pond swumped in his seachest for to renumber all the mallyme — dears’ long roll and call of sweetheart emmas that every had a port in from Coxenhagen till the brottels on the Nile), while taylight is yet slipping under their pillow, (ill omens on Kitty Cole if she’s spilling laddy’s measure!) and before Sing Mattins in the Fields, ringsengd ringsengd, bings Heri the Concorant Erho, and the Referinn Fuchs Gutmann gives us I’ll Bell the Welled or The Steeplepoy’s Revanger and all Thingavalley knows for its never dawn in the dark but the deed comes to life? and raptist bride is aptist breed (tha lassy! tha lassy!), and, to buoy the hoop within us springing, ’tis no timbertar she’ll have then in her arms-brace to doll the dallydandle, our fiery quean, upon the night of the things of the night of the making to stand up the double tet of the oversear of the seize who cometh from the mighty deep and on the night of making Horuse to crihumph over his enemy, be the help of me cope as so pluse the riches of the roed-shields, with Elizabeliza blessing the bedpain, at the willbedone of Yinko Jinko Randy, come Bastabasco and hippychip eggs, she will make a suomease pair and singlette, jodhpur smalls and tailor-less, a copener’s cribful, leaf, bud and berry, the divlin’s own little mimmykin puss, (hip, hip, horatia!) for my old comrhade salty-mar here, Briganteen — General Sir A. I. Magnus, the flapper — nooser, master of the good lifebark Ulivengrene of Onslought,- and the homespund of her hearth, (Fuss his farther was the norse norse east and Muss his mother was a gluepot) and, gravydock or groovy anker, and a hulldread pursunk manowhood, who (with a chenchen for his delight time and a bonzeye nappin through his doze) he is the bettest bluffy blondblubber of an olewidgeon what overspat a skettle in a skib.&#xA;Cawcaught. Coocaged.&#xA;&#xA;And Dub did glow that night. In Fingal of victories. Cann-matha and Cathlin sang together. And the three shouters of glory. ·Yelling halfviewed their harps. Surly Tuhal smiled upon drear Darthoola: and Roscranna’s bolgaboyo begirlified the daughter of Cormac. The soul of everyelsesbody rolled into its olesoleself. A doublemonth’s licence, lease on mirth, while hooney-moon and her flame went huneysuckling. Holyryssia, what boom of bells! What battle of bragues on Sandgate where met the bobby mobbed his bibby mabbing through the ryce. Even Tombs left doss and dunnage down in Demidoff’s tomb and drew on the dournailed clogs that Morty Manning left him and legged in by Ghoststown Gate, like Pompei up to date, with a sprig of White-boys heather on his late Luke Elcock’s heirloom. And some say they seen old dummydeaf with a leaf of bronze on his cloak so grey, trooping his colour a pace to the reire. And as owfally posh with his halfcrown jool as if he was the Granjook Meckl or Paster de Grace on the Route de l’Ep‚e. It was joobileejeu that All Sorts’ Jour. Freestouters and publicranks, hafts on glaives. You could hear them swearing threaties on the Cymylaya Mountains, man. And giving it out to the Ould Fathach and louth-mouthing after the Healy Mealy with an enfysis to bring down the rain of Tarar. Nevertoletta! Evertomind! The grandest bethehailey seen or heard on earth’s conspectrum since Scape the Goat, that gafr, ate the Suenders bible. Hadn’t we heaven’s lamps to hide us? Yet every lane had its lively spark and every spark had its several spurtles and each spitfire spurtle had some trick of her trade, a tease for Ned, nook’s nestle for Fred and a peep at me mow for Peer Pol. So that Father Matt Hughes looked taytotally threbled. But Danno the Dane grimmed. Dune. ’Twere yeg will elsecare doatty lanv meet they dewscent hyemn to cannons’ roar and rifles’ peal vill shantey soloweys sang! For there were no more Tyrrhanees and for Laxembraghs was pass-thecupper to Our Lader’s. And it was dim upon the floods only and there was day on all the ground.&#xA;&#xA;Thus street spins legends while wharves woves tales but some family fewd felt a nick in their name. Old Vickers sate down on their airs and straightened the points of their lace. Red Rowleys popped out of their lairs and asked what was wrong with the race. Mick na Murrough used dripping in layers to shave all the furze off his face. The Burke–Lees and Coyle–Finns paid full feines for their sinns when the Cap and Miss Coolie were roped.&#xA;&#xA;Rolloraped.&#xA;&#xA;With her banbax hoist from holder, zig for zag through pool and polder, cheap, cheap, cheap and Laughing Jack, all augurs scorenning, see the Bolche your pictures motion and Kitzy Kleinsuessmein eloping for that holm in Finn’s Hotel Fiord, Nova Norening. Where they pulled down the kuddle and they made fray and if thee don’t look homey, well, that Dook can eye Mae.&#xA;&#xA;He goat a berth. And she cot a manege. And wohl’s gorse mundom ganna wedst.&#xA;&#xA;Knock knock. War’s where! Which war? The Twwinns. Knock knock. Woos without! Without what? An apple. Knock knock.&#xA;&#xA;The kilder massed, one then and uhindred, (harefoot, birdy-hands, herringabone, beesknees), and they barneydansked a kathareen round to know the who and to show the howsome. Why was you hiding, moder of moders? And where was hunty, poppa the gun? Pointing up to skyless heaven like the spoon out of sergeantmajor’s tay. Which was the worst of them phaymix cupplerts? He’s herd of hoarding and her faiths is altared. Becoming ungoing, their seeming sames for though that liamstone deaf do his part there’s a windtreetop whipples the damp off the mourning. But tellusit allasif wellasits end. And the lunger it takes the swooner they tumble two. He knows he’s just thrilling and she’s sure she’d squeam. The threelegged man and the tulip-pied dewydress. Lludd hillmythey, we’re brimming to hear! The durst he did and the first she ever? Peganeen Bushe, this isn’t the polkar, catch as you cancan when high land fling! And you Tim Tommy Melooney, I’ll tittle your barents if you stick that pigpin upinto meh!&#xA;&#xA;So in the names of the balder and of the sol and of the holli-chrost, ogsowearit, trisexnone, and by way of letting the aandt out of her grosskropper and leading the mokes home by their gribes, whoopsabout a plabbaside of plobbicides, alamam alemon, poison kerls, on this mounden of Delude, and in the high places of Delude of Isreal, which is Haraharem and the diublin’s owld mounden over against Vikens, from your tarns, thwaites and thorpes, withes, tofts and fosses, fells, haughs and shaws, lunds, garths and dales, mensuring the megnominous as so will is the littleyest, the myrioheartzed with toroidal coil, eira area round wantanajocky, fin above wave after duckydowndivvy, trader arm aslung beauty belt, the formor velican and nana karlikeevna, sommerlad and cinderenda, Valtivar and Viv, how Big Bil Brine Borumoter first took his gage at lil lolly lavvander waader since when capriole legs covets limbs of a crane and was it the twylyd or the mounth of the yare or the feint of her smell made the seo-men assalt of her (in imageascene all: whimwhim whimwhim). To the laetification of disgeneration by neuhumorisation of our kristianiasation. As the last liar in the earth begeylywayled the first lady of the forest. Though Toot’s pardoosled sauve l’hum-mour! For the joy of the dew on the flower of the fleets on the fields of the foam of the waves of the seas of the wild main from Borneholm has jest come to crown. Snip snap snoody. Noo err historyend goody. Of a lil trip trap and a big treeskooner for he put off the ketyl and they made three (for fie!) and if hec dont love alpy then lad you annoy me. For hanigen with hunigen still haunt ahunt to finnd their hinnigen where Pappappapparrassannuaragheallachnatull-aghmonganmacmacmacwhackfalltherdebblenonthedubblandadd — ydoodled and anruly person creeked a jest. Gestapose to parry off cheekars or frankfurters on the odor. Fine again, Cuoholson! Peace, O wiley!&#xA;&#xA;Such was the act of goth stepping the tolk of Doolin, drain and plantage, wattle and daub, with you’ll peel as I’ll pale and we’ll pull the boath toground togutter, testies touchwood and shenstone unto pop and puma, calf and condor, under all the gaauspices (incorporated), the chal and his chi, their roammerin over, gribgrobgrab reining trippetytrappety (so fore shalt thou flow, else thy cavern hair!) to whom she (anit likenand please-thee!). Till sealump becamedump to bumpslump a lifflebed, (altol…, allamarsch! O gu‚, O gu‚!). Kaemper Daemper to Jetty de Waarft, all the weight of that mons on his little ribbeunuch! Him that gronde old mand to be that haard of heaering (afore said) and her the petty tondur with the fix in her changeable eye (which see), Lord, me lad, he goes with blowbierd, leedy, plasheous stream. But before that his loudship was converted to a landshop there was a little theogamyjig incidence that hoppy-go-jumpy Junuary morn when he colluded with the cad out on the beg amudst the fiounaregal gaames of those oathmassed fenians for whome he’s forcecaused a bridge of the piers, at Inverleffy, mating pontine of their engagement, synnbildising graters and things, eke ysendt? O nilly, not all, here’s the fust cataraction! As if ever she cared an assuan damm about her harpoons sticking all out of him whet between phoenix his calipers and that psourdonome sheath. Sdrats ye, Gus Paudheen! Kenny’s thought ye, Dinny Oozle! While the cit was leaking asphalt like a suburbiaurealis in his rure was tucking to him like old booths, booths, booths, booths.&#xA;&#xA;Enterruption. Check or slowback. Dvershen.&#xA;&#xA;Why, wonder of wenchalows, what o szeszame open, v doer s t doing? V door s being. But how theng thingajarry miens but this being becoming n z doer? K? An o. It is ne not him what foots like a glove, shoehandschiner Pad Podomkin. Sooftly, anni slavey, szszuszchee is slowjaneska.&#xA;The aged crafty nummifeed confusionary overinsured ever-Iapsing accentuated katekattershin clopped, clopped, clopped, darsey dobrey, back and along the danzing corridor, as she was going to pimpim him, way boy wally, not without her comple-ment of cavarnan men, between the two deathdealing allied divisions and the lines of readypresent fire of the corkedagains up-stored, taken in giving the saloot, band your hands going in, bind your heads coming out, and remoltked to herselp in her serf’s alown, a weerpovy willowy dreevy drawly and the patter of so familiars, farabroads and behomeans, as she shure sknows, boof for a booby, boo: new uses in their mewseyfume. The jammesons is a cook in his hair. And the juinnesses is a rapin his hind. And the Bullingdong caught the wind up. Dip.&#xA;&#xA;And the message she braught belaw from the missus she bragged abouve that had her agony stays outsize her sari chemise, blancking her shifts for to keep up the fascion since the king of all dronnings kissed her beeswixed hand, fang (pierce me, hunky, I’m full of meunders!), her fize like a tubtail of mondayne clothes, fed to the chaps with working medicals and her birthright pang that would split an atam like the forty pins in her hood, was to fader huncher a howdydowdy, to mountainy mots in her amnest plein language, from his fain a wan, his hot and tot lass, to pierce his ropeloop ear, how, Podushka be prayhasd, now the sowns of his loins were awinking and waking and his dorter of the hush lillabilla lullaby (lead us not into reformication with the poors in your thingdom of gory, O moan!), once after males, nonce at a time, with them Murphy’s puffs she dursted with gnockmeggs and the bramborry cake for dour dorty dompling obayre Mattom Beetom_and epsut the pfot and if he was whishtful to licture her caudal with chesty chach from his dauberg den and noviny news from Naul or toplots talks from morrienbaths or a parrotsprate’s cure for ensevelised lethurgies, spick’s my spoon and the veriblest spoon, ’twas her hour for the chamber’s ensallycopodium with love to melost Panny Kostello from X.Y. Zid for to folly billybobbis gibits porzy punzy and she was a wanton for De Marera to take her genial glow to bed.&#xA;— This is time for my tubble, reflected Mr ‘Gladstone Browne’ in the toll hut (it was choractoristic from that ‘man of Delgany’). Dip.&#xA;— This is me vulcanite smoking, profused Mr ‘Bonaparte Nolan’ under the natecup (one feels how one may hereby reekig-nites the ‘ground old mahonagyan’). Dip.&#xA;— And this is defender of defeater of defaulter of deformer of the funst man in Danelagh, willingtoned in with this glance dowon his browen and that born appalled noodlum the panellite pair’s cummal delimitator, odding: Oliver White, he’s as tiff as she’s tight. And thisens his speak quite hoarse. Dip.&#xA;In reverence to her midgetsy the lady of the comeallyous as madgestoo our own one’s goff stature. Prosim, prosit, to the krk n yr nck!&#xA;O rum it is the chomicalest thing how it pickles up the punchey and the jude. If you’ll gimmy your thing to me I will gamey a sing to thee. Stay where you’re dummy! To get her to go ther. He banged the scoop and she bagged the sugar while the whole pub’s pobbel done a stare. On the mizzatint wall. With its chromo for all, crimm crimms. Showing holdmenag’s asses sat by Allme-neck’s men, canins to ride with em, canins that lept at em, woollied and flundered.&#xA;So the katey’s came and the katey’s game. As so gangs sludge-nose. And that henchwench what hopped it dunneth there duft the. Duras.&#xA;(Silents)&#xA;Yes, we’ve conned thon print in its gloss so gay how it came from Finndlader’s Yule to the day and it’s Hey Tallaght Ho on the king’s highway with his hounds on the home at a turning. To Donnicoombe Fairing. Millikin’s Pass. When visiting at Izd-la-Chapelle taste the lipe ofthe waters from Carlowman’s Cup.&#xA;It tellyhows its story to their six of hearts, a twelve-eyed man; for whom has madjestky who since is dyed drown reign before the izba.&#xA;Au! Au! Aue! Ha! Heish!&#xA;As stage to set by ritual rote for the grimm grimm tale of the four of hyacinths, the deafeeled carp and the bugler’s dozen of leagues-inamour or how Holispolis went to Parkland with mabby and sammy and sonny and sissy and mop’s varlet de shambles and all to find the right place for it by peep o’skirt or pipe a skirl when the hundt called a halt on the chivvychace of the ground sloper at that ligtning lovemaker’s thender apeal till, between wandering weather and stable wind, vastelend hosteil-end, neuziel and oltrigger some, Bullyclubber burgherly shut the rush in general.&#xA;Let us propel us for the frey of the fray! Us, us, beraddy!&#xA;Ko Niutirenis hauru leish! A lala! Ko Niutirenis haururu laleish! Ala lala! The Wullingthund sturm is breaking. The sound of maormaoring The Wellingthund sturm waxes fuer-cilier. The whackawhacks of the sturm. Katu te ihis ihis! Katu te wana wana! The strength of the rawshorn generand is known throughout the world. Let us say if we may what a weeny wukeleen can do.&#xA;Au! Au! Aue! Ha! Heish! A lala!&#xA;— Paud the roosky, weren’t they all of them then each in his different way of saying calling on the one in the same time hibernian knights underthaner that was having, half for the laugh of the bliss it sint barbaras another doesend end once tale of a tublin wished on to him with its olives ocolombs and its hills owns ravings and Tutty his tour in his Nowhare’s yarcht. It was before when Aimee stood for Arthurduke for the figger in pro-fane and fell from grace so madlley for fill the flatter fellows. (They were saying). And it was the lang in the shirt in the green. of the wood, where obelisk rises when odalisks fall, major threft on the make and jollyjacques spindthrift on the merry (O Mr Mathurin, they were calling, what a topheavy hat you’re in! And there aramny maeud, then they were saying, these so piou- pious!). And it was cyclums cyclorums after he made design on the corse and he want to mess on him (enterellbo add all taller Danis), back, seater and sides, and he applied (I’m amazingly sorracer!) the wholed bould shoulderedboy’s width for fullness, measures for messieurs, messer’s massed, (they were saycalling again and agone and all over agun, the louthly meathers, the loudly meaders, the lously measlers, six to one, bar ones).&#xA;And they pled him beheighten the firing. Dope.&#xA;Maltomeetim, alltomatetam, when a tale tarries shome shunter shove on. Fore auld they wauld to pree.&#xA;Pray.&#xA;Of this Mr A (tillalaric) and these wasch woman (dapple-hued), fhronehflord and feeofeeds, who had insue keen and able and a spindlesong aside, nothing more is told until now, his awebrume hour, her sere Sahara of sad oakleaves. And then. Be old. The next thing is. We are once amore as babes awondering in a wold made fresh where with the hen in the storyaboot we start from scratch.&#xA;So the truce, the old truce and nattonbuff the truce, boys. Drouth is stronger than faction. Slant. Shinshin. Shinshin.&#xA;— It was of The Grant, old gartener, qua golden meddlist, Publius Manlius, fuderal private, (his place is his poster, sure, they said, and we’re going to mark it, sore, they said, with a carbon caustick manner) bequother the liberaloider at his petty corpore-lezzo that hung caughtnapping from his baited breath, it was of him, my wife and I thinks, to feel to every of the younging fruits, tenderosed like an atalantic’s breastswells or, on a second wreathing, a bright tauth bight shimmeryshaking for the welt of his plow. And wher-o the peckadillies at his wristsends meetings be loving so lightly dovessoild the candidacy, me wipin eye sinks, of his softboiled bosom should be apparient even to our illicterate of nullatinenties.&#xA;&#xA;All to which not a lot snapped The Nolan of the Calabashes at his whilom eweheart photognomist who by this sum taken was as much incensed by Saint Bruno as that what he had consummed was his own panegoric, and wot a lout about it if it was only a pippappoff pigeon shoot that gracesold getrunner, the man of centuries, was bowled out by judge, jury and umpire at batman’s biff like a witchbefooled legate. Dupe.&#xA;His almonence being alaterelly in dispensation with his three oldher patrons’ aid, providencer’s divine cow to milkfeeding mleckman, bonafacies to solafides, what matter what all his freudzay or who holds his hat to harm him, let hutch just keep on under at being a vanished consinent and let annapal livibel prettily prattle a lude all her own. And be that semeliminal salmon solemonly angled, ingate and outgate. A truce to lovecalls, dulled in warclothes, maleybags, things and bleakhusen. Leave the letter that never begins to go find the latter that ever comes to end, written in smoke and blurred by mist and signed of solitude, sealed at night.&#xA;Simply. As says the mug in the middle, nay brian nay noel, ney billy ney boney. Imagine twee cweamy wosen. Suppwose you get a beautiful thought and cull them sylvias sub silence. Then inmaggin a stotterer. Suppoutre him to been one bigger-master Omnibil. Then lustily (tutu the font and tritt on the boks — woods like gay feeters’s dance) immengine up to three longly lurking lobstarts. Fair instents the Will Woolsley Wellaslayers. Pet her, pink him, play pranks with them. She will nod ampro-perly smile. He may seem to appraisiate it. They are as piractical jukersmen sure to paltipsypote. Feel the wollies drippeling out of your fingathumbs. Says to youssilves (floweers have ears, heahear!) solowly: So these ease Budlim! How do, dainty dau-limbs? So peached to pick on you in this way, prue and simple, pritt and spry! Heyday too, Malster Faunagon, and hopes your hahititahiti licks the mankey nuts! And oodlum hoodlum dood-lum to yes, Donn, Teague and Hurleg, who the bullocks brought you here and how the hillocks are ye?&#xA;&#xA;We want Bud. We want Bud Budderly. We want Bud Budderly boddily. There he is in his Borrisalooner. The man that shunned the rucks on Gereland. The man thut won the bettlle of the bawll. Order, order, order, order! And tough. We call on Tan-cred Artaxerxes Flavin to compeer with Barnabas Ulick Dunne. Order, order, order! Milster Malster in the chair. We’ve heard it sinse sung thousandtimes. How Burghley shuck the rackushant Germanon. For Ehren, boys, gobrawl!&#xA;&#xA;A public plouse. Citizen soldiers.&#xA;&#xA;TAFF (a smart boy, of the peat freers, thirty two eleven, looking through the roof towards a relevution of the karmalife order privious to his hoisting of an emergency umberolum in byway of paraguastical solation to the rhyttel in his hedd). All was flashing and krashning blurty moriartsky blutcherudd? What see, buttywalch? Tell ever so often?&#xA;&#xA;BUTT (mottledged youth, clergical appealance, who, as his pied friar, is supposing to motto the sorry dejester in tifftaff toffiness or to be digarced from ever and a daye in his accounts). But da. But dada, mwilshsuni. Till even so aften. Sea vaast a pool!&#xA;&#xA;TAFF (porumptly helping himself out by the cesspull with a yellup yurrup, puts up his furry furzed hare). Butly bitly! Humme to our mounthings. Conscribe him tillusk, unt, in his jubalant tubalence, the groundsapper, with his soilday site out on his moulday side in. The gubernier-gerenal in laut-lievtonant of Baltiskeeamore, amaltheouse for leporty hole! Endues paramilintary langdwage. The saillils of the yellavs nocadont palignol urdlesh. Shelltoss and welltass and telltuss aghom! Sling Stranaslang, how Malo-razzias spikes her, coining a speak a spake! Not the Setanik stuff that slimed soft Siranouche! The goot old gunshop monowards for manosymples. Tincurs tammit! They did oak hay doe fou Chang-il-meng when that man d’airain was big top tom saw tip side bum boss pageantfiller. Ajaculate! All lea light! Rassamble the glowrings of Bruyant the Bref when the Mollies Makehal-pence took his leg for his thumb. And may he be too an intrepida — tion of our dreams which we foregot at wiking when the mom hath razed out limpalove and the bleakfrost chilled our ravery! Pook. Sing ching lew mang! Upgo, bobbycop! Lets hear in remember the braise of Hold!&#xA;&#xA;BUTT (drawling forth from his blousom whereis meditabound of his minkerstary, switches on his gorsecopper’s fling weitoheito lang-thorn, fed up the grain oils of Aerin, while his laugh neighs banck as that flashermind’s rays and his lipponease longuewedge wambles). Ullahbluh! Sehyoh narar, pokehole sann! Manhead very dirty by am anoyato. Like old Dolldy Icon when he cooked up his iggs in bicon. He gatovit and me gotafit and Oalgoak’s Cheloven gut a fudden. Povar old pitschobed! Molodeztious of metchennacht belaburt that pentschmyaso! Bog carsse and dam neat, sar, gam can't! Limbers affront of him, lumbers behund. While the bucks bite his dos his hart bides the ros till the bounds of his bays bell the warning. Sobaiter sobarkar. He was enmivallupped. Chro-mean fastion. With all his cannoball wappents. In his raglanrock and his malakoiffed bulbsbyg and his varnashed roscians and his cardigans blousejagged and his scarlett manchokuffs and his tree-coloured camiflag and his perikopendolous gaelstorms. Here weeks hire pulchers! Obriania’s beromst! From Karrs and Polikoff’s, the men’s confessioners. Seval shimars pleasant time payings. Mousoumeselles buckwoulds look. Tenter and likelings.&#xA;&#xA;TAFF (all Perssiasterssias shookatnaratatattar at his waggon-horchers, his bulgeglarying stargapers razzledazzlingly full of eyes, full of balls, full of holes, full of buttons, full of stains, full of medals, full of blickblackblobs). Grozarktic! Toadlebens! Some garment-guy! Insects appalling, low hum clang sin! A cheap decoy! Too deep destroy! Say mangraphique, may say nay por daguerre!&#xA;&#xA;BUTT (if that he hids foregodden has nate of glozery farused ameet the florahs of the follest, his spent fish’s livid smile giving allasundery the bumfit of the doped). Come alleyou jupes of Wymmingtown that graze the calves of Man! A bear raigning in his heavenspawn consomation robes. Rent, outraged, yewleaved, grained, bal-looned, hindergored and voluant! Erminia’s capecloaked hoo — doodman! First he s s st steppes. Then he st stoo stoopt. Lookt.&#xA;&#xA;TAFF (strick struck strangling like aleal lusky Lubliner to merum-ber by the cycl of the cruize who strungled Attahilloupa with what empoisoned El Monte de Zuma and failing wilnaynilnay that he was pallups barn in the minkst of the Krumlin befodt he was pop-soused into the monkst of the vatercan, makes the holypolygon of the emt on the greaseshaper, a little farther, a little soon, a lettera- cettera, oukraydoubray). Scutterer of guld, he is retourious on every roudery! The lyewdsky so so sewn of a fitchid! With his walshbrushup. And his boney bogey braggs.&#xA;&#xA;BUTT (after his tongues in his cheeks, with pinkpoker pointing out in rutene to impassible abjects beyond the mistomist towards Lissnaluhy such as the Djublian Alps and the Hoofd Ribeiro as where he and his trulock may ever make a game). The field of karhags and that bloasted tree. Forget not the felled! For the lomondations of Oghrem! Warful doon’s bothem. Here furry glunn. Nye? Their feery pass. Tak! With guerillaman aspear aspoor to prink the pranks of primkissies. And the buddies be-hide in the byre. Allahblah!&#xA;&#xA;TAFF (a blackseer, he stroves to regulect all the straggles for wife in the rut of the past through the widnows in effigies keening after the blank sheets in their faminy to the relix of oll decency from over draught). Oh day of rath! Ah, murther of mines! Eh, selo moy! Uh, zulu luy! Bernesson Mac Mahahon from Osro bearing nose easger for sweeth prolettas on his swooth prowl!&#xA;&#xA;BUTT (back to his peatrol and paump: swee Gee’s wee rest: no more applehooley: dodewodedook). Bruinoboroff, the hooney-moonger, and the grizzliest manmichal in Meideveide! Whose annal livves the hoiest! For he devoused the lelias on the fined and he conforted samp, tramp and marchint out of the drumbume of a narse. Guards, serf Finnland, serve we all!&#xA;&#xA;TAFF (whatwidth the psychophannies at the front and whetwadth the psuckofumbers beholden the fair, illcertain, between his bulchri-chudes and the roshashanaral, where he sees Bishop Ribboncake plus his pollex prized going forth on his visitations of mirrage or Miss Horizon, justso all our fannacies daintied her, on the curve of the camber, unsheathing a showlaced limbaloft to the great consternations). Divulge! Hyededye, kittyls, and howdeddoh, pan! Poshbott and pulbuties. See that we soll or let dargman be luna as strait a way as your ant’s folly me line while ye post is goang from Piping Pubwirth to Haunted Hillborough on his Mujiksy’s Zaravence, the Riss, the Ross, the sur of all Russers, as my farst is near to hear and my sackend is meet to sedon while my whole’s a peer’s aureolies. We should say you dones the polecad. Bang on the booche, gurg in the gorge, rap on the roof and your flup is unbu . . .&#xA;&#xA;BUTT (at the signal of his act which seems to sharpnel his innermals menody, playing the spool of the little brown jog round the wheel of her whang goes the millner). Buckily buckily, blodestained boyne! Bimbambombumb. His snapper was shot in the Rumjar Journaral. Why the gigls he lubbed beeyed him.&#xA;&#xA;TAFF (obliges with a two stop yogacoga sumphoty on the bones or ivory girl and ebony boy). The balacleivka! Trovatarovitch! I trumble!&#xA;BUTT (with the sickle of a scygthe but the humour of a hummer, O, howorodies through his cholaroguled, fumfing to a fullfrength with this wallowing olfact). Mortar martar tartar wartar! May his boules grow wider so his skittles gets worse! The aged monad making a venture out of the murder of investment. I seen him acting surgent what betwinks the scimitar star and the ashen moon. By their lights shalthow throw him! Piff paff for puffpuff and my pife for his cgar! The mlachy way for gambling.&#xA;&#xA;[Up to this curkscraw bind an admirable verbivocovisual pre-sentment of the worldrenownced Caerholme Event has been being&#xA;given by The Irish Race and World. The huddled and aliven stable-crashers have shared fleetfooted enthusiasm with the paddocks&#xA;dare and ditches tare while the mews was combing ground. Hippo-hopparray helioscope flashed winsor places as the gates might see.&#xA;Meusdeus! That was (with burning briar) Mr Twomass Noho-holan for their common contribe satisfunction in the purports of&#xA;amusedment telling the Verily Roverend Father Epiphanes&#xA;&#xA;shrineshriver of Saint Dhorough’s (in browne bomler) how&#xA;(assuary as there’s a bonum in your osstheology!) Backlegs&#xA;shirked the racing kenneldar. The saintly scholarist’s roastering&#xA;guffalawd of nupersaturals holler at this metanoic excomologosis&#xA;tells of the chestnut’s (once again, Wittyngtom!) absolutionally&#xA;romptyhompty successfulness. A lot of lasses and lads without&#xA;damas or dads, but fresh and blued with collecting boxes. One&#xA;aught spare ores triflets, to be shut: it is Coppingers for the&#xA;children. Slippery Sam hard by them, physically present how-&#xA;somedever morally absent, was slooching about in his knavish&#xA;diamonds asking Gmax, Knox and the Dmuggies (a pinnance for&#xA;your toughts, turffers!) to deck the ace of duds. Tomtinker Tim,&#xA;howbeit, his unremitting retainer, (the seers are the seers of&#xA;Samael but the heers are the heers of Timoth) is in Boozer’s&#xA;Gloom, soalken steady in his sulken tents. Baldawl the curse,&#xA;baledale the day! And the frocks of shick sheeples in their shum-mering insamples! You see: a chiefsmith, semperal scandal&#xA;stinkmakers, a middinest from the Casabianca and, of course,&#xA;Mr Fry. Barass! Pardon the inquisition, causas es quostas?&#xA;It is Da Valorem’s Dominical Brayers. Why coif that weird&#xA;hood? Because among nosoever circusdances is to be apprehended&#xA;the dustungwashed poltronage of the lost Gabbarnaur–Jaggar-nath. Pamjab! Gross Jumpiter, whud was thud? Luckluckluck — luckluckluckluck! It is the Thousand to One Guinea–Gooseberry’s&#xA;Lipperfull Slipver Cup. Hold hard, ridesiddle titelittle Pitsy&#xA;Riley! Gurragrunch, gurragrunch! They are at the turn of the&#xA;fourth of the hurdles. By the hross of Xristos, Holophullopopu-lace is a shote of excramation! Bumchub! Emancipator, the&#xA;Creman hunter (Major Hermyn C. Entwhistle) with dramatic&#xA;effect reproducing the form of famous sires on the scene of the&#xA;formers triumphs, is showing the eagle’s way to Mr Whayte-hayte’s three buy geldings Homo Made Ink, Bailey Beacon&#xA;and Ratatuohy while Furstin II and The Other Girl (Mrs&#xA;‘Boss’ Waters, Leavybrink) too early spring dabbles, are showing&#xA;a clean pairofhids to Immensipater. Sinkathinks to oppen here!&#xA;To this virgin’s tuft, on this golden of evens! I never sought of&#xA;sinkathink. Our lorkmakor he is proformly annuysed He is&#xA;shinkly thinkly shaking in his schayns. Sat will be off follteedee.&#xA;This eeridreme has being effered you by Bett and Tipp. Tipp and&#xA;Bett, our swapstick quackchancers, in From Topphole to Bot&#xA;tom of The Irish Race and World.]&#xA;&#xA;TAFF (awary that the first sports report of Loudin Reginald has now been afterthoughtfully colliberated by a saggind spurts flash, takes the dipperend direction and, for tasing the tiomor of malaise after the pognency of orangultonia, orients by way of Sagit-tarius towards Draco on the Lour). And you collier carsst on him, the corsar, with Boyle, Burke and Campbell, I’ll gogemble on strangbones tomb. You had just been cerberating a camp camp camp to Saint Sepulchre’s march through the armeemonds re-treat with the boys all marshalled, scattering giant’s hail over the curseway, fellowed along the rout by the stenchions of the corpse. Tell the coldspell’s terroth! If you please, commeylad! Perfedes Albionias! Think some ingain think, as Teakortairer sate over the Galwegian caftan forewhen Orops and Aasas were chooldrengs and micramacrees! A forward movement, Miles na Bogaleen, and despatch!&#xA;&#xA;BUTT (slinking his coatsleeves surdout over his squad mutton shoulder so as to loop more life the jauntlyman as he scents thc anggreget yup behound their whole scoopchina’s desperate noy’s totalage and explaining aposteriorly how awstooloo was valde-sombre belowes hero and he was in a greak esthate phophiar an erixtion on the soseptuple side of him made spoil apriori his popo-porportiums). Yass, zotnyzor, I don’t think I did not, pojr. Never you brother me for I scout it, think you! Ichts nichts on nichts! Greates Schtschuptar! Me fol the rawlawdy in the schpirrt of a schkrepz. Of all the quirasses and all the qwehrmin in the tra-gedoes of those antiants their grandoper, that soun of a gun — nong, with his sabaothsopolettes, smooking his scandleloose at botthends of him! Foinn duhans! I grandthinked after his obras after another time about the itch in his egondoom he was legging boldylugged from some pulversporochs and lyoking for a stool-eazy for to nemesisplotsch allafranka and for to salubrate himself with an ultradungs heavenly mass at his base by a suprime pomp-ship chorams the perished popes, the reverend and allaverred cromlecks, and when I heard his lewdbrogue reciping his cheap cheateary gospeds to sintry and santry and sentry and suntry I thought he was only haftara having afterhis brokeforths but be the homely Churopodvas I no sooner seen aghist of his frighte-ousness then I was bibbering with vear a few versets off fooling for fjorg for my fifth foot. Of manifest ’tis obedience and the. Flute!&#xA;TAFF (though the unglucksarsoon is giming for to git him, jotning in, hoghly ligious, hapagodlap, like a soldierry sap, with a pique at his cue and a tyr in his eye and a bond of his back and a croak in his cry as did jolly well harm lean o’er him) Is not athug who would. Weepon, weeponder, song of sorrowmon! Which goatheye and sheepskeer they damnty well know. Papaist! Gambanman! Take the cawraidd’s blow! Yia! Your partridge’s last!&#xA;&#xA;BUTT (giving his scimmianised twinge in acknuckledownedgment of this cumulikick, strafe from the firetrench, studenly drobs led, sa-toniseels ouchyotchy, he changecors induniforms as he is lefting the gat out of the big: his face glows green, his hair greys white, his bleyes bcome broon to suite his cultic twalette). But when I seeing him in his oneship fetch along within hail that tourrible tall with his nitshnykopfgoknob and attempting like a brandylogged rudeman cathargic, lugging up and laiding down his livepelts so cruschinly like Mebbuck at Messar and expousing his old skinful self tailtottom by manurevring in open ordure to renew-murature with the cowruads in their airish pleasantry I thanked he was recovering breadth from some herdsquatters beyond the carcasses and I couldn’t erver nerver to tell a liard story not of I knew the prize if from lead or alimoney. But when I got inoccu-pation of a full new of his old basemiddelism, in ackshan, pagne pogne, by the veereyed lights of the stormtrooping clouds and in the sheenflare of the battleaxes of the heroim and mid the shieldfails awail of the bitteraccents of the sorafim and caught the pfierce tsmell of his aurals, orankastank, a suphead setrapped, like Peder the Greste, altipaltar, my bill it forsooks allegiance (gut bull it!) and, no lie is this, I was babbeing and yetaghain bubbering, bibbelboy, me marrues me shkewers me gnaas me fiet, tob tob tob beat it, solongopatom..Clummensy if ever mis-used, must used you’s now! But, meac Coolp, Arram of Eirze — rum, as I love our Deer Dirouchy, I confesses withould pride — jealice when I looked upon the Saur of all the Haurousians with the weight of his arge fullin upon him from the travaillings of his tommuck and rueckenased the fates of a bosser there was fear on me the sons of Nuad for him and it was heavy he was for me then the way I immingled my Irmenial hairmaierians ammon-gled his Gospolis fomiliours till, achaura moucreas, I adn’t the arts to.&#xA;&#xA;TAFF (as a marrer off act, prepensing how such waldmanns from Burnias seduced country clowns, he is preposing barangaparang after going knowing what he is doing after to see him pluggy well moidered as a murder effect, you bet your blowie knife, before he doze soze, sopprused though he is) Grot Zot! You hidn’t the hurts? Vott Fonn!&#xA;&#xA;BUTT (hearing somrother sudly give tworthree peevish sniff snuff snoores like govalise falseleep he waitawhishts to see might he stirs and then goes on kuldrum like without asking for pepeace or anysing a soul). Merzmard! I met with whom it was too late. My fate! O hate! Fairwail! Fearwealing of the groan! And think of that when you smugs to bagot.&#xA;&#xA;TAFF (who meanwhilome at yarn’s length so as to put a nodje in the poestcher, by wile of stoccan his hand and of rooma makin ber getting umptyums gatherumed off the skattert, had been lavishing, lagan on lighthouse, words of silent power, susu glouglou biri — biri gongos, upon the repleted speechsalver’s innkeeping right which, thanks giveme and naperied norms nonobstaclant, there can be little doubt, have resulted in a momstchance ministring of another guid-ness, my good, to see) Bompromifazzio! Shumpum for Pa-li-di and oukosouso for the nipper dandy! Trink off this scup and be bladdy orafferteed! To bug at?&#xA;&#xA;BUTT (he whipedoff’s his chimbley phot, as lips lovecurling to the tongueopener, he takecups the communion of sense at the hands of the foregiver of trosstpassers and thereinofter centelinnates that potifex miximhost with haruspical hospedariaty proferring into his pauses somewhot salt bacon). Theres scares knud in this gnarld warld a fully so svend as dilates for the improvement of our foerses of nature by your very ample solvent of referacting upon me like is boesen fiennd.&#xA;&#xA;&#xA;&#xA;TAFF (now as he has been past the buckthurnstock from Peadhar Piper of Colliguchuna, whiles they all are bealting pots to dubrin din for old daddam dombstom to tomb and wamb humbs lumbs agamb, glimpse agam, glance agen, rise up road and hive up hill, and find your pollyvoulley foncey pitchin ingles in the parler). Since you are on for versingrhetorish say your piece! How Buccleuch shocked the rosing girnirilles. A ballet of Gasty Power. A hov and az ov and off like a gow! And don’t live out the sad of tearfs, piddyawhick! Not offgott affsang is you, buthbach? Ath yet-heredayth noth endeth, hay? Vaersegood! Buckle to! Sayyessik, Ballygarry. The fourscore soculums are watchyoumaycodding to cooll the skoopgoods blooff. Harkabuddy, feign! Thingman placeyear howed wholst somwom shimwhir tinkledinkledelled. Shinfine deed in the myrtle of the bog tway fainmain stod op to slog, free bond men lay lurkin on. Tuan about whattinghim! Fore sneezturmdrappen! ’Twill be a rpnice pschange, arrah, sir? Can you come it, budd?&#xA;&#xA;BUTT (who in the cushlows of his goodsforseeking hoarth, ever fondlinger of his pimple spurk, is a niallist of the ninth homestages, the babybell in his baggutstract upper going off allatwanst, begad, lest he should challenge himself, beygoad, till angush). Horrasure, toff! As said as would. It was Colporal Phailinx first. Hittit was of another time, a white horsday where the midril met the bulg, sbogom, roughnow along about the first equinarx in the cholon-der, on the plain of Khorason as thou goest from the mount of Bekel, Steep Nemorn, elve hundred and therety and to years how the krow flees end in deed, after a power of skimiskes, blodidens and godinats of them, when we sight the beasts, (heg-heg whatlk of wraimy wetter!), moist moonful date man aver held dimsdzey death with, and higheye was in the Reilly Oirish Krzerszonese Milesia asundurst Sirdarthar Woolwichleagues, good tomkeys years somewhile in Crimealian wall samewhere in Ayerland, during me weeping stillstumms over the freshprosts of Eastchept and the dangling garters of Marrowbone and daring my wapping stiltstunts on Bostion Moss, old stile and new style and heave a lep onwards. And winn again, blaguadargoos, or lues the day, plays goat, the banshee pealer, if moskats knows whoss whizz, the great day and the druidful day come San Patrisky and the grand day, the excellent fine splendorous long agreeable toastworthy cylindrical day, go Sixt of the Ninth, the heptahundread annam dammias that Hajizfijjiz ells me is and will and was be till the timelag is in it that’s told in the Bok of Alam to columnkill all the prefacies of Erin gone brugk. But Icantenue. And incommixtion. We was lowsome like till we’d took out after the dead beats. So I begin to study and I soon show them day’s reasons how to give the cold shake to they blighty perishers and lay one over the beats. All feller he look he call all feller come longa villa finish. Toumbalo, how was I acclapadad! From them banjopeddlars on the raid. Gidding up me anti vanillas and getting off the stissas me aunties. Boxerising and coxerusing. And swiping a johnny dann sweept for to exercitise myself neverwithstanding the topkats and his roaming cartridges, orussheying and patronning, out all over Crummwiliam wall. Be the why it was me who haw haw.&#xA;&#xA;TAFF (all for letting his tinder and lighting be put to beheiss in the feuer and, while durblinly obasiant to the felicias of the skivis, Still smolking his fulvurite turfkish in the rooking pressance of laddios). Yaa hoo how how, col? Whom battles joined no bottles sever! Worn’t you aid a comp?&#xA;&#xA;BUTT (in his difficoltous tresdobremient, he feels a bitvalike a baddlefall of staot but falls a batforlake a borrlefull of bare). And me awlphul omegrims! Between me rassociations in the postlea-deny past and me disconnections with aplompervious futules I’ve a boodle full of maimeries in me buzzim and medears runs sloze, bleime, as I now with platoonic leave recoil in (how the thickens they come back to one to rust!) me misenary post for all them old boyars that’s now boomaringing in waulholler, me alma marthyrs. I dring to them, bycorn spirits fuselaiding, and you cullies adjutant, even where its contentsed wody, with absents wehrmuth. Junglemen in agleement, I give thee our greatly swooren, Theoccupant that Rueandredful, the thrown-fullvner and all our royal devouts with the arrest of the whole inhibitance of Neuilands! One brief mouth. And a velligoolap-now! Meould attashees the currgans, (if they could get a kick at this time for all that’s hapenced to us!) Cedric said Gormleyson and Danno O’Dunnochoo and Conno O’Cannochar it is this were their names for we were all under that manner barracksers on Kong Gores Wood together, thurkmen three, with those khakireinettes, our miladies in their toileries, the twum plum-yumnietcies, Vjeras Vjenaskayas, of old Djadja Uncken who was a great mark for jinking and junking, up the palposes of womth and wamth, we war, and the charme of their lyse brocade. For lispias harth a burm in eye but whem it bames fire norone screeneth. Hulp, hulp, huzzars! Raise ras tryracy! Freetime’s free! Up Lancesters! Anathem!&#xA;&#xA;TAFF (who still senses that heavinscent houroines that enter-trained him who they were sinuorivals from the sunny Espionia but plied wopsy with his wallets in thatthack of the bustle Bakerloo, (II.32), passing the uninational truthbosh in smoothing irony over the multinotcheralled infructuosities of his grinner set). The rib, the rib, the quean of oldbyrdes, Sinya Sonyavitches! Your Rhoda Cockardes that are raday to embrace our ruddy inflamtry world! In their ohosililesvienne biribarbebeway. Till they’ve kinks in their tringers and boils on their taws. Whor dor the pene lie, Mer Pencho? Ist dramhead countmortial or gonorrhal stab? Mind your pughs and keaoghs, if you piggots, marsh! Do the nut, dingbut! Be a dag! For zahur and zimmerminnes! Sing in the chorias to the ethur:&#xA;&#xA;[In the heliotropical noughttime following a fade of trans-formed Tuff and, pending its viseversion, a metenergic reglow&#xA;of beaming Batt, the bairdboard bombardment screen, if taste-fully taut guranium satin, tends to teleframe and step up to&#xA;the charge of a light barricade. Down the photoslope in syncopanc&#xA;pulses, with the bitts bugtwug their teffs, the missledhropes,&#xA;glitteraglatteraglutt, borne by their carnier walve. Spraygun&#xA;rakes and splits them from a double focus: grenadite, damny-mite, alextronite, nichilite: and the scanning firespot of the&#xA;sgunners traverses the rutilanced illustred sunksundered lines.&#xA;Shlossh! A gaspel truce leaks out over the caeseine coatings.&#xA;Amid a fluorescence of spectracular mephiticism there caoculates&#xA;through the inconoscope stealdily a still, the figure of a fellow-chap in the wohly ghast, Popey O’Donoshough, the jesuneral&#xA;of the russuates. The idolon exhibisces the seals of his orders:&#xA;the starre of the Son of Heaven, the girtel of Izodella the Calot-tica, the cross of Michelides Apaleogos, the latchet of Jan of&#xA;Nepomuk, the puffpuff and pompom of Powther and Pall, the&#xA;great belt, band and bucklings of the Martyrology of Gorman.&#xA;It is for the castomercies mudwake surveice. The victar. Pleace&#xA;to notnoys speach above your dreadths, please to doughboys. Hll,&#xA;smthngs gnwrng wthth sprsnwtch! He blanks his oggles because&#xA;he confesses to all his tellavicious nieces. He blocks his nosoes be-cause that he confesses to everywheres he was always putting up his&#xA;latest faengers. He wollops his mouther with a sword of tusk in as&#xA;because that he confesses how opten he used be obening her howonton&#xA;he used be undering her. He boundles alltogotter his manucupes&#xA;with his pedarrests in asmuch as because that he confesses before&#xA;all his handcomplishies and behind all his comfoderacies. And&#xA;(hereis can't came back saying he codant steal no lunger, yessis,&#xA;catz come buck beques he caudant stail awake) he touched upon&#xA;this tree of livings in the middenst of the garerden for inasmuch&#xA;as because that he confessed to it on Hillel and down Dalem and&#xA;in the places which the lepers inhabit in the place of the stones&#xA;and in pontofert jusfuggading amoret now he come to think of it&#xA;jolly well ruttengenerously olyovyover the ole blucky shop. Pugger&#xA;old Pumpey O’Dungaschiff! There will be a hen collection of him&#xA;after avensung on the feld of Hanar. Dumble down, looties and&#xA;gengstermen! Dtin, dtin, dtin, dtin!]&#xA;&#xA;BUTT (with a gisture expansive of Mr Lhugewhite Cadderpollard with sunflawered beautonhole pulled up point blanck by mailbag mundaynism at Oldbally Court though the hissindensity buck far of his melovelance tells how when he was fast marking his first lord for cremation the whyfe of his bothem was the very lad’s thing to elter his mehind). Prostatates, pujealousties! Dovolnoisers, prayshyous! Defense in every circumstancias of deboutcheries no the chaste daffs I Pack pickets, pioghs and kughs to be palsey-putred! Be at the peme, prease, of not forgetting or mere betoken yourself to hother prace! Correct me, pleatze commando, for cossakes but I abjure of it. No more basquibezigues for this pole aprican! With askormiles’ eskermillas. I had my billyfell of duckish delights the whole pukny time on rawmeots and juliannes-with their lambstoels in my kiddeneys and my ramsbutter in their sassenacher ribs, knee her, do her and trey her, when th’osirian cumb dumb like the whalf on the fiord and we preying players and pinching peacesmokes, troupkers tomiatskyns all, for Father Petrie Spence of Parishmoslattary to go and leave us and the crimsend daun to shellalite on the darkumen (scene as signed, Slobabogue), feeding and sleeping on the huguenottes (the snuggest spalniel’s where the lieon’s tame!) and raiding revolations over the allbegeneses (sand us and saint us and sound as agun!). Yet still in all, spit for spat, like we chantied on Sunda schoon, every warson wearrier kaddies a komnate in his schnapsack and unlist I am getting foegutfulls of the rugi-ments of savaliged wildfire I was gamefellow willmate and send us victorias with nowells and brownings, dumm, sneak and curry, and all the fun I had in that fanagan’s week. A strange man wearing abarrel. And here’s a gift of meggs and teggs. And as I live by chipping nortons. And ’tis iron fits the farmer, ay. Arcdesedo! Renborumba! Then were the hellscyown days for our fellows, the loyal leibsters, and we was the redugout raw-recruitioners, praddies three and prettish too, a wheeze we has in our waynward islands, wee engrish, one long blue streak, jisty and pithy af durck rosolun, with hand to hand as Homard Kayenne was always jiggilyjugging about in his wendowed courage when our woos with the wenches went wined for a song, tsingirillies’ zyngarettes, while Woodbine Willie, so popiular with the poppyrossies, our Chorney Choplain, blued the air. Sczlanthas! Banzaine! Bissbasses! S. Pivorandbowl. And we all tuned in to hear the topmast noviality. Up the revels drown the rinks and almistips allround! Paddy Bonhamme he vives! En-core! And tig for tag Togatogtug. My droomodose days Y loved you abover all the strest. Blowhole brasshat and boy with his boots off and the butch of our bunch and all. It was buckoo bonzer, beleeme. I was a bare prive without my doglegs but I did not give to one humpenny dump, wingh or wangh, touching those thusengaged slavey generales of Tanah Kornalls, the meelisha’s deelishas, pronouncing their very flank movemens in sunpictorsbosk. Baghus the whatwar! I could always take good cover of myself and, eyedulls or earwakers, preyers for rain or cominations, I did not care three tanker’s hoots, (‘sham! hem! or chaffit!) for any feelings from my lifeprivates on their reptro-grad leanins because I have Their Honours booth my respectables sþurs assistershood off Lyndhurst Terrace, the puttih Misses Celana Dalems, and she in vinting her angurr can belle the troth on her alliance and I know His Heriness, my respeaktoble me-dams culonelle on Mellay Street, Lightnints Gundhur Sawabs, and they would never as the aimees of servation let me down. Not on your bludger life, touters! No peeping, pimpadoors! And, by Jova I never went wrong nor let him doom till, risky wark rasky wolk, at the head of the wake, up come stumblebum (ye olde cottemptable!), his urssian gemenal, in his scutt’s rudes unreformed and he went before him in that nemcon enchelonce with the same old domstoole story and his upleave the fallener as is greatly to be petted (whitesides do his beard!) and I seen his brichashert offensive and his boortholomas vadnhammaggs vise a vise them scharlot runners and how they gave love to him and how he took the ward from us (odious the fly fly flurtation of his him and hers! Just mairmaid maddeling it was it he was!) and, my oreland for a rolvever, sord, by the splunthers of colt and bung goes the enemay the Percy rally got me, messg‚r, (as true as theirs an Almagnian Gothabobus!) to blow the grand off his aceupper. Thistake it’s meest! And after meath the dulwich. We insurrectioned and, be the procuratress of the hory synnotts, before he could tell pullyirragun to parrylewis, I shuttm, missus, like a wide sleever! Hump to dump! Tumbleheaver!&#xA;&#xA;TAFF (camelsensing that sonce they have given bron a nuhlan the volkar boastsung is heading to sea vermelhion but too wellbred not the ignore the umzemlianess of this rifal’s preceedings, in an effort towards autosotorisation, effaces himself in favour of the idiology alwise behounding his lumpy hump off homosodalism which means that if he has lain amain to lolly his liking-cabronne! — he may pops lilly a young one to his herth — combrune —) Oholy rasher, I’m be-liever! And Oho bullyclaver of ye, bragadore-gunneral! The grand ohold spider! It is a name to call to him Umsturdum Vonn! Ah, you were shutter reshottus and sieger besieged. Aha race of fiercemarchands counterination oho of shorpshoopers.&#xA;&#xA;BUTT (miraculising into the Dann Deafir warcry, his bigotes bristling, as, jittinju triggity shittery pet, he shouts his thump and feeh fauh foul finngures up the heighohs of their ahs!) Bluddy-muddymuzzle! The buckbeshottered! He’ll umbozzle no more graves nor home no haunder, lou garou, for gayl geselles in dead men’s hills! Kaptan (backsights to his bared!), His Cum-bulent Embulence, the frustate fourstar Russkakruscam, Dom Allah O’khorwan, connundurumchuff.&#xA;&#xA;TAFF (who, asbestas can, wiz the healps of gosh and his bluzzid maikar, has been sulphuring to himsalves all the pungataries of sin praktice in failing to furrow theogonies of the dommed). Trisseme, the mangoat! And the name of the Most Marsiful, the Aweghost, the Gragious one! In sobber sooth and in souber civiles? And to the dirtiment of the curtailment of his all of man? Notshoh?&#xA;&#xA;BUTT (maomant scoffin, but apoxyomenously deturbaned but thems bleachin banes will be after making a bashman’s haloday out of the euphorious hagiohygiecynicism of his die and be diademmed). Yastsar! In sabre tooth and sobre saviles! Senonnevero! That he leaves nyet is my grafe. He deared me to it and he dared me do it, and bedattle I didaredonit as Cocksnark of Killtork can tell and Ussur Ursussen of the viktaurious onrush with all the rattles in his arctic! As bold and as madhouse a bull in a meadows. Knout Knittrick Kinkypeard! Olefoh, the sourd of foemoe times! Unknun! For when meseemim, and tolfoklokken rolland allover ourloud’s lande, beheaving up that sob of tunf for to claimhis, for to wollpimsolff, puddywhuck. Ay, and untuoning his culothone in an exitous erseroyal Deo Jupto.At that instullt to Igorladns! Prronto! I gave one dobblenotch and I ups with my crozzier. Mirrdo! With my how on armer and hits leg an arrow cockshock rockrogn. Sparro!&#xA;&#xA;&#xA;TAFF (skimperskamper, his wools gatherings all over cromlin what with the birstol boys artheynes and is it her tour and the crackery of the fullfour fivefirearms and the crockery of their dam- dam domdom chumbers). Wharall thubulbs uptheaires! Shatta-movick?&#xA;&#xA;BUTT (pulling alast stark daniel with alest doog at doorak while too greater than pardon painfully the issue of his mouth diminuen-doing, vility of vilities, he becomes, allasvitally, faint). Shurenoff! Like Faun MacGhoul!&#xA;&#xA;BUTT and TAFF (desprot slave wager and foeman feodal unsheckled, now one and the same person, their fight upheld to right for a wee while being baffled and tottered, umbraged by the shadow of Old Erssia’s magisquammythical mulattomilitiaman, the living by owning over the surfers of the glebe whose sway craven minnions had caused to revile, as, too foul for hell, under boiling Mauses’ burning brand, he falls by Goll’s gillie, but keenheartened by the circuminsistence of the Parkes O’Rarelys in a hurdly gurdly Cicilian concertone of their fonngeena barney brawl, shaken everybothy’s hands, while S. E. Morehampton makes leave to E. N. Sheil-martin after Meetinghouse Lanigan has embaraced Vergemout Hall, and, without falter or mormor or blathrehoot of sophsterliness, pugnate thc pledge of fiannaship, dook to dook, with a commonturn oudchd of fest man and best man astoutsalliesemoutioun palms it off like commodity tokens against a cococancancacacanotioun). When old the wormd was a gadden and Anthea first unfoiled her limbs wanderloot was the way the wood wagged where opter and apter were samuraised twimbs. They had their mutthering ivies and their murdhering idies and their mouldhering iries in that muskat grove but there’ll be bright plinnyflowers in Calo-mella’s cool bowers when the magpyre’s babble towers scorching and screeching from the ravenindove. If thees lobed the sex of his head and mees ates the seep of his traublers he’s dancing figgies to the spittle side and shoving outs the soord. And he’ll be buying buys and go gulling gells with his flossim and jessim of carm, silk and honey while myandthys playing lancifer lucifug and what’s duff as a bettle for usses makes coy cosyn corollanes’ moues weeter to wee. So till butagain budly shoots thon rising germinal let bodley chow the fatt of his anger and badley bide the toil of his tubb.&#xA;&#xA;[The pump and pipe pingers are ideally reconstituted. The&#xA;putther and bowls are peterpacked up. All the presents are deter-mining as regards for the future the howabouts of their past&#xA;absences which they might see on at hearing could they once smell&#xA;of tastes from touch. To ought find a values for. The must over-listingness. When ex what is ungiven. As ad where. Stillhead.&#xA;Blunk.]&#xA;&#xA;Shutmup. And bud did down well right. And if he sung dumb in his glass darkly speech lit face to face on allaround.&#xA;&#xA;Vociferagitant. Viceversounding. Namely, Abdul Abulbul Amir or Ivan Slavansky Slavar. In alldconfusalem. As to whom the major guiltfeather pertained it was Hercushiccups’ care to educe. Beauty’s bath she’s bound to bind beholders and pride, his purge, has place appoint in penance and the law’s own libel lifts and lames the low with the lofty. Be of the housed! While the Hersy Hunt they harrow the hill for to rout them rollicking rogues from, rule those racketeer romps from, rein their rockery rides from. Rambling.&#xA;&#xA;Nightclothesed, arooned, the conquerods sway. After their battle thy fair bosom.&#xA;&#xA;— That is too tootrue enough in Solidan’s Island as in Mol-tern Giaourmany and from the Amelakins off to date back to land of engined Egypsians, assented from his opening before his inlookers of where an oxmanstongue stalled stabled the well-nourished one, lord of the seven days, overlord of sats and suns, the sat of all the suns which are in the ring of his system of the sats of his sun, god of the scuffeldfallen skillfilledfelon, who (he contaimns) hangsters, who (he constrains) hersirrs, a gain chang-ful, a mintage vaster, heavy on shirts, lucky with shifts, the top — side humpup stummock atween his showdows fellah, Misto Tee wiley Spillitshops, who keepeth watch in Khummer–Phett, whose spouse is An–Lyph, the dog’s bladder, warmer of his couch in fore. We all, for whole men is lepers, have been nobbut won-terers in that chill childerness which is our true name after the allfaulters (mug’s luck to em!) and, bespeaking of love and lie detectors in venuvarities, whateither the drugs truth of it, was there an iota of from the faust to the lost. And that is at most re-doubtedly an overthrew of each and ilkermann of us, I persuade myself, before Gow, gentlemen, so true as this are my kopfinpot astrode on these is my boardsoldereds.&#xA;It sollecited, grobbling hummley, his roundhouse of seven orofaces, of all, guiltshouters or crimemummers, to be sayd by, codnops, advices for, free of gracies, scamps encloded, com-petitioning them, if they had steadied Jura or when they had raced Messafissi, husband of your wifebetter or bestman botcha-lover of you yourself, how comes ever a body in our taylorised world to selve out thishis, whither it gives a primeum nobilees for our notomise or naught, the farst wriggle from the ubivence, whereom is man, that old offender, nother man, wheile he is asame. And fullexampling. The pints in question. With some by-spills. And sicsecs to provim hurtig. Soup’s on!&#xA;&#xA;— A time. And a find time. Whenin aye was a kiddling. And the tarikies held sowansopper. Let there beam a frishfrey. And they sodhe gudhe rudhe brodhe wedhe swedhe medhe in the kanddledrum. I have just (let us suppraise) been reading in a (suppressed) book — it is notwithstempting by meassures long and limited — the latterpress is eminently legligible and the paper, so he eagerly seized upon, has scarsely been buttered in works of previous publicity wholebeit in keener notcase would I turf aside for pastureuration. Packen paper paineth whomto is sacred scriptured sign. Who straps it scraps it that might, if ashed, have healped. Enough, however, have I read of it, like my good bedst friend, to augur in the hurry of the times that it will cocommend the widest circulation and a reputation coextensive with its merits when inthrusted into safe and pious hands upon so edifying a mission as it, I can see, as is his. It his ambullished with expurga-tive plates, replete in information and accampaigning the action passiom, slopbang, whizzcrash, boomarattling from burst to past, as I have just been seeing, with my warmest venerections, of a timmersome townside upthecountrylifer, (Guard place the town!) allthose everwhalmed upon that preposterous blank seat, before the wordcraft of this early woodcutter, a master of vignett- iennes and our findest grobsmid among all their orefices, (and, shukar in chowdar, so splunderdly English!) Mr Aubeyron Birdslay. Chubgoodchob, arsoncheep and wellwillworth a triat! Bismillafoulties. But the hasard you asks is justly ever behind his meddle throw! Those sad pour sad forengistanters, dastychappy dustyrust! Chaichairs. It is that something, awe, aurorbean in that fellow, hamid and damid, (did he have but Hugh de Brassey’s beardslie his wear mine of ancient guised) which comequeers this anywhat perssian which we, owe, realisinus with purups a dard of pene. There is among others pleasons whom I love and which are favourests to mind, one which I have pushed my finker in for the movement and, but for my sealring is none to hand I swear, she is highly catatheristic and there is another which I have fombly fongered freequuntly and, when my signet is on sign again I swear, she is deeply sangnificant. Culpo de Dido! Ars we say in the classies. Kunstful, we others said. What ravening shadow! What dovely line! Not the king of this age could richlier eyefeast in oreillental longuardness with alternate nightjoys of a thousand kinds but one kind. A shahrryar cobbler on me when I am lying! And whilst (when I doot my sliding panel and I hear cawcaw) I have been idylly turmbing over the loose looves leaflefts jaggled casuallty on the lamatory, as is my this is, as I must commit my lips to make misface for misfortune, often, so far as I can chance to recollect from the some farnights ago, (so dimsweet is that selvischdischdienence of to not to be able to be obliged to have to hold further anything than a stone his throw’s fruit’s fall!) when I, if you wil excuse for me this informal leading down of illexpressibles, enlivened toward the Author of Nature by the natural sins liggen gobelimned theirs before me, (how differen-ded with the manmade Eonochs Cunstuntonopolies!), weather — ed they be of a general golf stature, assasserted, or blossomly emblushing thems elves underneed of some howthern folleys, am entrenched up contemplating of myself, wiz my naked I, for relieving purposes in our trurally virvir vergitabale (garden) I sometimes, maybe, what has justly said of old Flannagan, a wake from this or huntsfurwards, with some shock (shell I so render it?) have (when I ope my shylight window and I see coocoo) a notion quiet involuptary of that I am cadging hapsnots as at murmurrandoms of distend renations from ficsimilar phases or dugouts in the behindscenes of our earthwork (what rovining shudder! what deadly loom!) as this is, at no spatial time pro-cessly which regards to concrude chronology about which in fact, at spite of I having belittled myself to my gay giftname of insectarian, happy burgages abeyance would make homesweets-town hopeygoalucrey, my mottu propprior, as I claim, cad’s truck, I coined, I am highly pelaged and deeply gluttened to mind hindmost hearts to see by their loudest reports from my threespawn bottery parts (shsh!) that, colombophile and corvino-phobe alike, when I have remassed me, my travellingself, as from Magellanic clouds, after my contractual expenditures, through the perofficies of merelimb, I, my good grief, I am, I am big altoogooder.&#xA;&#xA;He beached the bark of his tale; and set to husband and vine: and the harpermaster told all the living conservancy, know Meschiameschianah, how that win a gain was in again. Flying the Perseoroyal. Withal aboarder, padar and madar, hal qnd sal, the sens of Ere with the duchtars of Iran. Amick amack amock in a mucktub. Qith the tou loulous and the gryffygryffygryffs, at Fenegans Wick, the Wildemanns. Washed up whight and de-liveried rhight. Loud lauds to his luckhump and bejetties on jo — nahs! And they winxed and wanxed like baillybeacons. Till we woksed up oldermen.&#xA;&#xA;From whose plultibust preaggravated, by baskatchairch theo-logies (there werenighn on thaurity herouns in that alraschil arthouducks draken), they were whoalike placed to say, in the matters off ducomans nonbar one, with bears’ respects to him and bulls’ acknowledgments (come on now, girls! lead off, O cara, whichever won of you wins! The two Gemuas and Jane Agrah and Judy Tombuys!) disassembling and taking him apart, the slammocks, with discrimination for his maypole and a rub in passing over his hump, drogueries inaddendance, frons, fesces and frithstool: 1) he hade to die it, the beetle, 2) he didhithim self, hod’s fush, 3) all ever the pelican huntered with truly fond bull-pen backthought since his toork human life where his personal low outhired his taratoryism, the orenore under the selfhide of his bessermettle, was forsake in his chiltern and lumbojumbo, 4) he was like Fintan fore flood and after sometimes too damned merely often on the saved side, saw he was, 5) regarding to prussyattes or quazzyverzing he wassand no better than he would have been before he could have been better than what he warrant after, 6) blood, musk or haschish, as coked, diamoned or pence-loid, and bleaching him naclenude from all cohlorine matter, down to a boneash bittstoff, he’s, tink fors tank, the same old dustamount on the same old tincoverdull baubleclass, totstitty-winktosser and bogusbagwindburster, whether fitting tyres onto Danelope boys or fluttering flaus for laurettas, whatever the bucket brigade and the plug party says, touchant Arser of the Rum Tipple and his camelottery and lyonesslooting but with a layaman’s brutstrenth, by Jacohob and Esahur and the all saults or all sallies, what we warn to hear, jeff, is the woods of chirpsies cries to singaloo sweecheeriode and sock him up, the oldcant rogue.&#xA;&#xA;Group A.&#xA;&#xA;You have jest (a ham) beamed listening through (a ham pig) his haulted excerpt from John Whiston’s fiveaxled production, The Coach With The Six Insides, from the Tales of Yore of the times gone by before there was a hofdking or a hoovthing or a pinginapoke in Oreland, all sould. Goes Tory by Eeric Whigs is To Become Tintinued in Fearson’s Nightly in the Lets All Wake Brickfaced In Lucan. Lhirondella, jaunty lhirondella! With tirra lirra rondinelles, atantivy we go!&#xA;Attention! Stand at!! Ease!!!&#xA;We are now diffusing among our lovers of this sequence (to you! to you!) the dewfolded song of the naughtingels (Alys! Alysaloe!) from their sheltered positions, in rosescenery hay-dyng, on the heather side of waldalure, Mount Saint John’s, Jinnyland, whither our allies winged by duskfoil from Moore-parque, swift sanctuary seeking, after Sunsink gang (Oiboe! Hitherzither! Almost dotty! I must dash!) to pour their peace in partial (floflo floreflorence), sweetishsad lightandgayle, twittwin twosingwoolow. Let everie sound of a pitch keep still in reson-ance, jemcrow, jackdaw, prime and secund with their terce that whoe betwides them, now full theorbe, now dulcifair, and when we press of pedal (sof!) pick out and vowelise your name. A mum. You pere Golazy, you mere Bare and you Bill Heeny, and you Smirky Dainty and, more beethoken, you wheckfoolthe-nairyans with all your badchthumpered peanas! We are gluck — glucky in our being so far fortunate that, bark and bay duol with Man Goodfox inchimings having ceased to the moment, so allow the clinkars of our nocturnefield, night’s sweetmoztheart, their Carmen Sylvae, my quest, my queen. Lou must wail to cool me airly! Coil me curly, warbler dear! May song it flourish (in the underwood), in chorush, long make it flourish (in the Nut, in the Nutsky) till thorush! Secret Hookup.&#xA;&#xA;— Roguenaar Loudbrags, that soddy old samph! How high is vuile, var?&#xA;To which yes he did, capt, that was the answer.&#xA;— And his shartshort trooping its colours! We knows his ventruquulence.&#xA;Which that that rang ripprippripplying.&#xA;— Bulbul, bulbulone! I will shally. Thou shalt willy. You wouldn't should as youd remesmer. I hypnot. ’Tis golden sickle’s hour. Holy moon priestess, we’d love our grappes of mistellose! Moths the matter? Pschtt! Tabarins comes. To fell our fairest. O gui, O gui! Salam, salms, salaum! Carolus! O indeed and we ware! And hoody crow was ere. I soared from the peach and Missmolly showed her pear too, onto three and away. Whet the bee as to deflowret greendy grassies yellowhorse. Kematitis, cele our er-dours! Did you aye, did you eye, did you everysee suchaway, suchawhy, eeriewhigg airywhugger? Even to the extremity of the world? Dingoldell! The enormanous his, our littlest little! Wee wee, that long alancey one! Let sit on this anthill for our frilldress talk after this day of making blithe inveiled the heart before our groatsupper serves to us Panchomaster and let har- leqwind play peeptomine up all our colombinations! Wins won is nought, twigs too is nil, tricks trees makes nix, fairs fears stoops at nothing. And till Arthur comes againus and sen pea-trick’s he’s reformed we’ll pose him together a piece, a pace. Shares in guineases! There’s lovely the sight! Surey me, man weepful! Big Seat, you did hear? And teach him twisters in tongue irish. Pat lad may goh too. Quicken, aspen;ash and yew; willow, broom with oak for you. And move your tellabout. Not nice is that, limpet lady! Spose we try it promissly. Love all. Naytellmeknot tennis! Taunt me treattening! But do now say to Mr Eustache! Ingean mingen has to hear. Whose joint is out of jealousy now? Why, heavilybody’s evillyboldy’s. Hopping Gra-cius, onthy ovful! O belessk mie, what a nerve! How a mans in his armor we nurses know. Wingwong welly, pitty pretty Nelly! Some Poddy pitted in, will anny petty pullet out? Call Kitty Kelly! Kissykitty Killykelly! What a nossowl buzzard! But what a neats ung gels!&#xA;&#xA;Here all the leaves alift aloft, full o’liefing, fell alaughing over Ombrellone and his parasollieras with their black thronguards from the County Shillelagh. Ignorant invincibles, innocents immutant! Onzel grootvatter Lodewijk is onangonamed before the bridge of primerose and his twy Isas Boldmans is met the bluey-bells near Dandeliond. We think its a gorsedd shame, these go — doms. A lark of limonladies! A lurk of orangetawneymen! You’re backleg wounted, budkley mister, bester of the boyne!&#xA;&#xA;And they leaved the most leavely of leaftimes and the most folliagenous till there came the marrer of mirth and the jangthe-rapper of all jocolarinas and they were as were they never ere. Yet had they laughtered, one on other, undo the end and enjoyed their laughings merry was the times when so grant it High Hila-rion us may too!&#xA;&#xA;Cease, prayce, storywalkering around with gestare romano-verum he swinking about is they think and plan unrawil what.&#xA;&#xA;Back to Droughty! The water of the face has flowed.&#xA;&#xA;The all of them, the sowriegueuxers, blottyeyed boys, in that pig’s village smoke, a sixdigitarian legion on druid circle, the Clandibblon clam cartel, then pulled out and came off and rally agreed them, roasted malts with toasted burleys, in condomnation of his totomptation and for the duration till his repepulation, upon old nollcromforemost ironsides, as camnabel chieftain, since, as Sammon trowed to explain to summon, seeing that, as he had contracted out of islands empire, he might as coolly have rolled to school call, tarponturboy, a grampurpoise, the manyfathom brinegroom with the fortyinch bride, out of the cuptin klanclord kettle auction like the soldr of a britsh he was bound to be and become till the sea got him whilask, from maker to misses and what he gave was as a pattern, he, that hun of a horde, is a finn as she, his tent wife, is a lap, at home on a steed, abroad by the fire (to say nothing of him having done whatyouknow howyou-saw whenyouheard whereyouwot, the kenspeckled souckar, generose as cocke, greediguss with garzelle, uprighter of age and most umbrasive of yews all, under heaviest corpsus exemption) and whoasever spit her in howsoever’s fondling saving her keepers that mould the bould she sould to hould the wine that wakes the barley, the peg in his pantry to hold the heavyache off his heart. The droll delight of deemsterhood, a win from the wood to bond. Like the bright lamps, Thamamahalla, yearin out yearin. Auspicably suspectable but in expectancy of respectable-ness. From dirty flock bedding, drip dropping through the ceil — ing, with two sisters of charities on the front steps and three eva — cuan cleansers at the back gaze, single box and pair of chairs (suspectable), occasionally and alternatively used by husband when having writing to do in connection with equitable druids and friendly or other societies through periods of dire want with comparative plenty (thunderburst, ravishment, dissolution and providentiality) to a sofa allbeit of hoarsehaar with Amodicum cloth, hired payono, still playing off, used by the youngsters for czurnying out oldstrums, three bedrooms upastairs, of which one with fireplace (aspectable), with greenhouse in prospect (par-ticularly perspectable).&#xA;&#xA;And you, when you kept at Dulby, were you always (for that time only) what we knew how when we (from that point solely) were you know where? There you are! And why? Why, hitch a cock eye, he was snapped on the sly upsadaisying coras pearls out of the pie when all the perts in princer street set up their tinker’s humn, (the rann, the rann, that keen of old bards), with them newnesboys pearcin screaming off their armsworths. The boss made dovesandraves out of his bucknesst while herself wears the bowler’s hat in her bath. Deductive Almayne Rogers disguides his voice, shetters behind hoax chestnote from exexive. Heat wives rasing. They jest keeps rosing. He jumps leaps rizing. Howlong!&#xA;You known that tom? I certainly know. Is their bann boths-tiesed? Saddenly now. Has they bane reneemed? Soothinly low. Does they ought to buy the papelboy when he footles up their suit? He’s their mark to foil the flouter and they certainty owe.&#xA;&#xA;He sprit in his phiz (baccon!). He salt to their bis (pudden!). He toockled her palam (so calam is solom!). And he suked their friends’ leave (bonnick lass, fair weal!)&#xA;&#xA;— Guilty but fellows culpows! It was felt by me sindeade, that submerged doughdoughty doubleface told waterside labourers. But since we for athome’s health have chanced all that, the wild whips, the wind ships, the wonderlost for world hips, unto their foursquare trust prayed in aid its plumptylump piteousness which, when it turtled around seeking a thud of surf, spake to approach from inherdoff trisspass through minxmingled hair. Though I may have hawked it, said, and selled my how hot peas after theactrisscalls from my imprecurious position and though achance I could have emptied a pan of backslop down drain by whiles of dodging a rere from the middenprivet appurtenant thereof, salving the presents of the board of wumps and pumps, I am ever incalpable, where release of prisonals properly is concerned, of unlifting upfallen girls wherein dangered from them in thereopen out of unadulteratous bowery, with those hintering influences from an angelsexonism. It was merely my barely till their oh offs. Missaunderstaid. Meggy Guggy’s giggag. The code’s proof! The rebald danger with they who would bare white-ness against me I dismissem from the mind of good. He can tell such as story to the Twelfth Maligns that my first was a nurss-maid and her fellower’s a willbe perambulatrix. There are twingty to twangty too thews and leathermail coatschemes penparing to hostpost for it valinnteerily with my valued fofavour to the post puzzles deparkment with larch parchels’ of presents for future branch offercings. The green approve the raid! Shaum Baum’s bode he is amustering in the groves while his shool comes merging along! Want I put myself in their kirtlies I were ayearn to leap with them and show me too bisextine. Dear and lest I for-get mergers and bow to you low, marchers! Attemption! What a mazing month of budsome misses they are making, so wingty-wish to flit beflore their kin! Attonsure! Ears to hears! The skall of a gall (for every dime he yawpens that momouth you could park your ford in it) who has papertreated him into captivities with his inside man by a hocksheat of starvision for an avrageto-peace of parchment, cooking up his lenses to be my apoclogypst, the recreuter of conscraptions, let him be asservent to Kinahaun! For (peace peace perfectpeace!) I have abwaited me in a water of Elin and I have placed my reeds intectis before the Registower of the perception of tribute in the hall of the city of Analbe. How concerns any merryaunt and hworsoever gravesobbers it is perensempry sex of fun to help a dazzle off the othour. What for Mucias and Gracias may the duvlin rape the handsomst! And the whole mad knightmayers’ nest! Tunpother, prison and plotch! If Y shoulden somewhat, well, I am able to owe it, hearth and chem ney easy. They seeker for vannflaum all worldins merkins. I’ll eager make lyst turpidump undher arkens. Basast! And if my liti-gimate was well to wrenn tigtag cackling about it, like the sally berd she is, to abery ham in the Cutey Strict, (I shall call upon my first among my lost of lyrars beyond a jingoobangoist, to overcast her) dismissing mundamanu all the riflings of her vic-tuum gleaner (my old chuck! she drakes me druck! turning out, gay at ninety!) and well shoving offa boastonmess like lots wives does over her handpicked hunsbend, as she would be calling, well, for further oil mircles upon all herwayferer gods and reanouncing my deviltries as was I a locally person of caves until I got my purchase on her firmforhold I am, I like to think, by their sacre-ligion of daimond cap daimond, confessedly in my baron gentil — homme to the manhor bourne till ladiest day as panthoposopher, to have splet for groont a peer of bellows like Bacchulus shakes a rousing guttural at any old cerpaintime by peaching (allsole we are not amusical) the warry warst against myself in the defile as a lieberretter sebaiscopal of these mispeschyites of the first virgi-nial water who, without an auction of biasement from my part, with gladyst tone ahquickyessed in it, overhowe and under-where, the totty lolly poppy flossy conny dollymaukins Though I heave a coald on my bauck and am could up to my eres hoven sametimes I used alltides to be aswarmer for the meekst and the graced. You are not going to not. You might be threeabreasted wholenosing at a whallhoarding from our Don Amir anent villa-yets prostatution precisingly kuschkars tarafs and it could be double densed uncounthest hour of allbleakest age with a bad of wind and a barran of rain, nompos mentis like Novus Elector, what with his Marx and their Groups, yet did a doubt, should a dare, were to you, you would do and dhamnk me, shenker, dhumnk you. Skunk. And fare with me to share with me. Hinther and thonther, hant by hont. By where dauvening shedders down whose rovely lanes. As yose were and as yese is. Sure and you would, Mr Mac Gurk! Be sure and you would, Mr O’Duane! To be sure and you would so, Mr MacElligut! Wod you nods? Mom mom. No mum has the rod to pud a stub to the lurch of amotion. My little love apprencisses, my dears, the estelles, van Nessies von Nixies voon der pool, which I had a reyal devouts for yet was it marly lowease or just a feel with these which olderman K.K. Alwayswelly he is showing ot the fullnights for my palmspread was gav to a parsleysprig, the curliest weedeen old ocean coils around, so spruce a spice for salthorse, sonnies, and as tear to the thrusty as Tay-lor’s Spring, when aftabournes, when she was look like a little cheayat chilled (Oh sard! ah Mah!) by my tide impracing, as Beacher seath, and all the colories fair fled from my folced cheeks! Popottes, where you canceal me you mayst forced guage my bribes. Wickedgapers, I appeal against the light! A nexistence of vividence! Panto, boys, is on a looser inloss;ballet, girls, suppline thrown tights. I have wanted to thank you such a long time so much now. Thank you. Sir, kindest of bottleholders and very dear friend, among our hearts of steel, froutiknow, it will befor you, me dare beautiful young soldier, winninger nor anyour of rudi-mental moskats, before you go to mats, you who have watched your share with your sockboule sodalists on your buntad nogs at our love tennis squats regatts, suckpump, when on with the balls did disserve the fain, my goldrush gainst her silvernetss, to say, biguidd, for the love of goddess and perthanow as you reveres your one mothers, mitsch for matsch, and while I reveal thus my deepseep daughter which was bourne up pridely out of meds-dreams unclouthed when I was pillowing in my brime (of Satur — nay Eve, how now, woren’t we’t?), to see, I say, whoahoa, in stay of execution in re Milcho Melekmans, increaminated, what you feel, oddrabbit, upon every strong ground you have ever taken up, by bitterstiff work or battonstaff play, with assault of turk against a barrakraval of grakeshoots, e’en tho’ Jambuwel’s defe-calties is Terry Shimmyrag’s upperturnity, if that is grace for tbe grass what is balm for the bramblers, as it is as it is, that I am the catasthmatic old ruffin sippahsedly improctor to be seducint tro-vatellas, the dire daffy damedeaconesses, like (why sighs the sootheesinger) the lilliths oft I feldt, and, when booboob brutals and cautiouses only aims at the oggog hogs in the humand, then, (Houtes, Blymey and Torrenation, upkurts and scotchem!) I’ll tall tale tell croon paysecurers, sowill nuggets and nippers, that thash on me stumpen blows the gaff offmombition and thit thides or marse makes a good dayle to be shattat. Fall stuff.&#xA;His rote in ere, afstef, was.&#xA;&#xA;And dong wonged Magongty till the bombtomb of the warr, thrusshed in his whole soort of cloose.&#xA;&#xA;Whisht who wooed in Weald, bays of Bawshaw binding. The desire of Miriam is the despair of Marian as Joh Joseph’s beauty is Jacq Jacob’s grief. Brow, tell nun; eye, feign sad; mouth, sing mim. Look at Lokman! Whatbetween the cupgirls and the platterboys. And he grew back into his grossery baseness: and for all his grand remonstrance: and there you are.&#xA;Here endeth chinchinatibus with have speak finish. With a haygue for a halt on a pouncefoot panse. Pink, pleas pink, two pleas pink, how to pleas pink.&#xA;&#xA;Punk.&#xA;&#xA;Mask one. Mask two. Mask three. Mask four.&#xA;&#xA;Up.&#xA;&#xA;— Look about you, Tutty Comyn!&#xA;— Remember and recall, Kullykeg!&#xA;— When visiting Dan Leary try the corner house for thee.&#xA;— I’ll gie ye credit for simmence more if ye’ll be lymphing. Our four avunculusts.&#xA;&#xA;And, since threestory sorratelling was much too many, they maddened and they morgued and they lungd and they jowld. Synopticked on the word. Till the Juke done it.&#xA;Down.&#xA;&#xA;Like Jukoleon, the seagoer, when he bore down in his perry boat he had raised a slide and shipped his orders and seized his pullets and primed their plumages, the fionnling and dubhlet, the dun and the fire, and, sending them one by other to fare fore fom, he had behold the residuance of a delugion: the foggy doze still going strong, the old thalassocrats of invinsible empores, maskers of the waterworld, facing one way to another way and this way on that way, from severalled their fourdimmansions. Where the lighning leaps from the numbulous; where coold by cawld breide lieth langwid; the bounds whereinbourne our solied bodies all attomed attaim arrest: appoint, that’s all. But see what follows. Wringlings upon wronglings among incomputables about an uncomeoutable (an angel prophetethis? kingcorrier of beheasts? the calif in his halifskin? that eyriewinging one?) and the voids bubbily vode’s dodos across the which the boomomouths from their dupest dupes were in envery and anononously blowing great.&#xA;&#xA;Guns.&#xA;&#xA;Keep backwards, please, because there was no good to gundy running up again. Guns. And it was written up in big capital. Guns. Saying never underrupt greatgrandgosterfosters! Guns. And whatever one did they said, the fourlings, that on no acounts you were not to. Guns.&#xA;&#xA;Not to pad them behaunt in the fear. Not to go, tonnerwatter, and bungley well chute the rising gianerant. Not to wandly be woking around jerumsalemdo at small hours about the murketplots, smelling okey boney, this little figgy and arraky belloky this little pink into porker but, porkodirto, to let the gentlemen pedesta-rolies out of the Monabella culculpuration live his own left leave, cullebuone, by perperusual of the petpubblicities without inwoking his also’s between (sic) the arraky bone and (suc) the okey bellock. And not to not be always, hemmer and hummer, treeing unselves up with one exite but not to never be caving nicely, pre-cisely, quicely, rebustly, tendrolly, unremarkably, forsakenly, hal — tedly, reputedly, firstly, somewhatly, yesayenolly about the back excits. Never to weaken up in place of the broths. Never to vvol-lusslleepp in the pleece of the poots. And, allerthings, never to ate the sour deans if they weren’t having anysin on their consients. And, when in Zumschloss, to never, narks, cease till the finely ending was consummated by the completion of accomplishment.&#xA;&#xA;And thus within the tavern’s secret booth The wisehight ones who sip the tested sooth Bestir them as the Just has bid to jab The punch of quaram on the mug of truth.&#xA;&#xA;K.C. jowls, they’re sodden in the secret. K.C. jowls, they sure are wise. K.C. jowls, the justicestjobbers, for they’ll find another faller if their ruse won’t rise. Whooley the Whooper.&#xA;&#xA;There is to see. Squarish large face with the atlas jacket. Brights, brownie eyes in bluesackin shoeings. Peaky booky nose over a lousiany shirt. Ruddy stackle hair besides a strawcamel belt. Namely. Gregorovitch, Leonocopolos, Tarpinacci and Duggel-duggel. And was theys stare all atime? Yea but they was. Andor — ing the games, induring the studies, undaring the stories, end all. Ned? Only snugged then and cosied after one percepted nought while tuffbettle outraged the waywords and meansigns of their hinterhand suppliesdemands. And be they gone to splane splication? That host that hast one on the hoose when backturns when he facefronts none none in the house his geust has guest. You bet they is. And nose well down.&#xA;&#xA;With however what sublation of compensation in the radification of interpretation by the byeboys? Being they. Mr G. B. W. Ashburner, S. Bruno’s Toboggan Drive, Mr Faixgood, Bell-chimbers, Carolan Crescent, Mr I. I. Chattaway, Hilly Gape, Poplar Park, Mr Q. P. Dieudonney, The View, Gazey Peer, Mr T. T. Erchdeakin, Multiple Lodge, Jiff Exby Rode, Mr W. K. Ferris–Fender, Fert Fort, Woovil Doon Botham ontowhom adding the tout that pumped the stout that linked the lank that cold the sandy that nextdoored the rotter that rooked the rhymer that lapped at the hoose that Joax pilled.&#xA;&#xA;They had heard or had heard said or had heard said written.&#xA;&#xA;Fidelisat.&#xA;&#xA;That there first a rudrik kingcomed to an inn court; and the seight of that yard was a perchypole with a loovahgloovah on it; last mannarks maketh man when wandshift winneth womans: so how would it hum, whoson of a which, if someof aswas to start to stunt the story on?&#xA;So many needles to ponk out to as many noodles as are com-pany, they noddling all about it tutti to tempo, decumans numbered too, (a) well, that the secretary bird, better known as Pandoria Paullabucca, whom they thought was more like a solicitor general, indiscriminatingly made belief mid authorsagastions from Schelm the Pelman to write somewords to Senders about her chilikin puck, laughing that Poulebec would be the death of her, (b) that, well, that Madges Tighe, the postulate auditressee, when her daremood’s a grownian, is always on the who goes where, hoping to Michal for the latter to turn up with a cupital tea before her ephumeral comes off without any much father which is parting parcel of the same goumeral’s postoppage, it being lookwhyse on the whence blows weather helping mickle so that the loiter end of that leader may twaddle out after a cubital lull with a hopes soon to ear, comprong? (c) becakes the goatsman on question, or what-ever the hen the bumbler was, feeling not up to scratch bekicks of whatever the kiddings Payne Inge and Popper meant for him, thoughy onced at a throughlove, true grievingfrue danger, as a nirshe persent to his minstress, devourced the pair of them Mather Caray’s chucklings, pante blanche, and skittered his litters like the cavaliery man in Cobra Park for ungeborn yenkelmen, Jeremy Trouvas or Kepin O’Keepers, any old howe and any old then and when around Dix Dearthy Dungbin, remarking sceni-cally with laddylike lassitude upon what he finally postscrapped, (d) after it’s so long till I thanked you about I do so much now thank you so very much as you introduced me to fourks, (e) will, these remind to be sane? (f) Fool step! Aletheometry? Or just zoot doon floon?&#xA;&#xA;Nut it out, peeby eye! Onamassofmancynaves.&#xA;&#xA;But. Top.&#xA;&#xA;You were in the same boat of yourselves too, Getobodoff or Treamplasurin; and you receptionated the most diliskious of milisk; which it all flowowered your drooplin dunlearies: but dribble a drob went down your rothole. Meaning, Kelly, Grimes, Phelan, Mollanny, O’Brien, MacAlister, Sealy, Coyle, Hynes–Joynes, Naylar–Traynor, Courcy de Courcy and Gilligan–Goll.&#xA;&#xA;Stunner of oddstodds on bluebleeding boarhorse! What soresen’s head subrises thus tous out of rumpumplikun oak with, well, we cannot say whom we are looking like through his now-face? It is of Noggens whilk dusts the bothsides of the seats of the bigslaps of the bogchaps of the porlarbaar of the marringaar of the Lochlunn gonlannludder of the feof of the foef of forfummed Ship-le-Zoyd.&#xA;&#xA;Boumce! It is polisignstunter. The Sockerson boy. To pump the fire of the lewd into those soulths of bauchees, havsouse-dovers, tillfellthey deadwar knootvindict. An whele time he was rancing there smutsy floskons nodunder ycholerd for their poopishers, ahull onem Fyre maynoother endnow! Shatten up ship! Bouououmce! Nomo clandoilskins cheakinlevers! All ashored for Capolic Gizzards! Stowlaway there, glutany of stainks! Porterfillyers and spirituous suncksters, oooom oooom!&#xA;&#xA;As these vitupetards in his boasum he did strongleholder, bushbrows, nobblynape, swinglyswanglers, sunkentrunk, that from tin of this clucken hadded runced slapottleslup. For him had hord from fard a piping. As? Of?&#xA;&#xA;Dour douchy was a sieguldson. He cooed that loud nor he was young. He cud bad caw nor he was gray Like wather parted from the say.&#xA;Ostia, lift it! Lift at it, Ostia! From the say! Away from the say!&#xA;&#xA;Himhim. Himhim.&#xA;&#xA;Hearhasting he, himmed, reromembered all the chubbs, chipps, chaffs, chuckinpucks and chayney chimebells That he had mistri-buted in port, pub, park, pantry and poultryhouse, While they, thered, the others, that are, were most emulously concerned to cupturing the last dropes of summour down through their grooves of blarneying. Ere the sockson locked at the dure. Which he would, shuttinshure. And lave them to sture.&#xA;For be all rules of sport ’tis right That youth bedower’d to charm the night Whilst age is dumped to mind the day When wather parted from the say.&#xA;&#xA;The humming, it’s coming. Insway onsway.&#xA;&#xA;Fingool MacKishgmard Obesume Burgearse Benefice, He was bowen hem and scrapin him in recolcitrantament to the right-about And these probenopubblicoes clamatising for an extinsion on his hostillery With his chargehand bombing their eres. Tids, genmen, plays, she been goin shoother off almaynoother on-awares.&#xA;&#xA;You here nort farwellens rouster? Ashiffle ashuffle the wayve they.&#xA;&#xA;From Dancingtree till Suttonstone There’s lads no lie would filch a crown To mull their sack and brew their tay With wather parted from the say.&#xA;&#xA;Lelong Awaindhoo’s a selverbourne enrouted to Rochelle Lane and liberties those Mullinguard minstrelsers are marshal-sing, par tunepiped road, under where, perked on hollowy hill, that poor man of Lyones, good Dook Weltington, hugon come er- rindwards, had hircomed to the belles bows and been cutat-trapped by the mausers. Now is it town again, londmear of Dub — lin! And off coursse the toller, ples the dotter of his eyes with her: Moke the Wanst, whye doe we aime alike a pose of poeter peaced? While the dumb he shoots the shopper rope. And they all pour forth. Sans butly Tuppeter Sowyer, the rouged engene-rand, a barttler of the beauyne, still our benjamin liefest, some — time frankling to thise citye, whereas bigrented him a piers half subporters for his arms, Josiah Pipkin, Amos Love, Raoul Le Feb-ber, Blaize Taboutot, Jeremy Yopp, Francist de Loomis, Hardy Smith and Sequin Pettit followed by the snug saloon seanad of our Caf‚ B‚ranger. The scenictutors.&#xA;&#xA;Because they wonted to get out by the goatweigh afore the sheep was looset for to wish the Wobbleton Whiteleg Welshers kailly-kailly kellykekkle and savebeck to Brownhazelwood from all the dinnasdoolins on the labious banks of their swensewn snewwes-ner, turned again weastinghome, by Danesbury Common, and they onely, duoly, thruely, fairly after rainydraining founty-buckets (chalkem up, hemptyempty!) till they caught the wind abroad (alley loafers passinggeering!) all the rockers on the roads and all the boots in the stretes.&#xA;Oh dere! Ah hoy!&#xA;&#xA;Last ye, lundsmin, hasty hosty! For an anondation of miri-fication and the lutification of our paludination.&#xA;&#xA;His bludgeon’s bruk, his drum is tore. For spuds we’ll keep the hat he wore And roll in clover on his clay By wather parted from the say.&#xA;Hray! Free rogue Mountone till Dew Mild Well to corry awen and glowry! Are now met by Brownaboy Fuinnninuinn’s former for a lyncheon partyng of his burgherbooh. The Shanavan Wacht. Rantinroarin Batteries Dorans. And that whistling thief, O’ Ryne O’Rann. With a catch of her cunning like and nowhere a keener.&#xA;&#xA;The for eolders were aspolootly at their wetsend in the mailing waters, trying to. Hide! Seek! Hide! Seek! Because number one lived at Bothersby North and he was trying to. Hide! Seek! Hide! Seek! And number two digged up Poors Coort, Soother, trying to. Hide! Seek! Hide! Seek! And nomber three he sleeped with Lilly Tekkles at The Eats and he was trying to. Hide! Seek! Hide! Seek! And the last with the sailalloyd donggie he was berthed on the Moherboher to the Washte and they were all trying to and baffling with the walters of, hoompsydoompsy walters of. High! Sink! High! Sink! Highohigh! Sinkasink!&#xA;&#xA;Waves.&#xA;&#xA;The gangstairs strain and anger’s up As Hoisty rares the can and cup To speed the bogre’s barque away O’er wather parted from the say.&#xA;Horkus chiefest ebblynuncies!&#xA;&#xA;— He shook be ashaped of hempshelves, hiding that shepe in his goat. And for rassembling so bearfellsed the magreedy prince of Roger. Thuthud. Heigh hohse, heigh hohse, our kin-dom from an orse! Bruni Lanno’s woollies on Brani Lonni’s hairyparts. And the hunk in his trunk it would be an insalt foul the matter of that cellaring to a pigstrough. Stop his laysense. Ink him! You would think him Alddaublin staking his lordsure like a gourd on puncheon. Deblinity devined. Wholehunting the pairk on a methylogical mission whenever theres imberillas! And calling Rina Roner Reinette Ronayne. To what mine answer is a lemans. Arderleys, beedles and postbillers heard him. Three points to one. Ericus Vericus corrupted into ware eggs. Dummy up, distillery! Broree aboo! Run him a johnsgate down jameses-lane. Begetting a wife which begame his niece by pouring her youngthings into skintighs. That was when he had dizzy spells. Till Gladstools Pillools made him ride as the mall. Thanks to his huedobrass beerd. Lodenbroke the Longman, now he canseels under veerious persons but is always that Rorke relly! On consideration for the musickers he ought to have down it. Pass out your cheeks, why daunt you! Penalty, please! There you’ll know how warder barded the bollhead that parssed our alley. We just are upsidedown singing what ever the dimkims mummur alla-lilty she pulls inner out heads. This is not the end of this by no manners means. When you’ve bled till you’re bone it crops out in your flesh. To tell how your mead of, mard, is made of. All old Dadgerson’s dodges one conning one’s copying and that’s what wonderland’s wanderlad’ll flaunt to the fair. A trancedone boy-script with tittivits by. Ahem. You’ll read it tomorrow, marn, when the curds on the table. A nigg for a nogg and a thrate for a throte. The auditor learns. Still pumping on Torkenwhite Rad-lumps, Lencs. In preplays to Anonymay’s left hinted palinode obviously inspiterebbed by a sibspecious connexion. Note the notes of admiration! See the signs of suspicion! Count the hemi-semidemicolons! Screamer caps and invented gommas, quoites puntlost, forced to farce! The pipette will say anything at all for a change. And you know what aglove means in the Murdrus due-luct! Fewer to feud and rompant culotticism, a fugle for the glee — men and save, sit and sew. And a pants outsizinned on the Doughertys’ duckboard pointing to peace at home. In some, lawanorder on lovinardor. Wait till we hear the Boy of Biskop reeling around your postoral lector! Epistlemadethemology for deep dorfy doubtlings. As we’ll lay till break of day in the bunk of basky, O! Our island, Rome and duty! Well tried, buckstiff! Batt in, boot! Sell him a breach contact, the vendoror, the buylawyer One hyde, sack, hic! Two stick holst, Lucky! Finnish Make Goal! First you were Nomad, next you were Namar, now you’re Nu-mah and it’s soon you’ll be Nomon. Hence counsels Ecclesiast. There’s every resumption. The forgein offils is on the shove to lay you out dossier. Darby’s in the yard, planning it on you, plot and edgings, the whispering peeler after cooks wearing an illfor-mation. The find of his kind! An artist, sir! And dirt cheap at a sovereign a skull! He knows his Finsbury Follies backwoods so you batter see to your regent refutation. Ascare winde is rifing again about nice boys going native. You know who was wrote about in the Orange Book of Estchapel? Basil and the two other men from King’s Avenance. Just press this cold brand against your brow for a mow. Cainfully! The sinus the curse. That’s it. Hung Chung Egglyfella now speak he tell numptywumpty top-sawys belongahim pidgin. Secret things other persons place there covered not. How you fell from story to story like a sagasand to lie. Enfilmung infirmity. On the because alleging to having a finger a fudding in pudding and pie. And here’s the witnesses. Glue on to him, Greevy! Bottom anker, Noordeece! And kick kick killykick for the house that juke built! Wait till they send you to sleep, scowpow! By jurors’ cruces! Then old Hunphy-dunphyville’ll be blasted to bumboards by the youthful herald who would once you were. He’d be our chosen one in the matter of Brittas more than anarthur. But we’ll wake and see. The wholes poors riches of ours hundreds of manhoods and womhoods. Two cents, two mills and two myrds. And it’s all us rangers you’ll be facing in the box before the twelfth correctional. Like one man, gell. Between all the Misses Mountsackvilles in their halfmoon haemicycles, gasping to giddies to dye for the shame. Just hold hard till the one we leapt out gets her yearing! Hired in cameras, extra! With His Honour Surpacker on the binge. So yelp your guilt and kitz the buck. You’ll have loss of fame from Wimme-game’s fake. Forwards! One bully son growing the goff and his twinger read out by the Nazi Priers. You fought as how they’d never woxen up, did you, crucket? It will wecker your earse, that it will! When hives the court to exchequer ’tis the child which gives the sire away. Good for you, Richmond Rover! Scrum around, our side! Let him have another between the spindlers! A grand game! Dalymount’s decisive. Don Gouverneur Buckley’s in the Tara Tribune, sporting the insides of a Rhutian Jhanaral and little Mrs Ex–Skaerer-Sissers is bribing the halfpricers to pray for her widower in his gravest embazzlement. You on her, hosy jigses, that’ll be some nonstop marrimont! You in your stolen mace and anvil, Magnes, and her burrowed in Berkness cirrchus clouthses. Fummuccumul with a graneen aveiled. Playing down the slavey touch. Much as she was when the.fancy cutter out col-lecting milestones espied her aseesaw on a fern. So nimb, he said, a dat of dew. Between Furr-y-Benn and Ferr-y-Bree. In this tear Vikloe vich he lofed. The smiling ever. If you pulls me over pay me, prhyse! A talor would adapt his caulking trudgers on to any shape at see. Address deceitfold of wovens weard. The wonder of the women of the world together, moya! And the lovablest Lima since Ineen MacCormick MacCoort MacConn O’Puckins MacKundred. Only but she is a little width wider got. Be moving abog. You cannot make a limousine lady out of a hillman minx. Listun till you’ll hear the Mudquirt accent. This is a bulgen horesies, this is wollan indulgencies, this is a flemsh. Tik. Scapu-lars, beads and a stump of a candle, Hubert was a Hunter, chemins de la croixes and Rosairette’s egg, all the trimmings off the tree that she picked up after the Clontarf voterloost when O’Bryan MacBruiser bet Norris Nobnut. Becracking his cucconut be-tween his kknneess. Umpthump, Here Inkeeper, it’s the doater — een’s wednessmorn! Delphin dringing! Grusham undergang! And the Real Hymernians strenging strong at knocker knocker! Holy and massalltolled. You ought to tak a dos of frut. Jik. Sauss. You’re getting hoovier, a twelve stone hoovier, fullends a twelve stone hoovier, in your corpus entis and it scurves you right, demnye! Aunt as unclish ams they make oom. But Nichtia you bound not to loose’s gone on Neffin since she clapped her charmer on him at Gormagareen. At the Gunting Munting Hunting Punting. The eitch is in her blood, arrah! For a frecklesome freshcheeky sweetworded lupsqueezer. And he shows how he’ll pick him the lock of her fancy. Poghue! Poghue! Poghue! And a good jump, Powell! Clean over all their heads. We could kiss him for that one, couddled we, Huggins? Sparkes is the footer to hance off nancies. Scaldhead, pursue! Before you bunkledoodle down upon your birchentop again after them three blows from time, drink and hurry. The same three that nursed you, Skerry, Badbols and the Grey One. All of your own club too. With the fistful of burryberries were for the massus for to feed you living in dying. Buy bran biscuits and you’ll never say dog. And be in the finest of companies. Morialtay and Kniferope Walker and Rowley the Barrel. With Longbow of the lie. Slick of the trick and Blennercassel of the brogue. Clanruckard for ever! The Fenn, the Fenn, the kinn of all Fenns! Deaf to the winds when for Croonacreena. Fisht! And it’s not now saying how we are where who’s softing what rushes. Merryvirgin forbed! But of they never eat soullfriede they’re ating it now. With easter greeding. Angus! Angus! Angus! The keykeeper of the keys of the seven doors of the dreamadoory in the house of the house-hold of Hecech saysaith. Whitmore, whatmore? Give it over, give it up! Mawgraw! Head of a helo, chesth of champgnon, eye of a gull! What you’d if he’d. The groom is in the greenhouse, gattling out his. Gun! That lad’s the style for. Lannigan’s ball! Now a drive on the naval! The Shallburn Shock. Never mind your gibbous. Slip on your ropen collar and draw the noosebag on your head. Nobody will know or heed you, Postumus, if you skip round schlymartin by the back and come front sloomutren to beg in one of the shavers’ sailorsuits. Three climbs three-quickenthrees in the garb of nine. We’ll split to see you mouldem imparvious. A wing for oldboy Welsey Wandrer! Well spat, witty wagtail! Now piawn to bishop’s forthe! Moove. There’s Mumblesome Wadding Murch cranking up to the hornemooni-um. Drawg us out Ivy Eve in the Hall of Alum! The finnecies of poetry wed music. Feeling the jitters? You’ll be as tight as Trivett when the knot’s knutted on. Now’s your never! Peena and Queena are duetting a giggle-for-giggle and the brideen Alan-nah is lost in her diamindwaiting. What a magnificent gesture you will show us this gallus day. Clean and easy, be the hooker! And a free for croaks after. Dovlen are out for it. So is Rathfinn. And, hike, here’s the hearse and four horses with the interpro-vincial crucifixioners throwing lots inside to know whose to be their gosson and whereas to brake the news to morhor. How our myterbilder his fullen aslip. And who will wager but he’ll Shonny Bhoy be, the fleshlumpfleeter from Poshtapengha and all he bares sobsconcious inklings shadowed on soulskin’. Its segnet yores, the strake of a hin. Nup. Laying the cloth, to fore of them. And thanking the fish, in core of them. To pass the grace for Gard sake! Ahmohn. Mr Justician Matthews and Mr Justician Marks and Mr Justician Luk de Luc and Mr Justinian Johnston–Johnson. And the aaskart, see, behind! Help, help, hurray! All — sup, allsop! Four ghools to nail! Cut it down, mates, look slippy! They’ve got a dathe with a swimminpull. Dang! Ding! Dong! Dung! Dinnin. Isn’t it great he is swaying above us for his good and ours. Fly your balloons, dannies and dennises! He’s door-knobs dead! And Annie Delap is free! Ones more. We could ate you, par Buccas, and imbabe through you, reassuranced in the wild lac of gotliness. One fledge, one brood till hulm culms evurdyburdy. Huh the throman! Huh the traidor. Huh the truh. Arrorsure, he’s the mannork of Arrahland over-sense he horrhorrd his name in thuthunder. Rrrwwwkkkrrr! And seen it rudden up in fusefiressence on the flashmurket. P.R.C.R.L.L. Royloy. Of the rollorrish rattillary. The lewd-ningbluebolteredallucktruckalltraumconductor! The unnamed nonirishblooder that becomes a Greenislender overnight! But we’re molting superstituettes out of his fulse thortin guts. Tried mark, Easterlings. Sign, Soideric O’Cunnuc, Rix. Adversed ord, Magtmorken, Kovenhow. There’s a great conversion, myn! Cou-cous! Find his causcaus! From Motometusolum through Bulley and Cowlie and Diggerydiggerydock down to bazeness’s usual? He’s alight there still, by Mike! Loose afore! Bung! Bring forth your deed! Bang! Till is the right time. Bang! Partick Thistle agen S. Megan’s versus Brystal Palace agus the Walsall! Putsch! Tiemore moretis tisturb badday! The playgue will be soon over, rats! Let sin! Geh tont! All we wants is to get peace for posses-sion. We dinned unnerstunned why you sassad about thurteen to aloafen, sor, kindly repeat! Or ledn us alones of your lungorge, parsonifier propounde of our edelweissed idol worts! Shaw and Shea are lorning obsen so hurgle up, gandfarder, and gurgle me gurk. You can’t impose on frayshouters like os. Every tub here spucks his own fat. Hang coersion everyhow! And smotther-mock Gramm’s laws! But we’re a drippindhrue gayleague all at ones. In the buginning is the woid, in the muddle is the sound-dance and thereinofter you’re in the unbewised again, vund vulsyvolsy. You talker dunsker’s brogue men we our souls speech obstruct hostery. Silence in thought! Spreach! Wear anartful of outer nocense! Pawpaw, wowow! Momerry twelfths, noebroed! That was a good one, ha! So it will be quite a material what May farther be unvuloped for you, old Mighty, when it’s aped to foul a delfian in the Mahnung. Ha ha! Talk of Paddy- barke’s echo! Kick nuck, Knockcastle! Muck! And you’ll nose it, O you’ll nose it, without warnward from we. We don’t know the sendor to whome. But you’ll find Chiggenchugger’s taking the Treaclyshortcake with Bugle and the Bitch pairsadrawsing and Horssmayres Prosession tyghting up under the threes. Stop. Press stop. To press stop. All to press stop. And be the seem talkin wharabahts hosetanzies, dat sure is sullibrated word! Bing bong! Saxolooter, for congesters are salders’ prey. Snap it up in the loose, patchy the blank! Anyone can see you’re the son of a gunnell. Fellow him up too, Carlow! Woes to the worm-quashed, aye, and wor to the winner! Think of Aerian’s Wall and the Fall of Toss. Give him another for to volleyholleydoodlem! His lights not all out yet, the liverpooser! Boohoohoo it oose! With seven hores always in the home of his thinkingthings, his nodsloddledome of his noiselisslesoughts. Two Idas, two Evas, two Nessies and Rubyjuby. Phook! No wonder, pipes as kirles, that he sthings like a rheinbok. One bed night he had the dely-siums that they were all queens mobbing him. Fell stiff. Oh, ho, ho, ho, ah, he, he! Abedicate yourself It just gegs our goad. He’ll be the deaf of us, pappappoppopcuddle, samblind daiy-rudder. Yus, sord, fathe, you woll, putty our wraughther! What we waits be after? Whyfore we come agooding? None of you, cock icy! You keep that henayearn and her fortycantle glim lookbehinder. We might do with rubiny leeses. But of all your wanings send us out your peppydecked ales and you’ll not be such a bad lot. The rye is well for whose amind but the wheateny one is proper lovely. B E N K! We sincerestly trust that Missus with the kiddies of sweet Gorteen has not B I N K to their very least tittles deranged if in B U N K and we greesiously augur for your Meggers a B E N K B A N K B O N K to sloop in with all sorts of adceterus and adsaturas. It’s our last fight, Megantic, fear you will! The refergee’s took to hailing to time the pass. There goes the blackwatchwomen, all in white, flaxed up, pur-gad! Right toe, Armitage! Tem for Tam at Timmotty Hall! We’re been carried away. Beyond bournes and bowers. So we’ll leave it to Keyhoe, Danelly and Pykemhyme, the three muskrat- eers, at the end of this age that had it from Variants’ Katey Sherratt that had it from Variants’ Katey Sherratt’s man for the bonnefacies of Blashwhite and Blushred of the Aquasancta Liffey Patrol to wind up and to tells of all befells after that to Mocked Majesty in the Malincurred Mansion.&#xA;&#xA;So you were saying, boys? Anyhow he what?&#xA;&#xA;So anyhow, melumps and mumpos of the hoose uncommons, after that to wind up that longtobechronickled gettogether thanksbetogiving day at Glenfinnisk-en-la-Valle, the anniver-sary of his finst homy commulion, after that same barbecue bean — feast was all over poor old hospitable corn and eggfactor, King Roderick O’Conor, the paramount chief polemarch and last pre-electric king of Ireland, who was anything you say yourself be — tween fiftyodd and fiftyeven years of age at the time after the socalled last supper he greatly gave in his umbrageous house of the hundred bottles with the radio beamer tower and its hangars, chimbneys and equilines or, at least, he was’nt actually the then last king of all Ireland for the time being for the jolly good reason that he was still such as he was the eminent king of all Ireland himself after the last preeminent king of all Ireland, the whilom joky old top that went before him in the Taharan dy-nasty, King Arth Mockmorrow Koughenough of the leathered leggions, now of parts unknown, (God guard his generous comicsongbook soul!) that put a poached fowl in the poor man’s pot before he took to his pallyass with the weeping eczema for better and worse until he went under the grass quilt on us, never-theless, the year the sugar was scarce, and we to lather and shave and frizzle him, like a bald surging buoy and himself down to three cows that was meat and drink and dogs and washing to him, ’tis good cause we have to remember it, going through summersultryngs of snow and sleet witht the widow Nolan’s goats and the Brownes girls neats anyhow, wait till I tell you, what did he do, poor old Roderick O’Conor Rex, the aus-picious waterproof monarch of all Ireland, when he found him — self all alone by himself in his grand old handwedown pile after all of them had all gone off with themselves to their castles of mud, as best they cud, on footback, owing to the leak of the McCarthy’s mare, in extended order, a tree’s length from the longest way out, down the switchbackward slidder of the land-sown route of Hauburnea’s liveliest vinnage on the brain, the unimportant Parthalonians with the mouldy Firbolgs and the Tuatha de Danaan googs and the ramblers from Clane and all the rest of the notmuchers that he did not care the royal spit out of his ostensible mouth about, well, what do you think he did, sir, but, faix, he just went heeltapping through the winespilth and weevily popcorks that were kneedeep round his own right royal round rollicking toper’s table, with his old Roderick Ran-dom pullon hat at a Lanty Leary can't on him and Mike Brady’s shirt and Greene’s linnet collarbow and his Ghenter’s gaunts and his Macclefield’s swash and his readymade Reillys and his pan-prestuberian poncho, the body you’d pity him, the way the world is, poor he, the heart of Midleinster and the supereminent lord of them all, overwhelmed as he was with black ruin like a sponge out of water, allocutioning in bellcantos to his own oliverian society MacGuiney’s Dreans of Ergen Adams and thruming through all to himself with diversed tonguesed through his old tears and his ould plaised drawl. starkened by the most regal of belches, like a blurney Cashelmagh crooner that lerking Clare air, the blackberd’s ballad I’ve a terrible errible lot todue todie todue tootorribleday, well, what did he go and do at all, His Most Exuberant Majesty King Roderick 0’Conor but, arrah bedamnbut, he finalised by lowering his woolly throat with the wonderful midnight thirst was on him, as keen as mustard, he could not tell what he did ale, that bothered he was from head to tail, and, wishawishawish, leave it, what the Irish, boys, can do, if he did’nt go, sliggymaglooral reemyround and suck up, sure enough, like a Trojan, in some particular cases with the assistance of his vene-rated tongue, whatever surplus rotgut, sorra much, was left by the lazy lousers of maltknights and beerchurls in the different bot-toms of the various different replenquished drinking utensils left there behind them on the premisses by that whole hogsheaded firkin family, the departed honourable homegoers and other sly- grogging suburbanites, such as it was, fall and fall about, to the brindishing of his charmed life, as toastified by his cheeriubi-cundenances, no matter whether it was chateaubottled Guiness’s or Phoenix brewery stout it was or John Jameson and Sons or Roob Coccola or, for the matter of that, O’Connell’s famous old Dublin ale that he wanted like hell, more that halibut oil or jesuits tea, as a fall back, of several different quantities and quali-ties amounting in all to, I should say, considerably more than the better part of a gill or naggin of imperial dry and liquid measure till, welcome be from us here, till the rising of the morn, till that hen of Kaven’s shows her beaconegg, and Chapwellswendows stain our horyhistoricold and Father MacMichael stamps for aitch o’clerk mess and the Litvian Newestlatter is seen, sold and delivered and all’s set for restart after the silence, like his ancestors to this day after him (that the blazings of their ouldmouldy gods may attend to them we pray!), overopposides the cowery lad in the corner and forenenst the staregaze of the cathering candled, that adornment of his album and folkenfather of familyans, he came acrash a crupper sort of a sate on accomondation and the very boxst in all his composs, whereuponce, behome the fore for cove and trawlers, heave hone, leave lone, Larry’s on the focse and Faugh MacHugh O’Bawlar at the wheel, one to do and one to dare, par by par, a peerless pair, ever here and over there, with his fol the dee oll the doo on the flure of his feats and the feels of the fumes in the wakes of his ears our wineman from Barleyhome he just slumped to throne.&#xA;So sailed the stout ship Nansy Hans. From Liff away. For Nattenlaender. As who has come returns. Farvel, farerne! Good-bark, goodbye!&#xA;Now follow we out by Starloe!" PRODUCER="Ish Chat Music" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="258" PLAYTIME_FLOAT="257.635925" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="28811"></INFO>
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<INFO BITRATE="1060245" KEY_LYRICS="49 ContributorsVirus Lyrics“Virus” is about Deltron Zero’s plan to create a virus that will take down the computer systems of the world. As he stated in “Positive Contact”, the World Wide Web has become the “ebb and flow” of the… Read More &#xA;&amp;quot;Global controls will have to be imposed&#xA;And a world governing body, will be created to enforce them&#xA;Crises, precipitate change...&amp;quot;&#xA;*Evil laughter*&#xA;Secretly... plotting your demise&#xA;&#xA;&#xA;I wanna devise a virus&#xA;To bring dire straits to your environment&#xA;Crush your corporations with a mild touch&#xA;Trash your whole computer system and revert you to papyrus&#xA;I want to make a super virus&#xA;Strong enough to cause blackouts in every single metropolis&#xA;Cause they don't wanna unify us&#xA;So fuck—it total anarchy and can't nobody stop us&#xA;&#xA;&#xA;You see late in the evening&#xA;Fucked up on my computer and my mind starts roaming&#xA;I create like a heathen&#xA;The first cycles of this virus I can send through a modem&#xA;Infiltration hits your station&#xA;No Microsoft or enhanced DOS will impede&#xA;Society thinks they're safe when&#xA;Bingo! Hard drive crashes from the rending&#xA;A lot of hackers tried viruses before&#xA;Vaporize your text like so much white out&#xA;I want it where a file replication is a chore&#xA;Lights out shut down entire White House&#xA;I don't want just a bug that could be corrected&#xA;I'm erecting immaculate design&#xA;Break the nation down, section by section&#xA;Even to the greatest minds it's impossible to find&#xA;&#xA;I wanna devise a virus&#xA;To bring dire straits to your environment&#xA;Crush your corporations with a mild touch&#xA;Trash your whole computer system and revert you to papyrus&#xA;I wanna devise a virus&#xA;To bring dire straits to your environment&#xA;Crush your corporations with a mild touch&#xA;Trash your whole computer system and revert you to papyrus&#xA;&#xA;&#xA;&amp;quot;We have already planned&amp;quot;&#xA;&amp;quot;The plan is programmed into every one of my thousand robots&amp;quot;&#xA;&amp;quot;We will not hesitate; we will destroy the&amp;quot;—&amp;quot;Homosapien!&amp;quot;&#xA;&amp;quot;Please, stay where you are...&amp;quot;&#xA;Psst, ay, I'm makin' some shit in my basement&#xA;Bout to do it to 'em, don't tell 'em though&#xA;Alright I love you, peace&#xA;&#xA;&#xA;I want to develop a super virus&#xA;Better by far than that old Y2K&#xA;This is 3030 the time of global unification&#xA;Break right through they&#xA;Terminals, burn 'em all, slaves to silicon&#xA;Corrupt politicians with leaders and their keywords&#xA;F.B.I. and spies stealin' bombs&#xA;De-cipitate they plans in their face and catch the fever&#xA;Everybody loot the stores get your canned goods&#xA;Even space stations are having a hard time&#xA;Peacekeepers seek to take our manhood&#xA;Which results in the form of global apartheid&#xA;Ghettos are trash dumps with gas pumps&#xA;Exploding and burnt out since before the great union&#xA;The last punks walk around like masked monks&#xA;Ready to manipulate the database or break through 'em&#xA;Human rights come in a hundredth place&#xA;Mass production has always been number one&#xA;New Earth has become a repugnant place&#xA;So it's time to spread the fear to thunder some&#xA;&#xA;&amp;quot;Too long have we tried&#xA;To extend our glorious empire out to the stars...&amp;quot;&#xA;&amp;quot;Only to be driven back&amp;quot;&#xA;&#xA;&#xA;I wanna devise a virus&#xA;To bring dire straits to your environment&#xA;Crush your corporations with a mild touch&#xA;Trash your whole computer system and revert you to papyrus&#xA;I wanna devise a virus&#xA;To bring dire straits to your environment&#xA;Crush your corporations with a mild touch&#xA;Trash your whole computer system and revert you to papyrus" PRODUCER="CIA Records" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="300" PLAYTIME_FLOAT="299.064117" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="38890"></INFO>
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<INFO BITRATE="1044391" KEY_LYRICS="1 ContributorA Satyr against the Investment Banker (and Other Similar Occupations) LyricsBy Mernie Badoff, Earl of Wallchester&#xA;Who made off with many an ill-gained dollar&#xA;And now seeks forgiveness for his crimes&#xA;&#xA;This poem was mass printed and tossed from a hot air balloon over an Occupy Wall Street march, blanketing unsuspecting youths gathering down below&#xA;&#xA;In th’isle of Britain, long since famous grown&#xA;Once gave rise to a noble profession known&#xA;Compris’d of Templars of such great renown&#xA;Established a network that soon was cloned&#xA;Through their noble service, were they enrich’d&#xA;Moral they remain’d, holy fanatics&#xA;Their wealth bred power, though today obscure&#xA;Their legacy persists, a false sinecure&#xA;Evolving through the arduous ages&#xA;Developing in their own small phases&#xA;Their innovational techniques and codes&#xA;To keep the world in perpetual peace mode&#xA;For material comforts keep men apart&#xA;These old, shrewd bankers have thus done their part&#xA;&#xA;Heir to tradition from these men of yore&#xA;The ideal banker is described henceforth:&#xA;His lofty ambition gives him strength&#xA;To revere rep’tition for days at length&#xA;Staring at screens for hours of mundane&#xA;Going home just to fall asleep insane&#xA;Tis’ the humble sacrifice that he makes&#xA;To ensure the econ’my doesn't break&#xA;His work is crucial for the money world&#xA;To ensure no business will ever fold&#xA;For when one needs to raise large sums of funds&#xA;This good man will never forswear his arms&#xA;Numerous talents for which he’s renown’d&#xA;Mergers and Acquisitions he has honed&#xA;He does the job that few dare undertake&#xA;All out of love, for humanity’s sake&#xA;To appease patrons needs the utmost nous&#xA;He strives to remain pulchritudinous&#xA;His hair arranged and elegantly coiffed&#xA;Simply to avoid any public gaffe&#xA;The suit and tie like his second skin&#xA;There is no way it's simply a Potemkin&#xA;Shoes polished so hard to a gleaming shine&#xA;Scarce can he bear to bid them Auld Lang Syne&#xA;His image alone won’t grant him success&#xA;Although he revels in his battle dress&#xA;Mind and stamina are his requir’d tools&#xA;Acquir’d by long hours of being in schools&#xA;A numbers whiz of no competition&#xA;Once trained in the finest institutions&#xA;Fixated daily on the lines and curves&#xA;Only to finance types doth he converse&#xA;&#xA;He knows life’s limits and onward he toils&#xA;Burning through the enduring midnight oils&#xA;The Wolf of Wall Street has portrayed it right&#xA;He’s the silent guardian who stays the night&#xA;Helping all people with no due respite&#xA;He’ll surely survive any plebiscite&#xA;Not for thine own self, he labors in vain&#xA;Shepherding our money, for no self-gain&#xA;Surviving solely on food deliv’ry&#xA;To uphold his noble philosophy&#xA;Unbeknowst to us his sacrifice&#xA;Wanting him, we forgo consumer choice&#xA;His work no doubt creates jobs for others&#xA;Whores, delivery men and drug runners&#xA;Positive externalities abound&#xA;For this figure is the talk of the town&#xA;Like knights of old who crusaded so bold&#xA;This modern warrior has thus got us sold&#xA;His time has come to pass the sacred torch&#xA;Onwards he went on a long college march&#xA;Halls filled with students who treat him as god&#xA;Dressed to the nines in their very best garb&#xA;Eager-eyed and bringing queries to bear&#xA;These ignorant types, with no worldly cares&#xA;On the rostrum in seraphic aura&#xA;Life advice adorned in fancy flora&#xA;After he contrives to finish his talk&#xA;These kids swarm round him and try not to stalk&#xA;Yearning to advance in their career paths&#xA;These kids rather slave, and not take their baths&#xA;Straight out of college and into a cell&#xA;Shackled as such in a real living hell&#xA;Generous pay packages they might claim&#xA;Only to find true relationship pain&#xA;The youth nowadays know not sacrifice&#xA;Only chasing after money and vice&#xA;&#xA;But long gone is this ideal financier&#xA;Replaced in kind by the modern swindler&#xA;Henceforth, prepare for the worst diatribe&#xA;That’s going to alter this poem’s vibe&#xA;This invective will begin the parade&#xA;And unmask these villains and their charade&#xA;It is our duty to apportion blame&#xA;For sending our mortgages up in flames&#xA;These folk created the bubble that swelled&#xA;And took away the place where we last dwelled&#xA;Gone blind chasing profit like it's a sport&#xA;He chose to ignore kindhearted retorts&#xA;Nurtured and grew the sacred money tree&#xA;The breath of life for the economy&#xA;Always looking sharp in his suit and tie&#xA;Disguising the soul that is oh so sly&#xA;His wallet and pride grow equal in size&#xA;Always lusting for the next bigger prize&#xA;Making friends just to expand his network&#xA;Dismissing them with nothing but a smirk&#xA;Lost are mom’s teachings to modern day’s sway&#xA;Believing in Jesus scarce be the way&#xA;Rich in the pocket but morally poor&#xA;A once hopeful child who now we abhor&#xA;His lofty pride misplaced and vision blur&#xA;Only outside observers could concur&#xA;Many weekend nights wasted getting smashed&#xA;Drunk on the sidewalk, feeling unabashed&#xA;Throwing ‘way cash and snorting lines of coke&#xA;All that money simply gone up in smoke&#xA;Goes out with his mates and fucking a whore&#xA;Oh! Pity his wife, he finds her a bore&#xA;Fathers three children and says he wants more&#xA;Say he works hard, so his wife can birth four&#xA;Mother and children wait by the front door&#xA;Daddy comes home in a drunken stupor&#xA;Most nights he returns aft’ they go to bed&#xA;Morning he departs, with no love words said&#xA;Time with money, a substitute measure&#xA;His kids want nothing, spoilt with pure pleasure&#xA;Money and time are of finite resource&#xA;Chasing the former without a recourse&#xA;&#xA;The unwavering one who stays the course&#xA;He finds retirement full of remorse&#xA;After years as a tireless servant&#xA;He finally finds his health all but burnt&#xA;Hours he spent on the money tree’s care&#xA;And finding no fruit of which he can share&#xA;House of fine grandeur, larger than those lost&#xA;Yet he can’t help but feel the strange hol’caust&#xA;Never around, stranger to his children&#xA;Longing a new life with his lost brethren&#xA;His accounts healthy and up to the brim&#xA;Yet his children walk by without a skim&#xA;His wife stands by his side, wrinkled and aged&#xA;Only now noticing he missed this page&#xA;&#xA;Believing as how this satyre turned&#xA;To save the ones in need of most concern&#xA;Wealth and lust, incompatible brothers&#xA;Once you have one, it just breeds the other&#xA;The youth must take heed and pursue their craft&#xA;Only one life lived with no second draft&#xA;Passion and talent so rarely are found&#xA;Once they are lost, are permanently drowned&#xA;I’m sad to report that money holds sway&#xA;A zeitgeist must dawn as the only way&#xA;This short poem seeks to excoriate&#xA;To prevent the innocent from this fate&#xA;The rest of us must stem this dreadful scourge&#xA;These crazy misplaced values we must purge&#xA;Burn the altar of this fine banker’s bust&#xA;This quest for wealth, this contemptible lust" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="227" PLAYTIME_FLOAT="226.551743" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="29069"></INFO>
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<INFO BITRATE="988773" KEY_LYRICS="4 ContributorsRandom Record Roulette Backfill Albums LyricsCountry&#xA;Mickey Gilley &amp;amp; Charlie McClain - It Takes Believers (1984) (July 3) - 4/10 -&amp;gt;&#xA;Rosie Flores - Rockabilly Filly (1995) (July 3) - 1/14 -&amp;gt; 3/14&#xA;Barbara Fairchild - The Light (1991) (July 7) - 0/10 -&amp;gt;&#xA;Allen Frizzell - A Little Bit Of Lefty Left In Me (2008) (July 9) - 2/12 -&amp;gt;&#xA;&#xA;Pop&#xA;Leif Garrett - Can't Explain (1980) (June 17) - 3/10 -&amp;gt;&#xA;Macka B - Hold On to your Culture (1995) (June 19) - 10/12 -&amp;gt;&#xA;Man 2 Man &amp;amp; Paul Zone - Man To Man Featuring Paul Zone (1987) (June 23) - 2/10 -&amp;gt;&#xA;Emma Wallace - A Reason to Stay Up All Night (2007) (July 1) - 4/10 -&amp;gt;&#xA;&#xA;Rock&#xA;Chixdiggit! - Chixdiggit! II (2007) (June 28) - 15/17 -&amp;gt;&#xA;Hyphema - Hyphema (2002) (July 1) - 0/3 -&amp;gt; 1/3&#xA;Hellion - Postcards From the Asylum (1988) (July 3) - 3/4 -&amp;gt;&#xA;Rainer Marz - The Dream is Over (1979) (July 4) - 0/10 -&amp;gt; 6/10&#xA;Dežo Ursiny - The Blue Hill (1983) (July 6) - 0/11 -&amp;gt;&#xA;&#xA;R&amp;amp;B&#xA;The Belmonts - Cigars, Acapella, Candy (1972) (June 24) - 4/9 -&amp;gt;&#xA;Jon B - Pleasures U Like (2001) (July 8) - 19/22 -&amp;gt; (O92K)&#xA;&#xA;Rap&#xA;La Chat - Bad Influence (2006) (June 20) - 0/14 -&amp;gt;&#xA;Double XX Posse - Put Ya Boots On (1992) (June 29) - 3/15 -&amp;gt; 13/15 (O92K)&#xA;8Ball - Lay It Down (2002) (July 1) - 6/16 -&amp;gt;&#xA;Ill All Scratch (1994) (July 3) - 6/12 -&amp;gt; (O92K)&#xA;MJG - This Might Be the Day (2008) (July 9) - 2/13 -&amp;gt;&#xA;The O92K Cleanup focuses on r&amp;amp;b and rap from the 90s and 00s. We will occasionally grab some albums from there to help out.&#xA;&#xA;Overflow:&#xA;3 Inches Of Blood - Battlecry Under A Winter Sun (2002) (Rock) (May 1) - 5/11 -&amp;gt;&#xA;aheadZ - Fast Faster Forward (2002) (Rock) (July 4) - 0/10 -&amp;gt;&#xA;Alfonzo Hunter - Blacka Da Berry (1996) (R&amp;amp;B) (May 1) - 4/13 -&amp;gt; 7/13 (O92K)&#xA;Anotha Level - On Anotha Level (1994) (Rap) (May 1) - 11/15 -&amp;gt; (O92K)&#xA;Bobbi Humphrey - Tailor Made (1977) (Pop) (May 29) - 2/8 -&amp;gt;&#xA;Bugs Bunny &amp;amp; Friends - Sing The Beatles (1995) (Pop) (June 23) - 0/11 -&amp;gt;&#xA;Cynthia G. Mason - Quitters Claim (2006) (Pop) (June 3) - 0/10 -&amp;gt; 1/10&#xA;Dennis Edwards - Coolin' Out (1985) (R&amp;amp;B) (May 17) - 1/9 -&amp;gt;&#xA;Fat Boys - Crushin' (1987) (Rap) (May 1) - 5/10 -&amp;gt; 6/10&#xA;Fat Boys - On and On (1989) (Rap) (July 9) - 5/15 -&amp;gt;&#xA;Jack Knight - Gypsy Blues (1999) (R&amp;amp;B) (May 8) - 1/14 -&amp;gt; 3/14 (O92K)&#xA;Jade - Mind, Body &amp;amp; Song (1994) (R&amp;amp;B) (May 1) - 6/14 -&amp;gt; (O92K)&#xA;Jeremy Spencer - Jeremy Spencer (1970) (Rock) (June 6) - 8/12 -&amp;gt; 9/12&#xA;Liberty N' Justice - Independence Day (2007) (Rock) (July 6) - 2/14 -&amp;gt; 8/14&#xA;Men at Large - Men at Large (1992) (R&amp;amp;B) (July 8) - 1/12 -&amp;gt; (O92K)&#xA;MJG - Pimp Tight (2008) (Rap) (June 1) - 3/16 -&amp;gt; 9/16&#xA;OJ da Juice Man - O.R.A.N.G.E. (2010) (Rap) (June 20) - 8/17 -&amp;gt; 9/17&#xA;Parallax - Mediums &amp;amp; Messages (2006) (Rock) (June 28) - 4/9 -&amp;gt;&#xA;Partners-N-Crime - P-N-C-3 (1994) (Rap) (May 3) - 7/22 -&amp;gt; 10/22&#xA;Sydney Youngblood - Feeling Free (1989) (Pop) (May 16) - 6/12 -&amp;gt;&#xA;The Moments - My Thing (1972) (R&amp;amp;B) (May 1) - 2/10 -&amp;gt; 4/10&#xA;The Rance Allen Group - Truth Is Where It's At (1972) (R&amp;amp;B) (July 5) - 2/10 -&amp;gt;&#xA;The Weather Girls - Two Tons O' Fun (1980) (Pop) (May 1) - 2/8 -&amp;gt; 3/8&#xA;Tom Grant - Streams of Consciousness (1999) (Pop) (June 2) - 0/12 -&amp;gt;&#xA;TRU - Understanding The Criminal Mind (1992) (Rap) (May 1) - 6/11 -&amp;gt;&#xA;Vesta Williams - Vesta (1986) (R&amp;amp;B) (June 19) - 5/12 -&amp;gt;&#xA;Vesta Williams - Vesta 4 U (1988) (R&amp;amp;B) (July 5) - 5/10 -&amp;gt;&#xA;Waysted - The Good The Bad The Waysted (1985) (Rock) (July 1) - 2/9 -&amp;gt;&#xA;Yazz - One On One (1994) (Pop) (May 22) - 1/11 -&amp;gt; 2/11" PRODUCER="Mad Zoo" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="218" PLAYTIME_FLOAT="217.674423" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="26457"></INFO>
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<INFO BITRATE="1048596" KEY_LYRICS="1 ContributorStorm Brew Lyrics&#xA;G-g-g-gerous&#xA;G-g-g-gerous&#xA;Danger-g-g-g-gerous&#xA;We danger-g-g-g-g-g-g-g&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger, danger, danger-g-g-gerous&#xA;&#xA;&#xA;We dangerous&#xA;We so dangerous&#xA;Dem cyan't hide from us&#xA;We so dangerous (dangerous)&#xA;We dangerous (we dangerous)&#xA;We so dangerous (we do dangerous)&#xA;Dem cyan't hide from us (dem cyan't hide from us)&#xA;We so dangerous (we so dangerous)&#xA;Dangerous (push them up, push them up)&#xA;We ah champion (push them up)&#xA;Dangerous (push them up, push them up)&#xA;We ah champion (push them up)&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger, danger, danger-g-gerous&#xA;&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger, danger, danger-g-g-gerous&#xA;&#xA;&#xA;Step inna di ring like a lion&#xA;You better cross your heart that you get to run&#xA;Push them up, push them up&#xA;We ah champion, push them up, push them up&#xA;&#xA;&#xA;We dangerous&#xA;We so dangerous&#xA;Dem cyan't hide from us&#xA;We so dangerous&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger-g-g-g-g-g-g-g&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger, danger, danger-g-g-gerous&#xA;&#xA;We dangerous&#xA;We so dangerous&#xA;Dem cyan't hide from us&#xA;We so dangerous (dangerous)&#xA;We dangerous (we dangerous)&#xA;We so dangerous (we do dangerous)&#xA;Dem cyan't hide from us (dem cyan't hide from us)&#xA;We so dangerous (we so dangerous)&#xA;Dangerous (push them up, push them up)&#xA;We ah champion (push them up)&#xA;Dangerous (push them up, push them up)&#xA;We ah champion (push them up)&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger, danger, danger-g-gerous&#xA;&#xA;&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger, danger, danger-g-g-gerous&#xA;&#xA;&#xA;Step inna di ring like a giant&#xA;You better hope to die, get ready to ride, yeah&#xA;Push them up, push them up&#xA;We ah champion, push them up, push them up&#xA;&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger, danger, danger-g-g-g-g-g&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-gerous&#xA;We danger, danger, danger-g-g-gerous&#xA;&#xA;&#xA;We dangerous&#xA;Dangerous&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;We danger-g-g-g-gerous&#xA;Danger-g-g-g-gerous&#xA;We danger, danger, we dangerous" PRODUCER="Don't Play" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="352" PLAYTIME_FLOAT="351.396240" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="45162"></INFO>
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<INFO BITRATE="1030542" KEY_LYRICS="2 ContributorsIf I Move to Mars LyricsIf I move&#xA;If I move to Mars&#xA;If I move to Mars, will you come with me?&#xA;&#xA;If I move&#xA;If I move to Mars&#xA;If I move to Mars, will you come with me?&#xA;&#xA;We can find a small spot of land, build a house with our hands&#xA;Make the walls from imaginary plans&#xA;Lay the rug you love right across the floor&#xA;&#xA;There'll be no concrete or corners at all&#xA;And we won't even need a closing door&#xA;There won't be a lady we be paying daily, just to stay, maybe&#xA;If the neighbours ain't complained lately&#xA;&#xA;If I move&#xA;If I move to Mars&#xA;If I move to Mars, will you come with me?&#xA;&#xA;We can take a mixer and cables and both my turntables&#xA;Couple crates of my best white label&#xA;And Space Oddity and Dark Side Of The Moon&#xA;&#xA;We can bring the Cognac that we been savin'&#xA;For an extraordinary, rare occasion&#xA;We can lie in the dirt, speaking not a word, looking up at Earth&#xA;Just be one with the universe&#xA;If I move&#xA;If I move to Mars&#xA;If I move to Mars, will you come with me?&#xA;&#xA;If I move&#xA;(If I move)&#xA;If I move to Mars&#xA;If I move to Mars, will you come with me?&#xA;&#xA;'Cause I just want you&#xA;To be with me too&#xA;Yeah, I just want you&#xA;Oh, and maybe 80 million ks to anywhere&#xA;I want you&#xA;&#xA;If I move&#xA;If I move to Mars&#xA;If I move to Mars, will you come with me?&#xA;&#xA;If I move&#xA;(If I move)&#xA;If I move to Mars&#xA;(Move to Mars)&#xA;If I move to Mars, will you come with me?&#xA;If I move to Mars, will you come with me?&#xA;(Move to Mars)&#xA;If I move to Mars, will you come with me?" PRODUCER="Thomas Oliver Music - 2017" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="311" PLAYTIME_FLOAT="310.255371" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="39211"></INFO>
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<INFO BITRATE="978948" KEY_LYRICS="1 ContributorEmber LyricsI gave into the fire&#xA;I know I should've fought it&#xA;I gave into the fire&#xA;&#xA;Here without you, baby&#xA;&#xA;I gave into the fire&#xA;&#xA;Here without you, baby&#xA;&#xA;I gave into the fire&#xA;I know I should've fought it&#xA;I gave into the fire&#xA;&#xA;Here without you, baby" PRODUCER="Integral Records" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="283" PLAYTIME_FLOAT="282.626953" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="33954"></INFO>
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<INFO BITRATE="958579" KEY_LYRICS="1 ContributorSo Low LyricsI just can’t let go&#xA;Never been so low&#xA;When I was crying out for help&#xA;Time and Time again you chose yourself&#xA;&#xA;Everyday’s a battle when I open my eyes&#xA;Holding it together without you by my side&#xA;No more oh no&#xA;I can’t let go&#xA;&#xA;Feeling like I’m leaning when I’m really falling down&#xA;Holding on to nothing like its something I can’t live without&#xA;&#xA;I just can’t let go&#xA;Never been so low&#xA;When I was crying out for help&#xA;Time and Time again you chose yourself&#xA;When I pull you down with me your gonna know&#xA;&#xA;Running with the Devil am I losing my mind&#xA;Angle on my shoulder but I can’t pick a side&#xA;No more let go&#xA;No hope so low&#xA;&#xA;Feeling like I’m leaning when I’m really falling down&#xA;Holding on to nothing like it’s something I can’t live without&#xA;I just can’t let go&#xA;Never been so low&#xA;When I was crying out for help&#xA;Time and Time again you chose yourself&#xA;I just can’t let go&#xA;Never been so low&#xA;When I pull you down with me your gonna know&#xA;&#xA;Forget it all you’re the enemy&#xA;I’ve seen it all not the end of me&#xA;I always said you’ll go down with me&#xA;Good to know I’ve got some company&#xA;&#xA;Good to know I got some company&#xA;&#xA;I just can’t let go&#xA;Never been so low&#xA;When I was crying out for help&#xA;Time and Time again you chose yourself&#xA;I just can’t let go&#xA;Never been so low&#xA;When I pull you down with me your gonna know&#xA;Yeah you’re gonna know" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="252" PLAYTIME_FLOAT="251.376480" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="29596"></INFO>
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<INFO BITRATE="1100917" KEY_LYRICS="3 ContributorsGot Me Thinking LyricsYeah let me rise&#xA;Say, I'll tell you I'm sorry&#xA;And don't think I'm wise&#xA;Because of you&#xA;Because you&#xA;You got me thinking&#xA;&#xA;Ooh nah nah&#xA;Don't make me listen&#xA;Ooh nah nah&#xA;Give me permission&#xA;Ooh nah nah&#xA;Get in the system with me&#xA;Ooh nah nah&#xA;This is a prison&#xA;&#xA;Check yourself, I'm all right&#xA;You got me thinking&#xA;Did you see the warning lights?&#xA;Ooh you got me thinking&#xA;You messed up, I was right&#xA;Got me thinking&#xA;Doctor, doctor, not so bright&#xA;(Doctor, doctor, not so bright)&#xA;&#xA;Every single thing you wanted&#xA;Now I got it&#xA;Everything we built together&#xA;Now I want it&#xA;Running a-away ain't gonna solve it&#xA;You weren't prepared to begin or to pause it&#xA;Something that would make you mad, oh I love it&#xA;Go on, just tell me I'm bad, oh, you called it&#xA;Someone you could never trust you're so on it&#xA;Now I'm done with kissing up, so you're walking&#xA;(Got me thinking)&#xA;&#xA;Check yourself, I'm all right&#xA;You got me thinking&#xA;Did you see the warning lights?&#xA;Ooh you got me thinking&#xA;You messed up, I was right&#xA;Got me thinking&#xA;Doctor, doctor, not so bright&#xA;(Doctor, doctor, not so bright)&#xA;&#xA;Every single thing you wanted&#xA;Now I got it&#xA;Everything we built together&#xA;Now I want it&#xA;Running a-away ain't gonna solve it&#xA;You weren't prepared to begin or to pause it&#xA;Something that would make you mad, oh I love it&#xA;Go on, just tell me I'm bad, oh, you called it&#xA;Someone you could never trust you're so on it&#xA;Now I'm done with kissing up, so you're walking&#xA;&#xA;There are people in there&#xA;And don't think I'm letting them burn&#xA;The facility is our responsibility&#xA;And don't it hurt you&#xA;To up and leave" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="213" PLAYTIME_FLOAT="212.914291" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="28795"></INFO>
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<INFO BITRATE="1020349" KEY_LYRICS="1 ContributorReinventing the Encyclopedia Game LyricsDescription from TED.com&#xA;&#xA;Prompted by the Encyclopaedia Britannica ending its print publication, performance poet Rives resurrects a game from his childhood. Speaking at the TEDxSummit in Doha, Rives takes us… Read More So, last month, the Encyclopaedia Britannica announced that it is going out of print after 244 years, which made me nostalgic, because I remember playing a game with the colossal encyclopedia set in my hometown library back when I was a kid, maybe 12 years old. And I wondered if I could update that game, not just for modern methods, but for the modern me.&#xA;&#xA;So I tried. I went to an online encyclopedia, Wikipedia, and I entered the term &amp;quot;Earth.&amp;quot; You can start anywhere, this time I chose Earth. And the first rule of the game is pretty simple. You just have to read the article until you find something you don't know, and preferably something your dad doesn't even know.&#xA;&#xA;And in this case, I quickly found this: The furthest point from the center of the Earth is not the tip of Mount Everest, like I might have thought, it's the tip of this mountain: Mount Chimborazo in Ecuador. The Earth spins, of course, as it travels around the sun, so the Earth bulges a little bit around the middle, like some Earthlings. And even though Mount Chimborazo isn't the tallest mountain in the Andes, it's one degree away from the equator, it's riding that bulge, and so the summit of Chimborazo is the farthest point on Earth from the center of the Earth.&#xA;&#xA;And it is really fun to say. So I immediately decided, this is going to be the name of the game, or my new exclamation. You can use it at TED. Chimborazo, right? It's like &amp;quot;eureka&amp;quot; and &amp;quot;bingo&amp;quot; had a baby. I didn't know that; that's pretty cool. Chimborazo!&#xA;&#xA;So the next rule of the game is also pretty simple. You just have to find another term and look that up. Now in the old days, that meant getting out a volume and browsing through it alphabetically, maybe getting sidetracked, that was fun.&#xA;&#xA;Nowadays there are hundreds of links to choose from. I can go literally anywhere in the world, I think since I was already in Ecuador, I just decided to click on the word &amp;quot;tropical.&amp;quot; That took me to this wet and warm band of the tropics that encircles the Earth.&#xA;&#xA;Now that's the Tropic of Cancer in the north and the Tropic of Capricorn in the south, that much I knew, but I was surprised to learn this little fact: Those are not cartographers' lines, like latitude or the borders between nations, they are astronomical phenomena caused by the Earth's tilt, and they change. They move; they go up, they go down. In fact, for years, the Tropic of Cancer and the Tropic of Capricorn have been steadily drifting towards the equator at the rate of about 15 meters per year, and nobody told me that. I didn't know it. Chimborazo!&#xA;&#xA;So to keep the game going, I just have to find another term and look that one up. Since I'm already in the tropics, I chose &amp;quot;Tropical rainforest.&amp;quot; Famous for its diversity, human diversity. There are still dozens and dozens of uncontacted tribes living on this planet. They're all over the globe, but virtually all of them live in tropical rainforests. This is the only place you can go nowadays and not get &amp;quot;friended.&amp;quot;&#xA;&#xA;The link that I clicked on here was exotic in the beginning and then absolutely mysterious at the very end. It mentioned leopards and ring-tailed coatis and poison dart frogs and boa constrictors and then coleoptera, which turn out to be beetles.&#xA;&#xA;Now I clicked on this on purpose, but if I'd somehow gotten here by mistake, it does remind me, for the band, see &amp;quot;The Beatles,&amp;quot; for the car see &amp;quot;Volkswagon Beetle,&amp;quot; but I am here for beetle beetles. This is the most successful order on the planet by far. Something between 20 and 25 percent of all life forms on the planet, including plants, are beetles. That means the next time you are in the grocery store, take a look at the four people ahead of you in line. Statistically, one of you is a beetle.&#xA;&#xA;And if it is you, you are astonishingly well adapted. There are scavenger beetles that pick the skin and flesh off of bones in museums. There are predator beetles, that attack other insects and still look pretty cute to us. There are beetles that roll little balls of dung great distances across the desert floor to feed to their hatchlings. This reminded the ancient Egyptians of their god Khepri, who renews the ball of the sun every morning, which is how that dung-rolling scarab became that sacred scarab on the breastplate of the Pharaoh Tutankhamun.&#xA;&#xA;Beetles, I was reminded, have the most romantic flirtation in the animal kingdom. Fireflies are not flies, fireflies are beetles. Fireflies are coleoptera, and coleoptera communicate in other ways as well.&#xA;&#xA;Like my next link: The chemical language of pheromones. Now the pheromone page took me to a video of a sea urchin having sex. Yeah.&#xA;(Laughter)&#xA;&#xA;And the link to aphrodisiac. Now that's something that increases sexual desire, possibly chocolate. There is a compound in chocolate called phenethylamine that might be an aphrodisiac. But as the article mentions, because of enzyme breakdown, it's unlikely that phenethylamine will reach your brain if taken orally. So those of you who only eat your chocolate, you might have to experiment.&#xA;&#xA;The link I clicked on here, &amp;quot;sympathetic magic,&amp;quot; mostly because I understand what both of those words mean. But not when they're together like that. I do like sympathy. I do like magic. So when I click on &amp;quot;sympathetic magic,&amp;quot; I get sympathetic magic and voodoo dolls.&#xA;&#xA;This is the boy in me getting lucky again. Sympathetic magic is imitation. If you imitate something, maybe you can have an effect on it. That's the idea behind voodoo dolls, and possibly also cave paintings.&#xA;&#xA;The link to cave paintings takes me to some of the oldest art known to humankind. I would love to see Google maps inside some of these caves. We've got tens-of-thousands-years-old artwork. Common themes around the globe include large wild animals and tracings of human hands, usually the left hand.&#xA;&#xA;We have been a dominantly right-handed tribe for millenia, so even though I don't know why a paleolithic person would trace his hand or blow pigment on it from a tube, I can easily picture how he did it. And I really don't think it's that different form our own little dominant hand avatar right there that I'm going to use now to click on the term for &amp;quot;hand,&amp;quot; go to the page for &amp;quot;hand,&amp;quot; where I found the most fun and possibly embarrassing bit of trivia I've found in a long time. It's simply this: The back of the hand is formally called the opisthenar.&#xA;&#xA;Now that's embarrassing, because up until now, every time I've said, &amp;quot;I know it like the back of my hand,&amp;quot; I've really been saying, &amp;quot;I'm totally familiar with that, I just don't know it's freaking name, right?&amp;quot; And the link I clicked on here, well, lemurs, monkeys and chimpanzees have the little opisthenar.&#xA;&#xA;I click on chimpanzee, and I get our closest genetic relative. Pan troglodytes, the name we give him, means &amp;quot;cave dweller.&amp;quot; He doesn't. He lives in rainforests and savannas. It's just that we're always thinking of this guy as lagging behind us, evolutionarily or somehow uncannily creeping up on us, and in some cases, he gets places before us.&#xA;&#xA;Like my next link, the almost irresistible link, Ham the Astrochimp. I click on him, and I really thought he was going to bring me full circle twice, in fact. He's born in Cameroon, which is smack in the middle of my tropics map, and more specifically his skeleton wound up in the Smithsonian museum getting picked clean by beetles.&#xA;&#xA;In between those two landmarks in Ham's life, he flew into space. He experienced weightlessness and re-entry months before the first human being to do it, Soviet cosmonaut Yuri Gagarin.&#xA;&#xA;When I click on Yuri Gagarin's page, I get this guy who was surprisingly short in stature, huge in heroism. Top estimates, Soviet estimates, put this guy at 1.65 meters, that is less than five and a half feet tall max, possibly because he was malnourished as a child.&#xA;&#xA;Germans occupied Russia. A Nazi officer took over the Gagarin household, and he and his family built and lived in a mud hut. Years later, the boy from that cramped mud hut would grow up to be the man in that cramped capsule on the tip of a rocket who volunteered to be launched into outer space, the first one of any of us to really physically leave this planet. And he didn't just leave it, he circled it once.&#xA;&#xA;Fifty years later, as a tribute, the International Space Station, which is still up there tonight, synced its orbit with Gagarin's orbit, at the exact same time of day, and filmed it, so you can go online and you can watch over 100 minutes of what must have been an absolutely mesmerizing ride, possibly a lonely one, the first person to ever see such a thing.&#xA;And then when you've had your fill of that, you can click on one more link. You can come back to Earth. You return to where you started. You can finish your game. You just need to find one more fact that you didn't know.&#xA;&#xA;And for me, I quickly landed on this one: The Earth has a tolerance of about .17 percent from the reference spheroid, which is less than the .22 percent allowed in billiard balls.&#xA;&#xA;This is the kind of fact I would have loved as a boy. I found it myself. It's got some math that I can do. I'm pretty sure my dad doesn't know it. What this means is that if you could shrink the Earth to the size of a billiard ball, if you could take planet Earth, with all its mountain tops and caves and rainforests, astronauts and uncontacted tribes and chimpanzees, voodoo dolls, fireflies, chocolate, sea creatures making love in the deep blue sea, you just shrink that to the size of a billiard ball, it would be as smooth as a billiard ball, presumably a billiard ball with a slight bulge around the middle.&#xA;&#xA;That's pretty cool. I didn't know that. 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<INFO BITRATE="914573" KEY_LYRICS="2 ContributorsColour the Past LyricsCome, run away with me&#xA;Make all your dreams reality&#xA;And if you're troubled, let it go and you will see&#xA;That we're the same, you and me&#xA;&#xA;Follow, follow me&#xA;&#xA;You have to do it yourself&#xA;You've gotta make up your mind&#xA;Pretending you're someone else&#xA;You won't know if you don't try&#xA;Colour the past&#xA;And draw your future out&#xA;Follow your heart&#xA;Whenever you're in doubt&#xA;&#xA;Ahh&#xA;&#xA;Come, run away with me&#xA;And if you're troubled, let it go and you will see&#xA;&#xA;Come, run away with me&#xA;Make all your dreams reality&#xA;And if you're troubled, let it go and you will see&#xA;That we're the same, you and me&#xA;Follow, follow me&#xA;&#xA;Ahh&#xA;&#xA;Come, run away with me&#xA;And if you're troubled, let it go and you will see" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="305" PLAYTIME_FLOAT="304.845215" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="34214"></INFO>
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<INFO BITRATE="1023289" KEY_LYRICS="3 ContributorsPeople On The Ground Lyrics&#xA;And we are never to be found&#xA;Make our way across the border&#xA;And we had people on the ground&#xA;People on the ground marking every corner&#xA;And we are never to be found&#xA;Make our way across the border&#xA;And we had people on the ground&#xA;People on the ground marking every corner&#xA;&#xA;&#xA;Take me out, I'll make it worth it&#xA;Give me more 'cause I deserve it&#xA;And we are lost, but I am searching&#xA;&#xA;&#xA;And we cry listen for the sound&#xA;It will lead you to the water&#xA;And oh my, really must go down&#xA;Really must go down, so that everything's in order&#xA;&#xA;&#xA;Take me out, I'll make it worth it&#xA;Give me more 'cause I deserve it&#xA;And we are lost, but I am searching&#xA;&#xA;And in the lonely sky&#xA;I can see your light&#xA;And I can see you there&#xA;It is moving forward&#xA;I hope you are the one&#xA;That they said would come&#xA;And I can see you there&#xA;It is moving towards us&#xA;I hope you are the one&#xA;That they said would come&#xA;And I can see you there&#xA;It is moving towards us&#xA;&#xA;&#xA;Take me out&#xA;Give me more&#xA;Take me out&#xA;And we are lost&#xA;Take me out&#xA;Give me more&#xA;Take me out&#xA;And we are lost" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="255" PLAYTIME_FLOAT="254.843781" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="32014"></INFO>
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<INFO BITRATE="949169" KEY_LYRICS="32 Contributors​badman ting Lyrics&#xA;Time for me to act&#xA;Like a psychopathic lunatic&#xA;Some people don't believe that I can get ignorant&#xA;Time for me to act&#xA;Like a psychopathic lunatic&#xA;Some people don't believe that I can get—&#xA;&#xA;&#xA;Time for me to act&#xA;Like a psychopathic lunatic&#xA;Some people don't believe that I can get ignorant&#xA;Time for me to act&#xA;Like a psychopathic lunatic&#xA;Some people don't believe that I can get ignorant&#xA;&#xA;&#xA;A apontar para o pódio&#xA;'Tou all-in e a subir&#xA;Meu código é &amp;quot;No Chill&amp;quot;&#xA;Não duvides da máquina&#xA;A surgir com multis que combino à Chun-li&#xA;'Tou a punir nesse ringue&#xA;Único a kickar rimas&#xA;Wulong com o soco&#xA;Foco o QI à Shaolin&#xA;Chokehold no jogo&#xA;G's 'tão a virar Na'vi&#xA;So fuck o teu ídolo&#xA;Vim para demoli-lo&#xA;E com um dilúvio vil eu fi-lo diluir no meu ácido&#xA;És básico na folha&#xA;Eu? Hokage&#xA;Tu? Pálido à minha sombra&#xA;Benji tá Kira, ou Akira&#xA;É à tua escolha&#xA;A eliminar a tua linhagem de ateus&#xA;Ouve, teme o teu deus novo&#xA;Com money na mind e fé&#xA;Boy, eu produzi hits&#xA;E montei mo estáminé&#xA;Agora é só convites VIP&#xA;Apanha-me no Avillez a pôr no meu bico ribs&#xA;Com hunnids na mão em cash tipo 'tou movin' bricks&#xA;À Ross, sou o biggest boss aqui me'mo&#xA;Sem uma loss ou mossa, com o CV limpo&#xA;Nossa, é nostra a cosa, ma sentir Vito&#xA;Awesome sima MG, shit&#xA;Só queres surfar a onda (Kelly)&#xA;Mano, só vais é bater na rocha (Maré)&#xA;Vê os navios, fica na doca (Sodré)&#xA;Benzino a milhas, a virar ícone das quinas&#xA;A pisar a armilar com o piton, sou o rei da bola (Eusébio)&#xA;Bitch, eu vim para marcar o meu spot&#xA;'Tão foca-te no meu lingo enquanto eu foco no lingote&#xA;Boy, por mais que opines eu não ligo a nenhum ódio&#xA;Mano não pode, man don't stop&#xA;Can't fuck wit them, mandem bloodclot&#xA;'Tou com o Prof em lock, quando eu dropo é hot&#xA;Meto o block dum opp a dar toques (sou mesmo à skengbop)&#xA;Mandem dumb, don't convince me&#xA;Badman smoke 'em like blem&#xA;Mandem can't own the city&#xA;Badman run it like Gump&#xA;Turma toda a pôr a tuga em coma&#xA;Que se foda se eu matei o hip-hop&#xA;Assumo o murder, até cavo a tumba&#xA;Puto, é minha culpa me'mo&#xA;Eu sou o bode&#xA;Só wis otários, tão achar-nos presas&#xA;Vão num safari a atirar com vendas&#xA;Já nem 'tou a rir, os G's só me dão pena&#xA;Benji rei da selva, não chillo com hienas, bitch!&#xA;&#xA;Time for me to act&#xA;Like a psychopathic lunatic&#xA;Some people don't believe that I can get ignorant&#xA;Time for me to act&#xA;Like a psychopathic lunatic&#xA;Some people don't believe that I can get ignorant&#xA;&#xA;&#xA;Sou queimado e quem manda aqui&#xA;Que a cana cai com tanta linha&#xA;Penca cheia, paka enrola&#xA;*Tah-tah* Quem 'tá, tá&#xA;Quem não 'tá, tivesse, só batota&#xA;Eu sou 2Pac em Cuba com o cumbú todo&#xA;Puta, essa tuga fodo&#xA;Escuta, essa dupla fogo&#xA;Turma vê tudo a roxo&#xA;Só massa, tu de arroz&#xA;Teu grupo arrumadores, que o puto arruma hoje&#xA;No move é tudo atores, tirando um grupo ou dois&#xA;Macumba, coma a cores, não como a cona a coros&#xA;Sou como um cão na colcha, cai na cama coxa&#xA;Nado em cima, concha&#xA;Prof ensina, poxa&#xA;Ainda por cima pôs-se a ir na cantiga, flows&#xA;Se o Prof 'tá na boda, bota fogo (Oh, yeah)&#xA;O Cirôc dessa bottle sabe a côco (Oh, yeah)&#xA;A cobra 'tá com uma cobra na boc (Huh)&#xA;Skill infinito é coisa pouca&#xA;Avisa o mo'fucka que a visão não foca sem olhos da porta&#xA;Porteiro p'a God, eu 'tou feio na engorda&#xA;Sou uma estranha droga que meio mundo ignora&#xA;(Benji, corta) Eu não sou honesto quando sou modesto&#xA;Puto, eu pus-te o teste e tu tiveste 0&#xA;Fuck o teu cash, volta p'á creche&#xA;Estudas p'ó 10, o que é que tu queres?&#xA;Juntos os pés, juro, sou fresh&#xA;Fumo com os dreads, mortalha bege&#xA;Fuck o teu bash, junta-te ao BES&#xA;Atira-te ao Tejo enquanto eu viro hóteis&#xA;Puto, confessa-te, nunca cairás nesse nível, Eça&#xA;É muita prosa e poesia, é peça&#xA;Sou filho e sou pai, sou uma ideia incesta&#xA;Se a dama dá bola, q'sa foda, encesta&#xA;Afundo c'um dab tipo que se fode em sesta&#xA;Abri-te a boca e tu só disseste: &amp;quot;Ah&amp;quot;&#xA;Rei 6 'tá na sexta, bem sei estar no bem-estar, puto&#xA;Eu cuspo o que vivo, eu sou o NGA branco&#xA;Um BCA, vê se aí há Benz e améns&#xA;E à mesa tenho benjis, por isso é que eu danço&#xA;E eu ponho o guito onde a minha boca 'tá&#xA;Vê como eu fodo o biz, minha anaconda cabe&#xA;Bro, 'tou c'um flow tão sick&#xA;Tenho que ir c'o côco ao TAC&#xA;A pôr-te louco com linhas como em Bogotá&#xA;&#xA;Time for me to act&#xA;Like a psychopathic lunatic&#xA;Some people don't believe that I can get ignorant&#xA;Time for me to act&#xA;Like a psychopathic lunatic&#xA;Some people don't believe that I can get ignorant" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="361" PLAYTIME_FLOAT="360.094818" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="41907"></INFO>
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<INFO BITRATE="1030416" KEY_LYRICS="3 ContributorsFuckar Komma Lyrics&#xA;Valget var lett for hon, hon så på deg og så en battyboy&#xA;Gikk hardt og så megadumt, og så stakk eg hem og korket hon&#xA;Kokar oppi blokken min for å fylle oppi koppen min&#xA;D Onge Anka, så stygg og deilig, men fy faen så flott og fin&#xA;Skur det opp, vi skrur det opp&#xA;Sukkersøt (?) skrulokk&#xA;Rettet gulvet og renoverte taket&#xA;Eg gidd'sje slurve, spør Jenny 100&#xA;Tusen fucking kilowatt, eg betaler skatt&#xA;Det e Onge Anka i et nøtteskall&#xA;I et bøttedrag&#xA;Eg e dønn stein på et lasteplan&#xA;Det e meg for faen, det eg meg for faen, du finner meg på Legal&#xA;Det e sånn eg gjør det&#xA;Eg e dønn i støtet&#xA;Eg kutter løken og får (?)&#xA;Fiks ensak, fiks en stat&#xA;Det e Onge Anka sosialdemokrat&#xA;Eg e dønn sjef, eg e dønn mat&#xA;Finn et ark, finn et ark, rull opp salat&#xA;Det e Onge Anka, Kvam på beaten&#xA;Eg fikser sakene, flytter tiden&#xA;Eg ringer til min advokat&#xA;Han har alltid tid til en sak på siden&#xA;Geltar, gateheltar, bassen heavy, glasset velter&#xA;Svarte belter, karatekis&#xA;12 karat når smykket letter&#xA;&#xA;Eg kommer, eg kommer&#xA;Eg kommer når eg kommer&#xA;Eg kommer, eg kommer&#xA;Eg fuckar nåkke komma&#xA;Eg kommer, eg kommer&#xA;Eg kommer når eg kommer&#xA;Kvam på beaten, banker så det var en jævla dommar&#xA;Eg kommer, eg kommer&#xA;Eg kommer når eg kommer&#xA;Eg kommer, eg kommer&#xA;Eg fuckar nåkke komma&#xA;Eg kommer, eg kommer&#xA;Eg kommer når eg kommer&#xA;Kvam på beaten, banker så det var en jævla dommar&#xA;&#xA;&#xA;Hon spør e du en grei kis&#xA;Eg siar dope kis&#xA;Hon siar &amp;quot;dopkis?&amp;quot;&#xA;Eg glisar gullglis&#xA;Aldri nokke tull kis&#xA;Aldri sommer, bare vinter&#xA;Gull og glitter, det bare skinner&#xA;Yogutt vinnar, vi trapper til vi vinner&#xA;Ser du oss i trappen, si hallaien til en spiller&#xA;Retardert med mine venner, iskald, det e desember&#xA;Desember hele året med mine forbanna venner&#xA;Mest sannsynlig den mest isete du kjenner&#xA;Og stablene blir lenger og eg snakker klart om penger&#xA;Hon vil ha hjertet til Anka, planen gikk i vasken&#xA;Eg e som Donald Trump, kjerring, du har sparken&#xA;Og kåken min har så mange kvadrat&#xA;Og gullet mitt har så mange karat&#xA;Alt e tungt, ke e det du lurer på då?&#xA;Det e populært å være blakk rapper&#xA;De vil aldri forstå penger&#xA;" PRODUCER="Critical Music" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="305" PLAYTIME_FLOAT="304.186066" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="38444"></INFO>
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<INFO BITRATE="972710" KEY_LYRICS="1 ContributorAutumn LyricsThe Argument&#xA;THE subject proposed. Addressed to Mr. Onslow. A prospect of the fields ready for harvest. Reflections in praise of industry raised by that view. Reaping. A tale relative to it. A harvest storm. Shooting and hunting; their barbarity. A ludicrous account of foxhunting. A view of an orchard. Wall fruit. A vineyard. A description of fogs, frequent in the latter part of Autumn; whence a digression, inquiring into the rise of fountains and rivers. Birds of season considered, that now shift their habitation. The prodigious number of them that cover the northern and western isles of Scotland. Hence a view of the country. A prospect of the discoloured, fading woods. After a gentle dusky day, moonlight. Autumnal meteors. Morning; to which succeeds a calm, pure, sunshiny day, such as usually shuts up the season. The harvest being gathered in, the country dissolved in joy. The whole concludes with a panegyric on a philosophical country life.&#xA;&#xA;Crowned with the sickle and the wheaten sheaf&#xA;While Autumn nodding o'er the yellow plain&#xA;Comes jovial on, the Doric reed once more&#xA;Well-pleased I tune. Whate'er the Wintry frost&#xA;Nitrous prepared, the various-blossomed Spring&#xA;Put in white promise forth, and Summer-suns&#xA;Concocted strong, rush boundless now to view,&#xA;Full, perfect all, and swell my glorious theme.&#xA;&#xA;Onslow! the muse, ambitious of thy name&#xA;To grace, inspire, and dignify her song,&#xA;Would from the public voice thy gentle ear&#xA;A while engage. Thy noble cares she knows,&#xA;The patriot-virtues that distend thy thought,&#xA;Spread on thy front, and in thy bosom glow;&#xA;While listening senates hang upon thy tongue,&#xA;Devolving through the maze of eloquence&#xA;A roll of periods, sweeter than her song.&#xA;But she too pants for public virtue; she,&#xA;Though weak of power, yet strong in ardent will,&#xA;Whene'er her country rushes on her heart,&#xA;Assumes a bolder note, and fondly tries&#xA;To mix the patriot's with the poet's flame.&#xA;When the bright Virgin gives the beauteous days,&#xA;And Libra weighs in equal scales the year,&#xA;From heaven's high cope the fierce effulgence shook&#xA;Of parting Summer, a serener blue,&#xA;With golden light enlivened, wide invests&#xA;The happy world. Attempered suns arise&#xA;Sweet-beamed, and shedding oft through lucid clouds&#xA;A pleasing calm; while broad and brown, below,&#xA;Extensive harvests hang the heavy head.&#xA;Rich, silent, deep they stand; for not a gale&#xA;Rolls its light billows o'er the bending plain;&#xA;A calm of plenty! till the ruffled air&#xA;Falls from its poise, and gives the breeze to blow.&#xA;Rent is the fleecy mantle of the sky;&#xA;The clouds fly different; and the sudden sun&#xA;By fits effulgent gilds the illumined field,&#xA;And black by fits the shadows sweep along —&#xA;A gaily chequered, heart-expanding view,&#xA;Far as the circling eye can shoot around,&#xA;Unbounded tossing in a flood of corn.&#xA;These are thy blessings, Industry, rough power!&#xA;Whom labour still attends, and sweat, and pain;&#xA;Yet the kind source of every gentle art&#xA;And all the soft civility of life:&#xA;Raiser of human kind! by nature cast&#xA;Naked and helpless out amid the woods&#xA;And wilds to rude inclement elements;&#xA;With various seeds of art deep in the mind&#xA;Implanted, and profusely poured around&#xA;Materials infinite; but idle all,&#xA;Still unexerted, in the unconscious breast&#xA;Slept the lethargic powers; Corruption still&#xA;Voracious swallowed what the liberal hand&#xA;Of Bounty scattered o'er the savage year.&#xA;And still the sad barbarian roving mixed&#xA;With beasts of prey; or for his acorn meal&#xA;Fought the fierce tusky boar-a shivering wretch!&#xA;Aghast and comfortless when the bleak north,&#xA;With winter charged, let the mixed tempest fly,&#xA;Hail, rain, and snow, and bitter-breathing frost.&#xA;Then to the shelter of the hut he fled,&#xA;And the wild season, sordid, pined away;&#xA;For home he had not: home is the resort&#xA;Of love, of joy, of peace and plenty, where,&#xA;Supporting and supported, polished friends&#xA;And dear relations mingle into bliss.&#xA;But this the rugged savage never felt,&#xA;Even desolate in crowds; and thus his days&#xA;Rolled heavy, dark, and unenjoyed along —&#xA;A waste of time! till Industry approached,&#xA;And roused him from his miserable sloth;&#xA;His faculties unfolded; pointed out&#xA;Where lavish Nature the directing hand&#xA;Of Art demanded; showed him how to raise&#xA;His feeble force by the mechanic powers,&#xA;To dig the mineral from the vaulted earth,&#xA;On what to turn the piercing rage of fire,&#xA;On what the torrent, and the gathered blast;&#xA;Gave the tall ancient forest to his axe;&#xA;Taught him to chip the wood, and hew the stone,&#xA;Till by degrees the finished fabric rose;&#xA;Tore from his limbs the blood-polluted fur,&#xA;And wrapt them in the woolly vestment warm,&#xA;Or bright in glossy silk, and flowing lawn;&#xA;With wholesome viands filled his table, poured&#xA;The generous glass around, inspired to wake&#xA;The life-refining soul of decent wit;&#xA;Nor stopped at barren bare necessity;&#xA;But, still advancing bolder, led him on&#xA;To pomp, to pleasure, elegance, and grace;&#xA;And, breathing high ambition through his soul,&#xA;Set science, wisdom, glory in his view,&#xA;And bade him be the lord of all below.&#xA;Then gathering men their natural powers combined,&#xA;And formed a public; to the general good&#xA;Submitting, aiming, and conducting all.&#xA;For this the patriot-council met, the full,&#xA;The free, and fairly represented whole;&#xA;For this they planned the holy guardian laws,&#xA;Distinguished orders, animated arts,&#xA;And, with joint force Oppression chaining, set&#xA;Imperial Justice at the helm, yet still&#xA;To them accountable: nor slavish dreamed&#xA;That toiling millions must resign their weal&#xA;And all the honey of their search to such&#xA;As for themselves alone themselves have raised.&#xA;Hence every form of cultivated life&#xA;In order set, protected, and inspired&#xA;Into perfection wrought. Uniting all,&#xA;Society grew numerous, high, polite,&#xA;And happy. Nurse of art, the city reared&#xA;In beauteous pride her tower-encircled head;&#xA;And, stretching street on street, by thousands drew,&#xA;From twining woody haunts, or the tough yew&#xA;To bows strong-straining, her aspiring sons.&#xA;&#xA;Then commerce brought into the public walk&#xA;The busy merchant; the big warehouse built;&#xA;Raised the strong crane; choked up the loaded street&#xA;With foreign plenty; and thy stream, O Thames,&#xA;Large, gentle, deep, majestic, king of floods!&#xA;Chose for his grand resort. On either hand,&#xA;Like a long wintry forest, groves of masts&#xA;Shot up their spires; the bellying sheet between&#xA;Possessed the breezy void; the sooty hulk&#xA;Steered sluggish on; the splendid barge along&#xA;Rowed regular to harmony; around,&#xA;The boat light-skimming stretched its oary wings;&#xA;While deep the various voice of fervent toil&#xA;From bank to bank increased; whence, ribbed with oak&#xA;To bear the British thunder, black, and bold,&#xA;The roaring vessel rushed into the main.&#xA;Then too the pillared dome magnific heaved&#xA;Its ample roof; and luxury within&#xA;Poured out her glittering stores. The canvas smooth,&#xA;With glowing life protuberant, to the view&#xA;Embodied rose; the statue seemed to breathe&#xA;And soften into flesh beneath the touch&#xA;Of forming art, imagination-flushed.&#xA;&#xA;All is the gift of industry-whate'er&#xA;Exalts, embellishes, and renders life&#xA;Delightful. Pensive Winter, cheered by him,&#xA;Sits at the social fire, and happy hears&#xA;The excluded tempest idly rave along;&#xA;His hardened fingers deck the gaudy Spring;&#xA;Without him Summer were an arid waste;&#xA;Nor to the Autumnal months could thus transmit&#xA;Those full, mature, immeasurable stores&#xA;That, waving round, recall my wandering song.&#xA;&#xA;Soon as the morning trembles o'er the sky,&#xA;And unperceived unfolds the spreading day,&#xA;Before the ripened field the reapers stand&#xA;In fair array, each by the lass he loves,&#xA;To bear the rougher part and mitigate&#xA;By nameless gentle offices her toil.&#xA;At once they stoop, and swell the lusty sheaves;&#xA;While through their cheerful band the rural talk,&#xA;The rural scandal, and the rural jest&#xA;Fly harmless, to deceive the tedious time&#xA;And steal unfelt the sultry hours away.&#xA;Behind the master walks, builds up the shocks,&#xA;And, conscious, glancing oft on every side&#xA;His sated eye, feels his heart heave with joy.&#xA;The gleaners spread around, and here and there,&#xA;Spike after spike, their sparing harvest pick.&#xA;Be not too narrow, husbandmen! but fling&#xA;From the full sheaf with charitable stealth&#xA;The liberal handful. Think, oh! grateful think&#xA;How good the God of harvest is to you,&#xA;Who pours abundance o'er your flowing fields,&#xA;While these unhappy partners of your kind&#xA;Wide-hover round you, like the fowls of heaven,&#xA;And ask their humble dole. The various turns&#xA;Of fortune ponder; that your sons may want&#xA;What now with hard reluctance faint ye give.&#xA;&#xA;The lovely young Lavinia once had friends;&#xA;And fortune smiled deceitful on her birth.&#xA;For, in her helpless years deprived of all,&#xA;Of every stay save innocence and Heaven,&#xA;She, with her widowed mother, feeble, old,&#xA;And poor, lived in a cottage far retired&#xA;Among the windings of a woody vale;&#xA;By solitude and deep surrounding shades,&#xA;But more by bashful modesty, concealed.&#xA;Together thus they shunned the cruel scorn&#xA;Which virtue, sunk to poverty, would meet&#xA;From giddy fashion and low-minded pride;&#xA;Almost on nature's common bounty fed,&#xA;Like the gay birds that sung them to repose,&#xA;Content, and careless of to-morrow's fare.&#xA;Her form was fresher than the morning-rose&#xA;When the dew wets its leaves; unstained and pure&#xA;As is the lily or the mountain-snow.&#xA;The modest virtues mingled in her eyes,&#xA;Still on the ground dejected, darting all&#xA;Their humid beams into the blooming flowers:&#xA;Or when the mournful tale her mother told,&#xA;Of what her faithless fortune promised once,&#xA;Thrilled in her thought, they, like the dewy star&#xA;Of evening, shone in tears. A native grace&#xA;Sat fair-proportioned on her polished limbs,&#xA;Veiled in a simple robe, their best attire,&#xA;Beyond the pomp of dress; for loveliness&#xA;Needs not the foreign aid of ornament,&#xA;But is when unadorned adorned the most.&#xA;Thoughtless of beauty, she was beauty's self,&#xA;Recluse amid the close-embowering woods.&#xA;&#xA;As in the hollow breast of Apennine,&#xA;Beneath the shelter of encircling hills,&#xA;A myrtle rises, far from human eye,&#xA;And breathes its balmy fragrance o'er the wild —&#xA;So flourished blooming, and unseen by all,&#xA;The sweet Lavinia; till at length, compelled&#xA;By strong necessity's supreme command,&#xA;With smiling patience in her looks she went&#xA;To glean Palemon's fields. The pride of swains&#xA;Palemon was, the generous and the rich,&#xA;Who led the rural life in all its joy&#xA;And elegance, such as Arcadian song&#xA;Transmits from ancient uncorrupted times,&#xA;When tyrant custom had not shackled man,&#xA;But free to follow nature was the mode.&#xA;He then, his fancy with autumnal scenes&#xA;Amusing, chanced beside his reaper-train&#xA;To walk, when poor Lavinia drew his eye;&#xA;Unconscious of her power, and turning quick&#xA;With unaffected blushes from his gaze —&#xA;He saw her charming, but he saw not half&#xA;The charms her downcast modesty concealed.&#xA;That very moment love and chaste desire&#xA;Sprung in his bosom, to himself unknown;&#xA;For still the world prevailed, and its dread laugh,&#xA;Which scarce the firm philosopher can scorn,&#xA;Should his heart own a gleaner in the field;&#xA;And thus in secret to his soul he sighed:&#xA;'What pity that so delicate a form,&#xA;By beauty kindled, where enlivening sense&#xA;And more than vulgar goodness seem to dwell,&#xA;Should be devoted to the rude embrace&#xA;Of some indecent clown! She looks, methinks,&#xA;Of old Acasto's line; and to my mind&#xA;Recalls that patron of my happy life,&#xA;From whom my liberal fortune took its rise,&#xA;Now to the dust gone down, his houses, lands,&#xA;And once fair-spreading family dissolved.&#xA;'Tis said that in some lone, obscure retreat,&#xA;Urged by remembrance sad and decent pride,&#xA;Far from those scenes which knew their better days,&#xA;His aged widow and his daughter live;&#xA;Whom yet my fruitless search could never find.&#xA;Romantic wish, would this the daughter were!'&#xA;&#xA;When, strict inquiring, from herself he found&#xA;She was the same, the daughter of his friend,&#xA;Of bountiful Acasto, who can speak&#xA;The mingled passions that surprised his heart&#xA;And through his nerves in shivering transport ran?&#xA;Then blazed his smothered flame, avowed and bold&#xA;And, as he viewed her ardent o'er and o'er,&#xA;Love, gratitude, and pity wept at once.&#xA;Confused and frightened at his sudden tears,&#xA;Her rising beauties flushed a higher bloom,&#xA;As thus Palemon, passionate and just,&#xA;Poured out the pious rapture of his soul:&#xA;'And art thouu then Acasto's dear remains?&#xA;She whom my restless gratitude has sought&#xA;So long in vain? O yes! the very same,&#xA;The softened image of my noble friend,&#xA;Alive his every feature, every look,&#xA;More elegantly touched. Sweeter than Spring!&#xA;Thou sole surviving blossom from the root&#xA;That nourished up my fortune! say, ah where,&#xA;In what sequestered desert, hast thou drawn&#xA;The kindest aspect of delighted Heaven?&#xA;Into such beauty spread, and blown so fair?&#xA;Though poverty's cold wind and crushing rain&#xA;Beat keen and heavy on thy tender years.&#xA;Oh, let me now into a richer soil&#xA;Transplant thee safe, where vernal suns and showers&#xA;Diffuse their warmest, largest influence;&#xA;And of my garden be the pride and joy!&#xA;It ill befits thee, oh, it ill befits&#xA;Acasto's daughter-his, whose open stores,&#xA;Though vast, were little to his ampler heart,&#xA;The father of a country-thus to pick&#xA;The very refuse of those harvest-fields&#xA;Which from his bounteous friendship I enjoy.&#xA;Then throw that shameful pittance from thy hand,&#xA;But ill applied to such a rugged task;&#xA;The fields, the master, all, my fair, are thine;&#xA;If, to the various blessings which thy house&#xA;Has on me lavish'd, thou wilt add that bliss,&#xA;That dearest bliss, the power of blessing thee!'&#xA;&#xA;Here ceased the youth: yet still his speaking eye&#xA;Expressed the sacred triumph of his soul,&#xA;With conscious virtue, gratitude, and love&#xA;Above the vulgar joy divinely raised.&#xA;Nor waited he reply. Won by the charm&#xA;Of goodness irresistible, and all&#xA;In sweet disorder lost, she blushed consent.&#xA;The news immediate to her mother brought,&#xA;While, pierced with anxious thought, she pined away&#xA;The lonely moments for Lavinia's fate,&#xA;Amazed, and scarce believing what she heard,&#xA;Joy seized her wither'd veins, and one bright gleam&#xA;Of setting life shone on her evening hours,&#xA;Not less enraptured than the happy pair;&#xA;Who flourished long in tender bliss, and reared&#xA;A numerous offspring, lovely like themselves,&#xA;And good, the grace of all the country round.&#xA;&#xA;Defeating oft the labours of the year,&#xA;The sultry south collects a potent blast.&#xA;At first, the groves are scarcely seen to stir&#xA;Their trembling tops; and a still murmur runs&#xA;Along the soft-inclining fields of corn.&#xA;But, as the aerial tempest fuller swells,&#xA;And in one mighty stream, invisible,&#xA;Immense, the whole excited atmosphere&#xA;Impetuous rushes o'er the sounding world —&#xA;Strained to the root, the stooping forest pours&#xA;A rustling shower of yet untimely leaves.&#xA;High-beat, the circling mountains eddy in,&#xA;From the bare wild, the dissipated storm,&#xA;And send it in a torrent down the vale.&#xA;Exposed, and naked to its utmost rage,&#xA;Through all the sea of harvest rolling round,&#xA;The billowy plain floats wide; nor can evade,&#xA;Though pliant to the blast, its seizing force —&#xA;Or whirled in air or into vacant chaff&#xA;Shook waste. And sometimes too a burst of rain,&#xA;Swept from the black horizon, broad descends&#xA;In one continuous flood. Still over head&#xA;The mingling tempest weaves its gloom, and still&#xA;The deluge deepens; till the fields around&#xA;Lie sunk and flatted in the sordid wave.&#xA;Sudden the ditches swell; the meadows swim.&#xA;Red from the hills innumerable streams&#xA;Tumultuous roar, and high above its banks&#xA;The river lift-before whose rushing tide&#xA;Herds, flocks, and harvests, cottages, and swains&#xA;Roll mingled down; all that the winds had spared&#xA;In one wild moment ruined, the big hopes&#xA;And well-earned treasures of the painful year.&#xA;Fled to some eminence, the husbandman&#xA;Helpless beholds the miserable wreck&#xA;Driving along; his drowning ox, at once&#xA;Descending with his labours scattered round,&#xA;He sees; and instant o'er his shivering thought&#xA;Comes winter unprovided, and a train&#xA;Of clamant children dear. Ye masters, then&#xA;Be mindful of the rough laborious hand&#xA;That sinks you soft in elegance and ease;&#xA;Be mindful of those limbs in russet clad&#xA;Whose toil to yours is warmth and graceful pride;&#xA;And oh, be mindful of that sparing board&#xA;Which covers yours with luxury profuse,&#xA;Makes your glass sparkle, and your sense rejoice;&#xA;Nor cruelly demand what the deep rains&#xA;And all-involving winds have swept away!&#xA;&#xA;Here the rude clamour of the sportsman's joy,&#xA;The gun fast-thundering and the winded horn,&#xA;Would tempt the Muse to sing the rural game,&#xA;How, in his mid career, the spaniel, struck&#xA;Stiff by the tainted gale, with open nose&#xA;Outstretched and finely sensible, draws full,&#xA;Fearful, and cautious on the latent prey.&#xA;As in the sun the circling covey bask&#xA;Their varied plumes, and, watchful every way,&#xA;Through the rough stubble turn the secret eye.&#xA;&#xA;'Caught in the meshy snare, in vain they beat&#xA;Their idle wings, entangled more and more:&#xA;Nor, on the surges of the boundless air&#xA;Though borne triumphant, are they safe; the gun,&#xA;Glanced just, and sudden, from the fowler's eye,&#xA;O'ertakes their sounding pinions, and again&#xA;Immediate brings them from the towering wing&#xA;Dead to the ground; or drives them wide-dispersed,&#xA;Wounded and wheeling various down the wind.&#xA;&#xA;These are not subjects for the peaceful muse,&#xA;Nor will she stain with such her spotless song —&#xA;Then most delighted when she social sees&#xA;The whole mixed animal creation round&#xA;Alive and happy. 'Tis not joy to her,&#xA;This falsely cheerful barbarous game of death,&#xA;This rage of pleasure which the restless youth&#xA;Awakes, impatient, with the gleaming morn;&#xA;When beasts of prey retire that all night long,&#xA;Urged by necessity, had ranged the dark,&#xA;As if their conscious ravage shunned the light&#xA;Ashamed. Not so the steady tyrant, man,&#xA;Who, with the thoughtless insolence of power&#xA;Inflamed beyond the most infuriate wrath&#xA;Of the worst monster that e'er roamed the waste,&#xA;For sport alone pursues the cruel chase&#xA;Amid the beamings of the gentle days.&#xA;Upbraid, ye ravening tribes, our wanton rage,&#xA;For hunger kindles you, and lawless want;&#xA;But lavish fed, in Nature's bounty rolled,&#xA;To joy at anguish, and delight in blood,&#xA;Is what your horrid bosoms never knew.&#xA;&#xA;Poor is the triumph o'er the timid hare!&#xA;Scared from the corn, and now to some lone seat&#xA;Retired-the rushy fen, the ragged furze&#xA;Stretched o'er the stony heath, the stubble chapped,&#xA;The thistly lawn, the thick entangled broom,&#xA;Of the same friendly hue the withered fern,&#xA;The fallow ground laid open to the sun&#xA;Concoctive, and the nodding sandy bank&#xA;Hung o'er the mazes of the mountain brook.&#xA;Vain is her best precaution; though she sits&#xA;Concealed with folded ears, unsleeping eyes&#xA;By Nature raised to take the horizon in,&#xA;And head couched close betwixt her hairy feet&#xA;In act to spring away. The scented dew&#xA;Betrays her early labyrinth; and deep,&#xA;In scattered sullen openings, far behind,&#xA;With every breeze she hears the coming storm&#xA;But, nearer and more frequent as it loads&#xA;The sighing gale, she springs amazed, and all&#xA;The savage soul of game is up at once —&#xA;The pack full-opening various, the shrill horn&#xA;Resounded from the hills, the neighing steed&#xA;Wild for the chase, and the loud hunter's shout —&#xA;O'er a weak, harmless, flying creature, all&#xA;Mixed in mad tumult and discordant joy.&#xA;&#xA;The stag, too, singled from the herd, where long&#xA;He ranged the branching monarch of the shades,&#xA;Before the tempest drives. At first, in speed&#xA;He sprightly puts his faith, and, roused by fear,&#xA;Gives all his swift aerial soul to flight.&#xA;Against the breeze he darts, that way the more&#xA;To leave the lessening murderous cry behind.&#xA;Deception short! though, fleeter than the winds&#xA;Blown o'er the keen-aired mountain by the North,&#xA;He bursts the thickets, glances through the glades,&#xA;And plunges deep into the wildest wood.&#xA;If slow, yet sure, adhesive to the track&#xA;Hot-steaming, up behind him come again&#xA;The inhuman rout, and from the shady depth&#xA;Expel him, circling through his every shift.&#xA;He sweeps the forest oft; and sobbing sees&#xA;The glades, mild opening to the golden day,&#xA;Where in kind contest with his butting friends&#xA;He wont to struggle, or his loves enjoy.&#xA;Oft in the full-descending flood he tries&#xA;To lose the scent, and lave his burning sides —&#xA;Oft seeks the herd; the watchful herd, alarmed,&#xA;With selfish care avoid a brother's woe.&#xA;What shall he do? His once so vivid nerves,&#xA;So full of buoyant spirit, now no more&#xA;Inspire the course; but fainting, breathless toil&#xA;Sick seizes on his heart: he stands at bay,&#xA;And puts his last weak refuge in despair.&#xA;The big round tears run down his dappled face;&#xA;He groans in anguish; while the growling pack,&#xA;Blood-happy, hang at his fair jutting chest,&#xA;And mark his beauteous chequered sides with gore.&#xA;&#xA;Of this enough. But, if the sylvan youth,&#xA;Whose fervent blood boils into violence,&#xA;Must have the chase, behold, despising flight,&#xA;The roused up lion, resolute and slow,&#xA;Advancing full on the protended spear&#xA;And coward band that circling wheel aloof.&#xA;Slunk from the cavern and the troubled wood,&#xA;See the grim wolf; on him his shaggy foe&#xA;Vindictive fix, and let the ruffian die:&#xA;Or, growling horrid, as the brindled boar&#xA;Grins fell destruction, to the monster's heart&#xA;Let the dart lighten from the nervous arm.&#xA;&#xA;These Britain knows not; give, ye Britons, then&#xA;Your sportive fury pitiless to pour&#xA;Loose on the nightly robber of the fold.&#xA;Him, from his craggy winding haunts unearthed,&#xA;Let all the thunder of the chase pursue.&#xA;Throw the broad ditch behind you; o'er the hedge&#xA;High bound resistless; nor the deep morass&#xA;Refuse, but through the shaking wilderness&#xA;Pick your nice way; into the perilous flood&#xA;Bear fearless, of the raging instinct full;&#xA;And, as you ride the torrent, to the banks&#xA;Your triumph sound sonorous, running round&#xA;From rock to rock, in circling echo tost;&#xA;Then scale the mountains to their woody tops;&#xA;Rush down the dangerous steep; and o'er the lawn,&#xA;In fancy swallowing up the space between,&#xA;Pour all your speed into the rapid game.&#xA;For happy he who tops the wheeling chase;&#xA;Has every maze evolved, and every guile&#xA;Disclosed; who knows the merits of the pack;&#xA;Who saw the villain seized, and dying hard&#xA;Without complaint, though by an hundred mouths&#xA;Relentless torn: O glorious he beyond&#xA;His daring peers, when the retreating horn&#xA;Calls them to ghostly halls of grey renown,&#xA;With woodland honours graced-the fox's fur&#xA;Depending decent from the roof, and spread&#xA;Round the drear walls, with antic figures fierce,&#xA;The stag's large front: he then is loudest heard&#xA;When the night staggers with severer toils, With feats&#xA;Thessalian Centaurs never knew,&#xA;And their repeated wonders shake the dome&#xA;&#xA;But first the fuelled chimney blazes wide;&#xA;The tankards foam; and the strong table groans&#xA;Beneath the smoking sirloin, stretched immense&#xA;From side to side, in which with desperate knife&#xA;They deep incision make, and talk the while&#xA;Of England's glory, ne'er to be defaced&#xA;While hence they borrow vigour; or, amain&#xA;Into the pasty plunged, at intervals,&#xA;If stomach keen can intervals allow,&#xA;Relating all the glories of the chase.&#xA;Then sated Hunger bids his brother Thirst&#xA;Produce the mighty bowl: the mighty bowl,&#xA;Swelled high with fiery juice, steams liberal round&#xA;A potent gale, delicious as the breath&#xA;Of Maia to the love-sick shepherdess&#xA;On violets diffused, while soft she hears&#xA;Her panting shepherd stealing to her arms.&#xA;Nor wanting is the brown October, drawn&#xA;Mature and perfect from his dark retreat&#xA;Of thirty years; and now his honest front&#xA;Flames in the light refulgent, not afraid&#xA;Even with the vineyard's best produce to vie.&#xA;To cheat the thirsty moments, whist a while&#xA;Walks his grave round beneath a cloud of smoke,&#xA;Wreathed fragrant from the pipe; or the quick dice,&#xA;In thunder leaping from the box, awake&#xA;The sounding gammon; while romp-loving miss&#xA;Is hauled about in gallantry robust.&#xA;&#xA;At last these puling idlenesses laid&#xA;Aside, frequent and full, the dry divan&#xA;Close in firm circle; and set ardent in&#xA;For serious drinking. Nor evasion sly&#xA;Nor sober shift is to the puking wretch&#xA;Indulged apart; but earnest brimming bowls&#xA;Lave every soul, the table floating round,&#xA;And pavement faithless to the fuddled foot.&#xA;Thus as they swim in mutual swill, the talk,&#xA;Vociferous at once from twenty tongues,&#xA;Reels fast from theme to theme-from horses, hounds,&#xA;To church or mistress, politics or ghost —&#xA;In endless mazes, intricate, perplext.&#xA;Meantime, with sudden interruption, loud&#xA;The impatient catch bursts from the joyous heart.&#xA;That moment touched is each congenial soul;&#xA;And, opening in a full-mouthed cry of joy,&#xA;The laugh, the slap, the jocund curse goes round;&#xA;While, from their slumbers shook, the kennelled hounds&#xA;Mix in the music of the day again.&#xA;As when the tempest, that has vexed the deep&#xA;The dark night long, with fainter murmurs falls;&#xA;So gradual sinks their mirth. Their feeble tongues,&#xA;Unable to take up the cumbrous word,&#xA;Lie quite dissolved. Before their maudlin eyes,&#xA;Seen dim and blue, the double tapers dance,&#xA;Like the sun wading through the misty sky.&#xA;Then, sliding soft, they drop. Confused above,&#xA;Glasses and bottles, pipes and gazetteers,&#xA;As if the table even itself was drunk,&#xA;And steeps them drenched in potent sleep till morn.&#xA;Perhaps some doctor of tremendous paunch,&#xA;Awful and deep, a black abyss of drink,&#xA;Outlives them all; and, from his buried flock&#xA;Retiring, full of rumination sad,&#xA;Laments the weakness of these latter times.&#xA;But if the rougher sex by this fierce sport&#xA;Is hurried wild, let not such horrid joy&#xA;E'er stain the bosom of the British fair.&#xA;Far be the spirit of the chase from them!&#xA;Uncomely courage, unbeseeming skill,&#xA;To spring the fence, to reign the prancing steed,&#xA;The cap, the whip, the masculine attire&#xA;In which they roughen to the sense and all&#xA;The winning softness of their sex is lost.&#xA;In them 'tis graceful to dissolve at woe;&#xA;With every motion, every word, to wave&#xA;Quick o'er the kindling cheek the ready blush;&#xA;And from the smallest violence to shrink&#xA;Unequal, then the loveliest in their fears;&#xA;And, by this silent adulation soft,&#xA;To their protection more engaging man.&#xA;O may their eyes no miserable sight,&#xA;Save weeping lovers, see! a nobler game,&#xA;Through love's enchanting wiles pursued, yet fled,&#xA;In chase ambiguous. May their tender limbs&#xA;Float in the loose simplicity of dress!&#xA;And, fashioned all to harmony, alone&#xA;Know they to seize the captivated soul,&#xA;In rapture warbled from love-breathing lips;&#xA;To teach the lute to languish; with smooth step,&#xA;Disclosing motion in its every charm,&#xA;To swim along and swell the mazy dance;&#xA;To train the foliage o'er the snowy lawn;&#xA;To guide the pencil, turn the tuneful page;&#xA;To lend new flavour to the fruitful year,&#xA;And heighten nature's dainties; in their race&#xA;To rear their graces into second life;&#xA;To give society its highest taste;&#xA;Well-ordered home man's best delight to make;&#xA;And, by submissive wisdom, modest skill,&#xA;With every gentle care-eluding art,&#xA;To raise the virtues, animate the bliss,&#xA;Even charm the pains to something more than joy,&#xA;And sweeten all the toils of human life:&#xA;This be the female dignity and praise.&#xA;&#xA;Ye swains, now hasten to the hazel-bank,&#xA;Where down yon dale the wildly-winding brook&#xA;Falls hoarse from steep to steep. In close array,&#xA;Fit for the thickets and the tangling shrub,&#xA;Ye virgins, come. For you their latest song&#xA;The woodlands raise; the clustering nuts for you&#xA;The lover finds amid the secret shade;&#xA;And, where they burnish on the topmost bough,&#xA;With active vigour crushes down the tree;&#xA;Or shakes them ripe from the resigning husk,&#xA;A glossy shower and of an ardent brown&#xA;As are the ringlets of Melinda's hair —&#xA;Melinda! form'd with every grace complete,&#xA;Yet these neglecting, above beauty wise,&#xA;And far transcending such a vulgar praise.&#xA;&#xA;Hence from the busy joy-resounding fields,&#xA;In cheerful error let us tread the maze&#xA;Of Autumn unconfined; and taste, revived,&#xA;The breath of orchard big with bending fruit.&#xA;Obedient to the breeze and beating ray,&#xA;From the deep-loaded bough a mellow shower&#xA;Incessant melts away. The juicy pear&#xA;Lies in a soft profusion scattered round.&#xA;A various sweetness swells the gentle race,&#xA;By Nature's all-refining hand prepared,&#xA;Of tempered sun, and water, earth, and air,&#xA;In ever-changing composition mixed.&#xA;Such, falling frequent through the chiller night,&#xA;The fragrant stores, the wide-projected heaps&#xA;Of apples, which the lusty-handed year&#xA;Innumerous o'er the blushing orchard shakes.&#xA;A various spirit, fresh, delicious, keen,&#xA;Dwells in their gelid pores, and active points&#xA;The piercing cider for the thirsty tongue —&#xA;Thy native theme, and boon inspirer too,&#xA;Phillips, Pomona's bard! the second thou&#xA;Who nobly durst in rhyme-unfettered verse&#xA;With British freedom sing the British song —&#xA;How from Silurian vats high-sparkling wines&#xA;Foam in transparent floods, some strong to cheer&#xA;The wintry revels of the labouring hind,&#xA;And tasteful some to cool the summer hours.&#xA;&#xA;In this glad season, while his sweetest beams&#xA;The Sun sheds equal o'er the meekened day,&#xA;Oh, lose me in the green delightful walks&#xA;Of, Dodington, thy seat, serene and plain;&#xA;Where simple Nature reigns; and every view&#xA;Diffusive spreads the pure Dorsetian downs&#xA;In boundless prospect-yonder shagged with wood,&#xA;Here rich with harvest, and there white with flocks!&#xA;Meantime the grandeur of thy lofty dome&#xA;Far-splendid seizes on the ravished eye.&#xA;New beauties rise with each revolving day;&#xA;New columns swell; and still the fresh Spring finds&#xA;New plants to quicken, and new groves to green.&#xA;Full of thy genius all, the Muses' seat!&#xA;Where, in the secret bower and winding walk,&#xA;For virtuous Young and thee they twine the bay.&#xA;Here wandering oft, fired with the restless thirst&#xA;Of thy applause, I solitary court&#xA;The inspiring breeze, and meditate the book&#xA;Of Nature, ever open, aiming thence&#xA;Warm from the heart to learn the moral song.&#xA;And, as I steal along the sunny wall,&#xA;Where Autumn basks, with fruit empurpled deep,&#xA;My pleasing theme continual prompts my thoughts —&#xA;Presents the downy peach, the shining plum&#xA;With a fine bluish mist of animals&#xA;Clouded, the ruddy nectarine, and dark&#xA;Beneath his ample leaf the luscious fig.&#xA;The vine too here her curling tendrils shoots,&#xA;Hangs out her clusters glowing to the south,&#xA;And scarcely wishes for a warmer sky.&#xA;&#xA;Turn we a moment fancy's rapid flight&#xA;To vigorous soils and climes of fair extent,&#xA;Where, by the potent sun elated high,&#xA;The vineyard swells refulgent on the day,&#xA;Spreads o'er the vale, or up the mountain climbs&#xA;Profuse, and drinks amid the sunny rocks,&#xA;From cliff to cliff increased, the heightened blaze.&#xA;Low bend the weighty boughs. The clusters clear,&#xA;Half through the foliage seen, or ardent flame&#xA;Or shine transparent; while perfection breathes&#xA;White o'er the turgent film the living dew.&#xA;As thus they brighten with exalted juice,&#xA;Touched into flavour by the mingling ray,&#xA;The rural youth and virgins o'er the field,&#xA;Each fond for each to cull the autumnal prime,&#xA;Exulting rove, and speak the vintage nigh.&#xA;Then comes the crushing swain; the country floats,&#xA;And foams unbounded with the mashy flood,&#xA;That, by degrees fermented, and refined,&#xA;Round the raised nations pours the cup of joy —&#xA;The claret smooth, red as the lip we press&#xA;In sparkling fancy while we drain the bowl,&#xA;The mellow-tasted burgundy, and, quick&#xA;As is the wit it gives, the gay champagne.&#xA;&#xA;Now, by the cool declining year condensed,&#xA;Descend the copious exhalations, checked&#xA;As up the middle sky unseen they stole,&#xA;And roll the doubling fogs around the hill.&#xA;No more the mountain, horrid, vast, sublime,&#xA;Who pours a sweep of rivers from his sides,&#xA;And high between contending kingdoms rears&#xA;The rocky long division, fills the view&#xA;With great variety; but, in a night&#xA;Of gathering vapour, from the baffled sense&#xA;Sinks dark and dreary. Thence expanding far,&#xA;The huge dusk gradual swallows up the plain:&#xA;Vanish the woods: the dim-seen river seems,&#xA;Sullen and slow, to roll the misty wave.&#xA;Even in the height of noon oppressed, the sun&#xA;Sheds, weak and blunt, his wide-refracted ray;&#xA;Whence glaring oft, with many a broadened orb,&#xA;He frights the nations .Indistinct on earth,&#xA;Seen through the turbid air, beyond the life&#xA;Objects appear, and, wildered, o'er the waste&#xA;The shepherd stalks gigantic; till at last,&#xA;Wreathed dun around, in deeper circles still&#xA;Successive closing, sits the general fog&#xA;Unbounded o'er the world, and, mingling thick,&#xA;A formless grey confusion covers all.&#xA;As when of old (so sung the Hebrew bard)&#xA;Light, uncollected, through the Chaos urged&#xA;Its infant way, nor order yet had drawn&#xA;His lovely train from out the dubious gloom.&#xA;&#xA;These roving mists, that constant now begin&#xA;To smoke along the hilly country, these,&#xA;With weighty rains and melted Alpine snows.&#xA;The mountain-cisterns fill-those ample stores&#xA;Of water, scooped among the hollow rocks,&#xA;Whence gush the streams, the ceaseless fountains play,&#xA;And their unfailing wealth the rivers draw.&#xA;Some sages say, that, where the numerous wave&#xA;For ever lashes the resounding shore,&#xA;Drilled through the sandy stratum, every way,&#xA;The waters with the sandy stratum rise;&#xA;Amid whose angles infinitely strained,&#xA;They joyful leave their jaggy salts behind,&#xA;And clear-and sweeten as they soak along.&#xA;Nor stops the restless fluid, mounting still,&#xA;Though oft amidst the irriguous vale it springs;&#xA;But, to the mountain courted by the sand,&#xA;That leads it darkling on in faithful maze,&#xA;Far from the parent main, it boils again&#xA;Fresh into day, and all the glittering hill&#xA;Is bright with spouting rills. But hence this vain&#xA;Amusive dream! why should the waters love&#xA;To take so far a journey to the hills,&#xA;When the sweet valleys offer to their toil&#xA;Inviting quiet and a nearer bed?&#xA;Or if, by blind ambition led astray,&#xA;They must aspire, why should they sudden stop&#xA;Among the broken mountain's rushy dells.&#xA;And, ere they gain its highest peak, desert&#xA;The attractive sand that charmed their course so long?&#xA;Besides, the hard agglomerating salts,&#xA;The spoil of ages, would impervious choke&#xA;Their secret channels, or by slow degrees,&#xA;High as the hills, protrude the swelling vales:&#xA;Old ocean too, sucked through the porous globe,&#xA;Had long ere now forsook his horrid bed,&#xA;And brought Deucalion's watery times again.&#xA;&#xA;Say, then, where lurk the vast eternal springs&#xA;That, like creating Nature, lie concealed&#xA;From mortal eye, yet with their lavish stores&#xA;Refresh the globe and all its joyous tribes?&#xA;&#xA;O thou pervading genius, given to man&#xA;To trace the secrets of the dark abyss!&#xA;Oh! lay the mountains bare, and wide display&#xA;Their hidden structure to the astonished view;&#xA;Strip from the branching Alps their piny load,&#xA;The huge incumbrance of horrific woods&#xA;From Asian Taurus, from Imaus stretched&#xA;Athwart the roving Tartar's sullen bounds;&#xA;Give opening Hemus to my searching eye,&#xA;And high Olympus pouring many a stream!&#xA;Oh, from the sounding summits of the north,&#xA;The Dofrine Hills, through Scandinavia rolled&#xA;To farthest Lapland and the frozen main;&#xA;From lofty Caucasus, far seen by those&#xA;Who in the Caspian and black Euxine toil;&#xA;From cold Riphaean rocks, which the wild Russ&#xA;Believes the stony girdle of the world;&#xA;And all the dreadful mountains wrapt in storm&#xA;Whence wide Siberia draws her lonely floods;&#xA;Oh, sweep the eternal snows! Hung o'er the deep,&#xA;That ever works beneath his sounding base,&#xA;Bid Atlas, propping heaven, as poets feign,&#xA;His subterranean wonders spread! Unveil&#xA;The miny caverns, blazing on the day,&#xA;Of Abyssinia's cloud-compelling cliffs,&#xA;And of the bending Mountains of the Moon!&#xA;O'ertopping all these giant-sons of earth,&#xA;Let the dire Andes, from the radiant Line&#xA;Stretched to the stormy seas that thunder round&#xA;The Southern Pole, their hideous deeps unfold!&#xA;Amazing scene! Behold! the glooms disclose!&#xA;I see the rivers in their infant beds!&#xA;Deep, deep I hear them labouring to get free!&#xA;I see the leaning strata, artful ranged;&#xA;The gaping fissures, to receive the rains,&#xA;The melting snows, and ever-dripping fogs.&#xA;&#xA;Strowed bibulous above I see the sands,&#xA;The pebbly gravel next, the layers then&#xA;Of mingled moulds, of more retentive earths,&#xA;The guttured rocks and mazy-running clefts,&#xA;That, while the stealing moisture they transmit,&#xA;Retard its motion, and forbid its waste.&#xA;Beneath the incessant weeping of these drains,&#xA;I see the rocky siphons stretched immense,&#xA;The mighty reservoirs, of hardened chalk&#xA;Or stiff compacted clay capacious formed:&#xA;O'erflowing thence, the congregated stores,&#xA;The crystal treasures of the liquid world,&#xA;Through the stirred sands a bubbling passage burst,&#xA;And, welling out around the middle steep&#xA;Or from the bottoms of the bosomed hills&#xA;In pure effusion flow. United thus,&#xA;The exhaling sun, the vapour-burdened air,&#xA;The gelid mountains, that to rain condensed&#xA;These vapours in continual current draw,&#xA;And send them o'er the fair-divided earth&#xA;In bounteous rivers to the deep again,&#xA;A social commerce hold, and firm support&#xA;The full-adjusted harmony of things.&#xA;&#xA;When Autumn scatters his departing gleams,&#xA;Warned of approaching Winter, gathered, play&#xA;The swallow-people; and, tossed wide around,&#xA;O'er the calm sky in convolution swift&#xA;The feathered eddy floats, rejoicing once&#xA;Ere to their wintry slumbers they retire,&#xA;In clusters clung beneath the mouldering bank,&#xA;And where, unpierced by frost, the cavern sweats:&#xA;Or rather, into warmer climes conveyed,&#xA;And now, their route designed, their leaders chose,&#xA;Their tribes adjusted, cleaned their vigorous wings,&#xA;And many a circle, many a short essay,&#xA;Wheeled round and round, in congregation full&#xA;The figured flight ascends, and, riding high&#xA;The aerial billows, mixes with the clouds.&#xA;&#xA;Or, where the Northern Ocean in vast whirls&#xA;Boils round the naked melancholy isles&#xA;Of farthest Thule, and the Atlantic surge&#xA;Pours in among the stormy Hebrides,&#xA;Who can recount what transmigrations there&#xA;Are annual made? what nations come and go?&#xA;And how the living clouds on clouds arise,&#xA;Infinite wings! till all the plume-dark air&#xA;And rude resounding shore are one wild cry?&#xA;&#xA;Here the plain harmless native his small flock&#xA;And herd diminutive of many hues&#xA;Tends on the little island's verdant swell,&#xA;The shepherd's sea-girt reign; or, to the rocks&#xA;Dire-clinging, gathers his ovarious food;&#xA;Or sweeps the fishy shore; or treasures up&#xA;The plumage, rising full, to form the bed&#xA;Of luxury. And here a while the muse,&#xA;High hovering o'er the broad cerulean scene,&#xA;Sees Caledonia in romantic view —&#xA;Her airy mountains from the waving main&#xA;Invested with a keen diffusive sky,&#xA;Breathing the soul acute; her forests huge,&#xA;Incult, robust, and tall, by Nature's hand&#xA;Planted of old; her azure lakes between,&#xA;Poured out extensive, and of watery wealth&#xA;Full; winding deep and green, her fertile vales,&#xA;With many a cool translucent brimming flood&#xA;Washed lovely, from the Tweed (pure parent-stream,&#xA;Whose pastoral banks first heard my Doric reed,&#xA;With, silvan Jed, thy tributary brook)&#xA;To where the north-inflated tempest foams&#xA;O'er Orca's or Betubium's highest peak —&#xA;Nurse of a people, in misfortune's school&#xA;Trained up to hardy deeds, soon visited&#xA;By Learning, when before the Gothic rage&#xA;She took her western flight; a manly race&#xA;Of unsubmitting spirit, wise, and brave,&#xA;Who still through bleeding ages struggled hard&#xA;(As well unhappy Wallace can attest,&#xA;Great patriot-hero! ill requited chief!)&#xA;To hold a generous undiminished state,&#xA;Too much in vain! Hence, of unequal bounds&#xA;Impatient, and by tempting glory borne&#xA;O'er every land, for every land their life&#xA;Has flowed profuse, their piercing genius planned,&#xA;And swelled the pomp of peace their faithful toil:&#xA;As from their own clear north in radiant streams&#xA;Bright over Europe bursts the boreal morn.&#xA;&#xA;Oh! is there not some patriot in whose power&#xA;That best, that godlike luxury is placed,&#xA;Of blessing thousands, thousands yet unborn,&#xA;Through late posterity? some, large of soul,&#xA;To cheer dejected Industry, to give&#xA;A double harvest to the pining swain,&#xA;And teach the labouring hand the sweets of toil?&#xA;How, by the finest art, the native robe&#xA;To weave; how, white as Hyperborean snow,&#xA;To form the lucid lawn; with venturous oar&#xA;How to dash wide the billow; nor look on,&#xA;Shamefully passive, while Batavian fleets&#xA;Defraud us of the glittering finny swarms&#xA;That heave our friths and crowd upon our shores;&#xA;How all-enlivening trade to rouse, and wing&#xA;The prosperous sail from every growing port,&#xA;Uninjured, round the sea-encircled globe;&#xA;And thus, in soul united as in name,&#xA;Bid Britain reign the mistress of the deep?&#xA;&#xA;Yes, there are such. And full on thee, Argyle,&#xA;Her hope, her stay, her darling, and her boast,&#xA;From her first patriots and her heroes sprung,&#xA;Thy fond imploring Country turns her eye;&#xA;In thee, with all a mother's triumph, sees&#xA;Her every virtue, every grace combined,&#xA;Her genius, wisdom, her engaging turn,&#xA;Her pride of honour, and her courage tried,&#xA;Calm and intrepid, in the very throat&#xA;Of sulphurous war, on Tenier's dreadful field.&#xA;Nor less the palm of peace enwreathes thy brow:&#xA;For, powerful as thy sword, from thy rich tongue&#xA;Persuasion flows, and wins the high debate;&#xA;While mixed in thee combine the charm of youth,&#xA;The force of manhood, and the depth of age.&#xA;Thee, Forbes, too, whom every worth attends,&#xA;As truth sincere, as weeping friendship kind,&#xA;Thee, truly generous, and in silence great,&#xA;Thy country feels through her reviving arts,&#xA;Planned by thy wisdom, by thy soul informed;&#xA;And seldom has she felt a friend like thee.&#xA;&#xA;But see the fading many-coloured woods,&#xA;Shade deepening over shade, the country round&#xA;Imbrown; a crowded umbrage, dusk and dun,&#xA;Of every hue from wan declining green&#xA;To sooty dark. These now the lonesome muse,&#xA;Low-whispering, lead into their leaf-strown walks.&#xA;And give the season in its latest view.&#xA;&#xA;Meantime, light shadowing all, a sober calm&#xA;Fleeces unbounded ether; whose least wave&#xA;Stands tremulous, uncertain where to turn&#xA;The gentle current; while, illumined wide,&#xA;The dewy-skirted clouds imbibe the sun,&#xA;And through their lucid veil his softened force&#xA;Shed o'er the peaceful world. Then is the time&#xA;For those whom wisdom and whom nature charm&#xA;To steal themselves from the degenerate crowd,&#xA;And soar above this little scene of things —&#xA;To tread low-thoughted vice beneath their feet,&#xA;To soothe the throbbing passions into peace,&#xA;And woo lone Quiet in her silent walks.&#xA;&#xA;Thus solitary, and in pensive guise,&#xA;Oft let me wander o'er the russet mead,&#xA;And through the saddened grove, where scarce is heard&#xA;One dying strain to cheer the woodman's toil.&#xA;Haply some widowed songster pours his plaint&#xA;Far in faint warblings through the tawny copse;&#xA;While congregated thrushes, linnets, larks,&#xA;And each wild throat whose artless strains so late&#xA;Swelled all the music of the swarming shades,&#xA;Robbed of their tuneful souls, now shivering sit&#xA;On the dead tree, a dull despondent flock,&#xA;With not a brightness waving o'er their plumes,&#xA;And naught save chattering discord in their note.&#xA;Oh, let not, aimed from some inhuman eye,&#xA;The gun the music of the coming year&#xA;Destroy, and harmless, unsuspecting harm,&#xA;Lay the weak tribes, a miserable prey!&#xA;In mingled murder fluttering on the ground!&#xA;&#xA;The pale descending year, yet pleasing still,&#xA;A gentler mood inspires; for now the leaf&#xA;Incessant rustles from the mournful grove,&#xA;Oft startling such as studious walk below,&#xA;And slowly circles through the waving air.&#xA;But, should a quicker breeze amid the boughs&#xA;Sob, o'er the sky the leafy deluge streams;&#xA;Till, choked and matted with the dreary shower,&#xA;The forest-walks, at every rising gale,&#xA;Roll wide the wither'd waste, and whistle bleak.&#xA;Fled is the blasted verdure of the fields;&#xA;And, shrunk into their beds, the flowery race&#xA;Their sunny robes resign. Even what remained&#xA;Of bolder fruits falls from the naked tree;&#xA;And-woods, fields, gardens, orchards, all around —&#xA;The desolated prospect thrills the soul.&#xA;&#xA;He comes! he comes! in every breeze the Power&#xA;Of Philosophic Melancholy comes!&#xA;His near approach the sudden-starting tear,&#xA;The glowing cheek, the mild dejected air,&#xA;The softened feature, and the beating heart,&#xA;Pierced deep with many a virtuous pang, declare.&#xA;O'er all the soul his sacred influence breathes;&#xA;Inflames imagination; through the breast&#xA;Infuses every tenderness; and far&#xA;Beyond dim earth exalts the swelling thought.&#xA;Ten thousand thousand fleet ideas, such&#xA;As never mingled with the vulgar dream,&#xA;Crowd fast into the mind's creative eye.&#xA;As fast the correspondent passions rise,&#xA;As varied, and as high-devotion raised&#xA;To rapture, and divine astonishment;&#xA;The love of nature unconfined, and, chief,&#xA;Of human race; the large ambitious wish&#xA;To make them blest; the sigh for suffering worth&#xA;Lost in obscurity; the noble scorn&#xA;Of tyrant pride; the fearless great resolve;&#xA;The wonder which the dying patriot draws,&#xA;Inspiring glory through remotest time;&#xA;The awakened throb for virtue and for fame;&#xA;The sympathies of love and friendship dear,&#xA;With all the social offspring of the heart.&#xA;&#xA;Oh! bear me then to vast embowering shades,&#xA;To twilight groves, and visionary vales,&#xA;To weeping grottoes, and prophetic glooms;&#xA;Where angel forms athwart the solemn dusk,&#xA;Tremendous, sweep, or seem to sweep along;&#xA;And voices more than human, through the void&#xA;Deep-sounding, seize the enthusiastic ear.&#xA;&#xA;Or is this gloom too much? Then lead, ye Powers&#xA;That o'er the garden and the rural seat&#xA;Preside, which, shining through the cheerful land&#xA;In countless numbers, blest Britannia sees —&#xA;Oh! lead me to the wide extended walks,&#xA;The fair majestic paradise of Stowe!&#xA;Not Persian Cyrus on Ionia's shore&#xA;E'er saw such sylvan scenes, such various art&#xA;By genius fired, such ardent genius tamed&#xA;By cool judicious art, that in the strife&#xA;All-beauteous Nature fears to be outdone.&#xA;And there, O Pitt! thy country's early boast,&#xA;There let me sit beneath the sheltered slopes,&#xA;Or in that Temple where, in future times,&#xA;Thou well shalt merit a distinguished name,&#xA;And, with thy converse blest, catch the last smiles&#xA;Of Autumn beaming o'er the yellow woods.&#xA;While there with thee the enchanted round I walk,&#xA;The regulated wild, gay fancy then&#xA;Will tread in thought the groves of Attic land;&#xA;Will from thy standard taste refine her own,&#xA;Correct her pencil to the purest truth&#xA;Of nature, or, the unimpassioned shades&#xA;Forsaking, raise it to the human mind.&#xA;Oh, if hereafter she with juster hand&#xA;Shall draw the tragic scene, instruct her thou&#xA;To mark the varied movements of the heart,&#xA;What every decent character requires,&#xA;And every passion speaks! Oh, through her strain&#xA;Breathe thy pathetic eloquence, that moulds&#xA;The attentive senate, charms, persuades, exalts,&#xA;Of honest zeal the indignant lightning throws,&#xA;And shakes Corruption on her venal throne!&#xA;&#xA;While thus we talk, and through Elysian vales&#xA;Delighted rove, perhaps a sigh escapes —&#xA;What pity, Cobham! thou thy verdant files&#xA;Of ordered trees shouldst here inglorious range,&#xA;Instead of squadrons flaming o'er the field,&#xA;And long-embattled hosts! when the proud foe,&#xA;The faithless vain disturber of mankind,&#xA;Insulting Gaul, has roused the world to war;&#xA;When keen, once more, within their bounds to press&#xA;Those polished robbers, those ambitious slaves,&#xA;The British youth would hail thy wise command,&#xA;Thy tempered ardour and thy veteran skill.&#xA;&#xA;The western sun withdraws the shortened day;&#xA;And humid evening, gliding o'er the sky,&#xA;In her chill progress, to the ground condensed&#xA;The vapours throws. Where creeping waters ooze,&#xA;Where marshes stagnate, and where rivers wind,&#xA;Cluster the rolling fogs, and swim along&#xA;The dusky-mantled lawn. Meanwhile the moon,&#xA;Full-orbed and breaking through the scattered clouds,&#xA;Shows her broad visage in the crimsoned east.&#xA;Turned to the sun direct, her spotted disk&#xA;(Where mountains rise, umbrageous dales descend,&#xA;And caverns deep, as optic tube descries)&#xA;A smaller earth, gives all his blaze again,&#xA;Void of its flame, and sheds a softer day.&#xA;Now through the passing cloud she seems to stoop,&#xA;Now up the pure cerulean rides sublime.&#xA;Wide the pale deluge floats, and streaming mild&#xA;O'er the skied mountain to the shadowy vale,&#xA;While rocks and floods reflect the quivering gleam,&#xA;The whole air whitens with a boundless tide&#xA;Of silver radiance trembling round the world.&#xA;&#xA;But when, half blotted from the sky, her light&#xA;Fainting, permits the starry fires to burn&#xA;With keener lustre through the depth of heaven;&#xA;Or quite extinct her deadened orb appears,&#xA;And scarce appears, of sickly beamless white;&#xA;Oft in this season, silent from the north&#xA;A blaze of meteors shoots-ensweeping first&#xA;The lower skies, they all at once converge&#xA;High to the crown of heaven, and, all at once&#xA;Relapsing quick, as quickly re-ascend,&#xA;And mix and thwart, extinguish and renew,&#xA;All ether coursing in a maze of light.&#xA;&#xA;From look to look, contagious through the crowd,&#xA;The panic runs, and into wondrous shapes&#xA;The appearance throws-armies in meet array,&#xA;Thronged with aerial spears and steeds of fire;&#xA;Till, the long lines of full-extended war&#xA;In bleeding fight commixed, the sanguine flood&#xA;Rolls a broad slaughter o'er the plains of heaven.&#xA;As thus they scan the visionary scene,&#xA;On all sides swells the superstitious din,&#xA;Incontinent; and busy frenzy talks&#xA;Of blood and battle; cities overturned,&#xA;And late at night in swallowing earthquake sunk,&#xA;Or hideous wrapt in fierce ascending flame;&#xA;Of sallow famine, inundation, storm;&#xA;Of pestilence, and every great distress;&#xA;Empires subversed, when ruling fate has struck&#xA;The unalterable hour: even nature's self&#xA;Is deemed to totter on the brink of time.&#xA;Not so the man of philosophic eye&#xA;And inspect sage: the waving brightness he&#xA;Curious surveys, inquisitive to know&#xA;The causes and materials, yet unfixed,&#xA;Of this appearance beautiful and new.&#xA;&#xA;Now black and deep the night begins to fall,&#xA;A shade immense! Sunk in the quenching gloom,&#xA;Magnificent and vast, are heaven and earth.&#xA;Order confounded lies, all beauty void,&#xA;Distinction lost, and gay variety&#xA;One universal blot-such the fair power&#xA;Of light, to kindle and create the whole.&#xA;Drear is the state of the benighted wretch&#xA;Who then bewildered wanders through the dark&#xA;Full of pale fancies and chimeras huge;&#xA;Nor visited by one directive ray&#xA;From cottage streaming or from airy hall.&#xA;Perhaps, impatient as he stumbles on,&#xA;Struck from the root of slimy rushes, blue&#xA;The wild-fire scatters round, or, gathered, trails&#xA;A length of flame deceitful o'er the moss;&#xA;Whither decoyed by the fantastic blaze,&#xA;Now lost and now renewed, he sinks absorbed,&#xA;Rider and horse, amid the miry gulf —&#xA;While still, from day to day, his pining wife&#xA;And plaintive children his return await,&#xA;In wild conjecture lost. At other times,&#xA;Sent by the better genius of the night,&#xA;Innoxious, gleaming on the horse's mane,&#xA;The meteor sits, and shows the narrow path&#xA;That winding leads through pits of death, or else&#xA;Instructs him how to take the dangerous ford.&#xA;&#xA;The lengthened night elapsed, the morning shines&#xA;Serene, in all her dewy beauty bright,&#xA;Unfolding fair the last autumnal day.&#xA;And now the mounting sun dispels the fog;&#xA;The rigid hoar-frost melts before his beam;&#xA;And, hung on every spray, on every blade&#xA;Of grass, the myriad dew-drops twinkle round.&#xA;&#xA;Ah, see where, robbed and murdered, in that pit&#xA;Lies the still-heaving hive! at evening snatched,&#xA;Beneath the cloud of guilt-concealing night,&#xA;And fixed o'er sulphur-while, not dreaming ill,&#xA;The happy people in their waxen cells&#xA;Sat tending public cares and planning schemes&#xA;Of temperance for Winter poor; rejoiced&#xA;To mark, full-flowing round, their copious stores.&#xA;Sudden the dark oppressive steam ascends;&#xA;And, used to milder scents, the tender race&#xA;By thousands tumbles from their honeyed domes,&#xA;Convolved and agonizing in the dust.&#xA;And was it then for this you roamed the spring,&#xA;Intent from flower to flower? for this you toiled&#xA;Ceaseless the burning summer-heats away?&#xA;For this in Autumn searched the blooming waste,&#xA;Nor lost one sunny gleam? for this sad fate?&#xA;O man! tyrannic lord! how long, how long&#xA;Shall prostrate nature groan beneath your rage,&#xA;Awaiting renovation? When obliged,&#xA;Must you destroy? Of their ambrosial food&#xA;Can you not borrow, and in just return&#xA;Afford them shelter from the wintry winds?&#xA;Or, as the sharp year pinches, with their own&#xA;Again regale them on some smiling day?&#xA;See where the stony bottom of their town&#xA;Looks desolate and wild,-with here and there&#xA;A helpless number, who the ruined state&#xA;Survive, lamenting weak, cast out to death!&#xA;Thus a proud city, populous and rich.&#xA;Full of the works of peace, and high in joy,&#xA;At theatre or feast, or sunk in sleep&#xA;(As late, Palermo, was thy fate) is seized&#xA;By some dread earthquake, and convulsive hurled&#xA;Sheer from the black foundation, stench-involved,&#xA;Into a gulf of blue sulphureous flame.&#xA;&#xA;Hence every harsher sight! for now the day,&#xA;O'er heaven and earth diffused, grows warm and high;&#xA;Infinite splendour! wide-investing all.&#xA;How still the breeze! save what the filmy threads&#xA;Of dew evaporate brushes from the plain.&#xA;How clear the cloudless sky! how deeply tinged&#xA;With a peculiar blue! the ethereal arch&#xA;How swelled immense! amid whose azure throned,&#xA;The radiant sun how gay! how calm below&#xA;The gilded earth! the harvest-treasures all&#xA;Now, gathered in, beyond the rage of storms,&#xA;Sure to the swain; the circling fence shut up;&#xA;And instant Winter's utmost rage defied —&#xA;While, loose to festive joy, the country round&#xA;Laughs with the loud sincerity of mirth,&#xA;Shook to the wind their cares. The toil-strung youth,&#xA;By the quick sense of music taught alone,&#xA;Leaps wildly graceful in the lively dance.&#xA;Her every charm abroad, the village-toast,&#xA;Young, buxom, warm, in native beauty rich,&#xA;Darts not-unmeaning looks; and, where her eye&#xA;Points an approving smile, with double force&#xA;The cudgel rattles, and the wrestler twines.&#xA;Age too shines out; and, garrulous, recounts&#xA;The feats of youth. Thus they rejoice; nor think&#xA;That with to-morrow's sun their annual toil&#xA;Begins again the never-ceasing round.&#xA;&#xA;Oh! knew he but his happiness, of men&#xA;The happiest he! who far from public rage&#xA;Deep in the vale, with a choice few retired;&#xA;Drinks the pure pleasures of the rural life.&#xA;What though the dome be wanting, whose proud gate&#xA;Each morning vomits out the sneaking crowd&#xA;Of flatterers false, and in their turn abused?&#xA;Vile intercourse! What though the glittering robe,&#xA;Of every hue reflected light can give,&#xA;Or floating loose or stiff with massy gold,&#xA;The pride and gaze of fools, oppress him not?&#xA;What though, from utmost land and sea purveyed,&#xA;For him each rarer tributary life&#xA;Bleeds not, and his insatiate table heaps&#xA;With luxury and death? What though his bowl&#xA;Flames not with costly juice; nor, sunk in beds&#xA;Oft of gay care, he tosses out the night,&#xA;Or melts the thoughtless hours in idle state?&#xA;What though he knows not those fantastic joys&#xA;That still amuse the wanton, still deceive;&#xA;A face of pleasure, but a heart of pain;&#xA;Their hollow moments undelighted all?&#xA;Sure peace is his; a solid life, estranged&#xA;To disappointment and fallacious hope —&#xA;Rich in content, in Nature's bounty rich,&#xA;In herbs and fruits; whatever greens the spring&#xA;When heaven descends in showers, or bends the bough&#xA;When summer reddens and when autumn beams,&#xA;Or in the wintry glebe whatever lies&#xA;Concealed and fattens with the richest sap:&#xA;These are not wanting; nor the milky drove,&#xA;Luxuriant spread o'er all the lowing vale;&#xA;Nor bleating mountains; nor the chide of streams&#xA;And hum of bees, inviting sleep sincere&#xA;Into the guiltless breast beneath the shade,&#xA;Or thrown at large amid the fragrant hay;&#xA;Nor aught besides of prospect, grove, or song,&#xA;Dim grottoes, gleaming lakes, and fountain clear.&#xA;Here too dwells simple truth, plain innocence,&#xA;Unsullied beauty, sound unbroken youth&#xA;Patient of labour-with a little pleased,&#xA;Health ever-blooming, unambitious toil,&#xA;Calm contemplation, and poetic ease.&#xA;&#xA;Let others brave the flood in quest of gain,&#xA;And beat for joyless months the gloomy wave.&#xA;Let such as deem it glory to destroy&#xA;Rush into blood, the sack of cities seek —&#xA;Unpierced, exulting in the widow's wail,&#xA;The virgin's shriek, and infant's trembling cry.&#xA;Let some, far distant from their native soil,&#xA;Urged or by want or hardened avarice,&#xA;Find other lands beneath another sun.&#xA;Let this through cities work his eager way&#xA;By legal outrage and established guile,&#xA;The social sense extinct; and that ferment&#xA;Mad into tumult the seditious herd,&#xA;Or melt them down to slavery. Let these&#xA;Ensnare the wretched in the toils of law,&#xA;Fomenting discord, and perplexing right,&#xA;An iron race! and those of fairer front,&#xA;But equal inhumanity, in courts,&#xA;Delusive pomp, and dark cabals delight;&#xA;Wreathe the deep bow, diffuse the lying smile,&#xA;And tread the weary labyrinth of state.&#xA;While he, from all the stormy passions free&#xA;That restless men involve, hears, and but hears,&#xA;At distance safe, the human tempest roar,&#xA;Wrapped close in conscious peace. The fall of kings,&#xA;The rage of nations, and the crush of states&#xA;Move not the man who, from the world escaped,&#xA;In still retreats and flowery solitudes&#xA;To Nature's voice attends from month to month,&#xA;And day to day, through the revolving year&#xA;Admiring, sees her in her every shape;&#xA;Feels all her sweet emotions at his heart;&#xA;Takes what she liberal gives, nor thinks of more.&#xA;He, when young Spring protrudes the bursting gems,&#xA;Marks the first bud, and sucks the healthful gale&#xA;Into his freshened soul; her genial hours&#xA;He full enjoys; and not a beauty blows&#xA;&#xA;And not an opening blossom breathes in vain.&#xA;In Summer he, beneath the living shade,&#xA;Such as o'er frigid Tempe wont to wave,&#xA;Or Haemus cool, reads what the muse, of these&#xA;Perhaps, has in immortal numbers sung;&#xA;Or what she dictates writes; and oft, an eye&#xA;Shot round, rejoices in the vigorous year.&#xA;When Autumn's yellow lustre gilds the world&#xA;And tempts the sickled swain into the field,&#xA;Seized by the general joy his heart distends,&#xA;With gentle throes; and, through the tepid gleams&#xA;Deep musing, then he best exerts his song.&#xA;Even Winter wild to him is full of bliss.&#xA;The mighty tempest, and the hoary waste&#xA;Abrupt and deep, stretched o'er the buried earth,&#xA;Awake to solemn thought. At night the skies,&#xA;Disclosed and kindled by refining frost,&#xA;Pour every lustre on the exalted eye.&#xA;A friend, a book the stealing hours secure,&#xA;And mark them down for wisdom. With swift wing,&#xA;O'er land and sea imagination roams;&#xA;Or truth, divinely breaking on his mind,&#xA;Elates his being, and unfolds his powers;&#xA;Or in his breast heroic virtue burns.&#xA;The touch of kindred, too, and love he feels —&#xA;The modest eye whose beams on his alone&#xA;Ecstatic shine, the little strong embrace&#xA;Of prattling children, twined around his neck,&#xA;And emulous to please him, calling forth&#xA;The fond parental soul. Nor purpose gay,&#xA;Amusement, dance, or song, he sternly scorns:&#xA;For happiness and true philosophy&#xA;Are of the social still and smiling kind.&#xA;This is the life which those who fret in guilt&#xA;And guilty cities never knew-the life&#xA;Led by primeval ages uncorrupt&#xA;When angels dwelt, and God himself, with man!&#xA;&#xA;O Nature! all-sufficient! over all&#xA;Enrich me with the knowledge of thy works;&#xA;Snatch me to heaven; thy rolling wonders there,&#xA;World beyond world, in infinite extent&#xA;Profusely scattered o'er the blue immense,&#xA;Show me; their motions, periods, and their laws&#xA;Give me to scan; through the disclosing deep&#xA;Light my blind way: the mineral strata there;&#xA;Thrust blooming thence the vegetable world;&#xA;O'er that the rising system, more complex,&#xA;Of animals; and, higher still, the mind,&#xA;The varied scene of quick-compounded thought,&#xA;And where the mixing passions endless shift;&#xA;These ever open to my ravished eye —&#xA;A search, the flight of time can ne'er exhaust!&#xA;But, if to that unequal-if the blood&#xA;In sluggish streams about my heart forbid&#xA;That best ambition-under closing shades&#xA;Inglorious lay me by the lowly brook,&#xA;And whisper to my dreams. From thee begin,&#xA;Dwell all on thee, with thee conclude my song;&#xA;And let me never, never stray from thee!" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="271" PLAYTIME_FLOAT="270.344818" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="32339"></INFO>
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<INFO BITRATE="926713" KEY_LYRICS="1 ContributorChaser Lyrics&#xA;Oo woah&#xA;Aye&#xA;&#xA;&#xA;Say that’s my bae, gotta ride the wave&#xA;She don’t want no noise, say she wanna chill&#xA;Find myself getting washed away, saying “Girl, you fine” but I’m leaving still&#xA;Got some pain, that purple rain, let it all fall down, my demons spill&#xA;How I know if she gone keep me if she never keep it real?&#xA;&#xA;&#xA;(She chasing) Round and round and round the way&#xA;Looking for someone to save (She chasing)&#xA;Round and round and round the way&#xA;Knowing she needing the same (She chasing)&#xA;Round and round and round the way&#xA;Give me a reason to stay&#xA;Round and round and round the way&#xA;I couldn’t ever dеbate&#xA;&#xA;&#xA;Seem like that honesty doеsn’t apply to me, know you’ve been pushing me back just to cope&#xA;Don’t gotta lie to me, I got a side to me, show you I’m ‘bout all the things that I wrote&#xA;Things that you said shouldn’t define, but it’s so hard with a voice so define&#xA;Smoother than lotion, lead to perpetual motion&#xA;Physical form of devotion&#xA;Said “One more chance”, that isn’t true&#xA;I keep coming back to you&#xA;One more time I’ll let that fly, just to have you by my side&#xA;I think that you got me (so crazy)&#xA;Taking a shot, we (so crazy)&#xA;We gonna see&#xA;What it do, what it do, what it do, what it do, what it do&#xA;&#xA;Say that’s my bae, gotta ride the wave&#xA;She don’t want no noise, say she wanna chill&#xA;Find myself getting washed away, saying “Girl, you fine” but I’m leaving still&#xA;Got some pain, that purple rain, let it all fall down, my demons spill&#xA;How I know if she gone keep me if she never keep it real?&#xA;&#xA;&#xA;(She chasing) Round and round and round the way&#xA;Looking for someone to save (She chasing)&#xA;Round and round and round the way&#xA;Knowing she needing the same (She chasing)&#xA;Round and round and round the way&#xA;Give me a reason to stay&#xA;Round and round and round the way&#xA;I couldn’t ever debate&#xA;&#xA;&#xA;Woah, woah (I gotta chase that)&#xA;I gotta, I gotta chase, I gotta, I gotta chase that (Oo woah, woah, woah, yeah)&#xA;I gotta, I gotta chase, I gotta, I gotta chase that (No)&#xA;I gotta, I gotta chase, I gotta&#xA;&#xA;&#xA;I gotta chase that&#xA;She doing her hair, gotta lace that&#xA;Look in the mirror, it’s ever so clearer&#xA;She special and I gotta taste that&#xA;I gotta chase that&#xA;We linking, I don’t wanna waste that&#xA;Passion and pleasure and beautiful weather&#xA;We caught up and I gotta face that&#xA;&#xA;I gotta chaser&#xA;I gotta chase her (She making me feel so good, I know she a)&#xA;She making me, making me oh&#xA;I gotta chaser (I gotta)&#xA;Chase her" PRODUCER="Flexout Audio" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="385" PLAYTIME_FLOAT="384.001282" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="43622"></INFO>
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<INFO BITRATE="1041986" KEY_LYRICS="3 ContributorsThunda Dub Lyrics&#xA;Batten down the hatches when we come to town&#xA;We astound with the sound from the underground&#xA;Stun the crowd with shots from the Thunda clouds&#xA;Batten down the hatches when we come to town&#xA;We astound with the sound from the underground&#xA;Stun the crowd with shots from the Thunda clouds&#xA;&#xA;&#xA;I'm your modern day madman vagabond&#xA;Snatch your whiskey, head back to Babylon&#xA;Get your swagger on, rollin' with a pack of gypsies&#xA;In your back, hands slap, and you tag alongs&#xA;On the road roamin' the open plains&#xA;Storm your hometown, known to own the stage&#xA;Flip the bird to your poker face&#xA;But inspire those of you who don't know the name&#xA;I spit a verse, it'll show the way&#xA;To a lost soul on a path they never chose to take&#xA;Yo, I'll make you motivate so throw away&#xA;Them chokin' chains and maybe grow some faith&#xA;There's no mistakes, 'cause it's simple as this&#xA;Caught you flippin' your lid when I spit my rhythm and pitch&#xA;Not bringing a diss, hip-hop, I'm living this shit&#xA;A bit of jig in your step, a bit of swing in your hips&#xA;You'll be advanced,  like an avalanche&#xA;Man, this is sabotage, damn, you don't have chance&#xA;Smash your whole shack apart when we come through&#xA;Say what  brainwash will you come to?&#xA;&#xA;Batten down the hatches when we come to town&#xA;We astound with the sound from the underground&#xA;Stun the crowd with shots from the Thunda clouds&#xA;Batten down the hatches when we come to town&#xA;We astound with the sound from the underground&#xA;Stun the crowd with shots from the Thunda clouds&#xA;&#xA;&#xA;When I flow it's a dose of that potent karma&#xA;Explode on a track like it's molten lava&#xA;But we're holding your boat as we're floatin' past ya&#xA; from your slopes to your coastal harbour&#xA;Always lookin' for a way to get me open faster&#xA;So my first point of call is a smoking parlour&#xA;I walk through the door, heard jokes and laughter&#xA;Then I saw that the whole joints slowly plaster&#xA;With a view to consumer all the local lager&#xA;Cruise to the spot like a rolling car does&#xA;At the bar this old bloke &#xA; he leans in and boldly asks us&#xA;He says, &amp;quot;Son, I'm drunk, I broke my glasses&#xA;Would you do me a favour and roll this grass up?&amp;quot;&#xA;I rolled up the spliff, as he slowly sparked up&#xA;He said, &amp;quot;Here's to you, man, I hold my glass up&amp;quot;&#xA;Toked it harder, then he started gaspin'&#xA;I thought, 'Puff, puff, man, it's time to pass it'&#xA;He passed it, I charge it, that weed was sweet, dude&#xA;Got me high as this beat from the D.U.P crew&#xA;&#xA;Batten down the hatches when we come to town&#xA;We astound with the sound from the underground&#xA;Stun the crowd with shots from the Thunda clouds&#xA;Batten down the hatches when we come to town&#xA;We astound with the sound from the underground&#xA;Stun the crowd with shots from the Thunda clouds&#xA;&#xA;&#xA;&#xA;&#xA;We get you feeling kinda' eerie like you found a ghost&#xA;Best beware, 'cause the bomb shit's 'bout to blow&#xA;Down to choke, toked down a pound of dope&#xA;Float round your house or home and appear in a cloud of smoke&#xA;Look alive, I might ignite the vibe&#xA;That I lit, you might stay, realign your spine&#xA;When the lighting strikes, hear the thunder loud and clear&#xA;Wanna see the crowd in here &#xA;&#xA;&#xA;Ayo&#xA;We hound your peers with surround sound systems&#xA;We pound your ears, we've been around for years&#xA;If you shouting 'yeah', yo, this crew here's soundin' bare&#xA;It's a result of that mountain there&#xA;Like a mountaineer, we tryna reach the top&#xA;Let the streets be the judge if it's weak or not&#xA;We keeps it hot, for real, while these leeches rot&#xA;We freak the spots with shots to your speakerbox, what?" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="269" PLAYTIME_FLOAT="268.965515" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="34395"></INFO>
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<INFO BITRATE="1177115" KEY_LYRICS="1 ContributorSCP-887 Log LyricsThis is a log of the decoded and assembled output of SCP-887. Researchers are encouraged to volunteer at decoding the massive backlog of content.&#xA;&#xA;Researcher: Dr. Zara&#xA;&#xA;Sample 887-2930: Twelve pages written in Latin, mixed with French. The text describes a political system in which the movements of the tides are used to determine the next governant. The text later veers into an unusual level of detail regarding the outfits one should wear in such tide-selecting ceremonies.&#xA;&#xA;Sample 887-3114: Eight pages of a crudely-drawn comic describing &amp;quot;Captain Backwards&amp;quot;, his ability to enact an action -after- its effect and how he uses it to fight crime. The comic ends by Captain Backwards destroying himself to retroactively create the universe.&#xA;&#xA;Sample 887-4011: 133 pages, written in corrupted Esperanto. A thorough description of the contents of an unwed maiden's bedroom as it existed in a seventeenth-century European city (specific location is undetermined at this time).&#xA;&#xA;Sample 887-4281: A single page with five lines drawn diagonally across it with seventeen dots interspersed, in the manner of a musical notation staff. The resulting score, when played with pure tones through a synthesizer, induces seizures and short-term anterograde amnesia in 85% of the observed subjects.&#xA;&#xA;Sample 887-5102: Fifteen pages covered in curved lines. A brilliant deductive effort by Dr. ██████ determined these to be contiguous sections of a single level map, depicting a 30 km² area of the surface of Saturn's moon Enceladus. Seven points in the map are circled.&#xA;&#xA;Sample 887-5227: Four pages, English. A formal proposal to the United States government to introduce an eighth day to the week. This day would be employed in spiritual contemplation and the worship of pagan divinities the document calls &amp;quot;under-represented&amp;quot;.&#xA;&#xA;Sample 887-5836: Three pages covered with hexadecimal numbers, then torn into narrow strips. The assembled document was deciphered as machine code for a hardware driver called &amp;quot;LGCL_XPNDR&amp;quot;.&#xA;&#xA;Sample 887-6334: Three pages. A word-by-word replication of the primary report on SCP-657, with the exception he is called &amp;quot;Bernard&amp;quot;.&#xA;&#xA;Sample 887-3877: Eight pages, German. A folkloric tale of a boy born without a heart, who ventures into the woods and acquires one from a friendly old woman. He grows up and marries a beautiful lady, who dies giving birth to a demon that devours both.&#xA;&#xA;Sample 887-4710: 96 pages, Akkadian. An extended research article on the properties of naturally occurring &amp;quot;earth lines&amp;quot;, and how one might use them for transportation of cargo and projectiles. Several devices intended to employ these properties, built out of wood and lodestone, are outlined.&#xA;&#xA;Sample 887-5005: Five pages, English. 272 different misspellings of the word &amp;quot;anthropomorphization&amp;quot;.&#xA;Sample 887-9912: Six pages, Latin. A star chart clearly modeled after medieval European charts, but without any recognizable celestial body dispositions. Fourteen constellations are labeled: Pegasus, Sextans (sextant), Centaurus, Chimaera, Cygnus (swan), Lancea (lance), Trilobus (trilobite), Aranea (spider), Nonavulpecula (nine-tailed fox), Caudavorae (&amp;quot;tail-eater&amp;quot;, apparently a self-devouring serpent), ████████, ██████, ████ ████████ and Leolacertus (lion lizard)&#xA;&#xA;Sample 887-6776: 2353 pages, English. The phrase &amp;quot;Does the black moon howl?&amp;quot; repeated over 27 thousand times.&#xA;&#xA;Sample 887-8312: 14 pages plus 22 sections of other pages. 637 names, 382 of which have been matched to professional photographers of over 30 nationalities. Research suggests most, if not all, have captured pictures of petroglyphs and scenery around Kata Tjuta and Uluru/Ayers Rock in Australia.&#xA;&#xA;Sample 887-0566: 490 pages, Spanish. A story called &amp;quot;La última aventura de Don Quijote&amp;quot; and attributed to Miguel de Cervantes. While the first few pages are a reasonable simile of Cervantes' style, the narration becomes confused and then outright nonsense afterwards - notably, Dulcinea's dialogue is unintelligible, and Sancho spends several chapters repeatedly crawling out of a muddy pool.&#xA;&#xA;Researcher: Researcher Voct&#xA;&#xA;Sample 887-3162: 38 sonnets in what was identified as medieval Flemish (Antwerp dialect); each sonnet describes in allegorical terms the lives and political accomplishments of a deceased President of the United States; the last line of each sonnet is the President's last words, and the first several words of each sonnet form an acrostic representing a Latinized version of the President's name.&#xA;&#xA;Sample 887-3788: The names and birth weights (in grams) of every member of the Parliament of Lithuania, beginning in 1991.&#xA;Note: Produced via SCP-978.&#xA;&#xA;Sample 887-3789: The names of every attendee of the 1969 Woodstock Music Festival, in reverse alphabetical order.&#xA;Note: Produced via SCP-978.&#xA;&#xA;Sample 887-3790: A list of 45 methods with which to permanently destroy SCP-682. Each method relies on the use of an SCP or related item which has died, been destroyed, or is otherwise permanently unavailable.&#xA;&#xA;Sample 887- 5516: Five pages from the journal of SCP-451, written in mirror-reversed Pig Latin.&#xA;&#xA;Sample 887-1486: Two thousand villanelles, each of which describes an SCP.&#xA;&#xA;Sample 887-0094: Five hundred and eighteen pages of episode synopses, dialogue excerpts, annotations, critical reception, and &amp;quot;bloopers&amp;quot;, for seventy-two episodes of the animated comedy The Simpsons, in the format used by popular Simpsons fansite ████.com. Analysis indicates that the episodes are predicated on the Simpsons characters having aged in real time beginning in 1997.&#xA;Sample 887-0908: One thousand six hundred and eleven pages of messages posted to an Internet mailing list dedicated to writing &amp;quot;slashfic&amp;quot; (amateur romantic/homoerotic fiction) about the past and present members of the United States Supreme Court; content includes critiques, unfinished drafts, and analyses of judicial decisions in terms of erotic value.&#xA;&#xA;Sample 887-0944: Sketches of human dental records, labeled as belonging to the members of Jimmy Carter's presidential cabinet (identified by birth name and cabinet portfolio), dated to the last month of Carter's administration. Names and portfolios are misspelled, but sketches have been assessed by Foundation forensic dentists as plausible extrapolations of known medical data for the individuals in question.&#xA;&#xA;Researcher: Dr. Sampi&#xA;&#xA;Sample 887-6510: Thirty-one pages, in English. An extensive bio-ethics paper from the █████████ University Philosophy Department, condemning the practice of transplanting the brain from one's dying body into the body of one's youngest child.&#xA;&#xA;Researcher: Dr. Edison&#xA;&#xA;Sample 887-2310: Scripts for a Japanese dub of the first season of &amp;quot;I Love Lucy&amp;quot;.&#xA;&#xA;Sample 887-1810: A report on the founding of the Panama Canal. The report is written with a style and vocabulary consistent with an 11-year-old child.&#xA;&#xA;Sample 887-3132: 500 pages of pure source code, seemingly unorganized, and written in C++. Efforts to compile code are ongoing, but comments indicate the program is .&#xA;&#xA;Sample 887-3137: 47 pages of Hexadecimal code. Code successfully compiles into a PNG image of Dr. ████████ in a speedo. Dr. ████████ claims no such picture was taken.&#xA;&#xA;Sample 887-0031: Map of a country called &amp;quot;Lemuria&amp;quot;, written in English, Circa 18██. &amp;quot;Lemuria&amp;quot; refers to a hypothetical land bridge that was thought to connect Madagascar with the rest of Africa, only to be disproved with the theory of continental drift. The map does not correspond with any known geography, above or below water. Interestingly, the capital of the nation is called &amp;quot;Atlantis&amp;quot;.&#xA;&#xA;Sample 887-5893: An extremely clever, detailed, and well-thought-out plan to assassinate Ronald Reagan and replace him with a Soviet spy.&#xA;&#xA;Sample 887-5894: An extremely clever, detailed, and well-thought-out plan to assassinate Leonid Brezhnev and replace him with an American spy.&#xA;&#xA;Sample 887-4324: A short story supposedly written by J.D. Salinger, meant as a prequel to The Great Gatsby.&#xA;Sample 887-2331: A complete roster of the Boy Scouts of America, circa 1983.&#xA;&#xA;Sample 887-1123: A selection of random passages that begin with the letter &amp;quot;A&amp;quot;, pulled from various &amp;quot;holy&amp;quot; texts. The most common texts cited were (in order): the Bible, the Koran, Dianetics, and the Gospel of the Flying Spaghetti Monster.&#xA;&#xA;Sample 887-4333: The words &amp;quot;HE'S RIGHT BEHIND YOU!&amp;quot;&#xA;&#xA;Sample 887-9913: A list of exactly 743 ways to skin a cat.&#xA;&#xA;Sample 887-1111: The musical score for &amp;quot;SCP Foundation, The Musical&amp;quot;&#xA;&#xA;Sample 887-1426: A Buddhist self-help book titled &amp;quot;Reincarnation &amp;amp; Nirvana: how YOU can beat the system!&amp;quot;&#xA;&#xA;Sample 887-2361: A list of things a man named ████ █ ███ has eaten for breakfast.&#xA;&#xA;Sample 887-4521: Blueprints for a 1:1 scale model of the Tower of London, built entirely out of toothpicks.&#xA;&#xA;Sample 887-1802: An exhaustive list of every person ever theorized to have been William Shakespeare, complete with detailed bibliographic citations. This not only includes common theories (such as Sir Francis Bacon and the Earl of Oxford), but also impossible theories such as Queen Victoria, Cervantes De Leon, and Bram Stoker.&#xA;&#xA;Researcher: Dr. King&#xA;&#xA;Sample 887-6667: A schematic of poorly-rendered Chinese ideograms, linked by lines and curves, spanning 3 pages. The ideograms are names of chemical elements, and the schematic depicts the atomic structure of the amygdalin molecule.&#xA;&#xA;Hey, isn't amygdalin found in… - Dr. ██████&#xA;&#xA;Shh. - Dr. ██████&#xA;&#xA;Researcher: Dr. Bridge&#xA;&#xA;Sample 887-6228: 132 pages, in the style of a journal written in the second person, detailing the life of a juvenile Australian saltwater crocodile. Begins at its hatching day, ending abruptly as the crocodile is eaten by a larger crocodile of the freshwater variety.&#xA;&#xA;Sample 887-8979: A list of the birth dates of every child with the first name of &amp;quot;Matthew&amp;quot; born during a month ending in &amp;quot;y&amp;quot; in the states of New York, New Hampshire and New Jersey between the years of 1936 and 1977.&#xA;&#xA;Sample 887-3338: Blueprints for a Nintendo 64 game cartridge.&#xA;&#xA;Sample 887-0277: The script for the first seven episodes of &amp;quot;That 70s Show&amp;quot;, words written backwards.&#xA;&#xA;Sample 887-0923: An extremely crude, if overly detailed, drawing of what seems to be SCP-914. Drawing is quite smeared from SCP-887's hand brushing over it during construction.&#xA;&#xA;Sample 887-8558: A large, multi-page drawing of &amp;quot;King Ghidorah&amp;quot;, a monster from the Godzilla film series.&#xA;&#xA;Sample 887-2387: Page 443 of the 1977 Encyclopedia Britannica, written in chatspeak.&#xA;Note: Produced via SCP-978.&#xA;&#xA;Researcher: Dr. J██████&#xA;&#xA;Sample 887-3265: Pages 345 through 371 of &amp;quot;A History of the Second Russo-Belgian War&amp;quot;, detailing the political and strategic justifications for detonating a device referred to as 'Theta-Nine' 30 km above Gdansk. Effects of the detonation are not documented.&#xA;&#xA;Sample 887-8754: A list of the dates and times that a woman named W██████ S███████ has visited public toilets. The record covers the period from 1988 to 1995.&#xA;&#xA;Sample 887-1676: An autopsy report for an unnamed 13-year-old girl, dated 12 May 2008. The cause of death is listed as 'asphyxiation due to plant matter blocking the trachea'.&#xA;&#xA;Sample 887-3557: A roughly A4-size sketch of actress Milla Jovovich, labelled in the bottom as '13 of 393'&#xA;&#xA;Researcher: Prof. Snider&#xA;&#xA;Sample 887-6543: Seventy-eight post-it notes written in Mandarin Chinese, each one listing a single item typically found in a bathroom (toothbrush, toilet, shower cap, plunger, etc.).&#xA;&#xA;Sample 887-1220: A detailed and illustrated list of every single part of a La-Z-Boy recliner, written upon a similar recliner in black sharpie marker. The total price of all items is included.&#xA;&#xA;Sample 887-0332: When recovered, sample was a pile of broken glass with seemingly random strokes of green paint applied to each shard. When placed back together, the paint strokes formed the phrase &amp;quot;THIS WINDOW IS BROKEN&amp;quot;.&#xA;&#xA;Sample 887-4449: An 81-page young adult story written in English titled &amp;quot;The Fabulous Findings of Funky Ferret&amp;quot;. The story is about the titular &amp;quot;Funky Ferret&amp;quot; who aspires to be a pirate and ends up going into space. The story ends abruptly in the middle of a sentence, in which Funky Ferret is sword-fighting with a robot pirate captain.&#xA;&#xA;Sample 887-0887: One hundred and twelve sentences written in Spanish, each one announcing which number sentence it was (&amp;quot;This is the first sentence. This is the second sentence. This is the third sentence…&amp;quot;)&#xA;&#xA;Researcher: Dr. Garcia&#xA;&#xA;Sample 887-2665: Copy of Kriegsmarine nautical chart of the Gulf of St. Lawrence, with legend (in German) dating the chart to November 1943.&#xA;&#xA;Sample 887-2666: A play, written in Greek. The play is entitled &amp;quot;The Babylonians&amp;quot; and is in the style of Aristophanes. Aristophanes is believed to have written a play by that title in approximately 426 BCE but no copies of the text are extant.&#xA;&#xA;Sample 887-2667: An extremely detailed log of observations of a 31-year-old woman named Agnes Cooper, covering a 26-minute period on October 18, 2004. The log describes the subject's movements, heart rate and body temperature fluctuations as she shops for groceries at a Piggly-Wiggly market in Nashville, Tennessee. The log is written in Afrikaans.&#xA;&#xA;Sample 887-2668: A set of maintenance records for forklifts and cranes at Gdańsk Shipyard in Poland, dated from 1992 to 2016.&#xA;&#xA;Sample 887-2674: Several pages of machine-readable bar codes, corresponding to ten-digit numbers. The significance of the numbers is unknown.&#xA;&#xA;Sample 887-2676: A series of chess problems, designed using a 13 x 9 square-chessboard.&#xA;&#xA;Sample 887-2677: Solutions to crossword puzzles published in the Sacramento Bee newspaper between July 23, 1971 and August 15, 1973.&#xA;&#xA;Sample 887-2680: The character &amp;quot;g&amp;quot;, repeated approximately 85,000 times. The document contains a table of contents, headings and subheadings, footnotes and handwritten marginal notes in a different handwriting, all consisting only of repetitions of the letter &amp;quot;g&amp;quot;, but punctuated and formatted as if it comprised meaningful text.&#xA;&#xA;Sample 887-2681: A map showing the locations of all Correios de Angola postal system mailboxes in Cabinda, Angola.&#xA;&#xA;Sample 887-2682: Chinese horoscopes for all current roster players in the National Hockey League.&#xA;&#xA;Sample 887-2684: A transcript of a Nahuatl-language conversation between two speakers. One of the speakers was named &amp;quot;Heart of Jaguar&amp;quot;; the other speaker is not named in the conversation. The conversation discusses weather conditions in central Mexico and the timing of a prospective military attack by the Aztecs on a neighboring Tarascan settlement; the attack evidently took place in the year 1508.&#xA;&#xA;Sample 887-2685: A log of lightning strikes in Cuba over a 16-year period beginning in 1906. The log reports the date, time, longitude-latitude coordinates and energy of each strike. The log is written in Javanese.&#xA;&#xA;Sample 887-2686: A series of motor vehicle certificates of title for hearses owned by funeral homes in Appleton, Wisconsin.&#xA;&#xA;Sample 887-2689: A copy of several sections of a New Zealand statute regulating the use of asbestos. The text is transcribed in Pitman shorthand, indicating that the statute had been recited by a speaker with a strong Minnesota accent.&#xA;&#xA;Sample 887-2690: Several versions of a description of the path taken by an ant walking across a floor in SCP-887's containment chamber. These include narrative descriptions in Serbian, in Haitian Creole and in Vietnamese; a long series of programming commands in the Logo programming language; an extended figurative description in Sanskrit mimicking the style of the Mahabharata; and a series of arithmetic functions using Mayan notation to express numbers.&#xA;&#xA;Sample 887-2691: A fatwa, written in Farsi, discussing the times when an observant Muslim should pray and the direction he should face while traveling through seven-dimensional space-time in excess of the speed of light.&#xA;&#xA;Sample 887-2692: A jeremiad, written in the Swampy Cree language (transliterated into Manchu script) that condemns a shade of blue described by the hex triplet #1034A6, and blames that color for the lax standards of morality of today's youth.&#xA;&#xA;Researcher: Dr. ████████.&#xA;&#xA;Sample 887-2704: A perfect copy of text of the English-language Wikipedia article on the Battle of Bunker Hill, consistent with an edit dated ██/██/2010.&#xA;&#xA;Sample 887-2705: A photo-realistic sketch of the former US politician ████ █████ with writing in English around the image claiming that Mr. █████ was a 'lying son-of-a-bitch', had been complicit in the destruction of evidence related to , and was 'going to burn in hell'.&#xA;&#xA;Sample 887-2706: A list of all people currently on the Electoral Roll for the British constituency of ██████████████, along with their past voting history. Written in German.&#xA;&#xA;Sample 887-2707: A running account of the moves performed in the final match of the 1997 chess match between Garry Kasparov and the computer Deep Blue. The moves documented diverge from the moves that were actually performed after , and end with Kasparov winning the match. Writing in Russian.&#xA;&#xA;Sample 887-2710: A 330-line poem, written in English with several spelling errors, describing the author's love of a woman named Janice.&#xA;&#xA;Sample 887-2711: A 15-page critical analysis, signed by a Professor █████ ████, of the stage play Cardenio by William Shakespeare, with writing in Italian save for quoted passages of the play, which are in English. Cardenio is considered to be a 'lost' play (no copy of the play is known to exist).&#xA;&#xA;Sample 887-2712: A shooting script for an unmade art film entitled Route 73, credited as being written by ████████ █████. The script consists of two unidentified men meeting at a bus stop and discussing various topics at length while waiting for a delayed bus. The script is credited as being influenced by the Samuel Beckett play Waiting for Godot. Written in Flemish.&#xA;&#xA;Sample 887-2713: The latin phrase 'Cave Adsum' (Beware, I am here) repeated a total of 407 times. Writing is irregular and scrawled over both sides of a single page, with major differences in letter size, handwriting style, and direction of the writing.&#xA;&#xA;Researcher: Dr. J██ N██████&#xA;&#xA;Sample 887-2873: The complete text of Marcel Proust's À la recherche du temps perdu, in Klingon.&#xA;&#xA;Sample 887-2874: Five hundred pages of &amp;quot;yo momma&amp;quot; jokes, which become steadily cruder and more explicit as the document progresses.&#xA;&#xA;Sample 887-2875: A script for a play entitled Macbeth II: Banquo's Revenge. The play is stylistically consistent with Shakespeare's works.&#xA;&#xA;Sample 887-2876: The complete list of side effects for a drug called &amp;quot;tetradifloxinol&amp;quot;, which is fifty pages long and includes such entries as &amp;quot;bone implosions&amp;quot;, &amp;quot;gender impermanence&amp;quot; and &amp;quot;temporal instability&amp;quot;. No such drug is known to exist.&#xA;&#xA;Sample 887-2877: A list which purports to be Kentucky Fried Chicken's &amp;quot;eleven secret herbs and spices&amp;quot;. Barring poison oak (Toxicodendron spp), none of the names listed are known to apply to any plant species.&#xA;&#xA;Researcher: Dr. Gallow&#xA;&#xA;Sample 887-3387: Sewing patterns for a soft toy elephant, drawn to have a trunk that splits into three halfway along its length. Elephant has no tusks and prominent udders.&#xA;&#xA;Sample 887-3391: One page, apparently from a script for a Bobble the Clown TV show. Bobble is demonstrating how to 'catch some more' cyclists by stringing wires across cycle trails. Handwriting is extremely florid and includes a border of loops and smiley faces around the page. Show not intercepted by the Foundation, though tone is a good match for known episodes.&#xA;&#xA;Sample 887-3395: Twenty-three (23) pages of extremely detailed diagrams of how a bramble bush has grown over the shallow grave of four people. Bodies are marked as having been fully skeletonised; diagrams indicate the positions of every large bone as well as the shape of the bush. One skeleton is a juvenile female, the others juvenile males. Plant biologists estimate that the bush has been growing for three (3) years, and the steep sides of the grave suggest that it was dug in heavy clay soil.&#xA;&#xA;Sample 887-3245: A full transcript of the 2003 Academy Awards ceremony. Matches actual event, except that each award-winner's acceptance speech includes the words &amp;quot;Heil Hitler&amp;quot;.&#xA;&#xA;Sample 887-3289: Fragmentary revision notes in English and Mandarin Chinese, course titles matching the University of Oxford 2008-09 year Computational Biology MSc course. Many references and criticisms made relating to an apparently unreliable Ubuntu release titled Perky Polecat with features (none anomalous) not present in any copy of this software to date.&#xA;&#xA;Sample 887-3412: Page is entirely shaded in black apart from four long triangles and a circle left white, making the featureless head, arms and legs of a humanoid figure. All triangles taper to points at the extremities. DIE ANSTECKERIN written in capitals on the back. Title is in German; an approximate translation would be 'the woman who pins things down'.&#xA;&#xA;Researcher: Dr. Wilkinson&#xA;&#xA;Sample 887-3523: Seventeen (17) pages of what appear to be a discussion thread from an Internet forum, in modern Cyrillic script. Thread titled &amp;quot;Love and Death&amp;quot;. Thread mostly consisted of praises and confessions to numerous serial killers, assassins and rapists, most notably the Russian serial killer Alexander Pichushkin. Other mentioned killers include Charles Manson, Mark David Chapman, and Yoshio Kodaira. Several thread participants express lust for the convicted murderers. No dates or URLs were included on the pages.&#xA;&#xA;Researcher: Dr. Eriksson&#xA;&#xA;Sample 887-6121: A play in the style of William Shakespeare that follows the plot of the novel I, Robot by Isaac Asimov. Apparently intended as a comedy.&#xA;&#xA;Sample 887-6184: An illustration of the constellation Gemini, with the stars Castor and Pollux absent.&#xA;&#xA;Sample 887-6305: A document in the form of a standard SCP object briefing in German, titled SCP-704121. The entirety of the Special Containment Procedures and Description are expunged, with the exception of the phrase &amp;quot;keep me locked up forever.&amp;quot;&#xA;&#xA;Sample 887-6322: An elaborate qualitative description of eight pieces of silverware, written in the first person. The author addresses each item by the name of a star.&#xA;&#xA;Sample 887-6560: A choreography (in Labanotation) of a waggle dance that purports to allow a human performing it to direct honey bees towards a food source. The dance has not been tested.&#xA;&#xA;Researcher: Dr. Selvece&#xA;&#xA;Sample 887-7321: A 30-page literary analysis asserting that Holden Caulfield, the main character from the 1951 novel The Catcher in the Rye, is in fact a canine that has run away from his owners' house. Written in Persian.&#xA;&#xA;Sample 887-7329: A poem entitled Kilometres Apart, detailing two anthropomorphized characters, &amp;quot;Kilomark&amp;quot; and &amp;quot;Milemary&amp;quot;, who cannot be together due to differences in their measuring systems. Written in Esperanto.&#xA;&#xA;Researcher: Dr. ███████&#xA;&#xA;Sample 887-7427: A complete season of the television series , written in Hungarian using the &amp;quot;Rovas&amp;quot; script used prior to the adaption of the Latin alphabet. Notably, the show's setting and characters are altered substantially in order to provide an analogy of the political events of the Kingdom of Hungary (then a part of the Austrian Empire) between 1843 and 1848 from a Hungarian nationalist point of view. The season ends just before an event analogous to the Revolution of 1848 occurs, with a cliffhanger that the show promises will be picked up &amp;quot;next season&amp;quot;.&#xA;&#xA;Sample 887-7451: A 178 page novel entitled &amp;quot;The Ampersand's Coronation&amp;quot;, written in English. The document consists of sentences, that, while grammatically correct, have no semantic value.&#xA;&#xA;Sample 887-7463: A proposal to move the island of Madagascar from its location in the Indian Ocean to the middle of the Pacific Ocean to better harness the &amp;quot;energies&amp;quot; that exist there.&#xA;&#xA;Sample 887-7471: A copy of the message inscribed on SCP-1050, translated into Spanish. Apparently signed by Charles II of Spain, who in addition to being King of Spain is also given the titles &amp;quot;Holy Roman Emperor, King of France, and Conqueror of the Daevites&amp;quot;.&#xA;&#xA;Researcher: Researcher Saramago&#xA;&#xA;Sample 887-1990: A complete translation of the novel &amp;quot;Twilight&amp;quot; written in Tswana. The character names Edward and Jacob are reversed throughout.&#xA;&#xA;Sample 887-2011: A critical essay discussing mythological representations of the fictional island of Australia, dated 5th May 1998.&#xA;&#xA;Sample 887-1709: A proclamation of the marriage of Shaka Zulu and Princess Alexandrina Victoria of Kent, giving his full titles and styles as &amp;quot;His Majesty Shaka, by the Grace of God, of the Zulu Nation King, of the United Kingdom of Great Britain and Ireland King, Defender of the Faith, Emperor of India.&amp;quot;&#xA;&#xA;Researcher: Dr. Ox C. Moran&#xA;&#xA;Sample 887-5674: 444 pages of an English dictionary. All words for describing smells are excluded. The entry for 'nose' is a string of expletives. The definitions of 'square' and 'triangle' are swapped.&#xA;&#xA;Sample 887-4590: A Japanese strategy guide for the video game 'Pokemon:Blue.' The guide spends most of its time discussing the superiority of bug-type Pokemon and advantages of wearing shorts. The guide ends less than halfway through the game.&#xA;&#xA;Sample 887-9090: A sequence of exclamation points and question marks. When converted into binary and ran, plays Pong.&#xA;&#xA;Sample 887-0511: A detailed story about a young O5-11 peeing in his pants in front of his friends." PRODUCER="Eatbrain" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="337" PLAYTIME_FLOAT="336.076904" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="48497"></INFO>
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<INFO BITRATE="967852" KEY_LYRICS="4 ContributorsBlow Them Away Lyrics&#xA;Serum, Inja, the return&#xA;Hehe&#xA;Yo&#xA;&#xA;&#xA;Now blow them away&#xA;Now blow them away&#xA;Now blow them away&#xA;Now blow them away, now blow them away&#xA;Now blow them away, now blow them away, now blow them away&#xA;Now blow them away&#xA;Now blow them away&#xA;Yeah&#xA;Now blow them away, now blow them away, now blow them away&#xA;&#xA;&#xA;Yo&#xA;My finger's on the red button&#xA;I'll tell dem man to say nothing&#xA;They wanna try and leave with their life&#xA;I've got the silencer to done shut them&#xA;Put it in their mouth, I don't wanna see bluffing&#xA;Feel cold steel, I'm not running&#xA;Closed-eye aim, I'm not fussing&#xA;Satellite phone, I talk Russian&#xA;My man's cussing, talking of something&#xA;Blood rushing&#xA;Cheeks red like I'm buzzing&#xA;And I wanna offload and buss 'em&#xA;But I need password and code crushing&#xA;Between the eyes, I'mma plug them&#xA;Or set them free and go hunting&#xA;Man deals with my job, I'mma kill all the sods&#xA;With my silencer, it start bussing&#xA;&#xA;Blow them away&#xA;Now blow them away&#xA;Now blow them away&#xA;Now blow them away, now blow them away&#xA;Now blow them away, now blow them away, now blow them away&#xA;Now blow them away&#xA;Now blow them away&#xA;Yeah, heh&#xA;Now blow them away, now blow them away&#xA;Now blow them away&#xA;&#xA;&#xA;Yo, I'm cocking back on that hammer&#xA;Reload and then banger&#xA;Computer chip in my pocket&#xA;Escape route in my swagger&#xA;Dropping land mines in my stagger&#xA;Detonation device in my grammar&#xA;Full view, I go pana&#xA;Taking out targets, draw for the dagger&#xA;One by one, I'mma silence the manor&#xA;Eye scanner&#xA;Attention, alert to the planner&#xA;Man left for dead, you don't matter&#xA;Assassin code, I'm 'nuff badder&#xA;Man play snake, I draw ladder&#xA;My silence will silence the chatter&#xA;I'mma exit the building then blow up the spot&#xA;Then disappear, no cliffhanger&#xA;&#xA;Blow them away&#xA;Now blow them away&#xA;Now blow them away&#xA;Now blow them away, now blow them away&#xA;Now blow them away, now blow them away, now blow them away&#xA;Now blow them away&#xA;Now blow them away&#xA;Now blow them away, now blow them away&#xA;Now blow them away, now blow them away, now blow them away&#xA;&#xA;&#xA;Serum, Inja, the return&#xA;Hehe&#xA;Yo&#xA;&#xA;Now blow them away" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYCOUNT="1" PLAYTIME="312" PLAYTIME_FLOAT="311.314301" IMPORT_DATE="2025/7/13" LAST_PLAYED="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="36963"></INFO>
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<INFO BITRATE="893341" KEY_LYRICS="2 ContributorsEtt tillbakadraget liv LyricsEtt tillbakadraget liv&#xA;Ett liv som inkognito&#xA;Utan alltför stora gester&#xA;Utan jubel och fanfarer&#xA;Ett liv som ingen tror på&#xA;Som ingen tycker verkar värt besväret&#xA;Ett tillbakadraget liv&#xA;Långt ut i marginalen&#xA;Utan varken buller eller bång&#xA;&#xA;Inkognito, inkognito&#xA;Under antaget namn&#xA;&#xA;På tysta lätta fötter&#xA;Ett liv i skymundan&#xA;Långt bortom allfarvägarna&#xA;Ett tillbakadraget liv&#xA;På baksidan av månen&#xA;Ett liv som ingen lägger märke till&#xA;I stillhet och begrundan&#xA;I det tysta och fördolda&#xA;Bakom alla ytor och kulisser&#xA;&#xA;Inkognito, inkognito&#xA;Under antaget namn&#xA;Ett liv i ögonvrån&#xA;Inom parentes&#xA;Och i allra största diskretion&#xA;Ett liv i avskildhet&#xA;I skygghet och försynthet&#xA;Utan några utropstecken&#xA;Ett tillbakadraget liv&#xA;Ett liv som inte syns&#xA;Bortom alla nyfikna blickar&#xA;&#xA;Inkognito, inkognito&#xA;Under antaget namn&#xA;&#xA;Ett liv i lugn och ro&#xA;I anspråkslöshet&#xA;I glömska och utan pretentioner&#xA;Ett tillbakadraget liv&#xA;Utan pukor och trumpeter&#xA;Ett liv till ingen världens nytta&#xA;I en avlägsen trakt&#xA;Långt bortom tidens larm&#xA;Ett liv i kontemplation" PRODUCER="Metalheadz Music" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="316" PLAYTIME_FLOAT="315.690216" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="34607"></INFO>
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<INFO BITRATE="991426" KEY_LYRICS="1 ContributorEverything Was Nothing LyricsOoh, yeah&#xA;&#xA;I think I wanna run away&#xA;I think I wanna leave&#xA;I think I wanna make or break&#xA;Getting lost in the breeze&#xA;&#xA;You keep on telling me that your love is real&#xA;You keep on promising that you'll never leave&#xA;But I can't feel it, I can't feel it anymore&#xA;And I can't do this, 'cause I can't breathe here anymore&#xA;&#xA;I still remember all those things you said to me&#xA;Is it too much now just to ask for some clarity?&#xA;I can't believe it, can't believe how you treated me&#xA;No, I won't do this, I won't wait here endlessly&#xA;&#xA;I think I wanna run away&#xA;I think I wanna lеave&#xA;I think I wanna make or break&#xA;(Makе or break)&#xA;Getting lost in the breeze&#xA;(Yeah)&#xA;&#xA;And I can't do this&#xA;I think I wanna run away&#xA;(Run away, yeah)&#xA;I think I wanna leave&#xA;I think I wanna make or break&#xA;(Make or break)&#xA;Getting lost in the breeze" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="302" PLAYTIME_FLOAT="301.714294" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="36695"></INFO>
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<INFO BITRATE="1044011" KEY_LYRICS="1 ContributorBack From The Dead LyricsIntro:&#xA;&#xA;&amp;quot;CURSO&amp;quot;&#xA;&#xA;Spittin rhymes without a HOOK and leaving your spirit SHOOK&#xA;&#xA;Lyrics:&#xA;God's love is critical, trapped between the physical n spiritual/&#xA;Got one foot in the door, I'm sort of speakin metaphysical/&#xA;My flows elliptical, surpassin anything logistical/&#xA;It's genotypical, God's flame is not typical/&#xA;Hypercritical thinkin became impermissible/&#xA;Used to be egotistical, was really pitiful/&#xA;But Christ's blood has me n God really indivisible/&#xA;Blessed me with a flawless flow, precise like a crossbow/&#xA;Embrace the words that I bestow, ignore hate n rake dough/&#xA;It's Cain Curso A.K.A. John Crow, I stay movin weight like backhoes/&#xA;You're strung tight like banjos, pressure from this world will leave you chillin 6 feet below/&#xA;Stay workin like a bandeau, project a heavenly glow/&#xA;Simply not the same human being that I was before/&#xA;Used to wanna leave ya head lyin bloody on the floor/&#xA;But Jesus was tellin the truth, you really reap what you sow/&#xA;Puttin beats in body bags, nothing's changed there though/&#xA;This Young Bangas melody is cold like New York Winter snow/&#xA;With God's word, my mind is never runnin out of ammo/&#xA;Slippin back into sin, the ultimate deathblow/&#xA;This life is unpredictable, but wit God it's liveable/&#xA;The principle, remain alert in the spirit is pivotal/&#xA;Verbs I speak are visceral, absorb scripture like minerals/&#xA;God can make a deaf person suddenly become binaural/&#xA;Used rhyme reckless, used to wanna offend ya/&#xA;'Til that one day in June, when I got hit by a Venza/&#xA;Nowadays everybody wants to be a musician, nobody's listenin/&#xA;And wonder why the talent is missin, millions of heads spittin undiscovered, rockin mics/&#xA;This world'll do more damage to you than 70 bats wit spikes/&#xA;I gained eternal life thru the blood shed of Jesus Christ/&#xA;Handin me a beat, guaranteed it's bound to get diced/&#xA;Abandon gluttony, you need to put down the pizza slice/&#xA;The food is overpriced, bruisin wallets, need to be iced/&#xA;Step on cobras barefoot, scorpion tails get sliced/&#xA;Vocals hauntin beats, like a rhymin poltergeist/&#xA;Lyrical shape shifter, pen gripper, rappin mind lifter/&#xA;Verbal polyhistor, transistor, human tongue twister/&#xA;Nasty like a blood blister, heavy hitter, dope spitter/&#xA;Sanctified blood sipper, body bag ripper/&#xA;Back from the dead in Christ's blood, Cain is drippin crimson red/&#xA;Better mark these words I said and let 'em reverb in your head/&#xA;The Holy Spirit is real, just like the beams of infrared/&#xA;So while you're on this earth, best to find God and break bread/&#xA;Reanimated, captivated, flow is consecrated/&#xA;Emancipated thru Faith, open and shut closed case/&#xA;Divine memory trace, where Heaven is the home base, followin the flesh only leads to dire straits/&#xA;Walkin with God's a life lifestyle like vegans and liftin weights/&#xA;Kill enemies at the gates, rippin apart breast plates/&#xA;Decapitate apostates, tear off their face like primates/&#xA;Splittin wigs like Norman Bates, a war between the states&#xA;Outro:&#xA;&#xA;&amp;quot;CURSO&amp;quot;" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="275" PLAYTIME_FLOAT="274.827606" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="35208"></INFO>
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<INFO BITRATE="962404" KEY_LYRICS="13 ContributorsGo Somewhere Lyrics&#xA;End of the day, gotta go somewhere&#xA;End of the day, gotta, gotta, gotta, gotta, gotta&#xA;&#xA;&#xA;Maybe get away from here&#xA;About a thousand miles away&#xA;Take me out on layaway&#xA;Doesn't matter, I'll be right back, no matter what&#xA;Come and meet a friend of mine&#xA;Helping me to walk the line&#xA;&#xA;&#xA;End of the day, gotta go somewhere&#xA;End of the day, gotta, gotta, gotta, gotta, gotta&#xA;&#xA;&#xA;You're talking out of turn&#xA;And that's another day&#xA;And you've been gone awhile&#xA;Like a block away (Gun goes bang)&#xA;We've been out of touch (Gun goes bang)&#xA;And that's another day (Gun goes bang)&#xA;Into the quietudе (Gun goes bang)&#xA;I know we'll find a way&#xA;&#xA;Maybe gеt away from here&#xA;Over one block up is clear&#xA;Two shots, then I sharpen the knife&#xA;Gotta meet me on the corner at quarter to five&#xA;And then you go outside with somebody&#xA;Just to pay the girl in the west&#xA;That's a fool&#xA;It's a null&#xA;It's a lie&#xA;It's a ghost of any town&#xA;It's a ghost of any town&#xA;It's a, it's a, it's a—&#xA;&#xA;&#xA;You're talking out of turn&#xA;And that's another day&#xA;And you've been gone awhile&#xA;Like a block away (Gun goes bang)&#xA;We've been out of touch (Gun goes bang)&#xA;And that's another day (Gun goes bang)&#xA;Into the quietude (Gun goes bang)&#xA;I know we'll find a way&#xA;&#xA;&#xA;Gun goes bang&#xA;You go boom-boom&#xA;I don't wanna go right&#xA;I don't wanna go right&#xA;Gun goes bang&#xA;You go boom-boom&#xA;I don't wanna go right&#xA;I don't wanna, I don't wanna&#xA;Gun goes bang&#xA;You go boom-boom&#xA;I don't wanna go right&#xA;I don't wanna go right&#xA;Gun goes bang&#xA;You go boom-boom&#xA;I don't wanna go right&#xA;Go, go, go&#xA;&#xA;End of the day, gotta go somewhere&#xA;End of the day, gotta, gotta, gotta, gotta&#xA;End of the day, gotta go somewhere&#xA;End of the day, gotta, gotta, gotta, gotta, gotta&#xA;&#xA;&#xA;You're talking out of turn&#xA;And that's another day (Yeah)&#xA;And you've been gone awhile&#xA;Like a block away (Gun goes bang)&#xA;You're talking out of turn (Gun goes bang)&#xA;And that's another day (Gun goes bang, yeah)&#xA;And you've been gone awhile (Gun goes bang)&#xA;Like a block away (Gun goes bang, you go boom)&#xA;We've been out of touch (I don't wanna go right, I don't wanna)&#xA;And that's another day (Gun goes bang, you go boom-boom)&#xA;Enter the quiet (I don't wanna go right, I don't wanna)&#xA;I know we'll find a way" PRODUCER="Diffrent Music" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="387" PLAYTIME_FLOAT="386.823547" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="45627"></INFO>
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<INFO BITRATE="1010318" KEY_LYRICS="11 ContributorsAmerican Psycho  LyricsAMERICAN PSYCHO&#xA;&#xA;by&#xA;Mary Harron and Guinevere Turner&#xA;&#xA;Based on the novel by Bret Easton Ellis&#xA;&#xA;Fourth Draft&#xA;November 1998&#xA;&#xA;INT. PASTELS RESTAURANT- NIGHT&#xA;&#xA;An insanely expensive restaurant on the Upper East Side.&#xA;The decor is a mixture of chi-chi and rustic, with swagged&#xA;silk curtains, handwritten menus and pale pink tablecloths&#xA;decorated with arrangements of moss, twigs and hideous&#xA;exotic flowers. The clientele is young, wealthy and&#xA;confident, dressed in the height of late-eighties style:&#xA;pouffy Lacroix dresses, slinky Alaïa, Armani power suits.&#xA;&#xA;CLOSE-UP on a WAITER reading out the specials.&#xA;&#xA;WAITER&#xA;With goat cheese profiteroles and I also have an arugula&#xA;Caesar salad. For entrées tonight I have a swordfish&#xA;meatloaf with onion marmalade, a rare-roasted partridge&#xA;breast in raspberry coulis with a sorrel timbale...&#xA;Huge white porcelain plates descend on very pale pink linen&#xA;table cloths. Each of the entrees is a rectangle about four&#xA;inches square and look exactly alike.&#xA;&#xA;CLOSE-UP on various diners as we hear fragments of&#xA;conversation. &amp;quot;Is that Charlie Sheen over there?&amp;quot; &amp;quot;Excuse&#xA;me? I ordered cactus pear sorbet.&amp;quot;&#xA;&#xA;WAITER&#xA;And grilled free-range rabbit with herbed French fries. Our&#xA;pasta tonight is a squid ravioli in a lemon grass broth...&#xA;&#xA;CLOSE-UP on porcelain plates containing elaborate&#xA;perpendicular desserts descending on another table.&#xA;&#xA;PATRICK BATEMAN, TIMOTHY PRICE, CRAIG MCDERMOTT and DAVID&#xA;VAN PATTEN are at a table set for four. They are all wearing&#xA;expensively cut suits and suspenders and have slicked-back&#xA;hair. Van Patten wears horn-rimmed glasses.&#xA;&#xA;The camera moves in on Bateman as his narration begins:&#xA;&#xA;BATEMAN (V.O.)&#xA;We're sitting in Pastels, this nouvelle Northern California&#xA;place on the Upper East Side.&#xA;The Waiter sets down plates containing tiny, elaborately&#xA;decorated starters. As he does so we hear Bateman's&#xA;description of each of the men at the table.&#xA;&#xA;BATEMAN (V.O.)&#xA;You'll notice that my friends and I all look and behave in&#xA;a remarkably similar fashion, but there are subtle differences&#xA;between us. McDermott is the biggest asshole. Van&#xA;Patten is the yes man. Price is the most wired. I'm the&#xA;best looking. We all have light tans. Right now I'm in a&#xA;bad mood because this is not a good table, and Van Patten&#xA;keeps asking dumb, obvious questions about how to dress.&#xA;&#xA;VAN PATTEN&#xA;What are the rules for a sweater vest?&#xA;&#xA;McDERMOTT&#xA;What do you mean?&#xA;&#xA;PRICE&#xA;Yes. Clarify.&#xA;&#xA;McDERMOTT&#xA;Well, is it strictly informal-&#xA;&#xA;BATEMAN&#xA;Or can it be worn with a suit?&#xA;McDERMOTT&#xA;(Smiling)&#xA;Exactly&#xA;&#xA;BATEMAN&#xA;With discreet pinstripes you should wear a subdued blue or&#xA;charcoal gray vest. A plaid suit would cal I for a bolder&#xA;vest.&#xA;&#xA;McDERMOTT&#xA;But avoid matching the vest's pattern with your socks or&#xA;tie. Wearing argyle socks with an argyle vest will look&#xA;too studied.&#xA;&#xA;VAN PATTEN&#xA;You think so?&#xA;&#xA;PRICE&#xA;You'll look like you consciously worked for the look.&#xA;&#xA;VAN PATTEN&#xA;Good point. Excuse me, gentlemen.&#xA;&#xA;Van Patten leaves the table. As he does so, a busboy&#xA;discreetly removes their largely untouched plates.&#xA;&#xA;BATEMAN&#xA;Van Patten looks puffy. Has he stopped working out?&#xA;&#xA;PRICE&#xA;It looks that way, doesn't it?&#xA;&#xA;McDERMOTT&#xA;(Staring at retreating waiter)&#xA;Did he just take our plates away?&#xA;&#xA;PRICE&#xA;He took them away because the portions are so small he&#xA;probably thought we were finished. God, I hate this place.&#xA;This is a chicks' restaurant. Why aren't we at Dorsia?&#xA;&#xA;McDERMOTT&#xA;Because Bateman won't give the maitre d' head.&#xA;(He guffaws)&#xA;&#xA;Bateman throws a swizzle stick at him.&#xA;&#xA;McDermott scans the room, settling on a handsome young man&#xA;with slicked-back hair and horn-rimmed glasses.&#xA;&#xA;McDERMOTT&#xA;Is that Reed Robinson over there?&#xA;PRICE&#xA;Are you freebasing or what? That's not Robinson.&#xA;&#xA;McDERMOTT&#xA;Who is it then?&#xA;&#xA;PRICE&#xA;That's Paul Owen.&#xA;&#xA;BATEMAN&#xA;That's not Paul Owen. Paul Owen's on the other side of the&#xA;room. Over there.&#xA;&#xA;He points to another handsome young man with slicked-back&#xA;hair and horn-rimmed glasses.&#xA;&#xA;McDERMOTT&#xA;Who is he with?&#xA;&#xA;PRICE&#xA;(Distracted by the waitress's&#xA;cleavage as she bends over to&#xA;uncork a bottle of wine – the&#xA;waitress glares at him)&#xA;Some weasel from Kicker Peabody.&#xA;&#xA;Van Patten returns.&#xA;&#xA;VAN PATTEN&#xA;They don't have a good bathroom to do coke in.&#xA;&#xA;McDERMOTT&#xA;Are you sure that's Paul Owen over there?&#xA;&#xA;PRICE&#xA;Yes. McDufus, I am.&#xA;&#xA;McDERMOTT&#xA;He's handling the Fisher account.&#xA;&#xA;PRICE&#xA;Lucky bastard.&#xA;&#xA;McDERMOTT&#xA;Lucky Jew bastard.&#xA;&#xA;BATEMAN&#xA;Oh Jesus, McDermott, what does that have to do with&#xA;anything?&#xA;&#xA;McDERMOTT&#xA;Listen. I've seen the bastard sitting in his office on the&#xA;phone with CEOs, spinning a fucking menorah. The&#xA;bastard brought a Hanukkah bush into the office last December.&#xA;&#xA;BATEMAN&#xA;You spin a dreidel, McDermott, not a menorah.&#xA;You spin a dreidel.&#xA;&#xA;McDERMOTT&#xA;Oh my God. Bateman, do you want me to fry you up&#xA;some fucking potato pancakes? Some latkes?&#xA;&#xA;BATEMAN&#xA;No. Just cool it with the anti-Semitic remarks.&#xA;&#xA;McDERMOTT&#xA;Oh I forgot. Bateman's dating someone from the&#xA;ACLU.&#xA;&#xA;Price leans over and pats Bateman on the back.&#xA;&#xA;PRICE&#xA;The voice of reason. The boy next door. And speaking&#xA;of reasonable...&#xA;&#xA;He shows McDermott the bill for the meal.&#xA;&#xA;McDERMOTT&#xA;Only $470.&#xA;&#xA;VAN PATTEN&#xA;(Without irony)&#xA;Not bad.&#xA;&#xA;The others murmur agreement. Four platinum Amex cards slap&#xA;down on the table.&#xA;&#xA;INT. LIMOUSINE - NIGHT&#xA;Bateman is pouring vintage champagne into flutes. Price is&#xA;lighting up a cigar.&#xA;&#xA;McDERMOTT&#xA;Last week I picked up this Vassar chick-&#xA;&#xA;VAN PATTEN&#xA;Oh God, I was there. I don't need to hear this&#xA;story again.&#xA;&#xA;McDERMOTT&#xA;But I never told you what happened afterwards. So&#xA;okay, I pick up this Vassar chick at Tunnel-hot number, big&#xA;tits, great legs, this chick was a little hardbody-and so I&#xA;buy her a couple of champagne kirs and she's in the city on&#xA;spring break and she's practically blowing me in the&#xA;Chandelier Room and so I take her back to my place-&#xA;&#xA;BATEMAN&#xA;Whoa, wait. May I ask where Pamela is during all&#xA;this?&#xA;&#xA;McDERMOTT&#xA;Oh fuck you. I want a blowjob, Bate-man. I want a chick&#xA;who's gonna let me-&#xA;&#xA;VAN PATTEN&#xA;(Putting his hands over his ears)&#xA;I don't want to hear this. He's going to say something&#xA;disgusting.&#xA;&#xA;McDERMOTT&#xA;You prude. Listen, we're not gonna invest in a co-op&#xA;together or jet down to Saint Bart's. I just want some&#xA;chick whose face I can sit on for thirty, forty minutes.&#xA;&#xA;Price throws a cigar at McDermott, who catches it.&#xA;&#xA;McDERMOTT&#xA;Anyway, so we're back at my place and listen to&#xA;this. She's had enough champagne by now to get a fucking&#xA;rhino tipsy, and get this-&#xA;&#xA;VAN PATTEN&#xA;She let you fuck her without a condom?&#xA;&#xA;McDERMOTT&#xA;This is a Vassar girl. She's not from Queens. She&#xA;would only-are you ready?&#xA;(Dramatic pause)&#xA;She would only give me a handjob, and get this...she kept&#xA;her glove on.&#xA;&#xA;The men sit in shocked, horrified silence.&#xA;&#xA;ALL IN UNISON Never date a Vassar girl.&#xA;&#xA;EXT. TUNNEL NIGHTCLUB - NIGHT&#xA;&#xA;The limo pulls up to the sidewalk outside the Tunnel.&#xA;McDermott holds the door open for a passing HOMELESS MAN,&#xA;who looks confused.&#xA;&#xA;McDERMOTT&#xA;I suppose he doesn't want the car. Price, ask&#xA;him if he takes American Express.&#xA;&#xA;PRICE&#xA;(Offering card)&#xA;You take Amex, dude?&#xA;&#xA;The man stumbles away. The club DOORMAN, seeing the limousine,&#xA;unhooks the&#xA;velvet rope and welcomes them inside.&#xA;&#xA;INT. LADIES ROOM, TUNNEL - NIGHT&#xA;&#xA;Brilliant white light, a bemused elderly female attendant in a&#xA;black-and-white maid's uniform trying to give out paper towels.&#xA;MUSIC thuds through an open doorway. Trashed-looking girls&#xA;stare into mirrors repairing their eye make-up or sit on the&#xA;counter chatting to friends. There are almost as many men as&#xA;women in the room. Couples stand in line, twitching as they&#xA;wait to do coke. As soon as one bathroom door opens, a couple&#xA;lurches out rubbing their noses while another couple rushes&#xA;past them and slams the door.&#xA;&#xA;PRICE&#xA;There's this theory out now that if you can catch the&#xA;AIDS virus through having sex with someone who is infected,&#xA;then you can also catch anything-Alzheimer's, muscular&#xA;dystrophy, hemophilia, leukemia, diabetes, dyslexia, for&#xA;Christ's sake-you can get dyslexia from pussy-&#xA;&#xA;BATEMAN&#xA;I'm not sure, guy, but I don't think dyslexia is a&#xA;virus.&#xA;&#xA;PRICE&#xA;Oh, who knows? They don't know that. Prove it.&#xA;&#xA;Price and Bateman finally get a stall and rush in. Price is&#xA;sweating.&#xA;&#xA;PRICE&#xA;I'm shaking. You open it.&#xA;&#xA;Bateman opens a tiny packet of coke.&#xA;&#xA;PRICE&#xA;Jeez. That's not a helluva lot, is it?&#xA;&#xA;BATEMAN&#xA;Maybe it's just the light.&#xA;&#xA;PRICE&#xA;Is he fucking selling it by the milligram? (He dips&#xA;the corner of his Amex card in the packet and takes a snort)&#xA;Oh my God...&#xA;&#xA;BATEMAN&#xA;What?&#xA;&#xA;PRICE&#xA;It's a fucking milligram of Sweet'n Low!&#xA;&#xA;Bateman dips his Amex in the envelope and snorts.&#xA;&#xA;BATEMAN&#xA;It's definitely weak but I have a feeling if we do&#xA;enough of it we'll be okay.&#xA;&#xA;PRICE&#xA;I want to get high off this; Bateman, not sprinkle it&#xA;on my fucking All-Bran.&#xA;&#xA;The GUY IN STALL next door yells at them in an effeminate&#xA;voice:&#xA;&#xA;GUY IN STALL&#xA;Could you keep it down, I'm trying to do drugs!&#xA;&#xA;Price pounds his fist against the stall.&#xA;&#xA;PRICE&#xA;(screaming)&#xA;SHUT UP!&#xA;&#xA;BATEMAN&#xA;Calm down. Let's do it anyway&#xA;&#xA;PRICE&#xA;I guess you're right...&#xA;(Raising his voice)&#xA;THAT IS, IF THE FAGGOT IN THE NEXT STALL THINKS IT'S OKAY!&#xA;&#xA;GUY IN STALL&#xA;Fuck you!&#xA;&#xA;PRICE&#xA;(Trying to climb up against the aluminum divider)&#xA;No, FUCK YOU!!&#xA;(He collapses, panting against the stall door)&#xA;Sorry, dude. Steroids...Okay, let's do it.&#xA;&#xA;BATEMAN&#xA;That's the spirit.&#xA;&#xA;They both dig their platinum Amex cards into the envelope&#xA;of white powder, shoveling it up their noses, then sticking&#xA;their fingers in to catch the residue and rubbing it into&#xA;their gums.&#xA;&#xA;INT. NIGHTCLUB - NIGHT&#xA;&#xA;Bateman saunters toward the bar as &amp;quot;Pump Up the Volume&amp;quot;&#xA;plays in the background.&#xA;&#xA;BATEMAN (to BARGIRL) Two Stoli on the rocks.&#xA;&#xA;He hands her two drink tickets.&#xA;&#xA;BARGIRL&#xA;It's after eleven. Those aren't good anymore. It's&#xA;a cash bar. That'll be twenty-five dollars.&#xA;&#xA;Bateman pulls out an expensive-looking wallet and hands her&#xA;a $50.&#xA;&#xA;She turns her back and searches the cash register for&#xA;change.&#xA;&#xA;BATEMAN You are a fucking ugly bitch I want to stab to&#xA;death and then play around with your blood.&#xA;&#xA;The music muffles his voice. She turns around. He is&#xA;smiling at her. She gives him his change impassively.&#xA;&#xA;INT. BATEMAN'S APARTMENT- MORNING&#xA;&#xA;Tableaux of Bateman's apartment in the early morning light.&#xA;A huge white living room with floor-to-ceiling windows&#xA;looking out over Manhattan, decorated in expensive, minimalist&#xA;high style: bleached oak floors, a huge white sofa, a large&#xA;Baselitz painting (hung upside down) and much expensive&#xA;electronic equipment. The room is impeccably neat, and oddly&#xA;impersonal - as if it had sprung straight from the pages of&#xA;a design magazine.&#xA;&#xA;BATEMAN (V.0.)&#xA;My name is Patrick Bateman. I am&#xA;twenty-six years old. I live in the American Garden&#xA;Buildings on West Eighty-First Street, on the eleventh&#xA;floor Tom Cruise lives in the penthouse.&#xA;&#xA;Bateman walks into his bathroom, urinates while trying to&#xA;see his reflection in a poster for Les Miserables above his&#xA;toilet.&#xA;&#xA;BATEMAN&#xA;(V.0.) I believe in taking care of myself, in a&#xA;balanced diet, in a rigorous exercise routine. In the&#xA;morning, if my face is a little puffy, I'll put on an ice&#xA;pack while doing my stomach crunches. I can do a thousand&#xA;now.&#xA;&#xA;Bateman ties a plastic ice pack around his face.&#xA;&#xA;Bateman does his morning stretching exercises in the living&#xA;room wearing the ice pack.&#xA;&#xA;CUT TO:&#xA;&#xA;A mirror-lined bathroom. Bateman is luxuriating in the&#xA;shower steam, scrubbing his body, admiring his muscles.&#xA;&#xA;BATEMAN (V.O.)&#xA;After I remove the icepack, I use a deep&#xA;pore-cleanser lotion. In the shower, I use a&#xA;water-activated gel cleanser, then a honey-almond body&#xA;scrub, and on the face an exfoliating gel scrub.&#xA;&#xA;Bateman stands in front of a massive marble sink applying a&#xA;gel facial masque.&#xA;&#xA;BATEMAN (V.O.)&#xA;Then I apply an herb mint facial masque which&#xA;I leave on for ten minutes while I prepare the rest of my&#xA;routine.&#xA;&#xA;Bateman opens the door of a mirrored cabinet, which is&#xA;stocked with immaculate rows of skin care products. He&#xA;begins selecting bottles jars and brushes, laying them in&#xA;readiness on the marble counter.&#xA;&#xA;BATEMAN (V.O.)&#xA;I always use an after-shave lotion with little&#xA;or no alcohol because alcohol dries your face out and makes&#xA;you look older. Then moisturizer, then an anti-aging eye&#xA;balm, followed by a final moisturizing &amp;quot;protective&amp;quot; lotion...&#xA;&#xA;Bateman stares into the mirror. The masque has dried,&#xA;giving his face a strange distorted look as if it has been&#xA;wrapped in plastic. He begins slowly peeling the gel masque&#xA;off his face.&#xA;&#xA;BATEMAN (V.O.)&#xA;There is an idea of a Patrick Bateman, some&#xA;kind of abstraction, hut there is no real me, only an&#xA;entity, something illusory, and though I can hide my cold&#xA;gaze and you can shake my hand and feel flesh gripping you&#xA;and maybe you can even sense our lifestyles are probably&#xA;comparable: I simply am not there.&#xA;&#xA;INT. BATEMAN BEDROOM - MORNING&#xA;&#xA;Another huge white room, equally minimal: a futon, rumpled&#xA;white sheets, a bedside lamp with a halogen bulb, and a large&#xA;expensive painting (Eric Fischl or David Salle) chosen by&#xA;Bateman's interior decorator.&#xA;&#xA;Dressed in silk boxer shorts, Bateman stands in front of a&#xA;huge walk-in closet, filled with rows of expensive shirts,&#xA;shoes and designer suits, organized according to color and&#xA;tone.&#xA;&#xA;BATEMAN (V.O.)&#xA;It is hard for me to make sense on any given&#xA;level. My self is fabricated, an aberration. My personality&#xA;is sketchy and unformed, my heartlessness goes deep and is&#xA;persistent.&#xA;&#xA;Fully dressed in Armani, Bateman stands in front of a&#xA;full-length mirror in the middle of his vast bedroom,&#xA;adjusting his cuff-links.&#xA;&#xA;BATEMAN (V.0.)&#xA;My conscience, my pity, my hopes disappeared&#xA;a long time ago, if they ever did exist.&#xA;&#xA;He gives a last look at the mirror and likes what he sees.&#xA;He gives his reflection a smile.&#xA;&#xA;INT. OFFICES OF PIERCE &amp;amp; PIERCE - DAY&#xA;&#xA;As Bateman walks down the corridor, he passes another MAN who&#xA;looks just like him.&#xA;&#xA;MAN&#xA;Morning, Hamilton. Nice tan.&#xA;&#xA;Bateman walks past the desk of JEAN, his secretary, pulling&#xA;his Walkman from around his neck. Jean is attractive,&#xA;wholesome, earnest. She smiles shyly. She loves him.&#xA;&#xA;JEAN&#xA;Late?&#xA;&#xA;BATEMAN&#xA;Aerobics class. Sorry. Any messages?&#xA;&#xA;JEAN&#xA;Ricky Hendricks has to cancel today. He didn't say what&#xA;he was canceling or why.&#xA;&#xA;BATEMAN&#xA;I occasionally box with Ricky at the Harvard Club.&#xA;Anyone else?&#xA;&#xA;JEAN&#xA;And...Spencer wants to meet you for a drink at Fluties Pier 17.&#xA;&#xA;BATEMAN&#xA;When?&#xA;&#xA;JEAN&#xA;After six.&#xA;&#xA;BATEMAN&#xA;Negative. Cancel it.&#xA;&#xA;Jean follows him into his office.&#xA;&#xA;JEAN&#xA;Oh? And what should I say?&#xA;&#xA;BATEMAN&#xA;Just...say...no.&#xA;&#xA;JEAN&#xA;Just say no?&#xA;&#xA;Jean stands at his desk, waiting for instructions.&#xA;&#xA;BATEMAN&#xA;Okay, Jean. I need reservations for three at Camols&#xA;at twelve-thirty, and if not there, try Crayons. All&#xA;right?&#xA;&#xA;JEAN&#xA;(Playfully)&#xA;Yes, sir.&#xA;&#xA;She turns to leave.&#xA;&#xA;BATEMAN&#xA;Oh wait. And I need reservations for two at Arcadia at eight&#xA;tonight.&#xA;&#xA;Jean turns around.&#xA;&#xA;JEAN&#xA;Oh, something. . romantic?&#xA;&#xA;BATEMAN&#xA;No, silly. Forget it. I'll make them. Thanks.&#xA;&#xA;JEAN&#xA;I'll do it.&#xA;&#xA;BATEMAN&#xA;No. No. Be a doll and just get me a Perrier, okay?&#xA;&#xA;JEAN&#xA;You look nice today.&#xA;&#xA;Jean exits. Bateman straightens some magazines in his&#xA;office, lifts a painting off the wall and puts it back at a&#xA;slightly different angle. He fiddles with some pencils in a&#xA;beer stein. He puts on some MUSIC and flips through a&#xA;Sports Illustrated. He buzzes Jean. She comes in a moment&#xA;later with the Perrier and a file.&#xA;&#xA;JEAN&#xA;Yes?&#xA;&#xA;BATEMAN&#xA;Is that the Ransom file? Thanks. Don't wear that&#xA;outfit again.&#xA;&#xA;JEAN&#xA;Ummm...what? I didn't hear you.&#xA;&#xA;BATEMAN&#xA;I said &amp;quot;Do not wear that outfit again.&amp;quot; Wear a&#xA;dress. A skirt or something.&#xA;&#xA;Jean stands there, then looks down at herself.&#xA;&#xA;JEAN&#xA;(Smiling bravely)&#xA;You don't like this, I take it?&#xA;&#xA;BATEMAN&#xA;Come on, you're prettier than that.&#xA;&#xA;JEAN&#xA;(Sarcastically)&#xA;Thanks, Patrick.&#xA;&#xA;The phone RINGS and Jean turns to leave.&#xA;&#xA;BATEMAN&#xA;I'm not here. And high heels. I like high heels.&#xA;&#xA;As Jean leaves, Bateman clicks on the TV set in one corner&#xA;of the room and starts watching Jeopardy!&#xA;&#xA;INT. TAXI - EVENING&#xA;&#xA;EVELYN WILLIAMS, Patrick Bateman's&#xA;fiancée, is making notes with a gold Cross pen and sipping&#xA;a bottle of mineral water. Evelyn is blonde, classically&#xA;beautiful, expensively educated, and utterly pleased with&#xA;herself. She usually addresses Patrick as if he were a&#xA;small child.&#xA;&#xA;EVELYN&#xA;I'd want a zydeco band, Patrick. That's what I'd&#xA;want, a zydeco band. Or mariachi. Or reggae. Something&#xA;ethnic to shock Daddy Oh, I can't decide...And lots&#xA;of chocolate truffles. Godiva. And oysters on the halfshell.&#xA;&#xA;CLOSE-UP on Bateman, who is wearing a Walkman and staring&#xA;out the window.&#xA;&#xA;BATEMAN (V.O.)&#xA;I'm trying to listen to the new George&#xA;Michael tape but Evelyn-my supposed fiancée-keeps buzzing&#xA;in my ear.&#xA;&#xA;Evelyn continues to make notes.&#xA;&#xA;EVELYN&#xA;Marzipan. Pink tents. Hundreds, thousands of roses.&#xA;Photographers. Annie Leibovitz. We'll get Annie Leibovitz.&#xA;And we'll hire someone to videotape. Patrick, we should do it.&#xA;&#xA;BATEMAN&#xA;(Removing his Walkman)&#xA;Do...what.&#xA;&#xA;EVELYN&#xA;Get married. Have a wedding.&#xA;&#xA;BATEMAN&#xA;Evelyn?&#xA;&#xA;EVELYN&#xA;Yes, darling?&#xA;&#xA;BATEMAN&#xA;Is your Evian spiked?&#xA;&#xA;EVELYN&#xA;We should do it.&#xA;&#xA;BATEMAN&#xA;No-I can't take the time off work.&#xA;&#xA;EVELYN&#xA;Your father practically owns the company. You can do&#xA;anything you like, silly.&#xA;&#xA;BATEMAN&#xA;I don't want to talk about it.&#xA;&#xA;EVELYN&#xA;Well, you hate that job anyway. Why don't you just&#xA;quit? You don't have to work.&#xA;&#xA;BATEMAN&#xA;Because I...want...to...fit...in.&#xA;&#xA;The taxi bumps to a halt.&#xA;&#xA;INT. ESPACE RESTAURANT- NIGHT&#xA;&#xA;A cavernous garage, harshly spot-lit, decorated in&#xA;self-conscious brutalist chic. Iron girders, walls of waxed&#xA;plaster featuring exposed rusted pipes, a huge Schnabel&#xA;smashed-plate painting on one wall. The tables and chairs are&#xA;made of extremely uncomfortable&#xA;bolted steel.&#xA;&#xA;BATEMAN (V.O.)&#xA;I'm on the verge of tears by the time we arrive at Espace&#xA;since I'm positive we won't have a decent table, but we do,&#xA;and relief washes over me in an awesome wave.&#xA;&#xA;Tm Price and two downtown types, STASH and VANDEN, are&#xA;already seated. Vanden is about twenty, pretty and sullen,&#xA;with green streaks in her black hair. Stash is pale, with&#xA;ragged black hair and bad skin.&#xA;&#xA;They are all trying to read large stainless steel menus&#xA;that look like minimalist art.&#xA;&#xA;PRICE&#xA;The menu's in braille.&#xA;&#xA;He gets up to greet them, giving Evelyn a suspiciously long&#xA;kiss.&#xA;&#xA;PRICE&#xA;I have to talk to you.&#xA;&#xA;He drags her away, half giggling and protesting.&#xA;&#xA;EVELYN&#xA;(Over her shoulder)&#xA;Pat, this is my cousin Vanden&#xA;and her boyfriend Stash. He's an artist.&#xA;&#xA;BATEMAN&#xA;(After smiling at his own reflection in the mirror and&#xA;checking his hair)&#xA;Hi. Pat Bateman.&#xA;&#xA;Vanden takes his hand reluctantly, says nothing.&#xA;&#xA;BATEMAN&#xA;Let me guess-you live in the East Village?&#xA;&#xA;Pause.&#xA;&#xA;STASH&#xA;SoHo.&#xA;&#xA;COURTNEY RAWLINSON and LUIS CARRUTHERS arrive at the table.&#xA;Courtney is blonde, classically beautiful and from&#xA;precisely the same social background as Evelyn, but she is&#xA;considerably more fragile and neurotic. Luis is&#xA;half-English, half-Argentinean, slightly overweight (a&#xA;rarity in this crowd), puppyish and eager to please. He&#xA;wears the same type of designer clothes as Price and&#xA;Bateman, but with foppish tendencies: velvet jackets,&#xA;bow-ties, boldly patterned vests.&#xA;&#xA;They exchange air kisses. As soon as Luis turns his back,&#xA;Bateman sneaks a kiss on Courtney's neck.&#xA;&#xA;COURTNEY&#xA;(Whispering)&#xA;Stop it!&#xA;&#xA;Stash and Vanden watch them in silence.&#xA;&#xA;LATER:&#xA;&#xA;Price is whispering in Evelyn's ear. Everyone else is&#xA;quietly eating, except Bateman, who is drinking and watching&#xA;Evelyn and Price.&#xA;&#xA;BATEMAN (V.O.)&#xA;I am fairly sure that Timothy and Evelyn&#xA;are having an affair. Timothy is the only interesting&#xA;person I know. Courtney is almost perfect looking. She s&#xA;usually operating on one or more psychiatric drugs. Tonight&#xA;I believe it's Xanax. More disturbing than her drug use,&#xA;though, is the fact that she's engaged to Luis Carruthers,&#xA;the biggest dufus in the business.&#xA;&#xA;Courtney rouses herself from her drug haze.&#xA;&#xA;COURTNEY&#xA;Tell me. Stash...do you think SoHo is&#xA;becoming to...commercial?&#xA;&#xA;CARRUTHERS&#xA;Yes, I read that.&#xA;&#xA;PRICE&#xA;Oh, who gives a rat's ass?&#xA;&#xA;VANDEN&#xA;Hey. That affects us.&#xA;&#xA;PRICE&#xA;(Wired on coke)&#xA;Oh ho ho. That affects us? What&#xA;about the massacres in Sri Lanka, honey? Doesn't that&#xA;affect us, too? I mean don't you know anything about Sri&#xA;Lanka? About how the Sikhs are killing like tons of&#xA;Israelis there? Doesn't that affect us?&#xA;&#xA;BATEMAN&#xA;Oh come on. Price. There are a lot more important&#xA;problems than Sri Lanka to worry about. Sure our foreign&#xA;policy is important, but there are more pressing problems&#xA;at hand.&#xA;&#xA;PRICE&#xA;Like what?&#xA;&#xA;BATEMAN&#xA;Well, we have to end apartheid for one. And slow&#xA;down the nuclear arms race, stop terrorism and world&#xA;hunger. But we can't ignore our social needs. either We&#xA;have to stop people from abusing the welfare system. We&#xA;have to provide food and shelter for the homeless and&#xA;oppose racial discrimination and promote civil rights while&#xA;also promoting equal rights for women but change the&#xA;abortion laws to protect the right to life yet still&#xA;somehow maintain women's freedom of choice.&#xA;&#xA;The table stares at Bateman uncomfortably.&#xA;&#xA;BATEMAN&#xA;We also have to control the influx of illegal&#xA;immigrants. We have to encourage a return to traditional&#xA;moral values and curb graphic sex and violence on TV, in&#xA;movies, in pop music, everywhere. Most importantly we have&#xA;to promote general social concern and less materialism in&#xA;young people.&#xA;&#xA;Price chokes on his drink. Everyone is silent and&#xA;mystified.&#xA;&#xA;CARRUTHERS&#xA;Patrick, how thought-provoking.&#xA;&#xA;INT. EVELYN'S BEDROOM - LATER THE SAME EVENING&#xA;&#xA;Bateman and Evelyn are lying on her bed watching television.&#xA;&#xA;BATEMAN&#xA;Why don t you just go for Price?&#xA;&#xA;EVELYN&#xA;Oh God, Patrick. Why Price? Price?&#xA;&#xA;BATEMAN&#xA;He's rich.&#xA;&#xA;EVELYN&#xA;Everybody's rich.&#xA;&#xA;BATEMAN&#xA;He's good-looking.&#xA;&#xA;EVELYN&#xA;Everybody's good-looking, Patrick.&#xA;&#xA;BATEMAN&#xA;He has a great body&#xA;&#xA;EVELYN&#xA;Everybody has a great body now.&#xA;&#xA;Bateman unbuttons his shirt and makes advances to get&#xA;Evelyn to have sex with him. She ignores him, watching the&#xA;Home Shopping Channel with the remote in her hand. Finally,&#xA;he straddles her, penis close to her face. She tries to&#xA;look around him at the TV, then takes notice.&#xA;&#xA;EVELYN&#xA;What do you want to do with that, floss with it?&#xA;&#xA;Bateman flops back down beside her and stares at the television.&#xA;&#xA;EVELYN&#xA;Are you using minoxidil?&#xA;&#xA;BATEMAN&#xA;No. I'm not. Why should I ?&#xA;&#xA;EVELYN&#xA;Your hairline looks like it's receding.&#xA;&#xA;BATEMAN&#xA;It's not.&#xA;&#xA;EXT. STREET - LATER THAT NIGHT&#xA;&#xA;It is 3 a.m. Bateman is standing at an ATM, listening to the&#xA;comforting sound of fresh bills thudding out of the machine.&#xA;Bateman turns around and watches a solitary young woman walk&#xA;past him. He collects his money, placing it carefully in his&#xA;wallet, and then walks toward her, whistling. He catches up&#xA;to her as she pauses at a red light.&#xA;&#xA;BATEMAN&#xA;Hello.&#xA;&#xA;The woman looks suspicious for a moment and then, seeing&#xA;his smile, smiles back.&#xA;&#xA;INT. DRY CLEANERS - DAY&#xA;&#xA;Bateman, dressed in an Armani suit&#xA;with an unlit cigar between his teeth is standing in a dry&#xA;cleaners, arguing with the Chinese woman behind the&#xA;counter.&#xA;&#xA;BATEMAN&#xA;Listen, wait. You're not...shhh wait...&#xA;you're not giving me valid reasons.&#xA;&#xA;The woman continues to speak to him in another language,&#xA;grabbing at the sleeve of the jacket.&#xA;&#xA;BATEMAN&#xA;What are you trying to say to me?&#xA;&#xA;Her husband has taken Bateman's horribly bloodstained&#xA;sheets out of the bag and is staring at them.&#xA;&#xA;BATEMAN&#xA;Bleach-ee? Are you trying to say bleach-ee?&#xA;Bleach-ee. Oh my God.&#xA;&#xA;She keeps pointing to the jacket and talking.&#xA;&#xA;BATEMAN&#xA;(Talking over her)&#xA;Two things. One. You can't bleach a Soprani. Out of the question.&#xA;Two.&#xA;(Louder)&#xA;Two. I can only get these sheets in Santa Fe. These are very&#xA;expensive sheets and I really need them clean.&#xA;&#xA;She keeps talking and Bateman leans into her.&#xA;&#xA;BATEMAN&#xA;If you don't shut your fucking mouth I will kill&#xA;you, are you understanding me?&#xA;&#xA;She talks faster.&#xA;&#xA;BATEMAN&#xA;Now listen-I have a very important lunch meeting&#xA;(Checks Rolex)&#xA;at Hubert's in thirty minutes, and I need those&#xA;...no wait, twenty minutes. I have a lunch meeting at&#xA;Hubert's in twenty minutes with Ronald Harrison and I need&#xA;those sheets cleaned by this afternoon.&#xA;&#xA;She keeps talking.&#xA;&#xA;BATEMAN Listen. I cannot understand you.&#xA;&#xA;Bateman starts laughing, slaps his hand down on the&#xA;counter.&#xA;&#xA;BATEMAN&#xA;This is crazy. You're a fool. I can't cope with&#xA;this.&#xA;&#xA;Bateman is on the verge of tears.&#xA;&#xA;BATEMAN&#xA;Stupid bitchee! Understand? Oh Christ!&#xA;&#xA;Someone enters the store behind him. It's VICTORIA,&#xA;late-twenties, attractive but a little overweight, wearing a&#xA;tailored business suit with white sneakers and sports socks.&#xA;&#xA;VICTORIA&#xA;Patrick?&#xA;&#xA;She takes off her sunglasses.&#xA;&#xA;VICTORIA&#xA;Hi, Patrick. I thought that was you.&#xA;&#xA;BATEMAN&#xA;Hello&#xA;(Mumbles un incomprehensible name)&#xA;&#xA;Awkward pause.&#xA;&#xA;BATEMAN&#xA;Well.&#xA;&#xA;VICTORIA&#xA;Isn't it ridiculous? Coming all the way up here,&#xA;but you&#xA;know. They really are the best.&#xA;&#xA;BATEMAN&#xA;Then why can't they get these stains out? I mean can you talk&#xA;to these people or something? I'm not getting anywhere.&#xA;&#xA;Victoria moves toward the sheet that the old man is holding&#xA;up. She&#xA;touches it and the woman behind the counter begins talking&#xA;again.&#xA;&#xA;VICTORIA&#xA;Oh my, I see. What are those? Oh my.&#xA;BATEMAN&#xA;Um, well...it s cranberry juice. Cranapple.&#xA;&#xA;VICTORiA&#xA;(Skeptically) Really?&#xA;&#xA;BATEMAN&#xA;Well, I mean, um, it s really...Bosco. You&#xA;know, like...&#xA;like a Dove Bar. It's a Dove Bar...Hershey's Syrup?&#xA;&#xA;VICTORIA&#xA;(As if sharing a secret joke) Oh yeah. Oh I get it.&#xA;Fun with chocolate.&#xA;&#xA;BATEMAN&#xA;Listen, if you could talk to them&#xA;(He yanks the sheet out of the man's hand)&#xA;I would really appreciate it. I'm really late. I have a&#xA;lunch appointment at Hubert's in fifteen minutes.&#xA;&#xA;Bateman turns to leave.&#xA;&#xA;VICTORIA&#xA;Hubert's? Oh really? It moved uptown, right?&#xA;&#xA;BATEMAN&#xA;Yeah, well, oh boy, listen, I've got to go. Thank&#xA;you, uh...&#xA;Victoria?&#xA;&#xA;VICTORIA&#xA;Maybe we could have lunch one day next week? You&#xA;know, I'm downtown near Wall Street quite often.&#xA;&#xA;BATEMAN&#xA;Oh, I don't know, Victoria. I'm at work all the&#xA;time.&#xA;&#xA;VICTORIA&#xA;Well, what about, oh, you know, maybe a Saturday?&#xA;&#xA;BATEMAN&#xA;(Checking his watch)&#xA;Next Saturday?&#xA;&#xA;VICTORIA&#xA;(Shrugging)&#xA;Yeah.&#xA;&#xA;BATEMAN&#xA;Oh, can't, I'm afraid. Matinée of Les Miserables.&#xA;Listen, I've really got to go. I'll-Oh...Christ...I'll call&#xA;you.&#xA;&#xA;VICTORIA&#xA;Okay. Do.&#xA;&#xA;Bateman glares at the woman behind the counter and rushes&#xA;out the door. Victoria stares after him as we hear the sound&#xA;of the bell on the closing door.&#xA;&#xA;INT. BATEMAN'S APARTMENT - DAY&#xA;&#xA;Bateman is sitting on the sofa watching a video, talking to&#xA;Courtney on a portable phone. He's holding a video box in one&#xA;hand, perusing the title: Inside Lydia's Ass. Offscreen we hear&#xA;the sounds of the porn movie as he talks.&#xA;&#xA;BATEMAN&#xA;Listen, what are you doing tonight?&#xA;&#xA;COURTNEY&#xA;What? Oh, I'm...busy.&#xA;&#xA;BATEMAN&#xA;Listen, you're dating Luis, he's in Arizona. You're fucking me,&#xA;and we haven't made plans. What could you possibly be up to&#xA;tonight?&#xA;&#xA;COURTNEY&#xA;Stop it. I'm...&#xA;&#xA;BATEMAN&#xA;On a lot of lithium?&#xA;&#xA;COURTNEY&#xA;Waiting for Luis to call me. He said he'd call&#xA;tonight. Oh don't be difficult, Patrick.&#xA;&#xA;BATEMAN&#xA;You should come have dinner with me.&#xA;COURTNEY&#xA;But-when?&#xA;&#xA;BATEMAN&#xA;Am I confused or were we talking about tonight?&#xA;&#xA;COURTNEY&#xA;Ummm . . yeah. Luis is calling me tonight. I&#xA;need to be&#xA;home for that.&#xA;&#xA;BATEMAN&#xA;Pumpkin?&#xA;&#xA;COURTNEY&#xA;Yes?&#xA;&#xA;BATEMAN&#xA;Pumpkin you're dating an asshole.&#xA;&#xA;COURTNEY&#xA;Uh huh.&#xA;&#xA;BATEMAN&#xA;Pumpkin you're dating the biggest dickweed in New&#xA;York.&#xA;&#xA;COURTNEY&#xA;I know. Stop it.&#xA;&#xA;BATEMAN&#xA;Pumpkin, you're dating a tumbling, tumbling&#xA;dickweed.&#xA;&#xA;COURTNEY&#xA;Patrick don't call me pumpkin anymore, okay? I have to go.&#xA;&#xA;BATEMAN&#xA;Courtney? Dinner?&#xA;&#xA;COURTNEY&#xA;I can't.&#xA;&#xA;BATEMAN&#xA;I'm thinking Dorsia.&#xA;&#xA;COURTNEY&#xA;Dorsia's nice.&#xA;&#xA;BATEMAN&#xA;Nice?&#xA;&#xA;COURTNEY&#xA;You like it there, don't you?&#xA;&#xA;BATEMAN&#xA;The question is do you like it, Courtney? And will&#xA;you blow off a fucking phone call from your sad excuse for a&#xA;boyfriend to eat there tonight.&#xA;&#xA;COURTNEY&#xA;Okay. Yeah. What time?&#xA;&#xA;BATEMAN&#xA;Eight?&#xA;&#xA;COURTNEY&#xA;Pick me up?&#xA;&#xA;BATEMAN&#xA;Sounds like I'll have to. Don't fall asleep, okay? Wear&#xA;something fabulous. Dorsia, remember?&#xA;&#xA;Bateman hangs up, opens up the Zagat's guide and dials the&#xA;number for Dorsia with trembling fingers. It's busy and so&#xA;he puts it on speakerphone, constant redial. He waits with&#xA;his head in his hands, sweating with anxiety, until there&#xA;is finally an answer.&#xA;&#xA;MAITRE D'&#xA;Dorsia. Please hold.&#xA;&#xA;He is on hold for a long time, getting very tense.&#xA;&#xA;MAITRE D'&#xA;Dorsia.&#xA;&#xA;BATEMAN&#xA;(Both of his eyes are closed)&#xA;Umm...yes...I know it's a little late but is it possible to&#xA;reserve a table for two at eight or eight-thirty perhaps?&#xA;&#xA;Long pause. The Maitre D' starts giggling quietly and then&#xA;more loudly until the laughter is almost hysterical and he&#xA;hangs up the phone.&#xA;&#xA;INT. TAXI- NIGHT&#xA;&#xA;Bateman and Courtney are in the back of a cab. Courtney is&#xA;heavily medicated.&#xA;&#xA;COURTNEY&#xA;A facial at Elizabeth Arden, which was really&#xA;relaxing, then to the Pottery Bam where I bought this&#xA;silver muffin dish.&#xA;(She starts to pass out)&#xA;&#xA;BATEMAN&#xA;Is that Donald Trump's car?&#xA;&#xA;COURTNEY&#xA;(Thickly)&#xA;Oh God, Patrick. Shut up.&#xA;&#xA;BATEMAN&#xA;You know, Courtney, you should take some more&#xA;lithium. Or have a Diet Coke. Some caffeine might get you&#xA;out of this slump.&#xA;&#xA;COURTNEY&#xA;I just want to have a child. Just...two...&#xA;perfect...children...&#xA;(Her voice trails as she descends back into a drug haze)&#xA;&#xA;The cab draws up outside a restaurant. The awning reads&#xA;&amp;quot;Barcadia.&amp;quot;&#xA;&#xA;INT. BARCADIA - NIGHT&#xA;&#xA;An insanely expensive nouvelle Italian restaurant all&#xA;polished natural brick, spotless white tablecloths,&#xA;minimalist flower arrangements, discreet lighting.&#xA;&#xA;A waiter has come to take their drink orders.&#xA;&#xA;BATEMAN&#xA;J&amp;amp;B. Straight.&#xA;&#xA;COURTNEY&#xA;Champagne on the rocks. Oh-could I have that with&#xA;a twist? She starts to sink back in her chair and Bateman&#xA;leans over and pulls her back up.&#xA;&#xA;COURTNEY&#xA;Are we here?&#xA;&#xA;BATEMAN&#xA;Yes.&#xA;&#xA;COURTNEY&#xA;This is Dorsia?&#xA;&#xA;BATEMAN&#xA;(Examining a menu that says &amp;quot;Barcadia&amp;quot; in large script)&#xA;Yes, dear.&#xA;&#xA;Courtney almost falls asleep while looking at her menu, and&#xA;starts to slide off of her chair. Bateman grabs her by both&#xA;shoulders and props her up.&#xA;&#xA;BATEMAN&#xA;Courtney, you're going to have the peanut butter&#xA;soup with smoked duck and mashed squash. New York magazine&#xA;called it a 'playful but mysterious little dish.&amp;quot; You'll&#xA;love it. And then...the red snapper with violets and&#xA;pine nuts. I think that'll follow nicely.&#xA;&#xA;COURTNEY&#xA;Mmmm...thanks, Patrick.&#xA;&#xA;She falls asleep at the table.&#xA;&#xA;INT. COURTNEY'S BEDROOM - NIGHT&#xA;Bateman and Courtney are in Courtney's bed. Bateman is on&#xA;top of her, reaching for a condom in the ashtray. He tears&#xA;it open with his teeth, puts it on.&#xA;&#xA;COURTNEY&#xA;(Dazed on lithium)&#xA;I want you to fuck me.&#xA;&#xA;Bateman gets on top of her, starts to fuck her.&#xA;&#xA;COURTNEY&#xA;Luis is a despicable twit.&#xA;&#xA;BATEMAN&#xA;Yes, Luis is a despicable twit. I hate him.&#xA;&#xA;He keeps fucking her.&#xA;&#xA;COURTNEY&#xA;No, you idiot. I said &amp;quot;Is it a receptacle tip?&amp;quot;&#xA;Not, is Luis a despicable twit. Is it a receptacle tip?&#xA;Get off me.&#xA;&#xA;BATEMAN&#xA;Is it a what?&#xA;&#xA;COURTNEY&#xA;Pull out.&#xA;&#xA;BATEMAN&#xA;I'm ignoring you.&#xA;&#xA;COURTNEY&#xA;(screaming)&#xA;Pull out, goddamnit!&#xA;&#xA;BATEMAN&#xA;(Slowing down but not stopping)&#xA;What do you want, Courtney?&#xA;&#xA;She pushes him away from her.&#xA;&#xA;BATEMAN&#xA;It's a plain end. I think.&#xA;&#xA;COURTNEY&#xA;Turn the light on.&#xA;&#xA;She tries to sit up.&#xA;&#xA;BATEMAN&#xA;Oh Jesus. I'm going home.&#xA;&#xA;COURTNEY&#xA;Patrick. Turn on the Light.&#xA;He turns on the light.&#xA;&#xA;BATEMAN&#xA;It's a plain end, see? So?&#xA;&#xA;COURTNEY&#xA;Take it off.&#xA;&#xA;BATEMAN&#xA;Why?&#xA;&#xA;COURTNEY&#xA;Because you have to leave half an inch at the tip –&#xA;(She covers herself with her comforter)&#xA;to catch the force of the ejaculate!&#xA;BATEMAN&#xA;I'm getting out of here. Where's your lithium?&#xA;&#xA;Courtney throws a pillow over her head and starts crying.&#xA;&#xA;COURTNEY&#xA;(Screaming)&#xA;Do you think you're turning me on by having unsafe sex?&#xA;&#xA;Bateman pulls the pillow off her and slaps her face.&#xA;&#xA;BATEMAN&#xA;Oh Christ, this really isn't worth it. And see,&#xA;Courtney, it's there for what? Huh? Tell us.&#xA;(He slaps her again lightly)&#xA;Why is it pulled down half an inch?&#xA;So it can catch the force of the ejaculate!&#xA;&#xA;COURTNEY&#xA;(Choking crying)&#xA;Well, it's not a turn-on for me.&#xA;I have a promotion coming to me. I don't want to get AIDS.&#xA;&#xA;Bateman grabs her head and makes her look at the condom.&#xA;&#xA;BATEMAN&#xA;See? Happy? You dumb bitch? Are you happy, you dumb bitch?&#xA;&#xA;COURTNEY&#xA;Oh God, just get it over with.&#xA;&#xA;He fucks her quickly until he has a mediocre orgasm and&#xA;falls down next to her. They lie side by side with their&#xA;bodies not touching, eyes open, staring at the&#xA;ceiling.&#xA;&#xA;INT. CONFERENCE ROOM, PIERCE &amp;amp; PIERCE - DAY&#xA;&#xA;Bateman and Luis Carruthers are seated at a long table in&#xA;the conference room at Pierce &amp;amp; Pierce, which looks out onto&#xA;a spectacular view of Manhattan.&#xA;&#xA;CARRUTHERS&#xA;Patrick, thanks so much for looking after Courtney.&#xA;Dorsia, how impressive! How on earth did you get a&#xA;reservation there?&#xA;&#xA;BATEMAN&#xA;Lucky, I guess.&#xA;&#xA;CARRUTHERS&#xA;That's a wonderful jacket. Let me guess,&#xA;Valentino Couture?&#xA;&#xA;BATEMAN&#xA;Uh huh.&#xA;&#xA;CARRUTHERS&#xA;(Reaching out to touch it)&#xA;It looks so soft.&#xA;&#xA;BATEMAN&#xA;(Catching Luis hand)&#xA;Your compliment was sufficient Luis.&#xA;&#xA;Carruthers is distracted by a question from the colleague&#xA;on his left.Paul Owen enters, carrying the Wall St. Journal&#xA;under his arm. He is handsome, supremely confident and&#xA;self-satisfied; he sees himself as a leader among men.&#xA;&#xA;OWEN&#xA;(To Bateman)&#xA;Hello, Halberstam. Nice tie. How the hell are you?&#xA;&#xA;BATEMAN&#xA;I've been great. And you?&#xA;&#xA;Their conversation fades down as we hear Bateman's&#xA;thoughts.&#xA;&#xA;BATEMAN (V.O.)&#xA;Owen has mistaken me for this dickhead Marcus Halberstam.&#xA;It seems logical because Marcus also works at P&amp;amp;P and in&#xA;fact does the same exact thing I do and he also has a&#xA;penchant for Valentino suits and Oliver Peoples glasses.&#xA;Marcus and I even go to the same barber, although I have&#xA;a slightly better haircut.&#xA;&#xA;During this voiceover the CAMERA WANDERS over to MARCUS&#xA;HALBERSTAM, who is conferring with a colleague in the&#xA;opposite corner of the room. He bears a&#xA;superficial resemblance to Bateman.&#xA;&#xA;OWEN&#xA;How's the Ransom account going, Marcus?&#xA;&#xA;BATEMAN&#xA;(Nervous)&#xA;It's...it's...all right.&#xA;&#xA;OWEN&#xA;Really? That's interesting.&#xA;(He stares at Bateman, smiling)&#xA;Not great?&#xA;&#xA;BATEMAN&#xA;Oh well, you know.&#xA;&#xA;OWEN&#xA;And how's Cecilia? She's a great girl.&#xA;&#xA;BATEMAN&#xA;Oh yes. I'm very lucky.&#xA;&#xA;McDermott and Price enter.&#xA;&#xA;McDERMOTT&#xA;Hey. Owen! Congratulations on the Fisher account.&#xA;&#xA;OWEN&#xA;Thank you, Baxter.&#xA;&#xA;PRICE&#xA;Listen, Paul. Squash?&#xA;&#xA;OWEN&#xA;Call me.&#xA;(Hands him a business card)&#xA;&#xA;PRICE&#xA;How about Friday?&#xA;&#xA;OWEN&#xA;No can do. Got a res at eight-thirty at Dorsia. Great sea&#xA;urchin ceviche. There is a stunned silence as he walks away&#xA;and sits in a corner of the room, ostentatiously studying papers.&#xA;&#xA;CLOSE-UP on Bateman's face, cold with hatred.&#xA;&#xA;PRICE&#xA;(Whispering)&#xA;Jesus. Dorsia? On a Friday night? How'd he swing that?&#xA;&#xA;McDERMOTT (Whispering)&#xA;I think he's lying.&#xA;&#xA;Bateman takes out his wallet and pulls out a card.&#xA;&#xA;PRICE&#xA;(Suddenly enthused)&#xA;What's that, a gram?&#xA;&#xA;BATEMAN&#xA;New card. What do you think?&#xA;&#xA;McDermott lifts it up and examines the lettering carefully.&#xA;&#xA;McDERMOTT&#xA;Whoa. Very nice. Take a look.&#xA;&#xA;He hands it to Van Patten.&#xA;&#xA;BATEMAN&#xA;Picked them up from the printers yesterday&#xA;&#xA;VAN PATTEN&#xA;Good coloring.&#xA;&#xA;BATEMAN&#xA;That's bone. And the lettering is something called&#xA;Silian Rail.&#xA;&#xA;McDERMOTT&#xA;(Envious)&#xA;Silian Rail?&#xA;&#xA;VAN PATTEN&#xA;It is very cool, Bateman. But that's nothing.&#xA;&#xA;He pulls a card out of his wallet and slaps it on the&#xA;table.&#xA;&#xA;VAN PATTEN&#xA;Look at this.&#xA;&#xA;They all lean forward to inspect it.&#xA;&#xA;PRICE&#xA;That's really nice.&#xA;&#xA;Bateman clenches his fists beneath the table, trying to&#xA;control his anxiety.&#xA;&#xA;VAN PATTEN&#xA;Eggshell with Romalian type.&#xA;(Turning to Bateman)&#xA;What do you think?&#xA;&#xA;BATEMAN&#xA;(Barely able to breath, his voice a croak)&#xA;Nice.&#xA;&#xA;PRICE&#xA;(Holding the card up to the light)&#xA;Jesus. This is really super. How'd a nitwit like you get so&#xA;tasteful?&#xA;&#xA;Bateman stares at his own card and then enviously at&#xA;McDermott's.&#xA;&#xA;BATEMAN (V.O.)&#xA;I can't believe that Price prefers McDermott's card to mine.&#xA;&#xA;PRICE&#xA;But wait. You ain't seen nothin' yet.&#xA;&#xA;He holds up his own card.&#xA;&#xA;PRICE&#xA;Raised lettering, pale nimbus white...&#xA;&#xA;BATEMAN&#xA;(Choking with anxiety)&#xA;Impressive. Very nice. Let's see Paul Owen's card.&#xA;&#xA;Price pulls a card from an inside coat pocket and holds it&#xA;up for their inspection: &amp;quot;PAUL OWEN, PIERCE &amp;amp; PIERCE,&#xA;MERGERS AND ACQUISITIONS.&amp;quot; Bateman swallows, speechless.&#xA;The sound in the room dies down and all we hear is a faint&#xA;heartbeat as Bateman stares at the magnificent card.&#xA;&#xA;BATEMAN (V.O.)&#xA;Look at that subtle off-white coloring. The tasteful thickness&#xA;of it. Oh my God, it even has a watermark...&#xA;&#xA;His hand shaking, Bateman lifts up the card and stares at it&#xA;until it fills the screen.&#xA;&#xA;He lets it fall. The SOUND RETURNS TO NORMAL.&#xA;&#xA;CARRUTHERS Is something wrong? Patrick...you're sweating.&#xA;&#xA;EXT. STREET- EVENING&#xA;&#xA;The financial district. The streets are eerily deserted.&#xA;&#xA;Bateman stands at an ATM, enjoying the reassuring sound of&#xA;$500 in fresh bills thudding from the machine. As he turns&#xA;to leave, he notices someone across the street.&#xA;&#xA;A HOMELESS MAN is lying in a doorway on top of an open&#xA;grate, surrounded by bags of garbage and a shopping cart. A&#xA;cardboard sign is attached to the front of the cart: I AM&#xA;HOMELESS AND HUNGRY PLEASE HELP ME. A small, thin dog lies&#xA;next to him.&#xA;&#xA;He is black, dressed in a stained, torn, lime-green&#xA;polyester pants suit with jeans worn over the pants.&#xA;&#xA;BATEMAN&#xA;(Offering his hand) Hello. Pat Bateman.&#xA;&#xA;The Homeless Man stares at Bateman, struggling to sit up.&#xA;&#xA;BATEMAN&#xA;You want some money?. Some...food?&#xA;&#xA;The Homeless Man nods and starts to cry. Bateman reaches&#xA;into his pocket and pulls out a $I 0 bill, then changes his&#xA;mind and holds out a $5 instead.&#xA;&#xA;BATEMAN&#xA;Is this what you need?&#xA;&#xA;The Homeless Man nods, looks away, wipes his nose.&#xA;&#xA;HOMELESS MAN&#xA;I'm so hungry.&#xA;&#xA;BATEMAN&#xA;It's cold out, too, isn't it?&#xA;&#xA;HOMELESS MAN&#xA;I'm so hungry.&#xA;&#xA;BATEMAN&#xA;(Holding the bill just out of the man's reach)&#xA;Why don't you get a job? If you're so hungry, why don't you&#xA;get a job?&#xA;&#xA;HOMELESS MAN&#xA;(Shivering and sobbing)&#xA;I lost my job...&#xA;&#xA;BATEMAN&#xA;Why? Were you drinking? Is that why you lost it?&#xA;Insider trading? Just joking. No, really-were you drinking on&#xA;the job?&#xA;&#xA;HOMELESS MAN I was fired. I was laid off.&#xA;&#xA;BATEMAN&#xA;Gee, uh, that's too bad.&#xA;&#xA;HOMELESS MAN&#xA;I'm so hungry.&#xA;&#xA;The dog starts to whimper.&#xA;&#xA;BATEMAN&#xA;Why don't you get another one? Why don't , you get another job?&#xA;&#xA;HOMELESS MAN&#xA;I'm not...&#xA;&#xA;BATEMAN&#xA;You're not what? Qualified for anything else?&#xA;&#xA;HOMELESS MAN&#xA;I'm hungry&#xA;&#xA;BATEMAN&#xA;I know that, I know that. Jeez, you're like a broken record.&#xA;I'm trying to help you.&#xA;&#xA;HOMELESS MAN&#xA;I'm hungry.&#xA;&#xA;BATEMAN&#xA;Listen, do you think it's fair to take money from people who&#xA;do have jobs? From people who do work?&#xA;&#xA;HOMELESS MAN&#xA;What am I gonna do?&#xA;&#xA;BATEMAN&#xA;Listen, what's your name?&#xA;&#xA;HOMELESS MAN&#xA;Al.&#xA;&#xA;BATEMAN&#xA;Speak up. Come on.&#xA;&#xA;HOMELESS MAN&#xA;Al.&#xA;&#xA;BATEMAN&#xA;Get a goddamn job, Al. You've got a negative attitude.&#xA;That's what's stopping you. You've got to get your act together.&#xA;I'll help you.&#xA;&#xA;HOMELESS MAN&#xA;You re so kind, mister. You're kind. You're a kind&#xA;man. I can tell.&#xA;&#xA;BATEMAN&#xA;(Petting the dog)&#xA;Shhhh...it's okay.&#xA;&#xA;HOMELESS MAN&#xA;(Grabbing Bateman's wrist)&#xA;Please...I don know what to do. I'm so cold.&#xA;&#xA;BATEMAN&#xA;(Stroking his face, whispering)&#xA;Do ,you know how bad you smell? The stench, my God.&#xA;&#xA;HOMELESS MAN&#xA;I can't...I can't find a shelter&#xA;&#xA;BATEMAN&#xA;You reek. You reek of...shit. Do you know that?&#xA;(Shouting)&#xA;Goddammit, Al-look at me and stop crying like some kind of&#xA;faggot. Al...I'm sorry.&#xA;&#xA;Bateman carefully puts the money back in his wallet.&#xA;&#xA;BATEMAN&#xA;It's just that...I don't know I don't have anything in common&#xA;with you.&#xA;&#xA;He opens his briefcase and pulls out a long thin knife with&#xA;a serrated edge. He pushes up the sleeve of his jacket to&#xA;protect it.&#xA;&#xA;BATEMAN&#xA;Do you know what a fucking loser ,you are?&#xA;&#xA;HOMELESS MAN'S POV as Bateman lunges at him with the knife.&#xA;&#xA;EXTREME WIDE SHOT of the street. Bateman's shadowed figure&#xA;is hunched over the Homeless Man, stabbing him in the stomach.&#xA;The dog barks wildly and Bateman stomps on it until it is&#xA;silent.&#xA;&#xA;LOW ANGLE shot of Bateman as he throws a quarter on the ground.&#xA;&#xA;BATEMAN&#xA;There's a quarter. Go buy some gum.&#xA;&#xA;Bateman walks calmly into the empty caverns of Wall Street.&#xA;Cars drift past, their headlights momentarily illuminating the&#xA;body left twitching on the ground.&#xA;&#xA;INT. BEAUTY SALON - DAY&#xA;&#xA;CLOSE-UP on Bateman's face and torso. His eyes are closed as a&#xA;woman's hands rub cream into his face.&#xA;&#xA;FACIALIST&#xA;What beautiful skin you have, Mr Bateman. So&#xA;fine, so smooth...&#xA;&#xA;His eyes open to look up at the facialist and then he&#xA;closes them again.&#xA;&#xA;BATEMAN (V.O.)&#xA;I have all the characteristics of a human being- flesh, blood,&#xA;skin, hair-but not a single clear, identifiable emotion except&#xA;for greed ,und disgust. Something horrible is happening inside&#xA;me and I don't know why.&#xA;&#xA;CUT TO:&#xA;&#xA;Bateman sitting in a chair, looking down at the&#xA;MANICURIST who is giving him a pedicure. She is cutting his&#xA;nails with tiny sharp scissors. He stares at them longingly.&#xA;&#xA;BATEMAN (V.O.)&#xA;My nightly bloodlust has overflowed into my days. I feel lethal,&#xA;on the verge of frenzy.&#xA;&#xA;CUT TO:&#xA;&#xA;Bateman lying irradiated by ultraviolet light on a tanning&#xA;bed, wearing goggles.&#xA;&#xA;BATEMAN (V.O.)&#xA;I think my mask of sanity is about to slip.&#xA;&#xA;INT. TEXARKANA RESTAURANT - NIGHT&#xA;&#xA;An insanely expensive nouvelle Tex-Mex restaurant, with an&#xA;ironic Southwestern decor: Santa Fe colors, Navajo blankets,&#xA;naive cowboy art, rawhide banquettes.&#xA;&#xA;Bateman bursts in the door, late, and approaches the MAITRE D'.&#xA;&#xA;BATEMAN&#xA;Marcus Halberstam. For two at eight?&#xA;&#xA;MAITRE D'&#xA;Your friend has already been seated. Follow me, Mr. Halberstam.&#xA;&#xA;Paul Owen is seated at a table underneath an enormous pair of&#xA;ram's horns. He is arguing with the WAITER.&#xA;&#xA;OWEN&#xA;No, I want to know. I came here for the cilantro&#xA;crawfish gumbo, which is after all the only excuse one&#xA;could have for being in this restaurant, which is by the&#xA;way, almost completely empty. Am I to believe that all ten&#xA;people in this restaurant have eaten your entire supply of&#xA;cilantro crawfish gumbo?&#xA;&#xA;WAITER&#xA;I'm very sorry sir. There was a fire in the kitchen&#xA;earlier today, and-&#xA;&#xA;BATEMAN&#xA;J&amp;amp;B, straight. And a Dixie beer.&#xA;&#xA;WAITER&#xA;Would you like to hear-&#xA;&#xA;OWEN&#xA;Double Absolut martini.&#xA;&#xA;WAITER&#xA;Yes, sir. Would you like to hear the specials?&#xA;&#xA;BATEMAN&#xA;Not if you want to keep your spleen.&#xA;&#xA;The Waiter leaves.&#xA;&#xA;OWEN&#xA;This is a real beehive of, uh, activity, Halberstam.&#xA;&#xA;This place is hot, very hot.&#xA;&#xA;BATEMAN&#xA;Listen, the mud soup and the charcoal arugula are outrageous&#xA;here.&#xA;&#xA;OWEN&#xA;Yeah, well, you're late.&#xA;&#xA;BATEMAN&#xA;Hey, I'm a child of divorce. Give me a break&#xA;(Studying the menu; he's in a surprisingly good mood)&#xA;Hmmm, I see they've omitted the pork loin with lime jello.&#xA;&#xA;OWEN&#xA;We should've gone to Dorsia. I could've gotten us a table.&#xA;&#xA;BATEMAN&#xA;Nobody goes there anymore.&#xA;&#xA;There is a long disgruntled silence.&#xA;&#xA;BATEMAN&#xA;Is that Ivana Trump over there? (Laughs) Jeez&#xA;Patrick I mean Marcus, what are you thinking? Why would Ivana&#xA;be at Texarkana?&#xA;&#xA;Another pause.&#xA;&#xA;BATEMAN&#xA;So, wasn't Rothschild originally handling the&#xA;Fisher account? How did you get it?&#xA;&#xA;OWEN&#xA;I could tell you that, Halberstam, but then I'd have&#xA;to kill you.&#xA;&#xA;He guffaws. Bateman laughs politely.&#xA;&#xA;LATER:&#xA;Paul Owen is very drunk. BATEMAN cold sober.&#xA;&#xA;BATEMAN&#xA;I like to dissect girls. Did you know I'm utterly insane?&#xA;&#xA;Owen continues laughing and motions to the waiter for another&#xA;drink.&#xA;&#xA;OWEN&#xA;Great tan, Marcus. Really impressive. Where do you tan?&#xA;&#xA;BATEMAN Salon.&#xA;&#xA;OWEN&#xA;I've got a tanning bed at home. You should look into it.&#xA;&#xA;Bateman nods, agitated.&#xA;&#xA;OWEN&#xA;And Cecelia, how is she? Where is she tonight?&#xA;&#xA;BATEMAN&#xA;Cecelia is, well...you know (Cecelia. I think&#xA;she's having dinner with...Evelyn Williams.&#xA;&#xA;OWEN&#xA;Evelyn. Great ass. Goes out with that loser Patrick&#xA;Bateman. What a dork.&#xA;&#xA;BATEMAN&#xA;Another Martini, Paul?&#xA;&#xA;Owen nods drunkenly.&#xA;&#xA;LATER:&#xA;&#xA;The end of the meal. Owen is squeezing a lime onto the&#xA;table, missing his beer, incredibly drunk. The check is laid&#xA;down.&#xA;&#xA;BATEMAN&#xA;(Talking to Owen like a child)&#xA;Paul, give me your Amex card. Good boy.&#xA;Bateman slaps the card down, looks at the check.&#xA;&#xA;BATEMAN&#xA;Two-hundred-and-fifty. Very reasonable. Let's leave&#xA;a big tip, shall we? My place hr a nightcap?&#xA;&#xA;OWEN&#xA;No, man. I'm gonna bail.&#xA;&#xA;BATEMAN&#xA;Come on, you dumb son of a bitch.&#xA;(Helping him into his jacket)&#xA;I've got a preview of the Barneys catalogue and a&#xA;bottle of Absolut waiting for us.&#xA;&#xA;INT. BATEMAN'S APARTMENT - NIGHT&#xA;The living room floor has been meticulously covered with&#xA;newspaper.&#xA;&#xA;Owen is slumped drunkenly in a white Eames chair, a glass&#xA;in his hand. Bateman is looking through his CDs.&#xA;&#xA;BATEMAN&#xA;You like Huey Lewis and the News?&#xA;&#xA;OWEN&#xA;They're okay.&#xA;BATEMAN&#xA;Their early work was a little too New Wave for my&#xA;taste. But then Sports came out in 1983, I think they really&#xA;came into their own, commercially and artistically.&#xA;&#xA;Bateman walks to his bathroom, taking a large ax out of the&#xA;shower. He takes two Valium.&#xA;&#xA;BATEMAN&#xA;(Said partly from the bathroom)&#xA;The whole album has a clear, crisp sound and a new sheen of&#xA;consummate professionalism that gives the songs a big boost.&#xA;Bateman comes back out and leans the ax against the wall.&#xA;He walks to the foyer and puts on a raincoat, watching Owen&#xA;from behind ail the time.&#xA;&#xA;BATEMAN&#xA;He's been compared to ELvis Costello but I think&#xA;Huey has a more bitter, cynical sense of humor.&#xA;&#xA;Owen is absent-mindedly leafing through the Barneys&#xA;catalogue.&#xA;&#xA;OWEN&#xA;Hey, Halberstam?&#xA;&#xA;BATEMAN&#xA;Yes, Owen?&#xA;&#xA;OWEN&#xA;Why are there copies of the Style section all over&#xA;the place? Do you have a dog? A chow or something?&#xA;&#xA;BATEMAN&#xA;No, Owen.&#xA;&#xA;OWEN&#xA;(Confused)&#xA;Is that a raincoat?&#xA;&#xA;BATEMAN&#xA;Yes, it is.&#xA;&#xA;Bateman moves to the CD player. He takes a CD out of its&#xA;case and slides it in the machine.&#xA;&#xA;BATEMAN&#xA;In 1987 Huey released this, Fore!, their most&#xA;accomplished album. I think I heir undisputed masterpiece is&#xA;&amp;quot;HiP To Be Square,&amp;quot; a song so catchy that most people probably&#xA;don't listen to the lyrics. But they should because it's not&#xA;just about the pleasures of conformity and the importance of&#xA;trends. It's al~ a personal statement about the band itself.&#xA;&#xA;Bateman puts on &amp;quot;Hip To Be Square.&amp;quot;&#xA;&#xA;BATEMAN crosses the room and picks up the ax.&#xA;&#xA;We follow BATEMAN from behind as he walks up to Owen, the&#xA;ax raised over his head.&#xA;&#xA;BATEMAN&#xA;Hey, Paul?&#xA;&#xA;As Owen turns around, FROM OWEN'S POV we see Bateman swing&#xA;the ax toward his face.&#xA;&#xA;Blood sprays onto the white raincoat.&#xA;&#xA;FROM BEHIND OWEN, we see BATEMAN as he yanks the ax out.&#xA;&#xA;Owen drops to the floor. His body falls out of the frame.&#xA;We stay on his legs twitching mechanically.&#xA;&#xA;Blood pulses onto the newspaper-covered floor.&#xA;&#xA;BATEMAN&#xA;(Raising the ax and screaming)&#xA;Try getting a reservation at Dorsia now, you fucking&#xA;stupid bastard!&#xA;&#xA;LOW ANGLE ON BATEMAN as he beats Owen with the back of the&#xA;ax.&#xA;&#xA;OFFSCREEN, the sound of the ax hitting Owen.&#xA;&#xA;BATEMAN&#xA;(Panting)&#xA;Fucking bastard...&#xA;&#xA;Bateman takes his raincoat off, still panting. He folds the&#xA;coat carefully in half, bloody side in, and drapes it neatly&#xA;over the back of a chair.&#xA;&#xA;He sits back on the white sofa and surveys the scene. He&#xA;checks his Rolex and lights a cigar.&#xA;&#xA;OFFSCREEN, Paul Owen's last faint sighs are heard.&#xA;&#xA;INT. LOBBY - NIGHT&#xA;&#xA;BATEMAN drags a large, blood-soaked sleeping bag through the lobby,&#xA;past the bored doorman, who looks up from the Post for a moment.&#xA;&#xA;EXT. STREET - NIGHT&#xA;&#xA;BATEMAN is trying to hail a cab. Owen's body is at his&#xA;feet. Luis Carruthers and a Japanese girl walk up to him.&#xA;&#xA;CARRUTHERS&#xA;Patrick? Is that you?&#xA;&#xA;BATEMAN&#xA;No, Luis. It's not me. You're mistaken.&#xA;&#xA;CARRUTHERS&#xA;This is Gwendolyn Ichiban. This is my very good&#xA;friend Patrick Bateman. Where are you going? We're going to&#xA;Nell's. Gwendolyn's father's buying it.&#xA;(Looking down at the body)&#xA;Where did you get your overnight bag?&#xA;&#xA;BATEMAN&#xA;Commes des Garcon.&#xA;&#xA;A cab stops. BATEMAN opens the door and manages to get&#xA;Owen's body into the backseat.&#xA;&#xA;Bateman gets into the cab.&#xA;&#xA;CARRUTHERS&#xA;Call me please, Patrick.&#xA;&#xA;BATEMAN&#xA;Jesus lives, Luis.&#xA;&#xA;INT. BATEMAN'S HELL'S KITCHEN APARTMENT - NIGHT&#xA;&#xA;A bare room, lit by one light bulb. The walls are blank&#xA;except for a Les Miserables poster. There is one ratty chair.&#xA;&#xA;Bateman pours lime over Paul Owen's body, which is lying in&#xA;a bathtub. He plays Huey Lewis, smokes a cigar, watches the&#xA;body dissolve.&#xA;&#xA;INT. PAUL OWEN'S APARTMENT - NIGHT&#xA;&#xA;Bateman is letting himself into the apartment. It is very&#xA;similar to Bateman's, but even more minimalist. The walls&#xA;are white-pigmented concrete with a large minimalist painting&#xA;on the wall. One wall is covered in a trendy, large-scale&#xA;scientific drawing above a long, black leather couch.&#xA;&#xA;BATEMAN&#xA;Where to send the bastard? Dallas? Pans?&#xA;&#xA;He throws some clothes into a suitcase, randomly grabbing&#xA;toiletries and shoving them in.&#xA;&#xA;BATEMAN&#xA;Singapore? London. I'll send the asshole to London.&#xA;&#xA;He puts some music on to help muffle his voice, then leans&#xA;over the answering machine.&#xA;&#xA;He does a passable imitation of Owen's speech.&#xA;&#xA;BATEMAN&#xA;Hi, this is Paul. I've been called away to London&#xA;for a few days. Meredith, I'll call you when I get back.&#xA;Hasta la vista, baby.&#xA;&#xA;INT. BATEMAN'S OFFICE - MORNING&#xA;&#xA;Bateman is sitting at his desk, with the latest copy of&#xA;Sports Illustrated in front of him and his Walkman playing&#xA;Kenny G. We hear the MUSIC until Jean enters and he takes&#xA;the Walkman off.&#xA;&#xA;BATEMAN&#xA;(Faintly irritable)&#xA;What is it?&#xA;&#xA;JEAN&#xA;Patrick?&#xA;&#xA;BATEMAN&#xA;(Condescendingly)&#xA;Ye-es, Je-an?&#xA;&#xA;JEAN&#xA;Patrick, a Mr. Donald KIMBALL is here to see you.&#xA;&#xA;BATEMAN&#xA;Who?&#xA;&#xA;JEAN&#xA;Detective Donald KIMBALL?&#xA;&#xA;Silence. Bateman stares out the window, then down at the&#xA;drawing of a headless woman he's been doodling on the back&#xA;cover of Sports Illustrated.&#xA;&#xA;BATEMAN&#xA;Tell him I'm at lunch.&#xA;&#xA;JEAN&#xA;(whispering)&#xA;Patrick, I think he knows you're here.&#xA;It's only ten-thirty.&#xA;&#xA;Silence.&#xA;&#xA;BATEMAN&#xA;Send him in, I guess. As she exits, he picks up the cordless&#xA;phone and pretends to talk to someone at the other end.&#xA;&#xA;BATEMAN&#xA;Now, John, you've got to wear clothes in proportion&#xA;to your physique. There are definite do's and don'ts, good&#xA;buddy, of wearing a bold-striped shirt. A hold-striped shirt&#xA;calls for solid-colored or discreetly patterned suits and ties...&#xA;&#xA;The door to the office opens and he waves in DETECTIVE DONALD&#xA;KIMBALL. KIMBALL is surprisingly young - about Bateman's age -&#xA;and good-looking, dressed in a crumpled linen Armani suit of&#xA;the type Bateman and his friends might wear.&#xA;&#xA;Kimball sits down and crosses his legs with a&#xA;self-assurance that makes Bateman so nervous he forgets to&#xA;carry on with his fake conversation. Kimball looks up at&#xA;him curiously, noticing the silence.&#xA;&#xA;BATEMAN&#xA;(Realizing that Kimball is staring at him)&#xA;Right. And yes...always tip the stylist fifteen percent.&#xA;&#xA;Bateman shrugs at the detective, rolling his eyes in&#xA;exasperation.&#xA;&#xA;KIMBALL nods understandingly.&#xA;&#xA;BATEMAN&#xA;Listen, John, I've got to go. T Boone Pickens just&#xA;walked in...&#xA;(He laughs inanely)&#xA;Just joking...&#xA;(Pause)&#xA;No don't tip the owner of the salon. Okay, John,&#xA;right, got it.&#xA;(He hangs up the phone and pushes the antenna in)&#xA;Sorry about that.&#xA;&#xA;KIMBALL&#xA;No, I'm sorry. I should've made an appointment.&#xA;(Gesturing toward the phone)&#xA;Was that anything important?&#xA;&#xA;BATEMAN&#xA;Oh that? Just mulling over business problems.&#xA;Examining opportunities...Exchanging rumors...&#xA;Spreading gossip.&#xA;&#xA;They laugh politely.&#xA;&#xA;KIMBALL&#xA;(Holding out his hand)&#xA;Hi. I'm Donald KIMBALL&#xA;&#xA;BATEMAN&#xA;(Shaking firmly)&#xA;Hi. Pat Bateman. Nice to meet you.&#xA;&#xA;KIMBALL&#xA;I'm sorry to barge in on you like this. but I was supposed&#xA;to talk to Luis Carruthers and he wasn't in and...well,&#xA;you're here, so...I know how busy you guys can get.&#xA;&#xA;KIMBALL stares at the three open copies of Sports&#xA;Illustrated and the Sony Walkman lying on Bateman's desk.&#xA;Bateman sees the look and sweeps the magazines&#xA;into the top drawer along with the Walkman, which is&#xA;still running.&#xA;&#xA;BATEMAN&#xA;(Forcing himself to sound friendly and relaxed)&#xA;So, what's the topic of discussion?&#xA;&#xA;KIMBALL&#xA;I've been hired by Meredith Powell to investigate&#xA;the disappearance of Paul Owen.&#xA;&#xA;BATEMAN&#xA;You're not with the FBI or anything, are you?&#xA;&#xA;KIMBALL&#xA;Nothing like that. I'm just a private investigator.&#xA;&#xA;BATEMAN&#xA;Ah, I see...Yes. Paul's disappearance...Yes.&#xA;&#xA;KIMBALL&#xA;So it's nothing that official. I just have some&#xA;basic questions. About Paul Owen. About yourself-&#xA;&#xA;BATEMAN&#xA;Coffee?&#xA;&#xA;KIMBALL&#xA;No. I'm okay.&#xA;&#xA;BATEMAN&#xA;Perrier? San Pellegrino?&#xA;&#xA;KIMBALL&#xA;No, I'm okay.&#xA;&#xA;KIMBALL takes out a small black notepad and the same gold&#xA;Cross pen that Bateman and his friends all use. Bateman buzzes&#xA;Jean.&#xA;&#xA;JEAN (O.S.)&#xA;Patrick?&#xA;&#xA;BATEMAN&#xA;Can you bring Mr...&#xA;&#xA;KIMBALL&#xA;KIMBALL.&#xA;&#xA;BATEMAN&#xA;Mr. Kimball a bottle of San Pelle-&#xA;&#xA;KIMBALL&#xA;Oh no, I'm okay.&#xA;&#xA;BATEMAN&#xA;It's no problem&#xA;&#xA;Bateman watches intently as KIMBALL writes something down&#xA;in his notebook, then crosses something out. Jean enters&#xA;and places the bottle of San Pellegrino and a Steuben etched&#xA;glass on the table, shooting a concerned glance at Bateman.&#xA;He glares at her. KIMBALL smiles and nods at Jean as she leaves.&#xA;&#xA;BATEMAN&#xA;Well, what's the topic of discussion?&#xA;&#xA;KIMBALL&#xA;The disappearance of Paul Owen.&#xA;&#xA;BATEMAN&#xA;Oh right. Well, I haven't heard anything about the&#xA;disappearance or anything...&#xA;(Trying to laugh)&#xA;Not on &amp;quot;Page Six&amp;quot; at least.&#xA;&#xA;KIMBALL&#xA;I think his family wants this kept quiet.&#xA;&#xA;BATEMAN&#xA;Understandable.&#xA;(Staring at the untouched bottle of San Pellegrino)&#xA;Lime?&#xA;&#xA;KIMBALL&#xA;No, really. I'm okay.&#xA;&#xA;BATEMAN&#xA;You sure? I can always get you a lime.&#xA;&#xA;A pause.&#xA;&#xA;KIMBALL&#xA;Just some preliminary questions that I need for my own&#xA;files, okay?&#xA;&#xA;BATEMAN&#xA;Shoot.&#xA;&#xA;KIMBALL&#xA;How old are you?&#xA;&#xA;BATEMAN&#xA;Twenty-six. I'll be twenty-seven in October.&#xA;&#xA;KIMBALL&#xA;(Scribbling in his notebook)&#xA;Where did you go to school?&#xA;&#xA;BATEMAN&#xA;Harvard. The Harvard Business School.&#xA;&#xA;KIMBALL&#xA;Your address?&#xA;&#xA;BATEMAN&#xA;Fifty-five West Eighty-First Street. The American&#xA;Gardens Building.&#xA;&#xA;KIMBALL&#xA;(Looking up, impressed)&#xA;Nice. Very nice.&#xA;&#xA;BATEMAN&#xA;(Flattered)&#xA;Thanks.&#xA;&#xA;A pause as KIMBALL studies his notebook. Bateman closes his&#xA;eyes, as if in pain.&#xA;&#xA;KIMBALL&#xA;Pardon me, but are you okay?&#xA;&#xA;BATEMAN&#xA;Who do you ask?&#xA;&#xA;KIMBALL&#xA;You seem...nervous.&#xA;&#xA;Bateman reaches into his desk drawer and brings out a&#xA;bottle of aspirin.&#xA;&#xA;BATEMAN&#xA;Nuprin?&#xA;&#xA;KIMBALL Uh...no, thanks.&#xA;&#xA;Kimball takes out a pack of Marlboro's and lays it on the&#xA;desk.&#xA;&#xA;BATEMAN&#xA;Bad habit.&#xA;&#xA;KIMBALL&#xA;I know. I'm sorry.&#xA;&#xA;A pause, as Bateman stares at the cigarettes.&#xA;&#xA;KIMBALL&#xA;Would you rather I not smoke?&#xA;&#xA;BATEMAN&#xA;No, I guess it's okay.&#xA;&#xA;KIMBALL&#xA;You sure?&#xA;&#xA;BATEMAN&#xA;No problem.&#xA;(Buzzing Jean)&#xA;&#xA;JEAN (O.S.)&#xA;Yes, Patrick?&#xA;&#xA;BATEMAN&#xA;Bring us an ashtray for Mr. KIMBALL, please.&#xA;She whisks in with a crystal ashtray as they sit in silence.&#xA;&#xA;KIMBALL&#xA;What can you tell me about Paul Owen?&#xA;&#xA;BATEMAN&#xA;Well...&#xA;&#xA;He coughs, shakes two Nuprin into his hand and swallows&#xA;them dry.&#xA;&#xA;KIMBALL&#xA;How well did you know him?&#xA;&#xA;BATEMAN&#xA;I'm...at a loss. He was part of that whole...Yale thing,&#xA;you know.&#xA;&#xA;KIMBALL&#xA;Yale thing?&#xA;&#xA;A pause.&#xA;&#xA;BATEMAN&#xA;Yeah...Yale thing.&#xA;&#xA;KIMBALL&#xA;What do you mean...Yale thing?&#xA;&#xA;A pause.&#xA;&#xA;BATEMAN&#xA;Well, I think for one that he was probably a closet&#xA;homosexual. Who did a lot of cocaine...that Yale thing.&#xA;&#xA;A silence during which the sound of the air conditioner&#xA;becomes deafening.&#xA;&#xA;KIMBALL&#xA;So...there's nothing you can tell me about Paul&#xA;Owen?&#xA;&#xA;BATEMAN&#xA;He led what I suppose was an orderly life. He...&#xA;ate a balanced diet.&#xA;&#xA;KIMBALL&#xA;What kind of man was he? Besides...&#xA;(He hesitates tries to smile)&#xA;the information you've just given.&#xA;&#xA;BATEMAN&#xA;I hope I'm not being cross-examined here.&#xA;&#xA;KIMBALL&#xA;Do you feel that way?&#xA;&#xA;BATEMAN&#xA;No. Not really.&#xA;&#xA;KIMBALL&#xA;(As he writes without looking up)&#xA;Where did Paul hang out?&#xA;&#xA;BATEMAN&#xA;Hang...out?&#xA;&#xA;KIMBALL&#xA;Yeah. You know...hang out.&#xA;&#xA;BATEMAN&#xA;Let me think. The Newport. Harry's. Fluties. Endochine.&#xA;Nell's. Comell Club. The New York Yacht Club. The regular&#xA;places.&#xA;&#xA;KIMBALL&#xA;He had a yacht?&#xA;&#xA;BATEMAN&#xA;No, he just hung out there.&#xA;&#xA;KIMBALL&#xA;And where did he go to school?&#xA;&#xA;A slight pause.&#xA;&#xA;BATEMAN&#xA;Don't you know this?&#xA;&#xA;KIMBALL&#xA;I just wanted to know if you know.&#xA;BATEMAN&#xA;Before Yale? If I remember correctly, Saint Paul's...&#xA;Listen, I just...I just want to help.&#xA;&#xA;KIMBALL&#xA;I understand.&#xA;&#xA;He makes another note.&#xA;&#xA;KIMBALL&#xA;Anything else you can tell me about Owen?&#xA;&#xA;BATEMAN&#xA;We were both seven in 1969.&#xA;&#xA;KIMBALL&#xA;(Smiles)&#xA;So was I.&#xA;&#xA;BATEMAN&#xA;Do you have any witnesses or fingerprints?&#xA;&#xA;KIMBALL&#xA;Well, there's a message on his answering machine saying he&#xA;went to London.&#xA;&#xA;BATEMAN&#xA;Well, maybe he did, huh?&#xA;&#xA;KIMBALL&#xA;His girlfriend doesn't think so.&#xA;&#xA;BATEMAN&#xA;But...has anyone seen him in London?&#xA;&#xA;KIMBALL&#xA;Actually, yes.&#xA;&#xA;BATEMAN&#xA;Hmmm.&#xA;&#xA;KIMBALL&#xA;Well, I've had a hard time getting an actual verification.&#xA;A Stephen Hughes says he saw him at a restaurant there, but&#xA;I checked it out and what happened is, he mistook a Hubert&#xA;Ainsworth for Paul, so...&#xA;&#xA;BATEMAN&#xA;Oh.&#xA;&#xA;KIMBALL&#xA;Was he involved at all , do you think, in occultism or Satan&#xA;worship?&#xA;&#xA;BATEMAN&#xA;What?&#xA;&#xA;KIMBALL&#xA;I know it sounds like a lame question, but in New Jersey I&#xA;know this sounds like a lame question, but last month-I don't&#xA;know if you've heard about this, but a young stockbroker was&#xA;recently arrested and charged with murdering a young Chicano&#xA;girl and performing voodoo rituals with various body parts-&#xA;&#xA;BATEMAN&#xA;Yikes! No. Paul wasn't into that. He followed a balanced&#xA;diet and-&#xA;&#xA;KIMBALL&#xA;Yeah, I know, and was into that whole Yale thing.&#xA;&#xA;A pause - the longest so far.&#xA;&#xA;BATEMAN&#xA;Have you consulted a psychic?&#xA;&#xA;KIMBALL&#xA;No.&#xA;&#xA;BATEMAN&#xA;Had his apartment been burglarized?&#xA;&#xA;KIMBALL&#xA;No, it actually hadn't. Toiletries were missing. A&#xA;suit was gone. So was some luggage. That's it.&#xA;&#xA;BATEMAN&#xA;I mean no one's dealing with the homicide squad yet&#xA;or anything, right?&#xA;&#xA;KIMBALL&#xA;No, not yet. As I said, we're not sure. But...&#xA;basically no one has seen or heard anything.&#xA;&#xA;BATEMAN&#xA;That's so typical, isn't it?&#xA;&#xA;KIMBALL&#xA;It's just strange.&#xA;(He stares out the window, lost in thought)&#xA;One day someone's walking around, going to work, alive,&#xA;and then...&#xA;&#xA;BATEMAN&#xA;Nothing.&#xA;&#xA;KIMBALL&#xA;People just...disappear.&#xA;&#xA;BATEMAN&#xA;The earth just opens up and swallows people.&#xA;(He checks his Rolex)&#xA;&#xA;KIMBALL&#xA;Eerie. Really eerie.&#xA;&#xA;Silence.&#xA;&#xA;BATEMAN&#xA;(Standing up)&#xA;You'll have to excuse me. I have a lunch meeting&#xA;with Cliff Huxtable at Four Seasons in twenty minutes.&#xA;&#xA;KIMBALL&#xA;Isn't the Four Seasons a little far uptown? I&#xA;mean aren't you going to be late?&#xA;&#xA;BATEMAN&#xA;Uh, no. There's one...down here.&#xA;&#xA;KIMBALL&#xA;Oh really? I didn't know that.&#xA;&#xA;Bateman leads him to the door.&#xA;&#xA;BATEMAN&#xA;Yes. It's very good.&#xA;&#xA;KIMBALL turns to face him.&#xA;&#xA;KIMBALL&#xA;Listen, if anything occurs to you, any information&#xA;at all...&#xA;&#xA;BATEMAN&#xA;Absolutely, I'm 100% with you.&#xA;&#xA;KIMBALL&#xA;Great, and thanks for your, uh, time, Mr. Bateman.&#xA;&#xA;Bateman closes the door firmly on KIMBALL. He closes his&#xA;eyes and leans against the door, sweating.&#xA;&#xA;INT. BATEMAN'S APARTMENT - AFTERNOON&#xA;&#xA;A perfectly lit kitchen still-life - a bottle of Evian,&#xA;a white porcelain plate on which sits a sliced kiwi, some perfect&#xA;green grapes, a few berries.&#xA;&#xA;OFFSCREEN, the SOUND OF SCREAMS AND A CHAINSAW can be heard&#xA;from the living room.&#xA;&#xA;The living room: Bateman is maniacally doing abdominal&#xA;crunches as the television plays a video of Texas Chainsaw&#xA;Massacre. There is a pile of horror videos on his coffee table,&#xA;next to a copy of GQ.&#xA;&#xA;LATER:&#xA;&#xA;Bateman is sitting in his armchair, phone book in hand,&#xA;jerking off. He is squealing into the phone and breathing.&#xA;&#xA;BATEMAN&#xA;You like that, slut?&#xA;&#xA;The person on the other end clearly hangs up.&#xA;&#xA;CLOSE-UP on his fingers dialing the phone.&#xA;&#xA;BATEMAN&#xA;You want to know what I'm wearing? Sixty-dollar&#xA;boxer shorts by Ralph Lauren, a hundred-and-fifty-dollar white&#xA;cotton T-shirt by&#xA;Commes des Garcons.&#xA;(He snorts like a pig)&#xA;My Rolex cost-&#xA;&#xA;Another hang-up. He dials again.&#xA;&#xA;BATEMAN&#xA;(Whipering)&#xA;I'm a corporate raider. I orchestrate hostile takeovers. What do&#xA;you think of that?&#xA;(Makes disgusting sucking noises and grunts)&#xA;Huh, bitch?&#xA;&#xA;GIRL (O.S.)&#xA;Dad, is that you?&#xA;&#xA;Bateman hangs up, frustrated.&#xA;&#xA;EXT. STREET/INT. LIMOUSINE - NIGHT&#xA;&#xA;Bateman cruises around in the limo. It pulls up alongside&#xA;CHRISTIE, a pretty blonde hooker in shorts and leather jacket.&#xA;Bateman opens his window to speak to her.&#xA;&#xA;BATEMAN&#xA;I haven't seen you around here.&#xA;&#xA;CHRISTIE&#xA;You just haven't been looking.&#xA;&#xA;BATEMAN&#xA;Would you like to see my apartment?&#xA;&#xA;Bateman flips on the light inside the limo. He's wearing a&#xA;tuxedo.&#xA;&#xA;CHRISTIE&#xA;(looking away to some dark corner)&#xA;I'm not supposed to.&#xA;&#xA;Bateman is holding out a $100 bill, which Christie now&#xA;notices, then takes.&#xA;&#xA;BATEMAN&#xA;Do you want to come to my apartment or not?&#xA;&#xA;CHRISTIE&#xA;I'm not supposed to.&#xA;(She pockets the bill)&#xA;But I can make an exception.&#xA;&#xA;BATEMAN&#xA;Do you take American Express?&#xA;&#xA;Christie is still looking out behind her.&#xA;&#xA;BATEMAN&#xA;Do you take American Express?&#xA;&#xA;Christie looks at him like he's crazy.&#xA;&#xA;BATEMAN&#xA;I'm joking. Come on, get in.&#xA;&#xA;As they drive uptown, Bateman dials the cell-phone. He&#xA;reads off a credit card number.&#xA;&#xA;BATEMAN&#xA;I'd like a girl, early twenties, blonde, who does&#xA;couples. Couples. Fifty-five West Eighty-First, the&#xA;American Gardens Building. Apartment 7C. And I really&#xA;can't stress blonde enough. Blonde.&#xA;&#xA;He hangs up.&#xA;&#xA;BATEMAN I'm Paul. My name is Paul 0wen, have you'got that?&#xA;You are Christie. You are to respond only to Christie. Is&#xA;that clear?&#xA;&#xA;INT. BATEMAN'S APARTMENT - NIGHT&#xA;&#xA;Christie is in the bathtub, Bateman is pouring in white&#xA;milky bath oil.&#xA;&#xA;BATEMAN&#xA;That's a very fine Chardonnay you're drinking.&#xA;&#xA;Long pause, in which Christie is luxuriating in the tub and&#xA;Bateman is casually touching her breast.&#xA;&#xA;BATEMAN&#xA;I want you to clean your vagina.&#xA;&#xA;Christie reaches for a washcloth.&#xA;&#xA;BATEMAN&#xA;No. From behind. Get on your knees.&#xA;&#xA;Christie shrugs.&#xA;&#xA;BATEMAN&#xA;I want to watch. You have a very nice body.&#xA;&#xA;The doorman RINGS. Bateman answers.&#xA;&#xA;BATEMAN&#xA;Thank you. Send her up. Christie, get out and dry&#xA;off, choose a robe-not the Bijan and come and meet me and&#xA;our guest in the living room for drinks.&#xA;&#xA;Bateman answers the door.&#xA;&#xA;BATEMAN&#xA;You've arrived! How lovely, let me take your coat.&#xA;I'm Paul. How good of you to come.&#xA;&#xA;The escort girl looks somewhat bewildered. Bateman takes&#xA;her coat and inspects her body and face.&#xA;&#xA;BATEMAN&#xA;Not quite blonde, are you? More dirty blonde. I'm&#xA;going to call you Sabrina. I'm Paul Owen.&#xA;&#xA;Bateman escorts her into the living room and brings her a&#xA;glass of wine. Christie enters, sitting next to Sabrina on the&#xA;couch, and Bateman sits across from them. There is a&#xA;long silence.&#xA;&#xA;BATEMAN&#xA;So, don't you want to know what I do?&#xA;&#xA;The two girls look at each other with uncomfortable smiles.&#xA;Christie shrugs.&#xA;&#xA;CHRISTIE&#xA;No.&#xA;&#xA;SABRINA&#xA;(Smiling)&#xA;No, not really.&#xA;&#xA;Bateman is visibly irritated, recrosses his legs.&#xA;&#xA;BATEMAN&#xA;Well, I work on Wall Street. At Pierce &amp;amp; Pierce.&#xA;(Long pause)&#xA;Have you heard of it?&#xA;&#xA;Another long pause. They shake their heads. Christie stands&#xA;up and goes over to the CD collection.&#xA;&#xA;CHRISTIE&#xA;You have a really nice place here...Paul.&#xA;How much did you pay for it?&#xA;&#xA;BATEMAN&#xA;Actually, that's none of your business, Christie,&#xA;hut I can assure you it certainly wasn't cheap.&#xA;&#xA;Bateman leaves to refill his wine glass and Sabrina takes a&#xA;pack of cigarettes out of her purse.&#xA;Bateman returns, carrying a tray of chocolates.&#xA;&#xA;BATEMAN&#xA;No, no smoking. Not in here.&#xA;&#xA;He walks over to Christie.&#xA;&#xA;BATEMAN&#xA;Varda truffle?&#xA;&#xA;Christie stares at the plate and shakes her head. Sabrina&#xA;takes one.&#xA;&#xA;BATEMAN&#xA;I don't want you to get drunk, but that's a very&#xA;fine Chardonnay you're not drinking.&#xA;&#xA;Bateman goes over to his CDs and scans his vast collection.&#xA;He takes one out and examines it.&#xA;&#xA;BATEMAN&#xA;Do you like Phil Collins? I've been a big Genesis&#xA;fan ever since the release of their 1980 album, Duke. Before&#xA;that I really didn't understand any of their work. It was too&#xA;artsy, too intellectual. It was on Duke where Phil Collins'&#xA;presence became more apparent. He puts aside the CD and takes out&#xA;another one.&#xA;&#xA;BATEMAN&#xA;I think &amp;quot;Invisible Touch&amp;quot; is the group's undisputed&#xA;masterpiece.&#xA;&#xA;He puts on the song and gestures for them to follow him&#xA;into the bedroom.&#xA;&#xA;BATEMAN&#xA;It's an epic meditation on intangibility, at the&#xA;same time it deepens and enriches the meaning of the preceding&#xA;three albums. Christie, take off the robe.&#xA;&#xA;Bateman puts out a lace teddy. He motions to Christie to&#xA;put it on.&#xA;&#xA;BATEMAN&#xA;Listen to the brilliant ensemble playing of Banks,&#xA;Collins and Rutherford. You can practically hear every nuance&#xA;of every instrument. Sabrina, remove your dress.&#xA;&#xA;Bateman starts to undress.&#xA;&#xA;BATEMAN&#xA;In terms of lyrical craftsmanship and sheer&#xA;songwriting, this album hits a new peak of professionalism.&#xA;Sabrina, why don't you dance a little?&#xA;&#xA;Sabrina dances awkwardly. Christie sits on the bed.&#xA;&#xA;BATEMAN&#xA;Take the lyrics to &amp;quot;Land of Confusion.&amp;quot; In this&#xA;song, Phil Collins addresses the problem of abusive political&#xA;authority.&#xA;&#xA;Bateman knots a silk scarf around Christie's neck - rather&#xA;menacingly - then helps her into some suede gloves.&#xA;&#xA;BATEMAN&#xA;&amp;quot;In Too Deep&amp;quot; is the most moving pop song of the 1980s about&#xA;monogamy and commitment. The song is extremely uplifting.&#xA;Their lyrics are as positive and affirmative as anything&#xA;I've heard in rock.&#xA;&#xA;He turns on the video camera.&#xA;&#xA;BATEMAN&#xA;Christie, get down on your knees, so Sabrina can see your&#xA;asshole.&#xA;&#xA;Bateman looks through the viewfinder.&#xA;&#xA;BATEMAN&#xA;Phill Collins solo efforts seem to be more commercial and&#xA;therefore more satisfying in a narrower way, especially&#xA;songs like &amp;quot;In the Air Tonight&amp;quot; and &amp;quot;Against&#xA;All Odds.&amp;quot; Sabrina, don't just stare at it. Eat it.&#xA;&#xA;He walks over to the sound system in his bedroom and slides in&#xA;the CD.&#xA;&#xA;BATEMAN&#xA;But I also think that Phill Collins works better&#xA;within the confines of the group than as a solo artist-and&#xA;I stress the word artist. This is &amp;quot;Sussudio,&amp;quot; a great,&#xA;great song, a personal favorite.&#xA;&#xA;SEX MONTAGE CUT TO &amp;quot;Sussudio.&amp;quot; We see this in WIDE SHOT, or&#xA;through the LENS OF THE VIDEO CAMERA.&#xA;&#xA;CUT TO:&#xA;&#xA;Bateman asleep in his bed with Christie and Sabrina&#xA;on either side of him. Sabrina accidentally touches his&#xA;wrist. Bateman's eyes open.&#xA;&#xA;BATEMAN&#xA;Don't touch the Rolex.&#xA;&#xA;Bateman gets up from his bed and goes over to his armoire.&#xA;&#xA;He opens the drawer in which are a nail gun, a coat hanger,&#xA;a rusty butter knife and a half-smoked cigar. He turns&#xA;around to see Christie and Sabrina both starting to get up&#xA;and get dressed. He takes the coat hanger.&#xA;&#xA;BATEMAN&#xA;We're not through yet...&#xA;&#xA;CUT TO:&#xA;&#xA;Bateman ushering them out the door impatiently. They&#xA;are both sobbing, badly bruised and bleeding. Bateman has a&#xA;deep scratch on his hand and one on his shoulder. In the&#xA;b.g. Phil Collins' &amp;quot;In the Air Tonight&amp;quot; is playing.&#xA;&#xA;INT. YALE CLUB – DAY&#xA;&#xA;McDermott, Van Patten and Bateman are&#xA;having drinks. Price walks by with a gorgeous girl and&#xA;gives them the finger.&#xA;&#xA;BATEMAN&#xA;What an asshole.&#xA;&#xA;McDERMOTT&#xA;Why is Laurie Kennedy dating Price? He's a&#xA;fucking drug addict. No self-control.&#xA;&#xA;VAN PATTEN&#xA;But Laurie Kennedy is a total hardbody. What do&#xA;you think, Bateman?&#xA;&#xA;BATEMAN&#xA;I know her. I knew her.&#xA;&#xA;McDERMOTT&#xA;Why do you say it like that? Why does he say it&#xA;like that?&#xA;&#xA;VAN PATTEN&#xA;Because he dated her.&#xA;&#xA;BATEMAN&#xA;How did you guess?&#xA;&#xA;VAN PATTEN&#xA;Girls dig Bateman. He's CQ. You're total CQ,&#xA;Bateman.&#xA;&#xA;BATEMAN&#xA;Thanks, guy, but...she's got a lousy&#xA;personality.&#xA;&#xA;McDERMOTT&#xA;So what? It's all looks. Laurie Kennedy is a&#xA;babe. Don't even pretend you were interested for any other&#xA;reason.&#xA;&#xA;VAN PATTEN&#xA;If they have a good personality, then something&#xA;is very wrong.&#xA;&#xA;McDERMOTT&#xA;If they have a good personality and they are not&#xA;great looking-who fucking cares?&#xA;&#xA;BATEMAN&#xA;Well, let's just say hypothetically, okay? What if&#xA;they have a good personality?&#xA;(He smiles giving up)&#xA;I know, I know-&#xA;&#xA;ALL IN UNISON&#xA;There are no girls with good personalities!&#xA;(They laugh and high-five each other)&#xA;&#xA;VAN PATTEN&#xA;A good personality consists of a chick with a&#xA;little hardbody who will satisfy all sexual demands without&#xA;being too slutty about things and who will essentially keep&#xA;her dumb fucking mouth&#xA;shut.&#xA;&#xA;McDERMOTT&#xA;Listen, the only girls with good personalities who are&#xA;smart or maybe funny or halfway intelligent or even&#xA;talented-though God knows what the fuck that means-are ugly&#xA;chicks.&#xA;&#xA;VAN PATTEN&#xA;Absolutely.&#xA;&#xA;McDERMOTT&#xA;And this is because they have to make up for how&#xA;fucking unattractive they are.&#xA;&#xA;Pause.&#xA;&#xA;BATEMAN&#xA;Do you know what Ed Gein said about women?&#xA;&#xA;VAN PATTEN&#xA;Ed Gein? Maitre d' at Canal Bar?&#xA;&#xA;BATEMAN&#xA;No, serial killer, Wisconsin in the fifties. He was&#xA;an interesting guy.&#xA;&#xA;McDERMOTT&#xA;So what did Ed say?&#xA;&#xA;BATEMAN&#xA;He said, &amp;quot;When I see a pretty girl walking down the&#xA;street I think two things. One part of me wants to take her&#xA;out and talk to her and be real nice and sweet and treat&#xA;her right.&amp;quot;&#xA;&#xA;Pauses, finishes his drink.&#xA;&#xA;McDERMOTT&#xA;What does the other part of him think?&#xA;&#xA;BATEMAN&#xA;What her head would look like on a stick.&#xA;&#xA;McDermott and Van Patten look at each other and then back&#xA;at Bateman. Bateman starts to laugh, and the other two uneasily&#xA;join In.&#xA;&#xA;Luis Carruthers walks up to the table.&#xA;&#xA;CARRUTHERS&#xA;(Shyly)&#xA;Hi, guys. I wanna get your opinion on something.&#xA;&#xA;McDermott rolls his eyes at the rest of the table.&#xA;&#xA;McDERMOTT If it's about the bow-tie you're wearing, you&#xA;know how we feel about it. Luis laughs good-naturedly.&#xA;&#xA;CARRUTHERS&#xA;Yes, I do. No, it's my business card-I decided to&#xA;get a new one too.&#xA;&#xA;He pulls out something incredibly tasteful. Everyone&#xA;compliments Luis except Bateman. The SOUND DROPS and all we hear&#xA;is the beating of his heart as he stares at the card enviously.&#xA;Luis plucks it from his hand and walks away, pleased with&#xA;himself.&#xA;&#xA;VAN PATTEN&#xA;Listen, what about dinner?&#xA;&#xA;BATEMAN&#xA;(Suddenly angry)&#xA;Is that all you ever have to contribute, Van Patten? &amp;quot;What about&#xA;fucking dinner?&amp;quot;&#xA;&#xA;McDERMOTT&#xA;Ah, cheer up, Bateman.&#xA;(Slaps him on the back, massages his neck)&#xA;What's the matter? No shiatsu this morning?&#xA;&#xA;BATEMAN&#xA;(Watching Luis going into the men's room)&#xA;Keep touching me like that and you'll draw back a stump.&#xA;&#xA;McDERMOTT&#xA;Whoa, hold on there, little buddy.&#xA;&#xA;BATEMAN&#xA;Excuse me.&#xA;&#xA;He gets up from the table. As Bateman walks away, Van&#xA;Patten grabs a waiter.&#xA;&#xA;VAN PATTEN&#xA;Is this tap water? I don't drink tap water Bring&#xA;me an Evian or something, okay?&#xA;&#xA;INT. MEN'S ROOM - DAY&#xA;&#xA;Bateman pulls on his gloves as he&#xA;enters the men's room. Carruthers is standing in a stall with his&#xA;back to Bateman. The sound of his urinating is heard until Bateman&#xA;approaches, then abruptly stops. Slowly, Bateman brings his hands&#xA;up over the collar of Carruthers' cashmere jacket, circling his&#xA;neck until both thumbs and index fingers meet. All we can hear&#xA;is the sound of Bateman's heavy breathing. Slowly he starts to&#xA;squeeze. Almost in slow motion, Carruthers turns around.&#xA;&#xA;Carruthers looks down at Bateman's wrists as if lost in&#xA;thought. Then he lowers his head and kisses Bateman's&#xA;wrist. He looks back at Bateman with a shy, love-struck&#xA;expression, then reaches up and tenderly touches the side&#xA;of his face.&#xA;&#xA;CARRUTHERS&#xA;God, Patrick. Why here?&#xA;&#xA;He strokes Bateman's hair.&#xA;&#xA;CARRUTHERS&#xA;I've seen you looking at me. I've noticed your hot body.&#xA;&#xA;Carruthers tries to kiss him on the lips but Bateman backs&#xA;away. He drops his hands from Carruthers' neck. Carruthers&#xA;immediately takes them and places them back. Bateman drops&#xA;them again.&#xA;&#xA;CARRUTHERS&#xA;Don't be shy.&#xA;&#xA;Bateman takes a deep breath, closes his eyes and tries to lift&#xA;his hands again, but abandons the attempt.&#xA;&#xA;CARRUTHERS&#xA;You don't know how long I've wanted it. Ever since that Christmas&#xA;party at Arizona 206. You know the one, you were wearing that&#xA;red-striped paisley Armani tie.&#xA;&#xA;Bateman looks down and sees that Carruthers' pants are&#xA;still unzipped. He moves past him out of the stall and&#xA;stands by the sink and pretends to wash his hands until he&#xA;realizes he still has his gloves on. Carruthers comes up&#xA;behind him.&#xA;&#xA;CARRUTHERS&#xA;I want you. I want you...too.&#xA;&#xA;Bateman storms out of the men's room, bumping into a waiter&#xA;and several customers and cursing. Noticing the maitre d'&#xA;and another waiter conferring and looking at him strangely,&#xA;Bateman straightens up and smiles and waves cheerfully at&#xA;them. Carruthers walks up behind him.&#xA;&#xA;BATEMAN&#xA;(Hissing)&#xA;What...is...it?&#xA;&#xA;CARRUTHERS&#xA;Where are you going?&#xA;&#xA;BATEMAN&#xA;(Stumbling away from him)&#xA;I've gotta...I've&#xA;gotta...return some videotapes.&#xA;&#xA;CARRUTHERS&#xA;Patrick?&#xA;&#xA;BATEMAN&#xA;What?&#xA;CARRUTHERS&#xA;(Silently mouthing the words)&#xA;I'll call you.&#xA;&#xA;Bateman storms out of the restaurant.&#xA;&#xA;INT. COURTNEY'S APARTMENT - NIGHT&#xA;&#xA;Bateman is lying on top of Courtney in her bed, after sex.&#xA;Still panting, he rolls off her, onto his back. He feels&#xA;something lumpy underneath him and pulls out a stuffed toy,&#xA;a black cat with blue jewel eyes. There is silence.&#xA;&#xA;COURTNEY&#xA;Will you call me before Thanksgiving?&#xA;&#xA;BATEMAN&#xA;Maybe.&#xA;&#xA;Courtney sighs and reaches for a bottle of pills on her&#xA;nightstand, swallowing several. Bateman gets up and begins&#xA;to dress, admiring himself in the mirror. Courtney watches&#xA;the TV at low volume.&#xA;&#xA;COURTNEY&#xA;What are you doing tonight?&#xA;&#xA;BATEMAN&#xA;Dinner at the River Cafe. Au Bar afterwards, maybe.&#xA;&#xA;COURTNEY&#xA;That's nice.&#xA;&#xA;BATEMAN&#xA;You and...Luis?&#xA;&#xA;COURTNEY&#xA;(Lighting a cigarette)&#xA;We were supposed to have dinner at Tad and&#xA;Maura's, but-you know how Luis is...&#xA;&#xA;BATEMAN&#xA;I never knew you smoked.&#xA;&#xA;COURTNEY&#xA;(Smiling sadly)&#xA;You never noticed.&#xA;&#xA;Bateman is making final adjustments to his tie.&#xA;&#xA;COURTNEY&#xA;Listen...Patrick. Can we talk?&#xA;&#xA;BATEMAN&#xA;You look marvelous. There's nothing to say. You're&#xA;going to marry Luis. Next week, no Less.&#xA;&#xA;COURTNEY&#xA;(Sarcastically)&#xA;Isn't that special?&#xA;(A pause)&#xA;Patrick?&#xA;&#xA;BATEMAN&#xA;Yes, Courtney?&#xA;&#xA;C0URTNEY&#xA;If I don't see you before Thanksgiving, have a nice one, okay?&#xA;&#xA;BATEMAN&#xA;(Flatly)&#xA;You too.&#xA;&#xA;Courtney picks up the black cat and starts petting its&#xA;head. Bateman heads down the hallway to the front door.&#xA;&#xA;COURTNEY&#xA;Patrick?&#xA;&#xA;BATEMAN&#xA;Yes?&#xA;&#xA;COURTNEY&#xA;Nothing.&#xA;&#xA;INT. NIGHTCLUB - NIGHT&#xA;&#xA;A big eighties nightclub with a mixed crowd: hip-hop&#xA;kids, visitors from Jersey, downtown art people, yuppies.&#xA;&#xA;I Bateman makes his way through the crowd to the bar, and&#xA;tries to attract the bartender's attention. He is wearing a&#xA;suit and his tie is loosened. Kimball approaches him.&#xA;&#xA;KIMBALL&#xA;Mr. Bateman?&#xA;&#xA;Bateman gasps and recovers.&#xA;&#xA;BATEMAN&#xA;Detective Kendall...uh Campbell?&#xA;KIMBALL&#xA;Kimball.&#xA;(Extending his hand)&#xA;Call me Don.&#xA;&#xA;BATEMAN&#xA;Don.&#xA;&#xA;KIMBALL&#xA;So...you hang out here a lot?&#xA;&#xA;BATEMAN&#xA;Uh, yes...I mean...whenever necessary. You&#xA;know.&#xA;&#xA;Pause.&#xA;&#xA;BATEMAN&#xA;How's the investigation going? Taken anyone&#xA;in for &amp;quot;formal questioning?&amp;quot; (He makes quotation marks&#xA;in the air and laughs a not-so-relaxed laugh)&#xA;&#xA;KIMBALL&#xA;0h no. Informal conversations, mostly. What's that, Stoli?&#xA;&#xA;BATEMAN&#xA;Yeah. No Finlandia, as usual. Fucking dump.&#xA;&#xA;KIMBALL&#xA;(Looking at his glass)&#xA;Too true. You know, Bateman-people tend to reveal so much&#xA;more about themselves when they're in a relaxed setting,&#xA;don't you think?&#xA;&#xA;Bateman is nodding nervously, idiotically.&#xA;&#xA;KIMBALL&#xA;Some people just can t help themselves. Another Stoli?&#xA;&#xA;Bateman shakes his head.&#xA;&#xA;KIMBALL&#xA;I mean they want to get caught.&#xA;&#xA;BATEMAN&#xA;Dan, great to see you again. Like I said, you need&#xA;anything at all, I'm your man. I don't envy your job. I mean&#xA;Owen was a...complex man.&#xA;&#xA;Bateman wanders away.&#xA;&#xA;He looks back uneasily at KIMBALL, who is watching him from&#xA;the bar. A GUY WITH DREADLOCKS walks by.&#xA;&#xA;BATEMAN&#xA;(Holding up his hand to high-five) Rasta Man!&#xA;&#xA;The man stares at him.&#xA;&#xA;BATEMAN&#xA;I mean-Mon. We be jammin'...&#xA;&#xA;The man walks by, shaking his head.&#xA;&#xA;Bateman wanders into the next room, which is filled with a&#xA;more familiar crowd: young men in designer suits, girls in&#xA;black designer dresses. Across the room he spots McDermott&#xA;and Price sitting with three models, all wearing black&#xA;mini-dresses. Price and McDermott are having a whispered&#xA;argument.&#xA;&#xA;PRICE&#xA;I have to talk to these girls? They're models.&#xA;&#xA;McDERMOTT&#xA;Someone has to get the Bolivian marching powder.&#xA;You went last time. Stay here.&#xA;&#xA;McDermott waves gaily to the girls and disappears.&#xA;Bateman looks at the models. DAISY and CARON are staring&#xA;into space, smoking. LIBBY is trying to work out how to&#xA;unfold her napkin. Price signals to Bateman for help.&#xA;&#xA;PRICE&#xA;(Clapping his hands together)&#xA;Let's have a conversation. So...it was hot out today, no?&#xA;&#xA;Silence.&#xA;&#xA;LIBBY&#xA;Where did Craig go?&#xA;&#xA;PRICE&#xA;Well, Gorbachev is downstairs. McDermott is going to&#xA;sign a peace treaty with him between the United States&#xA;and Russia. McDermott's the one behind glasnost, you know.&#xA;&#xA;LIBBY&#xA;Well...yeah. But he told me he was in mergers and acquisitions.&#xA;&#xA;PRICE&#xA;You're not confused, are you?&#xA;&#xA;LIBBY&#xA;No, not really.&#xA;&#xA;CARON&#xA;Gorbachev's not downstairs.&#xA;&#xA;DAISY&#xA;(Smiling)&#xA;Are you Iying?&#xA;&#xA;PRICE&#xA;Yes, Caron's right. Gorbachev's not downstairs. He's&#xA;at Tunnel.&#xA;&#xA;BATEMAN&#xA;(To Daisy)&#xA;Ask me a question.&#xA;&#xA;DAISY&#xA;So, what do you do?&#xA;&#xA;BATEMAN&#xA;What do you think I do?&#xA;&#xA;DAISY&#xA;A model? An actor?&#xA;&#xA;BATEMAN&#xA;No. Flattering, but no.&#xA;&#xA;DAISY&#xA;Well...&#xA;&#xA;BATEMAN&#xA;I m into, well, murders and executions mostly.&#xA;&#xA;DAISY (Unfazed)&#xA;Do you like it?&#xA;&#xA;BATEMAN&#xA;Welt...it depends, why?&#xA;&#xA;DAISY&#xA;Well, most guys I know who work in mergers and&#xA;acquisitions don't really like it.&#xA;&#xA;Silence.&#xA;&#xA;BATEMAN&#xA;So, where do you work out?&#xA;&#xA;MUCH LATER IN THE EVENING:&#xA;&#xA;The club is half-empty now. Price is leaning over a&#xA;balcony, messed-up on drugs. Bateman comes up behind him&#xA;in a menacing way that suggests he might push him over&#xA;the railing. Price turns around, wild-eyed, just as Bateman&#xA;is reaching for him.&#xA;&#xA;PRICE&#xA;(Shouting)&#xA;I'm leaving. I'm getting out.&#xA;&#xA;BATEMAN&#xA;Leaving what?&#xA;&#xA;PRICE&#xA;This.&#xA;&#xA;Bateman is confused, he thinks Price is referring to his&#xA;drink.&#xA;&#xA;BATEMAN&#xA;Don't, I'll drink it.&#xA;&#xA;PRICE&#xA;(Screaming)&#xA;Listen to me, Patrick. I'm leaving.&#xA;&#xA;BATEMAN&#xA;Where to? Are you going to go get a gram?&#xA;&#xA;PRICE&#xA;I'm leaving! I...am...leaving!&#xA;&#xA;BATEMAN&#xA;Don't tell me...merchant banking?&#xA;&#xA;PRICE&#xA;No, you dumb son of a bitch. I'm serious. I'm&#xA;disappearing.&#xA;&#xA;BATEMAN&#xA;(laughing)&#xA;Where to? Morgan Stanley? Rehab? What?&#xA;&#xA;Price looks away.&#xA;&#xA;McDermott and Daisy walk up to them.&#xA;&#xA;McDERMOTT&#xA;Hey-don't worry, be happy.&#xA;&#xA;Price lifts his arms up as if greeting the crowd and is&#xA;shouting something that can't be heard, then&#xA;&#xA;PRICE&#xA;Goodbye! Fuckheads!&#xA;&#xA;He climbs over the railing.&#xA;&#xA;DAISY What is he doing?&#xA;&#xA;BATEMAN&#xA;Price! Come back!&#xA;&#xA;Price leaps from the balcony. He disappears for a moment&#xA;then resurfaces and runs off into the crowd.&#xA;&#xA;EXT. CLUB - NIGHT&#xA;Bateman and Daisy are waiting for a cab.&#xA;&#xA;DAISY&#xA;My ex-boyfriend, Fiddler, who was in there, he plays&#xA;in this band that just opened for U2-he couldn't understand&#xA;what I was doing with a yuppie.&#xA;&#xA;BATEMAN&#xA;Oh really?&#xA;DAISY&#xA;He said...&#xA;(She laughs)&#xA;He said you gave him bad vibes.&#xA;&#xA;BATEMAN&#xA;That's...that's too bad.&#xA;&#xA;DAISY&#xA;You think I'm dumb, don't you?&#xA;&#xA;BATEMAN&#xA;What?&#xA;&#xA;DAISY&#xA;You think I'm dumb. You think all models are dumb.&#xA;&#xA;BATEMAN&#xA;(insincerely) No. I really don't.&#xA;&#xA;DAISY&#xA;That's okay. I don't mind. There's something sweet about you.&#xA;&#xA;She takes his hand as they get into a cab.&#xA;&#xA;INT. DAISY'S HALLWAY - LATER THAT NIGHT&#xA;&#xA;Bateman leaves Daisy's apartment carrying a suitcase. He pauses&#xA;in the hallway and tucks some long blonde hair back inside the&#xA;case.&#xA;&#xA;INT. BATEMAN'S OFFICE - LATE AFTERNOON&#xA;&#xA;Bateman sits at his desk wearing Wayfarers doing the New York&#xA;Times crossword puzzle at dusk.&#xA;&#xA;Jean knocks gently on the half-open door and walks in with&#xA;a folder in her hand. Bateman ignores her.&#xA;&#xA;JEAN&#xA;Doin' the crossword?&#xA;&#xA;Bateman nods without looking up.&#xA;&#xA;JEAN&#xA;Need help?&#xA;&#xA;BATEMAN doesn't respond. We see that every space on the&#xA;puzzle has been filled in with the words MEAT or BONE. Jean&#xA;drops the folder on his desk and then walks out.&#xA;&#xA;BATEMAN&#xA;Jean?&#xA;&#xA;JEAN&#xA;(Re-enters office)&#xA;Yes, Patrick?&#xA;&#xA;BATEMAN&#xA;Would you like to accompany me to dinner?&#xA;&#xA;He erases one of the M's on the crossword puzzle.&#xA;&#xA;BATEMAN&#xA;That is...if you're not doing anything.&#xA;&#xA;JEAN&#xA;Oh no. I have no plans.&#xA;&#xA;BATEMAN&#xA;(Lowering his Wayfarers)&#xA;Well, isn't this a coincidence.&#xA;&#xA;A pause.&#xA;&#xA;BATEMAN&#xA;Listen, where should we go?&#xA;&#xA;He leans back and pulls a Zagat's from the desk drawer.&#xA;&#xA;JEAN&#xA;Anywhere you want?&#xA;&#xA;BATEMAN&#xA;Let's not think about what I want. How about&#xA;anywhere you want.&#xA;&#xA;JEAN&#xA;Oh Patrick, I can't make this decision.&#xA;&#xA;BATEMAN&#xA;No, come on. Anywhere you want.&#xA;&#xA;JEAN&#xA;Oh, I can't.&#xA;(Sighs)&#xA;I don't know.&#xA;&#xA;BATEMAN&#xA;Come on. Where do you want to go? Anywhere you want.&#xA;Just say it. I can get us in anywhere.&#xA;&#xA;A long pause.&#xA;&#xA;JEAN&#xA;What about...Dorsia?&#xA;&#xA;Bateman stops looking through the Zagat's guide and smiles&#xA;at her.&#xA;&#xA;BATEMAN&#xA;Soooo...Dorsia is where Jean wants to go...&#xA;&#xA;JEAN&#xA;Oh, I don't know. No, we'll go anywhere you want.&#xA;&#xA;BATEMAN&#xA;Dorsia is...fine.&#xA;&#xA;He dials the number.&#xA;&#xA;MAITRE D'&#xA;Dorsia, yes?&#xA;&#xA;BATEMAN&#xA;Yes, can you take two tonight, oh, let's say at&#xA;nine o'clock?&#xA;&#xA;He checks his Rolex and winks at Jean.&#xA;&#xA;MAITRE D'&#xA;We are totally booked.&#xA;&#xA;BATEMAN&#xA;Oh really? That's great.&#xA;&#xA;MAITRE D'&#xA;I said we are totally booked.&#xA;&#xA;BATEMAN&#xA;Two at nine? Perfect.&#xA;&#xA;MAITRE D'&#xA;There are no tables available tonight. The waiting list is&#xA;also totally booked.&#xA;&#xA;BATEMAN&#xA;See you then.&#xA;&#xA;He hangs up the phone. He walks over to the coat rack. He&#xA;glances over at Jean, who is still standing in front of the&#xA;desk, confused.&#xA;&#xA;BATEMAN&#xA;Yes? You're dressed...okay.&#xA;&#xA;JEAN&#xA;You didn't give them a name.&#xA;&#xA;BATEMAN&#xA;They know me.&#xA;&#xA;Pause.&#xA;&#xA;BATEMAN&#xA;Why don't you meet me at my house at seven o'clock&#xA;for drinks, okay?&#xA;&#xA;She turns to leave.&#xA;&#xA;BATEMAN&#xA;And Jean? You'll want to change before we go out.&#xA;&#xA;INT. BATEMAN'S APARTMENT - EARLY EVENING&#xA;&#xA;Jean stands by the floor-to-ceiling windows, looking out.&#xA;&#xA;JEAN&#xA;Patrick, it's so...elegant. What a wonderful view.&#xA;&#xA;Bateman opens up the freezer where Daisy's head is cleady&#xA;visible.&#xA;&#xA;BATEMAN&#xA;Jean? Sorbet?&#xA;&#xA;JEAN&#xA;Thanks, Patrick. I'd love some.&#xA;&#xA;Bateman walks in with a bottle of wine and a corkscrew in&#xA;his hand and hands her the sorbet.&#xA;&#xA;Jean is eating the sorbet.&#xA;&#xA;JEAN&#xA;Want a bite?&#xA;&#xA;BATEMAN&#xA;I'm on a diet. But thank you.&#xA;&#xA;JEAN&#xA;You don't need to lose any weight. You're kidding, right?&#xA;You look great. Very fit.&#xA;&#xA;BATEMAN&#xA;(Weighing the corkscrew examining the point for sharpness)&#xA;You can always he thinner. Look...better.&#xA;&#xA;JEAN&#xA;Well, maybe we shouldn't go out to dinner. I don't&#xA;want to ruin your willpower.&#xA;&#xA;BATEMAN&#xA;No. It's all right. I'm not very good at controlling&#xA;it anyway.&#xA;&#xA;Silence, as Bateman walks around his apartment, opens up&#xA;his knife drawer, looking at the knives.&#xA;&#xA;BATEMAN&#xA;So listen, what do you really want to do with your&#xA;life?&#xA;&#xA;Pause.&#xA;&#xA;BATEMAN&#xA;And don't tell me you enjoy working with children,&#xA;okay?&#xA;&#xA;JEAN&#xA;Well, I'd like to travel. And maybe go back to school,&#xA;but I really don't know...I'm at a point in my life&#xA;where there seems lo be a lot of possibilities, but I'm so...&#xA;I don't know...unsure.&#xA;&#xA;Bateman is touching a knife in the drawer, feeling the edge&#xA;of the blade.&#xA;&#xA;BATEMAN&#xA;Do you have a boyfriend?&#xA;&#xA;JEAN&#xA;No, not really.&#xA;&#xA;BATEMAN&#xA;Interesting.&#xA;&#xA;JEAN&#xA;(Shyly)&#xA;Are you seeing anyone? I mean, seriously?&#xA;&#xA;BATEMAN&#xA;Maybe. I don't know Not really.&#xA;Bateman opens up a cupboard where there are a lot of very&#xA;Bateman opens a cupboard where there are a lot of neatly&#xA;ordered weapons - an ax, a rifle, a chain saw, duct tape,&#xA;twine and a nail gun.&#xA;&#xA;BATEMAN&#xA;Jean, do you feel...fulfilled? I mean, in your life?&#xA;&#xA;JEAN&#xA;Well, I guess I do. For a long time I was too focused&#xA;on my work, I think, but now I've really begun to think about&#xA;changing myself, you know, developing, and...growing.&#xA;&#xA;BATEMAN&#xA;Growing. I'm glad you said that.&#xA;&#xA;Bateman picks up the duct tape.&#xA;&#xA;BATEMAN&#xA;Did you know that Ted Bundy's first dog, a collie,&#xA;was named Lassie? Had you heard this?&#xA;&#xA;JEAN&#xA;Who's Ted Bundy?&#xA;&#xA;BATEMAN&#xA;Forget it.&#xA;&#xA;JEAN&#xA;What's that?&#xA;&#xA;BATEMAN&#xA;Oh. Uh, tape. Duct tape. I...need it for...&#xA;taping something. Bateman goes back to the cupboard for the&#xA;nail gun.&#xA;&#xA;JEAN&#xA;Patrick, have you ever wanted to make someone happy?&#xA;&#xA;Jean puts her spoon down on the table.&#xA;&#xA;BATEMAN&#xA;(Looking up from loading nails into the gun)&#xA;What...No! Put it in the carton.&#xA;&#xA;JEAN&#xA;Sorry.&#xA;(She puts the spoon in the carton)&#xA;&#xA;BATEMAN&#xA;Jean? What?&#xA;&#xA;JEAN&#xA;Make someone happy-have you ever wanted to?&#xA;&#xA;From behind, we follow Bateman as he walks across the room and&#xA;stands behind the couch.&#xA;&#xA;BATEMAN&#xA;I'm looking for...I guess you could say I just&#xA;want to have a meaningful relationship with someone special.&#xA;&#xA;JEAN&#xA;Hmmmm.&#xA;&#xA;He points the nail gun at the back of Jean's head.&#xA;The phone RINGS. Startled, Bateman hides the nail gun&#xA;behind his back. The answering machine picks up. As Bateman&#xA;listens he discreetly places the nail gun behind the couch.&#xA;He sits down opposite Jean, enjoying her discomfort as she&#xA;listens to the message.&#xA;&#xA;EVELYN&#xA;Patrick I know you're there. Pick up the phone, you bad boy.&#xA;What are you up to tonight? It's me. Don't try to hide. I hope&#xA;you're not out with some little number you picked up because&#xA;you're my Mr. Bateman. My boy next door. Anyway you never&#xA;called me and you said you would and I'll leave a message for&#xA;Jean about this too to remind you but we're having dinner with&#xA;Melania and Taylor-you know Melania, she went to Sweet Briar,&#xA;auld Taylor, he went to Cornell-and we're meeting at the Cornell&#xA;Club, so l'll call you tomorrow morning probably-bye, honey-oopps!&#xA;You hate that. Bye Mr. Big Time CEO Patrick. Bye. Bye.&#xA;&#xA;Silence. Jean is obviously embarrassed and upset.&#xA;&#xA;JEAN&#xA;Was that...Evelyn?&#xA;&#xA;Silence.&#xA;&#xA;JEAN&#xA;Are you still seeing her?&#xA;&#xA;Silence.&#xA;&#xA;JEAN&#xA;I'm sorry, I have no right to ask that.&#xA;&#xA;Silence.&#xA;&#xA;JEAN&#xA;Do you want me to go?&#xA;&#xA;A long pause.&#xA;&#xA;BATEMAN&#xA;Yes. I don t think I can...control myself.&#xA;&#xA;JEAN&#xA;I know I should go. I know I have a tendency to get&#xA;involved with unavailable men, and...I mean, do you&#xA;want me to go?&#xA;&#xA;Another long pause.&#xA;&#xA;BATEMAN&#xA;If you stay, I think something bad will happen. I&#xA;think I might hurt you.&#xA;(Almost hopefully)&#xA;You don't want to get hurt, do you?&#xA;&#xA;JEAN&#xA;No. No, I guess not. I don't want to get bruised.&#xA;You're right, I should go.&#xA;&#xA;She gets up to leave.&#xA;&#xA;JEAN&#xA;And don't forget you have a breakfast meeting with&#xA;Frederick Bennet and Charles Rust at '21.&#xA;&#xA;BATEMAN&#xA;Thanks. It slipped my mind completely.&#xA;&#xA;He sinks back on the sofa and shuts his eyes.&#xA;&#xA;INT. BATEMAN'S OFFICE - DAY&#xA;&#xA;Bateman enters P&amp;amp;P, walks up the corridor and pauses outside&#xA;the door to his office. He sees KIMBALL in conversation with&#xA;Jean, and Jean looking through her date book. He watches for&#xA;a moment, frozen with anxiety. He then bursts in, shutting&#xA;the door behind him.&#xA;&#xA;BATEMAN&#xA;Kimball-I've been wanting to talk with you, Come&#xA;into my office. Jean, great jacket. Matsuda?&#xA;&#xA;Jean looks flustered.&#xA;&#xA;Kimball follows Bateman into his office.&#xA;&#xA;KIMBALL&#xA;I actually came to see Timothy Price, but he's&#xA;taken a leave of absence.&#xA;&#xA;BATEMAN&#xA;Yeah, gone into rehab. Shame.&#xA;(Hopefully)&#xA;Is he a suspect?&#xA;&#xA;KIMBALL&#xA;Not really.&#xA;&#xA;A pause.&#xA;&#xA;KIMBALL&#xA;Do you remember where you were on the night of&#xA;Paul's disappearance?&#xA;(He checks his notebook)&#xA;Which was on the twentieth of December?&#xA;&#xA;BATEMAN&#xA;God...I guess...I was probably returning&#xA;videotapes.&#xA;&#xA;He opens his desk drawer and pretends to search through his&#xA;diary.&#xA;&#xA;BATEMAN&#xA;I had a date with a girl named Veronica.&#xA;&#xA;KIMBALL&#xA;Wait. That's not what I've got.&#xA;&#xA;BATEMAN&#xA;What?&#xA;&#xA;KIMBALL&#xA;That's not the information I've received.&#xA;&#xA;BATEMAN&#xA;Well...I...Wait...What information have&#xA;you received?&#xA;&#xA;KIMBALL&#xA;Let's see...&#xA;(He flips through his notebook)&#xA;That you were with-&#xA;&#xA;BATEMAN&#xA;Well, I could he wrong.&#xA;&#xA;KIMBALL&#xA;Well...When was the last time you were with Paul Owen?&#xA;&#xA;BATEMAN&#xA;(Clearly nervous and under pressure)&#xA;We had...gone to a new musical called...Oh Africa, Brave Africa. It&#xA;was...a laugh riot...and that's about it. I think we had dinner&#xA;at Orso's. No, Petaluma. No, Orso's. The...last time I&#xA;physically saw him was...at an automated teller. I can't&#xA;remember which...just one that was near, um, Nell's.&#xA;&#xA;Kimball is clearly giving up on Bateman for now. He opens&#xA;his briefcase to put away his notebook.&#xA;&#xA;KIMBALL&#xA;Well, thank you, Mr. Bateman.&#xA;&#xA;BATEMAN&#xA;Patrick, please. I hope I've been informative. Long&#xA;day-a bit scattered.&#xA;&#xA;KIMBALL&#xA;Listen, I'm a little spent for now but how about lunch&#xA;in a week or so when I've sorted out all this information?&#xA;&#xA;BATEMAN&#xA;Great, yes, I'd like that.&#xA;&#xA;KIMBALL&#xA;And if you could try and pin down where you were&#xA;the night of Owen's disappearance, it would make my job a&#xA;lot easier.&#xA;&#xA;BATEMAN&#xA;Absolutely. I'm with you on that one.&#xA;&#xA;Kimball is rifling through his briefcase. He pulls out a&#xA;new shrink wrapped CD and holds it up.&#xA;&#xA;KIMBALL&#xA;Huey Lewis and the News. Great stuff. Heard it? I&#xA;just bought it on my way here.&#xA;&#xA;Bateman stares at the CD - stunned, terrified.&#xA;&#xA;BATEMAN&#xA;Never. I mean...I don't really like...&#xA;singers.&#xA;&#xA;KIMBALL&#xA;Not a big music fan, eh?&#xA;&#xA;BATEMAN&#xA;No, I like music. Just-they're-Huey's too...&#xA;black sounding. For me.&#xA;&#xA;KIMBALL&#xA;Well, to each his own. So-lunch, Thursday? I'll&#xA;call your secretary about reservations.&#xA;&#xA;BATEMAN&#xA;I'll be there.&#xA;&#xA;EXT. MEAT PACKING DISTRICT/INT. LIMOUSINE - NIGHT&#xA;&#xA;The same street corner where Bateman found Christie before.&#xA;The limo is kept idling as he talks to her through a&#xA;half-opened window.&#xA;&#xA;CHRISTIE&#xA;I'm not so sure about this. I had to go to Emergency after&#xA;last time...&#xA;&#xA;BATEMAN&#xA;Oh this won't be anything like last time, I promise.&#xA;&#xA;CHRISTIE&#xA;I don't think so.&#xA;&#xA;He hands her a $500 bill.&#xA;&#xA;BATEMAN&#xA;Just come in the limo and talk to me for a minute.&#xA;&#xA;The driver's here, you'll be safe.&#xA;&#xA;Christie gets in hesitantly.&#xA;&#xA;BATEMAN&#xA;Nothing like last time, promise.&#xA;&#xA;CHRISTIE&#xA;Alright.&#xA;&#xA;He pours her a shot of vodka and makes her drink it.&#xA;&#xA;BATEMAN&#xA;(Chatting as if they were at a cocktail party)&#xA;So, you're looking great, how have you been?&#xA;&#xA;CHRISTIE&#xA;(A little confused)&#xA;Well, I actually might need a little surgery after last time.&#xA;&#xA;BATEMAN&#xA;(Mock shock)&#xA;Really?&#xA;&#xA;CHRISTIE&#xA;My friend told me I should maybe even get a&#xA;lawyer.&#xA;&#xA;BATEMAN&#xA;Oh, lawyers are so complicated-don't do that. Here.&#xA;&#xA;He writes her a check for $I ,000 to cash and hands it to&#xA;her. She snatches the check out of his hand and gets&#xA;quickly out of the limo, walking hurriedly down the street.&#xA;&#xA;BATEMAN&#xA;Bitch.&#xA;&#xA;He follows alongside her slowly in the limo, waving a huge&#xA;wad of cash at her. She hesitates; he uses the money to&#xA;lure her into the car. As she reluctantly gets into the&#xA;limo, she reaches for the money.&#xA;&#xA;He snatches it away.&#xA;&#xA;BATEMAN&#xA;Uh uh uh. Half now, half later.&#xA;&#xA;She takes the money and puts it inside her shirt.&#xA;&#xA;BATEMAN&#xA;Okay, your name is Christie. We're meeting a friend of mine,&#xA;Elizabeth. She'll be joining us in my new apartment shortly.&#xA;You'll like her. She's a very nice girl. Don't say anything&#xA;about yourself. Is that clear. Christie?&#xA;&#xA;Christie nods.&#xA;&#xA;INT. PAUL OWEN'S APARTMENT - NIGHT&#xA;&#xA;The living room: ELIZABETH has kicked off her shoes and flopped&#xA;down on the couch underneath the Baselitz. Elizabeth is an&#xA;attractive, dark-haired society girl who models occasionally.&#xA;Christie is sitting on the couch opposite her, pretending to&#xA;examine a CD.&#xA;&#xA;ELIZABETH&#xA;You look really familiar. Did you you go to Dalton?&#xA;&#xA;Christie shakes her head.&#xA;&#xA;The kitchen: Bateman is grinding up tabs of Ecstasy and&#xA;putting them in a bottle of wine. In the living room, Elizabeth&#xA;is still staring at Christie as if she came from Mars.&#xA;&#xA;ELIZABETH&#xA;I think I met you at Au Bar, didn't I ? With Spicey?&#xA;&#xA;Christie looks blank.&#xA;&#xA;ELIZABETH&#xA;Well, maybe not with Spicey but it was definitely at Au Bar.&#xA;&#xA;Christie still blank.&#xA;&#xA;ELIZABETH&#xA;You know, Au Bar?&#xA;&#xA;Christie shakes her head.&#xA;&#xA;ELIZABETH&#xA;Anyway, Au Bar sucks now, it's terrible. I went to a birth&#xA;day party there for Malcolm Forbes. Oh my God, please.&#xA;&#xA;Bateman enters carrying the bottle of wine and two glasses.&#xA;Christie, who seems frightened, sips her wine and stares at&#xA;the floor. There is an awkward silence.&#xA;&#xA;CHRISTIE&#xA;This is nicer than your other apartment.&#xA;&#xA;BATEMAN&#xA;(Offended that she prefers Owen's apartment)&#xA;It's not that nice.&#xA;&#xA;Silence.&#xA;&#xA;CHRISTIE&#xA;Where did you two meet?&#xA;&#xA;ELIZABETH&#xA;Oh God! I met him at, oh God, the Kentucky Derby in '86-no,&#xA;'87, and...&#xA;(Turning to Patrick)&#xA;You were hanging out with that bimbo Allison Poole.&#xA;(Sarcastically)&#xA;Hot number.&#xA;&#xA;BATEMAN&#xA;What do you mean, she was a hot number.&#xA;&#xA;ELIZABETH&#xA;If you had an American Express card she'd give you a blowjob.&#xA;(To Christie)&#xA;Listen, this girl worked in a tanning salon, need&#xA;I say more?...What do you do?&#xA;&#xA;A long silence. Christie reddens and stares at the floor.&#xA;&#xA;BATEMAN&#xA;She's my...cousin.&#xA;&#xA;ELIZABETH&#xA;(Skeptically)&#xA;Uh huh?&#xA;&#xA;BATEMAN&#xA;She's from...France.&#xA;&#xA;A pause. Elizabeth looks at Bateman dubiously.&#xA;&#xA;ELIZABETH&#xA;Where's your phone? I've got to call Harley.&#xA;&#xA;Bateman hands her a cordless phone. She dials, and stares&#xA;At Christie while she waits for someone to answer.&#xA;&#xA;ELIZABETH&#xA;Where do you summer? Southampton?&#xA;&#xA;Christie looks at Bateman and then back at Elizabeth.&#xA;&#xA;CHRISTIE&#xA;No.&#xA;&#xA;ELIZABETH&#xA;(Listening to the receiver)&#xA;Oh God, it's his machine.&#xA;&#xA;BATEMAN&#xA;Elizabeth, it's three in the morning.&#xA;&#xA;ELIZABETH&#xA;He's a goddamn drug dealer! These are his peak hours.&#xA;&#xA;BATEMAN&#xA;Don't tell him you're here.&#xA;&#xA;ELIZABETH&#xA;Why would I?&#xA;&#xA;Bateman has poured her another glass of wine. She downs the&#xA;whole glass, making a face.&#xA;&#xA;ELIZABETH&#xA;This tastes weird.&#xA;(She examines the label and shrugs)&#xA;Harley? It's me. I need your services. Translate that anyway&#xA;you'd like. I'm at-&#xA;&#xA;BATEMAN&#xA;(Whispering)&#xA;You're at Paul Owen s.&#xA;&#xA;ELIZABETH&#xA;Who?&#xA;&#xA;BATEMAN&#xA;(Whispering)&#xA;Paul Owen.&#xA;&#xA;ELIZABETH&#xA;I want the number, idiot.&#xA;(She waves him away and continues into the reciever)&#xA;Anyway, I'm at Paul Norman's and I'll try you later and if I&#xA;don't see you at Canal Bar tomorrow night I'm going to sic my&#xA;hairdresser on you.&#xA;&#xA;She hangs up.&#xA;&#xA;ELIZABETH&#xA;Did you know that guy who disappeared? Didn't he work at Pierce&#xA;&amp;amp; Pierce, too? Was he a friend of yours?&#xA;&#xA;BATEMAN&#xA;No.&#xA;&#xA;ELIZABETH&#xA;Do you have any coke? Or Halcyon? I'd take a Halcyon.&#xA;&#xA;Bateman sits next to Elizabeth on the couch and pours her&#xA;another glass of the drugged wine.&#xA;&#xA;BATEMAN&#xA;Listen, I would just like to see...the two of you...get it on.&#xA;What's wrong with that? It's totally disease-free.&#xA;&#xA;ELIZABETH&#xA;(Laughing)&#xA;Patrick, you re a lunatic.&#xA;&#xA;BATEMAN&#xA;Come on. Don't you find Christie attractive?&#xA;&#xA;ELIZABETH&#xA;Let's not get lewd.&#xA;(Flirty)&#xA;I'm in no mood to have a lewd conversation.&#xA;&#xA;BATEMAN&#xA;Come on. I think it would be a turn-on.&#xA;&#xA;ELIZABETH&#xA;(To Christie)&#xA;Does he do this all the time?&#xA;&#xA;Christie shrugs.&#xA;&#xA;BATEMAN&#xA;Christie, you're not drinking your wine.&#xA;&#xA;Christie looks at her wine and gingerly takes a sip.&#xA;&#xA;BATEMAN&#xA;(To Elizabeth)&#xA;Are you telling me you've never gotten it on with a girl?&#xA;&#xA;ELIZABETH&#xA;No! I'm not a lesbian. Why do you think I'd be into that?&#xA;&#xA;BATEMAN&#xA;Well, you went to Sarah Lawrence for one thing.&#xA;&#xA;ELIZABETH&#xA;Those are Sarah Lawrence guys, Patrick. You're making me&#xA;feel weird.&#xA;&#xA;LATER:&#xA;&#xA;Elizabeth is now writhing around on the couch and making&#xA;out with Christie. Bateman holds up a Whitney Houston CD,&#xA;showing them the picture of Whitney on the cover.&#xA;&#xA;BATEMAN&#xA;Did you know that Whitney Houston's debut LP&#xA;called simply Whitney Houston had four number-one singles&#xA;on it? Did you know that, Christie? Whitney's voice leaps&#xA;across so many boundaries and is so versatile-though she's&#xA;mainly a jazz singer-that it's hard to take in the album&#xA;on a first listening.&#xA;&#xA;ELIZABETH&#xA;You actually listen to Whitney Houston? You&#xA;actually have a Whitney Houston CD? More than one?&#xA;&#xA;She giggles, rolling off the sofa onto the floor.&#xA;&#xA;BATEMAN&#xA;(Ignoring her)&#xA;It's hard to choose a favorite track&#xA;among so many great ones, but &amp;quot;The Greatest Love of All&amp;quot;&#xA;is one of the best, most powerful songs ever written about&#xA;self-preservation and dignity. It's universal message&#xA;crosses all boundaries, and instills one with the hope&#xA;that it's not too late to better ourselves. to act kinder.&#xA;Since, Elizabeth, it's impossible in the world we live in&#xA;to empathize with others, we can always empathize with&#xA;ourselves.&#xA;&#xA;As he speaks, he opens the case and carefully places the CD&#xA;in the player, admiring its pristine silver surface, and&#xA;watches it slide into the machine.&#xA;&#xA;BATEMAN&#xA;It's an important message, crucial, really, and it's&#xA;beautifully stated on the album.&#xA;&#xA;INT. BEDROOM - LATER&#xA;&#xA;AN OUT-OF-FOCUS HOME VIDEO SHOT of Elizabeth, Christie and&#xA;Bateman in the throes of sex, in the master bedroom.&#xA;&#xA;CUT BACK TO WIDE SHOT of the bedroom, partially blocked by&#xA;the video camera in the foreground. Their bodies are an&#xA;incoherent tangle of arms and legs. The only sounds are&#xA;moans, heavy breathing and the slapping of flesh against&#xA;flesh. CLOSE ON Christie's head and shoulders. Her eyes are&#xA;shut as she grimly concentrates on giving a good professional&#xA;performance, turning her head every so often to check the&#xA;progress of her partners.&#xA;&#xA;OFFSCREEN WE HEAR Elizabeth panting in genuine pleasure,&#xA;moaning loudly. Her voice gets louder and louder and then&#xA;shifts to actual pain.&#xA;&#xA;Bateman rises up off the bed, suddenly appearing behind&#xA;Christie. There is blood on his face.&#xA;&#xA;Christie turns her head and sees him. She screams and leaps&#xA;off the bed, running out of the room. She slams the&#xA;mirrored door behind her, and as it swings shut for a split&#xA;second we see Elizabeth writhing in pain on the bed.&#xA;&#xA;We follow Christie out of the room, panicking, screaming.&#xA;&#xA;Christie runs down a darkened hallway, frantically opening&#xA;doors, looking for an escape.&#xA;&#xA;She hears the SOUND OF A CHAINSAW coming from the bedroom.&#xA;&#xA;She opens a closet. The closet lights up as she opens the&#xA;door and sees two dead, women hanging inside. She screams,&#xA;then claps a hand over her mouth. She stops and listens. THE&#xA;DISTANT SOUND OF THE CHAINSAW.&#xA;&#xA;She backs away slowly, into another dark room, lit only by&#xA;the light from a television set. Through the darkness she&#xA;sees a head on the top of the TV and starts to whimper.&#xA;&#xA;She runs toward the nearest door. Finding herself in the&#xA;main hallway, she begins to jog toward the front door, then&#xA;runs.&#xA;&#xA;Bateman appears from nowhere, holding the chainsaw,&#xA;spattered with blood.&#xA;&#xA;Christie screams and changes direction. Bateman leaps at&#xA;her, bellowing.&#xA;&#xA;They run through the bedroom and into the bathroom.&#xA;Christie trips over Elizabeth's body, which is half in the&#xA;bathtub.&#xA;&#xA;Both are slipping on the floor, which is slick with blood.&#xA;&#xA;Christie falls, tries to get up. Bateman grabs her leg. He&#xA;tries to bite it.&#xA;&#xA;She kicks him in the face and gets up, running toward the&#xA;front door.&#xA;&#xA;He runs after her.&#xA;&#xA;BATEMAN&#xA;Not the face, you bitch. Not the fucking face, you&#xA;piece of bitch trash!&#xA;&#xA;Christie, screaming, makes it out the front door.&#xA;&#xA;Bateman runs after her.&#xA;&#xA;She runs down the hall screaming and banging on doors.&#xA;&#xA;She moves to the elevator, pounding hysterically on the&#xA;buttons. She sees the stairwell and runs for it.&#xA;&#xA;Bateman sees this and runs after her, revving the chainsaw.&#xA;&#xA;She runs down the stairs, Bateman two flights behind her.&#xA;He stops, leans over the railing to look at her, then aims&#xA;the chainsaw at her and drops it.&#xA;&#xA;Christie SCREAMS OFFSCREEN, then is suddenly silent.&#xA;&#xA;FROM BATEMAN'S POV we see Christie's body sprawled facedown&#xA;at the bottom of the stairwell. The chainsaw sticks out of&#xA;her back like a sword.&#xA;&#xA;INT. CRAYONS - EARLY EVENING&#xA;&#xA;An insanely expensive restaurant with a childhood motif: paper&#xA;tablecloths and jars of crayons for drawing, lots of primary&#xA;colors, and a goldfish bowl on each table.&#xA;&#xA;Bateman is at a table with Evelyn. They are both drawing on&#xA;the tablecloth. Bateman is drawing Christie with the&#xA;chainsaw in her back.&#xA;&#xA;EVELYN&#xA;I want a firm commitment.&#xA;&#xA;BATEMAN&#xA;I think, Evelyn, that we've...lost touch.&#xA;&#xA;Evelyn waves to a couple across the room.&#xA;&#xA;EVELYN&#xA;(Distracted)&#xA;Why? What's wrong?&#xA;&#xA;BATEMAN&#xA;(Speaking very carefully, measuring each word)&#xA;My need to engage in homicidal behavior on a massive scale&#xA;cannot be, um, corrected, but I have no other way to fulfill&#xA;my needs.&#xA;&#xA;The woman across the room holds up her hand, displaying a&#xA;new bracelet. Evelyn smiles and nods approvingly.&#xA;&#xA;BATEMAN&#xA;We need to talk.&#xA;&#xA;EVELYN&#xA;Talk about what, Patrick? What is there to talk&#xA;about?&#xA;&#xA;BATEMAN&#xA;It's over, Evelyn. It's all over&#xA;&#xA;EVELYN&#xA;(Motioning to the waiter for water)&#xA;Touchy, touchy. I'm sorry I brought the wedding up. Let's just&#xA;avoid the issue, alright? Now, are we having coffee?&#xA;&#xA;BATEMAN&#xA;I'm fucking serious. It's fucking over. Us. This&#xA;is no joke. I don't think we should see each other anymore.&#xA;&#xA;EVELYN&#xA;But your friends are my friends. My friends are your&#xA;friends. I don't think it would work.&#xA;(Reaching over to dab his face with a napkin)&#xA;You have a little something on your upper lip.&#xA;&#xA;BATEMAN&#xA;(Brushing her hand away)&#xA;I know that your friends are my friends. I've thought about&#xA;that. You can have them.&#xA;&#xA;Evelyn stares at him, suspicious and bewildered, a&#xA;realization dawning.&#xA;&#xA;EVELYN&#xA;You're really serious, aren't you?&#xA;&#xA;BATEMAN&#xA;Yes, I am.&#xA;&#xA;EVELYN&#xA;But what about the past? Our past?&#xA;&#xA;BATEMAN&#xA;We never really shared one.&#xA;&#xA;EVELYN&#xA;You're inhuman.&#xA;&#xA;BATEMAN&#xA;I'm...in touch with humanity. Evelyn, I'm sorry.&#xA;(He pauses, as if searching for the right words)&#xA;You're just not terribly important to me.&#xA;&#xA;Evelyn begins to cry.&#xA;&#xA;EVELYN&#xA;No, no, no.&#xA;&#xA;BATEMAN&#xA;I know my behavior is...erratic sometimes.&#xA;&#xA;She reaches desperately across the table and takes his&#xA;hand. Bateman pulls his hand away.&#xA;&#xA;EVELYN&#xA;(Sobbing)&#xA;What do you want me to do, what is it you want?&#xA;&#xA;The occupants of nearby tables begin to stare. Bateman is&#xA;becoming increasingly agitated and embarrassed.&#xA;&#xA;BATEMAN&#xA;(Looking uncomfortably around the room)&#xA;If you really want to do something for me, you can stop making&#xA;this scene right now.&#xA;&#xA;EVELYN&#xA;Oh God, I can't believe this.&#xA;&#xA;BATEMAN&#xA;I'm leaving now. I've assessed the situation and I'm going.&#xA;&#xA;Evelyn makes an effort to compose herself. She blots the&#xA;tears so they will not affect her make-up.&#xA;&#xA;EVELYN&#xA;(Surprisingly calm)&#xA;Where are you going?&#xA;&#xA;BATEMAN&#xA;I'm just leaving.&#xA;&#xA;EVELYN&#xA;But where?&#xA;&#xA;BATEMAN&#xA;I have to return some videotapes.&#xA;&#xA;He rushes out of the room.&#xA;&#xA;EXT. TRIBECA STREET - EVENING&#xA;&#xA;Bateman wanders into misty Tribeca streets, sees a stray cat.&#xA;&#xA;BATEMAN&#xA;Here kitty, kitty.&#xA;&#xA;The small mangy cat rubs against him. He picks it up and&#xA;walks toward an ATM, holding the cat. He puts his card in&#xA;the machine. The screen reads: FEED ME A STRAY CAT.&#xA;Bateman begins to attempt to shove the kitten into the&#xA;deposit slot with some difficulty. The kitten squeals. He&#xA;takes a gun from out of his pocket and points it at the&#xA;kitten. He doesn't notice the woman waiting behind him.&#xA;&#xA;WOMAN&#xA;Oh my God! Stop that! What are you doing?&#xA;&#xA;Bateman wheels around and shoots her. She falls screaming&#xA;to the floor.&#xA;&#xA;Responding to the gunshot, A POLICE CAR SIREN WAILS in the&#xA;distance. Bateman breaks into a run. The police car&#xA;screeches after him.&#xA;&#xA;COP CAR (O.S.)&#xA;HALT STOP. PUT DOWN YOUR WEAPON.&#xA;&#xA;Bateman ducks down an alley.&#xA;&#xA;EXT. ALLEY - NIGHT&#xA;&#xA;A COP rushes toward him, seemingly from&#xA;out of nowhere, and tackles him, trying to get the gun away&#xA;from him.&#xA;&#xA;Bateman manages to shoot the cop in the face while both of&#xA;them have their hands on the gun, then shoots him again. He&#xA;reloads the gun. The sound of more COP CARS arriving.&#xA;&#xA;He runs out of the alley.&#xA;&#xA;EXT. STREET - NIGHT&#xA;&#xA;As he reaches the street, he finds A PHALANX OF POLICE CARS&#xA;approaching.&#xA;&#xA;COP CAR&#xA;Halt. Put down your weapon.&#xA;&#xA;The cops leap out and fire a warning shot in the air.&#xA;Bateman shoots at them. The police return fire.&#xA;&#xA;Bateman ducks down behind a parked car and continues&#xA;shooting wildly. A bullet hits the gas tank of one of the&#xA;police cars. It catches fire and explodes. The flames light&#xA;up the scene, illuminating the bodies of policemen both living&#xA;and dead.&#xA;&#xA;NEW ANGLE: Bateman flees from the scene. The camera follows&#xA;him as he runs along a row of Porsches, trying to open each&#xA;one, setting off a cacophony of CAR ALARMS.&#xA;THE SOUND OF POLICE SIRENS draws near.&#xA;&#xA;NEW ANGLE: He runs, panting, until he ends up in front of a&#xA;tail, brilliantly lit office building. As he approaches,&#xA;the lights in the building are going off floor by floor.&#xA;&#xA;INT. OFFICE BUILDING - NIGHT&#xA;&#xA;He rushes into the lobby, running for the elevator.&#xA;&#xA;NIGHT WATCHMAN&#xA;Burning the midnight oil, Mr. Smith? You&#xA;forgot to sign in.&#xA;&#xA;Bateman wheels around and shoots him. He runs toward the&#xA;revolving doors. As he swings around in the doors, he&#xA;notices a JANITOR who has witnessed the shooting. He&#xA;revolves back into the lobby and shoots the janitor.&#xA;&#xA;NEW ANGLE:&#xA;&#xA;He runs out of the building and across the&#xA;street to an identical office building, the one that houses&#xA;Pierce &amp;amp; Pierce.&#xA;&#xA;INT. PIERCE &amp;amp; PIERCE LOBBY - NIGHT&#xA;&#xA;Bateman nods at the Pierce &amp;amp; Pierce NIGHT WATCHMAN and signs&#xA;in. He breathes a sigh of relief as the elevator doors close&#xA;behind him.&#xA;&#xA;INT. BATEMAN'S OFFICE - NIGHT&#xA;&#xA;Bateman stands looking out&#xA;through the floor-length windows at a panoramic night view&#xA;of the city and the river.&#xA;&#xA;Below him he sees a SWAT TEAM swarming over the roof of the&#xA;opposite building. There are ambulances standing by, flares&#xA;everywhere, distant sirens.&#xA;&#xA;Suddenly, THE SOUND OF A HELICOPTER draws near. Frightened,&#xA;he drops to the floor behind his desk.&#xA;&#xA;Helicopter searchlights scan the building, illuminating&#xA;Bateman's office for a few moments with a blaze of light.&#xA;&#xA;He is crouched in one corner, half-sobbing, talking into&#xA;the phone, as the searchlight keeps circling.&#xA;&#xA;BATEMAN&#xA;Harold, it's Bateman. Patrick Bateman. You're my&#xA;lawyer so I think you should know-I've killed a lot of&#xA;people. Some escort girls, in an apartment uptown, some&#xA;homeless people, maybe five or ten, an NYU girl I met in&#xA;Central Park. I left her in a parking lot, near Dunkin'&#xA;Donuts. I killed Bethany, my old girlfriend, with a nail&#xA;gun. and a man, some old faggot with a dog. Last week I&#xA;killed another girl with a chainsaw-I had to, she almost&#xA;got away There was someone else there, maybe a model, I&#xA;can't remember but she's dead too. And Paul Owen. I killed&#xA;Paul Owen with an ax, in the face. His body is dissolving&#xA;in a bathtub in Hell's Kitchen. I don't want to leave anything&#xA;out here...I guess I've killed 20 people, maybe 40-I have tapes&#xA;of a lot of it. Some of the girls have seen the tapes, I even...&#xA;well, I ate some of their brains and I tried to cook a little.&#xA;Tonight I just, well, I had to kill a lot of people and I'm not&#xA;sure I 'm going to get away with it this time-I mean I guess&#xA;I'm a pretty sick guy. So-if you get hack tomorrow, I may show&#xA;up at Harry's Bar, so, you know, keep your eyes open.&#xA;&#xA;Bateman hangs up the phone. The helicopter searchlight&#xA;circles back, briefly illuminating the room. The camera rises&#xA;up over Bateman huddled in the corner, staring blankly at the&#xA;sky.&#xA;&#xA;INT. SMITH AND WOLLENSKY RESTAURANT - DAY&#xA;&#xA;KIMBALL and Bateman are sitting at a corner table.&#xA;&#xA;KIMBALL&#xA;(Very surprised)&#xA;No hash browns?&#xA;&#xA;BATEMAN&#xA;Not in the mood, I guess.&#xA;&#xA;KIMBALL&#xA;But...everyone orders the hash browns here. I&#xA;mean- it's-have you been here before?&#xA;&#xA;BATEMAN&#xA;(Deliberately nonchalant)&#xA;Yes, of course. The hash browns are delicious. I'm just...not...&#xA;ordering them.&#xA;&#xA;KIMBALL&#xA;(Looking at him like he's nuts)&#xA;Suit yourself, I guess.&#xA;&#xA;Pause.&#xA;&#xA;KIMBALL&#xA;So, the night he disappeared? Any new thoughts on&#xA;what you did?&#xA;&#xA;BATEMAN&#xA;I'm not really sure. I had a shower...and some&#xA;sorbet?&#xA;&#xA;KIMBALL&#xA;I think maybe you've got your dates mixed up.&#xA;&#xA;BATEMAN&#xA;But how? Where do you place Paul that night?&#xA;&#xA;KIMBALL&#xA;According to his date book, and this was verified by his&#xA;secretary, he had dinner with...Marcus Halberstam.&#xA;&#xA;BATEMAN&#xA;And?&#xA;&#xA;KIMBALL&#xA;I've questioned him.&#xA;&#xA;BATEMAN&#xA;Marcus?&#xA;&#xA;KIMBALL&#xA;Yes. And he denies it. Though at first he couldn't&#xA;be sure.&#xA;&#xA;BATEMAN&#xA;But Marcus denied it?&#xA;&#xA;KIMBALL&#xA;Yes.&#xA;&#xA;BATEMAN&#xA;Well, does Marcus have an alibi?&#xA;&#xA;KIMBALL&#xA;Yes.&#xA;&#xA;A pause.&#xA;&#xA;BATEMAN&#xA;He does? You're sure?&#xA;&#xA;KIMBALL&#xA;(smiling)&#xA;I checked it out. It's clean.&#xA;&#xA;BATEMAN&#xA;Oh.&#xA;KIMBALL Now where were you?&#xA;(He laughs)&#xA;&#xA;BATEMAN&#xA;(Laughing with him)&#xA;Where was Marcus?&#xA;&#xA;KIMBALL&#xA;He wasn't with Paul&#xA;Owen.&#xA;&#xA;BATEMAN&#xA;So who was he with?&#xA;&#xA;KIMBALL&#xA;He was at Atlantis with Craig McDermott, Frederick Dibble,&#xA;Harry Newman, George Butner and –&#xA;(He pauses, Then looks up)&#xA;- you.&#xA;&#xA;A moment of stunned silence.&#xA;&#xA;BATEMAN&#xA;Oh, right. Of course...We had wanted Paul Owen&#xA;to come. But he said he had plans...I guess I had dinner&#xA;with Victoria...the following night.&#xA;&#xA;KIMBALL&#xA;Personally I think the guy went a little nutso. Split town for&#xA;a while. Maybe he did go to London. Sightseeing. Drinking.&#xA;Whatever. Anyway, I'm pretty sure he'll turn up sooner or&#xA;later.&#xA;(A pause)&#xA;I mean, to think that one of his friends&#xA;killed him, for no reason whatsoever would be too&#xA;ridiculous. Isn't that right, Patrick?&#xA;&#xA;McDermott stops by the table.&#xA;&#xA;McDERMOTT&#xA;KIMBALL! How's the investigation?&#xA;Talking to Bateman? Don't believe a word he says.&#xA;(Laughs uproariously slapping him on the back)&#xA;Bateman, what's wrong with ,you?&#xA;&#xA;Bateman looks at him in silence,&#xA;panicking.&#xA;&#xA;McDERMOTT&#xA;You can't eat at Smith and Wollensky&#xA;without ordering the hash browns. Jesus, Bateman, you're a&#xA;raving maniac. Been at Pierce &amp;amp; Pierce too long.&#xA;(He wanders off muttering)&#xA;No fucking hash browns...&#xA;&#xA;INT. PAUL OWEN'S APARTMENT BUILDING - DAY&#xA;&#xA;Bateman walks into the lobby of Paul Owen's building. He&#xA;has a surgical mask in one hand.&#xA;&#xA;DOORMAN&#xA;What can I do for you, sir?&#xA;&#xA;BATEMAN&#xA;20B.&#xA;&#xA;DOORMAN&#xA;Of course. Mrs. Wolfe is up there right now.&#xA;&#xA;BATEMAN&#xA;Mrs. Wolfe?&#xA;&#xA;DOORMAN&#xA;The real estate agent? You do have an appointment,&#xA;don't you?&#xA;&#xA;Bateman steps out of the elevator and walks cautiously down&#xA;the hallway. Owen's door is open. The apartment is freshly&#xA;painted and has been immaculately redecorated in English&#xA;country-house style: overstuffed sofas, lots of chintz. There&#xA;are flowers everywhere, and a YOUNG YUPPIE COUPLE stands&#xA;admiring the place talkingto the realtor, MRS. WOLFE. Bateman&#xA;wanders down the hallway, looking for familiar signs. He stops&#xA;at the closet where we last saw two dead girls hanging. He&#xA;opens the door and the light switches on, but it is empty. Mrs.&#xA;Wolfe approaches, smiling.&#xA;&#xA;MRS. WOLFE&#xA;Are you my two o'clock?&#xA;&#xA;BATEMAN&#xA;No.&#xA;&#xA;Mrs. Wolfe eyes him strangely, then looks down at the&#xA;surgical mash clutched in his hand. Her expression changes.&#xA;&#xA;MRS. WOLFE&#xA;Can I help you?&#xA;&#xA;BATEMAN&#xA;I'm looking for...Paul Owen's...place.&#xA;&#xA;She stares at him impassively.&#xA;&#xA;BATEMAN&#xA;Doesn't he live here?&#xA;&#xA;MRS. WOLFE&#xA;No, he doesn't.&#xA;&#xA;BATEMAN&#xA;Are you sure?&#xA;&#xA;MRS. WOLFE&#xA;You saw the ad in the Times?&#xA;&#xA;BATEMAN&#xA;No. Yes. I mean yes, I did. In the Times. But...&#xA;doesn't Paul Owen still live here?&#xA;&#xA;MRS. WOLFE&#xA;There was no ad in the Times.&#xA;&#xA;Bateman is shaking as they continue to stare at each other.&#xA;&#xA;MRS. WOLFE&#xA;I think you should go now.&#xA;&#xA;BATEMAN&#xA;But I think...I want to know what happened&#xA;here.&#xA;&#xA;MRS. WOLFE&#xA;Don't make any trouble. Please. I suggest you go.&#xA;&#xA;Bateman backs away slowly.&#xA;&#xA;MRS. WOLFE&#xA;Don't come back.&#xA;&#xA;BATEMAN&#xA;I won't...don't worry.&#xA;&#xA;Mrs. Wolfe glares at him as he walks down the hall,&#xA;rattled, and gets into the elevator.&#xA;&#xA;EXT. DEPARTMENT STORE - DAY&#xA;&#xA;Bateman enters the revolving&#xA;door of an office building, panicking and breathing&#xA;heavily. He is sweating, his hair is wild, and he looks&#xA;deranged. He goes around the revolving door twice and comes&#xA;out onto the street again, where he bumps smack into a GUY&#xA;just like him.&#xA;&#xA;GUY&#xA;Hey, Kinsley.&#xA;&#xA;Bateman looks up at him wild-eyed.&#xA;&#xA;GUY&#xA;See you at Fluties, okay?&#xA;&#xA;The guy walks away, utterly unfazed. Bateman wanders down&#xA;the street, banging his briefcase against walls, garbage&#xA;cans, etc.&#xA;&#xA;EXT. MIDTOWN PHONE BOOTH - DAY&#xA;&#xA;Bateman searches his pockets&#xA;for pills. He finds three different pills and swallows&#xA;them. He's sweating, and takes his jacket off to wipe his&#xA;face, dialing a number.&#xA;&#xA;JEAN (O.S.)&#xA;Patrick Bateman's office.&#xA;&#xA;BATEMAN&#xA;Jean? Hello? Jean?&#xA;&#xA;JEAN (O.S.)&#xA;Patrick? Is that you?&#xA;&#xA;BATEMAN&#xA;Hello? Jean, I need help!&#xA;&#xA;JEAN (O.S.)&#xA;Where are you?&#xA;&#xA;BATEMAN&#xA;Jean-I'm not-&#xA;&#xA;JEAN (O.S.)&#xA;Craig McDermott called. He wants to meet you and&#xA;David Van Patten and Tim Price at Harry's for drinks.&#xA;&#xA;BATEMAN&#xA;Oh God, what did you say, you dumb bitch?&#xA;&#xA;JEAN (O.S.)&#xA;Patrick? I can't hear you.&#xA;&#xA;BATEMAN&#xA;What are I doing?&#xA;&#xA;JEAN (O.S.)&#xA;Where are you? Patrick, what's wrong?&#xA;&#xA;BATEMAN&#xA;I don't think I'm gonna make it, Jean.&#xA;&#xA;Pause.&#xA;&#xA;BATEMAN&#xA;...to the office this afternoon.&#xA;&#xA;JEAN (O.S.)&#xA;Why?&#xA;&#xA;BATEMAN&#xA;(Screaming)&#xA;Just...say...no!&#xA;&#xA;JEAN (O.S.)&#xA;What is it, Patrick? Are you alright?&#xA;&#xA;BATEMAN&#xA;Stop sounding so Fucking sad! Jesus!&#xA;&#xA;He hangs up. He throws the Walkman which is around his neck&#xA;into a nearby trash can, and wipes his face with his&#xA;jacket.&#xA;&#xA;INT. BATEMAN'S OFFICE- SAME DAY&#xA;&#xA;Jean sits at Bateman's desk. She looks around, and then opens&#xA;his desk drawer and tentatively begins to search through it.&#xA;&#xA;INT. HARRY'S BAR - EVENING&#xA;&#xA;Bateman comes into the bar, a little cleaned up from the&#xA;previous scene (he's smoothed his hair), but still panicking&#xA;and disheveled. He spots his friends in a corner, sits down,&#xA;still breathing heavily.&#xA;&#xA;Price is on his cell-phone, trying to get reservations.&#xA;&#xA;McDERMOTT&#xA;Bateman, you're looking a little wild-eyed rough&#xA;day at the office?&#xA;&#xA;They all laugh.&#xA;&#xA;McDERMOTT&#xA;Hey, look-Price is back. And he's drinking&#xA;Perrier. He s a changed man. Except...he still can't&#xA;get a reservation to save his life.&#xA;&#xA;Bateman sits down silently.&#xA;&#xA;McDERMOTT&#xA;Why don't you try I 50 Wooster? Just fucking call them.&#xA;&#xA;BATEMAN&#xA;(On automatic)&#xA;I'm not going anywhere unless we&#xA;have a reservation.&#xA;&#xA;VAN PATTEN Le Cirque, Flamingo East, Oyster Bar, come on,&#xA;faggots-just get a res.&#xA;&#xA;PRICE&#xA;Keep your shirt on. Maybe lose the suspenders.&#xA;&#xA;Bateman spots HAROLD CARNES at the bar, tenses.&#xA;&#xA;BATEMAN&#xA;(He downs his drink)&#xA;Excuse me, gentlemen. Right back.&#xA;He approaches Carnes cautiously.&#xA;&#xA;CARNES&#xA;Face it-the Japanese will own most of this country by the&#xA;end of the '90s.&#xA;&#xA;Bateman approaches, trying to act casual.&#xA;&#xA;BATEMAN&#xA;Shut up, Carnes, they will not.&#xA;&#xA;Carnes is surprised, turns around, looks vaguely confused.&#xA;&#xA;BATEMAN&#xA;So, Harold, did you get my message?&#xA;&#xA;Carnes lights a cigarette, stalling. Then laughs.&#xA;&#xA;CARNES&#xA;Jesus, Davis. Yes. That was hilarious. That was you,&#xA;wasn't it?&#xA;&#xA;BATEMAN&#xA;(Waving smoke out of his face)&#xA;Yes, naturally.&#xA;&#xA;CARNES&#xA;Bateman killing Owen and the escort girls? Oh that s&#xA;fabulous. That's rich...&#xA;&#xA;Pause&#xA;&#xA;CARNES&#xA;It was a pretty long message, wasn't it?&#xA;&#xA;BATEMAN&#xA;What exactly do you mean?&#xA;&#xA;CARNES&#xA;The message you left.&#xA;&#xA;Carnes is distracted, waving at people.&#xA;&#xA;CARNES&#xA;By the way Davis, how is Cynthia? You're still&#xA;seeing her, right?&#xA;&#xA;BATEMAN&#xA;But wait, Harold, what do you mean?&#xA;&#xA;Carnes isn't really listening.&#xA;&#xA;CARNES&#xA;Excuse me. Nothing. Good to see you. Is that Edward Towers?&#xA;&#xA;He turns to go.&#xA;&#xA;BATEMAN&#xA;Carnes? Wait.&#xA;&#xA;CARNES&#xA;(Sighing)&#xA;Davis. I'm not one to bad-mouth anyone, your joke was amusing.&#xA;But come on, man, you had one fatal flaw: Bateman's such a dork,&#xA;such a boring, spineless lightweight, that I couldn't fully&#xA;appreciate it. I wasn't fooled for a second. Now, if you'd said&#xA;Price, or McDermott...Otherwise, it was amusing. Now, let's&#xA;have lunch or dinner or something. Hilarious, Davis. A killer.&#xA;&#xA;BATEMAN&#xA;What are you talking about? Bateman is what?&#xA;&#xA;CARNES&#xA;Oh Christ. He can barely pick up an escort girl, let&#xA;alone...what was it you said he did to her?&#xA;&#xA;Carnes looks around the club, raises his glass to a passing&#xA;couple. He laughs politely.&#xA;&#xA;CARNES&#xA;Now, if you'll excuse me, I really must...&#xA;&#xA;BATEMAN&#xA;(Desperate, shouting)&#xA;Wait. Stop. You don't seem to understand. You're not really&#xA;comprehending any of this. I killed him. I did it, Carnes.&#xA;I'm Patrick Bateman. I chopped Owen's fucking head off.&#xA;I tortured dozens of girls. The whole message I left on your&#xA;machine was true.&#xA;&#xA;CARNES&#xA;Excuse me. I really must he going.&#xA;&#xA;BATEMAN&#xA;No! Listen, don't you know who I am? I'm not Davis, I'm&#xA;Patrick Bateman! I talk to you on the phone all the time!&#xA;Don't you recognize me? You're my lawyer.&#xA;&#xA;Carnes stares at him in confusion and annoyance.&#xA;&#xA;BATEMAN&#xA;Now, Carnes, listen to me. Listen very, very carefully. I killed&#xA;Paul Owen and I liked it. I can't make myself any clearer&#xA;&#xA;CARNES&#xA;But that's simply not possible. And I don't find&#xA;this funny anymore.&#xA;&#xA;BATEMAN&#xA;It never was supposed to he! Why isn't it possible?&#xA;&#xA;CARNES&#xA;(Eyeing Bateman worriedly)&#xA;It's just not.&#xA;&#xA;BATEMAN&#xA;Why not, you stupid bastard?&#xA;&#xA;Carnes stares at him.&#xA;&#xA;CARNES&#xA;Because I had dinner with Paul Owen twice in&#xA;London...just ten days ago.&#xA;&#xA;BATEMAN&#xA;No, you...didn't?&#xA;&#xA;CARNES&#xA;Now, if you'll excuse me.&#xA;&#xA;Bateman returns back to his friends' table, in a daze.&#xA;They are all looking at the television, where Ronald&#xA;Reagan is giving a speech about Iran Contra. They are&#xA;halfheartedly arguing about whether or not he's&#xA;lying.&#xA;&#xA;PRICE&#xA;How can he lie like that? How can he pull that shit?&#xA;&#xA;VAN PATTEN&#xA;What shit? Now where do we have reservations at?&#xA;I mean I'm not really hungry, but I would like to have&#xA;reservations somewhere.&#xA;&#xA;PRICE&#xA;(To Bateman)&#xA;I don't believe it. He looks so...normal. He seems so...&#xA;out of it. So...undangerous.&#xA;&#xA;McDERMOTT&#xA;He is totally harmless you geek. Was totally harmless.&#xA;Just like you are totally harmless. But he did do all that&#xA;shit and you have failed lo get us into I 50, so, you know,&#xA;what can I say?&#xA;&#xA;PRICE&#xA;I just don't see how someone, anyone, can appear that&#xA;way and yet be involved in such total shit. How can you be so&#xA;fucking, I don't know, cool about it?&#xA;&#xA;VAN PATTEN&#xA;Some guys are just born cool, I guess.&#xA;&#xA;Bateman laughs at this. Price shoots him a look.&#xA;&#xA;PRICE&#xA;And Bateman, what are YOU SO fucking zany about?&#xA;&#xA;BATEMAN&#xA;I'm just a happy camper. Rockin' and a-rollin'.&#xA;VAN PATTEN&#xA;(To Price) Rehab's done wonders for you, pal.&#xA;Working for UNICEF now?&#xA;&#xA;McDERMOTT&#xA;Do you want another Perrier Timothy? Some seltzer water?&#xA;&#xA;PRICE&#xA;Oh brother look-he presents himself as a harmless&#xA;Old codger. But inside...&#xA;&#xA;Pause.&#xA;&#xA;PRICE&#xA;But inside...&#xA;&#xA;The SOUNDS OF THE BAR FADE AWAY and we hear Bateman's thoughts:&#xA;&#xA;BATEMAN (V.O.)&#xA;But inside doesn't matter...&#xA;&#xA;THE SOUNDS OF THE BAR RETURN.&#xA;&#xA;McDERMOTT&#xA;(Bored)&#xA;Inside? Yes, inside? Believe it or not, Price we're actually&#xA;listening to you.&#xA;&#xA;PRICE&#xA;Bateman? Come on, what do you think?&#xA;&#xA;Bateman looks up and smiles at Price. Then shrugs.&#xA;&#xA;BATEMAN&#xA;Whatever.&#xA;&#xA;The conversation breaks up as Van Patten takes out his phone.&#xA;&#xA;VAN PATTEN&#xA;Whose moronic idea was it to drink dry beers? I need a Scotch.&#xA;&#xA;The sounds of the bar fade down. The following voiceover runs&#xA;over images of Bateman and his friends ordering drinks, talking&#xA;on portable phones, talking, laughing - combined with images of&#xA;other very similar young men at other tables drinking, talking&#xA;on portable phones, talking, laughing,&#xA;&#xA;BATEMAN (V.O.)&#xA;There are no more barriers to cross. All I have in common with&#xA;the uncontrollable and the insane, the vicious and the evil,&#xA;all the mayhem I have caused and my utter indifference toward&#xA;it, I have now surpassed...&#xA;&#xA;INT. BATEMAN'S OFFICE - DAY&#xA;&#xA;Jean is alone in Bateman's office, looking through his diary.&#xA;We see the pages that she is looking at. They are filled with&#xA;doodles of mutilated women and their names...Jean looks lost&#xA;and frightened, and begins to cry.&#xA;&#xA;BATEMAN (V.O.)&#xA;My pain is constant and sharp and I do not hope for a better&#xA;world for anyone. I fact I want my pain to be inflicted on&#xA;others. I want no escape.&#xA;&#xA;INT. HARRY'S BAR - EARLY EVENING&#xA;As the film ends the camera moves CLOSE on Bateman. He is&#xA;leaning back in his leather armchair, drinking a double Scotch,&#xA;his eyes blank.&#xA;&#xA;BATEMAN (V.O.)&#xA;But even after admitting this, there is no catharsis. I gain no&#xA;deeper knowledge about myself, no new knowledge can be extracted&#xA;from my telling. There has been no reason for me to tell you any&#xA;of this. 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<INFO BITRATE="1063922" KEY_LYRICS="1 Contributor(Alien Grounds) Apex III LyricsSapphire vessel gaining speed&#xA;Frozen dead-air atmosphere&#xA;Light-years above our bathysphere&#xA;Withered mountains, raging seas&#xA;&#xA;Dashing through alien grounds&#xA;Expanding shadows, buzzing drones&#xA;&#xA;White dots flicker on the screen&#xA;Three-headed captain steering wheel&#xA;Figure intact, Apex three&#xA;New constellations now revealed&#xA;&#xA;Sapphire vessel gaining speed&#xA;Frozen dead-air atmosphere&#xA;Light-years above our bathysphere&#xA;Withered mountains, raging seas&#xA;&#xA;Dashing through alien grounds&#xA;Expanding shadows, buzzing drones&#xA;&#xA;Cracking mirror, spider eyes&#xA;Spreading wings the crimson flies&#xA;Lightning awaking the inner light&#xA;Our vessel gliding in burning skies&#xA;Sirens calling, homesick deaf&#xA;Making peace with former selves&#xA;Lightning awaking the inner light&#xA;Our vessel gliding in burning skies" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="365" PLAYTIME_FLOAT="364.803589" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="47559"></INFO>
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<INFO BITRATE="1020544" KEY_LYRICS="3 ContributorsLittle Bit Lighter LyricsMy night's a little bit brighter&#xA;My heart's a little bit lighter&#xA;Oh, all because of you&#xA;My mind's a little bit wiser&#xA;My soul's a little bit higher&#xA;Oh, all because of you&#xA;&#xA;Through every type of season and change&#xA;I found a common theme to my days&#xA;It's you that makes me better this way&#xA;And I need you to know&#xA;&#xA;If you ever, ever need&#xA;You can lay it all on me&#xA;Just know I will always be by your side&#xA;And I promise, honestly&#xA;I will never, never leave&#xA;Darling, I will always be by your side&#xA;&#xA;Your touch just like a healer&#xA;Your love runs so much deeper&#xA;Oh, all because of you&#xA;Your eyes tell me a secret&#xA;You make me a dreamer&#xA;Oh, all because of you&#xA;Through every type of season and change&#xA;I found a common theme to my days&#xA;It's you that makes me better this way&#xA;And I need you to know&#xA;&#xA;If you ever, ever need&#xA;You can lay it all on me&#xA;Just know I will always be by your side&#xA;And I promise, honestly&#xA;I will never, never leave&#xA;Darling, I will always be by your side" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYCOUNT="1" PLAYTIME="298" PLAYTIME_FLOAT="297.944122" IMPORT_DATE="2025/7/13" LAST_PLAYED="2025/9/29" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="37298"></INFO>
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<INFO BITRATE="1052766" KEY_LYRICS="1 ContributorChasing Sunrise Lyrics&#xA;Maybe we could run away&#xA;Get away, break the scene&#xA;Break it up and leave it&#xA;Mmm&#xA;Because you said you knew another way&#xA;A better path we could take&#xA;We'll be alright&#xA;Said it's alright&#xA;&#xA;&#xA;Keep running away&#xA;We're looking alive&#xA;Keep running away&#xA;Losing tonight, chasing sunrise&#xA;&#xA;&#xA;Chasing sunrise&#xA;Chasing sunrise&#xA;&#xA;&#xA;Maybe we could run away&#xA;Get away, break the scene&#xA;Break it up and leave it&#xA;Mmm&#xA;Because you said you knew another way&#xA;A better path we could take&#xA;In you, I see my future&#xA;Ooh, and it's so bright&#xA;&#xA;Keep running away&#xA;We're looking alive&#xA;Keep running away&#xA;Losing tonight, chasing sunrise&#xA;&#xA;&#xA;Chasing sunrise&#xA;Chasing sunrise" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="253" PLAYTIME_FLOAT="252.458298" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="32624"></INFO>
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<INFO BITRATE="1057660" KEY_LYRICS="15 ContributorsThe Bloody Chamber LyricsThe Bloody Chamber is the first story in Angela Carter’s collection of short stories, ‘The Bloody Chamber’.&#xA;&#xA;The Bloody Chamber begins and ends in Paris at the turn of the 20th century, a period known as ‘Fin… Read More I remember how, that night, I lay awake in the wagon-lit in a tender, delicious ecstasy of excitement, my burning cheek pressed against the impeccable linen of the pillow and the pounding of my heart mimicking that of the great pistons ceaselessly thrusting the train that bore me through the night, away from Paris, away from girlhood, away from the white, enclosed quietude of my mother's apartment, into the unguessable country of marriage.&#xA;&#xA;And I remember I tenderly imagined how, at this very moment, my mother would be moving slowly about the narrow bedroom I had left behind for ever, folding up and putting away all my little relics, the tumbled garments I would not need any more, the scores for which there had been no room in my trunks, the concert programmes I'd abandoned; she would linger over this torn ribbon and that faded photograph with all the half-joyous, half-sorrowful emotions of a woman on her daughter's wedding day. And, in the midst of my bridal triumph, I felt a pang of loss as if, when he put the gold band on my finger, I had, in some way, ceased to be her child in becoming his wife.&#xA;&#xA;Are you sure, she'd said when they delivered the gigantic box that held the wedding dress he'd bought me, wrapped up in tissue paper and red ribbon like a Christmas gift of crystallized fruit. Are you sure you love him? There was a dress for her, too; black silk, with the dull, prismatic sheen of oil on water, finer than anything she'd worn since that adventurous girlhood in Indo-China, daughter of a rich tea planter. My eagle-featured, indomitable mother; what other student at the Conservatoire could boast that her mother had outfaced a junkful of Chinese pirates, nursed a village through a visitation of the plague, shot a man-eating tiger with her own hand and all before she was as old as I?&#xA;&#xA;'Are you sure you love him?'&#xA;&#xA;'I'm sure I want to marry him,' I said.&#xA;&#xA;And would say no more. She sighed, as if it was with reluctance that she might at last banish the spectre of poverty from its habitual place at our meagre table. For my mother herself had gladly, scandalously, defiantly beggared herself for love; and, one fine day, her gallant soldier never returned from the wars, leaving his wife and child a legacy of tears that never quite dried, a cigar box full of medals and the antique service revolver that my mother, grown magnificently eccentric in hardship, kept always in her reticule, in case--how I teased her--she was surprised by footpads on her way home from the grocer's shop.&#xA;&#xA;Now and then a starburst of lights spattered the drawn blinds as if the railway company had lit up all the stations through which we passed in celebration of the bride. My satin nightdress had just been shaken from its wrappings; it had slipped over my young girl's pointed breasts and shoulders, supple as a garment of heavy water, and now teasingly caressed me, egregious, insinuating, nudging between my thighs as I shifted restlessly in my narrow berth. His kiss, his kiss with tongue and teeth in it and a rasp of beard, had hinted to me, though with the same exquisite tact as this nightdress he'd given me, of the wedding night, which would be voluptuously deferred until we lay in his great ancestral bed in the sea-girt, pinnacled domain that lay, still, beyond the grasp of my imagination ... that magic place, the fairy castle whose walls were made of foam, that legendary habitation in which he had been born. To which, one day, I might bear an heir. Our destination, my destiny.&#xA;&#xA;Above the syncopated roar of the train, I could hear his even, steady breathing. Only the communicating door kept me from my husband and it stood open. If I rose up on my elbow, I could see the dark, leonine shape of his head and my nostrils caught a whiff of the opulent male scent of leather and spices that always accompanied him and sometimes, during his courtship, had been the only hint he gave me that he had come into my mother's sitting room, for, though he was a big man, he moved as softly as if all his shoes had soles of velvet, as if his footfall turned the carpet into snow.&#xA;&#xA;He had loved to surprise me in my abstracted solitude at the piano. He would tell them not to announce him, then soundlessly open the door and softly creep up behind me with his bouquet of hot-house flowers or his box of marrons glacés, lay his offering upon the keys and clasp his hands over my eyes as I was lost in a Debussy prelude. But that perfume of spiced leather always betrayed him; after my first shock, I was forced always to mimic surprise, so that he would not be disappointed.&#xA;&#xA;He was older than I. He was much older than I; there were streaks of pure silver in his dark mane. But his strange, heavy, almost waxen face was not lined by experience. Rather, experience seemed to have washed it perfectly smooth, like a stone on a beach whose fissures have been eroded by successive tides. And sometimes that face, in stillness when he listened to me playing, with the heavy eyelids folded over eyes that always disturbed me by their absolute absence of light, seemed to me like a mask, as if his real face, the face that truly reflected all the life he had led in the world before he met me, before, even, I was born, as though that face lay underneath this mask. Or else, elsewhere. As though he had laid by the face in which he had lived for so long in order to offer my youth a face unsigned by the years.&#xA;&#xA;And, elsewhere, I might see him plain. Elsewhere. But, where?&#xA;&#xA;In, perhaps, that castle to which the train now took us, that marvellous castle in which he had been born.&#xA;&#xA;Even when he asked me to marry him, and I said: 'Yes,' still he did not lose that heavy, fleshy composure of his. I know it must seem a curious analogy, a man with a flower, but sometimes he seemed to me like a lily. Yes. A lily. Possessed of that strange, ominous calm of a sentient vegetable, like one of those cobra-headed, funereal lilies whose white sheaths are curled out of a flesh as thick and tensely yielding to the touch as vellum. When I said that I would marry him, not one muscle in his face stirred, but he let out a long, extinguished sigh. I thought: Oh! how he must want me! And it was as though the imponderable weight of his desire was a force I might not withstand, not by virtue of its violence but because of its very gravity.&#xA;He had the ring ready in a leather box lined with crimson velvet, a fire opal the size of a pigeon's egg set in a complicated circle of dark antique gold. My old nurse, who still lived with my mother and me, squinted at the ring askance: opals are bad luck, she said. But this opal had been his own mother's ring, and his grandmother's, and her mother's before that, given to an ancestor by Catherine de Medici ... every bride that came to the castle wore it, time out of mind. And did he give it to his other wives and have it back from them? asked the old woman rudely; yet she was a snob. She hid her incredulous joy at my marital coup--her little Marquise--behind a façade of fault-finding. But, here, she touched me. I shrugged and turned my back pettishly on her. I did not want to remember how he had loved other women before me, but the knowledge often teased me in the threadbare self-confidence of the small hours.&#xA;&#xA;I was seventeen and knew nothing of the world; my Marquis had been married before, more than once, and I remained a little bemused that, after those others, he should now have chosen me. Indeed, was he not still in mourning for his last wife? Tsk, tsk, went my old nurse.&#xA;&#xA;And even my mother had been reluctant to see her girl whisked off by a man so recently bereaved. A Romanian countess, a lady of high fashion. Dead just three short months before I met him, a boating accident, at his home, in Brittany. They never found her body but I rummaged through the back copies of the society magazines my old nanny kept in a trunk under her bed and tracked down her photograph. The sharp muzzle of a pretty, witty, naughty monkey; such potent and bizarre charm, of a dark, bright, wild yet worldly thing whose natural habitat must have been some luxurious interior decorator's jungle filled with potted palms and tame, squawking parakeets.&#xA;&#xA;Before that? Her face is common property; everyone painted her but the Redon engraving I liked best, The Evening Star Walking on the Rim of Night. To see her skeletal, enigmatic grace, you would never think she had been a barmaid in a café in Montmartre until Puvis de Chavannes saw her and had her expose her flat breasts and elongated thighs to his brush. And yet it was the absinthe doomed her, or so they said.&#xA;&#xA;The first of all his ladies? That sumptuous diva; I had heard her sing Isolde, precociously musical child that I was, taken to the opera for a birthday treat. My first opera; I had heard her sing Isolde. With what white-hot passion had she burned from the stage! So that you could tell she would die young. We sat high up, halfway to heaven in the gods, yet she half-blinded me. And my father, still alive (oh, so long ago), took hold of my sticky little hand, to comfort me, in the last act, yet all I heard was the glory of her voice.&#xA;&#xA;Married three times within my own brief lifetime to three different graces, now, as if to demonstrate the eclecticism of his taste, he had invited me to join this gallery of beautiful women, I, the poor widow's child with my mouse-coloured hair that still bore the kinks of the plaits from which it had so recently been freed, my bony hips, my nervous, pianist's fingers.&#xA;&#xA;He was rich as Croesus. The night before our wedding--a simple affair, at the Mairie, because his countess was so recently gone--he took my mother and me, curious coincidence, to see Tristan. And, do you know, my heart swelled and ached so during the Liebestod that I thought I must truly love him. Yes. I did. On his arm, all eyes were upon me. The whispering crowd in the foyer parted like the Red Sea to let us through. My skin crisped at his touch.&#xA;&#xA;How my circumstances had changed since the first time I heard those voluptuous chords that carry such a charge of deathly passion in them! Now, we sat in a loge, in red velvet armchairs, and a braided, bewigged flunkey brought us a silver bucket of iced champagne in the interval. The froth spilled over the rim of my glass and drenched my hands, I thought: My cup runneth over. And I had on a Poiret dress. He had prevailed upon my reluctant mother to let him buy my trousseau; what would I have gone to him in, otherwise? Twice-darned underwear, faded gingham, serge skirts, hand-me-downs. So, for the opera, I wore a sinuous shift of white muslin tied with a silk string under the breasts. And everyone stared at me. And at his wedding gift.&#xA;&#xA;His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat.&#xA;&#xA;After the Terror, in the early days of the Directory, the aristos who'd escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now ... the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood.&#xA;&#xA;I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I'd never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.&#xA;&#xA;The next day, we were married.&#xA;&#xA;The train slowed, shuddered to a halt. Lights; clank of metal; a voice declaring the name of an unknown, never-to-be visited station; silence of the night; the rhythm of his breathing, that I should sleep with, now, for the rest of my life. And I could not sleep. I stealthily sat up, raised the blind a little and huddled against the cold window that misted over with the warmth of my breathing, gazing out at the dark platform towards those rectangles of domestic lamplight that promised warmth, company, a supper of sausages hissing in a pan on the stove for the station master, his children tucked up in bed asleep in the brick house with the painted shutters ... all the paraphernalia of the everyday world from which I, with my stunning marriage, had exiled myself.&#xA;Into marriage, into exile; I sensed it, I knew it--that, henceforth, I would always be lonely. Yet that was part of the already familiar weight of the fire opal that glimmered like a gypsy's magic ball, so that I could not take my eyes off it when I played the piano. This ring, the bloody bandage of rubies, the wardrobe of clothes from Poiret and Worth, his scent of Russian leather--all had conspired to seduce me so utterly that I could not say I felt one single twinge of regret for the world of tar-tines and maman that now receded from me as if drawn away on a string, like a child's toy, as the train began to throb again as if in delighted anticipation of the distance it would take me.&#xA;&#xA;The first grey streamers of the dawn now flew in the sky and an eldritch half-light seeped into the railway carriage. I heard no change in his breathing but my heightened, excited senses told me he was awake and gazing at me. A huge man, an enormous man, and his eyes, dark and motionless as those eyes the ancient Egyptians painted upon their sarcophagi, fixed upon me. I felt a certain tension in the pit of my stomach, to be so watched, in such silence. A match struck. He was igniting a Romeo y Julieta fat as a baby's arm.&#xA;&#xA;'Soon,' he said in his resonant voice that was like the tolling of a bell and I felt, all at once, a sharp premonition of dread that lasted only as long as the match flared and I could see his white, broad face as if it were hovering, disembodied, above the sheets, illuminated from below like a grotesque carnival head. Then the flame died, the cigar glowed and filled the compartment with a remembered fragrance that made me think of my father, how he would hug me in a warm fug of Havana, when I was a little girl, before he kissed me and left me and died.&#xA;&#xA;As soon as my husband handed me down from the high step of the train, I smelled the amniotic salinity of the ocean. It was November; the trees, stunted by the Atlantic gales, were bare and the lonely halt was deserted but for his leather-gaitered chauffeur waiting meekly beside the sleek black motor car. It was cold; I drew my furs about me, a wrap of white and black, broad stripes of ermine and sable, with a collar from which my head rose like the calyx of a wildflower. (I swear to you, I had never been vain until I met him.) The bell clanged; the straining train leapt its leash and left us at that lonely wayside halt where only he and I had descended. Oh, the wonder of it; how all that might of iron and steam had paused only to suit his convenience. The richest man in France.&#xA;&#xA;'Madame.'&#xA;&#xA;The chauffeur eyed me; was he comparing me, invidiously, to the countess, the artist's model, the opera singer? I hid behind my furs as if they were a system of soft shields. My husband liked me to wear my opal over my kid glove, a showy, theatrical trick--but the moment the ironic chauffeur glimpsed its simmering flash he smiled, as though it was proof positive I was his master's wife. And we drove towards the widening dawn, that now streaked half the sky with a wintry bouquet of pink of roses, orange of tiger-lilies, as if my husband had ordered me a sky from a florist. The day broke around me like a cool dream.&#xA;&#xA;Sea; sand; a sky that melts into the sea--a landscape of misty pastels with a look about it of being continuously on the point of melting. A landscape with all the deliquescent harmonies of Debussy, of the études I played for him, the reverie I'd been playing that afternoon in the salon of the princess where I'd first met him, among the teacups and the little cakes, I, the orphan, hired out of charity to give them their digestive of music.&#xA;&#xA;And, ah! his castle. The faery solitude of the place; with its turrets of misty blue, its courtyard, its spiked gate, his castle that lay on the very bosom of the sea with seabirds mewing about its attics, the casements opening on to the green and purple, evanescent departures of the ocean, cut off by the tide from land for half a day ... that castle, at home neither on the land nor on the water, a mysterious, amphibious place, contravening the materiality of both earth and the waves, with the melancholy of a mermaiden who perches on her rock and waits, endlessly, for a lover who had drowned far away, long ago. That lovely, sad, sea-siren of a place!&#xA;&#xA;The tide was low; at this hour, so early in the morning, the causeway rose up out of the sea. As the car turned on to the wet cobbles between the slow margins of water, he reached out for my hand that had his sultry, witchy ring on it, pressed my fingers, kissed my palm with extraordinary tenderness. His face was as still as ever I'd seen it, still as a pond iced thickly over, yet his lips, that always looked so strangely red and naked between the black fringes of his beard, now curved a little. He smiled; he welcomed his bride home.&#xA;&#xA;No room, no corridor that did not rustle with the sound of the sea and all the ceilings, the walls on which his ancestors in the stern regalia of rank lined up with their dark eyes and white faces, were stippled with refracted light from the waves which were always in motion; that luminous, murmurous castle of which I was the chatelaine, I, the little music student whose mother had sold all her jewellery, even her wedding ring, to pay the fees at the Conservatoire.&#xA;&#xA;First of all, there was the small ordeal of my initial interview with the housekeeper, who kept this extraordinary machine, this anchored, castellated ocean liner, in smooth running order no matter who stood on the bridge; how tenuous, I thought, might be my authority here! She had a bland, pale, impassive, dislikeable face beneath the impeccably starched white linen head-dress of the region. Her greeting, correct but lifeless, chilled me; daydreaming, I dared presume too much on my status ... briefly wondered how I might install my old nurse, so much loved, however cosily incompetent, in her place. Ill-considered schemings! He told me this one had been his foster mother; was bound to his family in the utmost feudal complicity, 'as much part of the house as I am, my dear'. Now her thin lips offered me a proud little smile. She would be my ally as long as I was his. And with that, I must be content.&#xA;&#xA;But, here, it would be easy to be content. In the turret suite he had given me for my very own, I could gaze out over the tumultuous Atlantic and imagine myself the Queen of the Sea. There was a Bechstein for me in the music room and, on the wall, another wedding present--an early Flemish primitive of Saint Cecilia at her celestial organ. In the prim charm of this saint, with her plump, sallow cheeks and crinkled brown hair, I saw myself as I could have wished to be. I warmed to a loving sensitivity I had not hitherto suspected in him. Then he led me up a delicate spiral staircase to my bedroom; before she discreetly vanished, the housekeeper set him chuckling with some, I dare say, lewd blessing for newlyweds in her native Breton. That I did not understand. That he, smiling, refused to interpret.&#xA;&#xA;And there lay the grand, hereditary matrimonial bed, itself the size, almost, of my little room at home, with the gargoyles carved on its surfaces of ebony, vermilion lacquer, gold leaf; and its white gauze curtains, billowing in the sea breeze. Our bed. And surrounded by so many mirrors! Mirrors on all the walls, in stately frames of contorted gold, that reflected more white lilies than I'd ever seen in my life before. He'd filled the room with them, to greet the bride, the young bride. The young bride, who had become that multitude of girls I saw in the mirrors, identical in their chic navy blue tailor-mades, for travelling, madame, or walking. A maid had dealt with the furs. Henceforth, a maid would deal with everything.&#xA;'See,' he said, gesturing towards those elegant girls. 'I have acquired a whole harem for myself!'&#xA;&#xA;I found that I was trembling. My breath came thickly. I could not meet his eye and turned my head away, out of pride, out of shyness, and watched a dozen husbands approach me in a dozen mirrors and slowly, methodically, teasingly, unfasten the buttons of my jacket and slip it from my shoulders. Enough! No; more! Off comes the skirt; and, next, the blouse of apricot linen that cost more than the dress I had for first communion. The play of the waves outside in the cold sun glittered on his monocle; his movements seemed to me deliberately coarse, vulgar. The blood rushed to my face again, and stayed there.&#xA;&#xA;And yet, you see, I guessed it might be so--that we should have a formal disrobing of the bride, a ritual from the brothel. Sheltered as my life had been, how could I have failed, even in the world of prim bohemia in which I lived, to have heard hints of his world?&#xA;&#xA;He stripped me, gourmand that he was, as if he were stripping the leaves off an artichoke--but do not imagine much finesse about it; this artichoke was no particular treat for the diner nor was he yet in any greedy haste. He approached his familiar treat with a weary appetite. And when nothing but my scarlet, palpitating core remained, I saw, in the mirror, the living image of an etching by Rops from the collection he had shown me when our engagement permitted us to be alone together ... the child with her sticklike limbs, naked but for her button boots, her gloves, shielding her face with her hand as though her face were the last repository of her modesty; and the old, monocled lecher who examined her, limb by limb. He in his London tailoring; she, bare as a lamb chop. Most pornographic of all confrontations. And so my purchaser unwrapped his bargain. And, as at the opera, when I had first seen my flesh in his eyes, I was aghast to feel myself stirring.&#xA;&#xA;At once he closed my legs like a book and I saw again the rare movement of his lips that meant he smiled.&#xA;&#xA;Not yet. Later. Anticipation is the greater part of pleasure, my little love.&#xA;&#xA;And I began to shudder, like a racehorse before a race, yet also with a kind of fear, for I felt both a strange, impersonal arousal at the thought of love and at the same time a repugnance I could not stifle for his white, heavy flesh that had too much in common with the armfuls of arum lilies that filled my bedroom in great glass jars, those undertakers' lilies with the heavy pollen that powders your fingers as if you had dipped them in turmeric. The lilies I always associate with him; that are white. And stain you.&#xA;&#xA;This scene from a voluptuary's life was now abruptly terminated. It turns out he has business to attend to; his estates, his companies--even on your honeymoon? Even then, said the red lips that kissed me before he left me alone with my bewildered senses--a wet, silken brush from his beard; a hint of the pointed tip of the tongue. Disgruntled, I wrapped a neglige of antique lace around me to sip the little breakfast of hot chocolate the maid brought me; after that, since it was second nature to me, there was nowhere to go but the music room and soon I settled down at my piano.&#xA;&#xA;Yet only a series of subtle discords flowed from beneath my fingers: out of tune ... only a little out of tune; but I'd been blessed with perfect pitch and could not bear to play any more. Sea breezes are bad for pianos; we shall need a resident piano-tuner on the premises if I'm to continue with my studies! I flung down the lid in a little fury of disappointment; what should I do now, how shall I pass the long, sea-lit hours until my husband beds me?&#xA;&#xA;I shivered to think of that.&#xA;&#xA;His library seemed the source of his habitual odour of Russian leather. Row upon row of calf-bound volumes, brown and olive, with gilt lettering on their spines, the octavo in brilliant scarlet morocco. A deep-buttoned leather sofa to recline on. A lectern, carved like a spread eagle, that held open upon it an edition of Huysmans's Là-bas, from some over-exquisite private press; it had been bound like a missal, in brass, with gems of coloured glass. The rugs on the floor, deep, pulsing blues of heaven and red of the heart's dearest blood, came from Isfahan and Bokhara; the dark panelling gleamed; there was the lulling music of the sea and a fire of apple logs. The flames flickered along the spines inside a glass-fronted case that held books still crisp and new. Eliphas Levy; the name meant nothing to me. I squinted at a title or two: The Initiation, The Key of Mysteries, The Secret of Pandora's Box, and yawned. Nothing, here, to detain a seventeen-year-old girl waiting for her first embrace. I should have liked, best of all, a novel in yellow paper; I wanted to curl up on the rug before the blazing fire, lose myself in a cheap novel, munch sticky liqueur chocolates. If I rang for them, a maid would bring me chocolates.&#xA;&#xA;Nevertheless, I opened the doors of that bookcase idly to browse. And I think I knew, I knew by some tingling of the fingertips, even before I opened that slim volume with no title at all on the spine, what I should find inside it. When he showed me the Rops, newly bought, dearly prized, had he not hinted that he was a connoisseur of such things? Yet I had not bargained for this, the girl with tears hanging on her cheeks like stuck pearls, her cunt a split fig below the great globes of her buttocks on which the knotted tails of the cat were about to descend, while a man in a black mask fingered with his free hand his prick, that curved upwards like the scimitar he held. The picture had a caption: 'Reproof of curiosity'. My mother, with all the precision of her eccentricity, had told me what it was that lovers did; I was innocent but not naïve. The Adventures of Eulalie at the Harem of the Grand Turk had been printed, according to the flyleaf, in Amsterdam in 1748, a rare collector's piece. Had some ancestor brought it back himself from that northern city? Or had my husband bought it for himself, from one of those dusty little bookshops on the Left Bank where an old man peers at you through spectacles an inch thick, daring you to inspect his wares ... I turned the pages in the anticipation of fear; the print was rusty. Here was another steel engraving: 'Immolation of the wives of the Sultan'. I knew enough for what I saw in that book to make me gasp.&#xA;&#xA;There was a pungent intensification of the odour of leather that suffused his library; his shadow fell across the massacre.&#xA;&#xA;'My little nun has found the prayerbooks, has she?' he demanded, with a curious mixture of mockery and relish; then, seeing my painful, furious bewilderment, he laughed at me aloud, snatched the book from my hands and put it down on the sofa.&#xA;&#xA;'Have the nasty pictures scared Baby? Baby mustn't play with grownups' toys until she's learned how to handle them, must she?'&#xA;&#xA;Then he kissed me. And with, this time, no reticence. He kissed me and laid his hand imperatively upon my breast, beneath the sheath of ancient lace. I stumbled on the winding stair that led to the bedroom, to the carved, gilded bed on which he had been conceived. I stammered foolishly: We've not taken luncheon yet; and, besides, it is broad daylight...&#xA;&#xA;All the better to see you.&#xA;&#xA;He made me put on my choker, the family heirloom of one woman who had escaped the blade. With trembling fingers, I fastened the thing about my neck. It was cold as ice and chilled me. He twined my hair into a rope and lifted it off my shoulders so that he could the better kiss the downy furrows below my ears; that made me shudder. And he kissed those blazing rubies, too. He kissed them before he kissed my mouth. Rapt, he intoned:' Of her apparel she retains/Only her sonorous jewellery.'&#xA;&#xA;A dozen husbands impaled a dozen brides while the mewing gulls swung on invisible trapezes in the empty air outside.&#xA;&#xA;I was brought to my senses by the insistent shrilling of the telephone. He lay beside me, felled like an oak, breathing stertorously, as if he had been fighting with me. In the course of that one-sided struggle, I had seen his deathly composure shatter like a porcelain vase flung against a wall; I had heard him shriek and blaspheme at the orgasm; I had bled. And perhaps I had seen his face without its mask; and perhaps I had not. Yet I had been infinitely dishevelled by the loss of my virginity.&#xA;&#xA;I gathered myself together, reached into the cloisonne cupboard beside the bed that concealed the telephone and addressed the mouthpiece. His agent in New York. Urgent.&#xA;&#xA;I shook him awake and rolled over on my side, cradling my spent body in my arms. His voice buzzed like a hive of distant bees. My husband. My husband, who, with so much love, filled my bedroom with lilies until it looked like an embalming parlour. Those somnolent lilies, that wave their heavy heads, distributing their lush, insolent incense reminiscent of pampered flesh.&#xA;&#xA;When he'd finished with the agent, he turned to me and stroked the ruby necklace that bit into my neck, but with such tenderness now, that I ceased flinching and he caressed my breasts. My dear one, my little love, my child, did it hurt her? He's so sorry for it, such impetuousness, he could not help himself; you see, he loves her so ... and this lover's recitative of his brought my tears in a flood. I clung to him as though only the one who had inflicted the pain could comfort me for suffering it. For a while, he murmured to me in a voice I'd never heard before, a voice like the soft consolations of the sea. But then he unwound the tendrils of my hair from the buttons of his smoking jacket, kissed my cheek briskly and told me the agent from New York had called with such urgent business that he must leave as soon as the tide was low enough. Leave the castle? Leave France! And would be away for at least six weeks.&#xA;&#xA;'But it is our honeymoon!'&#xA;&#xA;A deal, an enterprise of hazard and chance involving several millions, lay in the balance, he said. He drew away from me into that waxworks stillness of his; I was only a little girl, I did not understand. And, he said unspoken to my wounded vanity, I have had too many honeymoons to find them in the least pressing commitments. I know quite well that this child I've bought with a handful of coloured stones and the pelts of dead beasts won't run away. But, after he'd called his Paris agent to book a passage for the States next day--just one tiny call, my little one--we should have time for dinner together.&#xA;&#xA;And I had to be content with that,&#xA;&#xA;A Mexican dish of pheasant with hazelnuts and chocolate; salad; white, voluptuous cheese; a sorbet of muscat grapes and Asti spumante. A celebration of Krug exploded festively. And then acrid black coffee in precious little cups so fine it shadowed the birds with which they were painted. I had Cointreau, he had cognac in the library, with the purple velvet curtains drawn against the night, where he took me to perch on his knee in a leather armchair beside the flickering log fire. He had made me change into that chaste little Poiret shift of white muslin; he seemed especially fond of it, my breasts showed through the flimsy stuff, he said, like little soft white doves that sleep, each one, with a pink eye open. But he would not let me take off my ruby choker, although it was growing very uncomfortable, nor fasten up my descending hair, the sign of a virginity so recently ruptured that still remained a wounded presence between us. He twined his fingers in my hair until I winced; I said, I remember, very little.&#xA;&#xA;'The maid will have changed our sheets already,' he said. 'We do not hang the bloody sheets out of the window to prove to the whole of Brittany you are a virgin, not in these civilized times. But I should tell you it would have been the first time in all my married lives I could have shown my interested tenants such a flag.'&#xA;&#xA;Then I realized, with a shock of surprise, how it must have been my innocence that captivated him--the silent music, he said, of my unknowingness, like La Terrasse des audiences au clair de lune played upon a piano with keys of ether. You must remember how ill at ease I was in that luxurious place, how unease had been my constant companion during the whole length of my courtship by this grave satyr who now gently martyrized my hair. To know that my naivety gave him some pleasure made me take heart. Courage! I shall act the fine lady to the manner born one day, if only by virtue of default.&#xA;&#xA;Then, slowly yet teasingly, as if he were giving a child a great, mysterious treat, he took out a bunch of keys from some interior hidey-hole in his jacket--key after key, a key, he said, for every lock in the house. Keys of all kinds--huge, ancient things of black iron; others slender, delicate, almost baroque; wafer-thin Yale keys for safes and boxes. And, during his absence, it was I who must take care of them all.&#xA;&#xA;I eyed the heavy bunch with circumspection. Until that moment, I had not given a single thought to the practical aspects of marriage with a great house, great wealth, a great man, whose key ring was as crowded as that of a prison warder. Here were the clumsy and archaic keys for the dungeons, for dungeons we had in plenty although they had been converted to cellars for his wines; the dusty bottles inhabited in racks all those deep holes of pain in the rock on which the castle was built. These are the keys to the kitchens, this is the key to the picture gallery, a treasure house filled by five centuries of avid collectors--ah! he foresaw I would spend hours there.&#xA;&#xA;He had amply indulged his taste for the Symbolists, he told me with a glint of greed. There was Moreau's great portrait of his first wife, the famous Sacrificial Victim with the imprint of the lacelike chains on her pellucid skin. Did I know the story of the painting of that picture? How, when she took off her clothes for him for the first time, she fresh from her bar in Montmartre, she had robed herself involuntarily in a blush that reddened her breasts, her shoulders, her arms, her whole body? He had thought of that story, of that dear girl, when first he had undressed me ... Ensor, the great Ensor, his monolithic canvas: The Foolish Virgins. Two or three late Gauguins, his special favourite the one of the tranced brown girl in the deserted house which was called: Out of the Night We Come, Into the Night We Go. And, besides the additions he had made himself, his marvellous inheritance of Watteaus, Poussins and a pair of very special Fragonards, commissioned for a licentious ancestor who, it was said, had posed for the master's brush himself with his own two daughters ... He broke off his catalogue of treasures abruptly.&#xA;&#xA;Your thin white face, chérie; he said, as if he saw it for the first time. Your thin white face, with its promise of debauchery only a connoisseur could detect.&#xA;&#xA;A log fell in the fire, instigating a shower of sparks; the opal on my finger spurted green flame. I felt as giddy as if I were on the edge of a precipice; I was afraid, not so much of him, of his monstrous presence, heavy as if he had been gifted at birth with more specific gravity than the rest of us, the presence that, even when I thought myself most in love with him, always subtly oppressed me ... No. I was not afraid of him; but of myself. I seemed reborn in his unreflective eyes, reborn in unfamiliar shapes. I hardly recognized myself from his descriptions of me and yet, and yet--might there not be a grain of beastly truth hi them? And, in the red firelight, I blushed again, unnoticed, to think he might have chosen me because, in my innocence, he sensed a rare talent for corruption.&#xA;&#xA;Here is the key to the china cabinet--don't laugh, my darling; there's a king's ransom in Sèvres in that closet, and a queen's ransom in Limoges. And a key to the locked, barred room where five generations of plate were kept.&#xA;&#xA;Keys, keys, keys. He would trust me with the keys to his office, although I was only a baby; and the keys to his safes, where he kept the jewels I should wear, he promised me, when we returned to Paris. Such jewels! Why, I would be able to change my earrings and necklaces three times a day, just as the Empress Josephine used to change her underwear. He doubted, he said, with that hollow, knocking sound that served him for a chuckle, I would be quite so interested in his share certificates although they, of course, were worth infinitely more.&#xA;&#xA;Outside our firelit privacy, I could hear the sound of the tide drawing back from the pebbles of the foreshore; it was nearly time for him to leave me. One single key remained unaccounted for on the ring and he hesitated over it; for a moment, I thought he was going to unfasten it from its brothers, slip it back into his pocket and take it away with him.&#xA;&#xA;'What is that key?' I demanded, for his chaffing had made me bold. 'The key to your heart? Give it me!'&#xA;&#xA;He dangled the key tantalizingly above my head, out of reach of my straining fingers; those bare red lips of his cracked sidelong in a smile.&#xA;&#xA;'Ah, no,' he said. 'Not the key to my heart. Rather, the key to my enfer.'&#xA;&#xA;He left it on the ring, fastened the ring together, shook it musically, like a carillon. Then threw the keys in a jingling heap in my lap. I could feel the cold metal chilling my thighs through my thin muslin frock. He bent over me to drop a beard-masked kiss on my forehead.&#xA;&#xA;'Every man must have one secret, even if only one, from his wife,' he said. 'Promise me this, my whey-faced piano-player; promise me you'll use all the keys on the ring except that last little one I showed you. Play with anything you find, jewels, silver plate; make toy boats of my share certificates, if it pleases you, and send them sailing off to America after me. All is yours, everywhere is open to you--except the lock that this single key fits. Yet all it is is the key to a little room at the foot of the west tower, behind the still-room, at the end of a dark little corridor full of horrid cobwebs that would get into your hair and frighten you if you ventured there. Oh, and you'd find it such a dull little room! But you must promise me, if you love me, to leave it well alone. It is only a private study, a hideaway, a &amp;quot;den&amp;quot;, as the English say, where I can go, sometimes, on those infrequent yet inevitable occasions when the yoke of marriage seems to weigh too heavily on my shoulders. There I can go, you understand, to savour the rare pleasure of imagining myself wifeless.'&#xA;&#xA;There was a little thin starlight in the courtyard as, wrapped in my furs, I saw him to his car. His last words were, that he had telephoned the mainland and taken a piano-tuner on to the staff; this man would arrive to take up his duties the next day. He pressed me to his vicuña breast, once, and then drove away.&#xA;&#xA;I had drowsed away that afternoon and now I could not sleep. I lay tossing and turning in his ancestral bed until another daybreak discoloured the dozen mirrors that were iridescent with the reflections of the sea. The perfume of the lilies weighed on my senses; when I thought that, henceforth, I would always share these sheets with a man whose skin, as theirs did, contained that toad-like, clammy hint of moisture, I felt a vague desolation that within me, now my female wound had healed, there had awoken a certain queasy craving like the cravings of pregnant women for the taste of coal or chalk or tainted food, for the renewal of his caresses. Had he not hinted to me, in his flesh as in his speech and looks, of the thousand, thousand baroque intersections of flesh upon flesh? I lay in our wide bed accompanied by, a sleepless companion, my dark newborn curiosity.&#xA;&#xA;I lay in bed alone. And I longed for him. And he disgusted me.&#xA;&#xA;Were there jewels enough in all his safes to recompense me for this predicament? Did all that castle hold enough riches to recompense me for the company of the libertine with whom I must share it? And what, precisely, was the nature of my desirous dread for this mysterious being who, to show his mastery over me, had abandoned me on my wedding night?&#xA;&#xA;Then I sat straight up in bed, under the sardonic masks of the gargoyles carved above me, riven by a wild surmise. Might he have left me, not for Wall Street but for an importunate mistress tucked away God knows where who knew how to pleasure him far better than a girl whose fingers had been exercised, hitherto, only by the practice of scales and arpeggios? And, slowly, soothed, I sank back on to the heaping pillows; I acknowledged that the jealous scare I'd just given myself was not unmixed with a little tincture of relief.&#xA;&#xA;At last I drifted into slumber, as daylight filled the room and chased bad dreams away. But the last thing I remembered, before I slept, was the tall jar of lilies beside the bed, how the thick glass distorted their fat stems so they looked like arms, dismembered arms, drifting drowned in greenish water.&#xA;&#xA;Coffee and croissants to console this bridal, solitary waking. Delicious. Honey, too, in a section of comb on a glass saucer. The maid squeezed the aromatic juice from an orange into a chilled goblet while I watched her as I lay in the lazy, midday bed of the rich. Yet nothing, this morning, gave me more than a fleeting pleasure except to hear that the piano-tuner had been at work already. When the maid told me that, I sprang out of bed and pulled on my old serge skirt and flannel blouse, costume of a student, in which I felt far more at ease with myself than in any of my fine new clothes.&#xA;&#xA;After my three hours of practice, I called the piano-tuner in, to thank him. He was blind, of course; but young, with a gentle mouth and grey eyes that fixed upon me although they could not see me. He was a blacksmith's son from the village across the causeway; a chorister in the church whom the good priest had taught a trade so that he could make a living. All most satisfactory. Yes. He thought he would be happy here. And if, he added shyly, he might sometimes be allowed to hear me play ... for, you see, he loved music. Yes. Of course, I said. Certainly. He seemed to know that I had smiled.&#xA;&#xA;After I dismissed him, even though I'd woken so late, it was still barely time for my 'five o'clock'. The housekeeper, who, thoughtfully forewarned by my husband, had restrained herself from interrupting my music, now made me a solemn visitation with a lengthy menu for a late luncheon. When I told her I did not need it, she looked at me obliquely, along her nose. I understood at once that one of my principal functions as chatelaine was to provide work for the staff. But, all the same, I asserted myself and said I would wait until dinner-time, although I looked forward nervously to the solitary meal. Then I found I had to tell her what I would like to have prepared for me; my imagination, still that of a schoolgirl, ran riot. A fowl in cream--or should I anticipate Christmas with a varnished turkey? No; I have decided. Avocado and shrimp, lots of it, followed by no entrée at all. But surprise me for dessert with every ice-cream in the ice box. She noted all down but sniffed; I'd shocked her. Such tastes! Child that I was, I giggled when she left me.&#xA;&#xA;But, now ... what shall I do, now?&#xA;&#xA;I could have spent a happy hour unpacking the trunks that contained my trousseau but the maid had done that already, the dresses, the tailor-mades hung in the wardrobe in my dressing room, the hats on wooden heads to keep their shape, the shoes on wooden feet as if all these inanimate objects were imitating the appearance of life, to mock me. I did not like to linger in my overcrowded dressing room, nor in my lugubriously lily-scented bedroom. How shall I pass the time?&#xA;&#xA;I shall take a bath in my own bathroom! And found the taps were little dolphins made of gold, with chips of turquoise for eyes. And there was a tank of goldfish, who swam in and out of moving fronds of weeds, as bored, I thought, as I was. How I wished he had not left me. How I wished it were possible to chat with, say, a maid; or, the piano-tuner ... but I knew already my new rank forbade overtures of friendship to the staff.&#xA;&#xA;I had been hoping to defer the call as long as I could, so that I should have something to look forward to in the dead waste of time I foresaw before me, after my dinner was done with, but, at a quarter before seven, when darkness already surrounded the castle, I could contain myself no longer. I telephoned my mother. And astonished myself by bursting into tears when I heard her voice.&#xA;&#xA;No, nothing was the matter. Mother, I have gold bath taps.&#xA;&#xA;I said, gold bath taps!&#xA;&#xA;No; I suppose that's nothing to cry about, Mother.&#xA;&#xA;The line was bad, I could hardly make out her congratulations, her questions, her concern, but I was a little comforted when I put the receiver down.&#xA;&#xA;Yet there still remained one whole hour to dinner and the whole, unimaginable desert of the rest of the evening.&#xA;&#xA;The bunch of keys lay, where he had left them, on the rug before the library fire which had warmed their metal so that they no longer felt cold to the touch but warm, almost, as my own skin. How careless I was; a maid, tending the logs, eyed me reproachfully as if I'd set a trap for her as I picked up the clinking bundle of keys, the keys to the interior doors of this lovely prison of which I was both the inmate and the mistress and had scarcely seen. When I remembered that, I felt the exhilaration of the explorer.&#xA;&#xA;Lights! More lights!&#xA;&#xA;At the touch of a switch, the dreaming library was brilliantly illuminated. I ran crazily about the castle, switching on every light I could find--I ordered the servants to light up all their quarters, too, so the castle would shine like a seaborne birthday cake lit with a thousand candles, one for every year of its life, and everybody on shore would wonder at it. When everything was lit as brightly as the café in the Gare du Nord, the significance of the possessions implied by that bunch of keys no longer intimidated me, for I was determined, now, to search through them all for evidence of my husband's true nature. His office first, evidently.&#xA;&#xA;A mahogany desk half a mile wide, with an impeccable blotter and a bank of telephones. I allowed myself the luxury of opening the safe that contained the jewellery and delved sufficiently among the leather boxes to find out how my marriage had given me access to a jinn's treasury--parures, bracelets, rings ... While I was thus surrounded by diamonds, a maid knocked on the door and entered before I spoke; a subtle discourtesy. I would speak to my husband about it. She eyed my serge skirt superciliously; did madame plan to dress for dinner?&#xA;&#xA;She made a moue of disdain when I laughed to hear that, she was far more the lady than I. But, imagine--to dress up in one of my Poiret extravaganzas, with the jewelled turban and aigrette on my head, roped with pearl to the navel, to sit down all alone in the baronial dining hall at the head of that massive board at which King Mark was reputed to have fed his knights ... I grew calmer under the cold eye of her disapproval. I adopted the crisp inflections of an officer's daughter. No, I would not dress for dinner. Furthermore, I was not hungry enough for dinner itself. She must tell the housekeeper to cancel the dormitory feast I'd ordered. Could they leave me sandwiches and a flask of coffee in my music room? And would they all dismiss for the night?&#xA;&#xA;Mais oui, madame.&#xA;&#xA;I knew by her bereft intonation I had let them down again but I did not care; I was armed against them by the brilliance of his hoard. But I would not find his heart amongst the glittering stones; as soon as she had gone, I began a systematic search of the drawers of his desk.&#xA;&#xA;All was in order, so I found nothing. Not a random doodle on an old envelope, nor the faded photograph of a woman. Only the files of business correspondence, the bills from the home farms, the invoices from tailors, the billets-doux from international financiers. Nothing. And this absence of the evidence of his real life began to impress me strangely; there must, I thought, be a great deal to conceal if he takes such pains to hide it.&#xA;&#xA;His office was a singularly impersonal room, facing inwards, on to the courtyard, as though he wanted to turn his back on the siren sea in order to keep a clear head while he bankrupted a small businessman in Amsterdam or--I noticed with a thrill of distaste--engaged in some business in Laos that must, from certain cryptic references to his amateur botanist's enthusiasm for rare poppies, be to do with opium. Was he not rich enough to do without crime? Or was the crime itself his profit? And yet I saw enough to appreciate his zeal for secrecy.&#xA;&#xA;Now I had ransacked his desk, I must spend a cool-headed quarter of an hour putting every last letter back where I had found it, and, as I covered the traces of my visit, by some chance, as I reached inside a little drawer that had stuck fast, I must have touched a hidden spring, for a secret drawer flew open within that drawer itself; and this secret drawer contained--at last!--a file marked: Personal.&#xA;&#xA;I was alone, but for my reflection in the uncurtained window.&#xA;&#xA;I had the brief notion that his heart, pressed flat as a flower, crimson and thin as tissue paper, lay in this file. It was a very thin one.&#xA;&#xA;I could have wished, perhaps, I had not found that touching, ill-spelt note, on a paper napkin marked La Coupole, that began: 'My darling, I cannot wait for the moment when you may make me yours completely.' The diva had sent him a page of the score of Tristan, the Liebestod, with the single, cryptic word: 'Until...' scrawled across it. But the strangest of all these love letters was a postcard with a view of a village graveyard, among mountains, where some black-coated ghoul enthusiastically dug at a grave; this little scene, executed with the lurid exuberance of Grand Guignol, was captioned: 'Typical Transylvanian Scene--Midnight, All Hallows.' And, on the other side, the message: 'On the occasion of this marriage to the descendant of Dracula--always remember, &amp;quot;the supreme and unique pleasure of love is the certainty that one is doing evil&amp;quot;. Toutes amitiés, C.'&#xA;&#xA;A joke. A joke in the worst possible taste; for had he not been married to a Romanian countess? And then I remembered her pretty, witty face, and her name--Carmilla. My most recent predecessor in this castle had been, it would seem, the most sophisticated.&#xA;&#xA;I put away the file, sobered. Nothing in my life of family love and music had prepared me for these grown-up games and yet these were clues to his self that showed me, at least, how much he had been loved, even if they did not reveal any good reason for it. But I wanted to know still more; and, as I closed the office door and locked it, the means to discover more fell in my way.&#xA;&#xA;Fell, indeed; and with the clatter of a dropped canteen of cutlery, for, as I turned the slick Yale lock, I contrived, somehow, to open up the key ring itself, so that all the keys tumbled loose on the floor. And the very first key I picked out of that pile was, as luck or ill fortune had it, the key to the room he had forbidden me, the room he would keep for his own so that he could go there when he wished to feel himself once more a bachelor.&#xA;&#xA;I made my decision to explore it before I felt a faint resurgence of my ill-defined fear of his waxen stillness. Perhaps I half-imagined, then, that I might find his real self in his den, waiting there to see if indeed I had obeyed him; that he had sent a moving figure of himself to New York, the enigmatic, self-sustaining carapace of his public person, while the real man, whose face I had glimpsed in the storm of orgasm, occupied himself with pressing private business in the study at the foot of the west tower, behind the still-room. Yet, if that were so, it was imperative that I should find him, should know him; and I was too deluded by his apparent taste for me to think my disobedience might truly offend him.&#xA;&#xA;I took the forbidden key from the heap and left the others lying there.&#xA;&#xA;It was now very late and the castle was adrift, as far as it could go from the land, in the middle of the silent ocean where, at my orders, it floated, like a garland of light. And all silent, all still, but for the murmuring of the waves.&#xA;&#xA;I felt no fear, no intimation of dread. Now I walked as firmly as I had done in my mother's house.&#xA;&#xA;Not a narrow, dusty little passage at all; why had he lied to me? But an ill-lit one, certainly; the electricity, for some reason, did not extend here, so I retreated to the still-room and found a bundle of waxed tapers in a cupboard, stored there with matches to light the oak board at grand dinners. I put a match to my little taper and advanced with it in my hand, like a penitent, along the corridor hung with heavy, I think Venetian, tapestries. The flame picked out, here, the head of a man, there, the rich breast of a woman spilling through a rent in her dress--the Rape of the Sabines, perhaps? The naked swords and immolated horses suggested some grisly mythological subject. The corridor wound downwards; there was an almost imperceptible ramp to the thickly carpeted floor. The heavy hangings on the wall muffled my footsteps, even my breathing. For some reason, it grew very warm; the sweat sprang out in beads on my brow. I could no longer hear the sound of the sea.&#xA;&#xA;A long, a winding corridor, as if I were in the viscera of the castle; and this corridor led to a door of worm-eaten oak, low, round-topped, barred with black iron.&#xA;&#xA;And still I felt no fear, no raising of the hairs on the back of the neck, no prickling of the thumbs.&#xA;&#xA;The key slid into the new lock as easily as a hot knife into butter.&#xA;&#xA;No fear; but a hesitation, a holding of the spiritual breath.&#xA;&#xA;If I had found some traces of his heart in a file marked: Personal, perhaps, here, in his subterranean privacy, I might find a little of his soul. It was the consciousness of the possibility of such a discovery, of its possible strangeness, that kept me for a moment motionless, before, in the foolhardiness of my already subtly tainted innocence, I turned the key and the door creaked slowly back.&#xA;&#xA;'There is a striking resemblance between the act of love and the ministrations of a torturer,' opined my husband's favourite poet; I had learned something of the nature of that similarity on my marriage bed. And now my taper showed me the outlines of a rack. There was also a great wheel, like the ones I had seen in woodcuts of the martyrdoms of the saints, in my old nurse's little store of holy books. And--just one glimpse of it before my little flame caved in and I was left in absolute darkness--a metal figure, hinged at the side, which I knew to be spiked on the inside and to have the name: the Iron Maiden.&#xA;&#xA;Absolute darkness. And, about me, the instruments of mutilation.&#xA;&#xA;Until that moment, this spoiled child did not know she had inherited nerves and a will from the mother who had defied the yellow outlaws of Indo-China; My mother's spirit drove me on, into that dreadful place, in a cold ecstasy to know the very worst. I fumbled for the matches in my pocket; what a dim, lugubrious light they gave! And yet, enough, oh, more than enough, to see a room designed for desecration and some dark night of unimaginable lovers whose embraces were annihilation.&#xA;&#xA;The walls of this stark torture chamber were the naked rock; they gleamed as if they were sweating with fright. At the four corners of the room were funerary urns, of great antiquity, Etruscan, perhaps, and, on three-legged ebony stands, the bowls of incense he had left burning which filled the room with a sacerdotal reek. Wheel, rack and Iron Maiden were, I saw, displayed as grandly as if they were items of statuary and I was almost consoled, then, and almost persuaded myself that I might have stumbled only upon a little museum of his perversity, that he had installed these monstrous items here only for contemplation.&#xA;&#xA;Yet at the centre of the room lay a catafalque, a doomed, ominous bier of Renaissance workmanship, surrounded by long white candles and, at its foot, an armful of the same lilies with which he had filled my bedroom, stowed in a four-foot-high jar glazed with a sombre Chinese red. I scarcely dared examine this catafalque and its occupant more closely; yet I knew I must.&#xA;&#xA;Each time I struck a match to light those candles round her bed, it seemed a garment of that innocence of mine for which he had lusted fell away from me.&#xA;&#xA;The opera singer lay, quite naked, under a thin sheet of very rare and precious linen, such as the princes of Italy used to shroud those whom they had poisoned. I touched her, very gently, on the white breast; she was cool, he had embalmed her. On her throat I could see the blue imprint of his strangler's fingers. The cool, sad flame of the candles flickered on her white, closed eyelids. The worst thing was, the dead lips smiled.&#xA;&#xA;Beyond the catafalque, in the middle of the shadows, a white, nacreous glimmer; as my eyes accustomed themselves to the gathering darkness, I at last--oh, horrors!--made out a skull; yes, a skull, so utterly denuded, now, of flesh, that it scarcely seemed possible the stark bone had once been richly upholstered with life. And this skull was strung up by a system of unseen cords, so that it appeared to hang, disembodied, in the still, heavy air, and it had been crowned with a wreath of white roses, and a veil of lace, the final image of his bride.&#xA;&#xA;Yet the skull was still so beautiful, had shaped with its sheer planes so imperiously the face that had once existed above it, that I recognized her the moment I saw her; face of the evening star walking on the rim of night. One false step, oh, my poor, dear girl, next in the fated sisterhood of his wives; one false step and into the abyss of the dark you stumbled.&#xA;&#xA;And where was she, the latest dead, the Romanian countess who might have thought her blood would survive his depredations? I knew she must be here, in the place that had wound me through the castle towards it on a spool of inexorability. But, at first, I could see no sign of her. Then, for some reason--perhaps some change of atmosphere wrought by my presence--the metal shell of the Iron Maiden emitted a ghostly twang; my feverish imagination might have guessed its occupant was trying to clamber out, though, even in the midst of my rising hysteria, I knew she must be dead to find a home there.&#xA;&#xA;With trembling fingers, I prised open the front of the upright coffin, with its sculpted face caught in a rictus of pain. Then, overcome, I dropped the key I still held in my other hand. It dropped into the forming pool of her blood.&#xA;&#xA;She was pierced, not by one but by a hundred spikes, this child of the land of the vampires who seemed so newly dead, so full of blood ... oh God! how recently had he become a widower? How long had he kept her in this obscene cell? Had it been all the time he had courted me, in the clear light of Paris?&#xA;&#xA;I closed the lid of her coffin very gently and burst into a tumult of sobbing that contained both pity for his other victims and also a dreadful anguish to know I, too, was one of them.&#xA;&#xA;The candles flared, as if in a draught from a door to elsewhere. The light caught the fire opal on my hand so that it flashed, once, with a baleful light, as if to tell me the eye of God--his eye--was upon me. My first thought, when I saw the ring for which I had sold myself to this fate, was, how to escape it.&#xA;&#xA;I retained sufficient presence of mind to snuff out the candles round the bier with my fingers, to gather up my taper, to look around, although shuddering, to ensure I had left behind me no traces of my visit.&#xA;&#xA;I retrieved the key from the pool of blood, wrapped it in my handkerchief to keep my hands clean, and fled the room, slamming the door behind me. It crashed to with a juddering reverberation, like the door of hell.&#xA;&#xA;I could not take refuge in my bedroom, for that retained the memory of his presence trapped in the fathomless silvering of his mirrors. My music room seemed the safest place, although I looked at the picture of Saint Cecilia with a faint dread; what had been the nature of her martyrdom? My mind was in a tumult; schemes for flight jostled with one another ... as soon as the tide receded from the causeway, I would make for the mainland--on foot, running, stumbling; I did not trust that leather-clad chauffeur, nor the well-behaved housekeeper, and I dared not take any of the pale, ghostly maids into my confidence, either, since they were his creatures, all. Once at the village, I would fling myself directly on the mercy of the gendarmerie.&#xA;&#xA;But--could I trust them, either? His forefathers had ruled this coast for eight centuries, from this castle whose moat was the Atlantic. Might not the police, the advocates, even the judge, all be in his service, turning a common blind eye to his vices since he was milord whose word must be obeyed? Who, on this distant coast, would believe the white-faced girl from Paris who came running to them with a shuddering tale of blood, of fear, of the ogre murmuring in the shadows? Or, rather, they would immediately know it to be true. But were all honour-bound to let me carry it no further.&#xA;&#xA;Assistance. My mother. I ran to the telephone; and the line, of course, was dead.&#xA;&#xA;Dead as his wives.&#xA;&#xA;A thick darkness, unlit by any star, still glazed the windows. Every lamp in my room burned, to keep the dark outside, yet it seemed still to encroach on me, to be present beside me but as if masked by my lights, the night like a permeable substance that could seep into my skin. I looked at the precious little clock made from hypocritically innocent flowers long ago, in Dresden; the hands had scarcely moved one single hour forward from when I first descended to that private slaughterhouse of his. Time was his servant, too; it would trap me, here, in a night that would last until he came back to me, like a black sun on a hopeless morning.&#xA;&#xA;And yet the time might still be my friend; at that hour, that very hour, he set sail for New York.&#xA;&#xA;To know that, in a few moments, my husband would have left France calmed my agitation a little. My reason told me I had nothing to fear; the tide that would take him away to the New World would let me out of the imprisonment of the castle. Surely I could easily evade the servants. Anybody can buy a ticket at a railway station. Yet I was still rilled with unease. I opened the lid of the piano; perhaps I thought my own particular magic might help me, now, that I could create a pentacle out of music that would keep me from harm for, if my music had first ensnared him, then might it not also give me the power to free myself from him?&#xA;&#xA;Mechanically, I began to play but my fingers were stiff and shaking. At first, I could manage nothing better than the exercises of Czerny but simply the act of playing soothed me and, for solace, for the sake of the harmonious rationality of its sublime mathematics, I searched among his scores until I found The Well-Tempered Clavier. I set myself the therapeutic task of playing all Bach's equations, every one, and, I told myself, if I played them all through without a single mistake--then the morning would find me once more a virgin.&#xA;&#xA;Crash of a dropped stick.&#xA;&#xA;His silver-headed cane! What else? Sly, cunning, he had returned; he was waiting for me outside the door!&#xA;&#xA;I rose to my feet; fear gave me strength. I flung back my head defiantly.&#xA;&#xA;'Come in!' My voice astonished me by its firmness, its clarity.&#xA;&#xA;The door slowly, nervously opened and I saw, not the massive, irredeemable bulk of my husband but the slight, stooping figure of the piano-tuner, and he looked far more terrified of me than my mother's daughter would have been of the Devil himself. In the torture chamber, it seemed to me that I would never laugh again; now, helplessly, laugh I did, with relief, and, after a moment's hesitation, the boy's face softened and he smiled a little, almost in shame. Though they were blind, his eyes were singularly sweet.&#xA;&#xA;'Forgive me,' said Jean-Yves. 'I know I've given you grounds for dismissing me, that I should be crouching outside your door at midnight ... but I heard you walking about, up and down--I sleep in a room at the foot of the west tower--and some intuition told me you could not sleep and might, perhaps, pass the insomniac hours at your piano. And I could not resist that. Besides, I stumbled over these--'&#xA;&#xA;And he displayed the ring of keys I'd dropped outside my husband's office door, the ring from which one key was missing. I took them from him, looked round for a place to stow them, fixed on the piano stool as if to hide them would protect me. Still he stood smiling at me. How hard it was to make everyday conversation.&#xA;&#xA;'It's perfect,' I said. 'The piano. Perfectly in tune.'&#xA;&#xA;But he was full of the loquacity of embarrassment, as though I would only forgive him for his impudence if he explained the cause of it thoroughly.&#xA;&#xA;'When I heard you play this afternoon, I thought I'd never heard such a touch. Such technique. A treat for me, to hear a virtuoso! So I crept up to your door now, humbly as a little dog might, madame, and put my ear to the keyhole and listened, and listened--until my stick fell to the floor through a momentary clumsiness of mine, and I was discovered.'&#xA;&#xA;He had the most touchingly ingenuous smile.&#xA;&#xA;'Perfectly in tune,' I repeated. To my surprise, now I had said it, I found I could not say anything else. I could only repeat: 'In tune ... perfect ... in tune,' over and over again. I saw a dawning surprise in his face. My head throbbed. To see him, in his lovely, blind humanity, seemed to hurt me very piercingly, somewhere inside my breast; his figure blurred, the room swayed about me. After the dreadful revelation of that bloody chamber, it was his tender look that made me faint.&#xA;&#xA;When I recovered consciousness, I found I was lying in the piano-tuner's arms and he was tucking the satin cushion from the piano-stool under my head.&#xA;&#xA;'You are in some great distress,' he said. 'No bride should suffer so much, so early in her marriage.'&#xA;&#xA;His speech had the rhythms of the countryside, the rhythms of the tides.&#xA;&#xA;'Any bride brought to this castle should come ready dressed in mourning, should bring a priest and a coffin with her,' I said.&#xA;&#xA;'What's this?'&#xA;&#xA;It was too late to keep silent; and if he, too, were one of my husband's creatures, then at least he had been kind to me. So I told him everything, the keys, the interdiction, my disobedience, the room, the rack, the skull, the corpses, the blood.&#xA;&#xA;'I can scarcely believe it,' he said, wondering. 'That man ... so rich; so well-born.'&#xA;&#xA;'Here's proof,' I said and tumbled the fatal key out of my handkerchief on to the silken rug.&#xA;&#xA;'Oh God,' he said. 'I can smell the blood.'&#xA;&#xA;He took my hand; he pressed his arms about me. Although he was scarcely more than a boy, I felt a great strength flow into me from his touch.&#xA;&#xA;'We whisper all manner of strange tales up and down the coast,' he said.' There was a Marquis, once, who used to hunt young girls on the mainland; he hunted them with dogs, as though they were foxes. My grandfather had it from his grandfather, how the Marquis pulled a head out of his saddle bag and showed it to the blacksmith while the man was shoeing his horse. &amp;quot;A fine specimen of the genus, brunette, eh, Guillaume?&amp;quot; And it was the head of the blacksmith's wife.'&#xA;&#xA;But, in these more democratic times, my husband must travel as far as Paris to do his hunting in the salons. Jean-Yves knew the moment I shuddered.&#xA;&#xA;'Oh, madame! I thought all these were old wives' tales, chattering of fools, spooks to scare bad children into good behaviour! Yet how could you know, a stranger, that the old name for this place is the Castle of Murder?'&#xA;&#xA;How could I know, indeed? Except that, in my heart, I'd always known its lord would be the death of me.&#xA;&#xA;'Hark!' said my friend suddenly. 'The sea has changed key; it must be near morning, the tide is going down.'&#xA;&#xA;He helped me up. I looked from the window, towards the mainland, along the causeway where the stones gleamed wetly in the thin light of the end of the night and, with an almost unimaginable horror, a horror the intensity of which I cannot transmit to you, I saw, in the distance, still far away yet drawing moment by moment inexorably nearer, the twin headlamps of his great black car, gouging tunnels through the shifting mist.&#xA;&#xA;My husband had indeed returned; this time, it was no fancy.&#xA;&#xA;'The key!' said Jean-Yves. 'It must go back on the ring, with the others. As though nothing had happened.'&#xA;&#xA;But the key was still caked with wet blood and I ran to my bathroom and held it under the hot tap. Crimson water swirled down the basin but, as if the key itself were hurt, the bloody token stuck. The turquoise eyes of the dolphin taps winked at me derisively; they knew my husband had been too clever for me! I scrubbed the stain with my nail brush but still it would not budge. I thought how the car would be rolling silently towards the closed courtyard gate; the more I scrubbed the key, the more vivid grew the stain.&#xA;&#xA;The bell in the gatehouse would jangle. The porter's drowsy son would push back the patchwork quilt, yawning, pull the shirt over his head, thrust his feet into his sabots ... slowly, slowly; open the door for your master as slowly as you can ...&#xA;&#xA;And still the bloodstain mocked the fresh water that spilled from the mouth of the leering dolphin.&#xA;&#xA;'You have no more time,' said Jean-Yves. 'He is here. I know it. I must stay with you.'&#xA;&#xA;'You shall not!' I said. 'Go back to your room, now. Please.'&#xA;&#xA;He hesitated. I put an edge of steel in my voice, for I knew I must meet my lord alone.&#xA;&#xA;'Leave me!'&#xA;&#xA;As soon as he had gone, I dealt with the keys and went to my bedroom. The causeway was empty; Jean-Yves was correct, my husband had already entered the castle. I pulled the curtains close, stripped off my clothes and pulled the bedcurtains round me as a pungent aroma of Russian leather assured me my husband was once again beside me.&#xA;&#xA;'Dearest!'&#xA;&#xA;With the most treacherous, lascivious tenderness, he kissed my eyes, and, mimicking the new bride newly wakened, I flung my arms around him, for on my seeming acquiescence depended my salvation.&#xA;&#xA;'Da Silva of Rio outwitted me,' he said wryly.' My New York agent telegraphed Le Havre and saved me a wasted journey. So we may resume our interrupted pleasures, my love.'&#xA;&#xA;I did not believe one word of it. I knew I had behaved exactly according to his desires; had he not bought me so that I should do so? I had been tricked into my own betrayal to that illimitable darkness whose source I had been compelled to seek in his absence and, now that I had met that shadowed reality of his that came to life only in the presence of its own atrocities, I must pay the price of my new knowledge. The secret of Pandora's box; but he had given me the box, himself, knowing I must learn the secret. I had played a game in which every move was governed by a destiny as oppressive and omnipotent as himself, since that destiny was himself; and I had lost. Lost at that charade of innocence and vice in which he had engaged me. Lost, as the victim loses to the executioner.&#xA;&#xA;His hand brushed my breast, beneath the sheet. I strained my nerves yet could not help but flinch from the intimate touch, for it made me think of the piercing embrace of the Iron Maiden and of his lost lovers in the vault. When he saw my reluctance, his eyes veiled over and yet his appetite did not diminish. His tongue ran over red lips already wet. Silent, mysterious, he moved away from me to draw off his jacket. He took the gold watch from his waistcoat and laid it on the dressing table, like a good bourgeois; scooped out his raiding loose change and now--oh God!--makes a great play of patting his pockets officiously, puzzled lips pursed, searching for something that has been mislaid. Then turns to me with a ghastly, a triumphant smile.&#xA;&#xA;'But of course! I gave the keys to you!'&#xA;&#xA;'Your keys? Why, of course. Here, they're under the pillow; wait a moment--what--Ah! No ... now, where can I have left them? I was whiling away the evening without you at the piano, I remember. Of course! The music room!'&#xA;&#xA;Brusquely he flung my négligé of antique lace on the bed.&#xA;&#xA;'Go and get them.'&#xA;&#xA;'Now? This moment? Can't it wait until morning, my darling?'&#xA;&#xA;I forced myself to be seductive. I saw myself, pale, pliant as a plant that begs to be trampled underfoot, a dozen vulnerable, appealing girls reflected in as many mirrors, and I saw how he almost failed to resist me. If he had come to me in bed, I would have strangled him, then.&#xA;&#xA;But he half-snarled: 'No. It won't wait. Now.'&#xA;&#xA;The unearthly light of dawn filled the room; had only one previous dawn broken upon me in that vile place? And there was nothing for it but to go and fetch the keys from the music stool and pray he would not examine them too closely, pray to God his eyes would fail him, that he might be struck blind.&#xA;&#xA;When I came back into the bedroom carrying the bunch of keys that jangled at every step like a curious musical instrument, he was sitting on the bed in his immaculate shirtsleeves, his head sunk in his hands.&#xA;&#xA;And it seemed to me he was in despair.&#xA;&#xA;Strange. In spite of my fear of him, that made me whiter than my wrap, I felt there emanate from him, at that moment, a stench of absolute despair, rank and ghastly, as if the lilies that surrounded him had all at once begun to fester, or the Russian leather of his scent were reverting to the elements of flayed hide and excrement of which it was composed. The chthonic gravity of his presence exerted a tremendous pressure on the room, so that the blood pounded in my ears as if we had been precipitated to the bottom of the sea, beneath the waves that pounded against the shore.&#xA;&#xA;I held my life in my hands amongst those keys and, in a moment, would place it between his well-manicured fingers. The evidence of that bloody chamber had showed me I could expect no mercy. Yet, when he raised his head and stared at me with his blind, shuttered eyes as though he did not recognize me, I felt a terrified pity for him, for this man who lived in such strange, secret places that, if I loved him enough to follow him, I should have to die.&#xA;&#xA;The atrocious loneliness of that monster!&#xA;&#xA;The monocle had fallen from his face. His curling mane was disordered, as if he had run his hands through it in his distraction. I saw how he had lost his impassivity and was now filled with suppressed excitement. The hand he stretched out for those counters in his game of love and death shook a little; the face that turned towards me contained a sombre delirium that seemed to me compounded of a ghastly, yes, shame but also of a terrible, guilty joy as he slowly ascertained how I had sinned.&#xA;&#xA;That tell-tale stain had resolved itself into a mark the shape and brilliance of the heart on a playing card. He disengaged the key from the ring and looked at it for a while, solitary, brooding.&#xA;&#xA;'It is the key that leads to the kingdom of the unimaginable,' he said. His voice was low and had in it the timbre of certain great cathedral organs that seem, when they are played, to be conversing with God.&#xA;&#xA;I could not restrain a sob.&#xA;&#xA;'Oh, my love, my little love who brought me a white gift of music,' he said, almost as if grieving. 'My little love, you'll never know how much I hate daylight!&amp;quot;&#xA;&#xA;Then he sharply ordered: 'Kneel!'&#xA;&#xA;I knelt before him and he pressed the key lightly to my forehead, held it there for a moment. I felt a faint tingling of the skin and, when I involuntarily glanced at myself in the mirror, I saw the heart-shaped stain had transferred itself to my forehead, to the space between the eyebrows, like the caste mark of a brahmin woman. Or the mark of Cain. And now the key gleamed as freshly as if it had just been cut. He clipped it back on the ring, emitting that same, heavy sigh as he had done when I said that I would marry him.&#xA;&#xA;'My virgin of the arpeggios, prepare yourself for martyrdom.'&#xA;&#xA;'What form shall it take?' I said.&#xA;&#xA;'Decapitation,' he whispered, almost voluptuously. 'Go and bathe yourself; put on that white dress you wore to hear Tristan and the necklace that prefigures your end. And I shall take myself off to the armoury, my dear, to sharpen my great-grandfather's ceremonial sword.'&#xA;&#xA;'The servants?'&#xA;&#xA;'We shall have absolute privacy for our last rites; I have already dismissed them. If you look out of the window you can see them going to the mainland.'&#xA;&#xA;It was now the full, pale light of morning; the weather was grey, indeterminate, the sea had an oily, sinister look, a gloomy day on which to die. Along the causeway I could see trouping every maid and scullion, every pot-boy and pan-scourer, valet, laundress and vassal who worked in that great house, most on foot, a few on bicycles. The faceless housekeeper trudged along with a great basket in which, I guessed, she'd stowed as much as she could ransack from the larder. The Marquis must have given the chauffeur leave to borrow the motor for the day, for it went last of all, at a stately pace, as though the procession were a cortege and the car already bore my coffin to the mainland for. burial.&#xA;&#xA;But I knew no good Breton earth would cover me, like a last, faithful lover; I had another fate.&#xA;&#xA;'I have given them all a day's holiday, to celebrate our wedding,' he said. And smiled.&#xA;&#xA;However hard I stared at the receding company, I could see no sign of Jean-Yves, our latest servant, hired but the preceding morning.&#xA;&#xA;'Go, now. Bathe yourself; dress yourself. The lustratory ritual and the ceremonial robing; after that, the sacrifice. Wait in the music room until I telephone for you. No, my dear!' And he smiled, as I started, recalling the line was dead.' One may call inside the castle just as much as one pleases; but, outside--never.'&#xA;&#xA;I scrubbed my forehead with the nail brush as I had scrubbed the key but this red mark would not go away, either, no matter what I did, and I knew I should wear it until I died, though that would not be long. Then I went to my dressing room and put on that white muslin shift, costume of a victim of an auto-da-fé, he had bought me to listen to the Liebestod in. Twelve young women combed out twelve listless sheaves of brown hair in the mirrors; soon, there would be none. The mass of lilies that surrounded me exhaled, now, the odour of their withering. They looked like the trumpets of the angels of death.&#xA;&#xA;On the dressing table, coiled like a snake about to strike, lay the ruby choker.&#xA;&#xA;Already almost lifeless, cold at heart, I descended the spiral staircase to the music room but there I found I had not been abandoned.&#xA;&#xA;'I can be of some comfort to you,' the boy said.' Though not much use.'&#xA;&#xA;We pushed the piano stool in front of the open window so that, for as long as I could, I would be able to smell the ancient, reconciling smell of the sea that, in time, will cleanse everything, scour the old bones white, wash away all the stains. The last little chambermaid had trotted along the causeway long ago and now the tide, fated as I, came tumbling in, the crisp wavelets splashing on the old stones.&#xA;&#xA;'You do not deserve this,' he said.&#xA;&#xA;'Who can say what I deserve or no?' I said. 'I've done nothing; but that may be sufficient reason for condemning me.'&#xA;&#xA;'You disobeyed him,' he said. 'That is sufficient reason for him to punish you.'&#xA;&#xA;'I only did what he knew I would.'&#xA;&#xA;'Like Eve,' he said.&#xA;&#xA;The telephone rang a shrill imperative. Let it ring. But my lover lifted me up and set me on my feet; I knew I must answer it. The receiver felt heavy as earth.&#xA;&#xA;'The courtyard. Immediately.'&#xA;&#xA;My lover kissed me, he took my hand. He would come with me if I would lead him. Courage. When I thought of courage, I thought of my mother. Then I saw a muscle in my lover's face quiver.&#xA;&#xA;'Hoofbeats!' he said.&#xA;&#xA;I cast one last, desperate glance from the window and, like a miracle, I saw a horse and rider galloping at a vertiginous speed along the causeway, though the waves crashed, now, high as the horse's fetlocks. A rider, her black skirts tucked up around her waist so she could ride hard and fast, a crazy, magnificent horsewoman in widow's weeds.&#xA;&#xA;As the telephone rang again.&#xA;&#xA;'Am I to wait all morning?'&#xA;&#xA;Every moment, my mother drew nearer.&#xA;&#xA;'She will be too late,' Jean-Yves said and yet he could not restrain a note of hope that, though it must be so, yet it might not be so.&#xA;&#xA;The third, intransigent call.&#xA;&#xA;'Shall I come up to heaven to fetch you down, Saint Cecilia? You wicked woman, do you wish me to compound my crimes by desecrating the marriage bed?'&#xA;&#xA;So I must go to the courtyard where my husband waited in his London-tailored trousers and the shirt from Turnbull and Asser, beside the mounting block, with, in his hand, the sword which his great-grandfather had presented to the little corporal, in token of surrender to the Republic, before he shot himself. The heavy sword, unsheathed, grey as that November morning, sharp as childbirth, mortal.&#xA;&#xA;When my husband saw my companion, he observed: 'Let the blind lead the blind, eh? But does even a youth as besotted as you are think she was truly blind to her own desires when she took my ring? Give it me back, whore.'&#xA;&#xA;The fires in the opal had all died down. I gladly slipped it from my finger and, even in that dolorous place, my heart was lighter for the lack of it. My husband took it lovingly and lodged it on the tip of his little finger; it would go no further.&#xA;&#xA;'It will serve me for a dozen more fiancées,' he said. 'To the block, woman. No--leave the boy; I shall deal with him later, utilizing a less exalted instrument than the one with which I do my wife the honour of her immolation, for do not fear that in death you will be divided.'&#xA;&#xA;Slowly, slowly, one foot before the other, I crossed the cobbles. The longer I dawdled over my execution, the more time it gave the avenging angel to descend ...&#xA;&#xA;'Don't loiter, girl! Do you think I shall lose appetite for the meal if you are so long about serving it? No; I shall grow hungrier, more ravenous with each moment, more cruel ... Run to me, run! I have a place prepared for your exquisite corpse in my display of flesh!'&#xA;&#xA;He raised the sword and cut bright segments from the air with it, but still I lingered although my hopes, so recently raised, now began to flag. If she is not here by now, her horse must have stumbled on the causeway, have plunged into the sea ... One thing only made me glad; that my lover would not see me die.&#xA;&#xA;My husband laid my branded forehead on the stone and, as he had done once before, twisted my hair into a rope and drew it away from my neck.&#xA;&#xA;'Such a pretty neck,' he said with what seemed to be a genuine, retrospective tenderness. 'A neck like the stem of a young plant.'&#xA;&#xA;I felt the silken bristle of his beard and the wet touch of his lips as he kissed my nape. And, once again, of my apparel I must retain only my gems; the sharp blade ripped my dress in two and it fell from me. A little green moss, growing in the crevices of the mounting block, would be the last thing I should see in all the world.&#xA;&#xA;The whizz of that heavy sword.&#xA;&#xA;And--a great battering and pounding at the gate, the jangling of the bell, the frenzied neighing of a horse! The unholy silence of the place shattered in an instant. The blade did not descend, the necklace did not sever, my head did not roll. For, for an instant, the beast wavered in his stroke, a sufficient split second of astonished indecision to let me spring upright and dart to the assistance of my lover as he struggled sightlessly with the great bolts that kept her out.&#xA;&#xA;The Marquis stood transfixed, utterly dazed, at a loss. It must have been as if he had been watching his beloved Tristan for the twelfth, the thirteenth time and Tristan stirred, then leapt from his bier in the last act, announced in a jaunty aria interposed from Verdi that bygones were bygones, crying over spilt milk did nobody any good and, as for himself, he proposed to live happily ever after. The puppet master, open-mouthed, wide-eyed, impotent at the last, saw his dolls break free of their strings, abandon the rituals he had ordained for them since time began and start to live for themselves; the king, aghast, witnesses the revolt of his pawns.&#xA;&#xA;You never saw such a wild thing as my mother, her hat seized by the winds and blown out to sea so that her hair was her white mane, her black lisle legs exposed to the thigh, her skirts tucked round her waist, one hand on the reins of the rearing horse while the other clasped my father's service revolver and, behind her, the breakers of the savage, indifferent sea, like the witnesses of a furious justice. And my husband stood stock-still, as if she had been Medusa, the sword still raised over his head as in those clockwork tableaux of Bluebeard that you see in glass cases at fairs.&#xA;&#xA;And then it was as though a curious child pushed his centime into the slot and set all in motion. The heavy, bearded figure roared out aloud, braying with fury, and, wielding the honourable sword as if it were a matter of death or glory, charged us, all three.&#xA;&#xA;On her eighteenth birthday, my mother had disposed of a man-eating tiger that had ravaged the villages in the hills north of Hanoi. Now, without a moment's hesitation, she raised my father's gun, took aim and put a single, irreproachable bullet through my husband's head.&#xA;&#xA;We lead a quiet life, the three of us. I inherited, of course, enormous wealth but we have given most of it away to various charities. The castle is now a school for the blind, though I pray that the children who live there are not haunted by any sad ghosts looking for, crying for, the husband who will never return to the bloody chamber, the contents of which are buried or burned, the door sealed.&#xA;&#xA;I felt I had a right to retain sufficient funds to start a little music school here, on the outskirts of Paris, and we do well enough. Sometimes we can even afford to go to the Opéra, though never to sit in a box, of course. We know we are the source of many whisperings and much gossip but the three of us know the truth of it and mere chatter can never harm us. I can only bless the--what shall I call it?--the maternal telepathy that sent my mother running headlong from the telephone to the station after I had called her, that night. I never heard you cry before, she said, by way of explanation. Not when you were happy. And who ever cried because of gold bath taps?&#xA;&#xA;The night train, the one I had taken; she lay in her berth, sleepless as I had been. When she could not find a taxi at that lonely halt, she borrowed old Dobbin from a bemused farmer, for some internal urgency told her that she must reach me before the incoming tide sealed me away from her for ever. My poor old nurse, left scandalized at home--what? interrupt milord on his honeymoon?--she died soon after. She had taken so much secret pleasure in the fact that her little girl had become a marquise; and now here I was, scarcely a penny the richer, widowed at seventeen in the most dubious circumstances and busily engaged in setting up house with a piano-tuner. Poor thing, she passed away in a sorry state of disillusion! But I do believe my mother loves him as much as I do.&#xA;&#xA;No paint nor powder, no matter how thick or white, can mask that red mark on my forehead; I am glad he cannot see it--not for fear of his revulsion, since I know he sees me clearly with his heart--but, because it spares my shame." PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYCOUNT="1" PLAYTIME="299" PLAYTIME_FLOAT="298.415771" IMPORT_DATE="2025/7/13" LAST_PLAYED="2025/9/29" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="38795"></INFO>
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<INFO BITRATE="1066794" KEY_LYRICS="8 ContributorsOut of Time Lyrics&#xA;Ocean outside, clouds that are falling&#xA;Can we just shut out the blinds, wait 'til the morning?&#xA;And in hourglass, there's a freedom in falling&#xA;But I know it's only a matter of time&#xA;&#xA;&#xA;It only takes four, five seconds, we're about to float&#xA;It's sink in or swim, been thinking of you on the afterglow&#xA;But I still believe that we are only going through the motions, I-I, if we could turn the tides&#xA;Got four, five seconds or we're out of time&#xA;It only takes four, five seconds, we're about to float&#xA;It's sink in or swim, been thinking of you on the afterglow&#xA;But I still believe that we are only going through the motions, I-I, if we could turn the tides&#xA;Got four, five seconds or we're out of time&#xA;&#xA;&#xA;Can't shut our eyes, gravity calling&#xA;And if you're not coming back, give me a warning&#xA;While we touch the sky, there's a freedom in falling&#xA;But I know it's only a matter of time&#xA;&#xA;&#xA;It only takes four, five seconds, we're about to float&#xA;It's sink in or swim, been thinking of you on the afterglow&#xA;But I still believe that we are only going through the motions, I-I, if we could turn the tides&#xA;Got four, five seconds or we're out of time&#xA;&#xA;I hold my hands up, woah&#xA;Oh me, oh my, I want what you're made of, oh&#xA;And now our time's up, woah&#xA;Oh me, oh my, I want what you're made of&#xA;&#xA;&#xA;It only takes four, five seconds, we're about to float&#xA;It's sink in or swim, been thinking of you on the afterglow&#xA;But I still believe that we are only going through the motions, I-I, if we could turn the tides&#xA;Got four, five seconds or we're out of time" PRODUCER="Hospital Records Limited" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="256" PLAYTIME_FLOAT="255.686478" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="33478"></INFO>
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<INFO BITRATE="1038898" KEY_LYRICS="2 ContributorsBoy In Da Corner LyricsBoy in the Corner wie 2003&#xA;Sehe kein Mojo, ich sehe nur Hype&#xA;Alles ist anders, denn alle sind Gleich&#xA;Du hast den Barcode noch an deinem Hals&#xA;Du hast den Barcode noch an deinem Hals&#xA;Alles gefaked sag wie hoch ist dein Preis&#xA;Boy in the Corner wie 2003&#xA; Beat ich komm nicht dran vorbei&#xA;&#xA;Boy in the Corner wie 2003&#xA;Sehe kein Mojo, ich sehe nur Hype&#xA;Alles ist anders, denn alle sind Gleich&#xA;Du hast den Barcode noch an deinem Hals&#xA;Du hast den Barcode noch an deinem Hals&#xA;Alles gefaked sag wie hoch ist dein Preis&#xA;Boy in the Corner wie 2003&#xA; Beat ich komm nicht dran vorbei&#xA;&#xA;Caught him off-beat, ich komm nicht dran vorbei&#xA;Knicklichter Egos, erst brechen, dann schein'&#xA;Ich war 'ne Zeit in mein Zimmer allein&#xA;Ständig lief Kid Cudi - Swim in the light&#xA;Ich hab gefragt: &amp;quot;Ist der Himmel noch weit?&amp;quot;&#xA;Glaub mir die Antwort wird dir nicht gefall'n&#xA;So wenig Mojo geht direkt auf eins&#xA;Das ist das Spiel, ich hab's nie so gepeilt&#xA;Du machst ein Song über pain, aber ich höre kein pain&#xA;Du bist fame wegen Garnichts, du bist lame&#xA;Ich drück den Power-Button nicht auf Play&#xA;Kopf in den Wolken, Nothing was the Same&#xA;Boy in the Corner, Ich bin inspiriert&#xA;Manche sagen meine Songs seien weird&#xA;Finde ich nicht, ich finde die hitten different&#xA;Kommt auch drauf an wie man es definiert&#xA;Alles in einem geht's mir grad sehr gut&#xA;Ich mache Songs, denn, das liegt in meinem Blut&#xA;Papa ist krank, ich muss mich kümmern&#xA;Ich hoffe die Scheiße wird nicht noch schlimmer&#xA;Aber was solls, so spielt das Leben&#xA;Manchmal spielt es auch dreckig&#xA;Ich kehre nichts unterm Teppich&#xA;Dann mach ich mich unverletzlich&#xA;So spielt das Leben, alles ein geben und nehmen&#xA;Alles ein geben und nehmen&#xA;&#xA;Boy in the Corner wie 2003&#xA;Sehe kein Mojo, ich sehe nur Hype&#xA;Alles ist anders, denn alle sind Gleich&#xA;Du hast den Barcode noch an deinem Hals&#xA;Du hast den Barcode noch an deinem Hals&#xA;Alles gefaked sag wie hoch ist dein Preis&#xA;Boy in the Corner wie 2003&#xA; Beat ich komm nicht dran vorbei&#xA;&#xA;Boy in the Corner wie 2003&#xA;Sehe kein Mojo, ich sehe nur Hype&#xA;Alles ist anders, denn alle sind Gleich&#xA;Du hast den Barcode noch an deinem Hals&#xA;Du hast den Barcode noch an deinem Hals&#xA;Alles gefaked sag wie hoch ist dein Preis&#xA;Boy in the Corner wie 2003&#xA; Beat ich komm nicht dran vorbei" PRODUCER="Play Nice Recordings" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="308" PLAYTIME_FLOAT="307.864716" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="39225"></INFO>
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<INFO BITRATE="1028996" KEY_LYRICS="4 ContributorsDo It 4 U Lyrics&#xA;I know that you like this&#xA;I know that you want it&#xA;I know when I smoke this&#xA;I don't know I kept you waitin'&#xA;By all means, you can get it lately&#xA;I'm sayin' I know what to do with it&#xA;I know what you like&#xA;Imma love you right&#xA;Imma give you life&#xA;With me and this weed&#xA;Shit is wavy&#xA;Ride the wave&#xA;Surf this wave with you&#xA;I do this shit for you&#xA;Do it, I do it for you&#xA;&#xA;&#xA;Let me give you life&#xA;Let me give you life&#xA;Bitch be like&#xA;I do it for you&#xA;Let me give you life&#xA;Come here and let me&#xA;I do it for you&#xA;Bitch be like&#xA;Come here and let me&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;I do it for you&#xA;&#xA;&#xA;Oh, when the beat drop, let my ass go babe&#xA;Babe, the beat, let my ass go&#xA;Babe, oh, when the beat drop&#xA;Babe, the beat" PRODUCER="Ninja Tune" COVERARTID="070/G0ZBKKBLNOVYDAM1KVLECWYZFLGA" PLAYTIME="221" PLAYTIME_FLOAT="220.891434" IMPORT_DATE="2025/7/13" RELEASE_DATE="2017/1/1" FLAGS="12" FILESIZE="27927"></INFO>
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<INFO BITRATE="1117477" KEY_LYRICS="1 ContributorTranslationsPortuguêsFerbinho - Dentro de Casa 2 (English Translation) Lyrics&#xA;&#xA;&#xA;Look, DDC 2&#xA;Ayy, Ferbinho&#xA;&#xA;&#xA;I remain at home and you guys know why (CEDES set the ting)&#xA;Remember the gold times when I see the TBTs&#xA;And if there's need for a part 2 of DDC&#xA;It's 'cause the situation's bad and it's already noticeable&#xA;At this point there's no way to get surprised&#xA;This could be a prank or a fictional movie&#xA;I'm working hard inside the homestudio&#xA;I recruit my soldiers and don't leave anybody in the lurch&#xA;My verses are impacting in a good way&#xA;Not like the Bomb Cyclone or the Krakatoa volcano&#xA;I can be a prince, but I'm still getting to the crown&#xA;I pass the vision and I'm more effective than carrot&#xA;You guys seem like the Brazilian Justin Bieber&#xA;Because the public enjoys, but doesn't know about the lies&#xA;My Air Max steps on you, my sound passes by the borders&#xA;By the people who analyze me just like Zetrê, big thing&#xA;I broke bonds with friends that didn't give me peace&#xA;They demonstrated interest in what I have and even more&#xA;This kind of people is worse than smoking cigarettes&#xA;But with no packing to warn of the evil that they do&#xA;&#xA;&#xA;&#xA;Uh, NPGB&#xA;Young Taylor&#xA;(Taylor 'bout to f— flex)&#xA;&#xA;&#xA;The more I sing, the more I fright these evils&#xA;But some people are against and only want to envy&#xA;I'm warning you that I'm flying so high&#xA;That they won't pass me even if they go into orbit&#xA;On the rush to earn some millis&#xA;A Swiss account and a Uno to play&#xA;I go to the bakery, get my daily bread&#xA;But man shall not live on bread alone&#xA;I know everything will change&#xA;Because I believe in a God who fulfills His role, no matter the moment&#xA;I don't get who pretends to be militant&#xA;But the only thing they do is disagree with any other thought&#xA;Atypical times like strong sunshine in the South&#xA;I'm legit, unlike your fraud&#xA;When I join the octagon, the audience applauds&#xA;And they all celebrate when I knock someone out&#xA;You'd better be careful with your nomenclatures&#xA;There is no Chinese virus or Russian vaccine&#xA;Twitter users get excited in advance&#xA;As if it'll come on a jet to your street&#xA;Speaking of jet, I'm already done&#xA;'Cause this scene is fake and it's already a clear fact&#xA;The newspaper calls white drug dealers &amp;quot;deliverers&amp;quot;&#xA;The problem is that I didn't see it written in the dictionary&#xA;In the kindergarten, I learned the ABC&#xA;And I want the letters GTR and BMW&#xA;I don't do this to be better than the others&#xA;But I do my best only doing the necessary&#xA;&#xA;Yeah, prr, prr" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="333" PLAYTIME_FLOAT="332.370392" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="45628"></INFO>
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<INFO BITRATE="991237" KEY_LYRICS="27 ContributorsHeartless Lyrics&#xA;Heartless, heartless, heartless&#xA;So heartless, so heartless, so heartless&#xA;&#xA;&#xA;Say you're goin' out late&#xA;I count down 'til you call me&#xA;It's just one of those things&#xA;That you do when you're lonely&#xA;And you're all about the chase&#xA;But you won't ever let me catch you&#xA;And I wish I was the same&#xA;But I know I'm gonna let you&#xA;Win again and when I do&#xA;It's gonna hurt like hell&#xA;And you don't mean to&#xA;That's what I tell myself&#xA;&#xA;&#xA;But why you gotta be so heartless?&#xA;I know you think it's harmless&#xA;You're tearing me apart and&#xA;Girl, the hardest part is&#xA;You're so high on attention&#xA;Taking miles from inches&#xA;Leave me in the darkness&#xA;Never finish what we started&#xA;Girl, why you gotta be so heartless? (So heartless, so heartless)&#xA;Why you gotta be so heartless? (So heartless, so heartless)&#xA;&#xA;Monday night was definitely not our night&#xA;Tuesday night was just another fight&#xA;Wednesday, I thought everything would change&#xA;Thursday came and it was still the same&#xA;Friday night, we went out on the town&#xA;Saturday, we should have burned it down&#xA;Sunday morning came and now you're gone&#xA;I should probably know this shit by now&#xA;Ah, oh (Ah, oh)&#xA;I should probably know this shit by now&#xA;But no (But no), no&#xA;&#xA;&#xA;Why you gotta be so heartless?&#xA;I know you think it's harmless&#xA;You're tearing me apart and&#xA;Girl, the hardest part is&#xA;You're so high on attention&#xA;Taking miles from inches&#xA;Leave me in the darkness&#xA;Never finish what we started&#xA;Girl, why you gotta be so heartless? (So heartless, so heartless)&#xA;Why you gotta be so heartless? (So heartless, so heartless)&#xA;&#xA;&#xA;Girl, why you gotta be so in between&#xA;Loving me and leaving, leaving?&#xA;Ah, oh (Ah, oh)&#xA;I should probably know this shit by now&#xA;But no (But no), no&#xA;&#xA;Why you gotta be so heartless?&#xA;I know you think it's harmless&#xA;You're tearing me apart and&#xA;Girl, the hardest part is&#xA;You're so high on attention&#xA;Taking miles from inches&#xA;Leave me in the darkness&#xA;Never finish what we started&#xA;Girl, why you gotta be so heartless?  (Heartless, heartless)&#xA;Why you gotta be so heartless? (So heartless, so heartless)&#xA;Why you gotta be so heartless? (Heartless, heartless)&#xA;Girl, why you gotta be so heartless? (So heartless, so heartless)" PRODUCER="Hospital Records Limited - 2015" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="379" PLAYTIME_FLOAT="378.407074" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="46076"></INFO>
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<INFO BITRATE="1070207" KEY_LYRICS="1 ContributorAction Figures Lyrics&#xA;One thing ‘bout bro (bout bro)&#xA;I know that he gon blow (he gon blow)&#xA;Turnt yo ass to a ghost (to a ghost)&#xA;With this big 4 O (big 4O)&#xA;Brand new opp soul (opp soul)&#xA;Smoke his ass like dope (like some dope)&#xA;Niggas be giving out lo (giving out lo’)&#xA;Keep yo eyes on that back door (that back door)&#xA;Know i can’t trust no hoe (nah)&#xA;Cause these bitches be on go (on go)&#xA;They’ll set you up for some dough (for some dough)&#xA;How tf could i be on lack? (lack)&#xA;When big bro in the back (back)&#xA;And a Mack sitting on his lap (on his lap)&#xA;Put bullets all in yo dash (skrt skrt)&#xA;Give it to em till they ass crash (skrt skrt)&#xA;And i pull off like so fast (like so fast)&#xA;Ion even know what happened (what happened)&#xA;Make yo ass disappear like magic (like magic)&#xA;Yo og said this would happen (said this would happen)&#xA;Now RIP all in they caption (all in they caption)&#xA;Cause a fuck nigga thought i was actin&#xA;Movie clip gun lights, camera, action (lights, camera, action)&#xA;Oh, you think shit sweet ?&#xA;Till we pull up like 4 Deep&#xA;Shooting like we trying out for the heat (out for the heat)&#xA;Glock start cussin (fah fah), Glock start fussin&#xA;Shit sound like a fucked up muffler (fucked up muffler)&#xA;Oh, naw you ain’t cool (nah)&#xA;You said that you was my dude (my dude)&#xA;Niggas foul don’t play by the rules&#xA;It so many niggas fucked up in the game&#xA;These niggas be some loose screws (screws)&#xA;I got this chopstick under my bed, and it eat a nigga like Thai food&#xA;What the fuck is you gone do (gon do)&#xA;When we put them beams on you (on you)&#xA;Niggas bet not make one move (one move)&#xA;Or this whole room gon go boom! (go boom, go boom)&#xA;Or this whole room gon go boom! (boom, boom!)&#xA;Or this whole room gon go boom! (grrrahhh, bang)&#xA;Niggas bet not make one move, or this whole room gon go boom !" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="263" PLAYTIME_FLOAT="262.687073" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="34606"></INFO>
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<INFO BITRATE="1006460" KEY_LYRICS="2 ContributorsNorth and South (Chap. 1) Lyrics'Haste To The Wedding'&#xA;&#xA;'Wooed and married and a'.'&#xA;&#xA;'Edith!' said Margaret, gently, 'Edith!'&#xA;But, as Margaret half suspected, Edith had fallen asleep. She lay curled up on the sofa in the back drawing-room in Harley Street, looking very lovely in her white muslin and blue ribbons. If Titania had ever been dressed in white muslin and blue ribbons, and had fallen asleep on a crimson damask sofa in a back drawing-room, Edith might have been taken for her. Margaret was struck afresh by her cousin's beauty. They had grown up together from childhood, and all along Edith had been remarked upon by every one, except Margaret, for her prettiness; but Margaret had never thought about it until the last few days, when the prospect of soon losing her companion seemed to give force to every sweet quality and charm which Edith possessed. They had been talking about wedding dresses, and wedding ceremonies; and Captain Lennox, and what he had told Edith about her future life at Corfu, where his regiment was stationed; and the difficulty of keeping a piano in good tune (a difficulty which Edith seemed to consider as one of the most formidable that could befall her in her married life), and what gowns she should want in the visits to Scotland, which would immediately succeed her marriage; but the whispered tone had latterly become more drowsy; and Margaret, after a pause of a few minutes, found, as she fancied, that in spite of the buzz in the next room, Edith had rolled herself up into a soft ball of muslin and ribbon, and silken curls, and gone off into a peaceful little after-dinner nap.&#xA;&#xA;Margaret had been on the point of telling her cousin of some of the plans and visions which she entertained as to her future life in the country parsonage, where her father and mother lived; and where her bright holidays had always been passed, though for the last ten years her aunt Shaw's house had been considered as her home. But in default of a listener, she had to brood over the change in her life silently as heretofore. It was a happy brooding, although tinged with regret at being separated for an indefinite time from her gentle aunt and dear cousin. As she thought of the delight of filling the important post of only daughter in Helstone parsonage, pieces of the conversation out of the next room came upon her ears. Her aunt Shaw was talking to the five or six ladies who had been dining there, and whose husbands were still in the dining-room. They were the familiar acquaintances of the house; neighbours whom Mrs. Shaw called friends, because she happened to dine with them more frequently than with any other people, and because if she or Edith wanted anything from them, or they from her, they did not scruple to make a call at each other's houses before luncheon. These ladies and their husbands were invited, in their capacity of friends, to eat a farewell dinner in honour of Edith's approaching marriage. Edith had rather objected to this arrangement, for Captain Lennox was expected to arrive by a late train this very evening; but, although she was a spoiled child, she was too careless and idle to have a very strong will of her own, and gave way when she found that her mother had absolutely ordered those extra delicacies of the season which are always supposed to be efficacious against immoderate grief at farewell dinners. She contented herself by leaning back in her chair, merely playing with the food on her plate, and looking grave and absent; while all around her were enjoying the mots of Mr. Grey, the gentleman who always took the bottom of the table at Mrs. Shaw's dinner parties, and asked Edith to give them some music in the drawing-room. Mr. Grey was particularly agreeable over this farewell dinner, and the gentlemen staid down stairs longer than usual. It was very well they did—to judge from the fragments of conversation which Margaret overheard.&#xA;&#xA;'I suffered too much myself; not that I was not extremely happy with the poor dear General, but still disparity of age is a drawback; one that I was resolved Edith should not have to encounter. Of course, without any maternal partiality, I foresaw that the dear child was likely to marry early; indeed, I had often said that I was sure she would be married before she was nineteen. I had quite a prophetic feeling when Captain Lennox'—and here the voice dropped into a whisper, but Margaret could easily supply the blank. The course of true love in Edith's case had run remarkably smooth. Mrs. Shaw had given way to the presentiment, as she expressed it; and had rather urged on the marriage, although it was below the expectations which many of Edith's acquaintances had formed for her, a young and pretty heiress. But Mrs. Shaw said that her only child should marry for love,—and sighed emphatically, as if love had not been her motive for marrying the General. Mrs. Shaw enjoyed the romance of the present engagement rather more than her daughter. Not but that Edith was very thoroughly and properly in love; still she would certainly have preferred a good house in Belgravia, to all the picturesqueness of the life which Captain Lennox described at Corfu. The very parts which made Margaret glow as she listened, Edith pretended to shiver and shudder at; partly for the pleasure she had in being coaxed out of her dislike by her fond lover, and partly because anything of a gipsy or make-shift life was really distasteful to her. Yet had any one come with a fine house, and a fine estate, and a fine title to boot, Edith would still have clung to Captain Lennox while the temptation lasted; when it was over, it is possible she might have had little qualms of ill-concealed regret that Captain Lennox could not have united in his person everything that was desirable. In this she was but her mother's child; who, after deliberately marrying General Shaw with no warmer feeling than respect for his character and establishment, was constantly, though quietly, bemoaning her hard lot in being united to one whom she could not love.&#xA;&#xA;'I have spared no expense in her trousseau,' were the next words Margaret heard.&#xA;&#xA;'She has all the beautiful Indian shawls and scarfs the General gave to me, but which I shall never wear again.'&#xA;&#xA;'She is a lucky girl,' replied another voice, which Margaret knew to be that of Mrs. Gibson, a lady who was taking a double interest in the conversation, from the fact of one of her daughters having been married within the last few weeks.&#xA;&#xA;'Helen had set her heart upon an Indian shawl, but really when I found what an extravagant price was asked, I was obliged to refuse her. She will be quite envious when she hears of Edith having Indian shawls. What kind are they? Delhi? with the lovely little borders?'&#xA;&#xA;Margaret heard her aunt's voice again, but this time it was as if she had raised herself up from her half-recumbent position, and were looking into the more dimly lighted back drawing-room. 'Edith! Edith!' cried she; and then she sank as if wearied by the exertion. Margaret stepped forward.&#xA;'Edith is asleep, Aunt Shaw. Is it anything I can do?'&#xA;&#xA;All the ladies said 'Poor child!' on receiving this distressing intelligence about Edith; and the minute lap-dog in Mrs. Shaw's arms began to bark, as if excited by the burst of pity.&#xA;&#xA;'Hush, Tiny! you naughty little girl! you will waken your mistress. It was only to ask Edith if she would tell Newton to bring down her shawls: perhaps you would go, Margaret dear?'&#xA;Margaret went up into the old nursery at the very top of the house, where Newton was busy getting up some laces which were required for the wedding. While Newton went (not without a muttered grumbling) to undo the shawls, which had already been exhibited four or five times that day, Margaret looked round upon the nursery; the first room in that house with which she had become familiar nine years ago, when she was brought, all untamed from the forest, to share the home, the play, and the lessons of her cousin Edith. She remembered the dark, dim look of the London nursery, presided over by an austere and ceremonious nurse, who was terribly particular about clean hands and torn frocks. She recollected the first tea up there—separate from her father and aunt, who were dining somewhere down below an infinite depth of stairs; for unless she were up in the sky (the child thought), they must be deep down in the bowels of the earth. At home—before she came to live in Harley Street—her mother's dressing-room had been her nursery; and, as they kept early hours in the country parsonage, Margaret had always had her meals with her father and mother. Oh! well did the tall stately girl of eighteen remember the tears shed with such wild passion of grief by the little girl of nine, as she hid her face under the bed-clothes, in that first night; and how she was bidden not to cry by the nurse, because it would disturb Miss Edith; and how she had cried as bitterly, but more quietly, till her newly-seen, grand, pretty aunt had come softly upstairs with Mr. Hale to show him his little sleeping daughter. Then the little Margaret had hushed her sobs, and tried to lie quiet as if asleep, for fear of making her father unhappy by her grief, which she dared not express before her aunt, and which she rather thought it was wrong to feel at all after the long hoping, and planning, and contriving they had gone through at home, before her wardrobe could be arranged so as to suit her grander circumstances, and before papa could leave his parish to come up to London, even for a few days.&#xA;&#xA;Now she had got to love the old nursery, though it was but a dismantled place; and she looked all round, with a kind of cat-like regret, at the idea of leaving it for ever in three days.&#xA;&#xA;'Ah Newton!' said she, 'I think we shall all be sorry to leave this dear old room.'&#xA;&#xA;'Indeed, miss, I shan't for one. My eyes are not so good as they were, and the light here is so bad that I can't see to mend laces except just at the window, where there's always a shocking draught—enough to give one one's death of cold.'&#xA;&#xA;Well, I dare say you will have both good light and plenty of warmth at Naples. You must keep as much of your darning as you can till then. Thank you, Newton, I can take them down—you're busy.'&#xA;&#xA;So Margaret went down laden with shawls, and snuffing up their spicy Eastern smell. Her aunt asked her to stand as a sort of lay figure on which to display them, as Edith was still asleep. No one thought about it; but Margaret's tall, finely made figure, in the black silk dress which she was wearing as mourning for some distant relative of her father's, set off the long beautiful folds of the gorgeous shawls that would have half-smothered Edith. Margaret stood right under the chandelier, quite silent and passive, while her aunt adjusted the draperies. Occasionally, as she was turned round, she caught a glimpse of herself in the mirror over the chimney-piece, and smiled at her own appearance there—the familiar features in the usual garb of a princess. She touched the shawls gently as they hung around her, and took a pleasure in their soft feel and their brilliant colours, and rather liked to be dressed in such splendour—enjoying it much as a child would do, with a quiet pleased smile on her lips. Just then the door opened, and Mr. Henry Lennox was suddenly announced. Some of the ladies started back, as if half-ashamed of their feminine interest in dress. Mrs. Shaw held out her hand to the new-comer; Margaret stood perfectly still, thinking she might be yet wanted as a sort of block for the shawls; but looking at Mr. Lennox with a bright, amused face, as if sure of his sympathy in her sense of the ludicrousness at being thus surprised&#xA;&#xA;Her aunt was so much absorbed in asking Mr. Henry Lennox—who had not been able to come to dinner—all sorts of questions about his brother the bridegroom, his sister the bridesmaid (coming with the Captain from Scotland for the occasion), and various other members of the Lennox family, that Margaret saw she was no more wanted as shawl-bearer, and devoted herself to the amusement of the other visitors, whom her aunt had for the moment forgotten. Almost immediately, Edith came in from the back drawing-room, winking and blinking her eyes at the stronger light, shaking back her slightly-ruffled curls, and altogether looking like the Sleeping Beauty just startled from her dreams. Even in her slumber she had instinctively felt that a Lennox was worth rousing herself for; and she had a multitude of questions to ask about dear Janet, the future, unseen sister-in-law, for whom she professed so much affection, that if Margaret had not been very proud she might have almost felt jealous of the mushroom rival. As Margaret sank rather more into the background on her aunt's joining the conversation, she saw Henry Lennox directing his look towards a vacant seat near her; and she knew perfectly well that as soon as Edith released him from her questioning, he would take possession of that chair. She had not been quite sure, from her aunt's rather confused account of his engagements, whether he would come that night; it was almost a surprise to see him; and now she was sure of a pleasant evening. He liked and disliked pretty nearly the same things that she did. Margaret's face was lightened up into an honest, open brightness. By-and-by he came. She received him with a smile which had not a tinge of shyness or self-consciousness in it.&#xA;&#xA;'Well, I suppose you are all in the depths of business—ladies' business, I mean. Very different to my business, which is the real true law business. Playing with shawls is very different work to drawing up settlements.&#xA;&#xA;'Ah, I knew how you would be amused to find us all so occupied in admiring finery. But really Indian shawls are very perfect things of their kind.'&#xA;&#xA;'I have no doubt they are. Their prices are very perfect, too. Nothing wanting.' The gentlemen came dropping in one by one, and the buzz and noise deepened in tone.&#xA;&#xA;'This is your last dinner-party, is it not? There are no more before Thursday?'&#xA;&#xA;'No. I think after this evening we shall feel at rest, which I am sure I have not done for many weeks; at least, that kind of rest when the hands have nothing more to do, and all the arrangements are complete for an event which must occupy one's head and heart. I shall be glad to have time to think, and I am sure Edith will.'&#xA;&#xA;'I am not so sure about her; but I can fancy that you will. Whenever I have seen you lately, you have been carried away by a whirlwind of some other person's making.'&#xA;'Yes,' said Margaret, rather sadly, remembering the never-ending commotion about trifles that had been going on for more than a month past: 'I wonder if a marriage must always be preceded by what you call a whirlwind, or whether in some cases there might not rather be a calm and peaceful time just before it.'&#xA;&#xA;'Cinderella's godmother ordering the trousseau, the wedding-breakfast, writing the notes of invitation, for instance,' said Mr. Lennox, laughing.&#xA;&#xA;'But are all these quite necessary troubles?' asked Margaret, looking up straight at him for an answer. A sense of indescribable weariness of all the arrangements for a pretty effect, in which Edith had been busied as supreme authority for the last six weeks, oppressed her just now; and she really wanted some one to help her to a few pleasant, quiet ideas connected with a marriage.&#xA;&#xA;'Oh, of course,' he replied with a change to gravity in his tone. 'There are forms and ceremonies to be gone through, not so much to satisfy oneself, as to stop the world's mouth, without which stoppage there would be very little satisfaction in life. But how would you have a wedding arranged?'&#xA;&#xA;'Oh, I have never thought much about it; only I should like it to be a very fine summer morning; and I should like to walk to church through the shade of trees; and not to have so many bridesmaids, and to have no wedding-breakfast. I dare say I am resolving against the very things that have given me the most trouble just now.'&#xA;&#xA;'No, I don't think you are. The idea of stately simplicity accords well with your character.'&#xA;&#xA;Margaret did not quite like this speech; she winced away from it more, from remembering former occasions on which he had tried to lead her into a discussion (in which he took the complimentary part) about her own character and ways of going on. She cut his speech rather short by saying:&#xA;&#xA;'It is natural for me to think of Helstone church, and the walk to it, rather than of driving up to a London church in the middle of a paved street.'&#xA;&#xA;'Tell me about Helstone. You have never described it to me. I should like to have some idea of the place you will be living in, when ninety-six Harley Street will be looking dingy and dirty, and dull, and shut up. Is Helstone a village, or a town, in the first place?'&#xA;&#xA;'Oh, only a hamlet; I don't think I could call it a village at all. There is the church and a few houses near it on the green—cottages, rather—with roses growing all over them.'&#xA;&#xA;'And flowering all the year round, especially at Christmas—make your picture complete,' said he.&#xA;&#xA;'No,' replied Margaret, somewhat annoyed, 'I am not making a picture. I am trying to describe Helstone as it really is. You should not have said that.'&#xA;&#xA;'I am penitent,' he answered. 'Only it really sounded like a village in a tale rather than in real life.'&#xA;'And so it is,' replied Margaret, eagerly. 'All the other places in England that I have seen seem so hard and prosaic-looking, after the New Forest. Helstone is like a village in a poem—in one of Tennyson's poems. But I won't try and describe it any more. You would only laugh at me if I told you what I think of it—what it really is.'&#xA;&#xA;'Indeed, I would not. But I see you are going to be very resolved. Well, then, tell me that which I should like still better to know what the parsonage is like.'&#xA;&#xA;'Oh, I can't describe my home. It is home, and I can't put its charm into words.'&#xA;&#xA;'I submit. You are rather severe to-night, Margaret.&#xA;&#xA;'How?' said she, turning her large soft eyes round full upon him. 'I did not know I was.'&#xA;&#xA;'Why, because I made an unlucky remark, you will neither tell me what Helstone is like, nor will you say anything about your home, though I have told you how much I want to hear about both, the latter especially.'&#xA;&#xA;'But indeed I cannot tell you about my own home. I don't quite think it is a thing to be talked about, unless you knew it.'&#xA;&#xA;'Well, then'—pausing for a moment—'tell me what you do there. Here you read, or have lessons, or otherwise improve your mind, till the middle of the day; take a walk before lunch, go a drive with your aunt after, and have some kind of engagement in the evening. There, now fill up your day at Helstone. Shall you ride, drive, or walk?'&#xA;&#xA;'Walk, decidedly. We have no horse, not even for papa. He walks to the very extremity of his parish. The walks are so beautiful, it would be a shame to drive—almost a shame to ride.'&#xA;&#xA;'Shall you garden much? That, I believe, is a proper employment for young ladies in the country.'&#xA;&#xA;'I don't know. I am afraid I shan't like such hard work.'&#xA;&#xA;'Archery parties—pic-nics—race-balls—hunt-balls?'&#xA;&#xA;'Oh no!' said she, laughing. 'Papa's living is very small; and even if we were near such things, I doubt if I should go to them.'&#xA;&#xA;'I see, you won't tell me anything. You will only tell me that you are not going to do this and that. Before the vacation ends, I think I shall pay you a call, and see what you really do employ yourself in.'&#xA;&#xA;'I hope you will. Then you will see for yourself how beautiful Helstone is. Now I must go. Edith is sitting down to play, and I just know enough of music to turn over the leaves for her; and besides, Aunt Shaw won't like us to talk.' Edith played brilliantly. In the middle of the piece the door half-opened, and Edith saw Captain Lennox hesitating whether to come in. She threw down her music, and rushed out of the room, leaving Margaret standing confused and blushing to explain to the astonished guests what vision had shown itself to cause Edith's sudden flight. Captain Lennox had come earlier than was expected; or was it really so late? They looked at their watches, were duly shocked, and took their leave.&#xA;&#xA;Then Edith came back, glowing with pleasure, half-shyly, half-proudly leading in her tall handsome Captain. His brother shook hands with him, and Mrs. Shaw welcomed him in her gentle kindly way, which had always something plaintive in it, arising from the long habit of considering herself a victim to an uncongenial marriage. Now that, the General being gone, she had every good of life, with as few drawbacks as possible, she had been rather perplexed to find an anxiety, if not a sorrow. She had, however, of late settled upon her own health as a source of apprehension; she had a nervous little cough whenever she thought about it; and some complaisant doctor ordered her just what she desired,—a winter in Italy. Mrs. Shaw had as strong wishes as most people, but she never liked to do anything from the open and acknowledged motive of her own good will and pleasure; she preferred being compelled to gratify herself by some other person's command or desire. She really did persuade herself that she was submitting to some hard external necessity; and thus she was able to moan and complain in her soft manner, all the time she was in reality doing just what she liked.&#xA;&#xA;It was in this way she began to speak of her own journey to Captain Lennox, who assented, as in duty bound, to all his future mother-in-law said, while his eyes sought Edith, who was busying herself in rearranging the tea-table, and ordering up all sorts of good things, in spite of his assurances that he had dined within the last two hours.&#xA;&#xA;Mr. Henry Lennox stood leaning against the chimney-piece, amused with the family scene. He was close by his handsome brother; he was the plain one in a singularly good-looking family; but his face was intelligent, keen, and mobile; and now and then Margaret wondered what it was that he could be thinking about, while he kept silence, but was evidently observing, with an interest that was slightly sarcastic, all that Edith and she were doing. The sarcastic feeling was called out by Mrs. Shaw's conversation with his brother; it was separate from the interest which was excited by what he saw. He thought it a pretty sight to see the two cousins so busy in their little arrangements about the table. Edith chose to do most herself. She was in a humour to enjoy showing her lover how well she could behave as a soldier's wife. She found out that the water in the urn was cold, and ordered up the great kitchen tea-kettle; the only consequence of which was that when she met it at the door, and tried to carry it in, it was too heavy for her, and she came in pouting, with a black mark on her muslin gown, and a little round white hand indented by the handle, which she took to show to Captain Lennox, just like a hurt child, and, of course, the remedy was the same in both cases. Margaret's quickly-adjusted spirit-lamp was the most efficacious contrivance, though not so like the gypsy-encampment which Edith, in some of her moods, chose to consider the nearest resemblance to a barrack-life. After this evening all was bustle till the wedding was over." PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="363" PLAYTIME_FLOAT="362.790619" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="44881"></INFO>
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<INFO BITRATE="1192454" KEY_LYRICS="2 ContributorsYou Are You LyricsYou're every dream I've ever dreamt&#xA;You are by far the only apartment&#xA;That I'd ever care to rent&#xA;You're like Doctor Kissenger&#xA;On a peace trip or two&#xA;But most important of all&#xA;You are you&#xA;You're like a painting by Cozanne&#xA;A tin of soup by Andy Warhol&#xA;A sonata by Chopin&#xA;You're like the Queen of England&#xA;Not forgetting the Duke&#xA;But most important of all&#xA;You are you&#xA;I'm no genius when it comes to world affairs&#xA;On the other hand when I am with you who cares&#xA;As you can see&#xA;You're my priority&#xA;&#xA;&#xA;But most important of all&#xA;You are you&#xA;I don't suppose that there_s the slightest little chance&#xA;You might allow me to consummate our romance&#xA;Your know what, you're a supersonic flight&#xA;A song by Lennon and McCartney&#xA;A Mohammed Ali fight&#xA;You're like Brigitte Bardot&#xA;No way Danny La Rue...&#xA;But most important of all&#xA;You are you&#xA;Yes most important of all&#xA;You are, you are, you are you" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="291" PLAYTIME_FLOAT="290.819946" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="42620"></INFO>
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<INFO BITRATE="1015003" KEY_LYRICS="15 ContributorsThe Bloody Chamber LyricsThe Bloody Chamber is the first story in Angela Carter’s collection of short stories, ‘The Bloody Chamber’.&#xA;&#xA;The Bloody Chamber begins and ends in Paris at the turn of the 20th century, a period known as ‘Fin… Read More I remember how, that night, I lay awake in the wagon-lit in a tender, delicious ecstasy of excitement, my burning cheek pressed against the impeccable linen of the pillow and the pounding of my heart mimicking that of the great pistons ceaselessly thrusting the train that bore me through the night, away from Paris, away from girlhood, away from the white, enclosed quietude of my mother's apartment, into the unguessable country of marriage.&#xA;&#xA;And I remember I tenderly imagined how, at this very moment, my mother would be moving slowly about the narrow bedroom I had left behind for ever, folding up and putting away all my little relics, the tumbled garments I would not need any more, the scores for which there had been no room in my trunks, the concert programmes I'd abandoned; she would linger over this torn ribbon and that faded photograph with all the half-joyous, half-sorrowful emotions of a woman on her daughter's wedding day. And, in the midst of my bridal triumph, I felt a pang of loss as if, when he put the gold band on my finger, I had, in some way, ceased to be her child in becoming his wife.&#xA;&#xA;Are you sure, she'd said when they delivered the gigantic box that held the wedding dress he'd bought me, wrapped up in tissue paper and red ribbon like a Christmas gift of crystallized fruit. Are you sure you love him? There was a dress for her, too; black silk, with the dull, prismatic sheen of oil on water, finer than anything she'd worn since that adventurous girlhood in Indo-China, daughter of a rich tea planter. My eagle-featured, indomitable mother; what other student at the Conservatoire could boast that her mother had outfaced a junkful of Chinese pirates, nursed a village through a visitation of the plague, shot a man-eating tiger with her own hand and all before she was as old as I?&#xA;&#xA;'Are you sure you love him?'&#xA;&#xA;'I'm sure I want to marry him,' I said.&#xA;&#xA;And would say no more. She sighed, as if it was with reluctance that she might at last banish the spectre of poverty from its habitual place at our meagre table. For my mother herself had gladly, scandalously, defiantly beggared herself for love; and, one fine day, her gallant soldier never returned from the wars, leaving his wife and child a legacy of tears that never quite dried, a cigar box full of medals and the antique service revolver that my mother, grown magnificently eccentric in hardship, kept always in her reticule, in case--how I teased her--she was surprised by footpads on her way home from the grocer's shop.&#xA;&#xA;Now and then a starburst of lights spattered the drawn blinds as if the railway company had lit up all the stations through which we passed in celebration of the bride. My satin nightdress had just been shaken from its wrappings; it had slipped over my young girl's pointed breasts and shoulders, supple as a garment of heavy water, and now teasingly caressed me, egregious, insinuating, nudging between my thighs as I shifted restlessly in my narrow berth. His kiss, his kiss with tongue and teeth in it and a rasp of beard, had hinted to me, though with the same exquisite tact as this nightdress he'd given me, of the wedding night, which would be voluptuously deferred until we lay in his great ancestral bed in the sea-girt, pinnacled domain that lay, still, beyond the grasp of my imagination ... that magic place, the fairy castle whose walls were made of foam, that legendary habitation in which he had been born. To which, one day, I might bear an heir. Our destination, my destiny.&#xA;&#xA;Above the syncopated roar of the train, I could hear his even, steady breathing. Only the communicating door kept me from my husband and it stood open. If I rose up on my elbow, I could see the dark, leonine shape of his head and my nostrils caught a whiff of the opulent male scent of leather and spices that always accompanied him and sometimes, during his courtship, had been the only hint he gave me that he had come into my mother's sitting room, for, though he was a big man, he moved as softly as if all his shoes had soles of velvet, as if his footfall turned the carpet into snow.&#xA;&#xA;He had loved to surprise me in my abstracted solitude at the piano. He would tell them not to announce him, then soundlessly open the door and softly creep up behind me with his bouquet of hot-house flowers or his box of marrons glacés, lay his offering upon the keys and clasp his hands over my eyes as I was lost in a Debussy prelude. But that perfume of spiced leather always betrayed him; after my first shock, I was forced always to mimic surprise, so that he would not be disappointed.&#xA;&#xA;He was older than I. He was much older than I; there were streaks of pure silver in his dark mane. But his strange, heavy, almost waxen face was not lined by experience. Rather, experience seemed to have washed it perfectly smooth, like a stone on a beach whose fissures have been eroded by successive tides. And sometimes that face, in stillness when he listened to me playing, with the heavy eyelids folded over eyes that always disturbed me by their absolute absence of light, seemed to me like a mask, as if his real face, the face that truly reflected all the life he had led in the world before he met me, before, even, I was born, as though that face lay underneath this mask. Or else, elsewhere. As though he had laid by the face in which he had lived for so long in order to offer my youth a face unsigned by the years.&#xA;&#xA;And, elsewhere, I might see him plain. Elsewhere. But, where?&#xA;&#xA;In, perhaps, that castle to which the train now took us, that marvellous castle in which he had been born.&#xA;&#xA;Even when he asked me to marry him, and I said: 'Yes,' still he did not lose that heavy, fleshy composure of his. I know it must seem a curious analogy, a man with a flower, but sometimes he seemed to me like a lily. Yes. A lily. Possessed of that strange, ominous calm of a sentient vegetable, like one of those cobra-headed, funereal lilies whose white sheaths are curled out of a flesh as thick and tensely yielding to the touch as vellum. When I said that I would marry him, not one muscle in his face stirred, but he let out a long, extinguished sigh. I thought: Oh! how he must want me! And it was as though the imponderable weight of his desire was a force I might not withstand, not by virtue of its violence but because of its very gravity.&#xA;He had the ring ready in a leather box lined with crimson velvet, a fire opal the size of a pigeon's egg set in a complicated circle of dark antique gold. My old nurse, who still lived with my mother and me, squinted at the ring askance: opals are bad luck, she said. But this opal had been his own mother's ring, and his grandmother's, and her mother's before that, given to an ancestor by Catherine de Medici ... every bride that came to the castle wore it, time out of mind. And did he give it to his other wives and have it back from them? asked the old woman rudely; yet she was a snob. She hid her incredulous joy at my marital coup--her little Marquise--behind a façade of fault-finding. But, here, she touched me. I shrugged and turned my back pettishly on her. I did not want to remember how he had loved other women before me, but the knowledge often teased me in the threadbare self-confidence of the small hours.&#xA;&#xA;I was seventeen and knew nothing of the world; my Marquis had been married before, more than once, and I remained a little bemused that, after those others, he should now have chosen me. Indeed, was he not still in mourning for his last wife? Tsk, tsk, went my old nurse.&#xA;&#xA;And even my mother had been reluctant to see her girl whisked off by a man so recently bereaved. A Romanian countess, a lady of high fashion. Dead just three short months before I met him, a boating accident, at his home, in Brittany. They never found her body but I rummaged through the back copies of the society magazines my old nanny kept in a trunk under her bed and tracked down her photograph. The sharp muzzle of a pretty, witty, naughty monkey; such potent and bizarre charm, of a dark, bright, wild yet worldly thing whose natural habitat must have been some luxurious interior decorator's jungle filled with potted palms and tame, squawking parakeets.&#xA;&#xA;Before that? Her face is common property; everyone painted her but the Redon engraving I liked best, The Evening Star Walking on the Rim of Night. To see her skeletal, enigmatic grace, you would never think she had been a barmaid in a café in Montmartre until Puvis de Chavannes saw her and had her expose her flat breasts and elongated thighs to his brush. And yet it was the absinthe doomed her, or so they said.&#xA;&#xA;The first of all his ladies? That sumptuous diva; I had heard her sing Isolde, precociously musical child that I was, taken to the opera for a birthday treat. My first opera; I had heard her sing Isolde. With what white-hot passion had she burned from the stage! So that you could tell she would die young. We sat high up, halfway to heaven in the gods, yet she half-blinded me. And my father, still alive (oh, so long ago), took hold of my sticky little hand, to comfort me, in the last act, yet all I heard was the glory of her voice.&#xA;&#xA;Married three times within my own brief lifetime to three different graces, now, as if to demonstrate the eclecticism of his taste, he had invited me to join this gallery of beautiful women, I, the poor widow's child with my mouse-coloured hair that still bore the kinks of the plaits from which it had so recently been freed, my bony hips, my nervous, pianist's fingers.&#xA;&#xA;He was rich as Croesus. The night before our wedding--a simple affair, at the Mairie, because his countess was so recently gone--he took my mother and me, curious coincidence, to see Tristan. And, do you know, my heart swelled and ached so during the Liebestod that I thought I must truly love him. Yes. I did. On his arm, all eyes were upon me. The whispering crowd in the foyer parted like the Red Sea to let us through. My skin crisped at his touch.&#xA;&#xA;How my circumstances had changed since the first time I heard those voluptuous chords that carry such a charge of deathly passion in them! Now, we sat in a loge, in red velvet armchairs, and a braided, bewigged flunkey brought us a silver bucket of iced champagne in the interval. The froth spilled over the rim of my glass and drenched my hands, I thought: My cup runneth over. And I had on a Poiret dress. He had prevailed upon my reluctant mother to let him buy my trousseau; what would I have gone to him in, otherwise? Twice-darned underwear, faded gingham, serge skirts, hand-me-downs. So, for the opera, I wore a sinuous shift of white muslin tied with a silk string under the breasts. And everyone stared at me. And at his wedding gift.&#xA;&#xA;His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat.&#xA;&#xA;After the Terror, in the early days of the Directory, the aristos who'd escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now ... the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood.&#xA;&#xA;I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I'd never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.&#xA;&#xA;The next day, we were married.&#xA;&#xA;The train slowed, shuddered to a halt. Lights; clank of metal; a voice declaring the name of an unknown, never-to-be visited station; silence of the night; the rhythm of his breathing, that I should sleep with, now, for the rest of my life. And I could not sleep. I stealthily sat up, raised the blind a little and huddled against the cold window that misted over with the warmth of my breathing, gazing out at the dark platform towards those rectangles of domestic lamplight that promised warmth, company, a supper of sausages hissing in a pan on the stove for the station master, his children tucked up in bed asleep in the brick house with the painted shutters ... all the paraphernalia of the everyday world from which I, with my stunning marriage, had exiled myself.&#xA;Into marriage, into exile; I sensed it, I knew it--that, henceforth, I would always be lonely. Yet that was part of the already familiar weight of the fire opal that glimmered like a gypsy's magic ball, so that I could not take my eyes off it when I played the piano. This ring, the bloody bandage of rubies, the wardrobe of clothes from Poiret and Worth, his scent of Russian leather--all had conspired to seduce me so utterly that I could not say I felt one single twinge of regret for the world of tar-tines and maman that now receded from me as if drawn away on a string, like a child's toy, as the train began to throb again as if in delighted anticipation of the distance it would take me.&#xA;&#xA;The first grey streamers of the dawn now flew in the sky and an eldritch half-light seeped into the railway carriage. I heard no change in his breathing but my heightened, excited senses told me he was awake and gazing at me. A huge man, an enormous man, and his eyes, dark and motionless as those eyes the ancient Egyptians painted upon their sarcophagi, fixed upon me. I felt a certain tension in the pit of my stomach, to be so watched, in such silence. A match struck. He was igniting a Romeo y Julieta fat as a baby's arm.&#xA;&#xA;'Soon,' he said in his resonant voice that was like the tolling of a bell and I felt, all at once, a sharp premonition of dread that lasted only as long as the match flared and I could see his white, broad face as if it were hovering, disembodied, above the sheets, illuminated from below like a grotesque carnival head. Then the flame died, the cigar glowed and filled the compartment with a remembered fragrance that made me think of my father, how he would hug me in a warm fug of Havana, when I was a little girl, before he kissed me and left me and died.&#xA;&#xA;As soon as my husband handed me down from the high step of the train, I smelled the amniotic salinity of the ocean. It was November; the trees, stunted by the Atlantic gales, were bare and the lonely halt was deserted but for his leather-gaitered chauffeur waiting meekly beside the sleek black motor car. It was cold; I drew my furs about me, a wrap of white and black, broad stripes of ermine and sable, with a collar from which my head rose like the calyx of a wildflower. (I swear to you, I had never been vain until I met him.) The bell clanged; the straining train leapt its leash and left us at that lonely wayside halt where only he and I had descended. Oh, the wonder of it; how all that might of iron and steam had paused only to suit his convenience. The richest man in France.&#xA;&#xA;'Madame.'&#xA;&#xA;The chauffeur eyed me; was he comparing me, invidiously, to the countess, the artist's model, the opera singer? I hid behind my furs as if they were a system of soft shields. My husband liked me to wear my opal over my kid glove, a showy, theatrical trick--but the moment the ironic chauffeur glimpsed its simmering flash he smiled, as though it was proof positive I was his master's wife. And we drove towards the widening dawn, that now streaked half the sky with a wintry bouquet of pink of roses, orange of tiger-lilies, as if my husband had ordered me a sky from a florist. The day broke around me like a cool dream.&#xA;&#xA;Sea; sand; a sky that melts into the sea--a landscape of misty pastels with a look about it of being continuously on the point of melting. A landscape with all the deliquescent harmonies of Debussy, of the études I played for him, the reverie I'd been playing that afternoon in the salon of the princess where I'd first met him, among the teacups and the little cakes, I, the orphan, hired out of charity to give them their digestive of music.&#xA;&#xA;And, ah! his castle. The faery solitude of the place; with its turrets of misty blue, its courtyard, its spiked gate, his castle that lay on the very bosom of the sea with seabirds mewing about its attics, the casements opening on to the green and purple, evanescent departures of the ocean, cut off by the tide from land for half a day ... that castle, at home neither on the land nor on the water, a mysterious, amphibious place, contravening the materiality of both earth and the waves, with the melancholy of a mermaiden who perches on her rock and waits, endlessly, for a lover who had drowned far away, long ago. That lovely, sad, sea-siren of a place!&#xA;&#xA;The tide was low; at this hour, so early in the morning, the causeway rose up out of the sea. As the car turned on to the wet cobbles between the slow margins of water, he reached out for my hand that had his sultry, witchy ring on it, pressed my fingers, kissed my palm with extraordinary tenderness. His face was as still as ever I'd seen it, still as a pond iced thickly over, yet his lips, that always looked so strangely red and naked between the black fringes of his beard, now curved a little. He smiled; he welcomed his bride home.&#xA;&#xA;No room, no corridor that did not rustle with the sound of the sea and all the ceilings, the walls on which his ancestors in the stern regalia of rank lined up with their dark eyes and white faces, were stippled with refracted light from the waves which were always in motion; that luminous, murmurous castle of which I was the chatelaine, I, the little music student whose mother had sold all her jewellery, even her wedding ring, to pay the fees at the Conservatoire.&#xA;&#xA;First of all, there was the small ordeal of my initial interview with the housekeeper, who kept this extraordinary machine, this anchored, castellated ocean liner, in smooth running order no matter who stood on the bridge; how tenuous, I thought, might be my authority here! She had a bland, pale, impassive, dislikeable face beneath the impeccably starched white linen head-dress of the region. Her greeting, correct but lifeless, chilled me; daydreaming, I dared presume too much on my status ... briefly wondered how I might install my old nurse, so much loved, however cosily incompetent, in her place. Ill-considered schemings! He told me this one had been his foster mother; was bound to his family in the utmost feudal complicity, 'as much part of the house as I am, my dear'. Now her thin lips offered me a proud little smile. She would be my ally as long as I was his. And with that, I must be content.&#xA;&#xA;But, here, it would be easy to be content. In the turret suite he had given me for my very own, I could gaze out over the tumultuous Atlantic and imagine myself the Queen of the Sea. There was a Bechstein for me in the music room and, on the wall, another wedding present--an early Flemish primitive of Saint Cecilia at her celestial organ. In the prim charm of this saint, with her plump, sallow cheeks and crinkled brown hair, I saw myself as I could have wished to be. I warmed to a loving sensitivity I had not hitherto suspected in him. Then he led me up a delicate spiral staircase to my bedroom; before she discreetly vanished, the housekeeper set him chuckling with some, I dare say, lewd blessing for newlyweds in her native Breton. That I did not understand. That he, smiling, refused to interpret.&#xA;&#xA;And there lay the grand, hereditary matrimonial bed, itself the size, almost, of my little room at home, with the gargoyles carved on its surfaces of ebony, vermilion lacquer, gold leaf; and its white gauze curtains, billowing in the sea breeze. Our bed. And surrounded by so many mirrors! Mirrors on all the walls, in stately frames of contorted gold, that reflected more white lilies than I'd ever seen in my life before. He'd filled the room with them, to greet the bride, the young bride. The young bride, who had become that multitude of girls I saw in the mirrors, identical in their chic navy blue tailor-mades, for travelling, madame, or walking. A maid had dealt with the furs. Henceforth, a maid would deal with everything.&#xA;'See,' he said, gesturing towards those elegant girls. 'I have acquired a whole harem for myself!'&#xA;&#xA;I found that I was trembling. My breath came thickly. I could not meet his eye and turned my head away, out of pride, out of shyness, and watched a dozen husbands approach me in a dozen mirrors and slowly, methodically, teasingly, unfasten the buttons of my jacket and slip it from my shoulders. Enough! No; more! Off comes the skirt; and, next, the blouse of apricot linen that cost more than the dress I had for first communion. The play of the waves outside in the cold sun glittered on his monocle; his movements seemed to me deliberately coarse, vulgar. The blood rushed to my face again, and stayed there.&#xA;&#xA;And yet, you see, I guessed it might be so--that we should have a formal disrobing of the bride, a ritual from the brothel. Sheltered as my life had been, how could I have failed, even in the world of prim bohemia in which I lived, to have heard hints of his world?&#xA;&#xA;He stripped me, gourmand that he was, as if he were stripping the leaves off an artichoke--but do not imagine much finesse about it; this artichoke was no particular treat for the diner nor was he yet in any greedy haste. He approached his familiar treat with a weary appetite. And when nothing but my scarlet, palpitating core remained, I saw, in the mirror, the living image of an etching by Rops from the collection he had shown me when our engagement permitted us to be alone together ... the child with her sticklike limbs, naked but for her button boots, her gloves, shielding her face with her hand as though her face were the last repository of her modesty; and the old, monocled lecher who examined her, limb by limb. He in his London tailoring; she, bare as a lamb chop. Most pornographic of all confrontations. And so my purchaser unwrapped his bargain. And, as at the opera, when I had first seen my flesh in his eyes, I was aghast to feel myself stirring.&#xA;&#xA;At once he closed my legs like a book and I saw again the rare movement of his lips that meant he smiled.&#xA;&#xA;Not yet. Later. Anticipation is the greater part of pleasure, my little love.&#xA;&#xA;And I began to shudder, like a racehorse before a race, yet also with a kind of fear, for I felt both a strange, impersonal arousal at the thought of love and at the same time a repugnance I could not stifle for his white, heavy flesh that had too much in common with the armfuls of arum lilies that filled my bedroom in great glass jars, those undertakers' lilies with the heavy pollen that powders your fingers as if you had dipped them in turmeric. The lilies I always associate with him; that are white. And stain you.&#xA;&#xA;This scene from a voluptuary's life was now abruptly terminated. It turns out he has business to attend to; his estates, his companies--even on your honeymoon? Even then, said the red lips that kissed me before he left me alone with my bewildered senses--a wet, silken brush from his beard; a hint of the pointed tip of the tongue. Disgruntled, I wrapped a neglige of antique lace around me to sip the little breakfast of hot chocolate the maid brought me; after that, since it was second nature to me, there was nowhere to go but the music room and soon I settled down at my piano.&#xA;&#xA;Yet only a series of subtle discords flowed from beneath my fingers: out of tune ... only a little out of tune; but I'd been blessed with perfect pitch and could not bear to play any more. Sea breezes are bad for pianos; we shall need a resident piano-tuner on the premises if I'm to continue with my studies! I flung down the lid in a little fury of disappointment; what should I do now, how shall I pass the long, sea-lit hours until my husband beds me?&#xA;&#xA;I shivered to think of that.&#xA;&#xA;His library seemed the source of his habitual odour of Russian leather. Row upon row of calf-bound volumes, brown and olive, with gilt lettering on their spines, the octavo in brilliant scarlet morocco. A deep-buttoned leather sofa to recline on. A lectern, carved like a spread eagle, that held open upon it an edition of Huysmans's Là-bas, from some over-exquisite private press; it had been bound like a missal, in brass, with gems of coloured glass. The rugs on the floor, deep, pulsing blues of heaven and red of the heart's dearest blood, came from Isfahan and Bokhara; the dark panelling gleamed; there was the lulling music of the sea and a fire of apple logs. The flames flickered along the spines inside a glass-fronted case that held books still crisp and new. Eliphas Levy; the name meant nothing to me. I squinted at a title or two: The Initiation, The Key of Mysteries, The Secret of Pandora's Box, and yawned. Nothing, here, to detain a seventeen-year-old girl waiting for her first embrace. I should have liked, best of all, a novel in yellow paper; I wanted to curl up on the rug before the blazing fire, lose myself in a cheap novel, munch sticky liqueur chocolates. If I rang for them, a maid would bring me chocolates.&#xA;&#xA;Nevertheless, I opened the doors of that bookcase idly to browse. And I think I knew, I knew by some tingling of the fingertips, even before I opened that slim volume with no title at all on the spine, what I should find inside it. When he showed me the Rops, newly bought, dearly prized, had he not hinted that he was a connoisseur of such things? Yet I had not bargained for this, the girl with tears hanging on her cheeks like stuck pearls, her cunt a split fig below the great globes of her buttocks on which the knotted tails of the cat were about to descend, while a man in a black mask fingered with his free hand his prick, that curved upwards like the scimitar he held. The picture had a caption: 'Reproof of curiosity'. My mother, with all the precision of her eccentricity, had told me what it was that lovers did; I was innocent but not naïve. The Adventures of Eulalie at the Harem of the Grand Turk had been printed, according to the flyleaf, in Amsterdam in 1748, a rare collector's piece. Had some ancestor brought it back himself from that northern city? Or had my husband bought it for himself, from one of those dusty little bookshops on the Left Bank where an old man peers at you through spectacles an inch thick, daring you to inspect his wares ... I turned the pages in the anticipation of fear; the print was rusty. Here was another steel engraving: 'Immolation of the wives of the Sultan'. I knew enough for what I saw in that book to make me gasp.&#xA;&#xA;There was a pungent intensification of the odour of leather that suffused his library; his shadow fell across the massacre.&#xA;&#xA;'My little nun has found the prayerbooks, has she?' he demanded, with a curious mixture of mockery and relish; then, seeing my painful, furious bewilderment, he laughed at me aloud, snatched the book from my hands and put it down on the sofa.&#xA;&#xA;'Have the nasty pictures scared Baby? Baby mustn't play with grownups' toys until she's learned how to handle them, must she?'&#xA;&#xA;Then he kissed me. And with, this time, no reticence. He kissed me and laid his hand imperatively upon my breast, beneath the sheath of ancient lace. I stumbled on the winding stair that led to the bedroom, to the carved, gilded bed on which he had been conceived. I stammered foolishly: We've not taken luncheon yet; and, besides, it is broad daylight...&#xA;&#xA;All the better to see you.&#xA;&#xA;He made me put on my choker, the family heirloom of one woman who had escaped the blade. With trembling fingers, I fastened the thing about my neck. It was cold as ice and chilled me. He twined my hair into a rope and lifted it off my shoulders so that he could the better kiss the downy furrows below my ears; that made me shudder. And he kissed those blazing rubies, too. He kissed them before he kissed my mouth. Rapt, he intoned:' Of her apparel she retains/Only her sonorous jewellery.'&#xA;&#xA;A dozen husbands impaled a dozen brides while the mewing gulls swung on invisible trapezes in the empty air outside.&#xA;&#xA;I was brought to my senses by the insistent shrilling of the telephone. He lay beside me, felled like an oak, breathing stertorously, as if he had been fighting with me. In the course of that one-sided struggle, I had seen his deathly composure shatter like a porcelain vase flung against a wall; I had heard him shriek and blaspheme at the orgasm; I had bled. And perhaps I had seen his face without its mask; and perhaps I had not. Yet I had been infinitely dishevelled by the loss of my virginity.&#xA;&#xA;I gathered myself together, reached into the cloisonne cupboard beside the bed that concealed the telephone and addressed the mouthpiece. His agent in New York. Urgent.&#xA;&#xA;I shook him awake and rolled over on my side, cradling my spent body in my arms. His voice buzzed like a hive of distant bees. My husband. My husband, who, with so much love, filled my bedroom with lilies until it looked like an embalming parlour. Those somnolent lilies, that wave their heavy heads, distributing their lush, insolent incense reminiscent of pampered flesh.&#xA;&#xA;When he'd finished with the agent, he turned to me and stroked the ruby necklace that bit into my neck, but with such tenderness now, that I ceased flinching and he caressed my breasts. My dear one, my little love, my child, did it hurt her? He's so sorry for it, such impetuousness, he could not help himself; you see, he loves her so ... and this lover's recitative of his brought my tears in a flood. I clung to him as though only the one who had inflicted the pain could comfort me for suffering it. For a while, he murmured to me in a voice I'd never heard before, a voice like the soft consolations of the sea. But then he unwound the tendrils of my hair from the buttons of his smoking jacket, kissed my cheek briskly and told me the agent from New York had called with such urgent business that he must leave as soon as the tide was low enough. Leave the castle? Leave France! And would be away for at least six weeks.&#xA;&#xA;'But it is our honeymoon!'&#xA;&#xA;A deal, an enterprise of hazard and chance involving several millions, lay in the balance, he said. He drew away from me into that waxworks stillness of his; I was only a little girl, I did not understand. And, he said unspoken to my wounded vanity, I have had too many honeymoons to find them in the least pressing commitments. I know quite well that this child I've bought with a handful of coloured stones and the pelts of dead beasts won't run away. But, after he'd called his Paris agent to book a passage for the States next day--just one tiny call, my little one--we should have time for dinner together.&#xA;&#xA;And I had to be content with that,&#xA;&#xA;A Mexican dish of pheasant with hazelnuts and chocolate; salad; white, voluptuous cheese; a sorbet of muscat grapes and Asti spumante. A celebration of Krug exploded festively. And then acrid black coffee in precious little cups so fine it shadowed the birds with which they were painted. I had Cointreau, he had cognac in the library, with the purple velvet curtains drawn against the night, where he took me to perch on his knee in a leather armchair beside the flickering log fire. He had made me change into that chaste little Poiret shift of white muslin; he seemed especially fond of it, my breasts showed through the flimsy stuff, he said, like little soft white doves that sleep, each one, with a pink eye open. But he would not let me take off my ruby choker, although it was growing very uncomfortable, nor fasten up my descending hair, the sign of a virginity so recently ruptured that still remained a wounded presence between us. He twined his fingers in my hair until I winced; I said, I remember, very little.&#xA;&#xA;'The maid will have changed our sheets already,' he said. 'We do not hang the bloody sheets out of the window to prove to the whole of Brittany you are a virgin, not in these civilized times. But I should tell you it would have been the first time in all my married lives I could have shown my interested tenants such a flag.'&#xA;&#xA;Then I realized, with a shock of surprise, how it must have been my innocence that captivated him--the silent music, he said, of my unknowingness, like La Terrasse des audiences au clair de lune played upon a piano with keys of ether. You must remember how ill at ease I was in that luxurious place, how unease had been my constant companion during the whole length of my courtship by this grave satyr who now gently martyrized my hair. To know that my naivety gave him some pleasure made me take heart. Courage! I shall act the fine lady to the manner born one day, if only by virtue of default.&#xA;&#xA;Then, slowly yet teasingly, as if he were giving a child a great, mysterious treat, he took out a bunch of keys from some interior hidey-hole in his jacket--key after key, a key, he said, for every lock in the house. Keys of all kinds--huge, ancient things of black iron; others slender, delicate, almost baroque; wafer-thin Yale keys for safes and boxes. And, during his absence, it was I who must take care of them all.&#xA;&#xA;I eyed the heavy bunch with circumspection. Until that moment, I had not given a single thought to the practical aspects of marriage with a great house, great wealth, a great man, whose key ring was as crowded as that of a prison warder. Here were the clumsy and archaic keys for the dungeons, for dungeons we had in plenty although they had been converted to cellars for his wines; the dusty bottles inhabited in racks all those deep holes of pain in the rock on which the castle was built. These are the keys to the kitchens, this is the key to the picture gallery, a treasure house filled by five centuries of avid collectors--ah! he foresaw I would spend hours there.&#xA;&#xA;He had amply indulged his taste for the Symbolists, he told me with a glint of greed. There was Moreau's great portrait of his first wife, the famous Sacrificial Victim with the imprint of the lacelike chains on her pellucid skin. Did I know the story of the painting of that picture? How, when she took off her clothes for him for the first time, she fresh from her bar in Montmartre, she had robed herself involuntarily in a blush that reddened her breasts, her shoulders, her arms, her whole body? He had thought of that story, of that dear girl, when first he had undressed me ... Ensor, the great Ensor, his monolithic canvas: The Foolish Virgins. Two or three late Gauguins, his special favourite the one of the tranced brown girl in the deserted house which was called: Out of the Night We Come, Into the Night We Go. And, besides the additions he had made himself, his marvellous inheritance of Watteaus, Poussins and a pair of very special Fragonards, commissioned for a licentious ancestor who, it was said, had posed for the master's brush himself with his own two daughters ... He broke off his catalogue of treasures abruptly.&#xA;&#xA;Your thin white face, chérie; he said, as if he saw it for the first time. Your thin white face, with its promise of debauchery only a connoisseur could detect.&#xA;&#xA;A log fell in the fire, instigating a shower of sparks; the opal on my finger spurted green flame. I felt as giddy as if I were on the edge of a precipice; I was afraid, not so much of him, of his monstrous presence, heavy as if he had been gifted at birth with more specific gravity than the rest of us, the presence that, even when I thought myself most in love with him, always subtly oppressed me ... No. I was not afraid of him; but of myself. I seemed reborn in his unreflective eyes, reborn in unfamiliar shapes. I hardly recognized myself from his descriptions of me and yet, and yet--might there not be a grain of beastly truth hi them? And, in the red firelight, I blushed again, unnoticed, to think he might have chosen me because, in my innocence, he sensed a rare talent for corruption.&#xA;&#xA;Here is the key to the china cabinet--don't laugh, my darling; there's a king's ransom in Sèvres in that closet, and a queen's ransom in Limoges. And a key to the locked, barred room where five generations of plate were kept.&#xA;&#xA;Keys, keys, keys. He would trust me with the keys to his office, although I was only a baby; and the keys to his safes, where he kept the jewels I should wear, he promised me, when we returned to Paris. Such jewels! Why, I would be able to change my earrings and necklaces three times a day, just as the Empress Josephine used to change her underwear. He doubted, he said, with that hollow, knocking sound that served him for a chuckle, I would be quite so interested in his share certificates although they, of course, were worth infinitely more.&#xA;&#xA;Outside our firelit privacy, I could hear the sound of the tide drawing back from the pebbles of the foreshore; it was nearly time for him to leave me. One single key remained unaccounted for on the ring and he hesitated over it; for a moment, I thought he was going to unfasten it from its brothers, slip it back into his pocket and take it away with him.&#xA;&#xA;'What is that key?' I demanded, for his chaffing had made me bold. 'The key to your heart? Give it me!'&#xA;&#xA;He dangled the key tantalizingly above my head, out of reach of my straining fingers; those bare red lips of his cracked sidelong in a smile.&#xA;&#xA;'Ah, no,' he said. 'Not the key to my heart. Rather, the key to my enfer.'&#xA;&#xA;He left it on the ring, fastened the ring together, shook it musically, like a carillon. Then threw the keys in a jingling heap in my lap. I could feel the cold metal chilling my thighs through my thin muslin frock. He bent over me to drop a beard-masked kiss on my forehead.&#xA;&#xA;'Every man must have one secret, even if only one, from his wife,' he said. 'Promise me this, my whey-faced piano-player; promise me you'll use all the keys on the ring except that last little one I showed you. Play with anything you find, jewels, silver plate; make toy boats of my share certificates, if it pleases you, and send them sailing off to America after me. All is yours, everywhere is open to you--except the lock that this single key fits. Yet all it is is the key to a little room at the foot of the west tower, behind the still-room, at the end of a dark little corridor full of horrid cobwebs that would get into your hair and frighten you if you ventured there. Oh, and you'd find it such a dull little room! But you must promise me, if you love me, to leave it well alone. It is only a private study, a hideaway, a &amp;quot;den&amp;quot;, as the English say, where I can go, sometimes, on those infrequent yet inevitable occasions when the yoke of marriage seems to weigh too heavily on my shoulders. There I can go, you understand, to savour the rare pleasure of imagining myself wifeless.'&#xA;&#xA;There was a little thin starlight in the courtyard as, wrapped in my furs, I saw him to his car. His last words were, that he had telephoned the mainland and taken a piano-tuner on to the staff; this man would arrive to take up his duties the next day. He pressed me to his vicuña breast, once, and then drove away.&#xA;&#xA;I had drowsed away that afternoon and now I could not sleep. I lay tossing and turning in his ancestral bed until another daybreak discoloured the dozen mirrors that were iridescent with the reflections of the sea. The perfume of the lilies weighed on my senses; when I thought that, henceforth, I would always share these sheets with a man whose skin, as theirs did, contained that toad-like, clammy hint of moisture, I felt a vague desolation that within me, now my female wound had healed, there had awoken a certain queasy craving like the cravings of pregnant women for the taste of coal or chalk or tainted food, for the renewal of his caresses. Had he not hinted to me, in his flesh as in his speech and looks, of the thousand, thousand baroque intersections of flesh upon flesh? I lay in our wide bed accompanied by, a sleepless companion, my dark newborn curiosity.&#xA;&#xA;I lay in bed alone. And I longed for him. And he disgusted me.&#xA;&#xA;Were there jewels enough in all his safes to recompense me for this predicament? Did all that castle hold enough riches to recompense me for the company of the libertine with whom I must share it? And what, precisely, was the nature of my desirous dread for this mysterious being who, to show his mastery over me, had abandoned me on my wedding night?&#xA;&#xA;Then I sat straight up in bed, under the sardonic masks of the gargoyles carved above me, riven by a wild surmise. Might he have left me, not for Wall Street but for an importunate mistress tucked away God knows where who knew how to pleasure him far better than a girl whose fingers had been exercised, hitherto, only by the practice of scales and arpeggios? And, slowly, soothed, I sank back on to the heaping pillows; I acknowledged that the jealous scare I'd just given myself was not unmixed with a little tincture of relief.&#xA;&#xA;At last I drifted into slumber, as daylight filled the room and chased bad dreams away. But the last thing I remembered, before I slept, was the tall jar of lilies beside the bed, how the thick glass distorted their fat stems so they looked like arms, dismembered arms, drifting drowned in greenish water.&#xA;&#xA;Coffee and croissants to console this bridal, solitary waking. Delicious. Honey, too, in a section of comb on a glass saucer. The maid squeezed the aromatic juice from an orange into a chilled goblet while I watched her as I lay in the lazy, midday bed of the rich. Yet nothing, this morning, gave me more than a fleeting pleasure except to hear that the piano-tuner had been at work already. When the maid told me that, I sprang out of bed and pulled on my old serge skirt and flannel blouse, costume of a student, in which I felt far more at ease with myself than in any of my fine new clothes.&#xA;&#xA;After my three hours of practice, I called the piano-tuner in, to thank him. He was blind, of course; but young, with a gentle mouth and grey eyes that fixed upon me although they could not see me. He was a blacksmith's son from the village across the causeway; a chorister in the church whom the good priest had taught a trade so that he could make a living. All most satisfactory. Yes. He thought he would be happy here. And if, he added shyly, he might sometimes be allowed to hear me play ... for, you see, he loved music. Yes. Of course, I said. Certainly. He seemed to know that I had smiled.&#xA;&#xA;After I dismissed him, even though I'd woken so late, it was still barely time for my 'five o'clock'. The housekeeper, who, thoughtfully forewarned by my husband, had restrained herself from interrupting my music, now made me a solemn visitation with a lengthy menu for a late luncheon. When I told her I did not need it, she looked at me obliquely, along her nose. I understood at once that one of my principal functions as chatelaine was to provide work for the staff. But, all the same, I asserted myself and said I would wait until dinner-time, although I looked forward nervously to the solitary meal. Then I found I had to tell her what I would like to have prepared for me; my imagination, still that of a schoolgirl, ran riot. A fowl in cream--or should I anticipate Christmas with a varnished turkey? No; I have decided. Avocado and shrimp, lots of it, followed by no entrée at all. But surprise me for dessert with every ice-cream in the ice box. She noted all down but sniffed; I'd shocked her. Such tastes! Child that I was, I giggled when she left me.&#xA;&#xA;But, now ... what shall I do, now?&#xA;&#xA;I could have spent a happy hour unpacking the trunks that contained my trousseau but the maid had done that already, the dresses, the tailor-mades hung in the wardrobe in my dressing room, the hats on wooden heads to keep their shape, the shoes on wooden feet as if all these inanimate objects were imitating the appearance of life, to mock me. I did not like to linger in my overcrowded dressing room, nor in my lugubriously lily-scented bedroom. How shall I pass the time?&#xA;&#xA;I shall take a bath in my own bathroom! And found the taps were little dolphins made of gold, with chips of turquoise for eyes. And there was a tank of goldfish, who swam in and out of moving fronds of weeds, as bored, I thought, as I was. How I wished he had not left me. How I wished it were possible to chat with, say, a maid; or, the piano-tuner ... but I knew already my new rank forbade overtures of friendship to the staff.&#xA;&#xA;I had been hoping to defer the call as long as I could, so that I should have something to look forward to in the dead waste of time I foresaw before me, after my dinner was done with, but, at a quarter before seven, when darkness already surrounded the castle, I could contain myself no longer. I telephoned my mother. And astonished myself by bursting into tears when I heard her voice.&#xA;&#xA;No, nothing was the matter. Mother, I have gold bath taps.&#xA;&#xA;I said, gold bath taps!&#xA;&#xA;No; I suppose that's nothing to cry about, Mother.&#xA;&#xA;The line was bad, I could hardly make out her congratulations, her questions, her concern, but I was a little comforted when I put the receiver down.&#xA;&#xA;Yet there still remained one whole hour to dinner and the whole, unimaginable desert of the rest of the evening.&#xA;&#xA;The bunch of keys lay, where he had left them, on the rug before the library fire which had warmed their metal so that they no longer felt cold to the touch but warm, almost, as my own skin. How careless I was; a maid, tending the logs, eyed me reproachfully as if I'd set a trap for her as I picked up the clinking bundle of keys, the keys to the interior doors of this lovely prison of which I was both the inmate and the mistress and had scarcely seen. When I remembered that, I felt the exhilaration of the explorer.&#xA;&#xA;Lights! More lights!&#xA;&#xA;At the touch of a switch, the dreaming library was brilliantly illuminated. I ran crazily about the castle, switching on every light I could find--I ordered the servants to light up all their quarters, too, so the castle would shine like a seaborne birthday cake lit with a thousand candles, one for every year of its life, and everybody on shore would wonder at it. When everything was lit as brightly as the café in the Gare du Nord, the significance of the possessions implied by that bunch of keys no longer intimidated me, for I was determined, now, to search through them all for evidence of my husband's true nature. His office first, evidently.&#xA;&#xA;A mahogany desk half a mile wide, with an impeccable blotter and a bank of telephones. I allowed myself the luxury of opening the safe that contained the jewellery and delved sufficiently among the leather boxes to find out how my marriage had given me access to a jinn's treasury--parures, bracelets, rings ... While I was thus surrounded by diamonds, a maid knocked on the door and entered before I spoke; a subtle discourtesy. I would speak to my husband about it. She eyed my serge skirt superciliously; did madame plan to dress for dinner?&#xA;&#xA;She made a moue of disdain when I laughed to hear that, she was far more the lady than I. But, imagine--to dress up in one of my Poiret extravaganzas, with the jewelled turban and aigrette on my head, roped with pearl to the navel, to sit down all alone in the baronial dining hall at the head of that massive board at which King Mark was reputed to have fed his knights ... I grew calmer under the cold eye of her disapproval. I adopted the crisp inflections of an officer's daughter. No, I would not dress for dinner. Furthermore, I was not hungry enough for dinner itself. She must tell the housekeeper to cancel the dormitory feast I'd ordered. Could they leave me sandwiches and a flask of coffee in my music room? And would they all dismiss for the night?&#xA;&#xA;Mais oui, madame.&#xA;&#xA;I knew by her bereft intonation I had let them down again but I did not care; I was armed against them by the brilliance of his hoard. But I would not find his heart amongst the glittering stones; as soon as she had gone, I began a systematic search of the drawers of his desk.&#xA;&#xA;All was in order, so I found nothing. Not a random doodle on an old envelope, nor the faded photograph of a woman. Only the files of business correspondence, the bills from the home farms, the invoices from tailors, the billets-doux from international financiers. Nothing. And this absence of the evidence of his real life began to impress me strangely; there must, I thought, be a great deal to conceal if he takes such pains to hide it.&#xA;&#xA;His office was a singularly impersonal room, facing inwards, on to the courtyard, as though he wanted to turn his back on the siren sea in order to keep a clear head while he bankrupted a small businessman in Amsterdam or--I noticed with a thrill of distaste--engaged in some business in Laos that must, from certain cryptic references to his amateur botanist's enthusiasm for rare poppies, be to do with opium. Was he not rich enough to do without crime? Or was the crime itself his profit? And yet I saw enough to appreciate his zeal for secrecy.&#xA;&#xA;Now I had ransacked his desk, I must spend a cool-headed quarter of an hour putting every last letter back where I had found it, and, as I covered the traces of my visit, by some chance, as I reached inside a little drawer that had stuck fast, I must have touched a hidden spring, for a secret drawer flew open within that drawer itself; and this secret drawer contained--at last!--a file marked: Personal.&#xA;&#xA;I was alone, but for my reflection in the uncurtained window.&#xA;&#xA;I had the brief notion that his heart, pressed flat as a flower, crimson and thin as tissue paper, lay in this file. It was a very thin one.&#xA;&#xA;I could have wished, perhaps, I had not found that touching, ill-spelt note, on a paper napkin marked La Coupole, that began: 'My darling, I cannot wait for the moment when you may make me yours completely.' The diva had sent him a page of the score of Tristan, the Liebestod, with the single, cryptic word: 'Until...' scrawled across it. But the strangest of all these love letters was a postcard with a view of a village graveyard, among mountains, where some black-coated ghoul enthusiastically dug at a grave; this little scene, executed with the lurid exuberance of Grand Guignol, was captioned: 'Typical Transylvanian Scene--Midnight, All Hallows.' And, on the other side, the message: 'On the occasion of this marriage to the descendant of Dracula--always remember, &amp;quot;the supreme and unique pleasure of love is the certainty that one is doing evil&amp;quot;. Toutes amitiés, C.'&#xA;&#xA;A joke. A joke in the worst possible taste; for had he not been married to a Romanian countess? And then I remembered her pretty, witty face, and her name--Carmilla. My most recent predecessor in this castle had been, it would seem, the most sophisticated.&#xA;&#xA;I put away the file, sobered. Nothing in my life of family love and music had prepared me for these grown-up games and yet these were clues to his self that showed me, at least, how much he had been loved, even if they did not reveal any good reason for it. But I wanted to know still more; and, as I closed the office door and locked it, the means to discover more fell in my way.&#xA;&#xA;Fell, indeed; and with the clatter of a dropped canteen of cutlery, for, as I turned the slick Yale lock, I contrived, somehow, to open up the key ring itself, so that all the keys tumbled loose on the floor. And the very first key I picked out of that pile was, as luck or ill fortune had it, the key to the room he had forbidden me, the room he would keep for his own so that he could go there when he wished to feel himself once more a bachelor.&#xA;&#xA;I made my decision to explore it before I felt a faint resurgence of my ill-defined fear of his waxen stillness. Perhaps I half-imagined, then, that I might find his real self in his den, waiting there to see if indeed I had obeyed him; that he had sent a moving figure of himself to New York, the enigmatic, self-sustaining carapace of his public person, while the real man, whose face I had glimpsed in the storm of orgasm, occupied himself with pressing private business in the study at the foot of the west tower, behind the still-room. Yet, if that were so, it was imperative that I should find him, should know him; and I was too deluded by his apparent taste for me to think my disobedience might truly offend him.&#xA;&#xA;I took the forbidden key from the heap and left the others lying there.&#xA;&#xA;It was now very late and the castle was adrift, as far as it could go from the land, in the middle of the silent ocean where, at my orders, it floated, like a garland of light. And all silent, all still, but for the murmuring of the waves.&#xA;&#xA;I felt no fear, no intimation of dread. Now I walked as firmly as I had done in my mother's house.&#xA;&#xA;Not a narrow, dusty little passage at all; why had he lied to me? But an ill-lit one, certainly; the electricity, for some reason, did not extend here, so I retreated to the still-room and found a bundle of waxed tapers in a cupboard, stored there with matches to light the oak board at grand dinners. I put a match to my little taper and advanced with it in my hand, like a penitent, along the corridor hung with heavy, I think Venetian, tapestries. The flame picked out, here, the head of a man, there, the rich breast of a woman spilling through a rent in her dress--the Rape of the Sabines, perhaps? The naked swords and immolated horses suggested some grisly mythological subject. The corridor wound downwards; there was an almost imperceptible ramp to the thickly carpeted floor. The heavy hangings on the wall muffled my footsteps, even my breathing. For some reason, it grew very warm; the sweat sprang out in beads on my brow. I could no longer hear the sound of the sea.&#xA;&#xA;A long, a winding corridor, as if I were in the viscera of the castle; and this corridor led to a door of worm-eaten oak, low, round-topped, barred with black iron.&#xA;&#xA;And still I felt no fear, no raising of the hairs on the back of the neck, no prickling of the thumbs.&#xA;&#xA;The key slid into the new lock as easily as a hot knife into butter.&#xA;&#xA;No fear; but a hesitation, a holding of the spiritual breath.&#xA;&#xA;If I had found some traces of his heart in a file marked: Personal, perhaps, here, in his subterranean privacy, I might find a little of his soul. It was the consciousness of the possibility of such a discovery, of its possible strangeness, that kept me for a moment motionless, before, in the foolhardiness of my already subtly tainted innocence, I turned the key and the door creaked slowly back.&#xA;&#xA;'There is a striking resemblance between the act of love and the ministrations of a torturer,' opined my husband's favourite poet; I had learned something of the nature of that similarity on my marriage bed. And now my taper showed me the outlines of a rack. There was also a great wheel, like the ones I had seen in woodcuts of the martyrdoms of the saints, in my old nurse's little store of holy books. And--just one glimpse of it before my little flame caved in and I was left in absolute darkness--a metal figure, hinged at the side, which I knew to be spiked on the inside and to have the name: the Iron Maiden.&#xA;&#xA;Absolute darkness. And, about me, the instruments of mutilation.&#xA;&#xA;Until that moment, this spoiled child did not know she had inherited nerves and a will from the mother who had defied the yellow outlaws of Indo-China; My mother's spirit drove me on, into that dreadful place, in a cold ecstasy to know the very worst. I fumbled for the matches in my pocket; what a dim, lugubrious light they gave! And yet, enough, oh, more than enough, to see a room designed for desecration and some dark night of unimaginable lovers whose embraces were annihilation.&#xA;&#xA;The walls of this stark torture chamber were the naked rock; they gleamed as if they were sweating with fright. At the four corners of the room were funerary urns, of great antiquity, Etruscan, perhaps, and, on three-legged ebony stands, the bowls of incense he had left burning which filled the room with a sacerdotal reek. Wheel, rack and Iron Maiden were, I saw, displayed as grandly as if they were items of statuary and I was almost consoled, then, and almost persuaded myself that I might have stumbled only upon a little museum of his perversity, that he had installed these monstrous items here only for contemplation.&#xA;&#xA;Yet at the centre of the room lay a catafalque, a doomed, ominous bier of Renaissance workmanship, surrounded by long white candles and, at its foot, an armful of the same lilies with which he had filled my bedroom, stowed in a four-foot-high jar glazed with a sombre Chinese red. I scarcely dared examine this catafalque and its occupant more closely; yet I knew I must.&#xA;&#xA;Each time I struck a match to light those candles round her bed, it seemed a garment of that innocence of mine for which he had lusted fell away from me.&#xA;&#xA;The opera singer lay, quite naked, under a thin sheet of very rare and precious linen, such as the princes of Italy used to shroud those whom they had poisoned. I touched her, very gently, on the white breast; she was cool, he had embalmed her. On her throat I could see the blue imprint of his strangler's fingers. The cool, sad flame of the candles flickered on her white, closed eyelids. The worst thing was, the dead lips smiled.&#xA;&#xA;Beyond the catafalque, in the middle of the shadows, a white, nacreous glimmer; as my eyes accustomed themselves to the gathering darkness, I at last--oh, horrors!--made out a skull; yes, a skull, so utterly denuded, now, of flesh, that it scarcely seemed possible the stark bone had once been richly upholstered with life. And this skull was strung up by a system of unseen cords, so that it appeared to hang, disembodied, in the still, heavy air, and it had been crowned with a wreath of white roses, and a veil of lace, the final image of his bride.&#xA;&#xA;Yet the skull was still so beautiful, had shaped with its sheer planes so imperiously the face that had once existed above it, that I recognized her the moment I saw her; face of the evening star walking on the rim of night. One false step, oh, my poor, dear girl, next in the fated sisterhood of his wives; one false step and into the abyss of the dark you stumbled.&#xA;&#xA;And where was she, the latest dead, the Romanian countess who might have thought her blood would survive his depredations? I knew she must be here, in the place that had wound me through the castle towards it on a spool of inexorability. But, at first, I could see no sign of her. Then, for some reason--perhaps some change of atmosphere wrought by my presence--the metal shell of the Iron Maiden emitted a ghostly twang; my feverish imagination might have guessed its occupant was trying to clamber out, though, even in the midst of my rising hysteria, I knew she must be dead to find a home there.&#xA;&#xA;With trembling fingers, I prised open the front of the upright coffin, with its sculpted face caught in a rictus of pain. Then, overcome, I dropped the key I still held in my other hand. It dropped into the forming pool of her blood.&#xA;&#xA;She was pierced, not by one but by a hundred spikes, this child of the land of the vampires who seemed so newly dead, so full of blood ... oh God! how recently had he become a widower? How long had he kept her in this obscene cell? Had it been all the time he had courted me, in the clear light of Paris?&#xA;&#xA;I closed the lid of her coffin very gently and burst into a tumult of sobbing that contained both pity for his other victims and also a dreadful anguish to know I, too, was one of them.&#xA;&#xA;The candles flared, as if in a draught from a door to elsewhere. The light caught the fire opal on my hand so that it flashed, once, with a baleful light, as if to tell me the eye of God--his eye--was upon me. My first thought, when I saw the ring for which I had sold myself to this fate, was, how to escape it.&#xA;&#xA;I retained sufficient presence of mind to snuff out the candles round the bier with my fingers, to gather up my taper, to look around, although shuddering, to ensure I had left behind me no traces of my visit.&#xA;&#xA;I retrieved the key from the pool of blood, wrapped it in my handkerchief to keep my hands clean, and fled the room, slamming the door behind me. It crashed to with a juddering reverberation, like the door of hell.&#xA;&#xA;I could not take refuge in my bedroom, for that retained the memory of his presence trapped in the fathomless silvering of his mirrors. My music room seemed the safest place, although I looked at the picture of Saint Cecilia with a faint dread; what had been the nature of her martyrdom? My mind was in a tumult; schemes for flight jostled with one another ... as soon as the tide receded from the causeway, I would make for the mainland--on foot, running, stumbling; I did not trust that leather-clad chauffeur, nor the well-behaved housekeeper, and I dared not take any of the pale, ghostly maids into my confidence, either, since they were his creatures, all. Once at the village, I would fling myself directly on the mercy of the gendarmerie.&#xA;&#xA;But--could I trust them, either? His forefathers had ruled this coast for eight centuries, from this castle whose moat was the Atlantic. Might not the police, the advocates, even the judge, all be in his service, turning a common blind eye to his vices since he was milord whose word must be obeyed? Who, on this distant coast, would believe the white-faced girl from Paris who came running to them with a shuddering tale of blood, of fear, of the ogre murmuring in the shadows? Or, rather, they would immediately know it to be true. But were all honour-bound to let me carry it no further.&#xA;&#xA;Assistance. My mother. I ran to the telephone; and the line, of course, was dead.&#xA;&#xA;Dead as his wives.&#xA;&#xA;A thick darkness, unlit by any star, still glazed the windows. Every lamp in my room burned, to keep the dark outside, yet it seemed still to encroach on me, to be present beside me but as if masked by my lights, the night like a permeable substance that could seep into my skin. I looked at the precious little clock made from hypocritically innocent flowers long ago, in Dresden; the hands had scarcely moved one single hour forward from when I first descended to that private slaughterhouse of his. Time was his servant, too; it would trap me, here, in a night that would last until he came back to me, like a black sun on a hopeless morning.&#xA;&#xA;And yet the time might still be my friend; at that hour, that very hour, he set sail for New York.&#xA;&#xA;To know that, in a few moments, my husband would have left France calmed my agitation a little. My reason told me I had nothing to fear; the tide that would take him away to the New World would let me out of the imprisonment of the castle. Surely I could easily evade the servants. Anybody can buy a ticket at a railway station. Yet I was still rilled with unease. I opened the lid of the piano; perhaps I thought my own particular magic might help me, now, that I could create a pentacle out of music that would keep me from harm for, if my music had first ensnared him, then might it not also give me the power to free myself from him?&#xA;&#xA;Mechanically, I began to play but my fingers were stiff and shaking. At first, I could manage nothing better than the exercises of Czerny but simply the act of playing soothed me and, for solace, for the sake of the harmonious rationality of its sublime mathematics, I searched among his scores until I found The Well-Tempered Clavier. I set myself the therapeutic task of playing all Bach's equations, every one, and, I told myself, if I played them all through without a single mistake--then the morning would find me once more a virgin.&#xA;&#xA;Crash of a dropped stick.&#xA;&#xA;His silver-headed cane! What else? Sly, cunning, he had returned; he was waiting for me outside the door!&#xA;&#xA;I rose to my feet; fear gave me strength. I flung back my head defiantly.&#xA;&#xA;'Come in!' My voice astonished me by its firmness, its clarity.&#xA;&#xA;The door slowly, nervously opened and I saw, not the massive, irredeemable bulk of my husband but the slight, stooping figure of the piano-tuner, and he looked far more terrified of me than my mother's daughter would have been of the Devil himself. In the torture chamber, it seemed to me that I would never laugh again; now, helplessly, laugh I did, with relief, and, after a moment's hesitation, the boy's face softened and he smiled a little, almost in shame. Though they were blind, his eyes were singularly sweet.&#xA;&#xA;'Forgive me,' said Jean-Yves. 'I know I've given you grounds for dismissing me, that I should be crouching outside your door at midnight ... but I heard you walking about, up and down--I sleep in a room at the foot of the west tower--and some intuition told me you could not sleep and might, perhaps, pass the insomniac hours at your piano. And I could not resist that. Besides, I stumbled over these--'&#xA;&#xA;And he displayed the ring of keys I'd dropped outside my husband's office door, the ring from which one key was missing. I took them from him, looked round for a place to stow them, fixed on the piano stool as if to hide them would protect me. Still he stood smiling at me. How hard it was to make everyday conversation.&#xA;&#xA;'It's perfect,' I said. 'The piano. Perfectly in tune.'&#xA;&#xA;But he was full of the loquacity of embarrassment, as though I would only forgive him for his impudence if he explained the cause of it thoroughly.&#xA;&#xA;'When I heard you play this afternoon, I thought I'd never heard such a touch. Such technique. A treat for me, to hear a virtuoso! So I crept up to your door now, humbly as a little dog might, madame, and put my ear to the keyhole and listened, and listened--until my stick fell to the floor through a momentary clumsiness of mine, and I was discovered.'&#xA;&#xA;He had the most touchingly ingenuous smile.&#xA;&#xA;'Perfectly in tune,' I repeated. To my surprise, now I had said it, I found I could not say anything else. I could only repeat: 'In tune ... perfect ... in tune,' over and over again. I saw a dawning surprise in his face. My head throbbed. To see him, in his lovely, blind humanity, seemed to hurt me very piercingly, somewhere inside my breast; his figure blurred, the room swayed about me. After the dreadful revelation of that bloody chamber, it was his tender look that made me faint.&#xA;&#xA;When I recovered consciousness, I found I was lying in the piano-tuner's arms and he was tucking the satin cushion from the piano-stool under my head.&#xA;&#xA;'You are in some great distress,' he said. 'No bride should suffer so much, so early in her marriage.'&#xA;&#xA;His speech had the rhythms of the countryside, the rhythms of the tides.&#xA;&#xA;'Any bride brought to this castle should come ready dressed in mourning, should bring a priest and a coffin with her,' I said.&#xA;&#xA;'What's this?'&#xA;&#xA;It was too late to keep silent; and if he, too, were one of my husband's creatures, then at least he had been kind to me. So I told him everything, the keys, the interdiction, my disobedience, the room, the rack, the skull, the corpses, the blood.&#xA;&#xA;'I can scarcely believe it,' he said, wondering. 'That man ... so rich; so well-born.'&#xA;&#xA;'Here's proof,' I said and tumbled the fatal key out of my handkerchief on to the silken rug.&#xA;&#xA;'Oh God,' he said. 'I can smell the blood.'&#xA;&#xA;He took my hand; he pressed his arms about me. Although he was scarcely more than a boy, I felt a great strength flow into me from his touch.&#xA;&#xA;'We whisper all manner of strange tales up and down the coast,' he said.' There was a Marquis, once, who used to hunt young girls on the mainland; he hunted them with dogs, as though they were foxes. My grandfather had it from his grandfather, how the Marquis pulled a head out of his saddle bag and showed it to the blacksmith while the man was shoeing his horse. &amp;quot;A fine specimen of the genus, brunette, eh, Guillaume?&amp;quot; And it was the head of the blacksmith's wife.'&#xA;&#xA;But, in these more democratic times, my husband must travel as far as Paris to do his hunting in the salons. Jean-Yves knew the moment I shuddered.&#xA;&#xA;'Oh, madame! I thought all these were old wives' tales, chattering of fools, spooks to scare bad children into good behaviour! Yet how could you know, a stranger, that the old name for this place is the Castle of Murder?'&#xA;&#xA;How could I know, indeed? Except that, in my heart, I'd always known its lord would be the death of me.&#xA;&#xA;'Hark!' said my friend suddenly. 'The sea has changed key; it must be near morning, the tide is going down.'&#xA;&#xA;He helped me up. I looked from the window, towards the mainland, along the causeway where the stones gleamed wetly in the thin light of the end of the night and, with an almost unimaginable horror, a horror the intensity of which I cannot transmit to you, I saw, in the distance, still far away yet drawing moment by moment inexorably nearer, the twin headlamps of his great black car, gouging tunnels through the shifting mist.&#xA;&#xA;My husband had indeed returned; this time, it was no fancy.&#xA;&#xA;'The key!' said Jean-Yves. 'It must go back on the ring, with the others. As though nothing had happened.'&#xA;&#xA;But the key was still caked with wet blood and I ran to my bathroom and held it under the hot tap. Crimson water swirled down the basin but, as if the key itself were hurt, the bloody token stuck. The turquoise eyes of the dolphin taps winked at me derisively; they knew my husband had been too clever for me! I scrubbed the stain with my nail brush but still it would not budge. I thought how the car would be rolling silently towards the closed courtyard gate; the more I scrubbed the key, the more vivid grew the stain.&#xA;&#xA;The bell in the gatehouse would jangle. The porter's drowsy son would push back the patchwork quilt, yawning, pull the shirt over his head, thrust his feet into his sabots ... slowly, slowly; open the door for your master as slowly as you can ...&#xA;&#xA;And still the bloodstain mocked the fresh water that spilled from the mouth of the leering dolphin.&#xA;&#xA;'You have no more time,' said Jean-Yves. 'He is here. I know it. I must stay with you.'&#xA;&#xA;'You shall not!' I said. 'Go back to your room, now. Please.'&#xA;&#xA;He hesitated. I put an edge of steel in my voice, for I knew I must meet my lord alone.&#xA;&#xA;'Leave me!'&#xA;&#xA;As soon as he had gone, I dealt with the keys and went to my bedroom. The causeway was empty; Jean-Yves was correct, my husband had already entered the castle. I pulled the curtains close, stripped off my clothes and pulled the bedcurtains round me as a pungent aroma of Russian leather assured me my husband was once again beside me.&#xA;&#xA;'Dearest!'&#xA;&#xA;With the most treacherous, lascivious tenderness, he kissed my eyes, and, mimicking the new bride newly wakened, I flung my arms around him, for on my seeming acquiescence depended my salvation.&#xA;&#xA;'Da Silva of Rio outwitted me,' he said wryly.' My New York agent telegraphed Le Havre and saved me a wasted journey. So we may resume our interrupted pleasures, my love.'&#xA;&#xA;I did not believe one word of it. I knew I had behaved exactly according to his desires; had he not bought me so that I should do so? I had been tricked into my own betrayal to that illimitable darkness whose source I had been compelled to seek in his absence and, now that I had met that shadowed reality of his that came to life only in the presence of its own atrocities, I must pay the price of my new knowledge. The secret of Pandora's box; but he had given me the box, himself, knowing I must learn the secret. I had played a game in which every move was governed by a destiny as oppressive and omnipotent as himself, since that destiny was himself; and I had lost. Lost at that charade of innocence and vice in which he had engaged me. Lost, as the victim loses to the executioner.&#xA;&#xA;His hand brushed my breast, beneath the sheet. I strained my nerves yet could not help but flinch from the intimate touch, for it made me think of the piercing embrace of the Iron Maiden and of his lost lovers in the vault. When he saw my reluctance, his eyes veiled over and yet his appetite did not diminish. His tongue ran over red lips already wet. Silent, mysterious, he moved away from me to draw off his jacket. He took the gold watch from his waistcoat and laid it on the dressing table, like a good bourgeois; scooped out his raiding loose change and now--oh God!--makes a great play of patting his pockets officiously, puzzled lips pursed, searching for something that has been mislaid. Then turns to me with a ghastly, a triumphant smile.&#xA;&#xA;'But of course! I gave the keys to you!'&#xA;&#xA;'Your keys? Why, of course. Here, they're under the pillow; wait a moment--what--Ah! No ... now, where can I have left them? I was whiling away the evening without you at the piano, I remember. Of course! The music room!'&#xA;&#xA;Brusquely he flung my négligé of antique lace on the bed.&#xA;&#xA;'Go and get them.'&#xA;&#xA;'Now? This moment? Can't it wait until morning, my darling?'&#xA;&#xA;I forced myself to be seductive. I saw myself, pale, pliant as a plant that begs to be trampled underfoot, a dozen vulnerable, appealing girls reflected in as many mirrors, and I saw how he almost failed to resist me. If he had come to me in bed, I would have strangled him, then.&#xA;&#xA;But he half-snarled: 'No. It won't wait. Now.'&#xA;&#xA;The unearthly light of dawn filled the room; had only one previous dawn broken upon me in that vile place? And there was nothing for it but to go and fetch the keys from the music stool and pray he would not examine them too closely, pray to God his eyes would fail him, that he might be struck blind.&#xA;&#xA;When I came back into the bedroom carrying the bunch of keys that jangled at every step like a curious musical instrument, he was sitting on the bed in his immaculate shirtsleeves, his head sunk in his hands.&#xA;&#xA;And it seemed to me he was in despair.&#xA;&#xA;Strange. In spite of my fear of him, that made me whiter than my wrap, I felt there emanate from him, at that moment, a stench of absolute despair, rank and ghastly, as if the lilies that surrounded him had all at once begun to fester, or the Russian leather of his scent were reverting to the elements of flayed hide and excrement of which it was composed. The chthonic gravity of his presence exerted a tremendous pressure on the room, so that the blood pounded in my ears as if we had been precipitated to the bottom of the sea, beneath the waves that pounded against the shore.&#xA;&#xA;I held my life in my hands amongst those keys and, in a moment, would place it between his well-manicured fingers. The evidence of that bloody chamber had showed me I could expect no mercy. Yet, when he raised his head and stared at me with his blind, shuttered eyes as though he did not recognize me, I felt a terrified pity for him, for this man who lived in such strange, secret places that, if I loved him enough to follow him, I should have to die.&#xA;&#xA;The atrocious loneliness of that monster!&#xA;&#xA;The monocle had fallen from his face. His curling mane was disordered, as if he had run his hands through it in his distraction. I saw how he had lost his impassivity and was now filled with suppressed excitement. The hand he stretched out for those counters in his game of love and death shook a little; the face that turned towards me contained a sombre delirium that seemed to me compounded of a ghastly, yes, shame but also of a terrible, guilty joy as he slowly ascertained how I had sinned.&#xA;&#xA;That tell-tale stain had resolved itself into a mark the shape and brilliance of the heart on a playing card. He disengaged the key from the ring and looked at it for a while, solitary, brooding.&#xA;&#xA;'It is the key that leads to the kingdom of the unimaginable,' he said. His voice was low and had in it the timbre of certain great cathedral organs that seem, when they are played, to be conversing with God.&#xA;&#xA;I could not restrain a sob.&#xA;&#xA;'Oh, my love, my little love who brought me a white gift of music,' he said, almost as if grieving. 'My little love, you'll never know how much I hate daylight!&amp;quot;&#xA;&#xA;Then he sharply ordered: 'Kneel!'&#xA;&#xA;I knelt before him and he pressed the key lightly to my forehead, held it there for a moment. I felt a faint tingling of the skin and, when I involuntarily glanced at myself in the mirror, I saw the heart-shaped stain had transferred itself to my forehead, to the space between the eyebrows, like the caste mark of a brahmin woman. Or the mark of Cain. And now the key gleamed as freshly as if it had just been cut. He clipped it back on the ring, emitting that same, heavy sigh as he had done when I said that I would marry him.&#xA;&#xA;'My virgin of the arpeggios, prepare yourself for martyrdom.'&#xA;&#xA;'What form shall it take?' I said.&#xA;&#xA;'Decapitation,' he whispered, almost voluptuously. 'Go and bathe yourself; put on that white dress you wore to hear Tristan and the necklace that prefigures your end. And I shall take myself off to the armoury, my dear, to sharpen my great-grandfather's ceremonial sword.'&#xA;&#xA;'The servants?'&#xA;&#xA;'We shall have absolute privacy for our last rites; I have already dismissed them. If you look out of the window you can see them going to the mainland.'&#xA;&#xA;It was now the full, pale light of morning; the weather was grey, indeterminate, the sea had an oily, sinister look, a gloomy day on which to die. Along the causeway I could see trouping every maid and scullion, every pot-boy and pan-scourer, valet, laundress and vassal who worked in that great house, most on foot, a few on bicycles. The faceless housekeeper trudged along with a great basket in which, I guessed, she'd stowed as much as she could ransack from the larder. The Marquis must have given the chauffeur leave to borrow the motor for the day, for it went last of all, at a stately pace, as though the procession were a cortege and the car already bore my coffin to the mainland for. burial.&#xA;&#xA;But I knew no good Breton earth would cover me, like a last, faithful lover; I had another fate.&#xA;&#xA;'I have given them all a day's holiday, to celebrate our wedding,' he said. And smiled.&#xA;&#xA;However hard I stared at the receding company, I could see no sign of Jean-Yves, our latest servant, hired but the preceding morning.&#xA;&#xA;'Go, now. Bathe yourself; dress yourself. The lustratory ritual and the ceremonial robing; after that, the sacrifice. Wait in the music room until I telephone for you. No, my dear!' And he smiled, as I started, recalling the line was dead.' One may call inside the castle just as much as one pleases; but, outside--never.'&#xA;&#xA;I scrubbed my forehead with the nail brush as I had scrubbed the key but this red mark would not go away, either, no matter what I did, and I knew I should wear it until I died, though that would not be long. Then I went to my dressing room and put on that white muslin shift, costume of a victim of an auto-da-fé, he had bought me to listen to the Liebestod in. Twelve young women combed out twelve listless sheaves of brown hair in the mirrors; soon, there would be none. The mass of lilies that surrounded me exhaled, now, the odour of their withering. They looked like the trumpets of the angels of death.&#xA;&#xA;On the dressing table, coiled like a snake about to strike, lay the ruby choker.&#xA;&#xA;Already almost lifeless, cold at heart, I descended the spiral staircase to the music room but there I found I had not been abandoned.&#xA;&#xA;'I can be of some comfort to you,' the boy said.' Though not much use.'&#xA;&#xA;We pushed the piano stool in front of the open window so that, for as long as I could, I would be able to smell the ancient, reconciling smell of the sea that, in time, will cleanse everything, scour the old bones white, wash away all the stains. The last little chambermaid had trotted along the causeway long ago and now the tide, fated as I, came tumbling in, the crisp wavelets splashing on the old stones.&#xA;&#xA;'You do not deserve this,' he said.&#xA;&#xA;'Who can say what I deserve or no?' I said. 'I've done nothing; but that may be sufficient reason for condemning me.'&#xA;&#xA;'You disobeyed him,' he said. 'That is sufficient reason for him to punish you.'&#xA;&#xA;'I only did what he knew I would.'&#xA;&#xA;'Like Eve,' he said.&#xA;&#xA;The telephone rang a shrill imperative. Let it ring. But my lover lifted me up and set me on my feet; I knew I must answer it. The receiver felt heavy as earth.&#xA;&#xA;'The courtyard. Immediately.'&#xA;&#xA;My lover kissed me, he took my hand. He would come with me if I would lead him. Courage. When I thought of courage, I thought of my mother. Then I saw a muscle in my lover's face quiver.&#xA;&#xA;'Hoofbeats!' he said.&#xA;&#xA;I cast one last, desperate glance from the window and, like a miracle, I saw a horse and rider galloping at a vertiginous speed along the causeway, though the waves crashed, now, high as the horse's fetlocks. A rider, her black skirts tucked up around her waist so she could ride hard and fast, a crazy, magnificent horsewoman in widow's weeds.&#xA;&#xA;As the telephone rang again.&#xA;&#xA;'Am I to wait all morning?'&#xA;&#xA;Every moment, my mother drew nearer.&#xA;&#xA;'She will be too late,' Jean-Yves said and yet he could not restrain a note of hope that, though it must be so, yet it might not be so.&#xA;&#xA;The third, intransigent call.&#xA;&#xA;'Shall I come up to heaven to fetch you down, Saint Cecilia? You wicked woman, do you wish me to compound my crimes by desecrating the marriage bed?'&#xA;&#xA;So I must go to the courtyard where my husband waited in his London-tailored trousers and the shirt from Turnbull and Asser, beside the mounting block, with, in his hand, the sword which his great-grandfather had presented to the little corporal, in token of surrender to the Republic, before he shot himself. The heavy sword, unsheathed, grey as that November morning, sharp as childbirth, mortal.&#xA;&#xA;When my husband saw my companion, he observed: 'Let the blind lead the blind, eh? But does even a youth as besotted as you are think she was truly blind to her own desires when she took my ring? Give it me back, whore.'&#xA;&#xA;The fires in the opal had all died down. I gladly slipped it from my finger and, even in that dolorous place, my heart was lighter for the lack of it. My husband took it lovingly and lodged it on the tip of his little finger; it would go no further.&#xA;&#xA;'It will serve me for a dozen more fiancées,' he said. 'To the block, woman. No--leave the boy; I shall deal with him later, utilizing a less exalted instrument than the one with which I do my wife the honour of her immolation, for do not fear that in death you will be divided.'&#xA;&#xA;Slowly, slowly, one foot before the other, I crossed the cobbles. The longer I dawdled over my execution, the more time it gave the avenging angel to descend ...&#xA;&#xA;'Don't loiter, girl! Do you think I shall lose appetite for the meal if you are so long about serving it? No; I shall grow hungrier, more ravenous with each moment, more cruel ... Run to me, run! I have a place prepared for your exquisite corpse in my display of flesh!'&#xA;&#xA;He raised the sword and cut bright segments from the air with it, but still I lingered although my hopes, so recently raised, now began to flag. If she is not here by now, her horse must have stumbled on the causeway, have plunged into the sea ... One thing only made me glad; that my lover would not see me die.&#xA;&#xA;My husband laid my branded forehead on the stone and, as he had done once before, twisted my hair into a rope and drew it away from my neck.&#xA;&#xA;'Such a pretty neck,' he said with what seemed to be a genuine, retrospective tenderness. 'A neck like the stem of a young plant.'&#xA;&#xA;I felt the silken bristle of his beard and the wet touch of his lips as he kissed my nape. And, once again, of my apparel I must retain only my gems; the sharp blade ripped my dress in two and it fell from me. A little green moss, growing in the crevices of the mounting block, would be the last thing I should see in all the world.&#xA;&#xA;The whizz of that heavy sword.&#xA;&#xA;And--a great battering and pounding at the gate, the jangling of the bell, the frenzied neighing of a horse! The unholy silence of the place shattered in an instant. The blade did not descend, the necklace did not sever, my head did not roll. For, for an instant, the beast wavered in his stroke, a sufficient split second of astonished indecision to let me spring upright and dart to the assistance of my lover as he struggled sightlessly with the great bolts that kept her out.&#xA;&#xA;The Marquis stood transfixed, utterly dazed, at a loss. It must have been as if he had been watching his beloved Tristan for the twelfth, the thirteenth time and Tristan stirred, then leapt from his bier in the last act, announced in a jaunty aria interposed from Verdi that bygones were bygones, crying over spilt milk did nobody any good and, as for himself, he proposed to live happily ever after. The puppet master, open-mouthed, wide-eyed, impotent at the last, saw his dolls break free of their strings, abandon the rituals he had ordained for them since time began and start to live for themselves; the king, aghast, witnesses the revolt of his pawns.&#xA;&#xA;You never saw such a wild thing as my mother, her hat seized by the winds and blown out to sea so that her hair was her white mane, her black lisle legs exposed to the thigh, her skirts tucked round her waist, one hand on the reins of the rearing horse while the other clasped my father's service revolver and, behind her, the breakers of the savage, indifferent sea, like the witnesses of a furious justice. And my husband stood stock-still, as if she had been Medusa, the sword still raised over his head as in those clockwork tableaux of Bluebeard that you see in glass cases at fairs.&#xA;&#xA;And then it was as though a curious child pushed his centime into the slot and set all in motion. The heavy, bearded figure roared out aloud, braying with fury, and, wielding the honourable sword as if it were a matter of death or glory, charged us, all three.&#xA;&#xA;On her eighteenth birthday, my mother had disposed of a man-eating tiger that had ravaged the villages in the hills north of Hanoi. Now, without a moment's hesitation, she raised my father's gun, took aim and put a single, irreproachable bullet through my husband's head.&#xA;&#xA;We lead a quiet life, the three of us. I inherited, of course, enormous wealth but we have given most of it away to various charities. The castle is now a school for the blind, though I pray that the children who live there are not haunted by any sad ghosts looking for, crying for, the husband who will never return to the bloody chamber, the contents of which are buried or burned, the door sealed.&#xA;&#xA;I felt I had a right to retain sufficient funds to start a little music school here, on the outskirts of Paris, and we do well enough. Sometimes we can even afford to go to the Opéra, though never to sit in a box, of course. We know we are the source of many whisperings and much gossip but the three of us know the truth of it and mere chatter can never harm us. I can only bless the--what shall I call it?--the maternal telepathy that sent my mother running headlong from the telephone to the station after I had called her, that night. I never heard you cry before, she said, by way of explanation. Not when you were happy. And who ever cried because of gold bath taps?&#xA;&#xA;The night train, the one I had taken; she lay in her berth, sleepless as I had been. When she could not find a taxi at that lonely halt, she borrowed old Dobbin from a bemused farmer, for some internal urgency told her that she must reach me before the incoming tide sealed me away from her for ever. My poor old nurse, left scandalized at home--what? interrupt milord on his honeymoon?--she died soon after. She had taken so much secret pleasure in the fact that her little girl had become a marquise; and now here I was, scarcely a penny the richer, widowed at seventeen in the most dubious circumstances and busily engaged in setting up house with a piano-tuner. Poor thing, she passed away in a sorry state of disillusion! But I do believe my mother loves him as much as I do.&#xA;&#xA;No paint nor powder, no matter how thick or white, can mask that red mark on my forehead; I am glad he cannot see it--not for fear of his revulsion, since I know he sees me clearly with his heart--but, because it spares my shame." PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYCOUNT="1" PLAYTIME="289" PLAYTIME_FLOAT="288.045624" IMPORT_DATE="2025/7/13" LAST_PLAYED="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="36062"></INFO>
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<INFO BITRATE="1167373" KEY_LYRICS="6 ContributorsGANGx100 Lyrics&#xA;Gangity, gangity, gangity&#xA;Gang, gang, gang&#xA;Banda, banda, banda, banda, banda&#xA;Mēs esam tavā mājā&#xA;Mēs nozagsim tavu meiteni&#xA;Mēs aiznesīsim tavas kamīna restes&#xA;Mēs nozagsim tavus Air-Forceus&#xA;Mēs uzspļausim tev uz sienas&#xA;GANG&#xA;&#xA;&#xA;Pistoles nav, bet zinu, kur dabūt&#xA;Zinu pāris puikas, pull up ar salūtu&#xA;Puf, puf, puf, tev nopļaus parūku&#xA;Kamēr stāvu malā un piešķiļu zaļo&#xA;(Ouuu) Jā, to skaļo&#xA;Šis tas sūds, kas liks pat OGs fanot&#xA;Tad, kad biju bomzī, gramus pārdot nācās&#xA;Viss kas pārvērsts gados tiek, ja netiek kārtīgi plānots&#xA;Tāpēc uzmanīgs esmu vārdos&#xA;&amp;quot;Tirgo, tirgo&amp;quot; tikai tad, kad ir pārdots&#xA;Tagad pa skatuvi ārdos&#xA;Tintē mērcēta mana āda&#xA;Vidus pirkstu tām cūkām rādu&#xA;VIPā visa mana banda stāv&#xA;Pirms pisies klāt, labāk pasauc ātros&#xA;&#xA;GANG, GANG, GANG, GANG GANG GANG, GANG GANG GANG GANG&#xA;GANG, GANG, GANG GANG GANG, GANG GANG GANG GANG&#xA;GANG&#xA;GANG GANG GANG GANG&#xA;&#xA;&#xA;Banda, banda, ouuu, sargi sprandu, kad atveras aplis, jē&#xA;Kuce, nemāci mani domāt, lieki, esmu pakausi atsitis, jē (Bang)&#xA;Nē, hold up, nevermind, māci, dod man smadzeni, jē&#xA;Nāku glābt repu, vienā rokā miķis, otrā vazelīns (Ayy, less go)&#xA;Kobeins – drāzīšu spēli tik ilgi, līdz blow brains&#xA;Nāsīs kokeins, lai varu izturēt visus jūs, no-names&#xA;Tintē mērcēta mana āda&#xA;Uztes bišķiņ arī uz mana zārka&#xA;Kad es miršu, bērēs atkārto šo vienu sūda vārdu:&#xA;&#xA;&#xA;GANG, GANG, GANG, GANG GANG GANG, GANG GANG GANG GANG&#xA;GANG, GANG, GANG GANG GANG, GANG GANG GANG GANG&#xA;GANG&#xA;GANG GANG GANG GANG&#xA;&#xA;&#xA;Hei, Siri (kuce), Hit up the plug&#xA;Un pēc tam lejā basi&#xA;Pakaļu, jei, pakrati vēl&#xA;Do' man galvu, to artificial smadzeni, jеi&#xA;Oo, oo, damn, shawty, okay&#xA;Mazā, es gribu to robot brain&#xA;Puļķi lieku es galvā ar robot-aim&#xA;Iеslēdzu reperus, kam nav name&#xA;Tagad ausīs man jāpis ir novokeinu&#xA;Sūdu es nedaru for the fame&#xA;Šo sūdu es daru, bļe, for the gang&#xA;Banda uz ielām kā Kiwie tags&#xA;Nedirs, tu būsi caurāks nekā Rimi rats&#xA;Tas puļķis iet BANG, BANG&#xA;BANG BANG BANG BANG BANG&#xA;&#xA;GANG, GANG, GANG, GANG GANG GANG, GANG GANG GANG GANG&#xA;GANG, GANG, GANG GANG GANG, GANG GANG GANG GANG&#xA;GANG&#xA;GANG GANG GANG GANG&#xA;&#xA;&#xA;Banda, banda, tā labā manta&#xA;Paļubomu, krati galvu, kamēr kasiku tin&#xA;Uz mūsu konci pat pull up mammas&#xA;Par jūsu purniem kādi trīs tik zina&#xA;Mazs puika, bet geims kā KP&#xA;Imma do the most, kā DaBaby&#xA;Huļi musari meklē, neesmu vainīgs, bīts teica &amp;quot;Please rape me&amp;quot;&#xA;Varu spit like this, varu spit like that&#xA;Pats sev boss, you not my dad&#xA;Silda sirdi dzirdot, ka anglicismi make your ass mad&#xA;Citiem patīk sēdēt uz korķa&#xA;Es mazkustīgs, bet big brain kustās&#xA;Satiec mani kortā, tu, čort&#xA;Es galīgi lit ar bandu uz tā GANG, GANG–&#xA;&#xA;&#xA;GANG, GANG, GANG, GANG GANG GANG, GANG GANG GANG GANG&#xA;GANG, GANG, GANG GANG GANG, GANG GANG GANG GANG&#xA;GANG&#xA;GANG GANG GANG GANG&#xA;&#xA;GANG" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="342" PLAYTIME_FLOAT="341.874176" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="49007"></INFO>
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<INFO BITRATE="1075388" KEY_LYRICS="7 ContributorsIG Girls Lyrics&#xA;Sexy gyal, you're full of curves&#xA;Want up your body enuh, girl&#xA;She take the number to mi phone and give me hers&#xA;She no say, a your own&#xA;But you a say, a yours&#xA;Your girl..&#xA;Oh, you say a your girl..&#xA;Oh, you say a your girl&#xA;You post her up...&#xA;&#xA;&#xA;But, the, the likkle pretty gyal you a boast pon IG 'bout&#xA;She gimme a nice deep throat&#xA;All when you put her in a house&#xA;She a find way fi try thief out&#xA;Say she waan jump pon the bike, wheel out&#xA;Carry her go Maiden Cay pon a high speed boat&#xA;Mi say, &amp;quot;Pretty gyal, do you have anybody?&amp;quot;&#xA;She say, &amp;quot;The likkle man, him a just the baby daddy&amp;quot;&#xA;Yeah, she tell me, mi say, &amp;quot;It alright&amp;quot;&#xA;She say, if me feel fi come over?&#xA;Fi show me say she's badder than a porn star&#xA;But me see you pon the IG, you a post her&#xA;&#xA;&#xA;Oh, you say a your girl&#xA;Oh, you say a your girl&#xA;You say a your girl&#xA;You say a -&#xA;You say a -&#xA;&#xA;Gyal weh you give the clothes store&#xA;Man a score goal with it back of close door&#xA;Reach at the block, you know we stop a 4×4&#xA;Buy two Dragon, that papa pour, pour&#xA;High way, drive way, the toll road&#xA;Bad, cocoa, white Benz inna sport mode&#xA;Rub down her thighs, AC a flow cold&#xA;Fly pass deh so, never stop at Portmore&#xA;Nuh over Screechie, yeah, we reach deh&#xA;Bring your gyal and go chill pon the beach, yeah&#xA;Dawg, a so easy she give it 'way&#xA;Send a picture of the pussy, Snapchat, fi please me&#xA;(Bumboclaat!)&#xA;&#xA;&#xA;Oh, you say a your girl&#xA;Oh, you say a your girl&#xA;You say a your girl&#xA;You say a -&#xA;You say a -&#xA;&#xA;&#xA;She no say, a you&#xA;You a say, a yours&#xA;Pon your IG you a post up your girl&#xA;'Woman crush everyday' caption your words&#xA;Diddy make your gyal deh pon the Snapchat a twerk&#xA;You a say, a your girl&#xA;Yeah, she a yours&#xA;Take her 'way today, she ready when a fi mi turn&#xA;She a your WCW...&#xA;You swear say, she love you&#xA;&#xA;But, the, the likkle pretty gyal you a boast pon IG 'bout&#xA;She gimme a nice deep throat&#xA;All when you put her in a house&#xA;She a find way fi try thief out&#xA;Say she waan jump pon the bike, wheel out&#xA;Carry her go Maiden Cay pon a high speed boat&#xA;Mi say, &amp;quot;Pretty gyal, do you have anybody?&amp;quot;&#xA;She say, &amp;quot;The likkle man, him a just the baby daddy&amp;quot;&#xA;Yeah, she tell me, mi say, &amp;quot;It alright&amp;quot;&#xA;She say, if me feel fi come over?&#xA;Fi show me say she's badder than a porn star&#xA;But me see you pon the IG, you a post her&#xA;&#xA;&#xA;Oh, you say a your girl&#xA;Oh, you say a your girl&#xA;You say a your girl&#xA;You say a -&#xA;You say a -" PRODUCER="Hospital Records Limited - 2015" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="364" PLAYTIME_FLOAT="363.667816" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="48029"></INFO>
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<INFO BITRATE="955249" KEY_LYRICS="1 ContributorGood Life LyricsLook uh, lets toast to a good life (good life)&#xA;This is what real love feels like&#xA;Lets toast to my African queen&#xA;She got natural hair on her African thing yeah&#xA;Holl up she moving to the song like&#xA;She said she wanna dance all night&#xA;Heh, she be stirring up the scene&#xA;While the whole spot cheering for my African queen&#xA;Holl up, yeah, she moving to the song like&#xA;Ha, she said she wanna dance all night&#xA;Heh, she be stirring up the scene&#xA;While the whole spot cheering for my African queen&#xA;Holly did I evеr think, I say that I don found the one&#xA;And non-bettеr&#xA;Ha, cus honey you my everything&#xA;A beautiful person that I can share my forever&#xA;Look, cus you know you got lynx pro&#xA;Ya, ringing my ell like ding dong&#xA;Ha and I don’t know how you do it but you&#xA;Keep pressing the buttons that you know will turn me on&#xA;Yeah, and she love to go to church with me&#xA;Ha, what more can I ask for&#xA;Look and she love to watch ball with me&#xA;And that’s one to my pastor&#xA;She love her fashion and he love her dresses&#xA;So I got her a bracelet with a matching necklace&#xA;And when we shopping for the crib she never let me pay&#xA;In exchange she loves gelato and ***&#xA;Holl up she moving to the song like&#xA;She said she wanna dance all night&#xA;Heh, she be stirring up the scene&#xA;While the whole spot cheering for my African queen&#xA;Holl up, yeah, she moving to the song like&#xA;Ha, she said she wanna dance all night&#xA;Heh, she be stirring up the scene&#xA;While the whole spot cheering for my African queen&#xA;(Instrumentals)&#xA;I used to be a G like a gram&#xA;I used to hit the streets every weekend with my fam&#xA;You changed my parade and I do not understand&#xA;How the little things you do will make me a better man&#xA;Like damn&#xA;No more flirting with these random girls&#xA;Now fantasizing over wedding bells&#xA;Ha and I just bought a crib and im hoping&#xA;That its somewhere you and I would live&#xA;Like yeah uh, in the back streets of V.I&#xA;I left lekki and you see why&#xA;Looking for a liitle peace of mind, it was all about turn up&#xA;When im thinking in rewind like men&#xA;She sharing henny and pads&#xA;Robsy and road over fifa with the guys&#xA;Yeah fun times but now we a little older&#xA;With a lot more responsibilities over my shoulder&#xA;Yeah holl up she moving to the song like&#xA;She said she wanna dance all night&#xA;Heh, she be stirring up the scene&#xA;While the whole spot cheering for my African queen&#xA;Holl up, yeah, she moving to the song like&#xA;Ha, she said she wanna dance all night&#xA;Heh, she be stirring up the scene&#xA;While the whole spot cheering for my African queen&#xA;Classic&#xA;(Talking)" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="332" PLAYTIME_FLOAT="331.464600" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="38940"></INFO>
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<INFO BITRATE="1169401" KEY_LYRICS="4 ContributorsElectric Rollerskates LyricsGonna make a million on my 'lectric rollerskates&#xA;Gonna make a million on my 'lectric rollerskates&#xA;Oh no!&#xA;&#xA;Said I wouldn't do it&#xA;Said I couldn't do it&#xA;Oh no no no&#xA;&#xA;Said I wouldn't do it&#xA;Said I couldn't do it&#xA;Said I shouldn't do it&#xA;Oh no no no&#xA;&#xA;'Cause I'm gonna make a million on my 'lectric rollerskates&#xA;Gonna make a million on my 'lectric rollerskates&#xA;&#xA;Said wouldn't do it&#xA;Said I couldn't do it&#xA;Oh no no no&#xA;&#xA;Said I wouldn't do it&#xA;Said I couldn't do it&#xA;Said I shouldn't do it&#xA;Oh no no no-hooo&#xA;&#xA;'Cause I'm gonna make a million on my 'lectric rollerskates&#xA;Gonna make a million on my 'lectric rollerskates&#xA;Gonna make a million for your surgery, Priscilla&#xA;The surgery where they take out all your bones&#xA;Oooooooh&#xA;Oooooo-ooooo-ooooh&#xA;&#xA;Said I wouldn't do it&#xA;Said I couldn't do it&#xA;Oh no no no&#xA;&#xA;Said I wouldn't do it&#xA;Oh said I couldn't do it&#xA;Oh said I shouldn't do it&#xA;Oh no no no&#xA;&#xA;'Cause I'm gonna make a million on my 'lectric rollerskates&#xA;Soon I'll make a million on my 'lectric rollerskates&#xA;Oh yeah!&#xA;Oh yeah!&#xA;Oh yeah!" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="254" PLAYTIME_FLOAT="253.907974" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="36532"></INFO>
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<INFO BITRATE="1067101" KEY_LYRICS="3 Contributors2020 CHH Release Calendar - Singles LyricsJanuary&#xA;&#xA;3rd&#xA;1K P-Son: Slide (feat. 1K Phew &amp;amp; 1K Don Tino)&#xA;&#xA;10th&#xA;Joey Vantes: I'm Back (feat. Miles Minnick)&#xA;Xay Hill: Bag (feat. TeeJay Godfearing &amp;amp; Big Breeze)&#xA;Jon Keith: Way Up&#xA;VisionUnplugged: Rocket Power (feat. 1K Phew &amp;amp; Lil Noovie)&#xA;&#xA;16th&#xA;116: Live Forever (feat. 1K Phew, Aaron Cole, Hulvey, Tedashii, Tommy Royale, Trip Lee, &amp;amp; Wande)&#xA;&#xA;17th&#xA;Ill Fayze: Dalvin Cook&#xA;Ruslan: The Way (feat. Jamil &amp;amp; Berg On The Beat)&#xA;&#xA;22nd&#xA;Ayomilly: Never Know&#xA;&#xA;24th&#xA;Corey Wise: Psycho!&#xA;Aaron Cole: AOTY&#xA;Ty Brasel: The Power (feat. KB)&#xA;31st&#xA;Jamil: On Me&#xA;Eric Heron &amp;amp; PoetiCS: 100K&#xA;&#xA;February&#xA;&#xA;2nd&#xA;Parris Chariz: Adventures of 'ye (feat. Aaron Cole &amp;amp; MC)&#xA;&#xA;7th&#xA;Xay Hill: Mutombo (feat. Parris Chariz &amp;amp; TeeJay)&#xA;&#xA;14th&#xA;Parris Chariz: Smooth Operator&#xA;Byron Juane: M.I.A. (feat. Aaron Cole)&#xA;&#xA;21st&#xA;Joey Vantes: Statement (feat. nobigdyl., Aaron Cole, &amp;amp; Jon Keith)&#xA;Miles Minnick: Pluto (feat. 1K Phew)&#xA;TeeJay Godfearing: Lost &amp;amp; Found&#xA;Yung Titan: Regardless (feat. Jarry Manna)&#xA;King Chai: Making The Band&#xA;&#xA;28th&#xA;Aklesso: Wodie&#xA;Torey D'Shaun: Permanent&#xA;Kurtis Hoppie &amp;amp; Jon Keith: Sometimes&#xA;Ill Fayze: Running In Place (feat. Brett Raio)&#xA;King Chai: Exploit&#xA;Chris Elijah: Go Go (feat. Jered Sanders)&#xA;Jamil: Like Always&#xA;March&#xA;&#xA;6th&#xA;Tre'Gadd: 2020Vision&#xA;Xay Hill &amp;amp; Trutha: Travail&#xA;ISeeYouKev &amp;amp; King Chai: Spill&#xA;&#xA;11th&#xA;Nu Tone: A Lot (feat. Parris Chariz)&#xA;Acvision &amp;amp; Xay Hill: Appreciated&#xA;&#xA;13th&#xA;Mission &amp;amp; BrvndonP: Seasons&#xA;Jay-Way: On The Rise&#xA;JXHN PVUL &amp;amp; Mogli The Iceburg: Project EX&#xA;Xay Hill: Ball Forever&#xA;Anthone Ray: Big Talk&#xA;King Chai: With You...&#xA;King Chai: No Pitcher Chai&#xA;Blakbeats &amp;amp; Jude.: Playin' Nice (feat Vic Sage, Spastic, &amp;amp; Torey D'Shaun)&#xA;Chase Cullum: Do or Die (feat. Joey Vantes)&#xA;&#xA;17th&#xA;DJ Standout: Be There (feat. Evan Ford)&#xA;&#xA;18th&#xA;GAWVI: Not Too Far&#xA;Ayomilly: OMG&#xA;19th&#xA;DJ Db405: On Lord (feat. Parris Chariz)&#xA;&#xA;20th&#xA;Lecrae: Set Me Free (feat. YK Osiris)&#xA;1KP-Son: Heartbreak Hotel (feat. Aha Gazelle)&#xA;King Chai &amp;amp; iSeeYouKev: Rich Kid&#xA;&#xA;21st&#xA;Coop: Prime&#xA;&#xA;27th&#xA;GAWVI: Climate Change (feat. Aklesso &amp;amp; Wordsplayed)&#xA;Ty Brasel, WHATUPRG, &amp;amp; 1K Phew: Highlight&#xA;Mogli The Iceburg: Something Changed In You Along The Way (feat. Aaron Gillespie)&#xA;Corey Wise: Gotta Smile (feat. Zach Paradis)&#xA;King Chai: Insanity&#xA;Twanny2c: Everything Glitter Ain't Gold&#xA;Jamil: Ooouuu&#xA;BlueGiraffeKid &amp;amp; Xay Hill: All Out (feat. King Chai)&#xA;&#xA;April&#xA;&#xA;1st&#xA;Twanny2c: I Met God In Miami&#xA;&#xA;3rd&#xA;Wande: Happy&#xA;Ill Fayze: Spelling Bee&#xA;L. Dejaun &amp;amp; JuiceBangers: Look At Me Now (feat. TeeJay)&#xA;Wxlf: Mistakes (feat. Parris Chariz) &#xA;King Chai: Undefeated (feat. Xay Hill)&#xA;Coop: On Ten (feat. Rockstar Jt)&#xA;&#xA;10th&#xA;Canon: Big Dog Walking (feat. MainMain)&#xA;Xay Hill: The Edge&#xA;Elijah Jaron: My T-Shirt&#xA;King Chai: Crown&#xA;Whoz Meech: Remember Me (feat. Xay Hill)&#xA;Focus Grisby: What You Mean (feat. Xay Hill)&#xA;&#xA;11th&#xA;Twanny2c: Sticking With You&#xA;&#xA;14th&#xA;Speez: On Me&#xA;&#xA;17th&#xA;GABRIEL: ALIENS&#xA;KB: Armies&#xA;Wande: Be The Light (feat. Evan and Eris)&#xA;Rockstar Jt: 36 (feat. Joey Vantes, Torey D'Shaun, &amp;amp; nobigdyl.)&#xA;J. Monty: More Than I Can Bear&#xA;King Chai: One More Time&#xA;Thi'sl: Until Tomorrow&#xA;DJ Evon: Power Up (feat. Dru Bex, Poetics &amp;amp; Steven Malcolm)&#xA;Josiah Tha Great: Ballin' (feat. Xay Hill)&#xA;&#xA;21st&#xA;Ayomilly: Blessed (Bendecido) (feat. MRChapala &amp;amp; Tiin Cárdenas)&#xA;Antoine Bradford: Trust in You&#xA;&#xA;24th&#xA;Kid Tris: PTD&#xA;Jamil: Check Me&#xA;King Chai: Check Check&#xA;GABRIEL: WEIRDO&#xA;Spoken Worth &amp;amp; OnBeatMusic: Broken Is Better&#xA;&#xA;26th&#xA;Twanny2c: Psalm 23&#xA;&#xA;29th&#xA;BrvndonP &amp;amp; Mission: Work For It&#xA;Ayomilly: Late Night&#xA;&#xA;May&#xA;&#xA;1st&#xA;1K Phew: Outside (feat. 1KP-Son)&#xA;Byron Juane: Afraid (feat. Danielle Apicella)&#xA;Eric Heron: Heartless&#xA;Kid Tris: False Moves&#xA;King Chai: Shhhhh!&#xA;Chase Cullum: OTG (feat. JRoiel)&#xA;&#xA;5th&#xA;Elijah Jaron: Die Young&#xA;&#xA;7th&#xA;Seni.: Mob Safely&#xA;&#xA;8th&#xA;Bizzle: Smoke Free (feat. KB)&#xA;MARTY: The One Where I Talk To God (feat. Andy Mineo &amp;amp; Tree Giants)&#xA;Parris Chariz: Star (feat. ElI PLM)&#xA;Mogli The Iceburg: One Tree Trill (feat. Aha Gazelle)&#xA;Aklesso: Ayy 3x&#xA;Jay-Way: Way Up&#xA;Kid Tris: On Everything&#xA;Mlpc: Streets (feat. TeeJay)&#xA;&#xA;13th&#xA;Twanny2c: Can't Be Average&#xA;&#xA;15th&#xA;Ruslan, Steven Malcolm, &amp;amp; DJ Mykael V: NYC Freestyle&#xA;Kid Tris: Chrome Hearts (feat. WILSXN)&#xA;K9- Zoom&#xA;Prof. Biz: Feed Em' (Out My Bag) &#xA;Da Church, Marqus Anthony, &amp;amp; Miraql3: Never Fold (feat. Xay Hill)&#xA;&#xA;22nd&#xA;Aaron Cole: Only U Forever&#xA;MARTY: The One With The Emo TRL Sound (feat. Hollyn)&#xA;Jay-Way &amp;amp; WHATUPRG: On The Rise (Remix)&#xA;Xay Hill &amp;amp; TeeJay Godfearing: King (feat. BigBreeze &amp;amp; Raw-B)&#xA;Tre'Gadd: OFF the WALLS (feat. Swaizy &amp;amp; K9)&#xA;Elijah Jaron: No Chorus Freestyle&#xA;Micah Hampton: Some Way (feat. Vic Sage, Joey Vantes, &amp;amp; seni.)&#xA;Chris Elijah: Po Baby (feat. Parris Chariz &amp;amp; 1K Phew)&#xA;Terence Penny: Worthwhile (feat. Joey Vantes)&#xA;&#xA;23rd&#xA;Aha Gazelle: Am I Gold&#xA;&#xA;27th&#xA;Ayomilly: Testing Me&#xA;&#xA;29th&#xA;1KP-Son: No Cap Shawty (feat. 1K Phew)&#xA;Dru Bex &amp;amp; Kay Sade: Never Odd Or Even&#xA;Sharp Dialect &amp;amp; Ruslan: Let You Down&#xA;JP Killed IT: Rollercoaster (feat. Joey Vantes)&#xA;Gabe Lost: Bound To Win (feat. Josiah Tha Great &amp;amp; Xay Hill)&#xA;&#xA;June&#xA;&#xA;5th&#xA;Swaizy &amp;amp; Arrow: On My Way (feat. Steven Malcolm)&#xA;Xay Hill &amp;amp; Nu Tone: Trap Missionary&#xA;Tyree: Who You Are (feat. Scootie Wop)&#xA;&#xA;6th&#xA;Elijah Jaron: Should Have Known&#xA;&#xA;9th&#xA;TeeJay Godfearing: Exit 66&#xA;&#xA;12th&#xA;Joey Vantes: Sixpence&#xA;Joey Vantes: Show You 2&#xA;Kurtis Hoppie: Vacation&#xA;Miles Minnick &amp;amp; George.Rose: Top Notch&#xA;Nopular: Diamonds (feat. Joey Vantes &amp;amp; Xay Hill)&#xA;Zae Ortiz: Gotta Preach (feat. Mission)&#xA;&#xA;19th&#xA;Parris Chariz: Die For Me (feat. 1K Phew)&#xA;Dru Bex &amp;amp; OnBeat Music: Szn 2&#xA;Eric Heron: Off Balance (feat. 100graham)&#xA;Swaizy &amp;amp; Kamban: The Call (feat. Raw-B)&#xA;Kham: L00k&#xA;Rhomar Jessy: Uppercut (feat. Phil J. &amp;amp; Sarah Juers)&#xA;Tre'Gadd: Human (feat. DJ Standout)&#xA;Shem Rivera: On Lock (feat. Parris Chariz)&#xA;Focus Grigsby: Holding On (feat. Deonte Hall)&#xA;Jphantom &amp;amp; Xay Hill: I Am&#xA;&#xA;24th&#xA;Lecrae: Deep End&#xA;&#xA;26th&#xA;Parris Chariz: iWav (feat. Joey Sativa)&#xA;Swaizy: Summer Came Early&#xA;Miles Minnick: This Year (feat. Chastity)&#xA;Ill Fayze &amp;amp; Kaleb Mitchell: Hangman&#xA;Ayomilly: Over Me&#xA;NKtwelve &amp;amp; Xay Hill: In the Morning&#xA;&#xA;July&#xA;&#xA;1st&#xA;K3hlab: My Season (feat. 1KP-Son)&#xA;&#xA;3rd&#xA;1K Phew &amp;amp; 1KP-Son: New Fourth of July&#xA;​nobigdyl.: Parabolic!&#xA;Raw-B: Doing My Thing (feat. Miles Minnick)&#xA;L. Dejuan, George.Rose, &amp;amp; TeeJay: Heatin' Up&#xA;WILSXN: On Top (feat. Groovy Mar$)&#xA;&#xA;4th&#xA;D.M. Yanis: Show Me (feat. Parris Chariz &amp;amp; Joey Vantes)&#xA;&#xA;6th&#xA;Azeekah: In God We Trust (feat. Xay Hill)&#xA;&#xA;9th&#xA;K-nicee &amp;amp; Xay Hill: I Smile&#xA;&#xA;10th&#xA;KB: 10K&#xA;Jon Keith: Trust&#xA;Mission: Tru Talk Tony, Vol. 1&#xA;Kid Tris: Body Bags&#xA;Outr.cty &amp;amp; Nu Tone: Jumanji Jungle (feat. Xay Hill)&#xA;Marcus Leon: Hand Of God (feat. Xay Hill)&#xA;&#xA;17th&#xA;Lecrae: Drown (feat. John Legend)&#xA;Bizzle: Feel A Way&#xA;Scootie Wop, BigBreeze, &amp;amp; L. Dejuan: Tippy Top&#xA;Rayon Thomas: Never Change (feat. A. Ruiz)&#xA;Chris Soul: Supa (feat. Wow Eli &amp;amp; Jon Keith)&#xA;Nu Tone &amp;amp; Jarom Su'a: Relate To Me (feat. Kris Minich)&#xA;F'rael: Buckets&amp;amp;blessings (feat. Xay Hill)&#xA;&#xA;22nd&#xA;Proud Refuge: God On My Mind (feat. Joey Vantes)&#xA;&#xA;24th&#xA;Jon Keith: Limitless (feat. WaveIQ)&#xA;Wxlf: 4Real&#xA;Don Ryvcko: Selena&#xA;Tay Collier: Trendy (feat. Torey D'Shaun &amp;amp; Porsha Love)&#xA;J.B. Williams- In Her Eyes (feat. Parris Chariz)&#xA;&#xA;25th&#xA;Andre Right: Rolex&#xA;MC Shiro: Not Alone (feat. Jarry Manna)&#xA;&#xA;27th&#xA;Andy Mineo: Let Me Know (feat. Marc E. Bassy)&#xA;Nu Tone: We Need You (feat. Matthew Grant)&#xA;&#xA;28th&#xA;Rockstar Jt &amp;amp; Duke Deuce: Stick (feat. Scootie Wop &amp;amp; MainMain)&#xA;350- East Side (feat. 1K Phew)&#xA;&#xA;29th&#xA;Wande, Teni, &amp;amp; Toyé: Come My Way&#xA;&#xA;30th&#xA;Aklesso, nobigdyl., &amp;amp; Jon Keith: I'm Up&#xA;&#xA;31st&#xA;Steven Malcolm &amp;amp; Shaggy: Fuego (Remix)&#xA;MykeyyJ: Gimmie Dat (feat. Aklesso)&#xA;Elijah Jaron: Truth Be Told (feat. Mission)&#xA;Nu Tone: Nascar (feat. Xay Hill)&#xA;Justin Goss: Hopes (feat. Mission)&#xA;Chris Elijah: Raindrops (feat. A'sha)&#xA;Ray Knowledge: I Been (feat. TeeJay &amp;amp; Zeno Suave)&#xA;TJ Carroll: Braveheart&#xA;CuBox: Light The City (feat. Parris Chariz)&#xA;Yung Tiedge &amp;amp; Xay Hill: Questions&#xA;&#xA;August&#xA;&#xA;6th&#xA;Nu Tone: Dreams&#xA;&#xA;7th&#xA;Lecrae: Zombie&#xA;Social Club Misfits: Up (GSM Remix)&#xA;Jon Keith: F.O.M.O&#xA;Jaylon Ashaun: Too Many Times (feat. Kristie)&#xA;Roy Tosh: Not Afraid&#xA;Seni., Thomas Iannucci, &amp;amp; J. Crum: Pro Skaters (feat. Montythehokage)&#xA;Gabe Lost: Falling Apart (feat. Ryster, Nu Tone, &amp;amp; Rockstar Jt)&#xA;K9- New Friends&#xA;&#xA;14th&#xA;Xay Hill, Derek Minor, &amp;amp; King Chai: Situations (feat. Danny Dr!pstar)&#xA;Nu Tone: Get Better (feat. Scootie Wop &amp;amp; Torey D'Shaun)&#xA;Ray Knowledge &amp;amp; Ayomilly: Levels&#xA;Da Rich 1: Add It Up (feat. Canon)&#xA;&#xA;15th&#xA;Tyree: Goliath (Freestyle)&#xA;&#xA;21st&#xA;Aaron Cole: 4&#xA;Chris Howland, CASS, &amp;amp; Sajan Nauriyal: Clear View&#xA;Rapzilla: Entrance (feat. Arrow, Kurtis Hoppie, Nic D, &amp;amp; Kamban)&#xA;Nu Tone &amp;amp; Okhiphop: Look Up (feat. Scootie Wop)&#xA;Swervex808: Something Special&#xA;Påtience: That's Why (feat. Joey Vantes)&#xA;PNW Alon: Back To You (feat. Xay Hill)&#xA;&#xA;25th&#xA;Nerva: Turn It All Around&#xA;&#xA;28th&#xA;KB: Lil Boy&#xA;Canon: Brother's Keeper&#xA;Mission: Tru Talk Tony, Vol. 2&#xA;Eric Heron: The Godfather Collection&#xA;Nu Tone &amp;amp; outr.cty: Pull Off (feat. Mark Jean)&#xA;Gerry Skrillz &amp;amp; Jarry Manna: Enough Now&#xA;Drup: By Any Means (feat. Mission &amp;amp; Xay Hill)&#xA;Sanctified &amp;amp; Xay Hill: .Wavmakers, Volume 1&#xA;&#xA;29th&#xA;Alano Adan: Right Back&#xA;&#xA;30th&#xA;Twanny2c: Don't Break My Heart&#xA;&#xA;September&#xA;&#xA;1st&#xA;Nu Tone &amp;amp; Double ATL: Blessed Feet (feat. PTL A.)&#xA;&#xA;2nd&#xA;​nobigdyl. &amp;amp; Andy Mineo: Willy&#xA;&#xA;4th&#xA;Social Club Misfits: Is That Okay?&#xA;Byron Juane: Nice Guy&#xA;BrvndonP: Put That On Us&#xA;Swaizy &amp;amp; Arrow: Mona Lisa&#xA;L. Dejuan: All Over&#xA;Elijah Jaron: Do Better (feat. Mission)&#xA;Jude.: Never Trust&#xA;Nu Tone: Walk With Me (feat. 1KP-Son &amp;amp; K. Cartel)&#xA;Refmusic208: Holy Roller (feat. Xay Hill &amp;amp; Brodiedavinci)&#xA;A.K.A. Fisher: First Things (feat. ASAP Preach &amp;amp; Xay Hill)&#xA;&#xA;8th&#xA;Jarry Manna: Water Klan&#xA;&#xA;10th&#xA;Zauntee: I'm Sorry&#xA;&#xA;11th&#xA;DJ Mykael V&#xA;Rapzilla: Feelin' Like (feat. Arrow, Thomas Iannucci, A.I. The Anomaly, &amp;amp; J. Crum)&#xA;Mr. 2-17: Tru Love&#xA;Ghxsty: How I Get It (feat. Mvkeyyj &amp;amp; Torey D'Shaun)&#xA;&#xA;16th&#xA;Andy Mineo &amp;amp; Wordsplayed: Shibuya Roll Call&#xA;Stephen Mojica: By My Lonely (feat. Xay Hill)&#xA;&#xA;17th&#xA;TJ Carroll: NAH FrFr&#xA;&#xA;18th&#xA;Hulvey: Otherside&#xA;Joey Vantes: Careless (feat. Asaiah Ziv)&#xA;Eric Heron: Lie To Me (feat. Victoria McCartney &amp;amp; Jude.)&#xA;Scootie Wop, TeeJay, &amp;amp; BigBreeze: Slide Music 2&#xA;L. Dejuan: Rare&#xA;MvkeyyJ: Champions&#xA;Bachi: Hot&#xA;Chris Soul: Florida Boy (feat. Wxlf)&#xA;Elijah Jaron: All On Me&#xA;Gabe Lost: Vintage (feat. Tre Ovalle &amp;amp; JP Killed IT)&#xA;Mike Myz: Fly Away (feat. J. Monty)&#xA;S.B.G.: Hollup (feat. Miles Minnick)&#xA;&#xA;25th&#xA;Bizzle &amp;amp; Byron Juane: No Enemies&#xA;Xay Hill: David's Song&#xA;Not Klyde &amp;amp; Zay Ade: Check Em/Gun Sounds&#xA;Wxlf: CAN'T DECIDE (feat. Aklesso)&#xA;Miles Minnick: Show Out (feat. Hulvey)&#xA;Fvmeless &amp;amp; seni.: Cruise Wit U&#xA;&#xA;30th&#xA;Andy Mineo: Jackson Pollock&#xA;Kurtis Hoppie: Good Alright&#xA;Alano Adan: Hunned Stack (feat. Darius James &amp;amp; Th3 Saga)&#xA;&#xA;October&#xA;&#xA;1st&#xA;Rapzilla: Bless This Day (feat. Arrow, Miles Minnick, &amp;amp; seni.)&#xA;&#xA;2nd&#xA;Social Club Misfits: God On My Side (feat. Ty Brasel)&#xA;Jaylon Ashaun: Billboard&#xA;Corey Wise: Bad Habits&#xA;Nu Tone, 350, &amp;amp; Blaine Stephens: Work To Do&#xA;Elijah Jaron: Issa Lot&#xA;Twanny2c: Way Out&#xA;Dallas Ryan: How We Do (feat. Xay Hill)&#xA;MAXX MITCHXLL: Sell My Soul? (feat. Mission)&#xA;&#xA;3rd&#xA;Mr. 2-17: Do Not Love the World&#xA;&#xA;7th&#xA;116: Dónde Están (Watcho6) &#xA;&#xA;9th&#xA;Derek Minor &amp;amp; Canon: Alright Alright (feat. Byron Juane &amp;amp; Greg James)&#xA;Hulvey: Heaven Up Above&#xA;Eric Heron: Veneno&#xA;Build Your Own Dreams: U.N.I.T.Y&#xA;Starringo: Committee&#xA;Raw-B: In The City (feat. Scootie Wop, BigBreeze, L. Dejuan, &amp;amp; TJ Carroll)&#xA;Nado 8: Lost&#xA;Nu Tone: Finish Strong (feat. Scribe Music &amp;amp; Thi'sl)&#xA;Surfer Wolf: Ops&#xA;Ill Fayze: Oxy (feat. Hovey Benjamin)&#xA;Gabe Lost: Falling (feat. Tre Ovalle, Morgan, &amp;amp; Currentt With the Extra T)&#xA;Caleb Tucker: 805&#xA;Brenno: Reckless (Remix) &#xA;She-Uno: Slow Fade (feat. Jon Keith &amp;amp; Ruslan)&#xA;Craig James: Mamba (feat. Xay Hill, Plain James, &amp;amp; Spechouse)&#xA;&#xA;12th&#xA;NF: Chasing_(Demo) &#xA;&#xA;14th&#xA;Kham: Problematic&#xA;&#xA;16th&#xA;Social Club Misfits: Conmigo (feat. Jay Kalyl &amp;amp; Samuel ASH)&#xA;Kid Tris: Check&#xA;Xay Hill: Abandoned (feat. Scootie Wop &amp;amp; TeeJay)&#xA;Swaizy: Swivel (feat. Hulvey)&#xA;Miles Minnick: W.Y.T. (feat. nobigdyl.)&#xA;K9: Satisfied&#xA;Ic3rd: Reppin' (feat. Mission)&#xA;Osaze: World Wide (Can't' Get Tired) &#xA;Crëed: In My Bag (feat. seni.)&#xA;&#xA;21st&#xA;Andy Mineo: Jackson Pollock (TikTok Remix) &#xA;&#xA;23rd&#xA;Canon &amp;amp; PoetiCS: Walk It Out&#xA;Rapzilla: On God (feat. Arrow, Xavier Sorrow, &amp;amp; Xay Hill)&#xA;TeeJay: Milestones&#xA;Seni.: Jam Sesh&#xA;350: Serotonin&#xA;Nu Tone &amp;amp; Kaash Kade: Go Up&#xA;Tyree: Certified&#xA;Kahuna: Clout (feat. Kevmo, seni., Not Klyde, &amp;amp; DJ Mykael V)&#xA;Red Tips: Winning Season&#xA;Gappstar St. Clair: Somehow (feat. 1KP-Son &amp;amp; Paper Lovee)&#xA;Josiah Tha great: Yeah&#xA;Prod Fuego: Broken Melodies (feat. Xay Hill &amp;amp; Broken Vessel)&#xA;One G &amp;amp; Kid Tris: Puttin' Work&#xA;T.U.R.K.: Fired Up (Remix) &#xA;&#xA;28th&#xA;Andy Mineo &amp;amp; Mez: Always In A Rush&#xA;&#xA;30th&#xA;1K Phew: Already / Gas You Up&#xA;DJ Mykael V, nobigdyl. &amp;amp; Starringo: Lay Low&#xA;Eric Heron: Sad Things&#xA;MvkeyyJ: Durag Freestyle&#xA;Chris Howland &amp;amp; Matthew Parker: Dreamworld&#xA;Nu Tone &amp;amp; outr.cty: Up and Away (feat. BigBreeze)&#xA;Spencer Kane: You Just Wish (feat. Jon Keith)&#xA;F'rael: T.K.O. (feat. JXHN PVUL)&#xA;K-See &amp;amp; Raw-B: IDK Yet (feat. Xay Hill)&#xA;Rick Harmoney, Aable &amp;amp; DJ Mykael V: They Don't Know&#xA;OVA &amp;amp; Jalapeno: 10X Life (feat. Kurtis Hoppie)&#xA;&#xA;November&#xA;&#xA;3rd&#xA;Allan Love: Mental Health&#xA;&#xA;6th&#xA;Aklesso: Popular (feat. Sam Rivera)&#xA;Jaylon Ashaun: Think About U&#xA;Scootie Wop: Stronger&#xA;Jude. &amp;amp; 4TUNAT: Wild Things&#xA;Outr.cty: Villains (feat. Xay Hill, Swaizy, &amp;amp; Raw-B)&#xA;Tay Collier: Szn III (feat. KMO Shamaal &amp;amp; Jaylon Ashaun)&#xA;Tyree: Target&#xA;Justin Goss: That's A Bet (feat. Aaron Cole)&#xA;Josiah Tha Great: All I Need (feat. Xay Hill)&#xA;Christ Jr: One Way (feat. Kid Tris)&#xA;Kidd Ash: No Time (feat. JP Killed IT)&#xA;&#xA;13th&#xA;Lecrae: This is My Time&#xA;Lecrae: Where We Come From&#xA;Rapzilla: All That (feat. Arrow, Paul Russell, &amp;amp; Nic D)&#xA;Rhomar Jessy: U2afan (Backlash)&#xA;Anthone Ray: Facade&#xA;K9: Stop It&#xA;Nu Tone: Praying Enough (feat. Parris Chariz)&#xA;Swervex808: Long Distance Love (Freestyle)&#xA;Jay Steezy: Llego&#xA;Kasire: On My Way To You&#xA;Connor Pierson: GREATEST (feat. JP Killed IT)&#xA;Riley Cohen &amp;amp; Xay Hill: Can You Hear Me?&#xA;&#xA;18th&#xA;Andy Mineo: Herman Miller&#xA;&#xA;20th&#xA;1K Phew: 90s Baby&#xA;Aklesso &amp;amp; GAWVI: Worst Year&#xA;Rockstar Jt: My Migo (feat. Tedashii &amp;amp; Scootie Wop)&#xA;Ruslan: Bless God&#xA;L. 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<INFO BITRATE="1026641" KEY_LYRICS="1 ContributorAsylum LyricsLock me in your love and throw away the key&#xA;Asylum or prison, it doesn't make a difference&#xA;Really come to think it, i should prolly seek that&#xA;Asylum from the demons that you, you find a way to keep out&#xA;And you, you said you're never leaving but&#xA;I don't know if i believe that, matter fact&#xA;Honestly i think i better run&#xA;I should run&#xA;&#xA;Little brother tantrum i, i told him use his words but i&#xA;I can't even express the, the feelings that i have and&#xA;Well it's not like they're recent&#xA;I swear i met you back in fucking recess&#xA;10 years and you're still the only one&#xA;You're the one&#xA;&#xA;We drive past the sunset i, i can hardly focus&#xA;I can hardly glance back at the road, shit&#xA;Did you notice?&#xA;Hold myself back from a gear shift&#xA;Can we kick this into second&#xA;Or we could put it in park, wait for the stars&#xA;A part of me praying you'll play with my heart&#xA;Hold me together it tears me apart&#xA;If you're here it's heaven, i made you my god&#xA;Did we end up dead, did i crash the car?&#xA;Did i crash? (i don't wanna i don't wanna i don't wanna)&#xA;I don't wanna go back (i don't wanna go back)" PRODUCER="Hospital Records Limited - 2015" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYCOUNT="1" PLAYTIME="402" PLAYTIME_FLOAT="401.177246" IMPORT_DATE="2025/7/13" LAST_PLAYED="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="50564"></INFO>
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<INFO BITRATE="1031249" KEY_LYRICS="1 ContributorDIMENSIONS  - Juicy Joe x Bisa / DIVISION 3 (prod. by Black Rose) LyricsDer Sieg ist sicher, seit wir eure Namen kenn&#xA;Wer hört schon gerne tot Slash Reqiuem?&#xA;Wenn ich an euren Zustand nach dem Battle denk&#xA;Dann denke ich an tot / Reqiuem&#xA;Was euch Loser vereint?&#xA;Ihr alle drei seid schüchtern am Mic&#xA;Ah und auch noch kamerascheu&#xA;Ihr wollt gute Rapper sein, doch was ist mit euch?&#xA;Slash kommt cringy mit Animes&#xA;Requiem kann man fast gar nicht sehn&#xA;Bei tot ist Rap und Pеrformance nicht even&#xA;Halbе Rapper - nichts volles zu bieten&#xA;Du wärst gerne talentiert wie Bisa und Juicy Joe&#xA;Doch du bist tot&#xA;&#xA;Halbe Rapper Halbe Rapper&#xA;Ihr seid Halbe Rapper Halbe Rapper&#xA;Juicy Joe und Bisa - wir sind zwei&#xA;Aber kämpfen in dem Royal Rumble gegen anderthalb&#xA;&#xA;Slash, deine Quali geht gerade durch jedes Animestudio&#xA;Ich hab denen die Runde gezeigt - in Japan bist du der lustigste Scheiß&#xA;Anders als bei Reqiuem, aber der zeigt uns wenigstens&#xA;Ziemlich transparent, warum er seine vier Beats nicht ganz berappt&#xA;Und dann dieser tot&#xA;Deine Stimme wie ne Achterbahn&#xA;Von ihrem ständigen hoch und runter muss ich kotzen&#xA;Einen Peak in deutschem Battlerap&#xA;Den erreicht deine Stimme nur im Pitchcorrect&#xA;Während tot seine Stimme immer Flappy Bird spielt&#xA;Bin ich von Reqiuems Mecces verwirrt&#xA;Die Augenbrauen - als wär das ein Zufall&#xA;Flappy Birds Flugbahn&#xA;In jeder Zeile nerven Schreie&#xA;Reqiuem hört tot und denkt sofort das kann ich ähnlich scheiße&#xA;Slash - deine Moves störn mich echt dolle&#xA;Denn du hast keine Körperkontrolle&#xA;Du bewegst dich wie&#xA;Flappy Bird, wenn man es im Regen spielt&#xA;Jeder von euch stolpert auf eigene Art&#xA;Ständig enttäuschend, doch daran wird nichts getan&#xA;Auf einem Bein von Turnier zu Turnier&#xA;Und auch hier kickt ihr ohne Stil viel zu viel&#xA;Ey ihr seid die Gesichter der Battleszene&#xA;Die ohne Iven echt hässlich wäre&#xA;Du wärst gerne talentiert wie Juicy Joe und Bisa&#xA;Hättest du nur nen Turnierplatz&#xA;Halbe Rapper Halbe Rapper&#xA;Ihr seid Halbe Rapper Halbe Rapper&#xA;Juicy Joe und Bisa - wir sind zwei&#xA;Aber kämpfen in dem Royal Rumble gegen anderthalb" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="342" PLAYTIME_FLOAT="341.332825" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="43257"></INFO>
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<INFO BITRATE="957410" KEY_LYRICS="1 ContributorRegardless (I’ma Flex) Lyrics&#xA;Regardless I’ma flex&#xA;Regardless I'm the best&#xA;Counting all these bands and flexing on my fucking ex&#xA;Oh shit, that is a downgrade&#xA;But I must say less&#xA;Cause ain't nobody stopping me from reaching my success&#xA;&#xA;Regardless I’ma flex&#xA;Regardless I'm the best&#xA;Counting all these bands and flexing on my fucking ex&#xA;Oh shit that is a downgrade&#xA;But I must say less&#xA;Cause ain't nobody stopping me from reaching my success&#xA;&#xA;&#xA;White coupe&#xA;BMW&#xA;Swear I'm cute&#xA;Say I won't pull up on you&#xA;Toolie tucked and stuck like crazy glue&#xA;You claim that you a savage&#xA;Kinda like ya basic average&#xA;And this nigga stupid&#xA;Didn't he know how good he fucking had it&#xA;Pussy work like it does magic&#xA;Have him feel embarrassed&#xA;Cumming in 2 seconds&#xA;Tell me now who's laughing&#xA;Boy, you is a sad bitch&#xA;Now I've fucking had it&#xA;Blast your head off, pistols clapping&#xA;I don't trust no nigga&#xA;Word to ma that shit ain't ever fucking happening&#xA;I don't trust you bitches either&#xA;Bitch I'll bust your brains&#xA;Make you dumb as fuck&#xA;Like you is on Ether&#xA;Tell me do you see her?&#xA;Cause I don't, and I never will&#xA;Now I pop these pills, now I just conceal&#xA;Ask me what’s the deal&#xA;I just closed it&#xA;Locked and sealed&#xA;Oouu&#xA;&#xA;Im charging, no Dodge, coupe&#xA;All in the garage&#xA;I'm skrrting away now&#xA;I’m skrrting away now&#xA;Yeah (yeah)&#xA;&#xA;Skrrting away now&#xA;Im charging&#xA;No dodge&#xA;Coupe&#xA;All in the garage&#xA;I'm skrrting away now&#xA;Yeah&#xA;&#xA;&#xA;Regardless I’ma flex&#xA;Regardless I'm the best&#xA;Counting all these bands and flexing on my fucking ex&#xA;Oh shit that is a downgrade&#xA;But I must say less&#xA;Cause ain't nobody stopping me from reaching my success&#xA;&#xA;&#xA;Boy you had me wishing&#xA;You was out there in your feelings&#xA;Didn't remember you not man enough&#xA;To fucking reveal them&#xA;Now my soul is missing pieces&#xA;Ain't nobody gonna heal this&#xA;Gravitating toward places where all the love and peace is&#xA;I don't feel defeated&#xA;Not to be conceited&#xA;But with me there's no competing&#xA;I got cheated but I'm fuckin breathing&#xA;Broke your promise&#xA;Said I'm leaving&#xA;Won't think twice&#xA;Now I'm succeeding&#xA;You out making bitches bleed-in&#xA;While I'm stacking chips&#xA;And your account just be decreasing&#xA;Nigga&#xA;All I know is bands&#xA;Counting chips&#xA;I'm gambling&#xA;Playing hearts, and I ain't talking cards&#xA;You wish you bruised me up well bitch I got no fucking scars&#xA;Try again; you must want war&#xA;Cause once I start&#xA;There ain't no &amp;quot;taking it too far&amp;quot;&#xA;&#xA;Im charging, no Dodge, coupe&#xA;All in the garage&#xA;I'm skrrting away now&#xA;I’m skrrting away now&#xA;Yeah (yeah)&#xA;Skrrting away now&#xA;Im charging&#xA;No dodge&#xA;Coupe&#xA;All in the garage&#xA;I'm skrrting away now&#xA;Yeah&#xA;&#xA;&#xA;Regardless I’ma flex&#xA;Regardless I'm the best&#xA;Counting all these bands and flexing on my fucking ex&#xA;Oh shit, that is a downgrade&#xA;But I must say less&#xA;Cause ain't nobody stopping me from reaching my success&#xA;&#xA;Regardless I’ma flex&#xA;Regardless I'm the best&#xA;Counting all these bands and flexing on my fucking ex&#xA;Oh shit that is a downgrade&#xA;But I must say less&#xA;Cause ain't nobody stopping me from reaching my success" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="317" PLAYTIME_FLOAT="316.704010" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="37303"></INFO>
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<INFO BITRATE="999696" KEY_LYRICS="2 ContributorsHonest Man (Live At Nu​-​Tone) LyricsI am a good man&#xA;And have been most my life&#xA;Though naive to the evil&#xA;Hid deep inside some people&#xA;Like a good friend and ex-lover&#xA;Hell bent on keeping secrets under covers&#xA;&#xA;Oh Lord I'm afraid it's true&#xA;Now I won't be made a fool on all accounts&#xA;See I loved her then he fucked her&#xA;Right after she fucked me over&#xA;The only problem beyond reason&#xA;Lies in the unforgiving truth&#xA;When I see them again I swear I'll shove it down their goddamn throats&#xA;&#xA;Cause Lord I'm an honest man&#xA;Oh Lord I'm an honest man&#xA;I hope that they both lie&#xA;Alone in the middle of the night&#xA;And realize the damage that hides behind both their eyes&#xA;The mistrust and disgust is bound to catch on up&#xA;While they're lying face down in the filth where they made their own bed&#xA;&#xA;Lord I'm an honest man" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="358" PLAYTIME_FLOAT="357.137482" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="43870"></INFO>
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<INFO BITRATE="1148081" KEY_LYRICS="1 ContributorMUTANT MUSIC (X-Men 97 Cypher) Lyrics&#xA;Had to do it, the nineties are back, Mega Ran, let's go!&#xA;&#xA;&#xA;This is Mutant music&#xA;Spark the revolution to this&#xA;This is Mutant movement music&#xA;X-Men, yes, it is destined&#xA;This is Mutant music&#xA;Spark the revolution to this&#xA;This is Mutant movement music&#xA;X-Men, yes, we are legend&#xA;&#xA;&#xA;Slash, universal with the vision&#xA;X told me get 'em, so I promise I'mma hit 'em&#xA;Started first class, so I'm leading every mission&#xA;Telepathic stay smitten, beating racist for a living&#xA;When I say it's on sight, I put the laser to your fittеd&#xA;Wanna play Darwinism, then get bodied by thе fittest&#xA;Crazy with the hands, they tried to have me admitted&#xA;But I was too ill, now they calling me the sickest, slash&#xA;Gene splice will show you new heights&#xA;I see red during family fight&#xA;Ditch the visor, I will knock out your lights&#xA;Twenty twenty - you can view Mutant might&#xA;Going to war for Krakoa&#xA;'Bout to go spin the block for Genosha&#xA;Always stay woke, if my eyes was sewn in&#xA;Take off the shades, summer Rays get you broken&#xA;&#xA;I'mma little cynical on civilians&#xA;Try to put me in the mold of the villain&#xA;And they wonder how I grow so resilient&#xA;Hit me with a tank, still standing in my brilliance&#xA;Try to be a saint, but I tolerate affliction&#xA;Breaking the restraints, so I follow with conviction&#xA;Never shoot blanks, red beam for the distance&#xA;Spreading like paint, jet stream burning crimson&#xA;I'm Bishop&#xA;I've been stepping on top of you squares for the mischief&#xA;Pawns better battle in a pairs 'cause I'm gifted&#xA;I don't follow patterns of the X, I'm different&#xA;Got a trigger finger for the next competition, yep, did I mention&#xA;If I'm in your timeline something 'bout to be missing&#xA;Try to bring division when fixing up the paradigm&#xA;I don't need to count on your existence, yeah&#xA;&#xA;&#xA;This is Mutant music&#xA;Spark the revolution to this&#xA;This is Mutant movement music&#xA;X-Men, yes, it is destined&#xA;This is Mutant music&#xA;Spark the revolution to this&#xA;This is Mutant movement music&#xA;X-Men, yes, we are legend&#xA;&#xA;Blue on me like a birthday candle&#xA;Don't ask if I'm devil or a man, I'mma force of nature&#xA;In a from that you can't handle&#xA;What you think Bamf stands for? Look&#xA;I've been bruised and bloodied and bashed in&#xA;You got my moves in your brain, but there's no thought faster than action&#xA;Hands are little bit strange&#xA;Doesn't mean you can't catch 'em&#xA;Nothing personal, kid&#xA;You're not the first to be worse than me&#xA;And every turn 'till you'd think that I'm not the one with a curse on me&#xA;But you don't know shit from adversity&#xA;The streets were unkind to me&#xA;People the demons, they see in the night when their piety&#xA;Serves not a thing but propriety&#xA;Guess they should know 'bout the darkness inside of me&#xA;&#xA;&#xA;No potential, when my hits connect, it's kinetic&#xA;Roll with Aces when Loop's in my sections&#xA;I been a wild card, ain't a playoff projection&#xA;No play I project like this player pathetic&#xA;I make you regret a playing&#xA;Bojutsu we staffed when I'm stepping in&#xA;Locked inside of my mind, I can't let you in&#xA;You want smoke? Let it bang from my second hand&#xA;And if we call a spade a spade&#xA;Then I'm in the field making major plays&#xA;My shorty a Rogue, but game is game&#xA;Especially when you their favorite flame, look&#xA;You must be super stupid to confuse it&#xA;I brought the crew in moving like a unit&#xA;I'm not a human, lil' tune could prove it&#xA;We treat this Mutant music like a movement&#xA;&#xA;Shit! My armor will switch like chameleon&#xA;Brother be slithering like a reptilian&#xA;To their resilient, next day Sicilian&#xA;Not to go back and forth hero to villain&#xA;With me and my comrades is on the case&#xA;You can't erase trauma that's on my face&#xA;You won't point a thought that could change thangs&#xA;But that is a life of a change lane&#xA;Between you and me that's a great riff&#xA;But it's a great gift I can shapeshift&#xA;For really, I'm feeling the face lift&#xA;You thinking it's real, but it's make shift&#xA;Lil' crazy, but play incoherence&#xA;Change my appearance just to get clearance&#xA;Invade to basis, we know ain't a fear, it's&#xA;It's all a part of my life perseverance&#xA;&#xA;&#xA;It's the big blue, I'mma NY G&#xA;The great ape, been a Beast, I'll let NY see&#xA;She see the blue face, she like Benaki&#xA;She step to my head blew when she see these feats like what&#xA;I really think they hate your boy&#xA;So they destroy, I'm cool, but this ain't for joy&#xA;Let's make some noise, that's it, I'll erase your boy&#xA;I'm in tune lotta style, call me nature boy&#xA;My instinct in depth, this the role that I play&#xA;But don't think it's a mess in control all the way&#xA;If the stress come my way, then I'm locked in the G-code&#xA;Marshawn Lynch - I'm unlocking the Beast mode&#xA;&#xA;&#xA;You want a medal for meddling with medalist&#xA;Mental metal with some heat on the side is unsettling&#xA;Now he an Iron'd Man&#xA;Move the metal, no effort, I'm an Iron Man&#xA;What is this madness? Think you messing with big Magnus?&#xA;Flow Mercury - push or pull, it's a magnet&#xA;Put that heat on your dawg, now he Mad Max&#xA;He can go and play fetch with his casket&#xA;Boy, you'll get ripped apart&#xA;Tearing the script, scribbling against our arts&#xA;Throwing darks&#xA;Think we hiding hands when we got the spark&#xA;We'll get it out of your body&#xA;Brotherhood over a copy&#xA;Keep acting sloppy&#xA;Magneto will catch a body, ain't no bites, he just woah&#xA;&#xA;&#xA;This is Mutant music&#xA;Spark the revolution to this&#xA;This is Mutant movement music&#xA;X-Men, yes, it is destined&#xA;This is Mutant music&#xA;Spark the revolution to this&#xA;This is Mutant movement music&#xA;X-Men, yes, we are legend&#xA;&#xA;&#xA;I learned you gotta find your worth&#xA;Then we turn into the movement, it's just fireworks, it took awhile to work&#xA;Now embracing this my family of quirks&#xA;You step to one, and then it's on, get it popping like you swallowing percs&#xA;Don't get a bright idea, you see bright-eyed with a bright light&#xA;Mess with the boy, you'll be seeing Starlight&#xA;Throw you in the sun, now you sparkle like it's twilight&#xA;All the colors on me, now they tune in for the highlight&#xA;Woah, this ain't nothing new to me&#xA;Wipe the squad, celebrate, it's Jubilee&#xA;No hyperbole, ain't no lie&#xA;When it come to the squad, I'll light up the sky&#xA;&#xA;&#xA;I am that cloud in the sky&#xA;Soft to the touch and the sweetest goodbye&#xA;But don't let her cry, this story could turn to a Noah's Ark&#xA;Don't wind me up, I am fit to pull world's apart&#xA;'Cause I'mma vortex, check the lore, yes&#xA;Any X-Men of mine, know with me they been blessed&#xA;Address me with respect, not with static&#xA;Protecting the peace systematic, climatic&#xA;A god amongst men, W-W-J-D&#xA;Y'all can not play me&#xA;Higher than hierarchies go&#xA;Crown on black crown as white as the snow&#xA;So what kind of queen? One that's forever&#xA;Weather the Storm, power loss is a never&#xA;You can't talk your talk, the Omega is the last word&#xA;What's the forecast? I am her&#xA;&#xA;&#xA;I'm the taker, I'm feeder&#xA;I want it, I grab it&#xA;Like follow the leader&#xA;I'm playing the Gambit&#xA;My foes gonna go sleep away&#xA;Running through their mind all day&#xA;Don't wanna become my prey&#xA;Keep outta my face, OK?&#xA;I'm the an-antihero impartial&#xA;Got perfect form, but these hands can be harmful&#xA;Tap of my finger, I can't help but startle&#xA;You're powerless, look at me, I'm the Marvel, ooh&#xA;Got all the strength in my clutch, ooh&#xA;Gonna leave you with a cruch, ooh&#xA;They said I'm doing too much, ooh&#xA;Yeah, you can look, but don't touch, ooh&#xA;&#xA;&#xA;This is Mutant music&#xA;Spark the revolution to this&#xA;This is Mutant movement music&#xA;X-Men, yes, it is destined&#xA;This is Mutant music&#xA;Spark the revolution to this&#xA;This is Mutant movement music&#xA;X-Men, yes, we are legend&#xA;&#xA;&#xA;I'm having dreams, they wake me at night&#xA;I'm strapped to machines, I can't even fight&#xA;The Phoenix is burning, she saving my life&#xA;And she might wanna come be my baby tonight&#xA;But she can't, she belongs to another&#xA;Then I'm recruited by the Professor&#xA;But a team isn't really my steez&#xA;My animal nature, it caused me to flee&#xA;To get the truth about what happened to me&#xA;Adamantium is all in my genes&#xA;Animal instinct ignoring the laws&#xA;Sense of smell 'bout as sharp as my claws&#xA;Don't get me started, I'mma lethal weapon&#xA;Anyone stepping, I slice 'em in sections&#xA;Canada's finest, but I'm hardly home&#xA;Always repping, always X-Men" PRODUCER="Hospital Records Limited - 2015" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="332" PLAYTIME_FLOAT="332.000000" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="46823"></INFO>
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<INFO BITRATE="1120261" KEY_LYRICS="29 ContributorsSomething’s Gotta Give Lyrics“Something’s Gotta Give” is the first single from All Time Low’s  sixth album Future Hearts.&#xA;&#xA;An acoustic version of “Something’s Gotta Give” will be featured on the Best Buy edition of Future Hearts.&#xA;I woke up in a stranger's bed&#xA;With pins and needles in my head&#xA;And the clock ticking off the wall&#xA;Oh yeah, oh yeah&#xA;I don't even know myself&#xA;I wish I could be someone else&#xA;But I don't have a clue at all&#xA;Oh yeah&#xA;&#xA;&#xA;I'm sinking, you're wading&#xA;I'm thinking something's gotta give&#xA;&#xA;&#xA;Oh, wake me up, say enough is enough&#xA;I'm dying to live, something's gotta give&#xA;Oh, pull me out of this sinking town&#xA;I'm dying to live, something's gotta give&#xA;&#xA;&#xA;Maybe I'm a fucking waste&#xA;Filling up the empty space&#xA;I've been here way too long&#xA;Oh yeah, oh yeah&#xA;I'm feeling like a nervous wreck&#xA;Living on the last paycheck&#xA;I'm the cliché in a song&#xA;And everybody's singing along&#xA;&#xA;I'm sinking, you're wading&#xA;I'm thinking something's gotta give&#xA;&#xA;&#xA;Oh, wake me up, say enough is enough&#xA;I'm dying to live, something's gotta give&#xA;Oh, pull me out of this sinking town&#xA;I'm dying to live, something's gotta give&#xA;&#xA;&#xA;Someone please come pull me out&#xA;From the shadow of my doubt&#xA;Wake me up, I'm falling&#xA;&#xA;&#xA;Oh, wake me up, say enough is enough&#xA;I'm dying to live, something's gotta give&#xA;Oh, pull me out of this sinking town&#xA;I'm dying to live, something's gotta give&#xA;I'm sinking, you're waiting&#xA;I'm thinking something's gotta give&#xA;Oh, pull me out of this sinking town&#xA;I'm dying to live, something's gotta give" PRODUCER="-" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYCOUNT="1" PLAYTIME="272" PLAYTIME_FLOAT="271.021332" IMPORT_DATE="2025/7/13" LAST_PLAYED="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="37350"></INFO>
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<INFO BITRATE="1147398" KEY_LYRICS="2 ContributorsAFI 32-3001 (June 2011 Change 2) LyricsThis instruction implements Air Force Policy Directive (AFPD) 32-30, Explosive Ordnance Disposal, Air Force Joint Instruction (AFJI) 32-3002, Interservice Responsibility for Explosive Ordnance Disposal, and identifies Air Force Explosive Ordnance Disposal (EOD) program requirements. This publication applies to all Active Duty (AD) units. This publication applies to all Air National Guard (ANG) and Air Force Reserve Command (AFRC) units. Field activities must send implementing publications to the next higher headquarters functional (EOD) Office of Primary Responsibility (OPR) for review and coordination before publishing. This Air Force Instruction (AFI) may be supplemented at any level, but all supplements must be routed to HQ AFCESA/CEXD for coordination prior to certification and approval. Refer recommended changes and questions about this publication to the OPR using the AF Information Management Tool (IMT) 847, Recommendation for Change of Publication; route AF IMT 847s from the field through Major Command (MAJCOM) EOD managers. HQ AFCESA/CEXD acts as the approval authority for waiver requests to deviate from the requirements of this publication. Ensure that all records created as a result of processes prescribed in this publication are maintained in accordance with AFMAN 33-363, Management of Records, and disposed of in accordance with the Air Force Records Disposition Schedule (RDS) located at https://www.my.af.mil/afrims/afrims/afrims/rims.cfm. The use of the name or mark of any specific manufacturer, commercial product, commodity, or service in this publication does not imply endorsement by the Air Force (AF).&#xA;&#xA;SUMMARY OF CHANGES&#xA;This interim change (IC) implements changes to Figure A5.1 EOD Range Outlay by correcting the distances between munitions and blasting caps located in the Demolition Material Holding Area, the distance of the cleared area for a Burn Furnace, and the distance of the Personnel Shelter from the actual disposal site. Also, this change clearly states that the requirements set&#xA;forth in Attachment 5 are for EOD Disposal Ranges only and requirements for EOD Proficiency Training Ranges can be found in AFMAN 91-201, Air Force Explosives Safety Standards.&#xA;&#xA;Chapter 1 MANPOWER, PERSONNEL AND ADMINISTRATION / A1&#xA;Section 1A—Program Director Responsibilities&#xA;1.1. HQ United States Air Force (HQ USAF). AF/A7CXR develops policy; allocates resources; plans, programs, and budgets; represents EOD matters in interdepartmental affairs; and directs the Air Force EOD program. Responsibilities for AF/A7CXR, the EOD Program Director, are outlined in AFPD 32-30, Explosive Ordnance Disposal.&#xA;&#xA;Section 1B—Program Manager Responsibilities&#xA;1.2. HQ Air Force Civil Engineer Support Agency (AFCESA). HQ AFCESA, Contingency Support Directorate, Explosive Ordnance Disposal Branch (CEXD):&#xA;.1.2.1. Provides subject matter expertise, guidance and EOD Program Management to meet AF and Department of Defense (DoD) objectives. Works closely with AF/A7CXR, MAJCOM EOD managers, Joint Service EOD managers, and government and civilian&#xA;agencies to develop program guidelines operational concepts, and manpower, training, and equipment standards.&#xA;...1.2.1.1. The civilian EOD Subject Matter Expert (SME) resides at AFCESA. The cadre of Civil Engineer SMEs provide a unique blend of experience, education, and training to be the Air Force's authority in their respective area of expertise. The policy for SMEs is covered in AF/A7C memo (7 Jun 10) “Air Force Policy for Civilian Subject Matter Experts (SMEs).”&#xA;.1.2.2. Works closely with MAJCOM EOD managers and HAF IGI to develop and manage standardized IG checklists.&#xA;.1.2.3. Co-chairs with AF/A7CXR the EOD Panel (EODP) as chartered by the Expeditionary and Emergency Services Program Group (EESPG). The EODP structure, purpose, and operative functioning are outlined in the EESPG Charter.&#xA;...1.2.3.1. Chairs five EOD working groups supporting the EODP; they are the Equipment Working Group (EWG), the Utilization &amp;amp; Training Workshop (U&amp;amp;TW), the Large Range Working Group (LRWG), the Modernization Working Group (MWG), and the Nuclear Working Group (NWG).&#xA;...1.2.3.2. Manages action items generated from EOD subcommittee, working group, and panel meetings according to paragraph 9.2.2.&#xA;.1.2.4. Coordinates force protection EOD requirements and support with MAJCOMs. Focal point for all EOD-related Improvised Explosive Device (IED), Weapons of Mass Destruction (WMD), and Chemical, Biological, Radiological, Nuclear, and High-Yield Explosives (CBRNE) issues.&#xA;.1.2.5. Provides subject matter expertise and technical guidance to develop, write, and coordinate guidance, directives, and doctrine for the AF Emergency Management program AFI32-3001 2 JUNE 2011 7 for areas relating to EOD (e.g., National Incident Management System (NIMS), National Response Framework (NRF), AF Incident Management System (AFIMS), et al).&#xA;.1.2.6. Manages the Munitions Buy Budget process. Attends conferences and meetings such as the Munitions Buy Budget, Forecast, Allocation, and Global Asset Positioning Conferences as the AF representative.&#xA;.1.2.7. Responsible for coordinating user requirements and assisting MAJCOMs and Detachment 63, at Indian Head, MD, in developing and defining AF-only EOD system requirements.&#xA;...1.2.7.1. In coordination with the EOD Panel, provides allowance standard (AS) authorizations and bed-down plans for new equipment and resources entering the field.&#xA;...1.2.7.2. Provides guidance for all EOD equipment modernization efforts to include assistance via direct contact / coordination with MAJCOMs and flights.&#xA;.1.2.8. Develops input (based on lessons-learned and other operational factors) to the War Management Plan (WMP) Volume I (WMP-1), Annex S, Appendix 9 (EOD).{1}&#xA;.1.2.9. Develops, writes, coordinates, and publishes EOD-specific operational and technical instructions, AF EOD equipment and supplies listing (ESL), AF Catalog (AFCAT) 21-209 (www.e-publishing.af.mil/pubfiles/af/21/afcat21-209v2/afcat21-209v2.pdf), Demolition Munitions, and all AF EOD mission Concept of Operations (CONOPS). (Available on the AF EOD Program Management CoP at&#xA;https://afkm.wpafb.af.mil/ASPs/CoP/EntryCoP.asp?Filter=OO-EN-CE-49).&#xA;.1.2.10. Manages AF EOD manpower programs (civilian and military). Develops utilization parameters for government-civilian and contracted EOD support duties.&#xA;.1.2.11. Manages the EOD Information Management System (EODIMS). Ensures the EODIMS database and other historical archives of EOD reports are maintained IAW the AF Records Disposition Schedule at https://www.my.af.mil/afrims/afrims/afrims/rims.cfm.&#xA;Maintains the permanent records for all EOD response data in the EODIMS archives. Focal point for request for information (RFI) pertaining to archived reports.&#xA;.1.2.12. Forwards reports of actual Continental United States (CONUS) IED incidents to the Federal Bureau of Investigation (FBI) Bomb Data Center (BDC) and Alcohol, Tobacco and Fire Arms Arson and Explosives National Repository Branch (ATF).&#xA;.1.2.13. Manages EOD range clearance guidance and procedures and provides advice on closed, transferred, and transferring range activities in coordination with the Range Division at HQ Air Force Center for Environmental Excellence (HQ AFCEE). This includes&#xA;Environmental programs IAW DODD 4715.11, Environmental and Explosives Safety Management on Operational Ranges Within the United States and DODD 4715.12, Environmental and Explosives Safety Management on Operational Ranges Outside the United States.&#xA;{1} NOTE: War Management Plan (WMP) Volume 3, Part 2, containing the Air Force World-wide UTC Summary (AFWUS) has been terminated. The list of combat and support forces, by UTC and location, available to the war-planners and COCOM, now comes from the AEF Time-Phased Force Deployment Data (TPFDD) libraries.&#xA;&#xA;.1.2.14. Sits on the review board for the Deputy Under Secretary of Defense for Installations and Environment (DUSD(IE)) Strategic Environmental Research &amp;amp; Development Program (SERDP) and Environmental Security Technology Certification Program (ESTCP) Unexploded Ordnance (UXO)/Range Committee.&#xA;.1.2.15. Provides liaison to the AF Safety Center for areas relating to EOD (e.g., range operations, intentional detonations, UXO recovery, and explosives or munitions emergency response).&#xA;.1.2.16. Responsible for standardization, and management of EOD-special purpose and Unit Type Code (UTC)-tasked vehicles and weapons systems to include cataloging UTCs, MISCAPs, etc.&#xA;.1.2.17. AF focal point for EOD proficiency, contingency, and formal training matters.&#xA;.1.2.18. Assists MAJCOMs to fill quotas and taskings by fair-sharing quotas based on each MAJCOMs authorized manning. The following taskings are in priority order for fills.&#xA;...1.2.18.1. Craftsman Course (7-Level) (Formal Training).&#xA;...1.2.18.2. Joint EOD Advanced Nuclear Training (Formal Training).&#xA;...1.2.18.3. Advanced Improvised Explosive Device Defeat Course (Formal Training).&#xA;...1.2.18.4. Range Support Taskings (RST).&#xA;...1.2.18.5. Eisenhower Executive Office Building Taskings (EEOB).&#xA;...1.2.18.6. Joint EOD Very Important Person Protective Support Activity (JEODVIPPSA) Taskings. HQ AFCESA/CEXD serves as the AF single point of contact for all MAJCOMs in coordinating/facilitating NORTHCOM taskings, through JEODVIPPSA. (The 11 CES/CED is the exception to this requirement for all arrivals and departures of the POTUS and high-risk dignitaries at Andrews AFB, MD.)&#xA;.1.2.19. EOD Career Field Manager (CFM). The HQ AFCESA/CEXD CMSgt position is the CFM for the EOD program and administers all duties referenced in AFI 36-2618, The Enlisted Force Structure. The CFM:&#xA;...1.2.19.1. Coordinates closely with AF/A7CM and MAJCOM Functional Managers (MFMs) to ensure the EOD career field is synchronized with CE policy decisions while being responsive to current and future needs of the AF. The CFM communicates directly with other Headquarters Air Force offices on issues affecting the EOD career field and with the CE and EOD MAJCOM enlisted career field representatives, MAJCOM Functional Managers (MFM), Chief Enlisted Managers (CEM) and Air Education and&#xA;Training Command (AETC) Managers providing input on personnel policies and program requirements. The CFM disseminates AF and career field policies and program requirements.&#xA;...1.2.19.2. Synchronizes strategic communications with the Program Director on career field issues and disseminates established AF and career field policies and program requirements.&#xA;...1.2.19.3. Establishes career field entry requirements in coordination with MFMs and the Program Manager.&#xA;...1.2.19.4. Manages personnel training requirements and EOD manpower programs.&#xA;...1.2.19.5. Evaluates training effectiveness, monitors health and manning of the EOD career field.&#xA;...1.2.19.6. Constructs and manages viable enlisted career paths, requirements and programs.&#xA;...1.2.19.7. Advises on force management policies and programs and develops contingency planning actions.&#xA;...1.2.19.8. As functional expert, contributes to development and maintenance of EOD strategic and business plans.&#xA;...1.2.19.9. Validates deployment requirements and verifies workforce availability.&#xA;...1.2.19.10. Coordinates with A7/A7CM during the Career Progression Group (CPG) review and CMSgt validation process.&#xA;...1.2.19.11. Coordinates CMSgt and SMSgt assignment priority plans with AF/A7CM and MFMs. Works with Air Force Personnel Center (AFPC) for fill actions.&#xA;...1.2.19.12. Co-chairs EOD U&amp;amp;TW with the CE CFM.&#xA;...1.2.19.13. Represents AF EOD enlisted issues at the Joint Service EOD Senior Enlisted Leaders Conference.&#xA;1.3. EOD MAJCOM General Responsibilities.&#xA;1.3.1. Organizes, trains and equips EOD forces to support homeland defense, home station mission, Combatant Commander (CCDR) and contingency requirements&#xA;1.3.2. Performs Staff Assistance Visit (SAV) and management reviews of assigned units&#xA;1.3.3. Is a member of the EODP&#xA;1.3.4. Manage and standardize command EOD programs:&#xA;1.3.4.1. Work with the Air Reserve Component (ARC), (National Guard Bureau and HQ AFRC), to develop active associate requirements, coordinate contingency requirements and program management. Identify AFRC and ANG CONUS sustainment support&#xA;requirements.&#xA;1.3.4.2. Request help from other MAJCOMs as needed.&#xA;1.3.4.3. Provide EOD teams to support Force Protection missions in command Area of Responsibility (AOR).&#xA;1.3.4.4. Ensure flights have Team Leader‘s guides and applicable EOD technical orders (TO) for use during operations. Team Leader guides will mandate second-person verification of positive ordnance identification. This will be reinforced during MAJCOM&#xA;SAV and through the Inspector General‘s (IG) office.&#xA;1.3.4.5. Prepare the flight's Designed Operational Capability (DOC) statements.&#xA;1.3.4.6. Monitor Status of Resources and Training Systems (SORTS) to identify problems and determine possible solutions.&#xA;1.3.4.7. Coordinate support for JEODVIPPSA activities with flights.&#xA;1.3.5. Consult other EOD MAJCOM managers or HQ AFCESA/CEXD before turning in EOD tools or equipment to Base Supply. Support Det 63, HQ Air Combat Command (ACC) requirements to validate and verify EOD procedures, tools, and equipment.&#xA;1.3.6. Analyze contingency threats; identify shortfalls between needed and standing EOD capabilities, and coordinate draft Initial Capabilities Document (ICD) and requirements documents Capability Development Document (CDD) and Capability Production Document (CPD) and Notional Concepts with HQ AFCESA/CEXD in coordination with HQ ACC/A7XE.&#xA;1.3.7. Review EOD incident reports originating within the command and correct any reported deficiencies. Finalize all reports using EODIMS within five working days (15 days for range clearance reports). Forward significant reports to HQ AFCESA/CEXD using the ―AFCESA Interest Report (AIR)‖ button.&#xA;1.3.8. Ensure subordinate flights comply with Federal, state, and host nation Environmental Protection Agency (EPA) requirements.&#xA;1.3.9. Approve preliminary EOD procedures for initial operational test and evaluations (IOT&amp;amp;E) when existing data does not provide procedural guidance. Send copies of these procedures to: Detachment 63, HQ ACC, 2008 Stump Neck Road, Indian Head MD 20640-5099, after completion of the test (corporate email box: det63@navy.mil) or Det63@jeodnet.smil.mil.&#xA;1.3.10. Submit training requirements to HQ AETC, using AF IMT 403, Request for Special Technical Training.&#xA;1.3.11. Ensure EOD flights establish a physical fitness program, IAW AFI 10-248, Fitness Program, to maintain individual strength, stamina, and aerobic capacity at a level appropriate for the EOD mission.&#xA;1.3.12. Assist EOD flights in prioritizing mission-support during periods of Break-the-Flight manning, and assist with obtaining manning assistance (see paragraph 1.9.3.2).&#xA;1.3.13. Ensure flights follow guidance for the use of non-military EOD support: Contracted and government civilian flight-level EOD support is limited to only administrative and logistic support functions. Non-military contracted and government personnel will not participate on operational teams or missions, nor will they be assigned to flight leadership positions.&#xA;&#xA;1.4. MAJCOM-Specific Responsibilities.&#xA;1.4.1. Air Combat Command (ACC):&#xA;1.4.1.1. Establishes, documents, and advocates Lead Combat Air Forces (CAF) command EOD equipment modernization requirements, and ensures requirements (deficiencies) are identified and included in the Agile Combat Support (ACS) CapabilityPlan (CP).&#xA;1.4.1.1.1. Serves as the CAF EOD technical leader in developing, coordinating, and staffing CAF EOD requirements documentation to support the modernization process. Advocates for CAF EOD equipment modernization funding.&#xA;1.4.1.1.2. Is the Lead Command for EOD equipment modernization, coordinates with other MAJCOM EOD managers to ensure all AF EOD equipment modernization needs are addressed in the ACS CP.&#xA;1.4.1.1.3. Is the single point of authority and responsible agency for program objective memorandum (POM) of all EOD non-explosive 3011 equipment.&#xA;1.4.1.2. Det 63, HQ ACC (AF Technical Detachment supporting Joint Service EOD efforts):&#xA;1.4.1.2.1. Includes AF EOD procedures, tools, equipment, and training devices during weapon systems and subsystems development.&#xA;1.4.1.2.2. Provides a senior service member as AF representative to the DoD EOD Military Technical Acceptance Board (MTAB), which has approval authority for all joint service EOD tools, equipment, and procedures.&#xA;1.4.1.2.3. Oversees AF involvement in Joint Service EOD TOs and Joint Service EOD equipment from acquisition through deactivation and retirement of all weapon systems.&#xA;1.4.1.2.4. Manages all AF EOD technical data and oversees the development of hardware requirements for AF weapons systems undergoing acquisition or product improvement.&#xA;1.4.1.2.5. Reviews all new or altered United States (US) munitions designs or new applications of existing designs to ensure that adequate EOD render safe procedures (RSP) are available.&#xA;1.4.1.2.6. Manages all AF 60-series non-nuclear TO accounts.&#xA;1.4.1.2.7. Represents the AF for Joint Service EOD technical issues and EOD intelligence matters such as (but not limited to): Non-nuclear Munitions Safety Board (NNMSB) and Joint Captured Material Exploitation Center (JCMEC). Assists HQ AFCESA/CEXD when requested to support the DoD Explosives Safety Board (DDESB) and American, British, Canadian, Australian, New Zealand (ABCANZ) agreements.&#xA;1.4.1.2.8. Represents the AF during Joint Service RSP validation/verification testing of EOD tools, equipment, and procedures. They are the EOD OPR for Research, Development, Testing, and Evaluation (RDT&amp;amp;E) project code 6.1, 6.2, and 6.3 funds (unless the item is a robotic platform – 6.3 modernization is a HQ ACC program). They are also responsible for the joint Notional Concept program.&#xA;1.4.1.2.9. Provides AF EOD personnel for munitions disassembly/intelligence gathering operations at Naval EOD Technology Division (NAVEODTECHDIV).&#xA;1.4.1.2.10. Provides the primary AF EOD representative to the Technical Support Working Group (TSWG). If unable to attend TSWG meetings, Det 63 will coordinate attendance by HQ ACC/A7XE or AFCESA/CEXD.&#xA;1.4.1.2.11. Establishes and maintains liaison with the National Air and Space Intelligence Center (NAIC), and other threat agencies, as appropriate to provide threat assessment documents for EOD programs. Provides up-to-date-threat products that&#xA;meet user and acquisition community needs.&#xA;1.4.2. Air Mobility Command (AMC):&#xA;1.4.2.1. Serves as focal point for EOD Eagle Flag exercises at the Expeditionary Center (EC).&#xA;1.4.2.2. Provides EOD support to primary CONUS mortuary facilities.&#xA;1.4.3. Air Force Materiel Command (AFMC):&#xA;1.4.3.1. Staffs and coordinates AFMC EOD operational requirements on EOD matters for Air Base Systems and provides oversight for operational EOD flights.&#xA;1.4.3.2. Through the AF Nuclear Weapons Center, 708th Nuclear Sustainment Squadron (708 NSUS), provides nuclear weapons integration and special weapons management to the AF EOD program. The EOD representative at the 708 NSUS is responsible for the&#xA;following:&#xA;1.4.3.2.1. Publishes joint DoD and Department of Energy (DOE) nuclear EOD documents. (See TO 11N-1-1, Joint Nuclear Weapons Publication System Operating Procedures, Specifications, and Standards.) Manages, coordinates changes, and publishes/distributes the nuclear 60N-series EOD technical publications and EOD nuclear weapon training aids. Ensures necessary information regarding required EOD actions, weapon hazards, and classified component recovery is included.&#xA;1.4.3.2.2. Monitors development of nuclear weapons through the entire weapon life&#xA;cycle and writes and reviews weapon characteristics relative to AF EOD community&#xA;for all nuclear weapons.&#xA;1.4.3.2.3. Represents the AF EOD community to the DOE and its national&#xA;laboratories. Participates in Joint DoD and DOE EOD nuclear working and exercise&#xA;planning groups, to include assisting with field evaluation and verification of EOD&#xA;procedures.&#xA;1.4.3.2.4. Coordinates with military liaison offices at the national laboratories to&#xA;ensure information on maintenance alterations and weapons system updates are sent&#xA;to MAJCOM EOD staffs via electronic mail.&#xA;1.4.3.2.5. Acts as focal point for HQ AFCESA/CEXD and HQ ACC and on issues&#xA;relating to authorization, requisition and distribution of DOE designed military&#xA;spares, support and handling equipment supporting AF nuclear mission. Provide&#xA;MAJCOMs assistance as required.&#xA;1.4.4. Air Force Special Operations Command (AFSOC):&#xA;1.4.4.1. Manages EOD teams and identifies personnel to support Joint and AF Special&#xA;Operations.&#xA;1.4.4.2. Coordinates EOD support for the HQ USAF Special Operations School.&#xA;1.4.5. Air Force Global Strike Command (AFGSC):AFI32-3001 2 JUNE 2011 13&#xA;1.4.5.1. Provides EOD support for the CONUS nuclear weapon accident or incident&#xA;Response Task Force (RTF).&#xA;1.4.6. Air Force Space Command (AFSPC):&#xA;1.4.6.1. Supplies a trained launch vehicle EOD team to AF launch facilities.&#xA;1.4.6.2. Approves preliminary EOD procedures for all vehicles launching from any US&#xA;national launch facility.&#xA;1.4.6.3. Is the Lead Command for all EOD Cyber related issues, coordinates with other&#xA;MAJCOM EOD Managers to ensure all needs are addressed.&#xA;1.4.6.4. Ensure the readiness of EOD flights through HQ AFSPC Emergency Operations&#xA;Staff Assistance Visits (EO-SAV) on a 18-month rotating schedule or when requested by&#xA;the Unit Commander.&#xA;1.4.7. Air Education and Training Command (AETC):&#xA;1.4.7.1. Det 3, 366&#xA;th&#xA;Training Squadron:&#xA;1.4.7.1.1. Trains specialized EOD technical personnel to meet AF requirements.&#xA;1.4.7.1.2. Assigns an AF member to the Technical Training Acceptance Board&#xA;(TTAB).&#xA;1.4.7.1.3. Develops, formally reviews, and coordinates EOD training curricula for&#xA;Phases I and II of the Basic EOD Qualification, AF Unique Course, AF EOD 7-Level&#xA;Craftsman Course, and Advanced IED EOD Training Courses.&#xA;1.4.7.1.4. Coordinates with Det 63 to promptly procure new AF (single service)&#xA;equipment, tools, and training devices for AF use at Naval School EOD&#xA;(NAVSCOLEOD).&#xA;1.4.7.1.5. Appoints a qualified EOD staff member as the career development course&#xA;(CDC) technical writer and ensures only graduates of NAVSCOLEOD receive the&#xA;EOD CDC.&#xA;1.4.7.1.6. Assists HQ AFCESA/CEXD with Interservice Training Review&#xA;Organization (ITRO) issues.&#xA;1.4.7.2. 342d Training Squadron Combat Training Flight (TRS/CTFX):&#xA;1.4.7.2.1. Develops and administers EOD training curriculum for the EOD&#xA;Preliminary Course based on input from the AF CFM, career field, and Det 3, 366&#xA;TRS.&#xA;1.4.7.2.2. Provides and advocates for resources for the EOD Preliminary Course.&#xA;1.4.7.2.3. Indoctrinates and evaluates prospective EOD applicants to determine&#xA;potential for successful completion of the Basic EOD Qualification Course.&#xA;1.4.7.2.4. Provides necessary training to prime prospective EOD applicants for&#xA;advancement to the Basic EOD Qualification Course.&#xA;1.4.7.2.5. Trains, evaluates potential, and prepares prospective EOD applicants for&#xA;advancement to the Basic EOD Qualification Course. 14 AFI32-3001 2 JUNE 2011&#xA;1.4.7.2.6. Develops, formally reviews, and coordinates EOD training curricula for the&#xA;EOD Preliminary Course.&#xA;1.4.8. Pacific Air Forces (PACAF) and US Air Forces in Europe (USAFE):&#xA;1.4.8.1. Designate EOD flights as members of the Service Response Force (SRF) for&#xA;theater nuclear weapons.&#xA;1.4.8.2. Provide country clearance guidance to EOD teams as required of foreign&#xA;governments and the Department of State (DOS).&#xA;1.4.8.3. Provide Base Denial training to CE Prime Beef teams per AFI 10-210, Prime&#xA;Base Engineer Emergency Force (BEEF) Program.&#xA;1.4.8.4. Supports Joint Prisoner of War/Missing in Action Accounting Command (JPAC)&#xA;missions (PACAF and USAFE).&#xA;1.4.8.5. Supports United States European Command (USEUCOM) taskings for&#xA;humanitarian/mine action programs (HMA). (USAFE has priority to source missions;&#xA;however, other MAJCOMs may be asked to provide support.)&#xA;1.4.9. Air Force District of Washington (AFDW):&#xA;1.4.9.1. Provide EOD support to Air Force One at Joint Base Andrews.&#xA;1.4.9.2. Provide AF EOD support to Headquarters Joint Task Force National Capital&#xA;Region (HQ JTF-NCR).&#xA;1.4.10. Air Force Reserve Command (AFRC):&#xA;1.4.10.1. Maintains Reserve EOD forces to support AF contingency/wartime mission&#xA;requirements.&#xA;1.4.10.2. Coordinates augmentation of AD forces to meet operational requirements; e.g.,&#xA;range clearance, Very Important Persons Protective Support Agency (VIPPSA) missions,&#xA;and sustainment during AD deployments.&#xA;1.4.10.3. Ensure the readiness of EOD flights through HQ AFRC Program Review Visits&#xA;on a rotating schedule or when requested by the Unit Commander.&#xA;1.4.10.4. Provides liaison to NAVSCOLEOD. Represents the community coordinates&#xA;programs and requirements, participates in working groups and personnel management&#xA;processes.&#xA;1.4.10.5. ARC unit training duty time, unit training assembly (UTA), inactive duty&#xA;training (IDT), and annual training should include physical training (PT) (at the&#xA;commander‘s discretion), as an integral part of mission requirements. When on man-day&#xA;status Reserve personnel will participate in a PT program.&#xA;1.4.10.6. Serves as focal point for foreign ordnance training devices. Coordinates&#xA;MAJCOM requirements with AFCESA/CEXD.&#xA;1.4.11. Air National Guard (ANG):&#xA;1.4.11.1. Maintains ANG EOD forces to support gaining command mission&#xA;requirements.AFI32-3001 2 JUNE 2011 15&#xA;1.4.11.2. Coordinates augmentation of AD forces to meet operational requirements; e.g.,&#xA;range clearance and sustainment during AD deployments.&#xA;1.4.12. AF Northern Command (AFNORTH), 1st Air Force (1st AF):&#xA;1.4.12.1. Coordinate National Special Security Events (NSSE) EOD Support with Major&#xA;Commands and provide information to JEODVIPPSA and HQ AFCESA/CEXD IAW the&#xA;approved standard operating procedures (SOP) between HQ AFCESA/CEXD and&#xA;AFNORTH.&#xA;1.4.12.2. Is a member of the Threat Working Group (TWG) for AFNORTH&#xA;1.4.12.3. Coordinate with Department of Homeland Security, Transportation Security&#xA;Agency, NAVEODTECHDIV, and other Military/Commercial agencies concerning&#xA;Research and Development of explosive detection, radiological capabilities and other&#xA;engineering efforts for use in support of the CONUS and Alaska.&#xA;1.4.12.4. Assist and advise in preparation and execution for National level Exercises&#xA;with Northern Command (NORTHCOM). Work with service components to identify&#xA;shortfalls or limiting factors to support NORTHCOM.&#xA;1.4.12.5. Is an EOD Advisor during Defense Support to Civil Authority activities within&#xA;the NORTHCOM AOR.&#xA;1.4.12.6. Coordinate actions with HQ AFCESA/CEXD and HAF A7CXR for issues&#xA;affecting CONUS and Alaska units.&#xA;1.5. Installations with EOD Flights:&#xA;1.5.1. Establish EOD standby after normal duty hours and EOD team contact procedures.&#xA;1.5.2. Provide Secure Internet Protocol Router Network (SIPRNET) access within the EOD&#xA;facility. SIPRNET is required for EODIMS reporting and access to EOD emergency&#xA;response files, which in turn is required to fulfill DoD-directed IED statistical analysis and&#xA;environment-related data analysis on UXO response and destruction. Furthermore, Force&#xA;Protection Intelligence is critical to development of threat characteristics and Intel products&#xA;that support predeployment Road To War (RTW) training.&#xA;1.5.3. EOD personnel are not exempt from additional duties (e.g., bay orderly); however,&#xA;commanders should limit EOD personnel involvement in additional duties if the duties will&#xA;negatively affect individual proficiency and team capabilities. EOD personnel will not be&#xA;included in programs such as Security Forces augmentation program, escort programs,&#xA;Resource Augmentation Duty (READY) program, and other Squadron duties requiring&#xA;constant maintenance/monitoring.&#xA;1.5.4. Commanders over EOD flights are encouraged to participate in the following EOD&#xA;activities:&#xA;1.5.4.1. Receive an EOD mission briefing within 90 days of arrival.&#xA;1.5.4.2. View an EOD demolition or emergency response operation every 6 months.&#xA;1.5.4.3. Participate as the Incident Commander (IC) during EOD emergency response&#xA;operation. 16 AFI32-3001 2 JUNE 2011&#xA;1.5.5. For operational ranges under EOD control (training, disposal, or proficiency), ensure&#xA;permanent records are maintained of the coordinates of all areas known or suspected of&#xA;containing UXO. Installation master plans or range maps shall be used to document such&#xA;areas.&#xA;1.6. EOD Flight Responsibilities:&#xA;1.6.1. Train and equip personnel to support the AF EOD mission.&#xA;1.6.2. EOD flights will conduct PT five days a week to improve maximum individual&#xA;strength, stamina, and aerobic activity. Flight personnel shall still adhere to minimum testing&#xA;standards found in AFI 10-248 and local directives.&#xA;1.6.2.1. Physical fitness training is at the core of a combat warrior and supports the&#xA;Airman Warrior ethos. All EOD flights must have an intense physical fitness regimen&#xA;that ensures Airmen are ready for the rigors of combat. The purpose of the program is to&#xA;develop and maintain an individual‘s strength, stamina, and aerobic capacity to meet the&#xA;requirements of the EOD career field.&#xA;1.6.2.2. Attachment 6 is the recommended and medically approved EOD PT Program.&#xA;If flight chiefs desire alternative programs, they must meet the intent of Attachment 6&#xA;and be approved by local medical authorities per AFI 10-248, Fitness Program, Chapter&#xA;2.&#xA;1.6.3. Maintain a TO library of all required EOD and equipment publications.&#xA;1.6.4. Destroy explosive ordnance (EO) according to all local, state, Federal, and host nation&#xA;environmental, health, and safety requirements. To facilitate off-base emergency response&#xA;actions, EOD flights should establish, in coordination with the Regional Environmental&#xA;Coordinator (REC) and installation environmental offices, a Memorandum of Understanding&#xA;(MOU) with their State agency responsible for environmental quality. See Attachment 2 for&#xA;a sample MOU.&#xA;1.6.5. Prior to performing EOD procedures, response teams must positively identify and&#xA;verify all ordnance in EOD technical data. If no technical data exists for the item in question,&#xA;use other means to identify ordnance. For EXAMPLE: x-rays can help identify what type of&#xA;filler is inside the ordnance and the type of fuzing. There are two resources for ordnance&#xA;information:&#xA;1.6.5.1. Requests for information to aid in identification of unknown ordnance can be&#xA;sent to the NAVEODTECHDIV thru Det 63 via Non-secure Internet Protocol (NIPR) email: det63@navy.mil or Secure Internet Protocol Router (SIPR) e-mail:&#xA;det63@jeodnet.smil.mil (1-301-744-6824, DSN 354).&#xA;1.6.5.2. The Joint Technical Support Center (JEODTSC) is available at 1-877-EOD&#xA;INFO (1-877-363-4636) or you may submit a RFI via the TSC SIPRNET web page,&#xA;https://tsc.jeodnet.smil.mil or via email at NIPR: eodtechdiv_tsc@navy.mil or SIPR:&#xA;tsc@jeodnet.smil.mil.&#xA;1.6.6. Perform initial on-site detection and point detection at the assumed source for known&#xA;CBRNE materials during IED, suspect package, bomb threat and munitions responses when&#xA;CBRNE hazards are indicated. Emergency Management (EM) may perform immediate&#xA;decontamination on munitions and IEDs after they are rendered-safe and leak-sealed.AFI32-3001 2 JUNE 2011 17&#xA;1.6.7. Support Federal and Joint Service EOD taskings (i.e., United States Secret Service&#xA;(USSS), VIPPSA, and JPAC taskings) and issue official passports to each EOD individual.&#xA;1.6.8. Ensure personnel meet the requirements for demolition duty pay and document&#xA;monthly qualifications.&#xA;1.6.9. Provide Explosive Ordnance Reconnaissance (EOR) training to base populace when&#xA;directed by AOR specific directions.&#xA;1.6.10. Issue all EOD personnel personal retention items identified in the EOD Individual&#xA;Equipment ESL through the BAMS and account for non-returnable items during permanent&#xA;change of station (PCS) transfers, separations, and retirements.&#xA;1.6.11. Use Team Leader guides and EOD TOs on all EOD operations.&#xA;1.6.12. Provide 24/7 standby after normal duty hours and EOD team contact procedures to&#xA;EOD MAJCOM, Command Post and installation leadership as required.&#xA;1.6.13. Participate fully in Anti-Terrorism (AT) and Force Protection (FP) programs. Use&#xA;AFI 10-2501, Air Force Emergency Management (EM) Program Planning And Operations,&#xA;AFI 14-119, Intelligence Support to Force Protection, AFI 31-101, Integrated Defense, and&#xA;AFI 10-245, Air Force AT Standards as your guide to support the AT Officer and these&#xA;programs.&#xA;1.6.13.1. EOD units must be familiar with established Force Protection guidance&#xA;measures as well as first responders and emergency responders operational duties.&#xA;1.6.14. Prepare flight budgets. Ensure the flight‘s operational and training budget needs are&#xA;identified and submitted for inclusion in the parent-unit budget (see paragraph 8.1.2).&#xA;1.6.15. Ensure emergency notification procedures (e.g., command post or other agency&#xA;checklists) include the installation legal and public affairs offices when responding off base.&#xA;Include the installation legal and public affairs offices in notification of all routine requests&#xA;for EOD assistance to civil authorities.&#xA;1.6.16. Ensure all flight members maintain a NIPR and SIPR account. This is required for&#xA;access and use of the EOD Incident Management System while at home station and&#xA;deployed.&#xA;1.6.17. Manage their flight activities according to the following priorities listed in order of&#xA;importance.&#xA;1.6.17.1. Deployments and in-place requirements in support of COCOMs and National&#xA;Contingency plans.&#xA;1.6.17.2. Normal base missions. (Nine mission areas as listed in AFPD 32-30.)&#xA;1.6.17.3. Mandatory upgrade and professional training (e.g., Professional Military&#xA;Education (PME) and EOD Craftsmen Course).&#xA;1.6.17.4. EOD advanced formal training:&#xA;1.6.17.4.1. Joint Nuclear Explosive Ordnance Disposal Course (JNEODC),&#xA;J5AZO3E871 00DA 18 AFI32-3001 2 JUNE 2011&#xA;1.6.17.4.2. Advanced Improvised Explosive Device Defeat Course (AIEDDC),&#xA;JBAZN3E871 00NA&#xA;1.6.17.4.3. AF Improvised Explosive and Nuclear Enhancement Course (AFIENEC),&#xA;J5AZO3E871 00EA&#xA;1.6.17.4.4. Joint EOD Improvised Nuclear and Radiological Dispersal Device&#xA;Recognition Course (JEIRRC), J5OZD32 E3G&#xA;1.6.17.5. Manning support to range bases (e.g., RST).&#xA;1.6.17.6. EEOB Taskings.&#xA;1.6.17.7. JEODVIPPSA Taskings.&#xA;1.6.18. Active Component with Reserve EOD Associate Flights:&#xA;1.6.18.1. Associate EOD flights will maintain a Support Agreement or MOU to outline&#xA;organization and utilization, plan, manage, coordinate and execute integrated teaming&#xA;concepts and administrative requirements. As a minimum the following requirements will&#xA;be addressed:&#xA;1.6.18.1.1. Facilities requirements&#xA;1.6.18.1.2. Operations and housekeeping responsibilities&#xA;1.6.18.1.3. Equipment and publication requirements&#xA;1.6.18.1.4. Training and exercise requirements&#xA;1.6.18.1.5. Reimbursable expenses&#xA;1.7. EOD Flight Organization:&#xA;1.7.1. Wartime/contingencies EOD flight force structure and mission capabilities are&#xA;outlined in the WMP-1, Annex S, Appendix 9.&#xA;1.7.2. Peacetime EOD flights are organized functionally and will have the following&#xA;minimum areas.&#xA;1.7.2.1. CED: Flight Management and Quality Assurance.&#xA;1.7.2.2. CEDO: Operations, Scheduling, and Training.&#xA;1.7.2.3. CEDP: Publications and Technical Administration.&#xA;1.7.2.4. CEDL: Munitions, Vehicles, Supply and Equipment.&#xA;Section 1C—Personnel&#xA;1.8. Administration of EOD Personnel:&#xA;1.8.1. Qualifications. EOD Personnel must meet the requirements in the Officer&#xA;Classification Directory and Enlisted Classification Directory as appropriate, and must be&#xA;assigned to a valid EOD position on a Unit Manning Document (UMD) to perform EOD&#xA;duties.AFI32-3001 2 JUNE 2011 19&#xA;1.8.1.1. For Officers, these requirements are valid until uploaded into the AF Officer&#xA;Classification Directory. The following requirements are already captured in the Enlisted&#xA;Classification Directory. All EOD-qualified Civil Engineer (CE) Officers must first be&#xA;AF CE Officers. EXCEPTION: The ARC may request a classification waiver for prior&#xA;service qualified EOD personnel applying for the Airman Commissioning Program.&#xA;1.8.1.1.1. For entry into this specialty, candidates must have:&#xA;1.8.1.1.1.1. Normal color vision as defined in AFI 48-123, Medical Examinations&#xA;and Standards.&#xA;1.8.1.1.1.2. Minimum height of 5‘2‖. Maximum height 6‘8‖.&#xA;1.8.1.1.1.3. No record of Claustrophobia (fear of confined spaces).&#xA;1.8.1.1.1.4. See Attachment 4 of AFI 48-123 for additional entry requirements.&#xA;1.8.1.1.1.5. Candidate must have a valid, passing AF Physical Fitness score&#xA;between 2 and 3 months prior to Navy EOD School class start date.&#xA;1.8.1.1.1.6. Additional requirements for award of this AFSC are as follows:&#xA;1.8.1.1.1.6.1. Aptitude (M=60, G=64, X=LorM)&#xA;1.8.1.1.1.6.2. Physical Profile (PULHES=111131)&#xA;1.8.1.1.1.6.3. Other (N=X)&#xA;1.8.1.1.2. For entry, award, and retention of this Air Force Specialty Code (AFSC),&#xA;candidates must have:&#xA;1.8.1.1.2.1. No record of emotional instability.&#xA;1.8.1.1.2.2. Normal depth perception as defined in AFI 48-123.&#xA;1.8.1.1.2.3. Successfully complete the Physical Ability and Stamina Test (PAST).&#xA;Initial entry and re-trainee candidates must successfully complete EOD PAST&#xA;requirements outlined in AETC website (https://www.my.af.mil/gcssaf/USAF/site/AETC/AETC A2_A3/AETC_A3T). The PAST will be&#xA;administered to re-trainee and officer candidates during their required 10-day&#xA;EOD orientation visit.&#xA;1.8.1.1.2.4. Complete 10-day EOD orientation. Re-trainee and officer candidates&#xA;must complete a 10-day EOD orientation visit with an operational Air Force EOD&#xA;flight. If one is not located on station the applicant's unit may fund a TDY to the&#xA;nearest AF Base with an operational AF EOD Flight to complete the 10-day EOD&#xA;orientation. If unit funds are not available a funding request to HQ&#xA;AFCESA/CEXD may be accomplished. Because there is no guarantee that HQ&#xA;AFCESA/CEXD may be able to fund the TDY, all efforts should be exhausted by&#xA;the re-trainee or officer candidates unit prior to the request. The visit consists of&#xA;10 operational duty days to complete the EOD Orientation Checklist (Attachment&#xA;9) and submit with re-training application. Re-trainee and officer candidates must&#xA;complete the EOD Retraining Volunteer Letter (Attachment 10) during the 10-day&#xA;visit. All checklists will be sent to HQ AFPC or HQ ARPC once they are&#xA;completed and signed by the unit. For Air National Guard personnel the following 20 AFI32-3001 2 JUNE 2011&#xA;applies:&#xA;1.8.1.1.2.4.1. Prior service individuals wishing to re-train upon entry into the&#xA;ANG will complete the PAST test and the volunteer letter prior to their 10 day&#xA;orientation. Both will be administered by the recruiter.&#xA;1.8.1.1.2.4.2. For ANG re-trainees and prior-service re-trainees the 10-day&#xA;orientation will be performed with the gaining EOD flight over a consecutive&#xA;number of days to include a drill weekend.&#xA;1.8.1.1.2.4.3. For officers wishing to cross-train into ANG EOD, they may be&#xA;interviewed by a SNCO if no EOD-qualified officer is at the EOD flight or&#xA;within the squadron where they are performing their 10-day orientation. A&#xA;Letter of Recommendation or a Letter of Objection will be composed by the&#xA;interviewer.&#xA;1.8.1.1.2.4.4. The completed package, to include the checklist and the&#xA;interviewer‘s letter will be sent to the hiring CES/CC for final approval. If the&#xA;re-trainee is hired, the CES/CC will send the completed package, along with a&#xA;Letter of Approval to the HQ NGB/A7X, for final coordination.&#xA;1.8.1.1.2.4.5. The CES/CC will also send the completed package, their Letter&#xA;of Approval, and the signed Volunteer letter to the Air Force Reserve&#xA;Personnel Center.&#xA;1.8.1.1.3. Specialty requires routine access to Top Secret material or similar&#xA;environment. For award and retention of AFSC 32E3H/K and 3E8X1, completion of&#xA;a current Single Scope Background Investigation (SSBI) according to AFI 31-501,&#xA;Personnel Security Program Management is required.&#xA;1.8.1.1.4. The EOD AFSC is high risk and such is a volunteer only career field.&#xA;Members ―MUST BE A VOLUNTEER‖ to enter the DoD Joint EOD Basic Common&#xA;Core Course. (Reference: Catalog of Navy Training Courses (CANTRAC): A-431-&#xA;0134). All non-prior service Airmen, re-trainees and officer candidates must&#xA;complete the appropriate EOD volunteer letter (Attachment 10 or Attachment 11)&#xA;prior to entering the EOD training pipeline. The signed volunteer letter must be held&#xA;on file in the members Personal Information File.&#xA;1.8.1.1.5. If at any time an Airman feels he/she is incapable of performing the high&#xA;risk duties related to the EOD mission, the member may withdraw their EOD&#xA;volunteer letter. This will result in permanent removal from the EOD career field.&#xA;Once withdrawn, at no time may the volunteer letter be reinstated.&#xA;1.8.1.2. This paragraph supplements AFI 36-2903, Dress and Personal Appearance of&#xA;AF Personnel, paragraph 5.9.2, Occupational Badges for officers. For award of the&#xA;senior and master EOD badges to EOD-qualified CE Officers, the phrase &amp;quot;in the&#xA;specialty&amp;quot; includes those jobs, which are responsible for EOD organize, train, and equip&#xA;functions. Examples include CE Squadron commander jobs in which individuals lead&#xA;squadrons with EOD flights and MAJCOM CE Readiness Directorate chiefs.&#xA;1.8.2. Proficiency. EOD personnel must maintain competency in all aspects of the EOD&#xA;mission. Completion of the minimum training requirements listed in the 3E8X1 Career Field AFI32-3001 2 JUNE 2011 21&#xA;Education Training Program (CFETP), Section G; AF EOD Standard Training Package, is&#xA;required to maintain proficiency.&#xA;1.8.3. Suspension or Removal from EOD Duties and the EOD Flight. Because of the nature&#xA;of EOD duties (working with live explosives and providing protective support to Presidential&#xA;and DOS personnel), Airmen may be removed from EOD duties and the flight when their&#xA;reliability and judgment are called into question. Removal from EOD duties by itself is&#xA;neither an adverse personnel action nor the basis for disciplinary action. When making a&#xA;removal determination, the issue is not an individual‘s guilt or innocence of a particular&#xA;offense. It is not necessary to complete an investigation, take disciplinary action, or to&#xA;complete other personnel actions before determining to remove an individual from EOD&#xA;duties.&#xA;1.8.3.1. Removal may be appropriate based on a single serious incident or habitual minor&#xA;incidents, reflecting behavior that is inconsistent with military standards and raises&#xA;questions about an individual‘s reliability and judgment. The following examples may&#xA;constitute grounds for suspension or removal from the flight.&#xA;1.8.3.1.1. Any alcohol-related incident, alcohol abuse, or alcohol dependency.&#xA;1.8.3.1.2. Significant delinquent financial obligations.&#xA;1.8.3.1.3. Negligence or delinquency in performing duties that reveals a lack of&#xA;dependability, flexibility, good attitude or good judgment.&#xA;1.8.3.1.4. Arrest for, or conviction by a military or civilian court of, a serious&#xA;offense; a series or arrests or court convictions for misdemeanor offenses; or more&#xA;than one Article 15, which would indicate a pattern of conduct contrary to the&#xA;standards required of EOD personnel.&#xA;1.8.3.1.5. Any significant physical or medical condition determined to be prejudicial&#xA;to reliable performance of EOD duties.&#xA;1.8.3.1.6. Poor attitude or lack of motivation as evidenced by aberrant or irrational&#xA;behavior, inappropriate behavior or mood.&#xA;1.8.3.1.7. Failure to maintain a proper grade/skill relationship.&#xA;1.8.3.1.8. Failure to maintain fitness standards within AF regulations or to a level&#xA;required to conduct full spectrum EOD operations within CONUS and contingency&#xA;environments.&#xA;1.8.3.2. Establishment of a Security Information File or suspension of access to&#xA;classified information will result in temporary removal from EOD duties and the flight.&#xA;Revocation of security clearance eligibility will result in disqualification from EOD&#xA;duties and removal from the flight.&#xA;1.8.3.3. When the conditions described in paragraph 1.8.3.1 occur, commanders may&#xA;take the following actions:&#xA;1.8.3.3.1. Temporary suspension from duties and the EOD flight. Immediately&#xA;suspend an individual for up to 180 days in order to determine whether, given the&#xA;nature of the incident(s), the individual‘s reliability and judgment meet the standards&#xA;for reinstatement to EOD duties. 22 AFI32-3001 2 JUNE 2011&#xA;1.8.3.3.2. Permanent disqualification of an individual from EOD duties. Situations&#xA;such as the following may warrant for permanent disqualification: confirmed drug&#xA;abuse, a diagnosis of alcohol dependence, pending involuntary discharge or removal&#xA;for cause, a diagnosed psychiatric disorder that interferes with member‘s ability to&#xA;perform military duties, imposition of more than one Article 15 within a short period&#xA;of time, pending court-martial charges and/or conviction, pending civilian criminal&#xA;felony or misdemeanor charges and/or conviction. Commanders should seek legal&#xA;advice before permanently removing an individual from EOD duties.2&#xA;1.8.3.3.3. Reinstatement. A commander may request reinstatement of an individual‘s&#xA;qualification for EOD duties provided the reason or condition of the permanent&#xA;disqualification no longer exists. Forward all requests for reinstatement to HQ&#xA;AFCESA/CEXD. The request will include chain of command recommendations and&#xA;all documentation that substantiated the permanent disqualification and&#xA;documentation that supports the opinion that the condition or reason no longer exists.&#xA;1.8.3.4. Appeal. An individual may appeal a permanent disqualification. Individuals&#xA;must provide a written request for an appeal with rationale. Forward all appeal requests to&#xA;HQ AFCESA/CEXD for AFCESA/CC approval or disapproval. The request will include&#xA;chain of command recommendations and all documentation that substantiated the&#xA;disqualification determination.&#xA;1.8.4. Interruption in EOD duties. Enlisted EOD personnel must reaccomplish the basic&#xA;EOD course when assigned 48 months or longer in a non-EOD position or if there is a 36-&#xA;month or longer break in service. Under extenuating circumstances (i.e., if special EOD&#xA;training or operations were accomplished during that time), this requirement may be fulfilled&#xA;if the individual can be recertified on all CFETP Core Tasks (commensurate with grade/skill&#xA;level), and attend the Advanced Improvised Explosive Device Disposal (AIEDD) course.&#xA;1.8.4.1. For AD forces the AF EOD CFM, in consultation with the responsible&#xA;MAJCOM, has waiver authority for this requirement on a case-by-case basis.&#xA;1.8.4.1.1. The individual‘s prior service EOD history will be evaluated to ensure the&#xA;individual is qualified for EOD duties, meets criteria listed in Officer/Enlisted&#xA;Classification Directory, and meets AF Quality Standards.&#xA;1.8.4.1.2. Waiver authority for ARC forces is delegated to the ARC EOD Functional&#xA;Managers.&#xA;1.8.4.1.3. ARC EOD personnel who are excused from unit training assemblies [not&#xA;constructively present] for six months or more will be recertified on all skill level&#xA;tasks.&#xA;2&#xA;NOTE: Permanent disqualification of an individual from EOD duties may include removal of&#xA;the EOD qualification duty badge. Submit recommendations for removal through EOD&#xA;MAJCOM functional staff to HQ AFCESA/CEXD for determination.AFI32-3001 2 JUNE 2011 23&#xA;1.8.5. Re-training: EOD will not accept enlisted Airmen above the rank of SSgt for&#xA;retraining. EOD operations require experienced technical leadership3&#xA;1.8.5.1. DELETED.&#xA;1.8.5.2. ARC Airman requesting entry into the EOD career field must be briefed by the&#xA;local EOD team on career field mission, tools, equipment, physical requirements, and&#xA;view the EOD recruiting video. This briefing must be documented on a memorandum for&#xA;record.&#xA;1.8.6. Incentive Pay. This section outlines service component requirements in compliance&#xA;with DoD 7000-14-R, DoD Financial Management Regulation, Volume 7A, Military Pay&#xA;Policy and Procedures – Active Duty and Reserve Pay.&#xA;1.8.6.1. EOD personnel in a valid EOD position receiving demolition pay must&#xA;document monthly qualifications.&#xA;1.8.6.2. During periods of deployments and at locations where monthly qualification is&#xA;not possible, MFM or deployed EOD leadership may temporarily waive this requirement&#xA;(see paragraph 3.11.1.2 through 3.11.1.2.2) by documenting dates, location and either&#xA;combat operations being performed or country restrictions preventing explosive&#xA;operations.&#xA;Section 1D—Manning&#xA;1.9. Operational Manning Requirements.&#xA;1.9.1. Deployment Coding. All EOD flight personnel will be coded DWS except as noted&#xA;below. The minimum Break-the-Flight positions at each AD EOD flight (6 at normal base, 8&#xA;at Direct Support Unit , 20 at Large Range base) will be coded DXS. All AF EOD&#xA;instructors (NAVSCOLEOD and Silver Flag) will be coded DXX. EOD Staff positions at&#xA;HQ USAF, HQ AFCESA/CEXD, MAJCOM and Det 63 will be coded DXS. ARC AGRs&#xA;will be coded DXX. HQ AFRC A7X will, in coordination with HQ ACC/A7X (SuperFam),&#xA;HQ AFPC/DPWS, and HQ AFCESA/CEXD, provide input for a posturing plan for the&#xA;Active Guard Reserve (AGR) deployment schedule. All other EOD positions not addressed&#xA;in this paragraph will be coded DXS. This paragraph does not apply to EOD positions that&#xA;are joint, owned by others, or classified.&#xA;1.9.2. Manpower Standard and Unit Personnel Management Roster (UPMR). The&#xA;Capability-based Manpower Standard (CMS) for AF EOD is AFMS 44ED00 (This CMS is&#xA;available electronically on the Air Force Manpower Agency (AFMA) website.). This CMS&#xA;quantifies the Civil Engineer flight level manpower necessary to accomplish Air Force EOD&#xA;tasks based upon the number and type of EOD UTC taskings.&#xA;1.9.3. EOD Flight Posturing. Per the AF/A7C-approved EOD Optimization Plan, the EOD&#xA;Capability-based Manpower Standard (CMS), when implemented, will structure EOD flights&#xA;&#xA;3&#xA;NOTE: Limiting re-training to E-5s provides for an approximate 10 year experience/growth&#xA;into flight management and team leadership; additionally, it parallels requirements for civilian&#xA;supervision of explosive operations (DDESB Technical Paper 16) and US Army EOD TTP that&#xA;calls for E-6 squad leaders. 24 AFI32-3001 2 JUNE 2011&#xA;as large-range flights (72 personnel), large force-projection flights (26 personnel), small&#xA;force-projection flights (19 personnel). OCONUS Defense flight requirements are 12&#xA;personnel. ARC EOD flights are structured as Homeland Defense flights (10-17 personnel).&#xA;1.9.3.1. USAF EOD minimum Sustainable manpower. Ten personnel, 30 at large range&#xA;flights, are required to meet all mission area requirements identified in AFPD 32-30,&#xA;Explosive Ordnance Disposal. This provides sufficient manpower structure to 1)&#xA;maintain missions for an indefinite period of time; 2) provides the proper leadership &amp;amp;&#xA;mentoring; 3) and maintain required training proficiency. Manpower includes: two 3-&#xA;person teams, two supervisors and two operations personnel. Up to four of these&#xA;personnel (2 at direct support units) can be available to support VIPPSA and RST&#xA;missions. The additional 20 personnel at Large range flights are required to maintain&#xA;emergency response for range operations. Support for scheduled range clearances, as&#xA;outlined in AFI 13-212, Range Planning and Operations, will require manning&#xA;augmentation from other EOD flights. The numbers provided in this paragraph are not&#xA;additive requirements and will not exceed the requirements provided in the CMS.&#xA;1.9.3.2. USAF EOD minimum Break-the-Flight manpower. If, during surge or&#xA;emergency operations, an EOD flight falls below Sustainable manpower, a degraded&#xA;capability exists.&#xA;1.9.3.2.1. A manpower structure of 6-9 personnel is only sufficient to provide limited&#xA;mission areas support and only a single incident response capability. At no time will&#xA;flight manning fall below 6 (8 for direct support units, 20 at large range bases&#xA;including manning or RST support) without MAJCOM concurrence. Direct support&#xA;units require 8 personnel to ensure a minimum of 6 operational personnel for&#xA;emergency response (accounts for temporary suspension from Personnel Reliability&#xA;Program (PRP) due to medications or other reliability issues).&#xA;1.9.3.2.2. Support for missions that are beyond emergency installation and force&#xA;protection response (e.g., missions other than nuclear/strategic mission, force&#xA;protection, and aircraft/munitions response) require critical operational risk&#xA;management (ORM) determination. At this level of manning, required training&#xA;proficiency and certifications are difficult to maintain. Flights falling below&#xA;minimum manning requirements for periods longer than 30 days should request&#xA;manning assistance (term temp civilian/contractor support for program management&#xA;support) through their respective MAJCOM functional manager.&#xA;1.9.3.2.3. AFRC EOD minimum Sustainable manpower. Six personnel required, due&#xA;to the small size and footprint of Reserve Installations minimum manning to sustain&#xA;Force Protection Condition ALPHA and Base Support functions not to exceed 1&#xA;concurrent response. Up to two fulltime personnel can be on temporary duty&#xA;(TDY)/Leave at any one time.AFI32-3001 2 JUNE 2011 25&#xA;Chapter 2&#xA;INTELLIGENCE, SECURITY, AND SAFETY / A2&#xA;Section 2A—Intelligence&#xA;2.1. Intelligence Requirements.&#xA;2.1.1. Homeland Defense (home-station) Assessments. EOD flights will:&#xA;2.1.1.1. Participate in core Homeland Defense planning groups. (e.g., Force Protection&#xA;Working Group, TWG).&#xA;2.1.1.2. Coordinate requirements with the Office of Special Investigations (OSI), FBI,&#xA;and other intelligence-gathering units for local threat briefings. MAJCOMs should&#xA;consolidate and distribute applicable updates from sources such as Defense Threat&#xA;Reduction Agency (DTRA).&#xA;2.1.1.3. Use AFI 14-119, Force Protection Intelligence, to justify more interaction and&#xA;customer support from local Intel organizations. Request products that detail:&#xA;2.1.1.3.1. Base specific and NORTHCOM regional threats (supports our Homeland&#xA;Defense role).&#xA;2.1.1.3.2. Overview of outside Central Command (CENTCOM) theater threats:&#xA;Supports our worldwide deployment/TDY commitments and gives situational&#xA;awareness of world threats &amp;amp; groups.&#xA;2.1.1.3.3. Predeployment briefs that are more country/location specific:&#xA;2.1.1.3.3.1. General area overview with specific threat&#xA;2.1.1.3.3.2. Insurgent and special group activity&#xA;2.1.1.3.3.3. Typical IED devices being used with types of triggers&#xA;2.1.1.3.3.4. Ordnance orders of battle (OOB) and types&#xA;2.1.1.3.3.5 Resources available to EOD:&#xA;2.1.1.3.3.6. Joint EOD Technical Support Center (https://tsc.jeodnet.smil.mil)&#xA;provides weekly and monthly Intel reports of EOD and threat interest.&#xA;2.1.1.3.3.7. Knowledge and Information Fusion Exchange (KnIFE)&#xA;(https://knife.jfcom.smil.mil)&#xA;2.1.2. Contingency Assessments.&#xA;2.1.2.1. Coordinate requirements with OSI, FBI, and other intelligence-gathering units&#xA;for local threat briefings. MAJCOMs should consolidate and distribute applicable updates&#xA;from sources such as DTRA.&#xA;2.1.2.2. Research specific DOC-tasking locations and maintain a file on each site.&#xA;MAJCOMs will determine general contents of file folders, but this is a minimum.&#xA;2.1.2.2.1. Mission and Threat Assessments. 26 AFI32-3001 2 JUNE 2011&#xA;2.1.2.2.2. Maps.&#xA;2.1.2.2.3. Host Nation EOD capabilities.&#xA;2.1.2.2.4. Facility plans.&#xA;2.1.2.2.5. Point of contact.&#xA;2.1.2.3. Current OOBs documents are available through Detachment 63, HQ ACC.&#xA;OOBs are available at: Joint EOD Technical Support Center&#xA;(https://tsc.jeodnet.smil.mil)&#xA;Section 2B—Security&#xA;2.2. Personnel Security requirements&#xA;2.2.1. Initial. Candidates for EOD School require a SECRET clearance with an initiated&#xA;SSBI.&#xA;2.2.2. Continuing. All EOD personnel require a Director of Central Intelligence Directive&#xA;(DCID) security clearance IAW AFI 31-501, Personnel Security Program Management.&#xA;2.2.3. Critical Nuclear Weapons Design Information (CNWDI). All EOD personnel filling&#xA;an authorized EOD position require authorized access to CNWDI to perform assigned duties.&#xA;2.2.4. Nuclear Weapons Personnel Reliability Program (PRP). Refer to AFMAN 10-3902,&#xA;Nuclear Weapons Personnel Reliability Program. EOD personnel are emergency responders;&#xA;under normal circumstances they do not have defined access, should not be on PRP, and&#xA;should not require increased investigative/certification actions.&#xA;2.2.5. Special circumstances. MAJCOMs will identify other missions requiring special&#xA;clearances and the investigative requirements.&#xA;2.2.6. Security Access Requirement (SAR). All EOD positions are required to be coded as&#xA;SAR 5 on the EOD flight UMD. (This includes 3E8 and 032E3 H/K officer positions.) (Ref:&#xA;AFI 31-501, Personnel Security Program Management.).&#xA;2.3. Physical Security requirements&#xA;2.3.1. Resource Protection Program. When transporting high-risk (Category II) items, EOD&#xA;teams will be armed per AFI 31-101, The Air Force Installation Security Program (For&#xA;Official Use Only (FOUO)), paragraph 8.4.2.24.2.4 Category II items of concern to EOD&#xA;include:&#xA;2.3.1.1. Demolition bulk explosives (i.e., Composition C-4 TNT, etc.).&#xA;2.3.1.2. Automatic weapons (16 or more).&#xA;2.3.2. Arming and Use of Force.&#xA;2.3.2.1. Chairman of the Joint Chiefs of Staff Instruction (CJCSI) 3121.01, Standing&#xA;Rules of Engagement for US Forces, references and employs scenario-based training to&#xA;allow individuals to apply the skills they were taught.&#xA;2.3.2.2. AFI 31-207, Arming and Use of Force by Air Force Personnel, governs&#xA;peacetime training and operations.AFI32-3001 2 JUNE 2011 27&#xA;2.3.2.3. Rules of Engagement (ROE) training is conducted and documented annually&#xA;IAW AFI 36-2225, Security Forces Training and Standardization Evaluation Programs.&#xA;Specific ROE for deployed locations are typically provided during pre-deployment&#xA;training and upon initial arrival at the deployed location IAW theater guidance.&#xA;Section 2C—Safety Programs&#xA;2.4. Weapons Safety. EOD requirements for Weapons Safety are covered in AFMAN 91-201,&#xA;Explosives Safety Standards and Technical Order and 60A-1-1-4, Protection of Personnel and&#xA;Property. When information between these two references conflict, always use the more&#xA;stringent safety reference. Prior to the start of all explosive operations on training, demolition, or&#xA;bombing ranges the Team Leader (TL) or a Team Member (TM) will complete Attachment 8,&#xA;Standard Pre-Operation Safety Briefing and brief all individuals present during the explosive&#xA;operation using the completed form.&#xA;2.4.1. Proficiency range parameters. The authorized procedures on EOD ranges allow for&#xA;reduced safe separation distances. Specifications for EOD proficiency ranges are listed in&#xA;AFMAN 91-201, Air Force Explosives Safety Standards.&#xA;2.4.2. Emergency destruction on established ranges. In cases where the net explosive weight&#xA;and fragmentation hazards exceed the established quantity-distance criteria for a range,&#xA;obtain installation commander‘s permission, perform ORM, and use protective measures to&#xA;ensure safe operations.&#xA;2.4.3. EOD Training and Disposal Range Requirements. All EOD Proficiency Training&#xA;Ranges will be cited IAW AFMAN 91-201 requirements. All Disposal Ranges will be cited&#xA;IAW AFMAN 91-201 and Attachment 5, Disposal Range Safety Requirements Excerpt, to&#xA;this publication.&#xA;2.5. Ground Safety Programs. Occupational Safety requirements are listed in AFOSHSTD&#xA;91-501, Air Force Consolidated Occupational Safety Standard. EOD flights must participate in&#xA;the following health and safety programs.&#xA;2.5.1. Environmental Management System, Hazardous Communication (HAZCOM).&#xA;2.5.2. Respiratory Protection Program.&#xA;2.5.3. Blood Borne Pathogen (BBP).&#xA;2.5.3.1. With use of established control procedures (use of personal protective equipment&#xA;(PPE) and good hygiene); normal home-station EOD duties do not warrant participation&#xA;in the BBP program.&#xA;2.5.3.2. If local or deployed special EOD missions create a high potential for exposure to&#xA;BBP, then EOD flights will coordinate with Bioenvironmental Engineering and Public&#xA;Health flights to determine whether enrollment in this program is appropriate.&#xA;2.5.3.3. Refer to Title 29 CFR, Part 1910, subpart Z, Standard 1910-1030, Bloodborne&#xA;Pathogens (29 CFR 1910-1030), for requirements on training and a written exposure&#xA;control plan. (See also the sample guides in the EOD Mortuary Support CONOPS).&#xA;2.5.4. As-Low-As-Reasonably-Achievable (ALARA). 28 AFI32-3001 2 JUNE 2011&#xA;2.5.5. Hearing conservation.&#xA;2.6. Safety Day. All CONUS and Outside the Continental United States (OCONUS) units will&#xA;participate in the annual EOD Safety Day. Participation of deployed/forward locations will&#xA;depend upon their current operations tempo and the approval of their respective combatant&#xA;commander (CCDR). HQ AFCESA/CEXD, and all MAJCOMS will provide A7CXR with&#xA;Safety Day agenda items no later than (NLT) 15 days prior to event. Emergency response&#xA;operations will not be effected on this day.AFI32-3001 2 JUNE 2011 29&#xA;Chapter 3&#xA;OPERATIONS AND TRAINING / A3&#xA;Section 3A—Operational Parameters&#xA;3.1. General Unexploded Ordnance Response Actions&#xA;3.1.1. Positive Identification. Responding EOD teams must positively identify all ordnance&#xA;items prior to performing any EOD procedures.&#xA;3.1.1.1. All research and identification of ordnance items will be documented in EOD&#xA;reports and verified as outlined in paragraph 3.7. If unable to identify the ordnance item&#xA;the team must assume:&#xA;3.1.1.1.1. It is the most hazardous type it could be.&#xA;3.1.1.1.2. It has the most hazardous features/filler it could contain.&#xA;3.1.1.1.3. It is in the most hazardous condition it could be in.&#xA;3.1.1.2. EOD flights will put statements in their response guides that the team must&#xA;positively identify ordnance using EOD technical data prior to performing any EOD&#xA;procedures. If no technical data exists for the item in question, then other means will be&#xA;used to identify ordnance. For EXAMPLE: x-rays could be used to help identify what&#xA;type of filler is inside the ordnance and the type of fuzing or a request for information can&#xA;be sent to the NAVEODTECHDIV through Det 63, HQ ACC. The Joint EOD Technical&#xA;Support Center is a resource available for assistance at 1-877-EOD INFO (1-877-363-&#xA;4636).&#xA;3.1.2. EOD Technical Guidance. EOD procedures are conducted IAW Joint Service EOD&#xA;60-series TOs. Supporting instructions such as 11-series TOs or DDESB Technical Papers&#xA;(available at http://www.ddesb.pentagon.mil/techpapers.html) may be used in absence of&#xA;60-series guidance. Additionally, basic EOD emergency response guidance is provided in&#xA;Attachment 3, EOD Emergency Response Guidance. Local commanders have the authority&#xA;and responsibility to make ORM adjustment to established requirements so that mission&#xA;requirements are met. (See AFI 90-901, Operational Risk Management)&#xA;3.1.2.1. Deviations from 60N series can be made with coordination and approval with&#xA;MAJCOM and 708th Nuclear Sustainment Squadron (708th NSUS), Military Liaison&#xA;Branch. During accident response, deviations from 60N are obtained through the Nuclear&#xA;Weapon Accident Response Procedures (NARP) weapon recovery process. By design,&#xA;60N series publications do not address all potential accident/incident scenarios. During an&#xA;accident situation EOD personnel in collaboration with DOE Accident Response Group&#xA;(ARG) will develop a weapons recovery plan incorporating pertinent paragraphs from&#xA;specific weapon 60N series tech order.&#xA;3.1.3. Medical support. Medical support during high-explosives operations is a mandatory&#xA;safety requirement. Medical support must remain in a designated safe area unless required for&#xA;injury/incident response. Medical support may be military, civilian, or contracted as long as&#xA;the qualifications are current and time criteria are met. 30 AFI32-3001 2 JUNE 2011&#xA;3.1.3.1. Explosives operations involving only practice munitions (other than demolition&#xA;explosives): An Independent Duty Medical Technician (IDMT) or Emergency Medical&#xA;Technician (EMT)-qualified technician must be available on-site or within a 30-minute&#xA;response time. Trauma facilities should be available within 60 minutes via ground or air&#xA;transportation.&#xA;3.1.3.2. Explosives operations involving live munitions (other than demolition&#xA;explosives): An IDMT-qualified technician must be available on-site during all&#xA;operations. An IDMT provides capability to give Advanced Cardiac Life Support&#xA;measures such as administering emergency intravenous medications. Trauma facilities&#xA;should be available within 30 minutes via ground or air transportation. If not possible,&#xA;then ensure a paramedic or EMT with current NREMT (National Registry of Emergency&#xA;Medical Technicians) certification is available on-range. Additionally, flights should&#xA;consider the need to bring an IDMT during off-base emergency response.&#xA;3.1.3.3. EOD flights performing daily, multiple, simultaneous explosives operations&#xA;involving live munitions should have an IDMT-qualified technician dedicated/assigned to&#xA;the EOD flight. IDMT would be within 30-minute response time to all explosives&#xA;operating sites. Supplement the IDMT with EMT-qualified technicians on-site at each&#xA;operating site, e.g., one IDMT is centrally located within 30-minutes of the operations.&#xA;Each operating site would have an EMT immediately available.&#xA;3.1.4. Off-Installation Responses&#xA;3.1.4.1. Military munitions and explosives.&#xA;3.1.4.1.1. The closest AF EOD flight is required to respond to accidents/incidents&#xA;involving AF-owned EO on or off AF installations. The first service to discover an&#xA;incident involving EO of another service or Federal agency must take immediate&#xA;actions to prevent or limit damage or injury. Report incidents occurring in another&#xA;service's operational area according to the procedures of the responsible service. The&#xA;closest EOD flight should respond immediately with the understanding that the&#xA;responsible service retains operational control. After DoD arrives on scene, the&#xA;various services can sort out responsibilities per AFJI 32-3002.&#xA;3.1.4.1.2. The first service to discover a transportation accident/incident involving&#xA;federally owned or controlled EO must respond immediately, regardless of location.&#xA;The EOD team should arrive on-scene as soon as possible (within 4 hours). Use the&#xA;fastest mode of transportation available. The objective is to prevent or limit loss of&#xA;life, injury, property damage, and minimize public inconvenience. 4&#xA;3.1.4.2. Non-military munitions and explosives.&#xA;3.1.4.2.1. Civil authorities are primarily responsible for the safe handling and&#xA;disposal of IED, non-military commercial explosives, or similarly dangerous articles&#xA;located off DoD installations. See details for off-installation support in paragraphs&#xA;7.2 and 7.3.&#xA;&#xA;4&#xA;NOTE: The first priority is an immediate response to the accident or incident. After DoD&#xA;arrives on scene, the various services can sort out responsibilities per AFJI 32-3002.AFI32-3001 2 JUNE 2011 31&#xA;3.1.4.2.2. Non-DoD toxic or hazardous materials are not taken to military&#xA;installations for storage or disposal unless:&#xA;3.1.4.2.2.1. The situation is clearly an emergency or lifesaving operation.&#xA;3.1.4.2.2.2. Formal agreements exist with other Federal agencies (e.g., MOU&#xA;between DoD and the ATF).&#xA;3.1.5. Environmental Guidance. All AF EOD flights within the US and its territories must&#xA;comply with the Resource Conservation and Recovery Act (RCRA) EPA Military Munitions&#xA;Rule, and other state regulatory requirements. EOD Response Actions are conducted under&#xA;authority of the ―DoD Policy to implement the federal EPA Military Munitions Rule&#xA;(MRIP),‖ 01 July 1998, Chapter 9, Emergency Response. The MRIP is very specific about&#xA;the conduct of emergency response and EOD‘s authority to conduct them.&#xA;3.1.5.1. In non-emergency situations, to ensure all legal requirements are met, EOD&#xA;personnel must consult the Staff Judge Advocate and the installation CE environmental&#xA;management function before destroying EO. (See paragraph 3.2 for emergency response&#xA;parameters.)&#xA;3.1.5.2. The federal EPA has established definitions for when munitions become a waste&#xA;and requirements for management of waste munitions. These definitions and&#xA;requirements are incorporated into RCRA‘s implementing regulations. The federal&#xA;program exempts EOD operations from some environmental management requirements&#xA;during an EOD emergency response action for munitions and other explosive devices&#xA;(military and non-military). The degree of exemption from federal RCRA regulations&#xA;depends upon the level of response. However, states may have more stringent&#xA;requirements than the federal regulations.&#xA;3.1.5.3. The DoD has created two levels of EOD emergency response; immediate&#xA;response (Level 1) and imminent and substantial endangerment (Level 2). The primary&#xA;distinction between the two levels is that a Level 2 response can be delayed without&#xA;compromising safety or increasing the risks posed to life, property, health, or the&#xA;environment.&#xA;3.1.5.3.1. Treat all requests for EOD response as a Level 1 response until determined&#xA;otherwise. From an explosives safety point of view, when EOD Teams are&#xA;dispatched, the situation requires an immediate response.&#xA;3.1.5.3.2. The on-scene EOD Team Leader determines if the situation requires a&#xA;Level 1, Level 2, or no EOD emergency response. See Attachment 1 Terms for the&#xA;definition of an EOD Team Leader.&#xA;3.1.5.3.3. Only the senior on-scene EOD Team Leader can determine when the&#xA;response action is complete. For a Level 2 response, temporary storage in a munitions&#xA;storage facility should not terminate the emergency nature of the response – normally,&#xA;wait for termination until final destruction or shipment to a destruction facility.&#xA;3.2. Explosives or Munitions Emergency Response: Level 1 emergency response actions are&#xA;exempt from RCRA permitting, Department of Transportation (DOT) manifesting for movement 32 AFI32-3001 2 JUNE 2011&#xA;to a safe disposal area, and other substantive requirements under Title 40 CFR.5 However, Level&#xA;2 emergency response actions may be subject to emergency permitting and other requirements.&#xA;When, during an emergency response, applicable state law or an agreement requires, or the&#xA;situation allows, the installation environmental office will consult with environmental regulators&#xA;on the need for permits and fulfilling other requirements.&#xA;3.2.1. Level 1 Emergency Response (Immediate Response). A Level 1 Emergency could&#xA;occur anywhere. A Level 1 Emergency requires immediate response activities to eliminate or&#xA;address the actual or potential imminent threat to life, property, health or the environment.&#xA;3.2.1.1. A Level 1 Emergency exists if a delay in response activities would compromise&#xA;safety or increase the risks posed to life, property, health or the environment.6 A Level 1&#xA;Emergency may exist if:&#xA;3.2.1.1.1. The risk associated with movement of the military munitions or other&#xA;explosives involved is unknown or not acceptable; or&#xA;3.2.1.1.2. The risk associated with the military munitions or other explosives&#xA;temporary storage, or careful movement beyond a nearby, more isolated and&#xA;protected location for immediate rendering-safe or destruction, is not acceptable.&#xA;3.2.1.2. The lead on-site EOD Team Leader will, with regard to any explosive or&#xA;chemical agent hazard presented: (a) determine whether a Level 1 Emergency exists, and&#xA;(b) when to terminate a Level 1 Emergency response, or reclassify it to a Level 2&#xA;response. Once the immediate hazards associated with military munitions or other&#xA;explosives are eliminated, the supported installation or activity may have to perform&#xA;other actions to address the impact of the response action. (See paragraph 3.2.3 below.)&#xA;3.2.1.3. EOD-conducted response actions during a Level 1 Emergency could involve&#xA;defusing, detonation, or other actions to neutralize a munition ―in-place,‖ or careful,&#xA;limited movement to a nearby, more isolated and protected location, including to an&#xA;operational range used by or limited to EOD operations, to defuse, detonate, or otherwise&#xA;abate the immediate threat.&#xA;3.2.1.4. Level 1 emergency response actions, where the response cannot be delayed&#xA;without compromising safety or increasing the risks posed to life, property, health, or the&#xA;environment, are exempt from RCRA permitting, DOT manifesting for movement to a&#xA;safe disposal area, and other substantive requirements.&#xA;3.2.1.4.1. Level 1 EOD response actions are exempt from federal RCRA permitting&#xA;requirements.&#xA;&#xA;5&#xA;NOTE: Title 40 CFR, Parts 264.1(g)(8), Standards for Owners and Operators of Hazardous&#xA;Waste Treatment, Storage, and Disposal Facilities; 265.1(c)(11), Interim Status Standards for&#xA;Owners and Operators of Hazardous Waste Treatment, Storage, and Disposal Facilities; and&#xA;270.1(c)(3), EPA Administered Permit Programs: The Hazardous Waste Permit Program.&#xA;6&#xA;NOTE: A reasonable delay in EOD's completion of an explosives or munitions emergency&#xA;response that is caused by necessary, unforeseen, or uncontrollable circumstances does not&#xA;automatically terminate a Level 1 Emergency.AFI32-3001 2 JUNE 2011 33&#xA;3.2.1.4.2. Response may occur on-site or the item may be transported to a more&#xA;secure location.&#xA;3.2.1.4.3. No Hazardous Waste Manifest is required.&#xA;3.2.1.4.4. Transporter of the item does not need a RCRA identification number.&#xA;3.2.1.4.5. Item may be held in appropriate storage as a continuation of the response if&#xA;a proper location for the response action is unavailable due to extenuating&#xA;circumstances (e.g., adverse weather, nightfall, or other safety considerations).&#xA;3.2.1.4.6. Storage location does not have to be a RCRA interim status or RCRA&#xA;permitted facility or comply in any way with RCRA; however, it must comply with&#xA;DDESB standards.&#xA;3.2.2. Level 2 Emergency Response (Imminent and Substantial Endangerment). A Level 2&#xA;Emergency also poses an actual or potential imminent threat to life, property, health or&#xA;human health or the environment, but does not require immediate response activities to&#xA;eliminate or address the actual or potential imminent threat. Level 2 Emergency response&#xA;actions can generally be delayed for a reasonable period without adverse impact.&#xA;3.2.2.1. A Level 2 Emergency exists if the response actions can be delayed without&#xA;compromising safety or increasing the risks posed to life, property, health, or the&#xA;environment. A Level 2 Emergency may exist if:&#xA;3.2.2.1.1. The risk associated with movement and temporary storage of the military&#xA;munitions or other explosives involved is acceptable; and&#xA;3.2.2.1.2. The military munitions or other explosives are positively identified, are&#xA;safe for transport by explosives or munitions emergency response specialists, and can&#xA;be stored (temporarily) within DoD munitions logistic management system pending&#xA;appropriate response action (e.g., on-site destruction or movement to an appropriate&#xA;destruction facility).&#xA;3.2.2.2. The on-site EOD Team Leader will, with regard to the explosive or chemical&#xA;agent hazard presented, determine: (1) whether a Level 2 Emergency exists; (2) when to&#xA;terminate a Level 2 Emergency; and/or (3) when to re-classify a Level 2 Emergency (e.g.,&#xA;risks become unacceptable) to a Level 1 Emergency. Once immediate hazards associated&#xA;with military munitions or other explosives are eliminated, supported installation or&#xA;activity may have to perform other actions to address impact of the response action.&#xA;3.2.2.3. The host installation's Environmental Office/Hazardous Waste Program&#xA;Manager is responsible for consulting with environmental regulators to determine&#xA;whether other regulatory requirements must be satisfied (e.g., a requirement to seek a&#xA;RCRA emergency permit under section Title 40 CFR Part 270.61) and to obtain requisite&#xA;emergency transportation and/or treatment permits. Emergency permits are usually&#xA;granted orally with written follow-up.&#xA;3.2.2.3.1. Off-base response permits. EOD flights should pre-coordinate local/state&#xA;off-base permitting procedures with the installation environmental office. Under&#xA;normal circumstances;&#xA;3.2.2.3.1.1. If the EOD flight is responding to a military munition, then request 34 AFI32-3001 2 JUNE 2011&#xA;the installation environmental office obtain necessary permits.&#xA;3.2.2.3.1.2. If responding to other than a military munition, then the civil&#xA;authorities requesting support are responsible for requesting the necessary&#xA;permits.&#xA;3.2.2.3.2. For items turned-in to the munitions storage area, the munitions activity&#xA;will immediately request the installation environmental office obtain necessary&#xA;permits and state notifications as required by local directives.&#xA;3.2.3. Site Remediation. EOD personnel do not conduct planned munitions responses;&#xA;however, they will respond to explosives or munitions emergencies that occur during planned&#xA;responses. (See paragraphs 3.4.6.2.2, 3.4.6.2.3, 3.4.6.2.4, and 3.4.6.2.5)&#xA;3.2.4. Significant Disagreement. If, during an explosives or munitions emergency response,&#xA;environmental regulators and safety officials have serious concerns about the potential&#xA;impact of EOD proposed course of action on human health and environment, the following&#xA;applies:&#xA;3.2.4.1. By DoD policy, EOD personnel are not allowed to take any action inconsistent&#xA;with approved EOD procedures or would place the EOD team at added risk.&#xA;3.2.4.2. When a delay in conducting response activities will not compromise safety or&#xA;increase risks, ensure protective measures are implemented until a mutually agreeable&#xA;solution is reached.&#xA;3.2.4.3. The environmental regulators or safety officials having serious concerns shall&#xA;immediately elevate the concern to the next level of authority to attempt to achieve a&#xA;mutually agreeable solution.&#xA;3.2.4.4. Once an agreeable solution is attained, the appropriate DoD authority will&#xA;coordinate EOD's support to resolve the emergency in a manner protective of human&#xA;health and the environment, and that is consistent with EOD procedures.&#xA;3.2.5. Response Records. Flights will ensure EOD response records and a copy of any&#xA;supporting documentation such as an emergency permit (if issued) are entered into the&#xA;EODIMS database.&#xA;7&#xA;HQ AFCESA/CEXD manages the EODIMS per Air Force Records&#xA;Information Management System (AFRIMS) Table 33-49, Rule 20.01. All requests for&#xA;EODIMS data-pulls will be submitted directly to HQ AFCESA/CEXD. EODIMS requests&#xA;from United States Army Corps of Engineers representatives in support of&#xA;remediation/recovery operations (Military Munitions Response Program (MMRP)) can come&#xA;direct to HQ AFCESA/CEXD or through the units respective MAJCOM with the official&#xA;USACE e-mail of the project representative requesting information. Requests from a&#xA;contract-company or individual e-mail address should be submitted as a Freedom of&#xA;Information Act (FOIA) request.&#xA;3.3. Contingency, Exercise, and Deployment (CED) Support&#xA;3.3.1. EOD Capability.&#xA;3.3.1.1. The four elements required to provide a combat EOD capability are:&#xA;3.3.1.1.1. Transportation and specialized equipment sets.AFI32-3001 2 JUNE 2011 35&#xA;3.3.1.1.2. Explosives and demolition material.&#xA;3.3.1.1.3. Joint-service technical data and viewing/communications set.&#xA;3.3.1.1.4. EOD-qualified personnel/teams.&#xA;3.3.1.2. EOD UTCs must have the capability to be fully mobile on initial deployment&#xA;into any contingency. This requires vehicles to be part of EOD equipment UTCs so that&#xA;all equipment and explosives can be loaded on a vehicle for transport. An EOD capability&#xA;does not exist without the ability to respond with necessary equipment, communications,&#xA;and explosives.&#xA;3.3.2. Core Unit Type Code (UTC). The AF uses EOD UTCs in peace and war to provide&#xA;COCOMs with an EOD capability. The WMP-1 provides details of required UTCs, supportlevels, and structure for differing threat-levels. Flights should request current copies of the&#xA;WMP-1, Annex S, Appendix 9 (EOD) from their wing level A5 or MAJCOM representative.&#xA;3.3.2.1. Each UTC has Mission Capability Statements (MISCAP) that provide UTC&#xA;limitations and capabilities (available on the AF EOD Program Management CoP at&#xA;https://afkm.wpafb.af.mil/ASPs/CoP/EntryCoP.asp?Filter=OO-EN-CE-49 or the&#xA;Civil Engineer Expeditionary Engineering CoP at&#xA;https://afkm.wpafb.af.mil/community/views/home.aspx?Filter=21340).&#xA;3.3.2.2. Core UTCs are designated as Lead and Base support. A Lead UTC can support&#xA;one lead flying squadron for 24-hour operations without augmentation. Base-support&#xA;UTCs augment additional missions and other non-tactical or notional requirements.&#xA;3.3.3. Joint EOD Operations.&#xA;3.3.3.1. Refer to Joint service EOD Multi-service, Tactics, Techniques, and Procedures&#xA;(MTTP), for the EOD Planning Checklist for Joint Operations&#xA;3.3.3.2. A theater combat mission may best be supported by a joint EOD structure.&#xA;Details for supporting joint EOD operations are in AF Tactics, Techniques, and&#xA;Procedures (Interservice) (AFTTP(I)) 3-2.32, MTTP for EOD in a Joint Environment.&#xA;3.3.4. Employing/deploying recently graduated EOD Personnel.&#xA;3.3.4.1. EOD Apprentices (AFSC 3E831) are not deployment-eligible unless they have&#xA;completed all requirements per paragraph 3.9.3.1.1.&#xA;3.3.4.1.1. EOD Journeymen and Craftsmen will not be tasked to train our 3-level&#xA;Airmen while directly supporting combat operations. To do so places our junior&#xA;Airmen and the entire EOD team at increased risk of injury/loss of life.&#xA;3.3.4.1.2. When possible, EOD Apprentices will be employed at locations with less&#xA;risk where EOD persons with more developed experience and skills can train them&#xA;prior to being assigned to locations of higher intensity.&#xA;3.3.4.2. After graduation from EOD basic school, an EOD Officer (AFSC 32E H/K) is&#xA;not deployment-eligible until they have completed at least eight months at home station&#xA;and have been cleared by their Sq commander and MFM to deploy.&#xA;Section 3B—EOD Missions 36 AFI32-3001 2 JUNE 2011&#xA;3.4. Mission Areas.&#xA;3.4.1. Aerospace Vehicle Launch and Recovery. Supporting sortie generation and Space&#xA;operations by responding to airfield emergencies to render safe ordnance and aircraft during&#xA;in-flight and ground emergencies or crash situations.&#xA;3.4.1.1. EOD personnel are not end-of-runway crews; however, they should be familiar&#xA;with communicating with and operating around running fixed-wing and rotary-winged&#xA;aircraft. Periodic (annual) training with these crews can be beneficial experience for EOD&#xA;personnel.&#xA;3.4.1.2. EOD teams respond when End-of-Runway crews or transient alert personnel are&#xA;unavailable and/or when the aircraft/munitions system is in a hazardous condition.&#xA;3.4.1.3. Refer to EOD Aerospace Vehicle CONOPS for more details.&#xA;3.4.2. Force Protection. Eliminating or mitigating explosive hazards created by known or&#xA;suspected criminal and terrorist devices.&#xA;3.4.2.1. EOD teams do not perform searches in support of bomb-threats.&#xA;3.4.2.2. Use diagnostics and remote procedures first: Hand-entry is a last resort.&#xA;3.4.2.3. Use all available protective gear (e.g., bomb suit).&#xA;3.4.2.4. Refer to the IED CONOPS for more details.&#xA;3.4.3. Weapons of Mass Destruction (WMD). Providing full-spectrum response capability to&#xA;nuclear, biological, chemical, radiological, incendiary, conventional EO and IEDs. EOD&#xA;teams respond during the crisis management phase of the incident and provide: initial&#xA;response; situational analysis; advise command authorities on hazards and protective&#xA;measures; and support regional/specialized support teams as required. Refer to the WMD&#xA;CONOPS for more details.&#xA;3.4.4. Nuclear Weapon Incident/Accident. Providing immediate initial support to nuclear&#xA;weapon incidents/accidents. This section outlines service component requirements in DoDD&#xA;3150.2, DoD Nuclear Weapon System Safety Program.&#xA;3.4.4.1. All AD AF EOD flights maintain qualification to provide emergency nuclear&#xA;support. Flight personnel maintain technical data and are trained to perform those actions&#xA;necessary to stabilize an incident site.&#xA;3.4.4.2. Flights that support assigned nuclear weapons maintain technical data and are&#xA;qualified in all aspects of assigned weapon systems (see paragraph 3.12.5).&#xA;3.4.5. Unexploded Explosive Ordnance (UXO) Recovery Operations. Clearing UXO during&#xA;runway and airbase recovery operations and neutralizing hazards from explosive-related&#xA;incidents, which, because of unusual circumstances, present a threat to operations,&#xA;installations, personnel or material. See UXO-related mission details under paragraphs 3.1&#xA;and 3.2.&#xA;3.4.6. Operational Range Clearance. Working together with range management offices and&#xA;environmental agencies to clear operational ranges and test and evaluation ranges. This&#xA;section outlines service component (EOD) requirements of DoDD 3200.16, Operational&#xA;Range Clearance and DoDD 4140.62, Management and Disposition of Material Potentially AFI32-3001 2 JUNE 2011 37&#xA;Presenting an Explosive Hazard (MPPEH). Further implementing guidance is provided in&#xA;AFI 13-212, Range Planning and Operations and the EOD Range CONOPS&#xA;(https://afkm.wpafb.af.mil/DocView.asp?DocID=1113486).&#xA;3.4.6.1. Practices for UXO clearance at operational ranges are different from those for&#xA;environmental UXO remediation, and more closely mirror combat EOD duties and&#xA;provides war skills experience for EOD operations. As in combat UXO area clearance,&#xA;peacetime range clearance is usually only a surface clearance. At operational test and&#xA;evaluation ranges, there are requirements for the sub-surface recovery of (sometimes&#xA;deeply buried) experimental ordnance.&#xA;3.4.6.2. Other-than Operational Range Support.&#xA;3.4.6.2.1. EOD flights will not normally perform nor are they responsible for&#xA;activities outside the scope of AFI 13-212 in relation to any range or other munitions&#xA;response site. The AF EOD program is neither equipped, trained, nor manned for&#xA;environmental requirements-based munitions response operations.&#xA;3.4.6.2.2. Non-emergency or planned support on other than operational ranges is&#xA;outside the scope of core competencies for EOD personnel. The below listed duties&#xA;are examples of tasks EOD personnel should not be responsible for:&#xA;3.4.6.2.2.1. Third-party quality assurance evaluations of contracts.&#xA;3.4.6.2.2.2. Natural &amp;amp; cultural environmental escorts.&#xA;3.4.6.2.2.3. Research and provide ordnance information (other than emergency&#xA;response).&#xA;3.4.6.2.2.4. Construction support.&#xA;3.4.6.2.2.5. Sub-surface UXO recovery (e.g., area remediation that is not in&#xA;support of ordnance RDT&amp;amp;E/Operational Training and Exercise (OT&amp;amp;E)).&#xA;3.4.6.2.2.6. Contract oversight.&#xA;3.4.6.2.2.7. Lend-lease-grant final land clearance subsequent to land use by&#xA;commercial ventures.&#xA;3.4.6.2.2.8. Final land-surveys required prior to closure or re-characterization of&#xA;operational ranges.&#xA;3.4.6.2.3. MAJCOM EOD staffs may authorize performance of the above tasks for&#xA;unique individual situations/operations when it provides a warskills benefit.&#xA;Parameters should be established in a supplement to this AFI and in individual&#xA;memorandums between the contract executing agent, flight involved, and MAJCOM&#xA;EOD staff. Courtesy copy HQ AFCESA/CEXD on such memoranda.&#xA;3.4.6.2.4. Emergency support to other than operational range activities is part of the&#xA;core competencies for EOD personnel. Upon proper notification, EOD teams respond&#xA;to any munitions emergency&#xA;3.4.6.2.4.1. To ensure Public Safety.&#xA;3.4.6.2.4.2. To identify unknown munitions. 38 AFI32-3001 2 JUNE 2011&#xA;3.4.6.2.4.3. When there are possible chemical munitions involved (limited to&#xA;emergency actions prior to arrival of specialized teams).&#xA;3.4.6.2.5. EOD flights will provide a one-time response to first found munitions or&#xA;other emergency support as outlined in a MAJCOM EOD staff-coordinated&#xA;memorandum of agreement (MOA) or other coordinating document. The MOA will&#xA;include as a minimum a request to provide full support and the required amount of&#xA;resources (equipment, explosives, personnel, time). Also consider the following:&#xA;3.4.6.2.5.1. Specific responsibilities provided. (EPA permits, security, medical&#xA;etc.)&#xA;3.4.6.2.5.2. Specific responsibilities/duties military is to perform/conduct.&#xA;3.4.6.2.5.3. Support provided under immediate response authority should be&#xA;provided on a cost-reimbursable basis, where appropriate or legally required.&#xA;3.4.7. Mortuary Services. Removal of ordnance left on or embedded in casualties. See&#xA;paragraph 3.5.2 and the Mortuary Support CONOPS for more details.&#xA;3.4.8. Federal Agency and Civil Authority Support. Assisting Federal and civil authorities&#xA;with terrorist or other criminal acts, accidents, found explosive items, and other requests for&#xA;support.&#xA;3.4.8.1. See Chapter 7 for detailed guidelines on general support to civil authorities.&#xA;3.4.8.2. Support to the USSS and US DOS VIPPSA taskings. This section outlines&#xA;service component requirements in DoDD 3025.13, Employment of DoD Resources in&#xA;Support of the United States Secret Service, and DoD Instruction (DoDI) 5030.34,&#xA;Agreement Between the USSS and the DoD Concerning Protection of the President and&#xA;Other Officials. Detailed procedures of support are provided in the USSS Hazardous&#xA;Device Counter-measures Manual (HDCM).&#xA;3.4.8.2.1. Reimbursement for VIPPSA support. Public Law 94-524, Presidential&#xA;Protection Act of 1996, establishes the authority for non-reimbursable DoD support to&#xA;the USSS for protection of the President, Vice-President, or other officer immediately&#xA;next in order of succession to the office of the President. Lack of funding is not a&#xA;reason for non-support of Presidential and Vice- presidential protective mission&#xA;taskings. All other VIPPSA taskings are reimbursable (see paragraph 3.4.8.2.6).&#xA;3.4.8.2.2. If the personnel are available without impacting the flight‘s ability to&#xA;perform its primary mission, then a VIPPSA tasking must be supported. (See&#xA;paragraph 1.9.3.2 to determine availability of personnel.)&#xA;3.4.8.2.3. Coordinating Support. US Northern Command (US NORTHCOM) is&#xA;designated as the executive agent for all VIPPSA taskings from the Office of the&#xA;Secretary of Defense (OSD), USSS, or DOS. They task and coordinate all missions&#xA;by DoD EOD personnel, regardless of service affiliation, through the&#xA;USNORTHCOM JEODVIPPSA.&#xA;3.4.8.2.4. NSSE are sourced by NORTHCOM through JEODVIPPSA.&#xA;3.4.8.2.4.1. JEODVIPPSA provides HQ AFCESA/CEXD and AFNORTH the&#xA;AF fair share (approximately 30%) of joint tasking requirements.AFI32-3001 2 JUNE 2011 39&#xA;3.4.8.2.4.2. AFNORTH, in coordination with HQ AFCESA/CEXD, establishes&#xA;MAJCOM distribution of the requirement and provides to AFNORTH who&#xA;coordinates the required support with the MAJCOMs, consolidates the team&#xA;information, and provides the consolidated roster to JEODVIPPSA, AF/A7CXR&#xA;and HQ AFCESA/CEXD.&#xA;3.4.8.2.5. Approval Authority. Approval authority rests with the MAJCOM EOD&#xA;functional manager. Approval for ANG EOD support, before mobilization, rests with&#xA;the individual state adjutant general.&#xA;3.4.8.2.6. Travel Vouchers. See EOD CoP site for instructions for mailing&#xA;reimbursable Travel Vouchers (other than Presidential/Vice-Presidential).&#xA;3.4.8.2.7. All MAJCOMs:&#xA;3.4.8.2.7.1. Designate a 24/7 POC with contact information to HQ&#xA;AFCESA/CEXD.&#xA;3.4.8.2.7.2. Coordinate and facilitate VIPPSA support missions with flights.&#xA;3.4.8.2.7.3. Ensure EOD personnel comply with mission requirements.&#xA;3.4.8.2.7.4. Promptly send team composition back to HQ AFCESA/CEXD.&#xA;3.4.8.2.8. DELETED.&#xA;3.4.8.2.8.1. DELETED.&#xA;3.4.8.2.8.2. DELETED.&#xA;3.4.8.2.9. EOD Personnel Requirements:&#xA;3.4.8.2.9.1. Minimum Team Criteria.&#xA;3.4.8.2.9.1.1. Team member: Officer/Enlisted – Six months in-place, assigned&#xA;to the flight, and (enlisted only) satisfactory progress in upgrade training.&#xA;3.4.8.2.9.1.2. Team Leaders: Officer – Two VIPPSA taskings as a team&#xA;member. Enlisted – minimum E-5/7-level.&#xA;3.4.8.2.10. See paragraph 2.2 for security requirements&#xA;3.4.8.2.11. EOD personnel receive a civilian clothing allowance while supporting&#xA;USSS or DoD missions. AFI 36-3014, Clothing Allowance for Air Force Personnel,&#xA;specifies authorized amounts, how to apply, and how to get reimbursement. Flight&#xA;chiefs selecting personnel for sup-port missions should first consider sending&#xA;individuals already receiving a civilian clothing allowance7.&#xA;3.4.8.2.12. EOD personnel supporting VIPPSA Presidential or Vice Presidential&#xA;taskings do not fall under the Presidential Support Program, unless such support&#xA;exceeds 180 continuous days. (See DoDD 5210.55, and AFI 31-501, Personnel&#xA;Security Program Management.)&#xA;3.4.8.2.13. EOD Credentials, Pins, and HDCM Manuals. JEODVIPPSA issues DD&#xA;Form 2335, EOD Identification Card/Credentials, and identification pins to qualified&#xA;&#xA;7&#xA;NOTE: Officers must be assigned to overseas EOD billets to receive the clothing allowance. 40 AFI32-3001 2 JUNE 2011&#xA;EOD personnel performing VIPPSA support. HDCM Manuals are issued to EOD&#xA;flights.&#xA;3.4.8.2.13.1. Credentials. Unless otherwise directed by HQ AFCESA/CEXD or&#xA;JEODVIPPSA, all EOD Credential requests will be initiated within the VIPPSA&#xA;area of EODIMS Operations Module. Complete requests for EOD Credentials&#xA;IAW the EODIMS CONOPS and EODIMS Users Manual.&#xA;3.4.8.2.13.1.1. Flights. Ensure all information for all assigned personnel is&#xA;properly entered into the user administration area of EODIMS.&#xA;3.4.8.2.13.1.2. Flight members will have one digital photo conforming to the&#xA;standards listed below: HDCM standards.&#xA;3.4.8.2.13.1.3. The DD Form 2335, EOD Identification Card/Credentials, is&#xA;carried with the individual at all times.&#xA;3.4.8.2.13.1.4. Upon PCS to a new assignment, meeting the criteria in&#xA;paragraph 1.8.1, the individual will hand carry their DD Form 2335 to the&#xA;gaining organization.&#xA;3.4.8.2.13.1.5. When an individual retires, separates or when duties do not&#xA;meet the criteria in paragraph 1.8.1 the DD Form 2335 will be mailed back&#xA;to VIPPSA. The flight is not authorized to destroy credentials locally.8&#xA;3.4.8.2.13.2. Identification pins and HDCM Manuals. Flights request issue of&#xA;pins and HDCM manuals via request letter directly to JEODVIPPSA. The request&#xA;can be in written or electronic format and forwarded in that format to&#xA;svc.vippsa.apgr@conus.army.mil. Include flight name, item requested, quantity&#xA;of item requested and name/contact information of the individual making the&#xA;request.&#xA;3.4.8.2.13.3. Keep complete records of receiving receipts for individuals‘&#xA;credentials, pins, and HDCM manuals.&#xA;3.4.8.2.13.4. Flights will provide JEODVIPPSA with a complete inventory of&#xA;pins, credentials, and manuals in their possession semiannually (Jan/July) by&#xA;using EODIMS VIPPSA Module.&#xA;3.4.8.2.13.5. Due to the access a pin affords the bearer, do not use or carry them&#xA;except while supporting a VIPPSA mission. During the mission, do not leave&#xA;credentials or pins unattended in hotel rooms. Keep them in your possession at all&#xA;times.&#xA;3.4.8.2.13.6. Immediately report lost DD Form(s) 2335, identification pins or&#xA;HDCM manuals to VIPPSA IAW instructions in the HDCM manual.&#xA;3.4.8.2.14. Ensure all scheduling data is properly entered into the scheduling area of&#xA;EODIMS by close-of-business (COB) every Wednesday for a two week period. This&#xA;&#xA;8&#xA;NOTE: Written official correspondence from JEODVIPPSA takes precedence over this&#xA;paragraph.AFI32-3001 2 JUNE 2011 41&#xA;information will provide MAJCOMs team availability to fill JEODVIPPSA missions&#xA;and USNORTHCOM ―troop-to-task‖ accountability reporting (as requested) and&#xA;overall mission reporting/efficiency to HQ AFCESA/CEXD through your MAJCOM.&#xA;If a holiday, family day, down day, etc interrupts a normal week, submit the weekly&#xA;manning report NLT the second to last duty day of the week.&#xA;3.4.9. Base Populace Training. Provide training as requested on ordnance hazards and&#xA;recognition, mine awareness, terrorist bomb search procedures, and personnel protective&#xA;measures. This includes an annual briefing to local Fire Fighters on ordnance hazards and&#xA;precautions for munitions supported.&#xA;3.4.9.1. AF EOR is taught via web-based training. EOD flights may provide other&#xA;methods to supplement the AF EOR course; however, the web-based training is the&#xA;mandatory basic course.&#xA;3.4.9.2. Flights should use HQ AFCESA/CEXD-standardized informational&#xA;training/briefings as a template for briefings on EOD mission capability, ordnance&#xA;hazards and recognition, IED awareness, mine awareness, terrorist bomb search&#xA;procedures, personnel protective measures, etc. These briefings are available on the AF&#xA;EOD Program Management CoP at&#xA;https://afkm.wpafb.af.mil/ASPs/CoP/EntryCoP.asp?Filter=OO-EN-CE-49.&#xA;3.4.9.3. If EOD flights are requested to provide EOD-related briefings away from home&#xA;station to national agencies (e.g., Bureau of Land Management (BLM), DTRA, EPA,&#xA;TSWG, DoD, etc), other military services, HQ USAF or Secretary of the AF&#xA;agencies/offices, the briefings should be coordinated with MAJCOM EOD staffs,&#xA;AF/A7CXR and HQ AFCESA/CEXD prior to being briefed/released. This ensures a&#xA;consistent and supported message is presented.&#xA;3.4.9.4. EOD flights should support community outreach programs to educate both&#xA;installation personnel and the surrounding public on the dangers of trespassing on ranges&#xA;and the hazards associated with UXO.&#xA;3.5. Command Unique Missions&#xA;3.5.1. Joint POW/MIA Accounting Command (JPAC). Refer to PACAF mission guidelines&#xA;for details (HQ PACAF/A7XOM, DSN 449-2884).&#xA;3.5.2. Mortuary Affairs and Field Mortuary Response Teams (AMC). Refer to the Mortuary&#xA;Support CONOP for details (https://afkm.wpafb.af.mil/DocView.asp?DocID=1113509).&#xA;3.6. Incident Command System&#xA;3.6.1. AF Incident Management System (AFIMS).&#xA;3.6.1.1. Homeland Security Presidential Directive-5 directed the implementation of the&#xA;NRF through the NIMS. The AF chose to develop the AFIMS for implementation of the&#xA;NRF and the NIMS. In the AFIMS structure, EOD falls under Emergency Support&#xA;Function (ESF) 5 and Operations Section for down range activities.&#xA;3.6.1.2. The AFIMS replaces the Disaster Control Group and is outlined in AFI 10-2501,&#xA;Air Force Emergency Management (EM) Program Planning and Operations. All EOD&#xA;managers and Team Leaders must be familiar with AFIMS. 42 AFI32-3001 2 JUNE 2011&#xA;3.7. Incident Reporting&#xA;3.7.1. Service EODIMS Incident Reporting.&#xA;3.7.1.1. Do not enter Restricted Data into EODIMS. Refer to T.O. and paragraph&#xA;numbers only.&#xA;3.7.1.2. EOD flights will use the EODIMS Operations Module, Incident Reporting&#xA;System to gather and report information regarding EOD operations to their respective&#xA;MAJCOMs. Flights submit incident reports within 5 working days after response&#xA;termination. (15 working days for EOD range clearance reports) The emergency status of&#xA;the EODIMS report is category level two (C-2) and requires continued normal reporting&#xA;during emergency conditions.&#xA;3.7.1.3. Responding EOD teams will list the individual who positively identified the&#xA;ordnance in the EODIMS incident report, the Team Leader will validate the&#xA;identification. This process is accomplished using the drop down menus provided in the&#xA;EODIMS. If the Team Leader is the one who identifies the ordnance a different EOD&#xA;Team Member will verify and be listed on the EOD report (see paragraph 3.1.1).&#xA;3.7.1.4. MAJCOM managers use EODIMS Incident Reports to analyze trends, identify&#xA;deficiencies, plan training, and project future activities in all aspects of the EOD program.&#xA;MAJCOMs will review and approve all EODIMS Incident Reports within 5 working&#xA;days from date received from flights.&#xA;3.7.1.5. Flights should avoid the use of ―thermal treatment‖ and ―disposal‖ (in relation to&#xA;the emergency destruction of UXO and other hazardous explosive devices) in written&#xA;EOD reports because the environmental interpretations of these terms have specific&#xA;meaning and consequences under the RCRA that may impose additional requirements on&#xA;the USAF. The suitable language for EOD explosive operations includes:&#xA;―destroy/destruction‖ or ―detonate/detonation‖ or even ―blown-in-place‖ (BIP).&#xA;3.7.1.6. EODIMS shares response information (e.g., IED, post-blast, UXO, area&#xA;clearance, etc) with the Joint Digital Information Gathering System (JDIGS) Program:&#xA;this is covered in the EODIMS CONOPS.&#xA;3.7.2. EOD Significant Event/Response Reporting. At times there are EOD response&#xA;incidents that are significant enough to warrant immediate notification to the EOD flights&#xA;MAJCOM and possibly the entire AF EOD community.&#xA;3.7.2.1. To ensure reporting continuity the following guidelines are presented and must&#xA;be followed when any of the following significant EOD emergency events result in:&#xA;3.7.2.1.1. A inadvertent release of munitions from aircraft.&#xA;3.7.2.1.2. Loss of life or lost time injury due to an EOD related event.&#xA;3.7.2.1.3. Injury to EOD personnel occurred during the emergency operation.&#xA;3.7.2.1.4. Adverse public reaction.&#xA;3.7.2.1.5. Mutual aid responses that require extensive use of personnel or equipment&#xA;to render safe or dispose of hazardous explosive item, assist in mass injury or casualty&#xA;recovery, or have significant public impact potential.AFI32-3001 2 JUNE 2011 43&#xA;3.7.2.2. Initial Notification Methods: Within 6 hours of the beginning of a significant&#xA;EOD emergency event, provide notification to AF/A7CXR, AFCESA/CEXD and&#xA;Command EOD office by phone (after duty hours) or email (during duty hours). This&#xA;COA was established by A7CX because of excessive delays between incident and&#xA;reporting to the Civil Engineer (AF/A7C).&#xA;3.7.2.2.1. During normal duty hours (0730-1600 Eastern Standard Time), the&#xA;MAJCOM, Forward Operating Agency (FOA), or base EOD flight will up-channel&#xA;information by email (designate as high importance) to afcesa_cexd@tyndall.af.mil.&#xA;(underscore between ―afcesa‖ and ―cexd‖.) Attach the report generated by the&#xA;EODIMS, if available. When email is not immediately available, summarize the&#xA;report by phone to an AFCESA/CEXD staff member at DSN or commercial number&#xA;on the AF EOD Program Management CoP, using priority precedence.&#xA;3.7.2.2.2. After normal duty hours (1600-0700 Eastern Standard Time), the&#xA;MAJCOM, FOA, or base EOD office sends an email as indicated in 3.7.2.2., then&#xA;summarizes the EOD report to a AFCESA/CEXD staff member using the division&#xA;cell phone numbers posted on the AF EOD Program Management CoP.&#xA;3.7.2.2.3. AFCESA/CEXD notifies AF/A7CX, of significant EOD events when&#xA;appropriate.&#xA;3.7.2.3. Interim Updates. The EOD Flight Chief ensures that the MAJCOM and an&#xA;AFCESA/CEXD staff member are simultaneously notified of significant events in&#xA;progress for more than six hours, or when such events have not concluded within 12&#xA;hours.&#xA;3.7.2.4. Final Notification by Email. Within 12 hours following a significant EOD event,&#xA;the EOD Flight Chief through the Base Civil Engineer (BCE), will coordinate an email&#xA;and forward to the MAJCOM EOD office and AFCESA_CEXD@tyndall.af.mil. If&#xA;possible, attach the complete EOD report to this email.&#xA;3.7.2.5. Final Report. The EOD Flight Chief, will complete a report as stated in&#xA;paragraph 3.7.1 through EODIMS.&#xA;3.7.3. SORTS Report. SORTS is reported IAW AFI 10-201.&#xA;3.7.3.1. It is the EOD flight management‘s responsibility to ensure manpower,&#xA;equipment and training status is updated in SORTS, normally on a monthly basis in&#xA;coordination with the Emergency Management Flight, or whenever significant changes&#xA;occur.&#xA;3.7.3.2. Since the results of individual flight SORTS reports are visible at the Joint&#xA;Service level, inputting data accurately is critical for high level decision making. EOD&#xA;flights will have access to EOD IMS Resource Module and work closely with squadron&#xA;SORTS monitor to correct inaccurate information.&#xA;3.7.3.3. Descriptions should be detailed enough to identify what is missing/causing the&#xA;rating, what needs to be done to fix or mitigate the problem, and a reasonable expected&#xA;completion date.&#xA;3.7.4. AEF Reporting Tool (ART). 44 AFI32-3001 2 JUNE 2011&#xA;3.7.4.1. It is the EOD flight management‘s responsibility to ensure ART accurately&#xA;reflects status of UTCs. Review and make changes monthly or within 24 hours when&#xA;status changes. AEF Center and MFM rely on the accuracy and currency of reporting to&#xA;make critical AEF sourcing decisions.&#xA;3.7.4.1.1. Code Green. Equipment – 100 percent of required equipment and vehicles&#xA;are on hand. Personnel – All personnel are available/proficient with no rank/skill&#xA;level substitutions.&#xA;3.7.4.1.2. Code Yellow. Equipment – some equipment is missing but UTC can still&#xA;accomplish its mission. Personnel – All personnel are available/proficient using&#xA;allowable rank/skill level substitutions. 9&#xA;3.7.4.1.3. Code Red. Equipment – some or all of equipment is missing and the UTC&#xA;cannot perform its mission. Personnel – Any position is vacant or any personnel lack&#xA;proficiency per paragraph 1.8.2.&#xA;3.7.4.2. All UTCs coded Yellow or Red will have comments explaining why their status&#xA;is downgraded.&#xA;Section 3C—EOD Training&#xA;3.8. Training Overview. The AF EOD Training Program aims to produce professional, highly&#xA;qualified, technically proficient EOD teams capable of safely and efficiently performing&#xA;peacetime and wartime EOD missions. EOD proficiency training enables EOD teams to achieve&#xA;and maintain a level of competency to safely and effectively deal with explosive hazards.&#xA;3.8.1. Qualification Level. EOD team members must be trained to a knowledge level&#xA;sufficient to determine and observe correct safety requirements needed before and during&#xA;reconnaissance, and obtain the information necessary to positively identify ordnance items&#xA;and formulate an appropriate render safe or disposal plan.&#xA;3.8.2. Need for Practical Training. Hands-on practical training is necessary for required&#xA;proficiency. EOD team members meet acceptable performance standards, through the use of&#xA;applicable publications and training aids by correctly performing EOD procedures without&#xA;committing errors that degrade safety and risk injury.&#xA;3.8.3. Need for Training Devices: Maintain Sufficient US and Foreign Ordnance Training&#xA;Devices to meet upgrade training and performance standards. Training aids should be of&#xA;sufficient quantity and quality to perform technical evaluations. Training aids should have&#xA;the ability to be monitored to indicate success or failure of employment of EOD procedures.&#xA;3.9. Training Responsibilities:&#xA;3.9.1. HQ AFCESA/CEXD:&#xA;3.9.1.1. Submits MAJCOM inputs to the EOD Standard Training Package.&#xA;3.9.1.2. Oversees the development, updating, and publishing of the CFETP and Specialty&#xA;Training Standard.&#xA;&#xA;9&#xA;NOTE: If 3-level substitutions are used the comments will indicate that they have completed&#xA;their CDCs and core 5-level tasks in the CFETP.AFI32-3001 2 JUNE 2011 45&#xA;3.9.1.3. Consolidates MAJCOM inputs to establish ―Road-to-War‖ training packages in&#xA;response to wartime/contingent needs.&#xA;3.9.1.4. Oversees the EOD portion of Silver Flag, Combat Battlefield Ready Airman&#xA;(CoBRA) and other functional contingency training programs; ensures compliance with&#xA;COCOM, Joint Service Training Order (JSTO), and 2&#xA;nd&#xA;AF requirements for entry into&#xA;combat theaters.&#xA;3.9.1.5. Represents the EOD program at the Training Equipment Review Board (TERB)&#xA;with 2&#xA;nd&#xA;AF, Army Division East and West, 1&#xA;st&#xA;Army and Air Forces Central (AFCENT).&#xA;3.9.2. MAJCOMs:&#xA;3.9.2.1. Recommend subject and task material in writing to HQ AFCESA/CEXD.&#xA;3.9.2.2. Set up procedures to schedule, complete, and document training requirements.&#xA;3.9.2.3. Request and manage quotas for EOD formal training courses.&#xA;3.9.2.4. Monitor personnel attendance to ensure maximum course use and prevent lapses&#xA;in individual certifications.&#xA;3.9.2.5. Supplement the CFETP to include MAJCOM-unique requirements.&#xA;3.9.3. EOD Flights.&#xA;3.9.3.1. Ensure deploying Airmen have completed all requirements per paragraph 3.3.4.&#xA;3.9.3.1.1. An EOD Apprentice (AFSC 3E831) is not deployment-eligible unless they&#xA;have completed all volumes of their CDC and the end-of-course (EOC) test, and have&#xA;been trained and certified on 100-percent of core task items in the CFETP.&#xA;3.9.3.1.2. EOD Officers initial qualification training includes Initial Job Qualification&#xA;Standard (IJQS) for standby, equipment issue and familiarization, EOD flight&#xA;operations, all Home Station Training (HST) (previously referred to as CAT 1 and&#xA;CAT 2) requirements, all ancillary training, Air Force Institute of Technology (AFIT)&#xA;EOD Flight Management Course (or a MAJCOM orientation liaison), and selected&#xA;reading as deemed necessary by the MAJCOM and local unit commanders.&#xA;3.9.3.2. Schedule, conduct, and document all required and optional training. 10&#xA;3.9.3.3. Ensure that Airmen recently graduated from the Naval EOD Basic Course&#xA;dedicate daily study-time to complete CDCs during duty hours, when possible,&#xA;3.9.3.4. Flight management must evaluate members returning from extended&#xA;deployments (e.g., 179-day and longer) to ensure member‘s proficiency on core tasks&#xA;listed in the CFETP and IJQS are still current. If recertification on certain tasks is&#xA;required, follow documentation procedures listed in the CFETP. Annotate AF IMT 623a,&#xA;On the Job Training Record Continuation Sheet, in the Air Force Training Record&#xA;(AFTR) that this review was accomplished.&#xA;&#xA;10&#xA;NOTE: AFI 10-2501. AF Emergency Management Program Planning and Operations,&#xA;paragraph 6.6.1.4 EOD proficiency training duplicates most CBRNE Defense course material.&#xA;EOD personnel need to receive CBRNE Defense training only on CBRNE threat-specific&#xA;defense procedures. 46 AFI32-3001 2 JUNE 2011&#xA;3.10. Road to War (RTW) Training. Contingency operations have significantly changed the&#xA;way EOD is employed in ground tactical environments and highlights the importance of a robust&#xA;and comprehensive predeployment training continuum for EOD operators. During sustained&#xA;operations, MAJCOM Flight training programs will institute a RTW training philosophy (30-60&#xA;days) that focuses the Airman‘s attention on contingency tasks and necessary skills to operate in&#xA;the stressful and arduous environments of outside-the-wire operations.&#xA;3.10.1. General RTW Guidance. To institute a flight notional RTW continuum HAF/A7CXR&#xA;and HQ AFCESA/CEXD recommend the following guidance:&#xA;3.10.1.1. Upon entering a RTW training window (30-60 days from deployment), the&#xA;member‘s priority is to train for the location they are deploying to. It is imperative that&#xA;an EOD flights SIPRNET be active, current and functional since much of the information&#xA;needed will be posted on the SIPR. As a minimum the EOD member will:&#xA;3.10.1.1.1. Review EODIMS, JEODTSC and intelligence web sites for information&#xA;as it relates to specific Area of Operations (AO) threats.&#xA;3.10.1.1.2. Request theater specific EOD Intel products from local Intel&#xA;organizations. (AFI 14-119)&#xA;3.10.1.2. EOD Airmen should not volunteer for VIPPSA (includes EEOB) or RST&#xA;(range support to other bases) taskings during this period. (See ARC exception in pre&#xA;deployment line remarks.) This does not exempt Airmen from downward directed&#xA;MAJCOM taskings for VIPPSA or RST missions.&#xA;3.10.1.3. Miscellaneous TDYs that do not contribute to upgrade training or PME should&#xA;not be supported. (PME and 7-level craftsman course must be accomplished if&#xA;scheduled.) Observer/Controller (OC) support to Silver Flag is an acceptable tasking&#xA;during RTW training.&#xA;3.10.2. Combat Battlefield Ready Airman (CoBRA) Silver Flag Exercise Site (SFES). The&#xA;CoBRA course is the most critical phase in the RTW training process to transform our&#xA;Airmen from ―Service Support‖ to ―Battlefield Airmen‖ able to support both the Air&#xA;Component and Joint Force Commanders. It brings individuals and teams together to form a&#xA;unit prior to deploying into a high risk combat environment.&#xA;3.10.3. Notional RTW Continuum. The RTW concept may be 30 to 90 days duration&#xA;depending on necessary training. MAJCOM RTW programs need to include, as a minimum,&#xA;the following:&#xA;3.10.3.1. Troop Leading Procedures&#xA;3.10.3.2. Level B Code of Conduct&#xA;3.10.3.3. Weapons Tactics Course (2-weeks) in all assigned weapons&#xA;3.10.3.4. HQ AFCESA/CEXD Computer Based Training (CBT) (highly encouraged):&#xA;3.10.3.4.1. Large Range Disposal&#xA;3.10.3.4.2. IED Electronics&#xA;3.10.3.4.3. Homemade Explosives (HME)AFI32-3001 2 JUNE 2011 47&#xA;3.10.3.4.4. Very Small Aperture Terminal (VSAT)&#xA;3.10.3.4.5. Communications/Radios&#xA;3.10.3.4.6. Explosive Entry Tools (EET)&#xA;3.10.3.4.7. Aircraft CBTs (applicable to deploying mission)&#xA;3.10.3.5. Robot Simulator (Mk 1/2)&#xA;3.10.3.6. Land Navigation/Map Reading&#xA;3.10.3.7. Physical Fitness&#xA;3.11. Career Field Education and Training Plan (CFETP) 3E8X1. The CFETP 3E8X1 is a&#xA;comprehensive education and training document that identifies life-cycle education and training&#xA;requirements, training support resources, and minimum core task requirements for the EOD&#xA;career field. Document CDC progression and formal training in IMT 623 section III.&#xA;3.11.1. Group I – Monthly Qualification Training. Training or operations using cartridgeactuated tools, demolition explosives, or pyrotechnic devices to perform RSP or general&#xA;demolition.&#xA;3.11.1.1. Monthly use of live explosives is required for EOD qualification of Hazardous&#xA;Duty Incentive Pay (HDIP) for demolition duty IAW DoD Financial Management&#xA;Regulation, Volume 7a, (Chapter 24, section 2404).&#xA;3.11.1.1.1. Either training (per paragraph 3.11.1) or actual explosives operations&#xA;(e.g., emergency responses, combat operations, experimentation &amp;amp; testing, munitions&#xA;disposal, etc) fulfill the requirement for HDIP for demolition duty, as long as live&#xA;explosives are used.&#xA;3.11.1.1.2. Document HDIP monthly qualifications on AF IMT 623a On the Job&#xA;Training Record Continuation Sheet, in the AFTR. Maintain HDIP qualification&#xA;records with other EOD proficiency records for 24 months per AFRIMS Table 36-38,&#xA;Rule 10.&#xA;3.11.1.2. Waivers.&#xA;3.11.1.2.1. During periods of deployments and at locations where monthly&#xA;qualification for Demolition Pay is not possible due to political, fiscal, or contingency&#xA;reasons, personnel may be temporarily waived from this requirement (see paragraph&#xA;1.8.6.2). Ensure deployed SNCO, NCO or officers provide documentation for&#xA;inclusion in records.&#xA;3.11.1.2.2. EOD flights must validate, through the deployed/installation commander&#xA;that no type of explosives operations may be performed (including explosive-operated&#xA;tools) for the purpose of qualification proficiency training. Personnel will maintain a&#xA;copy of the validated waiver with their individual training records.&#xA;3.11.1.3. EOD Flight management will ensure the finance office is notified when a&#xA;member fails to perform the monthly demolition duty required for entitlement to HDIP.&#xA;(Unless waived per paragraph 3.11.1.2 through 3.11.1.2.2) 48 AFI32-3001 2 JUNE 2011&#xA;3.11.2. Group II – Semiannual Training Requirements. Classroom instruction and practical&#xA;(hands-on) training for team members. During classroom training, tools are assembled,&#xA;unique features and safety precautions briefed, and equipment applications and limitations&#xA;discussed. Classroom instruction on procedures should coincide with Group IV practical&#xA;exercises. Where availability exists, EOD flights should dedicate a minimum of 8 to 16 hours&#xA;of training per week.&#xA;3.11.3. Group III – Annual Training Requirements. Annual classroom training on ordnance,&#xA;tools and EOD techniques.&#xA;3.11.4. Group IV – Practical Training and Exercise Requirements. Team exercises allow&#xA;members to apply classroom knowledge to formulate plans, select and use the proper&#xA;equipment, manage personnel, and direct operations to resolve incidents or accidents&#xA;involving EO.&#xA;3.11.5. Group V – Supplementary Training. Ancillary or other specialized training is&#xA;required by directive to perform general or specific additional military duties.&#xA;3.12. Flight Master Training Plan:&#xA;3.12.1. Home Station Emergency Response (Stand-by). Flights will develop and use the&#xA;IJQS to train and document home-station specific qualifications required to perform EOD&#xA;standby duties. IJQS will include: committed aerospace platforms and munitions; safety&#xA;programs; protective equipment; and installation response plans as a minimum.&#xA;3.12.2. Unit-Committed Munitions Listing (UCML). Flights use the UCML to build training&#xA;requirements.&#xA;3.12.2.1. UCML can be obtained from the installation Munitions Accountable Supply&#xA;Officer (MASO).&#xA;3.12.2.2. Use the UCML as a basis for the Master Training Plan, and as a guide for&#xA;obtaining munitions training aids.&#xA;3.12.3. Contingency training requirements.&#xA;3.12.3.1. Accomplish Home Station Training (previously referred to as CAT 1 and CAT&#xA;2), Silver Flag CoBRA (previously referred to as Cat III), and Combat Skills Training&#xA;(previously referred to as Cat IV) requirements per AFI 10-210, Prime BEEF Program.&#xA;3.12.3.2. Pre-deployment requirements. AF/A7CX and, HQ AFCESA/CEXD collaborate&#xA;with Air Force Forces (AFFOR) COCOMs and other services to determine these&#xA;requirements. Contingency type training is fluid and requirements are difficult to&#xA;forecast. As of this instruction, EOD personnel are required to attend the Silver Flag&#xA;CoBRA course; this combines advanced Counter Improvised Explosive Device Defeat&#xA;(C-IEDD) training, Joint Service pre-deployment training and Common Battlefield&#xA;Airman Training (CBAT) qualifications.&#xA;3.12.4. Air Force Occupational Safety and Health (AFOSH) and Occupational Safety and&#xA;Health Administration (OSHA) training requirements. (AF IMT 55, Employee Safety and&#xA;Health Record)&#xA;3.12.4.1. Document all ancillary training on the AF IMT 55. Flights will use the AF&#xA;EOD standard AF IMT 55 as a template. (Available from the EOD Management CoP.) AFI32-3001 2 JUNE 2011 49&#xA;AFRC and ANG units will develop and maintain a pre-deployment training IJQS which&#xA;will be employed upon activation or mobilization.&#xA;3.12.5. Nuclear Weapons Training.&#xA;3.12.5.1. All flights train on core nuclear tasks per 3E8X1 CFETP. Training consists of&#xA;at least the following:&#xA;3.12.5.1.1. Annual classroom training on all active DoD systems. (As a minimum&#xA;using TO 60N-60-1and 60N-60-6.)&#xA;3.12.5.1.2. One annual Broken Arrow exercise. (Should be practical, but may be&#xA;‗table-top‘ when necessary.)11&#xA;3.12.5.1.3. Those requirements outlined in Figure 3.1, EOD Nuclear Training Path.&#xA;3.12.5.2. At AF EOD flights that provide direct nuclear support, personnel are trained to&#xA;perform all necessary EOD actions from weapon stabilization to weapon recovery.&#xA;3.12.5.2.1. EOD personnel train on EOD nuclear procedures including, as a&#xA;minimum, RSP, continuation procedures, and component recovery tasks. (Identify&#xA;and recover without violating warnings or safety precautions relating to all hazards.)&#xA;3.12.5.2.2. EOD training on direct-supported systems consists of semi-annual&#xA;classroom and annual practical training. Training on DoD systems not directly&#xA;supported is per paragraph 3.12.5.1.1 above. One annual Broken Arrow exercise&#xA;will involve at least one direct-supported system.&#xA;3.12.5.3. Type 3A/C trainers used exclusively for EOD training will be maintained in a&#xA;war reserve (WR) configuration but may deviate from WR standards with Unsatisfactory&#xA;Report (UR) approval. For those trainers not on the weapons maintenance account, the&#xA;MUNS/MOO and owning agency (EOD flight) will work out a periodic inspection and&#xA;maintenance schedule to fix deficiencies in order to keep the trainers in WR&#xA;configuration, IAW AFI 21-204.&#xA;3.12.5.4. AF EOD Nuclear Training Path: Figure 3-1, Nuclear Training Path Pyramid,&#xA;displays the progression within an airmen‘s career that each course provides. Course&#xA;requirements and reporting instructions can be found at the following website:&#xA;(Select the AETC image.) The following&#xA;paragraphs present the courses by title and description.&#xA;3.12.5.4.1. Air Force Improvised Explosive &amp;amp; Nuclear Enhancement Course&#xA;(AFIENEC)12, J5AZO3E871 00EA (DETS). This is an AF specific course located at&#xA;Sandia National Laboratory, New Mexico, that familiarizes AF EOD operators with&#xA;the signatures and general operating principals of postulated improvised nuclear&#xA;devices (IND). The course is commonly referred to as the Dynamic Explosive Test&#xA;Site (DETS) because of its location on Sandia property. The training includes&#xA;classroom presentations as well as practical field exercises in the utilization of EOD&#xA;&#xA;11&#xA;NOTE: ARC exempt unless assigned a nuclear mission.&#xA;12&#xA;NOTE: Waiver authority for course prerequisite rests with MAJCOM FAM, CFM, or AF&#xA;EOD TM. 50 AFI32-3001 2 JUNE 2011&#xA;specialized tools and equipment, familiarization with HME compounds, and&#xA;signatures.&#xA;3.12.5.4.1.1. Prerequisite: Joint EOD Improvised Nuclear and Radiological&#xA;Dispersal Device Recognition Course (JEIRRC) and the completion of the HME&#xA;and Electronics CBT courses.&#xA;3.12.5.4.1.2. This course is mandatory within 18 months upon arrival to a direct&#xA;support unit and recommended every 72 months for all others. If a member has&#xA;previously attended AFIENEC and is within the 72 month window upon arrival to&#xA;their new duty station they are not required to attend until after the mandated 72&#xA;month timeline. Refresher is required every 72 months thereafter.&#xA;3.12.5.4.2. Joint EOD Improvised Nuclear and Radiological Dispersal Device&#xA;Recognition Course (JEIRRC)17, J5OZD32 E3G 01DA. This is a DTRA course that&#xA;familiarizes Airmen with the probable hazards encountered during an IND/RDD&#xA;incident; familiarization with the NARP command, management, and organizational&#xA;structure; capabilities of emergency response agencies and assets; and advanced&#xA;nuclear weapons design information. The course also focuses on IND radiography&#xA;interpretation, understanding fire-sets functioning in relations to IND and RDDs, and&#xA;the recognition of IND and RDD radiological signatures.&#xA;3.12.5.4.2.1. Prerequisite: AIEDDs, HME, and Electronics CBT.&#xA;3.12.5.4.2.2. This course is mandatory within 18 months upon arrival to a direct&#xA;support unit and every 72 months for all others. If a member has previously&#xA;attended JEIRRC and is within the 72 month window upon arrival to their new&#xA;duty station they are not required to attend until after the mandated 72 month&#xA;timeline. Refresher is required every 72 months thereafter.&#xA;3.12.5.4.3. Joint Nuclear Explosive Ordnance Disposal Course (JNEODC),&#xA;J5AZO3E871 00DA. This is a DTRA course that provides detailed sustainment&#xA;training for nuclear EOD operators in nuclear EOD operations; emphasis on nuclear&#xA;weapons design information including nuclear physics, safety, component&#xA;subsystems, and identification features as well as detailed component familiarization;&#xA;general foreign systems information; consideration of radiation effects, potential&#xA;hazards, and protection methods; and scope of actions of an initial response force&#xA;EOD team member.&#xA;3.12.5.4.3.1. Prerequisite: SrA – 5 level.&#xA;3.12.5.4.3.2. This course is mandatory within 18 months upon arrival to a direct&#xA;support unit and every 72 months for all others. If a member has previously&#xA;attended JNEODC and is within the 72 month window upon arrival to their new&#xA;duty station they are not required to attend until after the mandated 72 month&#xA;timeline. Refresher is required every 72 months thereafter. ARC EOD forces&#xA;will attend Joint Nuclear Explosive Ordnance Disposal Course within 12 months&#xA;of attaining 7-skill level and every 72 months when assigned the mission. ARC&#xA;EOD forces tasked to support nuclear weapons during contingencies will attend&#xA;training at least once.AFI32-3001 2 JUNE 2011 51&#xA;3.12.5.4.3.3. Within each MAJCOM, EOD forces tasked to support nuclear&#xA;weapons have priority for attendance.&#xA;3.12.5.4.4. Advanced Improvised Explosive Device Disposal Course (AIEDDC),&#xA;JZN3E871 00NA. This course is designed to provide advanced IED Tactics,&#xA;Techniques and Procedures to EOD Technicians and Officers to diagnose, disable,&#xA;contain and dispose of sophisticated IED's in varied environments; including&#xA;battlefield operations, peacekeeping operations and homeland defense.&#xA;3.12.5.4.4.1. Prerequisite: SSgt (select) or higher, 5/7 skill level, and completion&#xA;of the HME and Electronics CBT.&#xA;3.12.5.4.4.2. This course is mandatory within 18 months upon arrival to a direct&#xA;support unit and every 48 months for all others. If a member has previously&#xA;attended AIEDD and is within the 72 month window upon arrival to their new&#xA;duty station they are not required to attend until after the mandated 72 month&#xA;timeline. Refresher is required every 72 months thereafter.&#xA;3.12.5.4.5. Nuclear Computer Based Training (NCBT). This CBT will cover four&#xA;modules of instruction. Module one covers policies/procedures and&#xA;roles/responsibilities surrounding a nuclear incident or accident. Module two covers&#xA;nuclear physics as it pertains to a nuclear detonation. Module three focuses on tools,&#xA;techniques, and procedures in regard to safety awareness and proper use of tools&#xA;during an operation. Finally, module 4 covers active stockpile weapons using threedimensional, animated model of select weapons system. This CBT is classified&#xA;SECRET and will function from a standalone CD.&#xA;3.12.5.4.5.1. Prerequisite: Must complete prior to award of 5 skill level.&#xA;3.12.5.4.5.2. This CBT is mandatory for all Airmen in UGT to 5 level, effective&#xA;upon the release of the 2010 CFETP and the Nuclear CBT set for approximately&#xA;June 2010. Airman must score an 85% or higher on the end of course test. The&#xA;end of course test only applies to Airmen in UGT. In addition, this CBT will&#xA;serve as an annual refresher for all AF EOD units to be accomplished alone or in a&#xA;group.&#xA;3.12.5.4.6. EOD Career Development Course. This course will cover general&#xA;knowledge of current radiological detectors, basic tools and equipment as well as&#xA;personal protective clothing to be used during an incident or accident.&#xA;3.12.5.4.6.1. Prerequisite: Airmen must be awarded 3 skill level. 52 AFI32-3001 2 JUNE 2011&#xA;Figure 3.1. Nuclear Training Path Pyramid.&#xA;NOTE: Regarding JNEOD, JEIRRC, and AFIENEC, if a member has previously attended any of&#xA;these courses within 72 months upon arrival to their new duty station they are not required to&#xA;attend until after the mandated 72 month period. Regarding AIEDDs, if a member previously&#xA;attended the course within 48 months upon arrival to their new duty station they are not required&#xA;to attend until after the mandated 48 month period. Waiver Authority for AFIENEC, JEIRRC,&#xA;and AIEDDC prerequisites rests with either the MAJCOM FAM, CFM, or AF EOD TM.&#xA;3.13. EOD Advanced Training. All EOD personnel, officer and enlisted, must be graduates of&#xA;the NAVSCOLEOD Basic Course.&#xA;3.13.1. SORTS Certification Training. EOD personnel must participate in activities IAW&#xA;AFI 10-210. Report completion in SORTS as HST and Silver Flag CoBRA Training.AFI32-3001 2 JUNE 2011 53&#xA;3.13.1.1. War skills experience through RST participation. RST can be waived by a&#xA;MAJCOM on recommendation from a deployed flight chief if the Airman participated in&#xA;large area clearances for at least two weeks.&#xA;3.13.2. Discretionary Advanced Courses. EOD personnel are frequently involved in joint&#xA;missions and federal/civil operations. EOD personnel are encouraged to attend advanced&#xA;training (domestic and foreign) from other military and civilian schools/courses in the&#xA;following areas/topics:&#xA;3.13.2.1. Nuclear Weapon Accident/Incident&#xA;3.13.2.2. Advanced domestic and foreign IED&#xA;3.13.2.3. Basic/Advanced Post-Blast Investigation&#xA;3.13.2.4. Advanced WMD Proliferation and Response&#xA;3.13.2.5. Anti-terrorism and Operational Readiness&#xA;3.13.2.6. Hazardous Waste Operations&#xA;3.13.2.7. Confined Space Operations (Confined Space Awareness Training is located on&#xA;the HQ AFCESA/CEXD Virtual Learning Center.)&#xA;3.13.2.8. Basic Rappelling and Fast Rope&#xA;3.13.2.9. Combat Lifesaver Training&#xA;3.13.2.10. Close Quarters Marksmanship and Small Squad Tactics&#xA;3.13.2.11. Explosive Entry and Engineer Demolition Schools&#xA;3.13.2.12. Army Air Assault Course&#xA;3.14. Flight Training Participation. All EOD personnel at flight level will participate in flight&#xA;training. Maintain training records on all personnel assigned to operational EOD flights.13&#xA;3.14.1. Flight Management. If management duties prevent the senior officer and senior noncommissioned officer of the flight from full participation in training, the following training as&#xA;a minimum will be completed: monthly proficiency, nuclear weapons training, and SORTS&#xA;reportable training. (Per AFI 10-210 and the 3E8X1 CFETP.)&#xA;3.14.2. Waived Training.&#xA;3.14.2.1. Flight management may waive any missed training except for monthly&#xA;demolition pay certification; nuclear weapons, compliance, AFOSH requirements, and&#xA;SORTS reportable training.&#xA;3.14.2.2. Waive training only when the individual is knowledgeable or proficient on the&#xA;item or task. Document all waived training on the computer training print out and the AF&#xA;IMT 623a.&#xA;&#xA;13&#xA;NOTE: Maintain individual training records using the following RDS references: Proficiency&#xA;training - Table 36-38 Rule 10; Qualification and OJT training – Table 36-38, Rule 28.00; Unit&#xA;training – Table 36-38, Rule 06.00. 54 AFI32-3001 2 JUNE 2011&#xA;3.15. ANG/AFRC Training:&#xA;3.15.1. Minimum Training Requirements. ANG and AFRC personnel will meet all upgrade&#xA;training standards established for the career field.&#xA;3.15.1.1. The minimum required recurring training is listed in the CFETP 3E8X1.&#xA;3.15.1.2. AFRC training includes USSS and DOS VIPPSA support requirements.&#xA;3.15.2. Spin-up Training Prior to Deployments. During periods of AD force deployment,&#xA;ANG and AFRC EOD forces augment remaining active EOD personnel as deployment and&#xA;base sustainment forces.&#xA;3.15.2.1. During this period, ANG and AFRC personnel will receive intensive training&#xA;prior to deployment. A spin up period is required to fulfill USAF EOD qualification&#xA;requirements to train on contingency specific ordnance, aircraft and equipment; close&#xA;quarter marksmanship and small squad tactics; study AOR specific TTPs identified in the&#xA;theater OOB; and other foreign ordnance they may encounter during and after hostilities.&#xA;3.15.2.2. ARC forces will be proficient to the levels noted in paragraphs 3.8.1 and 3.8.2&#xA;before the expected date of EOD force rotation.&#xA;Section 3D—Publications&#xA;3.16. AF EOD CONOPS Development.&#xA;3.16.1. HQ AFCESA/CEXD drafts the publication.&#xA;3.16.2. MAJCOM EOD representatives and relevant organizations review and provide&#xA;comment.&#xA;3.16.3. HQ AFCESA/CEXD consolidates comments.&#xA;3.16.4. HQ AFCESA/CEXD Enlisted Manager Approves.&#xA;3.16.5. HQ AFCESA/CEXD Branch Chief Approves.&#xA;3.16.6. CONOPS sent to MAJCOM A7Xs or equivalent (e.g., the division over the EOD&#xA;branch) for review and comment.&#xA;3.16.7. HQ AFCESA/CEXD consolidates comments.&#xA;3.16.8. HQ AFCESA/CEX signs and approves.&#xA;3.16.9. CONOPS is published and posted on the AF EOD Program Management CoP.&#xA;3.16.10. Normally, CONOPS are reviewed and updated every three years; however, this may&#xA;be adjusted as required based on operational mission and programmatic priorities.&#xA;3.17. Technical Order Distribution Office (TODO) Manager.&#xA;3.17.1. Technical Order Distribution Account (TODA). A TODA is serviced by the TODO&#xA;and assigned as a sub-account of the TODO as referenced in AF Technical Order Catalog&#xA;(Chapter 2). This catalog is a database providing information and current status of TOs&#xA;currently active in the TO system. The catalog is used for management of TO libraries,&#xA;developing requirements and preparing orders. (Ref: AFTO 00-5-1, AF Technical Order&#xA;System.)AFI32-3001 2 JUNE 2011 55&#xA;3.17.2. Joint Computer Aided Acquisition Logistics Support System (JCALS). This joint&#xA;services program will modernize the management and operation of the TO system by&#xA;providing world-wide digital network connectivity, improved management information&#xA;processing, and the capability to produce, update, store, distribute and use TOs in digital&#xA;formats. It has replaced the former management system, G022, and will eventually replace&#xA;Automated Technical Order System (ATOS) for TO publishing and the functions of&#xA;Automated Technical Order Management System (ATOMS) for TODO account&#xA;management. It will allow online submittal of TO change requests, replacing the current&#xA;AFTO Form 22, Technical Manual (TM) Change Recommendation and Reply, AF IMT 847,&#xA;Recommendation for Change of Publication and several other processes.&#xA;3.18. FBI Bomb Data Center (FBI BDC).&#xA;3.18.1. Overview. The FBI BDC and ATF collect information on IEDs and terrorist&#xA;activities encountered by civil law enforcement, public safety, and military agencies,&#xA;including types of IEDs found in various locations. The FBI will evaluate, record, and&#xA;disseminate this data to authorized personnel and agencies participating in the program to aid&#xA;in preparing contingency plans.&#xA;3.18.2. Discretionary Participation. All USAF EOD flights may participate in the FBI BDC&#xA;and ATF programs and will maintain the respective program publications as directed by their&#xA;MAJCOM. EOD flights may submit requests for hard copy FBI BDC reports by providing&#xA;their complete flight address; DSN and Commercial phone numbers; and a POC to the FBI&#xA;BDC at: FBI - Laboratory Building; Attn: Bomb Data Center; 2501 Investigation Parkway;&#xA;Building 27961, Room 4310; Quantico, VA 22135. Main Telephone: (703) 632-8440. Fax:&#xA;(703) 632-7853. Secure Fax: (703) 632-7852. Flights can also get the reports electronically&#xA;by establishing a Law Enforcement Online (LEO) account.&#xA;3.18.3. Collaboration. EOD flights will not send any EODIMS incident reports directly to&#xA;FBI BDC or ATF.&#xA;3.18.4. Special Markings. FBI and ATF documents that are preprinted with marking such as&#xA;―RESTRICTED INFORMATION‖ and/or ―LAW ENFORCEMENT SENSITIVE‖ will be&#xA;treated as FOUO.&#xA;3.18.5. Securing Restricted BDC Material. Handle FBI BDC material preprinted with the&#xA;marking RESTRICTED INFORMATION as &amp;quot;FOR OFFICIAL USE ONLY&amp;quot; (FOUO)&#xA;material. When no longer needed, destroy this material so unauthorized personnel cannot&#xA;access it. 56 AFI32-3001 2 JUNE 2011&#xA;Chapter 4&#xA;LOGISTICS / A4&#xA;4.1. Overview. The Equipment Supply Listing (ESL) identifies Base Support and EOD&#xA;mobility equipment required to support home-station, contingency, and operational plans. HQ&#xA;AFCESA/CEXD publishes and distributes to MAJCOMs for implementation. MAJCOMs must&#xA;use this document when determining equipment requirements for their flights. The mobility&#xA;ESLs identifies SORTS reportable equipment.&#xA;4.2. Equipment Supply Listings (ESL). MAJCOMs/Flights must adhere to the ESL&#xA;requirements to standardize equipment throughout the AF EOD program. ESLs are available on&#xA;the AF EOD Program Management CoP at&#xA;https://afkm.wpafb.af.mil/ASPs/CoP/EntryCoP.asp?Filter=OO-EN-CE-49.&#xA;4.2.1. Equipment Status. Flights must properly maintain and account for all assigned&#xA;equipment and accurately track the status of all ESL equipment requirements.&#xA;4.2.1.1. Inventory. All ESL equipment requirements must be on-hand or on-order and&#xA;tracked according to individual MAJCOM or local procedures.&#xA;4.2.1.1.1. Flights will maintain a monitoring system that tracks all on-hand shelf-life&#xA;items for continuous replacement.&#xA;4.2.1.1.2. For items that cannot be ordered due to a legitimate constraint (funding,&#xA;procurement issues, etc), every effort expended to resolve the issue will be&#xA;documented and tracked through to completion IAW with MAJCOM or local&#xA;procedures.&#xA;4.2.1.1.3. For common readily available shelf life items that have short expiration&#xA;dates, flights may forgo procurement until deployment tasking is received. Flights&#xA;must ensure resources have funds and locations are pre-identified where to purchase&#xA;items in the local market to ensure item fills meet DOC timelines.&#xA;4.2.1.2. Maintenance: All ESL required equipment will be serviceable. If an item is&#xA;unserviceable, every effort to resolve the issue will be documented and tracked through to&#xA;completion IAW MAJCOM or local procedures.&#xA;4.2.1.3. Individual Equipment Accountability. All EOD personal retention items&#xA;identified in the EOD Individual Equipment ESL will be requisitioned, managed and&#xA;accounted for through the BAMS. BAMS will be the tool units use to account for nonreturnable items during PCS transfers, separations, and retirements.&#xA;4.2.1.4. Accountable Equipment. All items on the ESL with an Allowance Source Code&#xA;(ASC) will be placed on the Custodian Account &amp;amp; Custodian Request Log (CA-CRL) (R-&#xA;14) per AFMAN 23-110, USAF Supply Manual, Chapter 22. ASCs are identified on each&#xA;ESL for equipment items.&#xA;4.2.1.5. Unit Supply Accounts. EOD flights must maintain an equipment, munitions,&#xA;supply, and weapons accounts IAW AF guidance and local directives.AFI32-3001 2 JUNE 2011 57&#xA;4.2.2. Reporting Equipment Status. Flights must accurately report UTC/ESL equipment&#xA;status.&#xA;4.2.2.1. SORTS/ART: Flights must report respective equipment status utilizing both the&#xA;SORTS Report and the AEF Reporting Tool IAW paragraph 3.7.3 and 3.7.4.&#xA;4.2.2.2. Strategic Equipment Reporting Tool (SERT). The reporting tool (formally&#xA;known as the 180-day report) encompasses all Depot-funded and key EOD equipment&#xA;assets. MAJCOMs will coordinate with subordinate units to complete inventories.&#xA;Information required includes; all serial numbers, complete account number with detail&#xA;numbers, requisition numbers for all shortages and provide serviceability status. Ensure&#xA;units capture actions taken to obtain repairs/replacements for unserviceable assets in the&#xA;remarks section. Flights will accurately maintain their respective equipment status and&#xA;update the SERT as necessary when changes occur. MAJCOMS will consolidate their&#xA;respective units‘ information and place the document on the AF EOD Program&#xA;Management CoP in the MAJCOMS Staff Only/AF EOD Equipment Inventory folder.&#xA;HQ AFCESA/CEXD consolidates MAJCOM inputs for use during the POM Build and&#xA;Munitions Buy Budget process.&#xA;4.2.2.2.1. Use. The SERT will provide HAF, HQ AFCESA/CEXD, and MAJCOMs&#xA;the capability to assess current capabilities, assist with AF audits, POM Build and&#xA;Munitions Buy Budget process and conduct Command Purchase of EOD equipment.&#xA;The SERT is the only means available to identify unserviceable equipment. The data&#xA;will enable agencies to identify status and negative trends to advocate for funds for&#xA;repair budgets and contracts. This report can also be utilized by flights as a continuity&#xA;tool to extract key equipment status data.&#xA;4.2.3. UTC/ESL Updates. To ensure standardization of EOD equipment and supplies,&#xA;recommended changes to any part of the ESL must have the concurrence of EOD EWG&#xA;members and be approved by HQ AFCESA/CEXD. (Up to the monetary limits set by the&#xA;EESPG.) Major ESL changes (those that modify the capability of a UTC) should be reviewed&#xA;by the EODP. (Out-of-cycle if necessary.) The EODP can request the EWG to readdress an&#xA;ESL issue. 58 AFI32-3001 2 JUNE 2011&#xA;Chapter 5&#xA;STRATEGIC PLANS AND REQUIREMENTS / A5&#xA;5.1. AF Deliberate Planning.&#xA;5.1.1. USAF War Mobilization Plan (WMP). The WMP is discussed in AFMAN 10-401,&#xA;Operational Plan and Concept Plan Development and Implementation. The WMP is the&#xA;principle AF document that feeds the joint-service planning system – specifically, the Joint&#xA;Strategic Capabilities Plan (JSCP). The WMP is a five-volume AF document that provides&#xA;Air Staff and USAF commanders with current policies, forces, and planning factors for&#xA;conducting and supporting wartime operations. Volume 1 (WMP-1) is important for flights:&#xA;WMP-1, Annex S, Appendix 9 outlines EOD wartime posturing, capability, and deliberate&#xA;planning for worst-case scenarios. Flight managers should be familiar with EOD capabilities&#xA;and the deliberate planning factors. Flights comply with paragraph 1.2.9 and 3.7.4 of this&#xA;instruction to ensure correct UTC data is available for loading in the Time-Phased Force and&#xA;Deployment Data (TPFDD) libraries.&#xA;5.1.1.1. WMP-3, Part 2, is the list of combat and support forces, by UTC and location,&#xA;available to the war-planners and COCOM. Flights comply with paragraph 3.7.3 of this&#xA;instruction to ensure correctness of WMP-3, Part 2.&#xA;5.1.2. DOC-Taskings. DOC-Taskings outline which OPlan flights are attached to, and the&#xA;UTCs they are required to posture. (As well as SORTS and ART reporting requirements.)&#xA;5.2. Wing/Installation Contingency and Support Plans.&#xA;5.2.1. Review Plans. Review Wing/Installation Contingency and Support Plans annually.&#xA;These plans are normally available through Wing Plans (XP or A5) office.&#xA;5.2.2. Garrison Expeditionary Support Plans (GESP). Every base has this plan. Ensure EOD&#xA;requirements are listed in this plan. It explains the Ready Augmentee Program requirements,&#xA;vehicle needs, and other parameters of support.&#xA;5.2.3. Emergency Management (EM) Planning. EM planning is covered in AFI 10-2501, Air&#xA;Force Emergency Management (EM) Program Planning and Operations. EOD flights use&#xA;EM planning in addition to the EOD mission CONOPS to assist in developing Team Leader&#xA;guides for emergency response.&#xA;5.3. Plan Sourcing Procedures.&#xA;5.3.1. UTC Availability. EOD Flight Chief in conjunction with the Unit Deployment&#xA;Manager (UDM) will update ART and SORTS IAW local procedures and AFI 10-210.&#xA;5.3.2. Deployed TOs. Deployed teams must coordinate with theater EOD functional with the&#xA;number of TO sets dispatched so TO distribution can be identified at the deployed base.&#xA;Gaining MAJCOMs will coordinate with Detachment 63 and HQ AFCESA/CEXD so that&#xA;the deployed team can receive a new TODO account. HQ AFCESA/CEXD will establish a&#xA;new flight within EODIMS.AFI32-3001 2 JUNE 2011 59&#xA;Chapter 6&#xA;SIGNAL AND COMMUNICATIONS / A6&#xA;6.1. Home station Land Mobile Radios (LMR) requirements. In addition to a dedicated&#xA;EOD net, EOD flights will have access to a minimum of the following radio nets: airfield control&#xA;tower, fire/crash, CE, Security Forces, and supported ranges. (As required.)&#xA;6.2. Tactical communications. These requirements are listed in the EOD ESL.&#xA;6.3. Communication Security (COMSEC). EOD flights must have COMSEC accounts for&#xA;management of secure communications and navigational Aides.&#xA;6.4. Satellite Communications. Prior to acquisition, coordinate satellite communications&#xA;terminal purchases with MAJCOM EOD functional management, HQ AFCESA/CEXD, and the&#xA;local communications squadron to ensure equipment interoperability, frequency approval,&#xA;downlink support and satellite service access/availability.&#xA;6.5. Frequency Management. Flights and MAJCOMs must obtain radio frequency assignment&#xA;for EOD electronic tools (e.g., robots, remote firing devices, x-ray devices, etc) from base level&#xA;spectrum manager or the Air Force Frequency Management Agency (AFFMA). (DoDI 4650.1,&#xA;Policy for Management and Use of the Electromagnetic Spectrum, and AFMAN 33-120,&#xA;Electromagnetic Spectrum Management.)&#xA;6.5.1. Even if EOD electronic tools have prior joint-service or AF spectrum certification,&#xA;flights must coordinate local equipment spectrum certification prior to equipment being&#xA;placed in operation using DD Form 1494, Application for Equipment Frequency&#xA;Allocation.14 Be sure to plan for foreign frequency authorizations for potential forward&#xA;deployed locations.&#xA;6.5.2. Use of electronic attack equipment (e.g., Counter Radio-Controlled Improvised&#xA;Explosive Device Electronic Warfare (CREW)) requires frequency assignment for training,&#xA;testing, and exercises. Chairman Joint Chiefs of Staff Manual (CJCSM) 3212.02B,&#xA;Performing Electronic Attack in the United States and Canada for Tests, Training, and&#xA;Exercises, is the official guidance for frequency clearance procedures for performing&#xA;electronic attack.&#xA;&#xA;14&#xA;NOTE: The requirement and application instructions for spectrum supportability of CREW&#xA;devices are in the Joint IED Defeat Office (JIEDDO) Director‘s Policy Letter #10, Submission of&#xA;DD Form 1494, Application for Equipment Frequency Allocation, 16 Oct 06, available through&#xA;the installation spectrum manager from AFFMA/XP. 60 AFI32-3001 2 JUNE 2011&#xA;Chapter 7&#xA;INSTALLATIONS AND MISSION SUPPORT / A7&#xA;Section 7A—Facilities&#xA;7.1. EOD Facilities Requirements. EOD Facility guidelines are provided in Air Force&#xA;Handbook (AFH) 32-1084, Facility Requirements, under Category Group 14; Land Operational&#xA;Facilities; Section A; Category Code 141-165. Use the below design considerations in&#xA;conjunction with AFH 32-1084.&#xA;7.1.1. Functional Requirements.&#xA;7.1.1.1. EOD facilities require an operations control center containing state of the art&#xA;communications and visual aids to include base, local and state maps covering the flights&#xA;AOR.&#xA;7.1.1.2. The EOD training room is used to conduct in-house and outside agency training&#xA;and must be certified for classified briefings, at the Secret level.&#xA;7.1.1.3. The facility will have an industrial work area suitable to conduct general&#xA;maintenance on assigned equipment and robotic platforms. Due to the storage of&#xA;hazardous materials and high noise levels, this area should be physically separated from&#xA;other administrative and inhabited areas.&#xA;7.1.1.4. ―Climate controlled‖ equipment storage bay capable of providing secure storage&#xA;of first responder equipment, mobility packages, base support, and personal protective&#xA;equipment. Facilities will have enclosed storage for Base Support Emergency Response&#xA;Vehicle (BSERV) and All-purpose Remote Transport System (ARTS) robotic platforms.&#xA;7.1.1.5. Facilities will have latrines for both male and female personnel with showers;&#xA;secure storage for firearms and classified material/SIPRNET; printer for classified,&#xA;washer and dryer; and a kitchenette suitable to sustain 24-hour operations.&#xA;7.1.1.6. EOD facilities will be sited at ―inhabited building‖ distance from any explosives&#xA;site IAW AFMAN 91-201, Air Force Explosives Safety Standards. All inhabited and&#xA;industrial work areas must be environmentally controlled.&#xA;7.1.2. Spatial Requirements. Spatial requirements are based on AFMS and the Capabilities&#xA;Based Manpower Determinants (CBMD), amount of assigned base support and DOC tasked&#xA;equipment and vehicles per AFH 32-1084, Facility Requirements, 01 Sept 1996, Table&#xA;7.12b.15&#xA;7.1.3. Criteria, Applicability and Justification. EOD personnel provide a 24-hour CBRNE&#xA;capability to aircraft recovery operations, explosives-related incidents, and weapons of mass&#xA;destruction or other terrorist-related events. EOD personnel conduct extensive in-house&#xA;proficiency training and provide base-populace training on EOR, IED, canine and vehicle&#xA;&#xA;15&#xA;NOTE: AFH 32-1084, Facility Requirements, Draft 2009, Table 3-14 will be the new&#xA;reference. This document should be final in late 2010 or early 2011.AFI32-3001 2 JUNE 2011 61&#xA;search procedures, certification on use of pyrotechnics, explosives safety, and aircraft&#xA;explosive hazard familiarization.&#xA;7.1.4. Special Features. The EOD facility must meet requirements for storage of hazardous&#xA;and explosive materials, classified information, and firearms according to DoD 6055.9-M,&#xA;DoD Explosives Safety Standards, AFMAN 91-201, Air Force Explosives Safety Standards&#xA;and other federal, state, and local laws. EOD facilities will maintain a SIPRNET/Secure&#xA;Telephone Equipment (STE); Fax; DSN/Commercial/Fax lines; and LMR (base stations).&#xA;Mobility and other flight general-purpose vehicles should be stored in a secure fenced in,&#xA;covered, and lighted area. Equipment load out areas will also have sufficient lighting for safe&#xA;load out of equipment. The EOD Proficiency training range is required under category code&#xA;831-173. Explosives will be stored according to DoD 6055.9-M and AFMAN 91-201.&#xA;Section 7B—Federal and Civil Support&#xA;7.2. Installation Support to Off-Base EOD Response. As outlined in DoDD 2000.13, Civil&#xA;Affairs, this section provides EOD guidance to meet the life sustaining needs of the civilian&#xA;population and provide expertise to restore civilian sector functions. Installation Commanders&#xA;will evaluate and then commit as appropriate, available resources directly to requests from civil&#xA;authorities under circumstances requiring immediate response (para 3.10 &amp;amp; Attachment 2 of AFI&#xA;10-802).&#xA;7.2.1. Support Staff. The installation commander or designee, a Public Affairs&#xA;representative, and a Judge Advocate representative should accompany the EOD team to the&#xA;location of the incident. However, emergency responses to potentially life-threatening&#xA;emergencies will not be delayed awaiting legal reviews or unified media responses.&#xA;7.2.1.1. The commander may designate the senior EOD team member as his&#xA;representative pending determination of the need for additional support.&#xA;7.2.1.2. The Public Affairs and Judge Advocate representatives may be in ―on-call‖&#xA;status pending determination of the need for additional support.&#xA;7.2.2. Risk Category. An incident risk category is assigned per AFJI-32-3002. Commanders&#xA;must limit exposure of EOD personnel to risk of injury or loss of life unless the critical&#xA;nature of the threat to the civilian population clearly justifies the risk. Base the risk decision&#xA;on a joint assessment of the incident by the senior EOD representative and the incident&#xA;commander.&#xA;7.2.3. Response Parameters. See details for responding to military ordnance and to nonmilitary devices/explosives in paragraph 3.1.4.&#xA;7.2.4. Munitions Inerting. EOD is authorized to inert munitions only if required to support&#xA;an official mission objective when AFMC or the System Program Office (SPO) cannot&#xA;provide the support. The MAJCOM EOD staff must first approve any request for an inerting&#xA;operation. EOD units will use the guidance for locally written procedures in AFMAN 91-&#xA;201, USAF Explosives Safety Standards. The procedures to be used by AF EOD units must&#xA;be, as a minimum, coordinated with base environmental, and Wing Safety, and approved by&#xA;the squadron commander. Forward locally approved procedures to the MAJCOM EOD staff,&#xA;who in turn will obtain MAJCOM/SEW concurrence/approval prior to beginning inerting&#xA;operations. 62 AFI32-3001 2 JUNE 2011&#xA;7.3. EOD Assistance to Civil Authorities.&#xA;7.3.1. Directive Authority. This section provides guidance for emergency EOD response to&#xA;hazardous explosives, or explosive devices, that threaten the civil populace, authorizing&#xA;installation commanders, on request from civil authorities, to provide EOD assistance per the&#xA;following conditions:&#xA;7.3.1.1. All off-installation EOD emergency responses in support of civil authorities are&#xA;initially treated as ―immediate response‖ requests under DoD Directives 3025.1, Military&#xA;Support to Civil Authorities (MSCA) and 3025.15, Military Assistance to Civil Authorities&#xA;until an on-site EOD assessment of the situation determines otherwise.&#xA;7.3.1.2. As soon as practical, the particulars of the support to civil authorities (see&#xA;paragraph 3.1.4) will be provided, through command post channels, to the National&#xA;Military Command Center (NMCC).&#xA;7.3.1.3. All MSCA response activities will be conducted IAW AFPD 10-8, Homeland&#xA;Defense and Civil Support, and AFI 10-802, Military Support to Civil Authorities.&#xA;7.3.2. Reimbursement of civil EOD support. Flights will coordinate with their installation&#xA;legal office and financial management/comptroller to build a list of expenses that are eligible&#xA;for reimbursement and clarify when reimbursement for EOD support should be billed to civil&#xA;authorities (e.g., loss of military specialized equipment, travel/per-diem costs, and/or military&#xA;man-hours). Reimbursement applies only for response actions to non-military munitions.&#xA;Emergency EOD support will not be withheld due to lack of reimbursement. Flights will&#xA;also:&#xA;7.3.2.1. Maintain logs of expenses incurred and resources expended when providing&#xA;support to civil authorities.&#xA;7.3.2.2. Report all MSCA support to their local Command Post and Comptroller.&#xA;7.3.2.3. Work with their local Comptroller to develop procedures to seek reimbursement&#xA;for EOD support provided to local and federal civil authorities.AFI32-3001 2 JUNE 2011 63&#xA;Chapter 8&#xA;PROGRAMS AND FINANCIAL MANAGEMENT / A8&#xA;8.1. CE Financial Planning and Budgeting.&#xA;8.1.1. Program Planning: AFI 32-1032, Planning and Programming Appropriated Funded&#xA;Maintenance, Repair, and Construction Projects, implements the planning, programming,&#xA;and executing of operations and maintenance (O&amp;amp;M) funded projects for funded facilities&#xA;operational requirements.&#xA;8.1.2. Facility Operations Model (FOM). The FOM is a budgeting tool to help planners&#xA;forecast future financial resources in the POM to support Facilities Operation. (Formally&#xA;known as Real Property Services.) It outlines and formats AD operational budgetary&#xA;requirements and identifies major program entities for each EOD flight‘s funding (i.e.,&#xA;personnel authorized, equipment UTCs, flights, mission parameters, etc) for forecasting&#xA;purposes. An overview of the FOM and the current Defense Installations Strategic Plan can&#xA;be viewed at the Office of the Deputy Under Secretary of Defense, Installations and&#xA;Environment website (http://www.acq.osd.mil/ie/fim/programanalysis_budget/fo.shtml).&#xA;8.1.2.1. EOD flights provide changes to the FOM per local requirements with info copy&#xA;to their MAJCOM functional manager:&#xA;8.1.2.2. MAJCOMs will consolidate flight data and report all changes to established&#xA;programs (such as changes in DOC-tasked UTCs, authorized manning, or mission&#xA;changes) to HQ AFCESA/CEXD annually after budget submission.&#xA;8.1.2.3. Identify recurring unique requirements not covered in standard AF EOD&#xA;missions for addition in the FOM.&#xA;8.1.2.4. HQ AFCESA/CEXD will maintain the FOM model and be the AF focal point&#xA;for inputting all EOD flight requirements.&#xA;8.1.3. Budget Forecasting. Flights will use available financial management tools to forecast&#xA;budgets. Flights should use a three-year historical basis to average and track expenditures. 16&#xA;8.2. Cost Center Management (Budgets). Flight managers must prepare flight budgets, ensure&#xA;requirements are incorporated into the parent flight budget, monitor funds expenditure through&#xA;the year, and request additional funds when needed. Close coordination with squadron Resources&#xA;Managers and owning MAJCOM EOD staff is critical in an effective Planning, Programming,&#xA;Budgeting and Execution (PPBE) process.&#xA;&#xA;16&#xA;NOTE: Factor USSS support based on either election or non-election year averages, as&#xA;applicable. 64 AFI32-3001 2 JUNE 2011&#xA;Chapter 9&#xA;ASSESSMENTS, LESSONS LEARNED, AND EXERCISES / A9&#xA;9.1. Lessons Learned (LLs) Tracking. All levels of command may report lessons learned.&#xA;After Action Reports (AAR) are normally completed at deployed location or within 30 days after&#xA;completion of an operation. See Attachment 7, EOD After Action Report Process, for details&#xA;concerning the AAR program.&#xA;9.1.1. Submitting LLs. A person or flight having LLs provides the issues in writing to the&#xA;contingency theater headquarters staff and to the parent MAJCOM EOD Staff for review and&#xA;consolidation, ensuring there is no redundancy in the Joint Universal Lessons Learned&#xA;System (JULLS). MAJCOMs forward LLs to HQ AFCESA/CEXD for presentation to the&#xA;EODP, or out-of-cycle EODP review if necessary.&#xA;9.1.2. EODP Actions. The EODP will discuss and determine if the LLs warrant the&#xA;expenditure of resources. If the EODP accepts/approves the LLs, they are linked to EODP&#xA;Action Items for tracking and resolution.&#xA;9.1.3. HQ AFCESA/CEXD Actions. CEXD uses a Lessons Learned (LL) database to track&#xA;LL until the EODIMS LL Module becomes available. Manage the EODIMS LL IAW the&#xA;EODIMS CONOPS and EODIMS Users Manual.&#xA;9.2. EODP Action Item Process.&#xA;9.2.1. Submitting Action Items.&#xA;9.2.1.1. Any EOD personnel, flight, or agency having a proposal to bring before EODP&#xA;must have MAJCOM EOD staff review and sponsorship for the proposal.&#xA;9.2.1.2. The EODP is the first level for AF-level issues and recommendations affecting&#xA;the AF EOD career field. A proposal brought before the EODP must be done in&#xA;compliance with the EODP charter.&#xA;9.2.2. Processing Action Items.&#xA;9.2.2.1. The EODP will discuss and determine if the proposal warrants the expenditure&#xA;of resources. The EODP takes appropriate action after the proposal is voted on (e.g.,&#xA;create an action item).&#xA;9.2.2.2. Each EODP action item is assigned an OPR, and actions toward completion are&#xA;tracked in a HQ AFCESA/CEXD database. The data base is updated and managed&#xA;throughout the year and scrubbed semi-annually during EODP meetings. Action Items&#xA;are incorporated into the AF EOD Business Plan when appropriate.&#xA;9.2.2.3. Action items involving CE policy or funding issues may require review and&#xA;approval by the EESPG or the Civil Engineer Council (CEC).&#xA;9.3. Exercise Support and Planning.&#xA;9.3.1. Home-Station Support. EOD flights should provide an additional duty member to the&#xA;installation exercise evaluation team.AFI32-3001 2 JUNE 2011 65&#xA;9.3.2. EOD Support to Deployed Exercises. Unless on-site USAF EOD support is available&#xA;at the exercise locations, MAJCOMs must provide EOD teams to support all aircraft&#xA;deployment exercises when munitions are used. On-site USAF EOD support is necessary to&#xA;provide safe and timely support for aircraft and munitions operations. 17&#xA;9.4. Quality Assurance (QA). All EOD flights will have a QA program. Smaller EOD flights&#xA;may choose to adopt the parent squadron/wing program but flights are encouraged to have a&#xA;program within the EOD flight with a dedicated QA person/section. Quality Assurance is to be&#xA;performed by qualified military EOD personnel.&#xA;9.4.1. Flight Management is responsible for oversight of the EOD program and will:&#xA;9.4.1.1. Establish a flight QA program consisting of team evaluations and functional area&#xA;inspections.&#xA;9.4.1.2. Designate a NCO as the flight QA focal point responsible for administration of&#xA;the QA program.&#xA;9.4.1.3. Develop a method to track, monitor and close identified findings or&#xA;discrepancies.&#xA;9.4.1.4. The AF EOD SAV Checklist is available on the AF EOD Program Management&#xA;CoP (https://wwwd.my.af.mil/afknprod/DocView.asp?DocID=6477270) and is the&#xA;official overarching checklist for EOD flights, CONUS and OCONUS, and is provided as&#xA;a tool for EOD flight leadership to conduct an in-depth self assessment of the flights&#xA;operations and compliance. The Unit Compliance Checklist located on the AF Inspection&#xA;Agency website&#xA;(https://www.my.af.mil/reservenetprod/talonsupport/SearchChecklist.aspx?Comma&#xA;nd=AFIA&amp;amp;Type=CI&amp;amp;State=live&amp;amp;Dir=A7) is intended to be used by MAJCOM&#xA;Inspector General Agency‘s to focus on compliance issues only and generally will not&#xA;focus on operational readiness.&#xA;9.4.2. Team Evaluations. These evaluations are designed to provide flight management&#xA;feedback on the operational capabilities of the EOD flight. These exercises align with&#xA;SORTS reportable training per 3E8X1/32E3H/K HST and Silver Flag CoBRA Training.&#xA;9.4.2.1. Conduct the following evaluations at least twice per calendar year.&#xA;9.4.2.1.1. Air Base Recovery Exercise.&#xA;9.4.2.2. Conduct the following evaluations at least once per calendar year.&#xA;9.4.2.2.1. Aircraft Exercise.&#xA;9.4.2.2.2. Conventional Ordnance Exercise&#xA;9.4.2.2.3. IED Exercise (non-wartime).&#xA;9.4.2.2.4. Broken Arrow Exercise.&#xA;9.4.2.2.5. Chemical and Biological Exercise (Wartime).&#xA;&#xA;17&#xA;NOTE: EOD from other US service components may be employed after a commander‘s multifunctional ORM assessment and approval. In such cases, commanders should obtain, in advance,&#xA;a documented MOA for dedicated support to the AF exercise. 66 AFI32-3001 2 JUNE 2011&#xA;9.4.2.2.6. Demolition Operation.&#xA;9.4.2.3. Conduct the following individual training within 45 months after graduating&#xA;EOD school and one-time follow-on training within 60 months after award of 7-skill&#xA;level.&#xA;9.4.2.3.1. Active Range Clearance Warskills.&#xA;9.4.3. QA Division or Designated Individual. The following guidance will be used to&#xA;establish the QA program operations.&#xA;9.4.3.1. Design practical scenarios to assess how a team applies collective knowledge,&#xA;experience, and efforts to arrive at decisions and pursue logical courses of action.&#xA;Scenarios will be logical and of a type likely to be encountered in actual operations.&#xA;Simulations should be kept to a minimum to enhance realism and quality of training.&#xA;9.4.3.2. Team evaluations will be evaluated and rated by individuals trained and certified&#xA;in the type of operation evaluated. Evaluation ratings are as follows:&#xA;9.4.3.2.1. Pass - Successful accomplishment with no equipment, technical data, or&#xA;personnel deficiencies that precluded completion of the operation.&#xA;9.4.3.2.2. Fail - Any of the following constitute a failed rating:&#xA;9.4.3.2.2.1. The team commits a major safety error.&#xA;9.4.3.2.2.2. The team demonstrates a lack of professional competence to such a&#xA;degree that the specific operation being evaluated could not be completed.&#xA;9.4.3.3. Re-evaluate individuals that receive a failed rating after necessary remedial&#xA;training has been accomplished, preferably within 30 days.&#xA;9.4.3.4. Area inspections. Conduct the following functional area inspections at least once&#xA;per calendar year. Self-inspections by personnel assigned to that particular functional area&#xA;will not be used to fulfill this requirement.&#xA;9.4.3.4.1. Nuclear Surety (Direct Support units only).&#xA;9.4.3.4.2. Vehicles.&#xA;9.4.3.4.3. Supply.&#xA;9.4.3.4.4. Technical Data.&#xA;9.4.3.4.5. Operations and Deployment.&#xA;9.4.3.4.6. Administration.&#xA;9.4.3.4.7. Training.&#xA;9.4.3.4.8. Equipment.&#xA;9.4.3.5. Documentation. Document team evaluations and functional area inspections on&#xA;AF Form 2419, Routing and Review of Quality Control Reports, or other method&#xA;approved by flight management.AFI32-3001 2 JUNE 2011 67&#xA;9.4.3.6. Outside Inspections. Inspections, evaluations, and SAV conducted by outside&#xA;agencies may be used to fulfill annual evaluation and inspection requirements as long as a&#xA;formalized report is provided. Ensure report is included in QA documentation. 68 AFI32-3001 2 JUNE 2011&#xA;Chapter 10&#xA;FORMS MANAGEMENT&#xA;10.1. Prescribed Forms. None.&#xA;10.2. Adopted Forms.&#xA;DD Form 1494, Application for Equipment Frequency Allocation&#xA;DD Form 2335, EOD Identification Card/Credentials. (Not available for download)&#xA;AF IMT 55, Employee Safety and Health Record&#xA;AF IMT 403, Request for Special Technical Training&#xA;AF IMT 538, Personnel Clothing and Equipment&#xA;AF IMT 623a, On the Job Training Record Continuation Sheet&#xA;AF Form 623b, Individual Training Record Label&#xA;AF IMT 847, Recommendation for Change of Publication&#xA;AF Form 1297, Temporary Issue Receipt&#xA;AFTO IMT 22, Technical Manual (TM) Change Recommendation and Reply&#xA;TIMOTHY A. BYERS, Maj Gen, USAF&#xA;The Civil Engineer&#xA;DCS/Installations, Logistics &amp;amp; Mission SupportAFI32-3001 2 JUNE 2011 69&#xA;Attachment 1&#xA;GLOSSARY OF REFERENCES, ACRONYMS AND TERMS&#xA;References&#xA;DoD Directives, Regulations and Instructions&#xA;DoDD 2000.13, Civil Affairs, 27 Jun 94&#xA;DoDD 2000.19E, Joint Improvised Explosive Device Defeat Organization (JIEDDO), 14 Feb 06&#xA;DoDD 3025.1, Military Support to Civil Authorities (MSCA), 15 Jan 93&#xA;DoDD 3025.12, Military Assistance for Civil Disturbances (MACDIS), 4 Feb 94&#xA;DoDD 3025.13, Employment of DoD Resources in Support of the United States Secret Service,&#xA;13 Sep 85&#xA;DoDD 3025.15, Military Assistance to Civil Authorities, 18 Feb 97&#xA;DoDD 3150.2, DoD Nuclear Weapon System Safety Program, 23 Dec 96&#xA;DoDM 3150.8-M, Nuclear Weapon Accident Response Procedures (NARP), 22 Feb 05&#xA;DoDI 3200.16, Operational Range Clearance, 13 Jun 05&#xA;DoDI 4140.62, Management and Disposition of Material Potentially Presenting an Explosive&#xA;Hazard (MPPEH), 25 Nov 08&#xA;DoDI 4650.1, Policy for Management and Use of the Electromagnetic Spectrum, 09 Jan 09&#xA;DoDD 4715.11, Environmental and Explosives Safety Management on DoD Active and Inactive&#xA;Ranges within the United States, 10 May 04&#xA;DoDD 4715.12, Environmental and Explosives Safety Management on DoD Active and Inactive&#xA;Ranges Outside the United States, 12 Jul 04&#xA;DoDI 5030.34, Agreement Between the USSS and the DoD Concerning Protection of the&#xA;President and Other Officials, 17 Sep 86&#xA;DoDD 5101.14, DoD Executive Agent and Single Manager for Military Ground-Based Counter&#xA;Radio-Controlled IED Electronic Warfare (CREW) Technology, 11 Jun 07&#xA;DoDD 5160.62, Single Manager Responsibility for Military Explosive Ordnance Disposal&#xA;Technology and Training, 26 Apr 89 (C-1 15 Dec 95)&#xA;DoDI 5210.42, Nuclear Weapon Personnel Reliability Program, 16 Oct 06&#xA;DoDM 5210.42-R, Nuclear Weapons Personnel Reliability Program (PRP) Regulation, 01 Jun&#xA;2006 (C-1 10 Nov 09)&#xA;DoDD 5210.55, DoD Presidential Support Program, 15 Dec 98&#xA;DoDD 6055.9E, Explosive Safety Management and the DoD Explosives Safety Board, 19 Aug 05&#xA;DoD 6055.9-M, DoD Ammunition and Explosives Safety Standards, 29 Feb 08 (Admin Reissue&#xA;04 Aug 10) 70 AFI32-3001 2 JUNE 2011&#xA;DoDI 7000.14-R V7A, PTA, DoD Financial Management Regulation, Volume 7A, Military Pay&#xA;Policy and Procedures – Active Duty and Reserve Pay, Feb 02&#xA;Departmental Publications&#xA;AFPD 10-6, Capability-Based Planning &amp;amp; Requirements Development, 31 May 06&#xA;AFPD 10-8, Homeland Defense and Civil Support, 7 Sep 06&#xA;AFI 10-201, Status of Resources and Training Systems (SORTS),13 Apr 06&#xA;AFI 10-210, Prime Base Engineer Emergency Force (BEEF) Program, 21 Mar 08 (C-2 26 Jun&#xA;09)&#xA;AFI 10-801, Assistance to Civil Law Enforcement Agencies, 15 Apr 94&#xA;AFI 10-802, Military Support to Civil Authorities, 19 Apr 02&#xA;AFI 10-2501, Emergency Management (EM) Planning and Operations, 24 Jan 07&#xA;AFMAN 10-3902, Nuclear Weapons Personnel Reliability Program (PRP), 13 Nov 06 (IC 1, 10&#xA;Sep 08)&#xA;AFI 13-212, Range Planning and Operations, 16 Nov 07, IC-1 10 Jul 08&#xA;AFI 14-119, Intelligence Support to Force Protection (FP), 15 Aug 07&#xA;AFCAT 21-209, Air Force Catalog (AFCAT) 21-209, Demolition Munitions, Volume 2, 11 Jan&#xA;05&#xA;AFMAN 23-110, USAF Supply Manual, 01 Apr 09 (C-3 01 Jan 10)&#xA;AFI 25-201, Support Agreement Procedures, 1 May 05, IC-1 28 Jan 08&#xA;AFI 31-501, Personnel Security Program Management, 27 Jan 05&#xA;AFPD 32-30, Explosive Ordnance Disposal, 18 Dec 09&#xA;AFJI 32-3002, Interservice Responsibilities for Explosive Ordnance Disposal, 14 Feb 92&#xA;AFH 32-1084, Facility Requirements, 01 Sep 96&#xA;AFI 33-118, Electromagnetic Spectrum Management, 18 Jul 05&#xA;AFMAN 33-120, Electromagnetic Spectrum Management, 19 Sep 06&#xA;AFMAN 33-363, Management of Records, 01 Mar 08&#xA;AFI 33-364, Records Disposition – Procedures and Responsibilities, 22 Dec 06&#xA;AFI 36-2101, Classifying Military Personnel (Officer and Enlisted), 7 Mar 06&#xA;AFI 36-2225, Security Forces Training and Standardization Evaluation Programs, 28 Apr 09&#xA;AFI 36-3014, Clothing Allowance for Air Force Personnel, 22 May 07&#xA;AFI 90-901, Operational Risk Management, 01 Apr 00&#xA;AFPAM 90-902, Operational Risk Management (ORM) Guidelines and Tools, 14 Dec 00&#xA;AFMAN 91-201, Air Force Explosives Safety Standards, 17 Nov 08&#xA;AFI 91-202, USAF Mishap Prevention Program, 1 Aug 98 AFI32-3001 2 JUNE 2011 71&#xA;AFOSHSTD 91-501, Air Force Consolidated Safety Standard, 07 Jul 04&#xA;Technical Orders&#xA;TO 00-5-1, AF Technical Order System (ATOS), 15 Aug 09&#xA;TO 11N-1-1, Joint Nuclear Weapons Publications System Operating Procedures, Specifications,&#xA;and Standards, 1 Jan 07&#xA;TO 60A-1-1-4, Protection of Property and Personnel, Rev 5, 17 Dec 03 with Safety Supplement&#xA;(SS)-1, 27 Oct 10&#xA;TO 60A-1-1-7, Field Evaluation and Intelligence, 17 Jan 06&#xA;TO 60N-60-1, EOD Procedures, General Information Applicable to Nuclear Weapons, 24 Jul 06&#xA;TO 60N-60-6, EOD Procedures, RSP for Nuclear Weapons, 10 Mar 04&#xA;Miscellaneous Publications&#xA;Chairman Joint Chief of Staff Manual (CJCSM) 3212.02B, Performing Electronic Attack in the&#xA;United States and Canada for Tests, Training, and Exercises, 15 Oct 03 (Current: 17 Apr 08)&#xA;Hazardous Devices Counter Measures Manual, 16 Dec 03&#xA;Joint IED Defeat Office (JIEDDO) Director‘s Policy Letter #10, Submission of DD Form 1494,&#xA;Application for Equipment Frequency Allocation, 16 Oct 06&#xA;OPNAVINST 5513.3C, List of Security Classification Guides for Surface Warfare Programs, 21&#xA;Jul 08&#xA;USAF CONOPS for EOD Mortuary Support, 09 Jan 06&#xA;USAF CONOPS for EOD Range Clearance Operations, 05 Jul 07&#xA;USAF CONOPS for EOD Aerospace Vehicle Launch and Recovery, 05 Feb 08&#xA;USAF CONOPS for EOD Enroute/Aerial Port Support, 23 Oct 02&#xA;USAF CONOPS for EOD Response to Weapons of Mass Destruction, 29 May 02&#xA;USAF CONOPS for EOD Improvised Explosive Devices (IED), 19 Mar 04&#xA;USAF CONOPS for EOD Nuclear Accident/Incident Response, 24 Mar 10&#xA;USAF War Mobilization Plan, Volume I, (WMP-1), Annex J, Appendix 9, 1 Feb 10&#xA;Abbreviations and Acronyms&#xA;ABCANZ—American, British, Canadian, Australian, New Zealand Agreement&#xA;ACC—Air Combat Command&#xA;ACS—Agile Combat Support&#xA;AD—Active Duty&#xA;ADCON—Administrative Control&#xA;AEF—Aerospace Expeditionary Forces&#xA;AETC—Air Education &amp;amp; Training Command 72 AFI32-3001 2 JUNE 2011&#xA;AF—Air Force&#xA;AFB—Air Force Base&#xA;AFCAT—Air Force Catalog&#xA;AFCEE—Air Force Center for Environmental Excellence&#xA;AFCENT—Air Forces Central&#xA;AFCESA—Air Force Civil Engineer Support Agency&#xA;AFDW—Air Force District of Washington&#xA;AFFMA—Air Force Frequency Management Agency&#xA;AFFOR—Air Force Forces&#xA;AFGSC—Air Force Global Strike Command&#xA;AFH—Air Force Handbook&#xA;AFI—Air Force Instruction&#xA;AFIENEC—Air Force Improvised Explosive and Nuclear Enhancement Course&#xA;AFIMS—Air Force Incident Management System&#xA;AFIT—Air Force Institute of Technology&#xA;AFJI—Air Force Joint Instruction&#xA;AFMA—Air Force Manpower Agency&#xA;AFMAN—Air Force Manual&#xA;AFMC—Air Force Materiel Command&#xA;AFMS—Air Force Manpower Standard&#xA;AFNORTH—Air Force Northern Command&#xA;AFOSH—Air Force Occupational Safety and Health&#xA;AFPC—Air Force Personnel Center&#xA;AFPD—Air Force Policy Document&#xA;AFRC—Air Force Reserve Command&#xA;AFSC—Air Force Specialty Code&#xA;AFRIMS—Air Force Records Information Management System&#xA;AFSOC—Air Force Special Operations Command&#xA;AFSPC—Air Force Space Command&#xA;AFTR—Air Force Training Record&#xA;AFWUS—Air Force World-wide UTC Summary&#xA;AGR—Active Guard ReserveAFI32-3001 2 JUNE 2011 73&#xA;AIR—AFCESA Interest Report&#xA;AIEDD—Advanced IED Disposal&#xA;ALARA—As Low As Reasonably Possible&#xA;AMC—Air Mobility Command&#xA;ANG—Air National Guard&#xA;AO—Area of Operations&#xA;AOR—Area of Responsibility&#xA;ARTS—All-purpose Remote Transport System&#xA;ASC—Aeronautical Systems Center&#xA;ASVAB—Armed Services Vocational Aptitude Battery&#xA;AT—Anti-Terrorism&#xA;ATF—Alcohol, Tobacco, Firearms, Arson, and Explosive National Repository Branch&#xA;BAMS—Battlefield Airman Management System&#xA;BBP—Blood Borne Pathogens&#xA;BEEF—Base Engineer Emergency Force&#xA;BSERV—Base Support Emergency Response Vehicle&#xA;CAF—Combat Air Forces&#xA;CANTRAC—Catalog of Navy Training Courses&#xA;CBRNE—Chemical, Biological, Radiological, Nuclear, and High Yield Explosives&#xA;CBT—Computer Based Training&#xA;CDC—Career Development Course&#xA;CE—Civil Engineer&#xA;CEC—Civil Engineer Council&#xA;CED—Contingency, Exercise, and Deployment&#xA;CFETP—Career Field Education and Training Plan&#xA;CFM—Career Field Manager&#xA;CFR—Code of Federal Regulations&#xA;CJCSI—Chairman of the Joint Chiefs of Staff Instruction&#xA;CJCSM—Chairman Joint Chiefs of Staff Manual&#xA;CMS—Capability-Based Manpower Standard&#xA;CNWDI—Critical Nuclear Weapons Design Information&#xA;CoBRA—Combat Battlefield Ready Airman 74 AFI32-3001 2 JUNE 2011&#xA;COCOM—Combatant Command&#xA;COMSEC—Communications Security&#xA;CONOPS—Concept of Operations&#xA;CONUS—Continental United States&#xA;CoP—Community of Practice&#xA;CP—Capability Plan&#xA;CPD—Capability Production Document&#xA;CPG—Career Progression Group&#xA;CREW—Counter Radio-Controlled Improvised Explosive Device Electronic Warfare&#xA;CUI—Controlled Unclassified Information&#xA;DDESB—Department of Defense Explosives Safety Board&#xA;DOC—Designed Operational Capability&#xA;DoD—Department of Defense&#xA;DODD—Department of Defense Directive&#xA;DoDI—Department of Defense Instruction&#xA;DOE—Department of Energy&#xA;DOS—Department of State&#xA;DOT—Department of Transportation&#xA;DTRA—Defense Threat Reduction Agency&#xA;EED—Electro-Explosive Device&#xA;EEOB—Eisenhower Executive Office Building&#xA;EESPG—Expeditionary Emergency Services Program Group&#xA;EM—Emergency Management&#xA;EMT—Emergency Medical Technician&#xA;EO—Explosive Ordnance&#xA;EOD—Explosive Ordnance Disposal&#xA;EODIMS—EOD Information Management System&#xA;EODP—Explosive Ordnance Disposal Panel&#xA;EOR—Explosive Ordnance Reconnaissance&#xA;EPA—Environmental Protection Agency&#xA;ESF—Emergency Support Function&#xA;ESL—Equipment Supply ListingAFI32-3001 2 JUNE 2011 75&#xA;EWG—Equipment Working Group&#xA;FBI—Federal Bureau of Investigation&#xA;FBI BDC—FBI Bomb Data Center&#xA;FOIA—Freedom of Information Act&#xA;FOUO—For Official Use Only&#xA;FOM—Facility Operations Model&#xA;FOA—Forward Operating Agency&#xA;HDCM—Hazardous Device Counter-measures Manual&#xA;HDIP—Hazardous Duty Incentive Pay&#xA;HFR—Hazardous Fragmentation Range&#xA;HME—Home Made Explosives&#xA;HQ—Headquarters&#xA;HQ USAF—HQ United States Air Force&#xA;IAW—In Accordance With&#xA;IC—Incident Commander&#xA;ICD—Initial Capabilities Document&#xA;IDMT—Independent Duty Medical Technician&#xA;IED—Improvised Explosive Device&#xA;IJQS—Initial Job Qualification Standards&#xA;IMT—Information Management Tool&#xA;IND—Improvised Nuclear Device&#xA;IG—Inspector General&#xA;ISAR—Initial Significant Incident Analysis Report&#xA;JEIRRC—Joint EOD Improvised Nuclear and Radiological Dispersal Device Recognition&#xA;Course&#xA;JEODVIPPSA—Joint EOD Very Important Person Protective Support Activity&#xA;JIEDDO—Joint IED Defeat Organization&#xA;JPAC—Joint Prisoners of War Missing in Action Accounting Command&#xA;JEODTSC—Joint Technical EOD Support Center&#xA;JNEODC—Joint Nuclear Explosive Ordnance Disposal Course&#xA;LL—Lessons Learned&#xA;LMR—Land Mobile Radio&#xA;LRWG—Large Range Working Group 76 AFI32-3001 2 JUNE 2011&#xA;MAJCOM—Major Command&#xA;MFM—MAJCOM Functional Managers&#xA;MFR—V—Maximum Fragmentation Range - Vertical&#xA;MME—Modern Mobile Emitters&#xA;MMRP—Military Munitions Response Program&#xA;MOU—Memorandum of Understanding&#xA;MRIP—Munitions Rule Implementation Policy&#xA;MSCA—Military Support to Civil Authorities&#xA;MTTP—Multi-service Tactics, Training, and Procedures&#xA;NARP—Nuclear Accident Response Procedures&#xA;NAVSCOLEOD—Naval School of Explosive Ordnance Disposal&#xA;NAVEODTECDIV—Naval Explosive Ordnance Disposal Technology Division&#xA;NEW—Net Explosive Weight&#xA;NIMS—National Incident Management System&#xA;NIPR—Non-Secure Internet Protocol&#xA;NLT—No Later Than&#xA;NORTHCOM—Northern Command&#xA;NRF—National Response Framework&#xA;NSSE—National Special Security Events&#xA;NSUS—Nuclear Sustainment Squadron&#xA;OCONUS—Outside the Continental United States&#xA;OOB—Ordnance Order of Battle&#xA;OPCON—Operational Control&#xA;OPR—Office of Primary Responsibility&#xA;ORM—Operational Risk Management&#xA;OSD—Office Secretary of Defense&#xA;OSI—Office of Special Investigation&#xA;PACAF—Pacific Air Force&#xA;PAST—Physical Ability and Stamina Test&#xA;PCS—Permanent Change of Station&#xA;PME—Professional Military Education&#xA;POM—Program Objective MemorandumAFI32-3001 2 JUNE 2011 77&#xA;PSAR—Preliminary Significant Incident Analysis Report&#xA;PT—Physical Training&#xA;PRP—Personnel Reliability Program&#xA;QA—Quality Assurance&#xA;RCRA—Resource Conservation Recovery Act&#xA;RDT&amp;amp;E—Research, Development, Testing and Evaluation&#xA;RDS—Records Disposition Schedule&#xA;ROE—Rules of Engagement&#xA;RSO—Range Safety Officer&#xA;RSP—Render Safe Procedures&#xA;RST—Range Support Tasking&#xA;RTW—Road to War&#xA;SAR—Significant Incident Analysis Report&#xA;SAV—Staff Assistance Visit&#xA;SIPR—Secure Internet Protocol Router&#xA;SIPRNET—Secure Internet Protocol Router Network&#xA;SORTS—Status of Resources and Training System&#xA;SSBI—Single Scope Background Investigation&#xA;TDY—Temporary Duty&#xA;TEU—Technical Escort Unit&#xA;TL—EOD Team Leader&#xA;TM—EOD Team Members&#xA;TO—Technical Order&#xA;TODA—Technical Order Distribution Account&#xA;TODO—Technical Order Distribution Office&#xA;TPFDD—Time-Phased Force and Deployment Data&#xA;TSWG—Technical Support Working Group&#xA;TTP—Tactics, Techniques, and Procedures&#xA;TWG—Threat Working Group&#xA;UMD—Unit Manning Document&#xA;UMPR—Unit Personnel Management Roster&#xA;US—United States 78 AFI32-3001 2 JUNE 2011&#xA;USAF—United States Air Force&#xA;USAFE—United States Air Forces in Europe&#xA;USSS—United States Secret Service&#xA;UTC—Unit Type Code&#xA;U&amp;amp;TW—Utilization and Training Workshop&#xA;UXO—Unexploded Ordnance&#xA;VE—Visitor Escort&#xA;VIPPSA—Very Important Persons Protection Support Activity&#xA;VTC—Video Teleconference&#xA;WMD—Weapons of Mass Destruction&#xA;WMP—War Mobilization Plan&#xA;WR—War Reserve&#xA;Terms&#xA;Area Control Center—A U.S. Army EOD Control Center providing operational control,&#xA;planning, and administrative service for an assigned geographical areas.&#xA;Counter Radio-Controlled Improvised Explosive Device Electronic Warfare (CREW)—&#xA;Systems using the electromagnetic spectrum to prevent or inhibit the intended operation of a&#xA;radio-controlled improvised explosive device (RCIED)&#xA;Department of Defense (DoD) EOD Program Board—A board with a representative from&#xA;each military department that advises the Executive Manager in EOD technology and training&#xA;matters. The Executive Manager is a U.S. Navy Flag Officer appointed by the Secretary of the&#xA;Navy to manage EOD joint technology and training common to two or more services.&#xA;EOD Team Leader— A certified EOD Team Leader is a formally certified 7-level in AFS 3E8&#xA;(See AFI 36-2201) and whom is also certified on all local IJQS tasks. This requirement can be&#xA;adjusted to a SSgt that has been awarded a 5-skill level, when the mission is defined by EODcoordinated instructions (local stand-by duties, exercise support, testing support, etc), or when&#xA;approved through Commander ORM determination during periods of critical manning or other&#xA;unique circumstances to meet mission requirements.‖&#xA;Explosive Ordnance (EO)—All munitions containing explosives, nuclear fission or fusion&#xA;materials, and biological and chemical agents. This includes bombs and warheads; guided and&#xA;ballistic missiles; artillery, mortar, rocket and small arms ammunition; all mines, torpedoes, and&#xA;depth charges; demolition charges; pyrotechnics; clusters and dispensers; cartridge and&#xA;propellant actuated devices; electro-explosive devices; clandestine and improvised explosive&#xA;devices; and all similar or related items or components explosive in nature.&#xA;Explosive Ordnance Disposal (EOD)—The detection, identification, on-site evaluation,&#xA;rendering safe, recovery, and final disposal of UXO or other hazardous explosive devices,&#xA;including damaged or deteriorating munitions and explosives.AFI32-3001 2 JUNE 2011 79&#xA;Explosive Ordnance Disposal Information Management System (EODIMS)—An electronic&#xA;management system used to track administrative data of AD EOD personnel, equipment&#xA;inventory, EOD response reports, and other data pertinent to the EOD career field. The&#xA;EODIMS provides critical data for SORTS, lessons learned, POM, and any reports concerning&#xA;many facets of the EOD program.&#xA;EOD Incident—The suspected or detected presence of UXO, a damaged or discarded military&#xA;munitions, an IED, or a chemical-biological-radiological-nuclear and high-yield explosives that&#xA;constitutes a hazard to friendly operations, installations, personnel, or material. Not included are&#xA;the accidental arming or other conditions that develop during the manufacture of high explosive&#xA;or nuclear material, technical service assembly operations, or the laying of mines and demolition&#xA;charges.18&#xA;EOD Personnel—Military personnel who have graduated from the Naval School, Explosive&#xA;Ordnance Disposal; are assigned to a military unit with a Service-defined EOD mission; and&#xA;meet Service and assigned unit requirements to perform EOD duties.&#xA;EOD Procedures—Those particular courses or modes of action taken by an EOD Team for&#xA;access to, diagnosis, render-safe, recovery, and final disposal of EO or any hazardous material&#xA;associated with an EOD incident. EOD procedures involving the movement or other disturbance&#xA;of hazardous devices and explosives are never performed by less than two trained and qualified&#xA;individuals.&#xA;EOD Access Procedures—Actions taken to locate exactly and gain access to UXO.&#xA;EOD Diagnostic Procedures—Actions taken to identify and evaluate UXO and to submit EOD&#xA;technical intelligence reports.&#xA;EOD Render Safe Procedures (RSP)—Actions taken involving the application of special EOD&#xA;methods and tools to provide for the interruption of functions or separation of essential&#xA;components of unexploded ordnance to prevent an unacceptable detonation.&#xA;EOD Recovery Procedures—Actions taken to remove UXO.&#xA;EOD Final Disposal Procedures—The final destruction of EO, which may include demolition&#xA;or burning in place, removal to a disposal area, or other appropriate means.&#xA;EOD Team—The standard Air Force EOD Team is comprised of at least three EOD-qualified&#xA;personnel, one of which is an EOD Team Leader (see EOD Team Leader definition). These&#xA;parameters may be adjusted to a minimum of two EOD-qualified personnel one of which is an&#xA;EOD Team Leader, when the mission is defined by EOD-coordinated instructions (local standby duties, exercise support, testing support, etc), or using Commander ORM determination&#xA;during periods of critical manning and other unique circumstances to meet mission requirements.&#xA;An EOD team is not complete without special training, publications, and specialized equipment&#xA;to perform EOD related procedures.&#xA;20&#xA;&#xA;18&#xA;NOTE: Such situations will be neutralized by qualified personnel of the organization&#xA;performing the manufacturing, assembling, or placement of mines and demolition charges;&#xA;however, such organization may request assistance from EOD units. 80 AFI32-3001 2 JUNE 2011&#xA;Explosive Ordnance Reconnaissance (EOR)—The investigation, detection, location, marking,&#xA;initial identification and reporting of suspected UXO, by EOR-trained personnel, in order to&#xA;determine further action.&#xA;EOD Tools and Equipment—Tools and equipment specifically designed for use by qualified&#xA;EOD personnel to perform EOD procedures.&#xA;Explosives or Munitions Emergency Response—All immediate response activities by an&#xA;explosives and munitions emergency response specialist to control, mitigate, or eliminate the&#xA;actual or potential threat encountered during an explosives or munitions emergency. An&#xA;explosives or munitions emergency response may include in-place render-safe procedures,&#xA;treatment or destruction of the explosives or munitions, and/or transporting those items to&#xA;another location to be rendered safe, treated, or destroyed. Any reasonable delay in the&#xA;completion of an explosives or munitions emergency response caused by a necessary,&#xA;unforeseen, or uncontrollable circumstance will not terminate the explosives or munitions&#xA;emergency. Explosives and munitions emergency responses can occur on either public or private&#xA;lands.&#xA;Improvised Explosive Device (IED)—A device placed or fabricated in an improvised manner&#xA;incorporating destructive, lethal, noxious, pyrotechnic or incendiary chemicals, designed to&#xA;destroy, disfigure, distract or harass. It may incorporate military munitions, but are normally&#xA;devised from non-military components.&#xA;Improvised Nuclear Device (IND)—A device incorporating radioactive materials designed to&#xA;result in the dispersal of radioactive material or in the formation of nuclear-yield reaction. Such&#xA;devices may be fabricated in a completely improvised manner or may be an improvised&#xA;modification to a US or foreign nuclear weapon.&#xA;Military Technical Acceptance Board (MTAB)—A board composed of senior EOD Service&#xA;detachment officers at the Naval EOD Technology Center (NAVEODTECHCEN) who approve&#xA;tools, equipment, techniques, procedures, and publications for EOD use.&#xA;Physical Possession—The Service with custody of the EO at the time of an EOD incident.&#xA;Physical possession ceases when the EO is intentionally launched, placed, fired, or released.&#xA;Radio-Controlled Improvised Explosive Device (RCIED):—Any IED whose arming or&#xA;functioning incorporates or includes the use of a radio transmitter or receiver.&#xA;Range Safety Officer— A RSO is a formally certified 7-level in AFS 3E8 (See AFI 36-2201)&#xA;and whom is also certified on all local IJQS tasks. This requirement can be adjusted to a SSgt&#xA;that has been awarded a 5-skill level, when approved through Commander ORM determination&#xA;during periods of critical manning or other unique circumstances to meet mission requirements.&#xA;The RSO is responsible for ensuring all safety requirements are briefed and followed during&#xA;EOD range operations.&#xA;Technical Training Acceptance Board (TTAB)—A board composed of senior EOD Service&#xA;detachment officers at the Naval School EOD (NAVSCOLEOD) who coordinate, approve, and&#xA;standardize all EOD common-type training (EOD training required by two or more Services for&#xA;normal EOD operations) under the purview of the EM.&#xA;Unexploded Explosive Ordnance (UXO)—EO which has been primed, fussed, armed, or&#xA;otherwise prepared for action, and which has been fired, dropped, launched, projected or placed AFI32-3001 2 JUNE 2011 81&#xA;in such a manner as to constitute a hazard to operations, installations, personnel, or materiel and&#xA;remain unexploded by malfunction or design, or for any other cause. 82 AFI32-3001 2 JUNE 2011&#xA;Attachment 2&#xA;MEMORANDUM OF UNDERSTANDING (MOU)&#xA;BETWEEN&#xA;{INSERT BASE NAME} AIR FORCE BASE AND&#xA;{INSERT STATE DEPARTMENT OF ENVIRONMENTAL QUALITY TITLE}&#xA;Parties: The parties to this MOU are {INSERT BASE NAME} Air Force Base a Department of&#xA;Defense (DoD) military organization located at {INSERT BASE NAME}, {INSERT STATE}&#xA;and the{INSERT STATE DEPARTMENT OF ENVIRONMENTAL QUALITY TITLE}.&#xA;Background:&#xA;DoD Component military organizations have personnel specially trained to handle all types of&#xA;explosives, including improvised explosive devices (IED). Other Federal agencies request&#xA;assistance from DoD Component Commander in emergencies involving explosives. These&#xA;situations call for immediate action to abate the safety threat by treatment in place or removal to&#xA;a safe location for treatment.&#xA;U.S. EPA‘s Military Munitions Rule (MR) (62 FR 6622, Feb. 12, 1997) makes it clear that EOD&#xA;personnel engaged in an explosives or munitions emergency response are exempt from the&#xA;generator, transporter, treatment, storage, and disposal unit requirements of the Solid Waste&#xA;Disposal Act (42 USC Sec 6901, et seq.). The standards the MR established govern this MOU,&#xA;whether the Federal or state government is administering the MR or the Solid Waste Act, in&#xA;whole or part.&#xA;Except for providing temporary storage or treatment of explosives to provide emergency life&#xA;saving assistance to civilian authorities or to assist law enforcement agencies per established&#xA;agreements between DOD and the Federal agency concerned, the DOD is prohibited by law (10&#xA;USC 2692) from using DOD installations for the storage or treatment of non-DOD owned&#xA;hazardous materials.&#xA;Purpose: This MOU, which addresses the roles and responsibilities of all parties regarding&#xA;notification responsibilities during emergency response operations, is intended to:&#xA;Minimize the risk to public safety from the DoD Component Explosive Ordnance Disposal&#xA;(EOD) operations.&#xA;Maximize the efficiency, safety, and speed of any explosives treatment or retrieval operation.&#xA;Establish a framework for mutual assistance and consultation among the parties with respect to&#xA;Component EOD explosives or munitions emergency response operations AFI32-3001 2 JUNE 2011 83&#xA;Scope: This MOU applies to DoD Component EOD explosives or munitions response&#xA;operations.&#xA;Definitions:&#xA;Explosives or Munitions Emergency. A situation, which involves the suspected or detected&#xA;presence of unexploded ordnance (UXO), damaged or deteriorated explosives or munitions,&#xA;improvised explosive device (IED) post rendered-safe hazardous components, other potentially&#xA;explosive material or devices, or other potentially harmful military munitions or devices, that&#xA;creates an actual or potential imminent threat to human health, to include public safety, or the&#xA;environment, to include property, as determined by an EOD specialist. The EOD specialist may&#xA;determine that such situations require immediate and expeditious action to control, mitigate, or&#xA;eliminate the threat.&#xA;Explosives or Munitions Emergency Response. All immediate response activities by an EOD&#xA;response specialist to control, mitigate, or eliminate the actual or potential threat encountered&#xA;during an explosive or munitions emergency. An explosives or munitions emergency response&#xA;may include in-place RSP, treatment or destruction of the explosives or munitions or the&#xA;transport of the items to another location to be rendered safe, treated, or destroyed. Any&#xA;reasonable delay in the completion of an explosives or munitions emergency response caused by&#xA;a necessary, unforeseen, or uncontrollable circumstance does not terminate the explosives or&#xA;munitions emergency response. Explosives or munitions emergency response can occur on either&#xA;private or public lands and are not limited to responses to RCRA facilities. There are two types&#xA;of explosives or munitions emergency responses:&#xA;Level 1 Response. Immediate response to situations where explosives or munitions are not&#xA;properly secured or under military control if military munitions and thus threaten or potentially&#xA;threaten human health and safety, the environment, or property. When extenuating circumstances&#xA;exist, e.g., adverse weather, nightfall, or safety considerations, delay actions necessary to&#xA;terminate an explosives or munitions emergency, the response will be delayed until the necessary&#xA;action(s) can be accomplished. EOD or Technical Escort Unit (TEU) personnel must ensure&#xA;explosives or munitions are in a safe and secure environment.&#xA;Level 2 Response. Response actions to situations involving explosives or munitions which pose&#xA;an imminent and substantial danger to human health and safety, the environment, or property,&#xA;but for which response actions may be temporarily delayed without compromising safety or&#xA;increasing risk. When EOD or TEU support is not required during a Level 2 response, qualified&#xA;personnel, such as weapons officers, ammunition handlers, and trained and certified DoD&#xA;contractors may conduct Level 2 responses, or as directed. In such cases, time may allow for an&#xA;emergency permit to be obtained. The parties acknowledge that explosives or munitions&#xA;emergencies present unique facts and circumstances and must therefore be evaluated case-bycase. In the absence of full and complete information, which frequently occurs when notice of an&#xA;explosive or munitions emergency is received and first responded to, emergency response&#xA;specialists, based on their knowledge, training, and experience, must use their best judgment in&#xA;assessing risk. It is therefore to be expected that as the response to an explosive or munitions&#xA;emergency progresses, a Level 1 response may become a Level 2 response and vice versa. 84 AFI32-3001 2 JUNE 2011&#xA;Explosive or Munitions Emergency Response Specialist. Personnel trained in the identification,&#xA;handling, treatment, transport, and destruction of explosives or chemical and conventional&#xA;munitions. Explosives or munitions emergency response specialists include DoD EOD personnel&#xA;who are trained to responds to emergency situations involving military munitions and explosives;&#xA;DoD TEU personnel who are trained to respond to chemical munitions emergencies; and DOE,&#xA;National Guard, and Coast Guard specialists who are trained to respond to chemical munitions&#xA;emergencies. EOD and TEU personnel respond to on-installation and off-installation incidents&#xA;involving military munitions. They also respond to request by other Federal agencies or local&#xA;civil authorities for assistance with incidents involving non-military explosives with component&#xA;commander approval. DoD certified civilian or contractor personnel; and other Federal, State, or&#xA;local government, or civilian personnel similarly trained in explosives or munitions emergency&#xA;responses are also included.&#xA;Military Munitions. Per Title 40, Code of Federal Regulations (CFR), Part 260.10, Hazardous&#xA;Waste Management System, General, Sub Part B, Definitions; all ammunition products and&#xA;components produced or used by or for DoD or the U.S. Armed Services for national defense&#xA;and security, including military munitions under the control of the DoD, the U.S. Coast Guard,&#xA;the U.S. Department of Energy, and National Guard personnel.&#xA;The term military munitions includes: Confined gaseous, liquid, and solid propellants,&#xA;explosives, pyrotechnics, chemical and riot control agents, smokes, and incendiaries used by&#xA;DoD Components, including bulk explosives and chemical warfare agents, chemical munitions,&#xA;rockets, guided and ballistic missiles, bombs, warheads, mortar rounds, artillery ammunition,&#xA;small arms ammunition, grenades, mines, torpedoes, depth charges, cluster munitions and&#xA;dispensers, demolition charges, and devices and any components of such.&#xA;Does not include: wholly inert items, IEDs, and nuclear weapons, devices, and components of&#xA;such.&#xA;However, it does include nonnuclear components of nuclear devices, managed under DOE‘s&#xA;nuclear weapons program after all required sanitization operations under the Atomic Energy Act&#xA;of 1954, as amended, have been completed.&#xA;A DoD military emergency response in the public sector is a response to an event that occurs&#xA;outside of a military installation.&#xA;Roles and Responsibilities:&#xA;DoD Component Commander (Installation Commander) is responsible for:&#xA;Approving emergency response by military personnel to civil authorities.&#xA;Ensuring consideration is given to military readiness before granting support to civil authorities&#xA;by military personnel. AFI32-3001 2 JUNE 2011 85&#xA;Providing, consistent with the military EOD organization‘s training and military mission&#xA;requirements, explosives or munitions emergency response or EOD technical support to other&#xA;Federal agencies and civil authorities, as requested.&#xA;Ensuring compliance with the provisions of 10 USC §2692, which prohibits bringing non-DoD&#xA;owned hazardous materials onto DoD installations, except under certain circumstances.&#xA;Providing a telephone point of contact for the explosives or munitions emergency response or&#xA;EOD technical support to civil authorities.&#xA;Providing information relating to the emergency response necessary for civil authorities to&#xA;complete post-incident reports, conduct investigations, and other requirements.&#xA;Ensuring incident information for civil authority incident reports supporting litigation, are&#xA;released in compliance with national security, and Freedom of Information Act requirements.&#xA;Ensuring military emergency responders provide the environmental flight a point of contact and&#xA;the following information for requesting a temporary emergency permit:&#xA;Type of military munitions (hazardous waste) involved, to the extent known.&#xA;Manner and location of proposed disposal, treatment, or storage.&#xA;(c ) Manner in which military munitions or explosive will be transported to another site, if&#xA;required.&#xA;Ensure explosive or munitions emergency response records are kept for at least three (3) years&#xA;identifying the dates of the response, the responsible persons responding, the type and&#xA;description of material addressed, and its disposition.&#xA;Ensuring all civil authority requests for emergency response to explosive incidents other than&#xA;military munitions are followed-up in writing.&#xA;DoD Component Environmental Flight organization is responsible for:&#xA;Consulting with the Environmental Regulatory Authorities‘ point of contact to request a&#xA;temporary emergency permit that allows a response that is not in compliance with normal RCRA&#xA;requirements.&#xA;Shall provide Environmental Regulatory Authorities with the following data:&#xA;Type of military munitions (hazardous waste) involved, to the extent known.&#xA;Manner and location of proposed disposal, treatment, or storage. 86 AFI32-3001 2 JUNE 2011&#xA;(c ) Manner in which military munitions or explosive will be transported to another site, if&#xA;required.&#xA;Agencies Requesting Assistance are responsible for:&#xA;Contacting the appropriate environmental regulatory authority, upon identification of an&#xA;emergency, regarding emergency notification requirements.&#xA;Contacting the DoD Component Commander (nearest military installation commander) for&#xA;emergency response to discovered military munitions.&#xA;Requesting EOD emergency response support for explosive incidents other-than military&#xA;munitions from the DoD Component Commander.&#xA;Providing support and security to the site as requested by the responding DoD unit.&#xA;Requesting an emergency permit when a response involving non-military munitions or&#xA;explosives requires a permit.&#xA;Ensure site and residual contamination remediation at the emergency response site, if the object&#xA;of the emergency response is a non-military explosive or munitions.19&#xA;Requesting incident information from the installation commander regarding responding EOD&#xA;organization, as necessary to complete the required reports.&#xA;Completing reports and notifications required by the environmental regulatory authority.&#xA;Environmental Regulatory Authorities:&#xA;Provide a telephone point of contact for emergency response calls.&#xA;Upon request, issue temporary emergency permit based on Section {INSERT STATE CODE&#xA;SECTION}, Emergency Permits of the {INSERT STATE DEPARTMENT OF&#xA;ENVIRONMENTAL QUALITY TITLE} Environmental Regulatory Code.&#xA;Assist in expediting issuance of written temporary emergency permit that may be required within&#xA;five (5) business days.&#xA;Funding/Reimbursement: In accordance with Air Force Instruction 10-802, Military Support to&#xA;Civil Authorities, and DOD Directive 3025.1, Military Support to Civil Authorities, DOD&#xA;&#xA;19&#xA;NOTE: The DoD EOD or TEU organization responding to an explosives or munitions&#xA;emergency or providing a donor explosive used to destroy the object is not, under any condition&#xA;or circumstances, responsible for remediation actions. If the objective of the emergency response&#xA;is a military munition, then DoD, the military service, or other Federal agency (e.g., DOE)&#xA;retains responsibility for any remediation of residual contamination.AFI32-3001 2 JUNE 2011 87&#xA;components ordinarily provide DOD resources in response to civil emergencies on a cost&#xA;reimbursable basis. Requests for reimbursement may be requested but will not prevent response&#xA;if incident involves MMR or falls under the immediate response guidelines provided in AFI 10-&#xA;802 or DOD Directive 3025.1.&#xA;8. Military forces employed during a response to support civil authorities shall remain under the&#xA;military command and control of the DOD Component Commander (or designee) at all times,&#xA;but will operate IAW National Incident Management System procedures.&#xA;9. Duration/Amendment/Withdrawal. This MOU will remain in effect until amended or&#xA;terminated by mutual agreement of the parties. Any party may withdraw from the MOU upon&#xA;60-days written notice to the other parties. (The signatories below represent the Agency&#xA;involved; therefore, re-negotiation and signature upon change of a signatory is not required.);&#xA;_________________________________________ DATE _____________&#xA;{INSERT DIRECTOR OF YOUR REGIONAL ENVIRONMENTAL COORDINATOR&#xA;TITLE}&#xA;_________________________________________ DATE _____________&#xA;{INSERT DIRECTOR OF YOUR STATES DEPARTMENT OF ENVIRONMENTAL&#xA;QUALITY TITLE}&#xA;_________________________________________ DATE _____________&#xA;{INSERT DIRECTOR OF YOUR STATES EMERGENCY MANAGEMENT AGENCY&#xA;TITLE}&#xA;_________________________________________ DATE _____________&#xA;{INSERT YOUR LOCAL LAW ENFORCEMENT AGENCY TITLE}&#xA;FOR THE MILITARY SERVICE:&#xA;_________________________________________ DATE _____________&#xA;{INSERT YOUR INSTALLATION COMMANDERS TITLE} 88 AFI32-3001 2 JUNE 2011&#xA;Attachment 3&#xA;EOD EMERGENCY RESPONSE GUIDANCE 106AFI32-3001 2 JUNE 2011 89&#xA;Attachment 4&#xA;EXPLOSIVE ORDNANCE DISPOSAL (EOD) SIGNIFICANT-INCIDENT ANALYSIS&#xA;REPORT (SAR)&#xA;A4.1. General. This provides policy guidance for Air Force (AF) EOD duty-related accidents&#xA;or incidents, including hostile actions, that result in loss of an EOD Operator‘s life or traumatic&#xA;injury resulting in the loss of a limb, eye sight, or other permanent incapacitating injuries to an&#xA;EOD Operator.&#xA;A4.1.1. Purpose of the SAR is to provide swift and accurate feedback so that forwarddeployed and CONUS EOD managers can mitigate and prevent successive incidents and as a&#xA;means to improve lessons learned. The SAR will provide timely insight to the tactics,&#xA;techniques, and procedures (TTP) surrounding a significant incident without having to wait&#xA;for other agency reports (e.g., especially when it involves other service agencies). The SAR&#xA;will provide the functional community the ability to analyze our TTP and take expeditious&#xA;corrective actions.&#xA;A4.1.2. Per the promulgation information in the front of each Joint Service EOD 60-series&#xA;Technical Order (TO), TTP involving EOD operations are at minimum controlled&#xA;unclassified information (CUI) and will contain the appropriate classification marking when&#xA;required. SARs should not be released outside the AF EOD functional community and&#xA;related chain of command and will not be released to the public. The SAR Directing&#xA;Authority (paragraph A4.2.2) may authorize distribution to joint service EOD units and&#xA;their chains of command as necessary.&#xA;A4.1.3. Waivers. Waiver approval authority is HQ AFCESA/CC. The Directing Authority&#xA;may request waivers to SAR reporting through the chain of command having administrative&#xA;control (ADCON) and operational control (/OPCON) authority.&#xA;A4.2. Responsibilities.&#xA;A4.2.1. AF/A7C. AF EOD mishaps as a result of joint operations under a forward COCOM&#xA;authority, may require Air Staff CE involvement.&#xA;A4.2.1.1. In the event an incident investigation was not directed in a COCOM AO,&#xA;AF/A7C may request the AF component to the COCOM direct a SAR of any serious&#xA;incident involving AF EOD personnel.&#xA;A4.2.1.2. If an incident investigation is directed by COCOM authority, the AF&#xA;component to the COCOM should ensure that an AF EOD-qualified representative be&#xA;part of the team conducting the investigation and preparing the report. Otherwise, refer&#xA;to A4.2.1.1.&#xA;A4.2.1.3. AF/A7CXR should engage with its functional counterparts at AF component&#xA;commands to use established AF direct liaison authority to develop a procedure or&#xA;agreement with joint service units in their AOR to expedite AF access to other service‘s&#xA;reports of investigation.&#xA;A4.2.2. Directing Authority. Unit commanders at all levels of command have the inherent&#xA;command authority to direct an investigation of any mishap affecting the personnel or 90 AFI32-3001 2 JUNE 2011&#xA;missions under their command. Directing Authority for the SAR is normally the AF unit&#xA;commander exercising ADCON/OPCON authority. The Directing Authority will:&#xA;A4.2.2.1. Determine the scope and size of the SAR team, and designate one or more&#xA;EOD personnel to research, analyze, and finalize all facets of the SAR.&#xA;A4.2.2.1.1. The team lead must be EOD-qualified and a minimum grade of E7. (E8 if&#xA;applicable per paragraph A4.4.2)&#xA;A4.2.2.1.2. SAR team member(s) should not be assigned or attached to the unit the&#xA;SAR is conducted on.&#xA;A4.2.2.1.3. When SARs are conducted for incidents in deployed situations, at least&#xA;one SAR team member should have EOD experience in the theater where the SAR is&#xA;being conducted.&#xA;A4.2.2.2. Ensure SARs cover all relevant factors.&#xA;A4.2.2.3. Provide AF/A7CXR, HQ AFCESA/CEXD, and AF component EOD&#xA;functional (if applicable) with updates and the final SAR as outlined in paragraph A4.4.&#xA;A4.2.3. SAR Team Leader.&#xA;A4.2.3.1. Conduct the SAR per paragraph A4.4 below with the emphasis of&#xA;determining the necessary actions to fix a deficiency, not determining fault or blame.&#xA;A4.2.3.2. Brief the SAR to the unit leadership and Directing Authority prior to release of&#xA;data.&#xA;A4.2.3.3. Brief the EOD Panel on final reports.&#xA;A4.3. Information Control.&#xA;A4.3.1. Classified information, information from Joint Service 60-series TOs (normally&#xA;limited to EOD Personnel only) or other CUI should be included via publication and&#xA;paragraph references.&#xA;A4.3.2. If they are not classified, SARs are at minimum For Official Use Only (FOUO).&#xA;However, not each document in the report must be FOUO.&#xA;A4.4. Completing a SAR.&#xA;A4.4.1. The Team Leader submits SARs to the Directing Authority in three stages: Initial&#xA;(ISAR), Preliminary (PSAR), and Final (SAR).&#xA;A4.4.1.1. ISAR. Within 48 hours of the incident the owning EOD Flight leadership will&#xA;submit an ISAR containing the following information as a minimum: 1) a clear narrative&#xA;of the incident with all known details surrounding the incident; 2) a description of injuries&#xA;or illness to personnel involved; and 3) any other information related to the incident that&#xA;requires rapid dissemination to potentially prevent injury to other personnel (i.e. new&#xA;enemy TTP).&#xA;A4.4.1.2. Preliminary Significant Incident Analysis Report (PSAR). The SAR team will&#xA;submit a PSAR within 5 duty days. Include any updates to the information contained in&#xA;the Initial Significant Incident Analysis Report (ISAR). If the SAR team has not had time&#xA;to conduct a preliminary analysis, the EOD Flight leadership can submit the PSAR. In AFI32-3001 2 JUNE 2011 91&#xA;most cases, the Level 1 EOD report (Storyboard) entered into EODIMS can be used to&#xA;satisfy this requirement.&#xA;A4.4.1.2.1. Significant Incident Working Group (SIG). Within 48 hours of receipt,&#xA;HQ AFCESA/CEXD will send the PSAR or EOD Storyboard to a working group&#xA;comprised of members from HAF, AFCESA, AFCENT, ACC, CoBRA and a&#xA;representative from the affected MAJCOM. Others may be invited as applicable (i.e.&#xA;Det 63, Det 3, AFRL, etc.). If at least two of the SIG members have not recently&#xA;deployed (12 months), then two additional EOD personnel with recent deployment&#xA;experience will be added to the SIG. This group will convene (either in person or via&#xA;telecom/VTC), review the PSAR or Storyboard and develop areas of interest based on&#xA;feedback from MAJCOM and EOD Senior Leadership. These questions or interest&#xA;areas will be sent back to the SAR team within 7 days of receipt of the body&#xA;convening for incorporation into the investigation and final report.&#xA;A4.4.1.3. Complete the SAR within 20 duty-days of the incident. SAR can be in bullet&#xA;or narrative format but must include the nine areas listed in paragraph A4.4.3. Place a&#xA;greater priority on complete and accurate reports than on finishing in the 20 day timeline.&#xA;Notify Directing Authority and HQ AFCESA/CEXD if the SAR timelines cannot be&#xA;completed. Do not submit SARs for external staffing: SARs are internal EOD reporting&#xA;tools used to correct operational TTPs.&#xA;A4.4.1.4. If at anytime during the analysis the SAR team recognizes a grave disregard&#xA;for safety or operational procedures with no clear explanation, take immediate action to&#xA;prevent further injury or loss of life. Report this to the commander.&#xA;A4.4.2. AF Participation in Non-AF Investigations. In combat situations, if the joint HQ&#xA;uses another report format (e.g., Army Regulation 15-6), the AF will provide a member to&#xA;the joint team if the incident involves an AF member. AF member will provide final copies&#xA;of the joint report per A4.2.1.5. The member must be an EOD-qualified E8 or higher rank.20&#xA;A4.4.3. Final SAR Contents. All SARs will include following information:&#xA;A4.4.3.1. A clear narrative of the incident with all known details surrounding the&#xA;incident. Identify and document hazards that played a role in the incident sequence.&#xA;A4.4.3.2. First-hand witness accounts.&#xA;A4.4.3.3. Other formal reports (e.g., safety message reports concerning the incident).&#xA;A4.4.3.4. Injury and illness facts.&#xA;A4.4.3.5. Summary List of pertinent facts.&#xA;A4.4.3.6. Analysis of the facts and conclusions.21&#xA;A4.4.3.7. Incident cause and recommended preventative measures. Specifically note all&#xA;causal factors relating to equipment and/or training.&#xA;&#xA;20&#xA;NOTE: This instruction does not mandate AF participation if the incident did not involve an&#xA;AF member.&#xA;21&#xA;NOTE: SARs may include a clearly annotated ―Statement of Opinion‖ on the causal factor&#xA;when data cannot provide determination. 92 AFI32-3001 2 JUNE 2011&#xA;A4.4.3.8. Include the following paragraph: ―The intent of this document is to provide&#xA;insight into the incident, so that Explosive Ordnance Disposal (EOD) Airmen benefit&#xA;from the lessons learned and heighten their awareness to both EOD standard operating&#xA;procedures (SOPs) and TTPs as well as continually, changing enemy TTPs [if&#xA;applicable]. This document includes questions raised during, as well as a result of, the&#xA;post-incident analysis process. These questions are to be used as a case study learning&#xA;tool.‖&#xA;A4.4.3.9. Other findings and recommendations of significance, which do not relate&#xA;directly to the causes of the incident, but can be of value in risk management and incident&#xA;prevention.&#xA;A4.4.4. Upon completion of the SAR or AR 15-6, the SIG will review the SAR or AR 15-6&#xA;and provide final recommendations in a lessons-learned narrative to HQ AFCESA/CEXD.&#xA;A4.4.4.1. AFCESA/CEXD will send a final lessons learned SIG report to A7CXR for&#xA;staffing to A7C for approval and posting on a single, HQ AFCESA-designated Casualty&#xA;Lessons Learned SharePoint site for use by all EOD flights during annual training. This&#xA;folder will include all applicable documents to include initial SPOTREP, EOD&#xA;Storyboards and final Lessons Learned Report. Due to the sensitive nature of AR 15-6&#xA;documents, they will not be posted but will be available to Senior Leadership.&#xA;A4.5. SAR Distribution: The final SAR should be an ―internal EOD work-product‖ until&#xA;AFCESA/CEXD develops sanitized report for EOD flight distribution. This sanitized report&#xA;should focus on TTPs, lessons learned, training deficiencies to correct, etc.&#xA;A4.6. SAR Disposition. HQ AFCESA/CEXD is the EOD office of record and will maintain an&#xA;electronic copy of the SAR as permanent.AFI32-3001 2 JUNE 2011 93&#xA;Attachment 5&#xA;DISPOSAL RANGE SAFETY REQUIREMENTS EXCERPT&#xA;A5.1. RANGE REQUIREMENTS.&#xA;A5.1.1. All disposal ranges will be cited IAW AFMAN 91-201 and the following guidance&#xA;presented below will be incorporated into EOD disposal range operations. Refer to AFMAN&#xA;91-201 for EOD Proficiency Training Range requirements. A typical disposal range is shown&#xA;in Figure A5.1.&#xA;A5.2. Regulations of host nations concerning disposal operations will not be violated. When&#xA;Army/Navy disposal ranges utilized by the AF, Army/Navy range requirements will control.&#xA;A5.3. Bombing ranges may be utilized for disposal operations when authorized by the&#xA;agency having operational control over them. Requirements of the range controlling activity&#xA;will be adhered to; however, all safety criteria in this regulation must be followed. Normally,&#xA;signs and warning devices employed during active range periods are adequate for disposal&#xA;operations and need not be duplicated.&#xA;A5.4. All dry grass, leaves, and other combustible materials within a radius of 61 meters&#xA;(200 feet) will be removed from point of burning/detonating site. The radius may be&#xA;reduced, commensurate with fire hazards, for recognized burning furnace sites provided&#xA;written approval from Major Air Command had been received. Under no circumstances will&#xA;the radius be reduced to less than 15 meters (50 feet). The site will be free of deep cracks in&#xA;which unburned explosives or agents may lodge. The use of concrete pads for burning or&#xA;detonation is not permissible.&#xA;A5.5. A holding area will be provided to accept initial deliveries of munitions for disposal&#xA;and demolition materials. The holding area will be located within the disposal range, but at a&#xA;suitable distance from disposal sites to preclude uncontrolled destruction of the material by&#xA;flying fragments, grass fires or burning embers. All dry grass, leaves and combustible&#xA;material will be removed within a 15 meter (50 foot) radius of the holding area. Munitions to&#xA;be disposed of, demolition material, and blasting caps will be separated by a minimum of 7.6&#xA;meters (25 feet) within the holding area. After initial delivery to the holding area, munitions&#xA;for disposal and the necessary demolition material will be delivered to the actual disposal site&#xA;as required. If a disposal range is not large enough to provide an absolutely safe holding&#xA;area, munitions will only be delivered to the disposal site in quantities for immediate&#xA;disposal. Holding area will be sited IAW AFMAN 91.201.&#xA;A5.6. Tools and equipment to be employed during disposal operations will be afforded&#xA;protection to prevent damage. Safety equipment/clothing will be readily available but most&#xA;be protected from damage.&#xA;A5.7. A first aid kit, NSN 6545-00-116-1410, or suitable substitute, will be immediately&#xA;available during disposal operations. An ambulance or first aid vehicle, manned by emergency&#xA;medical support must be available within 30 minutes while the operations are being performed.&#xA;The medical support must be analogous to the expected trauma resulting from an accident (Ref:&#xA;AFMAN 91-201, Para 7.5.3.). 94 AFI32-3001 2 JUNE 2011&#xA;A5.8. Fire fighting equipment will be present at the scene to combat grass, brush or&#xA;equipment fires. Type of equipment and any additional protective measures deemed&#xA;necessary in high fire risk areas/periods will be coordinated with the Base Fire Marshall.&#xA;A5.9. A means of communication with both the base facilities and disposal personnel will be&#xA;established. Communication may be by the most convenient method (radio, telephone,&#xA;walkie-talkie, etc.); but the equipment used will be in good working order prior to&#xA;commencing any disposal operation.&#xA;A5.10. Where operations require the use of a personnel shelter, the shelter will be located&#xA;not less than 100 meters (328 feet) from the disposal site and will afford substantial fragmentproof overhead cover and frontal protection.&#xA;A5.11. The following minimum requirements are to be employed during a disposal&#xA;operation:&#xA;A5.11.1. Red range flag to be flown during disposal operations and removed only after&#xA;the range has been declared safe. The flag will be a minimum of 0.91 meters (three feet)&#xA;wide by 1.52 meters (five feet) long. Flag must be displayed at a height to where it will&#xA;be a visible warning from a safe distance at all points of access to explosive operation.&#xA;A5.11.2. AFTO Forms 61, with legend ― Danger – Explosive Disposal Range – Keep&#xA;Out ― imprinted in them may be ordered in amounts needed through proper channels.&#xA;AFTO Form 61 is listed in AFR 0-9. These forms will be posted at entrances and at 91&#xA;meter (300 feet) intervals around the perimeter of the range. Any additional required&#xA;multilingual information will be posted below forms in black letters 5.08 centimeters&#xA;(two inches) on a white background. See Figure 1-1.&#xA;A5.11.3. Barricades, gates or guards at all entrances.&#xA;A5.11.4. In areas where disposal ranges are not under constant control of US Armed&#xA;Forces, the provisions of preceding subparagraphs A5.11.1, A5.11.2, and A5.11.3 may be&#xA;waived, provided the following requirements are strictly adhered to:&#xA;A5.11.4.1. Prior to starting disposal operations, the disposal range will be searched&#xA;for unauthorized personnel.&#xA;A5.11.4.2. Guards will be posted to prevent entry into areas prior to and throughout&#xA;the disposal operation. Guards will be afforded adequate protection from fragments.&#xA;A5.12. PERSONNEL REQUIREMENTS.&#xA;A5.12.1. Personnel requirements and restrictions listed below are the minimum&#xA;requirements for personnel assigned to disposal operations. Persons not necessary to the&#xA;operation being conducted will be barred from the disposal range. The number of&#xA;personnel engaged in disposal operations will be kept to a minimum but in no case less&#xA;than two.&#xA;A5.12.2. Commanders will ensure that care is exercised in the assignment of personnel&#xA;to disposal duties. All personnel employed in disposal activities will be thoroughly&#xA;trained in the nature of the material being handled, the hazards involved, and the AFI32-3001 2 JUNE 2011 95&#xA;applicable operating safety procedures and precautions to be observed. The danger of&#xA;using shortcuts will be thoroughly instilled in the minds of all personnel.&#xA;A5.12.3. Supervisory Personnel. Disposal procedures will be performed under the&#xA;supervision of personnel qualified and highly proficient in such activities. The supervisor&#xA;will be present during all disposal operations and will be charged with the control of all&#xA;firing devices and will be responsible for preparation, placement, and firing of charges.&#xA;Responsibility will not be divided. Supervisory responsibilities include, but are not&#xA;limited to, the following actions:&#xA;A5.12.3.1. Have at the site approved written procedures covering the specific&#xA;munition being disposed of and enforce strict compliance with procedures as written.&#xA;A5.12.3.2. Instill in all personnel the dangers of shortcuts or deviations from written&#xA;procedures.&#xA;A5.12.3.3. Take corrective action in all violations of procedures or orders whether or&#xA;not an accident occurs.&#xA;A5.12.3.4. Direct construction and use of personnel shelters if and where necessary.&#xA;A5.12.3.5. Ensure availability of required protective equipment; that personnel are&#xA;familiar with the use of such equipment.&#xA;A5.12.3.6. Ensure that sufficient personnel are trained in treatment of casualties and&#xA;will advise all personnel of any self-aid measures to minimize or prevent injury.&#xA;A5.12.3.7. Be knowledgeable of the characteristics of chemical agents and methods&#xA;of detecting leakage.&#xA;A5.12.3.8. Be thoroughly familiar with the influence of weather conditions on&#xA;disposal operations.&#xA;A5.13. Protective measures regarding personnel and equipment will be strictly enforced&#xA;during all disposal operations. Additional guidance for explosive items and chemical agents&#xA;may be found in AFMAN 91-201, AFM 160-12, Treatment of Chemical Agent Casualties&#xA;and Conventional Military Chemical Injuries, and the specific item technical manual. The&#xA;following agencies, as a minimum, will be notified prior to accomplishing disposal&#xA;procedures listed in this manual:&#xA;A5.13.1. Medical facility&#xA;A5.13.2. Security Police&#xA;A5.13.3. Fire Department&#xA;A5.13.4. Base Operations&#xA;A5.13.5. EOD (When available on base)&#xA;A5.14. At minimum safe distances in AFMAN 91-201, personnel in the open may be&#xA;exposed to some fragments and debris. Therefore, greater distances should be used,&#xA;explosive weights lowered, or action taken to reduce hazards by:&#xA;A5.14.1. Confinement of the explosive results at the source to the extent possible.&#xA;A5.14.2. Use of barricades adjacent to the exposure of the source or both. 96 AFI32-3001 2 JUNE 2011&#xA;A5.14.3. Evacuation of personnel not essential to the disposal operation.&#xA;A5.14.4. Employment of overhead and frontal cover for personnel involved.AFI32-3001 2 JUNE 2011 97&#xA;Figure A5.1. EOD Range Outlay. 98 AFI32-3001 2 JUNE 2011&#xA;Attachment 6&#xA;EOD PHYSICAL FITNESS PROGRAMAFI32-3001 2 JUNE 2011 99 100 AFI32-3001 2 JUNE 2011&#xA;Attachment 7&#xA;EOD AFTER ACTION REPORT (AAR) PROCESS&#xA;A7.1. Use the following guidance to process EOD AARs to ensure standard, valid routing&#xA;and effective feedback for lessons learned and trend analysis.&#xA;A7.1.1. In the context of this attachment, AARs are limited to those reports resulting from&#xA;deployments in contingency operations. AARs must focus on what was done right or wrong&#xA;with regards to Doctrine, Organization, Training, Materiel, Leadership and Education,&#xA;Personnel and Facilities (DOTMLPF) issues. AARs are not meant to be sounding boards for&#xA;personality conflicts, generalizations, or perceptions; rather, it is for capturing observations&#xA;that are measurable, observable, and sustainable. The opening of the AAR should discuss&#xA;what the unit or IA did during the tour; who they supported and what was accomplished.&#xA;A7.2. AFCENT AARs will be managed by the USAFCENT/A7XE.&#xA;A7.2.1. To preserve integrity and transparency of the feedback process, the original&#xA;AAR from the deployed leadership will be loaded onto the ―EOD AFCENT Program&#xA;Management CoP‖&#xA;https://www.my.af.mil/afknprod/community/views/home.aspx?Filter=22760 in&#xA;―After Action Reports (AAR)‖ exactly as written.&#xA;A7.2.2. There are two subfolders under ―After Action Reports (AAR);‖ ―Original&#xA;AARs‖ and ―With Comments,‖ the distinctions are self-explanatory.&#xA;A7.3. AARs are mandatory for every flight (Gulf Cooperation Council (GCC) and all&#xA;AFCENT flights regardless of location) and highly encouraged for all others (Combined&#xA;Explosive Exploitation Cell (CEXC), Liaison Officer (LNO), etc). Everyone who has a&#xA;lesson learned or idea on how to improve operations at EOD deployed locations should&#xA;submit an AAR.&#xA;A7.4. AFCENT will reinforce with Flight leaders the value and importance of&#xA;communicating their issues up the chain; and, will require feedback early in the deployment,&#xA;midway, and at the end. EOD flight leaders need to understand that their comments will be&#xA;available to a much wider audience, and they need to use their communications skills&#xA;effectively.&#xA;A7.5. Submission Process:&#xA;A7.5.1. 30-days prior to Replacements In Place (RIP)/Transfer Of Authority (TOA),&#xA;AFCENT will suspense the flights to send their AARs.&#xA;A7.5.2. AFCENT recognizes that Battalions or Squadron Commanders will require AAR&#xA;submittals, and those formats will be acceptable.&#xA;A7.5.3. When AARs are written after-the-fact at home station, the AAR must be routed&#xA;back to AFCENT/A7XE to be processed.&#xA;A7.5.4. The process will be transparent: it must remain unclassified to the highest extent&#xA;possible. Classified AARs will be handled in the same manner via the SIPR net.&#xA;A7.6. Review Process:AFI32-3001 2 JUNE 2011 101&#xA;A7.6.1. When the USAFCENT/A7XE EOD staff receives an AAR, they will provide&#xA;(within 15 work days) the original AAR and one with initial AFCENT comments to the&#xA;AFCESA EOD Trends Analyst.&#xA;A7.6.2. Prior to sending the comments forward, the member‘s observations will be&#xA;scrutinized to determine if they are measurable, achievable, and sustainable. Therefore,&#xA;some observations that do not pass the test (personality conflicts, generalizations,&#xA;perceptions, etc.), will be removed from the AAR going up for analysis.&#xA;A7.6.3. The original comments will remain a matter of record for all CoP members to&#xA;review.&#xA;A7.6.4. Validated comments will be assessed to determine if it falls under Doctrine,&#xA;Organization, Training and Education, Material, Leadership or Facilities (DOTMLF).&#xA;A7.6.5. HQ AFCESA/CEXD Trends Analyst will use the AAR with AFCENT&#xA;comments to evaluate comments and dissect the AARs into taskers for (EOD) technical&#xA;experts (e.g., AFCESA, A7CXR, NAVEODTECHDIV, NAVSCOLEOD, AFCENT,&#xA;AFNORTH, etc).&#xA;A7.6.6. HQ AFCESA/CEXD will provide lessons learned and appropriate feedback to&#xA;AFCESA/CEXX for inclusion in the CE Lessons Learned Program and Joint Lessons&#xA;Learned Information System.&#xA;A7.6.7. HQ AFECESA/CEXD Trends Analyst will post and track all comments on the&#xA;EOD Management CoP;&#xA;https://afkm.wpafb.af.mil/community/views/home.aspx?Filter=OO-EN-CE-49.&#xA;A7.6.8. The issues will then be worked by the EOD panel or responsible staff agencies&#xA;will then work their respective issues and report status back to AFCESA to close the&#xA;loop.&#xA;A7.6.9. HQ AFCESA/CEXD will maintain an AAR feedback folder on the EOD&#xA;Program Management CoP.&#xA;A7.7. AARs originating from theaters/operations other than AFCENT should follow the&#xA;intent of the process outlined in this attachment. 102 AFI32-3001 2 JUNE 2011&#xA;Attachment 8 (Added)&#xA;STANDARD PRE-OPERATION SAFETY BRIEFING&#xA;Sample Range Safety Briefing – minimum required data&#xA;Adapt and expand to meet local requirements&#xA;******************************************************&#xA;This pre-operation sheet will be filled out and briefed before conducting any explosive operation&#xA;on . The purpose of the checklist is to maximize safety during&#xA;operations by ensuring personnel are aware of all explosive hazards involved and the appropriate&#xA;actions to take in the event of an emergency.&#xA;1. Explosive and Personnel Limits.&#xA;1.1. Operation to be performed: ______________________________________________&#xA;1.1.1. Munitions involved ___________________________________________________&#xA;1.1.2. Number and NEW of Detonations: _______________________________________&#xA;1.1.3. Maximum Fragmentation Distance (per 60A-1-1-4, Protection of Property and Personnel,&#xA;TDA, and applicable 60 series publications) for each Detonation:&#xA;1.1.3.1. Hazardous Fragmentation Range (HFR): ________________&#xA;1.1.3.2. Maximum Fragmentation Range – Horizontal (MFR-H): ____________________&#xA;1.1.3.3. Maximum Fragmentation Range – Vertical (MFR-V): ______________________&#xA;1.1.4. Explosive Hazards (per applicable 60 series publications):&#xA;________________________________________________________________________&#xA;________________________________________________________________________&#xA;1.2. Location where operation is to be performed (detonation site): __________________&#xA;1.3. Operating Location for Essential Personnel (For operating locations with aerospace vehicle&#xA;traffic seek the appropriate Air Ground Level (AGL) clearance (based on calculated MFR-V)&#xA;from local Air Traffic Controllers.): _________________________________&#xA;1.3.1. Distance from detonation site: ___________________________________________&#xA;1.3.1.1. If distance from detonation is less than Maximum Fragmentation Distance:AFI32-3001 2 JUNE 2011 103&#xA;1.3.1.1.1. Apply protective measures (AFMAN 91-201 para 12.74.4 and 12.74.8):&#xA;___________________________________________&#xA;1.3.1.1.2. Note all standing or approved ORM considerations IAW AFPAM 90-902 and overall&#xA;assessments (i.e. Range OI, etc.): __________________________________________&#xA;1.3.2. Commander approving ORM assessment based on being inside the maximum&#xA;fragmentation distance (if applicable): _____________________.&#xA;1.4. Evacuation Assembly Point / Non-Essential Personnel area: _____________________&#xA;1.5. Explosive Limits: _____________&#xA;1.6. Personnel Limit for the range is ___.&#xA;1.6.1. A minimum of three EOD personnel, one who is a PAFSC 3E871 or higher, will be&#xA;present during explosive operations.&#xA;1.6.2. The parameter in 1.6.1 may be adjusted to a minimum of two EOD-qualified personnel&#xA;one of which is an E-5 that has been awarded a 5-skill level, when the mission is defined by&#xA;EOD-coordinated instructions (local stand-by duties, exercise support, testing support, etc), or&#xA;when approved through Commander ORM determination during periods of critical manning or&#xA;other unique circumstances to meet mission requirements. Document commander ORM data and&#xA;maintain for inclusion in EODIMS report.&#xA;1.7. Personnel/Duty assignments (name/rank):&#xA;Range Safety Officer (RSO): _____________________&#xA;EOD Team Leader (TL): _____________________________&#xA;EOD Team Members (TM): _____________________________________________&#xA;Support Team / Medical (Casuals): ___________________________________________&#xA;Non-Essentials (Stop all operations when visitors are present):____________________________&#xA;Non Essential Escort: _______________&#xA;1.8. Conduct briefing to ensure personnel are familiar with all the hazards involved prior to&#xA;commencing.&#xA;2. Equipment Requirements.&#xA;2.1. General Safety Equipment Requirements: 104 AFI32-3001 2 JUNE 2011&#xA;____ Water ____ Portable radios&#xA;____ Gloves ____ First Aid Kit&#xA;____ Sun-screen (as needed) ____ Fire Extinguishers&#xA;____ Safety glasses (explosive ops)&#xA;2.2. Special personnel protective equipment (e.g., laser goggles, helmet, body armor):&#xA;_____________________________ _____________________________&#xA;_____________________________ _____________________________&#xA;2.3. Special operational equipment (e.g., Mk-series tools, robotics, etc):&#xA;_____________________________ _____________________________&#xA;_____________________________ _____________________________&#xA;3. Pre-operational Safety Assessment.&#xA;3.1. EOD operations will be conducted under the supervision and control of the EOD Team&#xA;Leader (TL).&#xA;3.2. Prior to the start of disposal or training operations, the TL designates a Range Safety Officer&#xA;(RSO). The RSO is responsible for ensuring all safety aspects of the operation are properly&#xA;applied in support of the TL. The RSO will not participate as a worker during the explosive&#xA;operation.&#xA;3.2.1. The RSO will conduct a briefing to cover tasks to be performed, safety precautions and&#xA;emergency procedures. The duties of the RSO and TL may be performed by the same person.&#xA;WARNING&#xA;Ground yourself prior to handling initiating explosives; work on grounded surfaces if possible.&#xA;Personnel handling electrically initiated explosive devices will avoid wearing clothes made of&#xA;material, which have high static generating characteristics.&#xA;Use available frontal/overhead protection during detonation – do not stand in view of the&#xA;munitions to be detonated.&#xA;CAUTIONAFI32-3001 2 JUNE 2011 105&#xA;Remember Cardinal Principal of Explosive Safety: ―Expose the minimum amount of people to&#xA;the minimum amount of explosives for the minimum amount of time.‖&#xA;3.2.2. The RSO will brief visitors and casuals on type of ordnance and associated hazards.&#xA;Provide specific instructions on where to drive, park, and walk; and not to touch items they may&#xA;encounter (―if you didn‘t drop it, don‘t pick it up‖). Show visiting and casual personnel the&#xA;specific frontal/overhead protected area in which to take cover.&#xA;3.3. Non-Essential Personnel Escort: If visitors are on range, stop all operations and assign an&#xA;escort to ensure safety rules are followed. Escort to visitor ratio will not exceed 1:5. The RSO&#xA;may be the Escort, but only if there is a separate TL leading the operation (one person may not&#xA;be all three, TL, RSO and Escort).&#xA;NOTE&#xA;All personnel wanting to proceed down range after commencement of the operation will do so&#xA;only after obtaining approval from the Range Safety Officer (RSO). Personnel will then be&#xA;briefed on all hazards present.&#xA;Any unsafe actions observed by EOD personnel will be immediately brought to the attention of&#xA;the RSO. The RSO will cease operations until unsafe condition is corrected. If unable to resume&#xA;safe operations, withdraw to a safe distance and inform EOD Operations [and appropriate Range&#xA;Control Office] that the EOD operation is terminated.&#xA;3.4. The TL will ensure two-way radio (or phone) communication is operational and available&#xA;(for both TL and RSO) during all explosive operations. Both a primary and a secondary means&#xA;communication are preferred.&#xA;WARNING&#xA;Do not conduct hand-held radio transmissions within 25 feet (100 feet when using vehicle&#xA;radios) of electro-explosive devices (EEDs).&#xA;Modern Mobile Emitters (MME) such as key fobs and cellular phones will not be operated&#xA;within 10 feet of EEDs.&#xA;3.5. Remove rings and watches prior to starting any explosive operation.&#xA;3.6. Do not handle munitions roughly (e.g., rolled, tumbled, dropped, dragged or thrown).&#xA;3.7. If an abnormal condition occurs, stop the operation until the condition is corrected.&#xA;3.8. Observe wait times of 30 minutes for electrically primed misfires and 1 hour for nonelectrically primed misfires. 106 AFI32-3001 2 JUNE 2011&#xA;3.9. Cease all explosive operations when there is lightning within 5 nautical miles (AFMAN 91-&#xA;201, paragraph 7.34).&#xA;3.10. Only one EOD technician will check the detonation point after a planned detonation with a&#xA;second person acting as a safety backup. This rule also applies when checking items kicked out&#xA;by a detonation. Deviation for the sake of training is not authorized.&#xA;3.11. Do not proceed directly down range if the detonation results in a range fire. If it can be&#xA;ascertained that the fire can be contained, immediately respond and try to control the fire while&#xA;the FD is responding (AFMAN 91-201, para 10.9.4). If the decision is made not to fight the fire,&#xA;the area should be evacuated and remain so until it has cooled for at least 24 hours. Inform [the&#xA;range controller or other local authorities] as to the extent of the fire so appropriate notifications&#xA;can be made. Follow the safety measures outlined in AFTO 60A-1-1-31 and below prior to&#xA;returning to the detonation site:&#xA;3.11.1. Wait at least 24 hours after the fire has been extinguished to check the detonation point.&#xA;3.11.2. Do not approach a pyrotechnic or incendiary ordnance burn area for 24 hours after the&#xA;cessation of burning.&#xA;3.12. Make positive identification before taking any action on a munition item.&#xA;3.13. Destroy in place or clearly mark for later destruction any dud munitions that cannot be&#xA;safely moved.&#xA;4. Emergency Procedures.&#xA;4.1. In the event of an accident or fire, _____________________ (normally the RSO) will notify&#xA;the appropriate agency (e.g. fire department, ambulance, range controller or EOD Operations).&#xA;4.1.1. Evacuate all nonessential personnel ______________ feet as required.&#xA;4.1.2. The Evacuation Assembly Point is ___________________________________&#xA;4.2. Fire extinguishers/equipment are located ____________________________________&#xA;4.3. First Aid Kit is located __________________________________________________&#xA;4.4. _____________________ and _____________________ will fight the fire and note the time&#xA;if any munitions become engulfed in flames.&#xA;WARNING&#xA;Do not fight fires involving 1.1 munitions engulfed in flames unless attempting a rescue.AFI32-3001 2 JUNE 2011 107&#xA;4.5. ____________________ will sound the alarm and go to the Evacuation Assembly Point and&#xA;direct emergency responding personnel to the scene.&#xA;4.6. ____________________ and ____________________ will secure the site of unused&#xA;explosives for storage or later disposition.&#xA;4.7. When evacuation is accomplished, RSO will account for everyone involved in the operation. 108 AFI32-3001 2 JUNE 2011&#xA;Attachment 9&#xA;EOD RETRAINING CHECKLIST&#xA;Sample EOD Retraining Checklist&#xA;1. The following items must be reviewed and completed prior to approved retraining into the&#xA;EOD (3E8X1) AFSC or approved class date for a Civil Engineer officer (32E3H/K) to attend&#xA;training at the EOD Prelim-Course or NAVSCOLEOD.&#xA;2. These following tasks should be completed during the required ten duty days at an operational&#xA;EOD Flight:&#xA;2.1.____ Receive an EOD operations briefing and view EOD Recruiting DVD&#xA;2.2.____ Sign EOD retraining/volunteer letter&#xA;2.3.____ Current passing AFPT Test score&#xA;2.4.____ Successfully complete the EOD PAST&#xA;2.5.____ Ensure MPF and Medical have cleared member for all requirements in the AF&#xA;Enlisted/Officer Classification Directory for 3E8X1 and 32E3H/K&#xA;2.6.____ EOD Suitability Test&#xA;2.6.1.____ Don and Operate in Bomb Suit&#xA;2.6.2.____ At flight senior leadership discretion participate in a non-electric or electric&#xA;demolition procedure; prime and detonate C-4 or TNT charge (must complete explosive safety&#xA;training first)&#xA;2.6.3.____ Verify civilian driver‘s license (Simple verification. No Department of Motor&#xA;Vehicles background check required.)&#xA;2.6.4.____ Personal interview and records review (Airman provides copy of last three EPRs)&#xA;2.6.4.1.____ Enlisted: Completed by ranking SNCO in the EOD Flight&#xA;2.6.4.2.____ Officer: Completed by CE/Qualified EOD Officer&#xA;2.7.____ Ensure TS/SSBI Security Clearance has been initiated and member has a current&#xA;SECRET clearance&#xA;3. EOD Retraining Candidate Printed Name: _____________________________________&#xA;Signature/Date: ____________________________________AFI32-3001 2 JUNE 2011 109&#xA;4. EOD SNCO/Flight Chief/EOD FGO Printed Name:__________________________________&#xA;Signature/Date: ____________________________________ Concur/Non-concur (Circle one) 110 AFI32-3001 2 JUNE 2011&#xA;Attachment 10&#xA;EOD RETRAINING VOLUNTEER LETTER&#xA;Sample EOD Retraining Volunteer Letter&#xA;FACT SHEET: EOD SPECIALIST RETRAINEE VOLUNTEER STATEMENT&#xA;1. Congratulations on your decision to volunteer for the Explosive Ordnance Disposal (EOD)&#xA;Specialist career field. This document is provided to ensure that your decision to volunteer for&#xA;EOD Specialist duties is as well-informed as possible. By signing this document you&#xA;acknowledge that you have discussed each topic listed below with an experienced EOD operator,&#xA;viewed the EOD DVD, and understand each statement.&#xA;1.1. I have viewed the EOD Specialist recruiting DVD and all of my questions have been&#xA;answered to my satisfaction.&#xA;1.2. I will attend the EOD Preliminary School. The purpose of the EOD Preliminary Course is to&#xA;introduce me to the EOD career field and assess my potential for success as an EOD Specialist.&#xA;The EOD Preliminary Course lasts 20 days and is conducted on Sheppard AFB, Texas.&#xA;Following completion of the EOD Preliminary School I will be sent to Navy School EOD&#xA;(NAVSCOLEOD) at Eglin AFB, FL. This joint service school consists of seven months of&#xA;intense training. Normal training days start with 0600 formation for physical training and&#xA;usually end around 2000 after training, evaluations and study hall.&#xA;1.3. I understand that many people who start the EOD Specialist Orientation are not able to&#xA;continue training for academic (and other) reasons. My failure to complete the EOD training&#xA;phases will be handled within the rules as outlined by AFPC. Each individual case will be&#xA;treated on its own merit.&#xA;1.4. I understand, as part of normal EOD operations and training throughout my EOD career, I&#xA;may conduct duties outdoors in remote locations, and sometimes in extreme weather conditions&#xA;requiring a high degree of both physical and mental endurance.&#xA;1.5. I understand that EOD Specialist duties will require me to be responsible for others‘ learning&#xA;and safety in challenging conditions. I understand the primary duties associated with the EOD&#xA;specialty include, but are not limited to; the use and handling of explosives, the detection,&#xA;identification, render-safe, recovery, field evaluation and disposal of damaged aircraft,&#xA;improvised explosive devices (IED), nuclear, chemical, biological, and conventional ordnance&#xA;which has been fired, dropped, or placed, and has failed to detonate and as such constitutes a&#xA;hazard to military and civilian personnel, installations, or material. I will be expected to display AFI32-3001 2 JUNE 2011 111&#xA;and learn responsibility, attention to detail, communication skills and leadership. I volunteer to&#xA;perform these duties.&#xA;1.6. I understand that primary EOD Specialist duties may include direct combat (engaging an&#xA;enemy face-to-face). EOD Specialists do deploy to combat zones throughout the world and as a&#xA;result may be exposed to combat situations that threaten life and limb.&#xA;1.7. I will be required to operate government vehicles and as a result I will be required to obtain&#xA;a military driver‘s license upon arrival at my first EOD duty station. I do not have a restricted,&#xA;suspended or revoked driver‘s license from any state that would prevent me from obtaining a&#xA;driver‘s license at this point in my application process or after I become an EOD Specialist.&#xA;2. Again, congratulations on your decision to volunteer for the EOD Specialist career field.&#xA;There will be challenges you‘ve never experienced but the rewards will be unequalled! We look&#xA;forward to you joining EOD as one of America‘s combat Airmen.&#xA;3. EOD Retraining Candidate Printed Name: ____________________________________&#xA;Signature/Date: ____________________________________&#xA;4. EOD SNCO/Flight Chief/EOD FGO Printed Name:_________________________________&#xA;Signature/Date:___________________________________ 112 AFI32-3001 2 JUNE 2011&#xA;Attachment 11&#xA;EOD SPECIALIST VOLUNTEER LETTER&#xA;Sample EOD Specialist Volunteer Letter&#xA;FACT SHEET: EOD SPECIALIST VOLUNTEER&#xA;1. Congratulations on your decision to volunteer for the Explosive Ordnance Disposal (EOD)&#xA;Specialist career field. This document is provided to ensure your decision to volunteer for EOD&#xA;Specialist duties is as well-informed as possible. By signing this document you acknowledge that&#xA;you have discussed each topic with your recruiter, viewed the EOD DVD, and understand each&#xA;statement listed below.&#xA;1.1. I have viewed the EOD Specialist recruiting DVD and all of my questions have been&#xA;answered to my satisfaction. I have also thoroughly reviewed the EOD career field description&#xA;provided in the Air Force Enlisted Classification Directory (AFECD).&#xA;1.2. Immediately following basic military training, I will attend the EOD Preliminary School.&#xA;The purpose of the EOD Preliminary Course is to introduce me to the EOD Specialist career&#xA;field and assess my potential for success as an EOD Specialist. The EOD Preliminary Course is&#xA;a challenging 20-day prerequisite course located at Sheppard AFB TX and consists of&#xA;demanding physical and mental training. Following completion of the EOD Preliminary School,&#xA;I will be sent to Naval School Explosive Ordnance Disposal (NAVSCOLEOD) at Eglin AFB FL.&#xA;This joint service school consists of 7 months of challenging intellectual and physically&#xA;demanding training.&#xA;1.3. EOD is a highly demanding career field requiring personal commitment and dedication. I&#xA;understand this is one of the most mentally and technically challenging career fields in the US&#xA;Air Force and approximately 75% of the Airmen who start the EOD training do not become an&#xA;EOD specialist. If I fail to complete EOD training, I may be discharged from the Air Force if my&#xA;Armed Services Vocational Aptitude Battery (ASVAB) scores are below 55 in any category.&#xA;Reclassification into another Air Force Specialty is subject to availability of other technical&#xA;training openings and evaluation by training cadre and the chain of command.&#xA;1.4. I understand that during my EOD Specialist training and throughout my EOD career as an&#xA;EOD Specialist, I may conduct duties outdoors in remote locations and sometimes in extreme&#xA;weather conditions.&#xA;1.5. I understand that EOD Specialist duties will require me to be responsible for others‘ learning&#xA;and safety in challenging conditions. I understand the primary duties associated with the EOD&#xA;specialty include, but are not limited to:AFI32-3001 2 JUNE 2011 113&#xA;1.5.1. The use and handling of explosives to include: improvised explosive devices (IED),&#xA;chemical, biological, radiological, nuclear, or high-yield explosives (CBRNE), and conventional&#xA;ordnance which have been fired, dropped, or placed, and have failed to detonate and as such&#xA;constitute a hazard to military and civilian personnel, installations, or material.&#xA;1.5.2. Tasks associated with post-blast analysis with possible exposure to environments where&#xA;there may have been traumatic injuries or loss of life.&#xA;1.5.3. Assisting in aircraft recovery techniques which include the detection, identification,&#xA;rendering-safe, recovery, field evaluation, and disposal of damaged aircraft.&#xA;1.6. I will be expected to learn and display responsibility, attention to detail, communication&#xA;skills, and leadership. I volunteer to perform these duties.&#xA;1.7. I understand primary EOD Specialists do deploy to combat zones throughout the world and&#xA;as a result may be exposed to direct combat situations.&#xA;1.8. I understand I am not required to have a driver‘s license to enter the EOD Specialist career&#xA;field. However, I will be required to operate government vehicles and as a result I will be&#xA;required to obtain a driver‘s license within 6 months of arriving at my first duty station.&#xA;1.9. EOD Specialist Candidate Signature/Date: ____________________________&#xA;2. Again, congratulations on your decision to volunteer for the EOD Specialist career field. It&#xA;will be a challenge unlike any you‘ve ever experienced, but the rewards will be unequalled! 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<INFO BITRATE="1131306" KEY_LYRICS="23 ContributorsKR$NA - Still Here (Intro) (Romanized) Lyrics&#xA;Yeh hai gehra dard, ye hai karwa such&#xA;Deal with the devil, ye hai mera karz&#xA;Li thi zimmedari, Ye hai mera farz&#xA;Kyun bane saare yahan sher, bina kiye arz?&#xA;Buland hain mere hausle, (haan)&#xA;Dekhe mene aate jaate bohot se (yahan)&#xA;Iss duniya se jaana anjaan, ye mera khauf hai&#xA;Shayad sunne mujhe meri maut pe ye (haan)&#xA;It’s a cold place, life hai ek rat race&#xA;Ye hai unke liye jinke zindagi me sad phasе&#xA;Hope this music helps you through the bad days&#xA;Aas paas khaali bottalеin aur bhari ashtrays&#xA;Mere man me nahi betha koi vehm&#xA;You can always get these hands, if you’re fucking with the gang&#xA;Ab Batana kyun zaroori jub ye jaante who I am&#xA;Desi rap ka 44 calibre killer - Son of Sam&#xA;Such nahi bolte mere enemies&#xA;Jab miloge then keep the same energy&#xA;When I go, karna pour thodi Hennessy&#xA;On a roll, do it all for the Legacy&#xA;Meri jagah pe nahi and you’ll never be&#xA;Mene rapper boht tange like a centipede&#xA;Dilli sheher me paida n I’m repping G&#xA;Har cheez ki lagti yahan jack jaise Tennessee&#xA;Commitment waale issues bro, I don’t ever see love&#xA;Life marathon, everybody tryna keep up&#xA;Thoda fame paa ke lage mile jeet jab&#xA;Chamche ghoome aas paas jaise teacup&#xA;No no, I don’t fall for that&#xA;Inko toh chahiye thoda pyaar&#xA;I don’t offer that&#xA;Raat guzaaroo studio me&#xA;Then I call for cabs&#xA;Dedicate kari hai life&#xA;And that’s all for rap&#xA;Kaun hai saath - tumhare crew for life?&#xA;All I need is one mic, wo hai true for life&#xA;Garv hai uspe, khudse ghuske khud ke push se&#xA;Bharosa agar mujhpe - I proved them right&#xA;Sellout bola, par me sellout nahi tha&#xA;Lage saare corny, par ye Kellogg’s nahi tha&#xA;A Middle class child, kabhi well off nahi tha&#xA;Me toh grind pe hi raha, kiya fell off nahi tha&#xA;It’s on, till I die, ye hi plan&#xA;Kari thodi mehnat toh bane thode bands&#xA;Thank you for the love agar bane mere fan&#xA;Par tum fan nahi, fam&#xA;It’s Awaam till the end&#xA;Legendary, jaise B.I.G&#xA;Pehchaan ne lage log, I don’t need ID&#xA;5th class bhi, mere liya tab hard thi, mushkil se kari pass thi&#xA;Aaj paas pe hai VIP&#xA;Aise hi fir tables turn&#xA;Rappers get beat, no Ableton&#xA;Jab dikha dead end, I made a turn&#xA;Jinhone sunnayi mujhe fable, watch those labels burn&#xA;Lagta Kuch Dikkat hai inhe&#xA;They don’t want to see me winning&#xA;2020 mene ghar bethe note gine&#xA;2021 I’m about to Make a killing&#xA;Mujhe sab dikhe clear&#xA;Hustle meri Sincere&#xA;Mujhe sab dikhe clear&#xA;Dil me na fear&#xA;Mujhe sab dikhe clear&#xA;Kiya mene persevere&#xA;Mujhe sab dikhe clear&#xA;That’s why i’m Still Here" PRODUCER="- 2015" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYCOUNT="1" PLAYTIME="271" PLAYTIME_FLOAT="270.691040" IMPORT_DATE="2025/7/13" LAST_PLAYED="2025/9/30" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="37671"></INFO>
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<INFO BITRATE="1089344" KEY_LYRICS="3 ContributorsCatch My Breath Lyrics&#xA;Since I met you I think of nothing else&#xA;When you were close to me, I could hardly catch my breath&#xA;And I can tell that you felt the chemistry too&#xA;So what you gonna do? What you gonna do?&#xA;&#xA;&#xA;When you call me I have to leave the room&#xA;Can't let anyone see where you take me to&#xA;I can feel that this is taking control&#xA;And I want you to know, I want you to know&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;&#xA;" PRODUCER="- 2015" COVERARTID="065/BCJOUTBNUQ4PYCPW5USVBKKZHKYC" PLAYTIME="228" PLAYTIME_FLOAT="227.930573" IMPORT_DATE="2025/7/13" RELEASE_DATE="2014/1/1" FLAGS="12" FILESIZE="30596"></INFO>
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<SORTING_INFO PATH="DIVERSE\!SARI SUS"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DIVERSE\DANCEFLOOR"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DIVERSE\RALLY HOUSE"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
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<SORTING_INFO PATH="DIVERSE\SERUM'S USB"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DIVERSE\SPEED GARAGE"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DIVERSE\TENTATIVA"></SORTING_INFO>
<SORTING_INFO PATH="DUBS\BOU"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DUBS\DIAGNOSTIX"></SORTING_INFO>
<SORTING_INFO PATH="DUBS\DREADNAUGHT"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DUBS\DUBS "><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DUBS\ENTITY"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DUBS\FORMULA"></SORTING_INFO>
<SORTING_INFO PATH="DUBS\GOUKI"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DUBS\GRAY X CROSSY x KARA"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DUBS\L-SIDE"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DUBS\SOTA"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="DUBS\TEDDY KILLERZ"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="OPEN FORMAT\MATEK\AFRO HOUSE\AFRO DEEP"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="OPEN FORMAT\MATEK\EDITS\DIVERSE"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="PARANGHELII\90 DANCE HITS"><CRITERIA ATTRIBUTE="4" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="PARANGHELII\OLDIES 70/80/90/2000"></SORTING_INFO>
<SORTING_INFO PATH="PARANGHELII\OLDIES ROMANIAN"><CRITERIA ATTRIBUTE="4" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="REV 2025\DJ MATA"><CRITERIA ATTRIBUTE="18" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="REV 2025\MANELE NOI"><CRITERIA ATTRIBUTE="4" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="REV 2025\MANELE VECHI"><CRITERIA ATTRIBUTE="4" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG "><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG BOOTLEGS"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG DUBS"></SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG EVENTS\&lt;3!GCVINLAFORM!&lt;3"></SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG EVENTS\UKG ANGI"></SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG EVENTS\UKG SXPK ANINA"></SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG EVENTS\UKG SXPK ANINA (2)"></SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG EVENTS\UKG SXPK WAV"></SORTING_INFO>
<SORTING_INFO PATH="UKG\UKG PE CARE VR SA L AUD"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="UKG\new folder"><CRITERIA ATTRIBUTE="6" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
<SORTING_INFO PATH="VAULT_SYNK's Rollers Delight"><CRITERIA ATTRIBUTE="20" DIRECTION="0"></CRITERIA>
</SORTING_INFO>
</INDEXING>
</NML>
